2008 November Vintage Comics & Comic Art Signature Auction
| Sale Number: | 830 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | November 13th at 1 PM CT through November 15th |
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The Mad Auction
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Session 1
Golden Age (1938-1955)
Action Comics #20 (DC, 1940) CGC VG+ 4.5 Off-white pages. Note how few unrestored copies have been certified! Two notable things about this issue: the Joe Shuster cover is missing the "S" on Superman's chest, and the foe this issue is the Ultra-Humanite, one of the first super-villains in comics. Overstreet 2008 VG 4.0 value = $1,062. CGC census 10/08: 2 in 4.5, 4 higher.
Action Comics #104 (DC, 1947) CGC NM 9.4 Off-white to white pages. For this sparkling copy, the Near Mint designation tells it all! As for the issue, The Prankster makes an appearance, much to Supes' chagrin. Congo Bill, Vigilante, and Zatara backup stories. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 9/08: 2 in 9.4, 2 higher.
Adventure Comics #48 (DC, 1940) CGC VF 8.0 Off-white to white pages. One of DC's key issues of the Golden Age has the first appearance of Hourman. The issue is the second most valuable in the long, illustrious run of this title, and it ranks #30 in value among all Golden Age issues. It's not considered a scarce book, but only two copies have earned grades from CGC to date that are higher than FN 6.0. Bernard Baily did the cover, with Baily and Bob Kane furnishing interior art. Overstreet 2008 VF 8.0 value = $18,750. CGC census 9/08: 1 in 8.0, 1 higher.
Platinum Age (1897-1937)
Adventures of Detective Ace King Book 1 (Humor Publishing Corp., 1933) Condition: VG/FN. A 1933 comic, sold for 10 cents rather than given away, and featuring a single theme? Some histories of comics would tell you such a thing doesn't exist, but here's proof (also see Bob Scully and Detective Dan, offered in this same auction). Unlike Detective Dan, this is illustrated throughout, and look who drew it: it's Martin Nadle, the real name of the artist better known to Golden Age fans as Martin Naydel of Flash Comics fame. As Robert Beerbohm noted in Comic Book Marketplace, this publication obviously influenced Jerry Siegel and Joe Shuster -- a piece of "Superman" art exists showing the word "Cartoons" with interlocking O's as depicted here (the artist duo planned to pitch the character to Humor Publishing). This complete copy has some spine fraying and a half-inch spine split. It has rusted staples but with only the tiniest rust migration. As we've often noted, pre-Golden Age comics in grades above FR or GD are not easy to come by, and this is the first copy we've ever seen of this rarity. Overstreet 2008 VG 4.0 value = $750; FN 6.0 value = $1,125.
Golden Age (1938-1955)
Air Fighters Comics #3 (Hillman Fall, 1942) CGC FN 6.0 Off-white pages. The origin and first appearance of the Heap, the creature Jim Steranko called "one of the most fantastic and original characters ever created in the history of comics." The swamp monster was presumably meant to be a one-issue character but his popularity soon eclipsed that of Skywolf, in whose feature the Heap debuted. And of course, the Heap would inspire later, similar creatures like DC's Swamp Thing and Marvel's Man-Thing. The book is also notable for having only the second appearances of both Skywolf and Airboy. The cover is by Charles Biro. Overstreet 2008 FN 6.0 value = $558. CGC census 9/08: 2 in 6.0, 3 higher.
All-American Comics #19 (DC, 1940) CGC FN 6.0 Off-white pages. The origin and first appearance of the Atom is an even tougher book to find than Green Lantern's debut in #16! This is the highest-graded copy, and when we offered it six years ago it sold for $3,881. Now that the CGC census shows just how tough this book is (this is the only copy graded above 5.0) we expect an even stronger result this time around. Overstreet lists this issue among the top 50 Golden Age books. The cover, featuring Green Lantern, is by Sheldon Moldoff. Overstreet 2008 FN 6.0 value = $4,950. CGC census 9/08: 1 in 6.0, none higher.
All-Flash #1 (DC, 1941) CGC VF 8.0 Cream to off-white pages. The Fastest Man Alive -- Golden Age variety -- comes zooming your way in his first solo comic, which currently ranks #55 in Overstreet's list of Top Golden Age Books. E. E. Hibbard drew the Flash cover and stories, which include a retelling of the Flash's origin, while Sheldon Mayer handled the art for a Hop Harrigan tale. This copy, with its black background and vivid cover colors, looks spectacular. CGC notes, "Small amount of dried glue on cover." Overstreet 2008 VF 8.0 value = $10,628. CGC census 9/08: 5 in 8.0, 4 higher.
All-Flash #18 San Francisco pedigree (DC, 1945) CGC NM 9.4 White pages. From one of the very best Golden Age collections ever assembled, this copy's got it all, from the Near Mint grade to its snowy white pages, a hallmark of the San Francisco pedigree. Martin Naydel provided the cover and interior art for this issue, which also marked the beginning of a Mutt & Jeff series. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 9/08: 2 in 9.4, 1 higher.
All Select Comics #11 (Timely, 1946) CGC VF/NM 9.0 Cream to off-white pages. The first appearance of one of the goodest of the "good girl" crime fighters, the Blonde Phantom, makes this issue a collector magnet, and this copy is oh, so close, to being the nicest CGC has certified to date for the issue. The Syd Shores cover is at once inspiring, enticing, and... other things. Interior artists include Shores, Charles Nicholas, Ken Bald, and Jack Binder. Overstreet 2008 VF/NM 9.0 value = $2,791; NM- 9.2 value = $3,900. CGC census 9/08: 1 in 9.0, 1 higher.
All Star Comics #3 (DC, 1940) CGC FN 6.0 Off-white pages. It's not the premiere issue of what was arguably DC's sexiest Golden Age title, but it's far and away the most valuable in the run, owing to the origin and first appearance of the Justice Society of America. This one's practically non-existent in high grades; CGC has certified just two copies nicer than FN/VF 7.0 to date. Bernard Baily, Sheldon Moldoff, and E. E. Hibbard did interior art for this issue. Overstreet 2008 FN 6.0 value = $11,850. CGC census 9/08: 1 in 6.0, 6 higher.
All Star Comics #26 (DC, 1945) CGC NM- 9.2 Off-white to white pages. This attractive issue sports a colorful Robot cover. The "All-American" logo is imprinted on the cover -- this only appeared on issues #24-26. Overstreet 2008 NM- 9.2 value = $2,000. CGC census 10/08: 1 in 9.2, 2 higher.
All Star Comics #38 (DC, 1947) CGC NM- 9.2 White pages. Black Canary begins in this issue, which also contains the notorious Justice Society of America "death" story. Alex Toth provided the cover. Nice-looking copy, with excellent page quality. Overstreet 2008 NM- 9.2 value = $2,900. CGC census 10/08: 1 in 9.2, 2 higher.
All Star Comics #43 (DC, 1948) CGC NM- 9.2 Off-white to white pages. This issue features a new logo and a Johnny Peril backup story. Robot cover by Irwin Hasen, with interior art by Hasen, Bernard Sachs, and Howard Purcell. A sweet-looking copy of a great, desirable issue. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 10/08: 1 in 9.2, 1 higher.
All Star Comics #56 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC NM 9.4 Off-white to white pages. This Near Mint copy is just a half smidgeon below the finest copy CGC has certified to date. The Hawkman/Green Lantern robot cover is by Arthur Peddy, who also contributed story art, as did Joe Kubert. There's a backup Johnny Peril story inside. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 1/08: 2 in 9.4, 1 higher.
Amazing Comics #1 (Timely, 1944) CGC VF 8.0 Off-white to white pages. Only issue of this title; it became Complete Comics with #2. The Young Allies starred, with Alex Schomburg providing the stirring cover and Mike Sekowsky contributing interior art. Overstreet 2008 VF 8.0 value = $1,550. CGC census 10/08: 4 in 8.0, 3 higher.
Archie Comics #1 (MLJ, 1942) CGC VG 4.0 Off-white to white pages. This is one of Overstreet's top fifty Golden Age books, and we continue to recommend that you go after it whenever offered, in any grade. The highest-graded in CGC's census to date is just a 6.5, and there's no other copy graded above 5.0.
While not Archie's first appearance, it's considered the first teen comic by Overstreet. Archie's previous appearances were in Pep and Jackpot which also had adventure features, and he hadn't been the sole cover feature of a comic previously. Other key points: this issue has what you might call the origin of the Archie-Veronica relationship, as we learn how Archie read about the blue-blooded Park Avenue debutante-to-be and wrote to invite her to his prom in Riverdale (a more mundane account of their first meeting in Pep Comics #26 was thankfully forgotten from this point forward). This book also has the very first appearance of Mrs. Andrews, Archie's mother. And of course, it's the first issue of a series that's still in publication today, at issue #588 and counting. The clean front cover with no dust shadows or staining means that this copy presents very well. CGC notes, "Cover detached." Overstreet 2008 VG 4.0 value = $3,600. CGC census 9/08: 3 in 4.0, 4 higher.
While not Archie's first appearance, it's considered the first teen comic by Overstreet. Archie's previous appearances were in Pep and Jackpot which also had adventure features, and he hadn't been the sole cover feature of a comic previously. Other key points: this issue has what you might call the origin of the Archie-Veronica relationship, as we learn how Archie read about the blue-blooded Park Avenue debutante-to-be and wrote to invite her to his prom in Riverdale (a more mundane account of their first meeting in Pep Comics #26 was thankfully forgotten from this point forward). This book also has the very first appearance of Mrs. Andrews, Archie's mother. And of course, it's the first issue of a series that's still in publication today, at issue #588 and counting. The clean front cover with no dust shadows or staining means that this copy presents very well. CGC notes, "Cover detached." Overstreet 2008 VG 4.0 value = $3,600. CGC census 9/08: 3 in 4.0, 4 higher.
Batman #1 (DC, 1940) CGC GD/VG 3.0 Off-white pages. It ranks as Overstreet's sixth most valuable comic book issue, and the demand just keeps going up. Bob Kane and Jerry Robinson teamed up for the famous cover, and the same duo provided interior art for this issue, which has the first appearance of the Joker and the Cat (later known as Catwoman). Here's your chance to grab a seldom-seen unrestored copy. Overstreet 2008 GD 2.0 value = $8,200; VG 4.0 value = $16,400. CGC census 9/08: 4 in 3.0, 30 higher.
Batman #1 (DC, 1940) CGC Apparent VG/FN 5.0 Extensive (P) Cream to off-white pages. Currently #6 on Overstreet's list of the ten most valuable comic books, this issue has the first appearances of both the Joker and Catwoman! Bob Kane and Jerry Robinson are credited with the art for this now-famous cover. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2008 GD 2.0 value = $8,200; VG 4.0 value = $16,400.
Batman #19 (DC, 1943) CGC NM- 9.2 White pages. This is the nicest copy of this issue we've ever offered -- the unblemished black background is amazing! This issue's cover marks the first Batman art by Dick Sprang, one of the best ever to draw the Darknight Detective. Overstreet 2008 NM- 9.2 value = $2,950. CGC census 10/08: 2 in 9.2, none higher.
Batman #41 (DC, 1947) CGC NM 9.4 White pages. Jim Mooney provides the first science fiction cover for this series, featuring a truly frightening pair of green-skinned aliens attacking the Dynamic Duo. And if that wasn't enough, the Penguin also waddles in for an appearance inside. But wait, here's the real scoop -- this is one killer copy! The black background looks as fresh and problem-free as they come, and the spine is smooth as silk. Why can't they all be as nice as this? Overstreet 2008 NM- 9.2 value = $1,250. CGC census 9/08: 5 in 9.4, 2 higher.
Batman #62 (DC, 1950) Condition: VF/NM. Don't be fooled by its un-encapsulated state, this copy's one of the nicest you'll find of the 1950 issue. CGC could not encapsulate the beauty because of an overhang, but that just means you can -- carefully -- peek inside, marvel at the off-white pages, and find the origin of Catwoman, who also appears on the Win Mortimer cover. Mortimer, Bob Kane, and Dick Sprang did the interior art. Overstreet 2008 VF/NM 9.0 value = $1,394; NM- 9.2 value = $1,950.
Big 3 #1 (Fox, 1940) CGC VF+ 8.5 White pages. Fox books in high grade are not a common sight, and this copy's got a pedigree-type look about it! The Blue Beetle, Samson, and the Flame are the big three in question. As of this writing, only the Mile High copy has been graded higher. Overstreet 2008 VF 8.0 value = $1,381; VF/NM 9.0 value = $2,291. CGC census 10/08: 1 in 8.5, 1 higher.
Blonde Phantom #13 (Timely, 1947) CGC NM 9.4 Cream to off-white pages. The words "Timely" and "highest-graded" are so much fun to use in the same sentence! Inside this issue, Miss America adds to the pulchritude as star of a backup feature, and Timely VIP the Sub-Mariner gets a story as well. Overstreet 2008 NM- 9.2 value = $1,450. CGC census 10/08: 2 in 9.4, none higher.
Platinum Age (1897-1937)
Bob Scully, The Two-Fisted Hick Detective #nn (Humor Publishing Corp., 1933) Condition: FN+. Along with Detective Dan and Adventures of Ace King (both offered in this same auction), this is a comic that puts conventional wisdom to the lie! After all, 1933 is noted in comic history as the year of Famous Funnies and related giveaway reprint comics, yet this little-known publication was more in the spirit of Detective Comics and other, later titles. It had a single theme, and notably, had a 10-cent cover price. We don't recognize the character Bob Scully or the artist Howard Dell, nor have we ever seen another copy. It's got 36 pages including covers. The interior is black and white. This issue has no publisher or date noted inside. The inside covers are blank. Of the three 1933 books offered here, this one's in the best condition by far! Overstreet 2008 FN 6.0 value = $1,125; VF 8.0 value = $3,000.
Golden Age (1938-1955)
Boy Commandos #1 Vancouver pedigree (DC, 1942) CGC NM 9.4 White pages. One of Simon and Kirby's signature features gets its own title after appearances in Detective Comics and World's Finest Comics. Overstreet cites the front as a "classic WWII cover." The issue also has the origin of Liberty Belle and a Sandman and Newsboy Legion crossover. Only the Mile High copy has earned a grade this high; no other copy has been certified higher than VF+ 8.5 by CGC to date. Overstreet 2008 NM- 9.2 value = $8,800. CGC census 10/08: 2 in 9.4, none higher.
Boy Commandos #7 Big Apple pedigree (DC, 1944) CGC NM+ 9.6 Cream to off-white pages. Joe Simon and Jack Kirby provide this issue's cover with plenty of World War II-era thrills. Equally thrilling is the exceptional condition of this brightly-hued beauty. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 2 in 9.6, none higher.
Captain America Comics #76 (Atlas, 1954) CGC FN+ 6.5 Off-white pages. With the highest-graded copy on CGC's census checking in at just 7.5, this stands as one of the nicest copies around. The first issue of this series after a four-year hiatus has a great "commie-smashing" cover by an unknown artist, plus story art by John Romita Sr. Overstreet 2008 FN 6.0 value = $402; VF 8.0 value = $838. CGC census 9/08: 1 in 6.5, 3 higher.
Captain Marvel Adventures #3 (Fawcett, 1941) CGC FN/VF 7.0 Off-white to white pages. This is perhaps the best-remembered cover of the whole series thanks to the metallic silver lightning bolt. Yes, such gimmickry started way back in the Golden Age, and to great effect! C. C. Beck is the cover artist. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,881. CGC census 9/08: 3 in 7.0, 4 higher.
Captain Marvel Adventures #4 Crowley Copy pedigree (Fawcett, 1941) CGC NM- 9.2 Off-white pages. Hitler, the Three Lieutenant Marvels, and Sivana appear. C. C. Beck cover and George Tuska art. Overstreet 2008 NM- 9.2 value = $3,000. CGC census 9/08: 1 in 9.2, 2 higher.
Captain Marvel Adventures #5 Crowley Copy pedigree (Fawcett, 1941) CGC NM- 9.2 Cream to off-white pages. Sivana appearance. C. C. Beck cover. Overstreet 2008 NM- 9.2 value = $2,300. CGC census 9/08: 1 in 9.2, 1 higher.
Captain Marvel Adventures #7 Double Cover - Crowley Copy pedigree (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. C. C. Beck cover. CGC notes, "1st cover 8.5, interior cover 9.2." Overstreet 2008 NM- 9.2 value = $1,750. CGC census 9/08: 1 in 9.2, 1 higher.
Captain Marvel Adventures #9 Crowley Copy pedigree (Fawcett, 1942) CGC NM- 9.2 Off-white pages. C. C. Beck cover and art. Second appearance of Ibac. Otto Binder writes his first Captain Marvel script. Overstreet 2008 NM- 9.2 value = $1,750. CGC census 9/08: 1 in 9.2, 2 higher.
Captain Midnight #2 Crowley Copy pedigree - File Copy (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. The cover touts that "Captain Midnight smashes the Jap Juggernaut." Overstreet 2008 NM- 9.2 value = $2,000. CGC census 9/08: 1 in 9.2, 1 higher.
Casper the Friendly Ghost #1 (St. John, 1949) CGC VF+ 8.5 Off-white to white pages. This is the first comic book appearance of Casper! The character started out in this St. John book before many decades at Harvey. What's more, this was the first time the character was called Casper in any medium (he was a nameless "Friendly Ghost" in his early cartoon appearances). And if even that's not enough historical significance for you, this issue has Baby Huey's first appearance and origin as well. Wait, we're not even done yet: there's also the first appearance of Herman the Mouse (of later Herman and Katnip fame). Overstreet 2008 VF 8.0 value = $1,506; VF/NM 9.0 value = $2,503. CGC census 9/08: 2 in 8.5, none higher.
Classic Comics #9 Les Miserables - Original Edition (Gilberton, 1943) CGC VF/NM 9.0 Cream to off-white pages. This is the "slick paper cover" version of the first printing (Overstreet calls it edition 1A). Give it your best bid, and to the victor (Hu)go the spoils! Overstreet 2008 VF/NM 9.0 value = $966; NM- 9.2 value = $1,350. CGC census 9/08: 2 in 9.0, none higher.
Comedy Comics #10 (Timely, 1942) CGC VF/NM 9.0 Off-white to white pages. Overstreet rates this issue "scarce", and we've offered a copy on only one other occasion. This is also the finest copy CGC has certified to date. The origin and first appearance of the Fourth Musketeer is featured and Fiction House artist Lily Renee provided some interior art. Overstreet 2008 VF/NM 9.0 value = $2,365; NM- 9.2 value = $3,300. CGC census 10/08: 1 in 9.0, none higher.
Crackajack Funnies #1 File Copy (Dell, 1938) CGC NM- 9.2 Off-white pages. Sparkling file copy of the premiere issue of one of Dell's oldest titles. Featured strip reprints included Dan Dunn, Myra North, Don Winslow, Tom Mix, Buck Jones, Major Hoople, and a slew of others. Overstreet 2008 NM- 9.2 value = $3,400. CGC census 9/08: 1 in 9.2, 2 higher.
Crackajack Funnies #2 File Copy (Dell, 1938) CGC NM- 9.2 Off-white pages. One of only two copies of the early Dell to be certified by CGC to date, and the only copy to be certified nicer than GD- 1.8! Overstreet 2008 NM- 9.2 value = $1,300. CGC census 9/08: 1 in 9.2, none higher.
Crackajack Funnies #9 File Copy (Dell, 1939) CGC VF/NM 9.0 Off-white pages. The first cover and comic book appearances of Red Ryder by Fred Harman make this the most valuable in the entire run, except for issue #1, and you can bet this one's in greater demand among collectors than even the premiere issue. Overstreet 2008 VF/NM 9.0 value = $1,932; NM- 9.2 value = $2,700. CGC census 9/08: 1 in 9.0, 1 higher.
Crime Patrol #15 Davis Crippen ("D" Copy) pedigree (EC, 1950) CGC VF/NM 9.0 Off-white pages. The first appearance of the Crypt Keeper (and his Crypt of Terror) makes this one of the most important EC comics. Al Feldstein drew the GhouLunatic's very first tale. This issue was used by the comic-condemning New York Legislative Commission. Johnny Craig drew the cover as well as a true-crime story. Overstreet 2008 VF/NM 9.0 value = $3,236; NM- 9.2 value = $4,400. CGC census 9/08: 1 in 9.0, 11 higher.
Crypt of Terror #18 Gaines File pedigree 6/10 (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. Near-flawless file copy of this important second issue. While a few other publishers had previously done horror-related comics, Gaines' "New Trend" titles were a real cut above. Johnny Craig provided the "morgue" cover; Craig, Al Feldstein, Wally Wood, and Harvey Kurtzman all contributed story art. This was the first EC horror story for both Wood and Kurtzman. Overstreet 2008 NM- 9.2 value = $2,750. CGC census 10/08: 4 in 9.8, none higher.
Crypt of Terror #19 Gaines File pedigree 7/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Here's a spectacular copy of the last issue before the name change to Tales From The Crypt. Johnny Craig gives us a great zombie cover; Craig, Al Feldstein, and Graham Ingels provide the artistic chills inside. Overstreet 2008 NM- 9.2 value = $2,750. CGC census 10/08: 7 in 9.6, 2 higher.
Cyclone Comics #3 Larson pedigree (Bilbara, 1940) CGC NM- 9.2 Off-white pages. Overstreet considers this book with a "classic" cover to be scarce. Overstreet 2008 NM- 9.2 value = $1,500. CGC census 10/08: 1 in 9.2, 1 higher.
Danger Trail #1 (DC, 1950) CGC VF+ 8.5 Off-white pages. First appearance of King Faraday, who later starred in the "I -- Spy!" issues of Showcase. Carmine Infantino and Joe Giella cover. Infantino, Alex Toth, and Frank Giacoia art. Overstreet 2008 VF 8.0 value = $775; VF/NM 9.0 value = $1,288. CGC census 9/08: 2 in 8.5, 1 higher.
Platinum Age (1897-1937)
Detective Comics #8 (DC, 1937) CGC VF/NM 9.0 Cream to off-white pages. We hadn't seen this book in a grade even close to this before, and not many people have -- it's the only copy graded above 8.0 by CGC to date. This is one of the first 250 or so comic books ever published, and it pre-dates the likes of Action #1. The classic cover art is credited to Creig Flessel (if the art looks familiar, it's probably because it was appropriated for the oddball Atomic Comics some eight years later). Only the very patient can collect pre-hero Detectives, and we don't think a copy to equal this one has ever been offered for public sale. Overstreet 2008 VF/NM 9.0 value = $8,385; NM- 9.2 value = $10,800. CGC census 9/08: 1 in 9.0, none higher.
Golden Age (1938-1955)
Detective Comics #27 (DC, 1939) CGC Apparent VF+ 8.5 Extensive (P) Off-white pages. This bears the highest numerical grade of any copy of this key that we've ever offered! And the eye appeal of this professionally restored specimen would be tough to beat. This is the first appearance of Batman in case you didn't know, a comic second only to Action Comics #1 in value, and the only serious candidate to perhaps surpass it for the top spot one day. It's a comic you can show off to even your non comic-loving friends -- with this year's Batman movie smashing box office records, the character could be said to be more popular than ever!
And of course it will make any collector's jaw drop as well, as the sterling colors make it so easy to pretend you're a kid spotting this one on the stands back in '39.
CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2008 GD 2.0 value = $35,000; VG 4.0 value = $70,000; FN 6.0 value = $105,000; VF 8.0 value = $225,000.
And of course it will make any collector's jaw drop as well, as the sterling colors make it so easy to pretend you're a kid spotting this one on the stands back in '39.
CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2008 GD 2.0 value = $35,000; VG 4.0 value = $70,000; FN 6.0 value = $105,000; VF 8.0 value = $225,000.
Detective Comics #49 (DC, 1941) CGC VF- 7.5 White pages. Clayface made his last Golden Age appearance here, in an issue that also marks the end of Bruce Wayne's engagement to Julie Madison. Bob Kane and Jerry Robinson saw to both the cover and the interior art. Overstreet 2008 VF 8.0 value = $1,681. CGC census 9/08: 2 in 7.5, 2 higher.
Detective Comics #58 (DC, 1941) CGC VF 8.0 Off-white to white pages. The first appearance of the Penguin, one of the few comic book villains who's truly a household name to the general public. Fred Ray is the cover artist. You'll like the deep colors on this high-grade copy. Overstreet 2008 VF 8.0 value = $3,080. CGC census 9/08: 1 in 8.0, 4 higher.
Detective Comics #59 (DC, 1942) CGC VF/NM 9.0 Off-white pages. The second Penguin issue in a row was just his second appearance overall! And this is the nicest copy of this issue we've ever seen. Bob Kane and Jerry Robinson drew the issue's cover in addition to providing the art on the Batman story. Also in this issue, Crimson Avenger's pal Wing becomes a costumed sidekick for the first time -- more of him would be seen in the concurrently published Leading Comics #1. Overstreet 2008 VF/NM 9.0 value = $1,932; NM- 9.2 value = $2,700. CGC census 9/08: 2 in 9.0, 1 higher.
Detective Comics #64 (DC, 1942) CGC VF 8.0 Off-white pages. Simon and Kirby's Boy Commandos made their first appearance in this issue! Inspired by the British commandos who were drawing press attention at the time, S & K (whose first DC work appeared just three months earlier) created this international group, with each kid coming from a different Allied nation. The group would soon get their own quarterly title within months (while continuing to appear in Detective). The lead feature in the issue was of course Batman, who battles the Joker. The issue's cover is by Jerry Robinson. The blacks on the cover are deep and solid, no wonder this is the top copy on CGC's census. Overstreet 2008 VF 8.0 value = $2,483. CGC census 9/08: 1 in 8.0, none higher.
Detective Comics #77 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Bob Kane and George Roussos cover. The great Simon and Kirby team added a Boy Commandos backup feature. Overstreet 2008 VF 8.0 value = $838; VF/NM 9.0 value = $1,394. CGC census 9/08: 1 in 8.5, 2 higher.
Detective Comics #80 Double Cover (DC, 1943) CGC NM+ 9.6 Off-white to white pages. Two-Face makes a cover appearance with this issue, which features a Bob Kane and Jerry Robinson cover, and Kane, Robinson, Joe Simon, and Jack Kirby art. CGC notes, "1st cover 9.0, interior cover 9.6." Overstreet 2008 NM- 9.2 value = $1,950. CGC census 10/08: 1 in 9.6, none higher.
Detective Comics #95 (DC, 1945) CGC VF/NM 9.0 Off-white to white pages. Batman drawn by Dick Sprang and the Boy Commandos drawn by Jack Kirby were quite a one-two punch for just one thin dime! Air Wave and Slam Bradley also appear. The issue's cover is by Bob Kane and George Roussos. Overstreet 2008 VF/NM 9.0 value = $822; NM- 9.2 value = $1,150. CGC census 9/08: 3 in 9.0, 3 higher.
Detective Comics #112 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. In this issue's baffler, 99 dollars are missing from a store's cash register, so how come "no crime has been committed?" We're loath to give too much away, but we will say that it would be a crime to pass up this original-owner copy. The issue's cover and Batman story are by Win Mortimer; there's also a Boy Commandos story by Curt Swan. Overstreet 2008 VF/NM 9.0 value = $750; NM- 9.2 value = $1,050. CGC census 9/08: 3 in 9.0, 3 higher.
Detective Comics #154 (DC, 1949) CGC VF/NM 9.0 White pages. This is a very clean, beautiful copy with no dust shadows or staining of any kind. It's the best copy we've ever offered. Jim Mooney is the cover artist. Batman and Pow-Wow Smith are the featured characters. We're intrigued by the neatly penciled words "effects" and "dame" on the cover... it just so happens we like effects and dames! Overstreet 2008 VF/NM 9.0 value = $663; NM- 9.2 value = $925. CGC census 9/08: 1 in 9.0, none higher.
Detective Comics #156 (DC, 1950) CGC VF+ 8.5 White pages. This is the only copy graded above 6.5 by CGC to date, and just the third time we've offered this issue in any grade! This fantastic cover marks the debut of the new Batmobile, the first major revamp in almost a decade. It's the first time the car got the now-famous plastic-bubble top, and the start of a new streamlined look -- compare with the cover of Batman #20 for example. Dick Sprang is the cover artist. Surprisingly few covers featured the Batmobile prominently, and you couldn't ask for (and probably wouldn't get) a better copy than this one. Overstreet 2008 VF 8.0 value = $563; VF/NM 9.0 value = $932. CGC census 9/08: 1 in 8.5, none higher.
Detective Comics #180 (DC, 1952) CGC NM- 9.2 Off-white pages. A Joker cover by Win Mortimer led into a tale about the villainous one retiring from a life of crime... temporarily, natch. The best copy we've ever offered. Overstreet 2008 NM- 9.2 value = $925. CGC census 9/08: 1 in 9.2, none higher.
Detective Comics #185 (DC, 1952) CGC NM- 9.2 Off-white pages. This is the first time we'd seen this one in high grade! The gadget-type covers are some of the best, and alas, we couldn't take this out of the slab to read the "Secrets of Batman's Utility Belt." Win Mortimer is credited with the cover art. Overstreet 2008 NM- 9.2 value = $775. CGC census 9/08: 1 in 9.2, 1 higher.
Detective Comics #225 (DC, 1955) CGC NM- 9.2 Off-white pages. By far the nicest copy of this key issue on CGC's census (at this writing, the only one graded above VF 8.0)! We'd never seen this book with such bright colors before, either, and that's what sets this far apart from the many above-average copies in the FN/VF range that have come onto the market.
The first Silver Age comic book in the opinion of many, this is the origin and first appearance of the Manhunter from Mars (later better known as the Martian Manhunter), and therefore the first significant introduction of a new superhero in the 1950s. The character (aka J'onn J'onzz) has remained popular through the ensuing years; in fact, you can still see him on the Cartoon Network today! Not only did Mr. J'onzz not appear on this cover, he didn't appear on any comic book cover until Brave and the Bold #28, five years later. Detective being Batman's book, cover billing naturally went to the Caped Crusader, drawn by Win Mortimer.
Quite simply a memorable copy, and one of the best DC offerings in this auction. Overstreet 2008 NM- 9.2 value = $9,300. CGC census 9/08: 1 in 9.2, none higher.
The first Silver Age comic book in the opinion of many, this is the origin and first appearance of the Manhunter from Mars (later better known as the Martian Manhunter), and therefore the first significant introduction of a new superhero in the 1950s. The character (aka J'onn J'onzz) has remained popular through the ensuing years; in fact, you can still see him on the Cartoon Network today! Not only did Mr. J'onzz not appear on this cover, he didn't appear on any comic book cover until Brave and the Bold #28, five years later. Detective being Batman's book, cover billing naturally went to the Caped Crusader, drawn by Win Mortimer.
Quite simply a memorable copy, and one of the best DC offerings in this auction. Overstreet 2008 NM- 9.2 value = $9,300. CGC census 9/08: 1 in 9.2, none higher.
Platinum Age (1897-1937)
Detective Dan, Secret Op. 48 #nn (Norman W. Marsh, 1933) Condition: GD-. The first comic with original material? By general consensus it was New Fun Comics (1935), but the discovery of Detective Dan in the mid-1990s muddied the waters quite a bit. Indeed, it came to light that as early as 1942, an article in the New York World-Telegram acknowledged Detective Dan as a seminal publication in the development of comic books.
The first comic sold for 10 cents? We would say Famous Funnies (Series 1) #1 (1934), but here again, Detective Dan throws its fedora into the ring!
In 1996, Comic Book Marketplace pictured a Detective Dan, describing it as the only known copy. While this is not that copy, it is certainly the only one we have ever seen. Inside are the black-and-white adventures of a detective who later turned into Dan Dunn (see the pulp by that name). This at a time when single-theme comics were basically unheard-of! Overstreet says the title inspired Detective Comics and asserts that the Wu Fang character who appears on the inside back cover (a preview of a second issue that never came) inspired the cover of #1 of the later series.
The book measures 9 3/4" by 13". It has 36 pages including covers. A text feature covers the last seven pages. This copy is complete. This copy's cover is detached, as are the four center wraps. It has a spine split in the middle, 1/3 of the total length. As noted above, it's unclear whether more than one other copy even survives, so this is a rare chance to acquire one. Overstreet 2008 GD 2.0 value = $1,600.
The first comic sold for 10 cents? We would say Famous Funnies (Series 1) #1 (1934), but here again, Detective Dan throws its fedora into the ring!
In 1996, Comic Book Marketplace pictured a Detective Dan, describing it as the only known copy. While this is not that copy, it is certainly the only one we have ever seen. Inside are the black-and-white adventures of a detective who later turned into Dan Dunn (see the pulp by that name). This at a time when single-theme comics were basically unheard-of! Overstreet says the title inspired Detective Comics and asserts that the Wu Fang character who appears on the inside back cover (a preview of a second issue that never came) inspired the cover of #1 of the later series.
The book measures 9 3/4" by 13". It has 36 pages including covers. A text feature covers the last seven pages. This copy is complete. This copy's cover is detached, as are the four center wraps. It has a spine split in the middle, 1/3 of the total length. As noted above, it's unclear whether more than one other copy even survives, so this is a rare chance to acquire one. Overstreet 2008 GD 2.0 value = $1,600.
Golden Age (1938-1955)
Donald and Mickey Merry Christmas 1948 (K.K. Publications, 1948) CGC NM- 9.2 Off-white pages. Of the seven editions published from 1943-49, just eight comics total have been certified 9.2 to date, with no 9.4 or above of any issue to date! A word to Carl Barks fans: the "Duck Man" contributed an eight-pager here. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 10/08: 2 in 9.2, none higher.
Donald Duck's Atom Bomb Cheerios Premium (Cheerios, 1947) Condition: VF+. One of the most treasured Disney Premiums, due in part to the Carl Barks story and art, and also due to the fact that, for years, Disney would not allow this story to be reprinted. In more recent years, it was reprinted in a revised form. This copy looks absolutely stunning; there's a 1/8" tear on the front cover, upper edge; otherwise, this one would qualify for NM status. Overstreet 2008 VF 8.0 value = $550; VF/NM 9.0 value = $913.
Famous Funnies #209 Signature Series (Eastern Color, 1953) CGC FN 6.0 Cream to off-white pages. Frank Frazetta signed this one on the cover and CGC was there to witness it! With all due respect to comic creators who thrill their fans by being accessible, the fact that Frazetta's public appearances are few gives him a certain added mystique. Plus, how did this book's owner get past all of the prostrating fanboys who must have been littering the floor all around the superstar artist? CGC notes, "Signed by Frank Frazetta on 5/10/08." Overstreet 2008 FN 6.0 value = $351. CGC census 9/08 (for Signature Series): 1 in 6.0, 1 higher; (for Universal grades) 3 in 6.0, 34 higher.
Platinum Age (1897-1937)
Famous Funnies: A Carnival of Comics #nn With Original Mailing Envelope (Eastern Color, 1933) CGC VF/NM 9.0 Off-white pages. Widely regarded as the second comic book ever published, this comic was marketed by M.C. Gaines to a host of retailers including Kinney Shoe Stores and Milk-O-Malt, all of whom used it as a promotional giveaway for their customers. Gaines was leading up to a key test for this new product: would anyone pay 10 cents for a comic book? This "carnival" contains reprints of strips starring Joe Palooka, Mutt and Jeff, Reg'lar Fellers, and other favorites. This historic item would be neat to have in any grade, and the fact that a VF/NM copy has survived is quite amazing -- no copy has been graded higher by CGC to date.
As for the envelope: collectors had long suspected that these early Famous Funnies were not only in-store items but also used as mail-away premiums. Yet this wasn't confirmed until 1995, when Mark Wilson's article in Comic Book Marketplace pictured a copy. This is only the second time we've seen one of these envelopes. Overstreet 2008 VF/NM 9.0 value = $8,900; NM- 9.2 value = $13,000. CGC census 10/08: 3 in 9.0, none higher.
As for the envelope: collectors had long suspected that these early Famous Funnies were not only in-store items but also used as mail-away premiums. Yet this wasn't confirmed until 1995, when Mark Wilson's article in Comic Book Marketplace pictured a copy. This is only the second time we've seen one of these envelopes. Overstreet 2008 VF/NM 9.0 value = $8,900; NM- 9.2 value = $13,000. CGC census 10/08: 3 in 9.0, none higher.
Golden Age (1938-1955)
Four Color (Series One) #1 Dick Tracy (Dell, 1939) CGC NM- 9.2 Cream to off-white pages. A Gerber "scarce," this is the first issue of one of comics' most enduring and collectable series, and certainly one of the most sought-after Dick Tracy books. Of course, the big story here is the condition of this clean, appealing copy. Overstreet 2008 NM- 9.2 value = $15,000. CGC census 9/08: 1 in 9.2, 1 higher.
Four Color (Series One) #13 Walt Disney's Reluctant Dragon (Dell, 1941) CGC NM 9.4 Off-white to white pages. Beautiful copy of the comic book adaptation of the 1941 film Walt Disney's Reluctant Dragon, plus a two-page introduction to Fantasia. Mickey Mouse, Donald Duck, and Goofy appearances. Overstreet 2008 NM- 9.2 value = $3,100. CGC census 9/08: 1 in 9.4, none higher.
Four Color (Series One) #16 Mickey Mouse (Dell, 1941) CGC NM- 9.2 Off-white to white pages. This is the first Mickey Mouse comic book, and if you doubted that a NM- copy even existed, we certainly couldn't blame you. The Overstreet Guide doesn't even list a value for grades above 8.0, and therefore it doesn't appear in the "top Golden Age books" list, but we doubt anyone would dispute this issue's status as one of the top 20-30 comics in the hobby.
When we were fortunate enough to come across the second highest-graded copy a while back, that 8.5 specimen hit $23,900 when the dust cleared. And if you've seen the fairly rough copies that usually come onto the market, the attractive edges and even blue background of this one will come as a revelation. The book features Floyd Gottfredson's "Mickey Mouse Outwits the Phantom Blot," which premiered in the funny papers.
This copy would have to rank among the best single copies of a Disney book from this era, ever offered, and as such we expect spirited bidding. Overstreet 2008 VF 8.0 value (highest value listed) = $14,500. CGC census 9/08: 1 in 9.2, none higher.
When we were fortunate enough to come across the second highest-graded copy a while back, that 8.5 specimen hit $23,900 when the dust cleared. And if you've seen the fairly rough copies that usually come onto the market, the attractive edges and even blue background of this one will come as a revelation. The book features Floyd Gottfredson's "Mickey Mouse Outwits the Phantom Blot," which premiered in the funny papers.
This copy would have to rank among the best single copies of a Disney book from this era, ever offered, and as such we expect spirited bidding. Overstreet 2008 VF 8.0 value (highest value listed) = $14,500. CGC census 9/08: 1 in 9.2, none higher.
Four Color (Series One) #16 Mickey Mouse (Dell, 1941) CGC VG- 3.5 Cream to off-white pages. This copy presents very nicely, especially as far as the front cover is concerned, so if you're looking for a solid copy of the first Mickey Mouse comic book and want to spend less than five figures this should fill the bill. Floyd Gottfredson art on the storyline "Mickey Mouse Outwits the Phantom Blot." Overstreet 2008 VG 4.0 value = $2,500. CGC census 9/08: 4 in 3.5, 18 higher.
Four Color #9 Donald Duck (Dell, 1942) CGC NM 9.4 Off-white pages. This is one unbelievable comic book! Or what would you call a Four Color #9 without a single spine stress? An absolutely beautiful copy that runs away with the title of "best we've offered" (and we've sold some VF+ books that were not chopped liver). The even blue and orange surfaces on the front cover are usually so prone to smudging, and we think any seasoned Disney collector will be stunned to see this one.
The issue features "Donald Duck finds Pirate Gold" by Carl Barks and Jack Hannah, and as such it's Barks' first Donald Duck comic. With this character, this artist, and this condition, demand for this lot will be very strong indeed. Overstreet 2008 NM- 9.2 value = $17,000. CGC census 9/08: 2 in 9.4, 1 higher.
The issue features "Donald Duck finds Pirate Gold" by Carl Barks and Jack Hannah, and as such it's Barks' first Donald Duck comic. With this character, this artist, and this condition, demand for this lot will be very strong indeed. Overstreet 2008 NM- 9.2 value = $17,000. CGC census 9/08: 2 in 9.4, 1 higher.
Four Color #27 Mickey Mouse (Dell, 1943) CGC VF/NM 9.0 Off-white to white pages. Walt Disney's Mickey Mouse and the The Seven-Colored Terror. Minnie and Mickey pin-ups. Overstreet 2008 VF/NM 9.0 value = $1,198; NM- 9.2 value = $1,750. CGC census 9/08: 1 in 9.0, 2 higher.
Four Color #29 Donald Duck (Dell, 1943) CGC VF/NM 9.0 Off-white to white pages. As the only copy graded above 8.0 by CGC to date, this is going to be a very hotly contested item.
This issue was drawn entirely by Carl Barks (unlike issue #9 where he shared the art with Jack Hannah), and the lead story "Donald Duck and the Mummy's Ring" is particularly memorable. As Thomas Andrae noted, this story "begins to show the antiquarianism and use of authentic locales... which distinguishes his work from that of other comic book artists." Ron Goulart called "Mummy's Ring" and similar stories "graphic novels filled with adventure, comedy, satire, and some of the best cartooning to be found in comics." The influence of Barks' adventure tales on the likes of George Lucas and Steven Spielberg, as well as a whole generation of comic book artists, is well-documented. Of course, the name of the "good artist" was not mentioned in the comic itself, nor known to any readers until many years later.
These were kids' comics, read many times and subject to wear and tear, and it's usually especially apparent at the mostly black outside edge and on the brown "floor." Also, the front-cover yellows and back-cover whites tend to be prone to smudging. Even a Dell file copy we'd encountered was just VG/FN, so it's truly amazing to see this book in this shape. As the auction results for top-grade copies of Four Color #386 have shown, Duck collectors bid very aggressively for the finest known specimens of Barks keys, something we suggest you keep in mind when this lot comes up. Overstreet 2008 VF/NM 9.0 value = $8,400; NM- 9.2 value = $12,000. CGC census 9/08: 1 in 9.0, none higher.
This issue was drawn entirely by Carl Barks (unlike issue #9 where he shared the art with Jack Hannah), and the lead story "Donald Duck and the Mummy's Ring" is particularly memorable. As Thomas Andrae noted, this story "begins to show the antiquarianism and use of authentic locales... which distinguishes his work from that of other comic book artists." Ron Goulart called "Mummy's Ring" and similar stories "graphic novels filled with adventure, comedy, satire, and some of the best cartooning to be found in comics." The influence of Barks' adventure tales on the likes of George Lucas and Steven Spielberg, as well as a whole generation of comic book artists, is well-documented. Of course, the name of the "good artist" was not mentioned in the comic itself, nor known to any readers until many years later.
These were kids' comics, read many times and subject to wear and tear, and it's usually especially apparent at the mostly black outside edge and on the brown "floor." Also, the front-cover yellows and back-cover whites tend to be prone to smudging. Even a Dell file copy we'd encountered was just VG/FN, so it's truly amazing to see this book in this shape. As the auction results for top-grade copies of Four Color #386 have shown, Duck collectors bid very aggressively for the finest known specimens of Barks keys, something we suggest you keep in mind when this lot comes up. Overstreet 2008 VF/NM 9.0 value = $8,400; NM- 9.2 value = $12,000. CGC census 9/08: 1 in 9.0, none higher.
Four Color #71 Walt Disney's Three Caballeros (Dell, 1945) CGC VF/NM 9.0 Light tan to off-white pages. Carl Barks is universally known as "the good duck artist" when comparing renditions of Donald Duck, but the great Walt Kelly was a pretty "good duck artist" himself, as this cover and interior artwork attested. Donald Duck, Jose Carioca, and Panchito appear in Three Caballeros. Overstreet 2008 VF/NM 9.0 value = $868; NM- 9.2 value = $1,425. CGC census 9/08: 3 in 9.0, 1 higher.
Four Color #92 Walt Disney's Pinocchio (Dell, 1946) CGC NM- 9.2 Cream to off-white pages. This is the only copy of the issue that CGC has certified with a grade higher than VF- 7.5 to date. Walt Kelly provided the cover and interior art for the issue, which features a Donald Duck appearance. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 10/08: 1 in 9.2, none higher.
Four Color #108 Donald Duck (Dell, 1946) CGC VF+ 8.5 Off-white pages. "The Terror of the River" is featured, with 52 glorious pages of Carl Barks art. Carl Von Buettner did the cover. CGC notes, "'Carl Barks' written on 1st page in pen." Overstreet 2008 VF 8.0 value = $1,216; VF/NM 9.0 value = $2,258. CGC census 10/08: 5 in 8.5, 10 higher.
Four Color #148 Albert the Alligator and Pogo Possum - Davis Crippen ("D" Copy) pedigree (Dell, 1947) CGC VF/NM 9.0 Off-white to white pages. This is just the second Four Color outing for Walt Kelly's swamp-dwelling duo, and we've got one of the higher-graded copies yet certified. Note that a small plastic stabilizing peg is loose inside the CGC holder, not affecting the comic itself or the integrity of the holder. Overstreet 2008 VF/NM 9.0 value = $622; NM- 9.2 value = $900. CGC census 10/08: 1 in 9.0, 1 higher.
Four Color #386 Uncle Scrooge (#1) (Dell, 1952) CGC VF+ 8.5 Off-white to white pages. Considered Uncle Scrooge #1, with the classic "Only A Poor Old Man" by Carl Barks, who provided the story, cover, and interior artwork. It was the first cover appearance of Uncle Scrooge. Overstreet 2008 VF 8.0 value = $1,292; VF/NM 9.0 value = $2,396. CGC census 10/08: 7 in 8.5, 16 higher.
Four Color #386 Uncle Scrooge (#1) (Dell, 1952) CGC VF 8.0 Off-white to white pages. Considered Uncle Scrooge #1, this Four Color issue marked the first time the "Uncle Scrooge" title appeared on a cover. The old codger had first appeared five years earlier in Four Color #178 which featured nephew Donald. Carl Barks created the cover for the issue, and provided the interior art for the story "Only A Poor Old Man". Overstreet 2008 VF 8.0 value = $1,292. CGC census 10/08: 7 in 8.0, 23 higher.
Funny Stuff #1 Carson City pedigree (DC, 1944) CGC NM 9.4 Off-white to white pages. Easily the highest-graded copy on CGC's census (the only one graded above 8.5). You just never see these "funny" DCs in this condition! Overstreet 2008 NM- 9.2 value = $1,275. CGC census 9/08: 1 in 9.4, none higher.
Gene Autry Comics #1 (Fawcett, 1942) CGC VF 8.0 Off-white pages. This is the most valuable Western comic book by a wide margin, and only the Mile High copy has been certified with a higher grade than this specimen here. Overstreet 2008 VF 8.0 value = $4,942. CGC census 9/08: 4 in 8.0, 1 higher.
Gene Autry Comics #1 Crowley Copy pedigree (Fawcett, 1942) CGC FN- 5.5 Off-white pages. Both Gerber and Overstreet call this book "rare" -- it's from the singing cowboy's brief Fawcett series that preceded his long run at Dell. Autry himself is pictured, guitar in hand, on the back cover photo. Overstreet 2008 FN 6.0 value = $2,118. CGC census 10/08: 2 in 5.5, 9 higher.
Green Lantern #1 (DC, 1941) CGC FN+ 6.5 Off-white pages. Currently #19 in Overstreet's ranking of top Golden Age books. After a year of starring in All-American Comics, Green Lantern became the fourth anthology character to get his own series, after Superman, Batman, and the Flash. Howard Purcell is the cover artist. The key point on this book is always: has the black cover survived without color breaks? The only ones seen here are very minimal. Overstreet 2008 FN 6.0 value = $9,000; VF 8.0 value = $22,000. CGC census 9/08: 4 in 6.5, 12 higher.
Green Lantern #4 San Francisco pedigree (DC, 1942) CGC VF/NM 9.0 White pages. Green Lantern and Doiby Dickles join the Army here. Irwin Hasen cover. Overstreet 2008 VF/NM 9.0 value = $4,500; NM- 9.2 value = $6,400. CGC census 10/08: 1 in 9.0, none higher.
Green Lantern #19 (DC, 1946) CGC NM- 9.2 Off-white pages. Just a few of the early issues of this title show up, and #19 in this grade is just plain scarce. Martin Nodell provided interior art. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 10/08: 1 in 9.2, 2 higher.
Green Lantern #23 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Beautiful copy is bested by only the Mile High copy in CGC's most recent census. Overstreet 2008 VF/NM 9.0 value = $1,194; NM- 9.2 value = $1,650. CGC census 10/08: 1 in 9.0, 1 higher.
Green Lantern #34 Davis Crippen ("D" Copy) pedigree (DC, 1948) CGC VF/NM 9.0 Off-white pages. Streak the Wonder Dog took over the book in this issue, getting his own solo feature for this time and even crowding Green Lantern off of the cover! Alex Toth provided the art for the feature. Overstreet 2008 VF/NM 9.0 value = $1,072; NM- 9.2 value = $1,500. CGC census 10/08: 1 in 9.0, 2 higher.
Haunt of Fear #17 Gaines File pedigree 6/12 (EC, 1953) CGC NM+ 9.6 White pages. It's EC at its pre-Code best. Graham Ingels contributed arguably his best ever cover, an astounding study in color and scheme, and especially of effect. So gross, we can't turn away! Between the issues #11 and 17, Ingels managed to get four of his covers cited as "classic" by Overstreet. And the Gaines File copy brings it to you in such real life detail, you're glad it's not scratch 'n sniff! The interior art's by Ingels, George Evans, Jack Kamen, and Jack Davis. Overstreet 2008 NM- 9.2 value = $600. CGC census 9/08: 5 in 9.6, 1 higher.
Hit Comics #6 Lost Valley pedigree (Quality, 1940) CGC VF- 7.5 Cream to off-white pages. An issue we've seldom seen in any grade, this is one we want to see more of thanks to the cover by the great Lou Fine. Overstreet 2008 VF 8.0 value = $1,206. CGC census 10/08: 2 in 7.5, 1 higher.
Jumbo Comics #1 (Fiction House, 1938) Condition: Apparent VF Moderate (P). The title says it all - the first eight issues were 10.75" x 14.5" super-sized! Overstreet and Gerber concur that the issue is "rare," and Overstreet doesn't even list values for grades above VF 8.0. The issue's so big it can't be slabbed, therefore CGC has no census data for the issue, but this must be one of the best-looking copies in existence. Highlights included the first appearance of Sheena by Mort Meskin, the first appearance of Peter Pupp by Bob Kane, a Mickey Mouse page with a bio of Walt Disney, the first comic book art by Jack Kirby, and Hawks of the Sea by Will Eisner. Restoration includes spine reinforcement, color touch, pieces added, and tear seals. Overstreet 2008 GD 2.0 value = $2,150; VG 4.0 value = $4,300; FN 6.0 value = $6,450; VF 8.0 value = $21,500.
Jumbo Comics #20 (Fiction House, 1940) CGC VF/NM 9.0 Off-white pages. This pretty copy of Jumbo must be a tough one to find -- it's by far the better of only two copies currently certified by CGC. Spear-chucking Sheena, Jungle Queen, is the star, and noted artist Bob Powell works his magic inside. Overstreet 2008 VF/NM 9.0 value = $860; NM- 9.2 value = $1,200. CGC census 10/08: 1 in 9.0, none higher.
Junior #14 (Fox Features Syndicate, 1948) CGC VF+ 8.5 Off-white to white pages. Oh, those Al Feldstein Good Girl covers -- he sure knew how to handle those strategically-placed shadows! As Fox comics from the post-war era go, this one looks great, even on the third-rate paper stock used. Overstreet 2008 VF 8.0 value = $625; VF/NM 9.0 value = $1,038. CGC census 10/08: 4 in 8.5, 2 higher.
Lash LaRue Western #1 (Fawcett, 1949) CGC NM 9.4 Off-white pages. Lash and his horse, Black Diamond, begin a run that would last for almost five years. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 9/08: 3 in 9.4, none higher.
Leading Comics #8 Double Cover (DC, 1943) CGC VF+ 8.5 Off-white pages. The Seven Soldiers of Victory face the Dummy in this issue. Joe Kubert is listed as one of the artists. Overstreet notes, "1st cover 8.0, interior 9.6." Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 10/08: 1 in 8.5, 2 higher.
Looney Tunes and Merrie Melodies Comics #11 File Copy (Dell, 1942) CGC NM 9.4 Cream to off-white pages. So lovely. So Near Mint. So the finest copy known, this File Copy's hot! Leon Schlesinger cover and art. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 10/08: 1 in 9.4, none higher.
Mad #1 Gaines File pedigree (EC, 1952) CGC NM/MT 9.8 White pages. The pop-culture significance of Mad is well documented elsewhere in this catalog, and there's no more cherished prize than a near-perfect copy of #1. This copy is far nicer than any you would have plucked right off the rack in 1952, selected right off the press and lovingly preserved by EC Managing Editor Bill Gaines. Note that while CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2008 NM- 9.2 value = $7,000. CGC census 9/08: 6 in 9.8, none higher.
Mad #2 Gaines File Copy 8/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. A razor-sharp file copy, featuring a Tarzan of the Apes parody. Dick Tracy cameo. Jack Davis cover. Davis, John Severin, Bill Elder, and Wally Wood art. Overstreet 2008 NM- 9.2 value = $1,850. CGC census 10/08: 4 in 9.6, 3 higher.
Mad #4 Gaines File pedigree 5/12 (EC, 1953) CGC NM/MT 9.8 Off-white to white pages. We'd like to see the one copy of #4 that CGC has graded higher because we can't imagine a nicer copy that this one. The issue is famous for its "reefer" story, "Flob Was a Slob" by Jack Davis, and also featured parody stories of Superman, Robin Hood, and Shadow. Harvey Kurtzman did the cover, with Davis, Wally Wood, John Severin, and Bill Elder providing interior art. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 10/08: 5 in 9.8, 1 higher.
Mad #5 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 White pages. Typically pristine copy from the Gaines Files. After #1, this is the most valuable issue of all, owing to low distribution. It seems that some folks took too seriously the "facts" presented in a biography of publisher William Gaines that was included in this issue, resulting in many copies being pulled from the newsstands. C'mon! Who'd actually believe anything presented in Mad? It was humor, people! And often in poor taste! The often underrated Bill Elder did the great cover and contributed interior art as did his more famous cohorts Wally Wood, John Severin, and Jack Davis. Overstreet 2008 NM- 9.2 value = $2,600. CGC census 10/08: 2 in 9.6, 1 higher.
Mad #6 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. "King Kong", "Tarzan", and "Casey at the Bat" parodies make this a memorable issue. Popeye makes a cameo appearance. Harvey Kurtzman did the "Kong" cover; Kurtzman, Wally Wood, John Severin, Bill Elder, and Jack Davis all contributed story art. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 10/08: 4 in 9.4, 1 higher.
Mad #13 Gaines File pedigree 8/12 (EC, 1954) CGC NM- 9.2 White pages. Harvey Kurtzman turns in yet another great cover, in an issue with Prince Valiant and Robinson Crusoe parodies. Wally Wood, Jack Davis, and Bill Elder art is featured inside. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 2 in 9.2, 3 higher.
Mad #15 Gaines File pedigree 4/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. And the wonderful Bill Gaines file copies keep on coming! This issue features art by Bill Elder, Harvey Kurtzman (a funny Pot Shot Pete reprint), Wally Wood, and Jack Davis. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 4 in 9.4, none higher.
Mad #17 Gaines File pedigree 8/12 (EC, 1954) CGC NM 9.4 Off-white pages. This typically silly "upside-down" issue had art by wackos Bill Elder, Jack Davis, Basil Wolverton, and Wally Wood. On a serious note, this Gaines File copy is sensational! Overstreet 2008 NM- 9.2 value = $685. CGC census 10/08: 2 in 9.4, 3 higher.
Mad #22 Gaines File Copy 8/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. The infamous "Special Art Issue," with all interior art by Bill Elder. Cover and interior photos by Harvey Kurtzman. Overstreet 2008 NM- 9.2 value = $685. CGC census 10/08: 5 in 9.4, 4 higher.
Magic Comics #1 (David McKay Publications, 1939) CGC FN/VF 7.0 Off-white to white pages. Blondie and Mandrake were inside this first issue, but lo and behold, cover billing went to Henry! This issue is rated "scarce" by Gerber. Overstreet 2008 FN 6.0 value = $1,041; VF 8.0 value = $1,943. CGC census 10/08: 2 in 7.0, 2 higher.
March of Comics #20 (K. K. Publications, Inc., 1948) CGC NM+ 9.6 Off-white pages. "Donald Duck in Darkest Africa" is one of the more controversial Donald Duck stories, and this Carl Barks tale was never reprinted in uncensored fashion (a panel showing cannibals with pointed teeth was taken out of all reprints). Walt Kelly is the cover artist. This file copy has no imprint on the back cover in the space where most circulated copies had the logo of a shoe store. Overstreet 2008 NM- 9.2 value = $5,400. CGC census 10/08: 4 in 9.6, none higher.
March of Comics #20 Donald Duck File Copy (K. K. Publications, Inc., 1948) CGC VF/NM 9.0 Off-white to white pages. Donald and the boys travel across the globe in search of a rare butterfly in this Carl Barks-written and drawn epic, "Darkest Africa." Walt Kelly provided the cover art. Other than a hand-written "file copy" notation in the upper right corner, this is an unmarked shoe store giveaway, and a comic long sought after by Duck fans. Overstreet 2008 VF/NM 9.0 value = $3,763; NM- 9.2 value = $5,400. CGC census 10/08: 3 in 9.0, 4 higher.
March of Comics #41 (K. K. Publications, Inc., 1949) CGC VF 8.0 Cream to off-white pages. Featuring the "Race to the South Seas" story, this is the third book of a trio of Donald Duck comics that were written and drawn by the "duck man" himself, Carl Barks. They were distributed through shoe stores across the country. Another great funny animal artist, Walt Kelly, contributed the piano gag cover. Unlike many copies, this one has no store imprint on the back. Overstreet 2008 VF 8.0 value = $2,048. CGC census 10/08: 5 in 8.0, 5 higher.
Marvel Mystery Comics #6 (Timely, 1940) CGC VG/FN 5.0 Cream to off-white pages. A sensational bondage cover by Timely master Alex Schomburg is the highlight of this issue, copies of which just don't turn up often in any condition. Bill Everett, Carl Burgos, and Paul Gustavson contributed interior art. CGC notes, "Very minor amount of glue on spine of cover." Overstreet 2008 VG 4.0 value = $1,540; FN 6.0 value = $2,310. CGC census 9/08: 1 in 5.0, 5 higher.
Marvel Mystery Comics #7 (Timely, 1940) CGC VF 8.0 Off-white to white pages. We haven't seen a high-grade copy of this one come onto the market in quite some time. This is quite an early Timely, from the era when the company was only publishing this title, Daring Mystery, and Mystic. It's got one of Alex Schomburg's earlier covers, too, featuring that bane of Fredric Wertham's existence, the hypodermic needle. Overstreet 2008 VF 8.0 value = $5,390. CGC census 10/08: 3 in 8.0, 4 higher.
Marvel Mystery Comics #11 "D" Copy pedigree (Timely, 1940) CGC VF/NM 9.0 Cream to off-white pages. This issue's cover is credited to Alex Schomburg by Overstreet. Overstreet 2008 VF/NM 9.0 value = $4,080; NM- 9.2 value = $5,800. CGC census 10/08: 2 in 9.0, 1 higher.
Marvel Mystery Comics #14 (Timely, 1940) CGC VF/NM 9.0 Cream to off-white pages. This one's an eye-grabber, and only the Lamont Larson copy has been graded higher by CGC. Inside is the second appearance of the Vision by Joe Simon and Jack Kirby. Alex Schomburg cover. Overstreet 2008 VF/NM 9.0 value = $3,141; NM- 9.2 value = $4,400. CGC census 10/08: 2 in 9.0, 1 higher.
Marvel Mystery Comics #15 (Timely, 1941) CGC VF+ 8.5 Off-white pages. This inventive, out-of-the-ordinary cover is by Alex Schomburg. The Ratzis were building an underwater tunnel all the way to the USA... who knew? Striking copy of a book from a high-demand series. Overstreet 2008 VF 8.0 value = $1,788; VF/NM 9.0 value = $2,894. CGC census 10/08: 2 in 8.5, 3 higher.
Marvel Mystery Comics #16 (Timely, 1941) CGC NM 9.4 Off-white to white pages. We don't think a copy this nice has come up for public auction before -- this is certainly the nicest one we've seen. Alex Schomburg is the cover artist. Overstreet 2008 NM- 9.2 value = $4,400. CGC census 10/08: 2 in 9.4, none higher.
Marvel Mystery Comics #16 (Timely, 1941) CGC FN 6.0 Cream to off-white pages. You couldn't ask for a better array of characters and creators than this Golden Age Timely has to offer. A typically action-packed Schomburg cover starts things off in grand style, and inside these covers are all of the Timely big shots, most notably the Sub-Mariner by Bill Everett and the Vision by Jack Kirby (some sources call this a Simon and Kirby collaboration). CGC notes, "Very small amount of dried glue on cover." Overstreet 2008 FN 6.0 value = $858. CGC census 9/08: 4 in 6.0, 5 higher.
Marvel Mystery Comics #37 Pennsylvania pedigree (Timely, 1942) CGC NM 9.4 Off-white pages. Hitler himself co-stars on this classic cover by Syd Shores. This is the only copy graded above 9.0 by CGC to date. It's beautiful! Overstreet 2008 NM- 9.2 value = $3,200. CGC census 10/08: 1 in 9.4, none higher.
Marvel Mystery Comics #48 (Timely, 1943) CGC NM- 9.2 Off-white to white pages. A spine without a single color break... how do you like that? Alex Schomburg's cover came out pre D-Day, and what a stirring patriotic cover it is, for Americans and Brits alike! And what an amazing copy this is... we can see the Timely collectors circling like sharks already. Overstreet 2008 NM- 9.2 value = $2,600. CGC census 10/08: 2 in 9.2, none higher.
Marvel Mystery Comics #58 (Timely, 1944) CGC VF+ 8.5 Cream to off-white pages. Sporting one of Alex Schomburg's action-packed Japanese War covers, this stunner is currently the highest graded copy on the CGC census. Overstreet 2008 VF 8.0 value = $969; VF/NM 9.0 value = $1,610. CGC census 10/08: 1 in 8.5, none higher.
Marvel Mystery Comics #72 (Timely, 1946) CGC NM- 9.2 Cream to off-white pages. The Human Torch and Toro appear on the cover of this handsome specimen. Also contains stories featuring Sub-Mariner, Angel (with Carmine Infantino art), and Miss America. This is a high-grade copy that ranks high on CGC's census for this issue. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 10/08: 3 in 9.2, 4 higher.
Marvel Mystery Comics #92 (Timely, 1949) CGC FN+ 6.5 Cream to off-white pages. The last issue of the series, a "scarce" book according to Overstreet. Overstreet 2008 FN 6.0 value = $945; VF 8.0 value = $2,048. CGC census 8/08: 2 in 6.5, 8 higher.
Marvel Tales #104 (Atlas, 1951) CGC NM 9.4 Off-white pages. So rare to find copies of this early 1950s Atlas run that are this nice. Russ Heath did the skull cover, while Basil Wolverton and Bill Everett contributed interior art. Overstreet 2008 NM- 9.2 value = $1,200. CGC census 9/08: 1 in 9.4, none higher.
Mary Marvel Comics #1 (Fawcett, 1945) CGC VF+ 8.5 Off-white pages. Captain Marvel introduces his sister Mary to the readers on this cover. Not only does Mary get her own title, she also receives her own nemesis, Georgia Sivana (daughter of Dr. Sivana). This is an exceptional copy with great eye-appeal. CGC notes, "Very minor amount of color touch on cover." Overstreet 2008 VF 8.0 value = $1,381; VF/NM 9.0 value = $2,291. CGC census 10/08: 5 in 8.5, 7 higher.
Meet Corliss Archer #1 (Fox, 1948) CGC NM 9.4 Off-white to white pages. This comic, based on the radio series and movie (starring Shirley Temple) is a favorite with collectors, mainly due to the "headlight" cover by Al Feldstein, and its mention in Seduction of the Innocent. Feldstein also handled the story art. This choice copy is currently tied with one other as CGC's census champ. Overstreet 2008 NM- 9.2 value = $1,500. CGC census 10/08: 2 in 9.4, none higher.
Meet Corliss Archer #2 (Fox, 1948) CGC NM 9.4 White pages. Another great "good girl" cover from Al Feldstein, who also did the interior art. Used in Seduction of the Innocent. This beauty is currently the highest CGC-graded copy. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 1 in 9.4, none higher.
Meet Corliss Archer #3 (Fox, 1948) CGC NM- 9.2 Pink pages. "Aw, dad... I bet in 50 years this will be really conservative!" But at the time, the contents of all three issues of the series were risqué enough to be cited in Seduction of the Innocent. This highest-graded copy blows away CGC's second best by 9.2 to 5.0! Partial cover art by Al Feldstein. Overstreet 2008 NM- 9.2 value = $725. CGC census 10/08: 1 in 9.2, none higher.
Military Comics #1 Rockford pedigree (Quality, 1941) CGC VF/NM 9.0 Off-white to white pages. This important comic book has the origin and first appearance of Blackhawk, a character and team that became one of the longest-running series in comicdom. Will Eisner provided the cover for this premiere issue, with Jack Cole and Bob Powell contributing interior art. Overstreet 2008 VF/NM 9.0 value = $9,800; NM- 9.2 value = $14,000. CGC census 10/08: 1 in 9.0, 1 higher.
Military Comics #2 Larson pedigree (Quality, 1941) CGC VF/NM 9.0 Off-white to white pages. Three pedigree copies (the others being the Mile High and Rockford) tie as the highest-graded CGC-certified copies to date. Blackhawk gets a new costume in just his second appearance. The list of contributing artists for this issue is impressive -- Chuck Cuidera on the cover, with Will Eisner, Bob Powell, Jack Cole, and Fred Guardineer furnishing interior art. Overstreet 2008 VF/NM 9.0 value = $2,435; NM- 9.2 value = $3,400. CGC census 10/08: 3 in 9.0, none higher.
Military Comics #19 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. Only the Mile High Copy has earned a higher grade for this issue to date -- and not by much over this prize! The cover and interior feature the art of Reed Crandall, who many consider the finest of several noted artists to draw the legendary Blackhawk team. Overstreet 2008 NM- 9.2 value = $900. CGC census 10/08: 1 in 9.4, 1 higher.
Military Comics #21 Pennsylvania pedigree (Quality, 1943) CGC NM- 9.2 Off-white to white pages. The striking cover is by Alex Kotzky, and this pedigree copy really shows it off! An impressive lineup of Golden Age artists provided interior artwork: Reed Crandall, Fred Guardineer, and Gill Fox. And there's a Hitler appearance! Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 1 in 9.2, none higher.
Military Comics #22 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. This fantastic pedigreed copy is by far the finest known copy to date. Reed Crandall is the story artist on the cover-featured Blackhawk, his last for this title. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 1 in 9.4, none higher.
Military Comics #24 Pennsylvania pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. Only the San Francisco Copy of this issue has earned a higher grade from CGC to date. Alex Kotzky created the eyecatching cover, while Fred Guardineer and Al Stahl were among the interior artists for this issue. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 2 in 9.4, 1 higher.
Miss Fury #4 (Timely, 1944) CGC NM 9.4 Off-white to white pages. Just a beauty of a copy, and it's not even from one of the noted pedigrees! Tarpe Mills provided scripts and art for the issue. Note the picture of Hitler on the wall in the cover scene. Overstreet 2008 NM- 9.2 value = $1,750. CGC census 10/08: 2 in 9.4, none higher.
Miss Fury #6 (Timely, 1945) CGC NM 9.4 Off-white pages. No doubt many a young boy could hardly wait each month for this skin-tight clad heroine to leap into action. This issue's cover (credited to Alex Schomburg by Overstreet) did not disappoint! Of course, the 9.4 grade means that the paper dolls inside are intact. Tarpe Mills handled the interior art chores. Overstreet 2008 NM- 9.2 value = $1,350. CGC census 9/08: 1 in 9.4, 1 higher.
More Fun Comics #51 Rockford pedigree (DC, 1940) CGC VG+ 4.5 Cream to off-white pages. The census info below is no misprint -- only two unrestored copies have been graded higher! In addition to being from one of the toughest DC runs to put together and having a pretty striking Sheldon Moldoff cover (the artist's first comic cover by some accounts), this is notable for a "coming soon" vignette at the end showing the Spectre, who of course would debut for real in the next issue. Overstreet 2008 VG 4.0 value = $1,482. CGC census 9/08: 1 in 4.5, 2 higher.
More Fun Comics #52 (DC, 1940) CGC Apparent VF- 7.5 Extensive (P) Off-white pages. The first appearance of the Spectre is one of the ten most valuable comic books of all, and most surviving copies do seem to have some degree of restoration (CGC has issued more "restored" grades than universal grades to date). The Spectre story, which also has the character's origin, was drawn by Bernard Baily and written by Superman's co-creator Jerry Siegel. Further distinguishing this first issue is the fact that this was the only appearance of the blue-grey Spectre, who adapted his signature green and grey garb thereafter. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $6,000; VG 4.0 value = $12,000; FN 6.0 value = $18,000; VF 8.0 value = $45,000.
More Fun Comics #54 (DC, 1940) CGC VF+ 8.5 Off-white to white pages. One of the highest-graded copies of one of Overstreet's 100 most valuable Golden Age books! This classic cover is probably the most striking Spectre cover of the whole run, and it's one of the earliest appearances of the character, who debuted in #52. Gerber calls the book "scarce." Note how clean the yellow logo background is! A superb copy. Overstreet 2008 VF 8.0 value = $10,000. CGC census 9/08: 1 in 8.5, 3 higher.
Movie Comics #1 Carson City pedigree (DC, 1939) CGC NM+ 9.6 Off-white to white pages. Unique concept had stories told with movie stills, which in the premiere issue included Son of Frankenstein, Gunga Din, The Great Man Votes, and others. Harry Lampert interior art. This pedigree copy is the only one CGC has certified to date that managed a grade higher than VF/NM 9.0. Overstreet 2008 NM- 9.2 value = $5,700. CGC census 9/08: 1 in 9.6, none higher.
Mystery Men Comics #1 Carson City pedigree (Fox, 1939) CGC VF/NM 9.0 Off-white to white pages. Among Overstreet's Top 100 Golden Age books, this is one of the toughest to find, and this is the only copy graded above 6.5 by CGC to date (and one of just six unrestored copies the service has certified).
This would be a major key for the Blue Beetle's first appearance alone -- he became Fox's most popular character, and still appears in comics today under the DC banner. But the issue also has the debut of the Green Mask, who also soon got his own series. Not to forget Rex Dexter of Mars, who starred in a very collectable 1940 one-shot.
Confusingly enough, the blue-masked character on the cover is not the Blue Beetle but the Green Mask, who starred on most of the early covers (the Beetle only got a four-pager). The art on this memorable bondage cover is by the great and much-collected Lou Fine, with the interior art coming from his fellow Eisner-Iger studio hands.
This was just the second Fox comic series after Wonder Comics, the book that prompted a lawsuit by the publishers of Superman and was thus quickly renamed Wonderworld Comics. Here the fledgling publisher took no chances -- as Mike Benton noted, "To avoid another lawsuit, similarities to Superman were played down... the Blue Beetle didn't wear a costume in his first appearance." Moreover, as Robert Jennings noted, "The Green Mask wasn't much of a mystery man since he had no secret identity, no background, and no unusual powers. He did wear a pretty bizarre costume, but he relied more on a blazing automatic pistol than super strength to solve his problems."
You almost never see Fox books with colors that really pop -- even higher-grade copies often have a dull, "blah" look about them. So this copy was a real revelation, and we expect strong interest from Fox and Fine fans. Overstreet 2008 VF/NM 9.0 value = $12,250; NM- 9.2 value = $17,500. CGC census 9/08: 1 in 9.0, none higher.
This would be a major key for the Blue Beetle's first appearance alone -- he became Fox's most popular character, and still appears in comics today under the DC banner. But the issue also has the debut of the Green Mask, who also soon got his own series. Not to forget Rex Dexter of Mars, who starred in a very collectable 1940 one-shot.
Confusingly enough, the blue-masked character on the cover is not the Blue Beetle but the Green Mask, who starred on most of the early covers (the Beetle only got a four-pager). The art on this memorable bondage cover is by the great and much-collected Lou Fine, with the interior art coming from his fellow Eisner-Iger studio hands.
This was just the second Fox comic series after Wonder Comics, the book that prompted a lawsuit by the publishers of Superman and was thus quickly renamed Wonderworld Comics. Here the fledgling publisher took no chances -- as Mike Benton noted, "To avoid another lawsuit, similarities to Superman were played down... the Blue Beetle didn't wear a costume in his first appearance." Moreover, as Robert Jennings noted, "The Green Mask wasn't much of a mystery man since he had no secret identity, no background, and no unusual powers. He did wear a pretty bizarre costume, but he relied more on a blazing automatic pistol than super strength to solve his problems."
You almost never see Fox books with colors that really pop -- even higher-grade copies often have a dull, "blah" look about them. So this copy was a real revelation, and we expect strong interest from Fox and Fine fans. Overstreet 2008 VF/NM 9.0 value = $12,250; NM- 9.2 value = $17,500. CGC census 9/08: 1 in 9.0, none higher.
Namora #1 Vancouver pedigree (Timely, 1948) CGC NM/MT 9.8 White pages. The "Sea Beauty" is nicely showcased in this near-perfect pedigreed copy. There's a Sub-Mariner crossover inside. Ken Bald did the leggy cover, while Don Rico and Bill Everett contributed story art. Overstreet 2008 NM- 9.2 value = $3,900. CGC census 10/08: 1 in 9.8, none higher.
New Book of Comics #1 (DC, 1937) CGC NM 9.4 Off-white to white pages. A Near Mint copy of a comic book from 1937? Highly improbable, especially for an issue that both The Photo-Journal Guide to Comic Books and Overstreet agree is "rare." CGC hasn't certified another higher than VF 8.0 to date. Joe Shuster contributed art for this issue more than a year before Action Comics #1 would hit the newsstands. Overstreet 2008 NM- 9.2 value = $29,000. CGC census 10/08: 1 in 9.4, none higher.
New Funnies #76 (Dell, 1943) CGC NM 9.4 Off-white to white pages. Carl Barks and Jim Pabian art on the Andy Panda story. Andy Panda in a world of real people stories continue. Woody Woodpecker crossover in Oswald stories ends with this issue. Extremely nice copy of an essential Funny Animal comic. Overstreet 2008 NM- 9.2 value = $1,675. CGC census 10/08: 1 in 9.4, none higher.
New York World's Fair Comics 1940 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. This is the only copy of this valuable issue graded above 7.5 by CGC to date, and the issue may not exist in VF/NM or above. The book is ranked among the 100 most valuable Golden Age comic books. The issue's cover was the first time Superman, Batman, and Robin all appeared together in one scene, and according to cover artist Jack Burnley, it's the first time those characters were ever drawn by somebody other than their creators! It's also the first published comic book work by Burnley. In addition to Superman and Batman (appearing in separate stories), this issue featured the Sandman, Johnny Thunder, the Hourman, Slam Bradley, and more. Overstreet 2008 VF 8.0 value = $7,500; VF/NM 9.0 value = $16,800. CGC census 10/08: 1 in 8.5, none higher.
Our Fighting Forces #5 (DC, 1955) CGC NM 9.4 White pages. Just a marvelous copy of an early DC "Big Five Book" -- so hard to find 'em in high grades! The next highest-graded copy in CGC's census is a VF- 7.5. Jerry Grandenetti cover. Ross Andru and Irv Novick interior art. Overstreet 2008 NM- 9.2 value = $500. CGC census 10/08: 1 in 9.4, none higher.
Panic #6 Gaines File pedigree 1/7 (EC, 1955) CGC NM/MT 9.8 Off-white to white pages. With the success of Mad, the powers that be at EC decided to produce a sister title. The result was Panic. And just like its big brother, this title featured tremendous art and odd covers. This one, while simple, shows just how much latitude the staff was given and how daring they could be with the production of this title. This issue also features an hilarious Bill Elder spoof of the classic strip "The Phantom." Overstreet 2008 NM- 9.2 value = $175. CGC census 9/08: 2 in 9.8, none higher.
Pep Comics #1 Windy City pedigree (MLJ , 1940) CGC VF/NM 9.0 Off-white to white pages. MLJ had only been publishing comics for two months when it brought out this soon-to-be flagship book. The series became one of few to survive the post-Golden Age era, running for over 40 years as an Archie vehicle. The Shield, who first appeared right here, is the first patriotic comic book hero, pre-dated even Captain America! Jack Cole's Comet also makes his first appearance here. Irv Novick drew the robot cover. Overstreet 2008 VF/NM 9.0 value = $11,900; NM- 9.2 value = $17,000. CGC census 9/08: 2 in 9.0, none higher.
Pep Comics #1 (MLJ , 1940) CGC VG/FN 5.0 Off-white to white pages. This milestone issue hit the stands two months after MLJ's first comic (Blue Ribbon Comics #1), but it's much more sought-after and valuable because of the first appearances of superheroes the Shield and the Comet. Irv Novick did the cover and also contributed interior art, along with another Golden Age fave, Jack Cole. It's currently ranked in Overstreet's Top 100 Golden Age Books, and it's tough finding a nicer copy of the Gerber "uncommon" issue than this offering. Overstreet 2008 VG 4.0 value = $1,942; FN 6.0 value = $2,913. CGC census 9/07: 2 in 5.0, 7 higher.
Phantom Lady #17 (Fox Features Syndicate, 1948) CGC VG+ 4.5 Pink pages. The most smolderingly sexy cover ever to grace a comic book (art by Matt Baker) is the reason this book has gone on a notable streak: every single copy we've ever offered has sold for above Guide. So alas, there's not much chance you'll get this for $1,200. This copy presents quite well inside the slab, we won't quibble with the grade but think the eye appeal does transcend it. By the way, if you're wondering about CGC's "pink pages" notation, the comic was produced on pink paper stock by Fox. The issue was mentioned in the book Seduction of the Innocent, with author Fredric Wertham observing "Sexual stimulation by combining 'headlights' with the sadist's dream of tying up a woman." Overstreet 2008 VG 4.0 value = $1,200. CGC census 9/08: 3 in 4.5, 24 higher.
Picture Stories from the Bible Old Testament Issue #3 - Gaines File pedigree (DC, 1943) CGC NM/MT 9.8 Off-white to white pages. The unusual case of a Gaines File copy of a non-EC comic comes about because this was also an M.C. Gaines production, in fact the DC versions came before the EC ones. A beautiful copy as the grade might indicate! Note that while CGC has certified this as a Gaines File copy, no certificate accompanies this lot. Overstreet 2008 NM- 9.2 value = $290. CGC census 9/08: 2 in 9.8, none higher.
Picture Stories from the Bible Complete New Testament Edition - 40¢ Cover - Gaines File pedigree 5/12 (EC, 1945) CGC NM/MT 9.8 Off-white to white pages. It's the greatest story of all time, and this is copy's alone at the top of CGC's census. Overstreet 2008 NM- 9.2 value = $340. CGC census 9/08: 1 in 9.8, none higher.
Picture Stories from World History #2 Gaines File pedigree 3/11 (EC, 1947) CGC NM+ 9.6 Off-white pages. This is one of the last comics to appear in EC's Picture Stories series. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 4 in 9.6, none higher.
Piracy #3 Gaines File pedigree 6/12 (EC, 1955) CGC NM/MT 9.8 White pages. Reed Crandall cover art. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 2 in 9.8, none higher.
Plastic Man #nn (#1) (Quality, 1943) CGC VF+ 8.5 Off-white pages. This is one of the nicest copies of #1 we've ever offered! The character is a comic book classic, and the stories and art by Jack Cole still entertain today. This issue started off a thirteen-year run. Overstreet 2008 VF 8.0 value = $2,750; VF/NM 9.0 value = $4,875. CGC census 10/08: 2 in 8.5, 2 higher.
Police Comics #30 (Quality, 1944) CGC NM 9.4 Off-white to white pages. To date, only the Mile High copy of this issue has been graded higher than the original-owner copy we're offering here! Jack Cole's Plastic Man and Will Eisner's Spirit are the headliners. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 10/08: 1 in 9.4, 1 higher.
Police Comics #72 (Quality, 1947) CGC NM+ 9.6 Off-white to white pages. You would have thought that this copy came from a pedigree collection, with it's high grade and great page condition. Lou Fine art. The second highest graded copy, which happens to be the Crippen "D" copy, is only an 8.0. Overstreet 2008 NM- 9.2 value = $310. CGC census 10/08: 1 in 9.6, none higher.
Powerhouse Pepper Comics #4 Davis Crippen ("D" Copy) pedigree (Timely, 1948) CGC NM- 9.2 White pages. This is the only copy of this issue graded above 8.0 by CGC to date. Basil Wolverton handled the interior art on his creation, and guess who did the cover: it's another future Mad guy, Dave Berg! Overstreet 2008 NM- 9.2 value = $1,175. CGC census 10/08: 1 in 9.2, none higher.
Saddle Romances #9 (EC, 1949) CGC NM 9.4 Off-white pages. Not a book you see in high grade very much -- there are only two copies graded above 9.0, and note that there are no Gaines File copies of this pre-Trend issue. This is the first issue of the title, with numbering continued from Saddle Justice. "Romance cover by Graham Ingels" sounds like a joke, but it was indeed that future specialist in the macabre (who did draw quite a few Western books) drawing the love triangle here. Overstreet 2008 NM- 9.2 value = $610. CGC census 9/08: 2 in 9.4, none higher.
Science Comics #1 (Fox, 1940) CGC FN+ 6.5 Cream to off-white pages. Is this highest-graded copy also the best one in existence? Having sold the Mile High, which alas was a mere GD, we're not holding out much hope for a VF-or-better copy. "Sex and sadism and a superhero, rendered by the redoubtable Lou Fine," was how Comic Book Marketplace characterized this cover. 'Nuff said! Overstreet 2008 FN 6.0 value = $1,293; VF 8.0 value = $2,802. CGC census 10/08: 1 in 6.5, none higher.
Shock SuspenStories #3 Gaines File pedigree 5/12 (EC, 1952) CGC NM/MT 9.8 Off-white pages. This copy's choice condition is sure to grab you and not let you go, just like Wally Wood's cover. Jack Davis and Jack Kamen art is also featured inside. Overstreet 2008 NM- 9.2 value = $565. CGC census 10/08: 3 in 9.8, none higher.
Silver Streak Comics #5 (Lev Gleason, 1940) CGC VF/NM 9.0 Cream to off-white pages. This was the last issue to have neat-o metallic silver ink on the cover, though the name of the series remained the same. Please be sure to check out the back cover image (shown online at HA.com) for a wild "Claw Returns" illustration, complete with a lovely girl in bondage! Cover art by Jack Cole. Overstreet 2008 VF/NM 9.0 value = $2,003; NM- 9.2 value = $2,800. CGC census 9/08: 3 in 9.0, none higher.
Silver Streak Comics #6 (Lev Gleason, 1940) CGC VG+ 4.5 Cream to off-white pages. If you don't think this is cool, put down this catalog! It's the first appearance of the original Daredevil, with an unforgettable cover by Jack Cole featuring the Claw. A scarce book according to both Gerber and Overstreet. Overstreet 2008 VG 4.0 value = $2,500. CGC census 10/08: 2 in 4.5, 5 higher.
Silver Streak Comics #7 (Lev Gleason, 1941) CGC VG/FN 5.0 Off-white to white pages. Daredevil's second-ever appearance was his first cover, and he's on it twice! Two more firsts: the hero's costume is the familiar one (instead of the yellow and blue he wore in his first story), and Daredevil actually began speaking here (the original gimmick that he was mute was quickly abandoned). Though the hero hadn't been around long, the clever folks at Rhoda/Your Guide Publications (soon to become Lev Gleason) cannily billed this issue's Daredevil/Claw meeting as an epic event, and the Claw had earned that status as the company's top villain since issue #1. Jack Cole is the cover artist. Overstreet 2008 VG 4.0 value = $1,452; FN 6.0 value = $2,178. CGC census 10/08: 2 in 5.0, 11 higher.
Space Detective #2 (Avon, 1951) CGC NM- 9.2 Off-white pages. With a quintessential space cover by Wally Wood and Joe Orlando, this has the Avon "look" all the way! Gorgeous copy of an issue that also features Wood interior art. Overstreet 2008 NM- 9.2 value = $1,225. CGC census 9/08: 1 in 9.2, 1 higher.
Special Edition Comics #1 Captain Marvel (Fawcett, 1940) CGC VF+ 8.5 Cream to off-white pages. Significant as the first book devoted entirely to Captain Marvel and, to get even more specific, the only time he appeared with a belt buckle. C. C. Beck provided the cover and interior art. Overstreet 2008 VF 8.0 value = $5,200; VF/NM 9.0 value = $9,100. CGC census 9/08: 1 in 8.5, 5 higher.
The Spirit (weekly newspaper insert) Complete 1940 Group (Detroit News, 1940-41) Condition: Average FN. The first appearance of Will Eisner's Spirit was not in a comic book but in these weekly newspaper inserts. This group has the first 32 Spirit sections, from the first one dated 6/4/20 through 1/5/41. With Frank Miller's movie opening this Christmas, interest in the character and his first stories is bound to skyrocket. All sections included here are from the Detroit News. The first two sections are VG; the rest average FN. Overstreet 2008 value for group = $1,263.
Star Spangled Comics #2 (DC, 1941) CGC VF+ 8.5 Cream to off-white pages. The two known nicer copies edge this beauty by just 9.0 to 8.5. Overstreet 2008 VF 8.0 value = $1,013; VF/NM 9.0 value = $1,682. CGC census 9/08: 1 in 8.5, 2 higher.
Star Spangled Comics #11 Rockford pedigree (DC, 1942) CGC NM 9.4 Off-white pages. One of just three copies of this scarce issue to be certified by CGC to date, and the next highest-graded one is only VF+ 8.5. Other than the choice pedigreed grade, the main attraction is a Joe Simon and Jack Kirby cover and Newsboy Legion story. Overstreet 2008 NM- 9.2 value = $1,725. CGC census 9/08: 1 in 9.4, none higher.
Strange Adventures #1 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC NM- 9.2 Off-white pages. Like most of the Davis Crippen books, this one was apparently never read, accounting for this copy's condition, which has put it alone at the top of CGC's census as of this writing. This key first issue of the long-running series contains an adaptation of Destination Moon, with a preview of the movie. The distinctive grey tone/photo cover is one of the more memorable science-fiction covers in all of comics. Overstreet 2008 NM- 9.2 value = $5,400. CGC census 10/08: 1 in 9.2, none higher.
Strange Adventures #1 (DC, 1950) CGC VF/NM 9.0 White pages. This barely missed being the highest-graded copy (CGC's census is currently topped by a lone 9.2). In addition to being the first issue of DC's longest-running Science Fiction title, this one's known for the distinctive photo cover. Overstreet 2008 VF/NM 9.0 value = $3,685; NM- 9.2 value = $5,400. CGC census 9/08: 4 in 9.0, 1 higher.
Strange Adventures #1 (DC, 1950) CGC VF 8.0 Off-white to white pages. DC's longest-running sci-fi title's premiere issue featured an adaptation of Destination Moon with photo cover and the first Chris KL-99 story. Dick Sprang, Curt Swan, and Jim Mooney provided interior art. Overstreet 2008 VF 8.0 value = $1,969. CGC census 10/08: 5 in 8.0, 12 higher.
Strange Worlds #5 (Avon, 1951) CGC NM- 9.2 Off-white to white pages. Awesome! This Wally Wood cover has everything fans of that artist love. Buy it! Overstreet 2008 NM- 9.2 value = $985. CGC census 9/08: 2 in 9.2, none higher.
Sub-Mariner Comics #2 (Timely, 1941) CGC Apparent VF 8.0 Slight (P) Cream to off-white pages. Great cover action courtesy of the master, Alex Schomburg! CGC notes, "Restoration includes: small amount of color touch on cover, very small amount of glue on spine of cover." Overstreet 2008 GD 2.0 value = $543; VG 4.0 value = $1,086; FN 6.0 value = $1,629; VF 8.0 value = $3,800.
Sub-Mariner Comics #9 (Timely, 1943) CGC VF- 7.5 Off-white to white pages. This issue features a great American flag cover by one of the very best cover artists of the era, Alex Schomburg. It's a typically over-the-top cover with more WW II action going on than many comic books could muster within an entire issue! As a bonus treat, there's a three-page story inside by Basil Wolverton. Overstreet 2008 VF 8.0 value = $1,725. CGC census 9/08: 1 in 7.5, 5 higher.
Sub-Mariner Comics #10 (Timely, 1943) CGC VF- 7.5 Off-white pages. Cover artist Alex Schomburg was at the top of his form here! In addition to the Sub-Mariner's exploits, this issue has a rare cover appearance by the Angel, who also stars in his own 16-page adventure. Overstreet 2008 VF 8.0 value = $1,725. CGC census 9/08: 1 in 7.5, 7 higher.
Sunny #11 (Fox, 1947) CGC VF+ 8.5 Off-white to white pages. Only the Mile High copy has been graded higher than this nice one! And this issue seems to be one of the toughest to find of the "naughty" Al Feldstein Fox books. No sweater was unstretched in this comic, thanks to cover and interior art by Feldstein, under the pseudonyms "Bill Brown" and "Jed Duncan." Overstreet 2008 VF 8.0 value = $644; VF/NM 9.0 value = $1,072. CGC census 9/08: 1 in 8.5, 1 higher.
Superboy #1 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF 8.0 Off-white pages. The Lad of Steel had been appearing as a feature in More Fun Comics for four years before getting his own title. Nice bright cover colors, typical of the Crippen pedigree, abound on this copy. Wayne Boring did the cover, while John Sikela's and Ed Dobrotka's works are displayed on the interior. There's also a full page ad for Miss Beverly Hills of Hollywood #1 inside. Overstreet 2008 VF 8.0 value = $5,803. CGC census 10/08: 6 in 8.0, 5 higher.
Superboy #1 (DC, 1949) CGC FN+ 6.5 Off-white pages. A thirty-year run began here for this enduring series which remained in publication even through those difficult pre-Silver Age days when superheroes were largely out of fashion. The Boy of Steel's debut issue features a Wayne Boring cover, and you can see that the character was fairly new at the time, since the cover reminds youngsters that Superboy stories are actually the boyhood adventures of Superman. Overstreet 2008 FN 6.0 value = $2,487; VF 8.0 value = $5,803. CGC census 9/08: 4 in 6.5, 22 higher.
Superman #1 (DC, 1939) CGC FR 1.0 Light tan to off-white pages. If you thought you'd been priced out of the market on Superman #1, this may represent your chance to secure one. Note how few unrestored copies have been graded higher, despite the modest grade! This issue is currently ranked #4 on Overstreet's list of the most valuable Golden Age books, and it has been said that only Action Comics #1 is more significant. That's because Superman #1 represents the first time that a character created for comic books was given his own series, at a time when the medium featured anthology series, strip reprints, etc. This issue's cover by Joe Shuster is one of the most famous covers of the Golden Age, and by the way, the back cover pin-up is the first one in the history of comics. CGC notes, "Cover detached and completely split. Centerfold detached. Tears on centerfold." Overstreet 2008 GD 2.0 value = $21,000. CGC census 9/08: 2 in 1.0, 16 higher.
Superman #3 (DC, 1940) CGC Apparent VF+ 8.5 Moderate (P) Off-white page. Good-looking copy of an issue we have offered infrequently over the years. Two stories are reprinted from Action Comics #5 and 6. Of the professional restoration, CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $857; VG 4.0 value = $1,714; FN 6.0 value = $2,571; VF 8.0 value = $6,000.
Superman #4 (DC, 1940) CGC Apparent FN- 5.5 Slight (A) Off-white to white pages. This early issue had the second mention of The Daily Planet, plus the second and third appearances of a red-headed Lex Luthor. Co-creator Joe Shuster did the cover and also provided interior art, as did Sheldon Moldoff. CGC notes, "Restoration includes: small amount of color touch, piece re-attached with glue, spine splits sealed (right edge trimmed)." Overstreet 2008 GD 2.0 value = $629; VG 4.0 value = $1,258; FN 6.0 value = $1,887.
Superman #17 (DC, 1942) CGC Apparent VF/NM 9.0 Slight (P) Cream to off-white pages. Fred Ray simply didn't do enough covers for this title. His WWII piece featuring Hitler and Hirohito getting their comeuppance from Superman is priceless! This copy looks nicer than the finest unrestored copy to be certified by CGC to date -- a VF+ 8.5. The only "restoration" done for this one, as noted by CGC: "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,931; VF/NM 9.0 value = $3,366.
Superman #25 (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. Clark Kent joins the Army in this issue which has a Jack Burnley cover and interior art by Joe Shuster and Fred Ray (his only superhero story). Overstreet 2008 VF/NM 9.0 value = $1,575; NM- 9.2 value = $2,200. CGC census 10/08: 4 in 9.0, 2 higher.
Superman #27 Double Cover (DC, 1944) CGC VF 8.0 Cream to off-white pages. There are a few nicer copies out there, but this one has a double cover, about which CGC notes, "1st cover 5.0, interior cover 8.0." There's a Toyman appearance in this issue which has a Wayne Boring cover. Overstreet 2008 VF 8.0 value = $863. CGC census 9/08: 6 in 8.0, 9 higher.
Superman #30 (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. This special issue features the origin and first appearance of Mr. Mxyztplk (later known as Mr. Mxyzptlk) in comic books. Jack Burnley provided the cover illustration, which features both the Man of Steel and his civilian counterpart alongside Lois Lane. Ira Yarbrough, Ed Dobrotka, and Henry Boltinoff art is featured inside. Was it magic that preserved this pretty copy all these years? Overstreet 2008 VF/NM 9.0 value = $2,719; NM- 9.2 value = $3,800. CGC census 10/08: 2 in 9.0, 4 higher.
Superman #40 (DC, 1946) CGC VF/NM 9.0 White pages. Mr. Mxyztplk and Susie run circles around Supes on the Wayne Boring white cover which matches the awesome white pages inside. Ira Yarbrough contributed interior art. Overstreet 2008 VF/NM 9.0 value = $1,200; NM- 9.2 value = $1,675. CGC census 10/08: 2 in 9.0, 4 higher.
Superman (Miniature) #1B The Supershow of Metropolis (DC, 1955) CGC NM+ 9.6 Off-white to white pages. While we had seen the other miniatures a few times, this is the first time we've offered this one, and we've got the only copy graded above 8.5 by CGC to date. It's a promotional comic for Kellogg's Sugar Smacks. Note that this is the version with pages numbered 1-32 rather than 1B - 32B. Overstreet 2008 NM- 9.2 value = $400. CGC census 9/08: 1 in 9.6, none higher.
Tales From the Crypt #41 Gaines File pedigree 1/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. When these file copies were unwrapped by Robert Overstreet (under the supervision of Bill Gaines), he ranked them in order of best condition. According to the certificate, this beauty is copy #1. Jack Davis provided the cover. Davis, George Evans, Jack Kamen, and Graham Ingels art. Overstreet 2008 NM- 9.2 value = $680. CGC census 10/08: 4 in 9.4, none higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF+ 8.5 Cream to off-white pages. The square bound format of this book made it dicey to preserve in such nice condition as seen here. Each issue was comprised of four complete comic books, generally from 1952, that had not sold originally on the newsstand. Vault-Keeper, Crypt-Keeper, and Old Witch bondage/torture cover by Al Feldstein. Overstreet 2008 VF 8.0 value = $1,395; VF/NM 9.0 value = $2,048. CGC census 9/08: 3 in 8.5, 8 higher. From the Williamsport Collection.
Target Comics #2 (Novelty Press, 1940) CGC FN+ 6.5 White pages. Only the Mile High copy has been graded higher by CGC to date. The cover artist with the signature "Blake" is none other than Bill Everett. Overstreet 2008 FN 6.0 value = $756; VF 8.0 value = $1,575. CGC census 9/08: 1 in 6.5, 1 higher.
Tarzan #1 (Dell, 1948) CGC NM- 9.2 Off-white pages. Jesse Marsh cover and story art is featured in this, the first of a long-running series starring Edgar Rice Burroughs' jungle lord. Vivid cover colors make this copy a stand-out. Overstreet 2008 NM- 9.2 value = $2,200. CGC census 10/08: 1 in 9.2, 1 higher.
Terry-Toons Comics #41 Davis Crippen ("D" Copy) pedigree (Timely, 1946) CGC NM 9.4 Off-white pages. This is one of the earliest comic book appearances of Mighty Mouse, who first appeared in #38 of this series. The runner-up in CGC's census is far behind at VG+ 4.5. Overstreet 2008 NM- 9.2 value = $285. CGC census 9/08: 1 in 9.4, none higher.
Torchy #5 Davis Crippen ("D" Copy) pedigree (Quality, 1950) CGC VF+ 8.5 Cream to off-white pages. Bill Ward turns in an eye-popping portrait of his Torchy character on this issue's cover, and also handles story art inside. Overstreet 2008 VF 8.0 value = $625; VF/NM 9.0 value = $1,013. CGC census 10/08: 2 in 8.5, 4 higher.
Two-Fisted Tales #27 Gaines File pedigree 3/10 (EC, 1952) CGC NM/MT 9.8 Off-white pages. Harvey Kurtzman's Korean War cover is splashed with vivid color. Inside, Jack Davis, Wally Wood (who also gets a bio), John Severin, and Bill Elder handle story art. This gem of a pedigreed copy looks newsstand fresh, some fifty-five years later. Overstreet 2008 NM- 9.2 value = $325. CGC census 10/08: 5 in 9.8, none higher.
USA Comics #1 Rockford pedigree (Timely, 1941) CGC VF/NM 9.0 Off-white pages. This is one of Overstreet's 100 most valuable Golden Age books, and no copy has been graded higher! The book has the first appearance of the Whizzer, and while the other characters debuting here aren't memorable, the creators certainly are: Simon and Kirby drew the cover as well as one interior page, and Basil Wolverton drew the Rockman story. According to Joe Simon, Timely publisher Martin Goodman had some misgivings about the title, fearing objection on the part of the government. His lawyer convinced him that Timely would be in the clear if they took out the periods in U.S.A. Thus, this is the only cover on which the periods appear, with stars used thereafter. Overstreet 2008 VF/NM 9.0 value = $15,000; NM- 9.2 value = $22,000. CGC census 9/08: 3 in 9.0, none higher.
Walt Disney's Comics and Stories #1 (Dell, 1940) CGC NM 9.4 Off-white pages. Not only is this the only copy graded above VF+ 8.5 by CGC to date, it's one of only two graded above FN+ 6.5. Moreover, it's the only copy of any issue from #1-15 to be graded above 9.0! When you consider that even a strictly graded GD copy is worth a thousand dollars, gauging the possible auction result for this book becomes a difficult, though immensely enjoyable, exercise.
It warms the heart to find out that a copy this nice even exists, and we trust you'll scrutinize our scan to verify that this is a true Near Mint book.
This is the first issue of what Overstreet called "The definitive funny animal anthology comic after which all others were modeled." It is the first regularly published Disney comic book, and it remains the best-selling comic series of all time, peaking in the early 1950s at nearly four million copies an issue! The series has been in near-continuous publication since and is about to hit #700 as we write this.
This copy hails from what has been dubbed the "Crescent City collection," so named because it was sold in New Orleans.
If you collect Disney comics, this stunning copy of #1 would surely become the crown jewel of your collection the day you acquire it. We couldn't imagine what might top it.
Overstreet 2008 NM- 9.2 value = $33,000. CGC census 9/08: 1 in 9.4, none higher.
It warms the heart to find out that a copy this nice even exists, and we trust you'll scrutinize our scan to verify that this is a true Near Mint book.
This is the first issue of what Overstreet called "The definitive funny animal anthology comic after which all others were modeled." It is the first regularly published Disney comic book, and it remains the best-selling comic series of all time, peaking in the early 1950s at nearly four million copies an issue! The series has been in near-continuous publication since and is about to hit #700 as we write this.
This copy hails from what has been dubbed the "Crescent City collection," so named because it was sold in New Orleans.
If you collect Disney comics, this stunning copy of #1 would surely become the crown jewel of your collection the day you acquire it. We couldn't imagine what might top it.
Overstreet 2008 NM- 9.2 value = $33,000. CGC census 9/08: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #1 (Dell, 1940) CGC VG+ 4.5 Cream to off-white pages. Very tough to find in better than VG condition (and even tougher to afford when you do!), this is the first issue of one of the longest-running series in comic history. CGC notes, "Very minor amount of glue on cover." Overstreet 2008 VG 4.0 value = $3,666. CGC census 10/08: 6 in 4.5, 9 higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC FN+ 6.5 Off-white pages. This issue begins new Donald Duck stories by Carl Barks, who wrote and drew the features. This cover's by another funny animal legend, Walt Kelly. Overstreet 2008 FN 6.0 value = $1,017; VF 8.0 value = $2,204. CGC census 9/08: 3 in 6.5, 10 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC VF+ 8.5 Off-white pages. For this issue, it doesn't get much better than this grade. Collectors have shown renewed interest in this title, especially for high grades like this one. Carl Barks contributed stories and interior art, with Floyd Gottfredson also providing interior art. Overstreet 2008 VF 8.0 value = $606; VF/NM 9.0 value = $1,003. CGC census 9/08: 3 in 8.5, 2 higher.
War Against Crime #11 Gaines File pedigree 10/11 (EC, 1950) CGC NM 9.4 White pages. EC's first horror cover makes this a must-have for anyone who collects the terror-tinged output of this publisher. Johnny Craig's cover art ties into the issue's only horror story, which is introduced by the Vault Keeper in only his second appearance. The experiment was obviously deemed a success, as the title became Vault of Horror with the next issue! The interior art is by Al Feldstein on the horror story and Craig, Harry Harrison, and George Roussos on the crime and punishment tales. Overstreet 2008 NM- 9.2 value = $2,100. CGC census 10/08: 3 in 9.4, 5 higher.
Weird Fantasy #21 Gaines File pedigree 12/12 (EC, 1953) CGC NM+ 9.6 White pages. This issue contains a Ray Bradbury adaption. Frank Frazetta and Al Williamson provided the cover; Williamson, Roy Krenkel, John Severin, Jack Kamen, and Joe Orlando did the story art. Overstreet 2008 NM- 9.2 value = $825. CGC census 10/08: 4 in 9.6, none higher.
Weird Science #13 (#2) Gaines File pedigree (EC, 1950) CGC NM 9.4 Off-white pages. One of the earliest covers for this title is also one of the most famous, with Al "Nostradamus" Feldstein showing flying saucers over Washington D. C., some two years before an actual event (well, sort of) in our nation's capital. Interior art by Feldstein, Harvey Kurtzman, Jack Kamen, and Wally Wood spiced up the interior. This great copy from the Gaines stash looks even better than the Near Mint grade CGC has assigned. While certified by CGC as from the Gaines Files, this book is not accompanied by a certificate. Overstreet 2008 NM- 9.2 value = $1,550. CGC census 10/08: 4 in 9.4, 4 higher.
Weird Science #12 Gaines File pedigree 3/11 (EC, 1952) CGC NM- 9.2 Off-white pages. Wally Wood provides one of his best "inside a rocket ship" covers to this issue. In space, no one can hear you bark! Interior art is brought to you by Wood (two stories, plus a bio), Jack Kamen, and Joe Orlando. This pedigreed copy is certainly no dog -- only two other copies of issue #12 rate higher in the current CGC census. Overstreet 2008 NM- 9.2 value = $600. CGC census 10/08: 3 in 9.2, 2 higher.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC GD/VG 3.0 Off-white pages. Look how few unrestored copies have been graded higher! This is one of the ten most valuable comic books, the origin and first appearance of Captain Marvel. It's also the debut of baddie Dr. Sivana and a host of other characters including Spy Smasher and Ibis the Invincible. The first newsstand-distributed Fawcett comic book. CGC notes, "Cover re-attached with 2 pieces of tape. 2 long pieces of tape on spine of cover. 2 tape stains on interior cover." Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000. CGC census 10/08: 1 in 3.0, 4 higher.
Witness #1 Vancouver pedigree (Marvel, 1948) CGC NM 9.4 White pages. The only issue of this title rates an Overstreet "scarce" and featured a Charles Nicholas cover, with interior art by Syd Shores and Ken Bald. Beautiful pedigree copy is the finest known example of the issue. Overstreet 2008 NM- 9.2 value = $3,000. CGC census 9/08: 1 in 9.4, none higher.
Wonder Woman #16 Big Apple pedigree (DC, 1946) CGC NM/MT 9.8 White pages. That's right - a 9.8! That grade pretty much says it all, especially since heretofore a mere 9.2 stood atop CGC's census for #16. H. G. Peter provided the cover and interior art. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 10/08: 1 in 9.8, none higher.
Wow Comics #nn (#1) Crowley Copy/File Copy (Fawcett, 1940) CGC FN 6.0 Cream to off-white pages. This is the rarest newsstand-distributed Fawcett comic book, and you can quote us on that! A mere four unrestored copies are on CGC's census, with only the Mile High graded higher than this one. Overstreet points out the reason for the scarcity: the cover was printed on unstable paper stock. This issue is ranked among the 60 most valuable Golden Age books by Overstreet. The Simon and Kirby art (origin of Mr. Scarlet) is very early work by the duo, whose first comic effort (Blue Bolt) was just half a year earlier. The bondage cover is by C. C. Beck. Overstreet 2008 FN 6.0 value = $3,900. CGC census 9/08: 1 in 6.0, 1 higher.
Zip Comics #1 (MLJ, 1940) CGC VF 8.0 Off-white pages. This issue has the origins and first appearances of Steel Sterling and the Scarlet Avenger. MLJ's "Man of Steel" was drawn on the cover and inside the comic by Charles Biro. Overstreet 2008 VF 8.0 value = $3,521. CGC census 9/08: 1 in 8.0, 3 higher.
Action Comics #159 Mile High pedigree (DC, 1951) CGC VF 8.0 White pages. Although it's a fairly modest grade for a Mile High, this particular issue in high grade is virtually non-existent. The highest grade CGC has assigned to date is a barely better VF/NM 9.0. CGC notes, "Very small hole on last 3 pages. Small stain interior front cover and 1st pages." Overstreet 2008 VF 8.0 value = $369. CGC census 10/08: 2 in 8.0, 2 higher.
Adventure Comics #66 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. The only copy graded above 9.0 by CGC as of this writing is also the nicest we ever expect to see. The red bar at the top alone is so solid and clean... most collectors would forgive a few smudges and color breaks (and still pay a lot of money for a copy with a couple such peccadilloes), so to see a copy that approximates its condition on the day it was printed is a special experience. The issue has the origin and first appearance of the Shining Knight, who would go on to be a member of the Seven Soldiers of Victory (Generation X comic fans might also remember him from the All-Star Squadron). He would appear in almost every issue of this series for the ensuing ten years. The cover art (which has never looked better than on this copy!) is by Jack Burnley and features Starman. Note that a small white line you'll see on the scan on Starman's forearm is not on the comic itself, rather it's a tiny piece of plastic between the slab and CGC's inner well, not affecting this pristine comic book. Overstreet 2008 NM- 9.2 value = $3,500. CGC census 10/08: 1 in 9.4, none higher.
Air Fighters Comics #4 Mile High pedigree (Hillman Fall, 1943) CGC NM+ 9.6 Off-white to white pages. Fantastic cover design made the early issues of this series stand out from anything else on the newsstands. And this Mile High is in such incredible condition you would think even a newsdealer hadn't ever handled it! Airboy stars on this Japanese war cover. Overstreet 2008 NM- 9.2 value = $1,975. CGC census 9/08: 1 in 9.6, none higher.
Amazing Mystery Funnies V1#3 Mile High pedigree (Centaur, 1938) CGC NM 9.4 White pages. This is just the third copy of any issue of the series to be certified 9.4 (with none ever certified higher), and this is a book seldom seen in any grade -- we last offered one five years ago. A beautiful copy!
Bill Everett is the cover artist of this early Golden Age comic, on the stands just five months after Action #1. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 9/08: 1 in 9.4, none higher.
Bill Everett is the cover artist of this early Golden Age comic, on the stands just five months after Action #1. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 9/08: 1 in 9.4, none higher.
Boy Comics #8 Mile High pedigree (Lev Gleason, 1943) CGC NM- 9.2 Off-white to white pages. It's Crimebuster vs. Iron Jaw on this memorable cover. The issue features Iron Jaw's death. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 9/08: 1 in 9.2, none higher.
Camp Comics #2 Mile High pedigree (Dell, 1942) CGC NM 9.4 White pages. While this is the only one of the three issues Overstreet doesn't call "scarce," our experience is that all three issues are equally tough to come by. This servicemen's comic is a very collectible oddity. Walt Kelly art is featured; in addition, Bugs Bunny and Elmer Fudd appear in a three-pager. Overstreet 2008 NM- 9.2 value = $1,120. CGC census 9/08: 1 in 9.4, 1 higher.
Captain Marvel Adventures #17 Mile High pedigree (Fawcett, 1942) CGC NM/MT 9.8 White pages. This unusual painted cover is one of the most spectacular of the whole run, and it's truly amazing to find that a copy has survived in this condition. The cover art is credited to the Big Red Cheese's usual chronicler, C. C. Beck. Overstreet 2008 NM- 9.2 value = $1,225. CGC census 9/08: 1 in 9.8, none higher.
Captain Marvel Adventures #19 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 White pages. Great Christmas cover by C. C. Beck. Overstreet 2008 NM- 9.2 value = $1,085. CGC census 9/08: 3 in 9.4, none higher.
Captain Marvel Jr. #31 Mile High pedigree (Fawcett, 1945) CGC NM+ 9.6 Off-white to white pages. A purple cover with almost no color breaks is something you seldom encounter, at least on a Golden Age book! This is the only copy graded above 9.2 as of this writing. Mac Raboy cover art. Overstreet 2008 NM- 9.2 value = $400. CGC census 9/08: 1 in 9.6, none higher.
Captain Midnight #3 Mile High pedigree (Fawcett, 1942) CGC NM 9.4 White pages. This high-flying comic features a Nazi war cover. While the good Captain is listed on the cover as "Star of Radio and Movies," we think you'll agree the real star here was Edgar Church, who managed to keep this copy exceptionally nice. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 9/08: 2 in 9.4, none higher.
Captain Midnight #7 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 White pages. Japanese war cover. Overstreet 2008 NM- 9.2 value = $975. CGC census 9/08: 1 in 9.6, none higher.
Charlie Chan #3 Mile High pedigree (Crestwood/Headline, 1948) CGC VF/NM 9.0 Off-white pages. Joe Simon and Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $492; NM- 9.2 value = $685. CGC census 9/08: 1 in 9.0, none higher.
Charlie Chan #5 Mile High pedigree (Crestwood/Headline, 1949) CGC NM 9.4 Off-white pages. The black cover of this Edgar Church copy looks immaculate! The issue has a Simon and Kirby cover. Overstreet 2008 NM- 9.2 value = $685. CGC census 9/08: 1 in 9.4, none higher.
Colossus Comics #1 Mile High pedigree (Sun Publications, 1940) CGC NM 9.4 White pages. Overstreet and Gerber's Photo-Journal Guide to Comic Books agree - this Golden Age oddity is "scarce" which makes Edgar Church's copy all the more alluring. Overstreet 2008 NM- 9.2 value = $11,000. CGC census 9/08: 1 in 9.4, none higher.
Crackajack Funnies #1 Mile High pedigree (Dell, 1938) CGC NM/MT 9.8 White pages. If you're looking for a 9.8 graded copy of any Golden Age comic book, your first strategy is probably to find the Mile High copy. That works with this issue from 70 years ago -- Edgar Church's copy is just off the charts! One of Dell's earliest titles followed a common format of the day of reprinting popular comic strips. Over 20 different strips were represented in this first issue, including Dan Dunn, Don Winslow, Buck Jones, Tom Mix, Myra North, Major Hoople, and others. Overstreet 2008 NM- 9.2 value = $3,400. CGC census 9/08: 1 in 9.8, none higher.
Daredevil Comics #4 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. Charles Biro always came up with fantastic cover ideas -- see example here! Daredevil had some extra motivation here, as the gal is none other than his fiancée, Tonia Saunders. The Claw appears in his own feature inside. Overstreet 2008 NM- 9.2 value = $2,650. CGC census 9/08: 1 in 9.4, none higher.
Doc Savage Comics V2#7 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 Off-white pages. The only copy graded above 7.5 by CGC to date. Charles Coll cover art. Henny Youngman life story feature. Overstreet 2008 NM- 9.2 value = $650. CGC census 9/08: 1 in 9.4, none higher.
Doll Man #18 Mile High pedigree (Quality, 1948) CGC NM 9.4 White pages. This copy's clean, fresh cover makes it irresistible! Bill Ward's Torchy appears in a backup feature. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 2 in 9.4, none higher.
Doll Man #24 Mile High pedigree (Quality, 1949) CGC NM+ 9.6 Off-white to white pages. Peerless Mile High copy of an issue that featured Bill Ward's Torchy. Overstreet 2008 NM- 9.2 value = $440. CGC census 10/08: 1 in 9.6, none higher.
Doll Man #28 Mile High pedigree (Quality, 1950) CGC NM+ 9.6 Off-white to white pages. So much nicer than any other known copy - CGC's census lists the second best certified to date at VF 8.0. Overstreet 2008 NM- 9.2 value = $440. CGC census 10/08: 1 in 9.6, none higher.
Don Winslow of the Navy #2 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 White pages. When we previously offered this one in uncertified form (assigning it the same NM grade that CGC later certified) we got to look at the inside as well as the covers and were very impressed indeed! Overstreet 2008 NM- 9.2 value = $625. CGC census 9/08: 1 in 9.4, none higher.
Famous Funnies #102 Mile High pedigree (Eastern Color, 1943) CGC NM+ 9.6 Off-white to white pages. Look at the condition of this one! And don't let the high issue number throw you off -- this was on the stands at the same time as books like Archie #1 and Boy Commandos #1. The cover's a real winner -- that's Chief Wahoo taking on Tojo, Mussolini, and Hitler. Elmer Woggon is the cover artist. There are actually two Mile High copies of this issue, this one slightly nicer than the other (9.6 to 9.4). Overstreet 2008 NM- 9.2 value = $800. CGC census 9/08: 1 in 9.6, none higher.
Famous Stars #1 Mile High pedigree (Ziff-Davis, 1950) CGC NM 9.4 Off-white to white pages. Jimmy Stewart and Shelley Winters photo cover. Appearances by Ava Gardner and Shirley Temple. Overstreet 2008 NM- 9.2 value = $460. CGC census 9/08: 1 in 9.4, none higher.
Platinum Age (1897-1937)
Feature Funnies #1 Mile High pedigree (Chesler, 1937) CGC NM+ 9.6 Off-white to white pages. The Mile High collection scoreboards again! CGC's next highest-graded copy of this Platinum Age oldie is a mere FN+ 6.5. Rube Goldberg provided cover and interior art for this issue, which had the first appearances of Mickey Finn and Dixie Dugan. Overstreet 2008 NM- 9.2 value = $3,500. CGC census 9/08: 1 in 9.6, none higher.
Golden Age (1938-1955)
Fight Comics #1 Mile High pedigree (Fiction House, 1940) CGC Apparent NM+ 9.6 Slight (P) Off-white to white pages. The origin of Spy Fighter and Jack Dempsey's life story stand out in this issue, this copy of which is a very impressive representative of the most revered of pedigrees, the Mile High collection. CGC cites Will Eisner as the cover artist while Overstreet says it's Lou Fine. We think it's a collaboration between the two. Eisner also contributed interior art, as did George Tuska. This is far and away the finest-looking copy known, with just "Slight" professional touch up. The highest Universal (blue label) grade CGC has awarded to date is VF 8.0, and the next highest Restored Grade was certified Apparent VF- 7.5. CGC notes, "Restoration includes: small amount of color touch on cover and spine." Overstreet 2008 GD 2.0 value = $333; VG 4.0 value = $666; FN 6.0 value = $1,000; VF 8.0 value = $2,165; VF/NM 9.0 value = $3,833; NM- 9.2 value = $5,500.
Flash Comics #51 Mile High pedigree (DC, 1944) CGC NM 9.4 White pages. Gorgeous copy from the most renowned pedigree of all! Sheldon Moldoff provided the cover and the artwork for the Hawkman story inside. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 10/08: 3 in 9.4, 1 higher.
Flash Comics #59 Mile High pedigree (DC, 1944) CGC VF/NM 9.0 White pages. If you love Golden Age books as much as we do, the temptation will be strong to crack this out of its slab and glory in it. It's a squeaky-clean copy with ideal page quality. Sheldon Moldoff is the cover artist. Overstreet 2008 VF/NM 9.0 value = $913; NM- 9.2 value = $1,275. CGC census 10/08: 2 in 9.0, 1 higher.
Flash Comics #94 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. After scrutinizing this beautiful copy for quite some time, we can only see a small staple tear as a reason it didn't grade out at 9.6 or so. Have a look at our scan and ask yourself if there's any other copy you'd rather have! Joe Kubert cover art. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 10/08: 1 in 9.2, 2 higher.
4Most V1#1 Mile High pedigree (Novelty Press, 1942) CGC NM 9.4 White pages. Before this series became a Dick Cole vehicle, it co-starred the Target of Target Comics fame as well as the Cadet and Edison Bell. We can't find a thing to criticize on this fresh-looking copy. And see our website listing to find one of the best back-cover (house) ads of the Golden Age! Overstreet 2008 NM- 9.2 value = $2,200. CGC census 9/08: 1 in 9.4, none higher.
4Most V1#2 Mile High pedigree (Novelty Press, 1942) CGC NM- 9.2 Off-white to white pages. Everyone in the issue is also on the issue, with the Target, Dick Cole, Edison Bell, and the Cadet all joining in (it's one of this title's few war covers). The beautiful spine of this Mile High copy will make a believer out of you. The only copy graded above 7.5 by CGC to date. Overstreet 2008 NM- 9.2 value = $900. CGC census 9/08: 1 in 9.2, none higher.
Gang Busters #1 Mile High pedigree (DC, 1947) CGC NM+ 9.6 White pages. DC gets aboard the "Crime" bandwagon with this title, based on a popular radio (later, television) program. Howard Sherman did the cover and story art. This stunning Edgar Church example is the current CGC champ by a long shot, as the next-best graded copy of issue #1 comes in at only VF- 7.5. Overstreet 2008 NM- 9.2 value = $1,200. CGC census 10/08: 1 in 9.6, none higher.
Gang Busters #23 Mile High pedigree Double Cover (DC, 1951) CGC NM+ 9.6 Off-white to white pages. This double-cover copy is a double rarity -- Overstreet notes, "1st cover 9.6, interior cover 9.6." Most of the relatively few double cover comics we see have an outer cover in lesser condition than the interior -- but this is the Edgar Church copy we're talking about! Bernard Baily cover. Baily, Nick Cardy, and Allen Ulmer art. Overstreet 2008 NM- 9.2 value = $140. CGC census 10/08: 1 in 9.6, none higher.
Gene Autry Comics #3 Mile High pedigree (Fawcett, 1942) CGC NM+ 9.6 Off-white pages. These early Fawcett issues are much tougher to find in any grade than the Dell issues which began with issue #11. Overstreet 2008 NM- 9.2 value = $1,485. CGC census 9/08: 1 in 9.6, none higher.
Gene Autry Comics #5 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white pages. Till Goodan cover. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 9/08: 1 in 9.6, none higher.
Green Lantern #7 Mile High pedigree (DC, 1943) CGC VF/NM 9.0 White pages. If the grade seems a wee bit low for a comic from Edgar Church's collection, consider this: it's still tied for the best grade certified to date by CGC. And, oh, those white pages! The fun robot cover is courtesy of Martin Nodell, who also provided interior art. Overstreet 2008 VF/NM 9.0 value = $2,435; NM- 9.2 value = $3,400. CGC census 9/08: 2 in 9.0, none higher.
Green Lantern #25 Mile High pedigree (DC, 1947) CGC VF+ 8.5 White pages. Having examined the two other 8.5 copies on CGC's census, we can report that the Mile High has the best page quality of the three and unlike the other two has no back-cover discoloration. Irwin Hasen is the cover artist. Overstreet 2008 VF 8.0 value = $744; VF/NM 9.0 value = $1,235. CGC census 9/08: 3 in 8.5, none higher.
Green Lantern #28 Mile High pedigree (DC, 1947) CGC NM- 9.2 White pages. This issue has the first appearance of the Sportsmaster. Silver Age fans will remember the criminally inclined jock from the Starman/Black Canary Brave and the Bold #62. The cover of this debut outing was drawn by Alex Toth. Overstreet 2008 NM- 9.2 value = $1,725. CGC census 9/08: 2 in 9.2, none higher.
Green Lantern #29 Mile High pedigree (DC, 1947) CGC NM 9.4 White pages. Irwin Hasen created one of his best covers for this issue, and you won't find a better representation than the Mile High copy, the finest known. Featured was Green Lantern's worthy foe, Harlequin; in fact, this was an all-Harlequin issue, spotlighted by the cover, which Overstreet calls a "classic". Overstreet 2008 NM- 9.2 value = $1,900. CGC census 9/08: 1 in 9.4, none higher.
Green Lantern #33 Mile High pedigree (DC, 1948) CGC VF+ 8.5 White pages. Our hero goes West in this issue's cover story, while the Harlequin makes an appearance in another. Irwin Hasen is the listed artist. Overstreet 2008 VF 8.0 value = $644; VF/NM 9.0 value = $1,072. CGC census 9/08: 2 in 8.5, 1 higher.
Green Lantern #34 Mile High pedigree (DC, 1948) CGC NM- 9.2 White pages. Streak the Wonder Dog managed to push Green Lantern off of his own cover here. Harlequin appearance. Alex Toth cover and art. Overstreet 2008 NM- 9.2 value = $1,500. CGC census 9/08: 2 in 9.2, none higher.
Green Lantern #36 Mile High pedigree (DC, 1949) CGC NM- 9.2 White pages. The third-to-last issue saw this series become a Streak the Wonder Dog vehicle, with Green Lantern absent from the cover except for the logo! But try finding another high-grade copy of this one; CGC has only certified a total of two copies. Alex Toth is the cover artist. Overstreet 2008 NM- 9.2 value = $1,750. CGC census 9/08: 1 in 9.2, none higher.
House of Mystery #3 Mile High pedigree (DC, 1952) CGC NM- 9.2 Off-white pages. A "Chucky"-like cover by Bob Brown starts off the creepiness here. Overstreet 2008 NM- 9.2 value = $935. CGC census 9/08: 1 in 9.2, 2 higher.
Ibis The Invincible #3 Mile High pedigree (Fawcett, 1945) CGC VF/NM 9.0 Off-white pages. The great cover bears the unmistakable stamp of Mac Raboy, and this issue also features interior art by Basil Wolverton. Overstreet 2008 VF/NM 9.0 value = $769; NM- 9.2 value = $1,075. CGC census 9/08: 2 in 9.0, 2 higher.
Ideal #1 Mile High pedigree (Timely, 1948) CGC NM 9.4 White pages. We've always been intrigued by this Timely oddity (aka Ideal A Classical Comic), and welcome the chance to offer this beautiful copy. Antony and Cleopatra are featured. Overstreet 2008 NM- 9.2 value = $460. CGC census 10/08: 1 in 9.4, none higher.
Jimmy Durante #2 Mile High pedigree (Magazine Enterprises, 1948) CGC NM+ 9.6 Off-white to white pages. Photo cover. Overstreet 2008 NM- 9.2 value = $585. CGC census 9/08: 2 in 9.6, none higher.
Journey Into Fear #3 Mile High pedigree (Superior, 1951) CGC NM- 9.2 White pages. "Pinup-type artwork and totally whacko stories" was Mike Benton's evaluation of Superior horror comics, while Christopher Nelson noted "a sordid underworld of junkies, quack doctors and desolate bus stations -- all spiraling down into violence that would have impressed the likes of De Sade." This is the nicest copy we've seen of this pre-Code issue. Overstreet 2008 NM- 9.2 value = $500. CGC census 9/08: 2 in 9.2, none higher.
Lars of Mars #11 Mile High pedigree (Ziff-Davis, 1951) CGC VF/NM 9.0 Off-white to white pages. Murphy Anderson handled the art chores on the title character (who was created by Jerry Siegel, by the way). Gene Colan added art on a backup feature, and the cover (according to some) is by Norman Saunders. This was the second and final issue of the title. Overstreet 2008 VF/NM 9.0 value = $658; NM- 9.2 value = $910. CGC census 9/08: 3 in 9.0, none higher.
Leading Comics #13 Mile High pedigree (DC, 1944) Condition: NM. This gorgeous copy would have tied with one other as the highest-graded copy in CGC's census, had the company been able to slab it. Because of an overhang, CGC was unable to encapsulate our offering, which sports hallmark white pages and the whitest background cover you'll ever find! And it's an Overstreet "classic robot cover" at that! Overstreet 2008 NM- 9.2 value = $1,350.
Liberty Scouts Comics #2 (#1) Mile High pedigree (Centaur, 1941) CGC Apparent NM 9.4 Slight (A) White pages. This scarce (a Gerber "7") issue from Centaur had the first appearances of Liberty Scouts and the origin of Fire-Man. Paul Gustavson did the cover and contributed interior art, as did Bob Lubbers. CGC notes, "Restoration includes: spine split sealed to cover." Overstreet 2008 GD 2.0 value = $128; VG 4.0 value = $256; FN 6.0 value = $384; VF 8.0 value = $800; VF/NM 9.0 value = $1,325; NM- 9.2 value = $1,850.
Magic Comics #20 Mile High pedigree (David McKay Publications, 1941) CGC NM+ 9.6 Off-white to white pages. The magnificent Mile High copy is the only one certified nicer than FN/VF 7.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $440. CGC census 9/08: 1 in 9.6, none higher.
Military Comics #17 Mile High pedigree (Quality, 1943) CGC NM 9.4 White pages. Mile High copies always stand out, but it's especially true of this issue; CGC hasn't awarded a grade higher than FN 6.0 for any other #17! Reed Crandall provided cover and interior art. Overstreet 2008 NM- 9.2 value = $900. CGC census 9/08: 1 in 9.4, none higher.
Military Comics #18 Mile High pedigree (Quality, 1943) CGC NM 9.4 Off-white to white pages. The colors leap off the cover of this Mile High gem! Reed Crandall created the cover and interior art. Overstreet 2008 NM- 9.2 value = $900. CGC census 9/08: 1 in 9.4, none higher.
Military Comics #38 Mile High pedigree (Quality, 1945) CGC NM 9.4 Off-white to white pages. The white background of this copy's front cover screams "Mile High!" and really accentuates the stark cover art by Al Bryant. Only three copies of the issue have earned CGC grades higher than FN/VF 7.0 to date. Bryant and Gill Fox interior art. Overstreet 2008 NM- 9.2 value = $625. CGC census 9/08: 1 in 9.4, none higher.
Minute Man #3 Mile High pedigree (Fawcett, 1941) CGC NM+ 9.6 Off-white pages. Gerber "uncommon" issue that we've offered on just a few occasions over the past six years. And no other copy has scored a grade from CGC higher than VF 8.0 to date. Overstreet 2008 NM- 9.2 value = $1,775. CGC census 9/08: 1 in 9.6, none higher.
More Fun Comics #89 Mile High pedigree (DC, 1943) CGC Apparent NM 9.4 Moderate (P) White pages. Origin of the Green Arrow and Speedy team-up. Cliff Young cover. CGC notes, "Restoration includes: small amount of color touch on cover. Pieces added to cover." Overstreet 2008 GD 2.0 value = $143; VG 4.0 value = $286; FN 6.0 value = $429; VF 8.0 value = $894; VF/NM 9.0 value = $1,485; NM- 9.2 value = $2,075.
Nyoka the Jungle Girl #2 Mile High pedigree (Fawcett, 1945) CGC NM+ 9.6 White pages. First issue of this title, the numbering continuing from Jungle Girl #1. Ridiculously high grade, but then it is a Mile High. Overstreet 2008 NM- 9.2 value = $785. CGC census 9/08: 1 in 9.6, none higher.
Nyoka the Jungle Girl #5 Mile High pedigree (Fawcett, 1947) CGC NM/MT 9.8 White pages. We got a chance to offer this beautiful copy in uncertified form previously, dubbing it NM+, and weren't surprised to see CGC "go all the way" with the NM/MT 9.8 designation. A stunner! Overstreet 2008 NM- 9.2 value = $325. CGC census 10/08: 1 in 9.8, none higher.
The Phantom Stranger #4 Mile High pedigree (DC, 1953) CGC VF 8.0 Off-white pages. The original series' whole six-issue run is considered scarce. Carmine Infantino is the cover artist. Overstreet 2008 VF 8.0 value = $594. CGC census 9/08: 1 in 8.0, none higher.
Plastic Man #13 Mile High pedigree (Quality, 1948) CGC NM 9.4 Off-white to white pages. Jack Cole's inventive covers of Plas are stuff of Golden Age legend, and it's a perfect match with the legendary Mile High pedigree. Overstreet 2008 NM- 9.2 value = $750. CGC census 9/08: 1 in 9.4, none higher.
Plastic Man #15 Mile High pedigree (Quality, 1949) CGC NM+ 9.6 White pages. The pristine copies from Edgar Church's collection continue to amaze! Jack Cole cover and art. Overstreet 2008 NM- 9.2 value = $750. CGC census 9/08: 2 in 9.6, none higher.
Plastic Man #17 Mile High pedigree (Quality, 1949) CGC NM+ 9.6 Off-white pages. So Mile High-ish! Jack Cole cover and art. Overstreet 2008 NM- 9.2 value = $750. CGC census 9/08: 1 in 9.6, none higher.
Plastic Man #26 Mile High pedigree (Quality, 1950) CGC NM 9.4 Off-white to white pages. Jack Cole's run on this series, drawing the covers and interior pages, lasted some 13 years. And nothing has preserved the legacy like these Mile High copies. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 1 in 9.4, none higher.
Police Comics #41 Mile High pedigree (Quality, 1945) CGC NM+ 9.6 Off-white to white pages. Jack Cole's cover and interior art on Plastic Man was a staple of this title from the first issue in 1941 to issue #102 in 1950, with just a few exceptions. Will Eisner contributed the Spirit feature in this issue. Overstreet 2008 NM- 9.2 value = $725. CGC census 9/08: 1 in 9.6, none higher.
Police Comics #42 Mile High pedigree (Quality, 1945) CGC NM+ 9.6 Off-white to white pages. A real beaut from the collection of Edgar Church. Jack Cole cover. Lou Fine art. Contains a Spirit reprint from Will Eisner. Overstreet 2008 NM- 9.2 value = $715. CGC census 10/08: 1 in 9.6, none higher.
Police Comics #70 Mile High pedigree (Quality, 1947) CGC NM 9.4 White pages. Check out the page quality on this Mile High looker. Lou Fine art. CGC notes, "Manufactured with piece out of margin of 14th page." Overstreet 2008 NM- 9.2 value = $310. CGC census 10/08: 1 in 9.4, none higher.
Popular Comics #80 Mile High pedigree (Dell, 1942) CGC NM 9.4 Off-white to white pages. Features Smilin' Jack. You'd be smiling too if you were on the cover of this awesome Mile High book. Overstreet 2008 NM- 9.2 value = $320. CGC census 10/08: 2 in 9.4, 1 higher.
Red Ryder Comics #12 Mile High pedigree (Dell, 1943) CGC NM 9.4 Off-white to white pages. A real stunner from the cedar-lined basement of Edgar Church. Fred Harman cover and art. Overstreet 2008 NM- 9.2 value = $400. CGC census 10/08: 2 in 9.4, none higher.
Red Ryder Comics #20 Mile High pedigree (Dell, 1944) CGC NM 9.4 Off-white to white pages. What a nice looking copy from the most famous of all pedigrees. Fred Harman cover and art. Overstreet 2008 NM- 9.2 value = $400. CGC census 10/08: 1 in 9.4, 1 higher.
Shadow Comics V9#3 Mile High pedigree (Street & Smith, 1949) CGC NM- 9.2 Cream pages. Bob Powell supplied the underwater cover and interior art for this good looking copy from Edgar Church's collection. Overstreet 2008 NM- 9.2 value = $600. CGC census 10/08: 1 in 9.2, 1 higher.
Sheena, Queen of the Jungle #7 Mile High pedigree (Fiction House, 1950) CGC NM 9.4 White pages. Overstreet suggests the great Matt Baker might have created the striking cover for this issue. There's no question who preserved it in this pristine condition; Mr. Mile High himself, Edgar Church! Overstreet 2008 NM- 9.2 value = $620. CGC census 9/08: 1 in 9.4, none higher.
Sheena, Queen of the Jungle #8 Mile High pedigree (Fiction House, 1950) CGC NM- 9.2 White pages. Overstreet hints that the cover artist just might have been the famed "good girl" artist Matt Baker. We're not certain about that, but we know what we like -- jungle "good girls" especially when presented in a Mile High copy! Overstreet 2008 NM- 9.2 value = $540. CGC census 9/08: 2 in 9.2, none higher.
Sparkler Comics #37 Mile High pedigree (United Features Syndicate, 1944) CGC NM- 9.2 Off-white to white pages. Burne Hogarth, with his amazing ability to render the human figure, supplied the underwater Tarzan cover that wraps this offering from the Mile High Collection. Overstreet 2008 NM- 9.2 value = $635. CGC census 10/08: 1 in 9.2, none higher.
Speed Comics #39 Mile High pedigree (Harvey, 1945) CGC NM 9.4 Off-white pages. Wow! A skull cover by Rudy Palais on a Mile High copy. Who could ask for more? Palais and Jill Elgin art. Overstreet 2008 NM- 9.2 value = $560. CGC census 10/08: 1 in 9.4, none higher.
Speed Comics #42 Mile High pedigree (Harvey, 1946) CGC NM 9.4 Off-white to white pages. This comic looks so fresh that it could have come from the Egyptian crypt depicted by Rudy Palais on the cover. Overstreet 2008 NM- 9.2 value = $560. CGC census 10/08: 1 in 9.4, 1 higher.
Platinum Age (1897-1937)
Star Comics #7 (Harry 'A' Chesler, 1937) Mile High pedigree CGC VF+ 8.5 Off-white to white pages. Early Cheslers are hard enough to come by in any grade, and nigh impossible in this condition. Thank you, Mr. Church! Fred Guardineer contributed interior art for this issue. Overstreet 2008 VF 8.0 value = $419; VF/NM 9.0 value = $697. CGC census 9/08: 2 in 8.5, none higher.
Golden Age (1938-1955)
Star Ranger Funnies V1#15 Mile High pedigree (Centaur, 1938) CGC NM/MT 9.8 White pages. Significance, scarcity, key artists, and condition are all big reasons to want to acquire a comic; this one's got all three going for it. It's part of the first Western series (initially called Star Ranger, then Cowboy Comics), and like most Centaurs, it's a tough issue to get hold of -- it's called "scarce" by Gerber, and it's the only copy CGC has certified to date. The content was produced by the Iger shop, and includes art by that group's biggest name, Will Eisner. And to top it all, there's the amazing condition of this Mile High copy. For a comic older than most of the people reading this catalog (and some of their parents as well), it's incredibly well-preserved. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 10/08: 1 in 9.8, none higher.
Star Spangled Comics #10 Mile High pedigree (DC, 1942) CGC NM- 9.2 Off-white to white pages. Joe Simon and Jack Kirby continued their successful "Newsboy Legion" series with this issue, which features an S&K cover and story art for this fourth tale featuring the kids. This Edgar Church Mile High copy may not match the through-the-roof ultra high grades of others from this pedigree, but it's still at the top of CGC's current census report for this issue. Other than a very minor amount of edge and corner wear, this one looks great. Overstreet 2008 NM- 9.2 value = $2,375. CGC census 10/08: 1 in 9.2, none higher.
Star Spangled Comics #14 Mile High pedigree (DC, 1942) CGC NM 9.4 White pages. Simon and Kirby's Newsboy Legion (and their long-suffering superhero pal, the Guardian) starred in this star-spangled mag. S&K also drew the corresponding story inside the book. Other features include the Star Spangled Kid, the Tarantula, TNT and Dan the Dyna-Mite, and Robotman. Overstreet 2008 NM- 9.2 value = $1,725. CGC census 10/08: 1 in 9.4, none higher.
Star Spangled Comics #25 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. To our keen eyes, it's hard to believe there's a nicer copy than this, but the San Francisco copy of issue #25 edges this one out 9.6 to 9.4. Simon and Kirby provided the cover and interior art for this issue, in which the feature "Robotman" began. Overstreet 2008 NM- 9.2 value = $1,460. CGC census 10/08: 1 in 9.4, 1 higher.
Star Spangled Comics #36 Mile High pedigree (DC, 1944) CGC NM+ 9.6 Off-white to white pages. The Guardian/Newsboy Legion cover is by the formidable duo Simon and Kirby, one of their signature Golden Age series that had debuted in issue #7. Only the San Francisco copy can match this marvelous Mile High copy; no other has earned higher than a VF+ 8.5 grade from CGC to date. Overstreet 2008 NM- 9.2 value = $850. CGC census 10/08: 2 in 9.6, none higher.
Star Spangled Comics #44 San Francisco pedigree (DC, 1945) CGC VF/NM 9.0 White pages. The Guardian and the Newsboy Legion members try to paddle a confession of out a crook on the cover of this pedigree gem. An awesome copy that features rich hues and a remarkably well-preserved black cover. Overstreet 2008 VF/NM 9.0 value = $537; NM- 9.2 value = $750. CGC census 10/08: 1 in 9.0, 2 higher.
Star Spangled Comics #49 Mile High pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. The Newsboy Legion is, as they've been known to say, "a foist-rate outfit," and they're the stars of this issue. Various sources attribute this issue's cover to Simon and Kirby, Jack Kirby by himself, or neither of the two! Other characters include the Star Spangled Kid and Robotman. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 1 in 9.4, none higher.
Star Spangled Comics #54 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. This copy looks absolutely flawless to us -- find something wrong with it, we dare ya! The book has a Simon and Kirby cover. In addition to S&K's creation, the Newsboy Legion, the book's got adventures of Robotman and the Star Spangled Kid. Overstreet 2008 NM- 9.2 value = $675. CGC census 10/08: 1 in 9.6, none higher.
Star Spangled Comics #57 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. Those crafty lads from Suicide Slum, the Newsboy Legion, star in this issue, which also has adventures of the Star Spangled Kid, Robotman, and more. Overstreet credits the cover to Simon and Kirby. Overstreet 2008 NM- 9.2 value = $650. CGC census 10/08: 2 in 9.6, none higher.
Strange Suspense Stories #1 Mile High pedigree (Fawcett, 1952) CGC VF 8.0 Off-white to white pages. Bernard Baily created the cover for this issue, with fellow Golden/Silver Age mainstays Bob Powell and Mike Sekowsky contributing interior art. Overstreet 2008 VF 8.0 value = $506. CGC census 9/08: 1 in 8.0, 5 higher.
Super Comics #1 Mile High pedigree (Dell, 1938) CGC NM+ 9.6 White pages. The Photo-Journal Guide to Comic Books rates this issue "rare," and we've offered a copy on just a handful of prior occasions. The Mile High copy is the only one certified by CGC to date with a grade nicer than VF+ 8.5. Featured strip reprints included Dick Tracy, Little Orphan Annie, Terry and the Pirates, the Gumps, and many others. Overstreet 2008 NM- 9.2 value = $3,500. CGC census 9/08: 1 in 9.6, none higher.
Super Comics #27 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 White pages. From the era when Dell was a contender in the superhero business comes this issue of Super, featuring strongman Magic Morro, "the Miracle Man." Ken Ernst supplies the art for Morro's cover and story, while a host of strip reprints fill out the issue. Included are Dick Tracy, Smilin' Jack, Winnie Winkle, Moon Mullins, and others. This incredible Edgar Church Mile High copy is mighty pretty and it's currently the only copy of this issue certified by CGC. Overstreet 2008 NM- 9.2 value = $450. CGC census 10/08: 1 in 9.6, none higher.
Super Comics #30 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 Off-white to white pages. Errol Flynn buckled some swash in the movie "The Sea Hawk," directed by Michael Curtiz and co-starring Claude Rains (hmm, sounds familiar...). The flick is adapted in this issue, which also features the usual array of strip reprints led by Dick Tracy. Overstreet 2008 NM- 9.2 value = $470. CGC census 10/08: 1 in 9.6, none higher.
Super Magician Comics #8 Mile High pedigree (Street & Smith, 1942) CGC NM 9.4 Off-white to white pages. The nifty cover is by Jack Binder who also did some of the interior art for this issue. The Abbot and Costello story inside may be the first appearance of the comedy duo in comics. The sparkling Mile High copy is the only one of this issue to have been certified higher than VF 8.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $510. CGC census 9/08: 1 in 9.4, none higher.
Supersnipe Comics #7 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 Off-white to white pages. One of the quirkiest concept comic books of its or any other day, this title nonetheless had its avid readers and ran an impressive seven years. George Marcoux created Supersnipe, the boy with the most comic books in America, and drew this and most of the other covers in the series. This copy appears to have been hand-delivered from 1943. As nice a copy as you could possibly expect after 65 years. It's a Mile High, of course! Overstreet 2008 NM- 9.2 value = $700. CGC census 10/08: 1 in 9.6, none higher.
Supersnipe Comics #12 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 White pages. He's Koppy McFad, billed as "the boy with the most comic books in America," which officially makes him the original fanboy! This charming early parody of superhero comics is well-remembered by old-time fans and readers of All in Color for a Dime. Overstreet 2008 NM- 9.2 value = $700. CGC census 10/08: 1 in 9.6, none higher.
Supersnipe Comics V2#5 Mile High pedigree (Street & Smith, 1944) CGC NM 9.4 Off-white pages. It doesn't get much better than this: a great tiger cover in absolutely flawless condition. Only three of the smallest chips keep this book from being a 9.6 or better. Overstreet 2008 NM- 9.2 value = $485. CGC census 10/08: 1 in 9.4, none higher.
Supersnipe Comics V2#7 Mile High pedigree (Street & Smith, 1945) CGC NM 9.4 Off-white to with pages. The boy with the most comics in America heads to space in this affordable pedigree copy of a book no collection should be without. Sharp corners and deep colors make this copy one that any collector would feel proud to have in their collection. Overstreet 2008 NM- 9.2 value = $485. CGC census 10/08: 1 in 9.4, 1 higher.
Supersnipe Comics V2#9 Mile High pedigree (Street & Smith, 1945) CGC NM 9.4 Off-white pages. Koppy McFad, aka Supersnipe, is of course "the boy with the most comic books in America." And this copy's from the collection of the man with the best comic books in America, Edgar Church. It's still the only copy that has been certified by CGC to date. Overstreet 2008 NM- 9.2 value = $485. CGC census 10/08: 1 in 9.4, none higher.
Tailspin Tommy #1 Mile High pedigree (Service Publications, 1946) CGC NM/MT 9.8 Off-white to white pages. CGC hasn't certified another copy higher than VF 8.0 to date. Overstreet 2008 NM- 9.2 value = $175. CGC census 10/08: 1 in 9.8, none higher.
Target Comics #11 Mile High pedigree (Novelty Press, 1940) CGC NM- 9.2 Off-white pages. Key issue had the origin of Target and the Targeteers. Golden Age greats Basil Wolverton and Tarpe Mills contributed art. CGC has certified just two copies of #11 to date, the other earning a mere FN 6.0. Overstreet 2008 NM- 9.2 value = $2,575. CGC census 10/08: 1 in 9.2, none higher.
Target Comics #12 Mile High pedigree (Novelty Press, 1941) CGC NM 9.4 White pages. The Target and the Targeteers take on gun-toting gangsters on this beautiful white covered Mile High copy. The colors on this copy are absolutely blinding. One glance at this beauty, and you have no doubt that it is part of the ultimate pedigree. This virtually unimprovable book beats the next highest-graded copy by a wide margin. The Space Hawk story was actually scripted, penciled, inked, and colored by Basil Wolverton. Incredible stuff! Overstreet 2008 NM- 9.2 value = $2,050. CGC census 10/08: 1 in 9.4, none higher.
Target Comics V2#2 Mile High pedigree (Novelty Press, 1941) CGC NM 9.4 Off-white to white pages. Living up to its name, Target Comics gives us the Target and the Targeteers striking a dramatic pose on this brilliant bullseye cover. Basil Wolverton, as always, does an unbelievable bit of artistry on the Spacehawk story. The Mile High distributor's marks on this comic are unusually small and unobtrusive, and the condition is what you would expect of a comic from this distinguished collection. This is by far the highest CGC-graded copy of this issue to date. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 10/08: 1 in 9.4, none higher.
Target Comics V2#4 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 Off-white to white pages. Edgar Church, long suspected of using a time machine to retrieve high-grade comics from the past, has hit the bull's-eye with this spectacular specimen! Vibrant cover gloss, off-white to white interior pages, and sharp corners are hallmarks of this Golden Age classic that also features Basil Wolverton's Spacehawk, and the first appearance of the Cadet. This outstanding, near-perfect gem is the highest-graded copy of V2#4 currently surveyed by CGC. Overstreet 2008 NM- 9.2 value = $885. CGC census 10/08: 1 in 9.6, none higher.
Target Comics V2#6 Mile High pedigree (Novelty Press, 1941) CGC NM- 9.2 Off-white to white pages. This is a typically fresh, typically fantastic Mile High copy. CGC notes, "Very minor amount of glue on cover." Overstreet 2008 NM- 9.2 value = $840. CGC census 10/08: 1 in 9.2, none higher.
Target Comics V2#12 Mile High pedigree (Novelty Press, 1942) CGC NM 9.4 White pages. Lots of action on this Sid Greene cover, and the classic ever-present Basil Wolverton "Spacehawk" interior. The Last of the Mohicans serial begins with this issue. Bright colors on the front, and a beautiful back cover also -- yes, it's an Edgar Church copy! And, yes, it is the highest-graded copy by CGC to date. Overstreet 2008 NM- 9.2 value = $825. CGC census 10/08: 1 in 9.4, none higher.
Target Comics V3#2 Mile High pedigree (Novelty Press, 1942) CGC NM 9.4 White pages. An action cover featuring the Chameleon, and another Spacehawk interior by Basil Wolverton. Rich, deep colors, and white pages typical of the Edgar Church collection mark this gem. Only two copies of this issue have been graded by CGC, and this is the best copy to date. Overstreet 2008 NM- 9.2 value = $785. CGC census 10/08: 1 in 9.4, none higher.
Target Comics V3#7 Mile High pedigree (Novelty Press, 1942) CGC NM+ 9.6 Off-white to white pages. Here is another of this title's humorous, goofy covers. What a delight it must have been to see these on the stand, cheering people up during the war years. This Mile High copy looks like it just came off the stand, with the typical colors that reach out and grab you. Overstreet 2008 NM- 9.2 value = $785. CGC census 10/08: 1 in 9.6, none higher.
Target Comics V3#11 Mile High pedigree (Novelty Press, 1943) CGC NM/MT 9.8 Off-white to white pages. Speck, Spot, and Sis steal the cover limelight for this issue, but the main attraction for most collectors today are the Cadet and Chameleon features, and the stratospherically high grade of this Mile High pedigree comic. NM/MT is a remarkably high grade, even for Mile Highs! To date, this is the only CGC-graded copy of this issue. Definitely a stunning Golden Age comic by any measure. Overstreet 2008 NM- 9.2 value = $225. CGC census 10/08: 1 in 9.8, none higher.
Wambi the Jungle Boy #3 Mile High pedigree (Fiction House, 1943) CGC NM+ 9.6 White pages. H. C. Kiefer cover and art. Overstreet 2008 NM- 9.2 value = $500. CGC census 10/08: 1 in 9.6, none higher.
Whiz Comics #15 Mile High pedigree (Fawcett, 1941) CGC NM 9.4 Off-white to white pages. This is the only copy graded above VG+ 4.5 as of this writing! This issue had the origin of that bad baldie Sivana. C. C. Beck is the cover artist. Overstreet 2008 NM- 9.2 value = $1,925. CGC census 9/08: 1 in 9.4, none higher.
Whiz Comics #21 Mile High pedigree (Fawcett, 1941) CGC NM+ 9.6 Off-white to white pages. The only copy graded above 7.5 by CGC to date. The condition here is simply incredible given the dark blue and black cover! This has the origin and first appearance of the Lieutenant Marvels (Fat Marvel, Tall Marvel, and Hill Billy Marvel). A wonderful copy. Overstreet 2008 NM- 9.2 value = $1,325. CGC census 9/08: 1 in 9.6, none higher.
Whiz Comics #23 Mile High pedigree (Fawcett, 1941) CGC NM 9.4 Off-white to white pages. Smashing cover colors! C. C. Beck cover and art. Overstreet 2008 NM- 9.2 value = $950. CGC census 9/08: 2 in 9.4, none higher.
Women Outlaws #1 Mile High pedigree (Fox Features Syndicate, 1948) CGC VF+ 8.5 White pages. Used in Seduction of the Innocent. Was it the negligee panels so common in Fox comics in 1948? The hanging panels? The bad dialogue on the cover? It wasn't the condition of this high-grade Mile High copy; that's for sure! Overstreet 2008 VF 8.0 value = $488; VF/NM 9.0 value = $807. CGC census 9/08: 1 in 8.5, 1 higher.
Worlds Beyond #1 Mile High pedigree (Fawcett, 1951) CGC NM 9.4 White pages. The only issue of this title, which became Worlds of Fear with issue #2. Featured is a Sheldon Moldoff cover, with Bernard Baily and Bob Powell furnishing interior art. Overstreet 2008 NM- 9.2 value = $650. CGC census 9/08: 2 in 9.4, none higher.
Silver Age (1956-1969)
Action Comics #242 (DC, 1958) Condition: VF. This copy couldn't be encapsulated by CGC due to an overhang, but note that this book is quite tough in high grade -- the top two copies on CGC census are a VF and a VF+. The issue is quite a key, the first appearance of Brainiac and the first appearance of the shrunken city of Kandor. Curt Swan is the cover artist; Al Plastino and Jim Mooney drew the interior. This copy has cream pages. Overstreet 2008 VF 8.0 value = $1,258.
Action Comics #252 (DC, 1959) CGC VF- 7.5 Off-white pages. Origin and first appearance of Supergirl. Curt Swan cover. Overstreet 2008 VF 8.0 value = $1,315. CGC census 9/08: 6 in 7.5, 14 higher.
Modern Age (1980-Present)
Albedo #2 (Thoughts and Images, 1984) CGC NM+ 9.6 White pages. This is one of the ten most valuable Modern Age books according to Overstreet. It's the first appearance of Stan Sakai's Usagi Yojimbo, and high-grade copies of this one have been changing hands at far above the Guide price. There was only one printing, and the print run was only 2,000 copies! The black front cover of the issue makes the existence of many other high-grade copies unlikely. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 5 in 9.6, 1 higher.
Silver Age (1956-1969)
Amazing Fantasy #15 (Marvel, 1962) CGC FN/VF 7.0 Off-white pages. The origin and first appearance of Spider-Man is, with all due respect to the Golden Age giants, the most in-demand comic book in the entire hobby right now. This copy is free of any Marvel chipping, and the only spine stresses are very tiny. Jack Kirby is the cover artist. Overstreet 2008 FN 6.0 value = $5,550; VF 8.0 value = $16,000. CGC census 9/08: 30 in 7.0, 51 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC FN 6.0 Off-white pages. High-grade copies of this book have become unaffordable for all but a few, and with demand being this high, that might be true of mid-graders soon too -- good reason to grab this one! If you're just joining us, it's the origin and first appearance of Spider-Man, with cover art by Jack Kirby. Overstreet 2008 FN 6.0 value = $5,550. CGC census 9/08: 23 in 6.0, 112 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC Apparent VF+ 8.5 Slight (P) White pages. Only the second copy certified "white pages" we've ever offered of close to 100 AF15s sold (this copy does have restoration, but not to the interior)! And this is the book everyone wants a nice-looking copy of, the origin and first appearance of Spider-Man, with cover art by Jack Kirby. CGC notes, "Restoration includes: small amount of color touch on cover. (Top and bottom edge of cover trimmed)." Overstreet 2008 GD 2.0 value = $1,850; VG 4.0 value = $3,700; FN 6.0 value = $5,550; VF 8.0 value = $16,000.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN/VF 7.0 Off-white to white pages. Here it is! The second appearance of the Web-Slinger. Spider-Man gets his own title after only one appearance in Amazing Fantasy #15. In the ish Spidey's origin is retold and the Fantastic Four pop in for their first crossover. First appearances also include John Jameson, J. Jonah Jameson, and the Chameleon. Steve Ditko cover and art with Jack Kirby layouts. Overstreet 2008 FN 6.0 value = $3,750; VF 8.0 value = $11,000. CGC census 10/08: 35 in 7.0, 99 higher.
The Amazing Spider-Man #1 (Marvel, 1963) CGC VG- 3.5 Off-white to white pages. Supplies of this Marvel Age key just can't seem to keep up with collectors' demands. The Overstreet Comic Book Price Guide has it as the fourth most valuable Silver Age book, barely behind Fantastic Four #1 and gaining on Showcase #4. The reasons are obvious for True Believers: Spider-Man's origin is retold, the first Fantastic Four crossover, first appearances of J. Jonah Jameson, John Jameson, and the Chameleon. The cover is Jack Kirby and Steve Ditko at their collaborative finest, with Ditko beginning his historic run as interior artist in this premiere issue. Overstreet 2008 VG 4.0 value = $2,500. CGC census 10/08: 88 in 3.5, 548 higher.
The Amazing Spider-Man #2 (Marvel, 1963) CGC FN/VF 7.0 Off-white pages. A very nice copy of the first appearances of the Vulture and the Terrible Tinkerer as rendered by the incomparable Steve Ditko. This is only Spiderman's third appearance ever! Overstreet 2008 FN 6.0 value = $1,020; VF 8.0 value = $3,060. CGC census 10/08: 31 in 7.0, 85 higher.
The Amazing Spider-Man #3 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Owners of issues this early in grades this high seldom want to part with them, so take a close look at this one! It's the origin and first appearance of Doctor Octopus, with art by Steve Ditko. Overstreet 2008 VF 8.0 value = $2,336; VF/NM 9.0 value = $4,368. CGC census 9/08: 14 in 8.5, 43 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. In addition to the usual Steve Ditko-drawn Spidey story, this issue featured a back-up story with Spidey battling the Human Torch, with art by Jack Kirby and Ditko. Ditko did the cover. Overstreet 2008 NM- 9.2 value = $2,050. CGC census 9/08: 21 in 9.2, 28 higher.
The Amazing Spider-Man #10 (Marvel, 1964) CGC NM- 9.2 Off-white pages. The Big Man (Fred Foswell) and the Enforcers make their first appearance in this issue. Steve Ditko and Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $2,300. CGC census 10/08: 23 in 9.2, 25 higher.
The Amazing Spider-Man #14 (Marvel, 1964) CGC VF+ 8.5 Off-white pages. This key Marvel Silver Age issue features the first appearance of the Green Goblin (Norman Osborn) and the first meeting of Spider-Man and the Hulk. Steve Ditko cover and art. Overstreet 2008 VF 8.0 value = $1,461; VF/NM 9.0 value = $2,731. CGC census 10/08: 68 in 8.5, 107 higher. From the Capital City Collection.
The Amazing Spider-Man #17 (Marvel, 1964) CGC NM 9.4 Off-white pages. The arch-villain Green Goblin didn't wait long to make his second appearance -- just three issues! There's a Human Torch crossover in this issue, which featured Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 10/08: 18 in 9.4, 9 higher. From the Capital City Collection.
The Amazing Spider-Man #19 Winnipeg pedigree (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 29 in 9.4, 16 higher.
The Amazing Spider-Man #21 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Spidey takes on the Human Torch and the Beetle (his second appearance). The book also contains a Spider-Man pin-up. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $775. CGC census 10/08: 15 in 9.4, 5 higher.
The Amazing Spider-Man #22 (Marvel, 1965) CGC NM 9.4 Off-white pages. This is a truly stunning copy of the issue that introduced readers to Princess Python, as rendered by stellar Steve Ditko, who also drew the cover. Overstreet 2008 NM- 9.2 value = $725. CGC census 10/08: 17 in 9.4, 5 higher. From the Capital City Collection.
The Amazing Spider-Man #27 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Condition-wise, it just doesn't get much better than this Near Mint copy and certainly not often! This issue has the fifth appearance of the Green Goblin, with Steve Ditko furnishing the cover and interior art. Overstreet 2008 NM- 9.2 value = $750. CGC census 9/08: 16 in 9.4, 6 higher. From the Capital City Collection.
The Amazing Spider-Man #28 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. One of the toughest of the early Marvel Age issues to find in this grade because the mostly black front cover is so unforgiving of even the slightest blemish. The issue has the origin and first appearance of the Molten Man and Peter Parker's graduation from high school. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 9/08: 8 in 9.4, 4 higher. From the Capital City Collection.
The Amazing Spider-Man #29 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Underwater cover featuring the Scorpion (his second appearance). Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $475. CGC census 10/08: 20 in 9.4, 10 higher.
The Amazing Spider-Man #32 (Marvel, 1966) CGC NM 9.4 Off-white pages. Spidey vs. Doctor Octopus in the first part of a two-part story. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 10/08: 17 in 9.4, 12 higher.
The Amazing Spider-Man #33 (Marvel, 1966) CGC NM+ 9.6 Off-white pages. Spider-Man continues his battle with Doctor Octopus. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 10/08: 54 in 9.6, 5 higher.
The Amazing Spider-Man #35 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. Close to perfect copy of the issue that has Molten Man's second appearance. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 9/08: 11 in 9.4, 8 higher.
The Amazing Spider-Man #38 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. It's been a while since this book has come up for sale in this elite grade! This was the last Steve Ditko issue. Overstreet 2008 NM- 9.2 value = $425. CGC census 10/08: 6 in 9.6, 1 higher.
The Amazing Spider-Man #39 (Marvel, 1966) CGC NM 9.4 White pages. John Romita Sr. provided the "new look" for the title beginning with this issue, which featured a Green Goblin cover, plus a story in which the Goblin's identity is revealed as Norman Osborn. Overstreet 2008 NM- 9.2 value = $650. CGC census 10/08: 25 in 9.4, 16 higher.
The Amazing Spider-Man #40 (Marvel, 1966) CGC NM- 9.2 Off-white to white pages. Stellar copy of #40, which has a Green Goblin origin story and John Romita Sr. cover and interior art. Overstreet 2008 NM- 9.2 value = $775. CGC census 9/08: 59 in 9.2, 49 higher. From the Capital City Collection.
The Amazing Spider-Man #42 (Marvel, 1966) CGC NM+ 9.6 Off-white pages. The highlights in this issue include Mary Jane Watson's face being shown for the first time in a cameo appearance on last page and the second appearance of the Rhino. But it's the condition of this copy that makes this one super special! John Romita Sr. provided the cover and interior art. Overstreet 2008 NM- 9.2 value = $375. CGC census 9/08: 12 in 9.6, 2 higher.
The Amazing Spider-Man #43 Boston pedigree (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 10/08: 11 in 9.6, 2 higher.
The Amazing Spider-Man #44 Curator pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. You'll know why the Curator books caused such a stir when you see the deep colors on this one. John Romita Sr. cover. Overstreet 2008 NM- 9.2 value = $285. CGC census 10/08: 6 in 9.6, 2 higher.
The Amazing Spider-Man #45 (Marvel, 1967) CGC NM+ 9.6 White pages. Third appearance of the Lizard. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 10/08: 27 in 9.6, 2 higher.
The Amazing Spider-Man #47 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 10/08: 22 in 9.6, 2 higher.
The Amazing Spider-Man #50 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. One of Spidey's ultimate nemeses, the Kingpin makes his first appearance here, as Spider-Man's origin is retold. Johnny Carson and Ed McMahon make cameo appearances. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 10/08: 28 in 9.4, 8 higher. From the Capital City Collection.
Bronze Age (1970-1979)
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. Not a single copy tops this book on the current CGC census. The Death of Gwen Stacy, at the hands of the Green Goblin is the focus of the story drawn by John Romita Sr., who also treated us to the cover. Gil Kane penciled the interior art and Romita inked. Overstreet 2008 NM- 9.2 value = $350. CGC census 10/08: 10 in 9.8, none higher. From the Capital City Collection.
The Amazing Spider-Man #129 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. How about owning a copy of the highest CGC-graded first appearance of the Punisher. Here's your chance as not another copy tops this offering. Gil Kane and John Romita Sr. provided the cover art and Ross Andru, the interior art. Overstreet 2008 NM- 9.2 value = $700. CGC census 10/08: 10 in 9.8, none higher. From the Capital City Collection.
The Amazing Spider-Man #136 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. Perhaps the most memorable Green Goblin cover of the entire series, this one's by John Romita Sr. Overstreet 2008 NM- 9.2 value = $110. CGC census 10/08: 15 in 9.8, none higher.
Modern Age (1980-Present)
The Amazing Spider-Man #300 Signature Series (Marvel, 1988) CGC NM/MT 9.8 White pages. Origin and first full appearance of Venom. Last time Spider-Man wears the black "alien" costume. Todd McFarlane cover and art. CGC notes, "Signed by Todd McFarlane on 6/28/08 at Wizard World Chicago." Overstreet 2008 NM- 9.2 value = $125. CGC census 10/08: (for Signature Series) 11 in 9.8, none higher; (for Universal grades) 169 in 9.8, 3 higher.
Silver Age (1956-1969)
The Amazing Spider-Man Annual #2 Pacific Coast pedigree (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Square bound. Cover and art by Steve Ditko. Overstreet 2008 NM- 9.2 value = $675. CGC census 10/08: 11 in 9.4, 5 higher.
The Amazing Spider-Man Annual #3 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. New Avengers story and Hulk crossover. John Romita Sr. cover. Overstreet 2008 NM- 9.2 value = $290. CGC census 10/08: 10 in 9.6, 2 higher.
Aquaman #6 (DC, 1962) CGC NM+ 9.6 Off-white to white pages. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
The Atom #7 (DC, 1963) CGC NM 9.4 White pages. The David N. Toth Collection has produced some of the finest copies known of late 1950s and early 1960s DC issues. Here's a prime example! Gil Kane and Murphy Anderson collaborated on the cover and interior art. For this title, only the #1 and #2 issues have greater Overstreet values than #7, which features the first Hawkman crossover story. Overstreet 2008 NM- 9.2 value = $535. CGC census 9/08: 3 in 9.4, 3 higher. From the David N. Toth Collection.
The Avengers #1 (Marvel, 1963) CGC FN/VF 7.0 Off-white pages. Origin and first appearance of the Avengers (Thor, Iron Man, Hulk, Ant-Man, and Wasp). Jack Kirby cover. Overstreet 2008 FN 6.0 value = $960; VF 8.0 value = $2,880. CGC census 10/08: 48 in 7.0, 91 higher. From the Capital City Collection.
The Avengers #8 (Marvel, 1964) CGC NM+ 9.6 Off-white to white pages. This chart topping copy features the first appearance of Kang the Conqueror rendered by Jack Kirby and Dick Ayers. Kirby cover. Overstreet 2008 NM- 9.2 value = $475. CGC census 10/08: 4 in 9.6, none higher. From the Capital City Collection.
Batman #121 (DC, 1959) CGC VF/NM 9.0 Off-white pages. The only higher-graded copy (9.2) sold for $5,556 in a recent Heritage auction... yes, you read that right! This is the origin and first appearance of Mr. Freeze (originally called Mr. Zero). Curt Swan cover art. Overstreet 2008 VF/NM 9.0 value = $553; NM- 9.2 value = $775. CGC census 10/08: 1 in 9.0, 1 higher.
Batman #148 (DC, 1962) CGC NM 9.4 Off-white pages. The last copy we sold in this grade went for $1,673! Sheldon Moldoff is the cover artist, and "the Joker unmasking Batman" makes this one of the more intriguing cover scenes of the early-60s run. Overstreet 2008 NM- 9.2 value = $350. CGC census 10/08: 3 in 9.4, 1 higher.
Batman #181 (DC, 1966) CGC NM 9.4 White pages. The first appearance of Poison Ivy. Batman was white-hot in '66, Carmine Infantino was in top form to boot and those great go-go checks adorn the book -- all of this should have you itching to bid! Overstreet 2008 NM- 9.2 value = $340. CGC census 10/08: 11 in 9.4, 3 higher.
Batman #189 (DC, 1967) CGC NM 9.4 White pages. The Scarecrow (Jonathan Crane) makes his Silver Age debut in this issue, which features a cover by Carmine Infantino and art by Joe Giella and Sheldon Moldoff. Overstreet 2008 NM- 9.2 value = $210. CGC census 10/08: 8 in 9.4, 9 higher.
Bronze Age (1970-1979)
Batman #232 (DC, 1971) CGC NM/MT 9.8 White pages. The first appearance of Ra's al Ghul is a book that has absolutely exploded lately, especially in 9.8! Unforgettable story art by Neal Adams (see two original art pages in this same auction) and a memorable cover by Adams as well. Overstreet 2008 NM- 9.2 value = $250. CGC census 10/08: 6 in 9.8, none higher.
Batman #234 (DC, 1971) CGC NM+ 9.6 Off-white to white pages. This issue's got the highest Guide value of any 1970s Batman, that's because it's the first appearance of Two-Face since the Golden Age! And he was in great hands with writer Denny O'Neil and artist Neal Adams. Overstreet 2008 NM- 9.2 value = $230. CGC census 10/08: 18 in 9.6, 1 higher.
Silver Age (1956-1969)
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC FN+ 6.5 Off-white pages. The first appearance of the Justice League of America. First appearance of Starro and Snapper Carr. Mike Sekowsky and Murphy Anderson cover and art. Overstreet 2008 FN 6.0 value = $1,380; VF 8.0 value = $4,209. CGC census 10/08: 13 in 6.5, 37 higher. From the Capital City Collection.
The Brave and the Bold #54 Kid Flash, Aqualad, and Robin (DC, 1964) CGC NM 9.4 Off-white to white pages. The first appearance and origin of the Teen Titans was here, even if the group was not officially called by that name yet! Of course, it's a group that's still going strong today. Bruno Premiani drew the cover and the group's first-ever adventure. Overstreet 2008 NM- 9.2 value = $575. CGC census 4/08: 8 in 9.4, 2 higher. From the David N. Toth Collection.
Daredevil #1 (Marvel, 1964) CGC VF 8.0 Off-white pages. The origin and first appearance of Daredevil (Matt Murdock) and the first appearances of Karen Page and Foggy Nelson mark this seminal issue. Jack Kirby and Bill Everett are the cover artists. Overstreet 2008 VF 8.0 value = $2,188. CGC census 10/08: 58 in 8.0, 112 higher.
Daredevil #3 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. We've offered a nicer copy of this issue just once before! The origin and first appearance of the Owl is the highlight of the issue, which has a Jack Kirby cover and Joe Orlando interior art. Overstreet 2008 NM- 9.2 value = $850. CGC census 9/08: 14 in 9.4, 6 higher. From the Capital City Collection.
Detective Comics #288 (DC, 1961) CGC NM 9.4 Off-white to white pages. It's no surprise that this is CGC's highest-graded copy -- it's a beauty! Sheldon Moldoff drew this cover from the days when the Dynamic Duo was in more of a "science fiction" phase. Overstreet 2008 NM- 9.2 value = $220. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #313 (DC, 1963) CGC NM/MT 9.8 White pages. For the entire span of 1947-1966 -- that's twenty full years if you're scoring at home -- exactly eight copies of any Detective Comics issue have been certified 9.8 by CGC. What this has in common with three others from that elite group of eight is that it's from the David N. Toth collection! Sheldon Moldoff is the cover artist here. Overstreet 2008 NM- 9.2 value = $135. CGC census 9/08: 1 in 9.8, none higher. From the David N. Toth Collection.
80 Page Giant #10 Superboy (DC, 1965) CGC NM 9.4 Off-white pages. We hope our catalog picture conveys just how fresh-looking this square bound copy is! Curt Swan drew the cover, illustrating some of Superboy's more memorable adventures. Overstreet 2008 NM- 9.2 value = $255. CGC census 9/08: 4 in 9.4, 2 higher. From the David N. Toth Collection.
Fantastic Four #1 (Marvel, 1961) CGC FN/VF 7.0 Off-white to white pages. This is where it all started for Marvel as we know it today, the origin and first appearance of the Fantastic Four, Marvel's first superhero team. It's also the origin and first appearance of the villainous (though misunderstood) Mole Man. Writer Stan Lee and artist Jack Kirby were behind this one. Overstreet 2008 FN 6.0 value = $3,750; VF 8.0 value = $12,500. CGC census 9/08: 15 in 7.0, 35 higher.
Fantastic Four #1 (Marvel, 1961) CGC FN+ 6.5 Off-white pages. The book that launched the Marvel Age was vastly different from the typical superhero fare of the day, dominated at the time by DC. The origin and first appearance of the Fantastic Four, Marvel's first superhero team, was featured in this issue, which also had the origin and first appearance of their first nemesis, Mole Man. Stan Lee provided the story; Jack Kirby the cover and interior art. Overstreet 2008 FN 6.0 value = $3,750; VF 8.0 value = $12,500. CGC census 10/08: 12 in 6.5, 50 higher. From the Capital City Collection.
Fantastic Four #2 (Marvel, 1962) CGC VF/NM 9.0 Off-white pages. One of Overstreet's 20 most valuable Silver Age books, this was long considered the toughest Marvel superhero book to find. Time has shown that it isn't scarce, but finding this above VF is very tough. This is just the second superhero issue Marvel ever published (tied with Tales to Astonish #27), and the second and last FF to have a 10-cent cover price. It has the first appearance of the Skrulls, and of course just the second appearance of the Fantastic Four, whose costumes hadn't even been created yet (and note the very primitive early look of the Thing). In case you didn't know, it's a production of writer Stan Lee and artist Jack Kirby. Overstreet 2008 VF/NM 9.0 value = $6,120; NM- 9.2 value = $9,000. CGC census 9/08: 9 in 9.0, 18 higher. From the Capital City Collection.
Fantastic Four #3 (Marvel, 1962) CGC VF+ 8.5 Off-white to white pages. Almost never offered for sale in this grade or higher, this is the issue that you could almost call a new #1, as it was the first time the Fantastic Four took on their "superhero" look, donning costumes, establishing a headquarters and coming up with their cool Fantasti-Car. Jack Kirby is the artist. Overstreet 2008 VF 8.0 value = $2,258; VF/NM 9.0 value = $4,229. CGC census 9/08: 10 in 8.5, 10 higher. From the Capital City Collection.
Fantastic Four #4 (Marvel, 1962) CGC NM 9.4 White pages. We love the page quality of this high-grade copy (we had the good fortune to auction two of the other 9.4s, yet neither had white pages). This issue's a significant one indeed, the first Silver Age appearance of the Sub-Mariner (who you'll recall first appeared in the first comic Timely/Marvel ever produced). Jack Kirby is the artist. Overstreet 2008 NM- 9.2 value = $7,000. CGC census 9/08: 7 in 9.4, 1 higher. From the Capital City Collection.
Fantastic Four #5 (Marvel, 1962) CGC VF/NM 9.0 Off-white to white pages. The origin and first appearance of Doctor Doom in this issue makes it the second most valuable in the entire run. And to add to the demand, it's a tough book to find in this grade, which is just two notches below the highest grade (NM 9.4) that CGC as awarded for this issue to date. Stan Lee (writer) and Jack Kirby (artist) at their best! Overstreet 2008 VF/NM 9.0 value = $6,256; NM- 9.2 value = $9,200. CGC census 10/08: 7 in 9.0, 12 higher. From the Capital City Collection.
Fantastic Four #6 (Marvel, 1962) CGC VF 8.0 Off-white to white pages. Sub-Mariner and Dr. Doom are featured in the first Marvel villain team-up. Second Silver Age appearance of Sub-Mariner. Second appearance of Dr. Doom. Jack Kirby and Dick Ayers cover and art. Overstreet 2008 VF 8.0 value = $1,315. CGC census 10/08: 17 in 8.0, 32 higher. From the Capital City Collection.
Fantastic Four #7 (Marvel, 1962) CGC VF+ 8.5 Off-white to white pages. Early Marvel Age issues are pretty tough finds in this grade and higher, so jump on this one! The issue had the first appearance of Kurrgo, a flying saucer cover, and art inside and out by Jack Kirby. Overstreet 2008 VF 8.0 value = $884; VF/NM 9.0 value = $1,642. CGC census 10/08: 13 in 8.5, 14 higher. From the Capital City Collection.
Fantastic Four #8 (Marvel, 1962) CGC VF+ 8.5 Off-white to white pages. Each of these early issues seemed to introduce a character or concept that would be important for decades in the title's long run. Here it's the first appearance of the Puppet-Master and of Alicia Masters. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $884; VF/NM 9.0 value = $1,642. CGC census 10/08: 8 in 8.5, 17 higher. From the Capital City Collection.
Fantastic Four #9 (Marvel, 1962) CGC VF/NM 9.0 Off-white pages. You'll love seeing the uniform orange field at the top, unmarred by any color breaks! The Sub-Mariner made his third Silver Age appearance in this Jack Kirby-drawn outing. Overstreet 2008 VF/NM 9.0 value = $1,642; NM- 9.2 value = $2,400. CGC census 10/08: 7 in 9.0, 14 higher. From the Capital City Collection.
Fantastic Four #10 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. Triple Kirby here, as Jolly Jack drew the entire issue, appeared as a character in the story and on the cover, and also signed this copy (as per is its policy, CGC did not attempt to authenticate the autograph)! Doctor Doom is the heavy here. CGC notes, "'Jack Kirby' written on 1st page in pen." Overstreet 2008 VF/NM 9.0 value = $1,642; NM- 9.2 value = $2,400. CGC census 9/08: 10 in 9.0, 17 higher.
Fantastic Four #10 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. Doctor Doom appearance. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $884; VF/NM 9.0 value = $1,642. CGC census 10/08: 18 in 8.5, 27 higher. From the Capital City Collection.
Fantastic Four #12 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. This blockbuster issue is the most valuable in the entire run, except for the first five issues. Why? The Fantastic Four meet the Hulk for the first time. It's the first Hulk cross-over, and ties with Amazing Spider-Man #1 as the first Marvel crossover. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $1,969; VF/NM 9.0 value = $3,685. CGC census 9/08: 15 in 8.5, 26 higher. From the Capital City Collection.
Fantastic Four #13 (Marvel, 1963) CGC VF/NM 9.0 Cream to off-white pages. The first appearance of the Watcher and the first appearance of the Red Ghost and his Super-Apes highlight this issue which sports a Jack Kirby cover. Kirby and Steve Ditko art. Overstreet 2008 VF/NM 9.0 value = $855; NM- 9.2 value = $1,250. CGC census 10/08: 11 in 9.0, 7 higher. From the Capital City Collection.
Fantastic Four #14 (Marvel, 1963) CGC NM 9.4 Off-white to white pages. The Fantastic Four take on both the Sub-Mariner and the Puppet Master (his second appearance) in this ish which touts an Invisible Girl bondage cover by Jack Kirby and Steve Ditko. An outstanding copy! Overstreet 2008 NM- 9.2 value = $900. CGC census 10/08: 8 in 9.4, 5 higher. From the Capital City Collection.
Fantastic Four #16 (Marvel, 1963) CGC NM+ 9.6 Off-white pages. This is easily the nicest copy of #16 we've ever offered, and one of the highlights of the snappy Silver Age Marvel collection offered in this auction. The red background usually makes this a vexing issue for the FF collector, so it was no shock to see this one's tied for the highest grade yet assigned. The Ant-Man appearance is the first-ever crossover for the Tales To Astonish superguy. As for Doctor Doom, he was missing and presumed dead at the end of #10.... how often have we heard that? And he's never been more intimidating than on this Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $900. CGC census 10/08: 3 in 9.6, none higher. From the Capital City Collection.
Fantastic Four #18 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. You see how sparse the CGC census is for this book, and note that as of this writing just two copies have been graded higher than 9.2. Origin and first appearance of one of the all-time tough villains, the Super-Skrull. It's a pretty early ish in the Silver Age scheme of things -- that new release Avengers #1 is advertised inside. Jack Kirby is the artist. Overstreet 2008 VF/NM 9.0 value = $622; NM- 9.2 value = $900. CGC census 10/08: 7 in 9.0, 10 higher. From the Capital City Collection.
Fantastic Four #23 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Doctor Doom tries to teleport the team into outer space with the help of a liberal sprinkling of ionic dust, in the story of this stellar copy. Jack Kirby treated us to the cover and interior art. Overstreet 2008 NM- 9.2 value = $525. CGC census 10/08: 4 in 9.4, 3 higher. From the Capital City Collection.
Fantastic Four #26 (Marvel, 1964) CGC NM- 9.2 Off-white pages. The Hulk and the Thing wrap up their battle in this ish, as the Avengers make only their fourth crossover appearance. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 10/08: 18 in 9.2, 15 higher. From the Capital City Collection.
Fantastic Four #50 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. This one's by far the toughest of the three "Galactus" issues to find in high grade thanks to the chocolate-brown cover background. The Silver Surfer battles Galactus in the third appearance of both characters. Note the blurb touting Johnny Storm in college (similar to the hype on Amazing Spider-Man #36, also a May 1966 issue), a notable event since he meets Wyatt Wingfoot, making his first appearance. Jack Kirby drew the cover and the story. Overstreet 2008 NM- 9.2 value = $825. CGC census 10/08: 9 in 9.4, 2 higher. From the Capital City Collection.
The Flash #129 (DC, 1962) CGC NM 9.4 Off-white pages. Anyone who remembered the Golden Age Flash got a thrill here, as Jay Garrick made just his second Silver Age appearance. Could a full-fledged return of the Justice Society be far behind? No, and this issue even teased readers with a flashback to the JSA story from All-Star Comics #57. Golden Age nostalgia aside, Barry Allen also had to tangle with Captain Cold and the Trickster in this Carmine Infantino-drawn issue. Overstreet 2008 NM- 9.2 value = $550. CGC census 10/08: 5 in 9.4, 2 higher.
The Flash #138 (DC, 1963) CGC NM 9.4 White pages. An excellent copy from a collection that no longer needs any introduction! While not the first appearance of Dexter Myles as CGC's label would have you believe, this book has everything else: the Elongated Man, the Pied Piper, and Kid Flash are all on hand. Cover art by Carmine Infantino. Overstreet 2008 NM- 9.2 value = $250. CGC census 9/08: 4 in 9.4, 3 higher. From the David N. Toth Collection.
God Nose #1 First Printing Jaxon File Copy (Jack Jackson, 1964) Condition: VG/FN. This historically important first commercially sold Underground Comix Book is also one of three copies found among the late artist Jack Jackson's personal collection, and the last of his file copies to be offered to the public. This copy is missing the top staple, and has a small area of staining along the outer page edges that has slightly worked into three or four pages; otherwise, it's a solid copy of a very hard-to-find first printing. Fogel's Underground Comix Price Guide FN 6.0 value = $3,000. From the Jack Jackson ("Jaxon") Collection.
Green Lantern #1 (DC, 1960) CGC VF/NM 9.0 Off-white pages. This copy of the seminal first issue is among the finest around. Green Lantern's origin is retold and the Guardians of the Universe make their very first appearance in this Gil Kane covered beauty. The book has considerable eye appeal. Overstreet 2008 VF/NM 9.0 value = $5,916; NM- 9.2 value = $8,700. CGC census 10/08: 4 in 9.0, 3 higher. From the Capital City Collection.
Green Lantern #8 (DC, 1961) CGC NM- 9.2 White pages. This Gil Kane grey tone cover is a collector's favorite, and this is just about the finest copy ever to be certified by CGC. Featured is the first 5700 A.D. story. Overstreet 2008 NM- 9.2 value = $525. CGC census 10/08: 2 in 9.2, 1 higher. From the David N. Toth Collection.
Green Lantern #9 (DC, 1961) CGC NM- 9.2 Off-white to white pages. So close to the top of CGC's census for this issue! Gil Kane and Murphy Anderson are the cover artists; Sinestro (still going strong in comics today) is the villain. Overstreet 2008 NM- 9.2 value = $485. CGC census 10/08: 1 in 9.2, 2 higher. From the Capital City Collection.
Green Lantern #21 (DC, 1963) CGC NM 9.4 White pages. By far the nicest copy we've ever seen of this one! The solid orange background looks amazing. "The man who mastered magnetism" referred to on the cover is none other than Dr. Polaris, making his first appearance. Gil Kane and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $215. CGC census 9/08: 4 in 9.4, 1 higher. From the David N. Toth Collection.
Hawkman #1 (DC, 1964) CGC NM- 9.2 Off-white pages. Following the lead of other Golden Age superheroes being reborn in DC's Silver Age, Hawkman gets his own title after tryout issues in The Brave and The Bold and an appearance in The Atom. Murphy Anderson became the regular artist with this issue, providing both cover and interior art. CGC notes, "From the Dallas Stephens Collection." Includes a COA. Overstreet 2008 NM- 9.2 value = $1,150. CGC census 10/08: 11 in 9.2, 9 higher.
The Incredible Hulk #1 (Marvel, 1962) CGC FN- 5.5 Off-white pages. One of the scarcest of the first wave of Marvel Age keys, especially in nice grade, this milestone issue had the origin and first appearances of the Hulk, as well as the first appearances of Rick Jones, Betty Ross, and Thunderbolt Ross. The classic Silver Age book was drawn inside and out by Jack Kirby. Overstreet 2008 FN 6.0 value = $3,000. CGC census 10/08: 20 in 5.5, 100 higher. From the Capital City Collection.
The Incredible Hulk #2 (Marvel, 1962) CGC VF- 7.5 Off-white to white pages. In this second issue, the Hulk shows his true colors... green. The green-skinned bulk appears for the first time as do the Toad Men. Rick Jones, Betty Ross, and General Ross also put in appearances. Cover and art by Jack Kirby and Steve Ditko. Overstreet 2008 VF 8.0 value = $2,258. CGC census 10/08: 6 in 7.5, 24 higher. From the Capital City Collection.
The Incredible Hulk #4 (Marvel, 1962) CGC VF+ 8.5 Off-white pages. This issue contains two feature-length stories, including a brief retelling of the Hulk's origin as illustrated by Jack Kirby, who also offers the cover art. Overstreet 2008 VF 8.0 value = $1,258; VF/NM 9.0 value = $2,329. CGC census 10/08: 11 in 8.5, 21 higher. From the Capital City Collection.
Journey Into Mystery #83 (Marvel, 1962) CGC FN/VF 7.0 Cream to off-white pages. The demand for Marvel keys just never lets up, and this is one of them, the origin and first appearance of Thor. Jack Kirby is the cover artist. Overstreet 2008 FN 6.0 value = $1,800; VF 8.0 value = $5,500. CGC census 9/08: 13 in 7.0, 57 higher.
Journey Into Mystery #83 (Marvel, 1962) CGC FN+ 6.5 Off-white to white pages. Here's one of the undisputed Marvel keys, the origin and first appearance of Thor with art by Jack Kirby. Overstreet 2008 FN 6.0 value = $1,800; VF 8.0 value = $5,500. CGC census 9/08: 27 in 6.5, 70 higher.
Journey Into Mystery #83 (Marvel, 1962) CGC Apparent NM+ 9.6 Slight (P) White pages. This is the only restored copy certified with a grade this high to date, and since only one unrestored book has received a 9.6 as of this writing, our offering would have to rank near the top of the class when it comes to eye appeal. The issue is the origin and first appearance of Thor, with cover art by Jack Kirby. CGC notes, "Restoration includes: small amount of color touch on cover. (Cover trimmed)." Overstreet 2008 GD 2.0 value = $600; VG 4.0 value = $1,200; FN 6.0 value = $1,800; VF 8.0 value = $5,500; VF/NM 9.0 value = $10,250; NM- 9.2 value = $15,000.
Justice League of America #1 (DC, 1960) CGC VF 8.0 Cream to off-white pages. Notoriously hard to find in high grades, this DC key is in big demand among collectors. Not since the Golden Age had such a superhero team been assembled! It included Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman in the beginning, and in this premiere issue, the team battles the formidable Despero, making his first appearance. Murphy Anderson did the cover; Mike Sekowsky the interior art. Overstreet 2008 VF 8.0 value = $3,600. CGC census 10/08: 5 in 8.0, 16 higher. From the Capital City Collection.
Justice League of America #2 (DC, 1961) CGC NM- 9.2 Off-white pages. When all man-made devices on the planet stop functioning, the Justice League calls Merlin the magician from the Magic Dimension to help find a way to return Earth to normal. Murphy Anderson cover. Mike Sekowsky and Bernard Sachs art. Overstreet 2008 NM- 9.2 value = $2,300. CGC census 10/08: 3 in 9.2, 4 higher. From the Capital City Collection.
Justice League of America #5 (DC, 1961) CGC NM- 9.2 Off-white pages. Surprisingly tough to find in this high of a grade. The issue features the origin and first appearance of Dr. Destiny. Cover and interior art by Mike Sekowsky. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 9/08: 3 in 9.2, 2 higher. From the Capital City Collection.
Justice League of America #11 (DC, 1962) CGC NM+ 9.6 Off-white pages. The Justice League battles the Lord of Time. Appearances by Abnegezar, Rath, and Ghast mark this Mike Sekowsky and Murphy Anderson-wrapped issue. Sekowsky and Bernard Sachs add interior art. Overstreet 2008 NM- 9.2 value = $450. CGC census 10/08: 2 in 9.6, none higher. From the Capital City Collection.
Justice League of America #23 (DC, 1963) CGC NM 9.4 Off-white to white pages. The JLA run from the David N. Toth collection remains the best we've ever seen top to bottom, and here's one "straggler" issue we weren't able to offer with the rest of the run. The condition is top-notch! This issue has the origin and first appearance of the Queen Bee. Mike Sekowsky and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $240. CGC census 9/08: 4 in 9.4, 1 higher. From the David N. Toth Collection.
Metal Men #3 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. This is the best copy we've ever seen of this one. Ross Andru and Mike Esposito cover and art. Overstreet 2008 NM- 9.2 value = $250. CGC census 9/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Our Army at War #82 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. It wasn't the Sgt. Rock, and it wasn't the Easy Co. that would premiere in issue #83, but a Sgt. Rock in an Easy Co. makes an appearance in this issue, written and drawn by Robert Kanigher and Mort Drucker, respectively. Irv Novick and Ross Andru also contributed interior art, and Jerry Grandenetti did the cover. Overstreet 2008 VF 8.0 value = $442; VF/NM 9.0 value = $821. CGC census 10/08: 1 in 8.5, 1 higher.
Sgt. Fury and His Howling Commandos #13 (Marvel, 1964) CGC NM 9.4 Off-white pages. The only true Howlers key except for #1, this has an appearance by Captain America and Bucky, and the first meeting between the shield-slinger and Nick Fury (you did know Cap and Bucky fought in World War II, right?). Jack Kirby is the cover artist. The only two copies graded higher are both 9.6. Overstreet 2008 NM- 9.2 value = $675. CGC census 10/08: 11 in 9.4, 2 higher.
Showcase #4 The Flash (DC, 1956) Condition: Apparent VF-. Featuring the Flash in a smart new costume, this book is considered by most to be the very first Silver Age comic. The importance of this issue to the hobby cannot be underestimated. Carmine Infantino and Joe Kubert, two of DC's best artists of the period, provided the cover and interior art, which not only brought back the Flash, but also introduced his fiancée, Iris West. The milestone book is currently ranked by Overstreet just behind Amazing Fantasy #15 as the second most valuable Silver Age issue of all. This copy has had Extensive professional restoration including color touch, tear seals, cleaning, and reinforcement. Note that CGC could not encapsulate this copy due to a cover overhang. Overstreet 2008 GD 2.0 value = $1,333; VG 4.0 value = $2,666; FN 6.0 value = $4,000; VF 8.0 value = $15,000.
Showcase #42 Tommy Tomorrow (DC, 1963) CGC NM+ 9.6 Off-white pages. Tied with the Pacific Coast copy as the finest CGC has certified. This was the second try-out issue for Tommy Tomorrow, and the character's origin story is told for the first time in this issue, 16 years after his first appearance! The alien with the bizarre and unusual name "Lon" is Tommy's fellow cadet, who appears in several of the stories. The art is by Lee Elias. Overstreet 2008 NM- 9.2 value = $285. CGC census 9/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Tales of Suspense #39 Iron Man (Marvel, 1963) CGC FN/VF 7.0 Cream to off-white pages. One of Marvel's key "origin" issues from the early 1960s, TOS #39 has seen a significant jump in collector demand in recent months, likely the result of the very popular Iron Man movie. Jack Kirby's cover is one of a slew he did that have become Silver Age milestones. Kirby also did the layouts for the Iron Man story, while familiar names Steve Ditko, Gene Colan, and Don Heck also contributed interior art for the issue that gave us the origin and first appearance of Iron Man. Overstreet 2008 FN 6.0 value = $1,500; VF 8.0 value = $4,500. CGC census 9/08: 28 in 7.0, 104 higher.
Tales of Suspense #63 (Marvel, 1965) CGC NM 9.4 Off-white pages. First Silver Age origin of Captain America. Jack Kirby cover and interior art. Overstreet 2008 NM- 9.2 value = $475. CGC census 9/08: 7 in 9.4, 4 higher. From the Capital City Collection.
Tales to Astonish #27 (Marvel, 1962) CGC VF- 7.5 Cream to off-white pages. This is the toughest Silver Age Marvel key to find in high grades, bar none! If you don't take our word for it, a look at the CGC census will show that Amazing Fantasy #15, for example, has 50 copies graded above 7.5, and even the oh-so tough Hulk #1 has 25 graded above 7.5. This is the first appearance of Henry Pym, who would soon become known as Ant-Man. It's also one of only three Silver Age Marvel superhero issues to have a 10-cent cover price (along with Fantastic Four #2, on the stands at the same time, and of course FF #1). Jack Kirby is the cover artist. Overstreet 2008 VF 8.0 value = $3,312. CGC census 9/08: 8 in 7.5, 20 higher.
Tales to Astonish #44 Curator pedigree (Marvel, 1963) CGC NM 9.4 White pages. It's the origin and first appearance of the Wasp! And it came out fairly early in Marvel's Silver Age, pre-dating the likes of X-Men #1. Jack Kirby and Don Heck are the cover artists. Recent copies we've auctioned from this pedigree have performed extremely well, and given the sharp cover and great page quality we expect that trend to continue here. Overstreet 2008 NM- 9.2 value = $875. CGC census 9/08: 4 in 9.4, 2 higher.
Teen Titans #1 (DC, 1966) CGC NM 9.4 White pages. The first issue of this title is surprisingly scarce in this grade and higher. Nick Cardy provided the cover and story art. The Teens join the Peace Corps in this issue, which also has Batman, Flash, Wonder Woman, and Aquaman cameos. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 6 in 9.4, 3 higher.
Turok #3 (Dell, 1956) CGC NM+ 9.6 Off-white to white pages. This is the first issue of the regularly numbered series, after two earlier Four Color outings. Painted cover. Overstreet 2008 NM- 9.2 value = $385. CGC census 10/08: 1 in 9.6, none higher.
X-Men #1 (Marvel, 1963) CGC VF- 7.5 Off-white pages. The sixth most valuable Silver Age issue and gaining, the X-Men burst onto the scene in 1963 and immediately encountered one of the all-time comics super-villains in Magneto. The origin story featured the first appearances of the Angel, the Beast, Cyclops, Iceman, and Marvel Girl, and their mentor Professor X. Jack Kirby did the cover -- natch! -- and also provided the interior art. Overstreet 2008 VF 8.0 value = $6,500. CGC census 10/08: 34 in 7.5, 89 higher. From the Capital City Collection.
X-Men #1 (Marvel, 1963) CGC Apparent VF/NM 9.0 Slight (P) Cream to off-white pages. Kicking off the nice run we're offering is the book that started it all, the origin and first appearance of the team as well as the debuts of Professor X and Magneto. The key books keep going up in value, and here's your shot at a nice copy for less than five figures! Jack Kirby cover and art. CGC notes, "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $700; VG 4.0 value = $1,400; FN 6.0 value = $2,100; VF 8.0 value = $6,500; VF/NM 9.0 value = $12,750.
X-Men #2 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. The second issue of the fledgling title featured the first appearance of the Vanisher. Jack Kirby cover and interior art. Overstreet 2008 VF/NM 9.0 value = $2,396; NM- 9.2 value = $3,500. CGC census 9/08: 24 in 9.0, 19 higher.
X-Men #2 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. Nice copy of the issue which has the second appearance of the X-Men and the first appearance of the Vanisher. Jack Kirby did the cover and interior art, and CGC notes, "'Jack Kirby' and 'Stan Lee '91' written on 1st page." Since CGC doesn't normally authenticate autographs until they witness the signing, these could be autographs by the comic greats behind the comic book revolution known as the Marvel Age. Regardless of that, this is an excellent copy of a Silver Age key. Overstreet 2008 VF 8.0 value = $1,292; VF/NM 9.0 value = $2,396. CGC census 9/08: 18 in 8.5, 43 higher.
X-Men #4 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. It's the first appearance of Quicksilver, Scarlet Witch, Toad, Mastermind, and the Brotherhood of Evil Mutants as well as the second appearance of Magneto. One of the most striking covers of the run, courtesy of Jack Kirby. CGC notes, "Date stamp on back cover." Overstreet 2008 NM- 9.2 value = $1,950. CGC census 10/08: 11 in 9.2, 16 higher.
X-Men #4 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Significant early issue of one of the most popular Silver Age titles included first appearances of Quicksilver, Scarlet Witch, Toad, Mastermind, and the Brotherhood of Evil Mutants, as well as the second appearance of Magneto. Jack Kirby did the dynamic cover and interior art. CGC notes, "'12' written on cover in pencil." Overstreet 2008 VF/NM 9.0 value = $1,337; NM- 9.2 value = $1,950. CGC census 9/08: 12 in 9.0, 27 higher.
X-Men #5 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Magneto continues to engage our favorite mutants, making his third appearance in the young title. His minions, the Brotherhood of Evil Mutants, makes their second appearances, giving us another chance to ogle the lovely Scarlet Witch. Jack Kirby cover and interior art. Overstreet 2008 VF/NM 9.0 value = $893; NM- 9.2 value = $1,300. CGC census 9/08: 16 in 9.0, 18 higher.
X-Men #7 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Not only did the X-Men battle Magneto and the Brotherhood of Evil Mutants here, this issue saw Cyclops becoming deputy leader of the X-Men and had the first appearance of Cerebro the mutant-finding machine. Jack Kirby is the artist. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 10/08: 14 in 9.2, 7 higher.
X-Men #17 Slobodian pedigree (Marvel, 1966) CGC NM 9.4 White pages. Jack "King" Kirby did the first 17 covers for the title, including this underrated, all-red masterpiece, and this gorgeous copy displays it ever so nicely. Kirby also did the interior layouts as the X-Men battle their nemesis Magneto. Overstreet 2008 NM- 9.2 value = $335. CGC census 9/08: 6 in 9.4, 6 higher.
X-Men #44 Slobodian pedigree (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Stunning copy's cover is a real color blast. It's one of a relatively few by veteran artist Don Heck, known more for his interior art on Iron Man. The issue has the first Silver Age appearance of Red Raven, plus appearances by Magneto, Scarlet Witch, and Quicksilver. Overstreet 2008 NM- 9.2 value = $145. CGC census 9/08: 4 in 9.6, 1 higher.
Golden Age (1938-1955)
Flash Comics #1-12 Bound Volume (DC, 1940). This fantastic bound volume features several key Golden Age DC first appearances -- including those of the Flash, Hawkman, and Johnny Thunder! Included are copies of Flash Comics #1 (first appearances of Flash, Hawkman, Johnny Thunder, the Whip, and Shiera Saunders), #2 (first Hawkman cover), #3 (first appearance of King Standish, E. E. Hibbard art begins on Flash), #4 (The Whip cover, Sheldon Moldoff's first Hawkman art), #5, 6, 7, #8 (classic Flash cover), 9, #10 (classic Flash cover), #11 (gorilla cover), and #12 that have been trimmed and spiral-bound into a hardcover volume for the office of managing editor M. C. Gaines. The comics also feature art by Stan Aschmeier for the Johnny Thunder stories. The comics were trimmed on all sides (meaning the spines have been trimmed away as well) and have had holes punched along the left edges to accommodate the spiral binding; otherwise the comics are in overall nice condition with bright, glossy covers, off-white to tan pages with some instances of very mild chipping, and mild to moderate wear. The first page of issue #1 has become detached. Overstreet 2008 VG 4.0 value for group = $22,584.
Four Color #37-48 Bound Volume (Dell, 1944). Here's an opportunity for the Four Color fan that simply is not to be missed, in light of the fantastic condition of the comics in this volume. The condition of the covers ranks with the best we've seen, and could be compared with that of a Near Mint pedigree copy. The page quality is cream to off-white. This blue hardcover volume includes trimmed and bound copies of #37 (Bringing Up Father), #38 (Roy Rogers, the first Western comic to have a photo cover and one of Overstreet's ten most valuable Western comics), #39 (Oswald the Rabbit), #40 (Barney Google and Snuffy Smith), #41 (Mother Goose and Nursery Rhyme Comics, Walt Kelly art), #42 (Tiny Tim), #43 (Popeye), #44 (Terry and the Pirates), #45 (Raggedy Ann), #46 (Felix the Cat and the Haunted Castle), #47 (Gene Autry), and #48 (Porky Pig of the Mounties, Carl Barks art). The title and issue numbers are embossed on the spine. Overstreet 2008 VG 4.0 value for group = $1,072.
Four Color #61-72 Bound Volume (Dell, 1944-45). Here's a solid run of Four Colors in fantastic condition! Included in this volume are #61 (Santa Claus Funnies, Walt Kelly art), #62 (Donald Duck in "Frozen Gold", Carl Barks art), #63 (Roy Rogers), #64 (Smokey Stover), #65 (Smitty), #66 (Gene Autry), #67 (Oswald the Rabbit), #68 (Mother Goose and Nursery Rhyme Comics, Walt Kelly art), #69 (Fairy Tale Parade, Kelly art), #70 (Popeye and Wimpy), #71 (The Three Caballeros, Kelly art), and #72 (Raggedy Ann). The condition of the covers is comparable to what you would expect from NM pedigree copies. The page quality is cream to off-white. The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $982.
Four Color #73-84 Bound Volume (Dell, 1945). The highlights of this excellent volume include the first Little Lulu comic book story (#74) as well as the only Mickey Mouse story drawn by Carl Barks (#79)! In all, the book includes #73 (The Gumps), #74 (Marge's Little Lulu), #75 (Gene Autry), #76 (Little Orphan Annie), #77 (Felix the Cat), #78 (Porky Pig), #79 (Mickey Mouse in "The Riddle of the Red Hat", Carl Barks art), #80 (Smilin' Jack), #81 (Moon Mullins), #82 (Lone Ranger), #83 (Gene Autry), and #84 (Flash Gordon, Alex Raymond art). The condition of the covers is comparable to what you would expect from NM pedigree copies. The page quality is cream to off-white. The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $936.
Four Color #97-108 Bound Volume (Dell, 1946). The presence of favorite characters and memorable stories is nice, but the condition of the comics bound here makes this lot even nicer! Included in this blue hardcover volume are trimmed and bound copies of #97 (Little Lulu), #98 (the Lone Ranger), #99 (Smitty), #100 (Gene Autry), #101 (Terry and the Pirates), #102 (Oswald the Rabbit), #103 (Easter With Mother Goose, Walt Kelly art), #104 (Fairy Tale Parade, Kelly art), #105 (Albert the Alligator and Pogo Possum, Kelly art), #106 (Tillie the Toiler), #107 (Little Orphan Annie), and #108 (Donald Duck in "The Terror of the River", Carl Barks art). The covers of the issues are immaculate; the interior page quality is cream to off-white. The inside front and back covers have a bit of tanning around the edges. The title and issue numbers embossed on the spine. Overstreet 2008 VG 4.0 value for group = $830.
Four Color #157-168 Bound Volume (Dell, 1947). Carl Barks' famous "Donald Duck in the Ghost of the Grotto" (#159) is just one highlight of this Four Color run. In all, this volume includes #157 (Mickey Mouse & the Beanstalk), #158 (Little Lulu), #159 (Donald Duck), #160 (Roy Rogers), #161 (Tarzan), #162 (Felix the Cat), #163 (Dick Tracy), #164 (Bugs Bunny), #165 (Little Lulu), #166 (Roy Rogers), #167 (the Lone Ranger), and #168 (Popeye). The condition of the covers is comparable to what you would expect from NM pedigree copies. The page quality is cream to off-white. The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $656.
Four Color #181-192 Bound Volume (Dell, 1948). The condition of these comics will blow you away! The page quality compares favorably even to the other bound volumes we're offering here - we'd call it off-white at worst. The covers are absolutely pristine. The issues included here are # 181 (Mickey Mouse), #182 (Porky Pig), #183 (Oswald the Rabbit), #184 (Tillie the Toiler), #185 (Easter With Mother Goose, Walt Kelly art), #186 (Bambi), #187 (Bugs Bunny), #188 (Woody Woodpecker), #189 (Donald Duck in "The Old Castle's Secret", Carl Barks art), #190 (Flash Gordon), #191 (Porky Pig), and #192 (The Brownies, Walt Kelly art). The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $434.
Four Color #193-204 Bound Volume (Dell, 1948). The covers of the comics included here are in absolutely amazing condition -- we would say newsstand-fresh, but most books on the newsstand weren't this nice! Included in this volume are #193 (Tom and Jerry), #194 (Mickey Mouse), #195 (Tillie the Toiler), #196 (Charlie McCarthy), #197 (Spirit of the Border), #198 (Andy Panda), #199 (Donald Duck in "Sheriff of Bullet Valley", Carl Barks art), #200 (Bugs Bunny), #201 (Christmas With Mother Goose, Walt Kelly art), #202 (Woody Woodpecker), #203 (Donald Duck by Barks), and #204 (Flash Gordon). The page quality is cream to off-white. The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $524.
Sensation Comics/Sensation Mystery #107-116 Bound Volume (DC, 1952-53). Includes Sensation Comics #107, 108, 109, 110; and Sensation Mystery #111, 112, 113, 114, 115, and 116 that have been trimmed and bound into a single hardcover volume. All feature Johnny Peril stories. Art by Alex Toth, Gil Kane, and Murphy Anderson. Overstreet lists issues #107-109 as "scarce". The front cover of #107 has separated slightly; otherwise, contents are in nice condition with mild wear, glossy covers, and cream pages. Overstreet VG 4.0 value for group = $1,016.
Silver Age (1956-1969)
Showcase #1-11 Bound Volume (DC, 1956-57). The Silver Age of Comics began with some of the issues collected in this bound volume, specifically the first appearance of the Barry Allen-version of the Flash in Showcase #4. Other highlights include the origin and first few appearances of the Challengers of the Unknown by Jack Kirby, early Lois Lane solo adventures, and the first appearance of the villainous Captain Cold. There is a small tear to the lower left corner of #4 and some cover wear and small tears to #6, otherwise the comics are in great condition with glossy covers, cream pages, and some tanning to the inside covers. Approximate Overstreet value for group = $8,296.
Golden Age (1938-1955)
Wonder Woman #1-12 Bound Volume (DC, 1942-45). The earliest issues of Wonder Woman are tricky to find in general, and a bound volume of the first couple of years' worth is a truly breath-taking find. Highlights include not only the origin of Wonder Woman, but also the first appearances of some of her most enduring foes. Included are copies of issues #1 (covers and art by H. G. Peter begin), #2 (origin and first appearance of Mars), 3, 4, #5 (first appearance of Dr. Psycho), #6 (first appearance of Cheetah), 7, 8, 9, #10 (classic "Invasion From Saturn" sci-fi cover), 11, and 12 that have been trimmed and bound into a hardcover volume. The books are in wonderful condition with bright, glossy covers and supple pages, with only moderate tanning and wear, as well as an unfortunate tear to the front cover and a couple of loose pages to issue #1. The hardcover shows some mild edge and corner wear and scuffing, with the outer layer of the spine heavily split and beginning to separate from the volume. An astounding item. Overstreet 2008 VG 4.0 value for group = $8,642.
Wow Comics #9-20 Bound Volume (Fawcett, 1943). Copies of Wow Comics #9 (Captain Marvel, Captain Marvel Jr., and Shazam appearances, Mary Marvel Covers and stories begin, Mr. Scarlet and Pinky crossover), 10, 11, 12, 13, 14, #15 (Flag cover), 16, 17, #18 (first appearance of Uncle Marvel, infinity cover), 19, and 20 that have been trimmed and bound into a hardcover volume. The comics are in great condition with beautiful, glossy covers and only mild tanning. Overstreet 2008 VG 4.0 value for group = $1,316.
Magazines
Playboy #1 (HMH Publishing, 1953) Condition: Very Good. The premiere issue of the magazine that would revolutionize the men's magazine genre was audacious from the start. Marilyn Monroe graced the cover, and, of course, was the first Playmate of the Month (Sweetheart of the Month in the first issue), her full page nude ingrained in Americana lore. Hugh Hefner had a vision beyond titillation - he brought fiction from outstanding authors of the 20th century (Sir Arthur Conan in the first issue; in later issues Ray Bradbury, Ian Fleming, Herbert Gold, W. Somerset Maugham, and Jack Kerouac, to name a few); interviews with celebrities of the day; contributions from top cartoonists, many of which stayed with the publication for decades; and timely features on sports, food, music, automobiles, travel, relationships, and other diversions.
Hefner's wide-ranging Entertainment for Men wasn't an overnight success, but by the early 1960s, Playboy was nestled firmly atop the crowded men's magazine scene and one of the best-selling magazines in the country in any genre. The first issue of Playboy had a limited print run of only about 50,000, and complete copies in nice condition have become highly sought-after.
This copy is a mid-grade in condition, with overall wear, but no glaring defects. The spine shows some mild scuffing at the bottom, but wear around the staples is minimal. "Dec, 1953" has been written in pen near the top of the front cover, with the "Dec" subsequently colored over. Near the bottom of the front cover, right corner the "1st Issue" print has been circled in pen. The pages are nice, off-white to white, and the Marilyn pinup, precursor to the centerfolds to follow, is in excellent condition. This just might be that copy you've been waiting to bid on!
Hefner's wide-ranging Entertainment for Men wasn't an overnight success, but by the early 1960s, Playboy was nestled firmly atop the crowded men's magazine scene and one of the best-selling magazines in the country in any genre. The first issue of Playboy had a limited print run of only about 50,000, and complete copies in nice condition have become highly sought-after.
This copy is a mid-grade in condition, with overall wear, but no glaring defects. The spine shows some mild scuffing at the bottom, but wear around the staples is minimal. "Dec, 1953" has been written in pen near the top of the front cover, with the "Dec" subsequently colored over. Near the bottom of the front cover, right corner the "1st Issue" print has been circled in pen. The pages are nice, off-white to white, and the Marilyn pinup, precursor to the centerfolds to follow, is in excellent condition. This just might be that copy you've been waiting to bid on!
Memorabilia
Carl Barks King Beowulf Limited Edition Lithographic Print #151/300 with Drawing (Carl Barks, 1978). Astride a wondrous fire-breathing dragon, Beowulf rides into legend, in this Carl Barks lithographic print. The overall paper size measures 20" x 24", with an image area of 16" x 20". Carl Barks has signed the print at the lower right, and included an original drawing at the lower left. This print is in Excellent condition, and it includes a Certificate of Authenticity.
Carl Barks Uncle Scrooge McDuck His Life and Times Hard Cover Book, #589/5000 (Celestial Arts, 1981). Here's the ultimate Uncle Scrooge comic book, a massive, deluxe leather bound hardcover volume featuring eleven of the very best stories written and drawn by Carl Barks, complete with previously unseen deleted panels, all re-colored by artist Peter Ledger. In addition, there are features on Barks' early life and career, notes and drawings from "Go Slowly, Sands of Time" (one of Barks' last Scrooge projects), and even a special signed and numbered Carl Barks lithograph, "Wanderers of Wonderlands", done especially for this book. For fans of the "Good Duck Artist," it doesn't get much better! These pieces are in Excellent condition. Copies of this high-demand book have sold for $500-$750 in previous Heritage auctions.
Carl Barks First National Bank of Cibola Lithograph Print Progressive Proof Set (Another Rainbow, 1987). A rare set of nineteen progressive color proofs for the tenth Carl Barks lithograph, based on his "Seven Cities of Cibola" epic story from Uncle Scrooge #7. Each print is made on iridescent, mother-of-pearl Opalesque art paper measuring 25.5" x 21". This set is one of only five released by Another Rainbow, and all pieces are in Excellent condition.
Carl Barks Deluxe Lithograph Collection (Another Rainbow). Boxed set of 34 signed Regular Edition prints, with titles marked "(2)" having duplicate prints numbered 61 and 86, of editions usually no larger than 350. Includes: A 1934 Belchfire Runabout! (61/345 only); Afoul of the Flying Dutchman (2); An Embarrassment of Riches (61/395 only); Dam Disaster at Money Lake (68/345 only); Dangerous Discovery (2); Dubious Doings at Dismal Downs (2); First National Bank of Cibola (2); Halloween in Duckburg (2); Holiday in Duckburg (2); Leaving Their Cares Behind (2); The Makings of a Fish Story (2); Mardi Gras Before the Thaw (2); Return to Morgan's Island (68/345 only); Return to Plain Awful (2); Sailing on the Spanish Main (214/245); Snow Fun (2); The Stone That Turns All Metals Gold (2); This Dollar Saved My Life at Whitehorse (2); Trespassers Will Be Ventilated (2); and Till Death Do Us Part (61/495). All prints and the case are in Excellent condition. From the Don Vernon Collection.
Carl Barks and Theo Fabergé Scrooge McDuck Midnight Egg, 102/250 (Another Rainbow, 1992). For the Uncle Scrooge/Carl Barks collector who has everything comes this ultimate little prize package -- a real Fabergé egg, featuring the World's Richest Duck. The shell is crystal, delicate yet durable. Its dome, enameled lapis blue to suggest the midnight sky, is punctuated by seven gold stars. Below, the shell has been etched and hand-painted with 23-karat gold, the purest gold that can be fired onto crystal. A flight of golden stairs leads to a landing flanked by Ionian columns bearing up a triangular pediment. The egg separates in the middle. Lift off the top, and there's Uncle Scrooge luxuriating in a tub of gold coins. His body is silver; indeed, the whole sculpture is sterling silver -- 92.5 percent pure. Scrooge's coat is enameled in red; his collar, cuffs, and spats are gray. His crown is plated in 24-karat gold, as are his beak, cane, tub, and the coins around him; different colors of gold give each a different luster. His body, textured to resemble feathers, is lacquered to prevent tarnish, while the urn behind him has intentionally been oxidized to a rich green, then protected with lacquer. Surrounding him are two amethysts, two sapphires, and seven rubies -- that's counting the stones that adorn the Imperial crown and the Sumerian one. And in the tradition of the nicest Easter eggs, there's a second surprise, a treasure within the treasure. Push back the rim of the urn, and you'll find an extra cache of coins. Originally planed as a limited edition of 250, only 73 exist, with the others destroyed by Another Rainbow. The urn has worked loose, but otherwise, everything is in Excellent condition. Comes with a deluxe carrying case, and Certificate of Authenticity.
Carl Barks Uncle Scrooge "Always Another Rainbow" Limited Edition Sculpture, Miniature Lithograph, and Booklet, 24/100 F (Another Rainbow, 1992). Of all the incredible treats offered in this auction relating to Carl Barks and his wonderful work on Donald Duck and Uncle Scrooge, this has to be the cherry on top of the sundae! It's an amazing, highly detailed sculpture of a young Scrooge, pick axe in hand, as he prospects his way to prosperity. The classic Barks tale "Back to the Klondike" served as inspiration for this piece, which stands approximately 10.5" high. It's composed of expertly painted porcelain, standing atop a scalloped wooden base. The entire statue rests within a glass dome on a second wooden base. Accompanying the statue is a beautiful full-color 9.5" x 12" mini-lithograph of a Barks painting, also based on the original comic book story, and a deluxe booklet, giving detail on the creation of the statue. The statue itself has had a small bit of professional restoration done to fix a problem created during shipping, but the result is a piece in Excellent condition. Naturally, it's been signed by Barks, as has the framed print. This item really needs to be seen to be full appreciated -- it's as good as it gets, Duck fans! From the Don Vernon Collection.
Carl Barks Etched Uncle Scrooge Limited Edition Glass Light, 7/10 (1994). Beautiful etched glass of the world's richest duck, with a design based on Carl Barks artwork. In fact, this is a replica of a plaque awarded to Barks as a Disney Legend, and was limited to only ten copies. Barks' signature is etched into the glass in this rare example. The wood and glass light measures approximately 17.5" x 15", and is in Excellent condition.
Carl Barks Animal Quackers Hard Cover Book, #193/1000 (Gemstone, 1996). This deluxe, limited edition hardcover book features color images of Carl Barks' non-Disney duck art. This lot includes a bonus mini-lithograph, in a separate, numbered envelope. These pieces are in Excellent condition.
James Cameron Spider-Man Movie Treatment With Signed Letter and Original Art (1993). A signed letter on Lightstorm Entertainment letterhead dated 8/20/93, from the famed director to Marvel Entertainment President Terry Stewart says "I look forward to working with you to realize this very special motion picture." Cameron's version never made it to the screen, but his "treatment" (a script, watermarked SM0004) is included here. Also included is a page of original art from Marvel's 1991 3rd quarter financial report, mentioning Cameron and the movie deal. Spider-Man and the Hulk are featured on a page inked by Jimmy Palmiotti and apparently penciled by Scott McDaniel. The large middle panel is a stat.
Pulps
Lester Dent Doc Savage and Personal Items Group. This large selection of personal items belonging to prolific pulp writer Lester Dent was originally purchased at an estate auction in 1995, following the death of Dent's wife, Norma. A talented writer, Dent created the classic pulp hero Doc Savage for Street & Smith in 1933; it took only six months for the character to become a top-seller. Included here are: a pewter jewelry casket containing a pair of pearl tie tacks worn by Dent; a white Vienna carved meerschaum pipe with dog motif, in case; an ornate hand-carved "Bull's head" pipe (one horn missing); a 10kt gold-filled Bulova watch with Dent's name engraved on the back (non-functioning, crystal missing); Dent's sterling silver Explorer's Club bracelet with his name and member number (#89) engraved on the back (moderate to heavy tarnish); a Ronson "Crown"-style desktop cigarette lighter; a stenographer's notebook with extensive writing by Dent in shorthand (contents unknown, his wife later used it to store recipes); a 6.5" x 8.25" color ink drawing recreating the cover of the November 1935 issue of Doc Savage ("The Murder Melody") by pulp fanzine illustrator Frank Hamilton, dated August 9, 1980 and inscribed and signed by him to Norma Dent; a small selection of Doc Savage-themed fanzines; Dent's Author's Guild -- Pulp Writers Section membership card, signed by him; a bank deposit slip signed by Dent; a VIP pass for an unknown event; three of his business cards; a postcard dated December 22, 1925 to Dent from his parents; four personalized envelopes; 85 unused Doc Savage Award certificates from a posthumous event in 1975 (the Doc Savage-styled thumbprints provided by St. Louis fan and promoter Terry Klasek); 18 unused Apart covers for a miniconvention program book in 1976; 34 printed brochures of "some unusual facts about this Northeast Missouri writer," written and printed by Dent; and five "Caribbean Treasure Hunt" contest brochures with content written by Dent. A great selection of items from a pulp legend, in overall great condition.
Memorabilia
Walt Disney Christmas Card, Group of 14 (Walt Disney Productions, 1933-82). Here's a generous selection of specialty Christmas cards, produced for the studio to send to special friends of the company. Many rare examples are in this set, including a great 1935 booklet featuring the entire crew -- Mickey, Donald, Horace Horsecollar, Brave Little Hen, Three Pigs, Clarabelle Cow, and more; a 1933 card featuring a tipped-in color illustration of the Big Bad Wolf and the Three Pigs, from animator Fred Spencer (complete with mailed envelope); a 1943-44 full-color card featured a just-hatched Duck nephew on the front, and lots more. All are unsigned, other than a few printed signatures. A few show some minor paper aging and light discoloration; overall, the collection is in Excellent condition.
Kellogg's Pep Military Insignia Pin Complete Set of 36 (Kellogg's, 1943). Tough-to-find complete set of all 36 Military Insignia pins, similar in size to the Comic Character pins also offered in boxes of Pep cereal. These pins are notoriously hard find in nice shape; our collection is about as nice a complete set as we've seen. There are a few less than perfect examples: three have dents of varying degrees, one has a couple of small areas of rust, and a few have some tiny nicks and/or slight aging. The majority are exceptional. They come housed in a nice wood and glass case. Hake's list these at between $5 and $20 each.
Kellogg's Pep Pin Complete Set (Kellogg's, 1945-46). All 86 litho pinback buttons, including the elusive Felix the Cat and Phantom buttons, housed in a nice wood and glass display case, make up this great lot. The pins are for the most part all in Excellent condition, making this one of the prettiest sets we've seen of these cool collectibles. We did note the following exceptions: the Fritz pin is lightly scratched; the Harold Teen pin has a small indentation; the Mac pin has a tiny scratch; and Skeezix has a slight indentation (all still look glossy and bright). Listed in Hake's Comic Character Toys Price Guide with a Near Mint Set value = $2,000
Pre-Mad Alfred E. Neuman "What Me Worry?" Leaded Etched Glass Panel (circa 1940s). Here's an incredible piece for the Mad fan who has everything! This is an etched glass panel, surrounded with smaller blue glass panes. The whole thing is held together with lead strips that have begun to work loose (which could easily be repaired), and was designed to be hung by two loops at the top corners. The etched panel, with a nice portrait of Alfred, measures approximately 9.75" x 7.75"; the entire thing measures 12.75" x 10.75", and other than the leading, is in Excellent condition.
Mad and Humbug First Edition Paperback Group of 5 (Ballantine Books, 1954-57) Condition: Average NM. Comic books, and later, magazines, were not the only place young minds got corrupted by the silly satire of Mad; their influence could be found in paperback book racks all over America (even places where EC comics were nowhere to be found). These handy, portable, pocket tomes stayed on the stands for years, giving each new generation of kiddies the thrill of discovering comics at their subversive funniest. Finding first editions of these somewhat fragile items (their pages tend to fall out after only a few readings) has always been tough; attempting to find copies of the first four titles (The Mad Reader, Mad Strikes Back!, Inside Mad, and Utterly Mad) in like-new, never read condition is a task sure to drive you..., well, you know! Here they are, though, all in minty-fresh, never-fully-opened condition! Wow! Add to that The Humbug Digest in similar shape -- well, don't cry with glee, dear collector, just bid!
Mad Alfred E. Neuman Large Cuff Link Set (1957). You'll be stylin' with these sharp, silver-toned babies on! We've seen several different sets of modern (1990s) Alfred E. cuff links from time to time, but these are much nicer -- larger (approximately 1.25" across) and with 3-D features. Very nice! In Excellent condition. Get out your French cuff dress shirt and bid!
Marvel Mini-Book Complete Set Group (Marvel, 1966). Kids with spare pennies to spend back in the mid-1960s will remember these tiny treasures -- 5/8" x 7/8" books that were commonly found in gum machines. Included in this lot are a compete set of all six books: The Amazing Spider-Man, Captain America, The Incredible Hulk, Millie the Model, Sgt. Nick Fury, and The Mighty Thor; each in all six colors (blue, dark green, red, orange, light green, and yellow), for a total of thirty-six minis. Also included are two copies of the hard to find insert card that was placed inside the gum dispenser. One insert is in VG condition; all other items average NM-. Approximate Overstreet 2008 NM- 9.2 value for group (comics only) = $1,500. Hake's Guide to Character Toys value for Insert Card, Good = $20; Fine = $20; Near Mint = $40.
Mickey Mouse Wrist Watch in Box (Ingersoll, 1933). Here's the original wrist watch that every kid in the 1930s wanted to own, and it's a real beauty! Included are the original silvered brass link bands, each with an image of Mickey, with added black details, and the 1.25" case with moveable, yellow-gloved hands. The watch has been gently used and remains in Excellent condition. It comes housed in the later, 1939 Ingersoll blue box, which is in VG condition, but is still attractive and will display nicely. The watch is listed in Hake's Guide to Disney Collectibles with a Fine value of $400, and a Near Mint value of $800. The 1939 box is listed in Hake's with a Good value of $75, and a Fine value of $150.
Mickey Mouse Piano with Dancing Figures in Original Box (Marks Brothers, 1930s). Wooden piano with cardboard figures of Mickey and Minnie that dance as the keys are struck. Colorful toy is in Fine condition, still in working order; box has some modern packing tape, but is in VG- condition, missing one flap. Hake's Guide to Disney Collectibles (first edition) Toy Fine value = $1,250; Box Good value = $300; Fine value = $750. From the Don Vernon Collection.
National Cartoonists Society Masterworks Edition Portfolio, Group of 2 (Richard Pryor, 1982). This "Masterpiece Edition" contains both of the famed NCS portfolios, featuring prints by some of the greatest names in comics. Included are signed, and numbered prints by Neal Adams, Jack Kirby, Burne Hogarth, Jack Davis, Jim Steranko, Al Williamson, Jeff Jones, Wally Wood, Jerry Robinson, Berni Wrightson, George Evans, and more, plus unsigned prints by Frazetta, Hal Foster, Harvey Kurtzman, and others. The prints measure 12" x 16" and are in Excellent condition.
The Adventures of Mr. Obadiah Oldbuck - First Printing - Brother Jonathan Extra IX (Wilson and Company, 1842) Condition: Fair/Good.
Looking for a copy of the very first, bar none, "comic book" published in America? This is it, folks! Published 165 years ago, this rare gem is almost 100 years older than Action Comics #1 and it's a far scarcer item to boot -- less than a dozen copies have been confirmed to exist, several of which are owned by institutions and unlikely ever to be offered to collectors. This copy was removed from an old bound volume, and has some spine damage and staining, but is quite readable. The page quality is slightly brittle along the outer edges, as to be expected for paper this old, but is still quite presentable. Enjoy reading Rodolphe Töpffer's pioneer "graphic novel", written and drawn before your grandfather was born! 2008 Overstreet Fair 1.0 value = $2,200; Good 2.0 value = $4,400.
Looking for a copy of the very first, bar none, "comic book" published in America? This is it, folks! Published 165 years ago, this rare gem is almost 100 years older than Action Comics #1 and it's a far scarcer item to boot -- less than a dozen copies have been confirmed to exist, several of which are owned by institutions and unlikely ever to be offered to collectors. This copy was removed from an old bound volume, and has some spine damage and staining, but is quite readable. The page quality is slightly brittle along the outer edges, as to be expected for paper this old, but is still quite presentable. Enjoy reading Rodolphe Töpffer's pioneer "graphic novel", written and drawn before your grandfather was born! 2008 Overstreet Fair 1.0 value = $2,200; Good 2.0 value = $4,400.
Premiums
Memorabilia Radio and Cereal Premium Collection (1937-56). Relive those glorious, thrilling days of yesteryear, when the most exciting thing for every kid was the next episode of his or her favorite radio program -- and sending off for all the wonderful little toys and trinkets they advertised that would make you the envy of every kid in the neighborhood! Included in this wonderful collection: '37 Tom Mix Straight Shooter Brass Badge; '38 Tom Mix Look-In Mystery Ring; '40s Dick Tracy Enameled Brass Hat Ring; '46 Tom Mix Luminous Compass and Magnifying Glass; '46 Captain Midnight Mirro-Flash Code-O-Graph Brass Decoder; '47 Green Hornet Secret Compartment Ring; '47 Lone Ranger Atomic Bomb Ring; '47 Tom Mix Cowboy Spurs; '48 Lone Ranger Flashlight Ring; '48 Kellogg's Pep Jet Plane Ring; '48 Kellogg's Corn Flakes Super Jet Plane Ring; '48 Tom Mix Super Magnetic Compass Gun and Whistle; '48 Ted Williams Baseball Ring; '49 Sky King Spy Detecto Writer; Tom Mix RCA Miniature TV Film Viewer; '49 Lone Ranger Movie Film Ring with Film Strip; '50-51 Lone Ranger Saddle Film Viewer Ring with film strip; '51 Kix Rocket-to-the-Moon Ring with one rocket; '54 Space Patrol Hydrogen Ray Gun Ring; '56 Lone Ranger Six-Shooter; plus two Kellogg's Pep pins -- a Superman pin, and a Lockheed Airplane pin (with a small area of color scratched off). Except as noted, all items are in Excellent condition, and are housed in a nice wood and glass box. Approximate Hake's value for group = $4,900.
Memorabilia
Charles Schulz The Peanuts Gang Leather Bound Book with Added Sketch (Hodder and Stroughton, 1979). Charles Schulz added a full-page sketch of Snoopy resting atop his doghouse in this UK-only edition book, for an British business associate. The sketch was done in brown marker on the inside flypaper, and is signed, "To Scott with best wishes - Charles M. Schulz". The book itself is somewhat rare, nicely bound in red leather with marbled, hand made endpapers. The book is in Very Fine condition; the art is in Excellent condition.
Science Fiction Digest #6 (1933) Condition: VG. Twenty-page, non-illustrated, magazine-sized publication from February 1933. Contents include pt. 1 of "The Woman of the Wood" by A. Merritt and essays and columns by editors Julius Schwartz and Forrest J. Ackerman (Editorial staff also includes Mort Weisinger and Raymond Palmer). Rusty staples, some spine splits and discoloration along the edges.
Barry Smith Conan the Barbarian Hand-Colored Print #23/30, Group of 4(GPB, 1974). This nifty set of four hand-colored Conan prints by Barry Smith was issued in an insanely limited edition of only 30 copies. They feature a bird motif, with our favorite barbarian in moody shots with various avians. Each print has an image area of 7" x 12" and is in Excellent condition. They have all been professionally framed and matted in matching frames, with some wear to the outer wood. Each is signed and numbered by Barry Smith.
Pulps
Eerie Tales #1 Bound Copy (C. K. Publishing, 1941) Condition: VG-. An exceptionally rare copy -- Bookery's lists its availability as "scarce to rare" -- of the only issue of the title. This Canadian-produced pulp appears to have been inspired by Weird Tales, imitating much of its style and content. Consisting of a scant 64 pages published during the early years of World War II, the paper shortage that diminished the pulps in general no doubt played a part in its demise. This copy has been bound into an attractive protective cover and is in very nice condition with a few small tape repairs to the inside back cover. Bookery's Guide to Pulps VG value = $200.
Joy Stories March 1930 (Irwin Publishing Co., 1930) Condition: VG/FN. Third issue of this short-lived bawdy pulp. Bookery's lists as "rare". Top staple pulled. Bookery's Guide to Pulps VG value = $300; FN value = $600.
Saucy Romantic Adventures May 1936 (#1) (Fiction Magazines, 1936) Condition: VG/FN. The first issue of this rare pulp title, featuring the debut of the unforgettable Domino Lady, who appeared in all five issues of this short-lived title. The striking cover is by Norman Saunders. This is a great copy of a pulp listed as "rare" by Bookery's. The spine is largely complete with a little wear to the head and tail; the covers are complete with no major surface defects, only a small amount of the usual pulp edge wear. The pages are supple and cream to off-white in color. No major defects, just an accumulation of light general wear. Bookery's Guide to Pulps VG value = $750, FN value = $1,500.
Spicy Detective Stories - February 1935 (Culture, 1935) Condition: VF. A gorgeous copy of this notorious title, with a good girl cover by H. J. Ward. Contents include works by Robert Leslie Bellem and E. Hoffman Price. In very nice condition with complete and unmarred covers and spine, with just a little wear to the overhang. Almost all of the pages are off-white in color. Bookery's Guide to Pulps FN value (highest listed value) = $300.
The Spider - October 1933 (#1) (Popular, 1933) Condition: VG/FN. A gorgeous copy of the first appearance of one of the most enduring pulp heroes. Complete cover and spine, light crease to lower right corner, light edge wear, supple pages with some tanning along the edges. Only a spine warp from slight moisture damage keeps it from grading higher. Bookery's Guide to Pulps VG value = $875; FN value = $1,750.
Stage and Screen Stories - April 1936 (Movie Digest, 1936) Condition: FN. A classic bathing beauty cover by R. A. Burley graces this issue, cited as "rare" by Bookery's. Girlie pulps such as this one were often branded indecent due to their racy covers and content, and sometimes seized in police raids -- limiting the numbers that made it into circulation. Bookery's Guide to Pulps FN value = $1,200.
Vice Squad Detective #1 (Graphic Arts Inc., 1933) Condition: VG. A gorgeous copy of this rarely seen pulp, rumored to have been shut down before being distributed due to its racy content, with only a handful making it into the public. Bookery's lists it as "rare" and notes: "Possibly fewer than a dozen known copies, although several have come up for sale in the past five years." Contents include a story by Laurence Donovan, who would later author several Doc Savage stories. The front cover is complete and marred only by the usual pulp wear to the edges and overhang, and a subscription crease down the center of the front cover. There are approximately 2" separations to the front and back covers along the tail of the spine, which is also complete with some scuffing and a small tape stain at the bottom. A fantastic collectible. Bookery's Guide to Pulps VG value = $1,250.
Weird Tales - October 1933 (Popular Fiction, 1933) Condition: VG. The classic "Bat Lady" cover by Margaret Brundage and the early Conan story "The Pool of the Black One" by Robert E. Howard make this a key issue. Complete and with supple pages. The spine has faded considerably and shows some wear at the bottom, otherwise a solid copy. Bookery's Guide to Pulps VG value = $500.
Weird Tales Group (Popular Fiction, 1946-54) Condition: Average FN. Includes every issue from 1946-54 (note: title was bi-monthly during this period). All have complete spines and covers, and supple pages. Mild overall spine fading and wear. Approximate Bookery's Guide to Pulps value for group = $1,900.
Session 2
Original Comic Art
Sergio Aragones
Mad TV, Complete 2-page Story "A Mad Look Behind the Scenes at Mad-TV" Original Art (EC, 1995).
The set of Mad TV is accosted by the irreverent Sergio Aragones, in this double-page spread from the special telezine companion to the Fox late night show. Framed to an overall size of 30" x 20.5" with a 25.5" x 16" image area and in Excellent condition.
Mad TV, Complete 2-page Story "A Mad Look Behind the Scenes at Mad-TV" Original Art (EC, 1995).
The set of Mad TV is accosted by the irreverent Sergio Aragones, in this double-page spread from the special telezine companion to the Fox late night show. Framed to an overall size of 30" x 20.5" with a 25.5" x 16" image area and in Excellent condition.
Bob Clarke
Mad #191 Cover Original Art (EC, 1977).
Alfred E Neuman goes missing in this issue's "ransom note" cover, by Bob Clarke. This piece has an image area of approximately 17.5" x 21.75", matted and framed to an overall size of 22.75" x 27.25", and is in Excellent condition.
Mad #191 Cover Original Art (EC, 1977).
Alfred E Neuman goes missing in this issue's "ransom note" cover, by Bob Clarke. This piece has an image area of approximately 17.5" x 21.75", matted and framed to an overall size of 22.75" x 27.25", and is in Excellent condition.
Bob Clarke Mad Follies #4 Mad Mobile Original Art, Group of 7 (EC, 1966).
Seven full color painted "Mad Mobile" art pages by Bob Clarke. Watercolor on board. Each is framed and matted to an image area measuring approximately 19" x 24". In Excellent condition.
Seven full color painted "Mad Mobile" art pages by Bob Clarke. Watercolor on board. Each is framed and matted to an image area measuring approximately 19" x 24". In Excellent condition.
Bob Clarke
The Worst From Mad #8 Cover Painting Original Art (EC, 1965).
The eighth annual edition of The Worst From Mad featured this image of Alfred E. Neuman along with the Mad Zeppelin. Framed to an overall size of 22" x 25.5" with a 17" x 19" image area, the art is in Excellent condition.
The Worst From Mad #8 Cover Painting Original Art (EC, 1965).
The eighth annual edition of The Worst From Mad featured this image of Alfred E. Neuman along with the Mad Zeppelin. Framed to an overall size of 22" x 25.5" with a 17" x 19" image area, the art is in Excellent condition.
Jack Davis
Mad #296 Cover Painting Original Art (EC, 1990).
It's Alfred E. Neuman the umpire in this incredible cover illustration by Jack Davis. The art is framed to an overall size of 17.5" x 21" with a 13" x 16.5" image area. In Excellent condition.
Mad #296 Cover Painting Original Art (EC, 1990).
It's Alfred E. Neuman the umpire in this incredible cover illustration by Jack Davis. The art is framed to an overall size of 17.5" x 21" with a 13" x 16.5" image area. In Excellent condition.
Kelly Freas
More Trash From Mad #2 Cover Painting Original Art (EC, 1959).
The second annual edition of More Trash From Mad featured this indelible image by Kelly Freas. Framed to an overall size of 22" x 26" with a 17" x 21" image area, the art is in Excellent condition.
More Trash From Mad #2 Cover Painting Original Art (EC, 1959).
The second annual edition of More Trash From Mad featured this indelible image by Kelly Freas. Framed to an overall size of 22" x 26" with a 17" x 21" image area, the art is in Excellent condition.
Kelly Freas
Mad #43 Cover Original Art (EC, 1958).
Alfred E. Neuman portrays a "reverse scarecrow" in this Kelly Freas cover. This piece has an image area of approximately 16.5" x 22.5" and is in Excellent condition.
Mad #43 Cover Original Art (EC, 1958).
Alfred E. Neuman portrays a "reverse scarecrow" in this Kelly Freas cover. This piece has an image area of approximately 16.5" x 22.5" and is in Excellent condition.
Bob Jones
Mad #182 Cover Original Art (EC, 1976).
Alfred E. Neuman pulls a rabbit out of his hat, who pulls an Alfred E. Neuman out of his hat, in this infinity cover by Bob Jones. This magical illustration is framed to an overall size of 19.75" x 21" with a 15.5" x 15.5" image area. In Excellent condition.
Mad #182 Cover Original Art (EC, 1976).
Alfred E. Neuman pulls a rabbit out of his hat, who pulls an Alfred E. Neuman out of his hat, in this infinity cover by Bob Jones. This magical illustration is framed to an overall size of 19.75" x 21" with a 15.5" x 15.5" image area. In Excellent condition.
Bob Jones
Mad #184 Cover Original Art (EC, 1976).
Alfred E. Neuman is going to the dogs, in Bob Jones' cover illustration for this special "Bring Back Arbor Day" issue. This illustration is framed to an overall size of 21" x 26" with a 15.5" x 21" image area. In Excellent condition.
Mad #184 Cover Original Art (EC, 1976).
Alfred E. Neuman is going to the dogs, in Bob Jones' cover illustration for this special "Bring Back Arbor Day" issue. This illustration is framed to an overall size of 21" x 26" with a 15.5" x 21" image area. In Excellent condition.
Norman Mingo
Mad #30 Front and Back Cover Alfred E. Neuman Painting Original Art Group (EC, 1956).
Norman Mingo illustrates the Write-In Candidate for President, Alfred E. Neuman, in this set of cover paintings from 1956. This is Alfred's first full cover appearance, and Norman Mingo sets the standard for all Alfred E. renditions to come. By the way, the view of Alfred from behind, which was used for the back cover, does not include the additional crowd scene artwork, which was added by Jack Davis for the magazine, a copy of which is shown here. The Davis art is not included in the lot. Both pieces of art are framed; the front to an overall size of 17" x 21" with a 13" x 17" image area, and the back to an overall size of 16" x 17.75", with an image area of 10.75" x 12.25". Both are in Excellent condition.
Mad #30 Front and Back Cover Alfred E. Neuman Painting Original Art Group (EC, 1956).
Norman Mingo illustrates the Write-In Candidate for President, Alfred E. Neuman, in this set of cover paintings from 1956. This is Alfred's first full cover appearance, and Norman Mingo sets the standard for all Alfred E. renditions to come. By the way, the view of Alfred from behind, which was used for the back cover, does not include the additional crowd scene artwork, which was added by Jack Davis for the magazine, a copy of which is shown here. The Davis art is not included in the lot. Both pieces of art are framed; the front to an overall size of 17" x 21" with a 13" x 17" image area, and the back to an overall size of 16" x 17.75", with an image area of 10.75" x 12.25". Both are in Excellent condition.
Norman Mingo
Mad #31 Cover Original Art (EC, 1957).
Mount Rushmore gets a fifth head -- one decidedly unpresidential -- in this great early cover by Norman Mingo. This piece has an image area of approximately 13" x 17", and has been matted to an overall size of 17" x 21". The piece is in VG+ condition, with a few very small stains, particularly one over Alfred's head.
Mad #31 Cover Original Art (EC, 1957).
Mount Rushmore gets a fifth head -- one decidedly unpresidential -- in this great early cover by Norman Mingo. This piece has an image area of approximately 13" x 17", and has been matted to an overall size of 17" x 21". The piece is in VG+ condition, with a few very small stains, particularly one over Alfred's head.
Norman Mingo
Mad #32 Cover Original Art (EC, 1957).
That Alfred E. Neuman -- he's everywhere... and apparently has been for a long time, as these Egyptian hieroglyphics attest! Norman Mingo does it again with this incredibly detailed cover painting, with an image area of approximately 16.5" x 21.5", matted and framed to an overall size of 21" x 26.5". In Excellent condition.
Mad #32 Cover Original Art (EC, 1957).
That Alfred E. Neuman -- he's everywhere... and apparently has been for a long time, as these Egyptian hieroglyphics attest! Norman Mingo does it again with this incredibly detailed cover painting, with an image area of approximately 16.5" x 21.5", matted and framed to an overall size of 21" x 26.5". In Excellent condition.
Norman Mingo
Mad #36 Cover Original Art (EC, 1957).
Norman Mingo substitutes Alfred E. Neumans for monkeys in this "see no evil, hear no evil, and speak no evil" illustration, a great insult to our simian forebears. Don't miss the "disappearing apple" gag, too! This gouache piece on board has an image area of approximately 15.5" x 19.5" and is matted and framed to an overall 20" x 24". It's in Excellent condition.
Mad #36 Cover Original Art (EC, 1957).
Norman Mingo substitutes Alfred E. Neumans for monkeys in this "see no evil, hear no evil, and speak no evil" illustration, a great insult to our simian forebears. Don't miss the "disappearing apple" gag, too! This gouache piece on board has an image area of approximately 15.5" x 19.5" and is matted and framed to an overall 20" x 24". It's in Excellent condition.
Norman Mingo
Mad #94 Painted Cover Original Art (EC, 1965).
Take about turning the tables! It's monkeys versus man on this classic Norman Mingo cover, which puts a Mad-like spin on King Kong. This truly is Alfred E. Neuman at his finest. Painted on illustration board, this piece is in Excellent condition. Professionally matted and framed with an image area of 16" x 22", and an overall size of 20.5" x 26.5".
Mad #94 Painted Cover Original Art (EC, 1965).
Take about turning the tables! It's monkeys versus man on this classic Norman Mingo cover, which puts a Mad-like spin on King Kong. This truly is Alfred E. Neuman at his finest. Painted on illustration board, this piece is in Excellent condition. Professionally matted and framed with an image area of 16" x 22", and an overall size of 20.5" x 26.5".
Norman Mingo
Mad #96 Cover Painting Original Art (EC, 1965).
Alfred E. Neuman figures it's easier to highway the stripe than to stripe the highway in this Norman Mingo gem. The painting on illustration board is in Excellent condition. Professionally matted and framed with an image area of 17" x 21.5", and an overall size of 21.5" x 26.5".
Mad #96 Cover Painting Original Art (EC, 1965).
Alfred E. Neuman figures it's easier to highway the stripe than to stripe the highway in this Norman Mingo gem. The painting on illustration board is in Excellent condition. Professionally matted and framed with an image area of 17" x 21.5", and an overall size of 21.5" x 26.5".
Norman Mingo
Mad #106 Cover Painting Original Art (EC, 1966).
A free-falling Alfred E. Neuman is the subject of this cover illustration by Norman Mingo. The art is framed to an overall size of 22" x 27" with a 16.75" x 21.75" image area. In Excellent condition.
Mad #106 Cover Painting Original Art (EC, 1966).
A free-falling Alfred E. Neuman is the subject of this cover illustration by Norman Mingo. The art is framed to an overall size of 22" x 27" with a 16.75" x 21.75" image area. In Excellent condition.
Norman Mingo
Mad #126 Cover Painting Original Art (EC, 1969).
Alfred E. Neuman asks the question: "Who Needs You" in this hilarious send-up of James Montgomery Flagg's famous Uncle Sam image. Norman Mingo signed it "James Montgomery Mingo" at the lower right. Framed to an overall size of 22" x 28" with a 17" x 23" image area, the art is in Excellent condition.
Mad #126 Cover Painting Original Art (EC, 1969).
Alfred E. Neuman asks the question: "Who Needs You" in this hilarious send-up of James Montgomery Flagg's famous Uncle Sam image. Norman Mingo signed it "James Montgomery Mingo" at the lower right. Framed to an overall size of 22" x 28" with a 17" x 23" image area, the art is in Excellent condition.
Norman Mingo
Mad #153 Cover Painting Original Art (EC, 1980).
It's the last straw...hat for Alfred E. Neuman's campaign when his hat is pulled over his head in this Norman Mingo creation. The piece is framed to an overall size of 16" x 20" with an 11.75" x 15.75" images area. In Excellent condition.
Mad #153 Cover Painting Original Art (EC, 1980).
It's the last straw...hat for Alfred E. Neuman's campaign when his hat is pulled over his head in this Norman Mingo creation. The piece is framed to an overall size of 16" x 20" with an 11.75" x 15.75" images area. In Excellent condition.
Norman Mingo
Mad #154 Cover Painting Original Art (EC, 1972).
Nobody eats corn on the cob like Alfred E. Neuman! This memorable cover illustration by Norman Mingo is framed to an overall size of 17" x 17" with a 12.5" x 12.25" image area. In Excellent condition.
Mad #154 Cover Painting Original Art (EC, 1972).
Nobody eats corn on the cob like Alfred E. Neuman! This memorable cover illustration by Norman Mingo is framed to an overall size of 17" x 17" with a 12.5" x 12.25" image area. In Excellent condition.
Norman Mingo
Mad #171 Cover Painting Original Art (EC, 1974).
The Sting was parodied in Mad #171, inspiring Norman Mingo to substitute Spiro Agnew and Richard Nixon for Paul Newman and Robert Redford on this cover tribute. The painting on illustration board is in Excellent condition. Professionally matted and framed with an image area of 17" x 18", and an overall size of 22" x 23".
Mad #171 Cover Painting Original Art (EC, 1974).
The Sting was parodied in Mad #171, inspiring Norman Mingo to substitute Spiro Agnew and Richard Nixon for Paul Newman and Robert Redford on this cover tribute. The painting on illustration board is in Excellent condition. Professionally matted and framed with an image area of 17" x 18", and an overall size of 22" x 23".
Norman Mingo
Mad #181 Cover Painting Original Art (EC, 1976).
Mad and Norman Mingo salute the Bicentennial with this spoof of the famous unfinished portrait of George Washington by Gilbert Stuart. Framed to an overall size of 21" x 27" with a 15.5" x 21.5" image area, the art is in Excellent condition.
Mad #181 Cover Painting Original Art (EC, 1976).
Mad and Norman Mingo salute the Bicentennial with this spoof of the famous unfinished portrait of George Washington by Gilbert Stuart. Framed to an overall size of 21" x 27" with a 15.5" x 21.5" image area, the art is in Excellent condition.
Norman Mingo
Mad #185 Cover Painting Original Art (EC, 1976).
Alfred E. Neuman has a political campaign sign broken over his head in this cover illustration by Norman Mingo. This illustrious image is framed to an overall size of 18" x 22" with a 13" x 16.5" image area. In Excellent condition.
Mad #185 Cover Painting Original Art (EC, 1976).
Alfred E. Neuman has a political campaign sign broken over his head in this cover illustration by Norman Mingo. This illustrious image is framed to an overall size of 18" x 22" with a 13" x 16.5" image area. In Excellent condition.
Norman Mingo
Mad #187 Cover Original Art (EC, 1976).
This expressive portrait by Norman Mingo was used in the upper left corner next to the Mad title logo of Jack Rickard's "Fonzie" cover parodying Happy Days. The gouache on board piece has an image area of approximately 12.5" x 13.5", and has been matted and framed to an overall size of 17" x 18". The art is in Excellent condition.
Mad #187 Cover Original Art (EC, 1976).
This expressive portrait by Norman Mingo was used in the upper left corner next to the Mad title logo of Jack Rickard's "Fonzie" cover parodying Happy Days. The gouache on board piece has an image area of approximately 12.5" x 13.5", and has been matted and framed to an overall size of 17" x 18". The art is in Excellent condition.
Norman Mingo
Alfred E. Neuman in Sauna with Girl Painting Original Art (Warner Books, 1975).
Alfred E. Neuman sweats it out in this steamy mixed-media painting by Norman Mingo, which was used for the cover of the paperback Steaming MAD. Framed to an overall size of 13" x 20" with a 8.5" x 14.5" image area. In Excellent condition.
Alfred E. Neuman in Sauna with Girl Painting Original Art (Warner Books, 1975).
Alfred E. Neuman sweats it out in this steamy mixed-media painting by Norman Mingo, which was used for the cover of the paperback Steaming MAD. Framed to an overall size of 13" x 20" with a 8.5" x 14.5" image area. In Excellent condition.
Norman Mingo
Alfred E. Neuman in a Striped Jacket Painting Original Art (EC, 1982).
Norman Mingo paints a dapper Alfred E. Neuman in this mixed-media painting, used on a bonus flexi-disc that was included with MAD Special #39. The art hung in the MAD offices for decades, and "is almost certainly by Mingo" according to MAD. Framed to an overall size of 19" x 23" with a 13.25" x 16.75" image area. In Excellent condition.
Alfred E. Neuman in a Striped Jacket Painting Original Art (EC, 1982).
Norman Mingo paints a dapper Alfred E. Neuman in this mixed-media painting, used on a bonus flexi-disc that was included with MAD Special #39. The art hung in the MAD offices for decades, and "is almost certainly by Mingo" according to MAD. Framed to an overall size of 19" x 23" with a 13.25" x 16.75" image area. In Excellent condition.
Norman Mingo
Alfred E. Neuman as a Hood Ornament Painting Original Art (EC, c. early 1970s).
Norman Mingo tops this classy Rolls Royce chassis with an Alfred E. Neuman hood ornament, used as the cover for the paperback Boiling MAD. Framed to an overall size of 13" x 20" with a 8.5" x 14.75" image area. In Excellent condition.
Alfred E. Neuman as a Hood Ornament Painting Original Art (EC, c. early 1970s).
Norman Mingo tops this classy Rolls Royce chassis with an Alfred E. Neuman hood ornament, used as the cover for the paperback Boiling MAD. Framed to an overall size of 13" x 20" with a 8.5" x 14.75" image area. In Excellent condition.
Norman Mingo
Mad Follies #1 Cover Painting Original Art (EC, 1963).
Alfred E. Neuman just wants to do his song and dance... is that so wrong? "Yes!" - as "the hook" confirms on this Norman Mingo cover. The piece is done on illustration board and in Excellent condition. Professionally matted and framed with an image area of 16.5" x 21.75", and an overall size of 22" x 27".
Mad Follies #1 Cover Painting Original Art (EC, 1963).
Alfred E. Neuman just wants to do his song and dance... is that so wrong? "Yes!" - as "the hook" confirms on this Norman Mingo cover. The piece is done on illustration board and in Excellent condition. Professionally matted and framed with an image area of 16.5" x 21.75", and an overall size of 22" x 27".
Norman Mingo
Son of Mad #7 Cover Painting Original Art Cover (EC, 1979).
Even the imposing King Kong is sickened by the sight of Alfred E. Neuman... or at least that side of him. Norman Mingo turns in another impressive painted cover that is classic Mad, this one being for the sixth edition of the Son of Mad paperback. The art is done in oil on illustration board, with an image area measuring 9" x 14", and is in Excellent condition. The painting has been professionally matted and framed with an overall size of 15" x 20".
Son of Mad #7 Cover Painting Original Art Cover (EC, 1979).
Even the imposing King Kong is sickened by the sight of Alfred E. Neuman... or at least that side of him. Norman Mingo turns in another impressive painted cover that is classic Mad, this one being for the sixth edition of the Son of Mad paperback. The art is done in oil on illustration board, with an image area measuring 9" x 14", and is in Excellent condition. The painting has been professionally matted and framed with an overall size of 15" x 20".
"J. Fred Muggs"
Mad #38 Cover Original Art (EC, 1958).
Can a chimpanzee paint? Here's perhaps the wildest Mad cover ever, "attributed" to the famous chimp that appeared on the original Today show with Dave Garroway, back in the 1950s. Lore has it that Muggs, the first Mad "guest cover artist," bit editor Al Feldstein, and never worked for the magazine again! This wacky piece, fingerpainted in oils, has an image area of approximately 15.5" x 15.5" and, other than a slight bit of color fading, is in Excellent condition. It's been matted and framed to an approximate size of 20" x 20".
Mad #38 Cover Original Art (EC, 1958).
Can a chimpanzee paint? Here's perhaps the wildest Mad cover ever, "attributed" to the famous chimp that appeared on the original Today show with Dave Garroway, back in the 1950s. Lore has it that Muggs, the first Mad "guest cover artist," bit editor Al Feldstein, and never worked for the magazine again! This wacky piece, fingerpainted in oils, has an image area of approximately 15.5" x 15.5" and, other than a slight bit of color fading, is in Excellent condition. It's been matted and framed to an approximate size of 20" x 20".
Jack Rickard
Mad #202 Cover Original Art (EC, 1978).
Alfred E. Neuman bares his unusual tan lines for this "cheeky" laugh-getter. Signed by artist Jack Rickard along the lower right edge. This mixed-media piece has an image area of approximately 13" x 12.5", and is matted and framed to an overall 20.125" x 19.75". It's in Excellent condition.
Mad #202 Cover Original Art (EC, 1978).
Alfred E. Neuman bares his unusual tan lines for this "cheeky" laugh-getter. Signed by artist Jack Rickard along the lower right edge. This mixed-media piece has an image area of approximately 13" x 12.5", and is matted and framed to an overall 20.125" x 19.75". It's in Excellent condition.
Richard Williams
Mad #243 Cover Original Art (EC, 1983).
Mad spoofs the Superman III movie with this casually classic portrait, showcasing a somewhat shabby Man of Steel enjoying a little down time. This oil on canvas piece has an image area of approximately 14" x 16.5", and is in Excellent condition. It's matted and framed to an overall size of 18.75" x 21".
Mad #243 Cover Original Art (EC, 1983).
Mad spoofs the Superman III movie with this casually classic portrait, showcasing a somewhat shabby Man of Steel enjoying a little down time. This oil on canvas piece has an image area of approximately 14" x 16.5", and is in Excellent condition. It's matted and framed to an overall size of 18.75" x 21".
Richard Williams
Mad #253 Cover Painting Original Art (EC, 1985).
This eye-catching painting by Richard Williams was done on illustration board, and is in Excellent condition. Professionally matted and framed with an image area of 20" x 26", and an overall size of 25" x 31".
Mad #253 Cover Painting Original Art (EC, 1985).
This eye-catching painting by Richard Williams was done on illustration board, and is in Excellent condition. Professionally matted and framed with an image area of 20" x 26", and an overall size of 25" x 31".
Richard Williams
Mad #276 Cover Painting Original Art (EC, 1988).
The Easter Bunny crashes Christmas in this holiday cover by Richard Williams. Painted in acrylic on canvas with an image size of 17.5" x 23.75, and the condition is Eggs-cellent. This piece has been professionally matted and framed with and overall size of 23" x 29".
Mad #276 Cover Painting Original Art (EC, 1988).
The Easter Bunny crashes Christmas in this holiday cover by Richard Williams. Painted in acrylic on canvas with an image size of 17.5" x 23.75, and the condition is Eggs-cellent. This piece has been professionally matted and framed with and overall size of 23" x 29".
Richard Williams
Mad #298 Cover Painting Original Art (EC, 1990).
What's worse -- miniature Alfred E. Neumans running around or a bunch of gremlins? Richard Williams turns in another amusing role reversal with this outstanding painted cover. Art is done on illustration board with an image size of 16.75" x 21.75, and the condition is Excellent. This piece has been professionally matted and framed with and overall size of 22" x 27".
Mad #298 Cover Painting Original Art (EC, 1990).
What's worse -- miniature Alfred E. Neumans running around or a bunch of gremlins? Richard Williams turns in another amusing role reversal with this outstanding painted cover. Art is done on illustration board with an image size of 16.75" x 21.75, and the condition is Excellent. This piece has been professionally matted and framed with and overall size of 22" x 27".
Richard Williams
Mad #300 Unpublished Cover Painting Original Art (EC, 1991).
President George Bush burns the American flag in this unused cover illustration created by Richard Williams for the 300th issue. The art is framed to an overall size of 20" x 23" with a 15.5" x 18.5" image area. In Excellent condition.
Mad #300 Unpublished Cover Painting Original Art (EC, 1991).
President George Bush burns the American flag in this unused cover illustration created by Richard Williams for the 300th issue. The art is framed to an overall size of 20" x 23" with a 15.5" x 18.5" image area. In Excellent condition.
Richard Williams
Mad #313 Cover Painting Original Art (EC, 1991).
A crash test dummy meets a dummy of a different sort in this cover illustration by Richard Williams for Mad #313! The art is framed to an overall size of 17.5" x 22" with a 13" x 17.5" image area. In Excellent condition.
Mad #313 Cover Painting Original Art (EC, 1991).
A crash test dummy meets a dummy of a different sort in this cover illustration by Richard Williams for Mad #313! The art is framed to an overall size of 17.5" x 22" with a 13" x 17.5" image area. In Excellent condition.
Sanjulian (Manuel Perez Clemente) Rogues in the House Conan Painting Original Art (undated). This subject was the first from the Conan stories that Sanjulian chose to portray, and in his mind it was important to set a bold and dramatic standard for the depth and energy of the entire project from the outset. This scene depicts Conan's iconic battle with Thak, the Apeman. Sanjulian wanted to bring his own vision of Thak to life, giving him more vulnerability than many artists have attributed to this character in the past -- not merely an ape, but rather as something much more human-like. Here, man and beast are clearly locked in the throes of an intense struggle to the death! This stretched oil on canvas painting measures 36" x 49", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) A Witch Shall Be Born Conan Painting Original Art (undated). "By the side of the caravan road a heavy cross had been planted, and on this grim tree a man hung, nailed there by iron spikes through his hands and feet. Naked but for a loincloth, the man was almost a giant in stature, and his muscles stood out in thick corded ridges on limbs and body, which the sun had long ago burned brown..." Robert E. Howard's words are brought to stunning reality through Sanjulian's masterful use of vibrant reds and vivid lighting. This composition affords the viewer the horrific opportunity to experience Conan's torment firsthand. This stretched oil on canvas painting measures 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Tower of the Elephant Conan Painting Original Art (undated). After skillfully breaching the gleaming Elephant's Tower, an otherwise stoic Conan finds himself aghast at the sight of the broken, unearthly captive Yag-kosha perched before him, a tortured slave to the merciless tyrant Yara. On this unusual occasion, a display of respect and pity rather than one of brute strength is required of Conan, and he is humbled by the task. This pivotal meeting has been illustrated by many of the finest fantasy artists of the past. Here, Sanjulian joins the ranks of Tim Conrad, Barry Windsor-Smith, and John Buscema, to name just a few, with his artful rendering of a sympathetic portrait of the Cimmerian. This stretched oil on canvas painting measures 36" x 49", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) The Frost-Giant's Daughter Conan Painting Original Art (undated). Though it is a short story, "The Frost-Giant's Daughter" nonetheless weaves a detailed web of haunting beauty and brutal warfare that rivals many of Robert E. Howard's longer yarns. Over the years, Conan's fierce battle with the fiery, red-haired ice-giants has been portrayed with many different approaches. Here, Sanjulian expertly conveys the magnitude of Conan's fierceness, and the conflict is heightened with the use of an unexpected and complex composition. This stretched oil on canvas painting measures 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Red Nails Painting Conan Original Art (undated). "Red Nails" is often considered one of Robert E. Howard's finest Conan tales. In the story, Conan is reunited with Valeria of the Red Brotherhood, and both travel deep into a lost city. Along the way, they encounter a vicious dragon-beast that mauls their horses before turning its attention on them. In this brilliant portrayal, Sanjulian has captured the precise moment that Conan's strike has landed its fatal blow on the monster, which soon shifts victory back in favor of the two heroic warriors, allowing them to continue on their journey. This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Queen of the Black Coast Conan Painting Original Art (undated). There is a certain amount of risk assumed when an artist agrees to represent a popular story with his artwork, and this narrative is of particular interest to the fans of Conan. Yet, Sanjulian was more than willing to rise to the challenge: his use of rich color adeptly represents an event that marks the beginning of a legendary time in the Conan saga. This piece features Conan's savage introduction to Bêlit, Queen of the Black Coast, in which his prowess in battle immediately bewitches her. They forge a passionate and murderous bond as lovers and ruthless pirate companions, and together they levy a brutal reign over the Black Coast! This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) The Phoenix On the Sword Conan Painting Original Art (undated). "There is a serpent in your house, oh King. I have called you to me, to give you a weapon against him and his hell-hound pack." "The Phoenix on the Sword" was Robert E. Howard's first published Conan story. In tribute, Sanjulian conjures the mists of Conan's dark slumber, in swirling shades of deep crimson and billowing clouds of violet. What at first would seem to Conan a mere dream is at once revealed to be the mystical invocations of an ancient -- the bestowal of symbol to broadsword. This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) The Vale of Lost Women Conan Painting Original Art (undated). This painting of Conan was composed using a dramatic and classic pyramid technique -- it has all of the elements that made Robert E. Howard's fantastic character so unforgettable -- the defeated foe, the ominous supernatural demon, the enticing young woman and, of course, the mythical barbarian himself, "a giant brooding figure of slaughter and destruction." This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) The Scarlet Citadel Conan Painting Original Art (undated). "The Scarlet Citadel" was the second Conan story to see print during Robert E. Howard's lifetime. Sanjulian chose well when he elected to paint the climactic scene in which Conan, imprisoned in a Khorshemish dungeon, realizes that he has been cast underground to be sadistically devoured by a monstrous serpent which dwells within the walls of the terrifying prison. Every muscle and fiber of his hulking frame strains with the effort to remain immovable and escape notice of the hideous creature. This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Black Colossus Conan Painting Original Art (undated). In this magnificent rendering, we witness the final clash between formidable warrior and diabolical wizard. Conan has successfully defeated the sorcerer Thugra Khotan's entire army, and now only the heinous warlock himself is left to stand against the brutish Cimmerian! Sanjulian's bold brushstrokes and dynamic color palate perfectly complement and electrify the dreamlike atmosphere of this gruesome tale. This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
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Sanjulian (Manuel Perez Clemente) Shadows in the Moonlight Conan Painting Original Art (undated). Conan stands at the ready to meet the charge of his massive opponent. "This was less a struggle between man and beast than a conflict between two creatures of the wild, equally merciless and ferocious." In this rich and colorful painting, Sanjulian's graphic use of light and vivid range of hues instantly transport the viewer to the exact second of impact! This unstretched oil on canvas painting measures approximately 36" x 48", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Conan the Barbarian Painting Conan Original Art (undated). "Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandaled feet." In the midst of combat, at the center of the battlefield, Conan is wholly in his element. At an astonishing scale, Sanjulian set out to execute his ultimate depiction of the legendary barbarian -- this is the quintessential warrior born of the mind of Robert E. Howard and captured by the brush of Sanjulian! This unstretched oil on canvas painting measures approximately 36" x 72", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Portrait of Robert E. Howard Painting Original Art (undated). Robert E. Howard was born in Peaster, Texas on January 22, 1906. He was always a voracious reader, and from a young age decided that he wanted to be a writer. He entered the professional ranks when, at the age of 19, his prehistoric man story, "Spear and Fang" was published in the July 1925 issue of Weird Tales. Howard single-handedly created the genre known as Sword and Sorcery with the publication of characters such as King Kull and Conan. On January 22, 1936 his brilliant career ended tragically when he took his own life at the tender age of 30. In this sensitive and telling portrait, Sanjulian has paid grateful tribute to the vast depth of talent that Howard possessed. This stretched oil on canvas painting measures 30" x 40", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) Self-Portrait Painting Original Art (undated). This is the first and only self-portrait that Sanjulian has ever painted. His impressive likeness shares the canvas with some of the classic characters that highlight the extensive range of his artistic career -- from his early iconic body of work for Warren Publishing, including Cousin Eerie and Vampirella, to his extraordinary portrayals of the legendary heroes, Conan the Barbarian, and Tarzan of the Apes, Sanjulian has enjoyed a rich and colorful calling. This portrait is an exceptional piece commemorating his celebrated history in the art world. This stretched oil on canvas painting measures 31" x 40.5", and the art is in Excellent condition.
Lou Fine National Comics #5 Uncle Sam Cover Original Art (Quality, 1940). This famous "skull cover" must count among the very most exciting Golden Age comic art finds of recent history. This slam-bang "shudder pulp" scene starring Uncle Sam showcases many classic Golden Age motifs -- a gorgeous "good girl" in bondage, a knife-wielding hooded menace, an evil skull, and explosive super-heroic action, all rendered to perfection by the legendary Lou Fine. Quicksilver, King of Speed, made his first appearance in this landmark issue that also featured the origin of Uncle Sam. This masterpiece has an overall size of 16" x 20.75". The vintage art board has been archivally mounted to a piece of acid-free board, and the title logo is a carefully color-matched replacement; otherwise, no other conservation or restoration has been done to the art, and it is in Very Good condition. From the Zoltan M. Szenics Collection.
Lou Fine National Comics #9 Uncle Sam Cover Original Art (Quality, 1941). As legendary creator Gill Fox stated, "There's no question that Lou Fine was a genius." Cartoonist and ardent Lou Fine admirer Bob Fujitani has said about his peer, "When I first saw his work I was flabbergasted. I couldn't believe anyone could create these action shots and his beautiful brush work he had." Another cartoonist, Murphy Anderson, simply said, "He was almost a poet the way he drew his figures." Uncle Sam leads the kids of America in a spirited charge against foul piracy in this Golden Age rumble. The character portraits at the bottom of the page are pasted-on elements that may have been drawn by Quality editor/artist Gill Fox. This cover has an overall size of 14.5" x 19". The vintage art board was cut into two pieces featuring the title logo and the main scene, and both have been archivally mounted to a piece of acid-free board; otherwise, no other conservation or restoration has been done to this cover. There are pieces out of the title logo's edges, and there is a missing art correction paste-on from a figure's arm (in the lower right); otherwise, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Lou Fine National Comics #11 Uncle Sam Cover Original Art (Quality, 1941). Nothing shouts "Golden Age" quite like a Lou Fine cover. As one might imagine, Fine's covers have proven quite scarce. Prior to this sale, only six have been known to have been offered in the marketplace. As Jim Steranko wrote in his History of Comics, Volume Two, Fine's heroes "were Olympian in stature, classically featured and exquisitely, almost delicately, proportioned. Fine lavished a wealth of stipple, line-shaded, and cross-hatched detail with a brilliant brush-line technique not found in comics up to that point." These observations are spot-on as can be seen here, when America's Greatest Hero, Uncle Sam, engages in a star-spangled slugfest with savage saboteurs. One unfortunate traitor is about to take a bubble bath in molten steel. This masterwork has an overall size of 14.25" x 19", and aside from some paint loss in some areas of white-out, and some light wear to the pasted-on title logo, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Arthur Beeman Smash Comics #8 Kidding the Kids Inside Front Cover Page Original Art (Quality, 1940). This fun-filled Golden Age page appeared on the inside front cover of the comic and it has an image area of 12" x 16". The art is in Very Good condition. From the Zoltan M. Szenics Collection.
Will Eisner and Dan Zolnerowich Smash Comics #14 Espionage Half-Page 1 Original Art (Quality, 1940). Golden Age art fans, take note -- prior to these sensational half-pages, we have only offered one other "Espionage" page in any of our auctions. Indeed, any pre-Spirit art is exceptionally scarce. This symbolic splash scene sets the deadly drama in motion for "The Legion of Living Bombs." The story's final title was changed from "The Legion of Human Bombs" to "The Legion of Living Bombs," and that lettering correction has since slipped off the board and has gone missing. This page was cut in half through panel tier two and this piece has an overall size of 14.5" x 11". Aside from some mild paper aging and white-out, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Will Eisner and Dan Zolnerowich Smash Comics #14 Espionage Half-Page 2 Original Art (Quality, 1940). These "Espionage" examples are so scarce that Will Eisner himself had none in his otherwise deep archives. The irresistible femme fatale, Madame Doom takes center stage in these sultry scenes from "The Legion of Living Bombs." This piece was cut in half through panel tier two, and this partial page has an overall size of 13.5" x 7.75". Aside from some mild paper aging, and a missing paste-up lettering correction in panel three, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Will Eisner and Dan Zolnerowich Smash Comics #14 Espionage Half-Page 3 Original Art (Quality, 1940). Madam Doom charms Black X in these swanky "Club 13" scenes from "The Legion of Living Bombs." This page was cut in half through panel tier two and this piece has an overall size of 13.5" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page 1 Original Art (Quality, 1940). Doll Man Golden Age pages by the great Lou Fine are in -- dare we say it? -- extremely short supply. Don't miss your chance to win one of these scarcities for your collection -- we may not see any others for some time to come, if ever. The sinuous line of Lou Fine is showcased in these scenes from the Doll Man romp, "The Return of Wampum." This Golden Age gem was cut in half through panel tier two, and this partial page has an overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page 2 Original Art (Quality, 1940). The bold panel designs and athletic, yet graceful figure drawing of Lou Fine influenced countless comic book artists, including such industry titans as Will Eisner, Reed Crandall, Gil Kane, and Murphy Anderson. This hard-hitting page was cut in half through panel tier two, and this partial page has an overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page 4 Original Art (Quality, 1940). Lou Fine set a new standard for drawing the figure in action, and Doll Man stars in three panels from his adventure, "The Return of Wampum." This page was cut in half through panel tier two, and this partial page has an approximate overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page Original Art (Quality, 1940). Doll Man and Wampum lower the boom on some rowdy hooligans in this magnificent masterwork by Lou Fine. This Golden Age blockbuster was cut in half through panel tier two, and this partial page has an approximate overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page Original Art (Quality, 1940). The superb staging and inspired use of backgrounds by Lou Fine are key elements in the drama of these fast-moving Doll Man scenes from "The Return of Wampum." Unlike the other examples in our sale, this half-page features two near-complete panel tiers. This partial page has an approximate overall size of 13" x 7.75". Aside from a clipped lower left corner, a piece out of the final panel (with an accompanying one-inch tear), and some mild paper aging, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page Original Art (Quality, 1940). Mastery of a brush was the hallmark of Lou Fine's Golden Age art, and his dazzling talent made him a legend among his cartoonist peers. This page from "The Return of Wampum" was cut in half through panel tier two, and this partial page has an approximate overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page Original Art (Quality, 1940). While on one hand, it's heart-breaking to realize that original art pages were routinely cut in half and discarded into a large bin in the Quality Comics shop after the comics were produced, on the other hand, it's a joyous revelation that some of the staffers loved this magnificent art enough to retrieve, treasure, and save it for over sixty years! A word to the wise -- don't miss out on a chance to win a super-scarce example of Lou Fine Doll Man art for your collection. This page was cut in half through panel tier two, and this partial page has an approximate overall size of 13" x 7.75". Aside from some mild paper aging and some white-out, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine Feature Comics #35 Doll Man Half-Page Original Art (Quality, 1940). Lou Fine's legendary linework shines in this half-page from the Doll Man story, "The Return of Wampum." This page was cut in half through panel tier two, and this partial page has an approximate overall size of 13" x 7.75". Aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Lou Fine (as E. Lectron) Smash Comics #21 The Ray page 7 Original Art (Quality, 1941). Here's a stunning Golden Age art discovery -- before this panel page surfaced, there was only one other known surviving piece of Golden Age art featuring the Ray by Lou Fine. Don't miss your chance to win one of the scarcest examples of Golden Age superhero art we have ever offered. This fantastic page features the scene where Jackie (later called Bud) discovers the Ray's secret identity of Happy Terrill. This spectacular page from the yarn, "The Empire of Captain Blue," has an image area of 13" x 18", and aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Vernon Henkel Unpublished X of the Underground Page Original Art, Group of 2 (circa 1942). These two pages give an insight into the creative process of Golden Age artist and Quality Comics mainstay, Vernon Henkel. "X of the Underground" first appeared in Military Comics #8 in 1942. "X" was a resistance fighter opposing the Axis powers in Paris during World War II. Her face never seen, her identity never divulged, the mysterious "X" became something of a sensation in 1942, when her adventures were detailed by the stories of the New York Globe's reporter, Bob Gray. Gray learned that "X" was a woman (and that the Underground was a multi-national force of women), but for patriotic reasons chose not to reveal the secret. Page 2 of this lot is partially inked. Each page has an image area of 13" x 18", and the pages average Very Good condition. From the Zoltan M. Szenics Collection.
Dave Higgins and Theresa Woik Szenics Pep Comics #40 Complete 6-page Li'l Chief Bugaboo Story Original Art (Archie 1943).
A friendly mountain lion creates quite a ruckus for the Indian village in this 6-page "bigfoot" yarn. Each page of this slapstick adventure has an image area of 13" x 18". The title logo has been cut from page one of the story; otherwise, the art averages Very Good condition. From the Zoltan M. Szenics Collection.
A friendly mountain lion creates quite a ruckus for the Indian village in this 6-page "bigfoot" yarn. Each page of this slapstick adventure has an image area of 13" x 18". The title logo has been cut from page one of the story; otherwise, the art averages Very Good condition. From the Zoltan M. Szenics Collection.
Dave Higgins and Theresa Woik Szenics Pep Comics #42 Complete 6-page Li'l Chief Bugaboo Story Original Art (Archie 1943). When Theresa Woik married Zoltan Szenics, she later became known to comic book fans as Terry Szenics. Die-hard Marvelites will recall reading her name on the credits of the first Dr. Strange story in Strange Tales #110. Each page of this slapstick adventure has an image area of 13" x 18", and the art averages Very Good condition. From the Zoltan M. Szenics Collection.
Dave Higgins and Theresa Woik Szenics Pep Comics #45 Li'l Chief Bugaboo Page Original Art, Group of 4 (Archie 1944).
This lot features pages 1, 3, 5, and 6 of the 6-page romp, "The Chief and the Cigar." Each page has an image area of 13" x 18". The logo was cut from the top of page 1 and later reattached with tape; otherwise, the pages average Very Good condition. From the Zoltan M. Szenics Collection.
This lot features pages 1, 3, 5, and 6 of the 6-page romp, "The Chief and the Cigar." Each page has an image area of 13" x 18". The logo was cut from the top of page 1 and later reattached with tape; otherwise, the pages average Very Good condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 7-12-46 (McClure Newspaper Syndicate, 1946). Archie, Betty, and Jughead star in this early episode that dates from within six months of the daily's debut. This strip has an image area of 19" x 5.75". The strip was drawn on Craftint Duotone paper which has darkened with age; otherwise, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 12-27-46 (McClure Newspaper Syndicate, 1946). Reggie, Archie, and Jughead continue their high-spirited hijinks in this winter episode from the first year of the feature. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 12-31-46 (McClure Newspaper Syndicate, 1946). Veronica is primed and ready for a romantic start to the New Year, but once again Archie's luck runs out. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip and some foxing, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-1-47 (McClure Newspaper Syndicate, 1947). Archie and Fred Andrews share another father-son moment in this New Year's Day episode. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-3-47 (McClure Newspaper Syndicate, 1947). There's never a dull moment whenever Archie gets an inspiration. This bubbly daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-4-47 (McClure Newspaper Syndicate, 1947). Leave it to Jughead to top Mr. Andrews' sad tale of youth. This episode has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-11-47 (McClure Newspaper Syndicate, 1947). Archie, Jughead, and Veronica star in this early episode. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip and some stains in the second and third panels, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-15-47 (McClure Newspaper Syndicate, 1947). Archie's desire to go skiing is quickly slipping away in this episode co-starring the lovely "ski bunny," Veronica. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-16-47 (McClure Newspaper Syndicate, 1947). Archie's lack of money often leads to his offbeat inspirations, and Veronica is amazed by Archie's cut-rate skis. This daily has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Bob Montana Archie Daily Comic Strip Original Art, dated 1-18-47 (McClure Newspaper Syndicate, 1947). Anticipation is the name of the game in this forties daily. This winter wonderland episode has an image area of 19" x 5.75", and aside from a light glue stain at the bottom of the strip, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Harry Sahle and Zoltan Szenics Archie Comics #4 page 6 Original Art (Archie, 1943). Archie creates his usual brand of merry mayhem in this page from "Circus Serenade". Jughead cameos, and Veronica strikes an eye-opening "good girl" pose in the final panel. This Golden Age laugh riot has an image area of 13" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Harry Sahle and Zoltan Szenics Archie Comics #4 page 7 Original Art (Archie, 1943). Archie draws a crowd -- of elephants -- in these rib-tickling scenes from "Circus Serenade." Meanwhile, Veronica puts on a "leg show" for the readers in panel two. This page has an image area of 13" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Harry Sahle and Theresa Woik Szenics Zip Comics #39 Senor Banana page 20 Original Art (Archie, 1943). This fun-filled Golden Age humor page has an image area of 13" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Zoltan Szenics Ballroom Dancer Illustration Original Art (1935). A note written in pencil on the back of this elegant drawing reads, "Georges and Sonja -- famous society dancers who will act as judges in the Arthur Murray dance contest." This piece has an overall size of 10.5" x 14", and aside from some mild paper aging, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Zoltan Szenics Clark Gable Magazine Illustration Original Art (1935). One of the captains of the Hollywood love industry, actor Clark Gable, is showcased in this fine thirties illustration. This piece has an overall size of 11.5" x 14.5", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Zoltan Szenics Unpublished Don Winslow of the Navy Cover Original Art (undated). Zoltan "Zully" Szenics displays his talent for captivating "good girl" art with this eye-popping cover scene for an unpublished Don Winslow cover. Although perhaps best known as a letterer, "Zully" also penciled and inked on occasion. Quality Comics editor and artist Gill Fox recalled both Zoltan and Terry Szenics in a Jim Amash interview for Alter Ego #12, "Well, I pulled in Tony Di Preta to letter, and Zully Szenics, too. They began to help me. Zully would help check art and proofread scripts, but he mostly lettered. His wife became a letterer, too. They were married because of me. Both were Hungarian. He was living with his mother and father and I'd go up there to visit. Once, we were sitting in his room and I saw a girl passing the doorway. I said, 'Who's that?' Zully said, 'That's a girl who came from Hungary to help my mother.' I asked, 'Did you ever look at her? She's beautiful!' Well, a year later they were married. Her name was Terry, and the four of us used to vacation together." This piece has an image area of 13" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Zoltan Szenics Lost Love Romance Splash Page Original Art (circa 1950s). Crisp line work and dramatic staging are the hallmarks of this Zully Szenics splash page for the tear jerking melodrama, "Lost Love." This piece from an unidentified title has an image area of 12.5" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Zoltan Szenics - Daily Comic Strip Try-Out Original Art (undated). Zoltan Szenics is credited with lettering the first three episodes of Will Eisner's The Spirit newspaper comic section and the influence of the Eisner approach to storytelling is very evident in this handsome daily. As an "art bonus" there are several pencil sketches on the back of the page. This beautifully detailed and well-staged try-out strip has an image area of 19" x 5.75", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Jimmy Thompson Jackpot Comics #9 Page Original Art, Group of 5 (Archie, 1943). This lot features pages 1, 2, 4, 5, and 6 of the 6-page story, "What Do Porkchops and Gootch See?" -- only page 3 is missing. Each page has an image area of 13" x 18", and the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Harry Tschida All-Flash #7 Flash Splash Page 1 Original Art (DC, 1942). Maybe they're out there, but you'd have to search every nook and cranny of the country with the speed of the Flash himself to find more than a few early Golden Age Flash pages for the collector's market! Murder and Mayhem, dead bodies, the clanking of chains -- once again the Flash catapults into high-speed adventure when he tackles the macabre menace of a writer's fantasy. This murderous montage scene will make a treasured addition to the collection of any fan of Golden Age art and the Flash. This piece, from the story "The House of Horrors," has an image area of 13" x 18", and aside from some paper aging and some glue stains, the art is in Very Good condition. From the Zoltan M. Szenics Collection.
Harry Tschida All-Flash #7 Flash Splash Page 35 Original Art (DC, 1942). According to the scant information found on Jerry Bails' Who's Who in American Comic Books, Harry Tschida's career in comics was limited to DC in 1942-43, where he worked on the adventures of the Flash, Green Lantern, and Wildcat. Tschida's work seems a perfect fit for the Golden Age adventures of the Flash and this moody splash page from "A Séance With the Dead" is a real gem. This piece has an image area of 13" x 18", and aside from some mild paper aging and some glue stains, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Harry Tschida All-Flash #7 Flash page 58 Original Art (DC, 1942). The Flash and his gal-pal, Joan Williams, star in the last four panels of this fast-paced page from "Ghosts." This piece has an image area of 13" x 18", and aside from some small areas of white-out, the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Harry Tschida All-Flash #7 Flash page 60 Original Art (DC, 1942). Jay Garrick struts his stuff in these dramatic scenes from the Golden Age thriller, "Ghosts." This page has an image area of 13" x 18", and the art is in Excellent condition. From the Zoltan M. Szenics Collection.
Neal Adams Strange Adventures #212 Deadman page 4 Original Art (DC, 1968). Neal Adams was at the top of his game for this action-packed Deadman page, and his photo-realistic art style brought a new look to comic books during the end of the Silver Age. Adams' talent for dynamic action and striking points of view are showcased in this fight sequence. This page has an image area of 10" x 15", and the art is in Excellent condition.
Neal Adams Deadman Sketch Original Art (undated). Of all the superheroes that Neal Adams polished up in the 1960s, we have a special fondness for Deadman; the lonely soul of murdered trapeze artist Boston Brand, constantly on the search for his killer. The character had a certain poignancy that was a good match for Adams' polished artwork. This loose Deadman sketch is probably a product of a late '60s/early '70s convention appearance, and nicely captures the character's cosmic angst. The art has been matted and framed, with an image area that measures 6.5" x 8", and is in Very Good condition.
Neal Adams The Witching Hour #14 Cover Original Art (DC, 1971). Aside from the early superhero covers that Neal Adams worked on for DC during the 1970's, he also did some of his most creative and powerful work for their horror comic titles. This early and classic cover, featuring the witches on their broomsticks, is a choice example where the artist brought together the elements of horror and science fiction, and made them work as one. The scene on this cover provides an entertaining preview of what was to come inside the comic -- a story by Al Williamson and Carlos Garzon entitled "The Haunted House in Outer Space." This cover has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Neal Adams and Dick Giordano Batman #232 Batcave page 3 Original Art (DC, 1971). In the yarn that featured the first appearance of Ra's al Ghul, "Daughter of the Demon," Batman returns to Wayne Manor and the Batcave, which he had left behind in 1969 to move to a Gotham City penthouse. There's a great shot of the Batcave's familiar "giant penny." The Caped Crusader needs the Batcave's equipment to try and track down the kidnapped Robin, and the last panel has the first words of Ra's al Ghul who debuted on the next page. This is a first-rate Batman page by the unbeatable Bronze Age art team of Neal Adams and Dick Giordano. This page has an image area of 10" x 15", and aside from some blue penciling and white-out in a few of the word balloons and some light water damage at the top of the page, the art is in Very Good condition.
Neal Adams and Dick Giordano Batman #232 page 17 Original Art (DC, 1971). This page is sure to make a treasured addition to the collection of any fan of Neal Adams' Batman. It's a climactic moment of the very first Ra's al-Ghul story, as our hero shows he's a detective first and foremost and that he's figured out that the issue's adventure was a wild goose chase set up by Ra's. Denny O'Neill's story is one of the most memorable Bat-stories of the 1970s! This Bronze Age blockbuster has an image area of 10" x 15", and aside from some light water damage at the top of the page, the art is in Very Good condition.
Neal Adams and Tom Palmer The Avengers #96 page 18 Original Art (Marvel, 1972). Neal Adams drew only four issues of the The Avengers, but they were incredibly memorable ones. Offered here is a stunning page from "The Andromeda Swarm," the final installment of the legendary Kree-Skrull War story arc, as Rick Jones faces off against Ronan the Accuser. This piece has an image area of 10" x 15" and is in Excellent condition, with a text correction in the second-to-last panel. The art has been framed along with a copy of the printed comic book page.
Dan Adkins Conan/Avengers Cover Original Art (Marvel UK, 1975). Dan Adkins turns in a moody Conan cover piece, with great use of light and shadow. It's not certain what this piece was used for, but the handwritten notes on the art say "Avengers #100" on the front, and "Conan/Avengers British Cover" on the back, so it could be that this scene was featured in the UK edition of Avengers #100. This piece has an image area of 10" x 14.75", and has water damage along its top border (outside the image area); otherwise, the art is in Very Good condition.
Brent Anderson and Joe Rubinstein Uncanny X-Men #144 Splash Page 1 Original Art (Marvel, 1981). "Whatever knows evil burns at the touch of Man-Thing," and the X-Men are about to find out first hand in this issue. Brent Anderson introduced this Chris Claremont penned story with a gorgeous splash featuring the muck monster and a rather depressed doctor. Inker Joe Rubinstein compliments the lush backgrounds nicely, making this an exemplary page from an early Modern Age book. This piece has an image area of 10" x 12", and aside from clipped bottom corners, and some overall aging, the art is in Very Good condition.
Murphy Anderson All Select Comics #1 Cover Re-Creation Original Art - Cover Overstreet Comic Book Price Guide #39 (undated). Timely's "Big Three," Captain America, the Human Torch, and the Sub-Mariner launch an all-out attack on Hitler's "Berghof" in Berchtesgaden in this action-packed scene, originally drawn by the master of mayhem, Alex Schomburg. Murphy Anderson's re-creation will grace the cover of next year's edition of The Overstreet Comic Book Price Guide. This eye-popping piece has an image area of 15" x 20", and has been matted and framed to an overall size of 22.5" x 28". The art is in Excellent condition.
Murphy Anderson All Star Comics #3 Cover Re-Creation Original Art (2000). The first appearance of the Justice Society of America is such a milestone, and the cover scene, originally drawn by E. E. Hibbard, so memorable, that we could go on and on about it -- by why bother, since this Murphy Anderson re-creation is worth more than a thousand of our words? This was also the first cover appearance of the Atom, who only had a couple of outings in the back pages of All-American to his credit. This terrific re-creation has an image area of 15" x 20", and the piece has been matted and framed to an overall size of 22.5" x 28". The art is in Excellent condition.
Murphy Anderson Daredevil Comics #1 Daredevil Battles Hitler Cover Re-Creation Original Art (undated). Murphy Anderson's bold re-creation showcases one of the most iconic covers from the Golden Age of Comics, and it is a colorful tribute to the scene originally created by "Woodro," the Bob Wood and Charles Biro collaboration. In this cover, Daredevil and the Silver Streak battle an oversized Hitler (hand drawn in this version), with the Claw lurking nearby. The first issue of the original title was titled Daredevil Battles Hitler, becoming simply Daredevil Comics with the next issue. This re-creation has an image area of 15" x 20", and the piece has been matted and framed to an overall size of 22.5" x 28". The art is in Excellent condition.
Murphy Anderson Fight Comics #1 Cover Re-Creation Original Art (undated). Shark Brodie, hard-boiled soldier of fortune of the South Seas, stars in this cover scene, originally drawn by Will Eisner and Lou Fine. Murphy Anderson's slam-bang re-creation has an image area of 15.5" x 21", and the piece has been matted and framed to an overall size of 23" x 28.5". The art is in Excellent condition.
Murphy Anderson Mystery Men Comics #1 Cover Re-Creation Original Art (undated). In a scene that would have been right at home on the cover of a "hero pulp," the Green Mask stops a mad doctor cold, with hot lead from his barking .45 automatic. Murphy Anderson re-created this heart-stopping scene from the 1939 classic, originally drawn by his artistic idol, Lou Fine. And, as in the original printing, Anderson colored the Green Mask's cowl blue. Michael Shelby was a rich private investigator who donned the colorful costume of the Green Mask in order to wage war on crime. Initially fighting with only his wits and lots of gunplay, Shelby was eventually treated in a "vita-ray chamber" and attained superhuman abilities. This splendid re-creation captures the macabre mood of the early pulp-like superhero comic books. The image area of the art is 15" x 21.5", and the piece has been matted and framed to an overall size of 22.5" x 29". The art is in Excellent condition.
Al Avison Witches Tales #3 Cover Original Art (Harvey, 1951). Our lovely captive has her hands full with a witch, a hooded menace with a torch, and hooded pitchfork-wielding bird men coming at her. The black cat on the stairs is just a formality. Al Avison delivers the ghastly goods on this cover from 1951. With an image area of 11.5" x 17", the logo and indicia at the top are recent photocopy replacements: otherwise, this fabulously frightful image is in Very Good condition.
Dick Ayers and Paul Reinman Tales to Astonish #57 Giant-Man and Spider-Man page 12 Original Art (Marvel, 1964). Face front, Marvelites -- three of the House of Ideas' top Silver Age stalwarts appear on this pulse-pounding page -- Spider-Man, Giant-Man, and the wondrous Wasp. Please take note: this was only Spider-Man's third crossover in the Marvel universe. In short, it's a mighty Marvel milestone, effendi. The image area measures 12.5" x 18.5", and the condition is Excellent.
Dick Ayers War is Hell #6 Cover Original Art (DC, 1973). This prison break behind enemy lines is dangerously delineated by Darlin' Dick Ayers. This piece has an image area of 10" x 15" and includes the original logo and masthead paste-up art. There is some glue staining around the logo; otherwise the work is in Very Good condition.
Dick Ayers Fantastic Four Annual #1 Cover Re-Creation Original Art (1994). Relive the glory days of the Marvel Age of Heroes with this splendid Dick Ayers recreation of a Marvel milestone. This piece has an image area of 12.5" x 19", and it has been matted and framed to an overall size of 21" x 28". The art is in Excellent condition, and Dick Ayers signed the page at the lower right. Also included in this lot is a COA signed by Ayers.
Dick Ayers and Stan Goldberg Journey Into Mystery #83 First Thor Cover Re-Creation Original Art (undated). Marvel mainstay Dick Ayers once again brings to life the first cover appearance of the mighty Thor with this milestone, hand-colored by veteran Marvel colorist Stan Goldberg. This piece has an image area of 12.5" x 19", and the piece has been matted and framed to an overall size of 22" x 29". The art was signed by Dick Ayers and Stan Goldberg in the lower border, and it is in Excellent condition.
Dick Ayers Strange Tales #101 Cover Re-Creation Original Art (undated). The Fantastic Four grant permission for Johnny Storm to appear in Strange Tales magazine, or so says this classic cover, faithfully re-created by Dick Ayers, in the grand Jack Kirby style. Has the Destroyer truly won the day? We wouldn't bet on it. The image area of this piece measures 14" x 20.5", and the art is in Excellent condition.
Bernard Baily Strange Adventures #181 Cover Original Art (DC, 1965). This cover story originated from a 13-year old fan, who wrote a letter along with his sketched-out cover idea to DC editor Jack Schiff. When DC used the idea for this story, Schiff sent the cover art to the lucky fan, who kept it in his possession all these years! It's one of a small handful of "split covers" showing two separate locales unified by a single character, and it's rendered by Bernard Baily, a Golden Age artist who was still active in the Silver Age!The art has an image area of approximately 12.5" x 18.5", on DC/Sparta standard artboard. The art has been professionally, lightly cleaned, and a few of the original paste-up type elements have been replaced, leaving the art in Good condition.
Carl Barks Walt Disney's Comics and Stories #271 Donald Duck page 2 Original Art (Gold Key, 1963). Donald can't wait to buy a "Primrose Valley Ranch" property from agent Swinely -- think he'll get a good deal? A nicely detailed page from the "Good Duck Artist", Carl Barks (note the "horse" planter next to Donald's radio), featuring Donald in every panel. As he usually did, Barks drew this page from "A Stone's Throw From a Ghost Town" as two half-page boards, which have been joined by way of a third piece of bristol that was glued to the two halves; this joining segment is now beginning to come loose, and there are some light stains and paper tanning, primarily on the lower half of the art. The combined image area measures approximately 16" x 23.25", and the overall condition of the art is Very Good. Barks Duck story art is always eagerly sought by collectors, who know that the majority of Barks artwork was destroyed by the publishers. Don't let this one slip past!
Carl Barks Walt Disney's Comics and Stories #279 Cover Original Art (Gold Key, 1963). Everyone's favorite Duck Man provides the top section of this cover, featuring Donald and the boys at the carnival, with another artist providing the images of Daisy Duck and Mickey Mouse (on a separate piece of bristol, mounted to the main artboard). This cover has an overall image area of 11" x 10.5", on bristol measuring 14" x 19", and is in Excellent condition. The upper portion of art has been signed in ink by Carl Barks. Included are two copies of Walt Disney's Comics and Stories #279.
Carl Barks Uncle Scrooge #61 page 5 Original Art (Gold Key, 1966). Scrooge flies to Africa with Donald and the boys with plans to buy a "played-out" mine, when a passing plane showers them with bullets, in this exciting page from "So Far No Safari." Every Carl Barks fan dreams of obtaining an actual page from one of "The Good Duck Artist's" stories, and only a few can ever realize that lofty goal, as most pages were either destroyed by the publisher, or remain in private collections. This beautiful, oversized item is typical of most Barks pages, in that it's composed of two separate pieces matted together, with an overall image size of approximately 16" x 23". It has been matted and framed to an overall size of 24.75" x 32", and is in Excellent condition. Carl Barks added his signature below the last panel.
Carl Barks Menace of the Grotto Painting Original Art (1975). Carl Barks based his 110th Disney oil painting on the cover of Four Color #159's classic "Ghost of the Grotto" Donald Duck adventure. One can almost feel the chill in the salty air as the old conquistador climbs aboard the Duck's boat in the misty evening! Wonderful detail and color! The oil on board painting has an image area measuring approximately 11.5" x 15.5", and is beautifully framed and matted to an overall size of 20" x 24". Excellent condition.
Carl Barks Girl of the Ancient Temeculas Painting Original Art (1968). Not just a "Duck artist," Carl Barks painted this fetching nude study with a muted palette in the sixties. This oil on canvas painting (numbered #41-68) has an image area of 18" x 24", and has been framed to an approximate overall size of 25.5" x 31.5". The painting is in Excellent condition, and it was signed by Carl Barks at the lower left.
Carl Barks Blackstone the Great Illustration Original Art (1978). This showy illustration of the duck-faced Blackstone the Great and his pretty assistant, now apparently cut in two, is part of the Carl Barks series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl." Rendered in ink and watercolor on textured watercolor paper, this is Barks' twenty-third painting of 1978. The image area measures 8" x 10". Custom matted and framed and in Excellent condition.
Carl Barks - King Beowulf Drawing Original Art (Carl Barks, 1978). This bombastic Carl Barks ink drawing on vellum was created to be used for an ad campaign to tout Barks' own series of lithographs based on oil paintings using the theme of "Kings and Queens in Myth and Legend." Beowulf, King of the Geats, in his final battle, rides bareback on a fire-breathing dragon, high above his fleeing warriors. This original ink drawing was framed and a three-color film overlay was aligned with the drawing to create a striking full-color image. The drawing has an approximate image area of 16" x 20". Barks has signed the drawing at the lower right, and the art is in Excellent condition. Carl Barks had a knack for portraying whimsical dragons and often featured them in his Donald Duck and Uncle Scrooge stories -- the "good duck" artist was also a "good dragon" artist! From the Estate of Bruce Hamilton.
Carl Barks Luke Short, Undertaker's Friend Illustration Original Art (1978). A duck-faced bounty hunter holding two guns is the subject of this wonderful watercolor by Carl Barks. Part of Barks' series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl," this is Barks' twenty-eighth painting of 1978. The image area measures 8" x 10". Custom matted and framed and in Excellent condition.
Carl Barks Wanderers of Wonderlands Painting Original Art (1981). This gorgeous oil painting of Scrooge and the boys examining the riches found amidst ancient ruins (while various Beagle Boys, Harpies, and Magica De Spell watch on), is one of the most important Duck paintings Barks ever produced.
Upon his retirement, Barks had asked for and received permission to produce a series of paintings based on his covers and stories. After a fan issued a few prints of Barks paintings without Disney's permission, Carl lost his rights to the Ducks, and it took the urging of several notable megafans to get them to reverse that decision. This piece was his first done after Disney relented, and was used as an exclusive print included in the deluxe book, Uncle Scrooge McDuck: His Life and Times. That book is considered a breakthrough of its kind, and was reviewed by Time and Newsweek.
The painting is a true treasure, filled with rich detail and sumptuous color. The image area measures approximately 15.5" x 19.5" on canvasboard, beautifully displayed in an ornate gold frame. The art is in Excellent condition, and will surely be the crowning piece to any serious Barks collection.
Upon his retirement, Barks had asked for and received permission to produce a series of paintings based on his covers and stories. After a fan issued a few prints of Barks paintings without Disney's permission, Carl lost his rights to the Ducks, and it took the urging of several notable megafans to get them to reverse that decision. This piece was his first done after Disney relented, and was used as an exclusive print included in the deluxe book, Uncle Scrooge McDuck: His Life and Times. That book is considered a breakthrough of its kind, and was reviewed by Time and Newsweek.
The painting is a true treasure, filled with rich detail and sumptuous color. The image area measures approximately 15.5" x 19.5" on canvasboard, beautifully displayed in an ornate gold frame. The art is in Excellent condition, and will surely be the crowning piece to any serious Barks collection.
C. C. Beck Captain Marvel Adventures #2 Cover Original Art (Fawcett, 1941). Captain Marvel burst onto the comic scene in 1940 like the proverbial bolt of lightning, and this may be the earliest original cover art featuring this character that will ever surface. C. C. Beck has always been considered the consummate artist for Captain Marvel. His clean style was perfect for a hero that was almost like a big soft teddy bear who was, nevertheless, an intimidating force against evil. Captain Marvel Adventures #2 was first advertised as #3 when Fawcett originally considered Special Edition Comics the real #1. Thus, this cover art has the issue #3 on it. This piece has an image area of 11" x 16". The face of Captain Marvel is a pasted-up piece of original art drawn by C. C. Beck. There is moderate use of corrective white-out and very light staining around the text stats; otherwise, this historic piece is in Excellent condition.
C. C. Beck (attributed) Captain Marvel Adventures #5 page 26 Original Art (Fawcett, 1941). Captain Marvel is hosed down with molten lava by two fiends in this page from "The King of the Crater." Cap bursts out of his stone shell, looking none the worse for the molten assault. He is, after all, the World's Mightiest Mortal. The image area of the art measures 13" x 18". There are blue pencil color notations, made for the engraver, in each panel; otherwise the art is in Excellent condition. Who dares call the Big Red Cheese a nut?! Not us, we love the big guy, and you'll love this art!
Keith Birdsong Larissa Paperback Cover Painting Original Art (ROC, 1993). "She knows what it means to be human -- in an alien-run universe." Writer Emily Devenport's fantasy femme fatale, Larissa, is a warrior who grew up hard and fast on the mining planet of Hook. As a child, she witnessed the savage murder of her mother, and as a result, she trains herself to be a deadly master with a blade. This painting has an image area measuring 18" x 28", and the art is in Excellent condition.
Simon Bisley Silver Surfer and Galactus Painting Original Art (undated). The eternal conflict between the world-eater known as Galactus, and his former herald, the Silver Surfer, is sharply drawn in this outstanding illustration from the über-talented Simon Bisley. The cool, metallic tones of the Surfer make a stark contrast to the angry fuchsia of Galactus. The exact usage for this mixed media illustration is not known, but it definitely shows the Bisley touch, and is a superb rendering of these two iconic characters. The art measures 11.75" x 15" and is in Excellent condition.
Simon Bisley Heavy Metal July 1998 Cover Original Art (Heavy Metal, 1998). A Heavy Metal favorite, Simon Bisley's highly detailed style brings super mutants, brawny heroes, and bad-news babes to life with his wicked imagination and no-holds barred approach to illustration. Heavy Metal made a statue based on this tableau, and this painting was also published on page 13 of The Art of Simon Bisley. This piece has an overall size of 15" x 21", and the art is in Excellent condition.
Wayne Boring Superman #189 page 15 Original Art (DC, 1966). Superman is dazed and confused in the presence of his Kryptonian sweetheart, Lyla Lerrol. Superman goes from mass murderer to charming suitor in the space of a single page. From one of the last dozen Superman stories illustrated by Wayne Boring. The image area of this Silver Age sensation measures 12" x 18", and the art is in Excellent condition.
Pat Broderick and Dick Giordano The Fury of Firestorm #10 Cover Original Art (DC, 1983). This suspense-ridden cover features Firestorm casually flying high above the New York City streets, little realizing that right around the corner on a nearby ledge, the nefarious Hyena is about to pounce on "the Nuclear Man" himself. This cover was meticulously illustrated by Pat Broderick, with crisp, vibrant inks added by comics legend Dick Giordano. This sensational cover has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Bob Brown and Don Heck Avengers #120 page 31 Original Art (Marvel, 1974). Thor, the Vision, Iron Man, the Scarlet Witch, and Mantis -- how does the Zodiac expect to win against these Marvel titans? This battle royal from "Death Stars of the Zodiac" has an image area of 10" x 15", and the art is in Excellent condition.
Rick Brown The Little Mermaid Promotional Poster Illustration Original Art (Disney, 1989). This colorful poster illustration of Ariel and her undersea friends is a joy to behold. An artist with a national reputation, Rick Brown's impressive client list includes Walt Disney, NFL properties, Universal Studios, Milton Bradley, Chevron USA, and the Bradford Exchange. Rendered in acrylic on heavy illustration board, the art has an image area measuring 13" x 19", and it is in Excellent condition.
Dik Browne (attributed) Hagar the Horrible #1 Cover Original Art (Charlton, Undated). Dik Browne's classic comic strip barbarian takes on impossible odds on this nifty cover that was prepared for Charlton comics, possibly in the 1980s, but was apparently never published. Also included in this lot is a hand-painted acetate sheet (much like an animation cel) which was prepared as a color guide. Image area on both measures 10" x 15" and both are in Excellent condition.
Frank Brunner and "Crusty Bunkers" Marvel Premiere #10 Dr. Strange page 15 Original Art (Marvel, 1973). The Age of Shuma-Gorath hits a snag as Doctor Strange resists his mind war, in this page from "Finally, Shuma-Gorath!" For those not in the know: the "crusty bunkers" were sometimes credited when a team of inkers pitched in. The art has an image area of 10" x 15" and is in Excellent condition. Signed by Frank Brunner at the bottom left.
Frank Brunner Howard the Duck #1 Cover Re-Creation Original Art (2000). Howard the Duck and Beverly Switzler take center stage in this vivid, full color re-creation of a mighty Marvel milestone from the Bronze Age -- Howard the Duck #1. Also making a cameo is the one and only web-slinger, Spider-Man. This masterwork has an image area of 14" x 20", and the art is in Excellent condition. The piece was signed and dated by Frank Brunner at the lower left.
Rich Buckler and Steve Mitchell Secrets of Haunted House #35 Cover Original Art (DC, 1981). This awesome Bronze-Age blockbuster features the title's lead character, Mister E, as he bursts through a coffin-shaped doorway and into "The Lair of Lady Frankenstein." The Frankenstein Monster is prominently featured as he is electrocuted on a slab in the foreground of this sizzling scene. This cover has an image area of 9.75" x 15", and the art is in Excellent condition. Rich Buckler signed the piece at the lower right, and a copy of the comic book is included in this lot.
John Buscema and Don Perlin Thor #212 Splash Page 19 Original Art (Marvel, 1973). That fine specimen of humanoid "malehood" on auction is none other than Odin! This splash page from "Journey to the Golden Star!" has an image area of 10" x 15". Aside some light soiling, the art is in Excellent condition. Signed by John Buscema along the top edge.
Sal Buscema and Sam Grainger The Avengers #68 page 5 Original Art (Marvel, 1969). At the Avengers' mansion, Yellowjacket uses a probe to scan the recesses of the Vision's locked mind, in this page from "And We Battle Earth." The art has an image area of 10" x 15", and, aside from some slight printer's oil staining, is in Very Good condition.
John Byrne Doomsday +1 #3 Cover Original Art (Charlton, 1975). Jill Malden finds herself in the specimen container of an alien robot in this early John Byrne cover from 1975. Rendered in ink and watercolor, the art has an image area of 10" x 15" and is in Excellent condition.
John Byrne Fantastic Four #246, Dr. Doom page 14 Original Art (Marvel, 1982). John Byrne Fantastic Four originals from his peak period are quite scarce in the marketplace as they're feverishly snapped up by longtime collectors -- in fact, this is only the second page we've ever offered from the renowned first two years of his run on the title. And this is a great all-out battle page from a classic storyline, featuring Doctor Doom in all four, large panels. It's vintage Byrne at his finest. This piece has an image area of 10" x 15" and is in Excellent condition.
John Byrne The Avengers #305 Cover Original Art (Marvel, 1989). Avengers Assemble -- for an attack of the Lava Men! These hot-heads first appeared way back in Avengers #5 and the inextinguishable firebrands returned 300 issues later for this heated rematch! This cover features a lineup of Captain America, Thor, She-Hulk, Quasar, and the Black Panther. This cover has an image area of 9.5" x 15", and the art is in Excellent condition.
John Byrne The Sensational She-Hulk #49 Cover Original Art (Marvel, 1993). When the Blonde Phantom of Timely fame matured, she was just pudgy Louise Mason in John Byrne's clever series. So why has she switched bodies with the She-Hulk? This John Byrne extravaganza has an image area of 10" x 15" and the art is in Excellent condition. Includes the original logo and masthead paste-up art. Signed by John Byrne at the bottom right.
Dick Calkins Buck Rogers Daily Comic Strip Original Art (John F. Dille Co., 1937). Strip #511, featuring Buck and Wilma, in their attempt to stop Wing Bat Wu's fiendish plan to blow up a "synthetic food plant." Lots of fast-paced fun in this rare, early example, featuring a great panel with Buck and Wilma racing through the futuristic streets. The image area of this ink on bristol piece is approximately 20" x 4.5"; there is a missing word balloon correction in the final panel, as well as some light soiling, leaving the strip in Very Good condition.
Al Capp Li'l Abner Sunday Comic Strip Original Art, dated 1-13-52 (United Feature Syndicate, 1952). Dogpatch is seeing an infestation of Shmoos -- billions of 'em in fact. But there's a catch: they multiply so fast they'll make a millionaire out of everybody who can sell them, which leads two lamebrained brothers to commit a rather shocking Shmoo massacre in the last panel! How often do you see cute little critters plugged full o' holes on the Sunday comics page? The image area measures 19" x 21.75" and aside from missing its title logo panel, the art is in Very Good condition, with some paper missing in the bottom right corner and discolored tape in the margins. The art was cut between the tiers and then reassembled with tape on the reverse.
Nick Cardy Action Comics #428 Superman Cover Original Art (DC, 1973). "Is Superman truly gone?," these teens ruefully wonder as they gaze upon the poster of the Action Ace. This is a wonderful piece from the height of Nick Cardy's tenure as DC's preeminent cover artist. The poster of Superman is a pasted-on original art element. This Bronze Age beauty has an image area of 10" x 15" and, aside from some glue stains and light paper aging, the art is in Very Good condition.
Nick Cardy From Beyond the Unknown #25 Cover Original Art (DC, 1973). The most sensational auction of all time is featured in this awesome cover illustration by Nick Cardy. Here is the cover illustration for the tale, "The Man Who Sold the Earth!," which has an image area of 10" x 15". Includes the original logo and masthead paste-up art. Aside from some light glue staining, the art is in Very Good condition.
Nick Cardy The Witching Hour #28 Cover Original Art (DC, 1973). This ho-ho-horrific cover illustration by Nick Cardy includes the original logo and masthead paste-up art. The image area is 10" x 15" and the work is in Very Good condition.
Ernie Chan Weird Mystery Tales #23 Cover Original Art (DC, 1975). A hapless traveler flies the not-so-friendly skies in this fearsome cover illustration by Ernie Chan. The art includes the original logo and masthead paste-up art and has an image area of 10" x 15". There is some glue staining and light soiling; otherwise, the work is in Very Good condition. Signed by Ernie Chan at the bottom right.
Ernie Chan Claw the Unconquered #5 Cover and 7-page Group Original Art (DC, 1976). In addition to the cover for this issue, this lot also features interior pages 4-6, 8, and 12-14 of this sword and sorcery saga. Each page has an image area of 10" x 15", and the pages average Excellent condition.
Ernie Chan Savage Sword of Conan #122 Cover Original Art (Marvel, 1985). Everybody's favorite Cimmerian is up to his usual tricks: protecting scantily-clad hotties and cutting people's heads off... but we're sure he had a very good reason. This wicked-cool cover painting illustrates the story "Blossoms of the Black Lotus," another exciting tale from Savage Sword. The art has an image area of 20" x 27.5" and is in Very Good condition, with some minor corner bumps and light edge wear. A copy of the comic book is also included with this lot.
Ernie Chan Savage Sword of Conan #123 Cover Original Art (Marvel, 1986). Conan's used to facing impossible odds, but this gang -- a clutch of supernatural beasties, all with big fangs and sharp claws -- has got to be one of his toughest challenges. But not to fear, this is one barbarian who's had plenty of practice hacking monsters to bits. Cover phenom Ernie Chan provides yet another drop-dead gorgeous painting, this one for the story "Secret of the Great Stone." The piece has an image area of 20.25" x 28" and the art is in Very Good condition, with light corner bumps in the borders. A copy of the printed comic is also included in this lot.
Classics Illustrated #98 The Red Badge of Courage Painted Cover Original Art (Gilberton, 1952). This bloody battleground scene for the Classics Illustrated adaptation of Stephen Crane's The Red Badge of Courage has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Classics Illustrated #110 A Study in Scarlet Sherlock Holmes Painted Cover Original Art (Gilberton, 1953). Sherlock Holmes and Dr. Watson take center stage in this cover scene for the Classics Illustrated adaptation of Sir Arthur Conan Doyle's A Study in Scarlet. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Geoffrey Biggs Classics Illustrated Special Issue #162-A The War Between the States Painted Cover Original Art (Gilberton, 1961). This beautifully painted cover scene has an approximate image area of 14.5" x 21", and the art is in Excellent condition.
Dave Cockrum Giant-Size X-Men #1 page 24 Original Art (Marvel, 1975). Cyclops finds himself with normal eyes, unable to project his optic blasts, and in a Strato-Jet on auto-pilot from Krakoa back to Westchester in this blockbuster from the dawn of the revamped X-Men! Dave Cockrum penciled and inked this tremendous page from "Second Genesis." The image area of the page measures 10" x 15", and the art is in Very Good condition.
Dave Cockrum Giant-Size X-Men #1 page 30 Original Art (Marvel, 1975). Storm, Colossus, Cyclops and Thunderbird land on the living island known as Krakoa, in this page from "Second Genesis." The image area of the page measures 10" x 15", and, aside from paper tanning and light tape staining, the art is in Very Good condition. Signed by Dave Cockrum at the bottom right.
Dave Cockrum Storm Illustration Original Art (undated). X-Lady Storm is looking regal and powerful in this outstanding color illustration by Dave Cockrum. The piece is undated, but looks to us like it hails from the 1970s or '80s, and is believed to have been given as a gift to artist Frank Thorne, in exchange for a drawing of Red Sonja he had sent Cockrum. A fabulous bit of art from one of the quintessential X-artists of all time. The board measures 11.5" x 16.5" and is in Very Good condition, with some light foxing and a browning stain in the upper right region. Halle Berry never looked as good as this wicked Storm!
Gene Colan and Bob Wiacek Doctor Strange #35 Cover Original Art (Marvel, 1979). The Dweller dredges up a whirlwind of death in this devious delineation penciled by Gene Colan and inked by Bob Wiacek. The art has an image area of 10" x 15" and includes all the original logo and masthead paste-up art. In Very Good condition.
Gene Colan and Dick Giordano Detective Comics #531 Batman Cover Original Art (DC, 1986). Send in the clowns -- the killer clowns, that is. The Batman seems to have a ongoing problem with homicidal funnymen! Gene Colan's moody, shadow-washed cover art for this issue of Detective Comics spotlights a truly insane clown posse, and Dick Giordano's crisp inks add the perfect finish to the deadly scene. This cover has an image area that measures 10" x 15", and the art is in Excellent condition.
L. B. Cole Target Comics V9#4 Cover Original Art (Novelty Publications, 1948). Sensational wildlife artist and creator of more than 1,500 eye-popping covers, Leonard B. Cole created the ultimate "survival of the fittest" scene for this surreal thriller. The image of this jungle cover measures approximately 15" x 22", and the art is in Very Good condition. L. B. Cole signed the piece at the lower left.
Reed Crandall Piracy #5 Complete 7-page Story "Jean LaFitte" Original Art (EC, 1955). Master illustrator Reed Crandall deftly tells the tale of smuggler and buccaneer, Jean LaFitte, who rejected a British bribe, and with his crew, fought alongside the Americans in the War of 1812, helping to win the crucial Battle of New Orleans. Following the war's end, LaFitte reverted back to his pirate ways, attacking a gold-laden freighter and slaughtering its crew down to the last man. A trio of ships gave chase to the scurvy knaves but their ship vanished into thin air, never to be seen again! A classic slice of history, told the EC way. Each page has an image area of 13" x 18". Five of the pages have their captions and word balloons pasted-on. Page 1 has a small piece missing from its bottom right corner, and page 5 had panels 6 and 7 replaced with new art, which are included in this lot; otherwise, the art is in Very Good condition.
Roy Crane Buz Sawyer Sunday Comic Strip Original Art, dated 6-17-45 (King Features Syndicate, 1945). Get set to laugh out loud -- Roy Crane has created another rib-tickler, with a hilarious episode from the adventures of Buz Sawyer's pal, Roscoe Sweeney. This Sunday has an image area of 24.5" x 17", and the art is in Very Good condition.
Roy Crane Buz Sawyer Sunday Comic Strip Original Art, dated 3-9-47 (King Features Syndicate, 1947). The backgrounds in these scenes are wide-ranging and superbly drawn. No action-adventure strip collection would be complete without a first-rate Roy Crane example. This Sunday has an image area of 24.5" x 17", and aside from some edge wear and a glue-stained title logo stat, the art is in Very Good condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, c. 1963). Rare R. Crumb original artwork from his early 1960s employment at American Greetings in Cleveland. This birthday card features a great little comic strip done in Crumb's classic early style. Ink and wash on illustration board folded and glued together for an approximate measurement of 3" x 7". Includes crossed out sketches on the back. Aside from a small tack hole at top, in Very Good condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, circa 1963). Rare Robert Crumb original artwork from his early 1960s stint at American Greetings in Cleveland. This example features great, detailed artwork on the front and interior, which makes use of a hatched ink drawing of wild animals for the punch line, done in the classic style of Crumb's early "Fritz the Cat" stories. Ink and color marker on illustration board, measuring approximately 6" x 7" and folded in half vertically for a card dimension of approximately 3" x 7". Aside from minor glue staining on back, in Excellent condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, c. 1963). Early '60s American Greetings original artwork by Robert Crumb, who apparently wasn't satisfied with this concept or rendering, as he marked out the figure on the front. Ink and color marker on illustration board, measuring approximately 6" x 7" and folded in half vertically for a card dimension of approximately 3" x 7". Includes sketches and "tentative approval" stamp on the back. In Excellent condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, c. 1963). Another rare example of R. Crumb's time working at American Greetings, from the early 1960s. This birthday card features wonderful artwork and the punchline: "...for YOU, something a little off seemed appropriate!!" Ink and color marker on illustration board, measuring approximately 6" x 7" and folded in half vertically for a card dimension of approximately 3" x 7". Includes sketches and "tentative approval" stamp on the back. Aside from a small tack hole at the top, in Excellent condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, c. 1963). Another rare piece of original artwork from Robert Crumb's early 1960s employment at American Greetings in Cleveland. This example features an additional handmade fold-out in the interior of the card, with an original drawing of a flower opening up to reveal the sweet punchline: "Hi!" Ink and color marker on illustration board, measuring approximately 6" x 7" and folded in half vertically for a card dimension of approximately 3" x 7". Includes "tentative approval" stamp on the back. Apart from uniform staining on the front of the card artwork and a small tack hole at the top, it is in Very Good condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, 1963).
Robert Crumb original artwork from his first important illustration job, designing humorous cards for American Greetings in Cleveland. This example features the great punchline: "...Set Fire to Your Bedpan"! Ink and color marker on illustration board, measuring 6" x 7" and folded in half vertically for a card dimension of 3" x 7". Includes "Sep 12 1963" and "tentative approval" stamps on the back. In Excellent condition.
Robert Crumb original artwork from his first important illustration job, designing humorous cards for American Greetings in Cleveland. This example features the great punchline: "...Set Fire to Your Bedpan"! Ink and color marker on illustration board, measuring 6" x 7" and folded in half vertically for a card dimension of 3" x 7". Includes "Sep 12 1963" and "tentative approval" stamps on the back. In Excellent condition.
Robert Crumb Greeting Card Illustration Original Art (American Greetings, c. 1963). Robert Crumb American Greetings card artwork, predating his better-known Underground Comix fame. This birthday card features a great front illustration and photo collage on the interior. Ink and collage on illustration board measuring approximately 6" x 7" and folded vertically for an approximate measurement of 3" x 7". Aside from a small tear at the lower right edge, in Very Good condition.
Robert Crumb Motor City Comics #2 "Lenore Goldberg" Panel Page Original Art (Rip Off Press, 1970). R. Crumb's feminist radical, Lenore Goldberg, clears the air with a bunch of "suits", in this twelfth page from Motor City #2. Crumb went all out in this well-crafted tale, actually going to the trouble of carefully ruling his panel borders (rather than going "free-hand," as he usually did), giving this story a much more professional look than much of his late '60-early-'70s work. Mechanical pen ink on bristol, with an image area of approximately 8" x 12". In Excellent condition. Adult content.
Robert Crumb Kafka for Beginners page 168 Original Art (Icon Books, 1993).
The marriage of two of the 20th century's most important artistic figures: Franz Kafka and R. Crumb. Crumb spent a year on his illustrations for the book, and this wonderful splash page features his beautifully dense cross-hatching and lovingly rendered architectural detail. This piece has an image area of 6" x 8.5" and is in Excellent condition.
The marriage of two of the 20th century's most important artistic figures: Franz Kafka and R. Crumb. Crumb spent a year on his illustrations for the book, and this wonderful splash page features his beautifully dense cross-hatching and lovingly rendered architectural detail. This piece has an image area of 6" x 8.5" and is in Excellent condition.
Robert Crumb Placemat Sketch Original Art (2004). Compulsive doodler Robert Crumb can't seem to keep his hands still while waiting for a meal, turning every blank placemat set before him into a work of art. This particular piece, marked "Times Square Grill, New York City, Oct. '04" features a great, 1920s-inspired scene with several big-city slickers eyeing a "poor little glad-rag doll". The one on the far left wearing the straw hat looks like none other than Crumb himself, with a "what do I do now?" quizzical look on his face! The art was drawn with a fine-line mechanical pen in india ink, on a fragment of white butcher paper; and yes, there are a couple of small food stains well outside the image area, which is approximately 9.5" x 8". The art is in Excellent condition -- and the corned beef ain't bad, either!
Jack Davis Haunt of Fear #26 Crypt Keeper page 7 Original Art (EC, 1954). The Crypt Keeper wraps up this yelp-yarn, entitled "Comes the Dawn," in true EC style, and this piece has an image area of 13" x 18". The art is in Excellent condition.
Jack Davis Crypt Keeper Illustration Original Art (undated). Jack Davis was one of E.C.'s leading talents, bringing his humorous touch to even the most gruesome stories. Legions of fans covet the work of this artist who produced a huge volume of work in the areas of suspense, horror and humor. This pen and ink and watercolor illustration features E.C.'s fright master, the Crypt Keeper, filling a bus full of horrified children, with Davis' wry wit intact. Framed and matted to an image area of 11" x 16", the work is in Excellent condition.
Jim Davis Garfield Daily Comic Strip Original Art, dated 9-18-78 (United Features Syndicate, 1978). Four months into the fat orange tabby's comic strip debut comes this quintessential daily of Garfield having a Monday. With an image area of of 14" x 4", this art is in Excellent condition, and is signed at the bottom left by Jim Davis.
Jim Davis Garfield Sunday Comic Strip Original Art, 9-14-80 (United Feature Syndicate, 1980). Jon gets his morning paper, and breakfast all in one, courtesy of Garfield! This strip remains the favorite of many a newspaper reader, with fans eagerly snapping up reprint books, t-shirts, and other merchandising. Now here's a rare opportunity to own a nice, framable original piece of art, the first Sunday Heritage has had the pleasure to offer. To add to the package, Jim Davis' original rough "thumbnail" is included. The ink on bristol has an image size measuring approximately 18.75" x 8.25". The thumbnail is in art marker on paper measuring 9" x 6". Both pieces are in Excellent condition. Get your bids in early on this one!
Chris Dien Star Trek, McCoy, Kirk, and Spock Painting Original Art (undated). The classic characters, rendered in acrylics on canvasboard, measuring approximately 15" x 20". In Excellent condition.
Dick Dillin and Jack Adler House of Mystery #92 Grey Tone Cover Original Art (DC, 1959). DC's grey tone covers of the late 1950s-early 60s have become some of the most popular and sought-after comics among collectors today. What an incredible thrill it is to finally see the original base art for one of these beauties! The process was invented by Jack Adler, DC's long-time colorist. The process was called Washtone by Adler, who created a separate wash for each color to be printed. Here's the base black art, featuring Adler's wash over Dick Dillin's pencils. The art, on a standard DC board, has an image area measuring approximately 12.5" x 19". All the type and logo elements are carefully made modern replacements. Other than that, the art is in Excellent condition. Includes a copy of House of Mystery #92.
Jay Disbrow The Buyer's Guide for Comic Fandom #365 Cover Original Art (DynaPubs, 1980). The intrepid hero of "The Flames of Gyro" battles his way through another awesome science fiction story for this 1980 cover of Alan Light's Buyer's Guide, the precursor to today's Comics Buyer's Guide. Jay Disbrow, artist of the Aroc of Zenith series, lends his timely talents to this speculative cover, rendered in ink and wash tones. The image area measures 14.75" x 20". There is some scoring just below the title logo, and minor tears in the borders, but overall the art is in Very Good condition.
Jay Disbrow Valgar Gunnar Serial Chapter Original Art, Group of 3 (DynaPubs, 1980). Jay Disbrow's career goes back to the Iger Studio of the 1950s, where he worked on titles such as Sheena and Firehair. By the 1980s he was producing these nifty science fiction serials in three-page installments for Alan Light's Buyer's Guide for Comic Fandom. Offered here are three chapters of the series "Valgar Gunnar," each three pages long, which feature spaceships, ray guns, gooey monsters, ape-men, and a good-looking heroine. Each page has nicely detailed artwork rendered with ink and wash, with an image area measuring 14.75" x 24". The pages average in Very Good condition.
Jay Disbrow The Buyer's Guide for Comic Fandom #431 Cover Original Art (DynaPubs, 1982). Jay "Jayson" Disbrow again lends his science fiction-y skills to this monstrous cover for Alan Light's Buyer's Guide for Comic Fandom, this time featuring "Lance Carrigan of the Galactic Legion." With a well-armed hero, a buxom damsel, a big hairy critter, and a spaceship flyby, this has all the elements of classic space opera, nicely rendered in ink and wash. Also included in this lot are a copy of the printed issue, and a "Coming Next Issue" sheet. The artwork has an image area of 15.5" x 20" and is in Very Good condition.
Steve Ditko Machine Man #11 page 26 Original Art (Marvel, 1979). Machine Man discovers Khan of Xanadu's location, but the fat fiend is growing tired of his minions. Crisp action from the legendary hand of Steve Ditko. The image area measures 10" x 15", and the art is in Very Good condition.
Steve Ditko Tales to Astonish #18 Complete 5-page Story "Robot on the Rampage" Original Art (Marvel, 1961). The magnificent pen and brush work of comic book hall-of-famer Steve Ditko shines every so brightly in this fabulous 5-pager. A master of the fantasy yarn, this early Marvel tale is sure to make a prized showpiece for any Silver Age art collector. Each page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko Tales to Astonish #38 Splash Page 1 Original art (Marvel, 1962). When it comes to fantasy art, Steve Ditko is in a league by himself. The stage is set for the "Secret of the Statues" with this splash page and its stark, highly contrasted areas of delicate lines and bold shadows. This Marvel "monster-piece" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko Tales to Astonish #44 page 4 Original Art (Marvel, 1963). Steve Ditko delivers this terrific page in which one man tries desperately to escape a dangerous planet. This is Silver Age Marvel fantasy at its finest. This page from "Hunted" has an image area of 12.5" x 18.5", and is in Excellent condition.
Steve Ditko Amazing Spider-Man #6 page 5 Original Art (Marvel, 1963). From the dawn of Marvel's Silver Age comes this web-swinging masterwork from "Face-to-Face with the Lizard," featuring Spider-Man, Peter Parker, and most of the tile's early supporting cast -- Liz Allen, Flash Thompson, and J. Jonah Jameson. This mighty Marvel classic has an image area of 12" x 18". Aside from three pieces out of the borders and corners (mostly outside the image area), the art is in Very Good condition.
Steve Ditko Captain Atom #89 Unpublished Alternative Cover Original Art (Charlton, circa 1967). Captain Atom and his faceless foe, the Ghost, slug it out on the Sunurians' planet in this spectacular alternate cover for the good Captain's final issue. Charlton Action Hero Line covers are among the scarcest and in-demand of all Silver Age originals, so don't miss your chance to win this scintillating Steve Ditko cover. This large piece has an image area of 12.5" x 19". There are a few missing type elements; otherwise, the art is in Excellent condition.
Luis Dominguez House of Secrets #116 Cover Original Art (DC, 1974). Combining a fine-line precision with a looser dry brush technique for creating the atmospheric shadows, Luis Dominguez crafted a "spook-tacular" masterpiece! The art is signed with the "LD" monograph, under the ghostly apparition. The image area measures 10" x 15.25". The title logo stat is a recent replacement, and aside from some paper tanning, and a stain at the upper right, the condition is Very Good.
Luis Dominguez Unexpected #172 Cover Original Art (DC, 1976). A bride-to-be has an engagement with horror in this Luis Dominguez cover from 1976. The art has an image area of 10" x 15" and includes the original logo and masthead paste-up art. There is some glue staining around the logo; otherwise the work is in Very Good condition.
Luis Dominguez Ghosts #83 Cover Original Art (DC, 1979). The haunted wilds of the jungle serve as the setting for this eerie cover scene drawn by the talented Luis Dominguez. When top DC cover artist Nick Cardy moved on, editor Murray Boltinoff gave many of his cover assignments to this dazzling draftsman from Argentina. The image area of this cover measures 9.75" x 15", and the art is in Excellent condition.
Mort Drucker Mad #83 Complete 3-page Story Original Art (EC, 1963). Three-page Hud parody, "Hood! (The 'Sick' Western Movie)," by Mort Drucker, featuring hilarious caricatures of the late Paul Newman. Rendered in ink on Craftint paper, each page has an image area of 16" x 20". In Very Good condition.
Mort Drucker Mad #314 Complete 2-page Story Original Art (EC, 1992). This two-pager, "New Twists on Old Jokes," by Mort Drucker, features caricatures of Robin Williams, Whoopi Goldberg, Jerry Seinfeld, George Burns, Eddie Murphy, Joan Rivers, Rodney Dangerfield, and Garry Shandling, among others. Also on hand: Jay Leno, Elayne Boosler, Judy Tenuta, Emo Phillips, Paula Poundstone, Charles Grodin, Andrew Dice Clay, Steven Wright, George Carlin, Dennis Wolfberg, and more! The double-page spread has an image area of 35" x 22.5" and is in Excellent condition.
Will Eisner The Spirit (Weekly Comic Book) page 4 Original Art, dated 10-22-50 (Des Moines Register and Tribune Syndicate, 1950). Here is a terrific panel page from Will Eisner's masterpiece, featuring gorgeous inking and many of the elements that made the feature a legend. This yarn was loosely based on a Ring Lardner short story titled "The Great Haircut." This page from "Rudy the Barber" has an image area of 13" x 18", and the art is in Excellent condition.
Bill Elder Panic #2 Complete 7-page Story Original Art (EC, 1954). Bill Elder and writer Al Feldstein jazz up this retelling of the old cautionary tale "The Lady or the Tiger?," with 1950s jive talk and eyeball kicks aplenty. This story is notorious for a Basil Wolverton "Lena the Hyena" panel; it's here, but unfortunately, it turns out to be a vintage photostat. Still, there's lots to offer for any EC humor fan, with typical Elder gags crammed into every panel. The art is on standard EC artboards, with image areas measuring approximately 13" x 18". The pages all have some level of soiling in the outside borders, but overall are in Excellent condition. Two pages have inked sketches on the back.
Bill Elder Little Annie Fanny Gag Panel Original Art (Playboy, early 1960s). The Little Annie Fanny feature made its formal debut in the October, 1962 issue of Playboy. But Bill Elder had already been fine-tuning the prototype with cartoons like this, with its caption of "What kind of girl do you think I am?" What kind of girl do we think Annie is? She was eternally the naive woman-child, unassuming sexpot that couldn't quite understand why old men like this kept making passes at her! Why, indeed! The art is mixed media on board, with an image area measuring approximately 6.75" x 9.5", matted and framed to an overall size of 14.5" x 18", and is in Excellent condition.
Lee Elias Black Cat Mystery Comics #29 Cover Original Art (Harvey, 1951). It's Kit, fearless boy sensation, to the Black Cat's rescue in this pre-Code superhero/horror crossover bondage cover. This piece has an image area of 11" x 16", and aside from a few missing type elements, the art is in Excellent condition.
Ric Estrada and Dick Giordano (attributed) Secret Hearts #144 Cover Original Art (DC, 1970). The pain of "Second Hand Love" serves as the "cover hook" for this classic DC romance cover. This tear-jerker has has an image area of 10" x 15", and aside from some foxing at the bottom of the page (outside the image area), the art is in Excellent condition.
Al Feldstein Tales from the Crypt #21 Cover Original Art (EC, 1950). One of the most iconic early EC images, this jolting cover comes from only the fifth issue of this legendary series, and it is from only the second issue after the title switched to Tales from the Crypt from the earlier The Crypt of Terror. More importantly, this is the very first of Al Feldstein's six covers for the horror title. Most Crypt covers are buried away in collections and examples rarely come onto the market. The art has an image area of 13.5" x 19.25". There is a one-inch tear in the bottom border, which barely extends into the ruled border and artwork, and there is an abrasion and small piece missing from the top of the logo stat; otherwise, it is in Very Good condition.
Al Feldstein Tales from the Crypt #22 Cover Original Art (EC, 1951). Here is a stellar example of Al Feldstein's classic inking, as an unfortunate fellow gets a greeting straight from the Crypt. Fifties horror covers just don't get much more iconic than this zombie masterpiece, and you likely won't see a Feldstein Tales From the Crypt cover on the market anytime soon -- much less two fantastic specimens, such as we're offering in this sale -- so bid accordingly. This original has an image area of 13.5" x 19.5". The stats are later replacements, and the artwork has been mounted on a backing stat. Other than some minor staining in the borders, well outside the art area, this piece is in Excellent condition.
Al Feldstein Tales of Terror Annual #2 (Revisited) Painting Original Art (undated). The gang's all here -- the disgusting, warty, leather-skinned, smells-like-a-graveyard gang that is -- in this drop-dead gorgeous re-creation of the legendary cover of Tales of Terror Annual #2, by Al Feldstein. Yes, The Vault Keeper, the Crypt Keeper, and that old Witch are all in attendance, along with a werewolf, ghost, and other assorted creepie-crawlies. Big Al doesn't skimp on these bodacious paintings, bringing the original layout to life with bright, vivid colors. Handsomely framed, this piece has an image area of 27.5" x 21.5" and the art is in Excellent condition.
Fred Fields DragonLance: Dragon's Rest, Advanced Dungeons and Dragons Module Cover Original Art (1990). Fred Field's mixed-media on board "monster-piece" has an image area of 16.5" x 26", and the piece has been framed to an overall size of 21" x 30.5". The art is in Excellent condition, and a copy of the Advanced Dungeons and Dragons module, DragonLance: Dragon's Rest, is included in this lot.
Jack Cole (attributed) The Spirit Daily Comic Strip Original Art, dated 2-23-44 (Register and Tribune, 1944). From the looks of things in this forlorn episode, it seems the Spirit and Ebony aren't quite sold on the joys of the Spirit's pending marriage to Ellen Dolan. This daily has an image area of 20.25" x 6.5". Aside from some missing Zipatone in panel two, and a piece of transparent tape in the upper right corner of the final panel, the art is in Excellent condition.
Lou Fine Jumbo Comics Page Original Art (Fiction House, 1940). Here's a masterwork hailing from the dawn of the Golden Age, drawn by comics legend Lou Fine. Fine was inspired by book and magazine illustrators J. C. Leyendecker, John R. Neill, Harvey Dunn, and Heinrich Kley. As a result, working closely with Will Eisner, Fine set a new standard for the art of inking with a brush. His first work appeared in Jumbo Comics in 1938, where he worked on "Stuart Taylor," and an adaptation of Alexander Dumas' "The Count of Monte Cristo," as well as contributing several covers. With his dynamic layouts, and exceptional brush technique, Fine soon became an "artist's artist," admired by many others in the field at the time. This exquisite page has an image area of 15.5" x 19.5". The page has been professionally cleaned and restored to Excellent condition.
Virgil Finlay Galaxy Science Fiction Magazine October 1962 Painted Cover Original Art (Galaxy, 1962). Virgil Finlay's gorgeous cover painting for Cordwainer Smith's story, The Ballad of Lost C'Mell, has to be seen in person to be fully appreciated. The lead characters of this tale included C'Mell, a cat-derived "underperson," and Jestocost, a Lord of the Instrumentality of Mankind. This cover appeared on the first printing of the tale, and the painting has an image area of 11" x 12". The art is in Excellent condition. A tearsheet of the printed cover is taped to the back of the art board.
Hal Foster George Roussos Sketchbook "Prince Valiant" Illustration Original Art (circa 1942). Hal Foster added this warm note to his superb illustration of Prince Valiant, "To George Roussos whose friendship I enjoy and hope to retain during his long climb to success. Best wishes for a quick journey! Hal Foster." This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Hal Foster Prince Valiant Sunday Comic Strip Original Art, dated 3-24-63 (King Features Syndicate, 1963). The moment of victory is at hand as evil Cidwic smashes the gate and enters the castle, but Valiant has not given up the fight, and the two men draw into a direct confrontation. Even in the 1960s, Harold Foster's meticulous, highly detailed artwork put most of his contemporaries to shame, and this superlative Sunday is a perfect example. The image area measures 22.75" x 34". There is some glue staining and one missing text paste-up, but the artwork is otherwise in Very Good condition.
Hal Foster Prince Valiant Sunday Comic Strip Original Art, dated 12-3-67 (King Features Syndicate, 1967). Valiant sets out to pay the ransom for Sir Gawain, but the treacherous Governor, who has supplied him with safe passage, conspires to steal the cash. Hal Foster was a genius at both the human form and the intricacies of architecture, and this stunning Sunday features fine examples of both. Each panel is a little masterpiece of its own, and taken together, they make up some of the greatest comic art of the 20th century. The art has an image area of 22.75" x 34" and, with some minor tape and glue stains, and one missing text paste-up, is in Very Good condition.
Ramona Fradon and Bob Smith Super Friends #27 Cover Original Art (DC, 1979). An alien ship is kidnapping Aquaman's Atlantis, and it's up to Superman, Aquaman, Wonder Woman, Batman and Robin to save it! This cover has an image area of 10" x 15" and it includes the original indicia paste-up art at the bottom. In Very Good condition.
Frank Frazetta George Roussos Sketchbook Illustration Original Art (circa 1942). The young Frank Frazetta added this telling note to his drawing, "You can have this George... but please get me those Tarzans... Franky." Some things never change. This whimsical page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Frank Frazetta Heroic Comics #87 page 2 Original Art (Eastern Color, 1953). While justly celebrated for his incredible fantasy art, Frank Frazetta was also a master of all the other comic book genres. From funny animal, to Western, to romance, to science fiction, and war, every Frazetta story is a visual treat. Here, the dramatic life-and-death tension of the battleground is captured in this gritty page from "Stranded in a Minefield." This magnificent piece has an image area of 11.75" x 18.5". Aside from a closely trimmed right margin, and a few light stains, the art is in Very Good condition.
Al Capp Studio with Frank Frazetta Li'l Abner Sunday Comic Strip Original Art, dated 3-31-57 (United Feature Syndicate, 1957). Bessie Yokum wants to impress her beau Errol Skin with her ancestry -- and that doesn't include Ma and Pappy. Instead, she hires out a palatial mansion, and a bunch of movie stars to play her relatives, but darned if Errol isn't more charmed by the genuine article, much to Bessie's chagrin. The hand of Frazetta is obvious in the ample womanly charms of the otherwise homely Bessie, and in the delicate linework. The art has been divided into tiers and tastefully matted into an overall image size of 27.5" x 24" and, aside from some slight warping, is in Very Good condition. The piece is accompanied by a Statement of Authenticity from the Animation Plus Gallery.
Frank Frazetta Lioness Heads and Anatomy Studies Sketch Original Art (undated). This page of expressive ink studies by the renowned fantasy artist has an overall size of 10.25" x 8.5", and the art is in Excellent condition. This piece was initialed in its lower left corner.
Frank Frazetta Pellucidar and Death Angel's Shadow Pencil Study Original Art (circa 1970s). These expressive pencil studies provide a deep insight into the creative process of a modern master of fantasy art. This page from a 1970s-era Frank Frazetta sketch book has an overall size of 7" x 9.75", and the piece was signed at the upper right. The art is in Excellent condition, and a 2008 Letter of Authenticity from Dr. David Winiewicz is included in this lot.
Frank Frazetta Buck Rogers Hand Colored, Limited Edition Print #1/2, Remarqued With an Original Nude Sketch (1971). This incredible image was originally drawn for Frank Frazetta's famed series of Buck Rogers Famous Funnies covers in the 1950s. Deemed too violent, it was altered and published by Bill Gaines as the cover of Weird Science-Fantasy #29 -- widely considered one of the finest comic book covers of all time. For this print, Frazetta returned to its original "Buck Rogers" state, hand watercolored, signed, numbered, and dated each impression and added a specially drawn nude (called a "remarque") in its lower border. According to Russ Cochran, the publisher of the print, this is actually #2 of the total edition of 50, which Frazetta mis-numbered "1/2." The sheet size measures 14" x 18.5" and, aside from being lightly sunstruck, the piece is in Excellent condition.
Frank Frazetta Woman With a Knife Illustration Original Art (undated). This pen and ink drawing has an image area of 6" x 8" and it has been matted and framed to an overall size of 10.5" x 13.5". The art is in Excellent condition.
Frank Frazetta Synthetic Man of Mars Illustration Original Art (Doubleday, 1974). Here is an outstanding piece for any fan of Frank Frazetta, Edgar Rice Burroughs, or great illustrative art in general. With his sublime pen and brushwork, Frank Frazetta conjured up another fabulous masterpiece for the pages of the Science Fiction Book Club. Originally published as an illustration in the Doubleday edition of Synthetic Man of Mars, this beautifully inked work is at once amazingly subtle and starkly powerful, and it reveals the full range of Frazetta's prodigious drawing ability. Signed by the artist in the lower left, this piece has an image area of 10" x 12", and it has been matted and framed to an overall size of 15" x 16.5". The art is in Excellent condition.
Frank Frazetta Outlooks #3 Fanzine Cover Original Art (Outlooks, 1975). Two men are locked in a fight to the death in this forceful Frank Frazetta drawing, which appeared on the cover of the fanzine, Outlooks #2. The art is matted and framed, with an image area of 6" x 7", and it is in Excellent condition. This lot includes a copy of Outlooks #2.
Frank Frazetta The Egyptian Queen Signed/Remarqued Print #56/500 (undated). For the Frank Frazetta collector, this handsome, remarqued limited-edition print is a superb offering. Frazetta is considered by many to be the greatest artist who ever worked in comic books, and he has drawn a spectacular, large, 9" x 3" detailed, original art illustration of a lioness in the lower right of this print. From a limited edition, this print is numbered #56. It was hand-signed and numbered by Frazetta. The print has an image area of 20" x 25.5", and it has been matted and framed to an overall size of 29" x 36.5". This fantastic piece is in Excellent condition.
Frank Frazetta Kubla Khan Preliminary Sketch Original Art (circa 1977). Frank Frazetta drew this expressive pencil and ink preliminary in preparation for a plate that saw print in Frazetta Prints' 1977 limited edition portfolio of Kubla Khan. To augment the richness of Samuel Taylor Coleridge's verse, Frank Frazetta, the singular master of fantasy art, created his own vision. The art has an image area of 7" x 6.75", and the piece has been matted and framed to an overall size of 15" x 14.25". There are touches of tape glue residue in the upper left, lower left, and lower right edges, a small piece of paper is out of the upper right corner; otherwise, the art is in Very Good condition.
Frank Frazetta Warrior on Steed Painting Original Art (1984). This lush and lovely 1984 painting by Frank Frazetta, the king of all fantasy artists, was used as the cover for Russ Cochran's 1986 Frank Frazetta: Auction One catalog, and could not be more representative of the master's style. It somewhat resembles his classic Death Dealer character, with a mysterious armored figure and a snorting steed from hell. All the Frazetta hallmarks are here, with a powerful composition and haunting background details. This is believed to be a detailed oil study or prelim for a larger painting. The image area is 11.5" x 15.5", and the art has been professionally framed and matted to an overall area of 16.5" x 20.5". It's in Excellent condition.
Frank Frazetta Young Nude Pencil Drawing Original Art (1994). This sensitive pencil study by the modern fantasy art master has an image area of 8" x 10", and the piece has been matted to an overall size of 15" x 17". The art is in Excellent condition, and a COA from Animation Plus Gallery, Inc. is included in the lot.
Frank Frazetta Thun'da #1 page 3 Original Art (Magazine Enterprises, 1952). Young prodigy Frank Frazetta's artwork for Thun'da #1 is the stuff of legend, thrusting the artist into the ranks of all-time comic book and fantasy art greats. This issue was the only complete comic book that Frazetta ever drew, and any original artwork from the book is on many collectors' list of "grails." This knockout page is from "The Monsters From the Mists," the only one of the issue's four stories known have come onto the market, is a true tour de force, with lush, masterful inking, great action, prehistoric beasts, rich backgrounds, a muscular hero, and a gorgeous Frazetta heroine. Feel free to marvel at the last panel, a single image that rivals Frazetta's celebrated Tarzan illustrations. This page measures 13.5" x 21" and, aside from a few text stat replacements and minor white-out in text panel borders, it is in Excellent condition.
Michael Golden and Terry Austin Doctor Strange #55 Splash Page 1 Original Art (Marvel, 1982). Few Modern Age artists have made as much of an impression as Michael Golden, and this Doctor Strange title page is perhaps one of the finest examples of his exceptional interior work. Some art collectors have gone on record saying that this issue was the best drawn book of the 1980's, and there are more than a few out there who specifically search for pages from this storyline. The always impressive Terry Austin inked Golden here, putting an expert finish on Michael's already impressive pencils. This melancholy look at the Sorcerer Supreme is a must-have for any serious Dr. Strange collection. This page has an image area of 10" x 14", and outside of clipped corners and minor white-out, it is in Very Good condition. The piece was signed by Michael Golden along its right border.
Floyd Gottfredson Mickey Mouse Sunday Comic Strip Original Art, dated 5-6-34 (Walt Disney, 1934). Ice venders Mickey and Minnie trade in Tanglefoot for a broken-down car to make their deliveries in -- big mistake! A cute lesson in old-fashioned values from our favorite pie-eyed Mouse, courtesy of the man who drew him best, Floyd Gottfredson. Beginning in 1930, Gottfredson drew the daily adventures of Mickey Mouse, with Sundays added in 1932, for a run that lasted until his mid-70s retirement. This charming example is done in two pieces, each with an image area measuring approximately 28" x 11"; each two-tier segment has been matted and framed to an overall size of 31" x 14". The art is in Excellent condition.
Floyd Gottfredson Happy Birthday to Tom Srisaiya Illustration Original Art (1975). Mickey and Minnie dance in the style and dress of Tom Srisaiya's native Thailand in this original illustration created by Floyd Gottfredson as a birthday present for his friend. Ink and watercolor. Signed and inscribed by Floyd Gottfredson. Framed and matted to an image area of 10.5" x 9", the work is in Excellent condition.
Floyd Gottfredson The Illustrator Cover Illustration Original Art (Art Instruction Schools, 1976). This cover illustration was created by Floyd Gottfredson shortly after his retirement from the Walt Disney Studio where he wrote and drew the Mickey Mouse comic strip from 1930 to 1975. Commissioned by The Illustrator magazine, a quarterly publication of Art Instruction Schools which offered a correspondence course in art that Gottfredson completed as a young man, this cover ran along with article titled, "Mickey Mouse and Me." This original pen and ink and watercolor is framed and matted to an image area of 10.5" x 9", the work is in Excellent condition. Includes a copy of The Illustrator.
Chester Gould Dick Tracy and Pat Patton Specialty Sketch Original Art (undated). Dick Tracy and Pat Patton are ready for a spaghetti dinner, in this delightfully informal portrait by their creator, Chester Gould. Ink and watercolor on paper, this piece is framed and matted to an image area of 12.5" x 14". Signed and inscribed by Chester Gould at the lower right. In Very Good condition.
Chester Gould Junior Illustration Original Art (undated). This exceptional portrait of Junior hung in Mad artist Dave Berg's studio for years, always occupying a place of honor. Framed to an image area of 22.5" x 27.5" and signed by Chester Gould at the lower right. Aside from a horizontal crease that runs the length of the piece at the center the work is in Very Good condition.
Chester Gould Dick Tracy Sunday Comic Strip Original Art, dated 6-2-35 (Chicago Tribune, 1935). Dick Tracy is joined by Tess Trueheart, Junior, and Junior's mother, Mary Steele, in this Sunday from the dirty thirties. Meanwhile, the treacherous Toby sets up a swindle. This strip has been assembled from four different tiers all mounted onto a backing board, and the panels have been extended at the bottom, adding about a half-inch of art to each. The image area measures 19" x 26", and the art is in Excellent condition.
Chester Gould Dick Tracy Sunday Comic Strip Original Art, dated 1-28-40 (Chicago Tribune, 1940). The forties featured many of Dick Tracy's greatest villains and original Dick Tracy pages from this period are among the hardest to find. They are also avidly sought-after by collectors. This Sunday has an image area measuring approximately 19" x 26", and the piece has been matted and framed to an overall size of 28" x 35". Each of the panels were cut and repositioned into larger panels, with added art filling the larger panel area; otherwise, the art is in Excellent condition.
Chester Gould Dick Tracy Sunday Comic Strip Original Art, dated 3-3-57 (Chicago Tribune, 1957). The curvaceous Kitten sisters ditch their get-away motorcycle and hook up with Spike Dyke's Musical Manglers in this beautifully staged episode. Dick Tracy cameos in the final panel. This Sunday has an image area measuring approximately 27" x 18", All of the panels were cut out and pasted onto a large piece of support paper; otherwise, the condition of the art is Excellent.
Jerry Grandenetti and Joe Giella This Is War #7 Complete 7-page Story Original Art (Standard, 1953). Todd, "A Gambling Man," finally plays it "straight" in this well-drawn Korean War tale. The art was drawn with brushed ink, graphite, and blue pencil on blue-lined bristol, with image areas measuring approximately 12" x 18". There is some light soiling, otherwise, all the pages are in Excellent condition.
Mike Grell Warlord #18 Cover Original Art (DC, 1979). Warlord and Tara flee for their lives in this dynamic cover for the concluding chapter of The Quest -- an outstanding example of Mike Grell's all-out action style from his Sword and Sorcery creation. This piece has an image area of 10" x 15" and the art is in Excellent condition.
George Gross Nick Carter Paperback Cover Original Art (undated). High seas drama is the order of the day for Nick Carter in this unidentified paperback cover. This piece has an image area of 9" x 14", and the art is in Very Good condition.
George Gross Nick Carter Paperback Cover Original Art (undated). Nick Carter dishes out some payback for the high cost of oil in this unidentified paperback cover. This piece has an image area of 9" x 14", and the art is in Very Good condition.
George Gross The Avenger #24 Midnight Murder Paperback Cover Original Art (Warner Paperback Library, 1974). It's pulp action at it's most compelling in this paperback cover featuring Richard Benson, the Avenger. This piece has an overall size of 11.5" x 18.5", and an image area of 7.75" x 12.5". Aside from some foxing, the art is in Very Good condition.
George Gross Nick Carter/Kill Master #230 Pressure Point Paperback Cover Original Art (Jove Books, 1987). The Kill Master demonstrates his expert use of deadly force in this quick-firing paperback cover. This piece has an image area of 14" x 9", and the art is in Very Good condition.
Mike Harris and Tony DeZuniga All-Star Squadron #49 Cover Original Art (DC, 1985). This riveting cover has the reader seeing the Shining Knight on the verge of plunging his sword into Hourman. While the shocked facial images of Dr. Fate, Firebrand, Robotman, and Blackhawk look on in disbelief, a phantom image of the treacherous Wotan looks on with utter delight. This spectacular scene has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Johnny Hart B. C. Sunday Comic Strip Original Art, dated 5-24-59 (Field Syndicate, 1959). Before there was the Flintstones, there was the prehistoric humor of B. C. This early episode hails from within a year of the feature's debut. B. C., Wiley, and Curls star. This Sunday has an image area of 19.5" x 13". The strip has been cut between each panel tier; otherwise, the art is in Excellent condition.
Irwin Hasen Green Lantern #29 Cover Re-Creation Original Art (undated). Irwin Hasen expertly re-creates his classic cover from the "All Harlequin" issue of the Golden Age Green Lantern. Originally created as a substitute for the original artwork, these re-creations have become extremely popular with collectors, and sometimes command higher prices than actual published covers. The image area measures 17.5" x 25.5" and the art is in Very Good condition.
Don Heck and Dick Ayers Avengers #12 page 15 Original Art (Marvel, 1965). Trouble is brewing when the Red Ghost teams up with the Mole Man in these scenes from "This Hostage Earth." Iron Man and Thor cameo in panels one and two. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Don Heck and Dick Ayers Avengers #25 page 18 Original Art (Marvel, 1966). Captain America and Hawkeye battle for their survival in these fast-paced battle scenes from "Enter Dr. Doom." Marvel mainstays Don Heck and Dick Ayers teamed to create this classic page featuring "the new line-up." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. This piece was signed by Don Heck in its next-to-last panel.
Don Heck and Romeo Tanghal Justice League of America #213 The Atom Splash Pages 2 and 3 Original Art (DC, 1983). The Atom goes on a mind-bending sub-atomic trip in this scintillating double-page splash by Silver and Bronze Age legend, Don Heck. These pages have a combined image area of 21" x 15", and the art is in Excellent condition.
George Herriman To "Hienie, an Ancient" Hand Colored Specialty Drawing Original Art (undated). This charming George Herriman specialty drawing makes witty reference to actress Leslie Carter, who was known as "the American Sarah Bernhardt." This drawing based around theater personalities was signed and inscribed by Herriman, "To Hienie, an ancient from Herriman, another ancient." The frame and mat for this drawing were constructed and painted by Herriman. This piece has an image area of 12" x 6.75", and the piece has been matted and framed to an overall size of 21" x 16". The art is in Excellent condition.
George Herriman Krazy Kat Daily Comic Strip Original Art, dated 11-15-43 (King Features Syndicate, 1943). A talking parrot? Say it ain't so! George Herriman plays with words in this daily titled, "Man of Many Words." The strip has an image area of 16.25" x 4.75", and the condition is Very Good.
Tim Hildebrandt The Sea of Silence Cover Original Art (Popular Library, 1987). Niel Hancock's Atlanton Earth is aptly illustrated in all its splendor, in this cover illustration by Tim Hildebrandt. The art measures 18.25" x 25.5". In Excellent condition.
Burne Hogarth Tarzan Sunday Comic Strip Original Art, dated 5-7-44 (United Feature Syndicate, 1944). The explosive power of Burne Hogarth's figure drawing was a key factor in the success of the Tarzan feature. Every scene in this 12-panel episode, "Escape to Danger," is brimming with energy. Small wonder that Hogarth later became a noted expert on drawing with his books Dynamic Figure Drawing and Dynamic Anatomy. This Sunday has an image area of approximately 19.5" x 26.25", and aside from some paper aging and a title logo replacement, the art is in Very Good condition.
Burne Hogarth Tarzan Sunday Comic Strip Original Art dated 11-3-45 (United Feature Syndicate, 1945). Palace politics are the subject of "The Reckoning," a thrilling installment in the Tarzan adventure series. The Jungle Lord leads angry villagers into the palace of the defeated prince Emin-Nagra, but too late -- his toadie Korojak has already rammed a dagger in his back, thus exacting revenge for everyone. Burne Hogarth was one of the true masters of comic art, combining realistic anatomy and perspective with lush, eye-catching ink lines, and producing some of the most beautiful comics ever created. These strips were commonly cut into tiers for shipping and ease of handling, and this particular Sunday consists of three pieces that have a combined image area of 19.5" x 26.5". Aside from some glue stains in the logo stat and light overall wear, the art is in Very Good condition.
Burne Hogarth Tarzan Sunday Comic Strip Original Art dated 2-1-48 (United Feature Syndicate, 1948). One of the most celebrated of all the Tarzan artists, Burne Hogarth captured the exotic appeal of the Jungle Lord's world for a generation of fans. This episode, hailing from the strip's period of greatest popularity, is a prime example of how Hogarth turned the strip from a mere commercial success into an art phenomenon. This Sunday has an image area of approximately 19.5" x 26.25" and in aside from a fold below panel tier one, and an aged title logo stat, the art is in Excellent condition.
Carmine Infantino and Joe Giella Detective Comics #327 First "New Look" Batman Splash Page 1 Original Art (DC, 1964). Carmine Infantino's splash page for "The Mystery of the Menacing Mask" is a landmark piece of Silver Age DC art. Despite Batman's immense popularity in the forties and fifties, the character's direction had gone terribly astray by the early sixties. Batman had been fighting alien criminals, traveling to other planets, teaming with interstellar cops, and was fighting earthbound monsters such as Clayface. As a result of these offbeat yarns, sales had been dropping for years, and Detective Comics, DC's flagship title, was actually in danger of being canceled.
In desperation the title was turned over to famed DC editor Julius Schwartz, the man with the Silver Age touch. He brought in his top-flight art team of Carmine Infantino and Joe Giella to launch the revamped version of the Gotham Guardian which Schwartz dubbed the "New Look." Infantino's streamlined version, including a redesigned, circular bat chest emblem was so distinctive, so revolutionary, that for the first time in the life of the feature, it was agreed that Bob Kane would not be credited with drawing this story, and as a result, there would be no Bob Kane signature on the splash page.
The success of the "New Look" was instrumental with setting into a motion a chain of events that has continued to the current triumph of superheroes in the mass media and popular culture. ABC executive William Dozier was smitten by the "New Look" Batman comics, and they convinced him to launch the phenomenally successful Batman TV series starring Adam West. Ever since the success of that show, comic book characters have remained a staple for film and TV projects. The "New Look" Batman, which began with Detective Comics #327, and this splash page, did more than just save the Batman character from cancellation -- it may have saved an industry from extinction.
This historic piece has an image area of 13" x 18". The title logo is a carefully color-matched replacement; otherwise, the art is in Excellent condition.
In desperation the title was turned over to famed DC editor Julius Schwartz, the man with the Silver Age touch. He brought in his top-flight art team of Carmine Infantino and Joe Giella to launch the revamped version of the Gotham Guardian which Schwartz dubbed the "New Look." Infantino's streamlined version, including a redesigned, circular bat chest emblem was so distinctive, so revolutionary, that for the first time in the life of the feature, it was agreed that Bob Kane would not be credited with drawing this story, and as a result, there would be no Bob Kane signature on the splash page.
The success of the "New Look" was instrumental with setting into a motion a chain of events that has continued to the current triumph of superheroes in the mass media and popular culture. ABC executive William Dozier was smitten by the "New Look" Batman comics, and they convinced him to launch the phenomenally successful Batman TV series starring Adam West. Ever since the success of that show, comic book characters have remained a staple for film and TV projects. The "New Look" Batman, which began with Detective Comics #327, and this splash page, did more than just save the Batman character from cancellation -- it may have saved an industry from extinction.
This historic piece has an image area of 13" x 18". The title logo is a carefully color-matched replacement; otherwise, the art is in Excellent condition.
Carmine Infantino and Murphy Anderson The Catwoman's Catnapping Caper, page 9 Original Art (DC, 1966). With Batmania in full swing, DC produced half a dozen giveaway comics for Kellogg's Pop Tarts. Offered here is the art to one of those premium giveaways, an outstanding effort by Carmine Infantino (pencils) and Murphy Anderson (inks), which exemplifies the "Bat-style" of the period. The three 9" x 4" tiers of artwork on this 11.5" x 15.5" page actually comprised pages 7-9 of the finished comic, which was published in a compact single-tier horizontal format (to fit inside the Pop Tarts box). The page is in Excellent condition. It's a sensational page of classic Infantino/Anderson Bat-art, and a novelty to boot.
Carmine Infantino and Sid Greene Flash #170 Justice Society of America page 14 Original Art (DC, 1967). Doctor Fate, Flash of Earth-Two, and Doctor Mid-Nite give Barry Allen a heads up on the crimes committed without him knowing, in this page from "See-Nothing Spells of Abra-Kadabra." The art has an image area of 10" x 15" and it is in Excellent condition.
Carmine Infantino Action Comics #368 Superman Cover Original Art (DC, 1968). Now that Earth is a paradise, Superman feels unwanted and unloved -- the poor guy. This cover for "The Unemployed Superman" has an image area of 10" x 15", and aside from two pasted on word balloons, and a few missing pieces of photostatted type elements, the art is in Excellent condition. Carmine Infantino inscribed and signed the art in its lower right corner.
Carmine Infantino and Irv Novick Batman #210 Unpublished Alternative Cover Original Art (DC, circa 1969). It hurts so good -- as Batman finds out when he is bound up in the Catwoman's wicked whip in this sixties "Bats-terpiece," laid out by DC cover guru Carmine Infantino and then finished by Irv "the Pro" Novick. The Catwoman has changed into her newest slinky catsuit for this issue's cover and she may have purr-loined this torrid "new look" from Harvey Comics' Black Cat -- mee-owww! Neal Adams redrew this cover scene for the final published cover (only his third Batman cover), but this bold alternative version has a pulse-pounding power and a cat-aclysmic attraction that's hard to beat. Catwoman is backed-up by her legion of feline furies. This dynamic cover has an image area of approximately 10" x 15". The title logo and other type stats are recent replacements and there is a large glue stain; otherwise, the art is in Very Good condition. This cool cover has plenty of appeal for Batman and Catwoman fan-addicts!
Graham Ingels Crime SuspenStories #15 Old Witch page 7 Original Art (EC, 1953). The Old Witch cameos in the last panel of this "Ghastly" horror-helping, "Hail and Heart-y." The blood-curdling masterwork has an image area of 13" x 18", and the art is in Excellent condition.
Bill Jaaska and Bob McLeod Incredible Hulk #378 Cover Original Art (Marvel, 1991). Forget Superman vs. Muhammad Ali -- the Hulk goes toe-to-toe with Santa Claus, who is actually the Rhino in disguise, in this action-packed Christmas cover. Bill Jaaska's intense pencils and Bob McLeod's polished inks make this an eye-catching piece. The art has an image area of 10.5" x 16.5", and is in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #28 Original Art (Bowman, 1951-52).
The Red Planet is discovered to be teeming with life, including this futuristic city, in card #28 "Martian City," of the beloved series. The influence of this card set could be seen in many of the 1950s S-F movies. Gouache on bristol, measuring approximately 6.25" x 4"; some very minor wear along the upper corners, otherwise in Excellent condition.
The Red Planet is discovered to be teeming with life, including this futuristic city, in card #28 "Martian City," of the beloved series. The influence of this card set could be seen in many of the 1950s S-F movies. Gouache on bristol, measuring approximately 6.25" x 4"; some very minor wear along the upper corners, otherwise in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #29 Original Art (Bowman, 1951-52).
A classic image of a Martian Moon colony, carved out of rocky peaks, makes this particular image from card #29 ("Phobes, Moon of Mars") memorable to any 1950s kid who saw it. Other than a little contact damage along the outer edges, the art remains as powerful and vibrant as it appeared some fifty-seven years ago! Gouache on bristol, measuring approximately 6.25" x 4", in Excellent condition.
A classic image of a Martian Moon colony, carved out of rocky peaks, makes this particular image from card #29 ("Phobes, Moon of Mars") memorable to any 1950s kid who saw it. Other than a little contact damage along the outer edges, the art remains as powerful and vibrant as it appeared some fifty-seven years ago! Gouache on bristol, measuring approximately 6.25" x 4", in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #49 Original Art (Bowman, 1951-52).
An ultra-cool flying gondola zooms through the sky in this JRS mini-masterpiece of card #49 "Back To the Outer World." Who knew the boats of Venice would inspire such futuristic craft? Gouache on bristol, measuring approximately 6.25" x 4", in Excellent condition.
An ultra-cool flying gondola zooms through the sky in this JRS mini-masterpiece of card #49 "Back To the Outer World." Who knew the boats of Venice would inspire such futuristic craft? Gouache on bristol, measuring approximately 6.25" x 4", in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #59 Original Art (Bowman, 1951-52).
Our star-spanning heroes find themselves in a chilly situation, in this colorful card illustration called "Ice Capital." Written by Gordon Palmer, each card advanced the futuristic storyline, making every card a must-have for kids with nickels to spend, back in the early 1950s. Gouache on bristol, measuring approximately 6.125" x 4", in Excellent condition.
Our star-spanning heroes find themselves in a chilly situation, in this colorful card illustration called "Ice Capital." Written by Gordon Palmer, each card advanced the futuristic storyline, making every card a must-have for kids with nickels to spend, back in the early 1950s. Gouache on bristol, measuring approximately 6.125" x 4", in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #62 Original Art (Bowman, 1951-52).
The Ringed Planet is the setting for this wild fire and ice landscape. These imaginative illustrations made this card set one of the best-loved of its time, and look just as cool today. Entitled "On Saturn," the piece is gouache on bristol, and measures approximately 6.125" x 4", in Excellent condition.
The Ringed Planet is the setting for this wild fire and ice landscape. These imaginative illustrations made this card set one of the best-loved of its time, and look just as cool today. Entitled "On Saturn," the piece is gouache on bristol, and measures approximately 6.125" x 4", in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #85 Original Art (Bowman, 1951-52).
Another wild Science Fiction scene from the early 1950s, featuring the space explorers floating over a strange, tubular complex. For fantastic fun, these cards couldn't be beat, back in the day -- and they still look terrific today! "At Kroto's Radial Center" is gouache on bristol, measuring approximately 6.125" x 4", in Excellent condition.
Another wild Science Fiction scene from the early 1950s, featuring the space explorers floating over a strange, tubular complex. For fantastic fun, these cards couldn't be beat, back in the day -- and they still look terrific today! "At Kroto's Radial Center" is gouache on bristol, measuring approximately 6.125" x 4", in Excellent condition.
George Moll Agency Jets, Rockets, and Spacemen Card #92 Original Art (Bowman, 1951-52). Our interstellar heroes ride unicorns through the fabulous space city, in this colorful card illustration entitled "Palace In the Sky." It's no wonder kids loved these cards in the early 1950s! Gouache on bristol, measuring approximately 6.125" x 4", in Excellent condition.
Jeff Jones Mermaid Painting Original Art (undated). A mysterious woman emerges from the sea -- could she be one of the legendary mermaids? Artist Jeff Jones, formerly one fourth of the famous "Studio" (along with Bernie Wrightson, Michael Kaluta, and Barry Windsor Smith) is a pretty mysterious figure as well. Jones has produced work for many various publications, from paperback novels to National Lampoon magazine. This piece is painted in oils, on a canvas measuring 11" x 14"; and the art is in Excellent condition.
Jeff Jones Barbarian Ink and Watercolor Illustration Original Art (circa 1970s). This moody masterwork has an overall size of 7" x 9", and aside from some aging along the extreme edges, the art is in Excellent condition.
Jeff Jones Star*Reach #6 Cover Original Art Unpublished Version (1976). Michael Moorcock's Elric is featured in this painting by Jeff Jones. The version that saw print was revised in several respects. The signature on this piece was a recent addition by Jones. This oil on canvas painting was framed to an overall size of 13.5" x 17.75", and the art is in Excellent condition.
Jeff Jones Portrait of a Woman Original Art (circa 1990s). Jeff Jones' mastery of bold brushwork is showcased in this dramatically lit portrait. This oil on canvas beauty has been framed to an overall size of 14" x 17", and the art is in Excellent condition.
Journey Into Fear #17 Complete 8-page Story Original Art (Superior, 1954). Aged bachelor, William Torrance, accepts the offer of marriage from young Amy Stanton, a woman he'd never seen in his life. But the wedding is soon over, because now Gauntsville has two vampires too many! Each page of this eight-page shocker, entitled "Vampires Two," has an image area of 12" x 18", and is in Very Good condition.
Joe Jusko Vampirella's Scarlet Legion Collector Card #71 Original Art (Harris, 1997). Created for the Scarlet Legion, the official fan club of Vampirella, this Joe Jusko illustration was featured on collector card #71, "Vampirella Blood Lust." The art has an image area of 8.25" x 11.25" and is in Excellent condition. Includes Scarlet Legion Collector Card #71.
Bob Kane Batman Illustration Original Art (undated). The Gotham Guardian is captured in all his crime-prowling glory in this moody drawing by creator Bob Kane. This bold drawing has an overall size of 11" x 14", and the art is in Excellent condition. This piece was inscribed and signed at the lower right by Bob Kane.
Bob Kane Batman Sketch Original Art, With a Batman and Me Signed, Limited Edition Hardcover Book #915/1000 (Eclipse Books, 1989). Bob Kane's beautifully rendered 7" x 9" marker sketch of the Caped Crusader has been handsomely matted and framed to an overall size of 10" x 12". This piece accompanied Kane's 1989, slipcased autobiography, Batman and Me, which was autographed and numbered, #915/1000. The book has a tipped-in color plate, and each of these pieces is in Excellent condition.
Gil Kane and Sid Greene Green Lantern #37 Splash Page 1 Original Art (DC, 1965). Few comic book characters have mixed fantasy with science fiction as well as the Silver Age Green Lantern, and this swashbuckling splash for "The Spies Who 'Owned' Green Lantern" makes for a superb case in point. This Decidedly Cool scene has an image area of 13" x 18", and aside from several stress creases in the paper, the art is in Very Good condition. A copy of the comic book is included in this lot.
Gil Kane and Sid Greene Green Lantern #46 Splash Page 1 Original Art (DC, 1966). As can be seen in this thriller, Gil Kane was one of the few DC artists to rival the dynamic, action-packed figure drawing and far-out science fiction technology of Jack Kirby and Steve Ditko over at the competitor, Marvel Comics. This spectacular splash page for "The End of a Gladiator," co-starring the evil Dr. Polaris and Hal Jordan's friend, airplane mechanic Thomas "Pieface" Kalmaku, has an image area of 12" x 18", and aside from several stress creases in the paper, the art is in Very Good condition. It's big, bold, and beautiful! A copy of the comic book is included in this lot.
Gil Kane Green Lantern #71 Cover Original Art (DC, 1969). Gil Kane Green Lantern covers are so sought-after and scarce that this superb example is the first one we have offered to date. This scene for "The City That Died" has an image area of 10" x 15". Aside from missing its (formerly) pasted-on word balloons, part of the title logo stat, and a few type elements such as the issue number and price, the art is in Very Good condition.
Gil Kane The Flash #198 Cover Original Art (DC, 1970). The normally upbeat Flash suffers a total loss of confidence in this dramatic "cover hook." Gil Kane drew only a few covers for the Scarlet Speedster's title -- don't miss your chance to win a scarcely seen example. This piece has an image area of 10" x 15", and aside from pasted on word balloons, and some fading logo stats, the art is in Excellent condition.
Gil Kane, Frank Giacoia, and Mike Esposito Sub-Mariner #45 Cover Original Art (Marvel, 1972). High above the city, the Human Torch steps in to help Namor battle his Atlantean undersea enemy, Tiger Shark in this classic cover illustration. This art has an image area of 10" x 15" and it includes the original logo and masthead art. In Very Good condition.
Gil Kane and Vince Colletta Sub-Mariner #50 Cover Original Art (Marvel, 1972). The fabulous fiftieth issue of Sub-Mariner featured this suspenseful cover of the Prince of Atlantis fighting for his life against a group of giant crustaceans. This art has an image area of 10" x 15" and it includes the original logo and masthead art. In Very Good condition.
Gil Kane and Tom Sutton Giant-Size Conan #1 Cover Original Art (Marvel, 1974). What more could you ask for in a Conan cover? This Bronze Age blockbuster has it all -- the great Gil Kane's large, definitive rendition of our hero, single-handedly battling an army of warriors with bloody sword poised for another strike. This iconic image hails from the peak period of Conan's comic book adventures. And as Robert E. Howard fans know, "The Hour of the Dragon" was the only novel-length Conan tale. Some Marvel art experts think that John Romita Sr. may have worked on the dragon figure in the background. This art has an image area of 10" x 15", and is in Excellent condition. This Sword and Sorcery spectacular has been matted alongside a copy of the comic book, a typeset quote, and a Conan medallion, and the piece has been framed to an overall size of 27" x 23.5".
Gil Kane and Joe Sinnott Marvel Treasury Edition #13 Cover Original Art (Marvel, 1976). A plethora of Marvel superheroes -- most of the Avengers, plus Spidey, Ben Grimm, and the Silver Surfer -- get some holiday cheer in this stunning wraparound cover by two undisputed masters of the comic arts. Although Kane has left a penciled message for inker "John" (leading some to attribute the finishes to John Romita Sr.), we have it on good authority that the legendary Joe Sinnott is the ink-slinger here. Either way, it's a spectacular New York vista with ol' Benjy as Santa and a superpowered escort. It doesn't get much better than this, kids. The image area measures 22.5" x 15.5" and the art is in Very Good condition. All the text elements are recent replacements.
Walt Kelly Pogo Sunday Comic Strip Original Art, dated 10-25-53 (Post Hall Syndicate, 1953). Albert's tail is the focus of this uproarious episode, and Howland Owl and Grundoon co-star. This Sunday has an image area of 23" x 16", and the strip has been matted and framed to an overall size of 31.5" x 24.5". The art is in Excellent condition.
Walt Kelly Pogo Sunday Comic Strip Original Art, dated 2-7-54 (Post Hall Syndicate, 1954). Hilarity ensues when Howland Owl recounts a yarn from "King Albert and His 1001 Arabian Knights of the Round Table." This side-splitting episode has an image area of 23" x 16", and the piece has been matted and framed to an overall size of 31.5" x 24.5". The art is in Excellent condition.
Walt Kelly Pogo Sunday Comic Strip Original Art, dated 7-14-63 (The Hall Syndicate, 1963). Churchy LaFemme is feeling "old, aged, and decrepit," not to mention very "oogly," but Pogo has the answer: bologna. Who knew it was a miracle drug? This charming Sunday is in the classic Kelly mode, with delicate linework and a great gag. The art was cut apart between the tiers and then reassembled with tape on the reverse, with an image area of 23.5" x 16". There are some tape stains in the margins, but overall the piece is in Very Good condition.
Hank Ketcham Dennis The Menace Sunday Comic Strip Original Art, dated 2-3-52 (Post-Hall Syndicate Inc., 1952). That tireless toy-breaker, Dennis the Menace, is up to his old tricks in this super-early Sunday. The panel tiers of this strip were cut apart and later tastefully matted as separate elements in one frame. This piece has an approximate image area of 21.5" x 16.5", and the art is in Excellent condition.
Jack Kirby Black Cat Mystery #57 Cover Original Art (Harvey, 1956). The unbridled imagination of Jack Kirby is spotlighted in this compelling Code-approved "cover hook." This piece has an image area of 12" x 18". The title logo stat is a replacement, and a strip of color-matched paper was added below the lower border; otherwise, the art is in Very Good condition.
Jack Kirby Black Cat Mystic #59 Cover Original Art (Harvey, 1957). Jack Kirby's contributions to the comic book industry are legendary. When you see his work, you can't help but marvel at the absolute love that he felt for the medium. Regardless of assignment, he put his heart into each project and turned out one compelling image after another -- visions such as this one featuring a strange boy "erasing himself from sight!" It's a concept Kirby would return to on the famous cover of Tales to Astonish #49, only a few years later. The image area of the cover is 13" x 18.5". The text caption at the bottom, the Comics Code stamp, the "Strange Suspense Tales" blurb, the "Thrill Adventures" logo, the word "Cat" in the title immediately below the "Thrill" logo, the September stat, and the ten-cent stat are all replacements. With only minor paper aging and a minimal use of white-out, this piece is in Very Good condition.
Jack Kirby and Steve Ditko Tales of Suspense #7 page 2 Original Art (Marvel, 1960). Jack Kirby's dynamic pencils are beautifully finished with Steve Ditko's dramatic inks in this page from the Silver Age thriller, "I Fought the Molten Man-Thing." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Steve Ditko Tales of Suspense #7 page 3 Original Art (Marvel, 1960). In many ways, the early monster yarns of the House of Ideas laid the groundwork for the revolutionary Marvel age of heroes in the sixties. In this thriller, Marvel's two top artists, Jack Kirby and Steve Ditko, teamed to create a sizzling Silver Age menace that prefigured both the Molten Men from the Avengers, and a Bronze Age muck-monster also named the Man-Thing. This page from the story "I Fought the Molten Man-Thing," has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Tales to Astonish #25 Complete 7-page Story Original Art (Marvel, 1961). The imaginative character, costume, and technology designs of Jack Kirby are legendary in the fields of comic books, film, and fantasy, and they are all delightfully displayed in this amusing chiller, "I Was Captured by the Creature From Krogarr," from the early sixties. As for the plot of this romp, the monster mavens at Monster Blog summarize it thusly, "A flaky, deadbeat husband gets the shock of his life as he's dragged off to certain death on the planet Krogarr. Joe Hanson describes himself as a 'happy-go-lucky guy' whose beleaguered wife has to tolerate his carefree ways. When the power company cuts the juice to Joe and Clara's pad due to unpaid bills, it saves Joe's -- and all mankind's -- behind." It's a post-Code twist ending, Marvel-style. Each page of this offbeat yarn has an image area of 12.5" x 18.5", and the pages average Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #5 Dr. Doom page 5 Original Art (Marvel, 1962). Issue #5 of Fantastic Four introduced the team to one of their most fiendish foes, Dr. Doom. In this tense page, Doom has thrown a net over the entire Baxter Building, and now issues his dire ultimatum. This is an awesome page from the first issue drawn by the duo that most fans consider to be the "ultimate" art team on the Fantastic Four -- Jack Kirby and Joe Sinnott. Joltin' Joe did a magnificent job inking his first FF yarn, and unfortunately, he didn't return again until issue #45. This Silver Age milestone has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Fantastic Four #9 The Thing Battles the Sub-Mariner page 18 Original Art (Marvel, 1962). The titans of Golden and Silver Age Marvel slugged it out in these rough and tumble scenes from "Then End of the Fantastic Four." Right now the Sub-Mariner seems to have the upper hand, but it takes a lot to put the ever-lovin, blue-eyed Thing down for good -- you can bet he'll counter-punch. This page has an image area of 12.5" x 18.5", and aside from a tape residue stain in the lower right corner, the art is in Excellent condition.
Jack Kirby and Dick Ayers Avengers #1 The Defeat of Loki and the Naming of the Avengers page 22 Original Art (Marvel, 1963). Face front, True Believers -- after evil Loki is soundly imprisoned by Ant-Man and an army of ants, his partner, the wondrous Wasp, first dubs this unbeatable band of heroes the Avengers in the last panel of this historic page! The image area of this mighty Marvel milestone is 12.5" x 18.5". Aside from missing pasted-on word balloon and captions in the final panel, the art is in Excellent condition. Jack Kirby's un-inked pencils can be seen in a thin band that was formerly covered by the missing correction.
Jack Kirby and George Roussos (as George Bell) Fantastic Four #21 Hate-Monger page 14 Original Art (Marvel, 1963). From the first appearance of the masked master of hate, the Hate-Monger, comes this fantastic page spotlighting the Hate-Monger's awesome piece of "Kirbytech" -- an underground rocket. It's a Fantastic Four classic. The image area of this early Marvel masterwork is 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Magneto page 14 Original Art (Marvel, 1963). The supreme confidence of Magneto, as he struts into a military missile base, is palpable in this awesome page from the evil mutant's landmark appearance. Only Jack "King" Kirby could create earth-shaking drama like this. This Silver Age masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 First Marvel Girl in Costume page 16 Original Art (Marvel, 1963). Mutants or not, boys will be boys, and the lads are quite smitten by the lovely Marvel Girl, in her first appearance in costume. Who can blame them? The fun ends all too soon when Professor X sends the team out to their first skirmish, a baptism of fire with Magneto! This landmark piece of historic Marvel lore has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Angel page 17 Original Art (Marvel, 1963). The Angel sheds his harness, stretches, and spreads his wings for takeoff, while the rest of the team rides in style in Professor X's customized Rolls Royce. And to top this page off, Cyclops makes a dramatic cameo appearance in the final panel of this world-famous origin story. This Jack Kirby masterpiece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Avengers #8 Kang, The Conqueror Time-Traveling Origin page 7 Original Art (Marvel, 1964). Kang, in his first appearance and origin, reveals to the world that he is the same man known to history as Rama Tut, in this Silver Age classic from "Kang, the Conqueror." As revealed in the Fantastic Four Annual #2 page that we have in this same auction, there is a possibility that they all may be the time-traveling Dr. Doom! This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers The Avengers #8, page 12 Original Art (Marvel, 1964). With featured shots of Giant-Man, Iron Man, Captain America, and Wasp, plus military soldiers wielding guns, and the first appearance of Kang, what more could a Marvelite possibly want from a classic Silver Age Marvel page by the great Jack Kirby? This one has got it all. Aside from being a shining example of early Avengers art, this piece is in superb shape. This page from "Kang, the Conqueror" has an image area of 12.5" x 18.5", and aside from some whiteout corrections in a few panels, the art is in Excellent condition.
Jack Kirby and Chic Stone Fantastic Four Annual #2 Dr. Doom and Rama Tut Time-Travel Paradox page 5 Original Art (Marvel, 1964). Time-travelers Dr. Doom and Rama Tut ponder a paradox in this famous scene where they toy with the concept that they might not just be related, but might actually be the same man living in two different ages. It's another mind-bending concept courtesy of the prime architects of the House of Ideas, Jack Kirby and Stan Lee. This page has an image area of 12.5" x 19", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #5 page 20 Original Art (Marvel, 1964). The Scarlet Witch saves the X-Men from certain doom, and Magneto is furious. Fortunately, Quicksilver stands ready to defend his sister. This Jack Kirby classic from "Trapped: One X-Man" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Chic Stone X-Men #8 page 5 First Mutant Hysteria Scene Original Art (Marvel, 1964). Moments after saving a young boy's life, Hank McCoy, the Beast, and Bobby Drake, Iceman, are chased down by a bigoted mob of citizens, in this, the very first page to spotlight the public's growing "mutant-hating hysteria." Jack Kirby knew how to make even plainclothes mutants exciting, as can be seen in this dramatic page from early in the title's run. This page from "Unus, the Untouchable" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Chic Stone X-Men #8 page 10 Original Art (Marvel, 1964). Unus is prominently featured on this page from X-Men #8, which featured the untouchable mutant's first appearance. A bold bank robbery is the focus of the final panel, and this action scene has the trademarked look and feel of the inimitable Jack "King" Kirby's Silver Age art. This page has an image area of 12.5" x 18.5", and is in Excellent condition.
Jack Kirby and Chic Stone X-Men #9 page 4 Original Art (Marvel, 1965). Professor X goes after Lucifer, the space alien menace who robbed him of the use of his legs, in this page crammed with "Kirbytech" gizmos from Lucifer's first appearance, "Enter, the Avengers." This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #129 page 5 Original Art (Marvel, 1966). Power-packed scenes such as these spotlighting the murderous might of the Warlock's Eye of Harokin show why Jack Kirby's Thor series stands as one of the greatest sword and sorcery sagas of all time. The Thunder God and the Warriors Three star in the final panel. This page has an image area of 12.5" x 18.5". Aside from a glue stain in the last panel, where an art correction has slipped off the Volstagg figure, and some cellophane tape at the bottom of the page, the art is in Very Good condition.
Jack Kirby, Werner Roth, and Dick Ayers X-Men #16 page 7 Original Art (Marvel, 1966). The Sentinels take charge in this chilling page from "The Supreme Sacrifice," a chapter from the first Sentinel story arc. Professor X and Bolivar Trask co-star. Although this page was finished by Werner Roth (working under the pen name "Jay Gavin") and Dick Ayers, the bold storytelling is the unmistakable work of Jack "King" Kirby. Stan Lee often relied on Kirby's layouts to demonstrate "the Marvel method" of staging a story to a new artist. The image area of this piece measures approximately 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #63 page 9 Original Art (Marvel, 1967). It's clobberin' time -- when the Thing steps in to save the Human Torch from the Sandman and Blastaar in these explosive scenes from "Blastaar, the Living Bomb-Burst." This mighty Marvel masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #63 page 10 Original Art (Marvel, 1967). Jack Kirby is here, bringing on the action big-time, in this thrilling page. The Thing and Human Torch do their best to "lay the smack down" on the Sandman, who evades their grasp, giving Blastaar the chance to bludgeon our heroes from off-panel. Joe Sinnott's highly polished inks compliment Kirby's power-packed pencils, making this a spectacular example by the exemplary duo. And let's not leave out Stan Lee's enthusiastic scripting, which keeps the pacing of these battle scenes moving at a fast clip. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. The Sandman may be evasive, but don't let this page escape you.
Jack Kirby and Joe Sinnott Fantastic Four #63 page 11 Original Art (Marvel, 1967). While the Human Torch and the Thing are famous for the bickering and bantering amongst themselves, they are willing to lay their lives on the line for each other when the chips are down. For many fans, the artistry of the Jack Kirby/Joe Sinnott team was at its all-time pinnacle during this era -- this is a prime page. This Silver Age sensation has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #63 page 12 Original Art (Marvel, 1967). The bone-jarring power of a hallmarked Jack "King" Kirby's fight scene is showcased in these rock 'em-sock 'em panels when Blastaar and the Thing slug it out mano a mano. Brand Echh never had action like this in their Silver Age titles! This thriller has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #70 the Thing page 4 Original Art (Marvel, 1968). One of Jack Kirby's greatest characters, the oft misunderstood, but still ever-loving, blue-eyed Thing, stars in these tense scenes from "When Fall the Mighty." This dramatic piece, beautifully inked by Joe Sinnott, has an image area of 10" x 15". Aside from a piece of tape just under the third panel and another piece along the bottom right, the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #155 Mangog Cover Original Art (Marvel, 1968). "Now Ends the Universe," as only the strong arm of Thor and his Uru hammer Mjolnir stand in the way of the Mangog, the personification of the sum total of the hatred of a billion billion beings that were once killed by Odin. This magnificent Silver Age cover by Jack Kirby has an image area of 10" x 15". The Mangog's right arm is drawn on a pasted-on art correction. The page has edge wear, foxing, and the title logo stat has faded. The back of the page was reinforced with large pieces of clear tape; otherwise, the art is in Very Good condition.
Jack Kirby and Vince Colletta Thor #158 page 3 Original Art (Marvel, 1968). Dr. Don Blake muses about the day he was first transformed from a lame physician into the mighty Thor in these introspective scenes from "The Way It Was." This page has an image area of 10" x 15", and aside from some yellowed Zipatone, and a few small stains, the art is in Very Good condition.
Jack Kirby and Bill Everett Thor #172 page 11 Original Art (Marvel, 1969). If you're looking for a stand-out Jack Kirby Thor page, look no further -- this wonderfully balanced example features a perfectly paced transformation sequence in its top tier, and action shots of Thor in all the remaining panels. Dating from Kirby's celebrated Silver Age Marvel period, this page has an image area of 10" x 15". Aside from a piece of tape covering the word balloon in panel six, and some light production-related staining, the art is in Excellent condition.
Jack Kirby and Frank Giacoia Fantastic Four #96 page 7 Original Art (Marvel, 1970). The Mad Thinker's Susan Richards android chloroforms her living counterpart and with the help of a pair of security androids, drags her unconscious form away from prying eyes, in this page from "The Mad Thinker and His Androids of Death." The art has an image area of 10" x 15" and is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #98 page 16 Original Art (Marvel, 1970). For many Silver Age Marvel fans, the ultimate example of original comic art remains Jack Kirby's Fantastic Four pencils, inked by Joe Sinnott. Mr. Fantastic and the Human Torch star in every panel of this fast-moving page from "Mystery on the Moon." This page has an image area of 10" x 15", and aside from closely trimmed borders, a piece out of the left corner (outside the image area), and a few small stains, the art is in Very Good condition.
Jack Kirby and Bill Everett Thor #174 page 11 Original Art (Marvel, 1970). Two of the greatest names in comic book history, Jack Kirby and Bill Everett, teamed to draw this explosive page from "The Carnage of the Crypto-Man." This page has an image area of 10" x 15", and aside from a few small stains, the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #177 page 2 Original Art (Marvel, 1970). Loki makes a dramatic appearance in Manhattan in these sweltering scenes from "To End in Flames." This was Jack Kirby's next-to-last issue of Thor and he was in peak form. The image area of this page measures 10" x 15", and the art is in Excellent condition.
Jack Kirby and Mike Royer The Sandman #1 page 12 Original Art (DC, 1974). The very last collaboration of Joe Simon and Jack Kirby was this Sandman yarn written by the "S" of S & K, penciled by Kirby and ably inked by Mike Royer. This page from "The Sand Man" has an image area of 10" x 15" and the art is in Excellent condition. Joe Simon signed the page in its final panel. This lot also includes a CGC-graded NM+ 9.6 Off-white to white pages copy of the comic book.
Jack Kirby and John Verpoorten 2001: A Space Odyssey #3 Cover Original Art (Marvel, 1977). Marak the Merciless's trek from warlord to the stars in recounted in this stellar cover illustration penciled by Jack Kirby and inked by John Verpoorten. The powerful figure of Marak reaches out as if to throttle the reader, and the background boils with Kirby crackle. A cosmic masterpiece from one of the all-time greats! The art has an image area of 10" x 15" and it includes the original logo and masthead paste-up art. Aside from some light glue staining, the condition is Very Good. Signed by Jack Kirby at the bottom left.
Jack Kirby and Frank Giacoia Nova #5 Cover Original Art (Marvel, 1977). Nova must save his friends from the deadly grasp of the Earth-Shaker. Jack "King" Kirby was at the top of his game on this Bronze Age beauty, and he proudly signed his name in the barcode box. This piece has an image area of 9.75" x 15", and the art is in Excellent condition.
Jack Kirby Strange Tales #135 Nick Fury Agent of S.H.I.E.L.D. Cover Re-Creation Original Art (undated). Thanks to the imagination of Jack Kirby, the old Howler, Nick Fury, is about to learn a few new tricks, and out-Bond James Bond, in this penciled re-creation of the cover to Strange Tales #135. This piece has an image area of 13" x 20", and the art is in Excellent condition. The art was signed by Jack Kirby at the lower right.
Warren Kremer Casper, the Friendly Ghost #25 Complete 5-page Story Original Art (Harvey, 1954). Casper, Wendy, and Nightmare find a big problem in the forest, in this fanciful five page tale, "In Giant Steps," which features an early prototype of Stumbo the Giant. Each page has an image area of 12" x 18". There is some glue staining in the first frame from the missing logo paste-up art, and some light scattered staining; otherwise, the pages average Very Good condition.
Warren Kremer Casper the Friendly Ghost #62 Cover Original Art (Harvey, 1957). Warren Kremer refined and perfected the "Harvey World" art style pioneered by Steve Muffatti in 1952. This slam-bang fifties cover has an overall size of 7.75" x 10.5", and aside from an aging title logo stat, the art is in Excellent condition.
Warren Kremer Richie Rich #12 Cover Original Art (Harvey, 1962). The Rich family is far too wealthy to own just one goose that lays the golden egg -- they've got a whole gaggle of the darn things! And obviously, Richie takes collecting their booty to be serious business. Warren Kremer was one of the finest artists in the Harvey bullpen, and did much to establish the "house" style for the various cartoon titles. He's at his finest here -- we particularly like the demure expression of the goose at lower right. There is some light glue staining where a logo stat was previously attached, and the chicken coop is an art correction, but otherwise the piece is in Excellent condition, with an image area measuring 7.25" x 10.5".
Warren Kremer Richie Rich #14 Cover Original Art (Harvey, 1962). Richie Rich keeps his most valued treasures stored in a walk-in safe -- are they coins, diamonds, gold, or cash? No, they're his prized comic books -- now there's little rich kid after our own hearts. This charming cover scene has an image area of 7" x 10.5", and aside from missing its title logo and other type photostats, the art is in Excellent condition.
Warren Kremer Richie Rich #32 Cover Original Art (Harvey, 1965). Y'know, Richie might actually be warmer if he put on a pair of long pants and some galoshes... but then, who are we to argue with the richest kid in the world? This wintry wonder was produced by Harvey's top cover artist, Warren Kremer, who almost singlehandedly created the company's signature style for their cartoon creations. This cover art, from very early in the run, continues the classic theme of nature recognizing and reflecting Richie's wealth. The image area of this cover measures 7.25" x 10.5". The art has some aging in the logo and text stats; otherwise, the art is in Very Good condition. Don't be left out in the cold, grab this Rich cover now.
Warren Kremer Richie Rich Fortunes #1 Cover Original Art (Harvey, 1971). Richie walks the "green carpet" in this amusing cover from the debut issue of yet another Richie Rich spin-off title. This cover scene has an image area of 6" x 8". The front end of the limousine is an art correction, there is some glue staining in the logo area, along with some paper remnants where a mat has been removed, and a hole at the top left outside of the image area; otherwise, the art is in Very Good condition.
Warren Kremer Richie Rich Diamonds #1 Cover Original Art (Harvey, 1972). "Climb every mountain" is an adage Richie Rich clearly endorses -- especially when the hill is studded with gems. Harvey legend Warren Kremer contributes this glittering cover for the premiere issue of this title. The image area measures 7.5" x 10.5" and the art is in Very Good condition, with glue stains where various elements had previously been attached.
Warren Kremer Richie Rich Riches #1 Cover Original Art (Harvey, 1972). The Money Monster makes his very first appearance in this tasty cover from Harvey mainstay Warren Kremer. Shovel, Richie, shovel it in! The image area of this cover scene measures 7" x 8". The piece has glue staining in the margins and some in the artwork to the left of Richie, but is otherwise in Very Good condition.
Roy G. Krenkel Tarzan at the Earth's Core Watercolor Illustration Original Art (circa 1963). This expressive watercolor painting by fantasy master Roy G. Krenkel, resonates with primordial life. This fantastic piece has an image area of 5.5" x 7", and it has been matted and framed to an overall size of 14" x 11.75". The work was initialed in its lower left corner, and the art is in Excellent condition.
Joe Kubert Our Army at War #198 Sgt. Rock Splash Page 1 Original Art (DC, 1968). Artist Joe Kubert and writer Bob Kanigher were always a solid Silver Age war comic team, and this page is a classic example of their efforts. This piece has an image area of 10" x 13", and aside from a minor paste-over correction on Sgt. Rock's face and some white-out, the art is in Excellent condition. This page was signed and inscribed by Joe Kubert at the lower right.
Harvey Kurtzman Two-Fisted Tales #20 Cover Original Art (EC, 1952). Two-Fisted Tales was the first title that legendary Harvey Kurtzman created for EC, and the war books represent his finest dramatic work. This image is pure Kurtzman, marked by intense drama and the artist's impeccable cartooning -- and is exactly what any collector would want in an EC war cover. This piece has an image area of 13.5" x 19.25". The art is missing the EC bullet and month stats on the left side, and its price stats on the right, and there is faint glue staining in these areas; otherwise, it is in Excellent condition. This piece was signed and inscribed, "Regards to Frederic" by Harvey Kurtzman in the bottom border.
Larry Lieber and Mike Esposito (as Mickey Demeo) Amazing Spider-Man Annual #5 page 16 Original Art (Marvel, 1968). Reed Richards, Mr. Fantastic, drops Spider-Man off in Algeria in this magnificent Marvel crossover moment. This page from "The Parents of Peter Parker" has an image area of 12.5" x 18.5", and aside from a few small stains, the art is in Excellent condition.
Larry Lieber Kid Colt Outlaw #187 Cover Original Art (Marvel, 1974). This Bronze Age shootout is the comics equivalent of a Western movie showdown -- it's filled with explosive action. Larry Lieber turned in a cover every bit as gun-slingin', hard-jumpin', and sharp-shootin' as the cover copy indicates, and Larruping Larry went for sudden impact! This cover has an image area of 10" x 15", and the art is in Excellent condition.
Jay Lynch Midwest Magazine Illustration Original Art (1970). Chicago native Jay Lynch portrays a few favorite Underground Comix characters -- including his own Nard an' Pat -- for this fabulous cover illustration to the Windy City's Midwest Magazine. Included are Mr. Natural, Sunshine Girl, the Freak Brothers, Snappy Sammy Snoot, and more, all posing for a photographer that looks more than vaguely familiar, even under the camera cloth! Mixed media on illustration board, with an image area of approximately 12.5" x 15". In Very Good condition, with light soiling, paper tanning, and corner damage in the outside borders.
Jay Lynch Midwest Magazine Thanksgiving Issue Illustration Original Art (1972). The turkey's the thing (not the pre-packaged cornucopia fillings), in this colorful creation by Underground Comix legend, Jay Lynch. Canned Grits, anybody? Mixed media on illustration board, with an image area measuring approximately 13.5" x 16". In Good condition, with spots of light water damage along the lower portion of the art; paper tanning, and corner damage to the outside borders.
Jay Lynch Fashion is Dead Gag Page Original Art (Chicago Sun Times, 1972). Jay takes a sly stab at fashion trends in this wacky page -- imagine the "Ernie Bushmiller Look" sweeping the nation! Wild stuff from one of the originators of Underground Comix. Mixed media on illustration board, with an image area of approximately 10.75" x 12.75". Some light soiling along the outer borders, otherwise in Excellent condition.
Jay Lynch I Dream of Dancing Hamburgers Illustration Original Art (undated). Jayzey Lynch proves to us that one man's dream -- say, Wimpy, or the Hamburglar -- can be another man's nightmare, in this colorful illustration. We aren't sure where this tasty piece first appeared; possibly for Midwest Magazine. At any rate, the art has an image area that measures approximately 15" x 11.5", and is in Very Good condition, with light soiling and stains.
Jay Lynch Midwest Magazine "Drunk-O-Meter" Illustration Original Art (undated). In the tradition of Rube Goldberg, Jayzey treats us to a unique way to handle one who might have one too many! This was done for Midwest Magazine, home to a number of funny illustrations from this Underground Comix legend. The art is in mixed media on illustration board, with an image size measuring approximately 10.5" x 12.5". In Very Good condition, with some paper tanning and cracking to the red film sheet used for background color.
Jay Lynch and Norman Saunders Wacky Packages "TV Garbage" Illustration Original Art (Topps, circa 1980). That ever-popular publication, TV Guide, gets the Wacky Package treatment in this funny illustration, courtesy Jay Lynch, best known for his Underground Comix characters Nard 'n' Pat. This piece was finished by noted illustrator Norm Saunders, and used for the 11th series. The mixed-media art on bristol has an image area measuring approximately 4" x 5.75", and is matted to an overall size of 9" x 11". Some type was changed for the final printed version; otherwise, the art is in Excellent condition.
Jay Lynch Midwest Magazine Divorce Illustration Original Art (undated). It's "he said, she said", in this courtroom cartoon illustration by Jayzey Lynch. Both sides state their case, while the judge dreams of eighteen holes! A great piece that your wife might not quite understand, from one of the kings of Underground Comix. Mixed media rendered animation style, on reverse acetate which has been mounted on illustration board.
Jay Lynch Wacky Packages Card Preliminary Illustration Original Art (Topps, 1975). This Wacky Package card spoofs Baskin-Robbins, with a gag that ultimately read "Bathless Ribbons 30 Ice Cream for Hippies", with a sludgy green cream oozing out from the top. We prefer Lynch's original gag -- "Bathless Rightons Don't Trust Anyone Over 30 Ice Cream for Hippies", with flies and "stink waves" emanating from the hippy! Ink, colored markers, and white paint on paper, with an image area of approximately 4" x 6.5". Signed "To Terry" in marker by Lynch. Very Good condition. Includes a copy of the Topps sticker card.
Jay Lynch and Norman Saunders Wacky Packages "Smartz Collar" Illustration Original Art (Topps, 1976). Underground cartoonist Jay Lynch (Bijou Funnies) turned in a number of designs for Topps' wildly popular Wacky Packages, including this howl-ingly funny effort from Series 16. The mixed-media art was finished by Norm Saunders. It has an image area measuring approximately 4.5" x 6.25" and is matted to an overall size of 9" x 11"; other than some missing press-on lettering in the lower corner, it's in Excellent condition.
Kevin Maguire and John Dell Justice League: A Midsummer's Nightmare #3 Cover Original Art (DC, 1996). Kevin Maguire became well known for his work on Justice League at DC in the 1980's, and returned to illustrating the team for this mini-series in the 90's. This cover features Wonder Woman, Martian Manhunter, and the Flash, expertly rendered by Maguire and inker John Dell. This piece has an image area of 10.5" x 15.75", and is in Excellent condition.
Esteban Maroto Dax the Warrior page 4 Original Art (undated). Esteban Maroto's original Spanish series Manly was reprinted as Dax the Warrior in twelve issues of Eerie, in the early '70s. It featured the often downbeat adventures of Dax, a powerful warrior, who had a habit of encountering sorcerers, witches, beasts, and even Death itself in his travels. This amazingly detailed page is from somewhere in that run, but we cannot confirm the issue. Note that the page still retains the original Manly title at the top, and note also the sumptuous inking and the mostly-naked babe getting hassled by a dragon creature. The image area measures 15.5" x 20" and aside from some creasing at the corners and light overall wear, the art is in Very Good condition. From the personal collection of Esteban Maroto.
Esteban Maroto The Wizard of Venus Paperback Cover Original Art (Ace Books, 1979). The fifth and final book in the "Venus" series was published posthumously almost fifteen years after Edgar Rice Burroughs' death, and consists of two previously unpublished stories that were discovered in his files. This superlative cover painting is from the late '70s Ace reprint, and features wizards and gremlins and a hot babe, oh my! This piece has an image area of 16" x 26.5" and is in Very Good condition. From the personal collection of Esteban Maroto.
Master Comics #112, Complete 8-page Story Original Art (Fawcett, 1950). Captain Marvel Jr. battles a foe infected with "Moonitis" in the slam-bang romp "Return of the Acrobat." Each page has an image area of 13" x 18". Aside from blue pencil color notes on the pages, the art is in Very Good condition.
Mike Mayhew The Pulse #1 Cover Original Art (Marvel, 2004). J. Jonah Jameson created a superhero supplement for the Daily Bugle called "The Pulse," aimed to make a few extra bucks covering the trials and tribulations of Manhattan's spandex staples, while at the same time blasting them with the editorial column of the Bugle itself. Writer Brian Michael Bendis used this concept as a chance to write for his favorite characters, and photo-realistic artist Mike Mayhew contributed covers for the popular series. This particular cover kicked off the first issue, featuring Jameson's primary target, the Amazing Spider-Man. Beautifully rendered in shaded pencil and ink, this piece has an image area of 10" x 15", and is in Excellent condition.
George McManus Bringing Up Father Collage Original Art (1947). This is an incredible 3-D combination art and applied item portrait of Jiggs and Maggie, with Maggie holding a black and white photo of George McManus. Among the applied items, are buttons, Jiggs' collars, Maggie's felt hat and broach, intricate tiny beadwork on Maggie's headband and bracelet, mother of pearl necklace, Jiggs' watch chain, cut-out picture frame, and more. Incredible! Notes tell us this item was once part of Disney animator Ward Kimball's personal collection. Image area measures approximately 10" x 12"; framed to an overall size of 13" x 15.75". In Excellent condition.
Mike Mignola Chronicles of Corum #3 Cover Original Art (First, 1987). Hellboy creator Mike Mignola provided the art for this series inspired by the character created by author Michael Moorcock. This cover exhibits Mignola's definitive style, which has often been imitated -- but never duplicated. This page has an image area of 10.25" x 11.5", and is in Excellent condition.
Mike Mignola Batman Illustration Original Art (undated). Before creating Hellboy, Mike Mignola provided artwork for both Marvel and DC, including Batman. This piece, done in ink and watercolor on illustration board, captures the essence of Mignola's style, along with capturing the character of the Dark Knight as well. The art has an image area of 7" x 11", and is in Excellent condition. This piece has been matted to an overall size of 15" x 20".
Frank Miller and Tom Palmer Amazing Spider-Man Annual #14 pages 20 and 21 Original Art (Marvel, 1980). A spectacular two-page Spidey spread. The Web-Slinger makes a house call on the mysterious Dr. Strange, but a couple of stone gargoyles may complicate things. It's interesting to note the beginnings of Miller's Sin City style in the graphic way he renders the skyscrapers here. The art has an overall image area of 20.75" x 15" and it is in Very Good condition.
Frank Miller and Klaus Janson Daredevil #181, page 34 Original Art (Marvel, 1982). Bullseye has killed Elektra with her own sai, and now an enraged Daredevil is in hot pursuit of the madman, in this page from "Last Hand." From Frank Miller's highly-regarded Daredevil run comes this page which has an image area of 10" x 15". In Very Good condition.
Frank Miller and Joe Rubinstein Wolverine Limited Series #1 page 12 Original Art (Marvel, 1982). Beneath a statue of Buddha, Logan confronts his ex-lover Mariko in this first issue of his first solo comic title. The image area measures 10" x 15", and aside from some paper tanning, and three clipped corners (outside of the image area), the art is in Very Good condition. This page was signed by Frank Miller in the first panel.
Norman Mingo Mad #92 Cover Painting Original Art (EC, 1965). Mad's famous grinning mascot, Alfred E. Neuman, wears a homemade crown of mistletoe surrounded by Christmas bulbs, in this yuletide extravaganza by Norman Mingo. Rendered in gouache on board, the art is framed and matted to an image area of 13" x 17.5". Aside from some light paper tanning, the work is in Excellent condition. Includes a copy of Mad #92.
Sheldon Moldoff and Charles Paris Batman #144 Splash Page 1 Original Art (DC, 1961). Watch out, the original Bat-Girl's back -- and so is that pesky imp, Bat-Mite. When those two are around, anything can happen -- and usually does. As if that isn't enough, there is also a cameo appearance by Robin, the Boy Wonder. A brilliant splash page from the Silver Age, penciled by Sheldon Moldoff and inked by Charles Paris. The clean line work, and open, uncluttered layout, marks this page as the work of true pros. This page is in Very Good condition with only some very slight age coloring over the entire page, and a thin line traveling down the length of the right side of the art, but it doesn't detract in the least. The upper left portion of the art has been replaced with a color copy of the original logo art, and some of the words have been touched up to replace the missing section. This splash has an approximate image area of 13" x 18". Signed by Sheldon Moldoff at the bottom left.
Sheldon Moldoff and Charles Paris Batman #154 page 2 Original Art (DC, 1963). Batman and Robin swing into action against a monstrous menace in this Silver Age spectacular from "The Strange Experiment of Dr. Dorn." This thriller has an image area of 13" x 18", and the art is in Excellent condition. The page was later signed by Sheldon Moldoff in its lower left corner.
Sheldon Moldoff and Joe Giella Detective Comics #352 Batman page 12 Original Art (DC, 1966). The Cowled Crusader turns the tables on his tricky foe in this battle of brains and brawn from "Batman's Crime-Hunt A-Go-Go." Sheldon Moldoff adapted his art style to reflect the "New Look," with an able assist from inker Joe Giella. This page has an image area of 12" x 18", and aside from some paper aging, the art is in Excellent condition. Editor Julius Schwartz signed the page in its lower right border.
Sheldon Moldoff Batman Illustration Original Art (1994). Fasten your utility belts, 'cause here's a must-have illustration by Sheldon "Shelly" Moldoff, Bob Kane's first assistant on Batman! This splendid rendition features the original version (inspired by Detective Comics #31) and a more modern version of the Dark Knight Detective. Rendered in ink and watercolor, the work is tastefully framed and matted, with an image area measuring 15" x 22". In Excellent condition and signed by Sheldon Moldoff at the lower left.
Sheldon Moldoff Batman #156 Cover Re-Creation Original Art (1995). This piece is an eye-popping re-creation of perhaps the most iconic cover of Sheldon Moldoff's time with the Caped Crusader. Batman fans cringe a little these days when they think of the Darknight Detective traveling to other worlds in those halcyon days, but "Robin Dies at Dawn" is deservedly remembered as a classic -- and it started with the dazzling cover by long-time Bob Kane ghost Sheldon Moldoff. The overall size of this piece measures 15" x 22", and the art is in Excellent condition.
Sheldon Moldoff Batman and Robin Illustration Original Art (undated). Handsome full color illustration of the Dynamic Duo by Sheldon "Shelly" Moldoff, Bob Kane's first assistant on Batman. Ink, marker, and watercolor on board. Framed and matted to an image area measuring 9" x 12" and in Excellent condition.
Jim Mooney Batman #56 Complete 10-page Story Original Art (DC, 1949). What an incredible find -- a complete ten-page Batman tale from the forties! Jim Mooney, better known for his later work on Supergirl stories featured in Action Comics, turns in a fine job on this wild tale, entitled "A Greater Detective Than Batman," penned by Bill Finger. This is one of the Finger stories featuring a giant-sized, fully functional prop; in this case, it's an enormous typewriter, which the Dynamic Duo employ to thwart a robbery. Classic stuff! The pages all feature image areas of approximately 13" x 18"; other than light soiling along the outer borders, they average Excellent condition, with no missing pieces or stats. Two pages do have pieces of tape on the back, placed there by the artist, which do not compromise the art in any way. As a bonus, Jim Mooney has signed pages one, four, and five.
Terry Moore Strangers in Paradise #22 Cover Original Art (Abstract Studio, 1999). This popular series followed the adventures of Francine, Katchoo, and David, frequently delving into the sometimes difficult romantic relationships between them. This rather artistic cover features Kimberly, one of the mysterious girls in David's life. Terry Moore's wife Robyn, managing editor of Strangers in Paradise, noted that Kimberly was a character slated to appear in the title earlier before plans were changed. This piece remains a superb example of Moore's artistic prowess. This piece has an image area of 11" x 15.5", and is in Excellent condition. This piece was signed by Terry Moore in its lower right corner.
John Mueller Swamp Thing #142 Cover Original Art (DC, 1994). Hey, let's take a ride on the "soul train." Unfortunately, Alec Holland (who became the Swamp Thing) seems not to be headed for the sounds of Philadelphia, but rather straight "south" into a demented carnival of souls located somewhere in the mystic netherlands. Swamp Thing makes a subtle appearance as a painted symbol on the gate in the background. Alec Holland's flashback journey begins in the yarn "Soul Train," as does his encounter with a mysterious messenger who might help reveal the secrets of his connection to the Swamp Thing. This eerie painting has an image area of 16" x 25". The art has been professionally framed to an overall size of 26" x 35", and is in Excellent condition.
Steve Muffatti and Lee Donahue Casper the Friendly Ghost #10 Cover Original Art (Harvey, 1953). Casper fills up on "empty calories" in this hilarious Steve Muffatti scene, drawn for the third issue of Harvey's run on the title. Inside this landmark, early issue, Spooky made his first appearance. This Silver Age laugh riot has an overall size of 8" x 10.5". Aside from a fading title logo stat, and a few small stains, the art is in Excellent condition.
Paul Norris Four Color #190 The Adventure of the Flying Saucers Complete 48-page Flash Gordon Story Original Art (Dell, 1948). The versatile cartoonist Paul Norris is credited with drawing this thrilling Flash Gordon epic, "The Adventure of the Flying Saucers," based on the famous comic strip. Norris has done a fine job of capturing the flair of Alex Raymond's trend-setting art style. Each page of the yarn has an image area of 12.5" x 18.5", and the art averages Very Good condition.
Richard F. Outcault Buster Brown Illustration Original Art (undated). Buster and his grinning pooch Tige send best wishes to "Mac," "Jack," "Hack," and "Franklin" of the Windsor Golf Club, in this charming early illustration. The image area to this inked piece is approximately 11" x 15"; the art is matted and framed, along with a handwritten note, to an overall size of 19.5" x 27.75". The art has some foxing along the lower left corner area; otherwise, it is in Excellent condition.
George Perez and Romeo Tanghal The New Teen Titans #2 page 19 Original Art (DC, 1980). From the issue that featured the first appearance of Deathstroke the Terminator, this page co-stars the H.I.V.E.'s super-powered assassin, Ravager... who as fans soon found out, was Deathstroke's son! The art has an image area of 10" x 15" and is in Very Good condition. Signed by Romeo Tanghal a the bottom left.
George Perez and Romeo Tanghal New Teen Titans #17 page 20 Original Art (DC, 1982). The Titans have their hands full on this page, taking on a tornado-like demon that is wreaking havoc on New York City, and coming uncomfortably close to the World Trade Center. George Perez became a fan-favorite artist with his work on various Titans titles, and several of the most popular characters are featured in this exciting page. This piece has an image area of 10" x 15", and aside from three clipped corners, and some tape along the borders, the art is in Excellent condition.
George Perez World's Finest Comics #276 Cover Original Art (DC, 1982). Double X means double death in this cover creation by George Perez. DC's Big Two, Superman and Batman, co-star on this detail-laden cover from the fondly remembered "Dollar Comic" era. This piece has an image area of 10" x 15" and includes the logo and masthead paste-up art. In Very Good condition. Signed by Perez at the lower left.
Al Plastino Action Comics #293 Superman and Supergirl Page 14 Original Art (DC, 1962). With outstanding portraits of Superman, Clark Kent, and Supergirl, this final page from "The Feud Between Superman and Clark Kent" is sure to make a prized addition to any Silver Age Superman fan's art collection. This half-page has an image area of 13" x 12". Aside from a few light stains in panel tier two, the art is in Excellent condition. The bottom of the page was left blank for a house ad and DC editor Julius Schwartz later autographed this piece in that space.
Hank Porter Mickey's Birthday Party Illustration Original Art (Good Housekeeping, 1942). Hank Porter adapts the short film, Mickey's Birthday Party, to print in this colorful illustration published in Good Housekeeping magazine. This watercolor and ink illustration was recently reprinted on page 287 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board, for an approximate size of 14.5" x 23", and is in Very Good condition.
Hank Porter New Tales from Old Mother Goose Illustration Original Art (Good Housekeeping, 1943). Not Jack and Jill, but Mickey and Minnie went up the hill to fetch a pail of water. Much easier to use a faucet -- as demonstrated by Donald. This charming illustration was one of a series to appear in Good Housekeeping magazine in 1943. The overall image area measures 13.75" x 22". There are some very minor glue stains associated with the text paste-ups, but otherwise the art is in Excellent condition.
Bob Powell Men's Adventures #27 Sub-Mariner Title Page 1 Original Art (Atlas, 1954). This beautifully delineated page from one of the Cold War-era Atlas superhero books pits Communist sea captain Zuko against Prince Namor. Bob Powell's distinctive style was put to great use on this rare page, resulting in one of the best-looking Sub-Mariners we've seen from that time. The brushed ink and white paint on board art has an image area measuring approximately 12" x 18", and includes the original logo stat. The art has been matted and framed to an overall size of 19.75" x 26", and is in Excellent condition.
Fred Ray Tomahawk #42 Cover Original Art (DC, 1956). The "Trojan Horse gambit" works once again, in this handsome Fred Ray cover scene for "Dr. Appleby's Amazing Invention." This frontier tank scene has an image area of 12.5" x 18", and aside from some photostat replacements, the art is in Excellent condition. This piece has been matted and framed to an overall size of 20" x 25".
Alex Raymond The Kid Sister Sunday Comic Strip Original Art, dated 9-17-33 (King Features Syndicate, 1933). After finding himself out of work on Wall Street because of the stock market crash of 1929, Alex Raymond enrolled in the Grand Central School of Art to pursue his real passion, a career in art. Soon he was assisting Russ Westover on Tillie the Toiler and later, Chic Young on Blondie. Through his Young studio connection, Alex began assisting Chic's brother, Lyman, on Tim Tyler's Luck and The Kid Sister, before eventually moving on to his own strips Flash Gordon, Jungle Jim, and Secret Agent X-9. An interesting sidebar about this Sunday is the Yale polo player connection. This Sunday's "Sister's Cut-out" paper doll features a Yale man with both football and polo costumes. As we learned in the first Flash Gordon strip, Flash too was a Yale polo player -- perhaps this fellow was his teammate, and they played a few chukkers together -- almost certainly this strip contained the germ of the idea for Flash's athletic origins; the first Flash appeared in print only 12 weeks after this Sunday was printed. The image is approximately 12" x 25", and the art is in Excellent condition. Alex Raymond's brilliant draftsmanship shines in these elegant "clear line" drawings of the figure.
Alex Raymond Secret Agent X-9 Daily Comic Strip Original Art, dated 11-2-34 (King Features Syndicate, 1934). Alex Raymond's pulp magazine illustrator-influenced drybrush inking is at its best in this exciting episode from 1934, the first year of the feature. Raymond may have been inspired to use this inking technique as the strip's writer, Dashiell Hammett, was a renowned writer for the pulp magazine, Black Mask. This daily has an image area of 25" x 5.5", and aside from slight edge wear and a fold through panel two, the art is in Very Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Featuring Pagan Lee and the Mangler Original Art, dated 8-30-46 (King Features Syndicate, 1946). In 1946, Major Alex Raymond left the armed forces, came home and successfully syndicated his fourth comic strip, Rip Kirby, about a former Marine, who joins the police force and used science to solve crime. This early daily spotlights two of the strip's greatest supporting cast members -- the beautiful Pagan Lee and the beastly Mangler. The image area of this episode measures 18.5" x 5.5", and the condition is Excellent.
Marshall Rogers and Terry Austin Doctor Strange #52 page 5 Original Art (Marvel, 1982). The good Doctor tries to find the source draining Morgana's life away, in this page from "Life-Times." The art has an image area of 10" x 15" and includes a special effects panel on an additional page. In Excellent condition.
John Romita Sr. and Frank Giacoia (as Frank Ray) Daredevil #14 page 14 Original Art (Marvel, 1965). This superb page hails from one of John Romita Sr.'s earliest penciling efforts on the mighty Marvel superheroes. Romita has often said he loved working on Daredevil and felt much more comfortable with penciling Daredevil than he did with the task of taking over The Amazing Spider-Man from sturdy Steve Ditko. This page from "If This Be Justice" has an image area of 12.5" x 18.5", and the art is in Excellent condition. Romita signed the page in its upper border.
John Romita Sr., Don Heck, and Mike Esposito The Amazing Spider-Man #60 page 17 Original Art (Marvel, 1968). Web-slinging, wall-crawling action with Spider-Man starring in every panel make this page a certified Marvel masterwork. This page from "O Bitter Victory" co-stars Captain Stacy, and it has an image area of 10" x 15". Aside from numerous printer's chemical stains, this piece is in Very Good condition.
John Romita Sr. and Tony Mortellaro Captain America #138 page 3 Original Art (Marvel, 1971). The Falcon and Redwing deliver swift-winged justice to a pair of thugs, in this page from "It Happens in Harlem." The page has an image area of 10" x 15" and the art is in Excellent condition. Signed by John Romita Sr. at the bottom.
John Romita Sr. My Love #12 Cover Original Art (Marvel, 1971). John Romita Sr. notes that this scene was "done in the French romance style" -- vive la difference! This melodramatic masterwork has an image area of 10" x 15", and aside from a few missing type stats and some small stains, the art is in Very Good condition. John Romita Sr. signed the page in its lower border.
John Romita Jr. and Bob Layton Iron Man #120 page 31 Original Art (Marvel, 1979). Iron Man's power supply is drained, leaving him trapped in a water-filled metal shell, in this final page from "The Old Man and the Sea Prince!" The art has an image area of 10" x 15" and is in Very Good condition.
Alex Ross Batman, War on Crime pages 6 and 7 Original Art (DC, 1999). The Darknight Detective is featured in both pages of this moody montage from Batman, War on Crime. This piece has an image area of 25" x 17.5", and the art has been framed to an overall size of 36" x 28." The art is in Excellent condition.
Alex Ross Batman, War on Crime pages 8 and 9 Original Art (DC, 1999). Bruce Wayne stars in Alex Ross' double-page bird's eye view from Batman, War on Crime. This piece has an image area of 25" x 17.5", and the art has been framed to an overall size of 36" x 28." The art is in Excellent condition.
Alex Ross Wonder Woman: Spirit of Truth pages 18 and 19 Original Art (DC, 2001). Published just a month after the 9/11 attacks, scenes of terrorism in Wonder Woman: Spirit of Truth took on a fresh layer of dread, but on the whole, the book was an uplifting look at WW's search for peace in the way she deals with mankind. Alex Ross's painstakingly-created photo-realistic artwork never ceases to amaze, and this sprawling double-page spread is no exception. The art measures 25" x 17.5" and is in Excellent condition. The piece has been professionally matted and framed.
Alex Ross Crisis on Multiple Earths #4 Cover Original Art (DC, 2006). This titanic battle scene between Captain Marvel and Superman is highlighted with numerous characters from DC's Silver Age. This trade paperback cover could be called a much more dynamic spin on Justice League of America #137's cover scene. Alex Ross renders this stunning scenario in watercolor on heavy illustration paper. The work has been matted to an image area measuring 12" x 18" and the condition is Excellent.
Bud Sagendorf Popeye #11 Complete 8-page Story Original Art (Dell, 1950). Popeye's late night visitor, Goon From the Moon, eats him out of house and home, in the "ate"-pager "The Guest," by Bud Sagendorf. Each page has an image area of 13" x 18", and, aside from some light paper tanning, and light soiling, the pages average in Very Good condition.
Tim Sale Detective Comics #785 Cover Original Art (DC, 2003). Tim Sale beautifully captures the mood of the Caped Crusader in this cover piece. In this issue Batman meets up with Alan Scott, the original, Golden Age Green Lantern. Sale is well known for his work on Batman titles, and is currently providing prominently featured art for NBC's hit TV series Heroes. This illustration was done in pen and ink wash. This piece has an image area of 10.5" x 15", and the art is in Excellent condition.
Norman Saunders and Bob Powell Batman Trading Card Second Red Bat Series Illustration Original Art (Topps, 1966). Here is a fine example of original artwork from the beloved mid-sixties Batman trading card set by Bob Powell (pencils/layout) and Norman Saunders (finished painting). In "Inferno of Flame," Batman rescues a little girl from the ledge of a burning building. The artwork has been framed with a copy of the printed trading card, an example of the gum wrapper, and also the original art from the Mexican variation of this card. The image area for the painted piece is 3.25" x 4.5". The art has a diagonal crease; otherwise, it is in Good condition.
Alex Schomburg All-New Comics #11 Captain Red Blazer and Boy Heroes Cover Original Art (Harvey, 1946). Captain Red Blazer and Sparky lead the Boy Heroes on a savage, give-no-quarter beach invasion in this classic World War II era cover. It was typical of Alex Schomburg to label his crowded Golden Age backgrounds so that the young readers would not misinterpret the action, and as a result, the enemy stronghold has "Jap Pillbox" clearly written its side. This Golden Age spectacular has an image area of 12.5"x 18", and the piece has been matted and framed to an overall size of 21.5" x 27". Aside from a few small missing type elements and some paper aging, the art is in Excellent condition.
Charles Schulz Saturday Evening Post Gag Cartoon Original Art (1950). In the days right before Charles "Sparky" Schulz made his breakthrough sale of the Peanuts newspaper strip, he was busy working as a cartoonist in other venues, including the venerable Saturday Evening Post. Schulz drew a total of seventeen gag panels for the Post, including this charmer, which has the definite look of the earliest Peanuts strips. Brush and blue pencil on bristol, with an image area of approximately 10" x 11". There is a pasted-on caption. Overall condition is Very Good, with some minor staining along the edges, particularly the lower right.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 3-23-51 (United Feature Syndicate, 1951). Charlie Brown and Patty do some deep thinking in the sandpile, in this clever, early episode. In fact, this strip, which dates within the first six months of the run, ranks as the earliest Peanuts item ever offered by Heritage! The characters are drawn in the classic early Little Folks style, and clearly represent a much younger Charlie Brown than most readers are accustomed to seeing. The image area measures approximately 27" x 5", and the art, which was folded in the middle, with a few stains and general light soiling, is in Good condition. Go back to the beginning with this one, Peanuts fans!
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 10-23-53 (United Feature Syndicate, 1953). Charlie Brown takes a stand against an angry Violet in this choice daily. CB was so often the subject of ridicule and/or hostility from the "older" girls, Patty and Violet; it's great to see our hapless hero put his foot down in this rare example! The inked art on bristol has an image size measuring approximately 27" x 5", and is matted and framed to an overall size of 32.5" x 10.5". There's the usual crease between the second and third panels, and there's a small stain over the date in the last panel; otherwise, the art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 1-14-58 (United Feature Syndicate, 1958). Lucy discovers that Linus is more than just "attached" to his Security Blanket, in this wonderful daily. The year was carefully removed from the United Feature Syndicate paste-on, but the strip can be found in the Fantagraphics 1957-58 reprint volume. The art, which has an image area of approximately 27.25" x 5.5", has been glued to a backing board and old mat, leaving the piece in Very Good condition.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 7-8-58 (United Feature Syndicate, 1958). Of course Lucy loves classical music -- as long as Schroeder is the one playing it! A classic bit of business from one of Schulz's longest-running gags, complete with a detailed music chart in panel three, making this the one to go for if great music and great cartooning are your loves! The time period for this strip falls right within the era considered the favorite of most fans as well. Sound like he's playing your song, Peanuts fanatics! The image area measures approximately 27.25" X 5.5", and the art, aside from tanning along the outer border edges, is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 6-23-61 (United Feature Syndicate, 1961). Caroline Kennedy, the President's daughter, is the girl Linus is talking about in this adorable daily! Peanuts was at the height of its charm in the early sixties and this amusing daily is no exception. As an added bonus, this is one of the few strips where Lucy is left completely speechless. Aside from some very minor crimping on the right side and a minor smudge in the bottom border, this strip is in Excellent condition, with an image area of 27" x 5.5".
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 3-5-66 (United Feature Syndicate, 1966). Snoopy finds a unique way to babysit in this cute charmer. Part of Charles Schulz's genius was to connect with his audience in subtle ways, and in this example, he strikes a familiar chord with pet lovers, fans of classical music, and anyone ever saddled with the task of caring for youngsters, all within the simple framework of a four-panel comics strip. Brilliant! The strip has an image area measuring approximately 27" x 5.5", and the art is in Very Good condition. Mr. Schulz added his signature to the top border area.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 12-18-71 (United Feature Syndicate, 1971). As Snoopy so rightly points out, "HAs" are hard on a sensitive person, and probably even more so when they are delivered by Lucy Van Pelt. This daily has an image area of 27" x 5.5". This daily has folded between panels two and three (as was almost always the case). The art has been professionally cleaned to Excellent condition, and a vintage United Feature Syndicate envelope used to protect the daily is included in this lot.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 10-16-79 (United Feature Syndicate, 1979). Charlie Brown gives Snoopy a book sure to interest him, in this typically charming Charles Schulz daily. Any example of a Peanuts original is highly sought-after; one starring Charlie and Snoopy (plus Snoopy's doghouse, itself a character) makes this a must-have. Ink and light white-out on bristol, with an image area of approximately 21.25" x 5". Signed in marker along the top border area. In Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 12-22-71 (United Feature Syndicate, 1971). It's only three days before Christmas, but Sally is still hinting about presents she wants to receive -- and doesn't every little girl want a pony? Fortunately, cooler -- and rounder -- heads prevail, with good ol' Charlie Brown giving her a sarcastic alternative. By the 1970s, Charles Schulz was well-established as the most successful cartoonist of the century, and the confidence of his work shows through in every panel. The image area measures 27" x 5.5". Aside from the usual crease between the second and third panels (where Sparky would fold the strip for mailing to the syndicate), the art is in Very Good condition, and has been tastefully matted and framed.
Charles Schulz Peanuts Daily Comic Strip Original Art, dated 12-28-92 (United Feature Syndicate, 1992). Sally has her future plans all set in this thoughtful daily. By the 1990s, Charles Schulz had reduced his dailies from four to three panels, yet his jokes still pack their punches. And despite his somewhat shaky linework, Schulz still held back from letting assistants draw the strip for him, and his touch is what makes these pieces so special. The image area measures approximately 19" x 5.25", and is matted and framed to an overall size of 23.75" x 10". In Excellent condition, with a personalized signature in marker.
Charles Schulz, Jack Kirby, and Russell Myers San Diego Comicon Program Book Illustration Original Art (1974). No, you're eyes aren't deceiving you! Snoopy and Linus share a scene with Jack Kirby's Demon, and Russell Myers' Broom Hilda, in this one-of-a kind illustration. Commissioned for the 1974 San Diego Comic Con program book, this rare piece has an image area of 13.5" x 9.5", and its condition is Very Good.
Charles Schulz Peanuts Sunday Comic Strip Original Art, dated 4-12-59 (United Feature Syndicate, 1959). Happiness is a warm blanket, or so Linus thinks until he gets hold of his red-hot security straight out of the dryer. Then it's a game of hot-potato, but even Snoopy finds things a little too heated. This charming Sunday strip is a perfect example of the transitional period where Schulz was refining his style to concentrate more on the characters and less on detailed environments, and this bold, expressive gag highlights his genius with physical comedy. The image area measures 22.5" x 15" and the art is in Very Good condition.
Charles Schulz Peanuts Sunday Comic Strip Original Art, dated 9-10-67 (United Feature Syndicate, 1967).
A sweet example from a prime period, starring Lucy and Schroeder. The art has an impeccable and wonderfully interesting provenance, coming directly from a collector who starred in the original San Francisco cast of "You're a Good Man, Charlie Brown." The Bay Area opening in 1967, immediately followed the production's initial opening in New York, earlier that year. Schulz warmly inscribed the artwork in the fourth panel, and gifted it to the young performer in 1967, the year of the strip's publication. The art has an image area of 22.5" x 15.25" and, aside from minor toning of the title logo stat, the art is in Excellent condition.
A sweet example from a prime period, starring Lucy and Schroeder. The art has an impeccable and wonderfully interesting provenance, coming directly from a collector who starred in the original San Francisco cast of "You're a Good Man, Charlie Brown." The Bay Area opening in 1967, immediately followed the production's initial opening in New York, earlier that year. Schulz warmly inscribed the artwork in the fourth panel, and gifted it to the young performer in 1967, the year of the strip's publication. The art has an image area of 22.5" x 15.25" and, aside from minor toning of the title logo stat, the art is in Excellent condition.
Charles Schulz Peanuts Sunday Comic Strip Original Art, dated 9-29-68 (United Feature Syndicate, 1968). Good ol' Charlie Brown and the incorrigible Lucy Van Pelt start their 1968 Fall season with a celebrated Peanuts tradition -- the annual attempted football kick. As Derrick Bang has noted in his Peanuts Collector Club article titled The Football Gags, "Of all the running jokes with which poor ol' Charlie Brown has been associated, none has a richer history, nor a longer one, than his attempts to kick the football. The fourth quarter of each year brings Halloween, Thanksgiving, Christmas and Lucy's latest clever little ruse to persuade Charlie Brown to try one more time, and her equally creative excuse for yet another failure. With just a few exceptions, these Sunday strips have appeared every September or October since the strip hit its stride in the late 1950s. This concept did not become a regular, annual feature until 11-16-56, by which time Lucy had 'grown' and become Charlie Brown's peer." This episode has an image area of approximately 22.5" x 15.25". The original logo stat has aged slightly; otherwise, the art is in Excellent condition.
Charles Schulz Peanuts Sunday Comic Strip Original Art, dated 8-23-70 (United Feature Syndicate, 1970). Snoopy fans take note -- the beloved beagle appears in every panel of this splendid seventies Sunday, and his master, Good ol' Charlie Brown, makes a walk-on cameo. This piece originally came on the market in a benefit auction held by WYES-TV station in New Orleans, Louisiana. WYES-TV signed on the air on April 1, 1957 as the twelfth educational television station in the nation, and Charles Schulz donated this piece as his way of keeping the PBS station on the air. The image area of this Sunday measures 22.5" x 15.5". This original was matted alongside three printed comic strips, and the whole piece was framed to an overall size of 31.5" x 34.5". The art is in Excellent condition.
Charles Schulz Peanuts Valentine's Day Sunday Comic Strip, Remarqued With a Drawing of Snoopy Original Art, dated 2-8-98 (United Feature Syndicate, 1998). Charlie Brown's unrequited search for love, or even just a simple Valentine's Day card, is enough to bring a tear to any reader's eye. This Sunday has been remarqued with a drawing of Snoopy, and this strip was also inscribed and signed, "For Dan with Friendship -- Charles M. Schulz." The image area of this episode measures 22.25" x 15", and the art has been framed to an overall size of 32" x 26". The piece is in Excellent condition.
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E.C. Segar Popeye Daily Comic Strip Original Art, dated 11-16-32 (King Features Syndicate, 1932). It's not what the crown's made of that makes a king -- it's the guy wearing it. So discovers worrywart King Blozo when he confronts a usurper with a tin-can headpiece in this amazing daily from the satirical "Dictator of Spinachovia" story arc. This daily, which has been professionally matted and framed, has an image area of 20.5" x 4.5" and the art is in Excellent condition.
E. C. Segar Popeye Daily Comic Strip Original Art, dated 1-31-36 (King Features Syndicate, 1936). All hands on deck! Popeye is the only member of the crew in this choice E. C. Segar daily. Framed and matted to an image area of 20.5" x 4.5", and it is in Excellent condition.
E. C. Segar Popeye Daily Comic Strip Original Art, dated 7-17-36 (King Features Syndicate, 1936). For some reason, Wimpy and Olive have bet against Popeye in a boxing match (as if Jimmy Jab had a chance against our spinach-eatin' hero), and the poor girl can't remember who to root for. Professionally matted and framed to an image area measuring 20.5" x 4.5". This ringside daily is missing the mechanical tones in most panels (which has left a very light residue behind) but is otherwise in Very Good condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 Splash Page 1 Original Art (DC, 1961). It's a "red letter day" for Green Arrow when he is elected to the Justice League of America. This historic scene also spotlights Aquaman, The Flash, Batman, Martian Manhunter, Wonder Woman, Green Lantern, Superman, and Snapper Carr. This Silver Age celebration has an image area of 13" x 18", and aside from some mild paper aging and a small tear at the bottom of the page, the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 2 Original Art (DC, 1961). Trillions of miles from earth, the stage is being set for "Doom of the Star Diamond." This Silver Age science fiction scenario has an image area of 13" x 18", and aside from some mild paper aging, the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 3 Original Art (DC, 1961). The super-powered Dryanna is banished to earth by Xandor in these set-ups scenes for "Doom of the Star Diamond." This page has an image area of 13" x 18", and aside from some mild paper aging, the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 4 Original Art (DC, 1961). Mike Sekowky's talent for drawing science fiction shines in this early Justice League of America yarn. This swinging sixties page has an image area of 13" x 18", and aside from some mild paper aging, the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 5 Original Art (DC, 1961). Dryanna hatches a plot to enlist the aid of the Justice League of America. The whole gang cameos in the last two panels. This piece has an image area of 13" x 18", and the art is in Excellent condition.
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Mike Sekowsky and Bernard Sachs Justice League of America #4 page 6 Original Art (DC, 1961). Even as Green Arrow is nominated for membership, an alien challenge arrives by communicator-arrow. This superb page of JLA member portraits has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 7 Original Art (DC, 1961). Mike Sekowsky was justly renowned for his ability to compose crowded hero scenes, and this page features an outstanding panel spotlighting the Flash, Aquaman, and Green Lantern. This page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 8 Original Art (DC, 1961). The Martian Manhunter takes center stage in this Chapter Two title page. Wonder Woman co-stars. This piece has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 9 Original Art (DC, 1961). These fast-paced scenes showcase the bravura storytelling of Silver Age legend, Mike Sekowsky. This page, featuring the Martian Manhunter and Wonder Woman, has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 10 Original Art (DC, 1961). Wonder Woman and Martian Manhunter fans will love this page of all-out action scenes. This page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 11 Original Art (DC, 1961). The large, "twice-up" format of this early Justice League allows plenty of room for the beautifully detailed art of Mike Sekowsky and Bernard Sachs. This piece has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 12 Original Art (DC, 1961). Wonder Woman and Martian Manhunter use their wits to solve a deadly mystery in this page from "Doom of the Star Diamond." This page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 13 Original Art (DC, 1961). This Chapter Three splash features a magnificent 2/3-page panel spotlighting Aquaman and the Flash. This Silver Age thriller has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 14 Original Art (DC, 1961). Aquaman and the Flash split the honors on this Decidedly Cool page. This fantastic page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 15 Original Art (DC, 1961). Aquaman is the star of these scenes and the Flash makes a lightning-quick cameo. This deep-sea sensation has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 16 Original Art (DC, 1961). Leave it to the Flash and Aquaman to solve nearly any worldly crisis -- these two are the pride of Silver Age super heroism. This page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 21 Original Art (DC, 1961). The World's Finest team of Batman and Superman are unbeatable -- they are the perfect combination of brains and brawn. This Chapter Five splash has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 22 Original Art (DC, 1961). This Mike Sekowsky page shouts "Silver Age" with its splendid portraits of Green Arrow, Batman, and Superman. This all-star page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 23 Original Art (DC, 1961). The whole JLA team appears in this star-studded page -- it's a winner. This piece has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 25 Original Art (DC, 1961). Green Arrow's amazing accuracy saves the day in the dramatic climax to the "Doom of the Star Diamond." The entire JLA team is featured in these scenes. This superior Silver Age page has an image area of 13" x 18", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 24 Original Art (DC, 1961). When Superman goes down, it's up to Batman and Green Arrow to save the rest of the JLA from the "Doom of the Star Diamond." This page has an image area of 13" x 18", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #4 page 26 Original Art (DC, 1961). Green Arrow is officially sworn in as a new JLA member, and Snapper Carr kicks off the celebration with some well-timed finger snaps. This sterling 2/3 page has an image area of 13" x 12", and the condition of the art is Excellent.
Mike Sekowsky and Bernard Sachs Justice League of America #15 page 15 Original Art (DC, 1962). The Atom stars in these scenes from "The Challenge of the Untouchable Aliens," and Superman cameos in panel one. This piece has an image area of 13" x 18", and the art is in Very Good condition.
Mike Sekowsky and Bernard Sachs Justice League of America #16 page 17 Original Art (DC, 1962). The Maestro has captured the entire Justice League in these scenes from "The Cavern of Deadly Spheres" -- Green Lantern, Martian Manhunter, Aquaman, the Flash, Wonder Woman, Superman, the Atom, Green Arrow, and even a hint of the Batman -- all of your Super Friends are here! This page has an image area of 13" x 18", and the art is in Excellent condition.
John Severin and Will Elder Two-Fisted Tales #36 page 1 Original Art (EC, 1954). Ruby Ed Coffey shoots it out with three desperate characters in the action-packed opener for the yarn, "Dangerous Man." John Severin paid tribute to Roy Crane's newspaper hero with Ruby Ed -- note the striking similarity in appearance to Captain Easy as seen in Ruby Ed, the central character of the final panel. This page has an image area of 13" x 18", and the art is in Excellent condition.
Joe Shuster Studio Superman Sunday Comic Strip #104 Original Art (McClure Newspaper Syndicate, 1941). Joe Shuster and Jerry Siegel give us some terrific action with Superman pushing the truck across the ravine in an attempt to save the already deceased driver. Will Lois' bewilderment over a missing Clark Kent in the last panel be answered to her satisfaction? With Superman in nearly every panel, this one's a keeper. The image area of this Sunday measures 20" x 26", and is mounted on 22.75" x 28.75" board. Other than a few light stains and part of the logo beginning to loosen, the art is in Excellent condition.
Joe Shuster Studio Superman Unpublished Comic Strip Original Art (circa 1940s). An incredible, iconic daily, featuring sleuthing reporter Clark Kent, changing into the Man of Steel, this apparently unpublished strip is one of the best and most desirable pieces of vintage Superman art we've seen in some time. The art is done in brush and ink over Duotone paper, and was originally produced (we assume) for the McClure Newspaper Syndicate during the 1940s. Artist and co-creator of Superman, Joe Shuster, has signed the strip below the last panel. The page has an image area of approximately 19" x 6"; aside from some minor soiling, primarily around the outer border edges, the art is in Excellent condition. It's a truly "must-have" item for any serious fan of the greatest comic book superhero of all time!
Joe Shuster Action Comics #19 Superman Cover Re-Creation Original Art (1983). When Jerry Siegel and Joe Shuster created Superman in 1933, they could scarcely have imagined the eventual impact that he would have on pop culture. After being turned down by every other publisher, DC printed the first Superman story, comprised of panels from a series of rejected comic strips that Siegel and Shuster had shopped around to no avail. In this superb comic cover re-creation based on Action Comics #19, the Man of Steel easily hoists a heavy cannon barrel over his head and sports his hallmark devil-may-care grin. There's no substitute for the co-creator's vision of an American hero. This drawing was beautifully rendered with graphite and colored pencils. The image area of this piece is 15" x 20", and the piece has been framed to an overall size of 18.5" x 23.5". The art is in Excellent condition, and as an added piece of provenance, a copy of a photograph taken by comic art collector Charlie Roberts of Joe Shuster holding the drawing is also included in this lot.
Dave Sim Cerebus the Aardvark #8 page 15 Original Art (Aardvark-Vanaheim, 1980). Captain Turl presents the Conniptin prince with a new bathrobe in this page from "Day of the Earth-Pig!" The art has an image area of 10" x 15" and is in Very Good condition.
The Spirit (Weekly Comic Book) page 3 Original Art, dated 3-2-52 (Des Moines Register and Tribune Syndicate, 1952). From a seat on an airplane to a blanket on the sunny beach, the Spirit stars in every panel of this wide-ranging page from "The Miami Beach Rumble," drawn near the end of the feature's fabled run. Just try to get on a plane while wearing a mask and gloves in today's airports. This page, featuring art from Will Eisner's studio artists, has an image area of 13" x 18", and aside from some wear to the stats stapled at the top of the page, the art is in Excellent condition.
Dick Sprang Detective Comics #118 Batman and Joker Cover Re-Creation (1997). Many "old-school" Bat-fans still consider Dick Sprang the best artist ever to portray the Caped Crusader during the 1940s and 50s, and this magnificent rendering proved he hadn't lost his touch later in life. Rendered in mixed media, this piece has an image area of 13" x 17.5", is matted and framed to an overall size of 18.5" x 23.5", and is in Excellent condition.
Dick Sprang World's Finest Comics #49 Batman, Robin, and the Penguin Splash Page Re-Creation Original Art (DC, 1998). Many Golden Age artists have taken, in later years, to doing re-creations of their classic work, but none can compare with the legendary Dick Sprang, who many people consider the finest Batman artist of all time. Sprang's hard-edged precision and supreme artistry is showcased in this whimsical recreation of the splash page to "A White Feather for Batman." This mixed-media on board "bats-terpiece" has an image of 13" x 18", and the art is in Excellent condition.
Dick Sprang Superman #53 Cover Re-Creation Original Art (undated). Dick Sprang's star-shattering scene is more of a dynamic re-interpretation than a strict re-creation of Wayne Boring's cover for Superman #53, the 10th Anniversary issue of the Man of Steel's title. While most celebrated for his work on Batman, Sprang often drew Superman in his World's Finest Comics stories. "Yes, it's Superman, strange visitor from the planet Krypton, who came to Earth with amazing physical powers far beyond those of mortal men. And who, disguised as Clark Kent, mild-mannered reporter for a great metropolitan newspaper, wages a never ending battle for truth and justice!" This piece has an image area of 13" x 18", and it has been matted to an overall size of 18.5" x 23.5". The art is in Excellent condition.
Dick Sprang Guardians of Gotham City Remarqued Limited Edition Batman and Robin Lithograph #1/500 (Gotham Graphics, 1996). This incredibly detailed Dick Sprang Batman lithograph entitled "Guardians of Gotham City" was produced by Gotham Graphics in 1996 and originally retailed for $1,200. The original art, drawn at bottom of the page (known as a remarque) by Sprang, runs the length of the image and was based on the classic Catwoman story "The Jungle Cat-Queen" from Detective Comics #211. If all that isn't impressive enough, this print is the coveted #1/500, the first print of the edition. This is the first Gotham Graphics, Classic Edition #1 print we have offered to date and it's sure to make a prized showpiece for any Dick Sprang "Bat-fan." This piece has an image area of 36" x 25", and it has been matted and framed to an overall size of 40" x 34". The piece is in Excellent condition and comes with its Certificate of Authenticity.
Jim Starlin Warlock #1 Cover Original Art (Marvel, 1992). Before the Infinity Gauntlet there was Warlock! Jim Starlin brings his cosmic skills to this cover illustration for the first issue of this series. The image area measures 10" x 15" and the cover includes the original title and type paste-up art. In Excellent condition.
Jim Steranko Infinity One Paperback Cover Original Art (Lancer Books, 1970). When it comes to creating striking illustrations infused with bold graphic design, Jim Steranko is one of the revolutionary giants in the comic book and illustration fields. Steranko termed his work, a heady blend of science fiction, surrealism, and Op Art, "Zap Art." This mixed-media piece has an overall size of 11" x 17.5", and the art is in Excellent condition.
Chic Stone Fantastic Four Portrait Illustration Original Art (undated). Chic Stone, one of the most celebrated inkers of the Jack Kirby-era Fantastic Four, presents his solo take on the stars of Marvel's flagship Silver Age title. This terrific ink and watercolor drawing has an image area of 18" x 6.5", and the piece has been framed to an overall size of 27" x 15". The art is in Excellent condition.
Tom Sutton The Many Ghosts of Dr. Graves #61 Complete 22-page Story Original Art (Charlton, 1977). This epic-length chiller "The Hellfire Club," is filled with spine-tingling scenes, all conjured up by one of Charlton Comics' modern masters, Tom Sutton. Each page has an image area of 10" x 15". Page one is comprised of a production stats -- there is no original art on that opening page. All of the word balloons on the other art pages were pasted-on, and there are some small glue stains on some of the pages; otherwise, the art averages Excellent condition.
Tom Sutton Grave Tales #2 Complete 8-page Story Original Art (Hamilton, 1992). This grand story is entitled "The Monster Maker," and it's a spine-tingling yarn about sorcery, chivalry, monsters, and raising the dead. This chiller features a beautiful two-thirds splash page as well as Tom Sutton's hallmarked, meticulous delineation throughout the entire tale. Accomplished in pencil, ink, and a mesmerizing blue hue, this story was truly a crowning achievement for Tom Sutton, during the later years of his career. Each page has an image area of 10" x 14", and aside from some areas of marker bleed on a few of the pages, the art averages Excellent condition. A copy of the comic book magazine is included in this lot.
Curt Swan and Neal Adams Superman's Pal Jimmy Olsen #117 Cover Original Art (DC, 1969). Jimmy finds himself on yet another alternate Earth, in this issue's cleverly titled "Planet of the Capes". Teaming up for the cover are two heavy-hitters: the "old-school" champion, Curt Swan, and the then-new kid on the block, Neal Adams. This is one of the last of the 12-cent issues, with only three more to go before the price hike. This piece has an image area of 10" x 15" and is in Very Good condition, with some very light soiling and minor damage to the title stat paste-ons.
Curt Swan and Murphy Anderson Action Comics #384 Superman Cover Original Art (DC, 1970). Superman would never lie to the police, so what's the story behind "The Forbidden Costume?" Curt Swan's distinctive look and Murphy Anderson's brilliant inks are utilized to perfection. This piece has an image area of 10" x 15". The story title caption box at the bottom of the page, and the monthly date are missing; otherwise, the art is in Excellent condition, with minimal whiteout and glue stains. Also included in this lot are a color guide and a copy of the comic book.
Marc Swayze Captain Marvel Memories Painting Original Art (undated). Marc Swayze was one of the best artists in the Fawcett stable, and the credited creator of Mary Marvel. This large, whimsical painting of Captain Marvel in his sunset years, reminiscing over the golden days of his funny book tenure, was likely painted as a commissioned piece, probably at some point in the last two decades. It is a terrific and melancholy image, very much in the classic Fawcett house style. The piece measures 33.5" x 41.5" and is in Excellent condition.
Dave Tendlar Harvey Comics Hits #61 Complete 6-page Casper Story Original Art (Harvey, 1952). Casper graduates with honors when he averts a wrecking crew intent on destroying the school for ghosts, in this six-page story, called "School Daze." Each page has an approximate image area of 12" x 18". The final frame on the last page is an photostat ad for Dagwood #23. In Very Good condition.
Frank Thorne Mad Magazine Try-Out Illustration of Lee Marvin, Bill Cosby, Ann-Margret, and Omar Sharif (undated). Frank Thorne showcases his talent for side-splitting caricature in this splendid, unpublished try-out illustration for Mad magazine. This piece has an overall size of 14.5" x 19.5", and the art is in Excellent condition.
Three Caballeros Book Cover Original Art (Walt Disney/Random House, 1944). Here's the original cover image to the first book adaptation to Walt Disney's South-of-the-Border favorite, Three Caballeros. Posing for the cover portrait are the three international pals, Jose Carioca, Panchito, and Donald Duck, as painted in gouache by the Disney studios. This piece has an image area of 10.5" x 11.25", and it has been matted to an approximate overall size of 13.5" x 15". The art is in Very Good condition.
Three Caballeros Donald Duck and Jose Carioca Illustration Original Art (Walt Disney/Random House, 1944). Donald Duck joins the Brazilian cigar-chomping parrot, José Carioca, in this prize children's book illustration. Watercolor on illustration paper. The paper is lightly tanned, and there is some light soiling; otherwise the work is in Very Good condition.
Three Caballeros Donald Duck and Jose Carioca Illustration Original Art (Walt Disney/Random House, 1944). Great graphite drawing of Jose Carioca and a jubilant Donald Duck, from the book adaptation written by Marion Palmer and illustrated by the Walt Disney studio. The drawing is in pencil on thin bristol, with an image area of approximately 9" x 5". In Very Good condition, with one stained area outside of the image.
Enrique Torres Pratt (Enric) Vampirella and Demon Preliminary Original Art (undated). This small-sized masterpiece is sure to get your blood pumping! Oil paint on specially treated paper, with an image area of approximately 7" x 9.5"; other than minor soiling along outside border edges, in Excellent condition.
Alex Toth Four Color #845 The Land Unknown page 27 Original Art (Dell, 1957). Before there was Jurassic Park, there was The Land Unknown. On a naval expedition to Antarctica, three men and reporter Maggie Hathaway crash-land in a crater, only to encounter steamy tropical forest, dinosaurs, carnivorous plants, and human footprints. This spectacular Alex Toth dinosaur page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Alex Toth Four Color #845 The Land Unknown page 31 Original Art (Dell, 1957). The superb storytelling and astounding draftsmanship of Alex Toth are the highlights of these scenes from Dell Comics' movie adaptation of The Land Unknown. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. Alex Toth inscribed and signed this page to his fellow cartoonist Frank Thorne, "Happy Wingovers to Frank Thorne from Alexander Toth."
Sal Trapani and Charles Paris Metamorpho #8 Splash Page 1 Original Art (DC, 1966). Doc Dread thinks he's so smart, zapping away Metamorpho's phony costume to reveal the Element Man below -- but we're guessing Rex has a trick or two up his gooey sleeve. This spectacular title splash page from the story, "Element Man, Public Enemy," is a model of Silver Age excitement. The overall image area measures 12" x 16". The page has some horizontal creasing and light warping, but is generally in Very Good condition. Don't miss this awesome splash from one of DC's more underrated titles. A copy of the printed comic is also included in this lot.
Irving Tripp Marge's Little Lulu #106 page 29 Original Art (Dell, 1957). Tubby and the gang make the mistake of putting Alvin out in the rain, in this wonderful page by Irving Tripp. Iggy, Willie, and Eddie co-star in this hysterical clubhouse moment. The image area measures 12.5" x 18", and is matted and framed to an overall size of 19.5" x 25.5". There is some light paper tanning; otherwise the condition is Very Good. From the John McLaughlin Collection.
George Tuska Captain Marvel Adventures #2 page 44 Original Art (Fawcett, 1941). "The Big Red Cheese" is showcased in every panel on this page by the great George Tuska. A superb example from one of the earliest issues of the popular, long-running series. Note that the art has 'Marvel One Shot #3" written at the top of the page; Special Edition Comics was considered the first issue at the time. The art has an image area of 13" x 18", and is in Very Good condition.
George Tuska Captain Marvel Adventures #2, page 45 Original Art (Fawcett, 1941). Captain Marvel sinks a ship full of thugs, leaving their fates in the hands of the ocean. George Tuska did a fine job on this beloved series. Note that the art has 'Marvel One Shot #3" written at the top of the page; Special Edition Comics was considered the first issue. The art has an image area of 13" x 18", and is in Very Good condition.
Boris Vallejo Atlan: The Atlan Saga Volume 3 Paperback Cover Painting Original Art (Pocket Books, 1979). This bodacious beauty was showcased on the cover scene for the third of Jane Gaskell's fantasy novels in the Atlan Saga. In that story, "Cija struggles to Save Atlan from invaders, and herself from bondage to a brutal master... Princess Cija has been forced to wed the invader, the evil man-serpent, Zerd... Cija flees his imprisoning castle, only to be discovered by her arch-rival, Sedili, Zerd's former wife. Forced into captive isolation, Cija must now await her fate at the hands of the jealous, vindictive woman..." This painting has an image area of 16" x 26", and the piece has been matted and framed to an overall size of 25" x 35". The art is in Excellent condition.
Boris Vallejo Fantasy Olympics: Discus Thrower Painting Original Art (1984). The Olympic sport of the discus throw is pictured as only Boris Vallejo could do it for his 1987 Fantasy Olympics calendar. This painting has an image area of 22" x 25", and it has been framed to an approximate overall size of 34" x 37". The art is in Excellent condition.
Boris Vallejo Diana and Actaeon Painting Original Art (1988). From Greek mythology: Diana, the Goddess of the Moon and the Hunt, was bathing in a forest spring when she was startled by Actaeon. Angered by this incident, Diana turned Actaeon into a creature, who was then was slain by his own dogs, since they no longer recognized their master. This beautiful work of art is painted in acrylics on board, with an image area of approximately 20" x 19.25", and is in Excellent condition.
Matt Wagner Batman and the Mad Monk #3 Cover Original Art (DC, 2006). Matt Wagner, creator of Grendel and Mage, illustrated this mini-series, starring the Caped Crusader, in 2006. The story expanded on events from the classic "Batman vs. the Vampire" story in Detective Comics #31 and 32. The sinister Mad Monk continues to ensnare Gotham, forcing Batman to hit the city's criminal underbelly in search of answers. Wagner turned in several beautiful ink wash covers for this series, complimenting the Dark Knight with aplomb. This piece has an image area of 10.5" x 15.75", and the art is in Excellent condition. This page was signed by Matt Wagner in its lower border. This lot also includes a copy of the comic book.
Matt Wagner Batman and the Mad Monk #3 Splash Page 11 Original Art (DC, 2006). The Dark Knight swings into action high above Gotham City in this dramatic splash by Matt Wagner. This is one of those perfect Batman pages that not only stands out from the book it appears in, but also serves as an excellent representation of the beloved DC character. The art has an image area of 10.5" x 15.75", and is in Excellent condition. This page was signed by Matt Wagner in the inset panel.
Bill Ward Master Comics #119 Captain Marvel Jr. pages 6 and 7 Original Art (Fawcett, 1950). Captain Marvel Jr. faces off against "The Man With No Fingerprints," in two excellent pages from this action-packed story by Bill Ward, best known for his girlie-art cartoons. Ward does a superb job of matching the Fawcett "house" style with clean ink lines that recall C. C. Beck and Pete Costanza. Cap Jr. appears in several panels, and the ape-like bad guy is doing evil deeds on both pages. The pages have an image area of 13" x 18" and, with only moderate use of white-out, and one text correction in the last panel of page 7, are in Very Good condition. Say the magic word, and these pages can be yours!
Bill Ward Men's Magazine Cartoon Illustration Original Art (undated). From the looks of things, it seems this survivor has had too much of a good thing! Bill Ward's way with a "good girl" illustration was usually to feature her with extremely large -- attributes. He certainly doesn't disappoint with this smoldering portrait of a luscious young woman on a desert island. The tribe has spoken! Pencil, ink, and opaque white on light brown paper, with an image area measuring approximately 16" x 22". This piece has been framed to an overall size of 21.5" x 28", and the art is in Excellent condition.
Paul Wenzel Walt Disney Company 1959-1960 Christmas Card Illustration Original Art (Disney, 1959-60). Here is the original art for Disney's 1959-1960 Christmas card, featuring some of Disney's most memorable characters sled riding in the mountains. Rendered in watercolor, the art is matted to an image area of 21" x 9.5", and it is in Excellent condition. Signed by Paul Wenzel at the lower right.
Paul Wenzel The Great Mouse Detective Poster Concept Illustration Original Art (Disney, 1986). Veteran Disney artist, Paul Wenzel, created this spectacular poster concept illustration for Disney's twenty sixth animated feature, The Great Mouse Detective. Rendered in mixed media on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition. Signed by Paul Wenzel at the lower right.
Doug Wildey Our Army at War #285 Sgt. Rock Splash Pages 2 and 3 Original Art (DC, 1975). Doug Wildey's talent for photo-realistic action-adventure cartooning shines in this superb double-page splash for "Bring Him Back." This pages have a combined image area of 21" x 15", and aside from some tape residue stains in the borders, the art is in Excellent condition.
George Wilson (attributed) Magnus, Robot Fighter #11 Cover Original Art (Gold Key, 1965). "Magnus invades the domain of the mastermind whose beasts of steel terrorize North Am." Before there was the Matrix, there was Magnus, Robot Fighter! With both apes and robots, this smashing Magnus cover is sure to be a collector's delight. This piece has an overall size of 15.25" x 18.25", and aside from two registration stickers on the left and right edges, the art is in Excellent condition.
Ron Wilson and Bob McLeod Hulk #13 pages 30 and 31 Original Art (Marvel, 1979). Everybody aboard seems pretty amazed, but carting a crashed airplane full of people up the side of the mountain is all in a day's work for the Incredible Hulk, as evidenced by this spectacular two-page splash from the magazine-format Hulk series. These pages have been extended with a second sheet of paper glued to the first, with the whole shebang joined together on the reverse. Aside from some tape residue and moderate white-out, these are in Very Good condition. Also included in this lot are various production pages, including the color guide.
Basil Wolverton Chuck Rawjors Try-out Comic Strip #7 Original Art (circa early 1930s). It's been said that Buck Rogers would not have been the huge hit it was with newspaper strip fans, had it come out a year later. The same time it debuted, a similar, but better drawn strip, Marco of Mars, was offered (and rejected) by young artist Basil Wolverton. Here's another Science Fiction-themed attempt by Wolverton, with more of a humorous slant to the storyline. Chuck Rawjors, with its similar-sounding title, was something of a parody of Buck Rogers, and a pretty funny one at that. The art is in india and white ink on bristol, with an image area measuring approximately 18" x 4". There is a light coffee stain that runs through the last panel, and the bristol is lightly tanned; otherwise, the art is in Excellent condition. This is a very rare opportunity to own a piece of art from the early career of Wolverton, a cartoonist known as much for his wildly detailed humor art (like "Lena the Hyena") as for his very collectible Science Fiction work (like his 1940s comic book feature, Spacehawk).
Basil Wolverton Batty Book Covers #5 Illustration Original Art (Topps, 1968). Meet Lena the Hyena's sultry sister! Basil Wolverton gained a reputation for creating portraits of the ugliest women imaginable... ugh -- who would want to imagine that? A better question might be "who would want that hanging on their wall?" Don't be surprised when the answer is lots and lots of Mad readers, as well as all the boys who grew up in the sixties when all those wild Topps cards and stickers drawn by Wolverton were available! This masterpiece of ink and pencil on board has an image area that measures approximately 8.5" x 12.5", matted and framed to an overall size of 14.5" x 18.25". Included is a Certificate of Authenticity proclaiming this as Authentic Topps memorabilia, originally purchased directly form the Topps Vault.
Tom Wood Billposters Illustration Original Art (Good Housekeeping, 1940). Donald Duck and a feisty poster-eating goat are the subject of this set of illustrations published in the April, 1940 issue of Good Housekeeping magazine. This set of five watercolor and ink illustrations were recently reprinted on page 235 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board, for an approximate size of 18" x 21", and is in Excellent condition.
Tom Wood Donald's Vacation Magazine Illustration Original Art (Good Housekeeping, 1940). Ranked among Tom Wood's finest Duck works, this Good Housekeeping adaptation of the Disney short, Donald's Vacation, is is some ways better than the original. This set of six watercolor and ink illustrations were recently reprinted on page 237 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board, for an approximate size of 17.75" x 22", and is in Excellent condition.
Tom Wood Window Cleaners Illustration Original Art (Good Housekeeping, 1940). Donald Duck's window washing business gets the business in this Tom Wood adaptation of the short film, Window Cleaners. This delightful set of ink and watercolor illustrations was published in Good Housekeeping magazine, and recently reprinted on page 245 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board to an image area of 18" x 23", and is in Excellent condition.
Wally Wood Shock SuspenStories #2 Cover Original Art (EC, 1952). This classic EC cover illustrates the legendary story, "The Patriots," which single-handedly kicked off the celebrated, socially relevant themes found in this title. As such, the importance of this cover can scarcely be overstated -- as comics historian Bhob Stewart has noted, "With 'The Patriots' the 'Shock SuspenStory' was born." This dramatically composed fight scene is peak Wally Wood, with the master's trademarked detail and rich inking. This cover has an image area of 13.5" x 19.25", and is missing only the issue number stat; otherwise, it is in Excellent condition. It's an absolutely fantastic example of why EC is considered the "gold standard of excellence" in comic art.
Wally Wood Mad #64 Complete 4-page Story Original Art (EC, 1961). This stunning four-page tale, "Bedtime Stories as Told by 'Job-Conscious' Fathers," by Wally Wood is exquisitely rendered in ink on Craftint paper. Each page has an image area of 16" x 20", and the art is in Very Good condition.
Wally Wood If Magazine V15 #9 September 1965, Science Fiction Illustration Original Art (Galaxy,1965). Here is a fantastic example of Wally Wood's sixties science fiction art, illustrating the Frederik Pohl story "Under Two Moons," from If magazine, September 1965. This piece is classic "Woody," with dramatic shadows, a menacing alien, and a typically lovely girl. This piece was drawn in ink with Zipatone on paper, and was signed by Wally Wood at the lower right. The artwork measures 11.5" x 14.5", and it is in Excellent condition.
Wally Wood Galaxy Science Fiction Magazine February 1966 Illustration Original Art (Galaxy, 1966). This illustration for the concluding installment of Frederick Pohl's "The Age of the Pussyfoot" has an image area of 7" x 9", and aside from yellowed Zipatone, the art is in Excellent condition.
Wally Wood "Butcher" Wanted Poster (Topps, 1967). Similar to Topps' wildly popular Wacky Packages were Wanted Posters, sold folded with a stick of gum in a wax pack. Here's the legendary Wally Wood's original art for the "Butcher" poster, along with a copy of the printed piece. The art, with an image area measuring approximately 9.25" x 8", is on a separate piece of bristol mounted to illustration board, along with all the original type elements, for an overall size of 11.5" x 20". Attached to the art is a tissue overlay, with an additional page glued on as a color guide. All pieces are in Excellent condition.
Wally Wood Spider Creature Pencil Sketch Original Art (1973). When it came to creating devilish yet whimsical creatures, Wally Wood was among the best, and this lively pencil sketch of a four-armed fiend is an outstanding example of "Woodwork." This Wolverton-esque drawing was printed in the 1973 fanzine Perigee. The piece has an overall size of 11" x 8.5", and the art is in Excellent condition.
Wally Wood Sally Forth Comic Strip #S76 Original Art (Wood and Richter, 1973). Humor, fantasy, and erotic art -- Sally Forth was Wally Wood's answer to his fellow Mad-men, Harvey Kurtzman and Will Elder's Little Annie Fanny. This episode was drawn on two boards, each with an image area measuring 16.5" x 10.25", and the art is in Excellent condition.
Wally Wood Sally Forth Comic Strip #S109 Original Art (Wood and Richter, 1973). Sally Forth, and Q. P. Dahl are saved by Snorky in this super-sexy Wally Wood satire -- it's a hum-dinger. This episode was drawn on two boards, each with an image area measuring 16.5" x 10.25", and the art is in Excellent condition.
Wally Wood Cannon Comic Strip #C121 Original Art (Wood and Richter, 1973). Cannon was an adventure strip designed for a newspaper distributed exclusively to military bases, and as a result this episode has plenty of gorgeous "good girl" art. Wally Wood drew a self-portrait in panels seven and ten. This strip was drawn on two boards, with a combined image are of 16.5" x 23.5", and aside from a few light glue stains, the art is in Excellent condition.
Bernie Wrightson Swamp Thing #10 page 13 Original Art (DC, 1974). Bernie Wrightson wrapped up his Swamp Thing run with this issue, which featured a big brawl between our anti-hero and Arcane. No cartoonist can capture the essence of horror quite like Wrightson, and this page would be considered by many fans as a "perfect" Wrightson piece. With two powerful creatures in battle, creepy minions lurking in the background, and multiple shots of cemetery headstones, this may be one of the finest examples ever delivered by the Master of the Macabre. This piece has an image area of 10" x 15", and outside of some minor tape residue in the borders, the art is in Excellent condition.
Bernie Wrightson Marvel Graphic Novel #22 Spider-Man: Hooky Splash Page 42 Original Art (Marvel, 1986). One of the biggest problems with powerful superheroes is dreaming up an opponent who is not only worthy, but actually seems dangerous. Spider-Man has his hands full with this imposing creature, expertly depicted by horror master Bernie Wrightson. This page from Marvel Graphic Novel #22 shows Spidey in some acrobatic follow-through action, and may be the best page from the book. This painted piece has an image area of 13" x 18". This page has minor whiteout along its border; otherwise, the art is in Excellent condition. This page was signed by Bernie Wrightson at the lower left, and it has been matted and framed to an overall size of 22" x 27". A copy of the book is included in this lot.
Bernie Wrightson Marvel Graphic Novel #22 Spider-Man: Hooky pages 46 and 47 Original Art (Marvel, 1986). And Spidey thought the Lizard was bad -- ol' Web-Head faces off with a ferocious dragon in this stunning masterpiece by Bernie Wrightson. This painted double-page splash is without a doubt the showcase piece from this book. The art has been mounted and framed, with an image area of 18" x 27.5", and is signed and inscribed, "To Tom," by Bernie Wrightson at the lower right.
Bernie Wrightson Marvel Graphic Novel #29 Incredible Hulk and the Thing: The Big Chance Splash Page 40 Original Art (Marvel, 1987). When it comes to drawing creatures, no one does it better than Bernie Wrightson. In this impressive splash page for the Marvel Graphic Novel #29 Hulk/Thing story, we're treated to twenty-six of Bernie's best... and that doesn't even include Hulk and Thing. Wrightson inked and painted this piece, which has an image area of 12" x 18", is in Excellent condition, and was signed by Bernie in the lower right. This piece has been matted and framed to an overall size of 20" x 26", and this lot also includes a copy of the book.
Rick Yager Buck Rogers Sunday Comic Strip #501 Original Art (John F. Dille Co., 1951). Buck avoids being blasted, and then helps find a sunken spaceship, in this episode of the long-running strip that helped popularize Science Fiction in America. The art is in ink on two joined pieces of board, with a combined image area of approximately 18.5" x 27", matted and framed to an overall size of 25" x 33.75". The art has a few light stains, mostly in the title logo stat, which also has a small corner missing; otherwise, it's in Excellent condition.
Chic Young The Second Blondie Daily Comic Strip Original Art, dated 9-16-30 (King Features Syndicate, 1930). The frivolous young Blondie Boopadoop gets grilled by her fiancee's father, Mr. Bumstead, in this super-early Blondie daily, the second strip appearance ever. The art is matted with an image area measuring 18" x 4" and is in Very Good condition.
Chic Young Blondie Daily Comic Strip Original Art, dated 3-28-31 (King Features Syndicate, 1931). Blondie's plan to live and work in New Zealand is driving Dagwood stark mad! This early Blondie daily has an image area measuring 18" x 4", and the art is in Excellent condition. Signed by Chic Young in the final panel.
Chic Young Blondie Sunday Comic Strip Original Art, dated 7-17-32 (King Features Syndicate, 1932). Blondie puts Hiho -- her other serious beau, besides Dagwood -- through the paces in this sharply drawn Sunday. The image area measures approximately 17" x 13.5". The art is in ink on two pieces of bristol, joined at the back with masking tape, with some minor staining below the image area and taped upper corners; Very Good condition.
Louis Zansky Classics Illustrated #17 The Deerslayer Complete 50-page Story Original Art (Gilberton, 1944). Louis Zansky captures all the thrilling action and romance of James Fenimore Cooper's famous novel, and his artistry shines in this epic adaptation. Each of the pages of this story has an approximate image area measuring 12" x 18", and aside from a few lettering and art corrections, all are in Very Good condition.
Mike Zeck Master of Kung Fu #78 Cover Original Art (Marvel, 1979). This action-packed cover image features the headline, "Moving Targets!," and showcases only the tenth cover appearance of Shang-Chi by Michael O. Zeck. This dramatic cover scene has an image area of 9.75" x 15", and aside from a sealed tear in the lower border (outside the image area) and a few light stains, the art is in Excellent condition. A copy of the comic book is included in this lot.
Animation Art
101 Dalmatians Production Cel with Hand-Painted Presentation Background Original Art (Walt Disney, 1961). This hand-painted production cel features Cruella De Vil. Matted to an image area of 14.5" x 10.5" and in Excellent condition.
Mary Blair Cinderella Animation Concept Painting Original Art (Disney, 1950). Cinderella dances with the Prince in a sparkling royal ballroom, in this concept sketch by Mary Blair. Rendered in tempera on heavy illustration board, the art has an image area measuring 9" x 7", and is in Excellent condition.
Mary Blair Cinderella Animation Concept Painting Original Art (Disney, 1950). A stepsister tries to entice Lucifer out of a royal bedroom in this colorful gem by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9.5" x 8". In Very Good condition.
Mary Blair Cinderella Animation Concept Painting Original Art (Disney, 1950). A carriage sits before a magnificent castle in this Mary Blair concept painting. Rendered in tempera on heavy illustration paper, the art has an image area of 10.25" x 8.5". In Very Good condition.
Mary Blair Alice in Wonderland Animation Concept Painting Original Art (Disney, 1951). This gorgeous hallucinogenic concept sketch was created by Mary Blair for Disney's thirteenth animated featured. Rendered in tempera on heavy illustration paper, the art has an image area of 8" x 6". In Very Good condition.
Mary Blair Peter Pan Animation Concept Painting Original Art (Disney, 1953). Peter Pan battles Captain Hook aboard his ship in this concept painting by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 7.5" x 6.5". In Very Good condition.
Preston Blair Swing Shift Cinderella Production Cel (MGM, 1945). Preston Blair's speciality was his incredibly sexy dancing girls, which director Tex Avery liked to put in as many of his cartoons (usually featuring a slick, big-city wolf) as he could. Here's his version of Cinderella, dancing and singing "Ain't You the One." This cel is prime Blair, with a red-hot Cindi showing her sweetest side! Ahhwooo! The image area measures approximately 11.5" x 8.5", matted and framed to an overall size of 19.25" x 16.25". The background is a photocopy. In Excellent condition.
Donald's Golf Game Animation Production Drawing Original Art (Disney, 1938). Donald plays havoc on the fairway in this original production drawing from the short, Donald's Golf Game. Rendered in graphite and red pencil on a sheet of animation paper. Framed and matted to a 6" x 8" image area, the work is in Very Good condition.
Eyvind Earle Sleeping Beauty Animation Concept Painting Original Art (Disney, 1959). In a furious magic flame, the Mistress of All Evil, Maleficent, makes her presence known in the royal court, in this Eyvind Earle concept sketch. Rendered in tempera on heavy illustration board, the art measures 12" x 6.25", and is in Excellent condition. Signed by Eyvind Earle on the bottom right.
Eyvind Earle Sleeping Beauty Animation Concept Painting Original Art (Disney, 1959). The wicked fairy Maleficent creeps along the tower of her forbidden castle, in this Eyvind Earle concept sketch. Rendered in tempera on heavy illustration board, the art measures 14" x 6.25", and is in Excellent condition. Signed by Eyvind Earle on the bottom right.
Eyvind Earle The Truth About Mother Goose Illustration Animation Art (Walt Disney, 1957). This illustration was used for the "London Bridge" segment of Disney's feature about the true stories behind popular fairy tales. The bridge is shown lined with shops and upstairs luxury apartments in this gorgeous gouache painting, which has an image area measuring approximately 23.5" x 11.75". The painting has been matted and framed to an overall size of 31" x 19.25", and is in Excellent condition. Signed by Eyvind Earle in the lower right portion of the painting.
Lady and the Tramp Animation Production Cel Set-Up Original Art (Disney, 1955). "Look at the skies, they have stars in their eyes, on this lovely bella notte." Tony and Joe serenade young lovers, Lady and Tramp, in this romantic cel set-up from Disney's fifteenth animated feature. The art is matted and framed with a 10" x 8.75" image area, and includes what appears to be a hand-painted background. In Excellent condition.
Peter Pan Captain Hook Animation Production Drawing Original Art (Disney, 1953). The ruthless Captain Hook looks suitably menacing in this production drawing from Disney's fourteenth animated feature film, Peter Pan. Rendered in graphite and red pencil on a sheet of animation paper. Framed and matted to a 7.5" x 9" image area, the work is in Very Good condition.
Pinocchio Animation Production Background Original Art (Disney, 1940). Exquisite watercolor background from Disney's second animated feature, Pinocchio. Gorgeously framed and matted to an 13.5" x 11" image area, and in Excellent condition.
Sleeping Beauty Animation Background Painting with Cel Set-Up Original Art (Disney, 1959). Flora, Merryweather, and Fauna float through this exquisite hand-painted background from Disney's sixteenth animated feature, Sleeping Beauty. The fairies have been cut out and mounted onto one cel which sits over this amazing background illustration of the royal throne room. Spectacularly framed and matted to an image area of 26.5" x 12" and in Excellent condition.
Sleeping Beauty Animation Concept Painting Original Art (Disney, 1959). Striking concept sketch of the evil Maleficent atop her castle, cursing the area with thorns from Disney's sixteenth animated feature. Rendered in tempera on heavy illustration board, the art has an image area measuring 9.5" x 7.5". In Very Good condition.
Snow White and the Seven Dwarfs Animation Production Cel Original Art (Disney, 1937). This dramatic animation production cel features the vain Queen standing in front of the Magic Mirror, with her evil eye visible in the reflection. The background is an original watercolor painting. A stunning cel from one of the most sought after animated features of all time! Matted with a 14.75" x 10.5" image area. There is some slight buckling to the cel; otherwise it is in Excellent condition.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). The Queen stands before her magic mirror in this original production drawing from the memorable "Mirror, mirror on the wall" sequence of Disney's first animated feature film. This is OPD #123, and it is rendered in graphite on a 12" x 9.5" sheet of animation paper. The paper has slight tanning, light wear and light striking; otherwise the condition is Very Good.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). This original production drawing features a lively image of Snow White. This is OPD #52, and it is rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper. The paper has slight tanning, and light creasing; otherwise the condition is Very Good.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art, Group of 2 (Disney, 1937). Two original production drawings, one features Snow White (OPD #25), and the other is of the Prince (OPD #23). Each drawing is rendered in red pencil on a 12" x 8.5" sheet of animation paper. The paper on each drawing has slight tanning, light wear and light striking; otherwise they average in Very Good condition.
Who Framed Roger Rabbit Production Cel Original Art (Disney, 1989). Roger Rabbit stars in this hand-painted original animation cel presented on a photographic print background. The cel measures 17" x 12.5" and is in Excellent condition. Includes a Certificate of Authenticity.
Who Framed Roger Rabbit Production Cel Set-Up Original Art (Disney, 1989). Toontown spills out into the real world in this hand-painted original animation cel set-up combined with photographic print backgrounds. The art is matted to an image area of measures 16.25" x 10.75" and is in Excellent condition. From the Sotheby's The Art of Roger Rabbit auction c. 1989. Includes a Certificate of Authenticity and an "The Art of Who Framed Roger Rabbit" seal.
Session 3
Golden Age (1938-1955)
Adventures of Rex the Wonder Dog #4 Davis Crippen ("D" Copy) pedigree (DC, 1952) CGC NM- 9.2 Off-white pages. Gil Kane cover. Carmine Infantino art. Overstreet 2008 NM- 9.2 value = $500. CGC census 10/08: 1 in 9.2, none higher.
Air Fighters Comics #6 (Hillman Fall, 1943) CGC FN- 5.5 Off-white pages. Japanese soldiers as rats cover. Bob Fujitani art. Overstreet 2008 FN 6.0 value = $456. CGC census 9/08: 1 in 5.5, 9 higher.
Amazing Adventure Funnies #1 (Centaur, 1940) CGC FN 6.0 Cream to off-white pages. Fantom of the Fair is featured. Overstreet 2008 FN 6.0 value = $516. CGC census 9/08: 1 in 6.0, 5 higher.
America's Funniest Comics #2 Carson City Pedigree (Wm. H. Wise & Co., 1944) CGC NM+ 9.6 Off-white to white pages. Last issue. Overstreet 2008 NM- 9.2 value = $375. CGC census 9/08: 1 in 9.6, none higher.
Animal Comics #1 File Copy (Dell, 1942) CGC FN/VF 7.0 Off-white to white pages. First appearance of Pogo. Wraparound cover. Walt Kelly cover and art. Overstreet 2008 FN 6.0 value = $291; VF 8.0 value = $606. CGC census 9/08: 2 in 7.0, 5 higher.
Atomic Comics #1 (Green Publishing Co., 1946) CGC VF 8.0 Cream to off-white pages. Radio Squad by Jerry Siegel and Joe Shuster. Barry O'Neal appearance. Cover swipe from Detective Comics #8. Overstreet 2008 VF 8.0 value = $731. CGC census 9/08: 6 in 8.0, 17 higher.
Batman #14 (DC, 1943) CGC FN+ 6.5 Off-white pages. Penguin appearance. Contains the war-time story "Swastika over the White House." Jerry Robinson cover and art. Bob Kane and Jack Burnley art. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,943. CGC census 10/08: 7 in 6.5, 19 higher.
Batman #21 (DC, 1944) CGC VF 8.0 White pages. Penguin appearance. Dick Sprang cover and art. Overstreet 2008 VF 8.0 value = $969. CGC census 10/08: 2 in 8.0, 9 higher.
Blonde Phantom #21 Davis Crippen ("D" Copy) pedigree (Timely, 1949) CGC VF/NM 9.0 Off-white to white pages. Charles Nicholas cover and art. Includes a Sub-Mariner story. Overstreet 2008 VF/NM 9.0 value = $807; NM- 9.2 value = $1,125. CGC census 10/08: 1 in 9.0, none higher.
Blondie Comics File Copies Box Lot (Harvey, 1950-65) Condition: Average VF. This full box lot includes high-grade copies of Blondie #16 (first Harvey issue), 17-20, 22, 23, 25-27, 29, 31, 36-41, 44, 46, 47, 49-53, 56-70, 72, 73, 77, 78, 81-84, 86-103, 105-121, and 125-163. Average grade is VF, with many grading higher. Approximate Overstreet value for group = $2,000.
Bob Colt #1 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Off-white pages. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $475. CGC census 9/08: 1 in 9.4, none higher.
Boy Commandos #5 (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. Joe Simon and Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $932; NM- 9.2 value = $1,300. CGC census 10/08: 1 in 9.0, 1 higher.
Boy Commandos #9 Hawkeye pedigree (DC, 1944) CGC NM- 9.2 Off-white to white pages. Simon and Kirby were never lacking for an original twist, and for this cover they even departed from their usual kinetic action, producing a war cover of powerful dramatic impact. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 2 in 9.2, 1 higher.
Boy Commandos #17 Davis Crippen ("D" Copy) pedigree (DC, 1946) CGC NM 9.4 Off-white pages. Sci-fi cover by Jack Kirby and Joe Simon. Kirby and Curt Swan art. Overstreet 2008 NM- 9.2 value = $475. CGC census 10/08: 2 in 9.4, none higher.
Boy Commandos #23 Davis Crippen ("D" Copy) pedigree (DC, 1947) CGC NM 9.4 Off-white to white pages Joe Simon and Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $420. CGC census 10/08: 2 in 9.4, none higher.
Bugs Bunny Puffed Rice Giveaway Group (Quaker, 1949). A nice grouping of Bugs Bunny Puffed Rice giveaways, including #A1-#A4 (all NM-) and #A5 (VG), #B1 (VF/NM), #B2 (NM-), #B3 (NM-), #B4 (VF-), #B5 (NM-), #C2 (NM-), and #C5 (VG). Approximate Overstreet value for Group = $800.
Captain America Comics #7 (Timely, 1941) CGC Apparent VF 8.0 Extensive (P) Off-white pages. Classic cover by Jack Kirby and Syd Shores. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced. (Right edge trimmed)." Overstreet 2008 GD 2.0 value = $686; VG 4.0 value = $1,372; FN 6.0 value = $2,058; VF 8.0 value = $4,800.
Captain Marvel Adventures #8 (Fawcett, 1942) CGC FN/VF 7.0 Cream to off-white pages. Origin and first appearance of Ibac. Overstreet 2008 FN 6.0 value = $363; VF 8.0 value = $756. CGC census 9/08: 1 in 7.0, 5 higher.
Captain Marvel Adventures #10 Crowley Copy pedigree (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. C. C. Beck cover. Overstreet 2008 VF 8.0 value = $756; VF/NM 9.0 value = $1,253. CGC census 9/08: 1 in 8.5, 4 higher.
Captain Marvel and the Lieutenants of Safety #nn (#3) (Fawcett, 1951) CGC VF+ 8.5 Off-white pages. "Danger Smashes Street Lights." A Gerber "scarce." Overstreet 2008 VF 8.0 value = $538; VF/NM 9.0 value = $894. CGC census 10/08: 1 in 8.5, 2 higher.
Captain Marvel Jr. #4 (Fawcett, 1943) CGC FN 6.0 Cream to off-white pages. Overstreet "classic" Mac Raboy cover. Captain Nippon and Sivana appearances. Overstreet 2008 FN 6.0 value = $351. CGC census 9/08: 1 in 6.0, 4 higher.
Captain Midnight #7 Crowley Copy pedigree (Fawcett, 1943) CGC NM 9.4 White pages. Japanese war cover. Overstreet 2008 NM- 9.2 value = $975. CGC census 9/08: 1 in 9.4, 1 higher.
Captain Midnight #8 Crowley Copy pedigree - File Copy (Fawcett, 1943) CGC NM- 9.2 Off-white pages. Overstreet 2008 NM- 9.2 value = $975. CGC census 9/08: 3 in 9.2, 1 higher.
Captain Midnight #23 Crowley pedigree (Fawcett, 1944) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 3 in 9.4, none higher.
Captain Midnight #24 Crowley pedigree (Fawcett, 1944) CGC NM- 9.2 Off-white pages. Japanese flag sunburst cover. Overstreet 2008 NM- 9.2 value = $675. CGC census 9/08: 1 in 9.2, 1 higher.
Captain Midnight #25 Crowley Copy/File Copy (Fawcett, 1944) CGC NM- 9.2 Off-white pages. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 2 in 9.2, none higher.
Captain Midnight #26 Crowley Copy/File Copy(Fawcett, 1944) CGC NM 9.4 Off-white pages. Contains Red Skye and Johnny Blair backup stories. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 2 in 9.4, 1 higher.
Captain Midnight #28 Crowley Copy/File Copy (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. Japanese war cover. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 1 in 9.2, 1 higher.
Captain Science #1 (Youthful Magazines, 1950) CGC VF 8.0 Off-white pages. Origin story. Contains two pages of text with photos of George Pal's "Destination Moon." Wally Wood art. Walter Johnson cover and art. Overstreet 2008 VF 8.0 value = $550. CGC census 10/08: 2 in 8.0, 4 higher.
Classic Comics #10 Robinson Crusoe - Original Edition (Gilberton, 1943) CGC VF 8.0 Cream to off-white pages. Violet cover (called 1A by Overstreet). Overstreet 2008 VF 8.0 value = $519. CGC census 9/08: 1 in 8.0, none higher.
Classic Comics #12 Rip Van Winkle - Original Edition (Gilberton, 1943) CGC VF/NM 9.0 Cream to off-white pages. Only copy graded above 6.5 to date. Overstreet 2008 VF/NM 9.0 value = $894; NM- 9.2 value = $1,250. CGC census 9/08: 1 in 9.0, none higher.
Classic Comics #14 Westward Ho - Original Edition - Davis Crippen ("D" Copy) pedigree (Gilberton, 1943) CGC VF+ 8.5 Off-white pages. This first edition has one of the highest Guide values of any Classics issue, due to the fact that #14 was published in five U.S. editions, none appearing after 1947, whereas most of the other early issues were still in print 20 years after that. Overstreet 2008 VF 8.0 value = $1,206; VF/NM 9.0 value = $2,003. CGC census 10/08: 1 in 8.5, 1 higher.
Comic Cavalcade #1-29 Group (DC, 1942-48). A complete run of all "superhero" issues! Includes #1 (VG-), #2 (Mutt and Jeff begin - GD+), #3 (Hop Harrigan and Sargon begin - FN-), #4 (Gay Ghost, King Scribbly, and Red Tornado appear - VG/FN), #5 (Christmas cover - VG+), 6 (GD), #7 (Red Tornado and Black Pirate appearances - FN/VF), 8 (VG+), #9 (Fat and Slat appear, Christmas cover - FN), 10 (GD+), 11 (GD), #12 (last Red, White, and Blue - VG-), #13 (Christmas cover - Solomon Grundy appearance - GD-), 14 (Apparent VG/FN, tape and glue on cover), 15 (VG+), 16 (FR), 17 (GD/VG), 18 (GD/VG), #19 (Christmas cover - FN), 20 (VG), 21 (GD), #22 (Johnny Peril begins - VG), 23 (GD-), #24 (Solomon Grundy appearance - VG/FN), #25 (Christmas cover, Black Canary appearance - GD), 26 (VG+), 27 (GD+), 28 (VG+), and 29 (GD, brittle). Approximate Overstreet value for group = $7,125.
Crackajack Funnies #3 (Dell, 1938) CGC VF+ 8.5 Off-white to white pages. Al McWilliams art. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 9/08: 1 in 8.5, 1 higher.
Crackajack Funnies #3 File Copy (Dell, 1938) CGC Apparent NM 9.4 Slight (P) Off-white pages. Al McWilliams art. CGC notes, "Restoration includes: tear seals to cover." Overstreet 2008 GD 2.0 value = $66; VG 4.0 value = $132; FN 6.0 value = $198; VF 8.0 value = $413; VF/NM 9.0 value = $682; NM- 9.2 value = $950.
Crackajack Funnies #4 File Copy (Dell, 1938) CGC VF/NM 9.0 Off-white to white pages. Only copy of #4 to be certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $503; NM- 9.2 value = $700. CGC census 9/08: 1 in 9.0, none higher.
Crackajack Funnies #5 File Copy (Dell, 1938) CGC VF/NM 9.0 Off-white pages. Nude woman on cover. Overstreet 2008 VF/NM 9.0 value = $521; NM- 9.2 value = $725. CGC census 9/08: 1 in 9.0, none higher.
Crackajack Funnies #6 File Copy (Dell, 1938) CGC NM- 9.2 Off-white pages. Al McWilliams art. Only copy of #6 to be certified by CGC to date. Overstreet 2008 NM- 9.2 value = $585. CGC census 9/08: 1 in 9.2, none higher.
Crackajack Funnies #7 File Copy (Dell, 1938) CGC VF/NM 9.0 Off-white to white pages. Overstreet 2008 VF/NM 9.0 value = $416; NM- 9.2 value = $575. CGC census 9/08: 1 in 9.0, 1 higher.
Crackajack Funnies #8 File Copy (Dell, 1939) CGC VF+ 8.5 Off-white pages. First appearance Speed Bolton. Only copy #8 to be certified by CGC to date. Overstreet 2008 VF 8.0 value = $256; VF/NM 9.0 value = $416. CGC census 9/08: 1 in 8.5, none higher.
Crackajack Funnies #10 File Copy (Dell, 1939) CGC NM+ 9.6 Off-white pages. Tom Mix, Red Ryder, and Don Winslow appear. Overstreet 2008 NM- 9.2 value = $585. CGC census 9/08: 2 in 9.6, none higher.
Crime Does Not Pay #22 (#1) (Lev Gleason, 1942) CGC FN- 5.5 Off-white pages. The most valuable crime comic book. Charles Biro cover. Bob Montana and Dick Briefer art. Says issue #23 on the cover. Considered "scarce" by Overstreet. Overstreet 2008 FN 6.0 value = $900. CGC census 9/08: 1 in 5.5, 5 higher.
Crime Does Not Pay #35 (Lev Gleason, 1944) CGC VF/NM 9.0 Off-white pages. Charles Biro cover. Rudy Palais and Dick Briefer art. Overstreet 2008 VF/NM 9.0 value = $383; NM- 9.2 value = $525. CGC census 9/08: 2 in 9.0, 2 higher.
Dagwood Splits the Atom Multiple File Copies Box Lot (King Features Syndicate, 1949) Condition: Average FN/VF. Full short box containing 178 Harvey File copies of the promotional comics. Half comic, half text. Popeye, Olive Oyl, Henry, Mandrake, Little King, and Katzenjammer Kids all appear. Grades vary widely, but the average is FN/VF, with many grading higher. Includes original mailing envelopes. Approximate Overstreet value for group = $7,000.
Dell Giant Comics - Pogo Parade #1 File Copy (Dell, 1953) CGC NM 9.4 Off-white pages. Pogo Parade. Walt Kelly cover and art. Overstreet 2008 NM- 9.2 value = $500. CGC census 9/08: 1 in 9.4, 1 higher.
Detective Comics #57 (DC, 1941) CGC FN+ 6.5 Off-white to white pages. Batman and Robin cover by Bob Kane. Art by Kane, Jerry Robinson, and George Roussos. Overstreet 2008 FN 6.0 value = $537; VF 8.0 value = $1,119. CGC census 9/08: 2 in 6.5; 6 higher.
Detective Comics #66 Rockford pedigree (DC, 1942) CGC Apparent FN+ 6.5 Slight (P) Off-white to white pages. Origin and first appearance of Two-Face. CGC notes, "Restoration includes: tear seals to cover, cover cleaned. (2 tape stains on spine of cover.)" Comes with the Rockford certificate of authenticity. Overstreet 2008 GD 2.0 value = $423; VG 4.0 value = $846; FN 6.0 value = $1,269.
Detective Comics #84 (DC, 1944) CGC VF 8.0 Off-white to white pages. Dick Sprang cover. Overstreet 2008 VF 8.0 value = $594. CGC census 10/08: 2 in 8.0, 2 higher.
Detective Comics #118 (DC, 1946) CGC VF- 7.5 Cream to off-white pages. Dick Sprang drew the Joker cover, while Howard Sherman illustrated the story. Curt Swan handled the art on the Boy Commandos feature. Overstreet 2008 VF 8.0 value = $681. CGC census 10/08: 5 in 7.5, 8 higher.
Detective Comics #211 (DC, 1954) CGC VF+ 8.5 Off-white pages. Win Mortimer Catwoman cover. Catwoman story. Dick Sprang and Joe Certa art. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 9/08: 3 in 8.5, none higher.
Platinum Age (1897-1937)
Donald Duck #978 (Whitman Publishing Co., 1935) Condition: VG/FN. The first comic ever devoted to Donald Duck. Linen-like pages. Overstreet 2008 VG 4.0 value = $600; FN 6.0 value = $900.
Golden Age (1938-1955)
The Durango Kid #8 Davis Crippen ("D" Copy) pedigree (Magazine Enterprises, 1949) CGC NM+ 9.6 Cream to off-white pages. Frank Frazetta art. Overstreet 2008 NM- 9.2 value = $200. CGC census 9/08: 1 in 9.6, none higher.
Exciting Comics #59 (Nedor Publications, 1948) CGC VF/NM 9.0 Off-white pages. Alex Schomburg airbrushed bondage cover. Frank Frazetta art done in Milton Caniff style. Overstreet 2008 VF/NM 9.0 value = $562; NM- 9.2 value = $785. CGC census 9/08: 2 in 9.0, 2 higher.
Extra! #4 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 Cream to off-white pages. Johnny Craig story, cover, and art. Reed Crandall and John Severin art. While CGC has certified this as from the Gaines Files, no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $210. CGC census 9/08: 2 in 9.6, none higher.
Platinum Age (1897-1937)
Feature Funnies #1 (Chesler, 1937) CGC FN 6.0 Cream to off-white pages. This issue featured the first comic book appearances of Mickey Finn and Dixie Dugan, along with a cover illustration of Joe Palooka by the venerable Rube Goldberg. Other strips appearing in this volume include the Bungle Family and Flossie. Overstreet 2008 FN 6.0 value = $966. CGC census 10/08: 2 in 6.0, 2 higher.
Golden Age (1938-1955)
Fight Comics #51 Davis Crippen ("D" Copy) pedigree (Fiction House, 1947) CGC NM- 9.2 Off-white to white pages Origin of Tiger girl. Joe Doolin cover and Matt Baker art. Overstreet 2008 NM- 9.2 value = $470. CGC census 10/08: 2 in 9.2, 2 higher.
Firehair Comics #1 Davis Crippen ("D" Copy) pedigree (Fiction House, 1948) CGC NM- 9.2 Off-white pages. Origin of Firehair. Overstreet 2008 NM- 9.2 value = $600. CGC census 10/08: 2 in 9.2, 2 higher.
First Love Illustrated File Copies Group (Harvey, 1949-63) Condition: Average VF. This almost-complete run of the title includes high-grade file copies of issues #2-4, 7-75, and 77-90. Artists include Jack Kirby, Bob Powell, and Joe Orlando. Some of the early issues have small tears to the covers, and #54 is VG. Approximate Overstreet value for group = $3,000.
First Romance File Copy Group (Harvey, 1949-58) Condition: Average FN/VF. An almost-complete run of the series that includes #1-5, 8-25, 29-39, 41, 42, 44, and 46-52. Artists include Jack Kirby and Bob Powell. While the average is FN/VF, a few grade as low as VG+ (but not the first three) and more grade as high as VF+. Approximate Overstreet value for group = $1,225.
Flash Comics #48 (DC, 1943) CGC Apparent NM/MT 9.8 Slight (P) White pages. This is the highest numerical grade we've ever offered for this book. CGC notes, "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $97; VG 4.0 value = $194; FN 6.0 value = $291; VF 8.0 value = $606; VF/NM 9.0 value = $1,003; NM- 9.2 value = $1,400.
Flash Comics #100 (DC, 1948) CGC FN+ 6.5 Off-white to white pages. Joe Kubert cover and art. Carmine Infantino art. Overstreet 2008 FN 6.0 value = $879; VF 8.0 value = $1,831. CGC census 10/08: 2 in 6.5, 8 higher.
Forbidden Worlds #4 White Mountain pedigree (ACG, 1952) CGC NM- 9.2 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $600. CGC census 10/08: 1 in 9.2, 1 higher.
Four Color #30 Bambi's Children - Davis Crippen ("D" Copy) pedigree (Dell, 1943) CGC VF 8.0 Off-white to white pages. The white front and back covers make this issue tough to find in high grade. The issue has art by Ken Hultgren, and adapts the children's story by Felix Salten. Overstreet 2008 VF 8.0 value = $352. CGC census 10/08: 1 in 8.0, 6 higher.
Four Color #71 Three Caballeros - Davis Crippen ("D" Copy) pedigree (Dell, 1945) CGC VF 8.0 Cream to off-white pages. Features art by Walt Kelly. This issue rates an "uncommon" on the Gerber scarcity index. Overstreet 2008 VF 8.0 value = $310. CGC census 10/08: 1 in 8.0, 5 higher.
Four Color #72 Raggedy Ann (Dell, 1945) CGC NM- 9.2 Off-white pages. Overstreet 2008 NM- 9.2 value = $460. CGC census 9/08: 1 in 9.2, none higher.
Four Color #87 Fairy Tale Parade - File Copy (Dell, 1945) CGC NM+ 9.6 Cream to off-white pages. Fairy Tale Parade. Dan Noonan cover. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $450. CGC census 9/08: 1 in 9.6, none higher.
Four Color #101 Terry and the Pirates - Davis Crippen ("D" Copy) pedigree (Dell, 1946) CGC NM 9.4 Cream to off-white pages. Last issue to carry the "Four Color" logo on the cover. Overstreet 2008 NM- 9.2 value = $425. CGC census 10/08: 1 in 9.4, 1 higher.
Four Color #114 Fairy Tale Parade - File Copy (Dell, 1946) CGC NM 9.4 Off-white pages. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $325. CGC census 9/08: 2 in 9.4, none higher.
Four Color #147 Donald Duck (Dell, 1947) CGC VF 8.0 Cream to off-white pages. Donald Duck in Volcano Valley. Carl Barks story and art. Overstreet 2008 VF 8.0 value = $816. CGC census 9/08: 6 in 8.0, 14 higher.
The Funnies #45 (Dell, 1940) CGC VF 8.0 Cream to off-white pages. Dell's first superhero, Phantasmo made his debut in this issue. A Gerber "uncommon" book. Overstreet 2008 VF 8.0 value = $569. CGC census 10/08: 1 in 8.0, 1 higher.
Gay Comics #26 Crowley Copy pedigree (Timely, 1947) CGC NM+ 9.6 Cream to off-white pages. "Good girl" cover art, with Basil Wolverton interior art. Next highest CGC grade is VF/NM 9.0. Overstreet 2008 NM- 9.2 value = $400. CGC census 9/08: 1 in 9.6, none higher.
Gene Autry Comics #3 (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. Overstreet 2008 VF 8.0 value = $569; VF/NM 9.0 value = $922. CGC census 10/08: 2 in 8.5, 1 higher.
Gene Autry Comics #11 (Dell, 1943) Condition: VF/NM. Continuation of Fawcett series. Photo back cover. Overstreet 2008 VF/NM 9.0 value = $622; NM- 9.2 value = $875.
Gene Autry Comics Group (Dell, 1948-55) Condition: Average VF/NM. Issues #18 (VF/NM), 21 (VG+), 22 (NM-), 28 (NM-), 34 (VF/NM), 36 (VF/NM), 44 (VF+), 63 (FN/VF), 68 (VF/NM), 70 (NM-), 73 (VF/NM), 75 (NM-), 76 (NM-), 92 (FN+), 93 (FN+), 94 (FN+), 95 (VF/NM), and 96 (VF/NM) are included here. Approximate Overstreet value for group = $1,400.
Giant Comics Edition #12 Diary Secrets (St. John, 1950) Condition: GD. The most valuable romance comic book. Overstreet notes the "(Matt) Baker prostitute cover." The book contains four St. John romance comics, bound into one issue, with Matt Baker art. This issue is part photo magazine. Overstreet 2008 GD 2.0 value = $172.
Green Hornet Comics #29 File Copy (Harvey, 1946) CGC NM- 9.2 Cream to off-white pages. Jerry Robinson cover and art. Bob Fujitani art. Overstreet 2008 NM- 9.2 value = $650. CGC census 10/08: 1 in 9.2, none higher.
Green Mask #1 (Fox Features Syndicate, 1940) CGC VG/FN 5.0 White pages. Origin of the Green Mask and Domino. Lou Fine cover art. Overstreet 2008 VG 4.0 value = $666; FN 6.0 value = $1,000. CGC census 10/08: 2 in 5.0, 7 higher.
Gunfighter #12 (EC, 1949) CGC NM- 9.2 Off-white to white pages. Graham Ingels cover. Ingels and Johnny Craig art. Becomes The Haunt of Fear #15 on. Overstreet 2008 NM- 9.2 value = $525. CGC census 10/08: 1 in 9.2, 1 higher.
Heroic Comics #17 File Copy (Eastern Color, 1943) CGC NM+ 9.6 Off-white pages. Robert Webster painted cover. H. G. Peter and Ben Thompson art. Rainbow Boy crossover in the Hydroman story. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 1 in 9.6, none higher.
Hi-School Romance File Copies Group (Harvey, 1949-63) Condition: Average VF. A set of high-grade file copies that includes Hi-School Romance #1-25 and 29-75; plus Hi-School Romance Date Book #1 and 3. Bob Powell, Matt Baker, and Jack Kirby art. Average grade is VF, with many grading higher. Approximate Overstreet value for group = $2,250.
House of Mystery #1 (DC, 1952) CGC FN 6.0 Off-white pages. First DC horror comic. Win Mortimer cover. Curt Swan and Bob Brown art. Overstreet 2008 FN 6.0 value = $723. CGC census 9/08: 3 in 6.0, 17 higher.
Howdy Doody #3 File Copy (Dell, 1950) CGC NM 9.4 Off-white pages. Photo cover. Overstreet 2008 NM- 9.2 value = $410. CGC census 9/08: 1 in 9.4, none higher.
The Human Torch #2 (#1) (Timely, 1940) CGC Apparent FN+ 6.5 Moderate (P) Off-white to white pages. One of the 20 most valuable Golden Age issues. Origin and first appearance of Toro. Cover by Alex Schomburg. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $3,000; VG 4.0 value = $6,000; FN 6.0 value = $9,000.
The Human Torch #3 (#2) (Timely, 1940) CGC Apparent FN- 5.5 Slight (P) Cream to off-white pages. Hitler appearance. Alex Schomburg cover. Bill Everett and Carl Burgos art. CGC notes, "Restoration includes: small amount of color touch on cover, cover cleaned, cover & centerfold reinforced." Overstreet 2008 GD 2.0 value = $543; VG 4.0 value = $1,086; FN 6.0 value = $1,629.
The Human Torch #7 (Timely, 1942) CGC VG+ 4.5 Cream to off-white pages. This Alex Schomburg cover is credited by Overstreet as being the first Japanese war cover. Contains a Sub-Mariner story. Overstreet 2008 VG 4.0 value = $580. CGC census 9/08: 1 in 4.5, 11 higher.
The Human Torch #14 (Timely, 1943) CGC FN+ 6.5 Cream to off-white pages. Alex Schomburg cover. The first time the Atlas globe is used. Sub-Mariner story. White Vampire appearance. CGC notes, "Centerfold detached." Overstreet 2008 FN 6.0 value = $642; VF 8.0 value = $1,338. CGC census 9/08: 2 in 6.5, 5 higher.
Jimmy Durante #1 (A-1 Comics #18) (Magazine Enterprises, 1948) CGC NM+ 9.6 White pages. Partial photo cover with surrounding art by Dick Ayers. Overstreet 2008 NM- 9.2 value = $580. CGC census 9/08: 1 in 9.6, none higher.
Jimmy Wakely #2 Hawkeye pedigree (DC, 1949) CGC NM 9.4 Off-white to white pages. Photo cover. Alex Toth, Irwin Hasen, Joe Giella, and Bernard Sachs art. Overstreet 2008 NM- 9.2 value = $500. CGC census 10/08: 2 in 9.4, none higher.
Jimmy Wakely #5 (DC, 1950) CGC NM+ 9.6 Off-white pages. Photo cover. Alex Toth and Joe Giella art. Overstreet 2008 NM- 9.2 value = $385. CGC census 10/08: 1 in 9.6, none higher.
Jimmy Wakely #6 Hawkeye pedigree (DC, 1950) CGC NM+ 9.6 Off-white to white pages. Photo cover. Alex Toth and Frank Frazetta art. Overstreet 2008 NM- 9.2 value = $575. CGC census 10/08: 1 in 9.6, none higher.
Jumbo Comics #44 (Fiction House, 1942) CGC VF/NM 9.0 Off-white pages. The only copy graded above 5.0 by CGC to date! Gorilla cover by Dan Zolnerowich. Overstreet 2008 VF/NM 9.0 value = $392; NM- 9.2 value = $540. CGC census 9/08: 1 in 9.0, none higher.
Jungle Jo #nn - Davis Crippen ("D" Copy) pedigree (Fox, 1950) CGC NM- 9.2 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $675. CGC census 10/08: 1 in 9.2, none higher.
Katy Keene Pin Up Parade #1 (Archie, 1955) CGC VF/NM 9.0 Off-white pages. Overstreet 2008 VF/NM 9.0 value = $521; NM- 9.2 value = $725. CGC census 10/08: 2 in 9.0, 1 higher.
Land of the Lost Comics #1 (EC, 1946) CGC NM 9.4 Cream to off-white pages. What a far cry from the typical EC comic book in 1953! In 1946 the publisher was an Educational Comic; it would become an Entertaining Comic in the next few years and push the limits of acceptable fare for children! Overstreet 2008 NM- 9.2 value = $485. CGC census 10/08: 1 in 9.4, 1 higher.
Lawbreakers Suspense Stories #11 (Charlton, 1953) CGC VG+ 4.5 Off-white to white pages. Severed tongues cover and story. Negligee cover and panels. Overstreet 2008 VG 4.0 value = $234. CGC census 9/08: 3 in 4.5, 11 higher.
Little Max File Copies Group (Harvey, 1950-61) Condition: Average VF. A set of high-grade file copies that includes issues #3 (Little Dot appearance, Joe Palooka cover), 5-29, 31, 32, 34-47, and 49-73 -- a near-complete run of the title. Average grade is VF, with many grading higher. Approximate Overstreet value for group = $1,900.
Lone Ranger #1 (Dell, 1948) CGC VF 8.0 White pages. The Lone Ranger, his horse Silver, his companion Tonto, and his horse Scout begin. Overstreet 2008 VF 8.0 value = $442. CGC census 10/08: 3 in 8.0, 8 higher.
Mad #1-23 Complete Comic Book Group (EC, 1952-55). It's been said that the most influential comic book to hit the stands in the 1950s was designed as a quick way for editor and writer Harvey Kurtzman to make a little extra pocket cash. Harvey's main gig was producing highly detailed War comics for EC titles like Two-Fisted Tales and Frontline Combat. Kurtzman figured a simple humor comic would only take up a small amount of time compared to the hours spent pouring through research books for a single Two-Fisted story. And so this modest little effort began -- but it soon took on a life of its own, one that would forever change how America viewed satirical comedy. It's hard to imagine Robert Crumb's Zap Comix, National Lampoon, Saturday Night Live, the movie Airplane! and its many sequels and knock-offs, even the legendary British television series Monty Python's Flying Circus, without Mad. Here are all 23 original comic book format issues, offered together as one lot. Values run from Good to Fine; #1 is VG+, with minor restoration, but the majority are solid, unrestored VG or better. Approximate Overstreet value for group = $3,500.
The Marvel Family #2 (Fawcett, 1946) CGC VF 8.0 Off-white pages. Appearances include the three Lt. Marvels and Uncle Marvel. Overstreet 2008 VF 8.0 value = $488. CGC census 10/08: 3 in 8.0, 10 higher.
Marvel Mystery Comics #12 (Timely, 1940) CGC FN- 5.5 Cream to off-white pages. Classic bondage cover by Jack Kirby, featuring the Angel. Overstreet 2008 FN 6.0 value = $1,269. CGC census 10/08: 3 in 5.5, 11 higher.
Marvel Mystery Comics #47 (Timely, 1943) CGC VG/FN 5.0 Cream to off-white pages. Alex Schomburg cover. Overstreet 2008 VG 4.0 value = $328; FN 6.0 value = $492. CGC census 10/08: 2 in 5.0, 11 higher.
Master Comics #18 (Fawcett, 1941) CGC VF/NM 9.0 Cream to off-white pages. Bulletman and Bulletgirl cover and story. Charles Sultan cover and art. George Tuska art. Mac Raboy art on the Bulletman story. Overstreet 2008 VF/NM 9.0 value = $1,038; NM- 9.2 value = $1,450. CGC census 10/08: 1 in 9.0, 1 higher.
Platinum Age (1897-1937)
Mickey Mouse Magazine Dairy Giveaway V2#9 (Walt Disney Productions, 1935) CGC VF+ 8.5 White pages. Another choice example of one of the toughest Mickey Mouse publications to track down, this July, 1935 issue was given away by the Ohio Clover Leaf Dairy. It currently remains the only copy of this issue to be graded by CGC. Overstreet 2008 VF 8.0 value = $310; VF/NM 9.0 value = $455. CGC census 10/08: 1 in 8.5, none higher.
Mickey Mouse Magazine V2#5 (K. K. Publications, Inc., 1937) Condition: VF/NM. This issue's so early, Goofy is still referred to as Dippy the Goof! The pages are supple, they're tan at the very edges but not brittle. There is some neatly written pencil in two places inside. Overstreet 2008 VF/NM 9.0 value = $537; NM- 9.2 value = $750.
Golden Age (1938-1955)
Military Comics #8 Pennsylvania pedigree (Quality, 1942) CGC VF/NM 9.0 White pages. Featuring Blackhawk. Chuck Cuidera cover. Overstreet 2008 VF/NM 9.0 value = $1,003; NM- 9.2 value = $1,400. CGC census 10/08: 1 in 9.0, 2 higher.
Military Comics #17 San Francisco pedigree (Quality, 1943) Condition: VF+. Reed Crandall cover. Overstreet 2008 VF 8.0 value = $388; VF/NM 9.0 value = $644.
Military Comics #27 San Francisco pedigree (Quality, 1944) Condition: VF/NM. Overstreet 2008 VF/NM 9.0 value = $537; NM- 9.2 value = $750. From the John McLaughlin Collection.
Military Comics #39 San Francisco pedigree (Quality, 1945) Condition: VF/NM. Overstreet 2008 VF/NM 9.0 value = $450; NM- 9.2 value = $625.
Miss America Magazine #2 (Timely, 1944) CGC VF- 7.5 Off-white to white pages. First appearance of Patsy Walker. Origin of Miss America. Ken Bald art. Photo cover. Overstreet 2008 VF 8.0 value = $850. CGC census 9/08: 2 in 7.5, 2 higher.
Mister Mystery #2 Davis Crippen ("D" Copy) pedigree (MR Publications, 1951) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $875. CGC census 10/08: 2 in 9.4, none higher.
Moon Girl #3 (EC, 1948) CGC VF/NM 9.0 Off-white pages. Santana, Queen of the Underworld returns. Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $513; NM- 9.2 value = $715. CGC census 9/08: 1 in 9.0, 2 higher.
New Book of Comics #2 (DC, 1938) CGC VG- 3.5 Light tan to off-white pages. Very early DC square bound annual starring Superman prototype Dr. Occult. CGC notes, "Large piece out on 36th and 37th page, affects story." Overstreet 2008 VG 4.0 value = $1,900. CGC census 10/08: 1 in 3.5, 7 higher.
New Funnies #72 (Dell, 1943) CGC NM 9.4 Cream to off-white pages. Overstreet 2008 NM- 9.2 value = $400. CGC census 9/08: 1 in 9.4, none higher.
Panic #3 Gaines File pedigree 4/12 (EC, 1954) CGC NM+ 9.6 White Pages. Joe Orlando story shows Old King Cole smoking (marijuana, by Overstreet's interpretation). Jack Davis, Wally Wood, and Bill Elder art. Overstreet 2008 NM- 9.2 value = $200. CGC census 9/08: 3 in 9.6, 2 higher.
Patsy Walker #5 Davis Crippen ("D" Copy) pedigree (Timely, 1946) CGC NM 9.4 Off-white to white pages. Injury-to-eye cover. Overstreet 2008 NM- 9.2 value = $320. CGC census 10/08: 2 in 9.4, none higher.
Phantom Lady #23 (Fox Features Syndicate, 1949) CGC FN- 5.5 Off-white to white pages. Bondage cover. Matt Baker and Jack Kamen art. Overstreet 2008 FN 6.0 value = $477. CGC census 9/08: 3 in 5.5, 4 higher.
Picture Stories From American History #2 Gaines File pedigree 8/11 (EC, 1946) CGC NM+ 9.6 Off-white pages. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 2 in 9.6, 1 higher.
Picture Stories From American History #3 Gaines File pedigree 7/11 (EC, 1947) CGC NM+ 9.6 Off-white to white pages. Allen Simon cover and art. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 2 in 9.6, 1 higher.
Picture Stories from the Bible Old Testament #2 Gaines File pedigree 3/12 (EC, 1946) CGC NM 9.4 Off-white to white pages. Last issue. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 4 in 9.4, none higher.
Picture Stories from the Bible #3 New Testament Vancouver pedigree (EC, 1946) CGC NM+ 9.6 White pages. Brilliant copy rivals the best copies known, even those from the Gaines Files. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 4 in 9.6, 1 higher.
Picture Stories from World History #1 Gaines File pedigree 3/11 (EC, 1947) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $375. CGC census 10/08: 3 in 9.4, none higher.
Piracy #2 Gaines File pedigree 7/12 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall cover. Crandall, Jack Davis, Wally Wood, and Al Williamson interior art. Overstreet 2008 NM- 9.2 value = $290. CGC census 9/08: 5 in 9.6, 1 higher.
Piracy #4 Gaines File pedigree 5/12 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall cover. Crandall, George Evans, Graham Ingels, and Bernie Krigstein art. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 4 in 9.6, none higher.
Planet Comics #46 Davis Crippen ("D" Copy) pedigree (Fiction House, 1947) CGC VF+ 8.5 Off-white pages. Overstreet 2008 VF 8.0 value = $400; VF/NM 9.0 value = $663. CGC census 10/08: 4 in 8.5, 4 higher.
Planet Comics #52 Davis Crippen ('D" Copy) pedigree (Fiction House, 1948) CGC VF+ 8.5 White pages. Joe Doolin cover art. Overstreet 2008 VF 8.0 value = $400; VF/NM 9.0 value = $663. CGC census 10/08: 4 in 8.5, 5 higher.
Planet Comics #53 (Fiction House, 1948) CGC VF+ 8.5 Off-white to white pages. Bondage cover by Joe Doolin. Doolin, Matt Baker, George Evans, and Maurice Whitman art. Cited in Seduction of the Innocent. Comes with certificate from The More Fun Collection. Overstreet 2008 VF 8.0 value = $400; VF/NM 9.0 value = $663. CGC census 9/08: 4 in 8.5, 5 higher.
Planet Comics #59 (Fiction House, 1949) CGC NM 9.4 White pages. Joe Doolin cover. Matt Baker art. Overstreet 2008 NM- 9.2 value = $925. CGC census 9/08: 3 in 9.4, 1 higher.
Plastic Man #3 (Quality, 1946) CGC VF+ 8.5 Off-white pages. Woozy Winks appearance. Jack Cole cover and art. Overstreet 2008 VF 8.0 value = $731; VF/NM 9.0 value = $1,216. CGC census 10/08: 2 in 8.5, 3 higher.
Pogo Possum #6 File Copy (Dell, 1951) CGC NM- 9.2 Off-white pages. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $350. CGC census 9/08: 2 in 9.2, none higher.
Pogo Possum #7 File Copy (Dell, 1951) CGC NM 9.4 Cream to off-white pages. Walt Kelly cover and art. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 1 in 9.4, none higher.
Police Comics #24 (Quality, 1943) CGC NM- 9.2 Off-white pages. Injury-to-eye cover by Jack Cole. The Spirit appears as does a Flatfoot Burns feature by Harvey Kurtzman. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 10/08: 1 in 9.2, none higher.
Police Comics #35 (Quality, 1944) CGC VF/NM 9.0 Off-white pages. Jack Cole's Plastic Man and Will Eisner's the Spirit star in this issue. The cover is credited to Cole. Overstreet 2008 VF/NM 9.0 value = $521; NM- 9.2 value = $725. CGC census 10/08: 4 in 9.0, 1 higher.
Red Ryder Comics File Copies Group (Dell, 1944-57) Condition: VF/NM. Here are Dell file copies of #22 (NM), 52, 91 (VF-), 117, 121, 122, 123, 126, 129, #130 (blank inside covers), 135, 138 (NM), 144 (VF-), 145, 146, 147, 148, and #151 (the last issue of the series). Approximate Overstreet value for group = $1,200.
Roy Rogers Comics File Copies Group (Dell, 1951-61) Condition: VF/NM. The beautiful copies included here average VF/NM, and there are some NM- and NM specimens in the bunch! Included here are #47, 50, 51, 53, 57, 62, 63, 66, 71, 79, and 80, plus Roy Rogers & Trigger #96, 97, 100, 108, 110, 115, 116, 117, 118, 128, 131, 132, 133, 137, 138, 140, 141, 143, 144, and 145. Approximate Overstreet value for group = $2,300.
Sad Sack Comics File Copies Box Lot (Harvey, 1953-82) Condition: Average VF. This full long box contains high-grade file copies of issues #22 (Sad Sack returns to the Army), 23-56, 58, 59, 66-70, 77-180, 185-200, 203-236, 238, 256, and 258-287 -- roughly three-quarters of the series! The average grade is VF, with many grading higher. Approximate Overstreet value for group = $3,000.
Saint #2 Davis Crippen ("D" Copy) pedigree (Avon, 1947) CGC VF/NM 9.0 Cream to off-white pages. Cover is by Allen Ulmer. Overstreet 2008 VF/NM 9.0 value = $389; NM- 9.2 value = $535. CGC census 10/08: 1 in 9.0, none higher.
Scribbly #1 Davis Crippen ("D" Copy) pedigree (DC, 1948) CGC FN/VF 7.0 Off-white to white pages. Sheldon Mayer story, cover, and art. Overstreet 2008 FN 6.0 value = $279; VF 8.0 value = $581. CGC census 9/08: 3 in 7.0, none higher.
Sensation Comics #20 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Only the Rockford copy has been graded higher than our offering to date. H. G. Peter cover and art. Overstreet 2008 VF 8.0 value = $625; VF/NM 9.0 value = $1,038. CGC census 10/08: 2 in 8.5, 1 higher.
Shadow Comics V4#2 Davis Crippen ("D" Copy) pedigree (Street & Smith, 1944) CGC VF/NM 9.0 Off-white to white pages. Severed head cover by Charles Coll. This is the only copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $466; NM- 9.2 value = $650. CGC census 10/08: 1 in 9.0, none higher.
Shadow Comics V6#3 Davis Crippen ("D" Copy) pedigree (Street & Smith, 1946) CGC NM- 9.2 Off-white pages. The only copy of this issue that CGC has certified to date. Overstreet 2008 NM- 9.2 value = $500. CGC census 10/08: 1 in 9.2, none higher.
Shock SuspenStories #11 Gaines File pedigree 8/11 (EC, 1953) CGC NM 9.4 White pages. Johnny Craig cover. Craig, Wally Wood, Reed Crandall, and Jack Kamen art. CGC has certified only one copy of issue #11 with a higher grade than this. Overstreet 2008 NM- 9.2 value = $475. CGC census 10/08: 4 in 9.4, 1 higher.
Smash Comics #26 (Quality, 1941) CGC NM- 9.2 Off-white pages. The only copy graded above 4.0 by CGC as of this writing. Overstreet 2008 NM- 9.2 value = $925. CGC census 10/08: 1 in 9.2, none higher.
Smash Comics #39 (Quality, 1943) CGC NM- 9.2 Off-white pages. Midnight stars in this issue. The cover is by Reed Crandall. Overstreet 2008 NM- 9.2 value = $700. CGC census 10/08: 2 in 9.2, none higher.
Smash Comics #42 (Quality, 1943) CGC VF/NM 9.0 Off-white to white pages. First comic book appearance of Lady Luck. The most sought-after issue of the later part of the title's run. Reed Crandall cover, featuring Midnight. Overstreet 2008 VF/NM 9.0 value = $1,360; NM- 9.2 value = $1,900. CGC census 10/08: 2 in 9.0, 1 higher.
Space Action #3 Davis Crippen ("D" Copy) pedigree (Ace, 1952) CGC VF/NM 9.0 Off-white pages. Lou Cameron art. Overstreet 2008 VF/NM 9.0 value = $529; NM- 9.2 value = $735. CGC census 10/08: 2 in 9.0, 1 higher.
Spaceman #1 Davis Crippen ("D" Copy) pedigree (Atlas, 1953) CGC VF 8.0 Off-white pages. Bill Everett grey tone cover. Joe Maneely and John Romita Sr. art. Overstreet 2008 VF 8.0 value = $425. CGC census 10/08: 1 in 8.0, 2 higher.
The Spirit Bilingual Newspaper Insert Group (Various Publishers, c. 1946-47) Condition: Average FN. Includes seven different rare sets of Spirit newspaper inserts that were used to aid in the learning of Spanish. Each has a Spanish version with a matching copy, in English. One additional Spanish edition has no English counterpart. These copies come from the Buffalo Press in New York and state "Original Edition" on the covers. All feature Will Eisner art. We had never seen these alternate language versions before. Not currently listed in Overstreet.
Spy Smasher #2 Crowley Copy pedigree - File Copy (Fawcett, 1941) CGC VF+ 8.5 Cream to off-white pages. Mac Raboy cover. Overstreet 2008 VF 8.0 value = $950; VF/NM 9.0 value = $1,575. CGC census 10/08: 1 in 8.5, 4 higher.
Startling Comics #31 Davis Crippen ("D" Copy) pedigree (Better Publications, 1945) CGC VF/NM 9.0 Off-white to white pages. Alex Schomburg cover. Overstreet 2008 VF/NM 9.0 value = $503; NM- 9.2 value = $700. CGC census 10/08: 1 in 9.0, 2 higher.
Startling Comics #46 (Better Publications, 1947) CGC VF+ 8.5 Cream to off-white pages. Classic Graham Ingels cover. Ingels art. Overstreet 2008 VF 8.0 value = $688; VF/NM 9.0 value = $1,144. CGC census 9/08: 3 in 8.5, 6 higher.
Strange Worlds #3 (Avon, 1951) CGC VF+ 8.5 White pages. Everett Raymond Kinstler cover. Kinstler, Frank Frazetta, Joe Orlando, and Wally Wood art. Overstreet 2008 VF 8.0 value = $1,425; VF/NM 9.0 value = $2,363. CGC census 10/08: 2 in 8.5, 6 higher.
Sub-Mariner Comics #34 (Atlas, 1954) CGC FN/VF 7.0 White pages. Namora appearance. Human Torch story. Bondage cover. Bill Everett and Dick Ayers art. Overstreet 2008 FN 6.0 value = $243; VF 8.0 value = $506. CGC census 9/08: 3 in 7.0, 9 higher.
Superboy #16 (DC, 1951) CGC VF 8.0 White pages. John Sikela and Win Mortimer cover. Sikela and Curt Swan art. Overstreet 2008 VF 8.0 value = $323. CGC census 9/08: 3 in 8.0, 2 higher.
Superman #5 (DC, 1940) CGC Apparent FN- 5.5 Slight (A) Off-white to white pages. Lex Luthor makes his fourth appearance (still with red hair). Joe Shuster and Wayne Boring provided art for this issue. CGC notes, "Restoration includes: small amount of glue on spine of cover (right edge of cover trimmed)." Overstreet 2008 GD 2.0 value = $497; VG 4.0 value = $994; FN 6.0 value = $1,491.
Superman #36 (DC, 1945) CGC VF 8.0 White pages. Mr. Mxyztplk appearance. Lois Lane cover by Wayne Boring. Ira Yarbrough art. Overstreet 2008 VF 8.0 value = $725. CGC census 10/08: 3 in 8.0, 7 higher.
Superman #37 (DC, 1945) Condition: VF+. Prankster appearance. Wayne Boring cover. Overstreet 2008 VF 8.0 value = $725; VF/NM 9.0 value = $1,200.
Superman #43 (DC, 1946) CGC VF+ 8.5 White pages. Lex Luthor appearance. Wayne Boring cover. Joe Shuster art. Overstreet 2008 VF 8.0 value = $581; VF/NM 9.0 value = $966. CGC census 10/08: 4 in 8.5, 4 higher.
Superman #44 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Toyman appearance. Wayne Boring cover. Ira Yarbrough art. Overstreet 2008 VF 8.0 value = $581. CGC census 10/08: 3 in 8.0, 6 higher.
Superman #53 (DC, 1948) CGC FN 6.0 Off-white pages. Origin of Superman retold. 10th Anniversary issue. Classic cover by Wayne Boring and Stan Kaye. Al Plastino art. Overstreet 2008 FN 6.0 value = $951. CGC census 9/08: 5 in 6.0, 21 higher. From the Williamsport Collection.
Superman #58 (DC, 1949) CGC VF+ 8.5 Cream to off-white pages. Tony Trix cover and story. His first appearance. Al Plastino cover and art. Wayne Boring art. Overstreet 2008 VF 8.0 value = $488; VF/NM 9.0 value = $807. CGC census 10/08: 2 in 8.5, none higher.
Superman #59 (DC, 1949) CGC VF+ 8.5 Cream to off-white pages. Mr. Mxyzptlk appearance. Wayne Boring cover and art. Al Plastino art. Overstreet 2008 VF 8.0 value = $488; VF/NM 9.0 value = $807. CGC census 10/08: 3 in 8.5, 2 higher.
Supersnipe Comics V2#7 Crowley pedigree (Street & Smith, 1945) CGC NM+ 9.6 Off-white pages. Overstreet 2008 NM- 9.2 value = $485. CGC census 9/08: 1 in 9.6, none higher.
Supersnipe Comics V3#2 Crowley pedigree (Street & Smith, 1946) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $400. CGC census 9/08: 1 in 9.4, none higher.
Superworld Comics #1 (Hugo Gernsback, 1940) CGC GD/VG 3.0 Cream to off-white pages. Rated "scarce" by both Overstreet and Gerber. The cover is by noted sci-fi pulp artist Frank R. Paul. First appearance of Hip Knox, Super Hypnotist. Other features were Mitey Powers, Buzz Allen, the Invisible Avenger, and Little Nemo. CGC notes, "4 pieces of tape on spine of cover & 1 on interior cover. Overstreet 2008 GD 2.0 value = $731; VG 4.0 value = $1,462. CGC census 9/08: 1 in 3.0, 5 higher.
Superworld Comics #1 (Hugo Gernsback, 1940) CGC Apparent GD 2.0 Slight (A) Off-white pages. Frank R. Paul sci-fi cover. Overstreet considers this book to be "scarce." CGC notes, "Restoration includes: moderate amount of color touch. (12 pieces of tape on cover, 6 on interior cover & 3 on centerfold." Overstreet 2008 GD 2.0 value = $731.
Suspense #1 (Atlas, 1949) CGC VF 8.0 Off-white pages. Peter Lorre and Sidney Greenstreet photo cover. Bob Powell art. Overstreet 2008 VF 8.0 value = $369. CGC census 9/08: 2 in 8.0, 1 higher.
Suspense Comics #11 (Continental Magazines, 1946) CGC FN- 5.5 Off-white to white pages. Classic devil cover by L. B. Cole. Maurice Whitman and Rudy Palais art. Overstreet 2008 FN 6.0 value = $900. CGC census 9/08: 3 in 5.5, 9 higher.
Tales From the Crypt #23 (EC, 1951) CGC NM 9.4 Off-white pages. What horror fan wouldn't want a NM specimen from EC's most famous and infamous series? Al Feldstein is the cover artist. Overstreet 2008 NM- 9.2 value = $985. CGC census 10/08: 3 in 9.4, 9 higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF- 7.5 Cream to off-white pages. These annuals, featuring re-bound comics from the previous year (the exact issues differ from copy to copy) are much sought-after because of their low initial distribution. Al Feldstein drew the torture cover featuring the Vault-Keeper, the Crypt-Keeper, and the Old Witch. Overstreet 2008 VF 8.0 value = $1,395. CGC census 9/08: 2 in 7.5, 12 higher.
Target Comics #5 (Novelty Press, 1940) CGC VG/FN 5.0 Off-white pages. Bill Everett and Basil Wolverton art. Overstreet 2008 VG 4.0 value = $888; FN 6.0 value = $1,332. CGC census 9/08: 2 in 5.0, 5 higher.
Tarzan File Copies Group (Dell and Gold Key, 1952-67) Condition: Average VF+. Issues #34, 38-46, 48, 51, 54, 80-82, 85-87, 89, 91, 93, 105, 162, 168, and 171 are included here. Grades range from FN/VF to VF/NM; the average is VF+. Approximate Overstreet value for group = $1,450.
Teen-Age Brides #1-30 File Copies Group (Harvey, 1953-58). Includes file copies of Teen-Age Brides #1-7; True Bride Experiences #8-16; and True Bride-to-Be Romances #17-30. Issues #1-16 grade an average of VF-; the rest grade an average of VF+. Approximate Overstreet value for group = $1,100.
The Thing! #3 (Charlton, 1952) CGC VF+ 8.5 Cream to off-white pages. Albert Tyler cover and art. Dick Giordano art. Overstreet 2008 VF 8.0 value = $363; VF/NM 9.0 value = $602. CGC census 9/08: 1 in 8.5, 3 higher.
Platinum Age (1897-1937)
Tim McCoy, Police Car 17 #674 (Whitman Publishing Co., 1934) Condition: FN/VF. Historically important book -- the first movie adaptation in comics, as well as being Western Publishing's first true comic book. Oversized 14.75" x 11". 2008 Overstreet FN 6.0 value = $300; VF 8.0 = $600. From the Don Vernon Collection.
Golden Age (1938-1955)
Tough Kid Squad Comics #1 (Timely, 1942) Condition: GD/VG. "Scarce" issue according to Overstreet. Origin and first appearance of the Tough Kid Squad. Syd Shores cover and art. Nice page quality. Overstreet 2008 GD 2.0 value = $954; VG 4.0 value = $1,908.
True Love Problems and Advice Illustrated File Copies Group (Harvey, 1949-58) Condition: Average VF. A set of high-grade file copies that includes issues #1, 3-20, 23 (VG+), 24-26, and 29-52 -- most of the series. (Title changes to Romance Stories of True Love with issue #45.) Art by Bob Powell, Lee Elias, Matt Baker, and Simon & Kirby. Average grade is VF, with many grading higher. Approximate Overstreet value for group = $1,300.
Two-Fisted Tales #19 (EC, 1951) CGC VF/NM 9.0 Off-white pages. Harvey Kurtzman cover and art. Johnny Craig, Wally Wood, and John Severin art. Overstreet 2008 VF/NM 9.0 value = $810; NM- 9.2 value = $1,100. CGC census 9/08: 1 in 9.0, 8 higher.
Venus #5 Davis Crippen ("D" Copy) pedigree (Atlas, 1949) CGC VF/NM 9.0 Off-white to white pages. One of just three CGC-certified copies of the issue. Overstreet 2008 VF/NM 9.0 value = $633; NM- 9.2 value = $885. CGC census 10/08: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #8 (Dell, 1941) CGC FN 6.0 Cream to off-white pages. Only Clarabelle Cow cover in the title. Overstreet 2008 FN 6.0 value = $435. CGC census 10/08: 2 in 6.0, 3 higher.
Walt Disney's Comics and Stories #23 (Dell, 1942) CGC VF 8.0 Off-white pages. Al Taliaferro cover. Overstreet 2008 VF 8.0 value = $431. CGC census 9/08: 2 in 8.0, 4 higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. Infinity cover by Carl Buettner. Carl Barks story and art. Overstreet 2008 VF 8.0 value = $819. CGC census 9/08: 4 in 7.5, 5 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC VF 8.0 Cream to off-white pages. Pretty copy of an issue that isn't often found in high grade. Walt Kelly's Gremlins begin, and Kelly provided the cover and interior artwork as well, as did Carl Barks and Floyd Gottfredson. Overstreet 2008 VF 8.0 value = $644. CGC census 10/08: 3 in 8.0, 3 higher.
Walt Disney's Comics and Stories #35 (Dell, 1943) CGC VF 8.0 Cream to off-white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2008 VF 8.0 value = $606. CGC census 9/08: 2 in 8.0, 4 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC VF 8.0 Off-white to white pages. Donald seems to forget he's actually a water fowl on this issue's eye-catching cover. Carl Barks did the art and story for the Donald story inside. Floyd Gottfredson art. Overstreet 2008 VF 8.0 value = $606. CGC census 9/08: 1 in 8.0, 5 higher.
Walt Disney's Comics and Stories #56 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Carl Barks art. Nazis appear in the Floyd Gottfredson Mickey Mouse story. Overstreet 2008 VF/NM 9.0 value = $381; NM- 9.2 value = $550. CGC census 9/08: 2 in 9.0, 2 higher.
Walt Disney's Comics and Stories #131 (Dell, 1951) CGC NM 9.4 Off-white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 10/08: 1 in 9.4, none higher.
Weird Fantasy #16 (EC, 1952) CGC NM- 9.2 Cream to off-white pages. Al Feldstein cover and art. Jack Kamen, Joe Orlando, Al Williamson, and Roy Krenkel art. CGC notes, " 'Al Feldstein' written on 1st page in pen." Overstreet 2008 NM- 9.2 value = $560. CGC census 9/08: 2 in 9.2, 5 higher.
Weird Science #13 (#2) Davis Crippen ("D" Copy) pedigree (EC, 1950) CGC VF- 7.5 Cream to off-white pages. Flying saucers over Washington cover/story, 2 years before the actual event. Al Feldstein cover art. Art by Feldstein, Harvey Kurtzman, Harry Harrison, and Jack Kamen. Overstreet 2008 VF 8.0 value = $728. CGC census 10/08: 2 in 7.5, 11 higher.
Weird Science #15 (#4) Davis Crippen ("D" Copy) pedigree (EC, 1950) CGC VF 8.0 Off-white pages. Al Feldstein cover. Art by Feldstein, Harvey Kurtzman, Jack Kamen, and Graham Ingels. Overstreet 2008 VF 8.0 value = $632. CGC census 10/08: 1 in 8.0, 9 higher.
Weird Science #5 Davis Crippen ("D" Copy) pedigree (EC, 1951) CGC NM- 9.2 Off-white pages. A-bomb cover by Al Feldstein. Art by Feldstein, Wally Wood, Harvey Kurtzman, and Jack Kamen. Overstreet 2008 NM- 9.2 value = $1,025. CGC census 10/08: 1 in 9.2, 7 higher.
Weird Science #8 (EC, 1951) CGC VF+ 8.5 Off-white pages. Al Feldstein cover. Feldstein, Wally Wood, Jack Kamen, and George Roussos art. Overstreet 2008 VF 8.0 value = $400; VF/NM 9.0 value = $625. CGC census 9/08: 2 in 8.5, 9 higher.
Wheaties Walt Disney Premium Comics Group (Walt Disney Productions, 1950-51) Condition: Average NM-. Here's a complete run of all four sets -- A, B, C, and D, each with eight different titles -- of those fondly remembered small-sized comics that were offered only by mail. The titles are: Set A, #1 Mickey Mouse and the Disappearing Island; #2 Grandma Duck, Homespun Detective; #3 Donald Duck and the Haunted Jewels; #4 Donald Duck and the Giant Ape; #5 Mickey Mouse, Roving Reporter; #6 Li'l Bad Wolf, Forest Ranger; #7 Goofy, Tightrope Acrobat; and Pluto and the Bogus Money. Set B, #1 Mickey Mouse and the Pharaoh's Curse; #2 Pluto, Canine Cowpoke (small piece out near upper spine); #3 Donald Duck and the Buccaneers (tiny piece loose near upper spine edge); #4 Mickey Mouse and the Mystery Sea Monster; #5 Li'l Bad Wolf in the Hollow Tree Hideout; #6 Donald Duck, Trail Blazer; #7 Goofy and the Gangsters; and #8 Donald Duck, Klondike Kid (small piece missing from top edge, right side). Set C, #1 Donald Duck, Inca Idol; #2 Mickey Mouse and the Magic Mountain; #3 Li'l Bad Wolf, Fire Fighter; #4 Gus and Jaq Save the Ship; #5 Donald Duck in the Lost Lakes; #6 Mickey Mouse and the Stagecoach Bandits; #7 Goofy, Big Game Hunter; and #8 Donald Duck, Deep Sea Diver. Set D, #1 Donald Duck in Indian Country; #2 Mickey Mouse and the Abandoned Mine; #3 Pluto and the Mysterious Package; #4 Brer Rabbit's Sunken Treasure; #5 Donald Duck, Mighty Mystic; #6 Mickey Mouse and the Medicine Man; #7 Li'l Bad Wolf and the Secrets of the Woods; and #8 Minnie Mouse, Girl Reporter. All are in Excellent, like-new condition, with the few exceptions listed; three or four have some very minor dust shadowing. Approximate Overstreet value for group = $2,000.
Wonder Woman #15 (DC, 1945) CGC VF+ 8.5 White pages. First appearance of Solo. H. G. Peter cover and art. Overstreet 2008 VF 8.0 value = $713; VF/NM 9.0 value = $1,182. CGC census 9/08: 2 in 8.5, 3 higher.
Wonderworld Comics #6 (Fox, 1939) CGC FN+ 6.5 Off-white to white pages. Best copy we've ever offered. Lou Fine, Will Eisner, and George Tuska art. Overstreet 2008 FN 6.0 value = $546; VF 8.0 value = $1,138. CGC census 10/08: 1 in 6.5, 1 higher.
World's Finest Comics #10 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Batman, Superman, Green Arrow, and the Boy Commandos appear. Bob Kane, Joe Simon, Jack Kirby, and Jerry Robinson art. Overstreet 2008 VF 8.0 value = $1,038; VF/NM 9.0 value = $1,719. CGC census 10/08: 2 in 8.5, 1 higher.
World's Finest Comics #11 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Joe Simon and Jack Kirby art. Jack Burnley and Jerry Robinson cover. Overstreet 2008 VF 8.0 value = $838; VF/NM 9.0 value = $1,394. CGC census 10/08: 4 in 8.5, 2 higher.
World's Finest Comics #12 (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. Hitler appearance. Jack Burnley cover. Dick Sprang art. Note that a small plastic stabilizing peg is loose inside the CGC holder, not affecting the comic itself or the integrity of the holder. Overstreet 2008 VF/NM 9.0 value = $1,394; NM- 9.2 value = $1,950. CGC census 10/08: 1 in 9.0, none higher.
World's Finest Comics #16 (DC, 1944) CGC VF+ 8.5 Off-white to white pages. Jack Burnley cover. Jerry Robinson art. Note that a small plastic stabilizing peg is loose inside the CGC holder, not affecting the comic itself or the integrity of the holder. Overstreet 2008 VF 8.0 value = $838; VF/NM 9.0 value = $1,394. CGC census 10/08: 4 in 8.5, 2 higher.
World's Finest Comics #17 (DC, 1945) CGC VF+ 8.5 White pages. Last cardboard cover issue. Jack Burnley cover. Dick Sprang art. Overstreet 2008 VF 8.0 value = $838; VF/NM 9.0 value = $1,394. CGC census 10/08: 3 in 8.5, 4 higher.
World's Finest Comics #24 (DC, 1946) CGC VF/NM 9.0 White pages. Jack Burnley cover and art. Win Mortimer and George Papp art. Overstreet 2008 VF/NM 9.0 value = $913; NM- 9.2 value = $1,275. CGC census 10/08: 1 in 9.0, 3 higher.
World's Finest Comics #28 (DC, 1947) CGC VF+ 8.5 Cream to off-white pages. Jack Burnley cover. Superman, Batman, Zatara, Green Arrow, and the Boy Commandos appear. Curt Swan art. Overstreet 2008 VF 8.0 value = $550; VF/NM 9.0 value = $913. CGC census 10/08: 3 in 8.5, 6 higher.
Yellowjacket Comics #6 Davis Crippen ("D" Copy) pedigree (Frank Comunale, 1945) CGC VF/NM 9.0 Cream to off-white pages. Publisher is a precursor of Charlton. Overstreet 2008 VF/NM 9.0 value = $484; NM- 9.2 value = $675. CGC census 10/08: 1 in 9.0, none higher.
Young Allies Comics #10 (Timely, 1943) CGC VF+ 8.5 Off-white to white pages. Alex Schomburg cover. Overstreet 2008 VF 8.0 value = $950; VF/NM 9.0 value = $1,575. CGC census 10/08: 1 in 8.5, 5 higher.
Adventures Into The Unknown #6 Mile High pedigree (ACG, 1949) CGC NM- 9.2 Off-white to white pages. Edvard Moritz cover. Overstreet 2008 NM- 9.2 value = $440. CGC census 9/08: 2 in 9.2, none higher.
Adventures Into The Unknown #19 Mile High pedigree (ACG, 1951) CGC NM- 9.2 Off-white to white pages. Ogden Whitney cover. Overstreet 2008 NM- 9.2 value = $360. CGC census 9/08: 2 in 9.2, none higher.
Airboy Comics V4#12 Mile High pedigree (Hillman Fall, 1948) CGC NM 9.4 Off-white to white pages. Arthur Peddy cover. Overstreet 2008 NM- 9.2 value = $295. CGC census 9/08: 1 in 9.4, none higher.
Airboy Comics V4#11 Mile High pedigree (Hillman Fall, 1947) CGC NM 9.4 Off-white to white pages. Dan Barry cover. Overstreet 2008 NM- 9.2 value = $330. CGC census 9/08: 1 in 9.4, none higher.
All Great Comics #14 (#12) Mile High pedigree (Fox Features Syndicate, 1947) CGC VF/NM 9.0 White pages. Considered "scarce" by Overstreet. Reprints Brenda Starr and Texas Slim stories. Overstreet 2008 VF/NM 9.0 value = $591; NM- 9.2 value = $825. CGC census 9/08: 1 in 9.0, none higher.
Buccaneers #19 Mile High pedigree (Quality, 1950) CGC VF/NM 9.0 Off-white pages. Reed Crandall art. Captain Daring and Black Roger begin runs. Overstreet 2008 VF/NM 9.0 value = $484; NM- 9.2 value = $675. CGC census 9/08: 2 in 9.0, none higher.
Captain Easy #15 Double Cover Mile High pedigree (Standard, 1949) CGC NM+ 9.6 Off-white pages. CGC notes, "Double Cover. 1st cover 9.2, interior cover 9.6." There's a minor one-inch crack on the back of the encapsulation, near the bottom, which does not compromise the security of the comic book. Overstreet 2008 NM- 9.2 value = $90. CGC census 10/08: 1 in 9.6, none higher.
Captain Midnight #53 Mile High pedigree (Fawcett, 1947) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $325. CGC census 10/08: 1 in 9.4, none higher.
Dale Evans Comics #9 Mile High pedigree (DC, 1950) CGC NM 9.4 Off-white to white pages. The only copy graded above 8.0. Overstreet 2008 NM- 9.2 value = $300. CGC census 9/08: 1 in 9.4, none higher.
Dale Evans Comics #10 Mile High pedigree (DC, 1950) CGC NM+ 9.6 Off-white to white pages. Photo cover. Alex Toth art. Overstreet 2008 NM- 9.2 value = $360. CGC census 9/08: 1 in 9.6, none higher.
Daredevil Comics #35 Mile High pedigree (Lev Gleason, 1946) CGC NM- 9.2 Off-white to white pages. Underwater cover. Charles Biro story and cover. Overstreet 2008 NM- 9.2 value = $385. CGC census 9/08: 2 in 9.2, none higher.
Doll Man #19 Mile High pedigree (Quality, 1948) CGC NM- 9.2 Off-white to white pages. The only copy graded above 7.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $550. CGC census 9/08: 1 in 9.2, none higher.
Doll Man #21 Mile High pedigree (Quality, 1949) CGC VF/NM 9.0 Off-white to white pages. Overstreet 2008 VF/NM 9.0 value = $322; NM- 9.2 value = $440. CGC census 10/08: 1 in 9.0, none higher.
Doll Man #23 Mile High pedigree (Quality, 1949) CGC VF 8.0 Off-white pages. Al Bryant cover. Overstreet 2008 VF 8.0 value = $204. CGC census 10/08: 1 in 8.0, none higher.
Doll Man #36 Mile High pedigree (Quality, 1951) CGC NM 9.4 White pages. Overstreet 2008 NM- 9.2 value = $400. CGC census 10/08: 1 in 9.4, none higher.
Fawcett Movie Comic #nn Dakota Lil - Mile High pedigree (Fawcett, 1949) CGC NM- 9.2 White pages. George Montgomery, Marie Windsor, and Rod Cameron photo cover. Overstreet 2008 NM- 9.2 value = $350. CGC census 10/08: 1 in 9.2, none higher.
Feature Films #3 The Eagle and the Hawk - Mile High pedigree (DC, 1950) CGC NM 9.4 White pages. Photo cover. Overstreet 2008 NM- 9.2 value = $950. CGC census 9/08: 2 in 9.4, none higher.
Fight Comics #54 Mile High pedigree (Fiction House, 1948) CGC NM- 9.2 Off-white to white pages. Joe Doolin cover. Overstreet 2008 NM- 9.2 value = $275. CGC census 10/08: 2 in 9.2, none higher.
Fight Comics #56 Mile High pedigree (Fiction House, 1948) CGC NM 9.4 Off-white to white pages. Joe Doolin cover. Overstreet 2008 NM- 9.2 value = $260. CGC census 10/08: 1 in 9.4, none higher.
Fight Comics #63 Mile High pedigree (Fiction House, 1949) CGC NM- 9.2 White pages. Jack Kamen cover and art. Overstreet 2008 NM- 9.2 value = $260. CGC census 10/08: 2 in 9.2, none higher.
4Most V5#3 Mile High pedigree (Novelty Press, 1946) CGC NM+ 9.6 White pages. Overstreet 2008 NM- 9.2 value = $115. CGC census 9/08: 1 in 9.6, none higher.
Golden Lad #4 Mile High pedigree (Spark Publications, 1946) CGC NM- 9.2 Off-white to white pages. Mort Meskin cover. Overstreet 2008 NM- 9.2 value = $360. CGC census 10/08: 2 in 9.2, none higher.
Headline Comics #16 Mile High pedigree (Prize, 1945) CGC NM 9.4 White pages. Origin and first appearance of Atomic Man. H. C. Kiefer cover featuring the Junior Rangers. Overstreet 2008 NM- 9.2 value = $340. CGC census 9/08: 1 in 9.4, none higher.
Hopalong Cassidy #3 Mile High pedigree (Fawcett, 1946) CGC NM- 9.2 White pages. Overstreet 2008 NM- 9.2 value = $475. CGC census 10/08: 1 in 9.2, none higher.
Ibis The Invincible #6 Mile High pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white to white pages. Kurt Schaffenberger cover. Overstreet 2008 NM- 9.2 value = $675. CGC census 9/08: 3 in 9.2, 1 higher.
Silver Age (1956-1969)
Jann of the Jungle #10 Mile High pedigree (Atlas, 1956) CGC NM- 9.2 White pages. Vince Colletta and Al Williamson cover. Overstreet 2008 NM- 9.2 value = $250. CGC census 10/08: 1 in 9.2, none higher.
Golden Age (1938-1955)
Jimmy Wakely #2 Mile High pedigree (DC, 1949) CGC NM 9.4 White pages. Photo cover. Overstreet 2008 NM- 9.2 value = $500. CGC census 9/08: 2 in 9.4, none higher.
Joker Comics #26 Mile High pedigree (Timely, 1947) CGC NM- 9.2 Off-white pages. Basil Wolverton and Harvey Kurtzman art. Overstreet 2008 NM- 9.2 value = $425. CGC census 9/08: 1 in 9.2, 1 higher.
Journey Into Fear #2 Mile High pedigree (Superior, 1951) CGC VF+ 8.5 White pages. Hanging panel. Overstreet 2008 VF 8.0 value = $281; VF/NM 9.0 value = $466. CGC census 9/08: 1 in 8.5, 1 higher.
Journey Into Fear #4 Mile High pedigree (Superior, 1951) CGC VF+ 8.5 White pages. The page quality one would expect from this superior pedigree. Overstreet 2008 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 9/08: 1 in 8.5, none higher.
Jungle Comics #118 Mile High pedigree (Fiction House, 1949) CGC NM- 9.2 White pages. Overstreet 2008 NM- 9.2 value = $235. CGC census 10/08: 1 in 9.2, 1 higher.
Lone Ranger #5 Mile High pedigree (Dell, 1948) CGC NM- 9.2 Off-white to white pages. The collection that just won't quit giving! Overstreet 2008 NM- 9.2 value = $385. CGC census 9/08: 2 in 9.2, 1 higher.
The Marvel Family #4 Mile High pedigree (Fawcett, 1946) CGC VF- 7.5 Off-white to white pages. Jack Binder art. Overstreet 2008 VF 8.0 value = $275. CGC census 9/08: 1 in 7.5, 6 higher.
Millie the Model #5 Mile High pedigree (Atlas/Marvel, 1947) CGC NM- 9.2 Off-white pages. Overstreet 2008 NM- 9.2 value = $365. CGC census 10/08: 1 in 9.2, none higher.
Millie the Model #6 Mile High pedigree (Atlas/Marvel, 1947) CGC NM+ 9.6 Off-white to white pages. Who doesn't love Marvel's favorite cutie? This is the only copy certified with a grade above 9.0 to date. Overstreet 2008 NM- 9.2 value = $365. CGC census 10/08: 1 in 9.6, none higher.
Millie the Model #8 Mile High pedigree (Atlas/Marvel, 1947) CGC NM 9.4 Off-white to white pages. This is the only copy of the issue to be certified by CGC to date, and as the Mile High representative, is probably the finest in existence. Harvey Kurtzman "Hey Look" feature. Overstreet 2008 NM- 9.2 value = $385. CGC census 9/08: 1 in 9.4, none higher.
Northwest Mounties #2 Mile High pedigree (St. John, 1949) CGC VF/NM 9.0 Off-white to white pages. Bob Lubbers cover. Matt Baker art. Overstreet 2008 VF/NM 9.0 value = $347; NM- 9.2 value = $475. CGC census 10/08: 2 in 9.0, none higher.
Outlaws #2 Mile High pedigree (D.S. Publishing, 1948) CGC VF/NM 9.0 White pages. Matt Baker and Graham Ingels art. Overstreet 2008 VF/NM 9.0 value = $308; NM- 9.2 value = $420. CGC census 10/08: 1 in 9.0, none higher.
Police Comics #96 Mile High pedigree (Quality, 1949) CGC NM 9.4 Off-white to white pages. Plastic Man is rendered by Jack Cole and The Spirit, by Will Eisner in the gorgeous Mile High copy. Overstreet 2008 NM- 9.2 value = $400. CGC census 10/08: 1 in 9.4, none higher.
Prize Comics #30 Mile High pedigree (Prize, 1943) CGC NM- 9.2 White pages. Featuring Yank and Doodle. Overstreet 2008 NM- 9.2 value = $450. CGC census 10/08: 1 in 9.2, none higher.
Punch Comics #17 Mile High pedigree (Chesler, 1946) CGC VF+ 8.5 Off-white to white pages. Gag cover. Overstreet 2008 VF 8.0 value = $256; VF/NM 9.0 value = $421. CGC census 9/08: 2 in 8.5, none higher.
Red Ryder Comics #18 Mile High pedigree (Dell, 1944) CGC VF/NM 9.0 White pages. Fred Harman cover and art. Overstreet 2008 VF/NM 9.0 value = $278; NM- 9.2 value = $400. CGC census 10/08: 2 in 9.0, 1 higher.
Red Ryder Comics #51 Mile High pedigree (Dell, 1947) CGC NM+ 9.6 White pages. Fred Harman cover art and photo on the back cover. Overstreet 2008 NM- 9.2 value = $130. CGC census 9/08: 1 in 9.6, none higher.
Red Ryder Comics #109 Mile High pedigree (Dell, 1952) CGC NM 9.4 White pages. Fred Harman cover. Overstreet 2008 NM- 9.2 value = $85. CGC census 9/08: 2 in 9.4, none higher.
Startling Terror Tales #10 (#1) Mile High pedigree (Star Publications, 1952) CGC VF- 7.5 Off-white pages. First issue of the title. L. B. Cole cover. Wally Wood and Jay Disbrow art. Overstreet 2008 VF 8.0 value = $463. CGC census 9/08: 3 in 7.5, 3 higher.
Strange Fantasy #3 Mile High pedigree (Farrell, 1952) CGC VF- 7.5 White pages. Pre-Code horror, plus Rulah story with name and outfit changed. Overstreet 2008 VF 8.0 value = $235. CGC census 10/08: 1 in 7.5, 1 higher.
Strange Suspense Stories #2 Mile High pedigree (Fawcett, 1952) CGC VF+ 8.5 White pages. Bernard Baily cover and art. Contains a George Evans horror story and art. Overstreet 2008 VF 8.0 value = $293; VF/NM 9.0 value = $484. CGC census 9/08: 1 in 8.5, 2 higher.
Taffy Comics #2 Mile High pedigree (Rural Home, 1945) CGC VF/NM 9.0 White pages. L. B. Cole cover featuring Hitler. Overstreet 2008 VF/NM 9.0 value = $272; NM- 9.2 value = $360. CGC census 10/08: 1 in 9.0, none higher.
Target Comics V9#1 Mile High pedigree (Novelty Press, 1948) CGC NM- 9.2 Off-white to white pages. L. B. Cole cover. CGC notes, "2-inch tear at centerfold." Overstreet 2008 NM- 9.2 value = $415. CGC census 9/08: 1 in 9.2, none higher.
Tim Holt #6 Mile High pedigree (Magazine Enterprises, 1949) CGC NM- 9.2 Off-white to white pages. First appearance of the Calico Kid. Overstreet 2008 NM- 9.2 value = $360. CGC census 10/08: 1 in 9.2, 1 higher.
Tomahawk #5 Mile High pedigree (DC, 1951) CGC NM 9.4 Off-white to white pages. Bruno Premiani cover. Overstreet 2008 NM- 9.2 value = $525. CGC census 9/08: 1 in 9.4, none higher.
Top Secrets #2 Mile High pedigree (Street & Smith, 1948) CGC NM 9.4 White pages. Bob Powell cover and art. Overstreet 2008 NM- 9.2 value = $300. CGC census 10/08: 1 in 9.4, none higher.
Top Secrets #3 Mile High pedigree (Street & Smith, 1948) CGC NM- 9.2 White pages. Overstreet 2008 NM- 9.2 value = $275. CGC census 10/08: 1 in 9.2, none higher.
Trail Colt #2 Mile High pedigree (Magazine Enterprises, 1949) CGC NM- 9.2 Off-white to white pages. Aka A-1 Comics #26. Graham Ingels cover. Overstreet 2008 NM- 9.2 value = $385. CGC census 9/08: 1 in 9.2, none higher.
Voodoo #5 Mile High pedigree (Farrell, 1953) CGC VF- 7.5 Off-white pages. Nazi death camp story (flaying alive). Overstreet 2008 VF 8.0 value = $197. CGC census 10/08: 3 in 7.5, 2 higher.
Voodoo #16 Mile High pedigree (Farrell, 1954) CGC VF 8.0 White pages. First time we've offered this issue. Overstreet 2008 VF 8.0 value = $275. CGC census 10/08: 1 in 8.0, none higher.
Wambi the Jungle Boy #7 Mile High pedigree (Fiction House, 1950) CGC NM+ 9.6 White pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 10/08: 1 in 9.6, none higher.
Wambi the Jungle Boy #10 Mile High pedigree (Fiction House, 1950) CGC NM- 9.2 White pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 10/08: 1 in 9.2, none higher.
Web of Mystery #5 Mile High pedigree (Ace, 1951) CGC NM- 9.2 White pages. Overstreet 2008 NM- 9.2 value = $350. CGC census 10/08: 1 in 9.2, none higher.
Whiz Comics #70 Mile High pedigree (Fawcett, 1946) CGC NM- 9.2 White pages. C. C. Beck cover. Overstreet 2008 NM- 9.2 value = $340. CGC census 10/08: 1 in 9.2, none higher.
Whiz Comics #90 Mile High pedigree (Fawcett, 1947) CGC NM 9.4 White pages. Overstreet 2008 NM- 9.2 value = $320. CGC census 10/08: 1 in 9.4, none higher.
Whiz Comics #92 Mile High pedigree (Fawcett, 1947) CGC NM 9.4 White pages. Pete Costanza cover. Overstreet 2008 NM- 9.2 value = $320. CGC census 10/08: 2 in 9.4, none higher.
Silver Age (1956-1969)
Action Comics #234 (DC, 1957) CGC VF/NM 9.0 White pages. Curt Swan cover. Wayne Boring art. Overstreet 2008 VF/NM 9.0 value = $392; NM- 9.2 value = $540. CGC census 9/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #269 (DC, 1960) CGC NM 9.4 Off-white to white pages. Lori Lemaris appearance. First appearance of Jerro. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $260. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #295 (DC, 1962) CGC NM 9.4 White pages. Superman Revenge Squad, Lex Luthor, and Lori Lemaris appear. Curt Swan cover. Overstreet 2008 NM- 9.2 value = $180. CGC census 9/08: 4 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #301 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. Comet appearance in Supergirl story. Curt Swan cover. Jim Mooney art. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #302 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. Comet appearance in Supergirl story. Curt Swan cover. Jim Mooney art. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #309 (DC, 1964) CGC NM 9.4 Off-white to white pages. Legion appearance. Batman and Robin cameo. JFK appearance (four weeks after his assassination). Overstreet 2008 NM- 9.2 value = $135. CGC census 9/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Adventure Comics #227 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover and art. George Papp and Ramona Fradon art. Overstreet 2008 VF/NM 9.0 value = $293; NM- 9.2 value = $400. CGC census 9/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Adventure Comics #254 (DC, 1958) CGC NM 9.4 Off-white pages. Curt Swan cover. Jack Kirby, George Papp, and Ramona Fradon art. Overstreet 2008 NM- 9.2 value = $335. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #280 (DC, 1961) CGC NM 9.4 White pages. First meeting between Lori Lemaris and Superboy. Curt Swan cover and art. Ramona Fradon art. Overstreet 2008 NM- 9.2 value = $210. CGC census 9/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #281 (DC, 1961) CGC NM 9.4 White pages. Curt Swan cover. Al Plastino art. Overstreet 2008 NM- 9.2 value = $195. CGC census 9/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #283 (DC, 1961) CGC NM 9.4 Off-white pages. First Phantom Zone. First appearance of Dr. Xadu and General Zod. Last Congorilla backup story. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $325. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #296 (DC, 1962) CGC NM+ 9.6 White pages. George Washington, Paul Revere, and Benjamin Franklin appearances. Curt Swan cover. John Forte art. Overstreet 2008 NM- 9.2 value = $180. CGC census 9/08: 2 in 9.6, none higher. From the David N. Toth Collection.
The Amazing Spider-Man #13 (Marvel, 1964) CGC VF- 7.5 Cream to off-white pages. First appearance and origin of Mysterio. Steve Ditko cover and art. Overstreet 2008 VF 8.0 value = $850. CGC census 9/08: 35 in 7.5, 120 higher. From the Capital City Collection.
The Amazing Spider-Man #15 (Marvel, 1964) CGC VF 8.0 Cream to off-white pages. First appearance of Kraven the Hunter. Second appearance of the Chameleon. First mention of Mary Jane Watson. Steve Ditko cover and art. Overstreet 2008 VF 8.0 value = $680. CGC census 10/08: 45 in 8.0, 99 higher. From the Capital City Collection.
The Amazing Spider-Man #18 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. First appearance of Ned Leeds (who becomes the Hobgoblin). Cameos by Fantastic Four, Daredevil, and the Avengers. Third appearance of the Sandman. Cover and interior art by Steve Ditko. Overstreet 2008 VF/NM 9.0 value = $725; NM- 9.2 value = $1,050. CGC census 10/08: 40 in 9.0, 57 higher. From the Capital City Collection.
The Amazing Spider-Man #19 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. The Sandman and the Enforcers appear. Human Torch crossover. Steve Ditko cover and art. Overstreet 2008 VF/NM 9.0 value = $550; NM- 9.2 value = $800. CGC census 10/08: 53 in 9.0, 82 higher. From the Capital City Collection.
The Amazing Spider-Man #25 (Marvel, 1965) CGC NM- 9.2 Off-white pages. First appearance of Mary Jane Watson (face not shown). First appearance of Professor Spencer Smythe and his Spider Slayer. Norman Osborn appearance. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 32 in 9.2, 18 higher. From the Capital City Collection.
The Amazing Spider-Man #26 (Marvel, 1965) CGC NM- 9.2 Off-white pages. Fourth appearance of the Green Goblin. First appearance of Patch and Crime Master. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $825. CGC census 10/08: 19 in 9.2, 19 higher. From the Capital City Collection.
The Amazing Spider-Man #29 (Marvel, 1965) CGC VF/NM 9.0 Off-white pages. Underwater cover featuring the Scorpion (his second appearance). Steve Ditko cover and art. Overstreet 2008 VF/NM 9.0 value = $330; NM- 9.2 value = $475. CGC census 10/08: 25 in 9.0, 45 higher. From the Capital City Collection.
The Amazing Spider-Man #30 (Marvel, 1965) CGC VF/NM 9.0 Off-white to white pages. Spider-Man battles the Cat. Steve Ditko cover and art. Overstreet 2008 VF/NM 9.0 value = $330; NM- 9.2 value = $475. CGC census 10/08: 56 in 9.0, 81 higher. From the Capital City Collection.
The Amazing Spider-Man #31 (Marvel, 1965) CGC VF/NM 9.0 White pages. First appearances of Harry Osborn, Gwen Stacy, and Professor Miles Warren. Steve Ditko cover and art. Overstreet 2008 VF/NM 9.0 value = $429; NM- 9.2 value = $625. CGC census 9/08: 37 in 9.0, 37 higher.
The Amazing Spider-Man #34 (Marvel, 1966) CGC VF/NM 9.0 White pages. Fourth appearance of Kraven the Hunter. Steve Ditko cover and art. Overstreet 2008 VF/NM 9.0 value = $295; NM- 9.2 value = $425. CGC census 9/08: 43 in 9.0, 73 higher.
The Amazing Spider-Man #37 (Marvel, 1966) CGC VF/NM 9.0 White pages. First appearance of Norman Osborn. First appearance of Professor Stromm. Spidey tracks his Spider-Tracer using his Spider-Sense for the first time. Steve Ditko robot cover and art. Overstreet 2008 VF/NM 9.0 value = $295; NM- 9.2 value = $425. CGC census 9/08: 41 in 9.0, 59 higher.
The Amazing Spider-Man #39 (Marvel, 1966) CGC VF/NM 9.0 Off-white pages. Green Goblin cover story. The Goblin's identity is revealed as Norman Osborn. John Romita Sr. art begins. Overstreet 2008 VF/NM 9.0 value = $445; NM- 9.2 value = $650. CGC census 10/08: 60 in 9.0, 81 higher. From the Capital City Collection.
The Amazing Spider-Man #41 (Marvel, 1966) CGC NM- 9.2 Off-white pages. First appearance of the Rhino. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $600. CGC census 10/08: 27 in 9.2, 37 higher. From the Capital City Collection.
The Amazing Spider-Man #47 (Marvel, 1967) CGC NM 9.4 Off-white pages. Kraven the Hunter appears. Harry and Norman Osborn appearances. Green Goblin cameo. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 10/08: 50 in 9.4, 24 higher. From the Capital City Collection.
The Amazing Spider-Man #49 (Marvel, 1967) CGC NM 9.4 White pages. Kraven the Hunter and the Vulture appear. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 9/08: 24 in 9.4, 13 higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #102 (Marvel, 1971) CGC NM 9.4 Off-white to white pages. Origin and second appearance of Morbius. The Lizard also appears. Gil Kane cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 9/08: 51 in 9.4, 15 higher. From the Capital City Collection.
Modern Age (1980-Present)
The Amazing Spider-Man #238 (Marvel, 1983) CGC NM/MT 9.8 White pages. First appearance of the Hobgoblin. Cover and art by John Romita Sr. and John Romita Jr. Overstreet 2008 NM- 9.2 value = $105. CGC census 9/08: 63 in 9.8, 1 higher.
Silver Age (1956-1969)
The Atom #6 (DC, 1963) CGC NM 9.4 White pages. Another extra-pretty copy from the Toth Collection. Featured is the second Time Pool story, with story art by Gil Kane and Murphy Anderson. Kane did the cover. Overstreet 2008 NM- 9.2 value = $215. CGC census 9/08: 3 in 9.4, 1 higher. From the David N. Toth Collection.
The Atom #12 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Edgar Allen Poe "Time Pool" story. Murphy Anderson and Gil Kane cover. Kane art. Overstreet 2008 NM- 9.2 value = $160. CGC census 10/08: 2 in 9.6, none higher. From the David N. Toth Collection.
The Avengers #7 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Jack Kirby art. Rick Jones appears in Bucky's costume. Overstreet 2008 NM- 9.2 value = $575. CGC census 9/08: 11 in 9.2, 10 higher. From the Capital City Collection.
The Avengers #16 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. New Avengers lineup (Captain America, Hawkeye, Quicksilver, and the Scarlet Witch) begins. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $360. CGC census 9/08: 11 in 9.2, 8 higher. From the Capital City Collection.
The Avengers #23 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Kang appearance. Overstreet 2008 NM- 9.2 value = $105. CGC census 9/08: 11 in 9.4, 7 higher. From the Capital City Collection.
Bronze Age (1970-1979)
Batman #244 (DC, 1972) CGC NM+ 9.6 White pages. Ra's Al Ghul and Talia appearance. Robin backup story. Neal Adams cover and art. Irv Novick and Dick Giordano art. Overstreet 2008 NM- 9.2 value = $90. CGC census 9/08: 20 in 9.6, 2 higher.
Batman #251 (DC, 1973) CGC NM+ 9.6 Off-white to white pages. Classic Joker cover by Neal Adams. Adams art. Overstreet 2008 NM- 9.2 value = $120. CGC census 9/08: 28 in 9.6, 1 higher.
Silver Age (1956-1969)
The Brave and the Bold #12 Silent Knight, Viking Prince, and Robin Hood (DC, 1957) CGC VF/NM 9.0 Off-white pages. Appearances include Silent Knight, Robin Hood, and Viking Prince. Irv Novick cover and art. Joe Kubert and Russ Heath art. Overstreet 2008 VF/NM 9.0 value = $482; NM- 9.2 value = $700. CGC census 10/08: 2 in 9.0, none higher.
The Brave and the Bold #55 Metal Men and the Atom - Slobodian pedigree (DC, 1964) CGC NM+ 9.6 White pages. Ramona Fradon cover and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 2 in 9.6, none higher.
The Brave and the Bold #68 Batman and Metamorpho - Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. Riddler, Joker, and Penguin appear. Overstreet 2008 NM- 9.2 value = $135. CGC census 10/08: 8 in 9.6, none higher.
Bronze Age (1970-1979)
Conan the Barbarian #1 (Marvel, 1970) CGC NM- 9.2 Off-white to white pages. Origin and first comic book appearance of Conan. First appearance of King Kull in cameo. Barry Smith cover and art. Overstreet 2008 NM- 9.2 value = $375. CGC census 9/08: 127 in 9.2, 200 higher.
Silver Age (1956-1969)
Daredevil #1 (Marvel, 1964) CGC FN+ 6.5 Off-white pages. The origin and first appearance of Daredevil (Matt Murdock) and the first appearances of Karen Page and Foggy Nelson. Jack Kirby and Bill Everett cover. Overstreet 2008 FN 6.0 value = $750; VF 8.0 value = $2,188. CGC census 9/08: 69 in 6.5, 293 higher.
Daredevil #1 (Marvel, 1964) CGC Apparent VF/NM 9.0 Slight (A) Off-white pages. The origin and first appearance of Daredevil (Matt Murdock) and the first appearances of Karen Page and Foggy Nelson. Jack Kirby and Bill Everett cover. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2008 GD 2.0 value = $250; VG 4.0 value = $500; FN 6.0 value = $750; VF 8.0 value = $2,188; VF/NM 9.0 value = $4,094.
Daredevil #2 (Marvel, 1964) CGC VF/NM 9.0 White pages. Daredevil battles Electro, and both make their second appearance in this issue. Fantastic Four cameo. Jack Kirby and Vince Colletta cover. Joe Orlando and Colletta art. A Marin County Collection COA accompanies this book. Overstreet 2008 VF/NM 9.0 value = $993; NM- 9.2 value = $1,450. CGC census 9/08: 23 in 9.0, 31 higher.
Daredevil #3 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. Origin and first appearance of the Owl. Jack Kirby cover and Joe Orlando art. Overstreet 2008 VF 8.0 value = $328; VF/NM 9.0 value = $589. CGC census 9/08: 30 in 8.5, 47 higher.
Daredevil #4 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Origin and first appearance of the Purple Man. Jack Kirby cover. Joe Orlando art. Overstreet 2008 VF/NM 9.0 value = $470; NM- 9.2 value = $685. CGC census 9/08: 19 in 9.0, 29 higher.
Daredevil #5 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Daredevil versus the Matador. Wally Wood's first issue as artist of the title. Wood and Jack Kirby cover art. Overstreet 2008 NM- 9.2 value = $485. CGC census 9/08: 15 in 9.2, 19 higher. From the Capital City Collection.
Daredevil #5 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Daredevil versus the Matador. Wally Wood's first issue as artist of the title. Costume change for Daredevil: the D on his chest becomes a DD. Contains a Daredevil pin-up. Wood and Jack Kirby cover art. Overstreet 2008 NM- 9.2 value = $485. CGC census 9/08: 15 in 9.2, 19 higher.
Daredevil #24 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. Ka-Zar appearance. Gene Colan cover and art. Overstreet 2008 NM- 9.2 value = $85. CGC census 9/08: 15 in 9.4, 7 higher.
Bronze Age (1970-1979)
Daredevil #131 (Marvel, 1976) CGC NM+ 9.6 White pages. Origin and first appearance of the new Bullseye. Rich Buckler cover. Overstreet 2008 NM- 9.2 value = $105. CGC census 9/08: 35 in 9.6, 8 higher.
Silver Age (1956-1969)
Detective Comics #249 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. Batwoman cover and story. Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $329; NM- 9.2 value = $450. CGC census 9/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Detective Comics #327 (DC, 1964) CGC NM- 9.2 White pages. "New Look" Batman begins. Carmine Infantino and Joe Giella cover and art. Overstreet 2008 NM- 9.2 value = $210. CGC census 9/08: 2 in 9.2, 4 higher.
Devil Kids File Copies Box Lot (Harvey, 1962-81) Condition: Average NM-. Full short box includes high-grade file copies of issues #3, 5-8, 13-15, 17-103, 105, and 106. The books average NM-, with many grading higher. Approximate Overstreet value for group = $3,200.
Dick Tracy Comics Monthly File Copies Group (Harvey, 1953-61) Condition: Average VF. A set of high-grade file copies that includes issues #63, 99, 106, 109, 111-114, 117, 123, 125, 130-134, 136, 137, and 143-145. Issues #99-109 feature painted covers, and several have art by Bob Powell. Average grade is VF, with many grading higher. Approximate Overstreet value for group = $1,050.
Fantastic Four #5 (Marvel, 1962) CGC FN 6.0 Off-white to white pages. Origin and first appearance of Doctor Doom. Jack Kirby cover. Kirby and Joe Sinnott art. Overstreet 2008 FN 6.0 value = $1,104. CGC census 9/08: 14 in 6.0, 87 higher.
Fantastic Four #15 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. First appearance of the Thinker (aka the Mad Thinker) and his Awesome Android. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $344; VF/NM 9.0 value = $622. CGC census 9/08: 13 in 8.5, 17 higher. From the Capital City Collection.
Fantastic Four #21 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. First appearance of the Hate Monger. First Sgt. Fury crossover. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $568; NM- 9.2 value = $825. CGC census 9/08: 26 in 9.0, 17 higher. From the Capital City Collection.
Fantastic Four #24 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Jack Kirby and George Roussos cover and art. Overstreet 2008 NM- 9.2 value = $525. CGC census 10/08: 10 in 9.2, 19 higher. From the Capital City Collection.
Fantastic Four #25 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. First Hulk vs. Thing battle. Avengers cameo. Second Silver Age appearance of Captain America. Jack Kirby classic cover and art. Overstreet 2008 VF/NM 9.0 value = $805; NM- 9.2 value = $1,175. CGC census 10/08: 17 in 9.0, 20 higher. From the Capital City Collection.
Fantastic Four #25 (Marvel, 1964) CGC VF- 7.5 Cream to off-white pages. First Hulk vs. Thing battle. Avengers cameo, the second Silver Age appearance of Captain America. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $434. CGC census 9/08: 18 in 7.5, 94 higher.
Fantastic Four #27 (Marvel, 1964) CGC VF+ 8.5 Off-white pages. Sub-Mariner appearance. First crossover appearance of Dr. Strange. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $240; VF/NM 9.0 value = $445. CGC census 9/08: 16 in 8.5, 39 higher. From the Capital City Collection.
Fantastic Four #28 (Marvel, 1964) CGC VF/NM 9.0 Cream to off-white pages. Contains an early X-Men crossover and has the same release date as X-Men #6. The Mad Thinker, Android, and the Puppet Master appear. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $655; NM- 9.2 value = $950. CGC census 10/08: 22 in 9.0, 30 higher. From the Capital City Collection.
Fantastic Four #35 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. First appearance of Dragon Man. Second appearance of Diablo. Reed Richards proposes to Sue Storm. Cameos by Professor X, Scott Summers, and Peter Parker. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $340. CGC census 9/08: 18 in 9.2, 21 higher.
Fantastic Four #37 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. Skrulls appearance. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $340. CGC census 10/08: 15 in 9.2, 4 higher. From the Capital City Collection.
Fantastic Four #41 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Frightful Four appearance. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $200. CGC census 10/08: 20 in 9.4, 7 higher. From the Capital City Collection.
Fantastic Four #48 (Marvel, 1966) CGC VF+ 8.5 White pages. First appearances of the Silver Surfer and Galactus. The Inhumans and the Watcher appear. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $434; VF/NM 9.0 value = $805. CGC census 9/08: 86 in 8.5, 311 higher.
Fantastic Four #48 (Marvel, 1966) CGC VF 8.0 Off-white pages. First appearances of the Silver Surfer and Galactus. The Inhumans and the Watcher appear. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $434. CGC census 9/08: 111 in 8.0, 397 higher. From the Capital City Collection.
Fantastic Four #49 (Marvel, 1966) CGC VF/NM 9.0 Off-white to white pages. Second appearances of the Silver Surfer and Galactus. First cover appearance for both characters. Part two of an epic three-part storyline. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $498; NM- 9.2 value = $725. CGC census 9/08: 34 in 9.0, 32 higher. From the Capital City Collection.
Fantastic Four #52 (Marvel, 1966) CGC VF/NM 9.0 White pages. First appearance of the Black Panther. The Inhumans appear. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $348; NM- 9.2 value = $500. CGC census 9/08: 37 in 9.0, 43 higher.
Felix the Cat Group (Harvey, 1955-61) Condition: Average VF/NM. A set of high-grade file copies that includes issues #62-72, 79-82, 90, 95-97, 99-110, and 115-118. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $1,250.
The Flash #148 (DC, 1964) CGC NM 9.4 Off-white to white pages. Flash battles Captain Boomerang. Carmine Infantino cover and art. Murphy Anderson art. Overstreet 2008 NM- 9.2 value = $190. CGC census 9/08: 8 in 9.4, 6 higher. From the David N. Toth Collection.
The Flash #153 (DC, 1965) CGC NM+ 9.6 White pages. Professor Zoom and Mr. Element appear. Carmine Infantino cover and art. Murphy Anderson art. Overstreet 2008 NM- 9.2 value = $160. CGC census 9/08: 3 in 9.6, 1 higher. From the David N. Toth Collection.
Bronze Age (1970-1979)
Friendly Ghost Casper File Copies Box Lot (Harvey, 1969-88) Condition: Average NM-. Full short box includes high-grade file copies of issues #134-178, 180-227, 231-239, and 243. The books average NM-, with many grading higher. Approximate Overstreet value for group = $1,175.
Silver Age (1956-1969)
Green Lantern #2 (DC, 1960) CGC VF+ 8.5 Cream to off-white pages. Introduction of the Qward Universe. First appearance of Thomas Kalmaku (aka Pieface), who learns Green Lantern's identity. Gil Kane and Murphy Anderson cover. Kane art. Overstreet 2008 VF 8.0 value = $629; VF/NM 9.0 value = $1,165. CGC census 10/08: 6 in 8.5, 6 higher. From the Capital City Collection.
Green Lantern #5 (DC, 1961) CGC VF/NM 9.0 Off-white pages. First appearance of Hector Hammond. Gil Kane and Joe Giella cover and art. Overstreet 2008 VF/NM 9.0 value = $507; NM- 9.2 value = $735. CGC census 10/08: 4 in 9.0, 4 higher. From the Capital City Collection.
Harvey Hits File Copies Group (Harvey, 1958-67) Condition: Average VF/NM. This set of high-grade file copies includes #5, 8, 28-30, 32-35, 40-43, 45, 46, 52, 53, 55-59, 61-67, 73, 78, 80-83, 85, 86, 90, 92, 94-98, 100-107, 109, 110, 112-115, and 119-122. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $1,575.
Hot Stuff Sizzlers File Copies Group (Harvey, 1960-74) Condition: Average VF/NM. A set of high-grade file copies that includes issues #2-5, 7-10, 12-24, 26-48, 50-56, 58, and 59 -- almost a complete run of the series. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $1,900.
Bronze Age (1970-1979)
House of Mystery #210 (DC, 1973) CGC MT 9.9 White pages. Mike Kaluta cover. Rudy Nebres art. Sergio Aragones gag page. Overstreet 2008 NM- 9.2 value = $28. CGC census 9/08: 2 in 9.9, none higher.
Silver Age (1956-1969)
The Incredible Hulk #6 (Marvel, 1963) CGC FN+ 6.5 Off-white pages. Last issue of the original series. Steve Ditko cover and art. Overstreet 2008 FN 6.0 value = $489; VF 8.0 value = $1,426. CGC census 9/08: 23 in 6.5, 71 higher. From the Capital City Collection.
Journey Into Mystery #73 (Marvel, 1961) CGC VF 8.0 Off-white pages. "Reverse prototype" of Spider-Man (spider gets exposed to radiation and gains the strength of a human). Jack Kirby and Steve Ditko art. Overstreet 2008 VF 8.0 value = $270. CGC census 9/08: 3 in 8.0, 1 higher.
Journey Into Mystery #95 (Marvel, 1963) CGC VF 8.0 Off-white pages. Jack Kirby cover. Steve Ditko, Joe Sinnott, and Larry Lieber art. Overstreet 2008 VF 8.0 value = $285. CGC census 9/08: 6 in 8.0, 14 higher.
Journey Into Mystery #96 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Jack Kirby cover. Joe Sinnott art. Two mystery-themed backup features with art by Steve Ditko and Paul Reinman. John F. Kennedy appearance. Contains a Medusa story and an appearance by Merlin. Overstreet 2008 VF 8.0 value = $255; VF/NM 9.0 value = $465. CGC census 9/08: 11 in 8.5, 21 higher.
Journey Into Mystery #100 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. Thor battles Mr. Hyde. Jack Kirby cover. Kirby, Don Heck, Paul Reinman, and Larry Lieber art. Overstreet 2008 VF 8.0 value = $212; VF/NM 9.0 value = $381. CGC census 9/08: 11 in 8.5, 24 higher.
Journey Into Mystery #102 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. First appearances of Sif and Hela. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $130; VF/NM 9.0 value = $230. CGC census 9/08: 12 in 8.5, 26 higher.
Journey Into Mystery #103 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. First appearance of the Enchantress and the Executioner. Jack Kirby cover and art. Larry Lieber art. Overstreet 2008 VF 8.0 value = $148; VF/NM 9.0 value = $264. CGC census 9/08: 5 in 8.5, 22 higher.
Journey Into Mystery #105 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Avengers, Cobra, and Mr. Hyde appearances. Expanded Thor stories begin. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $230; NM- 9.2 value = $330. CGC census 9/08: 11 in 9.0, 20 higher.
Journey Into Mystery #107 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Origin and first appearance of Grey Gargoyle. First appearance of Karnilla. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $330. CGC census 10/08: 10 in 9.2, 11 higher.
Journey Into Mystery #108 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Early Avengers and Dr. Strange crossover. Loki appearance. Ten extra pages. Jack Kirby cover. Kirby, Chic Stone, and Vince Colletta art. Overstreet 2008 VF/NM 9.0 value = $244; NM- 9.2 value = $350. CGC census 9/08: 15 in 9.0, 14 higher.
Journey Into Mystery #110 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Contains a Thor pin-up. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $230; NM- 9.2 value = $330. CGC census 9/08: 10 in 9.0, 18 higher.
Journey Into Mystery #115 (Marvel, 1965) CGC VF/NM 9.0 Off-white to white pages. Detailed origin of Loki. Jack Kirby cover. Kirby, Frank Giacoia, and Vince Colletta art. Overstreet 2008 VF/NM 9.0 value = $237; NM- 9.2 value = $340. CGC census 9/08: 20 in 9.0, 27 higher.
Journey Into Mystery #122 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. Thor faces the Absorbing Man as well as Loki. Tales of Asgard backup feature. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $225. CGC census 9/08: 11 in 9.2, 11 higher.
Journey Into Mystery #124 (Marvel, 1966) CGC NM 9.4 White pages. Hercules appearance. Thor reveals his secret identity to Jane Foster. Tales of Asgard backup feature. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $240. CGC census 9/08: 29 in 9.4, 23 higher.
Justice League of America #1 (DC, 1960) CGC VG 4.0 Cream to off-white pages. Origin and first appearance of Despero. Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman appear. Murphy Anderson cover. Mike Sekowsky art. Overstreet 2008 VG 4.0 value = $800. CGC census 9/08: 28 in 4.0, 140 higher.
Justice League of America #1 (DC, 1960) CGC VG- 3.5 Off-white pages. First appearance of Despero, whose origin is also told. Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman appearances. Murphy Anderson cover. Mike Sekowsky art. Overstreet 2008 VG 4.0 value = $800. CGC census 9/08: 21 in 3.5, 167 higher.
Justice League of America #9 (DC, 1962) CGC NM- 9.2 Off-white pages. Exemplary copy of a key early issue of the title, which features the JLA's origin. Mike Sekowsky gets some expert assistance from inker supreme Murphy Anderson on the cover, and provides the interior art. Overstreet 2008 NM- 9.2 value = $950. CGC census 9/08: 13 in 9.2, 2 higher. From the Capital City Collection.
Justice League of America #18 (DC, 1963) CGC NM 9.4 Off-white to white pages. Murphy Anderson cover. Overstreet 2008 NM- 9.2 value = $375. CGC census 10/08: 7 in 9.4, 2 higher. From the Capital City Collection.
Justice League of America #33 (DC, 1965) CGC NM 9.4 Off-white pages. Superman, Batman, Flash, Wonder Woman, and Green Lantern appear. Overstreet 2008 NM- 9.2 value = $150. CGC census 9/08: 3 in 9.4, 1 higher. From the Capital City Collection.
Bronze Age (1970-1979)
Machine Man #1-19 Slobodian pedigree Group Plus (Marvel, 1978-85) Condition: Average NM. Also includes the 1984-85 limited series #1-4. Overstreet 2008 NM- 9.2 value for group = $172.
Silver Age (1956-1969)
Marvel Silver Age Multi-Mags Pack #69-A5 (Marvel, 1967). This Marvel Multi-Mags pack includes Amazing Spider-Man #73; Daredevil #52; Incredible Hulk #116; and X-Men #56. Overstreet 2008 VF/NM 9.0 value for group = $315; NM- 9.2 value for group = $390. From the Don Vernon Collection.
Metal Men #1 (DC, 1963) CGC VF/NM 9.0 Off-white to white pages. Ross Andru and Mike Esposito cover and art. Fifth appearance of the Metal Men. Overstreet 2008 VF/NM 9.0 value = $788; NM- 9.2 value = $1,150. CGC census 9/08: 13 in 9.0, 10 higher. From the Williamsport Collection.
Mutt and Jeff #116-148 File Copies Group (Harvey, 1960-65) Condition: Average VF/NM. A set of high-grade file copies that includes issues #116-148. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $1,400.
Playful Little Audrey File Copies Box Lot (Harvey, 1958-76) Condition: Average VF/NM. Full short box includes high-grade file copies of issues #6, 10-15, 17-51, 53-56, 63, 64, 68-71, 73-109, 113-116, and 119-121, the bulk of the series. The books average VF/NM, with many grading higher. Approximate Overstreet value for group = $2,600.
Richie Rich #33 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white pages. Little Lotta and Little Dot stories. Overstreet 2008 NM- 9.2 value = $165. CGC census 9/08: 3 in 9.6, none higher.
Richie Rich #55 File Copy (Harvey, 1967) CGC NM/MT 9.8 Off-white to white pages. Little Dot and Little Lotta stories. Overstreet 2008 NM- 9.2 value = $80. CGC census 9/08: 1 in 9.8, none higher.
Bronze Age (1970-1979)
Richie Rich #93 File Copy (Harvey, 1970) CGC NM/MT 9.8 Off-white to white pages. Contains a 1970 calendar. Little Dot and Little Lotta stories. Overstreet 2008 NM- 9.2 value = $40. CGC census 9/08: 1 in 9.8, none higher.
Richie Rich #94 File Copy (Harvey, 1970) CGC NM/MT 9.8 Off-white to white pages. Little Dot and Little Lotta stories. Overstreet 2008 NM- 9.2 value = $40. CGC census 9/08: 1 in 9.8, none higher.
Silver Age (1956-1969)
Richie Rich File Copies Box Lot (Harvey, 1966-88) Condition: Average VF/NM. This full long box contains high-grade file copies of issues #41, 44-48, 50-55, #56 (first appearance of Super Richie), 57, 58, #59 (features Buck, prototype for Dollar the Dog), 60-64, #65 (Buck the Dog cover), 66-99, #100 (first appearance of Irona the Maid), 101-11, #112-116 (all 52-page issues), 117-136, #137 (first appearances of Mr. Cheepers and Professor Keenbean), 138-141, 143-149, 154-175, 178-184, 186-195, 198-218, 220-228, 230, 231, and 235. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $3,400.
Bronze Age (1970-1979)
Richie Rich Diamonds #1-54 and 59 File Copies Group (Harvey, 1972-82) Condition: Average NM-. A set of high-grade file copies that includes issues #1-54 and 59 -- almost a complete run of the title. Average grade is NM-, with many grading higher. Approximate Overstreet value for group = $750.
Silver Age (1956-1969)
Richie Rich Dollars and Cents #3-109 File Copies Box Lot (Harvey, 1964-82) Condition: Average VF/NM. Full short box includes high-grade file copies of issues #3-109 -- almost a complete run of the series. The books average VF/NM, with many grading higher. Approximate Overstreet value for group = $2,600.
Richie Rich Millions File Copies Box Lot (Harvey, 1963-82) Condition: Average NM-. Full short box includes high-grade file copies of issues #4, 6, 7, 11-54, 56, 57, 59, 61-109, and 111 -- the bulk of the series. The books average NM-, with many grading higher. Approximate Overstreet value for group = $3,500.
Bronze Age (1970-1979)
Richie Rich Riches #1-59 File Copies Group (Harvey, 1972-82) Condition: Average VF/NM. Includes high-grade file copies of #1-59, a complete run of the title. Approximate Overstreet value for group = $600.
Silver Age (1956-1969)
Richie Rich Success Stories File Copies Box Lot (Harvey, 1966-82) Condition: Average NM-. Full short box includes high-grade file copies of issues #7, 9, 10, and 13-105 -- most of the series. The books average NM-, with many grading higher. Approximate Overstreet value for group = $2,375.
Sad Sack's Army Life Parade #1-61 File Copies Group (Harvey, 1963-76) Condition: Average VF/NM. A complete run of the title that includes high-grade file copies of issues #1-61. The books average VF/NM, with many grading higher. Approximate Overstreet value for group = $1,425.
Sad Sack and the Sarge File Copies Box Lot (Harvey, 1958-81) Condition: Average VF/NM. Full short box includes high-grade file copies of issues #2-44, 46-61, 63-151 -- an almost-complete run of the title. The books average VF/NM, with many grading higher. Approximate Overstreet value for group = $2,500.
Sgt. Fury and His Howling Commandos #1 (Marvel, 1963) CGC VG+ 4.5 Off-white to white pages. First appearance of Sgt. Nick Fury and the Howlers ("Dum Dum" Dugan, Gabriel Jones, "Rebel" Ralston, Izzy Cohen, Dino Minelli, "Happy Sam" Sawyer, and Junior Juniper). Jack Kirby and Dick Ayers cover. Overstreet 2008 VG 4.0 value = $304. CGC census 9/08: 14 in 4.5, 82 higher.
Sgt. Fury and His Howling Commandos #13 Slobodian pedigree (Marvel, 1964) CGC VF/NM 9.0 White pages. Captain America and Bucky appearance. Second solo Cap crossover outside the Avengers. First meeting between Nick Fury and Captain America. Jack Kirby cover and art. Dick Ayers art. Overstreet 2008 VF/NM 9.0 value = $465; NM- 9.2 value = $675. CGC census 9/08: 29 in 9.0, 27 higher.
Bronze Age (1970-1979)
The Shadow #1-12 Slobodian pedigree Group (DC, 1973-75) Condition: Average NM. Memorable art by Mike Kaluta. Overstreet 2008 NM- 9.2 value for group = $308.
Silver Age (1956-1969)
Showcase #59 Teen Titans - Slobodian pedigree (DC, 1965) CGC NM 9.4 Off-white to white pages. Third appearance of the Teen Titans and first use of the name and logo. First Wonder Girl in Teen Titans. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $250. CGC census 9/08: 6 in 9.4, 2 higher.
Spooky File Copies Box Lot (Harvey, 1958-79) Condition: Average VF/NM. A full short box containing high-grade file copies of issues #17, 18, 22-26, 29, 32-34, 43-46, 61, 63-66, 70 (VG), 71-94, and 96-161. Average grade is VF/NM, with many grading higher. Approximate Overstreet value for group = $2,600.
Spooky File Copies Box Lot (Harvey, 1955-1980) Condition: Average VF/NM unless otherwise noted. Full short box with issues #7, 9, 10, 13, 14, 17, 18, 20-22, 24-29, 32-34, 41-48, 54, 57, 60, 61, 63-66, 70-102, 104-142, 144-161. Issue #161 was the last issue of the series, published almost a year after #160. Overall average is VF/NM; #7, 9, 10 13, 14, 38, 43, 47 and 70 average VG/FN due mostly to water stains, still very attractive. Overstreet 2008 VF/NM 9.0 value for group = $3,300.
Strange Tales #101 Human Torch (Marvel, 1962) CGC VF 8.0 Off-white to white pages. Human Torch feature begins. Origin of the Fantastic Four retold. Jack Kirby cover. Kirby, Steve Ditko, and Don Heck interior art. Overstreet 2008 VF 8.0 value = $850. CGC census 9/08: 9 in 8.0, 18 higher. From the Capital City Collection.
Strange Tales #127 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Jack Kirby cover with Steve Ditko interior art. Mr. Fantastic guests in a Human Torch/Thing story. Dr. Strange story. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 3 in 9.4, 2 higher. From the Capital City Collection.
Strange Tales #130 (Marvel, 1965) CGC NM 9.4 Off-white pages. Dr. Strange battles Baron Mordo. Human Torch and Thing story features a Beatles cameo. Jack Kirby cover. Steve Ditko and Bob Powell art. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 9 in 9.4, 2 higher. From the Capital City Collection.
Strange Tales Annual #2 Slobodian pedigree (Marvel, 1963) CGC VF+ 8.5 White pages. Fourth appearance of Spider-Man, and his first crossover. Spidey battles the Human Torch in a story with art by Jack Kirby and Steve Ditko art. Kirby cover (Spider-Man is drawn without his chest logo). Overstreet 2008 VF 8.0 value = $595; VF/NM 9.0 value = $1,098. CGC census 9/08: 9 in 8.5, 18 higher.
Superboy #84 (DC, 1960) CGC NM+ 9.6 Off-white to white pages. William Tell appearance. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $180. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superboy #93 (DC, 1961) CGC NM 9.4 Off-white pages. Chameleon Boy appearance. Legion appearance. Curt Swan cover. Al Plastino and George Papp art. Overstreet 2008 NM- 9.2 value = $180. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superboy #94 (DC, 1962) CGC NM 9.4 Off-white pages. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $140. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superboy #95 (DC, 1962) CGC NM 9.4 Off-white pages. Krypto cover and appearance. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $140. CGC census 9/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Superboy #96 (DC, 1962) CGC NM 9.4 Off-white to white pages. Lex Luthor and Krypto appearances. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $140. CGC census 9/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superboy #98 (DC, 1962) CGC NM 9.4 Off-white pages. First appearance and origin of Ultra Boy. Pete Ross joins the Legion. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $200. CGC census 9/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Superboy #101 (DC, 1962) CGC NM 9.4 White pages. Krypto appearance. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $125. CGC census 9/08: 1 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #177 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Krypto appearance. Curt Swan cover and art. George Papp art. Overstreet 2008 NM- 9.2 value = $150. CGC census 9/08: 1 in 9.6, 1 higher. From the David N. Toth Collection.
Superman #180 (DC, 1965) CGC NM+ 9.6 White pages. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $150. CGC census 9/08: 3 in 9.6, 2 higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #25 (DC, 1957) CGC VF/NM 9.0 White pages. Curt Swan cover and art. Overstreet 2008 VF/NM 9.0 value = $209; NM- 9.2 value = $300. CGC census 9/08: 1 in 9.0, 1 higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #49 (DC, 1960) CGC NM+ 9.6 Off-white pages. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $165. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #50 (DC, 1961) CGC NM+ 9.6 Cream to off-white pages. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $165. CGC census 9/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #54 (DC, 1961) CGC NM+ 9.6 White pages. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $130. CGC census 9/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #70 (DC, 1966) CGC VF/NM 9.0 Off-white pages. First Silver Age Catwoman appearance. Batman, Robin, and Penguin appearances. Kurt Schaffenberger cover and art. Overstreet 2008 VF/NM 9.0 value = $313; NM- 9.2 value = $450. CGC census 9/08: 11 in 9.0, 13 higher. From the David N. Toth Collection.
Tales of Suspense #41 (Marvel, 1963) CGC VF- 7.5 Off-white to white pages. The third appearance of Iron Man. Shellhead battles Dr. Strange (not the superhero). Jack Kirby cover and art. "Mystery" backup features with art by Steve Ditko and Larry Lieber. Overstreet 2008 VF 8.0 value = $740. CGC census 9/08: 11 in 7.5, 22 higher.
Tales of Suspense #46 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. Featuring Iron Man. First appearance of the Crimson Dynamo. Jack Kirby cover, Don Heck interior art. Overstreet 2008 VF/NM 9.0 value = $550; NM- 9.2 value = $800. CGC census 9/08: 5 in 9.0, 10 higher.
Tales of Suspense #52 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. First appearance of the Black Widow. Crimson Dynamo appearance. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $525. CGC census 9/08: 8 in 9.2, 8 higher. From the Capital City Collection.
Tales of Suspense #59 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Iron Man and Captain America double features begin. First appearance of Jarvis the butler. First solo Captain America story since the 1950s. Overstreet "classic" cover by Jack Kirby. Interior art by Kirby and Don Heck. Overstreet 2008 VF/NM 9.0 value = $470; NM- 9.2 value = $685. CGC census 9/08: 31 in 9.0, 39 higher.
Tales of Suspense #62 (Marvel, 1965) CGC NM 9.4 Off-white pages. Origin of the Mandarin. Jack Kirby cover and art. Dick Ayers and Don Heck art. Overstreet 2008 NM- 9.2 value = $200. CGC census 9/08: 8 in 9.4, 3 higher. From the Capital City Collection.
Tales to Astonish #65 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Giant-Man changes his costume and gets more powers. The Hulk battles the Leader. Jack Kirby cover. Interior art by Steve Ditko (Hulk story) and Bob Powell (Giant-Man story). Overstreet 2008 NM- 9.2 value = $175. CGC census 9/08: 7 in 9.4, 3 higher. From the Capital City Collection.
Modern Age (1980-Present)
Teenage Mutant Ninja Turtles #1 (Mirage Studios, 1984) CGC VF 8.0 White pages. Origin and first appearance of the Teenage Mutant Ninja Turtles, Splinter, and Shredder. Wraparound cover by Kevin Eastman. Eastman and Peter Laird story and art. CGC notes, "Prices vary widely on this book." In November of 2007, we auctioned a CGC 7.5 copy for $836.50 and in August of this year, we sold a CGC 8.5 copy for $1,195.00. CGC census 9/08: 30 in 8.0, 98 higher.
Silver Age (1956-1969)
TV Casper and Company File Copies Group (Harvey, 1963-74) Condition: Average VF/NM. An almost-complete run of high-grade file copies that includes issues #1-32 and 37-46. The books average VF/NM, with many grading higher. Approximate Overstreet value for group = $1,575.
Uncle Scrooge #13 (Dell, 1956) CGC VF/NM 9.0 Off-white to white pages. Carl Barks cover and art. Overstreet 2008 VF/NM 9.0 value = $227; NM- 9.2 value = $325. CGC census 9/08: 3 in 9.0, 2 higher.
Uncle Scrooge #18 (Dell, 1957) CGC NM- 9.2 Off-white pages. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $325. CGC census 9/08: 3 in 9.2, 2 higher.
Uncle Scrooge #66 (Gold Key, 1966) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 10/08: 5 in 9.6, 2 higher.
Uncle Scrooge #74 File Copy (Gold Key, 1968) CGC NM+ 9.6 Off-white to white pages. Contains a Carl Barks reprint. Overstreet 2008 NM- 9.2 value = $100. CGC census 10/08: 4 in 9.6, none higher.
Uncle Scrooge #75 File Copy (Gold Key, 1968) CGC NM+ 9.6 Off-white pages. Gyro Gearloose appearance. Overstreet 2008 NM- 9.2 value = $100. CGC census 10/08: 5 in 9.6, none higher.
Bronze Age (1970-1979)
Uncle Scrooge #103 (Gold Key, 1973) CGC NM+ 9.6 White pages. Carl Barks reprints. Overstreet 2008 NM- 9.2 value = $70. CGC census 10/08: 9 in 9.6, none higher.
Silver Age (1956-1969)
Wendy, the Good Little Witch File Copies Group (Harvey, 1961-76) Condition: Average VF+. A set of high-grade file copies that includes issues #11-43, 45, 46, 52, , 54, 56-71, 77-83, 85-88, and 93. Average grade is VF+, with many grading higher. Approximate Overstreet value for group = $1,425.
X-Men #5 (Marvel, 1964) CGC VF- 7.5 White pages. Third appearance of Magneto. Second appearances of the Scarlet Witch, the Toad, Quicksilver, and Mastermind. The Brotherhood of Evil Mutants makes an appearance. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $485. CGC census 9/08: 23 in 7.5, 68 higher.
X-Men #6 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Sub-Mariner appearance. Jack Kirby cover. CGC notes, "1-inch tear on centerfold." Overstreet 2008 VF/NM 9.0 value = $725; NM- 9.2 value = $1,050. CGC census 10/08: 30 in 9.0, 27 higher.
X-Men #8 (Marvel, 1964) CGC NM- 9.2 Off-white pages. First appearance of Unus the Untouchable. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 13 in 9.2, 18 higher.
X-Men #9 (Marvel, 1965) CGC NM- 9.2 Off-white pages. The first meeting of the X-Men and the Avengers. First appearance of Lucifer. Contains a Marvel Girl pin-up. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $800. CGC census 10/08: 17 in 9.2, 19 higher.
X-Men #9 (Marvel, 1965) CGC VF 8.0 Off-white pages. First meeting of the X-Men and the Avengers. First appearance of Lucifer. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $300. CGC census 9/08: 27 in 8.0, 82 higher.
X-Men #10 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. First Silver Age appearances of Ka-Zar and Zabu the Sabertooth. First appearance of the Savage Land. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $750. CGC census 10/08: 32 in 9.2, 10 higher.
X-Men #10 (Marvel, 1965) CGC VF/NM 9.0 Off-white to white pages. First Silver Age appearances of Ka-Zar and Zabu the Sabertooth. First appearance of the Savage Land. Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $518; NM- 9.2 value = $750. CGC census 10/08: 38 in 9.0, 42 higher.
X-Men #11 (Marvel, 1965) CGC VF/NM 9.0 Off-white pages. First appearance of the Stranger. Jack Kirby cover. Overstreet 2008 VF/NM 9.0 value = $550; NM- 9.2 value = $800. CGC census 10/08: 10 in 9.0, 16 higher.
X-Men #12 (Marvel, 1965) CGC VF 8.0 Off-white to white pages. Origin and first appearance of Juggernaut. Origin of Professor X. Jack Kirby cover and layouts. Alex Toth art. Overstreet 2008 VF 8.0 value = $352. CGC census 9/08: 38 in 8.0, 92 higher.
X-Men #14 Slobodian pedigree (Marvel, 1965) CGC VF/NM 9.0 White pages. First appearance of the Sentinels. Jack Kirby cover, inked by Wally Wood. Interior layouts by Kirby. Overstreet 2008 VF/NM 9.0 value = $429; NM- 9.2 value = $625. CGC census 9/08: 44 in 9.0, 66 higher.
X-Men #15 Slobodian pedigree (Marvel, 1965) CGC NM- 9.2 White pages. Origin of the Beast. Sentinels appearance. Jack Kirby cover and interior layouts. Overstreet 2008 NM- 9.2 value = $625. CGC census 9/08: 9 in 9.2, 9 higher.
X-Men #16 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $335. CGC census 10/08: 12 in 9.4, 7 higher.
X-Men #19 Slobodian pedigree (Marvel, 1966) CGC NM 9.4 White pages. As rare as the high grade is, the page quality here may be rarer. What a nice copy! Jack Kirby gave us another striking cover for this issue, which featured the origin and first appearance of the Mimic (Calvin Rankin). Overstreet 2008 NM- 9.2 value = $335. CGC census 9/08: 22 in 9.4, 6 higher.
X-Men #30 (Marvel, 1967) CGC NM 9.4 White pages. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $235. CGC census 10/08: 19 in 9.4, 5 higher.
X-Men #38 Slobodian pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. Brilliant copy of an issue that has the X-Men taking on the Blob and Vanisher. The "Origins of the X-Men" back-up feature begins. Dan Adkins provided the cover. Overstreet 2008 NM- 9.2 value = $190. CGC census 10/08: 11 in 9.6, 3 higher.
X-Men #50 (Marvel, 1968) CGC NM+ 9.6 Cream to off-white pages. Jim Steranko cover and art. Origin of Beast. Second appearance of Polaris. Mesmero appearance. Overstreet 2008 NM- 9.2 value = $165. CGC census 9/08: 19 in 9.6, 2 higher.
Bronze Age (1970-1979)
X-Men #72 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. Reprints X-Men #21. Overstreet 2008 NM- 9.2 value = $105. CGC census 10/08: 10 in 9.6, none higher.
X-Men #94 (Marvel, 1975) CGC VF 8.0 Off-white to white pages. Debut of the new X-Men in this series and second appearance overall. Angel, Marvel Girl, Iceman, and Sunfire leave the group. Gil Kane and Dave Cockrum cover. Interior art by Cockrum. Overstreet 2008 VF 8.0 value = $520. CGC census 9/08: 220 in 8.0, 702 higher.
X-Men #101 (Marvel, 1976) CGC NM+ 9.6 White pages. Origin and first appearance of Phoenix. Dave Cockrum cover. Overstreet 2008 NM- 9.2 value = $200. CGC census 10/08: 79 in 9.6, 10 higher.
Original Comic Art
Ross Andru and Mike Esposito This is War #7 Complete 6-page Story "G. I. Quarterback" Original Art (Standard, 1953). Old football buddies are reunited on the battlefield, but the one-time glory hogging quarterback may have to learn a few hard lessons from his former block and tackle. This is a nifty early story by the dream team of Ross Andru and Mike Esposito. The image area of each page measures 12" x 18". The opening paragraph on the first page has been re-positioned, and there are two paste-up corrections on page 3; otherwise, the pages are in Very Good condition.
Jim Aparo and S. George Black Canary #11 Cover Original Art (DC, 1993). DC mainstay Jim Aparo provided this cover for the 1993 Black Canary series, his only one for this 12-issue run. Aparo was well-known for his work on Batman titles, and this cover is more than slightly reminiscent of the memorable shot of the Caped Crusader carrying a dead Robin in his arms. This piece has an image area of 9.75" x 15", and the art is in Excellent condition.
Sergio Aragonés Exorcist Sketch Original Art (1974). There's nothing wrong here a little mouthwash wouldn't cure! A quick but large sketch by the Marginally Mad Sergio. Pen and marker on paper, with an image area measuring approximately 13" x 16.5", matted to an overall size of 18" x 21.5". In Excellent condition.
Sergio Aragonés Mad Super Special #35 Window Stickers Original Art (EC, 1981). Sergio Aragonés supplies yet another batch of amusing "Mad Car and Home Window Stickers." There is an acetate overlay with red film to indicate gray tones, and another to indicate percentages. The art has an overall image area of 16" x 21.5" and is in Excellent condition. On the back of the board is a bonus treat: several more inked sketches by Senor Aragonés, one with an little added colored pencil.
Stan Aschmeier Dr. Mid-Nite and Johnny Thunder Sketch Original Art (undated). Golden Age artist Stan Aschmeier worked for DC's All Star and All American Comics; EC's Crime Patrol; and stories for Quality and Better. He is probably best remembered for creating the images of Dr. Mid-Nite and Johnny Thunder, who appear in this color sketch. The art is in ink and watercolor on illustration board, with an image area of approximately 9" x 13", and is in Excellent condition.
Edd Ashe Moon Girl Fights Crime #8 Complete 7-Page Story "Smashing the Dope Ring" Original Art (EC, 1949). Celebrated private investigator, Kirk Crane, stakes his life against "The Death's Head Ring," in this seven-pager. Each page has an image area of 13" x 18", and the art is in Very Good condition.
Dick Ayers and Frank Giacoia Sgt. Fury #19 page 2 Original Art (Marvel, 1965). The Sarge's anger and grief over the loss of his girl, Pamela Hawley, has him pushing the Howlers too hard, forcing Captain Sam Sawyer to intervene. It's top-notch Silver Age war art from Marvel mainstays Dick Ayers and Frank Giacoia. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Dick Ayers Vandoom's Creature Sketch Original Art (1993). Back from the long-ago, glory days of the Marvel Age of monsters, comes Vandoom's Creature. This fearsome wax creature first appeared back in 1961 in Tales to Astonish #17. This Dick Ayers "monster-piece" has an image area of 5.5" x 9.5", and the piece has been matted and framed to an overall size of 8.5" x 12.75". The art is in Excellent condition.
Bernard Baily Cracked #114 Page Original Art, Group of 4 (Major Magazines, 1974). The offbeat humor art of comic book legend Bernard Baily is showcased in these four pages from "A Cracked View of: The Bird-Eye Crew." Each uproarious page has an approximate image area of 12" x 16", and the art is in Very Good condition.
George Baker Sad Sack Sunday Comic Strip Original Art, dated 4-13-52 (Bell Syndicate, 1952). The Sad Sack faired no better in civilian life that he did in the army, so he soon re-enlisted. George Baker's "bigfoot" cartooning is a scream, as always. The image area of this outrageous Sunday measures 21.5" x 14", and the art is in Excellent condition.
Bambi Illustration Original Art (Disney, undated). Bambi spends time with his friends in this illustration, which is a hand-painted cel sitting on a hand-painted background, probably used as a book illustration. Matted to an image area of 13.25" x 10.25". In Excellent condition.
Mark Beachum Gold Superman II Illustration Original Art (undated). The Man of Tomorrow looks awe-inspiring in this majestic illustration by Mark Beachum. Rendered in mixed media on heavy illustration paper, the art has an image area of 15" x 9.75", and is in Excellent condition. Signed by Mark Beachum at the left.
C. C. Beck Captain Marvel Specialty Sketch Original Art (1971). The Big Red Cheese, as drawn by his creator, C. C. Beck! Rendered in graphite and colored pencil, this piece is framed and matted to a 5.5" x 8.5" image area. In Excellent condition. Signed and inscribed by C. C. Beck at the bottom. Includes a hand written letter by C. C. Beck about the drawing.
June Brigman and Hilary Barta Power Pack #45 Cover Original Art (Marvel, 1989). The Boogey Man gets his revenge in this action-packed issue of the kid-centric comic Power Pack. The image area measures 9.75" x 15". Three of the bubbles are photostats, but otherwise the art is in Excellent condition.
Bob Brown Brave and the Bold #78 page 17 Original Art (DC, 1968). Batman, Batgirl, and Wonder Woman star in these high-jumping scenes from the sixties saga, "In the Coils of Copperhead." This page has an image area of 10" x 15", and the art is in Excellent condition.
Bob Brown and Joe Giella Detective Comics #381 page 9 Original Art (DC, 1968). With a swift left hand, Batman puts hitman, Dead-Eye, down for the count in this page from "One Drown... One More to Go!" The art has an image area of 10" x 15" and it is Excellent condition.
Bob Brown and Joe Giella Detective Comics #381 page 10 Original Art (DC, 1968). In an effort to flush out Mr. X, Batman puts on a good show and dumps a chained Boy Wonder in the bay, in this page from "One Drown... One More to Go!" The art has an image area of 10" x 15" and it is Excellent condition.
Bob Brown and Joe Giella Detective Comics #381 page 11 Original Art (DC, 1968). Hoping to follow the trail to Mr. X, the Masked Manhunter makes a desperate effort to latch onto a remote-controlled mini-submarine in this page from "One Drown... One More to Go!" The art has an image area of 10" x 15" and it is Excellent condition.
Bob Brown and Tom Sutton Warlock #6 Page Original Art, Group of 7 (Marvel, 1973). The Counter-Earth Reed Richards/Victor Von Doom story is retold in pages 2, 3, 5, 6, 7, 10, and 11 from "The Brute." Each page has an image area of 10" x 15" and the pages average Very Good condition.
Rick Brown Mickey Mouse Promotional Illustration Original Art (Disney, 1982). Mickey sits on a parapet of the signature Walt Disney castle reading a tale, in this thrilling illustration by Rick Brown. Rendered in acrylic on heavy illustration board, the art has an image area measuring 14" x 17", and the art is in Excellent condition.
Rick Brown Mickey Mouse and Pluto Promotion Illustration Original Art (Disney, 1991). Lights, camera -- Mickey! Disney artist, Rick Brown illustrates the most universally known and loved cartoon character in the world in this dynamic illustration. Rendered in acrylic on heavy illustration board, the image area measures 12.5" x 12.5". In Excellent condition.
Frank Brunner Doctor Strange #6 Cover Re-Creation Original Art (2008). Bronze Age great Frank Brunner re-created his cover to Doctor Strange #6 with this beautiful illustration, which finds the Master of the Mystic Arts going head to head with Umar and her hordes. This piece has an image area of 10" x 15". The logo and masthead are pasted on stats; otherwise, the art is in Excellent condition.
Rich Buckler and John Romita Sr. Thor #227 page 3 Original Art (Marvel, 1974). This page features Thor and Hercules, side by side against the living planet, Ego! Here is page three from the tale, "In Search of... Ego!" The art has an image area of 10" x 15" and is in Very Good condition.
Rich Buckler and Pablo Marcos What If? #30 Spider-Man page 16 Original Art (Marvel, 1981). Clone Spidey is featured in costume in every panel of this page from the "What If Spider-Man's Clone Lived?" storyline. This piece has an image area of 10" x 15 ", and aside from a clipped upper left corner and some white-out corrections, the page is in Excellent condition.
John Buscema and Joe Sinnott Fantastic Four #130 page 16 Original Art (Marvel, 1973). Thundra opens a big can of whupp-ass on the Frightful Four, in this page from "Battleground: the Baxter Building." The art has an image area of 10" x 15", and, aside from some slight tape, glue, and printer's oil staining, is in Very Good condition.
John Buscema and Joe Sinnott Fantastic Four #141 page 32 Original Art (Marvel, 1973). Reed Richards has to shut down his son, Franklin, whose powers were becoming much too dangerous -- but at what cost? This final page from the tale, "The End of the Fantastic Four" has an image area of 10" x 15" and is in Very Good condition.
John Buscema Savage Sword of Conan page 46 Original Art (Marvel, undated). The underpinnings of a truly great artist are laid bare in this excellent preliminary sketch sheet for page 46 of an unidentified issue of Conan, most likely the magazine-format Savage Sword of Conan series. The image area measures 10.5" x 15" and the art is in Very Good condition.
John Buscema and Tony DeZuniga Thor #251 page 30 Original Art (Marvel, 1976). Thor's rage and frustration thunder forth in the dark land known as Valhalla, in this page from "To Hela and Back!" The art has an image area of 10" x 15" and is in Very Good condition.
Sal Buscema and Joe Staton Incredible Hulk #196 page 22 Original Art (Marvel, 1976). The Hulk and Abomination team up, but this partnership looks to be short lived. This page from "The Abomination Proclamation" has an image area of 10" x 15" and is in Excellent condition.
Sal Buscema and Bill Black What If? #12 Hulk page 42 Original Art (Marvel, 1978). Sal Buscema explores what would happen if Rick Jones became the Hulk in this action-filled page, pitting the alternative Green Goliath against Annihilus. This piece has an image area of 10" x 15", and aside from clipped corners at the top left and right, the art is in Excellent condition.
Sal Buscema and John Stanisci The Spectacular Spider-Man #236 page 10 Original Art (Marvel, 1996). Spidey faces an enraged Dragon Man in this page from "Free Will," penciled by Sal Buscema and inked by John Stanisci. The art has an image area of 10" x 15" and is in Excellent condition.
G. Bush Boris Karloff as the Mummy Illustration Original Art (undated). Chilling portrait of Karloff as the revived 3000-year-old mummy, in his disguise as a modern-day Egyptian, Ardath Bey. Oils on canvas, with an image area measuring approximately 8.5" x 11.5". Matted to an overall size of 13.5" x 16.5". Excellent condition.
G. Bush Christopher Lee as Dracula Painting Original Art (2000). Blood-red eyes burn through this intense painting of the Hammer Film star. Rendered in oils on canvasboard, with an image area measuring approximately 17" x 23", matted to an overall size of 22.5" x 28.5". In Excellent condition.
G. Bush Curse of the Werewolf Painting Original Art (undated). The movie monster played by Oliver Reed gets rendered in oils on canvas by fantasy artist George Bush (no, not that George Bush), with an image area measuring approximately 16" x 20". In Excellent condition.
G. Bush Vampirella Painting Original Art (2000). Vampi relaxes in her open-air dungeon -- with a fireplace. But who pays any attention to the decor when womanly attributes like these are on display? The painting measures 10.75" x 14", and the art is in Very Good condition.
Lorraine Bush Ghost of Frankenstein Painting Original Art (2004). Fantasy artist Lorraine Bush renders a sympathetic portrait of the monster in oils on canvas, measuring approximately 24" x 30". In Excellent condition.
Lorraine Bush King Kong Painting Original Art (2004). The Big Ape never looked better than in this oil on canvasboard painting by Lorraine Bush! Image area measuring approximately 15.25" x 19.25", matted to an overall size of 20.5" x 24.5". In Excellent condition.
Lorraine Bush Mark of the Vampire Painting Original Art (2004). Bela Lugosi and Elizabeth Allan were the stars of the 1935 cult favorite, portrayed here by Fantasy artist Lorraine Bush. Oils on canvasboard, with an image area measuring approximately 15.25" x 19.25", matted to an overall size of 20.5" x 24.5". In Excellent condition.
Lorraine Bush Medusa Painting Original Art (2002). Chilling portrait of the snake-haired Demoness, done in oils on canvas measuring approximately 20" x 24". In Excellent condition.
John Byrne Fantastic Four Unpublished Pencil Page 23 Original Art (c. 1974).
From a story young John Byrne penciled as a tryout when he was first trying to catch on with Marvel. The art's condition is Excellent, and the image measures 10" x 15". Byrne spares no detail on these backgrounds! Any true-blue Marvelite will dig this page with the cast of the World's Greatest Comic Mag.
From a story young John Byrne penciled as a tryout when he was first trying to catch on with Marvel. The art's condition is Excellent, and the image measures 10" x 15". Byrne spares no detail on these backgrounds! Any true-blue Marvelite will dig this page with the cast of the World's Greatest Comic Mag.
John Byrne and Al Milgrom Marvel: The Lost Generation #2 Cover Original (Marvel, 2001). This limited series by John Byrne and Roger Stern is set in the gap when the fifties superheroes have disappeared, but before the emergence of the Fantastic Four. Some of the heroes on display include Black Fox, Namora, Yankee Clipper, and more. This exciting cover by John Byrne and Al Milgrom has an image area of 9.75" x 15", and the art is in Excellent condition.
Dick Calkins Buck Rogers Comic Strip Original Art (John F. Dille Co., circa 1939). Wing Fat Wu is finally captured by the Tigermen... or is he? Sharp-looking daily, numbered 694, from the classic science fiction strip. with an image area of approximately 20" x 4.5". In Excellent condition.
Dick Calkins Buck Rogers Sketch Original Art (undated). Vintage sketch of Buck Rogers by artist Dick Calkins, signed by the artist. The exact date is unknown (Calkins passed away in 1962), but it probably dates from the 1940s or 1950s. The image area measures 3.5" x 6" and the work is in Very Good condition.
Milton Caniff Terry and the Pirates Daily Comic Strip Original Art, dated 8-23-43 (Chicago Tribune, 1943). Beautiful army nurse Taffy Tucker stars in this wartime episode titled, "Skate Board Exam Wasn't This Bad." This daily has an image area of 21.75" x 6.5", and aside from a glue stain left behind by a missing title logo, the condition of the art is Excellent.
Milton Caniff Terry and the Pirates Daily Comic Strip Original Art, dated 10-22-43 (News Syndicate, Inc., 1943). Terry and the lovely Grett Murmer get close in the trenches, in this daily subtitled "But He Can Smell Powder." A wonderful example of Milton Caniff's expert brushwork. Image area is approximately 21.5" x 6.5", and is Excellent condition.
Milton Caniff Steve Canyon Daily Comic Strip Original Art, dated 12-11-47 (Sun and Times Co., 1947). Steve and "Happy" Easter check in to the hotel, with Steve listing his occupation as a as "Spy - Confusion Spreader" in this daily, from the first year of publication. Image area measures approximately 21.5" x 6.5". In Excellent condition.
Milton Caniff Steve Canyon Daily Comic Strip Original Art, dated 1-31-48 (Sun and Times Company, 1948). Milton Caniff's winning way with "good girl" art is the highlight of this episode. This strip has an image area of 21.5" x 6.5", and aside from an art correction paste-on at the top of the last panel, the art is in Very Good condition.
Milton Caniff Steve Canyon Daily Comic Strip Original Art, dated 8-6-55 (Field Enterprises, 1955). Summer Olsen stars in this dramatically staged daily. This strip has an image area of 21.5" x 6.5", and aside from glue stains along the bottom of the daily, the art is in Very Good condition.
Milton Caniff Steve Canyon Daily Comic Strip Original Art, dated 3-23-56 (Field Enterprises, 1956). Savannah Gay gives the crew directions in the rain as Steve observes, in this daily. Ink and white paint on bristol, with an image area measuring approximately 21.75" x 6.5". The lower portion of the strip was covered for publication, leaving a glue stain; overall condition Very Good.
Milton Caniff Steve Canyon Comic Strip Original Art (Field Enterprises, 1959). The top brass discuss Canyon's situation in this daily. The lower section of the art had been covered for publication; glue stains are left in the area. Image area measures approximately 21.75" x 6.75". Very Good condition.
Milton Caniff Steve Canyon Sunday Comic Strip Original Art, dated 1-6-63 (Field Enterprises, 1963). Love is in the air at Maumee University in this lighthearted Steve Canyon episode from the early sixties. This strip has an image area of 22" x 16". Each panel of this Sunday was cut out and pasted-on to a larger piece of support paper; otherwise, the art is in Very Good condition.
Milton Caniff Steve Canyon Sunday Comic Strip Original Art, dated 1-27-63 (Field Enterprises, 1963). The mysterious disappearance of would-be Romeo Clipper Delane is the focus of this suspense-filled episode. This strip has an image area of 22" x 16". Each panel of this Sunday was cut out and pasted-on to a larger piece of support paper; otherwise, the art is in Very Good condition.
Milton Caniff Steve Canyon Sunday Comic Strip Original Art, dated 4-21-63 (Field Enterprises, 1963). Deadly Cold War air combat is the highlight of this episode. This strip has an image area of 22" x 16". Each panel of this Sunday was cut out and pasted-on to a larger piece of support paper; otherwise, the art is in Very Good condition.
Al Capp Li'l Abner Daily Comic Strip Original Art, dated 8-10-39 (United Feature Syndicate, 1939). Li'l Abner's proper upbringing is about to get him brained for good -- that is, unless Mammy Yoakum jumps in to save him from the vicious Mother Ratfield. This strip has an image area of 22" x 5.75", and the art is in Excellent condition.
Al Capp Li'l Abner Daily Comic Strip Original Art, dated 1-11-54 (United Feature Syndicate, 1954). Abner and family are desperate -- he'll do anything "fo'" $10,000 in this daily. The art is in graphite and india ink, with an image area measuring approximately 22.5" x 6.25", and is in Very Good condition.
Les Carroll Boots Sunday Comic Strip Original Art, Group of 2 (NEA, 1968-69). This lot includes two amusing Boots Sundays, dated 12-15-68 and 1-19-69. Both have The Gooneys companion strips. The image area of each is 21" x 14". Aside from one text correction and some discoloration on the 1969 strip, the art averages in Very Good condition.
M. A. Castrillo Bring Back The Bad Guys Book Cover Original Art (Marvel, 1998). A nifty cover for the sequel to Bring On The Bad Guys, this scene features a passel of Marvel no-goodniks, including Kingpin, Galactus, and Fin Fang Foom. Some elements of the artwork, including the entire figure of Mandarin, have been pasted on to the backing board. This piece has an image area of 10.25" x 15". There is an acetate overlay with the frame and text elements, and the art is in Very Good condition.
Dick Cavalli Winthrop Sunday Comic Strip Original Art, Group of 8 (NEA, 1966-68). Eight Sundays from this charming, Peanuts-esque strip. The dates are: 6-5-66, 11-6-66, 11-13-66, 12-18-66, 6-11-67, 9-3-67, 9-24-67, and 3-10-68. Each strip has an image area of 21" x 14". Two of the Sundays have had their logo section cut off; otherwise, the art averages in Very Good condition.
John Celardo Jet Fighters #7 Complete 7-page Story "Iron Curtains For Ivan" Original Art (Standard, 1953). Ivan Petrovitch thinks the U.S. soldiers are soft -- little does he know. This smug "Ruski" will realize the truth and meet his bloody end at the hand of American bullets. Excellent aerial artwork by Celardo. The image area of each page measures 12" x 18", and the art is in Very Good condition.
Josefino D. Celerio Barbarian and Gorillas Illustration Original Art (1979). Nicely rendered action piece by Filipino artist Celerio. Image size measures approximately 19" x 13.25", matted to an overall size of 24" x 18.25". In Excellent condition.
Ernie Chan Conan the Barbarian Illustration Original Art (1977). Conan the Barbarian mounts a mighty steed in this gorgeous full color illustration by premier cover artist Ernie Chan. This scene was most likely created as a specialty piece, since it is personalized to "Don." The image area measures 9.5" x 12" and the art is in Very Good condition. From the Don Vernon Collection.
Ernie Chan Conan the Barbarian Illustration Original Art (1977). The origins of this superb portrait of Robert E. Howard's legendary Cimmerian are unknown, but it was most likely done as a convention or specialty piece. The image area measures 10" x 11.5" and the art is in Very Good condition. From the Don Vernon Collection.
Ernie Chan Tarzan Illustration Original Art (1977). The celebrated Marvel/DC artist crafts an exciting full-color illustration of Tarzan, the Ape Man, tussling with a lion. The image area of this piece measures 8.5" x 11" and the art is in Very Good condition. From the Don Vernon Collection.
Harley Griffiths Classics Illustrated #39, Complete 52-page Story Jane Eyre Original Art (Gilberton, 1947). Harley Griffiths' sinuous line captures the mood and melodrama of Charlotte Bronte's romantic novel perfectly. These pages each have an approximate image area measuring 12" x 18", and aside from a few lettering and art corrections, some of which are loose or have slipped off the pages, they average Good condition.
Classics Illustrated #50 Adventures of Tom Sawyer Cover Painting Original Art (Gilberton, 1957). Add a piece of pure Americana to your original art collection -- the uproarious cover scene to the Classics Illustrated version of Mark Twain's immortal classic, Adventures of Tom Sawyer. The overall size of this painting measures 18.5" x 26.5", and the art is in Excellent condition.
Classics Illustrated #62 Western Stories Painted Cover Original Art (Gilberton, 1957). This harrowing flood scene for the Classics Illustrated adaptation of Bret Harte's Western Stories has been framed to an overall size of 18" x 24", and the art is in Excellent condition.
Gerald McCann Classics Illustrated #70 The Pilot Painted Cover Original Art (Gilberton, 1960). One of the dramatic high-seas scenes in all of literature awaits your bid -- the naval combat scene for the Classics Illustrated adaptation of James Fenimore Cooper's The Pilot. The image area of this painting measures 14.5" x 21", and the art is in Excellent condition.
Edvard Moritz Classics Illustrated #134 Romeo and Juliet Painted Cover Original Art (Gilberton, 1969). What young boy didn't wish for a beautiful princess to look longingly down at him from her balcony? Young Romeo has just that in this lovely painted cover by Edvard Moritz. Earlier printings of this issue had a different cover featuring a sword fight, but this 1969 edition centers on the beautiful Juliet. The artwork has been professionally framed to an overall size of 21.5" x 28", and has an image area measuring 14" x 20.5". In Excellent condition.
Classics Illustrated #142 Abraham Lincoln Painted Cover Original Art (Gilberton, 1958). This wonderful piece depicts the future president as a strapping young man preparing to wrestle with a rival. The artwork was extended an additional 2.5" at the bottom, with a painted paper overlay (cut into the shape of grass), covering the joined extension. The overall effect of this addition is rather unique, giving a three-dimensional quality to the foreground foliage. The artwork is on heavy illustration board and has an image area of 14.25" x 20.75". There is masking tape indicating the border of the image area, and extended at the bottom as noted, the piece is otherwise in Very Good condition.
Classics Illustrated #151 Won By the Sword Painted Cover Original Art (Gilberton, 1959). This swashbuckling scene for the Classics Illustrated adaptation of G. A. Henty's Won By the Sword has an image area of 14.5" x 21", and the art is in Excellent condition.
Gerald McCann Classics Illustrated Special Issue #147A Crossing the Rockies Painted Cover Original Art (Gilberton, 1958). The pioneer days come alive again in Gerald McCann's cover scene for this Classics Illustrated Special Issue. The overall size of this painting measures 13.5" x 18.6", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Allen Simon Classics Illustrated Special Edition #159A Rockets, Jets, and Missiles Painted Cover Original Art (Gilberton, 1960). The Space Age was in full swing, and "Rockets, Jets, and Missiles" was the theme for this special issue. Painted on illustration board, there is some chipping and soiling at the edges, outside the image area, the piece is otherwise in Very Good condition.
George Evans, Gerald McCann, Norman Nodel, and Harley Griffiths Classics Illustrated Page Original Art, Group of 4 (Gilberton, 1948-61). Start an instant Classics Illustrated art collection with these pages from The World Around Us #5 (Space, page 29), The World Around Us #6 (the F.B.I., page 2) Classics Special Issue # 162A (War Between the States, page 93), and Classics Illustrated #52 (The House of the Seven Gables, page 7). Each page has an approximate image area of 12" x 18", and they average Excellent condition.
Gene Colan and Mike Esposito Sub-Mariner #43 page 22 Original Art (Marvel, 1971). Subby tries to blend in, but just doesn't know if he can make the scene. The ladies seem to dig "tall 'n' dark", but will the guys? Gene Colan signed this page in the bottom border. The image area of this page is 10" x 15". Aside from light soiling in last panel and a piece of tape in the middle of the page, the art is in Very Good condition.
Gene Colan and Al Williamson The Tomb of Dracula #3 (Third Series) pages 2 and 3 Original Art (Marvel, 1991). Two of the all-time great comic book artists, Gene Colan and Al Williamson, teamed to draw this blood-chilling double-page spread for "Day of Blood. Night of Redemption." These pages have a combined image area of 22.5" x 18". The pages were taped together on the back; otherwise, the art is in Excellent condition. Gene Colan signed the art at the lower right.
Johnny Craig and George Tuska Iron Man #24 pages 3 and 4 Original Art (Marvel, 1970). Miklos the Minotaur strikes, and Tony Stark wins big in the casino. These two pages are by EC stalwart Johnny Craig, with an inky assist from George Tuska. Each page has an image area of 10" x 15". Page three has an art correction in the first panel; otherwise, the pages are in Very Good condition. Each page was signed by George Tuska in the lower left margin.
Johnny Craig and George Tuska Iron Man #24 pages 7 and 8 Original Art (Marvel, 1970). This lot features two superb pages from the story "My Son, the Minotaur" by EC legend Johnny Craig, with polished inks by George Tuska. The image area of each page measures 10" x 15", and the art is in Very Good condition. Both pages were signed by George Tuska in their bottom margins.
Johnny Craig and George Tuska Iron Man #24 page 18 Original Art (Marvel, 1970). Johnny Craig brings some of his EC horror stylings to this moody page from Iron Man, with the first-rate inks supplied by George Tuska. This piece from "My Son, the Minotaur" has an image area of 10" x 15", and is in Excellent condition.
Crimes by Women #3 Complete 9-page Story "Jo Ardway - Roadside Murderess" Original Art (Fox Features, 1948). Jo knocks out motorists and steals their money -- not a bad living for a pretty petty crook, but things change when her latest mark turns out to be a serial killer. This nine-pager from Crimes by Women #3 has nice clean artwork. The image area measures 12" x 18" and, aside from a tear on the last page, the art is in Very Good condition.
Crimes by Women #3 Page Original Art, Group of 9 (Fox Features, 1948). Offered here is an almost-complete story (missing only the first title page) from Crimes by Women #3. Sultry Michele Durand is the "Lady of Intrigue" and the front for a Monte Carlo gang. The image area of each page measures 12" x 18", and, aside from some minor text corrections, the art is in Very Good condition.
Homer Davenport "Uncle Joe" Cannon Illustration Original Art (1903). Homer Davenport depicts Joe Cannon, the autocratic reactionary whose policies precipitated the Insurgent revolt among House Republicans (1906-1910), as a stern gavel wielder in this unsigned illustration. Measures 9.5" x 18". There is some paper tanning, bumped corners and tearing; otherwise the art is in Good condition.
Alan Davis and Mark Farmer JSA #11 Cover Original Art (DC, 2000). The unbeatable team of Alan Davis and Mark Farmer craft a moody cover image in which Sandy is about to get whacked, mob-style, by Kobra. The image area measures 10.5" x 15.5" and the art is in Excellent condition.
Jack Davis Mad #195 Complete 4-page Story "Zappy Endings We'd Like to See" Original Art (EC, 1977). Jack Davis provides four pages of quality yucks in this complete feature from Mad. The image area measures 17" x 22" and the art is in Very Good condition.
Phil Davis Mandrake the Magician Daily Comic Strip, dated 2-11-49 (King Features Syndicate, 1949). Mandrake's brother Derek may have turned to the dark side, and what's a crimefighting magician to do? Blood is thicker than water, after all. The strip is personalized to Ruth Maye Haslam by both Davis and creator/writer Lee Falk. The image area measures 17.25" x 5.25" and the art is in Very Good condition with some light vertical creasing.
Dan DeCarlo Studio Jetta of the 21st Century pages 5 and 6 Original Art (Standard Comics, 1952). The future looks funny with these two pages from the short-lived Jetta series. The image area of each page measures 12" x 18", and they are in Excellent condition.
Dan DeCarlo Pep #411 Cover Original Art (Archie, 1986). Even all bundled up for the ski slopes, Veronica can't help but attract attention. This "babe-a-licious" Dan DeCarlo cover has an image area of 9.75" x 15", and is in Very Good condition.
Dan DeCarlo Archie Giant Series #568 Betty and Veronica Christmas Spectacular Cover Original Art (Archie, 1987). Happy Holidays are guaranteed when Betty and Veronica make the scene. This cover has an image area of 9.5" x 15", and aside from a few glue stains, the art is in Very Good condition.
Dan DeCarlo and Henry Scarpelli Veronica #104 Cover Original Art (Archie, 2000). Veronica prefers to keep things simple, in this leggy cover art by Dan DeCarlo. This piece has an image area of 9.5" x 14.5", and is in Excellent condition.
Jose Delbo Billy the Kid #102 Cover Original Art (Charlton, 1973). This Bronze Age blockbuster has an image area of 9" x 14". The tile logo is a photocopy replacement on an acetate overlay; otherwise, the art is in Excellent condition.
Jose Delbo and Sal Trapani Superman Sunday Comic Strip Original Art, dated 1-1-84 (Tribune Company Syndicate, 1984). This large "Sunday Special" features a more educational slant for the reader, and caps it off with a word puzzle. The writer, artist, and inker are all featured, making this a rather unique behind-the-scenes strip. This piece has an image area of 15" x 21.25", and is in Excellent condition.
Joe Devito Green Lantern Masterpiece Set Chase Card Illustration Original Art, Group of 2 (Skybox, 1995). Both Hal Jordan and Kyle Rayner are spotlighted in these two beautifully painted Green Lantern illustrations by Joe Devito. These scenes were used for the front and back of the premier chase card in the Skybox Masterpiece series. This art was also used as packaging art for the cover of the retail box. Each piece has an image area of 5.5" x 7.5", and each has been matted and framed to an overall size of 10" x 12". The art is in Excellent condition. From the Frank Collection.
Chris Dien Captive Devil Girl Illustration Original Art (undated). This devilish portrait is burning with vivid color! Oil on canvas board, painted by noted S-F and Fantasy artist, Chris Dien, with an image area of approximately 16" x 20". In Excellent condition.
Dick Dillin and Sid Greene Justice League of America #64 Justice Society of America partial page 21 Original Art (DC, 1968). On the resurrected island of Atlantis, the Crimson Cyclone mops up T. O. Morrow's mob, in this page from the tale that revived and updated the Red Tornado, "The Stormy Return of the Red Tornado!" This partial page has an image area of 10" x 12" and the art is in Excellent condition.
Dick Dillin and Sid Greene Justice League of America #64 page 12 Original Art (DC, 1968). The Red Tornado swoops over the motionless bodies of Black Canary, Starman, and Hourman, while the Flash takes on T. O. Morrow's henchmen, in this page from "The Stormy Return of the Red Tornado!" The art has an image area of 10" x 15" and it is in Excellent condition.
Dick Dillin and Sid Greene Spectre #7 page 2 Original Art (DC, 1968). Hourman is momentarily caught off guard but quickly responds to put this would-be thug in his place. But this was only the beginning of Tick-Tock Tyler's problems in this back-up story from the Silver Age run of Spectre. The image area of this piece measures 10" x 15". The top and bottom margins have had four holes punched in them; otherwise, the art is in Excellent condition.
Dick Dillin and Sid Greene The Atom and Hawkman #43 page 3 Original Art (DC, 1969). The Mighty Mite comes to the aid of Professor Von Rilk, who is being manhandled by a pair of thugs, in this page from "Buzzin', Buzzin' -- Who's Got the Buzzin'?" The art has an image area of 10" x 15", and is in Very Good condition.
Dick Dillin and Joe Giella Justice League of America #91 page 16 Original Art (DC, 1971). Alien pet Teppy takes on the Justice League in this page from "Earth... the Monster-Maker!" The art has an image area of 10" x 15". Aside from paper tanning, and tape staining, the art is in Very Good condition.
The New Illustrated Disney Songbook Cover Original Art (Disney/Harry N. Abrams, 1986). A multitude of classic Disney characters are featured in this magical cover illustration. The characters are inked and hand-painted on acetate, which sits over the vibrant watercolor background. The image area measures 9" x 12", and the work is in Excellent condition.
Walt Disney Studios Beauty and the Beast Promotion Illustration Original Art (Disney, 1991). This enchanting illustration features lovely Belle and her hairy beau, Beast, waltzing together in a recreation from one of the most memorable scenes in Walt Disney's Beauty and the Beast. The line work has been hand-inked onto acetate, which lays over hand-painted watercolor background art. The art has an image area measuring 16" x 9", and is in Excellent condition.
Moris Scot Dollens Spaceman and Octopus Creature Painting Original Art (1983). This colorful S-F illustration was presented to Forrest J. Ackerman, and inscribed to him by the artist. Mixed media on board with an image area measuring approximately 19.5" x 15.25"; matted to an overall size of 25" x 20.75". In Excellent condition.
Luis Dominguez Ghosts #66 Cover Original Art (DC, 1978). A ghostly gardener takes his revenge in this Bronze Age chiller. The image area of this cover measures 9.75" x 15", and the art is in Excellent condition.
Luis Dominguez Ghosts #75 Cover Original Art (DC, 1979). A spectral witness takes his ghostly revenge in a dead-end alley. The image area of this Luis Dominguez spine-tingler measures 9.75" x 15", and the art is in Excellent condition.
Luis Dominguez Ghosts #91 Cover Original Art (DC, 1979). It's death to murderous fortune hunters in this eerie thriller by the talented Luis Dominguez. The image area of this piece measures 9.75" x 15", and aside from some marker fading in spots, the art is in Very Good condition.
Donald Duck Book Illustration Original Art (Disney/D. C. Heath & Co., circa 1939). This illustration was created for a D. C. Heath & Company publication, possibly Donald Duck and His Friends. Hand-inked and hand-painted on nitrate, the art has an image area of 5.5" x 5.5". The background is a color photocopy. Aside from some light buckling to the acetate, the art is in Very Good condition.
Cowboy Donald Duck Illustration Original Art (Disney, undated). The line work was printed onto acetate and hand-painted, and laid over a watercolor background. The image area measures 9.75" x 7.5". In Excellent condition.
Dick Duerrstein Mickey Mouse Golfer Painting Original Art (undated). Mickey takes a swing on this unstretched canvas with an image area of 30" x 30". The art is in Excellent condition.
Dick Duerrstein Surfin' Mickey Mouse Painting Original Art (undated). Mickey Mouse hangs ten in this dynamic mixed media painting on canvas by Dick Duerrstein. The art measures 20" x 30" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Mickey Born to Be Wild Painting Original Art (undated). Mickey heads out on the highway looking for adventure in this mixed media painting on canvas by Dick Duerrstein. The art measures 30" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Hot Rod Donald Duck Painting Original Art (undated). Donald revs his souped-up coupe in this mixed media painting on canvas by Dick Duerrstein. The art measures 30" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Dopey with Bluebird Painting Original Art (undated). Jewel miner, Dopey, shares a moment with a little blue friend in this mixed media painting on canvas by Dick Duerrstein. The art measures 30" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower left.
Dick Duerrstein Tinkerbell Painting Original Art (undated). Magical painted image of Tinkerbell on an unstretched canvas. The image area measures 36" x 48" and the art is in Very Good condition.
Dick Duerrstein Tigger Painting Original Art (undated). This bouncy mixed media painting on canvas by Dick Duerrstein measures 24" x 36" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Incredible Hulk Painting Original Art (undated). Ol' Greenskin makes his move on this almost expressionistic painting by Disney animator/artist Dick Duerrstein. The image area measures 30" x 40" on an unstretched canvas. The art is in Excellent condition.
Dick Duerrstein Tweety Bird Painting Original Art (undated). Dick Duerrstein presents the two-time Academy Award-winning Warner Bros. character, Tweety Bird, in this vivid painting on canvas. Rendered in mixed media, the art measures 18" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower left.
Dick Duerrstein Marvin the Martian Painting Original Art (undated). Our favorite Martian appears on this unstretched canvas with an image area of 30" x 30". The art is in Excellent condition.
Dick Duerrstein Marvin the Martian Painting Original Art (undated). The manic Martian, Marvin, plots another nefarious scheme to rule the world, in this expressive painting on canvas by Dick Duerrstein. Rendered in mixed media on canvas, the art measures 20" x 30" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Tasmanian Devil Painting Original Art (undated). This manic mixed media painting on canvas by Dick Duerrstein features the wild and wooly Tasmanian Devil. The art measures 30" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower right.
Dick Duerrstein Wile E. Coyote and Road Runner Painting Original Art (undated). Eternal enemies Coyote and Roadrunner stand side-by-side on this unstretched canvas, which has an image area of 30" x 30". In Excellent condition.
Dick Duerrstein Wile E. Coyote Painting Original Art (undated). The Road Runner's scraggly antagonist, Wile E. Coyote, is rendered in mixed media on canvas by Dick Duerrstein. The art measures 18" x 24" and is in Excellent condition. Signed by Dick Duerrstein at the lower left.
Dick Duerrstein Dennis the Menace Painting Original Art (undated). The menace called Dennis is pictured on this unstretched canvas, with an image area of 30" x 30". The art is in Excellent condition.
Kevin Eastman and Peter Laird Teenage Mutant Ninja Turtles #5 page 36 Original Art (Mirage, 1985). This page was originally published in black and white as part of the very first series, and was later reprinted in color, as well as in the TMNT: Book II trade paperback. The art has been matted alongside the background color painting (with associated black line overlay) from the trade paperback printing, where it was published on page 86. The image area of the original art measures 8" x 12" and the art is in Excellent condition. A copy of TMNT: Book II is also included with this lot.
Lee Elias Beyond Mars Sunday Comic Strip Original Art, dated 8-3-52 (News Syndicate, 1952). Lee Elias adds a Milton Caniff-ish touch to this Science Fiction Sunday. Great explosion panel! The inked art on board has an image area measuring approximately 18" x 22.5". The art was on two pieces on bristol that have been joined with tape on the back; overall condition is Very Good, light soiling and small stains.
John Estes Tales to Astonish #1 page 20 Original Art (Marvel, 1994). Psychotic killer Knut Caine is washed into a cavern where the spirit of Loki appears to him and shows him an enchanted dagger, in this painted page from the Tales to Astonish #1. Rendered in watercolor on illustration board, the art has an image area of 12" x 18" and it is in Excellent condition. Signed by John Estes at the bottom left.
Gene Fawcette Out of the Shadows #14 Complete 3-page Story "When Death Takes a Hand" Original Art (Standard, 1954). Gene Fawcette turned in a terrific job for this yarn, drawn very much in an Alex Toth-inspired style. Each page of this three-page chiller has an image area of 12" x 18", and the art is in Excellent condition.
Ramona Fradon and Bob Smith Super Friends #9 Splash Page 1 Original Art (DC, 1977). The Super Friends observe Green Arrow and Tasmanian Devil as they attempt to defuse a deadly earth-destroying bomb, in this splash page for the tale "Three Ways to Kill a World." The art has an image area of 10" x 15" and it includes the original indicia paste-up art at the bottom. This page is in Very Good condition.
Kelly Freas Analog #540 page 45 "Star Probe" Illustration Original Art (Conde Nast, 1975). Kelly Freas illustrates the second part of the three-part Joseph Green story "Star Probe," with this mystical illustration. Acrylic on black illustration board, the art measures 7" x 15" and is in Excellent condition.
Kelly Freas Analog, Space Cricket Illustration Original Art (1977). This piece is noted as "Analog" on the reverse. It is uncertain if it was used to illustrate a story, or possibly an editorial essay. The image of this piece measures 18.5" x 13", and the art is in Very Good condition.
Kelly Freas The Far Traveler #1/Star Probe Painting Original Art (1978). Science fiction legend Kelly Freas captures the sublime sense of wonder in space exploration. Used for a poster that was sold at gift shops. Production notes written on the back of the board indicate that this star-studded scene may also have appeared in an unidentified Analog publication. This acrylic on illustration board painting has an overall size of 20" x 15", and the art is in Excellent condition.
Kelly Freas The Lion Game Telzey Amberdon Cover Illustration Study Original Art (Ace, 1971). James H. Schmitz's fifteen year-old-genius Telzey Amberdon, the star of his "The Federation of the Hub" fictional universe, is brought to life by Kelly Freas in this small painted preliminary cover study. Oil on heavy board, the art has an image area of 4.25" x 6.25" and is in Excellent condition.
Bob Fujitani Doctor Solar, Man of the Atom #5 page 8 Original Art (Gold Key, 1963). Doctor Solar overcomes two shocked gunmen in this great page by Bob Fujitani. This piece has an image area of 12.25" x 17.5", and is in Excellent condition.
Bob Fujitani Doctor Solar, Man of the Atom #5 page 24 Original Art (Gold Key, 1963). Bob Fujitani illustrated these landmark scenes from issue where we first saw the Man of the Atom in costume. This page features not only Doctor Solar designing his costume, but also the nefarious Nuro and his flame thrower wielding henchmen. This piece has an image area 12.25" x 17.75", and is in Excellent condition.
Steve Geiger and Bob McLeod The Incredible Hulk #339 Cover Original Art (Marvel, 1988). The funhouse ain't so fun for Ashcan when the Hulk shows up, in this cover illustration penciled by Steve Geiger and inked by Bob McLeod. The art has an image area of 10" x 15" and it is in Excellent condition.
Frank Giacoia (attributed) Spider-Man Comics Weekly #160 (British) Loki Splash Page (Marvel UK, 1976). Although the credits box for this introduction page for a British reprint credit Jack Kirby, this splash was drawn by another Marvel staffer. This piece has an image area of 10" x 15". There are a few stains and some light water damage; otherwise, the art is in Good condition.
Girls' Romances #155 Cover Original Art (DC, 1971). Take a walk on the wild side -- with this tense romance cover featuring a "bad boy." This unusual cover was drawn in pencil for a special effect. The penciled portions of the cover were then pasted to a larger piece of cover stock. This piece has an image area of 10" x 15", and aside from a missing word balloon and issue number, the art is in Excellent condition.
Adrian Gonzales and Alfredo Alcala Arak Son of Thunder #24 Cover Original Art (DC, 1983). DC's Native American Conan clone (also written by Roy Thomas) fought creatures from myth and legend, rather than Lovecraftian nightmares. Adrian Gonzales and Alfredo Alcala contribute this spectacular "tear-through" cover. The image area measures 9.75" x 15", and the art is in Excellent condition.
Frank Goodwin Rusty Riley Sunday Comic Strip Original Art, dated 8-19-56 (King Features Syndicate, 1956). "Actor" Buster Bunko never did an honest thing in his life, except maybe for paying back some money he once stole from the nice lady -- and just in the nick of time. The image area measures 23" x 16.5" and the art is in Very Good condition.
Goofy Illustration Original Art (Disney, undated). The line work was printed onto acetate and hand-painted, and laid over a watercolor background. The image area measures 10" x 7". In Excellent condition.
Chester Gould Wordy Watkins Try-Out Daily Comic Strip Original Art (circa 1925). After recently arriving in Chicago, Chester Gould produced numerous try-out strips, including this contemporary humor strip, Wordy Watkins. Gould displays his lighter side in this daily which has an image area of 20" x 6", and is in Excellent condition.
Chester Gould The Girl Friends Daily Comic Strip Original Art, dated 8-19-31 (Chicago Daily News, 1931). This lighthearted pre-Dick Tracy Chester Gould daily follows the antics of Bebe the actress and her backstage adventures. The image area of this daily measures 20" x 6" and the condition is Excellent.
Clarence Gray Brick Bradford Daily Comic Strip Original Art, Group of 2 (Central Press Association, 1936). Temuchin, the "New Khan", tells Brick of his plans to rule America in these two consecutive dailies, dated 5-11 and 5-12-36. Nicely illustrated in brushed ink on illustration board, with image areas measuring approximately 24" x 5.5". Both strips display considerable paper tanning and aging, but are otherwise in Excellent condition.
Mike Grell and Vince Colletta The Warlord #30 page 1 Original Art (DC, 1980). Travis Morgan spies the Theran army on the march towards Shamballah, in this first page to the tale "Warpath." The art has an image area of 10" x 15" and includes the original indicia paste-up type. Aside from some paper tanning, and a small stain at the left, the art is in Very Good condition.
Gremlins in Outer Space Original Art Painting Original Art (1982). Acrylic on board, with an image area measuring approximately 11" x 13.5", matted to an overall size of 16" x 18.5". Piece is signed but we can't quite make out the signature. Excellent condition.
Tom Grindberg The Secret Defenders #11 Cover Original Art (Marvel, 1993). This face-smashing cover by Tom Grindberg covered the third part of the "Stormblast Crossover" storyline. The image area measures 10" x 15" and the art includes the original logo and masthead paste-up art. In Excellent condition.
Fred Guardineer The Spirit (Weekly Comic Book), Mr. Mystic Page Original Art, Group of 2 (circa 1948). When Bob Powell was called to war, Fred Guardineer filled in for him on the Mr. Mystic strip that ran as a back-up feature in The Spirit (Weekly Comic Book) newspaper sections. Offered here are two pages from somewhere in that two-year run (the pages are marked "#2" in pencil at the top margin). Guardineer's clean style was a good match for Powell. These two pages have an image area of 13" x 18" and are in Excellent condition.
Jackson Guice and Larry Mahlstedt Flash #9 Cover Original Art (DC, 1988). Diamonds are flyin' everywhere in this exciting cover from the late eighties re-launch of Flash comics. Interestingly, in the final published version, the face of the Chunk (who debuted in this issue) was blacked out. The image area measures 9.75" x 15" and the art is in Excellent condition.
V. T. Hamlin Alley Oop Daily Comic Strip Original Art, Group of 2 (NEA Service, 1949). This group lot of two dailies finds amnesiac Alley Oop taking tender comfort from Queen Umpateedle -- but watch out, Alley -- the attention has turned King Guzzle into a green-eyed monster! These dailies were titled "Sad Symptoms" (2-15-49), and "Don't Misunderstand" (2-17-49). Each daily has a 20.5" x 5.75" image area. The strips were folded at the center, between panels two and three; otherwise, the art is in Very Good condition.
V. T. Hamlin Alley Oop Daily Comic Strip Original Art, dated 2-9-63 (NEA, 1963). With his trusty stone ax in hand, Alley Oop fears no lizard -- not even a dragon. This episode has an image area of 20" x 6". There is a vertical cut between the second and third panels and the pieces were later rejoined with tape on the back of the paper; otherwise, the art is in Excellent condition.
V. T. Hamlin Alley Oop Sunday Comic Strip Original Art, dated 5-11-69 (NEA Inc., 1969). Alley Oop shows why you should always let sleeping cavemen lie. This Sunday has an image area of 24" x 15.5", and the art is in Very Good condition.
Russ Heath SNAFU #1 Original Art (Atlas, 1955). Russ Heath shows his comical side on this page from the "Blackboard Jungle" story in SNAFU magazine #1. This piece has an image area of 13.25" x 17.5", and aside from some heavy glue stains in the last three panels, the art is in Very Good condition. The page was signed by Heath along its top. The stats that were pasted over the last three panels are taped to the back of this page.
Don Heck Tales to Astonish #46 Ant-Man page 5 Original Art (Marvel, 1963). Hank Pym and Janet van Dyne star in this crisply inked page from the Ant-Man yarn,"When Cyclops Walks the Earth." This Silver Age page has an image area measuring 12.5" x 18.5", and the art is in Excellent condition.
Don Heck Tales to Astonish #46 Ant-Man page 8 Original Art (Marvel, 1963). Dashing Don Heck presents a rip-roaring page from the early days of Marvel, when the superhero universe was first being formed. This page from "When Cyclops Walks the Earth" has an image area measuring 12.5" x 18.5", and the art is in Excellent condition.
Don Heck and Jack Kirby Tales To Astonish #49 Giant-Man page 9 Original Art (Marvel, 1963). Don Heck and Jack Kirby display their mastery of Marvel-styled superhero action and inventive costume design in these scenes from a watershed story for Hank Pym, "The Birth of Giant-Man." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. Marvel legend Stan Lee signed the bottom of this page in 1993.
Gale Heimbach Outer Limits Painting Original Art (2004). Classic S-F television series characters, rendered in acrylics on board. Image area measures approximately 22.25" x 14.5"; matted to an overall size of 27.5" x 19.5". In Excellent condition.
Erwin Hess (as Jonwan) Captain Midnight Daily Comic Strip Original Art, dated 3-18-43 (Chicago Sun Syndicate, 1943). Captain Midnight started out as a radio series, and was so successful it branched out into virtually every other type of media, including comic strips. Erwin Hess drew the strip for four years, and usually signed it "Jonwan." The strip has an image area of 22" x 6", and, although the first panel has a photostat that has aged, the art is in Very Good condition.
Mike Hoffman Vampirella Color Illustration Original Art (2006). The siren-eyed hottie from the planet Drakulon strikes a "come-hither-and-get-your-blood-sucked" pose in this alluring color illustration by Mike Hoffman. The image area measures 8.5" x 11" and the art is in Excellent condition.
F. M. Hutchins Puck Magazine Illustration Original Art (1895). This outstanding decorative title illustration was created for the Christmas edition of Puck. Ink with Benday shading on heavy illustration board. Measures 15.75" x 10.25". Some paper tanning and edge wear; otherwise the work is in Very Good condition.
Jack Jackson Skull Comix #4 "The Hound" page 3 Original Art (Last Gasp, 1974). The grave robbers find their prize -- an exotic, jade amulet, in this eerie page from Jaxon's adaptation of a classic H. P. Lovecraft tale. The last panel is a photostat, taped on by the artist. Ink, white paint, and Zipatone screens on bristol, with an image size measuring approximately 10" x 15.25". Excellent condition. From the Jack Jackson ("Jaxon") Collection.
Jack Jackson Skull Comix #4 "The Hound" page 4 Original Art (Last Gasp, 1974). As the ghoulish grave robbers leave with their booty, bats descend over the grave, in this incredible page from Jaxon's Lovecraft adaptation. The art is in ink, white paint, and Zipatone screen, on bristol measuring approximately 10" x 15.25". Excellent condition. From the Jack Jackson ("Jaxon") Collection.
Jack Jackson Skull Comix #4 "The Hound" page 5 Original Art (Last Gasp, 1974). Things take a turn for the worse as the Necronomicon begins to make its presence known, in this moody page from Jaxon's Lovecraftian fable. Ink, white paint, and Zipatone on bristol, with an image area measuring approximately 10" x 15.25". Some tape along the outside borders, and one tiny piece of Zipatone has begun to come loose; otherwise, the art is in Excellent condition. From the Jack Jackson ("Jaxon") Collection.
Jack Jackson Skull Comix #4 "The Hound" page 7 Original Art (Last Gasp, 1974). "The Amulet... that damn thing..." Trouble is hard to run from in this exquisitely drawn page from Jaxon's adaptation of H. P. Lovecraft. The art is in ink, white paint, and Zipatone on bristol, with an image area measuring approximately 10" x 15.25". Excellent condition. From the Jack Jackson ("Jaxon") Collection.
Jack Jackson Skull Comix #4 "The Hound" page 8 Original Art (Last Gasp, 1974). It all comes back to the graveyard, in this moody, moonlit scene. Jaxon's adaptation of an H. P. Lovecraft story provided some memorable pages, including this one, rendered in ink, white paint, and Zipatone screen. Image area measures approximately 10" x 15.25"; the page is in Excellent condition. From the Jack Jackson ("Jaxon") Collection.
Klaus Janson The Punisher #5 page 18 Original Art (Marvel, 1988). The Punisher gets punished with a shot of cyanide in the face, in this page from "Ministry of Death." The art has an image area of 10" x 15" and is in Very Good condition.
Burris Jenkins Jr. Editorial Illustration (The New York Journal, 1945). This cartoon was drawn for the flagship of the Hearst newspaper chain, The New York Journal, in the closing days of World War II. The Figure of Journalism gets teletype messages about the deaths of legendary war correspondent Ernie Pyle and Hearst chief Joseph Connolly, in this masterful editorial illustration. Crayon on coquille board, the art measures 10" x 12". Some edge wear and paper tanning; otherwise the work is in Good condition.
Jeff Jones Female Figure Sketch Original Art (undated). Pen and ink on bond paper. Measures 8.5" x 11". Aside from a light stain in the upper left corner, the work is in Excellent condition.
Jeff Jones Spaceman Sketch Original Art (1980). Graphite on illustration paper. Measures 8.5" x 11". In Excellent condition. Signed by Jeff Jones at the left.
Jeff Jones A Game of Thrones Book Illustration Original Art (Bantam Books, 1996).
In George R. R. Martin's novel, the royal Stark family's kingdom faces dire challenges with the onset of a generation-long winter, the poisonous plots of the rival Lannisters, the emergence of the Neverborn demons, and the arrival of barbarian hordes. This Jeff Jones ink drawing for the book has an image area of 7" x 3.75", and the art is in Excellent condition.
In George R. R. Martin's novel, the royal Stark family's kingdom faces dire challenges with the onset of a generation-long winter, the poisonous plots of the rival Lannisters, the emergence of the Neverborn demons, and the arrival of barbarian hordes. This Jeff Jones ink drawing for the book has an image area of 7" x 3.75", and the art is in Excellent condition.
Journey Into Fear #17 Complete 8-page Story "Make Mine Horror" Original Art (Superior-Dynamic, 1954). Here's a witches' brew that will chill you. Mix one part murder with two partners who hate each other, add a dash of bitterness, and let stand for twenty-five years, then open and you'll find this horrific pre-Code eight-pager. Drawn by Iger Studio artists. The image area of each page measures 12" x 18", and the art is in Excellent condition.
Journey Into Fear #18 Complete 7-page Story "Here's to Horror!" Original Art (Superior, 1954). Wealthy heiress, Jane Marlowe, sets her sights on handsome young crooner Lanny Burns, but there's only one problem -- his wife, Mary! But what's a little murder when it comes to a fabulous singing career? Created by the craftsmen at the Iger Studio. Each page has an image area of 12" x 18", and is in Very Good condition.
Dan Jurgens and Romeo Tanghal Sun Devils #5 Cover Original Art (DC, 1984). Sexy Scyla and scaly Shikon take on some Sauroid thugs on this exciting cover from the DC maxiseries, with nicely detailed pencil work by Dan Jurgens. The image area measures 9.75" x 16" and the art is in Very Good condition.
Dan Jurgens and Dick Giordano Sun Devils #8 Cover Original Art (DC, 1985). We're pretty sick of reptilian space invaders, and so are these guys, apparently, in this nifty space cover from the 12-part maxiseries Sun Devils. The image area measures 9.75" x 16" and the art is in Very Good condition.
Dan Jurgens and Brett Breeding Superman Red/Superman Blue #1 3-D Cover Original Art (DC, 1998). Quintessential Superman artist Dan Jurgens turns in this energetic cover for the 3-D version of Superman Red/Superman Blue #1. Only a few years after his dramatic death (and subsequent rebirth), Superman was split into two powerful entities; the basis for a storyline that spanned all of the Supes books. This page was signed by Jurgens along the bottom/middle of the piece. The art has an image area of 10.5" x 15.5", and is in Excellent condition.
Bob Kane Batman and Robin Sketches Original Art (1993). This display piece features a Bob Kane sketch of Batman on a "First Day of Issue" postcard from Virginia Beach, VA (dated 1993) and a separate Kane sketch of Robin on a piece of fuchsia paper (also dated 1993). Matted with a photographic print of the cover of Batman #4, the sketches each measure approximately 2.5" x 2.5", and both have been signed by Kane. In Very Good condition.
Gil Kane House of Mystery #184, Complete 10-page Pencil Preliminary Story "The Eyes of the Basilisk" Original Art (DC, 1970). These energetic pencil preliminaries for "The Eyes of the Basilisk" give a keen insight into the unique creative process of comic book hall-of-famer Gil Kane. Each pencil on newsprint preliminary has an overall size of 12" x 18.5", and the pages average Very Good condition.
Rafael Kayanan The Fury of Firestorm #43 Cover Original Art (DC, 1986). Typhoon alert! Firestorm beware! This Rafael Kayanan cover illustration has an image area of 10" x 15" and it includes the original logo and masthead paste-up art. In Excellent condition.
Walt Kelly Pogo Daily Comic Strip Original Art, dated 1-17-58 (The Hall Syndicate, 1958). The lucky properties of rabbit's feet are the subject of discussion in this typically amusing Pogo daily. Image area measures 16.25" x 4.5" and the art is in Very Good condition.
Walt Kelly Pogo Daily Comic Strip Original Art, dated 2-16-66 (Hall Syndicate, 1966). Pogo encounters Dmitri the Newslife photographer, who's looking for a "peaceable kingdom" shot. Ink and blue pencil on board, with an image area measuring approximately 18.5" x 5". In Excellent condition.
Hank Ketcham Dennis the Menace Daily Comic Strip Original Art, dated 8-22-75 (Field Newspaper Syndicate, 1975). "Vi'lent" bedtime stories don't seem to bother Dennis, though Granny's a bit concerned, in this amusing daily from the great Hank Ketcham. The image area measures 6.5" x 7.5" and the art is in Excellent condition.
Hank Ketcham Dennis the Menace Daily Comic Strip Original Art, dated 8-27-75 (Field Newspaper Syndicate, 1975). Dennis' mom has never been one to tolerate profanity, even in soup. This nifty daily from the classic strip has an image area of 6.5" x 7.5" and the art is in Very Good condition.
Hank Ketcham Dennis the Menace Daily Comic Strip Original Art, dated 8-31-78 (Field Newspaper Syndicate, 1978). Dennis doesn't suffer girls gladly, and Margaret most of all. Hank Ketcham creates another classic Dennis daily. The image area measures 6.5" x 7.5" and the art is in Excellent condition.
Frank King Gasoline Alley Hand Colored Sunday Comic Strip Original Art, dated 11-11-45 (Chicago Tribune, 1945). Frank King's fantastic art is even more appealing when it's hand colored. Hand colored originals such as this one were often presented by artists to friends and fans. This lighthearted Sunday has an image area of 17" x 21", and the art is in Very Good condition.
Jack Kirby and Dick Ayers Strange Tales #84 "This Is Magneto" page 4 Original Art (Marvel, 1961). As any True Believer knows, many of the concepts later used for the Marvel super heroes were developed in the pages of the earlier "pre-hero" monster stories. This "prototype" Magneto has the name and powers of the most famous of the X-Men villains, who made his debut two years later. This page has an image area of 12" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Tales of Suspense #27 page 4 Original Art (Marvel, 1962). In this Stan Lee/Jack Kirby classic, Inspector Koraz goes "On the Trail of the Witch", and finds much more than he bargained for. Brilliantly rendered by the team-supreme of Jack Kirby and Dick Ayers, this classic page measures approximately 12.5" x 18.5" overall and is in excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished Splash Page 1 Original Art (DC, 1973). This melodramatic masterpiece has an image area of 10" x 15", and aside from some whited-out art corrections in the gal's face, the art is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 2 Original Art (DC, 1973). Jack Kirby's supreme talent for dramatic scenes shines in this 10" x 15" page. Aside from whited-out art corrections in the girl's faces, the art is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 3 Original Art (DC, 1973).
Harry Pruett introduces himself in this soulful 10" x 15" page. Aside from whited-out art corrections in the girl's faces, the art is in Excellent condition.
Harry Pruett introduces himself in this soulful 10" x 15" page. Aside from whited-out art corrections in the girl's faces, the art is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 4 Original Art (DC, 1973). Harry Pruett knows all about Buffy Davis, go-go dancer. Aside from whited-out art corrections in the girls' faces, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished Splash Page 5 Original Art (DC, 1973). "Good girl" art is the highlight of this Jack Kirby splash featuring the Candy Club dancers. Aside from whited-out art corrections in Buffy's face, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 6 Original Art (DC, 1973). Busy Richard is a player and Buffy knows it. Aside from whited-out art corrections in Buffy's face, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 7 Original Art (DC, 1973). Jack Kirby was a master at capturing the emotions of his characters as is demonstrated in these scenes of melancholy. Aside from whited-out art corrections in Buffy's face, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 8 Original Art (DC, 1973). An inner city romance blossoms in these rooftop scenes, starring Harry Pruett and Buffy Davis. Aside from whited-out art corrections in Buffy's face, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 9 Original Art (DC, 1973). Harry Pruett puts his best moves on Buffy and they work! Aside from whited-out art corrections in Buffy's face, this 10" x 15" page is in Excellent condition.
Jack Kirby and Vince Colletta Soul Love #1 "Fears of a Go-Go Girl" Unpublished page 10 Original Art (DC, 1973). Harry lays it all on the line for Buffy in the heartfelt scenes of this 10" x 15" page. Aside from whited-out art corrections in Buffy's face, the art is in Excellent condition.
Warren Kremer Casper and the Ghostly Trio Illustration Original Art (undated). Casper and his three uncles are caught in mid-air by the hand of Harvey mainstay Warren Kremer. Gorgeously rendered in ink with watercolor on heavy illustration board, the art has an image area of 8" x 8". In Excellent condition.
Warren Kremer Richie Rich Dollars and Cents #19 Cover Original Art (Harvey, 1967). For most kids, the first sight of Richie and Dollar the Dog makes for a startling moment. And Richie Rich Dollars and Cents #19 had the first comic book appearance -- and, needless to say, the first comic book cover appearance -- of the privileged canine. This superb Warren Kremer cover has an approximate image area of 5.5" x 8.5". The title logo and other type stats have gone missing and there are glue stains where art correction paste-ons used to be, as well as around the borders; otherwise, the art is in Good condition.
Joe Kubert Tales of the Green Beret Sunday Comic Strip Original Art, dated 4-16-67 (Chicago Tribune, 1967). Chris Tower is caught up in international intrigue, and Joe Kubert showcases his fine talent for "good girl" art with a trio of Cold War cuties. This Sunday has an image area of 19.5" x 13.5". Each individual panel was cut out and pasted to a larger piece of support paper; otherwise, the art is in Very Good condition.
Harvey Kurtzman Help! Sketch Original Art with Hand-Signed Letter (1963). In response to a fan's request, Harvey Kurtzman sent two ink and grey wash on paper panels, presumably from the magazine he was editing at the time, Help! Each panel measures approximately 3" x 4.75", and the accompanying letter, signed in faded color marker by Kurtzman, is on 5.5" x 8" Help! stationary. All three pieces were taped to a 10" x 8" blue illustration board, with a hand-written note from the original owner. In Very Good condition.
Walter Lantz Studio Woody Woodpecker How to Draw and Color Book Illustration Original Art (Whitman, circa 1950s). Two illustrations from the Woody Woodpecker coloring book; one of Woody entitled "Sudden Storm", the other featuring Chilly Willy frolicking at the South Pole; both pieces were initialed by Walter Lantz. The art in ink on board, with an image area measuring approximately 7.25" x 9.25"; the two pieces have been matted together with a press proof of the printed cover, for an overall size of 31.5" x 16.25". In Excellent condition. Comes with a letter of authenticity from Animation Plus! Gallery
Leo Leibelman Warrior and Gremlin Card Art Painting (undated). Oil on canvas, measuring approximately 16" x 20". Excellent condition.
Edward Letkeman Space Nomad Comics #3 Complete Unpublished 8-page Story "Goldylocks and the Sergeant" Original Art (Superior, 1947). A G. I. makes friends with a lion in the heat of battle in this complete Canadian Golden Age story. Listed in the bottom border as Space Nomad Comics V2#3, this tale was probably never published (SNC published only one single issue). Each page has an image area measuring 12.25" x 18", and is in Excellent condition.
Larry Lieber Two Gun Kid #72 "The Last Gun-Fight" Title Page 1 Original Art (Marvel, 1964). Larry Lieber sets the stage for a Western shootout in the dramatic opening scenes for this Silver Age showdown. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Larry Lieber and John Tartaglione Rawhide Kid #65 page 5 Original Art (Marvel, 1968). Lucy and her little brother tend to an injured Rawhide Kid in this page illustrated by Stan Lee's younger brother, Larry Lieber. This page has an image area of 12.5" x 18.5", and is in Excellent condition.
Little Audrey #11 Page Original Art, Group of 12 (St. John, 1950). More misadventures with the mischievous Little Audrey and her friends. Here is a group of 12 pages from the stories, "The Report Card," "Unfriendly Relations," and "Aviation Blues." Each page has an image area of 12" x 18" and, aside from some paper tanning, and scattered soiling (two of the pages have some severe tape staining), the pages average in Good condition.
Bob Lubbers Rangers Comics #35 Complete 10-page Firehair Story "In the Dakota Valley" Original Art (Fiction House, 1947). That buxom wildcat, Firehair, takes center stage in this action-packed, rip-snorting ten-pager. It's Western action as only Fiction House could picture it -- with plenty of "good girl" art by Bob Lubbers. The image area of each page measures 12" x 18" and the art is in Very Good condition.
Bob Lubbers Long Sam Sunday Comic Strip Original Art, dated 11-20-60 (United Feature Syndicate, 1960). Famed "good girl" artist Bob Lubbers was an inspired choice to draw the beautiful Long Sam. Characters based on the likenesses of Nikita Khrushchev, Fidel Castro, and Francisco Franco co-star in this gag. This Sunday has an image area that measures 22.5" x 15", and the art is in Excellent condition.
Jay Lynch, Skip Williamson, and Peter Poplaski Midwest Magazine "Urban Park" Illustration Original Art (1973). A nice double-page spread, featuring a whole lot of people having loads of fun on a summer day. The mixed-media art has an image area measuring approximately 21.5" x 12.75" on illustration board measuring 23.75" x 15.5". In Very Good condition.
Tom Mandrake Wonder Woman #294 Unpublished Cover Original Art (DC, 1982). Batman's old foe, the Blockbuster, tosses a few missiles at the Amazon Princess, but it turns out those awesome bracelets of hers will deflect just about anything! This unpublished cover by Tom Mandrake has an image area measuring 9.75" x 15". In Excellent condition.
Mo Marcus and Rocco Mastroserio Unseen #8 Complete 8-page Story "The Ring of Horror" Original Art (Standard, 1954). Pretty young Jane is happy to accept Gordon's proposal of marriage, but the cursed engagement ring he gives her means they're bound together forever -- even after his untimely death! Needless to say, having a zombie for an ex can really put a crimp in your dating life. Mo Marcus and Rocco Mastroserio contribute eight pages soaked in creepy goodness. The image area of each page measures 12" x 18", and the art is in Very Good condition.
Esteban Maroto Beautiful Demon Illustration Original Art (undated). A gorgeous-but-deadly Demoness is the subject of this illustration by noted Spanish artist, Esteban Maroto. Mixed media on board, with an image area of approximately 10.25" x 11.5"; matted to an overall size of 15.5" x 16.5". Excellent condition.
Matt Masterson (attributed) Dick Tracy and the Villains of the 1940s Illustration (circa late 1970s). A great "family portrait" of beloved comic strip gumshoe Dick Tracy, with his friends (including Tess Trueheart and Junior) looking on at the best villains of the '40s -- Pruneface, Flattop, Littleface, Mumbles, the Brow, Itchy, Shaky, and more. Mixed media on board measuring approximately 29" x 20" framed to an overall size of 31.75" x 22.75". In Excellent condition.
Rocco Mastroserio Out of the Shadows #6 Complete 7-page Story "Salesman of Death" Original Art (Standard, 1952). Rocco Mastroserio drenches the pages of this savage spine-tingler with dark shadows -- it's nothing less than classic pre-Code horror. Each page has an image area of 12" x 18", and the art is in Excellent condition.
Val Mayerik Invisible: the Chronicles of Benjamin Knight Poster Illustration Original Art (1994). Oil on canvasboard painting, measuring approximately 28" x 22". In Excellent condition.
Mike Mayhew Vampirella #11 pages 6 and 7 Original Art (Harris, 2002). Mike Mayhew shows the tough side of Vampirella in this double-page spread from the 2001-2003 series. Beautifully rendered in shaded pencil and ink, fans might note that Mayhew drew himself in these pages. This piece has an image area of 13" x 16.75", and is in Excellent condition. Mike Mayhew signed each of the pages along their bottom borders.
Ralph Mayo Indians #5 Complete 10-page Story "Starlight" Original Art (Fiction House, 1951). The Huron warrior maiden, Starlight, and Grey Squirrel find danger and adventure facing enemy Senecas, in this ten-page tale. Each page has an image area of 12" x 18". There is some paper tanning, glue staining on page one (from missing paste-up art), and some blue pencil editorial markings; otherwise, the pages average Very Good condition.
Clifford McBride Napoleon Sunday Comic Strip Original Art, dated 10-14-34 (Arthur J. Lafave, 1934). Starting in 1934, Uncle Elby shared the Napoleon strip with Singapore Sam. This notable storyline, highly sought after by collectors, came very early on, in 1933-34, when Elby's seafaring friend, Singapore Sam, narrated an extended fantasy to Willie about Jumping Jack Island and its strange inhabitants. The image area of this strip measures 16.5" x 21.5", and the art is in Very Good condition.
Clifford McBride Napoleon Sunday Comic Strip Original Art, dated 12-9-34 (Arthur J. Lafave, 1934). Uncle Elby's wild prairie schooner ride is full of the action-packed slapstick that Clifford McBride excelled at -- it's a masterpiece of comic strip art. The image area of this strip measures 16.5" x 21.5", and the art is in Very Good condition.
George McManus Bringing Up Father Daily Comic Strip Original Art (undated). Jiggs can't stomach any more of Maggie's singing lessons, in this early Bringing Up Father daily. The image area of the daily is 17" x 4.75", and, aside from some light paper tanning, slight soiling, and a tear at the right edge (outside of the image area); the condition is Very Good.
George McManus Bringing Up Father Sunday Comic Strip Original Art, dated 6-10-45 (King Features Syndicate, 1945). Jiggs needs cash fast, so he resorts to larceny. The image area for this hilarious Sunday measures 16.75" x 13", and the art is in Very Good condition.
Mickey Mouse with Juggling Clubs Illustration Original Art (Disney, 1934). Rendered in red and white pencil on paper. Framed and matted to an image area of 5.5" x 8" and in Excellent condition.
Mickey Mouse on Skates Illustration Original Art (Disney, 1936). Rendered in red and white pencil on paper. Framed and matted to an image area of 5.5" x 8" and in Excellent condition.
Mickey Mouse and Goofy Panel Page Preliminary Original Art (Disney, undated). Don't give them a home where the buffalo roam! Mickey and Goofy are on the run from a herd of rampaging buffalo, in this incredible penciled preliminary comic book page. Rendered in graphite and blue pencil on tracing paper, the art has an image area of 13" x 18" and the condition is Very Good.
Frank Miller Barney Baxter In the Air Daily Comic Strip Original Art, dated 3-9-42 (King Features Syndicate, 1942). Frank Miller's hallmarked, crisp cross-hatching shines in this suspense-filled episode featuring Barney. This daily has an image area of 20" x 5" and the art is in Excellent condition.
Sheldon Moldoff Catwoman, Riddler, Joker, and Penguin Illustration Original Art (undated). Four of Batman's most fiendish foes fill this full color illustration by Sheldon "Shelly" Moldoff. Ink, marker, and watercolor on board. Framed and matted to an image area measuring 12" x 9" and in Excellent condition.
Sheldon Moldoff Green Lantern, Flash, and Hawkman Sketch Original Art (1993). Three legendary Golden Age heroes by a legendary Golden Age artist, Sheldon "Shelly" Moldoff. Rendered in ink, marker, and watercolor, the art measures 9" x 12" and is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 11-1-46 (McClure Newspaper Syndicate, 1946). Fred Andrews is the ultimate sports pop, in this daily by Bob Montana. The art has an image area of 19" x 5.75" and is in Very Good condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 4-3-49 (McClure Newspaper Syndicate, 1949). Fred Andrews' day off is anything but relaxing in this Bob Montana Sunday. The art has an image area of 20.5" x 14.5" and it is in Very Good condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 9-13-49 (McClure Newspaper Syndicate, 1949). Silence is not only golden, it's dangerous in this daily by Bob Montana. The art has an image area of 19.25" x 6" and is in Very Good condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 9-16-49 (McClure Newspaper Syndicate, 1949). Jughead's dog sinks his teeth into Archie's sarcasm in this Bob Montana daily. The art has an image area of 19.25" x 6" and is in Very Good condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 11-30-49 (McClure Newspaper Syndicate, 1949). Jughead is stuck on his new skating move, in this daily by Bob Montana. The art has an image area of 19.25" x 6" and is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 12-19-49 (McClure Newspaper Syndicate, 1949). Coach Archie is not a very good talent scout in this daily by Bob Montana. The art has an image area of 19.25" x 6" and is in Very Good condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 5-21-50 (McClure Newspaper Syndicate, 1950). Archie has a real clown act when he tries to sneak into the circus in this Bob Montana Sunday. The art has an image area of 20.5" x 14.5" and, aside from some light glue staining and soiling, it is in Very Good condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 7-12-50 (McClure Newspaper Syndicate, 1950). Archie tries to sneak his friends into the drive-in theater in this Bob Montana daily. The art has an image area measuring 19" x 5.75" and is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art, dated 5-9-51 (McClure Newspaper Syndicate, 1951). To call Archie's new invention hair tonic is a bald-faced lie! This Bob Montana daily has an image area measuring 19" x 5.75" and is in Excellent condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 2-17-52 (McClure Newspaper Syndicate, 1952). Bring on the whipped cream! This Bob Montana Sunday has an image area of 20.5" x 14.5". Aside from some light soiling and tape staining, the art is in Very Good condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 6-15-52 (McClure Newspaper Syndicate, 1952). The cat really did eat Archie's homework in this Bob Montana Sunday. The art has an image area of 20.5" x 14.5" and it is in Excellent condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 9-4-52 (McClure Newspaper Syndicate, 1952). Archie finds no solace painting plein air in this Sunday by Bob Montana. The art has an image area of 20.5" x 14.5" and it is in Very Good condition.
Bob Montana Archie Sunday Comic Strip Original Art, dated 10-19-52 (McClure Newspaper Syndicate, 1952). Archie and Reggie's antics "rock" to a new level in this Bob Montana Sunday. The art has an image area of 20.5" x 14.5". In Excellent condition.
Rags Morales and Dave Simons Forgotten Realms #15 Cover Original Art (DC, 1990). This comic series based on the Dungeons and Dragons role-playing game, ran for 25 issues in the early nineties. This exciting cover is by Rags Morales and Dave Simons, the same team who did the interior art. The piece has an image area of 9.75" x 15" and the art is in Excellent condition.
Gray Morrow Frankenstein Painting Original Art (undated). Boris Karloff's famous countenance is brought to undead life in this gorgeously gruesome original painting by Gray Morrow. Matted to an image area of 13.5" x 17.5", the art is in Excellent condition. Signed by Gray Morrow at the bottom right.
Steve Muffatti Little Dot #3 Complete 5-page Story "Jungle Fun" Original Art (Harvey, 1954). Little Dot goes big-game hunting with her Uncle Buck in this delightful five-pager. The superb Steve Muffatti art is a highlight. The image area of each page is 12" x 18", and the art is in Excellent condition.
Steve Muffatti Little Dot #9 Complete 5-page Story "Little Dot Meets Uncle Balance" Original Art (Harvey, 1955). Little Dot proves herself to be a terrific circus performer in this charming Steve Muffatti five-pager. The image area of each page is 12" x 18", and the art is in Excellent condition.
Russell Myers Broom Hilda Daily Comic Strip Original Art, dated 9-5-72 (Chicago Tribune, 1972). Hilda's dear old mom is too old for a broom, so she rides a wheelchair instead, and makes her presence felt. The image area measures 21" x 6" and the art is in Excellent condition.
Ernest Nordli Red Ryder Comics #138 Cover Original Art (Dell, 1955). Ernest Nordli was primarily a background artist at the Walt Disney Studio (he was the Art Director on Fantasia and Dumbo, and painted backgrounds for Sleeping Beauty, among others), but Dell often employed him as a cover artist as well. This painted Red Ryder cover is an action-packed knockout. The image area measures 10" x 13.5" and the art is in Very Good condition. A copy of the printed comic is also included in this lot.
Klaus Nordling The Spirit (Weekly Comic Book) page 11 Lady Luck Original Art (Register and Tribune Syndicate, c. 1948). Klaus Nordling does a fine job showing the beauty and cunning of the lovely Lady Luck in this page from an unidentified issue of The Spirit (Weekly Comic Book). This piece has an image area of 13" x 18", and the art is in Excellent condition.
Jim Peavy The Fly Painting Original Art (1993). Jim Peavy's art has graced the covers of successful genre publications such as Wonder Magazine and Scary Monsters Magazine. Here he puts his artistic feelers onto the classic 1958 horror flick The Fly. Rendered in oil on heavy illustration board, the art measures 15" x 20" and it is in Excellent condition.
Arthur Peddy and Bernard Sachs (attributed) Heart and Soul #2 Complete 7-page Story "Too Late to Love" Original Art (Mikeross Publications, 1954). Here is a soul-stirring, heart-wrenching tale of a young singer who pursues her career at the cost of love -- and loses it all in the process. Each page of this musical melodrama has an image area of 12" x 18", and the pages average in Very Good condition.
Dan Piraro Bizarro Illustration Original Art, Group of 2 (undated). Two lively illustrations by Bizarro cartoonist, Dan Piraro. The image areas measure 6.5" x 6.5" and 4" x 3". In Excellent condition.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 6-25-00 (Universal Press Syndicate, 2000). A doctor gets more than he bargained for in this daily. The art has an image area of 12.5" x 6.5" and it is in Excellent condition. Signed by Dan Piraro at the lower left.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 2-18-01 (Universal Press Syndicate, 2001). Pigs have their standards too, in this slop-filled daily. This art has an image area of 13" x 6.5" and it is in Excellent condition. Signed by Dan Piraro at the lower left.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 10-14-01 (Universal Press Syndicate, 2001). Some things have been the same since Genesis! This daily has an image area of 12.75" x 6.5" and it is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 11-11-01 (Universal Press Syndicate, 2001). Dan Piraro has a way with words in a daily you can take "stock" in. The art has an image area of 12.75" x 6.75" and it is in Excellent condition. Signed by Dan Piraro at the lower left.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 10-6-02 (Universal Press Syndicate, 2002). Dan Piraro puts an entertaining spin on a tour of New York in this daily from 2002. The art has an image area of 13" x 6.5" and it is in Excellent condition. Signed by Dan Piraro at the upper left.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 8-24-03 (2003). Western advertising meets Eastern tradition in this daily by Reuben Award-winning cartoonist Dan Piraro. The art has an image area of 12.75" x 6.75" and it is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 2-19-06 (2006). This daily moves at a snail's pace... with hilarious results! The art has an image area of 13" x 6.5" and it is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro Bizarro Daily Comic Strip Original Art, dated 6-13-07 (2007). What happens in Vegas stays in this Dan Piraro daily! This art has an image area of 6" x 7" and it is in Excellent condition. Signed by Dan Piraro at the upper right.
Jeff Pittarelli Boris Karloff as the Mummy Painting Original Art (2003). Karloff portrays the crumbling creature Im-ho-tep in this creepy-but-cool mixed-media painting from fantasy artist Jeff Pittarelli. With an image area measuring approximately 13.5" 16.25", matted to an overall size of 18.5" x 21.5". In Excellent condition.
Jeff Pittarelli Hellraiser: Pinhead Painting Original Art (2003). This sharp portrait of everyone's favorite Cenobite is sure to get right to the point with fans of the popular horror films. Mixed media on board, measuring approximately 13.5" x 16.5" overall, and matted to an image area of 18.5" x 21.5". In Excellent condition.
Jeff Pittarelli Lon Chaney as the Phantom of the Opera Painting Original Art (2003). The hideous Phantom, portrayed expertly by Jeff Pittarelli. Mixed media on board. With an overall size of 18.5" x 21.5", the art has been matted to an image area of approximately 13.5" x 16.5". In Excellent condition.
Jeff Pittarelli Julie Strain Painting Original Art (2003). Mixed media on board. Matted to an overall size of 19.5" x 24.5" with an image area measuring approximately 14.5" x 19.5". In Excellent condition.
Jeff Pittarelli Son of Frankenstein Painting Original Art (2003). The Monster, as portrayed by Boris Karloff in the 1939 film, is rendered to perfection by Jeff Pittarelli. The art has an overall size of 18.5" x 21.5", and has been matted to an image size of approximately 13.5" x 16.6". In Excellent condition.
Bob Powell Tomb of Terror #3 Complete 4-page Story "Cavern of the Doomed" Original Art (Harvey, 1952). This four-page tale of the supernatural was drawn by Bob Powell with the spine-tingling verve of the best 1950s pre-Code horror comics. This is one of Powell's wildest stories, with an incredible after-death sequence. Each page has an image area of 12" x 18", and they are in Excellent condition, with a ghostly pale blue wash indicating where shading should go.
T. E. Powers Never Again Comic Strip Original Art (Hearst Syndicate, circa 1900). Life in the Connecticut suburbs is not without its problems in this early editorial strip by Hearst cartoonist Thomas E. Powers. Powers was reportedly the favorite of such luminaries as Theodore Roosevelt and Calvin Coolidge. The ink on bristol art has an image area measuring approximately 8.5" x 12.25", and, aside from numerous stains and light soiling, is in Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art, dated 10-22-48 (King Features Syndicate, 1948). Rip and Desmond head out to catch the floor show at the Blue Cat in this dazzling Alex Raymond daily. The image area of this skillful piece measures approximately 18.5" x 5.5" and, aside from some light glue staining, the art is in Very Good condition. Signed and inscribed by Alex Raymond along the bottom.
Jack Rickard Mad #243 "Book of Mad" Splash Page 1 Original Art (EC, 1983). Look closely at these critters boarding Noah's Ark and you will see that many famous "funny animals" are set to sail! Krazy Kat, Offisa Pupp, Shoe, Smokey the Bear, the Exxon Tiger, Pluto, Snoopy, and Albert the alligator, to name but a few -- the gang's all here! This page has an image area of 17" x 14.5", and the art is in Excellent condition.
Frank Robbins Detective Comics #426 Batman page 7 Original Art (DC, 1972). Batman gets the answers he needs in this page from "Killer's Roulette," written and illustrated by comic strip legend Frank Robbins. This page has an image area of 10" x 15", and is in Excellent condition.
Mark Romanoski Batman Illustration Original Art (2006). Here's a moody portrait of the Cowled Crusader by Magic the Gathering, Harry Potter, and W.W.F. artist Mark Romanoski. The image area measures 9.75" x 14" and the work is in Excellent condition.
John Romita Sr. and Terry Austin Marvel-Heroes and Legends #1 Spider-Man page 14 Original Art (Marvel, 1996). Two of modern comics' finest talents, John Romita Sr. and Terry Austin, teamed to draw this sensational action page starring the Grey Gargoyle and Spider-Man. This piece has an image area of 10.25" x 15.5", and the art is in Excellent condition. John Romita Sr. signed the page in its upper left border.
Mike Royer Queen Azura Illustration Original Art (undated). The Witch Queen of Mongo is amply illustrated by Mike Royer in this black and white illustration. It measures 18" x 24". There is some light edge wear (well outside the image area); otherwise, the condition is Very Good. Signed by Mike Royer at the bottom right. From the Don Vernon Collection.
P. Craig Russell and Dan Green Amazing Adventures #32 page 16 Original Art (Marvel, 1975). Skar surveys the carnage of the rebel forces in this page from "Only the Computer Shows Me Any Respect." Inscribed along the left edge by writer Don McGregor. The art has an image area of 10" x 15" and, aside from some scattered soiling, is in Very Good condition.
Paul Ryan and Bob Wiacek Iron Man #272 Splash Pages 10 and 11 Original Art (Marvel, 1991). Fin Fang Foom stands over a defeated Iron Man in this double page spread from "Dragon Seed." The art has an image area of 21" x 15", and the condition is Excellent. Signed by Bob Wiacek at the bottom right.
Sanjulian (Manuel Perez Clemente) Hooded Menace and Bondage Illustration Original Art (undated). Born in Spain in 1941, Sanjulian has become one of the world's most respected artists in the fantasy illustration field. It is easy to see why with this superb fully rendered pencil drawing. Sanjulian became known for his incredible artwork in the pages of Warren Publishing magazines. This piece has an image area of 10" x 13", and it has been matted and framed to an overall size of 16" x 18". The art is in Excellent condition.
Hal Santiago The Gorgon Illustration Original Art (undated). Striking portrait of the snake-haired demoness by noted Filipino artist Hal Santiago. Ink on bristol, with an image area of 10.75" x 14.5". In Very Good condition.
Howie Schneider Eek and Meek Sunday Comic Strip Original Art, dated 5-14-67 (NEA, 1967). As this hilarious Sunday proves, Eek might not be the best guy to consult for advice about love, as rock-throwing is definitely not the desired result. The image area measures 21" x 14" and the art is in Very Good condition.
Ernie Schroeder Green Hornet #29 Complete 10-page Spirit of '76 Story "The Tiger Shark's Lair" Original Art (Harvey, 1946). The Spirit of '76 and Tubby battle the menace of a Japanese two-man submarine in this ten-page thriller. It's high-voltage action as drawn by the late Golden Age great, Ernie Schroeder. Each page has an image area that measures 12.5" x 18", and the aside from missing its title logo, some paper stuck to the surface of page one, and some missing lettering corrections, the art is in Good condition.
Mike Sekowsky Adventures Into Darkness #11 Complete 7-page Story "Mission From the Grave" Original Art (Standard, 1953). The horrific seven-page story by Mike Sekowsky tells the tale of a doomed artist who returns from the grave to finish a painting of his hapless fiancée. Each page has an image area of 12" x 18" and the pages average in Very Good condition.
Mike Sekowsky and Aldo Rubono This is War #9 Complete 4-page Joe Yank Story "Operation Spooks" Original Art (Standard, 1953). Joe and his buddies encounter some spooky problems, courtesy of the North Koreans, in this wild tale. As usual, Mike Sekowsky delivers the real goods with his well-designed artwork. The ink and blue pencil on bristol pages (some with pencil sketches on the back) each have an image area measuring approximately 12" x 18". In Excellent condition.
Mike Sekowsky and Sid Greene Justice League of America #53 page 8 Original Art (DC, 1967). When the JLA enters the lair of master thief Johnny Marbles, he manifests a slew of fantastical creatures to attack them in this page from "Secret Behind the Stolen Super-Weapons!" The art has an image area of 10" x 15" and is in Very Good condition.
Mike Sekowsky and Sid Greene Justice League of America #61 Green Arrow page 16 Original Art (DC, 1968). Doctor Destiny has his sights set on putting the JLA behind bars, and only Green Arrow knows his devious plan in this page from "Operation: Jail the Justice League!" The art has an image area of 10" x 15" and is in Very Good condition.
Mike Sekowsky and Dick Giordano Wonder Woman #180 Splash Page 8 Original Art (DC, 1969). Without her super powers, Wonder Woman undergoes a while new look and receives some martial arts training from I Ching. This lively page from "A Death From Diana" has an image area of 10" x 15", and the art is in Excellent condition.
John Severin Cracked #82 Complete 2-page Story "Stars on the Moon" Original Art (Major Magazines, 1970). "Stars on the Moon" include the Smothers Brothers, Jack Webb, Nixon and Agnew, John Wayne, Don Rickles, Dean Martin, Lorne Greene, Jackie Gleason, Dick Tracy, Tiny Tim, Rowan and Martin, Smokey the Bear, and more in this superb double-page splash by John Severin. The art has an image area of 25" x 16.5", and has heavy wear on the right side, edge wear, and creasing, and some pinholes. Roughly half of the text paste-ups are missing; otherwise, the piece is in Good condition.
John Severin Cracked #89 Back Cover Original Art (Major Magazines, 1970). This painted Ford Motors ad parody by John Severin ran on the back cover of Cracked #89. Rendered in ink and ink wash, the art has an image area of 15.5" x 20" and is in Very Good condition.
John Severin Cracked #90 Complete 1-page Story "Cowsmoopolitan" Original Art (Major Magazines, 1971). This one-pager features the magazine for good solid American girls, Cowsmoopolitan, and is graced with a John Severin-painted watercolor illustration. The art has an image area of 13" x 17.5" and is in Very Good condition.
John Severin Cracked #100 Complete 5-page Story "O' Meagre Man" Original Art (Major Magazines, 1972). John Severin spoofs The Omega Man, starring Charlton Heston, in this hilarious five-pager. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked Complete 7-page Story "The Three Moosekateers" Original Art (Major Magazines, undated). Cracked salutes one of Hollywood's classic films, The Three Musketeers, in this seven-page satire by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #113 Complete 5-page Story "Cracked Interviews the TV King" Original Art (Major Magazines, 1973). It's time for another tongue-in-cheek expose as Cracked and John Severin interview Robert Boob, the TV king. Ink on Craftint duotone paper. Each page has an approximate image area of 13.5" x 19.5" and is in Very Good condition.
John Severin Cracked #115 Complete 2-page Story "A Cracked Look at a Supermarket" Original Art (Major Magazines, 1974). We can think of nobody better to show us "A Cracked Look at a Supermarket" than jaunty John Severin. This superb two-page story has an overall image area of 25" x 16.5" and it was drawn on Craftint paper. Aside from some minor creasing at the corners, the art is in Very Good condition.
John Severin Cracked #122 Complete 5-page Story "Beaujack" Original Art (Major Magazines, 1975). Cracked salutes the tough New York dick who always comes out on top, Kojak, in this John Severin five-pager. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #126 Complete 4-page Story "The Major Moose Show" Original Art (Major Magazines, 1975). Major Moose takes over children's television in this four-page John Severin satire. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #126 Complete 6-page Story "The Towering Infernal" Original Art (Major Magazines, 1975). John Severin makes a mockery of the 1974 disaster film The Towering Inferno, starring Charlton Heston, in this six-page tale. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin King-Sized Cracked #9 Complete 5-page Story "Black Movie Monsters" Original Art (Major Magazines, 1975). Black is beautiful in Hollywood horror films, in these five pages by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #130 Complete 6-page Story "The French Commotion II" Original Art (Major Magazines, 1976). This six-page tale is a satiric sequel to the motion picture The French Connection, starring Gene Hackman. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #130 Complete 5-page Story "Cracked Interviews the Sports King" Original Art (Major Magazines, 1976). How does the sports promoter do it? Find out in this farcical five-page tale by John Severin! Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #136 Complete 4-page Story "A Cracked History of the Bionic Man" Original Art (Major Magazines, 1976). Brilliant four-page poke at ABC's sci-fi program The Six Million Dollar Man by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #134 Complete 5-page Story "Barfsky and Clutch" Original Art (Major Magazines, 1976). Police detectives Starsky and Hutch get a hilarious makeover in this five-page John Severin satire of the popular television program. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #138 Complete 5-page Story "The Making of Silent Movie" Original Art (Major Magazines, 1976). The insanity of Mel Brooks' feature film Silent Movie is taken to a ludicrous new level in this five-pager by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #158 Complete 6-page Story "Lue Grunt" Original Art (Major Magazines, 1979). John Severin takes the television program Lou Grant down a few pegs in this sardonic six-page story. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #166 Complete 7-page Story "Leverne and Shurley" Original Art (Major Magazines, 1980). Cracked and John Severin salute the situational comedy Laverne and Shirley in this seven-page tale. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #169, Complete 6-page Story "The Billy Pluckett Story" Original Art (Major Magazines, 1980). John Severin draws up the life story of Billy Pluckett in this sporty six-page tale. Ink on Craftint duotone paper. Each page has an approximate image area of 12" x 16" and is in Very Good condition.
John Severin Cracked #170 Complete 7-page Story "The Not-So-Bright Shadow" Original Art (Major Magazines, 1980). The America television drama series The White Shadow is taken to task by John Severin in these seven pages. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #177 Complete 7-page Story "My Buddyguard" Original Art (Major Magazines, 1981). John Severin parodies the feature film My Bodyguard in this seven-page story. Ink on Craftint duotone paper. Each page has an approximate image area of 14" x 21" and is in Very Good condition.
John Severin Cracked #178 Complete 7-page Story "Diff'rent Strokes" Original Art (Major Magazines, 1981). John Severin spoofs the enormously popular early '80s American television program Diff'rent Strokes in this seven-page story. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked Complete 7-page Story "Tootsie Roll" Original Art (Major Magazines, undated). The blockbuster hit Tootsie was never sillier, than in this seven-page John Severin parody! Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #188 Complete 7-page Story "The Falling Guy" Original Art (Major Magazines, 1982). You'll never look at the television series The Fall Guy the same after reading this satire by John Severin! Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #196 Complete 7-page Story "Night Rider Meets The Dukes of Hazzardous" Original Art (Major Magazines, 1983). Two early 1980s television programs are spoofed in this seven-page tale by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #200 Complete 7-page Story "War Gains" Original Art (Major Magazines, 1983). John Severin spoofs War Games starring Matthew Broderick in this satiric seven-page tale. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #203 Complete 7-page Story "The A-A-Ayy Team" Original Art (Major Magazines, 1984). We pity the poor fool who passes up this seven-page John Severin tale, poking fun of the television program The A-Team. Rendered in ink with an ink wash, each page has an approximate image area of 13" x 16". In Very Good condition.
John Severin Cracked #212 Complete 7-page Story "Simple & Simple" Original Art (Major Magazines, 1985). The two sibling private investigators of CBS' Simon & Simon are taken to task by John Severin in this seven-page satire. Ink on Craftint duotone paper. Each page has an approximate image area of 12" x 16" and is in Very Good condition.
Marie Severin Weird Science Fantasy #24 Color Guide Production Art (circa 1970s). This color guide for Weird Science Fantasy #24 was done by Marie Severin in the seventies as a specialty piece for a fan. Severin, of course, did most of the coloring for EC in the fifties. This guide has an image area of 9" x 13" and, aside from some minor warping, is in Very Good condition.
Dave Sim Cerebus the Aardvark #20 Splash Page 1 Original Art (Aardvark-Vanaheim, 1980). This splash page from "Mind Games," which consists entirely of copy and word balloons, features the first direct mention of Cirin and of Cirinism, elements that will loom large in the later storyline. Dave Sim: "The title 'Mind Game' was freely swiped from John Lennon's song 'Mind Games' and is respectfully dedicated to his memory." The art has an image area of 10" x 15" and is in Very Good condition.
Dave Sim Cerebus the Aardvark #37 page 15 Original Art (Aardvark-Vanaheim, 1982). Dave Sim pokes fun of comic book conventions in this Petuniacon sequence from "It's Showtime!". The art has an image area of 10" x 15" and is in Excellent condition. Signed by Dave Sim at the bottom.
John Sink First Romance Magazine #40, Complete 5-page Story "I Sacrificed Happiness" Original Art (Harvey, 1956). Harvey "good girl" artist extraordinaire John Sink illustrates this stormy melodrama with his torrid line and detailed backgrounds. The image area of each page measures approximately 12" x 18", and aside from some Comics Code-mandated changes, the art is in Very Good condition.
Son of Satan Splash Page Original Art (Marvel, 1979). Daimon Hellstrom kicks up some flame in this Bronze Age splash page. Notes indicate that this hellacious art was originally created for Tomb of Dracula #90, and inventoried for Marvel Spotlight #14. The inker might be Frank Giacoia (the inker is indicated as having the initials "FG"). The art has an image area of 10" x 15" and is in Very Good condition.
Jack Sparling Strange Adventures #177 Immortal Man Splash Page 1 Original Art (DC, 1965). This issue of Strange Adventures featured the origin and first appearance of the Immortal Man, and this splash page by Jack Sparling gives us our first glimpse of the character. This page has an image area of 13" x 17.25", and aside from various spots of whiteout and some surface paper loss, the art is in Very Good condition.
Joe Staton and Mark Farmer Green Lantern Corps #206 Splash Page 1 Original Art (DC, 1986). The bodies of two Green Lanterns -- Hal Jordan and Arisia -- lie dormant in a dark cavern in this splash page for the tale "In Deep." The art has an image area of 10" x 15" and the condition is Excellent. This page was signed by Joe Staton at the bottom right.
Ken Steacy Marvel Fanfare Sub-Mariner Pin-Up Painting Original Art (Marvel, 1991). This Sub-Mariner pin-up was done for Marvel Fanfare, but the title was canceled before it ran. Ken Steacy has frequently contributed to Marvel titles, with a variety of covers and pin-ups. This is a superb example of his genius at work with paint. This ink and acrylic on paper piece has been matted and framed, with an image area of 10.25" x 15.5". In Excellent condition.
Ken Steacy Totally Kids Magazine Cover Illustration and Preliminary Drawing Original Art (Fox, 1995). With an explosion of vivid color, Ken Steacy presents us with this stunning illustration featuring Spider-Man, Rogue, and Wolverine versus the Hobgoblin, originally created as a cover for the Fox Kid's Club magazine Totally Kids. Painted and airbrushed in ink and acrylics, this colorful creation measures 12" x 17", and the condition is Excellent. This lot includes an alternative layout red pencil preliminary sketch, rendered by Steacy, also in Excellent condition.
Dave Stevens Vanguard Illustrated #2 Hand-Colored Cover Production Original Art (Pacific Comics, 1983). This particular cover was one of the best of the entire Pacific Comics output, featuring Dave "Rocketeer" Stevens drawing two of the things he did best, namely rocket ships and gorgeous girls! This is the color art for that cover, featuring Dave's inked art as an overlay, with hand-laid watercolor art (by Stevens and associates) on the artboard. The image area measures approximately 7.5" x 11", and the piece is in Excellent condition.
Tom Sutton Fightin' Marines #134, Complete 11-page Story "Lucky Lady" Original Art (Charlton, 1977). Tom Sutton detailed the World War II story of the bomber, "Lucky Lady," and WAF Sergeant Ann Chambers in this beautifully inked 11-pager. Each page has an image area of 10" x 15". The word balloons were pasted-on, and there are some small glue stains on some of the pages; otherwise the art averages Very Good condition. A production photostat (with revised dialogue) of the first page is also included in this lot.
Arthur Suydam Fantasy Illustration Original Art (undated). This double illustration by Heavy Metal artist Arthur Suydam is rendered in ink and oil paint. Matted to an image area of 16" x 10.5" and in Very Good condition.
Curt Swan and Jack Abel Superman #214 page 4 Original Art (DC, 1969). Superman is no match for the power of the Composite Superman. Who is responsible for unleashing the many villains he must face? Superman is on his way to find out, in a classic flying panel at the bottom of the page. The image area of this thriller measures 10" x 15". Aside from the four holes punched in the upper and lower margins and a torn upper left corner (outside the image area), the art is in Excellent condition.
M. J. "Boz" Sweeney Frog's Airship Page Original Art (circa 1883). Very early Victorian Age page, featuring six inked panels with penciled captions underneath. The art has an image size measuring approximately 7.25" x 9.75". Rendered on illustration board that is slightly brittle and cracking, with a few areas in the last panel flaked away; otherwise in Good condition. Still displayable art from a long-ago era!
Tailspin, Chip 'n Dale Rescue Rangers, and Duck Tales Promotional Illustration Original Art (Disney, undated). Chip 'n Dale, Baloo, Uncle Scrooge, and Huey, Dewey, and Louie are all here in this promotional illustration. The line art has been printed on acetate which lays over hand-painted watercolor art. The image area measures 10" x 11" and the art is in Excellent condition.
Three Caballeros Donald Duck Illustration Original Art (Random House, 1944). It's the end of the show for Donald in this graphite on bristol book illustration. The art has an image area measuring approximately 10" x 6", and is in Excellent condition.
Alex Toth (signing as Warren Tufts) Casey Ruggles Daily Comic Strip Original Art, dated 5-22-50 (United Feature Syndicate, 1950). Casey helps a stage driver left for dead in this tightly drawn daily, ghosted for Warren Tufts by Alex Toth. This strip has an image area measuring approximately 18.5" x 5". There is some light staining in the third panel; otherwise the condition is Very Good.
Warren Tufts Casey Ruggles Sunday Comic Strip Original Art, dated 10-08-50 (United Feature Syndicate, 1950). The remarkable drawing talent of Warren Tufts is showcased in this Casey Ruggles Sunday. This strip has an image area of 23" x 15.5". Aside from being cut between each panel tier and two pasted-on lettering correction in panel one, this strip is in Very Good condition.
Warren Tufts Casey Ruggles Sunday Comic Strip Original Art, dated 7-20-52 (United Feature Syndicate, 1952). Warren Tufts' rousing action scenes are always a treat for Western comic strip fans. This Sunday has an image area of 21.25" x 14.25". Aside from being cut between each panel tier and having some small tape residue stains, this strip is in Very Good condition.
George Tuska and Johnny Craig Iron Man #18 page 12 Original Art (Marvel, 1969). Not even a two-ton turning block will stop Tony Stark's Life Model Decoy in this page from "Even Heroes Die!" The art has an image area of 10" x 15", and is in Excellent condition.
George Tuska and Johnny Craig Iron Man #18 page 13 Original Art (Marvel, 1969). The Stark Life Model Decoy makes life difficult for the real Tony Stark in this page from "Even Heroes Die!" The art has an image area of 10" x 15", and is in Excellent condition.
Uncle Scrooge "Only a Poor Old Man" Painting Original Art (undated). Scrooge surveys his vast holdings in an unusual way in this painting based on Carl Barks' classic cover to Four Color #386, the first Uncle Scrooge-titled comic. Rendered in mixed-media on canvas, the art is framed to an overall size of 17" x 21" with an image area measuring approximately 15.75" x 19.75". In Excellent condition. From the Don Vernon Collection.
Raeburn Van Buren Abbie and Slats Sunday Comic Strip Original Art, dated 3-30-46 (United Feature Syndicate, 1946). In this delightful Sunday, Bathless Groggins shows a Eastern King his best "moves" -- and almost looses his head in the process. The image area of this hilarious strip measures 22.5" x 15", and the art is in Excellent condition.
Bill Vigoda (attributed) Super Duck #86 Complete 6-page Story, "Deep Water" Original Art (Archie, 1959). Each page of this silly six-pager has an image area of 12.5" x 18", and aside from a missing title logo stat on the first page, the art is in Very Good condition.
Bill Ward Cracked #90 Complete 2-page Story "Cracked Takes a Seat at Custer's Last Stand" Original Art (Major Magazines, 1971). Bill Ward, using his Cracked pseudonym of "McCartney," provides the highly amusing two-page "Cracked Takes a Seat at Custer's Last Stand." The image area measures 25" x 14.5". The art has a large chip out of the left margin, and some heavy edge wear and tearing; otherwise it is in Good condition.
Mike Wieringo and Sean Parsons Avengers Next #3 Cover Original Art (Marvel, 2007). After all these years, Ultron is still causing trouble in this action-packed cover by inker Sean Parsons, based on the original pencils by the late Mike Wieringo. The image area of this inked blue-line piece measures 10.5" x 16", and the art is in Excellent condition. Also included in this lot is a copy of the video poster, Next Avengers - Heroes of Tomorrow.
Kent Williams Wolverine Illustration Original Art (1999). The man with the adamantium claws gets a splattery portrait, rendered in mixed-media by Kent Williams. Framed to an overall size of 17" x 17.5" and matted to an image area of approximately 9.5" x 10". In Excellent condition.
Ron Wilson and Chris Ivy Wolfpack #8 Cover Original Art (Marvel, 1989). This cover illustration has an image area of 10" x 15" and it includes the original logo and masthead paste-up art. Aside from some tape staining, the art is in Very Good condition. Signed by Chris Ivy at the bottom right.
Ron Wilson and Chris Ivy Wolfpack #11 Cover Original Art (Marvel, 1989). It's Wolfpack vs. the Nine in an all out war for the streets of the South Bronx! This cover illustration has an image area of 10" x 15" and it includes the original logo and masthead paste-up art. In Excellent condition. Signed by Chris Ivy at the upper right.
S. Clay Wilson Sabetha the Pirate Jewess Illustration Original Art (1973). Pirate portrait from the Underground Comix legend. Ink and watercolor on bristol board. Framed and matted to an image area measuring approximately 6.25" x 8". In Excellent condition.
Stan Woch Airboy #34 Cover Original Art (Eclipse, 1987). David Nelson fights to survive strafing by his friend, Skywolf in this tense Stan Woch cover illustration. The art has an image area of 10" x 15" and it includes the original logo and masthead paste-up art on an acetate overlay. In Excellent condition.
Wally Wood Galaxy Magazine Innocent at Large Illustration Original Art (Galaxy, 1958). A superb illustration for the novelette "Innocent at Large," by Poul Anderson and Karen Anderson, published in the July, 1958 issue of Galaxy. This piece is Wally Wood science fiction art at its finest, rendered with ink and wash on illustration board. The image area of this piece measures 18.5" x 7.5" and the art is in Very Good condition.
Wally Wood Knight Preliminary Drawing Original Art (1973). This wonderful ink on vellum sketch was done as a study for an illustration that appeared in Galaxy magazine, and also on the cover of the Wallace Wood Portfolio. This preliminary was printed in the fanzine, Perigee, and the piece has an overall size of 9.5" x 6.5". Aside from transparent tape around the edges of the paper, the art is in Very Good condition. A copy of the Wallace Wood Portfolio is included in this lot.
Pete Woods Countdown to Final Crisis #17 Cover Original Art (DC, 2008). Donna Troy, Kyle Rainer, and Jason Todd may be in for trouble in this exceptional cover for the sprawling five-issue series. The image area of this cover measures 11.5" x 17". The woman's claw-hand is an original art paste-up, and there is a similar drawing on the reverse; otherwise, the art is in Excellent condition.
Bernie Wrightson Uncle Creepy Illustration Original Art (undated). A beautifully rendered scene featuring Uncle Creepy, which stylistically looks to date from the mid 1970s. This pen and ink drawing has been mounted onto a piece of mat board. There is a horizontal crease across the entire board, four inches from the top, and a six-inch vertical, unclosed tear at the bottom of the board. Three pieces of black tape are attached at the top of the drawing, and there is some glue staining in the center of the image. The overall board measures 14.25" x 16.5", while the image area of the drawing is approximately 14" x 13.5". The work is in Good condition, and Bernie Wrightson has signed the drawing at the lower left.
Rick Yager Buck Rogers Sunday Comic Strip Original Art (John F. Dille Co., 1952). The successor to Russell Keaton, Rick Yager, delivers some action in this Sunday from 1952. The art consists of two 13.5" x 20.5" panels, each with an image area of 12" x 18". With minor tape stains and a rough pasted-on logo across the top, the art is in Very Good condition.
Young Eagle #4 Page Original Art, Group of 8 (Fawcett, 1950). Here's a selection of exciting pages from Young Eagle #4, including the first page of "The Man Who Came Back, Chapter One: Death Trail" and the complete 7-page "Chapter Three: Showdown" which concluded the story. The image area of each page measures 13" x 18", and the pages average in Very Good condition.
Animation Art
Heavy Metal Den Animation Production Cel Original Art (Columbia, 1981). This original hand-painted production cel features the nubile queen from the "Den" sequence of Heavy Metal. Matted to an image area of 10" x 7", and in Excellent condition. The background is a color photocopy. The cel has been stamped with a seal and this lot also includes a Certificate of Authenticity.
Heavy Metal Hanover Fiste Animation Production Cel Original Art (Columbia, 1981). Captain Sternn's star witness is ejected into the vacuum of space in this tongue-in-cheek hand-painted cel from the original Heavy Metal motion picture. The art is matted to an image area of 12.5" x 9.5" and is in Very Good condition. The background is color photocopy presentation art. Includes a Certificate of Authenticity.
Heavy Metal Taarna Animation Production Cel Original Art (Columbia, 1981). The last of the warrior Taarakian race is as beautiful as she is deadly, in this hand-painted animation production cel. Matted to an image area of 12.5" x 9.5", and in Excellent condition. The background is a color photocopy. The cel has been stamped with a seal and this lot also includes a Certificate of Authenticity.
Heavy Metal Taarna Animation Production Cel Original Art (Columbia, 1981). The beautiful Taarakian warrior sits upon her avian mount, in this hand-painted animation production cel from the "Taarna" sequence of the ground-breaking feature film, Heavy Metal. Matted to an image area of 12" x 9", and in Excellent condition. The background is a color photocopy. The cel has been stamped with a seal and this lot also includes a Certificate of Authenticity.
Heavy Metal Animation Production Cel Original Art (Columbia, 1981). Taarna's loyal avian mount helps its warrior mistress against a horde of murderous barbarians, in this hand-painted animation production cel. Matted to an image area of 12" x 9", and in Excellent condition. The background is a color photocopy. The cel has been stamped with a seal and this lot also includes a Certificate of Authenticity.
Ralph Bakshi Studio Cool World "Holli Would Dancing" Animation Production Cel (Paramount Pictures, 1992). Holli goes through her sexy paces in this large cel presentation. Image area measures approximately 9.5" x 10.5", and is matted and framed to an overall size of 23" x 19.5". In Excellent condition. Comes with a Certificate of Authenticity from Paramount Pictures and one from Animazing Gallery
Cool World Animation Production Cel Original Art (Paramount, 1992). Who could resist Lynette in her nightgown? Not us! Framed and matted to an image area of 15.5" x 12", with Authentication stamp.
Batman Production Drawing Original Art, Signed by Adam West (Filmation, circa 1977). Heroic animation production drawing of the Caped Crusader by Filmation. Framed and matted to an image area of 11" x 9.5" and in Excellent condition. Signed by Adam West at the right.
Dick Bickenbach Tom and Jerry Animation Layout Drawing Original Art (MGM, undated). Lovely layout sketch by layout artist, Dick Bickenbach. Graphite on paper. Framed and matted to an image area of 11" x 9.5". Signed by Joe Barbera and Dick Bickenbach. Includes a Certificate of Authenticity.
Walt Disney Home Movies Title Screen Original Art (Disney, c. 1973). Hand-painted cel over an original art background. Matted to an image area of 14" x 10". In Excellent condition.
Donald Duck Hand-Painted Color Model Cel Original Art (Disney, 1998). Matted to an image area of 12" x 9.25". In Excellent condition. Includes a Certificate of Authenticity.
Donald Duck Production Cel and Drawing Animation Art (undated). Donald sits still for a change in this attractive animation cel and matching pencil production drawing. The cel has an imager area of approximately 3" x 4", matted and framed to an overall size of 18" x 16". In Excellent condition.
Ferdinand the Bull Presentation Cel and Background Animation Art (Walt Disney, 1938). A riled-up Ferdinand frightens some onlookers, in this trimmed cell and hand-painted background setup. This appears to be an old Courvoisier piece that has ben removed from its original frame. Image area is 11.5" x 10". The trimmed cel elements have been glued to the background; the figures on the right show a small degree of paint loss. In Very Good condition.
Half Fare Hare Animation Production Cel Original Art (Warner Bros., 1956). This hand-inked and hand-painted original animation production cel is from the 1956 short film, Half Fare Hare. Framed and matted to an image area of 11" x 9", this piece is in Excellent condition. The background is a color photocopy. Signed by director Friz Freleng and voice artist, Mel Blanc. Includes a Certificate of Authenticity.
Heavy Metal Animation Production Cel Original Art (Columbia, 1981). Taarna's seriously injured mount flies undefeated in this hand-painted animation production cel. Matted to an image area of 11.5" x 8.5", and in Excellent condition. The background is a color photocopy. The cel has been stamped with a seal and this lot also includes a Certificate of Authenticity.
Inch High Private Eye Animation Production Cel Original Art (Hanna-Barbera Productions, 1973). Inch High Private Eye is on the case in this nifty production cel. The cel has an overall size of 12.25" x 10.5" and is in Very Good condition.
Kellogg's Corny Snaps Television Commercial Animation Production Cel Original Art (Kellogg's, circa 1979). Shelly the Turtle with mask and steed from a Kellogg's Corn Snaps animated television commercial. This hand-inked and hand-painted cel has been framed and matted to an image area of 5.5" x 6.25". In Excellent condition.
Koko the Clown Walk Cycle Animation Drawing Original Art (Fleisher Studios, undated). Two multi-panel series of step-animation poses in one double-opening mat. First is one sheet in pencil, 30 frames, each approximately 1" x .75". Second is full color, paint over black ink, 140 frames, each approximately .75"x .5". Back of illustration board is signed Max Fleischer, along with his address and phone number. Ink and watercolor on paper, matted to an image area of 5.75" x 18". In Very Good condition.
Little Annie Fanny Animation Production Cel Original Art (Playboy, 2001). This blazer-popping production cel of Playboy's ditzy blonde is framed and matted to an image area of 9" x 9". In Excellent condition.
The Little Mermaid King Triton Hand-Painted Color Model Cel Original Art (Disney, 1989). Used in the preparation of the Disney feature, The Little Mermaid. Measures 8.5" x 11" and in Very Good condition. Includes a Certificate of Authenticity.
Magilla Gorilla Animation Production Cel Original Art (Hanna-Barbera, 1965). A nifty shorts-up shot of our favorite Magilla Gorilla. Framed and matted to an image area of 11" x 9", this piece is in Excellent condition.
Kay Nielsen Sleeping Beauty Animation Concept Sketch Original Art, Group of 2 (Disney, 1959). Two rare graphite sketches of the Prince fighting Maleficent in her dragon form by Kay Nielsen. Each drawing has an image area measuring 8" x 6". In Very Good condition.
Peter Pan Animation Production Cel with Presentation Background Original Art (Disney, 1953). This enticing hand-inked and hand-painted original animation production cel features a lovely Neverland mermaid. The cel measures 12" x 10", and is in Very Good condition. The background is a color photocopy.
Pink Panther Animation Production Cel with Clean-Up Drawing Original Art (DePatie-Freleng, undated). A perfect portrait of the Pink Panther! This hand-inked and hand-painted cel includes its clean-up drawing. Framed and matted to an image area of 11.5" x 8.75". In Excellent condition, and signed by Friz Freleng.
Pink Panther Animation Production Cel Original Art (DePatie-Freleng, undated). The Pink Panther plays chef in this hand-inked and hand-painted cel. Framed and matted to an image area of 11" x 8.5". In Excellent condition. The background is a color photocopy.
Rocky the Flying Squirrel Animation Production Cel Original Art (undated). Nifty cel of Bullwinkle's pal, Rocky the Flying Squirrel, which was used in a Hershey's Kiss commercial. The cel has been framed and matted along with the pencil drawing used to produce it. The image area measures 6.5" x 6.5" and the cel is in Excellent condition.
Scrub Me Mama With a Boogie Beat Storyboard Drawing Original Art, Group of 6 (Universal, 1941). Set of six jazzy storyboard drawings from the 1941 Walter Lantz short, Scrub Me Mama With a Boogie Beat. Rendered in graphite and blue pencil, each drawing has an image area of 5.5" x 4". In Very Good condition.
Secret Squirrel Limited Edition Cel #58/200 (Hanna-Barbera, undated). This limited edition hand-painted cel is based on artwork from the original Hanna-Barbera production, The Atom Ant/Secret Squirrel Show. Framed and matted to an image area of 15" x 11" and signed by small screen legends Bill Hanna and Joe Barbera. Includes a Hanna-Barbera seal and a Jerry Eisenberg Design stamp along the bottom.
Sleeping Beauty Animation Concept Drawing Original Art (Disney, 1959). The three good fairies glide down a royal stairway in this concept sketch from Sleeping Beauty. Rendered in crayon on paper, the art measures 11.25" x 7.75". In Very Good condition.
Sleeping Beauty Animation Production Cel Set-Up Original Art (Disney, 1959). Wand raised, the good fairy Flora applies a bit of fairy magic in this hand-painted production cel set-up from Sleeping Beauty. Matted to an image area of 14" x 10.75", the Flora cel exhibits some light buckling; otherwise the condition is Very Good. The background is a color photocopy. The top cel has been stamped with a Disney seal.
Sleeping Beauty Animation Production Drawing Original Art, Group of 5 (Disney, 1959). These five lovely production drawings include Aurora, Prince Phillip, and the three fairies, Flora, Fauna, and Merryweather. Each drawing measures 15.5" x 12.5", and they average in Very Good condition.
Snuffy Smith "The Method and the Maw" Animation Storyboard Group (Famous Studios, 1962). Snuffy and Barney Google's horse, Spark Plug get into the movies, much to Loueezy's chagrin, in this set of eight storyboards, numbered #41 to 48. Colored pencil on paper, with a total image area measuring approximately 17.75" x 14.5", matted to an overall size of 24" x 20.25". In Excellent condition.
Space Jam Animation Production Drawing Original Art (Warner Bros., 1996). This wonderful original animation drawing features the athletic beauty Lola Bunny. Rendered in graphite, blue and green pencil, the art is framed and matted to a 15.5" x 9.5" image area. In Excellent condition. Includes a Warner Bros. Animation Production Art seal, and a Certificate of Authenticity.
Space Jam Animation Production Drawing Original Art (Warner Bros., 1996). Marvin the Martian is the subject of this original animation production drawing from Space Jam. Rendered in graphite, red and blue pencil, the art is framed and matted to a 11" x 9" image area. In Excellent condition. Includes a Warner Bros. Animation Production Art seal, and a Certificate of Authenticity.
Space Jam Animation Production Drawing Original Art (Warner Bros., 1996). Original animation drawing of Lola "Don't call me doll" Bunny. Rendered in red pencil, the art is framed and matted to a 15.25" x 9.5" image area. In Excellent condition. Includes a Warner Bros. Animation Production Art seal, and a Certificate of Authenticity.
Tiger Trouble Animation Production Cel Original Art (Disney, 1945). Hand-inked and hand-painted original animation production cel from the 1945 Goofy short film, Tiger Trouble (Cel #A4). Framed and matted to a 9.25" x 7.5" image area, this piece is in Very Good condition.
Tummy Trouble Animation Production Cel Set-Up Original Art (Disney, 1989). This scintillating cel set-up with presentation background features Jessica Rabbit and Baby Herman from the first of the theatrically released Roger Rabbit short films. The art has been framed and matted to an image area of 15.5" x 10". In Excellent condition. Includes a Certificate of Authenticity.
Who Framed Roger Rabbit Production Cel Original Art (Disney, 1989). Baby Herman stars in this hand-painted original animation cel presented on a photographic print background. Matted to an image area of 11.5" x 10", the piece is in Excellent condition.
Winnie-the-Pooh Animation Production Cel Set-Up with Background Original Art (Disney, undated). Winnie-the-Pooh, Rabbit, and Tigger spend some time in the great outdoors in this hand-painted production cel set-up with original background. The items measure approximately 12.5" x 10.5" and are in Excellent condition.
Winnie-the-Pooh Animation Production Cel Set-Up with Background Original Art (Disney, undated). Winnie the Pooh and Rabbit share a blustery moment in this hand-painted production cel set-up with original background. The items measure 13" x 10" and are in Excellent condition.
Winnie-the-Pooh Animation Production Cel Set-Up with Background Original Art (Disney, undated). Winnie the Pooh and Roo put a little light on the subject this hand-painted production cel set-up with original background. The items measure approximately 13" x 10" and are in Excellent condition.
Winnie-the-Pooh Piglet Animation Production Cel Original Art (Disney, undated). Piglet takes a balloon ride in this nifty hand-painted production cel against a hand-painted background. Measures approximately 12" x 10". In Very Good condition.
Yippie, Yappie, and Yahooey Animation Production Cel Set-Up with Background Original Art (Hanna-Barbera, undated). The King's canine palace guards face a metal menace in this hand-painted production cel set-up with original background. Framed and matted to an image area of 10.5" x 8.5" and in Excellent condition.
Yogi Bear Animation Production Cel with Background Original Art (Hanna-Barbera, undated). Framed and matted to an image area of 12.5" x 8.25". Some minute paint loss; otherwise the work is in Excellent condition.
Golden Age (1938-1955)
Don Winslow of the Navy #1-10 Bound Volume (Fawcett, 1943). Copies of Don Winslow #1 (Captain Marvel cover appearance), 2, 3, 4, 5, #6 (flag cover), 7, 8, 9, and 10 that have been trimmed and bound into a hardcover volume. In great condition with vibrant color, mild tanning, and very little wear. Overstreet 2008 VG 4.0 value for group = $814.
Silver Age (1956-1969)
Fantastic Four #27-45 Bound Volume (Marvel, 1964-67). A nice set of FF issues #27-45 and Annuals #2 and 3, trimmed and bound into a single hardcover volume with the previous owner's name embossed on the cover. Covers and art by Jack Kirby. In very nice condition with supple off-white pages and some minor cover defects. Overstreet 2008 VG 4.0 value for group = $942.
Golden Age (1938-1955)
Feature Comics #40-51 Bound Volume (Quality, 1941). The issues cover-dated January through December 1941 are included here. Doll Man stars on the covers. Note that every copy in this volume has been three-hole punched. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $796.
Four Color #205-216 Bound Volume (Dell, 1948-49). A look at the white cover of #205 on our catalog picture will tell you all you need to know about the condition of these comics! The covers in particular are outstanding. The page quality is cream to off-white. The comics have been bound into a blue hardcover volume with the title and issue numbers embossed on the spine. All comics have been trimmed as part of the binding process. Overstreet 2008 VG 4.0 value for group = $222.
Pulps
Shadow (Pulp) Bound Volume (Street & Smith, 1948). A bound volume containing three hard-to-find digest-format Shadow pulps. Included are the April-May 1948, June-July 1948, and August-September 1948 issues. Bookery's Guide to Pulps VG value for group = $175.
Golden Age (1938-1955)
Sheena, Queen of the Jungle #1-3 File Copy Bound Volume (Fiction House, 1942-43). File copies of issues #1, 2, and 3 of Sheena, trimmed and bound into a hardcover collection. In great condition, with very minor wear, glossy covers that exhibit mild to moderate color loss, and supple off-white to cream pages. Solid binding. Overstreet 2008 VG 4.0 value for group = $932.
Silver Age (1956-1969)
Superman's Pal Jimmy Olsen #61-132 Bound Volumes (DC, 1962-70). Copies of issues #61-132 that have been trimmed and bound into a set of four hardcover volumes. The set stops short of Jack Kirby's run on the title. Includes numerous appearances by the Legion of Super-Heroes and art by Neal Adams. In very nice condition with some instances of mild cover wear. Overstreet 2008 VG 4.0 value for group = $606.
Golden Age (1938-1955)
Tarzan #1-99 Bound Volumes (Dell, 1948-57). Set of nine hardcover volumes includes trimmed and bound copies of Tarzan #1-99 and Tarzan's Jungle Annual #1-6. Highlights include first appearances of Tantor the Elephant and the Brothers of the Spear, Lex Barker and Gordon Scott photo covers. Art by Jesse Marsh. In great condition with glossy, pristine covers and supple pages that show mild to moderate toning. Overstreet VG 4.0 value for group = $2,559. From the Frank Collection.
Memorabilia
General Grocery Toy Kit and Comic Character Hanky Collection (1930s-50s). Two amazing vintage childhood collections! The first is a tin Play Grocery set, with nice 1930s-era painted graphics, and an incredible assortment of miniature product boxes, all in Very Good condition; the second is a three-ring binder filled with children's hankies, including many Disney designs, most in Excellent condition, including 29 individual hankies and nine sets in paper holders.
Hanna-Barbera Quickdraw McGraw and Baba Louie Plush Boxed Toys (Kellogg's/Knickerbocker, 1959). Two stuffed plush toys, in their original boxes; Quickdraw in blue plush (box is marked "Green"), and Baba Louie in green plush fur. Also included is an orange Augie Doggie, with no box. All three have the original Kellogg's Corn Flakes tag, and toys are in Excellent condition; boxes are in Very Good with some tape.
Hanna-Barbera Quickdraw McGraw Plush Toy Group (Knickerbocker, 1959). Vintage, colorful, plush stuffed toys, based on beloved cartoon characters, including Yogi Bear, Mr. Jinx, Pixie and Dixie, and more. All feature Knickerbocker Toy Co. tags. Average Condition is Very Good.
Hanna-Barbera Ceramic Figurine Group (circa 1960s). Great 7" figurines of Huckleberry Hound, Quickdraw McGraw, Mr. Jinx, and Yogi Bear, all in Excellent condition.
Hanna Barbera Yogi Bear Oversized Plush Toy (circa 1960s). Very cool Yogi, complete with felt hat and tie, with original Hanna-Barbera yellow ribbon. Stands approximately 21.5" tall. In Excellent condition.
Hanna-Barbera Large Ceramic Figure Group (circa 1960s). Large, colorful ceramics of Huckleberry Hound, Yogi Bear, Boo Boo, and Ranger Smith, averaging 12" tall (except for Boo Boo, of course). Boo Boo had a boo-boo, and has a repaired ear; otherwise, all items are in Excellent condition.
Hanna-Barbera Flintstones Wind-Up Toy Group (circa 1960s). Great collection of Japanese wind-ups: "Rocky" (no box); Barney "Pals" on Dino toy (with box, in Good condition); Fred Flintstone Tricycle (with box in Excellent condition); Wilma Flintstone Tricycle, some minor damage to arms (no box); Dino Flintstone Tricycle, some relaxing of elastic band holding arms (no box); and Fred on a Flintstones Flivver (no box). Toy condition ranges from Very Good+ to Excellent.
Hanna-Barbera Fred Flintstone and Barney Rubble Large Ceramic Figures (circa 1960s). Colorful ceramic figures of Fred Flintstone, 13", and Barney Rubble, 9", both in Excellent condition.
Hanna-Barbera Flintstones Figurine and Toy Group (circa 1960s-70s). Fun group of Flintstones items: eight tiny pewter figurines; two different Fred Flintstone clocks; Barney Rubble ceramic figurine; Bamm-Bamm ceramic figurine (head has been broken and reglued); cloth painting of Bamm-Bamm on dinosaur, plus 1963 Baby Pebbles Flintstone doll by Ideal, in box. Also includes two unusual wood and fur "Fred" and "Wilma" figures, plus a boxed "Flintstones Cut-Ups" card game. Items range from VG to Excellent.
Hanna-Barbera Vinyl Toy Figure Group (circa 1960s-70s). Huge collection of plastic cartoon toys: R. Dakin & Co. figures of Barney Rubble, Baby Puss, Bamm Bamm, Hokey Wolf, Hoppy the Hopperoo (all with original tags) and Dino (tail area broken); squeekie toys for large Baby Puss; Yippee Dog; Unidentified H-B dog in hat & bow-tie; and plastic soap container toys Secret Squirrel, Peter Potamus, Baba Louie (with original 1976 product tag) and Spouty Whale (also with tag and original contents. Except as noted, items range from VG to Excellent
Hanna-Barbera Stuffed Toy Group (circa 1960s-70s). Nostalgic collection of various sized stuffed toys featuring Magilla Gorilla 18"; Magilla Gorilla Ideal 12" Magilla Gorilla Ideal 7"; Tom and Jerry; Knickerbocker Dino; 1970 Scooby Doo with tag; Atom Ant by Rushton; Mushmouth by Ideal; Breezly Bruin by Ideal; and Hillbilly Bear by Sutton. Condition ranges from VG to Excellent.
Hanna-Barbera Flintstones Ceramic Plates and Cups Group (circa 1970s). Interesting group of Flintstones items: Three "It's Dinner Time" Framed Ceramic Plates( with Fred, Bamm-Bamm with Hoppy, and Dino with Pebbles); three "Good Morning" bowls, featuring Dino & Pebbles, Bamm Bamm & Hoppy, and Fred; and three coffee mugs, featuring Pebbles, Bamm Bamm, and Babypus. Also included is a rare 3-pack of Welch's Grape Juice bottles in a cardboard box, featuring Fred and Barney. Items range in condition from VG to Excellent.
Mouse-Design Toy Tea Set with Box (Japan, circa 1930s). An unauthorized Mickey Mouse clone decorates this vintage children's toy tea set. Set includes seventeen pearl-luster pieces, plus the original box. The set is in Excellent condition; the box in Good condition, with damage to the lid edges.
Magazines
Playboy Group of 47 (HMH Publishing, 1954-57). Here's an instant collection of the first four full years worth of Playboys, minus only the first issue. Every issue from 1954 through 1957 is included, the most difficult run to put together, excepting the first issue. In fact, the second issue (January, 1954) is considered as scarce as the first. The copies of the January, February, March, June, and July 1954 issues and the January 1955 issue have been reinforced along the spine by masking tape, but are complete and in Good condition. The January 1955 copy also has stains on the front cover. The rest of the issues from 1954 and 1955 average Very Good to Fine. The issues from 1956 and 1957 average FN/VF with very nice page quality.
Famous Playmates during the period include Bettie Page, Jayne Mansfield, Janet Pilgrim, and Lisa Winters. Additional pictorials of note during the period featured Marilyn Monroe, Gina Lollobrigida, Anita Ekberg, Jayne Mansfield, Diana Dors, Zsa Zsa Gabor, Edie Adams, Tina Louise, and Sophia Loren. Also featured are works by Ray Bradbury, Erskine Caldwell, Sir Arthur Conan Doyle, Jules Feiffer, Herbert Gold, W. Somerset Maugham, Shel Silverstein, and John Steinbeck.
Famous Playmates during the period include Bettie Page, Jayne Mansfield, Janet Pilgrim, and Lisa Winters. Additional pictorials of note during the period featured Marilyn Monroe, Gina Lollobrigida, Anita Ekberg, Jayne Mansfield, Diana Dors, Zsa Zsa Gabor, Edie Adams, Tina Louise, and Sophia Loren. Also featured are works by Ray Bradbury, Erskine Caldwell, Sir Arthur Conan Doyle, Jules Feiffer, Herbert Gold, W. Somerset Maugham, Shel Silverstein, and John Steinbeck.
Playboy Group (HMH Publishing, 1954-65). Nice copies of 23 issues, mostly from the toughest to find years of 1954-55. Included from 1954: May through September and November, a total of six issues. From 1955: January, February, April through August, October, and December, a total of nine issues. From 1956: January through June, and August, a total of seven issues.
Also included is a copy of the August 1965 issue featuring the pictorial for Playmate of the Year Jo Collins. Other notable Playmates include Bettie Page, Jayne Mansfield, and Janet Pilgrim (twice!). Other pictorials included Gina Lollobrigida, Anita Ekberg, Jayne Mansfield, and Diana Dors. Also featured are works by Ray Bradbury, Erskine Caldwell, Jules Feiffer, Herbert Gold, W. Somerset Maugham, Shel Silverstein, and John Steinbeck.
All are complete with centerfolds in Fine or better condition. The copies average Fine, with a range of Very Good to Very Fine. The July, 1955 issue has a half-inch tear through the entire issue at the bottom.
Also included is a copy of the August 1965 issue featuring the pictorial for Playmate of the Year Jo Collins. Other notable Playmates include Bettie Page, Jayne Mansfield, and Janet Pilgrim (twice!). Other pictorials included Gina Lollobrigida, Anita Ekberg, Jayne Mansfield, and Diana Dors. Also featured are works by Ray Bradbury, Erskine Caldwell, Jules Feiffer, Herbert Gold, W. Somerset Maugham, Shel Silverstein, and John Steinbeck.
All are complete with centerfolds in Fine or better condition. The copies average Fine, with a range of Very Good to Very Fine. The July, 1955 issue has a half-inch tear through the entire issue at the bottom.
Triumph Bound Volume (The Amalgamated Press, Ltd., 1939). Some of Superman's earliest UK appearances are to be found in these vintage copies of June 6-December 30, 1939 issues (763, 767-769, 771, 774, 775, 779, 781, 783, 786-793) of the weekly British publication that have been bound into a softcover volume. An ad in #771 may well be the first time the image of Superman was seen in the UK. While his first story appearance in #772 is not included here, all issues from 774-792 have several pages of Superman, with distinctive Joe Shuster art except for the opening splash panels, drawn by a local artist. Superman appears on a few covers, drawn by Brit John McCail, including an Action #1-like cover for issue 788. The Man of Tomorrow was popular enough that issue #775 bears the headline "The paper in which Superman appears every week." Fellow Action hero Zatara appears in #783, otherwise the issues consist of illustrated text stories with a few comic-panel pages. Detectives, aviators, a Tarzan-like character, and some villains called the Batmen appear, and this being the UK, there's a soccer-themed serial too. The mags are in overall nice condition with mild toning, some small areas of moisture damage, and a few tears bearing tape stains from previous repairs. Issue 786 has a tear through most of the issue. Also included are loose copies of the December 16, 1939 and May 11-25, 1940 issues, in GD/VG condition.
Memorabilia
Earliest "Alfred E. Neuman" Image Calendar (Antikamnia Tablet, 1908). That gap-tooth smile, the heavy-lidded eyes, the big ears, freckles, and red hair -- this could only add up to Mad's classic Alfred E. Neuman, right? Well, maybe. This one-hundred year-old heavy cardboard calendar features what is generally believed to be the very first version of an advertising gag character which soon evolved into the Mad mascot we all know and, er, love today! Issued by an old-time pain reliever medication, the front side has our unlikely hero, proudly proclaiming "It didn't hurt a bit" after losing a tooth. Maybe that's the real reason for Alfred's goofy grin -- he's "zonked out" on pain pills! This rarity is in Very Good+ condition, especially the color image of "the Kid". Your Mad collection isn't complete without it!
Argosy Comic Book Price Guide First Edition (Argosy Bookstore, 1965). Here's a well-preserved copy of the very first comic book price guide, predating Robert Overstreet's first edition by some five years. Less than fifty copies of this rarity are known to exist; this copy is in Excellent condition, with only minor wear along the spine edge and top front cover corner.
Bambi Meets His Forest Friends Lithographic Print (New York Graphic Society/Disney, circa 1949). Measures 27" x 24". Some edge wear; otherwise the condition is Very Good.
Carl Barks Xerxes and Harem Limited Edition Lithographic Print #58/250 with Drawing (Carl Barks, 1980). Surrounded by his harem of bejeweled beauties, ancient Xerxes relaxes, interested only in his game of "cat's cradle" in this limited edition lithograph by Carl Barks. The lithograph has an overall paper size of 24" x 30", with an image area of 16" x 20". Signed and numbered by Carl Barks, this print is in Excellent condition. Includes an original Barks drawing at the lower left.
Carl Barks Black Gold, Yellow Gold! Limited Edition Lithograph Print #49/210 (Disney, 1995). Produced for the attendees of a Carl Barks banquet, this limited edition lithograph is #49/210. The print has an image area measuring 9" x 12.5", and is signed by Carl Barks at the bottom right. Includes an authenticated photocopy of a letter by Barks describing this piece, and a photo of Barks holding the lithograph. Each piece is in Excellent condition.
Carl Barks A 1934 Belchfire Runabout Regular Edition Lithograph #9/345 (Another Rainbow, 1984). This Carl Barks continuous-tone commemorative lithograph was released in honor of Donald Duck's 50th birthday. Printed on Opalesque paper, the print has an overall size of 30" x 26.5" with a 22" x 18" image area. In Excellent condition and signed by Carl Barks. This lot includes a Certificate of Authenticity.
Carl Barks In Uncle Walt's Collectery Regular Edition Lithograph #9/345 (Another Rainbow, 1984). This fifth Carl Barks lithograph in the Another Rainbow series features the Donald Duck family in a roomful of Disneyana. The print measures 21.5" x 25", with a 16" x 20" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks Afoul of the Flying Dutchman Regular Edition Lithograph #9/345 (Another Rainbow, 1985). In the South Atlantic, Donald, Uncle Scrooge, and nephews Huey, Dewey, and Louie find the legendary Flying Dutchman, in this Carl Barks print. This is the seventh lithograph in Another Rainbow's series, printed on Opalesque cotton-fiber paper. The print measures 25.5" x 21", with a 16" x 20" image area. Signed and numbered by Carl Barks, and in Excellent condition. Includes a certificate of authenticity.
Carl Barks Dubious Doings at Dismal Downs Regular Edition Lithograph #9/345 (Another Rainbow, 1986). Uncle Scrooge and his nephew Donald Duck, and Huey, Dewey, and Louie Duck are spellbound by an apparition carrying a chest of treasures and wielding a jewel-encrusted sword, in this continuous-tone, twelve-color lithograph. This is the ninth Carl Barks lithograph in the Another Rainbow series. The print measures 25" x 21.5", with a 20" x 16" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks First National Bank of Cibola Regular Edition Lithograph #9/345 (Another Rainbow, 1987). In a Southwest desert Uncle Scrooge, Donald Duck, and Huey, Dewey and Louie find the ancient Indian ruins of the fabled Seven Cities of Cibola in this Carl Barks lithograph. The overall size measures 21" x 26" and it has an image area of 16" x 20". Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks Trespassers Will Be Ventilated Regular Edition Lithograph #9/345 (Another Rainbow, 1987). Glittering Goldie, accompanied by her bear, Blackjack, fires a warning shot at Uncle Scrooge, Donald Duck, and Huey, Dewey, and Louie, as they are about to jump what she feels is her claim, in this lithograph by Carl Barks. The overall size measures 26.5" x 24" with an image area of 20" x 16". Signed by Carl Barks at the lower right and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks Return to Plain Awful Regular Edition Lithograph #9/345 (Another Rainbow, 1989). This continuous-tone, multi-color lithograph is based on Carl Barks' famous square-egg story, "Lost in the Andes," originally published in Four Color #223. This is the thirteenth Carl Barks lithograph in the Another Rainbow series. The overall size measures 27" x 24" with a 20" x 16" image area. Signed by Carl Barks and in Excellent condition. This lot includes a Certificate of Authenticity.
Carl Barks An Astronomical Predicament Regular Edition Lithograph #9/345 (Another Rainbow, 1990). Uncle Scrooge, Donald, Huey, Dewey, and Louie are confronted by the hungry inhabitants of a barren asteroid in this lithograph based on Carl Barks' tale "Island in the Sky" from Uncle Scrooge #29. The print measures 21" x 25.5" with a 15.5" x 20" image area. Signed by Carl Barks and in Excellent condition. Also included in this lot is a numbered Certificate of Authenticity as well as a small 5.5" x 7.5" booklet reprinting the original story in black and white.
Carl Barks Snow Fun Regular Edition Lithograph #9/345 (Another Rainbow, 1990). This limited edition lithograph was inspired by the cover to Walt Disney's Comics and Stories #89. The print has an overall size of 26.5" x 23" with a 20" x 15" image area. Signed by Carl Barks and in Excellent condition. This lot includes a Certificate of Authenticity.
Carl Barks Dam Disaster at Money Lake Signed and Numbered Lithograph, 9/345 (Another Rainbow, 1986). Regular edition of the print, beautifully reproduced on Opalesque archival-quality paper, measuring 21.5" x 25" with an image area of 16" x 20. Also included is a special edition copy of the original Carl Barks written and drawn story, "Only a Poor Old Man" which has been reproduced in black and white (quite a prize in itself). Both items are in Excellent condition.
Carl Barks Signed Uncle Scrooge Color Page (Another Rainbow). This page, featuring gorgeous color rendered by Susan Daigle-Leach, reprints page nine from Carl Barks' classic story, "Land Beneath the Ground," which originally appeared in Uncle Scrooge #13, 1956 and was subsequently used for The Life and Times of Scrooge McDuck. This page of production art features a blue-line printed board, which was colored by Daigle-Leach in airbrushed color, and a film positive of the Barks line art taped over the color. Signed by Carl Barks on the artboard.
Carl Barks Help! Help! Our Unca Donald is Number Two In a Food Chain Signed Limited Edition Print, #94/300 (Carl Barks Studio, 1995). This print has an image area of 11.5" x 9" and an overall size of 14" x 11.5". The print is in Excellent condition, and Carl Barks signed and numbered the print in its lower border. Also included in this lot are two COAs and a photograph of Carl Barks.
Vintage Norman Rockwell Boy Scout Spirit of America Calendar (Brown and Bigelow, 1927). This wonderful vintage Boy Scout calendar has an image area of 16" x 32", and it's in Very Good condition. Remember the Boy Scout motto: "Be prepared," and might we add, "to bid."
Bugs Bunny Baseball Limited Edition Cel #296/1200, Signed by Friz Freleng (Warner Bros., 1990).
From the Warner Bros. Friz Freleng Limited Edition Masters Collection. Matted to an image area of 15.5" x 13" and in Excellent condition.
From the Warner Bros. Friz Freleng Limited Edition Masters Collection. Matted to an image area of 15.5" x 13" and in Excellent condition.
Captain Action Model Kit (Aurora, 1966). Captain Action tried to dethrone G.I. Joe as the top action figure of the 1960s, by licensing many of Marvel's and DC's top superheroes, such as Batman, Superman, Spider-Man, the Green Hornet, Captain America, and more, for his outfits. This kit shows him in basic uniform, with serrated sword and laser pistol. Unopened and sealed in its original factory shrinkwrap. The box is a C9, with only one minor crease on the left side panel, and a small ink mark on the front shrinkwrap, near Cap's elbow. You'd be hard-pressed to find a better example of this rare and highly coveted kit.
Circulation Magazine Special Comic Strip Edition (September, 1926) Condition: VG/FN. For lovers of early newspaper strips, this is a real treasure trove! Circulation was a trade magazine marketed to newspaper editors, and this special edition focused almost entirely on comic strips. The cover unites quite a crew of strip favorites, featuring characters from Bringing Up Father, Polly and Her Pals, and more.
Walt Disney/Kay Kamen Portfolio (Kay Kamen, 1934-37). A most unusual assortment of Mickey Mouse-related items: pen and pencil set ("dip" style Croquille pen, fountain pen, and mechanical pencil), all decorated with images of the Mouse (even the pen nibs); deluxe 1935 Kay Kamen Disney Promotions hardcover book, picturing special store displays; 1937 British Coronation Card with tipped-in color Mickey and Donald illustration, signed by Kay Kamen, with original stamped and mailed envelope; a 1937 four-page list of Kamen licensed Disney products with an attached Kamen packing label, and a Special Snow White Souvenir Edition of Showplace, the Magazine of Radio City Music Hall. All items are housed in a brown leather zippered portfolio folder. Items range in condition from Very Good to Very Fine. From the Don Vernon Collection.
Dick Duerrstein Donald Duck Telecaster Guitar (Fender, undated). A 1990s vintage Fender Telecaster of unknown origin, custom decorated with art featuring Donald Duck. The main art is on canvas affixed to the contoured body of the guitar, which has been fitted with a custom clear plastic pickguard. A pair of Bicycle dice have been modified as tone and volume knobs, and paint has been added along the fretboard. Signed on the body by Duerrstein. In Excellent condition. Includes a gigbag.
Exile Into Consciousness Limited Edition Portfolio 318/1000 Jaxon File Copy (Rip Off Press, 1970) Condition: FN. This boxed portfolio contains a collection of pen and ink, watercolor, and painted pieces, each printed on a separate sheet. A tough find on its own, this set comes from artist Jack "Jaxon" Jackson's personal collection. Signed "Jaxon" in ink on the back. Fogel's Underground Comix Price Guide FN 6.0 value = $180. From the Jack Jackson ("Jaxon") Collection.
Pogo and Walt Kelly Books Large Lot (1950-80s). A huge treasure-trove of books and magazines, most devoted to Pogo, and all with some degree of Walt Kelly artwork, is the focus of this group lot. Three comic "short boxes" full of items are included, with such titles as I Go Pogo; The Incomplete Pogo; The Pogo Sunday Brunch; Deck Us All With Boston Charlie; Pogo For President; The Pogo Poop Book; The Jack Acid Society Black Book; Pogo Puce Stamp Catalog; Uncle Pogo So-So Stories (signed by Kelly); Pogo Primer for Parents (TV Division); Songs of the Pogo; books not written by Kelly, but illustrated and/or introduced by him: The Pleasure Was All Mine (Fred Schwed, Jr.); Strong Cigars and Lovely Women (John Lardner); Dear George (John Keasler); The Glob (John O'Reilly, no dust jacket); I'd Rather Be President (Charles Ellis and Frank Weir, no dj); The Tattooed Sailor (Andre Francois); plus copies of later Kelly books, Okeefenokee Swamp; various checklists; and more. Condition ranges from Good to Near Mint, with various printings.
Krazy Little Comic SGCCard Test Issue Group (Topps, 1967). Here's a set of six Krazy Little Comics, produced by Topps as a satire of popular superhero comics. Art was by Wally Wood, with Mad Magazine-like scripts by Roy Thomas. This set includes the Marvel parodies, and all have been slabbed by Sportscard grader SGC. Included are: The Amusing Spider-Guy (SGC 86 NM+ 7.5); Fantastic Fear (SGC 84 NM 7); Captive American (SGC 86 NM+ 7.5); Sub-Marine Man (SGC 84 NM 7); The Incredible Hunk (SGC 80 EX/NM 6); and The Meekly Thaw (SGC 84 NM 7). Not listed in Overstreet.
Non-Mad Alfred E. Neuman Memorabilia Group (1940s-60s). Long before Mad Magazine adopted him as a cover mascot, the grinning redhead known as Alfred E. Neuman made many appearances in various advertising and novelty items. This collection includes several matchbooks (two covers, two oversize books, and one "naughty" book, with an "extended" match); unused window decals (two each of traditional "What -- Me Worry?", double small circle, and "Beatnik" Alfred, plus one unusual "four-eye" version); six different 1940s-50s postcards; and three 8.5" x 11" black and white posters. You'll never need worry again with this lot! All items are in Excellent condition.
Marvel Comics Greeting Cards With Envelopes Lot of 24 (Marvel/Third Eye, 1971). Prepare your eyes for a blast of day-glo color with this set of Marvel Comics greeting cards! All 24 cards are present, and all 24 unused envelopes too! Each card measures 6" x 9.25", with art on the front and blank interiors. All cards are in Excellent unused condition. Cards are not listed in Hake's.
Mickey Mouse Watch in Original Box (Ingersoll/US Time, 1947). The updated Mickey Mouse watch, still with moveable, yellow-gloved hands, inside a 1" x 1.5" silvered metal case, and with red patent leather bands. The watch appears to have never been worn, and the fragile leather bands are perfect. The watch comes housed in its original yellow box, which is itself in Excellent condition; it also includes the original US Time care instructional 4-page mini-booklet. The watch lists in Hake's Guide to Disney Collectibles with a Near Mint value of $150; the box lists in Near Mint for $200.
Pluto the Pup Fun-E-Flex Toy Figure with Box (Geo. Borgfeldt & Co., 1930s). Wooden toy with covered wire legs and neck, and felt ears. Both toy and original box are in Excellent condition. Hake's Price Guide to Disney Collectibles lists the toy in NM with a value of $200; the box is not listed. From the Don Vernon Collection.
Promotional Poster for Marvel Black Light Posters (The Third Eye, 1971). Shows all the popular posters. An item we had never seen before. 22" x 43", rolled, in excellent condition.
Snap, Crackle, and Pop Paper Mask Group (Kellogg's, 1933). Vernon Grant provided the art for these paper masks, considered the first premiums issued for the popular cereal mascots. The three 11" wide masks have been lightly attached to a 32" x 18" piece of white foamcore board; otherwise, they are in Excellent condition. Hake's Price Guide to Character Toys NM value = $150 each. From the Don Vernon Collection.
Snow White's Last Call For Dinner Lithographic Print (New York Graphic Society/Disney, circa 1949). Measures 27" x 24". Some edge wear; otherwise the condition is Very Good.
Fredric Wertham Book Group (Various Publishers, 1949-56). Set of three books by the controversial author of Seduction of the Innocent includes hardcover copies of The Show of Violence (1949), Dark Legend (1950), and The Circle of Guilt (1956); plus Gilbert Seldes' mass communications study The Great Audience (1950, no dustjacket). In overall Very Good condition with light general shelf wear to the books and dustjackets.
World War I War Savings Stamps Poster (circa 1917). "Keep Him Free" design by Charles Livingston Bull. Approximately 19" x 23.5", matted. VG condition. From the Don Vernon Collection.
Pulps
Ace-High Western Stories File Copies Group (Popular Publications, 1940-51) Condition: Average FN. Set of 90 high-grade file copies dating from 1940-51. Contents include works by Leslie Bellem, James Hogan, Laurence Donovan, and Clifford Simak. Each has a complete spine and covers, supple pages, and minimal wear for pulps of this age. Approximate Bookery's Guide to Pulps value for group = $1,200.
Amazing Stories - Buck Rogers Group (Ziff-Davis, 1928-29). Includes the August 1928 (GD/VG) and March 1929 (VG) issues, featuring the first two appearances of sci-fi adventurer Buck Rogers in any format (and his only pulp appearances). Bookery's Guide to Pulps value for group = $450.
Amazing Stories Group (Ziff-Davis, 1936-38) Condition: Average VF. High-grade copies of the December 1936; February, April, June, August, October, and December 1937; and February, April, June, August, and October-December 1938 issues. Each has a complete and unmarred spine and cover, and supple cream to off-white pages. Some very minor wear to the edges and head and/or tail of the spines. Approximate Bookery's Guide to Pulps Fine value for group = $645. From the Uncle Lefty Collection.
Argosy-All Story Weekly Group (Munsey, 1922-40) Condition: Average GD. Includes 81 issues ranging from May 6, 1922 to June 1, 1940. Highlights include the complete serial "Planets of Peril" and "Swordsman of Mars", and works by Erle Stanley Gardner, Talbot Mundy, H. Bedford-Jones, Otis Adelbert Kline, and A. Merritt. Grades range from FR to VG, and most have complete spines and covers, and supple pages. Bookery's Guide to Pulps value for group = $2,900.
Astounding Stories Pulp Bound Volumes Group (Street & Smith, 1930-50) Condition: Average VG. Set of 38 hardcover volumes includes January 1930 (the series' first issue) through December 1950, nearly complete with the exception of the issues from June 1930, December 1932, February 1933, April-September 1933, June 1935, and July-December 1939. A few issues are brittle, but the vast majority have very nice supple pages. All had their back cover removed prior to binding. Bookery's Guide to Pulps approximate VG value for group = $9,250.
Big-Book Western Magazine File Copies Group (Popular Publications, 1938-53) Condition: Average FN. Includes 33 high-grade file copies of the Western pulp dating from 1938-53. Each has a complete spine and cover, and supple cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $400.
Captain Future Group (Better Publications, 1940-42) Condition: Average VF. High-grade copies that includes the Winter, Spring, Summer, and Fall 1940; Winter, Spring, Summer, and Fall 1941; and Winter and Spring 1942 issues. Each has a complete, unmarred spine and cover, and supple off-white pages. Minimal wear and very little pulp overhang. Approximate Bookery's Guide to Pulps Fine value for group = $780. From the Uncle Lefty Collection.
Dime Mystery Magazine Group (Popular, 1935-38) Condition: Average VG. Includes the December 1934; February and July 1935; August 1936; and April (back cover detached) and September 1938 issues. Complete covers and spines, with pages ranging from white to cream in color. Most have some moisture damage and the usual edge wear. The edges of some are beginning to show brittleness. Approximate Bookery's Guide to Pulps value for group = $725.
Fifteen Western Tales Group (Popular Publications, 1942-53) Condition: Average FN. Includes 51 high-grade file copies of the Western pulp that date from 1942-53. Contents include stories by Louis L'Amour and Elmore Leonard. Each has a complete and largely undamaged spine and cover, and supple cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $675.
.44 Western Magazine File Copies Group (Popular Publications, 1944-53) Condition: Average FN. Includes high-grade file copies of the July 1944; March and May 1945; October 1946; January-March, May-July, September, and November 1947; January-May 1948; January-April, June, October, and December 1949; April 1950; January and March 1951 (digest-size issues); January, July, and November 1952; and March 1953 issues. Each has a complete spine and cover, and supple cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $325.
Marvel Science Stories Group (Red Circle, 1938-51) Condition: Average VG. Includes the August (first issue, FN) and November (GD) 1938, and February, April (classic Norm Saunders cover), and August (GD/VG) 1939 issues of Marvel Science Stories; the November 1940 Marvel Stories; and November 1950 and February 1951 (loose page, heavily trimmed) issues of the second series of Marvel Science. Overall nice condition. Approximate Bookery's Guide to Pulps value for group = $450.
Aviation Pulp File Copy Group (Various, 1934-49). Includes file copies of the August 1934 (FN/VF), November (FN) and December 1934 (classic cover has rocket ship crashing through skyscrapers - FN), and January 1935 (FN/VF) Dusty Ayers and His Battle Birds; March 1935 (VG-) Terence X. O'Leary's War Birds; and Winter 1943-44 (front cover partially detached from spine, reinforced with glue - Apparent VG/FN) and Winter 1948-49 (good girl with machine gun cover - VG/FN) issues of Wings. Approximate Bookery's Guide to Pulps value for group = $1,200.
Miscellaneous Detective Pulps File Copies Group (Various Publishers, 1944-53) Condition: Average FN. Includes 36 high-grade file copies of Detective Tales, F.B.I. Detective Stories, 15 Story Detective, All-Story Detective, New Detective Magazine, Detective Tales, and Detective Fiction dating from 1944-53. Each has a complete spine and cover and supple cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $1,325.
Miscellaneous Western Pulps File Copies Group (Various Publishers, 1937-54) Condition: Average FN. Includes 31 high-grade file copies of Dime Western; New Western Magazine; Western Tales (including the first issue); Fifteen Western Tales; Walt Coburn's Western Magazine; Western Story Roundup; Western Story Magazine; and Western Rangers, including the first issues of some. Each has a complete spine and cover, and supple cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $500.
Operator #5 Group (Popular, 1935) Condition: Average VG. Includes the April, May, and August 1935 issues. Complete cover and spines with some mild fading and usual edge wear. Some mild moisture damage and brittleness to the page edges. Approximate Bookery's Guide to Pulps value for group = $300.
Operator #5 Group (Popular, 1936-37) Condition: Average VG/FN. Includes the June, August, and December 1936; and January and February 1937 issues, each featuring installments of the "Purple Invasion" story arc. Complete covers and spines (some fading to the latter), supple pages, some very mild moisture damage, and mild edge wear. Approximate Bookery's Guide to Pulps value for group = $625.
Operator #5 Group (Popular, 1937-39) Condition: Average VG. Includes the March, May, and September 1937, November 1938, and March 1939 issues, some of which feature installments of the "Purple Invasion" story arc. Complete covers and spines (some fading to the latter), supple pages, some very mild moisture damage, edge wear, and some creases and tears to he covers. Approximate Bookery's Guide to Pulps value for group = $400.
Operator #5 Group (Popular, 1938) Condition: Average GD/VG. Includes the March and September 1938 issues. Complete covers and spines (some fading to the latter), supple pages, some moisture damage, edge wear, and some creases and tears to he covers. Approximate Bookery's Guide to Pulps value for group = $150.
Planet Stories #1-8 Group (Fiction House, 1939-41) Condition: Average VF. High-grade copies of the Winter 1939 Spring, Summer, Fall, and Winter 1940; and Spring, Summer, and Fall 1941 issues -- the first eight of the title. Each has complete, unmarred spine and cover and supple off-white pages. Very minor edge wear, and little overhang. Approximate Bookery's Guide to Pulps Fine value for group = $900. From the Uncle Lefty Collection.
Turn of the Century Hero Pulps Group (Various Publishers, 1892-1914) Condition: Average GD. Includes 82 copies of such pulp precursors as The Cosmopolitan (April 1897 issue, featuring the first printing of War of the Worlds by H. G. Wells - contents separated from cover - FR); Dick Dobbs Detective Weekly; Do and Dare; Frank Reade Weekly; Nick Carter Weekly; Young Rough Riders Weekly; Tip Top; Secret Service; Wild West Weekly; and others, featuring a variety of early literary heroes such as Thomas Edison Jr., Lad Electric, the Bradys, Dick Merriwell, and more. Grades vary from Fair to Very Good, with most issues complete. The Antique Trader Vintage Magazines Price Guide value for the Cosmopolitan = $100; the rest are not currently listed in the Trader or Bookery's. From the Frank Collection.
The Spider Group (Popular, 1934) Condition: Average VG. Includes the January, March, and October 1934 issues. Complete covers and spines (some fading to the latter), supple off-white to cream pages, some very mild moisture damage, and some wear along the edges. Approximate Bookery's Guide to Pulps value for group = $725.
The Spider Group (Popular, 1935) Condition: Average VG. Includes the January, February, April, July, and November 1935 issues. Complete covers and spines (some mild fading to the latter), supple pages ranging from white to cream, some mild moisture damage, and some wear along the edges. Approximate Bookery's Guide to Pulps value for group = $525.
The Spider Group (Popular, 1936) Condition: Average VG. Includes the January and August-December 1935 issues. Complete covers and spines, supple pages ranging from white to cream, some moisture damage, and some wear along the edges. Approximate Bookery's Guide to Pulps value for group = $750.
The Spider Group (Popular, 1937) Condition: Average VG. Includes the April, June, July, and November 1937 issues. Complete covers and spines, supple pages ranging from white to light tan, some moisture damage, and some wear along the edges. Approximate Bookery's Guide to Pulps value for group = $425.
The Spider Group (Popular, 1938) Condition: Average VG. Includes the January, February (classic cover), July, August, and September 1938 issues. Complete covers and spines (some fading to the latter), supple pages, some moisture damage, mild page chipping, edge wear, and some creases and tears to the covers. The February and November issues have been trimmed. Approximate Bookery's Guide to Pulps value for group = $575.
Star Western File Copies Group (Popular Publications, 1934-53) Condition: Average FN. An assortment of 70 issues dating from 1934-53. Complete covers and spines, and supple pages ranging from cream to off-white. Wear to the edges, though less than the usual amount associated with pulps. Approximate Bookery's Guide to Pulps value for group = $1,100.
10 Story Western Magazine File Copies Group (Popular Publications, 1936-54) Condition: Average FN. Set of 40 high-grade file copies dating from 1936-54. Complete covers and spines, supple pages ranging from cream to off-white. Wear to the edges, though less than the usual amount associated with pulps. Approximate Bookery's Guide to Pulps value for group = $650.
Weird Tales October 1933 (Popular Fiction, 1933) Condition: FR. Classic Margaret Brundage's classic "bat-woman" cover. Contents include the Conan tale "The Pool of the Black One" by Robert E. Howard, "Seed of the Sepulcher" by Clark Ashton Smith, and a Jules de Grandin tale by Seabury Quinn. Complete, bright red spine, supple cream-colored pages, and minimal wear; the back cover has been replaced with a non-matching one from another issue. Bookery's Guide to Pulps GD value = $200.
Weird Tales Group (Popular Fiction, 1927-38) Condition: Average GD. Includes the August 1927; January 1928; September 1929 (Fair, Kull story); December 1931; February 1933 (J. Allen St. John cover); August (FN, first appearance of Dr. Satan, by Paul Ernst), November (VG), and December 1935; and August 1938 (H. P. Lovecraft story) issues. Many feature stories by Robert E. Howard, including Kull and Conan tales. Approximate Bookery's Guide to Pulps value for group = $500.
Weird Tales Group (Popular Fiction, 1932-33). The first two appearances of Robert E. Howard's most well-known creation, Conan of Cimmeria, are the highlights of this set. Included are the November (FN-) and December (VG) 1932; and January (VG+) and February (FN) 1933 issues. Covers by J. Allen St. John. Each has a complete spine and covers, with some fading. Approximate Bookery's Guide to Pulps value for group = $1,350.
Weird Tales Group (Popular Fiction, 1939-45) Condition: Average FN. Group of 37 issues published from 1939-45. Highlights include a letter-to-the-editor from a 19-year-old Ray Bradbury, the first professional cover art by Hannes Bok, and H. P. Lovecraft's classic tales "The Case of Charles Dexter Ward" and "Herbert West -- Reanimator." Almost all have complete spines, largely unmarked covers, and supple pages. Moderate spine fading and some mild general wear to most. Approximate Bookery's Guide to Pulps value for group = $2,100.
Science Fiction Pulps Group (Thrilling, 1941-43) Condition: Average VG/FN. Includes the August and December 1941 issues of Thrilling Wonder Stories; and the September 1942 and June 1943 issues of Startling Stories. Complete covers and spines, supple pages, and very mild edge wear. Some have been trimmed. Approximate Bookery's Guide to Pulps value for group = $100.
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842