2006 January Comic Auction
| Sale Number: | 819 |
| Location: | |
| Auction Date: | January 19th at 1 PM CT through January 21st |
Session 1
Silver Age (1956-1969)
Aquaman #14 (DC, 1964) CGC NM 9.4 Cream to off-white pages. Nick Cardy provided cover and art for this issue, which has Aquaman thinking he's King of Atlantis! What's next, little wings on his ankles? This is the only 9.4, and highest-graded copy overall, that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $130. CGC census 12/05: 1 in 9.4, none higher.
Aquaman #15 (DC, 1964) CGC NM 9.4 Off-white pages. Nick Cardy art graces this issue, which sees Aquaman and Aqualad facing the villainy of Dr. Deering. Overstreet 2005 NM- 9.2 value = $130. CGC census 12/05: 2 in 9.4, none higher.
Aquaman #39 (DC, 1968) CGC NM+ 9.6 Cream to off-white pages. Nick Cardy cover and art. Overstreet 2005 NM- 9.2 value = $60. CGC census 12/05: 1 in 9.6, 1 higher.
Batman #171 (DC, 1965) CGC NM- 9.2 Cream pages. The Riddler made his first Silver Age appearance in this issue -- he hadn't been seen in a comic since 1948, and this was only his third appearance overall. It was met with general indifference at the time, since the Riddler wasn't exactly an A-list villain like the Jokers and the Penguins of the world, but.. then William Dozier, who became the producer of the "Batman" TV show, got his hands on a copy of a Batman comic, and by a quirk of fate, it happened to be this issue, which is why the Riddler became the featured baddie in the very first episode of the "Batman" TV show. Thereafter, the Prince of Puzzlers became a fixture on the show and has appeared in the movies as well. Mr. E. Nigma is drawn here by Carmine Infantino (cover) and Sheldon Moldoff (interior art). Overstreet 2005 NM- 9.2 value = $610. CGC census 12/05: 8 in 9.2, 2 higher.
Bronze Age (1970-1979)
Batman #234 (DC, 1971) CGC NM 9.4 Off-white to white pages. Two-Face made his first appearance since the Golden Age here, and he made his comeback in style, with Neal Adams drawing him and Denny O'Neil writing the script. Overstreet 2005 NM- 9.2 value = $195. CGC census 11/05: 25 in 9.4, 12 higher.
Batman #244 (DC, 1972) CGC NM 9.4 White pages. Ra's Al Ghul appearance. Robin back-up story. Cover by Neal Adams. Interior art by Adams, Dick Giordano, and Irv Novick. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 12 in 9.4, 8 higher.
Silver Age (1956-1969)
The Brave and the Bold #30 Justice League of America (DC, 1960) CGC FN 6.0 Light tan to off-white pages. In the last of the JLA's three tryout issues, villains Amazo and Professor Ivo make their first appearances. Putting in cameos are evildoer the Mirror Master and good guys Superman and Batman. Mike Sekowsky drew the cover as well as the story. Overstreet 2005 FN 6.0 value = $426. CGC census 12/05: 6 in 6.0, 20 higher.
The Brave and the Bold #34 (DC, 1961) CGC FN- 5.5 Off-white pages. Here's the first appearance and origin of the Silver Age Hawkman and Hawkgirl, marking another Golden Age revival following the return of the Flash and Green Lantern. While the two Winged Wonders closely resembled their Golden Age predecessors, they were actually new characters, in fact they were aliens rather than Egyptians! Also making their first appearances were the villainous Byth and Katar Hol's museum colleague Mavis Trent. The art chores were in the hands of Joe Kubert, who had also worked on the Golden Age character. Overstreet 2005 FN 6.0 value = $555. CGC census 12/05: 10 in 5.5, 74 higher.
Bronze Age (1970-1979)
Dark Mansion of Forbidden Love #4 Pacific Coast pedigree (DC, 1972) CGC NM/MT 9.8 Off-white to white pages. This experimental title may have been short-lived (this was the last issue), but it's a collector's favorite now. It's got a Nick Cardy cover and interior art by Ernie Chua (aka Ernie Chan). Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 3 in 9.8, none higher.
Golden Age (1938-1955)
Detective Comics #225 (DC, 1955) CGC FN/VF 7.0 Off-white to white pages. The first Silver Age comic book in the opinion of many is this issue, the first appearance of the Manhunter from Mars and therefore the first significant introduction of a new superhero in the 1950s. The character, now better known as the the Martian Manhunter, has remained popular through the ensuing years; in fact, even kids of 2006 know him from the Cartoon Network! Yet J'onn J'onzz didn't get cover billing in his first comic book -- after all, this is Detective, where Batman is king, and thus Win Mortimer's cover was devoted to the Caped Crusader. The issue's wacky Batman story (drawn by Sheldon Moldoff) has a bunch of average Joes getting to be Batman for a day. The book is difficult to find in grade (only one copy has exceeded the 8.0 mark to date), and this copy, which is new to the market, will make some Silver Age collector very happy. Overstreet 2005 FN 6.0 value = $1,092; VF 8.0 value = $3,331. CGC census 12/05: 4 in 7.0, 7 higher.
Silver Age (1956-1969)
The Flash #145 (DC, 1964) CGC NM 9.4 White pages. The Weather Wizard's back to rain on the Flash's parade in this issue, which features the art of Carmine Infantino. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 6 in 9.4, 3 higher.
The Flash #147 (DC, 1964) CGC NM 9.4 Off-white to white pages. The Reverse-Flash, aka Professor Zoom, made his second appearance here, and he collaborates with another two-name villain in Mr. Element, who's sometimes Dr. Alchemy. Confusing names aside, the issue's a winner thanks to Carmine Infantino art. This is one of the nicest copies yet certified. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 4 in 9.4, 3 higher.
The Flash #155 Boston pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Carmine Infantino was the master of cover design, and particularly adept at depicting numerous characters without watering down the image. This Infantino-drawn issue has foes the Top, Captain Boomerang, Heat-Wave, the Pied Piper, Mirror Master, Captain Cold, plus the secret villain (hint: he's a gorilla and his name rhymes with odd). No copy of this issue has been certified with a higher grade to date. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 5 in 9.6, none higher.
The Flash #159 Massachusetts pedigree (DC, 1966) CGC NM+ 9.6 White pages. This issue is best remembered as the cover that inspired two stories -- John Broome's tale in this issue and a different yarn penned by Robert Kanigher in #161. In this issue's story, Kid Flash and Dr. Mid-Nite guest-star, and Carmine Infantino handles the art chores. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 7 in 9.6, 3 higher.
The Flash #168 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. No copy of this issue has been graded higher by CGC to date. Green Lantern guest-stars in this Carmine Infantino-drawn issue. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 4 in 9.6, none higher.
The Flash #187 (DC, 1969) CGC NM+ 9.6 Off-white to white pages. For your bidding pleasure, here's an ultra-sharp copy of this square bound comic (also known as 80-Page Giant #G-58). The cover's by Ross Andru and Mike Esposito. Overstreet 2005 NM- 9.2 value = $90. CGC census 12/05: 6 in 9.6, 1 higher.
Bronze Age (1970-1979)
The Flash #205 (DC, 1971) CGC NM+ 9.6 Off-white to white pages. The world's fastest men are on display here, and we don't mean slowpokes like that Carl Lewis guy. We're talking about Barry Allen (the Flash), Wally West (Kid Flash), Johnny Chambers (Johnny Quick), and even Jay Garrick (the Golden Age Flash). The latter's story is a Golden Age tale which saw print for the first time in this 1971 issue! This comic is also known as 80-Page Giant G-82. It's got a Dick Giordano cover and Carmine Infantino art. Overstreet 2005 NM- 9.2 value = $70. CGC census 12/05: 4 in 9.6, none higher.
The Flash #219 (DC, 1973) CGC NM/MT 9.8 Off-white to white pages. Have a look at this absolutely pristine copy of this Bronze Age book. A Green Lantern/Green Arrow story with Neal Adams art is the highlight, but let's not forget the lead story, with Mirror Master and the Top teaming up to make the Flash's life tough. The cover is by Nick Cardy. Overstreet 2005 NM- 9.2 value = $50. CGC census 12/05: 2 in 9.8, none higher.
Silver Age (1956-1969)
Flash Annual #1 (DC, 1963) CGC NM- 9.2 Cream to off-white pages. DC's Scarlet Speedster stars in his first 80-Page Giant, which features Carmine Infantino cover and art. Included are reprints of the first appearances of the Elongated Man, Gorilla Grodd, and Kid Flash, plus a Golden Age Flash reprint with Lee Elias art. Inside, there's an index of all Silver Age Flash stories, writers, and artists up to issue #140. This copy displays great color and a sharp, smooth spine. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 7 in 9.2, 3 higher.
Green Lantern #1 (DC, 1960) CGC VG 4.0 Off-white to white pages. Publishers were notoriously reluctant to launch a new #1 back in the day, but this one was pretty much a sure thing, as Green Lantern had aced a tryout in the pages of Showcase. This first issue retells GL's origin, and introduces the Guardians of the Universe. Artist Gil Kane finally found his calling with this title, and he was ably assisted here by Murphy Anderson and Joe Giella. Overstreet 2005 VG 4.0 value = $654. CGC census 12/05: 19 in 4.0, 108 higher.
Green Lantern #16 (DC, 1962) CGC NM 9.4 Off-white to white pages. It's the origin and first appearance of Star Sapphire, who looks remarkably like Hal Jordan's love interest Carol Ferris... wait a minute, she is Carol Ferris! A backup feature stars Abin Sur, who you may recall is the alien who gave Green Lantern his powers. The issue's cover and interior art are by Gil Kane. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 2 in 9.4, 1 higher.
Green Lantern #30 (DC, 1964) CGC NM 9.4 Off-white pages. This issue features the first appearance of Katma Tui, whom GL fans will remember as the lovely red-skinned guardian of another corner of the universe. The dinosaur cover as well as the interior art are by Gil Kane. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 2 in 9.4, 2 higher.
Green Lantern #40 (DC, 1965) CGC VF/NM 9.0 Off-white to white pages. Attention Crisis fans: the origin of the DC Universe's infinite Earths was right here in this issue, providing the foundation for much that was to come in the DC Universe. And the story also reveals the origin of the Guardians, and has the first appearance of Krona. And speaking of multiple Earths, the Green Lantern of Earth-Two (i.e. the Golden Age GL) guest stars, the first time he made a full appearance in this Silver Age series. Doiby Dickles also appears. The issue's cover and art are by Gil Kane. Overstreet 2005 VF/NM 9.0 value = $572; NM- 9.2 value = $775. CGC census 12/05: 14 in 9.0, 24 higher.
Green Lantern #48 (DC, 1966) CGC NM 9.4 Cream to off-white pages. Second appearance of Keith Kenyon, who becomes Goldface for the first time. Gil Kane cover and art. Overstreet 2005 NM- 9.2 value = $130. CGC census 12/05: 14 in 9.4, 6 higher. From the collection of Joe and Nadia Mannarino.
Green Lantern #59 (DC, 1968) CGC NM- 9.2 Cream to off-white pages. First appearance of Guy Gardner. Origin (of Hal Jordan) retold. Gil Kane and Murphy Anderson cover. Kane and Sid Greene art. Overstreet 2005 NM- 9.2 value = $255. CGC census 12/05: 14 in 9.2, 18 higher.
Green Lantern #67 (DC, 1969) CGC NM 9.4 Cream to off-white pages. First appearance of Rori Dag, the first Green Lantern. Gil Kane cover. Dick Dillin art. Overstreet 2005 NM- 9.2 value = $75. CGC census 12/05: 3 in 9.4, none higher.
Bronze Age (1970-1979)
Green Lantern #85 (DC, 1971) CGC NM 9.4 Off-white pages. Anti-drug issue. Neal Adams cover and art. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 29 in 9.4, 14 higher.
House of Secrets #103 (DC, 1972) CGC NM/MT 9.8 Off-white to white pages. Bernie Wrightson cover. Overstreet 2005 NM- 9.2 value = $28. CGC census 12/05: 1 in 9.8, none higher.
Silver Age (1956-1969)
Justice League of America #1 (DC, 1960) CGC FN/VF 7.0 Off-white to white pages. Murphy Anderson's cover for this issue has been much imitated and re-created in years to follow. This first issue of the long running title features the origin and first appearance of Despero (he's the one with the three eyes). Mike Sekowsky and Bernard Sachs teamed up on the interior art. Overstreet 2005 FN 6.0 value = $1,092; VF 8.0 value = $3,331. CGC census 12/05: 11 in 7.0, 22 higher.
Justice League of America #15 (DC, 1962) CGC VF 8.0 Off-white to white pages. Mike Sekowsky and Murphy Anderson cover. Sekowsky and Bernard Sachs art. Overstreet 2005 VF 8.0 value = $158. CGC census 12/05: 6 in 8.0, 23 higher.
Justice League of America #17 (DC, 1963) CGC VF 8.0 White pages. Adam Strange flashback. Murphy Anderson cover. Mike Sekowsky and Bernard Sachs art. Overstreet 2005 VF 8.0 value = $136. CGC census 12/05: 4 in 8.0, 17 higher.
Justice League of America #19 (DC, 1963) CGC VF+ 8.5 White pages. The JLA battles Doctor Destiny. Murphy Anderson cover. Mike Sekowsky art. Overstreet 2005 VF 8.0 value = $136; VF/NM 9.0 value = $208. CGC census 12/05: 4 in 8.5, 6 higher.
Justice League of America #21 (DC, 1963) CGC NM 9.4 Off-white pages. No copy of this issue has been graded higher by CGC to date, and we're talking about a key issue for Golden and Silver Age fans alike! That's because it's got the return of comics' first super-team, the Justice Society! Not only that, it's the first time the terms "Earth-One" and "Earth-Two" appeared in a comic, and it was the first of the many "Crisis..." stories teaming up the JLA and JSA. Mike Sekowsky was charged with drawing the whole slew of characters. Overstreet 2005 NM- 9.2 value = $540. CGC census 12/05: 8 in 9.4, none higher.
Modern Age (1980-Present)
New Teen Titans #2 (DC, 1980) CGC NM/MT 9.8 White pages. First appearance of Deathstroke the Terminator. George Perez cover and art. Overstreet 2005 NM- 9.2 value = $6. CGC census 12/05: 18 in 9.8, none higher.
Silver Age (1956-1969)
Sea Devils #1 (DC, 1961) CGC NM- 9.2 Off-white pages. Boosted by their three appearances in Showcase, DC's underwater adventurers make a big splash with their own title here. Featuring top notch art by Russ Heath, this quality series ran for 35 issues. Here's a pleasing copy of the first one. Overstreet 2005 NM- 9.2 value = $925. CGC census 12/05: 3 in 9.2, 3 higher.
Showcase #4 The Flash - Mohawk Valley pedigree (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. This is the comic that revitalized comics, ushering in the era we know and cherish as the Silver Age!! It's the first appearance of the Silver Age Flash, Barry Allen. The book came out at a time when the comic book industry was at a low point and there seemed to be next to no demand for existing superheroes, never mind new ones. But DC took the risk in this series, which featured new tryout features every couple of issues. But rather than re-presenting the established Golden Age character Jay Garrick, metal helmet and all, this character had a new identity, costume, and origin. The experiment was a success, and Barry got his own title after a few more Showcase appearances. The story, written by Bob Kanigher and drawn by Carmine Infantino and Joe Kubert, also featured the first appearance of Barry's girlfriend Iris West. It trails only Amazing Fantasy #15 on Overstreet's list of the most valuable Silver Age books. This is one of the nicest copies you'll find of this key comic. Overstreet 2005 VF 8.0 value = $13,200; VF/NM 9.0 value = $27,600. CGC census 12/05: 1 in 8.5, 4 higher.
Showcase #4 The Flash (DC, 1956) CGC VF 8.0 White pages. This isn't just the first Silver Age Flash comic, it's the first Silver Age comic, period! This fourth issue of DC's tryout series brought back the name and character concept from the Golden Age, but with a new name (Barry Allen), costume, and origin. Barry's best girl Iris West also made her first appearance in the issue. Carmine Infantino and Joe Kubert provided the art. The book is the second most valuable Silver Age comic according to Overstreet, and only a small handful of copies have been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $13,200. CGC census 12/05: 6 in 8.0, 5 higher.
Showcase #4 The Flash (DC, 1956) CGC FN/VF 7.0 Off-white pages. Here's the first appearance of that famous scarlet speedster, Barry Allen, aka the Silver Age Flash. The new character's debut, at a time when superheroes were out of fashion, started a new wave of popularity for costumed crimefighters that hasn't abated to this day. Showcase was, of course, a tryout series, and the Flash's tryout was a success thanks in part to Flash's great new look designed by Carmine Infantino, the art of Infantino and Joe Kubert, and a zippy origin story by Bob Kanigher. More Showcase appearances would soon follow. Overstreet 2005 FN 6.0 value = $3,600; VF 8.0 value = $13,200. CGC census 12/05: 1 in 7.0, 15 higher.
Showcase #4 (DC, 1956) Condition: Apparent FN Moderate (A). Silver Age comics don't get any better than this, especially since this book started that era. The Flash has his origin and first appearance in this landmark issue, becoming DC's first Silver Age superhero. Also look for first appearances of Iris West and the Turtle. Joe Kubert provided the cover, and shared interior art chores with Carmine Infantino. This book could not be encapsulated by CGC due to an overhang along the top. It has had color touch, pieces added, has been cleaned and pressed, and has tear seals. Overstreet 2005 GD 2.0 value = $1,200; VG 4.0 value = $2,400; FN 6.0 value = $3,600.
Showcase #7 Challengers of the Unknown - Bethlehem pedigree (DC, 1957) CGC NM- 9.2 Cream to off-white pages. In the second appearance of the Challengers of the Unknown, our heroes have to face a robot that's essentially omnipotent! We know the group's "living on borrowed time," but will it run out in only their second adventure? The cover and interior art are by Jack Kirby. This pedigree copy is the highest-graded that CGC has certified to date! Overstreet 2005 NM- 9.2 value = $2,750. CGC census 12/05: 1 in 9.2, none higher.
Showcase #8 The Flash (DC, 1957) CGC VF 8.0 Off-white pages. One of the ten most valuable Silver Age comics according to Overstreet, this issue has the second appearance of the Silver Age Flash (who of course debuted in #4). There's also the first memorable foe for Barry Allen, as Captain Cold makes his first of many appearances. Captain Cold's origin is also recounted here. The cover and interior art are by Carmine Infantino. Overstreet 2005 VF 8.0 value = $7,503. CGC census 12/05: 4 in 8.0, 1 higher.
Showcase #8 The Flash (DC, 1957) CGC FN/VF 7.0 Cream to off-white pages. Currently number six on Overstreet's list of the ten most valuable Silver Age comics, this is the second appearance of the Silver Age Flash, who debuted in issue #4 of this tryout title. The issue also has the origin and first appearance of one of Flash's most frequently-seen foes, Captain Cold. The issue's cover and interior art are by Carmine Infantino. Overstreet 2005 FN 6.0 value = $2,460; VF 8.0 value = $7,503. CGC census 12/05: 1 in 7.0, 6 higher.
Showcase #9 Lois Lane - Bethlehem pedigree (DC, 1957) CGC VF 8.0 White pages. This was Lois Lane's first Showcase appearance, and no doubt the skeptics sneered at devoting a whole comic to a superhero's "girl friend." Well, not only did she become the first Showcase tryout feature to get her own series (beating the speedy Flash into print), that series lasted for over 15 years! Al Plastino is credited with this issue's cover. Overstreet 2005 VF 8.0 value = $4,700. CGC census 12/05: 4 in 8.0, 1 higher.
Showcase #10 Lois Lane (DC, 1957) CGC VF+ 8.5 Off-white to white pages. Here's the second installment of a two-issue tryout for Lois. While it's a solo adventure for the ace reporter, Superman does appear on the cover, and Jor-El makes a cameo in the story. The issue's cover and interior art are by Wayne Boring. Overstreet 2005 VF 8.0 value = $1,978; VF/NM 9.0 value = $3,364. CGC census 12/05: 1 in 8.5, 3 higher.
Showcase #10 Lois Lane (DC, 1957) CGC FN 6.0 Off-white to white pages. This was the second issue of a two-issue tryout for "Superman's Girl Friend," and she went on to become the first Showcase tryout character to get her own series, even before the Flash! Lois benefited from cover and interior art by Wayne Boring, and it certainly didn't hurt that Superman put in an appearance on the cover. Also, Super-Dad Jor-El makes a cameo in the story itself. Overstreet 2005 FN 6.0 value = $678. CGC census 12/05: 4 in 6.0, 12 higher.
Showcase #12 Challengers of the Unknown (DC, 1958) CGC VF+ 8.5 Off-white to white pages. Jack "King" Kirby prepared for his upcoming stint at Marvel with his brilliant work drawing the Challengers. In this issue (their last Showcase outing), the Challs face Karnak, not to be confused with Kirby's Karnak over at Marvel (or Johnny Carson's at NBC). Overstreet 2005 VF 8.0 value = $1,182; VF/NM 9.0 value = $1,916. CGC census 12/05: 1 in 8.5, 2 higher.
Showcase #13 The Flash - Bethlehem pedigree (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. This issue features the third-ever appearance of the Silver Age Flash (the first two were #4 and #8 of this title). It's a fine display of what made the hero a fan favorite, as Barry Allen races all over the globe righting a multitude of wrongs, and still gets back in time for lunch with his best girl Iris. In the second feature, Flash takes on the villainy of Mr. Element, who makes his first appearance. Both of the stories and the cover were drawn by Carmine Infantino. Overstreet 2005 VF/NM 9.0 value = $4,887; NM- 9.2 value = $6,900. CGC census 12/05: 1 in 9.0, 1 higher.
Showcase #13 The Flash (DC, 1958) CGC VF- 7.5 Off-white pages. Barry Allen, the Silver Age Flash, made his third appearance in this issue, which also has the origin and first appearance of Mister Element. Carmine Infantino handled the cover and interior art. Overstreet 2005 VF 8.0 value = $2,873. CGC census 12/05: 6 in 7.5, 5 higher.
Showcase #13 The Flash (DC, 1958) CGC FN 6.0 Light tan to off-white pages. This book features the third appearance of the Silver Age Flash, as well as the origin and first appearance of Mister Element. Carmine Infantino handled the cover and interior art. Overstreet 2005 FN 6.0 value = $942. CGC census 12/05: 2 in 6.0, 21 higher.
Showcase #14 The Flash - Big Apple pedigree (DC, 1958) CGC VF 8.0 Off-white pages. We're pleased to offer you one-stop shopping for all four of the Flash's Showcase appearances that preceded the debut of his own series. In this fourth outing for the Scarlet Speedster, his foe from the previous issue, Mr. Element, returns, but this time around the villain's calling himself Dr. Alchemy! Only a handful of copies outgrade this pedigree book in CGC's current census. Overstreet 2005 VF 8.0 value = $3,010. CGC census 12/05: 1 in 8.0, 4 higher.
Showcase #18 Adventures On Other Worlds (DC, 1959) CGC VF/NM 9.0 White pages. Adam Strange's second appearance was in this issue. The book has a Gil Kane cover and Mike Sekowsky interior art. Overstreet 2005 VF/NM 9.0 value = $1,375; NM- 9.2 value = $1,900. CGC census 12/05: 1 in 9.0, 2 higher.
Golden Age (1938-1955)
Showcase #19 Adam Strange (DC, 1959) CGC FN 6.0 Off-white to white pages. First time the "Adam Strange" logo was used. Gil Kane cover. Mike Sekowsky art. Overstreet 2005 FN 6.0 value = $333. CGC census 12/05: 2 in 6.0, 10 higher.
Silver Age (1956-1969)
Showcase #24 Green Lantern (DC, 1960) CGC VF+ 8.5 Cream pages. The third time's a charm for the Silver Age Green Lantern: this was his third and final Showcase try-out before he received his own series. The cover and interior art are by the extraordinary Gil Kane. Note that the only copies graded higher by CGC to date are just a half-grade above this one at 9.0. Overstreet 2005 VF 8.0 value = $1,097; VF/NM 9.0 value = $1,774. CGC census 12/05: 2 in 8.5, 3 higher.
Superman's Girl Friend Lois Lane #2 (DC, 1958) CGC VF- 7.5 Off-white pages. This is the highest-graded copy CGC has certified to date, so don't pass this VF- book by if you collect this title! The issue's got a great Curt Swan cover -- girlfriends always want to know about their guys' inner feelings, we know how annoying that can be, Superman! Well, journalists are inquisitive types, so Supes knew what he was in for. Kurt Schaffenberger and Wayne Boring contributed interior art. Overstreet 2005 VF 8.0 value = $663. CGC census 12/05: 1 in 7.5, none higher.
Superman's Girl Friend Lois Lane #3 (DC, 1958) CGC VF+ 8.5 Off-white to white pages. As of this writing, this is the only copy to be graded 8.5 or higher of any of the first five Lois Lane issues! Did they even make 'em in Near Mint? The white cover makes the existence of a nicer book seem even more unlikely. Speaking of covers, if you set out to collect every DC super-baby cover you would need many a longbox! This one's by Curt Swan. Overstreet 2005 VF 8.0 value = $434; VF/NM 9.0 value = $705. CGC census 12/05: 1 in 8.5, none higher.
Superman's Girl Friend Lois Lane #4 (DC, 1958) CGC VF 8.0 Off-white pages. Curt Swan cover. Wayne Boring art. Overstreet 2005 VF 8.0 value = $352. CGC census 12/05: 2 in 8.0, none higher.
Bronze Age (1970-1979)
Swamp Thing #1 (DC, 1972) CGC NM+ 9.6 White pages. Bernie Wrightson's run of Swamp Thing #1-10 is considered by many fans to be among his best comics work. Here's the first issue, featuring the revised origin of the character first introduced in House of Secrets #92. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 30 in 9.6, 3 higher.
Silver Age (1956-1969)
The Amazing Spider-Man #1 (Marvel, 1963) CGC VF 8.0 Off-white to white pages. A great-looking copy of the first issue of the most-collected title in all of comics... what more can you ask for? This one's a Marvel-must, thanks to the first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Steve Ditko drew the cover (over Jack Kirby layouts) as well as the story art. Overstreet 2005 VF 8.0 value = $8,750. CGC census 12/05: 25 in 8.0, 38 higher.
The Amazing Spider-Man #1 (Marvel, 1963) CGC Apparent FN+ 6.5 Slight (A) Cream to off-white pages. The designation of "amateur" restoration seems a bit harsh to us in this case -- while that term conjures up visions of tape and ball point pen, what we have here is a very nice-looking copy of this key issue. And by "key" we mean events like the first Fantastic Four crossover and the first appearances of John Jameson, J. Jonah Jameson, and the Chameleon, all by writer Stan Lee and artist Steve Ditko! CGC notes, "Restoration includes: Staples cleaned. (Top edge of cover trimmed). Overstreet 2005 GD 2.0 value = $875; VG 4.0 value = $1,750; FN 6.0 value = $2,625; VF 8.0 value = $8,750.
The Amazing Spider-Man #6 (Marvel, 1963) CGC NM 9.4 Cream to off-white pages. The Lizard, one of Spider-Man's most memorable foes, made his first of many appearances in this issue. Every Lizard story always had the same wrenching undercurrent: Spidey always had to pull his punches because the villain was really his pal Curt Connors (spelled Conners about half the time)... but the Lizard had no such compunctions about walloping the Webhead! Writer Stan Lee and artist Steve Ditko delivered the action. If you're off to see the Lizard, bring a healthy bidding budget, as this is among the finest copies yet certified of this issue from comics' most-collected title. Overstreet 2005 NM- 9.2 value = $3,000. CGC census 12/05: 9 in 9.4, 6 higher.
The Amazing Spider-Man #7 (Marvel, 1963) CGC NM- 9.2 Cream to off-white pages. The Vulture soared to his second appearance here, bald-ly going where few men had gone before to make Spider-Man's life difficult. The cover and interior art are by Steve Ditko. Overstreet 2005 NM- 9.2 value = $1,900. CGC census 12/05: 8 in 9.2, 14 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. Peter Parker gets a chance to box Flash Thompson, but alas, a robot interrupts the fisticuffs. Steve Ditko provided cover and interior art for the issue. There's also a backup feature that guest-stars the Fantastic Four and has art by Jack Kirby and Ditko. Overstreet 2005 NM- 9.2 value = $1,900. CGC census 12/05: 19 in 9.4, 9 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Stan 'n Steve (Lee and Ditko, of course) had fun with this cover; it's emblazoned with the kind of banners and over-the-top pronouncements that became Marvel Age staples in the 'early' years. Steve Ditko continued with his career-defining cover and interior art, and gets help from Jack Kirby in a backup story that co-stars the Fantastic Four. The yellows and reds of this sparkling cover are as bold as Stan's blurbs! Overstreet 2005 NM- 9.2 value = $1,900. CGC census 12/05: 19 in 9.2, 28 higher.
The Amazing Spider-Man #9 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Electro's origin and first appearance are in this issue, and not only does the Webslinger have to take on the villain, he has to worry about -- you'll never guess -- Aunt May's ill health. The issue's cover and interior art are by Steve Ditko. CGC notes, "'11/26' written on cover in grease pencil." Overstreet 2005 VF/NM 9.0 value = $1,636; NM- 9.2 value = $2,025. CGC census 12/05: 22 in 9.0, 37 higher.
The Amazing Spider-Man #16 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. Daredevil made his first-ever crossover appearance right here, and you can see it's an early outing for DD since he's still wearing his original yellow costume. In the issue, he and Spidey battle the Ringmaster. The issue's cover and interior art are by Steve Ditko. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 11 in 9.4, 4 higher.
The Amazing Spider-Man #18 (Marvel, 1964) CGC NM+ 9.6 Off-white pages. This issue sees the first appearance of Ned Leeds who, Overstreet notes, "later becomes the Hobgoblin." Granted, that transformation of 20 years later is of earth-shaking import to many a Modern Age Marvelite, but back in '64 Ned posed an even greater threat: he was making time with Betty Brant! As far as the superhero action is concerned, the Sandman puts Spidey on the run; has our red-and-blue hero turned yellow? Pretty much, until a pep talk from Aunt May has him ready to kick some sandy butt. Also of note: great Steve Ditko art and a Fantastic Four cameo. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 9 in 9.6, 1 higher.
The Amazing Spider-Man #18 (Marvel, 1964) CGC NM 9.4 Off-white pages. A real threat confronted our hero here, and no, we don't mean the Sandman, who makes his third appearance. We're talking about Ned Leeds, who debuted here as a rival for the affections of Betty Brant! The Fantastic Four cameos in the issue. Steve Ditko provided both cover and interior art. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 12 in 9.4, 10 higher.
The Amazing Spider-Man #19 (Marvel, 1964) CGC NM- 9.2 Cream to off-white pages. Spider-Man swings into action on the front cover of this fun issue, which features the Sandman and the Enforcers. The Human Torch makes another crossover appearance -- at this point, he was practically a regular! Steve Ditko drew the cover and the story, of course. This copy is quite attractive and well cut, one of the nicer copies you will find. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 24 in 9.2, 29 higher. From the collection of Joe and Nadia Mannarino.
The Amazing Spider-Man #23 (Marvel, 1965) CGC VF/NM 9.0 Off-white pages. He's baaaack... the Green Goblin returns for his third cover and story appearance. Norman Osborn also appears -- funny how he and the Goblin are around about the same time! Steve Ditko turned in another great job on cover and interior art duties. Overstreet 2005 VF/NM 9.0 value = $568; NM- 9.2 value = $775. CGC census 12/05: 24 in 9.0, 27 higher. From the collection of Joe and Nadia Mannarino.
The Amazing Spider-Man #32 White Mountain pedigree (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. No copy of this issue has been graded higher by CGC to date! The Master Planner of the previous issue turns out to be a formidable foe indeed -- it's Doctor Octopus! Worse yet, he's just stolen the serum that's the only cure for the blood poisoning that has befallen Aunt May. To put it another way, this time it's personal. The cover and art are by Steve Ditko. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 10 in 9.6, none higher.
The Amazing Spider-Man #33 (Marvel, 1966) CGC NM+ 9.6 Off-white pages. This is possibly the greatest story of the Steve Ditko run, and we've got a pristine copy of same! Spider-Man continues his battle with Doctor Octopus in this popular issue. Oh, and let's not forget the pulse-pounding script by Smilin' Stan Lee. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 42 in 9.6, 5 higher.
The Amazing Spider-Man #41 (Marvel, 1966) CGC NM/MT 9.8 White pages. This copy shares the title of "finest known copy" with just one other according to CGC's census. In one of John Romita Sr.'s earliest issues as penciler of the title, Spidey takes on the Rhino, who makes his first appearance. And meanwhile, Anna Watson promises to introduce Peter Parker to Mary Jane, leading up to the first "real" appearance of MJ in the following issue. Overstreet 2005 NM- 9.2 value = $480. CGC census 12/05: 2 in 9.8, none higher.
The Amazing Spider-Man #43 Boston pedigree (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Love is blooming between Peter Parker and Mary Jane Watson, but Peter, alias Spider-Man, has to worry about battling the Rhino. And of course, there's another problem, namely the usual ill health of Peter's Aunt May. John Romita Sr. drew the story as well as the cover. Overstreet 2005 NM- 9.2 value = $220. CGC census 12/05: 9 in 9.6, 2 higher.
The Amazing Spider-Man #44 Curator pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. The Lizard's back for his second appearance in this issue. John Romita Sr. drew the cover and story as well as earning a co-plotting credit along with Smilin' Stan Lee. Overstreet 2005 NM- 9.2 value = $220. CGC census 12/05: 6 in 9.6, 2 higher.
The Amazing Spider-Man #49 Northland pedigree (Marvel, 1967) CGC NM+ 9.6 Off-white pages. Having defeated Spidey, the new Vulture (Blackie Drago) is hailed as Manhattan's deadliest villain! And that doesn't sit well with Kraven the Hunter, who opts to show the winged one who's the real king of the urban jungle. And wouldn't you know it, the Webhead will have to take on both of them! John Romita Sr. drew all of the action. Overstreet 2005 NM- 9.2 value = $220. CGC census 12/05: 6 in 9.6, 2 higher.
The Amazing Spider-Man #50 (Marvel, 1967) CGC NM+ 9.6 White pages. We haven't offered a copy this nice of #50 before, nor have we seen a 9.6 change hands in any venue lately! The issue is the first appearance of the Kingpin, and has some events in Spider-Man's life which were adapted for the movie "Spider-Man 2." The cover and interior art are by John Romita Sr. Overstreet 2005 NM- 9.2 value = $950. CGC census 12/05: 6 in 9.6, 1 higher.
The Amazing Spider-Man #51 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. CGC hasn't certified a nicer copy of this issue to date! The book has the second appearance of the Kingpin (his first cover appearance), plus a one-panel cameo by "Robbie" Robertson, who didn't make his first full appearance until the next issue. The cover and interior art are by John Romita Sr. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 4 in 9.6, none higher.
The Amazing Spider-Man #53 Northland pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. Not only does Doctor Octopus battle Spider-Man in this issue, he decides to rent the guest room advertised by... Anna Watson and May Parker! On the positive side, there's Peter Parker's first date with gorgeous Gwen Stacy. The issue's cover and interior art are by John Romita Sr. Comes with the Northland certificate of authenticity. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 11 in 9.6, 1 higher.
The Amazing Spider-Man #54 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. It ain't easy being Peter Parker, not when your aunt springs surprises on you like her newest boarder, that charming man Otto Octavius! And as usual, Spidey can't just confront the villain on the spot, because Aunt May's heart couldn't take the strain, etc., etc. Great stuff by writer Stan Lee and artist John Romita Sr. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 8 in 9.6, 2 higher.
The Amazing Spider-Man #56 Northland pedigree (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Captain Stacy (Gwen's dad) made his first appearance in this issue. The main event is a tale in which Spider-Man has amnesia and thinks he's the partner of Doctor Octopus! John Romita Sr. provided cover and interior art. Comes with the Northland certificate of authenticity. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 12 in 9.6, 4 higher.
The Amazing Spider-Man #57 (Marvel, 1968) CGC NM+ 9.6 White pages. No copy of this issue has been graded higher by CGC to date! In the story, Lord Plunder comes to town... you and I know him better as Ka-Zar. And no sooner does he arrive than J. Jonah Jameson offers him a hefty reward to defeat Spider-Man. John Romita Sr. drew the cover as well as providing layouts for Don Heck's finished pencils. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 16 in 9.6, none higher.
The Amazing Spider-Man #64 (Marvel, 1968) CGC NM/MT 9.8 Off-white to white pages. This perfect copy of the white-cover issue would enrich any Spider-Man collection! The cover's a great showcase for one of the great John Romita Sr. cityscapes which we Spidey fans take for granted at times. The issue's Wallcrawler-versus-Vulture story was drawn by Don Heck over breakdowns by Romita. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 9 in 9.8, none higher.
The Amazing Spider-Man #66 (Marvel, 1968) CGC NM/MT 9.8 Off-white to white pages. We present to you a flawless specimen of this issue! In addition to the cover-billed showdown between Spider-Man and Mysterio, there's a Green Goblin cameo in the issue... a certain Mr. Osborn has regained his memory of being a villain, that spells trouble for the Webslinger. John Romita Sr. drew the cover in addition to providing breakdowns for Don Heck's finished pencils. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 4 in 9.8, none higher.
The Amazing Spider-Man #67 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Randy Robertson (the son of 'Robbie") made his first appearance in this issue. Spider-Man has other worries, though, like being six inches high and having to take on a full-size Mysterio! The issue's cover and interior art are by John Romita Sr. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 16 in 9.6, 2 higher.
The Amazing Spider-Man #68 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. Student demonstrations rock the Empire State campus, drawing the interest of Robbie Robertson (whose son is caught up in the mess), and also of the Kingpin, who sees it as the perfect distraction for pulling off a heist! John Romita Sr. drew the cover as well as interior breakdowns; Jim Mooney provided finished art. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 13 in 9.6, 2 higher.
The Amazing Spider-Man #69 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. Only one copy of this issue has been graded higher by CGC to date! The storyline involving some ancient clay tablets extended over several issues of this series -- these days it would be dubbed a "story arc" and quickly collected in a trade paperback, but back then they were just good yarns! Kingpin, who figured prominently in the whole affair, battles Spidey in this issue, drawn by Jim Mooney over John Romita Sr.'s breakdowns. The cover is by Romita. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 13 in 9.6, 1 higher.
The Amazing Spider-Man #71 Pacific Coast pedigree (Marvel, 1969) CGC NM+ 9.6 Off-white to white pages. Quicksilver zips into town to look up the Avengers, but since they're out of town, he figures he'll do some good by rounding up that "villain," Spider-Man. Jeez, you'd think as a former quasi-villain himself, the speedster would be more considerate! John Romita Sr. drew the cover as well as providing interior breakdowns for Jim Mooney's finished pencils. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 17 in 9.6, 1 higher.
The Amazing Spider-Man #73 (Marvel, 1969) CGC NM+ 9.6 White pages. Silvermane, boss of a Maggia crime family, made his first appearance in this issue, as did his hired muscle, Man-Mountain Marko. John Romita Sr. drew the cover, as well as supplying finished art over John Buscema's breakdowns. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 18 in 9.6, 4 higher.
The Amazing Spider-Man #74 Pacific Coast pedigree (Marvel, 1969) CGC NM+ 9.6 Off-white pages. The "ancient clay tablets" storyline, which began way back in #68, continues here, and Spider-Man and Dr. Curt Connors must face the villainy of Silvermane. John Romita Sr. drew the cover and provided interior breakdowns for Jim Mooney to finish. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 12 in 9.6, 1 higher.
The Amazing Spider-Man #76 (Marvel, 1969) CGC NM+ 9.6 Off-white to white pages. This copy's tied for the highest grade CGC has assigned to date. In the issue, the Lizard's back to menace Spider-Man, but as usual Spidey doesn't want to hurt the Lizard, because he's really Peter Parker's pal Curt Connors! The Human Torch puts in an appearance too, setting up the following issue's three-way duel. John Romita Sr. drew the cover, while the interior art was a team effort by John Buscema (breakdowns) and Jim Mooney (finished pencils). Note that the front of the CGC slab has a crack, not affecting the comic itself or thew integrity of the holder. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 14 in 9.6, none higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #82 (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. Spider-Man attempted to appear on TV shows to make money a few times in the course of this series, and the results were invariably disastrous. It's no different here, as he winds up battling Electro at a TV studio. Also in this issue is a scene that was adapted for the movie "Spider-Man 2," with Peter Parker washing his costume at a laundromat! The issue has interior art by John Romita Sr. and Jim Mooney, and the cover's by "Mirthful" Marie Severin. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 13 in 9.6, none higher.
The Amazing Spider-Man #83 (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. It's the first appearance of the Schemer, who wants to muscle in on the Kingpin's territory! Hmmm, what's the connection between him and the Kingpin? . The issue's cover and interior art are by John Romita Sr. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 11 in 9.6, 2 higher.
The Amazing Spider-Man #85 (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. No copy of this issue has been graded higher by CGC to date. In the story, we find out why the Schemer is so interested in the Kingpin... he's the Kingpin's son! The interior art is by John Buscema (breakdowns), John Romita Sr. (finished pencils), and Jim Mooney (inks). The cover is by Romita. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 15 in 9.6, none higher.
The Amazing Spider-Man #90 (Marvel, 1970) CGC NM+ 9.6 Off-white pages. No copy of this issue has been graded higher than this one, and few Marvel stories were better than this one -- the death of Captain Stacy. Who can forget Spidey holding the dying policeman in his arms, with Stacy revealing how much he knew by calling Spidey "Peter," and telling him that Gwen loved him? If you cried when you read it, you need to bid on this; if you say you didn't cry, we don't believe you, but we'll still let you bid. It's Stan Lee at his best, with art by Gil Kane (pencils) and John Romita Sr (inks). Overstreet 2005 NM- 9.2 value = $125. CGC census 12/05: 11 in 9.6, none higher.
The Amazing Spider-Man #91 Pacific Coast pedigree (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. Here's a copy that's up to the usual (astronomical) standard of the Pacific Coast collection! The funeral of Captain Stacy leads off the issue, and later on Spider-Man swings home to Peter Parker's apartment only to find Gwen and a baddie named Bullit waiting for him! John Romita Sr. drew the cover and also inked Gil Kane's interior pencils. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 24 in 9.6, 3 higher.
The Amazing Spider-Man #94 (Marvel, 1971) CGC NM/MT 9.8 Off-white pages. This is one of only three copies to have attained exalted 9.8 status as of this writing! The issue features Spidey’s tussle with that old Daredevil-bedeviler, the Beetle. There's also a retelling of the Webslinger's origin. John Romita Sr. delivered the cover and interior art. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 3 in 9.8, none higher.
The Amazing Spider-Man #95 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. This immaculate copy has been surpassed by only one other according to CGC's current census report. In the issue, Peter Parker heads for London to search for Gwen, and this being a Marvel mag, the result is adventure for Spider-Man John Romita Sr. handled both cover and interior art chores. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 19 in 9.6, 1 higher.
The Amazing Spider-Man #97 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. Part two of the memorable anti-drug three-parter has the Green Goblin battling Spider-Man and Harry Osborn popping pills. The latter meant that the issue was not approved by the Comics Code Authority. Gil Kane provided the story art, while John Romita Sr. drew the cover. Overstreet 2005 NM- 9.2 value = $145. CGC census 12/05: 30 in 9.6, 4 higher.
The Amazing Spider-Man #98 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. It's Part Three of the anti-drug trilogy that did not receive the Comics Code seal of approval. The Green Goblin is the featured villain. Gil Kane rendered the cover and interior art. Overstreet 2005 NM- 9.2 value = $145. CGC census 12/05: 41 in 9.6, 2 higher.
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. Anniversary issue, with cameos by the Green Goblin, Vulture, Lizard, Doctor Octopus, and the Kingpin (all in a dream sequence). John Romita Sr. cover, Gil Kane interior art. Overstreet 2005 NM- 9.2 value = $250. CGC census 12/05: 59 in 9.6, 10 higher.
The Amazing Spider-Man #120 (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. This Bronze Age beaut is tied for the highest grade yet assigned. In the issue, the Hulk battles Spider-Man, and as usual that's not our hero's only problem, as there are hints that Harry Osborn's drug problem may have relapsed. John Romita Sr. drew the cover and provided an inking assist over the pencils of Gil Kane and Paul Reinman. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 6 in 9.8, none higher.
The Amazing Spider-Man #122 (Marvel, 1973) CGC NM 9.4 Off-white to white pages. After shaking up Spidey -- as well readers -- with the death of Gwen Stacy in the previous issue, artists Gil Kane and John Romita Sr. delivered a one-two punch with the death of the Green Goblin in this issue. Here is a high-grade copy of a key Bronze Age book. Overstreet 2005 NM- 9.2 value = $290. CGC census 12/05: 122 in 9.4, 38 higher.
The Amazing Spider-Man #130 Pacific Coast pedigree (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The Pacific Coast books rarely disappoint, and this one certainly doesn't! The issue sees the first appearance of the Spider-Mobile as a fully assembled vehicle (the Webhead and the Human Torch had been tinkering with it for a few issues). Meanwhile, Spider-Man has to deal with Hammerhead, who's being egged on by the Jackal, and things get much worse when Peter Parker finds out that Aunt May is marrying Dr. Octopus (we're not making any of this up). The issue has a John Romita Sr. cover and Ross Andru art. Overstreet 2005 NM- 9.2 value = $45. CGC census 12/05: 7 in 9.8, 1 higher.
The Amazing Spider-Man #137 Pacific Coast pedigree (Marvel, 1974) CGC NM/MT 9.8 Off-white pages. It's only the second time Harry Osborn appears as the Green Goblin, and as you can see from the cover, he's gone totally psycho... Papa would be so proud! The unmistakable artistic stylings of Gil Kane grace the cover, while Ross Andru provided the interior art. Overstreet 2005 NM- 9.2 value = $60. CGC census 12/05: 6 in 9.8, none higher.
The Amazing Spider-Man #138 (Marvel, 1974) CGC NM/MT 9.8 Off-white pages. As unthinkable as this might have been back in the Silver Age, Peter Parker moves in with Flash Thompson in this issue! In the baddie department, there's the first appearance of the Mindworm. The issue has a Gil Kane cover and Ross Andru art. Overstreet 2005 NM- 9.2 value = $35. CGC census 12/05: 8 in 9.8, none higher.
The Amazing Spider-Man #139 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The one and only 9.8 that CGC has certified for this issue to date is this copy right here! The issue has the first appearance of the Grizzly. It's got a Gil Kane cover and Ross Andru interior art. Overstreet 2005 NM- 9.2 value = $35. CGC census 12/05: 1 in 9.8, none higher.
The Amazing Spider-Man #150 (Marvel, 1975) CGC NM/MT 9.8 Off-white to white pages. The "Clone" storyline continues, as Spider-Man wonders how he can tell if he's the original Spidey or the clone! He also has to battle the Spider-Slayer as well as apparitions of some other famous foes. Gil Kane drew the cover in addition to illustrating Archie Goodwin's story. Overstreet 2005 NM- 9.2 value = $42. CGC census 12/05: 7 in 9.8, none higher.
Modern Age (1980-Present)
The Amazing Spider-Man #238 Double Cover (Marvel, 1983) CGC NM/MT 9.8 Off-white to white pages. We've seen demand for top-grade copies of this book skyrocket in the last year or so! And now we're privileged to offer a double cover copy, to boot. This is the most valuable 1980s issue of this title thanks to the first appearance of the Hobgoblin, who would become Spider-Man's deadliest foe in the ensuing years, and whose identity remained a mystery for quite some time. The cover and art were a collaboration of John Romita Sr. and John Romita Jr. And in case you were wondering, the "Tattooz" insert is included here. CGC notes, "First cover 9.6, interior cover 9.8." Overstreet 2005 NM- 9.2 value = $95. CGC census 12/05: 42 in 9.8, 1 higher.
Silver Age (1956-1969)
The Amazing Spider-Man Annual #1 Pacific Coast pedigree (Marvel, 1964) CGC NM+ 9.6 Off-white to white pages. Kids in the 1960s had it so good -- not only did they get a new Spidey issue every month, Stan Lee and Co. gave them this ennui-annihilating annual! It started off with a 41-page epic that has the Wallcrawler taking on the Sinister Six (basically every major villain he had faced up to that time), in a story that's also got cameos by almost every Marvel superhero. It's also the beginning of the stomach-turning friendship between Doctor Octopus and Aunt May. That was followed up by pages and pages of featurettes and pin-ups, including Lee and Sturdy Stevey Ditko portraying themselves in one of their story-plotting sessions. It adds up to an issue that every boy read and re-read until his copy was well and truly trashed... but wait. Here's one that's pristine, in fact it's the Pacific Coast copy, and it's just as beautiful as any other book from that beloved collection. Why is this only a 9.6, anyway? We couldn't find a flaw. Overstreet 2005 NM- 9.2 value = $1,550. CGC census 12/05: 6 in 9.6, none higher.
The Amazing Spider-Man Annual #2 Pacific Coast pedigree (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Here's a typically spectacular Pacific Coast copy. It appears that only some ultra-minor stress at the outside edge kept this square bound specimen from a higher grade. Spider-Man teamed up with Dr. Strange in a new story drawn by Steve Ditko, plus kids got to re-live Spidey's greatest hits in the form of reprints of issues 1, 2, and 5. Overstreet 2005 NM- 9.2 value = $550. CGC census 12/05: 9 in 9.4, 4 higher.
The Amazing Spider-Man Annual #3 Pacific Coast pedigree (Marvel, 1966) CGC NM/MT 9.8 White pages. This astounding Pacific Coast copy is the only 9.8 CGC has certified for this issue to date. The annual has a brand-new story in which the Avengers offer membership to Spider-Man, and the Webhead ends up not only battling the Hulk but finding out Greenskin's secret identity! John Romita Sr. and Don Heck teamed up on the art, and fans who were still mourning the departure of Steve DItko from the series got to see the Sturdy one's work on reprints of issues #11 and 12. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 1 in 9.8, none higher.
The Amazing Spider-Man Annual #4 (Marvel, 1967) CGC NM+ 9.6 White pages. Spider-Man tussled with the Human Torch in a new 41-page story here, which also includes the two fellows shrouded in shadow on the cover -- we guess it's OK to tell you that the two fiends are Mysterio and the Wizard! There's also a mix of pin-ups and featurettes summarizing Spider-Man's world. The issue is brought to you by two brothers, writer Stan Lee (born Stanley Lieber) and penciler Larry Lieber. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 9 in 9.6, none higher.
America's Best TV Comics #1 Boston pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. "Follow Casper... in Harvey Comics on your newsstand!" says the lead feature -- what kind of Marvel comic is this? Well, fear not, there's also a Stan Lee/Jack Kirby Fantastic Four story and a Lee/John Romita Sr. Spider-Man story in this one-shot promoting ABC cartoons and shows. There's even a line-drawn ad for the Adam West incarnation of Batman. Overstreet 2005 NM- 9.2 value = $220. CGC census 12/05: 7 in 9.6, 3 higher.
The Avengers #1 (Marvel, 1963) CGC VF 8.0 Off-white pages. This Marvel milestone features the origin and first appearance of the Avengers (Thor, Iron Man, Hulk, Ant-Man, and Wasp). Loki is the villain of the piece, and the Teen Brigade and the Fantastic Four also appear. Jack Kirby supplied the cover and interior art. Overstreet 2005 VF 8.0 value = $2,249. CGC census 12/05: 17 in 8.0, 39 higher.
The Avengers #4 Curator pedigree (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Here's a beautiful copy of the comic that reintroduced Captain America to modern readers! This is the first Silver Age appearance of the classic character, who joins the Avengers line-up. Another former Timely character from the Golden Age, Sub-Mariner, also makes an appearance. Jack Kirby drew the cover and art, with inks from George Roussos. Overstreet 2005 NM- 9.2 value = $2,500. CGC census 12/05: 23 in 9.2, 18 higher.
The Avengers #8 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. This issue's got the first appearance of Kang the Conqueror... sort of. He did appear in Fantastic Four #19, but he was calling himself Rama-Tut back then! The fact that they're one and the same is the surprise alluded to in the cover blurb. At any rate, Kang would reappear to menace the Avengers many times over the years; since his specialty was time travel, you never knew when he was going to show up (groan)! The cover and interior art are by Jack Kirby. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 8 in 9.4, 3 higher.
Bronze Age (1970-1979)
The Avengers #100 Pacific Coast pedigree (Marvel, 1972) CGC NM 9.4 Off-white to white pages. Featuring everyone who had been an Avenger to that point. Barry Smith cover and art. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 29 in 9.4, 19 higher.
Silver Age (1956-1969)
Captain America #100 (Marvel, 1968) CGC NM 9.4 Off-white pages. Captain America's origin is retold in the first Silver Age issue bearing his name, continuing the series from Tales of Suspense. Black Panther makes a guest appearance, and is joined by various Avengers, including Thor, Sub-Mariner, Iron Man, and others on the dynamic cover. Jack Kirby (who else?) provides the art. Overstreet 2005 NM- 9.2 value = $420. CGC census 12/05: 52 in 9.4, 46 higher.
Captain Marvel #2 (Marvel, 1968) CGC NM/MT 9.8 White pages. Gene Colan wasn't known for drawing cosmic adventures, but when called upon to deliver outer-space action, he handled it with aplomb. As this was just the title's second issue, Mar-Vell was still resplendent in his original costume! Overstreet 2005 NM- 9.2 value = $50. CGC census 12/05: 18 in 9.8, none higher.
Captain Marvel #2 (Marvel, 1968) CGC NM/MT 9.8 Off-white to white pages. Super spaceman Mar-Vell battles the Super-Skrull (looking just a bit like the Human Torch) in this issue. This gem of a copy, displaying tons of cover gloss and rich, deep colors against a black background, looks like the real winner here. Gene Colan provides the cover and interior art. Overstreet 2005 NM- 9.2 value = $50. CGC census 12/05: 18 in 9.8, none higher.
Daredevil #1 (Marvel, 1964) CGC FN+ 6.5 Off-white pages. It's the origin and first appearance of Daredevil, as well as the debut of Matt Murdock's friends Karen Page and Foggy Nelson. Bill Everett illustrated Stan Lee's story in addition to teaming up with Jack Kirby on the cover art. Overstreet 2005 FN 6.0 value = $687; VF 8.0 value = $2,004. CGC census 12/05: 46 in 6.5, 227 higher.
Daredevil #2 (Marvel, 1964) CGC VF 8.0 Off-white to white pages. Not only is this issue the second appearance of Daredevil, it's also the second appearance of Electro, who had zapped a certain Wallcrawler in his one previous outing. The Fantastic Four puts in a cameo. The issue's cover and art are by Joe Orlando. Overstreet 2005 VF 8.0 value = $561. CGC census 12/05: 21 in 8.0, 58 higher.
Daredevil #3 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Longtime Daredevil foe the Owl made his first appearance in this issue -- he would reappear to terrorize Daredevil many a time over the years (and never seemed to battle any hero but Daredevil!). The issue has a Jack Kirby cover and Joe Orlando interior art. Overstreet 2005 VF/NM 9.0 value = $535; NM- 9.2 value = $725. CGC census 12/05: 13 in 9.0, 25 higher.
Daredevil #4 (Marvel, 1964) CGC NM+ 9.6 Off-white to white pages. This excellent copy (tied for the highest grade yet assigned) is the perfect showcase for a dynamic Jack Kirby cover. Inside the issue, there's a story drawn by Joe Orlando and featuring the first appearance of that very persuasive fellow, the Purple Man. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 6 in 9.6, none higher.
Daredevil #4 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Here's the origin and first appearance of that (literally) irresistible villain, the Purple Man. The issue has a Jack Kirby cover and Joe Orlando interior art. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 4 in 9.2, 21 higher.
Daredevil #9 (Marvel, 1965) CGC NM+ 9.6 Cream to off-white pages. EC legend Wally Wood adds his distinctive artistic touch to this issue, providing the cover's montage illustration. On the inside, Wood inks Bob Powell's pencil art, making this an all-star affair. This attractive copy rates four stars on its own, especially the smooth-as-silk spine. Overstreet 2005 NM- 9.2 value = $230. CGC census 12/05: 13 in 9.6, 2 higher.
Daredevil #11 Northland pedigree (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Daredevil battles the Ani-Men in this issue, an artistic team-up of Bob Powell and Wally Wood. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 10 in 9.4, 6 higher.
Bronze Age (1970-1979)
Daredevil #61 Oakland pedigree (Marvel, 1970) CGC NM/MT 9.8 Off-white to white pages. Gene Colan art. Marie Severin cover. Overstreet 2005 NM- 9.2 value = $28. CGC census 12/05: 5 in 9.8, none higher.
Daredevil #158 (Marvel, 1979) CGC NM/MT 9.8 White pages. Here's the beginning of Frank Miller's legendary run as artist of this title. This issue has the origin of Deathstalker (it turns out he's the Exterminator from way back in issue #39) as well as the death of the character. The book also has a Black Widow appearance. Oh yeah, and it's in NM/MT condition! Even Daredevil could see that this copy is well worth going after. To date, no copy of this issue has been graded higher by CGC. Overstreet 2005 NM- 9.2 value = $90. CGC census 12/05: 12 in 9.8, none higher.
The Defenders #9 Winnipeg pedigree (Marvel, 1973) CGC NM/MT 9.8 White pages. Large-scale comic crossovers may be commonplace today, but in 1973, it was unheard-of to have a crossover spanning eight issues of two different titles! Yet that's exactly what writer Steve Englehart and editor Roy Thomas pulled off to produce the "Avengers/Defenders War." This issue has the third installment of the storyline, with art by Sal Buscema. A side note for you No-Prize types: Buscema's cover pictures the Hulk and the Sub-Mariner, who don't appear in the issue! No copy of this Bronze Age winner has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $30. CGC census 12/05: 4 in 9.8, none higher.
Silver Age (1956-1969)
Doctor Strange #169 Pacific Coast pedigree (Marvel, 1968) CGC NM 9.4 White pages. First appearance of Dr. Strange in his own title. Origin retold. Dan Adkins cover and art. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 54 in 9.4, 77 higher.
Bronze Age (1970-1979)
Doctor Strange #1 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. Some five years after the demise of his previous series, the Master of the Mystic Arts got another shot at his own title. Frank Brunner drew the cover and the story, and is even credited as co-plotter along with ace writer Steve Englehart. Overstreet 2005 NM- 9.2 value = $80. CGC census 12/05: 12 in 9.8, none higher.
Silver Age (1956-1969)
Fantastic Four #1 (Marvel, 1961) CGC Apparent VF 8.0 Moderate (P) Off-white to white pages. Check out this gorgeous copy of the first Silver Age Marvel comic! Granted, this one benefited from a Reed Richards type using restoration technology on it in the confines of his lab, but the result is a copy so spiffy you'll think it's 1961. You certainly don't want to do without the origin and first appearance of the FF, written by Stan Lee and drawn by Jack Kirby. It's a true comic milestone. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, staples cleaned, reinforced, re-glossed." Overstreet 2005 GD 2.0 value =$875;VG 4.0 value = $1,750; FN 6.0 value = $2,625; VF 8.0 value = $9,200.
Fantastic Four #1 (Marvel, 1961) CGC Apparent VF- 7.5 Slight (P) Off-white pages. Marvel's first family of superheroes got their start in this historic first issue. It's here where we meet Reed Richards (Mr. Fantastic), Sue Storm (Invisible Girl), Johnny Storm (The Human Torch), and Ben Grimm (The Thing). Also look for the origin and first appearance of their longtime nemesis, the Mole Man. Jack Kirby provided the now classic cover and interior art, and Stan "The Man" Lee wrote the story. CGC notes, "Restoration includes: small amount of color touch on cover. (Top & bottom edge trimmed)" Overstreet 2005 GD 2.0 value = $875; VG 4.0 value = $1,750; FN 6.0 value = $2,625; VF 8.0 value = $9,200.
Fantastic Four #3 (Marvel, 1962) CGC VG 4.0 Off-white to white pages. In Stan Lee's effort to make the Fantastic Four a daringly different breed of superhero, they were intentionally not given costumes when they first appeared.But Marvel soon bowed to convention, and in this issue the FF donned costumes and established a headquarters for the first time. The Fantasti-Car is also seen for the first time in this issue. Jack Kirby executed the interior art, as well as the cover which features the Human Torch drawn with two left hands! We forgive you, Mr. Kirby! Overstreet 2005 VG 4.0 value = $458. CGC census 12/05: 16 in 4.0, 106 higher.
Fantastic Four #4 (Marvel, 1962) CGC FN+ 6.5 Light tan to off-white pages. Golden Age hero the Sub-Mariner made his first Silver Age appearance in this issue. And right from the start, he couldn't keep his hands off of the Invisible Girl, as seen on Jack Kirby's cover. Overstreet 2005 FN 6.0 value = $756; VF 8.0 value = $2,205. CGC census 12/05: 10 in 6.5, 57 higher. From the collection of Joe and Nadia Mannarino.
Fantastic Four #20 (Marvel, 1963) CGC VF/NM 9.0 Cream to off-white pages. The Molecule Man was one of the most powerful villains in the Marvel Universe, and this issue has his origin and first appearance. The issue's cover and art are by Jack Kirby. Overstreet 2005 VF/NM 9.0 value = $551; NM- 9.2 value = $750. CGC census 12/05: 12 in 9.0, 11 higher. From the collection of Joe and Nadia Mannarino.
Fantastic Four #24 (Marvel, 1964) CGC NM 9.4 White pages. Here's a super-sharp copy of this early issue, which sees the FF take a break from battling supervillains to deal with an unnamed baby alien. The cosmic action is rendered by Jack Kirby. Overstreet 2005 NM- 9.2 value = $390. CGC census 12/05: 11 in 9.4, 4 higher.
Fantastic Four #25 (Marvel, 1964) CGC VF+ 8.5 Light tan to off-white pages. From the moment the Hulk first appeared, any kid reading Marvels had to wonder who would win in a fight between him and the Thing. Well, this issue's got the first battle between Marvel's two reigning strongmen. Also of note is an Avengers cameo, which by virtue of taking place between Avengers #4 and 5 is the second Silver Age appearance of Captain America. The pulse-pounding cover and art are by Jack Kirby. Overstreet 2005 VF 8.0 value = $434; VF/NM 9.0 value = $705. CGC census 12/05: 17 in 8.5, 32 higher. From the collection of Joe and Nadia Mannarino.
Fantastic Four #32 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. This issue features the death of Dr. Franklin Storm (father of the Human Torch and the Invisible Girl), and the FF's battle with the Super-Skrull (who calls himself The Invincible Man in the story). Jack Kirby drew the interior action as well as the cover. Overstreet 2005 NM- 9.2 value = $285. CGC census 12/05: 9 in 9.4, 3 higher. From the collection of Joe and Nadia Mannarino.
Fantastic Four #53 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. The Black Panther's back for his second appearance in this issue, and we find out about T'Challa's origin. The issue also has the first appearance of the evil Klaw. The cover and interior art are by Jack Kirby. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 16 in 9.4, 3 higher.
Fantastic Four Annual #4 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. First Silver Age appearance of the Golden Age Human Torch. The original Torch's origin is retold. First appearance of Quasimodo. Jack Kirby cover and art. Also contains reprints of the stories from Fantastic Four #25 and 26. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 12 in 9.4, 10 higher.
Bronze Age (1970-1979)
Giant-Size X-Men #1 (Marvel, 1975) CGC NM/MT 9.8 Off-white to white pages. Why do we like this copy so much? Well, here's the thing about square bound comics: even the ones certified with really high grades tend to have some sort of abrasion, bindery tear, or other peccadillo. And we found no such "downer" while scrutinizing this copy. And since we're talking about the second most-valuable comic of the 1970s, the first appearance of the new X-Men, that's great news indeed. Check the high-res scan on our website for yourself and you'll see why no copy of the issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 10 in 9.8, none higher.
Silver Age (1956-1969)
The Incredible Hulk #1 (Marvel, 1962) CGC FN+ 6.5 Off-white to white pages. Marvel's Big Mean Green Guy looks a little... grey in this debut appearance! Stan Lee has mentioned that this particular shade of grey was difficult to maintain consistently, causing all kinds of printing nightmares, so with issue #2, the Hulk turned a more familiar shade of green -- and we like it! This nice mid-grade copy has plenty to like, too; no major problems, just a solid, lightly-read book. And given the greatness of this Jack Kirby-illustrated masterpiece, that's really saying something! Overstreet 2005 FN 6.0 value = $2,100; VF 8.0 value = $7,700. CGC census 12/05: 25 in 6.5, 40 higher.
The Incredible Hulk #6 (Marvel, 1963) CGC NM 9.4 Off-white pages. It sometimes seems that Marvel could do no wrong in the early 1960s, but one of their goof-ups was giving up too soon on the Hulk the first time around, canceling his series after only six issues. This last issue of the original run is notable for having the first appearance of the Teen Brigade. It's also the only issue of the first six to be penciled by Steve Ditko. Overstreet 2005 NM- 9.2 value = 3,400. CGC census 12/05: 3 in 9.4, 3 higher.
The Incredible Hulk #6 (Marvel, 1963) CGC VF- 7.5 Light tan to off-white pages. The last issue of the Hulk's original series, this was also the only issue in the run to have Steve Ditko pencils. This one has always stood out among the pack, featuring Greenskin taking on the Metal Master and the first appearance of the Teen Brigade. Clean and bright, with exceptional colors and no chipping, it appears that only some blunted corners have kept it from grading higher. Overstreet 2005 VF 8.0 value = $1,488. CGC census 12/05: 10 in 7.5, 36 higher. From the collection of Joe and Nadia Mannarino.
The Incredible Hulk #102 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. You know what's really hard to find? Those Hulk issues from #7-101! Just kidding -- after canceling the original series with #6, Marvel didn't give the Hulk his own book again until five years later, and when they did so, they continued the numbering from Tales to Astonish #101. Marie Severin drew the issue's cover and teamed with George Tuska on the interior art. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 39 in 9.6, 5 higher.
Bronze Age (1970-1979)
The Incredible Hulk #181 (Marvel, 1974) CGC NM+ 9.6 White pages. "And now... the Wolverine!" And how, true believers! Here's the momentous occasion that shook the entire Marvel Universe -- the first full appearance of future X-Men star Wolverine! Canada's favorite son/superhero certainly caught on in a big, big way, making this issue one of the most valuable comics of the Bronze Age. Here's a near-perfect example, looking as fresh as it did back in the fall of 1974. Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 103 in 9.6, 7 higher.
The Incredible Hulk #181 (Marvel, 1974) CGC NM 9.4 Off-white pages. Some collectors didn't pluck this issue off the newsstands when it came out, others read their copies so many times that they're well-worn, and others still cut out the Shanna the She-Devil Marvel Value Stamp -- sorry if any of those apply to you! But here's your chance to make up for any of those missteps by acquiring a sharp NM copy of this key issue, the first full appearance of Wolverine and the most valuable Bronze Age comic book. Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 169 in 9.4, 110 higher.
The Incredible Hulk #181 (Marvel, 1974) CGC VF 8.0 Off-white pages. Have a look at a pretty darn nice copy of the most valuable Bronze Age comic book, the first full appearance of Wolverine. Apparently only some very minor spine stress kept this copy from grading even higher -- after a close look at our scan, the heart of any Wolverine fan will beat faster! And with no end to Wolvie's popularity in sight, this issue should continue to be one of the best comic book investments around. Herb Trimpe provided cover and interior art for the issue's three-way battle between Wolverine, Hulk, and the Wendigo. Overstreet 2005 VF 8.0 value = $640. CGC census 12/05: 249 in 8.0, 987 higher.
Silver Age (1956-1969)
The Incredible Hulk Annual #1 Northland pedigree (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. A concrete-crumbling cover by Jim Steranko is the attention-getter here. Inside the comic, the Hulk battles the Evil Inhumans in a story drawn by Marie Severin. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 21 in 9.6, none higher.
Bronze Age (1970-1979)
Iron Fist #14 (Marvel, 1977) CGC NM+ 9.6 White pages. The first appearance of Sabretooth, this comic is one that fans just didn't appreciate until years later. In fact, the letters page of this issue announces that the next issue was to be the last because of poor sales! But now this is one of the more valuable issues of Marvel's Bronze Age, mostly because of the debut of the aforementioned villain, but also because it's a Chris Claremont and John Byrne collaboration that pre-dates Byrne's tenure on X-Men. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 87 in 9.6, 18 higher.
Silver Age (1956-1969)
Iron Man #1 (Marvel, 1968) CGC NM- 9.2 Off-white pages. Iron Man became so popular from the Tales of Suspense series that Marvel gave Shellhead his own title. In this first issue, Iron Man's origin is retold. Gene Colan drew the cover art. Colan and Johnny Craig (of EC fame) handled the interior art. Attractive copy. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 93 in 9.2, 145 higher.
Journey Into Mystery #64 (Marvel, 1961) CGC VF 8.0 Off-white to white pages. Jack Kirby cover. Kirby, Steve Ditko, Don Heck, and Paul Reinman art. Overstreet 2005 VF 8.0 value = $136. CGC census 12/05: 2 in 8.0, 1 higher.
Journey Into Mystery #83 (Marvel, 1962) CGC VF/NM 9.0 Off-white pages. This is one of the key Silver Age Marvel issues, the origin and first appearance of Thor. The early version of the character wasn't as polished as the later God of Thunder (his noble manner of speaking hadn't developed yet, nor had his muscles for that matter), but a great yarn resulted nonetheless. The story was plotted by Stan Lee, scripted by Stan's brother Larry Lieber, and of course drawn by the great Jack Kirby, who also drew the cover. By the way, there are a couple of "mystery" backup features more in keeping with the title of the issue -- they have art by Steve Ditko and Don Heck, respectively. Overstreet 2005 VF/NM 9.0 value = $7,082; NM- 9.2 value = $10,000. CGC census 12/05: 9 in 9.0, 6 higher.
Journey Into Mystery #83 (Marvel, 1962) CGC VG/FN 5.0 White pages. This issue, the origin and first appearance of Thor, continued Marvel's string of hits after the Fantastic Four and the Incredible Hulk had burst onto the comics scene. The Thunder God was a classic Mr. Meek-becomes-scintillating-superhero tale by Stan Lee and Jack Kirby, and the "King" would stay with the character for more than 100 issues, a total that sticks out like a Thor sum. By the way, there are also two "mystery" backup features with art by Steve Ditko and Don Heck. Overstreet 2005 VG 4.0 value = $910; FN 6.0 value = $1,365. CGC census 12/05: 30 in 5.0, 104 higher.
Journey Into Mystery #96 (Marvel, 1963) CGC NM+ 9.6 White pages. Thor takes on Merlin in this issue, which has a Jack Kirby cover and Joe Sinnott interior art. This being a book with Mystery in the title, it's appropriate that there are two eerie backup features with art by Steve Ditko and Paul Reinman respectively. By the way, the Thor yarn even has an appearance by John F. Kennedy and his daughter Caroline. Ask not what your comic collection can do for you, ask what you can do for your comic collection! Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 4 in 9.6, none higher.
Journey Into Mystery #96 (Marvel, 1963) CGC NM 9.4 Off-white pages. The Mighty Thor takes on Merlin, and if that's not enough mythology for you, there's Camelot of another sort as John F. Kennedy and his young daughter Caroline put in an appearance. In fact, when Merlin goes searching for the leader of the U.S., he passes right by JFK because Kennedy looks too young! Speaking of the best and the brightest, this cover's by another brilliant Jack -- Kirby, that is. The interior art is by Joe Sinnott (Thor story), Steve Ditko (mystery backup feature) and Paul Reinman (more mystery). Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 4 in 9.4, 4 higher.
Journey Into Mystery #102 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. Thor's number one love interest, the beautiful Sif, made her first appearance in this issue, and if that's not enough for you, there's also the first appearance of Hela, Goddess of Death! Both figure in a "Tale of Asgard" about Thor's boyhood. In the main feature, Thor takes on the Tomorrow Man. There's even a third story here, a "mystery" feature with Larry Lieber art. The Thor story and the cover were the work of the great Jack Kirby. Just two copies of #102 have received higher grades from CGC to date. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 5 in 9.4, 2 higher.
Journey Into Mystery #116 (Marvel, 1965) CGC NM 9.4 Off-white pages. Odin makes Thor and Loki face off in "The Trial of the Gods," and not only does Loki cheat, he arranges to have Jane Foster killed! The Avengers and Daredevil make cameos in the issue, but don't help Jane for fear of interfering in Thor's affairs! So it's up to Balder the Brave to save the day. Jack Kirby drew the cover, the story, and the "Tales of Asgard" backup feature. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 5 in 9.4, 1 higher.
Journey Into Mystery #117 (Marvel, 1965) CGC NM 9.4 Off-white pages. Thor, looking for proof of Loki's treachery, has to journey to Vietnam, and that's just the setup for an anti-communist tale brought to you by the team of Stan Lee and Jack Kirby. No copy of the issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 9 in 9.4, none higher.
Journey Into Mystery #122 (Marvel, 1965) CGC NM 9.4 Off-white pages. In this Stan Lee/Jack Kirby production, the Absorbing Man has the audacity to take on Odin himself! And the treacherous Loki is pulling the strings, natch. Kirby drew the entire issue, including the cover and the "Tales of Asgard" backup feature. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 5 in 9.4, 2 higher.
Journey Into Mystery #123 (Marvel, 1965) CGC NM 9.4 Off-white pages. Verily, this is one of the nicest copies of this issue yet certified by CGC -- only two top it in the census as of this writing. In addition to the sensational lead story, there's an installment of the epic "Odinsword Quest" storyline in the Tales of Asgard backup feature. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 9 in 9.4, 2 higher.
Marvel Mini-Books: Millie the Model Group (Marvel, 1966) Condition: Average NM-. These Marvel Mania Giveaways are the smallest comics ever published! Containing 50 pages each, all black & white inside, these books measure a mere 5/8" by 7/8". Six different cover colors are represented here, with two copies of each variant. Best of all, these superbly preserved copies average outstanding NM- condition with bone-white pages. Approximate Overstreet value for group = $1,300.
Bronze Age (1970-1979)
Marvel Premiere #15 Iron Fist (Marvel, 1974) CGC NM+ 9.6 Off-white to white pages. We know it's been said before, but in 1974, everybody was kung-fu fighting! That includes Iron Fist, whose origin and first appearance are found in this very issue. Since the character went on to have his own series, and co-starred with Power Man in another series thereafter, it's no wonder that this is the most valuable issue of Marvel Premiere's run. Overstreet 2005 NM- 9.2 value = $100. CGC census 12/05: 33 in 9.6, 7 higher.
Silver Age (1956-1969)
Marvel Super Heroes #1 (Marvel, 1966) CGC NM+ 9.6 Off-white pages. This square bound issue is considered the first Marvel one-shot. Reprinted inside are stories from Daredevil #1, Avengers #2, and a Golden Age Human Torch/Sub-Mariner battle from Marvel Mystery Comics #8. Artists include Jack Kirby. Called Marvel Super-Heroes on cover, unhyphenated in indicia. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 27 in 9.6, 1 higher.
Bronze Age (1970-1979)
Marvel Team-Up #2 (Marvel, 1972) CGC NM/MT 9.8 Off-white to white pages. Contrary to what this Gil Kane cover might indicate, the Human Torch has to face the Frightful Four... with Spider-Man as the fourth member! Or will the Webhead come to his senses in time? Annihilus is also in the mix, and Ross Andru was charged with drawing all of the action. Overstreet 2005 NM- 9.2 value = $60. CGC census 12/05: 4 in 9.8, none higher.
Silver Age (1956-1969)
Mighty Marvel Western #1 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Marvel brought out this series to give fans reprints of the company's best Western heroes: the Rawhide Kid, Kid Colt Outlaw, and the Two-Gun Kid. Alas, the gunfighters didn't bother to stand underneath their respective logos -- Two-Gun Kid is the one on the left, and oddly enough, he's the only one of the three on Herb Trimpe's cover who's not wielding two guns! The issue has Jack Kirby, Dick Ayers, and Jack Keller interior art. Overstreet 2005 NM- 9.2 value = $70. CGC census 12/05: 3 in 9.6, none higher.
Mighty Marvel Western #2 Bowling Green pedigree (Marvel, 1968) CGC NM/MT 9.8 Off-white to white pages. This square bound issue reprints Western yarns starring the Rawhide Kid, Kid Colt Outlaw, and the Two-Gun Kid. Jack Kirby, Dick Ayers, and Jack Keller are the interior artists; Herb Trimpe drew the cover. Overstreet 2005 NM- 9.2 value = $45. CGC census 12/05: 2 in 9.8, none higher.
Bronze Age (1970-1979)
The Silver Surfer #14 (Marvel, 1970) CGC NM 9.4 Off-white to white pages. Spider-Man guest-stars in this "Super-Spectacular" issue, and he's not alone; Captain America puts in a cameo appearance as well. Art is provided by John Buscema on pencils, inked by Dan Adkins. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 22 in 9.4, 6 higher.
Special Marvel Edition #15 (Marvel, 1973) CGC NM/MT 9.8 White pages. When the kung fu craze hit, Marvel was fast as lightning, bringing out a kung-fu character with expert timing. The fighter in question was Shang Chi, Master of Kung Fu (and son of Fu Manchu!) who made his first appearance here. It's an ancient Chinese art, and everybody knew their part, in this case it was Steve Englehart providing the plot and Jim Starlin the cover and interior art. No copy of this black-cover issue has been graded higher than this one by CGC to date. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 12 in 9.8, none higher.
Special Marvel Edition #15 Master of Kung Fu (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. Every Bronze Age Marvel fan remembers the series Master of Kung Fu, but only possessors of a black belt in the Marvel arts know that the character of Shang-Chi first appeared in this title. And since the kung fu fighter is so closely associated with the Doug Moench/Paul Gulacy team, you might have forgotten that he was created by Steve Englehart and Jim Starlin. Starlin provided cover and interior art for the issue, which details the origin of Shang-Chi, the son of Fu Manchu. No copy has been graded higher than this one by CGC to date, and the black cover might tend to preclude any from doing so. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 12 in 9.8, none higher.
Silver Age (1956-1969)
Strange Tales #105 Pacific Coast pedigree (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. The Wizard was a wealthy inventor who had accomplished everything there was to accomplish... except defeating the Human Torch. He gives it another go in this second appearance. The Torch gets some help from his sister, the Invisible Girl, in the story, which has Jack Kirby art. The issue's other two stories were drawn by Steve Ditko and Don Heck respectively. The cover's by Kirby. CGC notes, "Pre-Marvel chipping." Overstreet 2005 VF/NM 9.0 value = $342; NM- 9.2 value = $460. CGC census 12/05: 7 in 9.0, 6 higher.
Strange Tales #109 (Marvel, 1963) CGC NM- 9.2 Off-white pages. The Human Torch's foe the Sorcerer opens Pandora's Box, and some loopy Jack Kirby visuals are the result! Kirby drew the cover and the Torch story (which guest-stars the rest of the Fantastic Four); Steve Ditko and Larry Lieber each drew one backup feature. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 5 in 9.2, 5 higher.
Strange Tales #110 (Marvel, 1963) CGC NM 9.4 Off-white to white pages. This is the nicest copy we've ever offered of the first appearance of Doctor Strange! No, Marvel's most mystic mage doesn't appear on the cover, as he debuted as a mere backup feature. His mentor, the Ancient One, also makes his first appearance in this Steve Ditko-drawn story. The lead feature stars the Human Torch, battling the Wizard and one of our favorite baddies, Paste-Pot Pete. Dick Ayers drew that tale, and Jack Kirby provided the cover art. Overstreet 2005 NM- 9.2 value = $2,100. CGC census 12/05: 4 in 9.4, 3 higher.
Strange Tales #115 (Marvel, 1963) CGC NM 9.4 Cream to off-white pages. Marvel finally got around to telling Dr. Strange's origin in this, his fourth appearance... and the Master of the Mystic arts still wasn't deemed worthy of being on the cover! But the lead feature wasn't exactly chopped liver -- it's a Human Torch story guest-starring Spider-Man and featuring the second appearance of the Sandman. Jack Kirby and Steve Ditko teamed up on the cover art, Darlin' Dick Ayers drew the Torch story, and the incomparable Ditko drew Dr. Strange. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 8 in 9.4, 2 higher.
Strange Tales #116 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. This is the nicest copy of this issue that we've ever had in our Marvel-loving mitts! The issue's notable for having the Thing's first-ever crossover appearance. It's in a Human Torch story drawn by Dick Ayers, while Jack Kirby conceptualized the clobberin' cover. There's also a Doctor Strange story with Steve Ditko art. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 2 in 9.4, 3 higher.
Strange Tales #118 (Marvel, 1964) CGC NM- 9.2 Cream to off-white pages. This book seems to sell above Guide in all grades, and it should be only a matter of time before the Guide values for this series are commensurate with other SIlver Age Marvels. This issue's got all of the things that make Marvel popular, namely Stan Lee stories, a Jack Kirby cover, and Steve Ditko art (the latter drawing Dr. Strange)! Not to forget Darlin' Dick Ayers, who drew the Human Torch guest-starring the rest of the Fantastic Four. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 8 in 9.2, 6 higher.
Strange Tales #145 Pacific Coast pedigree (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Marvel's top two artists, Jack Kirby and Steve Ditko, saw to the art in this issue, with Kirby drawing the cover and the S.H.I.E.L.D. story, and Ditko drawing the Doctor Strange tale. Overstreet 2005 NM- 9.2 value = $55. CGC census 12/05: 5 in 9.6, 1 higher.
Strange Tales #147 Pacific Coast pedigree (Marvel, 1966) CGC NM+ 9.6 White pages. Like this issue's villain, we A.I.M. to please, and we've got a winner for you in this Pacific Coast copy. Jack Kirby drew the issue's cover and provided layouts on the S.H.I.E.L.D. story for Don Heck to finish. Meanwhile, Bill Everett drew the Doctor Strange story. Overstreet 2005 NM- 9.2 value = $55. CGC census 12/05: 21 in 9.6, 4 higher.
Strange Tales #153 Pacific Coast pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. The "Nick Fury, Agent of S.H.I.E.L.D." feature was the first strip that Jim Steranko worked on for Marvel, and to teach the newcomer the ropes, editor Stan Lee had Steranko work over layouts by Jack Kirby. This is the third issue of that Kirby/Steranko team-up. The book also has a Doctor Strange feature with Marie Severin art. The cover is by Steranko. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 5 in 9.6, 1 higher.
Tales of Suspense #1 (Atlas, 1959) CGC FN+ 6.5 White pages. We don't see this first issue very often, and this copy is one of the better ones in captivity (none has been graded higher than 7.5 to date). When you think of Al Williamson, Atlas/Marvel is not the publisher that comes to mind, but Amiable Al (that's his official Marvel nickname, we looked it up) contributed art to this issue. The rest of the lineup is made up of tried-and-true Bullpen stalwarts John Buscema, Steve Ditko, Don Heck, and Larry Lieber. The cover is by Heck. Overstreet 2005 FN 6.0 value = $411; VF 8.0 value = $1,165. CGC census 12/05: 2 in 6.5, 2 higher.
Tales of Suspense #41 (Marvel, 1963) CGC VF+ 8.5 Light tan to off-white pages. Iron Man's third appearance has him facing the villainous Dr. Strange, and as we never tire of saying when we offer this issue, it's not that Doctor Strange! The cover and interior art are by Jack Kirby. The issue also has "mystery" backup features by masters of mystery Steve Ditko and Larry Lieber. Overstreet 2005 VF 8.0 value = $672; VF/NM 9.0 value = $1,086. CGC census 12/05: 4 in 8.5, 12 higher. From the collection of Joe and Nadia Mannarino.
Tales of Suspense #42 (Marvel, 1963) CGC VF 8.0 Cream to off-white pages. Featuring Iron Man. Jack Kirby cover. Don Heck, Steve Ditko, and Larry Lieber art. Overstreet 2005 VF 8.0 value = $376. CGC census 12/05: 6 in 8.0, 27 higher. From the collection of Joe and Nadia Mannarino.
Tales of Suspense #53 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. It's va-va-voom time as the slinky Black Widow makes her second appearance (back when she was still a villainess) in an Iron Man story with Don Heck art. Also, we learn the origin of the Watcher, in backup feature with Larry Lieber art. Jack Kirby is credited with the cover. Overstreet 2005 NM- 9.2 value = $300. CGC census 12/05: 7 in 9.4, 4 higher.
Tales of Suspense #57 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. Origin and first appearance of Hawkeye. Don Heck cover and art. Watcher backup feature with Larry Lieber art. Overstreet 2005 VF 8.0 value = $218; VF/NM 9.0 value = $334. CGC census 12/05: 15 in 8.5, 25 higher.
Tales of Suspense #59 (Marvel, 1964) CGC NM 9.4 Off-white pages. The Big Guy is back in a big way with this beautiful Silver Age key, as Captain America stars in his first solo series since the 1950s. Iron Man joins Cap for a great series of double features with this issue, which contains the first appearance of Jarvis the butler. Jack Kirby's cover is called "classic" by Overstreet, and we certainly agree. Inside, the artistic thrills keep on coming, with Kirby (on Captain America) and Don Heck (on Iron Man). Overstreet 2005 NM- 9.2 value = $550. CGC census 12/05: 10 in 9.4, 8 higher.
Tales of Suspense #73 Boston pedigree (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. The very Gene Colan-like Adam Austin (wink, wink) drew this issue's cover as well as the Iron Man story. Also in the issue is an installment of the memorable "Sleeper" storyline, in which a Nazi robot that lay dormant for years has awoken, and Captain America has to try to stop it from hooking up with the other two parts. The Cap story has George Tuska art over Jack Kirby layouts. Overstreet 2005 NM- 9.2 value = $80. CGC census 12/05: 7 in 9.6, 2 higher.
Tales to Astonish #27 (Marvel, 1962) CGC VF 8.0 Cream to off-white pages. This is the most valuable issue of the series thanks to the first appearance of Henry Pym. The name Ant-Man was adopted later, here he's "The Man in the Ant Hill" and we find out the origin of the potion that gives him his shrinking power. The dramatic story was drawn by Jack Kirby, who drew the cover as well. Steve Ditko, Don Heck, and Bob Forgione each drew one "mystery"-type backup feature in the issue. Overstreet 2005 VF 8.0 value = $2,910. CGC census 12/05: 8 in 8.0, 8 higher.
Tales to Astonish #64 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. Jack Kirby cover. Hulk story with Steve Ditko art. Giant-Man story with Carl Burgos art. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 5 in 9.6, none higher.
Bronze Age (1970-1979)
Tomb of Dracula #2 Massachusetts pedigree (Marvel, 1972) CGC NM+ 9.6 Off-white to white pages. John Severin cover. Gene Colan art. Overstreet 2005 NM- 9.2 value = $85. CGC census 12/05: 10 in 9.6, none higher.
Tomb of Dracula #3 (Marvel, 1972) CGC NM+ 9.6 White pages. First appearances of Rachel Van Helsing and Inspector Chelm. Gil Kane cover. Gene Colan art. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 8 in 9.6, none higher.
Tomb of Dracula #4 Massachusetts pedigree (Marvel, 1972) CGC NM+ 9.6 White pages. Neal Adams and John Romita Sr. cover. Gene Colan art. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 8 in 9.6, none higher.
Tomb of Dracula #9 Massachusetts pedigree (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. Gil Kane drew this issue's cover, while Gene Colan handled art chores on Marv Wolfman's story. Overstreet 2005 NM- 9.2 value = $50. CGC census 12/05: 6 in 9.8, none higher.
Tomb of Dracula #10 (Marvel, 1973) CGC NM+ 9.6 White pages. This is the first appearance of Blade, Vampire Slayer, and a book that soared in demand once Blade became a movie star. By now, he's even topped the big names at Marvel by being the first to star in three major motion pictures! The story is by the character's creator Marv Wolfman, and the moody art is by the always excellent Gene Colan. Overstreet 2005 NM- 9.2 value = $175. CGC census 12/05: 20 in 9.6, 5 higher.
Tomb of Dracula #12 Massachusetts pedigree (Marvel, 1973) CGC NM/MT 9.8 White pages. It's the second appearance of Blade -- what a big name he turned out to be! Gene Colan provided the interior art for this and every other issue, while guest artist Frank Brunner saw to cover art chores. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 6 in 9.8, none higher.
Tomb of Dracula #16 (Marvel, 1974) CGC NM/MT 9.8 Off-white pages. Gene Colan art. Overstreet 2005 NM- 9.2 value = $35. CGC census 12/05: 2 in 9.8, none higher.
Tomb of Dracula #17 (Marvel, 1974) CGC NM/MT 9.8 White pages. An early Blade appearance sees the Vampire-Slayer bitten by Dracula! Writer Marv Wolfman and artist Gene Colan brought you the story, while Gil Kane provided one of the best covers of the series' run. Overstreet 2005 NM- 9.2 value = $48. CGC census 12/05: 8 in 9.8, none higher.
Tomb of Dracula #19 Massachusetts pedigree (Marvel, 1974) CGC NM/MT 9.8 White pages. Here's one you should "stake" your claim to -- Overstreet notes, "1st mention of Blade having vampire blood in him." Of course, that was a major plot point in the "Blade" movies. Marv Wolfman and Gene Colan brought you the action here. Overstreet 2005 NM- 9.2 value = $48. CGC census 12/05: 8 in 9.8, none higher.
Tomb of Dracula #20 (Marvel, 1974) CGC NM+ 9.6 White pages. Gil Kane cover. Gene Colan and Tom Palmer art. Overstreet 2005 NM- 9.2 value = $35. CGC census 12/05: 10 in 9.6, 3 higher.
Tomb of Dracula #35 (Marvel, 1975) CGC NM/MT 9.8 Off-white pages. Brother Voodoo guest-stars. Gene Colan art. Overstreet 2005 NM- 9.2 value = $20. CGC census 12/05: 2 in 9.8, none higher.
Where Monsters Dwell #5 Oakland pedigree (Marvel, 1970) CGC NM/MT 9.8 Off-white to white pages. Artists include Jack Kirby. Overstreet 2005 NM- 9.2 value = $26. CGC census 12/05: 1 in 9.8, none higher.
Silver Age (1956-1969)
X-Men #1 (Marvel, 1963) CGC FN+ 6.5 Off-white to white pages. The dream team of Stan Lee and Jack Kirby joined forces again for this issue, the origin and first appearance of the X-Men. The Angel, the Beast, Cyclops, Iceman, Marvel Girl, Professor X and Magneto all made their debuts in this key book. Overstreet 2005 FN 6.0 value = $1,950; VF 8.0 value = $6,000. CGC census 12/05: 28 in 6.5, 139 higher.
X-Men #1 (Marvel, 1963) CGC VG 4.0 Off-white pages. It's the origin first appearance of the most popular superguys around, the X-Men! The Angel, the Beast, Cyclops, Iceman, and Marvel Girl all make their debuts here, as do Professor X and the villainous Magneto. Jack Kirby provided the pictures, Stan Lee the words. Overstreet 2005 VG 4.0 value = $1,300. CGC census 12/05: 73 in 4.0, 356 higher.
X-Men #6 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Hmm, the Sub-Mariner was born with his powers... say, that makes him a mutant! Professor X and Magneto reach that same conclusion simultaneously, and the race to recruit Namor is on, in this issue written by Stan Lee and drawn by Jack Kirby. Overstreet 2005 VF/NM 9.0 value = $641; NM- 9.2 value = $875. CGC census 12/05: 22 in 9.0, 23 higher.
X-Men #7 Pacific Coast pedigree (Marvel, 1964) CGC VF+ 8.5 White pages. This early issue has the first appearance of Cerebro, Professor X's mutant-detecting machine that was seen throughout the series and even played a major role in the "X-Men" movies. Also, Cyclops was named deputy leader of the X-Men in this issue. The villains are the X-Men's arch-foes, the Brotherhood of Evil Mutants. The issue's cover and art are by Jack Kirby. Overstreet 2005 VF 8.0 value = $407; VF/NM 9.0 value = $641. CGC census 12/05: 12 in 8.5, 28 higher.
X-Men #9 (Marvel, 1965) CGC VF/NM 9.0 Cream to off-white pages. The X-Men and the Avengers met for the first time in this issue, and in true Marvel style, a misunderstanding results in the two groups battling each other. The cover and interior art are by Jack Kirby. Overstreet 2005 VF/NM 9.0 value = $478; NM- 9.2 value = $650. CGC census 12/05: 17 in 9.0, 33 higher. From the collection of Joe and Nadia Mannarino.
X-Men #20 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. If you're wondering why the X-Men are fighting each other on this issue's cover, a close look at our scan will reveal that the two in the middle are two villains, the Blob and Unus, who have the audacity to wear X-Men costumes! Also in the issue, Professor X tells how he lost the use of his legs at the hands of Lucifer. The art is by Werner Roth (as Jay Gavin) and Dick Ayers. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 13 in 9.4, 5 higher.
X-Men #20 (Marvel, 1966) CGC NM 9.4 Cream to off-white pages. The X-Men battle the Blob and Unus (who have the audacity to wear X-Men costumes on the cover). Professor X tells how he lost the use of his legs at the hands of Lucifer. The art is by Werner Roth (as Jay Gavin) and Dick Ayers. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 13 in 9.4, 5 higher.
X-Men #26 Pacific Coast pedigree (Marvel, 1966) CGC NM- 9.2 Off-white to white pages. The X-Men battle Kukulcan. Werner Roth and Dick Ayers art. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 25 in 9.2, 28 higher.
X-Men #30 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. Of 120 copies certified of this issue to date, only a handful have topped this NM specimen. The issue has the X-Men taking on Warlock (not to be confused with Adam). The art's an all-Jack affair, with Jack Kirby drawing the cover and Jack Sparling providing interior art. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 18 in 9.4, 5 higher.
X-Men #37 (Marvel, 1967) CGC NM 9.4 Off-white pages. Cover by Jack Kirby (layouts) and Don Heck. Interior art by Ross Andru. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 18 in 9.4, 8 higher.
X-Men #38 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. The backup feature "Origins of the X-Men" began in this issue. In the main event, the X-Men take on the Blob, the Vanisher, and the mysterious Mutant Master. The cover is by Dan Adkins, and art on the lead story is by Don Heck and George Roussos (under his oft-used pen name George Bell). Only two copies of this issue have been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 10 in 9.6, 2 higher.
X-Men #63 (Marvel, 1969) CGC NM+ 9.6 Cream to off-white pages. This issue, from the acclaimed run by writer Roy Thomas and artist Neal Adams, has the X-Men and Ka-Zar battling Magneto in the Savage Land. Overstreet 2005 NM- 9.2 value = $130. CGC census 12/05: 5 in 9.6, 3 higher. From the collection of Joe and Nadia Mannarino.
Bronze Age (1970-1979)
X-Men #95 (Marvel, 1975) CGC NM+ 9.6 Off-white to white pages. Thunderbird, we hardly knew ye. The third appearance of the X-Men's Native American member was also his last, but at least he died knowing that he lasted longer than Sunfire as a member of the group, and also that his demise added drama to this Chris Claremont yarn with Dave Cockrum art. The cover is by Gil Kane. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 32 in 9.6, 6 higher.
X-Men #97 (Marvel, 1976) CGC NM+ 9.6 Off-white to white pages. Why are Havok and Polaris fighting the X-Men? Because they're doing the bidding of Eric the Red, who in turn is doing the bidding of... we won't give it away. Professor X's alien soulmate Lilandra makes her first appearance in this issue (though her face isn't revealed). The interior art is by Dave Cockrum; the cover is by Cockrum and Rich Buckler. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 26 in 9.6, 2 higher. From the collection of Joe and Nadia Mannarino.
X-Men #98 (Marvel, 1976) CGC NM+ 9.6 Off-white pages. Two firsts for Wolverine were seen in this issue: not only is it the first time he appeared out of costume, it's also the first time it was revealed that his claws come out of his hands rather than his gloves! He and the X-Men take on the Sentinels in this issue. The cover and interior art are by Dave Cockrum. Cockrum gave eagle-eyed readers a treat by throwing in some cameos, with Stan Lee, Jack Kirby, Cockrum himself, Julie Schwartz, Clark Kent, Nick Fury, and many others appearing. Overstreet 2005 NM- 9.2 value = $105. CGC census 12/05: 21 in 9.6, 4 higher. From the collection of Joe and Nadia Mannarino.
Silver Age (1956-1969)
Dell Giant Comics Marge's Little Lulu and Tubby at Summer Camp #2 - File Copy (Dell, 1958) CGC NM+ 9.6 Off-white pages. A square bound comic in 9.6 condition, that's something you don't see every day! This issue has art by Irving Tripp. Overstreet 2005 NM- 9.2 value = $230. CGC census 11/05: 2 in 9.6, none higher.
The Green Hornet #2 Boston pedigree (Gold Key, 1967) CGC NM 9.4 Off-white pages. Photo cover featuring Bruce Lee and Van Williams. Dan Spiegle art. Overstreet 2005 NM- 9.2 value = $220. CGC census 11/05: 7 in 9.4, 1 higher.
Harvey Hits #3 Richie Rich - File Copy (Harvey, 1957) CGC NM- 9.2 Cream to off-white pages. This issue of Harvey Hits -- sort of Harvey's equivalent of DC's tryout series Showcase -- is the first comic book devoted to everyone's favorite "poor little rich boy," Richie Rich. Before long, of course, Richie would headline a fleet of long-running titles, making this appearance even more significant. To top it off, this high-grade beauty is a Harvey file copy! Overstreet 2005 NM- 9.2 value = $2,000. CGC census 11/05: 2 in 9.2, 2 higher.
Humbug #5 (Humbug, 1957) CGC NM- 9.2 Cream to off-white pages. Bill Elder, Jack Davis, Russ Heath, and Al Jaffee art. Overstreet 2005 NM- 9.2 value = $125. CGC census 12/05: 7 in 9.2, none higher.
I Spy #1 File Copy (Gold Key, 1966) CGC NM 9.4 Off-white to white pages. This issue, with a photo cover featuring Robert Culp and Bill Cosby, is one of the most valuable of the Gold Key TV tie-in books. Overstreet 2005 NM- 9.2 value= $340. CGC census 11/05: 9 in 9.4, 1 higher.
I Spy #5 (Gold Key, 1968) CGC NM/MT 9.8 Off-white to white pages. If you think Robert Culp's all-white tennis outfit looks sharp, have a look at the condition of this all but perfect copy. Overstreet 2005 NM- 9.2 value = $200. CGC census 11/05: 2 in 9.8, none higher.
Richie Rich #1 (Harvey, 1960) CGC VF+ 8.5 Off-white to white pages. Harvey had quite a lineup of funny books in the late 1950s and early 1960s: Casper, Little Dot, Hot Stuff, Sad Sack, etc.etc. But Richie Rich, who first appeared in the pages of Little Dot, became the most popular of all. If we're not mistaken, he appeared in another series or two over the years... Overstreet 2005 VF 8.0 value = $1,275; VF/NM 9.0 value = $2,063. CGC census 12/05: 4 in 8.5, 6 higher.
Rocky and His Fiendish Friends #2 File Copy (Gold Key, 1962) CGC NM+ 9.6 Off-white pages. Where are moose and squirrel? They're right here, Comrade Badenov, and so are you, Natasha, and Dudley Do-Right! Now here's something we hope you'll really like: this copy's tied for the highest grade that CGC has assigned to date. Overstreet 2005 NM- 9.2 value = $215. CGC census 11/05: 4 in 9.6, none higher.
Supercar #1 File Copy (Gold Key, 1962) CGC NM 9.4 Cream to off-white pages. First issue of this television series spin-off, which featured marionette action by Gerry and Silvia Anderson of "Thunderbirds" fame. Wouldn't you like a car that can fly and go underwater? Especially if the cost of gas was the same as it was back in 1962! This sharp Western Publishing File Copy sports a great painted cover. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.4, none higher.
Uncle Scrooge #13 (Dell, 1956) CGC VF+ 8.5 Off-white pages. Classic "Land Beneath the Ground" story by Carl Barks. Overstreet 2005 VF 8.0 value = $109; VF/NM 9.0 value = $167. CGC census 11/05: 1 in 8.5, 2 higher.
Uncle Scrooge #14 (Dell, 1956) CGC NM+ 9.6 Off-white to white pages. This newly certified copy has taken over the top spot in CGC's census for this issue. So bring lots of "dough" when it's time to bid! The issue's cover and art are by Carl Barks. Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.6, none higher.
Uncle Scrooge #15 (Dell, 1956) CGC NM 9.4 White pages. This is the only copy of this Carl Barks issue to be graded above 9.0 by CGC to date. By the way, see heritagecoin.com for details on how to store your rare coins, don't do as Scrooge does on this cover! The funny cover scene is also by Barks, Mr.McDuck's creator. Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.4, none higher.
Uncle Scrooge #16 (Dell, 1956) CGC NM 9.4 Off-white pages. This is the only copy of the issue graded above 8.0 by CGC to date. The cover and interior art are by Carl Barks, naturally! Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.4, none higher.
Uncle Scrooge #18 (Dell, 1957) CGC NM- 9.2 Off-white pages. Carl Barks cover and art. Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.2, none higher.
Uncle Scrooge #19 (Dell, 1957) CGC NM 9.4 Off-white pages. Calling this "the highest-graded copy" is like saying Scrooge is "well off" -- it's the only copy graded above VG+ 4.5 by CGC as of this writing. The issue's cover and art are by Carl Barks. Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.4, none higher.
Uncle Scrooge #20 (Dell, 1957) CGC NM 9.4 Off-white pages. This issue contains the Carl Barks story "City of Golden Roofs," plus a Gyro Gearloose tale also written and drawn by Barks. Near Mint copies of this book are rarely offered, mainly because children (and adults) tended to read and re-read these comics to tatters. This one's a real beauty! Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.4, none higher.
Uncle Scrooge #21 (Dell, 1958) CGC VF/NM 9.0 Off-white to white pages. Carl Barks cover and art. Overstreet 2005 VF/NM 9.0 value = $141; NM- 9.2 value = $190. CGC census 11/05: 1 in 9.0, none higher.
Uncle Scrooge #22 (Dell, 1958) CGC NM 9.4 Off-white to white pages. Carl Barks cover and art. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.4, none higher.
Uncle Scrooge #27 (Dell, 1959) CGC NM 9.4 Off-white to white pages. Carl Barks cover and art. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.4, none higher.
Uncle Scrooge #28 (Dell, 1959) CGC NM- 9.2 Off-white to white pages. Carl Barks cover and art. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.2, none higher.
Unknown Worlds #41 Boston pedigree (ACG, 1965) CGC NM 9.4 Off-white pages. Kurt Schaffenberger cover and art. This is the highest-graded copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $60. CGC census 12/05: 1 in 9.4, none higher.
Yellow Submarine #nn (Gold Key, 1969) CGC NM- 9.2 Cream to off-white pages. The Beatles were so popular that a full-length cartoon based on their songs was released in the theatres. A comic book version of the film was released and the fans loved it. This particular copy has the poster included (which most fans took out) making it very collectible. A very handsome copy. Only two copies of this issue have earned a higher grade from CGC to date. Overstreet 2005 NM- 9.2 value = $360. CGC census 11/05: 5 in 9.2, 2 higher.
Bronze Age (1970-1979)
Humongous Comics Group (Various Publishers). This gigantic lot contains approximately 300 long boxes, packed full to the gills. This material appears to be from a comic shop that closed sometime during the late 1990s. One section of this collection is what you would expect from back issue stock from a store, containing approximately 100 long boxes of bagged and boarded comics, arranged alphanumerically within each box, although the boxes themselves are in no particular order. There are runs of Amazing Spider-Man, Alpha Flight, New Mutants, etc., spanning the years 1980-1995. This part of the group lot also contains several thousand older comics, mainly from the 1970s in mid-grade, with a smattering of Silver Age thrown in, usually in lower grades. The remainder of the boxes contains overstock, sometimes with very heavy duplication such as a full long box of unbagged copies of X-Men #1 (the 1991 series) with all variant covers. It is very heavy on Marvel and DC titles from the late 1980s through the mid-1990s, with a fair amount of other popular publishers of the time such as Image, Dark Horse, and Valiant. In general, this material does not appear to be cherry-picked, so all of the core titles are present, such as Wolverine, Amazing Spider-Man, X-Men, etc. There are as many as 50 copies each of these titles from the 1990s. Thousands of high-grade copies, including many that appear 9.8. PLEASE NOTE: The high bidder must arrange pick-up in the Dallas area within 45 days of the closing date of the auction. With 75,000-90,000 comic books, the Overstreet value will easily be in six figures. The original art commissioned to depict this lot in our catalog is being offered in a separate lot - Lot #6605
Silver Age (1956-1969)
Boris Karloff Tales of Mystery 2-Box Lot (Gold Key, 1965-78) Condition: Average VF. Originally spun off from the TV show "Thriller" hosted by Karloff, this popular comic book series not only outlasted the show, it survived the actor by nearly a full decade. The two full short boxes featured here include multiple copies of Boris Karloff #13-20, 23, 24, 25, 28, 30, 35, 39, 46, 48, 62, 64-71, and 83, inclusive. The overall condition is VF, and many grade higher. Approximate Overstreet value for group = $5,500. From the Random House Archives.
Dell/Gold Key Brothers of the Spear and Others 4-Box Lot (Dell/Gold Key, 1955-80) Condition: Average VF. This set of two short and two long boxes features multiple copies of Brothers of the Spear spanning from issue #1 to 18 (non-inclusive), as well as multiples of Starstream #1, 2, 3, and 4; Yogi Bear #34 and 35; Mighty Mouse #161-165; Tom and Jerry #295-329; The Close Shaves of Pauline Peril #2 and 4; Walt Disney's Comics and Stories #196-263; MGM's Spike and Tyke #1-20; The Harlem Globetrotters #1-12; Beetle Bailey #41-53; Marge's Little Lulu #203 and 204; Beep Beep the Road Runner #40-51; Fat Albert #6-29; and Turok, Son of Stone #109; plus select copies of Steve Zodiac, Western Roundup, Secret Agent, The Sword in the Stone, and others. Average grade is VF, with many grading higher. The runs are non-inclusive, unless stated otherwise. Approximate Overstreet value for group = $10,000. From the Random House Archives.
Dell/Gold Key Cartoon Characters 3-Box Lot (Dell/Gold Key, 1951-79) Condition: Average VF. These two short boxes and one long box include multiple copies of Porky Pig #39, 42, 43, 45, and 47; Looney Tunes and Merry Melodies #214-246; Looney Tunes (Gold Key series) #10-44; Tom and Jerry Comics #69-122 and 138-190; Mighty Mouse #159-171; New Terrytoons #47-48; and Super Goof #1-36. The average grade is VF, and many grade higher. All runs are non-inclusive unless otherwise indicated. Approximate Overstreet value for group = $8,500. From the Random House Archives.
Dell/Gold Key Disney and TV Show 4-Box Lot (Dell/Gold Key, 1953-80) Condition: Average VF. The four full short boxes featured here include multiple, very nice copies of Lassie #12, 30, 34, 37, 41, 42, 43, 45, 46, 49, 51, 52, 54, 55, 57, 58, and 70; Beep Beep the Road Runner #39, 40, 42, 43, 48, and 51; The Black Hole #1-4; M.A.R.S. Patrol #3, 5, 7, and 10; Woodsy Owl #1-10; Adventures of Robin Hood #1-7; Winnie-the-Pooh #3, 4, 6, 8, 10-14, 16, 18-21, 23, 25-29, and 31-33. There's even a Four Color or two! Grades vary to some degree, and the average grade is VF, with many grade higher. Approximate Overstreet value for group = $8,000. From the Random House Archives.
Dell/Gold Key Little Lulu and Others 7-Box Lot (Dell/Gold Key, 1961-82) Condition: Average VF. The seven short boxes offered here feature multiple copies of Marge's Little Lulu #153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 167, 168, 169, 170, 171, 172, 173, 208, 264, 265, 266, 267, and 268, as well as eight copies of Marge's Little Lulu Trick 'N' Treat #1 and seven copies of Marge's Little Lulu Summer Camp #1; Wacky Witch #1, 2, 4, 5, 6, 7, 8, 9, 10, 12, 15, 16, 17, 18, 19, and 20; Wacky Adventures of Cracky #1, 2, 3, 4, 5, 6, and 7; Walt Disney Showcase #1, 3, 4, 6, 7, 9, 15, 13, 19, 20, 23, 24, 28, 29, 30, 33, 37, 41, 47, and 50; Underdog (Gold Key series) #4-19 inclusive; and Beetle Bailey #39, 40, 44, 121, 122, and 124 . The overall condition is VF, and many grade higher. All runs are non-inclusive unless otherwise noted. Approximate Overstreet value for group = $12,000. From the Random House Archives.
Dell/Gold Key Miscellaneous Comics 2-Box Lot (Dell/Gold Key, 1948-80) Condition: Average VF. These two full short boxes include multiple copies of Space Family Robinson #27, 33, 36, 37, 39, 40, 41, 42, 47, 51, 56, and Gold Key Champion #1; plus multiples of Super Goof #6-76, Daisy and Donald #40-45, various issues of Four Color, The Man From U.N.C.L.E. #14, 20, 21, and 22, copies of Robin Hood (Golden Special), The Jungle Book #1, and Yogi Bear #31-35. All runs are non-inclusive unless otherwise stated. The average grade is VF; some of the older books grades FN or lower, and many grade higher. Approximate Overstreet value for group = $5,000. From the Random House Archives.
Dell/Gold Key Miscellaneous Comics 4-Box Lot (Dell/Gold Key, 1956-78) Condition: Average VF. The two full long and two full short boxes here offer a broad selection of Dell and Gold Key books from the Silver and Bronze ages. Included are copies of Four Color #882 (Zorro), 938 (Elmer Fudd), 948 (Daisy Duck's Diary), 960 (Zorro, two copies), 1003 (Zorro), 1037 (Zorro), 1038 (Ruff and Reddy), 1039 (Pluto), 1081 (Elmer Fudd), 1131 (Elmer Fudd), 1135 (MGM's Mouse Musketeers), 1171 (Elmer Fudd), 1175 (MGM's Mouse Musketeers), 1222 (Elmer Fudd), 1266 (MGM's Spike and Tyke), and 1290 (MGM's Mouse Musketeers); MGM's Spike and Tyke #2-24; and MGM's Mouse Musketeers #9-21 (with multiples of several issues of each title); as well as multiple copies of Lassie #44-69; Top Cat #23-31 inclusive; Mod Wheels #17, 18, and 19; Smokey Bear #1-13 inclusive; Porky Pig (Gold Key) #22, 53, 62, 68, 69, 70, 74, 81, 82, and 92; Fat Albert #17-28; Yosemite Sam #15, 26, 27, 29, 31, 32, 33, 39, 40, 58, and 81; and Dark Shadows #10, 13, 16, 17, 18, 19, 20, and 32. There are also multiples of The Aliens #1, Duke of the K-9 Patrol #1, Hi-Adventure Heroes #1 and 2, Captain Venture #1 and 2, Best of Bugs Bunny #2, Wagon Train #1, and King Kong. The average grade is VF, and many grade higher. All runs are non-inclusive unless otherwise stated. Approximate Overstreet value for group = $18,000. From the Random House Archives.
Golden Age (1938-1955)
Four Color Group (Dell, 1942-52) Condition: Average VG/FN. Here's a very nice selection of early Four Colors that includes #11 (Wash Tubbs), 119 (Felix the Cat), 123 (Bugs Bunny's Dangerous Venture), 162 (Felix the Cat, two copies, one GD), 187 (Bugs Bunny and the Dreadful Dragon, two copies), 200 (Bugs Bunny, Super Sleuth), 217 (Bugs Bunny in Court Jester), 266 (Bugs Bunny on the Isle of Hercules), 268 (Mickey Mouse's Surprise Visitor), 298 (Bugs Bunny in Sheik for a Day, two copies), 304 (Mickey Mouse in Tom-Tom Island), 313 (Mickey Mouse in the Mystery of the Double Cross Ranch, two copies), 334 (Mickey Mouse and Yukon Gold), 352 (Mickey Mouse in the Mystery of Painted Valley), 362 (Mickey Mouse and the Smuggled Diamonds, two copies), 371 (Mickey Mouse in the Inca Idol Case), and 401 (Mickey Mouse and Goofy's Mechanical Wizard). Most display exceptional color and gloss to the covers, and the average condition is VG/FN, with most earning that grade or slightly higher. Approximate Overstreet value for group = $725. From the Random House Archives.
Bronze Age (1970-1979)
Gold Key Bronze Age Humor Comics 4-Box Lot (Gold Key, 1960-77) Condition: Average VF. A load of laughs, this large lot of three full short boxes and one full long box includes multiple copies of Harlem Globetrotters #2, 3, 5-7, and 9-12 inclusive; Walt Disney Showcase #5, 8, 12, 15, 16, 19, 22, 25, 27, 28, 31, 35, 37, 39, 40, 42, 44, 46, 48, 50, and 51; Smokey Bear #7-12 inclusive; and Tweety and Sylvester #6, 9-11, 13, 17, 25, 28-39, 51, 71-73, 79, 81, 90, 101-105, 108, 109, and 114-118 inclusive. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $5,000. From the Random House Archives.
Gold Key Cartoon Character 3-Box Lot (Gold Key/Dell, 1962-81) Condition: Average VF. The two short boxes and one long box offered in this lot feature multiple copies of Woody Woodpecker #109, 110, 156, 191 (only distributed in 3-packs), 196, 198, 199; Yogi Bear #16, 17, 18, and 20; The Flintstones #19, 22, 23, 33, and 47-60; Walter Lantz Andy Panda #9, 11, 13, 15, 16; Tom and Jerry #223, 319, 322, and 323; and The Inspector #1, 2, 4, 7, 8, and 13; as well as Uncle Scrooge #114, 115, 121, 133, 151, 158, 161, 171, 174, and 178-209 (multiples of most). Also included are multiples of Fractured Fairy Tales #1, Dumbo, Beep Beep the Road Runner #5 and 6, New Terrytoons #42 and 45, Porky Pig #20 and 21, Fantastic Voyage #1 and 2, Walt Disney Showcase #2, and Dear Nancy Parker #1 and 2; and one issue each of Tom Corbett Space Cadet #, 6, 7, 8, 9, and 11, and Four Color #470, 628, 977, 1081, 1171, 1222, and 1293 (all feature Elmer Fudd). Several of the 10- and 12-centers grade a little lower, but the overall condition is VF, with many grading higher. All runs are non-inclusive unless otherwise noted. Approximate Overstreet value for group = $8,000. From the Random House Archives.
Gold Key Bronze Age Cartoon Character Box Lot (Gold Key, 1972-80) Condition: Average VF. This group of short boxes includes multiples of The Roman Holidays #2, 3, and 4; The Beagle Boys Vs. Uncle Scrooge #1-5 and 7-12 inclusive; Daffy Duck #47, 48, 49, 50, 51, 52, 54, 55, and 56; Little Lulu #209, 210, 211, 213, 214, and 215; and The Little Stooges #2-7 inclusive, plus multiples of Woodsy Owl #5 and 7, Peter Pan #1, and Walt Disney Presents 101 Dalmatians (movie comic). The average grade is VF, and many of the later issues grade VF/NM or higher. Approximate Overstreet value for group = $6,500. From the Random House Archives.
Gold Key Miscellaneous Comics 2-Box Lot (Gold Key, 1965-79) Condition: Average VF. This wide selection of Gold Key titles -- roughly two full long boxes worth -- includes Ripley's Believe It or Not #11, 12, 14, 15, 17, 18, 29-32, and 80 inclusive, along with multiples of Walt Disney Showcase #6, 7, 11-14, 17, 21, 22, 26, 27, 29, 30, 32, 34, 35, 38, 39, 41, 42, 44-46, 49, 52, and 54 inclusive; Gunsmoke #1-6 inclusive; Wild, Wild West #1-7 inclusive; Boris Karloff Tales of Mystery #6, 21, and 22; Krofft Supershow #1-6 inclusive; Wacky Races #1-7 inclusive; Lidsville #1-5 inclusive; New Terrytoons #4; and Heckle and Jeckle #4. The average grade is VF, with some grading a little lower and many grading higher. Approximate Overstreet value for group = $12,000. From the Random House Archives.
Gold Key Miscellaneous Comics 3-Box Lot (Gold Key, 1953-74) Condition: Average VF. This group of three full short boxes and one full long box includes multiple copies of The Lone Ranger #56-124 (non-inclusive); the movie comics King Kong, The Black Hole, Hawaiian Eye, Big Red, Peter Pan, and the The Travels of Jamie McPheeters; The Legend of Young Dick Turpin, Supergoof #14-53 (non-inclusive); Happy Days #4-6; Aristokittens #1-9, Condorman #1-3; Yosemite Sam #80; Scooby-Doo #5-23 (non-inclusive); Fat Albert #16 and 20; and Shroud of Mystery #1. The overall condition is VF, and many grade higher. Approximate Overstreet value for group = $10,000. From the Random House Archives.
Gold Key Bronze Age Sci-Fi, Horror, and Adventure 4-Box Lot (Gold Key, 1959-85) Condition: Average VF. This group of four full short boxes includes Ripley's Believe It or Not #4-7, 10, 11, 13-15, 20, 21, 23, 26, 30, 31, 35, 38, 44, 47, 49, 50, 79, 85, 88-90, and 92-94 inclusive; Turok Son of Stone #64, 73, 79, and 100; The Jungle Twins #16-18 inclusive; and Dark Shadows #9, 27, 28, 30, and 35; plus some multiples of Tweety and Sylvester (Dell) #24, 25, 30, 31, and 36; Beagle Boys #1-16, 22, 23 and 31 inclusive; and Funky Phantom #1. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $8,400. From the Random House Archives.
Gold Key Movies and Science Fiction 2-Box Lot (Gold Key, 1962-90) Condition: Average VF. Featured here are two full short boxes of comics and a small box of special editions. Included are multiple copies of Ripley's Believe It or Not #4, 7, 10, 20, 27, plus Ripley's Believe It or Not! True Ghost Stories #1 and Ripley's Believe it or Not! True War Stories #1; Turok, Son of Stone #46, 85, 96, 125, and 126; Doctor Solar, Man of the Atom #28, 29, and 31; Star Trek: The Enterprise Logs #1, 2, and 4; Questar Illustrated Science Fiction Classics; and Archer and Armstrong #7-25. The special editions include the hardbound volumes The Best of the Super Mario Bros. and The Best of the Nintendo Comic System, plus multiples of Gremlins, Masters of the Universe, Clash of the Titans, Flash Gordon (movie adaptation), The Jungle Book, Buck Rogers (TV series adaptation), King Kong, and Close Encounters of the Third Kind (Marvel Special Edition). The average grade is VF, and many -- especially the Modern Age books -- grade much higher. All runs are non-inclusive unless otherwise indicated. Approximate Overstreet value for group = $4,000. From the Random House Archives.
Gold Key Sci-Fi/Horror and Others 2-Box Lot (Gold Key, 1967-79) Condition: Average VF. Included in these two full long boxes are multiple copies of Boris Karloff Tales of Mystery #36, 40, 50, 52, and 88; Ripley's Believe It or Not #8, 9, 11, 12, 13, 22, 65, 66, and 71; Space Family Robinson #23, 27, 29, 33, and 36; and Twilight Zone #88, 89, 91, and 92; plus multiples of Fat Albert #1, 2, 4, 6, 8-16, and 18-28 inclusive. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $7,500. From the Random House Archives.
Gold Key Bronze Age Science Fiction and Horror 3-Box Lot (Gold Key, 1969-79) Condition: Average VF. These three full short boxes include multiple copies of Star Trek #27, 31, 32, 33, 34, 35, 36, 38, 39, 40, 41, and 60; Turok, Son of Stone #59, 65, 66, 82, 83, 84 (features the origin and first appearance of Hutec), 86, 88, and 89; Ripley's Believe It or Not #13, 18, 19, 20, 21, 22, 23, 24, 28, 34, 36, 41, 45, 46, 48, 56, and 57; as well as multiples of Lancelot Link, Secret Chimp #1 and Huckleberry Hound #34, 37, and 40 for a little variety. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $12,000. From the Random House Archives.
Silver Age (1956-1969)
Gold Key TV and Movie Comics Box Lot (Gold Key, 1961-73) Condition: Average VF. Movie and TV show adaptations and spin-offs comprise the bulk of this lot. Included are multiple copies of The Man From U.N.C.L.E. #2, 3, 6, 7 (first appearance of Jet Dream), 12, 14, 15, 16, 17, 18, 19, 21, 22, and Boris Karloff Tales of Mystery #17, 19, 20, 24, 25, 28, 30, 35, and 46; Zorro (Dell) #9, 12, and 15; The Scarecrow #1-3 inclusive; and Walt Disney Showcase #10 (Napoleon and Samantha), 43 (Pete's Dragon), and 53 (The Scarecrow of Romney Marsh); as well as multiple copies of The Rifleman #20 and movie comics Old Yeller, Son of Flubber, Kidnapped, Mary Poppins, The Prince and the Pauper, Blackbeard's Ghost, Big Red, In Search of the Castaways, Bullwhip Griffin, Nikki, WIld Dog of the North, and The Legend of Lobo. The overall condition is VF, and many grade higher. All runs are non-inclusive unless otherwise noted. Approximate Overstreet value for group = $6,000. From the Random House Archives.
Bronze Age (1970-1979)
Grimm's Ghost Stories and Others Box Lot (Gold Key, 1956-79) Condition: Average VF. A very Grimm lot, indeed, featuring multiple copies of Grimm's Ghost Stories #33, 34, and 36-49 inclusive; plus multiples of Doctor Solar Man of the Atom #1, 11, 13, 14, 16, 17, 20-22, and 24-27 inclusive; Four Color #707 (Corky and White Shadow), 985 (Shaggy Dog), 1100 (Annette's Life Story), and 1199 (The Absent-Minded Professor), The Little Stooges #1; Cinderella and Robin Hood (movie comics); and The Microbots #1. The grades vary slightly, with the overall condition being VF, and many copies grade higher. Approximate Overstreet value for group = $5,300. From the Random House Archives.
Silver Age (1956-1969)
Hanna-Barbera Super TV Heroes #3 File Copy (Gold Key, 1968) CGC NM+ 9.6 Off-white to white pages. Featuring Space Ghost, Birdman, Shazzan, and others. Overstreet 2005 NM- 9.2 value = $175. CGC census 11/05: 5 in 9.6, none higher. From the Random House Archives.
Hanna-Barbera Super TV Heroes #6 File Copy (Gold Key, 1969) CGC NM+ 9.6 Off-white pages. Featuring Space Ghost, Mighty Mightor, and others. Dan Spiegle art. Overstreet 2005 NM- 9.2 value = $175. CGC census 11/05: 4 in 9.6, none higher. From the Random House Archives.
Bronze Age (1970-1979)
Little Lulu Box Lot (Gold Key, 1965-78) Condition: Average VF. The two medium-sized boxes featured here include Little Lulu #174-190 and 227-245 inclusive. The overall condition is VF, and many grade higher. Approximate Overstreet value for group = $5,000. From the Random House Archives.
Modern Age (1980-Present)
Little Lulu #260 File Copy (Whitman, 1980) CGC NM+ 9.6 Off-white to white pages. This rare issue (noted as having low distribution by Overstreet) was originally sold only in multi-packs. Overstreet 2005 NM- 9.2 value = $225. CGC census 11/05: 1 in 9.6, 1 higher. From the Random House Archives.
Little Lulu #261 File Copy (Whitman, 1980) CGC NM 9.4 Off-white to white pages. This issue was originally sold only in multi-packs. Overstreet 2005 NM- 9.2 value = $40. CGC census 11/05: 5 in 9.4, none higher. From the Random House Archives.
Bronze Age (1970-1979)
Looney Tunes Box Lot (Gold Key/Whitman, 1971-81) Condition: Average VF. Includes multiple copies of Looney Tunes (second series) #1-8, 12-17, 22-25, and 28-37 inclusive (#34 was originally only available in Whitman pre-packs, and is listed as "scarce" by Overstreet), plus Porky Pig #39, 41, 43-46, 78, 79, 80, 83, 84, 88, and 93 all from the Gold Key series, plus #71 of the Dell series. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $2,700. From the Random House Archives.
Golden Age (1938-1955)
Marge's Little Lulu #191-207 Box Lot (Gold Key, 1970-72) Condition: Average VF. The two short boxes in this lot feature multiple copies of Little Lulu #191-207 inclusive. Number 206 is notable for being the last issue to carry creator Marge Buell's name in the title, and 207 features the first appearance of Henrietta. The overall condition is VF, and many grade higher. Approximate Overstreet value for group = $6,300. From the Random House Archives.
Our Gang #2 File Copy (Dell, 1942) CGC VF 8.0 Off-white pages. Walt Kelly continues his excellent series of kid adventure stories inspired by the MGM short-subject films; the back cover includes a photo of stars Mickey (Robert Blake), Froggy, Buckwheat, and Spanky. Benny Burro begins his solo stories with this issue (this first installment by Kelly) - in time, he would be paired with Barney Bear. Overstreet 2005 VF 8.0 value = $330. CGC census 11/05: 1 in 8.0, 1 higher. From the Random House Archives.
Our Gang #3 File Copy (Dell, 1943) CGC VF+ 8.5 Cream to off-white pages. Froggie picks an odd ice-skating partner - Barney Bear - on this amusing cover illustration by Walt Kelly. Inside, Kelly art graces the Gang's story. Tom and Jerry (who later hijack the series for themselves), Flip and Dip, and Benny Burro appear, and a photo back cover rounds out the issue. This file copy shows great cover gloss and smooth surfaces. Overstreet 2005 VF 8.0 value = $218; VF/NM 9.0 value = $334. CGC census 11/05: 1 in 8.5, none higher. From the Random House Archives.
Our Gang #5 File Copy (Dell, 1943) CGC NM- 9.2 White pages. Walt Kelly provides this charming cover, showing the gang along the left side panel and Barney Bear getting his nails polished by Jerry Mouse as the main illustration. Inside, there's more Kelly art, plus Benny Burro and other MGM cartoon characters. This lovely file copy currently tops the CGC census list for this issue. Overstreet 2005 NM- 9.2 value = $450. CGC census 11/05: 1 in 9.2, none higher. From the Random House Archives.
Our Gang #7 File Copy (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. While Walt Kelly provides art for the front and back covers, the Gang story inside is by other hands. Overstreet 2005 VF 8.0 value = $160; VF/NM 9.0 value = $245. CGC census 11/05: 1 in 8.5, none higher. From the Random House Archives.
Our Gang #8 File Copy (Dell, 1943) CGC NM 9.4 Cream to off-white pages. Walt Kelly illustrations grace the beautiful front and back covers of this issue, plus the Gang story within. Also inside, Carl Barks provides art for the Benny Burro tale, his first for this title. This scrumptious NM file copy is at the top of the current CGC census list for this issue. Overstreet 2005 NM- 9.2 value = $825. CGC census 11/05: 1 in 9.4, none higher. From the Random House Archives.
Our Gang #10 File Copy (Dell, 1944) CGC VF/NM 9.0 Off-white pages. Froggy gets a sudden shock as he brushes his hair in the "mirror" on this funny Walt Kelly cover. Inside artists include Kelly and Carl Barks. This file copy is far and away the highest-graded of only three copies to be certified by CGC to date. Overstreet 2005 VF/NM 9.0 value = $387; NM- 9.2 value = $525. CGC census 12/05: 1 in 9.0, none higher. From the Random House Archives.
Our Gang #14 File Copy (Dell, 1944) CGC NM- 9.2 Off-white to white pages. Walt Kelly provides the football-themed cover and Gang story inside. Carl Barks illustrates the Barney Bear and Benny Burro story. This is the highest CGC-graded copy to date. Overstreet 2005 NM- 9.2 value = $340. CGC census 11/05: 1 in 9.2, none higher. From the Random House Archives.
Our Gang #15 File Copy (Dell, 1945) CGC NM 9.4 Off-white to white pages. This cover by Walt Kelly may be the closest thing to a "bondage cover" you'll ever see on a comic originally designed for young children! At any rate, it's a cute scene, showing the kids "filming" their own movie (and about to be interrupted by a pesky caterpillar). A Barney Bear and Benny Burro story by Carl Barks adds to the fun. This file copy easily tops the current CGC census for this issue -- it's the only copy listed! Overstreet 2005 NM- 9.2 value = $340. CGC census 11/05: 1 in 9.4, none higher. From the Random House Archives.
Bronze Age (1970-1979)
Pink Panther and Others Box Lot (Gold Key, 1963-81) Condition: Average VF. This group consists mostly of multiple copies of Pink Panther #5, 10, 13-19, 21, 22, 31, 33, 36, 38, 80-82; as well as multiple copies of Huckleberry Hound #20, 23, and 25-43 inclusive; Mickey Mouse #126, 127, 130, 137, 138, 142, 149, 150, 159, and 180; Yosemite Sam #8, 50, 53, 72, and 74; Lancelot Link, Secret Chimp #3, 4, 7, and 8; Where's Huddles #1 and 2; Ripley's Believe It or Not #14; and National Velvet #1. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $8,000. From the Random House Archives.
Porky Pig and Others 4-Box Lot (Dell/Gold Key, 1965-84) Condition: VF. A set of four full short boxes that include multiple copies of Porky Pig (Dell series) #70, 72, 73, 78; and (Gold Key series) #1, 4, 9-21, 24-27, 29, 30, 32-38, 40, 58-62, 64-79, 81, 87, 90, 94, 98 (only sold in Whitman pre-packs), 105, 107, 108, and 109 inclusive; plus multiples of Tweety and Sylvester #24, 30, 31, 33, 34, 36, 38, 40, 45, 59, 60, 64, and 68. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $7,100. From the Random House Archives.
Silver Age (1956-1969)
Ripley's Believe It Or Not 2-Box Lot (Gold Key, 1965-78) Condition: Average VF. Believe it: These two full short boxes include multiples of Ripley's Believe It or Not! True Ghost Stories #1 and 2; Ripley's...True War Stories #1; and Ripley's Believe It or Not #4, 25, 27, 40-42, 51-56, 58, 62, 63, 80, and 81 inclusive; plus multiples of Tweety and Sylvester #13, 14, and 16 to cleanse the palate. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $4,800. From the Random House Archives.
Star Trek #2 File Copy (Gold Key, 1968) CGC NM 9.4 Off-white pages. Photo cover featuring Spock (Leonard Nimoy) and Kirk (William Shatner). Overstreet 2005 NM- 9.2 value = $350. CGC census 11/05: 2 in 9.4, 1 higher. From the Random House Archives.
Tom and Jerry and Others Box Lot (Dell/Gold Key, 1953-80) Condition: Average VF. Tons of funny animal fun. Included are multiple copies of Tom and Jerry #103, 178-180, 190, 191, 198, 199, 204, 222, 228-231, 233-237, 239, 242-245, 251, 252, 255, 264, 265, 270, 271, and 317 inclusive. Also included are multiples of Bugs Bunny #28, 29, 36, 39-41, 48, 55, 64, 67, 68, 70-72, 74, 75, 77, 79, 84, 109, 111, and 112; Bugs Bunny Winter Fun #1, The Best of Bugs Bunny #1; Winnie-the-Pooh #7, 12-21, and 23-33 inclusive; Daisy and Donald #28-36 inclusive; and Twilight Zone #3, 4, 6, 8, 11, 12, 14, 17-24. The average grade is VF, with some of the Dell-era issues grading a little lower and many of the later books grading higher. Approximate Overstreet value for group = $11,000. From the Random House Archives.
Turok and Others 4-Box Lot (Dell/Gold Key, 1959-79) Condition: Average VF. More Turoks than you can shake a brontosaurus at! The four short boxes featured here include multiple copies of Turok, Son of Stone #13-29 (the last issue published by Dell), 30-37, 41-45, 47, 60, 71-74, and 76-81 inclusive. Also included are Doctor Solar Man of the Atom #1, 6, 10, 12, 15, 18, 19, 23, and 26 (multiple copies of most), and multiples of Twilight Zone #16, 19, 20, and 25; Ripley's Believe It or Not #91; The Occult Files of Dr. Spektor #11, 12, and 14-18 inclusive; and Boris Karloff Tales of Mystery #54-63 non-inclusive, 86, and 90. The average grade is VF, with some of the Dell-era issues grading a little lower and many of the later books grading higher. Approximate Overstreet value for group = $9,750. From the Random House Archives.
Bronze Age (1970-1979)
Turok, Son of Stone and Others Box Lot (Gold Key/Valiant, 1968-95) Condition: Average VF. This selection of mostly sci-fi and superhero books consists primarily of multiple copies of Turok, Son of Stone #62, 71, 75, 76, 80, 93, 94, 96-101, 103, and 106; along with multiples of the Whitman Dynabrite comics Star Trek: The Psychocrystals, Star Trek: The Choice, Mickey Mouse and His Sky High Adventure, Mickey Mouse and the Beanstalk, and Uncle Scrooge and the Golden Fleecing; Happy Days #6; and Ripley's Believe It or Not #81 and 83. Also included is a selection of Valiant titles that features Turok, Dinosaur Hunter #1 and 4-17; Solar, Man of the Atom #7-60; Timewalker #1-6 and 13-14; Ninjak #5-23; Magnus, Robot Fighter #1-9 and 36-54; The Second Life of Doctor Mirage #1-18; X-O Manowar #0 and 5-37; Eternal Warrior #2-22 and 35; Harbinger #1-13 and 20-40; and Geomancer #4-8, with multiples of several issues. (Most of the Valiant runs are non-inclusive.) The average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $7,000. From the Random House Archives.
Silver Age (1956-1969)
Twilight Zone and Ripley's Believe It or Not Box Lot (Gold Key, 1967-79) Condition: Average VF. Submitted for your approval: an altogether spooky lot of books that includes multiples of Twilight Zone #27, 28, 30-38, 48, 55, 56, 57, 58, 59, 61, 62, 64, 66, 68, 69, 70, 71, 74, 75, 76, 80-88 (including #84, which features Frank Miller's first comic book work), 90, 91, and 92 (the last issue of the series); as well as Ripley's Believe It or Not #6, 72, 73, 74, 75, 76, 77, 78, and 86. The overall condition is VF, and many grade higher. Approximate Overstreet value for group = $8,500. From the Random House Archives.
Bronze Age (1970-1979)
Yosemite Sam and Bugs Bunny Box Lot (Gold Key, 1974-80) Condition: Average VF. This full short box includes Yosemite Sam #22-24, 26, 27, 34, 36-44, 54, 59, 65 (the last Gold Key issue), 71, 76, and 77 inclusive. The average grade is VF, and many grade higher. Approximate Overstreet value for group = $1,400. From the Random House Archives.
Original Comic Art
Western Publishing Artist - Boris Karloff Tales of Mystery #69 Cover Original Art (Gold Key, 1976). For both man and monster it's been a hard day's work! Here's another full-color fright fest by the artists at Gold Key! Painted in watercolor on heavy illustration board, this art has an image area measuring 10.5" x 15" and is in Excellent condition. From the Random House Archives.
Sal Buscema - Hostess Fruit Pie Ad/Story "Daredevil in the Peachy Keen Caper" Original Art (1978). Daredevil strikes at bank robber Peachy Keen's weak spot by baiting a trap with tasty Hostess Fruit Pies. The image area of the page measures 10" x 15". Aside from a few paste-ups and several minor glue stains, the art is in Very Good condition. The color guide for a different Hostess Fruit Pie ad, "Daredevil in 'Because,"" (with art by Gil Kane) is also included in this lot. It has an image area of 6.75" x 10.25", and is also in Very Good condition. From the Random House Archives.
Sal Buscema and Joe Sinnott - Hostess Twinkie Ad/Story "Captain Marvel Returns to Earth" Original Art (1978). Just in the nick of time, Captain Marvel swoops in from the distant reaches of outer space to Earth in order to rescue three kids from a deadly rock slide. The Kree-born warrior was so fast the kids never had time to stop eating their mouth-watering Twinkie sponge cakes. Mmmm -- Twinkies! The image area of this thriller measures 10" x 15". Aside from a few whited-out art corrections, and a few small glue stains, the art is in Very Good condition. From the Random House Archives.
Sal Buscema - Hostess Twinkie Ad/Story "Captain America in a Friendly Gesture" Original Art (1977). Captain America cuts his slugfest with a hostile alien short by making a peace offering of a delicious Twinkie snack. The image area of the page measures 10" x 15". Aside from a few paste-ups and several minor glue stains, the art is in Very Good condition. The color key film for a different Hostess Fruit Pie ad, "Captain America in the Deciding Factor," (guest-starring Nick Fury) is also included in this lot. The color key has an image area of 6" x 8.75", and is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #401 Cover Original Art (Gold Key, 1974). While Dewey and Louie look on, Huey pulls the old "stealth snowball from the stovepipe hat" trick on an unsuspecting Uncle Donald, on this "brrrr-illiant" cover image. The image area measures 10" x 12" and the work is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #433 Cover Original Art (Gold Key, 1976). Life guard Daisy is the darling of the beach bunch, in this dishy cover delineation. Cameos by Donald, Gladstone Gander, Huey, Dewey, and Louie. The image area measures 11" x 11.5" and the work is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #437 Cover Original Art (Gold Key, 1977). It's not an ancient Egyptian curse that has befallen Uncle Donald as he lay sleeping on the divan -- it's just Huey, Dewey, and Louie and their first kit! A dozing Donald gets a dose of devious ducklings, in this ducky cover delineation. The image area measures 10" x 11" and the work is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #441 Cover Original Art (Gold Key, 1977). Gyro Gearloose's low-tech kite steals the show from Donald Duck and his nephews, in this blustery cover illustration. The art has an image area measuring 10" x 11" and the condition is Excellent. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #443 Cover Original Art (Whitman, 1977). His nephews hardly worked up a sweat, but Uncle Donald is plumb tuckered after his tennis match with Huey, Dewey, and Louie, on this cover art for Walt Disney's Comics and Stories #443. The art has an image area measuring 11" x 11" and the condition is Excellent. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #445 Cover Original Art (Whitman, 1977). Uncle Donald's three little piano prodigies, Huey, Dewey, and Louie, turn a baby grand into a playground on this cover art for Walt Disney's Comics and Stories #445. The art has an image area measuring 10" x 12" and the condition is Excellent. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #506 Cover Original Art (Whitman, 1983). No, that's not a new hat Donald's wearing, it's his nephews' smashed toy airplane, so it's off to bed for the lot of them! Once again, Donald's nephews find a way to bring up Uncle Donald's blood pressure, in this catastrophic cover illustration. The image area measures 10" x 12" and the work is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #448 Cover Original Art (Gold Key, 1977). Junior firemen, Huey, Dewey, and Louie, create a "four alarm" with their Uncle Donald's temper, when they use his jacket as a safety net! Donald is none too thrilled, but you certainly will be with this cover illustration from issue #448. The art has an image area measuring 10" x 11" and the condition is Excellent. From the Random House Archives.
Western Publishing Artist - Walt Disney's Comics and Stories #450 Cover Original Art (Gold Key, 1978). It's more winter fun for Donald Duck and his three nephews, Huey, Dewey, and Louie on this cover illustration! The image area measures 10" x 12" and the work is in Excellent condition. From the Random House Archives.
Al Milgrom (attributed) - Hostess Fruit Pie Ad/Story "Captain America in the Deserted City" Original Art (1978). In an episode that copy editors, English teachers, and spelling bee champions will enjoy, Captain America foils the Mad Deserter's scheme with Hostess Fruit Pie desserts! The image area of this delicacy measures 10" x 15", and the art is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Presidential Biography Page Original Art, Group of 108 (Western Publishing, circa 1962). The biographies of each of the United States Presidents from George Washington to John F. Kennedy are detailed in these handsomely rendered comic book pages. The page numbers include #1-3 and 8-112 of this unidentified Western Publishing title. Since little mention is made of the Kennedy assassination, the work may have been published before 1963, or perhaps it was even shelved because of JFK's shocking death. Each page is drawn with an illustrational drybrush style and there is no type on any of the pages, only a few editorial comments written in blue pencil. All but three of the pages have an image area of approximately 12" x 16.5". The first three pages (which are about George Washington) are smaller and have an image area of 9.25" x 13". Aside from a few art corrections/pasted-on panels that have slipped loose, the art averages Very Good condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #137 Cover Original Art (Gold Key, 1976). Pumping iron just doesn't cut it for the most miserly duck in Duckburg! Heck no, pumping bags of solid gold coins is more like it for Uncle Scrooge! This cover illustration has an image area measuring 10" x 11" and the work is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #144 Cover Original Art (Gold Key, 1977). Uncle Scrooge finds life a real grind when he takes over the collection cup duties from an organ grinder's monkey, in this kooky cover illustration. The art has an image area measuring 10" x 11" and is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #157 Cover Original Art (Gold Key, 1978). Davy Jones' locker proves no match for Uncle Scrooge and his needle-nosed lock pick, in this bubbly cover illustration. The art has an image area measuring 11.5" x 12" and is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #165 Cover Original Art (Gold Key, 1979). In a big bowl, mix a few large-denomination bills with a couple of handfuls of loose change. Sprinkle with a pinch of gold dust and silver powder, and you've got Uncle Scrooge's recipe for a very unique salad! The richest duck in Duckburg adds a new chapter to the recipe books with his original concoction, featured on this cover illustration. The art has an image area measuring 9" x 12" and is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #188 Cover Original Art (Whitman, 1982). Waste not, want not! Scrooge puts the old "squeeze play" on a tube of toothpaste, so he won't waste a single dollop! This orally hygienic cover illustration has an image area measuring 10" x 12" and the condition is Excellent. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #191 Cover Original Art (Whitman, 1981). We can guess who's going to win this tug of war between a Beagle Boy and Uncle Scrooge's comforter (which just happens to be sheet of uncut bills)! This cover illustration has an image area measuring 10" x 12" and is in Excellent condition. From the Random House Archives.
Western Publishing Artist - Uncle Scrooge #193 Cover Original Art (Whitman, 1982). Deep within his money vault, that skinflinty fowl, Uncle Scrooge, hang-glides over mounds of moolah, in this breezy cover illustration. Even a stingy duck's got to have a hobby! The art has an image area measuring 10" x 12" and the condition is Excellent. From the Random House Archives.
Silver Age (1956-1969)
Action Comics #231-250 Bound Volume (DC, 1957-59). The first appearances of Brainiac and the bottle city of Kandor in #242 are a highlight of the trimmed and bound copies contained in this handsome volume. The comics in this particular volume are fairly well-thumbed books, averaging VG condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,574.
Action Comics #251-270 Bound Volume (DC, 1959-60). The first appearance of Supergirl, the third Legion of Super-Heroes story, and lots of early Bizarro tales are among the highlights of this run. In all, trimmed and bound copies of issues #251-270 are contained in this handsome volume. The comics range from VG to VF condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,356.
Action Comics #271-280 Bound Volume (DC, 1960-61). Trimmed and bound copies of issues #271-280 are contained in this hardcover book. Most of the comics average VG to FN condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $366.
Adventure Comics #236-250 Bound Volume (DC, 1957-58). Issue #247, the first appearance of the Legion of Super-Heroes, is the highlight of this run. In all, trimmed and bound copies of issues #236-250 are contained in this volume. The comics are mostly in VG to FN condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,594.
Adventure Comics #251-270 Bound Volume (DC, 1958-60). Trimmed and bound copies of issues #251-270 are contained in this handsome volume, highlighted by the second appearance of the Legion of Super-Heroes in #267. The copies herein average VG condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,224.
Adventure Comics #271-290 Bound Volume (DC, 1960-61). Trimmed and bound copies of issues #271-290 are contained in this sharp-looking hardcover. The comics inside average VG condition. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $790.
The Avengers #1-10 Plus Bound Volume (Marvel, 1963-75). A chronicle of the early adventures of Marvel's mightiest super team, including the Silver Age revival of Captain America and the first appearances of Immortus and Baron Zemo among the high points. Bound with them is a copy of Iron Fist #1. The latter is in excellent condition, and the Avengers books range in quality from nice with several creases and tanning to great condition with virtually no defects and supple pages. The title and issue numbers are embossed on the spine of the volume, and each issue has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $1,316.
The Avengers #11-30 Bound Volume (Marvel, 1964-66). The debut of a new Avengers line-up is the stand-out issue of this bound volume, which contains trimmed and bound copies of issues #11-30. The title and issue numbers are embossed on the spine, and the previous owner's name is on the front cover. The quality of the contents ranges from slightly well-read to very nice with almost no blemishes. Each comic has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $454.
The Avengers #31-50 Bound Volume (Marvel, 1966-67). This set of trimmed and hardbound Avengers issues includes the first appearance of the Black Knight. Although a couple of them are marred by subscription creases, they are in great condition overall with only slightly yellow pages. Title and issue numbers embossed on the spine, and the owner's name is embossed on the front cover. Each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $200.
Batman #121-130 Bound Volume (DC, 1959-60). Trimmed and bound copies of issues #121-130 are contained in this volume. The condition of the comics inside ranges from GD to VG. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $650.
Blackhawk #151-170 Bound Volume (DC, 1960-62). With a cry of "Hawk-aaaaa!" comes DC's popular international team, in twenty early '60s comic books that have been professionally bound by a private collector. Join Blackhawk, Chuck, Hendrickson, Olaf, Stanislaus, Andre, Chop Chop, and occasionally Zinda, the Lady Blackhawk, in a wild series of military-style adventures with a strong hint of science fiction thrown in for good measure. Issue #164 recaps the group's origin in a text piece. Artists include Dick Dillin, Chuck Cuidera, and Sheldon Moldoff. Most issues fall within the VG to FN range. Page quality is quite good, running from cream to off-white. The title and issue numbers are embossed on the spine, and the name of the former owner is embossed on the front cover of this green leather-like volume. Overstreet 2005 VG 4.0 value for group = $296.
Captain Marvel #1-20 Bound Volume (Marvel, 1967-70). A great selection of books, most with off-white pages and glossy covers ranging from excellent to nice with a few creases. The title and issue numbers are embossed on the spine, as is the previous owner's name on the front cover. Each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $126.
Challengers of the Unknown #1-15 Bound Volume (DC, 1958-60). Among Jack Kirby's first work for DC in the '50s was this series, considered to be Kirby's most notable output of that period, as well as a precursor to the Fantastic Four. This volume collects copies of the first 15 issues of the series, which also features art by Bob Brown in the later issues, hardbound with the title and issue numbers embossed on the spine. The covers are in fairly good condition, with most having several creases, a few minor tears, and/or small stains. The page quality is great, with little to no staining and only a light amount of tanning. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $1,398.
Daredevil #1-50 Bound Volumes (Marvel, 1964-69). Trimmed and bound copies of the first five years of Daredevil are contained in two hardcover volumes that wouldn't look out of place in Foggy Nelson's law library! Most of the comics were obviously in superb condition when bound, and even today, tan edges on some of the inside covers and an edge chip or two are the only defects of note. This unbroken run takes you from DD's first appearance through the great Wally Wood run and into the Gene Colan years! The spines of the books have the titles and issue numbers printed in black. Overstreet 2005 VG 4.0 value for group = $1,598.
Daredevil #1-10 Bound Volume (Marvel, 1964). This attractive volume contains trimmed and bound copies of #2-9 as well as the U.K. edition of #1. The latter comic is in approximately GD condition, the others were in VG to VF condition when bound. Highlights of this run are the first appearances of the Owl and Stilt-Man as well as the debut of Daredevil's red costume. The title and issue are embossed on the spine, and the previous owner's name is embossed on the front of the book. There's a bit of glue on the outside edges of some interior pages, but it appears easily removable. While the UK edition of #1 is not listed in Overstreet, the U.S. edition has a VG 4.0 Overstreet value of $458; issues #2-10 have a combined Overstreet 2005 VG 4.0 value of $541.
Daredevil #11-30 Bound Volume (Marvel, 1965-67). Bound copies of issues #11-30 are contained in this handsome volume. Note that these have not been trimmed prior to binding, so the comics could conceivably be removed if a future owner so desired. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $342.
Detective Comics #241-260 Bound Volume (DC, 1957-58). Trimmed and bound copies of issues #241-260 are contained in this handsome volume. Most of the comics were in VG condition or better when bound, though there are a few GD/VG copies. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,400.
Detective Comics #261-280 Bound Volume (DC, 1958-60). Trimmed and bound copies of issues #261-280, averaging VG condition, are contained in this hardcover volume. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,050
Detective Comics #281-300 Bound Volume (DC, 1960-62). Trimmed and bound copies of issues #281-300 are contained in this handsome volume. The comics average VG condition in terms of cover creases etc., but the page quality is excellent! The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $820.
Doctor Solar #1-20 Bound Volume (Gold Key, 1962-67). Trimmed and bound copies in superb condition of issues #1-20. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $220.
Doctor Strange #169-183 Bound Volume (Marvel, 1968-69). The complete run of the first Doctor Strange series is collected in this volume, with excellent quality condition-wise -- only a few covers show light creasing, and the pages are mostly white or off-white. The books do not appear to have been trimmed prior to binding. The title and issue numbers are embossed on the spine, and the previous owner's name is embossed on the front cover. Overstreet 2005 VG 4.0 value for group = $138.
Doom Patrol #81-100 Bound Volume (DC, 1963-65). The original World's Strangest Hero team is featured in this attractive, privately bound volume. Contents include My Greatest Adventure #81-85 and Doom Patrol #86-100, all featuring art by Bruno Premiani. Highlights include an Alex Toth back-up story in issues #81 and 85; origin of the Chief, (#88); and introduction (#99) and origin (#100) of Beast Boy. Most issues average FN, with a few VG and others VF; however, all copies were trimmed during the binding process. Issue #81 features some light water damage, primarily affecting only the front cover. Title and issue numbers are embossed with gold lettering on the spine, and the former owner's name is embossed on the front. Overstreet 2005 VG 4.0 value for group = $422.
Bronze Age (1970-1979)
Famous First Edition and other Treasury Editions Bound Volume (DC, 1974-81). Trimmed and bound copies of Famous First Edition #4-8, 26, 28, 30, and 61 (note that this is the complete run of that series, which had unusual numbering), plus Limited Collectors' Edition #25, 37, 44, 51, and 59 (all feature Batman) and DC Special Series #27 (Batman versus the Incredible Hulk). The spine of the book is embossed "DC Treasuries," and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $133.
Silver Age (1956-1969)
Fantastic Four Annual #1-5 Plus Bound Volume (Marvel, 1963-68). In addition to the FF issues, this hardcover volume contains trimmed and bound copies of Avengers Annual #1 and 2 and Hulk Special #1, mostly in GD condition. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $362.
Fantasy Masterpieces #1-11 Bound Volume (Marvel, 1966-67). Bound copies of the full run of the series, not trimmed prior to binding. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $114.
House of Mystery #81-100 Bound Volume (DC, 1958-60). Reading the "strange creature" stories in this great volume is like going back in time to the glory days of seeing sci-fi flicks at the drive-in, and watching horror shows on Saturday late-night TV! These ten-cent treasures are filled with wild stories and fantastic art by Jack Kirby, Mort Meskin, Lee Elias, and others. Highlights include a Negative Man (Doom Patrol) prototype in issue #84, and an Atom prototype story ("The Atom Detective") in #86. Most issues appear in the VG to FN range, with cream to off-white pages that are still supple. All copies were trimmed during the binding process. The title and issue numbers have been embossed on the spine and the name of the former owner is embossed on the front cover, which is bound in an attractive green leather-like material. Overstreet 2005 VG 4.0 value for group = $408.
House of Mystery #101-120 Bound Volume (DC, 1960-62). Weird monsters from outer space dominate this terrific privately bound volume of science fiction stories. Most issues are cover-priced at 10¢, and feature art by Carmine Infantino, Mort Meskin, Lee Elias, Alex Toth, Joe Kubert, and others. The average condition of the books falls within the VG to FN range, with a few appearing VF, although all have been trimmed during the binding process. Paper quality remains supple. One issue has a cut coupon which has been taped back in, leaving some minor residue on the ad and backing text page. The title and issue numbers have been embossed on the spine of the bound volume, and the name of the former owner is embossed on the front of the attractive green leather-like cover. Overstreet 2005 VG 4.0 value = $392.
House of Mystery #121-140 Bound Volume (DC, 1962-64). Twenty issues of the DC anthology title, all featuring science fiction stories, are offered in this beautiful privately bound volume. Artists include Mort Meskin and Ruben Moreira. Most copies appear to be in FN, although some copies are in VG, and few are in VF. All copies have been trimmed during the binding process. The titles and issue numbers are embossed in gold on the spine, and the former owner's name is embossed on the front of the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $340.
House of Mystery #181-200 Bound Volume (DC, 1969-72). Twenty great issues of DC's best in horror are featured in this superb privately bound volume. Artists include Neal Adams, Bernie Wrightson, Wally Wood, Jack Kirby, Alex Toth, Nick Cardy, Jim Aparo, and many others. Highlights include a Swamp Thing prototype story by Wrightson in #195, and many covers by Adams. Most issues appear to be in FN; however, all copies were trimmed in the binding process. The titles and issue numbers are embossed in gold on the spine, and the name of the former owner is embossed on the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $186.
Bronze Age (1970-1979)
House of Secrets 81-100 Bound Volume (DC, 1969-72). The great Swamp Thing makes his debut in issue #92 with art by Bernie Wrightson, and host Abel makes his first appearance in #81 to usher in the title's change to a more mystery-oriented format. Cover quality ranges from very good with few small creases and some soiling to excellent, and the pages are mostly in unmarred condition with light tanning. The books are bound in a dark green leather-style cover, with the title and issue numbers embossed on the spine. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $278.
House of Secrets #121-140 Bound Volume (DC, 1974-76). Horror is the name of the game with the comics in this well-made bound volume. Artists include Alex Nino, Ramona Fradon, Steve Ditko, and Nestor Redondo. Issue #140 features the first solo origin of the Patchwork Man. Most copies fall within the VG+ to FN condition area, all with still-glossy covers and off-white pages. All copies were trimmed during the binding process. The titles and issue numbers are embossed on the spine in gold, and the name of the former owner is embossed on the front of the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $79.
Silver Age (1956-1969)
Journey Into Mystery #81-90 Bound Volume (Marvel, 1962-63). This hardcover volume contains trimmed and bound copies of issues #81-90, including the all-important #83, the first appearance of Thor! The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,882
Journey Into Mystery #91-110 Bound Volume (Marvel, 1963-64). This bound volume contains issues #91-110. Note that these copies were not trimmed prior to binding. Also, the comics inside have obviously been read many a time, they're VG-type copies. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $1,068.
Journey Into Mystery #111-125 and Thor #126-130 Bound Volume (Marvel, 1964-66). This attractive hardcover has trimmed and bound copies of Journey Into Mystery #111-125 and Thor #126-130. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $596.
Golden Age (1938-1955)
Jungle Jim Bound Volume (Dell, 1953-59). This hardcover volume contains trimmed and bound copies of issues #3-19 as well as Four Color #490, 565, and 1020 (the de facto Jungle Jim #1, 2, and 20, respectively). The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $176.
Silver Age (1956-1969)
Justice League of America #1-20 Bound Volume (DC, 1960-63). The earliest adventures of one of the greatest superhero teams ever formed, presented in one volume. Highlights include the first appearance of Despero in issue #1 (in very nice condition with some minor, uniform chipping around the edges, a small tear to the back cover, and light tanning to the pages), as well as the debuts of Kanjar Ro, Doctor Destiny, Felix Faust, and Doctor Light, and Green Arrow's recruitment to the team. The copies included in the volume are in overall great condition, often marred only by a subscription crease and/or some staining to the covers, and have supple pages with only a moderate amount of tanning. The books are bound in a dark green leather-style cover with the title and issue numbers embossed on the spine. All issues have been trimmed in the binding process. Overstreet 2005 VG 4.0 value for group = $2,016.
Korak, Son of Tarzan #1-20 Bound Volume (Gold Key, 1964-67). Trimmed and bound copies. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $178.
Korak, Son of Tarzan #21-30 Plus Bound Volume (Gold Key, 1968-69). Trimmed and bound copies of Korak #21-30, Total War #1 and 2, and M.A.R.S. Patrol Total War #3-10 are contained in this handsome volume. The spine of the book is embossed with the title and issue numbers (only mentioning Korak), and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $164.
Korak, Son of Tarzan #31-45 Plus Bound Volume (Gold Key and ACG, 1969-72). Trimmed and bound copies of Korak #31-45 and ACG's Magic Agent #1-3 are contained in this hardcover book. The spine of the book is embossed with the title and issue numbers (mentioning only Korak), and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $118.
Bronze Age (1970-1979)
Limited Collectors' Edition Plus Bound Volume (DC, 1973-81). Trimmed and bound copies of #21-23, 27, 29, 32, 34, 35, 42, 43, 49, and 52, plus All-New Collectors' Edition #55 and 62 and DC Special Series #25. The spine of the book is embossed "DC Treasuries," and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $100.
Limited Collectors' Edition Plus Bound Volume (DC, 1973-81). Plenty of good reading awaits in this mammoth bound volume of DC treasury editions. Included are: Limited Collectors' Edition #C-31 and C-38 (both Superman), #C-36 (The Bible), #C-39 (Secret Origins Super-Villains), #C-40 (Dick Tracy), #C-41 (Super Friends), #C-45 (More Secret Origins Super-Villains), #C-46 (Justice League of America), #C-47 (Superman Salutes the Bicentennial), and #C-48 (Superman vs. the Flash), plus All-New Collectors' Edition #C-54 (Superman vs. Wonder Woman), #C-56 (Superman vs. Muhammad Ali, Whitman variant), and #C-58 (Superman vs. Shazam); DC Special Series V5#26 (Superman and his Incredible Fortress of Solitude); and the 1973 one-shot Amazing World of Superman. All comics were trimmed during the binding process; however, most books are very attractive, with excellent paper quality. The title is embossed in gold on the spine, and the former owner's name is embossed on the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $94.
Silver Age (1956-1969)
Magnus Robot Fighter #2-20 Bound Volume (Gold Key, 1963-67). Trimmed and bound copies of issues #2-20. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $276.
Marvel Collectors' Item Classics #1-10 Bound Volume (Marvel, 1966-67). Trimmed and bound copies, averaging VG condition. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $96.
Marvel Collectors' Item Classics #11-20 Bound Volume (Marvel, 1967-69). Trimmed and bound copies in superb condition. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $60.
Marvel Silver Age Annuals Bound Volume (Marvel, 1964-68). This handsome volume contains trimmed and bound copies of Strange Tales Annual #2, Amazing Spider-Man Annual #1-5; Sgt. Fury Annual #1-3; Journey Into Mystery Annual #1; and Thor Annual #2, most in GD condition. The spine of the book is embossed "Marvel Annuals," and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $556.
Marvel Super-Heroes #12-20 And More Bound Volume (Marvel, 1966-69). In addition to issues #12-20 of the reprint series, this hardcover volume has trimmed and bound copies of the one-shot Marvel Super Heroes, plus Daredevil Annual #1. The spine of the book is embossed "Marvel Super-Heroes #1-20 (sic), " and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $142.
Marvel Super-Heroes #21-30 Bound Volume (Marvel, 1969-71). Trimmed and bound copies in superb condition. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $40.
Marvel Tales #1-11 Bound Volume (Marvel, 1964-67). Bound copies, not trimmed prior to binding. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $145.
Marvel Tales #12-20 Bound Volume (Marvel, 1968-69). Trimmed and bound copies. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $36.
Bronze Age (1970-1979)
Marvel Treasury Edition Plus Bound Volume (Marvel, 1974-76). This enormous bound volume features most of Marvel's oversized comics issued between 1974 to 1976. The contents in order include: #1 (Spectacular Spider-Man); #2 (Fabulous Fantastic Four), #3 (The Mighty Thor), #4 (Conan the Barbarian), #5 (Hulk on the Rampage), #6 (Doctor Strange), #7 (The Mighty Avengers), #9 (Giant Superhero Team-Up), #10 (Mighty Thor), #11 (Fabulous Fantastic Four), #12 (Howard the Duck), and #13 (Giant Superhero Holiday Grab-Bag 1976); as well as Marvel Treasury Special #1 (Giant Superhero Holiday Grab-Bag 1974). All copies were trimmed during the binding process; however, most look very nice, with excellent paper quality. Titles are embossed in gold on the spine, and the former owner's name is embossed on the front of the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $78.
Marvel Treasury Edition Plus Bound Volume (Marvel, 1975-80). Here's another hefty bound volume of oversized comics from Marvel, as well as a couple co-produced with DC. The contents include Marvel Treasury Edition #8 (Giant Superhero Holiday Grab-Bag), #27 (All-Time Greatest Team-Ups Starring the Sensational Spider-Man), and #28 (Superman and Spider-Man); Marvel Treasury Special #1 (Captain America's Bicentennial Battles); 2001: A Space Odyssey Treasury #1; Marvel Special Edition: Star Wars #1 and #2; Savage Fists of Kung Fu #1; Superman vs. the Amazing Spider-Man; Marvel Special Edition #1 (The Spectacular Spider-Man) and #3 (Close Encounters of the Third Kind); Marvel Comics Super Special #8 (Battlestar Galactica); MGM's Marvelous Wizard of Oz; and Marvel Treasury of Oz featuring "The Land of Oz". All comics were trimmed during the binding process; however, most look very sharp, with excellent paper quality. The title is embossed on the spine in gold, and the former owner's name is embossed on the front of the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $84.
Marvel Treasury Edition #14-26 Bound Volume (Marvel, 1977-80). Trimmed and bound copies of issues #14-26. The spine of the book is embossed "Marvel Treasuries," and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $52.
Silver Age (1956-1969)
My Greatest Adventure #61-80 Bound Volume (DC, 1961-63). The first appearance of the Doom Patrol (in issue #80) is among the highlights of this impressive privately bound volume. Featuring wild cover stories with titles like "He Made Me Into a Robot" and "I Was Exiled Into Outer Space," this was one of DC's most bizarre Silver Age comics! Artists include Alex Toth, Howard Purcell, Mort Meskin, Bill Ely, and George Roussos. Most copies appear to be VG to FN with supple off-white pages, although a few have minor problems like stain spots, small page tears, and writing on covers. All comics were trimmed during the binding process. The titles and issue numbers are embossed in gold on the book's spine, and the name of the former owner is embossed on the front of the green leather-like cover. Overstreet 2005 VG 4.0 value for group = $398.
Mystery In Space #51-60 Bound Volume (DC, 1959-60). The debut in this series of Adam Strange (issue #53) highlights this run of trimmed and bound copies. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $790.
Mystery in Space #61-80 Bound Volume (DC, 1960-62). The further adventures of Adam Strange are presented here, including a crossover with the Justice League of America, with art by Carmine Infantino, Gil Kane, and Murphy Anderson. The covers are mostly in great shape with only the occasional crease or small stain, as are the pages, which range from off-white to light tan. The books are bound in a dark green leather-style cover, with the title and issue numbers embossed on the spine, and all of the comics have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $638.
Sgt. Fury and His Howling Commandos #1-25 Bound Volume (Marvel, 1963-65). The debut of Sgt. Nick Fury (destined to become Col. Fury, head honcho of S.H.I.E.L.D.) and his tough-as-nails combat unit is included in this bound edition, along with issues featuring the first appearances of supporting characters Baron Strucker, Captain Savage, and others. The covers are in overall very nice condition with most of the earlier issues exhibiting a light to moderate amount of creasing and and wear, and the later issues are virtually defect free. The pages are mostly in excellent condition with a light amount of tanning. They are bound in a green leather-style cover, with the title and issue numbers embossed on the spine and the previous owner's name embossed on the cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $874.
Showcase #5-24 Bound Volume (DC, 1956-60). This stunning collection allows you a peek at the early, formative days of DC's Silver Age. The tales featured include the origin and first appearance of the Silver Age incarnation of the Green Lantern, a pre-Superman's Girl Friend Lois Lane story (she became first Showcase character to earn a series), the second, third, and fourth appearances of the Flash, and the first few appearances of the Challengers of the Unknown, Adam Strange, and Rip Hunter. In other words, it rocks. The overall condition of the covers is fairly nice, with most exhibiting a moderate amount of creasing and staining, with the covers for issues #13 and 14 being virtually defect-free. The pages are in great condition, ranging from cream to white with an occasional stain or tear. All are bound in a dark green leather-style cover, and have the title and issue numbers embossed on the spine. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $8,284.
The Silver Surfer #1-5 Bound Volume (Marvel, 1968-69). The first five issues of the iconoclastic series, including the harder-to-find #4, are featured in this volume. The front covers are in very nice condition, each with the odd crease, tear, or other minor defect, while the back covers exhibit a fair amount of soiling. The page quality varies, with many being clean and white and others slightly soiled and tanning. The title and issue numbers are embossed on the spine of the volume. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $250.
The Silver Surfer #6-18 and Ka-Zar #1-3 Bound Volume (Marvel, 1969-70). Sixteen great books, bound in a green leather-style cover, the title and issue numbers are embossed on the spine (only Silver Surfer is listed) and the previous owner's name embossed on the cover. The front and back covers of the comics are in great condition and largely defect free, as are the pages -- most of which are still very white. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $254.
Strange Adventures #81-100 Bound Volume (DC, 1957-59). Freewheeling sci-fi tales with art by Carmine Infantino, Gil Kane, Sid Greene, Jerry Grandenetti, and countless other talented artists. The covers to these books are in very nice condition, with most of them showing a light to moderate amount of wear, staining, and creasing, with the occasional tear or handwriting. The pages range from white to slightly tan with the odd tear or small piece missing. The books are bound in a dark green leather-style cover, with the title and issue numbers embossed on the spine and the owner's name on the front cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $564.
Strange Adventures and Sword of Sorcery Bound Volume (DC, 1959-73). Included in this volume are Strange Adventures #101-115 and Sword of Sorcery #1-5 (featuring the adventures of Fafhrd and the Grey Mouser). The covers are in mostly very nice condition with the occasional crease or small tear, and the pages are in great condition and mostly off-white with the occasional smudge. Only the title and issue numbers for Strange Adventures have been embossed on the spine, and the owner's name is embossed on the front. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $346.
Strange Adventures #116-135 Bound Volume (DC, 1960-61). The first, and indeed most, of the Atomic Knights stories are included in the issues bound in this volume. Most are in excellent condition, with clean covers and slightly tanned pages, although some have a few moderate creases on their covers. The title and issue numbers are embossed on the spine, and the owner's name is embossed on the front cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $514.
Strange Tales #101-110 Bound Volume (Marvel, 1962-63). The first appearance of Dr. Strange (#110) is the highlight of the run of trimmed and bound copies in this attractive hardcover volume. Note that unlike the other bound volumes in this auction, these issues are poorly trimmed on the outside edge, with a millimeter or two of story panels cut off in many cases. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $850.
Strange Tales #111-130 Bound Volume (Marvel, 1963-65). The origin of Dr. Strange in #115 is just one highlight of this run. In all, trimmed and bound copies of issues #111-130 are contained in this handsome volume. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $648.
Strange Tales #131-150 Bound Volume Silver (Marvel, 1965-66). The first appearance of S.H.I.E.L.D. (#135) is among the highlights in the run of trimmed and bound copies contained in this hardcover volume. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $384.
Strange Tales #151-168 Bound Volume (Marvel, 1966-68). Trimmed and bound copies. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $216.
Superman's Girl Friend Lois Lane #16-35 Bound Volume (DC, 1960-62). Superman's main squeeze, Lois Lane, stars in this nice, privately-bound volume. Why DC hasn't added this title to its Archives series is a mystery to us, as these stories, featuring art by Kurt Schaffenberger, Curt Swan, Al Plastino, and John Forte are loads of fun to read. Included in this collection are several "Imaginary" stories featuring the marriage of Lois and Superman. All comics were trimmed during the binding process. Most copies fall within the VG to FN range, with a few appearing VF. All feature very supple, off-white to white pages. A beautiful bound volume! The title and issue numbers are embossed in gold on the spine, and the name of the former owner is embossed on the front cover's green leather-like binding. Overstreet 2005 VG 4.0 value for group = $552.
Superman's Pal Jimmy Olsen and Korak, Son of Tarzan Bound Volume (DC, 1959-75). Includes Superman's Pal #36-45 and Korak #46-59 -- the complete DC run of the latter title. Two of the Jimmy Olsens have light creasing to their covers, otherwise all are in excellent condition with clean, supple pages. The title and issue numbers (for Jimmy Olsen only) are embossed on the spine, and the previous owner's name is on the front cover. Each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $263.
Tales of the Unexpected #36-45 Bound Volume (DC, 1959-60). Space Ranger stories fill this attractive bound volume, which contains trimmed and bound copies of issues #36-45. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $656.
Tales to Astonish #81-101 Bound Volume (Marvel, 1966-67). Copies of the last 21 issues of the title are collected here, with light to moderate creasing, tanning, and staining to the covers and mostly off-white to cream pages. The title and issue numbers are embossed on the spine, and the previous owner's name is on the front cover. Each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $256.
Tarzan of the Apes #132-150 Bound Volume (Gold Key, 1962-65). Trimmed and bound copies. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $158.
Tarzan of the Apes #152-170 Bound Volume (Gold Key, 1965-67). While the embossed spine of this hardcover volume reads "#151-170," there is no 151 inside and two copies of #157. The previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $160.
Tarzan of the Apes #171-190 Bound Volume (Gold Key, 1967-70). Trimmed and bound copies of issues #171-190 are contained in this handsome volume. The spine of the book is embossed with the title and issue numbers (note that the issue numbers are incorrect on the spine), and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $120.
Tarzan of the Apes #191-206 Plus Bound Volume (Gold Key, 1970-72). Trimmed and bound copies of issues #191-206, plus ACG's Gasp! #1-4. The spine of the book is embossed with the title and issue numbers, and the previous owner's name is embossed on the front of the book. Overstreet 2005 VG 4.0 value for group = $124.
T.H.U.N.D.E.R. Agents #1-10 Bound Volume (Tower, 1965-66). Dynamo, Menthor, NoMan, Lightning, the Raven, and others from the cult classic Tower title all make their debuts in the issues collected here. Overall cover quality is good with a fair amount of wear and soiling, and the pages are in good condition with a fair amount of staining and moderate tanning. The title and issue numbers are embossed on the spine, and the previous owner's name is embossed on the front cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $180.
T.H.U.N.D.E.R. Agents #11-20 Bound Volume (Tower, 1966-69). The last half of the series are collected in this volume. Overall cover quality is good with light to moderate creasing and soiling, and overall page quality is very good with a light to moderate amount of tanning. The books are bound in a dark green leather-style cover, with the title and issue numbers embossed on the spine and the previous owner's name embossed on the front cover. Each issue has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $106.
Wonder Woman #91-110 Bound Volume (DC, 1957-59). Among the issues collected in this volume is #105, the secret origin of Wonder Woman, which Overstreet lists as "scarce," as well as her first appearance as Wonder Girl in #107. The overall quality of the books varies widely, with some showing a fair amount of creasing, staining, and/or tearing to the covers and others in excellent condition. Page quality also varies, ranging from white and pristine to light tan with some stains and tears. Issue #105 shows some water damage. The title and issue numbers are embossed on the spine, and the previous owner's name is printed on the front cover. Each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $1,188.
Wonder Woman #111-130 Bound Volume (DC, 1960-62). Wonder Woman's first appearance as Wonder Tot in issue #122 is the highlight of this collection. the contents of which are mostly in excellent condition with only a handful of covers showing very light wear and mostly white pages. The title and issue numbers are embossed on the spine, and the previous owner's name is on the front cover, and each has been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $600.
World's Finest Comics #86-100 Bound Volume (DC, 1957-59). The origin of the Batman/Superman team, the first team-up of the Joker and Lex Luthor, and an early appearance by Batwoman are among the highlights of this volume. The covers are in nice condition with a moderate amount of creasing and wear and some tanning to the insides, and the pages are in mostly excellent condition with some mild tanning and occasional soiling. The title and issue numbers are embossed on the spine, and the previous owner's name is embossed on the front cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $776.
World's Finest Comics and DC Special Bound Volume (DC, 1959-75). Included in this bound volume are World's Finest Comics #101-110 and DC Special #11, 12, 16, and 17. The former are in very nice condition with some creases and a few tears, and the rest are in excellent condition with little to no wear to the pages and covers. The title and issue numbers are embossed on the spine, and the owner's name is embossed on the front cover. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $328.
X-Men #1-10 Bound Volume (Marvel, 1963-65). An item sure to cause any X-Men fan to drool: The first ten issues of one of the most successful titles ever, all in a single volume. Highlights include the debut of the original team, the first appearances of Magneto, the Blob, the original Brotherhood of Evil Mutants, and the return of Ka-Zar to comicdom. The overall cover quality of the books varies widely, with some (such as issue #1 and 9) showing considerable creasing and some tearing and staining to the covers, and others (such as #2 and 4) flaunting covers that look almost new aside from having been trimmed. The overall page quality is excellent with a limited amount of tanning and nice, bright colors. All are bound in a dark green leather-style cover, and have the title and issue numbers embossed on the spine. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $2,474.
X-Men #11-30 Bound Volume (Marvel, 1965-67). Twenty early X-Men stories, with varying cover quality ranging from very nice with light to moderate creasing and staining to excellent, almost new with plenty of gloss. The books bound in a dark green leather-style cover, with the title and issue numbers embossed on the spine. All issues have been trimmed as part of the binding process. Overstreet 2005 VG 4.0 value for group = $814.
X-Men #31-50 Bound Volume (Marvel, 1966-68). True Marvel mutant fans will want to take a look at this very nice bound volume, the highlights of which include the first Marvel appearance of Frankenstein's monster (seriously), the return of the Golden Age character Red Raven, and the debut of long-time supporting character Polaris. The quality of the copies included ranges from VG to FN, with glossy covers, off-white to cream pages, and a few instances of minor tearing, creasing, and/or staining to the covers. The comics are bound in a dark green leather-style cover and have the title and issue numbers embossed on the spine. All issues have been trimmed in the binding process. Overstreet 2005 VG 4.0 value for group = $444.
X-Men #51-66 Bound Volume (Marvel, 1969-70). A very nice volume collecting the last several issues to feature new stories before the title went on a five-year hiatus. The contents are in great condition, with excellent page quality, a few rare instances of very minor creasing, and some minor staining to a few covers. The collected books are bound in a leather-style cover, and have the title and issue numbers embossed on the spine and previous owner's name on the front cover. All issues have been trimmed in the binding process. Overstreet 2005 VG 4.0 value for group = $322.
Session 2
Golden Age (1938-1955)
Action Comics #1 (DC, 1938) CGC VF- 7.5 Moderate (P) Off-white to white pages. Your eyes do not deceive you -- this is a gorgeous copy of the most valuable comic book of all, the origin and first appearance of Superman. Anyone who doubts what professional restoration can accomplish needs to take a look at this stunner of a copy! The cover and pages are so fresh-looking it makes you feel like you're back in 1938 and just plucked this, very gingerly, off the newsstand. We have had the privilege to sell a few copies of this comic over the years, but this one most closely approximates the feeling you'd have of getting an off-the-presses original. The edges are perfect, and the white pages and white areas of the front cover are brilliant. It's hard to overstate the significance of Action #1, which by universal consensus started the Golden Age of comic books. Even people who aren't comic collectors know that this is one of the most desirable collectibles in existence, and as such, owning the original bestows the ultimate in bragging rights on the owner. CGC notes, "Restoration includes: color touch, pieces added, spine/pages reinforced, cleaned." Overstreet 2005 GD 2.0 value = $38,500; VG 4.0 value = $77,000; FN 6.0 value = $115,500; VF 8.0 value = $231,000.
Action Comics #14 (DC, 1939) CGC FN- 5.5 Light tan to off-white pages. Good news and better news! We knew we had good news when we laid eyes on the blue label -- this is the only unrestored copy we've ever seen of the book. But then we noticed that it's also the highest-graded copy yet certified! Your clue that this is a very early issue is the fact that Superman's not even the cover feature! Instead, Zatara the Magician made his second and last Action cover appearance here. Of course, there is a Superman story in the issue by the Man of Steel's creators Jerry Siegel and Joe Shuster. Debuting in this issue was the Clip Carson feature, with art attributed to none other than Bob Kane! Overstreet 2005 FN 6.0 value = $1,317. CGC census 12/05: 1 in 5.5, none higher.
Action Comics #15 (DC, 1939) CGC VG/FN 5.0 Cream to off-white pages. It's only the fourth Action cover for Superman! Yes, as odd as it may seem today, Superman wasn't the only cover feature in these early years despite having appeared in every issue from #1 on. The Man of Steel was drawn by Fred Guardineer, who also handled art chores on the Zatara feature inside the issue. Superman's appearance inside the comic is drawn by Joe Shuster, and Bob Kane and Bernard Baily also contributed artwork on action and adventure tales. We've never seen a true high-grade copy of this issue -- with the highest-graded in CGC's census to date being a 7.0, this is one of the better copies you could hope to find. Overstreet 2005 VG 4.0 value = $1,290; FN 6.0 value = $1,935. CGC census 11/05: 3 in 5.0, 5 higher.
Action Comics #16 (DC, 1939) CGC FN 6.0 Cream to off-white pages. Have a good look at this Fred Guardineer cover, as it's the second-to-last non-Superman cover in this title's 800-plus-issue run! The French Foreign Legion scene doesn't tie in with any of the interior features. Of course, the lead feature is Superman by Jerry Siegel and Joe Shuster. Backup features include Zatara the Magician (drawn by Guardineer), Tex Thomson (drawn by Bernard Baily), and more. Overstreet 2005 FN 6.0 value = $972. CGC census 12/05: 1 in 6.0, 2 higher.
Action Comics #19 (DC, 1939) CGC FN+ 6.5 Off-white to white pages. This 19th appearance of Superman in Action also marked the beginning of regular cover appearances for the Man of Steel. By late 1939, European war news began to creep into America's everyday thinking, as did military conflict covers like this one, drawn by Joe Shuster. Other artists this issue include Bob Kane, Bernard Baily, Fred Guardineer, and Bert Christman. This copy looks quite spectacular considering the grade; however, CGC notes, "Very small amount of dried glue on cover." Note that a small thread, visible in the white area of the masthead, was accidentally encapsulated in this holder. It rests above the inner seal, and does not compromise the condition of the comic in any way. Overstreet 2005 FN 6.0 value = $1,413; VF 8.0 value = $3,300. CGC census 11/05: 2 in 6.5, 2 higher.
Action Comics #21 (DC, 1940) CGC FN 6.0 White pages. As the conflict in Europe continued and spread, so did war-themed covers of Action like this one (several months before America actually entered World War II). This issue's cover has Superman hand-delivering a torpedo, and was drawn in a nicely textured style by Joe Shuster and Paul Cassidy. CGC notes two house ads in this issue for More Fun #52, which featured the classic Golden Age origin and first appearance of the Spectre. This unrestored copy remains quite fresh and attractive, with only a small amount of wear visible along the upper spine. Overstreet 2005 FN 6.0 value = $900. CGC census 11/05: 1 in 6.0, 7 higher.
Action Comics #22 (DC, 1940) CGC Qualified VF+ 8.5 White pages. Superman makes himself handy at a construction site on this issue's Joe Shuster cover illustration. Other artists this issue include Sheldon Moldoff, Bernard Baily, and Fred Guardineer. While this unrestored copy retains plenty of eye-appeal, CGC notes, "three-inch spine split at the bottom." Overstreet 2005 VG 4.0 value = $600; FN 6.0 value = $600; VF 8.0 value = $1,892; VF/NM 9.0 value = $2,946.
Action Comics #24 (DC, 1940) CGC VG/FN 5.0 Off-white to white pages. This issue finds our man Clark Kent now working for the Daily Planet, marking a change (from the Daily Star) that will figure heavily into the Superman mystique. Joe Shuster and Paul Cassidy provide the cover and lead story; other artists include Fred Guardineer and Sheldon Moldoff. Other than a small amount of paper loss in the upper right corner, this copy looks sharp and nicely preserved. Overstreet 2005 VG 4.0 value = $600; FN 6.0 value = $900. CGC census 11/05: 1 in 5.0, 3 higher.
Action Comics #25 (DC, 1940) CGC VG 4.0 Off-white to white pages. This issue's cover art featuring Superman flying down to intercept a speeding boat is a fan-favorite. Artists include Joe Shuster, Paul Cassidy, Sheldon Moldoff, and Bernard Baily. Overstreet notes this issue as the last appearance of Tex Thompson's sidekick, Gargantua T. Potts. Overstreet 2005 VG 4.0 value = $600. CGC census 11/05: 1 in 4.0, 7 higher.
Action Comics #29 (DC, 1940) CGC FN/VF 7.0 White pages. For her first cover appearance, Lois Lane (in bondage and gagged) gets rescued by her favorite Man of Steel. Wayne Boring drew the Superman cover; Jack Burnley, Sheldon Moldoff, and Bernard Baily provide interior art. This copy appears sound and tight, with great cover colors. It's topped by only one other (in 7.5) in the current CGC census report for this issue. Overstreet 2005 FN 6.0 value = $876; VF 8.0 value = $1,825. CGC census 11/05: 1 in 7.0, 1 higher.
Action Comics #30 (DC, 1940) CGC VF 8.0 Off-white to white pages. This great cover featuring the Man of Steel picking up yet another car (this time, using only one hand) is credited by CGC to Fred Ray. The Superman story (with art by Jack Burnley) features the first appearance and "death" of villain Zolar. Overstreet 2005 VF 8.0 value = $1,588. CGC census 11/05: 2 in 8.0, 3 higher.
Action Comics #31 (DC, 1940) CGC VF+ 8.5 White pages. Superman interrupts a firing squad, much to the delight of the intended victim, on this Fred Ray cover. From the look of the guns and helmets, this appears to be a thinly-veiled portrayal of Nazi Germany. CGC notes this as a bondage cover, although we prefer to leave that distinction to trussed-up members of the opposite sex! Other artists include Jack Burnley, Sheldon Moldoff, George Papp, and Bernard Baily. This exceptional copy features bright cover colors and supple white interior pages. Overstreet 2005 VF 8.0 value = $1,018; VF/NM 9.0 value = $1,571. CGC census 11/05: 1 in 8.5, 1 higher.
Action Comics #33 (DC, 1941) CGC FN- 5.5 White pages. The appealing style of Jack Burnley graced this issue's Superman story. Also in the issue, Tex Thomson, who had been appearing in the series since issue #1, became the patriotic superhero Mr. America (he would later become the Americommando) in a story drawn by Bernard Baily. There's also a Black Pirate story with art by Sheldon Moldoff. CGC notes, "Centerfold detached." Overstreet 2005 FN 6.0 value = $531. CGC census 11/05: 2 in 5.5, 5 higher.
Action Comics #35 (DC, 1941) CGC VF 8.0 White pages. Superman lets the bullets bounce off his mighty chest on this stirring battlefield cover by Wayne Boring. Other artists include Sheldon Moldoff, George Papp, and Bernard Baily. This copy is downright beautiful, with a picture-perfect smooth spine and supple white pages. Overstreet 2005 VF 8.0 value = $975. CGC census 11/05: 3 in 8.0, 1 higher.
Action Comics #44 (DC, 1942) CGC VF 8.0 Off-white pages. This issue's great World War II cover is by Fred Ray. Interior art is provided by Leo Nowak, Mort Meskin, and Bernard Baily. Also in this issue, Mr. America learns the identity of Fat Man. Overstreet 2005 VF 8.0 value = $819. CGC census 11/05: 1 in 8.0, 4 higher.
Action Comics #57 (DC, 1943) CGC VF 8.0 White pages. The Prankster pops up to plague the Man of Steel in this issue. Lois Lane makes her second Action cover appearance (her third overall). Artists include John Sikela, Louis Cazeneuve, Mort Meskin, and Bernard Baily. Outside of some light foxing on the cover's left edge, this copy looks very sharp and fresh. Overstreet 2005 VF 8.0 value = $794. CGC census 11/05: 1 in 8.0, 3 higher.
Action Comics #77 (DC, 1944) CGC VF 8.0 Cream to off-white pages. That Chuckling Charlatan, the Prankster, is back, and this time his scheme involves manipulating stock prices... unless Superman can turn the tables, natch. In addition to the Superman story, this issue has a Congo Bill yarn and a Mort Meskin-drawn Vigilante tale. The cover, also featuring the Prankster, is by Wayne Boring. Overstreet 2005 VF 8.0 value = $506. CGC census 9/05: 3 in 8.0, 3 higher.
Action Comics #79 "D" Copy pedigree (DC, 1944) CGC VF+ 8.5 Off-white pages. Con man J. Wilbur Wolfingham was a recurring character in these 1940s Superman stories, and he even made it onto the cover this time. In this issue, he's not just counting sheep, he's conning sheep farmers, and it's up to Superman to put a stop to it. Zatara, Congo Bill, and the Vigilante appear in backup features. Overstreet 2005 VF 8.0 value = $506; VF/NM 9.0 value = $778. CGC census 11/05: 2 in 8.5, 3 higher.
Action Comics #80 (DC, 1945) CGC VF+ 8.5 Cream to off-white pages. The first cover appearance of Mr. Mxyztplk is just the second appearance overall for the otherworldly imp. In the story, Mr. M reads the write-up about his first visit in the Daily Planet and decides to return for another round of mischief-making. Overstreet 2005 VF 8.0 value = $700; VF/NM 9.0 value = $1,075. CGC census 11/05: 1 in 8.5, 1 higher.
Action Comics #100 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Someone thinks Clark Kent is really Superman! Has he been talking to Lois Lane? This is a beautiful example of the historic 100th issue of the title that launched the Man of Steel, the highest CGC-graded copy to date. Artists include Wayne Boring, Stan Kaye, Fred Ray, and George Roussos. Overstreet 2005 VF/NM 9.0 value = $703; NM- 9.2 value = $950. CGC census 10/05: 1 in 9.0, none higher.
Action Comics #109 (DC, 1947) CGC NM- 9.2 Off-white to white pages. This NM- copy is topped by only two others in CGC's current census report. The Superman story in the issue features the Prankster's scheme to turn dollar bills blank, buy them up for a penny a piece, then restore the ink and be rich! But Superman will have a thing or two to say about that in the story, drawn by John Sikela. The cover, with Superman out-Prankstering the Prankster, is by Wayne Boring. Overstreet 2005 NM- 9.2 value = $825. CGC census 11/05: 2 in 9.2, 2 higher.
Action Comics #189 (DC, 1954) CGC NM 9.4 White pages. Clark Kent gets a new set of parents in this issue! Will he tell them about his secret identity? Artists include Curt Swan, Win Mortimer, and Jim Mooney, who drew this issue's Tommy Tomorrow tale. This NM copy practically glows with great cover color and gloss. It's by far the highest CGC-graded copy in the current census report for this issue. Overstreet 2005 NM- 9.2 value = $600. CGC census 11/05: 1 in 9.4, none higher.
Action Comics #190 (DC, 1954) CGC NM- 9.2 White pages. While Mr. Mxyzptlk doesn't appear on the cover, he's behind the wacky situation depicted on the cover, all part of his scheme to humiliate Superman. Tommy Tomorrow and Congo Bill are among the backup features. These pre-Silver Age issues tend to be harder to find than their 1940s counterparts -- this is one of only two to be certified by CGC as of this writing (and the other's a mere VG 4.0). Overstreet 2005 NM- 9.2 value = $600. CGC census 11/05: 1 in 9.2, none higher.
Adventure Comics #44 (DC, 1939) CGC FN/VF 7.0 White pages. This was the third cover appearance of the Sandman -- the character was so new, we bet some kids looked at this Creig Flessel cover and wondered if the fellow in the gas mask was a hero or a villain! Inside the comic, Sandman was drawn by Fred Guardineer. That's the only superhero story in the book, but there's a host of adventurers like Cotton Carver, Barry O'Neill, and Skip Schuyler braving various dangers. Overstreet 2005 FN 6.0 value = $2,031; VF 8.0 value = $4,739. CGC census 11/05: 2 in 7.0, 2 higher.
Adventure Comics #49 (DC, 1940) CGC VF- 7.5 Off-white to white pages. Sheldon Moldoff provided the last 'generic' cover for the title with this issue, which featured the second appearance of Hourman. Bernard Baily and Creig Flessel contributed interior art. CGC has certified just one nicer copy to date. Overstreet 2005 VF 8.0 value = $1,638. CGC census 12/05: 2 in 7.5, 1 higher.
Adventure Comics #60 (DC, 1941) CGC VF+ 8.5 Off-white to white pages. Creig Flessel was one of the best cover artists that comics had to offer. The Sandman not only polished off some thugs on the cover without wrinkling his immaculate suit, he also appears inside the book. An Hourman feature by Bernard Baily is also here, plus the usual assortment of adventure characters. Overstreet 2005 VF 8.0 value = $2,197; VF/NM 9.0 value = $3,549. CGC census 11/05: 1 in 8.5, 1 higher.
Adventure Comics #61 (DC, 1941) CGC VG/FN 5.0 Off-white pages. The first appearance of Starman makes this issue one of the keys in an illustrious run. Jack Burnley was one of the classiest of the Golden Age DC artists, providing both the cover art and the interior art on the Starman story. Bernard Baily and Creig Flessel also contribute interior story art. Gerber rates this issue "scarce", and that rings true, considering that at this writing, CGC has certified only four copies in higher grades, and just one nicer than FN 6.0. Overstreet 2005 VG 4.0 value = $2,176; FN 6.0 value = $3,264. CGC census 12/05: 1 in 5.0, 4 higher.
Adventure Comics #69 (DC, 1941) CGC VF 8.0 Off-white to white pages. This key issue has the first appearance of Sandy the Golden Boy as well as the debut of the "new look" Sandman, who abandoned his tailored suit and gas mask for a more standard superhero outfit. The story was drawn by Paul Norris, and if you want to read it, you have to buy the original issue, as this important story has never been reprinted! And while that's the biggest news about this book, the rest of the issue is impressive as well, with a Starman cover and story (both drawn by Jack Burnley), the Shining Knight (drawn by Creig Flessel), Hourman (drawn by Bernard Baily), and more. Overstreet 2005 VF 8.0 value = $1,250. CGC census 11/05: 1 in 8.0, 2 higher.
Adventure Comics #72 (DC, 1942) CGC Apparent VF/NM 9.0 Moderate (P) Off-white to white pages. Simon and Kirby's first work for DC came in this issue. And while it wasn't S&K who revamped the Sandman, their work on the new, more superhero-like incarnation of the character was a memorable stint indeed. The other artists (and characters in the issue) are certainly no slouches -- among them are Jack Burnley (Starman), Creig Flessel (the Shining Knight), and Bernard Baily (Hourman). CGC notes, "Restoration includes: color touch, pieces added, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $1,029; VG 4.0 value = $2,058; FN 6.0 value =$3,087; VF 8.0 value = $7,718; VF/NM 9.0 value = $12,609.
Adventure Comics #72 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Cream to off-white pages. Simon and Kirby's first work for DC makes this a key issue, as it kicked off a memorable run for the most famous creative duo of the Golden Age. S&K wrote and drew the Sandman story, taking over the character shortly after he'd been revamped to become more "superhero-like" and given a sidekick in Sandy the Golden Boy. The other artists contributing to the issue include Jack Burnley (drawing Starman), Creig Flessel (drawing the Shining Knight) and Bernard Baily (who handled art chores on Hourman). Comes with the Rockford certificate of authenticity. Overstreet 2005 VF 8.0 value = $7,718; VF/NM 9.0 value = $12,609. CGC census 11/05: 1 in 8.5, 3 higher.
Adventure Comics #73 (DC, 1942) CGC VF 8.0 Off-white to white pages. The Manhunter towers over criminals on this dynamic cover by Joe Simon and Jack Kirby. This exciting issue features his origin, also handled by S&K. Jack Burnley and Bernard Baily also contributed interior art. Overstreet calls this book "scarce", and with only two copies currently graded higher by CGC, this is one comic you'll want to grab while you can. Overstreet 2005 VF 8.0 value = $8,820. CGC census 11/05: 1 in 8.0, 2 higher.
Adventure Comics #75 (DC, 1942) CGC VF/NM 9.0 White pages. On this issue's Simon and Kirby cover, the Sandman and Sandy battle... Thor? Call it a prototype if you so desire! S&K handled interior art chores on both the Sandman tale and the Manhunter story. Also appearing in this issue are Hourman, Starman, and the Shining Knight. CGC notes, "Very minor amount of glue on cover" and also, "From the collection of Nicolas Cage." Overstreet 2005 VF/NM 9.0 value = $1,778; NM- 9.2 value = $2,400. CGC census 11/05: 2 in 9.0, 1 higher.
Adventure Comics #90 (DC, 1944) CGC VF- 7.5 Off-white to white pages. The rich cover colors of this copy would be right at home on a higher-graded specimen, but at VF- 7.5, this still ranks high in CGC's census. Jack Kirby cover and interior art is featured. Mort Meskin and Stan Kaye also provide interior art. Overstreet 2005 VF 8.0 value = $744. CGC census 12/05:2 in 7.5, 5 higher.
Adventure Comics #94 (DC, 1944) CGC VF/NM 9.0 Off-white pages. Cover artists Simon and Kirby knew how to grab your attention -- have a look at this one (the design is so striking that Jack Kirby revisited it decades later on the cover of Captain America #198)! The tale of the Sandman and Sandy inside the book was drawn by Gil Kane. There's more superhero action courtesy of the Shining Knight and Starman. Overstreet 2005 VF/NM 9.0 value = $925; NM- 9.2 value = $1,250. CGC census 11/05: 1 in 9.0, 2 higher.
Adventure Comics #96 (DC, 1945) CGC NM 9.4 Off-white pages. No copy of this issue from Simon and Kirby's great cover run has been certified with a higher grade by CGC to date. Inside the issue, the Sandman and Sandy are joined by Genius Jones, Starman, and the Shining Knight. Overstreet 2005 NM- 9.2 value = $1,250. CGC census 11/05: 3 in 9.4, none higher.
Adventure Comics #98 (DC, 1945) CGC NM 9.4 Off-white to white pages. This is the sole highest-graded copy in CGC's census as of this writing, with the nearest runner-up two notches lower at 9.0. Gil Kane drew the Sandman story inside this issue, and he's generally credited with the cover as well. The Shining Knight and Starman are among the backup features. Overstreet 2005 NM- 9.2 value = $1,250. CGC census 11/05: 1 in 9.4, none higher.
Adventure Comics #115 "D" Copy pedigree - Double Cover (DC, 1947) CGC NM 9.4 Cream to off-white pages. Double-cover copies are always something special, and this one's unusual in that the outer cover is graded just as high as the interior one! Superboy stars in the issue; backup features include Green Arrow, Aquaman, Johnny Quick, and the Shining Knight. CGC notes, "1st cover 9.4, interior cover 9.4." Overstreet 2005 NM- 9.2 value = $900. CGC census 11/05: 1 in 9.4, none higher.
Adventure Comics #116 Double Cover (DC, 1947) CGC NM 9.4 Off-white pages. Being tied for the highest-graded copy certified to date is nice, and a double cover is even nicer! Superboy stars in this issue, which also has backup stories featuring Green Arrow, Aquaman, Johnny Quick, and the Shining Knight. CGC notes, "1st cover 9.0, interior cover 9.4." Overstreet 2005 NM- 9.2 value = $900. CGC census 11/05: 2 in 9.4, none higher.
Adventure Comics #130 Ohio pedigree (DC, 1948) CGC NM- 9.2 White pages. This is the highest-graded copy in CGC's census. Superboy is joined inside the issue by Aquaman, Green Arrow, and Johnny Quick. Overstreet 2005 NM- 9.2 value = $775. CGC census 11/05: 1 in 9.2, none higher.
Adventure Comics #139 (DC, 1949) CGC VF/NM 9.0 White pages. As of this writing, this is the highest-graded copy of this issue by a wide margin -- the only one above 5.0, in fact! In addition to the only ski-jumping comic cover we can name, it's got adventures of Superboy, Green Arrow, and more. Overstreet 2005 VF/NM 9.0 value = $484; NM- 9.2 value = $650. CGC census 11/05: 1 in 9.0, none higher.
Adventure Comics #154 Double Cover (DC, 1950) CGC VF/NM 9.0 Off-white to white pages. This issue's cover salutes that international symbol of "geekdom," the propeller beanie. Originally popular with children during the late 1940s, this odd headgear has made a comeback in recent years, especially with computer owners and programmers. Of special note for this issue is the inclusion of a second cover; CGC notes, "first cover 6.5, interior cover 9.0." This copy easily tops the current CGC census for this issue, with the next best copy graded at 7.5. Overstreet 2005 VF/NM 9.0 value = $409; NM- 9.2 value = $550. CGC census 12/05: 1 in 9.0, none higher.
Adventure Comics #161 (DC, 1951) CGC VF+ 8.5 Off-white pages. Frank Frazetta art in a DC comic? Yup, he drew the Shining Knight feature for this very issue. Superboy, Johnny Quick, and Green Arrow also appear. And leading things off is a splendid Win Mortimer cover. Overstreet 2005 VF 8.0 value = $413; VF/NM 9.0 value = $637. CGC census 11/05: 1 in 8.5, 1 higher.
The Adventures of Bob Hope #2 (DC, 1950) CGC VF+ 8.5 Cream to off-white pages. Ol' Ski-Nose always did have an eye for the ladies, and who wouldn't have an eye for the always-photogenic Rhonda Fleming? We think the photo cover might be a still from "The Great Lover," in which the two co-starred. This copy's the highest-graded in CGC's census, it's a Hope diamond you won't want to miss! Overstreet 2005 VF 8.0 value = $506; VF/NM 9.0 value = $778. CGC census 11/05: 1 in 8.5, none higher.
The Adventures of Bob Hope #4 (DC, 1950) CGC VF 8.0 White pages. Photo cover. Overstreet 2005 VF 8.0 value = $305. CGC census 11/05: 1 in 8.0, none higher.
The Adventures of Bob Hope #10 (DC, 1951) CGC VF+ 8.5 White pages. Miss Beverly Hills backup feature. Overstreet 2005 VF 8.0 value = $244; VF/NM 9.0 value = $372. CGC census 11/05: 2 in 8.5, 2 higher.
All-American Comics #1 (DC, 1939) CGC VG/FN 5.0 Cream to off-white pages. This was the first publication by a new publisher, also called All-American, which existed for seven years (maintaining very close ties to DC). The All-American line was edited by early comics great Sheldon Mayer, and Mayer contributed art as well -- one of the features was the first appearance of Mayer's character Scribbly (a comic artist who bore a certain resemblance to Mayer himself). Also making their first appearances were pilot Hop Harrigan, who stuck around for almost 100 issues of the title, and patriotic trio Red, White, and Blue, who hung on for 70 issues. Rounding out the issue were reprints of popular strip characters like Mutt and Jeff and Reg'lar Fellers. Overstreet 2005 VG 4.0 value = $1,400; FN 6.0 value = $2,100. CGC census 11/05: 1 in 5.0, 3 higher.
All-American Comics #14 (DC, 1940) CGC VF 8.0 White pages. Here's the nicest copy yet certified of this issue! Coverboy Hop Harrigan is joined inside the issue by Sheldon Mayer's Scribbly, Mutt and Jeff, Gary Concord the Ultra-Man and more. Overstreet 2005 VF 8.0 value = $660. CGC census 11/05: 1 in 8.0, none higher.
All-American Comics #16 (DC, 1940) CGC Apparent VF+ 8.5 Extensive (P) Off-white pages. The story with Green Lantern's origin and first appearance is what makes this one of the five most valuable comic book issues. The main reason it's valued higher than the debuts of other top DC heroes (Wonder Woman, the Flash, etc.) is because of the scarcity of the book: Overstreet calls it "rare," while Gerber gives it a 7, meaning "scarce." The origin has been called an updated version of the "Aladdin's Lamp" story -- it's by Martin Nodell, credited as "Mart Dellon," who created the character and got some help on this issue's script from Bill Finger of Batman fame. The issue's cover is by Sheldon Moldoff. Incidentally, the comic is far from an all-superhero affair -- the backup features include Mutt and Jeff as well as Sheldon Mayer's comic artist character Scribbly. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $9,350; VG 4.0 value = $18,700; FN 6.0 value = $28,050; VF 8.0 value = $74,800; VF/NM 9.0 value = $127,400.
All-American Comics #21 (DC, 1940) CGC VF+ 8.5 White pages. This copy's topped by only one in CGC's census report as of this writing, and that one's just a half-grade higher at 9.0. In addition to a very early appearance of Green Lantern (who first appeared in #16), this issue also has an early adventure of the original Atom (who debuted in #19). Other features in the issue include Shelly Mayer's Scribbly, plus Mutt and Jeff and Red, White, and Blue. Overstreet 2005 VF 8.0 value = $1,825; VF/NM 9.0 value = $2,813. CGC census 11/05: 1 in 8.5, 1 higher.
All-American Comics #27 (DC, 1941) CGC VF 8.0 Off-white to white pages. Doiby Dickles, Green Lantern's faithful sidekick, makes his first appearance in this issue. After getting some assistance from the scrappy cabdriver on a case, GL writes him a note: "Doiby -- I could use a good man like you to help me in my fight against evil -- how about it?" He'd be a constant in the series, though Green Lantern costume he's wearing on the cover was thankfully not his usual attire. Overstreet 2005 VF 8.0 value = $2,464. CGC census 11/05: 2 in 8.0, 2 higher.
All-American Comics #40 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. Are there Doiby Dickles worshippers out there? Apparently so, judging by this Irwin Hasen cover. While Green Lantern is the star of the issue, the Atom, Dr. Mid-Nite, and Sheldon Mayer's Scribbly also appear. This copy's currently alone at the top of CGC's census. Overstreet 2005 VF 8.0 value = $844; VF/NM 9.0 value = $1,297. CGC census 11/05: 1 in 8.5, none higher.
All-American Comics #92 (DC, 1947) CGC VF- 7.5 Off-white to white pages. Green Lantern faces his frigid foe the Icicle (in his second appearance) on this exciting Alex Toth cover illustration. Gee, that boiling lava sure looks hot! Speaking of hot, these late-run Lantern issues of All-American seem to always be in demand -- especially copies this nice! Overstreet 2005 VF 8.0 value = $675. CGC census 11/05: 1 in 7.5, 1 higher.
All-American Comics #101 (DC, 1948) CGC VF/NM 9.0 Cream to off-white pages. The second-to-last issue of the long-running title, #101 is dubbed "scarce" by Overstreet, and this is the highest-graded copy that CGC has certified as of this writing. Since we all know black-cover issues are tougher to find in high grade, have a long look at this one! And speaking of black, nobody used black areas to greater effect than Alex Toth, who drew the cover as well as the story featuring Johnny Thunder (the Western character, not the cut-up of All Star fame). And while the cover might not indicate it, there are superheroes in the comic too, namely Green Lantern and Dr. Mid-Nite. Overstreet 2005 VF/NM 9.0 value = $1,260; NM- 9.2 value = $1,700. CGC census 11/05: 1 in 9.0, none higher.
All-American Comics #102 (DC, 1948) CGC VF/NM 9.0 White pages. Green Lantern, Dr. Mid-Nite, and the Black Pirate all end their respective runs in the pages of this scarce transitional issue. Cover star Johnny Thunder shifts the direction from superhero to Western, a change made complete with the following issue, which was retitled All-American Western. Art for this issue includes work by Alex Toth, Martin Naydel, and Irwin Hasen. Overstreet 2005 VF/NM 9.0 value = $2,703; NM- 9.2 value = $3,650. CGC census 11/05: 1 in 9.0, 3 higher.
All-Flash #1 (DC, 1941) CGC VF 8.0 Cream to off-white pages. The Fastest Man Alive comes zooming your way in his first solo comic, which currently ranks #44 in Overstreet's list of Top Golden Age Books. E. E. Hibbard drew the Flash cover and stories, which include a retelling of the Flash's origin, while Sheldon Mayer handle the art for a Hop Harrigan tale, and Ed Wheelan provide a two-page humorous filler feature. This copy, with its black background and vivid cover colors, looks spectacular; however, those eagle-eyed folks at CGC note, "Small amount of dried glue on cover." Overstreet 2005 VF 8.0 value = $10,590. CGC census 11/05: 5 in 8.0, 4 higher.
All-Flash #1 (DC, 1941) CGC VF- 7.5 White pages. DC's Fastest Man Alive gets his first solo title, with art by E. E. Hibbard, and a retelling of his origin. Sheldon Mayer drew the Hop Harrigan back-up feature. This key issue checks in at #44 in Overstreet's 2005 list of Top Golden Age Books. This is a very attractive copy, with bright, rich cover colors contrasted by a deep black background, and supple white interior pages. Overstreet 2005 VF 8.0 value = $10,590. CGC census 11/05: 2 in 7.5, 9 higher.
All-Flash #1 (DC, 1941) CGC VG/FN 5.0 White pages. Yes, the Flash was already seen in every issue of Flash Comics, but he had to share the book with other heroes; this title was all Flash, 64 pages of him in fact. And anyone who was new to the character got a refresher in this issue on how Jay Garrick got his powers. The book has an E. E. Hibbard cover and interior art, with scripts by Gardner Fox (the writer who's most identified with our hero, and for that matter with the Silver Age Flash as well). There's even a brief biographical feature on Hibbard and Fox inside the mag. This key comic is ranked among the fifty most valuable Golden Age comic books by Overstreet. CGC notes, "Small piece of cardboard attached to centerfold with glue." Overstreet 2005 VG 4.0 value = $2,824; FN 6.0 value = $4,236. CGC census 12/05: 3 in 5.0, 22 higher.
All-Flash #2 (DC, 1941) CGC FN/VF 7.0 Off-white to white pages. This quarterly let the speedster show his stuff in a book-length story -- compare that to the mere 13-pagers he starred in in Flash Comics. Part of the tale is a recap of the hero's origin. E. E. Hibbard handled cover and interior art chores. Overstreet 2005 FN 6.0 value = $1,035; VF 8.0 value = $2,243. CGC census 11/05: 2 in 7.0, 4 higher.
All-Flash #2 (DC, 1941) CGC FN 6.0 Off-white to white pages. The second issue of the Flash's solo comic book featured a recap of his origin, the origin and first appearance of the Threat, and a full page ad for Green Lantern Comics #1. E. E. Hibbard provided cover and story art. This is a nice copy, especially considering CGC has certified just three copies of the issue with grades above VF- 7.5. Overstreet 2005 FN 6.0 value = $1,035. CGC census 11/05: 3 in 6.0, 6 higher.
All-Flash #7 (DC, 1942) CGC FN/VF 7.0 White pages. Things get a little scary for the Fastest Man Alive in this issue's featured full-length story, "The House of Horror!" Artists include E. E. Hibbard and Harry Tschida. This copy has been very well preserved, with only minor wear seen along the edges. Overstreet 2005 FN 6.0 value = $318; VF 8.0 value = $663. CGC census 11/05: 3 in 7.0, 3 higher.
All-Flash #27 (DC, 1947) CGC NM+ 9.6 Off-white pages. Martin Naydel drew this issue's yuk-it-up cover featuring the antics of Winky, Blinky, and Noddy. If you're the winning bidder, you'll be the one having the last laugh -- the Mile High copy is the only one ranked above this one in CGC's current census. Overstreet 2005 NM- 9.2 value = $800. CGC census 11/05: 1 in 9.6, 1 higher.
All Star Comics #1 (DC, 1940) CGC FN/VF 7.0 Off-white pages. This new series was a way for DC (and its sister company All-American Comics) to showcase top characters who hadn't yet been given a series of their own (though most of them were headliners of anthology titles). No comic company had done this in a continuing series before, but then, no company had had that many popular characters before! The lineup here includes the Flash (drawn by E. E. Hibbard), Hawkman (drawn by Sheldon Moldoff), Hourman and the Spectre (both drawn by Bernard Baily), as well as Sandman, Biff Bronson, Red White and Blue, and Gary Concord, Ultra-Man. The first five mentioned above would go on to be founding members of the Justice Society of America just two issues later. Overstreet 2005 FN 6.0 value = $3,441; VF 8.0 value = $8,603. CGC census 11/05: 4 in 7.0, 6 higher.
All Star Comics #2 (DC, 1940) CGC Qualified FN/VF 7.0 Off-white to white pages. Green Lantern and Johnny Thunder made their series debuts in this issue, in which the future members of the Justice Society appear in separate stories. Sheldon Moldoff, Martin Nodell, Bernard Baily, Creig Flessel, Stan Aschmeier, and E. E. Hibbard drew the adventures of their respective signature characters. The cover image is a composite of Moldoff's Green Lantern figure from All-American Comics #16 and his Flash figure from Flash Comics #8, plus a Baily Spectre taken from a panel of All Star #1. CGC notes, "Cover detached." Overstreet 2005 GD 2.0 value = $503; VG 4.0 value = $1,006; FN 6.0 value = $1,509; VF 8.0 value = $3,521.
All Star Comics #3 (DC, 1940) CGC Apparent VF+ 8.5 Moderate (P) Off-white to white pages. "A breakthrough concept, second in importance only to the creation of the super hero" is how Overstreet once summarized the significance of this issue, the first appearance of the Justice Society of America, the first superhero group in comics. Some have even advanced the theory that the concept was unprecedented in all of fiction, as even the Knights of the Round Table didn't hold meetings before joining to vanquish a common opponent! The cover image is one of the most famous in the history of comics, and it's been imitated and paid homage to on many occasions (E. E. Hibbard is generally credited with the cover art). In the story, each JSAer recounts a recent adventure, and different artists drew these various chapters, among them Sheldon Moldoff, Martin Nodell, and Bernard Baily. CGC notes, "Restoration includes: color touch, tear seals, split sealed, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $3,529; VG 4.0 value = $7,058; FN 6.0 value = $10,587; VF 8.0 value = $27,000; VF/NM 9.0 value = $43,500.
All Star Comics #6 (DC, 1941) CGC VF/NM 9.0 Off-white to white pages. For their third gathering, the Justice Society initiate a new member -- Johnny Thunder! The gang includes Green Lantern, Flash, Hawkman, the Atom, Dr. Fate, the Sandman, the Spectre, and the Hour-Man. Artists include Sheldon Moldoff, E. E. Hibbard, and Bernard Baily. This superb copy is very attractive, with a silky smooth spine and great cover color. Overstreet 2005 VF/NM 9.0 value = $2,946; NM- 9.2 value = $4000. CGC census 11/05: 4 in 9.0, 3 higher.
All Star Comics #13 (DC, 1942) CGC VF+ 8.5 White pages. Here's the nicest copy CGC has certified to date of this black-cover issue! Adolf Hitler made his first All Star appearance in this issue, and the Justice Society has its hands full with the Fuehrer and his fellow Nazis. The issue has a Jack Burnley cover, with interior art by Burnley, Sheldon Moldoff, and Bernard Baily, as well as one of very few contributions to this title by Wonder Woman artist H. G. Peter. Overstreet 2005 VF 8.0 value = $1,538; VF/NM 9.0 value = $2,369. CGC census 11/05: 1 in 8.5, none higher.
All Star Comics #18 (DC, 1943) CGC NM 9.4 Off-white to white pages. The Justice Society takes on criminals who have the powers of insects! There are even some "spider men" among them, and behind it all is the evil King Bee. The sticky situation on the cover was drawn by Frank Harry, and the artists of the interior chapters include Sheldon Moldoff, Bernard Baily, and Howard Sherman, as well as one of only two All Star contributions by Pierce Rice. A black background on a book this old usually spells trouble in the form of noticeable breaks in the color, but this is not your usual copy. In fact, it's the highest grade that CGC has assigned for this issue to date. Overstreet 2005 NM- 9.2 value = $2,350. CGC census 12/05: 2 in 9.4, none higher.
All Star Comics #20 (DC, 1944) CGC VF 8.0 Off-white pages. The JSA meets a Jekyll-and-Hyde type in this issue. The book sports a Joe Gallagher cover and has art by Sheldon Moldoff and Bernard Baily among others. Oddly, Dr. Fate and Sandman appear in the group scenes, but don't have solo chapters, and since we know why that is, we won't keep it a secret -- it's because DC cut its page count from 56 to 48 pages starting with this issue, meaning two chapters had to be axed. Overstreet 2005 VF 8.0 value = $1,131. CGC census 11/05: 4 in 8.0, 3 higher.
All Star Comics #22 (DC, 1944) CGC VF- 7.5 Off-white pages. A patriotic flag cover by Frank Harry is the attention-getter here; inside the issue there's art by Sheldon Moldoff on the Hawkman chapter. Overstreet notes that this issue had the last of the series of Hop Harrigan text features. Overstreet 2005 VF 8.0 value = $988. CGC census 11/05: 2 in 7.5, 4 higher.
All Star Comics #23 (DC, 1944) CGC NM 9.4 Off-white pages. It's the first appearance of the original Psycho-Pirate! It was hardly the last time the Justice Society would tangle with him, but it was the last JSA outing for the Spectre, a founding member of the group, as well as for Starman. The issue's artists include Sheldon Moldoff. The cover is by Joe Gallagher. Overstreet 2005 NM- 9.2 value = $2,050. CGC census 11/05: 1 in 9.4, 1 higher.
All Star Comics #27 (DC, 1945) CGC VF 8.0 White pages. When a soldier who lost his arm in the war asked the Justice Society to cheer up some handicapped kids, the JSA came through and taught the readers a lesson in the process. It was a valuable lesson at a time when disabled World War II vets were trying to re-adapt to society. The issue has art by Joe Kubert, Paul Reinman, and Martin Naydel, who also drew the cover. Overstreet 2005 VF 8.0 value = $844. CGC census 11/05: 2 in 8.0, none higher.
All Star Comics #29 (DC, 1946) CGC VF+ 8.5 Off-white pages. The Justice Society encounters "The Man Who Knows Everything" in this typically star-studded affair. The original owner of this sharp copy must have known a thing or two as well; they certainly knew how to keep this comic's black-background cover looking good! Artist include Joe Kubert and Martin Naydel. Overstreet 2005 VF 8.0 value = $756; VF/NM 9.0 value = $1,166. CGC census 11/05: 3 in 8.5, 5 higher.
All Star Comics #30 (DC, 1946) CGC VF+ 8.5 Off-white to white pages. This copy, with its stunning black-background cover by Martin Naydel, looks much nicer than the CGC-assigned grade. This is due to a bindery defect; CGC notes, "Manufactured with a large piece out of 5th page, slightly affects art." Our advice is to snap up this beauty, leave it in its holder, and use some of the money you saved to buy a copy of All Star Archives #7 to read! Overstreet 2005 VF 8.0 value = $756; VF/NM 9.0 value = $1,166. CGC census 12/05: 2 in 8.5, 3 higher.
All Star Comics #32 (DC, 1946) CGC NM 9.4 Off-white pages. The Justice Society of America face the Psycho Pirate in this excellent issue, which features a Martin Naydel cover illustration. This NM copy is absolutely beautiful, with deep, rich cover colors and smooth surfaces. Overstreet 2005 NM- 9.2 value = $1,575. CGC census 11/05: 3 in 9.4, none higher.
All Star Comics #35 (DC, 1947) CGC VF/NM 9.0 Off-white to white pages. Per Degaton made his first appearance in this issue -- he was a villain who would crop up again in the Bronze Age, and he even played a role in the Crisis! The issue has an Irwin Hasen cover, with interior art by Hasen, Lee Elias, Joe Kubert, and others. Overstreet 2005 VF/NM 9.0 value = $1,128; NM- 9.2 value = $1,525. CGC census 12/05: 2 in 9.0, 3 higher.
All Star Comics #35 (DC, 1947) CGC VF 8.0 Off-white pages. Irwin Hasen contributes a clever cover illustration for "The Day That Dropped Out of Time!" Featured inside is art by Joe Kubert, Lee Elias, and Paul Reinman. This solid, pleasing copy is missing the lower staple, due to a bindery error. Overstreet 2005 VF 8.0 value = $731. CGC census 11/05: 2 in 8.0, 7 higher.
All Star Comics #36 (DC, 1947) CGC VF 8.0 Light tan to off-white pages. This is the classic, highly sought-after issue featuring guest appearances by DC's biggest stars, Superman and Batman, who join the other members of the Justice Society of America for a rousing book-length adventure. Artists include Joe Kubert, Lee Elias, and Irwin Hasen. This solid, attractive copy sports a smooth spine and superb cover color. Overstreet 2005 VF 8.0 value = $1,731. CGC census 11/05: 1 in 8.0, 3 higher.
All Star Comics #38 (DC, 1947) CGC VG/FN 5.0 Off-white to white pages. This issue features the Justice Society of America in their first story to feature the team working together, instead of having separate chapters for each member. The JSA "die" briefly in the story, which also introduces Black Canary to the team. Overstreet 2005 VG 4.0 value = $370; FN 6.0 value = $555. CGC census 11/05: 3 in 5.0, 15 higher.
All Star Comics #44 (DC, 1948) CGC FN+ 6.5 Off-white pages. The Justice Society goes to Hollywood to nab their newest menace, Evil Star, in this rip-roaring issue. Art is by Irwin Hasen (who drew the stylized cover), Bob Oksner, Arthur Peddy, Bernard Sachs, and Howard Purcell. The cover inks are very bright and eye-catching on this attractive copy. Overstreet 2005 FN 6.0 value = $339; VF 8.0 value = $706. CGC census 11/05: 2 in 6.5, 1 higher.
All Star Comics #56 (DC, 1950) CGC NM 9.4 Off-white to white pages. "The Day The World Ended" is not only the title of this story, it's how JSA fans felt a couple of months later when All Star became a Western comic. At least this second-to-last issue had plenty of thrills as the JSA travels in time to the 31st century. This issue's cover is by Arthur Peddy, and the interior art is by Peddy and Frank Giacoia. Only one copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $1,475. CGC census 12/05: 1 in 9.4, 1 higher.
Animal Antics #2 Vancouver pedigree (DC, 1946) CGC NM 9.4 White pages. We're pleased to be offering a number of Vancouver copies here, the first time they're being offered in an auction to all comers. When you check out the condition and the page quality, you'll see why we're so excited! The cover is credited to Rube Grossman, one of DC's go-to guys in the funny animal department. Overstreet 2005 NM- 9.2 value = $275. CGC census 11/05: 1 in 9.4, none higher.
Batman #1 (DC, 1940) CGC VF- 7.5 Cream to off-white pages. The first appearances of the Joker and Catwoman are two big reasons why this issue is #6 on Overstreet's list of the most valuable comic books. And only five copies of this issue have been graded higher by CGC (none of them NM- or better, the highest-graded in the census is a 9.0). The importance of the Batman series can be seen from this simple fact: it has been in continuous publication for 65 years. This first issue was created from the inventory of Detective Comics (which explains why Robin doesn't appear in one of the stories), but the two villains who debuted here topped any that had been seen in Detective! The malevolent Joker was by some accounts intended to be a one-issue character only, and what was originally his death at the end of the issue was modified to be a non-fatal injury. And as for Catwoman, who's still called "the Cat" here, what set her apart was not so much her appearance or any gimmick, but rather the fact that there was an instant attraction between her and Batman. It's seen in this very first story as Batman "accidentally" lets Catwoman escape (Robin isn't fooled for a second, though). Also of note are a retelling of Batman's origin and a classic (and much-imitated) cover by Bob Kane and Jerry Robinson. Overstreet 2005 VF 8.0 value = $50,000. CGC census 11/05: 2 in 7.5, 5 higher.
Batman #3 (DC, 1940) CGC FN+ 6.5 Off-white pages. This milestone issue boasts the first appearance of Puppet Master as well as the first Catwoman in costume. Difficult to find in higher grades because of its black cover -- by creator Bob Kane and Sheldon Moldoff -- this copy is virtually unmarred by creases or other surface wear. Only some minor wear around the cover edges it from grading higher. Overstreet 2005 FN 6.0 value = $2,517; VF 8.0 value = $5,873. CGC census 12/05: 7 in 6.5, 14 higher.
Batman #3 (DC, 1940) CGC FN 6.0 Off-white to white pages. It's tough to argue with Overstreet's designation of this cover as "classic!" It's the work of Bob Kane, assisted by Jerry Robinson or Sheldon Moldoff depending on which source you believe. The third issue of the title is the third appearance of Catwoman, her first appearance in costume. The lead story features the villainy of the mind-controlling Puppet Master (decades before Marvel came up with a fellow of the same name, we might add). Overstreet 2005 FN 6.0 value = $2,517. CGC census 11/05: 3 in 6.0, 21 higher.
Batman #3 (DC, 1940) CGC VG 4.0 Cream to off-white pages. Bob Kane's cover for this issue earned Overstreet's "classic" designation. Catwoman makes her first appearance in costume (her third appearance overall). The lead story features the debut of the mind-controlling Puppet Master. Overstreet 2005 VG 4.0 value = $1,678. CGC census 11/05: 2 in 4.0, 32 higher.
Batman #4 (DC, 1940) CGC VG/FN 5.0 Cream to off-white pages. Gotham City was mentioned for the first time in this issue -- believe it or not, Batman had plied his trade in plain old Manhattan previously. The issue is also the third appearance of that Jocund Jack-Of-All-Crimes, the Joker! Bob Kane and Jerry Robinson teamed up on the art. Overstreet 2005 VG 4.0 value = $1,354; FN 6.0 value = $2,031. CGC census 11/05: 7 in 5.0, 19 higher.
Batman #5 (DC, 1941) CGC FN/VF 7.0 Cream to off-white pages. The Caped Crusader and Boy Wonder tip the scales of justice in their favor on this early cover by creator Bob Kane. This issue features a Joker appearance, but more importantly it's the first time we see the Batmobile with its bat-head front. Kane and Jerry Robinson shared interior art chores. Overstreet 2005 FN 6.0 value = $1,452; VF 8.0 value = $3,388. CGC census 11/05: 6 in 7.0, 19 higher.
Batman #5 (DC, 1941) CGC FN 6.0 Off-white pages. This early issue's highlights include a Joker story, and the first appearance of the classic Batmobile with its bat-head front. Bob Kane provided the "scales of justice" cover. Kane and Jerry Robinson art is featured inside. Overstreet 2005 FN 6.0 value = $1,452. CGC census 11/05: 4 in 6.0, 27 higher.
Batman #5 (DC, 1941) CGC VG+ 4.5 Light tan to off-white pages. "Batmobile" is a household word -- even your grandma knows that's the name of Batman's car. So the vehicle's first appearance in issue #5 is quite a significant event. Batman had driven other cars previously (mostly red sedans, believe it or not) but this was the debut of the car with the Bat-head front that everyone knows and loves. There's also one of the earliest appearances of the Joker -- this time the Prince of Pranksters has a scheme to lure millionaires to an offshore gambling ship. The book has a Bob Kane cover and art by Kane and Jerry Robinson.CGC notes, "Very minor amount of color touch on cover." Overstreet 2005 VG 4.0 value = $968. CGC census 11/05: 1 in 4.5, 39 higher.
Batman #6 (DC, 1941) CGC VF 8.0 Off-white pages. Batman and Robin swing into action once again on this cover by creator Bob Kane and Jerry Robinson, which promises "brand new whirlwind adventures" in this issue. What kid in the 1940s could say no to that? The dynamic art duo of Kane and Robinson also handled interiors. CGC notes, "Small tear on 1st 8 pages." Overstreet 2005 VF 8.0 value = $2,936. CGC census 11/05: 8 in 8.0, 9 higher.
Batman #6 (DC, 1941) CGC FN/VF 7.0 Off-white to white pages. Here comes the Dynamic Duo, swinging your way courtesy of a great Bob Kane/Jerry Robinson cover illustration. This copy is quite attractive, even with a name written in ink on the front cover. Overstreet 2005 FN 6.0 value = $1,269; VF 8.0 value = $2,936. CGC census 10/05: 8 in 7.0, 19 higher.
Batman #11 (DC, 1942) CGC FN- 5.5 Off-white pages. The Joker comes up with a losing hand on this classic playing-card-cover illustration by Jerry Robinson and Fred Ray. It's the Clown Prince of Crime's third cover -- he's featured on the inside as well, along with the Penguin, who also shows up to bedevil the Dynamic Duo. Interior art by Robinson, Bob Kane, and George Roussos. This is a very nice mid-grade example of a tough book to find. Overstreet 2005 FN 6.0 value = $2,031. CGC census 11/05: 5 in 5.5, 23 higher.
Batman #13 (DC, 1942) CGC VF- 7.5 Off-white pages. The Dark Knight Detective lands right on target (with a little help from his trusted sidekick Robin the Boy Wonder) on this fantastic cover by Jerry Robinson. Inside, that clown prince of crime, the Joker, makes a story appearance. Jerry Siegel (co-creator of Superman) is also featured as a guest star. This copy appears very tight, flat, and clean, but CGC does note, "Very minor amount of color touch on cover." Overstreet 2005 VF 8.0 value = $1,908. CGC census 11/05: 5 in 7.5, 5 higher.
Batman #14 (DC, 1943) CGC FN/VF 7.0 White pages. This is only the second cover appearance for the Penguin, and the issue's also notable for marking the end of the "cold-blooded" Penguin character (he would soon turn into more of a "comedy villain," but here, he still commits murder to get his way!). The issue has a Jerry Robinson cover, with interior art by Robinson, Bob Kane, and Jack Burnley. Note that there is a small (1/2-inch) hairline crack on the back of the CGC holder. Overstreet 2005 FN 6.0 value = $900; VF 8.0 value = $1,925. CGC census 11/05: 6 in 7.0, 8 higher.
Batman #14 (DC, 1943) CGC FN+ 6.5 Cream to off-white pages. The Caped Crusader gives the readers a peek inside to reveal none other than the Penguin lurking about, on this Jerry Robinson cover (the second to feature the Bumbershoot Bandit). Other artists this issue include Bob Kane and Jack Burnley. This issue also contains the World War II tale, "Swastika Over the Whitehouse." Overstreet 2005 FN 6.0 value = $900; VF 8.0 value = $1,925. CGC census 11/05: 4 in 6.5, 14 higher.
Batman #17 (DC, 1943) CGC VF 8.0 Off-white to white pages. We never tire of repeating that comics with black covers are difficult to find in high grade, and indeed, only a handful of copies of this issue have been graded higher than our offering. And what a cover image it is -- Jerry Robinson handled art chores on the "buy war bonds" scene. Inside the covers of the issue is an unusual Penguin yarn, in which the Bumbershoot Bandit hears someone say that he's nothing without his trick umbrellas, and the Penguin responds by using other gadgets for his crimes! The issue's interior artists include Robinson, Bob Kane, and Jack Burnley. Overstreet 2005 VF 8.0 value = $1,444. CGC census 11/05: 9 in 8.0, 6 higher.
Batman #18 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. The 20th century was going pretty well until Hitler and his cohorts Mussolini and Hirohito came along and messed up everything. Well, at least this cover offered a small measure of comeuppance for the evil trio. Inside the comic, the Dynamic Duo takes on Tweedledum and Tweedledee. Also in these pages is the death of the entertaining villain known as the "Crime Surgeon," Matthew Thorne. Jerry Robinson and Jack Burnley contributed interior art. The only copy that has been graded higher than this one to date is just a half-grade higher at 9.0. Overstreet 2005 VF 8.0 value = $1,825; VF/NM 9.0 value = $2,813. CGC census 11/05: 1 in 8.5, 1 higher.
Batman #21 (DC, 1944) CGC FN/VF 7.0 Off-white pages. Yee-ha! Dick Sprang's cover illustration shows the Dynamic Duo keeping a smile on their faces, even while riding bucking broncos! Inside, there's an appearance by that fowl felon, the Penguin; plus, Bruce Wayne's faithful butler gets a make-over, resulting in the "skinny" Alfred known by fans for many years to come. Sprang handles the art chores on all four interior stories featuring the Dark Knight Detective. Overstreet 2005 FN 6.0 value = $462; VF 8.0 value = $963. CGC census 11/05: 4 in 7.0, 10 higher.
Batman #27 (DC, 1945) CGC VF 8.0 Off-white to white pages. A classic Christmas cover leads off this issue -- it's by the oft-underrated Jack Burnley. Inside the issue, the Dynamic Duo takes on that Bumbershoot Bandit, that Fowl Felon, that Man of a Thousand Umbrellas, the Penguin. There's also art by ace Bat-artist Jerry Robinson. Overstreet 2005 VF 8.0 value = $1,250. CGC census 11/05: 3 in 8.0, 17 higher.
Batman #28 (DC, 1945) CGC VF 8.0 Off-white to white pages. That Mephistopheles of Mirth, the Joker, puts in an appearance in this issue -- you'd think the wealthier citizens of Gotham would be on their guard, since the Joker tried to rob or swindle one of their number about every three months throughout the 1940s, yet the villain is back with just such a scheme in the tale "Shadow City." The story has Jerry Robinson art; the issue's cover is by Jack Burnley and Charles Paris. Overstreet 2005 VF 8.0 value = $963. CGC census 11/05: 5 in 8.0, 12 higher.
Batman #29 (DC, 1945) CGC FN+ 6.5 Off-white to white pages. Fans of artist Dick Sprang will want to be sure to place a bid on this issue, which features a cover and three stories by the man known for years as the "good Batman artist." Jerry Robinson contributes art to a four-page Alfred adventure. Of special note is the fact that Bob McCay (son of Little Nemo in Slumberland artist Windsor McCay) was colorist for most of this issue. Overstreet 2005 FN 6.0 value = $462; VF 8.0 value = $963. CGC census 11/05: 2 in 6.5, 17 higher.
Batman #30 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. Batman and Robin take time to help out a soldier in this patriotic World War II cover by Dick Sprang. Sprang also illustrates the three interior tales featuring the Dynamic Duo, including one featuring the Penguin. Jerry Robinson handles a four-pager starring Alfred. Overstreet 2005 VF 8.0 value = $963; VF/NM 9.0 value = $1,482. CGC census 11/05: 3 in 8.5, 6 higher.
Batman #32 (DC, 1945) CGC NM- 9.2 Off-white pages. This issue's great-looking spine should be all the encouragement you need to put in a bid -- it's no surprise that only one copy has been graded higher to date. This issue is a notable one for several reasons. For one, the time-travel tale, "All For One, One For All," was said to be a personal favorite of artist Dick Sprang, and the only art Sprang asked DC to return. There's also a Joker story in which the Clown Prince of Crime is looking for a way to humiliate the Dynamic Duo, and gets inspiration from watching a fraternity haze its pledges! Rounding out the issue is a recap of Robin's origin which deviates from previous accounts, stating that Robin was named after the robin redbreast rather than Robin Hood. Overstreet 2005 NM- 9.2 value = $1,475. CGC census 11/05: 2 in 9.2, 1 higher.
Batman #33 (DC, 1946) CGC NM- 9.2 Off-white pages. After a Christmas season full of giving to others, why not give yourself a late Christmas present, namely this book? It bears the highest grade that CGC has assigned for this issue to date. The issue has a Christmas cover by Dick Sprang, and there's a Penguin story drawn by Win Mortimer. Overstreet 2005 NM- 9.2 value = $1,600. CGC census 12/05: 2 in 9.2, none higher.
Batman #33 (DC, 1946) CGC FN/VF 7.0 Cream to off-white pages. Robin has a little trouble trimming the tree on this holiday-themed cover by Dick Sprang. Inside, Win Mortimer's handsome rendering of the Caped Crusader fills the pages, which include stories featuring the Penguin and the Jackal (who makes his first appearance here). CGC notes, "Mis-cut" -- this is only a slight imperfection on a still-attractive book. Overstreet 2005 FN 6.0 value = $369; VF 8.0 value = $769. CGC census 11/05: 6 in 7.0, 9 higher.
Batman #36 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Dick Sprang turns in a terrific Black Knight cover, for the featured story "Sir Batman and Robin in King Arthur's Court." The Penguin makes a story appearance, and Alfred is featured in his last solo tale. Jerry Robinson provides interior art. This copy is very sharp and colorful. Overstreet 2005 VF/NM 9.0 value = $1,094; NM- 9.2 value = $1,475. CGC census 11/05: 9 in 9.0, 3 higher.
Batman #36 (DC, 1946) CGC VF+ 8.5 Off-white pages. The Dynamic Duo are sent back in time to King Arthur's day in this issue, thanks to their pal with the time machine, Prof. Carter Nichols. There's also a Penguin story, plus the last in the series of Alfred solo stories. The issue has a Dick Sprang cover, with interior art by Bob Kane, Jerry Robinson, and Ray Burnley. Overstreet 2005 VF 8.0 value = $713; VF/NM 9.0 value = $1,094. CGC census 11/05: 3 in 8.5, 12 higher.
Batman #38 (DC, 1946) Condition: VF-. Here's a very nice-looking unslabbed copy that you can actually open up and read, and when you do, white pages await you! In the issue, the Penguin's out of the slammer and prepared to go straight... we've heard that one before! This time around, our favorite villain gets irked when a cartoon character named Peter Penguin becomes popular, and before you know it, the Fowl Felon is back to his villainous ways. This issue's also notable for having the first Batman art by Jim Mooney, who would draw the character many a time in years to come. Note that this copy could not be slabbed by CGC due to an overhang. Overstreet 2005 VF 8.0 value = $819.
Batman #38 (DC, 1946) CGC FN/VF 7.0 Off-white to white pages. The Penguin's out on parole and looks like he's going straight... but if he did so, we wouldn't have much of a story, would we? This time, the sudden popularity of a cartoon character named Peter Penguin makes our favorite villain furious and drives him back to a life of mischief. This issue is also notable for having the first Batman art by Jim Mooney, who would draw the character many a time in years to come. The cover is by Dick Sprang. Overstreet 2005 FN 6.0 value = $393; VF 8.0 value = $819. CGC census 11/05: 6 in 7.0, 16 higher.
Batman #39 (DC, 1947) CGC VF/NM 9.0 Off-white pages. This issue's "Ice Capades" cover was drawn by Jack Burnley and Charles Paris (not Jerry Robinson, as reported on the CGC header -- watch it, you guys!). Inside, Bob Kane himself manned the pencils for three stories starring the Dark Knight Detective, including one featuring Catwoman. This fresh copy is just the ticket for the winter blues! Overstreet 2005 VF/NM 9.0 value = $1,094; NM- 9.2 value = $1,475. CGC census 11/05: 1 in 9.0, 3 higher.
Batman #40 (DC, 1947) CGC VF 8.0 Cream to off-white pages. The Joker seems to have run into a little bad luck, much to the delight of the Dynamic Duo, on this Jack Burnley cover drawing. Inside, there are three Dick Sprang-illustrated stories to thrill you. This clean, attractive copy is pretty thrilling, too! Overstreet 2005 VF 8.0 value = $963. CGC census 11/05: 6 in 8.0, 12 higher.
Batman #42 "D" Copy pedigree (DC, 1947) CGC VF/NM 9.0 Cream to off-white pages. This pedigree copy is topped by only one other in CGC's census report as of this writing. This issue has the Catwoman's first cover appearance in Batman (41 issues after her first story appearance), and amazingly, it's only her second cover appearance anywhere! Charles Paris supplied the interior art for this issue in addition to inking the cover over Jack Burnley's pencils. Overstreet 2005 VF/NM 9.0 value = $1,260; NM- 9.2 value = $1,700. CGC census 11/05: 2 in 9.0, 1 higher.
Batman #42 (DC, 1947) CGC FN/VF 7.0 Off-white pages. That "steel clawed" cutie, the Catwoman, makes her first cover appearance for this title -- her second cover after Detective Comics #122. Artists include Jack Burnley and Charles Paris. Vivid cover colors make this one really stand out. Overstreet 2005 FN 6.0 value = $393; VF 8.0 value = $819. CGC census 11/05: 3 in 7.0, 14 higher.
Batman #43 (DC, 1947) CGC VF 8.0 Off-white to white pages. Penguins have pride too -- in this issue, our favorite Bandit of Birds and Bumbershoots has had all he can take of reading about the crimes of the Joker and the Catwoman, and decides it's time to top them with some new crimes of his own (with a bird theme, of course). Jim Mooney drew both the cover and the interior story. Overstreet 2005 VF 8.0 value = $700. CGC census 11/05: 6 in 8.0, 8 higher.
Batman #56 (DC, 1949) CGC VF+ 8.5 Off-white pages. If the title "Ride, Bat-Hombre, Ride" isn't bizarre enough for you, how about the Caped Crusader's battle with El Papagayo (that's "The Parrot" for all you gringos out there)? More conventional villainy is provided by that Man of a Thousand Umbrellas, the Penguin. The cover is by Dick Sprang and Charles Paris; the interior art is by Sprang and Jim Mooney. Overstreet 2005 VF 8.0 value = $494; VF/NM 9.0 value = $760. CGC census 11/05: 3 in 8.5, 5 higher.
Big All-American Comic Book #1 (DC, 1944) CGC VF 8.0 Off-white to white pages. Joe Kubert's first work on Hawkman is just one notable feature of this 128-pager. This square bound giant features every significant character from the stable of All-American Comics (which was essentially a sister company to DC). That means A-listers Flash, Wonder Woman, and Green Lantern (and just about every other Justice Society member too), as well as Sheldon Mayer's Scribbly. The book is on Overstreet's list of the 100 most valuable Golden Age comics. Overstreet 2005 VF 8.0 value = $6,545. CGC census 11/05: 3 in 8.0, 4 higher.
Platinum Age (1897-1937)
Big Book of Fun Comics #1 Lost Valley pedigree (DC, 1936) Condition: Qualified VF/NM. Have a look at the first comic book annual, because it may be your only chance to see this rare item... unless you're the winning bidder, of course! It's a Gerber "9" and called "very rare" by Overstreet, and the only thing that kept it off Overstreet's list of the 100 most valuable comic books is that no NM- value is listed by the Guide. This is a large comic (10 1/4" x 15"), with blank inside covers and no indicia. The comic has 48 pages, with 32 pages in color and the rest in black and white (note that Overstreet counts the covers as pages in calling the issue a 52-pager). And the best thing about it is the condition: we can't imagine that there's a better surviving copy. While the book does have a one-inch split at the center of the spine, we feel comfortable assigning it a Qualified grade because of the otherwise amazing condition, with white pages and superb cover colors making it an attention-getter. This copy is so fresh, it doesn't even have that "old comic" smell. And since even large-format comics of much more recent vintage are hard to find in grade, it's truly amazing that this pre-Golden Age comic survived in this condition. The interior reprints material from New Fun Comics #1-5, with art by such early DC names as Vin Sullivan, Whitney Ellsworth, and Leo O'Mealia. Overstreet 2005 GD 2.0 value = $2,250; VG 4.0 value =$4,500; FN 6.0 value = $6,750; VF 8.0 value = $14,500 (VF is the highest value listed).
Golden Age (1938-1955)
Boy Commandos #1 Pennsylvania pedigree (DC, 1942) CGC VF- 7.5 Off-white to white pages. This was only the second title (after Captain America Comics) that Simon and Kirby produced in its entirety -- it starred the group that had first appeared in Detective Comics. The issue has a guest-appearance by the Sandman, whom Simon & Kirby were drawing in Adventure Comics by this time. Overstreet lauds the issue's "classic World War II cover." Overstreet 2005 VF 8.0 value = $3,703. CGC census 11/05: 3 in 7.5, 4 higher.
Boy Commandos #1 (DC, 1942) CGC FN/VF 7.0 Off-white to white pages. It may not have been exactly "torn from the headlines," as the cover blurb states, but this Joe Simon/Jack Kirby "kids go to war" concept was lots of fun for the readers! The Commandos made their debut in Detective Comics #64, and their own title ran a respectable 36 issues, ending in 1949, long after the last shots of World War II were fired. Another patriotic DC character, Liberty Belle, was featured with an origin story in this issue. The striking cover by Simon and Kirby, showing the boys in blue against a red and yellow background, is considered "classic" by Overstreet. Overstreet 2005 FN 6.0 value = $1,587; VF 8.0 value = $3,703. CGC census 11/05: 4 in 7.0, 7 higher.
Boy Commandos #2 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. The boys are giving ol' Adolf the bum's rush on this World War II cover. This early issue of the title is Liberty Belle's last appearance before moving to Star Spangled Comics. The cover by Joe Simon and Jack Kirby was merely a warm-up for more of their great work on the interiors. Aside from the superior page quality, this gorgeous Mile High copy also happens to be the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $2,700. CGC census 11/05: 2 in 9.4, none higher.
Boy Commandos #7 (DC, 1944) CGC NM 9.4 White pages. Here's a gorgeous copy that's never been offered at auction before. The white pages and beautiful cover colors are of such quality that we even feel comfortable mentioning it in the same breath with the comics from the San Francisco collection -- it certainly has that same pedigree look about it! And of course, what makes the issue so collectible is the war cover by Simon and Kirby featuring that duo's memorable creations. Overstreet 2005 NM- 9.2 value = $675. CGC census 11/05: 1 in 9.4, 2 higher.
Buzzy #1 Mile High pedigree (DC, 1944) CGC NM- 9.2 Off-white to white pages. We bet you didn't know that Buzzy had a run lasting 77 issues! The character, who first appeared in All Funny Comics, certainly benefited from the teen-comic craze touched off by Archie, but Buzzy's angle was that he was an avid musician, to the chagrin of his girlfriend's dad Mr. Gruff. Our offering is a typically superb Edgar Church copy. Overstreet 2005 NM- 9.2 value = $350. CGC census 11/05: 2 in 9.2, 1 higher.
Comic Cavalcade #1 (DC, 1942) CGC VF- 7.5 Off-white to white pages. Lots of characters packed into this 96-pager, including the Flash, Green Lantern, Wonder Woman, Wildcat, and the Black Pirate. Sheldon Moldoff art is featured. This issue is notoriously tough in high grade, owing to the troublesome cardboard covers, and our copy is bested by just one other in CGC's current census. Overstreet 2005 VF 8.0 value = $6,545. CGC census 12/05: 1 in 7.5, 1 higher.
Comic Cavalcade #1 (DC, 1942) CGC FN- 5.5 Off-white to white pages. DC capitalized on the success of World's Finest by following it up with this square bound comic, a 96-pager headlined (as were all the early issues) by stars Green Lantern, Wonder Woman, and the Flash... and don't miss the other half of the wraparound cover, which shows the supporting cast, including Wildcat and the Ghost Patrol. The issue's artists include Sheldon Moldoff (drawing the Black Pirate), Sheldon Mayer (drawing the semiautobiographical "Scribbly" feature), E. E. Hibbard (drawing the Flash) and H. G. Peter (drawing Wonder Woman). CGC notes, "Very minor amount of glue on cover." Overstreet 2005 FN 6.0 value = $2,805. CGC census 11/05: 3 in 5.5, 7 higher.
Comic Cavalcade #6 Rockford pedigree (DC, 1944) CGC VF+ 8.5 Off-white pages. The worthy cause of recycling waste paper for war production got DC's full support here, and it answers the question of what happened to all of those copies of Comic Cavalcade! It would seem that of the surviving copies, none are better than this pedigree specimen, which tops CGC's census as of this writing. Green Lantern, Flash, and Wonder Woman are the headliners. Overstreet 2005 VF 8.0 value = $769; VF/NM 9.0 value = $1,185. CGC census 11/05: 1 in 8.5, none higher.
Comic Cavalcade #16 "D" Copy pedigree (DC, 1946) CGC NM- 9.2 Cream to off-white pages. This very attractive square bound comic stars the All-American "big guns," Wonder Woman, the Flash, and Green Lantern. E. E. Hibbard provided the circus-themed cover, while Martin Naydel and Paul Reinman handled art chores inside. Overstreet 2005 NM- 9.2 value = $1,200. CGC census 11/05: 1 in 9.2, 1 higher.
Comic Cavalcade #16 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Flash, Green Lantern, and Wonder Woman starred in this issue, which also has Mutt and Jeff, Hop Harrigan, and more. The issue's artists include E. E. Hibbard (cover) and H. G. Peter. Overstreet 2005 VF/NM 9.0 value = $888; NM- 9.2 value = $1,200. CGC census 11/05: 2 in 9.0, 2 higher.
Comic Cavalcade #21 (DC, 1947) CGC VF 8.0 Off-white pages. The Flash, Green Lantern, and Wonder Woman each appear in a separate story in this issue, but this big square bound comic still had room for Mutt and Jeff, Hop Harrigan, and a couple of other features to boot. The issue's artists include H.G. Peter and Paul Reinman. Overstreet 2005 VF 8.0 value = $544. CGC census 11/05: 1 in 8.0, 3 higher.
Comic Cavalcade Giveaway #nn "One Hundred Years of Co-Operation" (DC, 1944) CGC VF+ 8.5 Off-white to white pages. Here's one for the Golden Age DC collector who thought he had everything! This eight-page promotional comic has a story about co-ops (you big-city movers and shakers who don't know what a co-op is can ask anyone from a rural area) that's reprinted from Comic Cavalcade #9. The art appears to be the work of E. E. Hibbard. Overstreet 2005 VF 8.0 value = $425; VF/NM 9.0 value = $638. CGC census 11/05: 1 in 8.5, 2 higher.
Dale Evans Comics #9 Mile High pedigree (DC, 1950) CGC NM 9.4 Off-white to white pages. In addition to stories featuring the "Queen of the Westerns," this issue has a Sierra Smith backup feature with Alex Toth art. Overstreet 2005 NM- 9.2 value = $350. CGC census 11/05: 1 in 9.4, none higher.
Dale Evans Comics #10 Mile High pedigree (DC, 1950) CGC NM+ 9.6 Off-white to white pages. This is the only copy of this issue to be graded above 8.5 by CGC as of this writing. Alex Toth handled art chores on the Sierra Smith backup feature. Overstreet 2005 NM- 9.2 value = $350. CGC census 11/05: 1 in 9.6, none higher.
Danger Trail #1 (DC, 1950) CGC VF+ 8.5 Off-white pages. Only one copy of this issue has been graded higher by CGC to date, and that one's just a half-grade higher at 9.0. The characters in this mystery/intrigue title included King Faraday, who later starred in the "I -- Spy!" issues of Showcase. This book has a Carmine Infantino cover and Alex Toth interior art. Overstreet 2005 VF 8.0 value = $769; VF/NM 9.0 value = $1,185. CGC census 11/05: 2 in 8.5, 1 higher.
Date With Judy, A #2 Mile High pedigree (DC, 1947) CGC NM 9.4 White pages. Teenage cutie-pie Judy Foster's comic mis-adventures were loved by thousands during her heyday, which included a long run on radio from 1941 until 1950; a television series that aired from 1951 until 1953; and a big-budget 1948 MGM film starring Jane Powell and Elizabeth Taylor. DC's series outlived them all, running until 1960. This pretty Mile High copy of the second issue is unequaled in the current CGC census; in fact, this is the only copy listed! Two very small cracks along each edge, plus a slightly larger crack on the lower back are present on the CGC holder, none of which affects the sealed comic within. Overstreet 2005 NM- 9.2 value = $145. CGC census 11/05: 1 in 9.4, none higher.
Platinum Age (1897-1937)
Detective Comics #6 (DC, 1937) CGC Apparent NM- 9.2 Moderate (P) Off-white pages. This impressive copy is a great example of the potential benefits of professional restoration -- it's been returned to its 1937 form! This pre-superhero issue lived up to its title, with sleuths like Gumshoe Gus plying their trade. The cover is by Creig Flessel and showcases the series' early headliner, Speed Saunders. That character's story in the book was also drawn by Flessel. The other prominent creators involved were writer Jerry Siegel and artist Joe Shuster; the future Superman creators produced both the Slam Bradley tale here and the story featuring the Spy. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced, re-glossed. Overstreet 2005 GD 2.0 value = $688; VG 4.0 value = $1,376; FN 6.0 value = $2,064; VF 8.0 value = $3,440; VF/NM 9.0 value = $4,620; NM- 9.2 value = $5,800.
Golden Age (1938-1955)
Detective Comics #27 (DC, 1939) CGC Apparent FN 6.0 Slight (P) Off-white to white pages. This historic comic book needs little in the way of introduction, but let us remind you that the Caped Crusader himself, Bob Kane's Batman, made his debut within these very pages, and has of course been going strong ever since. Overstreet ranks this book number two on its "Top Golden Age Books" listing, right behind Action Comics #1 with its introduction of Superman. Few comics generate the kind of excitement this classic key issue creates; it's truly a thrill just to hold this slabbed book in one's hands (as this trembling cataloger can now testify). Yes, this copy carries with it the dreaded purple "Restored" label, but please allow us to point out that the work done was only minor; CGC notes, "Restoration includes spine splits sealed to cover, cover/centerfold reinforced." That's it -- no pieces added, no color touch. This copy, showing only moderate wear, retains plenty of great eye-appeal, and would make a proud addition to any collection. Overstreet 2005 GD 2.0 value = $31,500; VG 4.0 value = $63,000; FN 6.0 value = $94,500.
Detective Comics #28 (DC, 1939) CGC Apparent VF 8.0 Extensive (P) Off-white pages. Overstreet lists this issue, the second appearance of Batman, among the 50 most valuable Golden Age comic books. We actually see this issue less often than we see the famous #27! In the Caped Crusader's second appearance, the character is obviously still being developed: every mention of him calls him the "Bat-Man", quotation marks and all! Plus there's the fact that he doesn't even appear on Fred Guardineer's cover, which offers detective fare in the vein of the preceding issues. The book's interior artists include Guardineer (drawing the Speed Saunders story), Joe Shuster (once again collaborating with writer Jerry Siegel on both the Spy and Slam Bradley stories) and Jim Chambers (drawing the book's other superhero the Crimson Avenger). CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $1,765; VG 4.0 value = $3,530; FN 6.0 value = $5,295; VF 8.0 value = $13,400.
Detective Comics #29 (DC, 1939) CGC Apparent FN- 5.5 Slight (P) Cream pages. The second Batman cover appearance ever is on this issue, which has the third story appearance of the character. And while the Caped Crusader had faced forgettable foes up to this point, he met his first "name" villain here in the person of Dr. Death. Though Batman had earned top billing, he hadn't yet taken over the whole comic -- also appearing in this issue were the Crimson Avenger (with Jim Chambers art), Speed Saunders (with Fred Guardineer art), and Slam Bradley (in a story written by Jerry Siegel and drawn by Joe Shuster).Overstreet 2005 GD 2.0 value = $2,941; VG 4.0 value = $5,882; FN 6.0 value = $8,823.
Detective Comics #30 (DC, 1939) CGC Apparent VF/NM 9.0 Extensive (P) Off-white to white pages. A Fred Guardineer cover and classic Bob Kane splash page are highlights of this early Batman issue. A Dr. Death story concludes from the previous issue. CGC has certified just three unrestored copies nicer than VF 8.0 to date, and no restored copy with a higher "Apparent" grade than this. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, re-glossed." Overstreet 2005 GD 2.0 value = $710; VG 4.0 value = $1,420; FN 6.0 value = $2,130; VF 8.0 value = $4,970.
Detective Comics #31 (DC, 1939) CGC Apparent FN/VF 7.0 Extensive (P) White pages. With the exception of #27, this issue may have as many significant Batman "firsts" as most any other in the long run of the title that gave DC its name. The classic cover is by Bob Kane and Jerry Robinson. Inside are the first appearance of the Monk, Julie Madison (Bruce Wayne's first love interest), the Batplane and Batarang, and the first mention of the locale where Batman lives (then New York City). CGC notes, "Restoration includes: color touch, pieces added, pages/spine/staples reinforced." Overstreet 2005 GD 2.0 value = $2,941; VG 4.0 value = $5,882; FN 6.0 value = $8,823; VF 8.0 value = $22,000.
Detective Comics #33 (DC, 1939) CGC Apparent VF 8.0 Moderate (P) Cream to off-white pages. In the 800+ issue run, only issue #1 and issue #27 have higher Overstreet values. This benchmark book has the first told origin of Batman to go with the classic cover by Bob Kane and Jerry Robinson. He was an unkinder, ungentler Batman then - witness the gun holster, evident on the cover, while inside, a story ends with our hero holding a smoking gun. CGC notes, "Restoration includes: color touch, pieces added, spine/staples reinforced, cleaned." Overstreet 2005 GD 2.0 value = $3,825; VG 4.0 value = $7,650; FN 6.0 value = $11,475; VF 8.0 value = $29,000. CGC census 12/05: in 8.0, higher.
Detective Comics #36 (DC, 1940) CGC Apparent VF 8.0 Moderate (P) Cream to off-white pages. Each of the early Batman issues in the title seemed to be a key - in this one, there's the origin and first appearance of his first villain nemesis, Dr. Hugo Strange. Bob Kane cover and interior art are featured. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $774; VG 4.0 value = $1,548; FN 6.0 value = $2,322; VF 8.0 value = $5,418.
Detective Comics #37 (DC, 1940) CGC Apparent NM- 9.2 Moderate (P) Off-white pages. It's Batman's last adventure of the pre-sidekick era, as the Caped Crusader takes on a foreign agent. The many backup features include the Crimson Avenger, Speed Saunders, and Slam Bradley, as well as globetrotting adventurer Cliff Crosby, who made his first appearance in this issue. The book's artists include Bob Kane (with Jerry Robinson) on Batman and Fred Guardineer on Speed Saunders. CGC notes, "Restoration includes: color touch, pieces added, reinforced, re-glossed." Overstreet 2005 GD 2.0 value = $677; VG 4.0 value = $1,354; FN 6.0 value = $2,031; VF 8.0 value =$4,739; VF/NM 9.0 value = $7,620; NM- 9.2 value = $10,500.
Detective Comics #38 (DC, 1940) CGC FN/VF 7.0 Extensive (P) Off-white to white pages. The first sidekick in comics remains the best-known sidekick in comics! Of course, we're talking about Robin, who made his first appearance in this issue. It's a significant book by any measure, and we've always been intrigued by this observation by Overstreet: "For the first time in popular literature, an apprentice was accepted as an equal by his partner." This key issue is 13th on Overstreet's list of the most valuable comic books, and this professionally restored copy presents very well. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2005 GD 2.0 value = $3,525; VG 4.0 value = $7,050; FN 6.0 value = $10,575; VF 8.0 value = $26,600.
Detective Comics #39 (DC, 1940) CGC Apparent VF+ 8.5 Slight (P) Cream to off-white pages. Robin the Boy Wonder, who had first appeared in the previous issue, established a precedent here that many a sidekick would follow, namely being taken prisoner by bad guys. And the villains in question are opium smugglers, no less! Bob Kane and Jerry Robinson teamed up to draw the cover and the Batman story. Backup features include Slam Bradley, the Spy, Speed Saunders, and the Crimson Avenger. CGC notes, "Restoration includes: cleaned, spine splits sealed, cover staples reinforced." Overstreet 2005 GD 2.0 value = $581; VG 4.0 value = $1,162; FN 6.0 value = $1,743; VF 8.0 value = $4,067; VF/NM 9.0 value =$6,534.
Detective Comics #40 (DC, 1940) CGC Apparent FN- 5.5 Extensive (A) Cream to off-white pages. It's the first cover appearance of the Joker! And that's not all the villainy on hand, as Clayface, Batman's longtime foe, made his first appearance in this issue, which also tells the origin of that criminally insane former actor (what he really wants to do is direct). The issue also has seven more stories with the usual assortment of detectives and adventurers, plus superhero the Crimson Avenger. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2005 GD 2.0 value = $677; VG 4.0 value = $1,354; FN 6.0 value = $2,031.
Detective Comics #41 Larson pedigree (DC, 1940) CGC Apparent VF+ 8.5 Slight (P) Off-white pages. Three issues after his debut, Robin the Boy Wonder finally got his first solo story, enrolling at a boarding school to unravel a murder case (Batman does show up to lend a helping fist on the last couple of pages). In this early issue, the Dynamic Duo were still drawn by their creator Bob Kane (with help from Jerry Robinson), both on the cover and inside. Backup features include Speed Saunders (with Fred Guardineer art), Slam Bradley (scripted by Jerry Siegel), and the Crimson Avenger. This copy's from the famous Lamont Larson collection. CGC notes, "Restoration includes: staples reinforced, cover cleaned and pressed." Overstreet 2005 GD 2.0 value = $345; VG 4.0 value = $690; FN 6.0 value = $1,035; VF 8.0 value = $2,243.
Detective Comics #45 (DC, 1940) CGC FN/VF 7.0 Cream to off-white pages. The Joker made his Detective Comics debut in this issue, after previously tormenting the Caped Crusader only in the pages of Batman. Bob Kane, Jerry Robinson, and George Roussos teamed up on the art. The book also has seven other tales of crimefighting, most notably featuring the indefatigable Slam Bradley and Speed Saunders, who both made it 45 issues in a row. CGC notes, "Manufactured with extra set of staples." Overstreet 2005 FN 6.0 value = $1,035; VF 8.0 value = $2,243. CGC census 11/05: 4 in 7.0, 7 higher.
Detective Comics #45 (DC, 1940) CGC Apparent GD/VG 3.0 Slight (A) Off-white pages. The Joker makes his first Detective appearance in this issue, his third book and fourth story overall. Artists include Bob Kane with Jerry Robinson, Jack Lehti, and Howard Sherman. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2005 GD 2.0 value = $345; VG 4.0 value = $690.
Detective Comics #47 (DC, 1941) CGC FN 6.0 White pages. A Bob Kane cover leads on this issue, which has adventures of the Crimson Avenger, Slam Bradley, and of course Batman. In the lead story, the Dynamic Duo teaches a wealthy banker that "Money Can't Buy Happiness" (it, er, can buy this comic, though). Overstreet 2005 FN 6.0 value = $693. CGC census 11/05: 1 in 6.0, 4 higher.
Detective Comics #48 (DC, 1941) CGC VF- 7.5 Off-white pages. The term "Batmobile" was used for the first time in this issue! Believe it or not, the car was still a red roadster at this point, which only underlines what an early Bat-story this is. The obsessive Bat-fan will also want to note that while Gotham City had been mentioned in Batman before, its first Detective mention was in this issue. The art on Batman is a Bob Kane/Jerry Robinson/George Roussos team-up. And those artists also collaborated on the lead story inside the book. In addition to the Batman tale, there are backup features starring the usual assortment of shamuses, spies, and superheroes. Overstreet 2005 VF 8.0 value = $1,444. CGC census 12/05: 2 in 7.5, 4 higher.
Detective Comics #48 (DC, 1941) CGC FN 6.0 White pages. Batman's creator Bob Kane drew this issue's cover with the help of able assistants Jerry Robinson and George Roussos. And those artists also collaborated on the lead story inside the book. As for backup features, the usual Detective stalwarts (Slam Bradley, the Spy, Speed Saunders et al) are on hand. CGC notes, "Centerfold detached." Overstreet 2005 FN 6.0 value = $693. CGC census 11/05: 1 in 6.0, 7 higher.
Detective Comics #49 (DC, 1941) CGC VF- 7.5 White pages. Clayface made his last Golden Age appearance here, in an issue that also marks the end of Bruce Wayne's engagement to Julie Madison. Bob Kane and Jerry Robinson saw to both the cover and the interior art. While one copy of this issue has been graded higher by CGC to date, note that that one's just a half-grade higher at 8.0. Overstreet 2005 VF 8.0 value = $1,444. CGC census 11/05: 2 in 7.5, 1 higher.
Detective Comics #50 Nova Scotia pedigree (DC, 1941) CGC Qualified VF/NM 9.0 White pages. In this issue, Batman and Robin face the Three Devils, three former circus acrobats like Dick Grayson who (unlike Dick) used their skills for a life of crime. And Batman shows circus skills of his own with his tightrope act on the cover. Both the cover and interior art are by Bob Kane and Jerry Robinson. CGC notes, "Centerfold detached." Overstreet 2005 GD 2.0 value = $231; VG 4.0 value = $462; FN 6.0 value = $693; VF 8.0 value = $1,444; VF/NM 9.0 value = $2,222.
Detective Comics #63 (DC, 1942) CGC VF- 7.5 Off-white pages. It's the first and only appearance of Mr. Baffle, a jewel thief who matches wits with the Dynamic Duo. The issue's cover is by Fred Ray and Jerry Robinson. Backup features include Slam Bradley, the Crimson Avenger, Air Wave, and the last installment of the Cliff Crosby strip. Overstreet 2005 VF 8.0 value = $938. CGC census 11/05: 1 in 7.5, 4 higher.
Detective Comics #64 (DC, 1942) CGC VF- 7.5 Off-white to white pages. The first appearance of the Boy Commandos, drawn by Joe Simon and Jack Kirby, was a runaway hit, and the group got their own quarterly title within months (while continuing to appear in Detective). But of course we don't want to forget about Batman, who takes on the Joker in this issue. The dramatic cover is by Jerry Robinson. Overstreet 2005 VF 8.0 value = $2,509. CGC census 11/05: 1 in 7.5, 1 higher.
Detective Comics #65 (DC, 1942) CGC VF 8.0 White pages. The first cover appearance of the Boy Commandos is a collaboration of no less than four great artists -- Simon and Kirby on the kid group and Fred Ray and Jerry Robinson on Batman and Robin. And no copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 VF 8.0 value = $1,925. CGC census 11/05: 2 in 8.0, none higher.
Detective Comics #65 (DC, 1942) CGC FN/VF 7.0 Off-white to white pages. This "art-stravaganza" has no less than four pencil-pushers teaming up on a single cover, with Simon and Kirby drawing the Boy Commandos (the group's very first cover appearance!) and Fred Ray and Jerry Robinson drawing Batman and Robin. Overstreet 2005 FN 6.0 value = $900; VF 8.0 value = $1,925. CGC census 11/05: 3 in 7.0, 2 higher.
Detective Comics #66 (DC, 1942) CGC VF/NM 9.0 Off-white to white pages. Here's the highest-graded copy yet certified of a key issue in the annals of Batman villainy, the origin and first appearance of Two-Face. And as we never tire of reminding Bat-fans everywhere, Two-Face was originally district attorney Harvey Kent... it was only later that he became Harvey Dent, perhaps to make sure nobody thought he was related to Clark Kent. Two-Face's memorable look and his fixation on the number two made him one of the best Batman villains ever. The issue's cover and art are by Jerry Robinson. There's also a Boy Commandos adventure by Simon and Kirby. Overstreet 2005 VF/NM 9.0 value = $3,909; NM- 9.2 value = $5,400. CGC census 11/05: 1 in 9.0, none higher.
Detective Comics #78 (DC, 1943) CGC VF/NM 9.0 White pages. This copy's alone atop CGC's census as of this writing, and we don't need to tell you how tough black-cover issues are in grades like this! Artists Jack Burnley, Jerry Robinson, and George Roussos teamed up on this issue's "buy war bonds" cover. The Dynamic Duo also promote war bonds in a story (drawn by Jack Burnley) that has a Nazi spy ring trying to sabotage the heroes' efforts. Among the backup features is a Boy Commandos story with Jack Kirby art. Overstreet 2005 VF/NM 9.0 value = $1,110; NM- 9.2 value = $1,500. CGC census 11/05: 1 in 9.0, none higher.
Detective Comics #79 (DC, 1943) CGC FN 6.0 White pages. Jerry Robinson cover and art. Boy Commandos backup feature with Simon and Kirby art. Overstreet 2005 FN 6.0 value = $345. CGC census 11/05: 2 in 6.0, 4 higher.
Detective Comics #89 (DC, 1944) CGC VF+ 8.5 Off-white to white pages. Acclaimed Bat-artist Dick Sprang drew this issue's classy cover, which features the Cavalier of Crime. The Boy Commandos also appear, plus there's the last installment of the Crimson Avenger backup feature. Overstreet 2005 VF 8.0 value = $575; VF/NM 9.0 value = $888. CGC census 11/05: 3 in 8.5, 10 higher.
Detective Comics #96 (DC, 1945) CGC VG+ 4.5 Cream to off-white pages. Alfred becomes a private eye and uses a last name (Beagle) for the first time. Dick Sprang cover. Overstreet 2005 VG 4.0 value = $154. CGC census 11/05: 1 in 4.5, 16 higher. From the Aviator Collection.
Detective Comics #115 Double Cover (DC, 1946) CGC VF+ 8.5 Off-white pages. This issue's cover is a bit misleading, because in the story, the Dynamic Duo are trying to protect a glass house, not wreck it! Win Mortimer drew the cover as well as the Batman tale. Air Wave, Slam Bradley, and the Boy Commandos are the backup features, the latter with Curt Swan art. CGC notes, "1st cover 8.0, interior cover 8.5." Overstreet 2005 VF 8.0 value = $456; VF/NM 9.0 value = $703. CGC census 11/05: 1 in 8.5, 6 higher.
Detective Comics #118 (DC, 1946) CGC FN+ 6.5 Off-white pages. In this issue, the Crime Clown known as the Joker commits "royal flush"- themed crimes. Dick Sprang drew the Ace of Knaves on the cover, while Howard Sherman supplied interior art for the Batman story. Other features include the Boy Commandos (with Curt Swan art), Slam Bradley, and Air Wave. Overstreet 2005 FN 6.0 value = $300; VF 8.0 value = $625. CGC census 9/05: 3 in 6.5, 11 higher.
Detective Comics #124 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Ohh, that Joker! This Bob Kane/George Roussos cover ties into the story featuring the Madman of Mirth. His latest scheme is to base his crime for the day on the most requested song on that day's hit parade! The Boy Commandos and Air Wave are among the backup features. CGC notes, "Small stain on last 10 pages. Light tanning (on) interior front and back cover." Overstreet 2005 VF 8.0 value = $600. CGC census 11/05: 4 in 8.0, 2 higher.
Feature Films #3 Mile High pedigree (DC, 1950) CGC NM 9.4 White pages. Rugged John Payne and luscious Rhonda Fleming embrace on this cover photo from the motion picture "The Eagle and the Hawk." This was DC's short-lived second attempt to adapt movies to the comics (the first being Movie Comics from 1939). This beautiful copy is a star in its own right, and a pedigreed one to boot (from the legendary Edgar Church Mile High collection). Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 2 in 9.4, none higher.
Flash Comics #1 Mile High pedigree (DC, 1940) CGC NM+ 9.6 Off-white to white pages. One of the most important comic books of any age, Flash Comics #1 featured the origins and first appearances of the Flash, Hawkman, Shiera Sanders, the Whip, and Johnny Thunder. This milestone issue is currently ranked as the eighth most valuable comic book of all, its value appreciating more during 2004 than all but three of the Top 25 Golden Age Books. And this remarkable copy offers yet another example of the significance of Edgar Church's collection. To date, CGC has certified merely 13 unrestored copies, only two others grading above VG/FN 5.0, with just one of those exceeding FN+ 6.5. Sheldon Moldoff contributed cover and interior art. Along with the Pay Copy of Marvel Comics #1, this resides near the top of our auction highlights. Overstreet 2005 NM- 9.2 value = $110,000. CGC census 12/05: 1 in 9.6, none higher.
Flash Comics #8 (DC, 1940) CGC VF+ 8.5 Off-white to white pages. The new Flash logo is introduced on this issue with a dramatic cover by Sheldon Moldoff, who also provides interior art along with E. E. Hibbard, Stan Aschmeier, and Harry Lampert. Gerber's Photo-Journal Guide to Comic Books rates this issue as "uncommon," meaning only 50-200 copies are estimated to exist. This is also the highest grade for a copy of this issue certified by CGC to date. Overstreet 2005 VF 8.0 value = $1,925; VF/NM 9.0 value = $3,063. CGC census 12/05: 3 in 8.5, none higher.
Flash Comics #14 (DC, 1941) CGC VF+ 8.5 Off-white pages. Hawkman artist Sheldon Moldoff provided a rendition of the Flash on this great early World War II cover, dated ten months before the attack on Pearl Harbor brought America into the war. Inside is a full-page ad for All Star Comics #3, as well as art by E. E. Hibbard, Harry Lampert, and Moldoff. Only five unrestored copies of #14 are listed in CGC's current census report, and this one of the two in the top spot. Overstreet 2005 VF 8.0 value = $1,538; VF/NM 9.0 value = $2,369. CGC census 12/05: 2 in 8.5, none higher.
Flash Comics #30 Mile High pedigree (DC, 1942) CGC NM 9.4 White pages. Questions, questions... the Flash has plenty of 'em after exposure to "The Curiosity Ray" in this Golden Age beauty. Let's see -- fresh white pages, vibrant cover color and smooth, unbroken spine -- this must be from the legendary Edgar Church Mile High collection! No question about it! Overstreet 2005 NM- 9.2 value = $1,550. CGC census 10/05: 1 in 9.4, 1 higher.
Flash Comics #90 Ohio pedigree (DC, 1947) CGC FN 6.0 White pages. Imagine a baseball team composed entirely of the Fastest Men Alive -- that's our unusual cover scenario for this issue! Artists include Carmine Infantino and Joe Kubert. The brilliant cover colors pop right off the page's deep black background. CGC notes, "Very minor amount of color touch on cover." Overstreet 2005 FN 6.0 value = $369. CGC census 11/05: 2 in 6.0, 7 higher.
Flash Comics #103 (DC, 1949) CGC VF- 7.5 Off-white to white pages. "Scarce" is the term used by both Overstreet and Gerber for this second-to-last issue of the title, and that plus a fantastic cover make it a desirable package indeed. The day would come when Carmine Infantino would draw (or at least design) every cover that DC published; here the artist gave comicdom an early taste of his flair for the spectacular when it came to covers. Infantino also drew both the Flash and the Black Canary features in the book's interior; Joe Kubert handled art chores on the Hawkman story. Overstreet 2005 VF 8.0 value = $1,892. CGC census 12/05: 1 in 7.5, 1 higher.
Fox and the Crow #1 (DC, 1951) CGC VF- 7.5 Off-white to white pages. DC issues from the early 1950s are generally tough finds in high grade, and DC "funny" books seem even tougher to acquire. This is just about as nice a copy as you'll find; CGC's census currently lists just one copy with a higher grade. The inside cover has an ad for Flippity and Flop #1. Overstreet 2005 VF 8.0 value = $700. CGC census 12/05: 2 in 7.5, 1 higher.
Funny Folks #1 Carson City pedigree (DC, 1946) CGC NM+ 9.6 Off-white pages. Funny Folks was one of DC's earliest funny animal titles, which made it a great place for Nutsy the Squirrel to make his first appearance in this issue, complete with art by Rube Grossman. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 2 in 9.6, none higher.
Gang Busters #1 Carson City pedigree (DC, 1947) CGC VF/NM 9.0 White pages. First a radio show, eventually a TV show, the first comic book came out in between the premieres in the other two media. The title ran an impressive 11 years, overshadowed by virtually every other DC title, even though the writing and art rivaled its sister titles. The first issue featured art by George Roussos. CGC has certified only one nicer copy to date. Overstreet 2005 VF/NM 9.0 value = $853; NM- 9.2 value = $1,150. CGC census 12/05: 1 in 9.0, 1 higher.
Green Lantern #1 (DC, 1941) CGC VF- 7.5 Cream to off-white pages. After starring in All-American Comics for a year, Green Lantern was given his own series starting with this issue, which is currently ranked among the 20 most valuable comic books by Overstreet. It seems there might not be any top-grade copies of this book -- the highest-graded in CGC's census is only a 9.0, putting this one among the top handful available. The issue has a Howard Purcell cover, with interior art by the character's creator, Mart Nodell. Overstreet 2005 VF 8.0 value = $23,800. CGC census 110/05: 2 in 7.5, 5 higher.
Green Lantern #4 (DC, 1942) CGC FN+ 6.5 White pages. Like most early issues of the Golden Age GL, nice copies are hard to come by. At FN+ 6.5, our offering surprisingly is bested by just four others in CGC's current census, only two of which are better than VF- 7.5. Green Lantern and Doiby Dickles joined the Army in this issue. The book has an Irwin Hasen cover and Martin Nodell interior art. Overstreet 2005 FN 6.0 value = $1,200; VF 8.0 value = $2,600. CGC census 11/05: 3 in 6.5, 4 higher.
Green Lantern #8 (DC, 1943) CGC VG/FN 5.0 Off-white pages. This issue's cover earned Overstreet's "classic" designation; it's a collaboration of Sheldon Mayer (who drew the comical part featuring Doiby Dickles) and Howard Purcell (who drew the title character). Inside the issue, GL's old All-American Comics co-star Hop Harrigan makes his debut in this title, in a feature that would only last for a few issues. Mutt and Jeff round out the lineup. The art on GL is by his creator Mart Nodell. Overstreet 2005 VG 4.0 value = $462; FN 6.0 value = $693. CGC census 11/05: 1 in 5.0, 5 higher.
Green Lantern #9 (DC, 1943) CGC VF 8.0 Off-white to white pages. Only one copy of this issue has been graded higher by CGC to date! Unlike his Silver Age successor, the original Green Lantern, Alan Scott, liked to use his fists when he could (Doiby Dickles, not having super powers, opts for a blunt instrument) -- check it out on Sheldon Moldoff's cover. Inside the comic are multiple GL features, most by the hero's creator Martin Nodell. There's also some levity courtesy of Mutt and Jeff. Overstreet 2005 VF 8.0 value = $1,250. CGC census 11/05: 2 in 8.0, 1 higher.
Green Lantern #17 (DC, 1945) CGC VF- 7.5 Off-white to white pages. Only one copy has topped this issue in CGC's current census. This issue has a Paul Reinman cover and interior art by Martin Nodell. There's also a Mutt and Jeff feature drawn by Bud Fisher. Overstreet 2005 VF 8.0 value = $844. CGC census 11/05: 1 in 7.5, 1 higher.
Green Lantern #20 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. This nice, clean copy is topped by only one other in CGC's census as of this writing. There's a neat little gag on Paul Reinman's cover in that the boat is named "Goitrude II" -- you might recall that Doiby Dickles is a cabdriver by trade, and that "Goitrude" is the name of his beloved taxi. Inside the comic, there's an appearance by the Gambler, who obviously doesn't know when to fold 'em, because he takes another crack at GL. Overstreet 2005 VF/NM 9.0 value = $1,297; NM- 9.2 value = $1,750. CGC census 11/05: 1 in 9.0, 1 higher.
Green Lantern #26 (DC, 1947) CGC VF+ 8.5 Off-white pages. Very nice colors and page quality make this an attractive buy. This issue's got an Irwin Hasen cover and Howard Purcell art. Overstreet 2005 VF 8.0 value = $744; VF/NM 9.0 value = $1,147. CGC census 11/05: 2 in 8.5, 3 higher.
Green Lantern #37 (DC, 1949) CGC VF 8.0 Cream to off-white pages. While #37 isn't generally dubbed a "rare" issue, this is the only copy that CGC has certified to date, and the first we've ever offered here at Heritage. Alex Toth drew this issue's "Streak the Wonder Dog" feature (yes, Streak is Alan Scott's dog!). The cover sports the odd logo that was used for the last few issues of the title, and there's impressive cover art by Irwin Hasen. Overstreet 2005 VF 8.0 value = $781. CGC census 11/05: 1 in 8.0, none higher.
Green Lantern #38 (DC, 1949) CGC NM+ 9.6 Off-white pages. The Golden Age of DC superheroes came crashing down with this final issue of Green Lantern (cover-starring GL's trusty canine sidekick, Streak the Wonder Dog), published in the summer of 1949. This is always a tough issue to find; although Gerber gives it just a "less common than average" notation (200-1,000 copies estimated to exist), only two copies have been graded by CGC to date. This incredibly fresh-looking example is far and away the better of the two, with the second copy coming in at a mere VG+ 4.5. Overstreet 2005 NM- 9.2 value = $1,625. CGC census 11/05: 1 in 9.6, none higher.
Jimmy Wakely #1 (DC, 1949) CGC VF 8.0 Off-white to white pages. This issue's title character benefited from Alex Toth art, while backup feature "Kit Colby, Girl Sheriff" has the work of Carmine Infantino. Overstreet 2005 VF 8.0 value = $700. CGC census 10/05:1 in 8.0, 1 higher.
Jimmy Wakely #2 Mile High pedigree (DC, 1949) CGC NM 9.4 White pages. Alex Toth handled art chores on multiple features for this issue. No copy has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $1,450. CGC census 11/05: 2 in 9.4, none higher.
Leading Comics #1 Rockford pedigree (DC, 1941) CGC VF/NM 9.0 Cream to off-white pages. This series, featuring the Seven Soldiers of Victory, has attracted renewed interest lately, thanks to the present-day comic book series Seven Soldiers hitting comic shops. If you're new to Leading Comics, you may well be wondering why the Seven Soldiers of Victory are depicted as a group of six on the cover, and the blurb bills them as "five favorite features." Well, not to add to the confusion, but there's actually eight group members -- five main heroes and their three sidekicks, with Stripesy not appearing on the cover and Wing (the Crimson Avenger's sidekick) neither on the cover nor counted in the total. At any rate, only one copy of this hero-laden issue has been graded higher than this pedigree specimen. Note that the CGC slab has a 2-inch crack at the top rear. Overstreet 2005 VF/NM 9.0 value = $5,228; NM- 9.2 value = $7,200. CGC census 11/05: 2 in 9.0, 1 higher.
Leading Comics #1 (DC, 1941) CGC FN/VF 7.0 White pages. The Seven Soldiers of Victory -- the Green Arrow, Speedy, Crimson Avenger, Vigilante, Silent Knight, and the Star-Spangled Kid and Stripesy -- debuted in this issue of the all-star DC series, designed to highlight its second-tier stars. Often undervalued by Overstreet, it is one of the cheapest DC golden-age keys. Overstreet 2005 FN 6.0 value = $1,395; VF 8.0 value = $3,255. CGC census 12/05: 1 in 7.0, 6 higher.
Leading Comics #8 Double Cover (DC, 1943) CGC NM+ 9.6 Cream to off-white pages. Who's that Charlie McCarthy lookalike sending the Seven Soldiers of Victory back in time? It's the Dummy, who wasn't a puppet come to life but a small (and evil) man who looked like a puppet. The issue has a Jon Smalle cover and Joe Kubert interior art. CGC notes, "1st cover 9.0, interior cover 9.6." Overstreet 2005 NM- 9.2 value = $1,025. CGC census 11/05: 3 in 9.6, none higher.
Leading Comics #13 (DC, 1944) CGC VF 8.0 Off-white pages. "Classic robot cover," says Overstreet about this Louis Cazeneuve effort. The artist's brother, Arturo Cazeneuve, handled interior art chores on this tale of the Seven Soldiers of Victory (aka Law's Legionnaires). Only two copies of this white-cover issue have been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $613. CGC census 11/05: 1 in 8.0, 2 higher.
Miss Beverly Hills of Hollywood #3 Mile High pedigree (DC, 1949) CGC NM/MT 9.8 White pages. Here's a dynamite copy of a comic you'd be hard-pressed to find in any condition. The unusual partial photo cover is an attention-grabber -- the featured stars in this issue are John Payne, star of "El Paso," as well as John Lund (perhaps best remembered as the fiance from "High Society") whose new release at the time was the costume drama "Bride of Vengeance." Overstreet 2005 NM- 9.2 value = $465. CGC census 11/05: 1 in 9.8, none higher.
More Fun Comics #52 Larson pedigree (DC, 1940) CGC NM- 9.2 Off-white to white pages. This comic is so sought-after that any unrestored copy in even decent condition brings a hefty sum at auction, and the few such specimens we had seen to date are all easily topped by this pedigreed NM- jaw-dropper. Not only is it tied for the highest grade CGC has assigned to date, it's one of only five unrestored copies graded above FR 1.0! No wonder Gerber's Photo-Journal gave this issue a scarcity rating of "8," or "rare." What earned the book a spot among the ten most valuable comics in Overstreet's ranking is the origin and first appearance of the Spectre, which brought a whole new direction to the anthology title that was DC's first comic book series. The Spectre was an ideal complement to other stars of the DC line -- as Overstreet put it, "This frightening ethereal hero... gave DC an exciting alternative to their swelling ranks of wondermen." The Spectre tale was written by the co-creator of one of those wondermen, Jerry Siegel, and drawn by Bernard Baily. The eerie, ultra-powerful Spectre, in addition to starring in this series, was so popular that he was made a charter member of the Justice Society in All-Star Comics. He went on to have his own title in the 1960s, a memorable run in Adventure Comics in the 1970s, and his own series in the 1980s and once more in the 1990s! This debut appearance was the only time that the Spectre wore a bluish-gray cape -- it was changed to the familiar green shortly thereafter. This copy is from the collection of a comic-loving Nebraska youngster named Lamont Larson. The hoard he assembled way back when has gained no small amount of recognition thanks to having many major key books in high grade. Most copies have the collector's first or last name written on the cover, but the "Lamont" here is very unobtrusive, visible only upon close inspection. This comic's significance, grade, and pedigree rank it among the finest comic books we've ever offered here at Heritage. CGC notes, "Very minor amount of glue on spine of cover." Overstreet 2005 NM- 9.2 value = $90,000. CGC census 11/05: 2 in 9.2, none higher.
More Fun Comics #53 Larson pedigree (DC, 1940) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. The second appearance of the Spectre is almost as hotly desired as his first outing -- this comic's ranked in the top 25 of Overstreet's ranking of the most valuable comics. The fact that the slight professional restoration is limited to a bit of glue on the spine demonstrates that this is truly a well-preserved specimen. This issue has part two of the Spectre's origin story, drawn by Bernard Baily and written by Jerry Siegel. It's also the first time the Spectre's now-familiar green costume was seen, as he sported a blue cape when he debuted in #52. The book's scarcity is also worthy of note -- it's a Gerber "8." CGC notes, "Restoration includes: small amount of glue on spine of cover." Overstreet 2005 GD 2.0 value =$2,575; VG 4.0 value =$5,150; FN 6.0 value = $7,725; VF 8.0 value = $18,400; VF/NM 9.0 value = $32,200; NM- 9.2 value = $46,000.
More Fun Comics #73 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. Overstreet and Gerber agree this is a "scarce" issue - and Edgar Church ensured that this particular copy is unique! The issue also just happens to be one of the most key in a run that's riddled with key Golden Age issues. Best known for the origin and first appearance of Aquaman, #73 also features the first appearances of Green Arrow and Speedy. We have offered an unrestored copy in our auctions on just two previous occasions. The breathtaking copy from the Mile High collection is - no surprise here! - the finest known copy and one of the premier offerings in this auction. Howard Sherman provided the cover art and contributed story art, as did Bernard Baily, George Papp, and Paul Norris. CGC notes, "Very minor amount of color touch on cover. Very minor amount of glue on cover." Overstreet 2005 NM- 9.2 value = $20,000. CGC census 12/05: 1 in 9.4, none higher.
More Fun Comics #73 (DC, 1941) CGC VF 8.0 Off-white pages. Aquaman and Green Arrow both made their first appearances in this key issue, as did the Emerald Archer's sidekick Speedy! The fact that Aquaman has gotten some mainstream publicity lately by appearing in the "Smallville" TV show can only boost the demand for this first appearance (which was drawn by Paul Norris, by the way). As for the Emerald Archer, this first story, drawn by George Papp, has all of the key elements of the character still seen today, but also a few oddities like his catapult-equipped car, the Arrowplane. Both of the aforementioned stories were written by Mort Weisinger. The rest of the star-studded lineup includes Doctor Fate (the star of the book at the time), Johnny Quick, and the Spectre, the latter drawn by Bernard Baily. Overstreet 2005 VF 8.0 value = $8,820. CGC census 11/05: 1 in 8.0, 2 higher.
More Fun Comics #83 (DC, 1942) CGC VF- 7.5 White pages. George Papp is credited with this issue's underwater cover. Green Arrow and Speedy are joined in the issue by Aquaman, Johnny Quick, Doctor Fate, and of course the Spectre. Overstreet 2005 VF 8.0 value = $831. CGC census 11/05: 1 in 7.5, 2 higher.
More Fun Comics #101 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. The first appearance of Superboy has given this issue "key" status in anyone's book. It's especially important because most of the story revealed new details of Superboy's origin (and therefore Superman's as well). It's interesting to note that Superboy didn't get a cover mention, while the comic relief duo Dover and Clover are billed on the cover but don't appear inside! That leads us to speculate that the Superboy feature was a last-minute addition here, most likely originally planned for another title. And there's also a bit of controversy about who drew this first story -- Overstreet says the story art isn't by Joe Shuster, while the recent book Men of Tomorrow says it is. Also noteworthy about this issue is that the Spectre makes his final appearance of the series after being the star of the book for nearly 50 issues. He's drawn by Bernard Baily as ever. Green Arrow, Johnny Quick (with Mort Meskin art), and Aquaman also appear. The cover, featuring Green Arrow, is by Cliff Young. CGC notes, "Slight foxing on pages." Overstreet 2005 VF 8.0 value = $5,873; VF/NM 9.0 value = $9,437. CGC census 11/05: 2 in 8.5, 2 higher.
Mr. District Attorney #1 (DC, 1948) CGC VF- 7.5 Cream to off-white pages. Here's the first issue of DC's comic book series based on NBC's hit radio show of the same name. CGC notes, "Very minor amount of color touch on cover." Overstreet 2005 VF 8.0 value = $625. CGC census 11/05: 1 in 7.5, 1 higher.
Mr. District Attorney #1 (DC, 1948) CGC FN+ 6.5 Cream to off-white pages. This first issue kicked off an eleven-year run for the title. Overstreet 2005 FN 6.0 value = $300; VF 8.0 value = $625. CGC census 11/05: 1 in 6.5, 3 higher.
New Adventure Comics #19 (DC, 1937) CGC VF 8.0 Cream to off-white pages. This issue, also known as V2#7, is from only the second series DC ever published (it began as New Comics and would run for hundreds of issues as Adventure Comics). The cute cover scene is by Creig Flessel. Also of note is that a pre-Superman Jerry Siegel and Joe Shuster contributed a story starring the crime-busting Federal Men. This comic received Gerber's "rare" designation. Overstreet 2005 VF 8.0 value = $1,958. CGC census 11/05: 2 in 8.0, 1 higher.
Platinum Age (1897-1937)
New Adventure Comics #21 Mile High pedigree (DC, 1937) CGC NM 9.4 White pages. Just look at the condition and page quality of this book! And no other known copies share those traits -- this is the only copy graded above FN+ 6.5 by CGC to date. The issue, also known as V2#9, has a Creig Flessel cover, and the inside has a combination of gag features and adventure yarns. Of note are a tale of the Federal Men by Jerry Siegel and Joe Shuster as well as an adaptation of H. Rider Haggard's "She." CGC notes, "From the collection of Nicolas Cage." Overstreet 2005 NM- 9.2 value = $3,000. CGC census 11/05: 1 in 9.4, none higher.
Golden Age (1938-1955)
New Adventure Comics #29 Mile High pedigree (DC, 1938) CGC NM+ 9.6 Off-white to white pages. An issue this early in such a high grade is amazing indeed -- the runner-up in CGC's census as of this writing is a VG/FN 5.0. Some of the biggest names of DC's early days contributed: Creig Flessel (cover art), Bob Kane (gag features) and Jerry Siegel and Joe Shuster (the "Federal Men" story). The issue is a Gerber "7." CGC notes, "From the collection of Nicolas Cage." Overstreet 2005 NM- 9.2 value = $2,500. CGC census 11/05: 1 in 9.6, none higher.
New Adventure Comics #31 Mile High pedigree (DC, 1938) CGC NM+ 9.6 Off-white to white pages. This was the last issue before the name change to Adventure Comics, a name that stuck for the next 45 years! Our offering is the only copy graded above 5.5 by CGC as of this writing. The issue has a Creig Flessel cover and interior art by no less than Joe Shuster (illustrating a Jerry Siegel story) and Bob Kane. CGC notes, "4 siamese pages" and "From the collection of Nicolas Cage." Overstreet 2005 NM- 9.2 value = $2,500. CGC census 11/05: 1 in 9.6, none higher.
New Book of Comics #2 (DC, 1938) CGC VG- 3.5 Light tan to off-white pages. This early DC annual is a Gerber "8," and the first copy of the issue we've seen in quite a while. It's amazing how heavy the slab is -- back in '38, kids got a ton of content for the price of one thin dime! The insides reprint More Fun Comics #15 and 16, which among many other features included some Dr. Occult stories by Jerry Siegel and Joe Shuster in which the character wore a superhero costume, leading to the designation of these stories as a "Superman prototype." Siegel and Shuster also wrote and drew the "Calling All Cars" feature, which continued for many an issue of More Fun under the name Radio Squad. CGC notes, "Large piece out on 36th and 37th page, affects story." Overstreet 2005 VG 4.0 value = $2,000. CGC census 11/05: 1 in 3.5, 6 higher.
Platinum Age (1897-1937)
New Fun Comics #1 (DC, 1935) Condition: Apparent VG. This is the first DC comic book, and it's a milestone by any standard. It's "the prototype of the modern comic in that it featured an anthology format of continuing characters and original rather than reprinted material," as Overstreet once put it. This oversized comic measures 10 1/2 by 15 inches (being the first tabloid-sized comic is another distinction that it holds). This first issue is actually simply called New Fun: The Big Comic Magazine, and it started a series which became More Fun Comics. It was the brainchild of a former pulp writer named Major Malcolm Wheeler-Nicholson, who saw the success of Eastern Color's Famous Funnies, which was an all-reprint affair, and reasoned that all-new material in a larger format could top the competition. There's the first comic book appearance of Oswald the Rabbit (later seen in Dell's Four Color series) and the debut of Barry O'Neill (who was later a regular in Adventure Comics). Some of the other features have a marked similarity to established characters of the day, such as the Flash Gordon-esque "Don Drake on the Planet Saro" and a Jack Armstrong ripoff called "Jack Andrews, All-American Boy." This all black-and-white issue has more than just comics -- there are text features covering sports, airplanes, model-building, and radio and movies, and there are photos of cowboy stars Johnny Mack Brown and Tim McCoy, plus a group photo of the Buck Rogers radio actors. Incidentally, this is also one of the first modern comic books to have ads, and wouldn't you know it, one of them is a Charles Atlas ad! This issue is currently #23 in Overstreet's ranking of the most valuable comics, which is even more impressive considering that Overstreet doesn't list a NM- or even a VF/NM value for the issue. Since this issue's got lots of coupons and a number of cut-out features meant for kids to use their scissors on, there can't be many other complete copies in existence of this rarity, a Gerber "8". This copy has a spine split unobtrusively sealed with tape on the interior along the entire length of the spine. The centerfold is detached, and there is some slight rust migration at the top staple. Overstreet 2005 GD 2.0 value = $6,650; VG 4.0 value = $13,300.
New Fun Comics #1 (DC, 1935) Condition: PR. This is a complete copy of the first DC comic book! It's the first issue of the series that became More Fun Comics, and it's ranked among the 25 most valuable comic books by Overstreet despite the fact that Overstreet doesn't list NM- or VF/NM values for the issue. While we're all particular about condition, a Gerber "8" with this much historical significance is a comic that's impossible to ignore! This copy's cover is detached and split, and the pages are brittle. There's a one-inch tear through the bottom of the whole comic. Included with this lot is a letter from a restoration expert to a previous owner, detailing the possible restoration measures that could conceivably be taken in the future. Overstreet 2005 GD 2.0 value = $6,650.
Golden Age (1938-1955)
New York World's Fair Comics 1939 (DC, 1939) CGC FN+ 6.5 Cream to off-white pages. Not only does this square bound giant have the first appearance of the Sandman, it has been called "the first newsstand comic with a commercial tie-in." And of course, the format is the direct predecessor of the successful World's Finest Comics. It's listed at number 36 in Overstreet's ranking of the most valuable Golden Age books. The book's stories were set at the World's Fair; and the crimefighting fairgoers included the aforementioned Sandman as well as Superman (he's the blond guy on the cover!), plus gumshoe Slam Bradley (written and drawn by Jerry Siegel and Joe Shuster, as was the Superman feature) and Zatara the Magician (drawn by Fred Guardineer). The roster of artists also included Bob Kane (drawing humor material), Creig Flessel, and Sheldon Moldoff. The cover was a team effort between Vincent Sullivan and Fred Guardineer. Overstreet 2005 FN 6.0 value = $6,300; VF 8.0 value = $14,700. CGC census 11/05: 1 in 6.5, 3 higher.
New York World's Fair Comics 1939 (DC, 1939) CGC FN 6.0 Cream to off-white pages. This copy has a 15-cent sticker over the original 25-cent price. That's because this is one of the few comics to ever have its price lowered -- apparently, kids (or rather parents) just weren't willing to pay a quarter when all other comics cost a dime, despite the fact that two bits bought 96 pages of comics! This book is significant as the first appearance of the Sandman as well as for being the prototype of the later World's Finest Comics series. Also appearing are Superman (never mind his blond hair on the cover), detective Slam Bradley (written and drawn by Jerry Siegel and Joe Shuster, as was the Superman feature) and more. Bob Kane (drawing gag features), Creig Flessel, and Sheldon Moldoff are among the issue's artists. The cover was a team effort between Vincent Sullivan and Fred Guardineer. By the way, Overstreet calls our attention to an amazing aspect of the price cut mentioned above: "...everyone (who) sent a quarter through the mail for it received a free copy of Superman #1 or 2 to make up the dime difference." Overstreet 2005 FN 6.0 value = $6,300. CGC census 11/05: 1 in 6.0, 4 higher.
New York World's Fair Comics 1940 (DC, 1940) CGC VF+ 8.5 Cream to of-white pages. This is the only copy of this valuable issue graded above 7.0 by CGC to date, and the issue may not exist in VF/NM or above. The book is ranked among the 100 most valuable Golden Age comic books. This issue's cover was the first time Superman, Batman, and Robin all appeared together in one scene, and according to cover artist Jack Burnley, it's the first time those characters were ever drawn by somebody other than their creators! It's also the first published comic book work by Burnley. In addition to Superman and Batman (appearing in separate stories), this issue featured the Sandman, Johnny Thunder, the Hourman, Slam Bradley, and more. Overstreet 2005 VF 8.0 value = $7,895; VF/NM 9.0 value = $16,800. CGC census 11/05: 1 in 8.5, none higher.
New York World's Fair Comics 1940 (DC, 1940) CGC FN/VF 7.0 Cream pages. This square bound souvenir comic book was originally sold at the New York World's Fair in 1940. The cover has the distinction of depicting DC's best selling heroes, Superman and Batman, together for the first time. Jack Burnley drew this historic cover (his first). Other artists include Harry Lampert, Creig Flessel, Howard Sherman, Bernard Baily, and Bob Kane. This comic is listed as #90 in Overstreet's list of Top Golden Age Books. Overstreet 2005 FN 6.0 value = $3,384; VF 8.0 value = $7,895. CGC census 11/05: 3 in 7.0, 2 higher.
New York World's Fair Comics 1940 (DC, 1940) CGC VG+ 4.5 Off-white pages. Here's an important early DC square bound comic starring Superman and Batman, in a format that would eventually become World's Finest Comics. This key issue is considered one of the top 100 Golden Age comics by Overstreet. This copy is sound and attractive for its grade, despite some writing in ink on the front cover. Artists include Jack Burnley and Bob Kane. Overstreet 2005 VG 4.0 value = $2,256. CGC census 11/05: 7 in 4.5, 15 higher.
Our Fighting Forces #1 (DC, 1954) CGC FN+ 6.5 Cream to off-white pages. This is the first time we had ever seen this first issue of one of the "big five" DC war titles, a book that remained in publication for almost a quarter of a century. And this is one of the best copies yet certified -- the only two above it on CGC's census as of this writing are just half a notch higher at 7.0. Jerry Grandenetti drew the cover and the lead story, and there's also interior art by Irv Novick, Arthur Peddy, and George Papp. Overstreet 2005 FN 6.0 value = $276; VF 8.0 value = $782. CGC census 12/05: 1 in 6.5, 2 higher.
Picture Stories from the Bible New Testament Edition #2 Gaines File pedigree (DC, 1946) CGC NM 9.4 Off-white pages. While the CGC slab calls this book an EC, it's more properly termed a DC, as it bears the logo of DC's sister company All-American Comics. Of course, M. C. Gaines, pioneer of educational comics, was behind both companies! No copy of the issue has been graded higher by CGC to date. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $200. CGC census 11/05: 4 in 9.4, none higher.
Picture Stories from the Bible Old Testament Edition #2 Gaines File pedigree 4/12 (DC, 1942) CGC NM 9.4 Off-white to white pages. The unusual situation of having a Gaines File Copy of a DC comic comes into play here. Don Cameron provided cover and interior art for the issue. Overstreet 2005 NM- 9.2 value = $270. CGC census 11/05: 2 in 9.4, none higher.
Picture Stories from the Bible Old Testament Edition #3 Gaines File pedigree (DC, 1943) CGC NM/MT 9.8 Off-white to white pages. A 9.8 copy of a Golden Age comic is always a thrill -- this copy's flawless. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $270. CGC census 11/05: 2 in 9.8, none higher.
Picture Stories from the Bible Old Testament Edition #3 Gaines File pedigree (DC, 1943) CGC NM+ 9.6 Off-white to white pages. The fact that Genesis is covered in issue #3 shows that these issues skipped around a bit chronologically, something that was rectified when they were rearranged for collected editions. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $270. CGC census 11/05: 3 in 9.6, 2 higher.
Real Fact Comics #3 "D" Copy pedigree (DC, 1946) CGC NM 9.4 Off-white pages. According to Overstreet, this book has the first letter column in a DC comic! Fandom would never be the same. It also has features on H. G. Wells and Lon Chaney. Overstreet 2005 NM- 9.2 value = $400. CGC census 11/05: 1 in 9.4, 1 higher.
Real Fact Comics #4 "D" Copy pedigree (DC, 1946) CGC NM 9.4 Off-white to white pages. Actor Jimmy Stewart, writer Jack London, and the radio game show "Truth Or Consequences" are among the topics covered in this issue. Artists Virgil Finlay and George Roussos both contributed to the issue.Overstreet 2005 NM- 9.2 value = $450. CGC census 11/05: 1 in 9.4, 1 higher.
Real Fact Comics #5 (DC, 1946) CGC NM 9.4 White pages. This is the highest grade yet assigned for this comic. Issue #5 is the most sought-after book of the series because it includes a story about the creation of Batman and Robin (the title didn't have superhero fare otherwise). Tom Mix appears in one of the book's other features. Overstreet 2005 NM- 9.2 value = $2,400. CGC census 11/05: 2 in 9.4, none higher.
Real Fact Comics #11 Mile High pedigree (DC, 1947) CGC VF+ 8.5 White pages. Annie Oakley and FBI features. Everett Raymond Kinstler art. Overstreet 2005 VF 8.0 value = $89; VF/NM 9.0 value = $127. CGC census 11/05: 3 in 8.5, none higher.
Sensation Comics #1 (DC, 1942) CGC Apparent NM 9.4 Slight (P) Off-white pages. You probably won't find a nicer-looking copy of this key issue. This copy's immaculate appearance did get a helping hand from a bit of professional restoration, but it's a fact that unrestored copies of this book invariably have the cover whites marred by a dust shadow or other discoloration, so this may be the copy that most closely approximates the way the book looked when it first graced newsstands in 1942. The issue, listed among the 30 most valuable comics by Overstreet, has the second appearance of Wonder Woman, published just one month after the character was first seen in All Star Comics #8. Part Two of Wonder Woman's origin is told for the first time in this comic, with Princess Diana arriving in America. It's also the first time her "Diana Prince" secret identity is used, and we see how she came by that alias. While Wonder Woman was the undisputed star of the issue, a few other DC heroes of note made their debuts: Mr. Terrific, Wildcat, Little Boy Blue and the Blue Boys, and Shelly Moldoff's Black Pirate. The famous cover is the work of Jon Blummer. CGC notes, "Restoration includes: cover cleaned and pressed." Overstreet 2005 GD 2.0 value = $2,575; VG 4.0 value =$5,150; FN 6.0 value = $7,725; VF 8.0 value = $19,400; VF/NM 9.0 value = $31,700; NM- 9.2 value = $44,000.
Sensation Comics #1 (DC, 1942) CGC FN- 5.5 Off-white to white pages. This issue's listed among the 30 most valuable comics by Overstreet thanks to the second appearance of the number one superheroine in comics, Wonder Woman. The issue came out just one month after the character was first seen in All Star Comics #8, and this can be said to be Part Two of Wonder Woman's origin, as it shows her arriving in America for the first time and also introduces her "Diana Prince" secret identity. The story is by the creative team that defined the character in the Golden Age, namely writer William Moulton Marston and artist H. G. Peter. Making their first appearances in this issue were Mr. Terrific and Wildcat, both of whom have had stints with the Justice Society over the years) as well as Little Boy Blue and the Blue Boys, three kid pals who don costumes. There's also the Black Pirate feature by Sheldon Moldoff, which Moldoff reportedly called his personal favorite of the features he drew. The famous cover is the work of Jon Blummer. Overstreet 2005 FN 6.0 value = $7,725. CGC census 8/05: 2 in 5.5, 7 higher.
Sensation Comics #40 "D" Copy pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. This "D" copy is the only 9.4, and highest-graded copy overall, that CGC has certified as of this writing. Making her first appearance is Countess Drashka Nishki, and if from hearing the name you guessed that she's as beautiful as she is deadly, you know your comic books! She would reappear in further Golden Age tales, then again in the Silver Age. The issue's cover and art are by H.G. Peter. Overstreet 2005 NM- 9.2 value = $650. CGC census 11/05: 1 in 9.4, none higher.
Sensation Comics #41 Diamond Run pedigree (DC, 1945) CGC VF+ 8.5 Off-white pages. In the issue, Wonder Woman takes on a deranged botanist and his octopus plants. To date, only one copy of this issue has been graded higher by CGC. Overstreet 2005 VF 8.0 value = $293; VF/NM 9.0 value = $447. CGC census 11/05: 3 in 8.5, 1 higher.
Sensation Comics #53 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. No copy of this issue has been graded higher by CGC to date. Wonder Woman is joined by the usual array of backup features, including Mr. Terrific, Wildcat, and Little Boy Blue. The cover is by H. G. Peter. Overstreet 2005 NM- 9.2 value = $550. CGC census 11/05: 2 in 9.6, none higher.
Sensation Comics #53 (DC, 1946) CGC NM- 9.2 Off-white pages. This issue's cover is by H. G. Peter, who also drew the Wonder Woman story. Backup features include Mr. Terrific, Wildcat, and Little Boy Blue. Overstreet 2005 NM- 9.2 value = $550. CGC census 11/05: 3 in 9.2, 4 higher.
Sensation Comics #56 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. The usual H. G. Peter pizzazz characterizes this cover, and Wonder Woman's signature artist drew the Amazon's story inside the comic as well. DC great Joe Kubert drew the Sargon the Sorcerer backup feature. Other characters appearing include Little Boy Blue, Mr. Terrific, and Wildcat. This immaculate Mile High copy doesn't seem to have aged since Edgar Church plucked it off the stands. It's the only 9.6, and the highest-graded copy of the issue overall, that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $550. CGC census 11/05: 1 in 9.6, none higher.
Sensation Comics #56 Diamond Run pedigree (DC, 1946) CGC NM- 9.2 Off-white pages. H. G. Peter drew Wonder Woman here, and Joe Kubert handled art chores on the Sargon the Sorcerer backup feature. Other characters appearing include Little Boy Blue, Mr. Terrific, and Wildcat. Overstreet 2005 NM- 9.2 value = $550. CGC census 11/05: 2 in 9.2, 2 higher.
Star Spangled Comics #1 (DC, 1941) CGC VF/NM 9.0 Cream to off-white pages. He's a superhero who can walk up walls and shoot webs; yes, we're talking about the Tarantula, whose origin and first appearance are in this issue. The character, who had suction cups in his boots and carried a web-gun, was a regular in the early run of this title. The stars of the issue are the Star-Spangled Kid and his adult sidekick Stripesy; that's them on this robot cover by Hal Sherman. Note that the CGC slab has a two-inch crack at the top rear, not affecting the integrity of the holder or the comic itself. Overstreet 2005 VF/NM 9.0 value = $5,661; NM- 9.2 value = $7,800. CGC census 12/05: 1 in 9.0, 1 higher.
Star Spangled Comics #1 (DC, 1941) CGC VF- 7.5 Off-white pages. DC Comics bucked the trend with this title's lead feature, teaming a boy hero with an adult sidekick! The Star Spangled Kid and Stripesy continued to appear for another 84 issues before retiring from the crime-fighting scene. Another character to debut here was the Tarantula, who was spinning webs and walking on walls years before that "amazing" Marvel guy. Artists include Hal Sherman, who provided the robot cover. Overstreet 2005 VF 8.0 value = $3,521. CGC census 11/05: 1 in 7.5, 4 higher.
Star Spangled Comics #4 Rockford pedigree (DC, 1942) CGC NM- 9.2 Cream to off-white pages. This is the highest-graded copy yet certified of this issue. Writer Jerry Siegel and artist Hal Sherman teamed up once again here for the adventures of the Star Spangled Kid and his grown-up sidekick Stripesy. The Tarantula appears in a backup feature. Comes with the Rockford certificate of authenticity. Overstreet 2005 NM- 9.2 value = $1,400. CGC census 11/05: 1 in 9.2, none higher.
Star Spangled Comics #7 (DC, 1942) CGC VF 8.0 Off-white pages. Joe Simon and Jack Kirby introduced their memorable Newsboy Legion feature in this issue with an origin story of the Guardian. Also included are the Star Spangled Kid, Robotman (who also debuts this issue, complete with origin), and the Tarantula. CGC notes, "Moderate tanning interior front and back cover." Also note that the CGC holder is cracked along the right edge, which does not harm the book inside. Overstreet 2005 VF 8.0 value = $1,878. CGC census 11/05: 2 in 8.0, 2 higher.
Star Spangled Comics #24 Big Apple pedigree (DC, 1943) CGC VF 8.0 Cream to off-white pages. The Newsboy Legion snoop out another criminal on this great Jack Kirby cover. Kirby art and a Joe Simon/Jack Kirby script are also featured inside. Other artists include Hal Sherman and Chuck Winter. Overstreet 2005 VF 8.0 value = $650. CGC census 11/05: 2 in 8.0, 4 higher.
Star Spangled Comics #25 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Simon and Kirby -- Joe and Jack, to their friends -- are the star attractions this issue, which features Kirby's cover/story art, and an S&K script on the Newsboy Legion feature. Also, Robotman stories with art by Jimmy Thompson begin. A very attractive copy, with nice cover color. Overstreet 2005 VF 8.0 value = $650; VF/NM 9.0 value = $1,000. CGC census 11/05: 2 in 8.5, 2 higher.
Star Spangled Comics #71 Double Cover (DC, 1947) CGC NM 9.4 Off-white pages. Robin goes primitive in this issue's cover story, "Perils of the Stone Age." Tomahawk makes his third appearance. CGC notes, "1st cover 9.2, interior cover 9.4." Overstreet 2005 NM- 9.2 value = $875. CGC census 11/05: 1 in 9.4, none higher.
Star Spangled Comics #76 (DC, 1948) CGC VF+ 8.5 Off-white to white pages. Another high-flying Robin solo tale is cover-featured this issue. Artists include Win Mortimer and Fred Ray. This attractive copy bears the note from CGC, "Slight tanning interior front and back cover." Overstreet 2005 VF 8.0 value = $419; VF/NM 9.0 value = $647. CGC census 11/05: 2 in 8.5, none higher.
Star Spangled Comics #78 (DC, 1948) CGC NM- 9.2 Off-white to white pages. This is not only the highest-graded copy of the issue CGC has certified to date, it has that status by a wide margin -- the runner-up is a pedestrian 4.0! Robin the Boy Wonder is joined in this issue by Tomahawk, the Star-Spangled Kid, and the redoubtable Robotman. CGC notes, "slight tanning (on) interior front and back cover." Overstreet 2005 NM- 9.2 value = $875. CGC census 11/05: 1 in 9.2, none higher.
Star Spangled Comics #79 (DC, 1948) CGC NM- 9.2 Off-white to white pages. Check out the highest-graded copy yet certified of this issue. By the way, didja know Salvador Dali often ghosted for Bob Kane? We're just teasing, but we like the way Jim Mooney paid homage to Dali's "Persistence of Memory" on this issue's cover. Mooney also drew the lead story featuring Robin the Boy Wonder. Backup features include the Star Spangled Kid and Fred Ray's Tomahawk. CGC notes, "Slight tanning (on) interior front and back cover." Overstreet 2005 NM- 9.2 value = $875. CGC census 11/05: 1 in 9.2, none higher.
Star Spangled Comics #82 (DC, 1948) CGC VF/NM 9.0 Off-white pages. Robin gets knocked for a loop on this boxing ring cover, but not to worry -- hey, he's a tough bird! Inside, Robotman appears in his last solo story. A very attractive copy, featuring a smooth spine. Overstreet 2005 VF/NM 9.0 value = $484; NM- 9.2 value = $650. CGC census 11/05: 2 in 9.0, none higher.
Star Spangled Comics #83 (DC, 1948) CGC NM 9.4 Cream to off-white pages. It's the first appearance of Captain Compass (real name: Mark Compass), a detective hired by a steamship company to thwart crimes on the high seas! He'd be a regular for the remainder of this series. Meanwhile, the Tomahawk feature, drawn by Fred Ray, has the hero discovering a lost valley where dinosaurs live -- very Turok-esque! The star of the comic is of course Robin the Boy Wonder, and the Star Spangled Kid rounds out the lineup. This is the only copy of the issue graded above 8.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $650. CGC census 11/05: 1 in 9.4, none higher.
Star Spangled Comics #84 (DC, 1948) CGC NM 9.4 Cream to off-white pages. Overstreet calls this issue "rare," and we hadn't seen a copy before today. Robin the Boy Wonder, Tomahawk, and Captain Compass are the key features. The cover is by Jim Mooney. Overstreet 2005 NM- 9.2 value = $1,000. CGC census 11/05: 1 in 9.4, none higher.
Star Spangled Comics #86 (DC, 1948) CGC NM 9.4 Cream to off-white pages. While the lead feature's a Robin solo story, Batman does put in a cameo in this issue, in a story drawn by Jim Mooney. One hero who doesn't appear at all is the Star Spangled Kid -- while the feature named for him has its final installment here, it's a solo adventure of his sister Merry, the Girl of 1,000 Gimmicks. Tomahawk and Captain Compass round out the lineup. This is the only copy of the issue graded above 6.5 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $750. CGC census 11/05: 1 in 9.4, none higher.
Strange Adventures #1 (DC, 1950) CGC VF+ 8.5 Off-white pages. The 1950s sci-fi craze began in earnest with the major motion picture "Destination Moon." This big-budget production was the era's equivalent to such later films as "2001 A Space Odyssey," depicting space travel in a realistic manner never before seen in the old Flash Gordon serials and their like. This comic, DC's initial foray into the genre, naturally featured an adaptation of "Destination Moon," along with a photo cover. In addition, there's a feature on H. G. Wells, with art by Batman artist Dick Sprang, plus the first Chris KL-99 story with art by Howard Sherman. Overstreet 2005 VF 8.0 value = $2,040; VF/NM 9.0 value = $3,420. CGC census 11/05: 5 in 8.5, 4 higher.
Strange Adventures #3 (DC, 1950) CGC VF/NM 9.0 Off-white to white pages. These early issues had a bit of a sci-fi paperback feel, thanks to the then-unusual practice of crediting writers on the cover! Of course, it's a well-deserved honor when you're talking about names like Edmond Hamilton and Gardner Fox. The cover art has been credited to Howard Sherman. Curt Swan and Dan Barry are among the interior artists. Overstreet 2005 VF/NM 9.0 value = $1,048; NM- 9.2 value = $1,450. CGC census 11/05: 3 in 9.0, 2 higher.
Strange Adventures #4 (DC, 1951) CGC VF+ 8.5 Cream to off-white pages. Edmond Hamilton's Chris KL-99 highlights this issue's science fiction lineup. The book's artists include Curt Swan. Overstreet 2005 VF 8.0 value = $646; VF/NM 9.0 value = $1,048. CGC census 12/05: 2 in 8.5, 3 higher.
Strange Adventures #5 (DC, 1951) CGC NM+ 9.6 Off-white to white pages. If you want to see a fresh twist on the well-worn "invisible man" concept, have a look at the cover of this early issue of the long-running title. The accompanying story, "The Man Who Could Vanish," is drawn by Carmine Infantino. Also of note is a tale of space explorer Chris KL-99 with Howard Sherman art, as well as a Jim Mooney-drawn story. CGC notes, "From the Dallas Stephens collection." Overstreet 2005 NM- 9.2 value = $1,240. CGC census 11/05: 1 in 9.6, none higher.
Strange Adventures #8 (DC, 1951) CGC NM- 9.2 Off-white to white pages. This isn't just any gorilla cover, it's arguably the most famous gorilla cover of all, because it's the comic that started the gorilla craze at DC. As the book Comics: Between The Panels reported, "When the circulation figures on the book tumbled in, (editor Julius) Schwartz said, 'The editor-in-chief came in and said, 'What happened to the circulation, it almost doubled in sales.' I looked at it and said, 'Maybe it was the gorilla.'" As the saying goes, the rest is history! By the way, the issue has interior art by Alex Toth and Gil Kane. Overstreet 2005 NM- 9.2 value = $1,240. CGC census 11/05: 2 in 9.2, 2 higher.
Strange Adventures #9 (DC, 1951) CGC VF 8.0 Off-white pages. DC jumps into the sci-fi genre in a big way with this issue, which features the first appearance and origin of Captain Comet. Artists include Carmine Infantino, Alex Toth, and Murphy Anderson. This is a nice copy, with very little wear showing on the mostly black background. Overstreet 2005 VF 8.0 value = $1,300. CGC census 11/05: 2 in 8.0, 10 higher.
Strange Adventures #10 (DC, 1951) CGC NM 9.4 Cream to off-white pages. Captain Comet makes his second appearance in this issue. What a gorgeous copy -- flat, tight, with vibrant color and a big green monster on the cover! What more could you want? Bid! Overstreet 2005 NM- 9.2 value = $1,240. CGC census 12/05: 2 in 9.4, 2 higher.
Strange Adventures #10 (DC, 1951) CGC NM- 9.2 Cream to off-white pages. By some freak of science, this isn't the highest-graded copy in CGC's census, but look closely at it and you'll see that it's a beautiful copy that will make some collector very happy. This was only the second outing for Captain Comet, who first appeared in the previous issue. The Captain's adventure was drawn by Carmine Infantino; also contributing were Murphy Anderson and Gil Kane. Overstreet 2005 NM- 9.2 value = $1,240. CGC census 11/05: 3 in 9.2, 4 higher.
Strange Adventures #10 (DC, 1951) CGC VF 8.0 Off-white pages. Captain Comet, in his second appearance, faces off against a not-so-little green man on this issue's cover. Artists include Gil Kane, Carmine Infantino, and Murphy Anderson. This copy exhibits great cover color and gloss, and a smooth spine. Overstreet 2005 VF 8.0 value = $553. CGC census 11/05: 3 in 8.0, 7 higher.
Strange Adventures #12 (DC, 1951) CGC NM- 9.2 Off-white to white pages. Gil Kane drew this issue's colorful cover featuring Captain Comet. Other artists include Murphy Anderson, Alex Toth, and Carmine Infantino. CGC notes, "Slight mis-cut." Despite this minor bindery flaw, this is an attractive copy, and is currently tied with one other as highest CGC-graded. Overstreet 2005 NM- 9.2 value = $800. CGC census 11/05: 2 in 9.2, none higher.
Strange Adventures #15 (DC, 1951) CGC NM 9.4 Off-white to white pages. Hurry, hurry! See the incredible two-headed man and the amazing four-armed freak! Are they misfits of science or a menace from another planet? One thing is for certain -- this top-notch copy is a main attraction all by itself! Splendid artwork is provided by some of DC's best, including Carmine Infantino, Murphy Anderson, and Gil Kane. Overstreet 2005 NM- 9.2 value = $800. CGC census 11/05: 2 in 9.4, none higher.
Strange Adventures #16 (DC, 1952) CGC VF/NM 9.0 Cream to off-white pages. Ever wonder what all those big stone heads on Easter Island are about? Here's the comic book that explains it all, but beware -- don't betray the secret! Another fun 1950s science fiction comic, chock-full of weird creatures from other worlds. Art is by Gil Kane, Murphy Anderson, and Bob Oksner. An attractive copy, with great cover color. Overstreet 2005 VF/NM 9.0 value = $588; NM- 9.2 value = $800. CGC census 11/05: 1 in 9.0, 3 higher.
Strange Adventures #17 (DC, 1952) CGC NM- 9.2 White pages. Alex Toth lent his considerable skills to this issue's story "The Brain Of Dr. Royer" (no relation to Mike). Big-timers Carmine Infantino, Mort Drucker, and Murphy Anderson also contributed, the latter drawing an adventure of Captain Comet. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 1 in 9.2, 1 higher.
Superboy #1 (DC, 1949) CGC VF 8.0 Off-white pages. It was really quite a feat to take a younger version of Superman and make him into one of DC's most popular characters in his own right! The proof is that this title ran for 30 years, enduring even through those difficult pre-Silver Age days when superheroes were largely out of fashion. Of course, the character is seen on the "Smallville" TV show today. DC's formula for these early issues involved well-written tales with a subtle moral for young readers (and no, Superboy wasn't whisked off to the future to join the Legion of Super-Heroes every three hours). The Boy of Steel's debut issue features a Wayne Boring cover and John Sikela art. Overstreet 2005 VF 8.0 value = $5,418. CGC census 11/05: 3 in 8.0, 5 higher.
Superboy #2 (DC, 1949) CGC VF+ 8.5 White pages. This is the nicest copy certified to date of an issue loved by all... all except Seduction of the Innocent author Fredric Wertham, who didn't like a story that shows Superboy helping George Washington cross the Delaware! John Sikela provided the issue's interior art. Overstreet 2005 VF 8.0 value = $1,325; VF/NM 9.0 value = $2,038. CGC census 12/05: 1 in 8.5, none higher.
Superboy #2 (DC, 1949) CGC FN/VF 7.0 Cream to off-white pages. The wholesome fun this title had to offer is typified by the small-town parade on this cover. And there's a neat story inside, showing Superboy saving George Washington's life and helping him cross the Delaware... harmless fun, right? Not according to Seduction of the Innocent author Fredric Wertham, who called the story a "travesty" in his book, commenting, "... do you want to direct a child's attention to the personality of the father of American democracy or to the exploits of a uniformed Superman-youth?" The issue has John Sikela art. Overstreet 2005 FN 6.0 value = $636; VF 8.0 value = $1,325. CGC census 11/05: 1 in 7.0, 5 higher.
Superboy #7 (DC, 1950) CGC NM- 9.2 Off-white to white pages. As of this writing, this copy tops CGC's census by a healthy margin as the only copy certified with a grade above 8.0. The book has a John Sikela cover, with interior art by Sikela, Stan Kaye, and Wayne Boring. Overstreet 2005 NM- 9.2 value = $1,225. CGC census 12/05: 1 in 9.2, none higher.
Superboy #9 (DC, 1950) CGC VF- 7.5 Off-white to white pages. Humpty Dumpty's back, and this villain does a lot more than just sit on walls and have great falls, so the Boy of Steel will have his hands full! The cover is by John Sikela. Overstreet 2005 VF 8.0 value = $588. CGC census 12/05: 1 in 7.5, 2 higher.
Superboy #10 (DC, 1950) CGC NM- 9.2 Off-white to white pages. Lana Lang's first appearance makes this one of the most important issues of the title -- why does Overstreet give it the same value as #6-9? Look for this issue to be "broken out" in the future, and when that happens, this is the copy to own, as it's the only 9.2 CGC has certified as of this writing. If you get the many "LL" characters in Superman's life confused, we'll note that Lana was Superboy's girlfriend in his hometown of Smallville. Look for interest in this character to continue, since she's featured in the "Smallville" TV show! Overstreet 2005 NM- 9.2 value = $1,225. CGC census 12/05: 1 in 9.2, none higher.
Superboy #11 (DC, 1950) CGC VF 8.0 Off-white pages. It's the first-ever cover appearance of DC's most famous redhead, Lana Lang -- except that here, she's a brunette! It's Lana's second story appearance overall. The issue has a John Sikela cover, with interior art by Sikela and Curt Swan. Overstreet 2005 VF 8.0 value = $456. CGC census 12/05: 1 in 8.0, 1 higher.
Superboy #12 (DC, 1951) CGC NM- 9.2 Off-white to white pages. The Boy of Steel gets a chalkboard testimonial on this Al Plastino cover. Curt Swan, John Sikela, Henry Boltinoff, and Win Mortimer are all featured artists. This is the finest known copy of this issue, according to current CGC census data. Overstreet 2005 NM- 9.2 value = $950. CGC census 11/05: 1 in 9.2, none higher.
Superboy #13 (DC, 1951) CGC NM- 9.2 Off-white pages. Superboy gives a few Boy Scouts a rather unorthodox lesson in knot tying on this colorful cover illustration. Artists include Curt Swan and John Sikela. This issue also introduces a now-forgotten member of the extended Superboy family -- Lana Lang's brother, Larry! This copy, one of only four listed, is currently the highest CGC-graded example of issue #13. Overstreet 2005 NM- 9.2 value = $950. CGC census 11/05: 1 in 9.2, none higher.
Superboy #14 (DC, 1951) CGC VF+ 8.5 Off-white pages. No copy of this issue has been graded higher by CGC to date. Super-artist Curt Swan drew the cover as well as contributing interior art. Overstreet 2005 VF 8.0 value = $456; VF/NM 9.0 value = $703. CGC census 12/05: 1 in 8.5, none higher.
Superboy #14 (DC, 1951) CGC VF 8.0 Off-white pages. The Boy of Steel's exploits take a science fiction turn with this issue's cover story, "The Boy From Mars." Curt Swan and Creig Flessel provide the cover, while Swan and John Sikela handle Superboy's story art chores. One story, "Pa Kent's Dangerous Assistant," features a bald father for Clark -- did he start wearing a toupee later, we wonder? Overstreet 2005 VF 8.0 value = $456. CGC census 11/05: 1 in 8.0, 1 higher.
Superboy #15 (DC, 1951) CGC NM- 9.2 Off-white pages. This issue's striking Win Mortimer cover is dominated by a solid black background, which has managed to remain mostly free from wear all these many years. John Sikela and Curt Swan provide the Boy of Steel's story art. This outstanding copy is currently unsurpassed in CGC's census. Overstreet 2005 NM- 9.2 value = $950. CGC census 11/05: 2 in 9.2, none higher.
Superman #1 (DC, 1939) CGC Apparent VG/FN 5.0 Extensive (P) Off-white pages. The origin of Superman is presented in dramatic fashion in this inaugural issue, which features story and art by the Man of Steel's co-creators, Jerry Siegel and Joe Shuster. One of the most desirable comic book issues ever published is one of the toughest finds in high grade. In fact, if one considers a high-grade comic to be VF 8.0 or nicer, CGC has certified only one unrestored, high grade copy of Superman #1 to date. That means there just aren't many better-looking copies around than our offering. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced. (1/2 of front cover is a color copy)" Overstreet 2005 VG 4.0 value = $34,500; FN 6.0 value = $51,750.
Superman #1 (DC, 1939) CGC Qualified VG 4.0 Cream to off-white pages. This first issue is tougher to find than almost any other DC #1, and there are lots of reasons why lots of people would love to have one. Overstreet called it "Arguably the second most important comic ever published (Action being the first) ... (it) demonstrated to the industry that it could survive on its own original material, independent of the proven syndicated stars." This first issue reprinted Superman's first four Action stories, but also added some new material. It's the fourth most valuable comic book in Overstreet's ranking. CGC notes, "Coupon cut out of centerfold, does not affect story. Incomplete." Overstreet 2005 GD 2.0 value = $17,250; VG 4.0 value = $34,500.
Superman #2 (DC, 1939) CGC NM- 9.2 White pages. The condition of this copy is a real eye-opener! It's got the kind of cover colors usually only seen on pedigree books, and great page quality too, no wonder it's the only 9.2, and highest-graded copy of the issue overall, that CGC has certified as of this writing. Overstreet ranks Superman #2 among the 100 most valuable Golden Age comic books, and it's no mystery how it attained that status, as it's only the second issue of a title that remains in publication today (under the name Adventures of Superman of late). Whereas issue #1 of this title reprinted Action Comics stories, this one has reprints of the Superman newspaper strip, with art by Joe Shuster and Paul Cassidy and stories by Jerry Siegel. Any of the early Actions or Supermans in high grade would be a find, so this stunner is a super-find indeed. Overstreet 2005 NM- 9.2 value = $19,500. CGC census 11/05: 1 in 9.2, none higher.
Superman #2 (DC, 1939) CGC Apparent FN- 5.5 Extensive (P) Off-white pages. Ranked among the 100 most valuable Golden Age comic books by Overstreet, this is just the second issue of a title that's still published in the present day (though with the utterly superfluous Adventures of preceding the name these days). The issue reprinted the Superman newspaper strip, with art by Joe Shuster and Paul Cassidy and stories by Jerry Siegel. CGC notes, "Restoration includes: color touch, pieces added, seals, cleaned, reinforced, staples replaced." Overstreet 2005 GD 2.0 value = $1,147; VG 4.0 value =$2,294; FN 6.0 value = $3,441.
Superman #3 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. From the days before the familiar DC logo adorned the cover, comes the third issue of this mighty title. Artists include Joe Shuster, Paul Cassidy, and Dennis Neville. Early Supermans like this are quite tough to find in high grade, which is strange considering how popular and widely circulated the series was. This pleasing copy is currently tied with just two others as highest CGC-graded. It's solid and sharp, with only minimal wear and a few very light dust shadows near the edges. Get those bids up, up, and away! Overstreet 2005 VF 8.0 value = $5,194; VF/NM 9.0 value = $8,347. CGC census 11/05: 3 in 8.5, none higher.
Superman #3 (DC, 1940) CGC FN- 5.5 Off-white pages. Superman couldn't even fly yet when this early issue came out! But he could leap with the best of them, to the delight of a youngster on this fantastic Joe Shuster cover. Inside the comic, the Man of Steel comes to the aid of more kids, busting a superintendent who exploits helpless orphans. The interior stories were mostly drawn by Shuster, and were all scripted by the character's co-creator, Jerry Siegel. CGC notes, "centerfold detached." Overstreet 2005 FN 6.0 value = $2,226. CGC census 11/05: 2 in 5.5, 17 higher.
Superman #5 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. This early issue is notable for its odd Superman logo, which would be redrawn and standardized by the next issue. The fourth appearance of Lex Luthor (with red hair) is a highlight here. Joe Shuster, Wayne Boring, Paul Cassidy, and Paul Lauretta provide the art. Overstreet 2005 VF 8.0 value = $3,164; VF/NM 9.0 value = $5,082. CGC census 11/05: 4 in 8.5, 2 higher.
Superman #6 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. Here's your signed portrait of the Man of Steel, attached to a wonderful copy of the sixth Superman comic! Supes' smiling visage welcomes us inside to the first "splash page" in this title, plus four classic stories scripted by Jerry Siegel, with art provided by Joe Shuster, Paul Cassidy, and Jack Burnley. This copy displays excellent cover colors, a smooth spine and tight, flat appearance. A slim dust shadow along the outer edges does little to diminish the eye appeal of this prize. To date, this copy ranks as the best unrestored example listed by CGC. Overstreet 2005 VF 8.0 value = $1,970; VF/NM 9.0 value = $3,185. CGC census 11/05: 1 in 8.5, none higher.
Superman #6 (DC, 1940) CGC VG/FN 5.0 Cream to off-white pages. Superman is at his best and most appealing on this cover, and no wonder, since his co-creator Joe Shuster is credited with the art. The interior of the issue is notable for having the first splash page in any Superman comic. Overstreet 2005 VG 4.0 value = $606; FN 6.0 value = $909. CGC census 11/05: 2 in 5.0, 10 higher.
Superman #6 (DC, 1940) CGC VG+ 4.5 Off-white pages. This issue's Joe Shuster cover tells you all you need to know about the appeal of the character! There weren't planet-shattering super-battles in these early stories -- in this issue, Superman solves a mystery, fights corruption, and even delivers humanitarian aid to a South American country. Overstreet 2005 VG 4.0 value = $606. CGC census 11/05: 3 in 4.5, 13 higher.
Superman #7 (DC, 1940) CGC FN+ 6.5 Off-white to white pages. Great Caesar's ghost! This early Superman has the first appearance of a key character in the Man of Steel's mythos, Perry White (in fact, we readers didn't find out his first name until later). And though the irascible editor is the "chief" reason to get excited about the book (just don't call him chief), Joe Shuster and Wayne Boring art should also be noted, as should the war cover by Shuster. Overstreet 2005 FN 6.0 value = $909; VF 8.0 value = $1,970. CGC census 11/05: 4 in 6.5, 9 higher.
Superman #7 (DC, 1940) CGC Apparent VG/FN 5.0 Slight (A) Off-white to white pages. First appearance of Perry White. CGC notes, "Restoration includes: piece added to interior, cover & centerfold reinforced, staples cleaned." Overstreet 2005 GD 2.0 value = $303; VG 4.0 value = $606; FN 6.0 value = $909.
Superman #8 (DC, 1941) CGC VF- 7.5 Off-white pages. A Fred Ray cover graces this early issue. The interior stories have the Man of Steel taking on a mad scientist, a subversive army, and other threats. The interior artists include Wayne Boring, Joe Shuster, and Paul Cassidy. Overstreet 2005 VF 8.0 value = $1,892. CGC census 11/05: 3 in 7.5, 11 higher.
Superman #10 (DC, 1941) CGC VG 4.0 Off-white to white pages. This is Lex Luthor's fifth appearance, but it's the first time he was bald -- he had red hair in his previous four outings! The issue has a Fred Ray cover and Wayne Boring interior art. CGC notes, "3 pieces of tape on interior cover." Overstreet 2005 VG 4.0 value = $600. CGC census 12/05: 1 in 4.0, 28 higher.
Superman #13 (DC, 1941) CGC VF 8.0 Off-white pages. Fred Ray provided this stirring World War II cover, for a comic that hit the stands before America entered the war. John Sikela furnished interior art for this issue, which includes early appearances by Jimmy Olsen and Lex Luthor. Overstreet 2005 VF 8.0 value = $1,444. CGC census 11/05: 2 in 8.0, 2 higher.
Superman #14 (DC, 1942) CGC FN+ 6.5 Off-white to white pages. This patriotic shield cover by Fred Ray is simply... well, the word "classic" gets bandied about quite a bit, but who could possibly dispute this being one of the very best of the patriotic cover genre? The book Comics: Between The Panels ranked it among the top ten comic book covers. An interior feature of note is a mermaid-themed story that far predated Lori Lemaris. This is a very solid mid-grade copy of this black-cover issue. Overstreet 2005 FN 6.0 value = $984; VF 8.0 value = $2,132. CGC census 11/05: 5 in 6.5, 10 higher.
Superman #16 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. Lois Lane makes her first cover appearance in this title here, strolling alongside her officemate Clark Kent. In fact, Superman doesn't even appear on Fred Ray's cover (in costume, that is) -- the Man of Steel is represented instead by a bronze statue! John Sikela and Ed Dobrotka art is featured inside. Overstreet 2005 VF 8.0 value = $1,131; VF/NM 9.0 value = $1,741. CGC census 11/05: 1 in 8.5, 3 higher.
Superman #20 (DC, 1943) CGC VF+ 8.5 White pages. Jack Burnley's action-packed World War II cover sets the stage for the interior story, "Destroyers From the Depths," which features an appearance by Adolf Hitler. Also appearing in this issue: Bruce Wayne and Dick Grayson (in a cameo) and the Puzzler. Artists include Ed Dobrotka and John Sikela. Overstreet 2005 VF 8.0 value = $1,131; VF/NM 9.0 value = $1,741. CGC census 11/05: 3 in 8.5, 2 higher.
Superman #22 (DC, 1943) CGC VF- 7.5 Off-white to white pages. "Puppeteer" covers are almost a genre of their own, but it's unusual to have a hero pulling the strings! Jack Burnley drew the fun cover, and there's more comedy inside the issue as the Prankster comes up with his most irksome scheme yet: copyrighting the alphabet. There's also an imaginary story in which an elf named Ixnayalpay makes a secret pact with Hitler. No, we are not making any of this up! The issue's interior artists include John Sikela and Ed Dobrotka. Overstreet 2005 VF 8.0 value = $844. CGC census 11/05: 2 in 7.5, 6 higher.
Superman #23 (DC, 1943) CGC VF- 7.5 Off-white pages. This is the nicest 7.5 copy we've seen in a while... dare we say nicer than the assigned grade? Have a look at the supersize scan on our website and judge for yourself! It's a great issue to have in any case -- Overstreet calls it a "classic periscope cover," and we certainly like Superman when he's that angry. The cover art is credited to Jack Burnley. Overstreet 2005 VF 8.0 value = $988. CGC census 11/05: 2 in 7.5, 8 higher.
Superman #24 (DC, 1943) CGC FN 6.0 Off-white to white pages. Jack Burnley served up a humdinger of a patriotic cover here, giving Fred Ray's classic image from #14 a run for its money! Overstreet calls this one a "classic" as well. In keeping with the theme, most of the issue's stories involve Superman doing his part for the war effort. Superman's creators Jerry Siegel and Joe Shuster are among the contributors. Overstreet 2005 FN 6.0 value = $624. CGC census 11/05: 3 in 6.0, 17 higher.
Superman #27 (DC, 1944) CGC VF/NM 9.0 White pages. Superman may not appear to be adept at typing, using only two fingers to bang out a table of contents page under Lois' watchful eyes, but we know his secret! We're sure Clark is much better at handling a typewriter! The Toyman is featured in the story, "The Palace of Perilous Play." Artists include Ed Dobrotka and Wayne Boring. Great cover color and white interior pages are hallmarks of this attractive copy. Overstreet 2005 VF/NM 9.0 value = $1,222; NM- 9.2 value = $1,650. CGC census 11/05: 2 in 9.0, 2 higher.
Superman #29 (DC, 1944) CGC NM 9.4 White pages. Wayne Boring's cover depicting U.S. Servicemen echoes the fact that many men in the Armed Forces enjoyed reading the adventures of the Man of Steel, not just kids! This issue features the Prankster in one story, with interior art supplied by Ed Dobrotka. The solo exploits of Lois Lane are also featured in a four-pager. This NM copy, currently ranked highest on CGC's census, boasts white pages. CGC does note, "Slightly rusty staples" -- inside the holder, they look pretty clean to us! Overstreet 2005 NM- 9.2 value = $1,650. CGC census 11/05: 1 in 9.4, none higher.
Superman #29 Crowley Copy pedigree (DC, 1944) CGC VF/NM 9.0 White pages. A great patriotic cover has all three branches of the armed forces (Army, Navy, and Marines) represented, and an all-American gal in Lois Lane showing her support! The cover artist hasn't been conclusively attributed, but it may be the work of Fred Ray. Inside the issue, that Rollicking Rogue, the Prankster, is back to make life tough for Superman. Overstreet 2005 VF/NM 9.0 value = $1,222; NM- 9.2 value = $1,650. CGC census 11/05: 6 in 9.0, 2 higher.
Superman #30 (DC, 1944) CGC VF 8.0 White pages. On this issue's Jack Burnley cover, Lois passes up Superman for...Clark! Has the entire world gone crazy? This must be a result of the fact that Mr. Mxyztplk, that inter-dimensional imp, makes his first comic book appearance here (he had first appeared a few months earlier in the Superman newspaper strip); in time, his name would evolve into Mxyzptlk. Interior artists include Ira Yarbrough, Ed Dobrotka, and Henry Boltinoff. Overstreet 2005 VF 8.0 value = $1,538. CGC census 11/05: 1 in 8.0, 5 higher.
Superman #33 (DC, 1945) CGC VF+ 8.5 White pages. No copy of this issue has been graded higher by CGC to date! This comic's got the third appearance of Mr. Mxyztplk, but only because that darn Lois Lane foolishly says Klptzyxm, causing her to be whisked off to the villain's world of Zrfff. Of course, Superman follows her to get her out of the mess. The issue's cover is by Wayne Boring. Overstreet 2005 VF 8.0 value = $663; VF/NM 9.0 value = $1,019. CGC census 11/05: 2 in 8.5, none higher.
Superman #35 (DC, 1945) CGC VF 8.0 Off-white pages. They called it the "Gay Nineties" -- a 1940s nostalgia for the 1890s, in what was perceived as a simpler, more innocent time. This was the inspiration for this issue's "watch the birdie" cover illustration, with Lois and Superman posing in period costume (in Superman's case, a big handlebar moustache). This issue is notable for a reference to Clark's hometown (which was not Smallville), in the story "Like Father Like Son." Overstreet 2005 VF 8.0 value = $663. CGC census 11/05: 3 in 8.0, 4 higher.
Superman #39 (DC, 1946) CGC VF- 7.5 Cream to off-white pages. If you thought a radio was as low-tech as it gets, have a look at Jack Burnley's cover! Inside the issue, there's another appearance by Wilbur Wolfingham, a con artist who was a recurring character in the 1940s issues. This time, he comes up with a fake dating service to let him pull his cons on lonely guys and gals. So Superman not only has to flummox the flim-flammer, he's got to find a way to help his victims find true love after all. Overstreet 2005 VF 8.0 value = $663. CGC census 11/05: 3 in 7.5, 3 higher.
Superman #40 Double Cover (DC, 1946) CGC VF+ 8.5 Off-white to white pages. The Man of Steel finds himself in double trouble, in the form of super-prankster Mr. Mxyztplk and irrepressible brat Susie, on this Wayne Boring-drawn cover. And the happy high-bidder for this copy will find himself doubly delighted - this is one of those rare copies featuring a double cover. CGC notes, "First cover 8.0, interior cover 8.5." Overstreet 2005 VF 8.0 value = $663; VF/NM 9.0 value = $1,019. CGC census 12/05: 2 in 8.5, 4 higher.
Superman #40 (DC, 1946) CGC VF- 7.5 Off-white to white pages. "The Mxyztplk-Susie Alliance" -- how can you resist a title like that? Susie Tompkins is Lois Lane's pesky niece, Mxyztplk is a pest by any standard, and they team up by having Susie tell absurd lies (she never needed much encouragement to do that) which the alien pixie uses his powers to make come true! Quite the headache for our hero. The issue's cover is credited to Wayne Boring. Overstreet 2005 VF 8.0 value = $663. CGC census 11/05: 4 in 7.5, 7 higher.
Superman #41 (DC, 1946) CGC VF+ 8.5 White pages. "Too Many Pranksters" is the story of note here, and if you ask Superman, one Prankster is already too many! The issue's cover is by Wayne Boring. Overstreet 2005 VF 8.0 value = $531; VF/NM 9.0 value = $816. CGC census 11/05: 4 in 8.5, 2 higher.
Superman #41 (DC, 1946) CGC VF 8.0 Off-white pages. The Prankster's back to bedevil Superman once again in this issue. Also, check out the Wayne Boring cover, which might say as much about Boring as it does about Superman! Overstreet 2005 VF 8.0 value = $531. CGC census 11/05: 3 in 8.0, 6 higher.
Superman #42 (DC, 1946) CGC VF- 7.5 White pages. This copy's white cover has got nary a smudge, and the cover art (by Wayne Boring) is notable for having a Lois Lane appearance. Inside the issue, Superman has to tangle once again with con man J. Wilbur Wolfingham. Overstreet 2005 VF 8.0 value = $531. CGC census 11/05: 1 in 7.5, 8 higher.
Superman #45 (DC, 1947) CGC VF+ 8.5 Off-white to white pages. Superman's gal pal believes herself to be the Woman of Steel in the well-known story, "Lois Lane, Superwoman." Artists for this issue include John Sikela. Overstreet 2005 VF 8.0 value = $531; VF/NM 9.0 value = $816. CGC census 11/05: 1 in 8.5, 3 higher.
Superman #53 (DC, 1948) CGC VF 8.0 Off-white pages. When would you guess Jor-El first appeared? Maybe Action Comics #1, or #2 or #3 at the latest? No, it was ten years later than that, right here in Superman #53! This issue contains an expanded version of Superman's origin that set the standard for all later tellings. Overstreet gave its "classic" designation to Wayne Boring's origin-themed cover. The anniversary issue also has two other Superman adventures, both drawn by Al Plastino. Overstreet 2005 VF 8.0 value = $1,825. CGC census 11/05: 4 in 8.0, 4 higher.
Superman #72 (DC, 1951) CGC VF/NM 9.0 Off-white pages. Here's an impressive copy of a black-cover issue. Inside, the Prankster is not up to his old tricks, in fact he's forced to commit crimes that aren't pranks this time! And in the cover story, Superman not only has to save a bunch of so-called failures but also help them get their confidence back as well. Wayne Boring is among the issue's artists. Overstreet 2005 VF/NM 9.0 value = $628; NM- 9.2 value = $850. CGC census 11/05: 2 in 9.0, 2 higher.
Superman #76 (DC, 1952) CGC VF+ 8.5 Off-white pages. Batman and Superman learn each other's secret identities for the first time in this issue! And the only copies of this key book that have been graded higher to date are all a mere half-grade higher at 9.0. If the talk of an upcoming movie co-starring Superman and Batman ever becomes reality, look for this issue to become even more important. The pivotal scene here takes place in a cabin aboard ship -- Clark Kent and Bruce Wayne are rooming together, and each thinks he can change into costume without the other noticing... yeah, right! Of course, the two would soon begin appearing in the same story in the pages of World's Finest. By the way, this is only the second time Curt Swan, soon to be one of the Superman artists, drew the character. Win Mortimer provided the cover art. Overstreet 2005 VF 8.0 value = $1,131; VF/NM 9.0 value = $1,741. CGC census 11/05: 4 in 8.5, 4 higher.
Superman's Pal Jimmy Olsen #2 (DC, 1954) CGC FN/VF 7.0 Off-white to white pages. Think there are nicer copies out there than this FN/VF? OK, name one! CGC hasn't certified a nicer copy to date. Curt Swan drew this issue's cover. Overstreet 2005 FN 6.0 value = $387; VF 8.0 value = $1,097. CGC census 12/05: 1 in 7.0, none higher.
Tomahawk #1 Windy City pedigree (DC, 1950) CGC VF+ 8.5 Cream to off-white pages. This is one of the nicest copies yet certified of this issue -- it's from a superb collection of #1 issues which was assembled by a Pennsylvania mailman but is known as the "Windy City" collection (long story). The title lasted an amazing 22 years, thanks in no small part to superb art by Fred Ray. Overstreet 2005 VF 8.0 value = $1,013; VF/NM 9.0 value = $1,557. CGC census 11/05: 1 in 8.5, 2 higher.
Western Comics #1 Mile High pedigree (DC, 1948) CGC NM 9.4 White pages. DC's flagship Western title rode into town in 1948, and it didn't head off into the sunset until 1961. The posse of artists in this debut issue includes Howard Sherman (who also drew the cover), Mort Meskin, and Howard Post. Overstreet 2005 NM- 9.2 value = $1,050. CGC census 12/05: 1 in 9.4, none higher.
Western Comics #4 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. This is the first time we've seen this early issue of the long-running series, and it's the only copy that CGC has certified as of this writing. Howie Post and Mort Meskin are the most prominent contributors, the latter drawing the Vigilante, who makes his last appearance of the series here. Overstreet 2005 NM- 9.2 value = $400. CGC census 11/05: 1 in 9.2, none higher.
Western Comics #5 Vancouver pedigree (DC, 1948) CGC NM+ 9.6 White pages. You won't be able to see it on our scan, but this copy might have the whitest white pages we have ever seen on a Golden Age book. The condition blew us away, and if you hadn't given much thought to the Vancouver pedigree before, you might want to re-think that stance. We've seen the Mile High copy, and this one's nicer! The issue has the first appearance of Nighthawk, in a story with Charles Paris art. The issue's other range-riders are the Wyoming Kid (drawn by Howard Sherman on the cover and inside the book) and Rodeo Rick. Overstreet 2005 NM- 9.2 value = $450. CGC census 11/05: 1 in 9.6, none higher.
Western Comics #7 (DC, 1949) CGC NM 9.4 Off-white to white pages. The Wyoming Kid leads this issue's roster of Ol' West buckaroos. Our offering is the only copy graded above 6.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $255. CGC census 12/05: 1 in 9.4, none higher.
Western Comics #15 Mile High pedigree (DC, 1950) CGC NM+ 9.6 Off-white to white pages. From this issue's Wyoming Kid to Clint Eastwood in "High Plains Drifter," no self-respecting Western hero goes to the barber shop without having a pistol at the ready! This is another one of those issues that nobody but Edgar Church seems to have remembered to save -- it's the only copy we've ever offered, and the only one that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.6, none higher.
Western Comics #18 Mile High pedigree (DC, 1950) CGC NM+ 9.6 White pages. This is by far the highest-graded copy of this issue that CGC has certified to date, with the runner-up far behind at FN-. The Wyoming Kid is the featured character. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.6, none higher.
Wonder Woman #1 Rockford pedigree (DC, 1942) CGC VF- 7.5 Off-white to white pages. How big of a hit was Wonder Woman? Well, this first issue of her own title came out only about half a year after her debut in All Star Comics #8, and she had spent the interim appearing monthly in Sensation Comics. This first issue of the new title started a four-decade run. She has been called "the only mythological character to flourish in the comics format," and we can't think of another to do so until Thor appeared some two decades later. Wonder Woman's early adventures, written by William Moulton Marston and drawn by H. G. Peter, still fascinate today. As you might expect from a #1 issue, the heroine's origin story is retold and expanded upon here. Overstreet 2005 VF 8.0 value = $16,500. CGC census 11/05: 4 in 7.5, 6 higher.
Wonder Woman #19 (DC, 1946) CGC VF- 7.5 Off-white to white pages. The inimitable H. G. Peter could lend believability to the oddest cover scene. Wonder Woman standing on an elephant to thwart a witch doctor and a Kaiser Wilhelm wannabe? We can't get enough of it! The combination of Peter art and William Moulton Marston stories was a real winner, as is this attractive copy. Overstreet 2005 VF 8.0 value = $700. CGC census 11/05: 2 in 7.5, 8 higher.
World's Best Comics #1 (DC, 1941) CGC FN 6.0 Off-white pages. DC continued the 100-page format created for the New York World's Fair souvenir comics with this title, which changed to World's Finest Comics with issue #2. Superman, Batman, and Robin begin appearing together on the covers, although the Man of Steel and the Dynamic Duo are featured separately inside. Other features include the Crimson Avenger, Zatara, and Johnny Thunder. Art is supplied by Fred Ray, Bob Kane, Harry Lampert, and Creig Flessel. This is a very nice-looking square bound copy, even with the name Ace added neatly in ink on the cover. Overstreet 2005 FN 6.0 value = $4,287. CGC census 11/05: 1 in 6.0, 13 higher.
World's Finest Comics #2 (DC, 1941) CGC FN/VF 7.0 Cream to off-white pages. Best becomes Finest with this issue, and will remain so for a total run of 323 issues. Fred Ray's iconic portrait of Superman, Robin, and Batman lets us know that despite the name change, everything's OK. This clean, flat 100-page square bound copy is certainly more than just OK; in fact, it's one of the three best copies currently certified by CGC. Overstreet 2005 FN 6.0 value = $1,296; VF 8.0 value = $3,024. CGC census 11/05: 1 in 7.0, 2 higher.
World's Finest Comics #2 (DC, 1941) CGC FN 6.0 Off-white to white pages. With this second issue, a title change from Best to Finest kicks the series off in the right direction. Superman, Batman, and Robin continue as cover stars on this 100-page edition, as they would for many years to come. Also featured: Zatara, Crimson Avenger, Johnny Thunder, the King, and more. Artists include Fred Ray, Creig Flessel, and Bob Kane. Overstreet 2005 FN 6.0 value = $1,296. CGC census 11/05: 4 in 6.0, 4 higher.
World's Finest Comics #3 (DC, 1941) CGC VF- 7.5 Off-white to white pages. Batman gets ready to pop one out of the park on this Jack Burnley baseball cover, the first in a series of sports-related cover scenes for this title. Inside, notable Batman foe the Scarecrow is introduced, with an origin, and the Sandman, complete with gas mask, begins. Artists include Jerry Robinson, Bob Kane, Harry Lampert, and Creig Flessel. This attractive 100-page square bound book shows great cover color and flat, clean surfaces. Overstreet 2005 VF 8.0 value = $2,126. CGC census 11/05: 1 in 7.5, 4 higher.
World's Finest Comics #4 (DC, 1941) CGC VF 8.0 Off-white pages. Superman and the Dynamic Duo team of Batman and Robin need a little "down" time, so down the slopes they go on this brisk cover by artist Fred Ray. This issue also includes art by Leo Nowak, Harry Lampert, and Bob Kane, with an appearance by Hop Harrigan. This sharp copy features a flat spine and sturdy, uncreased cardboard covers. Overstreet 2005 VF 8.0 value = $1,638. CGC census 11/05: 2 in 8.0, 2 higher.
World's Finest Comics #5 (DC, 1942) CGC VF+ 8.5 Off-white pages. TNT and Dan the Dyna-Mite are added to the World's Finest team with this issue, while Crimson Avenger and the King bow out. Fred Ray provides the cover featuring Superman, Batman, and Robin at the movies, while Jerry Robinson, Harry Lampert, and others illustrate the stories. This copy features deep cover color and a sharp, straight spine. Overstreet 2005 VF 8.0 value = $1,638; VF/NM 9.0 value = $2,519. CGC census 11/05: 1 in 8.5, 1 higher.
World's Finest Comics #5 (DC, 1942) CGC FN- 5.5 Off-white to white pages. This early issue is notable for the last appearances of the series for the Crimson Avenger (who would continue in Detective Comics for another two years) and the King, plus the first appearances of TNT and Dan the Dyna-Mite. Artists for this issue include Fred Ray (who drew the patriotic cover), Jerry Robinson, and Cliff Young, who offers up the last "mystery-man" Sandman story before that hero's make-over. Overstreet 2005 FN 6.0 value = $786. CGC census 11/05: 3 in 5.5, 9 higher.
World's Finest Comics #6 (DC, 1942) CGC VF- 7.5 Off-white pages. Superman, Batman, and Robin greet a couple of America's fighting men on this patriotic red, white, and blue Fred Ray cover. Inside art is by Joe Simon and Jack Kirby (on the revamped Sandman and Sandy feature), along with Howard Sherman, John Sikela, Jerry Robinson, Harry Lampert, and others. Beginning this issue: Aquaman and the Star Spangled Kid. This copy is tied with two others as highest CGC-graded to date. Overstreet 2005 VF 8.0 value = $1,200. CGC census 11/05: 3 in 7.5, none higher.
World's Finest Comics #7 (DC, 1942) CGC FN+ 6.5 Off-white to white pages. Here are DC's "big guns" -- Superman, Batman, and Robin -- on a great Jack Burnley battleship cover from World War II. Green Arrow begins with this issue, which also includes Sandman by Joe Simon and Jack Kirby. Of special interest is the back cover advertisement promoting the Superman cartoon series by Max Fleischer. Overstreet 2005 FN 6.0 value = $576; VF 8.0 value = $1,200. CGC census 11/05: 5 in 6.5, 11 higher.
World's Finest Comics #10 (DC, 1943) CGC FN+ 6.5 Off-white to white pages. Joe Simon and Jack Kirby's Boy Commandos are featured in this 76-page issue, alongside such favorites as Superman, Batman, Green Arrow, and Star Spangled Kid. Other artists include Hal Sherman, Bob Kane, and Jerry Robinson. Overstreet 2005 FN 6.0 value = $507; VF 8.0 value = $1,056. CGC census 11/05: 4 in 6.5, 7 higher.
World's Finest Comics #11 (DC, 1943) CGC VF+ 8.5 Cream to off-white pages. The World's Finest team of Superman, Batman, and Robin bring in a bumper crop in this World War II "victory garden" cover illustration, by Jack Burnley. Those pint-sized defenders of freedom, the Boy Commandos, are featured inside, with art by Joe Simon and Jack Kirby. Other features include a Batman story by Jerry Robinson, and appearances by Green Arrow and Zatara. This square bound issue sports a straight spine and an unblemished cardboard cover. Overstreet 2005 VF 8.0 value = $863; VF/NM 9.0 value = $1,332. CGC census 11/05: 3 in 8.5, 1 higher.
World's Finest Comics #12 (DC, 1943) CGC VF+ 8.5 Off-white pages. You've no doubt heard of the Batmobile. Also the Batplane, the Batcopter, the... BatIceBoat? Whatever you wish to call it, here it is, on this Jack Burnley cover! Making his last appearance this issue is the original "fat" Alfred, Bruce Wayne's faithful butler, in a Batman story drawn by Dick Sprang. Other features include a Boy Commandos story by Joe Simon and a Green Arrow tale by Cliff Young. This attractive copy currently tops the CGC census chart for this issue. Overstreet 2005 VF 8.0 value = $863; VF/NM 9.0 value = $1,332. CGC census 11/05: 1 in 8.5, none higher.
World's Finest Comics #13 (DC, 1944) CGC VF- 7.5 Off-white pages. This issue's Superman, Batman, and Robin cover illustration by Jerry Robinson portrays a scene that happened many times during World War II -- the paper drive. While this noble cause did help the war effort, it also consumed tons of early comic books! Oh well... let's be happy this nice specimen escaped the drives, and is now available for one lucky bidder! A Boy Commandos story by Joe Simon and Jack Kirby is also featured in this issue. Overstreet 2005 VF 8.0 value = $863. CGC census 11/05: 3 in 7.5, 5 higher.
World's Finest Comics #14 Crowley Copy pedigree (DC, 1944) CGC NM- 9.2 Off-white to white pages. It's summer time, and the boys are all going swimming -- in a restricted area! Will Superman, Batman, and Robin bust 'em, or join 'em? Jack Burnley provides the cool, refreshing cover, while Wayne Boring, Jerry Robinson, and Hal Sherman deliver the artistic goods inside. This superb pedigreed copy currently tops the CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $1,800. CGC census 11/05: 1 in 9.2, none higher.
World's Finest Comics #16 (DC, 1944) CGC FN/VF 7.0 Off-white pages. This issue of World's Finest features a Johnny Everyman story, as well as Superman by Sam Citron and Batman by Jerry Robinson. The rock-climbing cover is by Jack Burnley. Overstreet 2005 FN 6.0 value = $414; VF 8.0 value = $863. CGC census 11/05: 1 in 7.0, 5 higher.
World's Finest Comics #17 (DC, 1945) CGC VF+ 8.5 White pages. Here's the last issue of World's Finest to feature a cardboard cover. The rickshaw cover illustration is by Jack Burnley, while a Batman story with art by Dick Sprang is the highlight inside. Overstreet 2005 VF 8.0 value = $863; VF/NM 9.0 value = $1,332. CGC census 11/05: 2 in 8.5, 3 higher.
World's Finest Comics #17 (DC, 1945) CGC FN/VF 7.0 Cream to off-white pages. DC's biggest stars, Superman and Batman, headlined this issue as usual, and Green Arrow and the Boy Commandos are just a couple of the many supporting features. The cover art is by Jack Burnley. This was the last issue of the series to have a cardboard cover. Overstreet 2005 FN 6.0 value = $414; VF 8.0 value = $863. CGC census 11/05: 4 in 7.0, 6 higher.
World's Finest Comics #19 (DC, 1945) CGC VF- 7.5 Off-white to white pages. This issue's cover illustration is a rare collaboration between three of DC's best Golden Age artists. Dick Sprang drew the figures of Batman and Robin, Jack Burnley penciled the Superman figure, and Fred Ray completed the piece by providing inks. Inside, there's a Joker appearance in the Batman story, which features art by Bob Kane. Overstreet 2005 VF 8.0 value = $756. CGC census 11/05: 2 in 7.5, 6 higher.
World's Finest Comics #20 (DC, 1945) CGC VF+ 8.5 Off-white pages. The Toyman returns to play a few tricks on Superman in this issue. The scale-tipping cover is by Jack Burnley; Joe Simon also contributes a three-pager. This choice copy currently ranks as highest-graded by CGC. Overstreet 2005 VF 8.0 value = $756; VF/NM 9.0 value = $1,166. CGC census 11/05: 1 in 8.5, none higher.
World's Finest Comics #24 (DC, 1946) CGC NM 9.4 White pages. Superman, Batman, Green Arrow, and the Boy Commandos head the roster of stars in this issue. The cover is by Win Mortimer.Overstreet 2005 NM- 9.2 value = $1,125. CGC census 11/05: 1 in 9.4, 1 higher.
World's Finest Comics #25 (DC, 1946) CGC VF 8.0 Off-white to white pages. Superman, Batman, Green Arrow, and the Boy Commandos are the featured characters here. The cover is by Jack Burnley. Overstreet 2005 VF 8.0 value = $544. CGC census 11/05: 5 in 8.0, 1 higher.
World's Finest Comics #26 (DC, 1947) CGC VF/NM 9.0 Off-white pages. No copy of this issue has been certified with a higher grade by CGC to date. In addition to Superman and Batman tales, this issue's got adventures of Green Arrow and the Boy Commandos. Overstreet 2005 VF/NM 9.0 value = $835; NM- 9.2 value = $1,125. CGC census 11/05: 2 in 9.0, none higher.
World's Finest Comics #27 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Superman's a super-pal, and not just on this Jack Burnley cover. In the story "The Man Who Out-Supered Superman," a nebbish who's trying to impress his girl takes on Superman in a series of challenges, and the Man of Steel tries his best to lose! The other features include Batman, Green Arrow, and the Boy Commandos. Overstreet 2005 VF 8.0 value = $544. CGC census 11/05: 1 in 8.0, 2 higher.
World's Finest Comics #28 Crowley Copy pedigree (DC, 1947) CGC NM- 9.2 Cream to off-white pages. This one's got it all: a great Jack Burnley cover, Superman battling Lex Luthor in one of the stories, and Batman, Green Arrow, and the Boy Commandos starring in tales of their own. It seems incredible that there are copies graded higher on CGC's census -- this beautiful copy has everything you could want in a square bound Golden Age comic. Also, football fans will love the back cover ad that tells the story of the infamous mistake by California's Roy "Wrong-Way" Riegels, but without mentioning the college or the player's name. Whoops, we just did. Overstreet 2005 NM- 9.2 value = $1,125. CGC census 11/05: 1 in 9.2, 3 higher.
World's Finest Comics #33 (DC, 1948) CGC FN 6.0 Off-white to white pages. Superman, Batman, Tomahawk, Green Arrow, and the Boy Commandos are featured. Overstreet 2005 FN 6.0 value = $231. CGC census 11/05: 1 in 6.0, 1 higher.
All Select Comics #1 (Timely, 1943) CGC VF+ 8.5 Cream to off-white pages. Overstreet calls this Alex Schomburg cover "classic" -- our sentiments exactly! Of course, a job like trashing Hitler's "Berghof" hideaway in Berchtesgaden merited Timely's very best, and there was no beating the trio of Captain America, the Human Torch, and the Sub-Mariner, the same three heroes who were also showcased in All Winners. Overstreet 2005 VF 8.0 value = $8,385; VF/NM 9.0 value = $13,693. CGC census 11/05: 3 in 8.5, 2 higher.
All Select Comics #1 (Timely, 1943) CGC VF 8.0 Off-white to white pages. One of the most famous Alex Schomburg covers of all graces this issue -- while Allied Forces would eventually take Hitler's "Berghof" hideaway near Berchtesgaden, it was sheer fantasy in mid-1943! Timely's dynamite trio of Captain America, Human Torch, and Sub-Mariner was already appearing in All Winners and elsewhere, but kids couldn't get enough of 'em, hence the new series. Overstreet 2005 VF 8.0 value = $8,385. CGC census 11/05: 1 in 8.0, 5 higher.
All Select Comics #11 (Timely, 1946) CGC NM- 9.2 Off-white pages. The Blonde Phantom made her sexy, stylish debut on this wonderful Syd Shores cover. Miss America also made an appearance in this issue, which also happens to be the last issue of this title before the title changed to -- what else? -- Blonde Phantom. To top it all off, this is the highest-graded copy of this issue certified by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $3,500. CGC census 12/05: 1 in 9.2, none higher.
All Winners Comics #1 (Timely, 1941) CGC NM- 9.2 Off-white pages. The best that Timely had to offer made up the cast of this comic: the Human Torch, Captain America, the Sub-Mariner, the Angel, and the Black Marvel are here. They star in separate features, but a text story by youngster Stan Lee has the first appearance of the All-Winners Squad, which had Timely's top stars teaming up! That supergroup wouldn't appear in comic panels until #19. So there are winners aplenty on hand, and the guys drawing them weren't exactly a bunch of nobodies: Simon and Kirby contributed, as did Carl Burgos, Bill Everett, and cover artist Alex Schomburg. With so many points of collector interest, it's no wonder the issue is listed among the 40 most valuable Golden Age books by Overstreet. Only one solitary copy of the issue has been graded higher than this one by CGC to date. Overstreet 2005 NM- 9.2 value = $35,000. CGC census 11/05: 3 in 9.2, 1 higher.
All Winners Comics #5 (Timely, 1942) CGC FN+ 6.5 Cream to off-white pages. German subs in a U.S. harbor? Not if Timely's Big Three of Captain America, Sub-Mariner, and the Human Torch can do anything about it. The cover art is credited to Al Avison. Inside the comic, the aforementioned three stars each appear in separate stories, which are supplemented by yarns starring the Whizzer and the Destroyer. A pre-Mike Hammer Mickey Spillane chipped in with a text feature. Overstreet 2005 FN 6.0 value = $693; VF 8.0 value = $1,444. CGC census 11/05: 1 in 6.5, 6 higher.
All Winners Comics #14 (Timely, 1944) CGC VF 8.0 Off-white to white pages. Funny how our heroes (in this case, Captain America, Bucky, and Sub-Mariner) all look so much bigger than the Japanese on all those World War II Alex Schomburg covers! Maybe that's what's made them fan favorites for years! This one has all the action you can expect from Schomburg, and more inside from Vince Alascia, Al Bellman, and others. Overstreet 2005 VF 8.0 value = $888. CGC census 12/05: 1 in 8.0, 2 higher.
All Winners Comics #18 (Timely, 1946) CGC VF/NM 9.0 Off-white pages. Alex Schomburg's action-packed cover illustration shows a gang of crooks robbing the Internal Revenue vaults -- only to be stymied by the All Winners team of Captain America, Human Torch, and Sub-Mariner! Save those tax-payer dollars! This solid, attractive example is currently tied with two others as the highest CGC-graded copies of issue #18. Overstreet 2005 VF/NM 9.0 value = $1,369; NM- 9.2 value = $1,850. CGC census 11/05: 3 in 9.0, none higher.
Astonishing #19 Bethlehem pedigree (Atlas, 1952) CGC NM 9.4 Off-white to white pages. Finding a pre-Code horror book in high grade is as Astonishing as the stories themselves -- this is the highest-graded copy that CGC has certified as of this writing, with the next highest being a 9.0. Russ Heath drew the cover, while Joe Maneely and Bernard Krigstein contributed interior art. Comes with the Bethlehem certificate of authenticity. Overstreet 2005 NM- 9.2 value = $340. CGC census 11/05: 1 in 9.4, none higher.
Blonde Phantom #12 (Timely, 1946) CGC FN/VF 7.0 Cream to off-white pages. This is the highest-graded copy of this issue that CGC has certified to date! And this is the first issue of the series (the numbering was continued from All-Select). In addition to the title character, this issue has a Miss America story, plus a Mister Wu feature notable for its Bob Powell art. The cover is by Syd Shores. We like the handwritten notation on this copy's cover: "Grandma Kay, save this." If all of our grandmas had done the same, there would be a lot more Timelys around today... Overstreet 2005 FN 6.0 value = $495; VF 8.0 value = $1,031. CGC census 11/05: 1 in 7.0, none higher.
Blonde Phantom #15 (Timely, 1947) CGC VF/NM 9.0 Off-white pages. Only one copy of this issue has been graded higher by CGC to date. We think cover artist Syd Shores doesn't get enough credit for the unusual perspectives he brought to his covers, and this down-the-hall view is a prime example. In addition to the story of the Blonde Phantom and her clueless boss Mark Mason, this issue has a Sub-Mariner story and one of Harvey Kurtzman's "Hey Look" one-pagers. Overstreet 2005 VF/NM 9.0 value = $869; NM- 9.2 value = $1,175. CGC census 12/05: 1 in 9.0, 1 higher.
Blonde Phantom #19 (Timely, 1948) CGC VF/NM 9.0 Off-white pages. The Blonde Phantom was Timely's answer to Ginger Rogers -- she could do anything the male crimefighters could, and she did it all in high heels! Check out her glamor and her gams on this Syd Shores cover. The issue has Ken Bald interior art, plus a Sub-Mariner story drawn by Mike Sekowsky. Note that only one copy of the issue has been graded higher by CGC to date, and that one's just one notch higher at 9.2. Overstreet 2005 VF/NM 9.0 value = $741; NM- 9.2 value = $1,000. CGC census 11/05: 2 in 9.0, 1 higher.
Captain America Comics #1 Kansas City pedigree (Timely, 1941) CGC VF/NM 9.0 Cream to off-white pages. This is one of the best copies available of one of the best-known and most desirable comic books of all time. In fact, only two unrestored copies of the issue have been certified with higher grades by CGC to date. Of course, having the origin and first appearance of Captain America would make this a significant comic no matter what, but the icing on the cake is the classic cover by the character's co-creators, Joe Simon and Jack Kirby. Simon once explained the inspiration behind the cover as follows: "There had never been a truly believable villain in comics. But Adolf was live, hated by more than half the world... I could smell a winner." There are two other very significant first appearances here: the villainous Red Skull and of course Cap's sidekick Bucky Barnes. Out of all of the key Golden Age #1 issues, this was the only one to premiere a brand-new character in a comic book devoted to him! That shows the confidence that Timely had in the character, and that confidence was justified, as it catapulted Timely into the top rank of comic book publishers. Overstreet 2005 VF/NM 9.0 value = $95,000; NM- 9.2 value = $140,000. CGC census 11/05: 1 in 9.0, 2 higher.
Captain America Comics #1 (Timely, 1941) CGC Apparent FN 6.0 Moderate (P) Cream to off-white pages. Here's your chance to secure an attractive copy of one of the most-desired comics of all. Yes, this one does have restoration, but so do about half of the copies that CGC has certified to date, and the professional restoration here is expertly done, and most important of all, it's unobtrusive. Now, for those readers who may be wondering, "What's so important about this Captain America chap?" we'll quote the way Overstreet once put it, "Simon & Kirby's most classic creation; a patriotic paragon (the second but foremost of patriotic heroes) that set the comics market reeling. A trend setter." The comic also has the first appearances of Bucky (Cap's sidekick) and the Red Skull (Cap's archfoe). CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2005 GD 2.0 value = $7,179; VG 4.0 value = $14,358; FN 6.0 value = $21,537.
Captain America Comics #16 (Timely, 1942) CGC VF+ 8.5 Cream to off-white pages. This is the highest-graded copy of the issue by a fairly wide margin, in fact it's the only one graded above 7.0 by CGC to date. And what a great issue to have, because it's got one of the most exciting stories of the series' run, with the Red Skull unmasking Cap and finding out that he's really Steve Rogers! Not only that, the Red Skull is also seen without his mask (not by Cap, but by us readers) in the story, which was written by Stan Lee and drawn by Al Avison. The bondage cover is by Avison. Overstreet 2005 VF 8.0 value = $2,970; VF/NM 9.0 value = $4,785. CGC census 11/05: 1 in 8.5, none higher.
Captain America Comics #30 (Timely, 1943) CGC VF- 7.5 Off-white pages. When eye-catching action was needed, Syd Shores was one of Timely's go-to guys. Shores also provided interior art for the issue, as did Vince Alascia, Al Bellman, and Al Fagaly. The Human Torch heats up a backup feature. Overstreet 2005 VF 8.0 value = $1,538. CGC census 11/05: 2 in 7.5, 7 higher.
Captain America Comics #33 (Timely, 1943) CGC FN/VF 7.0 Off-white pages. Alex Schomburg's incredible World War II cover shows Cap and Bucky leading an Allied charge on the Nazi stronghold of the Brenner Pass. This was the lowest of the main passes through the Alps, and the main route for German supplies to Italy. It would be a year after this issue's cover date before the American forces began Operation Bingo, hell-bent on smashing the German line at the Pass. We suggest an aggressive bidding strategy on this objective! Overstreet 2005 FN 6.0 value = $636; VF 8.0 value = $1,325. CGC census 11/05: 1 in 7.0, 4 higher.
Captain America Comics #42 (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. Those pesky criminals -- don't they know they can't get away with robbing an armored car while Captain America and Bucky are around? This Alex Schomburg cover delivers plenty of bloody thrills! A Human Torch story also appears. This glossy copy is currently unsurpassed in CGC's census report for issue #42. Overstreet 2005 VF/NM 9.0 value = $1,741; NM- 9.2 value = $2,350. CGC census 12/05: 4 in 9.0, none higher.
Captain America Comics #45 (Timely, 1945) CGC VF/NM 9.0 White pages. Alex Schomburg's fast-action cover shows Cap and Bucky battling bank robbers rather than enemy agents -- guess they knew World War II was soon to end! A Human Torch tale is included inside. This sharp copy features great cover color and supple, white interior pages. Overstreet 2005 VF/NM 9.0 value = $1,741; NM- 9.2 value = $2,350. CGC census 11/05: 3 in 9.0, 1 higher.
Captain America Comics #51 (Timely, 1945) CGC VF+ 8.5 White pages. Alex Schomburg's cover illustration shows a rather nasty-looking device about to slice and dice a hog-tied Army officer. Good thing Captain America and Bucky were close by! This cover illustration appears to have been a left-over from World War II, modified by Schomburg after the war ended. CGC notes it as a "bondage cover" (for the male officer), a designation we prefer to leave for situations involving members of the fairer sex. Inside, there's art by Carmine Infantino on a Human Torch story. This exceptional copy appears fresh and tight. Overstreet 2005 VF 8.0 value = $863; VF/NM 9.0 value = $1,332. CGC census 11/05: 3 in 8.5, 3 higher.
Captain America Comics #52 (Timely, 1946) CGC VF 8.0 Light tan to off-white pages. Cap and Bucky break up a raid at the U.S. Vault on this Alex Schomburg cover. Inside, the Human Torch faces off against the Cat-man. This sharp copy features great cover color. Overstreet 2005 VF 8.0 value = $863. CGC census 11/05: 4 in 8.0, 8 higher.
Captain America Comics #61 (Timely, 1947) CGC VF+ 8.5 Off-white pages. This Syd Shores cover is notable for a bondage scene as well as an appearance by Cap villain #1, the Red Skull. Inside the issue, there's a Human Torch backup feature. Overstreet 2005 VF 8.0 value = $1,756; VF/NM 9.0 value = $2,703. CGC census 12/05: 1 in 8.5, 2 higher.
Captain America Comics #62 (Timely, 1947) CGC VF+ 8.5 Off-white pages. Syd Shores spiced up this cover with some leggy ladies -- nice for us, but slim consolation to Bucky! The Cap action in the issue is supplemented by a Human Torch feature with Carmine Infantino art. Overstreet 2005 VF 8.0 value = $1,131; VF/NM 9.0 value = $1,741. CGC census 11/05: 2 in 8.5, 5 higher.
Complete Comics #2 (Timely, 1945) CGC VF/NM 9.0 Off-white pages. The Young Allies star in the only issue of this uncommon title (which continued from Amazing Comics #1). Inside, there are stories featuring the Destroyer and the Whizzer. The World War II cover art is by that Timely titan, Alex Schomburg, with interior art supplied by Vince Alascia, Al Gabriele, and Mike Sekowsky. Overstreet 2005 VF/NM 9.0 value = $1,557; NM- 9.2 value = $2,100. CGC census 11/05: 1 in 9.0, 1 higher.
Daring Comics #11 (Timely, 1945) CGC VF 8.0 Cream to off-white pages. Alex Schomburg's incredible World War II cover has our Timely heroes (Sub-Mariner and the Human Torch with Toro) looming large as they make the way safe for America's fighting forces. Inside, the Destroyer makes an appearance. This sharp copy packs plenty of eye-appeal. Overstreet 2005 VF 8.0 value = $663. CGC census 11/05: 1 in 8.0, 4 higher.
Daring Mystery Comics #1 Denver pedigree Timely, 1940) CGC NM 9.4 Off-white pages. This milestone Timely hit the newsstands just three months after Marvel Comics #1, and well before first issues of better-known titles such as Human Torch Comics and Sub-Mariner Comics. The cover is quintessential Alex Schomburg - bondage, hooded bad guys, and action galore. The futuristic theme featured the Fiery Mask, a character whose origin and first appearance could be found inside. This brilliant Denver pedigree copy could have come from the "other" premier pedigree from Colorado - it is magnificent! The issue itself is Gerber "scarce", underscored by the total number of unrestored copies CGC has certified to date, a mere five. And, no other copy has been graded nicer than FN 6.0! Joe Simon contributed interior art. Overstreet 2005 NM- 9.2 value = $31,000. CGC census 12/05: 1 in 9.4, none higher.
Daring Mystery Comics #3 (Timely, 1940) CGC VF- 7.5 Cream to off-white pages. An Alex Schomburg cover and Joe Simon interior art grace this early Timely issue, which is a Gerber "7." This brief series featured a sizable brigade of relatively short-lived heroes, with cover billing going to the Purple Mask, who takes on some purple Nazis! What's not purple is the label on the slab, and since the highest-graded unrestored copy in CGC's census as of this writing is an 8.5, this is among the best copies available. Overstreet 2005 VF 8.0 value = $3,479. CGC census 11/05: 1 in 7.5, 2 higher.
Daring Mystery Comics #4 (Timely, 1940) CGC FN 6.0 Cream to off-white pages. This was the only non-superhero cover of this title's run, and it features exciting art by Alex Schomburg. Unlike the other Timely titles, this series had a different lineup of characters in almost every issue. The Ace G-Man got top billing here. A mere two copies of this issue have been certified with higher grades by CGC to date. Overstreet 2005 FN 6.0 value = $993. CGC census 11/05: 1 in 6.0, 2 higher.
Daring Mystery Comics #7 (Timely, 1941) CGC FN/VF 7.0 Cream to off-white pages. Timelys from this period are sought after in most any grade, and this issue has the advantage of art by the Simon and Kirby team. Also of note is the work of Bill Everett, no stranger to aquatic characters, who drew the adventure of the Fin. Overstreet 2005 FN 6.0 value = $1,035; VF 8.0 value = $2,243. CGC census 11/05: 1 in 7.0, 2 higher.
Daring Mystery Comics #7 (Timely, 1941) CGC VG/FN 5.0 Slightly brittle pages. This series got a fresh start with a brand-new cast of characters in this issue. Making their first appearances were Captain Daring (by Simon and Kirby) the Challenger, the Silver Scorpion, the Blue Diamond, the Thunderer (by Carl Burgos), the Fin (by Bill Everett), and more. Overstreet credits the cover to Alex Schomburg. Overstreet 2005 VG 4.0 value = $690; FN 6.0 value = $1,035. CGC census 11/05: 1 in 5.0, 6 higher.
Gay Comics #1 Carson City pedigree (Timely, 1944) CGC NM+ 9.6 White pages. This is by far the highest-graded copy of this Timely that CGC has certified as of this writing, with the runner-up checking in at 7.0. This first issue's got three characters who had their own titles at one time: Powerhouse Pepper (drawn by Basil Wolverton), Tessie the Typist, and Willie. It's Willie's first appearance, by the way. The issue is rated "scarce" by Gerber. Overstreet 2005 NM- 9.2 value = $625. CGC census 11/05: 1 in 9.6, none higher.
Gay Comics #26 Crowley Copy pedigree (Timely, 1947) CGC NM+ 9.6 Cream to off-white pages. Pity the poor judge of a beauty contest featuring both Millie the Model and Tessie the Typist! This pedigreed prize contains a nice helping of Basil Wolverton zaniness alongside the adventures of Millie and Tessie. Currently, this is the only copy of this issue listed in CGC's census report. Overstreet 2005 NM- 9.2 value = $300. CGC census 11/05: 1 in 9.6, none higher.
The Human Torch #2 (#1) (Timely, 1940) CGC NM 9.4 Off-white pages. This is the finest copy yet certified of this hotly sought-after Timely key. Our copy's alone at the top of the CGC census, and the blue "Universal" CGC label signifying an unrestored copy is especially notable, since the few copies that come along seem to be restored more often than not. While the title character was already a known quantity from Marvel Mystery Comics, this issue is particularly significant in that it's got the first appearance of his fiery sidekick Toro. Unlike the Human Torch, who was an android, Toro was born with his powers, making him one of the very first mutant superheroes! The issue moved up in the 2005 Overstreet ranking of the most valuable comic books, going from 21st to 18th, and the only Timelys above it on that list are Marvel Comics #1 and Captain America Comics #1. Also appearing in this issue is the only other Timely star who approached the Human Torch's popularity, namely the Sub-Mariner (Captain America hadn't been created yet). This first cover appearance is the work of Timely's cover ace Alex Schomburg. The roster of interior artists includes Timely's top talents of the day: Carl Burgos, Bill Everett, Joe Simon, and Paul Reinman to name a few. As for the unusual numbering: the issue doesn't have any number on the cover, and though this is the first issue of the series, the indicia read #2 because Timely opted to continue the numbering from Red Raven Comics #1. This copy will be an object of desire for anyone who collects the Timely/Marvel line, and that includes just about every comic book fan! Overstreet 2005 NM- 9.2 value = $50,000. CGC census 11/05: 1 in 9.4, none higher.
The Human Torch #2 (#1) (Timely, 1940) CGC VF 8.0 Cream to off-white pages. Only two copies of this key Timely have been graded higher to date! And yes, one of them is in this very auction, but unless you answer to "Mr. Warbucks," "Mr. McDuck," or "Your Majesty," the probable price for that other one may well give you pause. So let us direct your attention to this very impressive VF copy of one of the 20 most valuable comic books ever made! This copy will make its future owner very proud -- on first glance at the slab you might mistake this for a recent reprint, the cover colors are that fresh! The ambitious Timely collector simply can't do without this key, the first appearance of the Torch's sidekick Toro. The fact that it's got a cover by Timely's top ace in that department, Alex Schomburg, only solidifies the desirability of the book. CGC notes, "Very small amount of glue on cover and centerfold." Overstreet 2005 VF 8.0 value = $21,600. CGC census 12/05: 3 in 8.0, 2 higher.
The Human Torch #2 (#1) (Timely, 1940) CGC VG+ 4.5 Off-white pages. The first appearance of Toro highlights this debut issue of the Torch's own title. This is the third most valuable Timely comic, behind only Marvel Comics #1 and Captain America Comics #1. The book's got an Alex Schomburg cover, with interior art by Carl Burgos, Bill Everett, Joe Simon, and more. CGC notes, "1 piece of tape on centerfold." Overstreet 2005 VG 4.0 value = $5,750. CGC census 12/05: 5 in 4.5, 13 higher.
The Human Torch #3 (#2) (Timely, 1940) CGC VF+ 8.5 Cream to off-white pages. Here's a very attractive copy of the second Human Torch issue, which also features twenty pages of Sub-Mariner action. Adolf Hitler makes a story appearance, nearly a year before the United States would enter World War II. Alex Schomburg provides the pretty damsel in distress cover, while Carl Burgos and Bill Everett handle interior art. There's plenty of eye-appeal here! Overstreet 2005 VF 8.0 value = $3,612; VF/NM 9.0 value = $5,806. CGC census 11/05: 2 in 8.5, 4 higher.
The Human Torch #4 (#3) (Timely, 1941) CGC FN/VF 7.0 Off-white pages. Alex Schomburg's colorful cover shows young Toro in a tight spot -- enter the Human Torch! The origin of the Patriot is featured in a text piece. This issue also features Bill Everett's last art on the Sub-Mariner for this title, as well as art by Sid Greene, Paul Reinman, and Carl Burgos. Overstreet 2005 FN 6.0 value = $1,269; VF 8.0 value = $2,837. CGC census 11/05: 2 in 7.0, 9 higher.
The Human Torch #27 (Timely, 1947) CGC VF 8.0 Off-white pages. When asbestos was phased out, Human Torch writers lost a great plot device, as almost every foe of both the Golden and Silver Age Torches loved to employ the stuff! None more so than Asbestos Lady, who made her second appearance here (and was seen on a cover for the first time). The Sub-Mariner appears in a backup feature. The issue's cover art is by Syd Shores. Overstreet 2005 VF 8.0 value = $744. CGC census 11/05: 2 in 8.0, 2 higher.
The Human Torch #29 (Timely, 1947) CGC VF- 7.5 Cream to off-white pages. Syd Shores is credited with this issue's cover featuring the Human Torch and Toro. The Sub-Mariner appears in a backup feature. Overstreet 2005 VF 8.0 value = $744. CGC census 11/05: 3 in 7.5, 5 higher.
The Human Torch #34 (Timely, 1949) CGC VF 8.0 Off-white to white pages. This issue presents the kind of wild cover story we would expect from DC's Silver Age Strange Adventures, in "The Flat of the Land." Sun Girl is featured in a solo tale. Syd Shores, Mike Sekowsky, and Ken Bald are listed as artists. Overstreet 2005 VF 8.0 value = $575. CGC census 11/05: 2 in 8.0, none higher.
Joker Comics #1 Denver pedigree (Timely, 1942) CGC FN/VF 7.0 Cream to off-white pages. This issue has the first appearance of Powerhouse Pepper by Basil Wolverton, and Stuporman from Daring Comics also appears. The back cover of this book features a full-page advertisement for Captain America's Sentinels of Liberty membership. Overstreet lists this issue as "rare," and Gerber gives it a "scarce" rating, meaning no more than 50 are believed to exist. Overstreet 2005 FN 6.0 value = $831; VF 8.0 value = $1,731. CGC census 12/05: 2 in 7.0, 1 higher.
Journey Into Unknown Worlds #36 (#1) (Atlas, 1950) CGC VF+ 8.5 Cream to off-white pages. How does a first issue become #36? Well, Timely/Atlas was never a company to give up series numbering without a fight, that's how All Winners Comics became All Teen, then All Winners again for one issue before becoming Teen Comics, and then this new "#1." The new title had some staying power, thanks to art by the likes of Russ Heath, who contributed here. This issue features an "End of the Earth" story, plus "The Monster of Moog" (cue synthesizers). Overstreet 2005 VF 8.0 value = $1,488; VF/NM 9.0 value = $2,294. CGC census 11/05: 2 in 8.5, 1 higher.
Journey Into Unknown Worlds #37 (#2) (Atlas, 1950) CGC NM 9.4 Off-white pages. End-of-the-world scenarios dominated the first few issues of this title before it went to a horror format. Bill Everett illustrated this issue's cover in addition to providing interior art. There's also a Hitler-themed story in the issue. Overstreet 2005 NM- 9.2 value = $1,325. CGC census 12/05: 1 in 9.4, none higher.
Junior Miss #1 Carson City pedigree (Timely, 1944) CGC NM- 9.2 Off-white pages. The famed Carson City collection (sometimes called the "Comstock Lode") produced this NM- copy of a black-cover issue. This issue, aimed at the teenage girl, includes biographies of the great Frank Sinatra as well as an actress who could sing a bit herself, the wholesome June Allyson. Overstreet 2005 NM- 9.2 value = $320. CGC census 11/05: 1 in 9.2, none higher.
Kid Komics #1 (Timely, 1943) CGC FN- 5.5 Cream to off-white pages. How's this for a far-out Timely #1: start with Subbie, a kid with the powers of the Sub-Mariner, who makes his first appearance here. Then add a one-time-only adventure for Whitewash and Knuckles of the Young Allies. And then there's the lead feature, Captain Wonder and Tim, seen on a typically dynamic cover by Syd Shores. Oh, and if you're wondering why in the world someone wrote "Flap Flip Flop" on this copy's cover, it's because he or she was enthused about the feature of that name in this issue, drawn by the highly collectible Basil Wolverton. CGC notes, "Centerfold detached." Overstreet 2005 FN 6.0 value = $1,269. CGC census 11/05: 2 in 5.5, 3 higher.
Kid Komics #4 (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. Who doesn't love these Alex Schomburg covers? Well, maybe Whitewash, Tubby, and Jeff, since they're always seconds from certain death unless Toro and Bucky can save the day. In addition to the Young Allies, this issue has Sub-Mariner and Destroyer stories. Only one copy of the issue has been certified with a higher grade by CGC to date. Overstreet 2005 VF/NM 9.0 value = $1,203; NM- 9.2 value = $1,625. CGC census 11/05: 2 in 9.0, 1 higher.
Kid Komics #5 (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. This issue's Young Allies cover is so busy, it looks at first glance to be the work of Alex Schomburg, but a closer check will reveal it to be from the hand of Sol Brodsky. Notable contents include the first Tommy Tyme tale, a Destroyer saga, and an appearance by Adolf Hitler. The real star attraction is the remarkable condition of this copy, highlighted by a fresh-looking black background. Overstreet 2005 VF/NM 9.0 value = $925; NM- 9.2 value = $1,250. CGC census 12/05: 2 in 9.0, 1 higher.
Kid Komics #9 (Timely, 1945) CGC NM 9.4 Off-white pages. The Young Allies starred in this issue, which is graced by an Alex Schomburg cover. Also appearing are the Destroyer and (ahem) Jap-Buster Johnson. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 11/05: 3 in 9.4, none higher.
Komic Kartoons #1 Carson City pedigree (Timely, 1945) CGC NM 9.4 Off-white to white pages. Not many people seem to have saved this funny animal book, and there might not be a nicer copy in existence given the predominantly black cover. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.4, none higher.
Krazy Krow #1 Carson City pedigree (Marvel, 1945) CGC VF+ 8.5 White pages. No copy has been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $121; VF/NM 9.0 value = $173. CGC census 11/05: 2 in 8.5, none higher.
Marvel Comics #1 Pay Copy (Timely, 1939) CGC VF/NM 9.0 Off-white pages. Holder of the Guinness world record for the most valuable comic book, this copy is tied with one other at the top of CGC's census, yet equaled by none in terms of significance. We have been privileged to see some lovely copies of this key comic, but this one's got a nicer spine than the other CGC 9.0 copy, and it has better centering than either that one or the very nice Denver copy. Many copies we've seen either have the word "The" at the bottom left running off the edge, have the red borders of the word "Marvel" at the top cut off, or are even printed much more askew than that, but none of those apply to this specimen. And while most copies of the book have a black circle printed over the "OCT." cover date with "NOV." printed above it, this is the only copy we've seen that has the OCT letters showing through and actually visible. This is called the pay copy because it's the one used by the Lloyd Jacquet studio (aka Funnies Inc.), which produced the comic in its entirety for Timely, to record how much each contributor was paid, on which date and with which check number. For instance, the notation on the cover tells us that cover artist Frank R. Paul received $25 to draw this now-legendary cover. The existence of this pay copy didn't become known until Jacquet's death, and the inside look that it gives the owner at the very genesis of the Timely/Marvel line is what makes this one of the most desirable single copies of any comic book. Also noted on the interior pages are payments to Bill Everett (for the Sub-Mariner story), Carl Burgos (for the Human Torch story), Ben Thompson (Ka-Zar) , Paul Gustavson (the Angel) , and others, all dating from late July 1939. Yes, this comic is the first newsstand appearance of all four of those classic characters, and it's also the first comic book by Timely (later known as Marvel). As such, this is the beginning of the Marvel Universe and the entire pop culture phenomenon that that entails. CGC notes, "Publisher's record of payments to artists noted on 7 pages and cover in pencil." Overstreet 2005 VF/NM 9.0 value = $254,500; NM- 9.2 value = $365,000. CGC census 11/05: 2 in 9.0, none higher.
Marvel Mystery Comics #2 (Timely, 1939) CGC VF/NM 9.0 White pages. This issue is ranked among the 30 most valuable comic books by Overstreet, and this copy is tied for the highest grade that CGC has assigned to date. This book, called "rare" by Overstreet, is the first issue of the title to have the name Marvel Mystery Comics, as #1 was of course simply called Marvel Comics. Featured are the Human Torch by Carl Burgos (and a retelling of the hero's origin), the Sub-Mariner by Bill Everett, Ka-Zar, and a host of other heroes. The cover art has been credited to Claire Moe. Since Marvel Mystery was Timely's flagship series, this superb copy would be one of the crown jewels of any Timely collection. CGC notes, "Very minor amount of glue on cover." Overstreet 2005 VF/NM 9.0 value = $30,800; NM- 9.2 value = $43,000. CGC census 11/05: 2 in 9.0, none higher.
Marvel Mystery Comics #26 (Timely, 1941) CGC FN/VF 7.0 Off-white pages. In this issue, Carl Burgos drew the Human Torch, Paul Gustavson drew the Angel, Bill Everett handled art chores on the Sub-Mariner, and Simon and Kirby did what George H. W. Bush might call "the Vision thing." The cover is by Alex Schomburg. Overstreet 2005 FN 6.0 value = $588; VF 8.0 value = $1,225. CGC census 11/05: 2 in 7.0, 5 higher.
Marvel Mystery Comics #28 (Timely, 1942) CGC VF+ 8.5 Off-white pages. Beauty in trouble (and in bondage)? Check. Evil mastermind and his troglodyte minions? Check. The Human Torch arriving just in time? Check -- we've got all the elements of a classic Alex Schomburg cover in place! The great characters and creators inside the comic include Sub-Mariner by Bill Everett, the Vision by Simon and Kirby, Terry Vance by Bob Oksner, and the aforementioned Torch by Carl Burgos. Plus, there's a text feature by Mike Hammer's creator and erstwhile comic scribe Mickey Spillane! Overstreet 2005 VF 8.0 value = $1,225; VF/NM 9.0 value = $1,888. CGC census 11/05: 4 in 8.5, 1 higher.
Marvel Mystery Comics #30 (Timely, 1942) CGC VF 8.0 Off-white to white pages. Timely's first Japanese war cover came shortly after the USA had been rocked by the Pearl Harbor attack (since comics were dated in advance of their release date even back then, this April 1942 issue came out just a couple of months after the attack). The cover, featuring the Human Torch and Toro, is by Al Gabriele. Also appearing are the Sub-Mariner, the Angel, the Vision, and more. Note that a small plastic stabilizing peg is loose inside the CGC holder, not affecting the comic itself or the integrity of the holder. Overstreet 2005 VF 8.0 value = $1,225. CGC census 11/05: 3 in 8.0, none higher.
Marvel Mystery Comics #34 (Timely, 1942) CGC VF+ 8.5 Off-white pages. Bill Everett and Carl Burgos appear in a story in this issue and also battle Hitler! Also seen in the story are Timely publisher Martin Goodman and the office of Funnies Inc. (the studio that produced this issue for Timely and employed Everett, Burgos, and company). The Human Torch, the Sub-Mariner, the Angel, the Vision, and the Patriot are featured. Overstreet credits the cover to Alex Schomburg. Overstreet 2005 VF 8.0 value = $1,275; VF/NM 9.0 value = $1,963. CGC census 11/05: 2 in 8.5, 1 higher.
Marvel Mystery Comics #35 (Timely, 1942) CGC VF+ 8.5 White pages. D-Day wouldn't have been put off until 1944 if the Human Torch and the Sub-Mariner had been in charge! The amphibious assault on the cover of this 1942 issue comes from the pen of artist Alex Schomburg. In addition to the two aforementioned heroes, the Angel, Terry Vance, the Vision, and others appear. Overstreet 2005 VF 8.0 value = $1,106; VF/NM 9.0 value = $1,703. CGC census 11/05: 1 in 8.5, 1 higher.
Marvel Mystery Comics #59 Pennsylvania pedigree (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. Alex Schomburg's cover features the Human Torch and Toro. Inside the comic, the Sub-Mariner, Miss America, the Angel, and the Patriot appear. Our pedigree offering is topped by only one copy in CGC's census as of this writing. Overstreet 2005 VF/NM 9.0 value = $1,260; NM- 9.2 value = $1,700. CGC census 11/05: 1 in 9.0, 1 higher.
Marvel Mystery Comics #67 (Timely, 1945) CGC VF 8.0 Off-white to white pages. In addition to the Human Torch and Toro, this issue has tales of the Sub-Mariner, the Angel, the Patriot, and Miss America. The cover is by Alex Schomburg. Overstreet 2005 VF 8.0 value = $719. CGC census 11/05: 2 in 8.0, 1 higher.
Marvel Mystery Comics #71 (Timely, 1946) CGC NM 9.4 Off-white to white pages. This super-pretty copy is topped by only one other in CGC's census as of this writing. Alex Schomburg not only delivered an exciting cover scene here, he gave us readers something to ponder: are those Egyptian goons reviving Cleopatra, or drugging the archaeologist's lovely assistant, or what exactly? When you've figured that out, move on to the superhero tales inside, with the Human Torch, the Sub-Mariner, Miss America, the Patriot, and the Angel all appearing. Overstreet 2005 NM- 9.2 value = $1,500. CGC census 11/05: 1 in 9.4, 1 higher.
Marvel Mystery Comics #73 "D" Copy pedigree (Timely, 1946) CGC VF+ 8.5 Cream to off-white pages. The Human Torch and Toro blast into battle with a werewolf in this issue. We're treated to a great cover by Mike Sekowsky, who is well known for his work on the early issues of Justice League of America. This book certainly has a lot going for it, being from the renowned "D" Copy pedigree, plus, as CGC notes, it's "From the collection of Nicolas Cage." As if that weren't enough, this great-looking copy also happens to hold the highest CGC grade awarded to date for this issue. Overstreet 2005 VF 8.0 value = $719; VF/NM 9.0 value = $1,110. CGC census 11/05: 3 in 8.5, none higher.
Marvel Mystery Comics #77 Ohio pedigree (Timely, 1946) CGC VF+ 8.5 White pages. A very angular-looking Subby races the Human Torch race on this interesting cover -- notice the speedboats and airplanes far behind them! This well-preserved pedigreed comic comes in near the top of the current CGC census, bested by only two higher-graded copies. Overstreet 2005 VF 8.0 value = $719; VF/NM 9.0 value = $1,110. CGC census 11/05: 1 in 8.5, 2 higher.
Marvel Mystery Comics #77 (Timely, 1946) CGC FN/VF 7.0 Cream to off-white pages. Who won the race between the Human Torch and the Sub-Mariner? Syd Shores' cover looks too close to call! Other featured heroes in the issue include the Young Allies and the Angel, the latter drawn by Carmine Infantino. Overstreet 2005 FN 6.0 value = $345; VF 8.0 value = $719. CGC census 11/05: 2 in 7.0, 5 higher.
Marvel Mystery Comics #84 Big Apple pedigree (Timely, 1947) CGC VF 8.0 Cream to off-white pages. We've never seen Captain America quite so lascivious as on this issue's cover! But who can blame him for casting a glance at the Blonde Phantom, va-va-voom! This issue marks the debut of a regular feature in this title for the leggy law-enforcer. And the issue also marks the return of the Sub-Mariner as a regular, drawn by Bill Everett. The cover is by Syd Shores. Overstreet 2005 VF 8.0 value = $863. CGC census 12/05: 2 in 8.0, 1 higher.
Marvel Mystery Comics #88 (Timely, 1948) CGC NM- 9.2 Off-white to white pages. The Sub-Mariner smiling? That alone makes this Sol Brodsky cover a collector's item! The lovely Blonde Phantom (who uses her pistol even for kidding around), the Human Torch, and Sun Girl share the lighthearted moment with Subby. Sun Girl's appearance is her first in this title. Oddly, Captain America doesn't receive cover billing, though he does appear in a backup feature. Overstreet 2005 NM- 9.2 value = $1,375. CGC census 12/05: 4 in 9.2, none higher.
Marvel Mystery Comics #90 (Timely, 1949) CGC VF 8.0 Off-white pages. The Blonde Phantom is unmasked in this issue! And speaking of heroines, Sun Girl gets a feature as well as a cover appearance. Timely's big three of the Human Torch, Sub-Mariner, and Captain America round out the lineup. There's also an editorial about Dr. Fredric Wertham. The cover is by Mike Sekowsky. Overstreet 2005 VF 8.0 value = $819. CGC census 11/05: 3 in 8.0, 2 higher.
Mighty Mouse #2 (Timely, 1946) CGC VF/NM 9.0 Off-white to white pages. Here he comes to save the day -- Paul Terry's immortal character, Mighty Mouse! This is a superb copy, from the Rodent of Steel's first series for Timely/Marvel. We have to ask, though -- why wasn't this fearless defender of freedom included in the All Winners Squad? Overstreet 2005 VF/NM 9.0 value = $538; NM- 9.2 value = $725. CGC census 11/05: 1 in 9.0, none higher.
Miss America Comics #1 Mile High pedigree (Timely, 1944) CGC NM 9.4 White pages. One of the first female superheroes of the Timely/Marvel line was Miss America. Her comic only lasted one issue, but it continued thereafter as Miss America Magazine. Ken Bald provided cover and interior art. Overstreet 2005 NM- 9.2 value = $2,150. CGC census 11/05: 1 in 9.4, none higher.
Miss America Comics #1 Crowley Copy pedigree (Timely, 1944) CGC VF/NM 9.0 Cream to off-white pages. Timely's two-fisted female crimefighter known as Miss America was the star of her own series for 14 years, yet this is the only comic issue ever to be devoted entirely to her! After this initial comic, the title was converted to Miss America Magazine with issue #2, featuring a mix of articles, photos, movie reviews, and some comics (in fact, Marvel's teen queen Patsy Walker was introduced in issue #2). Miss America had originally been featured in the back pages of Marvel Mystery, as a young woman who had been super-charged by a strange invention. Ken Bald, who would go on to greater success with newspaper strips like Dr. Kildare, provided the art, including the great pin-up cover illustration. Overstreet 2005 VF/NM 9.0 value = $1,591; NM- 9.2 value = $2,150. CGC census 11/05: 1 in 9.0, 1 higher.
Miss America Magazine #2 Crowley Copy pedigree (Timely, 1944) CGC VF 8.0 Cream to off-white pages. The first appearances of Patsy Walker, Hedy Wolfe, and Buzz Baxter are enough to get us very sentimental about this comic, but sealing our love is the fact that this is the highest-graded copy CGC has certified to date! Every Marvel fan knows Patsy Walker, be it from her starring turns in Patsy Walker and Patsy and Hedy or even her superhero era as Hellcat in the swingin' Seventies. And of course, Patsy's world isn't complete without archrival Hedy or Patsy's heartthrob Buzz. All of that is just one part of this magazine, in which comics share space with text features. And we mustn't forget the title character, who appears in a comic story in addition to this winning photo cover, for which Timely found the perfect All-American 1940s gal to portray her. Miss America's origin is here as well. Nothing would make us happier than to possess this comic, but instead we're offering it to the highest bidder -- lucky devil! Overstreet 2005 VF 8.0 value = $819. CGC census 11/05: 1 in 8.0, 1 higher.
Miss Fury #1 (Timely, 1942) CGC VF/NM 9.0 Off-white to white pages. Here's the nicest copy yet certified of this issue, the first comic book appearance of Tarpe Mills' newspaper heroine Miss Fury. The character is quite significant in comic book history, as she was one of the earliest superheroines -- according to some, she's the first superheroine to be created by a female cartoonist. This issue includes Miss Fury's origin, and she even appears in costume in the book, which wasn't the case for every issue. While Overstreet credits the cover to Alex Schomburg, our considered opinion is that it's the work of another Timely hand, probably Ms. Mills herself. Overstreet 2005 VF/NM 9.0 value = $3,982; NM- 9.2 value = $5,500. CGC census 11/05: 1 in 9.0, none higher.
Miss Fury #4 (Timely, 1944) CGC NM- 9.2 White pages. Tarpe Mills' tantalizing costumed heroine crashes an Axis meeting on the cover of this issue; that's a portrait of Hitler hanging on the wall. You might be tempted to hang this copy on your wall - it's certainly pretty as a picture! Overstreet 2005 NM- 9.2 value = $1,525. CGC census 11/05: 2 in 9.2, 1 higher.
Mystic Comics #1 Allentown pedigree (Timely, 1940) CGC NM- 9.2 Off-white pages. Not only is this Allentown copy the highest-graded that CGC has certified to date, it's the only copy graded above VF- 7.5! This Timely title may have been short-lived (only ten issues), but interest is such that this premiere issue is on Overstreet's list of the 100 most valuable comics of the Golden Age. Scarcity is also a factor, as this is a Gerber "7." Alex Schomburg's striking bondage cover adorns the issue. One thing that set this series apart from Timely's other anthology titles is that for the most part, each issue had different characters than the one before. Making their first appearances here are the Blue Blaze, Dynamic Man, Flexo the Rubber Robot, and Dakor. The Allentown collection is known for having the best known copy of a number of key books, and since that's the case here, this is one that any Timely collector will want to zero in on. Overstreet 2005 NM- 9.2 value = $22,000. CGC census 11/05: 1 in 9.2, none higher.
Mystic Comics #1 (Timely, 1940) CGC Apparent VF/NM 9.0 Moderate (P) Cream to off-white pages. One of Timely's earliest titles showcased some of Alex Schomburg's rawest cover creations. Bondage, point-blank shooting, a superhero battling hordes of goons 'n ghouls, meat cleaver and meat hook as weapons, knives galore - and we haven't opened a page yet! The first appearances of Blue Blaze, Dynamic Man, Flexo, and Dakor are in this issue. This is a Gerber "scarce" issue, and it's downright impossible to find one that looks this nice. Considering that CGC has certified just one unrestored copy of #1 with a grade higher than VF- 7.5, this restored beauty looks even nicer. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $1,294; VG 4.0 value = $2,588; FN 6.0 value = $3,882; VF 8.0 value = $9,705; VF/NM 9.0 value = $15,853.
Mystic Comics #8 (Timely, 1942) CGC VF- 7.5 Off-white pages. The Destroyer is the star of this issue, which also has adventures of the Witness, the Black Marvel, and the Blazing Skull. There's also a Hitler appearance inside the issue. Al Gabriele handled cover art duties, adhering pretty closely to the Alex Schomburg formula. Overstreet 2005 VF 8.0 value = $1,394. CGC census 11/05: 1 in 7.5, 2 higher.
Mystic Comics (second series) #1 (Timely, 1944) CGC FN/VF 7.0 Off-white pages. The Angel is joined by the Human Torch, the Destroyer, Terry Vance, and Tommy Tyme in this issue. The book is a Gerber "7." Overstreet 2005 FN 6.0 value = $738; VF 8.0 value = $1,538. CGC census 11/05: 2 in 7.0, 1 higher.
Mystic Comics #3 (Timely, 1944) CGC VF/NM 9.0 Off-white pages. Only one copy of this issue has been certified with a higher grade by CGC to date. If this bondage cover from the short-lived volume two of Mystic looks familiar, it's pretty much a reworking of the cover of V1#1, which was pretty much a reworking of a Spider pulp cover. Don't mess with a proven formula, we say! The Angel is featured in two stories (one drawn by Mike Sekowsky) with Tommy Tyme and the Destroyer the other features. Overstreet 2005 VF/NM 9.0 value = $1,166; NM- 9.2 value = $1,575. CGC census 11/05: 1 in 9.0, 1 higher.
Namora #1 Vancouver pedigree (Timely, 1948) CGC NM/MT 9.8 White pages. We've got some awesome Vancouver books in this auction, but this one would have to rank among the highlights -- not only does it have white pages, as every Vancouver book seems to, but it's basically perfect in every other way as well. This issue, a Gerber "scarce," has Bill Everett art, and the title character's famed relative, the Sub-Mariner, puts in an appearance in one of the stories. Overstreet 2005 NM- 9.2 value = $3,400. CGC census 11/05: 1 in 9.8, none higher.
Namora #1 Carson City pedigree (Timely, 1948) CGC VF/NM 9.0 Off-white to white pages. Namora swam into her own book for all of three issues, and none of them seem to come up for sale very often. Take this first issue, which is rated "scarce" by Gerber. Most of the stories and art are by Bill Everett. Namora's illustrious relative the Sub-Mariner appears in a backup feature. Overstreet 2005 VF/NM 9.0 value = $2,519; NM- 9.2 value = $3,400. CGC census 11/05: 2 in 9.0, 1 higher.
Nellie the Nurse #2 "D" Copy pedigree (Timely, 1946) CGC NM+ 9.6 Cream to off-white pages. With superheroes on the wane in the mid-1940s, Timely brought out a number of titles starring female characters, and this one had an impressive seven-year run. Our offering is the only copy CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.6, none higher.
Powerhouse Pepper Comics #1 Carson City pedigree (Timely, 1943) CGC NM+ 9.6 White pages. Basil Wolverton's bizarre (and bizarrely funny) style has made him a collector's favorite; this issue stars Wolverton's creation, who got his start in Joker Comics. Overstreet 2005 NM- 9.2 value = $2,400. CGC census 11/05: 1 in 9.6, none higher.
Powerhouse Pepper Comics #1 Crowley Copy pedigree (Timely, 1943) CGC VF/NM 9.0 Off-white pages. Basil Wolverton's comedy hero got his start in Joker Comics before getting his own book. Evidently even the competition liked Wolverton's comics -- this copy's from the collection of Wendell Crowley, an editor at rival Fawcett. Overstreet 2005 VF/NM 9.0 value = $1,778; NM- 9.2 value = $2,400. CGC census 11/05: 3 in 9.0, 1 higher.
Silly Tunes #1 Crowley Copy pedigree (Timely, 1945) CGC NM+ 9.6 Off-white to white pages. The highest-graded copy of a Timely #1... what's silly about that? Ziggy Pig and Silly Seal, stars of Krazy Komics (and of course Ziggy Pig-Silly Seal Comics) got additional exposure in this new title. Overstreet 2005 NM- 9.2 value = $220. CGC census 11/05: 1 in 9.6, none higher.
Sub-Mariner Comics #1 (Timely, 1941) CGC Apparent FN/VF 7.0 Slight (P) Cream to off-white pages. As this is one of the most sought-after Timely books, don't let the purple label put you off, especially since it's only got slight restoration. Look at all you're getting for your bidding dollar: a great "upsy-Nazi" cover by Alex Schomburg, a Sub-Mariner story drawn by his creator Bill Everett, and an Angel adventure as well. No wonder this issue is ranked among the 20 most valuable comic books by Overstreet. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2005 GD 2.0 value = $2,650; VG 4.0 value = $5,300; FN 6.0 value = $7,950; VF 8.0 value = $21,200.
Sub-Mariner Comics #1 (Timely, 1941) CGC FN- 5.5 Slightly brittle pages. Ranked among the 20 most valuable comic books by Overstreet, this is one of the most hotly desired Timelys. The Sub-Mariner got his own book after being a smash success in the pages of Marvel Mystery Comics, and his cohort from that title, the Angel, joined him in this new series. Subby's adventures were drawn by his creator Bill Everett, and the cover was the work of Timely's talented Alex Schomburg. Overstreet 2005 FN 6.0 value = $7,950. CGC census 12/05: 2 in 5.5, 14 higher.
Sub-Mariner Comics #5 (Timely, 1942) CGC VF 8.0 Off-white pages. This wild World War II action cover by Al Gabriele and George Kline shows Timely's aquatic champion taking the Japanese Navy down a peg or two. That man with the mustache, the Angel, also gets twenty pages to call his own. Overstreet 2005 VF 8.0 value = $1,756. CGC census 11/05: 2 in 8.0, 1 higher.
Sub-Mariner Comics #21 Ohio pedigree (Timely, 1946) CGC NM 9.4 Off-white pages. Timely's most dapper hero, the Angel, makes his last Sub-Mariner appearance in this issue. Artists include Bill Everett, Syd Shores (who drew the "damsel at sea" cover), and Carmine Infantino. This sharp, pedigreed copy makes it to the top of the current CGC census for this issue. Overstreet 2005 NM- 9.2 value = $1,400. CGC census 11/05: 1 in 9.4, none higher.
Sub-Mariner Comics #40 Double Cover (Atlas, 1955) CGC NM 9.4 Cream to off-white pages. Sub-Mariner creator Bill Everett pulled triple duty on this issue, drawing the cover and interior art as well as writing the story. It also features an appearance by Subby's female counterpart, Namora. CGC notes, "1st cover 9.0, interior cover 9.4." Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 2 in 9.4, none higher.
Sun Girl #1 (Marvel, 1948) CGC VF 8.0 Off-white to white pages. Sun Girl's probably best known as the Human Torch's sidekick, but she also had a title of her own, and in fact we believe this issue to be her first appearance. Ken Bald handled art chores. This all-female affair also has a Miss America story. CGC notes, "Very minor amount of color touch on cover." Overstreet 2005 VF 8.0 value = $1,013. CGC census 11/05: 1 in 8.0, none higher.
Tex Morgan #1 Vancouver pedigree (Marvel, 1948) CGC NM+ 9.6 White pages. You owe it to yourself to become familiar with the Vancouver books! Yes, we know that newer pedigrees are met with skepticism in some parts, but have a close look at the Vancouver copies in this auction and you won't doubt they're the real deal -- white pages are their trademark! This is the highest-graded copy of this Marvel Western book that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $320. CGC census 11/05: 1 in 9.6, none higher.
Tough Kid Squad Comics #1 (Timely, 1942) CGC FN/VF 7.0 Cream to off-white pages. "Highly prized due to its rarity" is how Overstreet once described this one-shot, and the Guide still gives it a "scarce" rating today, with Gerber using the same term. Only one unrestored copy of the issue has been graded higher by CGC to date. The title characters make their first appearance in this issue, and their origin is told as well. Appearing in backup features are the Human Top (whose only other appearance that we know of was in another one-issue wonder, Red Raven Comics) and the Flying Flame (from Daring Mystery). The cover art appears to be the work of Syd Shores. Overstreet 2005 FN 6.0 value = $2,904; VF 8.0 value = $6,776. CGC census 11/05: 2 in 7.0, 1 higher.
USA Comics #1 (Timely, 1941) CGC FN/VF 7.0 Cream to off-white pages. Early Timely covers always have a certain pizzazz to them, but few have the impact of this historic issue. Starting with a wild World War II cover by Joe Simon and Jack Kirby featuring the Defender, this issue contains the origin of Mr. (later Major) Liberty, with art by Syd Shores. There's also Rockman by Basil Wolverton (with a splash panel by Simon and Kirby); Jack Frost by Carmine Infantino, from a Stan Lee script; and the Whizzer, with art by Al Avison. Overstreet 2005 FN 6.0 value = $3,441; VF 8.0 value = $8,603. CGC census 11/05: 3 in 7.0, 6 higher.
USA Comics #1 (Timely, 1941) CGC VG/FN 5.0 Off-white pages. This popular early Timely is found on many a collector's want list, and rightly so. The stellar line-up includes the origin and first appearances of the Whizzer, Mr. Liberty, and Rockman, whose story was graced with wild art by Basil Wolverton. Other artists include Joe Simon and Jack Kirby, who furnished the exciting Defender cover, plus Al Avison, Syd Shores, and a young Carmine Infantino. Overstreet 2005 VG 4.0 value = $2,294; FN 6.0 value = $3,441. CGC census 11/05: 2 in 5.0, 13 higher.
USA Comics #17 (Timely, 1945) CGC VF/NM 9.0 White pages. The final issue of this title, this one's got a bondage cover by Alex Schomburg -- when your face is on the baddies' "Wheel of Death," you've got to spring into action as Cap does here! The Whizzer and the Destroyer round out the issue's lineup. Overstreet 2005 VF/NM 9.0 value = $1,147; NM- 9.2 value = $1,550. CGC census 11/05: 2 in 9.0, 1 higher.
Venus #1 Carson City pedigree (Atlas, 1948) CGC VF+ 8.5 White pages. This is the highest-graded copy CGC has certified to date of this black-cover issue. Not only does it have the first appearance of the title character, there's one of Harvey Kurtzman's "Hey Look" gag pages. Also appearing is Hedy Devine of Hedy of Hollywood fame. Overstreet 2005 VF 8.0 value = $794; VF/NM 9.0 value = $1,222. CGC census 11/05: 1 in 8.5, none higher.
Western Winners #7 Mile High pedigree (Timely, 1949) CGC VF- 7.5 White pages. We had never seen a single issue of this Timely/Marvel title before today! In true Timely fashion, this series began as All Winners Comics (second series), a Blonde Phantom vehicle, only to become All-Western Winners, then this title, and thereafter Black Rider. This last issue under this name is the only one with true-story content as well as the only one with a photo cover. So are you going to bid on this one? As the line in "Blazing Saddles" goes, "You'd do it for Randolph Scott!" That's Mr. Scott on the cover, by the way. Overstreet 2005 VF 8.0 value = $164. CGC census 11/05: 1 in 7.5, 1 higher.
Wild West #1 Carson City pedigree (Marvel, 1948) CGC VF/NM 9.0 Off-white pages. Featuring the Two-Gun Kid. Syd Shores cover. Overstreet 2005 VF/NM 9.0 value = $297; NM- 9.2 value = $390. CGC census 11/05: 1 in 9.0, none higher.
Wisco/Klarer Comic Book (Miniature) Little Aspirin #2 (Marvel, 1950) CGC NM/MT 9.8 Off-white to white pages. The derby-wearing Timely comics character Little Aspirin stars in this paper-cover giveaway as the "Crook Catcher" -- a detective without a badge! Overstreet 2005 NM- 9.2 value = $28. CGC census 12/05: 1 in 9.8, none higher.
Witness #1 Vancouver pedigree (Marvel, 1948) CGC NM 9.4 White pages. This dynamite copy had us typing "Mile Hig..." until we noticed that it's actually one of the Vancouver books. As more collectors start noticing the white pages of the incredible Vancouver collection, we expect multiples of Guide to become the norm. This Timely is called "scarce" by both Overstreet and Gerber. This one-shot has the first appearance of the Witness (a different character than the Witness who was in Mystic previously). Overstreet 2005 NM- 9.2 value = $2,400. CGC census 11/05:1 in 9.4, none higher.
Witness #1 (Marvel, 1948) CGC VF- 7.5 Off-white pages. Overstreet and Gerber both call this issue "scarce!" It's the first appearance of the Witness (a different character than the Witness who was in Mystic previously), and while there was only one issue of this series, the mysterious host character did crop up in other Timely books subsequently. Syd Shores and Ken Bald contributed interior art to the issue. Overstreet 2005 VF 8.0 value = $1,156. CGC census 11/05: 3 in 7.5, 3 higher.
Young Allies Comics #1 Pennsylvania pedigree (Timely, 1941) CGC VF+ 8.5 Off-white pages. Simon and Kirby created every kid group short of the Backstreet Boys, but the very first S&K kid group was the Young Allies, who made their first appearance in this issue! This comic is also significant for having the first meeting of Captain America and the Human Torch. Plus, it's the only Timely cover on which Adolf Hitler and the Red Skull appeared together! Jack Kirby drew the cover and the first page. Overstreet 2005 VF 8.0 value = $10,148; VF/NM 9.0 value = $16,574. CGC census 11/05: 1 in 8.5, 6 higher.
Young Allies Comics #1 (Timely, 1941) CGC FN/VF 7.0 Off-white to white pages. Bucky and Toro give Hitler and the Red Skull what for on this incredible cover by Jack Kirby and Syd Shores (usually credited to Joe Simon and Jack Kirby). The cover art had originally featured Stalin in the Red Skull's place, and was shown that way in a preview in Human Torch #5, but was changed before publication due to Russia joining the Allied Forces at the start of World War II. The Young Allies team makes its first appearance and has its origin featured in this issue, which sports art by Kirby (who drew the first page of every chapter), Shores, and Charles Nicholas. This book comes in at number 48 in Overstreet's 2005 Top Golden Age Books list. Overstreet 2005 FN 6.0 value = $4,059; VF 8.0 value = $10,148. CGC census 11/05: 2 in 7.0, 8 higher.
Session 3
Aces High #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. This book's in immaculate condition, even by the usual spectacular standard of the Gaines File Copies. This first issue of the "New Direction" title was not approved by the Comics Code Authority. The book has a George Evans cover, with interior art by Evans, Wally Wood, Jack Davis, and Bernie Krigstein. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 1 in 9.6, 1 higher.
Aces High #2 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white to white pages. EC looked like they really had something going with their new line-up of books (the "New Direction") in 1955. Alas, these Code-approved issues did not last long, but it's no reflection on the quality of the issues, with superb George Evans covers among the highlights. Jack Davis and Wally Wood contribute interior art. Overstreet 2005 NM- 9.2 value = $175. CGC census 12/05: 1 in 9.2, 2 higher.
Aces High #3 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 White pages. A Gaines File Copy in this condition, and with white pages to boot, is every EC collector's dream. This fantastic book comes from the last gasp of the greatest publisher of the 1950s, and contains artwork by some of the masters, among them Wally Wood, Jack Davis, and Bernie Krigstein. It also sports a beautiful George Evans cover. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 3 in 9.6, none higher.
Aces High #5 Gaines File pedigree (EC, 1955) CGC NM 9.4 Off-white to white pages. While EC crashed and burned not long after this comic came out, the series was distinguished by high-quality stories and art, particularly the great covers by George Evans such as this one. Jack Davis, Wally Wood, and Bernie Krigstein also contributed to this final issue. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.4, 2 higher.
A Moon, A Girl... Romance #11 (EC, 1950) CGC VF 8.0 Cream to off-white pages. Every EC fan knows about this Pre-Trend title, but actually getting your hands on a copy is another matter altogether! This is one of only three that CGC has certified to date. Since postal regulations made it expensive to launch a new comic title, publishers always gave their best shot at re-using titles, thus this series was the continuation of superheroine mag Moon Girl. Among the highlights is a story by the last artist you'd expect to draw a romance tale, Graham Ingels! There's also a "NoveLove" story drawn by the Wally Wood/Harry Harrison team (featuring the cad you see on Al Feldstein's cover), a story drawn by the seldom-used Walter Johnson, and a tale called "Office Romance" by an artist no one seems able to identify! And our offering is a nice VF copy, to boot. A comic, a grade ... romance! Overstreet 2005 VF 8.0 value = $363. CGC census 12/05: 1 in 8.0, 1 higher.
A Moon, A Girl... Romance #12 (EC, 1950) CGC FN/VF 7.0 Cream to off-white pages. Called "scarce" by both Overstreet and Gerber, this last issue of the title is a pain to find. We pride ourselves on having the best EC selection around, and even we hadn't ever offered this Pre-Trend issue before! It's got an Al Feldstein cover, with interior art by Feldstein, Graham Ingels, and the Harry Harrison/Wally Wood team, plus a story by an unknown hand from the Jerry Iger shop. Overstreet 2005 FN 6.0 value = $444; VF 8.0 value = $685. CGC census 12/05: 1 in 7.0, 2 higher.
Blackstone, the Magician Detective #1 (EC, 1947) CGC NM- 9.2 Off-white to white pages. Tied with one other copy for highest-graded copy of this issue that CGC has certified to date, with the runner-up a distant 7.0. The issue has the first appearance of the Happy Houlihans. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 2 in 9.2, none higher.
Magazines
Confessions Illustrated #1 Gaines File pedigree 5/12 (EC, 1956) CGC NM 9.4 Off-white to white pages. Bud Parke cover. Wally Wood, Jack Kamen, Johnny Craig, and Joe Orlando art. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 2 in 9.4, 1 higher.
Confessions Illustrated #1 Gaines File pedigree 6/12 (EC, 1956) CGC NM 9.4 Off-white pages. One of EC's "picto-fiction" magazines aimed at adult readers in the wake of restrictions put in place by the newly created Comics Code Authority. This romance title features a steamy cover painted by Bud Parke, and includes interior art by Wally Wood, Joe Orlando, Jack Kamen, and Johnny Craig. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 2 in 9.4, 1 higher.
Confessions Illustrated #2 Gaines File pedigree 5/11 (EC, 1956) CGC NM+ 9.6 Off-white pages. With story titles like "Unfaithful Wife," "I Sold My Baby," and "Man-Crazy," you can tell EC was trying to maintain as much of its edge as it could after the comics crackdown of the '50s. Rudy Nappi offers a sizzling painted cover, with interior art contributions from Johnny Craig, Reed Crandall, Jack Kamen, and Joe Orlando. This is the highest grade given a copy of this issue by CGC to date. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 3 in 9.6, none higher.
Confessions Illustrated #2 Gaines File pedigree 8/11 (EC, 1956) CGC NM+ 9.6 Cream to off-white pages. Rudy Nappi painted cover. Johnny Craig, Jack Kamen, Reed Crandall, and Joe Orlando art. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 3 in 9.6, none higher.
Golden Age (1938-1955)
Crime Patrol #10 (EC, 1949) CGC VF+ 8.5 Cream to off-white pages. Looks like the law has the last laugh on this cool pre-Trend Johnny Craig-illustrated cover. Other than a small dust shadow on the left side, this copy is a killer, with sharp corners and great cover color. Overstreet 2005 VF 8.0 value = $369; VF/NM 9.0 value = $565. CGC census 12/05: 1 in 8.5, 3 higher.
Crime Patrol #11 (EC, 1949) CGC VF- 7.5 Cream to off-white pages. Johnny Craig cover. Al Feldstein, H. L. Larsen, and H. C. Kiefer art. Overstreet 2005 VF 8.0 value = $369. CGC census 12/05: 1 in 7.5, 2 higher.
Crime Patrol #15 Gaines File pedigree 11/11 (EC, 1950) CGC NM 9.4 Off-white pages. The first appearance of the Crypt Keeper and the Crypt of Terror make this one of the most important EC comics. Al Feldstein drew the GhouLunatic's very first tale, about a businessman who is buried with the secret formula in his pocket that his partners urgently need... wait, was he buried? And wait, was he even dead? This issue was used by the comic-condemning New York Legislative Commission. Johnny Craig drew the cover as well as a true-crime story. Overstreet 2005 NM- 9.2 value = $3,700. CGC census 12/05: 2 in 9.4, 4 higher.
Crime Patrol #16 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. The Crypt Keeper makes his second appearance, spinning a yarn about a young couple who will inherit a large fortune, on one condition... guess what it is, readers! If you correctly said "he has to spend the night in a haunted house," you know your horror stories, and should bid on this comic immediately! Al Feldstein handled art chores on the story, and Johhny Craig and George Roussos also contributed to this issue, the last one before the name change to Crypt of Terror. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $2,400. CGC census 12/05: 3 in 9.6, 1 higher.
Crime SuspenStories #1 Gaines File pedigree 3/9 (EC, 1950) CGC NM+ 9.6 Off-white pages. Here's a startlingly nice copy of this first issue. Among the highlights of the comic is Harvey Kurtzman's suspensefully claustrophobic "High Tide!," which features four men stranded on a boat and all suspicious of one another. And the book has much more to offer, with a Johnny Craig cover and interior art by Craig, Wally Wood, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $1,550. CGC census 12/05: 2 in 9.6, 1 higher.
Crime SuspenStories #2 Gaines File pedigree 3/11 (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. CGC's assigned grade pretty much says it all -- we can't imagine a nicer-looking book than this! Johnny Craig's cover is supported by interior art from himself (on two stories), Graham Ingels, and Jack Kamen. Overstreet 2005 NM- 9.2 value = $840. CGC census 12/05: 3 in 9.8, none higher.
Crime SuspenStories #2 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. A mere three copies of this issue have been certified with higher grades by CGC as of this writing. The issue has a Johnny Craig cover, plus interior art by Craig (two stories), Graham Ingels, and Jack Kamen. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $840. CGC census 12/05: 1 in 9.6, 3 higher.
Crime SuspenStories #3 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white pages. The Old Witch from The Haunt of Fear moderated "Blood Red Wine" in this issue, and it's her first story of this series. The tale adapts Edgar Allan Poe's "The Cask of Amontillado," with Graham Ingels providing the art. Meanwhile, Harvey Kurtzman handled art chores on "The Giggling Killer." The issue's other artists are Johnny Craig (cover and one story) and Wally Wood. And no copy of the issue has been certified with a higher grade by CGC to date. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 4 in 9.8, none higher.
Crime SuspenStories #4 Gaines File pedigree 3/11 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. Bill Gaines' closet is pretty much the only source for copies this nice. And Gaines' company was the only source for horror mags of such high quality. The issue has a Johnny Craig cover, with interior art by Craig, Jack Kamen, Jack Davis, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 4 in 9.8, none higher.
Crime SuspenStories #5 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. This pedigreed book is another absolute gem. Nearly perfect in every way, from the razor-sharp corners and bright colors to the superb spine and near-white pages, this is one you won't want to pass up. The (sort of) underwater cover is by Johnny Craig, and the issue has interior art by Craig, Jack Kamen, Graham Ingels, and Jack Davis. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 3 in 9.6, 1 higher.
Crime SuspenStories #6 Gaines File pedigree 3/12 (EC, 1951) CGC NM+ 9.6 Off-white pages. Of all the great artists at EC, Johnny Craig is the one who comes to mind when we discuss this particular title. Craig created all but six of the twenty-three covers in the run, and contributed interior work on all but six issues! The issue has interior art by Craig, Jack Kamen, and Graham Ingels. This Gaines File Copy makes us appreciate not only Bill Gaines' classy publishing offerings, but also his foresight to preserve multiple copies for posterity. As to what kept this copy from a 9.8 grade, we have no idea -- it's a copy even the most discriminating EC collector would be happy with. Overstreet 2005 NM- 9.2 value = $485. CGC census 12/05: 1 in 9.6, 2 higher.
Crime SuspenStories #8 Gaines File pedigree 2/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. This exquisite copy, recipient of an ultra-high grade from CGC, could have been a candidate for a 9.8 in our opinion -- scrutinize our scan and judge for yourself! We have offered this issue less frequently than others of the title, and can't imagine reviewing a nicer copy. The cover's by Johnny Craig, and interior artwork comes from Craig, Graham Ingels, Jack Kamen, and George Roussos. Overstreet 2005 NM- 9.2 value = $485. CGC census 12/05: 3 in 9.6, 2 higher.
Crime SuspenStories #9 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. Johnny Craig drew both this issue's cover and the accompanying lead story, which tells how the corpse seen on the cover got into that trunk in the first place! EC aces Jack Davis, Jack Kamen, and Graham Ingels also contributed art to the issue. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $485. CGC census 12/05: 1 in 9.6, 3 higher.
Crime SuspenStories #14 Gaines File pedigree 9/12 (EC, 1952) CGC NM+ 9.6 Cream to off-white pages. Johnny Craig's cover for this issue previewed the story "Private Performance," drawn by Graham Ingels: a burglar witnesses a murder, flees the killer, and hides in a trunk in the cellar... hmm, why's the trunk have a bunch of slits in it? Also contributing interior art to the issue were Craig, Jack Kamen, and Fred Peters. Overstreet 2005 NM- 9.2 value = $370. CGC census 12/05: 2 in 9.6, 2 higher.
Crime SuspenStories #16 Gaines File pedigree 3/12 (EC, 1953) CGC NM+ 9.6 Cream to off-white pages. This slasher cover must have given a lot of kids nightmares back in 1953! It's quite frightening, in a way only Johnny Craig's art could deliver! Jack Kamen, Al Williamson, and Joe Orlando also come up with some great art for this issue. EC publisher William Gaines sure knew what he was doing when he stashed all those books away; this copy looks great. CGC lists only one higher-graded copy to date. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 2 in 9.6, 1 higher.
Crypt of Terror #17 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. This is the first New Trend EC comic book, and as such perhaps the most significant pre-Code horror comic of all. It was the first of only three issues under this title before the name was changed to Tales From the Crypt. This issue has a Johnny Craig cover, with interior art by Craig, Al Feldstein, and George Roussos. And of course, this Gaines File Copy is a pristine specimen of the key issue. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $4,000. CGC census 12/05: 3 in 9.6, 1 higher.
Crypt of Terror #18 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Cream pages. Wally Wood's first horror story for EC is a highlight of this issue -- it's a tale previewed on the cover by Johnny Craig cover. Also contributing art to the issue are Al Feldstein and Harvey Kurtzman. Note that while CGC has certified this books as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $2,300. CGC census 12/05: 2 in 9.6, 3 higher.
Crypt of Terror #19 Gaines File pedigree 11/11 (EC, 1950) CGC NM+ 9.6 Cream pages. Voodoo, grave-robbing, and skeletons all figure into this issue, the title's last before the name change to Tales From The Crypt. The issue has a Johnny Craig cover, with interior art by Craig (two stories), Al Feldstein, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $2,300. CGC census 12/05: 3 in 9.6, 2 higher.
Extra! #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. EC's first issue of Extra! did not get approved by the Comics Code, even though the content of this "New Direction" title was tamer than EC's "New Trend" fare. The issue has art by Johnny Craig, Reed Crandall, and John Severin. This comic was deemed to be the very best of the 12 copies of the issue that Bill Gaines kept in his files, according to the ranking by Russ Cochran and Bob Overstreet. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 3 in 9.4, 2 higher.
Extra! #3 Gaines File pedigree (EC, 1955) CGC NM 9.4 Off-white to white pages. Newspaper reporters take center stage in this EC "New Direction" title, which features the art of Johnny Craig, Reed Crandall, and John Severin. This issue was singled out as perhaps the best of the series by Russ Cochran in his annotations to the boxed reprint edition. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 2 in 9.4, 2 higher.
Extra! #4 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Cream to off-white pages. This "torn-from-the-headlines" title is highlighted by the art of Johnny Craig, Reed Crandall, and John Severin. Only one more issue followed before this "New Direction" comic dead-ended. William Gaines, Russ Cochran, and Bob Overstreet selected this copy as the nicest representative of #4, among the Gaines File Copies. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 1 in 9.2, 4 higher.
Extra! #5 Gaines File pedigree 12/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. This was the last issue of this "New Direction" title. Though the series didn't strike a chord with the horror crowd at the time, it did feature superb stories and art, particularly by Johnny Craig, who drew this issue's cover as well as two stories. Other artists in the issue are John Severin and Reed Crandall. When a comic with white covers (both front and back) is graded this high, it's certainly headline news! Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 2 in 9.4, 2 higher.
Frontline Combat #1 Gaines File pedigree 3/9 (EC, 1951) CGC NM+ 9.6 Off-white pages. The first issue of the highly-acclaimed Harvey Kurtzman project featured cover and interior art by Mr. Kurtzman as well as the work of John Severin, Russ Heath, and Wally Wood. At the time Bill Gaines, Russ Cochran, and Robert Overstreet evaluated Gaines' collection, Overstreet determined this copy to be the third-nicest of the nine copies preserved; however, CGC has not awarded a higher grade for #1 to date. Overstreet 2005 NM- 9.2 value = $950. CGC census 12/05: 3 in 9.6, none higher.
Frontline Combat #2 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white pages. The formula for this title was simple - Harvey Kurtzman drawing, writing, and editing. Wally Wood and Jack Davis help with interior art. Astonishingly high-grade copy is close to perfect. While CGC has certified that this is from the Gaines Files, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $525. CGC census 12/05: 3 in 9.8, none higher.
Frontline Combat #3 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Writer/artist/editor Harvey Kurtzman provided the cover here and got expert assistance from the likes of Jack Davis, Wally Wood, John Severin, and Bill Elder with the interior art. While CGC has certified this as from the Gaines Files, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $410. CGC census 12/05: 2 in 9.6, none higher.
Frontline Combat #4 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. This Harvey Kurtzman title sometimes gets overlooked amid its more glamorous EC companion titles, but that just means you can more easily budget a run of the title that featured the most realistic stories. What? You thought that was Tales From the Crypt? This issue included "Airburst," Kurtzman's personal all-time favorite story. Wally Wood and Jack Davis contributed interior art for an issue that provided fodder for Seduction of the Innocent. While CGC certifies this as being a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $375. CGC census 12/05: 2 in 9.6, 1 higher.
Frontline Combat #5 Gaines File pedigree (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. Harvey Kurtzman's cover is one of the grittiest among his many gritty covers for this title. This copy is nothing short of amazing and barely short of perfect. Kurtzman gets help from John Severin, Bill Elder, and Jack Davis with the interior art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $325. CGC census 12/05: 3 in 9.8, 1 higher.
Frontline Combat #6 Gaines File pedigree 6/9 (EC, 1952) CGC NM+ 9.6 Off-white to white pages. The hard-hitting war action here is brought to you by artists John Severin (one story on his own and one team-up with Bill Elder), Wally Wood, and Jack Davis. The cover is by Harvey Kurtzman. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 3 in 9.6, none higher.
Frontline Combat #7 Gaines File pedigree 7/10 (EC, 1952) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman's ambitious undertaking for this issue was to tell the story of the battle for Iwo Jima in four stories, with a map illustrating how the phases tied into one another, and characters from one chapter reappearing in another! Three different artists drew the different chapters, and they're aces one and all: Wally Wood, Jack Davis, and John Severin (one solo chapter and one Severin-Bill Elder collaboration). Harvey Kurtzman drew the cover in addition to writing all of the stories. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 4 in 9.4, 1 higher.
Frontline Combat #8 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. Alex Toth delivered the art for the memorable story "Thunder Jet," which editor Harvey Kurtzman called "the best story (Toth) ever did for me." The story's set during the Korean War, as is a John Severin/Bill Elder tale in the issue. But wars of other eras are covered too, with Wally Wood drawing "Caesar!" and Jack Davis drawing the Civil War story "Chickamauga!" The cover is by Kurtzman. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 2 in 9.6, 1 higher.
Frontline Combat #9 Gaines File pedigree 7/10 (EC, 1952) CGC NM 9.4 Off-white pages. This Civil War theme issue has art by Jack Davis, Wally Wood, and John Severin, plus one Severin/Bill Elder collaboration. The cover is by Harvey Kurtzman. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 2 in 9.4, 2 higher.
Frontline Combat #10 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white pages. John Severin and Bill Elder created a poignant war orphan cover for this issue. Wally Wood, George Evans, and Jack Davis provided interior art. Tied with one other copy (probably another Gaines File Copy) in CGC's census as the highest-graded #10, there's probably not a nicer copy in existence. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 2 in 9.6, none higher.
Frontline Combat #10 (EC, 1953) CGC NM 9.4 Off-white to white pages. The haunting cover is by John Severin and Bill Elder, with interior art coming from a stellar trio, Wally Wood, George Evans, and Jack Davis. This copy is flat, clean, and attractive, with wonderful cover colors. CGC notes, "One-inch tear on 9th and 10th page, half-inch tear on 12th page." Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, 2 higher.
Frontline Combat #11 Gaines File pedigree 3/11 (EC, 1953) CGC NM- 9.2 Off-white pages. The ubiquitous Jack Davis contributed art to every issue of the title, including covers for issues #11 and 12. Additional art came from George Evans and Bill Elder. At NM- 9.2, this copy is just behind CGC's highest-graded copies to date (NM 9.4). Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 1 in 9.2, 2 higher.
Frontline Combat #12 Gaines File pedigree (EC, 1953) CGC NM- 9.2 Off-white pages. The Jack Davis cover touts a special "Air Force Issue." Davis, George Evans, Alex Toth, and Wally Wood furnished the story art. This is the highest grade CGC has awarded for the issue to date. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 3 in 9.2, none higher.
Frontline Combat #13 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white pages. Wally Wood did his first of three covers here for the title, maintaining the intense themes of his predecessors, Harvey Kurtzman, John Severin, and Jack Davis. The interior art is by Davis, Wood, and George Evans. CGC hasn't certified a higher grade for this issue to date. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 2 in 9.6, 1 higher.
Frontline Combat #15 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white pages. Wally Wood did his third, and arguably his best, cover for the title on this, the last issue in the run. Story art was provided by Wood, George Evans, Jack Davis, and John Severin. This great copy is tied with two others for the highest grade CGC has assigned for #15. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 3 in 9.6, none higher.
Haunt of Fear #15 (#1) Gaines File pedigree 3/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. One month after EC's first two horror titles hit the newsstands came the premiere issue of Haunt of Fear. Fortunately for all comic collectors, publisher William Gaines put a few super-nice copies away, including this one, which ranks just a smidge behind the highest-graded copies that CGC has certified to date. Behind the Johnny Craig cover, the Old Witch makes her first appearance. Craig, Harvey Kurtzman, Harry Harrison/Wally Wood, and Al Feldstein provided the interior art. Rated "scarce" by Overstreet, this grade makes our copy almost unique. Overstreet 2005 NM- 9.2 value = $4,000. CGC census 12/05: 1 in 9.6, 2 higher.
Haunt of Fear #16 (#2) Gaines File pedigree 1/9 (EC, 1950) CGC NM+ 9.6 Off-white pages. The Old Witch made her first appearance in this issue. Surprisingly enough, it was Jack Kamen who drew this first story! The tale of ancient Egypt includes a love triangle of sorts, always a Kamen specialty. Also contributing art to the issue were Johnny Craig (who also drew the cover), Graham Ingels, and the team of Wally Wood and Harry Harrison. Having a Gaines File Copy's great, but having the #1 Gaines File Copy is particularly special in our book -- and we fail to see what flaw kept this super-nice copy from an even higher grade. Overstreet 2005 NM- 9.2 value = $1,700. CGC census 12/05: 3 in 9.6, 1 higher.
Haunt of Fear #16 (#2) (EC, 1950) CGC FN+ 6.5 Off-white pages. The Old Witch, the GhouLunatic hostess of Haunt of Fear, made her debut in this issue. EC artistic luminaries Wally Wood, Johnny Craig, Graham Ingels, and Jack Kamen were on board for the second issue of this classic horror series. Overstreet 2005 FN 6.0 value = $351; VF 8.0 value = $878. CGC census 12/05: 1 in 6.5, 9 higher.
Haunt of Fear #4 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. This significant issue begins with a cover by Al Feldstein. Graham Ingels becomes the regular artist for the Old Witch, and would soon take over cover duties for the duration of the title's four year run. The Vault Keeper and the Crypt Keeper, already EC mainstays in other horror titles, make their first appearance in Haunt of Fear. An A-team lineup of Ingels, Jack Kamen, Jack Davis, and Wally Wood provided interior art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $1,050. CGC census 12/05: 1 in 9.6, 2 higher.
Haunt of Fear #5 Gaines File pedigree 3/9 (EC, 1951) CGC NM+ 9.6 Off-white pages. In the EC universe, the occupant of a coffin is invariably either not the right person, not there, or not dead! Johnny Craig's cover in that vein is followed by stories drawn by Craig, Graham Ingels, Jack Davis, and the Wally Wood/Harry Harrison team. The latter story has an injury-to-eye episode (though thankfully off-panel, whew!). No copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $815. CGC census 12/05: 3 in 9.6, none higher.
Haunt of Fear #6 Gaines File pedigree 9/11 (EC, 1951) CGC NM 9.4 White pages. This issue features EC's first of several unauthorized adaptations of Ray Bradbury stories (Bradbury became aware of the swiping after a while, and the two sides agreed on an adaptation fee for the future). This book's lead story, based on Bradbury's "The Handler," has Graham Ingels art. Other artists in the issue include Johnny Craig (cover), Wally Wood, Jack Kamen, and Jack Davis. Overstreet 2005 NM- 9.2 value = $610. CGC census 12/05: 3 in 9.4, 3 higher.
Haunt of Fear #7 Gaines File pedigree 3/12 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. Here's a spectacular copy of this horror mag. The issue has the Old Witch spinning two yarns and her fellow GhouLunatics, the Vault-Keeper and the Crypt-Keeper, telling one tale each. Johnny Craig's cover ties into a Graham Ingels-drawn tale about a youngster obsessed with getting the last available spot in the family mausoleum. But instead of choosing suicide, he chooses murder... Craig, Jack Davis, and Jack Kamen also contributed art to the issue. Overstreet 2005 NM- 9.2 value = $610. CGC census 12/05: 4 in 9.8, none higher.
Haunt of Fear #8 Gaines File pedigree 10/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Noted for its Overstreet-designated "classic" cover by Al Feldstein, this issue also features the interior art of Jack Davis, Graham Ingels, and George Roussos. The wonderful copy from William Gaines' private stash has been bested in CGC grade by only one other copy. Overstreet 2005 NM- 9.2 value = $655. CGC census 12/05: 2 in 9.6, 1 higher.
Haunt of Fear #9 Gaines File pedigree 9/12 (EC, 1951) CGC NM 9.4 White pages. Jack Davis takes over as artist on the Crypt Keeper stories with this issue. Al Feldstein provides the great "nighttime-in-the-graveyard" cover, while Davis, Joe Orlando, Graham Ingels, and Jack Kamen all supply story art. This example is like most of the other Gaines File Copies -- simply fantastic! Overstreet 2005 NM- 9.2 value = $610. CGC census 12/05: 2 in 9.4, 3 higher.
Haunt of Fear #12 (EC, 1952) CGC NM+ 9.6 Off-white pages. Overstreet notes this Graham Ingels "walking corpse" cover as a "classic". An Al Feldstein biography is featured. Interior art by Ingels, Johnny Craig, Joe Orlando, and Jack Davis. For a copy that's not from the Gaines files, this one looks pretty sweet! Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 4 in 9.6, 1 higher.
Haunt of Fear #12 Gaines File pedigree (EC, 1952) CGC NM- 9.2 Off-white pages. Overstreet calls this Graham Ingels cover "classic." We call it "business as usual" for Ghastly Graham! Writer/editor Al Feldstein's biography is featured. Interior art by Ingels, Johnny Craig, Joe Orlando, and Jack Davis. While CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 3 in 9.2, 6 higher.
Haunt of Fear #13 (EC, 1956) CGC NM+ 9.6 Off-white to white pages. You can't go wrong with this Gaines File Copy currently ranked as CGC's second-highest-graded of #13. A (Ghastly) signature Graham Ingels cover is complemented by story art from Ingels, Jack Kamen, Johnny Craig, and Jack Davis. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 2 in 9.6, 1 higher.
Haunt of Fear #14 Gaines File pedigree 4/12 (EC, 1952) CGC NM 9.4 Off-white to white pages. Another classic Graham Ingels cover is featured this issue, and it's a shocker! The Old Witch's origin story is finally revealed, with Ingels art. Other artists in the issue are Jack Kamen, Sid Check, and Jack Davis. Overstreet 2005 NM- 9.2 value = $675. CGC census 12/05: 3 in 9.4, 4 higher.
Haunt of Fear #15 Gaines File pedigree 3/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. This issue's Graham Ingels cover illustrates one of EC's wildest yarns, "Chatter-boxed." Ingels, George Evans, Jack Kamen, and Jack Davis story art is featured. This Gaines File Copy is wonderfully glossy and sharp. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 3 in 9.6, 3 higher.
Haunt of Fear #17 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Is there a better EC cover than this classic Graham Ingels rendering? Putrefaction guaranteed! And, to date there's only one copy that's graded out higher by CGC. Ingels, George Evans, Jack Kamen, and Jack Davis art provide the interior art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 4 in 9.6, 1 higher.
Haunt of Fear #18 Gaines File pedigree 1/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Ray Bradbury is the star of this issue, with a biography and an adaptation of his Dark Carnival tale, "Black Ferris." Graham Ingels provided the ghoulish cover; interior art chores were handled by Ingels, George Evans, Jack Kamen, and Jack Davis. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 2 in 9.6, 2 higher.
Haunt of Fear #19 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. An executioner is poised to kill two birds with one stroke on this cover by Graham Ingels. This issue and its infamous story, "Foul Play," were cited in Seduction of the Innocent. The interior art is by Ingels, Jack Kamen, Jack Davis, and George Evans. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $605. CGC census 12/05: 2 in 9.6, 2 higher.
Haunt of Fear #20 Gaines File pedigree 8/11 (EC, 1953) CGC NM 9.4 Off-white pages. Those pesky bodies, always cluttering up the place! Graham Ingels provides this "housecleaning" cover. Ingels, Al Feldstein, Jack Davis, and Reed Crandall all supply story art. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 2 in 9.4, 2 higher.
Haunt of Fear #24 Gaines File Copy 1/12 (EC, 1954) CGC NM 9.4 White pages. One of the books mentioned in the Senate Investigative Report on delinquency and comic books. The cover is by Graham Ingels, and the interior art is by Ingels, George Evans, Jack Kamen, and Jack Davis. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 3 in 9.4, 1 higher.
Haunt of Fear #26 Gaines File pedigree 1/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. Contains the anti-censorship editorial "Are you a Red Dupe?" by Bill Gaines. Graham Ingels cover, with interior art by Ingels, Jack Davis, Jack Kamen, and Reed Crandall. The majority of Gaines File Copies are superb specimens, and this one is no different. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 2 in 9.4, 1 higher.
Haunt of Fear #28 Gaines File pedigree (EC, 1954) CGC NM- 9.2 Off-white pages. Fabulous high-grade copy of the last issue of one of the seminal horror titles of the 1950s. A "Ghastly" Graham Ingels cover highlights this high-grade copy with interior art by Ingels, Jack Davis, and Jack Kamen. Virtually flawless, this is a great addition to any EC collection. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $435. CGC census 12/05: 2 in 9.2, 2 higher.
Silver Age (1956-1969)
Incredible Science Fiction #33 Gaines File pedigree 3/11 (EC, 1956) CGC NM- 9.2 White pages. The last color comic book published by EC, this was also the last issue of a series with a very distinguished lineage. Its forebears included such titles as Weird Science, Weird Fantasy, and Weird Science-Fantasy. A striking Wally Wood cover graces the exterior, and the interior art is by Wood, Bernie Krigstein, Joe Orlando, and Jack Davis. Overstreet 2005 NM- 9.2 value = $550. CGC census 12/05: 1 in 9.2, 2 higher.
Golden Age (1938-1955)
Land of the Lost #1 (EC, 1946) CGC VF/NM 9.0 Light tan to off-white pages. Based on the Mutual Coast-to-Coast radio program. Overstreet 2005 VF/NM 9.0 value = $312; NM- 9.2 value = $410. CGC census 12/05: 2 in 9.0, none higher.
Land of the Lost #6 (EC, 1947) CGC VF/NM 9.0 Cream to off-white pages. Characters include Fat and Slat and "Comics" McCormick. Overstreet 2005 VF/NM 9.0 value = $161; NM- 9.2 value = $210. CGC census 12/05: 2 in 9.0, none higher.
Narrative Illustration: The Story Of The Comics #nn (EC, 1942) CGC VG+ 4.5 Tan to off-white pages. Overstreet calls this "very rare," and while we're among the biggest EC fans around, we had never seen a copy here at Heritage until recently. This has 16 text pages by M. C. Gaines, whom some call the father of comics, and there's a 12-page comic insert. The comic material inside consists of "The Story of Saul" (which also saw publication in Picture Stories from the Bible) and "The Minute Man Answers The Call," the latter with art by Sheldon Moldoff. Note that Overstreet terms its stated value an "estimated value" and doesn't tie it to a specific grade. Overstreet notes, "3 center wraps detached." Overstreet 2005 "estimated value" (see note above) = $1,500. CGC census 12/05: 2 in 4.5, 1 higher.
Panic #8 Gaines File pedigree 3/12 (EC, 1955) CGC NM 9.4 White pages. This last pre-Code issue features a funny send-up of the classic film "Gone With the Wind." Artists include Wally Wood, Jack Davis, Bill Elder, and Joe Orlando. Push the Panic button and place a bid on this pedigreed prize! Overstreet 2005 NM- 9.2 value = $145. CGC census 12/05: 2 in 9.4, 5 higher.
Panic #9 (EC, 1955) CGC NM 9.4 Off-white to white pages. Superman, Dick Tracy, and Smilin' Jack all make a cover appearance on this wacky issue, disguised as a comic book version of the popular, gossipy magazine from the 1950s, Confidential. Bill Elder, Jack Davis, Joe Orlando, and Wally Wood furnish the art. This exceptional copy ties with two others as highest-graded in CGC's current census report for issue #9. Overstreet 2005 NM- 9.2 value = $145. CGC census 12/05: 3 in 9.4, none higher.
Panic #9 Gaines File pedigree 11/12 (EC, 1955) CGC VF/NM 9.0 Off-white to white pages. This issue features Superman, Dick Tracy, and Smilin' Jack on the cover, plus a partial photo of Walter Winchell. The interior contains art by Bill Elder, Jack Davis, Joe Orlando, and Wally Wood. Overstreet 2005 VF/NM 9.0 value = $110; NM- 9.2 value = $145. CGC census 12/05: 2 in 9.0, 3 higher.
Picture Stories From American History #1 Mile High pedigree (EC, 1945) CGC VF/NM 9.0 White pages. This one hails from the days when E.C. stood for Educational Comics and M. C. Gaines was publisher. Allen Simon drew the cover and much of the interior. Overstreet 2005 VF/NM 9.0 value = $259; NM- 9.2 value = $340. CGC census 12/05: 3 in 9.0, 2 higher.
Picture Stories From American History #2 Gaines File pedigree 3/11 (EC, 1946) CGC NM+ 9.6 Off-white to white pages. "When in the course of human events, it becomes necessary..." you know the rest, right? Well, kids who didn't know the rest could find out the scoop about the colonial period and the colonies' strivings for independence by reading this educational comic. Our offering is a sterling copy from the Gaines files. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 2 in 9.6, 1 higher.
Picture Stories From American History #3 Gaines File pedigree 3/11 (EC, 1947) CGC NM/MT 9.8 Off-white to white pages. We the people of the United States are thoroughly impressed by this 9.8 copy -- the only 9.8, and highest-graded copy overall, to be certified by CGC to date. This issue covered everything from the Constitution to young Abe Lincoln in only 52 pages. Allen Simon provided the cover and interior art. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.8, none higher.
Picture Stories from Science #2 Gaines File pedigree 8/11 (EC, 1947) CGC NM 9.4 Off-white to white pages. A horror cover? Well, sort of -- have a look at the bottom part of this scene, drawn by Allen Simon. Don Cameron drew the story material, which spotlights advances in medicine. Overstreet 2005 NM- 9.2 value = $285. CGC census 12/05: 2 in 9.4, 1 higher.
Picture Stories from the Bible #nn Complete Life of Christ - Gaines File pedigree (EC, 1945) CGC NM+ 9.6 Cream to off-white pages. This 96-pager collected issues #1 and 2 of the New Testament Edition. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 1 in 9.6, 1 higher.
Picture Stories from the Bible Old Testament Edition #1 Gaines File pedigree (EC, 1946) CGC NM 9.4 Off-white pages. While EC's initial Bible comic series presented the stories out of order (with Genesis not appearing until issue #3!), these 1946 printings took a chronological approach. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, 1 higher.
Picture Stories from the Bible Old Testament Edition #2 Gaines File pedigree 4/12 (EC, 1946) CGC NM 9.4 Off-white pages. This is the fare that EC (Educational Comics) was founded to produce! Only one copy of this issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, 1 higher.
Picture Stories from the Bible New Testament Edition #3 Gaines File pedigree (EC, 1946) CGC NM 9.4 Off-white pages. Allen Simon drew Paul's appeal to Herod Agrippa on this issue's cover, while Don Cameron handled the interior art for the issue. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, 3 higher.
Picture Stories from the Bible Complete New Testament Edition - 40-Cent Cover - Gaines File pedigree (EC, 1946) CGC NM+ 9.6 Off-white to white pages. This 144-pager collected all three of the previously published New Testament comics. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. CGC notes, "6 pages siamese." Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 1 in 9.6, none higher.
Picture Stories from World History #2 Gaines File pedigree 2/11 (EC, 1947) CGC NM+ 9.6 Off-white pages. This is one of the last comics to appear in EC's Picture Stories series. Overstreet 2005 NM- 9.2 value = $285. CGC census 12/05: 2 in 9.6, none higher.
Piracy #1 Gaines File pedigree 12/12 (EC, 1954) CGC NM+ 9.6 White pages. In addition to a great Wally Wood cover, this issue's got interior artwork by EC legends Jack Davis and Al Williamson. This great copy has deep and rich colors and is tied with two other copies for the highest grade that CGC has assigned to date. Overstreet 2005 NM- 9.2 value = $375. CGC census 12/05: 3 in 9.6, none higher.
Piracy #2 Gaines File pedigree 9/12 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall wasn't often assigned cover art duties by the folks at EC, but he came through nicely here. Jack Davis, Al Williamson, and Wally Wood pitched in with interior art. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 3 in 9.6, 1 higher.
Piracy #3 Gaines File pedigree 9/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. Set sail for adventure with this third issue, mates! It includes artwork by the likes of Reed Crandall, George Evans, and Graham Ingels. Arrhh! Ye best place a bid on this pedigreed prize, lest ye be banished to Davy Jones' Locker! Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 2 in 9.6, 1 higher.
Piracy #3 (EC, 1955) CGC NM 9.4 White pages. One of EC's best "New Direction" comic titles was also one of the first. This third issue was released without a Comics Code seal, making it closer in spirit to the beloved "New Trend" titles like Two-Fisted Tales. Reed Crandall drew the richly colored ship-on-fire cover, while the work of Bernie Krigstein, George Evans, and Graham Ingels appears inside. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 2 in 9.4, 3 higher.
Piracy #4 Gaines File pedigree 9/12 (EC, 1955) CGC NM 9.4 White pages. Feel the brace of the cool ocean breeze, listen to the sound of clashing metal... now close the window, and place a bid on this splendid copy of Piracy! Art credits include Reed Crandall, George Evans, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 2 in 9.4, 2 higher.
Piracy #5 Gaines File pedigree 9/12 (EC, 1955) CGC NM- 9.2 Off-white to white pages. Bernie Krigstein's sketchy cover illustration for this issue looks incredible, thanks to some lovely color effects which faithfully mimic a turbulent ocean. Krigstein, Reed Crandall, Graham Ingels, and George Evans all contribute interior art. A beautiful copy of one of EC's better New Direction titles. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 3 in 9.2, 1 higher.
Piracy #5 Gaines File pedigree (EC, 1955) CGC VF/NM 9.0 Off-white to white pages. An underwater scene by Bernie Krigstein graces this issue's colorful cover, the first to sport a Comics Code seal. Krigstein, Reed Crandall, Graham Ingels, and George Evans all supply story art. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies this book. Overstreet 2005 VF/NM 9.0 value = $144; NM- 9.2 value = $190. CGC census 12/05: 1 in 9.0, 4 higher.
Piracy #6 Gaines File pedigree 1/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. Bernie Krigstein's blinding cover ranks with the best of EC's eye-catching offerings, and that's high praise indeed. This primo file copy shows precious few imperfections. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.4, 2 higher.
Psychoanalysis #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. This Gaines File Copy was deemed to be the very best one when it was originally removed from the vault. At this point, we would have to agree with them, as none to date have been graded higher by CGC. This is a neat New Direction book from EC that has remained quite affordable in terms of Guide value. Fans of Jack Kamen and his skill at drawing the lovely ladies will love the fact that he drew this entire issue. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 2 in 9.6, none higher.
Psychoanalysis #4 Gaines File pedigree 12/12 (EC, 1955) CGC NM 9.4 Cream to off-white pages. Get into people's minds, find out what makes them tick... or simply go for this copy of one of EC's strangest titles! This is the last of only four issues, and is completely drawn by Jack Kamen. This picture-perfect example is bested by only one other in the current CGC census. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 2 in 9.4, 1 higher.
Magazines
Shock Illustrated #2 Gaines File pedigree 9/12 (EC, 1956) CGC NM+ 9.6 Off-white pages. EC's magazine line was an idea ahead of its time. Here's a fantastic copy of this doomed series' second issue, with wonderful art by Reed Crandall, Al Williamson (with an Angelo Torres assist), Graham Ingels, and George Evans, plus a lush painted crime-scene cover by Rudy Nappi. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 4 in 9.6, none higher.
Shock Illustrated #2 Gaines File Copy pedigree 3/12 (EC, 1956) CGC NM+ 9.6 Cream to off-white pages. Rudy Nappi's evocative painted cover draws the reader into tales illustrated by Al Williamson (redrawn from Crime SuspenStories #13), Graham Ingels, Reed Crandall, and George Evans. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 4 in 9.6, none higher.
Shock Illustrated #3 (EC, 1956) CGC FN- 5.5 Cream to off-white pages. Here's the last non-Mad EC publication, and one that didn't ever make it to newsstands. A few copies (Overstreet says 100) were bound by hand, and finding one of those is the toughest challenge for the EC completist. Cover artist Rudy Nappi is probably best known for the many Hardy Boys covers he painted for Grosset and Dunlap -- of course, more adult subject matter is dealt with here. The interior art is by EC standbys Reed Crandall, George Evans, Jack Kamen, and Graham Ingels. Overstreet 2005 FN 6.0 value = $312. CGC census 12/05: 1 in 5.5, 6 higher.
Golden Age (1938-1955)
Shock SuspenStories #1 Gaines File pedigree 8/11 (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. Al Feldstein's electrocution cover was perfect for the first issue of the title, and it rates a "classic" designation from Overstreet. With interior art by Jack Kamen, Graham Ingels, Joe Orlando, and Jack Davis, this was an instant nominee for comicdom's Hall of Fame. In less than three years, this title racked up an impressive number of "warning" citings by watchdog publications, dealt with some of the more controversial socio-political topics of the day, and generally offered stories and art that are universally recognized as milestones today. With all due respect to Bob Overstreet who ranked the Gaines books, we find it hard to believe that seven nicer copies of this issue exist, and CGC's census bears that out thus far. Overstreet 2005 NM- 9.2 value = $1,125. CGC census 12/05: 2 in 9.8, 1 higher.
Shock SuspenStories #1 Aurora pedigree (EC, 1952) CGC VF 8.0 Off-white pages. "Shocking" is indeed the word for this classic electrocution cover by Al Feldstein, which kicks off a series only EC had the guts to attempt back in good old 1952. Jack Kamen, Jack Davis, Joe Orlando, and Graham Ingels all contribute story art. This colorful pedigreed copy is sure to make one lucky bidder smile -- although maybe not quite as much as the man on the cover flipping the switch! Overstreet 2005 VF 8.0 value = $585. CGC census 12/05: 5 in 8.0, 6 higher.
Shock SuspenStories #2 Gaines File pedigree 7/10 (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. One of Wally Wood's most memorable covers graces this second issue of the title. The naked eye detects nary a flaw on this superlative copy, but CGC's microscope must have found something to keep the official grade at a mere 9.8. Close enough to perfect for us, and no copies have been graded higher as of this writing. Overstreet 2005 NM- 9.2 value = $635. CGC census 12/05: 2 in 9.8, none higher.
Shock SuspenStories #3 Gaines File pedigree 9/12 (EC, 1952) CGC NM 9.4 Off-white pages. This issue's woolly Wally Wood cover art shows a hunter in a tight spot! Other artists include Jack Kamen and Jack Davis. You'll want to scream if you miss out on this fantastic copy, so place that bid! Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 1 in 9.4, 2 higher.
Shock SuspenStories #10 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 White pages. Jack Kamen was EC's go-to guy when it came to depicting femmes fatales who drove men to doing very rash things. See this issue's cover for evidence! Joe Orlando, and Reed Crandall, and Wally Wood (the latter drawing what Overstreet calls a "junkie story") also contributed art to the issue. Note that while CGC has certified this as a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 NM- 9.2 value = $385. CGC census 12/05: 2 in 9.6, none higher.
Shock SuspenStories #18 Gaines File pedigree (EC, 1955) CGC NM 9.4 Off-white to white pages. This is the last issue of a fantastic run, and no copy has been graded higher than this one! Jack Kamen, Reed Crandall, George Evans, and Bernard Krigstein are the artists for this issue, and Evans' cover art is really creepy - it's the end of the line for that guy on the ground, and the end of the line for the entire series. Darn that lousy Comics Code! Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 2 in 9.4, none higher.
Tales From the Crypt #20 Gaines File pedigree 11/11 (EC, 1950) CGC NM 9.4 Off-white pages. After three issues as Crypt of Terror, EC's original "New Trend" horror comic returned with a new title, one which eliminated the word "Terror." Publisher Bill Gaines must have figured there would be enough terror between the covers -- and he was right! This, then, is the first issue of Tales From the Crypt, one of the best known and loved horror comics of all time. This issue's artists include Johnny Craig (cover and story), Al Feldstein, Jack Kamen, and Graham Ingels. This primo pedigreed copy is so nice, it's... scary! Overstreet 2005 NM- 9.2 value = $1,625. CGC census 12/05: 2 in 9.4, 4 higher.
Tales From the Crypt #20 (EC, 1950) CGC FN 6.0 Cream to off-white pages. The discovery of one's date of death has long been a popular theme in thriller fiction, and Johnny Craig employed the idea here with gloomy expertise! Artists Al Feldstein and Graham Ingels also contributed art to the issue. The cover's by Craig. This is the first issue as Tales From the Crypt -- the series was formerly titled The Crypt of Terror. Overstreet 2005 FN 6.0 value = $336. CGC census 12/05: 1 in 6.0, 11 higher.
Tales From the Crypt #21 Gaines File pedigree 3/10 (EC, 1951) CGC NM/MT 9.8 Off-white pages. All the ingredients that made EC great came together here. Al Feldstein drew the story of a living corpse (as well as the cover in the same vein), Wally Wood takes the reader to a haunted amusement park, and Graham Ingels draws a vampire tale. Oops, almost forgot a "haunted house" story drawn by Harvey Kurtzman! If we had to spend a night in a haunted house to get this copy, we'd seriously consider it, as it's tied for the highest grade that CGC has assigned to date. Overstreet 2005 NM- 9.2 value = $1,330. CGC census 12/05: 2 in 9.8, none higher.
Tales From the Crypt #22 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. In "The Curse of the Arnold Clan," expertly drawn by Johnny Craig, a fellow searching his attic for a Halloween costume finds out some very disturbing information about his family history. By the way, the costume party he attends has a little in-joke for EC fans, as one of the partygoers is dressed as EC's Pre-Trend superheroine, Moon Girl! This issue also has art by Feldstein, Graham Ingels, and Jack Kamen. The cover is by Feldstein. Overstreet 2005 NM- 9.2 value = $1,040. CGC census 12/05: 4 in 9.6, none higher.
Tales From the Crypt #23 (EC, 1951) CGC NM+ 9.6 Off-white pages. Attention, Al Feldstein fans: This issue was the last of the series to have Feldstein interior art, reportedly because he was too busy with all of his editing and writing chores for EC. He did continue to contribute covers, though, and this cover's by him as well. Meanwhile, this issue has Jack Davis' first art for this title; it's the story of a businessman who believes that seances are a bunch of nonsensical hocus-pocus until... you'll have to read the story. Also, Johnny Craig contributed art on a tale of two pals who witness a voodoo ritual and live to regret it. The issue also has art by "Ghastly" Graham Ingels.Overstreet 2005 NM- 9.2 value = $810. CGC census 12/05: 5 in 9.6, 1 higher.
Tales From the Crypt #24 Gaines File pedigree 7/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. For this issue, Al Feldstein provided what EC superfan Russ Cochran called "one of (Feldstein's) all-time best horror covers." No argument here! The skilled artistry of Jack Davis, Wally Wood, Graham Ingels, and Johnny Craig rounds out the issue. Overstreet 2005 NM- 9.2 value = $810. CGC census 12/05: 1 in 9.6, 1 higher.
Tales From the Crypt #25 Gaines File pedigree 7/12 (EC, 1951) CGC NM+ 9.6 Off-white pages. Al Feldstein's "night in the wax museum" cover gets things off to a nice gruesome start! Jack Davis, Wally Wood, Jack Kamen, and Graham Ingels keep the artistic chills coming inside. This beautiful File Copy is bested by only one other in the current CGC census report. Overstreet 2005 NM- 9.2 value = $810. CGC census 12/05: 4 in 9.6, 1 higher.
Tales From the Crypt #26 Gaines File pedigree 3/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Wally Wood turns in his second EC cover, depicting a macabre graveyard scene. Hey, what ever happened to "rest in peace?" Jack Davis, H. L. Larsen, George Roussos, and Graham Ingels all contribute story art. This glossy, pedigreed prize is unsurpassed in CGC's current census report. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 4 in 9.6, none higher.
Tales From the Crypt #27 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Cream to off-white pages. This issue has Joe Orlando's first artistic contribution to this series. Orlando drew the story "Madam Bluebeard," featuring a widow whose seven husbands have all met "accidental" deaths, hmm... The issue also has a Wally Wood cover, and interior art by Jack Davis, Graham Ingels, and Jack Kamen. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. CGC notes, "Light tanning (at) bottom of interior front and back cover." Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 4 in 9.6, none higher.
Tales From the Crypt #28 Gaines File pedigree 3/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. Al Feldstein's "buried alive" cover is all the hook we needed to get interested in this book, but it's just an appetizer for the corresponding story in the book, drawn by Jack Davis and featuring not just a twist, but a twist on a twist ... The issue also features the artwork of Joe Orlando, Jack Kamen, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 3 in 9.6, none higher.
Tales From the Crypt #29 Aurora pedigree (EC, 1952) CGC VF- 7.5 Off-white pages. Jack Davis buried his pencils into this issue's great cover, which also features a biography on the artist. The interior features art by Davis and equally talented gents like Jack Kamen, Joe Orlando, and Graham Ingels. Overstreet 2005 VF 8.0 value = $338. CGC census 12/05: 2 in 7.5, 7 higher.
Tales From the Crypt #31 Gaines File pedigree 7/12 (EC, 1952) CGC NM+ 9.6 Cream to off-white pages. This issue features the first artwork Al Williamson did for EC (though another story was published first). The immensely talented Williamson quickly took his place among the company's regulars, and speaking of the EC staff, Bill Gaines and crew make an almost Mad-like appearance in a humorous tale drawn by Jack Kamen (and starring Kamen as the main character!). The issue also features the artwork of Jack Davis and Graham Ingels. This issue was mentioned in the book Parade of Pleasure. Overstreet 2005 NM- 9.2 value = $660. CGC census 12/05: 2 in 9.6, 3 higher.
Tales From the Crypt #32 (EC, 1952) CGC NM 9.4 Off-white pages. Jack Davis drew this issue's horror cover (demonstrating in the process that leggy ladies were well within his repertoire). The interior art is by Davis, George Evans, Fred Peters, and Graham Ingels. A writer to this issue's letters page summed up EC's appeal: "Your stories are the most revolting, the most repulsive, the most disgusting stories I have ever read... keep up the good work." Overstreet 2005 NM- 9.2 value = $565. CGC census 12/05: 5 in 9.4, 3 higher.
Tales From the Crypt #32 (EC, 1952) CGC NM 9.4 Cream to off-white pages. Hey, watch that big foot, Jumbo! Jack Davis' circus-gone-awry cover comes complete with onlooking clowns, one of whom loses his hat over the scene he's witnessing. Davis, George Evans, Fred Peters, and Graham Ingels provide the story art. Overstreet 2005 NM- 9.2 value = $565. CGC census 12/05: 5 in 9.4, 3 higher.
Tales From the Crypt #32 (EC, 1952) CGC VF/NM 9.0 Off-white pages. The circus is getting a little unruly on the Jack Davis cover. The interior features art by Davis, George Evans, Fred Peters, and Graham Ingels. Overstreet 2005 VF/NM 9.0 value = $433; NM- 9.2 value = $565. CGC census 12/05: 2 in 9.0, 9 higher.
Tales From the Crypt #33 Gaines File pedigree 3/12 (EC, 1952) CGC NM+ 9.6 Cream to off-white pages. EC fans finally learned the origin of the Crypt-Keeper in this issue, and it's gruesome stuff -- those are his parents on Jack Davis' cover; we kid you not. The origin story was drawn by Davis as well, and the issue also has art by George Evans, Jack Kamen, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $900. CGC census 12/05: 4 in 9.6, none higher.
Tales From the Crypt #33 (EC, 1952) CGC VF 8.0 Off-white pages. The female mummy on this Jack Davis cover isn't quite as sexy as her pose might suggest, but the two-headed freak behind her doesn't seem to mind. This issue features the origin of the Crypt Keeper, and features interior art by Davis, George Evans, Jack Kamen, and Graham Ingels. Overstreet 2005 VF 8.0 value = $473. CGC census 12/05: 4 in 8.0, 15 higher.
Tales From the Crypt #34 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Cream pages. No copy of this issue has been graded higher by CGC to date! The horror-fest starts off with Jack Davis' cover, set in a wax museum (those are always creepy!) Other highlights include an adaptation of Ray Bradbury's "There Was An Old Woman" with Graham Ingels art. George Evans and Jack Kamen also contributed artwork. The issue was used in the book Parade of Pleasure. Note that while this CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. CGC notes, "Tiny pieces off some page corners." Overstreet 2005 NM- 9.2 value = $580. CGC census 12/05: 3 in 9.6, none higher.
Tales From the Crypt #34 (EC, 1953) CGC VF/NM 9.0 Off-white to white pages. All the ingredients of a great EC horror mag are present here. There's the work of ace artists Jack Davis, George Evans, Jack Kamen, and Graham Ingels, there's one of many adaptations EC did of Ray Bradbury stories, and there's a gruesome Davis cover leading things off. The issue was mentioned in the book Parade of Pleasure. Overstreet 2005 VF/NM 9.0 value = $444; NM- 9.2 value = $580. CGC census 12/05: 3 in 9.0, 9 higher.
Tales From the Crypt #35 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Jack Davis' classic werewolf cover, with interior art by Davis, Joe Orlando, Jack Kamen, and Graham Ingels. This copy bears the highest CGC grade given to a #35 to date. Note: While CGC notes this as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $565. CGC census 12/05: 5 in 9.6, none higher.
Tales From the Crypt #36 Gaines File pedigree 2/10 (EC, 1953) CGC NM/MT 9.8 Off-white pages. This copy's at the pinnacle of CGC's census, equaled by only one other! SEC had famously been caught red-handed appropriating plot ideas from Ray Bradbury tales, but by the time of this issue they were producing authorized versions of stories by the great horror and sci-fi writer. The one in this issue is illustrated by Graham Ingels. Other artists in the issue are Jack Davis (who also drew the cover), Jack Kamen, and George Evans. Overstreet 2005 NM- 9.2 value = $565. CGC census 12/05: 2 in 9.8, none higher.
Tales From the Crypt #37 Gaines File pedigree (EC, 1953) CGC VF- 7.5 Off-white to white pages. Jack Davis cover. The book features interior art by Davis, Joe Orlando, Bill Elder, and Graham Ingels. While CGC has certified that this is a Gaines File Copy, no certificate accompanies the lot. Overstreet 2005 VF 8.0 value = $300. CGC census 12/05: 4 in 7.5, 4 higher.
Tales From the Crypt #41 Gaines File pedigree 3/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. Jack Davis' cover illustration gives us a glimpse of a carnival act about to go horribly wrong -- looks like that knife thrower should have left the hatchet at home! Davis, George Evans, Jack Kamen, and Graham Ingels all contribute story art. It's a beautiful copy, sharp and glossy. Overstreet 2005 NM- 9.2 value = $560. CGC census 12/05: 3 in 9.4, none higher.
Tales From the Crypt #43 Gaines File pedigree 2/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. While 9.8 copies of some ECs are known to exist, in the case of #43 only two copies have even attained 9.4 status, and this is one of them! The issue has a Jack Davis cover, with interior art by Davis, Jack Kamen, George Evans, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $560. CGC census 12/05: 2 in 9.4, none higher.
Tales From the Crypt #44 Gaines File pedigree 3/12 (EC, 1954) CGC NM+ 9.6 Off-white pages. Jack Davis' guillotine cover gets this issue started with a thud, and the corresponding story gets the full "Ghastly" treatment from Graham Ingels. Davis, Jack Kamen, and Reed Crandall also contributed story art. CGC hasn't given a higher grade for this issue than the NM+ 9.6 seen here. Overstreet 2005 NM- 9.2 value = $560. CGC census 12/05: 3 in 9.6, none higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF/NM 9.0 Off-white pages. All three of EC's ghoulish hosts appear on Al Feldstein's cover to this sharp-looking square bound issue, as they gleefully torture a screaming victim with the rack, an EC branding iron, and... a tickling feather! The remainder of this issue features art by Graham Ingels, Wally Wood, and Jack Kamen. Overstreet 2005 VF/NM 9.0 value = $1,703; NM- 9.2 value = $2,160. CGC census 12/05: 4 in 9.0, 3 higher.
Three Dimensional Tales from the Crypt of Terror #2 (EC, 1954) CGC VF+ 8.5 Off-white pages. This great EC 3-D comic has a cover by Al Feldstein, with stories from Tales From the Crypt and Vault of Horror that have been redrawn to the 3-D format by Jack Davis, Will Elder, Johnny Craig, and Joe Orlando. Overstreet notes that this comic is rare in high grade. Overstreet 2005 VF 8.0 value = $556; VF/NM 9.0 value = $853. CGC census 12/05: 3 in 8.5, 4 higher.
Two-Fisted Tales #18 Gaines File pedigree (EC, 1950) CGC NM 9.4 Off-white pages. Harvey Kurtzman's genius and attention to detail take center stage in this first issue. The original focus of "He-Man Adventure" tales soon gave way to straight war stories, considered by many to be the most well-researched, realistic comics of this genre for their time. Writer/editor Kurtzman was also an excellent artist -- that's his cover illustration. The interior art includes stories by Kurtzman, Al Feldstein, Wally Wood, and Johnny Craig. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $1,275. CGC census 12/05: 1 in 9.4, 3 higher.
Two-Fisted Tales #19 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 Off-white pages. The horrors of war are very real indeed. While other publishers tended to sugarcoat these realities, Harvey Kurtzman's sharp-edged graphics and well-researched stories painted a much more realistic version of war. Take as an example the jittery "rookie" alongside the more seasoned vets depicted on Kurtzman's grim cover illustration. Other artists this issue include Wally Wood and the team of John Severin and Bill Elder. No need to "sugarcoat" the facts concerning this magnificent File Copy -- it's a winner! Overstreet 2005 NM- 9.2 value = $960. CGC census 12/05: 2 in 9.6, 1 higher.
Two-Fisted Tales #20 Gaines File pedigree 6/9 (EC, 1951) CGC NM+ 9.6 Off-white pages. This third issue features another colorful Harvey Kurtzman cover. Kurtzman, Jack Davis, Wally Wood all contribute story art. And once again, this is another fantastic Gaines File Copy, currently unsurpassed in CGC's census. Overstreet 2005 NM- 9.2 value = $610. CGC census 12/05: 3 in 9.6, none higher.
Two-Fisted Tales #21 Gaines File pedigree 7/10 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. A Harvey Kurtzman cover from 1951 just can't look any better than on this NM+ copy. Even with the number of Gaines File Copies in existence, no other copy of issue #21 so far has been found nicer by CGC than this. And this is one of the bargain-valued titles from EC's heyday, with art by Kurtzman, Wally Wood, Jack Davis, Bill Elder, and John Severin. Overstreet 2005 NM- 9.2 value = $480. CGC census 12/05: 2 in 9.6, none higher.
Two-Fisted Tales #22 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. You can almost hear the bullets zipping through the air on this dramatic Harvey Kurtzman cover. Other artists include Wally Wood, John Severin, Bill Elder, and Jack Davis. This File Copy looks as fresh as the day publisher Bill Gaines stashed it away! Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $480. CGC census 12/05: 3 in 9.8, none higher.
Two-Fisted Tales #23 Gaines File pedigree 10/10 (EC, 1951) CGC NM 9.4 Off-white to white pages. The Korean war had center stage in 1951, and Harvey Kurtzman and Jack Davis each drew a hard-hitting tale set in that conflict for this issue. But both World Wars are also represented, with Wally Wood drawing a World War I story and John Severin and Bill Elder teaming up on a World War II tale. The cover is by Kurtzman. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 1 in 9.4, 3 higher.
Two-Fisted Tales #24 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Triple-threat Harvey Kurtzman drew this issue's cover and an interior story in addition to scripting all four stories here. Jack Davis, Wally Wood, and the John Severin/Bill Elder team also contributed art to the issue. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 4 in 9.6, none higher.
Two-Fisted Tales #25 Gaines File pedigree 7/10 (EC, 1952) CGC NM 9.4 Off-white pages. Harvey Kurtzman, editor and head writer for this series, quickly made his war comics far more gritty and realistic than most, as seen on this World War I cover. Kurtzman, Jack Davis, Wally Wood, John Severin, and Bill Elder are all featured story artists. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 2 in 9.4, none higher.
Two-Fisted Tales #26 Gaines File pedigree 7/10 (EC, 1952) CGC NM+ 9.6 Off-white pages. The Korean War was raging as this issue went to press, a fact reflected by Harvey Kurtzman's snowy Changjin Reservoir cover illustration. Other artists include Jack Davis, John Severin, and Wally Wood. This copy's stunning cover colors and overall sharp appearance will delight one lucky bidder. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 2 in 9.6, 1 higher.
Two-Fisted Tales #27 Gaines File pedigree (EC, 1952) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman's Korean War cover is brimming with action and color. This issue has long been a fan favorite due to the "Artist of the Issue" feature on Wally Wood. Wood, Kurtzman, Jack Davis, and the team of John Severin and Bill Elder supply story art. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, 3 higher.
Two-Fisted Tales #31 Gaines File pedigree (EC, 1953) CGC NM- 9.2 Off-white to white pages. Here's the first of three special Civil War issues, filled with fascinating facts dug up by editor/writer/artist Harvey Kurtzman. Other artists include Jack Davis (of course -- what comic about the War Between the States would be complete with him?), Wally Wood, and Bill Elder. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 2 in 9.2, 2 higher.
Two-Fisted Tales #32 Gaines File pedigree 3/9 (EC, 1953) CGC NM 9.4 Off-white to white pages. One of very few stories Joe Kubert drew for EC is this issue's "Tide!" The issue's unusual in other ways -- it's one of the few in this series' run not to have a Harvey Kurtzman cover as well as one of the few with a naval theme (and it's a superb naval scene by none other than Wally Wood!). Also contributing interior art were Wood (drawing a story of Hannibal, no less), Jack Davis, Johnny Craig. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 2 in 9.4, 1 higher.
Two-Fisted Tales #33 Gaines File pedigree 9/12 (EC, 1953) CGC NM 9.4 Off-white to white pages. Wally Wood takes a turn as cover artist this issue, with excellent results. This issue also includes Wood's classic "Atom Bomb" story. Other artists include Jack Davis, John Severin, and special guest Joe Kubert. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 3 in 9.4, none higher.
Two-Fisted Tales #35 Gaines File pedigree 6/11 (EC, 1953) CGC VF+ 8.5 White pages. Here's the third installment of writer/editor Harvey Kurtzman's ambitious Civil War Special Issues, this time focusing on the Confederate States. While additional "War Between the States" specials were planned for Two-Fisted Tales and Frontline Combat, this turned out to be the last. Artistic thrills are provided by John Severin, Wally Wood, Reed Crandall, and of course, Jack Davis, who contributed the "Stars and Bars" cover. This white-page wonder remains fresh and attractive. Overstreet 2005 VF 8.0 value = $113; VF/NM 9.0 value = $169. CGC census 12/05: 2 in 8.5, 1 higher.
Two-Fisted Tales #36 Gaines File pedigree 11/11 (EC, 1954) CGC NM 9.4 Off-white to white pages. John Severin takes over as editor beginning with this issue, which shifts the emphasis from war to adventure. Jack Davis and Reed Crandall join Severin to provide story art. This attractive copy features great cover color and page quality. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 3 in 9.4, 1 higher.
Two-Fisted Tales #40 Gaines File pedigree 3/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. The new direction continues in this issue, with adventure the order of the day. Contributing artists include George Evans, who provided the World War I "dogfight" cover, plus John Severin and Jack Davis. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 3 in 9.6, none higher.
Two-Fisted Tales #41 Gaines File pedigree (EC, 1955) CGC NM 9.4 Off-white to white pages. The last issue of Two-Fisted saw the comic come full circle -- it began as "He-Man Adventure," went on to "War and Fighting Men," and ended up back with straight "Adventure" both on the cover and in the interior contents. Jack Davis drew this issue's "Mau Mau" cover, while John Severin, Bernard Krigstein, Wally Wood, and George Evans all contribute story art. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 1 in 9.4, 2 higher.
Valor #1 Gaines File pedigree 8/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. This "New Direction" title from EC was tailor-made to showcase the incredible talents of artist Wally Wood. Wood provides the great "battling knights" cover, complete with a huge castle in the background, and a King Arthur tale inside. Other artists include Al Williamson, Bernie Krigstein, and Graham Ingels. This first issue was not approved by the Comics Code Authority, a situation that changed with issue #2. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 2 in 9.6, 1 higher.
Valor #5 Gaines File pedigree 9/12 (EC, 1955) CGC NM 9.4 Off-white pages. This last issue of Valor signals the beginning of the end for EC's line of New Direction comics. They certainly went out with a bang with this great issue, loaded with exciting art by Wally Wood, Al Williamson, Graham Ingels, and George Evans. Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 1 in 9.4, 1 higher.
Vault of Horror #12 (#1) (EC, 1950) CGC VF 8.0 Off-white pages. Ranked as the #1 most valuable horror comic by Overstreet, this is tied with Crypt of Terror #17 as EC's first horror comic, and is designated a "scarce" issue by Overstreet. EC pulled no punches on this Johnny Craig cover. The issue's interior artists include Craig as well as resident geniuses Al Feldstein and Harvey Kurtzman. Overstreet 2005 VF 8.0 value = $3,465. CGC census 11/05: 4 in 8.0, 4 higher.
Vault of Horror #13 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. The dead walk again on this second issue's eerie and colorful Johnny Craig cover. A morphine story drawn by Harry Harrison and Wally Wood is a highlight. Other artists in the issue include Al Feldstein, Graham Ingels, and Harvey Kurtzman. This beautiful File Copy sports sharp corners and edges. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $1,400. CGC census 12/05: 2 in 9.6, 3 higher.
Vault of Horror #14 Gaines File pedigree 4/9 (EC, 1950) CGC NM 9.4 White pages. Do you voodoo? Even if you don't, you'll want to check out this beautiful Gaines File Copy, which sports a wild spell-casting cover by Johnny Craig. Other artists in this third issue include Ghastly Graham Ingels and Al Feldstein. The colors on this copy's cover are positively blinding! Overstreet 2005 NM- 9.2 value = $1,260. CGC census 12/05: 4 in 9.4, none higher.
Vault of Horror #15 Gaines File pedigree 7/10 (EC, 1950) CGC NM+ 9.6 Off-white pages. Looks like someone isn't quite ready to "rest in peace" on this issue's Johnny Craig graveyard cover! Can you "dig" it? We know you'll get into this killer copy, which is well-cut and as fresh-looking as any 55-year-old comic could possibly be! Artists include Al Feldstein, Graham Ingels, and Jack Kamen. Overstreet 2005 NM- 9.2 value = $1,075. CGC census 12/05: 3 in 9.6, 1 higher.
Vault of Horror #17 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 White pages. How's that old saying go -- "Even a man who is pure at heart and says his prayers by night, can become a wolf when the wolfsbane blooms, and the moon is full and bright!" This classic Werewolf cover by Johnny Craig will make you howl with delight! Craig, Jack Davis, Graham Ingels, and Jack Kamen art is featured inside this attractive comic. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $885. CGC census 12/05: 3 in 9.6, none higher.
Vault of Horror #18 Gaines File pedigree 5/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Johnny Craig turns in a cover that would almost be at home on a romance comic -- but not quite! Looks like this Romeo might be getting more than he wished for! Craig, Jack Davis, Jack Kamen, and Graham Ingels furnish the interior art. The original Gaines File Copy certificate of authenticity no longer accompanies this book, although a Xeroxed copy has been included. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 1 in 9.6, 5 higher.
Vault of Horror #19 Gaines File pedigree 4/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. This issue's "lover come back" cover illustration brings to mind thoughts of love and romance -- until you notice the rotting, reanimated corpse trudging along in the background! Johnny Craig gets the gruesome cover credits, while Jack Davis, Jack Kamen, and Graham Ingels do the dirty work inside. This is a lovely, choice copy, featuring great cover color and sharp corners and edges. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 2 in 9.6, 2 higher.
Vault of Horror #19 Gaines File pedigree (EC, 1951) CGC NM 9.4 Off-white pages. Here's a sharp-as-a-tack copy of the eighth issue of this terror-filled title, looking for the most part as if it were on a magazine rack down at the corner drug store (in 1951, mind you!). The cover colors are so fresh you can almost hear Perry Como on the radio as you scan your peepers across this pedigreed prize. The Vault art gang's all here: Johnny Craig, Jack Davis, Jack Kamen, and "Ghastly" Graham Ingels, and they're all waiting... for you! Although CGC recognizes this as a Gaines File Copy, no certificate accompanies this book. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 2 in 9.4, 4 higher.
Vault of Horror #20 Gaines File pedigree 11/12 (EC, 1951) CGC NM/MT 9.8 White pages. The mob rules on this busy Johnny Craig "kill the vampire" cover. Craig, Jack Davis, Jack Kamen, and Graham Ingels all provide story art. This one is simply gorgeous, with exceptional cover color and perfect white interior pages. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 4 in 9.8, none higher.
Vault of Horror #21 Gaines File pedigree 3/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Johnny Craig could really deliver the chills in his EC work, and this rain-swept "alligator farm" cover is certainly no exception. Craig is joined by H. L. Larsen, Jack Kamen, and Jack Davis inside, providing story art. This pedigreed copy features sharply cut edges and glossy cover color. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 3 in 9.6, 2 higher.
Vault of Horror #22 Gaines File pedigree 1/12 (EC, 1951) CGC NM 9.4 Off-white to white pages. Everyone's favorite patch-work man, the Frankenstein monster, appears on this cool cover by Johnny Craig, with Graham Ingels supplying the related story art. Other artists include Jack Davis and Jack Kamen. This exquisite File Copy features deep, rich cover colors and a crisp spine, with square corners. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 3 in 9.4, 3 higher.
Vault of Horror #23 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. This issue has gained special notoriety by being used in the infamous anti-comics book, Parade of Pleasure. Johnny Craig provides the "rotting corpse on the stairs" cover. Jack Davis, Graham Ingels, and Craig all supply story art. While CGC recognizes this as a Gaines file copy, no certificate accompanies this lot. CGC census 12/05: 2 in 9.6, 4 higher.
Vault of Horror #24 Gaines File pedigree 4/11 (EC, 1952) CGC NM+ 9.6 Off-white to white pages. This issue spotlights Johnny Craig with a mini-biography and photo. Craig, who unlike most of the other EC regulars wrote his own stories, comes through with the cover of this issue as well as the lead story "A Bloody Undertaking." This issue also includes the artistic stylings of Graham Ingels, Joe Orlando, and Jack Davis. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 3 in 9.6, none higher.
Vault of Horror #26 Northford pedigree (EC, 1952) CGC VF 8.0 Cream to off-white pages. Classic Johnny Craig cover, with interior art by Craig, Jack Davis, Sid Check, and Graham Ingels. Illustrations from this issue were used in Parade of Pleasure. Overstreet 2005 VF 8.0 value = $278. CGC census 12/05: 3 in 8.0, 8 higher.
Vault of Horror #27 Gaines File pedigree 9/12 (EC, 1952) CGC NM+ 9.6 Off-white to white pages. Beware of the Blob, it creeps, and leaps, and glides and slides across the floor... and onto this wild "thing in the cave" cover by Johnny Craig, which actually appeared some six years before the classic sci-fi movie! Other artists in this issue include Jack Davis, George Evans, and Graham Ingels. There's no slime on this pedigreed prize -- it's as neat as a pin! Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 1 in 9.6, 2 higher.
Vault of Horror #27 Gaines File pedigree 1/12 (EC, 1952) CGC NM 9.4 Off-white to white pages. "Beware of the Blob!" This issue's cover gets a jump on that popular 1958 feature film with a slimy, oozing creature all its own. Artists include Jack Davis, George Evans, and Graham Ingels. This sparkling pedigreed example is clean as a whistle, with great cover color and gloss. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 3 in 9.4, 3 higher.
Vault of Horror #28 Gaines File pedigree 6/12 (EC, 1953) CGC NM/MT 9.8 Off-white to white pages. Johnny Craig's "zombie bride" cover is so vivid and detailed, you can almost hear the jungle drums pounding in the background! Craig, Jack Davis, George Evans, and Graham Ingels all contribute story art. This super-sharp, colorful gem copy is loaded with eye-appeal. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 4 in 9.8, none higher.
Vault of Horror #29 Gaines File pedigree 8/11 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. This issue's gruesome "come join us" living-dead attack cover is by Johnny Craig -- you might want to lock your doors after this one! Interior art is furnished by Graham Ingels, Jack Kamen, Jack Davis, and Craig. A Ray Bradbury adaptation, "Let's Play Poison," is featured. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 4 in 9.6, none higher.
Vault of Horror #30 Gaines File pedigree 11/12 (EC, 1953) CGC NM 9.4 Off-white to white pages. Riding the New York subway system can be murder -- it'll cost you an arm and a leg for a good seat! Well, an arm at least, as the poor rider pictured on this issue's gruesome cover proves! In addition to the Johnny Craig "dismemberment" cover, there's interior art by Graham Ingels, George Evans, and Jack Davis. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 2 in 9.4, 1 higher.
Vault of Horror #31 Gaines File pedigree 4/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Ray Bradbury fans, take note: This issue of Vault of Horror not only adapts one of the master horror writer's tales, but it also includes his biography and a photo. Also on tap are writer Al Feldstein and artists Graham Ingels, Jack Davis, and Johnny Craig. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 3 in 9.6, none higher.
Vault of Horror #32 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 White pages. There's definitely something "missing" on this issue's famous "censored" Johnny Craig cover, which illustrates the story "Out Of His Head." That something is, of course, a large meat cleaver, which was originally shown jutting out of the man in the doorway's now-shiny noggin. Other artists for this issue include Graham Ingels, George Evans (whose own "An Ample Sample" story was also "tampered with" before publication), and Jack Davis. Although recognized as a Gaines File Copy by CGC, this lot does not include a certificate. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 3 in 9.6, 1 higher.
Vault of Horror #33 Gaines File pedigree 4/11 (EC, 1953) CGC NM+ 9.6 White pages. Cover "hooks" don't get much better than the one on Johnny Craig's cover, leading into the story "Let The Punishment Fit The Crime!" When the townsfolk see that some kids are carrying a coffin, it's assumed the youngsters want to bury a pet, how cute! But wait, those kids have sure been asking lots of questions lately about burials and executions... Jack Davis handled art chores on the chilling tale. There's also the work of Reed Crandall, George Evans, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 2 in 9.6, 2 higher.
Vault of Horror #34 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white pages. Johnny Craig's "point of view" cover illustration for this issue is particularly disturbing, illustrating the "buried alive" story, "Star Light, Star Bright". Other artists include Jack Davis, Reed Crandall, and "Ghastly" Graham Ingels. Although this copy is recognized as a Gaines File Copy by CGC, no certificate accompanies this book. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 4 in 9.6, none higher.
Vault of Horror #36 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white to white pages. Johnny Craig's red-hot cover is drenched in vivid color, including a deep black background. Craig's story "Twin Bill" was cited in an article by Fredric Wertham. The classic opium-addict story "Pipe-Dream" is in this issue, drawn by Bernard Krigstein. Also included are stories illustrated by Jack Davis and Graham Ingels. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $430. CGC census 12/05: 5 in 9.6, none higher.
Vault of Horror #37 Gaines File pedigree 11/12 (EC, 1954) CGC NM- 9.2 White pages. It's the first appearance of host character Drusilla... could she have been an inspiration for Warren's Vampirella? The issue has a hanging cover by Johnny Craig, plus interior art by Craig, Jack Davis, Al Williamson, and Graham Ingels. Overstreet 2005 NM- 9.2 value = $445. CGC census 12/05: 2 in 9.2, 5 higher.
Vault of Horror #38 Gaines File pedigree 1/12 (EC, 1954) CGC NM+ 9.6 Off-white to white pages. Johnny Craig's cloaked in black "inside-the-crypt" cover is as creepy as they come! Craig, Jack Davis, Bernard Krigstein, and Graham Ingels all supply story art. The deep cover colors on this pedigreed copy really look great. Overstreet 2005 NM- 9.2 value = $415. CGC census 12/05: 2 in 9.6, 2 higher.
Vault of Horror #39 Gaines File pedigree 11/12 (EC, 1954) CGC NM- 9.2 White pages. A bondage cover by Johnny Craig is the highlight of this choice issue. Craig is joined artistically by Reed Crandall, Bernie Krigstein, and Graham Ingels inside. Although this copy doesn't top the CGC charts, it still looks incredibly nice, with great cover colors and sharp edges. Overstreet 2005 NM- 9.2 value = $415. CGC census 12/05: 1 in 9.2, 5 higher.
Vault of Horror #40 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white to white pages. This is the last issue of this title, and it experienced low distribution according to Overstreet. Of course, that's because EC's entire "New Trend" line was being shelved in view of the attacks on horror comics. This final issue has a Johnny Craig cover with interior art by Craig, Joe Orlando, Bernie Krigstein, and Graham Ingels. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 2 in 9.6, 2 higher.
War Against Crime #7 (EC, 1949) CGC VF 8.0 Cream to off-white pages. Johnny Craig cover. Al Feldstein art. Overstreet 2005 VF 8.0 value = $240. CGC census 12/05: 1 in 8.0, 2 higher.
War Against Crime #10 Gaines File pedigree 4/11 (EC, 1949) CGC NM+ 9.6 Off-white to white pages. The first appearance of the Vault Keeper and his Vault of Horror makes this comic a key moment in the history of EC. Al Feldstein drew the initial story to feature the ghoulish host. The issue also has art by Johnny Craig (who also drew the cover), Fred Peters, and John Alton. Anyone who's into horror mags needs this seminal issue! Overstreet 2005 NM- 9.2 value = $2,850. CGC census 12/05: 1 in 9.6, 5 higher.
War Against Crime #11 Gaines File pedigree 8/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. EC's first horror cover (by Johnny Craig) features a great "Egyptian tomb" illustration, complete with a reanimated mummy. This important issue also features the second appearance of the Vault Keeper, and was the last issue before the name change to Vault of Horror. Story art is by Al Feldstein, Harry Harrison, George Roussos, and Craig. Overstreet 2005 NM- 9.2 value = $1,675. CGC census 12/05: 2 in 9.6, 2 higher.
Weird Fantasy #13 (#1) (EC, 1950) CGC FN/VF 7.0 Cream to off-white pages. From the very dawn of EC's "New Trend" comes this first issue, which continued the numbering from A Moon, A Girl, ... Romance. Al Feldstein provided cover and interior art. Also contributing art were Harry Harrison, Jack Kamen, and Harvey Kurtzman. Overstreet 2005 FN 6.0 value = $579; VF 8.0 value = $1,448. CGC census 12/05: 1 in 7.0, 14 higher.
Weird Fantasy #14 (#2) (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. Aliens stare in disbelief as America "drops the big one" on Iraq, taking half the planet with it! Oops! All kidding aside, this Atomic Explosion cover by Al Feldstein has long been a fan-favorite. Story art in this second issue includes contributions by Feldstein (starring himself and Bill Gaines as characters), Wally Wood, Jack Kamen, and Harvey Kurtzman. We can't imagine a more attractive copy of this issue -- this one is simply drop-dead gorgeous! Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 3 in 9.8, none higher.
Weird Fantasy #15 (#3) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Take a trip in Outer Space, courtesy of this colorful Al Feldstein cover. Feldstein, Harvey Kurtzman, Jack Kamen, and Wally Wood all contribute story art. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies this book. Overstreet 2005 NM- 9.2 value = $870. CGC census 12/05: 2 in 9.6, 1 higher.
Weird Fantasy #17 (#5) Gaines File pedigree (EC, 1951) CGC NM 9.4 White pages. Al Feldstein gives us a great cigar-shaped rocket ship cover for this fifth issue. Inside, Al's joined by Harvey Kurtzman, Wally Wood, and Jack Kamen on the story art. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies this book. Overstreet 2005 NM- 9.2 value = $725. CGC census 12/05: 1 in 9.4, 1 higher.
Weird Fantasy #7 Gaines File pedigree 3/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Al Feldstein made sure that not all of the heavenly bodies were outside the spacecraft on this eye-catching "good girl" cover. Feldstein also contributes interior art, as do Jack Kamen, Wally Wood, and George Roussos. The lead story in this issue, "7 Year Old Genius," features a comics-in-comics reference wherein the "genius" is handed a stack of EC comics to read. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2005 NM- 9.2 value = $595. CGC census 12/05: 2 in 9.6, 1 higher.
Weird Fantasy #8 Gaines File pedigree 9/12 (EC, 1951) CGC NM 9.4 Off-white to white pages. Those Al Feldstein-drawn space creatures on the cover of this issue look positively... weird! Feldstein, Wally Wood, Jack Kamen, and George Roussos story art is featured. Overstreet 2005 NM- 9.2 value = $595. CGC census 12/05: 1 in 9.4, 2 higher.
Weird Fantasy #9 Gaines File pedigree 8/11 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. An Al Feldstein illustration of a rocket ship floating in inky-black space adorns this sparkling cover. Wally Wood, Jack Kamen, Marty Elkin, and Joe Orlando art is featured inside. Overstreet 2005 NM- 9.2 value = $595. CGC census 12/05: 3 in 9.6, none higher.
Weird Fantasy #10 Gaines File pedigree 2/12 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. This file copy looks about as nice as any you'll ever lay eyes on! The Al Feldstein cover illustration, depicting a cigar-shaped rocket ship zooming past Saturn, is a real grabber; you can almost get lost in the inky black outer space background! Interior art is by Wally Wood (two stories), Jack Kamen, and Joe Orlando. Overstreet 2005 NM- 9.2 value = $595. CGC census 12/05: 3 in 9.8, none higher.
Weird Fantasy #11 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white pages. Al Feldstein sends us to the moon with his detailed exploding rocket cover illustration. This issue's artists include Wally Wood (doing double duty with two stories), Jack Kamen, and Joe Orlando. While CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 2 in 9.6, 1 higher.
Weird Fantasy #12 Gaines File pedigree 9/12 (EC, 1952) CGC NM+ 9.6 Off-white to white pages. Al Feldstein's "rocket on another planet" cover is truly out of this world! Jack Kamen, Joe Orlando (also featured in the "Artist of the Issue" bio), and Wally Wood contribute story art. This is the famous issue featuring a cameo of the EC artists. This particular copy bears the highest grade given to a copy of this issue by CGC to date. Overstreet 2005 NM- 9.2 value = $490. CGC census 01/06: 2 in 9.6, 1 higher.
Weird Fantasy #15 Gaines File pedigree 9/12 (EC, 1952) CGC NM/MT 9.8 Off-white pages. This is one of only 9.8s in CGC's census as of this writing, and the nearest runner-up is two notches down at 9.4. Al Williamson drew two stories for this issue, one with an assist by George Evans according to Overstreet. There are also stories drawn by Joe Orlando and Jack Kamen. The cover is by Al Feldstein. Overstreet 2005 NM- 9.2 value = $870. CGC census 12/05: 2 in 9.8, none higher.
Weird Fantasy #17 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. Here's an odd pairing we never seem to tire of -- rocket ships and dinosaurs! Al Feldstein provides this juxtaposed cover, based on the opening story, "In the Beginning...." This issue features an adaptation of Ray Bradbury's "There Will Come Soft Rains." The Al Williamson/Roy Krenkel-illustrated tale, "The Aliens," introduced the phrases "Squa Tront" and "Spa Fon," both later used as titles for important EC-related publications. In addition, Bill Elder, Joe Orlando, and Wally Wood contributed story art to this issue. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 4 in 9.4, 1 higher.
Weird Fantasy #18 Gaines File pedigree 8/11 (EC, 1953) CGC NM+ 9.6 White pages. What ever happened to those enormous donut-shaped space stations we all used to hear about? Here's a great early version of one, on a beautiful Al Williamson/Al Feldstein cover. Inside, you'll find story art by Al Williamson/Roy Krenkel, Jack Kamen, Joe Orlando, and John Severin/Bill Elder. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 1 in 9.6, 1 higher.
Weird Fantasy #19 Gaines File pedigree 3/12 (EC, 1953) CGC VF/NM 9.0 White pages. This issue's cover announces another Ray Bradbury adaptation: "King of the Grey Spaces" was illustrated by the team of John Severin and Bill Elder. Other artists include Al Williamson (also featured in the "Artist of the Issue" bio), Jack Kamen, and Joe Orlando. Overstreet 2005 VF/NM 9.0 value = $350; NM- 9.2 value = $460. CGC census 12/05: 1 in 9.0, 2 higher.
Weird Science #12 (#1) Gaines File pedigree 4/9 (EC, 1950) CGC NM+ 9.6 Off-white pages. Here's a pedigreed copy of the very first issue of this important title, in near-perfect condition. Al Feldstein's cover sets the tone, and interior art by Feldstein, Harvey Kurtzman (the classic story "Lost in the Microcosm"), Jack Kamen, and the team of Harry Harrison and Wally Wood keep things flying high. The Harrison/Wood story "Dream of Doom" parodies the entire EC staff. Overstreet 2005 NM- 9.2 value = $2,800. CGC census 12/05: 2 in 9.6, none higher.
Weird Science #13 (#2) Gaines File pedigree 4/10 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. For two weeks during July 1952, strange, glowing lights were spotted, both by eyewitnesses and radar, flying over the White House in Washington, DC. This strange occurrence was predicted two years earlier with this issue's UFO cover and story by Al Feldstein. Other artists in this second issue include Harvey Kurtzman, the team of Harry Harrison and Wally Wood, and Jack Kamen. Overstreet 2005 NM- 9.2 value = $1,275. CGC census 12/05: 2 in 9.6, 1 higher.
Weird Science #14 (#3) Gaines File pedigree 9/11 (EC, 1950) CGC NM+ 9.6 Off-white pages. Here's a beauty of a copy of this third issue, complete with an Al Feldstein robot cover. Feldstein (an "End of the World" tale), Harvey Kurtzman, Harry Harrison, and Jack Kamen all add story art. Overstreet 2005 NM- 9.2 value = $1,225. CGC census 12/05: 4 in 9.6, 1 higher.
Weird Science #14 (#3) Gaines File pedigree 8/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. EC loved post-apocalyptic scenarios, and the stories in that vein tended to be powerful ones indeed. This time, it's Al Feldstein drawing the story (as well as the accompanying cover scene). This issue also includes art by Harvey Kurtzman, Harry Harrison, and Jack Kamen. Overstreet 2005 NM- 9.2 value = $1,225. CGC census 12/05: 4 in 9.6, 1 higher.
Weird Science #15 (#4) Gaines File pedigree 7/9 (EC, 1950) CGC NM+ 9.6 Cream to off-white pages. It's a "War of the Worlds" takeoff, featuring the Orson Welles-like "Carson Walls." But it wouldn't be an EC tale without a horrifying twist... Al Feldstein drew that story as well as the cover. This issue is also notable for having the only science fiction story that horror specialist Graham Ingels ever drew for EC. Also included are stories drawn by Harvey Kurtzman and Jack Kamen. No copy of this issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $1,125. CGC census 12/05: 4 in 9.6, none higher.
Weird Science #5 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white pages. Al Feldstein's atomic explosion cover set the tone for this issue, which had two cautionary anti-war tales drawn by Wally Wood and Harvey Kurtzman, respectively. In a somewhat lighter vein, the other two stories, drawn by Al Feldstein and Jack Kamen, are imaginative looks at time travel. By the way, unless you have a time machine of your own that you can set to 1951, you're not going to find a nicer copy than this one. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $855. CGC census 12/05: 5 in 9.8, none higher.
Weird Science #6 Gaines File pedigree 8/10 (EC, 1951) CGC NM 9.4 White pages. No one drew goofy-looking alien creature covers better than Al Feldstein, and here's one of his best! Inside, there's cool art by Wally Wood, Harvey Kurtzman, and Jack Kamen, plus Feldstein's classic "Spawn of Venus" story. Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 2 in 9.4, 1 higher.
Weird Science #7 5/10 (EC, 1951) CGC NM+ 9.6 Off-white pages. Al Feldstein contributes a colorful "landing party" cover, featuring a crew of style-conscious space explorers and a classic, 1950s-vintage finned rocket ship. Al is joined by artists Jack Kamen, Harvey Kurtzman ("Gregory Had a Model T"), and Wally Wood inside. This Gaines File Copy is a real honey! Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 5 in 9.6, none higher.
Weird Science #7 (EC, 1951) CGC NM- 9.2 Off-white pages. An Al Feldstein cover graces this collection of tales of science gone awry. Feldstein's "The Blob"-like lead story (which pre-dated the movie) is supplemented by tales drawn by Jack Kamen, Harvey Kurtzman, and Wally Wood. Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 3 in 9.2, 7 higher.
Weird Science #8 Gaines File pedigree 2/12 (EC, 1951) CGC NM/MT 9.8 Off-white pages. Here's an out-of-this-world copy of this outer-space comic book. Remember John Hurt's "stomach ache" in the movie "Alien"? Well, you can thrill to the exact same scene in Al Feldstein's cover story, drawn a quarter-century before that movie hit the screens. Where do these screenwriters get all their ideas? Other highlights here are the cover by Feldstein and interior art by George Roussos, Jack Kamen, and Wally Wood. Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 3 in 9.8, none higher.
Weird Science #9 Gaines File pedigree 10/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. No one, but no one could draw hideous aliens like Wally Wood, and on this cover (his first for EC), he really delivers the goods. Story artists include Wood (twice), Jack Kamen, and guest artist George Olesen. Vibrant cover color and gloss tell you right away this is a copy from publisher Bill Gaines' private stash. Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 5 in 9.6, none higher.
Weird Science #10 Gaines File pedigree 4/11 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Wally Wood pulls out all the stops in his incredible cover illustration, complete with a bug-eyed creature and sky full of stars, moons, and whatnot. Wood, Jack Kamen, and Joe Orlando are all featured story artists. This colorful pedigreed copy is unsurpassed in the current CGC census. Overstreet 2005 NM- 9.2 value = $695. CGC census 12/05: 5 in 9.6, none higher.
Weird Science #12 Gaines File pedigree 2/11 (EC, 1952) CGC NM 9.4 Off-white pages. A wild Wally Wood cover illustration shows the classic "inside the space ship" scene Wood became famous for. Interior stories include art by Wood (two stories), Jack Kamen, and Joe Orlando. Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 1 in 9.4, 1 higher.
Weird Science #14 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white pages. Wally Wood turns in a beautiful cover illustration for this issue's bizarre story "There'll Be Some Changes Made." Bill Elder, Sid Check, and Joe Orlando are also featured artists. This well-centered, glossy copy is a real keeper. While CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 3 in 9.6, 1 higher.
Weird Science #15 Gaines File pedigree 10/12 (EC, 1952) CGC NM 9.4 Off-white to white pages. Al Williamson made his first contribution to Weird Science with this issue, starting things off with a typically senses-shattering splash panel. Another highlight is a Jack Kamen-drawn tale in which a nerd gets a "personal harem kit" in the mail -- EC knew what their readers wanted, all right! There are also stories drawn by Joe Orlando and Wally Wood, plus a Wood cover. Overstreet 2005 NM- 9.2 value = $520. CGC census 11/05: 1 in 9.4, 3 higher.
Weird Science #16 Gaines File pedigree 2/11 (EC, 1952) CGC NM/MT 9.8 Off-white pages. It's "Invaders from Mars" time, as youngsters spot an alien landing party on this colorful Wally Wood cover. Think anyone will believe them? Wood, Al Williamson, Jack Kamen, and Joe Orlando story art is featured. It's a good thing this incredible pedigreed gem has been encapsulated by CGC, or you might risk putting out an eye on its super sharp corners! Overstreet 2005 NM- 9.2 value = $520. CGC census 12/05: 2 in 9.8, none higher.
Weird Science #17 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white to white pages. Wally Wood's chilling cover illustration does the "Predator" movie concept one better, as two hideous aliens load the results of a successful hunting trip aboard their rocket ship. Interior art is by Wood, Al Williamson, Jack Kamen, and Joe Orlando. This issue gets a special mention in Overstreet for its use in the anti-comics diatribe, Parade of Pleasure. While CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $520. CGC census 12/05: 3 in 9.4, 2 higher.
Weird Science #18 Gaines File pedigree 2/12 (EC, 1953) CGC VF+ 8.5 Off-white to white pages. "Mars is Heaven," one of EC's best Ray Bradbury adaptations, is featured in this issue. Wally Wood, Al Williamson, Jack Kamen, and Joe Orlando all contribute story art. This issue's cover was printed with an unstable magenta ink, resulting in a fading of the red colors on most existing copies (including this one, from publisher Bill Gaines' collection). As a result, to date only one copy (in 9.2) has been certified by CGC higher than this example. Overstreet 2005 VF 8.0 value = $270; VF/NM 9.0 value = $395. CGC census 12/05: 3 in 8.5, 1 higher.
Weird Science #19 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Dr. Fredric Wertham mentioned this issue in Seduction of the Innocent, noting, "A young girl on her wedding night stabs her sleeping husband to death with a hatpin...." And she does it when she finds out that her husband has... a bellybutton! Find out why in the Bill Elder-drawn story "Right On The Button!" The issue is also notable for a story with Al Williamson art which profited from a helping hand by Al's pal Frank Frazetta. The issue also has a Wally Wood cover and interior art by Wood and Joe Orlando. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $665. CGC census 12/05: 3 in 9.6, 1 higher.
Weird Science #20 Gaines File pedigree 4/11 (EC, 1953) CGC NM+ 9.6 White pages. "Alone in space with fifty frozen dolls, just waiting to be thawed!" Wally Wood's cover to this issue is every male science fiction fan's dream come true! Hubba hubba! Wood, Al Williamson (with Frank Frazetta assists), Jack Kamen, and Joe Orlando all contribute story art to this issue. This pretty pedigreed copy will certainly be a dream acquisition for one lucky bidder! Overstreet 2005 NM- 9.2 value = $665. CGC census 12/05: 5 in 9.6, 1 higher.
Weird Science #22 Gaines File pedigree 4/11 (EC, 1953) CGC NM 9.4 . This last issue (before the series was combined with its sister title to become Weird Science-Fantasy) was perhaps the best. Beginning with a wild Wally Wood cover, with an alien creature in the "Blob" tradition, and ending with Wood's classic "My World" story, narrated by the artist himself, this one really packs in a lot for your 1953 dime. Also featured is art by Al Williamson (with help from Frank Frazetta and Roy Krenkel), George Evans, and Joe Orlando. Beautiful stuff, in a lovely pedigreed copy that currently tops the CGC charts -- does it get any better? Overstreet 2005 NM- 9.2 value = $665. CGC census 12/05: 3 in 9.4, none higher.
Weird Science-Fantasy #24 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white to white pages. Harlan Ellison's first professional story, "Upheaval," is in this issue. The teenage Ellison must have been thrilled to see his work illustrated by no less a talent than Al Williamson! The story was actually a recycled fanzine story which the writer proceeded to recycle a few more times, most notably as an episode of TV's "Voyage To The Bottom Of The Sea." The issue also has art by Wally Wood, Joe Orlando, and Bernard Krigstein. The cover is by Al Feldstein. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 3 in 9.6, none higher.
Weird Science-Fantasy #26 Gaines File pedigree 3/12 (EC, 1954) CGC NM 9.4 White pages. Those pesky UFOs are hovering around again in this special Flying Saucer Report issue, with all incidents based on "true" stories. Art includes Al Feldstein's "close encounter" cover, plus stories by Wally Wood, Reed Crandall, George Evans, and Joe Orlando. There's no disputing the fact that this pedigreed copy is "out of this world"! Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 2 in 9.4, 2 higher.
Weird Science-Fantasy #28 Gaines File pedigree 3/12 (EC, 1955) CGC NM+ 9.6 Off-white pages. Al Feldstein's cover makes us wonder -- is this Earth in the future, or some strange planet? At any rate, this is a sweet copy of this next-to-last issue (before the title changed to Incredible Science Fiction), which also includes an Adam Link story. Wally Wood, Al Williamson, Jack Kamen, and Joe Orlando all contribute interior art. Overstreet 2005 NM- 9.2 value = $490. CGC census 12/05: 2 in 9.6, 1 higher.
Weird Science-Fantasy Annual #2 (EC, 1953) CGC VF- 7.5 Cream to off-white pages. This comic contains four random rebound remainder issues from 1952 and 1953... we don't know exactly which issues! These annuals experienced limited distribution and were only available in certain cities. The cover is by Al Feldstein. Overstreet 2005 VF 8.0 value = $1,035. CGC census 12/05: 3 in 7.5, 3 higher.
Memorabilia
EChhhh #4 Fanzine (Ken Winter, 1960) Condition: FN. Early comics fanzines, particularly the ones produced during the 1950s up to the early 60s, were, for the most part, fueled by a love of all things EC. A cultish group of megafans were so turned on by the original Mad comic book and the entire roster of "New Trend" EC titles, that they formed a small network, sending these little labor-of-love 'zines across the country to each other. Among the participants was a young Robert Crumb, who, along with his brother, Charles, produced three issues of their own title, FOO, and occasionally submitted letters to other 'zines, like this one. A letters page is included in this issue, and the very first note is from "Bob Crumb" who stutters his way to a final, brief message -- "What's new?" Elsewhere, notable fans like Mike Britt, E. Nelson Bridwell, Joel Moser, and others contribute to this 20-page, 8.5" x 11" publication. This is a very nice copy of a very hard to find item, one sure to be of interest to Crumb collectors!
HK Digest #1 Harvey Kurtzman Fanzine (Sig Case, 1958) Condition: VG/FN. Hoo boy! That Mad comic book sure started something among comic fans! This digest is a compilation of earlier issues of HK Reader, a comics 'zine inspired by the work of original Mad editor, writer, and occasional artist Harvey Kurtzman. Just as the Ballantine series of Mad paperbacks reprinted choice bits from the comic, this reprints (in a very similar fashion, right down to the sideways page format) fan-drawn humor strips from the pages of HK Reader. These little home-made productions were mailed across the country to a small circle of like-minded self-publishers, including future Underground star Robert Crumb. These 'zines rarely turn up on today's collector's market, as most were lost or destroyed many years ago. This solid copy exhibits some minor aging, but is in relatively nice condition.
Magazines
Squa Tront #1-9 Bound Volumes (Jerry Weist, 1967-83). These three handsome volumes contain bound copies of the full run of the best of the EC fanzines. These copies were evidently in mint condition when bound, and their condition remains superb. The spines were not trimmed prior to binding, so the magazines could conceivably be removed from the volumes if a future owner so desired. The copies of #1 and 2 are second printings. As for the content, suffice it to say that there's tons of information (and art) that the EC Fan-Addict will absolutely devour! Not listed in Overstreet.
Platinum Age (1897-1937)
Ace Comics #1 (David McKay Publications, 1937) CGC VF+ 8.5 Off-white to white pages. Blondie, Krazy Kat, Alex Raymond's Jungle Jim, and Ripley's Believe It Or Not all made their first comic book appearances in this Platinum Age issue. And our offering is the highest-graded copy that CGC has certified to date -- the bone-white back cover is astonishing! Overstreet 2005 VF 8.0 value = $2,060; VF/NM 9.0 value = $3,330. CGC census 12/05: 1 in 8.5, none higher.
Golden Age (1938-1955)
Adventures Into the Unknown #1 Vancouver pedigree (ACG, 1948) CGC VF 8.0 White pages. Word is getting around about the amazing page quality of the Vancouver books. Evidently, only a slight case of "corner crunch" kept this copy from grading out higher -- given the black cover, it's no surprise that only one copy of the issue has been graded higher by CGC to date. It's a significant book too, as the debut issue of a series that ran for nearly 20 years (Overstreet dubs this title the "first continuous series supernatural comic"). Overstreet 2005 VF 8.0 value = $1,344. CGC census 12/05: 1 in 8.0, 1 higher.
Adventures Into the Unknown #3 Mile High pedigree (ACG, 1949) CGC VF/NM 9.0 White pages. Pre-Code ACGs in this nice of a grade are rare indeed. Gerber's assessment of this issue as "uncommon" may be understated as well - just two copies have been certified to date by CGC in any grade! Edvard Moritz cover and art, with additional interior art from Al Feldstein and Ken Bald. Overstreet 2005 VF/NM 9.0 value = $741; NM- 9.2 value = $1,000. CGC census 12/05: 1 in 9.0, 1 higher.
Adventures Into the Unknown #4 Mile High pedigree (ACG, 1949) CGC NM- 9.2 Off-white to white pages. The dominant black of this cover makes it especially difficult to find in even mid-grade. This beautiful copy is the highest-graded copy from CGC at this writing, and likely the finest copy in existence. Edvard Moritz cover and art, with additional interior art from Leonard Starr and Jon Blummer. Overstreet 2005 NM- 9.2 value = $500. CGC census 12/05: 1 in 9.2, none higher.
Adventures Into the Unknown #5 Mile High pedigree (ACG, 1949) CGC VF+ 8.5 White pages. The gorgeous colors on this copy are the mark of the premier pedigree in comic collecting. Our offering just misses being the highest-graded copy yet from CGC, but as the Mile High Copy, this is the most desirable. ACGs are still a relative bargain, making this beauty particularly attractive. Edvard Moritz cover and art, with Charles Sultan also providing interior art. Overstreet 2005 VF 8.0 value = $244; VF/NM 9.0 value = $372. CGC census 12/05: 1 in 8.5, 1 higher.
Adventures Into the Unknown #6 Mile High pedigree (ACG, 1949) CGC NM- 9.2 Off-white to white pages. Before Ogden Whitney took over cover art duties for just about every ACG-issued comic book in the '50s and '60s, Edvard Moritz created eye-catching scenes like this one. CGC hasn't awarded a higher grade for #6 at this writing. Robert Brice and Jon Blummer contributed interior art. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 2 in 9.2, none higher.
Adventures Into the Unknown #7 Mile High pedigree (ACG, 1949) CGC VF- 7.5 Off-white to white pages. The brilliant cover colors and pedigree beg a much higher grade, but this still ranks as the second-highest-graded copy of #7 to be certified by CGC to date. Edvard Moritz created another stunning cover, and contributed interior art, as did Johnny Craig and Bob Lubbers. This is the first time Heritage has ever offered a copy of the issue in our Signature auction. Overstreet 2005 VF 8.0 value = $200. CGC census 12/05: 1 in 7.5, 1 higher.
Adventures Into the Unknown #9 Mile High pedigree (ACG, 1950) CGC NM+ 9.6 Off-white to white pages. We've talked about how rare high-grade copies of ACG books are from the early '50s. Well, leave it to Edgar Church to bequeath us a drop-dead dynamite specimen. One of Edvard Moritz's most striking covers relies largely on a white landscape starkly contrasted against a black background, and Mile High whites and blacks are like no other! The next-highest-graded copy in CGC's census is a mere VF+ 8.5. Interior artists include Charles Sultan and John Belfi. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 1 in 9.6, none higher.
Adventures Into the Unknown #10 Mile High pedigree (ACG, 1950) CGC VF/NM 9.0 Off-white to white pages. Here's another early issue of the title considered to be the first continuous supernatural comic series... another scintillating Mile High copy... another highest-graded copy to date from CGC...ho-hum. Just kidding, this copy is anything but ho-hum -- just look at these colors! Edvard Moritz did the cover, and Moritz, Charles Sultan, and Bob Lubbers contributed interior art. Overstreet 2005 VF/NM 9.0 value = $290; NM- 9.2 value = $380. CGC census 12/05: 2 in 9.0, none higher.
Adventures Into the Unknown #15 Mile High pedigree (ACG, 1951) CGC VF+ 8.5 Off-white to white pages. This sparkling copy from Edgar Church's treasure trove is outranked in CGC's census by only one other copy. An early Ogden Whitney cover (he would do hundreds for ACG in years to follow) is backed by interior art from Whitney, Ken Bald, and Edvard Moritz. Overstreet 2005 VF 8.0 value = $164; VF/NM 9.0 value = $237. CGC census 12/05: 1 in 8.5, 1 higher.
Adventures Into the Unknown #16 Mile High pedigree (ACG, 1951) CGC VF/NM 9.0 Off-white to white pages. Ogden Whitney's easily recognizable style became the face of ACG titles for most of two decades. His cover art is supported by interior story art from Ken Bald, Lin Streeter, and Charles Sultan in this issue. CGC has certified just one copy of #16 with a higher grade than this pedigreed gem. Overstreet 2005 VF/NM 9.0 value = $290; NM- 9.2 value = $380. CGC census 12/05: 1 in 9.0, 1 higher.
Adventures Into the Unknown #17 Mile High pedigree (ACG, 1951) CGC VF+ 8.5 Off-white to white pages. This issue included a story similar to the movie, "The Thing". Ogden Whitney created the cover; Edvard Moritz and Charles Sultan worked on the interior. Overstreet 2005 VF 8.0 value = $196; VF/NM 9.0 value = $283. CGC census 12/05: 1 in 8.5, 2 higher.
Adventures Into the Unknown #18 Mile High pedigree (ACG, 1951) CGC VF/NM 9.0 Off-white to white pages. Being attacked by hungry wolves while out walking with your girl is bad enough -- it's even worse when one of said wolves actually has a "human" face! It's another great Ogden Whitney cover illustration; interior artists include Edvard Moritz. Overstreet 2005 VF/NM 9.0 value = $237; NM- 9.2 value = $310. CGC census 12/05: 3 in 9.0, 1 higher.
Adventures Into the Unknown #19 Mile High pedigree (ACG, 1951) CGC NM- 9.2 Off-white to white pages. This early ACG horror comic (the first continuous series to feature supernatural themes) features a nifty graveyard cover drawing by Ogden Whitney. As is typical of many comics from the famous Edgar Church/Mile High collection, this one sports a glossy cover with a near-perfect smooth spine. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 2 in 9.2, none higher.
Air Ace V2#2 Pennsylvania pedigree (Street & Smith, 1944) CGC NM 9.4 Off-white to white pages. A truly monstrous-looking Japanese soldier is about to be snared by Ace on this incredible classic cover from World War II. Yow! This is currently the only copy of this issue certified by CGC. Overstreet 2005 NM- 9.2 value = $450. CGC census 12/05: 1 in 9.4, none higher.
Airboy Comics V3#2 Mile High pedigree (Hillman Fall, 1946) CGC NM 9.4 Off-white to white pages. This all but perfect Mile High book is the only copy of the issue certified with a grade above 9.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $450. CGC census 12/05: 1 in 9.4, none higher.
Airboy Comics V3#4 Mile High pedigree (Hillman Fall, 1946) CGC NM+ 9.6 White pages. Hillman's best-remembered character, the Heap, makes an early appearance (his fourth, we believe) in this issue's Skywolf story, about half a year before he/it got his own feature in this series. This is the only copy of the issue that CGC has certified as of this writing -- given the white cover, the condition of this copy is simply amazing. Overstreet 2005 NM- 9.2 value = $410. CGC census 12/05: 1 in 9.6, none higher.
Airboy Comics V3#5 Mile High pedigree (Hillman Fall, 1946) CGC VF/NM 9.0 Off-white to white pages. While a mini-tear on the back cover kept this Edgar Church copy from a higher grade, it still tied with one other copy for highest-graded of this issue by CGC to date. Fred Kida drew the issue's cover -- you might recall that Airboy grew up in a monastery, and he doesn't take kindly to some mugs menacing it! Overstreet 2005 VF/NM 9.0 value = $267; NM- 9.2 value = $350. CGC census 12/05: 2 in 9.0, none higher.
Airboy Comics V3#7 Mile High pedigree (Hillman Fall, 1946) CGC NM+ 9.6 Off-white to white pages. In the postwar era, Airboy's writers and artists found new dangers for their character to face -- here, he's in a contraption which was known as a ducking stool back in the colonial days. Alden McWilliams contributed interior art to the issue. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 1 in 9.6, none higher.
Airboy Comics V3#8 Mile High pedigree (Hillman Fall, 1946) CGC NM+ 9.6 White pages. This Mile High copy is the only one graded above 8.5 by CGC to date. CGC credits Carmine Infantino with an artistic contribution to the issue. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 1 in 9.6, none higher.
Airboy Comics V4#4 Mile High pedigree (Hillman Fall, 1947) CGC NM- 9.2 Off-white pages. Overstreet credits Simon and Kirby with this issue's cover. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 1 in 9.2, none higher.
Airboy Comics V4#9 Mile High pedigree (Hillman Fall, 1947) CGC NM/MT 9.8 Off-white to white pages. Simon and Kirby contributed an 8-page story to this issue, featuring the Flyin' Fool. And if you collect Airboy, it would be foolish to pass up this copy -- the condition's incredible, and it's the only copy certified with a grade above 8.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $300. CGC census 12/05: 1 in 9.8, none higher.
Airboy Comics V4#11 Mile High pedigree (Hillman Fall, 1947) CGC NM 9.4 Off-white to white pages. More detail of Airboy's origin is revealed in this issue, in a story that "neatly wrapped up a number of loose ends in the Airboy saga," as Jim Steranko put it. In addition to the Airboy action, this issue's got Simon and Kirby's last contribution to this title, an eight-pager featuring the Flyin' Fool. The cover is by Dan Barry. Overstreet 2005 NM- 9.2 value = $300. CGC census 12/05: 1 in 9.4, none higher.
Airboy Comics V4#12 Mile High pedigree (Hillman Fall, 1948) CGC NM 9.4 Off-white to white pages. This issue stars the Heap and Airboy, and speaking of the latter, who's that on the cover piloting his Bird-Plane? Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 1 in 9.4, none higher.
Airboy Comics V6#1 Mile High pedigree (Hillman Fall, 1949) CGC NM- 9.2 Off-white pages. We never would have guessed if not for his signature, but this cover's the work of Dan Zolnerowich, whom we mostly associate with his great work for Fiction House. Airboy and the Heap are the two most notable features in the issue. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.2, none higher.
Airboy Comics V6#2 Mile High pedigree (Hillman Fall, 1949) CGC NM- 9.2 Off-white to white pages. No copy of this issue has been graded higher by CGC as of this writing. Airboy and the Flyin' Fool are featured. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.2, none higher.
All-New Comics #1 (Family/Harvey, 1943) CGC VF+ 8.5 Off-white to white pages. This anthology title's debut issue was one of the earliest releases from a future giant in the industry -- Harvey Comics (then going by the name of Family Comics). The rugged cover star is Red Blazer; he doesn't appear inside, but a host of now-forgotten characters (including Crime Rover, Kayo Kane, and Ray O'Light -- gotta love that name!) made their first appearances here. This attractive copy currently tops the CGC census list for issue #1. Overstreet 2005 VF 8.0 value = $1,905; VF/NM 9.0 value = $3,003. CGC census 12/05: 1 in 8.5, none higher.
All Top Comics #8 (Fox Features Syndicate, 1947) CGC VF 8.0 Off-white to white pages. It's hard to believe Overstreet doesn't consider this Jack Kamen cover, featuring jungle queen Rulah and two hog-tied pygmies, a classic! We can assure you that among collectors of "good girl" art, it's deemed one of the best! Inside, there's appearances by Blue Beetle and Phantom Lady (probably the goodest "good girl" of all!). Matt Baker's art is featured. Overstreet 2005 VF 8.0 value = $1,588. CGC census 12/05: 1 in 8.0, 2 higher.
All Top Comics #11 (Fox Features Syndicate, 1948) CGC VF- 7.5 Pink pages. Phantom Lady and Rulah each star in a story here, and that plus the presence of Matt Baker art makes this a must-have for the Fox fan. The publisher's male protagonists, the Blue Beetle and Jo-Jo, are on hand as well. When you see the notation "pink pages" on the slab, you can be fairly sure it's a Fox comic -- penurious publisher Victor Fox was known for using whichever paper stock was available and affordable, be it white or pink. Overstreet 2005 VF 8.0 value = $706. CGC census 12/05: 2 in 7.5, 4 higher.
All Top Comics #12 (Fox Features Syndicate, 1948) CGC VF 8.0 Off-white to white pages. Jack Kamen contributed interior art to this issue, drawing scantily clad male Jo-Jo rather than scantily clad female Rulah! But you still get to see Rulah in action on the cover and a Phantom Lady story inside the comic. A Blue Beetle story rounds out the lineup of Fox's finest. Overstreet 2005 VF 8.0 value = $706. CGC census 12/05: 1 in 8.0, 3 higher.
Amazing-Man Comics #5 (#1) (Centaur, 1939) CGC VG 4.0 Moderate (P) Cream to off-white pages. In addition to the title character's first appearance, this issue has the first appearance of Minimidget, comics' first shrinking superhero (sorry, Doll Man, Ant-Man, Silver Age Atom, etc.). Overstreet and Gerber both rate this issue as "rare," and the other reason it's sought after is that it's got the work of prominent artists Bill Everett, Tarpe Mills, and Carl Burgos. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2005 GD 2.0 value = $1,382; VG 4.0 value = $2,764.
Amazing-Man Comics #10 (Centaur, 1940) CGC FN+ 6.5 Off-white to white pages. This is the only copy of this issue that CGC has certified to date, and since Centaurs don't exactly grow on trees, we hardly expect a better one to come along. This issue has the work of two top creators in Bill Everett (who also drew the cover) and Joe Simon. Overstreet 2005 FN 6.0 value = $399; VF 8.0 value = $831. CGC census 12/05: 1 in 6.5, none higher.
Amazing Adventure Funnies #1 (Centaur, 1940) CGC VF+ 8.5 Cream to off-white pages. Centaurs are pretty hard to find in any condition, so a VF+ 8.5 copy is quite a pleasant surprise. This two-issue series was essentially "Centaur's Greatest Hits," with encore presentations of highlights from earlier books drawn by the likes of Bill Everett (Skyrocket Steele) and Paul Gustavson (the Fantom of the Fair). We're intrigued by the way Overstreet once explained use of reprints rather than new stories: "Conjecture is that Timely's sudden success pre-empted all of the Everett shop's time." The issue's cover is by William Rowland. Overstreet 2005 VF 8.0 value = $1,156; VF/NM 9.0 value = $1,778. CGC census 12/05: 1 in 8.5, 1 higher.
Amazing Adventure Funnies #1 (Centaur, 1940) CGC FN/VF 7.0 Off-white to white pages. Here's a very nice copy of a comic considered "scarce" by Gerber, starring the ultimate Centaur hero, Fantom of the Fair. Paul Gustavson, Bill Everett, and Carl Burgos are all featured artists. Overstreet 2005 FN 6.0 value = $555; VF 8.0 value = $1,156. CGC census 12/05: 1 in 7.0, 4 higher.
Amazing Mystery Funnies V1#1 (Centaur, 1938) CGC FN/VF 7.0 Cream to off-white pages. This issue's cover is quite significant, as it's the first published comic book work of Bill Everett! The cover was the youngster's only contribution to this premiere issue, which features a mixture of reprints and new material. This is one of only two copies that CGC has certified as of this writing. Overstreet 2005 FN 6.0 value = $1,056; VF 8.0 value = $2,288. CGC census 12/05: 2 in 7.0, none higher.
Amazing Mystery Funnies V2#7 Mile High pedigree (Centaur, 1939) CGC Apparent VF+ 8.5 Slight (P) White pages. This one's a Gerber "8" and called "scarce" by Overstreet. It's the first appearance of the Fantom of the Fair (he plied his trade at the New York World's Fair that was going on at that time). Notables Bill Everett, Paul Gustavson, and Carl Burgos contributed art to the issue. CGC notes, "Restoration includes: color touch, spine splits sealed, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $345; VG 4.0 value = $690; FN 6.0 value = $1,035; VF 8.0 value = $2,243; VF/NM 9.0 value = $3,622.
The Amazing Willie Mays #nn File Copy (Famous Funnies, 1954) CGC NM 9.4 Off-white pages. This is the nicest copy we've ever offered of this issue, and in fact it's the nicest grade CGC has awarded as of this writing. The cover illustration of the Say Hey Kid is by Ed Moritz. Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 2 in 9.4, none higher.
America's Best Comics #15 Mile High pedigree (Nedor Publications, 1945) CGC NM- 9.2 Cream to off-white pages. This is the only copy of the issue certified with a grade above 6.0 by CGC to date! Alex Schomburg's cover features all three of the issue's stars, Doc Strange, the Fighting Yank, and the Black Terror. CGC notes, "1/2-inch tear on centerfold and next page." Overstreet 2005 NM- 9.2 value = $675. CGC census 12/05: 1 in 9.2, none higher.
America's Best Comics #22 (Nedor Publications, 1947) CGC NM 9.4 Off-white to white pages. Here's the highest-graded copy CGC has certified to date of this white-cover issue. Alex Schomburg's cover features the Black Terror, Pyroman, and Doc Strange. It's also neat to see Schomburg draw some kids who aren't sidekicks for a change! Overstreet 2005 NM- 9.2 value = $585. CGC census 12/05: 1 in 9.4, none higher.
America's Funniest Comics #2 Carson City pedigree (Wm. H. Wise & Co., 1944) CGC NM+ 9.6 Off-white to white pages. This is the first time we had ever seen this funny animal comic, and our offering is the only copy that CGC has certified to date. Since the Carson City collection is famous for comprising first issues, we were surprised to see this #2 -- yet Gerber's Photo-Journal provides the answer to the puzzle by noting that the only other (non-numbered) issue of the title actually followed this one. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.6, none higher.
Animal Comics #1 Carson City pedigree (Dell, 1942) CGC VF 8.0 Off-white to white pages. Notable for featuring the first appearance of Pogo Possum by Walt Kelly, this issue of the early Dell title ran for six years. CGC has certified just one nicer copy to date. Overstreet 2005 VF 8.0 value = $630. CGC census 12/05: 2 in 8.0, 1 higher.
Animal Comics #2 (Dell, 1943) CGC NM+ 9.6 Off-white pages. Walt Kelly's Pogo and Albert make their second appearance in this beautiful pink-cover comic book. Howard Garis' classic children's-story character Uncle Wiggily makes his comic book debut here, starring on the wraparound cover as well. This incredibly fresh-looking copy is currently the best of only two certified by CGC, with the second rated at VF 8.0. Overstreet 2005 NM- 9.2 value = $635. CGC census 12/05: 1 in 9.6, none higher.
Archie Comics #1 (MLJ, 1942) CGC GD/VG 3.0 Off-white to white pages. It's rare for the owner of an Archie #1 to want to part with his or her copy, because it's a significant book in the Archie line. For one thing, it has the story of how Archie met Veronica, in which the folks at MLJ simply discarded the previous story told in Pep Comics #26 (in which the two just met on the street). This time, Archie reads about the lovely New York debutante-to-be in the paper, and he's so lovestruck that he writes to her and invites her to his prom in Riverdale! The issue is also notable for having the first appearance of Mrs. Andrews (Archie's mom), and of course because it's the first issue of a series that's still in publication today. The series is considered the first teen comic by Overstreet, and this issue is number 51 on the Guide's list of the 100 most valuable Golden Age books. We've seen even a Poor copy of this book sell for big bucks, and our offering here puts that one to shame. Considering that the highest-graded copy in CGC's census is just a 6.5, we'd say this copy will make some lucky Archie collector very happy. Overstreet 2005 GD 2.0 value = $1,294; VG 4.0 value = $2,588. CGC census 12/05: 2 in 3.0, 5 higher.
Archie's Girls, Betty and Veronica #1 (Archie, 1950) CGC FN 6.0 Cream to off-white pages. Archie books are always fun to collect, and this first issue featuring the two greatest objects of his affection is a fine example. Betty and Veronica's puppeteer-like control over the boys of Riverdale is interpreted quite literally on this cover. It's getting harder and harder to find early Archie issues in decent condition - the highest grade given to date for this book is 7.5, and only four have received higher grades than ours. Overstreet 2005 FN 6.0 value = $576. CGC census 12/05: 2 in 6.0, 4 higher.
Archie's Pal Jughead #1 (Archie, 1949) CGC VF+ 8.5 Off-white pages. What would Archie be without Jughead? His loyal friend gets his own title with this issue, which also features the first appearance of Moose. George Frese provided the cover, a scene that reinforces why this crown-capped cad is indeed Archie's pal. This is currently the highest grade awarded by CGC for this book, making it a must-have copy for any Archie fanatic. Overstreet 2005 VF 8.0 value = $913; VF/NM 9.0 value = $1,407. CGC census 12/05: 1 in 8.5, none higher.
Archie's Rival Reggie #1 (Archie, 1950) CGC VF+ 8.5 Off-white to white pages. With all the books featuring Archie's pals, it seems only natural one would come along spotlighting his nemesis. The reprehensible Reggie is up to no good on this cover, proving he'll go to great lengths to one-up everyone's favorite Riverdale teen. Even Archie would be impressed with this particular copy, which currently is the highest grade awarded by CGC for this issue. Overstreet 2005 VF 8.0 value = $506; VF/NM 9.0 value = $778. CGC census 12/05: 1 in 8.5, none higher.
Arrow #2 (Centaur, 1940) CGC FN/VF 7.0 Off-white to white pages. This is the highest grade for this issue that CGC has awarded to date. Paul Gustavson handled art chores on the titular hero, who had first appeared in Funny Pages. The title didn't last much longer (only one more issue), but then neither did Centaur Publications. This issue is a Gerber "7." Overstreet 2005 FN 6.0 value = $399; VF 8.0 value = $831. CGC census 12/05: 2 in 7.0, none higher.
Atomic Comics #1 Big Apple pedigree (Green Publishing Co., 1946) CGC NM 9.4 Off-white to white pages. If you collect Golden Age DC, this oddity should be on your shopping list as well -- no, it's not a DC book, but the cover swipes Detective Comics #8, the logo looks suspiciously familiar (an Action-able offense, say we) and there are two ex-DC characters appearing, namely the Radio Squad (whom we know from More Fun Comics) and Barry O'Neill (who appeared in Adventure Comics). Overstreet 2005 NM- 9.2 value = $1,700. CGC census 12/05: 3 in 9.4, 1 higher.
Atomic Comics #1 (Green Publishing Co., 1946) CGC VF+ 8.5 Cream to off-white pages. Jerry Siegel and Joe Shuster show up in the darnedest places! The relatively unknown Green Publications managed a coup by having the illustrious creators of Superman contribute story art (featuring the Radio Squad) to this premiere issue, then tweaked DC's nose once more by swiping the cover from Detective Comics #8. This sharp copy features a smooth spine and clean, flat surfaces, appearing for the most part to have been carefully read only once or twice by its original owner. Overstreet 2005 VF 8.0 value = $819; VF/NM 9.0 value = $1,260. CGC census 12/05: 2 in 8.5, 13 higher.
Atomic Comics #1 (Green Publishing Co., 1946) CGC VF 8.0 Cream to off-white pages. The DC fan could have been forgiven for thinking this was published by the folks at National: the cover swipes Detective Comics #8, and the logo resembles that of a certain Action-packed mag. If you collect Golden Age DC, this oddity should be on your shopping list as well. Overstreet 2005 VF 8.0 value = $819. CGC census 12/05: 6 in 8.0, 15 higher.
Bang-Up Comics #1 Rockford pedigree (Progressive Publishers, 1941) CGC VF 8.0 Off-white pages. The first comic published by Progressive, this was also the third-to-last comic published by Progressive. The three-issue run of their only title starred the likes of Cosmo Mann, Lady Fairplay, and Buzz Balmer. The issue is rated "scarce" by Gerber. Overstreet 2005 VF 8.0 value = $625. CGC census 12/05: 2 in 8.0, 1 higher.
Bang-Up Comics #3 Mile High pedigree (Progressive Publishers, 1942) CGC NM+ 9.6 Off-white to white pages. This somewhat obscure title lasted only up to this third and final issue. As the title implies, a "bang-up" World War II action scene graces the colorful cover, while Rick Yager's Buzz Balmer character holds court inside. This fantastic Edgar Church copy is easily the best of the three copies currently graded by CGC. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 1 in 9.6, none higher.
Bee-29 The Bombardier #1 Carson City pedigree (Neal Publications, 1945) CGC NM+ 9.6 Off-white pages. This funny animal one-shot is, as far as we can ascertain, the only thing Neal Publications ever published. But while the title's not well known, there are two well-known artistic contributors in John Giunta and Howie Post. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.6, none higher.
Beware Terror Tales #1 Crowley Copy pedigree (Fawcett, 1952) CGC VF/NM 9.0 Off-white pages. Some of the creepiest covers of the pre-Code era came from the drawing board of Bernard Baily -- here, he drew a cover in that same vein and contributed interior art as well. There's also Bob Powell art in the issue. Overstreet 2005 VF/NM 9.0 value = $436; NM- 9.2 value = $585. CGC census 12/05: 1 in 9.0, 3 higher.
Beware Terror Tales #2 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. Gloating over riches in a horror comic is like skinny-dipping in a slasher movie -- whoever does it has a life expectancy of about three minutes. See Bernard Baily's cover for further proof. Other big names contributing to this pre-Code horror book include Bob Powell, Mike Sekowsky, and Ross Andru. This is the highest grade that CGC has assigned for this issue to date. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 2 in 9.4, none higher.
Beware Terror Tales #3 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. A pre-Code horror book in such an outstanding grade almost has to be a pedigree copy, and indeed, this one's from the collection of Fawcett editor Wendell Crowley. The issue's cover is by Bernard Baily. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, 1 higher.
Beware Terror Tales #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. This issue came out years before the movie "The Blob," and also long before "The Creeping Terror." Could it have inspired those flicks, perhaps? The cover art is the work of Bernard Baily. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.6, none higher.
Beware Terror Tales #5 Crowley Copy pedigree (Fawcett, 1953) CGC VF 8.0 Off-white to white pages. We'd never seen this particular pre-Code issue, because every single person who reads the comic has suffered a mysterious... Seriously, we don't know why this issue's harder to find than the others, only that it's got a great Bernard Baily cover, and that this is the only copy certified with a grade above 4.5 by CGC to date. Overstreet 2005 VF 8.0 value = $150. CGC census 12/05: 1 in 8.0, none higher.
Beware Terror Tales #6 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white to white pages. Here's the only 9.4, and highest-graded copy overall, that CGC has certified of this pre-Code horror book to date! Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, none higher.
Beware Terror Tales #7 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. This is the highest-graded copy yet certified of this pre-Code issue. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, none higher.
Beware Terror Tales #8 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Cream to off-white pages. This final issue of the title had eluded us until today, so this is our first look at what Overstreet calls a "people being cooked" cover. The issue has Bob Powell art as well as some artwork in the style of Alex Toth by an unknown hand. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.4, none higher.
The Beyond #9 Bethlehem pedigree (Ace, 1952) CGC NM- 9.2 Off-white pages. This is the highest-graded copy that CGC has certified to date. Comes with the Bethlehem certificate of authenticity. Overstreet 2005 NM- 9.2 value = $215. CGC census 12/05: 1 in 9.2, none higher.
Big Shot Comics #1 (Columbia, 1940) CGC VF- 7.5 Off-white pages. The first comic book published by Columbia, this series mixed new features and reprints, both of which are notable: the established characters include Charlie Chan and Joe Palooka, and making their debuts are Skyman (one of the first aviator heroes in comics) and the Face (aka Tony Trent). The artists are recognizable as well, with Ogden Whitney drawing the cover and Fred Guardineer joining Whitney among the interior artists. Overstreet 2005 VF 8.0 value = $1,488. CGC census 12/05: 1 in 7.5, 1 higher.
Big Shot Comics #14 Rockford pedigree (Columbia, 1941) CGC VF 8.0 Off-white pages. First comic book appearance of Sparky Watts. Joe Palooka, Charlie Chan, Skyman, and the Face also appear. Ogden Whitney cover. Comes with the Rockford certificate of authenticity. Overstreet 2005 VF 8.0 value = $268. CGC census 12/05: 1 in 8.0, none higher.
Big Shot Comics #20 Rockford pedigree (Columbia, 1941) CGC VF 8.0 Off-white pages. A Gerber "7." The only copy of this issue that CGC has certified to date. Skyman, Joe Palooka, Charlie Chan, the Face, and Sparky Watts appear. Ogden Whitney cover. Overstreet 2005 VF 8.0 value = $201. CGC census 12/05: 1 in 8.0, none higher.
Big Shot Comics #24 Rockford pedigree (Columbia, 1942) CGC VF+ 8.5 White pages. It's a "classic Tojo cover" according to Overstreet, and how can you disagree, especially with Uncle Sam playing catcher and Joe Palooka swinging a bat instead of his fists? Also worth noting is that this is the only copy of the issue that CGC has certified to date. Skyman, The Face, and Sparky Watts appear in the issue. Overstreet 2005 VF 8.0 value = $256; VF/NM 9.0 value = $391. CGC census 12/05: 1 in 8.5, none higher.
Big Shot Comics #25 Rockford pedigree (Columbia, 1942) CGC VF/NM 9.0 Off-white to white pages. Hitler covers don't get much funnier than this one -- if this wurst-case scenario doesn't bring a smile to your face, how about Sparky Watts' sidekick Slap Happy, who obviously shops at the same shoe store as R. Crumb's Mr. Natural? In addition to this Boody Rogers cover, the book's got adventures of the Face, Skyman, Joe Palooka, and more. This is the only unrestored copy of this issue that CGC has certified as of this writing. Overstreet 2005 VF/NM 9.0 value = $305; NM- 9.2 value = $400. CGC census 12/05: 1 in 9.0, none higher.
Bill Battle, The One Man Army #1 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. No copy of this war comic has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 2 in 9.4, none higher.
Bill Battle, The One Man Army #2 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white to white pages. Overstreet 2005 NM- 9.2 value = $70. CGC census 12/05: 1 in 9.2, 1 higher.
Billy the Kid and Oscar #1 Crowley Copy pedigree (Fawcett, 1945) CGC NM 9.4 Cream to off-white pages. This is the sole highest-graded copy of this funny animal mag. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
Blackhawk #9 Mile High pedigree (Quality, 1944) CGC NM+ 9.6 Off-white to white pages. The Blackhawk team members are so proud to headline their own title (continued from Uncle Sam Quarterly), they've assembled on the front cover to sing about it! You may feel like breaking out with a happy tune yourself if your bid brings this one home! It's another choice example from the Edgar Church collection, one of two copies of this issue found in that legendary hoard. All together now -- Hawkaaa-aaa! Overstreet 2005 NM- 9.2 value = $5,400. CGC census 12/05: 1 in 9.6, 1 higher.
Blackhawk #9 Rockford pedigree (Quality, 1944) CGC VF 8.0 Cream to off-white pages. This is the first "Blackhawk" issue of the series (the numbering was continued from Uncle Sam Quarterly). The cover is by Al Bryant. Comes with the Rockford certificate of authenticity. Overstreet 2005 VF 8.0 value = $2,418. CGC census 12/05: 3 in 8.0, 5 higher.
Blackhawk #10 Rockford pedigree (Quality, 1946) CGC NM- 9.2 Off-white pages. Here's a terrific copy of the second issue of Blackhawk (appearing over a year after issue #9) from the fabulous Rockford collection. Reed Crandall art is featured. Comes with the Rockford certificate of authenticity. Overstreet 2005 NM- 9.2 value = $1,650. CGC census 12/05: 2 in 9.2, 1 higher.
Black Magic #2 Palo Alto pedigree (Prize, 1950) CGC NM- 9.2 Cream to off-white pages. As with many of the 1950s titles that featured work by Joe Simon and Jack Kirby, this book has a bit of an unusual flair to it. The story involves a man's mental disorder, forcing him to find "a land of terror inside his own mind." Kirby's cover is filled with a variety of interesting and colorful characters, making this a very eye-catching comic. In addition to Jack and Joe, this issue also features art by Golden Age great Mort Meskin. Our copy holds the highest grade awarded by CGC to date, and comes with a nice certificate of authenticity featuring a Jack Davis illustration. Overstreet 2005 NM- 9.2 value = $750. CGC census 12/05: 1 in 9.2, none higher.
Blazing Comics #1 Carson City pedigree (Rural Home, 1944) CGC NM- 9.2 Off-white to white pages. This issue was produced by the "shop" known as Funnies Inc., which also did Marvel Mystery Comics, Silver Streak Comics, etc. The star of the book was the Green Turtle, who battled the Japanese in World War II... on behalf of the Chinese! Among the adventure-type fare that rounded out the book was the Black Buccaneer, drawn by Leonard Starr, and crime-solving magician Mr. Ree (groan). This is the only copy graded above 6.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 1 in 9.2, none higher.
Blood Is the Harvest #nn (Catechetical Guild, 1950) CGC NM+ 9.6 White pages. Only 13 copies of this full-color version are said to exist! This anti-Communist propaganda comic tells the tale of a boy who turns in his own father to the police state, resulting in the execution of his family and everyone who lived on his street. The narrator concludes the issue by wryly asking, "What if the whole world were Soviet?" Overstreet 2005 NM- 9.2 value = $1,800. CGC census 12/05: 2 in 9.6, none higher.
Blue Beetle #1 Mile High pedigree (Fox Features Syndicate, 1939) CGC NM- 9.2 Slight (P) Off-white to white pages. The Blue Beetle earned his own title after debuting in Mystery Men, and went on to appear in comics for many decades thereafter at Holyoke, Charlton, and DC. The Beetle benefited from a Lou Fine cover here; inside the book, you'll find the hero's origin. There's also a Yarko backup feature with art by the great Will Eisner. CGC notes, "Restoration includes: very small amount of color touch on cover, tear seal to cover." Overstreet 2005 GD 2.0 value = $452; VG 4.0 value = $904; FN 6.0 value= $1,356; VF 8.0 value = $3,164; VF/NM 9.0 value = $5,082; NM- 9.2 value = $7,000.
Blue Beetle #2 (Fox Features Syndicate, 1940) CGC VF- 7.5 Cream to off-white pages. When discussing comics' longest-running superheroes, nobody seems to mention the Blue Beetle, but if you add up his Fox, Holyoke, Charlton, and DC tenures he deserves to be in that elite group. This issue has a backup feature with art by Bob Powell. No copy has been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $963. CGC census 12/05: 1 in 7.5, none higher.
Blue Beetle #26 Pennsylvania pedigree (Fox Features Syndicate, 1943) CGC NM- 9.2 Cream pages. This pedigree copy is the highest-graded that CGC has certified to date. The titular hero is accompanied by crime and war backup features. CGC notes, "Date stamp on top of 1st page." Overstreet 2005 NM- 9.2 value = $390. CGC census 12/05: 1 in 9.2, none higher.
Blue Beetle #54 (Fox Features Syndicate, 1948) CGC FN 6.0 Cream to off-white pages. This book always seems to sell for way above the Guide value, and a glance at the cover image will let you know why everybody seems to want a copy. The issue got a mention in Seduction of the Innocent, with author Fredric Wertham noting, "Children call these 'headlights' comics." Overstreet 2005 FN 6.0 value = $387. CGC census 12/05: 5 in 6.0, 5 higher.
Blue Bolt #1 (Novelty Press, 1940) CGC FN/VF 7.0 Cream to off-white pages. The "shop" of artists known as Funnies Inc. produced this issue, with Joe Simon the most prominent of the contributors. Simon drew the cover as well as the Blue Bolt story. This issue also has the first appearance of Dick Cole (aka Wonder Boy), who would later have his own series. Overstreet 2005 FN 6.0 value = $930; VF 8.0 value = $2,015. CGC census 12/05: 1 in 7.0, 2 higher.
Blue Ribbon Comics #1 Denver pedigree (MLJ, 1939) CGC NM 9.4 Cream to off-white pages. This is the very first comic published by MLJ, a company still going strong today under the name Archie Comics! The cover feature went to Rang-A-Tang the Wonder Dog, and among the other contents are newspaper-strip favorites like Foxy Grandpa and Little Nemo (the latter not by Winsor McCay). Jack Cole of Plastic Man fame contributed art to the issue. Books from the Denver pedigree are usually among the finest known copies of a given issue, and that holds true once again here. Overstreet 2005 NM- 9.2 value = $5,500. CGC census 12/05: 3 in 9.4, none higher.
Bomber Comics #1 (Elliot, 1944) CGC VF- 7.5 Off-white pages. The cover colors here really pop -- we were amazed not to find a pedigree notation on the label! And the whites on the back cover are very impressive as well. And look who's pictured on the front cover, it's Wonder Boy from Quality's National Comics, who somehow made the jump to this Elliot publication. The supporting cast includes Grimm, Ghost Spotter and the fez-wearing Kismet, Man of Fate. Overstreet 2005 VF 8.0 value = $481. CGC census 12/05: 2 in 7.5, 3 higher.
Boy Comics #28 Ohio pedigree (Lev Gleason, 1946) CGC VF+ 8.5 White pages. This issue seems to be a little on the hard-to-find side; to date, CGC has certified only two copies, with this example graded highest. That's not surprising for this nice, pedigreed copy! Charles Biro was the chief artist here, handling both cover and interior assignments. Overstreet 2005 VF 8.0 value = $150; VF/NM 9.0 value = $215. CGC census 12/05: 1 in 8.5, none higher.
Boy Explorers Comics #1 File Copy (Harvey, 1946) CGC NM 9.4 Cream to off-white pages. This first issue features the introduction of the Boy Explorers. They're searching for treasure and finding what looks like trouble on this great cover by Joe Simon and Jack Kirby, who also provided the interior art. This file copy holds the highest CGC grade awarded to date for this issue. Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 2 in 9.4, none higher.
Platinum Age (1897-1937)
Brainy Bowers and Drowsy Duggan Getting On #nn (Star, 1905) Condition: PR. "Scarce"according to Overstreet, this book's full title is "Brainy Bowers And Drowsy Duggan Getting On In The World With No Visible Means Of Support." This and the other Brainy Bowers collections are "the earliest known daily newspaper strip reprint books" according to Overstreet. This copy is complete, but the pages are brittle, and the cover is detached and has amateur tape repair. Overstreet 2005 GD 2.0 value = $400.
Golden Age (1938-1955)
Brenda Starr #14 "D" Copy pedigree (Four Star, 1948) CGC VF/NM 9.0 Cream to off-white pages. Is it hot in here, or is it just us? Actually, it's just Jack Kamen, who delivered one of the most memorable "good girl" covers of all with this issue. The book Comics: Between the Panels named this one of the top ten "headlight" covers of all. And while we're discussing genres, any collector of bondage covers would be hard-pressed to pass this one up as well! Our pedigree copy is surpassed by only one other according to CGC's most recent census. Overstreet 2005 VF/NM 9.0 value = $816; NM- 9.2 value = $1,100. CGC census 12/05: 1 in 9.0, 1 higher.
Brenda Starr V2#3 Mile High pedigree (Superior, 1948) CGC NM- 9.2 Off-white to white pages. What's Brenda Starr doing on a horror/mystery cover? This was certainly the only such cover of this book's run, making the issue quite collectable. Overstreet speculates that Matt Baker may have been among the contributors. This copy from the Edgar Church collection will be hard to improve on; it ties with one other for the highest-graded copy that CGC has certified to date. CGC notes, "Very small amount of dried glue on last 3 pages." Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 1 in 9.2, none higher.
Brenda Starr V2#10 Mile High pedigree (Superior, 1949) CGC NM/MT 9.8 Off-white to white pages. It doesn't get any better than this... literally. From the Mile High pedigree, this is truly the best copy in existence of this issue. Newspaper comic strip icon Brenda Starr catches a beautiful would-be assassin about to spoil her own wedding on this cover. The publisher was Superior Comics, and believe us when we say this is the most "superior" copy you'll ever find. Overstreet 2005 NM- 9.2 value = $850. CGC census 12/05: 1 in 9.8, none higher.
Brick Bradford #7 Mile High pedigree (Better Publications, 1949) CGC NM 9.4 White pages. Golden Age Western titles are always fun, but throw in a masterfully rendered cover by Alex Schomburg, and you've got a book worth looking at. Looks like Brick's got his hands full in this issue, where we see an unusual role-reversal of a woman riding in to rescue the title character. Besides the superior page quality, this Mile High copy also happens to hold the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $175. CGC census 12/05: 1 in 9.4, none higher.
Brick Bradford #8 Mile High pedigree (Better Publications, 1949) CGC NM 9.4 White pages. William Ritt and Clarence Gray put together some pretty great adventures for this book's title character, which ended its run with this issue. It says #8 on the cover, though the indicia say #7. This beautiful specimen from the Mile High collection boasts superior page quality, and also happens to hold the highest grade awarded by CGC to date. Overstreet 2005 NM- 9.2 value = $175. CGC census 12/05: 1 in 9.4, none higher.
Platinum Age (1897-1937)
Bringing Up Father #18 (Cupples & Leon, 1930) Condition: FR/GD. Pages are brittle at edges. Two-inch tear on back cover. Overstreet 2005 GD 2.0 value = $40.
Bringing Up Father #23 (Cupples & Leon, 1933) Condition: FR. Brittle pages. First page is detached. Overstreet 2005 GD 2.0 value = $60.
Golden Age (1938-1955)
Bruce Gentry #1 Mile High pedigree (Superior, 1948) CGC NM 9.4 Off-white to white pages. This comic's a steal compared to the prices that are paid for other classic "headlight"-cover issues like Blue Beetle #54 and Phantom Lady #17! And if you want to invest in this undervalued book, there's no better copy to go after than the Mile High. The cover artist hasn't been identified, but his work would do Jack Kamen or Matt Baker proud! No offense to the putative star of the comic, Ray Bailey's character Bruce Gentry, but the other main points of collector interest are negligee panels in the story and the fact that the EC emblem is seen on a piece of stationery in the story. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 3 in 9.4, none higher.
Bulletman #2 Mile High pedigree (Fawcett, 1941) CGC NM 9.4 Off-white pages. Bulletman and Bulletgirl strike a heroic pose on this cover by Mac Raboy. These were the days when books weren't skimping on content, like this issue which featured 64 pages of excitement. It's another terrific example from the Mile High collection, which also holds the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $2,100. CGC census 12/05: 1 in 9.4, none higher.
Bulletman #3 Lost Valley pedigree (Fawcett, 1942) CGC VF+ 8.5 Off-white pages. This issue's cover, featuring the title character and his pal Bulletgirl, has been credited to Mac Raboy. Comes with the Lost Valley certificate of authenticity. Overstreet 2005 VF 8.0 value = $688; VF/NM 9.0 value = $1,057. CGC census 12/05: 1 in 8.5, 1 higher.
Bulletman #7 Mile High pedigree (Fawcett, 1942) CGC NM 9.4 Off-white to white pages. Beginning in this issue are "Ghost Stories" as told by the night watchman of the cemetery, and featuring artwork by Dave Berg. Could this have been an EC prototype? Overstreet points out that aside from having "Eisnerish" art, there is apparently a hidden message saying "Chic Stone is a jerk." This superior example from the Mile High collection holds the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $1,050. CGC census 12/05: 1 in 9.4, none higher.
Bulletman #16 Crowley Copy pedigree (Fawcett, 1946) CGC NM- 9.2 Off-white pages. Fawcett's Flying Detective wraps things up with this final issue, which features story and art by Dick McKay. This attractive copy, originally from the collection of former Fawcett editor Wendell Crowley, tops the current CGC census for issue #16. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 1 in 9.2, none higher.
Platinum Age (1897-1937)
Buster Brown & His Resolutions (Frederick A. Stokes Co., 1903) Condition: GD. Let's have a round of applause for the first nationally distributed comic book! And a "book" it is, measuring 16 x 11 1/4 inches. R. F. Outcault's Buster Brown was the first nationally licensed comic strip character in America, and this comic was distributed nationally by Sears Roebuck. Overstreet designates it as "rare." While this copy has tears up to five inches on interior pages as well as some minor staining, it has maintained its structural integrity and only the smallest of pieces are missing -- quite impressive shape for a comic that's over 100 years old! Overstreet 2005 GD 2.0 value = $1,500.
Buster Brown His Dog Tige And Their Jolly Times (Cupples & Leon, 1906) Condition: FR. 68 pages, 16 5/8 by 11 3/8 inches. Tape repair on both covers and most interior pages, back cover was taped back together after being torn in half. Nice interior page quality. Overstreet 2005 GD 2.0 value = $300.
Buster Brown's Amusing Capers (Cupples & Leon, 1908) Condition: FR. 58 pages. Approx. 16 1/2 x 11 inches. Attractive interior pages with only minor interior tears. Four-inch tear on front cover, stain on back cover. Overstreet 2005 GD 2.0 value = $129.
Buster Brown The Busy Body (Cupples & Leon, 1909) Condition: Incomplete. 42 of 62 pages are present. Brittle pages, pieces missing from some pages, affecting story. Some bug chew. Overstreet 2005 GD 2.0 value = $129.
Buster Brown Muslin Series: "Buster Brown Plays Cowboy" (Saalfield Publishing Co., 1907) Condition: GD. "Rare" is Overstreet's notation for this 12-pager made of cloth. It's generally intact, but the edges are ragged and there is staining on many interior pages. Note that these books were intended to be washable! Overstreet 2005 GD 2.0 value = $42.
Buster Brown Muslin Series: "Buster Brown Plays Indian" (Saalfield Publishing Co., 1907) Condition: VF. Called "rare" by Overstreet, this is a comic made of cloth! The colors look very nice, and the whole item looks perfect but for some very minor discoloration here and there, thus we feel comfortable calling this 99-year-old comic a sterling Very Fine. Overstreet 2005 VF 8.0 value = $265.
Buster Brown Premium: Buster Brown Drawing Book #nn (Buster Brown Stocking Company, circa 1903) Condition: GD. Black and white reproductions of 1903 R. F. Outcault art with tracing paper bound in on alternate pages. Overstreet notes, "Reprints a comic strip... which includes Buster, Yellow Kid, and Pore Li'l Mose (only known story involving all three)." Paper has not been traced on, but half of one tracing-paper page is missing. Book-length crease. Overstreet 2005 GD 2.0 value = $50.
Buster Brown Premium: Quick Meal Steel Ranges #nn (Ringen Stove Company, circa 1905) Condition: FN. Measures approximately 3" by 5". Black and white art not signed by R. F. Outcault. Very nice copy that doesn't look its age, some slight spine abrasion and a slight corner crease are the only defects. Overstreet 2005 FN 6.0 value = $125.
Buster Brown Premium: Steinwender Stoffregen Coffee (1905) Condition: Incomplete. "Very Rare" according to Overstreet, this ingenious little promotional booklet had black and white illustrations of Buster Brown and his pooch Tige, and every other page was a bound-in piece of tracing paper. Kids were encouraged to trace the drawings as best they could and send in the whole booklet for prizes. We love the polite ad copy: "We trust (your child's) interest in the Buster Brown idea may cause you to try a package of Buster Brown Coffee." The centerfold and four of the eight tracing-paper pages are missing (and the remainder have been traced on). Overstreet 2005 GD 2.0 value = $83.
Golden Age (1938-1955)
Candid Tales #nn Doctor Killmore Edition (Kirby Publishing, 1950) CGC VF 8.0 Cream to off-white pages. Overstreet calls this comic "scarce," and this is the first copy we've ever offered here at Heritage. This digest-size book has the work of Wally Wood and Bob Powell, and make no mistake about it: just about every page has women in various states of undress, leering double-entendres... or both! Note that this edition has a Wood story featuring a character named Doctor Killmore, as opposed to another version that has a Wood-drawn pirate yarn. That Doctor Killmore story, about buxom nurses and the doctors who chase them, is a must for any Wood collector! This is the only copy of the issue that CGC has assigned a blue-label Universal Grade to date. Overstreet 2005 VF 8.0 value = $600. CGC census 12/05: 1 in 8.0, none higher.
Captain Aero Comics #1 Mile High pedigree (Holyoke Publications, 1941) CGC NM+ 9.6 Off-white to white pages. Flag-Man and Solar, Master of Magic, Captain Aero, Captain Stone, and Adventurer begin in this first issue. Charles Quinlan provided art for the book, which features an action-packed World War II cover. As is the case with many Mile High copies, this book holds the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $2,150. CGC census 12/05: 1 in 9.6, none higher.
Captain Battle Comics #1 Mile High pedigree (New Friday, 1941) CGC NM+ 9.6 White pages. This Edgar Church copy looks simply amazing for a comic that's over 60 years old! The star is Captain Battle, who first appeared in Silver Streak Comics and has been called the third patriotic superhero after the Shield and Captain America. This premiere issue features the origin of Blackout, drawn by Don Rico. The cover art is by an artist with the catchy name of George Harrison! Overstreet 2005 NM- 9.2 value = $1,850. CGC census 12/05: 1 in 9.6, none higher.
Captain Battle Jr. #1 Double Cover (Lev Gleason, 1943) CGC VF/NM 9.0 Off-white pages. Don Rico provided the action-packed cover and interior art to this first issue. The interior features a story with The Claw vs. The Ghost. As far as first issues from the early 1940s go, this one is already a must-have, but throw in a double cover and you've got a true winner. CGC notes, "1st cover 8.0, interior cover 9.0." Overstreet 2005 VF/NM 9.0 value = $1,297; NM- 9.2 value = $1,750. CGC census 12/05: 1 in 9.0, 1 higher.
Captain Battle Jr. #1 (Lev Gleason, 1943) CGC FN- 5.5 Light tan to off-white pages. One of the premier villains of comics' Golden Age, the Claw, makes an appearance in this issue. Don Rico drew the Nazi war cover an addition to providing interior art. Overstreet 2005 FN 6.0 value = $405. CGC census 12/05: 1 in 5.5, 5 higher.
Captain Marvel Adventures #7 Double Cover - Crowley Copy pedigree (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. C. C. Beck's dynamic cover illustration of the good Captain smashing through a large wooden door is given a little extra pizzazz by Pete Costanza's detailed inks. This pedigreed copy (from Fawcett editor Wendell Crowley's collection) has the added distinction of sporting a double cover -- CGC notes, "1st cover 8.5, interior cover 9.2." Overstreet 2005 NM- 9.2 value = $1,525. CGC census 12/05: 1 in 9.2, 1 higher.
Captain Marvel Adventures #7 (Fawcett, 1942) CGC FN 6.0 Cream to off-white pages. C. C. Beck cover and art. Overstreet 2005 FN 6.0 value = $351. CGC census 12/05: 1 in 6.0, 4 higher.
Captain Marvel Adventures #10 (Fawcett, 1942) CGC NM- 9.2 Off-white pages. After uttering that one very magical word, Billy Batson socks it to the Japanese on this exciting cover. This would become one of many examples where comics effectively used World War II to sell books. Overstreet 2005 NM- 9.2 value = $1,525. CGC census 12/05: 2 in 9.2, 1 higher.
Captain Marvel Adventures #14 Crowley Copy - File Copy pedigree (Fawcett, 1942) CGC NM- 9.2 Off-white pages. Captain Marvel prepares to bring his swift fist of justice down on the evil Japanese on this World War II cover by C. C. Beck. The interior also features artwork by Beck, along with Marc Swayze and Pete Costanza. Overstreet 2005 NM- 9.2 value = $1,200. CGC census 12/05: 1 in 9.2, 3 higher.
Captain Marvel Adventures #16 Crowley Copy pedigree (Fawcett, 1942) CGC VF+ 8.5 White pages. Captain Marvel gets a hand from Uncle Sam, as they prepare a pounding for the Japanese on this World War II cover by C. C. Beck. Overstreet 2005 VF 8.0 value = $538; VF/NM 9.0 value = $832. CGC census 12/05: 2 in 8.5, 4 higher.
Captain Marvel Adventures #21 Crowley Copy pedigree (Fawcett, 1943) CGC VF 8.0 Off-white pages. Captain Marvel gives Adolf Hitler a blast from his "Honesty Ray" on this cover by C. C. Beck. Al Liederman provided the story and interior art. Overstreet 2005 VF 8.0 value = $563. CGC census 12/05: 1 in 8.0, 4 higher.
Captain Marvel Adventures #22 (Fawcett, 1943) CGC VF- 7.5 Cream to off-white pages. One of the most bizarre comic villains of all time made his first appearance in this issue -- we're talking about Mr. Mind, who isn't seen, but his voice is heard on the radio. The worm with spectacular mental superpowers is right up there with Sivana, Captain Nazi and others among the top Fawcett villains. Speaking of which, both of those other bad guys join Mr. Mind in the Monster Society of Evil, which begins with this issue. The book's cover and art are by C. C. Beck. Overstreet 2005 VF 8.0 value = $600. CGC census 12/05: 2 in 7.5, 6 higher.
Captain Marvel Adventures #25 Crowley Copy pedigree (Fawcett, 1943) CGC NM- 9.2 Cream to off-white pages. As Captain Marvel mixes chemicals together in the lab, several faces disguised within the surrounding components stare him down, on this clever cover by C. C. Beck. The interior story and art was handled by Al Liederman. Overstreet 2005 NM- 9.2 value = $875. CGC census 11/05: 2 in 9.2, 1 higher.
Captain Marvel Adventures #46 (Fawcett, 1945) CGC NM+ 9.6 Off-white to white pages. The death of Mr. Mind in this issue brought to a close a serialized story that had fascinated fans for two years! This series' huge readership loved the ongoing battles between our hero and Mr. Mind (who was a worm, in case you didn't know!), but in this 25th installment of the story, Mr. Mind was tried, executed, and stuffed. The issue's cover and art are by C. C. Beck. Overstreet 2005 NM- 9.2 value = $465. CGC census 12/05: 1 in 9.6, none higher.
Captain Marvel Adventures #51 (Fawcett, 1946) CGC NM 9.4 Off-white pages. This jaw-dropping copy will satisfy even the most discriminating collector! The issue's got a C. C. Beck cover and Pete Costanza interior art. CGC notes, "First four pages are Siamese." Overstreet 2005 NM- 9.2 value = $360. CGC census 12/05: 5 in 9.4, 1 higher.
Captain Marvel Adventures #58 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white pages. Could Captain Marvel have Sivana all wrong? This C. C. Beck cover makes it look like the nefarious villain and his lovely assistant might actually be inventing a peace machine for a change. Beck also handled interior art chores. This beautiful copy from the Crowley pedigree also happens to be the highest grade awarded by CGC to date. Overstreet 2005 NM- 9.2 value = $360. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Adventures #62 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Cream to off-white pages. Holy Seabiscuit! Captain Marvel goes harness racing on this issue's cover. Artists include C. C. Beck and Pete Costanza. They don't come much better than this pedigreed winner, as a look at the census information below will confirm! Overstreet 2005 NM- 9.2 value = $360. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Adventures #75 Crowley Copy pedigree (Fawcett, 1947) CGC NM 9.4 Cream to off-white pages. The Big Red Cheese faces a rather sticky problem (and how!) on this issue's C. C. Beck cover. Yuck! There's nothing to complain about with this clean, pedigreed copy, however -- it tops the current CGC census list. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Adventures #85 Crowley Copy pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white pages. This issue's special story involves the Freedom Train, President Harry Truman's 1947-49 travelling patriotic roadshow, featuring a "rededication to the principles" upon which this country was founded. Making cameos in this four-part story are George Washington, John Hancock, Alexander Hamilton, and Thomas Jefferson. Not a bad lineup for a comic! And not a bad copy, either -- it's a real beauty! Overstreet 2005 NM- 9.2 value = $350. CGC census 11/05: 1 in 9.2, none higher.
Captain Marvel Adventures #97 (Fawcett, 1949) CGC NM/MT 9.8 Off-white to white pages. This partial photo cover is unlike anything else in the long run of this Fawcett title! In fact, it reminds us of the Jack Kirby/Don Heck cover for Tales to Astonish #49 of a decade and a half later. Given the fact that the cover's almost all white, it's amazing that a copy could be in this condition. Overstreet 2005 NM- 9.2 value = $280. CGC census 11/05: 1 in 9.8, none higher.
Captain Marvel Adventures #97 Crowley Copy pedigree (Fawcett, 1949) CGC NM+ 9.6 Cream to off-white pages. Holy Moley! What's happened to the Captain? C. C. Beck provides a clever cover featuring the Big Red Cheese being "wiped out" by a real human hand! We can't help but wonder if this hand belonged to editor Wendell Crowley, whose wonderfully fresh file copy is our offering for this lot! Only one copy currently grades higher according to CGC's most recent census report. Overstreet 2005 NM- 9.2 value = $280. CGC census 11/05: 1 in 9.6, 1 higher.
Captain Marvel Adventures #110 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Off-white pages. It must have been fun to be the editor of this title, featuring the Big Red Cheese! Just think -- you could bring home comic books every week! Real life Fawcett editor Wendell Crowley did just that, and here's one of his very well-preserved copies. Arch villain Dr. Sivana appears in this issue, which is loaded with great C. C. Beck art. Overstreet 2005 NM- 9.2 value = $270. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Adventures #123 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Looks like Captain Marvel has his hands full with a farm filled with sharp-toothed dinosaurs on this wild C. C. Beck cover! Inside, there's more Beck art, along with Pete Costanza and Al Liederman. Wendell Crowley was editor of this title -- this attractive copy was originally part of his personal collection. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Adventures #129 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. Captain Marvel tackles a rampaging robot rhino on this wacky cover by C. C. Beck. The cover gloss and color on this one will amaze you! Simply beautiful! Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Adventures #130 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white pages. Captain Marvel faces double trouble this issue, as King Kull and Sivana gang up to threaten Earth. C. C. Beck's cover shows a wild outer space battle, complete with rockets and colorful ray-gun blasts, against a pitch-black background. This Crowley Copy example is rated best in the current CGC census for issue #130. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.2, none higher.
Captain Marvel Adventures #131 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Cream to off-white pages. The Big Red Cheese faces off against atomic power in this issue, which is highlighted by an electrifying C. C. Beck cover. That talkative tiger, Mr. Tawny, is also featured. This sweet pedigreed copy practically glows with vivid cover color and gloss! Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Adventures #132 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white to white pages. From the looks of this dramatic C. C. Beck "flood" cover, we could have used Captain Marvel last summer in New Orleans! We're betting that your collection could use this sharp Crowley example as well. It's far and away the finest known copy, by current CGC standards. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Adventures #135 Crowley Copy pedigree (Fawcett, 1952) CGC NM/MT 9.8 Off-white pages. Help! Boy Scientist Dexter Knox has been swallowed whole by a dinosaur! Captain Marvel to the rescue! C. C. Beck drew this dilly-of-a-pickle cover. This comic treat comes from editor Wendell Crowley's personal collection -- CGC says it's the highest-graded copy to date. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.8, none higher.
Captain Marvel Adventures #138 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. If you believe all the cover blurbs on this issue, this one is incredible, unbelievable, fantastic, eerie, and weird! Well, believe it! This is the famous Flying Saucer issue -- actually, they are referred to as "Flying Disks," but you get the idea! This incredible, unbelievable, etc. copy comes from the collection of former editor Wendell Crowley. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Adventures #139 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. In this issue, Captain Marvel keeps up with the times by battling a Communist menace, as he faces off against the Red Crusher. Look out, Cap -- the Crusher is "strong like bull!" This pedigreed copy is tough to beat, ranking at the top of the current CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Adventures #148 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. As he nears the end of his original run, the Big Red Cheese must be running out of suitable villains -- he must now battle the entire world! A great outer space cover scene, loaded with black, kicks off the issue. Once again, this Crowley pedigreed example ranks number one on the current CGC census for this somewhat hard-to-find issue, with only one other copy listed. Overstreet 2005 NM- 9.2 value = $260. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel and the Lieutenants of Safety #1 Rockford pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. As far as promotional comics go, it's pretty hard to beat this specimen. Overstreet calls this particular book "scarce". The featured story in this first issue is "Danger Flies a Kite", with artwork by C. C. Beck. This outstanding example from the Rockford pedigree also happens to be the highest grade awarded by CGC to date. Overstreet 2005 VF 8.0 value (highest grade listed in Overstreet) = $1,400. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel and the Lieutenants of Safety #3 Rockford pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. This great promo comic features the story "Danger Smashes Street Lights", along with the Taylor Family in "How Not to Ride a Bike" as a backup. It's another fantastic specimen from the Rockford pedigree, which also happens to be the highest grade awarded by CGC for this issue. Overstreet 2005 VF 8.0 value (highest grade listed by Overstreet) = $1,000. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Jr. #1 (Fawcett, 1942) CGC VF+ 8.5 Off-white pages. Less than a year after first appearing in Whiz Comics, Captain Marvel Jr. got his own title, while continuing to star in Master Comics. What set Junior apart from his pal Captain Marvel was that he was drawn in the graceful style of Mac Raboy rather than the cartoonier C. C. Beck style. Raboy's cover for this first issue is called "classic" by Overstreet. The title character's origin is retold in the issue, which features an appearance by the villain who figures in that origin story, the nefarious Captain Nazi. No copy of this Fawcett key has been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $3,703; VF/NM 9.0 value = $5,952. CGC census 11/05: 2 in 8.5, none higher.
Captain Marvel Jr. #2 (Fawcett, 1942) CGC FN- 5.5 White pages. Mac Raboy provides the cover illustration, showing both the young Captain and his newsboy alter-ego. Inside, Cap Jr. faces off against Captain Nazi, and the origin of Captain Nippon is revealed. CGC notes, "Small amount of glue on cover." Overstreet 2005 FN 6.0 value = $612. CGC census 11/05: 1 in 5.5, 3 higher.
Captain Marvel Jr. #4 Crowley Copy pedigree - File Copy (Fawcett, 1943) CGC NM- 9.2 Cream to off-white pages. This dynamic cover by Mac Raboy is considered a classic by Overstreet, and we are quick to agree. It's the first copy we have offered here at Heritage; as of this writing, only four unrestored copies appear in the CGC census, which is topped by this pedigreed copy. This example is from former Fawcett editor Wendell Crowley's collection; also, it was also used as a file copy in the Fawcett editorial offices, and is stamped "Checking Copy" on the front cover. Overstreet 2005 NM- 9.2 value = $1,550. CGC census 11/05: 1 in 9.2, none higher.
Captain Marvel Jr. #11 Crowley Copy pedigree (Fawcett, 1942) CGC NM 9.4 Cream to off-white pages. Being a superhero has its advantages, as Captain Marvel Jr. shows us by riding a military motorcycle not on the rocky ground, but through the air! Mac Raboy supplied this World War II cover illustration. Captain Nazi makes an appearance inside. This superb pedigreed copy has risen to the top of the current CGC census list for this issue. Overstreet 2005 NM- 9.2 value = $900. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #13 Crowley Copy pedigree (Fawcett, 1943) CGC VF/NM 9.0 Cream to off-white pages. Here's a novel idea -- let warring nations play it out through a game of football! Then make sure Captain Marvel Jr. is on your team! This classic cover by Mac Raboy features Hitler, Tojo, and Mussolini on the gridiron. Overstreet 2005 VF/NM 9.0 value = $666; NM- 9.2 value = $900. CGC census 11/05: 1 in 9.0, 1 higher.
Captain Marvel Jr. #17 Crowley Copy pedigree - File Copy (Fawcett, 1944) CGC NM- 9.2 Off-white pages. He's flying high through future skies -- it's Captain Marvel Jr.! This gorgeous example was used by the Fawcett editorial staff as a checking copy, and has been stamped as such on the front cover. It was also part of editor Wendell Crowley's personal comic book collection. Overstreet 2005 NM- 9.2 value = $740. CGC census 11/05: 1 in 9.2, 1 higher.
Captain Marvel Jr. #18 Crowley Copy pedigree (Fawcett, 1944) CGC NM+ 9.6 Off-white pages. The "Birds of Doom" menace Captain Marvel Jr. on this World War II cover by Mac Raboy. This near-perfect pedigreed copy is unsurpassed in the current CGC census report for issue #18. Overstreet 2005 NM- 9.2 value = $740. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #21 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Cream to off-white pages. Mac Raboy's patriotic cover shows our young hero plugging a good cause for the war effort. More Raboy art is featured inside. CGC currently lists this pedigreed copy as the highest-graded example of issue #21. Overstreet 2005 NM- 9.2 value = $585. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #25 Crowley Copy pedigree - File Copy (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Even on a faraway beachfront battle scene, Captain Marvel Jr. keeps our flag flying high! This terrific World War II "flag" cover, by everyone's favorite Cap Jr. artist, Mac Raboy, is the highlight of this issue. A stamped notation on the front cover indicates this was a Fawcett File Copy; in addition, it was part of editor Wendell Crowley's personal collection. Overstreet 2005 NM- 9.2 value = $585. CGC census 11/05: 2 in 9.2, none higher.
Captain Marvel Jr. #28 Crowley Copy pedigree (Fawcett, 1945) CGC NM+ 9.6 Cream to off-white pages. Dr. Sivana is using a strange ray that causes tall buildings to melt on this issue's Mac Raboy cover. It's interesting to see Raboy's more realistic version of Sivana, who is usually depicted in the more cartoonish style of C. C. Beck. This pedigreed copy is remarkably fresh-looking and well-centered. Overstreet 2005 NM- 9.2 value = $585. CGC census 11/05: 2 in 9.6, none higher.
Captain Marvel Jr. #31 Crowley Copy pedigree (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. This issue's magnificent Mac Raboy cover depicts a high-flying Captain Marvel Jr., soaring far above the earth through purple space. Beautiful! Overstreet 2005 NM- 9.2 value = $370. CGC census 11/05: 1 in 9.2, 1 higher.
Captain Marvel Jr. #33 Crowley Copy pedigree (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. With one magic phrase, crippled newsboy Freddy Freeman transforms into Captain Marvel Jr. on this explosive cover. Lots of eye-appeal to this one! Overstreet 2005 NM- 9.2 value = $370. CGC census 11/05: 1 in 9.2, 1 higher.
Captain Marvel Jr. #43 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Cream to off-white pages. Darn those pesky rhinos! The World's Mightiest Boy must tackle one when he battles "The Beasts of Broadway," on this issue's brightly colored cover by Bud Thompson. This pedigreed copy currently reigns supreme as the top-graded copy in CGC's census report for issue #43. Overstreet 2005 NM- 9.2 value = $290. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #45 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Cream to off-white pages. Mac Raboy wasn't the only one turning out great covers for this series -- check out this superb Bud Thompson effort, showing a colorful young Captain set against a pitch-black background! This striking copy originally came from the collection of former Fawcett editor Wendell Crowley. Overstreet 2005 NM- 9.2 value = $290. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #60 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Cream to off-white pages. This copy's outer space cover features a fantastic, flawless black background. This beauty is currently the highest CGC-graded copy. Overstreet 2005 NM- 9.2 value = $290. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #69 (Fawcett, 1949) CGC NM+ 9.6 Off-white to white pages. This is one of the nicest-looking non-pedigree books you'll ever see! Kurt Schaffenberger drew Junior on the issue's cover, and Joe Certa handled the interior art. Overstreet 2005 NM- 9.2 value = $290. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #78 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. Captain Marvel Jr. goes native when he encounters "The Voodoo Clock," on this wild Kurt Schaffenberger cover. This Crowley pedigreed example is currently the only copy certified by CGC. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #82 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Ahoy! Captain Marvel Jr. sees some swashbuckling action on this pirate cover by Kurt Schaffenberger. Let the Jolly Roger fly! This pedigreed copy is ship-shape, condition-wise. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Jr. #89 Crowley Copy pedigree (Fawcett, 1950) CGC NM- 9.2 Cream to off-white pages. Our young hero has his hands full taking care of this issue's menace -- a giant ant, armed with a tommy gun, and stealing a bag of loot! We've heard of cat-burglars, but an ant-burglar? Kurt Schaffenberger provides the wild cover art. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.2, none higher.
Captain Marvel Jr. #91 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. This issue's "riding a meteor" cover is one of the best images of the run! Although not identified on the CGC header, this looks like the work of Kurt Schaffenberger to us. The starry black background really looks superb! This pedigreed copy is currently the only example of this issue graded by CGC. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #95 Crowley Copy pedigree (Fawcett, 1951) CGC NM- 9.2 Cream to off-white pages. Take a minute to check out this killer Kurt Schaffenberger cover, depicting the World's Mightiest Boy confronted by the "King of the Dogs." Notice the pooch armed with a machine gun? That's one well-trained hound! Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.2, 2 higher.
Captain Marvel Jr. #97 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white to white pages. Captain Marvel Jr. finds himself all alone as he searches for "The Last Man On Earth." Hey, where did everyone go? Don't miss submitting a bid on this beautiful specimen, which is the highest CGC-graded copy to date. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #101 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white pages. A homeless ghost, hitching a ride along Route 66? That's cause for Captain Marvel Jr. to do a "double-take" on this beautifully colored comic. Speaking of beautiful, this Crowley copy's really got it goin' on! Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 2 in 9.6, none higher.
Captain Marvel Jr. #102 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Cap Jr. substitutes for the Genie of the Lamp on this brilliantly-hued cover illustration. Doesn't our young hero bear a resemblance to the King of Rock 'n Roll, Elvis Presley? Elvis often said this was the inspiration for his hair style! As comic books go, this pedigreed copy is a "king" as well, currently ruling the CGC census report for issue #102. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #103 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white pages. The World's Mightiest Boy presents three big adventures, including one featuring a Blob-like creature ("The Thing That Grew"), and another starring the ultimate in pampered pooches ("The Millionairedale" -- no, we're not making this up!) on the cover to this issue. This Wendell Crowley pedigreed copy once again tops the current CGC census charts. Overstreet 2005 NM- 9.2 value = $210. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #104 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white to white pages. The World's Mightiest Boy takes on the "Queen of the Witches" in this issue. What a sparkling copy! This beautiful example was originally part of former Fawcett editor Wendell Crowley's collection; it's currently far and away the finest known CGC-certified copy of this issue. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #106 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white pages. Freddy Freeman looks up to see himself as Captain Marvel Jr. on this issue's beautiful cover, which illustrates "The City in the Mirage." This copy comes from former Fawcett editor Wendell Crowley's personal collection, and is currently unsurpassed in CGC's census report for issue #106. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 2 in 9.2, none higher.
Captain Marvel Jr. #107 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. Colorful gremlins and other creatures from "The Horror Dimension" try to give our young hero goosepimples on this copy, which is so nice looking, it's scary! Of course, it's from former Fawcett editor Wendell Crowley's collection of cherry-picked comic gems! It's the finest-known copy currently certified by CGC. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #107 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Captain Marvel Jr. seems unphased by the creepy surroundings of "The Horror Dimension" on this Bud Thompson cover. This issue features interior art by Thompson and Joe Certa. Only one copy currently grades higher than this gorgeous Crowley Copy specimen. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.4, 1 higher.
Captain Marvel Jr. #108 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. "Hooya trine a kid, huh?" Words get wacky on this amusing cover, as Cap Jr.'s entire world gets tongue-tied! Crazy! Nothing's crazy about this sharp, pedigreed copy, unless you decide not to bid -- that might be considered madness! Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 2 in 9.6, none higher.
Captain Marvel Jr. #109 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Our youthful hero encounters "The World's Littlest Giant" in this issue. A "littlest giant"? Why, he's merely enormous! This pedigreed copy currently tops the CGC census list for issue #109. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #110 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. A donkey winning the Derby Race? Hee Haw! No doubt about it, though, this pedigreed copy is a winner all the way, including owning the top spot in the current CGC census report for issue #110. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.6, none higher.
Captain Marvel Jr. #111 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. Spend a day with the World's Mightiest Boy as he goes through his paces (including selling newspapers as Freddy Freeman) with this issue. The bright colors seem to pop right off the white background of this pedigreed copy! Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 2 in 9.6, none higher.
Captain Marvel Jr. #112 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Cap Jr. does his bit to stamp out crime on the clever cover to this late-in-the-run issue. It must have paid off -- he only had seven more issues to go after this one! This copy delivers the goods, grade-wise; it's got all the hallmarks of a great pedigreed comic. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Jr. #113 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. The young Captain gives us a preview of what's in store on this multi-panel cover. The book is flat, sharply cut, and loaded with glossy cover color. This is another excellent example from the collection of former Fawcett editor Wendell Crowley. It's the highest CGC-graded copy to date. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.4, none higher.
Captain Marvel Jr. #116 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white to white pages. The World's Mightiest Boy tackles a Korean tank on this issue's cover. Inside, Cap Jr. encounters "Vampira, the Korean Queen of Terror!" Scary stuff! No need to fear this magnificent pedigreed copy, though -- it's a real beauty! Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 1 in 9.2, none higher.
Captain Marvel Jr. #117 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. Ahh-woooo! Cap Jr. faces off against the Werewolf of London in this issue from late in the series' run. This issue sports superb cover gloss and color, typical of examples from this pedigreed collection. Overstreet 2005 NM- 9.2 value = $190. CGC census 11/05: 2 in 9.4, none higher.
Captain Marvel Story Book #3 (Fawcett, 1948) CGC VF- 7.5 White pages. "Uncommon" according to Gerber. Overstreet 2005 VF 8.0 value = $222. CGC census 11/05: 1 in 7.5, 1 higher.
Captain Marvel Story Book #4 (Fawcett, 1949) CGC NM/MT 9.8 Off-white to white pages. Fawcett wasn't afraid to experiment -- the same folks who brought you Nickel Comics created this series, which featured text stories with illustrations rather than comic-style stories. This was the last issue of the experimental title. Overstreet 2005 NM- 9.2 value = $425. CGC census 11/05: 1 in 9.8, none higher.
Captain Marvel Wheaties Premium #nn (Fawcett, 1945) CGC VF 8.0 Off-white pages. This remarkable paper-cover giveaway comic comes with absolutely no trace of tape residue. This is unusual in that all known copies were taped to Wheaties boxes -- in fact, Overstreet only lists values for this book up to FN, with the notation, "All copies were taped at each corner to a box of Wheaties and are never found in Fine or Mint condition." Here at Heritage, we never say "Never!" Overstreet 2005 FN 6.0 value (with tape) = $425. CGC census 11/05: 2 in 8.0, none higher.
Captain Midnight #1 Pennsylvania pedigree (Fawcett, 1942) CGC VF+ 8.5 Off-white pages. Fawcett introduced its own version of Captain Midnight here, with a different look than in his previous comic appearances in The Funnies and elsewhere -- the standard aviator look gave way to a more superhero-like outfit reportedly designed by Mac Raboy. This issue, with art by the Jack Binder shop, recounts the Captain's origin story. There's also Fawcett's standard first-issue ritual, namely Captain Marvel on the cover introducing the newcomer. Overstreet 2005 VF 8.0 value = $2,015; VF/NM 9.0 value = $3,258. CGC census 11/05: in 8.5, higher.
Captain Midnight #1 (Fawcett, 1942) CGC VG/FN 5.0 Cream to off-white pages. The "new look" Captain Midnight debuted in this issue. In this, his first Fawcett appearance he more superhero of a "superhero" look than in his previous comic book outings (The Funnies, etc.). Captain Marvel makes a cover appearance. Overstreet 2005 VG 4.0 value = $620; FN 6.0 value = $930. CGC census 12/05: 2 in 5.0, 4 higher.
Captain Midnight #3 Mile High pedigree (Fawcett, 1942) CGC NM 9.4 White pages. Overstreet is quick to point out the classic Nazi war cover to this exciting third issue. As is the case with many Mile High copies, this exquisite example holds the highest grade awarded by CGC to date. Overstreet 2005 NM- 9.2 value = $1,700. CGC census 12/05: 2 in 9.4, none higher.
Captain Midnight #3 (Fawcett, 1942) CGC NM 9.4 Off-white to white pages. "Classic Nazi war cover" says Overstreet about this issue. The book's interior art is the work of the Jack Binder shop. Overstreet 2005 NM- 9.2 value = $1,700. CGC census 12/05: 2 in 9.4, none higher.
Captain Midnight #3 (Fawcett, 1942) CGC VF/NM 9.0 Off-white to white pages. The cover of this early issue from 1942 has earned a "classic" designation from Overstreet. Only two copies have earned higher grades from CGC to date. Overstreet 2005 VF/NM 9.0 value = $1,260; NM- 9.2 value = $1,700. CGC census 12/05: 1 in 9.0, 2 higher.
Captain Midnight #5 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 White pages. One of the Golden Age titles that usually flies under the radar, but this Mile High Copy demands attention! Blinding cover colors, snow white back cover background, and the white pages this pedigree is famous for! Overstreet 2005 NM- 9.2 value = $1,500. CGC census 12/05: 2 in 9.6, none higher.
Captain Midnight #6 (Fawcett, 1943) CGC VF+ 8.5 Off-white pages. Captain Red Albright is really... Captain Midnight, as two Axis types find out here! Overstreet 2005 VF 8.0 value = $481; VF/NM 9.0 value = $741. CGC census 11/05: 1 in 8.5, 2 higher.
Captain Midnight #7 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 White pages. Captain Midnight takes the fight straight to General Tojo on this dynamic cover. When only the best will do, the Mile High Copy comes through...again. Overstreet 2005 NM- 9.2 value = $1,000. CGC census 12/05: 1 in 9.6, none higher.
Captain Midnight #10 Mile High pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white pages. A sensational flag cover makes this issue stand out -- no doubt you'll recognize the lithe figure of Captain Midnight as the work of artist Mac Raboy. And this is none other than the Mile High copy, what more can you ask for? Overstreet 2005 VF/NM 9.0 value = $778; NM- 9.2 value = $1,050. CGC census 11/05: 1 in 9.0, 1 higher.
Captain Midnight #12 (Fawcett, 1943) CGC NM 9.4 Off-white pages. This is the only 9.4, and highest-graded copy overall, that CGC has certified for this issue to date. Overstreet 2005 NM- 9.2 value = $725. CGC census 11/05: 1 in 9.4, none higher.
Captain Midnight #15 (Fawcett, 1943) CGC NM 9.4 Off-white pages. The Captain looks ready to rumble in this cover's action pose. This incredible sharp and colorful copy looks like it could have come from a pedigreed collection -- how about adding it to yours? Overstreet 2005 NM- 9.2 value = $725. CGC census 11/05: 2 in 9.4, 1 higher.
Captain Midnight #17 Crowley Copy pedigree (Fawcett, 1944) CGC VF+ 8.5 Off-white to white pages. The high-flying Captain drops off a personal message to Hitler in this smashing World War II cover illustration by Mac Raboy. Smooth surfaces and sumptuous cover color make this pedigreed copy a real hit! Overstreet 2005 VF 8.0 value = $350; VF/NM 9.0 value = $538. CGC census 11/05: 1 in 8.5, 3 higher.
Captain Midnight #23 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Off-white pages. He's America's Ace: Captain Midnight! The star of radio, movies, and television also starred in the Captain Midnight comic book series from Fawcett which ran for over sixty issues. This beautiful copy, from former Fawcett editor Wendell Crowley, is a real keeper; check out the cover's midnight-blue background! Happy landings! Overstreet 2005 NM- 9.2 value = $560. CGC census 11/05: 3 in 9.4, none higher.
Captain Midnight #24 Crowley Copy pedigree (Fawcett, 1944) CGC NM- 9.2 Off-white pages. Smashing through the Rising Sun of the World War II Japanese flag comes Captain Midnight, star of radio, movies, television, and of course, comic books. This attractive pedigreed example is one of the two top-graded copies in the current CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $585. CGC census 11/05: 1 in 9.2, 1 higher.
Captain Midnight #30 Crowley Copy pedigree (Fawcett, 1945) CGC NM+ 9.6 Off-white pages. Standing tall is the order of the day for our good Captain! As Japanese Zero planes buzz around him like angry hornets, Captain Midnight keeps smiling on this issue's great World War II cover illustration. This clean, sharp pedigreed example is the highest CGC-graded copy to date. Overstreet 2005 NM- 9.2 value = $560. CGC census 11/05: 1 in 9.6, none higher.
Captain Midnight #35 (Fawcett, 1944) CGC VF+ 8.5 Off-white pages. Japanese war cover. Overstreet 2005 VF 8.0 value = $196; VF/NM 9.0 value = $283. CGC census 11/05: 1 in 8.5, 2 higher.
Captain Midnight #42 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Off-white pages. This issue's cover illustration, showing Captain Midnight soaring through purple skies with a huge yellow moon, is a great image of this popular character. "Happy Landings!" Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.4, 1 higher.
Captain Midnight #46 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. Our Captain lets his fist do the flying on this color-drenched cover by Len Frank. This pedigreed copy really packs a punch, too -- it's currently the top CGC-graded example of this issue. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.6, none higher.
Captain Midnight #47 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. The Champion of the Clouds soars high as the bullets fly by on this great Len Frank cover. This beautiful copy really comes up a winner, especially on the current CGC census chart! Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.6, none higher.
Captain Midnight #55 Crowley Copy pedigree (Fawcett, 1947) CGC VF/NM 9.0 Off-white to white pages. The post-war science fiction themed covers continue with this wild entry, courtesy of artist Len Frank. This is a very attractive, well-centered copy. Overstreet 2005 VF/NM 9.0 value = $237; NM- 9.2 value = $310. CGC census 11/05: 1 in 9.0, 1 higher.
Captain Midnight #57 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. This Mile High copy is the only one graded above 9.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.6, none higher.
Captain Midnight #59 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. The cover spotlights the "Rainbow Skywriter", and this Mile High Copy showcases the full spectrum. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 2 in 9.4, none higher.
Captain Midnight #60 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. This was only the third comic book with a flying saucer theme published. A nicer copy than this one (formerly the property of Fawcett editor Wendell Crowley) would be as hard to find as a real flying saucer; this is currently the highest CGC-graded example. Overstreet 2005 NM- 9.2 value = $400. CGC census 11/05: 1 in 9.4, none higher.
Captain Midnight #60 Mile High pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white pages. The title transitioned from earlier wartime themes to flying saucers by the decade's end. This is considered the third issue of the UFO genre, making it the most collectible of this title's later issues. The colors really pop off of the flawless black background on Edgar Church's copy. A couple of minor stress marks at the staples appear to be the only things keeping this eye-catching copy from scoring a 9.4 or higher. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.2, 1 higher.
Captain Midnight #62 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. The Captain heads for the Moon in this high-flying issue. What a wonderful cover illustration of the "Champion of the Clouds"! Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 2 in 9.4, none higher.
Captain Midnight #64 Crowley Copy pedigree - File Copy (Fawcett, 1948) CGC NM- 9.2 Cream to off-white pages. We here at Heritage have seen some weird-looking creatures on the covers of various comic books, but this issue's "Volcano Head" man takes the cake! Len Frank drew the cosmic cover, featuring "Zog, Ruler of Saturn." It's a Fawcett File Copy that comes up on top when it comes to condition -- it's currently unsurpassed in the CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 2 in 9.2, none higher.
Captain Midnight #65 Crowley Copy pedigree (Fawcett, 1948) CGC NM- 9.2 Cream to off-white pages. Captain Midnight takes a moment to salute the flag on this stirring cover. That monstrosity from Saturn, Zog, returns -- this time, he's even uglier than before! Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 2 in 9.2, none higher.
Captain Midnight #66 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. This time. it's personal! Captain Midnight takes to the skies one more time, heading for Saturn to deal with that walking volcano, Zog. This would be the last issue of this title to feature new material -- one last issue was published, reprinting parts of #1. This gorgeous Crowley Copy is currently the highest CGC-graded example of issue #66. Overstreet 2005 NM- 9.2 value = $310. CGC census 11/05: 1 in 9.6, none higher.
Casper the Friendly Ghost #1 (St. John, 1949) CGC VF+ 8.5 Off-white to white pages. It's the best copy yet certified of the first comic book appearance of Casper! Yes, ghost fans, the character started out in this St. John book before many decades at Harvey. What's more, this was the first time the character was called Casper in any medium (he was a nameless "Friendly Ghost" in his early cartoon appearances). And if even that's not enough historical significance for you, this issue has Baby Huey's first appearance and origin as well. Wait, we're not even done yet: there's also the first appearance of Herman the Mouse (of later Herman and Katnip fame). Overstreet 2005 VF 8.0 value = $1,200; VF/NM 9.0 value = $1,850. CGC census 11/05: 1 in 8.5, none higher.
Chamber of Chills #22 (Harvey, 1954) CGC NM 9.4 Off-white pages. Overstreet doesn't mince words when discussing Chamber of Chills: "About half the issues contain bondage, torture, sadism, perversion, gore, eyes ripped out, acid in face, etc." So this issue's fairly disturbing torture cover is par for the course. The scene is by Lee Elias; interior artists include Manny Stallman and Joe Certa. Overstreet 2005 NM- 9.2 value = $350. CGC census 12/05: 2 in 9.4, none higher.
Champion Comics #2 (Harvey, 1939) CGC VF 8.0 Off-white to white pages. This is the first issue of the title, only Harvey's second series, debuting a couple of months after Speed Comics. The series soon converted to superhero fare, but this first issue stars the Champ, a he-man's he-man who bears a passing resemblance to gridiron great Bronko Nagurski! The issue's artists include H.C. Kiefer and George Papp. Overstreet 2005 VF 8.0 value = $1,106. CGC census 11/05: 1 in 8.0, none higher.
Charlie Chan #1 (Crestwood, 1948) CGC VF 8.0 Off-white pages. Simon and Kirby meet Charlie Chan, how can you beat that? In addition to the S&K cover, this issue's got Carmine Infantino interior art. And this is the highest-graded copy in CGC's census as of this writing. Overstreet 2005 VF 8.0 value = $494. CGC census 11/05: 1 in 8.0, none higher.
Charlie Chan #2 (Crestwood, 1948) CGC FN/VF 7.0 Off-white to white pages. Simon and Kirby cover. Overstreet 2005 FN 6.0 value = $150; VF 8.0 value = $305. CGC census 11/05: 1 in 7.0, 1 higher.
Charlie Chan #5 (Crestwood, 1949) CGC FN/VF 7.0 Off-white pages. Simon and Kirby cover. Overstreet 2005 FN 6.0 value = $150; VF 8.0 value = $305. CGC census 11/05: 1 in 7.0, none higher.
Cheerios Premiums Y1 (Walt Disney Productions, 1947) CGC NM- 9.2 White pages. Here's a rare copy of Donald Duck's Atom Bomb, the rarest of the Disney Cheerios premiums, banned by Disney from ever being reprinted. And if the appeal of the forbidden isn't enough to make you drool, consider the fact that it features Carl Barks art, and is in stellar condition with a color-rich paper cover and nice, white interior pages. A very attractive copy of an extremely rare item, to date only three copies have been certified with higher grades by CGC. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 1 in 9.2, 3 higher.
Cisco Kid Comics #1 Carson City pedigree (Baily Publication, 1944) CGC NM+ 9.6 Off-white to white pages. This is the first comic book appearance of the Cisco Kid, and the highest-graded copy of the issue! Of course, the Kid, star of movies and later of TV, would star in a long-running Dell series in years to come. Also appearing are Faust (yes, opera fans, that Faust) and Funnyman (no, Jerry Siegel and Joe Shuster fans, not that Funnyman). The issue's cover is by John Giunta. Overstreet 2005 NM- 9.2 value = $540. CGC census 11/05: 1 in 9.6, none higher.
Classic Comics #1 The Three Musketeers - Original Edition (Elliott, 1941) CGC VG/FN 5.0 Off-white pages. Here's where it all started. It's the first issue of the series (later known as Classics Illustrated) that spanned 169 issues, many, many reprints, and countless foreign translations as well as original foreign-language issues. Artist Malcolm Kildale translated Alexandre Dumas' words into pictures here. CGC notes, "2 pieces of tape on interior cover at staples." Overstreet 2005 VG 4.0 value = $904; FN 6.0 value = $1,356. CGC census 11/05: 3 in 5.0, 10 higher.
Classic Comics #7 Robin Hood - Original Edition (Elliott, 1942) CGC VF 8.0 Off-white pages. Here's the first printing of the comic book adaptation of Mr. O'Locksley's adventures. You'll be merrier than the Merry Men if you're the winning bidder -- this copy's tied for the highest grade that CGC has assigned to date. Overstreet 2005 VF 8.0 value = $544. CGC census 11/05: 3 in 8.0, none higher.
Classic Comics #9 Les Miserables - Original Edition (Gilberton, 1943) CGC VF/NM 9.0 Off-white pages. This is the "slick paper cover" version of the first printing (Overstreet calls it edition 1A). Give it your best bid, and to the victor (Hu)go the spoils! This is the highest grade that CGC has assigned for this issue to date. Overstreet 2005 VF/NM 9.0 value = $835; NM- 9.2 value = $1,125. CGC census 11/05: 2 in 9.0, none higher.
Classic Comics #11 Don Quixote - Original Edition (Gilberton, 1943) CGC VF 8.0 Off-white pages. Louis Zansky drew this adaptation of the Miguel de Cervantes novel. This attractive and colorful copy currently holds the highest grade in CGC's census report for this first-edition issue. Overstreet 2005 VF 8.0 value = $506. CGC census 11/05: 2 in 8.0, none higher.
Classic Comics #12 Rip Van Winkle and the Headless Horseman - Original Edition - Crowley Copy pedigree (Gilberton, 1943) CGC VF+ 8.5 Off-white to white pages. Here's the Original Edition of this early issue. The art is by Rolland Livingstone. Overstreet 2005 VF 8.0 value = $506; VF/NM 9.0 value = $778. CGC census 11/05: 1 in 8.5, 2 higher.
Classic Comics #21 Three Famous Mysteries - Original Edition (Gilberton, 1944) CGC VF 8.0 Off-white pages. This is one of the most sought-after issues of this title thanks to the presence of the Sherlock Holmes adaptation "The Sign of the Four." Also adapted are Edgar Allan Poe's seminal "The Murders In The Rue Morgue" and Guy de Maupassant's "The Flayed Hand." Overstreet 2005 VF 8.0 value = $563. CGC census 11/05: 1 in 8.0, 1 higher.
Classics Illustrated #43 Great Expectations - HRN 62 (Gilberton, 1947) CGC Qualified NM- 9.2 Cream to off-white pages. This second edition, line-drawn cover issue of Charles Dickens' classic novel is a real grabber, and this copy's got a very colorful and glossy cover. The reason this issue wasn't reprinted again and again like other Classics is because the first few pages show a child being threatened with a knife by the character Magwitch. Fredric Wertham used the issue in Seduction of the Innocent, saying, "Am I correct in classifying this as a crime comic?" CGC notes, "Extra staple added, not from manufacturing." Overstreet 2005 FN 6.0 value = $177; VF 8.0 value = $369; VF/NM 9.0 value = $565; NM- 9.2 value = $760.
Classic Comics and Classics Illustrated Original Editions Full Run (Gilberton, 1941-69). This is an almost complete run: #1-82 and #84-169. So you will have to find your own #83, but otherwise this is the entire series, filling two short boxes! One copy of each Original Edition is here, and a couple of reprints are included as a bonus. Grades run the gamut from FR to FN; the average is GD/VG. Some have amateur restoration. Some of the more notable books are #1 Apparent VG, #2 GD, #3 FR, #4 FR/GD, #5 VG+, #6 GD+, #8 VG, #11 FN, #13 VG, and #14 GD. Approximate Overstreet value for group = $7,500.
Classics Illustrated Giveaways: Illustrated Story of Robin Hood and His Merry Men #nn (Gilberton, 1944) CGC VG+ 4.5 Cream to off-white pages. Overstreet calls this issue "rare," and Gerber's Photo-Journal gives it a "scarce" rating. It's a giveaway to promote Robin Hood Enriched Flour, and this is the "discovery" copy -- this book's consignor was the first to document and notify Bob Overstreet about this rarity! It's got a cover that's unique to this giveaway, and the contents are identical to Classics Illustrated #7. Your Classics collection isn't complete without this rarity! Overstreet 2005 VG 4.0 value = $500. CGC census 11/05: 1 in 4.5, none higher.
Clue Comics #1 Mile High pedigree (Hillman Publications, 1943) CGC NM 9.4 Off-white pages. Hillman brought out a whole new lineup of characters to populate this new title. Heading the list are the Boy King (king of a European nation, assisted by his stone giant pal) and Micro-Face (no, not a guy with a tiny face, but a fellow with a microphone in his mask). Also debuting are Nightmare and Sleepy, Twilight, and Zippo. No copy of this issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $1,750. CGC census 12/05: 1 in 9.4, none higher.
Clue Comics #7 Mile High pedigree (Hillman Publications, 1943) CGC NM 9.4 Off-white pages. This chilling cover has disturbing similarities to real-life Nazi atrocities of the day -- Overstreet calls it a "classic torture cover." The hero of the scene is Boy King, ruler of a small European nation that has been overrun by the Nazis. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 1 in 9.4, 1 higher.
Colossus Comics #1 (Sun Publications, 1940) CGC FN+ 6.5 Light tan to off-white pages. This one's called "scarce" by both Overstreet and Gerber. "An early esoteric book which ties to the esoteric Green Giant comic" is how Overstreet once summed up this title's appeal. The tie-in to Green Giant is that the Colossus character appears in both books. This is one of only two comic issues ever published by Sun, the other being another -- dare we say it -- esoteric book, Sun Fun Komiks. Overstreet 2005 FN 6.0 value = $1,644; VF 8.0 value = $3,836. CGC census 11/05: 1 in 6.5, 2 higher.
The Comics #1 File Copy (Dell, 1937) CGC VF+ 8.5 Cream to off-white pages. The new medium of "comic books" was really taking off, so Dell followed up Popular Comics and The Funnies with this third anthology series reprinting popular newspaper strips of the day. Tom Mix made his first comic book appearance here. Overstreet 2005 VF 8.0 value = $1,106; VF/NM 9.0 value = $1,703. CGC census 11/05: 1 in 8.5, 1 higher.
Contact Comics #8 Mile High pedigree (Aviation Press, 1945) CGC VF+ 8.5 Off-white to white pages. L. B. Cole covers are what makes this series stand out, and while covers about World War II were quite common, here's one of the only ones ever to celebrate peace (note the September 1945 cover date)! Rudy Palais contributed interior art to the issue. Overstreet 2005 VF 8.0 value = $236; VF/NM 9.0 value = $351. CGC census 12/05: 1 in 8.5, 1 higher.
Cookie #13 Mile High pedigree (ACG, 1948) CGC NM 9.4 Off-white to white pages. Al Hartley art. This is the only copy of the issue that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $65. CGC census 12/05: 1 in 9.4, none higher.
Crackajack Funnies #1 (Dell, 1938) CGC VF+ 8.5 Off-white to white pages. This early Golden Age book (debuting at the same time as Action Comics #1) has strip favorites like Don Winslow, Tom Mix, Wash Tubbs, and more. Overstreet 2005 VF 8.0 value = $1,538; VF/NM 9.0 value = $2,369. CGC census 12/05: 1 in 8.5, 4 higher.
Crackajack Funnies #1 Larson pedigree (Dell, 1938) CGC FN+ 6.5 Off-white pages. This anthology title was chock-a-block with strip reprints, with characters including Tom Mix, Don Winslow of the Navy, Wash Tubbs, Dan Dunn, and too many others to mention. This copy's from the famed collection of Lamont Larson. Overstreet 2005 FN 6.0 value = $738; VF 8.0 value = $1,538. CGC census 12/05: 2 in 6.5, 6 higher.
Crackajack Funnies #3 (Dell, 1938) CGC VF+ 8.5 Off-white to white pages. This one's in darn fine condition for an early Golden Age book. Don Winslow of the Navy and Tom Mix head up the cast of characters. Overstreet 2005 VF 8.0 value = $444; VF/NM 9.0 value = $685. CGC census 12/05: 1 in 8.5, 1 higher.
Crackajack Funnies #19 (Dell, 1940) CGC VF- 7.5 Off-white pages. Don Winslow of the Navy is featured. The only copy CGC has certified as of this writing. Overstreet 2005 VF 8.0 value = $200. CGC census 12/05: 1 in 7.5, none higher.
Crackajack Funnies #22 (Dell, 1940) CGC FN+ 6.5 Off-white pages. The only copy of the issue that CGC has certified to date. Overstreet 2005 FN 6.0 value = $105; VF 8.0 value = $200. CGC census 12/05: 1 in 6.5, none higher.
Crack Comics #1 Mile High pedigree (Quality, 1941) CGC NM 9.4 White pages. The issue features the origin and first appearance of the Black Condor, one of the earliest winged heroes in comics. His feature has a story by Will Eisner and art by Lou Fine. There's also a slew of other attractions including Madame Fatal, who is a retired actor who fights crime disguised as an old lady! Comic strip gal Jane Arden and the Clock of Feature Comics fame appear together on the cover, but in separate features inside the issue. The Mile High copy of this #1 would appear to be impossible to top, at least no copy has equaled it, let alone topped it, in CGC's census to date. Overstreet 2005 NM- 9.2 value = $7,300. CGC census 11/05: 1 in 9.4, none higher.
Crack Comics #1 (Quality, 1941) CGC VG/FN 5.0 Off-white pages. This debut issue features the origin and first appearance of the Black Condor, by artist supreme Lou Fine. Also appearing is the first Madam Fatal story, featuring the first cross-dressing superhero in comics. Bob Powell and Paul Gustavson contribute art, while Will Eisner provides stories. This respectable mid-grade copy still retains plenty of eye appeal. Overstreet 2005 VG 4.0 value = $940; FN 6.0 value = $1,410. CGC census 12/05: 1 in 5.0, 6 higher.
Crack Comics #17 (Quality, 1941) CGC VF/NM 9.0 Off-white to white pages. The copy blurb on this issue's cover claims "Starring the Clock -- Oldest and Best Comic Book Character." That's quite a claim to make, especially when the same comic features the adventures of the Black Condor, with art by Lou Fine! There's no confusion about the condition of this copy; it's very sharp and attractive, and currently ranks as the highest-graded copy in CGC's census report for this issue. Overstreet 2005 VF/NM 9.0 value = $853; NM- 9.2 value = $1,150. CGC census 12/05: 1 in 9.0, none higher.
Crack Comics #21 Mile High pedigree (Quality, 1942) CGC NM/MT 9.8 White pages. Wow. We have the good fortune to look at Mile High books on a daily basis, but this one stands out even among that elite company. Name any flaw you can think of ... this doesn't have it! The Black Condor, drawn by the great Lou Fine, is the lead feature. This is the only copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $860. CGC census 11/05: 1 in 9.8, none higher.
Crack Comics #22 Mile High pedigree (Quality, 1942) CGC NM 9.4 White pages. This superb Mile High copy is alone atop CGC's census (the only unrestored copy certified by CGC as of this writing). The lead feature is the Black Condor, whose origin is similar to Tarzan's except that he was raised by, you guessed it, condors. In this issue, he takes on his archfoe, evil industrialist Jasper Crow. And of course, the best part of the strip is that it was drawn by the great Lou Fine. Overstreet 2005 NM- 9.2 value = $860. CGC census 11/05: 1 in 9.4, none higher.
Crack Comics #23 Mile High pedigree (Quality, 1942) CGC NM+ 9.6 White pages. This sterling Edgar Church copy is alone at the top of CGC's census as of this writing! The comic stars the Black Condor, drawn by Lou Fine, and among the many backup features is the debut in this series of Pen Miller, formerly of National Comics. How's this for a premise: Pen is a "famous comic magazine cartoonist who is also an amateur detective of wide reputation!" Overstreet 2005 NM- 9.2 value = $860. CGC census 11/05: 1 in 9.6, none higher.
Crack Comics #24 Mile High pedigree (Quality, 1942) CGC NM 9.4 White pages. This issue marked the last of Lou Fine's great run drawing the Black Condor feature. Our offering, a beautiful Edgar Church copy in case you didn't notice, is only one graded above 5.0 that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $860. CGC census 11/05: 1 in 9.4, none higher.
Crack Comics #25 Mile High pedigree (Quality, 1942) CGC NM 9.4 Off-white to white pages. The Black Condor, Quality Comics' high-flying hero, stars in this issue, which features a Gill Fox cover. John Cassone handles the Condor's adventures inside, while Jack Cole, Al McWilliams, Paul Gustavson, and Fred Guardineer all supply story art. This Edgar Church Mile High copy has all the attributes collectors come to expect from the pedigree -- blazing cover color and gloss, great paper quality, and the look of a book just placed on the stands! Overstreet 2005 NM- 9.2 value = $685. CGC census 11/05: 1 in 9.4, none higher.
Crack Comics #25 (Quality, 1942) CGC NM- 9.2 Off-white to white pages. The Black Condor makes his next-to-last cover appearance this issue. Featured artists include Al McWilliams, Klaus Nordling, Paul Gustavson, and Fred Guardineer. Overstreet 2005 NM- 9.2 value = $685. CGC census 12/05: 1 in 9.2, 1 higher.
Crack Western #65 Mile High pedigree (Quality, 1950) CGC NM+ 9.6 Off-white pages. More than one superhero title was changed to a Western as readers' tastes changed, thus did Crack Comics become Crack Western Comics. Reed Crandall is among the artistic contributors to this issue. This Mile High copy is the only one CGC has certified to date, and it's safe to assume that no better copy exists of this white-cover issue. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 1 in 9.6, none higher.
Crash Comics #1 (Tem Publishing Co., 1940) CGC FN/VF 7.0 Off-white to white pages. This book boasts early Jack Kirby art, in fact it's so early that the artist was still using the pen name "Jack Curtiss." The book is the first comic book published by Tem Publishing, aka Holyoke. Among the characters making their first appearances are the Blue Streak, the Perfect Human, and Strongman. Overstreet 2005 FN 6.0 value = $930; VF 8.0 value = $2,015. CGC census 11/05: 3 in 7.0, 1 higher.
Crash Comics #1 (Tem Publishing Co., 1940) CGC FN/VF 7.0 Off-white pages. Once thought to be the first-ever Simon and Kirby team-up, this issue's "Solar Legion" story is now generally credited to Jack Kirby alone (he was still using the pseudonym "Jack Curtiss" here). But this issue retains the distinction of being the first comic book published by Holyoke (still called "Tem Publishing" here after owner Frank Temerson). Among the characters making their first appearances are the Blue Streak, the Perfect Human, and Strongman. Overstreet 2005 FN 6.0 value = $930; VF 8.0 value = $2,015. CGC census 11/05: 3 in 7.0, 1 higher.
Crimes by Women #1 (Fox Features Syndicate, 1948) Condition: VF-. The story of Bonnie Parker and Clyde Barrow leads off this first issue, and the rest of the book has true crime tales as only Fox could deliver them, if you get our drift! This copy could not be encapsulated by CGC because of a slight overhang. It's got nice off-white pages. Overstreet 2005 VF 8.0 value = $769.
Criminals on the Run V4#4 Mile High pedigree (Curtis, 1948) CGC VF/NM 9.0 Off-white to white pages. "Oh, the shark bites..." on this stylish L. B. Cole-illustrated cover. This sharp Edgar Church Mile High copy tops the current CGC census report for this issue. Overstreet 2005 VF/NM 9.0 value = $218; NM- 9.2 value = $285. CGC census 12/05: 1 in 9.0, none higher.
Criminals on the Run V5#2 Mile High pedigree (Curtis, 1949) CGC VF+ 8.5 Off-white pages. L. B. Cole provides an exciting and colorful cover to this issue, showing a speeding purple sedan shooting it out with... an airplane! Only in the comics, folks! This Edgar Church Mile High copy displays great cover gloss. Overstreet 2005 VF 8.0 value = $141; VF/NM 9.0 value = $203. CGC census 12/05: 1 in 8.5, none higher.
Crown Comics #6 Big Apple pedigree (Golfing, Inc., 1946) CGC NM 9.4 Off-white to white pages. Highly collectable artist Matt Baker saw to both the cover and interior art for this issue. It's not a book that comes along often, and we've got the only copy graded above 6.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $310. CGC census 12/05: 1 in 9.4, none higher.
Cyclone Comics #1 (Bilbara, 1940) CGC VF 8.0 Off-white pages. Tornado Tom and a host of other characters made their first appearances in this issue. The book features work by two notable artists in Charles Quinlan of Catman fame and future DC guy George Papp. Overstreet 2005 VF 8.0 value = $963. CGC census 12/05: 2 in 8.0, 5 higher.
Cyclone Comics #5 Mile High pedigree (Bilbara, 1940) CGC NM 9.4 Off-white to white pages. This book's rated "scarce" by both Overstreet and Gerber, and it seems that this Edgar Church copy might be the only high-grade specimen around -- the runner-up in CGC's current census is a mere VG- 3.5. This was the last issue of the series. Charles Quinlan of Catman fame is among the issue's artists. Overstreet 2005 NM- 9.2 value = $1,075. CGC census 12/05: 1 in 9.4, none higher.
Dagar, Desert Hawk #16 (Fox Features Syndicate, 1948) CGC NM 9.4 Off-white pages. This is the only copy of this issue to be graded above 8.5 by CGC as of this writing. Jack Kamen and Edmond Good provided interior art for the issue. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #1 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. Sensational copy of one of the Golden Age's most famous comic books. The first issue in the run - that became Daredevil Comics with #2 - was titled Daredevil Battles Hitler and featured a Charles Biro/Bob Wood collaboration (signed "Woodro") cover that had virtually every Lev Gleason comic book hero aiding Daredevil in fighting Hitler, whose retouched photo head atop the artist-rendered body ensured a comic book cover classic in 1941, months before the USA entered WWII. There's also an origin-of-Hitler feature inside, and as if fighting the Fuehrer weren't enough, Daredevil also takes on the Claw. The colors, page quality, and overall integrity of this copy are what you've come to expect of the most revered pedigree in comics. Overstreet 2005 NM- 9.2 value = $20,000. CGC census 12/05: 2 in 9.4, none higher.
Daredevil Comics #3 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. The mighty Daredevil makes short work of several bad guys, while saving a beautiful woman, on this action-packed cover by Charles Biro. The origin of Thirteen is revealed inside. Tied with one other copy for highest-graded of this issue by CGC to date, CGC's census report lists no other nicer than VF- 7.5. Overstreet 2005 NM- 9.2 value = $2,600. CGC census 12/05: 2 in 9.4, none higher.
Daredevil Comics #4 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. The ever-lovely Tonia is about to wed the "World's Ugliest Man," unless Daredevil can stop the proceedings! Charles Biro illustrates this unsavory scenario, with art assists from Jerry Robinson, Bob Wood, and Dick Briefer on the inside pages. There's nothing ugly about this splendid pedigreed copy, though! It's far and away the finest-known copy to date, according to CGC. Overstreet 2005 NM- 9.2 value = $2,250. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #5 Mile High pedigree (Lev Gleason, 1941) CGC VF/NM 9.0 White pages. The Deadly Dozen made their first appearance in this issue, their most notable member being Sniffer, who was a villain here before returning as a humor feature later! Also debuting in this issue is Jinx, the sidekick of Thirteen. There's also the start of the Ghost vs. Claw serial. Charles Biro drew the issue's cover. Overstreet 2005 VF/NM 9.0 value = $1,260; NM- 9.2 value = $1,700. CGC census 12/05: 1 in 9.0, none higher.
Daredevil Comics #6 Mile High pedigree (Lev Gleason, 1941) CGC VF/NM 9.0 Off-white to white pages. This Edgar Church copy is bested by none according to CGC's latest census report. Lev Gleason's leading good guy (Daredevil) and leading bad guy (the Claw) each star in their own feature here. Charles Biro drew the cover as well as the Daredevil story. Overstreet 2005 VF/NM 9.0 value = $1,075; NM- 9.2 value = $1,450. CGC census 12/05: 1 in 9.0, none higher.
Daredevil Comics #8 Mile High pedigree - Double Cover (Lev Gleason, 1942) CGC NM 9.4 White pages. Mile High and a double cover -- what a combination! This issue is notable for having the return of Sniffer, who was first seen in #5 as a member of the Deadly Dozen. The issue's cover is by Charles Biro. CGC notes, "1st cover 9.4, interior cover 9.4." Overstreet 2005 NM- 9.2 value = $1,200. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #9 Mile High pedigree (Lev Gleason, 1942) CGC VF 8.0 White pages. "The longest fist fight ever seen in comics" is what the publisher promised readers of this issue. The cover and story were both drawn by Charles Biro. Also appearing is the most fearsome villain of the Lev Gleason line, namely the Claw. Overstreet 2005 VF 8.0 value = $575. CGC census 12/05: 1 in 8.0, none higher.
Daredevil Comics #10 Mile High pedigree (Lev Gleason, 1942) CGC NM 9.4 White pages. A multiple-suicide scene is just one of the eye-catchers on an over-the-top "Remember Pearl Harbor" propaganda cover. Charles Biro drew the cover in addition to writing the accompanying story, which sees Bart Hill (aka Daredevil) entering the army air corps! Daredevil battling at the front is an intriguing possibility, but Bart's stint was strictly a one-issue affair. This is the first copy of this issue we've ever seen here at Heritage, and the only copy that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $1,200. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #12 Mile High pedigree (Lev Gleason, 1942) CGC NM/MT 9.8 Off-white to white pages. This is a pristine copy of a standout issue. The book's got a retelling of the origin of the villainous Claw, who had been around since the first comic this publisher ever produced. And there's also the first installment of the Scoop Scuttle backup feature by the inimitable Basil Wolverton. The issue also has art by Bob Montana (co-creator of Archie) and Dick Briefer. The death-defying cover is by Charles Biro. Overstreet 2005 NM- 9.2 value = $1,850. CGC census 12/05: 1 in 9.8, none higher.
Daredevil Comics #13 (Lev Gleason, 1942) CGC VF/NM 9.0 Cream to off-white pages. The Little Wise Guys made their first appearance in this issue. The group would become quite popular, in fact they would take over the starring role in this title just a few years down the road. The issue has Basil Wolverton interior art in addition to the work of Charles Biro, who contributed to almost every Lev Gleason comic. Overstreet 2005 VF/NM 9.0 value = $1,147; NM- 9.2 value = $1,550. CGC census 12/05: 1 in 9.0, none higher.
Daredevil Comics #14 Mile High pedigree (Lev Gleason, 1942) CGC NM 9.4 White pages. Basil Wolverton's Scoop Scuttle is among the features backing up the title character in this issue. Daredevil is hard to miss on Charles Biro's cover; see why Overstreet called Daredevil's outfit an "unprecedented costume of dichromatic symmetry" (same goes for his mask). Also starring in his own feature was the villainous Claw. This is the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $840. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #16 Mile High pedigree (Lev Gleason, 1943) CGC FN/VF 7.0 Off-white to white pages. The Little Wise Guys got a new member here as Curly joined the group, replacing Meatball who had died in the previous issue. Curly was actually one of the Steamrollers, the Little Wise Guys' enemies who had a hand in causing Meatball's death, but he helped our heroes against the bad seeds in this issue. Also notable are a Scoop Scuttle backup feature with Basil Wolverton art and a fantastic cover by Charles Biro. CGC notes, "Very minor amount of glue on cover." Overstreet 2005 FN 6.0 value = $180; VF 8.0 value = $375. CGC census 12/05: 1 in 7.0, none higher.
Daredevil Comics #19 Mile High pedigree (Lev Gleason, 1943) CGC VF+ 8.5 White pages. This "buried-alive" cover takes on even more drama if you know that the damsel in distress is Tonia Saunders, Bart Hill's best girl! And Bart is, of course, Daredevil's alter-ego. Charles Biro drew the quasi-horror cover. Also of note in the issue are a Scoop Scuttle story by Basil Wolverton and a feature starring the evil Claw. Overstreet 2005 VF 8.0 value = $311; VF/NM 9.0 value = $473. CGC census 12/05: 1 in 8.5, none higher.
Daredevil Comics #20 Mile High pedigree (Lev Gleason, 1943) CGC NM 9.4 White pages. The Little Wise Guys had already taken on co-star status by this time -- check 'em out on Charles Biro's cover, that's Pee Wee, Scarecrow, Curly, and Jock assisting Daredevil. The issue also boasts a Scoop Scuttle feature by Basil Wolverton. This is the only copy of this issue that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $635. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #22 Mile High pedigree (Lev Gleason, 1944) CGC VF/NM 9.0 Off-white pages. The Tramp is one chilling villain. He says, "No one seems to suspect an innocent-looking hobo -- maybe I ought to stop killing people and settle down." As Robert Jennings put it in The Comic World, "He does settle down, of course, down to murder and arson and grand larceny. In this particular story the Tramp kills four people and attempts to murder another six." Scary! Also in the issue is a Scoop Scuttle feature by Basil Wolverton. Overstreet 2005 VF/NM 9.0 value = $372; NM- 9.2 value = $500. CGC census 12/05: 1 in 9.0, none higher.
Daredevil Comics #23 Mile High pedigree (Lev Gleason, 1944) CGC NM 9.4 White pages. "A dozen souls in tortured slavery," and that's the blurb for a superhero comic, geez! Daredevil and the Little Wise Guys star, while the evil Claw appears in a backup feature. This is the only 9.4, and highest-graded copy overall, that CGC has certified for this issue to date. Overstreet 2005 NM- 9.2 value = $500. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #25 Mile High pedigree (Lev Gleason, 1944) CGC NM- 9.2 Off-white pages. The Little Wise Guys took over as the de facto stars of this title pretty early on. There's proof on this cover, on which the title character doesn't even show up! Two villains, the Claw and Sniffer, each star in a backup feature. CGC notes, "Very minor amount of glue on cover." Overstreet 2005 NM- 9.2 value = $500. CGC census 12/05: 2 in 9.2, none higher.
Daredevil Comics #26 Mile High pedigree (Lev Gleason, 1944) CGC VF/NM 9.0 White pages. This is the highest-graded copy of the issue that CGC has certified to date... why's it only a 9.0, anyway? Have a close look at our scan and you'll see what a nice copy it is. Charles Biro drew the cover, which as usual co-stars the Little Wise Guys. Overstreet 2005 VF/NM 9.0 value = $372; NM- 9.2 value = $500. CGC census 12/05: 1 in 9.0, none higher.
Daredevil Comics #29 Mile High pedigree (Lev Gleason, 1945) CGC NM 9.4 Off-white to white pages. The writing and the cover artistry of Charles Biro are what made this title go. Only one copy of this black-cover issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $500. CGC census 12/05: 1 in 9.4, 1 higher.
Daredevil Comics #30 Mile High pedigree (Lev Gleason, 1945) CGC VF/NM 9.0 Off-white pages. Charles Biro drew this issue's cover and contributed his writing skills to the Daredevil story. There's also Dick Briefer art in these pages. No copy has been graded higher by CGC to date. Overstreet 2005 VF/NM 9.0 value = $372; NM- 9.2 value = $500. CGC census 12/05: 2 in 9.0, none higher.
Daredevil Comics #31 Mile High pedigree (Lev Gleason, 1945) CGC NM 9.4 White pages. The death of the Claw makes this one of the most significant issues for the Lev Gleason collector, as the character was one of the most fearsome villains of the Golden Age and had been around since this publisher's very first comic, Silver Streak Comics #1. Plus, this issue's cover has it all -- not just a mention of the Claw story, but also a hanging cover scene straight out of Crime Does Not Pay, and both Daredevil and the Little Wise Guys in action. Charles Biro drew the cover and scripted the Daredevil story for Norman Maurer to pencil; Bob Montana and Dick Briefer each drew a backup feature. Buying the Mile High copy of a key issue is about as close to a no-brainer as you can get! Overstreet 2005 NM- 9.2 value = $1,050. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #33 Mile High pedigree (Lev Gleason, 1945) CGC NM+ 9.6 White pages. This pristine Mile High is the only copy of the issue graded above 8.5 by CGC as of this writing. Charles Biro drew the cover in addition to writing the Daredevil story. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.6, none higher.
Daredevil Comics #34 (Lev Gleason, 1946) CGC NM 9.4 Off-white to white pages. Charles Biro contributes a blood-soaked cover illustration to this issue, which also includes art by Norman Maurer. This beautiful copy leaps to the head of the current CGC census list for issue #34. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.4, none higher.
Daredevil Comics #34 Mile High pedigree (Lev Gleason, 1946) CGC VF/NM 9.0 White pages. The Little Wise Guys co-star with the title character in this issue. Charles Biro drew the cover and wrote the lead story. Overstreet 2005 VF/NM 9.0 value = $257; NM- 9.2 value = $340. CGC census 12/05: 3 in 9.0, 1 higher.
Daredevil Comics #35 Mile High pedigree (Lev Gleason, 1946) CGC NM- 9.2 Off-white to white pages. Daredevil's role in this series was increased to two stories per issue starting with this one. Charles Biro wrote both of them and drew the underwater cover to boot. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 2 in 9.2, none higher.
Dell Giant Comics Christmas Parade #1 (Dell, 1949) CGC FN+ 6.5 Cream to off-white pages. First Dell Giant. Donald Duck story with Carl Barks art. Also Mickey Mouse and other film oriented stories. Cinderella is featured (before the movie). The Seven 7 Dwarfs, Bambi and Thumper, and Dumbo appear. Overstreet 2005 FN 6.0 value = $165; VF 8.0 value = $440. CGC census 12/05: 1 in 6.5, 3 higher.
Dell Giant Comics Vacation Parade #1 (Dell, 1950) CGC FN/VF 7.0 Off-white pages. This hefty square bound comic has long been revered by collectors for containing a whopping 55 pages of story and art by Carl Barks. The opening Donald Duck story, featuring Don and his nephews on a camping trip, is an all-time favorite of many Barks aficionados. This book is usually tough to find in nice condition, as most copies suffer from spine damage or a cut-up cover. So don't miss this attractive copy! Overstreet 2005 FN 6.0 value = $246; VF 8.0 value = $656. CGC census 12/05: 3 in 7.0, 6 higher.
Dell Giant Comics Vacation Parade #1 (Dell, 1950) CGC FN/VF 7.0 Cream to off-white pages. Donald Duck, Mickey Mouse, Goofy, and Huey, Dewey, and Louie all appear in this issue, with art by Carl Barks and Paul Murry, and a cover by Carl Buettner. Overstreet 2005 FN 6.0 value = $246; VF 8.0 value = $656. CGC census 12/05: 3 in 7.0, 6 higher.
Dell Giant Comics Woody Woodpecker Back to School #1 - File Copy (Dell, 1952) CGC NM+ 9.6 Off-white pages. No copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 3 in 9.6, none higher.
Detective Eye #1 (Centaur, 1940) CGC VF- 7.5 Off-white pages. The Eye, Air Man, and the Masked Marvel all debuted in Keen Detective Funnies, and all got additional exposure in this title over the course of its two-issue run. The cover is by Lew Glanzman. Overstreet 2005 VF 8.0 value = $1,344. CGC census 12/05: 2 in 7.5, 3 higher.
Detective Eye #1 (Centaur, 1940) CGC FN+ 6.5 White pages. The Eye, Air Man, and the Masked Marvel, all former stars of Keen Detective Funnies, headlined the two-issue run of this title. The cover is by Lew Glanzman. Overstreet 2005 FN 6.0 value = $645; VF 8.0 value = $1,344. CGC census 12/05: 1 in 6.5, 5 higher.
Detective Eye #1 (Centaur, 1940) CGC VG/FN 5.0 Off-white pages. If you're lying awake nights wondering what happened to the stars of Centaur's Keen Detective Funnies, well, they continued their careers in this short-lived title. This issue has cover art by Lew Glanzman (brother of Sam) and interior art by Irwin Hasen and Harry Sahle. Overstreet 2005 VG 4.0 value = $430; FN 6.0 value = $645. CGC census 12/05: 1 in 5.0, 6 higher. From the Aviator Collection.
Detective Picture Stories #1 (Comics Magazine, 1936) CGC FN+ 6.5 Cream to off-white pages. Called "very scarce" by Overstreet, this Platinum Age book is the first anthology comic devoted to a single theme, which of course also makes it the first crime/detective comic book! Just think how it stood out on the stands back in 1936, when the only other fare available was the likes of Famous Funnies, The Funnies, and More Fun Comics, all of which had a mix of gag strips alternating with adventure yarns and other features. The publisher, Comics Magazine Company, was founded by two former employees of National (the company we now know as DC) -- it's interesting that they beat their old boss to the punch in publishing a detective comic! Tied with one other copy for highest-graded of this issue by CGC to date. Overstreet 2005 FN 6.0 value = $1,650; VF 8.0 value = $2,800. CGC census 12/05: 2 in 6.5, none higher.
Diary of Horror #1 (Avon, 1952) CGC FN/VF 7.0 Cream to off-white pages. This bondage cover by Alvin C. Hollingsworth shows what pre-Code horror is all about! Overstreet 2005 FN 6.0 value = $126; VF 8.0 value = $256. CGC census 12/05: 2 in 7.0, 3 higher.
Doc Savage Comics #1 Mile High pedigree (Street & Smith, 1940) CGC VF/NM 9.0 White pages. According to lore, Doc Savage was the main inspiration for Superman, so it was only right that the pulp hero got his own comic book. This was the second title produced by Street and Smith, following Shadow Comics, which had featured Doc Savage in a backup feature. Also appearing in this comic were a number of other pulp heroes, most notably Walter Gibson's Norgil the Magician. A sensational painted cover whetted readers' appetites. The book is a Gerber "7," and tied with one other copy for highest-graded of this issue by CGC to date. Overstreet 2005 VF/NM 9.0 value = $5,444; NM- 9.2 value = $7,500. CGC census 12/05: 2 in 9.0, none higher.
Doc Savage Comics #1 (Street & Smith, 1940) CGC VF- 7.5 Cream to off-white pages. Doc Savage is generally considered to be America's first superhero, and much about the character influenced the costumed heroes of the comics (he had a utility belt, a gadget-equipped car, a Fortress of Solitude, etc. etc.). So it was only right that the Doc got a comic book series of his own. This first issue began by adapting the novel "The Land of Terror" by Lester Dent (writing as "Kenneth Robeson"). Also appearing in this comic were a number of other pulp stars, most notably Walter Gibson's Norgil the Magician. A great painted cover leads off the issue. Overstreet 2005 VF 8.0 value = $3,388. CGC census 12/05: 1 in 7.5, 3 higher.
Doc Savage Comics #4 Mile High pedigree (Street & Smith, 1941) CGC VF+ 8.5 White pages. Although not graded as high as some of the other Mile Highs thanks to a small chip missing from the bottom center, this Edgar Church copy is still the highest-graded that CGC has certified to date. George Tuska has been credited with providing art for the issue. The cover bears the tiny signature "H 'A' C" -- since the only person we know of who put his middle initial in quotation marks that way was funnybook impresario Harry "A" Chesler, we can only assume that a Chesler studio staff artist was responsible for the cover art. Overstreet 2005 VF 8.0 value = $638; VF/NM 9.0 value = $982. CGC census 12/05: 1 in 8.5, none higher.
Doc Savage Comics #6 (Street & Smith, 1941) CGC VF 8.0 Off-white pages. The highest-graded copy of this issue that CGC has certified to date. Featuring the only appearance of the Red Falcon. Overstreet 2005 VF 8.0 value = $388. CGC census 12/05: 1 in 8.0, none higher.
Doc Savage Comics #8 (Street & Smith, 1942) CGC VF- 7.5 Cream to off-white pages. This is the highest-graded copy of this issue that CGC has certified as of this writing. Includes a backup feature on Charlie McCarthy. Overstreet 2005 VF 8.0 value = $388. CGC census 12/05: 1 in 7.5, none higher.
Doc Savage Comics V2#2 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 White pages. Here's how old this comic is: when it came out, George Burns was only 47! A feature on Burns and his better half Gracie Allen shares space with rough-and-tumble Doc Savage action in this issue. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 1 in 9.6, none higher.
Doc Savage Comics V2#2 (Street & Smith, 1943) CGC VF/NM 9.0 Off-white to white pages. The Man of Bronze is joined in this issue by funnyman George Burns! Overstreet 2005 VF/NM 9.0 value = $484; NM- 9.2 value = $650. CGC census 12/05: 2 in 9.0, 1 higher.
Doc Savage Comics V2#4 (Street & Smith, 1943) CGC VF+ 8.5 Off-white pages. A bondage and torture cover is the attention-getter here, but there's also lighthearted fare with a feature on Fanny Brice. The issue's artists include Jack Binder. Overstreet 2005 VF 8.0 value = $317; VF/NM 9.0 value = $484. CGC census 12/05: 1 in 8.5, none higher.
Doc Savage Comics V2#5 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 White pages. In addition to the lead story starring the Man of Bronze, there's a feature on Duffy's Tavern (from the radio show of the same name) and its grumpy manager Archie. CGC credits Alex Schomburg with the cover art... frankly, whoever made that attribution must have knocked back a few too many brewskies at Duffy's, but the point is, this is a gorgeous copy from the most famous pedigree of all, and it's the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 1 in 9.4, none higher.
Doc Savage Comics V2#5 Pennsylvania pedigree (Street & Smith, 1943) CGC NM- 9.2 Off-white pages. We're not sure we really want to know what's going on in this issue's cover scene -- that skull-faced fellow flying out towards the reader looks plenty scary! This issue also features an adaptation of the popular radio program Duffy's Tavern (where the Elite Meet to Eat); go on in, but don't ask for Duffy -- bartender Archie will tell you "Duffy ain't in!" CGC notes, "Moderate tanning interior front and back cover." Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 1 in 9.2, 1 higher.
Doc Savage Comics V2#8 (Street & Smith, 1943) CGC VF 8.0 Cream to off-white pages. Last issue of the title. Tom Sawyer appears on the cover. Overstreet 2005 VF 8.0 value = $317. CGC census 12/05: 1 in 8.0, 1 higher.
Doll Man Quarterly #1 Mile High pedigree (Quality, 1941) CGC VF- 7.5 White pages. The shrinking superhero of Feature Comics fame got his own book here. While this Edgar Church copy was downgraded because of some back cover "issues," from the front it's got a look that says "9.4 or better," and you're not buyin' it to stare at the Keds ad, anyway! Only one copy has been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $2,061. CGC census 12/05: 2 in 7.5, 2 higher.
Doll Man Quarterly #3 (Quality, 1942) CGC VF/NM 9.0 Off-white to white pages. Much about the Doll Man reminds us of DC's Silver Age Atom of later years; perhaps this character inspired the later one in some way. Fred Guardineer is among the issue's interior artists; the cover looks like the work of Quality editor Gill Fox. Overstreet 2005 VF/NM 9.0 value = $853; NM- 9.2 value = $1,150. CGC census 12/05: 1 in 9.0, none higher.
Platinum Age (1897-1937)
Don Winslow of the Navy #1 (Merwil Publishing, 1937) CGC VF- 7.5 White pages. Hold everything! When we heard that a Don Winslow #1 was arriving at Heritage HQ, we were expecting a 1940s Fawcett, not a pre-Golden Age book with a painted cover! This is a cross between a comic and a pulp: it's comic size and staple-bound, with 16 pages of color comics, but there's also a full-length text novel starring Don Winslow. The comic part has art by Sheldon Mayer, featuring Captain Colorful and Jupiter Jones (no relation to the teen detective of later years). We feel comfortable calling this a rare item -- we hadn't seen one before today, and a total of two have been certified by CGC to date. Overstreet doesn't list a value above VF, so there's a good chance that this is the best copy out there. Overstreet 2005 VF 8.0 value = $4,700. CGC census 12/05: 1 in 7.5, none higher.
Golden Age (1938-1955)
The Durango Kid #1 (Magazine Enterprises, 1949) CGC NM/MT 9.8 Off-white to white pages. Frank Frazetta art makes this a highly collectible comic, and of course the grade makes it the nicest copy of the book you're ever going to find. The photo cover shows actor Charles Starrett, who played the character in over 60 movies! Overstreet 2005 NM- 9.2 value = $950. CGC census 12/05: 1 in 9.8, none higher.
The Durango Kid #11 Mile High pedigree (Magazine Enterprises, 1951) CGC VF/NM 9.0 White pages. Frank Frazetta interior art is what makes the early run of this series an attractive buy. As for this Mile High copy, a small tear at the bottom center is evidently what prevented it from grading out higher, but the old reliable Mile High colors and page quality are present and accounted for! Overstreet 2005 VF/NM 9.0 value = $117; NM- 9.2 value = $150. CGC census 12/05: 1 in 9.0, none higher.
Eerie #1 (Avon, 1947) CGC VF/NM 9.0 Cream to off-white pages. This is the first-ever horror comic book according to CGC, while Overstreet dubs it the first "supernatural" comic. Either way, it's a milestone, and a hard-to-find one at that, earning Overstreet's "scarce" designation. The artists include Joe Kubert and Bob Fujitani. Don't forget the bondage cover, which established a motif that would crop up on many a horror cover to come. This copy, tied for the highest grade that CGC has assigned to date, has an unusual "Library of Congress" stamp on the cover. Overstreet 2005 VF/NM 9.0 value = $4,200; NM- 9.2 value = $5,800. CGC census 12/05: 2 in 9.0, none higher.
Exciting Comics #57 (Nedor Publications, 1947) CGC NM+ 9.6 Cream to off-white pages. This issue boasts an exquisite airbrushed cover by Alex Schomburg (his first), as well as the highest grade given to a copy of this issue by CGC to date. Overstreet 2005 NM- 9.2 value = $685. CGC census 12/05: 1 in 9.6, none higher.
Fairy Tale Parade #1 (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. Pogo creator Walt Kelly had a long and varied career at Dell Comics during the 1940s. Here's a book that must have been a real labor of love for the cartoonist -- the first issue of Fairy Tale Parade. Kelly's love of these passed-down fables (including in this issue: Thumbelina, Hansel and Gretel, and Little Black Sambo) is evident to all who admire his work; even his book collections of Pogo strips often have special material based on these beloved tales. Kelly's art was never better than his work here, and this superb copy's wonderful condition is icing on the cake. Overstreet 2005 NM- 9.2 value = $1,875. CGC census 12/05: 3 in 9.2, none higher.
Famous Funnies #66 (Eastern Color, 1940) CGC VF 8.0 Off-white to white pages. Characters include Buck Rogers. Overstreet 2005 VF 8.0 value = $138. CGC census 12/05: 1 in 8.0, none higher.
Famous Funnies #67 (Eastern Color, 1940) CGC FN+ 6.5 Off-white pages. Characters include Buck Rogers. Overstreet 2005 FN 6.0 value = $72; VF 8.0 value = $138. CGC census 12/05: 1 in 6.5, 1 higher.
Famous Funnies #209 (Eastern Color, 1953) CGC NM 9.4 Cream to off-white pages. This landmark title, launched way back in 1934, was nearing the end of its run when this issue came out in 1953. The Buck Rogers feature had appeared in almost every issue for 20 years, but suddenly it was accompanied by some of the most dynamic covers in comic book history by the incomparable Frank Frazetta. For eight glorious issues, Famous Funnies was on top of the comics world. This wonderful copy shows clearly why Frazetta is so revered. Overstreet 2005 NM- 9.2 value = $1,600. CGC census 12/05: 2 in 9.4, 2 higher.
Famous Funnies #209 (Eastern Color, 1953) CGC VF+ 8.5 Cream to off-white pages. Buck Rogers returns to Famous Funnies with this issue, and what a way to get the feature started right -- a run of fantastic covers by Frank Frazetta! In this issue, Buck saves a dreamy-looking Wilma from some ugly space men, setting up a pattern that will be repeated often. A very colorful, eye-catching copy awaits the one lucky bidder who gets this prize! Overstreet 2005 VF 8.0 value = $769; VF/NM 9.0 value = $1,185. CGC census 12/05: 8 in 8.5, 13 higher.
Famous Funnies #210 (Eastern Color, 1954) CGC NM 9.4 Cream to off-white pages. Frank Frazetta's underwater portrait of heroic Buck Rogers saving a damsel in distress is fantastic-looking by itself -- wait until you glimpse it on this remarkable NM copy! Wow! It's just the way you would expect to find it on the stands back in 1954, only this time, you'll need more than a dime to bring it home. Trust us, though -- this one's well worth the extra dough! Overstreet 2005 NM- 9.2 value = $1,600. CGC census 12/05: 6 in 9.4, 2 higher.
Famous Funnies #211 (Eastern Color, 1954) CGC VF/NM 9.0 Cream to off-white pages. Buck Rogers and Wilma Deering never looked better than on a Famous Funnies cover drawn by Frank Frazetta -- here's one of Frazetta's best! This copy is flat, tight, and well cut, with only a hint of sun fading along the extreme edge of the spine. Overstreet 2005 VF/NM 9.0 value = $1,185; NM- 9.2 value = $1,600. CGC census 12/05: 6 in 9.0, 8 higher.
Famous Funnies #212 (Eastern Color, 1954) CGC VF+ 8.5 White pages. This issue's Frank Frazetta cover featuring Buck Rogers speaks for itself, so we'll simply note that we seem to see this issue less here at Heritage than others in the famed #209-216 run. Understandably so -- if you owned it, would you want to part with it? Overstreet 2005 VF 8.0 value = $769; VF/NM 9.0 value = $1,185. CGC census 12/05: 2 in 8.5, 3 higher.
Famous Funnies #213 (Eastern Color, 1954) CGC VF- 7.5 Cream to off-white pages. Frank Frazetta's incredible Buck Rogers covers for this title have long been fan favorites, and rightly so. Here, Buck and Wilma face a frightening "Alien" situation inside their Wally Wood-style space ship. Great cover color and gloss on this one! Overstreet 2005 VF 8.0 value = $769. CGC census 12/05: 2 in 7.5, 6 higher.
Famous Funnies #216 (Eastern Color, 1955) CGC VF 8.0 Off-white pages. Buck Rogers never looked more spectacular than on the great run of eight covers by Frank Frazetta. This issue had the last Frazetta cover in addition to being one of the final issues of the first monthly newsstand comic book series. Overstreet 2005 VF 8.0 value = $769. CGC census 12/05: 3 in 8.0, 4 higher.
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC FN- 5.5 Cream to off-white pages. CGC did not do this copy any favors -- check it out with the power-zoom on our website and see if you don't agree! For a Platinum Age book with a white cover, it looks pretty darn nice to us. And if you're not familiar with this landmark comic, we hasten to mention that it's the second comic book ever published! The only one to precede it was Funnies On Parade; this second effort wasn't sold on newsstands, but rather marketed by M.C. Gaines to a host of retailers including Kinney Shoe Stores and Milk-O-Malt, all of whom used it as a promotional giveaway for their customers. Gaines was leading up to a key test for this new product: would anyone pay 10 cents for a comic book? This "carnival" contains reprints of strips starring Joe Palooka, Mutt and Jeff, Reg'lar Fellers, and other favorites. The issue is a Gerber "8." Overstreet 2005 FN 6.0 value = $2,740. CGC census 12/05: 3 in 5.5, 10 higher.
Famous Stars #1 Mile High pedigree (Ziff-Davis, 1950) CGC NM 9.4 Off-white to white pages. We were almost tempted to place this item in one of our Hollywood Memorabilia sales -- it's an unusual hybrid of movie magazine and comic book! Gracing the cover of this first issue are James Stewart and Shelley Winters, in a scene from the film "Winchester 73," and on the back cover are a few lovely starlets as illustrated by Ogden Whitney, including Marilyn Monroe. Inside, a Shirley Temple story is featured. This Edgar Church Mile High pedigreed copy is currently the only copy certified by CGC. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.4, none higher.
Fantastic Comics #9 (Fox, 1940) CGC VF 8.0 Off-white pages. When Samson's having a good hair day, there's no stopping him! Bondage covers like this one were a constant in this title's run. Overstreet 2005 VF 8.0 value = $600. CGC census 12/05: 1 in 8.0, 1 higher.
Fantoman #4 (Centaur, 1940) CGC VF 8.0 White pages. Gerber's Photo-Journal gives this issue its "7" (scarce) rating -- typical for Centaur comics, which are hard to find at best! Louis Glanzman drew the book's cover, and Paul Gustavson is among the interior artists. This was the last issue of the title. Overstreet 2005 VF 8.0 value = $600. CGC census 12/05: 2 in 8.0, none higher.
Fawcett Miniatures #nn - Captain Marvel Jr. "The Case of the Poison Press" (Fawcett, 1946) CGC NM+ 9.6 Off-white pages. Wheaties giveaway. Bulletman also appears. Overstreet 2005 NM- 9.2 value = $195. CGC census 9/05: 4 in 9.6, 2 higher.
Feature Books #41 Katzenjammer Kids (David McKay, 1944) CGC NM 9.4 Off-white pages. The "liddle dollinks" themselves, Hans and Fritz, have been entertaining American readers for over a hundred years now! Here's a choice example of one of their great strip reprint books, currently the only copy of this issue certified by CGC. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 1 in 9.4, none higher.
Feature Books #44 Katzenjammer Kids (David McKay, 1945) CGC NM 9.4 Off-white pages. The Kids are into "Monkey Business," which translates to "business as usual" for the two pranksters in this attractive comic. The current CGC census lists only this copy, which is blessed with vivid cover colors. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 1 in 9.4, none higher.
Feature Funnies #1 (Chesler, 1937) CGC FN+ 6.5 Cream to off-white pages. The first comic book appearances of Mickey Finn and Dixie Dugan are just two of the notable features in this strip-reprint extravaganza. Gerber credits the Joe Palooka cover to none other than Rube Goldberg (and assigns the issue a scarcity rating of 7, by the way)! The title would have a 13-year run as Feature Comics with Chesler selling the series to Quality along the way. Overstreet 2005 FN 6.0 value = $966; VF 8.0 value = $1,770. CGC census 12/05: 1 in 6.5, 1 higher.
Federal Men Comics #2 Mile High pedigree (Gerard Publ. Co., 1945) CGC VF/NM 9.0 White pages. We're pleased to offer the best known copy of this seldom-seen one-shot (it's a Gerber "8"). Any resemblance to a DC comic was probably purely intentional -- the cover swipes Creig Flessel's cover for Detective Comics #9, and the content includes Jerry Siegel and Joe Shuster's Federal Men (a long-running feature of Adventure Comics) as well as the same duo's Radio Squad (a More Fun Comics mainstay). We suspect there may be a connection to Green Publishing's brief Atomic Comics series, which has a lot of similarities to this book. Overstreet 2005 VF/NM 9.0 value = $342; NM- 9.2 value = $450. CGC census 12/05: 1 in 9.0, none higher.
Felix the Cat #1 (Dell, 1948) CGC VF+ 8.5 Off-white to white pages. After nearly 30 years of animated shorts, newspaper strips, and appearances in other various comic book titles, Felix finally got his own book in 1948, with art by creator Otto Messmer. A very nice copy, only some tanning along the edges prevents it from grading higher. Overstreet 2005 VF 8.0 value = $145; VF/NM 9.0 value = $223. CGC census 12/05: 1 in 8.5, 2 higher.
Fight Comics #1 (Fiction House, 1940) CGC FN 6.0 Off-white pages. Before converting to a war theme, this title was focused more on two-fisted types, both fictional (Shark Brodie, Kayo Kirby) and real-life (Jack Dempsey). Art by the Iger shop meant that greats Lou Fine (cover art) and Will Eisner contributed to the first issue of this series' thirteen-year run. Overstreet 2005 FN 6.0 value = $1,002. CGC census 12/05: 3 in 6.0, 2 higher.
Fight Comics #2 (Fiction House, 1940) CGC FN 6.0 Off-white to white pages. This comic was produced by the Eisner-Iger shop in the early years, and this issue's cover was a collaboration of two greats, Will Eisner and Lou Fine. Among the notable features is the true story of the Brown Bomber himself, boxer Joe Louis. Overstreet 2005 FN 6.0 value = $357. CGC census 12/05: 1 in 6.0, 3 higher.
Fighting Yank #1 (Nedor Publications, 1942) CGC VF+ 8.5 White pages. One of the most popular wartime comic book superheroes, the Fighting Yank was awarded his own title within a year of distinguishing himself in the pages of Startling Comics. Mystico and Wonder Man appear in back-up stories. On a sadder note, this issue was the last appearance of the Rio Kid. The bondage cover is by Alex Schomburg, and the interior art is by Jack Binder. Overstreet 2005 VF 8.0 value = $1,731; VF/NM 9.0 value = $2,666. CGC census 12/05: 2 in 8.5, 1 higher.
Fighting Yank #8 (Nedor Publications, 1944) CGC FN/VF 7.0 Off-white pages. Lovely lady, bondage, torture, stereotypical wartime foes - the genius of Alex Schomburg! Four copies rank higher gradewise in CGC's census, but only one higher than VF 8.0. Overstreet 2005 FN 6.0 value = $189; VF 8.0 value = $394. CGC census 12/05: 2 in 7.0, 4 higher.
Fighting Yank #9 (Nedor Publications, 1944) CGC VF/NM 9.0 Off-white pages. It's no-holds-barred battle action on this Alex Schomburg World War II cover, as the Fighting Yank secures a suspension bridge from some Japanese soldiers. An excellent copy with only minor wear and no outstanding flaws. To date, only one other copy of this issue has been graded higher by CGC. Overstreet 2005 VF/NM 9.0 value = $610; NM- 9.2 value = $825. CGC census 12/05: 1 in 9.0, 1 higher.
Fighting Yank #15 (Nedor Publications, 1946) CGC NM 9.4 Off-white to white pages. This issue sports a bondage and torture cover by Alex Schomburg. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 2 in 9.4, none higher.
Fighting Yank #18 (Nedor Publications, 1946) CGC NM 9.4 White pages. No copy of this issue has been certified with a higher grade by CGC to date. The cover is by Alex Schomburg. Overstreet 2005 NM- 9.2 value = $650. CGC census 12/05: 4 in 9.4, none higher.
First Love Illustrated #13 File Copy (Harvey, 1951) CGC NM+ 9.6 Cream to off-white pages. "I Joined A Teen-Age Sex Club" is simply one of the most entertaining and collectible romance stories ever printed! We won't give away too much of the tale (drawn by Bob Powell) except to note that it contains the line "Put on something slinky and come over to the club tonight, darling, let's see how the boys take to you!" There's also Jay Disbrow art in the issue, and the great cover's by the underappreciated Al Avison. The Guide value for this gem strikes us as ridiculously low -- don't pass up the chance to own this issue, and a 9.6 file copy at that. Overstreet 2005 NM- 9.2 value = $48. CGC census 12/05: 1 in 9.6, none higher.
Flash Comics Ashcan Edition #1 (Fawcett, 1940) CGC VF/NM 9.0 White pages. The first printed appearance of Captain Marvel was right here, in a comic that few people ever got to see. In fact, according to Overstreet, only eight copies exist. With the Golden Age in full bloom, publishers raced to secure the copyrights to desirable titles, and that's where ashcans came in (an ashcan is a mock-up of a comic, produced by hand in very small quantities). As Fawcett's editorial director said in an interview, "Only a few copies were printed and sent by registered mail to wholesalers and distributors to indicate distribution and to establish the date of first usage in case another publisher came up with the same title." Once they lost the race for the "Flash" title to DC (and after also producing a Thrill Comics ashcan with content identical to this one) Fawcett decided to go with Whiz Comics instead, a title that turned out quite well for the company! In fact, the existence of this makes it clear why the first issue of Whiz was #2 rather than #1. Fawcett was clear on who the star of their new book was: Captain Marvel, who appears on the cover by C. C. Beck. But the Big Red Cheese was actually dubbed "Captain Thunder" here. The eight-page origin story of Captain Thunder essentially corresponds to the first part of Captain Marvel's origin in the first issue of Whiz Comics, with only minor changes made. Oh by the way, this is also the first comic Fawcett ever produced... have we persuaded you to bid yet? The inside covers of this ashcan are blank, with the covers and inside pages printed on a high-quality uncoated paper stock. This is the only unrestored copy of this ashcan that CGC has certified to date. Note that while there is an Overstreet entry on this rarity, no value for the Flash ashcan is listed by the Guide. CGC census 12/05: 1 in 9.0, none higher.
Forbidden Worlds #1 Mile High pedigree (ACG, 1951) CGC VF+ 8.5 White pages. Frank Frazetta was known for occasionally lending a helping pen to Al Williamson when his pal was under deadline pressure -- this issue's got one of those collaborations by the two greats. The other two-headed monster here (the one on the cover) is courtesy of artist Ken Bald, and veteran hand Paul Reinman drew a story as well. Overstreet 2005 VF 8.0 value = $963; VF/NM 9.0 value = $1,482. CGC census 12/05: 3 in 8.5, 4 higher.
Forbidden Worlds #8 Mile High pedigree (ACG, 1952) CGC NM+ 9.6 White pages. This is by far the highest-graded copy if this pre-Code mag, in fact it's the only copy graded above 7.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.6, none higher.
Four Color (Series One) #1 Dick Tracy (Dell, 1939) CGC VF/NM 9.0 Cream to off-white pages. The very first issue of Dell's most enduring title is a Gerber "scarce", and we have offered a copy on only one previous occasion, in 2003. Chester Gould's Dick Tracy had first appeared in a comic book some three years earlier in Dell's Popular Comics #1. Only two copies of this issue have been certified by CGC with higher grades than this beauty. Overstreet 2005 VF/NM 9.0 value = $8,263; NM- 9.2 value = $11,500. CGC census 12/05: 2 in 9.0, 2 higher.
Four Color (Series One) #13 Walt Disney's Reluctant Dragon (Dell, 1941) CGC VF/NM 9.0 White pages. Walt Disney's 1941 "behind the scenes" feature film included an adaptation of Kenneth Grahame's classic dragon tale. This comic book version includes photos from the film, plus a two-page introduction to "Fantasia," and appearances by Mickey Mouse, Donald Duck, Goofy, and Baby Weems. Overstreet 2005 VF/NM 9.0 value = $1,820; NM- 9.2 value = $2,500. CGC census 12/05: 1 in 9.0, 1 higher.
Four Color (Series One) #17 Dumbo (Dell, 1941) CGC VF/NM 9.0 Off-white to white pages. This is the first comic book devoted to Walt Disney's lovable Flying Elephant. Donald Duck, Mickey Mouse ("The Brave Little Tailor"), and Pluto appear. The wraparound cover is by future Little Lulu artist Irving Tripp. This attractive copy is the highest-graded example listed in the current CGC census report. Overstreet 2005 VF/NM 9.0 value = $2,194; NM- 9.2 value = $3,000. CGC census 12/05: 1 in 9.0, none higher.
Four Color #9 Donald Duck Finds Pirate Gold! (Dell, 1942) CGC VF 8.0 Off-white to white pages. Carl Barks began his long career as the "Good Duck Artist" with this important issue. Working with writer Bob Carp and fellow Disney Studio artist Jack Hannah (who drew every other page in a closely similar style), Barks initially saw this book as an opportunity to pick up a few extra bucks between cartoon scripts. Before long, he left the Disney studio behind and began devoting full time to writing and drawing the adventures of Donald and his feathered kin. He would continue for over twenty years. It all started here, though! This solid, attractive copy appears to have been lightly read and well kept. Overstreet 2005 VF 8.0 value = $5,800. CGC census 12/05: 3 in 8.0, 6 higher.
Four Color #10 Flash Gordon (Dell, 1942) CGC VF 8.0 Off-white pages. Here's one of the comic books eagerly sought out by the earliest collectors, back before price guides and comic conventions were the norm! It reprints the "Ice Kingdom" sequence of Alex Raymond's classic Flash Gordon newspaper strip within its "68 Pages of Thrills and Exciting Adventure." This copy has been well cared for over these many years, and features vibrant cover color in addition to the artistic excitement found inside. Overstreet 2005 VF 8.0 value = $680. CGC census 12/05: 2 in 8.0, 2 higher.
Four Color #12 Bambi (Dell, 1942) CGC VF+ 8.5 Cream to off-white pages. Who can resist the charms of Bambi? The star of a beloved children's story by Felix Salten, and a brilliantly animated film by Walt Disney, this cute woodland fawn was a natural choice as a comic book feature. This honey of a comic features art by original Disney animator Ken Hultgren, his first work in this medium. Overstreet 2005 VF 8.0 value = $417; VF/NM 9.0 value = $659. CGC census 12/05: 2 in 8.5, 1 higher.
Four Color #19 Thumper Meets the Seven Dwarfs (Dell, 1943) CGC NM 9.4 Off-white to white pages. The twin worlds of Snow White and Bambi happily collide in this delightful comic book, featuring the artistic talents of Carl Buettner. This scrumptious book from the World War II era is held together by a single staple, yet it remains tight and solid, while the cover colors are bright and clean. Sniff around all you want to -- we doubt you'll ever turn up a nicer copy than this! Overstreet 2005 NM- 9.2 value = $835. CGC census 12/05: 1 in 9.4, none higher.
Four Color #30 Bambi's Children (Dell, 1943) CGC NM 9.4 Off-white pages. One of Walt Disney's sweetest animated creations was that cute-as-a-button fawn Bambi, adapted from the classic children's story by Felix Salten. Here's the nicest copy yet discovered of the comic book sequel to that charming feature starring Bambi's offspring, with lovely art by Ken Hultgren. The snow-white background is spotless, and the cover's marvelous forest colors create the feeling of a warm spring day! Overstreet 2005 NM- 9.2 value = $840. CGC census 12/05: 1 in 9.4, none higher.
Four Color #33 "Bugs Bunny Public Nuisance No. 1" - Vancouver pedigree (Dell, 1943) CGC VF/NM 9.0 White pages. Warner Brothers' star cartoon character, whose first comic book appearance was in Looney Tunes and Merrie Melodies #1 in 1941, is featured here in his second solo comic book and his first solo Four Color, along with his animated pals Elmer Fudd and Porky Pig. Although records are a little sketchy, we believe Chase Craig produced the art, possibly with his friend Carl Buettner. At any rate, it's a terrific comic book, and this is quite possibly one of the finest copies of it in existence -- it's positively beautiful! Overstreet 2005 VF/NM 9.0 value = $1,278; NM- 9.2 value = $1,750. CGC census 12/05: 2 in 9.0, none higher.
Four Color #38 Roy Rogers - Crowley Copy pedigree (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Here's the first comic book featuring movie and singing cowboy star Roy Rogers, a book which also has the distinction of being the first Western comic to feature a photo cover. On the back cover is a photo of Roy sitting upon his trusted steed, Trigger. Burris Jenkins is listed as the artist on this initial offering, with stories provided by Gaylord DuBois. Of the scant four copies of this issue certified by CGC to date, this one ranks number one -- with a bullet! Overstreet 2005 VF/NM 9.0 value = $2,677; NM- 9.2 value = $3,700. CGC census 12/05: 1 in 9.0, none higher.
Four Color #45 Raggedy Ann - Crowley Copy pedigree (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. Johnny Gruelle's classic doll character Raggedy Ann has been around for 90 years now! This beautiful comic book is the third of the Raggedy Ann and Andy series. Overstreet 2005 NM- 9.2 value = $485. CGC census 12/05: 2 in 9.2, none higher.
Four Color #49 Snow White and the Seven Dwarfs (Dell, 1944) CGC NM 9.4 Off-white pages. Walt Disney's first feature-film star shines in this lovely comic book, which includes artistic contributions from Walt Kelly, Hank Porter, and Bob Grant. Dumbo the Flying Elephant also joins in the fun. This one is a real knockout, as pretty as sweet Snow herself! It's currently the highest CGC-graded copy of this issue. Overstreet 2005 NM- 9.2 value = $925. CGC census 12/05: 1 in 9.4, none higher.
Four Color #57 Gene Autry - Crowley Copy pedigree (Dell, 1944) CGC VF/NM 9.0 Off-white to white pages. After a brief run published by Fawcett, this series, starring singing cowboy Gene Autry, continued at Dell. This is Dell's fourth from that series. Till Goodan's art is featured throughout. This is one of only two copies certified by CGC to date. Overstreet 2005 VF/NM 9.0 value = $515; NM- 9.2 value = $700. CGC census 12/05: 2 in 9.0, none higher.
Four Color #63 Roy Rogers - Crowley Copy pedigree (Dell, 1945) CGC NM- 9.2 Cream to off-white pages. Cowboy superstar Roy Rogers headlines his second comic book with colorful front and back -- and inside front and back -- photos. Albert Micale takes on the artistic chores for the stories inside. This Crowley Copy example is by far the better of only two copies currently certified by CGC. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 1 in 9.2, none higher.
Four Color #71 Walt Disney's Three Caballeros (Dell, 1945) CGC VF/NM 9.0 White pages. It's hard to believe this gorgeous copy isn't from one of the renowned Golden Age pedigrees. The front and back covers are bursting with color and the page quality is unimprovable! We've offered this issue on just two occasions over the past four years. Walt Kelly art is featured. Overstreet 2005 VF/NM 9.0 value = $875; NM- 9.2 value = $1,200. CGC census 12/05: 2 in 9.0, 1 higher.
Four Color #74 Little Lulu (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Lulu, Marge Henderson Buell's wonderful moppet creation, has been entertaining comic fans since 1935. Here's the finest example of the very first Little Lulu comic book (featuring story and art by John Stanley) currently known to exist. Lulu and her pals, including Tubby and Alvin, are introduced in this wonderful book. This lovely little lady needs a new home! Overstreet 2005 VF/NM 9.0 value = $1,325; NM- 9.2 value = $1,800. CGC census 12/05: 1 in 9.0, none higher.
Four Color #79 Mickey Mouse in the Riddle of the Red Hat (Dell, 1945) CGC FN/VF 7.0 Cream to off-white pages. It's the only Mickey Mouse story ever drawn by Carl Barks, who was of course the master of all things Duck-related! In "the Riddle of the Red Hat," Mickey makes fun of Minnie's striped hat, she leaves in a huff, and a great mistaken-identity tale ensues. Only two copies of this issue have been certified with higher grades by CGC as of this writing. Overstreet 2005 FN 6.0 value = $300; VF 8.0 value = $757. CGC census 12/05: 1 in 7.0, 2 higher.
Four Color #84 Flash Gordon - Crowley Copy pedigree (Dell, 1942) CGC NM 9.4 White pages. Alex Raymond's dashing, star-hopping hero is featured in this early reprint comic, which includes strips from the sequence known as "The Fiery Desert." Four Color comics featuring Raymond art have long been popular with collectors. This pedigreed example is one of the nicest copies of this issue known to exist. Overstreet 2005 NM- 9.2 value = $700. CGC census 12/05: 2 in 9.4, none higher.
Four Color #86 Roy Rogers - Crowley Copy pedigree (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Photos of the King of Cowboys are featured on the front, back, and both inside covers of this third collection of Roy Rogers comics. An extra-long story with Albert Micale art is found inside. This is currently the only copy of this comic certified by CGC. Overstreet 2005 VF/NM 9.0 value = $412; NM- 9.2 value = $560. CGC census 12/05: 1 in 9.0, none higher.
Four Color #88 Bugs Bunny's Great Adventure - Mile High pedigree (Dell, 1945) CGC VF/NM 9.0 Off-white pages. A high flying Bugs rockets his way to the Moon on this issue's colorful science fiction cover. Funny animal comics like this were a rare find within the massive Edgar Church Mile High collection. Overstreet 2005 VF/NM 9.0 value = $260; NM- 9.2 value = $350. CGC census 12/05: 2 in 9.0, 1 higher.
Four Color #96 Dick Tracy - Crowley Copy pedigree (Dell, 1946) CGC NM 9.4 White pages. Chester Gould's Crown Prince of Crimestoppers, Dick Tracy, takes center stage in this excellent early reprint comic. The cover features Yogi Yama and the back cover includes Deafy Sweetfellow, indicating to us that the strips included are from 1940. Prime stuff! Overstreet 2005 NM- 9.2 value = $410. CGC census 12/05: 4 in 9.4, none higher.
Four Color #101 Terry and the Pirates - Crowley Copy pedigree (Dell, 1938) CGC NM+ 9.6 Off-white pages. Adventure and intrigue in the mysterious Far East come to you by way of this excellent early reprinting of Milton Caniff's classic newspaper strip. This is a beauty of a copy, it looks as if it has never been read! Our thanks go to former Fawcett editor Wendell Crowley, who had the foresight to stash away fresh copies of his competition's comics! Overstreet 2005 NM- 9.2 value = $390. CGC census 12/05: 1 in 9.6, none higher.
Four Color #105 Albert the Alligator and Pogo Possum - Vancouver pedigree (Dell, 1946) CGC VF/NM 9.0 White pages. Walt Kelly's politically-minded possum and his swamp-critter pals take center stage in this issue, after a run of featured appearances in Animal Comics. This attractive copy is by far the best of only two currently certified by CGC. Overstreet 2005 VF/NM 9.0 value = $789; NM- 9.2 value = $1,075. CGC census 12/05: 1 in 9.0, none higher.
Four Color #108 Donald Duck (Dell, 1946) CGC VF/NM 9.0 Off-white to white pages. Donald Duck, with Huey, Dewey, and Louie, star in "Terror of the River" by Carl Barks. A very bright, clean copy marred only by very light wear to the corners. Overstreet 2005 VF/NM 9.0 value = $1,719; NM- 9.2 value = $2,375. CGC census 12/05: 5 in 9.0, 3 higher.
Four Color #135 Felix the Cat - Crowley Copy pedigree (Dell, 1947) CGC NM 9.4 Off-white pages. Felix boards a rocketship to do a little planet-hopping on this issue's colorful cover. Otto Messmer supplies equally colorful art throughout this fun comic, which is the second Four Color issue to feature new Felix stories rather than strip reprints. This pedigreed example has zoomed to the very top of the current CGC census. Overstreet 2005 NM- 9.2 value = $380. CGC census 12/05: 1 in 9.4, none higher.
Four Color #147 Donald Duck in Volcano Valley (Dell, 1947) CGC VF+ 8.5 Cream to off-white pages. Donald and the boys travel down to South America in this issue's long comic adventure story, written and drawn by Carl Barks. CGC notes, "Moderate tanning edges interior front and back cover." Overstreet 2005 VF 8.0 value = $714; VF/NM 9.0 value = $1,155. CGC census 12/05: 5 in 8.5, 2 higher.
Four Color #147 Donald Duck in Volcano Valley (Dell, 1947) CGC VF- 7.5 Cream to off-white pages. Donald and the boys go down to South America in this classic Carl Barks comic. Finding nice-condition copies of Four Color issues from this era, especially those featuring Barks art, can be tough, as these books tended to be read and reread by their youthful original owners. Plus the matte-finish cover stock used during this time didn't hold up well in most cases. That makes this attractive copy all the more desirable! Overstreet 2005 VF 8.0 value = $714. CGC census 12/05: 7 in 7.5, 12 higher.
Four Color #148 Albert the Alligator and Pogo Possum (Dell, 1947) CGC NM- 9.2 White pages. Walt Kelly artwork fills the pages of the beautiful comic book, featuring his well-loved swamp inhabitants. This book and the previous Albert and Pogo Four Color issue are always highly sought after by collectors. Our example is currently the highest CGC-graded copy. Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 1 in 9.2, none higher.
Four Color #159 Donald Duck in "The Ghost of the Grotto" (Dell, 1947) CGC FN+ 6.5 Off-white pages. Carl Barks story and art. Overstreet 2005 FN 6.0 value = $216; VF 8.0 value = $612. CGC census 12/05: 3 in 6.5, 19 higher.
Four Color #161 Tarzan and the Fires of Tohr - Vancouver pedigree (Dell, 1947) CGC NM/MT 9.8 White pages. Here's the prettiest copy of this second Dell Tarzan comic you'll ever see! It's absolutely as fresh as a comic just delivered to the newsstand -- and a cherry-picked copy at that! It's far and away the nicest copy yet certified by CGC. Jesse Marsh art is featured throughout. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 1 in 9.8, none higher.
Four Color #178 Donald Duck Christmas on Bear Mountain - Crowley Copy pedigree (Dell, 1947) CGC VF 8.0 Cream to off-white pages. Uncle Scrooge, the World's Richest Duck, made his debut in this issue. Created by writer/artist Carl Barks, Scrooge has proven to be a very popular character, starring in a long running series of his own. This story is a real classic, presented in an attractive pedigreed copy. Overstreet 2005 VF 8.0 value = $850. CGC census 12/05: 5 in 8.0, 8 higher.
Session 4
Four Color #189 Donald Duck in "The Old Castle's Secret" - Crowley Copy pedigree (Dell, 1948) CGC VF 8.0 Cream to off-white pages. Carl Barks pulled out all the stops in this haunted castle adventure. It's from Barks' classic "long bill" period, and a favorite of many collectors. This lovely copy is only a half-grade away from the current CGC census champs -- the two top copies are graded at 8.5. Overstreet 2005 VF 8.0 value = $519. CGC census 12/05: 2 in 8.0, 2 higher.
Four Color #189 Donald Duck in "The Old Castle's Secret" (Dell, 1948) CGC FN/VF 7.0 Cream to off-white pages. Uncle Scrooge made only his second appearance in this issue! According to some accounts, Scrooge was meant to be a one-shot character when first introduced in Four Color #178, but some six months later, Carl Barks brought him back for this story, in which he played a much bigger role than in his previous outing. The rest is history! The title tells you all you need to know about the rollicking Barks yarn that has made this a highly collectible issue. Overstreet 2005 FN 6.0 value = $183; VF 8.0 value = $519. CGC census 12/05: 2 in 7.0, 7 higher.
Four Color #194 Mickey Mouse in "The World Under the Sea" (Dell, 1948) CGC NM 9.4 Off-white pages. Mickey and Goofy take to the sea -- by submarine -- in this fun adventure featuring art by Harvey Eisenberg and Bill Wright. "When the shark bites...." This sharp copy is fresh and glossy, and currently tops the CGC census list. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.4, none higher.
Four Color #199 Donald Duck in "Sheriff of Bullet Valley." (Dell, 1948) CGC VF- 7.5 Cream to off-white pages. For many fans of Carl Barks' classic Duck stories, this rollicking Western adventure is the most cherished of all. The cover art says it all -- Donald finally becomes the big hero he always dreamed he could be while investigating a series of strange cattle rustlings out West. Naturally, his nephews wind up playing a major role in solving the mystery! Overstreet 2005 VF 8.0 value = $570. CGC census 12/05: 3 in 7.5, 6 higher.
Four Color #223 Donald Duck "Lost in the Andes" (Dell, 1949) CGC FN/VF 7.0 Cream to off-white pages. In one of the most famous comic stories of Carl Barks' great career, museum janitor Donald Duck discovers that some square-shaped rocks are actually eggs, leading to an expedition to Peru for Donald and his nephews. It's a story that inspired many youngsters who went on to become comic creators in their own right. A true Barks milestone! Overstreet 2005 FN 6.0 value = $192; VF 8.0 value = $544. CGC census 12/05: 3 in 7.0, 4 higher.
Four Color #300 Donald Duck in "Big-Top Bedlam" - Crowley Copy pedigree (Dell, 1950) CGC NM- 9.2 Cream to off-white pages. Carl Barks wrote and drew this adventure featuring Donald and the boys at the circus, searching for a quick-change artist who stole Daisy's antique brooch. Just one copy of this issue has received a higher grade from CGC at this writing. Overstreet 2005 NM- 9.2 value = $625. CGC census 12/05: 2 in 9.2, one higher.
Four Color #308 Donald Duck in "Dangerous Disguise" (Dell, 1950) CGC VF/NM 9.0 Off-white pages. In 1950, when Carl Barks wrote and drew the long Donald Duck adventure for this issue, he was in fact contemplating a new series featuring human characters. His many fans are glad he stayed with the Ducks, but this unusual issue does feature human beings interacting with humanized animals. Overstreet 2005 VF/NM 9.0 value = $423; NM- 9.2 value = $575. CGC census 12/05: 2 in 9.0, none higher.
Four Color #318 Donald Duck in "No Such Varmint" (Dell, 1951) CGC VF- 7.5 Cream to off-white pages. Carl Barks story and art. This issue is noted as "D.D.1" on the cover, although this numbering was not carried through when the series began with #26. Overstreet 2005 VF 8.0 value = $270. CGC census 12/05: 1 in 7.5, 10 higher.
Four Color #356 Donald Duck in "Rags to Riches" - Crowley Copy pedigree (Dell, 1951) CGC NM 9.4 Cream to off-white pages. A Carl Barks cover is the icing on the cake with this beautiful copy. Fawcett editor Wendell Crowley liked to keep up with the competition, picking up comics like this from all publishers. This one was his copy, and it's currently at the top of CGC's census chart for this issue. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.4, none higher.
Four Color #386 Uncle Scrooge in "Only a Poor Old Man" (Dell, 1952) CGC VF/NM 9.0 Off-white pages. Donald Duck's miserly Uncle Scrooge was the creation of the "Good Duck Artist," Carl Barks. This Four Color issue, featuring a book-length adventure by Barks, is the first in a long series of much-loved solo Scrooge comics. This classic tale has been reprinted many times, but there's no bigger thrill for Duck fans than owning the original edition -- especially a nice copy like this one! Overstreet 2005 VF/NM 9.0 value = $1,304; NM- 9.2 value = $1,800. CGC census 12/05: 7 in 9.0, 4 higher.
Four Color #408 Donald Duck and "The Golden Helmet" - File Copy (Dell, 1952) CGC VF/NM 9.0 Off-white pages. Writer/artist Carl Barks delivered another classic here, as museum guard Donald discovers the ship's log of an old Viking vessel, and before you know it he's racing to find a golden helmet and save the USA! Overstreet 2005 VF/NM 9.0 value = $358; NM- 9.2 value = $485. CGC census 12/05: 6 in 9.0, none higher.
Four Color #495 Uncle Scrooge (Dell, 1953) CGC NM- 9.2 Off-white pages. The "Horseradish Treasure" story is featured in this third and final Four Color issue (regular numbering begins with the next issue, #4), with story and art by Carl Barks. This is the issue that introduced Scrooge's lucky Number One Dime. This is a wonderful, glossy copy. Overstreet 2005 NM- 9.2 value = $725. CGC census 12/05: 1 in 9.2, 1 higher.
Four Color #1078 Three Stooges (Dell, 1960) CGC NM- 9.2 Off-white pages. With a photo cover featuring Larry, Moe, and Curly Joe. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 2 in 9.2, 3 higher.
Four Favorites #25 Ohio pedigree (Ace, 1946) CGC NM 9.4 Off-white pages. Rudy Palais' noir-ish cover gives us an unusual worm's-eye view of a crime scene. This crisp Ohio pedigree copy is outgraded by only one other copy according to CGC's current census report. Overstreet 2005 NM- 9.2 value = $260. CGC census 12/05: 1 in 9.4, 1 higher.
4 Most #1 (Novelty Press, 1941) CGC FN/VF 7.0 Off-white pages. This new series brought together the biggest stars of Novelty's other titles. Granted, Novelty only had two other titles, Target and Blue Bolt, but the quality of all three series was assured thanks to being produced by the Funnies Inc. "shop" of artists. The cover is by John Jordan. Only one copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 FN 6.0 value = $438; VF 8.0 value = $913. CGC census 12/05: 2 in 7.0, 1 higher.
Platinum Age (1897-1937)
Foxy Grandpa: "The Merry Pranks Of Foxy Grandpa" (M. A. Donahue, 1905) Condition: GD-. Extensive tape repair to back cover.Overstreet 2005 GD 2.0 value = $104.
The Funnies #1 Larson pedigree (Dell, 1936) CGC VF- 7.5 Cream to off-white pages. This first book features many classic cartoon strip characters including Alley-Oop, Boots, Captain Easy, Dan Dunn, Freckles, Mutt and Jeff, Re'glar Fellers, and Tailspin Tommy -- many in their first appearances. As such, it marks the transition from the Platinum Age into the Golden Age of comics, and is one of the scarcest issues in the series. Overstreet 2005 VF 8.0 value = $2,096. CGC census 12/05: 1 in 7.5, 1 higher.
Golden Age (1938-1955)
The Funnies #42 (Dell, 1940) CGC VG+ 4.5 Off-white pages. Features include John Carter of Mars, Alley Oop, and Wonderland of Oz. Overstreet 2005 VG 4.0 value = $154. CGC census 12/05: 1 in 4.5, 1 higher.
The Funnies #43 (Dell, 1940) CGC FN/VF 7.0 Off-white pages. Features include John Carter of Mars. Overstreet 2005 FN 6.0 value = $231; VF 8.0 value = $481. CGC census 12/05: 1 in 7.0, none higher.
The Funnies #61 (Dell, 1941) CGC NM 9.4 Cream to off-white pages. Walter Lantz's Andy Panda begins in this issue; in time, he'll take over as cover star of the book. Phantasmo, Dell's answer to DC's Superman, shares this issue's cover with Captain Midnight. This is a honey of a copy, currently bested by only one other in CGC's census report. Overstreet 2005 NM- 9.2 value = $1,150. CGC census 12/05: 1 in 9.4, 1 higher.
Funny Animals #2 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 Off-white to white pages. A Christmas cover featuring Marvel Bunny graces this Mile High copy. Not only is it a beautiful 9.4, it is also the only copy of this issue certified by CGC to date. Overstreet 2005 NM- 9.2 value = $375. CGC census 12/05: 1 in 9.4, none higher.
Funny Pages #35 (Centaur, 1940) CGC VF 8.0 Off-white pages. "Classic Arrow cover" is Overstreet's notation on this issue. Like all Centaurs, this one's not easy to find, earning Gerber's "7" rating. Paul Gustavson drew the cover and provided interior art for the issue as well. The white snow on the cover is prone to smudging, so you'll be pleased to find those areas unblemished on this gem, which is tied for the highest grade that CGC has assigned to date. Overstreet 2005 VF 8.0 value = $1,538. CGC census 12/05: 2 in 8.0, none higher.
Funny Pages V2#11 (Centaur, 1938) CGC VF/NM 9.0 Off-white to white pages. This issue has the second appearance of the Arrow, who would later have his own comic. Overstreet's credits for this issue include quite an array of well-known artists: Bill Everett, Jack Cole, Gill Fox, Paul Gustavson, and Bob Wood! And according to Gerber, the football cover is by Harold De Lay -- look at the artist's idea for a great goal-line play! This is the only copy graded higher than 6.0 by CGC as of this writing. Overstreet 2005 VF/NM 9.0 value = $1,147; NM- 9.2 value = $1,550. CGC census 12/05: 1 in 9.0, none higher.
Gene Autry Comics #4 (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. Only one copy of this issue has been graded higher by CGC to date. The issue's cover is by Till Goodan. Overstreet 2005 VF 8.0 value = $650; VF/NM 9.0 value = $1,000. CGC census 12/05: 1 in 8.5, 1 higher.
Gene Autry Comics #7 (Fawcett, 1943) CGC VF 8.0 Cream to off-white pages. Many prefer the action covers of Gene Autry's Fawcett series to the static photo covers of his Dell run, and it's artist Till Goodan providing the action here. Overstreet 2005 VF 8.0 value = $531. CGC census 12/05: 1 in 8.0, 1 higher.
Gene Autry Comics #8 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 White pages. You won't find a better depiction of singin' cowboy Gene Autry than on this Jim Chambers cover, which even has Autry crooning his signature tune. And you won't find a nicer copy than this Mile High. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #2 Mile High pedigree (Dell, 1946) CGC VF/NM 9.0 Off-white to white pages. This issue boasts the first photo cover of the series. Overstreet 2005 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 12/05: 1 in 9.0, none higher.
Gene Autry Comics #7 Mile High pedigree (Dell, 1947) CGC NM 9.4 Off-white to white pages. Before he was known as the owner of the California Angels (now known as the Los Angeles Angels of Anaheim, ugh!) Gene Autry was of course America's favorite singing cowboy. This copy of the issue (with Autry pictured on both front and back covers) is the highest-graded that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #9 Mile High pedigree (Dell, 1947) CGC NM+ 9.6 White pages. Singin' cowboy star Gene Autry is seen on photo front and back covers, and if you acquire this Mile High copy, your smile will be as wide as his -- it's the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 1 in 9.6, none higher.
Gene Autry Comics #10 Mile High pedigree (Dell, 1947) CGC NM 9.4 White pages. This is the only copy of this issue that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #11 Mile High pedigree (Dell, 1948) CGC NM 9.4 White pages. This Mile High copy is the only 9.4, and highest-graded copy overall, that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #14 Mile High pedigree (Dell, 1948) CGC NM 9.4 Off-white to white pages. Some of the best Westerns were Western (Publishing) Westerns! And this Mile High copy is the best known specimen of #14. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #15 Mile High pedigree (Dell, 1948) CGC NM+ 9.6 White pages. No cowboy should ever venture out of doors without his... guitar! Gene Autry's ready to strum on this photo cover. Overstreet 2005 NM- 9.2 value = $200. To date, no copy of this issue has been graded higher by CGC. CGC census 12/05: 1 in 9.6, none higher.
Gene Autry Comics #16 Mile High pedigree (Dell, 1948) CGC VF/NM 9.0 White pages. Photo front and back covers grace this issue. Overstreet 2005 VF/NM 9.0 value = $149; NM- 9.2 value = $200. CGC census 12/05: 1 in 9.0, 2 higher.
Gene Autry Comics #18 (Dell, 1948) CGC VF 8.0 Off-white to white pages. This issue features an artistic contribution by Jesse Marsh of Tarzan fame. Overstreet 2005 VF 8.0 value = $97. CGC census 12/05: 2 in 8.0, none higher.
Gene Autry Comics #19 Mile High pedigree (Dell, 1948) CGC FN+ 6.5 Off-white to white pages. Photo cover. Jesse Marsh art. Overstreet 2005 FN 6.0 value = $42; VF 8.0 value = $97. CGC census 12/05: 1 in 6.5, 2 higher.
Gene Autry Comics #20 Mile High pedigree (Dell, 1948) CGC VF/NM 9.0 Off-white to white pages. Jesse Marsh contributed interior art to this issue. Overstreet 2005 VF/NM 9.0 value = $149; NM- 9.2 value = $200. CGC census 12/05: 2 in 9.0, none higher.
Gene Autry Comics #22 Mile High pedigree (Dell, 1948) CGC NM- 9.2 Off-white to white pages. This issue has a photo cover and Jesse Marsh interior art. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 1 in 9.2, 1 higher.
Gene Autry Comics #23 Mile High pedigree (Dell, 1949) CGC VF+ 8.5 White pages. Photo cover. Jesse Marsh art. Overstreet 2005 VF 8.0 value = $82; VF/NM 9.0 value = $124. CGC census 12/05: 1 in 8.5, 1 higher.
Gene Autry Comics #24 Mile High pedigree (Dell, 1949) CGC VF/NM 9.0 Off-white to white pages. Photo cover. Jesse Marsh art. Overstreet 2005 VF/NM 9.0 value = $124; NM- 9.2 value = $165. CGC census 12/05: 1 in 9.0, none higher.
Gene Autry Comics #25 Mile High pedigree (Dell, 1949) CGC NM 9.4 Off-white to white pages. Photo covers grace the front and back covers of this issue, and the latter's of note thanks to the smoldering ingenue accompanying Gene! Jesse Marsh provided interior art for the issue. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 1 in 9.4, none higher.
Gene Autry Comics #28 Mile High pedigree (Dell, 1949) CGC VF 8.0 White pages. Photo cover. Jesse Marsh art. Overstreet 2005 VF 8.0 value = $82. CGC census 12/05: 1 in 8.0, 1 higher.
Gene Autry Comics #29 Mile High pedigree (Dell, 1949) CGC NM+ 9.6 White pages. Here's perhaps the nicest book in this unparalleled Mile High Gene Autry run. Jesse Marsh contributed interior art to the issue. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 1 in 9.6, none higher.
George Pal's Puppetoons #1 Carson City pedigree (Fawcett, 1945) CGC VF/NM 9.0 Off-white pages. Captain Marvel makes an appearance on the cover of this debut issue. Overstreet 2005 VF/NM 9.0 value = $391; NM- 9.2 value = $525. CGC census 12/05: 2 in 9.0, none higher.
George Pal's Puppetoons #1 Crowley Copy pedigree (Fawcett, 1945) CGC VF/NM 9.0 Cream to off-white pages. No copy of this first issue has been graded higher by CGC to date. George Pal's stop-motion characters are the stars. What does Captain Marvel have to do with the proceedings? Not much, but Fawcett's tried and true technique was to feature the Big Red Cheese on almost every first issue. Overstreet 2005 VF/NM 9.0 value = $391; NM- 9.2 value = $525. CGC census 12/05: 2 in 9.0, none higher.
Ghost Rider #1 (Magazine Enterprises, 1950) CGC VF+ 8.5 Cream to off-white pages. Also known by the publisher's curious numbering system as A-1 #27, this issue featured the origin of Ghost Rider, with Dick Ayers cover and art. Overstreet 2005 VF 8.0 value = $675; VF/NM 9.0 value = $1,038. CGC census 12/05: 7 in 8.5, 6 higher.
Great Comics #1 Mile High pedigree (Great Comics Publications, 1941) CGC NM+ 9.6 Off-white pages. This is the first comic book published by Great, and speaking of greatness, have a look at the condition of this white-cover issue. It's no surprise that this Edgar Church copy is the highest-graded that CGC has certified to date. While we don't know which artist drew this Lou Fine-esque cover, we know that Bob Kane contributed a gag feature to the issue. Overstreet 2005 NM- 9.2 value = $1,800. CGC census 12/05: 1 in 9.6, none higher.
Great Comics #1 (Great, 1941) CGC VF+ 8.5 Off-white pages. First appearance on the superhero scene with issue at the end of 1941, Great Comics introduced such characters as the Great Zarro, Madame Strange, Devil Dogs Three, and Guy Gorham, Wizard of Science. This very nice copy has a clean white cover and no outstanding flaws. Overstreet 2005 VF 8.0 value = $863; VF/NM 9.0 value = $1,332. CGC census 12/05: 1 in 8.5, 1 higher.
Great Comics #1 Jubilee Variant (Jubilee, 1945) CGC NM 9.4 Off-white to white pages. This issue exists with four different publisher names; this is the edition with "Jubilee" in the indicia. The cover is by L. B. Cole. Overstreet 2005 NM- 9.2 value = $450. CGC census 12/05: 6 in 9.4, none higher.
Green Hornet Comics #17 Pennsylvania pedigree (Harvey, 1944) CGC VF/NM 9.0 Off-white to white pages. No one was better at the kick-Nazi-butt cover than Alex Schomburg. Bob Powell provided interior art for this issue, which Gerber considers to be "common". Strangely, however, this is the only unrestored copy that CGC has certified to date. Overstreet 2005 VF/NM 9.0 value = $580; NM- 9.2 value = $785. CGC census 12/05: 1 in 9.0, none higher.
Green Lama #3 (Spark Publications, 1945) CGC VF+ 8.5 Cream to off-white pages. Mac Raboy cover. Raboy and Jerry Robinson art. Overstreet 2005 VF 8.0 value = $388; VF/NM 9.0 value = $594. CGC census 12/05: 1 in 8.5, 4 higher.
Guns Against Gangsters #5 Mile High pedigree - Double Cover (Novelty Press, 1949) CGC VF/NM 9.0 Off-white to white pages. "Mile High" and "double cover" make for quite a one-two punch when it comes to desirability! And here's another one-two punch for you: Alex Schomburg and L. B. Cole. Believe it or not, both master cover artists contributed interior art to the issue. Cole drew the cover as well -- the guy in the red jacket is Gregory Gayle (aka the Gunmaster), the sharpshooting hero of the series. Also appearing is Toni Gayle, who had been seen in Young King Cole previously. CGC notes, "1st cover 8.5, interior cover 9.0." Overstreet 2005 VF/NM 9.0 value = $207; NM- 9.2 value = $270. CGC census 12/05: 1 in 9.0, none higher.
Guns of Fact and Fiction #13 Vancouver pedigree (Magazine Enterprises, 1948) CGC NM+ 9.6 Off-white to white pages. Also known as A-1 Comics #13, this issue boasts an impressive artistic lineup, with Johnny Craig and Graham Ingels interior art and a Fred Guardineer cover. Fredric Wertham criticized this issue in Seduction of the Innocent for the way "Guns" is emphasized on the cover: "the parts of the title that really count are in huge, eye-catching type." Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 1 in 9.6, none higher.
Platinum Age (1897-1937)
Happy Hooligan: New Edition (Hearst, 1903) Condition: GD. Reprints of Fred Opper's strip. Nice interior pages, 82 pages in color. Front cover has crease with color break (not a tear). Overstreet 2005 GD 2.0 value = $300.
Golden Age (1938-1955)
Headline Comics #1 Carson City pedigree (Prize, 1943) CGC VF/NM 9.0 Off-white to white pages. Junior Rangers stories begin. This is the highest grade yet certified by CGC for this issue to date. Overstreet 2005 VF/NM 9.0 value = $502; NM- 9.2 value = $675. CGC census 12/05: 1 in 9.0, none higher.
Headline Comics #16 Mile High pedigree (Prize, 1945) CGC NM 9.4 White pages. It's the origin and first appearance of Atomic Man and his alter ego -- wait for it -- Adam Mann (groan). The cover features the Junior Rangers, drawn by H. C. Kiefer. This superb Mile High copy is the only copy of the issue that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $300. CGC census 12/05: 1 in 9.4, none higher.
Hit Comics #1 (Quality, 1940) CGC FN+ 6.5 White pages. The lineup of talent that produced this debut issue is amazing -- Lou Fine (cover), Will Eisner, Klaus Nordling, Dan Zolnerowich, Charles Sultan, and Alex Blum (story art), with Eisner writing as well -- wow! The company name "Quality" sure applied to Hit Comics #1! This attractive mid-grade copy should make a big hit with the winning bidder as well, especially for the white page quality. This issue featured the origin and first appearance of Hercules, Neon, and the Unknown, as well as the first appearances of Red Bee, X-5 Super Agent, and Blaze Barton. Overstreet 2005 FN 6.0 value = $1,935; VF 8.0 value = $4,515. CGC census 12/05: 3 in 6.5, 1 higher.
Hit Comics #1 (Quality, 1940) CGC Apparent VG/FN 5.0 Moderate (P) Cream to off-white pages. The Red Bee, in his first appearance, opens fire on a boatload of bad guys in this cover by Lou Fine. This debut issue also features the first appearances of Hercules, Blaze Barton, X-5 SUper Agent, and Neon the Unknown in their respective back-up stories. CGC notes: "Restoration includes: color touch, tear seals, spine splits sealed, reinforced. Trimmed." Overstreet 2005 GD 2.0 value = $635; VG 4.0 value = $1,290; FN 6.0 value = $1,935.
Hopalong Cassidy #1 Vancouver pedigree (Fawcett, 1943) CGC NM- 9.2 Off-white to white pages. This is the second most-valuable Western comic book of all, and we've got the sole highest-graded copy! This book wasn't followed by issue #2 until some three years later, but the result was one of the first continuous Western-themed comic book series. Hoppy was such a famous character that he needed no introduction in 1943, but it seemed that Fawcett never brought out a character without Captain Marvel on the cover introducing him, and they took no chances here. Overstreet 2005 NM- 9.2 value = $7,300. CGC census 12/05: 1 in 9.2, none higher.
Hopalong Cassidy #1 Mile High pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white to white pages. One of the most successful Western comics ever published, Hopalong Cassidy enjoyed a 16-year run, at first under the Fawcett flag until DC acquired the title in 1954. Captain Marvel makes an appearance on the cover, sporting a ten-gallon hat, to boot! Tough to find in any grade, let alone one this exquisite; only one other has been certified with a higher grade than this one (a 9.2), and the next highest is a 7.5. Overstreet 2005 VF/NM 9.0 value = $5,300; NM- 9.2 value = $7,300. CGC census 12/05: 2 in 9.0, 1 higher.
Hoppy the Marvel Bunny #1 Crowley Copy pedigree (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. Several years after debuting in Fawcett's Funny Animals, Hoppy finally got his own series. How does a bunny become a superhero? Well, he was reading an issue of Captain Marvel Adventures one day, said "Shazam," and comics being comics... By the way, no copy of this issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $325. CGC census 12/05: 2 in 9.2, none higher.
Hot Rod Comics #1 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white to white pages. Several publishers tried their hand at a hot rod comic book in the early 1950s, but Fawcett had a leg up on the rest thanks to the services of Bob Powell, who provided both cover and interior art here. Overstreet 2005 NM- 9.2 value = $385. CGC census 12/05: 1 in 9.6, none higher.
Hot Rod Comics #2 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. This comic, designed to appeal to an older audience than Fawcett's superhero line, featured art by Bob Powell. This exceptionally nice copy comes courtesy of Fawcett editor Wendell Crowley's fabulous comic collection. CGC lists only this one copy in the current census report. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
Hot Rod Comics #3 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. This comic promises to provide "the straight dope" on keeping your engine purring. Beautiful Bob Powell art completes the picture. This remarkable pedigreed copy is one of only two currently certified by CGC. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 2 in 9.4, none higher.
Hot Rod Comics #5 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Cream to off-white pages. Bigger boys like comics too, especially if they are "gearheads," into hot rods and racing. That's the premise behind this short-lived title, which features excellent artwork by Bob Powell. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 1 in 9.2, none higher.
Hot Rod Comics #6 Crowley Copy pedigree (Fawcett, 1952) CGC NM/MT 9.8 Off-white to white pages. The Golden Age of Hot Rod Racing is shown to good advantage in this wonderful, well-preserved gem, formerly part of Fawcett editor Wendell Crowley's collection of comics. Bob Powell's excellent art is featured throughout. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 1 in 9.8, none higher.
Hot Rod Comics #7 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white to white pages. Here's the last issue of Fawcett's attempt to introduce racing fans to their comic book line (which was itself soon to end). Bob Powell art is featured. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 1 in 9.4, none higher.
Howdy Doody #2 File Copy (Dell, 1950) CGC VF+ 8.5 Cream to off-white pages. This series was the first TV comic, and whether you were around in 1950 or not, you gotta love it! Only two copies of the issue have been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $305; VF/NM 9.0 value = $478. CGC census 12/05: 1 in 8.5, 2 higher.
How Stalin Hopes We Will Destroy America #nn (Joe Lowe Co., 1951) CGC NM+ 9.6 Off-white to white pages. A mass murderer who was scarier than any fictional villain you can name is the "star" of this 16-page anti-Communism giveaway. This Cold War period piece is a Gerber "7." We find the grade particularly outstanding given the paper cover. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 3 in 9.6, 1 higher.
Ibis The Invincible #1 Rockford pedigree (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. This superb cover showcases the clean, graceful trademark style artist Mac Raboy was known for. Also included in this issue is the art of none other than Dave Berg, who wrote and illustrated the adventure of time-travelling Sir Butch from Brooklyn. Even though this title only lasted six-issues, Ibis went on to become one of Fawcett's most popular supporting characters. Overstreet 2005 VF 8.0 value = $1,344; VF/NM 9.0 value = $2,072. CGC census 12/05: 1 in 8.5, 2 higher.
Ibis The Invincible #2 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white to white pages. This Edgar Church copy holds true to form by being the highest-graded that CGC has certified to date. A bondage cover starts off this second outing for the longtime Whiz Comics stalwart. Overstreet 2005 NM- 9.2 value = $1,275. CGC census 12/05: 1 in 9.6, none higher.
Jackie Robinson #2 Crowley Copy pedigree (Fawcett, 1950) CGC VF/NM 9.0 Cream to off-white pages. Brooklyn's own "Dashing Dodger" stars in this comic, certainly a rarity for the segregated mindset of the early 1950s. Jackie Robinson was a true American hero as well as a wonderfully talented baseball player. This gorgeous pedigreed copy features photo front and back covers. It's the best of only four unrestored copies currently certified by CGC. Overstreet 2005 VF/NM 9.0 value = $520; NM- 9.2 value = $700. CGC census 12/05: 1 in 9.0, none higher.
Jackie Robinson #3 Crowley Copy pedigree (Fawcett, 1950) CGC VF- 7.5 Off-white pages. Baseball great Jackie Robinson makes the catch on this issue's photo cover. Despite the somewhat lower grade (for a Crowley Copy), this book is sharp, flat, and well-cut, with only a slight bit of sun fading keeping this beauty from reaching NM status. It's still the top-ranked copy in the current CGC census! Overstreet 2005 VF 8.0 value = $281. CGC census 12/05: 1 in 7.5, none higher.
Jackie Robinson #4 Crowley Copy pedigree (Fawcett, 1950) CGC NM/MT 9.8 Off-white pages. Here's that "Dashing Dodger" again, headlining a true gem of a pedigreed comic book. A photo cover of Jackie eluding the tag is capped by another photo insert of Brooklyn's color-barrier beater. Needless to say, this copy is unsurpassed in the current CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 2 in 9.8, none higher.
Jackie Robinson #5 Crowley Copy pedigree (Fawcett, 1951) CGC NM- 9.2 Off-white pages. Oh, for the days when "Da Bums" ruled Ebbets Field in Brooklyn! Brightest of the Dodger stars was of course Jackie Robinson, who is featured here with photo front and back covers. This prize pedigreed copy shines pretty brightly itself, with wonderful cover colors that pop off the page. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.2, none higher.
Jackie Robinson #6 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. This last issue, with photo front and back covers, is titled Famous Plays of Jackie Robinson Baseball Hero, with a note at the lower cover area stating "Thrilling Highlights in the Career of One of Baseball's Greatest Stars." There's not a lot more we can we add, except to tell you that this superb pedigreed example is currently the highest CGC-graded copy. Batter up, bidders! Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.4, none higher.
Jackpot Comics #1 (MLJ, 1941) CGC FN 6.0 Off-white to white pages. This title brought together the most popular heroes from MLJ's other books, namely Steel Sterling (from Zip Comics), Mr. Justice (Blue Ribbon Comics), the Black Hood (Top-Notch Comics), and Sergeant Boyle (Pep Comics). The cover art is by Charles Biro, who also drew the Steel Sterling story inside the book. CGC notes, "Very minor amount of glue on cover." Overstreet 2005 FN 6.0 value = $930. CGC census 12/05: 1 in 6.0, 5 higher.
Jackpot Comics #6 Chicago pedigree (MLJ, 1942) CGC VF+ 8.5 Off-white to white pages. Archie didn't earn a cover mention, but he does appear in this issue, which otherwise spotlights the superheroics of the Black Hood, Mr. Justice, and Steel Sterling. The latter appears on the bondage cover, which has been credited to Irv Novick. Overstreet 2005 VF 8.0 value = $688; VF/NM 9.0 value = $1,057. CGC census 12/05: 2 in 8.5, none higher.
Jeep Comics #1 Carson City pedigree (Leffingwell, 1944) CGC VF+ 8.5 Off-white to white pages. Here's the highest-graded copy CGC has certified to date of this first issue. This series was described by author Mike Benton as "a strange hero/war-fantasy comic." We believe it to be the only title ever published by R. B. Leffingwell. If obscure publishers are your thing, Leffingwell is the best revenge! Overstreet 2005 VF 8.0 value = $363; VF/NM 9.0 value = $557. CGC census 12/05: 1 in 8.5, none higher.
Jetman #29 Canadian Edition (Bell Features, 1951) CGC VF- 7.5 Off-white to white pages. This unusual Canadian comic features Atom-Age superhero action with Marvel Boy. It has stories, cover, and interior art by Bill Everett. The cover is from Atlas/Marvel's Astonishing #6, while the contents are from Astonishing #5 (go figure!). This is the only copy certified by CGC to date. This edition is not listed in Overstreet. The Overstreet 2005 VF 8.0 value for #5 and 6 = $406. CGC census 12/05: 1 in 7.5, none higher.
Jimmy Durante #1 (Magazine Enterprises, 1948) CGC NM+ 9.6 White pages. Umbriago! Jimmy "The Great Schnozzola" Durante was for many years a star: on stage, movies, and later television -- and briefly, even in comic books! Here's the Schnozz's first issue, actually published as A-1 #18, featuring a partial photo cover with surrounding circus-themed art by Dick Ayers. Durante never looked better than on this incredible NM+ example, which is currently the highest CGC-graded copy listed. "Good night Mrs. Calabash, wherever you are!" Overstreet 2005 NM- 9.2 value = $540. CGC census 12/05: 1 in 9.6, none higher.
Joe Palooka (1st series) #1 Denver pedigree (Columbia Comic Corporation, 1942) CGC VF+ 8.5 Cream to off-white pages. This first comic book devoted to Ham Fisher's likable boxing hero finds Joe and his pal Smokey joining the Foreign Legion. Overstreet notes this issue to be the first comic to portray an American president (presumably Roosevelt), for which special Government permission was required. You won't need special permission to own this prize copy -- just submit a knock-out bid! Overstreet 2005 VF 8.0 value = $600; VF/NM 9.0 value = $925. CGC census 12/05: 1 in 8.5, none higher.
Joe Palooka (1st series) #3 Crowley Copy pedigree (Columbia Comic Corporation, 1944) CGC NM- 9.2 Off-white to white pages. Joe KO's the Nazis on this unusual World War II cover -- how did Joe find himself on a German U-Boat wearing only his boxing trunks? At any rate, this pedigreed copy is a real knockout on its own terms -- it's currently the champ of the CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $450. CGC census 12/05: 1 in 9.2, none higher.
Joe Palooka (1st series) #4 Crowley Copy pedigree (Columbia Comic Corporation, 1944) CGC NM 9.4 Off-white pages. Joe's pal Jerry Leemy has a real ooh la la problem on this World War II cover illustration, which carries the signature of cartoonist Ham Fisher. This is the last of four issues published by Columbia Comics; after the war, the character moved over to Harvey for a long and successful run. Of the two copies of this issue currently listed in CGC's census report, this is by far the highest graded example. Overstreet 2005 NM- 9.2 value = $385. CGC census 12/05: 1 in 9.4, none higher.
Johnny Hazard #7 (Best Books, 1949) CGC NM/MT 9.8 Off-white pages. Fans of Frank Robbins' action hero will want to take special note of this incredible copy; the vivid cover colors seem to leap off the pure white background, and the edges all look sharp as a tack. This one's a winner all the way. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 1 in 9.8, none higher.
John Wayne Adventure Comics #1 Mile High pedigree (Toby Publishing, 1949) CGC VF 8.0 Cream to off-white pages. John Wayne was so popular that he probably could have run for president, and this is the first time the Duke appeared on a comic book cover (he was in Tim McCoy #16 previously, but only made the back cover... that's Charlton for you!). America's greatest Western hero is paired with America's greatest comic book pedigree here. Naturally, no copy has been graded higher than this Edgar Church book to date. Overstreet 2005 VF 8.0 value = $1,013. CGC census 12/05: 2 in 8.0, none higher.
John Wayne Adventure Comics #1 (Toby Publishing, 1949) CGC FN/VF 7.0 Cream to off-white pages. The Duke parlayed his tremendous popularity into a namesake comic book that ran for more than five years and attracted such notable artists as Frank Frazetta, Al Williamson, and Harvey Kurtzman. The premiere issue has photo covers front and back, the latter touting Wayne's latest Republic Pictures vehicle, "The Fighting Kentuckian." Overstreet 2005 FN 6.0 value = $486; VF 8.0 value = $1,013. CGC census 12/05: 1 in 7.0, 3 higher.
John Wayne Adventure Comics #1 (Toby Publishing, 1949) CGC FN+ 6.5 Off-white pages. The first time John Wayne appeared on a comic book cover was right here (he had been in Tim McCoy #16 previously, but was relegated to back-cover honors there). Not liking John Wayne is borderline un-American, and heck, even Western fans in other nations will want to go after this first issue for the cowboy icon! Overstreet 2005 FN 6.0 value = $486; VF 8.0 value = $1,013. CGC census 12/05: 1 in 6.5, 4 higher.
Jo-Jo Comics #20 (Fox Features Syndicate, 1948) CGC NM 9.4 White pages. Looking at Jo-Jo's face on this action cover, we'd say the cover art is by none other than that future Mad ace, Al Feldstein! This is the only copy certified with a grade above 9.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 1 in 9.4, none higher.
Jumbo Comics #1 (Fiction House, 1938) Condition: Qualified VG/FN. The first published comic book art by Jack Kirby is a milestone in any comic fan's book, and it came this issue, which was also the very first comic published by Fiction House! The issue is on Overstreet's list of the 100 most valuable Golden Age comic books, it's called "rare" by Overstreet and is a Gerber "8." It also has the first appearance of the publisher's most prominent character, Sheena, Queen of the Jungle, drawn by ace artist Mort Meskin. There were many other big-name contributors as well, including Bob Kane, who drew the Peter Pupp gag feature. Kirby drew both the Count of Monte Cristo and Wilton of the West stories, both signed "Jack Curtiss" -- this was before the artist, whose real name was Jacob Kurtzberg, had settled on the Kirby pseudonym. Some sources attribute the Diary of Dr. Hayward feature, signed by "Curt Davis," to Kirby as well! Another well-known name is Dick Briefer, who drew the Hunchback of Notre Dame. And we haven't even mentioned Will Eisner yet -- he not only contributed art to this issue, he and partner Jerry Iger came up with the concept for the series, convincing Fiction House, a pulp magazine publisher until then, to try its hand at comics. The comic has a mix of features typical of the early Golden Age, with adventure and gag features supplemented by tidbits on movie stars like Fay Wray (and even Buddy Ebsen!), and sports stars like Honus Wagner and Helen Wills Moody. And guess what, Mickey Mouse even appears in one panel. If you've ever wondered how the long-running series got its name, here's your answer -- it's quite literally jumbo, measuring 10.5" x 14.5". And another oddity is that it's printed on alternating red and green paper! We have expressed our grade as "qualified" because the centerfold is detached. Overstreet doesn't list a grade above VF for this issue, and indeed, the format makes it all but impossible that a NM- copy could have survived. The only copies we had ever seen before were very low-grade; we wouldn't be surprised if this is among the best surviving specimens. Overstreet 2005 GD 2.0 value = $2,100; VG 4.0 value = $4,200; FN 6.0 value = $6,300.
Jumbo Comics #2 (Fiction House, 1938) Condition: FN-. Very early Jack Kirby art is just one highlight of this oversized comic, which is called "rare" by Overstreet and assigned a "7" by Gerber. Kirby's first published comic book work was the previous issue of this series; here you can see his style shining through on both "The Count of Monte Cristo" (signed "Jack Curtiss") and "The Diary of Dr. Hayward" (signed "Curt Davis"). The origin of Sheena, Queen of the Jungle, is told for the first time in this issue, drawn by ace artist Mort Meskin. There were many other big-name contributors as well, including Bob Kane, who drew multiple gag features, and Dick Briefer, who drew the Hunchback of Notre Dame. Another feature spotlights everyone's favorite dummy, Charlie McCarthy. This oversized monster measures 10.5" x 14.5", and it's printed on alternating red and green paper! As with #1, Overstreet doesn't list a grade above VF, and in all likelihood, this is one of the very best surviving copies. Overstreet 2005 FN 6.0 value = $2,040.
Jumbo Comics #17 (Fiction House, 1940) CGC FN/VF 7.0 Off-white pages. Gerber says this issue's scarcer than those preceding and following it (giving it a "7" rating), and CGC's census bears that out, as only three copies of this issue have been certified to date; ours is the highest-graded, mind you! The issue has a Bob Powell cover and interior art by Powell and Dan Zolnerowich. Overstreet 2005 FN 6.0 value = $243; VF 8.0 value = $506. CGC census 12/05: 1 in 7.0, none higher.
Jumbo Comics #19 (Fiction House, 1940) CGC FN+ 6.5 Cream to off-white pages. Bob Powell cover and art. Overstreet 2005 FN 6.0 value = $243; VF 8.0 value = $506. CGC census 12/05: 1 in 6.5, 2 higher.
Jungle Comics #1 (Fiction House, 1940) CGC VF 8.0 Off-white to white pages. This long-running title was started off in grand fashion with the series' only Lou Fine cover! This was the only jungle series on the stands at the time, but would run into lots and lots of competition just a few years in the future. The issue's got the origin and first appearance of Kaanga, who had the lead feature in all 163 issues of this series in addition to having his own title for a while (though we were confused to see that Kaanga has the umlaut on the first A of his name here, somehow that got switched to the second A shortly thereafter!). Also making their first appearances were Camilla, Queen of the Lost Empire; Wambi the Jungle Boy; Tabu, Wizard of the Jungle (complete with origin); and Captain Terry Thunder and the Congo Lancers, all of whom were in almost every issue of this title's run. Overstreet 2005 VF 8.0 value = $3,164. CGC census 12/05: 1 in 8.0, 1 higher.
Jungle Comics #1 (Fiction House, 1940) CGC VG- 3.5 Off-white pages. One of the classic first issues put out by Fiction House, this book features a cover by Lou Fine and the first appearances of Kaanga, Tabu, and Wambi. CGC notes, "Very minor amount of color touch on cover." Overstreet 2005 VG 4.0 value = $904. CGC census 12/05: 1 in 3.5, 9 higher.
Jungle Comics #2 (Fiction House, 1940) CGC VF+ 8.5 Off-white to white pages. This dynamic cover is credited to the great Will Eisner by Gerber's Photo-Journal. Inside the issue, Fantomah makes her first appearance. Kaanga, Jungle Lord, has the lead feature as always. Overstreet 2005 VF 8.0 value = $1,031; VF/NM 9.0 value = $1,591. CGC census 12/05: 1 in 8.5, 1 higher.
Jungle Comics #3 (Fiction House, 1940) CGC VF 8.0 Off-white to white pages. Kaanga, Jungle Lord, heads this issue's roster of characters. The cover art is by Charles Sultan. Overstreet 2005 VF 8.0 value = $844. CGC census 12/05: 1 in 8.0, 1 higher.
Jungle Comics #4 (Fiction House, 1940) CGC VF- 7.5 Off-white to white pages. Only one copy of this issue has been graded higher by CGC to date. The cover art is by Charles Sultan. Overstreet 2005 VF 8.0 value = $844. CGC census 12/05: 1 in 7.5, 1 higher.
Jungle Girl #1 (Fawcett, 1942) CGC VF+ 8.5 Off-white pages. Nyoka the Jungle Girl had a nice career in comics -- three years after this one-shot, she returned in her own series which enjoyed an eight-year run. According to Overstreet, this is the first comic book to devote its entire contents to a movie serial adaptation. The bondage cover also has an inset photo of star Kay Aldridge. Overstreet 2005 VF 8.0 value = $819; VF/NM 9.0 value = $1,260. CGC census 12/05: 3 in 8.5, 1 higher.
Katy Keene #2 Mile High pedigree (Archie, 1950) CGC FN+ 6.5 Off-white to white pages. America's (and Archie Comics') Pin-up Queen stars in her second issue, with story, art, and of course, pin-ups, by Bill Woggon. Katy's had many loyal and devoted admirers through the years, including a certain Mr. Edgar Church, who once owned this comic as part of his fabulous Mile High collection. Edgar must have really been a fan, too; unlike the pristine condition most of his comics were found in, this copy looks as if it's actually been read and enjoyed a few times! Despite that, it's still currently the highest CGC-graded copy. Overstreet 2005 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 12/05: 1 in 6.5, none higher.
Katy Keene #5 Mile High pedigree (Archie, 1952) CGC NM- 9.2 White pages. The ever-lovely lass seen here lounging on the daybed is America's Pin-up Queen herself, Katy Keene. She's surrounded here by photos of her many fans and suitors, including Archie Andrews -- we wonder if Veronica knew her freckle-faced boyfriend was a Katy admirer! Bill Woggon supplied the art, and Edgar Church supplied the comic, from his wonderful Mile High collection. And unlike some of the Mile Highs, this glossy and attractive copy looks as if Edgar may have carefully read it once or twice, not just put it away! Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 1 in 9.2, none higher.
Kid Eternity #1 Mile High pedigree (Quality, 1946) CGC NM 9.4 White pages. This copy's tied for the highest grade yet assigned to this issue by CGC. The title character earned his own series after debuting in Hit Comics. He's still around today as part of the DC Universe, in fact some Golden Age fans probably had a heart attack when he was "revealed" to be the brother of ex-Fawcett lad Captain Marvel Jr! On the cover of this Golden Age issue, his main concern is trying to rouse his heavenly pal, Mr. Keeper. Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 2 in 9.4, none higher.
Kid Eternity #1 (Quality, 1946) CGC NM 9.4 Off-white to white pages. A rare high-grade copy of a very desirable book; in fact, no copy is graded higher in CGC's most recent census. Quality's Kid Eternity graduates from the pages of Hit Comics into his own title with this landmark first issue. Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 2 in 9.4, none higher.
Krazy Kat #1 (Dell, 1951) CGC NM- 9.2 Off-white to white pages. There's no artwork by George Herriman -- but it's still Krazy Kat! A fondly-remembered feature, in top condition. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 1 in 9.2, none higher.
Lars of Mars #11 (Ziff-Davis, 1951) CGC VF 8.0 Off-white to white pages. Lars of Mars' creator Jerry Siegel was once quoted as saying, "I knew people would have difficulty forgetting a Martian with a Swedish name." True enough! Lars certainly benefited from some memorable creators over the course of his brief two-issue run: Murphy Anderson handled the art chores on Siegel's character, Gene Colan added art on a backup feature, and the cover (according to some) is by Norman Saunders. Overstreet 2005 VF 8.0 value = $406. CGC census 12/05: 2 in 8.0, 3 higher.
Lash LaRue Western #1 (Fawcett, 1949) CGC VF+ 8.5 Off-white pages. The title character, star of many a Saturday matinee thriller, is seen on photo front and back covers here. Overstreet 2005 VF 8.0 value = $198; VF/NM 9.0 value = $287. CGC census 12/05: 1 in 8.5, 3 higher.
Laugh Comix #46 Mile High pedigree (MLJ, 1944) CGC VF/NM 9.0 White pages. Overstreet 2005 VF/NM 9.0 value = $199; NM- 9.2 value = $260. CGC census 12/05: 1 in 9.0, none higher.
Liberty Comics #10 Double Cover (Green Publishing Co., 1945) CGC NM 9.4 Off-white pages. This MLJ/Archie offshoot features appearances by the Hangman and the Boy Buddies, in three reprinted stories. But the real news here is the rare occurrence of a double cover. CGC notes, "First cover 9.2, interior cover 9.4." This one easily tops CGC's current census list for this issue. Overstreet 2005 NM- 9.2 value = $240. CGC census 12/05: 1 in 9.4, none higher.
The Lone Ranger #11 Mile High pedigree (Dell, 1949) CGC NM 9.4 White pages. This is the only copy of this issue that's been graded above 8.5 by CGC to date. This issue has the first installment of the Young Hawk backup feature that continued for the rest of this title's run. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
The Lone Ranger #18 Mile High pedigree (Dell, 1949) CGC NM+ 9.6 Off-white to white pages. This pristine Edgar Church copy is the highest-graded that CGC has certified for the issue to date. If you've got enough cash on hand, put in a bid, if not, call a loan arranger! Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.6, none higher.
The Lone Ranger #22 Mile High pedigree (Dell, 1950) CGC NM- 9.2 White pages. Tom Hickey art. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.2, none higher.
The Lone Ranger #24 Mile High pedigree (Dell, 1950) CGC NM 9.4 White pages. In addition to the usual Lone Ranger strip reprints, this issue's got a backup feature with Tom Hickey art. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
The Lone Ranger #26 Mile High pedigree (Dell, 1950) CGC NM+ 9.6 Off-white to white pages. Here's one of the highlights of our great Lone Ranger run. Inside the issue are strip reprints plus a Tom Hickey-drawn backup feature. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
The Lone Ranger #27 Mile High pedigree (Dell, 1950) CGC NM- 9.2 Off-white pages. "Colo. Acct. #28" says the stamp on this copy's cover -- that would be the Colorado account of Mr. Edgar Church (or the newsstand or distributor who handled the comic along the way)! This Mile High copy is tied for the highest grade that CGC has assigned to date. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 3 in 9.2, none higher.
The Lone Ranger #28 Mile High pedigree (Dell, 1950) CGC NM- 9.2 Off-white to white pages. Tied for the highest grade CGC has assigned for the issue to date. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.2, none higher.
The Lone Ranger #30 Mile High pedigree (Dell, 1950) CGC VF/NM 9.0 White pages. Overstreet 2005 VF/NM 9.0 value = $120; NM- 9.2 value = $160. CGC census 12/05: 3 in 9.0, none higher.
The Lone Ranger #10-145 Box Lot (Dell, 1949-62). Here's a solid, uninterrupted run of 13 years' worth of the Lone Ranger, extending all the way through the end of the Dell series! All of the photo covers featuring Clayton Moore are present here, as are all of the painted covers by Ernest Nordli. Condition is as follows: issues 10-74 average VG-; 75-105 average VG/FN; 106-145 average FN. Approximate Overstreet value for group = $3,100.
Lone Rider #1 Mile High pedigree (Superior, 1951) CGC NM 9.4 White pages. Overstreet reports that this series featured "Kamenish" art. Well, who wouldn't want to draw like Jack Kamen? This is the highest-graded copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.4, none higher.
Lone Rider #3 Mile High pedigree (Farrell, 1951) CGC NM+ 9.6 Off-white to white pages. This is the only copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
Lone Rider #6 (Farrell, 1952) CGC NM 9.4 White pages. This is the only copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #1 (Dell, 1941) CGC FN- 5.5 Cream to off-white pages. The first comic book appearances Bugs Bunny, Porky Pig, Daffy Duck, and Elmer Fudd make this one of the few most important comic books of the cartoon-character genre. It's on Overstreet's list of the 100 most valuable comic books, and only one copy of the issue has been graded higher than our offering. This premiere issue took gags directly from the cartoon shorts of the Leon Schlesinger characters. It started a 21-year comic book run for the Warner Brothers characters. Overstreet 2005 FN 6.0 value = $3,000. CGC census 12/05: 2 in 5.5, 1 higher.
Looney Tunes and Merrie Melodies Comics #1 (Dell, 1941) CGC Apparent GD 2.0 Slight (P) Cream to off-white pages. This book's significance make it a must-have for the funny animal collector in any grade you can find it in! And considering that CGC has only certified one unrestored copy above FN- 5.5, a high-grade copy is pretty much a pipe dream. Here's why you need the book even in this grade: it's got the first comic book appearances of Bugs Bunny, Porky Pig, Daffy Duck, and Elmer Fudd! Th-th-th-that's a lot, folks. CGC notes, "Restoration includes: spine split sealed to cover." Overstreet 2005 GD 2.0 value = $1,000.
Looney Tunes and Merrie Melodies Comics #10 (Dell, 1942) CGC NM 9.4 Cream to off-white pages. Flag cover by Leon Schlesinger. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 1 in 9.4, none higher.
Lucky "7" #1 Mile High pedigree (Howard, 1944) CGC NM 9.4 Off-white pages. A bizarre bondage cover graces this seldom-seen one-shot comic. Overstreet 2005 NM- 9.2 value = $425. CGC census 12/05: 1 in 9.4, none higher.
Mad Hatter #1 (O.W. Comics, 1946) CGC NM- 9.2 Off-white pages. A gorilla cover by John Giunta graces this first issue of the two-issue series. Overstreet 2005 NM- 9.2 value = $1,150. CGC census 12/05: 2 in 9.2, 1 higher.
Magic Comics #39 Mile High pedigree (David McKay Publications, 1942) CGC NM+ 9.6 White pages. A Golden Age book with a white cover in 9.6 condition? Has to be a Mile High! In addition to the Blondie feature, Mandrake the Magician appears. This is the only copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.6, none higher.
March of Comics #54 Gene Autry - File Copy (K. K. Publications, Inc., 1950) CGC NM 9.4 Off-white to white pages. No copy has been graded higher by CGC to date. Note that this is the version without a slick outer cover. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 2 in 9.4, none higher.
March of Comics #68 Roy Rogers - File Copy (K. K. Publications, Inc., 1951) CGC NM 9.4 Off-white to white pages. This is the only copy of the issue certified with a grade above 8.0 by CGC to date. Note that this is the version without the slick outer cover. Overstreet 2005 NM- 9.2 value = $210. CGC census 12/05: 1 in 9.4, none higher.
Martin Kane #4 (#1) Mile High pedigree (Fox, 1950) CGC VF+ 8.5 White pages. There are no women like Wally Wood women, that's why we're glad that Wood provided cover and interior art for this issue. This short-lived title tied into the early TV series of the same. How early, you ask? Well, it was a detective show performed live on TV! And this short-lived title holds the distinction of being the first comic based on a TV detective show. The content consisted of true crime stories. It was mentioned in Seduction of the Innocent. Joe Orlando also contributed art to the issue. Overstreet 2005 VF 8.0 value = $175; VF/NM 9.0 value = $253. CGC census 12/05: 1 in 8.5, none higher.
The Marvel Family #1 (Fawcett, 1945) CGC VF- 7.5 Cream to off-white pages. Fawcett's answer to super-groups such as the JSA and the All-Winners Squad debuted in this issue, when the Marvels teamed up for ten years of crime-fighting. This issue also features the origin and first appearance of arch-nemesis Black Adam, who has bedeviled the Big Red Cheese to this day. The cover and art art by C. C. Beck. This is a very nice mid-grade copy with no outstanding defects. Overstreet 2005 VF 8.0 value = $1,106. CGC census 12/05: 5 in 7.5, 3 higher.
The Marvel Family #2 (Fawcett, 1946) CGC VF/NM 9.0 Cream to off-white pages. This issue marked the first time the entire Marvel Family (including Lieutenants) appeared together! The gang's all here on C. C. Beck's cover. That includes Uncle Marvel, who may not have super powers, but can at least hold his own when it comes to tickling the ivories. The issue's interior art is also by Beck. Overstreet 2005 VF/NM 9.0 value = $481; NM- 9.2 value = $741. CGC census 12/05: 2 in 9.0, 5 higher.
The Marvel Family #3 Big Apple pedigree (Fawcett, 1946) CGC NM+ 9.6 White pages. This is the only copy graded above 9.0 by CGC as of this writing. The cover is by C. C. Beck. Overstreet 2005 NM- 9.2 value = $700. CGC census 12/05: 1 in 9.6, none higher.
The Marvel Family #47 Crowley Copy pedigree (Fawcett, 1950) CGC NM- 9.2 Cream to off-white pages. The Family gets Flying Saucer fever in this special issue, as they team up to defeat the dreaded green-skinned Interplanetary Thieves. This one is sought after by UFO cover collectors, and this beautiful pedigreed copy is definitely the one to seek out! It's the better of only two CGC-graded copies to date. Overstreet 2005 NM- 9.2 value = $255. CGC census 12/05: 1 in 9.2, none higher.
The Marvel Family #52 Crowley Copy pedigree (Fawcett, 1950) CGC NM+ 9.6 Off-white pages. Harry Potter fans, take note! The Marvel Family visits "The School for Witches" in this issue. Fawcett editor Wendell Crowley's crystal ball must have told him to stash away his old comics for future collectors -- like you! Aren't you glad he did? Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.6, none higher.
The Marvel Family #54 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Jumpin' Jupiter! The Earth suddenly acquires a set of Saturn-like rings on this issue's eye-catching cover. We're not sure what kind of menace this is, but rest assured -- the mighty Marvel Family is on the case! Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
The Marvel Family #58 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Cream to off-white pages. The Family is seen flying in formation on this issue's cover, by C. C. Beck and Pete Costanza. Story artists include Kurt Schaffenberger. Once again, this copy, from former editor Wendell Crowley's collection, tops the current CGC census chart. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
The Marvel Family #61 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Cream to off-white pages. The rockets are roaring and the ray guns blasting on this sci-fi cover, illustrating the Marvel Family story "The Million Year War." Artists for this issue include Kurt Schaffenberger and Pete Costanza. This Crowley Copy example is currently the CGC census champ. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
The Marvel Family #70 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white pages. Pete Costanza illustrated this issue's cover, for the three-part "Crusade of Evil" story. The interior art is by Kurt Schaffenberger. CGC currently lists only this copy in its census report for this issue. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.2, none higher.
The Marvel Family #74 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. Our run of CGC chart topping comics from the Wendell Crowley collection continues with this wild entry, featuring a true Alligator Man as this month's villain. Hiss! Artists include C. C. Beck and Pete Costanza. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
The Marvel Family #75 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. When this issue claims "Slam Bang Action," take them at their word -- witness the missle exploding off the mighty chest of Captain Marvel on the cover! It's a colorful sci-fi setting for the Family, illustrating the three-part saga, "The Great Space Struggle." Artists include Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 3 in 9.4, none higher.
The Marvel Family #77 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white pages. The huge, bloody hand trapping the Family on this issue's cover belongs to that Red menace, King Kull. Apparently in 1952, the best way to educate children about the dangers of the Communist threat was through... comic books! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.2, none higher.
The Marvel Family #79 Crowley Copy pedigree (Fawcett, 1953) CGC NM- 9.2 Off-white pages. The Family gets a little wild on this issue's "Horror Satire" cover, as they unite to frighten a mummy out of his tomb! The mighty Marvels never looked sillier, but we must say Mary looks pretty cute in her new short hairdo! This glossy, pedigreed copy is tied with one other as highest CGC-graded. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 2 in 9.2, none higher.
The Marvel Family #83 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. Looks like editor Wendell Crowley was being influenced by the horror titles coming from EC for this scary Marvel Family issue. It's from near the end of the run; in fact, only six more issues would follow. Crowley's copy is loaded with cover gloss and rich color, and is currently the only example of this issue listed in the CGC census. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 1 in 9.4, none higher.
The Marvel Family #86 Crowley Copy pedigree (Fawcett, 1953) CGC NM/MT 9.8 Off-white pages. This issue's C. C. Beck-illustrated cover looks like a scene from some Fox TV episode of "When Pets Attack!" It makes the back cover ad for a "talking parakeet" all the more ominous! All kidding aside, this gem of a pedigreed copy is the highest graded copy listed in the current CGC census -- naturally. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05:1 in 9.8, none higher.
Mary Marvel Comics #1 (Fawcett, 1945) CGC FN 6.0 Cream to off-white pages. Mary Marvel got her own book (after appearing in Wow Comics), and she got her own archfoe as well -- Georgia Sivana (daughter of Dr. Sivana) made her first appearance in this issue. The cover art is by Jack Binder. Overstreet 2005 FN 6.0 value = $624. CGC census 12/05: 1 in 6.0, 14 higher.
Mary Marvel Comics #2 Mile High pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. This issue's got cover and interior art by Jack Binder. Overstreet 2005 NM- 9.2 value = $1,000. CGC census 12/05: 1 in 9.6, none higher.
Mary Marvel Comics #3 Mile High pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white pages. Mary got a new and improved (and more feminine) logo starting with this issue. This is the only 9.6, and highest-graded copy overall, that CGC has certified as of this writing. Overstreet 2005 NM- 9.2 value = $675. CGC census 12/05: 1 in 9.6, none higher.
Mary Marvel Comics #5 Crowley Copy pedigree - File Copy (Fawcett, 1946) CGC VF+ 8.5 Cream to off-white pages. Our young heroine hitches a ride on a friendly (and incredibly large) butterfly, on this beautiful black-background cover. This Fawcett File Copy is lightly stamped across the lower wing of the butterfly in a very unobtrusive manner.Overstreet 2005 VF 8.0 value = $239; VF/NM 9.0 value = $357. CGC census 12/05: 1 in 8.5, none higher.
Mary Marvel Comics #26 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. Are you a member of the Mary Marvel Marching Society? Not Merry Marvel, you True Believers... we're talking about Billy Batson's super sister! Here she is leading the parade on her next-to-last issue, with her buddy Freckles along for comic relief. This lovely Wendell Crowley pedigreed copy is one of only two CGC-certified copies currently registered. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 2 in 9.4, none higher.
Master Comics #19 Crowley Copy pedigree (Fawcett, 1941) CGC VF 8.0 Off-white pages. Bulletman and Bulletgirl soar through the skies with a young friend on this handsome Mac Raboy cover. Other artists include Charles Sultan and George Tuska. Like many of the comics from former Fawcett editor Wendell Crowley's collection, this comic appears flat, tight, and solid, with very little wear. Overstreet 2005 VF 8.0 value = $638. CGC census 12/05: 2 in 8.0, 2 higher.
Master Comics #21 Crowley Copy pedigree (Fawcett, 1941) CGC VF- 7.5 Off-white pages. This scarce comic book is perhaps the best known and most sought after issue of Master Comics. It features the origin and the introduction of the classic World War II arch-enemy, Captain Nazi, and sets the wheels in motion for the creation of Captain Marvel Jr. in Whiz Comics #25. The Big Red Cheese himself, Captain Marvel, appears, joining forces with cover star Bulletman. This is part one of a trilogy that is continued in Whiz #25 and Master #22. Former Fawcett editor Wendell Crowley once owned this copy, which appears to have been carefully read a few times, but still retains plenty of eye-appeal. Overstreet 2005 VF 8.0 value = $3,542. CGC census 12/05: 2 in 7.5, 2 higher.
Master Comics #22 (Fawcett, 1942) CGC NM- 9.2 Off-white pages. The first cover appearance of Captain Marvel Jr. is just his second appearance overall (after Whiz Comics #25) and his first actual adventure! And he's thrown right into the fray, teaming with Bulletman to battle Captain Nazi (who makes only his third appearance here). Junior would be the cover star of the series for the next eleven years straight, and he was always at his best when drawn by Mac Raboy, who provided the cover and interior art for this issue. Overstreet 2005 NM- 9.2 value = $7,000. CGC census 12/05: 1 in 9.2, 1 higher.
Master Comics #22 (Fawcett, 1942) CGC FN/VF 7.0 Cream to off-white pages. Captain Marvel Jr. made his first cover appearance and had his first adventure in this issue. It was just Junior's second appearance (after Whiz Comics #25), but it wraps up a three-part story, the first seeds of which were sown in #21 of this series. Here, Junior teams up with Bulletman to battle Captain Nazi. Mac Raboy drew the bondage cover as well as the interior story. Overstreet 2005 FN 6.0 value = $1,356; VF 8.0 value = $3,164. CGC census 12/05: 2 in 7.0, 5 higher.
Master Comics #24 Crowley Copy pedigree (Fawcett, 1942) CGC FN+ 6.5 Off-white pages. A sinister-looking night scenario is closely monitored by Captain Marvel Jr. on this atmospheric Mac Raboy cover. Inside, Mr. Macabre threatens our young hero in a fifteen page Raboy-illustrated tale. Bulletman, Minute-Man, Buck Jones, and others keep the thrills coming. This is one of the nicest FN+ Golden Age comics we've seen in a while, with only a slight bit of wear along the spine and corners keeping it from a higher grade. Please note a very small crack in the CGC holder on the right edge; this does not affect the enclosed book in any way. Overstreet 2005 FN 6.0 value = $294; VF 8.0 value = $613. CGC census 12/05: 1 in 6.5, 2 higher.
Master Comics #30 Crowley Copy pedigree (Fawcett, 1942) CGC VF- 7.5 Cream to off-white pages. A fabulous World War II flag cover is featured on this issue, with art by Mac Raboy. That Axis master villain Captain Nazi is at it again, in the story "Captain Marvel Jr. Saves the Doomed Army." Bulletman and Minute-Man stories are also featured. Overstreet 2005 VF 8.0 value = $544. CGC census 12/05: 1 in 7.5, 4 higher.
Master Comics #31 Mile High pedigree (Fawcett, 1942) CGC NM 9.4 White pages. Great cover gloss, perfect edges, and white pages characterize this Mile High copy. It's one of only two that have been certified by CGC as of this writing, with the other far behind at 7.5. Captain Marvel Jr. is the star of the issue, drawn by his signature artist Mac Raboy. Overstreet 2005 NM- 9.2 value = $850. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #31 Crowley Copy pedigree (Fawcett, 1942) CGC VF- 7.5 Cream to off-white pages. We're surprised this great Mac Raboy cover isn't considered a classic, with its many action poses of Captain Marvel Jr. The "Comix Cards" feature is on the back cover, with the cards of Captain Marvel and Spy Smasher still thankfully intact on this choice copy. Overstreet 2005 VF 8.0 value = $406. CGC census 12/05: 1 in 7.5, 1 higher.
Master Comics #38 Crowley Copy pedigree - File Copy (Fawcett, 1943) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. collects some scrap metal, courtesy of the Imperial Japanese Navy, on this stirring World War II cover by Mac Raboy. A rubber-stamped "Checking Copy" indicates that this book was used by Fawcett as an in-house reference item, one that general comics editor Wendell Crowley got to take home at the end of the day. Overstreet 2005 NM- 9.2 value = $785. CGC census 12/05: 1 in 9.2, 1 higher.
Master Comics #42 Crowley Copy pedigree - File Copy (Fawcett, 1943) CGC VF/NM 9.0 Cream to off-white pages. A majestic Captain Marvel Jr. stands tall on this Mac Raboy cover, which also features two high-ranking World War II Nazi officials getting their comeuppance from our young hero. "Checking Copy" has been lightly rubber-stamped on the front cover of this well-preserved example, which was found among Fawcett editor Wendell Crowley's impressive comic book collection. Overstreet 2005 VF/NM 9.0 value = $357; NM- 9.2 value = $623. CGC census 12/05: 2 in 9.0, 1 higher.
Master Comics #48 Crowley Copy pedigree (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Mac Raboy provided this dramatic "in-the-mirror" image of Captain Marvel Jr. Inside, there's the first appearance of Bulletboy, plus a cameo by the Big Red Cheese himself, Captain Marvel, in the Minute-Man story. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 2 in 9.2, 1 higher.
Master Comics #49 Pennsylvania pedigree (Fawcett, 1944) CGC NM+ 9.6 Off-white to white pages. Sivana is despicable, he's contemptible, and he has a dirigible! This is a job for Captain Marvel Jr. The cover art is by Mac Raboy. Backup features include Hopalong Cassidy, Bulletman, and Minute Man. This pedigree book is the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #49 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Cream to off-white pages. Foolish Dr. Sivana -- doesn't he know better than to put his name on his getaway blimp? Mac Raboy provides the Captain Marvel Jr. cover art. In this issue, Minute-Man finally runs out of time, turning in his last appearance. This is an exceptionally nice comic from the Crowley Copy collection. Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 1 in 9.4, 1 higher.
Master Comics #51 Crowley Copy pedigree - File Copy (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. points out the target for tonight on this "keep 'em flying" World War II cover by Mac Raboy. Next stop -- Tokyo! "Checking Copy" has been lightly rubber-stamped on the front cover of this attractive, glossy, pedigreed example. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.2, none higher.
Master Comics #56 Crowley Copy pedigree - File Copy (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. soars through the skies to help stop the bombing of Britain on this thrilling World War II cover illustration. Nyoka, Bulletman, and Radar all appear inside. "Checking Copy" mark has been lightly rubber-stamped on the front cover of this beautiful comic, part of editor Wendell Crowley's collection. Currently, only one example of this issue has been graded, according to CGC's census. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.2, none higher.
Master Comics #57 Crowley Copy pedigree (Fawcett, 1945) CGC NM+ 9.6 Off-white pages. This fantastic pedigreed copy features a jet-black background, and is extremely sharp and attractive. Captain Marvel Jr. stars, along with Nyoka and Bulletman. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #58 Crowley Copy pedigree (Fawcett, 1945) CGC VF/NM 9.0 Cream to off-white pages. Gee whiz! Captain Marvel Jr. gives a few of his young admirers a thrill on this high-flying cover. Inside, the excitement continues with Nyoka, Bulletman, and Radar. The real fun will go to the lucky bidder who wins this attractive pedigreed copy! Overstreet 2005 VF/NM 9.0 value = $203; NM- 9.2 value = $265. CGC census 12/05: 3 in 9.0, none higher.
Master Comics #59 Crowley Copy pedigree - File Copy (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. encounters the "Upside Downies" in this wacky issue. Nyoka (who begins the "Terrible Tiara" serial), Bulletman, and Radar round out the contents. This fresh-looking Fawcett File Copy has a light stamp on the front cover. Overstreet 2005 NM- 9.2 value = $290. CGC census 12/05: 1 in 9.2, none higher.
Master Comics #60 Crowley Copy pedigree - File Copy (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. is breaking a record on this cool cover -- the "Blackmail Boogie" record, that is! This Fawcett File Copy looks pretty much unread, despite the light "Checking Copy" stamp on the front cover. Overstreet 2005 NM- 9.2 value = $290. CGC census 12/05: 2 in 9.2, 1 higher.
Master Comics #61 Crowley Copy pedigree - File Copy (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. "Comic Stories with a Wallop!" That's what the cover blurb on this issue says, and we don't wish to argue! In this issue, Captain Marvel Jr. meets Uncle Marvel. A light "Checking Copy" stamp appears on the front cover to this sharp example from Fawcett editor Wendell Crowley's collection. Overstreet 2005 NM- 9.2 value = $290. CGC census 12/05: 1 in 9.2, 1 higher.
Master Comics #67 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Cream to off-white pages. Captain Marvel Jr. goes back in time on this issue's "Knights and Castles" cover. Smashing! That word describes the exceptional condition of this pedigreed copy, too. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #71 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Cream to off-white pages. This issue's Captain Marvel Jr. cover by Bud Thompson is positively red-hot! Of course, it helps to see it on this sharp pedigreed copy! It's currently the hottest thing on the CGC census chart! Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #72 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Cream to off-white pages. This issue's colorful Captain Marvel Jr. cover features Dr. Sivana and "The Whistle That Wouldn't Stop!" You won't stop looking at this pedigreed beauty if your bid brings it home! Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #75 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Off-white pages. Captain Marvel Jr. goes up against the Zombie Master on this issue's blazing hot cover. Juju! This fresh-looking example comes from former Fawcett editor Wendell Crowley's personal collection. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 2 in 9.4, none higher.
Master Comics #78 Crowley Copy pedigree (Fawcett, 1947) CGC NM 9.4 Off-white pages. It's Captain Marvel Jr. to the rescue on this colorful roller coaster cover. Inside, adventures of Nyoka and Bulletman are featured. This super-fresh specimen was originally part of editor Wendell Crowley's prize collection of comics. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.4, 1 higher.
Master Comics #86 Crowley Copy pedigree (Fawcett, 1947) CGC NM 9.4 Off-white pages. Here's by far the nicest copy yet certified of this white-cover issue. While the cover indicates a Bulletman story, it's actually a Bulletgirl solo story. Also appearing are Nyoka, Radar, and of course Captain Marvel Jr. Overstreet 2005 NM- 9.2 value = $170. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #87 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. Here's a very fresh-looking copy from the files of former Fawcett editor Wendell Crowley. This issue's got the last appearance in this series of Radar the International Policeman, who got the boot to make room for Hopalong Cassidy's return in the following issue. Captain Marvel Jr., Bulletman, and Nyoka the Jungle Girl also appear. Overstreet 2005 NM- 9.2 value = $170. CGC census 12/05: 1 in 9.4, 1 higher.
Master Comics #88 Crowley Copy pedigree (Fawcett, 1948) CGC NM+ 9.6 Off-white to white pages. This copy's tied with one other for the highest grade that CGC has assigned to date. The cover blurb "Introducing: Hopalong Cassidy" should probably say reintroducing, as Hoppy was a regular earlier in this series' run. The issue's other features include Nyoka (drawn by Bernie Krigstein, no less), Bulletman, some gag strips, and of course Captain Marvel Jr. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 2 in 9.6, none higher.
Master Comics #91 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. Who's your favorite "Hoppy" at Fawcett, Hopalong Cassidy or Hoppy the Marvel Bunny? Whatever your answer, you're in luck, because both the cowboy hero and the super-powered funny animal have stories in this issue! They're joined by Nyoka the Jungle Girl, Bulletman, and of course the star, Captain Marvel Jr. Overstreet 2005 NM- 9.2 value = $170. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #94 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. This copy's alone at the top of the CGC census as of this writing! It's an issue that boasts a nice artistic lineup, with Bill Ward (Bulletman), Bernie Krigstein (Nyoka) and Kurt Schaffenberger (Captain Marvel Jr.) all contributing. This issue's Hopalong Cassidy story marks the final time the character appeared in this series. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #95 Crowley Copy pedigree (Fawcett, 1948) CGC NM+ 9.6 Cream to off-white pages. This specimen tops CGC's census with no competition in sight -- we've seen the Mile High copy of this issue, and even that doesn't measure up to this one! The cover blurb "... and Introducing Tom Mix" is pretty funny to us -- you'd think he was a young up-and-comer, when actually he was a big star who had his own title at Fawcett at this time (despite already being deceased by 1948). Rounding out the lineup are Captain Marvel Jr., Nyoka the Jungle Girl, and Bulletman. And as the icing on the cake, the back-cover ad has art by DC cover ace Creig Flessel. Overstreet 2005 NM- 9.2 value = $170. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #100 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. This is the only copy of this issue graded above 9.0 by CGC as of this writing. The cover is credited to Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #101 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. If there was a better cover than this one in Master Comics' run, we'd like to see it! The Captain Marvel Jr. feature is accompanied by Bulletman, Tom Mix, and Nyoka the Jungle Girl stories. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.4, 1 higher.
Master Comics #102 (Fawcett, 1949) CGC NM+ 9.6 Off-white pages. Bill Ward handled art chores on this issue's Bulletman story, with Kurt Schaffenberger drawing the cover and interior appearances of Captain Marvel Jr. There's a Nyoka the Jungle Girl story here too, and Tom is also in the Mix. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #103 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Cream to off-white pages. This copy's from the collection of Wendell Crowley, who edited the Marvel Family books at Fawcett. It's the only copy certified with a grade above 7.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #105 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. This war-type cover's a bit of an eyebrow-raiser considering the 1949 publication date! In addition to a Captain Marvel Jr. story with Kurt Schaffenberger art (the cover is also by Mr. S), there are adventures of Nyoka the Jungle Girl, Tom Mix, and Bulletman. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #108 Crowley Copy pedigree (Fawcett, 1949) CGC NM+ 9.6 Off-white pages. In addition to a weird and wacky Kurt Schaffenberger cover, this issue's got Captain Marvel Jr. performing heroics in the city, with Nyoka the Jungle Girl doing the same in the jungle and Tom Mix keeping order on the frontier. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 1 in 9.6, none higher.
Master Comics #111 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Ozzie, an Archie-esque teen character, joined superkid Captain Marvel Jr., jungle gal Nyoka, and cowboy Tom Mix in this issue. The cover is by Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #113 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. This issue promises "zooming action" with its cover star, Captain Marvel Jr.; Tom Mix and Nyoka also appear. Artists include Kurt Schaffenberger. This is currently the only copy of this issue certified by CGC. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #115 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Off-white pages. Captain Marvel Jr. paints up another masterpiece of comics entertainment. Also appearing: cowboy superstar Tom Mix and jungle queen Nyoka. Cover art is by Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #122 (Fawcett, 1951) CGC NM 9.4 Off-white to white pages. "Lower print run" is what Overstreet notes about the late stretch of the series that includes this issue. The book has a Kurt Schaffenberger cover. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.4, none higher.
Master Comics #123 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. This issue hails from the "lower print run" era of this series, which came to an end with issue #133. Oddly, Tom Mix, who's seen on the cover inset, doesn't appear in the issue! But there are tales of Captain Marvel Jr., Nyoka, and Ozzie. The funny cover is by Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.4, none higher.
Master Comics #124 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Nyoka the Jungle Girl made the cover of this issue for the first time in two and a half years, and even then she had to share with co-stars Captain Marvel Jr. and Tom Mix. This is the first time we've offered this particular issue from the "lower print run" era of the series. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 2 in 9.4, none higher.
Master Comics #130 Crowley Copy pedigree (Fawcett, 1952) CGC NM/MT 9.8 Off-white pages. This copy's beautiful condition makes it one of the highlights of this sterling run we're offering. Captain Marvel Jr., Tom Mix, and Nyoka the Jungle Girl are featured. Kurt Schaffenberger drew the cover, which also features bad boy Sivana Jr. Overstreet notes, "lower print run." Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.8, none higher.
Master Comics #131 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. This third-to-last issue of the title had a "lower print run" according to Overstreet. We're not sure how exactly a superhero (Captain Marvel Jr.), a jungle girl (Nyoka) and a 1950s high school kid (Ozzie) ended up racing around with Tom Mix, but any Fawcett fan's gotta love the resulting cover scene, which is credited to Kurt Schaffenberger. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 1 in 9.6, none higher.
Mickey Mouse Magazine V5#9 File Copy (K. K. Publications, Inc., 1940) CGC VF+ 8.5 Off-white to white pages. This issue marked a change from magazine to comic book size. In a short time, this series would evolve into Walt Disney's Comics and Stories. Donald Duck is featured on the cover and in the story "Donald's Vacation," which contained gags written by Carl Barks. In addition, reprints of the Donald Duck newspaper strip begin with this issue, and a Jiminy Cricket story is also included. This File Copy looks very fresh -- it's currently the better of only two copies certified by CGC. Overstreet 2005 VF 8.0 value = $350; VF/NM 9.0 value = $538. CGC census 12/05: 1 in 8.5, none higher.
Mickey Mouse Magazine V5#10 File Copy (K. K. Publications, Inc., 1940) CGC NM- 9.2 Off-white pages. This book, one of the last to feature a 32-page mix of comics, games, and text pieces, was a special Independence Day issue. Donald Duck is once again the cover star, as he would be throughout most of the later Walt Disney's Comics and Stories run. A Donald story inside ("Bone Trouble") featured gags written by Carl Barks. This lovely File Copy is by far the current CGC census champ, beating out the two other copies listed. Overstreet 2005 NM- 9.2 value = $725. CGC census 12/05: 1 in 9.2, none higher.
Military Comics #1 (Quality, 1941) CGC VF- 7.5 White pages. Only two copies of this key book have been graded higher by CGC to date, and this copy is very fresh-looking and appealing. This issue's got the first appearance and origin of Blackhawk, who endured all the way into the 1980s in various incarnations. Overstreet once attributed the success of the feature to "sterling Iger graphics (the shop's piece de resistance) and top-drawer scripting." Will Eisner, who was reportedly a co-creator of the team, drew the cover. Inside the comic (which is divided into "Army Section" and "Navy Section"), Blackhawk is drawn by Chuck Cuidera. The other artists include Jack Cole and Fred Guardineer. Overstreet 2005 VF 8.0 value = $6,545. CGC census 12/05: 1 in 7.5, 2 higher.
Military Comics #1 (Quality, 1941) CGC FN 6.0 Off-white to white pages. This Golden Age key key issue features the origin and first appearance of the high-flying hero Blackhawk, a tough nut who survived the decline of superhero popularity, the backlash against comics during the early '50s, and loss of his publisher (DC bought the character along with others when Quality folded in 1956). The cover is by the legendary Will Eisner, and the interior art was provided by Jack Cole, Fred Guardineer, and Bob Powell (as Bud Ernest). CGC notes: "Very small amount of dried glue on cover." Overstreet 2005 FN 6.0 value = $2,805. CGC census 12/05: 2 in 6.0, 3 higher.
Military Comics #1 (Quality, 1941) CGC FN- 5.5 White pages. Here's a fresh-looking copy of the first appearance and origin of Blackhawk, drawn by Chuck Cuidera. The issue's other artists include Jack Cole and Fred Guardineer. The cover's by Will Eisner. CGC notes, "Very minor amount of glue on spine of cover. 1 piece of tape on interior cover." Overstreet 2005 VF 8.0 value = $2,805. CGC census 12/05: 1 in 5.5, 5 higher.
Military Comics #14 (Quality, 1942) CGC VF+ 8.5 Off-white pages. Reed Crandall's cover featuring an exotic Eastern beauty certainly got us interested in this issue. In these pages is the first installment of the Private Dogtag feature. Crandall, Fred Guardineer, Fred Kida, and Klaus Nordling are among the story artists. Overstreet 2005 VF 8.0 value = $544; VF/NM 9.0 value = $835. CGC census 12/05: 2 in 8.5, 4 higher.
Military Comics #19 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. This copy's truly outstanding. Yes, we know the Mile High copy tops it in CGC's census, but the Edgar Church copy, while a beautiful book, does have a dust shadow on the back, while this Tom Reilly copy doesn't, so the winning bidder for this specimen is sure to be delighted. In this issue, King Cobra organizes the Rattlesnakes, an evil counterpart to the Blackhawks! The issue's cover and interior art are by Reed Crandall. Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 1 in 9.4, 1 higher.
Military Comics #37 (Quality, 1945) CGC NM 9.4 White pages. No copy of this issue has been graded higher by CGC to date. The cover is by Alex Kotzky. Overstreet 2005 NM- 9.2 value = $685. CGC census 12/05: 1 in 9.4, none higher.
Motion Picture Comics #105 The Red Badge of Courage - Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white pages. The movie adapted here starred two actors who knew all about war firsthand: Audie Murphy, the most decorated hero of World War II, and Bill Mauldin, the most popular cartoonist of World War II -- we bet you didn't know he acted in two movies! The issue has a photo cover (with photos on the inside front and back covers, too) and Bob Powell interior art, and before the English teachers reading this tut-tut too much, we'll note that it's all based on the novel by Stephen Crane. Overstreet 2005 NM- 9.2 value = $370. CGC census 12/05: 2 in 9.6, none higher.
Platinum Age (1897-1937)
Mutt and Jeff Book 6 (Cupples & Leon, 1919) Condition: FR. By Bud Fisher. Cover detached, slightly brittle pages. Pieces missing from some interior pages, affecting story panels. Overstreet 2005 GD 2.0 value = $32.
Golden Age (1938-1955)
Mystery Comics #1 (Wise Publications, 1944) CGC VF 8.0 Off-white pages. This issue's Alex Schomburg cover features Wonderman (aka Brad Spencer), who made his first appearance in this issue. That character would later be featured in Nedor's Wonder Comics, which hints at a business relationship between publishers William H. Wise and Nedor. Everett Raymond Kinstler contributed interior art to this issue. The fresh cover colors of this copy really impress. Overstreet 2005 VF 8.0 value = $706. CGC census 12/05: 1 in 8.0, 1 higher.
Nickel Comics #3 (Fawcett, 1940) CGC FN 6.0 White pages. Featuring Bulletman. Jack Binder cover. Overstreet 2005 FN 6.0 value = $294. CGC census 12/05: 1 in 6.0, 3 higher.
O.K. Comics #1 Larson pedigree (United Features Syndicate, 1940) CGC NM- 9.2 White pages. United Features Syndicate hadn't launched a new series in a couple of years until they brought out this title and Okay Comics in the same month! Alas, neither O.K. or Okay did OK -- this one lasted only two issues. On offer was a host of adventure strips led by coverboy Sunset Smith. Also of note is one of the wackier comic book promotions we've heard of, the "cash for criticism contest" (rumor has it that our Chief Cataloger here at Heritage plans to implement a similar scheme). Anyway, you can't go wrong with a copy from the esteemed Lamont Larson pedigree. Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 1 in 9.2, 2 higher.
On The Spot #nn Crowley Copy pedigree (Fawcett, 1948) CGC NM- 9.2 Cream to off-white pages. Pretty Boy Floyd's entire true life story from the cradle to the grave is told in this 48-pager with no ads. The bondage cover has a photo of the real criminal. Overstreet 2005 NM- 9.2 value = $375. CGC census 12/05: 1 in 9.2, none higher.
Our Flag Comics #1 Mile High pedigree (Ace, 1941) CGC NM 9.4 Off-white to white pages. A patriotic comic from the Golden Age with a black cover in NM 9.4 condition, from the most famous pedigree of all... this copy's got a lot going for it. And if you plan to wait for another high-grade copy, you might be out of luck, as this is the only copy graded above 5.0 by CGC to date. The issue's artists include Jim Mooney. Also of interest is that there were comic characters named the Unknown Soldier and Captain Victory long before DC and Pacific brought out heroes with those names. Overstreet 2005 NM- 9.2 value = $3,600. CGC census 12/05: 1 in 9.4, none higher.
Our Gang #1 Carson City pedigree (Dell, 1942) CGC FN/VF 7.0 Off-white to white pages. Hal Roach's lovable Little Rascals were regularly seen at the movies from 1922 until 1944. Starring an ever-revolving cast of kid actors, this series was beloved by millions, especially after television reruns began in the late 1950s. In addition to the film shorts, this series of comic books was produced by Dell, beginning with this first issue. Like in the movies themselves, the cast of children making up Our Gang continued to change as kids grew up and younger children joined in. These Gang stories were written and drawn for over seven years by Walt Kelly, who also provided the covers (until MGM's animated cat and mouse team Tom and Jerry took over the cover position with issue #37). In time, the book would become Tom and Jerry Comics. A tough book to find in any condition, this pedigreed copy displays lots of great eye-appeal. By the way, that's Janet, Micky, Spanky, Froggy, and Buckwheat (who preferred to be called Bucky as this series progressed) on the cover; there's a photo of them on the back cover as well. Overstreet 2005 FN 6.0 value = $255; VF 8.0 value = $638. CGC census 12/05: 1 in 7.0, 2 higher.
Patsy and Her Pals #1 (Atlas, 1953) CGC VF 8.0 Off-white to white pages. Cover and art by Morris Weiss. Overstreet 2005 VF 8.0 value = $107. CGC census 12/05: 1 in 8.0, 1 higher.
Pep Comics #1 (MLJ, 1940) CGC VF+ 8.5 Off-white pages. America's first patriotic-themed superhero (even before Captain America) was the Shield, and this is the first appearance of the character. Also making his debut was Jack Cole's the Comet, "the most astonishing man on the face of the Earth." Comics historian Ron Goulart noted an unusual feature of the Comet: "he killed people, lots of them, and usually with glee." There's also the one and only Press Guardian (called the Falcon in this first appearance only). Irv Novick drew the robot cover as well as the Shield story inside the comic. This series was one of few to survive the post-Golden Age era, running for over 40 years. Overstreet 2005 VF 8.0 value = $6,776; VF/NM 9.0 value = $10,888. CGC census 12/05: 1 in 8.5, 2 higher.
Pep Comics #8 (MLJ, 1940) CGC VF+ 8.5 Off-white to white pages. This issue starred the Shield, who was really FBI agent Joe Higgins, and the four stars on his costume stood for Truth, Courage, Patriotism, and Justice! The book's other main hero, the Comet, believed in justice too, but preferred the vigilante variety! Also on hand was Sergeant Boyle, a youngster who fought World War II the only way an American could in 1940: by joining the British army! Charles Biro drew that feature; other notable artists include Jack Cole (drawing the Comet for the last time) and Mort Meskin. The cover is by Irv Novick. Overstreet 2005 VF 8.0 value = $719; VF/NM 9.0 value = $1,110. CGC census 12/05: 1 in 8.5, none higher.
Phantom Lady #13 (Fox Features Syndicate, 1947) CGC VF+ 8.5 Cream to off-white pages. Call it the first Fox appearance of Phantom Lady, or call it the first foxy appearance of Phantom Lady, because when the character resurfaced here, she had changed quite a bit since her early days at Quality. This is also the first time the character was drawn by Matt Baker. If you're wondering why collectors go ga-ga over Baker's rendition of Phantom Lady, the fanzine Collector's Dream summed it up nicely: "the artist rendered each action so as to reveal the brevity of her costume and the idea that there was nothing much under it." Overstreet 2005 VF 8.0 value = $2,691; VF/NM 9.0 value = $4,346. CGC census 12/05: 3 in 8.5, 1 higher.
Phantom Lady #14 (Fox Features Syndicate, 1947) CGC NM 9.4 Off-white pages. Here's the highest-graded copy of this issue, and the only one graded above 9.0 by CGC as of this writing. It's the second issue of this much-collected series, and thus only the second outing for the new, sexier Phantom Lady (who wasn't such a racy character in her previous appearances in Quality's Police Comics). The interior art is by "good girl" specialist Matt Baker. Overstreet 2005 NM- 9.2 value = $3,300. CGC census 12/05: 1 in 9.4, none higher.
Phantom Lady #14 (Fox Features Syndicate, 1947) CGC VG 4.0 Cream to off-white pages. It's the second issue of this much-collected series, and thus only the second outing for the new, sexier Phantom Lady. As John Wooley wrote in Collector's Dream, "Sandra Knight's alter-ego wore a costume designed to titillate the reader by showing vast expanses of flesh." The interior art is by "good girl" specialist Matt Baker. Overstreet 2005 VG 4.0 value = $508. CGC census 12/05: 2 in 4.0, 9 higher. From the Aviator Collection.
Phantom Lady #15 (Fox Features Syndicate, 1947) CGC VF+ 8.5 Off-white pages. Matt Baker created another "headlights" masterpiece with this classic cover; his fantastic art is also featured inside. In this issue, Phantom Lady is injected with an experimental drug. This incredible series has been highly prized by collectors for years, and nice copies are always snapped up instantly. Here is your chance to own a very attractive copy from this terrific run. Overstreet 2005 VF 8.0 value = $1,588; VF/NM 9.0 value = $2,444. CGC census 12/05: 2 in 8.5, 4 higher.
Phantom Lady #15 (Fox Features Syndicate, 1947) CGC VG 4.0 Cream to off-white pages. Once you've seen Matt Baker's cover, do you need any other reason to bid? Well, for you sticklers out there, we'll note that there's plenty of eyebrow-raising content inside the issue as well. Phantom Lady is injected with experimental drugs in the issue, and before you think she's a goody two-... shoes, we'll note that she stabs a guy in the throat with a hat pin in one of the stories! Overstreet 2005 VG 4.0 value = $508. CGC census 12/05: 1 in 4.0, 16 higher. From the Aviator Collection.
Phantom Lady #16 Recil Macon pedigree (Fox Features Syndicate, 1948) CGC FN- 5.5 Off-white to white pages. Matt Baker turned on the "headlights" for this truly memorable cover. And though Phantom Lady only appears in an inset, we're pleased to tell you that the cover ingenue is just as scantily clad as the title character. This issue had the first of a series of true-crime backup features narrated by Phantom Lady. By the way, there are negligee panels in the issue; that shouldn't come as a surprise to any Fox fan. Overstreet 2005 FN 6.0 value = $762. CGC census 12/05: 2 in 5.5, 10 higher.
Phantom Lady (second series) #5 (Ajax / Farrell, 1955) CGC FN/VF 7.0 White pages. This issue (the first, despite the numbering) marked the resumption of Phantom Lady's comic book career after her run at Fox came to an end five years earlier. Artist Matt Baker returns to the character. Overstreet 2005 FN 6.0 value = $345; VF 8.0 value = $719. CGC census 12/05: 1 in 7.0, 2 higher.
Planet Comics #4 (Fiction House, 1940) CGC FN- 5.5 Cream to off-white pages. Gerber credits this issue's cover to Charles Sultan, and we credit Sultan with a creative idea -- why zap an alien with a ray gun when you can just punch him out? Inside the comic is the first appearance of Gale Allen and the Girl Squadron; those ladies would be featured on many a cover of this title in years to come. Overstreet 2005 FN 6.0 value = $831. CGC census 12/05: 1 in 5.5, 4 higher.
Planet Comics #18 (Fiction House, 1942) CGC FN/VF 7.0 Cream to off-white pages. Dan Zolnerowich turns in a great cover featuring Reef Ryan and "The Vampire Men of Neptune." The interior features art by greats such as Joe Doolin, Saul Rosen, George Appel, and Art Saaf. CGC notes this book is "From the collection of Nicolas Cage." Overstreet 2005 FN 6.0 value = $411; VF 8.0 value = $856. CGC census 12/05: 1 in 7.0, 4 higher.
Planet Comics #19 (Fiction House, 1942) CGC VF 8.0 Off-white pages. If spiders give you the creepy-crawlies, you might not want to look at this wild Dan Zolnerowich cover! But if "good girl" art in a strange bondage situation appeals to you, check this one out! This copy is quite attractive, with wonderfully flat surfaces and a smooth spine. CGC notes, "22nd to 27th pages siamese and stuck together." Overstreet 2005 VF 8.0 value = $856. CGC census 12/05: 2 in 8.0, 2 higher.
Planet Comics #20 (Fiction House, 1942) CGC VF/NM 9.0 Off-white pages. Attributing Fiction House covers can be a tricky business, but this one actually bears the signature of Dan Zolnerowich. He delivered the combination of outer space, ray guns, and leggy ladies (in high heels on a swampy planet, no less) that Fiction House was famous for. Overstreet 2005 VF/NM 9.0 value = $1,316; NM- 9.2 value = $1,775. CGC census 12/05: 1 in 9.0, 1 higher.
Planet Comics #27 Rockford pedigree (Fiction House, 1943) CGC NM- 9.2 Off-white pages. Pedigree copy comes with a certificate from The Rockford Collection, and is CGC's second highest-graded copy to date. Joe Doolin's cover spotlights Gale Allen and the Girl Squadron. Interior artists include Doolin, Graham Ingels, and Lee Elias. Overstreet 2005 NM- 9.2 value = $1,350. CGC census 12/05: 1 in 9.2, 1 higher.
Planet Comics #51 (Fiction House, 1947) CGC VF/NM 9.0 Cream to off-white pages. Covers with a skull on them were reportedly top sellers, and the addition of a scantily-clad lady (which Fiction House seldom neglected to add) probably didn't hurt sales either. George Evans and Murphy Anderson are among this issue's artists. Overstreet 2005 VF/NM 9.0 value = $594; NM- 9.2 value = $800. CGC census 12/05: 3 in 9.0, 4 higher.
Planet Comics #54 (Fiction House, 1948) CGC FN+ 6.5 Cream to off-white pages. Matt Baker, Joe Doolin, and George Evans art. Overstreet 2005 FN 6.0 value = $186; VF 8.0 value = $388. CGC census 12/05: 2 in 6.5, 9 higher.
Plastic Man #nn (#1) (Quality, 1943) CGC VF 8.0 Cream to off-white pages. It's no "stretch" to say that this is a very appealing copy of this white-cover issue. Plas' adventures are from the fertile mind and skilled drawing hand of his creator, Jack Cole. Overstreet 2005 VF 8.0 value = $2,691. CGC census 12/05: 2 in 8.0, 2 higher.
Plastic Man #nn (#1) Rockford pedigree (Quality, 1943) CGC FN 6.0 Off-white pages. Stretching out of the pages of Police Comics and into his own title was Plastic Man, in stories and art by Jack Cole which are still beloved today. This issue started off a thirteen-year run. Overstreet 2005 FN 6.0 value = $1,242. CGC census 12/05: 1 in 6.0, 6 higher.
Plastic Man #3 (Quality, 1946) CGC VF/NM 9.0 Off-white pages. If you collect everyone's favorite India Rubber Man -- and if not, why not? -- you'll be very pleased with this copy, which is topped by only one other according to CGC's current census report. Jack Cole supplied cover and interior art. Overstreet 2005 VF/NM 9.0 value = $1,185; NM- 9.2 value = $1,600. CGC census 12/05: 2 in 9.0, 1 higher.
Pocket Comics #2 Mile High pedigree (Harvey, 1941) CGC VF 8.0 Off-white to white pages. This is the second issue of the title that gave Harvey Comics its start, and we've got the highest-graded copy yet certified. Al Harvey's concept for a new twist on the comic book was this: 96 pages (100 if you count covers) for a dime, as opposed to the 64 pages most comics offered, and half the size of a regular comic. The format was quickly phased out, reportedly because the small size made it too easy for light-fingered kids to shoplift, but it gave Harvey his start in the funnybook business. This issue's most notable character is the Black Cat (who would soon have her own series), but there's also the Spirit of '76, who battles Satan, no less, and an appearance by the nefarious Hitler. The cover is by Joe Simon. We all know that comics in oddball sizes are tough to store and keep in nice condition, and apparently Edgar Church had the same problem. Still, this is the only copy of the issue that CGC has certified to date. Overstreet 2005 VF 8.0 value = $406. CGC census 12/05: 1 in 8.0, none higher.
Police Comics #1 (Quality, 1941) CGC FN+ 6.5 Off-white to white pages. A mere two copies of this key issue have been certified with higher grades by CGC to date! This is the first appearance of Plastic Man, Jack Cole's elastic crimefighter who still has a following today. The origin story of how onetime criminal Eel O'Brian became Plas is told here. Also making her first appearance is Phantom Lady -- yes, she's the same character who later appeared in her own Fox Features title, though she has much more fabric on her costume here than later. The issue also has an unsigned story by the late Will Eisner, featuring a reporter named Chic Carter, who becomes "The Sword" when trouble arises. The hero who Quality thought would be the breakout star, Firebrand, stars in an entertaining tale drawn by Reed Crandall and is also seen on the Gill Fox cover. Overstreet 2005 FN 6.0 value = $2,226; VF 8.0 value = $5,194. CGC census 12/05: 2 in 6.5, 2 higher.
Police Comics #6 (Quality, 1942) CGC VF 8.0 Off-white to white pages. This is just the second cover appearance for Plastic Man, and so early in his crimefighting career that he still wasn't the lead feature -- that honor went to Firebrand, who was expertly drawn by Reed Crandall. Also in this issue's cast are the Human Bomb and the early (fully-dressed) incarnation of Phantom Lady. Overstreet 2005 VF 8.0 value = $1,031. CGC census 12/05: 3 in 8.0, 1 higher.
Platinum Age (1897-1937)
Popular Comics #1 (Dell, 1936) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. The first comic book appearance of Dick Tracy is also nothing less than the first-ever Dell comic book! That's momentous considering that Dell is probably the bestselling comic publisher of all time. And Dell was only the third publisher to enter the comic book market (after Eastern Color and DC). This is also the first comic book appearance of radio character Don Winslow of the Navy, who would go on to star in his own comic series at Fawcett in years to come. The rest of the book is a virtual Who's Who of 1930s comicdom: there's Little Orphan Annie, Gasoline Alley, Harold Teen, Terry and the Pirates, and Mutt and Jeff, and those are just the biggest names on a roster too long to list in its entirety (and check out an unusually lighthearted moment for Tracy, as he shares the cover with some jokesters from the funny pages). This book is rated "scarce" by Gerber's Photo-Journal. For a comic from the Platinum Age, this is an astoundingly nice copy. Yes, some professional restoration has helped with its immaculate appearance, but there don't seem to be high-grade unrestored copies around -- the nicest blue-label copy to cross CGC's desk to date is a modest VG-, so this might well hold the title of most attractive available copy. CGC notes, "Restoration includes: small amount of color touch, cover reinforced, staples cleaned." Overstreet 2005 GD 2.0 value = $675; VG 4.0 value = $1,350; FN 6.0 value = $2,025; VF 8.0 value = $4,800.
Golden Age (1938-1955)
Popular Comics #31 (Dell, 1938) CGC VG/FN 5.0 Off-white to white pages. Tim McCoy, Mutt and Jeff, and Tailspin Tommy appear. Overstreet 2005 VG 4.0 value = $96; FN 6.0 value = $144. CGC census 12/05: in 5.0, higher.
Popular Comics #34 (Dell, 1938) CGC FN+ 6.5 Cream to off-white pages. Characters include Mutt and Jeff and Tailspin Tommy. Overstreet 2005 FN 6.0 value = $144; VF 8.0 value = $276. CGC census 12/05: 1 in 6.5, none higher.
Popular Comics #50 (Dell, 1940) CGC VF+ 8.5 Off-white to white pages. Features include Gang Busters and Martan the Marvel Man. Overstreet 2005 VF 8.0 value = $190; VF/NM 9.0 value = $275. CGC census 12/05: 1 in 8.5, none higher.
Popular Comics #51 (Dell, 1940) CGC FN 6.0 Off-white to white pages. Origin of the Voice. Gang Busters are also featured. Overstreet 2005 FN 6.0 value = $105. CGC census 12/05: 1 in 6.0, none higher.
Popular Comics #129 (Dell, 1946) CGC NM+ 9.6 Cream to off-white pages. Here's an unbelievable copy of this issue of Dell's first title. Features include Smilin' Jack, Terry and the Pirates, Smokey Stover, and Felix the Cat. It ranks as the highest-graded of the mere two copies of this issue certified by CGC to date. Overstreet 2005 NM- 9.2 value = $125. CGC census 12/05: 1 in 9.6, none higher.
Popular Comics #140 (Dell, 1947) CGC NM- 9.2 Off-white pages. Featuring Felix the Cat. This is the only copy certified by CGC to date. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 1 in 9.2, none higher.
Popular Comics Group (Dell, 1938-40) Condition: Average VG/FN. Issues 32, 33, 35, and 47 are included in this early Golden Age group. Characters include Tailspin Tommy and Mutt and Jeff. Approximate Overstreet value for group = $440.
Power Comics #1 (Holyoke Publications, 1944) CGC VF/NM 9.0 White pages. Even though it had a brief run of only four issues, Power Comics is fondly remembered due to the exquisite covers drawn for the series by L. B. Cole, and the one on this issue packs a big, bright wallop! Overstreet 2005 VF/NM 9.0 value = $1,425; NM- 9.2 value = $1,925. CGC census 12/05: 1 in 9.0, 1 higher.
Prize Comics #1 (Prize, 1940) CGC FN 6.0 Cream to off-white pages. This is the first comic published by Prize, which went on to make an impact on the comic world with titles like Young Romance, Black Magic, and Frankenstein. The roster of heroes making their first appearances is led by the Flash Gordon-esque Power Nelson. While there's a small chunk missing from the back cover of this mid-grade copy, no copy of the issue has been certified with a higher grade by CGC to date. Overstreet 2005 FN 6.0 value = $762. CGC census 12/05: 2 in 6.0, none higher.
Prize Comics #4 (Prize, 1940) CGC VF- 7.5 Off-white pages. This robot cover features Power Nelson (a Flash Gordon-esque character) as opposition for the evil automaton. Among the issue's artists is one Richard Norman, a name we know to be a pseudonym for Dick Briefer. Overstreet 2005 VF 8.0 value = $588. CGC census 12/05: 1 in 7.5, 1 higher.
Public Enemies #1 Mile High pedigree (D.S. Publishing, 1948) CGC VF 8.0 White pages. Overstreet 2005 VF 8.0 value = $150. CGC census 12/05: 1 in 8.0, 1 higher.
Rangers Comics #1 Mile High pedigree (Fiction House, 1941) CGC NM+ 9.6 Off-white pages. The cover colors of this Mile High book are a beauty to behold, and this copy's CGC's highest-graded by a wide margin, in fact it's the only one graded higher than 7.0 to date. Dan Zolnerowich drew the cover of this first issue, which like #2-7 was called Rangers of Freedom on the cover, named after the characters who were the book's lead feature. Overstreet 2005 NM- 9.2 value = $4,200. CGC census 12/05: 1 in 9.6, none higher.
Rangers Comics #21 (Fiction House, 1945) CGC VF 8.0 Light tan to off-white pages. This is the first time we've offered this issue, which sports a dynamite Joe Doolin cover. Where has it been all our lives? If you like Suspense #3 and Shock SuspenStories #6, this cover in that same vein is a must for your collection! Also worth noting is that the issue has Lee Elias interior art and features the origin and first appearance of Firehair. The only two books that top this one in CGC's census are just a half-grade higher at 8.5. Overstreet 2005 VF 8.0 value = $239. CGC census 12/05: 2 in 8.0, 2 higher.
Real Life Comics #50 Mile High pedigree (Nedor Publications, 1949) CGC VF+ 8.5 Off-white to white pages. Imagine, if you will, a comic with Frank Frazetta art and an Alex Schomburg cover, and just to get really crazy, let's say you had the Mile High copy of that book. A fanboy's fantasy? Well, yeah, but reality too -- we've got that comic right here! In fact it's the only copy CGC has certified to date. The low Guide price for the issue is a real jaw-dropper, even if this copy goes for multiples of that figure, we sense major "steal" potential. Overstreet 2005 VF 8.0 value = $164; VF/NM 9.0 value = $237. CGC census 12/05: 1 in 8.5, none higher.
Red Dragon Comics #9 Pennsylvania pedigree (Street & Smith, 1944) CGC NM 9.4 Off-white pages. This is the highest-graded copy CGC has certified to date of this white-cover issue. This was in fact the final issue of what Overstreet once aptly summarized as a "pulpy anthology series." The issue's artists include Jack Binder; stories include the origins of Chuck Magnon (no relation to Cro) and the Immortal Man. Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 1 in 9.4, none higher.
Red Ryder Comics #1 (Hawley, 1940) CGC VG+ 4.5 Off-white pages. The first meeting of Red Ryder and Little Beaver is seen in this one-shot published by Hawley, which was later picked up as a continuous series by Dell starting with #3 (no #2 exists). It's one of the first newsstand comics devoted to a single Western character. Overstreet 2005 VG 4.0 value = $600. CGC census 12/05: 3 in 4.5, 4 higher.
Red Ryder Comics #19 Mile High pedigree (Dell, 1944) CGC VF 8.0 Off-white pages. It looks as if only a bit of edge stress on the back cover kept this Edgar Church copy from a higher grade. We've seen a couple of the copies that were graded higher on the census report, and they've exhibited a bit of a yellowish tinge, unlike the nice cover whites of this Mile High. The cover, featuring Red and Little Beaver, is by Fred Harman. Overstreet 2005 VF 8.0 value = $179. CGC census 12/05: 1 in 8.0, 3 higher.
Red Ryder Victory Patrol (1944) #nn (Dell, 1944) CGC VF 8.0 Off-white to white pages. This tough to find promotional item, originally offered by Langendorf Bread, is actually a three-page wraparound membership kit. It comes complete with a secret decoder, a map of Red's ranch home, a membership card, and a mail-in offer for a membership pin. Stapled inside is a special 32-page Super Book of Comics insert. Overstreet lists this as "rare." CGC notes, "Membership kit is 4.0." Overstreet 2005 VF 8.0 value = $2,700. CGC census 12/05: 1 in 8.0, none higher.
Platinum Age (1897-1937)
Reg'lar Fellers #1 (Cupples & Leon, 1921) Condition: FR/GD. Reprints daily strips by Gene Byrnes. Cover detached. Slightly brittle pages. Overstreet 2005 GD 2.0 value = $43.
Golden Age (1938-1955)
Rocket Comics #1 (Hillman Publications, 1940) CGC FN 6.0 Cream to off-white pages. This was Hillman's second series, close on the heels of Miracle Comics. This first issue is a Gerber "7." Despite the title, the series had superhero fare in addition to outer-space stuff, though the Buck Rogers/Flash Gordon-esque Rocket Riley was the lead feature. Overstreet 2005 FN 6.0 value = $762. CGC census 12/05: 1 in 6.0, 3 higher.
Roy Rogers Annual (Canadian) #nn (Wilson Publishing, 1947) CGC FN+ 6.5 Off-white to white pages. "Less than 5 known copies," says Overstreet about this Canada-only annual which doesn't correspond to any single U.S. publication. The front and back covers are those of Dell's Roy Rogers Comics #2, while the content is reprinted from that issue as well as Four Color #137 and 153. The result is a whopping 132-pager. Overstreet does not list a value for this issue, but notes, "A copy in VG/FN was sold in 1986 for $400, in 1996 for $1,200 and in 2000 for $1,500." CGC census 12/05: 1 in 6.5, none higher.
Seven Seas Comics #1 Crowley Copy pedigree (Universal Phoenix Feature, 1946) CGC VF/NM 9.0 Cream to off-white pages. This series featuring nautical tales lasted only six issues, but benefited from the artistic talents of Matt Baker, beginning with this premiere issue for which Baker provided interior art. Overstreet 2005 VF/NM 9.0 value = $835; NM- 9.2 value = $1,125. CGC census 12/05: 1 in 9.0, 2 higher.
Seven Seas Comics #2 Crowley Copy pedigree (Universal Phoenix Feature, 1946) CGC VF+ 8.5 Cream to off-white pages. This issue boasts Matt Baker art. Overstreet 2005 VF 8.0 value = $438; VF/NM 9.0 value = $674. CGC census 12/05: 2 in 8.5, 2 higher.
Shadow Comics #1 (Street & Smith, 1940) CGC VG- 3.5 Off-white pages. The Shadow and Doc Savage both made their first comic book appearances in this issue. The book also has the distinction of being the very first comic book published by pulp powerhouse Street and Smith. In all, some of the most popular fictional characters of the first half of the 20th century fill this comic, with the aforementioned duo joined by Nick Carter, aviator Bill Barnes, and student-athlete Frank Merriwell. Overstreet 2005 VG 4.0 value = $904. CGC census 12/05: 1 in 3.5, 7 higher.
Shadow Comics V9#3 (Street & Smith, 1949) CGC NM 9.4 Off-white to white pages. Street and Smith's two heavy-hitters, the Shadow and Doc Savage, both appeared in this issue. The cover and interior art are by ace Bob Powell. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.4, none higher.
Shield-Wizard Comics #1 (MLJ, 1940) CGC VF- 7.5 Off-white to white pages. The first detailed telling of the Shield's origin is found in this issue -- previously, all readers had were brief summaries of the origin in captions of the Shield's Pep Comics adventures. The Wizard's origin is recounted here as well. Irv Novick drew the great flag cover as well as the Shield stories; the Wizard's tales were drawn by Edd Ashe. Overstreet 2005 VF 8.0 value = $3,388. CGC census 12/05: 1 in 7.5, 3 higher.
Shield-Wizard Comics #6 (MLJ, 1941) CGC VF/NM 9.0 White pages. MLJ's top two superheroes were joined by their sidekicks Dusty and Roy the Super-Boy in this issue (the first time the latter was seen in this title). The cover art is by Irv Novick. Overstreet 2005 VF/NM 9.0 value = $1,222; NM- 9.2 value = $1,650. CGC census 12/05: 2 in 9.0, 1 higher.
Silver Streak Comics #2 (Lev Gleason, 1940) CGC VG- 3.5 Off-white pages. Joe Simon illustrated this second issue's cover, featuring the Claw. Jack Cole art is featured on the Claw story inside, along with more Simon art (on the Solar Patrol tale). And yes, the silver ink used on the cover's logo is still shiny! Overstreet 2005 VG 4.0 value = $772. CGC census 12/05: 2 in 3.5, 3 higher.
Silver Streak Comics #5 (Lev Gleason, 1940) CGC VF/NM 9.0 Cream to off-white pages. Jack Cole produced no fewer than three stories in this issue (two featuring the Claw, one starring "boy inventor" Dickie Dean), as well as a cool cover with silver ink. Please be sure to check out the back cover image (shown online at the Heritage website) for a wild "Claw Returns" illustration, complete with a lovely girl in bondage! A great Golden Age comic, and a wonderful, fresh-looking copy make this one a "must-bid" situation! Overstreet 2005 VF/NM 9.0 value = $1,925; NM- 9.2 value = $2,600. CGC census 12/05: 3 in 9.0, none higher.
Silver Streak Comics #6 (Lev Gleason, 1940) CGC NM- 9.2 Cream to off-white pages. The origin and first appearance of the original Daredevil is what gives this issue its place among the 100 most valuable Golden Age comic books, and this is by far the nicest copy we've seen of this key issue. In fact, the runner-up in CGC's census is a mere 5.5! Daredevil doesn't appear on the cover, and he was a backup feature in this initial appearance. His distinctive costume was blue and yellow for this first appearance only, and drawn by Jack Binder. According to legend, editor Jack Cole saw Daredevil as the ideal opposition to the ultra-powerful villain the Claw, which is why a multi-issue battle between the two started in the next issue. It proved to be a key moment in the history of this young publisher (which wasn't even called Lev Gleason yet; it still bore the name Rhoda Publications with the abbreviation "YG" for Your Guide), with Daredevil soon earning his own title. This issue's called "scarce" by both Overstreet and Gerber. Of course, the other reason that people want this book is Cole's high-impact cover! CGC notes, "From the collection of Nicolas Cage." Overstreet 2005 NM- 9.2 value = $21,000. CGC census 12/05: 1 in 9.2, none higher.
Single Series #20 Tarzan (United Features Syndicate, 1940) CGC VF+ 8.5 White pages. "The three most valuable comics (in the early days of comic collecting in the mid-1960s) were Action Comics #1... Whiz #1... and Single Series #20," wrote Mike Benton in Comics Feature, going on to note that all three books were worth a whopping $75 to $100 even way back then. While this issue no longer quite breathes the same rarified air as the other two keys, it's still one to go after as an early Tarzan book with Hal Foster art. No copy has been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $719; VF/NM 9.0 value = $1,110. CGC census 12/05: 3 in 8.5, none higher.
Single Series #1 The Captain And The Kids - Second Edition - Carson City pedigree (United Features Syndicate, 1939) CGC VF- 7.5 Cream to off-white pages. Yes, this is a reprint, but it's an early Golden Age reprint, and just try to find the first edition (we haven't encountered one yet here at Heritage)! Plus, this is the highest-graded copy of the issue yet certified. And do we need to mention that the "Kids" in question are the Katzenjammer Kids? Ve didn't t'ink so. Overstreet 2005 VF 8.0 value = $287. CGC census 12/05: 1 in 7.5, none higher.
Six-Gun Heroes #1 Crowley Copy pedigree (Fawcett, 1950) CGC NM- 9.2 Off-white pages. Hopalong Cassidy, Rocky Lane, and Smiley Burnette are the cowpoke triumvirate on this photo cover. Our offering is the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.2, none higher.
Skyman #1 (Columbia, 1941) CGC VF/NM 9.0 Off-white to white pages. Ogden Whitney's cover design for this first issue skips the excess and goes right for the money -- a nice action shot of our hero, ray gun blazing, against a stark white background. An origin story is featured, along with appearances by the Face, and Boody Rogers' comical hero, Sparky Watts. Overstreet 2005 VF/NM 9.0 value = $1,185; NM- 9.2 value = $1,600. CGC census 12/05: 1 in 9.0, none higher.
Skyman #1 Rockford pedigree (Columbia, 1941) CGC FN/VF 7.0 Cream to off-white pages. Ogden Whitney provides cover art to this issue, which contains the origin of Skyman. The Face and Sparky Watts also appear, and the third story is reprinted from Big Shot #1. Overstreet 2005 FN 6.0 value = $369; VF 8.0 value = $769. CGC census 12/05: 2 in 7.0, 2 higher.
Skyman #2 (Columbia, 1941) CGC VF- 7.5 Off-white pages. Ogden Whitney cover and art. Overstreet 2005 VF 8.0 value = $375. CGC census 12/05: 2 in 7.5, 1 higher.
Slam-Bang Comics #1 Nova Scotia pedigree (Fawcett, 1940) CGC VF 8.0 Off-white to white pages. Diamond Jack, Mark Swift, Warbird, Lucky Lawton, and Jungle King begin in this early Fawcett key issue, with a cover by Gus Ricca and interior art by Ricca and Hal Sharp. This copy is second only to an 8.5 in the CGC census. Overstreet 2005 VF 8.0 value = $1,444. CGC census 12/05: 1 in 8.0, 1 higher.
Smash Comics #1 Mile High pedigree (Quality, 1939) CGC VF/NM 9.0 White pages. This issue's got the first robot cover in all of comics according to Overstreet. The "Iron Man" on the cover is better known as Bozo the Robot, and his owner Hugh Hazzard is actually inside of him manning the controls (mind you, Bozo the Robot predated Bozo the Clown by several years). This is also one of the earlier gorilla covers in comics, plus it holds the distinction of being Quality's first "homegrown" series (Feature Comics was purchased from another publisher). Also of note are a story with Will Eisner art, featuring Black X, and the debuts of Hooded Justice (aka the Invisible Hood), Chic Carter of later Police Comics fame, and Wings Wendall. Overstreet 2005 VF/NM 9.0 value = $3,185; NM- 9.2 value = $4,400. CGC census 12/05: 3 in 9.0, none higher.
Smiley Burnette Western #1 (Fawcett, 1950) CGC NM+ 9.6 White pages. Smiley Burnette was a singin' cowboy just like his pal Gene Autry, except Smiley was usually used in a "comic-relief sidekick" capacity. One of his trademarks was a horse with a black circle around its eye, so it's only natural that his steed appeared with him on this photo cover! This is the only copy of the issue to be certified with a grade above 8.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 1 in 9.6, none higher.
Space Detective #2 (Avon, 1951) CGC VF+ 8.5 Off-white pages. Wally Wood drew this issue's cover (assisted by Joe Orlando) and supplied layouts for the interior. "Slave-Ship of Saturn" is among the book's tales of all things extraterrestrial. Overstreet 2005 VF 8.0 value = $519; VF/NM 9.0 value = $797. CGC census 12/05: 2 in 8.5, 1 higher.
Special Comics #1 (MLJ, 1941) CGC FN- 5.5 Off-white pages. This is the de facto Hangman #1, as that series began with issue #2 after this successful tryout proved the character would sell well in his own book. The issue starts off with the Hangman retelling his origin and the death of his brother the Comet, both from Pep Comics #17. Also in this issue is the origin of the Boy Buddies team (Dusty and Roy the Super-Boy), which involves a brief appearance by the two sidekicks' adult pals the Wizard and the Shield. Harry Lucey drew the cover and the Hangman feature, with arms stretching across panel borders and other Simon and Kirby-like flourishes. Paul Reinman drew the Boy Buddies feature. Overstreet 2005 FN 6.0 value = $876. CGC census 12/05: 1 in 5.5, 2 higher.
Special Edition Comics #1 (Fawcett, 1940) CGC VF+ 8.5 Cream to off-white pages. It's the first comic book devoted entirely to Captain Marvel! If you believe the lore, the reason for the "Special Edition" tag was to provide a bit of deniability in case of a lawsuit by DC: "Captain Marvel, star of his own book? Whatever gave you that idea?" Whatever the case, the cat was soon out of the bag, as Captain Marvel Adventures followed and became the bestselling series in all of comics. C. C. Beck drew this issue's now-famous cover.Overstreet 2005 VF 8.0 value = $5,873; VF/NM 9.0 value = $9,437. CGC census 12/05: 1 in 8.5, 5 higher.
Special Edition Comics #1 (Fawcett, 1940) CGC FN/VF 7.0 Cream to off-white pages. This wasn't just the first comic book devoted entirely to Captain Marvel, it was the first Fawcett comic devoted entirely to anyone -- up until this time, all Fawcett books had been anthologies like Whiz Comics, Master Comics, etc. The wildly popular series Captain Marvel Adventures would soon follow. The famous cover is by C. C. Beck. Overstreet 2005 FN 6.0 value = $2,517; VF 8.0 value = $5,873. CGC census 12/05: 4 in 7.0, 9 higher.
Speed Comics #43 File Copy (Harvey, 1946) CGC NM- 9.2 Cream to off-white pages. Al Avison's lively robot cover (which also includes a bondage scene) kicks off this next-to-last issue, which also features art by Joe Kubert ("Buddha Was a Big Boy"). This file copy is exceptionally bright and attractive. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 3 in 9.2, 1 higher.
Spy Smasher #8 Crowley Copy pedigree (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. This issue's Japanese war cover has a reference to Wake Island, which housed a U.S. base that was attacked the day after Pearl Harbor (and was in Japanese hands when this comic was published!). The issue's artists include future Mad star Dave Berg. Overstreet 2005 VF 8.0 value = $506; VF/NM 9.0 value = $778. CGC census 12/05: 1 in 8.5, 1 higher.
Spy Smasher #9 Crowley Copy pedigree - File Copy (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. Hitler, Tojo, and Mussolini all get what's coming to them here -- in fact Spy Smasher almost knocks der Fuehrer's moustache off! Among the issue's other features is an adventure of Sir Butch (a guy from Brooklyn who goes back in time), drawn by a master of funny stuff, namely Dave Berg. This one's a Fawcett office copy that found its way into the collection of Wendell Crowley, an editor at the firm. Overstreet 2005 NM- 9.2 value = $1,250. CGC census 12/05: 1 in 9.2, none higher.
Spy Smasher #10 Crowley Copy pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white pages. This isn't just any Hitler cover: our hero doesn't just want to punch Hitler, he wants to kill him! That makes this comic highly desirable in our book. And no copy has been graded higher than our offering to date. Overstreet 2005 VF/NM 9.0 value = $888; NM- 9.2 value = $1,200. CGC census 12/05: 2 in 9.0, none higher.
Star Ranger Funnies V1#15 Mile High pedigree (Centaur, 1938) CGC NM/MT 9.8 White pages. Significance, scarcity, key artists, and condition are all big reasons to want to acquire a comic; this one's got all three going for it. It's part of the first Western series (initially called Star Ranger, then Cowboy Comics), and like most Centaurs, it's a tough issue to get hold of -- it's called "scarce" by Gerber, and it's the only copy CGC has certified to date. The content was produced by the Iger shop, and includes art by that group's biggest name, Will Eisner. And to top it all, there's the amazing condition of this Mile High copy. For a comic older than most of the people reading this catalog (and some of their parents as well), it's incredibly well-preserved. Overstreet 2005 NM- 9.2 value = $1,275. CGC census 12/05: 1 in 9.8, none higher.
Startling Comics #1 (Better Publications, 1940) CGC FN 6.0 White pages. This Golden Age first issue features no fewer than four origin stories -- Captain Future, Dr. X, Mystico, and Masked Rider. Art credits include Leonard Sansone, Jack Lehti, and Leo Morey. The CGC header mentions art by Will Eisner and Lou Fine, but this information is not backed up by Overstreet or the Grand Comics Database. Overstreet 2005 FN 6.0 value = $786. CGC census 12/05: 1 in 6.0, 4 higher.
Startling Comics #42 (Better Publications, 1946) CGC NM 9.4 White pages. This is the only copy of this issue that CGC has certified to date, and also the only one we've ever offered here at Heritage. So we advise you to grab this one, mostly for its great Alex Schomburg cover featuring the Fighting Yank. Overstreet 2005 NM- 9.2 value = $535. CGC census 12/05: 1 in 9.4, none higher.
Startling Comics #49 (Better Publications, 1948) CGC NM 9.4 Cream to off-white pages. Only one issue in the 53-issue run is rated more valuable than this one by Overstreet. One look at this stunning, classic cover by Alex Schomburg (as "Xela") tells you why. Beautiful girl in bondage, a bad robot, a hero with a ray gun, an alien landscape... it doesn't get better than this! Overstreet 2005 NM- 9.2 value = $5,400. CGC census 12/05: 2 in 9.4, none higher.
Strange Stories from Another World #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. The painted covers by pulp ace Norman Saunders are what collectors love about this series. This copy's the only 9.4, and highest-graded copy overall, that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 1 in 9.4, none higher.
Strange Stories from Another World #5 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. This Norman Saunders painted cover speaks for itself, or rather scares for itself, yikes! This was the last issue of the title. Our copy is the only one certified above 9.0 by CGC as of this writing. Overstreet 2005 NM- 9.2 value = $460. CGC census 12/05: 1 in 9.4, none higher.
Strange Suspense Stories #2 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Here's a pristine copy of a pre-Code horror mag, and one with two great artists at that. Bernard Baily had a talent for covers that were not just frightening but disturbing, and this one's certainly in that vein. And there's also a story drawn by George Evans of EC fame. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 2 in 9.4, none higher.
Strange Suspense Stories #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. A pre-Code horror book in 9.4 condition is always a nice find. This one has art by a fellow who also had EC on his resume, namely George Evans. Overstreet 2005 NM- 9.2 value = $480. CGC census 12/05: 2 in 9.4, none higher.
Super Comics #5 File Copy (Dell, 1938) CGC NM 9.4 Off-white pages. This is the only copy yet certified of this early Golden Age issue. Characters include Dick Tracy, Terry and the Pirates, Little Orphan Annie, and many more. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 1 in 9.4, none higher.
Super Comics #10 Mile High pedigree (Dell, 1939) CGC VF/NM 9.0 White pages. If you're wondering what led to this Edgar Church copy being a "mere" 9.0, let us put your mind at ease -- the ultra-minor flaws here are not even worth talking about, and we've seen Mile Highs with such inconsequential defects grade out much higher. Have a close look at our scan and you'll see what we mean. Dick Tracy heads up this issue's assortment of stars, which also includes Terry and the Pirates, Little Orphan Annie, and many more. Overstreet 2005 VF/NM 9.0 value = $488; NM- 9.2 value = $640. CGC census 12/05: 1 in 9.0, 1 higher.
Super Comics #11 Mile High pedigree (Dell, 1939) CGC VF 8.0 White pages. While this copy got downgraded a bit due to a bundle-wire mark at the top rear, we think you'll be hard-pressed to find a nicer one, especially given the pristine white cover. Bill Holman of "Smokey Stover" fame handled cover art chores. The features inside include Dick Tracy, Terry and the Pirates, and many more. Overstreet 2005 VF 8.0 value = $263. CGC census 12/05: 1 in 8.0, none higher.
Super Comics #20 and 21 Group (Dell, 1940) Condition: Average VG/FN. Issue #21 has the origin and first appearance of Magic Morro. Dick Tracy, Little Orphan Annie, and Terry and the Pirates appear in both issues. Approximate Overstreet value for group = $210.
Super Comics #22 Mile High pedigree (Dell, 1940) CGC NM 9.4 Off-white to white pages. This Edgar Church gem is the finest (and only) copy of the issue that CGC has certified to date. Magic Morro got the cover in only his second appearance. Inside the comic you'll find Dick Tracy, Terry and the Pirates, and many other features. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.4, none higher.
Super Comics #23 (Dell, 1940) CGC VF 8.0 Off-white to white pages. Features include Dick Tracy and Little Orphan Annie. Overstreet 2005 VF 8.0 value = $213. CGC census 12/05: 1 in 8.0, none higher.
Super Comics #24 (Dell, 1940) CGC VF 8.0 Off-white to white pages. Dick Tracy cover featuring the Blank. Overstreet 2005 VF 8.0 value = $213. CGC census 12/05: 1 in 8.0, none higher.
Super Comics #25 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 White pages. This pristine Edgar Church copy tops CGC's census by quite a margin as of this writing, with the runner-up a not-so-super GD/VG 3.0. Dick Tracy and Magic Morro are just two of the many characters in these pages. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.6, none higher.
Super Comics #25 (Dell, 1940) CGC FN 6.0 Off-white to white pages. Magic Morro, Dick Tracy, and Tiny Tim appear. Overstreet 2005 FN 6.0 value = $113. CGC census 12/05: 1 in 6.0, 1 higher.
Super Comics #27 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 White pages. From the era when Dell was a contender in the superhero business comes this issue of Super, featuring strongman Magic Morro, "the Miracle Man." Ken Ernst supplies the art for Morro's cover and story, while a host of strip reprints fill out the issue. Included are Dick Tracy, Smilin' Jack, Winnie Winkle, Moon Mullins, and others. This incredible Edgar Church Mile High copy is mighty pretty! It's currently the only copy of this issue certified by CGC. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.6, none higher.
Super Comics #28 Mile High pedigree (Dell, 1940) CGC VF+ 8.5 Off-white to white pages. Rugged adventurer Jim Ellis is the cover star this issue, which also features the exploits of Magic Morro and Jack Wander, War Correspondent. Lots of strip reprints fill the book, including Dick Tracy, Tiny Tim, Harold Teen, Little Orphan Annie, and more. Of the two copies of this issue currently certified by CGC, this Edgar Church Mile High example is by far the best. Overstreet 2005 VF 8.0 value = $213; VF/NM 9.0 value = $307. CGC census 12/05: 1 in 8.5, none higher.
Super Comics #29 Mile High pedigree (Dell, 1940) CGC NM- 9.2 White pages. Smilin' Jack comes in for a perfect landing (we hope!) on this incredibly vibrant and colorful Edgar Church Mile High comic. Only three copies of this issue currently show up on CGC's census report, with the second highest copy listed at a mere 5.0. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.2, none higher.
Super Comics #30 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 Off-white to white pages. Errol Flynn buckled some swash in the movie "The Sea Hawk," directed by Michael Curtiz and co-starring Claude Rains (hmm, sounds familiar...). The flick is adapted in this issue, which also features the usual array of strip reprints led by Dick Tracy. Overstreet 2005 NM- 9.2 value = $410. CGC census 12/05: 1 in 9.6, none higher.
Super Comics #31 Mile High pedigree (Dell, 1940) CGC NM- 9.2 Off-white to white pages. Dick Tracy lets his fists do the talking on this dynamic cover, by artist Richard Fletcher. In addition to Tracy and other reprinted newspaper strips, original features like Magic Morro and Jim Ellis continue. This remarkable copy is glossy and colorful, by far the finest to be found in the current CGC census. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.2, none higher.
Super Comics #34 Mile High pedigree (Dell, 1941) CGC NM- 9.2 White pages. Magic Morro appears to be having a whacking good time on this action cover by artist Ken Ernst, best known for his long tenure as Mary Worth illustrator. As is typical of comics from the fabled Edgar Church/Mile High collection, this bright, sharp copy is unsurpassed in the current CGC census report for this issue. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.2, none higher.
Super Comics #39 Mile High pedigree (Dell, 1941) CGC NM- 9.2 White pages. Dick Tracy takes a tumble on this issue's cover -- calm down, everyone! Tracy's tough! Lots of great strip reprints in this issue, including Terry and the Pirates and Little Orphan Annie. Edgar Church's Mile High collection comes through again with another copy that's currently at the top of the CGC charts. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.2, none higher.
Super Comics #43 Mile High pedigree (Dell, 1941) CGC NM+ 9.6 Off-white to white pages. Super detective Dick Tracy figures it all out on this issue's crime scene cover. The criminal must be missing one shoe! This title will be missing one of its mainstays soon, as Terry and the Pirates makes a final appearance here. Once again, Edgar Church's copy of this issue is the current CGC chart-topper -- in fact, it's the only copy present! Overstreet 2005 NM- 9.2 value = $285. CGC census 12/05: 1 in 9.6, none higher.
Super Comics #46 Mile High pedigree (Dell, 1942) CGC VF 8.0 White pages. Dick Tracy finds another clue on this issue's cover, which also showcases many of the newspaper strips inside: Smitty, Little Orphan Annie, Moon Mullins, and Stanley Link's Tiny Tim. This very attractive copy has a tiny chew spot along the upper spine area, causing an otherwise NM copy to drop a few grade points. It still manages to top the current CGC census chart, however! Overstreet 2005 VF 8.0 value = $151. CGC census 12/05: 1 in 8.0, none higher.
Super Comics #51 Mile High pedigree (Dell, 1942) CGC VF/NM 9.0 Off-white to white pages. This issue, published at the height of World War II, includes a 48-star American flag on the cover. Strip reprints, including Dick Tracy and Little Orphan Annie make up the majority of the book. Overstreet 2005 VF/NM 9.0 value = $161; NM- 9.2 value = $210. CGC census 12/05: 1 in 9.0, none higher.
Super Magic Comics #1 (Street & Smith, 1941) CGC VF- 7.5 Off-white pages. This comic book, featuring the fictionalized exploits of real-life "super magician" Harry Blackstone, is noted by CGC, "From the Estate of Walter B. Gibson." Mr. Gibson was, of course, the famous pulp writer responsible for penning (under the name Maxwell Grant) the adventures of the Shadow. Gibson was a life-long admirer of magic acts and magicians, and a personal friend of Blackstone. No doubt Gibson also had a hand in writing this comic as well. Cover art is supplied by Charles Sultan. The comic also includes the first appearance and origin of Rex King. Overstreet 2005 VF 8.0 value = $963. CGC census 12/05: 1 in 7.5, 1 higher.
Super Magician Comics V1#9 Vancouver pedigree (Street & Smith, 1943) CGC NM+ 9.6 White pages. This incredible pedigreed comic must have been pulled out of a magician's hat to make it appear so fresh and new after 60+ years! It tops the current CGC census chart by a long shot, with the second-best copy coming in at a mere 8.0. Jack Binder art is featured. Overstreet 2005 NM- 9.2 value = $425. CGC census 12/05: 1 in 9.6, none higher.
Superworld Comics #1 (Hugo Gernsback, 1940) CGC Apparent VF 8.0 Slight (P) Off-white pages. This issue is a Gerber "7" which is called "scarce" by Overstreet. It has two names any sci-fi pulp fan will recognize -- cover artist Frank R. Paul and editor Hugo Gernsback. Inside are the origins and first appearances of Hip Knox and Super Hypnotist. Little Nemo also appears. CGC notes, "Restoration includes: cover reinforced." Overstreet 2005 GD 2.0 value = $677; VG 4.0 value =$1,354; FN 6.0 value = $2,031; VF 8.0 value = $4,739.
Suspense Detective #4 (Fawcett, 1952) CGC VF/NM 9.0 Off-white pages. Bernard Baily and Mike Sekowsky are among the contributors to this pre-Code horror/crime book. No copy has been graded higher by CGC to date. Overstreet 2005 VF/NM 9.0 value = $195; NM- 9.2 value = $255. CGC census 12/05: 1 in 9.0, none higher.
Suspense Detective #5 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. Highest-graded copy by CGC to date of #5. Mike Sekowsky cover, with Sekowsky, Bernard Baily, and Alex Toth interior art. Overstreet 2005 NM- 9.2 value = $255. CGC census 12/05: 1 in 9.4, none higher.
Target Comics #1 Rockford pedigree (Novelty Press, 1940) CGC FN 6.0 Cream to off-white pages. This is the first comic book published by Novelty Press, and the firm made a great decision right from the start by having the content produced by Funnies Inc., the "shop" of artists that included industry heavyweights like Carl Burgos, Joe Simon, Tarpe Mills, and of course Bill Everett, who signed his middle name Blake to the cover. Among the characters making their first appearances was Burgos' White Streak, the second android superhero in comics (the first one being the Human Torch, also created by Burgos!) Also making their debuts are Manowar, the T-Men, and Bull's Eye Bill. Overstreet notes that marijuana use is mentioned in one story. Overstreet 2005 FN 6.0 value = $1,509. CGC census 12/05: 2 in 6.0, 2 higher.
Target Comics #6 (Novelty Press, 1940) CGC NM/MT 9.8 White pages. When you examine the condition of this NM/MT Mile High copy, you're gonna party like it's 1940 -- the cover's Technicolor sunset is the perfect showcase for the well-preserved glory of this 9.8 pedigree book. It's not just the highest-graded copy of the issue yet certified, the runner-up is a mere GD/VG 3.0! Artist Bill Everett was a constant in the early issues of Target, drawing covers and Bull's-Eye Bill stories. Here, his creation the Chameleon, a detective who's a master of disguise, makes his first appearance. Other characters include top-billed hero White Streak, whose origin story continues in a text feature, and Basil Wolverton's Spacehawk. Overstreet speculates that this issue may well have the first-ever letter column in comics, and notes that the page in question has an early mention of comic book collecting. Apparently, not many picked up on the idea to start saving these works of art, otherwise this issue wouldn't be "uncommon" according to Gerber! Overstreet 2005 NM- 9.2 value = $2,600. CGC census 12/05: 1 in 9.8, none higher.
Target Comics V2#5 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 White pages. Here is a stunner for the aficionado of "highest-graded copies". This beautiful book is far and away the highest graded in CGC's most recent census, with the next contender being a distant FN- 5.5. The Target and the Targeteers are featured on the cover, which is by future Lev Gleason stalwart Bob Wood. Basil Wolverton contributed a Spacehawk story. Overstreet 2005 NM- 9.2 value = $800. CGC census 12/05: 1 in 9.6, none higher.
Target Comics V3#10 Rockford pedigree (Novelty Press, 1942) CGC NM+ 9.6 Off-white pages. Basil Wolverton's Spacehawk feature is what really set this series apart from other Golden Age fare, and this issue has the very last appearance of Spacehawk. The cover of this issue (also known as #34) features none other than Gulliver, tying in with an installment of the "Gulliver's Travels" adaptation inside the comic. So for all you Jonathan Swift fans out there, here's a "modest proposal" for you: bid on this comic! Overstreet 2005 NM- 9.2 value = $735. CGC census 12/05: 1 in 9.6, 1 higher.
Tarzan #1 (Dell, 1948) CGC NM- 9.2 Off-white pages. Here's the start of a run that took the Lord of the Jungle through 258 issues, three publishers, and almost 30 years. Jesse Marsh drew the cover and provided interior art. Overstreet 2005 NM- 9.2 value = $1,750. CGC census 12/05: 1 in 9.2, none higher.
Tarzan #2 (Dell, 1948) CGC NM 9.4 Off-white pages. Jesse Marsh drew this issue's cover as well as contributing interior art. Overstreet 2005 NM- 9.2 value = $785. CGC census 12/05: 1 in 9.4, none higher.
Tarzan #5 Mile High pedigree (Dell, 1948) CGC NM+ 9.6 Off-white to white pages. This comic looks so nice and fresh, you'll think it must be a Silver or Bronze Age book at first glance. But it's from 1948! Jesse Marsh drew most of the stories in this series' run, but this is one of relatively few Marsh covers in the series. Overstreet 2005 NM- 9.2 value = $525. CGC census 12/05: 1 in 9.6, none higher.
Tarzan #6 (Dell, 1948) CGC NM 9.4 White pages. Tarzan's pal Tantor the Elephant made his first appearance of this series right here. This is by far the highest-graded copy of the issue that CGC has certified to date, the only one graded above 4.5, in fact. Overstreet 2005 NM- 9.2 value = $425. CGC census 12/05: 1 in 9.4, none higher.
Terry and the Pirates Box Lot (Various Publishers, 1938-55) Condition: Average GD. A VG copy of Large Feature Comic #27 is the highlight of this box lot, which also includes #2 (FR), #6 (1938; GD); #6 (1942; FR); 1980s reprints of #2, 6, and 27; Four Color (Series 1) #9; Four Color (Series 2) #44 (VG/FN) and #101; Terry and the Pirates (Harvey series) #3-26 (the full run of the series; grades ranging from FR to FN/VF) plus a few coverless issues of the Harvey series; issues #26-28 of the Charlton series (the full run, which unaccountably started with #26 instead of #27); a copy of the Buster Brown giveaway; three copies of the Popped Wheat giveaway; a copy of a Book's Shoe Store giveaway (not listed in Overstreet; 48 pages, 5.75" x 3.5"; VG); five copies of various Canada Dry giveaways; a coloring book numbered 398; Big Little Books 1156 (two copies), 1412 (two copies), 1420, 1436, 1446, 1492, 1499, 4073 (Big Big Book) and #nn ("The Mystery Ship," a Fast-Action Story, PR); plus a Milton Caniff bonus in Steve Canyon #2 and two copies of #3. Approximate Overstreet value for group= $1,150.
The Thing! #2 River City pedigree (Charlton, 1952) CGC NM 9.4 Cream to off-white pages. What is the Thing? Something lurking in the shadows, waiting for a chance to attack? Something that exists only in the half-remembered world of bad dreams, shrouded in the misty areas of our fevered brains? We can't say, but this much is apparent: The Thing! was Charlton's creepiest comic book, published during the heyday of horrific titles like Tales From the Crypt and This Magazine is Haunted. This prime example carries a River City pedigree, as well as being the highest CGC-graded copy to date. Now that really is something! Overstreet 2005 NM- 9.2 value = $725. CGC census 12/05: 1 in 9.4, none higher.
The Thing! #4 Northford pedigree (Charlton, 1952) CGC NM- 9.2 Off-white pages. Artist Al Fago created many a cover during the 1940s and '50s, usually drawing charming children's characters in titles like Frisky Fables. Here's another side to Fago, depicting a red-eyed zombie marching through a graveyard in the middle of a dark and stormy night. It's wild and weird! This superb copy exhibits newsstand-fresh cover gloss, with fields of unbroken black ink backgrounds. Overstreet 2005 NM- 9.2 value = $640. CGC census 12/05: 1 in 9.2, none higher.
The Thing! #5 Bethlehem pedigree (Charlton, 1952) CGC NM 9.4 Cream to off-white pages. Sometimes we find ourselves thinking that maybe Dr. Wertham (author of Seduction of the Innocent) was right. The good Dr. should have been warning parents about the kinds of comics their kids brought home if this particular issue was among the lot -- the decapitation scene depicted on this Lou Morales cover will give anyone nightmares! Condition-wise, this one is so good, it's scary... and it has a pedigreed background, to boot! Put your fears behind you and bid! Overstreet 2005 NM- 9.2 value = $640. CGC census 12/05: 2 in 9.4, none higher.
The Thing! #6 Northford pedigree (Charlton, 1953) CGC NM 9.4 Off-white pages. A spooky-looking African voodoo ritual sets the tone for the horrific happenings inside the covers of this Charlton chiller. This incredible pedigreed copy features lush cover colors that are highlighted by plenty of deep black ink against white paper. Factor in the sharp corners and smooth surfaces; it all adds up to Near Mint. Now add up your resources and place that bid! Overstreet 2005 NM- 9.2 value = $640. CGC census 12/05: 2 in 9.4, none higher.
The Thing! #7 Northford pedigree (Charlton, 1953) CGC VF/NM 9.0 Off-white to white pages. Lou Morales' cover to this issue of Charlton's The Thing! has to be one of the most unusual and horrifying images ever to grace a comic book. Against a pitch black background, we see a woman's face change into that of a harpy, who proceeds to claw a poor guy's eyes out -- eeyow! Overstreet mentions that the "injury to eye" theme is carried over to an inside panel. Before we totally "creep you out," let us take a moment to observe the condition of this 52-year-old comic: it's terrific, with a ton of cover gloss. Overstreet 2005 VF/NM 9.0 value = $666; NM- 9.2 value = $900. CGC census 12/05: 1 in 9.0, 1 higher.
The Thing! #8 Bethlehem pedigree (Charlton, 1953) CGC NM+ 9.6 Cream to off-white pages. While this title is noted for its often gruesome covers and violent content, this particular copy of issue #8 is noted for its extremely sharp condition. Only a light bit of paper toning keeps this cherry-picked copy from achieving gem-mint status. Overstreet 2005 NM- 9.2 value = $735. CGC census 12/05: 1 in 9.6, none higher.
The Thing! #9 (Charlton, 1953) CGC VF+ 8.5 White pages. This bit of pre-Code Charlton creepiness hadn't ever passed through our hands before this auction. It has the claim to fame of being used in Seduction of the Innocent, with author Fredric Wertham noting, "Stomping on the face is a form of brutality which modern children learn early." The signature of Bob Forgione graces the cover, so we'd say it's a Forgione conclusion that he did the interior art as well. Overstreet 2005 VF 8.0 value = $494; VF/NM 9.0 value = $765. CGC census 12/05: 2 in 8.5, 2 higher.
The Thing! #17 Northford pedigree (Charlton, 1954) CGC NM 9.4 Off-white to white page. Here's a beautiful, flawless black-background copy of this last issue of this title. Steve Ditko provides a colorful sorcerer cover, which brings to mind his later work on Dr. Strange for Marvel. Inside, there's a classic parody of "Through the Looking Glass" by Bob Powell. Art by another future Marvel regular, Dick Ayers, is featured inside as well. Overstreet 2005 NM- 9.2 value = $975. CGC census 12/05: 1 in 9.4, none higher.
This Magazine Is Haunted #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white pages. This is the only copy of this issue certified with a grade above 7.5 by CGC as of this writing. The pre-Code book, hosted by Doctor Death, has art by Sheldon Moldoff, Bernard Baily, and Bob Powell. Overstreet 2005 NM- 9.2 value = $390. CGC census 12/05: 1 in 9.2, none higher.
This Magazine Is Haunted #5 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white to white pages. The cover of this issue is by Sheldon Moldoff, who played a key role in creating the concept of horror comics. George Evans and Bob Powell also contributed to this pre-Code issue. Overstreet 2005 NM- 9.2 value = $550. CGC census 12/05: 1 in 9.2, none higher.
This Magazine Is Haunted #6 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. From the files of Fawcett editor Wendell Crowley comes the highest-graded copy of this issue that CGC has certified to date (the only one graded above 8.0, in fact). The cover is by Sheldon Moldoff. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.4, none higher.
This Magazine Is Haunted #7 Crowley Copy pedigree (Fawcett, 1952) CGC VF/NM 9.0 Off-white pages. Sheldon Moldoff, creator of the horror comic genre according to some (including Mr. Moldoff), drew this issue's cover as well as providing interior art. Overstreet 2005 VF/NM 9.0 value = $211; NM- 9.2 value = $275. CGC census 12/05: 1 in 9.0, 2 higher.
This Magazine Is Haunted #8 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. This is the only 9.6, and highest-graded copy overall, that CGC has certified for this issue to date. Sheldon Moldoff's cover uses that old horror-mag tactic of questioning the reader's courage. Ha ha, how foolish... do be sure to check for bogeyman under your bed before you read it, though. A frighteningly nice copy! Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.6, none higher.
This Magazine Is Haunted #9 Crowley Copy pedigree (Fawcett, 1953) CGC NM- 9.2 Off-white pages. Sheldon Moldoff provided cover and interior art for this issue, and his creation Dr. Death saw to the hosting chores. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.2, none higher.
This Magazine Is Haunted #10 Crowley Copy pedigree (Fawcett, 1953) CGC NM- 9.2 Cream to off-white pages. Gerber's Photo Journal notes "classic cover" for this issue while assigning the book an "uncommon" rating. We hadn't had the opportunity to offer this issue with its severed-head cover before. If you can't make out Doctor Death's quote on our catalog photo, he's saying, "...even with all my experience with death and the supernatural, I shake in my boots at the sight of some people." Yikes! The cover's by Sheldon Moldoff. Overstreet 2005 NM- 9.2 value = $475. CGC census 12/05: 2 in 9.2, none higher.
This Magazine Is Haunted #11 Crowley Copy pedigree (Fawcett, 1953) CGC NM- 9.2 Cream to off-white pages. Pre-Code horror in high grade is always a treat. And how can you beat this cover by Sheldon Moldoff, the creator of the horror comic genre, featuring Dr. Death? There's interior art by Moldoff and Bob Powell. On the negative side, this magazine is haunted. But if you can get over that, the highest-graded copy CGC has certified to date awaits you! Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.2, none higher.
This Magazine Is Haunted #12 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white pages. When it comes to pre-Code horror hosts, Dr. Death is just as scary as any of EC's GhouLunatics in our opinion! And the decomposing guy on the cover will back us up on that! The issue's cover is by Sheldon Moldoff, and there's interior art by Moldoff and Bob Powell. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.4, none higher.
This Magazine Is Haunted #13 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white to white pages. Here's a heads-up for you: a severed head cover (and story) is the featured attraction in this issue! The book's team of artists is "headed" by Sheldon Moldoff, who drew the cover in addition to contributing interior art. And this copy "heads" CGC's census as the only 9.4 to be certified as of this writing. In fact, we'll "stick our neck out" and say it's the best existing specimen. Overstreet 2005 NM- 9.2 value = $440. CGC census 12/05: 1 in 9.4, none higher.
Three Aces Comics #53 Crowley Copy pedigree (Double "A" Comics, 1946) CGC VF/NM 9.0 Cream to off-white pages. A Golden Age comic that's not listed in Overstreet? Believe it! This is a Canadian comic published by Anglo-American (the "double A" of the logo), a publisher perhaps best known for publishing the Canadian editions of Fawcett comics. That in turn explains how Fawcett editor Wendell Crowley acquired a copy for his collection. If you missed issues #1-52, join the club, and if you have #1-52, give us a call! CGC census 12/05: 1 in 9.0, none higher.
Three Stooges #2 (Jubilee, 1949) CGC NM- 9.2 Off-white to white pages. This issue's called "scarce" by both Overstreet and Gerber, and we've got the highest-graded copy yet certified! Yes, there were a lot of Three Stooges comics over the years, but what makes this one special is that it's got Curly! Almost every other Stooges comic out there is from the tenures of Shemp, Joe, or Curly Joe... we're making a face just typing the names of those lamentable substitute Stooges. One Joe we do like is Joe Kubert, who contributed art to this issue. The cover is by Norman Maurer. No other comic gives you more "nyuk" for the buck! Overstreet 2005 NM- 9.2 value = $1,025. CGC census 12/05: 1 in 9.2, none higher.
Thrilling True Story of the Baseball Yankees #nn Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. There's no shortage of baseball icons on this photo cover... or on the 1951 Yankees team for that matter! That fabled squad starred Joe DiMaggio, playing his final season, as well as youngster Mickey Mantle making his Major League debut! And it culminated in a "Subway Series" with the Yanks defeating the New York Giants. Not only is this pedigree specimen the highest-graded copy in CGC's census as of this writing, the runner-up is a distant VF 8.0. Given this comic's crossover appeal to sports collectors, we would advise swinging for the fences with an aggressive bid! Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 1 in 9.4, none higher.
Thun'da #1 (Magazine Enterprises, 1952) CGC VF 8.0 Off-white to white pages. This book has the honor of being the only comic drawn entirely by the masterful Frank Frazetta. It features the origin of Thun'da as well. Gardner Fox wrote the stories, with Frazetta providing the cover and interior art. Overstreet 2005 VF 8.0 value = $913. CGC census 12/05: 6 in 8.0, 6 higher.
Tim Holt #1 Mile High pedigree (Magazine Enterprises, 1948) CGC NM+ 9.6 White pages. Also known as A-1 Comics #14, this issue was one of the earlier Western books by a publisher that would have great success with the genre. No doubt much of that success had to do with having ace artists like Dick Ayers and Frank Bolle contributing. Given this issue's white cover, we can't imagine that a nicer copy exists. Overstreet 2005 NM- 9.2 value = $875. CGC census 12/05: 1 in 9.6, none higher.
Tim Holt #2 Mile High pedigree (Magazine Enterprises, 1948) CGC NM- 9.2 White pages. Also known as A-1 Comics #17, this issue has a photo cover and Frank Bolle art. No copy tops this one in CGC's census to date. Overstreet 2005 NM- 9.2 value = $420. CGC census 12/05: 1 in 9.2, none higher.
Tim Holt #3 Mile High pedigree (Magazine Enterprises, 1948) CGC NM- 9.2 White pages. Also known as A-1 Comics #19, this issue has photo front and back covers. This is CGC's highest-graded copy as of this writing. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 1 in 9.2, none higher.
Tim Holt #8 Mile High pedigree (Magazine Enterprises, 1949) CGC NM 9.4 White pages. Frank Bolle and Fred Guardineer contributed interior art to this issue. Overstreet 2005 NM- 9.2 value = $190. CGC census 12/05: 1 in 9.4, none higher.
Tim Holt #18 Mile High pedigree (Magazine Enterprises, 1950) CGC NM- 9.2 Off-white to white pages. Marvel fans might not know that the original Ghost Rider began as a Magazine Enterprises character! This was one of the earlier appearances for the character, who got his own title after successful appearances in this series. To use Roy Thomas' phrasing, Marvel "sort-of commandeered" the character in the late 1960s (long story), but when they did, they were smart enough to have Dick Ayers draw him -- you see, Ayers was the character's original artist, drawing this and every other M.E. outing for the Ghost Rider. Meanwhile, Frank Bolle drew the remainder of the issue. This is the only copy of this issue that CGC has certified to date. Overstreet 2005 NM- 9.2 value = $150. CGC census 12/05: 1 in 9.2, none higher.
Tim Holt #19 Mile High pedigree (Magazine Enterprises, 1950) CGC NM 9.4 Off-white to white pages. This was the title character's last cover appearance as plain ol' Tim Holt before becoming Red Mask. The issue has Dick Ayers art and an unusual photo frontispiece. Overstreet 2005 NM- 9.2 value = $125. CGC census 12/05: 1 in 9.4, none higher.
Tim Holt #20 Mile High pedigree (Magazine Enterprises, 1950) CGC NM- 9.2 White pages. Tim Holt became the mysterious Red Mask in this issue (the series would later have its name changed accordingly). Frank Bolle and Dick Ayers are the issue's artists; there's also an unusual photo frontispiece. This Edgar Church copy is the only one graded above 7.0 by CGC to date. Overstreet 2005 NM- 9.2 value = $185. CGC census 12/05: 1 in 9.2, none higher.
Tim Holt #21 Mile High pedigree (Magazine Enterprises, 1951) CGC VF/NM 9.0 White pages. Frank Frazetta and Edgar Church are two names associated with excellence! Frazetta drew this issue's cover and Church preserved this copy in his famed high-grade collection. The stars of the issue are Red Mask and Ghost Rider, the latter drawn by Dick Ayers. Overstreet 2005 VF/NM 9.0 value = $335; NM- 9.2 value = $440. CGC census 12/05: 2 in 9.0, none higher.
Tim Holt #22 Mile High pedigree (Magazine Enterprises, 1951) CGC VF/NM 9.0 White pages. Frank Bolle and Dick Ayers art. Overstreet 2005 VF/NM 9.0 value = $98; NM- 9.2 value = $125. CGC census 12/05: 1 in 9.0, none higher.
Tim Holt #23 Mile High pedigree (Magazine Enterprises, 1951) CGC VF 8.0 White pages. The Frank Frazetta cover makes this one of the issues of this series that collectors zero in on. Dick Ayers contributed interior art to the issue. Overstreet 2005 VF 8.0 value = $178. CGC census 12/05: 1 in 8.0, none higher.
Platinum Age (1897-1937)
Tip Top Comics #3 and 16 Group (United Features, 1936-37). Both issues have Tarzan stories with Hal Foster art as well as Tarzan covers. Issue #3 (a Gerber "7") is GD, with a hole punched in the middle of the front cover and a 3-inch spine split. Issue #16 is VG+. Both have white pages. Approximate Overstreet value for group = $380.
Golden Age (1938-1955)
Tip Top Comics #9 (United Features Syndicate, 1937) CGC VF 8.0 White pages. Tarzan is the cover feature, and his adventure inside the comic is drawn by Hal Foster. Our offering is a very attractive copy with great page quality. Overstreet 2005 VF 8.0 value = $588. CGC census 12/05: 1 in 8.0, none higher.
Tip Top Comics #11 (United Features Syndicate, 1937) CGC VF 8.0 White pages. If the Tarzan cover feature wasn't enough, youngsters in 1937 were surely lured by the promise of a Tarzan pin-up inside (there are strip reprints with Hal Foster art in the issue). Overstreet 2005 VF 8.0 value = $588. CGC census 12/05: 1 in 8.0, none higher.
Platinum Age (1897-1937)
Tip Top Comics #13 (United Features Syndicate, 1937) CGC VF+ 8.5 White pages. Tarzan is the cover feature, and inside the issue are Hal Foster strip reprints of the Lord of the Jungle. Other characters include Li'l Abner and the Captain and the Kids. Overstreet 2005 VF 8.0 value = $448; VF/NM 9.0 value = $644. CGC census 12/05: 1 in 8.5, none higher.
Tip Top Comics #18 (United Features Syndicate, 1937) CGC VF+ 8.5 White pages. This is the highest-graded copy that CGC has certified for this issue to date. Tarzan is the cover feature. Overstreet 2005 VF 8.0 value = $448; VF/NM 9.0 value = $644. CGC census 12/05: 1 in 8.5, none higher.
Golden Age (1938-1955)
Tip Top Comics #21 (United Features Syndicate, 1938) CGC VF+ 8.5 White pages. Tarzan leads a roster of characters that also includes Li'l Abner, the Captain and the Kids, and many more. Overstreet 2005 VF 8.0 value = $364; VF/NM 9.0 value = $525. CGC census 12/05: 1 in 8.5, none higher.
Tip Top Comics #24 (United Features Syndicate, 1938) CGC VF- 7.5 White pages. Tarzan cover. Overstreet 2005 VF 8.0 value = $364. CGC census 12/05: 1 in 7.5, none higher.
Tip Top Comics #45 (United Features Syndicate, 1940) CGC FN 6.0 Off-white pages. Tarzan cover. Overstreet 2005 FN 6.0 value = $120. CGC census 12/05: 1 in 6.0, none higher.
Tip Top Comics #48 (United Features Syndicate, 1940) CGC VF- 7.5 Off-white to white pages. Captain and the Kids cover. Interior features include Tarzan. Overstreet 2005 VF 8.0 value = $198. CGC census 12/05: 1 in 7.5, none higher.
Tip Top Comics #49 (United Features Syndicate, 1940) CGC VF 8.0 Off-white to white pages. Features include Tarzan and Li'l Abner. Overstreet 2005 VF 8.0 value = $198. CGC census 12/05: 1 in 8.0, none higher.
Tomb of Terror #14 File Copy (Harvey, 1954) CGC NM- 9.2 Cream to off-white pages. This special science fiction issue features a great "Bug-Eyed Alien" cover illustration by Lee Elias, as well as art by Bob Powell and Sid Check on the inside. It's from the Harvey Comics files, and sports deep, rich cover color and gloss. Overstreet 2005 NM- 9.2 value = $385. CGC census 12/05: 5 in 9.2, none higher.
Tom Mix Comics #3 Mile High pedigree (Ralston-Purina Co., 1941) CGC FN 6.0 White pages. The back cover of this Mile High copy has a mailing label addressed to Edgar Church himself! The label actually says "F. Church," but we ascribe that to the good folks at Ralston-Purina simply mis-typing the handwritten name that was sent in to them. We found it fascinating that Mr. Church not only bought nearly every comic on the stands, but also took the trouble to send away for this promotional comic, which was given away in return for two cereal box tops. Any comic that has been sent through the mails unprotected simply won't be in perfect condition, and this copy is topped by only one in CGC's census. Overstreet 2005 FN 6.0 value = $174. CGC census 12/05: 1 in 6.0, 1 higher.
Tom Mix Comics #10 Mile High pedigree (Ralston-Purina Co., 1942) CGC FN+ 6.5 White pages. "E. Church" says the mailing label on the back of this comic -- how about that for an impressive provenance! Yes, in addition to buying comics off of the stands, Mr. Church sent away a couple of box tops to receive this promotional issue, which was only available through the mails. Of course, any copy you're going to find will have a little wear and tear thanks to the Postal Service, so there are a few copies graded (slightly) higher. But none of those can match the thrill of having this Church copy. Overstreet 2005 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 12/05: 1 in 6.5, 3 higher.
Tom Mix Comics #11 Mile High pedigree (Ralston-Purina Co., 1942) CGC FN/VF 7.0 White pages. Wartime being what it was, the Tom Mix series of promotional comics became Tom Mix Commandos Comics for the last few issues. We're pretty sure Mr. Mix was never a World War II commando, since he died in 1940! At any rate, these comics were only available through the mail in exchange for cereal box tops, and even Edgar Church sent off for one. Overstreet 2005 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 12/05: 1 in 7.0, 1 higher.
Tom Mix Western #1 (Fawcett, 1948) CGC NM- 9.2 Off-white to white pages. Eight years after his death, Tom Mix still ruled the West! His comic lasted 61 issues. This premiere issue features a photo cover of "The Greatest Cowboy of the Golden West." Overstreet 2005 NM- 9.2 value = $1,300. CGC census 12/05: 1 in 9.2, 1 higher.
Tom Mix Western #7 Mile High pedigree (Fawcett, 1948) CGC NM+ 9.6 White pages. This is the census-topping copy of this issue, which boasts a hybrid painted/photo cover. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 1 in 9.6, none higher.
Tom Mix Western #14 Mile High pedigree (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. The King of the Cowboys never looked better than on this spectacular painted cover. Overstreet 2005 NM- 9.2 value = $235. CGC census 12/05: 1 in 9.4, none higher.
Top-Notch Comics #1 (MLJ, 1939) CGC VF 8.0 Off-white pages. This is the second comic book series produced by the company which would one day be known as Archie Comics, appearing just a month after the firm's first effort, Blue Ribbon Comics. This issue has the first appearance of the Wizard, who would become one of MLJ's top superheroes. The content of the issue was produced by the Harry "A" Chesler shop, most notably Jack Cole. Overstreet 2005 VF 8.0 value = $4,067. CGC census 12/05: 1 in 8.0, 3 higher.
Top-Notch Comics #1 (MLJ, 1939) CGC VG 4.0 Off-white to white pages. The first appearance of the Wizard came in one of the very first comic issues published by MLJ (later Archie). The Wizard didn't have Roy the Super-Boy to assist him yet in this early outing, but when you're the Man with the Super-Brain, that's not insurmountable! Jack Cole is among the issue's artists. Overstreet 2005 VG 4.0 value = $1,162. CGC census 12/05: 1 in 4.0, 8 higher.
Top-Notch Comics #3 (MLJ, 1940) CGC FN/VF 7.0 Off-white pages. The Wizard stars in this issue, a book that Gerber describes as "scarce." Meanwhile, Bob Phantom, who first appeared in Blue Ribbon Comics, moved to this series, where he became a regular starting with this issue. The issue was produced by the Harry "A" Chesler shop, and includes contributions from Jack Cole and Mort Meskin. Overstreet 2005 FN 6.0 value = $507; VF 8.0 value = $1,056. CGC census 12/05: 1 in 7.0, 2 higher.
Top-Notch Comics #6 San Francisco pedigree (MLJ, 1940) CGC VF 8.0 Off-white to white pages. One of MLJ's top heroes, the Wizard, stars in the issue; he's drawn by Edd Ashe both on the cover and inside. The most notable of the issue's artists is Mort Meskin, who drew the tale of globetrotting adventurer Dick Storm. Overstreet 2005 VF 8.0 value = $675. CGC census 12/05: 1 in 8.0, 1 higher.
Top-Notch Comics #7 (MLJ, 1940) CGC FN/VF 7.0 Off-white pages. The Wizard and the Shield were pretty tight -- not only did they co-star in Shield-Wizard Comics, they even crossed over into each others' stories for a while -- heck, even their sidekicks teamed up to form the Boy Buddies! If you squint, you'll even see the Shield on this cover by Edd Ashe. Also of note is that the Wizard got a new costume in this issue. The interior art is by Ashe, Irv Novick, and Mort Meskin. Overstreet 2005 FN 6.0 value = $387; VF 8.0 value = $806. CGC census 12/05: 1 in 7.0, 3 higher.
Top-Notch Comics #9 Cosmic Aeroplane pedigree (MLJ, 1940) CGC VF/NM 9.0 Off-white pages. Here's the first appearance and origin of MLJ's "Man of Mystery," the Black Hood. Police officer Kip Burland became a masked vigilante by night, working to clear his name after being framed for burglary. The Black Hood starred in several MLJ titles, a short-lived pulp (Black Hood Detective), and even a 1943 radio series. Archie Comics revived the character in the 1960s, adding him to their super team The Mighty Crusaders. This book, considered "scarce" by both Overstreet and Gerber, features beautiful cover colors, and looks, well... top notch! Overstreet 2005 VF/NM 9.0 value = $6,097; NM- 9.2 value = $8,400. CGC census 12/05: 1 in 9.0, 1 higher.
Top-Notch Comics #14 (MLJ, 1941) CGC FN 6.0 Cream to off-white pages. Bondage cover. Overstreet 2005 FN 6.0 value = $324. CGC census 12/05: 1 in 6.0, 2 higher.
Top-Notch Comics #15 (MLJ, 1941) CGC FN 6.0 Cream to off-white pages. Mort Meskin art. Overstreet 2005 FN 6.0 value = $324. CGC census 12/05: 1 in 6.0, 3 higher.
Top-Notch Comics #23 Mile High pedigree (MLJ, 1942) CGC NM/MT 9.8 Off-white to white pages. Be prepared to be amazed by the remarkably fresh condition of this pre-World War II comic book, starring the Black Hood, the Wizard, and Roy, the Super-Boy. This beauty of a book has incredible gloss, rich color, and creamy smooth surfaces. You'll have to go back in time to ever find a better copy! Overstreet 2005 NM- 9.2 value = $900. CGC census 12/05: 1 in 9.8, none higher.
Top-Notch Comics #23 San Francisco pedigree (MLJ, 1942) CGC NM- 9.2 Off-white pages. This NM- gem hails from the collection of Tom Reilly, one of the top two pedigree collections of all time according to most. MLJ heroes the Black Hood, the Wizard, Roy the Super-Boy, the Firefly, and others ply their crimefighting trade here. Overstreet 2005 NM- 9.2 value = $900. CGC census 12/05: 1 in 9.2, 1 higher.
Top-Notch Comics #27 Mile High pedigree (MLJ, 1942) CGC NM- 9.2 White pages. Here's the highest-graded copy of the last "serious" issue of this title. With the next issue it became Top-Notch Laugh Comics, and crimefighters had to share space with gag strips. This one's an all-hero affair (well, except for a Snoop McGook feature). The "Remember Pearl Harbor" refers to the Wizard story inside the issue, while on the cover the Wizard and the Black Hood have other Axis axes to grind. Overstreet 2005 NM- 9.2 value = $900. CGC census 12/05: 1 in 9.2, none higher.
Torchy #5 (Quality, 1950) CGC VF/NM 9.0 Off-white pages. This little lady is easy to recognize, no matter what she's wearing -- just follow the "line of sight" of every male in the area! Yes, friends, this is what the term "headlights" in comics is all about! Bill Ward's classic character, Torchy, certainly set fire to more than a few hearts in her time, and this fireball of a comic book still has that ol' magic effect going for it! Topped off by a beauty of a Gill Fox cover, the fun continues inside with story art by both Fox and Ward. Va-Va-Voom! Overstreet 2005 VF/NM 9.0 value = $963; NM- 9.2 value = $1,300. CGC census 12/05: 2 in 9.0, 1 higher.
Twinkle Comics #1 Carson City pedigree (Spotlight, 1945) CGC NM 9.4 Off-white pages. The Carson City collection of #1 issues is notable for including some obscure, and thus hard-to-find, titles like this Gerber "7." The issue's artists include Manny Stallman and funny animal specialist Al Fago. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Uncle Sam Quarterly #8 (Quality, 1943) CGC VF+ 8.5 White pages. This was the last issue of this title before the name changed to Blackhawk. The cover is by Alex Kotzky. Overstreet 2005 VF 8.0 value = $431; VF/NM 9.0 value = $666. CGC census 12/05: 1 in 8.5, none higher.
Uncle Scrooge #11 (Dell, 1955) CGC NM- 9.2 Off-white to white pages. Carl Barks cover and art. Overstreet 2005 NM- 9.2 value = $225. CGC census 12/05: 1 in 9.2, none higher.
Underworld Crime #1 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white to white pages. If you associate Fawcett with the squeaky-clean Captain Marvel tales, be apprised that they did jump on the crime bandwagon along with all of the other comic publishers of the day. Here's a pristine copy of the first issue, which boasts art by Bernard Baily and Mike Sekowsky. Overstreet 2005 NM- 9.2 value = $360. CGC census 12/05: 1 in 9.6, none higher.
Underworld Crime #3 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Cream to off-white pages. This copy of the pre-Code crime book is tied for the highest grade that CGC has assigned to date. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 2 in 9.6, none higher.
Underworld Crime #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. To date, no copy of this cops-and-robbers book has been certified with a higher grade by CGC. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.6, none higher.
Unknown World #1 Crowley Copy pedigree (Fawcett, 1952) CGC VF/NM 9.0 Off-white pages. No copy of this one-shot has been graded higher by CGC to date. It's got an impressive painted cover by Norman Saunders. Overstreet 2005 VF/NM 9.0 value = $418; NM- 9.2 value = $560. CGC census 12/05: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #1 (Dell, 1940) CGC VG+ 4.5 White pages. Here is the first issue of one of the longest-running comic series of all time, with Donald Duck newspaper strip reprints by Al Taliaferro, and Floyd Gottfredson's Mickey Mouse beginning in this issue. A clean copy with a nice spine and deep colors, only a crease down the back cover and other minor flaws keep this copy from grading higher. Overstreet 2005 VG 4.0 value = $3,200. CGC census 12/05: 3 in 4.5, 6 higher.
Walt Disney's Comics and Stories #2 (Dell, 1940) CGC VF/NM 9.0 Off-white pages. This blows away any copy of this issue we had ever seen before, and as of this writing it tops CGC's census by a healthy margin too, as the only copy graded above FN+ 6.5. It's the second issue of the first regularly published Disney comic book -- what more do we need to say? With a legion of Disney collectors due to zero in on this lot, we recommend an aggressive bid. Overstreet 2005 VF/NM 9.0 value = $6,356; NM- 9.2 value = $9,000. CGC census 12/05: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #3 (Dell, 1940) CGC FN- 5.5 Off-white pages. As of this writing, only one copy in CGC's census has been graded higher than this one. Subscribers to Mickey Mouse Magazine had their subscriptions rolled over to this new comic title -- a very unobtrusive address printed on the back shows us the name of one of the lucky charter subscribers. The issue's cover is credited to Disney staff artist Hank Porter. Overstreet 2005 FN 6.0 value = $642. CGC census 12/05: 1 in 5.5, 1 higher.
Walt Disney's Comics and Stories #22 Carson City pedigree (Dell, 1942) CGC VF/NM 9.0 Off-white to white pages. A superb flag cover by Carl Buettner makes this issue especially collectible. This fresh-looking copy is topped by only one other in CGC's current census. Overstreet 2005 VF/NM 9.0 value = $483; NM- 9.2 value = $660. CGC census 12/05: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC VF- 7.5 White pages. This series' first original Donald Duck story was also the first in this series drawn by Carl Barks! And while Barks had drawn Donald before in Four Color #9, this was his first writing contribution to the character, as he did a bit of rewriting on the 10-page Duck tale. He was then asked to write the next issue's story, and thus began an amazing run of over two decades as the main creator of this series' Donald Duck stories. Since Barks' acclaim stems from his fantastic plotting as much as his artwork, this is a milestone issue any way you look at it. By the way, the issue has another big-name contributor in Walt Kelly, who's credited with the "Buy War Bonds" cover. Overstreet 2005 VF 8.0 value = $1,950. CGC census 12/05: 2 in 7.5, 3 higher.
Walt Disney's Comics and Stories #32 File Copy (Dell, 1943) CGC VF/NM 9.0 Off-white pages. Carl Barks wrote his first full Donald Duck story for this issue after doing some re-writing on the previous issue's Duck tale. Carl Buettner is credited with the cover. This file copy's the highest-graded specimen in CGC's census as of this writing. Overstreet 2005 VF/NM 9.0 value = $1,427; NM- 9.2 value = $1,950. CGC census 12/05: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC NM- 9.2 Off-white to white pages. This is the finest copy in CGC's census as of this writing, and it's a great issue to have, too -- it's got one of Carl Barks' earliest Donald Duck stories, plus there's an infinity cover by Carl Buettner. Overstreet 2005 NM- 9.2 value = $1,350. CGC census 12/05: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC VF- 7.5 Off-white to white pages. While Carl Buettner's cover depicts an infinite number of nice copies of this issue, in real life a mere three have been certified with higher grades than this one to date. The issue has one of Carl Barks' earliest Donald Duck stories for the series. Overstreet 2005 VF 8.0 value = $624. CGC census 12/05: 3 in 7.5, 3 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC NM- 9.2 Off-white to white pages. This is the only copy of the issue graded above 6.0 by CGC as of this writing. This comic has the start of the Gremlins feature drawn by Walt Kelly, plus there's a Donald Duck story written and drawn by Carl Barks. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #35 (Dell, 1943) CGC NM- 9.2 Off-white pages. Here's an amazing copy for you -- check out the whites on the back cover, with not even a hint of a dust shadow or the like. The issue has a Donald Duck story by Carl Barks, and the cover's credited to Walt Kelly. Overstreet 2005 NM- 9.2 value = $1,000. CGC census 12/05: 1 in 9.2, 1 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC VF/NM 9.0 Off-white pages. Donald Duck drawn by Carl Barks, Mickey Mouse by Floyd Gottfredson and the Gremlins by Walt Kelly are included in this issue's all-star lineup. Only one copy has been graded higher by CGC to date. Overstreet 2005 VF/NM 9.0 value = $731; NM- 9.2 value = $1,000. CGC census 12/05: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #169 (Dell, 1954) CGC NM 9.4 Off-white to white pages. Carl Barks cover and Donald Duck story art. Overstreet 2005 NM- 9.2 value = $75. CGC census 12/05: 1 in 9.4, 1 higher.
Walt Disney's Comics and Stories #170 (Dell, 1954) CGC NM 9.4 Off-white to white pages. Carl Barks cover and Donald Duck story art. Overstreet 2005 NM- 9.2 value = $75. CGC census 12/05: 1 in 9.4, none higher.
War Comics #1 Carson City pedigree (Dell, 1940) CGC VF/NM 9.0 Off-white pages. This is the very first war comic (i.e. the first comic devoted entirely to war stories)! So how could you not want one? We're pleased that we have one to offer to you, especially since as of this writing, it's the only copy certified with a grade above 6.0. Overstreet credits the cover to Alden McWilliams. Overstreet 2005 VF/NM 9.0 value = $557; NM- 9.2 value = $750. CGC census 12/05: 2 in 9.0, none higher.
Western Killers #60 (#1) Vancouver pedigree (Fox Features Syndicate, 1948) CGC VF+ 8.5 White pages. "Extreme violence" and a "lingerie panel?" Sounds like a Fox comic book to us, all right! And this is the highest-graded copy of the issue that CGC has certified to date. Overstreet 2005 VF 8.0 value = $152; VF/NM 9.0 value = $219. CGC census 12/05: 1 in 8.5, none higher.
Western True Crime #16 (#2) Vancouver pedigree (Fox Features Syndicate, 1948) CGC NM 9.4 White pages. Jack Kamen-esque art, "headlight" panels, extreme violence... what more do you want from a Fox comic book? This is the only copy of the issue that CGC has certified to date, and it's a very nice copy indeed. Overstreet 2005 NM- 9.2 value = $255. CGC census 12/05: 1 in 9.4, none higher.
Whirlwind Comics #1 Mile High pedigree (Nita Publication, 1940) CGC NM 9.4 Off-white to white pages. The Cyclone roars into action on this bright yellow cover, featuring his first appearance, and Nita's first foray into comic publishing. A stunning Mile High example that exudes all of the qualities the collection has come to represent, including corners that do not have a single bit of blunting, a spine that has no blemishes, a back cover with no soil or wear, shiny bright staples, and glossy cover colors that leap right off the page. It's the highest graded copy on CGC's current census report (of only four copies of issue #1 listed), and considering its origin, is probably the best in existence. Overstreet 2005 NM- 9.2 value = $2,600. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC Apparent VF- 7.5 Slight (P) Off-white pages. The first Fawcett comic book to make it to newsstands, this issue has the origin and first newsstand appearance of Captain Marvel, who as Overstreet succinctly noted, "came from behind to eclipse the competition's best." The issue also has the first appearances of supporting characters Shazam (the old wizard) and Dr. Sivana, plus the first appearances of Spy Smasher, Ibis the Invincible, and Lance O'Casey, all long-running characters who had their own series at one time or another. Note that there is a small hairline crack on each side of the CGC slab, not affecting the integrity of the holder. CGC notes, "Restoration includes: very small color touch, split sealed, cleaned, reinforced." Overstreet 2005 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000; VF 8.0 value = $40,000.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC FN- 5.5 Off white to white pages. Gangway for Captain Marvel, Billy Batson, Spy Smasher, Ibis the Invincible, Golden Arrow, Dr. Thaddeus Sivana, and more, all debuting within the pages of this historic comic. Currently ranking #10 in Overstreet's list of Top Golden Age Books, this first issue of Whiz (which got its odd numbering due to legal reasons concerning the original "ash-can" version) would set the stage for the heroic character who would, for a time, become the most popular of all comic book "mystery men." Lovingly nicknamed the Big Red Cheese, Captain Marvel was the creation of editor Bill Parker, and designed by artist C. C. Beck, supposedly with actor Fred MacMurray in mind. Beck drew several features in this issue, including the origin stories of Ibis and Spy Smasher. Very few unrestored copies of this comic are currently known to exist, with none graded over VF+, according to data supplied by CGC. The solid copy is bested by only two other CGC-certified copies to date! Overstreet 2005 FN 6.0 value = $21,000. CGC census 12/05: 1 in 5.5, 2 higher.
Whiz Comics #3 (#2) (Fawcett, 1940) CGC VG+ 4.5 Cream to off-white pages. Captain Marvel, still wearing his button-down flap tunic, makes his second appearance in this issue. Continuing the numbering from Whiz Comics #2, (with the "ashcan" edition considered #1), this is actually the second issue of this title. Adding to the confusion would be the next issue, also called #3, which finally corrected the order. This issue features an appearance by the Big Red Cheese's number one arch-enemy, Dr. Sivana. C. C. Beck and Pete Costanza art is featured. Overstreet 2005 VG 4.0 value = $904. CGC census 12/05: 2 in 4.5, 2 higher.
Whiz Comics #4 (Fawcett, 1940) CGC Apparent VF 8.0 Slight (P) Off-white pages. This very early Captain Marvel appearance is a Gerber "7," and a book that doesn't cross our path very often. In the issue, Dr. Sivana has already figured out that Billy Batson says "Shazam" to turn into Captain Marvel, so he gags the youngster and tries to induce amnesia! The issue has a C. C. Beck cover, with interior art by Beck and Pete Costanza. CGC notes, "Restoration includes: very small amount of color touch, spine split sealed." Overstreet 2005 GD 2.0 value = $292; VG 4.0 value = $584; FN 6.0 value = $876; VF 8.0 value = $1,825.
Whiz Comics #9 Crowley Copy pedigree (Fawcett, 1940) CGC FN 6.0 Cream to off-white pages. C. C. Beck's colorful cover illustration shows a grim Captain Marvel wrestling an angry rhino in order to save a beautiful girl -- what a hero! And for a mid-grade copy, we have to say "what a comic!" The cover colors are so bright and attractive, this looks like a much higher-graded copy; in fact, it is bested by only one other (graded 7.5) in the current CGC census. Of course, coming from former Fawcett editor Wendell Crowley's prized comic collection doesn't hurt! Overstreet 2005 FN 6.0 value = $555. CGC census 12/05: 1 in 6.0, 2 higher.
Whiz Comics #19 Crowley Copy pedigree (Fawcett, 1941) CGC VF+ 8.5 Cream to off-white pages. C. C. Beck drew this issue's underwater cover in addition to providing interior art. Mac Raboy handled art chores on the Dr. Voodoo feature. Overstreet 2005 VF 8.0 value = $544; VF/NM 9.0 value = $835. CGC census 12/05: 1 in 8.5, 1 higher.
Whiz Comics #35 (Fawcett, 1942) CGC FN 6.0 Off-white to white pages. Spy Smasher joins Captain Marvel on the cover. C. C. Beck and Emil Gershwin cover art. Interior artists include Dave Berg. CGC notes, "Centerfold detached." Overstreet 2005 FN 6.0 value = $150. CGC census 12/05: 2 in 6.0, 7 higher.
Whiz Comics #42 Crowley Copy pedigree (Fawcett, 1943) CGC NM 9.4 Cream to off-white pages. Captain Marvel, Spy Smasher, and Ibis the Invincible lead the roster of characters here. The cover is by C. C. Beck. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #49 Crowley Copy pedigree (Fawcett, 1943) CGC NM 9.4 Off-white pages. Artist C. C.Beck gave us a rousing war cover of a somewhat different variety here, but what an entertaining one it is! In addition to the Captain Marvel story, there are many other features, including Spy Smasher and Ibis the Invincible. Overstreet 2005 NM- 9.2 value = $400. CGC census 12/05: 2 in 9.4, none higher.
Whiz Comics #51 Crowley Copy pedigree (Fawcett, 1944) CGC VF+ 8.5 Off-white to white pages. C. C. Beck and his fellow Fawcett creators were never short on creativity -- witness this cover's "Ugly-Beauty Contest." Beauty is certainly the operative word for this copy, as only a few have been graded higher by CGC to date. Overstreet 2005 VF 8.0 value = $173; VF/NM 9.0 value = $249. CGC census 12/05: 3 in 8.5, 3 higher.
Whiz Comics #54 Crowley Copy pedigree (Fawcett, 1944) CGC NM/MT 9.8 Off-white pages. This is one of the nicest copies in the amazing run of Crowley books we're offering, and if you've looked at the other ones on these pages, you know that's really saying something! The cover art is by C. C. Beck. Overstreet 2005 NM- 9.2 value = $325. CGC census 12/05: 2 in 9.8, none higher.
Whiz Comics #57 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Off-white pages. In this Captain Marvel outing, the Big Red Cheese's story has guest appearances by Spy Smasher, Ibis the Invincible, and Golden Arrow, who all star in their own features here as well. Overstreet 2005 NM- 9.2 value = $325. CGC census 12/05: 2 in 9.4, none higher.
Whiz Comics #71 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Off-white pages. A Basil Wolverton half-pager rounds out an issue that stars Captain Marvel (drawn by C. C. Beck as usual). This copy's alone atop CGC's census as of this writing. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #73 Crowley Copy pedigree (Fawcett, 1946) CGC NM- 9.2 Off-white pages. C. C. Beck's Captain Marvel is joined by a host of other heroes here, and there's even a half-pager by the much-collected Basil Wolverton. Overstreet 2005 NM- 9.2 value = $280. CGC census 12/05: 1 in 9.2, none higher.
Whiz Comics #77 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Cream to off-white pages. If you're wondering who this Crime Smasher guy is who's pictured on this issue's cover, it's our old pal Spy Smasher, who changed his name in the postwar era when there weren't as many spies left to smash! Captain Marvel remains the lead feature, of course. Basil Wolverton chipped in with a half-pager. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.6, none higher.
Whiz Comics #81 Crowley Copy pedigree (Fawcett, 1946) CGC NM 9.4 Off-white pages. A Basil Wolverton gag page is just one of the highlights of this issue. If you're wondering who the two ladies on the cover are: Taia is the love interest of Ibis the Invincible, while Eve Corby is the best girl of Crime Smasher (formerly Spy Smasher). The lead feature is a Captain Marvel tale with Pete Costanza art. Overstreet 2005 NM- 9.2 value = $275. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #88 Crowley Copy pedigree (Fawcett, 1947) CGC VF/NM 9.0 Off-white pages. No copy of this issue has been graded higher by CGC to date. The partial photo cover (with C. C. Beck providing the line-drawn portion) makes this one worth a look. Inside, there's one of Basil Wolverton's "Culture Corner" half-pagers. Overstreet 2005 VF/NM 9.0 value = $211; NM- 9.2 value = $275. CGC census 12/05: 2 in 9.0, none higher.
Whiz Comics #100 Crowley Copy pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white pages. When Fawcett's first title hit issue 100, it was time for a birthday cake! And for you nitpickers out there who point out that Whiz started with #2, don't forget that there was a "real" #2 as well, so this truly is the 100th comic. We hope Golden Arrow and Ibis the Invincible got pieces of the cake too, as they had been around since issue #1 as well. The issue's artists include Kurt Schaffenberger and Bernie Krigstein; there's also a half-pager by Basil Wolverton. The cover is by C. C. Beck. Overstreet 2005 NM- 9.2 value = $320. CGC census 12/05: 3 in 9.2, 3 higher.
Whiz Comics #101 Crowley Copy pedigree (Fawcett, 1948) CGC VF/NM 9.0 Cream to off-white pages. Captain Marvel stars in this issue; he's drawn by C. C. Beck on the cover and Kurt Schaffenberger inside the comic. Overstreet 2005 VF/NM 9.0 value = $203; NM- 9.2 value = $265. CGC census 12/05: 2 in 9.0, 2 higher.
Whiz Comics #105 Crowley Copy (Fawcett, 1949) CGC NM 9.4 Cream to off-white pages. The "humiliation cover" is a genre we associate more with DC, but that didn't stop cover artist C. C. Beck from heaping indignities on Captain Marvel here! This copy's alone atop CGC's census as of this writing. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #107 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Cream to off-white pages. A photo cover with the Capitol Building has Captain Marvel going after some crooks... no, none of them are Congressmen! Among the highlights of the issue is one of Basil Wolverton's "Culture Corner" half-pagers. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #108 Crowley Copy (Fawcett, 1949) CGC NM 9.4 Cream to off-white pages. "Youse guys" will love this, it's the Brooklyn Bridge on a partial photo cover! In addition to tales of Captain Marvel, Ibis the Invincible, and the other regulars, the issue has a half-pager drawn by Basil Wolverton. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #111 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. What can red and yellow do for you? In addition to a tale called "The Marvel Delivery Service," this issue's got adventures of Golden Arrow and Ibis the Invincible. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #112 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Cream to off-white pages. Soaring right off the cover -- it's Captain Marvel! This issue sports a photo infinity cover, featuring two young comic fans. Inside, Sivana appears, in a story drawn by Kurt Schaffenberger. Basil Wolverton lightens things up with a witty Culture Corner half-page strip. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #114 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. This issue's colorful cover offers a smorgasbord of, well... "Action! Adventure! Excitement!" Who can argue with that? This copy is about the nicest we've ever seen -- just check the current CGC census, where this pedigreed example tops the list! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #117 Crowley Copy pedigree (Fawcett, 1950) CGC NM+ 9.6 Off-white pages. That jug-eared "rat," Sivana, is up to his old tricks this issue. The cover and Captain Marvel story art are by Kurt Schaffenberger. A Basil Wolverton "Culture Corner" is included. This is currently the only copy of this issue certified by CGC. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.6, none higher.
Whiz Comics #118 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Captain Marvel goes dockside to check out the "World's Mightiest Ship" on this issue's sharp cover illustration. Artists include Kurt Schaffenberger, Frank Bolle, and Basil Wolverton, who contributes a "Culture Corner" entitled "How to Lift Your Lid." This is currently the only copy of this issue to have been certified by CGC. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #123 Crowley Copy pedigree (Fawcett, 1950) CGC VF/NM 9.0 Off-white pages. Artists include Pete Costanza (cover), Kurt Schaffenberger, and Dick Dillin. Overstreet and CGC both list Basil Wolverton art for this issue. Overstreet 2005 VF/NM 9.0 value = $203; NM- 9.2 value = $265. CGC census 12/05: 1 in 9.0, none higher.
Whiz Comics #129 Crowley Copy pedigree (Fawcett, 1951) CGC NM- 9.2 Off-white pages. The Captain flies high on this issue's beautiful outer space cover illustration. The cover, with its black background, looks very fresh, with only slight wear near the staples noticeable. A wacky Basil Wolverton "Culture Corner" makes this issue extra-desirable. At this writing, only this one copy of the issue is listed as CGC-graded. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.2, none higher.
Whiz Comics #130 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. It's "rock and roll" time as Captain Marvel faces the "Revolt of the Minerals," thanks to that no-good Sivana! Inside, that master of mirth, Basil Wolverton, contributes a handy Culture Corner entitled "How to See TV." Take a good look at this snow-white wonder of a comic book -- and bid! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #133 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white to white pages. Say it ain't so, Cap! The World's Mightiest Mortal becomes a shudder -- witch in this issue! Gee, we always thought he'd make a better warlock! Basil Wolverton turns in a funny Culture Corner in this issue, called "How To Care For Your Hair." No doubt about it -- whoever cared for this beautifully-preserved comic (that would be Fawcett editor Wendell Crowley) did a wonderful job! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.6, none higher.
Whiz Comics #138 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Captain Marvel confronts "Sivana's Red Herring" on this amusing underwater cover, credited to artist C. C. Beck. Interior artists include Kurt Schaffenberger. This outstanding pedigreed example is currently the highest CGC-graded copy. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #139 Crowley Copy pedigree (Fawcett, 1951) CGC NM+ 9.6 Off-white pages. The entire Whiz gang -- Ibis, Captain Marvel, Lance O'Casey, and Golden Arrow -- line up for this fantastic infinity cover portrait. Kurt Schaffenberger art is featured inside. This comic is a real keeper, exceptionally well-cut and colorful. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.6, none higher.
Whiz Comics #144 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Captain Marvel battles the "Disaster Master" in this issue -- maybe FEMA should be in contact! Kurt Schaffenberger draws the Big Red Cheese story. This beautiful comic, originally from the collection of Fawcett editor Wendell Crowley, is currently the top CGC-graded copy of this issue. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.4, none higher.
Whiz Comics #146 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Captain Marvel attends a World's Fair -- on another world, of course -- on this wild and woolly Pete Costanza cover. Basil Wolverton and Kurt Schaffenberger both contribute interior art. The monster on the cover may be a little on the ugly side, but this pretty pedigreed copy is a real head-turner! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 2 in 9.4, none higher.
Whiz Comics #148 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Cream to off-white pages. Pete Costanza's cover illustration depicts Captain Marvel as Atlas, holding the world on his mighty shoulders. Thanks, Cap! Kurt Schaffenberger contributes story art. This sturdy pedigreed copy displays exceptional cover color and gloss, and bears the highest grade yet awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 1 in 9.6, none higher.
Whiz Comics #149 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Captain Marvel is really "Out of this World," courtesy of a great Pete Costanza cover illustration. Kurt Schaffenberger draws the Big Red Cheese story inside. Don't bother searching the entire world for a better copy of this issue, just trust us (and the current CGC census report) that this pedigreed example is one of the best available! Overstreet 2005 NM- 9.2 value = $265. CGC census 12/05: 2 in 9.4, none higher.
Whiz Comics #152 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. There are few things in nature as pretty as snowflakes, majestic in their minute size. What if they were as big as truck tires, falling from the sky? That's the problem faced by Captain Marvel on this unusual C. C. Beck cover, which marked the last use of the original Whiz Comics logo. This issue, toward the very end of the run, received limited distribution according to Overstreet. Overstreet 2005 NM- 9.2 value = $285. CGC census 12/05: 1 in 9.4, 1 higher.
Whiz Comics #155 Crowley Copy pedigree (Fawcett, 1953) CGC VF 8.0 Off-white to white pages. This is the last issue of Whiz, considered scarce by Overstreet. Captain Marvel was at one time the world's most popular superhero. Copies of Fawcett comics featuring this jovial do-gooder (including this title, which introduced the character back in 1940) would regularly outsell those featuring his chief competition, DC's Superman. Little wonder that DC chose to sue, claiming copyright infringement. The lawsuit dragged on for years until Fawcett saw the writing on the wall (a steady decline in sales) and threw in the towel. By the end of 1953, the rest of the Marvel Family titles all ended, and soon the only one left uttering the magic phrase "Shazam" would be TV's Gomer Pyle! Overstreet 2005 VF 8.0 value = $198. CGC census 12/05: 1 in 8.0, none higher.
Wings Comics #1 (Fiction House, 1940) CGC VF 8.0 White pages. One of Fiction House's original titles from the early days of the Golden Age of Comics, Wings ran for an impressive 14 years. Beginning with this inaugural issue, the title would be renowned for its high-flyin' action covers, like this striking grey tone beauty. Like its Fiction House sister titles, Wings placed high emphasis on its artwork, and in this issue, the reader would find story art by Klaus Nordling, George Tuska, Charles Sultan, Gene Fawcette, and Nick Cardy. It's tough finding a copy of this issue at all (Gerber rates it "scarce"), much less one this nice. Some very light foxing along the left side of the cover detracts little from the overall appeal of this solid example. Overstreet 2005 VF 8.0 value = $1,588. CGC census 12/05: 5 in 8.0, 5 higher.
Witches Tales #14 File Copy (Harvey, 1952) CGC VF/NM 9.0 Cream to off-white pages. This black-background beauty is loaded with great cover color and gloss. Interior art is by Howard Nostrand, Rudy Palais, and Bob Powell. This is the better of the mere two copies of this issue currently certified by CGC. Overstreet 2005 VF/NM 9.0 value = $207; NM- 9.2 value = $270. CGC census 12/05: 1 in 9.0, none higher.
Witches Tales #17 File Copy (Harvey, 1953) CGC NM- 9.2 Cream to off-white pages. Atomic disaster story. Lee Elias cover. Rudy Palais, Moe Marcus, and Manny Stallman art. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 1 in 9.2, none higher.
Witches Tales #20 File Copy (Harvey, 1953) CGC NM- 9.2 Cream to off-white pages. Lee Elias, Howard Nostrand, Bob Powell, and Jack Sparling art. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 1 in 9.2, none higher.
Wonderworld Comics #8 (Fox, 1939) CGC VG+ 4.5 White pages. When cover artist Lou Fine was at his best, there was none better -- no wonder Overstreet gave this cover its "classic" designation. The other contributing artists are no slouches -- Will Eisner and Bob Powell both contributed to the issue. The most prominent name character-wise is the Flame, who's seen on Fine's dynamite cover. Overstreet 2005 VG 4.0 value = $524. CGC census 12/05: 1 in 4.5, 2 higher.
Wonderworld Comics #13 (Fox, 1940) CGC VF 8.0 Off-white to white pages. This is the last of 11 consecutive Lou Fine covers for the title! The issue also contains the last installment of the Dr. Fung backup feature. Interior artists include Fred Guardineer, Klaus Nordling, and Claire Moe. Overstreet 2005 VF 8.0 value = $719. CGC census 12/05: 1 in 8.0, 2 higher.
Worlds of Fear #4 Crowley Copy pedigree (Fawcett, 1952) CGC NM- 9.2 Off-white to white pages. For nine issues, Fawcett produced a mighty chilling horror comic. Here's a superb pedigreed copy of the third issue (with numbering continued from World's Beyond #1). Artists include Bob Powell, Mike Sekowsky, and Sheldon Moldoff (who is credited with this black-background cover). Overstreet 2005 NM- 9.2 value = $420. CGC census 12/05: 1 in 9.2, none higher.
Worlds of Fear #5 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. This issue's ghoulish grave-robbing cover scene is by long-time DC artist Sheldon Moldoff. Other artists include Bob Powell and Mike Sekowsky. It's doubtful you'll ever dig up a more attractive copy than this one, which was once owned by former Fawcett editor Wendell Crowley! Overstreet 2005 NM- 9.2 value = $420. CGC census 12/05: 2 in 9.4, none higher.
Worlds of Fear #7 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. It's horror and violence... no, wait, horror and violins! Either way, we've got the highest-graded copy certified to date of this pre-Code horror book. Overstreet 2005 NM- 9.2 value = $375. CGC census 12/05: 1 in 9.4, none higher.
Worlds of Fear #10 Crowley Copy pedigree (Fawcett, 1953) CGC FN+ 6.5 Off-white pages. A horrific painted cover by Norm Saunders makes this by far the most valuable issue of this pre-Code series' run! Overstreet 2005 FN 6.0 value = $231; VF 8.0 value = $481. CGC census 12/05: 1 in 6.5, 2 higher.
Wow Comics #5 Rockford pedigree (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. This isn't just the highest-graded copy of this issue yet certified, it's the only one graded above 8.0 by CGC to date. The star of the book is Mr. Scarlet, whose kid pal Pinky makes only his second appearance here. Overstreet 2005 NM- 9.2 value = $1,025. CGC census 12/05: 1 in 9.2, none higher.
Wow Comics #10 Crowley Copy pedigree (Fawcett, 1943) CGC VF+ 8.5 Off-white to white pages. Marc Swayze contributed cover and interior art to this outing for Mary Marvel. Mr. Scarlet and Commando Yank are among the backup features. Overstreet 2005 VF 8.0 value = $388; VF/NM 9.0 value = $594. CGC census 12/05: 2 in 8.5, none higher.
Wow Comics #13 Crowley Copy pedigree (Fawcett, 1943) CGC NM 9.4 Off-white pages. No copy of this issue has been graded higher by CGC to date -- it's a "wow" comic indeed! Mary Marvel, Mr. Scarlet, and Commando Yank are among the featured characters. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 2 in 9.4, none higher.
Wow Comics #19 Crowley Copy pedigree - File Copy (Fawcett, 1943) CGC NM 9.4 Cream to off-white pages. It's Mary Marvel meets Jolly Roger! The Phantom Eagle, Commando Yank, and Mr. Scarlet also appear. Overstreet 2005 NM- 9.2 value = $600. CGC census 12/05: 1 in 9.4, none higher.
Wow Comics #29 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Off-white to white pages. Here's an unblemished copy of this black-cover issue, no wonder it's the highest-graded copy of the issue that CGC has certified to date. Mary Marvel is featured. Overstreet 2005 NM- 9.2 value = $340. CGC census 12/05: 1 in 9.4, none higher.
Wow Comics #39 Crowley Copy pedigree (Fawcett, 1945) CGC NM 9.4 Off-white to white pages. This issue's roll call includes Mary Marvel, Commando Yank, Mr. Scarlet and Pinky, and the Phantom Eagle. This copy's from the collection of Fawcett editor Wendell Crowley. Overstreet 2005 NM- 9.2 value = $230. CGC census 12/05: 1 in 9.4, none higher.
Wow Comics #44 Crowley Copy pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white pages. The Jack Binder shop provided art for this issue, which features the likes of Mary Marvel, Mr. Scarlet, and Commando Yank. Overstreet 2005 NM- 9.2 value = $215. CGC census 12/05: 2 in 9.6, none higher.
Wow Comics #45 (Fawcett, 1946) CGC VF 8.0 Cream to off-white pages. Featuring Mary Marvel. Jack Binder cover and art. Overstreet 2005 VF 8.0 value = $115. CGC census 12/05: 1 in 8.0, 4 higher.
Wow Comics #54 Crowley Copy pedigree (Fawcett, 1947) CGC NM 9.4 Off-white pages. Here's a role-reversal bondage cover, with none other than the Phantom Eagle getting much-needed help from Mary Marvel! Only one copy of the issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $215. CGC census 12/05: 1 in 9.4, 1 higher.
Wow Comics #56 Crowley Copy (Fawcett, 1947) CGC NM+ 9.6 Off-white to white pages. This is the only 9.6, and highest-graded copy overall, that CGC has certified for this issue to date. The issue's all-teen cover features Mary Marvel and the Phantom Eagle. Overstreet 2005 NM- 9.2 value = $200. CGC census 12/05: 1 in 9.6, none higher.
Wow Comics #69 Crowley Copy pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. This final issue of the title is tougher to find than most -- our offering is the only copy of this Gerber "uncommon" that CGC has certified as of this writing. There's only one character who appeared in all 69 issues of the title, and go to the head of the class if you guessed Mr. Scarlet! Top billing went to Archie-esque teen character Ozzie, and the ubiquitous Tom Mix also appears. Overstreet 2005 NM- 9.2 value = $175. CGC census 12/05: 1 in 9.4, none higher.
Zip Comics #1 (MLJ, 1940) CGC VF 8.0 Off-white pages. This issue has the origins and first appearances of Steel Sterling and the Scarlet Avenger. There's interior art by Mort Meskin, who drew a story featuring the adventurer known as Captain Valor. MLJ's "Man of Steel" was drawn on the cover and inside the comic by Charles Biro. Overstreet 2005 VF 8.0 value = $3,521. CGC census 12/05: 1 in 8.0, 3 higher.
Zip Comics #6 (MLJ, 1940) CGC NM 9.4 Off-white pages. Charles Biro drew Steel Sterling in action on this issue's cover as well as in the story featuring this "Man of Steel." Mort Meskin is among the other artists in this Archie superhero book. Overstreet 2005 NM- 9.2 value = $1,750. CGC census 12/05: 1 in 9.4, 1 higher.
Zip Comics #6 (MLJ, 1940) CGC FN/VF 7.0 Off-white pages. While Charles Biro is one of the all-time great comic book writers, he was strictly an artist on this series, drawing the cover and the Steel Sterling feature. Also appearing were the Scarlet Avenger (drawn by Irv Novick), Captain Valor (drawn by Mort Meskin), and Mr. Satan (who despite his name was a good guy). Overstreet 2005 FN 6.0 value = $405; VF 8.0 value = $844. CGC census 12/05: 1 in 7.0, 3 higher.
Magazines
Creepy #1 (Warren, 1964) CGC NM- 9.2 Cream to off-white pages. Warren's first full-length horror comic magazine. First appearance of Uncle Creepy. Jack Davis cover. Interior art by Frank Frazetta (believed to be his last comic book story), Joe Orlando, Al Williamson, Reed Crandall, Gray Morrow, and Angelo Torres. Overstreet 2005 NM- 9.2 value = $160. CGC census 11/05: 9 in 9.2, 7 higher.
Creepy #15 (Warren, 1967) CGC NM+ 9.6 Off-white pages. Classic Frank Frazetta cover. Interior art by Neal Adams, Steve Ditko, Gil Kane, Joe Orlando, and Johnny Craig. Overstreet 2005 NM- 9.2 value = $45. CGC census 11/05: 8 in 9.6, 4 higher.
The Deadly Hands of Kung Fu #14 (Marvel, 1975) CGC NM 9.4 White pages. Special Bruce Lee issue. Neal Adams cover. Howard Chaykin, George Perez, Rudy Nebres, and Dan Adkins art. Overstreet 2005 NM- 9.2 value = $60. CGC census 11/05: 2 in 9.4, 1 higher.
Dracula Lives! #5 (Marvel, 1974) CGC NM/MT 9.8 White pages. Bram Stoker adaptation begins. Luis Dominguez cover. Gene Colan, Dick Giordano, and Pablo Marcos art. CGC notes, "Don Rosa Collection." Overstreet 2005 NM- 9.2 value = $30. CGC census 11/05: 1 in 9.8, none higher.
Eerie #1 First Printing (Warren, 1965) Condition: NM-. This is the first time we've seen a first printing of this premiere issue! Note that CGC does not currently encapsulate this small-format magazine, so only "raw" copies are available, but this NM- specimen is sure to please. The bald-headed man on page 18, panel 5 is not visible in the solid black area (an indication that this is a first printing). The lines on the roof of the house on page 1 are distinct (these lines are broken on one well-known counterfeit of the issue). This issue is for all intents and purposes an ashcan; it never reached newsstands, and only a couple of hundred copies were printed to secure copyright to the title and logo. It's possibly the most difficult Warren item to find, so don't pass this one by! Overstreet 2005 NM- 9.2 value = $500.
Famous Monsters of Filmland #1 (Warren, 1958) CGC VF- 7.5 Off-white pages. The "monster" craze of the 1960s got its real start here, with the publication of this landmark first issue. Before long, most American kids knew who chief scribe Forrest J. Ackerman was. By the way, that's publisher Jim Warren on the cover, behind the Frankenstein mask. Madman Bill Elder contributes some art as well. Not listed in Overstreet; listed in Jerry Weist's 2000 Comic Art Price Guide with a FN value of $550, and a NM value of $1,500. CGC census 11/05: 1 in 7.5, 14 higher.
Famous Monsters of Filmland #1 (Warren, 1958) CGC VG- 3.5 Off-white pages. This first Warren monster magazine isn't easy to find in any grade! And that's been the case since it sold out within a matter of days after hitting newsstands. This look at horror movies past and present has plenty of monster-flick photos, plus pun-filled text by Forrest Ackerman. It started an entire genre, and the series was off to a run that lasted 35 years. Also of note is a two-page Frankenstein parody by Bill Elder and Harvey Kurtzman. By the way, the masked fellow on the cover is Jim Warren himself! Jerry Weist's Comic Art Price Guide, published in 2000, lists values of $200 in Good and $550 in Fine condition. Not listed in Overstreet. CGC census 12/05: 1 in 3.5, 36 higher.
Famous Monsters of Filmland #3 (Warren, 1959) CGC FN 6.0 Off-white pages. Tougher to find than #2, this issue is "extremely rare in higher grades" according to Jerry Weist's Comic Art Price Guide, and not many copies in CGC's census top this solid mid-grade specimen. Interestingly, the cover artist is none other than... publisher Jim Warren! Also of note is the debut of the reader request page "You Axed For It." And we'll also mention that one of the fan club members listed in this issue of the influential publication is none other than Rick Baker, the Oscar-winning makeup special effects artist. Weist lists a value of $300 in Fine condition for this issue. Not listed in Overstreet. CGC census 12/05: 2 in 6.0, 9 higher.
Famous Monsters of Filmland #116 (Warren, 1975) CGC NM/MT 9.8 White pages. "The Land That Time Forgot" preview. Famous Monsters convention article and photos. Ken Kelly cover. Dennis Billows text story. Not listed in Overstreet. CGC census 11/05: 3 in 9.8, none higher.
Marvel Preview #2 (Marvel, 1975) CGC NM+ 9.6 White pages. This might eventually stand as the most significant of all of the Marvel magazines, as it's got the first telling of the Punisher's origin, pre-dating the origin stories in the comic books. It also has the first appearance of Howard Chaykin's Dominic Fortune. Also in this testosterone-laden mag, there's an interview with Don Pendleton, creator of Mack Bolan (of the Executioner paperback series). The Punisher cover is by Gray Morrow. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 8 in 9.6, 4 higher.
Savage Sword of Conan #1 (Marvel, 1974) CGC NM/MT 9.8 White pages. The third appearance of Red Sonja is just one highlight of this issue, which kicked off a 235-issue run for the title. Also in these pages is the origin and first appearance of Blackmark by Gil Kane. There's an article on King Kull by Glenn Lord (Robert E. Howard's literary agent) and artwork by top artists John Buscema, Neal Adams, and Esteban Maroto. The cover's by the acclaimed Boris Vallejo. Overstreet 2005 NM- 9.2 value = $120. CGC census 12/05: 13 in 9.8, none higher.
Savage Sword of Conan #3 (Marvel, 1974) CGC NM/MT 9.8 White pages. Painted cover by Mike Kaluta. Interior art by Barry Smith, John Buscema, Gil Kane, Tony DeZuniga, and Alfredo Alcala. Overstreet 2005 NM- 9.2 value = $35. CGC census 11/05: 5 in 9.8, none higher.
Savage Sword of Conan #5 (Marvel, 1975) CGC NM/MT 9.8 White pages. Adaptation of the Robert E. Howard story "A Witch Shall Be Born." Boris Vallejo cover. John Buscema art. Jeff Jones frontispiece. Overstreet 2005 NM- 9.2 value = $20. CGC census 11/05: 7 in 9.8, none higher.
Spectacular Spider-Man #1 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. This Marvel experiment with a magazine format only lasted two issues and reportedly didn't sell well at the time. But collectors of today certainly appreciate it, especially since it has a John Romita Sr. cover, with interior art by Romita and Jim Mooney. Plus there's an update of Spider-Man's origin, with Larry Lieber and Bill Everett art. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 12 in 9.6, 2 higher.
Spectacular Spider-Man #1 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Here's an amazingly nice copy of one far-out issue: magazine-sized and black and white inside, with a 52-page story! That plus John Romita Sr. art should have made it a smash hit; it wasn't then, but collectors love it now. Overstreet 2005 NM- 9.2 value = $160. CGC census 12/05: 12 in 9.6, 2 higher.
Spectacular Spider-Man #1 (Marvel, 1968) CGC NM 9.4 Off-white pages. Spidey makes the leap from comic book to magazine with this publication. A massive, 52-page Stan Lee scripted story is presented here, featuring art by John Romita Sr. and Jim Mooney. Plus, there's an updated origin of our friendly neighborhood web-slinger by Larry Lieber and Bill Everett. All this, in a remarkable NM package! 'Nuff said? Overstreet 2005 NM- 9.2 value = $160. CGC census 11/05: 15 in 9.4, 14 higher.
Spectacular Spider-Man #2 (Marvel, 1968) Off-white to white pages. If you like John Romita Sr.'s lionized line-drawn covers, don't miss this pulse-pounding painted cover illustration! Romita and Jim Mooney handled interior art chores. The Green Goblin is the featured villain in this second and final issue. Overstreet 2005 NM- 9.2 value = $180. CGC census 12/05: 56 in 9.6, 33 higher.
Vampirella #5 (Warren, 1970) CGC NM+ 9.6 Off-white to white pages. A stunning Frank Frazetta dinosaur cover gets the party started on this early issue. Inside, there's art by Jeff Jones and Tom Sutton, plus, the "Vampi's Flames" fan page begins here. Overstreet 2005 NM- 9.2 value = $150. CGC census 11/05: 4 in 9.6, none higher.
Vampirella #6 (Warren, 1970) CGC NM 9.4 White pages. Ken Kelly cover. Jerry Grandenetti, Jack Sparling, Mike Royer, and Dan Adkins art. Overstreet 2005 NM- 9.2 value = $145. CGC census 11/05: 7 in 9.4, 8 higher.
Vampirella #74 (Warren, 1978) CGC NM/MT 9.8 Off-white to white pages. The 1978 Yearbook. Photo cover featuring actress Barbara Leigh. Jose Gonzalez and Esteban Maroto art. Overstreet 2005 NM- 9.2 value = $35. CGC census 11/05: 4 in 9.8, none higher.
Vampirella #112 (Warren, 1983) CGC NM 9.4 White pages. Last magazine published by Warren (tied with Famous Monsters of Filmland #191). Low print run. Pantha appearance. Martin Hoffman cover. Jose Gonzalez, Auraleon, and Esteban Maroto art. Overstreet 2005 NM- 9.2 value = $75. CGC census 12/05: 8 in 9.4, 3 higher.
Memorabilia
Censorship of Comic Books: A Statement in Opposition on Civil Liberties Grounds (American Civil Liberties Union, 1955) Condition: GD/VG. During the turbulent 1950s, when Dr. Fredric Wertham, author of Seduction of the Innocent, was leading the crusade against crime and horror comics, only the American Civil Liberties Union dared to speak out against comics censorship. This slim pamphlet states the ACLU's position, claiming that opinions on comics and their effect on juvenile delinquency varied greatly among experts, and decreeing that censorship violated the First Amendment. The 16-page, digest-sized pamphlet is soiled, and the paper cover is beginning to split at the spine, but is complete and readable.
Eight-Millimeter Home Movie Projector and Reels (circa 1966). You remember those ads that ran for years in the backs of monster magazines -- "show movies at home" -- back in the pre-VCR and DVD days? Here's an 8mm movie projector like the ones offered back then, complete with six boxed reels, three each for "Batman" (episodes #2, 5, and 6 from the 1940s serial) and "Jason and the Argonauts" (episodes #1, 3, and 4). Everything is included, including instructions. The projector measures approximately 6.5" x 7" x 2.5", and appears in Excellent condition. The reels are all boxed, and in Very Good condition. Let the show begin!
Horlick's Malted Milk Superman Radio Show Flyer (1947) Condition: VF+. The "Superman" radio program debuted nationally on February 12, 1940. Here's a 6.25" x 8.5" one-sided flyer advertising the show on Chicago radio WGN, who began airing the program on March 4, 1947. This rare promotional piece, printed in blue ink on thin, cheap paper, is in remarkable condition, much nicer than examples recently offered on the collectibles market. There is a soft fold at the top left corner that would press out if framed, and there is a light bit of tanning at the bottom left corner (which also has a very tiny corner fold) and right side. Other than these minor imperfections, this piece is fresh and sharp.
Marvel Super Hero Club Art Posters, Group of 8 (Personality Posters, circa 1960s). Face front, True Believers! This spectacular lot features eight fabulous full-color posters of Marvel's sixties superheroes. Included in this lot are Dr. Strange, the Human Torch, Thor, the Hulk, Spider-Man, Captain America, Iron Man, and the Sub-Mariner -- the complete set. And if that weren't enough, the posters are accompanied by their original mailing envelope, a Personality Posters order form, and an ad for these very posters. Lon Webb's market report in the 2005 Overstreet, "The set of eight posters continually set price records in NM condition, mainly because of the fragile and thin paper they were printed on." Each poster measures an overall 12" x 16.5", and the posters are in Excellent condition. Excelsior!
Senate Interim Report on Comic Books and Juvenile Delinquency (U.S. Government Printing Office, 1955) Condition: VG+. Here is a very unusual item. It is the interim report from the Senate investigation into comic books and juvenile delinquency, headed by Senator Estes Kefauver from Kansas, and was part of the landmark Senate report which led to the Comics Code Authority. The report has numerous references to salacious comic book stories that were specifically pointed out and targeted by the committee, many were also cited in Seduction Of The Innocent by Dr. Fredric Wertham. The topics covered include: a brief history of the development of the comic book industry, the nature of crime and horror comic books (with specific examples), and crime and horror comics as a contributing factor in juvenile delinquency. There's also a 10-page appendix that states the Senate resolutions and includes (among other things) a list of all comic book publishers and the titles they published as of Spring 1954, in addition to a chart showing the organization of the comic book industry in the United States, organized by distributor, comic group, and publisher. There is a discussion of the testimony of Joe Musial, Walt Kelly, and Milt Caniff as well as that of Dr. Wertham. This is the interim report of a document that killed horror comics, ruined love books, destroyed some publishers, and made others leave the comic book business altogether. The report was distributed only to members of Congress. This copy is marked to the attention of "Mr. Jennings" (in pencil at the top of the cover), our research shows a Congressman Pat Jennings (D-Virginia) was a member of the 84th Congress; this copy may well have come from his office. This booklet has some small stains and minor wear, but suffers from no major defects. The pages are white and supple. Not listed in Overstreet.
Spider-Man Movie Banner (2001). Advance posters and banners for the blockbuster film, "Spider-Man," were redone after the September 11, 2001 terrorist attacks. The movie's original trailer, released in 2001, showed a group of bank robbers taking flight in a helicopter. As they attempt to escape, the thugs are netted by Spider-Man, using a giant web strung between the two towers of the World Trade Center. The trailer was pulled after the the attacks, as were the movie's original promotional posters and banners, which showed the reflection of the towers in Spider-Man's eye-lenses. A reworked image later appeared with the towers' reflection removed. This original-version vinyl banner has an overall size of 48" x 96" and is in Excellent condition.
Star Trek Worf Action Figure Prototype (1992). This is a urethane casting of the Worf figure for the Playmates "Star Trek: The Next Generation" action figure series. It's the approved "decomaster," i.e. the final prototype which Playmates and Paramount Pictures signed off on, hence it's identical to the production version. It's hand-painted and measures five inches high. Note that this prototype is poseable! The pieces are pinned together and could be taken apart, but why would you do that to Worf? The only Klingon in Starfleet, he's a regular in "Deep Space Nine" in addition to "Next Generation" (and has appeared in the movies as well). This item is from the collection of the artist who was contracted by Playmates to sculpt the toy, and comes with a letter from the sculptor attesting to the provenance of the piece.
Star Wars Trading Cards, Group of 6 (Topps, 1977-93). Here are five sets from the original 1977 Star Wars trading card series, including the blue series (#1 - 66), the red series (#67 - 132, 2 sets), the green series (#199 - 264), and the orange series (265 - 330). This group also includes ten stickers (#13 - 22), empty packages from each of the contained series, and a deluxe set of Star Wars Galaxy trading cards, featuring artwork by more than fifty of the brightest names in comics. All of the cards, stickers, and packages are in Excellent condition.
Wheaties Box Flats Featuring Disney Characters (circa 1950). These flats (unused, unconstructed boxes) are doubly interesting for the Disney collector: for one, they have masks of Disney characters, and for another, they advertise the small-format Wheaties comic books which are a collector's item today. Only eight designs were produced, and this lot includes seven of them: Pinocchio, Br'er Rabbit, Dumbo, Lucifer, Bambi, Mickey Mouse, and Donald Duck. A couple of them have slight abrasion in the coupon area, but overall they are in Excellent condition.
Whitman Paper Dolls Group (Whitman, 1968-80). Group lot of ten sets of paper dolls includes "Betsy," "Teddy Bears," "Shirley Temple," "Pippi Longstocking," "Green Acres," "Star Princess," "Buffy and Jody," "The Brady Bunch," "Miss America," and "Trixie Belden." All are unused and in like-new condition; four are still sealed in their original shrink wrap packaging. From the Random House Archives.
Pulps
Amazing Stories Annual #1 (Gernsback, 1927) Condition: VG. Edgar Rice Burroughs' "Master Mind of Mars" is cover-featured on this early pulp annual, which also includes the H. G. Wells story "Under the Knife." This is a solid copy with supple paper quality; the major defects appear to be foxing on the back cover, several small chips off the covers, and front cover separation beginning at the top (one inch) and bottom (two inches) of the spine. Listed as "uncommon" in Bookery's Guide to the Pulps. Bookery's Guide to the Pulps and Related Magazines 2005 VG value = $650.
Science Fiction Pulp Group (Various, 1939-53). This group of pulps includes Planet Stories Nov. 1953 (Qualified FN, trimmed cover overhang, Ray Bradbury story, Kelly Freas cover art); Amazing Stories Sept. 1939 (Qualified FN, trimmed cover overhang); Oct. 1939 (Qualified FN, trimmed cover overhang); and Nov. 1942 (VG, tape); Thrilling Wonder Stories Feb. 1949 (Qualified FN, trimmed cover overhang); Feb. 1953 (FN); Famous Fantastic Mysteries March 1940 (VG+), and Hollywood Detective June 1949 (GD, with 16 pages of comics featuring Dan Turner and Queenie Starr). All of these pulps have supple pages. Bookery's Guide to the Pulps VG value for group = $160.
Shadow V2#1 (Canadian) Pulp (Street & Smith, July 1942) Condition: VG/FN. This Canadian edition features a story originally published in the U.S. Aug. 15/41 (V38#6) edition; the tale involves a murderer who wears a mask bearing the likeness of financial wizard Hubert Warrendale -- the Shadow must discover the killer's true identity! Supple cream pages, and almost no overhang wear. Bookery's Guide to the Pulps VG value for U.S (Aug. 15/41) edition = $45; FN value = $90.
Shadow Pulp Group (Street & Smith, 1934-38). This lot consists of two issues, from May 1, 1934 (VG-) and Sept. 1, 1938 (VG). Both have supple pages and no major defects. Bookery's Guide to the Pulps VG value for group = $235.
Shadow Pulp Group (Street & Smith, 1934-54) Condition: Average FR. This lot consists of the issues for July 1/34; Apr. 15/35 (coverless); June 15/35; Jan 1/37 (cover detached); Feb 15/37 (no back cover); Jan. 15/38; Feb 15/38 (mostly coverless); Mar. 15/38; Sept. 15/38; Jan. 1/39; Jan. 15/39; April 1/39; June 1/39 (coverless); Sept. 15/39 (first app. Shiwan Khan); Oct. 1/39; Jan. 15/40 (coverless); Mar. 1/40 (third app. Shiwan Khan); Nov. 1/40 (extreme water damage); Oct/54 (no back cover, tape on spine). Several are British editions. Very low grade, and some are brittle, but lots of great reading! Bookery's Guide to the Pulps approximate GD value for group = $595.
Shadow Pulp Group (Street & Smith, 1940-42). This lot consists of the issues from Oct. 1/40 (VG-); Dec. 15/40 (FN-); Jan. 15/41 (VG); Feb. 1/41 (FN, Shadow fires gun from behind newsstand selling Shadow pulp, on front cover!); Apr. 15/42 (VG); Sept. 1/42 (VG-, vampire story); and Sept. 15/42 (VG+). All have supple pages. Bookery's Guide to the Pulps approximate value for group = $450.
Shadow Pulp Group (Street & Smith, 1940-54) Condition: Average GD/VG. This lot consists of the Jan. 1/40; Aug. 15/40, and July 1954 (British) editions. All have supple pages. Bookery's Guide to the Pulps approximate value for group = $90.
Shadow Pulp (digest) Group (Street & Smith, 1944-46) Condition: Average GD/VG. This lot consists of digest-size issues dated Oct. 1944, Feb. 1945, Aug. 1945, Oct. 1945, March 1946, and Sept. 1946. All have supple pages. Bookery's Guide to the Pulps GD value for group = $48; VG value for group = $120.
Terror Tales V1#1 (Popular, Sept. 1934) Condition: VG/FN. Classic cover by Rudolph Zirm features a giant hand dragging a shackled woman into a pool of blood! Lead story written by Arthur Leo Zagat, interior illustrations by Amos Sewell. This pulp has some light general wear, but no major defects. Page quality is supple off-white. Bookery's Guide to the Pulps VG value = $300; FN value = $600.
Golden Age (1938-1955)
Big Little Book #1408 Mr. District Attorney On the Job (Whitman, 1941) Condition: VF. Includes flip pictures. Overstreet 2005 VF/NM value = $55.
Platinum Age (1897-1937)
Big Little Book Group (Various publishers and dates) Condition: Average VG. Grab yourself a big batch of Big Littles with this group lot of 21 different titles, including a number of movie adaptations with movie stills in place of drawings. Titles include: The Buccaneer, Ceiling Zero (starring James Cagney), Chester Gump in the City of Gold, David Copperfield (starring W. C. Fields), Flash Gordon and the Power Men of Mongo, Flash Gordon and the Red Sword Invaders (both Flash Gordon books feature art by Alex Raymond), Go Into Your Dance (with Al Jolson; spine is separated at back), Jack Armstrong and the Ivory Treasure, Jackie Cooper in Gangster's Boy, Jack London's Call of the Wild, The Last of the Mohicans, Les Miserables, The Lost Patrol (with Boris Karloff; this copy is extremely nice), Men With Wings (spine is almost completely separated from book), The Plainsman (starring Gary Cooper), Robin Hood (starring Douglas Fairbanks; spine is torn along top of book), Tailspin Tommy Hunting for Pirate Gold, Tailspin Tommy in the Great Air Mystery (from the Universal film), Tale of Two Cities (starring Ronald Colman), The Tarzan of the Screen (with photos of Johnny Weismuller; pages loose), and Union Pacific. Approximate Overstreet value for group = $600.
Books
David Brin - "Startide Rising," Special Edition Hardcover (Phantasia Press, 1985) As its dust jacket notes, "Startide Rising has become part of a very select group and has thus taken its place among the best that science fiction has to offer." The book was a winner of the 1983 Nebula and 1984 Hugo awards for best novel. This superb copy has color wrap-around dust jacket and frontispiece illustrations by David A. Cherry. ISBN 0-932096-38-7. Comes with a slipcase to protect the book. This copy is in Excellent condition with an Excellent condition dust jacket.
Peter F. Hamilton - "Night's Dawn" Hardcover, Group of 4 (MacMillan, 1985-2000) The "Night's Dawn" trilogy by Peter F. Hamilton is the focus of this non-stop-reading group lot. With over 3,700 pages (1,200,000 words), the "Night's Dawn" trilogy brought to life an entire galaxy of diverse planets and astonishing civilizations. Included in this lot are: The Reality Dysfunction, (first printing, 1996, signed by the author, ISBN 0-333-63427-6), The Neutronium Alchemist (first printing, 1997, signed by the author, ISBN 0-333-66935-5), and The Naked God (first printing, 1999, ISBN 0-333-68791-4). Also included in the lot is The Confederation Handbook, a vital guide to the "Night's Dawn" trilogy (first printing, 2000, signed by the author, ISBN 0-333-78588-6). Each copy is in Excellent condition with an Excellent condition dust jacket.
Platinum Age (1897-1937)
Bringing Up Father: The Big Book 1 (Cupples & Leon, 1926) Condition: GD. Overstreet notes that copies with dust jackets are "rare." Many pages have been partially colored in crayon. Book is in Good condition, dust jacket is Fair. Overstreet 2005 value for a GD copy with dust jacket = $183.
Buster Brown: "My Resolutions" Promotional Hardcover (R. F. Outcault, 1910) Condition: Very Good. Measuring approximately 4 1/2 by 6 1/4 inches, this is a compilation of the resolutions found at the end of R. F. Outcault's newspaper strips.The front and back covers advertise Buster Brown's Hosiery Mills and Buster Brown Stockings. There is a photo of R. F. Outcault opposite the title page. Appears to be a reprint of the 1906 "My Resolutions" published by Frederick Stokes. This version not listed in Overstreet.
Memorabilia
Mickey Mouse in Color Oversized Limited Edition Hardcover #2558/3000 Signed (Another Rainbow, 1988). This is the ultimate Floyd Gottfredson/Carl Barks coffee table book for anyone who loves Disney! It reprints many classic 1930s Mickey Mouse adventures from the newspaper strips, both Sunday pages and daily strips, all in full color. Limited to 3000 copies, this gorgeous edition contains 32 pages of Carl Barks' original sketches for an unproduced feature-length Mickey Mouse cartoon, titled "Northwest Mounted". In addition, the book also has a full-length Carl Barks Mickey Mouse story, titled "Riddle of the Red Hat," which originally appeared in Four Color #79. This beautiful book also contains a 33 1/3 RPM record inside the back cover, which contains an interview with both Gottfredson and Barks, from the spring of 1983. The record is also numbered to match the limited edition book. The book measures 17" x 13", and comes with a transparent dust jacket to protect it. Signed by Floyd Gottfredson and Carl Barks on a bound-in plate.
Schomburg Science Fiction Books with Dust Jackets, Group of 4 (Winston, 1952-57). With delicious Alex Schomburg covers and endjackets, this set of four rare science fiction books published by The John C. Winston Company during the 1950s is remarkable! Included here are the first editions of Mists of Dawn (1952), written by Chad Oliver; Step to the Stars (1954, first edition), written by Lester Del Rey; Missing Men of Saturn (1953, first edition), written by Philip Latham; and Marooned on Mars (1957, fourth edition, cover by Paul Orban), written by Lester Del Rey. Each book has some slight staining in the interiors along the spine, and scattered light stains, especially noticeable on the inside front and back covers; overall they are in Very Good condition. The dust jackets have corner clipping, light chipping, edge wear, spine wear, light rubbing, light creasing, and scattered small stains; overall they average Very Good condition.
Startide Rising Hardcover with Dust Jacket (Phantasia Press, 1985). As the winner of both the Hugo and Nebula Awards for best novel, Startide Rising has become part of a very select group and has thus taken its place among the best that science fiction has to offer. Here is the first hardcover edition, one of 1200 trade copies. Both the book and the dust jacket are in Excellent condition.
The Uplift War Hardcover with Dust Jacket in Box (Phantasia Press, 1987). Hugo and Nebula Award winning author, David Brin, continues the saga of the Five Galaxies in The Uplift War, a story of courage in the face of impossible odds, and loyalty to the vast potential of life. This book, with its original dust jacket, is like new, and comes in its original box. The cover is illustrated by Wayne D. Barlowe. The dust jacket is glossy and in Excellent condition. Both the book itself and the box are also in Excellent condition.
Platinum Age (1897-1937)
Oh Skin-nay! (P. F. Volland, 1913) Condition: Good. Originally came in a box which is not included here. Tape repair to many interior pages, but very nicely done with no browning. Overstreet 2005 GD 2.0 value = $43.
Books
Overstreet Price Guide #1 First Printing (Robert Overstreet, 1970) Condition: FN. This is the original white-cover first printing of the very first Comic Book Price Guide -- it's become as collectible as the comics listed inside! This first printing was reportedly hand-bound by Mr. Overstreet and his family, a tall order since at a thick 200 pages, the book probably never should have been staple-bound in the first place. Except for staple tears and browning at the spine, this copy has survived the ravages of time pretty well. The prices are, of course, fun to read for today's collector -- how does a More Fun Comics #52 in Mint for $100 sound? Answer: pretty good, but not as good as a Showcase #4 in Mint for $12! This book helped make comic fandom what it is today. Note that the current Overstreet Guide only lists GD, FN, and NM values for this item. Overstreet 2005 FN value = $900; NM value = $1,800.
Animation Art
Uncle Scrooge McDuck His Life & Times, Number 1632/5000 (Celestial Arts, 1981) Condition: Excellent. An extensive history of not just Uncle Scrooge but also the "good" duck artist Carl Barks, this is a lavishly produced book that was made to commemorate Barks' 80th birthday. Barks even did a new story just for this volume, which has a foreword by George Lucas. The book also comes with a small lithograph signed by Barks and numbered 1632/5000.
Silver Age (1956-1969)
Arcade #1 Robert Crumb Fanzine (Crumb Brothers, 1960) Condition: GD/VG. Here's an incredible find for collectors searching for rare and unusual items pertaining to Underground Comix legend Robert Crumb. From the files of Crumb's good friend (and one-time brother-in-law) Marty Pahls, comes this extremely scarce mimeographed copy of Arcade #1. This is not Arcade the Comics Review, which was published in the mid 1970s, but a much earlier "homemade" comic book featuring Robert and brother Charles Crumb's cartooning. The "Arcade" name had been used by the brothers for their own personal notebooks; this is a more finished version sent out to a few close friends, and is not listed in Don Fiene's R. Crumb Checklist. The six-page 'zine is printed in purple on single-sided sheets of 8.5" x 11" paper. The cover is a rare editorial cartoon by Robert, depicting Jimmy Hoffa and other Teamster bosses mowing down their opposition. The interior presents a five-page adaptation of Robin Hood, starring Fritz the Cat, by Robert and Charles (note: this is a tighter version of the penciled strip featured in The Complete Crumb Volume One -- it appears to be the same basic story, but redrawn with changes). The condition of the 'zine is GD/VG, with the last page detached from a single staple holding the rest together. It's very doubtful many of these survived -- probably very few were produced in the first place. As a bonus, a folded 8.5" x 11" mailer from Robert to Marty from 1959, complete with a small original sketch of a Pooh-like bear cub, is included with this lot.
Cunt Comics #1 (Apex Novelties, 1969) CGC NM+ 9.6 Cream to off-white pages. This is one of the most attractive copies of this notorious Underground title we have ever seen! The cover gloss is exceptional! This is the more common "newsprint guts" version, although all copies remain tough to find. Art by Rory Hayes and Jay (Ray Finch) Lynch, with publisher Don Donahue also contributing. Adult themes; not listed in Overstreet. CGC census 11/05: 2 in 9.6, 3 higher.
Bronze Age (1970-1979)
Snatch Comics #2 First printing - Red "Juices" Version (Apex Novelties, 1969) CGC VF/NM 9.0 Off-white pages. Here's a wild Underground comic from the "anything goes" late '60s era. Featuring art by Robert Crumb, Rory Hayes, Victor Moscoso, Rick Griffin, and S. Clay Wilson, this first printing copy is one of a small handful with added color (in this case, red) on page 23. Adult themes; not listed in Overstreet. CGC census 11/05: 1 in 9.0, 4 higher.
Silver Age (1956-1969)
Zap Comix #0 (Apex Novelties, 1967) CGC NM 9.4 Off-white pages. Second printing. Robert Crumb cover and story art. Adult themes. Not listed in Overstreet. CGC census (for second printing) 12/05: 3 in 9.4, none higher.
Session 5
Golden Age (1938-1955)
Mad #1 Gaines File pedigree 6/12 (EC, 1952) CGC NM/MT 9.8 White pages. What mischief hath Harvey Kurtzman wrought? Merely the first satire comic of all, and a title that's still going strong a half century later, that's what! He had plenty of help in the beginning from Bill Elder, Wally Wood, Jack Davis, and John Severin, but Harvey was the main man behind this MADness. As a comic, Mad lasted just 23 issues, but what an historic run that was, with its outrageous parodies, satire, and art from the nonpareil EC stable. For a comic company already noted for its edgy suspense, horror, and war tales, this was a departure, but the experiment worked! William Gaines made sure posterity would have pristine copies of most of the comics issued under his watch, and this amazing copy is a prime example, garnering CGC's highest grade to date for the premiere issue. Mad #1 is now the most valuable EC book according to Overstreet. And you could have as fine a copy as exists! Overstreet 2005 NM- 9.2 value = $6,700. CGC census 12/05: 3 in 9.8, none higher.
Mad #1 Gaines File pedigree 3/12 (EC, 1952) CGC NM+ 9.6 Off-white to white pages. You have found one of the crown jewels of this Mad auction. No, not the first appearance of Melvin Cowznofski. No, not the origin of Max Korn. It's Mad #1, and one of the finest known copies at that! This is simply a beautiful example of this historically significant book. This gem, from the files of Bill Gaines no less, has great eye appeal, clean cuts, and sharp corners with just the slightest imperfection at the bottom of the spine that only the nittiest of pickers would mind. The now-famous cover is by the mastermind of Mad, Harvey Kurtzman. Wally Wood, Jack Davis, and Bill Elder, greats one and all, contributed interior art. The comic book soon became a magazine, and the magazine became a true American institution... what more do you need to know? Overstreet 2005 NM- 9.2 value = $6,700. CGC census 12/05: 2 in 9.6, 3 higher.
Mad #1 (EC, 1952) CGC VF- 7.5 Off-white pages. The first satire comic, Mad burst onto the scene with "a cynical incisiveness that forever captured a growing readership of irreverent adolescents," as comics historian Mike Benton put it. Harvey Kurtzman, who created the concept for the series, also drew the cover of this first issue. Wally Wood, Jack Davis, and Bill Elder all contributed interior art. Overstreet 2005 VF 8.0 value = $3,465. CGC census 11/05: 16 in 7.5, 19 higher.
Mad #1 (EC, 1952) CGC FN/VF 7.0 Cream to off-white pages. Comic book history was made with this first issue of Mad, as the entire genre of "satire comics" was born. Harvey Kurtzman was the genius behind this cultural landmine; that's his art gracing the cover. Wally Wood, Jack Davis, John Severin, and Bill Elder, all now considered giants in the field, were young unknowns when they contributed interior art to this debut issue. The kids of America plucked this comic off the stands in 1952, and the world changed forever. And to that, we say: "What, me worry?" Overstreet 2005 FN 6.0 value = $1,386; VF 8.0 value = $3,465. CGC census 11/05: 13 in 7.0, 35 higher.
Mad #1 Bethlehem pedigree (EC, 1952) CGC FN/VF 7.0 Off-white pages. The Bethlehem provenance lends extra cachet to this copy of the seminal satire comic. For any Mad lover, i.e. anyone perusing this all-Mad catalog, this is a must-have! Overstreet 2005 FN 6.0 value = $1,386; VF 8.0 value = $3,465. CGC census 12/05: 13 in 7.0, 35 higher.
Mad #2 Gaines File pedigree 8/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. This second issue contains a twisted Tarzan of the Apes parody, plus a Dick Tracy cameo. Jack Davis provide the "evil eye" cover, while Davis, John Severin, Bill Elder, and Wally Wood all supply story art. You'll "feel it in your bones" if you let this pedigreed gem slip away without a bid! Overstreet 2005 NM- 9.2 value = $1,750. CGC census 11/05: 4 in 9.6, 1 higher.
Mad #3 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. No copy of this issue has been graded higher by CGC to date! It's a memorable issue, too. Some remember it best for the story with a statuesque beauty (and by "statuesque" we mean "Wally Wood") alone in the dark. Others would give the nod to the parody "Lone Stranger," drawn by Jack Davis. Other highlights include "Dragged Net" by Bill Elder, a French Foreign Legion tale drawn by John Severin, and Harvey Kurtzman cover art. The first five issues of Mad are the toughest ones to get your hands on, and to have one from the files of Mad boss Bill Gaines is particularly thrilling. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 5 in 9.6, none higher.
Mad #3 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white to white pages. Stan Lee gets a mention in this third issue. Editor Harvey Kurtzman drew the graveyard cover art, while Bill Elder, John Severin, Wally Wood, and Jack Davis handle interior art chores. Savage "Dragnet" and "Lone Ranger" parodies are featured. Although CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 11/05: 1 in 9.4, 5 higher.
Mad #4 Gaines File pedigree 5/12 (EC, 1953) CGC NM/MT 9.8 Off-white to white pages. More over-the-top shenanigans from the fertile mind of Harvey Kurtzman and his EC pals. Issue #4 featured parodies of Superman ("Superduperman") and the Shadow (alter ego of Lamont Shadowskeedeeboomboom), plus a story, "Flob Was a Slob", that mentions reefer (again, Kurtzman was ahead of his time!) Kurtzman provided the cover art; Wally Wood, John Severin, Bill Elder, and Jack Davis the interior art. Near-perfect copy from the Gaines Files. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 3 in 9.8, 1 higher.
Mad #4 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. While issues #1-3 had some awfully funny stuff, some say that this issue, and specifically the parody "Superduperman," was what really put Mad on the map. Indeed, Harvey Kurtzman's gags and Wally Wood's finished art made for one of those stories that everybody remembers. There's also one of the funnier Harvey Kurtzman covers of the title's run, plus a Jack Davis story with "selling reefers" as a plot point, a Robin Hood spoof by John Severin, and a skewering of the Shadow and his sidekick Margo Lane, drawn by Bill Elder. This super-sharp copy is among the finest known specimens. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 12/05: 1 in 9.6, 4 higher.
Mad #4 (EC, 1953) CGC NM 9.4 Off-white pages. A Superman parody is the highlight of this early issue, as is a reference to "reefers" in the story "Flob Was a Slob." Harvey Kurtzman provided the colorful cover art, while Wally Wood, John Severin, Bill Elder, and Jack Davis take care of interior art chores. This super copy is certainly no slob, either -- its smooth surfaces are very pleasing to the eye. Overstreet 2005 NM- 9.2 value = $1,100. CGC census 11/05: 2 in 9.4, 5 higher.
Mad #5 Gaines File pedigree 4/12 (EC, 1953) CGC NM+ 9.6 White pages. This is the low distribution issue, pulled from many newsstands due to the "humorous" William Gaines biography, which stated he was "peddling dope near nursery schools." Wally Wood provides art for a Blackhawk parody; Bill Elder does the cover and "Outer Sanctum" story art. John Severin and Jack Davis also contribute interior art. This white-page wonder is currently unsurpassed in CGC's census report for issue #5. Overstreet 2005 NM- 9.2 value = $2,200. CGC census 11/05: 3 in 9.6, none higher.
Mad #5 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. This comic got EC in hot water! And it wasn't the regular humor features that did it, but rather a tongue-in-cheek text biography of publisher Bill Gaines, which "revealed" that he was a communist, thief, reform school grad, seller of Tijuana bibles, dope dealer, and brothel owner... among other things! Some utterly humorless distributors didn't get the joke, and this issue was yanked from many newsstands; it remains the most difficult Mad issue to find. The few who did get their hands on a copy got to enjoy a Blackhawk parody with Wally Wood art, plus the work of Bill Elder (who also drew the cover), Jack Davis, and John Severin. This grade-A copy is from the files of Bill Gaines, yes, the same scoundrel mentioned above! We love him, though. Overstreet 2005 NM- 9.2 value = $2,200. CGC census 12/05: 1 in 9.4, 3 Higher.
Mad #6 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. Parody MADness continues this issue with "Teddy and the Pirates", "Melvin of the Apes", "Casey at the Bat", and "Ping Pong". Harvey Kurtzman's cover is backed by interior art from himself, Wally Wood, John Severin, Bill Elder, and Jack Davis. This grade is the highest CGC has given to date for issue #6. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 3 in 9.4, none higher.
Mad #6 Gaines File pedigree 7/10 (EC, 1953) CGC NM- 9.2 White pages. Terry and the Pirates revealed as opium smugglers! Melvin of the Apes crowned Lord of the Jungle! Casey at the Bat given the Jack Davis treatment! King Kong revealed to be a bit of a wuss! If you're Milton Caniff, Edgar Rice Burroughs, or Fay Wray, this issue probably had you up in arms, but everyone else laughed themselves silly as the Mad legend continued to build. Interestingly, the highest-graded copy in CGC's census is a 9.4, so this lovely copy is very close to the best available. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 2 in 9.2, 3 higher.
Mad #7 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 White pages. A glance at the census data below will tell you why this book's a must-bid! The content is pretty impressive, too: Arthur Conan Doyle rolled over in his grave upon publication of this issue's "Shermlock Shomes!" Robert Louis Stevenson tossed and turned in his tomb when this comic's Treasure Island parody hit the stands! Other features of this issue are a Harvey Kurtzman cover (also satirizing Mr. Holmes), multiple "Hey Look" features by Kurtzman, and art by Bill Elder, John Severin, and Wally Wood. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 2 in 9.6, none higher.
Mad #8 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. Even other Gaines File Copies don't get better than this. At NM 9.4, this is the highest grade CGC has awarded for #8. Harvey Kurtzman is responsible for the subtle (not!) humor of the cover, and also contributes interior stories, along with Bill Elder, Jack Davis, and Wally Wood. Hilarious parodies of the Lone Ranger, Frankenstein, and Batman & Robin are featured. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 3 in 9.4, none higher.
Mad #8 Gaines File pedigree 5/12 (EC, 1953) CGC NM- 9.2 White pages. Having parodied Superman previously, Mad continued its devastation of DC by rolling out "Bat Boy and Rubin" here, featuring the art of Wally Wood. Also in the issue: another Lone Ranger parody drawn by Jack Davis as well as a spoof of Frankenstein (drawn by Bill Elder) and reprints of some of Harvey Kurtzman's "Hey Look" one-page features. The cover is also by Kurtzman. Overstreet 2005 NM- 9.2 value = $860. CGC census 12/05: 2 in 9.2, 3 higher.
Mad #10 Gaines File pedigree (EC, 1954) CGC VF/NM 9.0 White pages. Comic book icons Wonder Woman and G. I. Joe are both skewered in this issue, and the Western flick "Shane" is also put to shame. The issue's artists are Harvey Kurtzman (cover), Wally Wood, John Severin, Bill Elder, and Jack Davis. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 VF/NM 9.0 value = $652; NM- 9.2 value = $860. CGC census 12/05: 1 in 9.0, 4 higher.
Mad #12 Gaines File pedigree 8/12 (EC, 1954) CGC NM+ 9.6 White pages. An exceptional copy (topped by only one other in CGC's census to date) is joined by exceptional content. Before Mad, comic fans had never seen Mr. Weatherbee chasing Betty and Veronica around his desk as Archie and Jughead look on! Nor had they observed Blondie holding a copy of "How To Break Into Burlesque." Both sights are on display in Bill Elder's parody "Starchie." The Mad crew didn't stop there, though -- they lambasted Lancaster in "From Eternity Back to Here!" and went on to pull off what has to be the only "Mark Trail" parody ever attempted. The artists drawing all of this weren't just any old shmendricks, either: try Jack Davis, Wally Wood, and Bernie Krigstein. Overstreet 2005 NM- 9.2 value = $675. CGC census 12/05: 4 in 9.6, 1 higher.
Mad #13 Gaines File pedigree 8/12 (EC, 1954) CGC NM- 9.2 White pages. This issue's micro-cover design features Harvey Kurtzman's twist on an old theme; this time, the girl is holding the gorilla! Interior art is supplied by Wally Wood, Jack Davis, and Bill Elder. Overstreet 2005 NM- 9.2 value = $675. CGC census 11/05: 2 in 9.2, 3 higher.
Mad #15 Gaines File pedigree (EC, 1954) CGC NM 9.4 Off-white to white pages. Parodies of "The Wild One" and "Gasoline Alley" are two highlights of this issue, plus there's a Pot Shot Pete strip by Harvey Kurtzman. Also manning the drawing boards were Wally Wood, Bill Elder, and Jack Davis. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2005 NM- 9.2 value = $675. CGC census 11/05: 4 in 9.4, none higher.
Mad #16 (EC, 1954) CGC NM- 9.2 Off-white pages. This newspaper-style cover features art by Harvey Kurtzman, who also wrote a story in this issue. The interior contains art by Bill Elder (Sherlock Holmes parody), Jack Davis, and Wally Wood. Overstreet 2005 NM- 9.2 value = $575. CGC census 11/05: 4 in 9.2, 5 higher.
Mad #17 Gaines File pedigree 8/12 (EC, 1954) CGC NM 9.4 Off-white pages. This is the famous issue in which the contents were printed upside-down. Interior art for this issue was provided by Wally Wood, Jack Davis, Bill Elder, and the inimitable Basil Wolverton. Overstreet 2005 NM- 9.2 value = $575. CGC census 11/05: 1 in 9.4, 3 higher.
Mad #20 Gaines File pedigree 5/12 (EC, 1955) CGC NM- 9.2 Off-white to white pages. Ah, the fond memories we have of this special issue with the fake composition notebook cover, designed to smuggle into class. It was all good fun until the nuns caught us, and then we felt the sting of Sister Mary's ruler! Anyway, this copy never saw the inside of a classroom, just the inside of Bill Gaines' closet, that's why it's in such superb shape today. The issue has art by Wally Wood, Jack Davis, and Bill Elder. Overstreet 2005 NM- 9.2 value = $575. CGC census 11/05: 4 in 9.2, 3 higher.
Mad #22 Gaines File pedigree 8/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. Bill Elder took center stage in issue #22, drawing the entire comic in a special single-artist Mad issue. Harvey Kurtzman contributed interior photography and channeled Pablo Picasso on the cubist cover (the face on the photo is Elder, by the way). Overstreet 2005 NM- 9.2 value = $575. CGC census 11/05: 5 in 9.4, 3 higher.
Mad #22 (EC, 1955) CGC NM 9.4 Off-white to white pages. This is one of the few top-grade Mads we've seen that isn't from Bill Gaines' files! One of the last comic-size issues, this is the "special art issue." The cubist-like cover is by Harvey Kurtzman, but the rest of the issue was drawn by Bill Elder (that's Elder's face on the cover photo, by the way). Overstreet 2005 NM- 9.2 value = $575. CGC census 11/05: 5 in 9.4, 3 higher.
Mad #23 Gaines File pedigree (EC, 1955) CGC NM 9.4 White pages. Here's the last comic book issue of Mad. While the comic book version of this classic satire title may have been too good to be true after a mere 23 issues, the magazine format continues to thrive today. This book may not make you "think" so much as cause you to laugh long and hard! Wally Wood and Jack Davis art is featured, and Pogo gets the Mad parody treatment. While CGC recognizes this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2005 NM- 9.2 value = $575. CGC census 12/05: 2 in 9.4, 1 higher.
Mad #23 (EC, 1955) CGC VF+ 8.5 Off-white to white pages. Last comic book issue of Mad. Wally Wood and Jack Davis art. Overstreet 2005 VF 8.0 value = $300; VF/NM 9.0 value = $438. CGC census 12/05: 3 in 8.5, 5 higher.
Magazines
Mad #26 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 White pages. The one and only 9.6, and highest-graded copy overall, that CGC has certified to date... not bad, eh? Not only did this issue have great art by the likes of Wally Wood, Jack Davis, and Bill Elder, some big names from the entertainment world figured into the issue too: Ernie Kovacs wrote a piece for the mag, and there's a fan letter from Jackie Gleason! Also, Mad set down its Monroe doctrine with the parody "The Seven Itchy Years." Overstreet 2005 NM- 9.2 value = $550. CGC census 12/05: 1 in 9.6, none higher.
Mad #28 Spokane pedigree (EC, 1956) CGC NM 9.4 White pages. This was the last issue edited by Harvey Kurtzman. The art is by Jack Davis, Wally Wood, Bill Elder, and Al Jaffee, and it features one of three cover variants. Only one copy of this issue has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $425. CGC census 12/05: 2 in 9.4, 1 higher.
Mad #29 White Mountain pedigree (EC, 1956) CGC VF+ 8.5 Off-white to white pages. Al Feldstein's first issue as editor. Don Martin's first issue as a regular. Also art by Jack Kamen, Basil Wolverton, Jack Davis, and Wally Wood. Overstreet 2005 VF 8.0 value = $213; VF/NM 9.0 value = $319. CGC census 11/05: 3 in 8.5, 3 higher.
Mad #33 Gaines File pedigree (EC, 1957) CGC NM+ 9.6 White pages. No copy of this issue has been graded higher by CGC to date, and considering the issue's white cover, it seems unlikely that one will be in the future! Not many people know that TV funnyman Ernie Kovacs contributed to the magazine in the early years, and he's joined by the Usual Gang of Idiots here. Wally Wood, Mort Drucker, and Joe Orlando are among the bigger names. The cover's by Norman Mingo. Overstreet 2005 NM- 9.2 value = $320. CGC census 11/05: 2 in 9.6, none higher.
Mad #35 Gaines File pedigree (EC, 1957) CGC NM+ 9.6 Off-white to white pages. It was Mad's fifth anniversary, and the "usual gang of idiots" celebrated with a star-studded wraparound cover by Norman Mingo. Inside was a Cinderella parody, and stellar art from the likes of Wally Wood, Reed Crandall, Joe Orlando, Don Martin, and Dave Berg. This terrific copy from the Gaines files has earned the highest grade yet assigned by CGC for issue #35. Overstreet 2005 NM- 9.2 value = $270. CGC census 12/05: 2 in 9.6, none higher.
Mad #36 Gaines File pedigree (EC, 1957) CGC NM+ 9.6 Off-white to white pages. Back in the day, who would have been able to resist cutting out the Alfred E. Neuman mask on this issue's back cover and clowning around as the What Me Worry Kid? Not many people, that's why a top-grade copy can only be had from the files of publisher Bill Gaines. Wally Wood and Basil Wolverton were among the contributors to this issue; the cover's by Norman Mingo. Overstreet 2005 NM- 9.2 value = $200. CGC census 11/05: 2 in 9.6, none higher.
Mad #38 Gaines File pedigree (EC, 1958) CGC NM 9.4 Off-white to white pages. This issue contains a Mike Wallace spoof, and Better Homes and Gardens magazine satire. Features a cover by Kelly Freas and J. Fred Muggs. The interiors contain art by Mort Drucker, Joe Orlando, Don Martin, Wally Wood, and Bob Clarke. Overstreet 2005 NM- 9.2 value = $200. CGC census 11/05: 2 in 9.4, none higher.
Mad #39 Gaines File pedigree (EC, 1958) CGC NM+ 9.6 Off-white to white pages. And in this issue of that august American institution, Collier's magazine... wait a minute, this is Mad! What shmendrick got watercolorist C. C. Beall, Jr. to paint the cover showcasing famous Americans of the day? Ah, it all becomes clear when you find out that there's a Saturday Evening Post parody in the issue. The usual Gang of Idi... er, respectable artists are on hand, like Wally, uh, Wallace Wood, Mortimer Drucker, Joseph Orlando, Donald Martin, and Frank Kelly Freas. Overstreet 2005 NM- 9.2 value = $200. CGC census 11/05: 3 in 9.6, none higher.
Mad #43 Gaines File pedigree (EC, 1958) CGC NM/MT 9.8 Off-white to white pages. This issue features "The End of Comics" parody with Little Orphan Annie, Dick Tracy, Pogo, L'il Abner, and Mary Worth. Frank Kelly Freas portrays Alfred E. Neuman as an ineffective scarecrow on the cover. The interior contains art by Mort Drucker, Wally Wood, and Don Martin. This superb copy has the highest grade awarded by CGC to date. Overstreet 2005 NM- 9.2 value = $165. CGC census 11/05: 2 in 9.8, none higher.
Mad #47 Gaines File pedigree (EC, 1959) CGC NM 9.4 White pages. Clearly it's hard to "stop" laughing when Frank Kelly Freas illustrates the cover of Mad. This issue contains a "Jack and Jill" parody, a combined TV shows spoof, and the one and only Sid Caesar's first article for the magazine. The interior features art by Freas, along with Mort Drucker, Wally Wood, Don Martin, and Joe Orlando. Overstreet 2005 NM- 9.2 value = $165. CGC census 11/05: 2 in 9.4, 2 higher.
Mad #48 Gaines File pedigree (EC, 1959) CGC NM/MT 9.8 Off-white to white pages. How could a 40-year-old magazine with a white cover possibly have survived in NM/MT 9.8 condition? The secret is that this absolutely pristine specimen never touched a newsstand, going straight from the printers, to Bill Gaines' closet where it spent decades, to a CGC slab, to (if you're lucky) you. The issue's cover is by Kelly Freas; the interior artists include Wally Wood, Joe Orlando, Mort Drucker, Dave Berg, and Don Martin. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 3 in 9.8, none higher.
Mad #49 Gaines File pedigree (EC, 1959) CGC NM 9.4 Off-white pages. A story by Sid Caesar is featured. Kelly Freas front and back covers. Wally Wood, Joe Orlando, and Mort Drucker art. Only one copy of this issue has been certified with a higher grade by CGC to date. Overstreet 2005 NM- 9.2 value = $165. CGC census 12/05: 1 in 9.4, 2 higher.
Mad #50 Gaines File pedigree (EC, 1959) CGC NM/MT 9.8 Off-white to white pages. This big 50th issue sports another great cover by Frank Kelly Freas. The book features a "Peter Gunn" parody, a True Confessions magazine satire, and a classic "Spot That Plug" TV spoof. Then of course there's the interior art by Mort Drucker, Wally Wood, Don Martin, Dave Berg, and Joe Orlando. Add all that up with the fact that it's received the highest CGC grade to date, and you've got about 50 reasons to buy this issue. Overstreet 2005 NM- 9.2 value = $165. CGC census 11/05: 2 in 9.8, none higher.
Mad #55 Gaines File pedigree (EC, 1960) CGC NM/MT 9.8 Off-white to white pages. You'd be cuckoo not to like this Frank Kelly Freas painted cover. Perhaps more worthy of note is the inclusion of a story by comedy legend Sid Caesar in this issue. The book also features a Madison Avenue primer, and The Raven poem parody. The interiors contain art by Wally Wood, Mort Drucker, Don Martin, and Joe Orlando. This copy sports the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $140. CGC census 11/05: 2 in 9.8, none higher.
Mad #56 Gaines File pedigree (EC, 1960) CGC NM+ 9.6 White pages. Dagwood singing "Old Man Dithers" is just one number in a rousing opera starring comic book characters! Masterfully drawn by Wally Wood, the feature also had appearances by Dick Tracy, Tarzan, Rex Morgan M.D. (putting the moves on Little Orphan Annie!), Flash Gordon, Archie, Alley Oop, the Phantom, and many more. There's also a cover by the late Kelly Freas, featuring Kennedy and Nixon, plus art by Al Jaffee, George Woodbridge, Mort Drucker, Don Martin, Joe Orlando, Bob Clarke, and Dave Berg. Overstreet 2005 NM- 9.2 value = $140. CGC census 12/05: 2 in 9.6, none higher.
Mad #61 Gaines File pedigree (EC, 1961) CGC NM/MT 9.8 White pages. This issue features a Playboy magazine spoof, and an Albert Einstein parody. Heck, even Einstein might have trouble figuring out which way is up from this cover! The interior contains art from Mort Drucker, Bob Clarke, Dave Berg, Joe Orlando, and Don Martin. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $105. CGC census 11/05: 2 in 9.8, none higher.
Mad #74 Gaines File pedigree (EC, 1962) CGC NM/MT 9.8 Off-white to white pages. Looks like the totem pole is in trouble on this cover by Frank Kelly Freas. This issue features a "Dr. Kildare" parody, plus letters from Johnny Mathis, Bobby Darin, and the House of Representatives. Interior art features greats like Mort Drucker, Wally Wood, Dave Berg, Joe Orlando, and Don Martin. This copy holds the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $70. CGC census 11/05: 3 in 9.8, none higher.
Mad #85 Gaines File pedigree (EC, 1964) CGC NM+ 9.6 White pages. Dick Tracy and Popeye parodies. Norman Mingo cover. Mort Drucker, Jack Rickard, Joe Orlando, Don Martin, and Wally Wood art. Overstreet 2005 NM- 9.2 value = $60. CGC census 11/05: 2 in 9.6, none higher.
Mad #88 Gaines File pedigree (EC, 1964) CGC NM+ 9.6 Off-white to white pages. Only Alfred E. Neuman would celebrate the 4th of July by blowing himself up, as illustrated on this cover by Norman Mingo. Among other hilarious things, this issue features a diagonal fold-in of the Beatles by Al Jaffee. Interior art features such talent as Don Martin, Mort Drucker, Bob Clarke, Dave Berg, and Jack Rickard. This is the highest grade awarded by CGC to date for this issue. Overstreet 2005 NM- 9.2 value = $70. CGC census 11/05: 2 in 9.6, none higher.
Mad #93 Gaines File pedigree (EC, 1965) CGC NM/MT 9.8 Off-white pages. Even if you think M. C. Escher is a rapper, you'll probably enjoy this optical-illusion cover by Norman Mingo. The issue also has art by Dave Berg, Mort Drucker, Al Jaffee, Jack Rickard, and Don Martin. Overstreet 2005 NM- 9.2 value = $55. CGC census 9/05: 2 in 9.8, none higher.
Mad #108 Gaines File pedigree (EC, 1967) CGC NM/MT 9.8 White pages. Even Norman Rockwell would have to appreciate this clearly influenced Christmas cover by Norman Mingo. This issue features a "Hogan's Heroes" TV spoof, and a "Sound of Music" parody, not to mention a Santa Claus fold-in. The interiors are blessed with the gifts of artists like Mort Drucker, Don Martin, Al Jaffee, Jack Davis, and Dave Berg. If that's not enough to get your holiday cheer going, how about this being the highest grade awarded by CGC to date? Overstreet 2005 NM- 9.2 value = $42. CGC census 11/05: 2 in 9.8, none higher.
Mad #109 Gaines File pedigree (EC, 1967) CGC NM/MT 9.8 White pages. Four out of five nudnicks recommend this dental-hygiene cover by Norman Mingo. The issue also has art by Mort Drucker, Don Martin, Al Jaffee, Jack Davis, and Dave Berg. Come to think of it, the magazines at our dentist's office are so old, there might be a Mad #109 in the stack somewhere! But we digress... get this 9.8 pedigree copy, no copy has been graded higher by CGC to date. Overstreet 2005 NM- 9.2 value = $38. CGC census 12/05: 3 in 9.8, none higher.
Mad #110 Gaines File pedigree (EC, 1967) CGC NM/MT 9.8 Off-white to white pages. "Yellow Pages for Super-Heroes" article. Norman Mingo cover. Mort Drucker, Al Jaffee, Don Martin, Joe Orlando, and Dave Berg art. Overstreet 2005 NM- 9.2 value = $38. CGC census 12/05: 3 in 9.8, none higher.
Mad #111 Gaines File pedigree (EC, 1967) CGC NM+ 9.6 Off-white to white pages. Alfred E. Neuman looks goofy no matter what race he's depicted as, or at least on this Norman Mingo cover he does. The issue contains a "Porgy and Bess" satire and an "I Spy" TV spoof, plus a poem parody of The Raven. The interior features art by Mort Drucker, Don Martin, Al Jaffee, Jack Davis, and Dave Berg. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $38. CGC census 11/05: 2 in 9.6, none higher.
Mad #121 Gaines File pedigree (EC, 1968) CGC NM 9.4 White pages. Even the Beatles are mad about Alfred E. Neuman on this cover by Norman Mingo. The issue features a "Flying Nun" spoof, and a Sixteen satire flip cover by Jack Rickard. All that plus a Ringo Starr pin-up are enough to make any teenage girl scream. The interior art was done by Mort Drucker, Don Martin, Al Jaffee, Rickard, and Dave Berg. Overstreet 2005 NM- 9.2 value = $42. CGC census 11/05: 2 in 9.4, 1 higher.
Mad #125 Gaines File pedigree (EC, 1969) CGC NM 9.4 White pages. Alfred E. Neuman hits the bottle on this book's cover, which features a morbidly amusing Adolf Hitler back cover. This issue features a "2001: A Space Odyssey" movie spoof, and comic strip characters getting psychoanalyzed. The interiors contain art by Jack Davis, Mort Drucker, Don martin, Dave Berg, and Jack Rickard. This is currently the highest grade awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $32. CGC census 11/05: 4 in 9.4, none higher.
Mad #129 Gaines File pedigree (EC, 1969) CGC NM 9.4 White pages. Norman Mingo illustrates the generational gap quite well on this cover. The issue features a "Julia" TV parody, and the Mad primer of bigots and extremists. Don Martin, Mort Drucker, Dave Berg, Sergio Aragones, and Jack Rickard provide interior art. This also happens to be the highest grade awarded by CGC to date. Overstreet 2005 NM- 9.2 value = $28. CGC census 11/05: 3 in 9.4, none higher.
Mad #133 Gaines File pedigree (EC, 1970) CGC NM/MT 9.8 White pages. "True Grit" movie parody. Dave Berg, Mort Drucker, Jack Davis, Don Martin, and Angelo Torres art. Overstreet 2005 NM- 9.2 value = $28. CGC census 12/05: 2 in 9.8, none higher.
Mad #136 Gaines File pedigree (EC, 1970) CGC NM+ 9.6 White pages. Butch and Sundance fans will have a ball with this Norman Mingo cover. The issue features a "Room 222" and "Butch Cassidy and the Sundance Kid" parody, plus a letter from Jon Voight. Mort Drucker, Al Jaffee, Angelo Torres, Don Martin, and Sergio Aragones handle interior art. Overstreet 2005 NM- 9.2 value = $28. CGC census 11/05: 1 in 9.6, 1 higher.
Mad #138 Gaines File pedigree (EC, 1970) CGC NM+ 9.6 Off-white to white pages. Jack Rickard Peanuts cover. Overstreet 2005 NM- 9.2 value = $32. CGC census 9/05: 1 in 9.6, 1 higher.
Mad #142 Gaines File pedigree (EC, 1971) CGC NM/MT 9.8 Off-white to white pages. Photo cover. Parodies of "West Side Story" and "My Three Sons." Artists include Jack Davis, Al Jaffee, Mort Drucker, and Dave Berg. Overstreet 2005 NM- 9.2 value = $24. CGC census 11/05: 2 in 9.8, none higher.
Mad #195 Gaines File pedigree (EC, 1977) CGC NM/MT 9.8 Off-white pages. Sometimes less is more, as is the case with the lack of art on this book's cover, yet it still manages to grab your attention. The interior features include parodies of "Airport 1977", "Black Sunday", and "Barney Miller". This issue features art by Mort Drucker, Angelo Torres, Al Jaffee, Jack Davis, and Don Martin. It's also the highest grade currently awarded by CGC for this issue. Overstreet 2005 NM- 9.2 value = $18. CGC census 11/05: 4 in 9.8, none higher.
Mad Disco #nn Gaines File pedigree (EC, 1980) CGC NM/MT 9.8 Off-white to white pages. Includes Mad Disco record. Jack Rickard cover. Jack Davis, Mort Drucker, and Don Martin art. Overstreet 2005 NM- 9.2 value = $20. CGC census 11/05: 3 in 9.8, none higher.
Mad Follies #6 Gaines File pedigree (EC, 1968) CGC NM 9.4 White pages. Second highest-graded copy of this issue according to current CGC census. Includes Mad mischief stickers and Al Jaffee art. Overstreet 2005 NM- 9.2 value = $110. CGC census 12/05: 1 in 9.4, 1 higher.
Mad Super Special #55 Gaines File pedigree (EC, 1986) CGC MT 9.9 White pages. Richard Williams cover art. Overstreet 2005 NM- 9.2 value = $10. CGC census 11/05: 2 in 9.9, none higher.
Worst From Mad #3 Gaines File pedigree (EC, 1960) CGC NM 9.4 Off-white to white pages. This issue includes the 20" x 30" "Alfred E. Neuman for President" poster. Reprinted from issues #41-46; artists include Kelly Freas, Wally Wood, Don Martin, Mort Drucker, and Joe Orlando. Overstreet 2005 NM- 9.2 value = $300. CGC census 11/05: 2 in 9.4, none higher.
Worst From Mad #6 UK Edition - Gaines File pedigree (EC, 1963) CGC NM 9.4 White pages. This issue includes the "Fink Along With Mad" 33 1/3 RPM flexi disc bonus. Overstreet 2005 NM- 9.2 value for American edition = $410. CGC census (for UK edition) 11/05: 2 in 9.4, none higher.
Worst From Mad #10 Gaines File pedigree (EC, 1967) CGC NM/MT 9.8 White pages. This sharp square bound issue includes the bonus Mad Bumper Sticker. This is one of three copies of this issue found in publisher Bill Gaines' files after his death. Overstreet 2005 NM- 9.2 value = $160. CGC census 11/05: 3 in 9.8, none higher.
Silver Age (1956-1969)
Worst From Mad #11 Gaines File pedigree (EC, 1968) CGC NM 9.4 White pages. Includes 16 car window stickers. Overstreet 2005 NM- 9.2 value = $95. CGC census 11/05: 2 in 9.4, none higher.
Memorabilia
Mad First Edition Hardcovers, Lot of 3 (1958-69) Condition: Good. Included here are The Ridiculously Expensive Mad, Mad for Keeps, and A Golden Trashery of Mad. All are first editions with dust jackets, and the best news of all is that all of the bound-in bonus materials are present. However, the first book is missing the slip with instructions for assembling the mobile. Solid copies of these early Mad-sterworks!
Hardee's Mad Giveaway Brochures #1-6 Gaines File pedigree (EC, 1989) Condition: Average VF/NM. These brochures have eight interior pages each, with slick color covers. The content is excerpted from Mad issues of the past. Our consignor obtained these directly from Bill Gaines; no certificates were made for them. Not listed in Overstreet.
Mad Bogus Postage Stamps Multiple Sets From Mad Super Special #94 (EC, 1994). From the Mad Offices to you come this incredible ream (approximately 250 sheets) of "bogus" postage stamps, all in near mint condition. They're the stamps that were the bonus item included in Mad Super Special #94. Each sheet incudes 36 separate stamps, in a total of five different designs, all featuring Alfred E. Neuman. Save 'em! Trade 'em! Do anything but use 'em for real postage -- the Post Office won't like! And no, we are not including a certificate of bogus-ness! From the Mad Magazine Archives.
Alfred E. Neuman Statue (Warner Bros., 1993). With his gapped teeth, big ears and bolla tie, this odd fellow in tennis shoes could only be one person -- Mad magazine's cover boy, Alfred E. Neuman! The unworried pop culture icon is the subject of this 14" ceramic statue, which was sold exclusively in Warner Bros. stores in 1993. Alfred's famous expression, "What... Me Worry?," is printed on the 6" round base. The original owner, Robert Woodbridge, added a flintlock rifle to the statue, making the worrying part sort of a moot point. The rifle is included in this lot. The statue is in Excellent condition. From the Estate of Robert Woodbridge.
Don Martin Cover Record Album Group of 4 (CMI, circa 1960). These four hard to find items, all percussion-heavy dance music by Pierre Du Jardin and the Stereosonic Orchestra, feature wild cover illustrations from MAD man Don Martin. Titles include "Percussion Internationale", "South of the Border in Percussionland", "Cha Cha Cha for Normal People", and "Percussion with a Latin Twist". The records average VG, except "Percussion Internationale" which is GD. The covers all range at VG. The bonus prints listed on the back covers are not included. Cut a rug with these cutting cartoon creations by Martin!
Complete EC "Fan-Addict Club" Kit (EC, 1953). You can't be a true EC "fan-addict" without a kit, so here it is! Without benefit of a time machine, finding all these items, with matching serial numbers, is just about impossible! Hoo boy! This kit includes a beautiful full color certificate (featuring art by Jack Davis); a wallet card (marked "invalid if signed", so naturally, it's not signed) which entitles members to purchase any 32-page EC magazine for the "special membership newsstand price of 10¢"; a sewn cloth EC patch in blue and white; and the rare bronze EC pin. All this, plus the original mailing envelope, too! The certificate, pin and badge are all in Excellent condition. The card is in Very Good condition, with no folds, but a little wear from being carried, and the envelope is also in Very Good condition, with no folds or tears, but a few tiny pinholes and small stains. Incredible!
The Mad Show Poster (1966). Years before "Mad TV" came this Broadway production, loaded with insane dialog and funny songs. Written by Larry Siegel and Stan Hart, the original cast included Linda Lavin, Jo Anne Worley, Paul Sand, and others. Later cast members included David Steinberg, Alan Sues, and Marcia Rodd. The play ran for two years, and a soundtrack has recently been reissued on CD. Here's an original 14" x 22" poster on stiff cardboard, printed in red and black on white, with a superb portrait of Alfred E. Neuman saying "Ecch!", listing the New Theater on E. 54th Street address. We doubt many of these have survived, especially in this nice condition. A slight bend at the top of the poster is the the only real flaw, and this will be rendered unnoticable by framing. A wild item, indeed! Remember to "throw away that truss," and bid!
Mad 33rd Anniversary Party Invitation (1985). The movers and shakers at Mad also like to move and shake to a disco beat, so on the occasion of EC's 33rd year of publishing, they threw a little get-together at New York's old Limelight Club. Vas you dere? Even if you didn't make the guest list, now you can impress your friends by showing them this impressive, 11.75" x 16.5" invitation. It's printed on paper in magenta and black on one side, and features the classic full-color poster image of Alfred E. Neuman on the back. The piece has been folded down the middle; tell the gang you had to use it to swat away gnarly party crashers! In Very Good condition. From the Personal Collection of Dick DeBartolo.
Mad Promotional Items Lot of 3. We give you a plastic "auto teller hold up" card -- and no, we won't post bail if you use it (it identifies you to your ATM as A. Crook)! We also give you "Alfred's Mad Memo Pad" and a bundle of 17 Mad three-dollar bills. These promotional items were most likely used for trade shows and the like. The book Collectibly Mad noted, "many of them were the brainchildren of Dick DeBartolo." So note that these are from the personal collection of that writer extraordinaire! None of the items have more than minor wear; the memo pad appears to be complete. From the Personal Collection of Dick DeBartolo.
Mad Licensing Style Book Binder (EC, 1994). A 3-Ring Binder of Fun! This book is chock full of clip art featuring Mad logos, characters, etc. for licensees to use in the production of their Mad-related items. Definitely an unusual and interesting item. In Excellent condition.
Mad Cuff Links, Set of 2 (1957). When these were first offered in issue #33, the Usual Gang of Idiots plugged them thus: "If you wear these 'What ... Me Worry?' Kid cufflinks with long-sleeved shirts, you'll impress your friends. If you pierce your wrists and wear them with short-sleeves shirts, you'll kill your friends!" Despite this hype and being manufactured in "stunning satin silver plate," obviously few fans sent in their three dollars, as these are extremely rare today. While these have evidently been used, the fronts (with Alfred's face) look outstanding, and only very minor wear is evident on the rear.
Mad Tie Pin (1957). This is the rare original tie pin first offered in an ad in Mad #33 (and only offered through issue #41). Reportedly only a total of about 1,000-2,000 pieces (of five different jewelry items) were sold. It looks like a Mad fan might have secured his neckwear with this one once or twice, but overall it's in Excellent condition.
"What Me Worry" T-Shirt (1958). This rarity is the first T-shirt Mad ever offered, first advertised on the inside back cover of issue #39. EC Trivia Dept: they were manufactured by Johnny Craig's sister-in-law! This specimen has obviously been worn, but the silkscreened Alfred E. Neuman has experienced only very minimal fading.
Mad Accessories, Lot of 2. A metal money clip featuring Alfred E. Neuman is the highlight of this group. This specimen has obviously been used, but it's in very good condition. Also included is a gold-colored lapel pin with the Mad logo. Fa! From the Estate of Robert Woodbridge.
Mad Staff Logo Pin (early 1960s). This is the extremely rare version, and by that we mean one of two! Mad boss Bill Gaines made logo pins in gold to give to his staff and regular contributors, but there were two staffers who didn't like to wear gold jewelry, thus Mr. Gaines ordered up two specimens in sterling silver! It's an item your Mad-collecting friends will never have, so make sure you can trump them by being the winning bidder!
Mad Lapel Pin (EC, 1994). Do your friends think you might be a shmendrick? Well, remove any doubt from their minds by sporting this gold-colored lapel pin. It's in Excellent condition. From the Personal Collection of Dick DeBartolo.
Alfred E. Neuman Cuff Links (EC, 1994). Here's one of very few known sets of these promotional cuff links, which were given to Mad distributors. Got a shirt with French cuffs? Or for you xenophobes out there: got a shirt with freedom cuffs? Then you could use these cuff links, which are gold-colored except for the white complexion on Alfred's face. Pair 'em with a tux to look like... a Mad fan wearing a tux! From the Personal Collection of Dick DeBartolo.
Signed Mad Magazine Contract for "The Mad Turned On Zoo" (Coronet Communications, 1971). Looking for a few choice Mad autographs to add to your collection? Look no further, 'cause we gotcha fixed up with this fascinating lot. This signed agreement between EC and Paperback Library's parent corporation, Coronet, includes "John Hancock"s by William Gaines, Max Brandel, Larry Siegel, George Woodbridge, Antonio Prohias, Frank Jacobs, Jack Rickard, Sergio Aragones, Al Jaffee, Bob Clarke, Jerry DeFuccio, and more! Dated October 20, 1971, the papers remain in Very Good condition, with all signatures in Excellent condition.
Mad Publisher William Gaines' Office Curtain Swatch (circa 1966). For the Mad collector who thinks he has it all -- brother, have we got something for you! Here's a 7" x 7" swatch of curtain material from Bill Gaines' office! Gaines had the windows of his office at 485 Madison Avenue dry-walled over, so the fabric colors are as fresh as then day EC moved into the building, in 1966. A color photo of Bill in his office is included, along with a letter of provenance from his widow, Annie Gaines. This little scrap of fabric was privy to all of Gaines' private conversations and negotiations all through the years -- if only it could talk!
Mad Publisher William Gaines' Suspenders Plus Jack Davis Original Art (circa 1980s). The girth of Mr. Bill Gaines was the subject of much joking in Dave Berg's "Lighter Side" panels and elsewhere, so it's no surprise that the stout publisher's suspenders were of the heavy-duty variety! These red suspenders are in like-new condition, and come with a matching oversize envelope addressed to Bill, with a return address from Jack Davis. The suspenders come with a great bonus, namely a Jack Davis sketch on cardboard done in black, red, and white, showing Gaines sporting this very accessory.
Mad Publisher William Gaines' Adding Machine From the Mad Offices. What can we say about Bill Gaines' adding machine that hasn't been said already? This lot includes not only the machine belonging to the Mad mastermind (it still works, too!) but also five replacement ribbons. It comes with a letter of authenticity from Annie Gaines (Mr. Gaines widow and Mad's managing editor) going into detail about the history of the item.
Don Martin - Letters and Rough Concept Sketches (circa 1970s). Even in his loosest concept sketches, the Don Martin style is unmistakable! Here are three letters from Martin to Mad editor Nick Meglin, included two on Don's own stationery, plus five sequential pages of pencil sketches for a proposed feature. All items are in Very Good condition. If you are mad about Martin, here's a rare chance to pick up some unpublished and personal items from this Mad genius!
Tomy Staff Artist - Prototype for "Don Martin" Windup Toy (circa 1983). This one-of-a-kind piece was commissioned by Tomy as a presentation piece in an attempt to license a line of Mad toys in the early 1980s. Alas, the line was never produced, and this urethane casting is only prototype ever made of this item. It's hand-painted, 3 1/2 inches high. While the finished item was intended to be a windup toy, this prototype has no moving parts, but it's probably the only time you'll see a distinctive Don Martin character in three dimensions! All that's missing are the "squeetle-squeetle-froobish-froobish-froobish" sound effects!
Original Comic Art
George Woodbridge Attache Case Portfolio with Mad #327 Original Art Contents (EC, 1994). The late George Woodbridge spent nearly fifty years making us all laugh through his exquisitely detailed, and incredibly funny pen and ink drawings published by Mad. A stickler for details, Woodbridge was also well-known as an illustrator for military history books, cranking out faithfully researched, highly detailed art for such books as his three-volume set, American Military Equipage, 1851-1872. Here's his original portfolio, a handsome black leather-finish attache case, measuring approximately 21" x 27" x 4". A hard wax stamp appears on the top edge, featuring his initials, and a small plaque inscribed "G. Woodbridge" is mounted by the handle. Inside, there's a note from Woodbridge on his stationery, a photocopy of an illustration, and two pages of Woodbridge original art from Mike Snider's Mad #327 story "Thanks to Home Video Cameras We Now Have on Tape --," done in grey wash on 17.5" x 17.5" bristol. A copy of the issue is included. The case is in Very Good condition, with only modest wear, and the art is in Excellent condition. This is a wonderful memento from a Mad fan favorite. From the Estate of Robert Woodbridge.
Sergio Aragones - Special Illustration Original Art (1965). Ay Caramba! Practically all of Mexico poses for a group portrait, in this wildly humorous freehand illustration by "marginal" MADman Sergio Aragones. Presented as a gift to fellow staffer George Woodbridge (note the "wood bridge" the train is on), it will take you hours to see every detail on this massive pen and ink on bristol creation! Incredible! Be sure to spot a "South of the Border" Alfred E. Neuman among the many sombreroed subjects depicted by Sergio. The piece measures 26.5" x 18", and is in Excellent condition. From the Estate of Robert Woodbridge.
Sergio Aragones - Mad #114 "The Shadow Knows" Page Original Art, Group of 2 (EC, 1967). Sergio Aragones found a hilarious "high concept" for his priceless pantomime gags in his "The Shadow Knows" feature. Each page has an image area of 15" x 20", and the art is in Excellent condition. The amberlith overlay for each page is also included in this lot. From the Mad Magazine Archives.
Sergio Aragones - Mad #121, "Alley... Oops!" Page Original Art (EC, 1968). A hoodwinked holdup man hood finds it doesn't pay to judge a patsy by its shadow, in Sergio Aragones' hilarious "Alley... Oops!". From the "Hood-winked Dept.," comes this Aragones pen and ink, which has an image area of 11" x 13.5". The condition is Excellent. From the Mad Magazine Archives.
Sergio Aragones - Mad #131, "The Shadow Knows" page 1 Original Art (EC, 1969). One of Mad's funniest features was Sergio Aragones,' "The Shadow Knows". In each picture, the character's shadows are drawn to represent the their true colors or feelings. Here is page 1 from Aragones' two-page feature which ran in Mad #131. The art has an image area of 23" x 14.5", and includes an amberlith overlay which was used by the printer to add tone to the published work. Both the art and the amberlith overlay are in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - Mad #179 "A Mad Look at Backpacking" Page Original Art, Group of 4 (EC, 1975). Sergio Aragones' knee-slapping look at backpacking is sure to tickle every camper's funnybone. Each page has an image area of 12" x 17.5", and the art is in Excellent condition. The amberlith overlay for each page is also included in this lot. From the Mad Magazine Archives.
Sergio Aragones - Mad #199 Page Original Art, Group of 4 (EC, 1978). The gag cartoonist supreme, Sergio Aragones, always added side-splitting laughs to Mad with his "Drawn Out Dramas." Each of these pages is brimming with pen and ink comedy masterpieces. Each page has an overall size of 9" x 12", and the art is in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - Mad #199 Page Original Art, Group of 4 (EC, 1978). You'll laugh out loud at the irony of these four hilarious pages of Sergio Aragones art from "Mad's Real Life Catch-22s." Each page has four panels and the art includes an amberlith overlay that indicates where a grey tone was to be dropped into the scenes by the printer. Each page has an overall size of 9" x 12", and the art is in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - Mad #217 Complete 4-page Story "A Mad Look at Skating" Original Art (EC, 1980). Sergio Aragones steps up from the margins to draw this funny look at roller skating in America. The four pages make up two double-page spreads, and all feature amber overlays to mark grey areas. The art is on 14" x 19.25" bristol boards, and is in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - Mad #222 "A Mad Look at Air Travel" Page Original Art, Group of 5 (EC, 1981). Is there anyone better at "pantomime" gags than Sergio Aragones? No fershlugginer way! Each page has an image area of 12" x 16", and the art is in Excellent condition. The amberlith overlay for each page is also included in this lot. From the Mad Magazine Archives.
Sergio Aragones - Mad #308 Complete 3-page Story "A Mad Look at Farm Life" Original Art (EC, 1992). Sergio goes to the country for a little homespun fun on the farm, in these wordless gags. The first two pages combine to form a spread, and all have tissue overlays with grey areas marked in red. The pages measure approximately 14" x 19, and are in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - "Mad 84" Special #1 Complete 5-page Story "Mad Formulas For Human Relations" Page Original Art (EC, 1984). Readers, now you can mix-and-match these Mad-ly different reactions to the same line of dialogue. Sergio Aragones was the perfect artist to illustrate this clever game. Each page has an approximate image area of 11" x 14", and the art is in Excellent condition. From the Mad Magazine Archives.
Sergio Aragones - Mad Vacation Illustrated RSVP Letter Original Art (undated). For his RSVP letter, Sergio Aragones drew a hilarious portrait of the Mad staff, as they go native on their planned vacation trip to Italy. This marker sketch has an overall size of 8.5" x 11". The letter was folded and there is a light stain in the lower center of the drawing; otherwise, the art is in Very Good condition.
Dave Berg - Self Portrait Illustration Original Art, Group of 5 (undated). Who doesn't recognize the man in glasses with the pipe -- of, course, it's Dave Berg! From "The Lighter Side Of..." starring "Roger Kaputnik," to his countless paperback covers, Berg has managed to draw his own mug every chance he got! Here's a choice collection of ten self-portraits, all done in pen and ink (one with a grey wash added) on various small pieces of bristol. Some boards have multiple drawings. All are in Excellent condition, and all are... Dave! And as a bonus, we're tossing in an extra piece with Berg's trademark signature -- the perfect added touch for the set.
Dave Berg - Mad #190 "The Lighter Side of Goofs" Complete 5-page Story Original Art (EC, 1977). Have a laugh or three with Mad's resident wry observer, Dave Berg, in these five pages of assorted strips about that most human of conditions, the mistake. The art, rendered in black ink and grey wash, is on heavy illustration board measuring 18.5" x 24". A type paste-up has slipped off one panel, otherwise all pages are in Excellent condition. Don't goof up and miss out on this one -- bid! From the Mad Magazine Archives.
Dave Berg - Mad #192 Complete 5-page Story "The Lighter Side of Mornings" Original Art (EC, 1977). Dave Berg zeroes in on the foibles of grouchy early-risers in this "Lighter Side Dept." The first three pages have an image area of 17" x 12", while the last two have an image area that measures 17" x 19". All of the art is in Excellent condition. From the Mad Magazine Archives.
Dave Berg - Mad #209 Complete 5-page Story "The Lighter Side of Inadequacy" Original Art (EC, 1979). Just remember, you Mad-reading clods, Dave Berg is not laughing at you, he's laughing with you! The first two pages of this story have an image area of 17" x 19", while the last three have an image area that measures 17" x 22". The art is in Excellent condition. From the Mad Magazine Archives.
Dave Berg - "Mad's Dave Berg Looks at You" Panel Page Original Art, Group of 4 (Warner Books, 1982). Mad's resident "wry observer" trains his all-seeing eye to everyday people (like you) in this set of four funny gags -- "Casing the Joint," "Easy Come, Easy Blow," "Taking the High Road," and "Auto Motive." Each 11.25" x 14.25" piece of bristol contains two pages from the published book. The art is in pen and ink with grey wash, and is in Excellent condition.
Dave Berg - Mad #243 "Book of Mad" Panel Page Original Art (EC, 1983). "Now he telleth me!" Here's two funny Dave Berg strips set in Biblical times -- funny how some things never change! The art is on a 22" x 10.5" sheet of bristol. Each strip has an image area of approximately 20.5" x 3.5", and the page is in Excellent condition. From the Mad Magazine Archives.
Dave Berg - Mad #318 "Lighter Side Of," page 4 Original Art (EC, 1993). Dave Berg explores the lighter side of guns, panic and finances -- nineties-style! This mixed-media greytone page has an image area of 15" x 20.5". The last panel was pasted on to the board; otherwise, the art is in Very Good condition.
Wally Wood - Mad #82 "Comicland" Illustration Original Art (EC, 1963). Famous cartoon characters put on a fashion show for all seasons, and the models include Superman, Donald Duck, Henry, and Daisy Mae. Wally Wood excelled at mimicking other cartoonists' styles. The page has an image area of 17" x 19.5". Aside from a few small tape stains and some paint daubs outside of the image area, the art is in Excellent condition. From the Mad Magazine Archives.
Bob Clarke - Mad #105 Back Cover Original Art (EC, 1966). It's not easy bein' green, especially when that pesky White Knight comes riding into town. Expect the unexpected from Mad! This full-color page has an approximate image area of 15" x 19". Aside from a stress crease in the upper left of the illustration board, the art is in Very Good condition. From the Mad Magazine Archives.
Bob Clarke - Mad Special #2 Alfred the XIV "Wall Nut" Preliminary Study Original Art (EC, 1971). What, me royalty? Bob Clarke's preliminary painting was done as a study for a bonus "Wall Nuts" poster of Alfred the XIV in Mad Special #2. Alfred's face is a pasted on, printed reproduction, and Bob Clarke painted in top of that image to make this preliminary. This mixed-media painting has an image area of 7" x 9", and the art is in Excellent condition.
Bob Clarke - Mad Special #2 Pancho Neuman "Wall Nut" Preliminary Study Original Art (EC, 1971). Alfred goes south of the border in this Bob Clarke preliminary painting for this bonus "Wall Nuts" poster of Pancho Neuman in Mad Special #2. Alfred's face is a pasted on, printed reproduction. This mixed-media painting has an image area of 7" x 9", and the art is in Excellent condition.
Bob Clarke - Mad Special #2 Adolf Neuman "Wall Nut" Preliminary Study Original Art (EC, 1971). Heil, Neuman? Some "master race!" Bob Clarke's preliminary painting was done as a study for a bonus "Wall Nuts" poster of Adolf Neuman in Mad Special #2. Alfred's face is a pasted on, printed reproduction, and Bob Clarke painted in the costume alterations to create this image. This mixed-media painting has an image area of 7" x 9", and the art is in Excellent condition.
Bob Clarke - Mad Special #4 Mini-Poster Original Art (EC, 1971). Upsetting the status quo was a Mad specialty, and the bonus item in Special #4 was a selection of mini-posters. Bob Clarke's photo-realistic painting style was perfect for this pinup, which was captioned "My Country... Right On!" The piece has an image area of 13" x 16.5", and it is in Excellent condition. From the Mad Magazine Archives.
Bob Clarke - Mad Special #4 Smokey the Bear Illustration Original Art (EC, 1971). Smokey the Bear has gone "radical chic" in this sensational full-color Bob Clarke painting. Burn, baby, burn? -- say it ain't so, Smokey! This page has an approximate image area of 15" x 19". Aside from a stress crease in the upper left of the illustration board, the art is in Very Good condition. From the Mad Magazine Archives.
Bob Clarke - Mad Special #8 "Adam and Eve" Page Original Art (EC, 1972). Bob Clarke presents a lighthearted look at those two young lovers, Adam and Eve. The page has an image area of 25" x 18.5". A few of the pasted-on typeset word balloons have slipped off the page, there are glue stains in several panels, and there is a small ink stain in panel six; otherwise, the art is in Very Good condition. From the Mad Magazine Archives.
Bob Clarke - Mad Super Special #73 Hand-Colored Cover Production Art (EC, 1973). "Spy vs Spy" takes center stage on this reprint edition cover, focusing on Antonio Prohias' classic characters. The original black line art has been shot and reproduced on a sheet of clear acetate, which is mounted to an 18" x 22.25" piece of illustration board, with background color added. This was then used to create the finished cover, with type elements added during production. While the overlay is not actually original art, the richly colored board, created with a combination of watercolor and gouache, is. The two elements together make up one handsome portrait of everyone's favorite black and white spies -- plus, three new agents; one striped, one polka-dotted, and one checkered! Hoohah! In Excellent condition. From the Mad Magazine Archives.
Bob Clarke - Mad #189 "New Yorker" Parody Back Cover Illustration Original Art (EC, 1977). Eustace Tilley, the mascot of the New Yorker, gets a taste of the Seventies New York lifestyle when he's mugged at gunpoint. Only Mad could pull off such an outrageous cover lampoon! This painting has an image area of 17" x 24", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Rickard - Mad #202 "Bubble Gum Cards That Reveal the Real, Human Side of Athletes" Complete Story Original Art Group of 11 (EC, 1978). Ever wish those fancy portraits of athletes on bubblegum cards looked a little more... realistic? Huh, buddy? Didja? Even so, you'll want to see these funny Bob Clarke "warts and all" renditions of various player-types! All art is painted in grey shades, on individual small pieces of bristol measuring from 5.75" x 7" to 7.5" to 7.5" with image areas averaging 5" x 6". All are in Excellent condition, and a few feature extra pencil sketches on the back or margins. From the Mad Magazine Archives.
Bob Clarke - Mad #209 "Future Famous Collector's Series" Illustration Original Art (EC, 1979). In response to self-styled "Mints" that were bringing out every sort of manufactured collectible you can imagine, Mad posited a new release from the "Frankem Mint": one depicting every single citizen of the United States, starting with Lois Fudgehop of Edgewater, NJ. Each coin is a crisply struck MS67 with prominent cartwheel luster... oops, wrong auction! Back to this piece, it's great stuff from Clarke, who was skilled at depicting the average schmo and making it funny. This page has an image area of 13" x 15", and the art is in Excellent condition. From the Mad Magazine Archives.
Bob Clarke - Mad Super Special #36 Cover Original Art (EC, 1981). Little Orphan Annie gets a pair of pupils, Dick Tracy wants a nose job, and the Lone Ranger is really, really lonely, in this hilarious hand-painted parody of the Sunday funnies by Bob Clarke. From Mad Super Special #36, which featured a collection from past issues of the best newspaper comics satires, comes this cover illustration, painted in ink and water color on heavy illustration board. The art has an image area of 17.5" x 13", and the condition is Excellent. From the Mad Magazine Archives.
Bob Clarke - Mad #230 Cover Original Art (EC, 1982). "New video games" was the theme for this issue of Mad, and it seems Alfred E. Neuman has an anti-ballistic face! The background for this scene is an acrylic on illustration board planet-scape, while the "Space Invaders" were created using photostats pasted on an acetate overlay (included). The cover has an approximate image area of 16.5" x 22". Aside from minor wrinkling to some of the stats, the art is in Very Good condition. From the Mad Magazine Archives.
Bob Clarke - Mad Super Special #42 Alfred E. Neuman Painting Original Art (EC, 1983). Three faces of Alfred are showcased in these portraits, done for a Mad Super Special cover. Each full-color Alfred has an image area of 4.25" x 5.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Paul Coker - Mad #179 Complete Story "Footnotes to Football" Original Art, Group of 8 Panels (EC, 1975). This is what football is all about, right? Feet! These eight below-the-belt illustrations are all in ink on 12" x 4" pieces of bristol; each one with two hand-cut amberlith overlays indicating shades of grey to be added during production. All are in Excellent condition. From the Mad Magazine Archives.
Paul Coker Jr. - Mad #183 "More Fairy Tales We'd Like to See - The Princess in the Tower" Page Original Art (EC, 1976). The wildly creative "Usual Gang of Idiots" at Mad specialize in shaking up convention, and this Paul Coker Jr. gag uncorks an uproarious twist on a classic fairy tale! This full-color page has an approximate image area of 15" x 16", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #17 Complete 6-page Story "What's My Shine" Original Art (EC, 1953). Harvey Kurtzman wasted little time skewering big targets during his tenure as chief Mad scribe and editor. Take for instance the notorious Senate Army-McCarthy hearings, where power-hungry Senator Joe McCarthy made wild accusations of rampant Communism within the U.S. military after a McCarthy staffer who had been drafted was denied requested "special treatment." The entire event, recently documented in the major motion picture, "Good Night and Good Luck," ended in shambles and disgrace for McCarthy, as charges were proven groundless, but for a while, he had the nation's rapt attention due to a steady thirty-six days of television coverage. This incredible satire, written by Kurtzman, and drawn by Jack Davis, pokes fun at the whole thing by presenting it as a typical TV game show, complete with cheesy commercial breaks and tee-heeing guest starlets. Note that the story begins as page 2; the first page, which is not included in this lot, was actually a photograph from the original Senate Hearings. This group contains all of the original art done by Davis for the story, based on rough layouts by Kurtzman, who doodled a couple of "good girl" sketches on the back of one page. The art was done on 15" x 22" Craftint shaded board, and remains in Excellent condition. The image area for each page is 13" x 18". This piece is not only funny, it's an important historical artifact of a milestone American event -- and Mad was there!
Jack Davis - Mad #28 Page Original Art (EC, 1956). In the story "The Race Is On for the Super Guided Missile," Jack Davis sends up the players in the Sixties "space race" with his usual flair. While the "brains teaming up for (the) race in West" are mainly nerds and male athletes, "the East" seems to have a more mixed group, including a vampire, a captive scientist, and even -- Adolf Hitler? And while the West has a certain "Buck Roger," the East has "Buck Rojnikoff!" Drawn in ink on Craft-Tint board, the panels have a combined image area of 17" x 9", and the art is in Excellent condition.
Jack Davis - Funny Valentine Trading Card Illustrations Original Art (Topps, 1959-61). Jack Davis' humor was perfect for humorous card messages such as these. These three illustrations were for the Funny Valentines series of trading cards produced by Topps. This piece has a combined image area of 5" x 10.5", and the art is in Excellent condition.
Jack Davis - Mad #117 Complete 5-page Story "A Mad Look at Skydiving" Original Art (EC, 1968). Why would anyone jump out of a perfectly good airplane? Jack Davis' art for this "Mad Look at Skydiving" feature will make you ponder that question! The first page of this story has an approximate image area of 15" x 13", while the rest of the pages have approximate image areas of 16" x 19.5". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - TV Guide, May 24-30, 1969 "Today Show" Cover Preliminary Original Art (TV Guide, 1969). As young readers grew up to become working professionals in the advertising field, many of them leapt at the chance to hire Mad-men to illustrate their humorous campaigns. Jack Davis quickly went on to establish himself as one of the most successful advertising artists of the post-sixties. With his great speed and tremendous talent, Davis was able to handle numerous ad accounts, while still working for Mad. This detailed TV Guide preliminary of the Today Show cast has an image area of 7.5" x 11", and the art is in Excellent condition.
Jack Davis - "The Return of a Mad Look at Old Movies" Page Original Art, Group of 9 (Signet, 1970). Before there was the movie "Airplane", there was The Return of a Mad Look at Old Movies and "Flight 1313". Dick DeBartolo and Jack Davis' madcap airplane movie parody will have you laughing so hard, you'll grab for an airsick bag! This lot contains page numbers 1, 5, 6, 7, 12, 16, 18, 19, and 22 of the story. Each page has an image area of 7" x 12", and the art is in Excellent condition. From the Personal Collection of Dick DeBartolo.
Jack Davis - "Mad Looks at Old Movies" Page Original Art, Group of 9 (undated). The kids decide to raise uniform money by putting on a "modest, makeshift" stage show, complete with working waterfalls, etc. in this spoof of Mickey Rooney-type films entitled "College Capers." Pages 1, 2, 3, 6, 7, 9, 10, 11, and 14 (last page) of the story make up this group. The art, in ink and grey wash, is on single panel Bristol pages measuring 11.5" x 14.25", each with an image area of 7" x 12". They are all in Excellent condition. Rah! Rah! Rah! From the Personal Collection of Dick DeBartolo.
Jack Davis - "Mad Looks At Old Movies" Page Original Art (undated). The classic horror film "Frankenstein" appears to be the target of this spoof's page, as a "mad" doctor and his hunchback assistant prepare to give "life immortal" to the figure strapped to the table. The art, in ink, pencil, and grey wash, is on a 10.5" x 14.5" piece of bristol, with an image area of 7" x 12". The art is in Excellent condition. From the Personal Collection of Dick DeBartolo.
Jack Davis - Mad #145 "What Coaches Say in Public and in Private," page 2 Original Art (EC, 1971). Jack Davis' talent for sports cartooning scores again on this hilarious depiction of what coaches say and what they mean. The page has an approximate image area of 16.5" x 21", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - "A Mad Guide to Sports" Complete 15-page Story "The Wild World of Sports Interviews I and II" Original Art (circa 1975). Sports journalist "Howard Coldspell" conducts two hard-hitting interviews that "tell it like it is" in two outrageous stories, drawn by Jack Davis for a Mad paperback. "Interview I" is eight pages long, while "Interview II" is seven. Davis' caricatures of Howard Cosell are nothing short of a laugh-riot! Each panel of these stories represented a full page in the paperback. There are fifteen panels on fifteen pages. Each panel has an image area of 5.25" x 9", and the art is in Excellent condition.
Jack Davis - Mad #184 "Disaster Mag" Page Original Art, Group of 7 (EC, 1976). Jack Davis provides these hard-hitting illustrations featuring all sorts of calamities. What, us worry? The biggest disaster of all would be forgetting to bid on this lot! Three of the pages have approximate image areas of 16" x 10", while the other four have image areas of approximately 16" x 19". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad Special #19 Page Original Art (EC, 1976). The American Revolution means big business in this superb Jack Davis gag. Once again, Mad turned conventional history on its ear! The page has an image area of 14" x 19", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #187 Complete 3-page Story "Great Moments in Bad Timing" Original Art (EC, 1976). Jack Davis captures 14 startling scenes showcasing classic foot-in-mouth moments! Each page of this story has an approximate image area of 17" x 21", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #188 Complete 3-page Story "The Bad Mouth Bears" Original Art (EC, 1977). Jack Davis skewers "The Bad News Bears" with his incisive line and rapier-like wit! Outstanding caricatures of Walter Matthau and Tatum O'Neal are featured throughout this lampoon. In addition to the three-page story, this lot also includes a large portrait of Matthau and O'Neal. Each story page has an image area of 16" x 22", while the portrait panel has an image area of 6.5" x 14". All of the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #192 Complete 4-page Story "Mad's Academy Awards For Jocks" Original Art (EC, 1977). Jack Davis' unparalleled talent for sports cartooning is showcased in a yarn that lampoons the "over-acting" of sports superstars, including thinly veiled versions of 1970s sports icons Billy Martin, Ilie Nastase, Wilt Chamberlain, and Jimmy Connors. Each page has an image area of 17" x 22" and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #196 Complete 3-page Story "A Mad Look At A Modern High School" Original Art (EC, 1978). Jack Davis' look at a seventies high school seems like a walk in the park compared to what goes on nowadays! What, us worry? You bet! The first page of this story has an approximate image area of 17" x 16.5", while the other two pages have approximate image areas of 17" x 24". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #200, Complete 3-page Story, "You Can Never Escape From Stress" Panel page Original Art (EC, 1978). Jack Davis is perhaps America's most revered humorous illustrator, having created scores of movie posters, album covers, animated commercials, book jackets and magazine covers (including 34 for Time Magazine). As one of Mad's original artists, Davis' effervescent cartoon style was essential to the magazine's success. This three pager has an average image area of 17" x 19" (the first page has a image area of 17.5" x 13"). All three pages are in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #202 "Uncle - The Magazine For Camp Counselors" Page Original Art, Group of 8 (EC, 1978). Remember how much "fun" summer camp was? Well, Jack Davis did too, and his crazed camp scenes would be enough to make any counselor yell "Uncle" and quit. Four of these pages, drawn in ink and washtone, have approximate image areas of 9" x 15", while the other four have image areas of approximately 14" x 17". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #204 Complete 3-page Story "Novelty Items For Practical-Joker Jocks" Original Art (EC, 1979). These wild and woolly gag items would sure add a lot of fun to professional sports -- unless you got caught planting them! Jack Davis set a new standard for modern sports cartooning, and his work shines in this seventies yarn. The first page of this story has an approximate image area of 16" x 13.5", while the rest of the pages have approximate image areas of 16" x 20.5". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #205 Complete 3-page Story "Really Dangerous Stunts We'd Like to See Evel Knievel Do On TV" Original Art (EC, 1979). Jack Davis puts Evel Knievel through his paces with these hair-raising stunts. Two of the pages have an image area of 17" x 14.5", while the third page measures 17" x 23". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #211 Complete 3-page Story "Mad's Ingenious Plan For A More Efficient Government" Original Art (EC, 1979). Jack Davis illustrates Mad's hysterical plans for several "draconian cuts" to big government. Vote for Alfred! The first page has an image area of 17" x 12", while the last two have image areas that measure 17.5" x 22". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - "A Mad Look at Old Movies" Paperback Cover Original Art (Warner, 1980). Alfred E. Neuman serves as your host when he ushers readers into A Mad Look at Old Movies, by artist Jack Davis and writer Dick De Bartolo. This is one case where you can judge a book by its cover. This ink and watercolor masterwork has an approximate image area of 8.5" x 14", and the art is in Excellent condition. A copy of the paperback is included in this lot. From the Personal Collection of Dick DeBartolo.
Jack Davis - Mad #226 Complete 3-page Story "Stuff We Don't Get to See On The Tube" Original Art (EC, 1981). Jack Davis serves up a TV "blooper" real, in true Mad fashion. Featured celebrity caricatures include James Garner, Johnny Carson, Bob Hope, Howard Cosell, and others. The first page of this story has an approximate image area of 15" x 17", while the rest of the pages have approximate image areas of 17" x 21". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #230 "Only A True Rock Fan Would" Page Original Art, Group of 2 (EC, 1982). Jack Davis steamrolls hard rock fans in these ear-splitting scenes. Far out! Each page has an image area of 16" x 22", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #231 Complete 3-page Story "A Local Gun Club Picnic" Original Art (EC, 1982). Pass the burgers and the bullets -- Jack Davis takes aim at a gun club picnic in this high-caliber romp! Each page of this story has an approximate image area of 18" x 21", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #235 Complete 7-page Story "Rockhead III" Original Art (EC, 1982). Jack Davis scores a knockout with his caricatures of Sylvester Stallone, Burt Young, Talia Shire, Mr. T, Hulk Hogan, and the rest of the "Rocky III" cast. The first two pages of this story have approximate image areas of 17.5" x 17.5", while the rest of the pages have approximate image areas of 16" x 20.5". The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #242 Complete 4-page Story "An Advertiser Would Have Us Believe" Original Art (EC, 1983). This super-spectacular lot features four fabulous pages of Jack Davis' Mad-vertising. Buy now! Guaranteed to add a sparkling gleam to your Potrezebie! The approximate image area of each page measures 16.5" x 19", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #243 "Book of Mad" Illustration Original Art (EC, 1983). Jack Davis presents four "Don't Ye Hate?" scenes, rendered in his signature energy-filled line and lush washtone style. The panels have a combined image size of 22" x 4.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #245 Complete 7-page Story "Staying Awake" Original Art (EC, 1984). Sylvester Stallone and John Travolta may have felt that the "Saturday Night Fever" still burned hot and heavy in their big-budget sequel "Staying Alive," but the stars' film simply got roasted by Jack Davis in this pirouetting parody. Ah, ha, ha, ha...! Each page has an approximate image area of 17" x 22", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #276 Complete 4-page Story "Predecessor" Original Art (EC, 1988). Arnold Schwarzenegger and "Predator" prove to be easy targets for Jack Davis -- with his wicked wit, the Mad parodies never miss! We'd "Ventura" guess that you'll love this as much as we do. The first page of this story has an image area of 17" x 17", and the rest of the pages have image areas of 16" x 21.5". Also included in the lot are the vellum overlays, with red marker, indicating to the printer where to drop in greytones. The art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #277 Complete 2-page Story "Sad" Original Art (EC, 1988). Seventeen years ago, Jack Davis' caricature of Michael Jackson was a dead-ringer, but that was before countless cosmetic surgery revamps by the King of Pop. As the Mad text went, "And it's so sad, so sad ... far gone!" Each page has an approximate image area of 16" x 22", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #284 Complete 2-page Story "Careers For Athletes Past Their Prime" Original Art (EC, 1989). Retired athletes use their talents in new, Mad ways in every day life. Jack Davis' pumped-up portraits of ex-sports super-stars John McEnroe, Hulk Hogan, Arnold Schwarzenegger, Billy Martin, and Chuck Norris are top-notch. Each page of this story has an approximate image area of 15" x 17.5", and the art is in Excellent condition. Also included are two vellum production overlays (one with red marker tones, and another with hand-lettered word balloons). From the Mad Magazine Archives.
Jack Davis - Mad #286 Complete 4-page Story "The Moron Downer Jr. Show" Original Art (EC, 1989). Jack Davis was the perfect artist to stick it to TV's shock-talk program, the "Morton Downey Jr. Show!" Page four features a fantastic Davis splash page of the Pope belting "Moron Downer Jr." right in the chops! No doubt he also told Mort to "Zip it!" Each page of this story has an approximate image area of 16" x 22", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Mad #288 Poison Illustration Original Art (EC, 1989). It's "hair metal" time at Mad, as Jack Davis treats us to his vision of the popular rock band Poison. These road warriors are still making the rounds, so if you're a fan of the band, or just love the way Jack Davis handles a brush, you'll love this wild portrait. The image area is 17.5" x 21.5", and is matted to an overall size of 22" x 26". The piece proves that not every rose has its thorn: it's in Excellent condition. From the Mad Magazine Archives.
Jack Davis - Civil War Soldier Sketch Original Art (undated). From one military history nut to another comes this charming sketch from Jack Davis to his fellow Madman, George Woodbridge. Both men have long held an interest in American military historical detail, so it's little wonder Jack's self portrait features him in Civil War garb, and being a gentleman from the South, naturally he's a Confederate soldier. In fact, he looks a little like his newspaper strip character, Beauregard, in this drawing! The inscription reads: "George - Thought yew might be interested in this article. Thanks agin for my great drawing!" The art, done in marker and grey wash, is on a letter-size piece of white paper. Other than a few tack holes at the top of the page, it is in Excellent condition. From the Estate of Robert Woodbridge.
Jack Davis - Auto Operation Illustration Original Art (undated). "We need three quarts of heavyweight, stat!" One can imagine hearing something of that nature while looking at this wild Jack Davis illustration, showing a car in the middle of a rather "delicate" operation. We believe this piece was originally published as an illustration for an unidentified automotive magazine. The ink and watercolor art has an image area of 9" x 12", and is matted to an overall size of 16" x 20". In Excellent condition.
Jack Davis - Mother's Day Card Illustration Original Art (undated). When it came to the offbeat humor of the sixties and seventies, Jack Davis was at the forefront of the "oddball school," right up there with Basil Wolverton, Virgil Partch, Wally Wood, and Ed "Big Daddy" Roth! Almost every kid alive in America during the sixties was touched by their warped work! This mixed-media masterpiece has an image area of 9" x 17.5", and the art is in Excellent condition.
Jack Davis - Green Bay Packer Painting Original Art (undated). Jack Davis is one of the best sports cartoonist-illustrators of the modern era. In this painting, Davis' Green Bay lineman wears number 75, the number of Hall-of-Fame offensive lineman Forrest Gregg. Coach Vince Lombardi said "Forrest Gregg is the finest player I ever coached." To paraphrase Coach Lombardi, "Bidding isn't the most important thing -- it's the only thing." This painting has an image area of 12.5" x 8", and the art is in Excellent condition.
Jack Davis - Bullfight Illustration Original Art (undated). Ole -- Mad-man Jack Davis skewers the sport of bullfighting in this outrageous send-up. This ink and watercolor laugh-riot has an image area of 11" x 13.75" and the art is in Excellent condition.
Mort Drucker - Mad #38 Complete 2-page Story "Mike Malice Interviews Mother Goose" Original Art (EC, 1958). Loveable Mother Goose finds herself in the hot seat in this savage parody of Mike Wallace's television interviews, as only Mort Drucker could portray. The art is on two pieces of 17.5" x 24.25" Craftint board, which forms a two-page spread. The original first panel title is missing, a few of the type elements have slipped off, and there is some light tape damage to the first panel; overall, the condition averages Very Good. This is a rare opportunity to own an early Mad story (one of Drucker's first ten stories) by one of the most popular staff artists.
Mort Drucker - Time International Cover Original Art (Time, 1970). The N.Y.C sanitation strike of 1970 was the focus of this cover based on the Time International feature article, "City on Strike." Mort Drucker's lighthearted take on a smelly subject helps brings a smile to an otherwise troubling topic.This mixed-media painting has an image area of 13.5" x 18", and the art is in Excellent condition. From the Personal Collection of Mort Drucker.
Mort Drucker - Preliminary Artwork for Time Cover Original Art (1972). It was certainly big news when, in 1972, President Nixon traveled to China to meet with Chairman Mao. In comic art circles, it was no less an event when Mad artist Mort Drucker received the plum assignment to capture these world leader's likenesses for the cover of Time. Here is Drucker's original pencil preliminary sketch, plus a set of nine progressive color proofs of the final printed version. The sketch is on a large, 11" x 16" piece of heavy paper, and has a few extra details that didn't make the final cut. A piece of tissue overlay with some color notes about the books each man is holding is attached to the drawing. A small corner has been torn off the page; this does not affect the image area, and could be covered by a matted frame. Other than this small flaw, the art is in Excellent condition. This groundbreaking cover was a real highlight in Drucker's long career, and a piece that will be well remembered for generations to come!
Mort Drucker - Mad Super Special #26 Cover Original Art (EC, 1977). Mort Drucker can create a caricature of anyone or anything, as he shows on this pop-celebrity cover scene! From Frankenstein's monster, Superman, Darth Vader, and Mr. Spock, to Miss Piggy, Drucker can do it all! This watercolor and ink cover has an image area of 16" x 21". Aside from two pasted-on heads, the art is in Excellent condition. From the Mad Magazine Archives.
Mort Drucker - Mad #197 Complete 7-page Story "White House Follies of 1977" Original Art (EC, 1978). Jimmy Carter, Gerald Ford, and many of the major political figures of the swingin' seventies belt out a few Mad musicals. Mort Drucker is at the top of his form for this classic. The first two pages (a double-page spread) of this story have a combined image area of 23.5" x 14". Pages three through seven have approximate image areas of 17" x 22". Also included are two surplus panels from the story -- one has an image area of 27" x 7.5", while the other has an image area of 6.5" x 7.5". The amberlith overlay for the double-page spread is also included in this lot. The art is in Excellent condition. From the Mad Magazine Archives.
Harry North - Mad #201 "A Mad Look at Discos" Original Art, Group of 2 (EC, 1978). Boogie on down with this crazy cast of seventies disco-dancers drawn by underrated caricaturist Harry North. Both of these pages were mounted side-by-side on a larger support board, and a vellum overlay (with dialogue balloons) was taped to the back of the board. The image area of the combined pages measures 26" x 18", and the art is in Excellent condition. From the Mad Magazine Archives.
Mort Drucker - Mad #202 Complete 6-page Story "Coma-Toast" Original Art (EC, 1978). Mort Drucker's art for this "Coma" movie lampoon will keep you wide-awake and laughing out loud. Drucker's caricatures of Michael Douglas, Genevieve Bujold, Richard Widmark, and Rip Torn are a scream. The first two pages of this story have approximate image areas of 16.5" x 16.5", while the rest of the pages have image areas of about 17" x 20". The art is in Excellent condition. From the Mad Magazine Archives.
Mort Drucker - Mad #272, Complete 6-page Story "Alful" Original Art (EC, 1979). Mad skewers the arrogant, furry alien from the planet Melmac, Alf, and his adopted Earth family, in this six-pager by Mort Drucker. A hilarious blast-off from the past! Each page is accompanied by an amberlith overlay, which was used by the printer to drop tone into the printed page. The first page of this story has an image area of 26" x 19", and the other pages have an image area of 17" x 22". The art is in Excellent condition. From the Mad Magazine Archives.
Mort Drucker - Mad #231 Complete 7-page Story "Mad's Academy Awards Show" Original Art (EC, 1982). Mort Drucker's delightful extravaganza lampoons more (Hollywood) stars than there are in the heavens! If you've been craving a Drucker masterwork for your collection, this yarn fits the bill! Each page has an approximate image area of 16" x 21", and the art is in Excellent condition. The amberlith overlays for the first two pages are included in this lot. From the Mad Magazine Archives.
Mort Drucker - Mad #238 Complete 7-page Story "An Officer Ain't No Gentleman" Original Art (EC, 1983). Mort Drucker shoots down the high-flying cast of "An Officer and a Gentleman." Drucker's sensational caricatures of Richard Gere, Debra Winger, David Keith, and Louis Gossett Jr. score a direct hit, as always! Page two of this story has an approximate image area of 16" x 15.5". The rest of the pages have approximate image areas of 16" x 20". Pages two and three have amberlith overlays. The art is in Excellent condition. From the Mad Magazine Archives.
Mort Drucker - Mad #248 Complete 5-page Story "Mentl" Original Art (EC, 1984). Oy! Barbara Streisand's eighties film, "Yentl," is given the full Mad treatment, complete with first-rate Mort Drucker art. You'll get all ferklempt when you see this fershlugginer thing! Each page has an approximate image area of 16" x 21", and the art is in Excellent condition. The amberlith overlays for two of the pages are included in this lot. So, bid already! From the Mad Magazine Archives.
Mort Drucker - Mad #230 Complete 6-page Story "DeGenerate Hospital" Original Art (EC, 1982). Mort Drucker's lampoon of the "General Hospital" TV soap opera will have you laughing so hard, you may need a doctor yourself! The all-star cast of this romp includes Robert Young, Elizabeth Taylor, John Beradino, and Richard Simmons. Each page of this story has an approximate image area of 16 " x 20", and the art is in Excellent condition. Several of the panels have amberlith overlays. From the Mad Magazine Archives.
Mort Drucker - Mad #376 Cover Original Art (EC, 1998). The cast of "ER" assembles, stat, to take a stab at Alfred. Terrific caricatures of George Clooney, Anthony Edwards, Juliana Margulies, Noah Wyle, and Eriq La Salle, stand ready to play in this game of Operation! What, no laughing gas? This fershlugginer cover scene has an image area of 16.5" x 21", and the art is in Excellent condition. From the Personal Collection of Mort Drucker.
Mort Drucker - Mad Paperback Page 48 Original Art (EC, undated). Mort Drucker has been a contributing artist to Mad for 40 years, has work in the Smithsonian and has won numerous awards. This page, created in pen and ink on Craftint board, is a lively illustration by this world class caricaturist. The image area measures 7" x 12". There is some yellowing to the Craftint board; otherwise the work is in Very Good condition. Signed by Mort Drucker at the bottom right.
Mort Drucker - U.S. Airways Cover Original Art (U.S. Airways, 1997). Caricature artist extraordinaire, Mort Drucker, drew this shag-adelic cover image featuring Mike Myers as "Austin Powers" for U.S. Airways. Yeah, baby! This fantastic mixed-media painting has an overall size of 12.5" x 18", and the art is in Excellent condition. From the Personal Collection of Mort Drucker.
Don "Duck" Edwing - Cover, Page, and Rough Sketch Original Art, Group of 13 (EC, 1980-92). The Mad-cap art of Don "Duck" Edwing is featured in this gut-busting group lot. Included in this jam-packed lot are: The front and back cover art for Mad Bizarre Bazaar (with a combined image area of 19" x 16"), "The Premeditated Polar Ploy" page from Mad #279 (with an image area of 11" x 13.5"), "The Bouncing Bungee Blooper" page from Mad #313 (with an image area of 11" x 13"), eight pages from various Mad paperbacks (five have an image area of 5" x 9.5", while three from the "Great Research Disaster" have a "double-page" image area of 11.5" x 9"), and finally, one gag sketch, drawn on lined notebook paper (with an image area of 7" x 10"). All of these side-splitting Mad-sterworks are in Excellent condition.
Don "Duck" Edwing - Mad #308 Complete 1-page Story "The Perplexing Penitentiary Ploy" Original Art (EC, 1992). Duck Edwing takes a cue from the boys in "Dragnet," and gives us "just the fax" of this preposterous prison break-out. This page has an approximate image area of 11" x 14", and the art is in Excellent condition. Also included are two vellum production overlays (each with red marker tones). From the Mad Magazine Archives.
Don "Duck" Edwing - "Memories of a Munchkin" Illustration Original Art (Back Stage Books, 2005). Actor Meinhardt Raabe played the Munchkin Coroner in the beloved MGM film classic, "The Wizard of Oz." His Memories of a Munchkin featured many humorous drawings by artists who are celebrated for their Mad magazine work. The caption (a Duck Edwing quote) for this gem reads, "Unlike Dorothy I never left Oz. I stayed and walked that yellow brick road and drank in all the enchantment for my entire life. The pure magic of Oz is so compelling and wondrous that I never want to leave." This mixed-media drawing has an overall size of 13" x 9", and the art is in Excellent condition.
Al Feldstein - Munchkin Coroner Illustration Original Art (2005). Al Feldstein, famed EC comics writer-artist and editor of Mad magazine, drew this superb portrait of Meinhardt Raabe as the Munchkin coroner of Oz. After Dorothy's house landed on the Wicked Witch of the East, Meinhardt Raabe stepped into film history with these immortal lines: "As coroner, I must aver, I thoroughly examined her. And she's not only merely dead, She's really, most sincerely dead!" This drawing was done as a preliminary study for Feldstein's finished oil painting for Memories of a Munchkin. The drawing has an image area of 13.5" x 10.5" and the art is in Excellent condition.
Mike Fredrickson - Mad #362 Cover Original Art (EC, 1997). The gang at Mad are getting desperate to sell more copies -- they're resorting to holding "virtual pets" at gunpoint on this Mike Fredrickson cover! Thankfully, the crisis is over and the magazine was purchased, so the little pet lives on... as long as the batteries hold out! This ultra-detailed airbrushed work of art is on a piece of heavy illustration board measuring 15" x 17.5", and is in Excellent condition. A copy of the magazine is also included.
Al Jaffee - Mad #134 Fold-In Back Cover Original Art (EC, 1970). Al Jaffee's "fold-in" feature zeroes in on the one animal whose extinction most Seventies readers would gladly celebrate -- the War Hawk! Jaffee's hilarious invention, the Fold-In, has probably resulted in more "low grade" copies of Mad than all the wear and tear from room-cleaning mothers, bratty brothers, and little sisters combined. Al Jaffee recounted in a Jim Amash interview for Alter Ego magazine, "To tell you the truth, when I made the first fold-in submission to Al Feldstein, I said, 'Al, I know you're not going to buy this, because it mutilates the magazine. But I wanted to show it to you because I'm intrigued with the idea, and I thought you might be, too.' And he was. One day, Al came over to me and said, 'I really like the idea of a fold-in cover. Can you do another one?' I said, 'Gee, I don't think so. This is ridiculous, but I'll try.' I worked to come up with something, and the rest, as they say, is history." Painted on illustration board, this superb piece has an image area of 17" x 21", and the art is in Excellent condition.
Al Jaffee - Mad #179 Fold-In Back Cover Original Art (EC, 1975). "When can you be guaranteed the very best weather? -- After your vacation." Al Jaffee's Fold-In gag is the silver lining on this oh-so-common weather event! Painted on illustration board, this Fold-In page has an image area of 17" x 21". Aside from a missing type element, and some loose type photostats, the art is in Very Good condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #181 Fold-In Back Cover Original Art (EC, 1976). Lately a vicious and dangerous type of big shot has emerged to threaten the urbanite: the "Saturday Night Special." Al Jaffee scores another bullseye! Painted on illustration board, this Fold-In page has an image area of 17" x 22", and aside from some loose typeset captions, the art is in Very Good condition. From the Mad Magazine Archives.
Al Jaffee - Mad #187 Fold-In Back Cover Original Art (EC, 1976). This issue's Fold-In puzzler asks, "What popular con game played in a carnival-like atmosphere makes suckers of us all?" And Al Jaffee's snappy answer is -- "Political promises." Touche. Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays: one with an amberlith mat, and another with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #182 Fold-In Back Cover Original Art (EC, 1976). Al Jaffee's socially conscious Fold-In shows us "the one important bowl game in which there are nothing but losers -- the empty food bowl!" Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays -- one with an amberlith mat, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #189 Fold-In Back Cover Original Art (EC, 1977). Al Jaffee's Fold-In reveals a "new device that reveals stars that people never knew existed -- a skateboard!" Painted on illustration board, this Fold-In scene has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays -- one with an amberlith mat, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee MAD #226 Fold-In Back Cover Original Art (EC, 1981). Here we go with another ridiculous MAD Fold-In. Al Jaffee unveils where "every chemical company uses one convenient place to dump toxic products -- in our bellies." Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays, one with an amberlith screen, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #193 Fold-In Back Cover Original Art (EC, 1977). Riddle us this, Mad readers: "Where are some of the world's great oil deposits?" -- under Liberian tankers! You'll "gush" over this Al Jaffee masterwork! Painted on illustration board, this Fold-In page has an image area of 17" x 22", and the art is in Excellent condition. Also included are two production overlays -- one with an amberlith mat, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #195 Fold-In Back Cover Original Art (EC, 1978). This issue's Fold-In puzzler begins, "What's the one thing oil-rich sheiks have no intention of fueling in their own lands?" And it concludes with this snappy answer -- "Liberty's torch." Pow! Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays, one with an amberlith mat, and another with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #196 Fold-In Back Cover Original Art (EC, 1978). Al Jaffee showed he understood the inner-workings of higher education when he asked, "What does a college education promise to give many of today's students?," and uncorked his snappy answer, "Bankrupt parents." Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #202 Fold-In Back Cover Original Art (EC, 1978). Okay, Mad Fold-In fans, "What kind of competition is giving motel owners the jitters? Give up? "Make-out vans." Al Jaffee scores again! Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #209 Fold-In Back Cover Original Art (EC, 1979). According to Al Jaffee's Fold-In, kids are getting bored with a certain kind of "tripping" -- but sadly, it's not recreational drugs -- it's school busing. Painted on illustration board, this Fold-In page has an image area of 17" x 22", and the art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #222 Fold-In Back Cover Original Art (EC, 1981). This Fold-In shows us the ultimate snappy answer to Humpty Dumpty -- the frying pan. Yoiks! Painted on illustration board, this Fold-In page has an image area of 17" x 22", and the art is in Excellent condition. Also included are three production overlays -- one with an amberlith mat, and two with "snappy answer" balloons. From the Mad Magazine Archives.
Al Jaffee - Mad #231 Fold-In Back Cover Original Art (EC, 1982). This handy Fold-In by resident Madman Al Jaffee shows readers how they perform a special "magic" act with every issue they purchase -- by making their spare change disappear! This is one of the most desirable Fold-In pages, starring none other than Alfred E. Neuman himself. This very colorful creation is painted in mixed media on illustration board measuring 20" x 30". The image area is approximately 17" x 22", and the head of Alfred is a paste-up. All type elements and overlays are present, although the top portion is beginning to slip loose from the board. The art itself is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #234 Fold-In Back Cover Original Art (EC, 1982). Al Jaffee got to the bottom of the latest weight-loss phenomenon when he asked, "What modern frowned-upon activity is keeping our youth slim and trim?" -- and then revealed, "Video games that gobble their lunch money." Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #242 Fold-In Back Cover Original Art (EC, 1983). Al Jaffee asks, "What is Changing America's drinking habits?" -- and answers -- contaminated drinking water! The ultimate, chilling snappy answer! Painted on illustration board, this Fold-In page has an image area of 17" x 22", and the art is in Excellent condition. Also included are two production overlays: one with an amberlith mat, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #255 Fold-In Back Cover Original Art (EC, 1985). Al Jaffee inquires, "In what area of high-tech 'chip' development does the USA still hold a commanding lead?" His snappy answer is -- chocolate chip cookies! Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays, one with an amberlith mat, and one with type instructions. From the Mad Magazine Archives.
Al Jaffee - Mad #279 Fold-In Back Cover Original Art (EC, 1988). Al Jaffee's fabulous Fold-In asks, "What popular teenage turn-on is a turn-off for parents?" And the snappy answer is: "Shock radio." Painted on illustration board, this Fold-In page has an image area of 17" x 21". Other than a few small glue stains, and a missing type element at the very bottom of the page, the art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #284 Fold-In Back Cover Original Art (EC, 1989). Riddle me this, Fold-In fan-addicts, "What one thing makes life in the fast lane possible?" That's right -- "Radar detectors." Don't let this Al Jaffee Mad-sterpiece race by you without a bid! Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #308 Fold-In Back Cover Original Art (EC, 1992). Al Jaffee showed he had his hand on the Nineties fashion pulse when he asked, "What garishly loud fashion statements have become a must for trendy people?," and then answered, "Beepers." Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included are two production overlays (one with an amberlith mat, and another with type instructions). From the Mad Magazine Archives.
Al Jaffee - Mad #314 Fold-In Back Cover Original Art (EC, 1992). Al Jaffee quizzes, "What assumed protector of our individual rights has been a stunning disappointment?" The Fold-In reveals his startling answer: "The video camera." Painted on illustration board, this Fold-In page has an image area of 17" x 21", and the art is in Excellent condition. Also included in this lot is an acetate overlay (with an amberlith mat) for the page. From the Mad Magazine Archives.
Al Jaffee - Mad Special #8 "You and Your Big Mouth" Page Original Art (EC, 1972). Al Jaffee displays the same sardonic wit in these gags that became his hallmark in Al Jaffee's Snappy Answers to Stupid Questions. This page has an image area of 24" x 14", and the art is in Excellent condition. The amberlith overlay for the page is also included in this lot. From the Mad Magazine Archives.
Al Jaffee - Mad #186 Page Original Art, Group of 6 (EC, 1976). From the feature "The Neuman Book of World Records" come ten side-splitting "before and after" scenes (two to a page on five pages). A sixth page features a small portrait of Alfred E. Neuman in a subscription pitch. Each of the "before and after" scenes has an approximate image area of 11" x 4", while the subscription illustration has an image area of 4.5" x 4.5". The art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #193 "Reality World" Page Original Art, Group of 5 (EC, 1977). Forget about escaping from your troubles at one of those fantasyland amusement parks -- Al Jaffee presents the Mad alternative of subjecting visitors to a dose of heavy-duty reality! Each of the pages have an approximate image area of 14" x 17", and the art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #196 Complete 4-page Story "Inventions We'd Like to See" Original Art (EC, 1978). The wildly creative Al Jaffee brainstorms up a batch of his snappy inventions -- and Mad consumers everywhere want to know -- why haven't these peerless prototypes been produced? The first two pages of this story have approximate image areas of 15.5" x 17", while the last two pages have approximate image areas of 16" x 20". The art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #216 "The Congressional Medal of Dishonor" Back Cover Original Art (EC, 1980). Al Jaffee has designed a fitting medal for the special interests groups' most valuable player -- the bribe taker! This full-color, mixed-media page has an image area of 13.5" x 15.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #264 "Snappy Answers to Stupid Questions In a Video Rental Store" Back Cover Original Art (EC, 1986). Everyone's favorite snappy-answer man, Al Jaffee, cuts loose on the stupid questions asked in a video rental store. Hilarious! This full-color, mixed-media masterpiece has an image area of 15.5" x 18", and the art is in Excellent condition. The dialogue balloons are glued and taped to an acetate overlay, some of them are loose, and a piece of the final balloon has been torn off; otherwise, the overlay is in Good condition. From the Mad Magazine Archives.
Al Jaffee - Mad #284 "When Scandals Completely Take Over The News" Panel Page Original Art, Group of 2 (EC, 1989). Four small drawings on two boards from Mad #284 make up this lot. In this Mad scenario, athletes arrange to "throw" a basketball game, a mob wiseguy makes the Supreme Court, a porno film wins an Oscar, and a runner uses prune juice to spur himself to run faster! The pencil and grey wash art is on heavy illustration board measuring 11" x 6.75" and 10" x 13" and is in Excellent condition. From the Mad Magazine Archives.
Al Jaffee - Mad #299 "Snappy Answers to Stupid Questions In Air Travel" Back Cover Original Art (EC, 1990). When it comes to air travel, Al Jaffee has plenty of snappy answers to go around. The way things are nowadays, he could probably go fifteen more rounds with ease! This full-color, mixed-media painting has an image area of 15.5" x 18", and the art is in Excellent condition. The dialogue balloons are glued and taped to an acetate overlay, and the overlay is in Very Good condition. From the Mad Magazine Archives.
Al Jaffee - "Memories of a Munchkin" Illustration Original Art, Group of 2 (Back Stage Books, 2005). Al Jaffee, inventor of the famous Mad Fold-In, created a special Fold-In to celebrate Meinhardt Raabe and the "Wizard of Oz." For his caption quote in the book, Jaffee wrote, "One thing I've noticed about the 'Wizard of Oz' is that it has a fan-base following similar to that of 'The Rocky Horror Picture Show' with activities that are just as fun and most entertaining." The art for this Fold-in was done on two pieces of illustration board. The large group scene with Dorothy has an image area of 15" x 14.5", while a smaller portrait of the Munchkin Coroner (played by Meinhardt Raabe) has an image area of 5.5" x 6". Both pieces of art are in Excellent condition.
Bob Jones - Mad #211, page 36 Original Art (EC, 1979). Here's a couple that has everything -- except a kind spot in their hearts for animals! Bob Jones' full-page satirical scene drives the point home with sledgehammer force, wrapping up a two-pager called "The Gift." The page has an image area of 15" x 20", and the art is in Excellent condition. From the Mad Magazine Archives.
Mad Staff Artist - Mad Follies #7 Cover Original Art (EC, 1969). This explosive cover, featuring a portrait of Alfred E. Neuman, alluded to the bonus items in the issue, which were cards "ready to mail to people you can't stand." What, us worry? In its catalog for an auction in October 1995, Sotheby's attributed this artwork to Norman Mingo. This gouache on illustration board painting has an image area of 16" x 16", and the art is in Excellent condition.
Don Martin - Mad #30 Page 48 Panel Original Art (EC, 1956). This piece is from only the second Mad issue Don Martin contributed to! So have a look at the somewhat different early style of "Mad's Maddest Artist." It's the first panel of the feature "Alfred E. Neuman Answers Your Questions," in which a female medical student explains her woes. Martin's way-out, offbeat humor is quite evident here. Blech! Drawn in ink on illustration board, this panel has an image area of 17" x 9", and the art is in Excellent condition.
Don Martin - Mad #48, Complete 1-page Story "The Old Salt" Original Art (EC, 1959). His characters inhabited a surreal and often violent slapstick universe, and were victims of an endless variety of inventively disgusting fates. During his 30-odd years as a Mad contributor, Don Martin based his humor on misery and misfortune. His twisted approach and clean, vigorous line drawings influenced generations of younger cartoonists. The page consists of six panels mounted onto a larger sheet of illustration paper, with an image area of 15" x 17". There is some slight aging apparent, especially along the edges of the work (outside of the image area); otherwise the condition is Very Good.
Don Martin - Mad #52 Complete 1-page Story "In Surgery" Original Art (EC, 1960). See what happens when you tell your surgeon, "Physician, heal thyself"? Don Martin's way-out humor is especially effective in the operating theater. "Take one cartoon and call me in the morning." Each panel of this gag was drawn on a separate piece of paper and then glued to a large sheet of illustration board. The page has an image area of 15" x 21". Aside from the missing copy elements in the first panel, the art is in Excellent condition.
Don Martin - Mad #178, Complete 1-page Story, "Saturday Night at the North Pole" Original Art (EC, 1975). Who doesn't adore Fester Bestertester and Carbuncle? Or Joe Fonebone? And how can a year go past without celebrating National Gorilla Suit Day? Don Martin, whose bizarro comics filled the pages of Mad magazine with made-up onomatopoeia like "Shtoink" and "Sladap," influenced generations of later cartoonists. This page has an image area of 14.5" x 19.5", and includes an amberlith overlay, used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #179, Complete 1-page Story, "One Day While Filming a WWII Movie" Original Art (EC, 1975). When asked about his work and his zany, grotesque drawings, Don Martin once said: "Is it funny? That's the only test I know when it comes to cartooning. Not whether it's sick, or whether it's going to ruin people's values or morals. You only have to ask a simple question: Is it funny?" To answer that question, we'll let this panel speak for itself! This page has an image area of 14.5" x 17", and, aside from a slight glue stain between the first and second tiers, the condition is Very Good. From the Mad Magazine Archives.
Don Martin - Mad #179, Complete 1-page Story, "One Fine Day in Suburbia" Original Art (EC, 1975). He drew the goofiest-looking people inhabiting the goofiest-looking world, making the goofiest-sounding sound effects, like "Splorkkk!" and "Ffffpt!" and "Skroinch!" Don Martin's imaginative, highly-detailed, over-the-top style created an illusion of movement. The moment you saw them, his characters positively jumped out of the page at you. This wordless page has an image area of 14.5" x 17.75", and includes an amberlith overlay, which were used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #179, Complete 1-page Story, "One Fine Day During Lunch Period" Original Art (EC, 1975). With a glaring, vulgar, and outrageous style, Mad's most favorite son and artist, Don Martin, offered his legacy to a rapt audience of readers for over thirty years. This American cartooning genius passed away a few days into the new century, but his hinge-footed misfits live on in the many strips and cartoon books he has produced. This page has an image area of 14.5" x 19.5", and includes an amberlith overlay, which was used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad Super Special #17 Poster Insert Illustration Original Art (EC, 1975). Granny takes a trip -- or rather, a nasty spill -- courtesy of a stray banana peel in this wild drawing from that "stepping out" man, Don Martin. This color cartoon was used as one of eight "Vital Message" mini posters offered with Mad Super Special #17. The art measures 9" x 11", and is ink and colored wash on thin illustration board. An acetate overlay with a type header (saying "Have You Had a Good Laugh Today?") printed on it is attached; the original type paste-up is also included on a separate piece. The art is in Excellent condition.
Don Martin - Mad #180 Complete 3-page Story "Don Martin Beats The High Cost Of Gasoline" Original Art (EC, 1976). The springboard for these gags is more relevant than ever, and you'll be tempted to try a few of these Don Martin gimmicks for yourself. These pages include the amberlith overlays that indicated where a gray tone was to be dropped into the scenes by the printer. Each page has an image area of 15" x 18.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #186 Complete 3-page Story "The Story of Moses" Original Art (EC, 1976). Only Don Martin could tell the story of Moses like this! Martin was a master of crazy "sound effects" lettering and this story is filled with examples. The pages include the amberlith overlays that indicated where a grey tone was to be dropped into the scenes by the printer. The first page has an image area of 8" x 21", while the image area of each of the other two pages measures 16.5" x 21". The art is in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #187 "One Fine Morning in a Playpen" Page Original Art (EC, 1976). Baby Elmo gets a wee bit confused as he attempts to play with Little Tina in a "don't try this at home, kiddies" Mad moment by Don Martin. Yow! Baby done a bad bad thing! This page features an image size of 15" x 19.5", on a piece of heavy bristol measuring 18.75" x 24". An amber overlay indicates grey tones. The art is missing the first panel's title, which was added during production; otherwise, the piece is in Excellent condition -- unlike poor Little Tina, who was never the same again! From the Mad Magazine Archives.
Don Martin - Mad #187, Complete 1-page Story, "One Fine Afternoon in a Gym" Original Art (EC, 1976). With seemingly innocent titles like "One Afternoon in a Bus Terminal," and '"One Broiling Day in the Desert," Don Martin's comic strips skillfully created a world where pot bellied, large footed, ungainly characters took the most morbid and macabre events in their stride. With a "Kwapp!" Martin K.O.'s the world of boxing in this page, which has an image area of 15" x 19.5". Includes two amberlith overlays, which were used by the printer to add tone into the printed art. All items are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #187, Complete 1-page Story, "One Fine Evening at a Recital" Original Art (EC, 1976). His weirdo humor disgusted mothers and delighted young rebels for nearly three decades. No person or tale was free from Don Martin's eye for twisted satire. Martin body slams the world of opera in this page, which has an image area of 15" x 18.5". Includes an amberlith overlay, which was used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #188, Complete 1-page Story, "Late One Afternoon Last January" Original Art (EC, 1976). "There's always been physical suffering in comedy," quoted Don Martin. Martin's characters, inhabiting a surreal and often violent slapstick universe, were victims of an endless variety of inventively disgusting fates. This page has an image area of 11" x 14", and includes an amberlith overlay, to indicate greytones. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #189, Complete 1-page Story, "One Afternoon While Running an Errand" Original Art (EC, 1978). Nothing was unusual in Don Martin's universe. People got themselves buried in cement, careless barbers mutilated their clients, short-sighted knife throwers made horrible mistakes -- Martin pretty much drew whatever came to his mind. The only common thread that ran through his work was the absolute absurdity of the situations he thought of. This page has an image area of 15" x 17.5", and includes an amberlith overlay, which was used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #189, Complete 1-page Story, "One Evening at a Banquet Saluting an Outstanding American" Original Art (EC, 1978). With a "Poffisss" Mr. Horace Veeblefetzer exits the mind of comedy master, Don Martin, and enters into the hallowed halls of his legacy. Martin's genius lay in the descriptive way he punctuated grotesque actions with words like Sklortch!," "Poit!," and "Foinsapp!" With his over-exaggerated style, Martin clearly displayed a love of absurdity and anarchic mayhem. This page has an image area of 15" x 18.5", and includes an amberlith overlay, which was used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #190 Complete 1-page Story "One Tuesday Morning on Main Street" Original Art (EC, 1977). Things are a little mixed up -- as usual -- in Don Martin's world! This funny four-panel gag is worth calling your friends about! The art is pen and ink on bristol, measuring 17" x 22", with an image area of 15" x 18.5", and is in Excellent condition. Add a little Don Martin to your world with this frame-worthy piece! From the Mad Magazine Archives.
Don Martin - Mad #200 Back Cover Original Art (EC, 1978). All's fair in love and war, as an old fable gets an inspired twist from "Mad's Maddest Artist." Drawn with ink and watercolor, this page, done for the back cover, has an image area of 14.5" x 15.5". The art is in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad Magazine #202, Complete 1-page Story, "One Afternoon in a Bus Terminal" Original Art (EC, 1978). Don Martin's ugly, slouching, square-jawed, wild-haired characters (and that was just the women!) were generally belligerent, moronic, or both. One thing was for sure -- all of them were very, very unfortunate! This page has an image area of 15" x 18.5", and includes two amberlith overlays, which were used by the printer to add tone into the printed art. All are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #209 "The Disco Man" Page Original Art, Group of 4 (EC, 1979). No one, but no one, can picture the swingin' seventies disco life like that wild and crrrrazzzy guy -- Don Martin! Each page has an approximate image area of 14.5" x 17", and the art is in Excellent condition. Also included are the amberlith overlays for each page. From the Mad Magazine Archives.
Don Martin - Mad #217, Complete 1-page Story, "One Fine Day in Prehistoric Times" Original Art (EC, 1980). During his 30-odd years as a Mad contributor, Don Martin based his humor on misery and misfortune, to crack "sick" jokes. The magazine dubbed him "Mad's Maddest Cartoonist." "Is it funny? That's the only test I know when it comes to cartooning," Martin once said. "Not whether it's sick, or whether it's going to ruin people's values or morals. You only have to ask a simple question: Is it funny?" His twisted approach influenced generations of younger cartoonists. This page has an image area of 11" x 14", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #217, Complete 1-page Story, "One Fine Day About Two Weeks Ago" Original Art (EC, 1980). The Mad World of William M. Gaines author, Frank Jacobs, described Don Martin as, "physically he is good looking, socially he is totally uneccentric, and verbally he almost never utters 'Spap!', 'Blort!', Vreech!' or Katoonga!". But the king of onomatopoeia, Martin, certainly lets loose in this panel page from Mad #217. The art has an image area of 14.75" x 19.5", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #217, Complete 1-page Story, "One Fine Day in the Middle Ages" Original Art (EC, 1980). Don Martin's first national success came in 1956 when Al Feldstein, editor of Mad, made his work an integral part of the counter-culture of the 1960s. For more than thirty years, Martin would create a horde of idiot misfits with multiple chins, feet hinged at the toes, and ape-like arms, who stumbled through life on the hard end of the slapstick. This art has an image area of 14.75" x 19.5", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #234, Complete 1-page Story, "One Steaming Day in the Congo" Original Art (EC, 1982). Don Martin's twisted approach influenced generations of younger cartoonists. "Don Martin was the one who really stood out," Gary Larson (The Far Side), told The Miami Herald in a story published in 1990, "I really always loved his work. He was such a great artist." Longtime Mad cartoonist Martin drew an assortment of wild-haired characters, punctuating the grotesque action with wacky words like "Splop!," and "Poit!". This page has an image area of 11" x 14", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #234, Complete 1-page Story, "One Broiling Day in the Desert" Original Art (EC, 1982). Don Martin's work was known for its own unique vocabulary of sound effects. It was a rare Martin page in which "Yarg," "Shklip," "Flot," or some other wild, oddball, and generally disgusting noise did not accompany someone being flattened, buzz-sawed, or somehow mangled. This page has an image area of 11" x 13.5", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #234, Complete 1-page Story, "One Freezing Day in the Cemetary" Original Art (EC, 1982). Mad was a publication that changed the lives of many of us, and Don Martin was one of the artists we instantly became fans of. Martin's body of work ranks alongside some of the zaniest, most twisted examples of comic genius the world has ever seen.This page has an image area of 11" x 14", and includes an amberlith overlay, which the printer used to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #243 "Book of Mad" Illustration Original Art (EC, 1983). A plague of frogs is converted into a room full of Romeos in this Don Martin romp. The panels have a combined image size of 20.5" x 7", and the art is in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #247, Complete 1-page Story Original Art, Group of 3 (EC, 1984). His broad, visual humor derived from vaudeville via his own warped sensibility, and Don Martin also cited the grotesqueries of Hieronymus Bosch as an important artistic influence. Martin's twisted humor and technology-phobic characters led the magazine to dub him "Mad's Maddest Artist." Here are three one-page stories from Mad #247, titled, "One Morning on the West Coast," "One Afternoon in a Large City," and "One Dark Night on the East Coast". Each page has an image area of 14.75" x 19.5", and includes two amberlith overlays, which were used by the printer to put tone into the printed art. All items are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #248, Complete 1-page Story, "Early One Morning in an African Jungle" Original Art (EC, 1984). Don Martin sold his first cartoon to Mad in 1956, and his work appeared in the magazine for over 30 years. His creations -- slouching, lantern-jawed schleps all -- were generally belligerent, moronic or both. Mostly, though, they were unfortunate. This page has an image area of 11" x 14", and includes an amberlith overlay, which the printer used to drop tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #248, Complete 1-page Story, "Late One Afternoon Outside Orlando" Original Art (EC, 1984). Don Martin's cartoons displayed a true love of absurdity and anarchic mayhem. For more than three decades, the New Jersey born-and-raised Martin was one of the "Usual Gang of Idiots" who wrote and drew Mad Magazine. This page has an image area of 11" x 14", and includes an amberlith overlay, which the printer used to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #248, Complete 1-page Story, "One Fine Evening on a Brooklyn Street" Original Art (EC, 1984). From 1956 to 1987, Don Martin played a key role in defining Mad magazine's style of "sick" humor and social satire. Martin had one of the most distinctive styles in all of comics. His knock-kneed, pot-bellied characters with peanut shaped heads, oversize feet, and absurdly prominent elbows were instantly recognizable. This page has an image area of 11" x 14", and includes an amberlith overlay, which was used by the printer to put tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #255, Complete 1-page Story, "One Thursday in Seattle" Original Art (EC, 1985). To stand out in a line-up that included the wonderfully convoluted minds of Al Jaffee, Antonio Prohias and Sergio Aragones is not easy, but Don Martin managed it just fine. The incomparable Martin delighted generations with his unique and debonair doodles. This page has an image area of 14.5" x 19", and includes an amberlith overlay, used by the printer to add tone into the printed art. Both are in Excellent condition. From the Mad Magazine Archives.
Don Martin - Mad #255 "One Fine Wednesday in Detroit" Panel Page Original Art (EC, 1985). Another brilliant idea comes to you courtesy of that Mad genius, Don Martin. Where else but here are you gonna find a page with sound effects like "Toomp" and "Fwop?" Hoohah! The image area measures 14.5" x 19.25", on an 18.25" x 22.25" board, with two acetate overlays. The condition of the piece is Excellent. Your condition, should you fail to bid, will be lousy! From the Mad Magazine Archives.
Don Martin - Mad #53 "Balcony Scene" Preliminary Original Art, Group of 6 (EC, 1960). A rose by any other name spells trouble for Romeo in these side-splitting pen and ink roughs by Don Martin. The art is drawn on sheets of letter paper; outside a few minor folds and rusty paperclip stains, they are in Very Good condition.
Norman Mingo - Mad #69 Back Cover Original Art (EC, 1962). This McCall's Magazine parody illustration by Norman Mingo does a spot-on take on the popular woman's magazine and their mascot, Ben Franklin, who offers a few choice words of wisdom in this this funny illustration. The art is in mixed media, with an image area of 12" x 12", and has been matted to an overall size of 18" x 18.5". In Excellent condition.
Norman Mingo - Mad #110 Cover Original Art (EC, 1967). The Mad staff loved mind-bending optical illusions and radical "paradigm shifts" of the conventions of reality. This image ranks with the best of such puzzlers and features a fantastic portrait of Alfred by Norman Mingo, to boot! "Spy vs Spy" creator Antonio Prohias wrote this gag. This superb painting has an image area of 11.5" x 15.5", and the art is in Excellent condition.
Norman Mingo - Mad #94 Cover Preliminary Sketch Original Art (EC, 1968). The origin of this cover gag was revealed in Mad Cover To Cover. "A favorite of Mad publisher Bill Gaines was "King Kong" (the 1933 version). When editor Nick Meglin pencilled a rough sketch of the Alfred/Kong switch, Gaines went ape over it. Thus what began as a private joke wound up as a cover." This beautifully rendered pencil and crayon preliminary study has an image area of 8" x 10.25", and the art is in Excellent condition.
Norman Mingo - Mad #177 Cover Preliminary Sketch Original Art (EC, 1975). For this cover, Alfred shpritzes the Hollywood block-buster, "The Towering Inferno." Norman Mingo's preliminary captures the same scene as the final, finished cover. This mixed-media drawing has an overall size of 9" x 12", and the art is in Excellent condition.
Harry North - Mad #187 Page Original Art (EC, 1976). This image was used on the inside front cover to illustrate a subscription ad offering the alternative to battling the crowds at the newsstand. Harry North packed this newsstand scene with enough celebrities for an army of paparazzi! Notables include Woody Allen, Mick Jagger, Telly Savalas, Jack Nicholson, Muhammad Ali, William Shatner, Leonard Nimoy, Gene Wilder, and many more. The painting has an image area of 13" x 12.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Harry North - Mad #211 Complete Story "When Women Take Over Movies Completely" Original Art (EC, 1979). Here's a funny take on several classic film genres, all with the added twist of sexual role reversal. Each of the five gags is presented in four or five panels, on two separate various-sized pieces of bristol. Movie take-offs include "Queen Kong," "Detective Charlotte Chan," "Tarzana," a distaff version of the Lone Ranger ("The Masked Person") and a mostly-female "Angels With Dirty Faces" scene. Hysterical stuff! The art is in india ink and grey wash; the image area for each page ranges from 16" x 6" to 18" x 9". One panel is missing a type paste-up, and the type elements on all pages have darkened slightly; otherwise, the art is in Excellent condition. From the Mad Magazine Archives.
Joe Orlando - Mad #81 Complete 3-page Story "New Movie Monsters From Everyday Life" Original Art (EC, 1963). Joe Orlando presents the terrors of everyday life in these outrageous monster movie poster-styled ads. You'll shudder at the sight of "Things in the Mailbox," "The Neighbors Are Coming, "The Revolt of the Machines," "The Invasion of the Crabgrass," and more! Although this was printed as a three-page story in Mad, the art was done on five separate pieces of illustration board, and the type blurbs were done using acetate overlays. The image area of four of the boards measures approximately 16" x 15", while a fifth, "half-page" board has an approximate image area of 14.5" x 6.5". The art is in Excellent condition.
Antonio Prohias - Mad #60 "Spy vs. Spy" Page Original Art (EC, 1961). The spirited rivalry between the Spies begins here in this 1961 "Spy vs. Spy" strip, courtesy of Castro refugee Antonio Prohias. Here is their very first American appearance, from Mad #60. "The sweetest revenge," Prohias told a Miami Herald reporter in 1983, "has been to turn Castro's accusation of me as a spy into a money-making venture". Prohias, one of Cuba's premier editorial cartoonists before the revolution, fled to the U.S. in 1960, his anti-Castro cartoons earning him international awards -- and the enmity of his government, which accused him of working for the CIA. About to turn forty, with a family to support, he had to take work in a New York City sweatshop before stumbling into Mad magazine's offices, where in January, 1961, they began to publish his masterful series, "Spy vs Spy." Since then, the Spies have done battle more than 500 times and continue to surprise, deceive and revolt. In three decades with the magazine, Prohias produced over two hundred of the self-contained gags. There are two pieces here -- the logo art, and the panel strip, both have an image area of approximately 16" x 10", and their condition is Excellent. Signed by Prohias in the final panel.
Antonio Prohias - Mad #72, "Spy vs Spy" Page Original Art, (EC, 1962). "Spy vs Spy" was a silent parable about the futility of mutually-assured destruction, with various elaborate deathtraps designed in Antonio Prohias' thick line. Here is an early strip from 1962, featuring further exploits by the two constantly warring spies. The art consists of two separate pieces, the title (image area of 16.5" x 9"), and the strip itself (image area of 16.5" x 11"). Some light overall aging is apparent, and there is one small glue stain on the title piece; otherwise both pages are in Excellent condition.
Antonio Prohias - Mad #73, "Spy vs Spy vs Spy" Page Original Art, (EC, 1962). For a while, Antonio Prohias spiced up his "Spy vs Spy" series with a female agent -- the "Gray" spy. And this artwork features her very first appearance! No amount of deadly gadgets or explosives in the world could stop her from skewering both her male counterparts! This art consists of two separate pieces, the title (image area of 16" x 9"), and the strip itself (image area of 16" x 11"). Some of the original Zipatone has come off the board, but it is included here also. There is some light overall aging is apparent, and the strip has some light staining; otherwise both pages are in Very Good condition.
Antonio Prohias - Mad #74, "Spy vs Spy vs Spy" Page Original Art, (EC, 1962). Never underestimate the power of a woman spy! Antonio Prohias continually tweaked his "Spy vs Spy" in subtle ways over the years, and for a while, a third spy would appear -- a woman known as the "Gray" spy. This provocative agent was even more evil than the Black and White spies, and always double-crossed both of them in the end -- and this is from the second issue of Mad to feature her devious schemes. This art consists of two separate pieces, the title (image area of 16.5" x 9"), and the strip itself (image area of 16.5" x 11"). Some light overall aging is apparent; otherwise both pages are in Excellent condition.
Antonio Prohias - Mad #100 "Spy vs. Spy" Page Original Art (EC, 1966). Three days before Fidel Castro's henchmen took over what remained of Cuba's free press, famous Cuban artist, Antonio Prohias, fled to New York City stone broke. Once here, he came directly to Mad with his captivating gag series, "Spy vs Spy." This sequence is from Mad #100, one of the over 200 strips he created in his thirty year tenure with the magazine. There are two pieces here -- the logo art, and the panel strip, both have an image area of approximately 16.5" x 12", and their condition is Excellent. Signed by Prohias in the final panel.
Antonio Prohias - Mad #142, "Spy vs Spy" Page Original Art (EC, 1971). Cartoonist Antonio Prohias' black and white capped secret agents have been double-crossing each other in Mad since 1960. Though each strip ended with victory for one of the spies, the recursive serial format ensured that this strip's victim would be the next one's victor. This art has an image area of 13.5" x 17", and includes a rubylith overlay, used by the printer to place tone in the printed art. Aside from some slight apparent aging, both items are in Very Good condition. Includes the spine art to one of Prohias' "Spy vs Spy" paperbacks, hand-inked and hand-painted in watercolor. The image area measures 8" x 1", and the work is in Excellent condition.
Antonio Prohias - Mad #147, "Spy vs Spy" Page Original Art (EC, 1971). "Spy vs Spy" has been a Mad magazine staple for over forty years. Created by the late Cuban expatriate Antonio Prohias in 1960, the pointy-nosed little agents -- one in black, and the other in white, and each bent on ridding the world of the other through some ingenious though convoluted scheme -- have gone beyond the pop culture scene to become part of the American lexicon. Here is another brilliant Prohias "Spy vs Spy" installment from Mad #147, which also includes an amberlith overlay, used by the printer to lay in tone. The art has an image area of 13.5" x 19", and the condition is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad Magazine #178, "Spy vs Spy" Page Original Art (EC, 1975). Antonio Prohias' beak-sporting spooks hurl lit "bowling balls" at each other in an iconic death match that finds them devising elaborate ways to destroy one another with fiendish cunning, in the ever-popular "Spy vs Spy". The trenchcoat-clad operatives in Prohias's strip have been stalwarts of the long running Mad magazine since 1961. This art has an image area of 13.5" x 17", and includes an amberlith overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #179, "Spy vs Spy" Page Original Art (EC, 1975). One great feature of Mad magazine was its inclusion of the comic strip, "Spy vs Spy," drawn by Antonio Prohias. Not only was it a wickedly witty strip, but while the '60s lefties fawned over Fidel Castro, Mad explained that refugee, Prohias, was in the magazine because he couldn't continue with his cartoon irreverence back home in Cuba. This art has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #181, "Spy vs Spy" Page Original Art (EC, 1976). Inspired by the polarization he saw in his homeland of Cuba, where anyone who was not a vocal Communist was dismissed as an infidel, Antonio Prohias devised his black and white spies. He once described them as "two sinister men who do terrible things, but to one another, and then nobody will make a fuss." This art has an image area of 13.5" x 17", and includes an amberlith overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #181 "Spy vs Spy" Page Original Art (EC, 1976). The heat is on in the Cold War, as the Black Spy gives the White Spy a taste of his own fiery medicine! This laugh-riot has an approximate image area of 13" x 19", and the art is in Excellent condition. An acetate overlay, with grey tone screen instructions indicated in amberlith, is also included in this lot. From the Mad Magazine Archives.
Antonio Prohias - Mad #186, "Spy vs Spy" Page Original Art (EC, 1976). Although he is most famous for his "Spy vs Spy" feature in Mad magazine, Antonio Prohias was one of the most famous cartoonists in Cuba before he had even left for New York. The majority of his comic strips were published mostly or only in Cuba, such as "El Hombre Siniestro," "La Mujer Siniestra," and "Tovarich". With his popular spies, Prohias combined a wordless pantomime with explosions, brutal injury, and devious cruelty -- what's not to like? This art has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to drop tone into the printed art. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #186, "Spy vs Spy" Page Original Art (EC, 1976). If Fidel Castro had never taken over Cuba and become a ruthless, intolerant despot, Antonio Prohias probably would have never left his homeland, or showed up at the offices of Mad magazine, or created his infamous spies. Aware that his presence at the Havana newspaper,El Mundo, was endangering both the lives of himself and his colleagues, Prohias resigned and fled to New York with his family, and into the world of comic genius. This art has an image area of 13.5" x 19", and the condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #187, "Spy vs Spy" Page Original Art (EC, 1976). In the late 1950s, Antonio Prohias was the president of the Association of Cuban Cartoonists and, when Castro came to power, enjoyed lampooning him in newspaper comics. In 1960, when he realized that wasn't a great career move, Prohias fled to the United States. He was hired by Mad magazine, where he created the popular "Spy vs Spy" series, drawing the brilliant wordless strips until he retired in 1990. The spies are forever upping each other on a diabolical dance of deceit and double-crossing, as can be seen in this panel page from Mad magazine #187. Includes an amberlith overlay, used by the printer to drop in tone on the printed art. The art has an image area of 13.5" x 19", and the condition is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #188, "Spy vs Spy" Page Original Art (EC, 1977). Antonio Prohias was inspired by the troubles he'd left behind in Cuba, and created "Spy vs Spy", the continuing struggles of two spies (one dressed all in white, the other all in black) in their attempts to outdo the other. In January, 1961, Mad magazine decided to run the strip in issue #60 -- and the feature has been there ever since. This art has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to drop tone into the printed art. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #193 "Spy vs Spy" Page Original Art (EC, 1977). The Cold War continues, and as usual, the Black Spy doesn't know when to leaf well enough alone! This page has an approximate image area of 13.5" x 19", and the art is in Excellent condition. An amberlith on acetate overlay, and a vellum overlay with grey tone screen instructions are also included in this lot. From the Mad Magazine Archives.
Antonio Prohias - Mad #209, "Spy vs Spy" Page Original Art (EC, 1979). Casting about for some way to make money with his cartooning skills despite absolutely no knowledge of English (a skill he never really picked up), Antonio Prohias turned to one of his earlier features, "El Hombre Siniestro". This early strip featured a sinister-looking fellow who went around pulling cruel pranks for a laugh. So the new idea he came up with involved two such masters of subterfuge, in an endless cycle of violence and betrayal. He worked up a few strips, wandered into the offices of Mad magazine, and the rest is history. This milieu of danger and disaster has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to drop tone into the printed art. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #211, "Spy vs Spy" Page Original Art (EC, 1979). The most iconic artist among the "Usual Gang of Idiots" was Antonio Prohias, because, aside from about a dozen other features he did for them in over twenty years, Prohias did exactly one thing -- "Spy vs Spy". The strip worked because language was not a barrier to these pantomime sketches of two spies bent on destroying each other. This art has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to drop tone into the printed art. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #222, "Spy vs Spy" Page Original Art (EC, 1981). With "Spy vs Spy" being a wordless strip, so much of the delivery depends on the art. Antonio Prohias's art is simple and stripped down, but don't ever confuse that for a lack of effort. Prohias's clever mind is on display in his work, effortlessly displaying all the inventive ideas he comes up with. It's always easy to figure out what's going on in each individual panel, even if the motive of the spies isn't quite so clear until the final punchline. This art has an image area of 13.5" x 19", and includes an amberlith overlay, which the printer used to drop tone into the printed art. Both have a slight amount of soiling; otherwise they are in Very Good condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #229, "Spy vs Spy" Page Original Art (EC, 1982). Though the Cold War that spawned them is a fading memory, the Spies' blood feud persists. Mad editor Nick Meglin says he originally intended to publish only a few strips, but Antonio Prohias kept producing plot lines that were "so ingenious, I'd say, 'Okay, maybe a couple more. And maybe a couple more". This art has an image area of 13.5" x 17", and includes an amberlith overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #234, "Spy vs Spy" Page Original Art (EC, 1982). James Bond isn't the only Cold War-era secret agent whose career continued to flourish after the fall of Communism. For 40 years and counting, Antonio Prohias' White Spy and Black Spy have waged never-ending battle in the pages of Mad. This Prohias original has an image area of 13.5" x 19", and includes an hand-colored overlay, which was used by the printer to lay in tone. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #234, "Spy vs Spy" Page Original Art (EC, 1982). Antonio Prohias' wordless "Spy vs Spy," the neverending battle between the Black Spy and the White Spy, lasted longer than the Cold War which inspired it. From Mad #234, comes this original piece by the internationally respected and beloved cartoonist. The art has an image area of 13.5" x 17", and includes an amberlith overlay, which was used by the printer to lay in tone. The condition of both is Excellent. From the Mad Magazine Archives.
Antonio Prohias - Mad #235, "Spy vs Spy" Page Original Art (EC, 1982). Antonio Prohias's silent, Cold War-inspired spoof of international intrigue, portrays twin enemies outdoing each other in elaborately stupid plots to achieve the other's demise. The duo of double-cross and deceit have continued to one-up the other, til death do they part, for forty years in the pages of Mad. This art has an image area of 13.5" x 17", and includes an amberlith overlay, which was used by the printer to lay in tone. There is some aging apparent in the strip and amberlith overlay. Both items are in Very Good condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #238, "Spy vs Spy" Page Original Art (EC, 1983). For four decades the diabolical duo, "Spy vs Spy," has appeared in Mad magazine, attracting a wide audience. Their creator, the late Prohias, a political cartoonist who fled Castro's Cuba in 1960, was a font of variations on the theme of having one spy meet a violent death at the hands of the other. In the next issue, of course, the deceased had been resurrected to resume hostilities. This art has an image area of 13.5" x 17", and includes an amberlith overlay, which was used by the printer to lay in tone. This group also includes a small (2.5" x 3.5") photostat of the "Spy vs Spy" logo. There is some aging apparent in the strip and amberlith overlay; otherwise they average in Very Good condition. From the Mad Magazine Archives.
Antonio Prohias - Mad Magazine #241, "Spy vs Spy" Page Original Art (EC, 1983). In just a few captionless panels, Antonio Prohias could nail down the humorous aspects of some of the Cold War's biggest covert confrontations and produce far more than just a lame chortle. Prohias' Spies would use convoluted, Rube Goldberg-like contraptions to try to best each other, often failing or having the device backfire -- all adding up to a good laugh. This art has an image area of 13.5" x 17", and is in Excellent condition. Includes a hand-colored overlay, which the printer used to place tone in the art, which has a bit of apparent aging, and light staining; otherwise it is in Good condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #239, "Spy vs Spy" Page Original Art (EC, 1983). An artist with editorial ink in his veins, Antonio Prohias always argued: "Do not say it with words, say it with drawings." Without dialogues for his characters, he communicated his silent style with tremendous creative genius. Prohias died in 1998, but his Spies have survived him in order to bring perennial laughs to the world. This art has an image area of 13.5" x 17", and includes an amberlith overlay, used by the printer to place tone in the printed art. Aside from some slight aging apparent, both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad Magazine #241, "Spy v. Spy" Page Original Art (EC, 1983). "Spy vs Spy" is one of Mad's longest-running and best-known features. For four decades, the Black Spy and White Spy have been building their bizarre, elaborate contraptions in an endless parry of "Joke and Dagger." Since 1961, award-winning cartoonist, Antonio Prohias' Spies have been silently turning tables on each other in crazier and ever-more bizarre schemes of one-upmanship. This art has an image area of 13.5" x 17", and, aside from some light aging, and soiling, is in Very Good condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #243, "Spy vs Spy" Page Original Art (EC, 1983). It's a case of road rage, Antonio Prohias style, as embittered rivals, White Spy and Black Spy, return for more comical sabotage, in this action-espionage strip featuring yet another outlandish trap. This art has an image area of 13.5" x 17", and includes an hand-colored overlay, which the printer used to place tone in the printed art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #244 "Spy vs Spy" Page Original Art (EC, 1984). Antonio Prohias' endless creativity for pantomime action and crazy booby traps sustained him for a fifty-year-plus career at Mad. This page has an approximate image area of 13.5" x 17.5", and the art is in Excellent condition. A vellum overlay, with grey tone screen instructions indicated in red marker, is also included in this lot. From the Mad Magazine Archives.
Antonio Prohias - Mad #248, "Spy vs Spy" Page Original Art (EC, 1984). Cuban defector Antonio Prohias' two dueling spies symbolized opposing Cold War political factions bent on destroying each other, yet ultimately doing more harm to themselves. This art has an image area of 13.5" x 17", and includes a hand-colored overlay, used by the printer to place tone in the printed art. Aside from some slight aging apparent, both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #247, "Spy vs Spy" Page Original Art (EC, 1984). There is no denying that after a thirty-plus year run in one of the nation's most popular comic rags, Mad, Antonio Prohias' black and white duo are veritable icons in the industry. This art has an image area of 13.5" x 17", and includes an hand-colored overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #249, "Spy vs Spy" Page Original Art (EC, 1985). A long-time feature of the magazine, "Spy vs Spy," was Mad's twisted take on espionage. Antonio Prohias' beloved spy strip had a dedication to surprise, an apolitical stance, and an ability to revel in the fertile, fetid muck of revenge. This art has an image area of 13.5" x 17", and includes an hand-colored overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #255, "Spy vs Spy" Page Original Art, (EC, 1985). In this brilliant page, the two spies compete in another grand scheme to inflict comic devastation on each other. Since 1960, Antonio Prohias' ingeniously planned and delightfully drawn "Spy vs Spy" has been a fixture in Mad magazine. This art has an image area of 13.5" x 17.5", and includes a hand-colored overlay, indicating greytones. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #264, "Spy vs Spy" Page Original Art (EC, 1986). The silent war of one-upmanship between two spies continues in this original Antonio Prohias "Spy vs Spy," from 1986. This art has an image area of 13.5" x 17", and includes an hand-colored overlay, which the printer used to place tone in the printed art. Aside from some slight aging apparent, both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - Mad #267 "Spy vs Spy" Page Original Art (EC, 1986). The Black Spy slam-dunks the White Spy in this terrific gag, drawn by the "Cold War's Rube Goldberg," Antonio Prohias. This page has an approximate image area of 13" x 17.5", and the art is in Excellent condition. A vellum overlay, with grey tone screen instructions indicated in red marker, is also included in this lot. From the Mad Magazine Archives.
Antonio Prohias - Mad Magazine #269, "Spy vs Spy" Page Original Art (EC, 1987). You can't think of Mad magazine without thinking of "Spy vs Spy," the dialogue-free stories of cross, doublecross, cruelty and violence from the mind of Cuban refugee, Antonio Prohias. These classic, outrageously violent tales of espionage have gone beyond the pop culture scene to become part of the American lexicon. This art has an image area of 13" x 17", and includes a hand-colored overlay, which the printer used to place tone in the art. Both items are in Excellent condition. From the Mad Magazine Archives.
Antonio Prohias - "Spy vs Spy" Complete 10-page story "Operation: One-Way Trick" Original Art (undated). Hired in 1960 by Mad magazine, Antonio Prohias created his popular "Spy vs Spy" series, and drew the unique wordless Cold War feature until he retired in 1990. In this episode from the "Joke and Dagger department," White's scheme to snatch Black's plans with a colossal boomerang is shattered by a diabolical counter-measure! Each page has an image area of 6.5" x 11.5", and the art is in Excellent condition.
Antonio Prohias - Spy vs Spy Preliminary Original Art (circa 1970s). Six highly detailed pencil roughs for "Spy vs Spy" strips make up this fascinating lot. The art is on sheets of approximately 20" x 15" paper; all have been folded, and most have red ink notes. Some have been taped together from various pieces. The pages all average Very Good condition. Pencils sketches from this popular artist are very rare!
Jack Rickard - Mad #137 Cover Preliminary Painting Original Art (EC, 1970). Alfred throws a wet blanket on a wild orgy in this lampoon of the ad campaign for "Bob, Ted, Carol and Alice." Jack Rickard's detailed, painted preliminary study has an image area of 8.25" x 11", and the art is in Excellent condition. Rickard added this humorous note at the bottom of the study, "To Jerry -- whose movie stills made me what I am today -- Jack Rickard."
Jack Rickard - Mad #142 Page Original Art (EC, 1971). More "Telephone Taps We'd Like to Hear," featuring Joe Namath and former NFL Commissioner, Pete Rozelle, with art by Jack Rickard. The copy is included on a clear acetate overlay. Painted in watercolor on a sheet of heavy illustration board, the art has an image area of 10" x 19". In Excellent condition.
Jack Rickard - Mad Paperback Complete 8-page Story "Man To Man" Original Art (EC, circa 1974). In this hilarious send-up, Charlie Brown kicks things around with a fellow loser and blockhead -- President Richard M. Nixon! Thus, three American icons of the sixties and seventies are covered in this one story -- Mad, Peanuts, and President Nixon. Each panel of this story represented a full page in the paperback. There are eight panels on eight pages. Each panel has an image area of 5.25" x 9.5", and the art is in Excellent condition.
Jack Rickard - Mad #188 Contents Splash Page Original Art (EC, 1977). For this contents page, Jack Rickard serves up a delightful group portrait of the creations of the "Usual Gang of Idiots" at Mad. Notables include Roger Kaputnik, Alfred E. Neuman, Spy vs. Spy, a couple of Don Martin blokes, Jimmie Walker, and John Wayne as Rooster Cogburn. The art includes an amberlith overlay that indicates where gray tone was to be dropped into the scenes by the printer. The page has an image area of 18" x 20", and the art is in Excellent condition. From the Mad Magazine Archives.
Jack Rickard - Mad #190 "Presenting the Original Mad Cover - And One Moment Later" Illustration Original Art, Group of 5 (EC, 1977). Jack Rickard revisits five famous Mad covers -- one minute later. Great idea! The covers include #172, 173, 175, 180, and 185. Each cover, painted in black and white, has an image area of 8" x 10.75", and each is in Excellent condition. An amberlith overlay is included with each piece. From the Mad Magazine Archives.
Jack Rickard - Mad #200 Cover Preliminary Painting Original Art (EC, 1978). It's a "Close Encounter" of the Alfred kind when an alien lifeform steps from its spacecraft and asks, "What, me worry?" Jack Rickard does it again with this terrific preliminary study for the final cover. The painting has an image area of 8.5" x 11", and the art is in Excellent condition.
Jack Rickard - Mad #231 Page Original Art (EC, 1982). Jack Rickard illustrates "Ronald Reagan's Gettysburg Address," featuring a chaffing image of the 40th President of the United States, Ronald Reagan. Painted in black and white watercolor on heavy illustration board, this art has an image area of 26.5" x 16", and its condition is Excellent. From the Mad Magazine Archives.
Jack Rickard - Mad #243 "Book of Mad" Splash Page 1 Original Art (EC, 1983). Look closely at these critters boarding Noah's Ark and you will see that many famous "funny animals" are set to sail! Krazy Kat, Offisa Pupp, Shoe, Smokey the Bear, the Exxon Tiger, Pluto, Snoopy, and Albert the alligator, to name but a few -- the gang's all here! This page has an image area of 17" x 14.5", and the art is in Excellent condition. From the Mad Magazine Archives.
John Severin - "Memories of a Munchkin" Illustration Original Art (Back Stage Books, 2005). Mad and Cracked artist, John Severin, contributed this whimsical vision of the tornado scene to Meinhardt Raabe's wonderful "Oz" memoir. For the caption Severin wrote, "I was eighteen when the "Wizard of Oz" first came out, and I remember taking my little sister, Marie, to see the film. We enjoyed seeing it on the big screen -- and later on the little screen when it was shown on television. Every once in a while I get to enjoy it with my grandkids. They sit in awe and watch the film with their mouths wide open -- except to gulp down their Cokes -- while I sit back and sip my Jack Daniels." This painting has an image area of 9" x 11.75", and the art is in Excellent condition.
Angelo Torres - Mad #182 Complete 5-page Story "Good Time-Slot" Original Art (EC, 1976). This Angelo Torres parody of "Good Times" is dyno-mite! Who knew that living in the Chicago projects could be so much fun? The first page of this story has an image area of 16" x 15", and the rest of the pages have an image area of 16" x 22". All of the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #184 Complete 5-page Story "Rhota" Original Art (EC, 1976). Angelo Torres' devastating lampoon of "Rhoda" skewers the seventies sit-com. Each page has an image area of 18" x 23", and the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad Magazine #187, Complete 6-page Story "Crappy Days" Original Art (EC, 1976). Hey-Yayyy! Woah-ohhhh!! In what other country can a man in his 30's make a million bucks playing the part of a 19-year old, giving everyone "The Finger"? That's the question the Funz asks, in this taunting six-pager by Angelo Torres. Itchie, Riff, Putzie, and Joinie are all here in this parody of "Happy Days". The pages have an image area of 17" x 21.5" (except for the first page which has a 17" x 15.5" image area). Torres created these pages in pen and ink, with an ink wash, and the condition is Excellent. Signed by Angelo Torres on the first page. From the Mad Magazine Archives.
Angelo Torres - Mad #188 Complete 3-page Story "Misery Breaks" Original Art (EC, 1977). Angelo Torres takes dead aim at Marlon Brando and Jack Nicholson in this wicked parody of "The Missouri Breaks." In addition to the story pages, this lot also includes a pencil portrait panel of Brando, Nicholson, and director Arthur Penn. Each page of the story has an approximate image area of 17" x 22.5", while the pencil panel has an image area of 8" x 14". The art is in Excellent condition. Saddle up and bid! From the Mad Magazine Archives.
Angelo Torres - Mad #189 Complete 6-page Story "Welcome Back, Klodder" Original Art (EC, 1977). Mr. Kotter, Vinnie Barbarino, and the rest of the sweathogs from the "Welcome Back, Kotter" TV series are flunked out in Angelo Torres' raucous lampoon. Up their noses with rubber hoses! The first page of this story has an image area of 16.5" x 15.5", and the rest of the pages have image areas of 17" x 20". The art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #196 Complete 4-page Story "He's Company" Original Art (EC, 1978). The late John Ritter gets the Angelo Torres treatment in thisMad send-up of the hit TV sit-com, "Three's Company." Joyce DeWitt, Suzanne Sommers, and Norman Fell are also caricatured. Each page has an image area of 16" x 21.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #197, Complete 6-page Story "Little House Oh, So Dreary" Original Art (EC, 1978). Angelo Torres lampoons television's favorite frontier family program, "Little House on the Prairie," in this irreverent 6-pager from 1978. The pages have an image area of 15" x 20" (with the exception of the first page which has a 16.5" x 17" image area). Torres' spectacular line work is accented with marker. The condition of all the pages is Excellent. Signed by Angelo Torres on the first page. From the Mad Magazine Archives.
Angelo Torres - Mad #199 Complete 6-page Story "What Happened?" Original Art (EC, 1978). The history of African-American TV comedy is outlined in this rollicking parody of the "What's Happening" TV sitcom. Raj, Shirley, Dwayne, Rerun, and Dee's likenesses are all captured to a tee by the superbly talented Angelo Torres. As an added bonus, the "Happy Days" cast cameos in the first panel. Each page has an image area of 16" x 21", and the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #202 Complete 6-page Story "Lust Boat" Original Art (EC, 1978). The crew at Mad sink the crew of the Pacific Princess in this scintillatingly funny parody of "The Love Boat," by Angelo Torres. Captain Stubing, Julie McCoy, Doctor Adam Bricker, Gopher, and Isaac all get wet! The pages have an average image area of 16" x 20", and their condition is Excellent. From the Mad Magazine Archives.
Angelo Torres - Mad #209 Complete 6-page Story "Shmork and Windy" Original Art (EC, 1979). Nanu-nanu! Angelo Torres' send-up of "Mork and Mindy" is out of this world. You will laugh so hard, you'll split your space suit. Darth Vader and Mr. Spock guest star in the last panel. The first page of this story has an image area of 17" x 20", and the rest of the pages have image areas of 17" x 22". The art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #209 Complete 6-page Story "Lavoine and Shoiley" Original Art (EC, 1979). The gang from the "Laverne and Shirley" TV sit-com are lovingly lampooned by Angelo Torres. The Fonz, Lenny, and Squiggy are also roasted. The first page of this story has an image area of 17" x 15.5", and the rest of the pages have image areas of 17" x 22". The art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #211 Complete 5-page Story "Chimps" Original Art (EC, 1979). Pretty Boy Paunch and the rest of the California Highway Patrol get run off the road by this Angelo Torres laugh-riot. Honk, honk! The first page of this story has an image area of 18" x 16", and the rest of the pages have an image area of 17" x 21". All of the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #212 Complete 6-page Story "Taxing" Original Art (EC, 1980). The crew from the "Taxi" TV sit-com get left at the curb in this Angelo Torres send-up. The first page of this story has an image area of 17" x 17", and the rest of the pages have an image area of 17" x 21". The art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #228 Complete 6-page Story "Outlandish" Original Art (EC, 1982). The cast of "Outland" takes one in the spacesuit in Angelo Torres' lampoon of the action-thriller, starring Sean Connery. Torres also pays a small tribute to EC science fiction master Wally Wood with some of the space station's background gizmos. Squa tront! Each page has an image area of 17" x 24", and the art is in Excellent condition. A hand-lettered title logo that measures 8.5" x 21" is also included in this lot. From the Mad Magazine Archives.
Angelo Torres - Mad #231 Complete 7-page Story "Swill Street Blues" Original Art (EC, 1982). The boys in blue get busted in this uproarious Angelo Torres parody of "Hill Street Blues." Hey, let's be careful out there. Each page has an image area of 17" x 22.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad #242 Complete 4-page Story "Mad's Video Game Arcade Owner of the Year" Original Art (EC, 1983). "Clint Westwood" explores the ins and outs of the Video Arcade biz in this piece of eighties investigative journalism -- Mad style. Angelo Torres' caricatures of Clint Eastwood are first-rate. Each page of the story has an image area of 17" x 22" and the art is in Excellent condition. From the Mad Magazine Archives.
Angelo Torres - Mad Magazine #349, Splash Page 1 “Jerkules” Original Art (EC, 1996). They're strong, quick to fight, and slow to register any sort of of emotion or acting talent! Jerkules, son of Zoos, and Zima, the mighty princess warrior, are pricked with something mightier than their swords -- the pen of Angelo Torres! This first page has an image area of 18" x 17.5”, and the condition is Excellent. Signed twice and inscribed at the top left by Angelo Torres.
Various Artists - Mad #284 "Play Pictionary With the Mad Artists" Original Art (EC, 1989). If you're looking to get up a good game of Pictionary, who better than past and present Mad artists to call on? These 18 pieces of original art, in various small sizes and media, represent a "who's who" from this long-running title. The gags included are "Hitler's Mother," "Frank Perdue's Living Room," and "Gluttony" with artists Harvey Kurtzman, George Woodbridge, Dave Berg, Duck Edwing, Peter Paul Porges, Antonio Prohias, Mort Drucker, Sergio Aragones, Bob Clarke, Sam Viviano, Bob Jones, Angelo Torres, Richard A. Williams, Paul Coker, Gerry Gersten, John Caldwell, and Jack Davis. A photocopy of an Al Jaffee gag is included. All are in Excellent condition. From the Mad Magazine Archives.
George Woodbridge, Angelo Torres, Peter Paul Porges - Mad Miscellaneous Original Art (EC). This lot includes the back cover to A Mad Guide to Leisure Time plus a paperback page by Woodbridge; another paperback page by Torres; plus six pencil roughs for a Mad feature and the back cover production art to Mad Stew by Porges. The book art is on various sized pieces of bristol board; the sketches on paper, and the production art (featuring stats of Mad artists along with a line-drawn "cooking pot") is on a large piece of vellum that has been mounted to a 16" x 20.5" piece of illustration board. The vellum has a tear that does not go into the image; otherwise, all pieces are in Excellent condition.
Sergio Aragones and Others - Alias the Owl Casting Illustration Original Art (1960s). Created as an in-house joke, this pen and ink illustration features Jerry De Fuccio casting the part of the Golden Age Owl, known to be a favorite of his. A long line waits, including caricatures of Sergio Aragones, and other Mad staffers, along with Charlie Brown and a number of strange birds. The image area measures 23" x 5" and the art is in Excellent condition.
Doug Webb - Mad #252 Cover Illustration Original Art (EC, 1985). Mad Cover to Cover had an earful to say about this squeaky-clean scene featuring Lady Liberty -- "A tribute of sorts to Bill Gaines' adoration of the Statue of Liberty. Gaines and his wife Annie, possessed an immense collection of Liberty replicas and paraphernalia, including original prototypes from the sculptor, Frederic-Auguste Bartholdi. This cover art was seen by millions, before publication, on a 1984 TV special 'Salute to Lady Liberty.'" Doug Webb signed his canvas "Armanli." The painting has an overall size of 10.5" x 13.5", and the art is in Excellent condition. From the Mad Magazine Archives.
Chris White - "Mad 84" Special #1 Cover Original Art (EC, 1984). This flashy illustration covered the "all-new, never-before-published, wild and insane satirical trash from the idiots who bring you Mad magazine," Mad 84. Airbrushed and hand-painted on a sheet of heavy illustration board, this art for "A Mad Extra" has an image area of 10" x 16". Includes an acetate overlay with airbrushed highlights. There is some light soiling on some of the letters; otherwise the art is in Good condition. Signed by Chris White at the bottom. From the Mad Magazine Archives.
Richard A. Williams - Mad #296 "Mad's All-Star Flops" Back Cover Card Illustration Original Art, Group of 8 (EC, 1990). Richard Williams detailed eight losers from 1990 with these full-color painted baseball card-styled portraits. This rascally rogues gallery included Arsenio Hall, Roseanne Barr, Pete Rose, Lawrence Rawl, John Glenn, Bryant Gumbel, Dan Quayle, and David Duke. Each portrait has an image area of 12.5" x 16.5", and the art is in Excellent condition. A copy of Mad #296 is included in the lot. From the Mad Magazine Archives.
Richard A. Williams - Mad Super Special #78 Cover Original Art (EC, 1992). Guaranteed to get a lousy reception! This static-filled Richard Williams illustration covered Mad Super Special #78, which featured classic boob tube reruns. Painted in watercolor on a sheet of heavy illustration board, the art has an image area of 11" x 13.5". In Excellent condition. From the Mad Magazine Archives.
Richard A. Williams - Mad #322 Cover Original Art (EC, 1993). What, me pose? Alfred E. turns his back to us in this unusual portrait by Madman Williams. This one had everyone in our office wanting to flip it over to see if that famous gap-toothed smile would be found on the other side! Was it? Naahhh! This was the only drawn portion of the published cover, which had Alfred looking in puzzlement at photos of three other well-known gap-toothed personalities -- Prince Charles, Ted Koppel, and David Letterman. We kinda like it like this, with a snow-white background. Put this up on your wall and have everyone wonder what Mr. Neuman is looking at! Hoohah! The art is fully painted in oils, on a canvas board measuring 17" x 23.75", and is in Excellent condition.
Richard A. Williams - Mad Cover and Illustration Preliminary Sketch Group of 6 Original Art (1993-95). Three large pencil roughs for Mad covers -- three featuring Batman and Robin for issue #337's "Buttman Fershlugginer" story, and one featuring O. J. Simpson for the cover of Mad Super Special #105 are included in this lot. Also included are two more finished color roughs from issue #323's "If Norman Rockwell Depicted the 90s." The pencil sketches are on folded tracing paper which measures 14" x 17", while the color roughs are hand colored photocopies on paper measuring 17" x 10.5". Overall condition is Very Good.
Richard A. Williams - Mad Color Classics #6 Cover Original Art (EC, 2002). "Our Worst Stuff in Sickening Color" was the cover blurb used to sell the magazine that originally featured this bizarre beauty, and you know... they were right! But of course you, being the Mad fan you are, knew that already! If good taste and political correctness is your goal, you're looking in the wrong catalog, pal! All kidding aside (hey, who wants to do that?), this large painting will definitely thrill all Mad fans! It's a fully rendered oil painting, on a stretched canvas measuring 25" x 31", and is in Excellent condition. Tell the world you don't care by winning this prize, then hang it on your wall for all to see! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad Color Classics #8 Cover Original Art (EC, 2003). At the end of every rainbow lies a pot of gold, and this particular grey-toned rainy day lightshow is no exception! Our old friend Alfred E. Neuman never looked better than he does here, posing among the posies on this gorgeous, fully painted cover by Richard Williams. This could be the ultimate Mad collectible for all of us fan-addicts who have welcomed the "What, Me Worry" kid into our homes and hearts for so many years. The piece, painted in oils on a stretched canvas, measures a whopping 28" x 36", and is in Excellent condition. From the Personal Collection of Richard Williams.
Richard A. Williams - Alfred E. Neuman "Down With Mad" Illustration Original Art (EC, 2003). Guess who's not pretty in pink? That "usual gang of idiots" has done it again with this hysterical send-up of Barbara Novak's pro-feminist novel, and Renee Zellweger's 2003 romantic comedy movie hit, "Down With Love". The art is rendered in oils on a stretched canvas measuring 22" x 28", and is in Excellent condition. Without a doubt, this funny face can lighten any mood! Just try and scowl at it. Go on, we dare ya! You might just wind up tickled pink! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad #438 "The Marriage Licence" Illustration Original Art (EC, 2004). This painfully funny piece is subtitled "If Norman Rockwell Depicted the 21st Century," and it's a dead-on parody of that 20th century master's highly detailed style. The expressions on the faces here are priceless! Gay, straight, bi, or whatever, we think anyone with a sense of humor will find this a hoot! Well, maybe not everyone! The art is full rendered in oils on a stretched canvas measuring 24" x 28", and is in Excellent condition. And quit snickering out there! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad #444 "The Last Supper - Circa 2004" Poster Illustration Original Art (EC, 2004). This large painting is... hold on a minute, my cell phone is ringing! Yes, those pesky cell phones are disrupting all our lives these days! Can you imagine how they would affect the world that Jesus Christ lived it? Sure you can, thanks to this incredible Mad poster art, from the centerfold of issue #444. Artist Richard Williams really "nails" this one (Ouch! Sorry!) with his highly detailed update of da Vinci's famous "Last Supper" painting. The art, created in oils on a stretched canvas measuring 34" x 21", is in Excellent condition. You'll really have... sorry, I have to take this call! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad Color Classics #10 Cover Original Art (EC, 2004). Even birds like to play practical jokes, especially on us lowly ground-walkers. Here's a trio of feathered friends dropping a little, er, color onto a grey-toned Alfred E. Neuman, in this fabulous, fully-painted cover illustration by Richard Williams. This incredible piece is reminiscent of the wonderful painted work of Norman Mingo, who was cranking out lush, realistic renderings like this for years. Williams is certainly in that league! The art is painted in acrylics on stretched canvas measuring 24" x 31" and is in Excellent condition. Take a little advice from Mr. Squirrel, and don't be a nut -- place a bid! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad "Prisoner of Abu Ghraib" Illustration Original Art (EC). Those wacky Mad artists and writers! Nothing gets past 'em. The recent Iraqi POW abuse scandals were more fodder for the satirical minds of the "usual gang of idiots," as seen in this wild illustration that also pokes fun at the Harry Potter series of popular novels. This "fake cover" features a different Harry -- Rumsfeld, that is, accompanied by the Army Private at the heart of the scandal, Lynndie England, in a savage, dead-on take-off on the Potter Prisoner of Azkaban book cover. Wow! This fully painted piece, in oils, is on a stretched canvas measuring 30" x 35" and is in Excellent condition. You'll be flying high if your bid takes this one home! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad Color Classics #11 Cover Original Art (EC, 2005). Go to the head of the class with this wonderful fully painted cover illustration. This "Alfred at the chalkboard" image was embellished in the final printed version with tons of "colored chalk" doodles, but this stark, realistic view is stunning on its own. In keeping with the theme (Mad classic bits with new color added), Alfred is rendered in shades of grey, while the chalkboard background is a typical schoolroom green. The art is painted in rich oils on a stretched canvas measuring 20" x 24" and is in Excellent condition. You'll want to start wearing a "dunce hat" if you miss bidding on this one! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad "Millionaire Astronaut" Illustration Original Art (EC, 2005). What would you do if you had millions of dollars just lying around, needing to be foolishly spent? Buy a ride on a rocket ship? That's the story of American kazillionaire Greg Olsen, lampooned here in typical Mad fashion by Richard Williams. This painting is fully rendered in oils, on a stretched canvas measuring 22" x 28", and is in Excellent condition. Take a wild ride with this Mad masterpiece! From the Personal Collection of Richard Williams.
Richard A. Williams - Mad "When Harry Went Nazi" Painting Original Art (EC, 2005). Shocking! Yes, the public (in particular, the British public) was certainly shocked by the antics of young Prince Harry, who chose to wear a Nazi armband at a private party (and be promptly photographed by the paparazzi doing it). Can you imagine how stodgy old Grandmum Queen Elizabeth felt? Well, now you can, thanks to this lushly painted scene of the cheeky young lad, drink and ciggy in hand, as he confronts Her Royal Highness one fine day in the park. Cor, blimy! The illustration is rendered in oils on a stretched canvas measuring 24" x 30", and is in Excellent condition. If you are the lucky winner of this item, we suggest not displaying it when any member of the Royal Family is about -- they may well wish to put a Royal Foot through it! From the Personal Collection of Richard Williams.
Basil Wolverton - Mad #137 Illustration Original Art (EC, 1970). Self-taught cartoon genius, Basil Wolverton, was a unique talent in the comic art field. This offbeat creator's eccentric style was rendered in a painstaking technique of stippled shading, more suited to the pulp magazines than comic books. The art presented here is from the three-page article, "Sports Cars We'd Like to See," a Wolverton special that appeared in Mad #137. Drawn in pen and ink on a sheet of bristol board, this illustration has an image area of 11.5" x 5" and is in Excellent condition.
Basil Wolverton - Mad #137 Illustration Original Art (EC, 1970). Few comic creators could come close to matching Basil Wolverton's gift for the outlandish. This eccentric humorist had a style described as "the spaghetti and meatball school of design." From the three-page article, "Sports Cars We'd Like to See," this wacky Wolvertoon was drawn in pen and ink on a sheet of bristol board. The image area measures 11.5" x 9" and the art is in Excellent condition.
Wally Wood - Three Dimensional EC Classics Complete 8 page Story "V-Vampires" Original Art (EC, 1954). For EC's foray into the brief 3-D fad, four classic stories -- one each from Mad, Weird Science, Frontline Combat, and Crime SuspenStories -- were redrawn in this one-shot, published in the Spring of 1954. Here is Wally Wood's retelling of his Mad #3 blood-sucking spoof, "V-Vampires." The art is rendered on Crafttint paper and four pieces of Acetate, each piece having art and consecutively numbered pages. The five pieces were then stapled together, with stunning results. The 3D effect is clearly evident and deep - - you can step right into each scene! The art is vibrant and takes on a life of its own; as you turn the pages, you have one incredible scene after another. And then there’s the “Babe” -- a Woody trademark. Each page features a great, leggy, voluptuous female with a body "to kill for". This very unusual and rare item comes from what most fans and comic art experts alike consider Wood’s peak period, and this story is among his most memorable. Aside from some normal aging of the acetate and some very minor paint loss, all items are in Excellent condition.
George Woodbridge - Mad #181, Complete 4-page Story "If TV Commercials Told Us Everything" Original Art (EC, 1976). Talk about truth in advertising! George Woodbridge pulls no punches in this four-page story, which was hand-painted in ink and ink wash. The first two pages have an image area of 17" x 18", and the second two pages have an image area of 16.5" x 22". All four pages are in Excellent condition. From the Mad Magazine Archives.
George Woodbridge - Mad #182 "A Mad Look at 50 Years of College Life in America" Page Original Art, Group of 8 (EC, 1976). Here's a wonderful lot for a true-blue George Woodbridge aficionado -- eight detailed pages chronicling the delightful fads and fashions of college life in years gone by. All reet! Each of the pages has an approximate image area of 22" x 16", and the art is in Excellent condition. From the Mad Magazine Archives.
George Woodbridge - Mad #211 Complete 4-page Story "A Mad Look at Doors" Original Art (EC, 1979). These hilarious George Woodbridge door gags will floor you. Detailed in ink, with greytone washes, each page has an image area of 16.5" x 18", and the art is in Excellent condition. From the Mad Magazine Archives.
George Woodbridge - Mad #211 Caveman Illustration Original Art (EC, 1979). What are the origins of the "Out of Order" sign? According to Mad, they go way back! This funny Prehistoric Man gag is superbly rendered in india ink and grey wash, with an image area of approximately 7.5" x 6.5", on a piece of textured board measuring 11.25" x 14.25". The art is in Excellent condition; however, the piece was at one time glued to a larger board, resulting in a few light stains in the borders, none of which affect the image area. From the Mad Magazine Archives.
George Woodbridge - Mad #226 "How Many Mistakes Can You Find In this Picture?" Illustration Original Art (EC, 1981). George Woodbridge details the three-ring circus that is a rock concert. Even the Mad dirigible makes the scene! But how many mistakes can you spot? An acetate overlay with numbers on it indicates that there are twenty. This panoramic scene has an approximate image area of 23" x 17.5", and the art is in Excellent condition. The lot includes two production overlays (one is on acetate and the other is on vellum). From the Mad Magazine Archives.
George Woodbridge - Mad #243 "Book of Mad" Illustration Original Art (EC, 1983). George Woodbridge gives us a offbeat glimpse at the "Prophet of the Year." Our prediction is you will love this ink and washtone masterwork, and bid! The panels have a combined image size of 24" x 6.5", and the art is in Excellent condition. From the Mad Magazine Archives.
George Woodbridge - Mad Super Special #84 Complete 5 page Story "A Street Gang's Annual Report" Original Art (EC, 1992). Everyone's doing the Annual Report thing these days, even street gangs! These funny five pages feature all of George Woodbridge's illustrations from this piece, including one page of pie charts and graphs! Most pages feature only art, as type was added during production. The art, in india ink and grey wash, is featured on pages of bristol that range from 15" x 19" to 19" x 23.5", all in Excellent condition. From the Mad Magazine Archives.
George Woodbridge - Mad #320 "What's Right With America" Illustration Original Art (EC, 1993). Instead of complaining what's gone wrong with the country, those positive-thinking folks at Mad helpfully point out all the right things about These Here United States, in this large map of the country drawn by George Woodbridge. A vellum overlay features all the type and arrow boxes, while the base art is watercolor on bristol, which has been mounted to another piece of 18.75" x 15.5" illustration board. In Excellent condition. From the Estate of George Woodbridge.
George Woodbridge - Mad #322 Complete 3-page Spy vs Spy Story "The Tourist" Original Art (EC, 1993). When "Spy vs Spy" creator Antonio Prohias fell ill, Mad editor Nick Meglin called on a very capable replacement artist for this issue -- George Woodbridge. Woodbridge had no trouble replicating Prohias' style for this funny outing, which finds the White Spy venturing over to "Blackspyland," tourist style. Alas, Woodbridge's talents were needed elsewhere in the magazine, resulting in this being his only "Spy vs Spy" story. The line-art pages are complete with tissue overlays marked in red for grey-tones to be added during production. The image area on each page measures 11.5" x 15", on bristol measuring 15.75" x 20.25" and all are in Excellent condition. A copy of the magazine is included. From the Estate of George Woodbridge.
George Woodbridge - Mad #330 "Consumer Safety Labels We'd Love to See" Panel Page Original Art (EC, 1994). Here's a two-page spread (on one large 25.25" x 15.25" board) featuring seven wild labels we would all love to see. The art is in Excellent condition, and is complete with all type paste-ups. From the Estate of George Woodbridge.
George Woodbridge - Mad #334 Complete Story "Why Do We Believe..." Original Art, group of three (EC, 1995). You gotta believe some times! Believe in Tinkerbell... believe in magic... believe that this three-pager is the funniest thing you ever saw, and that you must place a big bid on it! Believe! Believe! Well, it is a funny piece, as written by Desmond Devlin (we've thoughtfully included a copy of Mad #334 for your reading pleasure -- no need to thank us) and drawn by George Woodbridge. The art, in ink and grey wash, is on three pieces of 18" x 21.75" heavy bristol, and is in Excellent condition. From the Estate of George Woodbridge.
George Woodbridge - Mad #345 Complete 2-page Story "Why Is It?" Original Art (EC, 1996). George Woodbridge's keen observational humor adds a real punch to these scene spotlighting the mysteries of modern life. For example, "Why is it that the only time postal employees move fast is when they're shooting up a post office?" Or, "Why is it rap stars aren't so concerned about police brutality when it's inflicted by the Judge Dredd wannabes they hire as personal security guards?" This outrageous ink and greytone piece (which depicts both story pages on one sheet of paper) has an image area of 25.5" x 19", and the art is in Excellent condition. A copy of Mad #345 is included, so you can read the other "Why Is It?" questions. From the Estate of George Woodbridge.
George Woodbridge - Mad #348 Complete Story "You're a Crook You're a Businessman" Original Art (EC, 1996). There's a fine line that distinguishes a savvy business mogul from a complete crook, so naturally, Mad's long-time artist George Woodbridge and writer Desmond Devlin cross way over that line to bring you this extremely funny four-page send-up. The art, executed in india ink and grey wash, is on 19" x 24" sheets of heavy bristol, and is in Excellent condition. All type was added during production, so we've included a copy of Mad #348, in order to fully enjoy this oh-so-true funny feature. From the Estate of George Woodbridge.
George Woodbridge - Mad #349 Complete Story "Mad's Gambler of the Year" Original Art (EC, 1996). It's time to join I-Wanna Chump in a celebration of Ace Tropicana, Mad's Gambler of the Year! Artist George Woodbridge spent five decades keeping America laughing in the pages of Mad, and this five-page side-splitter is typically wacky Woodbridge stuff. All type on these pages was added during production, but worry not -- we're including a copy of the issue for your reading pleasure. The art is india ink and grey wash on boards measuring approximately 18.5" x 23.5". All are in Excellent condition. From the Estate of George Woodbridge.
George Woodbridge - Mad #378 "When Gambling Comes to Your City" Panel Page Original Art Group of 2 (EC, 1999). With casinos popping up all across the country, you need a guide like this! George Woodbridge's illustrations for this feature, which humorously contrasts the promises made by civic leaders to sell the idea of legalized gambling and the resulting "promises kept," are in the classic Mad style. The art is in ink and grey wash, on two pieces of bristol board measuring 18" x 19.5" and 18.5" x 23". The type is missing, added during the production process. The art is in Excellent condition. A copy of Mad #378 is included. From the Estate of George Woodbridge.
George Woodbridge - Mad #379 Complete 1-page Story "The Late Night Spree of Saul Devere" Original Art (EC, 1999). "Listen, dear readers, and you shall hear, of the late night spree of Saul Devere; Grand infomercials lit up his screen, with products like he'd never seen, embellished by pitchmen with words sincere." Thus began Frank Jacobs' witty lampoon of the Henry Wadsworth Longfellow poem. George Woodbridge's amazingly detailed panorama of cheap novelty products provided the perfect picture of this Mad scene! This terrific ink and greytone page has an image area of 16" x 17", and the art is in Excellent condition. A copy of Mad #379 is included, so you can read the whole furshluginer poem as you admire this art! From the Estate of George Woodbridge.
George Woodbridge - Mad #408 "Behind the Scenes at a National Park" Panel Page Original Art Group of 3 (EC, 2001). This triple-page spread contains plenty of great "eyeball kicks" by long-time staffer George Woodbridge. Two pages combine to form one extra large image. The art is in india ink and grey wash on heavy bristol measuring approximately 18.5" x 24", and is in Excellent condition. Most type is missing, as this was computer-added during production. Remember -- the bears are not tame! From the Estate of George Woodbridge.
Deborah Woodbridge - Mad #327 Hand-Sewn "Sampler" Back Cover (EC, 1994). Here's something guaranteed to have you in "stitches" -- it's the original hand-sewn "sampler" as seen on the back cover to issue #327 of Mad, with the most savage parody of that time-honored tribute, "Mother." Can't you just imagine the reaction of people seeing this lovely item displayed? From a distance, it's a dead-on version of something found in countless American homes, but read a few lines and... you get the idea! Created by David Connor and writer Frank Jacobs, with needlework by George Woodbridge's wife, Deborah, this is one Mad item that is truly -- mad! The sampler, in Excellent condition, measures 16" x 20" on light brown cloth and is padded and mounted to a backing piece of cardboard. Very wild and unusual! From the Estate of George Woodbridge.
Bob Clarke - Mad #229 "Whatever Became Of..." Retouched Photos Production Art (EC, 1982). Ten photos of entertainment stars, world leaders, and other "names in the news" get the Mad treatment. Included in this lot are "revised" photos of Hugh Hefner (as a balding priest), Fidel Castro, Ed McMahon, Charles Bronson, and others. The 8" x 10" black and white photos have been mounted on illustration board, and retouched with grey and white paint, using brush and airbrush. All are in Excellent condition. From the Mad Magazine Archives.
Kelly Freas - Science Fiction Santa Print (undated). Former Mad cover artist and science fiction master, Kelly Freas, combined his knack for humor and science fiction in this hand-colored print of Santa in his new-fangled rocket sled. This print has an overall size of 12.5" x 8.5", and it is in Very Good condition. A caption at the bottom, written in blue pen, reads, "Just when I was starting to have fun..."
Don Martin - "One Fine Tuesday Last June" Signed Fine Art Print, 378/500 (Dark Horse, 1993). What would you do if someone swallowed a pogo stick? Leave it to Don Martin to come up with an answer! This full color print, on heavy paper, measures 19.5" x 27", and is in Excellent condition. It's been signed "D. Martin" in pencil in the lower border area.
Session 6
Paul Abrams and Barnes - Catfight: Dream Warrior #1 Back Cover Original Art (Insomnia Press, 1995). Fierce and proud, Catfight stands defiant against an angry backdrop of devastation. This incredible and indelible image graced the back cover of Catfight: Dream Warrior #1, and was penciled by Paul Abrams, and inked by Barnes. The image area measures 11.25" x 16", and the condition is Excellent.
Neal Adams - Strange Adventures #214, page 10 Original Art (DC, 1968). Neal Adams and Robert Kanigher teamed up to present one of Deadman's most gripping tales, "To Haunt a Killer." Deadman discovers that Phil, a man whose life he had taken over for a time, is actually a professional killer. Deadman haunts the hitman's activities in this finely penciled and inked Neal Adams page, done during a peak period of Adams' Silver Age work. The image size is 10" x 15". A small piece is missing out of the lower left corner of the paper, well outside of the art area; otherwise the art is in Excellent condition. If you're a Neal Adams fan, you'll be haunted if you don't make a run at winning this splendid Deadman page.
R. L. Allen - Monster Puzzle Dracula Illustration Original Art (Whitman, 1969). No one has ever played the role of Count Dracula with the mixture of style and menace of Bela Lugosi. R. L. Allen has captured Lugosi's unique charisma, showcased in the Universal Pictures 1931 cinematic classic, "Dracula." The painting has an image area of 17" x 22", and the art is in Excellent condition. This blood-chilling scene captures perfectly "the story of the strangest passion the world has ever known."
R. L. Allen - Monster Puzzle Wolf Man Illustration Original Art (Whitman, 1969). Clap for the Wolf Man -- you gonna dig him 'til the day you die! R. L. Allen has painted a spectacular scene of the cursed Larry Talbot in his full Wolf Man mode, as he stalks a luckless lady strolling through dark, deserted streets. The painting has an image area of 17" x 22", and the art is in Excellent condition. This large acrylic on illustration board painting will make a fantastic wall piece for any fan of the Universal Picture monsters. Ah-oooh!
R. L. Allen - Monster Puzzle Mummy Illustration Original Art (Whitman, 1969). The Universal Pictures' Mummy walks again, this time through a fetid, moonlit swamp. The detail and lighting in R. L. Allen's magnificent masterpiece compares favorably to the famed James Bama Aurora Model kit cover scenes, and captures Boris Karloff's likeness as well. The painting has an image area of 17" x 22", and the art is in Excellent condition. Im-ho-tep comes to life again!
Alfred Andriola - Kerry Drake Detective Cases #21 Cover Original Art (Harvey, 1950). Chief investigator for the D.A., Kerry Drake, faces down a ruthless gang of criminals, armed with the latest scientific devices, who are blazing a hot trail of murder and robbery, in this cover illustration by series creator, Alfred Andriola. The image area measures 13" x 17.5", and, aside from some slight glue staining around some of the paste-up copy, the work is in Excellent condition. The logo and masthead paste-ups are not original, but recent photocopy replacement art. Includes a copy of Kerry Drake Detective Cases #21.
Ross Andru and Mike Esposito - Jet Fighters #6, Complete 7-page Story, "MIG Alley Matinee" (Standard, 1953). Standard Comics adopted the design-oriented approach of Alex Toth for its "house style" and two artists who could accommodate that look perfectly were the talented team of Ross Andru and Mike Esposito. In this hard-hitting yarn, movie star Len Stanley is recalled to active duty and when he sees a chance for publicity by shooting down a MIG, he takes it even though it costs the life of his wing man. The image area of each page is 12" x 18" and aside from edge wear and a few lettering corrections, the art is in Excellent condition.
Ross Andru and Mike Esposito - Joe Yank Complete 8-page Story "A Good Way to Die" Original Art (Standard Comics, circa 1953). Joe Yank, the devil-may-care G.I., always seems to end up on top of any combat situation -- much to the chagrin of his Sergeant, Mike McGurk. War art veterans Ross Andru and Mike Esposito handle the fast-clipped storytelling with their supreme teamwork. Each page has an image area that measures 12" x 18". There are a few lettering correction paste-ups, some touches of white-out, and some minor edge wear; otherwise the art is in Excellent condition.
Ross Andru and Bill Everett - Marvel Feature #3, page 22 Original Art (Marvel, 1971). Sometimes it's a blessing to have a small mind! Xemnu, the Living Titan, can't paralyze the Hulk's brain because there's not enough there to paralyze! From the Roy Thomas story, "A Titan Walks Among Us," comes this page featuring one of the Defenders' earliest appearances. This stunning Bronze Age page, penciled by Ross Andru, and inked by Bill Everett, has an image area of 10" x 15". There are some printer's oil stains along the edges, and two tape stains at the top and bottom; otherwise this piece is in Very Good condition.
Ross Andru and Sal Buscema - Marvel Feature #2, page 6 Original Art (Marvel, 1972). As the Master of the Mystic Arts monitors his Defender ally, the Sub-Mariner, he is interrupted by the appearance of an astral projection from his mystic mentor, the Ancient One! Throwing caution to the winds, Dr. Strange joins the old one in the garden of the sky, in this uncanny page from the Roy Thomas story, "Nightmare on Bald Mountain". This art has an image area of 10" x 15", and, aside from a tape stain in the upper left corner, and a tape stain at the top and bottom edges, the work is in Very Good condition.
Ross Andru and Sal Buscema - Marvel Feature #2, page 16 Original Art (Marvel, 1972). The Avenging Son of Atlantis deftly maneuvers through a back alley in the vicinity of Bleecker Street and Seventh Avenue, until he finds himself in a fleeting clash with the Emerald Gladiator -- the Hulk -- in this wondrous page from Roy Thomas' story, "Nightmare on Bald Mountain". This art has an image area of 10" x 15", and, aside from a couple of printer's ink stains, and a tape stain at the top and bottom edges, the work is in Very Good condition.
Jim Aparo - Adventure Comics #432, page 6 Original Art (DC, 1974). In the mid 1970s, Michael Fleisher and Jim Aparo revived DC's perennial spook hero -- the Spectre -- in the pages of Adventure Comics (from #431-440). The Spectre now tackled crazy, homicidal villains whom he dispatched with his almost limitless powers in various grisly ways (pushing the boundaries of what the Comics Code Authority would permit). It was as much horror as it was super hero and actually achieved a certain notoriety because of that. From the celebrated Fleisher/Aparo collaboration that shocked, and thrilled readers, comes this page published in Adventure Comics #432, from the story, "The Anguish of... the Spectre". The art has an image area of 10" x 15", and, aside from some tape stain residue on three edges (outside of the image area), the art is in Very Good condition.
Rafael Auraleon - Creepy Magazine Splash Page Original Art (Warren, undated). This exceptional work of art by Rafael Auraleon is sweeping in its scope and dimensional representation. Despite the many character elements, it evokes a vastness of space which dwarfs the females in the foreground. A plethora of alien life forms adds a fun quality to the piece, and Uncle Creepy, himself, looks on in the upper right corner. Auraleon aptly handles the pen and ink with a variety of inking styles, conveying a wide range of textures. He uses ink wash to unify the composition. From an unidentified issue of Creepy, this page has an image area of approximately 12.25" x 17.5". The page has minor surface wear but, otherwise, is in Excellent condition.
Al Avison (attributed) - All-New Comics #10 Boy Heroes Splash Page 1 Original Art (Harvey, 1944). Freedom, their call to arms -- Liberty, their watchword -- Action, their motto! The Boy Heroes battle the menace of "Terror in Transylvania" in this superb Golden Age splash. The profound influence of Jack Kirby and Joe Simon's super-charged work is undeniable in this slam-bang scene. The image area of the page measures 12.5" x 18", and the art is in Very Good condition.
Al Avison - Green Hornet Fights Crime #40 Complete 10 page Story "Digits For Dumbells" Original Art (Harvey, 1948). The Green Hornet and Kato smash the numbers racket of Digits Drake in this fast-moving adventure. The influence of Chester Gould's gallery of oddball rogues can be see in the outlandish mannerisms and modus operandi of Digits -- that's comics! Each page has an image area of 12" x 18". There is some light soiling, and the title type and a caption box is missing; otherwise, these pages average Very Good condition.
Al Avison (attributed) - Humphrey #11 Cover Original Art (Harvey, 1950). Joe Palooka's rotund chum stars in his own comic book; here, Humphrey's footwork in the ring is so clumsy, he can't even land a boxing glove on Joe. The image area of this cover measures 13" x 19". The title logo stat and several caption stats are replacements; otherwise the art is in Excellent condition.
Al Avison - Kerry Drake Detective Cases #27 Cover Original Art (Harvey, 1951). On this thriller, Kerry Drake has his hands full saving a hurtling Messie Bessie from a cold-blooded crack-up. It seems "Jackpot" has worked out a scheme to kill Bessie using a wedge of ice that will melt away and send her wheelchair down a slippery slope of doom! The image area of this cover measures approximately 11.5" x 17". Aside from a few missing type elements at the top and bottom of the cover, and glue stains along the left and right edges, the art is in Very Good condition. This cover will make a sensational showpiece for a pre-code crime collector.
Al Avison (attributed) - Dick Tracy Comics Monthly #115 Cover Original Art (Harvey, 1957). Prince Charming and his glass slipper have nothing on the World's Most Famous Detective, Dick Tracy, as he struggles to solve "The Case of the Greedy Heiress!" Another minor masterpiece of crime and detection by Al Avison, this art has an image area of 13" x 17", and the condition is Very Good. The logo and masthead are recent replacements, and not the original stats.
Dick Ayers - Badmen of the West #2, Complete 6-page Story "Jesse James" Original Art (Magazine Enterprises, 1953). Dick Ayers recounts the legend of Jesse James in this six-shooting, six-page romp. Ayers excelled at the Western genre, and every panel of this story is detailed beautifully. The image area of each page measures 12" x 18", and the art is in Excellent condition. Dick Ayers has signed each page in its lower border. Saddle up and bid, pod'nahs!
Dick Ayers and George Roussos - Sgt. Fury #14, pages 18 Original Art (Marvel, 1965). Wah-hoo Howler fans -- Sgt. Fury and his men sneak past enemy lines in a German truck, thanks to the acting ability of Dino Manelli. The page hails from the landmark story, "The Blitzkrieg Squad of Baron Strucker." The image area of this page is 12.5" x 18.5", and the art is in Excellent condition.
Dick Ayers and Wally Wood - Dynamo #2, page 9 Original Art (Tower, 1966). T.H.U.N.D.E.R. agent, Dynamo, puts his own spin on the crook-catching business, in this page penciled by Dick Ayers and inked by Wally Wood. Tower Comics' wall-smashing he-man relished superheroics, and grabbed every opportunity to show off the amazing abilities he receives from his Thunderbelt! The image area measures 10" x 15", and, aside from some slight aging, and some glue staining on the type box in the second panel, the condition is Very Good.
Dick Ayers - Fantastic Four #4 Cover Recreation Original Art (1994). This excellent work of art for this classic key cover was recreated by Dick Ayers through an exclusive arrangement between the artist, Marvel Entertainment Group, Inc., and Sotheby's. This stunning piece was created by Ayers, the artist who inked Jack Kirby's pencils on the original cover. The artwork has an image area of 13.5" x 19.5", and the condition is Excellent. Signed by Dick Ayers along the bottom right edge. Includes a certificate of authenticity.
Mark Bagley and Al Vey - Spider-Man Vs. Hammerhead Splash Page Original Art (undated). Spider-sense and spider-speed save the wondrous wall-crawler from a deadly crossfire unleashed by Hammerhead and a hovering helicopter. Mark Bagley captures the unique thrill of watching Spider-Man in action and Al Vey's inks add the perfect finish to this pulse-pounding drawing. The image area of the piece is 14" x 8", and the art is in Excellent condition. Mark Bagley has signed the art in the border at the lower right.
George Baker - Sad Sack #6 Cover Original Art (Harvey, 1950). If anything could go wrong, Sad Sack would ensure that it did -- on this cover, the long arm of the law clamps down on the Sack for blocking access to a fireplug with his delivery wagon. With civilian woes such as these, soon the sad one would be donning the uniform and becoming the private that we all came to know and feel sorry for. The stats are replacements, but the image area is original art. This piece has been collaged together, with the art area attached to a support board; it is in Very Good condition, with an image area that measures 10.5" x 15".
Clive Barker - Christmas Card Illustration Original Art (Golden Apple, 1992). "Be regular and orderly in your life, that you may be violent and original in your work," quotes master horror writer and artist Clive Barker. With his antennae-like eyebrows, and demonic helpers, Barker's version of old Saint Nick is not an elf you want coming down your chimney! It will make you wish you were snug in your bed with all the doors and windows bolted shut! Raw and moving, this ink and brush illustration has an image area of 14" x 17" and the condition is Excellent. Includes a 1992 Christmas card, signed by Clive Barker.
Ken Barr - 666: The Mark of the Beast #16 Cover Original Art (Fleetway/Quality, circa 1990). Ken Barr combines science with horror to produce an image eerie enough to produce a state-of-the-art nightmare, in this cover illustration. 666 The Mark of the Beast was a Fleetway/Quality anthology reprinting British science fiction/horror comics from 2000 A.D., with painted covers by an assortment of talents. Painted in vivid oils on a 20" x 30" sheet of heavy illustration board, the work is in Excellent condition. Includes a copy of 666: The Mark of the Beast #16.
Doug Beekman - Savage Sword of Conan #225 Cover Original Art (Marvel, 1994). Near the end of its epic run, Savage Sword was blessed with the prodigious talents of Doug Beekman as cover artist. Bringing a sense of power and urgency to his paintings, Beekman was perfect for the adventurous, violent milieu in which the Warrior-King of Cimmeria often found himself. Whether he was battling demons, wizards, men-at-arms or dinosaurs (as shown here), Conan remained a fearsome opponent, always up to whatever challenge was thrown at him. This is a particularly large painting, measuring approximately 19.5" x 29.5", and in Excellent condition. Conan images are becoming more and more popular among collectors, and a finer rendering than this would be hard to find.
Doug Beekman - Savage Sword of Conan # 233 Cover Original Art (Marvel, 1995). Conan, Warrior-King of Cimmeria, rides headlong into battle, with armed foes before him and terrible monsters at his back. Painted for one of the last issues of this long-running magazine, Beekman contributes a masterpiece that fairly bristles with action and dramatic tension. From his masterful use of color to his unerring eye for composition, this piece, which measures approximately 18" x 24" on canvas board, is a great representation of a classic character, sure to awaken the barbarian in us all.
Frank Bellamy - Garth Daily Comic Strip Original Art, dated 4-17-74 (Daily Mirror, 1974). Garth and Astra are attacked by two blood-thirsty assassins in this high contrast thriller, numbered H90. Frank Bellamy is one of the celebrated titans of British comic strip art. This daily has an image area of 20" x 5.25", and the art is in Excellent condition.
John Berkey - "Orca the Killer Whale" Poster Painting Original Art (circa 1977) Bo Derek made her feature film debut in "Orca the Killer Whale." In the film, Richard Harris stars as a fisherman who kills a male orca's pregnant mate. This brings the whale's retribution upon a small coastal village and sets the stage for a final showdown between man and beast. Although perhaps best known for his science fiction images of orbiting spacecraft, John Berkey did a spectacular job of capturing the primal fury of Orca's attack. This painting has an image area of 31.5" x 21.5", and the art is in Excellent condition. The piece has been professionally framed and the bronze finish of its frame complements the colors in the painting handsomely.
Simon Bisley - The Official Comic Book Price Guide for Great Britain 1990 Cover Original Art (PGP, 1990). Award-winning British comic book artist, Simon Bisley, takes things to the next level in this cover illustration featuring Spider-Man and the Punisher. This art graced the cover of the 1990 edition of The Official Comic Book Price Guide for Great Britain, by Duncan McAlpine. With an 11.5" x 14.5" image area, it's the Biz at his best! In Excellent condition. Includes a tear sheet of the cover, which measures 5.75" x 8.25".
Simon Bisley - Rock Power Magazine: Judge Dredd, page 1 Original Art (Fleetway, 1991). From the "Heavy Metal Dredd" series which first appeared in Rock Power, a metal music magazine, comes this drokkin' first page of the 6-page story, "The Night Before Christmas," written by John Wagner and Alan Grant, and painted by Simon Bisley. The image area measures 8" x 10.75" and the art is in Excellent condition.
Simon Bisley - Rock Power: Judge Dredd, page 6 Original Art (Fleetway, 1991). You are looking at an original page of art by Simon Bisley, which features one of the great characters of his career -- Judge Dredd! From the "Heavy Metal Dredd" series, this art first appeared in Rock Power magazine, and was subsequently translated into many languages, before being reprinted in Judge Dredd Megazine. Painted in colored inks and marker on heavy illustration paper, the art has an image area of 8" x 11" and is in Excellent condition.
Simon Bisley - Max Carnage, page 2 Original Art (Heavy Metal, 1993). The demented cyborg, Thor, who calls himself Max Carnage, tangles with a couple of deadly black panthers, in this ultraviolent page by Simon Bisley. Originally presented in Heavy Metal War Machine Vol. 7 #1, Max Carnage is a superhero created by Dave Elliott and Simon Bisley, with everything that name implies. Bisley is one of the most insanely over the top artists you'll find, as you can see in this frenzied page. This exaggerated page has an image area of 11" x 17" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 1 Original Art (Kitchen Sink, 1994). With this page, the epic four-issue Melting Pot limited series gets off to an explosive start! A damaged starfighter makes an almost fatal crash landing on an unfamiliar planet. The pilot find herself alive, but what horrors are in store for her? Kevin Eastman's pencils are painted over by Simon Bisley, whose kinetic technique brings this page to smoking life. The art has an image area of 13.75" x 20" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 2 Original Art (Kitchen Sink, 1994). Her laser wounds the vicious little varmint who is intent on having her for lunch. Maybe this stranded pilot shouldn't count her blessing just yet, because this hostile planet has more menacing things in store for her! Here is the second page to the first issue of Kevin Eastman and Simon Bisley's epic four-issue series Melting Pot. Kevin Eastman pencils and Simon Bisley paints this intense multi-paneled page. The art has an image area of 13.75" x 21" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 3 Original Art (Kitchen Sink, 1994). It's survival of the fittest between the pilot of a crash-landed starfighter, and a rottweiler-sized alien creature, and only one will win! Kevin Eastman and Simon Bisley jump start this harrowing series with this early page, which is full of pure, thoughtless violence. Eastman is the penciler with Simon Bisley finishing the work with his overwhelming painting techniques. The art has an image area of 13.75" x 21" and is in Excellent condition.
Simon Bisley and Eric Talbot - Melting Pot Book One, Splash Page 5 Original Art (Kitchen Sink, 1993). Kevin Eastman's four-part series begins with the death of this unknown space explorer, whose battle-damaged starfighter crash landed on an unfamiliar planet, and the violence escalates from here. Eric Talbot put down the initial design, which was "finished off" by Simon Bisley, who unleashes a flurry of sprays and splatters, adding a veneer of grit to this dramatic moment. The image area is 18" x 23.5", and the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 7 Original Art (Kitchen Sink, 1994). The lone pilot of a battle-damaged starfighter takes her last breath, while her assassins gloat over their kill, in this cutthroat page from the Kevin Eastman/Simon Bisley collaboration. Simon Bisley attacks this page with his skilled brush, painting hues over Kevin Eastman's pencils. The art has an image area of 14" x 21.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 8 Original Art (Kitchen Sink, 1994). Two killers join an army of blood-thirsty soldiers making their yearly journey to the fortress of Shantarr, in this eighth page of the first issue of Melting Pot, Kevin Eastman and Simon Bisley's epic four-issue series. Kevin Eastman pencils, and Simon Bisley paints, this formidable multi-paneled page. The art has an image area of 13.75" x 21.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, Splash Page 9 Original Art (Kitchen Sink, 1994). The border town of Juudas gets the Simon Bisley touch, in this remarkable, panoramic rendering. Created, written, and penciled by Kevin Eastman, the art was given a final painted polish by one of the most prolific painters in the "Biz"-ness, Simon Bisley! The art has an image area of 13.5" x 21" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 10 Original Art (Kitchen Sink, 1994). On their yearly pilgrimage to the city of Shantarr, two soldiers take in an death match between two deadly behemoths in the city of Juudas. This collaboration of Kevin Eastman's pencils and Simon Bisley's paints will set your teeth on edge, with its dynamic rendering and ferocious color. The art has an image area of 13.5" x 21" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 11 Original Art (Kitchen Sink, 1994). The mighty Gorr loses his battle in the arena at Juudas, leaving two soldiers broke, in this fatal page by Kevin Eastman and Simon Bisley. Eastman pencils, and Bisley paints, this bloody page from the first book of the Melting Pot series. The art has an image area of 13.5" x 21" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 14 Original Art (Kitchen Sink, 1994). More mayhem and malevolence from the minds of Kevin Eastman and Simon Bisley! In the mean streets of Juudas, the peace-seeking Odin stops his bodyguard, Zeek, from killing yet another creature, in this devastating delineation. The Biz lavishes his paint over Eastman's pencils to produce this deep, rich rendering. With an image area of 13.75" x 21.5", this art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 15 Original Art (Kitchen Sink, 1994). While travelling through the devastated border town of Juudas, the ancient and wise Odin reminisces about the past to his protector, Zeek, in this page penciled by Kevin Eastman and painted by Simon Bisley. Bisley manages to keep the mood dark, with contrasting colors that make the page vibrate with intensity. The art has an image area of 13.5" x 21" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 16 Original Art (Kitchen Sink, 1994). Death comes very near Odin and his companion, Zeek, in the form of the evil Lord Tyler, astride his taloned flying creature, in this page penciled by Kevin Eastman, and painted by Simon Bisley. The page consists of numerous small panels, each lavished with lots of detail and textures by the hand of Bisley. The art has an image area of 13.75" x 21.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book One, page 19 Original Art (Kitchen Sink, 1994). Riding a horrid winged monstrosity, the malevolent Lord Tyler returns to his troops, who stand ready for battle. Simon Bisley paints over Kevin Eastman's pencils on this page from the four issue series. Bisley's tight ink and acrylic wash renderings nicely highlight the panels. The art has an image area of 14" x 21.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book Two, page 22 Original Art (Kitchen Sink, 1994). Simon Bisley gets down to "Biz"-ness, in this eye-popping page from his collaboration with Kevin Eastman. Each panel was painted separately and then pasted on to a 15" x 20" illustration board. Textured borders were then added around the panels. When it comes to graphic violence, Bisley spares no intimate detail! The art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book Three, page 6 Original Art (Kitchen Sink, 1994). The evil Lord Tyler lashes out at a grotesque monstrosity, spewing blood and extremities all over this berserk page! This explosive scenario is given the full-blooded treatment by the amazing Simon Bisley, who paints over Kevin Eastman pencils. With an image area measuring 14" x 19.5" the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book Three, page 10 Original Art (Kitchen Sink, 1994). With a strangled tug on his leather harness, Lord Tyler guides his leather-winged transport high into the sky above Shantarr. This pestilent page, painted by Simon Bisley over Kevin Eastman's pencils, is a moody masterpiece rich in purple and blues. The art has an image area of 14" x 19.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book Three, page 12 Original Art (Kitchen Sink, 1994). Lord Tyler fulfills a prophecy, as he casts a stone upon a lake, and makes his presence known to the denizens of the Council. Simon Bisley's art seizes readers and strikes them dumb with this fearsome announcement of Lord Tyler. It is as though a typhoon of art has been let loose and is sweeping all away, and a few moments are needed to recover from the page's impact, to surmount the expectation of the awful horror that has been sown. The image area of this painted page measures 12" x 17.5". Each panel has been collaged onto a support paper; otherwise the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book 3 Page 14 Original Art (Kitchen Sink, 1994). This underwater sequence from the Melting Pot saga was given a full-blown painted finish by the amazing Simon Bisley. It spotlights beautiful figure work by one of the best in the "biz." This page measures 14" x 20" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book Three, page 15 Original Art (Kitchen Sink, 1994). Joshua witnesses the return of the evil Lord Tyler and his minions from hell and rushes to the sacred chamber of the All Fathers to tell them, in this wordless page by Kevin Eastman and Simon Bisley. Those familiar with Bisley's original art will identify the telltale signs of the master's hand in the sprays of color, expressionistic brushwork, and splattering that fill this colorful page. The image area is 12.5" x 18", and the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, Book Three, page 21 and 22 Original Art (Kitchen Sink, 1994). Lord Tyler returns to his soldiers and rallies them to prepare to march to the Holy Land for the final battle! Simon Bisley adds his lush painted hues over Kevin Eastman's pencils. The art has an image area of 14" x 21.5" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book 3, page 24 Original Art (Kitchen Sink, 1994). For the multi-million dollar animated feature, "Heavy Metal: F.A.K.K.2.," Kevin Eastman combined the storyline of his Melting Pot graphic novel with the expanded role of a dynamic female heroine, named F.A.K.K.2, played by Julie Strain. An angry councilman, the High One, gives Jacob and Zarharr their marching orders from his star chamber. Simon Bisley blends his background hues from red to green, to add visual impact to the jarring emotional tenor of this scene. The image area measures an overall 13.75" x 20.5", and the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Original Art (Kitchen Sink, 1994). A virtual masterpiece of mutated futuristic battlefield violence. The cool, shadowy color palette contrasts with the red-hot combat of this action-packed full-page battle scene. The artwork measures 13.75" x 9.75" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, page 37 Original Art (Kitchen Sink, 1994). A violent, "mature audience" scene is spotlighted on this page. It's yet another fantastic example of Simon Bisley painted hues over Kevin Eastman pencils. This page measures 11" x 17" and is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, page 40 Original Art (Kitchen Sink, 1994). A hooded figure helps the wounded Zarharr walk in this very colorful page. Simon Bisley expertly brushes the paint over Kevin Eastman's pencils. This page measures 11" x 17" and the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot, page 42 Original Art (Kitchen Sink, 1994). An army of invaders carry Lord Tyler into the High One's underground council chambers; this terrific piece features Simon Bisley paints over Kevin Eastman pencils. It measures 11" x 17" and its condition is Excellent.
Simon Bisley and Kevin Eastman - Melting Pot Book Four, page 62 Original Art (Kitchen Sink, 1994). The Almighty Lord makes this appearance at the end of the four-part Melting Pot storyline. Simon Bisley's sophisticated painting techniques ensure that Kevin Eastman's designs glow with vibrant colors and life-like textural effects. This irreverent look at a reverent being has an image area of 9.25" x 12.75", and the art is in Excellent condition.
Simon Bisley and Kevin Eastman - Melting Pot Book Four, page 63 Original Art (Kitchen Sink, 1994). For the finale of the four-part Melting Pot storyline, Kevin Eastman and Simon Bisley bring God into the picture to wrap things up. This ethereal image maintains the full-blooded treatment of the amazing Simon Bisley, painting over Kevin Eastman's pencils. The grand staging of this gigantic chaos-filled moment is truly mind-boggling. The image area measures 9" x 12.75" and the art is in Excellent condition.
Simon Bisley - Judge Dredd page Original Art (undated). Simon Bisley has detailed this thriller in mixed-media, brushing in finely glazed surfaces and great splatter textures. A word to the wise -- never play "chicken" with Judge Dredd! The image area measures 10" x 13.5" and the art is in Excellent condition.
Simon Bisley - Mutant Chronicles Sourcebook #1 Cover Original Art (Acclaim Comics, 1996). A sword-wielding space warrior is attacked by the crab-queen of a swampy planet. It's a scene that is prime Bisley in almost every way - from the teeth-clenching, muscle-bound hero to the multi-limbed insectoid monstrosity, and to the dank, steamy environment laden with skin-stripped skeletons. Need we say more? Bid, bid, bid, or this spider-monster-chick will haunt your nightmares for years to come. The art measures 11" x 17" and is in Very Good condition. There is light vertical crease running through the center of the piece, but for the most part it does not break the paint.
Simon Bisley - Magic: The Gathering Ninth Edition Trading Card "Horror of Horrors" Illustration Original Art (Wizards of the Coast, 2005). These rotten-eyed, green-tongued creatures from the Underworld were not spewed out of the bowels of hell, they were dredged up from the incredibly imaginative mind and talented hand of Simon Bisley. Painted in acrylic on a sheet of heavy illustration board, this art has an image area of 12" x 10" and is in Excellent condition. Signed by Simon Bisley at the lower right.
Simon Bisley - Magic: The Gathering Ninth Edition Trading Card "Anaba Shaman" Illustration Original Art (Wizards of the Coast, 2005). Just try taking this bull by the horns! Standing amidst scorched earth, holding a handle full of skulls, this Minotaur Shaman by Simon Bisley is quite unforgettable. Painted in acrylic on a 12" x 10" sheet of heavy illustration board, this piece is in Excellent condition. Signed by Simon Bisley at the lower left.
Simon Bisley - Magic: The Gathering Ninth Edition Trading Card "Inspirit" Illustration Original Art (Wizards of the Coast, 2005). Here's a guy with an axe to grind -- for real! Your hour of redemption is here, brought to you by a man with a thoroughly wicked imagination, Simon Bisley! Hand-painted in acrylic on a sheet of heavy illustration board, this art has an image area of 12" x 10" and is in Excellent condition. Signed by Simon Bisley at the lower left.
Simon Bisley - Magic: The Gathering Ninth Edition Trading Card "Sudden Impact" Illustration Original Art (Wizards of the Coast, 2005). "Some say it's better to think before you act. While those people are considering all the options, that's usually when I kill them." So speaks Dravus, the lava mage who graces this blood red Simon Bisley illustration. Painted in acrylic on a 12" x 10" sheet of heavy illustration board, this piece is in Excellent condition. Signed by Simon Bisley at the lower right.
Simon Bisley - Magic: The Gathering Ninth Edition Trading Card "Paladin en-Vec" Illustration Original Art (Wizards of the Coast, 2005). The light of a hazy sunset strikes the metallic surface of this Knight's armor, bringing a touch of mysticism to this Simon Bisley creation. Painted in acrylic on a 11.5" x 10" sheet of heavy illustration board, this piece is in Excellent condition. Signed by Simon Bisley at the lower right.
Simon Bisley - Bad Teddy Illustration Original Art (undated). Franken-teddy, anyone? It looks like this teddy bear got a cranial stuffing transplant, and he's not happy about it! A riveting image from the fevered imagination of "The Biz." Drawn in graphite and marker on a sheet of bristol. The art has an image area of 8.5" x 9", and the condition is Excellent. Signed by Simon Bisley at the bottom right.
Alex Blum - Champ Comics #24 Complete 8-page Story "Dr. Miracle" Original Art (Harvey, 1942). The power of black magic rises to challenge Dr. Miracle, as the famed magician meets the greatest threat he has ever had to face -- Adolph Hitler! Right out of the Iger shop (the pages are stamped with the Eisner & Iger logo), these eight Golden Age pages by Alex Blum are sure to thrill! Each page has an image area of 12" x 18", and, aside from some overall aging, and a clipped out title logo on the first page, the art is in Very Good condition.
Frank Bolle - For Lovers Only #88 Cover Original Art (Charlton, circa 1976). Frank Bolle's squeaky-clean and elegant art style is perfect for this romance cover montage based on the love of a sea captain for a pretty waitress. The last issue of For Lovers Only was #87, so this may be an unpublished piece. The image area of the cover measures 10" x 15", and the art is in Excellent condition.
Richard Bonk and Kevin Conrad - Samson #1 Cover Original Art (Samson Comics, 1998). Richard Bonk began his comics career at Top Cow Productions, drawing titles Ascension, The Darkness, and Tales of the Witchblade. Here, he tackles one of the ancient world's most heroic figures, in this bold rendering, inked by Kevin Conrad. This dramatic delineation has an image area of 10" x 15" and the condition is Excellent.
Joe Shuster Studio with Wayne Boring - Superman Sunday Comic Strip #267 Original Art (McClure Syndicate, 1944). This World War II-era Superman strip almost certainly features the artwork of Wayne Boring. As noted by many Superman historians, Boring was one of the earliest "ghosts" to pencil the Superman comic strip and he eventually took over the penciling chores on the strip completely. Note that in this "pre-lawsuit" strip, the "by Jerry Siegel and Joe Shuster" byline is still boldly displayed. During World War II, Superman was so powerful the writers and DC had a real dilemma when it came to portraying his patriotic exploits in stories. With his super powers, the Man of Steel could have taken out the axis high command and their armies in two seconds flat. So it was, that Superman often found himself foiling spy plots on the home front or boosting the moral of servicemen, as in this "Superman's Service for Servicemen" storyline. This Sunday has an image area of 19.5" x 25.5", and the art has been professionally restored to an Excellent condition.
Wayne Boring - Superman Sunday Comic Strip #479 Original Art, dated 1-2-48 (McClure Syndicate, 1948). In this forties Sunday, Superman finds himself involved in a hot and heavy court case, only in this case, it's pure fiction. Meanwhile, in real life, Jerry Siegel and Joe Shuster had just sued DC Comics for a bigger cut of the royalties on the product licensing of their creations for the company. When the dust had cleared from that legal brouhaha, DC had the "by Jerry Siegel and Joe Shuster" byline removed from the comic strip and the comic books, and the byline would not return again until after 1975, nearly thirty years later. Wayne Boring was allowed to sign this strip and his signature appears in the final panel. His art has never looked more refined or polished, and this Sunday showcases Boring's talent for "good girl" art -- Lois Lane looks absolutely gorgeous. This Sunday has an image area of 19.5" x 25.5", and the art has been professionally restored to an Excellent condition.
Wayne Boring - Superman Daily Comic Strip with Superman Specialty Drawing Original Art, dated 2-11-65 (McClure Newspaper Syndicate, 1965-85). Wayne Boring's robust interpretation of the Man of Steel was a high point for a legion of Superman fans. Perhaps because this daily featured Clark Kent, Boring added a specialty drawing of Superman to the top of the daily in 1985, and also signed the strip in the bottom border. The daily has an overall size of 20" x 7.75". Some slight aging is apparent with some darkening to the Craft-Tint pattern, and the Superman figure was inked on top of an area that was whited-out; otherwise the art is in Very Good condition.
Dik Browne - Hagar the Horrible Sunday Comic Strip Original Art, dated 3-27-83 (King Features Syndicate, 1983). All's fair in love and work! That beer-swigging, sword-bearing Nordic ruffian, Hagar, solves his wood-chopping problem by sawing a few logs, in this Dik Browne delight. The image area measures 15" x 10" and the condition is Excellent.
Rich Buckler and Wally Wood - Creepy #75, Splash Page 37 Original Art (Warren, 1975). Luther Manning follows the footprints in the snow into this nice horror splash page for the story, "Snow," written by Bruce Bezaire and Rich Buckler. Beautifully penciled by Buckler and inked by Wally Wood, this first page has an image area of 11" x 16", and although there is a bit of yellowing in the Zipatone, the art is in Excellent condition.
Rich Buckler and Frank Giacoia - The Inhumans #2 Cover Original Art (Marvel, 1975). Inhuman leader, Black Bolt, makes a heroic effort to stop a giant Kaptroid from popping his fellow Inhumans, Medusa, Triton, Gorgon, and Karnak, down its steely gullet, in this uncanny cover illustration penciled by Rich Buckler and inked by Frank Giacoia. Once imprisoned in their steel-barred bellies, they will be transported to the stars as slaves to the Kree, in this illustration covering the interior story, "Star-Slaves," written by Doug Moench. The logo and masthead copy is replacement art. This cover has an image area of 10" x 15", and, aside from some slight aging, the condition is Excellent.
Rich Buckler and Vince Coletta - Blackhawk #250 Cover Original Art (DC, 1977). Hawk-aa-ouch! Killer Shark puts the hurt on Blackhawk as he delivers a vicious knee-kick to Blackhawk's -- hey, how'd that get past the Comics Code? Meanwhile, here comes the war wheel, rolling in with guns a-blazing from the upper left. Rich Buckler's talent for solid figure drawing ensures a compelling fight scene. The image area of the cover measures 10" x 15". There is some edge wear and light soiling; otherwise, the art is in Excellent condition.
Rich Buckler and Bob McLeod - Tarzan Annual #3 Cover Original Art (Marvel, 1979). Caught between a pack of savage She-Devils and angry Ant-Men -- if one man could battle his way free from such a harrowing attack, it'd have to be Tarzan, the Lord of the Jungle! Superb figure drawing is the hallmark of this Bronze Age beauty drawn by Rollickin' Rich Buckler and Boisterous Bob McLeod. The image area of the piece measures 9.75" x 16". The top edge of the paper is trimmed flush with the cover image's upper border; otherwise, the art is in Excellent condition.
Bob Budiansky, Dan Bulanadi, and Kevin Dzubin - Ghost Rider #80, Splash Page 30 Original Art (Marvel, 1983). Johnny Blaze and Roxanne Simpson have cut their ties to the past, and drive off -- literally -- into the sunset, as the demon, Zarathos, and his hated enemy, Centurious, battle inside a soul gem for all eternity. Here is the last page to the last issue of the first Ghost Rider series -- page 30 from the story, "The End of the Ghost Rider," written by J. Marc DeMatteis. The image of Mephisto is drawn on a separate sheet of vellum paper and attached to the art. The art has an image area of 10" x 15", and, aside from some corners trimmed during the production process, some light staining along the bottom, and some moderate white-out usage, the condition is Good.
Bob Burden and Dave Sim - Flaming Carrot and Cerebus Sketch Original Art (1985). The Flaming Carrot debuted with a short story in Visions, a limited-run comic anthology, and later moved to his own title, Flaming Carrot Comics which was published by Dave Sim's company, Aardvark-Vanaheim in 1984. Here, Burden teams up with Cerebus creator Dave Sim, to produce this sketch, titled "Scratchy Ink Thing from Beyond the Stars." Drawn in pencil and ink on a sheet of 14" x 17" illustration paper, this remarkable sketch features both of these creators' most famous characters. In Excellent condition.
Tim Burgard - Batman and Robin (Movie) Storyboards Original Art (Warner Bros., 1996). Here are the hand-drawn storyboards for Warner Brothers' 1997 hit movie "Batman and Robin," which starred celebrated actors Arnold Schwarzenegger, George Clooney, Chris O'Donnell, Uma Thurman, and Alicia Silverstone. Tim Burgard's storyboard artwork includes many action sequences and studies of characters like Mr. Freeze, Poison Ivy, and Batgirl (in addition to the title characters of Batman and Robin, of course). There are a generous 86 pages of artwork, collected in a handy plastic portfolio binder. Don't let Mr. Freeze give you cold feet when it comes time to bid on this cool item.
John Buscema and Tom Palmer - The Avengers #74, page 17 Original Art (Marvel, 1970). By the mid-70s, "Big" John Buscema's work was the standard others strove for, and it came as no surprise when Buscema was tapped to co-create How to Draw Comics the Marvel Way. By then, Buscema's style had supplanted Jack Kirby's -- he was the "Marvel Way". Buscema's rock-solid pencils, and Tom Palmer's inks, bring this Sons of Serpent-filled tableau to life, from the story, "Pursue the Panther," written by Roy Thomas. This page has an image area of 10.5" x 15", and, aside from a light stain along the bottom left edge, the condition is Very Good.
John Buscema and Ernie Chan - The Savage Sword of Conan #62, page 4 Original Art (Marvel, 1981). John Buscema summed up why he grew to love Conan, which he started drawing with Conan the Barbarian # 25 in 1973: "I never enjoyed doing super-heroes; Conan had no supernatural powers. I liked the idea that I could invent my own backgrounds. I hate drawing buildings. I hate drawing cars, anything mechanical. With Conan, you have free rein. No one was telling you to draw a rifle or a pistol. You just draw a sword, any kind of sword that comes into your mind. No one could tell you this was wrong, because they didn't exist." Over the next 35 years, Buscema forged a reputation and a hugely devoted following few artists could match. This page has an image area of 10.5" x 15", and, aside from a light stain along the bottom left edge, the condition is Very Good.
John Buscema and Ernie Chan - The Savage Sword of Conan #62, page 8 Original Art (Marvel, 1981). A pillar of Marvel Comics, John Buscema became a successor to the mantle of Marvel artistic popularity first worn by Jack Kirby and Steve Ditko when the company began to publish new and old heroes in the early 1960s. Here is page 8 from the story, "The Temple of the Tiger," written by Michael Fleischer, penciled by Buscema, inked by Ernie Chan. Created in pen and ink with ink wash, the art has an image area of 10.5" x 15", and, aside from a light stain along the bottom left edge, the condition is Very Good.
Sal Buscema and Tom Palmer - The Avengers #78, Splash Page 20 Original Art (Marvel, 1970). The Living Laser, Power Man, Swordsman, the Grim Reaper... they are the Lethal Legion! This pestilent panorama presents the first appearance of the L.L. together, courtesy of penciler, Sal Buscema, and inker Tom Palmer, from the story, "The Man-Ape Always Strikes Twice," written by Roy Thomas. This page has an image area of 10.5" x 15", and, aside from a light stain along the bottom left edge, the condition is Very Good.
John Buscema, John Romita Sr. and Frank Giacoia - Marvel Feature #2 The Defenders Cover (Marvel, 1972). Here's a real battle royale -- the Hulk and the Sub-Mariner take on the dread Dormammu in this scene from "Nightmare on Bald Mountain." Meanwhile Dr. Strange lies comatose. This was only the second cover to feature the newly formed super-group, the Defenders. Marvel mainstays John Buscema and Frank Giacoia teamed to produce this Bronze Age milestone, and it looks as though John Romita Sr. may have had a hand in some art touch-ups to the Sub-Mariner's face. The cover has an image area of 10" x 15", and the art is in Excellent condition. Make Yours Marvel with this mind-blowing masterwork from the House of Ideas!
Sal Buscema - Spectacular Spider-Man #152 Cover Original Art (Marvel, 1989). J. Jonah Jameson may be Spider-Man's most relentless critic and a real rat-fink, but the webbed wall-crawler always arrives in the nick of time to save his boss' bacon! Battling a lupine foe like the Man-Wolf was tough enough, but this time Spidey must face twin werewolves, in the form of the Lobo Brothers! Sal Buscema has created a modern Marvel masterwork with this eye-catching design. The image area of the piece measures 10" x 15". Aside from missing issue number and price stats under the Spider-Man box, at the upper left, the art is in Excellent condition.
John Byrne - Fantastic Four, page 26 Original Art (unpublished, circa 1974). Early in his career, John Byrne created this page as part of a tightly penciled, thirty-page Giant-Size Fantastic Four story that he produced to show Marvel what he was capable of. The art has an image area of 10" x 15", and, aside from some very light aging apparent, the condition is Excellent.
John Byrne and Terry Austin - Amazing Spider-Man Annual #13, Splash Page 1 Original Art (Marvel, 1979). Doctor Octopus' latest bid for power takes him high above a construction site, directly into the path of Spider-Man, in this thrilling splash page from the Marv Wolfman story, "The Arms of Doctor Octopus," penciled John Byrne, and inked by Terry Austin. The page has an image area of 10" x 15", and includes the original indicia and masthead paste-up art. There is some light overall aging apparent, and a glue stain at the bottom right; otherwise the condition is Very Good. Signed by Terry Austin at the bottom right.
John Byrne and Klaus Janson - Wolverine #20, page 25 Original Art (Marvel, 1990). You never see John Byrne Wolverine original art! This is a rare opportunity to own a piece of Byrne art from one of the X-Men's most popular characters. Taken from the Archie Goodwin story, "Miracles," John Byrne pencils and Klaus Janson inks this overpowering page which features Wolvie in almost every panel! The image area measures 10" x 15", and although there is a bit of yellowing to the word balloon paste-ups, the condition is Very Good. Includes a copy of Wolverine #20.
John Byrne - Wonder Woman #121, page 9 Original Art (DC, 1997). Amazon warrior, Artemis, picks up her bow and prepares for battle against Merlin's greatest creation, the Demon, in this "Interlude" page from John Byrne's story, "Stone May Grow". Master of all things comic book, Byrne pencils and inks this vivacious page, which has an image area of 10" x 15". The condition of the art is Excellent, and it has been signed by John Byrne at the lower left.
Elmer Simms Campbell - Cuties Hand Colored Daily Comic Strip Original Art, dated 6-18-50 (King Features Syndicate, 1950). E. Simms Campbell's use of gorgeous warm and cool watercolor hues adds even more glamour to this swanky nightclub scene. Campbell was one of the first successful African-American commercial artists in America, with a career spanning from the early thirties to the late sixties. When Russell Patterson told Campbell of his own success with "good girl art," he also prompted Campbell to follow his lead. Campbell created the Harem Girls, for the debut issue of Esquire magazine in 1933. Campbell's work also appeared in Cosmopolitan, New Yorker, Sunday Pictorial Review, and Ebony. This cartoon has an image area of 9.5" x 12", and the art is in Excellent condition.
Milton Caniff - The Gay Thirties Daily Comic Strip Original Art (Associated Press, 1934). Even in his earliest comic strips, Milton Caniff's superior draftsmanship stood out on the newspaper page. The Gay Thirties evolved out of the Mr. Gilfeather feature and was a human interest strip in the tradition established by H.T. Webster and J. R. Williams. Caniff had already assumed the artistic chores on Dickie Dare, so he was doing double-duty when this daily was drawn. The panel has an image area of 10.5" x 9.5", and the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art, dated 7-10-38 (The Chicago Tribune, 1938). Terry, Pat, Burma, Connie, and Big Stoop all appear in this marvelous Sunday -- the whole Terry cast is present! Milton Caniff's chiaroscuro inking approach was at its most refined in this example! This Sunday's image area measures 19" x 26". The strip was cut between panel tiers two and three and the title logo stat has slipped off the page; otherwise, the art is in Very Good condition.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art featuring the Dragon Lady, dated 9-24-39 (The Chicago Tribune, 1939). . The Dragon Lady takes center stage in this thriller from the thirties. Expect some spirited bidding! Few comic strip artists could match Milton Caniff at creating moods with dramatic lighting and composition -- Sundays such as this one made him a legend amongst his cartooning peers. This Sunday's image area measures 19" x 26". The strip was cut between panel tiers two and three; otherwise, the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Partial Sunday Comic Strip Original Art, dated 4-21-40 (News Syndicate, 1940). Captain Blaze and April Kane prepare the children for bed, in the upper two tiers of this Terry and the Pirates Sunday from 1940. Milton Caniff suffuses this subtle scenario with a caring atmosphere. The image area measures of 19" x 12.5", and the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art, dated 6-8-41 (The Chicago Tribune, 1941). Terry and Burma co-star in these scenes of undercover intrigue. Milton Caniff used his renowned black and white art contrasts to heighten the dramatic mood of these scenes. This Sunday's image area measures 19" x 26". The strip was cut between panel tiers two and three; otherwise, the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art, dated 7-27-42 (The Chicago Tribune, 1942). Flyboy Flip Corkin and Rouge star in this starkly shadowed Sunday. Milton Caniff's plotting, characterization, and dialogue were just as influential on adventure cartoonists as his superb draftsmanship. This Sunday's image area measures 19" x 26". The strip was cut between panel tiers two and three; otherwise, the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art, dated 8-22-46 (The Chicago Tribune, 1946). Milton Caniff staged these scenes between Hotshot Charlie and Nasty using a panel flow that reads like a storyboard for a film. Note the excellent framing of the figures in each panel. Caniff's sense of pacing is unparalled in the comic strip field. The strip's image area measures 25" x 17". Each panel of this Sunday was cut apart and glued to a larger support paper, with the art extended to the edges of the panels. There is also some paper aging, and a missing lettering correction in panel three; otherwise, the art is in Very Good condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art (United Features Syndicate, 1934). Forget his fancy silk pajamas! Even though he looks a bit different, he's still the same ol' Li'l Abner, with one thing on his mind -- "bre'kfust!" Al Capp's hillbilly baby, Li'l Abner, was just beginning to crawl in this daily from 1934. Here's a chance to own a beautiful example from the strip's first year! The image area measures approximately 22" x 5", and is in Excellent condition.
Al Capp Studio - L'il Abner Daily Comic Strip Original Art, dated 6-30-44 (United Feature Syndicate,1944). This dauntless daily spotlights Al Capp's satirical spin on Dick Tracy, in the person of that top-cop, Fearless Fosdick. In a rather gruesome scene, Fearless poleaxes an axe-murderer. Once Fosdick's policework is done, he cools his heels at the home of his gal-pal, Floosie Belle. Li'l Abner and Daisy Mae cameo in the final panel. This terrific daily has an image area that measures approximately 22" x 5.75" and the art is in Excellent condition.
Al Capp Studio - Li'l Abner Sunday Comic Strip Original Art, dated 12-26-54 (United Features Syndicate, 1954). He was kicked out of Harvard Finance because his money-making schemes were too brilliant and too inhuman! But Ernest Hummingbird's search for a business opportunity that will give him financial control of the world might be over, now that he's sampled the delicious and tantalizing taste of Dogpatch "druthers." This Sunday has been assembled from four individual tiers which have been taped together, with a total image area measuring 21" x 21". Aside from some general aging along the extreme outside edge, the art is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 3-11-57 (United Features Syndicate, 1957). Fearless Fosdick is determined to pinch the pincher of the million dollar Beanfort Knox wrist watch -- Ezio the Pincher! Al Capp's rib-tickling satire of Chester Gould's famous Dick Tracy, was used throughout Abner's long run. This "ideel" daily is a classic Fosdick piece, with a fabulous close-up of the low-paid flatfoot. The art has an image area of 18.5" x 5.5" and, aside from some slight aging around the extreme edges (outside of the image area), the work is in Excellent condition.
Al Capp Studio - Li'l Abner Sunday Comic Strip, dated 5-22-66 (Chicago Tribune, 1966). "What's gung on here?" Cap'n Eddie Ricketyback cables his old pal, Magnificent Mendel, to return at once from his whirl-wind tour of the world -- the drive-in is showing a film about his high flying adventures! This Sunday has an image area of 27" x 18". The art has been cut between the three tiers into three separate pieces. There is a bit of light soiling along the bottom of the top tier; otherwise the art is in Very Good condition.
Al Capp Studio - Li'l Abner Sunday Comic Strip, dated 5-29-66 (Chicago Tribune, 1966). In Jake's Junkyard, Cap'n Eddie Ricketyback and his pal, Magnificent Mendel, attempt to tell the true story of the birth of flying in their film, "Magnificent Mendel and His Flyin' Machine". That is, if a gang of no-good Oy Vagrants will let them! This Sunday has an image area of 27" x 18". The art has been cut between the three tiers into three separate pieces. There is a bit of light soiling along the bottom of the top tier; otherwise the art is in Very Good condition.
Al Capp Studio - Li'l Abner Sunday Comic Strip, dated 4-9-67 (Chicago Tribune, 1967). He's no mere man. He's -- shudder -- "Evil Eye Fleagle," whose "full whammy" can level Mount Rushmore! What's going on in Fleagle's building, a sleepless Brooklyn wants to know! This Sunday has an image area of 27" x 18". The art has been cut between the three tiers into three separate pieces, and the condition is Excellent.
Al Capp Studio - Li'l Abner Sunday Comic Strip Original Art, dated 4-13-69 (Chicago Tribune, 1969). Al Capp offers up a fractured fairy tale as he puts his own unique spin on the Hansel and Gretel story in "Coldhansel and Gretel." The image area of this laugh-riot of a Sunday measures approximately 27" x 18.5". Each of the horizontal panel tiers were cut apart and then these tiers were folded between certain panel gutters; otherwise, the strip is in Very Good condition.
Nick Cardy - Secret Origins #5 Cover Original Art (DC, 1973). This eerie Bronze Age blockbuster showcases the birth of the Spectre! A ticklish business, picturing the death of a hero on a cover. Nick Cardy handles the assignment with drama and taste. His three-paneled design reveals the moment of birth of the Spectre from Jim Corrigan's corpse. Nick Cardy was always Carmine Infantino's first choice to design DC covers when Infantino began handing off those assignments to others. The image area of the piece measures 10" x 15". The issue-number stat has slipped off the cover; otherwise the art is in Excellent condition.
Nick Cardy - Superboy #206 Cover Original Art (DC, 1975). In the 20th Century, Superboy is approached by Ferro Lad and Invisible Kid, two Legionnaires who have died in action. Are they really who they claim to be, or is Superboy in danger? This spectacular cover illustration by Nick Cardy covers the Cary Bates story, "The Legionnaires Who Haunted Superboy". The image area measures 10" x 15", and includes all the original title, logo and masthead paste-up type. There is some aging apparent, and a bit of blue staining at the bottom portion from a slipped type box (which is included); otherwise in Very Good condition.
Giovanna Casotto - Bitch in Heat, Page 3 Original Art (Selen, undated). Franco Saudelli protegee, Giovanna Casotto, has got to be the single sexiest cartoonist in the history of erotic comics. In most of her stories she uses her own image as one of her ever-libidinous cartoon characters. No sex act is too much for this insatiable Italian beauty as she portrays herself both giving and receiving in some of the most erotic comic stories ever put to a pen. This superbly rendered page was created in mixed media (pencil and marker), on bristol board. The art has an image area of 9" x 12", and the condition is Excellent. Signed by Giovanna Casotto at the bottom right.
Ernie Chan and Dick Giordano Cover Original Art (DC, 1975). You can't hold a candle to this cover of Batman getting doused with streams of hot melted wax in of all places -- a wax museum! This gloopy conglomeration penciled by Ernie Chan, and inked by Dick Giordano has an image area of 10" x 15". There is some slight aging apparent, and the work is a bit light struck just inside the image area; otherwise the condition is Very Good. Signed by Dick Giordano at the bottom (slightly faded).
Ernie Chan and Mike Grell - Karate Kid #5 Cover Original Art (DC, 1976). The martial arts master of the Legion of Super-Heroes dishes out the kicks as he fights his way to foil a doomsday plot by Commander Blud in "The Tomorrow Thief." Mike Grell added his superb finishes to Ernie Chan's pulse-pounding pencils to create this high-kicking masterpiece, and the image area of the cover measures 10" x 15". Aside from an ink smudge on Mike Grell's signature at the lower left, the art is in Excellent condition.
Jim Cheung - Scion #38, page 22 Original Art (CrossGen, 1995). Jim Cheung's sensitive line and quiet design create a striking scene of sublime introspection. In this issue of Scion, the hunt for King Dane came to an end. Prince Ethan and his siblings, Kai and Ylena, finally found their missing father. Jim Cheung does a magnificent job of blending fantasy with science fiction. Fans of both genres are sure to love this splash, as will anyone who simply enjoys beautiful drawing. This splash page has an image area of 15" x 21.5", and the art is in Excellent condition.
Dave Cockrum - Superboy #197, Splash Page 1 Original Art (DC, 1973). DC editor, Murray Boltinoff, created the team of writer, Cary Bates, and artist, Dave Cockrum, and by this issue of Superboy the Legion had the lead in every issue. Cockrum developed a new look for the Legion that the fans enjoyed. Although he left to develop a project for Marvel (Giant -Size X-Men #1) just one month shy of a year after he started drawing the Legion, Cockrum had created a fan following new Legion artist, Mike Grell, found difficult (but not impossible) to overcome. Here is page one of Cary Bates' tale, "Timber Wolf Dead Hero, Live Executioner!," with pencils and inks by Dave Cockrum. The image area measures 10" x 15". There is a bit of glue staining around the title type and word balloon paste-ups; otherwise the condition is Very Good.
Dave Cockrum - X-Men #150 Cover Recreation Original Art (2001). Magneto, Storm, Sprite, and Cyclops star on this hard-hitting cover recreation for the thriller, "I, Magneto." During this battle royale Magneto, fearing he had killed Sprite, saw in himself a reflection of the image of those he hated most -- the guards at the Auschwitz death camp. So it was that Magneto showed a rare moment of mercy when he handed Kitty over to Storm and vanished. With this recreation, it's the eighties all over again! This piece has an overall size of 11" x 17" (no borders), and the art is in Excellent condition. Dave Cockrum has signed and dated the page at the lower right.
Mike Cody - Jungle Thrills #16 Recreation Original Art (undated). Jungle girls were all the rage in the fabulous fifties. There was Sheena, Cave Girl, Rulah, Dorothy Lamour, Pantha, Nyoka, Jann, Ann, Leopard Girl -- the list goes on and on. The allure of scantily-clad, athletic women swinging through the hot, steamy jungle was irresistible to young men. One of the best "good girl" cover artists of the genre was Leonard B. Cole. Artist Mike Cody has done a splendid job of recreating Cole's poster-like thriller for Jungle Thrills #16 -- with a pretty girl and an ferocious ape, how could this scene fail to please any red-blooded male? The painting has an image area of 21" x 29", and the art is in Excellent condition.
Gene Colan and Val Mayerik - Howard the Duck Daily Comic Strip Original Art, Group of 9 (Register and Tribune Syndicate, 1977-78). Steve Gerber's wacky "duck in a world he never made" is off on a romp in nine offbeat dailies. Three of the strips were drawn by Gene Colan, and these were dated 8-13, 8-15, and 9-1-77. The other six dailies were drawn by Val Mayerik and these were dated 1-17, 1-30, 1-31, 2-4, 2-6, and 2-7-78. The strips each have an image area of 14.5" x 4.25". The dailies have pasted-on word balloons; these are loose and some have slipped off the strips; otherwise the dailies are in Very Good condition.
Gene Colan and Tom Palmer - Shazam/Dracula Illustration Original Art (2001-03). The Lord of the Damned attempts to take a bite out of the Big Red Cheese, in this phenomenal illustration by penciler, Gene Colan, and inker, Tom Palmer. In the 1970s, Colan, along with writer, Marv Wolfman, created 70 issues of the terrifying Marvel series, The Tomb of Dracula. Colan's work set the early tone for Marvel's eponymic hero, and by defining his style rather than allowing the Marvel house style to shape his work, he created a substantial approach to linear art. Flowing from a loose spray of lines, Colan's outstanding use of light and shade is arguably without equal in comics. The art has an image area of 13.5" x 19.5" and the condition is Excellent. Signed by Gene Colan and Tom Palmer at the bottom.
Ernie Colon - Hot Stuff Sizzlers #33 Complete 10-page Stumbo Story "The Colossal Coward" Original Art (Harvey, 1968). Doctor Cesspoole's anxiety-inducing gadget turns Stumbo into a nervous wreck in this Ernie Colon romp. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Ernie Colon and Bob Wiacek - Damage Control #1, page 1 Original Art (Marvel, 1989). After death rays have done their worst, after giant robots have crashed to the ground, Damage Control is there to pick up the pieces and collect a fee. From the first issue of the mini-series, here is page 1 from the story, "A Restoration Comedy," written by Dwayne McDuffie, penciled by Ernie Colon, and inked by Bob Wiacek. The art has an image area of 12" x 18", and aside from one small marker stain in the first panel, the condition is Excellent. Signed by Bob Wiacek at the bottom right.
Richard Corben and Dennis Cunningham - Weirdom Comix Gag Panel "Where Have We Failed" Original Art (Dennis Cunningham, circa 1969). The Generation Gap takes on a new twist in this gag panel written by Dennis Cunningham and drawn by Richard Corben, using the name "Darvc." Corben was a regular contributor to Cunningham's fanzine Weirdom Comix, which evolved into a full-blown Underground Comic by its 14th issue. This inked cartoon is on a 10" x 12" piece of illustration board. There are tack holes in each corner, and a few minor stains, most of which are outside the clean image area. The credit line and caption are pasted on. Overall condition is Very Good.
Richard Corben - Creepy #64, page 59 Original Art (Warren, 1974). While traveling lands left barren after two big religious wars, "Catlick" contract killer, Hard John Apple, happens upon two injured "Prostints," and ends up "assisting" them into the afterlife. Page one of the story, "An Angel Shy of Hell!," written by Jim Stenstrum, was penciled and inked by Richard Corben. The image area measures 10.5" x 14.5", and although there is a bit of aging apparent, some scattered white-out usage, and one small glue stain in the fifth panel, the art is in Excellent condition. A great Warren page rendered in the classic Corben style!
Denys Cowan and Carl Potts - Power Man and Iron Fist #84, page 2 Original Art (Marvel, 1982). Sabretooth and the Constrictor plot a come-uppance for private investigator Misty Knight in this tense scene from the story, "Revenge." Denys Cowan builds the suspense with a variety of points of view in his panel layout while Carl Potts adds drama with his deeply shadowed inks. The page has an image area of 10" x 15". Aside from pasted-on word balloons and the corners being clipped (outside of the image area), the page is in Excellent condition. Denys Cowan has signed the page at the lower right.
Denys Cowan and James Sherman - "Comic Book Business" Book Cover Original Art (1994). Hardware, Icon, Rocket, The Question, and Static highlight this "Milestone" cover illustration penciled by Denys Cowan. Inked and hand-painted in watercolor and dyes on bristol board by James Sherman. Includes a tear sheet of Comic Book Business, which features this illustration. The image area measures 13" x 17.5", and, aside from a tear in the left and right edges (outside of the image area), the condition is Very Good.
Johnny Craig - War Against Crime #8 Cover Original Art (EC, 1949). From the late, great Johnny Craig comes a galvanized gang-busting scene, as the men in blue seem to be winning this particular battle in the War Against Crime. Fellow EC editor had the highest praise for Johnny Craig's work: " I always admired Johnny's work. He was the ultimate comic artist as far as I was concerned." The image area of this crime-stopper measures 13" x 18.5". The title logo stat and caption box are replacements; otherwise, the art is in Excellent condition.
Johnny Craig - Vault of Horror #16 Cover Original Art (EC, 1951). Johnny Craig created the debut cover of Vault of Horror, and then went on to draw every cover for the title through the end of its run, nearly five years later. This scene from the chiller "Fitting Punishment" was inspired by the H.P. Lovecraft story, "In the Vault." In The Art of Al Williamson, EC alumnus Williamson commented on Craig's talent, "Johnny Craig should have gotten much more recognition at EC because his stuff was really good. In his own right, he was a good as Harvey Kurtzman, because he wrote good stories and drew them as well, and knew how to entertain you." The image area of this macabre masterpiece measures 13" x 18.5". The title logo stat and the portrait stat of the Vault-Keeper are replacements; otherwise, the art is in Excellent condition.
Johnny Craig - Vault of Horror #21 Cover Original Art (EC, 1951). With his heart-stopping ability to create quiet, mounting terror, Johnny Craig was tapped by Bill Gaines to create the first cover of Vault of Horror, and every ensuing issue through the end of the run nearly five years later. In this particularly grisly cover by Craig, the remains of a psychotic zoo keeper's victim have emerged from an alligator pit to exact retribution. "He did some of our best covers," Gaines recalled. "Including the infamous severed head cover, which may be the most famous cover ever in comics, and certainly the only one ever to be the focus of an inquiry before the United States Senate." A slow, meticulous craftsman, in a career that spanned four decades, that Craig's relatively small body of work has been influential and well-remembered is testimony to his skill. The image area of this horrific masterpiece measures 13" x 18.5", and, aside from some light staining on the original logo stat, the art is in Excellent condition.
Johnny Craig - Vault of Horror #38 Cover Recreation Original Art (circa 1982). When the original art for the cover of Vault of Horror #38 couldn't be located in Bill Gaines' files, publisher Russ Cochran commissioned Johnny Craig to recreate the cover for his The Complete EC Library set. In the Vault of Horror set, Johnny Craig explained his philosophy about setting the proper horror mood, "I don't think violence, or blood and guts is necessarily the only kind of horror that there is. Fear is horror too. Suspense, many things can be considered horror. And I preferred to deal with other than the physical type of thing." The image area of this deeply shadowed scene measures 13.5" x 19". The title logo and the portraits of the horror hosts are stats. The art is in Excellent condition.
Johnny Craig - "Group Portrait" EC Horror Host Pencil Preliminary Illustration Original Art (1991). Johnny Craig is reknowned for his meticulous working habits. In the eighties and nineties, EC fan-addicts started commissioning Craig to paint new scenes of the EC horror hosts, especially the Vault Keeper and Drusilla. For his canvas, "Group Portrait," Craig drew a detailed pencil rendering of his composition on vellum, at the same size that the painting was planned to be. This large layout has all of the detail of the finished painting, and was Craig's final design step before putting the image on canvas as a painting. Craig's consummate craftsmanship really shines in this study, and it has an image area of 30" x 30". Aside from being rolled, and having a few stress creases, the art is in Very Good condition.
Johnny Craig - Vault Keeper and Drusilla Sketch Original Art (undated). Johnny Craig has penciled a spectacular double-portrait of that gruesome twosome, the Vault Keeper and his comely assistant, Drusilla. Craig's careful working methods and attention to detail are legendary in the comics field, and his artistry is at its peak form in this drawing. Fasten your drool cups, EC fan-addicts, as Drusilla puts on a bit of a leg show. The image area of this gem is 8" x 10", it's in Excellent condition, and Johnny Craig signed it at the lower right. C'mon and put your bid in on the horror hosts we love the most!
Johnny Craig - The Old Witch Sketch Original Art (undated). Hee, hee, hee! Here's a creepy pencil sketch of the Old Witch, drawn especially for you by outstanding talent, Johnny Craig, boils and ghouls! The EC vet most likely rendered this detailed pencil portrait of the Old Witch as a preliminary study for one of his spectacular commissioned paintings. This graphite pencil on vellum sketch has an image area of 8.5" x 11". The art is in Excellent condition.
Reed Crandall - Hit Comics #62 Cover Original Art (Quality, 1950). Hit Comics #1 and National Comics #1 both debuted in July 1940, giving Quality Comics five anthologies -- one fewer than DC had at the time -- and plenty of opportunity for Reed Crandall and other fine artists to strut their stuff. Crandall's rendition of riverboat gambler, Jeb Rivers, takes center stage in this gorgeous cover illustration. The image area measures 13.5" x 19". The art has its original title type and masthead paste-ups and is in Excellent condition.
Mel Crawford - Dale Evans and the Lost Gold Mine Cover Original Art (Simon and Schuster, 1954). Dale Evans, and her friends, Katie and Jimmy Doyle, pause their horses at the top of a draw, getting a good view of the surrounding countryside, in this breathtaking cover illustration by Mel Crawford. Dale Evans and the Lost Gold Mine was especially written for Little Golden Books by Monica Hill. The art was painted in watercolor on heavy illustration board, and has an image area of 11" x 13". There is some light overall aging; otherwise the condition is Excellent. Includes a copy of Dale Evans and the Lost Gold Mine.
Robert Crumb - "Jim Model Sheet" Sketchbook Page Original Art (circa early 1960s). Robert Crumb and his brother Charles were very fond of the "Treasure Island" episodes shown on the Walt Disney television series in the 1950s. They developed their own comics featuring the characters of Jim and Mabel in many of their sketchbooks from the late 1950s to the 60s. Here is a fantastic model sheet for young Jim. As this character was often drawn by Charles (with Robert taking on Mabel), these may indeed be drawn by Charles, although the style looks more like Robert to us. The other figures, including the cat-man, and the reverse-side sketches of Charlie Chaplin, Fritz, and others, certainly appear to be by Robert. At any rate, these are all fine penciled drawings. The composition book page measures 6.75" x 8.5", and the art is in Excellent condition.
Robert Crumb - "Floating in the Clouds" Sketchbook Page Original Art (circa early 1960s). Robert Crumb could never sit still when there was a pencil and pad of paper around. Here's a page from one of his many composition books, filled with whimsical sketches including a man floating in a cloud, a drawing of sister Sandra, noting her obsession with the music of Rogers and Hammerstein, and lots of strange figures on both sides of the page. An old steamboat, the "Saint Louis Belle" is seen on the reverse, along with a "Fritz"-like cat and bird in period costumes. The page measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - "Survivor" Sketchbook Page Original Art (circa early 1960s). A very eerie sketch from this Underground Comix master. The focus of this piece is on what appears to be some sort of concentration camp survivor, while Jim, Mabel, Fritz the Cat, and an older looking gentleman look on. The reverse contains a series of quick head sketches. The overall size of this page is 5.25" x 8", and the art is in Excellent condition.
Robert Crumb - "Poop Poop" Sketchbook Page Original Art (circa early 1960s). Lots of doodled faces fill one side of this early Crumb sketchbook page, including a couple of cats, some turtles, birds, and even an octopus! Great detail can be found in these little penciled drawings; note the cyclops in the crowd! There's an old car or two, which is followed on the reverse side by more old cars and figures, including a few clowns and a nice portrait of an old man sitting on his front porch in the moonlight. Charming stuff. This composition book page measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - "Steamshovel Pig" Sketchbook Page Original Art (circa early 1960s). Robert Crumb treats us to a strange vision of a steamshovel and its heavy load, a huge rotund pig, while brother Charles tries to get some sleep in the lower left corner. On the reverse, Robert takes notes on the last sayings of Albert Einstein, plus a few drawings of old cars and an older man with glasses. These penciled illustrations and hand-printed writing are all featured on a composition book page which measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - "Sharron Foley" Sketchbook Page Original Art (1961). Here's a nice page from another Crumb Brothers sketchbook, featuring lots of Robert's art. A superb Fritz the Cat is framed on the first side by a number of portraits including the lips and nose of a certain Miss Sharron Foley. Her profile appears on the reverse side of the page, this time she's being kissed by a small nebbish-like character. Mabel makes an appearance here as well; brother Charles has added a small Jim to cuddle up next to her, and some more "Fritz"-types round out the page. All the sketches are in pencil on a 5.5" x 8.25" unlined sketchbook page, marked 31 and 32. The page has some light soiling, and has a one-inch tear at the top that doesn't affect the art; otherwise the page is in Very Good condition.
Robert Crumb - "Dreary Drawings" Sketchbook Page Original Art (1962). From an early Crumb Brothers sketchbook comes this lovely penciled page, full of great portraits, some in period costume (and a couple of Fritz the Cat-type characters), all done in what appears to be Robert's style. Robert and his brother Charles were working in similar styles at this point, and a few of these faces may have been penciled by Charles. This is from one of their composition book volumes. The page measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - "April 19, 1962" Sketchbook Page Original Art (1962). Robert Crumb passed the time by filling this sketchbook page with lots of great pencil drawings. On one side, we have a sketch of turn-of-the-century stage star Herbert Kelcey, plus numerous faces, buildings, cars, and an old sailing ship. On the reverse, there's more faces and figures, including a pig in a derby, more old cars, and some architectural detail. Wonderful early period material. The page measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - "Linda" Sketchbook Page Original Art (1962). A large drawn-from-life sketch marked "Linda, 11" and dated "May 9, 1962" fills most of one side of this composition book page, drawn by Robert Crumb at age eighteen. He adds a few comic faces below, plus an old wagon, and throws in a few more sketches on the reverse side, including Fritz in a derby, plus a large drawing of the "Kennett's House," and a sailing ship at sea. All sketches are in pencil on a composition book page which measures 6.75" x 8.5", and is in Excellent condition.
Robert Crumb - Arcade #32 April 1963 Illustration Original Art (unpublished, 1963). The story of R. Crumb and his early years as an artist has been told a number of times now, but it's worth mentioning again how important the influence of older brother Charles was upon the young Robert. Charles would cajole and bully his younger siblings into making home-made comic books, as a way to entertain themselves. Charles had a lot of talent himself, and he would try to push the others to keep up. Eventually, only Robert kept up the pace, with a growing talent that soon surpassed the abilities of Charles. Arcade was the name they gave to their personal comics drawn in lined notebooks, with special covers mocked up and pasted onto the books. This particular cover is absolutely gorgeous. It appears to be entirely by Robert -- by this time, Charles had lost his drive and retreated into his room, where he would stay for the rest of his life. This piece is unusual, in that it has been drawn in ink on acetate in the manner of an animation cel; the color was then applied with colored pencils to the back. The girl looks a bit like Mabel (from the brothers' earlier "Treasure Island"-inspired strips), while the frog running off with the ponytail is Oggie, star of The Yum Yum Book. This fantastic illustration has never been published, as far as we can tell. It measures approximately 7" x 9"; outside of some minor scuffing on the front of the acetate, it is in Excellent condition. This piece marks the end of Crumb's juvenile efforts, and the beginning of his professional career.
Robert Crumb - "Shamrock Cafe" Greeting Card Illustration Original Art (circa 1960s). Robert Crumb art from his Greeting Card period is tough to find -- here's some of that very early work, done before venturing out to San Francisco and creating the Underground Comix scene with Zap Comix #1. Included in this lot are two small illustrations: "Shamrock Cafe" measures 4" x 9" (image area), and the small illustration of the man is approximately 2" x 2". Both are mounted on one 15" x 16" board, and attractively matted. The condition of both pieces is Excellent.
Robert Crumb - People's Comics Unused Cover Original Art (circa 1970). Holy cow! Here's something to get all Robert Crumb fans excited -- and to give easily offended people something to complain about (this is your warning, so don't look if this describes you)! Here is the original art for a proposed comic book cover, one that was eventually replaced with an entirely different drawing for the published version of The People's Comics in 1972. This rather tasteless concept (of a man "relieving himself" at a toilet) would be re-worked and completely redrawn for Crumb's 1971 solo comic Your Hytone Comix. This version stars a previously unknown Crumb character named "Fred the Person," while the Hytone cover featured a nameless, yet similar man in the same pose. The art is in the classic style of the anything-goes late 1960s/early '70s, when Crumb produced much of his best and most famous work. Covers by Crumb from this era are extremely tough to find and highly sought after; here's one that is unpublished as well -- not even The Complete Crumb Comix series of extensive compilations has this one! The artboard measures approximately 10" x 13.25"; outside of a few minor stains, the piece is in Excellent condition.
Alan Davis and Mark Farmer - Ultraverse/Marvel Dream Team #1 Back Cover Original Art (Malibu, 1995). Malibu Comics' Ultra warrior woman, Mantra, and Marvel's Adam Warlock, are captured in mid-flight by the extremely talented Alan Davis, in this back cover from Ultraverse/Marvel Dream Team #1. Davis has crafted stories for comics including JLA, JSA, The Legion of Super-Heroes, Batman and the Outsiders, 2000 A.D., The Fantastic Four, The Uncanny X-Men, and many more. Capably inked by Mark Farmer, this art has an image area of 10" x 15" and the condition is Excellent.
Jack Davis - Jesse James and Wyatt Earp Hand Colored Print, Group of 2 (undated). Jack Davis has hand-colored (and retouched with ink) two top-notch, full-length prints (reproduced on rough, brown paper) of Western legends Jesse James and Wyatt Earp using the hallmarked gritty and expressive approach he perfected while working at EC and on Marvel Comics' Rawhide Kid. These matched gunslingers will look great on any Western fan's wall, The prints, augmented with touches of india ink and watercolor, each have an image area of 5" x 14". The hand colored prints were taped to mat boards with heavy paper tape (on the backs on the prints); otherwise they are in Very Good condition.
Verotika Artist - Death Dealer Painting Original Art (2001). With a single dread swing of his scythe, the Death Dealer slays a goblin, its blood flowing thick and red in the brittle snow. This fearsome image of Frank Frazetta's virile, axe-wielding, cranium-smashing warrior has a monumental quality, and was painted in mixed media on a sheet of heavy illustration board. The art has an image area of 14" x 20" and the condition is Excellent.
Billy DeBeck - Barney Google and Snuffy Smith Daily Comic Strip Original Art, dated 11-17-31 (King Features Syndicate, 1931). Kitty's boss at the Palace Department Store, Mr. Dimmit, wants to see Barney about something very urgent. Could he be mad because Barney's been spending too much time flirting with his counter girl? Nope, he just wants a pony and pony show (Spark Plug, and Pony Boy)! The image area of the strip measures approximately 17.5" x 4.5", and the condition is Excellent.
Dan DeCarlo - "The Archies" Illustration Original Art (2001). Dan DeCarlo spotlights "The Archies" in concert with this wonderful ink and watercolor drawing. Archie and the gang are no doubt belting out their 1969 bubblegum #1 smash hit, "Sugar, Sugar." Sadly, DeCarlo passed away in 2001, and so this piece will stand as one of his final portraits of "The Archies." The drawing has an overall size of 16" x 12", and the art is in Very Good condition.
Nelson DeCastro - Marvel Masterpiece Trading Card Illustration, "Hobgoblin" Original Art (Fleer, 1995). That maniacal pumpkin bomb-thrower, Hobgoblin, never looked so good -- or should we say, bad -- than in this sinister illustration by Nelson DeCastro. Perched on his flyer, Spidey's deadly foe sends a few deadly orange bombs your way, in this wicked image created for the 1995 Marvel Masterpieces trading card set. Painted in acrylics on heavy illustration, the art has an image area of 8" x 11", and is in Excellent condition.
Nelson DeCastro - Marvel Masterpiece Trading Card Illustration, "Mandarin" Original Art (Fleer, 1995). Painter, inker and penciler, Nelson DeCastro, is a modern day master! This diabolical delineation of one of the Iron Man's major archenemies was created for the 1995 Marvel Masterpieces trading card set. Painted in acrylics on heavy illustration, this wicked rendering has a 8" x 11" image area, and the condition is Excellent.
Walt Disney Studios - Walt Disney Christmas Card Preliminary Pencil Sketch Original Art, Group of 47 (Disney, 1936). Offered here is a classy collection of 47 vintage pencil sketches, direct from the talented hands of Walt Disney artists. These are preliminary drawings for seasonal Christmas cards. The year that is indicated on these drawings is 1936. Drawn in graphite and red pencil, these boisterous sketches feature Mickey Mouse, Minnie, Donald Duck, and Pluto. The image area for each sketch ranges from 6" x 4.5" to 9" x 6", and, aside from some paper aging, they average Excellent condition.
Disney Studios Artist - Snow White and the Seven Dwarfs 50th Anniversary Poster Original Art (Walt Disney Company, 1987). Based on the Brothers Grimm fairy tale, "Snow White and the Seven Dwarfs" was initially thought a crazy idea for a feature film. However, its lush production and charming characters proved otherwise. Standing the test of time since its release in 1937, the film has entranced audiences for decades. The lovely Snow White and the septet of kind-hearted, hard-working dwarves -- Bashful, Sneezy, Sleepy, Happy, Grumpy, Dopey and Doc, are presented here in this 50th Anniversary re-release poster art, consisting of a hand-painted background, with a color photocopy of the figures on acetate on another layer. The art has an image area of 8.5" x 12.5", and is in Very Good condition. Includes a copy of the published program, featuring the art on the cover.
Walt Disney Studio - Caroling Mice Concept Drawing Original Art (circa 1940s). Who better to draw anthropomorphic mice than the Walt Disney studio artists? This delightful concept sketch has an overall size of 8.25" x 6.25", and the art is in Very Good condition.
Walt Disney Studio Artist - Water Babies' Circus and Other Stories Illustration (D. C. Heath & Company, 1940). Walt Disney's adorable little water sprites, which were the stars of one his popular "Silly Symphonies," titled "Water Babies," continue their playful adventures in this piece of original art. Taken from the book, Water Babies' Circus and Other Stories, which was published by D. C. Heath & Company five years after the release of the short, this art consists of a hand-inked acetate cel, with the color painted on a separate acetate layer beneath. There is some very slight ink loss on the acetate, and some minor buckling; otherwise the art is in Very Good condition. Includes a printed version of the art.
Walt Disney Studio Artist - The Three Little Pigs Cover Original Art (Simon and Schuster, 1948). Who's afraid of the Big Bad Wolf? The legendary tale of the "Three Little Pigs" is told in this "Mickey Mouse Club Book," with illustrations by the Walt Disney Studio. Presented here is the original cover illustration for this Little Golden Book volume, which was hand-painted in watercolor, and has an image area of 8" x 8". The logo type is a hand-painted recreation of the printed version, and there is a bit of soiling on the acetate; otherwise the art is in Very Good condition. Includes a copy of The Three Little Pigs.
Walt Disney Studio Artist - Pinocchio Coloring Book Cover Original Art (undated). This playful cover illustration features the wooden marionette, Pinocchio, the toymaker, Gepetto, Jiminy Cricket, Figaro, and Cleo enjoying a happy moment in Gepetto's workshop. Colorful and charming, this art was hand-painted in watercolor on illustration board, and has an image area of 10" x 13". In Excellent condition.
Steve Ditko - Amazing Spider-Man #10, page 3 Original Art (Marvel, 1964). The Big Man is taking over the city's rackets from here on out, and if anyone has anything to say about it, they can talk to the Enforcers! If it's Silver Age Marvel you're salivatin' for, look no further, web-heads! Stan Lee and Steve Ditko deliver "big time" on the page that introduced Marveldom to "The Enforcers" -- the Ox, Fancy Dan, and Montana! The image area of the art is 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko - Amazing Spider-Man #10, page 20 Original Art (Marvel, 1964). The police have rounded up the Enforcers, and now all that is left to do is find their leader, the Big Man. Spidey is sure the man behind the city's crime syndicate is none other than J. Jonah Jameson! Meanwhile, at The Daily Bugle, its harassed publisher is certain the Big Man is our friendly neighborhood wall-crawler! This twentieth sensational page from the Stan Lee story, "The Enforcers!," features a commanding display of comic book art by the brilliant Steve Ditko! The image area of the art is 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko and Frank McLaughlin - Captain Atom #89, page 7 Original Art (Charlton, 1967). Alec Rois has his sites set on stealing a military missile, and neither Captain Atom, nor the villain known as Thirteen, have a got a "Ghost" of a chance to stop him! This intriguing page from 1967 has an image area of 12" x 18", and the condition is Excellent.
Steve Ditko - Beware the Creeper #2, page 3 Original Art (DC, 1968). Steve Ditko's sinuous art style was ideally suited for gritty, urban, crime-fighting superhero yarns and mystical, supernatural chillers. Beware the Creeper combined these elements into one of DC's most unforgettable Silver Age features. Ditko's storytelling on this page moves the viewers' eyes to skewed points of view and perspectives that heighten the emotional reactions of his characters to the events unfolding in the plot. Jack Ryder (the Creeper) springs into action in the last panel, and Steve Ditko's inking on this page is crisply detailed with dramatically spotted blacks. And how can you resist a 1960s page that mentions Sean Connery and James Bond? The image area of the piece measures 10" x 15", and the art is in Excellent condition.
Luis Dominguez - The Witching Hour #78 Cover Original Art (DC, 1973). We guarantee you'll be shocked by the figures in this wax museum! Luis Dominguez takes us into a gruesome tableau of paraffin and foul play, in this chilling cover illustration. Includes the original logo, title type, and masthead paste-up art. There is some overall aging apparent, and bit of glue staining along the center portion; otherwise the condition is Good.
Vic Donahue - Chamber of Chills #10 Complete 8-page Story "The Face Upstair" Original Art (Harvey, 1952). The terror, the sheer terror -- of the Comic Code Authority's story corrections will haunt any Harvey horror fan! This eight page chiller first appeared as "The Face of Horror" in Chamber of Chills #10, but it must have been slated as a reprint elsewhere, due to the many Code-directed changes. The first thing to go was the word "horror" in the story title. Then, the gruesome, twisted face was art-corrected in each panel to a pleasant, smiling face. After a few more plot and dialogue changes, this yarn begins to take on a new reality in an alternate universe. You have just entered the Silver Age zone! The image area of each page measures 12" x 18". Aside from the code-mandated changes, the art is in Good condition.
Thomas "Tad" Dorgan - For Better or Worse Sunday Comic Strip Original Art, dated 12-29-23 (Int'l Feature Service, 1923). Lil Blink learned everything she knows about driving from riding with Mrs. Oompa for six years. Unfortunately, Mrs. Oompa wasn't much of a teacher! This Roaring Twenties strip featured the domestic comedy of married couple Webster and Lil Blink, and was known for its often rowdy humor, which would be somewhat out of place in today's politically correct climate. The art has an image area of 16" x 21", and is in Excellent condition.
Thomas "Tad" Dorgan - Silk Hat Harry's Divorce Suit Daily Comic Strip Original Art, dated 1-26-26 (International Feature Service Inc., 1926). Vaudevillian groaners and pratfalls are the hallmarks of this strip featuring Judge Rummy. This delightful daily has an image area of 12.5" x 8", and the art is in Excellent condition.
Thomas "Tad" Dorgan - Silk Hat Harry's Divorce Suit Daily Comic Strip Original Art (undated). That old lech, Judge Rummy, is at it again, as he uses the threat of a "shark attack" to put his moves on a lovely bathing beauty! The Judge's wife cameos in the final panel. This daily has an image area of 12.5" x 8". Other than some slight surface soiling and edge wear outside the image area, the art is in Very Good condition.
Will Eisner - Okay Comics Joe Palooka Cover Original Art, dated 12-4-37 (1937). Okay Comics #1 premiered on October 16, 1937, and this British publication reprinted such American newspaper strips as Terry and the Pirates, Alley Oop, Tailspin Tommy, and Mutt and Jeff. These books were "packaged" for export to the foreign distributor by the newly formed "comic book shop" of Eisner and Iger. Will Eisner served as the main cover artist for the title as on this cover, where boxer Joe Palooka takes the limelight. As comics historian Ken Quattro has pointed out in his article, "Rare Eisner: Making of a Genius," the Okay Comics covers are "fine examples of Eisner's maturation as an artist. His amazing versatility at drawing in different styles belied his youth, not to mention the sheer bravado he displayed aping famous artists so confidently." Will Eisner signed the cover at the lower left. The image area of the cover is 15" x 21.5". The logo is a replacement and the board shows slight signs of aging; otherwise the art is in Excellent condition.
Will Eisner - Okay Comics Tommy Tailspin Cover Original Art (1937). Hal Forrest's aviator hero Tommy Tailspin barnstorms out of his newspaper strip to star on this sensational Golden Age comic book cover by Will Eisner. Eisner's early comic book career was outlined by Jim Amash in Alter Ego #48: "In 1936, Eisner found brief employment at Henle Publications, an early comic book publisher, creating the 'Harry Karry' and 'The Flame' features for Wow, What a Magazine. Along with the ambitious Jerry Iger, a cartoonist better suited for salesmanship, Eisner became the co-owner of the Eisner and Iger Studio, perhaps the first shop to package features for comic books and newspapers." Thus, a collector would be hard-pressed to find an earlier Eisner cover than his Okay Comics covers! Will Eisner later signed this cover in blue ballpoint pen at the upper left of the image. The image area of the piece is 15" x 21.5". Aside from the board, which shows slight signs of aging, and some old pieces of cellophane tape which were used to affix the logo, the art is in Excellent condition.
Bill Elder - Weird Science #19 Panel Page Original Art (EC, 1953). Bill Elder takes a rare break from his Mad chores to do a story for one of the later Weird Science stories, "Right on the Button." This is page four from the story, featuring an invasion from outer space by aliens who look human. The last two panels feature some neat "futuristic" rockets and flying cars. The page is drawn on an EC board measuring 15" x 22", with an image area of 13" x 18", and is in Excellent condition, save for one missing type paste-up.
Jill Elgin - Unpublished Complete 8-page Blonde Bomber Story "Fountain of Youth" Original Art (Harvey, circa 1945). Lack of issue title or date production notes on this eight page romp may indicate that it never saw print. The Blonde Bomber and Slapso survive a shipwreck at sea, only to be transported through time where they meet the legendary Juan Ponce de Leon. The waters from the fountain of youth play a key role in this wild and wooly yarn and Jill Elgin details the period costumes with a flourish. The image area of each page measures 12.5" x 18," and the art is in Very Good condition.
Lee Elias - Planet Comics #24, page 45 Original Art (Fiction House, 1943). It has already attacked thousands of other planets, and now the "Blind Death" is at the outposts of Vanam! With Marto coming to investigate, the Viceroy can think of only one woman capable of protecting him -- Gale Allen! Glorious Golden Age greatness by Lee Elias, who lavishes this page with a stunning visage of Gale Allen, together with a spectacular array of lines and textures. The image area measures 13" x 18", and, aside from some slight overall aging and a bit of staining, the art is in Very Good condition.
Lee Elias - Chamber of Chills #10 Cover Original Art (Harvey, 1952). A truly twisted piece from one of Harvey's greatest artists, this killer cover has all the creepy hallmarks of a true Elias gem! These two goofs obviously haven't read enough horror comics, or they'd know that weird-looking caves are often the head and mouth of some oversized monster. From bizarre imagery to the innovative use of zipatone -- it's all here! The cover has a 10" x 15" image area. Some of the type stats have been replaced; otherwise this piece is in Excellent condition. Lee Elias signed the drawing at the lower left of the design.
Enrique Torres - Vampirella Painting Original Art (undated). The world's most seductive she-vampire, Vampirella, is lovingly rendered, on a large canvas, by the supremely gifted Enrique Torres. "Enrich" is one of the most renowned of the Vampirella cover artists, and he has used his prodigious talent to create many memorable and haunting scenes of "good girl" art. This fantastic canvas captures all of Vampirella's sensuous allure, and was painted in a "classical" approach, using rich, layered oil glazes to build up the image. The painting has an image area of 60" x 40", and it is in Excellent condition.
Gary Erskine and Colin MacNeil - Predator Cover Original Art (1992). Our favorite intergalactic rasta hunter faces the bow of an ancient warrior, in this striking collaboration between Gary Erskine and Colin MacNeil. Gary Erskine has created powerful and highly detailed art for Marvel Comics, including the Wolverine/Punisher limited series and Warheads, and Dark Horse Comics' Star Wars. Colin MacNeil is one of Scotland's most respected artists, especially for his Judge Dredd and Chopper work for 2000 A. D. Hand-inked and hand-painted on a heavy sheet of illustration board, the art has an image area of 8.75" x 13.25". In Excellent condition, and signed by Gary Erskine and Colin MacNeil along the bottom.
Mike Esposito - Amazing Spider-Man #47 Cover Recreation Original Art (undated). Ace inker Mike Esposito has recreated Jazzy Johnny Romita's sensational Amazing Spider-Man #47 cover, spotlighting Kraven, the Hunter. The image area of this piece measures 14.5" x 20.5", and the art is in Excellent condition.
George Evans - Aces High WW I Dogfight Illustration Original Art (EC, 1994). Editing EC's Aces High was a dream assignment for aviation enthusiast George Evans. Unfortunately, the title only lasted five issues. In the 1990s, EC fan-addicts began to commission new material related to the fondly remembered Aces High. This spectacular ink and color pencil drawing was reproduced on page 188 of Grant Geissman's landmark book on the art and artists of the notorious 1950s EC comics, Foul Play. If you look very closely to the left of the German plane, you can detect a very faint, penciled-in EC logo. This drawing has an overall size of 22" x 16.5" and the art is in Excellent condition. Keep 'em flying!
Bill Everett - Strange Tales #150, Dr. Strange page 4 Original Art (Marvel, 1966). By the shadowy shades of the seraphim, Bill Everett's artistry with a brush was a magical match-up for illustrating the exploits of Dr. Strange! The Ancient One duplicates his spell of banishment from several centuries ago, and sends a griffin into another mystical realm in this fantastic scene from "The Conquest of Kaluu." When Steve Ditko left the feature, Bill Everett handled the transition drawing only a half-dozen or so ten-page Dr. Strange yarns. In an Alter Ego interview Everett remarked, "It was a challenge because I tried to do Ditko-like work and that was next to impossible. There are very few people who can imitate Ditko. I tried to keep my drawing and Ditko's influence. And it was very difficult, but it was fun. I enjoyed doing it." There are numerous story notations written in the margins of this page that reveal the creative process that was a cornerstone of the "Marvel method." The image area of the page is 12.5" x 18.5", and aside from some white-out used for lettering corrections, the art is in Excellent condition.
Al Feldstein - The Crypt of Terror #17, Complete 8-page Story "Death Must Come" Original Art (EC, 1950). Hoo-hah! -- here's the lead-off story for that new trend in magazines -- the illustrated suspenstories that EC dared us to read! Crypt of Terror was the first of the EC New Trend horror titles to hit the stands, and this Al Feldstein opener blazed a trail for the others to follow. Feldstein recalled the evolution of the Crypt Keeper in Fred Von Bernewitz and Grant Geissman's book, Tales of Terror: "I did the Crypt of Terror with the Crypt Keeper. I didn't know exactly what I was doing with this guy. I just wanted to have him scary and eerie, so I had his hair hanging all over his face like Al Capp's Shmoo (Feldstein may have meant the Bald Iggle), and that was the beginning. Bill (Gaines) was very excited because now he was into something that he could lay his hands on." The image area of each page measures 13" x 18", and the art is in Excellent condition. Don't miss out on your chance to bid one of the earliest EC horror yarns -- an Al Feldstein chiller that helped change the course of comics forever!
Al Feldstein - "Weird Science #8 Revisited" Painting Original Art (1992). Al Feldstein's eerie science fiction landscapes were influenced by the detailed, hard-edged astronomical paintings of Chesley Bonestell, but Feldstein also added his own knack for creating palpable scenes of unearthly terror to many of the incredible EC science fiction covers. This superb shocker displays the quintessential Feldstein hallmarks. Choke! The painting measures 24" x 20", and is in Excellent condition. This masterpiece would look fabulous on any EC fan-addict's wall, so bid now!
King Features Artist - Felix the Cat Daily Comic Strip Original Art, dated 1-1-40 (King Features Syndicate, 1940). The adventures of this popular feline star have been celebrated in recent years for the imaginative art of long-time Felix artist Otto Messmer. This particular example however, dating from New Year's Day, 1940, is clearly not by Messmer. In this strip, Felix plays sidekick to a kid character named Washy, who saves the day by rounding up a pair of dangerous thugs. The art has the look of classic strips of the era, but we have not been able to pin down exactly who this guest artist was. It's great stuff, though! The art measures 25.5" x 5.75" and has been cut between the second and third panels, then reattached using art tape on the back. The Zipatone film has yellowed and stained the board a bit, with one tiny piece having slipped off in panel three. A blue wash had been applied as a guide to placing the Zip, and there's a small area of water damage noticeable in the last panel, in the corner by Felix. Overall, the strip is in Very Good condition. A very unusual piece of Felix art!
Virgil Finlay - "Self Portrait of the Artist as a Young Man" Painting Original Art (1932). Virgil Finlay's painting is rendered with the same care that he lavished on his famous ink illustrations. This painting is accompanied by a letter from Finlay's daughter, Lail Finlay, dated 11-05-99. It reads, "This painting by Virgil Finlay done in (1932) is unusual in that the artist used himself as a model. In that respect, it could be thought of as a self-portrait. This piece was done in (1932), and depicts a "swami" type man holding the fate of the world in his hand. As Virgil Finlay was my father, I can state that he rarely used himself as a model, and so this is a most rare painting, particularly since it is in color." (Note that while the handwritten text says "1952" rather than 1932, we are of the opinion that this is an oversight on the part of Ms. Finlay.) The painting has an image area of 9.75" x 11". There is a 1.5" crack on surface of the board (at the center-right edge) that does very little to detract from the enormous eye-appeal of this painting; otherwise, it is in Very Good condition. Don't miss an opportunity to bid on this scarcity -- an early Virgil Finlay self-portrait!
Virgil Finlay - Venus Illustration Original Art (1935). Only 21 years old at the time that this sensuous drawing of Venus was done, Virgil Finlay displays the unparalleled virtuosity at pen and ink drawing that would make him a master in the realm of science fiction and fantasy art. The drawing has a note at the bottom of the paper reading, "Venus. Central linear figure of transitory plane," and the art was signed "Virgil '35" at the lower right. Drawn in ink on spiral-bound sketchbook paper, the paper has an overall size of 5" x 7". This drawing was professionally separated from the opposite side of the sketchbook page and then archivally strengthened; otherwise it is in Excellent condition.
Virgil Finlay - Study of Five Portraits Illustration Original Art (1935). Five expressive portraits appear on this sketchbook page titled, "Discussion of background figures." The hallmark Virgil Finlay stipple technique is showcased on this fine drawing. Detailed in ink, on paper from a spiral-bound sketchbook, the page has an overall size of 5" x 7". This work was deacidified and buffered by a professional conservator, and then the drawing was professionally split from the opposite side of its sketchbook page and lined to Japanese paper; otherwise it is in Excellent condition.
Virgil Finlay - Portrait of William Shakespeare Pencil Study Original Art (circa 1935). In preparation for his finished illustration on the cover of Wright's Shakespeare Library edition of A Midsummer Night's Dream, Virgil Finlay drew this tightly detailed pencil study of the Bard and his writing pen. Drawn on spiral-bound sketchbook paper, the drawing notes, "Built up head from the Chandos and Drochout portraits." The sketchbook paper has an overall size of 5" x 7". This drawing was professionally separated from the opposite side of the page and then archivally strengthened; otherwise it is in Excellent condition.
Virgil Finlay - "A Midsummer's Night Dream" Sketch Original Art, Group of 42 (Popular Fiction Publishing Co., 1935). Virgil Finlay imaginative and appealing illustrations make the unknowable seem so immediate and real. His distinct, jewel-like renditions employ the painstaking stipple and crosshatching technique of an earlier era of illustration. From his gorgeous women to his terrifying monsters, to scenes from legendary pasts and fantastic futures, Finlay's delicate, precise style is truly inspiring. In addition to commissioning Finlay to draw multiple illustrations in nearly every issue of Weird Tales through 1939, its editor, Farnsworth Wright, chose him to illustrate the first in a proposed series of illustrated reprints of Shakespeare's plays, A Midsummer Night's Dream, which was published in 1936. Contained in this 5" x 7" sketchbook (with a hand-drawn cover), is a stellar selection of 42 preliminary studies that Finlay created for the project. There is a bit of aging apparent, otherwise, the work is in Very Good condition.
Virgil Finlay - "A Midsummer Night's Dream," page 17 Illustration Original Art (Popular Fiction Publishing Co., 1935). Virgil Finlay burst upon the professional fantasy illustration scene at the age of twenty-one when his drawings were printed in the December, 1935 issue of the Weird Tales pulp. Editor Farnsworth Wright, recognizing Finlay's incredible talent, also assigned him to the first of a proposed series of illustrated reprints of Shakespeare's plays, A Midsummer Night's Dream. The trade paperback printed twenty-five gorgeous Finlay illustrations. This surreal scene hails from Act I, Scene II, and had a caption which read, "Is All Our Company Here?" The illustration has an image area that measures 7" x 5.5", and the art is in Excellent condition.
Virgil Finlay - "A Midsummer Night's Dream," page 23 Illustration Original Art (Popular Fiction Publishing Co., 1935). Virgil Finlay's consummate artistry was evident even in these, his earliest illustrations. Noted comic book and illustration historian Jim Vadeboncoeur Jr. has succinctly described Finlay's remarkable technique, "His preferred method of working was on the clay finish of scratchboard. Using an ultra-fine lithographic pen, he would dip just the tip into India ink and allow only the liquid ink, not the tip of the pen, to touch the surface. He then wiped the residual ink off the pen point and repeated the procedure for the next dot. This incredible and incredibly labor-intensive technique, coupled with his enormous talent, created images of near photographic quality -- in the service of depicting the fantastic." This eerie illustration was done for Act II, Scene I, and its caption read, "The wisest aunt, telling the saddest tale, Sometimes for three-foot stool mistaketh me." The illustration has an image area that measures 7" x 5.5", and the art is in Excellent condition.
Virgil Finlay - "A Midsummer Night's Dream," page 29 Illustration Original Art (Popular Fiction Publishing Co., 1935). The combination of William Shakespeare and Virgil Finlay must be counted as one of the most enchanting pairings ever in the history of modern American illustration! This bewitching scene illustrated Act II, Scene I, of A Midsummer Nights Dream and its caption read, "The juice of it, on sleeping eyelids laid, Will make or man or woman, madly dote Upon the next live creature that it sees." The illustration has an image area that measures 7" x 5.25", and the art is in Excellent condition.
Virgil Finlay - "A Midsummer Night's Dream," page 35 Illustration Original Art (Popular Fiction Publishing Co., 1935). Virgil Finlay's committment to his art was unsurpassed. As a result his popularity was always high. Throughout the forties and fifties he was the top science fiction fan-favorite. As illustration historian Jim Vadeboncoeur Jr. has written, "What was at issue was always his speed. The painstakingly slow techniques that resulted in the inimitable Finlay magic could not be rushed. Short cuts resulted in less satisfaction for both Finlay and the readers. He often did nothing but draw, sixteen hours a day, seven days a week to eke out a living at the wages that the pulps and digests could afford to pay. When markets would dry up as magazines floundered he was known to take jobs repairing lamps." The caption for this scene from Act II, Scene II, of A Midsummer Nights Dream reads, "Lie further off, yet; do not lie so near." The illustration has an image area that measures 7" x 5.25", and the art is in Excellent condition.
Virgil Finlay - "A Midsummer Night's Dream," page 57 Illustration Original Art (Popular Fiction Publishing Co., 1935). The quality seen in these early illustrations set the stage for Virgil Finlay's storied career. He drew hundreds of scenes for the science fiction pulps throughout the forties and fifties. Some of those titles included Famous Fantastic Mysteries, Fantastic Novels, Startling Stories, Super Science Stories, Amazing Stories, Thrilling Wonder Stories, and Fantastic Adventures. The caption for this scene from Act III, Scene II, of A Midsummer Nights Dream reads, "I will shake thee from me like a serpent." The illustration has an image area that measures 7" x 5.5", and the art is in Excellent condition.
Virgil Finlay - "A Midsummer Night's Dream," page 71 Illustration Original Art (Popular Fiction Publishing Co., 1935). The illustrations of Virgil Finlay were both a popular and a critical success. As illustration historian Jim Vadeboncoeur Jr. has pointed out, "Finlay's work was an immediate hit with the readers and the writers. Readers wrote in praising the illustrations. H.P. Lovecraft wrote him fan letters and even composed a poem about his art. Finlay was a fan of the genre as well as one of the most talented artists to enter the field. These combined to provide his work with a power and grace unknown in the pulps." The caption for this scene from Act IV, Scene I, of A Midsummer Nights Dream reads, "I know you two are rival enemies; How comes this gentle concord in the world?" The illustration has an image area that measures 7" x 5.25", and the art is in Excellent condition.
Virgil Finlay - Woman Combing Her Hair Illustration Original Art (1935). Two lovely studies of a woman combing her hair are featured on this gorgeous sketchbook page. Drawn in ink on spiral-bound sketchbook paper, the work has an overall size of 5" x 7". This drawing was professionally split from the opposite side of its sketchbook page and lined to Japanese paper. The work was also deacidified and buffered by a professional conservator; otherwise it is in Excellent condition.
Virgil Finlay - Pulp Illustration Original Art (undated). Witness, if you will, the exquisite artistry of one of the greatest pen and ink illustrators of the 20th century -- Virgil Finlay. Often obscured by the poor printing of the pulps of the 1930s, '40s, and '50s, Finlay's original art, when viewed in person, is breathtaking. Finlay is celebrated as a master at the art of stippling, but his drybrush technique, as showcased in this masterwork, is every bit as impressive! Nicely matted, this piece is in Excellent condition, and has an image area of approximately 7.5" x 9".
Ham Fisher Studio - Joe Palooka Sunday Comic Strip Original Art, dated 7-04-43 (McNaught Syndicate, 1943). Even in the middle of a brutal shelling on a World War II battlefield, Joe Palooka's chum, Jerry Leemy, takes a moment to celebrate the Fourth of July with his own firecracker. The image area of this strip measures 16.5" x 17.5". The strip was cut between panel tiers two and three, and aside from some overall aging, and edge wear, the art is in Very Good condition.
Creig Flessel - "Harlan Ellison's Dream Corridor" Cover Concept Original Art (1996). Noted for his outstanding contributions to DC Comics, including classic Sandman covers, and the David Crane comic strip, Creig Flessel, is an artist without peer! A nude Adam and Eve-type couple are frightened by an erupting volcano, in this proposed comic book cover which was never used. Along the bottom is written lightly in pencil: "Creation was just one big bang!" Flessel created this incredible piece in colored pencil on a sheet of vellum paper, and the art has an image area of 9" x 12". Includes a color photocopy of a second variation of the design. The condition of this gem is Excellent, and it has been signed by Flessel at the lower right.
Western Publishing Artist - "Pebbles Flintstone: A Whitman Coloring Book" Cover Original Art (Whitman, 1963). "Abba Gabba Goo!" Fred and Wilma's bouncing red-haired baby girl, Pebbles, straddles Baby Puss, the family's saber-toothed cat, in this cover illustration. Painted in glowing watercolor on heavy illustration board, this illustration has an image area of 11.5" x 12", and the work is in Excellent condition.
Don Flowers - Glamor Girls Sunday Comic Strip Original Art (undated). A close look at Don Flowers' body of work reveals that he was a cartoonist with the soul of an illustrator. Equally skilled with the brush and the pen, he was highly regarded by his fellow artists for his expert spotting of blacks. And, of course, no one could top his exquisite females, with their graceful lines! This undated Sunday has an image area of 19" x 18.5". The art has been folded between all four panels, and there is a bit of glue staining from the partially missing logo photostat; otherwise the work is in Excellent condition.
Hal Foster - Tarzan Sunday Comic Strip Original Art, dated 11-19-33 (United Features Syndicate, 1933). From an early point in Hal Foster's run on Tarzan (he took over the Sunday from Rex Maxon in September, 1931), this is a prime example of the young artist at his most exuberant. Although Foster's later work would take on a more fluid, sophisticated quality, there is a vitality and directness here that is extremely appealing. Titled "The Chase," this piece has an image area that measures approximately 20" x 26.5". There is a small one-inch tear in the lower right of the last panel; otherwise, the art is in Very Good condition.
Hal Foster - Tarzan Sunday Comic Strip Original Art, dated 11-17-35 (King Features Syndicate, 1935). The field of comic strips was changed forever when Hal Foster began illustrating Tarzan's adventures. Foster was titled "the father of the adventure strip," and his work has inspired legions of cartoonists. His drawings also rank among the elite of those who have illustrated Tarzan, the Lord of the Jungle. Hal Foster was a master of expressive action, and no strip shows that off to better advantage than this one, "Trapped by Lions." Bravely facing down a ferocious feline, Tarzan saves the viking girl, Sigreda, and himself, just in the nick of time. A large piece, with an image area measuring approximately 20" x 26.5", the art is in Very Good condition; there is some tearing at the corners, and a few light creases, and some very light staining overall. None of these detract much from the overall eye-appeal of this incredible Sunday -- this is an outstanding example by a true comic strip master.
Hal Foster - Prince Valiant Sunday Comic Strip Original Art, dated 8-11-46 (King Features Syndicate, 1946). This spectacular "Prince Valiant" Sunday features the Robin Hood-like Hugh-the Fox, as Val enlists Hugh's help in a coming battle against Saxon invaders. The woodland tableau recalls the magnificent forest scenes of 1938's "The Adventures of Robin Hood," starring Errol Flynn. The red lines in panels indicate "color holds," a technique that Foster used very sparingly and to great effect, giving the finished product a more "painterly" look. The linework in this strip here is superb, on a par with the best works of any of the classic illustrators. The Sunday has an approximate image area measuring 24" x 34.5". The strip was cut between panel tiers one and two, and other than a missing lettering correction in panel five, the art is in Excellent condition.
Hal Foster - Prince Valiant Sunday Comic Strip Original Art, dated 5-13-51 (King Features Syndicate, 1951). From the "Return to Rome" storyline, this sequence is notable in that Val, "properly garbed and barbered," loses his trademark pageboy haircut for a Roman styling. Val is crusading to carry the message of Christianity to Thule and seeks an audience with the Pope. As a side-note, Arf, Val's squire, referred to in the first panel, was also Foster's nickname for his own son. This superb Sunday is a splendid example of Hal Foster's intricately detailed drawing style, one that will certainly be a welcome addition to any original art collection. The Sunday has an approximate image area measuring 23.5" x 33.5". The strip was cut between panel tiers one and two, and other than a missing lettering correction in panel six, the strip is in Excellent condition.
Hal Foster and John Cullen Murphy - Prince Valiant Sunday Comic Strip Original Art, dated 6-10-73 (King Features Syndicate, 1973). Prince Arn finds his royal blood to be a deterrent in his relationship with the lovely Lydia, in this beautiful page drawn by John Cullen Murphy, working from layouts by original creator Hal Foster. Murphy has signed the page under the last panel. The page measures 17.5" x 25.75"; each tier of panels was cut, and have been combined by taping from the back. A few type elements are beginning to come loose, and there are a few very minor stains here and there, but overall, the condition remains Excellent.
Hal Foster - Prince Valiant Preliminary Original Art (1973). Here are Hal Foster's original layouts to our previous lot, the Prince Valiant strip for June 10, 1973. These highly detailed pencil sketches are a perfect complement to the finished art, and a fine item on their own. It's clear to see that even in his later years, Foster's talent was still bright and sharp. The art is on three-hole punched paper measuring 8.5" x 11", with an image area of 7" x 10". A rusty paper clip has left a light mark in the first panel; otherwise, the page is in Excellent condition. Foster's one-page typed script, and one page of notes, are also included.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 3 (New York Herald Tribune, 1951-52). Oh what a girl has to do to make it on Broadway! Jeannie battles it out with a gang of look-a-likes to land an acting job. Four of these early dailies are undated ( but numbered #4, 9, 11, and 12) while the final strip in this group lot is dated 9-27-52. Written by Selma Diamond with art by Gill Fox, the strips have an approximate image area of 16.25" x 4.5". Aside from the minor paper aging and a few pasted-on lettering corrections, the strips average Very Good condition. From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1951-52). Writer Selma Diamond and artist Gill Fox's behind the scenes look at Broadway continues with these five charming Jeanie dailies. There are two undated strips from 1951, and the others are dated 9-29-52, 9-30-52, and 10-1-52. There is also a group of photocopied Jeanie dailies which have been re-named Stage Daze, possibly an earlier version of Jeanie. The art has minor overall aging; two strips have glue staining from missing dialogue boxes, and some attendant tape and glue stains; otherwise the strips average a Very Good condition. The image area of each measures 16" x 4.5". From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1952). All's fair in love and Jeanie would just love to be a great actress! Posing as a maid to get on the payroll of stage star Kay Bates, Jeanie hopes her position will help her attain a part in the actress' last play. Artist Gill Fox and writer Selma Diamond concoct a screwball scenario with emphasis on the zany misadventures of this star-to-be. The strips are consecutive, running from August 11 - 15, 1952. The image area for each strip measures approximately 16" x 4.5". Some edge wear, slight aging, and tape stains along the edges, outside of the image area, otherwise the strips average in Very Good condition. Here's your cue to bid on some vintage Gill Fox art! From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1952). This lot features five dailies (9-13, 9-15, and 9-22 through 9-24-52) which feature the charming artwork of Gill Fox and the witty dialogue of Selma Diamond. Jeanie is a young hopeful trying to make it as an actress in NYC in the early '50s. We say she's cute enough, but will success ever come? The art is in Good condition with only minor overall aging and some tape on the left and right sides on two of the strips. The image area of each strip measures 16" x 4.25". From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1952). Jeanie stars in three early, undated dailies (production notes they were strips #7, 8 and 10), and two dailies dated 9-25 and 9-26-52 complete this lot. The art by Gill Fox is scrum-dilly-umptious. The art is in Very Good condition with only minor overall aging. The image area of each strip measures approximately 16" x 4.5". From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1952). Jeanie and Susan help Toby get ready for her wedding day and the two gals add lots of laughs to the upcoming event. These five lighthearted dailies, dated 10-2 through 10-4, and 10-6 and 10-7-52, each feature "good girl" art by Gill Fox, with hilarious scripting by comedy writer Selma Diamond, perhaps best known for her portrayal of the gravel-voiced bailiff on TV's "Night Court." The art is in Excellent condition with only minor overall aging. The image area of each strip measures 16.2" x 4.25". From the collection of Gill Fox.
Gill Fox - Jeanie Daily Comic Strip Original Art, Group of 5 (New York Herald Tribune, 1953). There's's plenty of spry young gals posing in these romantic-comedy gags. These five rib-tickling dailies are dated 10-8, 10-9, 10-11, 10-13, and 10-14-52. The art is in Very Good condition with minor overall aging; one of the strips has tape on the left and right edges of the paper. The image area of each strip measures approximately 16" x 4.5". From the collection of Gill Fox.
Fox Comics Artist - Murder Incorporated Complete 12-page Story "The Dead Still Can Deliver" Original Art (Fox Comics, undated). Dope smuggling is the focus of this twelve-page pre-code crime yarn. One by one, Harry Dalton is knocking off the jury that sentenced him to prison years ago. Only Agents Stone and Hawkins can stop him as they vow to smash his new dope and murder ring. This slam-bang thriller hails from an unidentified issue of Murder Incorporated. Each page has an image area that measures 12" x 18", and the art is in Excellent condition.
Fox Comics Artist - Spectacular Stories Magazine #4, Complete 10-page Story "Jay Peters, The Human Fly" Original Art (Fox Comics, 1950). Carnival acrobat Jay Peters, the Human Fly, turns his high-wire skills to crime after he browbeats contortionist Evonne Bayes into joining him on a series of capers. Terrific pre-code drama in this crime noir thriller. The image area of each page measures 12" x 18". Aside from a glue stain left behind where a pasted-on lettering correction slipped off of panel one of page two, and a small tear (mostly outside of the image area), and some soiling to the upper and lower corners of page ten, the art is in Very Good condition.
Ramona Fradon and Juan Canale - The Freedom Fighters #3 Page Original Art, Group of 5 (DC, 1976). In the forging fires of World War II, Skragg, the Super Sniper, declares war on the Freedom Fighters, in these five pages. Uncle Sam, the Black Condor, the Ray, Phantom Lady, and the Human Bomb all make appearances. Each page has an image area of 10" x 15", and, aside from some editorial markings in light blue pen, and a tape stain at the top and bottom center edge of each page, the work averages in Very Good condition.
Ramona Fradon and Bob Smith - Plastic Man #19 Page Original Art, Group of 4 (DC, 1977). Marty "the Mouse" Meeker is accidentally given super powers by aliens, and goes into action as a super hero, causing problems for Plastic Man, in these four pages. Included here are pages 1, 4, 10, and 13 from the John Albano story, "The Mouse That Soared," which was penciled by Ramona Fradon, and inked by Bob Smith. Each page has an image area of 10" x 15". There is a bit of aging apparent apparent, and tape stains at the top and bottom edges (outside of the image area); otherwise these pages average in Very Good condition.
Ramona Fradon and Vince Colletta - Super Friends #37, Splash Page 1 Original Art (DC, 1980). The Super Friends chat with Supergirl on their big screen computer system, unaware that the villainous Weather Wizard is making plans to storm the scene. Penciler Ramona Fradon, and inker Vince Colletta bring you page one from the story, "Bad Weather for Supergirl," written by E. Nelson Bridwell. The art has an image area of 10" x 15", and aside from some glue staining around the top type box, a yellowed indicia box at the bottom, and an area around Wonder Woman, where a correction has been scraped off, the condition is Very Good. Signed at the upper right by Ramona Fradon.
Ramona Fradon - Secrets of the Haunted House #3 Page Original Art, Group of 4 (DC, 1983). Rich playboy Carlton Phipps hasn't got a "ghost" of a chance to get away with murder, as you'll find out in these pages penciled and inked by Ramona Fradon. Included here are pages 1, 5, 6, and 7 from the seven-page story, "The Swinger," written by Mike Pellowski. Each page has an image area of 10" x 15". Aside from some staining along the left edge of page 5, and tape stains at the edges of each page, the pages average in Very Good condition.
Frank Frazetta - Indian Fighter Illustration Original Art (undated). Frank Frazetta's savage battle scene recalls the explosive climax to James Fenimore Cooper's novel, Last of the Mohicans, where Hawkeye confronts Magua on the cliffs near Lake George. Frank Frazetta was an art prodigy, and this early work shows his burgeoning talent. He entered art school at the age of eight and studied under Michael Falanga for five years. He continued to study art until the age of sixteen, and then embarked on a career in comic books, comic strips, and much later, paperback cover illustration. This fabulous illustration has an image area of 13" x 17" and the art is in Excellent condition. The consignor of this piece recently had Frazetta sign the art.
Frank Frazetta - "Masai Warrior" Painting Original Art (circa 1960). The "Masai Warrior" is one of fantasy art master Frank Frazetta's personal favorites. It was the first of a mini-series of African warrior paintings, which number among Frazetta's largest canvases. The "Masai Warrior" was originally presented to Frank's wife, Ellie, as an anniversary gift. For many years it could be found hanging in the Frazetta family room. In time, the piece was sold, and Frank Frazetta missed it so much, he felt compelled to recreate the image (this second, newer version hangs in the Frazetta Museum in East Stroudsburg, Pennsylvania). This portrait of a proud warrior is the original version, and unlike the majority of Frazetta's highly stylized and soft focus work, this is an exceptionally detailed, photo-realistic and life-like image. This oil on stretched canvas painting has an image area of 25" x 45", and the art is in Excellent condition.
Frank Frazetta - Horses and Riders Sketch Original Art (undated). This outstanding page taken from his sketchbook shows Frazetta's superb command of the anatomy of horses, and includes several rough sketches of equine beauties from many angles. Signed by Frazetta at the bottom left. The image area measures 10.75" x 13.5", and, aside from some light aging, the condition is Excellent. Gorgeously framed in a custom-made matte.
Frank Frazetta - Arcanum Illustration Original Art (1993). In the 1990s. Frank Frazetta unleashed an inspired series of pencil drawings based on monsters and demons, and this is one of the most compelling. Frazetta has commented, "The pencil is a lost form, the artist's true vision, I can smudge, I can erase lines, I can make the pencil talk." A cropped version of this drawing was used for the cover of the book, Frazetta: Illustrations Arcanum (Illustrators Artbook Series), a collection of previously unpublished drawings unveiled by Verotik in 1994. The image area of this drawing is 13" x 19". Minor indentations can scarcely be seen on the left side of the paper, near the second and third tentacles of the octopus-like creature; otherwise the art is in Excellent condition.
Bob Fujitani - Green Hornet #17 Complete 8-page Zebra Story "The Jackal's Revenge" Original Art (Harvey, 1944). Bob Fujitani's sinuous artwork shows the strong influence of Lou Fine's groundbreaking Golden Age linework. In this slam-bang story, the Zebra battles the menace of a Nazi saboteur, code-named the Jackal, in a Federal shipyard. The image area of each page measures 13" x 18", and the art is in Excellent condition.
Joe Gallagher - Golden Age Atom Unpublished Partial Page Original Art, Group of 2 (DC, 1949). While the Mighty Mite captures a gang of thugs and retrieves their stolen loot, Al Pratt takes it on the chin from his sweetheart, Mary, in these two partial pages. Saved by DC interns who cut "written-off" pages horizontally, into tiers, instead of directly through the art, these two surviving tiers (planned for an issue of All-American Comics, each have an image area of 13" x 6", and the art is in Excellent condition.
Dick Giordano - Wonder Woman #262 Cover Original Art (DC, 1979). Suffering Sappho -- in this Bronze Age blockbuster Wonder Woman declares war on the street warriors -- it's the social relevance of the seventies. What chance do such rowdy riff-raff stand against the Maid of Might? None at all. "Good girl" specialist Dick Giordano adds his own touch of stylish glamour to Wonder Woman's other amazing attributes! No Wonder Woman cover would be considered complete without the image of chains somewhere in the scene and this one has them, in the form of street weapons. The image area measures 10" x 15". The DC logo, issue number, and price tag stats have slipped off the page and the Wonder Woman logo is loose; otherwise the art is in Very Good condition.
Sam Glanzman - Fightin' Army #89 Cover Original Art (Charlton, 1969). Nazi youth strike back in this cover from Fightin' Army #89, drawn by comic war art vet, Sam Glanzman. In a style reminiscent of Joe Kubert, Glanzman tackles this complicated scene with expressive brushwork, ranging from flowing to staccato lines. He dabs, blobs, and smears the ink onto this 12.5" x 19" image, in an almost reckless way, yet it all works together to create an unforgettable image of war. The word balloons are photocopy replacements; otherwise, the art is in Excellent condition.
Rolf Gohs - Fantomen (The Phantom) #9 Cover Original Art (Egmont, 1988). The Ghost Who Walks lives up to his sobriquet as he escapes the gallows -- only to face off against a blood-thirsty man-monster! Rolf Gohs' clever design creates a fearsome feeling of entrapment to this scene. The overall size of this cover measures 7" x 10.75", and the art is in Excellent condition. A copy of the printed comic is included in this lot.
Rolf Gohs (attributed) - Fantomen (The Phantom) #22 Cover Original Art (Egmont, 1983). Haunted trees from deep within the Phantom's woods make for an eerie sculpture in the spooky cover for Fantomen # 22. Rolf Gohs' cover spotlights the ever-vigilant visage of the Ghost Who Walks. The image area of this mixed-media on board cover measures 7.5" x 12", and the art is in Excellent condition. Two copies of the printed comic are included in this lot.
Rolf Gohs - Fantomen (The Phantom) #25 Cover Original Art (Egmont, 1988). The Ghost Who Walks is an international phenomenon. Popular in Italy, Australia, and Sweden, the Phantom is one of the most enduring costumed heroes ever created. In Sweden, he is known as Fantomen, and his most popular cover artist there is Rolf Gohs. Gohs' comic book work for the international market includes the science-fiction series Mannen fran Claa (The Man of Claa), as well as Bomben (The Bomb), Dodens Fagel (The Bird of Death), and perhaps his most celebrated series, Mystika 2:an (The Mysterious Two). The image area of this cover measures 6.75" x 10", and the art is in Excellent condition. A copy of the printed comic is included in this lot.
Golden Age Artist - World War II "Troll" Page Original Art (circa 1943). This page, drawn by an unknown artist, for an unknown title, displays a vivid use of World War II propaganda stereotypes, as the trolls in this story are captured by demonic Japanese spies. One of the trolls, named Sam-Son (seen in panels one and five), wears a costume that is remarkably similar to Captain Marvel's, so perhaps this page hails from a Fawcett title. The page has an image area of 13" x 18", and aside from some mild paper aging, the page is in Very Good condition.
Rube Goldberg - Doctor with Stethoscope Illustration Original Art (undated). Rube Goldberg had a thing for gadgets. He earned lasting fame for his "Rube Goldberg machines" -- devices that are exceedingly complex and perform very simple tasks in a very indirect and convoluted way. This unidentified Goldberg illustration features a doctor, and -- you guessed it -- his gadgets! The image area measures 9" x 12" and the condition is Excellent.
Rube Goldberg - Illustration Original Art, Group of 7 (undated). "A busy mind and busy hands can bring happiness." So quotes cartoonist extraordinaire, Rube Goldberg, in a hand-written letter, which is included in this tremendous collection of his work. Seven brush and ink illustrations are here, including several which were used for cartooning lessons, an editorial cartoon, and a drawing which looks amazingly like the design he used to create the legendary Reuben Award. Also added to this stunning selection is a postcard advertisement for a Rube Goldberg art show, which was held at the Truman Gallery, in New York in 1978; an original song sheet featuring the comic song, I'm the Guy, from 1912; and a collection of fifteen photocopies of original Goldberg drawings. All these items average Very Good condition.
Rube Goldberg - Editorial Cartoon Original Art, dated 4-08-47 (1947). Rube Goldberg's "Paging Houdini" seems to be a plea for wireless communication -- and way back in 1947! However, were he alive today, Goldberg's editorial cartoons might spotlight the evils of cel phones. While Rube Goldberg is perhaps most celebrated for his series of cartoons depicting hilariously elaborate machines, his prestige amongst his cartooning peers was such that the National Cartoonist Society named their annual industry award, "The Reuben," after him. This cartoon is executed in ink and crayon on coquille board, the tried-and-true media of the editorial cartoonist. The image area measures 11" x 12" and the art is in Excellent condition with light overall aging.
Rube Goldberg - "Famous Artist Cartoon Course, Lesson 6," page 13 Illustration Original Art (1965). Rube Goldberg shows would-be cartoonists how to dream up the ideal man. This illustration has an overall size of 11" x 12" and the art is in Excellent condition.
Jose Gonzalez - Chantal Comic Page Original Art (Norma, 1980). The popular Miss Chantal is the focus of everyone's attention in this slinky, seductive page by Vampi-vet, Jose Gonzalez. With its textural inking, high polish, and fidelity to photo reference, this strip is a masterful example of the "Spanish School," which spearheaded the later period of the Warren horror era. The image area measures approximately 14.5" x 20.5". The art has some scattered staining from some missing word balloon paste-ups, but is in otherwise Very Good condition.
Jose Gonzalez - Greta Garbo Montage Illustration Original Art (undated). Greta Garbo was one of the most glamorous and popular motion picture stars of the 1920s and 30s. Garbo was best known for her portrayals of strong-willed heroines, most of them as compellingly enigmatic as the actress herself. Jose Gonzalez produced this superb montage of portrait scenes as a tribute to Garbo. The art has an overall size of 40" x 27.5" and is in Excellent condition.
Jose Gonzalez - Audrey Hepburn Portrait Montage Original Art (2005). Masterfully rendered with a sensitive line and rich textures, Jose Gonzalez's panoramic masterwork pays an elegant tribute to screen legend Audrey Hepburn. A montage of scenes from such Hepburn films as "Roman Holiday," "Sabrina," "My Fair Lady," and "Breakfast at Tiffany's" capture all the cosmopolitan grace and style of the star's beauty. The image area of this measures approximately 39.5" x 28", and the art is in Excellent condition.
Chester Gould - Kid Casey Try-Out Daily Comic Strip Original Art (circa 1925). Before he created Dick Tracy, the hard-working Chester Gould tried his hand at many strips. After studying the lessons of W.L. Evans' mail-order cartooning course, Gould left Oklahoma to pursue his cartooning career in Chicago. Gould started out with gag strips such as Fillum Fables, Radio Cats, and The Girl Friends. Kid Casey lends his soft shoulder to comfort Jean on -- after he "loses" her dogs -- the cad! This daily has an image area of 20" x 6", and the art is in Excellent condition.
Chester Gould - Early King Features Daily Comic Strip Original Art, dated 12-18-29 (King Features Syndicate, 1929). Chester Gould shows his tender side in this early, unidentified King Features Syndicate daily. The orphan, Nancy, is being raised by three men instead of one father. It's heart-warming fare from the soon-to-be master of blood-and-thunder crime comics! This daily reveals a little -seen moment from of Chester Gould's career. The daily has an image area of 20.5" x 5.5", and the art is in Excellent condition.
Chester Gould - The Girl Friends Daily Comic Strip Original Art, dated 8-10-31 (Chicago Daily News, 1931). When Chester Gould first went to work for the Chicago Daily News, he did some advertising art, some editorial cartoons, and also created this lighthearted feature, The Girl Friends. Only two months after this daily saw print, Dick Tracy was calling on the Truehearts for dinner, in the debut of his own strip, and the rest is comic strip history. The image area of this daily measures 20" x 6" and the condition is Excellent.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 9-4-47 (Chicago Tribune, 1947). Dead-eye Dick Tracy drills a revolver out of the hand of Zabu, Coffyhead's cowardly comrade-in-crime, in panel two of this thrilling daily, titled "Surrender." As if this daily wasn't action-packed enough, Dick and Pat Patton were also primed to pump tear gas into Coffyhead's secret safe room; plenty of crime-stopping action in this episode! The strip's image area measures 20" x 6", and the condition of the art is Excellent. This scene of America's number one cop in action will make a fine showpiece for any collection.From the collection of Larry Doucet.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 6-9-49 (Chicago Tribune, 1949). Junior Tracy and the boys from Dick Tracy's surveillance team get a real kick out of watching Pearshape being put through his paces by his personal trainer. The image area of the daily measures 20" x 6" and the art is in Excellent condition.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 12-19-49 (Chicago Tribune, 1949). "This dame is murder!" Sam Catchem gets to taste a fresh knuckle sandwich, courtesy of the rat-lovin' Mousey, in this strip from the end of the beautiful lady shoplifter's crime spree. Chester Gould manages to carve a real world scenario out of a few simple lines in this wonderfully staged piece, which measures 6" x 20". In Excellent condition. From the collection of Larry Doucet.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 11-15-55 (Chicago Tribune, 1955). Here's a Dick Tracy daily about Nothing! "Nothing" Yonson, that is! Tracy and Sam discuss turning the tapped tables on Oodles' pal, in this daily. The image area measures 16.5" x 5" and the condition is Excellent.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 6-23-56 (The Chicago Tribune, 1956). Diet Smith drops in with an updated version of the two-way wrist radio, to the delight of Sam Catchem and Dick Tracy. The improved circuit gives it a range of 2500 miles instead of the original 500. When it premiered in January, 1946 the wrist radio was an instant success, giving the Tracy crimefighting team yet another tool to improve the odds. This strip marks the tenth anniversary of the famed invention. The art measures 16.5" x 5" and is in Excellent condition. From the collection of Larry Doucet.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 6-19-63 (Chicago Tribune, 1963). Sparkle Plenty has stumbled onto a secret enclave of forgers run by the Pallette Twins in this intrigue-filled daily. Also starring in this episode are B. O. Plenty, Gravel Gertie, and Diet Smith. The image area of the daily is 16.5" x 5", and the art is in Excellent condition.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 11-10-40 (Chicago Tribune, 1940). While Tracy, Tess, and Pat vacation in the Southern Mountains, Junior runs into some trouble at his parking lot business. While the police sort through the trouble, Junior takes a ride with a well-connected individual known as Deafy Sweetfellow. A fine example of prime Dick Tracy, this art has an image area of 27" x 18". Each panel of the Sunday was glued to a larger support page, and there is some glue staining between the panels, otherwise the art is in Very Good condition.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 7-13-47 (Chicago Tribune, 1947). Once again, Dick Tracy proved he had the Sharper Image on crimefighting with his new gimmick, the "Dick Tracy ring-camera!" Chester Gould filled his feature with a panoply of hi-tech gadgets, goodies such as the two-way wrist radio, the space coupe, and the atomic light. In this charming Sunday, Dick used his new toy to take a group portrait of B.O.Plenty and Gravel Gertie with their newborn baby, Sparkle Plenty. The image area of the strip is 27" x 18". Each panel of the Sunday was glued to a larger support page; otherwise the art is in Excellent condition. A tear sheet of the strip, printed in a tabloid format is included in this lot.From the collection of Larry Doucet.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 5-16-54 (Chicago Tribune, 1954). Open Mind Monty has riddled a Dick Tracy decoy with sniper shots -- shades of Marvel comics' Life Model Decoy! All in all, it's a rather chilling assassination attempt crime scene. As comics historian Richard Marschall pointed out in America's Great Comic-Strip Artists, Dick Tracy's villains were the personification of evil. To Gould's way of thinking, if crime was ugly, criminals should have been presented as ugly. If the city, infested with miscreants, provided scant haven for decent folk, it should have been pictured as icily neutral, and so Gould's setting often served as backdrops for the action. The image area of the strip is 27" x 18". Each panel of the Sunday was glued to a larger support page; otherwise the art is in Excellent condition. From the collection of Larry Doucet.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 10-26-58 (Chicago Tribune, 1958). Cuba's greatest detective, Wunbrow, always gets his man -- or woman. Presumed dead, Wunbrow miraculously survived a flood and piloted a makeshift raft to police headquarters with a skewered Miss Egghead on board. Dick Tracy and Sam Catchem pitched in to help the Cuban police force in those pre-Castro days and it's fun to see the boys operate in exotic locales. The image area of the strip is 27" x 18". Each panel of the Sunday was glued to a larger support page; otherwise the art is in Excellent condition. From the collection of Larry Doucet.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 7-12-70 (The Chicago Tribune, 1970). Groovy Grover gets some on-the-job training as a new patrolman, and almost makes two fatal errors. Fortunately, Dick Tracy is there to lend the rookie a helping hand! Each panel of this Sunday is perfectly designed. The image area of the strip measures 19.75" x 23.75". This Sunday was cut between panel tiers three and four, and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Robert Gould - "The Dungeon Vol. 3: Valley of Thunder" Illustration Original Art (Bantam Spectra Books, 1988). The Dungeon is a six-volume fantasy series created and designed by Philip Jose Farmer, which was packaged by Byron Preiss Visual Publications, and written by Charles de Lint. Volume three contained ten black and white pages of sketches by Robert Gould, including this page, penciled in graphite on a textured paper. The image area measures 11" x 9", and the condition is Excellent. Signed and dated by Robert Gould at the bottom right.
Harold Gray Studios - Little Orphan Annie Daily Comic Strip Original Art, dated 9-18-67 (Chicago Tribune, 1967). Annie has a bit of street-smart wisdom for Tim Fiddle on how to handle his teasers, " I'd pick out th' biggest wise guy in th' bunch and sock him, smack in his kisser!" It's hard to argue with a knuckle sandwich, and when is the last time you read a comic strip with such blunt advice? The image area of this daily is 20" x 6", and the art is in Excellent condition. For sheer spunk, it's hard to top Annie -- add a little punch to your art collection with this high-spirited daily!
Reg Greenwood and Sam Singer - Tip Top Comics #94 Page Original Art, Group of 5 (United Features, 1944). Five Golden Age pages are showcased in this group lot. Pages 9, 10, and 11 feature Mirror Man in high-flying thrills as drawn by Sam Singer. Pages 33 and 36 feature a member of the Triple Terror as he battles the WW II threat of the Silver Swastikas! These action-packed scenes were drawn by Reg Greenwood. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Reg Greenwood - Tip Top Comics #113, Triple Terror Page Original Art, Group of 4 (United Features, 1945). The menace of the Manofins looms large in these exciting Golden Age pages featuring the Triple Terror -- Richard, Barton, and Bruce Brandon. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Milt Gross - Dave's Delicatessen Sunday Comic Strip Original Art, dated 11-15-31 (King Features Syndicate, 1931). Milt Gross may have been the finest action gag cartoonist to put pen to the funnies. His creation of 1931, Dave's Delicatessen, was a wonderful example of his artistic and humorous achievements. In his effort to squelch a rumor, daft Dave makes the matter much worse, in this side-splitting Sunday. Gross' creations were always daffy and wildly creative, and it was very rare to see a character standing still in one of them. The image area measures 25.5" x 12". Some overall aging is apparent, otherwise the work is in Excellent condition.
Tom Grummett and Ray Kryssing - Robin #5 Cover Original Art (DC, 1994). The Boy Wonder finds himself locked in an armored truck, being covered with cement, in this dramatic offering by penciler Tom Grummett, and inker Ray Kryssing. Inspired by the interior story, "Last Gasps," written by Chuck Dixon, this art has an image area of 10" x 15", and the condition is Excellent. Includes the original masthead, logo type, and indicia paste-ups. Signed by Tom Grummet at the bottom left.
Tom Grummett - Robin #15 Splash Page 2 and 3 Original Art (DC, 1995). The high-flying Robin lays some bad-news thugs low in a hard-hitting double-page spread from "Looking For Clues." These pages have a combined image area of 15" x 21.5", and the art is in Excellent condition.
Tom Grummett and Karl Kesel - Superboy #9 Cover Original Art (DC, 1994). Erupting from ocean depths, the brutal and malicious offspring of a shark god father, and a Hawaiian mother, King Shark, attacks the Kid of Steel, in this deadly depiction by penciler, Tom Grummett, and inker, Karl Kesel. This injurious image is taken from the interior story, "Kingshark!," written by Karl Kesel, and has an image area of 10" x 15". Includes the original masthead, and indicia paste-ups. The condition is Excellent.
Tom Grummett and Dan Davis - Superboy #22 Splash Page 2 Original Art (DC, 1995). Superboy takes a bit of a whippin' from a buxom baddie on the dynamic splash page to "Fire and Ice." Tom Grummett proves himself to be an accomplished "good girl" artist. The cover has an image area of 10.5" x 16", and the art is in Excellent condition.
Paul Gulacy and Sal Trapani - Master of Kung Fu #25, page 14 Original Art (Marvel, 1975). Shang Chi gets a hint of the Jivaro Headhunter custom of infant sacrifice -- and now, it's time to open a can of whup-butt! This was only Paul Gulacy's fifth shot at the Master of Kung Fu book, and for many Bronze Age readers, because of his outstanding work, the title became a fan-favorite. This page has an image area of 10" x 15" and aside from a few taped-on type elements and some small whited-out areas, the art is in Very Good condition.
Paul Gulacy and Dan Adkins - Master of Kung Fu #34, Splash page 23 Original Art (Marvel, 1975). Mordillo is insane, there's no doubt about it. But he's also a master of robotics, and assasination, and possessed with great creative genius. Who else could have invented the glorious Solar Chute, a sub-orbital ship which has the power to focus solar energy into a devastating weapon? Mordillo takes a moment to gloat, while Shang-Chi's lover, Leiko, looks on in this page from the Doug Moench story, "Cyclone At the Center of a Madman's Crown". The art has an image area of 10" x 15", and, aside from some light aging, and a tape stain at the top and bottom center edges, the condition is Very Good.
Paul Gulacy and Dan Adkins - Master of Kung Fu #35, page 10 Original Art (Marvel, 1975). Though fragile, and without much fighting prowess, the robot, Brynocki, is intensely loyal to his creator, the lunatic assassin, Mordillo. Following orders, Brynocki prepares the devastatingly deadly Solar Tube for immediate transport, in this page from the Doug Moench story, "Death Hand and the Sun of Mordillo," which was penciled by Paul Gulacy and inked by Dan Adkins. The art has an image area of 10" x 15", and, aside from a tape stain at the top and bottom center edges, the condition is Excellent.
Paul Gulacy and Jimmy Palmiotti - Batman: Legends of the Dark Knight #139, page 4 Original Art (DC, 2001). The Scarecrow regains control of his insane mind, and the first target after his liberation is the Batman, naturally. Here is a page from the third chapter of the Moench/Gulacy epic, "Terror Part 3 of 5: Greatest Fear," penciled by Paul Gulacy, and inked by Jimmy Palmiotti. The art has an image area of 10" x 15", and the condition is Excellent. Signed by Paul Gulacy at the bottom right.
Paul Gulacy - Green Lantern: Dragon Lord #3 Cover Original Art (DC, 2001). The story of the first Green Lantern from Earth, Jong Li of Feudal China, unfolds in this panoramic cover illustration. Paul Gulacy nimbly balances a myriad of audacious images with dark, cinematic shadows, bringing a kung-fu kick to this decisive delineation. Will the mystic who has devoted his life to selflessness be able to wield the mighty power of the Green Lantern ring in order to save the life of a helpless woman and her son? The art has an image area of 10.5" x 15.5", and the condition is Excellent.
Bob Hall - Magnus Robot Fighter Trading Card Illustration Original Art (undated). When artist Russ Manning heard that editor Craig Chase wanted him to work on a new book set in the year 4000 A.D., he leapt at the chance to get away from licensed books and to write and draw his own creation. His brainchild was Magnus Robot Fighter 4000 A.D., one of the few science fiction based comics success stories of the 60s. The 1990s saw the return of Magnus when Valiant Comics offered up all new tales based on the character. This Bob Hall illustration was created for an unidentified trading card, and features the Harbringer facing down a three-story metal monstrosity. The image area measures 8" x 11" and the work is in Excellent condition.
Larry Hama and Dick Giordano - Marvel Premiere #19, pages 17 Original Art (Marvel, 1974). From the look of the inking on panels two through six, Neal Adams may have given his pals Larry Hama and Dick Giordano a helping hand at finishing the art on this hard-hitting scene from "Death-Cult." This dramatic page will make a terrific showpiece for any Iron Fist fan. The page has an image area of 10" x 15", and aside from some tape at the bottom of the page, the art is in Excellent condition.
Tim Hamilton and Romeo Tanghal - Justice League Europe Annual #3, Splash page 30 Original Art (DC, 1992). There are more Justice Leaguers in this room than you can shake a stick at! Captain Atom, Elongated Man, Metamorpho, Power Girl, Flash III, Ice Maiden, Green Flame, Animal Man, Mister Miracle, Blue Beetle, the Martian Manhunter, and Booster Gold top off this stellar collection of heroes, penciled by Tim Hamilton, and inked by Romeo Tanghal. The image area measures 10" x 15", and, aside from some light overall aging, and a top edge trimmed during the production process, the condition is Excellent.
Vincent T. Hamlin - Alley Oop Daily Comic Strip Original Art, dated 2-14-38 (NEA Service, 1938). Queen Oompa explains to Eeny, the Grand Wizer, that Alley Oop let her off easy, in this boisterous Alley Oop daily from 1938, titled "She's Luck at That". This art has an image area of 21" x 4.5". It has been folded in half and there are some pencil notations along the edges, outside of the image area. Aside from some very light scattered stains along the center, this strip is in Excellent condition.
Vincent T. Hamlin - Alley Oop Daily Comic Strip Original Art, dated 2-10-39 (NEA Service, 1939). Racing back to Rocky Del, Foozy is determined to ask Nanky for permission to marry his daughter, Zel. But wait, there's a teleboom for Mister Foozy! This daily is titled, "Wait a Minute Foozy," and has a 20.25" x 4.5" image area. You'll find some slight vertical stains running through several of the frames, and a fold along the center, otherwise the work is in Good condition.
Vincent T. Hamlin - Alley Oop Daily Comic Strip Original Art, dated 12-21-48 (NEA Service, 1948). If it's Alley Oop action you're craving, this strip has more than you can shake a club at! V. T. Hamlin's prehistoric protagonist, Alley Oop, King Guz, and the men of Moo, give their rival nation, Lem, a run for their money, in this daily titled, "Counter-Attack". The strip has a 20.5" x 5.75" image area. You'll find some slight soiling in the final frame, and a light fold along the center, otherwise the work is in Very Good condition.
Vincent T. Hamlin - Alley Oop Specialty Illustration Original Art (1958). Leave it to Alley Oop to bring a sabretooth kitty to a cat show. He's sure to win, now! This wonderful ink drawing has an overall size of 11" x 15.5". Aside from some mild aging, the art is in Excellent condition.
Scott Hampton - Fairy Illustration Original Art (undated). Painter Scott Hampton has made a career specialty of beautifully illustrated stories, in both comics and prose formats. This sparkling creature of myth is brought to glowing life by Hampton's brush. With her lovely face, gleaming colors and bright pastel shades, Hampton's painting possesses a fragility, and a certain sense of wonder, fully displayed in this beautiful rendering. The image area measures 9.5" x 12.5". There is a slight stain along the extreme edges from a past mat, otherwise the work is in Very Good condition.
Hanna-Barbera Studio Staff Artist - The "Quick Draw McGraw Show" Production Cel (Hanna-Barbera, circa 1959-62). The "high-falootin'est, fast a-shootin'est cowboy you ever saw," Quick Draw McGraw, is presented here in all his bumbling, gun-toting glory. Everyone's favorite equine Marshall rides the range once more in this hand-inked and hand-painted cel that was used in the opening sequence of "The Quick Draw McGraw" television program. The image area measures 12" x 9", and, aside from some slight ink loss, the work is in Excellent condition.
Ed Hannigan and Joe Sinnott - The Defenders #57 Cover Original Art (Marvel, 1978). They had no headquarters, no I.D. cards, and no "DefendiCar," and at the end of the mission, they all went home again. The successful 70s team book, The Defenders, was billed as a "non-team," consisting of loosely affiliated misfits who convened at times of need, when Earth was threatened by some strange otherworldly force. A.I.M. sets their sights on the Hulk, Hell-Cat, Nighthawk, and the "Female Fury," Ms. Marvel, in this classic cover illustration. The art has an image area of 10" x 15", and includes the original logo, and masthead paste-up art. There is a bit of overall aging apparent, and a very slight bit of soiling in the logo paste-up; otherwise the condition is Excellent condition. Signed by Ed Hannigan at the bottom left (slightly faded).
Tony Harris - Starman #36 Cover Original Art (DC, 1997). Eisner Award winner, Tony Harris, rose to prominence during his four-year stint pencilling and painting covers for DC's critically acclaimed Starman, popularized by Harris and writer, James Robinson, from the 1994 to 2001. Harris' highly stylized line work and stark, minimalistic painting technique make this cover image one you won't soon forget. The image area measures 12" x 17", and the condition is Excellent.
Lou Harrison - Magneto Destroys Cable Illustration Original Art (undated). The spectrum of Lou Harrison’s artistic prowess ranges from mythological fantasy to modern day superheroes. A painter by trade, Harrison brings uncanny brilliance and balance to color, light and form through the stroke of his brush. This galvanizing image is painted in oil on a sheet of masonite with an image area of 5.5" x 7.5". In Excellent condition.
Lou Harrison - Namor the Sub-Mariner Annual #4 Cover Original Art (Marvel, 1991). Spewing from the depths, in a spray of brine, the Avenging Son is brought to life through this vivid painting by Lou Harrison. The noble Sub-Mariner, one of Marvel's oldest heroes, is given a classic rendering by the very talented Harrison, in this glorious illustration, which bursts with color. The image area measures 10" x 15.5" and the condition is Excellent.
Lou Harrison - Thor Corps #4 Cover Original Art (Marvel, 1994). From different worlds and times come four mighty warriors, each empowered by an enchanted Asgardian Weapon, which grants the astonishing abilities of the legendary God of Thunder! Thor, Thunderstrike, Beta Ray Bill, and Dargo "hammer" things out as the Thor Corps, in this majestic cover illustration by Lou Harrison. This gathering of heroes was painted in oil on masonite, and has an image area of 22.5" x 34.5". Aside from some light scratching at the extreme right bottom corner, the condition is Excellent.
Gene Hazleton - The Flintstones Sunday Comic Strip Original Art, dated 12-2-62 (McNaught Syndicate, 1962). Granite was too ordinary. Sandstone too common. Marble too everyday. So Fred fixed a completely new kind of block wall fence for Wilma, and we don't have to spell out Wilma's disappointment! The image area measures 24" x 17", and the work is in Excellent condition.
Gene Hazleton - Yogi Bear Sunday Comic Strip Original Art, dated 2-24-62 (McNaught Syndicate, 1962). Nobody but mean Eugene would bring a bowling ball to a game of marbles! But Yogi's about to cut him down to size with a little help from a forest wrecking crew! The image area measures 24" x 17", and the work is in Excellent condition.
Gene Hazleton - Yogi Bear Sunday Comic Strip Original Art, dated 12-2-62 (McNaught Syndicate, 1962). Yogi sneaks into the Jellystone Concert Hall to listen to a live concert in this "C-sharp" Sunday by Gene Hazleton, that is sure to tickle your musical funny bone! The image area measures 24" x 17", and the work is in Excellent condition.
Gene Hazleton - Yogi Bear Sunday Comic Strip Original Art, dated 1-29-67 (McNaught Syndicate, 1967). It's the caped crusader... the protector of Jellystone Justice... Bat Bear! And don't forget Boo Boo, the Bear Wonder! Never afraid to take a chance, artist Gene Hazleton brings a bit of daring to this Sunday, titled "Bat Bear". The image area measures 25" x 17", and the work is in Excellent condition.
Russ Heath - Showcase #27, Sea Devils page 18 Original Art (DC, 1960). The original fantastic four, that quartet of young underwater adventurers dubbed the Sea Devils, defeat a giant octopus, only to be menaced by a gigantic hand in this sensational page from the yarn "The Golden Monster." Russ Heath's uncanny ability to draw reflected light into shadowed areas of his figures was ideally suited for drawing the effects of light underwater. Skin tight clothing on the beautiful Judy Walton also showcased Heath's talent for "good girl" art, and Judy had her teammates Dane Dorrance and Biff Bailey in an uproar. However, her brother Nick Walton was immune to her charms. The success of this first appearance of the team ensured they would soon get their own title. The image area of this page is 13" x 18", and the art is in Excellent condition.
Russ Heath - Our Army at War #263 Complete 12-page Story "The Cage" Original Art (DC Comics, 1973). Even a German POW camp can't keep Rock and the boys of Easy Company down! From the legendary team of Bob Kanigher and Russ Heath, this hard-hitting story is masterfully rendered and evocatively drawn. Each page has an image area of 10" x 13.5", and the art is in Excellent condition, with minor tape stains in the margins. This is a fabulous, almost cinematic, example of Russ Heath's work, and will make a worthy addition to any war art collection.
Don Heck - Death Valley #5 Cover Original Art (Comic Media, 1954). Don Heck's covers for Comic Media are considered one of the high points of his long and storied career. Pre-code fans admire the over-the-top sensationalism and gore of Heck's infamous Comic Media covers. Comics historian Mike Benton noted this about Comic Media in his The Comic Book In America, "Some of their more notorious comics were their horror titles, Horrific and Weird Terror. The covers of both books featured either a corpse's face or a leering maniac's head that had been shot, stabbed or otherwise colorfully disfigured." The image area of this hard-hitting bushwhacking scene measures 14" x 21", and the art is in Excellent condition. Also included in this lot are copies of Death Valley #2, 5, and 6 comic books.
Don Heck - Tales of Suspense #55 Iron Man Splash Page 1 Original Art (Marvel, 1964). Don Heck's Silver Age Iron Man art thrilled many a Marvelite. An Iron Man fan would be hard pressed to find a more dynamic splash page image than this powerhouse! "No One Escapes the Mandarin!" -- that was, until the Golden Gladiator made the scene. This splash has an image area of 12.5" x 18". The page has a replacement "Iron Man" title stat at the upper left, and it has been professionally restored to an Excellent condition. This is one of Dashin' Don Heck's finest moments!
Don Heck, Dave Cockrum, and Joe Sinnott - The Avengers #108, Splash Page 14 Original Art (Marvel, 1973). What cry could be more heroic than the famous "Avengers Assemble!"? And what artists could present Marvel's most famous super-team crying it better than penciler Don Heck, and inkers Dave Cockrum, and Joltin' Joe Sinnott? All chaos breaks loose as Captain America, the Black Panther, Scarlet Witch, and Hawkeye bust up a group of HYDRA agents, led by the Grim Reaper, in his senses-shattering showdown. The art has an image area of 10" x 15", and, aside from some oil printer's stains in several places, and tape residue staining at the center of all four edges, the condition is Good. Signed by Dave Cockrum at the bottom left.
Don Heck and Vince Colletta - Giant-Size Defenders #4 Page 31 Original Art (Marvel, 1975). The Defenders awaken to find themselves shackled in a dungeon in the basement of an observatory, in this desperate scenario penciled by Don Heck, and inked by Vince Colletta. From "Too Cold a Night For Dying!," written by Steve Gerber, this page has an image area of 10" x 15". The edges were trimmed during the production process, and there is some light, scattered soiling; otherwise the work is in Very Good condition.
John Held Jr. - Joe Prep Sunday Comic Strip Topper Original Art, dated 1-26-30 (King Features Syndicate, 1930). In his era, John Held Jr. was a celebrity beyond what any cartoonist has ever been before or since. It was his distinctive graphic style, presented in magazine illustrations, comic strips and cartoons that delineated the Jazz Age -- the bobbed-hair flappers and raccoon-coated college boys with slicked-back hair, the visual equivalent of F. Scott Fitzgerald. In 1928, Held created a regular comic strip called Merely Margy, with a companion topper strip about a nerdy prep school student, Joe Prep. This was the height of the inflated Roaring '20s -- for the daily Margy strip, Hearst was paying the cartoonist $2,500 a week! Here, in Held's elegant and witty line, is a Joe Prep topper from 1930. The image area measures 21.5" x 7". There is some slight soiling; otherwise the work is in Very Good condition.
Harry Hershfield - Homeless Hector Sunday Topper Comic Strip Original Art, dated 5-19-30 (Int'l Feature Service, 1930). Harry Hershfield's art was direct and simple, more striking for its character design than for his finesse as an artist. It featured impeccable comic timing, a bold line, an unerring sense of staging, and an eye for detail in the clothing, furnishings, and affectations of his day. His first strip was Homeless Hector, about a street dog, which frequently reappeared in his later work. This strip has an image area of 21.5" x 7", and, aside from some overall aging, and some light soiling, is in Very Good condition.
Tom Hickey - Chamber of Chills #5 Complete 1-page Story, "Ghosts That Never Rest!" Original Art (Harvey, 1952). Aye, mates and lassies, there are ghosts that never die, but just walk forever following a tortured path which leads nowhere! Tom Hickey tells a tale of pirates and poltergeists that's sure to freeze your soul! The image area of this page measures 12" x 18". There is some smudging along the edges; otherwise the condition is Excellent.
Greg and Tim Hildebrandt - Pixie Flight Painting Original Art (undated). In 1975, the Hildebrandt twins burst into the world of illustration, winning the opportunity to illustrate the 1976 Ballantine calendar based on J.R.R. Tolkien's fantasy classic, The Lord of the Rings. Throughout their careers, Greg and Tim would work together and separately and together again, winning awards, fame, and challenges as illustrators. The Brothers Hildebrandt take you on a journey into the imagination, on the wings of a creature unlike any ever seen before, in this concept painting for a proposed fantasy poster. A lovely pixie warrior rides high across a pink-hued moon, which bathes the scene in an unearthly light. Painted in acrylics on a 27" x 36" sheet of masonite board. In Excellent condition. Now you can own part of the Hildebrandt legacy!
Greg and Tim Hildebrandt - Battle with Red Sea Beast Painting Original Art (1982). The Brothers Hildebrandt exploded onto the public scene in 1978 when their poster painting for "Star Wars" became etched into the memories of millions of fans. Known individually for their fantasy and science fiction paintings, the Hildebrandts have created fantastic images for Omni, Heavy Metal, Marvel and dozens of other entertainment companies. A bronze skinned beauty stands defiantly against a monstrous denizen of the deep, in an alien landscape bathed in that gloriously mesmerizing Hildebrandt light, in this masterpiece created for The Brothers Hildebrandt Atlantis Calendar, which was published in 1982. This art was also included as a card in the 1994 The Brothers Hildebrandt trading card set, published by Comic Images. This unforgettable image was painted in acrylics on a 27" x 36" sheet of masonite, and is in Excellent condition.
Greg and Tim Hildebrandt - Spider-Man Window Poster Painting Original Art (1994). A spectacular image of the Amazing Spider-Man clinging to a window as buildings explode behind him. The Brother's Hildebrandt, who rose to fame in the 1970s through their work with Tolkien's characters and their classic "Star Wars" posters, have become world-famous for their paintings of classic Marvel characters. Created for use as a poster image, this large, dramatic, piece was painted in acrylics on a 22" x 33" sheet of masonite board. In Excellent condition.
Greg and Tim Hildebrandt - X-Men and Captain Universe #1 Cover Original Art (Marvel, 1994). A special mail-in promotion by Marvel, X-Men and Captain Universe #1 allowed readers to send in their pertinent information (details of their name, for example), and the comic was then lettered throughout with the reader's name, allowing the reader to become Captain Universe! Gracing this imaginative concept was this bold and brilliant cover illustration by the Brothers Hildebrandt. Featured characters include Captain Universe, Gambit, Wolverine, and Rogue. The image area measures 16" x 23.5", and the condition is Excellent.
Greg and Tim Hildebrandt - Marvel Masterpieces Namor Trading Card Illustration Original Art (Fleer, 1994). Prince Namor glides past some very colorful underwater lifeforms in this beautiful 9" x 12" acrylic painting by Tim and Greg Hildebrandt. It's from #81 of the fourth set of Marvel Masterpieces card set, and it's in Excellent condition. The art has been expertly matted to an overall size of approximately 15" x 17".
Greg and Tim Hildebrandt - Marvel Masterpiece "Thunderstrike" Trading Card Original Art (1994). The 1994 Marvel Masterpiece Set by Greg and Tim Hildebrandt re-introduced the world to two of the most talented artists in illustration. They produced over 100 paintings for this unbelievable collection. Carrying a paragon's ethos and a large hammer, Eric Masterson (a.k.a. ThunderStrike), is about to lay down some Norse god justice, in this mythic image by the Brothers Hildebrandt. Painted in acrylics on a sheet of masonite, the art has an image area of 14" x 10.5, and the condition is Excellent.
Greg Hildebrandt - Gambit Poster Painting Original Art (1995). Clever Cajun and master thief, Remy Lebeau, faces the X-Men on a set of cards, in this highly-charged image created for a Gambit poster. Bishop, Storm, Rogue, Professor X, Jean, Cyclops, Wolverine, Beast, Jubilee, Sabretooth and Psylocke are included in this awe-inspiring painting by Greg Hildebrandt. Painted in acrylics on masonite, the art has an image area of 14.5" x 23", and the condition is Excellent.
Greg and Tim Hildebrandt - Superman: The Last Son of Krypton, page 36 Original Art (DC, 1999). The long-forgotten ice goddess of dead Krypton, Cythonna, continues her crusade to annihilate the last remaining Krypton, Superman, in this frigid fantasy in acrylic by the Brothers Hildebrandt. Greg and Tim have always had a flair for dramatic, realistic-looking fantasy art. But, while they've done plenty of book covers and posters, and illustrated numerous stories with scattered paintings, a full book of Hildebrandt art is a treat! This painting was crafted on a 16" x 23" sheet of masonite, and the condition is Excellent.
Mike Hoffman - Female Warrior Illustration Original Art (2003). The fine lines that Mike Hoffman uses to embellish this voluptuous, curvy girl are truly inspired. With a flourish of pen and ink, Hoffman hits on all the classic fantasy cylinders, with this feisty and attractive warrior woman. A masterwork with an image area of 9" x 11", the art is in Excellent condition.
Mike Hoffman - Female Nude on Rock Illustration Original Art (2004). A luscious damsel perches on a precipice, one delicate foot atop a human skull. Drawn by one of the new masters of fantasy art, Mike Hoffman, whose art stands as a tribute to that other master of fantasy, Frank Frazetta! Crafted in pen and ink on a sheet of parchment paper with a watercolor wash, the art has an image area of 7" x 8.5", and the condition is Excellent.
Bill Hudson - Casper the Friendly Ghost #7 Complete 5-page Story "Ride 'Em Casper" Original Art (Harvey, 1952). This spook-tacular yarn hails from Harvey's first published issue of Casper, the Friendly Ghost. Harvey took the title over from St. John starting with issue #7. Casper tries to scare up some fun and friends at a carnival and by the story's end he does. Terrific early Casper art. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Bill Hughes - Vampirella #2 Cover Preliminary Original Art (Warren, 1969). Meet Evily, Vampirella's bombshell cousin, the weirdest, wildest witch ever to cast a spell, in this color cover preliminary by Bill Hughes. Check your heartbeat before you check out Hughes' dark Princess of Vaalgania, a deadly color study for his cover to Vampi's second issue ever! The image area measures 9.5" x 12" and the work is in Excellent condition.
Iger Studio Artist - Journey Into Fear #17, Complete 8-page Story, "Make Mine Horror" Original Art (Superior-Dynamic, 1954). Here's a witches' brew that will chill you! Mix one part murder with two partners who hate each other, add a dash of bitterness, and let stand for twenty-five years, then open and you'll find this horrific pre-code eight-pager! Drawn by an Iger Studio artist, these eight spooky pages will take you into a hidden room of horror, filled with shadows, and the cold chill of revenge. The image area of each page measures 12" x 18" and the art is in Excellent condition.
Carmine Infantino and Joe Giella - The Flash #112, page 11 Original Art (DC, 1960). Ralph Dibny, although masked, reveals himself to be one of the good guys in this page from "The Mystery of the Elongated Man." The Flash teamed up with the Elongated Man for the first time in this Silver Age sensation, written by the late, great John Broome. Carmine Infantino's streamlined designs were made even sharper by Joe Giella's clean inking -- the two artists became one of editor Julius Schwartz's favorite creative teams. The image area of the art is 13" x 18", and the art is in Excellent condition.
Carmine Infantino and Murphy Anderson - The Flash #149, page 8 Original Art (DC, 1964). Two of DC Comics' top Silver Age artists teamed to create this hard-hitting scene from "Robberies By Magic." Abracadabra, the malevolent magician, toys with the Flash and explains why the Scarlet Speedster is powerless to lay a finger on him. Carmine Infantino's Sixties approach to comic art was revolutionary. He explained it in a Comics Journal interview with Gary Groth: "I threw all the artwork out the window and went to pure design. Everything I did was just design, nothing else. That's a very tough thing to achieve, by the way. To make something unreal look real." Murphy Anderson's inks add the perfect finish to Infantino's designs. The image area of the page measures 13" x 18", and aside from some mild paper aging, the art is in Excellent condition.
Carmine Infantino and Sid Greene - Detective Comics #367, page 3 Original Art (DC, 1967). The Ductile Detective investigates the mystery of a crime committed by an apparently elongated crook, in this page from the Gardner Fox story, "Enigma of the Elongated Evildoer!" The art has an image area of 10" x 15", and, aside from four holes punched in each corner during the production process (outside of the image area), the condition is Excellent.
Billy Ireland - Panel Cartoon Original Art (circa 1917). Billy Ireland, the brilliant staff cartoonist for the Columbus Evening Dispatch, (and famous for his wry observations in The Passing Show), offers this rib-tickling view of a soggy World War I "war garden." Ireland earned a footnote in comics strip lore when he served as a mentor to two talented tyros of adventure strip cartooning, Milton Caniff and Noel Sickles.
Billy Ireland - Editorial Cartoon Original Art (undated). Will Rogers once said that Columbus, Ohio had two institutions -- the state capitol and Billy Ireland. Ireland, beloved cartoonist for the Columbus Dispatch for 37 years with his humorous Passing Show, was also an accomplished political cartoonist. This superb production is titled, "The Names Along Franklin's Kite String," and has an image area of 18" x 18". There is some overall aging apparent, and a couple of minor stains; otherwise the work is in Very Good condition.
Ub Iwerks and Win Smith - Mickey Mouse Daily #15 Comic Strip Original Art (King Features, 1930). Here is the most famous mouse in the world as he appeared in Hearst newspapers on January 29, 1930, before he was so famous. The question of who actually created Mickey has stirred lively discussion over the years. These facts we know: Walt Disney's studio had been producing cartoons featuring Oswald the Lucky Rabbit when Disney suddenly lost the rights to the character. Most of Disney's staff was hired away by competing animation studio Charles Mintz to continue the Oswald cartoons, leaving Walt with only a few loyal artists, including his early partner Ub Iwerks. Ub (born Ubbe Ert Iwwerks, from Dutch immigrant parents) was assigned to a new, secret animation project -- starring a mouse named Mortimer. This new character was soon renamed Mickey after eight-year-old child star Mickey McGuire (Rooney) stopped by the studios to visit, and Walt liked the name. Mickey's first animated cartoon, "Plane Crazy," was entirely drawn by Iwerks in 1928, and was quickly followed by a second film when "talkies" made their big splash in the entertainment world. The third film was designed to capitalize on this new trend, and the earlier two silent cartoons were shelved (and later released with added sound effects). As a result, this new cartoon, "Steamboat Willie," was a huge hit. Merchandising deals soon followed, including an offer from King Features to run the adventures of Mickey as a daily comic strip in Hearst-owned papers. Iwerks was picked to pencil the strip, Win Smith provided the inks, and Walt himself scripted the first sequence. This fifteenth strip is from the third week of the original "Lost on a Desert Island" storyline, and was titled "Too Many Feathers Spoil Big Meal." Iwerks continued to pencil the strip for three more days before leaving Disney Studios to form his own animation company. In 1940, Iwerks returned to Disney, as head of the Technical Department; he remained close to Walt for the remainder of his life. Iwerks is credited with over 200 movies, including Alfred Hitchcock's classic film "The Birds." He received two Academy Awards for his brilliant film inventions, and has been widely regarded as the "Albert Einstein" of the animation film industry. This original art has been professionally matted and framed to an overall size of 29" x 11"; the image area is approximately 23" x 6" and is in Excellent condition, save for a few tiny stains. The Walt Disney signature in the last panel was added after publication; after careful consideration, we now believe this to be by one of Walt's original staff of artists, rather than from Mr. Disney himself (as was the standard practice at the Disney studio for many years). Since this historic early Mickey Mouse is one of but a very small number of originals from this era still known to exist, the opportunity to own such an item comes rarely indeed.
Jeff Jones - Cavemen Illustration Original Art (undated). Two cavemen battle it out in savage hand-to-hand combat in this lyrical ink drawing by modern fantasy master Jeffrey Jones. Jones started working in comics for Gold Key and King, moved on to Warren Publishing's horror magazines, Creepy, Vampirella, andEerie, and drew many sensational illustrations for the science fiction digests, Amazing and Fantastic. Jones' mastery of ink drawing was showcased monthly in the long-running strip Idyl for The National Lampoon. The overall paper size of this drawing is approximately 11" x 14", the art is in Excellent condition, and is signed by Jeff Jones. This is a first-rate example of draftsmanship, so bid accordingly!
Dan Jurgens and Dan Adkins - The Warlord #72 Page Original Art, Group of 9 (DC, 1983). A unicorn passes on a deadly disease to Shakira, and the Warlord must catch it to cure her with its blood. Here are pages 1, 2, 3, 4, 5, 6, 7, 8, and 9 from the Cary Burkett story, "Curse of the Unicorn". The image area of each page measures 10" x 15", and, aside from corners trimmed during the production process, and some scattered staining (most pages have a tape stain in the upper left corner), the pages average in Very Good condition.
Dan Jurgens and Dan Adkins - The Warlord #73 Page Original Art, Group of 9 (DC, 1983). Travis Morgan and Scarhart team up to hunt a unicorn that carries a deadly plague germ... one of them wants to bring it back alive, the other wants it dead. Here are pages 1, 2, 3, 4, 5, 6, 7, 8, and 9 from the Cary Burkett story, "Cry Plague". The image area of each page measures 10" x 15", and, aside from corners trimmed during the production process, and some minimal scattered staining (there is some glue staining around the indicia on the first page), the pages average in Very Good condition.
Dan Jurgens and Dick Giordano - Robin III: Cry of the Huntress #2 Cover Original Art (DC, 1993). Helena Wayne and Tim Drake fend off an angry mob, on this cover illustration, which was penciled by fan fave, Dan Jurgens, and inked by industry legend, Dick Giordano. The image area measures 6.5" x 11.5", and the condition is Excellent.
Bob Kane - Jest Laughs Panel Original Art (A&M Advertising, circa 1939). Before he created Batman, Bob Kane's forte was humorous, "big foot" cartooning. This panel was most likely drawn for Jest Laughs, a strip that advertisers used to bolster their readership. The panel appears to have been signed by Bob Kane at a later date (in marker). The back of the panel was also signed, this time in pencil. The panel measures an overall 5" x 6", and the art is in Excellent condition.
Gil Kane and Joe Giella - Green Lantern #7, page 9 Original Art (DC, 1961). The renegade, ex-Green Lantern, Sinestro, in his origin and first appearance story, has kidnapped the entire city of Valdale, leaving the fate of 100,000 innocent people in the hands of Green Lantern of Earth. From the imaginative high point of the Lantern saga, comes this page from the John Broome story, "The Day 100,000 People Vanished!" In this page, penciled by Gil Kane, and inked by Joe Giella, Hal Jordan is allowed to retain a complete memory of the Guardians of the Galaxy, a first for the Emerald Guardian! The art has an image area of 13" x 18", and, aside from some light overall aging, the condition is Excellent.
Gil Kane and Joe Giella - Green Lantern #7, page 11 Original Art (DC, 1961). In the anti-matter universe of Qward, where evil is the standard of behavior, Sinestro threatens to end the lives of the inhabitants of the entire city of Valdale, unless Green Lantern surrenders! Here is page 11 from the story, "The Day 100,000 People Vanished!," written by John Broome, a story which features the origin and very first appearance of one of Green Lantern's most memorable villains. Penciled by Gil Kane, and inked by Joe Giella, the art has an image area of 13" x 18", and, aside from some light overall aging, the condition is Excellent.
Gil Kane - TV Cartoon Presentation Piece Illustration Original Art (undated). Gil Kane drew hundreds of comic book stories for Marvel, DC, Dell, Tower, and other publishers during a three decade career in the field. Like his peers Jack Kirby, Doug Wildey, Alex Toth, Mike Sekowsky, and Russ Heath, Gil Kane left the comic book field for a time to work in the animation industry. The animation studios recognized Kane's tremendous imagination and ability as a dynamic concept and presentation piece artist and welcomed him with open arms. This supercharged "presentation piece" scene showcases the enormous talent Kane had for creating cosmic, interplanetary, costumed heroes and it recalls his work on the Superman, Green Lantern, and Warlock titles. Gil Kane has always brought to his work a dynamic energy and an intelligence that gives his work a quality above and beyond his amazingly skillful command of figure drawing. The piece has an overall size of 30" x 20", and the art is in Excellent condition.
Ken Kelly - Eerie #60 Cover Original Art (Warren, 1974). "The Manhunters Search the Stars For the Captive of the Deadly Man-Eating Aliens." Ken Kelly's cover scene for Eerie #60 was based on Wally Wood's weird science-fantasy thriller, "The Man Hunters," and Kelly's painting is faithful to Wood's unique mix of sumptuous "good girl" art and revolting alien monsters. The painting has an image area of 18" x 22.5", and the art is in Excellent condition. A copy of Eerie #60 is included in this lot.
Ken Kelly - Eerie #73 Cover Preliminary Painting Original Art (Warren, 1976). "Hunter II and the Exterminator face the mutant sorcerer of the mountains of doom in a desperate battle to slay the deadliest goblin on Earth." Ken Kelly worked out the lighting and color scheme for his finished Eerie cover with this jewel-like, oil on canvas, "thumbnail" study. This preliminary painting has an image area that measures 4" x 5". The study is taped to a support paper and has masking tape around its edges; otherwise, the art is in Very Good condition.
Ken Kelly - Swordswoman Preliminary Painting Original Art (undated). Baring more than her blade, this bikini-clad huntress holds her male captive in bondage. Ken Kelly, one of the modern masters of the fantasy genre, has worked out this composition (most likely done for a finished painting) with an oil on vellum study. The painting measures an overall 9" x 12.5" and is in Very Good condition.
Ken Kelly - "Black Vulmea's Vengeance" Book Cover Original Art (Berkley, 1979). Modern fantasy art master Ken Kelly was the perfect choice to illustrate the cover of these tales of pirates by Robert E. Howard. Inspired by Rafael Sabatini and Talbot Mundy, Robert E. Howard, author of the Conan series, tried his hand at pirate and adventure stories. He wrote the yarns in the distinctive Howard fashion, with lost dead cities, devil-haunted caves, and weird revenge. This oil on masonite painting has an overall size of 38" x 30", and the art is in Excellent condition.
Ken Kelly - "Kelly Country" Preliminary Book Cover Study Original Art (Daw, 1985). A. Bertram Chandler's novel, Kelly Country, is an alternate history in which Australian folk hero, Ned Kelly, leads a successful revolution against British authority, and the result is that Australia becomes a world power. Throughout a career spanning over 30 years, Ken Kelly has garnered an international reputation as a master painter of sword and sorcery/heroic fantasy. Kelly's signature is synonymous with dynamic illustrations that transport the viewer to exotic, enchanted locales and primal battlefields. Kelly creates a vivid image of "The Man in the Iron Mask" in this preliminary oil sketch of the cover. The art measures 12.5" x 17.5" and the condition is Excellent.
Ken Kelly - "The Clan of the Cats" Paperback Cover Original Art (Signet, 1988). Ken Kelly's bold design graced the cover of Robert Adams' eighteenth Horseclans novel. "Would they prove deadly foes to the people of the Horseclans -- or their most valued allies?" Ken Kelly has the distinction of being the only art student that Frank Frazetta ever taught. That said, Kelly has managed to develop his own style that is intense in both color and subject matter. This oil on masonite painting has an overall size of 27.5" x 40", and the art is in Excellent condition. A copy of the paperback is included in this lot.
Walt Kelly - Pogo Possum #3, page 28 Original Art (Dell, 1950). Taken separately, the artwork and dialog of Walt Kelly's cartoons are each amazing and wonderful. Together, they rise to a degree of excellence bordering on genius. In this page from the third issue of Pogo Possum, Seminole Sam tries to convince Albert and Beauregard that they should train to become professional mice! The image area measures 10" x 13.5" and, aside from some slight aging, the condition is Excellent.
Walt Kelly - Pogo Possum #3, page 29 Original Art (Dell, 1950). Seminole Sam puts Albert and Beauregard in a starry-eyed trance, as he lays out his plan to coach them (for a small fee, of course) in their new careers as mice, in this brilliant page by Walt Kelly. More intelligence and slapstick from a masterful humorist. The image area measures 10" x 13.5" and, aside from some slight aging, the condition is Excellent.
Walt Kelly - Pogo Possum #12, page 27 Original Art (Dell, 1953). Poor Churchy LeFemme! He can't see Albert from his point of view, and mistakes an innocent bout with a fishing pole for murder in the first degree! More Walt Kelly tomfoolery with his Okeefenokee citizens, in this page from Pogo Possum, published by Dell Comics. The image area measures 9.5" x 13" and, aside from some slight aging, the art is in Excellent condition.
Walt Kelly - The Pogo Peek-a-Book Story Page 14 Original Art (Simon and Schuster, 1955). Walt Kelly's Pogo first appeared as a children's feature in Dell's Animal Comics in 1941, before evolving into perhaps the most brilliant satirical newspaper strip of all time. This page is from the story "The Man From Suffern on the Steppes, or 1984 and All That." This page has an image area of 9" x 14", and, though slightly aged, with some light scattered staining, the work is in Very Good condition.
Walt Kelly - The Pogo Peek-a-Book, page 8 Original Art (Simon and Schuster, 1955). With gentle humor and sparkling wit, Walt Kelly lets his readers spend a little time with the denizens of his Okeefenokee in Pogo Possum. Kelly, a cartoonist who had never so much as seen the swamp, made it and its creatures famous around the world. Walt Kelly's Pogo is still considered one of the two or three best talking-animal cartoon strips ever created. This page has an image area of 9" x 14", and, aside from some light overall aging, the work is in Very Good condition.
Walt Kelly - Pogo's Sunday Punch, page 75 Original Art (Simon and Schuster, 1957). Here's a page from one of the classic Pogo collections, Pogo's Sunday Punch, which reprinted material from 1952 to 1957. Sections of comics were separated by selections of rolling and joyful poetry, including this page featuring "A Summer Song to a Winter Tune". This art has an image area of 8" x 13", and, although there is a bit of aging apparent overall, is still in Very Good condition.
Walt Kelly - Pogo's Sunday Brunch, page 86 Original Art (Simon and Schuster, 1959). Another great Walt Kelly collection was Pogo's Sunday Brunch, which reprinted Pogo comic strips, and included new original poems illustrated by Kelly. "Fiercely Fred" which appeared on page 86, is a whimsical and nonsensical rhyme by a master of fanciful and inventive language. This art has an image area of 10" x 13". There is a bit of aging apparent overall, and some tape stains along the left and right edges (outside of the image area); otherwise the condition is Very Good.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 11-5-60 (The Hall Syndicate, 1960). Filled with simple flights of fancy, and acid-tongued political commentary, Walt Kelly's Pogo ran for nearly 25 years, and was at times hilarious, charming, heartbreaking and poignant. This daily has an image area of 18.5" x 5," and the condition is Excellent.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 9-3-61 (Hall Syndicate, 1961). The second Big Camp Siberia Cheerful Sleepin' Contest is at hand... an' him what dreams the best dream wins! Follow Albert and Churchy as they compete to see who can come up with the best dream, in this enchanting Sunday by Walt Kelly. The art has an image area of 23" x 16" and, although there is a slight amount of aging apparent along the extreme edges (outside of the image area), and some light staining around the logo type paste-up, the condition is Very Good.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 2-8-62 (Hall Syndicate, 1962). Many of Walt Kelly's admirers find his later, more political Pogo comic strips superior to his earlier, more innocent ones, but this probably reflects their own politics more than the strips' actual merits. Since laughter is always the best medicine for whatever ails us, we recommend Pogo of any vintage! Porky and Beauregard take star turns in this daily from 1962.This strip has an image area of 20" x 5.5" and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 3-8-66 (Hall Syndicate, 1966). There will never be another comic strip like Walt Kelly's Pogo. One can only imagine the pleasure that Kelly, whose photographs suggest nothing so much as impishness, must have gotten out of writing it. Ol' Molester Mole offers repast to his guests, Seminole Sam, and a caricature of Spiro Agnew as a Hyena, in this daily. This strip has an image area of 20" x 5.5" and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 10-12-71 (Publishers-Hall Syndicate, 1971). Walt Kelly's Pogo was noted for its sophisticated humor, gentle whimsy, and occasional pointed political satire. Kelly melds slapstick and verbal satire at the ball game, in this daily from 1971, which features Beauregard Hound, and Porky Pine. The image area measures 18" x 5," and the art is in Excellent condition.
Fred Kida (attributed) - Warfront #29 Cover Original Art (Harvey, 1955). This war-torn cover features a vigorous use of the dry-brush inking technique that adds drama to the heroic image of an infantryman risking life and limb to rescue his fallen buddy during an all-out artillery attack. The energy of execution and textures displayed in these war-weary figures is expressive and direct. The image area of the art is 10.75" x 15.5". The Harvey logo and Comics Code Authority stamp stats are missing; otherwise the art is in Very Good condition.
Sam Kieth - Marvel Comics Presents #89, page 5 Original Art (Marvel, 1991). With a delicate pen and ink style reminiscent of such great illustrators as Virgil Finlay, Sam Kieth garnered popular and critical acclaim for his Wolverine series from Marvel Comics Presents, a prime example of which is offered here. Intricately rendered, Kieth's dynamic style can only fully be appreciated in the original; too much detail was obscured in the less-than-perfect printing process used in the early 1990s. The page has an approximate image area of 10.5" x 15.5", is in Excellent condition. There is some use of white-out at the top of the page, but this does not affect the art in any way. A beautiful example of a truly innovative artist.
Sam Kieth - Marvel Comics Presents #90, page 2 Original Art (Marvel, 1991). Best known for his work on The Maxx, Sam Kieth also contributed to the mythos of Wolverine with this ultra-popular story arc. Logan discusses his past involvement with Cyber, with the evanescently beautiful Tiger Tyger, in intricately detailed page from Marvel Comics Presents #90. This is part six of the "Blood Hungry" storyline, called "Sixth Scents," and was written by Peter David and drawn by Sam Kieth. The image area measures 10.5" x 15.75" and the work is in Excellent condition. Panel two and three in the top tier are photostats, and not original art.
Sam Kieth - Wolverine/Hulk #3, page 20 Original Art (Marvel, 2002). In his four-issue mini-series, Wolverine/Hulk, Sam Kieth uses Wolverine and Hulk in a sort of surrealist comedy, with the title characters doing battle in cartoony, over-the-top fashion. Combining fully painted work with a child-like drawing style, Kieth's powerful, exaggerated views of Wolverine and the Hulk are impressive, reminding the reader with every glance of the power and bestial fury that these characters represent. This fully-painted page has an image area of 10" x 15.5" and the condition is Excellent.
Jack Kirby - Black Cat Mystic #59 Cover Original Art (Harvey, 1957). Jack Kirby's contributions to the comic book industry are legendary. When you see his work, you can't help but marvel at the absolute love that he felt for the medium. Regardless of assignment, he put his heart into each project and turned out one compelling image after another -- visions such as this one featuring a strange boy "erasing himself from sight!" It's a concept Kirby would return to on the famous cover of Tales to Astonish #49, only a few years later. The image area of the cover is 13" x 18.5". The text caption at the bottom, the Comics Code stamp, the "Strange Suspense Tales" blurb, the "Thrill Adventures" logo, the word "Cat" in the title immediately below the "Thrill" logo, the September stat, and the ten-cent stat are all replacements. With only minor paper aging and a minimal use of white-out, this piece is in Very Good condition.
Jack Kirby and Wally Wood - Sky Masters Daily Comic Strip Original Art, dated 6-11-59 (George Mathews Adams Service, 1959). Capitalizing on the first-rate team assembled for DC's Challengers of the Unknown, Jack Kirby and Wally Wood, along with writers Dick and Bob Wood, moved from the comic book field into the comic strip market. A financial feud between Kirby and DC editor Jack Schiff (who claimed to have arranged the strip deal) ultimately resulted in Kirby's return to Marvel, just in time for their comics revolution. Wallace Wood's deep shadows and polished linework add a wonderful depth and texture to Jack Kirby's pencils. The image area of this daily is 18" x 5.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers - Strange Tales #76, page 5 Original Art (Marvel, 1960). Who, or what is this monstrous invader? Why is mankind helpless against him? Let mankind beware! Dragoom, the Flaming Intruder is preparing to surround the entire planet with a blanket of flame! Before Spider-Man, Daredevil and the Fantastic Four, Marvel had monsters like Spragg, Fin Fang Foom, and Dragoom. They were the "stars" before the coming of the Silver Age of superheroics in the 1960s. This page has an image area of 12.5" x 18.5", and, aside from some tape residue staining at the bottom right corner, the condition is Very Good.
Jack Kirby and Dick Ayers - Tales to Astonish #14, page 6 Original Art (Marvel, 1960). Professor Carter's dream to employ giant insect power in the service of mankind backfires, when he is attacked by the object of his arcane experimentation -- a bus-sized ant intent on ruling the world! Too frightened to move, Carter tries to understand the nightmarish sight before him, in this page from the story, "I Created Kang!," one of the better monster stories of the Silver Age. This monstrous Jack Kirby and Dick Ayers collaboration has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and George Klein - Tales of Suspense #24, page 5 Original Art (Marvel, 1961). Dr. Doom must have read this Marvel monster-piece and picked up a few fashion tips! Check out the figure in the final panel -- he practical screams "Dr. Doom proto-type!" No one could create a more dramatic comic book page than Jack "King" Kirby. From tightly cropped close-ups to compelling sound effects, Kirby's storytelling was unparalleled -- he set the pace for the Marvel comics revolution of the sixties. It's an ever-loving shame that more of his art wasn't finished with the crisp inks of George Klein. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. Here's a chance to add a sparkling "King" Kirby gem to your portfolio!
Jack Kirby and Dick Ayers - Strange Tales #89, page 9 Original Art (Marvel, 1961). Fin Fang Foom! What is it? Why does it cause such terror in the craven hearts of the Communist police? Chinese-American, Chan Luichow, gets first hand experience when the titanic red dragon sporting a pair of purple trunks attacks him, desperately trying to kill the one man who has the power to return him to his eternal slumber! This page is from the ultimate "pre-hero" giant monster story, "Fin Fang Foom!," written by Stan Lee, penciled by Jack Kirby, and inked by Dick Ayers. Published a few months after Fantastic Four #1, Fin Fang Foom seems to have lodged in fandom's collective memory more than any of the dozens of other monsters of the era. The art has an image area of 12.5" x 18.5" and the condition is Excellent.
Jack Kirby and Dick Ayers - Strange Tales #97 Complete 7-page Story "When A Planet Dies" Original Art (Marvel, 1962). Earth is put to the ultimate test when an ancient race of God-like aliens turns the surface of our planet into an ice-age wasteland. Thanks to the valiant efforts of Johnn, Earth passes this test. Superb Marvel Age science fiction art by the Jack Kirby/Dick Ayers team. An ad blurb, written at the bottom of page six, announces the Hulk. Each page has an image area of 12.5" x 18.5", and other than some minor edge wear, and a few small stains, the art is in Very Good condition.
Jack Kirby and Paul Reinman - The Avengers #2, page 14 Original Art (Marvel, 1963). Armed with a fantastic power, the Space Phantom sets out to destroy the Earth's Mightiest Super-Heroes, in the second issue of Marvel's mainstay super team book, The Avengers. Stan Lee's story, "The Avengers Battle the Space Phantom," was delineated by comics' most dynamic artist for sheer visceral power, Jack Kirby, who delivers five thunderous panels filled with inceptive Avengers action. The vitality of Kirby's drawing and imagination on early Marvel superhero comics changed the way comic books were drawn -- instead of stiff, "natural" figures, the trend became exaggeration and the "Marvel style," which has remained in place for the comics of today. This monumental page has an image area of 12.5" x 18.5" and the condition is Excellent.
Jack Kirby, Dick Ayers, and Steve Ditko - Fantastic Four #20, page 17 Original Art (Marvel, 1963). "If a man could control molecules, then he could control... anything!" So boasts the Molecule Man to New York's finest. Most of this early Marvel masterwork was drawn by the talented team of Jack Kirby and Dick Ayers. However, panel three of this page is a replacement panel drawn by none other than Sturdy Steve Ditko! The original panel was cut out just below the word balloon and Ditko's new panel was taped in from behind. The back of the page has a thumbnail pencil sketch for the basic composition of this new panel, and it's possible Stan Lee drew it as art direction for Ditko. Faint penciling in panel five also reveals an alternative Kirby composition that was abandoned for the final inked version. This pulse-pounding page features the work of four of early Marvel's greatest talents -- Stan Lee, Jack Kirby, Dick Ayers, and Steve Ditko. Now there's a fantastic foursome! The page's image area measures 12.5" x 18.5" and aside from the cut out panel, the art is in Excellent condition.
Jack Kirby and Chic Stone - Avengers #6, page 2 Original Art (Marvel, 1964). World War II legend Captain America gets a sixties make-over thanks to Iron Man and the other Avengers. Later on, Captain America would abandon the Tony Stark accessories that were added to his shield here, but this scene made for a memorable Marvel moment in Cap's Silver Age comeback. The whole Avengers line-up appears on this superb page, with Rick Jones thrown in for good measure. Chic Stone's bold inks add drama and weight to "the King's" pencils. As an art bonus, the back of the page has a great pencil sketch that works out the details of Baron Zemo's hood/mask. The page has an image area of 13" x 18". There are touches of white-out on Iron Man's helmet (perhaps to bring it in line with his latest look); otherwise, the art is in Excellent condition.
Jack Kirby and George Roussos (as George Bell) - Fantastic Four #27, page 17 Original Art (Marvel, 1964). When Namor kidnaps Sue Richards to make her his bride, it really showed a more human side to the jealous Reed Richards. The man who can split atoms gets caught up in the affairs of the heart, in this Stan Lee story titled, "The Search for the Sub-Mariner". Sue and Johnny Storm struggle to traverse Namor's booby-trapped castle, as Namor's men track them with a remote-controlled spy camera, in this explosive page penciled by Jack Kirby. The image area of the page is 12.5" x 18.5", and the art is in Excellent condition. Jack Kirby signed the page at the lower right.
Jack Kirby and Chic Stone - X-Men #8, page 18 (Marvel, 1964). X-Men art by Jack "King" Kirby does not turn up very often in the marketplace for one main reason -- Kirby only penciled the first eleven issues. Here is an opportunity to own a vintage page showcasing one of the X-Men's almost fearsome foes -- Unus, the Untouchable -- from his first appearance and origin story. This scene marks Unus' Waterloo as the malevolent mutant falls victim to Hank McCoy's plan to increase Unus' "x-power" -- his matter-repelling force field. The image area of this page measures 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Don Heck - Goddess Illustration Original Art (1966). This stunning Silver Age ink and watercolor masterwork appeared on the cover of the Jack Kirby Collector #38 (Spring, 2003). Editor John Morrow wrote, "The front cover is another of those mid-1960s concept pieces Jack did (this one from 1966). It looks to have been inked by Don Heck, and then watercolored by Jack. Who this enchanting lady was meant to be is anybody's guess, but the 'E' on her belt makes me want to simply call her 'Enchantra,' so I guess that's as good a name as any to use when referring to her in the future." Sounds good to us! The overall size of this Kirby masterwork measures 14.5" x 20", and the art is in Excellent condition.
Jack Kirby and Bill Draut - Unearthly Spectaculars #3, Complete 2-page Story "Logan's Next Life" Original Art (Harvey, 1967). An eerie two-page story written and penciled by Jack "King" Kirby and inked by Bill Draut. It originally appeared as a five-page story in Alarming Tales #1, in 1957, and was later reprinted in Unearthly Spectaculars #3, with three pages of the original story edited out. Each page has an image area of 12" x 18", and the art is in Excellent condition.
Jack Kirby and Frank Giacoia - "Pharaoh" Illustration Original Art (circa 1968). Behold the power of Jack Kirby's "Pharaoh!" The "King" was a master at reinventing and modernizing history, legends, myths, and fairy tales. His costume designs often combined cutting-edge science fiction concepts with ancient Egyptian, Aztec, Celtic, and Indian patterns. Drawings such as this ink and watercolor "personal piece" helped pave the way for Kirby's ultimate statement on power and life, the New Gods. The image area of this illustration, finished by one of Kirby's best inkers, Frank Giacoia, measures 12.5" x 17". The art is in Excellent condition.
Jack Kirby - "Toyman" Space Ghost Character Design Illustration Original Art (Hanna-Barbera, undated). From his years of working in the animation field, Jack Kirby detailed three views of a villainous character named the Toyman. Kirby's notes at the bottom of the drawing indicate it was done for an episode of "Space Ghost." Drawn in pencil on animation paper, this drawing has since been taped to a larger piece of support paper. The drawing has an overall size of 8.5" x 11" and the art is in Excellent condition.
Jack Kirby and Mike Royer - In The Days of The Mob #2, page 32 and 38 Original Art (DC, circa 1971). Gangsters and gun-molls are the focus of these two rip-roaring pages slated for the never-published second issue of Jack Kirby's crime comic magazine, In The Days of The Mob. The caption and word balloon lettering was pasted-on to each panel. Each page has an image area of 11" x 15", and aside from glue staining from the pasted-on lettering, the art is in Very Good condition.
Jack Kirby and D. Bruce Berry - Kamandi, The Last Boy On Earth #31, Splash Page 2 and 3 Original Art (DC, 1975). Few artists, if any, could draw a double-page splash with as much monumental power and heroic drive as Jack Kirby did. Ben Boxer, a mutant who has been transformed into a metal giant, is electrified in this scintillating scene from "The Gulliver Effect." Kamandi cameos at the lower right of page three. In a Jack Kirby Collector interview, inker D. Bruce Berry recalled his work with Kirby, "Throughout my association with Jack Kirby, I inked every damn line that he drew! Nobody ever told me I could ink the books any way I wanted to. I ended my career completely exhausted!" This double-page splash has a combined image area of 21" x 15", and the art is in Excellent condition.
Jack Kirby and D. Bruce Berry - OMAC #5, Splash Page 2 and 3 Original Art (DC, 1975). A grisly black market organ transplant factory is the target for an OMAC sting in this double-page splash from "New Bodies For Old!" With each year that goes by, Jack Kirby's visionary science fiction concepts seem more plausible. This double-page splash has a combined image area of 21" x 15", and the art is in Excellent condition.
Jack Kirby and D. Bruce Berry - Our Fighting Forces #155, Splash Page 5 Original Art (DC, 1975). Jack Kirby drew upon his own experiences as a scout in the Battle of the Bulge for many of his Bronze Age stories in Our Fighting Forces, featuring "the Losers." This powerful close-up is a chilling portrait of a formidable enemy. The splash page has an image area of 10" x 15", and the art is in Excellent condition
Jack Kirby and D. Bruce Berry - Our Fighting Forces #161, page 5 Original Art (DC, 1975). Drawing on his limitless storehouse of anecdotes from his combat days, Jack Kirby wrote and drew tales for "The Losers," including this tense page from his story, "The Major's Dream". This classy Kirby creation has an image area measuring 10" x 15", and, aside from some blue line editorial notations, and a tape stain at the top and bottom center edges, the condition is Excellent.
Jack Kirby and Frank Giacoia - The Invaders #4 Cover Original Art (Marvel, 1976). "U-Man Must be Stopped", and the "big three" of Marvel Comics' Golden Age -- Captain America, the Human Torch, and the Sub-Mariner -- are just the heroes to do it! Jack "King" Kirby brings his unparalleled talent for penciling powerhouse action to this jam-packed World War II thriller, and Frank Giacoia finished the art with his silky-smooth inks. John Romita Sr. might have had a hand in this scene as well, as the Sub-Mariner's head and right arm have a hint of blue under-penciling showing, and Namor's grimace shows Jazzy Johnny's influence. Frank Giacoia inscribed and signed the piece in marker in the upper border, but his writing has faded and can be scarcely seen. His inscription reads, "To Steve, Best Wishes Frank Giacoia." In addition to that signature, Captain America's co-creator, Joe Simon, has signed the art on the back of the page. The image area of the cover measures approximately 11.25" x 16". The title logo is a recent replacement, and the ruled border lines on the left, right, and bottom borders were whited-out, and the original art extended to those three edges of the paper. The lower right corner is trimmed in at an angle ever so slightly; otherwise the art is in Excellent condition.
Jack Kirby, Mike Royer, and Bill Wray - What If? #11, page 26 Original Art (Marvel, 1978). Face front, True Believers -- here's a hallowed piece of Marvel lore! In this unforgettable and offbeat yarn from What if? #11, the parts of the Fantastic Four were played by members of the original Marvel bullpen. Smilin' Stan Lee is Mr. Fantastic, Jolly Solly Brodsky is the Human Torch, Fabulous Flo Steinberg is the Invisible Girl, and Jack "King" Kirby is the ever-lovin, blue-eyed Thing (natch). Besides the fab four, this page also features the Watcher and more "Kirby-tech" gizmos than you can shake a Forbush Man at. Mike Royer and Bill Wray added a slick finish to Kirby's pencils that rivals that of Joe Sinnott himself. The image area of this page measures 10" x 15", and the art is in Excellent condition.
Jack Kirby and Mike Royer - "Lord of Light" Presentation Piece Original Art (1978). When it came to creating fantastic costumes for God-like characters, alien races, or science fiction heroes, Jack Kirby simply had no peers. In the late seventies, Kirby was commissioned to design the visuals for a film based on Roger Zelazny's novel, Lord of Light. A theme park also using Kirby concepts was planned, but the project was never realized. A key concept from the novel was the blending of Hindu mysticism from Ancient India with a modern technological society. As a result, this character sports the most ornate cosmic costume this side of Galactus! The splash page has an image area of 10.5" x 17.5", and the art is in Excellent condition.
Jack Kirby and Mike Royer - Devil Dinosaur #1, Splash Page 2 and 3 Original Art (Marvel, 1978). Moonboy urges Devil Dinosaur into the fray in this killer-diller Jack "King" Kirby double-page splash. The prehistoric thrill-o-rama has an image area of 21" x 15", and the art is in Excellent condition. This spectacular scene was drawn on one large sheet of paper, rather than two separate pages. As the Great One himself would say, "Just bid on it!"
Jack Kirby - DeSaad Pencil Drawing Original Art (undated). Cruel DeSaad is captured in all his malicious evil in Jack Kirby's powerful portrait. As Darkseid's right-hand man, the leering DeSaad was a master inventor who loved to revel in the emotions of those who fell victim to his torture device. Desaad was so despicable, Darkseid himself once disintegrated his ally with the Omega Effect! This penciled page has an overall size of 11" x 13.75", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott - Orion vs. Darkseid Illustration Original Art (undated). Here's a rarity -- Jack Kirby's best inker at Marvel, Joe Sinnott, applied his polished brushwork to this hard-hitting scene featuring Kirby's finest creations for DC -- Darkseid and Orion of the New Gods! Fans rightfully regard Sinnott as one of the all-time great Kirby inkers, and it's tantalizing to see how the New Gods might have looked, had Sinnott been able to continue their artistic teamwork. Jack Kirby and Joe Sinnott both signed the piece, and it was inscribed to well-known fan, Marty Greim. This drawing has an image area of 11" x 17", and the art is in Excellent condition.
Jack Kirby and Roz Kirby - Captain Victory Pin-Up Page Original Art (1982). Comics giant, Jack Kirby penciled, and his wife, Roz, inked, this dynamic delineation of the Galactic Ranger, Captain Victory, which was used as the basis for the cover of Captain Victory and the Galactic Rangers #9. This unique piece offers you a rare opportunity to see Jack and Roz working together! The art has an image area of 10" x 15", and, aside from some overall aging, the condition is Excellent.
Jack Kirby and Mike Thibodeaux - Captain Victory and the Galactic Rangers #9, Complete 5-page Story "The Unseen World" Original Art (Pacific, 1983). This five page back-up continues the look at Ranger Martius Klavus, and his people, and how they came to be influenced by ancient Roman styles and dress. Jack Kirby's trippy pencils are completed with Mike Thibodeaux's inks. Each page has an image area of 10" x 15", and the condition of each is Excellent.
Jack Kirby and D. Bruce Berry - Silver Star #6, Splash Page 2 and 3 Original Art (Pacific, 1984). It's Judgment Day -- Jack Kirby style -- in this double-page thriller from "The Angel of Death!" This pulse-pounding panoramic splash has an image area of 21" x 15", and the art is in Excellent condition. Unlike many double-page spreads, this scene was drawn on one large sheet of paper, rather than two separate pages.
Jack Kirby and Mike Royer - Unpublished "Hunger Dogs" Page 17 Original Art (DC, 1985). Darkseid appears in every panel of this drama-drenched scene, which was slated for the "Hunger Dogs" graphic novel that concluded Jack Kirby's "New Gods" saga. However, the art was not published as inked by Mike Royer. He revealed why in the pages of the Jack Kirby Collector: "There are pages I inked in the Graphic Novel, but they're not the pages I inked. They're the pages that Greg Theakston re-inked because, as he said, in adapting the smaller formatted page to the larger Graphic Novel page, for some reason they weren't able to stat them so they'd work." Here is a chance to acquire the original Royer-inked version. Among the Kirby cognoscenti, Royer is regarded as perhaps "the King's" most faithful inker. Royer recalled in a Jack Kirby Collector interview, "I did what Jack wanted me to. Ninety percent of the time I completely submerged my personality and any desires to embellish. If you were to ask Jack privately, he'd say I was the truest inker to his pencils. When he finally retired from comics, he said that I was his favorite inker." The image area of this piece measures 10" x 15", and the art is in Excellent condition. The page was professionally framed, and the black overmat features an enlarged facsimile of Jack Kirby's famous signature.
Jack Kirby - Who's Who #6 "Dr. Bedlam" Splash Page Pencils Original Art (DC, 1985). No one topped Jack "King" Kirby when it came to inventing memorable characters and costume designs for his super folk. Mr. Miracle takes on a murderous street mob, no doubt incited to riot by exposure to the "paranoid pill." Meanwhile, Dr. Bedlam appears center stage with his animates. An agent of Darkseid, Dr. Bedlam was a creature of pure psionic energy. He commanded the blank-featured androids known as animates and could project his features onto their forms. For the printed version of this piece, inker Mike Machlan must have worked using a lightbox, and it's quite an eye-opener to compare these pure Kirby pencils with the printed version. The page has an image area of 10" x 10", and the art is in Excellent condition. Jack Kirby signed the page, in ink, at the lower right.
Max Kirby - Spider-Man vs. Juggernaut Illustration Original Art (1996). He's one of the X-Men's greatest rogues, and an unstoppable machine of destruction, and now Spider-Man is directly in his path! Cain Marko -- known to the world as Juggernaut -- does more of what he does so well -- destroy things, in this cover illustration by Max Kirby. The art has an image area of 10" x 15", and the condition is Excellent. Signed by Max Kirby at the bottom.
Leonard Kirk and Robin Riggs - Supergirl #46 Cover Original Art (DC, 2000). Supergirl takes the combat to infinite levels, in this firey cover illustration penciled by Leonard Kirk, and inked by Robin Riggs. The image area measures 10" x 15" and the condition is Excellent. Signed by Leonard Kirk along the top edge. Includes a copy of Supergirl #46.
Warren Kremer (attributed) - Black Cat Mystery #40 Cover Original Art (Harvey, 1952). It doesn't get more gruesome than in this pre-code horror cover by Warren Kremer! A giant, slavering monster snatches up villagers on this macabre masterpiece from 1952. Kremer's most notorious assignments were the shocking horror covers he drew for Harvey Comics. His organic style suited the macabre work that was Harvey's stock-in-trade during the fifties. Kremer had a way of making creepy things ooze right off the page, as this dreadful delineation will attest. The image area measures 11.5" x 16.5" and the art is in Excellent condition. Includes the original logo and masthead paste-up art. The type at the bottom is recent photocopy replacement art.
Warren Kremer (attributed) - Little Lotta #2 Cover Original Art (Harvey, 1956). The irrepressible Little Lotta finds herself facing a daunting scenario -- a padlocked refrigerator -- in this illustration created for her second issue ever! Our hefty heroine got her start in 1953 as a back-up feature to her best friend, Little Dot, and gobbled her way into her own series in 1955. The art was produced from several cut pieces glued together on one board, and has an image area of 7" x 10.5"; aside from some overall aging and scattered glue staining, the condition is Good. You're in for a whole "Lotta" fun, if you become the winner bidder on this delectable delineation!
Warren Kremer - Little Dot #59 Cover Original Art (Harvey, 1960). When it rains, it pours -- dots, that is! Here is a wonderful example of Warren Kremer's imaginative Harvey Comics repetoire, he pours a lot of heart into this splashy cover illustration. The image area measures 7" x 10.5", and, aside from some overall aging apparent (especially in the masthead and logo type paste-ups), and a slight stain at the bottom left, the work is in Very Good condition.
Warren Kremer - Richie Rich #5 Cover Original Art (Harvey, 1961). The first cover appearance of Pee Wee makes this an especially noteworthy cover for the Richie collector! Harvey Comics' founder, Alfred Harvey, editor, Sidney Jacobson, and artist Warren Kremer all claim some credit for creating Richie Rich. Probably the basic idea was originated at the administrative level, but was fleshed out by Kremer, whose son was also named Richie. Here's an early Kremer Richie Rich cover, giving us a glimpse into the world of the juvenile jet setter. The art has an image area of 7" x 10.5". There is some overall aging, and a small patch of glue staining at the top from a missing masthead paste-up art; otherwise the condition is Very Good.
Warren Kremer - Stumbo Tinytown #12 Cover Original Art (Harvey, 1966). Many Harvey fans consider Warren Kremer's charming, lighthearted work on Stumbo to be the apex of his career -- it's hard to believe the same artist drew those gruesome Harvey horror covers in the fifties! Thanks to the earth-moving workers of Tinytown, Stumbo gets a good back-scratching via a steamshovel. The image area of this cover measures 7" x 10.75", and aside from aging title and character strip stats, the art is in Very Good condition.
Warren Kremer - Richie Rich #61 Cover Original Art (Harvey, 1967). Exxon, eat your heart out! It pays to have your own refinery right on your property -- just gas up, and go! Another slice of Richie Rich's enormously wealthy life is revealed by richly-talented Warren Kremer, in this cover illustration. The art has an image area of 7" x 10.5". There is some aging apparent overall, and glue staining at the top from the missing logo and masthead paste-up art; otherwise the condition is Good.
Warren Kremer - Little Dot's Uncles and Aunts #30 Cover Original Art (Harvey, 1969). Little Dot rises on a plume of spots, direct from the spout of a spotted whale, in this nice, nautical cover illustration by Warren Kremer. The image area measures 7" x 10.5", and, aside from some overall aging apparent (especially in the masthead and logo type paste-ups), and a slight stain at the bottom left, the work is in Very Good condition.
Warren Kremer - Wendy, The Good Little Witch #87 Complete 10-page Story "Big Benny" and "Robot's Cure" Original Art (Harvey, 1975). Big Benny, the robot hypochondriac, is a bit of cry-baby and 'fraidy cat. Wendy, the good little witch, helps Benny find some courage in order to save the "inferior" model from being consigned to Gnorm's Gnomes Robot Works' scrap heap. Warren Kremer's delightful art brings this story alive, and his character designs for the robots are first-rate. Each page has an image area of 12" x 18", and aside from missing the Wendy title logo stats, the art is in Excellent condition.
Roy Krenkel - "Chessmen of Mars" Illustration Original Art (Cazedessus, 1969). When it came to pure sketching, Roy Krenkel was at the head of the class. Working with black ink, Krenkel created this thrilling sword-fight scene based on E. R. Burroughs' story, Chessmen of Mars. Although quite similar to the scene portrayed the cover of Ace #F-170, this piece did not actually appear in the paperback. Rather, it was published in the fanzine, Erb-dom #27 (August, 1969), as part of a two-page centerspread featuring a map of Barsoom and two action scenes. This illustration appears on page nine of the fanzine. The overall size of this sensational drawing is 8.75" x 9.75", and the art is in Excellent condition.
Roy G. Krenkel - Caveman Studies Illustration Original Art (undated). As one of the most celebrated fantasy illustrators of the modern era, Roy Krenkel is best known known for his wonderful ink sketches and drawings. Krenkel also painted finished cover illustrations for books by Edgar Rice Burroughs and Otis A. Kline. This terrific sketch page has an overall size of 8.5" x 11", and the art is in Excellent condition.
Roy G. Krenkel - Masters of the Marvelous Sketch Original Art, Group of 6 (Roger Hill, 1993). Published in commemoration of the 75th anniversary of the birth of Roy G. Krenkel, this catalog, Masters of the Marvelous, features art by Krenkel, and Spanish artist Esteban Maroto. Limited to ten copies, the interior has been raised to glory by the accompaniment of six original drawings by Krenkel (originally seven original drawings were included, but one of them has been removed). This is copy #7 out of 10, and it contains an original Krenkel sketch opposite the title page, and five smaller sketches tipped into the body of the booklet. The condition of both the book and the interior sketches is Excellent.
Joe Kubert - "A King's Dinner" Splash Page 1 Original Art (Harvey, undated). Even at the start of his career, the young Joe Kubert's expressive inking was compelling. The image area of this spectacular splash page measures 12.5" x 18", and aside from a pasted-on art correction in the second panel, the art is in Very Good condition.
Joe Kubert - All-American Men of War #39 Splash Page 1 Original Art (DC, 1956). Bill Finger wrote "The Four Faces of Sgt. Fay", and the yarn was sort of a military version of "Rashomon," as four different views of the same topkick -- Sgt. Fay -- are presented by four dogfaces. Joe Kubert rendered the half-page panel in ink and pencil on coquille paper in order to give the scene a striking greytone effect. This story is considered by many DC war fans to be an important step in the gestation of the Sgt. Rock character. The image area of the art is 13" x 18". The All-American Men of War title stat above the image area has worn off the page; otherwise the art is in Excellent condition.
Joe Kubert - The Brave and the Bold #21, page 23 Original Art (DC, 1958). Like a harpoon hurled into the sea, the Viking Prince rides a killer whale downward to the bottom of the sea, in a valiant effort to save a mermaid, in this page from the Bob Haney story, "The Viking and the Firebird". You'll be entranced by Joe Kubert's phenomenal pencils and inks in this Silver Age showcase. With an image area of 13" x 18", the art is in Excellent condition.
Joe Kubert - Star Spangled War Stories #147, Enemy Ace page 1 Original Art (DC, 1969). Enemy Ace faced one of his fiercest foes when he battled the armor-clad warrior, St. George, in "A Grave in the Sky." No DC war art collection could truly be considered complete without an example from a Robert Kanigher and Joe Kubert Enemy Ace story. These pages rarely come to market, so don't let this one fly past you without a bid. Touches of Joe Kubert's blue under-penciling show from beneath his expressive inks. The page has an image area of 10" x 13.5". Aside from a darkened indicia logo stat at the bottom of the page, the page is in Excellent condition.
Alan Kupperberg - National Lampoon, Complete 4-page Story "The Mad Smoker of Elmsdale!" Original Art (National Lampoon, undated). Labeled as "an instructive picture lesson, published by the National Safteyist Party's Wives and Mothers League to Combat Fun," this story features Juniper and Dawn helping to apprehend "The Mad Smoker of Elmsdale". Former editor-in-chief of National Lampoon, P. J. O'Rourke, wrote this incise and hilarious commentary on contemporary American values, which was illustrated by Alan Kupperberg. Each page has an image area of 10" x 15", and the work averages in Very Good condition.
Ray Lago - Timely Presents: All Winners Cover Original Art (Marvel, 1999). When was the last time you saw a superb Ray Lago cover painting offered in the marketplace? Done for the Golden Age Marvel reprint comic Timely Presents: All Winners, this spectacular painting recreates the unforgettable cover of All Winners Comics #19. Captain America, Bucky, the Whizzer, Miss America, the Sub-Mariner, Toro, and the Human Torch dangle like helpless puppets in this sizzling action-thriller scene. This painting has an image area of 14" x 21", and the art is in Excellent condition.
Greg Land and Brian Stelfreeze - Birds of Prey Poster Illustration Original Art (DC, 1997). This thrill-packed illustration contains all the high-octane action, espionage and characterization that exemplify why DC's Birds of Prey was a hit. Greg Land's sharp, striking pencils are complemented by Brian Stelfreeze's exciting paint and colored pencils to create a vivid and colorful work. The image area measures 17" x 25.5", and the condition is Excellent.
Taylor Lawrence and Anderson - Hellina: Kiss of Death #1 Cover Original Art (Lightning Comics, 1997). Abducted by a satanic cult, Sandra Lords was once one of Lucifer's soldiers of death, until she was cleansed by the supernatural vigilante, Ramen Alexander Perg to become Hell's Mistress -- Hellina! Now Hellina concentrates on stopping Lucifer from destroying the lives of the innocent. This provocative cover illustration has an image area measuring 10.75" x 15". Because the art was inked on a sheet of vellum, there is some creasing along the top portion; otherwise in Very Good condition.
Bob Layton - Hercules V2#2 Cover Original Art (Marvel, 1984). Red Wolf stalks the stars and Hercules is there to grapple with him, as the Recorder and a Skrull bear witness to this battle royal. Bob Layton's outer space scene crackles with power and the fan favorite artist/writer packed this cosmic tableau with scintillating, star-studded detail! Bob Layton signed the piece twice, at the lower left. The image area of the cover measures 9.75" x 15", and the art is in Excellent condition.
Larry Lieber and John Romita Sr. - Uncanny Tales #5 Cover Original Art (Marvel, 1974). "Don't Go in the Cellar." So warns the oh-so-true cover blurb to this Marvel monsterwork by the talented team of Larry Lieber and John Romita Sr. The cover has an image area of 10" x 15". All of the elements such as the title logo, the main image, and the balloons have been pasted or taped down to a larger support paper. There are a few small printer's oil stains at the lower right; otherwise, the art is in Very Good condition.
Larry Lieber - The Amazing Spider-Man Sunday Comic Strip Original Art, dated 3-22-81 (Register and Tribune Syndicate, 1981). The greatest brother-team at the House of Ideas joined forces to create this thrilling Amazing Spider-Man Sunday -- Stan Lee wrote the episode and his kid brother, Larry Lieber, penciled it. The image area of the strip measures 21" x 9.5", and the art is in Excellent condition. Hang loose, and bid!
Larry Lieber - The Amazing Spider-Man Sunday Comic Strip Original Art, dated 5-24-81 (Register and Tribune Syndicate, 1981). Spidey really has a way with women -- killer robot women, that is! But, enough talk! Enjoy this superhuman Sunday from brothers Stan Lee and Larry Lieber. The image area measures 21" x 9.5", and the condition is Excellent.
Larry Lieber, Charles Nicholas, and Alan Kupperberg - Hulk Sunday Comic Strip Original Art, Group of 17 (Register and Tribune Syndicate, 1981-82). Bruce Banner, aka the Incredible Hulk, stars in 17 action-packed episodes of his Sunday newspaper comic strip in this thrilling group lot. Four of the Sundays were drawn by Larry Lieber, eleven were finished by Charles Nicholas, and two were drawn by Allen Kupperberg. The image area of each Sunday measures approximately 21" x 9.5", and the strips average Excellent condition.
Rob Liefeld - The New Mutants #99, page 24 Original Art (Marvel, 1991). After Cable dismisses Sunspot's request for some time off, Cannonball wants to know what kind of game Cable is playing. Now! Here is page 24 from the Fabian Nicieza story, "The Beginning of the End, Part Two," with art by Rob Liefeld. The image area measures 10" x 15" and the art is in Excellent condition. Signed by Rob Liefeld at the lower right.
Stanley Link - Tiny Tim Sunday Comic Strip Original Art, dated 3-4-45 (The Chicago Tribune, 1945). Created by Stanley Link, Tiny Tim was published each Sunday by the Chicago Tribune-New York News syndicate from July 23, 1931 to March 2, 1958. This Sunday strip is from March 4, 1945. The image area measures 19" x 8.25" and the art is in Excellent condition.
Stanley Link - Tiny Tim Sunday Comic Strip Original Art, dated 11-11-45 (The Chicago Tribune, 1945). With a little bit of ingenuity, two inch tall Tiny Tim frees a captured rabbit, in this Stanley Link Sunday. This strip has an image area measuring 19" x 8.25" and, aside from some slight staining in several panels, the art is in Very Good condition.
Novaro Staff Artist - La Pequena Lulu #121 Cover Original Art (Editorial Novaro, 2000). Little Lulu is known by many names around the world, but in Mexico, she's La Pequena Lulu, and her universal personality still sparkles! Lulu shares a picnic with her goth friend, Little Itch, in this undated cover illustration. Hand-painted in mixed media on a sheet of heavy illustration board, the art has an image area of 9.5" x 12.5" and the condition is Excellent.
David Lloyd - V for Vendetta, page 25 Original Art Panel Page (DC, 1989). V confronts Party figure Lewis Prothero, the "Voice of Fate," about his past crimes, in this page from Alan Moore and David Lloyd's dark adventure story. The mysterious anarchist known as V works to destroy a fascist Britain, and David Lloyd's dark and sparse art perfectly portrays the story's desolate future. The image area measures 10" x 14" and in is Excellent condition.
J. Norman Lynd - Family Portraits Sunday Comic Strip Original Art, dated 10-5-41 (King Features Syndicate, 1941). Titled "Expecting the Worst," this Sunday contains seven humorous vignettes of everyday life, told with finesse in the graceful line of J. Norman Lynd. The image area measures 22" x 14", and, aside from some overall aging, the work is in Excellent condition.
Stan Lynde - Rick O'Shay Sunday Comic Strip Original Art, dated 4-28-63 (Chicago Tribune, 1963). Our hat's off to Stan Lynde for this wry, wordless wonder featuring Marshal O'Shay selecting a "new" hat. The art has an image area of 27" x 12", and the condition is Excellent. Signed and inscribed by Stan Lynde in the final frame.
Gus Mager - Hawkshaw the Detective Sunday Comic Strip Original Art, dated 8-6-44 (United Feature Syndicate, 1944). Hawkshaw solves the baffling case of Watso's fishing trip with his brilliant deductions. Gus Mager' classic cartooning style recalls the hilarious stylization of Rudolph Dirks and Cliff Sterrett. The image area of this Sunday measures 22.5" x 14", and the art is in Very Good condition.
Gus Mager - Hawkshaw the Detective Sunday Comic Strip Original Art, dated 12-30-45 (United Feature Syndicate, 1945). Hawkshaw cracks the case of the battered bride and grazed groom in this mangled matrimony puzzler. The image area of this Sunday measures 22.5" x 15", and the art is in Very Good condition.
Milo Manara - "Manara's Kama Sutra" Illustration Original Art (NBM, 1998). "Eurotica" master Milo Manara captures the fabulous beauty, Parva, in the throws of passion in this pen on paper illustration done for Manara's Kama Sutra. In this storyline, the blond temptress Parva receives a mysterious box by accident. Inside she finds a magic snake that, when rubbed, conjures up the genie of her dreams. In order for the genie to become flesh, Parva must undertake a series of tests from the ancient Kama Sutra. This drawing has an overall size of 11.5" x 8.25" and the art is in Excellent condition.
Tom Mandrake and Alfredo Alcala - Swamp Thing #78, page 2 and 3 Original Art (DC, 1988). More readily identified as a penciler for the ground-breaking Swamp Thing series, writer Stephen Bissette takes us on an introspective journey into the life force of the Swamp Thing, in this poetic tale, titled "To Sow One's Seed in the Wind". Tom Mandrake's lyrical pencils are covered with the supple brush work of Alfredo Alcala. These pages also feature appearances of past Swamp Thing guest-stars Phantom Stranger, Batman, and Constantine. This double-page spread has an image area of 23" x 16.5". There is a line of tape along the center of the two unjoined pages, and a light crease in the upper right portion of page 2; otherwise the condition is Very Good.
Henry Martin - New Yorker Cartoon Original Art Panel Page (New Yorker, undated). With his aspirin lamp nearby, this bleary-eyed reader is ready to tackle some heavy paperwork. Henry Martin's droll gags are a New Yorker institution. This mixed-media drawing has an image area of 6" x 5", and the art is in Excellent condition.
Val Mayerik - Barbarian Painting Original Art (1976). We're not sure, but we think someone's not happy in this lushly painted barbarian scene -- perhaps the man and woman pictured stripped down to take a dip in the lake, only to return and find their clothes missing! At any rate, it's a handsome illustration, painted in oils on a 20" x 24" piece of masonite. A small portion of the upper left corner has been torn away, a problem that could be covered by a frame or mat. Otherwise, it remains in Very Good condition.
Val Mayerik - National Lampoon Cover Original Art (undated). Val Mayerick's "Jason and the Argonauts" cover illustration features a Colossus of Rhodes taking a colossal... well, let's just say he's "relieving" himself, and leave it at that! This wild illustration is painted in oils on a 20" x 24" piece of heavy illustration board. There's a bit of wear along the corners; otherwise, this is in Excellent condition.
Val Mayerik - Illustration Original Art, Group of 3 (undated). Here are three mesmerizing Val Mayerik illustrations, painted in watercolor on heavy illustration board. Created to present to art directors in an effort to obtain book and magazine cover assignments, these three delicately rendered, and fully expressive images have never seen print. The image area of each piece measures 15" x 20", and, aside from some very light soiling in several areas, and some creasing in some of the corners, the work is in Good condition.
Val Mayerik - Ka-Zar the Savage #23, Complete 7-page Story "Good-Bye Forever" Original Art (Marvel, 1984). Bruce Jones and Val Mayerik continue the early adventures of young Kevin Plunder (later to be known as Ka-Zar the Savage), and Zabu, his saber-tooth chaperon, in this seven-page "Tales of Zabu". Each page has an image area of 10" x 15", and, aside from some very light aging, and some corner clipping during the production process, the pages average in Very Good condition.
Val Mayerik - Toxic Avenger #8 Cover Original Art (Marvel, 1991). Give me souvlaki or give me death! The "hideously deformed creature of superhuman size and strength," known as the Toxic Avenger, was a huge cult hit film, spawning two sequels, an animated series, and a comic book. Here is the cover from the eight issue of his comic book series, with art by Val Mayerik. Includes the original logo and title type paste-ups, and a hand-colored color guide for the type on a separate paper overlay. The art has an image area of 10" x 15", and is in Excellent condition.
Winsor McCay - Little Nemo in Slumberland (Featuring the First Appearance of Flip) Partial Sunday Comic Strip Original Art, dated 3-4-06 (New York Herald, 1906). The debut of Flip is showcased in this astonishing offering! John Canemaker best described the character Flip in Winsor McCay His Life and Art: "Flip a green-faced clown who chews a large cigar, wears a top hat labeled 'Wake Up' and is a 'bad and brazen brat (the opposite of Nemo), and an outcast of the Dawn family, arch enemies to Slumberland and its people.' McCay's son, Robert, once said Flip was based on Tiny Philips, a tough newsboy midget his father knew in Cincinnati, a fellow who smoked big cigars and dressed in oversized uniforms given to him by the local fireman. Another source recalled McCay saying Flip was derived from seeing a 'rotund black man with a greenish cast to his face' smoking a cigar on a Brooklyn street." The hobo-like rogue, Flip, was Nemo's foil, a clown-faced prankster with a Brooklyn accent who created trouble wherever the two traveled. In the early strips, Flip often played the spoiler, and summoned his uncle, the Dawn, to dissolve Dreamland when things weren't going his way. As a result, Flip delayed the first face-to-face meeting between Nemo and the Princess of Slumberland until July 8, 1906 (nearly nine months after the strip began). For artistic quality and imagination, few strips, if any, can equal McCay's Little Nemo in Slumberland. This mind-boggling Sunday, showing Nemo's first encounter with Flip, is typical of McCay's brilliant draftsmanship on the feature. This sequence spotlights McCay's mastery of perspective, and also at capturing an illusion of movement. The image area of this nearly complete Sunday measures 21.5" x 23.5". At one time, the individual panels of this strip were cut apart, and the title logo tier, formerly at the top, is now missing. The rest of the strip has since been reassembled and professionally restored to Excellent condition.
Luke McDonnell and Val Mayerik - Dreadstar #33, Complete 26-page Story "In Defense of Innocence" Original Art (First Comics, 1987). Dreadstar is sent with Willow to capture Holy Church of the Instrumentality war criminals, and the two of them fight over the fate of a nun who was involved with the Church, in this complete story, written by cosmic-creator Jim Starlin. Willow and Vanth Dreadstar are featured in these 26 pages, which were penciled by Luke McDonnell, and inked by Val Mayerik. Each page has an image area of 10" x 15", and they average in Excellent condition.
Todd McFarlane and Tony DeZuniga - Infinity, Inc. #14 Cover Original Art (DC, 1985). This is an issue of firsts! Not only is this Todd McFarlane's first published DC cover (among his first ever), it's the first appearance of Chroma, an alien being who sings a strange song that seems to envision the Earth's birth, life, and death. In the letters' page Roy Thomas predicts that Todd McFarlane "is a name the comics world will hear a lot more of in the future". In this astounding McFarlane piece, Chroma takes on the Silver Scarab, Nuklon, Obsidian, Northwind, Fury, and Jade. The art has an image area of 10.5" x 16", and the condition is Excellent. The logo and indicia art at the top is recent photocopy replacement art.
Todd McFarlane and Tony DeZuniga - Infinity, Inc. #25, Splash Pages 2 and 3 Original Art (DC, 1986). This great splash features all of the members of the Justice Society of America and Infinity, Inc. on two separate pages. This is an early example of Todd McFarlane's art which displays his ability to render a lot of detail and characters into his pages. This piece would make an awesome addition to any DC comic fan's wall. This double-page spread has an image area of 23" x 17" and is in Excellent condition.
Todd McFarlane - The Shadow Sketch Original Art (undated). Famous for his drastic redesign of Spider-Man and other characters, and for the creation of the super-hero, Spawn, Todd McFarlane tackles a hero of a different caliber -- The Shadow -- in this dangerous pencil sketch. The art has an image area of 9" x 11", and, aside from some light overall aging the condition is Very Good. Signed by Todd McFarlane at the right.
Bob McLeod - Marvel Team-Up #86 Splash Page 1 Original Art (Marvel, 1979). As Spidey scampers up the side of the D.R.C. tower building, his thoughts drift back to his previous run-in with the tower's builder, Moses Magnum. A startling rendition of the web-head in action by Bob McLeod, this is the first page to "Story of the Year!," written by Chris Claremont. The image area measures 10" x 15", and, aside from some light overall aging, and some printer's ink stains at the top right, the condition is Very Good.
George McManus - Jiggs Sketch Original Art (undated). George McManus' Bringing Up Father chronicled the comedic misadventures of a henpecked husband, Jiggs, and his society wife, Maggie. The pair became two of the most enduring of all comic strip people. So lasting was their appeal that the strip continued to be popular for nearly three-quarters of a century, and crossed over into other forms of entertainment. This small 6" x 3.5" pen and ink sketch features Jiggs, and is signed and inscribed by George McManus.
Jeff MacNelly - Shoe Sunday Comic Strip Original Art, dated 7-8-84 (Tribune Media Services, 1984). Skylar takes center stage in this Sunday drawn by the late, great Jeff MacNelly. The talented cartoonist won the Pulitzer Prize three times for his political cartoons and the National Cartoonist Society's Reuben twice for Shoe. The image area of the strip measures 20.5" x 14.5", and the art is in Excellent condition.
Dale Messick - Brenda Starr Sunday Comic Strip Original Art, dated 10-27-63 (Chicago Tribune, 1963). Gather 'round, all you "dying-of-curiosity cats"! Brenda Starr explains why she ran out on her own wedding, in this melodrama by Dale Messick. The image area measures 28" x 12.5", and the art consists of individual frames which have been attached to a larger piece of illustration board. There is some overall aging apparent, soiling along the top edge, a tear in the lower left corner (outside of the image area), and a bit of scattered staining; otherwise the work is in Good condition.
Otto Messmer - Felix the Cat #22 Page Original Art, Group of 11 (Toby Press, 1951). Felix decides to go into the plumbing business in eleven pages from "Felix and the Pied Pipe." This lot includes pages 1, 2, and 4-12 of this lighthearted chase for a buck. Page 3 of the first twelve pages is missing. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Otto Messmer - Felix the Cat #29 Complete 12-page Story "Felix Books An Act" Original Art (Toby Press, 1952). This wild and wooly yarn roams the universe. Felix starts out panhandling his lunch at a circus, then escapes to Mars on a magic carpet, and finally returns to the circus on Earth, after foiling the Martians' plan to invade our planet. Only Felix could take readers on such a flight of "stream of consciousness" fantasy! Superb Otto Messmer art. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Walt Disney Studio Artist - "Mickey Mouse Club Stamp Book" Preliminary Drawing Original Art, Group of 8 (Western, 1956). Eight pencil preliminary layout drawings of the beloved Walt Disney cartoon characters are the focus of this lot. Drawn in pencil on vellum, the subjects include Timothy Mouse, Thumper (two scenes), Chip n' Dale, Morty and Ferdie, Pluto, and Figaro (two scenes). These preliminary pieces have image areas that range in size from 4" x 4" to 6.5" x 8", and the art is in Excellent condition. A copy of the Mickey Mouse Club Stamp Book is included in this lot.
Frank Miller and Joe Rubinstein - Wolverine #4, page 6 Original Art (Marvel, 1982). Looking for some hard-boiled Frank Miller art for your portfolio? Well, here's your chance, bub! Wolverine sends Shingen Harada a message with a box of ninja hoods, and a note -- setting the stage for their final battle. Frank Miller orchestrates the mounting tension like no other comic artist could, for this tale of love, honor, and duty. Joe Rubinstein's inks add a crisp finish to the art. This page has an image area of 10" x 15". Three of the pages' corners have been clipped outside the art area; otherwise the art is in Excellent condition.
Frank Miller - The Dark Knight Falls, page 5 Original Art (DC, 1986). No story in the Batman world is probably more important than Frank Miller's The Dark Knight Returns. Released in 1986, this story was responsible for the rejuvenation of Batman as a dark character, and for the comics industry as a whole. The story's creator, Frank Miller, sought to create a fitting "end" for the character of Batman: just as the Norse myths had their Ragnarok, so would Batman eventually meet his end. Many consider it the greatest Batman story ever told. This page is from the fourth and final part of the storyline, The Dark Knight Falls, and features 13 year old Carrie Kelley, the new Robin. The art has an image area of 11.5" x 17.5". There is an overall aging to the page, and some light soiling at the left corner; otherwise the condition is Very Good.
Shane Miller - The Three Wise Men Illustration Original Art (undated). One of the unsung heroes of classic animation was Shane Miller, layout and background artist for Famous Studios in the 1940s. Miller's elaborately painted scenics filled many cartoon shorts including "Little Lulu," "Superman," "Casper," and "Popeye". This luxurious undated illustration may have been created for a Christmas card, and has an image area of 4.5" x 6". In Excellent condition. Signed by Shane Miller at the lower right.
Shane Miller - "The Conquest of Spectoburg" Sketch Original Art, Group of 20 (undated). Famous Studios' background and layout legend, Shane Miller, tells a tale of the enchanted city of Spectoburg, in this collection of pencil sketches. Drawn in graphite on sheets of animation bond and ruled notebook paper (one small drawing is inked), Miller opens his imagination and reveals the citizens of Spectoburg, donned in garments which resemble the quaint style of early America. This project may have been planned as a children's book, and includes a hand-painted title page. There are also three printed illustration samples of work by Miller, including a Christmas card with his photograph. The image size of the drawings range from 4" x 5" to 11" x 14", and, although several of the sketches are very tan and brittle, they average Good condition.
Shane Miller - "General Lar's Army" Fantasy Illustration Original Art (undated). Shane Miller worked on the backgrounds for many of the Fleischer Studios and Famous Studios cartoons. His credits include "Mr. Bug Goes to Town" and "Casper the Friendly Ghost." This charcoal on bristol paper illustration has an overall size of 17.7" x 12." As a bonus, on the back of the paper is sketch featuring a couple being served dinner. The art is in Very Good condition.
Shane Miller - Fantasy Illustration Original Art (undated). Fleischer Studios animator Shane Miller displays his superb draftsmanship in this fantasy interior scene for "Crooked Streets." Miller worked on the "scenics" (backgrounds) for the 1939 film classic, "Gulliver's Travels." The caption for the drawing reads, "In the Palace of Elbo II." The charcoal on bristol paper illustration has an image area of 10" x 14.5." As a bonus, on the back of the paper are three Civil War drawings, each rendered in graphite and colored pastel. The art is in Very Good condition.
Bernie Mireault and Mike Allred - The Everyman Splash Page 48 Original Art (Marvel, 1991). This image was created in a different manner than traditional comic book procedures. Using a transparency made from Michael Allred's line art, Bernie Mireault painted his rich colors directly on the reverse side of the transparency, in the manner of an animation cel. This resulted in a vivid color image that is far more striking than the usual "blue line" color technique would allow. The image area of this piece measures 6" x 9", and the art is in Excellent condition.
Jean "Moebius" Giraud - L'Incal page 18 Original Art (undated). Starting in 1963 French artist Jean Giraud began signing his science fiction and fantasy work as his alter-ego, "Moebius." For the satire magazine Hara-Kiri, Moebius created over twenty strips, then disappeared for almost a decade. In 1975, Moebius reappeared in the pages of Metal Hurlant, and in 1981, he launched his celebrated "L'Incal" series, in collaboration with filmmaker Alejandro Jodorowski. This page shows Moebius' mastery of the open, "clear line" art style favored by many European artists. The page has an image area of 11.5" x 15", and the art is in Excellent condition.
Sheldon Moldoff - Mystery Men Comics #1 Cover Recreation Original Art (undated). In a scene that would have been right at home on the cover of a "shudder pulp," the Green Mask stops a mad doctor cold with hot lead from his barking .45 automatic. Shelly Moldoff recreated this heart-stopping scene from the 1939 classic, originally drawn by Lou Fine. And, as in the original printing, Moldoff even colored the Green Mask's cowl blue! Michael Shelby was a rich private investigator who donned the colorful costume of the Green Mask in order to wage war on crime. Initially fighting with only his wits and lots of gunplay, Shelby was eventually treated in a "vita-ray chamber" and attained superhuman abilities. No stranger to Golden Age heroics, artist Shelly Moldoff began his career by drawing the exploits of the Black Pirate for Action Comics and Sensation Comics. Moldoff also drew the first Green Lantern cover for All-American Comics#16, and illustrated many of Hawkman's adventures. Moldoff later worked as one of the key "ghosts" on the Batman feature. This splendid recreation captures the macabre mood of the early pulp-like superhero comic books. The image area of the art is 15" x 20.75", and the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 4-2-50 (McClure Syndicate, 1950). The original fab four -- Archie, Jughead, Betty, and Veronica -- are showcased in this rib-tickling Sunday. Only one style of hat fits Jughead's look -- and its the one he already has! This superb Sunday has an image area of 20.5" x 14.5" and its condition is Excellent. Give it up for the gang from Riverdale!
Bob Montana - Archie Sunday Comic Strip Original Art, dated 8-27-50 (McClure Syndicate, 1950). Archie enlists the ever-faithful Jughead in a scheme to stack the odds in his favor for a "kissing game" with Veronica. And has Veronica ever looked more irresistible? Bob Montana showcases his supreme talent as a "good girl" artist in this delightful gag. This gorgeous Sunday has an image area of 20.5" x 14.5", and the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 7-1-51 (McClure Syndicate, 1951). Reggie's being a real pest in his job as a life guard at the beach -- one look a Veronica in her two-piece swimsuit should tell you why! No way Reggie is going to let Archie enjoy the beach on a date with Veronica. This smokin' hot Bob Montana Sunday has an image area of 20.5" x 14.5" and aside from a light stain in panels one and two, the art is in Excellent condition.
Gray Morrow - Savage Tales #1, Man-Thing page 33 Original Art (Marvel, 1971). Gray Morrow has detailed this thrilling page from the origin and first appearance of the Man-Thing in greytone, mixed-media. Morrow used pen, ink, marker, and pencil to create a muck-encrusted swamp scene. The image area of the page measures 12" x 17", and aside from some slight aging to the illustration board around its edges, the art is in Very Good condition.
Gray Morrow - Red Circle Sorcery Page Original Art, Group of 2 (Archie, 1974). Part original art, part text, these two pages feature illustrations by Gray Morrow. From Red Circle Sorcery #6, comes page one from the story, "Black Fog," which was written by T. Casey Brennan, and page two from the story, "The Man Who Would Not Laugh," written by Marv Channing from, which was published in Red Circle Sorcery #7. Each page has an image area of 10" x 15". There is some staining on both pages around the text paste-up art, and some overall aging apparent; otherwise the pages are in Good condition.
Gray Morrow - Red Circle Sorcery Page Original Art, Group of 4 (Archie, 1974). Gray Morrow contributed the spot illustrations for these two stories. From Red Circle Sorcery #9, here is the 2-page story, "The Journey," and from Red Circle Sorcery #10, comes the 2-page, "The Final Battle," both stories written by Marv Channing. Each page has an image area of 10" x 15". There is some staining on both pages around the text paste-up art, and some overall aging apparent; otherwise the pages are in Good condition.
Gray Morrow - Space: 1999 Magazine #5 Cover Original Art (Charlton, 1976). Gerry Anderson's crowning achievement, "Space: 1999," ran from 1975 to 1977, and was adapted as eight issues of a black and white illustrated magazine, published by Charlton Comics in 1975-76. This superb cover illustration by Gray Morrow features Commander Koenig, Prof. Victor Bergman, and Dr. Helena Russell. Morrow hand-painted this spectacle in mixed media, using collage and texture, on a 15" x 20" sheet of heavy illustration board. There is some very slight damage at the extreme right corner; otherwise the condition is Very Good.
Gray Morrow - Analog, June, 1966, "CWACC Strikes Again" Illustration Original Art (Analog, 1966). The late Gray Morrow was one of the most inventive draftsmen in the fantasy art field. For this scene, Morrow created a heavily textured surface using thickly brushed gesso, and then used a drybrush ink technique to create a soft greytone image of an explosion. The image area of the drawing measures 7.5" x 5.25", and the art is in Excellent condition.
Gray Morrow - "Path of Universe" Book Cover Original Art (undated). Gray Morrow treats us to a realistic scene reminiscent of "Stargate" or the old television series "The Time Tunnel" on this large piece, commissioned for a science fiction book cover. It measures 20" x 30", and is in gouache on illustration board. The corners of this piece have some noticeable wear; otherwise, the piece is in Excellent condition.
Gray Morrow - Perry Rhodan #39 "Silence of Gom" Cover Original Art (Ace, 1974). Think spiky hair looks were invented by punk rockers in 1977? Here's a striking cover design by Gray Morrow, for an American edition of the German sci-fi series Perry Rhodan, featuring a woman wearing a rather spiky headdress and holding a very strange, ray-emitting weapon -- or is it a cosmic musical instrument? That's it -- this must be a Space Punk! And a very attractive one, too! This gouache on masonite painting measures 17.75" x 24:, and is in Very Good condition.
Gray Morrow - Perry Rhodan #51: Return from the Void Cover Original Art (Ace, 1974). Simply put, Perry Rhodan is one of the richest space operas ever written. Astronaut Perry Rhodan and his team journeyed around the galaxy, discovering ancient and terrifying alien technologies, and went toe-to-toe with decadent races of great age and enormous power. The influence of a tale of this pacing and scope on the field of science fiction was significant. Over the next hundred or so volumes, Rhodan and his band of brave adventurers expanded their power base and took on greater and greater threats. Gray Morrow, who had an extensive career which included comic books, covers for both comics and science fiction magazines, and comic strips, may have been best known for the cover art of over 100 Ace Books' paperbacks, including many Perry Rhodan books. This eye-popping cover illustration was painted in mixed media on a 15" x 22" sheet of heavy illustration board. Aside from some slight wear at the corners, the condition is Very Good.
John Cullen Murphy - Big Ben Bolt Sunday Comic Strip Original Art, dated 11-10-57 (King Features Syndicate, 1957). Sundays with Big Ben Bolt sparing in the boxing ring are always sought after by comic strip art collectors and this one's a knockout! John Cullen Murphy moves the points of view around in the panels of this strip with the skill of a seasoned television sports director. The Sunday was cut between each panel tier, otherwise the strip is in Excellent condition. The conjoined panel tiers have an image area that measures 21.5" x 16".
National Lampoon Artist - National Lampoon Pete Rose Cover Original Art (National Lampoon, 1988). The fat lady sings for Charlie Hustle's career on this superb National Lampoon cover titled, "How I Spent My Summer Vacation by Pete Rose." Baseball commissioner Bart Giamatti banned Pete Rose from baseball for his gambling addiction, forcing the former Cincinnati Reds manager to find new ways to while away his summer days. The cover has an image area of 10" x 13.5", and the art is in Excellent condition. The art has been matted side-by-side with a copy of the printed cover.
Mark Nelson - Pinhead #3 Cover Original Art (Epic Comics, 1993). The Dark Pontiff of Hell, Pinhead, battles an earlier incarnation of himself, in this hellish exploration in pen and ink by Mark Nelson. Includes the original logo and masthead paste-up art. The art has an image area of 10" x 15", and the condition is Excellent.
Mike Netzer - Huntress #1-4 Cover Original Art (DC, 1994). This spectacular showpiece features all four of Mike Netzer's covers for the Huntress mini-series. These four covers join together to form a striking Bat-montage, with a large portrait of the Huntress spotlighted in the center. The portrait image is a large photostat. Each cover has an individual image area of 9.75" x 15", and a combined image area of 19.5" x 30". These four covers were taped together on the back of the paper, and along the borders on the front; otherwise the art is in Very Good condition.
Nieto (attributed) - Love and Romance #20 Cover Original Art (Charlton, 1974). Charlton artist "Nieto" specialized in romance covers of a mildly "kinky" nature. Nothing offensive, just a bit outre. A buff pretty-boy frolics in the imagination of a young girl -- making for a striking a cover montage! The image area of this cover measures 12.5" x 19". This cover was collaged together from four separate elements, and there is some mild glue staining; otherwise, the art is in Very Good condition. A vellum overlay with color pencil, that was used as the color guide, is also included in this lot.
Cary Nord and Andrew Pepoy - Mutant X #14 Cover Original Art (Marvel, 1999). Alex Summers defends his son, Scotty, from the onslaught of the Kree warrior known as the Gladiator, on this reality-tearing cover illustration, penciled by Cary Nord, and inked by Andrew Pepoy. Will this deathmatch against the Shi'Ar herald the return of Cyclops? The image area measures 10" x 15" and the condition is Excellent.
Earl Norem - The Six Million Dollar Man #5 Cover Original Art (Charlton, 1977). It's bionic man vs. bionic yeti at the top of the world... and only one can survive! One of the best-loved and best-remembered TV shows of the 1970s, "The Six Million Dollar Man" was brought to full-color life by Charlton, with covers by some of the industry's greatest talents, including Earl Norem, as in the example offered here. Measuring a big 26" x 20" overall, with an approximate image area of 21" x 16", this piece is in Excellent condition and has been signed by the artist.
Earl Norem - Morbius vs. Werewolf by Night Cover Original Art (Marvel, 1979). Two fiendish favorites, Morbius, the Living Vampire, and the Werewolf by Night fight a ferocious battle in this feral cover by Earl Norem. Norem's virtuosity with a brush shines in this image, and you can almost smell the fetid breath of the vampire and the blood of the wolf. Painted in a striking range of hues, from soft misty blues and mauves to rusty earth tones to the vibrant blue of Morbius' tunic, Norem certainly knows how to magnetize comic fans. The painting measures an overall 17" x 24" and is in Excellent condition.
James O'Barr - Crow Sketch Original Art (2001). It is not difficult to determine why James O'Barr developed his dark outlook so richly created in The Crow. He suffered through an unhappy childhood, and then lost the person in his life that gave him hope that things could be good. O'Barr used his art and his words to create a perfect expression of the human condition in The Crow. A great collectible for any fan of the Crow, this original hand-drawn pencil and marker sketch is by Crow creator, O'Barr. The art has an image area of 7.5" x 11", and the condition is Excellent. Signed and dated by James O'Barr at the lower left.
Michael Avon Oeming - Powers, page 4 and 5 Original Art (DC, circa 2004). Here is a special insight into how Michael Avon Oeming creates his finished pages for the fan-favorite Powers series. This two-page spread from an unidentified issue of Powers began as a series of loose pencil and ink panel studies on a 17" x 11" piece of layout paper. The panels were then transferred and finished in ink on a double-page spread (which is taped together on the back). The overall size of these combined pages measures 22" x 17". Finally, notes in the margin indicate different reproduction sizes for each panel, as well as cropping notes. The double-page spread was signed by Michael Avon Oeming and writer Brian Bendis. Both pieces are in Excellent condition.
Ariel Olivetti - Superman #179, Splash Page 6 Original Art (DC, 2002). A new superhero named Muhammad X is patrolling the streets of Harlem with an attitude that worries Superman. Ariel Olivetti's work here, boasting his usual angular and solid appeal, also keeps within the organic intensity and crisp quality of Jeph Loeb's story, "What Can One Icon Do?" The figure of the boy at the right is a photocopy. The art has an image area of 10" x 15", and the condition is Excellent. Signed by Ariel Olivetti along the bottom.
Frederick Opper - Mister Dough and Mister Dubb Daily Comic Strip Original Art (NY American, circa 1920s). The more things change, the more they remain in the same! Even after a shipwreck Mr. Dubb ends up slaving away for Mr. Dough. This daily is a superb example of F. Opper's cartooning artistry! This daily has an image area of 12" x 12" and the art is in Excellent condition.
Joe Oriolo (attributed) - Felix the Cat #57 Complete 6-page Story "The Riveter" Original Art (Toby Press, 1955). Felix sets his sights high as he lands a job at a building construction site. This amusing six-pager appears to be the work of Otto Messmer's long-time assistant, Joe Oriolo, shortly before he became chief artist for the Harvey version of this title, beginning with issue #62. The art boards measure approximately 14.5" x 23", with image areas of 12" x 18". All pages are in Excellent condition. Righty-O!
Joe Orlando - Shock SuspenStories #9 Panel Page Original Art (EC, 1953). Here's the final page from the story "The Meddlers", which could well be called "The Thing From the Sewer," as a blob-like menace living on excrement in bilge water develops a taste for... human flesh! Shocking! The art is on a standard EC board measuring 15" x 22", with an image area of 13" x 18". The last panel has been cut by Orlando, who taped a second board behind, and revised his art before publication. This added piece has turned slightly brown; otherwise, the page is in Excellent condition.
Joe Orlando - Monster World #2 Complete 7-page Story "Mummy's Hand" Original Art (Warren, 1965). Joe Orlando's seven-page adaptation of the forties creeper, "The Mummy's Hand," was reprinted in Creepy #17 in 1967. Joe Orlando really went to town on this fast-paced story, and he detailed lots of cool mummy mayhem with his atmospheric inks. The image area of each page measures 12" x 17". There are some glue and water stains scattered throughout the pages, most noticeably on the first page, and a light overall aging apparent on all the pages; otherwise they average in Very Good condition.
Carlos Pacheco and Scott Koblish - Tales of the Marvel Universe #1 Cover Original Art (Marvel, 1997). The dawn of a new age of heroes begins with this stupendous wrap-around cover illustration by penciler Carlos Pacheco (Avengers Forever, X-Men, and Green Lantern), and Eisner Award nominated inker Scott Koblish. Doctor Strange, Ka-Zar, Zabu, and the Thunderbolts fill this unforgettable 20" x 15.5" image area. In Excellent condition.
Warren Kremer - Richie Rich and His Girlfriends #2 Cover Original Art (Harvey, 1979). With the body of a little Adonis, the Poor Little Rich Boy makes some waves at the beach, in this cover illustration by Warren Kremer. He may be rich, but he's certainly not idle -- looks like Richie's been getting in some gym time, much to the delight of his friends, Gloria, Little Dot, Little Lotta, and Little Audrey. The art has an image area of 7" x 10.5". There is some aging apparent overall, and some scattered glue staining; otherwise the condition is Good.
George Papp - The Brave and the Bold #71, Splash Page 10 Original Art (DC, 1967). You are hereby invited to Gotham Stadium as guest of the Kijowa Tribe, to witness the contest for chief of all the Kijowas! Here is page 10 from the Bob Haney story, "The Wrath of the Thunderbird," which features Batman and Green Arrow. The image area measures 10" x 15", and, aside from some very light aging, and some pencil lines at the upper right corner, the condition is Very Good.
Virgil Partch - Big George Sunday Comic Strip Original Art, dated 7-3-60 (Field Enterprises, 1960). Virgil Franklin Partch, better known as VIP, has an offbeat slant to his cartoons and an art style that's instantly recognizable. In 1960 he developed his syndicated feature, Big George. George was the cartoon version of Rodney Dangerfield's character who "gets no respect." This Sunday is only the third Big George published. The art measures 20" x 14." The title logo stat has slipped off the page, otherwise the art is in Excellent condition.
Arthur Peddy - Unpublished Flash Comics #110 "The Ghost Patrol" Page 3 Original Art (DC, 1949). For a couple of dead Legionnaires, these guys sure know how to rumble! Pedro and Fred take on Hijack and his gang, as they try to loot a collection of Egyptian art, in this page by Arthur Peddy. Originally scheduled for the unpublished Flash Comics #110, this art is stamped "written off 9-30-49" and was slated to be destroyed. DC staffers cut the art horizontally into three tiers and saved it instead. The three tiers have been conjoined on the back, and have an image area of 13" x 18". Some slight aging is apparent, and there is a slight bit of staining in the final panel; otherwise the art is in Excellent condition.
Arthur Peddy - Unpublished Flash Comics #112 "The Ghost Patrol" Page 5 Original Art (DC, 1949). They are three former members of the French Foreign Legion, and now that their war service is over, they've taken begun another war -- a war on crime! Fred fires ectoplasmic bullets into a pressure tank to free his comrades, Pedro and Slim, in this page from an unidentified "Ghost Patrol" story. Notes indicate that it was originally slated for Flash Comics #112, but never published. This art was stamped "written off 9-30-49" and was originally slated to be destroyed, but the art was cut horizontally into two tiers by DC staffers and saved. The two tiers have been conjoined on the back, and have an image area of 13" x 18". Some slight aging is apparent; otherwise the art is in Excellent condition.
Arthur Peddy - Unpublished Flash Comics #112 "The Ghost Patrol" Page 6 Original Art (DC, 1949). The war is over, but former Foreign Legionnaires, Fred, Pedro, and Slim, continue to fight the good fight against criminals as "The Ghost Patrol!" Originally scheduled for Flash Comics #112, but never published, this art was stamped "written off 9-30-49" and was originally slated to be destroyed, but the art was cut vertically into tiers by DC staffers and saved. The two tiers have been conjoined on the back, and have an image area of 13" x 18". Some slight aging is apparent; otherwise the art is in Excellent condition.
Paul Pelletier and Dan Davis - Superboy and the Ravers #2 Cover Original Art (DC, 1996). The Boy of Steel appears to have met his match in Red Shift on this cover for "House Rules:This Ain't No Party." Dan Davis' inks add a crisp finish to Paul Pelletier's pencils. The cover has an image area of 10.5" x 15.5", and the art is in Excellent condition.
George Perez and Dick Giordano - The New Titan Titans: Drug Issue #1, page 24 Original Art (DC/Keebler, 1983). In 1983, the Keebler Company, in cooperation with the President's Drug Awareness Campaign, published The New Titan Titans: Drug Issue #1, a promotional comic book which was distributed throughout schools to teach kids about the danger of drugs. The comic proved so popular that it was eventually sold to speciality retailers and comic shops, with the money going to fight drug abuse. Here is page 24 from the Marv Wolfman story, "Plague," penciled by George Perez and inked by Dick Giordano. Several of the corners were trimmed during the production process; otherwise the page is in Very Good condition.
George Perez and Ernie Colon - Amethyst, Princess of Gemworld #10 Cover Original Art (DC, 1984). This expansive landscape, filled with a dozen delectably detailed cast members, is brought to you courtesy of George Perez and Ernie Colon. Working in a whimsical style (yet still filled with all the ravishing detail he is famous for), George Perez pencils this magnificent fantasy setting, complete with Amethyst and her winged unicorn. The sterling artwork of Ernie Colon brought this series to life, and he proved his versatility with his imaginative interpretations of an otherworldly magical realm and its denizens. Here, he inks this grand illustration, which has an image area of 10" x 15" and is in Excellent condition.
George Perez and Dick Giordano - Crisis on Infinite Earths #2, page 23 Original Art (DC, 1985). Pariah is cursed to forever appear where tragedy will occur, and that means disaster is about to strike! Anti-matter will soon sweep through the universe, and in a matter of hours Earth will die! Here is page 23 from the story, "Time and Time Again!," written by Marv Wolfman, from the second issue of one of the most heralded series of all time -- Crisis on Infinite Earths. The image area measures 10" x 15", and, aside from some overall aging, and trimmed edges, the art is in Very Good condition. Signed by George Perez and Marv Wolfman along the bottom edge.
George Perez and Dick Giordano - Crisis on Infinite Earths #2, Splash page 25 Original Art (DC, 1985). The Monitor encourages his herald, Lyla, to resist the temptations of the Anti-Monitor, in this final page from the story, "Time and Time Again!," written by Marv Wolfman. Possibly the most significant crossover series of all time, Crisis on Infinite Earths condensed the DC multiverse into a single universe. The image area measures 10" x 15", and, aside from some overall aging, some slight soiling in two of the type boxes, and trimmed edges, the art is in Very Good condition. Signed by George Perez and Marv Wolfman along the bottom edge.
Don Perlin and Pablo Marcos - The Defenders #88, page 18 Original Art (Marvel, 1980). He may be green, but there's no peace on the high seas, when the Rampaging Hulk takes out a factory whaling ship. Valkyrie and Hellcat try to keep things under control, but the Emerald Gladiator is having nothing to do with it! From Ed Hannigan's story "Lord of the Whales," comes this page penciled by Don Perlin and inked by Pablo Marcos. The art has an image area of 10" x 15", and, aside from the top left edge clipped during the production process, the condition is Very Good. Signed by Pablos Marcos in the third panel.
Mike Ploog - Twisted Tales #2, page 7 Original Art (Pacific Comics, 1983). Joseph Beckman finds himself tangled up in the deadly strands of a vengeful love gone horribly wrong, in this unsettling page from Bruce Jones' story, "Over His Head". Penciled and inked by the highly collectible Mike Ploog, this page has an image area of 11.5" x 17.5", and is in Excellent condition.
Adam Pollina and Jonathan Sibal - Combo Magazine Cover Original Art (undated). Best known for his work on Marvel Comics' X-Force, Adam Pollina penciled this awe-inspiring image featuring Supreme, Youngblood, and Prophet for the cover of Combo magazine. The art has an image area of 10" x 15", and the condition is Excellent.
Howie Post - Spooky Spooktown #20 Complete 10-page Story "The Odd Ball" Original Art (Harvey, 1967). Spooky finds himself behind the eight-ball, or rather the odd ball in this ten page romp, drawn by Howie Post. The image area of each page measures 12" x 18", and the art is in Excellent condition. Scare up a good time with this lighthearted yarn.
Bob Powell - All-New Comics #5 Complete 8-page Story "Torpedoes For Dessert" Original Art (Harvey, 1943). Ernie the submarine cook may be a screwball, but his quick thinking saves his crew's bacon in this wild and wooly Bob Powell yarn. Although billed as a "Martin Epp Feature," this art was drawn by Bob Powell. Howard Nostrand described the inner workings of the Bob Powell shop in Graphic Story Magazine #16. "There were three of us working for Powell when I started with him; at one point he had five assistants, but his best work was done when he had the original three. They were George Siefinger, who did backgrounds; Martin Epp, who inked, lettered and helped George on backgrounds. I started out out inking and helped George on backgrounds and then pencilling. Marty generally took care of the cleaning up, erasing, and whiting out the mistakes and brushstrokes that went over the borders." The image area of each page measures 13" x 18". There are numerous touches of white-out used to correct the art; otherwise, the pages are in Very Good condition.
Bob Powell - War Battles #1, Complete 7-page Story "Devils of the Deep" Original Art (Harvey, 1952). It's been said, "all's fair in love and war", but when a frogman is sent out on a deadly D-Day mission with the guy who stole his gal away, he makes the decision to ignore his thoughts of revenge, and swim to the aid of his rival. Bob Powell's detailed art on this underwater thriller is at its most refined -- it's top-notch. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Bob Powell - War Battles #3 Complete 8-page Story "I Was Under Secret Orders" Original Art (Harvey, 1952). Lt. Nowak goes on a deadly, covert mission to spy on suspected submarine activity in Korea. Posing as an enemy combatant, a Polish volunteer, Nowak plans to infiltrate the enemy instillation accompanied by Sgt. Kim Lee, a North Korean who went to college in America. Bob Powell's art is at it's most detailed, and the inking on this thriller is superb. As is typical with Bob Powell art during this period of his career, blue ink washes were used throughout to aid the production department in creating coloring effects. The image area of each page measures 12" x 18", and the art is in Excellent condition.
John Prentice - Rip Kirby Daily Comic Strip Original Art, dated 9-28-67 (King Features Syndicate, 1967). Desmond makes a desperate grab at clearing himself from a frame-up. John Prentice's skill at drawing "good girl" art is showcased in this three panel continuity. Prentice extended the Alex Raymond legacy of comic strip art excellence. The image area of the strip is 18" x 5.25", and the art is in Excellent condition.
John Prentice - Rip Kirby Daily Comic Strip Original Art, dated 12-4-69 (King Features Syndicate, 1969). Rip has always had a talent for solving cases for beautiful blondes! John Prentice extended Alex Raymond's legacy of stylish realism for over forty years! The daily has an image area of 17.5" x 5", and, aside from some light overall aging, the art is in Excellent condition.
Vic Prezio - Creepy #19 Cover Original Art (Warren, 1967). This terrifying painting, which in-person appears like an unholy portrait of a demon, is perfectly at home on the cover Creepy #19, originally published in March of 1967. The small gun-toting figure in the doorway of the background clearly doesn't know what he’s getting into! This cover painting by Vic Prezio makes a tremendous impact, and is a magnificent example of early Warren cover art. With an image area of an impressive 22.5" x 17", this work is beautifully framed, and in Excellent condition. It is accompanied by a pristine file copy of Creepy #19.
Vic Prezio - Creepy #29 Cover Original Art (Warren, 1969). At first glance, this cover illustration appears to be of the pinup or glamour genre. Closer inspection, of course, reveals the hideous truth, making this an ideal cover painting for an early Creepy issue! The lithe, bikini-clad beauty that occupies most of this cover illustration is disarming enough, even without the monstrous facial features! A cover tagline reads, "What unspeakable evil is found in the summer house?," a question that Vic Prezio answered with this startling cover image. The image was “flipped” left to right when published (a common practice in the magazine industry) to accommodate for the added cover text. The art has an image area of 12" x 16", and is beautifully matted and framed, and in Excellent condition. A copy of Creepy #29 accompanies this lot.
Mac Raboy - Flash Gordon Sunday Comic Strip Original Art, dated 9-17-61 (King Features Syndicate, 1961). Mac Raboy realized his life-long dream in 1948 when Austin Briggs left the Flash Gordon strip to devote himself to magazine illustration. Raboy now had the honor of bringing life to the famous strip created his boyhood idol, Alex Raymond. As always, the skill of Mac Raboy's brushwork is astounding. Raboy's ultra-fine "feathering" is unparalleled in the history of comic strips. In the continuity, desert raiders are crowded out of their livelihood on earth and must relocate to Mars in order to roam the sand dunes -- wild! The image area is approximately 19" x 13", and the art is in Excellent condition.
Ron Randall - Arak, Son of Thunder #28 Page Original Art, Group of 15 (DC, 1983). In the sacred grove of Artemis, Arak battles Golroth, the high priest of Artemis and the guardian of the Golden Bough, in a fight to the death! Included here are pages 1, 2, 3, 4, 7, 8, 9, 10, 12, 13, 14, 15, 18, 19, 20, and 21, from the Roy Thomas Story, "Guardian of the Golden Bough". Each page has an image area of 10" x 15", and, aside from some corners trimmed during the production process, and scattered, light staining, the pages average in Very Good condition.
Ron Randall - Warlord, "The Barren Earth" Page Original Art, Group of 9 (DC, 1984). Sent to a long neglected Earth to bring the ancient garrisons there back to combat readiness, diplomat/warrior, Jinal, is the feature character in this set of pages from writer Gary Cohn, and artist, Ron Randall's "The Barren Earth". Ron Randall produces some of the most lyrical work of his career in these 8 pages, which include pages 1, 2, 4, 5, and 6 from The Warlord #84, and pages 3, 4, 5, and 7 from The Warlord #85. Each page has an image area of 10" x 15", and, aside from a printer's oil stain in one of the panels, and the pages trimmed during the production process, the pages average in Very Good condition.
Fiction House Artist - Rangers Comics #2, "Jeep Milarkey" page 4 Original Art (Fiction House, 1941). There was never the crocodile that could whip a Milarkey in a fair fight! Jeep and Kitty are "jeep-napped" by saboteurs, and driven into the heart of "No Man's Land," in this page from the story, "Arm For Defense". The image area measures 13" x 18", and, aside from some overall aging, the work is in Excellent condition.
Fiction House Artist - Rangers Comics #2, "Jeep Milarkey" page 5 Original Art (Fiction House, 1941). Kitty and Jeep Milarkey find themselves deep in the swamp, facing a gang of deadly saboteurs, in this page from "Arm For Defense". The image area measures 13" x 18", and, aside from some overall aging, the work is in Excellent condition.
Jordan Raskin - "Beauty and the Beast" Illustration (1993). Jordan Raskin began his career in the early 1990s working for various small comic book companies. He has worked for just about every major comic book publisher in the industry, pencilling several high profile projects, including Dark Horse's Predator: Race War and Top Cow's Ripclaw. Raskin brings the lion-faced Beast, from the popular television series, "Beauty and the Beast," to life in this dazzling pen and ink illustration. The art has an image area of 10" x 13", and the condition is Excellent. Signed by Jordan Raskin at the upper right.
Alex Raymond - Flash Gordon Sunday Comic Strip Original Art, dated 3-14-37 (King Features Syndicate, 1937). Alex Raymond was a cartooning wunderkind who was never content with his achievements or drawing techniques, but instead was driven to experiment with fresh approaches to comic strip storytelling. During an acclaimed period of 1936-38, Raymond brought an unparalleled feeling of romance to Flash Gordon. His lush drybrush inking was inspired by the work of "hall of fame" illustrators Matt Clark and John LaGatta. Writer Don Moore stocked the Flash Gordon storyline with pulp magazine archetypes that combined such seemingly incongruous elements as science fiction gadgets with swashbuckling costumes and physical stunts. Thus, ray guns, sword fights, space ships, alien animal mounts, space helmets, and Arthurian capes, were all mixed together to create an epic fantasy adventure that transcended any earthly time period or geography. This Sunday showcases Flash Gordon's unmatchable athleticism and heroism. Panel five is a famous, oft-reproduced scene of Flash's triumph over near-insurmountable adversity, as he single-handedly fells a rampaging behemoth, the dinosaur-like Gwak. In keeping with the primitive motif of this episode, Dale Arden takes center stage in the final panel, and she goes tribal, decked out in a fur bikini that would turn even Raquel Welch, buxom star of "One Million Years B.C.," green with envy. This spectacular Sunday has been long held in a Raymond family member's collection and is being offered to the marketplace for the first time. In addition to this Sunday, the lot also includes a print made from a candid family snapshot of Alex Raymond relaxing at his Stamford, Connecticut home, shortly before his tragic death. The strip has an image area of 20" x 16". The illustration board has been light struck around the edges; otherwise the art is in Very Good condition. Don't miss this opportunity to land a fantastic Flash Gordon strip from a peak period!
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 12-16-50 (King Features Syndicate, 1950). A deadly "mickey finn" is the centerpiece of this continuity. Alex Raymond chose his dramatic close-up scenes with the skill of a Hollywood director! The image area of this strip is approximately 18.5" x 5.5", and the strip is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 12-21-50 (King Features Syndicate, 1950). Alex Raymond's bold use of black shapes and lively patterns create a dazzling effect in this daily. Superb portraits of Rip are the highlights of panels one and three. The image area is approximately 18.5" x 5.5", and the daily is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-2-53 (King Features Syndicate, 1953). Rip Kirby's gal-pal, the lovely Honey Dorian, stars in all three panels of this beautifully designed daily. Alex Raymond's talent for "good girl" art is showcased in this luscious strip. The image area of the strip is 20" X 5.25" and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-7-53 (King Features Syndicate, 1953). Wow-wee! Panel three of this beautifully drawn daily spotlights Rip Kirby's gal, the fabulous Honey Dorian, in a sultry swimsuit scene. The image area is approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 1-14-54 (King Features Syndicate, 1954). Dramatic close-ups dominate this daily. Few cartoonists are capable of matching the compelling realism of Alex Raymond's Rip Kirby strips. He has inspired several generations of action-adventure artists, but few of his peers have equaled his talent. This daily has an image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 6-7-54 (King Features Syndicate, 1954). Pagan Lee and Rip Kirby have a tete a tete in this elegant daily. Alex Raymond showcased his mastery at spotting dramatic areas of black ink while maintaining his realistic treatment of the figures in this smokey scene. The image area is approximately 20" x 5.75", and except for a lettering correction that has slipped off the third panel, leaving behind a glue residue stain, the strip is in Excellent condition.
Pierce Rice and Arturo Cazeneuve - Green Hornet #10 Complete 8-page Zebra Story "The Killer's Ruse" Original Art (Harvey, 1942). Ex-con Burton gets a helping hand from the Zebra when Burton tries to re-enter the straight life and mobsters try to pull him back into a life of crime. Pierce Rice's art shows a strong influence of Jack Kirby's slam-bang Golden Age superhero work. Except for the first page, each page in this story measures 13" x 18". The title logo was cut from the first page and it has an approximate image area of 13" x 14.5"; otherwise, the art averages Very Good condition.
Don Rico - Human Torch Pin-Up Illustration Original Art (undated). Flame on with the original Golden Age Torch! Don Rico was an artist and writer who toiled at Timely/Atlas from 1942-48. When Jack Kirby went into the Service during World War II, Rico took over many of his assignments. The Human Torch, Captain America, Blonde Phantom, and the Young Allies were but a few of the Golden Age gladiators Rico drew. By the fifties, he had left the drawing board and concentrated on writing scripts for the Atlas comics line. After that he went on to a successful career writing screenplays for TV shows and film. This ink and watercolor drawing has an image area of 11" x 15". Aside from some tape around the edges of the paper (outside of the image area), the art is in Excellent condition.
Frank Robbins - Johnny Hazard Daily Comic Strip Original Art, Group of 4 (King Features Syndicate, 1958). Frank Robbins' bold art style brings Johnny Hazard's globe-trotting adventures an energy that is hard to top. This lot contains four dailies dated 1-6, 2-26, 3-5, and 4-10-58. Haz stars in three of the dailies. The image area of each daily measures 20" x 5.75", and each is in Excellent condition.
Andrew Robinson - Starman #72 Cover Original Art (DC, 2000). It's better to burn out, than fade away! This breathtaking, full-color celebration of Golden Age gallantry covered the milestone Starman #72, the interior of which featured the death of the original Starman. A remarkable hand-painted cover illustration by Andrew Robinson, drawn eight issues before the series' end! The image area measures 12" x 18.5", and, aside from some slight soiling around the cape and boots, the condition is Excellent.
Jerry Robinson and George Roussos - Green Hornet #25 Complete 10-page Story "The Slant Eye of Satan" Original Art (Harvey, 1945). Golden Age great and Batman ghost, Jerry Robinson, lent his unparalleled artistry to the Green Hornet franchise for this World War II-era thriller featuring the eerie menace of the Eye! In a Jim Amash Alter Ego interview, Robinson recalled his work on the Green Hornet comic book, "I don't remember whether it was Leon or Al Harvey who contacted me. The idea was appealing, so I asked George Roussos to help me. I penciled and we both inked it, but George did most of the backgrounds. I inked the main characters and did the covers myself. We did it for a while, but at some point I started doing the complete art job." As a result of his work on the comic book feature, Jerry Robinson was offered a chance to draw a Green Hornet comic strip, but events conspired against him, and his strip deal fell through. This art was drawn on illustration boards, and the image area of each page measures 12.5" x 18". There are numerous touches of white-out used to correct the art; otherwise, the pages are in Very Good condition.
Jerry Robinson - Jet Scott Daily Comic Strip Original Art, dated 7-29 (NY Herald-Tribune, circa 1954). Long time Batman artist, Jerry Robinson, has packed this Jet Scott daily with detail, yet none of it is superfluous -- Robinson's draftsmanship is superb, as always! The image area measures 16.25" x 4.55". There is some tape at the top of the daily, and the syndicate copyright caption has slipped off the strip; otherwise the art is in Very Good condition.
Marshall Rogers - Mister Miracle #19 Cover Original Art (DC, 1977). Having just finished their short, but acclaimed, run with Batman in Detective Comics, DC hoped Steve Englehart and Marshall Rogers could work the same magic on a revival of Mister Miracle. So in 1977, after a hiatus of three years, Scott Free returned and his adventures continued from where Jack Kirby had left off in issue #18. Mister Miracle shares the cover with a menacing Granny Goodness, who has kidnapped Big Barda from New Genesis, in this poster-like cover illustration by Marshall Rogers. The image area measures 10" x 15", and the art includes all the original logo and masthead paste-ups. There is some aging apparent overall, and the Zipatone has yellowed; otherwise the condition is Very Good.
Mark Romanoski - Batman Painting Original Art (2000). Perched atop the corner of a skyscraper, the moon highlighting his cape, which billows like a living organism, a brooding Batman surveys the city below. This breathtaking interpretation of Gotham's favorite son was painted by Mark Romanoski, a traditionally trained artist whose work list includes Magic the Gathering, and the World Wrestling Entertainment. With a dark blend of suspense and sombre color, Romanoski strikes the perfect balance to deliver a confident, engrossing image of the Caped Crusader. Painted in oils on a 24" x 38" sheet of masonite, the work is in Excellent condition.
Mark Romanoski - Frankenstein Illustration Original Art (undated). As Colin Clive's Frankenstein shouts, "It's alive!," Boris Karloff lurches forth under James Whale's masterful direction. Artist Mark Romanoski has captured one of the first (and greatest) horror movie characters of all time, in this portrait of Karloff's sympathetic monster. This exuberant illustration was painted in oil on board, with an image area measuring 9.5" x 12.5", and the condition is Excellent.
Mark Romanoski - Silver Surfer and Galactus Illustration Original Art (undated). The cosmic presence of the all-powerful World Devourer, Galactus, resonates in this image of the Sentinel of the Spaceways -- the Silver Surfer. Lavishly painted by traditionally trained artist, Mark Romanoski, this well rendered painting of the herald of Galactus really soars! Painted in oil on board, the image area measures 11" x 15", and the condition is Excellent.
John Romita Sr. and Ernie Chan - Creatures on the Loose #24 Cover Original Art (Marvel, 1973). In the pages of Creatures on the Loose, Marvel published the adventures of Lin Carter's adventurer, mercenary, and thief, who eventually became king -- Thongor, Warrior of Lost Lemuria. In a cover illustration bristling with primal energy, the great John Romita Sr. tackles a savage panorama of Thongor vs. a bloodthirsty flying reptile -- it's sword and sorcery as only magnificent Marvel can present it! Included here are two pieces -- Romita's original hand-drawn cover, which was inked by Ernie Chan, and a photocopy of that art which has been altered with subtle changes in the area of the serpent's head (the final printed version is a variation of this variation). Both pieces have image areas of 10" x 15", include the original logo paste-ups, and are in Excellent condition.
John Romita Sr. and Tom Palmer - "Sahara" Motion Picture Illustration Original Art (1984). Director Andrew V. McLaglen's feature film, "Sahara," featured Brooke Shields as a trans-African auto racer who is kidnapped by an Arabian sheik. Released in 1984, this film was a cross between "Raiders of the Lost Ark," and a Harlequin romance novel. Records indicate that this finished poster illustration was an entry by penciler, John Romita Sr., and inker, Tom Palmer, to the production company for use as the released poster for the film. This gorgeous work leaves an indelible impression of the lovely Shields against a fantastic African vista. The image area measures 18" x 24" and the condition is Excellent.
John Romita Sr. - "The Ultimate Hulk" Illustration Original Art (Berkley, 1998). It's a clash of the titans, as the Hulk and the Rhino trade blows in this rumble scene from the short story "Leveling Las Vegas." The Rhino was one of the "Jazzy One's" greatest character designs, and the thundering menace is presented in a full-speed charge in this ink on illustration board masterwork. Check out the Hulk, all dressed up in his finery -- he's even sporting a tie and gloves. The image area of this illustration measures 7.5" x 12", and the art is in Excellent condition.
Alex Ross - Hulk: Nightmerica Variant Cover Original Art (Marvel, 2003). The terrible genetic secrets of the Nightmerica experiments are revealed in Hulk: Nightmerica, which was written by Robin Laws, with painted cover and interiors by Brian Ashmore. The Hulk rampages, in all his biohazard glory, in this special cover illustration painted by Alex Ross as a limited edition available only for advance ticket purchasers at the 2003 WizardWorld Philly show. This fully-painted art has an image area of 11" x 17" and the condition is Excellent.
Rowena Morrill - "The Iron Dream" Cover Original Art (Pocket, 1982). Norman Spinrad's novel The Iron Dream is the purported science fiction masterpiece of an Adolph Hitler who, after briefly dabbling in German radical politics, emigrated to the U.S. and became an author. Hitler's book is The Lord of the Swastika, a fever dream sword and sorcery epic, gripping in its action and pathology. Spinrad's over-the-top Nazi saga (which was banned in Germany for eight years), is potently portrayed in this cover illustration by fantasy mistress, Rowena Morrill. Painted in oils on heavy illustration board, this art has an image area measuring 15.5" x 26" and, aside from a few minor blemishes, the work is in Very Good condition.
Tom Ryan - Tumbleweeds Sunday Comic Strip Original Art, dated 7-12-70 (Register and Tribune Syndicate, 1970). It's time to learn to spell in Grimy Gulch, and you're never too old to learn! T. K. Ryan was a master of deadpan humor in the funny papers, and this strip shows his dry wit at its best. The image area of the strip measures 26.5" x 12", and the art is in Excellent condition.
Manuel Sanjulian - Book Cover Original Art (undated). His full given talents have yet to be so easily labeled, as Manuel Sanjulian's work spans the entire spectrum of illustration, and the gamut of genres. Seen by many as a fantasy art master, thanks to his association with the classic Warren years, this constitutes but one star in a constellation filled with pinpoints of artistic brilliance. Ever since those heady days of horror covers, he's been in demand from practically every important publisher, from Dell, Ace, DAW, Bantam, Fawcett, to Berkeley, Grove Press, Pocket, and Harlequin, just to name a few. Painted in oils on a sheet of heavy illustration paper, the image area measures 26.5" x 15.5". There is some slight paint loss at the bottom left and right corners, a couple of creases at the upper left middle edge, and at the right edge, and some slight scattered paint flecks; otherwise the work is in Good condition.
Manuel Sanjulian - World War II Illustration Original Art (undated). Master fantasy artist Manuel Sanjulian has truly outdone himself in this stunning oil painting set in the Pacific Theatre. The composition, colors, and detail on this realistic-looking illustration bring the sensation of an escape from a Japanese prison to vivid life. This quality piece has an image area measuring 13.5" x 16.5" and the condition is Excellent.
Manuel Sanjulian - Book Cover Illustration Original Art (undated). Fondly credited for putting the "vamp" in Warren's Vampirella, Manuel Sanjulian began his career creating movie posters for Twentieth Century Fox. He has been rightly called "an artist's artist" for his brilliant sense of composition and use of color. This flawless Sanjulian creation was created for an unidentified book cover, and has an image area measuring 21" x 12". Painted in oils on a sheet of canvas, which has been mounted to heavy illustration board, its condition is Excellent.
Manuel Sanjulian - "The Horde of Chaos" Vampirella Illustration Original Art (undated). Manuel Sanjulian's detailed pencil study, done in preparation for one of his magnificent canvases, is a masterwork in itself. This full-length portrait of Vampirella, with all things vampire, is sure to please any fan of the Darling of Drakulon! The image area of this pencil drawing measures approximately 12" x 16", and the piece is in Excellent condition.
Manuel Sanjulian - "King Kong" Painting Original Art (undated). Ever since it burst onto theater screens in 1933, "King Kong" has reigned supreme as the greatest fantasy film ever made. In this incredible painting, fantasy art master Manuel Sanjulian captures the fateful, electrifying moment of Kong's first look at Ann Darrow, bound to the alter on Skull Island. Sanjulian's skills at painting lighting effects with a rich, warm atmosphere are ideally suited for capturing this key scene from the tragic love story. The image area of this painting measures approximately 36" x 48", and the piece is in Excellent condition. As Carl Denham said, "Some big hard-boiled egg gets a look at a pretty face and bang -- he cracks up and goes sappy."
Charles Schmidt - Radio Patrol Sunday Comic Strip Original Art, dated 4-6-35 (King Features Syndicate, 1935). The excitement of the brand new radio-equipped police car formed the basis for the action-adventure of this crime-busting feature which ran for sixteen years, from 1934-50. This early Sunday hails from within the first six months of the Sunday's debut and it stars Sergeant Pat, Pinky Pinkerton, Molly Day, and Irish the police dog. The image area of the strip measures 14" x 21", and aside from some minor paper aging and edge wear the art is in Very Good condition.
Ernie Schroeder - Speed Comics #35 Complete 10-page Story "Revenge of the Insect Giants" Original Art (Harvey, 1944). Captain Freedom and the Young Defenders take on the menace of giant killer bees in this Golden Age chiller-diller. Best known for his work at Hillman Comics on Airboy and the Heap, Ernie Schroeder brought an exuberant energy to his comic book pages that is hard to beat. Hillman editor Herb Rogoff summed up Schroeder's abilities in a Jim Amash Alter-Ego interview, "Ernie was a Renaissance man -- there's nothing beyond Ernie's abilities." As an added "art bonus," the backs of several of the pages feature several amusing ink and pencil sketches. The image area of each page measures 12.5" x 18," and the art is in Very Good condition.
Ernie Schroeder - Speed Comics #38 Complete 10-page Captain Freedom Story "The Voodoo Drums" Original Art (Harvey, 1945). Captain Freedom and the Young Defenders battle a voodoo menace in this spine-tingling thriller. Turns out the voodoo curses are being paid for by the USA's Axis foes. Ernie Schroeder's expressive artwork packs a real wallop. The image area of each page measures 12.5" x 18", and the art is in Excellent condition.
Ernie Schroeder - Speed Comics #39 Complete 10-page Captain Freedom Story "Haunted Hood" Original Art (Harvey, 1945). The Star-Spangled Champion of Justice, Captain Freedom, and the Young Defenders, are driven to desperate measures to solve the mystery of the newly crowned King of the Underworld -- the Hood -- in this ten-page tale by Ernie Schroeder. The image area of each page measures 12.5" x 18". There is some overall aging apparent, and light water damage on several of the pages (outside of the image area); otherwise the pages average Very Good condition.
Ernie Schroeder - Green Hornet #25 Complete 8-page Spirit of '76 Story "The Night of the Dark Moon" Original Art (Harvey, 1945). The Spirit of '76 joins Midnight as a character who bears more than a passing resemblance to Will Eisner's famous creation, the Spirit! Perhaps that's because Bob Powell was a former Eisner studio associate. Eventually Powell handed the feature off to Ernie Schroeder. Schroeder details each page of this thriller with a verve that rivals that of Will Eisner or Bob Powell. In a Jim Amash interview for Alter Ego #42, Schroeder recalled his early cartooning career: "I started doing comic books with Bob Powell. I had met him at a dance and we got together afterwards. He showed me the comic books he was drawing and I figured I could make a lot of money drawing them. Bob was a good artist. He was always an organizer; he loved to get people together." The Far East serves as the backdrop for this slam-bang yarn as the Spirit of '76 battles to save India from destruction by an arch villain. Each page has an image area that measures 12.5" x 18", and the art is in Excellent condition.
Mark Schultz - Hannah Dundee Drawing Original Art (undated). Fans of "good girl" art will want to study closely these lovely studies of the curvaceous Hannah, leading lady of the fan favorite series, Xenozoic Tales. As a young fan, Mark Schultz found inspiration in the works of Edgar Rice Burroughs, Frank Frazetta, Al Williamson, the original "King Kong" movie, and more. All of these fantasy influences can be felt in Xenozoic Tales. This "future meets the past" saga provided the springboard for these beautiful, tightly penciled drawings, as Hannah Dundee holds a snarling sabertooth tiger at bay. The paper has an overall size of 9" x 12", and the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 7-18-66 (United Features Syndicate, 1966). The queen fussbudget, Lucy Van Pelt, just can't restrain herself in this classic sixties Peanuts daily. Poor Linus! Charles Schulz's masterful blend of dialogue, lettered word balloons to create "voice tones" for his characters, facial expressions, body language, and timing, all come together to create a perfect comic strip gag. This playful integration of cartooning elements is why many fans regard Schulz as one of America's greatest comic strip humorists. Charles Schulz inscribed and signed this daily in the upper border, "For Rochelle, the world's greatest paddle tennis partner -- We've never been beaten -- Sparky." This daily has an image area that measures approximately 27" x 5.5". The art was folded between the second and third panels; otherwise it is in Excellent condition.
Charles Schulz - "You'll Flip, Charlie Brown" Charlie Brown and Lucy Illustration Original Art (Holt, Rinehart and Winston, 1967). Charlie Brown learns the hard way -- never challenge a queen fussbudget to an arm-wrassling match! This drawing was used as a spot illustration on the half-title page of You'll Flip, Charlie Brown. The image area of this drawing measures 6.5" x 6.5", and the piece is in Excellent condition.
Ethan Van Sciver and Barbara Kaalberg - Impulse #55 Cover Original Art (DC, 1999). Impulse tackles embittered bank robber, Sir Real, and winds up trapped in a world he never made! It's a land where kids are enslaved and Max Mercury's a despot. How the heck does he get back to Manchester? Penciled by Ethan Van Sciver and inked by Barbara Kaalberg, this cover illustration covers the interior tale, "In the Hands of Sir Real!," written by Shon C. Bury. The image area measures 10" x 15.5" and the condition is Excellent.
Mike Sekowsky and Frank Giacoia - Classics Illustrated #19 Complete 47-page Story "Huckleberry Finn" Original Art (Gilberton, 1956). Mark Twain's beloved classic is illustrated by two stallwarts of the comic book field, Mike Sekowsky and Frank Giacoia. The two artists made a terrific team, with Sekowsky's powerful pencils polished by Giacoia's slick inks. The image area of each page measures 12" x 18", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Mike Sekowsky and Bernard Sachs - Justice League of America #7 Splash Page 1 Original Art (DC, 1961). Green Arrow, the Flash, Wonder Woman, and Green Lantern star on this Silver Age masterwork. How were America's greatest heroes captured? Snapper Carr and his gal Midge made the scene at the grand opening of the Happy Harbor Fun-House, but something weird was going on. As they passed through one particular door, they were teleported across outer space to an alien planet! Obviously, this was a case for the Justice League, and this wacky tale is a prime example of the early years of Justice League, with its jaunty pace, alien menace, and wild concepts. The image area of this captivating splash measures 13" x 18", and it has some creasing and small tears, mostly along the top edge. The JLA logo stat has suffered some damage; otherwise, the art is in Very Good condition. To quote young Snapper Carr, "This is the living most!"
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 2 Original Art (DC, 1961). The fun-loving sixties are summed up in this slightly surreal page featuring Snapper Carr and his chick, Midge. The two lovebirds make the scene at the Happy Harbor Fun-House only to run afoul of space aliens. Check out Snapper's hopped-up hotrod in panel one. Gear! The image area of the page measures 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 3 Original Art (DC, 1961). Snapper Carr and his gal-pal Midge have their hearts set on getting a few kicks at the swinging Happy Harbor fun-house and the next thing they know, the place turns out to be a trap set by freakin' space aliens. D'oh! Mike Sekowsky's talent for "good girl" art shines on this far-out page. The image area of the page measures 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 4 Original Art (DC, 1961). Snapper Carr fends off an alien beast as it rushes his gal, Midge, and when Snapper sends out a distress call, the Flash, Batman, and Green Arrow spring into action in the final panel. What a great group of super-friends! Bernard Sachs' crisp inks add a polished finish to Mike Sekowsky's power-packed pencils. The image area of the page is 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 5 Original Art (DC, 1961). Two large panels spotlight Aquaman, Superman, and Wonder Woman, as their secret identities are revealed in the Gardner Fox text. Snapper Carr also makes the scene. Slick inking by Bernard Sachs is a bonus. The page has an image area of 13" x 18", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 6 Original Art (DC, 1961). Wonder Woman struts her stuff on this superb action-packed page. Superman, Green Lantern, and Snapper Carr cameo. As if that weren't enough, the back of the page features a Sekowsky pencil sketch of -- Ziggy Pig! The page has an image area of 13" x 18", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 7 Original Art (DC, 1961). Green Lantern takes center stage on this page, but he is also joined by teammates Superman, Wonder Woman, Batman, the Flash, Aquaman, Martian Manhunter, and Snapper Carr -- the super friends are all here! The back of the page features some pencil sketches by Mike Sekowsky. The page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 8 Original Art (DC, 1961). A superb group portrait of the entire JLA in panel one and a full-figured view for panel three are the highlights of this "two-thirds" page. The page has an image area of 13" x 12", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 9 Original Art (DC, 1961). Searching for Snapper and Midge, Barry Allen investigates the Fun-House and becomes the first JLAer to encounter the awesome alien might of the Angellax! Page nine from the Gardner Fox story, "The Cosmic Fun-House!," has an image area measuring 13" x 18" and the work is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 10 Original Art (DC, 1961). Within the walls of a Fun-House, the Angellax have created a duplicate Barry Allen. As the real Scarlet Speedster secretly follows his double to learn what he is up to, he is knocked out by an "Iciray". Meanwhile, Hal Jordan moves along a different Fun-House corridor, just moments away from his own devastating encounter with the alien invaders! Here is page ten from "The Cosmic Fun-House!," written by Gardner Fox. The art has an image area measuring 13" x 18" and the condition is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 11 Original Art (DC, 1961). Don't look now, Hal Jordan, but your Angellax-created duplicate has you trapped behind the walls of a yellow Fun-House corridor, and his "Iciray" can penetrate your yellow trap, paralyzing you! This dramatic page is from "The Cosmic Fun-House!," written by Gardner Fox. The art has an image area measuring 13" x 18" and the condition is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 12 Original Art (DC, 1961). The Amazing Amazon, Wonder Woman, and the Astounding Archer, Green Arrow, race through the corridors of a Fun-House to answer an emergency signal, in this page from the Gardner Fox story, "The Cosmic Fun-House!" The art has an image area measuring 13" x 18" and is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 13 Original Art (DC, 1961). Green Lantern, Wonder Woman, the Flash, and Green Arrow are held captive by the aliens from Angellax. The page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 14 Original Art (DC, 1961). Besides being a superb choice for drawing superhero yarns, Mike Sekowsky proved himself to be one of DC's best science fiction artists. His work shone in titles like Strange Adventures and Mystery in Space. Handling this compelling outer space war scene was a snap for Sekowsky. The image area of the page is 13" x 18", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 15 Original Art (DC, 1961). Few artists can top artist Mike Sekowsky when it comes to creating appealing aliens and fabulous fantasy creatures. Big Mike was among the top stylists in comics during the Golden, Silver, and Bronze Ages. Barry Allen (the Flash) and Green Lantern cameo on this page. The image area of the page is 13" x 18", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 16 Original Art (DC, 1961). The Flash grabs the limelight on this page -- he appears in every panel! Green Lantern, Superman, Aquaman, Martian Manhunter, Batman, and Snapper Carr are on hand for the roll call. The page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 17 Original Art (DC, 1961). The Flash, Green Lantern, Superman, Batman, and Martian Manhunter all grab some face time in this dynamic "two-thirds" page. However, Aquaman turns his back on the readers. The page has an image area of 13" x 12", and the art is in Excellent condition. Here's a chance to land a great group shot of the sixties super friends!
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 18 Original Art (DC, 1961). The super-sleek, streamlined look of the Silver Age DC superheroes is spotlighted in this peerless page. The first panel features top-notch portraits of Green Arrow, the Flash, Wonder Woman, and Green Lantern. The titanic teamwork of the JLA is also showcased in this scene. The page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 19 Original Art (DC, 1961). Thanks to the Flash, Wonder Woman is poised to use her magic lasso to free Green Lantern from his energy-sapping bonds -- that's teamwork JLA-style! Superheroes have never been more clean-cut or heroic than they were in the early Silver Age DC titles. The image area of the page is 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 20 Original Art (DC, 1961). This wild and wonky page recreates the story hook of the Silver Age classic, "The Cosmic Fun-House." Mike Sekowsky's talent shines on this hilarious page! Green Arrow, Green Lantern, Wonder Woman, and the Flash star. The page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 21 Original Art (DC, 1961). Embark on a strange trip with the Justice League in this page from the Gardner Fox story, "The Cosmic Fun-House!" After transforming the JLA into fun-house distortions of themselves, aliens from Angellax assume their forms and attempt to steal a space probe, and the mighty weapons it will tell about! The image area measures 13" x 18" and the work is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 22 Original Art (DC, 1961). Alien impostors from Angellax face a distorted, but still deadly, group of Justice Leaguers, in this page penciled by Mike Sekowsky and inked by Bernard Sachs. We guarantee you won't find a wackier page than this one from the Gardner Fox's story, "The Cosmic Fun-House!" The image area measures 13" x 18" and the work is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 23 Original Art (DC, 1961). With a little help from the Sea King, Aquaman, two misshapen members of the the JLA, Green Arrow and Green Lantern, tackle a group of enemy aliens, in this page from "The Cosmic Fun-House!" The image area measures 13" x 18" and the work is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 24 Original Art (DC, 1961). With a beam stabbing outward from his power ring, Green Lantern sends the Angellax aliens back to their home planet, and restores the JLA back to their original condition, in this page from the Gardner Fox story, "The Cosmic Fun-House!" "Ahh, it feels good to be back to normal!" The image area measures 13" x 18" and the work is in Excellent condition.
Mike Sekowsky and Bernard Sachs - Justice League of America #7, page 25 Original Art (DC, 1961). The Angellax aliens have been defeated, and the people of Happy Harbor have been brought back from a distant world. Now it's party time at the Fun-House! Diana Prince takes a little break to enjoy the grounds, along with Bruce Wayne, Clark Kent, Lois Lane, Hal Jordan, Barry Allen, Oliver West, and John Jones, in this final "two-thirds" page from "The Cosmic Fun-House!" The image area measures approximately 13" x 12" and the work is in Excellent condition.
John Severin - Cracked #165 Cover Original Art (Globe, 1979). Dracula drives Sylvester P. Smythe bats in this blood-curdling scene created by Mad and Cracked legend, John Severin. Frank Langella, star of 1979's "Dracula," served as the model for this sensational send-up. The ink and watercolor drawing has an image area of 14.5" x 18.5", and aside from a few touches of white-out, the art is in Excellent condition.
John Severin - Cracked #338 Cover Original Art (Globe, 1999). The Backstreet Boys are finally silenced on John Severin's wry portrait for Cracked #338. Backstreet's bound and gagged -- all right! This painting has an image area of 12" x 12", and the art is in Excellent condition.
Marie Severin and Johnny Craig - Sub-Mariner #22, page 15 Original Art (Marvel, 1970). By the Moons of Munnopor! Sub-Mariner and Dr. Strange face a house full of evil entities who serve of the Undying Ones, in this page from the story, "The Monarch and the Mystic," written by Rascally Roy Thomas. Marie Severin pencils, and legendary Johnny Craig inks, this issue which continues the story which began in Dr. Strange #183, and ended in The Incredible Hulk #126. The image area measures 10" x 15". There is some overall aging apparent, light printer's oil stains along the bottom left edge, and a small strip of yellowing tape at the bottom right corner; otherwise the condition is Very Good. Includes a tear sheet of page 15 from Sub-Mariner #22.
Tony Sgroi - "Circus Boy Under the Big Top" Book Cover Original Art (Whitman, 1957). If you didn't have the guts to run away and join the circus as a kid, NBC's primetime television program,"Circus Boy" was the next best thing. This late-50s half-hour mixture of comedy and drama, gave twelve-year-old orphan Corky (played by future Monkee Micky Dolenz) a chance to live out every kid's dream. And he didn't even have to run away from home to do it, since the circus actually was his home! This hand-painted image was created for the wraparound cover of Circus Boy Under the Big Top, which was written by Dorothea Snow, and painted by Tony Sgroi in sumptuous watercolor on heavy illustration board. The title type is hand-painted on a separate acetate overlay, and included with the art. The art has an image area of 20.5" x 14", and the condition is Excellent.
George Shedd - Secret Agent X-9 Daily Try-Out Comic Strip Original Art, dated 1-23-41 (1941). Many years before he created the fantastic undersea action-adventure strip, Marlin Keel, George Shedd created this "try-out" daily for another action-adventure strip, Secret Agent X-9. The image area measures 18" x 5". The art board shows some overall aging, with chipped edges, and scattered staining. There is a water stain along the right edge; otherwise the work is in Good condition.
George Shedd - Secret Agent X-9 Daily Try-Out Comic Strip Original Art, dated 7-15-41 (1941). An early interest in comic strips lead George Shedd to an apprenticeship with Al Capp's Li'l Abner, then the publication of his own adventure strip Marlin Keel, which was syndicated coast to coast. Here is an early "try-out" comic strip for Secret Agent X-9, created by Shedd in 1941. The image area measures 18" x 5". The art board shows some overall aging, with some water staining along the top and right edges; otherwise the work is in Good condition.
Bill Sienkiewicz - Fury #1 Cover Original Art (Marvel, 2001). Nick Fury has someone dead-to-rights in his crosshairs. Ol' Nick has been through a lot of tough scrapes, from his days as a Howler in World War II, through his rise to to the top of the spy-game, as an agent of S.H.I.E.L.D. Few of Fury's adventures have been as gritty as those presented in Marvel's "Max" title, Fury. Bill Sienkiewicz's chilling portrait of Nick Fury catches the noir mood of this series perfectly. The published cover image was manipulated and modified slightly with the help of a computer. This cover painting has an image area of 10.5" x 17", and the art is in Excellent condition.
Mark Silvestri and Dan Green - The Uncanny X-Men #247 Cover Original Art (Marvel, 1989). In this issue of The Uncanny X-Men, Dazzler uses the Siege Perilous, and Rogue sacrifices herself, to ensure that the Master Mold is forced through the dimensional gateway. Penciler, Mark Silvestri, and inker, Dan Green, have captured the pinnacle moment of Chris Claremont's story, ""The Light That Failed," in this intense cover illustration. Includes the original logo and masthead paste-up art. The image area measures 10" x 15" and the condition is Excellent.
Joe Simon - Captain America Comics #9 Cover Recreation Original Art (undated). "How could Captain America not have been a reaction to the times? The Nazis were a menace, an evil in the world. The U.S. hadn't yet entered the war when Jack and I did Captain America, so maybe he was our way at lashing out against the Nazi menace." So quotes Joe Simon, about his red, white, and blue co-creation with Jack Kirby. Offered here is a poster-sized recreation of Captain America Comics #9 by Joe Simon, featuring the star-spangled superhero as a two-fisted art critic, busting up a deadly artist modelling session. Rendered in ink and acrylic on heavy paper, this piece measures approximately 21.5" x 29", with an image area of 17" x 24". There are several paint smudges in the margins of the piece; otherwise the condition is Excellent. This piece is signed by Joe Simon in the lower right corner.
Barry Smith and Dan Adkins - Tower of Shadows #5, page 3 Original Art (Marvel, 1970). Handsome actor, Jason Roland, has made a Hollywood deal with the Devil in the third page from this story, "The Demon That Devoured Hollywood," written by Roy Thomas, pencilled by Barry Smith and inked by Dan Adkins. The art is early Smith at its best, with its jam-packed panels, heavy shadows and delicate line work. The art has an image area of 10" x 15". There is some slight age discoloration across the entire page, small tape stains along the bottom and right edges and white out use; otherwise the condition is Very Good. Signed by Barry Smith in the middle panel.
Barry Smith and Bob Layton - Archer and Armstrong #1, page 12 Original Art (Valiant, 1992). Here is a chance to acquire an incredible piece of artwork by one of the foremost master illustrators in comic books -- Barry Smith. A master of subtle storytelling, Smith makes a collection of lines beautifully suggest three dimensional form. Created by Smith by taping three sections together, a technique that he often uses when he decides a different layout or change in panel content is necessary, the art has an image area measuring 10" x 15". Aside from a bit of staining in the upper right edge of the final panel, and several small pieces of masking tape used to hold the tiers together (outside of the image area), the condition is Very Good. Signed by Barry Smith and Bob Layton.
Paul Smith and Bob Wiacek - The Uncanny X-Men #169, page 18 Original Art (Marvel, 1983). The tough Morlock leader, Callisto, watches as two members of the X-Men, Storm and Nightcrawler, confront a group of Morlocks beneath the streets of New York, in this page from the story, "Catacombs," written by Chris Claremont. The art has an image area of 10" x 15", and, aside from several edges clipped during the production process, and some aging apparent (especially in the word balloons), the work is in Very Good condition.
Western Publishing Artist - "Son of Flubber" Coloring Book Cover Original Art (Whitman, 1963). A Medfield College running back has a never-before-seen play -- in which he rushes past his rival's defensive linemen, and over their helmets -- in this startling and hilarious cover illustration. "Son of Flubber," a direct follow-up to Disney' 1961's film, "The Absent-Minded Professor," was the continuing story of inventor Ned Brainard, and his concoction, flubber, a gravity-defying goo that makes objects float. This hand-painted image was created in brilliant watercolor on heavy illustration board. The title type is hand-painted on a separate acetate overlay, and included with the art. The art has an image area of 11.5" x 15", and the condition is Excellent.
Western Publishing Artist - Spider-Man Boxed Puzzle Illustration Original Art (Marvel, 1982). Hey there -- here comes Spider-Man! And he's putting his web-slinging abilities to work saving a couple from a raging surf, in this disaster-averting illustration. The image area measures 14" x 18" and the condition is Excellent.
Dan Spiegle - Hopalong Cassidy Specialty Illustration Original Art (2003). Yee-haw, buckaroos, here's a rip-snortin specialty piece spotlighting Hopalong Cassidy, by the artist who drew his newspaper strip adventures. Dan Spiegle drew the comic strip from 1945-55, and it's great to see him back in the saddle again! This ink and watercolor illustration has an overall size of 15" x 11", and the art is in Excellent condition.
Chris Sprouse and Karl Story - Tom Strong #15, pages 18 and 19 Original Art (America's Best Comics, 2002). Tom Strong takes on the Salamander King, Val Var Garm, in an effort to rescue his daughter, Tesla Strong. Despite appearances, it turns out that romance is in the air between Tesla and Val. This storyline has been compared to those Silver Age Stan Lee and Jack Kirby Fantastic Four yarns where Sue Storm was attracted to the "bad boy," the Sub-Mariner. Chris Sprouse's "clear line" art is a joy to behold. These pages have a combined image area of 20" x 15", and the art is in Excellent condition.
John Stanisci - Star Wars Illustration Original Art (circa 2000). An acclaimed inker, John Stanisci's many credits include Spider-Man, Universe X, The Incredible Hulk, Arana, Catwoman, and Batman among many others. Here, Stanisci tackles some of "Star Wars" most renowned characters, including Obi-Wan Kenobi, Qui-Gon Jinn, Darth Maul, Yoda, C-3PO, R2-D2, Jar Jar Binks, Boba Fett, and the Palpatine. Created in pen and ink, white paint, and graphite on a sheet of bristol board, the art is in Excellent condition. Signed by John Stanisci at the bottom left.
Greg Staples - "Swamp Thing versus Demon" Painting Original Art (undated). It's a real rumble in the swamplands as Swamp Thing battles Etrigan, the Demon, with no holds barred. Internationally known artist, painter, and designer, Greg Staples, has contributed to 2000 AD, Green Lantern, Swamp Thing. He has also created concept and production art for Magic the Gathering. Two scenes are matted one atop the other to make for a spectacular showpiece. The scene on top has an image area of 28" x 4" , while the scene on the bottom has an image area of 16" x 12". The art was beautifully matted and framed and is in Excellent condition.
Jim Starlin and Chic Stone - Captain Marvel #25, Splash Page 1 Original Art (Marvel, 1973). We know what Captain Marvel freaks like, and that's action! And in this page from the Mike Friedrich story, "A Taste of Madness!," penciler Jim Starlin, and inker, Chic Stone, deliver it in spades, as Mar-Vell, Man of the Kree, is ferociously attacked in the very first panel! With this issue, Starlin begins his long association with Mar-Vell, and jump starts his famous "Thanos Saga". The type at the top, and the indicia art at the bottom is recent photocopy replacement art. The image area measures 10" x 15", and, aside from some scattered stains, the condition is Very Good.
Jim Starlin - Weird Western Tales #45 Cover Original Art (DC, 1978). Jim Starlin, raconteur of vast cosmic sagas, comes down to earth to portray a weird Western tale about the time Bat Lash and Scalphunter crossed paths. Few comic book covers can match the drama of the dynamic shoot-out scene Starlin has composed here. The image area of this spectacular cover measures 9.75" x 15", and aside from missing the DC logo and month stats, the art is in Excellent condition.
Jim Starlin - Death of Captain Marvel Graphic Novel, page 12 Original Art (Marvel, 1982). Mar-vell stands beside Mentor, and Eros of Titan, as they confront a group who worship Thanos as a god -- but something is not quite right. Inspired by the death of his own father from cancer, Jim Starlin crafts an indelible story of life and death, in this ground-breaking graphic novel, published by Marvel in 1982. This page has an image area measuring 12" x 17.5", and is in Excellent condition.
Leonard Starr - On Stage Daily Comic Strip Original Art, dated 6-5-65 (Chicago Tribune, 1965). Life in the fast lane continues in this sixties On Stage daily. After the death of Alex Raymond, Leonard Starr set the pace for slick comic strip realism. The image area of this daily measures 16.5" x 5". There is some water damage to the right edge of the paper, mostly outside the image area; otherwise the art is in Good condition.
Brian Stelfreeze - Batman: Shadow of the Bat Cover Original Art, Group of 2 (DC, 1995). It's a game of cat, bat, and mouse in these two cover illustrations by Brian Stelfreeze, one of the elite artists in the field. A member of the famous Gaijin Studios, Stelfreeze has the distinction of painting over fifty consecutive Batman: Shadow Of The Bat covers, including these two (issues #43 and #44), painted together on one sheet of heavy illustration board. The art has an image area of 20" x 15.5", and the condition is Excellent.
Jim Steranko - Spyman Concept Art, Partial Cover Original Art (Harvey, 1966). Created by Jim Steranko, Spyman was an "enemy agent fighter" with a powerful robot hand, possibly inspired by the "Outer Limits" episode "Demon with a Glass Hand" (1963). This gorgeous presentation page was meant to show the character's costume and abilities, including a run-down of the hand's abilities. Although the main figure was never used in the comic, the schematic of the hand was used multiple times: in a box on the cover, clumsily grafted onto a smaller figure in the upper left corner of the cover, on the first page of each issue, and in the letter column. Although the finished comic kept Steranko's basic design, the costume colors were simplified from what is shown here. Spyman represents Steranko's first professional work in comics, and as such this character illustration is an important artifact in the history of the medium. Also included in this lot is a copy of Spyman #3. The artwork measures 14.75" x 20" and is in Very Good condition with minor edge wear, some blunting at the corners and light water damage along the bottom edge outside the image area.
James Allen St. John - Mystic Magazine, November 1953 Cover Original Art (1953). Father Time and a fellow traveler, a young reaper, travel through the spaceways toward planet Earth. What tidings do they bring? The Mystic Magazine cover blurb reveals all: "The Hidden Kingdom: The Secret Rulers of Earth and the Coming Armageddon." The Society of Illustrators elected St. John into their Hall of Fame, and recognized his place in illustration's history, "James Allen St. John (1872 - 1957) is an artist whose vision will long endure in the annals of fantastic illustration. His work set the spirit and rhythm for the important science fiction sub-genre of heroic fantasy illustration. St. John was born in Chicago, studied in Paris, Belgium and Holland and worked for most of his illustration career in Chicago. Among his most active clients was the A.C. McClurg Company for which he illustrated many of the fantastic adventure novels of Edgar Rice Burroughs. In addition, he contributed to Weird Tales, Magic Carpet, Amazing Stories, Fate and Other Worlds. At the same time, St. John devoted some of his energies to teaching; first at the Art Institute of Chicago and later at the American Academy of Art. St. John's romantic flair and vigorous painting style was the perfect visual counterpart to the adventure-driven stories of an earlier era when science fiction was mainly read by adolescent males." The image area of the mixed media on board painting measures approximately 16" x 19.5". The painting was signed by St. John in the upper left corner, and the art is in Excellent condition.
Charles Sultan (attributed) - Hello Pal #3 Complete 8-page Yankee Doodle Jones Story "Masquerade of Horror" Original Art (Harvey, 1943). Yankee Doodle Jones' origin was remarkably similar to that of Captain America. A patriotic, war veteran, Jones, gained a new super-human vitality from a scientist's serum. When the scientist was assassinated by enemies of America, his bereaved son also took an injection of the invincibility serum to transform himself into Jones' sidekick, Dandy. Nazi spies plan to attack a Victory Ball masquerade party dressed as Robin Hood and his merry men. Their arrows have been dipped in poison and only Yankee Doodle Jones and Dandy can smash their foul plot. The fine lined, graceful, and energetic artwork from the Harry "A" Chesler shop shows the unmistakable influence of Lou Fine's Golden Age artwork. The image area of each page measures 13" x 18", and aside from edge wear and missing type corrections on some of the pages, the art is in Very Good condition.
Tom Sutton - Grimjack #27 Cover Original Art (First Comics, 1986). For fans of blood and guts, John Ostrander and Tim Truman's Grimjack series, published by First Comics from 1984 to 1991, was loads of fun! Clad in a military costume right out of a Gilbert and Sullivan operetta, Grimjack lets his arsenal do the talking, in this cover illustration by Tom Sutton. It's a hard-boiled look at the tough P.I. with the murderous disposition and nasty smile that you won't soon forget! The image area measures 10" x 15" and the condition is Very Good. Signed by Tom Sutton at the bottom right.
Arthur Suydam - Mysterious World Portfolio Illustration Original Art (Schanes & Schanes, 1982). From renowned artist, Arthur Suydam, comes this vibrant, evocative illustration, featuring two of Suydam's most infamous characters, Cholly and Flytrap. This cold-blooded image was used as a plate in the limited edition Mysterious World portfolio, released in 1983. Finely crafted in brush and ink, this piece has an image area measuring 10" x 13", and the condition is Excellent.
Arthur Suydam - Cholly and Flytrap Till Death Do Us Part #1 pages 1 and 2 Original Art (Eclipse, 1990). Arthur Suydam's fine inking ranks in the rarefied elite of fantasy artists, right alongside such greats as Frank Frazetta and Bernie Wrightson. Fast Eddie pays the ultimate price for his gambling debts in a fixed boxing match. The image area of each page measures 12" x 18", and the art is in Very Good condition.
Arthur Suydam - Penthouse Comix, "Libby in the Lost Land" Illustration Original Art (Penthouse Ltd., 1996). This pencil piece by Arthur Suydam shows the first meeting between Libby and the gnomes. What a lucky bunch of little guys they are! With his great feel for dynamic composition, Suydam really brings this piece to life. With an image area of 9" x 12", this whimsical pencil illustration would be a wonderful addition to any art collection.
Curt Swan and Murphy Anderson - MASK #9 Cover Original Art (DC, 1987). Jacana saves Matt Trakker and the others from a blast of deadly radiation, but at what cost? Curt Swan penciled, and Murphy Anderson inked this cover to the final issue of DC's MASK. The art has an image area of 10" x 15", and includes the original logo and title type paste-ups, all in Excellent condition.
Jimmy Swinnerton - Little Jimmy Sunday Comic Strip Original Art, dated 3-10-46 (King Features Syndicate, 1946). "Hop toads an' tarantulas!" With his huge, saucer-like eyeballs, and an air of irresistible innocence and curiosity, Jimmy Swinnerton's Little Jimmy remained steady in the papers from 1904 until Swinnerton's retirement in 1958. Breezily drawn and full of a warm, understated humor, this Sunday has an image area measuring 14" x 22.5". There is some aging apparent, mostly along the center, where the two conjoined pieces are connected with tape at the back. There are also some very nominal stains; otherwise the work is in Very Good condition.
John Totleben - Swamp Thing #60, Splash Page 10 Original Art (DC, 1987). This unforgettable page was created by John Totleben for the Alan Moore story, "Loving the Alien," which featured the elemental Swamp Thing being assaulted by an alien at the far reaches of outer space. In a psychedelic mixture of organic and high tech, Totleben creates a image that resonates with a poster-like vibe. The art is a collage of xeroxed images enhanced with black and white ink, with an image area of 10" x 15". The condition is Excellent. Signed by John Totleben at the bottom right.
Herb Trimpe and Sal Trapani - Incredible Hulk #163, page 10 Original Art (Marvel, 1973). The rampaging Hulk is about to face off with the Gremlin's Super-Troopers in this action-packed scene from "Trackdown." For many Bronze Age enthusiasts, Herb Trimpe is the Hulk artist! This page has an image area of 10" x 15" and aside from a taped on lettering correction in the final panel, the art is in Excellent condition.
Herb Trimpe - Godzilla #6, Splash Page 1 Original Art (Marvel, 1978). Deep in the mountains of northern California, S.H.I.E.L.D. agent, Gabriel Jones, comes upon the King of Monsters himself, in this monumental-sized splash page for the story, "A Monster Enslaved!," written by Doug Moench. Penciled and inked by Herb Trimpe, this page has an image area of 10" x 15". There is an overall aging apparent, some slight staining, and a bit of paper loss in the indicia at the top; otherwise the work is in Very Good condition.
Herb Trimpe and Dan Green - Godzilla #16 Complete 17-page Story "The Great Godzilla Roundup" Original Art (Marvel, 1978). Who was that masked lizard? A group of cowpokes ride range with the biggest doggy of all time, in these thrilling pages from the Doug Moench Story, "The Great Godzilla Roundup!" Each page has an image area of 10" x 15". The art exhibits a bit of scattered staining, the Zipatone has yellowed in some of the panels, and corners of each page were trimmed during the production process; otherwise the pages average in Very Good condition.
Billy Tucci and Nelson Asencio - Shi Cover Original Art (1995). Comic book artists and publishers know you can present almost any concept in an action-packed format, add a dose of scantily clad females, and there's certain to be a young male audience. One book which took this concept a step further and actually provided a good story and phenomenal art was William Tucci's Shi. This unidentified illustration was penciled by Tucci and inked by Nelson Asencio with a fearless line, which perfectly captures this exquisite warrior's mystique. The image area measures 11" x 16", and, aside from some horizontal creasing along several areas, the condition is Very Good.
Alex Toth and Warren Tufts - Casey Ruggles Daily Comic Strip Original Art, dated 7-22-50 (United Feature Syndicate, 1950). According to many comic art experts, Alex Toth ghost-penciled the Casey Ruggles strip for about two months in 1950, and this daily shows signs of his design-oriented approach to storytelling. Warren Tufts' realistic cartooning was a tasteful blend of the influences of Alex Raymond and Hal Foster -- his figure drawing was first-rate. The image area of the strip measures 18.5" x 5", and the art is in Excellent condition.
George Tuska - Captain Marvel Adventures #2 Complete 14 page Story "Pirate's Treasure" Original Art (Fawcett, 1941). One of the most popular characters in comics history, Captain Marvel sold more than a million copies per month during his heyday, before being put out of business by DC in 1953. This is not only one of the earliest appearances of The Big Red Cheese, but also one of the earliest works by superstar artist George (Iron Man) Tuska, who was working for Harry "A" Chesler at that time. The Chesler Studio was one of several independent producers of comic book material used by Fawcett in their early years. This is identified on the boards as "Capt. Marvel One Shot #3" (the publishers obviously considered Special Edition Comics #1 to be the first issue of this series). Other than some light wear along the board edges and a few minor stains, the pages are in Excellent condition, and measure approximately 15" x 20" overall. This is a rare and important historical find in the area of Golden Age art. George Tuska has signed the lot in the upper right corner of the first page.
George Tuska - Sick #44, page 15 Original Art (Hewfred, 1966). In zany sixties humor from Joe Simon's magazine, Sick, Batman and Robin are lampooned once again, this time as Comicman and Comicboy. George Tuska illustrates this page with a terrific wash-tone technique. Some of his blue under-pencilling shows from beneath the inks. The art has an image area of 12.5" x 16". The word balloons used pasted-on typeset stats. Some have slipped off the page and are missing. There are glue stains in the panels gutters where tape had been used to mask off the panels; otherwise, the page is in Very Good condition.
Henry Tuthill - The Bungle Family Partial Sunday Hand-Colored Comic Strip Original Art, dated 7-6-30 (McNaught Syndicate, 1930). George Bungle warns his friend, Ferdinand, about their neighbor -- a man who lets his fists do the talking. But Ferdy insists on pursuing a little matter of some missing oil until the bitter end, in these bottom two tiers of a The Bungle Family Sunday strip. The art has been hand-painted in watercolor, and has an image area of 21" x 11.5". There is some slight aging apparent overall; otherwise the work is in Very Good condition.
Western Publishing Artist - Underdog Cover Original Art, Group of 4 (Gold Key, 1975). There's no need to fear -- Underdog is here! Disguised as humble, loveable Shoeshine Boy, Underdog was a long-running favorite Saturday morning cartoon character who also starred in several different comic book series for a number of different companies. These four covers are from the Gold Key run that began early in 1975, and we've definitely identified issues #2 and 3. All are fun items, featuring Underdog, Sweet Polly Purebred, and villainous Simon Bar Sinister and his henchman, Cad. The pieces range in size from 10.25" x 13.25" to 11.75" x 17". All are in Excellent condition; the smaller item is drawn on vellum and attached to illustration board, while the others are all on bristol. From the Random House Archives.
Charles Vess - Swamp Thing#129 Cover Original Art (DC, 1993). It's a case of "Swamp Fever", as our mossy hero finds himself in a bad way on this incredible cover painting. The vibrant use of color in this painting is amazing! The art, mixed media on bristol measuring 16" x 23", has an image area of 14" x 21", and is in Excellent condition. The piece has been attractively matted to an overall size of 19" x 26".
Ron Wagner - Blaze: Legacy of Blood #3 Cover Original Art (Marvel/Midnight Suns, 1994). Johnny Blaze was always someone who was willing to do whatever it took to save the lives of those close to him. Johnny, horribly scarred by previous battles with darkness, must rejoin the fight once more in order to save his family, in the four-issue Blaze: Legacy of Blood. Ron Wagner created this hellaciously haunting cover illustration for the third issue, a fiery image of the human Blaze and his hellish counterpart, the Ghost Rider! The image area measures 10" x 15", and the art, which includes the original logo and masthead paste-ups on an acetate overlay, are in Excellent condition.
Ron Wagner and Bill Reinhold - Book of Fate #6 Cover Original Art (DC, 1997). The cutting edge of magick got sharper with writer Keith Giffen's reconfigured Dr. Fate, in the series, Book of Fate, which lasted for twelve issues (1997-1998). Spun out of Zero Hour, Giffen's "grim and gritty" Fate was Jared Stevens, a thief and smuggler who is unwillingly grafted with Nabu's powers. This cover illustration has an image area of 10" x 15", and the condition is Excellent. Signed by Bill Reinhold at the bottom right.
Mark Walters Catalog Drawing Original Art (2005). This drawing, by Dallas artist and bon vivant Mark Walters, was specially commissioned for this Heritage Comics Auction catalog. He's thrown out some obvious nods to Mad legend Sergio Aragones in this rather humorous piece. It appears on page 36, as an illustration for Lot #1255. The art is pen and ink on a standard comics art page measuring 11" x 17", with an image area of 10.25" x 15.75", and is in Excellent condition.
Bill Ward - Humorama Cartoon Original Art (Humorama, undated). Some cartoonists are famous for their drawings of dynamic fight scenes, while others are noted for their macabre horror chillers, and still others for their "funny animal" yarns. Bill Ward achieved his notoriety for an unparalleled ability to depict provocative women -- the kind men like! Hey, now! This fetching cartoon, rendered in Conti crayon, with touches of white paint for highlights, is a first-rate example of Ward's "good girl" art. The drawing has an overall size of 17" x 23". Aside from yellowed tape around the edges of the drawing, the art is in Very Good condition. This cartoon will make a fantastic showpiece for a Bill Ward fan!
Robert Webb - Rangers Comics #64 Splash Page 1 Original Art (Fiction House, 1952). The buxom wildcat, Firehair, takes center stage on this action-packed splash panel. It's Western action as only Fiction House could picture it -- hey, now, the history books never told of anything like this! Robert Webb detailed the Native American trappings and also managed to showcase his talent for "good girl" art. The image area of the page measures 12.25" x 18" and the art is in Excellent condition.
Russ Westover - Tillie the Toiler Sunday Comic Strip Original Art, dated 7-27-30 (King Features Syndicate, 1930). Tillie and Mac's day at the beach is spoiled by Tillie's handsome friend, Eddie, who manages to invite himself to spend the day with them. But they spend their evening alone because it turns out that "too-persistent" Eddie got too much sun. This sunny Sunday by Russ Westover has an image area of 18.5" x 17". The art was cut between panel tiers two and three, and then carefully rejoined. There is a bit of aging apparent along the conjoined line, and a couple of small stains in the ninth panel, otherwise this work is in Very Good condition.
Russ Westover - Tillie the Toiler Sunday Comic Strip Original Art, dated 12-30-34 (King Features Syndicate, 1934). Tillie gets the "bye bye baby blues," at the big Bowersock Ball, because two other girls are wearing her same dress! Tillie the Toiler starred a working woman, still a novelty when Russ Westover created the strip in 1921. The art is on two boards that have been joined, with an overall image size of approximately 20.5" x 16". There is some slight aging apparent, otherwise the work is in Excellent condition.
Ed Wheelan - Minute Movies Daily Comic Strip Original Art, Group of 3 (George Matthew Adams Service, undated). Ed Wheelan's movie parody comic strip, Minute Movies, offered absurd parodies of dated conventions. Wheelan had a large collection of "stars" who appeared in new roles in each new story. The jut jawed Dick Dare, Wheelan's perennial leading man, "plays" the male leading role in "Sun and Sand," Episode 9, one of three undated strips, which include "Kidnap Mystery," Episode 21, and "Days of Yore," Episode 4. The image area of each measures 23.5" x 6.5". Some overall aging is apparent, and there is some scattered soiling, and pencil markings, otherwise the art averages in Very Good condition.
Ogden Whitney - Blazing West Cover Original Art (ACG, circa 1950).. Perhaps best known for his work on such characters as Skyman and Herbie Popnecker, Ogden Whitney had a realistic style that lent itself to a surprising variety of genres -- from superhero, to romance, to comedy. Here, the versatile Whitney turns in an electrifying Western cover featuring a thrilling Native American chase scene. The issue number for this cover could not be identified, and it may be an unpublished piece. This cover has an image area of 13" x 18.5", and aside from missing photostat/type elements, the art is in Very Good condition.
Frank Willard - Moon Mullins Hand Colored Sunday Comic Strip Original Art, dated 5-18-24 (Chicago Tribune, 1924). Lord Plushbottom finally has his big vaudeville audition, but Moon messes things up -- as usual. Frank Willard had been drawing a strip called The Outta Luck Club for King Features when he was fired after an altercation with George McManus (of Bringing Up Father fame); he quickly moved over to the Chicago Tribune Syndicate, where head honcho Captain Joe Patterson had been contemplating a strip about a tough guy. Willard's Moon Mullins debuted from Patterson's syndicate on June 19, 1923. This is a splendid Sunday from the only the second year of the series, which has been hand-colored with vibrant hues. The image area measures 16.5" x 25", and the art is in Good condition. The piece has been assembled from four tiers glued to a common backing board, seemingly to extend the bottom portion of each panel.
Al Williamson - Crime SuspenStories #16, page 6 Original Art (EC, 1953). Al Williamson was only twenty-two years old when he drew this page -- the shock ending (literally!) to "Come Clean." Williamson was already well on the way to establishing his credentials as one of the finest science fiction artists working in the comics field. Williamson was so successful in the science fiction and fantasy genres that EC Fan-Addicts tend to forget about the hard-hitting yarns he also drew for the SupenStories titles! In this tale, the electric chair sponges on Ralph Jansen's bare skull finally remind him of an alibi sure to prove his innocence -- just a little too late! Choke! Williamson's art often benefited from the help of his artist friends, the infamous "Fleagle Gang," and the boys may have a hand in a few of these panels. The image area of the art is 13" x 18", and the art is in Excellent condition.
George Wilson (attributed) - Ripley's Believe It Or Not #12 Cover Original Art (Gold Key, 1969) "Weird! Eerie! Authentic! The Strangler Oak and Other Stories," shouted the cover blurbs on the printed version of this haunting scene. This spine-tingling masterwork is sure to please even the most thrill-starved Gold Key mystery fan. The painting has an image area of 9" x 12.5", and the art is in Excellent condition.
Stan Woch and Willie Blyberg - Airboy #5 Page Original Art, Group of 7 (Eclipse, 1986). Eclipse Comics' revival of the Golden Age Airboy, had the feel of an old-time serial adventure with continual cliffhangers. Writer Chuck Dixon did a fantastic job taking advantage of the bi-weekly format, and kept the pace of the stories at just the right level of energy. From his story, "Misery Takes a Holiday," which was published in the fifth issue, comes pages 2, 3, 5, 6, 9, 12, and 13, penciled by Stan Woch, and inked by Willie Blyberg. The Golden Age legends, the Heap (the original swamp creature), and Valkyrie made their modern age re-appearances in these storied pages. Each page has an image area of 10" x 15", and they average in Excellent condition.
Stan Woch, Mark Farmer, and Fred Von Tobel - Tapping the Vein Book 4 Page Original Art, Group of 4 (Eclipse Books, 1990). The Eisner-nominated anthology mini-series, Tapping the Vein, brought the best of Clive Barker’s "Books of Blood" short stories to the comics medium. These four hand-painted pages are from the story, "The Madonna," brought to a stunning visual realization by Stan Woch (pencils), Mark Farmer (inks), and Fred Von Tobel (painter). The image area of each page is 10" x 15", and they average in Very Good condition.
Wally Wood - True Sweetheart Secrets #2 Complete 11-page Story "Love's Rapture" Original Art (Fawcett, 1950). One of the comic book field's masters of "good girl" art, Wally Wood excelled at drawing sensuous women even in his earliest efforts. As comics historian Mike Benton has noted, "During his lifetime, Wood was the undisputed master of inking and he used light and shadow to create rich effects of reflection, depth, and contrast seldom seen in comics." Fresh out of the Merchant Marine, Wood broke into comic books in 1949 when he linked up with Renaldo Epworth, a comic book art broker who supplied low-end publishers with product. In his early years, Wood teamed with Marty Rose and Harry Harrison to knock out a plethora of romance pages for the notorious Victor Fox, publisher of Fox Comics. Almost immediately, Wood searched out better paying work, and by 1950 he was working for more reliable publishers such as Youthful, Avon, Ziff-Davis, Standard, ACG, and Fawcett. This early melodrama is packed with the famous Wally Wood detail, or as he humorously dubbed it, "clutter." Panels are filled to the brim with high relief details and stark, dappled shadow patterns. The image area of each page measures 13" x 18". Page one is composed of cut-out panels glued to a support board. The other pages have edge wear and many of the pasted-on captions have slipped off the paper, leaving behind glue stains; overall the art is in Very Good condition. Add some elan to your collection with this gorgeous collection of early "Woodwork!"
Wally Wood - Shock SuspenStories #12, page 2 Original Art (EC, 1953). A doomed man's life flashes before his eyes in this exciting page from the story "Fall Guy." Wally Wood gives his art an added dimension by doing three panels in conte crayon and ink on textured board, and one on shaded Craftint, then adding the panels through the back of the standard 15" x 22" EC illustration board. The cuts are well made and unobtrusive, and the art remains in Excellent condition. This is a wonderful example of Wood's talents, from a classic issue of EC's innovative title.
Wally Wood - Weird Science #21 Cover Original Art (EC, 1953). Few science fiction/fantasy "cover hooks" are used as often as that of a beautiful "good girl" being saved from the clutches of an alien monster by a handsome hero. But when the artist is the talented Wally Wood, EC fan-addicts are sure to cry out, "One more time!" Wood's hard work was legendary. Fellow artist Roy Krenkel's anecdote about Wood's work schedule is typical, "You'd come to Wally's door, and you'd realize Wally had been up all night. The door finally, slowly, opens, and Wally stands there with an absolutely glazed look in his eyes, totally incapable of focusing. The guy was totally obsessed with work. Why it didn't kill him, I'll never know." Wood's hard work paid off and his EC work made him a legend in the comic book field. This sensational cover has an image area of 13.25" x 20". The "Incredible Science-Fiction Stories" banner at the bottom of the page is a replacement, and the cover has been professionally restored to Excellent condition.
Wally Wood - Aces High #5, Complete 7-Page Story, "Ordeal" Original Art (EC, 1953). Although perhaps most celebrated for his science-fiction yarns at EC, Wally Wood proved himself a master in the war genre as well, with this seven-page, post-Code "Flying Tiger" masterwork. Wood's jaw-dropping art is at its most refined for this, the final story of the final issue of Aces High. In Excellent condition, each page of the story has an image area that measure approximately 13" x 19.5".
Wally Wood - Incredible Science Fiction #33, page 7 Original Art (EC, 1956). From the post-apocalyptic story "Big Moment," here's the last page from Wally Wood's last science fiction tale for EC. Wood would, of course, continue his career for other publishers, including Marvel and DC, but this really was the end of a beautiful era in comics. EC would discontinue not only Incredible Science Fiction with this issue, but all of its comics line, concentrating solely on the revamped, magazine version of Mad. This page is drawn on a 15" x 22" sheet of bristol, with an image area of 13" x 19.25"; other than missing a type correction in panel one, the art is in Excellent condition.
Wally Wood - Unearthly Spectaculars #2, "The Coming of Earthman", page 3 Original Art (Harvey, 1965). Wally Wood's spacefarer from Earth, "Earthman," and his legion of bestial followers, are attacked by a horde of flying lizard riders, in this "unearthly" page, dramatically delineated by a master of science fiction art. Amnesia notwithstanding, this is one Earth dude about to lay down some serious extraterrestrial damage, brought to you in Wood's polished style. The image area measures 10" x 15" and the condition is Excellent. Grongad!
Wally Wood - Cannon Comic Strip #C107 Original Art (Wood and Richter, 1973). Calling all "good girl" fan-addicts -- check out this smoking hot Cannon strip by Wally Wood -- Hey, now! By the seventies, Wally Wood had perfected and formalized what he termed his "panel rules -- what every comic book artist should know about how to tell a story in pictures." Extreme close-ups, silhouette shots, unusual points-of-view, three stage illusions of depth, reflections, cast shadows, and value contrasts -- Wood had action-adventure cartooning down to a sweet science! This strip was drawn on two boards. They have a combined image area measuring 16.5" x 24", and the art is in Excellent condition.
Wally Wood - Sketch Original Art, Group of 2 (undated). Wally Wood's early drawings explored the sex and violence of his id with such glee they can be seen as foreshadowing the Underground comix movement. Wood saved many of his best sketches and ideas in the form of collaged sheets of paper, which he stored in a file cabinet for future reference. This lot contains two such surviving sheets. One features four graphite and color pencil vignettes taped to a sheet (one of these drawings is a self-portrait of Woody at his drawing board). The other piece contains four head reference shots and one Wood pencil sketch portrait. The two sheets have an overall size of approximately 8.5" x 11". Aside from the tape used to secure the pencil sketches on one sheet, and a small piece of paper torn from the lower left corner of the other sheet, the art averages Good condition.
Bernie Wrightson and Jimmy Palmiotti - Nightmare Theater #1, page 6 and 7 Original Art (Chaos! Comics, 1997). Prestigious in the eyes of the horror buffs, illustrator Bernie Wrightson is a veteran artist of the macabre, and has created works for everyone from Marvel to Chaos Comics. In 1997, he created a series called "One Perfect Night," which was published in the 4 issue mini-series, Nightmare Theater. These two terrifying pages were inked by Jimmy Palmiotti, and they both have an image area of 10" x 15". The condition of each is Excellent, and Bernie Wrightson signed both pages at the bottom right.
George Wunder - Terry and the Pirates Sunday Comic Strip Original Art, dated 1-9-55 (News Syndicate, 1955). Terry confronts Spruce Winter about her defector brother, and her reaction leaves him stunned! The image area of this Sunday is 25.5" x 17". Each panel has been glued to a larger support paper; the paper shows a touch of aging, with a few glue stains; otherwise the art is in Very Good condition.
George Wunder - Terry and the Pirates Sunday Comic Strip Original Art, dated 1-17-60 (News Syndicate, 1960). Now that that master practitioner of the brainwash, "The Scholar," and his Red Guerrillas have been captured, it's retribution time! But the lovely Lakhal doesn't see any joy in that concept! This George Wunder Sunday has an image area of 25.5" x 17". Each panel has been glued to a larger support paper; the paper shows a touch of aging, with a few glue stains; otherwise the art is in Very Good condition.
George Wunder - Terry and the Pirates Sunday Comic Strip Original Art, dated 5-29-60 (News Syndicate, 1960). While a schooner picks up Terry and Snapper, the occupants of a Russian submarine -- prying for military secrets -- open the telemetry compartment of a phony "Discoverer" capsule, only to discover a volley of tear gas! The image area of this Sunday is 25.5" x 17". Each panel has been glued to a larger support paper; the paper shows a touch of aging, with a tape stain in the sixth panel; otherwise the art is in Excellent condition.
George Wunder - Terry And The Pirates Daily Comic Strip Original Art, dated 1-16-63 (News Syndicate, 1963). Terry plays an aerial game of cat and mouse with Graf, in this sky high daily by George Wunder. This long-running strip was taken over by Wunder in 1946, and he kept the level of quality soaring. The image area measures 21.5" x 6.5", and the condition is Excellent.
Tom Yeates - The Saga of the Swamp Thing #12 Complete 17-page Story "And Yet It Lives" Original Art (DC, 1983). The creature once known as Dr. Alec Holland, Swamp Thing, deactivates a Golem by erasing one of the Hebrew letters inscribed on its head. Karen Clancy challenges Swamp Thing's allies to a duel at a synagogue nearby, while covert operator, Grasp, plans to assassinate them all in one swoop. Tom Yeates' sensitive line work, and rich blacks, highlight these pages from the story written by Martin Pasko. The image area of each page is 10" x 15", and, aside from corners trimmed during the production process, some very light aging is apparent (an art overlay on the first page which was drawn on vellum paper has yellowed), and limited staining on the first page, the pages average in Very Good condition.
Tom Yeates - The Saga of the Swamp Thing #18 Cover Original Art (DC, 1983). The quiet serenity of a graveyard is shattered as the Swamp Thing is overwhelmed by an onslaught of Anton Arcane's Un-Men, in this moody and macabre cover illustration by Tom Yeates. The art has an image area of 10" x 15", and includes the original logo, and masthead paste-up art. This piece is in Excellent condition and signed by Tom Yeates at the bottom right.
Tom Yeates and Al Williamson - Edgar Rice Burroughs' Tarzan #19, page 1 Original Art (Dark Horse, 1998). Tarzan is a prisoner of the alien hordes from the moon, who have all but conquered the Earth of the far future, in this page, penciled by Tom Yeates and inked by Al Williamson. With an image area of 9" x 13", this spectacular art is in Excellent condition. Signed by Tom Yeates at the lower left.
Chic Young - Dumb Dora Daily Comic Strip Original Art, dated 7-27-28 (Newspaper Feature Service, 1928). She may not have a leg to stand on in her breach of promise suit against her former suitor, Rod, but she's certainly got two "dawgone" good looking ankles to expose to the jury! Another flighty flapper strip by Chic Young, Dumb Dora, who, with her short skirts, and cute curls, was a precursor to his more famous Blondie. The art has an image area of 15.5" x 4.5", and, aside from a very light stain in the second panel, the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 9-20-30 (King Features Syndicate, 1930). Blondie may claim to be at home in the kitchen, but right now she is serving up plenty of tasty "cheesecake" poses for the young tycoon-to-be, Dagwood -- hey now! This superb example of "good girl" art was only the twelfth Blondie daily published.The image area measures 18" x 4", and aside from some blue pencil editorial markings, and the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 10-3-30 (King Features Syndicate, 1930). Whatever shall they do? Dagwood hasn't said two words all evening to the socially acceptable Minerva Van Divot, the girl his parents desperately want him to marry! He's spending all his time out on the veranda with that "little tow-headed brat" Blondie! The image area of this early Blondie daily measures 19.5" x 4.25", and the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 10-7-30 (King Features Syndicate, 1930). While members of the Bumstead family from all corners of the country gather to decide whether she can marry Dagwood, Blondie's comments hit the gold nail on the head in this early daily by Chic Young. The image area of this early Blondie daily measures 18" x 4", and the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 9-3-31 (King Features Syndicate, 1931). Blondie's new bosses find out their gorgeous receptionist may not be the "airhead" she first seemed to be. This early daily, from within six months of the feature's debut, captures the carefree flavor of Blondie's "flapper years." This strip has an image area of 18" x 4", and the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 10-13-31 (King Features Syndicate, 1931). The elder Bumstead proves that all work and no play makes even captains of industry very dull boys. Before his family disowned him, Dagwood was living in the lap of luxury. He gave up his inheritance to marry Blondie, and he still came out on top! This strip has an image area of 18" x 4". Aside from a few pasted-on lettering corrections, the art is in Excellent condition.
Chic Young - Blondie Partial Sunday Comic Strip Original Art, undated (King Features Syndicate, circa 1931). Blondie's first beau, Hiho Hennepin, looks like a shorter version of Dagwood Bumstead -- Blondie must like the clueless type! This lot is a partial Sunday, and it features the first two panel tiers of a four-tier strip. The two panel tiers have an image area of 17" x 6.75". Aside from the missing tiers, the art is in Excellent condition.
Chic Young Studio - Blondie Sunday Comic Strip Original Art, dated 1-17-32 (King Features Syndicate, 1932). One of Blondie's suitors, the unfortunate Hiho, has his hands full trying to propose to her, because he just can't seem to get the words out. It's not because he's shy, its because Blondie's battle-axe of an aunt won't give him the chance! Pretty young thing, Blondie Boopadoop's carefree days continue in this early Blondie Sunday strip. The art consists of two pieces, neatly cut between tiers two and three, and the two halves have been conjoined at the back to form an image area that measures 17" x 13". Aside from some slight discoloration along the join, the art is in Excellent condition.
Chic Young - Blondie Sunday Comic Strip Original Art, dated 9-24-33 (King Features Syndicate, 1933). Dagwood and his neighbor, Woodley, are ready for the eight o'clock event - but their wives aren't! The two hubbies can't win for losing after hassling their wives to hurry up, and finding they've got a flat tire on their ride! This winning Sunday has an image area measuring 17" x 14," and aside from some very slight discoloration at the edges, and between the second and third tiers (the upper and lower halves of the art are not connected), and some printer's oil stains along the right edge, the art is in Good condition.
Chic Young - Blondie Sunday Comic Strip Original Art, dated 10-21-45 (King Features Syndicate, 1945). When Daisy's puppies refuse to eat the vegetables Blondie gave them, Dagwood's reverse psychology solution works a little too good, in this Sunday from 1945. The image area measures 17" x 15," and aside from some very slight discoloration at the edges, and between the second and third tiers (the upper and lower halves of the art are not connected), and some staining in the ninth and tenth panels, the art is in Very Good condition.
Mike Zeck and Joe Rubinstein - Master of Kung Fu #76 Cover Original Art (Marvel, 1976). A lot of sons have no interest in following in their father's footsteps. Of course, when your father happens to be the insidious Dr. Fu Manchu, and you were raised to be the perfect assassin, things get a little more complicated. This big action cover illustration, penciled by Mike Zeck and inked by Joe Rubinstein, features Shang-Chi letting his feet do the talking in a waterfront brawl. The art includes all the original logo and masthead paste-ups. The image area of the art measures 10" x 15", and the condition is Excellent.
Mike Zeck and John Beatty - Marvel Super Heroes Secret Wars #8, Splash page 1 Original Art (Marvel, 1984). Grim-visaged, eleven heroic figures hurtle toward the stronghold of Doom, seeking to avenge the death of one of their own and perhaps save the life of another, in this splash page from the Jim Shooter story, "Invasion". Thor, the Hulk, Spider-Man, Iron Man, Mister Fantastic, Thing, Captain America, Captain Marvel, and Hawkeye highlight this page penciled by Mike Zeck, with inks by John Beatty. The page has an image area of 10" x 15", and, aside from some overall aging, and some glue staining around the word balloon in the first panel, the condition is Good.
Mike Zeck and John Beatty - Captain America #286 Cover Recreation Original Art (2002). Mike Zeck never ceases to amaze with the re-inventing of his classic cover illustrations. Zeck sets his sights high in this killer cover recreation of Captain America #286, replacing Deathlok with the Punisher. Here, he teams up with his original inker, John Beatty, producing an indelible image of Frank Castle, with the Sentinel of Liberty in his crosshairs! The image area measures 10" x 15" and the condition is Excellent. Signed by Mike Zeck on the back.
Michael Zulli - Teenage Mutant Turtles #35 "Souls Withering" Page Original Art, Group of 20 (Mirage, 1991). Michael Zulli brought his own distinctive style to the Teenage Mutant Ninja Turtles yarn "Souls Withering." His take on the Turtles is dark, moody, and poetic. This lot contains page numbers 1-5, 8-15, 17, 18, and 20-24 of the story. Each page was drawn on Duotone paper and each has an image area of 10" x 15". The art is in Excellent condition.
Jordan Raskin and Tom Smith - Generation X Poster Blackline Hand-Colored Artwork (Marvel, 1996). The Generation X Team "screams" with intense, vibrant, color in this wild poster image. The original black and white illustration was scanned, and this huge "blackline" print was created and then beautifully hand-colored by artist Tom Smith, using airbrushed acrylic paints. This intricate hand-colored piece was then used by the printer as the source image for the printed poster. This "pre-digital" blackline art is quite rare, as modern technology now allows coloring to be done in the computer. This piece is simply stunning, measuring a whopping 31" x 21", with an image area of 29" x 19", and is in Excellent condition. Black tape has been added around the outside edges by the artists. Raskin and Smith have added their signatures in silver paint in the lower portion. If this one doesn't get you fired up, you're made of stone, True Believer!
Frank Frazetta - "Golden Girl" Signed Limited Edition Print #618/2000 (Russ Cochran, 1978). "Golden Girl" was published in the late '70s as a limited edition of 2,000. By the early '80s it was completely sold out, and remains one of the most popular of Frazetta's limited edition prints. The original painting, executed circa 1952, is a breathtaking mixed-media affair, and is unquestionably one of Frazetta's major works. This print was reproduced at the exact size of the original art, with an image area measuring approximately 11.25" x 13.25" (the framing border brings the overall size to 18" x 17.25"), using high-quality screens, and as many color separations as were necessary to achieve a perfect match with the original. Each of the prints was printed on museum quality paper, and individually signed and numbered by Frank Frazetta. One of the jewels of his early painting career, "Golden Girl" exemplifies the master at the peak of his powers, and acquiring this stunning print is truly the next best thing to owning the original. The print is in in Excellent condition and this lot also includes the original print sleeve as well as a letter from Russ Cochran about the care of this print.
Frank Frazetta - "Death Dealer" Limited Edition Print, Gold Edition #54/345 (circa 1980). The "Death Dealer" is one of Frank Frazetta's most famous images. It has been used on rock album covers, graced the cover of American Artist, and inspired a comic book series. This super-high quality print is part of a Gold Edition (limited to the first 100 prints of the entire edition). The image was printed using twelve-color, continuous-tone inks on archival-quality, acid-free, cotton rag, with a special opalesque finish. This print from the Gold Edition and is silk-textured, with a small inlaid gold trim around the image area. The work was signed by Frank Frazetta, and is numbered 54/345. The print has an image area of 16" x 24", and the print is in Excellent condition.
Jack Kirby - Captain America Fiftieth Birthday Commemorative Lithograph Print #545/950 (First Team Press, 1992). Who better to create this masterpiece than Captain America's original creator, Jack Kirby? Drawn in classic Kirby style this fiftieth anniversary commemorative includes several of his arch enemies and, of course, his side kick Bucky. This original edition was limited to 950 copies for general release. Published on a luxurious 120 pound acid free imported art stock, this stunning print measures approximately 24" x 20", and is in Excellent condition. Signed and numbered by Jack Kirby at the lower right. Includes a certificate of authenticity. As a bonus, you'll get a 12" x 15" black and white "Fiftieth Birthday Commemorative" lithograph pencil sketch created by Kirby, which also includes a certificate of authenticity. Some markings along the extreme edges (outside of the image area); otherwise in Excellent condition.
Don Rico - Daredevil and the Claw Hand Colored Print, Group of 2 (1976). Lev Gleason's Daredevil battles the macabre minions of the Claw in a dynamic hand-colored print by Golden Age artist Don Rico, titled "Daredevil Besieged." The Claw gathers his troops for an onslaught in the second hand colored print featured in this lot, titled "The Claw and His Henchmen." Each print has an overall size of 22.5" x 14". Aside from some paper aging around the borders of the Daredevil print (due to being light struck), the prints are in Good condition. Each was titled and signed twice by Don Rico.
Rocketeer Movie Signed Print, 394/500 (Disney, 1991). Just about every comic book fan in the world is familiar with the Rocketeer. The classic character from creator Dave Stevens has remained a favorite over the years since his introduction in 1982. Walt Disney bought the rights to produce a big-budget film about the jetpack-wearing hero, which was released in 1991. It met with high praise from critics and moviegoers, and is still considered to be one of the best comic book movies ever made. Stevens was commissioned by the Disney Art Program in 1991 to create an original painting featuring the major motifs of the film. The artwork, styled after a classic movie poster of the 1930s, was published by Disney as a limited edition print. It was reproduced on 80-lb. Mohawk Superfine Cover stock using offset lithography. The golden metallic border was applied via serigraphy by Moross Studio Originals. The Rocketeer print was produced in a limited edition of 585 units, which consisted of a general edition of 500 pieces numbered 1/500 to 500/500, 50 artist proofs, and 35 publisher proofs. This is number 394 of 500. Each print has been numbered and individually signed by the artist in pencil. The artwork reproduced in this limited edition print was also published as an open edition poster, which did not feature the gold border. The print measures 20" x 39". It is framed professionally with a gold metal border. In Excellent condition.
Beauty and the Beast "Wishing for Romance" Hand-Painted Limited Edition Cel #97/500 Original Art (Walt Disney Company, 1994). This outstanding "Beauty and the Beast" limited edition cel features Lumiere, Cogsworth, Mrs. Potts, Chip and Featherduster, all hopeful that romance will blossom between the Beast and the lovely Belle. Hand-painted on acetate and set against a lithographic background, this cel is number 97 out of an edition of 500. The art has an image area of 15.5" x 11" and the condition is Excellent.
Classic Betty Boop Limited Edition Hand-Painted Cel #10/15 Original Art (King Features Syndicate/Fleischer Studios, 1994). This hand-inked, hand-painted limited edition cel features the glamorous Betty Boop, and her cute and cuddly puppy, Pudgy. Set against a lithographic background, this edition is number 10 of an edition of 15. The art has an image area of 12" x 10" and the condition is Excellent. Includes a certificate of authenticity. Signed by Shamus Culhane at the lower right.
Dynamite Hare "Bugs Bunny" Limited Edition Hand-Painted Cel #297/500 Original Art (Warner Bros., 1993). Bugs Bunny has a special birthday surprise for Gossamer's new makeover. In this Chuck Jones limited edition cel, "Dynamite Hare," Bugs is creating a "Dynamite Hairdo" for the shaggy mass of hair. Created from an original hand-inked drawing by Jones, which was serigraph screen printed on a clear acetate sheet, and expertly hand-painted. This edition is number 297 of a limited edition of 500. The art has an image area of 12" x 10" and the condition is Excellent. Includes a certificate of authenticity. Signed by Chuck Jones at the lower right.
Donald Through the Years Limited Edition Sericel (The Walt Disney Company, 1994). Walt Disney artists, in celebration of Donald Duck's 60th birthday, created this commemorative sericel, "Donald Through the Years," in 1994. This sericel depicts six of Donald Duck's characters. In order starting from the left, "The Wise Little Hen" (1934), "The Band Concert," (1935), "The Three Cabelleros," (1945), "Mickey and the Beanstalk," (1947), and today. Working from specially created drawings, Disney artists have translated original images to a hand-inked and hand-painted cel. The cel was used in the production of this set of sericels. Limited to an edition of 5,000, this sericel has an image area measuring 20" x 8". The condition is Excellent, and this lot also includes a certificate of authenticity.
Cool World Production Cel "Holly Would" (Paramount Pictures, 1992). In Ralph Bakshi's "Cool World," Holly Would, the cartoon version of Kim Basinger, was a pretty amazing package of sensuality. She made movie history with her first ever toon vs. live human sex scene, breaking new grounds in the medium. This original production cel is hand-painted with ink and acrylic color on acetate, which sits in a photocopy of the original production background. The art has an image area of 11.5" x 9" and is in Excellent condition. Includes a certificate of authenticity.
"Porky Pig's Feat" Production Cel Original Art (Warner Bros., late 1950s). "Porky Pig's Feat" is a classic slice of surreal, physics-defying "cartoonism" from the vaults of "Termite Terrace". Director Frank Tashlin adds a notion of playfulness to the chaotic abandon of the Broken Arms Hotel, where you're billed 43 bucks for goodwill and air. In this full color animation production cel, Daffy Duck and Porky Pig try to avoid paying their hotel bill, and a determined hotel manager. In the late 1950s, this short film was one of a handful that Warner Bros. recreated in full color for television release, based on the original black and white short. The art has an image area of 10" x 8", and the condition is Very Good.
Walt Disney Studios - "The Big Bad Wolf" Animation Cel Original Art (Walt Disney, 1934). Cels from early Disney shorts are getting harder to find -- this colorful piece comes from "The Big Bad Wolf" which was a sequel of sorts to the extremely popular "Three Little Pigs." This hilarious offering features the wolf in fairy godmother's clothing -- how often do you think you'll get a chance to pick up a cel of the wolf in drag?! There is no chipping or flaking evident, and this remains a very vivid image. The image size is 6.5" x 6.5", and the art is in Excellent condition.
Walt Disney Studios - Snow White and the Seven Dwarfs Illustration Original Art (Whitman, 1950s). This attractive painting has a label on the back of its frame indicating that it is from a 1955 retelling of the Snow White and the Seven Dwarfs story, possibly from the Whitman "Tell-A-Tale" book published in 1957. It is a beautiful watercolor, with magnificent execution and pristine appearance. The 4.25" x 4.75" image captures one of the most classic scenes of the film, picturing the exact moment when the evil Queen's plan has come to fruition (no pun intended). Snow White has been tricked into taking that fateful bite from the poisoned apple and has slipped into her deathlike slumber. It's all up to the Prince, now! Thinking of bidding on this one? "Go ahead, dearie. Take a bite!"
Walt Disney Studios - "Through the Mirror" Concept Painting Original Art (Disney, 1936). Probably inspired by all those early Disney "Alice" cartoons, featuring a live little girl's adventures in her animated "Wonderland," the Disney artists decided to send Mickey off on a similar adventure! In the 1935 short, "Through the Mirror," Mickey falls asleep while reading Lewis Carroll's classic children's story. He wakes up in a world where normally inanimate objects are alive and often kicking. This tightly rendered pencil and watercolor painting captures the most representative scene from the entire work. Mickey is pictured fast asleep in his home, as the book he was reading is about to drop from his hand. It is charmingly illustrated, with nice detail work. Painted in watercolor, the art has a 12" x 9.5" image area, and is in Excellent condition.
Walt Disney Studios - "Through the Mirror" Concept Painting Original Art (Disney, 1936). Go East, young mouse! This exquisitely rendered pencil and watercolor painting pictures Mickey in the act of racing around the globe. His panicked expression, coupled with the exaggerated movement lines and sweatdrops would indicate that Mickey's easterly trek is for the sole purpose of not falling off the earth! This painted work is in a pristine state of preservation, handsomely double matted, and incredibly appealing. Little production work survives from this great short. Only a few cels are known to exist and none of them are considered to be exceptional examples. This desirable piece has a 9.5" x 10.5" image area, and is in Excellent condition.
Walt Disney Studio Artist - "Aladdin" Preliminary Animation Drawing (Disney, 1992). "Master! I don't think you quite realize what you got here! You ain't never had a friend like me!" From the beginning, "Aladdin" directors, Ron Clemens and John Musker, had mega-talent, Robin Williams, in mind as the Genie. Yet Williams hesitated signing on the dotted line, at least until animator Eric Goldberg whipped up some of his animation magic. When Williams saw Goldberg's Genie in motion, he was impressed, and asked for a pen. This key pencil animation drawing shows the Genie transforming from Groucho Marx, to Ed Sullivan, to a cowboy, and back again, and has an image area of 15" x 10". In Very Good condition.
Walt Disney Studio Artist - "Aladdin" Preliminary Animation Drawing (Disney, 1992). "All right, Sparky, here's the deal. If you wanna court the little lady, ya gotta be a straight shooter. Do ya got it?" The Genie apes Jack Nicholson, in this hilarious preliminary pencil drawing from Disney's 31st animated classic. When audiences were introduced to the Genie in 1992, animator Eric Goldberg's creation was definitely a force to be reckoned with. Never in the history of Disney animation had there been a more dynamic character. A giant cloud of smoke that transformed itself into more than 60 characters -- from Jack Nicholson to Arnold Schwarzenegger -- the Genie was the driving force of Disney's 1992 blockbuster. This art has an image area of 4" x 6" and is in Very Good condition.
The Little Mermaid "Under the Sea" Production Cel (The Walt Disney Company, 1989). This cel set-up from Disney's animated feature, "The Little Mermaid," depicts the show-stopping musical production number from the song that won an Academy Award, "Under the Sea." This vibrant set-up consists of multi-layered production cels set against a photocopy of the original production background, and has an image area measuring 10.5" x 7.5". In Excellent condition. Includes a hand-carved customized matte, featuring the octopus.
The Little Mermaid "Sebastian" Production Cel (The Walt Disney Company, 1989). This cel set-up, consisting of three multi-layered production cels set against a photocopy of the original production background, depicts Sebastian singing the Academy Award nominated song, "Kiss the Girl," from Disney's animated feature, "The Little Mermaid". The image area measures 10.5" x 7.5", and this set-up comes complete with a hand-carved customized mat, featuring one of the singing snails. The condition of this delightful piece is Excellent.
Walt Disney Studios - "Gulliver Mickey" Preliminary Publicity Drawing Original Art (Disney, 1934). Mickey Mouse lets his fingers do the talking, when the tiny citizens of Lilliput display force, in this pencil sketch from the legendary Disney short. This magnificent pencil sketch by Disney Studios artists, was as a preliminary for a publicity illustration used to promote the film. This is the only publicity pencil drawing believed to have survived from the early Disney Studio years. The art has an image area of 10" x 8" image area, and is in Excellent condition.
Walt Disney Studios - "Gulliver Mickey" Publicity Illustration Original Art (Disney, 1934). In the tradition of Jonathan Swift's Gulliver's Travels, Mickey recalls the time he landed on an island of tiny people. Seen as a giant, he was feared by the people of the island until a giant spider showed up to terrorize the town and it was up to Mickey to save the day! Disney's wonderful short, "Gulliver's Travels," inspired this eloquent pen and ink and wash illustration, which was used in publicizing the film. The art has an image area of 10" x 8" image area, and is in Excellent condition.
Walt Disney Studios - Mickey's Steamroller Preliminary Poster Illustration Original Art (Disney, 1934). It's full speed ahead, as streetworker Mickey takes control of a steamroller, romancing Minnie, while his nephews, Morty and Ferdy, tag along for a fun ride, in this preliminary sketch. Created for the original short, which was released on June 16, 1934, this art has an image area of 7" x 10.5". There is some overall aging apparent, and a small stain near the bottom; also, a tiny tear near the top of the "U" in Mouse has been expertly repaired, leaving this attractive item in a strong Very Good condition.
"Happy New Year, Charlie Brown" Snoopy Pencil Animation Drawing and Hand-Painted Production Cel (Bill Melendez Productions, 1986). Included here is an original pencil animation drawing of Snoopy and its corresponding hand-inked and hand-painted animation cel from "Happy New Year, Charlie Brown," which originally aired in 1986. This television special was produced by Bill Melendez Productions, in association with Lee Mendelson Productions, and Peanuts creator Charles M. Schulz. The cel was used in Scene Number 85-441-159. Each piece has an image area of 9" x 8", and bears the Peanuts Film Gallery seal of authenticity. Both are in Excellent condition. Includes two certificates of authenticity.
"Who Framed Roger Rabbit?" Production Cel (The Walt Disney Company, 1988). This hand-painted production cel was taken from the technically-marvelous landmark film, "Who Framed Roger Rabbit?," which blended animated, ink-and-paint cartoon characters with flesh-and-blood live actors. In this scene, hapless, no-nonsense private eye, Eddie Valiant, hops into Benny the Cab, where Roger waits. The production cel is placed on top of a photo image of Eddie Valiant (Bob Hoskins), which was taken from the film. The image area measures 13" x 8" and the art is in Excellent condition.
Tantrum Tasmanian Devil Limited Edition Hand-Painted Cel #9/100 Original Art (Warner Bros., 1981). The youngest of the classic Warner Bros. characters, the Tasmanian Devil, has now become one of the most popular in the entire "Looney Tunes" gallery. Taz made his premiere appearance in "Devil May Hare" in 1954 which was directed by Bob McKimson. Taz snarls, snorts, and sputters in this limited edition hand-painted cel, accompanied by a handmade background. The image area measures 12" x 10" and the art is in Excellent condition. Includes a certificate of authenticity. Signed by Chuck Jones at the lower left.
Wizards Production Cel "Princess Elinore" (Bakshi Productions, 1977). Along with her sheer, absurdly skimpy outfit, non-functional fairy wings, slightly Rubenesque figure, and sex-kitten personality, Princess Elinore was a full-powered fairy princess, too! This is an original hand-painted animation cel from Ralph Bakshi's 1977 feature film, "Wizards," featuring Princess Elinore, the sexiest pixie ever. This cel sits against her wings, which is a photocopy of the original production art. The art has an image area of 11.5" x 9" and is in Excellent condition.
"Spirit of America" Limited Edition Sericel (The Animated Animations Company, 2002). This limited edition sericel features world famous ambassador, Mickey Mouse, and his loyal pals, Donald Duck, and Goofy, proudly holding high the flag of the United States of America as they march to the beat of a time-honored American spirit. Below this image is an inspirational quote by Walt Disney. Walt Disney artists created a hand-inked and hand-painted cel, which was used in the production of this sericel. Limited to an edition of 2,500, this sericel has an image area measuring 10" x 13". The condition is Excellent, and this lot also includes a certificate of authenticity.
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842