2009 February Signature Comics & Comic Art Auction
| Sale Number: | 7002 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | February 26th at 3 PM CT through February 27th |
Featured Collections
White Mountain Run of X-Men
The Uncle Lefty Collection
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Session 1
Golden Age (1938-1955)
Action Comics #4 (DC, 1938) CGC GD/VG 3.0 Off-white to white pages. The fourth appearance of Superman is one of Overstreet's top 100 Golden Age books. As such, it's a book that's difficult to pass up, no matter what the grade! Like #2-3 before it and #5-6 after it, this cover did not feature Superman or even mention him on the cover, it's before DC figured out that the Man of Tomorrow was the sales hit of this anthology series! Leo O'Mealia is the cover artist. Overstreet 2008 GD 2.0 value = $1,563; VG 4.0 value = $3,126. CGC census 12/08: 1 in 3.0, 6 higher.
Action Comics #5 (DC, 1938) CGC VG+ 4.5 Cream to off-white pages. This is just the second unrestored copy of this issue we've ever offered, and note that the highest grade CGC has assigned an unrestored specimen is 6.5. This is one of Overstreet's top 100 Golden Age books, and of course it's one of the earliest appearances of Superman. Leo O'Mealia drew the non-Superman cover. This book is harder to find than Action #1, so pass it up at your peril! CGC notes, "Very minor amount of color touch on cover. (very small amount of dried glue on cover.)." Overstreet 2008 VG 4.0 value = $3,126. CGC census 12/08: 2 in 4.5, 3 higher.
Action Comics #11 (DC, 1939) CGC FN- 5.5 Cream to off-white pages. Not only was Superman not the cover feature here, this is just the fourth Action cover in the series to mention his name (after #7, 9, and 10)! In fairness, costumed mystery men weren't yet a full-fledged craze by this early date (April 1939); in fact, Detective #27 hadn't even hit the stands yet. The folks at National did give this one a rollicking naval cover by Fred Guardineer. Overstreet 2008 FN 6.0 value = $1,542. CGC census 12/08: 3 in 5.5, 2 higher.
Action Comics #14 (DC, 1939) CGC FN- 5.5 Light tan to off-white pages. We're still waiting for an unrestored copy of this issue to be graded higher than 5.5, and the fact that this one sold for $1,195 two years ago strikes us as a great deal for the highest-graded copy of one of the twelve Action issues not to have Superman as the main cover feature. It's not as if National didn't know Superman was popular by this time, since the story inside has an ad for Superman #1. Still, Zatara the Magician, who first appeared in #1, enjoys his second (after #12) and last cover here, with art by Fred Guardineer. Overstreet 2008 FN 6.0 value = $1,542. CGC census 12/08: 1 in 5.5, none higher.
Action Comics #16 (DC, 1939) CGC VF 8.0 Off-white pages. Have a good look at this Fred Guardineer cover, as it's the second-to-last non-Superman cover in this title's 800-plus-issue run! The French Foreign Legion scene doesn't tie in with any of the interior features. An Action issue this early in Very Fine does not come along every day, so you know what to do. Overstreet 2008 VF 8.0 value = $2,483. CGC census 12/08: 1 in 8.0, 1 higher.
Action Comics #104 (DC, 1947) CGC NM 9.4 Off-white to white pages. For this sparkling copy, the Near Mint designation tells it all! As for the issue, The Prankster makes an appearance, much to Supes' chagrin. Congo Bill, Vigilante, and Zatara backup stories. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 2 in 9.4, 2 higher.
Adventure Comics #61 (DC, 1941) CGC FN- 5.5 Cream to off-white pages. Nice-looking unrestored copies of this one are tough to come by! This is the first appearance of Starman, with art by Jack Burnley. DC gave this new hero the full "benefits package" -- not only did he unceremoniously bump Sandman and the Hour-Man off of the Adventure cover where they had been alternating top billing, he was also given a Justice Society membership right off the bat (a hint as to whom he replaced: a Mr. Tick-Tock Tyler dropped Starman off his Christmas card list soon thereafter). Don't let the high issue number fool you -- it's a pretty early book, preceding the likes of Green Lantern #1 and All-Star #8. Overstreet 2008 FN 6.0 value = $3,480. CGC census 1/09: 3 in 5.5, 3 higher.
Adventures Into The Unknown #1 Diamond Run pedigree (ACG, 1948) CGC NM- 9.2 White pages. This may well be the most valuable copy of any ACG comic book! This issue started the first successful all-horror comic series, a title that ran for nearly 20 years, so any horror comic collector is bound to be after it, ACG fan or not. And can you imagine finding a better copy, given the jet-black cover? And as for the cover art, supercollector Michelle Nolan, who has seen and read more Golden Age books than just about anyone, called it one of the most evocative covers in the entire history of comics. This is the only copy graded above 8.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $3,200. CGC census 1/09: 1 in 9.2, none higher.
Air Fighters Comics #1 Mile High pedigree (Hillman Fall, 1941) CGC NM 9.4 Off-white to white pages. The only copy graded above 9.0 to date, this one's a beauty! "A comic magazine devoted solely to airplanes -- and to the gallant men who fly them" was the original concept for the series. This first issue had different characters (the Black Commander made his only appearance here) and different creators than the rest of the run. Overstreet 2008 NM- 9.2 value = $4,000. CGC census 1/09: 1 in 9.4, none higher.
Air Fighters Comics V2#8 Crowley Copy pedigree (Hillman Fall, 1944) CGC NM 9.4 Cream to off-white pages. Peerless pedigree copy of an issue that features Bob Fujitani art. Overstreet 2008 NM- 9.2 value = $900. CGC census 12/08: 1 in 9.4, none higher.
All-Flash #1 (DC, 1941) CGC VF 8.0 Cream to off-white pages. The Fastest Man Alive -- Golden Age variety -- comes zooming your way in his first solo comic, which currently ranks #55 in Overstreet's list of Top Golden Age Books. E. E. Hibbard drew the Flash cover and stories, which include a retelling of the Flash's origin, while Sheldon Mayer handled the art for a Hop Harrigan tale. This copy, with its black background and vivid cover colors, looks spectacular. CGC notes, "Small amount of dried glue on cover." Overstreet 2008 VF 8.0 value = $10,628. CGC census 1/09: 5 in 8.0, 4 higher.
All-Flash #18 San Francisco pedigree (DC, 1945) CGC NM 9.4 White pages. From one of the very best Golden Age collections ever assembled, this copy's got it all, from the Near Mint grade to its snowy white pages, a hallmark of the San Francisco pedigree. Martin Naydel provided the cover and interior art for this issue, which also marked the beginning of a Mutt & Jeff series. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 1/09: 2 in 9.4, 1 higher.
All-Negro Comics #1 (All-Negro Comics, 1947) CGC Apparent FN+ 6.5 Slight (P) Off-white pages. This one-shot is a Gerber "9," or "very rare," and it's called "rare" by Overstreet as well. Note that it cost 15 cents back when a dime was the norm! Overstreet says, "seldom found in fine or mint condition; many copies have brown pages." Every single copy we have ever offered (restored or unrestored) has sold above the respective Guide value, and we expect that trend to continue here. CGC notes, "Restoration includes: small amount of glue on cover, tear seal to cover." Overstreet 2008 GD 2.0 value = $1,000; VG 4.0 value = $2,000; FN 6.0 value = $3,000.
All Star Comics #5 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. Very few copies of the early issues of DC's classic Golden Age title can be found in this grade, and virtually none outside Edgar Church's collection. This issue featured the first appearance of Shiera Sanders as Hawkgirl, the first costumed superheroine. Howard Purcell did the cover; Sheldon Moldoff and Bernard Baily contributed interior art. Overstreet 2008 NM- 9.2 value = $7,650. CGC census 1/09: 3 in 9.4, none higher.
All Star Comics #8 (DC, 1942) CGC Apparent VG 4.0 Slight (A) Off-white pages. Blockbuster issue has the origin and first appearance of Wonder Woman, Starman and Dr. Mid-Nite joining the JSA, Dr. Fate donning a new helmet, and a Shiera appearance. It's enough to boost the value of this collectors' gem into the top 20 of Overstreet's Top 100 Golden Age Books. CGC notes, "Restoration includes: moderate amount of glue on spine, cover re-glossed (ALL 3 EDGES TRIMMED). Overstreet 2008 GD 2.0 value = $3,150; VG 4.0 value = $6,300.
All Star Comics #26 (DC, 1945) CGC NM- 9.2 Off-white to white pages. A great "robot cover" by Martin Naydel makes this one of our favorite issues of one of our favorite Golden Age titles. The "All-American" logo is imprinted on the cover -- this only appeared on issues #24-26. Naydel and Joe Kubert contributed interior art. Overstreet 2008 NM- 9.2 value = $2,000. CGC census 1/09: 1 in 9.2, 2 higher.
All Star Comics #33 (DC, 1947) CGC VF/NM 9.0 Cream to off-white pages. Much to Golden Age readers' and latter-day collectors' chagrin, this was the last Golden Age Solomon Grundy appearance. The Justice Society, however, didn't bemoan his absence in subsequent issues! Irwin Hasen provided the Overstreet "classic" cover. Hasen, Joe Kubert, and Martin Naydel were among the interior art contributors. Overstreet 2008 VF/NM 9.0 value = $3,938; NM- 9.2 value = $5,600. CGC census 1/09: 1 in 9.0, 3 higher.
All Star Comics #38 (DC, 1947) CGC NM 9.4 White pages. Gorgeous copy of one of the Golden Age's most collected titles. This issue featured an Alex Toth cover and interior art by Toth and Carmine Infantino. The Black Canary begins in this Justice Society of America "death" issue (wink, wink). Overstreet 2008 NM- 9.2 value = $2,900. CGC census 1/09: 1 in 9.4, 1 higher.
All Star Comics #43 (DC, 1948) CGC NM- 9.2 Off-white to white pages. This issue features a new logo and eye-catching "robot cover" by Irwin Hasen, who also furnished much of the interior art, with help from Bob Oksner and Howard Purcell. It doesn't get much better than this -- only one 9.4 copy keeps this from being the finest copy certified to date by CGC. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 1/09: 1 in 9.2, 1 higher.
All Winners Comics #1 Chicago pedigree (Timely, 1941) CGC NM+ 9.6 Off-white to white pages. Offered without reserve: one of the most desirable Timely comics we've ever auctioned! This issue is one of Overstreet's top 50 Golden Age books, and it's much sought-after in any grade. A great cover featuring all of the best Timely characters is reason enough to like this one, but it's also a significant book because of the Stan Lee-penned text feature with the first appearance of the All-Winners Squad, the first Timely/Marvel superhero group. Overstreet 2008 NM- 9.2 value = $40,000. CGC census 1/09: 1 in 9.6, none higher.
All Winners Comics #1 (Timely, 1941) CGC VG+ 4.5 Cream to off-white pages. This one's a must-have for the Timely collector. Captain America, the Human Torch, the Sub-Mariner, The Angel, and the Black Marvel appear. First appearance of the All-Winners Squad in text story by Stan Lee. Overstreet 2008 VG 4.0 value = $4,100. CGC census 1/09: 5 in 4.5, 18 higher.
All Winners Comics #21 (Timely, 1947) CGC VG+ 4.5 Cream to off-white pages. Rated "scarce" by Overstreet, "rare" by Gerber, and among the five "most difficult to find Timely key issues" by Comic Book Marketplace. This is the second and last appearance of the All-Winners Squad, which was first seen in #19 (there was no issue #20). This was Timely's first superhero group. Syd Shores is credited with the bondage cover. Overstreet 2008 VG 4.0 value = $858. CGC census 1/09: 2 in 4.5, 14 higher.
America's Best Comics #29 (Nedor Publications, 1949) CGC NM 9.4 Off-white to white pages. The primary reason comic book issues from Nedor publications are in high demand are Alex Schomburg covers like this one. George Tuska and Hal Sherman provided interior art. Overstreet 2008 NM- 9.2 value = $525. CGC census 1/09: 1 in 9.4, 1 higher.
Batman #5 (DC, 1941) CGC VG+ 4.5 Cream to off-white pages. First appearance of the Batmobile with its bat-head front. Bob Kane cover. Overstreet 2008 VG 4.0 value = $1,040. CGC census 1/09: 3 in 4.5, 46 higher.
Batman #6 (DC, 1941) CGC VF 8.0 White pages. This is a very sharp copy of this early issue! Such an early ish, in fact, that Bob Kane is credited with the cover art. Inside, there's the first appearance and death of the Clock Maker. Overstreet 2008 VF 8.0 value = $3,122. CGC census 1/09: 10 in 8.0, 10 higher.
Batman #14 (DC, 1943) CGC FN+ 6.5 Cream to off-white pages. Second Penguin cover appearance. Contains the war-time story "Swastika over the White House." Jerry Robinson cover. Robinson, Bob Kane, and Jack Burnley art. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,943. CGC census 1/09: 8 in 6.5, 19 higher.
Batman #14 (DC, 1943) CGC Apparent VF+ 8.5 Slight (P) Off-white to white pages. The Penguin makes an appearance in this early Batman issue which contains the war-time story "Swastika over the White House." Jerry Robinson provides the cover and Bob Kane and Jack Burnley assist with art. CGC notes, "Restoration includes: small amount of color touch on cover, tear seal to cover, spine split sealed to cover, cover reinforced." Overstreet 2008 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,943.
Batman #21 (DC, 1944) CGC VF 8.0 White pages. A lovely copy of this early issue, which features a terrific "bucking bronco" cover by Jerry Robinson. The Penguin makes an appearance, as does the first "skinny" Alfred. The cover presents well, with its deep-red background and sharp, rich colors. A nice early issue. Overstreet 2008 VF 8.0 value = $969. CGC census 1/09: 2 in 8.0, 9 higher.
Batman #41 (DC, 1947) CGC NM 9.4 White pages. Jim Mooney provides the first science fiction cover for this series, a harbinger of many alien encounters the Dynamic Duo would experience during the late 1950s and early 1960s. The Penguin also waddles in for an appearance inside. It's all brought to you in fine style by this sweet copy, which also sports exemplary white pages. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 1/09: 5 in 9.4, 2 higher.
Blackhawk #9 (Quality, 1944) CGC VF/NM 9.0 Cream to off-white pages. Don't let the issue #9 mislead you; this was the first Blackhawk issue. The features and title changed after issues #1-8 which were published as Uncle Sam Quarterly. Seems a smart move, as the new series ran for nearly 40 years! Al Bryant provided cover and story art. Overstreet 2008 VF/NM 9.0 value = $4,044; NM- 9.2 value = $5,800. CGC census 1/09: 1 in 9.0, 2 higher.
Blonde Phantom #12 (Timely, 1946) CGC VF+ 8.5 Off-white to white pages. The first issue of this title, formerly All-Select Comics, is a tough find in nice grade - the next highest grade certified by CGC to date is FN/VF 7.0. Cover by Syd Shores. Shores and Bob Powell art. Overstreet 2008 VF 8.0 value = $1,056; VF/NM 9.0 value = $1,753. CGC census 1/09: 1 in 8.5, none higher.
Blonde Phantom #13 (Timely, 1947) CGC VF/NM 9.0 Off-white to white pages. You have to admire a superheroine who kicks butt in style - in high heels! The second issue of this title has a Syd Shores bondage cover and interior art. Sub-Mariner stories begin. Overstreet 2008 VF/NM 9.0 value = $1,038; NM- 9.2 value = $1,450. CGC census 1/09: 1 in 9.0, 3 higher.
Blue Ribbon Comics #1 (MLJ, 1939) CGC VF+ 8.5 Cream to off-white pages. The first comic book from MLJ (later known as Archie Comics) featured a nice cover by Norman Danberg and interior art by Jack Cole. Unless you're prepared to pay the premium for a Mile High, Denver, or Carson City pedigree copy, you'll not find a nicer copy than this! Overstreet 2008 VF 8.0 value = $2,087; VF/NM 9.0 value = $3,694. CGC census 1/09: 2 in 8.5, 3 higher.
Boy Commandos #1 (DC, 1942) CGC VF 8.0 Off-white to white pages. One of Simon and Kirby's most famous covers, this striking WWII battle scene is deemed a "classic" by Overstreet. The key issue has the origin of Liberty Belle, a Sandman and Newsboy Legion crossover, and Simon and Kirby interior art. This is one of the nicest copies of the Golden Age comic that you'll find. Overstreet 2008 VF 8.0 value = $3,521. CGC census 1/09: 3 in 8.0, 4 higher.
Bruce Gentry #1 (Four Star, 1948) CGC NM 9.4 Cream to off-white pages. "Good girl" art characterized this title, which featured Jack Kamen-like covers and interior art. The first issue also had interior negligee panels to go along with its "headlights" cover. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 3 in 9.4, none higher.
Captain America Comics #49 (Timely, 1945) CGC NM 9.4 Off-white to white pages. Insanely high-grade copy shows off Alex Schomburg's cover in all its glory. Carmine Infantino provided art for the Human Torch story, and additional interior art came from Vince Alascia. Overstreet 2008 NM- 9.2 value = $2,250. CGC census 1/09: 1 in 9.4, 1 higher.
Captain America Comics #52 (Timely, 1946) CGC VF+ 8.5 Cream to off-white pages. It's not clear from outside the slab just what kept this from a higher grade -- it's super-sharp, and the spine is perfect! Alex Schomburg is the cover artist. The "SN" on the cover points to this one being a Cookeville pedigree copy. Overstreet 2008 VF 8.0 value = $938; VF/NM 9.0 value = $1,519. CGC census 1/09: 7 in 8.5, 4 higher.
Captain America Comics #74 White Mountain pedigree (Timely, 1949) CGC FN 6.0 White pages. This one's always named among the highest-demand and hardest-to-find Timelys. A Gerber "rare," boasting a classic cover. One of just two issues that experimented with the venue-blending title Captain America's Weird Tales. Overstreet 2008 FN 6.0 value = $1,971. CGC census 1/09: 4 in 6.0, 5 higher.
Captain America Comics #78 (Timely, 1954) Condition: NM-. Probably the finest existing copy of this issue -- compare it to the CGC census which is topped by a VF+ 8.5! This copy, which has white pages, could not be encapsulated by CGC because of an overhang. It's originally from the Warren Hall collection, and was previously auctioned by Heritage for $4,182. This was the last issue of the proud original Timely-Atlas series, as well as the last 1950s appearance of both Captain America and the Human Torch. Dick Ayers drew the Torch story, while the cover and the rest of the issue were the work of John Romita Sr. Overstreet 2008 NM- 9.2 value = $1,950.
Captain Marvel Adventures #3 (Fawcett, 1941) CGC FN+ 6.5 Off-white pages. The metallic silver cover makes this a standout issue! C. C. Beck cover art. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,881. CGC census 12/08: 1 in 6.5, 8 higher.
Captain Marvel Adventures #11 Crowley Copy pedigree (Fawcett, 1942) CGC NM 9.4 Cream to off-white pages. C. C. Beck cover and art. Overstreet 2008 NM- 9.2 value = $1,350. CGC census 12/08: 2 in 9.4, 1 higher.
Captain Marvel Adventures #14 Crowley Copy pedigree (Fawcett, 1942) CGC NM 9.4 Off-white to white pages. C. C. Beck has the Big Red Cheese delivering a gigantic blow to the WWII Eastern Axis forces on the cover of this pedigree beaut. Beck and Pete Costanza do the interior art. Overstreet 2008 NM- 9.2 value = $1,350. CGC census 1/09: 1 in 9.4, 2 higher.
Captain Marvel Adventures #97 (Fawcett, 1949) CGC NM/MT 9.8 Off-white to white pages. This partial photo cover is unlike anything else in the long run of this Fawcett title! In fact, it reminds us of the Jack Kirby/Don Heck cover for Tales to Astonish #49 of a decade and a half later. Given the fact that the cover's almost all white, it's amazing that a copy could be in this condition. Overstreet 2008 NM- 9.2 value = $330. CGC census 1/09: 1 in 9.8, none higher.
Captain Marvel and the Lieutenants of Safety #1 Rockford pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Kite-flying is a fun and popular hobby that is not without its risks, especially around power lines. In order to educate children on the hazards, several publishers produced special giveaway comics promoting safety, including Fawcett, the home of the Big Red Cheese himself, Captain Marvel. This is the first of three starring Captain Marvel and his three "Lieutenants of Safety" (Captain Caution, Speedy Ade, and a sprite named Sir Safety), named "Danger Flies a Kite", and it's considered scarce by Overstreet. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 1/09: 2 in 9.4, none higher.
Captain Midnight #2 Crowley Copy/File Copy (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. The cover touts that "Captain Midnight smashes the Jap Juggernaut." Overstreet 2008 NM- 9.2 value = $2,000. CGC census 1/09: 1 in 9.2, 1 higher.
Captain Science #1 (Youthful Magazines, 1950) CGC NM- 9.2 Off-white pages. The first issue tells the origin story of Captain Science and also contains a two-page article, with photos of George Pal's "Destination Moon." Walter Johnson provided the cover and art. Wally Wood added his artistic talent to the interior as well. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 1/09: 2 in 9.2, none higher.
Captain Science #2 Bethlehem pedigree (Youthful Magazines, 1951) CGC NM+ 9.6 Off-white pages. Featuring a rare triple threat robot/headlights/flying saucer cover by Walter Johnson, any Golden Age sci-fi fan would be proud to have this looker in their collection. Overstreet 2008 NM- 9.2 value = $635. CGC census 1/09: 3 in 9.6, none higher.
Captain Science #4 (Youthful Magazines, 1951) CGC NM- 9.2 Cream to off-white pages. Wally Wood and Joe Orlando rendered this spacey cover and also added interior art. The ish contains a vampire story as well. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 1/09: 2 in 9.2, none higher.
Captain Science #5 Bethlehem pedigree (Youthful Magazines, 1951) CGC VF/NM 9.0 Cream to off-white pages. Joe Orlando and Wally Wood treat us to this over-the-top cover and also add interior art. A copy with tons of eye appeal and bright cover inks. Overstreet 2008 VF/NM 9.0 value = $841; NM- 9.2 value = $1,175. CGC census 1/09: 2 in 9.0, none higher.
Catman Comics #14 (Continental, 1942) CGC VF 8.0 Cream to off-white pages. This is the only copy graded above 4.5 by CGC to date! "Hell to complete" was Matt Nelson's evaluation of the Catman run, and that goes double for trying to find it in high grade. Charles Quinlan drew the cover, starring the only 11-year-old girl sidekick in comics, the Kitten. Overstreet 2008 VF 8.0 value = $340. CGC census 1/09: 1 in 8.0, none higher.
Century of Comics #nn (Eastern Color, 1933) CGC FN- 5.5 Off-white to white pages. Generally recognized as the third comic book, this was distributed as a premium giveaway by Wheatena, Malt-O-Milk, Kinney Shoes, and others. Not surprisingly, it's rated "scarce" by The Photo-Journal Guide to Comic Books, and next to non-existent in even this modest of a grade. Overstreet 2008 FN 6.0 value = $11,000. CGC census 12/08: 2 in 5.5, 1 higher.
Circus the Comic Riot #1 (Globe Syndicate, 1938) CGC VF+ 8.5 Off-white pages. This 1938 oldie seems innocuous enough, but lurking behind the cover was Basil Wolverton's Spacehawks and Disk Eyes, Peewee Throttle by Jack Cole (his second comic book ever), Jack Hinton by Will Eisner, and Van Bragger by Bob Kane. To make it even more intriguing, it's rated "scarce" by both Overstreet and Gerber! Overstreet 2008 VF 8.0 value = $3,600; VF/NM 9.0 value = $6,300. CGC census 1/09: 2 in 8.5, 1 higher.
Classic Comics Gift Box Set Group (Gilberton, 1940s). All four Classic Comics Gift Box sets, in their original Gilberton mailing box, are in this incredible group lot. Each set comes in a colorful cardboard box; each box may have a tiny flaw or two, but overall are very attractive, and will display nicely. The contents, with condition, are as follows: Series A: (all with HRN 21): #1 Three Musketeers VF/NM, #2 Ivanhoe VF/NM, #3 Count of Monte Cristo VF+, #4 Last of the Mohicans NM-, and #5 Moby Dick VF/NM. Series B: #6 A Tale of Two Cities HRN 20 VF/NM, #7 Robin Hood HRN 22 VF/NM, #9 Les Miserables HRN 18 FN (looks VF/NM; has tear on back cover, possibly printing error), #10 Robinson Crusoe HRN 20 VF, and Story of Commandos (distributed by Gilberton) FN+; Series C: #11 Don Quixote HRN 21 NM-, #12 Rip Van Winkle and the Headless Horseman HRN 22 NM-, #13 Dr. Jekyll and Mr. Hyde HRN 20 VF-, #15 Uncle Tom's Cabin HRN 21 VF/NM, and #21 3 Famous Mysteries HRN 22 Gilberton ed. NM-; plus Series D: #16 Gulliver's Travels HRN 22 VF/NM, #17 Deerslayer HRN 22 VF+, #18 Hunchback of Notre Dame HRN 18/20 FN/VF, #19 Huckleberry Finn HRN 22 NM-, and #20 Corsican Brothers HRN 22 VF/NM. Approximate Overstreet value for group (comics only) = $4,000.
Congo Bill #1 (DC, 1954) CGC VF 8.0 Off-white pages. Both Overstreet and The Photo-Journal Guide to Comic Books agree; this pre-Code DC offering is "scarce." It's not only the nicest copy we've ever offered; it's the finest copy CGC has certified to date. Nick Cardy provided the cover and interior art. Overstreet 2008 VF 8.0 value = $1,450. CGC census 1/09: 1 in 8.0, none higher.
Crackajack Funnies #1 File Copy (Dell, 1938) CGC NM- 9.2 Off-white pages. Sparkling file copy of the premiere issue of one of Dell's oldest titles. Featured strip reprints included Dan Dunn, Myra North, Don Winslow, Tom Mix, Buck Jones, Major Hoople, and a slew of others. Overstreet 2008 NM- 9.2 value = $3,400. CGC census 1/09: 1 in 9.2, 2 higher.
Crackajack Funnies #10 Mile High pedigree (Dell, 1939) CGC NM+ 9.6 Off-white to white pages. One of just two copies of the issue to be certified by CGC to date. Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 2 in 9.6, none higher.
Crime Patrol #15 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. This historic issue in the EC annals had the first appearance of the Crypt Keeper, a feature so popular that the title would change from Crime Patrol to The Crypt of Terror after one more issue, later to become the more familiar Tales From the Crypt. Groundbreakers Johnny Craig and Al Feldstein showed their versatility by providing both scripts and story art, with Craig also providing the cover. While CGC has certified this as from the Gaines Files, no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $4,400. CGC census 12/08: 3 in 9.6, 3 higher.
Crime SuspenStories #4 Gaines File pedigree 5/11 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. The great cover is by Jack Davis, who also contributed interior art along with Johnny Craig, Jack Kamen, and Graham Ingels. Craig, Al Feldstein, and William C. Gaines provided stories as well. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 3 in 9.6, 4 higher.
Crime SuspenStories #12 Gaines File pedigree 8/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. The Old Witch crosses over from her Haunt of Fear home to make an appearance in this issue which features stories by Johnny Craig, William C. Gaines, and Al Feldstein. Craig cover and interior art by Craig, Graham Ingels, and Jack Davis. Overstreet 2008 NM- 9.2 value = $465. CGC census 1/09: 4 in 9.6, 1 higher.
Crypt of Terror #18 Gaines File pedigree (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. This title lasted just three issues before changing to the more familiar Tales From the Crypt. The previous issue was the first "New Trend" book to hit the newsstands. Johnny Craig did the cover, and both he and Al Feldstein contributed scripts and story art. Wally Wood and Harvey Kurtzman also furnished interior art for this early EC horror issue. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $2,750. CGC census 1/09: 4 in 9.8, none higher.
Crypt of Terror #19 Gaines File pedigree 1/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Third and final issue of the title that would become Tales From the Crypt. Johnny did the cover, and the trio of Craig, Al Feldstein, and Graham Ingels handled the interior artwork for this issue. Overstreet 2008 NM- 9.2 value = $2,750. CGC census 1/09: 6 in 9.6, 2 higher.
Daredevil Comics #3 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. Not an easy title to find in this grade, especially such an early issue, but then this is Edgar Church's copy! Charles Biro provided cover and interior art for this issue, which had the origin of "13". Overstreet 2008 NM- 9.2 value = $3,400. CGC census 1/09: 2 in 9.4, none higher.
Daring Mystery Comics #6 (Timely, 1940) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. The Simon and Kirby team put their stamp on this issue, drawing the cover and writing and illustrating two stories, one introducing Marvel Boy (not the same character who briefly had his own series). CGC notes, "Restoration includes: cover cleaned, cover reinforced." Overstreet 2008 GD 2.0 value = $423; VG 4.0 value = $846; FN 6.0 value = $1,269; VF 8.0 value = $2,855.
Dell Giant Comics Vacation Parade #1 Davis Crippen ("D" Copy) pedigree (Dell, 1950) CGC VF/NM 9.0 Cream to off-white pages. "I've never seen a true near mint copy, and I doubt one exists," wrote William Howard in Comic Book Marketplace back in 1996. This VF/NM copy is probably as close as we'll ever come. The cover of this book was designed to be cut apart, plus the square bound spine tends to "ding" up easily and also to fall victim to spine rolls. Adding to the collectibility is the presence of plenty of Carl Barks art. Carl Buettner is the cover artist. Overstreet 2008 VF/NM 9.0 value = $1,244; NM- 9.2 value = $1,775. CGC census 1/09: 2 in 9.0, none higher.
Platinum Age (1897-1937)
Detective Comics #1 (DC, 1937) CGC Apparent FN+ 6.5 Moderate (P) Cream to off-white pages. The first issue of the comic series that gave DC its name. This book is famed for its scarcity, and a nice-looking restored copy should not be passed up -- only six unrestored copies have been graded by CGC to date. If not the very first comic series to be devoted to a single theme, Detective was certainly the first successful single-theme series. The cover character is a Fu Manchu clone named Chin Lung, drawn by Vin Sullivan. The simple cover design makes it among the most eye-catching of the Golden Age keys. A nice-looking copy, front and back. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced, staples cleaned." Overstreet 2008 GD 2.0 value = $9,700; VG 4.0 value = $19,400; FN 6.0 value = $29,100.
Golden Age (1938-1955)
Detective Comics #28 (DC, 1939) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. Just about as attractive a copy of this issue as you'll find. Batman makes his second-ever appearance and Fu Manchu his last in this title. Bob Kane, Joe Shuster, and Fred Guardineer contributed interior art, with Guardineer providing the cover. CGC notes, "Restoration includes: very small amount of color touch on cover, spine split sealed to cover, cover cleaned, interior lightened." Overstreet 2008 GD 2.0 value = $2,050; VG 4.0 value = $4,100; FN 6.0 value = $6,150; VF 8.0 value = $15,400; VF/NM 9.0 value = $27,700.
Detective Comics #33 (DC, 1939) CGC FR/GD 1.5 Cream to off-white pages. Major issue in the run, ranking behind only #1 and #27. The first-told origin of Batman is here, and Bob Kane has provided a "classic" cover for the occasion. Kane also did some interior art, as did Sheldon Moldoff and Fred Guardineer. Like so many of the early issues of this title, it's "uncommon," making even this grade highly desirable. Overstreet 2008 GD 2.0 value = $4,125. CGC census 1/09: 1 in 1.5, 20 higher.
Detective Comics #34 (DC, 1939) CGC Apparent FN 6.0 Moderate (P) Off-white to white pages. This was the last non-Batman cover of this series -- more than 800 issues have passed since then, and we don't expect another one anytime soon! It's a matter of some debate whether this is the Crimson Avenger or some other masked man, but there's no question about the cover artist thanks to the signature "Creig Flessel." CGC notes, "Restoration includes: color touch, piece added, reinforced, staples cleaned." Overstreet 2008 GD 2.0 value = $543; VG 4.0 value = $1,086; FN 6.0 value = $1,629.
Detective Comics #36 (DC, 1940) CGC Apparent VG 4.0 Moderate (P) Cream to off-white pages. "The early, pre-Robin adventures of the Bat-Man were dark, grim, and quite violent," Rob Hughes noted. This issue had the first appearance of Dr. Hugo Strange, the first major villain of the series. Also, while not seen on Bob Kane's cover, the issue had the debut of the finned gloves that Batman still wears today. This issue's very tough to come by in unrestored condition (CGC has certified twice as many restored as unrestored copies), and we think you'll agree that this one presents nicely. CGC notes, "Restoration includes: tear seals, spine splits sealed, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $914; VG 4.0 value = $1,828.
Detective Comics #38 (DC, 1940) CGC GD- 1.8 Cream to off-white pages. Batman needed a crime-fighting companion, and the storywriters needed someone more vulnerable than the Caped Crusader to even out the "good guy vs. bad" encounters, so nine issues after Batman's first appearance, co-creators Bill Finger and Bob Kane introduced Robin the Boy Wonder. This collectors' fave issue had the origin and first appearance of Robin, and it ranks among the most valuable of all issues of the title. Bob Kane and Jerry Robinson combined for the cover and for interior art. The cover is detached on this copy, but the eye appeal is much better than on many lower grade copies we've seen in the past. Overstreet 2008 GD 2.0 value = $3,850. CGC census 1/09: 2 in 1.8, 22 higher.
Detective Comics #38 (DC, 1940) CGC Apparent FN- 5.5 Extensive (P) Off-white to white pages. The comic book issue that featured the origin and first appearance of Robin the Boy Wonder has a special place in collectors' hearts and 13th place on Overstreet's Top 100 Golden Age Books. Only two issues of the storied title that gave DC its name are worth more. Bob Kane and Jerry Robinson combined for the famous cover, and also collaborated on story art for this issue. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $3,850; VG 4.0 value = $7,700; FN 6.0 value = $11,550.
Detective Comics #40 (DC, 1940) CGC VG/FN 5.0 Cream to off-white pages. The origin and first appearance of Clayface makes this a Golden Age key issue, hitting the newsstands about the same time as Batman #1. The distinctive collaborative art by Bob Kane and Jerry Robinson marks the cover and the Batman story. Overstreet 2008 VG 4.0 value = $1,486; FN 6.0 value = $2,229. CGC census 1/09: 5 in 5.0, 8 higher.
Detective Comics #64 (DC, 1942) CGC VF 8.0 Off-white pages. Simon and Kirby's Boy Commandos made their first appearance in this issue! Inspired by the British commandos who were drawing press attention at the time, S & K (whose first DC work appeared just three months earlier) created this international group, with each kid coming from a different Allied nation. The group would soon get their own quarterly title within months (while continuing to appear in Detective). The lead feature in the issue was of course Batman, who battles the Joker. The issue's cover is by Jerry Robinson. The blacks on the cover are deep and solid - no wonder this is the top copy on CGC's census. Overstreet 2008 VF 8.0 value = $2,483. CGC census 1/09: 1 in 8.0, none higher.
The Durango Kid #1 (Magazine Enterprises, 1949) CGC NM/MT 9.8 Off-white to white pages. Frank Frazetta art makes this a highly collectible comic, and of course the grade makes it the nicest copy of the book you're ever going to find (the only copy graded above 7.5 by CGC to date). The photo cover shows actor Charles Starrett, who played the character in over 60 movies! Overstreet 2008 NM- 9.2 value = $1,050. CGC census 1/09: 1 in 9.8, none higher.
Eerie #1 (Avon, 1947) CGC FN/VF 7.0 Cream pages. The first horror comic book. Overstreet 2008 FN 6.0 value = $1,269; VF 8.0 value = $2,908. CGC census 1/09: 4 in 7.0, 12 higher.
Eerie #3 Northford pedigree (Avon, 1951) CGC VF/NM 9.0 Cream to off-white pages. Only CGC copy graded above 7.5 to date. Wally Wood cover. Overstreet 2008 VF/NM 9.0 value = $750; NM- 9.2 value = $1,050. CGC census 1/09: 1 in 9.0, none higher.
Platinum Age (1897-1937)
Famous Funnies #3 (Eastern Color, 1934) CGC Apparent FN/VF 7.0 Moderate (P) Cream to off-white pages. Four years before Action Comics #1 officially launched the Golden Age of Comics, this title was paving the way. In the third issue, Buck Rogers made his first ever comic book appearance. As you would expect, a copy in any condition is difficult to come by, and The Photo-Journal Guide to Comic Books rates this one "rare". The highest Universal grade CGC has handed out to date is FN+ 6.5; this one's got the highest Apparent grade. Overstreet doesn't even bother listing values for grades above VF 8.0. Nab it while you can! CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $800; VG 4.0 value = $1,600; FN 6.0 value = $2,400; VF 8.0 value = $6,000.
Famous Funnies #3 (Eastern Color, 1934) CGC FN+ 6.5 Light tan to off-white pages. It's the first comic book appearance of Buck Rogers, and this is also just the eighth comic book ever published! Famous Funnies was the only comic book on the stands in 1934, and one of the toughest runs to put together for the present-day collector. It certainly merited the scarcity rating "8" assigned by Gerber. This is the nicest copy we have seen. Overstreet 2008 FN 6.0 value = $2,400; VF 8.0 value = $6,000. CGC census 1/09: 2 in 6.5, none higher.
Golden Age (1938-1955)
Fantastic Comics #1 (Fox, 1939) CGC FN 6.0 Cream to off-white pages. Lou Fine... end of description. Seriously, one of the most collectible Golden Age artists drew this issue's cover, and this is one of the nicest copies we've encountered of this issue. Overstreet 2008 FN 6.0 value = $1,440. CGC census 1/09: 4 in 6.0, 3 higher.
Fight Comics #1 (Fiction House, 1940) CGC VF+ 8.5 Off-white pages. Well well well, it's the highest-graded copy! And check out the amazing cover colors on this one, Fiction House fans! (In case you're wondering about competition: the Mile High copy of this issue is restored with color touch). If you only know the later run of Fight, you might be surprised to see that the original theme was not war, but two-fisted types like the fellow on the cover. Art by the Iger shop meant that greats Lou Fine (cover art) and Will Eisner contributed to the first issue of this series' thirteen-year run. Overstreet 2008 VF 8.0 value = $2,165; VF/NM 9.0 value = $3,833. CGC census 1/09: 1 in 8.5, none higher.
Fighting Yank #18 Mile High pedigree (Nedor Publications, 1946) CGC NM 9.4 Off-white to white pages. So many beautiful Mile Highs, but 9.4 Alex Schomburg covers have to rate with the very best, so... here you go -- bid! Overstreet 2008 NM- 9.2 value = $750. CGC census 12/08: 4 in 9.4, none higher.
Flash Comics #1 (DC, 1940) CGC Apparent FN 6.0 Moderate (P) Off-white pages. Ranked #8 on Overstreet's Top 100 Golden Age Books list. Origin and first appearance of the Flash, Hawkman, Johnny Thunder, the Whip, and Shiera Sanders. Sheldon Moldoff cover and art. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, staples replaced." Overstreet 2008 GD 2.0 value = $6,850; VG 4.0 value = $13,700; FN 6.0 value = $20,550.
Flash Comics #98 (DC, 1948) CGC VF+ 8.5 Cream to off-white pages. New costumes for Hawkman and the Atom. Joe Kubert cover and art. Overstreet 2008 VF 8.0 value = $819; VF/NM 9.0 value = $1,360. CGC census 1/09: 2 in 8.5, 1 higher.
Flash Comics #100 (DC, 1948) CGC VF+ 8.5 Off-white to white pages. This issue's "scarce" according to Overstreet. Joe Kubert drew the cover as well as the Hawkman story, featuring one of the character's earliest appearances in his new costume. Overstreet 2008 VF 8.0 value = $1,831; VF/NM 9.0 value = $3,041. CGC census 1/09: 1 in 8.5, 1 higher.
Four Color (Series One) #1 Dick Tracy (Dell, 1939) CGC NM- 9.2 Cream to off-white pages. A Gerber "scarce," this is the first issue of one of comics' most enduring and collectable series, and certainly one of the most sought-after Dick Tracy books. Of course, the big story here is the condition of this clean, appealing copy. Overstreet 2008 NM- 9.2 value = $15,000. CGC census 1/09: 1 in 9.2, 1 higher.
Four Color (Series One) #16 Mickey Mouse Outwits the Phantom Blot (Dell, 1941) CGC FN+ 6.5 Off-white pages. This classic issue of Four Color features Walt Disney's Mickey Mouse in the very first comic book to be completely devoted to him. The story itself is considered a classic -- written by Merrill de Maris, and drawn by Floyd Gottfredson, with Ted Thwaites and Bill Wright, this is a true "holy grail" for fans of the Pie-Eyed one. High-grade copies are nearly impossible to track down, a fact echoed by Overstreet's lack of value listings for anything past VF 8.0. Our copy remains flat and attractive, with a few minor pencil markings on the front cover. Overstreet 2008 FN 6.0 value = $3,750; VF 8.0 value = $14,500. CGC census 1/09: 1 in 6.5, 6 higher.
Four Color (Series One) #16 Mickey Mouse (Dell, 1941) CGC VG- 3.5 Cream to off-white pages. This copy presents very nicely, especially as far as the front cover is concerned, so if you're looking for a solid copy of the first Mickey Mouse comic book and want to spend less than five figures this should fill the bill. Floyd Gottfredson art on the storyline "Mickey Mouse Outwits the Phantom Blot." Overstreet 2008 VG 4.0 value = $2,500. CGC census 1/09: 5 in 3.5, 19 higher.
Four Color #9 Donald Duck (Dell, 1942) CGC Apparent VF 8.0 Moderate (P) Off-white pages. "Donald Duck Finds Pirates Gold," the beloved Carl Barks story, is first printed here in this early Four Color. This would be the first Barks duck story in a long line. Donald's nephews also put in an obligatory appearance. Jack Hannah collaborated with Barks on the story art. CGC notes, "Restoration includes: color touch, pieces added, spine splits sealed, reinforced, staples cleaned. (Right Edge Trimmed)". Overstreet 2008 GD 2.0 value = $971; VG 4.0 value = $1,942; FN 6.0 value = $2,913; VF 8.0 value = $6,800.
Four Color #27 Mickey Mouse (Dell, 1943) CGC VF/NM 9.0 Off-white to white pages. Walt Disney's "Mickey Mouse and the Seven-Colored Terror." Minnie and Mickey pin-ups. Overstreet 2008 VF/NM 9.0 value = $1,198; NM- 9.2 value = $1,750. CGC census 1/09: 1 in 9.0, 2 higher.
Four Color #28 Wash Tubbs (Dell, 1943) CGC NM+ 9.6 Cream to off-white pages. A sterling copy from a personal collection - unbelievably, not a file copy! Overstreet 2008 NM- 9.2 value = $360. CGC census 1/09: 2 in 9.6, none higher.
Four Color #29 Donald Duck (Dell, 1943) CGC FN 6.0 Off-white to white pages. The Carl Barks classic, "The Mummy's Ring," is the cover story of this nice mid-grade issue. The Egyptian Donald Duck adventure includes appearances by Huey, Dewey, and Louie. Barks also supplied the cover and interior art. Overstreet 2008 FN 6.0 value = $2,058. CGC census 1/09: 1 in 6.0, 7 higher.
Four Color #71 Walt Disney's Three Caballeros (Dell, 1945) CGC VF/NM 9.0 Light tan to off-white pages. Carl Barks is universally known as "the good duck artist" when comparing renditions of Donald Duck, but the great Walt Kelly was a pretty "good duck artist" himself, as this cover and interior artwork attested. Donald Duck, Jose Carioca, and Panchito appear in "Three Caballeros." Overstreet 2008 VF/NM 9.0 value = $868; NM- 9.2 value = $1,425. CGC census 1/09: 3 in 9.0, 1 higher.
Four Color #108 Donald Duck (Dell, 1946) CGC NM- 9.2 White pages. Note that the only higher-graded copy is just one notch higher at 9.4 (and having seen that copy we know that it can't match this copy's "white pages" certification). "The Terror of the River" is Donald's fourth Four Color. Story and art by Carl Barks. Carl Buettner cover. Overstreet 2008 NM- 9.2 value = $3,300. CGC census 1/09: 3 in 9.2, 1 higher.
Four Color #108 Donald Duck (Dell, 1946) CGC VF+ 8.5 Off-white pages. "The Terror of the River" is featured, with 52 glorious pages of Carl Barks art. Carl Buettner did the cover. CGC notes, "'Carl Barks' written on 1st page in pen." Overstreet 2008 VF 8.0 value = $1,216; VF/NM 9.0 value = $2,258. CGC census 1/09: 5 in 8.5, 10 higher.
Four Color #161 Tarzan - Vancouver pedigree (Dell, 1947) CGC NM/MT 9.8 White pages. Here's a nigh-unbelievable copy of the second (and last) Tarzan Four Color. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.8, none higher.
Four Color #422 Donald Duck (Dell, 1952) CGC VF/NM 9.0 Off-white pages. Donald Duck and "The Gilded Man." Huey, Dewey, and Louie appearance. Carl Barks cover and art. Overstreet 2008 VF/NM 9.0 value = $445; NM- 9.2 value = $650. CGC census 1/09: 1 in 9.0, 3 higher.
Gay Comics #19 Mile High pedigree (Timely, 1944) CGC NM 9.4 White pages. Gorgeous copy of the "good girl" humor title from Timely, featuring Basil Wolverton art. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.4, none higher.
Gay Comics #21 Mile High pedigree (Timely, 1945) CGC NM/MT 9.8 White pages. The pedigree, grade, and page quality say it all with this copy. Basil Wolverton art is featured. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.8, none higher.
Gene Autry Comics #1 Mile High pedigree (Fawcett, 1942) CGC NM+ 9.6 Off-white to white pages. Both Overstreet and The Photo-Journal Guide to Comic Books give this issue "rare" accolades. It's easily #1 in value on Overstreet's Top 10 Western Books -- by far. But this particular copy attains "unique" status because it's the Mile High Copy. It's simply a peerless book, bright beyond belief, with sharp corners, pristine spine, and superior page quality -- in other words, all those qualities you've come to expect from comicdom's greatest pedigree. There's not another copy of the issue that's earned a grade higher than VF 8.0 to date, so rest assured you'll own the finest copy in existence with your winning bid. Overstreet 2008 NM- 9.2 value = $12,000. CGC census 1/09: 1 in 9.6, none higher.
Gene Autry Comics #6 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white to white pages. This copy has the page quality, bright inks, and sharp corners that we have come to expect from this seminal pedigree. From the first Fawcett series (these issues are much more difficult to find than books from the Dell series), the cover is by Till Goodan. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 12/08: 1 in 9.6, none higher.
Gene Autry Comics #8 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 White pages. From the first comic book series, the much rarer Fawcett run. The next highest-graded copy in CGC's census is just VF+ 8.5. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.4, none higher.
Gene Autry Comics #10 Mile High pedigree (Fawcett, 1943) CGC VF+ 8.5 Off-white to white pages. The last issue published by Fawcett is a bit more scarce than the preceding issues, and only two copies have earned grades higher than VF- 7.5 to date. Overstreet 2008 VF 8.0 value = $444; VF/NM 9.0 value = $722. CGC census 1/09: 1 in 8.5, 1 higher.
Green Lantern #1 (DC, 1941) CGC VF/NM 9.0 Off-white pages. No copy of this black-cover issue has been graded higher by CGC to date. The origin of Green Lantern is retold here, with art by Martin Nodell. Howard Purcell contributed the cover art. You don't often see a Golden Age key signed by its creator, but this first issue is signed by Nodell inside (as is their policy, CGC did not authenticate the autograph). CGC notes, "'Martin Nodell '90' written on 1st page in pen." Overstreet 2008 VF/NM 9.0 value = $38,000; NM- 9.2 value = $60,000. CGC census 1/09: 4 in 9.0, none higher.
Green Lantern #1 (DC, 1941) CGC FN+ 6.5 Off-white pages. Currently #19 in Overstreet's ranking of top Golden Age books. After a year of starring in All-American Comics, Green Lantern became the fourth anthology character to get his own series, after Superman, Batman, and the Flash. Howard Purcell is the cover artist. The key point on this book is always: has the black cover survived without color breaks? The only ones seen here are very minimal. Overstreet 2008 FN 6.0 value = $9,000; VF 8.0 value = $22,000. CGC census 1/09: 4 in 6.5, 12 higher.
Green Lantern #20 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Like many of the early issues of this Golden Age series, high-grade copies are not in plentiful supply. It's rated "uncommon" by The Photo-Journal Guide to Comic Books. Martin Nodell art is featured. Overstreet 2008 VF/NM 9.0 value = $1,360; NM- 9.2 value = $1,900. CGC census 1/09: 2 in 9.0, 1 higher.
Haunt of Fear #16 (#2) Gaines File pedigree 5/9 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. The second issue of the historic series has the first appearance of the Old Witch by Jack Kamen, and the beginning of the "The Witch's Cauldron" series. Johnny Craig provided the cover and contributed interior art, as did Wally Wood, Jack Kamen, and Graham Ingels. Overstreet 2008 NM- 9.2 value = $2,025. CGC census 1/09: 2 in 9.6, 6 higher.
Haunt of Fear #4 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. Graham Ingels becomes the regular artist for the Old Witch, and before long would take over the cover art duties. Here, Al Feldstein provided the cover, and besides Ingels, Wally Wood, Jack Kamen, and Jack Davis contributed interior art. The issue marked the first appearances of the Vault Keeper and the Crypt Keeper in Haunt of Fear. While CGC has certified this as from the Gaines Files, no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $1,260. CGC census 12/08: 1 in 9.6, 3 higher.
Haunt of Fear #8 Gaines File pedigree 12/12 (EC, 1951) CGC NM 9.4 White pages. Al Feldstein gets the coveted "classic cover" nod from Overstreet for this issue. Feldstein, Graham Ingels, Jack Davis, and George Roussos provided interior art. Overstreet 2008 NM- 9.2 value = $785. CGC census 1/09: 5 in 9.4, 5 higher.
Haunt of Fear #9 Gaines File pedigree #12/12 (EC, 1951) CGC NM- 9.2 Off-white to white pages. Jack Davis takes over on Crypt Keeper stories with this issue. Al Feldstein provides the cover, with interior art handled by Davis, Joe Orlando, Graham Ingels, and Jack Kamen. Overstreet 2008 NM- 9.2 value = $735. CGC census 1/09: 1 in 9.2, 9 higher.
Haunt of Fear #10 Gaines File pedigree 12/12 (EC, 1951) CGC NM 9.4 White pages. Stunning colors abound on this pedigree copy of an issue that has an Al Feldstein cover, plus interior art from Graham Ingels, Johnny Craig, Jack Kamen, and Jack Davis. Overstreet 2008 NM- 9.2 value = $735. CGC census 1/09: 3 in 9.4, 6 higher.
Haunt of Fear #12 Gaines File pedigree (EC, 1952) CGC NM- 9.2 Off-white pages. Overstreet dubs this Graham Ingels cover "classic", one of five from the "Ghastly" artist so cited for this title alone. Ingels also provided creepy interior art, as did Johnny Craig, Joe Orlando, and Jack Davis. CGC has certified that this is from the famed Gaines Files, but no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $600. CGC census 1/09: 4 in 9.2, 8 higher.
Hopalong Cassidy #1 Mile High pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white to white pages. Hopalong Cassidy and his horse Topper begin their run. Edgar Church's copy barely misses being the highest-graded copy in CGC's census, 9.2 to 9.0. Overstreet 2008 VF/NM 9.0 value = $5,858; NM- 9.2 value = $8,300. CGC census 1/09: 2 in 9.0, 1 higher.
The Human Torch #2 (#1) (Timely, 1940) CGC VG- 3.5 Cream to off-white pages. One of Timely's most important Golden Age issues ranks among Overstreet's Top 20 most valuable comics of all time. It's the first issue of the title (formerly Red Raven) and all you'd want and expect of a classic issue with an Alex Schomburg cover and interior art by Carl Burgos, Bill Everett, and Joe Simon. Inside is the introduction of Toro, while the Falcon, the Fiery Mask, Mantor the Magician, and Microman all make their only appearances. The origins of the Human Torch and Sub-Mariner are told in text. Overstreet 2008 VG 4.0 value = $6,000. CGC census 1/09: 2 in 3.5, 27 higher.
The Human Torch #2 (#1) (Timely, 1940) CGC Apparent VF- 7.5 Extensive (P) Off-white pages. The third most valuable Timely of all, this first issue of the title (formerly Red Raven, explaining the #2 on this "first") sported an Alex Schomburg cover, with interior art by Carl Burgos, Bill Everett, and Joe Simon. Inside is the introduction of Toro, and the only appearances to the Falcon, the Fiery Mask, Mantor the Magician, and Microman. The origins of the Human Torch and Sub-Mariner are told in text. CGC notes, "Restoration includes: color touch, pieces added, seals, cover cleaned, interior lightened, reinforced (2 center wraps trimmed). Overstreet 2008 GD 2.0 value = $3,000; VG 4.0 value = $6,000; FN 6.0 value = $9,000; VF 8.0 value = $22,500.
The Human Torch #12 (Timely, 1943) CGC VF/NM 9.0 White pages. One of the most violent Alex Schomburg covers (the executioner's arm is melted down to the bone), this bondage cover earned Overstreet's "classic" designation. We also like the inset featuring the Sub-Mariner! We predict strong interest in this very sharp book, especially considering its excellent page quality. Overstreet 2008 VF/NM 9.0 value = $3,833; NM- 9.2 value = $5,500. CGC census 1/09: 2 in 9.0, none higher.
Incredible Science Fiction #31 Gaines File pedigree 3/12 (EC, 1955) CGC NM 9.4 White pages. This issue of the short-lived title is noteworthy for including Roy Krenkel's only solo story for EC. Other typically great EC art came from Jack Davis on the cover, and from Wally Wood, Al Williamson, and Bernie Krigstein on interior art. Overstreet 2008 NM- 9.2 value = $675. CGC census 1/09: 4 in 9.4, 1 higher.
Jackie Robinson #4 Crowley Copy pedigree (Fawcett, 1950) CGC NM/MT 9.8 Off-white pages. An iconic photographic image of Jackie Robinson, sliding into home plate, fronts this impeccable copy from the Crowley Collection. This book is simply in amazing condition for being almost 60 years old. Overstreet 2008 NM- 9.2 value = $650. CGC census 12/08: 2 in 9.8, none higher.
Jo-Jo Comics #20 (Fox Features Syndicate, 1948) CGC NM 9.4 White pages. Looking at Jo-Jo's face on this action cover, we'd say the cover art is by none other than that future Mad ace, Al Feldstein! The only CGC-graded copy above 9.0 to date. Overstreet 2008 NM- 9.2 value = $675. CGC census 1/09: 1 in 9.4, none higher.
Junior #14 (Fox Features Syndicate, 1948) CGC VF/NM 9.0 Off-white to white pages. Who could ever get enough of this Al Feldstein classic? Certainly not us, and this is the best copy we've ever offered. Overstreet 2008 VF/NM 9.0 value = $1,038; NM- 9.2 value = $1,450. CGC census 1/09: 3 in 9.0, none higher.
Katy Keene #1 (Archie, 1949) CGC VF+ 8.5 Off-white pages. Bill Woggon's most famous creation gets her own title, some four years after she first appeared in Wilbur Comics. Most of the Archie gang appear in this issue. This book doesn't turn up in high grade very often, and we've offered a copy on just one previous occasion - a raw GD/VG at that! Overstreet 2008 VF 8.0 value = $863; VF/NM 9.0 value = $1,432. CGC census 1/09: 1 in 8.5, 2 higher.
Katy Keene Pin Up Parade #1 (Archie, 1955) CGC NM- 9.2 Cream to off-white pages. Bill Woggon cover and art. Overstreet 2008 NM- 9.2 value = $725. CGC census 1/09: 1 in 9.2, none higher.
Large Feature Comic (Series I) #16 Donald Duck (Dell, 1940) Condition: Apparent VF/NM. This book showcases the first appearance of Daisy Duck, who shows up on the back cover. The contents include 1940 strip reprints, in black and white. This copy has had moderate restoration, including spine reinforcement, color touch, and the staples have been replaced. Overstreet 2008 GD 2.0 value = $543; VG 4.0 value = $1,086; FN 6.0 value = $1,629; VF 8.0 value = $3,800; VF/NM 9.0 value = $6,650. From the Don Vernon Collection.
Large Feature Comic (Series I) #20 (Dell, 1941) Condition: Apparent VG/FN. A Gerber "white space." As Matt Nelson and Michael Naiman noted in Comic Book Marketplace, "In an extensive phone calling effort throughout the 'duck world' very, very few collectors could say that they owned this book or for that matter knew of anyone who did!" Overstreet notes this issue is rarer than Large Feature #16. Some crayon markings inside. Moderate restoration includes: spine rebuilt, pieces added, color touch, staples replaced, tape on spine of paper. Overstreet 2008 GD 2.0 value = $571; VG 4.0 value = $1,142. From the Don Vernon Collection.
Laugh Comics #20 Davis Crippen ("D" Copy) pedigree (Archie, 1946) CGC VF+ 8.5 Cream to off-white pages. The first issue of a title that ran for 41 years! This Archie vehicle took over the numbering from the Black Hood series. Katy Keene and other humor features joined the Riverdale gang inside. Al Fagaly is the cover artist. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 1/09: 1 in 8.5, none higher.
Leading Comics #3 (DC, 1942) CGC VF/NM 9.0 Off-white to white pages. Unusually high-grade copy of this issue of a Golden Age DC title that often gets overlooked. Overstreet 2008 VF/NM 9.0 value = $1,253; NM- 9.2 value = $1,750. CGC census 1/09: 1 in 9.0, 2 higher.
Little Dot #1 (Harvey, 1953) CGC VF/NM 9.0 Off-white to white pages. Second only to Richie Rich #1 in value among Harvey 1950s issues, this milestone actually had the first appearance of both Richie Rich and Little Lotta, in addition to being the premiere issue of Little Dot, one of the publisher's signature titles. Overstreet 2008 VF/NM 9.0 value = $2,503; NM- 9.2 value = $3,500. CGC census 1/09: 3 in 9.0, none higher.
Little Dot #3 File Copy (Harvey, 1954) CGC NM 9.4 Off-white pages. This is one of the earliest appearances of Richie Rich, whose first appearance was in #1 of this series! Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 4 in 9.4, none higher.
Little Dot #5 File Copy (Harvey, 1954) CGC NM 9.4 Off-white pages. This is the only copy graded above 9.0 by CGC as of this writing! This is an early Richie Rich appearance, and these issues are much tougher to find than the main Richie Rich title which debuted six years later. Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.4, none higher.
Lone Ranger #1 (Dell, 1948) CGC NM/MT 9.8 White Pages. With a hearty "Hi-Yo, Silver," the Lone Ranger and his faithful Indian companion Tonto begin a long comic book run. This stellar example stands alone as the finest known CGC-graded copy to date. This one is a must for the serious collector of Western comics. Overstreet 2008 NM- 9.2 value = $1,200. CGC census 1/09: 1 in 9.8, none higher.
Looney Tunes and Merrie Melodies Comics #1 (Dell, 1941) CGC VG 4.0 Off-white pages. Four household names made their first comic book appearances here: Bugs Bunny, Porky Pig, Daffy Duck, and Elmer Fudd! That makes this one of the few most important cartoon-character comics ever produced. No fan of comic books or animation should be without this one. Overstreet 2008 VG 4.0 value = $2,100. CGC census 1/09: 1 in 4.0, 11 higher.
Looney Tunes and Merrie Melodies Comics #4 (Dell, 1942) CGC VF/NM 9.0 Cream to off-white pages. Walt Kelly gives us the art for this early Looney Tunes comic. Overstreet 2008 VF/NM 9.0 value = $1,714; NM- 9.2 value = $2,500. CGC census 1/09: 1 in 9.0, none higher.
Looney Tunes and Merrie Melodies Comics #5 (Dell, 1942) CGC NM 9.4 Off-white to white pages. This book features the first funny animal super hero story with Bugs Bunny appearing as "The Super-Duper Rabbit!" CGC has only seen six copies of this issue pass through its doors and the next highest grade is a mere VF- 7.5. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 1/09: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #10 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. It's hard not to be overcome with patriotic gusto looking at this flag cover. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #11 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. This is a fantastic high grade copy with art provided by Walt Kelly. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #13 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. We've never offered a finer copy of this issue to date. It's a beauty! Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #14 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. The guys are coming over and they're bringing a holiday dinner! This yummy copy holds the distinction of being the only example of this issue CGC has graded above VF/NM 9.0 to date. Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #16 (Dell, 1943) CGC NM 9.4 Cream to off-white pages. You'll find yourself hard pressed to find a nicer copy than this! Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #17 (Dell, 1943) CGC NM+ 9.6 Cream to off-white pages. This issue features a lovely Valentine's Day cover. Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #18 (Dell, 1943) CGC NM- 9.2 Off-white pages. Bugs is joining the US Marines in this WWII-era cover. CGC notes, "Very minor amount of glue on cover." Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.2, none higher.
Looney Tunes and Merrie Melodies Comics #19 (Dell, 1943) CGC NM+ 9.6 Off-white pages. You want this book in high grade? Well, this is your chance because CGC hasn't seen another copy that comes close to this NM+ 9.6 prize. Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #21 (Dell, 1943) CGC NM 9.4 Off-white pages. This copy, with a very patriotic cover, is a real beaut and has the look of a file copy or pedigree book. Walt Kelly provided the art for the Pat, Patsy and Pete story. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #22 (Dell, 1943) CGC NM 9.4 Off-white pages. This issue features a Pat, Patsy and Pete story by Walt Kelly. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #23 (Dell, 1943) CGC NM+ 9.6 Cream to off-white pages. This book boasts interior art by Walt Kelly. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 2 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #25 (Dell, 1943) CGC NM+ 9.6 Cream to off white pages. Is Bugs a ghost, a witch, or a snowman? We can't say, but we know that the black background on this Halloween cover looks fantastic. Includes the last Pat, Patsy and Pete story. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 2 in 9.6, none higher.
Mad #2 Gaines File pedigree 8/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. A razor-sharp file copy, featuring a Tarzan of the Apes parody. Dick Tracy cameo. Jack Davis cover. Davis, John Severin, Bill Elder, and Wally Wood art. Overstreet 2008 NM- 9.2 value = $1,850. CGC census 1/09: 4 in 9.6, 3 higher.
Mad #4 Gaines File pedigree 5/12 (EC, 1953) CGC NM/MT 9.8 Off-white to white pages. The "Superduperman" story in this issue is what put Mad on the map (shameless plug: see original art from the story elsewhere in this catalog)! The issue is also famous for its "reefer" story, "Flob Was a Slob" by Jack Davis. Harvey Kurtzman did the cover, with Davis, Wally Wood, John Severin, and Bill Elder providing interior art. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 1/09: 5 in 9.8, 1 higher.
Mad #5 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 White pages. Typically pristine copy from the Gaines Files. After #1, this is the most valuable issue of all, owing to low distribution. It seems that some folks took too seriously the "facts" presented in a biography of publisher William Gaines that was included in this issue, resulting in many copies being pulled from the newsstands. C'mon! Who'd actually believe anything presented in Mad? It was humor, people! And usually in poor taste! The often underrated Bill Elder did the great cover and contributed interior art as did his more famous cohorts Wally Wood, John Severin, and Jack Davis. Overstreet 2008 NM- 9.2 value = $2,600. CGC census 1/09: 2 in 9.6, 1 higher.
Mad #6 Gaines File pedigree 3/12 (EC, 1953) CGC NM 9.4 White pages. "King Kong," "Tarzan," and "Casey at the Bat" parodies make this a memorable issue. Popeye makes a cameo appearance. Harvey Kurtzman did the "Kong" cover; Kurtzman, Wally Wood, John Severin, Bill Elder, and Jack Davis all contributed story art. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 4 in 9.4, 1 higher.
Mad #15 Gaines File pedigree 4/12 (EC, 1954) CGC NM 9.4 Off-white to white pages. And the wonderful Bill Gaines file copies keep on coming! This issue features art by Bill Elder, Harvey Kurtzman (a funny Pot Shot Pete reprint), Wally Wood, and Jack Davis. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 4 in 9.4, none higher.
Mad #22 Gaines File pedigree 8/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. The infamous "Special Art Issue," with all interior art by Bill Elder. Cover and interior photos by Harvey Kurtzman. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 5 in 9.4, 4 higher.
Magazines
Mad #24 (EC, 1955) CGC NM 9.4 Off-white pages. The first magazine format issue of this jovial title also featured the first "What? Me Worry?" appearance on the Harvey Kurtzman bordered cover. A stellar copy of an iconic book. Wally Wood, Jack Davis, Bill Elder, and Bernie Krigstein art. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 1/09: 1 in 9.4, 3 higher.
Golden Age (1938-1955)
Magic Comics #1 (David McKay Publications, 1939) CGC VF- 7.5 Cream to off-white pages. Premiere issue of an early Golden Age title that ran for a decade. Overstreet 2008 VF 8.0 value = $1,943. CGC census 1/09: 1 in 7.5, 2 higher.
Marge's Little Lulu #23 (Dell, 1950) CGC NM 9.4 Cream to off-white pages. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 1 in 9.4, none higher.
Marge's Little Lulu #24 (Dell, 1950) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 1 in 9.4, none higher.
Marge's Little Lulu #25 (Dell, 1950) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 1 in 9.4, none higher.
Marvel Comics #1 Denver pedigree (Timely, 1939) CGC VF+ 8.5 Off-white pages. Overstating the importance of this issue is next to impossible. After all, everything that Timely/Atlas/Marvel has done over the past 69 years started with this comic book. Precursor to Captain America Comics, Human Torch Comics, and Sub-Mariner Comics, and granddaddy of Fantastic Four, Amazing Spider-Man, X-Men, and countless other superheroes still relevant today, Marvel Comics #1 is considered the third most valuable Golden Age comic book of all. Only a handful of copies have been certified with grades nicer than FN 6.0, and just two have earned a higher grade than this pedigree jewel.
Classic pulp artist Frank Paul created the Marvel-ous cover, and a trio of artists who would define the "look" of Timely during the Golden Age, Carl Burgos, Bill Everett, and Paul Gustavson provided interior art, as the Human Torch, Sub-Mariner, the Angel, and Ka-Zar debuted. Comic history epitomized!
As far as we can tell by scrutinizing, only some color breaks in the spine area kept this very, very sharp copy out of NM- or NM territory. Overstreet 2008 VF 8.0 value = $147,000; VF/NM 9.0 value = $260,000. CGC census 1/09: 1 in 8.5, 2 higher.
Classic pulp artist Frank Paul created the Marvel-ous cover, and a trio of artists who would define the "look" of Timely during the Golden Age, Carl Burgos, Bill Everett, and Paul Gustavson provided interior art, as the Human Torch, Sub-Mariner, the Angel, and Ka-Zar debuted. Comic history epitomized!
As far as we can tell by scrutinizing, only some color breaks in the spine area kept this very, very sharp copy out of NM- or NM territory. Overstreet 2008 VF 8.0 value = $147,000; VF/NM 9.0 value = $260,000. CGC census 1/09: 1 in 8.5, 2 higher.
Marvel Comics #1 (Timely, 1939) CGC VG- 3.5 Cream to off-white pages. The very first Timely comic, as well as the book that launched the entire Marvel Universe, is without a doubt one of the most important comic books ever produced. Among its highlights: the first appearances of the Human Torch and Ka-Zar, both characters who went on to enjoy a long run, alongside less-heralded heroes such as the Angel, Jungle Terror, and Masked Raider. The origin of Sub-Mariner, partially reprinted from the obscure Motion Picture Funnies #1, was expanded for this appearance. Artists include Carl Burgos, Bill Everett, and Paul Gustavson. This recently discovered copy is completely restoration free, one of only 18 unrestored copies certified by CGC to date. CGC notes, "Cover detached." Overstreet 2008 VG 4.0 value = $44,000. CGC census 1/09: 1 in 3.5, 13 higher.
Marvel Comics #1 (Timely, 1939) CGC Apparent FN+ 6.5 Extensive (P) Cream to off-white pages. More often found with restoration than without these days, this book is a must-have in any grade, and this lot is a very solid copy with strong eye appeal. The first Timely comic and thus the first Marvel, it has the first appearances of the Human Torch, Ka-Zar, and the Angel, and the first newsstand appearance of the Sub-Mariner. The cover is by Frank R. Paul.
While this book ceded the title of "most valuable comic" to Action #1, it's still the number one book for Marvel fans, and since Marvel's still the most popular comic line around, that's lofty status indeed.
Overstreet 2008 GD 2.0 value = $22,000; VG 4.0 value = $44,000; FN 6.0 value = $66,000.
While this book ceded the title of "most valuable comic" to Action #1, it's still the number one book for Marvel fans, and since Marvel's still the most popular comic line around, that's lofty status indeed.
Overstreet 2008 GD 2.0 value = $22,000; VG 4.0 value = $44,000; FN 6.0 value = $66,000.
Marvel Mystery Comics #13 (Timely, 1940) CGC FN+ 6.5 Cream to off-white pages. It's the first appearance of The Vision, drawn by Joe Simon and Jack Kirby! The cover art is attributed to Alex Schomburg. Small crack on the slab at lower left, not affecting the integrity of the holder. Overstreet 2008 FN 6.0 value = $1,554; VF 8.0 value = $3,626. CGC census 1/09: 3 in 6.5, 5 higher.
Marvel Mystery Comics #52 San Francisco pedigree (Timely, 1944) CGC VF+ 8.5 Off-white to white pages. This is the nicest copy of this book we've ever offered, and our first thought was "this looks even nicer than VF+!" At the upper right there's a "crunched" corner but with no color break, and two tiny tears, neither more than three millimeters. Other than that, this copy looks absolutely incredible. And of course, the book has one of those classic Alex Schomburg covers featuring the Human Torch. It's a bondage cover, as Toro and an equally alarmed lass can attest. This is one to circle in the catalog, Timely collectors! Overstreet 2008 VF 8.0 value = $969; VF/NM 9.0 value = $1,610. CGC census 1/09: 1 in 8.5, 1 higher.
Marvel Mystery Comics #59 Pennsylvania pedigree (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. The Alex Schomburg covers are the primary reason issues of this title are in such demand. The exemplary grade of this pedigree copy is another reason. Overstreet 2008 VF/NM 9.0 value = $1,610; NM- 9.2 value = $2,250. CGC census 1/09: 2 in 9.0, 1 higher.
Marvel Mystery Comics #73 Davis Crippen ("D" Copy) pedigree (Timely, 1946) CGC VF+ 8.5 Cream to off-white pages. The Human Torch and Toro blast into battle with a werewolf in this issue. The eye-catching cover is by Mike Sekowsky, who is well known for his work on the early issues of Justice League of America. This book certainly has a lot going for it, being from the renowned "D" Copy pedigree and having the highest CGC grade awarded for this issue, at the time of this writing. Overstreet 2008 VF 8.0 value = $756; VF/NM 9.0 value = $1,228. CGC census 1/09: 4 in 8.5, none higher.
Marvel Mystery Comics #78 (Timely, 1946) CGC VF/NM 9.0 Off-white pages. Syd Shores is credited with the cover art featuring the Human Torch and Toro. Overstreet 2008 VF/NM 9.0 value = $1,228; NM- 9.2 value = $1,700. CGC census 1/09: 1 in 9.0, 2 higher.
Master Comics #1 (Fawcett, 1940) Condition: FN. This oversized comic made history by almost causing a lawsuit! DC thought that Master Man, the title character, was a little too similar to their hero Superman, and once they threatened to sue, Fawcett withdrew the character after six issues. The series had a 133-issue run, though it soon adopted a standard-size format. This first issue is a 52-pager measuring 10.5" by 14". A clean copy with impressive cover colors. Overstreet 2008 FN 6.0 value = $2,328.
Master Comics #23 (Fawcett, 1942) CGC VF 8.0 Cream to off-white pages. This is a very tough book! Only six unrestored copies appear on CGC's census, and the only one we had ever offered before was a greatly inferior Fair! It's the first solo story for Captain Marvel Jr. and only his second-ever cover appearance. This gorgeous Mac Raboy cover was called "one of the all-time classic covers of the Golden Age" by Comic Book Marketplace. Overstreet 2008 VF 8.0 value = $1,788. CGC census 1/09: 1 in 8.0, 3 higher.
Master Comics #26 Lost Valley pedigree (Fawcett, 1942) CGC VF/NM 9.0 White pages. Captain Marvel Junior stars on a standout Mac Raboy cover. It's a "remember Pearl Harbor" cover from a time when that was at the forefront of most every American's mind. Overstreet 2008 VF/NM 9.0 value = $947; NM- 9.2 value = $1,325. CGC census 1/09: 1 in 9.0, 2 higher.
Platinum Age (1897-1937)
Mickey Mouse Magazine #2 File Copy (K. K. Publications, Inc., 1935) Condition: VF-. We had never seen this one in condition anywhere near this nice. Issue #2 was printed in a smaller format and on higher-quality paper than #1, so you'd think more copies would have survived, but our experience is that #2 is much scarcer. This is a beautifully fresh copy with white pages. Otto Messmer art. Overstreet 2008 VF 8.0 value = $2,200.
Mickey Mouse Magazine V3#3 File Copy (K. K. Publications, Inc., 1937) Condition: NM-. This may be the first printed appearance anywhere of Walt Disney's Snow White and the Seven Dwarfs! The issue came out shortly before the movie was released, making this a special "sneak preview" of Disney's first feature-length cartoon. The Christmas cover is a winner too. This is the nicest copy we've ever seen. Overstreet 2008 NM- 9.2 value = $1,550.
Golden Age (1938-1955)
Mickey Mouse Magazine V3#6 File Copy (K. K. Publications, Inc., 1938) Condition: VF/NM. This is the only high-grade copy of this one we've ever encountered. Snow White serial ends in this issue. Lonesome Ghost appearance. Overstreet 2008 VF/NM 9.0 value = $615; NM- 9.2 value = $860.
Mickey Mouse Magazine V3#10 (K. K. Publications, Inc., 1938) Condition: NM-. Goofy's first solo cover appearance. Overstreet 2008 NM- 9.2 value = $675.
Military Comics #3 (Quality, 1941) CGC VF/NM 9.0 Off-white to white pages. A significant issue in Blackhawk history, it has the origin and first appearance of Chop-Chop. You wouldn't know it from the cover by Chuck Cuidera, but the most vertically challenged of the Blackhawk team would ham it up on many future covers. There's only one nicer copy known of #3, according to CGC's latest census, the Mile High copy. Jack Cole, Al McWilliams, and Bob Powell furnished interior art. Overstreet 2008 VF/NM 9.0 value = $2,075; NM- 9.2 value = $2,900. CGC census 12/08: 1 in 9.0, 1 higher.
Miss America Comics #1 (Timely, 1944) CGC VF/NM 9.0 Off-white pages. Timely's two-fisted female crimefighter known as Miss America was the star of her own series for 14 years, yet this is the only comic issue ever to be devoted entirely to her! After this initial comic, the title was converted to Miss America Magazine with issue #2, featuring a mix of articles, photos, movie reviews, and some comics. In fact, Marvel's teen queen Patsy Walker was introduced in issue #2. Miss America had originally been featured in the back pages of Marvel Mystery, as a young woman who had been super-charged by a strange invention. Ken Bald, who would go on to greater success with newspaper strips like Dr. Kildare, provided the art, including the great pin-up cover illustration. Overstreet 2008 VF/NM 9.0 value = $1,897; NM- 9.2 value = $2,650. CGC census 1/09: 2 in 9.0, 1 higher.
Miss Fury #1 (Timely, 1942) CGC VF/NM 9.0 Off-white to white pages. Here's the nicest copy yet certified of this issue, the first comic book appearance of Tarpe Mills' newspaper heroine Miss Fury. The character is quite significant in comic book history, as she was one of the earliest superheroines -- according to some, she's the first superheroine to be created by a female cartoonist. This issue includes Miss Fury's origin, and she even appears in costume in the book, which wasn't the case for every issue. While Overstreet credits the cover to Alex Schomburg, our considered opinion is that it's the work of another Timely hand, probably Ms. Mills herself. Overstreet 2008 VF/NM 9.0 value = $4,461; NM- 9.2 value = $6,400. CGC census 1/09: 1 in 9.0, none higher.
More Fun Comics #53 (DC, 1940) CGC Apparent FN/VF 7.0 Moderate (P) Off-white to white pages. The second most valuable issue in the storied run of DC's longest-running series (it started as New Fun Comics in 1935), it's currently tied as the 19th most valuable on Overstreet's Top 100 Golden Age Books. What's the hubbub? The second appearance of the Spectre is here, the first time in a story that he's in costume. Bernard Baily created one of his most famous covers for the issue (a "bondage cover") and provided interior art, as did Bob Kane. CGC notes, " Restoration includes: color touch, spine splits, sealed, cover cleaned, reinforced, re-glossed (top and bottom edge trimmed)" and "5th, 6th, and 7th wrap married." Overstreet 2008 GD 2.0 value = $2,850; VG 4.0 value = $5,700; FN 6.0 value = $8,550.
More Fun Comics #101 (DC, 1945) CGC FN/VF 7.0 Off-white to white pages. The first appearance of Superboy makes this by far the most important issue of the later part of this title's run. From a modest beginning (he didn't even appear or get mentioned on the cover), the Boy of Steel would go on to be a featured character for many years thereafter, in comics as well as on television. The Spectre, alas, makes his final appearance in the title here, and wouldn't be seen again until some 20 years later. Also appearing are Green Arrow, Johnny Quick, and Aquaman. The cover is by Cliff Young. Overstreet 2008 FN 6.0 value = $2,571; VF 8.0 value = $6,000. CGC census 1/09: 4 in 7.0, 6 higher.
Motion Picture Comics #110 When Worlds Collide - Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Adapts the 1951 sci-fi classic When Worlds Collide. George Evans and Al Williamson drew themselves into the story. Front and back photo covers. Overstreet 2008 NM- 9.2 value = $1,350. CGC census 12/08: 1 in 9.4, none higher.
Motion Picture Funnies Weekly #1 (First Funnies, Inc., 1939) CGC FN- 5.5 Slightly brittle pages. This historical rarity is noted as the first published appearance of Bill Everett's Sub-Mariner feature. The first eight pages of the story were presented, with a "to be continued" caption in a box found on the last page; when the story was featured again a few months later in Marvel Comics #1, that box was left blank, and the story continued for four more pages. Designed as a theater giveaway, it never received wide distribution, and was thought to be used only under test circumstances. Only a few copies of this book have surfaced over the years, with only six currently listed by CGC; this is one of only four unrestored copies on that list. Overstreet 2008 FN 6.0 value = $11,000. CGC census 1/09: 1 in 5.5, 2 higher.
Movie Comics #1 (DC, 1939) CGC VF+ 8.5 Cream to off-white pages. Only the Denver and Carson City copies have been graded higher than this winner! And considering the black cover, don't expect too many more high-grade copies to surface. This is quite an early DC book, preceding the likes of Superman #1 and Detective #27. Overstreet 2008 VF 8.0 value = $2,243; VF/NM 9.0 value = $3,972. CGC census 1/09: 1 in 8.5, 2 higher.
Namora #1 Vancouver pedigree (Timely, 1948) CGC NM/MT 9.8 White pages. The only copy graded above 9.0 to date. The "Sea Beauty" is nicely showcased in this near-perfect pedigreed copy. There's a Sub-Mariner crossover inside. Ken Bald did the leggy cover, while Don Rico and Bill Everett contributed story art. Overstreet 2008 NM- 9.2 value = $3,900. CGC census 1/09: 1 in 9.8, none higher.
Platinum Age (1897-1937)
New Fun Comics #1 (DC, 1935) Condition: Apparent VG/FN. This is the first DC comic book, and it's currently #29 in Overstreet's ranking of the most valuable comics, which is even more impressive considering that Overstreet doesn't list a NM- or even a VF/NM value for the issue (the VG value is higher than that of Flash Comics #1 or More Fun #52). Once you've decided you can afford one, you need to find one -- no easy task for a book ranked among the 50 rarest Golden Age comics by Comic Book Marketplace.
A very significant issue in comic book history, this is "the prototype of the modern comic in that it featured an anthology format of continuing characters and original rather than reprinted material," as Overstreet once put it. The first-ever tabloid-sized comic, it measures 10 1/2 by 15 inches (and is too large to be encapsulated by CGC). It started a series which became More Fun Comics. Since this issue's got lots of coupons and a number of cut-out features meant for kids to use their scissors on, there can't be many other complete copies in existence of this rarity.
A coupon on the inside front cover is filled out with pencil. Extensive restoration includes: spine rebuilt, pieces replaced, color touch, tear seals. Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000.
A very significant issue in comic book history, this is "the prototype of the modern comic in that it featured an anthology format of continuing characters and original rather than reprinted material," as Overstreet once put it. The first-ever tabloid-sized comic, it measures 10 1/2 by 15 inches (and is too large to be encapsulated by CGC). It started a series which became More Fun Comics. Since this issue's got lots of coupons and a number of cut-out features meant for kids to use their scissors on, there can't be many other complete copies in existence of this rarity.
A coupon on the inside front cover is filled out with pencil. Extensive restoration includes: spine rebuilt, pieces replaced, color touch, tear seals. Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000.
Golden Age (1938-1955)
Our Fighting Forces #1 (DC, 1954) CGC VF- 7.5 Cream to off-white pages. This first issue of one of DC's "Big Five" war titles features a Jerry Grandenetti cover and art, while Irv Novick, Arthur Peddy, and George Papp contribute interior art. Overstreet 2008 VF 8.0 value = $850. CGC census 1/09: 2 in 7.5, 3 higher.
Piracy #1 Gaines File pedigree 4/12 (EC, 1954) CGC NM+ 9.6 Off-white to white pages. The swashbuckling Wally Wood cover looks as fresh as the sea air, on this Gaines File beauty. Al Williamson, Jack Davis, and Angelo Torres interior art. Overstreet 2008 NM- 9.2 value = $450. CGC census 1/09: 3 in 9.6, none higher.
Planet Comics #44 (Fiction House, 1946) CGC NM 9.4 Cream to off-white pages. One of the best known of the title's signature Joe Doolin covers headlines an issue that features the interior art of Murphy Anderson, Bob Lubbers, and Ruben Moreira. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 12/08: 2 in 9.4, 1 higher.
Planet Comics #59 Lost Valley pedigree (Fiction House, 1949) CGC NM 9.4 White pages. Just as it did on the newsstand in 1949, Joe Doolin's Mysta of the Moon cover reels you in, and the interior work by Matt Baker, George Evans, and Graham Ingels was sure to keep you glued to every panel. This is just a magnificent copy, and the page quality is rarer than the overall Near Mint grade! Overstreet 2008 NM- 9.2 value = $925. CGC census 12/08: 3 in 9.4, 1 higher.
Powerhouse Pepper Comics #1 (Timely, 1943) CGC VF/NM 9.0 Off-white pages. Basil Wolverton's bizarre (and bizarrely funny) style has made him a collector's favorite; this issue stars Wolverton's creation, Powerhouse Pepper, who got his start in Joker Comics. Overstreet 2008 VF/NM 9.0 value = $2,147; NM- 9.2 value = $3,000. CGC census 1/09: 3 in 9.0, 1 higher.
Roy Rogers Comics #1 (Dell, 1948) CGC NM- 9.2 Off-white to white pages. This series ran for 145 issues, and you can't do better than the highest-graded copy of the first issue. Overstreet 2008 NM- 9.2 value = $1,550. CGC census 1/09: 1 in 9.2, none higher.
Saint #1 (Avon, 1947) CGC VF/NM 9.0 Off-white pages. Jack Kamen bondage cover and art. Overstreet 2008 VF/NM 9.0 value = $797; NM- 9.2 value = $1,100. CGC census 1/09: 4 in 9.0, 1 higher.
Sensation Comics #1 Crowley Copy pedigree (DC, 1942) CGC NM- 9.2 Off-white to white pages. The second appearance of Wonder Woman, this key book is listed among the 30 most valuable comics by Overstreet. Wonder Woman got the starring role in this first issue close on the heels of her first appearance in All-Star Comics #8. The second half of the character's origin is told here. Also making their debuts were Mr. Terrific and Wildcat, two characters who still appear in comics in the present day. Jon Blummer is generally credited with the cover art. Overstreet 2008 NM- 9.2 value = $60,000. CGC census 1/09: 1 in 9.2, 1 higher.
Sensation Comics #1 (DC, 1942) Condition: Incomplete. Centerfold missing, affecting Gay Ghost story. "Otherwise VG" copy. The second appearance of Wonder Woman. Listed among the 30 most valuable comics by Overstreet. First appearances of Wildcat and Mr. Terrific. Overstreet 2008 GD 2.0 value = $2,850.
Sensation Comics #3 (DC, 1942) CGC VF 8.0 Off-white pages. Etta Candy's second appearance sees the plus-size gal receive a "mental radio" from Wonder Woman, which the amazing Amazon can activate through telepathy (a device used often in later stories). Irwin Hasen handled cover art chores in addition to drawing the Wildcat feature. The Wonder Woman story was drawn by the character's regular artist, H. G. Peter. Overstreet 2009 VF 8.0 value = $1,813. CGC census 1/09: 1 in 8.0, 1 higher.
Sensation Comics #4 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. This is the nicest copy in CGC's census by a healthy margin -- as of this writing, only the Rockford copy at 7.0 is even close! It's the first appearance of Baroness Paula Von Gunther, Wonder Woman's early archfoe (who even made it into the 1970s TV show, by the way). Also, the Wildcat feature has the debut of that hero's sidekick, "Stretch" Skinner. Overstreet 2008 VF 8.0 value = $1,250; VF/NM 9.0 value = $2,075. CGC census 1/09: 1 in 8.5, none higher.
Sensation Comics #7 Rockford pedigree (DC, 1942) CGC NM 9.4 Cream to off-white pages. The Amazon Princess has an unusual way to take out the bad guys on this H. G. Peter cover. The Black Pirate, Wildcat, Little Boy Blue, and the Gay Ghost also make appearances in this anthology. This one owns the bragging rights to the highest CGC-graded copy to date. Overstreet 2008 NM- 9.2 value = $1,675. CGC census 1/09: 1 in 9.4, none higher.
Sensation Comics #35 Double Cover (DC, 1944) CGC NM 9.4 Off-white pages. If you're thinking the exterior cover is nice on this H. G. Peter double cover issue, you'll be thrilled to know that the interior cover is even nicer! CGC notes, "1st cover 8.0, interior cover 9.4." Overstreet 2008 NM- 9.2 value = $760. CGC census 1/09: 1 in 9.4, none higher.
Sensation Comics #40 "D" Copy pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. Making her first appearance is Countess Drashka Nishki, and if from hearing the name, you guessed that she's as beautiful as she is deadly, you know your comic books! She would reappear in further Golden Age tales, then again in the Silver Age. The issue's cover and art are by H. G. Peter. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.4, none higher.
Sensation Comics #45 (DC, 1945) CGC NM 9.4 Off-white to white pages. You'll like the deep colors on this one! Only the San Francisco copy has been graded higher by CGC to date. H. G. Peter cover art. Overstreet 2008 NM- 9.2 value = $675. CGC census 1/09: 1 in 9.4, 1 higher.
Sensation Comics #46 Mile High pedigree (DC, 1945) CGC NM 9.4 White pages. Foolish villains -- don't they realize that guns and knives won't help them against Wonder Woman? That should be as obvious as the fact this is an Edgar Church Mile High copy, and it's magnificent! And as is often the case with Mr. Church's books, this copy is the highest-graded in the current CGC census report for this issue. Overstreet 2008 NM- 9.2 value = $710. CGC census 1/09: 1 in 9.4, none higher.
Sensation Comics #52 Diamond Run pedigree (DC, 1946) CGC NM 9.4 Off-white to white pages. H. G. Peter cover and art. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 2 in 9.4, 1 higher.
Sensation Comics #53 Pennsylvania pedigree (DC, 1946) CGC NM+ 9.6 Off-white to white pages. Wonder Woman is joined by the usual array of backup features, including Mr. Terrific, Wildcat, and Little Boy Blue. The cover is by H. G. Peter. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 2 in 9.6, none higher.
Sensation Comics #56 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. The usual H. G. Peter pizzazz characterizes this cover, and Wonder Woman's signature artist drew the Amazon's story inside the comic as well. DC great Joe Kubert drew the Sargon the Sorcerer backup feature. Other characters appearing include Little Boy Blue, Mr. Terrific, and Wildcat. This immaculate Mile High copy doesn't seem to have aged since Edgar Church plucked it off the stands. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 2 in 9.6, none higher.
Sensation Comics #62 Big Apple pedigree (DC, 1947) CGC NM 9.4 Off-white to white pages. H. G. Peter comes through with the cover art for this issue, as well as for the Wonder Woman story inside. Considering the black cover, we were surprised to see a 9.4 copy turn up, and not surprised to find that it's the highest-graded copy that CGC has certified to date. Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 1 in 9.4, none higher.
Sensation Comics #65 Big Apple pedigree (DC, 1947) CGC NM 9.4 Cream to off-white pages. Wonder Woman heads for Alaska and the Arctic to solve a murder case in this issue. The Amazon is drawn by H. G. Peter, both on the cover and inside the book. Paul Reinman handles art chores on the Sargon the Sorcerer feature. Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 1 in 9.4, 2 higher.
Sensation Comics #70 Double Cover (DC, 1947) CGC NM+ 9.6 Off-white to white pages. The game of "bullets and bracelets" was no big deal for Wonder Woman, but on this cover H. G. Peter has her playing cannonballs and bracelets! Inside the book there's more Peter art, as well as a humor feature drawn by Harry Lampert. Youngster Gil Kane drew the story featuring the boxer-turned-crimefighter known as Wildcat. This is the highest-graded copy of the issue (and the only one graded above 9.0) that CGC has certified to date. CGC notes, "1st cover 7.0, interior cover 9.6." Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 1 in 9.6, none higher.
Sensation Comics #102 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC NM- 9.2 Off-white pages. If you don't recognize this issue's logo, we don't blame you - these late issues of the series that ended with #109 just don't show up very often. And you won't find a nicer copy than this one! This book's from the "all-girl" era of this title, with Wonder Woman backed up by Astra, Girl of the Future, "Romance Inc.", and "Dr. Pat, Rx." The cover is by Irwin Hasen. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 1 in 9.2, none higher.
Sensation Comics #103 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC NM- 9.2 Off-white to white pages. This is the only copy graded above 7.5 as of this writing. The robot cover is credited to Irwin Hasen. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 1 in 9.2, none higher.
Sensation Comics #104 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC NM- 9.2 Cream to off-white pages. Collectors will appreciate this high-grade black cover featuring Wonder Woman roping the "Menacing Men of Mars." Carmine Infantino and Gil Kane art. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 1 in 9.2, none higher.
Sensation Comics #106 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC VF/NM 9.0 Off-white to white pages. The last Wonder Woman issue of this series is a very difficult book to find, and we've got the only copy graded above 7.5! Overstreet 2008 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 1/09: 1 in 9.0, none higher.
Sensation Comics #108 Davis Crippen ("D" Copy) pedigree (DC, 1952) CGC NM+ 9.6 Off-white to white pages. The last three issues of the title earn Overstreet's "scarce" rating (it would become Sensation Mystery beginning with issue #110). CGC's census lists just three copies of #108 that have surpassed FN/VF 7.0, and this is the finest. Alex Toth provided story art. Overstreet 2008 NM- 9.2 value = $825. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V2#1 Mile High pedigree (Street & Smith, 1941) CGC VF/NM 9.0 White pages. The indicia says it's V2#2, but we know better! This is far and away the highest-graded copy yet certified by CGC for the issue, which features a Dead End Kids story. Overstreet 2008 VF/NM 9.0 value = $860; NM- 9.2 value = $1,200. CGC census 1/09: 1 in 9.0, none higher.
Shadow Comics V2#2 Mile High pedigree (Street & Smith, 1942) CGC NM+ 9.6 White pages. This is considered the scarcest issue of the run, and we had never seen a copy in better than mid-grade before. The weird "giant ant" cover (by Vernon Greene) adds to the appeal. A note on the numbering of this issue, which is identified as V2#2 on the cover and dated January 1942: the listing in Gerber's Photo-Journal is incorrect, calling a different issue V2#2, and Overstreet errs by mentioning a Dead End Kids story which is in V2#1, not here. This copy's spine is absolutely perfect, and since it's the only copy graded above 7.0 on CGC's census as of this writing, it's probably safe to say that there's no better copy in existence. Overstreet 2008 NM- 9.2 value = $2,200. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V2#3 Mile High pedigree (Street & Smith, 1942) CGC NM 9.4 Off-white to white pages. The first appearance of Supersnipe was in this issue of Shadow Comics! And what a tough issue it is -- we hadn't seen one in seven years. This is the only copy graded above 8.5 by CGC to date. Supersnipe would get his own series about half a year after his debut here. The bold reds and yellows on the cover remind us of the Mile High runs of Flash and Adventure we auctioned recently. If you're familiar with Mile Highs, you know they're as good as it gets in Golden Age collecting, and if you're not, it's high time to get started. Overstreet 2008 NM- 9.2 value = $1,950. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V2#5 Mile High pedigree (Street & Smith, 1942) CGC NM 9.4 Off-white to white pages. This is the only copy graded above 7.0, and an issue we had only seen once before. The spine is absolutely perfect, and the characteristic "Mile High" pencil coding is big and bold here - this will be music to your ears if you love the Mile Highs as much as we do! Overstreet 2008 NM- 9.2 value = $1,050. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V2#6 Mile High pedigree (Street & Smith, 1942) CGC NM+ 9.6 Off-white pages. What a thrill to see this yellow cover as it was meant to be seen, with no smudges or blemishes! This is the only copy of the issue graded above 8.5. The cover scene is one of the series' most violent. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V2#7 Mile High pedigree (Street & Smith, 1942) CGC NM+ 9.6 Off-white to white pages. Here's the only copy graded above 9.0, and this may be the nicest condition-wise of the many 9.6 copies we're offering here. You try finding a flaw in this one! Note that the villain is Shiwan Khan, probably the best-known Shadow foe. Vernon Greene cover art. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V2#8 Mile High pedigree (Street & Smith, 1942) CGC NM 9.4 Off-white to white pages. This is the only copy graded above 8.0 to date. One of the weirdest covers of the run! Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V2#9 Mile High pedigree (Street & Smith, 1942) CGC NM- 9.2 White pages. This is the only copy graded above 8.0 by CGC to date. The Shadow rarely shared cover billing in this series, and it's an unusually jovial Shadow who introduces Beebo (a Bomba-esque character). The grins end inside as the pulp hero tackles "The Hand of Death" and other tales. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.2, none higher.
Shadow Comics V2#11 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 Off-white pages. Here's yet another perfect spine, unheard-of for a run of 1940s comics! To date, this is the only copy graded above -- ahem -- 1.8, which for those of you who have never looked at a low-grade book and don't want to start now, is Good-minus. This issue is "broken out" in Overstreet, which notes, "Classic Devil Kyoti World War 2 sunburst cover." Al Bare cover art. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V2#12 Mile High pedigree (Street & Smith, 1943) CGC NM/MT 9.8 White pages. This ridiculously sharp copy is the only one graded above 9.0 by CGC to date. In addition to the perfect condition, there's a pretty striking cover featuring the same Devil Kyoti who menaced the Shadow on the cover of the previous issue. The Sarasotan slabmeisters of CGC list Vernon Greene as the cover artist, but note that it bears the signature of Binder shop hand Al Bare. Overstreet 2008 NM- 9.2 value = $975. CGC census 1/09: 1 in 9.8, none higher.
Shadow Comics V3#1 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 Off-white to white pages. This is the only copy graded above 6.5 by CGC to date, and given the black cover, don't look for another 9.6 to come along! The "Japanese menace," a cover theme Street & Smith used more than anyone in these war years, is featured on the cover, with art by Jack Binder. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V3#3 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 White pages. This is the only high-grade copy we've seen of this issue, and the only copy CGC has certified to date. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V3#4 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 White pages. This is the only copy graded above 8.0 by CGC as of this writing. Overstreet 2008 NM- 9.2 value = $875. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V3#5 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 Off-white to white pages. This is the only copy that CGC has certified as of this writing. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V3#6 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 White pages. "Classic underwater cover" is Overstreet's apt summary here! This is the only copy graded above 7.5 as of this writing. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 1/09: 1 in 9.4, none higher.
Shadow Comics V3#8 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 White pages. The gorilla cover is credited to Charles Coll. Hitler appears inside. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V3#9 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 Off-white to white pages. This is the only copy graded above 7.5 as of this writing. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V3#10 Mile High pedigree (Street & Smith, 1944) CGC NM+ 9.6 White pages. This issue's yellow front cover has never looked better than on this NM+ copy! By coincidence the back cover is yellow also and looks just as good. The Shadow's Street & Smith stablemate Doc Savage appears in the issue. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V3#11 Mile High pedigree (Street & Smith, 1944) CGC FN 6.0 Off-white to white pages. We suspect someone will get a fantastic deal on a very attractive Mile High here -- aside from the matter concerning the staples as noted below, this is an excellent copy, as you'll see if you scrutinize our scan. Striking cover art! CGC notes, "4 extra staples, not from manufacturing. Original staple removed." Overstreet 2008 FN 6.0 value = $198. CGC census 1/09: 1 in 6.0, 2 higher.
Shadow Comics V3#12 Mile High pedigree (Street & Smith, 1944) CGC NM- 9.2 White pages. One of the better skull covers in comics, this one features Thade, who was in the pulp story "The Death Giver." Speaking of pulps, Doc Savage appears inside. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 1 in 9.2, none higher.
Shadow Comics V4#11 Mile High pedigree (Street & Smith, 1945) CGC NM+ 9.6 White pages. Doc Savage appears in a backup story. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.6, none higher.
Shadow Comics V9#3 Davis Crippen ("D" Copy) pedigree (Street & Smith, 1949) CGC NM+ 9.6 Off-white to white pages. This is the best copy we've ever seen of this issue -- the perfect upper left corner is amazing! It may well be the best copy in existence (the Mile High is a 9.2 with cream pages). Bob Powell drew the underwater cover. Overstreet 2008 NM- 9.2 value = $600. CGC census 12/08: 1 in 9.6, none higher.
Shadow Comics V9#4 Davis Crippen ("D" Copy) pedigree (Street & Smith, 1949) CGC NM+ 9.6 Off-white to white pages. The best copy we've ever offered of the second-to-last issue of the series. Bob Powell is the cover artist. Overstreet 2008 NM- 9.2 value = $600. CGC census 12/08: 1 in 9.6, none higher.
Shield-Wizard Comics #1 (MLJ, 1940) CGC FN/VF 7.0 Cream to off-white pages. One of MLJ's key Golden Age issues had the origins of both the Shield and the Wizard, plus a patriotic flag cover by Irv Novick. Novick and Edd Ashe Jr. contributed interior art. Overstreet 2008 FN 6.0 value = $1,509; VF 8.0 value = $3,521. CGC census 1/09: 3 in 7.0, 5 higher.
Shock SuspenStories #2 Gaines File pedigree 9/10 (EC, 1952) CGC NM 9.4 Off-white to white pages. A famous Wally Wood cover is a highlight of this issue, which features interior work by Wood, Jack Kamen, Jack Davis, and Graham Engels. Overstreet 2008 NM- 9.2 value = $760. CGC census 1/09: 1 in 9.4, 5 higher.
Shock SuspenStories #3 Gaines File pedigree 7/12 (EC, 1952) CGC NM/MT 9.8 Off-white pages. Drop-dead gorgeous copy of an issue highlighted by Wally Wood's disturbing cover. There's also a decapitated head panel inside. Wood, Joe Orlando, Jack Davis, and Jack Kamen furnished the story art. Overstreet 2008 NM- 9.2 value = $565. CGC census 1/09: 4 in 9.8, none higher.
Shock SuspenStories #8 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Hmmm... maybe some comics were too violent! Al Feldstein pushed the envelope with this cover. Inside there's an atomic explosion panel, and story art from Jack Kamen, Wally Wood, Al Williamson, and George Evans. Overstreet 2008 NM- 9.2 value = $550. CGC census 1/09: 3 in 9.6, 3 higher.
Silver Streak Comics #7 (Lev Gleason, 1941) CGC VG+ 4.5 Cream to off-white pages. Daredevil's second-ever appearance was his first cover, and he's on it twice! Two more firsts: the hero's costume is the familiar one (instead of the yellow and blue he wore in his first story), and Daredevil actually began speaking here (the original gimmick that he was mute was quickly abandoned). Though the hero hadn't been around long, the clever folks at Rhoda/Your Guide Publications (soon to become Lev Gleason) cannily billed this issue's Daredevil/Claw meeting as an epic event, and the Claw had earned that status as the company's top villain since issue #1. Jack Cole is the cover artist. This copy has the penciled "SN" associated with the Cookeville collection. Overstreet 2008 VG 4.0 value = $1,452. CGC census 1/09: 1 in 4.5, 11 higher.
Single Series #20 Tarzan - Edgar Rice Burroughs File Copy (United Features Syndicate, 1940) CGC VF+ 8.5 Off-white pages. This early Tarzan comic book featured the stellar art of Hal Foster; in fact, no other Golden Age book can boast as many pages of Foster Tarzan reprints, in full color. Overstreet values are lagging behind actual values for high-grade copies of this oldie goodie. Overstreet 2008 VF 8.0 value = $713; VF/NM 9.0 value = $1,182. CGC census 01/09: 3 in 8.5, 1 higher.
Smash Comics #2 Mile High pedigree (Quality, 1939) CGC NM 9.4 White pages. Awesome! This one has an irresistible bondage/torture cover, this copy is clean and bright, and it's a book you come across much less often than #1. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 1/09: 1 in 9.4, none higher.
Sparkler Comics #39 Mile High pedigree (United Features Syndicate, 1944) CGC NM 9.4 Off-white to white pages. Burne Hogarth, with his superior anatomical rendering skills, provided the "eye popping" Tarzan cover for this Mile High looker. Overstreet 2008 NM- 9.2 value = $635. CGC census 12/08: 1 in 9.4, 1 higher.
Sparkler Comics #44 Mile High pedigree (United Features Syndicate, 1945) CGC NM/MT 9.8 White pages. Featuring Tarzan. Cover artist Rex Maxon was no stranger to this assignment, having already drawn the King of the Jungle in daily strips for some 16 years. This senses-numbing copy just has to be the nicest in existence. Overstreet 2008 NM- 9.2 value = $355. CGC census 1/09: 1 in 9.8, none higher.
Sparkler Comics #50 Mile High pedigree (United Features Syndicate, 1945) CGC NM/MT 9.8 Off-white to white pages. Tarzan cover art by the great Burne Hogarth. Overstreet 2008 NM- 9.2 value = $355. CGC census 1/09: 1 in 9.8, none higher.
Special Edition Comics #1 (Fawcett, 1940) CGC FN+ 6.5 Cream to off-white pages. On just about everyone's list of favorite Fawcett books is this one, the first comic devoted entirely to Captain Marvel. It pre-dates Captain Marvel Adventures #1. C. C. Beck is generally credited with the cover art, and it's one of the more recognizable covers of the Golden Age. A bit of Marvel Family minutiae at no extra charge: this comic was the only time the Big Red Cheese wore that "M" belt buckle. Overstreet 2008 FN 6.0 value = $2,229; VF 8.0 value = $5,200. CGC census 1/09: 3 in 6.5, 13 higher.
Speed Comics #1 (Harvey, 1939) CGC VF+ 8.5 Cream to off-white pages. The book is the first appearance of Shock Gibson! It's published by Brookwood -- various histories of the comic book medium disagree on whether Brookwood was another name for Harvey, connected to Harvey, or whether rights to this series were simply bought by Harvey at a later time. What's certain is that the series was published under the Harvey name starting with issue #14, and Shock Gibson was the first significant Harvey superhero, making this issue a must-buy for any collector of that long-running publisher. Overstreet 2008 VF 8.0 value = $2,204; VF/NM 9.0 value = $3,902. CGC census 1/09: 3 in 8.5, none higher.
Spy Smasher #1 Crowley Copy pedigree (Fawcett, 1941) CGC FN+ 6.5 Cream to off-white pages. Fawcett made good use of silver ink covers like this one from the premiere issue of the title, but high grade copies are few in existence. Overstreet 2008 FN 6.0 value = $1,068; VF 8.0 value = $2,314. CGC census 1/09: 3 in 6.5, 5 higher.
Star Spangled Comics #7 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. Joe Simon and Jack Kirby's Newsboy Legion and the Guardian made their first appearance here, making this issue the most valuable in the 130-issue run. Only four copies of #7 have earned grades higher than FN- 5.5 from CGC to date, and only the Mile High copy is nicer than this one. Overstreet 2008 VF 8.0 value = $4,599; VF/NM 9.0 value = $8,050. CGC census 1/09: 1 in 8.5, 1 higher.
Star Spangled Comics #52 Big Apple pedigree (DC, 1946) CGC NM 9.4 White pages. Joe Simon and Jack Kirby cover. CGC notes, "Mis-cut." Overstreet 2008 NM- 9.2 value = $675. CGC census 1/09: 1 in 9.4, none higher.
Star Spangled Comics #69 Mile High pedigree (DC, 1947) CGC NM- 9.2 White pages. This issue has the first appearance of the long-running character Tomahawk. The white man who grew up among the Indians was a regular in this series and in World's Finest in the years to come, and even starred in his own title from 1950 to 1972. Other assets of the issue include a story with an atom bomb theme starring Robin (and mentioned on the cover, which is by Win Mortimer). Other characters on hand include Robotman and the Star Spangled Kid. Overstreet 2008 NM- 9.2 value = $1,850. CGC census 1/09: 1 in 9.2, none higher.
Star Spangled Comics #80 Mile High pedigree (DC, 1948) CGC NM+ 9.6 Off-white to white pages. This copy's bright yellow cover color doesn't seem to have dulled at all with age, thanks to the impeccable preservation skills of Edgar Church! This is the only copy certified above 8.5 by CGC to date. A Robin solo story is the highlight, but there are also stories featuring Tomahawk (Fred Ray art), the Star Spangled Kid, and Robotman. The cover is by Jim Mooney. Overstreet 2008 NM- 9.2 value = $965. CGC census 1/09: 1 in 9.6, none higher.
Star Spangled Comics #84 (DC, 1948) CGC NM 9.4 Cream to off-white pages. This issue is "rare" according to Overstreet. Jim Mooney cover featuring Robin. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 1/09: 1 in 9.4, none higher.
Straight Arrow #7 Mile High pedigree (Magazine Enterprises, 1950) CGC NM/MT 9.8 Off-white to white pages. This stunning Mile High copy is a real eye-catcher. Bob Powell and Fred Meagher provide the art. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.8, none higher.
Strange Adventures #1 Crowley Copy pedigree (DC, 1950) CGC VF/NM 9.0 Cream to off-white pages. An adaptation of the movie Destination Moon, with a photo cover from the film, highlights this issue. It was DC's first sci-fi title, and it ran for over 20 years. Interior artists include some familiar DC names: Dick Sprang, Curt Swan, and Jim Mooney. Overstreet 2008 VF/NM 9.0 value = $3,685; NM- 9.2 value = $5,400. CGC census 12/08: 5 in 9.0, 1 higher.
Strange Adventures #9 Bethlehem pedigree (DC, 1951) CGC VF+ 8.5 Off-white to white pages. The origin and first appearance of Captain Comet came in this issue. And that debut is significant, because the character was an Earth man with super powers who sought adventure in outer space... that is to say, he was a new superhero who preceded the Martian Manhunter, the new Flash, etc. So call this an early stirring of the Silver Age if you so desire! Carmine Infantino drew the cover. Overstreet 2008 VF 8.0 value = $1,199; VF/NM 9.0 value = $2,225. CGC census 1/09: 5 in 8.5, 5 higher.
Strange Worlds #3 (Avon, 1951) CGC VF 8.0 Cream to off-white pages. Avon used some of the best illustrators available, but this issue was especially impressive, beginning with the Everett Raymond Kinstler cover. Inside were two supergroup collaborations -- a Wally Wood/Joe Orlando story and a seven-pager that boasted a team-up of -- get this -- Wood/Al Williamson/Frank Frazetta/ Roy Krenkel/and Joe Orlando! It makes this the most valuable in the 22 issue run. Overstreet 2008 VF 8.0 value = $1,425. CGC census 12/08: 4 in 8.0, 8 higher.
Sub-Mariner Comics #1 (Timely, 1941) CGC VF- 7.5 Cream to off-white pages. This is the nicest unrestored copy we've seen in quite some time, and it's possible that no true Near Mint copy even exists, with the highest certification to date being 9.0. One of Overstreet's 20 most valuable Golden Age books, this is the fourth most valuable Timely behind only Marvel Comics #1, Captain America Comics #1, and Human Torch #2 (#1). And it's got cover art by the most collectible Timely artist, Alex Schomburg. Overstreet 2008 VF 8.0 value = $22,000. CGC census 1/09: 2 in 7.5, 4 higher.
Sub-Mariner Comics #3 Chicago pedigree (Timely, 1941) CGC NM+ 9.6 Off-white to white pages. We here at Heritage never seem to tire of seeing Alex Schomburg Timely covers, and this one, involving a Winston Churchill assassination attempt, is typically loaded with great detail. Of course, the real story here is the impeccable pedigreed condition - it's hard to believe this fresh-looking book was printed back in 1941. The contents include an Angel story and interior art chores were handled by Schomburg, Bill Everett, and Harry Sahle. Overstreet 2008 NM- 9.2 value = $8,000. CGC census 1/09: 1 in 9.6, none higher.
Sub-Mariner Comics #18 (Timely, 1945) CGC VF+ 8.5 Cream to off-white pages. Alex Schomburg drew the underwater cover. As Namor might say, "Sufferin' Shad!" Overstreet 2008 VF 8.0 value = $994; VF/NM 9.0 value = $1,647. CGC census 1/09: 3 in 8.5, 4 higher.
Sub-Mariner Comics #25 (Timely, 1948) CGC VF+ 8.5 Off-white pages. The bondage cover is by Mike Sekowsky. This issue has the first of the series of Blonde Phantom backup features. Overstreet 2008 VF 8.0 value = $881; VF/NM 9.0 value = $1,466. CGC census 1/09: 2 in 8.5, 1 higher.
Sub-Mariner Comics #34 (Timely, 1954) CGC VF/NM 9.0 White pages. Namora's life hangs in the balance, as Namor sends teeth flying on this bondage cover. A Human Torch story is also included in this issue along with a Bill Everett story and art. Stunning white pages on this copy! Overstreet 2008 VF/NM 9.0 value = $841; NM- 9.2 value = $1,175. CGC census 1/09: 1 in 9.0, none higher.
Sub-Mariner Comics #37 (Atlas, 1954) CGC VF 8.0 Cream to off-white pages. Namora appearance. Bill Everett art. Overstreet 2008 VF 8.0 value = $494. CGC census 1/09: 4 in 8.0, none higher.
Sub-Mariner Comics #41 (Timely, 1955) CGC VF 8.0 Off-white to white pages. Namora appearance. Bill Everett story and art. Overstreet 2008 VF 8.0 value = $494. CGC census 1/09: 1 in 8.0, 1 higher.
Superboy #1 (DC, 1949) CGC FN- 5.5 Cream to off-white pages. Here's an appealing mid-grade specimen of this highly sought-after first issue. It features a Superman appearance on the Wayne Boring cover. Overstreet 2008 FN 6.0 value = $2,487. CGC census 1/09: 4 in 5.5, 32 higher.
Superboy #2 (DC, 1949) CGC VF 8.0 Off-white pages. Even the squeaky clean Boy of Steel got an issue mentioned in Seduction of the Innocent, for doing nothing more than crossing the Delaware (long story). Overstreet 2008 VF 8.0 value = $1,425. CGC census 1/09: 3 in 8.0, 2 higher.
Superman #1 (DC, 1939) Condition: PR. Coverless and incomplete, missing the two center wraps. A 1.5" tear at the spine goes through the entire book. The good news is, the pages, while tan at the edges, are not brittle... and of course the other good news is that this is the rare Superman #1 that can (probably) be acquired for less than five figures! This is one of the five most valuable comic issues in the hobby, after all! A key book, in high demand in any grade. Overstreet 2008 GD 2.0 value = $21,000.
Superman #1 (DC, 1939) CGC Apparent FN 6.0 Extensive (P) White pages. What comic book collector has not dreamed of owning a copy of Superman #1? After Action Comics #1, there can be no bigger prize for any serious fan of the Man of Steel. Our restored offering gives you the chance to obtain a very nice-looking, professionally restored copy of that elusive comic. Keep in mind that currently there are no known copies of this book, unrestored or otherwise, that exist in grades over 9.0, and there are only 73 graded copies total, listed by CGC. Even with the book inside the CGC slab, it's a thrill to hold it in your hands! CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced, staples replaced." Overstreet 2008 GD 2.0 value = $21,000; VG 4.0 value = $42,000; FN 6.0 value = $63,000.
Superman #2 (DC, 1939) CGC FN 6.0 Cream to off-white pages. Now that you have your #1, you'll need a nice copy of #2 - voilà ! Superman co-creators Joe Shuster and Jerry Siegel provided the artwork and stories respectively for this early milestone. Overstreet 2008 FN 6.0 value = $4,050. CGC census 1/09: 2 in 6.0, 14 higher.
Superman #2 (DC, 1939) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. It's Up, Up and Away, with another beautifully restored issue of Superman. As the majority of unrestored Golden Age greats disappear into private collections, these nicely-done, professionally restored copies make a great alternative to paying the over-market price you'd be facing otherwise - if you can find an unrestored copy, that is. This one certainly does look nice. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, bottom edge trimmed. Overstreet 2008 GD 2.0 value = $1,350; VG 4.0 value = $2,700; FN 6.0 value = $4,050; VF 8.0 value = $10,200.
Superman #3 (DC, 1940) CGC FN/VF 7.0 Cream to off-white pages. Joe Shuster is credited with the cover art for this issue, from the days when Superman could only take huge leaps, not fly! Overstreet 2008 FN 6.0 value = $2,571; VF 8.0 value = $6,000. CGC census 1/09: 3 in 7.0, 10 higher.
Superman #4 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. This issue had the second appearance of Luthor, though note that he's not the befuddled baldy on the cover! Joe Shuster cover art. Overstreet 2008 VF 8.0 value = $4,400; VF/NM 9.0 value = $7,700. CGC census 1/09: 2 in 8.5, 2 higher.
Superman #5 (DC, 1940) CGC FN/VF 7.0 Cream to off-white pages. Fourth appearance of Luthor (with red hair). Joe Shuster and Wayne Boring art. Overstreet 2008 FN 6.0 value = $1,491; VF 8.0 value = $3,479. CGC census 1/09: 7 in 7.0, 13 higher.
Superman #6 (DC, 1940) CGC VF+ 8.5 Cream to off-white pages. Here's your signed portrait of the Man of Steel, attached to a wonderful copy of the sixth Superman comic! Supes' smiling visage welcomes us inside to the first "splash page" in this title, plus four classic stories scripted by Jerry Siegel, with art provided by Joe Shuster, Paul Cassidy, and Jack Burnley. This copy displays excellent cover colors, a smooth spine and a tight, flat appearance. A slim dust shadow along the outer edges does little to diminish the eye appeal of this prize. Overstreet 2008 VF 8.0 value = $2,204; VF/NM 9.0 value = $3,902. CGC census 1/09: 1 in 8.5, 1 higher.
Superman #10 (DC, 1941) CGC VF 8.0 White pages. The first bald appearance of Luthor was in this issue, and it's just his fifth appearance overall. According to lore, an artist was given a previous issue for reference, saw a bald henchman, took him to be Luthor, and drew his assigned story accordingly! Fred Ray is the issue's cover artist. Overstreet 2008 VF 8.0 value = $2,048. CGC census 1/09: 4 in 8.0, 8 higher.
Superman #11 (DC, 1941) CGC VF+ 8.5 Off-white to white pages. Fred Ray was a master at the simple yet dynamic cover, and there are not many copies of the issue that are nicer. Overstreet 2008 VF 8.0 value = $1,638; VF/NM 9.0 value = $2,719. CGC census 1/09: 2 in 8.5, 4 higher.
Superman #14 (DC, 1942) CGC Apparent VF+ 8.5 Slight (A) White pages. The patriotic shield cover by Fred Ray is understandably dubbed "classic" by Overstreet. While this copy has been awarded a "Restored Grade" by CGC, it's still one of the finest copies in existence. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2008 GD 2.0 value = $412; VG 4.0 value = $824; FN 6.0 value = $1,236; VF 8.0 value = $2,678.
Superman #17 (DC, 1942) CGC VF 8.0 White pages. Fred Ray created one of his best covers for this issue, with Superman manhandling Hitler and Hirohito. Inside is the first Fortress of Solitude, referred to as a secret citadel and mountain retreat. Overstreet 2008 VF 8.0 value = $1,931. CGC census 1/09: 2 in 8.0, 2 higher.
Superman #19 (DC, 1942) Condition: VF-. Here's a whiz-bang copy that couldn't be encapsulated by CGC because of an overhang. Note that only one copy that CGC has certified to date earned a grade higher than 7.0! Beautiful white pages are the cake-icer. Jack Burnley is the issue's cover artist. Overstreet 2008 VF 8.0 value = $1,294.
Superman #23 (DC, 1943) CGC FN/VF 7.0 White pages. Overstreet and CGC agree - this is a "classic" cover! It's from Jack Burnley who scored again with a "classic" designation for the following issue. Get 'em both! Start here! CGC notes, "Very minor amount of color touch on cover." Overstreet 2008 FN 6.0 value = $537; VF 8.0 value = $1,119. CGC census 1/09: 4 in 7.0, 13 higher.
Superman #25 (DC, 1943) CGC VF+ 8.5 White pages. Clark Kent joins the Army in this issue, which has Jack Burnley cover art, and Joe Shuster and Fred Ray interior art, the latter providing his only superhero story ever! Overstreet 2008 VF 8.0 value = $950; VF/NM 9.0 value = $1,575. CGC census 1/09: 5 in 8.5, 6 higher.
Superman #27 (DC, 1944) CGC VF+ 8.5 White pages. Wayne Boring provided the cover art for this issue, which featured a Toyman appearance. Overstreet 2008 VF 8.0 value = $863; VF/NM 9.0 value = $1,432. CGC census 1/09: 5 in 8.5, 5 higher.
Superman #29 (DC, 1944) CGC VF- 7.5 Off-white to white pages. Prankster appearance. Wayne Boring cover. Overstreet 2008 VF 8.0 value = $863. CGC census 1/09: 2 in 7.5, 11 higher.
Superman #30 Williamsport pedigree (DC, 1944) CGC VF 8.0 Cream to off-white pages. This special issue features the origin and first appearance of Mr. Mxyztplk (later known as Mr. Mxyzptlk) in comic books. Everybody loves that character, but even if you don't, a charming Lois Lane cover should be the deal-sealer. The Williamsport collection was noted for its Superman run, and while the owner held back a book or two from the initial run we offered, we were able to pry this one loose now and you'll be glad we did! Overstreet 2008 VF 8.0 value = $1,638. CGC census 1/09: 2 in 8.0, 8 higher.
Superman #36 (DC, 1945) CGC VF+ 8.5 Off-white pages. Is Superman de-icing a refrigerator or destroying it? Lois Lane looks perturbed either way, in this cover by Wayne Boring. Mr. Mxyztplk makes an appearance. Overstreet 2008 VF 8.0 value = $725; VF/NM 9.0 value = $1,200. CGC census 1/09: 6 in 8.5, 3 higher.
Superman #41 Cookeville pedigree (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. The Prankster makes an appearance in this issue, which features a Wayne Boring cover. Overstreet 2008 VF/NM 9.0 value = $966; NM- 9.2 value = $1,350. CGC census 1/09: 3 in 9.0, none higher.
Superman #53 (DC, 1948) CGC Apparent FN/VF 7.0 Slight (P) Off-white pages. Billed as the "10th Anniversary Issue", issue #53 of Superman actually came 10 years after Superman's first appearance in Action Comics #1. To commemorate the occasion, Supe's origin is retold, with Wayne Boring producing an inspired cover that makes Overstreet's "classic" listing. CGC notes, "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $317; VG 4.0 value = $634; FN 6.0 value = $951.
Superman #80 Williamsport pedigree (DC, 1953) CGC VF+ 8.5 Cream to off-white pages. The Williamsport pedigree collection is most famous for its Superman run, and this is the best copy of #80 we've ever offered. Halk Kar made his first appearance here -- as it turned out he wasn't really Superman's brother, but he was a friend of Jor-El, and any friend of Jor-El's is... you know the rest. Al Plastino is the cover artist. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 1/09: 1 in 8.5, 1 higher.
Superman #81 Williamsport pedigree (DC, 1953) CGC VF+ 8.5 Cream to off-white pages. This is the Williamsport pedigree copy, and it's the only copy graded above 7.5 by CGC to date! The gal with the "T" on her chest is Tharka from the planet Zor, and the facial expression on Lois Lane (as illustrated by Win Mortimer) says it all. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 1/09: 1 in 8.5, none higher.
Supersnipe Comics #11 Mile High pedigree (Street & Smith, 1943) CGC NM+ 9.6 Off-white to white pages. A book featuring "the boy with the most comic books in America" (Supersnipe) from the collection of the man with the nicest comic books in America (Edgar Church). George Marcoux cover art. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 1 in 9.6, none higher.
Suspense Comics #7 (Continental Magazines, 1944) CGC VF+ 8.5 Off-white to white pages. The shadowy Mr. Nobody is seen up close on a cover for the first time on this symbolism-fraught cover by the great L. B. Cole. Overstreet 2008 VF 8.0 value = $994; VF/NM 9.0 value = $1,647. CGC census 1/09: 3 in 8.5, 1 higher.
Tales From the Crypt #21 Gaines File pedigree 3/10 (EC, 1951) CGC NM/MT 9.8 Off-white pages. When only the best copies of ECs will do, you have to go for one of the Gaines File copies. And this one stands out even among others from the famed collection. It's the second issue of this title that would become the most famous of EC's horror titles. Al Feldstein cover and art. Wally Wood and Graham Ingels art. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 12/08: 2 in 9.8, none higher.
Tales From the Crypt #23 Gaines File pedigree 5/10 (EC, 1951) CGC NM+ 9.6 Off-white pages. Al Feldstein cover. Interior art by Feldstein, Graham Ingels, Jack Davis (his first work for this title), and Johnny Craig. Overstreet 2008 NM- 9.2 value = $985. CGC census 1/09: 7 in 9.6, 1 higher.
Tales From the Crypt #34 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Cream pages. The lingerie panels in this issue get EC another censor citation in Parade of Pleasure. Jack Davis' cover, with interior art by Davis, George Evans, Jack Kamen, and Graham Ingels (on a Ray Bradbury adaptation) are the artistic highlights. CGC notes, "Tiny pieces off some page corners." Even so, CGC hasn't awarded a higher grade for this issue to date. While CGC affirms this is from the Gaines Files, no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $715. CGC census 12/08: 3 in 9.6, none higher.
Tales From the Crypt #38 Gaines File pedigree 7/12 (EC, 1953) CGC NM 9.4 Off-white pages. Because of the extreme violence this cover (by Jack Davis) was self-censored; streams of blood and the figure of a woman's body in the coffin were removed. Bill Elder and "Ghastly" Graham Ingels lend their hands by providing some interior artwork too. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 2 in 9.4, none higher.
Target Comics #4 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 White pages. Only two unrestored copies of the issue have been certified by CGC to date, and the other one came in a bit behind... at VG+ 4.5! Our offering looks every bit a Mile High, complete with the tell-tale white pages. The early issues of this title boasted some pretty impressive artists, including in this issue alone, Timely's Carl Burgos, Bill Everett, Joe Simon, and Tarpe Mills, plus Golden Age great Jack Cole. Overstreet 2008 NM- 9.2 value = $2,200. CGC census 1/08: 1 in 9.6, none higher.
Target Comics #5 (Novelty Press, 1940) CGC VF- 7.5 White pages. The third most valuable issue in the entire 9+ year run, this Gerber "uncommon" issue featured the origin of White Streak (in text) and the beginning of Basil Wolverton's Space Hawk series. Bill Everett did the cover, with Wolverton, Carl Burgos, and Tarpe Mills contributing interior artwork. Overstreet 2008 VF 8.0 value = $2,961. CGC census 1/09: 1 in 7.5, 4 higher.
Tarzan #2 Cape Cod pedigree (Dell, 1948) CGC NM 9.4 Off-white pages. Jesse Marsh cover and art. A beautiful pedigreed copy. Overstreet 2008 NM- 9.2 value = $900. CGC census 1/09: 2 in 9.4, none higher.
Terrific Comics #1 Crowley Copy pedigree (Continental Magazines, 1944) CGC VF- 7.5 Cream to off-white pages. Don Rico treats us to a creepy circus cover, complete with a sinister clown, while L. B. Cole gets interior art credit here. The premiere ish starred Kid Terrific and also featured an opium story. Overstreet 2008 VF 8.0 value = $2,074. CGC census 1/09: 2 in 7.5, none higher.
Terry-Toons Comics #38 (Timely, 1945) CGC NM- 9.2 Off-white to white pages. The first comic book appearance of Mighty Mouse was right here in this very issue! Mighty Mouse fans vie with Timely collectors for this one, leading to results like the 9.4 Crippen copy which fetched a jaw-dropping $12,547 three years ago. Overstreet 2008 NM- 9.2 value = $2,200. CGC census 1/09: 1 in 9.2, 2 higher.
Platinum Age (1897-1937)
Tip Top Comics #1 (United Features Syndicate, 1936) CGC VG 4.0 White pages. It's the first comic book appearance of Tarzan, but also of Li'l Abner, Fritzi Ritz, Ella Cinders, and the Captain and the Kids. This one's basically unheard-of in high grade; CGC has yet to grade a copy above 7.5. CGC notes, "1 piece of tape on cover." Overstreet 2008 VG 4.0 value = $1,916. CGC census 1/09: 1 in 4.0, 5 higher.
Golden Age (1938-1955)
Top-Notch Comics #1 (MLJ , 1939) CGC VF 8.0 Off-white pages. The issue is best known for having the first appearance of the Wizard. It's one of the earliest comics from the publisher that would later be known as Archie. Interior art by Jack Cole. Overstreet 2008 VF 8.0 value = $4,000. CGC census 1/09: 1 in 8.0, 3 higher.
Tough Kid Squad Comics #1 Kansas City pedigree (Timely, 1942) CGC VF+ 8.5 Cream to off-white pages. This one and only issue of the title featured the origin and first appearance of the Human Top and the Tough Kid Squad. Overstreet calls it "scarce", and CGC lists this and one other copy at the top of its census. No other copy has graded higher than FN/VF 7.0 to date. Overstreet 2008 VF 8.0 value = $6,678; VF/NM 9.0 value = $11,689. CGC census 1/09: 2 in 8.5, none higher.
Tough Kid Squad Comics #1 (Timely, 1942) CGC FN/VF 7.0 Cream to off-white pages. "Highly prized due to its rarity" is how Overstreet once described this one-shot, and the Guide still gives it a "scarce" rating today, with Gerber using the same term. The cover art appears to be the work of Syd Shores. Note the low number of higher-graded copies, Timely fans! Overstreet 2008 FN 6.0 value = $2,862; VF 8.0 value = $6,678. CGC census 1/09: 2 in 7.0, 2 higher.
Treasure Comics #1 Mile High pedigree (Prize, 1945) CGC NM- 9.2 White pages. Paul Bunyan and Marco Polo begin runs while Highwayman and Carrot Topp make their only appearances. Henry Kiefer art. Overstreet 2008 NM- 9.2 value = $675. CGC census 1/09: 1 in 9.2, 2 higher.
Two-Fisted Tales #23 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 White pages. Harvey Kurtzman provides both cover and story art to this issue, which also features Jack Davis, Wally Wood, and the team of John Severin and Bill Elder on story art. Overstreet 2008 NM- 9.2 value = $425. CGC census 1/09: 4 in 9.6, none higher.
USA Comics #4 Chicago pedigree (Timely, 1942) CGC NM- 9.2 Off-white pages. Major Liberty made his only cover appearance ever right here, and never appeared in another Timely except USA #1-4, but we love his one shining moment, energetically rendered by Al Gabriele. The Japanese war cover ties into the issue theme of "remember Pearl Harbor" -- consider that the May cover-dated issue was on the stands in February of '42, just three months after the attack. And have a look at our scan -- if you're like us, a 9.2 Timely always gets your pulse racing! Overstreet 2008 NM- 9.2 value = $4,200. CGC census 1/09: 2 in 9.2, none higher.
Vault of Horror #13 Gaines File pedigree 1/9 (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. This is just the second issue of the title, and note that #12 was the first EC horror comic, period! Johnny Craig is the cover artist. This is basically a perfect copy; you can see why Bob Overstreet ranked it as the best of the nine Gaines File specimens. Overstreet 2008 NM- 9.2 value = $1,610. CGC census 1/09: 3 in 9.8, none higher.
Vault of Horror #14 Gaines File pedigree 3/9 (EC, 1950) CGC NM 9.4 Off-white to white pages. This is one of the earlier EC horror issues -- it's just the third issue of the firm's first horror series. Johnny Craig cover art. Overstreet 2008 NM- 9.2 value = $1,445. CGC census 1/09: 4 in 9.4, none higher.
Vault of Horror #18 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Johnny Craig's cover suggests it's not what you wish for, but the proper protocol that's important... you've got to follow the wishing rules, or your wish could turn out... well, ugly! Johnny Craig did the cover for this and every other issue in the run. Interior art was provided by Craig, Jack Davis, Jack Kamen, and Graham Ingels. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $785. CGC census 1/09: 1 in 9.6, 6 higher.
Vault of Horror #20 Gaines File pedigree 8/12 (EC, 1951) CGC NM/MT 9.8 White pages. Blood and gore as you like it, rendered by Johnny Craig, Graham Ingels, Jack Kamen, and Jack Davis, to guarantee your satisfaction! Only one copy has been graded higher by CGC to date. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 5 in 9.8, 1 higher.
Vault of Horror #23 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. This issue's so good, it got cited in Parade of Pleasure. Now that's a comic book! Johnny Craig's cover, and the interior art by Craig, Jack Davis, and Graham Ingels was nothing short of inspiring, in a creepy, strangely stimulating way. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 2 in 9.6, 4 higher.
Walt Disney's Comics and Stories #2 (Dell, 1940) CGC VF+ 8.5 Cream to off-white pages. A tough book to find in high grade, with only five copies CGC-graded over 6.0 to date. Donald Duck is of course the cover star, and is also featured in a three-page text story illustrated by Al Taliaferro. These early WDC&S issues are red-hot, blowing past Overstreet listed values with ease. Overstreet 2008 VF 8.0 value = $5,000; VF/NM 9.0 value = $8,750. CGC census 1/09: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #3 (Dell, 1940) CGC VF 8.0 Cream to off-white pages. Hank Porter's cover of Fire Chief Donald is a great one, and it never looked better than on this super-sharp copy, the current CGC census champ. If this book sells for only Overstreet's listing, we'll be the ones burning! Wak! Overstreet 2008 VF 8.0 value = $1,981. CGC census 1/09: 1 in 8.0, none higher.
Walt Disney's Comics and Stories #4 (Dell, 1941) CGC VF+ 8.5 Off-white pages. An important first for this issue -- Donald's irrepressible nephews, Huey, Dewey, and Louie, make their debut cover appearance for this title. Plus, it's a Christmas cover, and the best of the current CGC-graded copies, to boot. How can you resist this prize possession? Overstreet 2008 VF 8.0 value = $1,338; VF/NM 9.0 value = $2,219. CGC census 1/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #5 (Dell, 1941) CGC VF- 7.5 Off-white to white pages. Goofy takes the center stage this issue, appearing on the cover for the first time in the title. It's a Valentine's Day cover, too -- gawrsh! A very pretty copy, currently bested in CGC's census by only one other. Overstreet 2008 VF 8.0 value = $1,075. CGC census 1/09: 1 in 7.5, 1 higher.
Walt Disney's Comics and Stories #6 File Copy (Dell, 1941) CGC VF- 7.5 Off-white pages. While this copy, originally part of the Western Printing Editorial files, has a rubber stamp mark across the logo, it's still a very attractive and sharp copy. It's been awhile since a nice copy of this issue has hit the market, so be prepared for spirited bidding! Floyd Gottfredson and Al Taliaferro provided story and art. Overstreet 2008 VF 8.0 value = $906. CGC census 1/09: 1 in 7.5, 1 higher.
Walt Disney's Comics and Stories #7 (Dell, 1941) CGC NM- 9.2 Cream to off-white pages. This is the only copy graded above 7.5 by CGC to date... and one of those 7.5 copies sold for $6,572 in a Heritage auction last year! That should tell you how tough these earliest issues are to find in truly nice condition. Tom Wood cover art. Overstreet 2008 NM- 9.2 value = $2,100. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #8 (Dell, 1941) CGC VF- 7.5 Cream to off-white pages. Values for this title have been jumping lately, and considering this issue has the only Clarabelle Cow cover in the run, and that this copy is barely shy of the VF 8.0 highest-graded to be certified by CGC to date, it should be attracting lots of bidding attention! Overstreet 2008 VF 8.0 value = $906. CGC census 1/09: 1 in 7.5, 1 higher.
Walt Disney's Comics and Stories #9 (Dell, 1941) CGC VF+ 8.5 Off-white pages. The only copy graded above 7.5 to date. Overstreet 2008 VF 8.0 value = $906; VF/NM 9.0 value = $1,503. CGC census 1/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #10 (Dell, 1941) CGC NM 9.4 Off-white to white pages. The only copy graded above 9.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $2,100. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #11 (Dell, 1941) CGC VF 8.0 Off-white pages. The only copy graded above 5.5 by CGC to date, and the first high-grade copy we've ever seen. Overstreet 2008 VF 8.0 value = $688. CGC census 1/09: 1 in 8.0, none higher.
Walt Disney's Comics and Stories #12 (Dell, 1941) CGC VF- 7.5 Off-white pages. Al Taliaferro cover art. Overstreet 2008 VF 8.0 value = $688. CGC census 1/09: 1 in 7.5, 1 higher.
Walt Disney's Comics and Stories #13 (Dell, 1941) CGC VF/NM 9.0 Off-white pages. Donald Duck cover by Al Taliaferro. Overstreet 2008 VF/NM 9.0 value = $1,144; NM- 9.2 value = $1,600. CGC census 1/09: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #14 (Dell, 1941) CGC VF/NM 9.0 Off-white to white pages. This is the only copy graded above 8.0 to date. Al Taliaferro cover art. Overstreet 2008 VF/NM 9.0 value = $1,144; NM- 9.2 value = $1,600. CGC census 1/09: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #15 (Dell, 1941) CGC VF+ 8.5 Cream to off-white pages. The only copy graded above 6.0 by CGC to date. Overstreet 2008 VF 8.0 value = $606; VF/NM 9.0 value = $1,003. CGC census 1/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #16 (Dell, 1942) CGC VF+ 8.5 Off-white to white pages. A terrific Christmas cover marks this early issue, which had Al Taliaferro art. Overstreet 2008 VF 8.0 value = $606; VF/NM 9.0 value = $1,003. CGC census 1/09: 2 in 8.5, 2 higher.
Walt Disney's Comics and Stories #17 (Dell, 1942) CGC VF+ 8.5 Off-white pages. Contains the story "The Ugly Duckling." Only one copy tops this one on the current CGC census. Overstreet 2008 VF 8.0 value = $606; VF/NM 9.0 value = $1,003. CGC census 1/09: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #18 (Dell, 1942) CGC NM 9.4 Off-white to white pages.
This is the first high-grade copy we've ever seen, and the only one graded above 8.0 on CGC's census to date. Al Taliaferro cover art featuring Donald Duck. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 1/09: 1 in 9.4, none higher.
This is the first high-grade copy we've ever seen, and the only one graded above 8.0 on CGC's census to date. Al Taliaferro cover art featuring Donald Duck. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #19 File Copy (Dell, 1942) CGC NM 9.4 Off-white pages. The other 9.4 copy sold for $15,535 in a Heritage auction last year! These early issues are all but impossible to find in NM: as of the 1/13/09 CGC census update the entire #1-20 issue range of WDCS shows a total of one 9.2 copies, six 9.4s, one 9.6, and none higher than 9.6! Overstreet 2008 NM- 9.2 value = $1,250. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #20 (Dell, 1942) CGC VF/NM 9.0 Off-white to white pages. War stamp cover. Overstreet 2008 VF/NM 9.0 value = $894; NM- 9.2 value = $1,250. CGC census 1/09: 3 in 9.0, none higher.
Walt Disney's Comics and Stories #21 (Dell, 1942) CGC NM 9.4 Off-white pages. The only copy graded above 7.5. Carl Buettner cover featuring Donald Duck. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #22 File Copy (Dell, 1942) CGC NM+ 9.6 Off-white pages. This is the only copy graded above 9.2 by CGC as of this writing. It's one of just seven copies in the entire #1-50 issue range to be certified 9.6, and no copy in that range had been graded higher. The flag cover by Carl Buettner is one of the most beloved of this title's entire run. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #23 (Dell, 1942) CGC NM- 9.2 Off-white to white pages. Al Taliaferro cover art. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #24 (Dell, 1942) CGC NM 9.4 Off-white to white pages. Contains "The Flying Gauchito," the first original comic book story written for Walt Disney's Comics and Stories. Walt Kelly cover. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #25 (Dell, 1942) CGC VF+ 8.5 Off-white pages. Walt Kelly cover. Overstreet 2008 VF 8.0 value = $431; VF/NM 9.0 value = $716. CGC census 1/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #26 (Dell, 1942) CGC VF/NM 9.0 Off-white to white pages. Football cover by Carl Buettner. Overstreet 2008 VF/NM 9.0 value = $597; NM- 9.2 value = $825. CGC census 1/09: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #27 (Dell, 1942) CGC NM+ 9.6 Off-white pages. The only copy graded above 9.2, and one of only seven 9.6 copies in the entire run from #1-50. Dan Noonan cover. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #28 (Dell, 1943) CGC NM 9.4 Off-white pages. The only copy graded above 9.0. Carl Buettner New Year's cover. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #29 (Dell, 1943) CGC NM- 9.2 Off-white to white pages. Walt Kelly cover. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 1/09: 3 in 9.2, none higher.
Walt Disney's Comics and Stories #30 (Dell, 1943) CGC NM 9.4 Cream to off-white pages. War bonds cover. Overstreet 2008 NM- 9.2 value = $825. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. This is the key issue every seasoned collector knows! It's the first new Donald Duck story by Carl Barks. The man who would later be known as the "Good Duck Artist" partially rewrote the script in addition to handling the art. While Barks has previously drawn Donald in Four Color #9, that tale was not scripted by Barks (nor did he draw the whole story). And this key issue's 4/43 cover date puts it about half a year before Four Color #29.
The issue is also the first new (non-reprint) Donald Duck story of the entire Comics and Stories series. Walt Kelly is the cover artist.
Fairly common in lower grades, this one is impossible in high grade, and no copy has been graded higher than this one! If you collect the Duck books at all, you probably already own a copy with the red surface all dinged up, or that's otherwise beat-up, written-on, subscription-creased, name-stamped, etc., etc... If that's the case it's time to upgrade, and here's the best opportunity we've ever offered for you to do so.
Overstreet 2008 VF/NM 9.0 value = $3,902; NM- 9.2 value = $5,600. CGC census 1/09: 3 in 9.0, none higher.
The issue is also the first new (non-reprint) Donald Duck story of the entire Comics and Stories series. Walt Kelly is the cover artist.
Fairly common in lower grades, this one is impossible in high grade, and no copy has been graded higher than this one! If you collect the Duck books at all, you probably already own a copy with the red surface all dinged up, or that's otherwise beat-up, written-on, subscription-creased, name-stamped, etc., etc... If that's the case it's time to upgrade, and here's the best opportunity we've ever offered for you to do so.
Overstreet 2008 VF/NM 9.0 value = $3,902; NM- 9.2 value = $5,600. CGC census 1/09: 3 in 9.0, none higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC FN+ 6.5 Cream to off-white pages. New Donald Duck stories with scripts and art by Carl Barks begin with this issue, and that makes #53 more valuable than any other in the long run excepting the first two issues. Walt Kelly did the cover. Overstreet 2008 FN 6.0 value = $1,017; VF 8.0 value = $2,204. CGC census 1/09: 3 in 6.5, 11 higher.
Walt Disney's Comics and Stories #32 (Dell, 1943) CGC VF+ 8.5 Cream to off-white pages. Carl Barks story and art. Carl Buettner cover. Overstreet 2008 VF 8.0 value = $1,206; VF/NM 9.0 value = $2,003. CGC census 1/09: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC NM- 9.2 Off-white pages. As far as "infinity" covers go, this is one of the very best of that genre. And when do you ever see a copy with an absolutely perfect yellow background? It's drawn by Carl Buettner by the way. As much excitement as we're fomenting about the cover, we don't want to fail to point out that, coming as it does just two issues after #31, this issue contains one of the earliest Carl Barks Donald Duck stories. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 1/09: 3 in 9.2, none higher.
Walt Disney's Comics and Stories #35 File Copy (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2008 VF 8.0 value = $606; VF/NM 9.0 value = $1,003. CGC census 1/09: 3 in 8.5, 2 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC NM- 9.2 Off-white pages. Carl Barks art. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 1/09: 2 in 9.2, none higher.
Walt Disney's Comics and Stories #38 File Copy (Dell, 1943) CGC NM+ 9.6 Off-white to white pages. A few lots ago we mentioned that only seven copies in the entire #1-50 issue range have been certified 9.6 as of this writing, so we're certainly thrilled to be offering five of them in this auction. The Halloween cover is by Carl Buettner, and note that the Donald Duck story by Carl Barks was one of his earlier efforts in this title (#31 being the first). Overstreet 2008 NM- 9.2 value = $925. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #40 File Copy (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. These early issues are tough enough to find in high grade (see the descriptions of the previous few lots in this catalog)... and a black cover doesn't help matters! Walt Kelly is the cover artist. Overstreet 2008 NM- 9.2 value = $925. CGC census 1/09: 2 in 9.2, none higher.
Walt Disney's Comics and Stories #41 (Dell, 1944) CGC NM+ 9.6 Off-white pages. Carl Barks story and art. Walt Kelly cover. One of only seven copies, in the run from #1-50, to be certified 9.6. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 2 in 9.6, none higher.
Walt Disney's Comics and Stories #42 (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. The only copy graded above 8.0. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #44 (Dell, 1944) CGC NM 9.4 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #45 (Dell, 1944) CGC NM 9.4 Off-white to white pages. Walt Kelly cover. Nazis appear in this issue's Mickey Mouse story by Floyd Gottfredson. Carl Barks art. Note that the original art for this cover is being offered elsewhere in this auction! Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #47 (Dell, 1944) CGC NM+ 9.6 Cream to off-white pages. Carl Barks story and art. Walt Kelly cover. Nazis appear in the Mickey Mouse story by Floyd Gottfredson. This is one of only seven 9.6 CGC-graded copies in the run from #1-50, and five of them are in this auction! Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #50 (Dell, 1944) CGC NM 9.4 Off-white pages. The only copy graded above 8.5. Walt Kelly cover. Carl Barks and Al Taliaferro art. Nazis appear in Floyd Gottfredson's Mickey Mouse story. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #51 (Dell, 1944) CGC VF/NM 9.0 Off-white to white pages. Christmas cover by Walt Kelly. Carl Barks art. Overstreet 2008 VF/NM 9.0 value = $381; NM- 9.2 value = $550. CGC census 1/09: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #53 (Dell, 1945) CGC NM- 9.2 White pages. Wonderful copy, right down to pedigree quality white pages! Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $550. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #55 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 1/09: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #57 (Dell, 1945) CGC NM 9.4 Cream to off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $550. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #61 (Dell, 1945) CGC NM 9.4 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $405. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #63 File Copy (Dell, 1945) CGC NM 9.4 Off-white pages. By far the nicest copy of this issue we've offered. The Thanksgiving cover art is by Walt Kelly. Carl Barks interior art. Overstreet 2008 NM- 9.2 value = $475. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #65 (Dell, 1946) CGC NM 9.4 Off-white to white pages. Only copy graded above 9.0. Walt Kelly cover. Carl Barks art. Pluto story. Overstreet 2008 NM- 9.2 value = $475. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #66 (Dell, 1946) CGC NM- 9.2 Off-white to white pages. High grade copies of early issues of this title have been in increasingly great demand. Walt Kelly infinity cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $475. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #67 (Dell, 1946) CGC NM- 9.2 Off-white to white pages. Walt Kelly rivals Carl Barks as a "good duck artist," as his scores of covers for the title attest. Barks contributed a story and interior art in this issue, this copy of which sits atop CGC's census for #67. Overstreet 2008 NM- 9.2 value = $475. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #68 (Dell, 1946) CGC NM 9.4 Off-white to white pages. Finest copy known of #68, an issue that's not found in grades nicer than FN 6.0 very often. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $475. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #69 (Dell, 1946) CGC VF/NM 9.0 Off-white to white pages. Walt Kelly cover. Carl Barks art. Only copy to be certified higher than FN/VF 7.0 by CGC to date. Overstreet 2008 VF/NM 9.0 value = $330; NM- 9.2 value = $475. CGC census 1/09: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #70 File Copy (Dell, 1946) CGC NM+ 9.6 Off-white to white pages. For once, Donald keeps his trap shut on this charming Walt Kelly cover. Naturally, there's also Carl Barks story and art inside. The real prize here is the amazing 9.6 condition of this file copy -- it stands alone in the current CGC census report for this issue. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #71 (Dell, 1946) CGC NM- 9.2 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #72 (Dell, 1946) CGC VF/NM 9.0 Off-white pages. Walt Kelly cover. Carl Barks art. Only copy of #71 certified nicer than FN+ 6.5 by CGC to date. Overstreet 2008 VF/NM 9.0 value = $244; NM- 9.2 value = $350. CGC census 1/09: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #74 (Dell, 1946) CGC NM 9.4 Off-white to white pages. Copies of this title from this period are just not found in this grade! Hardly ever. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #78 File Copy (Dell, 1947) CGC NM+ 9.6 Off-white to white pages. Walt Kelly's colorful cover has Donald as a perspective customer to the boys - better think twice, Donald! No need to question this beautiful file example, though; of the three copies of this issue currently in the CGC census, it's the highest graded by far. Overstreet 2008 NM- 9.2 value = $305. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #79 File Copy (Dell, 1947) CGC NM+ 9.6 Off-white to white pages. Walt Kelly's cover art features the nephews swiping apples! If they were taken from Uncle Donald's store, we guess it's a forgivable crime. If a law was passed banning beautiful copies of this issue, here would be Public Enemy #1! The Carl Barks art inside adds to the fun. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #80 File Copy (Dell, 1947) CGC NM- 9.2 Off-white to white pages. Walt Kelly's cover has Donald cleaning up a messy problem in a new way! Carl Barks contributes the Donald story and art inside. This spotless file copy is currently unsurpassed in CGC's census report for issue #80. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #81 File Copy (Dell, 1947) CGC NM 9.4 Off-white pages. Walt Kelly cover. Carl Barks story and art. Floyd Gottfredson art. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #83 File Copy (Dell, 1947) CGC NM- 9.2 Cream to off-white. Donald seems to have a lot to learn about paper hanging, in this cute Walt Kelly cover. It's a pretty sweet-looking copy, too, with no higher-graded copies to date on CGC's census list. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #84 File Copy (Dell, 1947) CGC NM 9.4 Off-white to white pages. Contains a Bongo story. Walt Kelly cover. Carl Barks story and art. Floyd Gottfredson art. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #88 (Dell, 1948) CGC NM 9.4 Off-white to white pages. The first appearance of Gladstone Gander, one of the major Carl Barks characters. Walt Kelly drew the New Year's cover. Overstreet 2008 NM- 9.2 value = $385. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #90 File Copy (Dell, 1948) CGC NM- 9.2 Off-white to white pages. Donald gets more than he bargains for on this funny Walt Kelly cover. There's nothing fishy about this sharp file copy, though -- it's the current CGC census champ. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #96 File Copy (Dell, 1948) CGC NM 9.4 Off-white to white pages. Carl Barks provided the bubbly cover to this issue, as well as the Donald Duck story and art inside. This squeaky clean copy had risen to the top of the current CGC census for this issue. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #97 File Copy (Dell, 1948) CGC NM 9.4 Off-white pages. Mickey Mouse makes an appearance alongside Donald Duck, and Huey, Dewey, and Louie on this Walt Kelly cover. A Carl Barks Donald story is featured inside. Of the seven copies of issue #97 currently listed on CGC's census report, this one is the highest-graded. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 0 in 9.4, none higher.
Walt Disney's Comics and Stories #100 (Dell, 1949) CGC NM 9.4 Off-white pages. This stellar copy is the finest that CGC has certified to date. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #102 File Copy (Dell, 1949) CGC NM 9.4 Off-white pages. Walt Kelly provides a playful cover that's "pretty in pink", looking all the better considering the near-pristine appearance of this file copy. It's currently the second highest of only six CGC-graded copies of this issue. As usual, Carl Barks story and art is the main draw inside. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 1 in 9.4, 1 higher.
Walt Disney's Comics and Stories #106 File Copy (Dell, 1949) CGC NM 9.4 Off-white to white pages. Walt Kelly provides a sizzling hot summer scene for this sizzling hot file copy, currently alone at the top of the CGC census for this issue. Carl Barks provided the Donald Duck story and art inside. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #108 (Dell, 1949) CGC NM 9.4 Off-white to white pages. Probably the finest copy in existence of this issue. Carl Barks story, cover, and interior art. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #117 (Dell, 1950) CGC NM- 9.2 Off-white pages. Only two copies of #117 have been certified nicer than VG/FN 5.0 by CGC to date, and this is the nicest. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #119 File Copy (Dell, 1950) CGC NM+ 9.6 Off-white to white pages. As rare as is any issue of the title from this era in 9.4, 9.6 is just about unheard of. For this issue, this is the only copy certified by CGC to date nicer than VG 4.5! The cover's by Carl Buettner. Overstreet 2008 NM- 9.2 value = $135. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #124 File Copy (Dell, 1951) CGC NM+ 9.6 Off-white to white pages. This sensational copy is all the more impressive considering it's the only copy to be certified by CGC to date. Featured is a Christmas cover by Carl Buettner and interior story scripts and art by Carl Barks. Overstreet 2008 NM- 9.2 value = $170. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #140 File Copy (Dell, 1952) CGC NM 9.4 Off-white to white pages. The first appearance of Gyro Gearloose has the added distinction of being only the second Carl Barks Uncle Scrooge cover. Some have said Gyro was a reflection of Barks, who was reportedly a tinkerer in his own right! True NM- and up copies of this issue are very hard to come by -- even the miserly Scrooge would pay you the $325 "top of Guide" value, and this should command many multiples of that figure. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 3 in 9.4, 1 higher.
Walt Disney's Comics and Stories #158 (Dell, 1953) CGC NM+ 9.6 Off-white pages. Halloween cover. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 2 in 9.6, none higher.
Walt Disney's Comics and Stories #159 (Dell, 1953) CGC NM/MT 9.8 Off-white to white pages. While you're waiting on a perfect MT 10.0, here's your "placekeeper" -- a ridiculously high-grade NM/MT 9.8! Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.8, none higher.
War Against Crime #10 Gaines File pedigree 4/11 (EC, 1949) CGC NM+ 9.6 Off-white to white pages. This issue had the first Vault Keeper and the first Vault of Horror. After one more issue the title itself would change to The Vault of Horror, and the New Trend in comics would be in full bloom. Johnny Craig did the cover and contributed interior art along with Al Feldstein. Super-nice copy from the Gaines Files. Overstreet 2008 NM- 9.2 value = $3,500. CGC census 1/09: 1 in 9.6, 6 higher.
Weird Fantasy #7 Gaines File pedigree 3/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Al Feldstein renders good "good girl" art on the sci-fi cover, and also furnishes interior art, along with Jack Kamen, Wally Wood, and George Roussos. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 5 in 9.6, 1 higher.
Weird Fantasy #21 Gaines File pedigree 12/12 (EC, 1953) CGC NM+ 9.6 White pages. Frank Frazetta and Al Williamson provided the cover; Williamson, Roy Krenkel, John Severin, Jack Kamen, and Joe Orlando did the story art. This issue contains a Ray Bradbury adaption. Overstreet 2008 NM- 9.2 value = $825. CGC census 1/09: 4 in 9.6, none higher.
Weird Tales of the Future #4 (Aragon, 1952) CGC VF+ 8.5 Off-white pages. Signature artwork from the quirky genius Basil Wolverton graces the cover and the interior of this comic book. "Jumpin Jupiter" by Basil Wolverton. Partial Wolverton cover. Hmm, we wonder which part? Overstreet 2008 VF 8.0 value = $788; VF/NM 9.0 value = $1,307. CGC census 1/09: 3 in 8.5, 3 higher.
Western Comics #8 Mile High pedigree (DC, 1949) CGC NM/MT 9.8 White pages. The only copy graded above 9.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.8, none higher.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC Apparent FN/VF 7.0 Extensive (P) Cream to off-white pages. Origin and first appearance of Captain Marvel, Sivana, Golden Arrow, Dan Dare, Lance O'Casey, Spy Smasher and Ibis. C. C. Beck cover and art. Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000.
Witness #1 (Marvel, 1948) CGC VF+ 8.5 Off-white to white pages. This one-shot is termed "scarce" by both Overstreet and Gerber. It's the first appearance of the Witness (a different character than the Witness who was in Mystic previously), and while there was only one issue of this series, the mysterious host character did crop up in other Timely books subsequently. CGC attributes the cover art to Charles Nicholas. Overstreet 2008 VF 8.0 value = $1,381; VF/NM 9.0 value = $2,291. CGC census 1/09: 3 in 8.5, 2 higher.
Wonder Woman #1 Crowley Copy pedigree (DC, 1942) CGC VF+ 8.5 Off-white to white pages. After just a few months in Sensation Comics, Wonder Woman had become too popular for that title alone, and this first issue of her own book started a four-decade run. The heroine not only became a household name, she also joined Superman and Batman as the only superheroes to be in continuous publication even through the "dark years" of the early 1950s. Wonder Woman's early adventures still fascinate today, mainly because the Amazon's creator, William Moulton Marston, wrote unorthodox stories of the kind you wouldn't see in any other book, and for that matter H. G. Peter's art also stood out from anything else on the stands. As you might expect from a #1 issue, the heroine's origin story is retold and expanded upon here. Overstreet 2008 VF 8.0 value = $18,000, VF/NM 9.0 value = $32,500. CGC census 1/09: 2 in 8.0, 1 higher.
Wonder Woman #1 (DC, 1942) CGC Apparent VF 8.0 Off-white to white pages. This first issue of Wonder Woman's own title came out just half a year or so after her debut in All Star Comics #8 (she had appeared in Sensation Comics in the meantime). It's no wonder this issue is on Overstreet's top Golden Age books list (at #31) -- it started off a title that would last for four decades, even surviving through the era when superheroes were "out." As you might expect from a #1 issue, the heroine's origin story is retold and expanded upon here. H. G. Peter is the cover artist. Note that CGC (as usual for trimmed books) does not list a degree of restoration but simply notes, "Right edge of cover trimmed." Overstreet 2008 GD 2.0 value = $2,400; VG 4.0 value = $4,800; FN 6.0 value = $7,200; VF 8.0 value = $18,000.
Wonder Woman #2 (DC, 1942) CGC VF/NM 9.0 Off-white to white pages. This black-cover book was obviously handled with the utmost care, it's no surprise that it's atop CGC's census. Four villains make their first appearances here, namely Mars (ruler of the planet of the same name) and his three lieutenants the Duke of Deception, the Earl of Greed, and Lord Conquest. All would pop up in several more Wonder Woman stories in issues to come. H. G. Peter handled the issue's cover and interior art. Overstreet 2008 VF/NM 9.0 value = $5,181; NM- 9.2 value = $7,400. CGC census 1/09: 1 in 9.0, none higher.
Wonder Woman #4 (DC, 1943) CGC NM 9.4 Off-white to white pages. The Mole Men make an appearance on the H. G. Peter cover to this early book in the series. A stunning copy that looks like it came from one of the great pedigrees. In fact, no pedigree copy even comes close to our offering, as the next highest CGC-graded copy is only a 7.5! Don't miss out on your chance to own this Wonderful copy! Overstreet 2008 NM- 9.2 value = $2,750. CGC census 1/09: 1 in 9.4, none higher.
Wonder Woman #7 Double Cover (DC, 1943) CGC NM 9.4 Cream to off-white pages. This is one of the harder issues of this series to find, and one of the only ones to be rated "uncommon" by Gerber. No copy has been graded higher by CGC as of this writing and the next closest book on the census is a mere 8.0. Wonder Woman's creator William Moulton Marston was a card-carrying feminist, and his convictions come through in this issue's cover and story. H. G. Peter handled the art chores as usual. Note that the outer front cover has one 5-inch tear and one 2-inch tear which may not be readily apparent on our scan, accounting for the low outer-cover grade. CGC notes, "1st cover 3.0, interior cover 9.4." Overstreet 2008 NM- 9.2 value = $2,100. CGC census 1/09: 1 in 9.4, none higher.
Wonder Woman #9 (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. Wonder Woman takes on Giganta, who has the mind of a gorilla but the body of a beautiful redhead! H. G. Peter handled the cover and interior art. Overstreet 2008 VF/NM 9.0 value = $1,503; NM- 9.2 value = $2,100. CGC census 1/09: 2 in 9.0, 5 higher.
Wonder Woman #10 Double Cover (DC, 1944) CGC NM 9.4 Off-white to white pages. Titled "Invasion from Saturn" and featuring a classic sci-fi cover by H. G. Peter and interior art by Peter and Paul Reinman. CGC notes, "first cover 8.5, interior cover 9.4." Overstreet 2008 NM- 9.2 value = $2,225. CGC census 1/09: 4 in 9.4, none higher.
Wonder Woman #16 (DC, 1946) CGC NM- 9.2 Cream to off-white pages. H. G. Peter drew this issue's cover in addition to illustrating William Moulton Marston's story. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 1/09: 2 in 9.2, 1 higher.
Wonder Woman #17 Mile High pedigree (DC, 1946) CGC NM+ 9.6 Off-white to white pages. While it's often been said that there's nothing quite like a Mile High comic, we find extra joy in viewing one of Edgar Church's Wonder Woman books! This one has a s-weet pink and orange H. G. Peter cover that literally shines on this copy, which tops the current CGC charts for this issue, by a "Mile." Overstreet 2008 NM- 9.2 value = $1,650. CGC census 1/09: 1 in 9.6, none higher.
Wonder Woman #19 (DC, 1946) CGC NM 9.4 Off-white to white pages. Beautiful copy of an early issue of the title, featuring an H. G. Peter cover and interior art. Overstreet 2008 NM- 9.2 value = $1,650. CGC census 1/09: 2 in 9.4, 1 higher.
Wonder Woman #21 Mile High pedigree (DC, 1947) CGC NM 9.4 Off-white to white pages. H. G. Peter is the cover artist. Overstreet 2008 NM- 9.2 value = $1,325. CGC census 1/09: 3 in 9.4, 1 higher.
World's Best Comics #1 (DC, 1941) CGC VG/FN 5.0 Off-white pages. If you've wondered why there's no issue #1 of the long-running title World's Finest, it's because the premiere issue was World's Best! The series is fondly remembered by comics fans of all ages, as its long run under the new name endured all the way to 1986. Back in 1941, Superman and Batman were both already big stars, so pairing them up was a near-guarantee of success (mind you, they didn't start teaming up in the same story for another 70 issues!). Plus, magician Zatara, the Crimson Avenger, Johnny Thunder and his Thunderbolt, and other heroes appear in this 96-page giant. The cover by Fred Ray is borderline iconic. Overstreet 2008 VG 4.0 value = $2,824; FN 6.0 value = $4,236. CGC census 1/09: 8 in 5.0, 17 higher.
Wow Comics #2 Mile High pedigree (Fawcett, 1941) CGC NM 9.4 Off-white pages. This issue's rated "scarce" by Overstreet, and this is the only copy graded above 8.5 by CGC to date. As with the series' whole early run, Mr. Scarlet is the featured character. But we've also got to mention the first appearance of the Hunchback, a wealthy playboy who assumed the guise of a hunchback in order to -- why else? -- fight crime! Overstreet 2008 NM- 9.2 value = $4,800. CGC census 1/09: 1 in 9.4, none higher.
Wow Comics #4 Crowley Copy/File Copy (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. This is a tough book that you hardly ever see! It's the first appearance of Pinky, sidekick to Mr. Scarlet. Those crimson crusaders of justice righted wrongs for the remainder of this series' run. Overstreet 2008 NM- 9.2 value = $2,100. CGC census 1/09: 1 in 9.2, none higher.
Young Allies Comics #1 (Timely, 1941) CGC GD 2.0 Cream to off-white pages. Origin and first appearance of the group. Red Skull and Hitler cover. Overstreet 2008 GD 2.0 value = $1,365. CGC census 1/09: 2 in 2.0, 33 higher.
Young Allies Comics #5 (Timely, 1942) CGC VF 8.0 Off-white pages. This is a slam-bang copy of a book that usually only turns up in low grade. We're sure you recognize the Alex Schomburg art and our heroes the Young Allies, but it's worth noting that Captain America and the Human Torch also appeared inside. By the way: when some Golden Age expert gets around to determining which cover had the most swastikas on it, this cover will surely make that "Ratzi" runoff. Overstreet 2008 VF 8.0 value = $1,294. CGC census 1/09: 1 in 8.0, 3 higher.
Young Allies Comics #6 (Timely, 1943) CGC VF 8.0 Tan to off-white pages. This issue's Alex Schomburg cover is notable for having German and Japanese foes. In addition to the kid group's adventures inside the comic, there's a four-page "Week After Pearl Harbor" story by Stan Lee and Don Rico that promotes buying war bonds. Overstreet 2008 VF 8.0 value = $950. CGC census 1/09: 2 in 8.0, 2 higher.
Zip Comics #1 (MLJ, 1940) CGC VF/NM 9.0 Off-white pages. One of the Golden Age keys for MLJ, and one of the publisher's earliest issues, this one had the origins of the Scarlet Avenger and Steel Sterling. Other features beginning in this issue were Mr. Satan and Captain Valor. Mort Meskin and Edd Ashe contributed interior art. The copies CGC has certified nicer than this: not quite zip, but to date just a single copy ranks ahead of our offering in CGC's census for issue #1. Overstreet 2008 VF/NM 9.0 value = $6,161; NM- 9.2 value = $8,800. CGC census 1/09: 2 in 9.0, 1 higher.
Silver Age (1956-1969)
X-Men #1 White Mountain pedigree (Marvel, 1963) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. We remember going ga-ga over this copy when we saw it pictured in the catalog of a New York auction firm back in 1991. And seeing it in person, we still think it ranks with the best copies we've seen in terms of eye appeal. It's the origin and first appearance of the X-Men and Magneto, with art by Jack Kirby. CGC notes, "Restoration includes: cover cleaned, staples replaced." Overstreet 2008 GD 2.0 value = $700; VG 4.0 value = $1,400; FN 6.0 value = $2,100; VF 8.0 value = $6,500; VF/NM 9.0 value = $12,750.
X-Men #2 White Mountain pedigree (Marvel, 1963) CGC VF/NM 9.0 White pages. A nice copy with great page quality! This is the second appearance of the X-Men and the first appearance of the Vanisher. Jack Kirby is the cover artist. Overstreet 2008 VF/NM 9.0 value = $2,396; NM- 9.2 value = $3,500. CGC census 1/09: 26 in 9.0, 19 higher.
X-Men #3 White Mountain pedigree (Marvel, 1964) CGC VF/NM 9.0 White pages. It's the first appearance of that immovable object, the Blob! Jack Kirby is the cover artist. Overstreet 2008 VF/NM 9.0 value = $1,303; NM- 9.2 value = $1,900. CGC census 1/09: 24 in 9.0, 26 higher.
X-Men #4 White Mountain pedigree (Marvel, 1964) CGC NM- 9.2 White pages. This copy's gorgeous, and the page quality really caught our eye too. The issue is the first appearance of Quicksilver, Scarlet Witch, the Toad, and Mastermind, who join returning villain Magneto to form the Brotherhood of Evil Mutants. Jack Kirby is the cover artist. Overstreet 2008 NM- 9.2 value = $1,950. CGC census 1/09: 12 in 9.2, 17 higher.
X-Men #5 White Mountain pedigree (Marvel, 1964) CGC NM- 9.2 White pages. This book's tough to come by in this grade because of the dark purple borders. This is the third appearance of Magneto and the second appearance of the Brotherhood of Evil Mutants. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $1,300. CGC census 1/09: 6 in 9.2, 12 higher.
X-Men #6, 16, and 17 White Mountain pedigree Group (Marvel, 1964-66). Jack Kirby cover and interior art are featured in all three of these issues: #6 (Sub-Mariner appearance - CGC FN/VF 7.0 White pages), #16 ( CGC VF 8.0 White pages), and #17 (Magneto cameo - CGC VF+ 8.5 White pages). Approximate Overstreet value for group = $600.
X-Men #8 White Mountain pedigree (Marvel, 1964) CGC NM 9.4 White pages. First appearance of Unus the Untouchable. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 13 in 9.4, 7 higher.
X-Men #9 White Mountain pedigree (Marvel, 1965) CGC NM 9.4 White pages. This is the first copy we've offered that was certified "White pages," and grade-wise it's among the best on the market. The issue is the first meeting of the X-Men and the Avengers, with cover and interior art by Jack Kirby. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 17 in 9.4, 4 higher.
X-Men #10 White Mountain pedigree (Marvel, 1965) CGC NM 9.4 White pages. The highest-graded copy we've ever offered of this one! It's the first Silver Age appearance Ka-Zar (and his cat Zabu the Sabertooth) as well as the first appearance of the Savage Land. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 6 in 9.4, 6 higher.
X-Men #14 White Mountain pedigree (Marvel, 1965) CGC NM 9.4 White pages. First appearance of the Sentinels. Jack Kirby cover, inked by Wally Wood. Overstreet 2008 NM- 9.2 value = $625. CGC census 1/09: 25 in 9.4, 10 higher.
X-Men #15 White Mountain pedigree (Marvel, 1965) CGC NM 9.4 White pages. This beauty ranks right with the Pacific Coast copy as the finest we've seen. Jack Kirby cover. Origin of the Beast. Sentinels appearance. Overstreet 2008 NM- 9.2 value = $625. CGC census 1/09: 8 in 9.4, 2 higher.
X-Men #19, 22, and 24 White Mountain pedigree Group (Marvel, 1966). Includes issue #19 (Origin and first appearance of the Mimic, Jack Kirby cover - CGC NM- 9.2 White pages), #22 (Count Nefaria, Eel, Unicorn, Porcupine, Plant Man, and Scarecrow appearances - CGC VF/NM 9.0 White pages), and #24 (first appearance of Locust - CGC VF+ 8.5 White pages). Approximate Overstreet value for group = $625.
X-Men #25 White Mountain pedigree (Marvel, 1966) CGC NM 9.4 White pages. First appearance and origin of Kukulcan, aka El Tigre. Werner Roth art. Overstreet 2008 NM- 9.2 value = $235. CGC census 1/09: 28 in 9.4, 14 higher.
X-Men #27 White Mountain pedigree (Marvel, 1966) CGC NM 9.4 White pages. Return of the mutant Mimic. Spider-Man cameo. Art by Werner Roth and Dick Ayers. Overstreet 2008 NM- 9.2 value = $235. CGC census 1/09: 32 in 9.4, 10 higher.
X-Men #28 White Mountain pedigree (Marvel, 1967) CGC NM 9.4 White pages. Early key has the first appearance of the Banshee and the Ogre, plus a Mimic appearance. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 13 in 9.4, 15 higher.
X-Men #30 and 63 White Mountain pedigree Group (Marvel, 1967-69). Includes issue #30 (Jack Kirby cover - CGC VF/NM 9.0 White pages) and #63 (Magneto and Ka-Zar appearance, Neal Adams cover - CGC VF+ 8.5 White pages). Approximate Overstreet value for group = $250.
X-Men #32 White Mountain pedigree (Marvel, 1967) CGC NM 9.4 White pages. The X-Men battle the Juggernaut. Overstreet 2008 NM- 9.2 value = $180. CGC census 1/09: 36 in 9.4, 13 higher.
X-Men #36 White Mountain pedigree (Marvel, 1967) CGC NM 9.4 White pages. The X-Men battle Mekano. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $180. CGC census 1/09: 23 in 9.4, 15 higher.
X-Men #38 White Mountain pedigree (Marvel, 1967) CGC NM 9.4 White pages. The X-Men combat the Blob and Vanisher. The "Origins of the X-Men" back-ups begin. Dan Adkins cover. Overstreet 2008 NM- 9.2 value = $190. CGC census 1/09: 24 in 9.4, 15 higher.
X-Men #45 White Mountain pedigree (Marvel, 1968) CGC NM+ 9.6 White pages. Quicksilver and Magneto appearances. Origin of Iceman. Overstreet 2008 NM- 9.2 value = $155. CGC census 1/09: 40 in 9.6, 6 higher.
Bronze Age (1970-1979)
X-Men #64 White Mountain pedigree (Marvel, 1970) CGC NM 9.4 White pages. First appearance of Sunfire, who later became a charter member of the new X-Men. Overstreet 2008 NM- 9.2 value = $160. CGC census 1/09: 20 in 9.4, 7 higher.
X-Men #83 White Mountain pedigree (Marvel, 1973) CGC NM+ 9.6 White pages. For the X-Men completist, the reprint issues (#67-93) have proven to be real toughies to find in high grade. as the census report below shows. Spider-Man appears here. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 4 in 9.6, none higher.
All-Star Western #10 Slobodian pedigree (DC, 1972) CGC NM+ 9.6 White pages. It's the first appearance of Jonah Hex, and look how tough it is to find in this grade! This key issue is on Overstreet's list of top ten most valuable Bronze Age books. The cover is by Tony DeZuniga. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 5 in 9.6, none higher.
Silver Age (1956-1969)
Amazing Fantasy #15 (Marvel, 1962) CGC Apparent NM- 9.2 Extensive (P) White pages. Attractively restored Silver Age keys sold for unprecedented prices in our last Signature auction, and of course there's no bigger Silver Age key than this one, the first appearance of Spider-Man! Have a look at the solid brown background at the top and we think you'll agree that in terms of eye appeal this is among the best copies of the book we've ever offered. Also noteworthy is the "white pages" designation, a rarity for this book, and the fact that the restoration measures noted below did not affect the interior pages. Jack Kirby drew what has become one of the most famous covers in all of comics. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed, staples replaced." Overstreet 2008 GD 2.0 value = $1,850; VG 4.0 value = $3,700; FN 6.0 value = $5,550; VF 8.0 value = $16,000; VF/NM 9.0 value = $33,000; NM- 9.2 value = $50,000.
The Amazing Spider-Man #19 (Marvel, 1964) CGC NM 9.4 White pages. The front cover retains its white to the very edge (don't you hate it when copies of this issue have edge tanning?)! Steve Ditko is the cover artist. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 33 in 9.4, 16 higher.
The Amazing Spider-Man #34 (Marvel, 1966) CGC NM 9.4 White pages. Fourth appearance of Kraven the Hunter. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 1/09: 23 in 9.4, 16 higher.
The Amazing Spider-Man #35 (Marvel, 1966) CGC NM 9.4 White pages. Steve Ditko cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 1/09: 12 in 9.4, 8 higher.
The Amazing Spider-Man #48 (Marvel, 1967) CGC NM+ 9.6 Off-white pages. First Blackie Drago appearance as the Vulture. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 16 in 9.6, 1 higher. From the Capital City Collection.
The Amazing Spider-Man #66 (Marvel, 1968) CGC NM/MT 9.8 Off-white pages. Note how few copies of this white-cover book have been certified 9.8! Cover by John Romita Sr. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 6 in 9.8, none higher. From the Capital City Collection.
The Amazing Spider-Man #69 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. John Romita Sr. drew this issue's cover featuring the Kingpin... it's not fat, it's muscle, just ask the Webhead! Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 16 in 9.6, 2 higher. From the Capital City Collection.
The Amazing Spider-Man #78 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. You'll love the vibrant front-cover colors on this one! The issue is the first appearance and origin of the Prowler, with cover art by John Romita Sr. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 11 in 9.6, 1 higher. From the Capital City Collection.
Bronze Age (1970-1979)
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM/MT 9.8 Off-white pages. If we have to tell you what this one has going for it, you're in the wrong auction, Tiger! John Romita Sr. provided the distinctive cover art. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 16 in 9.8, none higher.
Silver Age (1956-1969)
The Avengers #2 (Marvel, 1963) CGC NM 9.4 Off-white to white pages. This series was hot enough already, but should be even stronger with an Avengers movie apparently in the works. In this second issue, the Hulk leaves the team (which superguys did all the time, but unlike most he never came back). The ish also has the first appearance of B-list baddie the Space Phantom. Jack Kirby is the cover artist. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 1/09: 13 in 9.4, 2 higher. From the Capital City Collection.
The Avengers Annual #2 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. This is easily the best copy we've ever seen of this issue, and the fact that it's a square bound issue with a predominantly black cover means this copy will be tough to top. John Buscema drew the cover showdown. The ish is also notable as the first appearance of the Scarlet Centurion, aka Rama-Tut, aka Kang. Overstreet 2008 NM- 9.2 value = $90. CGC census 1/09: 2 in 9.6, none higher. From the Capital City Collection.
Batman #98 (DC, 1956) CGC NM- 9.2 Off-white to white pages. This newly certified copy rocketed right to the top of CGC's census! So perhaps needless to say, it's the best copy we've ever offered. The presence of the Batmobile is noteworthy, as it appeared on surprisingly few covers in this series, and it leads into a yarn with perennial pest Vicki Vale almost finding out that Bruce Wayne is Batman. The Dynamic Duo also finds time to take on the villainous Simak, an homage to science fiction author Clifford D. no doubt. Speaking of writers, it's worth noting that this has the first DC story by Arnold Drake of "Deadman" fame. Win Mortimer is the cover artist. Dick Sprang and Sheldon Moldoff art. Overstreet 2008 NM- 9.2 value = $760. CGC census 1/09: 1 in 9.2, none higher.
Batman #148 (DC, 1962) CGC NM 9.4 Off-white pages. The last copy we sold in this grade went for $1,673! Sheldon Moldoff is the cover artist, and "the Joker unmasking Batman" makes this one of the more intriguing cover scenes of the early-60s run. Overstreet 2008 NM- 9.2 value = $350. CGC census 1/09: 3 in 9.4, 1 higher.
Batman #176 Green River pedigree (DC, 1965) CGC NM+ 9.6 White pages. Trying to put together the run of the DC 80-Page Giants requires patience and money in equal measure! This square bound gem is styled G-17. Villains include the Penguin, the Joker, Catwoman, and Mr. Zero (Mr. Freeze). Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 3 in 9.6, 1 higher.
The Brave and the Bold #54 Teen Titans - Slobodian pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. The cover doesn't tout the Teen Titans, just Kid Flash, Aqualad, and Robin, but inside this milestone issue is the first appearance and origin of the Teen Titans. Mentors Batman, Flash, and Aquaman also appear. Bruno Premiani cover and art. Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 3 in 9.6, none higher.
Bronze Age (1970-1979)
Conan the Barbarian #1 (Marvel, 1970) CGC NM+ 9.6 White pages. President Obama "collects ... Conan the Barbarian comics" according to the Daily Telegraph. Well, this copy of the Cimmerian's first comic book appearance is a "presidential" Near Mint plus, with pages as white as the Commander-In-Chief's new residence! In the interest of Anglo-American relations, we'll note that British artist Barry Smith illustrated the story by the USA's own Roy Thomas -- that's a "team of mavericks" even McCain voters can love! We expect this high-demand book to sell for around quadruple the 9.2 Overstreet value, so if you bid lower you might need the audacity of hope. Overstreet 2008 NM- 9.2 value = $375. CGC census 1/09: 59 in 9.6, 8 higher.
Silver Age (1956-1969)
Daredevil #1 (Marvel, 1964) CGC Apparent VF/NM 9.0 Slight (A) Off-white pages. The origin and first appearance of Daredevil (Matt Murdock) and the first appearances of Karen Page and Foggy Nelson. Jack Kirby and Bill Everett cover. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2008 GD 2.0 value = $250; VG 4.0 value = $500; FN 6.0 value = $750; VF 8.0 value = $2,188; VF/NM 9.0 value = $4,094.
Fantastic Four #1 (Marvel, 1961) CGC Apparent FN/VF 7.0 Slight (P) Off-white to white pages. Origin and first appearance of the Fantastic Four, Marvel's first superhero team. Origin and first appearance of Mole Man. Jack Kirby cover and art. CGC notes, "Restoration includes: small amount of color touch on cover, cover cleaned." Overstreet 2008 GD 2.0 value = $1,250; VG 4.0 value = $2,500; FN 6.0 value = $3,750.
Fantastic Four Annual #1 (Marvel, 1963) CGC NM 9.4 Off-white pages. This highly coveted book is the all-time favorite comic of many a Silver Age Marvel fan, thanks to the lengthy epic (37 pages) that has the Sub-Mariner attacking the human race. Among other things, this Stan Lee and Jack Kirby yarn has the first appearances of Lady Dorma and Krang. Also, note that a backup feature has an early Spider-Man appearance. The cover art is credited to Kirby and Dick Ayers. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 1/09: 12 in 9.4, 5 higher.
Fantastic Four Annual #2 (Marvel, 1964) CGC NM 9.4 Cream to off-white pages. This square bound is tough in this grade, and no copy has topped 9.6 to date. Significance? Brother, if you haven't read this story and call yourself a Marvel fan, you're a Fake Frantic One. In fact, you probably face back! The first detailed origin of Doctor Doom is an unforgettable yarn, but this comic was far from done, adding a 25-page showdown between Doom and the FF, plus a host of pin-ups that led to many cut-apart copies of the issue. As for art: unless you proclaim "Make Mine Brand Echh" you know that it's the great Jack Kirby. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 7 in 9.4, 4 higher.
Green Lantern #40 (DC, 1965) CGC NM+ 9.6 Off-white pages. Not just one of the Green Lantern keys, this is a DC key, period, because it's got the origin of the infinite Earths! And since those seem to be making a comeback in DC comics of late, this will continue to be a very significant book. The Golden Age Green Lantern guest stars here, as does his cab-drivin' pal Doiby Dickles. Gil Kane is the cover artist. Overstreet 2008 NM- 9.2 value = $900. CGC census 1/09: 4 in 9.6, 1 higher. From the Capital City Collection.
Harvey Hits #3 Richie Rich (Harvey, 1957) CGC NM- 9.2 Cream to off-white pages. This is the first comic book devoted to Richie Rich, appearing exactly three years before Richie Rich #1! Our hero first appeared in the pages of Little Dot, and his cover billing here in this series represents a tryout similar to what DC would do with Showcase. A star was born? More like: a publishing empire was born! And this is one of the most sought-after of all Harvey comics. Overstreet 2008 NM- 9.2 value = $2,800. CGC census 12/08: 4 in 9.2, 2 higher.
Harvey Hits #9 Richie Rich's Golden Deeds - File Copy (Harvey, 1958) CGC VF 8.0 Cream to off-white pages. This is just the second comic book devoted to Richie Rich (the first being #3 of this series). Oddly enough, as prolific as Richie would become, this is the last time the affluent youngster headlined an issue of this series. This book has the reputation of being tougher to find than #3, and indeed CGC has graded more than twice as many copies of the earlier issue. Overstreet 2008 VF 8.0 value = $413. CGC census 1/09: 1 in 8.0, 3 higher.
Hawkman #1 (DC, 1964) CGC NM- 9.2 Off-white pages. After tryouts in Brave and the Bold and an appearance in The Atom, Hawkman gets his own title. Murphy Anderson cover and art. CGC notes, "From the Dallas Stephens collection." Overstreet 2008 NM- 9.2 value = $1,150. CGC census 1/09: 11 in 9.2, 9 higher.
The Incredible Hulk #1 (Marvel, 1962) CGC FN- 5.5 Off-white pages. The front cover of this one ranks right with the best copies we have ever seen. Yes, it was downgraded because of back-cover issues noted below, but we think the eye appeal will lead to strong interest. One of the scarcest of the first wave of Marvel Age keys, especially in nice grade, this milestone issue had the origin and first appearances of the Hulk, as well as the first appearances of Rick Jones, Betty Ross, and Thunderbolt Ross. The classic Silver Age book was drawn inside and out by Jack Kirby. CGC notes, "2 pieces of tape on back cover." Overstreet 2008 FN 6.0 value = $3,000. CGC census 1/09: 25 in 5.5, 97 higher. From the Capital City Collection.
The Incredible Hulk #5 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. The first six issues of this series are tough finds in high grade! Jack Kirby is the cover artist here. Overstreet 2008 VF/NM 9.0 value = $2,329; NM- 9.2 value = $3,400. CGC census 1/09: 10 in 9.0, 10 higher. From the Capital City Collection.
Bronze Age (1970-1979)
The Incredible Hulk #181 (Marvel, 1974) CGC NM+ 9.6 Off-white to white pages. Who's the greatest comic book character of all time, according to Wizard magazine? Sorry Supes, bad luck Bats, and it ain't you, Webhead.... it's the Wolverine, whose first full appearance is this very issue! Herb Trimpe is the cover artist. Overstreet 2008 NM- 9.2 value = $1,450. CGC census 1/09: 122 in 9.6, 17 higher.
Silver Age (1956-1969)
Journey Into Mystery #83 (Marvel, 1962) CGC FN 6.0 White pages. One of the few unrestored copies certified with white pages that we've ever come across. Origin and first appearance of Thor. Jack Kirby cover. CGC notes, "Small piece of tape on interior cover." Overstreet 2008 FN 6.0 value = $1,800. CGC census 1/09: 31 in 6.0, 94 higher.
Journey Into Mystery #83 (Marvel, 1962) CGC VG/FN 5.0 Off-white to white pages. One of the hottest Silver Age keys of late has been this one, the origin and first appearance of Thor with art by Jack Kirby. Overstreet 2008 VG 4.0 value = $1,200; FN 6.0 value = $1,800. CGC census 1/09: 46 in 5.0, 141 higher.
Journey Into Mystery #112 (Marvel, 1965) CGC NM 9.4 Off-white pages. One of the best covers of the run is this Hulk vs. Thor battle -- if you've got a Defenders #10 in your longbox, you're ready to take the next step with this clash of titans! Jack Kirby is the cover artist, natch. Overstreet 2008 NM- 9.2 value = $950. CGC census 1/09: 12 in 9.4, 5 higher. From the Capital City Collection.
Justice League of America #1 (DC, 1960) CGC VF+ 8.5 Cream to off-white pages. A DC key that is hard to find in high grade, this premiere issue features Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman battling Despero, who makes his first appearance. Cover by Murphy Anderson, and interior art by Mike Sekowsky. Overstreet 2008 VF 8.0 value = $3,600; VF/NM 9.0 value = $6,800. CGC census 1/09: 7 in 8.5, 9 higher.
Justice League of America #3 (DC, 1961) CGC VF+ 8.5 Off-white pages. "Scarce in high grade due to black cover" says Overstreet, and this is the best copy we've ever offered! (Even the ridiculously nice David N. Toth copy suffered from a tragically popped staple.) Murphy Anderson is the cover artist. Overstreet 2008 VF 8.0 value = $706; VF/NM 9.0 value = $1,303. CGC census 1/09: 7 in 8.5, 3 higher. From the Capital City Collection.
Justice League of America #4 (DC, 1961) CGC VF/NM 9.0 Off-white pages. Green Arrow joins the Justice League. Murphy Anderson cover. Overstreet 2008 VF/NM 9.0 value = $821; NM- 9.2 value = $1,200. CGC census 1/09: 1 in 9.0, 3 higher. From the Capital City Collection.
Justice League of America #17 (DC, 1963) CGC NM 9.4 Off-white pages. The Tornado Tyrant (previously seen in Mystery in Space) is this issue's menace. Murphy Anderson's cover is displayed to perfection on this high-grade copy. Overstreet 2008 NM- 9.2 value = $375. CGC census 1/09: 5 in 9.4, 1 higher.
Justice League of America #21 (DC, 1963) CGC NM 9.4 Off-white to white pages. This is the very first JLA/JSA crossover! And it's a book that should continue to be a sought-after key long after others diminish in importance. Subsequent decades brought various other "crises" (infinite, final, etc.) but none could be as important as the "Crisis on Earth-One." An added bonus is that it's the first Silver Age appearance of Hourman and Dr. Fate, both of whom are visible on the Mike Sekowsky and Murphy Anderson cover. The cover has been called one of the best of the entire Silver Age, and the deep purple background makes it extremely tough to find in Near Mint. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 8 in 9.4, none higher.
Justice League of America #23 Pacific Coast pedigree (DC, 1963) CGC NM+ 9.6 Off-white to white pages. This is simply the best copy you'll find! The only JLA run we've seen that had a chance to match the Pacific Coast books was the David N. Toth collection run, yet the Toth copy of #23 was certified 9.4. This issue's the origin and first appearance of Queen Bee, with cover art by Mike Sekowsky and Murphy Anderson. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 1 in 9.6, none higher.
Justice League of America #24 Pacific Coast pedigree (DC, 1963) CGC NM/MT 9.8 Off-white pages. Not only is this the only 9.8 copy of this issue, it's also the only copy of any issue from #1-36 to be certified 9.8 as of January 2009! Murphy Anderson is the cover artist. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 1 in 9.8, none higher.
Justice League of America #25 (DC, 1964) CGC NM 9.4 Off-white to white pages. Mike Sekowsky drew the cover for this issue and illustrated Gardner Fox's interplanetary yarn. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 2 in 9.4, none higher.
Justice League of America #27 Diamond Run pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Most copies of this book can drive you crazy with tiny hairline "dings" on the light purple surface... ah, but have a look at this one and see why it's graded NM+. In this issue the JLA takes on the "I" in the sky (no, not Alan Parsons but an "ultra-galactic" being from the creative minds of Julie Schwartz and Gardner Fox). Mike Sekowsky is the cover artist. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 3 in 9.6, none higher.
Justice League of America #28 (DC, 1964) CGC NM+ 9.6 White pages. The first appearance of Headmaster Mind came in a tale that had the JLA picketing the United Nations! Mike Sekowsky and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 4 in 9.6, none higher.
Justice League of America #30 (DC, 1964) CGC NM+ 9.6 Off-white pages. The census report for this one (see below) says it all! This issue continued the Justice Society of America crossover from "Crisis On Earth-Three," and what kid could have passed by this cover without doing a double-take at the sight of Power Ring, Owlman, and Johnny Quick facing off with the JLA? Mike Sekowsky and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.6, none higher.
Justice League of America #33 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. This is the best copy of #33 we've ever offered! Mike Sekowsky and Murphy Anderson handled cover art chores here. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 2 in 9.6, none higher.
Justice League of America #35 Pacific Coast pedigree (DC, 1965) CGC NM+ 9.6 White pages. When you see this clean, pretty copy you won't be surprised that it's alone at the top of CGC's census. First Silver Age appearance of Killer Moth. Mike Sekowsky and Murphy Anderson cover. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.6, none higher.
Justice League of America #36 Pacific Coast pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Here's yet another "highest-graded" JLA issue, and what a beauty it is. Mike Sekowsky and Murphy Anderson drew the cover for this issue. The "disabled Justice League" story taught readers something about the handicapped, much like the All-Star Comics #27 tale in days of yore. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.6, none higher.
Justice League of America #37 (DC, 1965) CGC NM/MT 9.8 Off-white pages. In the entire run of JLA #1-40, only three copies have been certified 9.8 as of January 2009, and we're offering two of the three in this auction (see #24)! The Justice Society of America guest-stars, with Mr. Terrific and Johnny Thunder making their first appearances since the Golden Age. Cover by Mike Sekowsky. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 2 in 9.8, none higher.
Justice League of America #38 (DC, 1965) CGC NM+ 9.6 Off-white pages. This is the best copy we've ever offered of this Justice Society crossover issue. Artist Mike Sekowsky was a busy guy, between the cover and the interior, he had to draw everyone in the JLA, the JSA and the Lawless League, which is basically the Justice Leaguers as scumbags! Overstreet 2008 NM- 9.2 value = $200. CGC census 12/08: 3 in 9.6, none higher. From the Capital City Collection.
Justice League of America #43 Pacific Coast pedigree (DC, 1966) CGC NM/MT 9.8 Off-white to white pages. This is by far the nicest copy of #43 that has ever crossed our path. It's the first appearance of the Royal Flush Gang, with cover art by Mike Sekowsky and Murphy Anderson. A pristine stunner from the fondly remembered "go-go check" era! Overstreet 2008 NM- 9.2 value = $115. CGC census 1/09: 2 in 9.8, none higher.
Justice League of America #44 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 White pages. Mike Sekowsky cover and art. Appearances include Superman, Wonder Woman, Batman, Flash, and Green Lantern. Overstreet 2008 NM- 9.2 value = $115. CGC census 1/09: 2 in 9.6, 1 higher.
Justice League of America #47 Pacific Coast pedigree (DC, 1966) CGC NM/MT 9.8 Off-white to white pages. This JLA/JSA crossover issue came at the height of the 1966 "Batman craze," which might tend to explain why the Caped Crusader is featured quite prominently. This issue's among the earliest Silver Age appearances of the Sandman and the Spectre. Mike Sekowsky cover and art. Overstreet 2008 NM- 9.2 value = $135. CGC census 1/09: 3 in 9.8, none higher.
Justice League of America #49 (DC, 1966) CGC NM+ 9.6 Off-white pages. This is the first copy to be certified 9.6, and we understand why it's taken so long -- those purple covers are very unforgiving! Felix Faust of JLA #10 fame is the baddie; Mike Sekowsky and Murphy Anderson are the cover artists. No extra charge for the go-go checks! Overstreet 2008 NM- 9.2 value = $95. CGC census 12/08: 1 in 9.6, none higher. From the Capital City Collection.
Justice League of America #53 (DC, 1967) CGC NM/MT 9.8 White pages. This is tied with one other copy at the top of the census, but just to illustrate how special a 9.8 copy is, no other issue from #49-63 has had a single copy certified 9.8 as of this writing! Cover art by Mike Sekowsky and Murphy Anderson. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 2 in 9.8, none higher.
Justice League of America #56 (DC, 1967) CGC NM+ 9.6 Off-white pages. Here's yet another tough purple cover like #49, not an easy book to find in NM+! The cover design is classic Carmine Infantino (with Murphy Anderson handling the finishes). And what fun it is to see Golden Agers like Hawkman (with late-forties costume), Mr. Terrific, Wildcat, and the Miraclo-swigging Hourman on hand for another Justice Society crossover. Overstreet 2008 NM- 9.2 value = $110. CGC census 12/08: 4 in 9.6, none higher. From the Capital City Collection.
Mystery in Space #75 (DC, 1962) CGC NM 9.4 Off-white pages. This is a tough book in 9.4... even the prestigious likes of the White Mountain copy and the David N. Toth copy only made it to 9.2! The issue has an early crossover appearance of the Justice League of America, in fact this is considered a sequel to the story in JLA #3, also featuring the evil Kanjar Ro, with Adam Strange handling good-guy duties here. As James Van Hise noted, "Many feel that the series hit its 'high plateau' with the publication of #75... it even won an Alley award from the then nascent group known in 1962 as comic fandom." Carmine Infantino and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $435. CGC census 1/09: 7 in 9.4, 1 higher. From the Capital City Collection.
Our Army at War #82 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. It wasn't the Sgt. Rock, and it wasn't the Easy Co. that would premiere in issue #83, but a Sgt. Rock in an Easy Co. makes an appearance in this issue, written and drawn by Robert Kanigher and Mort Drucker, respectively. Irv Novick and Ross Andru also contributed interior art, and Jerry Grandenetti did the cover. Overstreet 2008 VF 8.0 value = $442; VF/NM 9.0 value = $821. CGC census 1/09: 1 in 8.5, 1 higher.
Richie Rich #3 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white to white pages. File copies are pretty much your only chance to find these in NM and up, and issues #3-10 are tougher to find than #1 and 2! Overstreet 2008 NM- 9.2 value = $900. CGC census 1/09: 1 in 9.6, none higher.
Richie Rich #4 File Copy (Harvey, 1961) CGC NM 9.4 Off-white to white pages. One of the best covers of the early run -- we fondly recall auctioning Warren Kremer's original cover art for this a couple of years ago! Overstreet 2008 NM- 9.2 value = $900. CGC census 12/08: 2 in 9.4, 1 higher.
Richie Rich #6 File Copy (Harvey, 1961) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $500. CGC census 1/09: 1 in 9.4, none higher.
Richie Rich #9 File Copy (Harvey, 1962) CGC NM+ 9.6 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $500. CGC census 1/09: 1 in 9.6, none higher.
Richie Rich #13 File Copy (Harvey, 1962) CGC NM 9.4 Off-white to white pages. In 1962, big-screen projection TVs were so expensive that only one person in the nation could afford them: Richie Rich. We made that up, but the fact is, this copy's tied for the highest grade yet assigned. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 3 in 9.4, none higher.
Richie Rich #14 File Copy (Harvey, 1962) CGC NM 9.4 Cream to off-white pages. What could be more delightful than a cover featuring a comic collection? Given this copy's position on the CGC census, expect heavy competition. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 1 in 9.4, none higher.
Richie Rich #16 File Copy (Harvey, 1963) CGC NM+ 9.6 Off-white pages. This copy and a lone 9.2 are the only copies graded above 8.5 as of this writing! Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 1 in 9.6, none higher.
Showcase #60 The Spectre (DC, 1966) CGC NM+ 9.6 White pages. It's the first Silver Age appearance of the Spectre! And as Mike Wilbur noted, this was "the first solo appearance of a revived Golden Age character, unsupported by a Silver Age character or another Golden Ager." Murphy Anderson is the cover artist. Overstreet 2008 NM- 9.2 value = $525. CGC census 1/09: 9 in 9.6, 3 higher.
Strange Tales #114 Slobodian pedigree (Marvel, 1963) CGC NM 9.4 Off-white to white pages. The nicest copy we've ever offered of this one! The "Captain America" here was an impostor, but note that this tryout paved the way for the real Cap to return in Avengers #4 just a few months later. It's also just the third appearance of Doctor Strange, after #110 and 111! Jack Kirby drew the cover. Overstreet 2008 NM- 9.2 value = $750. CGC census 1/09: 9 in 9.4, 3 higher.
Strange Tales #117 Slobodian pedigree (Marvel, 1964) CGC NM 9.4 Off-white to white pages. This Human Torch and Doctor Strange outing is seldom found in strict NM! The cover art has been credited to Jack Kirby, Steve Ditko, and George "Inky" Roussos. Overstreet 2008 NM- 9.2 value = $160. CGC census 1/09: 8 in 9.4, 3 higher.
Strange Tales #118 Slobodian pedigree (Marvel, 1964) CGC NM 9.4 White pages. This is the best copy of #118 we've ever offered! With lots of white on the cover (smudge-prone) plus two solid-covered bottom corners, this is a tough book in strict NM. Jack Kirby drew the cover, starring the Human Torch with the rest of the Fantastic Four. Steve Ditko handled the Doctor Strange vignette at bottom and accompanying story. Overstreet 2008 NM- 9.2 value = $175. CGC census 1/09: 8 in 9.4, 1 higher.
Strange Tales #135 (Marvel, 1965) CGC NM 9.4 Off-white pages. The first appearance of S.H.I.E.L.D. is looking like an even bigger key now that Nick Fury glimpsed the big screen in the recent "Iron Man" motion picture. The purple background makes this key issue tough to come by in 9.2 and above. Jack Kirby's cover art is irresistible here, and note the presence of Hydra, the nefarious organization that also premiered here as S.H.I.E.L.D.'s opposite numbers. The Dr. Strange collector needs this one too, as the mystic fellow was co-featured in the book. Don't yield... (you know the rest). Overstreet 2008 NM- 9.2 value = $250. CGC census 1/09: 14 in 9.4, 2 higher. From the Capital City Collection.
Superman Annual #2 (DC, 1960) CGC NM- 9.2 Cream to off-white pages. The second annual for the character was also the second Silver Age DC annual, period. Supervillains are in the spotlight here. Curt Swan provided the cover art for this square bound comic. Overstreet 2008 NM- 9.2 value = $765. CGC census 1/09: 3 in 9.2, none higher.
Tales of Suspense #51 (Marvel, 1964) CGC NM 9.4 Off-white pages. It's the first appearance of the Scarecrow, the villain whose power is... unusual agility and flexibility (if you said "he scares people," we can probably fix you up with a World's Finest #3 or a Batman #296). Jack Kirby is the cover artist. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 3 in 9.4, 2 higher. From the Capital City Collection.
Tales of Suspense #53 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. It's the second appearance of the Black Widow -- she was still a villainess at the time, but that notwithstanding: va-va-voom! Jack Kirby is the cover artist. Another important event in this issue was the origin of the Watcher in backup feature. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 10 in 9.4, 5 higher. From the Capital City Collection.
Tales of Suspense #56 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Jack Kirby cover. First appearance of the Unicorn. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 8 in 9.4, 4 higher. From the Capital City Collection.
Tales of Suspense #57 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. It's the first appearance of Hawkeye, and if you don't think that's a major key, the people who have been paying $5,000-plus for 9.4 copies lately would tend to disagree! And Mr. Barton wasted no time, romancing the Black Widow from his very first appearance... can you blame him? Don Heck handled cover art chores. Overstreet 2008 NM- 9.2 value = $600. CGC census 1/09: 10 in 9.2, 11 higher. From the Capital City Collection.
Tales of Suspense #58 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Captain America battles Iron Man... you can see that much, but did you know that this issue has the second appearance of Kraven the Hunter? Cap was a mere guest star here, his double-feature with Iron Man didn't start until the next issue. Jack Kirby cover art. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 11 in 9.2, 11 higher. From the Capital City Collection.
Teen Titans #4 (DC, 1966) CGC NM+ 9.6 White pages. This is the best copy we've ever offered, and note that even the superb Pacific Coast copy was "only" a 9.4! Nick Cardy bondage cover. Overstreet 2008 NM- 9.2 value = $135. CGC census 1/09: 2 in 9.6, none higher.
Magazines
Vampirella #113 (Harris, 1988) CGC NM+ 9.6 Off-white to white pages. The first issue published by Harris, and the only one to take over Warren's numbering. Very low print run according to Overstreet. Bondage cover. Overstreet 2008 NM- 9.2 value = $485. CGC census 1/09: 2 in 9.6, none higher.
Silver Age (1956-1969)
Wonder Woman #139 Pacific Coast pedigree (DC, 1963) CGC NM+ 9.6 Off-white to white pages. The cover and interior art are by Ross Andru. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 2 in 9.6, none higher.
Wonder Woman #141 Pacific Coast pedigree (DC, 1963) CGC NM+ 9.6 Off-white to white pages. Cover and interior art by Ross Andru. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.6, none higher.
Wonder Woman #145 Pacific Coast pedigree (DC, 1964) CGC NM/MT 9.8 White pages. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.8, none higher.
Wonder Woman #148 Pacific Coast pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.6, none higher.
Wonder Woman #149 Pacific Coast pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. It seems that the Pacific Coast copy of a given Silver Age DC book is the highest-graded copy more often than not. That's certainly the case here. The cover and interior art are by Ross Andru. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 1 in 9.6, none higher.
Wonder Woman #152 Pacific Coast pedigree (DC, 1965) CGC NM/MT 9.8 White pages. Ross Andru and Mike Esposito cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 1 in 9.8, none higher.
Wonder Woman #155 Pacific Coast pedigree (DC, 1965) CGC NM/MT 9.8 White pages. Ross Andru and Mike Esposito cover and art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 1 in 9.8, none higher.
Wonder Woman #167 Pacific Coast pedigree (DC, 1967) CGC NM/MT 9.8 White pages. This Pacific Coast copy is the only 9.8 certified to date; don't expect a better one to turn up! One of the highlights of the issue has Steve Trevor using the magic lasso to try to get Wonder Woman to marry him! Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 1 in 9.8, none higher.
Wonder Woman #169 Pacific Coast pedigree (DC, 1967) CGC NM/MT 9.8 Off-white to white pages. Ross Andru and Mike Esposito cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 2 in 9.8, none higher.
X-Men #2 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. Only the second appearance of fan faves the X-Men. The ish also contains the first appearance of the Vanisher. Jack Kirby ably supplies the cover and interior art. Overstreet 2008 VF/NM 9.0 value = $2,396; NM- 9.2 value = $3,500. CGC census 12/08: 26 in 9.0, 19 higher.
X-Men #57 Slobodian pedigree (Marvel, 1969) CGC NM+ 9.6 White pages. Who can forget the titanic team-up of Neal Adams and Roy Thomas on this incredible run? Not us, and we're proud to present the best copy of #57 we've ever offered. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 12 in 9.6, 2 higher.
Bronze Age (1970-1979)
X-Men #74 (Marvel, 1972) CGC NM/MT 9.8 White pages. The black "picture frame" makes this one tough. Reprints X-Men #26. Gil Kane cover. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 2 in 9.8, none higher.
Silver Age (1956-1969)
Baby Huey, the Baby Giant #1-41 Plus File Copies Bound Volumes Silver Age (Harvey, 1956-61). Includes Paramount Animated Comics (featuring Baby Huey) #19-22 and Baby Huey, the Baby Giant #1-41, trimmed and bound into two blue hardcover volumes. One has "Paramount Pictures" embossed on the spine, the other "Leon Harvey". The first volume has Harvey's "only available copy" stamp on the frontpapers. All covers are pristine, and the pages are an appealing cream to off-white. The cover of the second volume has come loose from the block of comics, and the cover of issue #16 is detached, otherwise covers and page quality are as noted above. Overstreet 2008 VG 4.0 value for group = $618.
Golden Age (1938-1955)
Black Cat Comics #1-20 and 42-58 File Copies Bound Volume (Harvey, 1946-56). A gorgeous selection of Harvey file copies of Black Cat that have been trimmed and bound into a pair of hardcover volumes. Highlights include classic art by Joe Kubert, Howard Nostrand, Bob Powell, and Warren Kremer, plus issues featured in Parade of Pleasure and Seduction of the Innocent. The lower spine of the first volume has separated slightly from the contents, causing a spine split to issue #1; otherwise, the comics are in very nice condition with glossy covers, supple pages, and mild toning. Overstreet 2008 VG 4.0 value for group = $2,150.
Casper the Friendly Ghost #6-51 File Copies Bound Volumes (Harvey, 1952-56). Harvey file copies of Harvey Comic Hits #61 (Casper #6 and Harvey's third Casper book) and Casper #6-51 that have been trimmed and bound into a set of four hardcover volumes. Highlights include the first appearances of Wendy the Witch, Spooky, Pearl, and Nightmare. The first volume has Leon Harvey's name embossed on the spine, the third is embossed "Paramount Pictures." The spine of volume one has largely separated from the contents, taking the front cover of the Harvey Hits with it and damaging the spines of the books; otherwise, the comics are in very nice condition. Overstreet 2008 VG 4.0 value for the comics = $1,046.
Dagwood #1-48 File Copies Bound Volumes (Harvey, 1950-54). A nice set of Harvey file copies of Dagwood #1-48 that have been trimmed and bound into a set of four hardcover volumes, with Robert Harvey's name embossed on the spine of the first. The comics show an appreciable amount of tanning to the pages; otherwise, they are in nice condition with glossy covers and supple pages. Overstreet 2008 VG 4.0 value for group = $522.
Dick Tracy Comics Monthly #35-94 File Copies Bound Volumes (Harvey, 1951-55). A great set of Harvey file copies of Dick Tracy #35-94 that have been trimmed and bound into a set of five hardcover volumes, three of which have Leon Harvey's name embossed on the spines. The comics are in great condition with glossy covers, supple pages, and only mild wear and some toning. Overstreet 2008 VG 4.0 value for group = $970.
Fawcett Miscellaneous Comics Bound Volume (Fawcett, 1949). Included in this hardcover volume are trimmed and bound copies of Captain Marvel Story Book #4, Ozzie and Babs #13 (final issue), Fawcett's Funny Animals #64 (two one-inch holes cut in cover), and Jackie Robinson #nn (photo cover). Each is in great condition with bright, glossy covers, and supple off-white pages. Overstreet 2008 VG 4.0 value for group = $296.
Gene Autry Comics #1-10 Bound Volume (Fawcett, 1941-43). A breath-taking collection of the first ten issues of Gene Autry Comics, including stunning copies of issue #1 (listed by both Gerber's and Overstreet as "rare") and #2 (listed by Gerber's as "scarce"), that have been trimmed and bound into a hardcover volume. This represents a complete run of the Fawcett series, which Dell quickly picked up and continued for another 129 issues. Each is in excellent condition with bright, glossy covers, supple pages, and very little wear. Overstreet 2008 VG 4.0 value for group = $2,968.
Green Lantern #1-12 Bound Volume (DC, 1941-44). Alan Scott, the original Green Lantern, lands his own series as well as two new arch nemeses in this volume, namely Vandal Savage and the Gambler. Contents include issues #1 (origin retold, classic cover), #2 (first book-length story), #3 (classic war cover), #4 (Green Lantern and Doiby Dickles join the Army), 5, 6, #7 (robot cover), #8 (Hop Harrigan back-up stories begin, classic cover), 9, #10 (origin and first appearance of Vandal Savage), 11, and #12 (origin and first appearance of the Gambler), trimmed and securely bound into a hardcover volume. Artists include Howard Purcell, Martin Nodell, Sheldon Mayer, and Paul Reinman. The comics are in great condition, with gorgeous, glossy covers, off-white to tan pages, mild wear, and binding that is still tight and secure. Overstreet 2008 VG 4.0 value for group = $12,648.
Silver Age (1956-1969)
Harvey Hits #1-27 File Copies Bound Volumes (Harvey, 1957-59). Harvey file copies of Harvey Hits #1-27 that have been trimmed and bound into a pair of hardcover volumes, one with Leon Harvey's name embossed on the spine. Highlights include the first Richie Rich solo comic and early Phantom and Wendy the Witch comics. The comics are in very nice condition with glossy covers, supple pages, mild tanning, and minimal wear. Overstreet 2008 VG 4.0 value for the comics = $836.
Golden Age (1938-1955)
Harvey Miscellaneous Comics File Copies Bound Volumes (Harvey, 1956). A large selection of Harvey file copies of approximately every book published by the company during the year 1956, trimmed and bound into a set of ten hardcover volumes. (All but one have Leon Harvey's name embossed on the spine.) Contents include several issues each of Blondie, Casper, Dick Tracy, Sad Sack, Mazie, Joe Palooka, Love Problems, Hi-School Romance, Spooky, Felix the Cat, and several others. The comics are in overall very nice condition with glossy covers, off-white pages, and minor instances of general wear. Approximate Overstreet 2008 VG 4.0 value for the comics = $1,250.
Silver Age (1956-1969)
Harvey Miscellaneous Comics File Copies Bound Volumes (Harvey, 1957). A large selection of Harvey file copies of approximately every book published by the company during the year 1957, trimmed and bound into a set of 11 hardcover volumes (all but one have Leon Harvey's name embossed on the spine). Contents include Harvey Hits #3 (the first comic devoted solely to Richie Rich), Hot Stuff #1, and Playful Little Audrey #1; as well as several issues each of Blondie, Dagwood, Casper, Dick Tracy, Sad Sack, Mazie, Little Max, Joe Palooka, First Romance, Hi-School Romance, Spooky, Felix the Cat, and several others. The comics are in overall very nice condition with glossy covers, off-white pages, and minor instances of general wear. Approximate Overstreet 2008 VG 4.0 value for the comics = $1,500.
Harvey Miscellaneous Comics File Copies Bound Volumes (Harvey, 1958). A large selection of Harvey file copies of approximately every book published by the company during the year 1958, trimmed and bound into a set of 12 hardcover volumes. (All but one have Leon Harvey's name embossed on the spine.) Contents include Harvey Hits #9 (the second comic book devoted solely to Richie Rich), as well as several issues each of Blondie, Casper, Dick Tracy, Sad Sack, Little Dot, Little Lotta, Joe Palooka, Love Problems, Hi-School Romance, Spooky, Felix the Cat, and several others. The comics are in overall very nice condition with glossy covers, off-white pages, and minor instances of general wear. Approximate Overstreet 2008 VG 4.0 value for the comics = $1,300.
Hot Stuff, the Little Devil #1-42 File Copies Bound Volumes (Harvey, 1957-61). Harvey file copies of Hot Stuff #1-42 that have been trimmed and bound into a pair of hardcover volumes, with Leon Harvey's name embossed on the spines. The comics are in very nice condition with glossy covers and supple pages that show a moderate amount of tanning. Overstreet 2008 VG 4.0 value for the comics = $772.
Little Dot #1-20 File Copies Bound Volume (Harvey, 1953-56). The first appearance of Richie Rich is just one highlight of this incredible bound volume. There's also the first appearance of Little Lotta, the first Richie Rich cover (#6), and more. Little Dot #1 was dubbed "the hardest, rarest 'Harvey World' comic to find in high grade" by Comic Book Marketplace, and this is indisputably a high-grade copy except for the trimming. These trimmed copies were bound into a yellow hardcover volume with a delightfully appropriate dot pattern painted on the spine! The covers are pristine, and the pages are a superb off-white, turning to cream only at the extreme edges, without the marked edge darkening you usually see on volumes this old. A stamp on the front papers says "Only available copy"... so this looks like a unique opportunity. Overstreet 2008 VG 4.0 value for group = $1,826.
Golden Age (1938-1955)
The Marvel Family #3-7 Bound Volume (Fawcett, 1946). These are some of the earliest adventures of The Marvel Family, trimmed and bound into a hardcover volume that includes issues #3, 4, 5, 6, and #7 (appearance by the wizard Shazam). Each is in great condition with glossy covers, supple off-white pages, and some mild wear and tanning. Overstreet 2008 VG 4.0 value for group = $444.
The Marvel Family #8-12 Bound Volume (Fawcett, 1947). Some very nice copies of The Marvel Family #8, 9, 10, 11, and 12 that have been trimmed and bound into a hardcover volume, with art by C. C. Beck. Each is in great condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2008 VG 4.0 value for group = $350.
The Marvel Family #13-18 Bound Volume (Fawcett, 1947). These are copies of The Marvel Family #13, 14, 15, 16, 17, and 18 that have been trimmed and bound into a hardcover volume, with art by C. C. Beck, Pete Costanza, and Kurt Schaffenberger. Each is in great condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2008 VG 4.0 value for group = $348.
The Marvel Family #19-24 Bound Volume (Fawcett, 1948). These are copies of The Marvel Family #19, 20, 21, 22, 23, and 24, featuring the adventures of the World's Mightiest Family, trimmed and bound into a hardcover volume. The art is by C. C. Beck and Kurt Schaffenberger. With the exception of a 1/2 inch tear on one page, the pages are in nice condition with mild wear, and the covers glossy and unfaded. Overstreet 2008 VG 4.0 value for group = $316.
Mary Marvel Comics #1-2 Bound Volume (Fawcett, 1946). Copies of the first two issues of the series that have been trimmed and hardbound. Issue #1 features the origin and first appearance of Georgia Sivana. In very nice condition with Overstreet 2008 VG 4.0 value for group = $600.
Master Comics #7 and 10-21 Bound Volume (Fawcett, 1940-41). A number of Fawcett characters make their first appearances in these issues -- including Captain Marvel Jr.'s arch nemesis, Captain Nazi! Included are copies of Master Comics #7 (Bulletman, Zoro, Lee Granger, Jungle King, and Buck Jones stories begin), #10 (last Lee Granger story), #11 (origin and first appearance of Minute Man), 12, #13 (origin and first appearance of Bulletgirl, Hitler cover), 14, 15, 16, #17 (Mac Raboy art on Bulletman begins), 18, 19, #20 (Captain Marvel cameo appearance), and #21 (origin and first appearance of Captain Nazi, Captain Marvel/Bulletman crossover, Raboy's first Fawcett cover, listed as "scarce" by Overstreet) that have been trimmed and bound into a hardcover volume. The Captain Nazi issue was part of a trilogy that saw the creation of Captain Marvel Jr. in Whiz Comics #25. The comics are in excellent condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2008 VG 4.0 value for group = $4,468.
Master Comics #35-46 Bound Volume (Fawcett, 1943-44). These are copies of Master Comics #35, 36, 37, 38, 39, #40 (flag cover), #41 (Captain Marvel Jr./Bulletman/Bulletgirl/Minute-Man team-up), 42, 43, 44, 45, and 46 that have been trimmed and bound into a hardcover volume, each with cover art by Mac Raboy. They are in great condition with glossy, bright covers, supple pages, and very mild tanning and wear. Overstreet 2008 VG 4.0 value for group = $1,260.
Minute Man #1-3 Bound Volume (Fawcett, 1941-42). These are copies of Minute Man #1, 2, and #3 (one-inch tear to bottom front cover) -- a complete run of the short-lived series -- that have been trimmed and bound into a hardcover volume. The comics are in overall very nice condition with glossy covers, supple pages, very mild wear, and mild to moderate tanning. Overstreet 2008 VG 4.0 value for group = $902.
Nickel Comics #1-8 Bound Volume (Fawcett, 1940). A complete run of Nickel Comics, issues #1 (origin and first appearance of Bulletman), 2, 3, #4 (Red Gaucho stories begin), #5 (bondage cover), 6, 7, and #8 (World's Fair cover, Overstreet lists as "scarce"), trimmed and bound into a hardcover volume. The art is by C. C. Beck and Jack Binder. The volume has tight binding, and the comics are in overall great condition with bright, glossy covers, supple pages, and mild to moderate wear and tanning. Overstreet 2008 VG 4.0 value for group = $1,824.
Slam-Bang Comics #1-7 Bound Volume (Fawcett, 1940). This was Fawcett's second series (following only Whiz), and here's a complete run of the title, trimmed and bound into a hardcover volume. There is some discoloration to the page edges, otherwise the comics are in overall great condition with glossy, sharp covers, supple cream to off-white pages, and very mild wear. Overstreet 2008 VG 4.0 value for group = $1,418.
Spy Smasher #1-11 Bound Volume (Fawcett, 1941-43). A complete run of Fawcett's Spy Smasher series that has been trimmed and bound into a hardcover volume. Some feature covers and/or art by Mac Raboy. Two covers picture Hitler. The comics are in great condition with vibrant, unfaded colors throughout, cream to off-white pages, and only very mild wear. Overstreet 2008 VG 4.0 value for group = $2,552.
Superman #1-12 Bound Volume (DC, 1939-41). A very nice copy of issue #1 leads off this superb bound volume. If you saw a "loose" copy that looked this nice, your first reaction would be "it must be restored" (this one isn't). The page quality is cream to off-white throughout, with no brittleness, and the cover colors have that "pop" that's characteristic of bound volumes.
The classic cover to #11, which was used on a U.S. postage stamp, is just one of the many other highlights contained here, in a volume that extends from Summer 1939 to September 1941. The book has a red cloth binding with the title printed in black on the spine. The volume has head and tail bands and green endpapers.
A couple of defects of note: issue #2 has a crease running through the cover (though without breaking color). Also, half of two pages from issue #8 were obviously torn out by accident and scotch-taped back together many years ago -- the tape has browned with age and left a slight stain on the pages immediately before and after (only one story page is affected). And as always with bound volumes, the comics were slightly trimmed on three sides as part of the binding process.
Have a look at our scans of the covers and we think you'll agree that acquiring copies of all twelve of these issues with similar eye appeal would cost well into six figures and wouldn't be easy even with an unlimited budget. Overstreet 2008 VG 4.0 value for group = $52,960.
The classic cover to #11, which was used on a U.S. postage stamp, is just one of the many other highlights contained here, in a volume that extends from Summer 1939 to September 1941. The book has a red cloth binding with the title printed in black on the spine. The volume has head and tail bands and green endpapers.
A couple of defects of note: issue #2 has a crease running through the cover (though without breaking color). Also, half of two pages from issue #8 were obviously torn out by accident and scotch-taped back together many years ago -- the tape has browned with age and left a slight stain on the pages immediately before and after (only one story page is affected). And as always with bound volumes, the comics were slightly trimmed on three sides as part of the binding process.
Have a look at our scans of the covers and we think you'll agree that acquiring copies of all twelve of these issues with similar eye appeal would cost well into six figures and wouldn't be easy even with an unlimited budget. Overstreet 2008 VG 4.0 value for group = $52,960.
Tarzan #1-206 And More Lot of 12 Bound Volumes (Dell/Gold Key, 1947-1972). Both Tarzan Four Colors (#134 and #161) and all four issues of Charlton's unauthorized Jungle Tales of Tarzan are joined by the full quarter-century-long Dell and Gold Key run! Trimmed copies, bound into four maroon and twelve blue hardcover volumes. The condition of the Gold Keys is pristine, with page quality off-white or even white, no edge darkening, and perfect covers. The Dells have nice off-white pages from about #50 on, earlier issues average cream to off-white. The covers of the Dells vary, with many having some cover creasing and/or markings. Unlike the DC run that began with #207, these aren't available as reprints, so this shelf-filling lot represents a rare opportunity. Overstreet 2008 VG 4.0 value for group = $3,458.
Whiz Comics #25-37 Bound Volume (Fawcett, 1942). A great collection of Whiz Comics that kicks off with the first appearance of Captain Marvel Jr.! The issue was the second part in a trilogy that saw Captain Marvel pursue Captain Nazi from the the pages of Master Comics #21, a battle that leads to CM Jr.'s creation under tragic circumstances. Issues #25-37 have been trimmed and bound into a dark blue hardcover volume. There is some soiling to the edges, otherwise the comics are in nice condition with supple, unfaded covers and cream to off-white pages, and very mild wear. Overstreet 2008 VG 4.0 value for group = $2,356.
Whiz Comics #38-49 Bound Volume (Fawcett, 1942-43). These are gorgeous copies of Whiz Comics #38, 39, 40, 41, 42, #43 (Spy Smasher, Ibis, and Golden Arrow crossover Captain Marvel), #44 (flag cover), #45 (red paint splotch on cover and 3" tear on back cover), 46, 47, 48, and 49 that have been trimmed and bound into a hardcover volume. The covers are by C. C. Beck. The comics are in very nice condition with bright, glossy covers and mild wear and tanning. Overstreet 2008 VG 4.0 value for group = $832.
Whiz Comics #50-60 Bound Volume (Fawcett, 1944). Excellent copies of Whiz Comics #50 (some pencil marks on cover), 51, #52 (Captain Marvel/Ibis crossover), 53, 54, 55, 56, 57, 58, 59, and 60 that have been trimmed and bound into a hardcover volume. The comics are generally in great condition with glossy, bright covers and mild wear and tanning, but there is a slight cover abrasion on the cover of #56 near the spine and pencil tracing of the title logo. Overstreet 2008 VG 4.0 value for group = $674.
Pulps
Amazing Stories Group (Ziff-Davis, 1938-52) Condition: Average VF. Includes the June, August, and October 1938; January-July, September, November, and December 1939; January, March, April, and July-October 1940; January-April and June-December 1941; January-April and June-December 1942; January, February, June, and November 1943; May and September 1944; June, September, and December 1945; February 1946; March and August 1947; September 1948; February and September 1949; August and September 1951; and May and August 1952 issues; plus a copy of the Fall 1943 Amazing Stories Quarterly (FR, back cover missing). Bookery's Guide to Pulps GD value for the Quarterly = $25; FN value for rest of group = $2,950.
Amazing Stories Group (Ziff-Davis, 1939-47) Condition: Average FN/VF. Group of 41 issues includes the January-June, August, and October-December 1939; January-June, August, November, and December 1940; January, April, May-July, November, and December 1941; February, March, May-July, and August-December 1942; December 1946; and February-May 1947 issues. Contents include stories by Robert Bloch, Eando Binder, and Edgar Rice Burroughs. January 1939 has a hole through front cover. Grades range from VG/FN to FN/VF. Bookery's Guide to Pulps FN value for group = $1,400. From the Uncle Lefty Collection.
Astonishing Stories Group (Fictioneers Inc., 1940-43) Condition: Average FN+. A full run of the series that includes all 16 issues. Contents include works by Robert Bloch, Robert Heinlein, Ray Bradbury, Nelson Bond, E. E. "Doc" Smith, and others. Complete spines and covers, and supple off-white pages. Bookery's Guide to Pulps FN value for group = $525. From the Uncle Lefty Collection.
Astounding Stories/Astounding Science Fiction Group (Street & Smith, 1937-49) Condition: Average VF-. A large set that includes the August 1937-January 1943 (July 1939 issue is missing); November 1944; September-December 1946; January-March 1947; September-December 1948; and January, March, and April 1949 issues. Includes "Who Goes There?" by John W. Campbell (filmed as The Thing), Lensman stories by E. E. "Doc" Smith, and works by Robert Heinlein, A. E. Van Vogt, Isaac Asimov, Ray Bradbury, and others. Beautiful, like-new copies. Bookery's Guide to Pulps FN value for group = $3,500. From the Uncle Lefty Collection.
Famous Fantastic Mysteries Group (Frank A. Munsey Co., 1939-53) Condition: Average VG. Two full short boxes totaling 64 issues, spanning from September 1939 to April 1953. Highlights of which include works by Jack London, H. Rider Haggard, Talbot Mundy, Sax Rohmer, and others, plus covers by Virgil Finlay. No duplicates. Complete covers and spines, supple pages, some instances of tape repairs. Approximate Bookery's Guide to Pulps value for group = $800.
Fantastic Adventures Group (Ziff-Davis, 1939-49). Group of 46 issues includes the November 1939; January-June, August, and October 1940; January, March, May-October, and December 1941; January-September, November, December 1942; March 1943; April and December 1945; May 1946; May and September 1947; January, March-September, and November 1948; and March and May 1949 issues. Contents include Edgar Rice Burroughs and Robert Bloch. Many feature J. Allen St. John covers. the 1939-43 issues average VF-, the rest average VG. Bookery's Guide to Pulps FN value for group = $1,200. From the Uncle Lefty Collection.
Horror Stories Group (Popular, 1936-40) Condition: Average FN. Includes the August 1936; October 1937; February 1938 (classic cover); and March 1940 issues. Complete covers and spines, off-white pages. Approximate Bookery's Guide to Pulps value for group = $1,100.
Mystery Tales Group (Red Circle, 1938-40) Condition: Average VG/FN. Includes the June 1938 (Norm Saunders cover); February, September (classic cover), and December (GD/VG) 1939; and March (GD/VG) and May (final issue, GD) 1940 issues. Complete covers and spines, supple pages. Approximate Bookery's Guide to Pulps value for group = $1,300.
Planet Stories Group (Fiction House, 1941-49) Condition: Average FN+. Includes the Winter 1941; Spring, Summer, Fall, and Winter 1942; Summer and Fall 1946; Winter (VG/FN), Summer, and Fall (VG) 1947; Spring, Summer, Fall, and Winter 1948; and Summer 1949 issues. Contents include works by Ray Bradbury and Isaac Asimov. Complete covers and spines, supple off-white to white pages. Bookery's Guide to Pulps FN value for group = $775. From the Uncle Lefty Collection.
Shadow V3#2 (Street & Smith, 1932) Condition: VG. George Rozen is the cover artist of this September 1932 issue. Pages have brittle edges. There's a piece of tape on the inside front cover. Bookery's Guide To Pulps VG value = $350.
Shadow Digest Issues Group (Street & Smith, 1943-49) Condition: Average FN+. A large group of 48 digest-format issues that includes the December 1943 (first digest-sized issue); January-December 1944; January-December 1945; January-December 1946; January-December 1947; and February-August 1948 issues. Highlights include a number of scarce issues, the final pulp appearance of the Avenger, and a cover by Bob Powell. Complete covers and spines with supple white pages. Bookery's Guide to Pulps FN value for group = $2,500.
The Spider - October 1933 (Popular, 1933) Condition: VG. A striking copy of the first issue of this classic hero pulp title, with a memorable cover by William Baumhofer. Created as competition for the Shadow and Doc Savage, the Spider fought criminal masterminds for 10 years and 118 issues, and remains one of the most memorable pulp heroes. This beautiful copy has a complete cover and spine (with a little wear to the head and tail), and supple off-white pages. There is a single strip of tape inside the front cover, from top to bottom, supporting a hinge crease, and the edges have been trimmed. Bookery's Guide to Pulps VG value = $875.
Startling Stories Group (Standard, 1940-49) Condition: Average FN/VF. Includes January-November 1940; January-November 1941; January-November 1942; March 1943; Spring 1946; January, May, July, September, and November 1947; January, March, May, July, September, 1948; and January, May, and July 1949 issues. Grades range from FN to VF, with the earlier books grading higher. Off-white to white pages. Bookery's Guide to Pulps FN value for group = $925. From the Uncle Lefty Collection.
Super Science Stories Group (Popular, 1940-49) Condition: Average FN/VF. Includes the March (first issue), May, July, September, and November 1940; January, March, May, August, and November 1941; February, May, and August 1942; February 1943; and April 1949 issues. Contents include Robert Heinlein, Robert Bloch, Isaac Asimov, and Ray Bradbury stories. Complete covers and spines, supple off-white pages. Bookery's Guide to Pulps FN value for group = $525. From the Uncle Lefty Collection.
Terror Tales Group (Popular, 1937-40) Condition: Average FN. Includes the November 1937; November 1939; and March and November 1940 issues, with complete covers and spines and supple pages. Approximate Bookery's Guide to Pulps value for group = $1,150.
Thrilling Wonder Stories Group (Beacon, 1936-49). Group of 66 issues includes the December 1936-December 1942; April 1943; Winter and Fall 1944; Winter and Spring 1945; Spring, Fall, and December 1946; February-October 1947; April-December 1948; and February-June 1949 issues. The 1936-42 issues average FN+; the rest average VG. Bookery's Guide to Pulps FN value for group = $2,000. From the Uncle Lefty Collection.
Unknown/Unknown Worlds Group (Street & Smith, 1939-43) Condition: Average FN. A complete run that includes the March (first issue) and April-December 1939; January-July, August, and October-December 1940; February, April, June, August, October (title changes to Unknown Worlds), and December 1941; February, April, June, August, October, and December 1942; and February, April, June, August, and October 1943. Contents include works by Robert Bloch, Robert Heinlein, Fritz Lieber, Theodore Sturgeon, and others. All have complete spines and covers and supple pages. Approximate Bookery's Guide to Pulps value for group = $2,500.
War Stories Group (Dell, 1926-32) Condition: Average GD. REVISED DESCRIPTION: An almost-complete run of the series consisting of 100 issues of the war pulp, with no duplicates. Includes the first and final issues, the popular Terence X. O'Leary tales, and covers by Rudolph Belarski and George Rozen. These issues display complete spines and nice covers with some instances of mild fading; however, we have noticed that many have brown pages with brittle edges. Approximate Bookery's Guide to Pulps value for group = $1,600.
Weird Tales Box Lot (Popular Fiction, 1947-54) Condition: Average VG/FN. A full short box of 47 issues from the end of the pulp era. Every issue from 1947-1954 is here, including the digests from the very end of the run. Highlights include works by Robert Bloch, Seabury Quinn, August Derleth, Allison V. Harding, Clark Ashton Smith, Robert Heinlein (his only Weird Tales appearance) and others; and covers by Virgil Finlay and Frank Kelly Freas. Complete covers and spines (with some instances of fading), and supple pages. Approximate Bookery's Guide to Pulps value for group = $1,250.
Memorabilia
Gandy Goose in G Man Jitters One Sheet Poster (Terrytoons, 1939). An incredible poster featuring Terrytoons' new star, Gandy Goose (in his fifth cartoon, released March 10, 1939) as Sherlock, and co-starring Universal Studios' horror heavyweights Dracula and Frankenstein's Monster. The year before, Universal had reissued Dracula and Frankenstein as a double-feature, to great success. This cartoon was a direct result of that popular pairing. The poster's stock design features an inserted scene from the cartoon, with detective Gandy enlisting the help of the two horror movie stars. A wonderful image for cartoon lovers and horror film collectors alike! The poster has been professionally linen backed, and is in Excellent condition.
Kellogg's Comic Character Pep Pins, Complete Set of 86 (Kellogg's, 1945-47). During the post war years of 1945 through 1947, children all over America eagerly consumed bowls of Kellogg's Pep cereal, in order to obtain these wonderful little pinback buttons, each picturing a favorite comic character. Many a beanie cap would be decorated with these 13/16" treasures during this time, and completing the set became every kid's goal. Now you can relive those happy times, without eating another spoonful of cereal, with one winning bid! This set includes all 86 different designs, including the hard-to-find Felix the Cat and Phantom pins, and all are in Excellent condition! The set comes ready to frame in an attractive mat measuring 16" x 13.25". Listed in Hake's as a set in NM = $2,000.
Lone Ranger Punch-Out Book #965 (Whitman, 1940) Condition: NM-. Punch-out books have been popular with children for years, but attempting to find, let alone collect, complete vintage examples can be tricky if not downright impossible. Here's a beautiful Lone Ranger punch-out book that is not only 100% complete and unpunched, it is also incredibly vibrant. It's hard to imagine a 1940-era child not wanting to punch out and play with these richly colored Western scenes; we're even tempted ourselves, but not to worry -- all are secure inside, with no loose pieces. Hakes lists this item as Rare, with less than ten examples known to exist. Hakes Price Guide to Character Toys NM value = $5,000.
Carl Barks First National Bank of Cibola Lithograph Print Progressive Proof Set (Another Rainbow, 1987). A rare set of nineteen progressive color proofs for the tenth Carl Barks lithograph, based on his "Seven Cities of Cibola" epic story from Uncle Scrooge #7. Each print is made on iridescent, mother-of-pearl Opalesque art paper measuring 25.5" x 21". This set is one of only five released by Another Rainbow, and all pieces are in Excellent condition.
Carl Barks and Theo Fabergé Scrooge McDuck Midnight Egg, 67/250 (Another Rainbow, 1992). For those Uncle Scrooge fans that missed out on this incredible prize last November, we've managed to find one more example of this Fabergé egg, featuring the World's Richest Duck. The shell is crystal, delicate yet durable. Its dome, enameled lapis blue to suggest the midnight sky, is punctuated by seven gold stars. Below, the shell has been etched and hand-painted with 23-karat gold, the purest gold that can be fired onto crystal. A flight of golden stairs leads to a landing flanked by Ionian columns bearing up a triangular pediment. The egg separates in the middle. Lift off the top, and there's Uncle Scrooge luxuriating in a tub of gold coins. His body is silver; indeed, the whole sculpture is sterling silver -- 92.5 percent pure. Scrooge's coat is enameled in red; his collar, cuffs, and spats are gray. His crown is plated in 24-karat gold, as are his beak, cane, tub, and the coins around him; different colors of gold give each a different luster. His body, textured to resemble feathers, is lacquered to prevent tarnish, while the urn behind him has intentionally been oxidized to a rich green, then protected with lacquer. Surrounding him are two amethysts, two sapphires, and seven rubies -- that's counting the stones that adorn the Imperial crown and the Sumerian one. And in the tradition of the nicest Easter eggs, there's a second surprise, a treasure within the treasure. Push back the rim of the urn, and you'll find an extra cache of coins. Originally planned as a limited edition of 250, only 73 exist, with the others destroyed by Another Rainbow. Comes with a deluxe carrying case, and Certificate of Authenticity. We may not be this lucky again, so don't pass this one by!
Carl Barks Sport of Tycoons Uncle Scrooge Bronze Sculpture Limited Edition, 77/100 (Paul Vought, 1994). Scrooge goes diving in his money bin in this massive bronze figure on a marble base. It was created by sculptor Paul Vought, based on a Carl Barks design, and introduced at the 1995 Disneyana Convention, with an original price of $1,800. Carl signed the piece in gold ink. It measures approximately 15.25" x 8.5", and is 7.5" tall, in Excellent condition. Included is a Certificate of Authenticity from Ward Warren of Blue Moon Inc.
Carl Barks Self Control Donald Duck Limited Edition Bronze Sculpture, AP 2/8 (Bruce Lau/White Horse Studios, 1996). Donald loses control one more time in this delightful bronze figure, originally produced by sculptor Bruce Lau from a Carl Barks design, as a limited edition of 150 for the 1996 Disneyana Convention. It's a heavy piece, measuring approximately 9" x 6", and 9.5" tall. It has the added distinction of being an Artist's Proof, #2 of only 8. It's in Excellent condition, and is sure to please any Duck fan! Wak!
Frank Frazetta Death Dealer Limited Gold Edition Print #58/345 (c. 1980).
The Death Dealer is one of Frank Frazetta's most famous images. It has been used on rock album covers, graced the cover of American Artist, and inspired a comic book series. The regular run of "Death Dealer" prints had a "Gold Edition" that was limited to the first 100 prints of the entire 345 print edition. The image was printed using twelve-color, continuous-tone inks on archival-quality, acid-free, cotton rag, with a special opalesque finish. This print is silk-textured, with a small inlaid gold trim around the image area. This print was signed by Frank Frazetta, and it has an approximate image area of 16" x 24". The piece is in Excellent condition, and the COA is included in this lot.
The Death Dealer is one of Frank Frazetta's most famous images. It has been used on rock album covers, graced the cover of American Artist, and inspired a comic book series. The regular run of "Death Dealer" prints had a "Gold Edition" that was limited to the first 100 prints of the entire 345 print edition. The image was printed using twelve-color, continuous-tone inks on archival-quality, acid-free, cotton rag, with a special opalesque finish. This print is silk-textured, with a small inlaid gold trim around the image area. This print was signed by Frank Frazetta, and it has an approximate image area of 16" x 24". The piece is in Excellent condition, and the COA is included in this lot.
Jerry Siegel and Joe Shuster Science Fiction Fanzine "Reign of the Superman" Group (1932-33). Appearing five years before Action Comics #1, here is the first "Superman" story ever written by Jerry Siegel and the first Superman image drawn by Joe Shuster. The fanzine, edited by Siegel, measures 8.5" x 11" and was mimeographed at the duo's high school. The issue credits Siegel as editor and Shuster as artist -- the byline "Herbert S. Fine" is a combination of Siegel's mother's maiden name and the name of a cousin. Of course, this Superman was a different character than the costumed hero who later appeared in comic books; this one was bald and a villain! Siegel once commented, "A couple of months after I published this story, it occurred to me that a Superman as a hero rather than a villain might make a great comic strip character... Obviously, having him as a hero would be infinitely more commercial than having him a villain." This copy is somewhat fragile, though considering this item's age and the method of production, one would hardly be found in mint condition. The paper is age-darkened and a bit chipped at the edges. Though the contents page calls for 27 pages, there are actually only 22. Well-known collector John McLaughlin (the former owner of this grouping) speculated "it's likely that the contents page was prepared prior to filling out the rest of the issue, and those 'phantom' pages never printed. Comparison with another known copy confirms this." The last page is detached, and this copy has no cover. Also included in this lot are V1#1 and V1#2 of Science Fiction (October and November 1932), also with Siegel and Shuster contributions. These are in similar condition to V1#3, though a bit more heavily chipped and with some pages detached at the staples. The latter two were folded and sent through the mail, they have an address and canceled stamps on the back. This fanzine ran for a total of five issues, and speculation is that no more than 50 copies were printed (compare this to Action #1, of which tens of thousands of copies were produced). From the John McLaughlin Collection.
Superman Newspaper Strip Press Book (McClure Syndicate, 1939) Condition: GD/VG. The first 30 installments of the daily Superman newspaper strip are printed, one to a page, one side only, in this special promotional booklet, which measures 14" x 4". It was sent out by the McClure Newspaper Syndicate, in an effort to persuade local papers to carry the strip, and the inside covers have promotional ads which newspapers could copy (inserting the name of the paper) and run as advertisements for the strip. A very rare item, only the second one we've seen at Heritage! Not listed in Overstreet.
Superman Movie Serial Tie-In Poster (DC/Columbia, 1948). Superman made the transition from comic book and cartoon character to live-action film star in 1948, when Columbia Studios produced a fifteen-chapter serial starring Kirk Alyn as the Man of Steel, and a young Noel Neill as Lois Lane, a role she would again play later on television. This incredible poster, featuring covers of Action, Superman, and World's Finest Comics, was produced by DC as a tie-in for the upcoming serial, designed to hang in places comics were sold to alert fans of the film. It remains perhaps the rarest of all Superman posters, with only five or so known to exist. It measures approximately 28" x 41.5", and with its professional restoration, appears to be in Near Mint condition. The extensive restoration includes paper replacement at three corners, remounting, and extensive airbrushing to address severe fold lines and dirt damage.
Trading Card Group (1955-94). Complete sets of Davy Crockett (both series), Zorro, Civil War, Mars Attacks (original set plus 1994 additional cards), and Planet of the Apes cards make up this group lot. The cards range in condition from VG to NM, and are housed in plastic sheets, in a three-ring binder. If an instant, first class collection of non-sports cards sounds good to you, here it is -- and no awful gum to have to chew! 446 different cards in all, with a few duplicates included.
Books
Overstreet Price Guide #1 First Printing (1970) Condition: VF. This copy's in excellent shape, with the only negatives being slight discoloration along the edges of the covers and a minor bend (not a crease) on the back cover. It's impressive that the staples are tight and the centerfold secure, as the book was well over 200 pages and, given its thickness, probably never should have been staple-bound in the first place! The prices are, of course, an entertaining read for any comic lover of today -- Action Comics #1 was priced at an "exorbitant" $300 in Mint condition, but we're kicking ourselves for not stocking up on Showcase #4 ($12 in Mint), Suspense Comics #3 ($5), or Famous Funnies #209 ($4, though #210-216 are listed at $10!). Don't miss out on the book that helped make comic fandom what it is today. Note that the current Overstreet Guide only lists GD, FN, and NM values for this item. Overstreet 2008 Fine value = $900; Near Mint value = $1,800.
Magazines
Playboy #1 (HMH Publishing, 1953) Condition: VG. The premiere issue of the magazine that would revolutionize the men's magazine genre was audacious from the start. Marilyn Monroe graced the cover, and, of course, was the first Playmate of the Month (Sweetheart of the Month in the first issue), her full page nude ingrained in Americana lore.
Hugh Hefner had a vision beyond titillation - he brought fiction from outstanding authors of the 20th century (Sir Arthur Conan in the first issue; in later issues Ray Bradbury, Ian Fleming, Herbert Gold, W. Somerset Maugham, and Jack Kerouac, to name a few); interviews with celebrities of the day; contributions from top cartoonists, many of which stayed with the publication for decades; and timely features on sports, food, music, automobiles, travel, relationships, and other diversions. His wide-ranging "Entertainment for Men" wasn't an overnight success, but by the early 1960s, Playboy was nestled firmly atop the crowded men's magazine scene and one of the best-selling magazines in the country in any genre.
The first issue of Playboy had a limited print run was only about 50,000, and complete copies in nice condition have become highly sought-after. This copy has some water stains, mostly at the right bottom, as well as overall edgewear to keep the grade at Very Good. The Marilyn page has no visible water staining, but close examination reveals very slight wrinkling from moisture at the right bottom corner, almost indiscernible unless one is looking for it. The white border around her image shows some tanning from age. This copy remains a solid mid-grade copy, perfectly suitable for collecting or for a "reading" copy to back up a high-grade specimen.
Hugh Hefner had a vision beyond titillation - he brought fiction from outstanding authors of the 20th century (Sir Arthur Conan in the first issue; in later issues Ray Bradbury, Ian Fleming, Herbert Gold, W. Somerset Maugham, and Jack Kerouac, to name a few); interviews with celebrities of the day; contributions from top cartoonists, many of which stayed with the publication for decades; and timely features on sports, food, music, automobiles, travel, relationships, and other diversions. His wide-ranging "Entertainment for Men" wasn't an overnight success, but by the early 1960s, Playboy was nestled firmly atop the crowded men's magazine scene and one of the best-selling magazines in the country in any genre.
The first issue of Playboy had a limited print run was only about 50,000, and complete copies in nice condition have become highly sought-after. This copy has some water stains, mostly at the right bottom, as well as overall edgewear to keep the grade at Very Good. The Marilyn page has no visible water staining, but close examination reveals very slight wrinkling from moisture at the right bottom corner, almost indiscernible unless one is looking for it. The white border around her image shows some tanning from age. This copy remains a solid mid-grade copy, perfectly suitable for collecting or for a "reading" copy to back up a high-grade specimen.
Session 2
Original Comic Art
Neal Adams and Tom Palmer X-Men #62 Magneto Splash Page 6 Original Art (Marvel, 1969). Magneto appeared without his mask for the first time right here! At this point in the story, readers didn't know they were looking at the master of magnetism - that wouldn't be revealed until the very last panel. Anyway, kids reading this were focused on the revelation that the Angel was dead! Luckily that diagnosis was premature, but our hero Warren did find himself the unwitting pawn of his unknown grey-haired rescuer before all was said and done. This shock-soaked "Savage Land" splash is the first vintage Adams X-Men art we've ever offered - you don't often come across pages from this tragically brief run by Adams and Roy Thomas. The page has an image area of 10" x 15". Aside from a few missing pieces of Zipatone, the art is in Excellent condition. Adams signed the page in its lower border.
Murphy Anderson National Comics #1 Uncle Sam Cover Recreation Original Art (undated). Uncle Sam keeps "the stars and stripes" flying. As a heartfelt homage to his artistic idol, Lou Fine, Murphy Anderson recreated several of Fine's best Golden Age covers in full color. The piece offered here is a recreation of National Comics #1, and Anderson has masterfully drawn the scene in Fine's fluid style, and topped off this cover recreation with beautiful coloring. This painting has an image area of 15" x 21", and it has been matted and framed to an overall size of 23" x 29". The art is in Excellent condition, and also included in this lot is a Certificate of Authenticity, signed by Murphy Anderson.
Murphy Anderson Superman #14 Cover Re-creation - Overstreet Price Guide #38 Cover Original Art (undated). Used as the cover image of the current Overstreet Price Guide (one of several variant covers)! Murphy Anderson pays tribute to Fred Ray's classic patriotic "shield and eagle" Superman #14 cover with his own star-spangled recreation. This stirring scene is counted by many fans as one of the finest Golden Age cover designs ever drawn. This painting has an image area of 15" x 20", and the piece has been matted and framed to an overall size of 22.5" x 28". The art is in Excellent condition.
Ross Andru and Don Perlin Marvel Team-Up #15 Ghost Rider page 7 Original Art (Marvel, 1973). The Orb and his gang have their sights set on Johnny Blaze in this page from "If An Eye Offend Thee." The art has an image area of 10" x 15", and, aside from some tape staining in the center of all four edges, the condition is Very Good.
Ross Andru and Don Perlin Marvel Team-Up #15 Ghost Rider page 11 Original Art (Marvel, 1973). A certain friendly neighborhood web-slinger joins the activities with the Ghost Rider as the Orb kidnaps Roxanne Simpson, in this page from "If An Eye Offend Thee." The art has an image area of 10" x 15", and, aside from some tape staining in the center of all four edges, and some light printer's oil staining at the bottom right, the condition is Very Good.
Carl Barks and Norman McGary Donald Duck and the Christmas Carol Little Golden Book D-84 Complete Story Original Art (Golden Press, 1960). A complete 24-page children's book, featuring art by Carl Barks (layout and pencils, though it is difficult if not impossible to tell whether the original pencils or a photocopy lies beneath the paint) and Norman McGary (gouache on illustration boards), is featured in this rare and monumental lot. The story is an adaptation of Dickens' famous tale A Christmas Carol, starring Uncle Scrooge as Ebenezer, co-starring Donald and his nephews. While Scrooge takes center stage in the story, Donald still gets the spotlight on the cover (which is not by Barks), playing Santa to Huey, Louie, and Dewey. The beautiful story art is presented as double page layouts measuring 15" x 10", with one or two color illustrations plus text pasted onto each board, with 13 boards total. The art is in Excellent condition. Included are copies of the printed book; one original printing, plus two foreign editions -- one from Mexico, the other from Sweden.
Carl Barks Uncle Scrooge #62 "Queen of the Wild Dog Pack" Title Page Original Art (Gold Key, 1966). In this tale, Scrooge is stressed out about his business dealings abroad. In Australia, he encounters a wild woman who, with her pack of Dingos, has been attacking Scrooge's sheep herds. This title page sets up the fun, as Donald and his nephews, approaching Scrooge's enormous Money Bin, see a storm brewing. While Scrooge does not appear on this page, Donald is featured in every panel. As was his usual practice, Barks drew the page in two pieces, which have been joined by way of masking tape on the reverse side, which also has a note indicating he completed the page in 8/5/65. The art has a combined image area of approximately 16" x 21.5", and is in Excellent condition, with original logo stats. Carl Barks has signed the piece in the bottom right corner.
Carl Barks The Vikings Illustration Original Art (1979). Part of the series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl." Barks points out: "There's more than one viking in there and they're all up to no good." This pageantry in paint was rendered in watercolor and gouache on textured watercolor paper, and is Barks' first painting in 1979. The image area measures 8" x 10", and this piece has been matted and framed to an overall size of 19.5" x 21.5". The art is in Excellent condition. From the Estate of Bruce Hamilton.
Carl Barks Uncle Scrooge McDuck: His Life and Times Illustration Preliminary Sketch Original Art (Celestial Arts, 1981). Carl Barks created twelve original illustrations for his tale, "Go Slowly, Sands of Time," which were published in Uncle Scrooge McDuck: His Life and Times. In this preliminary sketch for the twelfth and final illustration, Scrooge is back in his money bin, joyously playing with his piles of loot. Rendered in graphite and watercolor, the art is framed and matted to an image area of 9.5" x 14.5". In Excellent condition, and signed by Carl Barks at the lower right.
Carl Barks Sailing the Spanish Main Preliminary Sketch Original Art (undated). Sailing the Spanish Main was the first Carl Barks oil painting to be commissioned for a lithograph, inspired by his 1949 cover to Walt Disney's Comics and Stories #108. Rendered in graphite and blue pencil on tracing paper, this original sketch by the Old Duck Man is framed and matted to an image area of 13.5" x 16.5", and is in Very Good condition.
Carl Barks Sailing the Spanish Main Hand Colored Photocopy Line Art (1982). Carl Barks' fantastic original oil painting, titled, "Sailing the Spanish Main," was the first independently licensed Barks painting to be offered solely as a lithograph, and is today the most sought after and valuable of all the Barks lithographs. This line art by Barks has been photocopied and hand-colored by the Old Duck Man himself. The image area measures 8" x 9.75". Matted and framed, the condition is Excellent. From the Estate of Bruce Hamilton.
Carl Barks An Astronomical Predicament Preliminary Oil Painting Original Art (c. 1990). Barks painted this detailed preliminary oil painting as a study for his larger, finished work, based on the story "Island in the Sky" from Uncle Scrooge #29. This out-of-this-word tableau shows Uncle Scrooge, Donald, Huey, Dewey, and Louie as they are met by the hungry inhabitants of a barren asteroid. This richly-hued painting has an image area of 12.5" x 16", and it was matted and framed to an overall size of 22" x 25.5". The art is in Excellent condition, and the work was signed by Barks at the lower left.
Simon Bisley The Demon #12 Cover Original Art (DC, 1991). The Main Man Lobo and the Demon clash in this smoldering cover illustration by Simon Bisley. Mixed media on heavy illustration board measuring 14" x 18". Some light edge wear; otherwise the art is in Excellent condition. Signed by Simon Bisley at the lower left.
The Boat Builders Illustration Original Art (Good Housekeeping, 1937). Mickey Mouse, Donald Duck and Goofy try their hand at boat building in this charming set of ink and watercolor illustrations originally published in Good Housekeeping magazine. Recently reprinted on page 133 of Mickey and the Gang, the art has been professionally matted with linen-covered board for an approximate size of 17.5" x 34". In Excellent condition.
Vaughan Bodé Dead Bone "Wall Wax Inhabitants" Illustration (1968). A nice early sheet of character designs for Bodé's ongoing Dead Bone series. We especially like "Barbara Moon," who looks just the type to keep Cheech Wizard on his toes! The art is graphite and marker ink on paper, with the lower "High Boots" text pasted on. This piece has an image area of 8.5" x 11", and is in Excellent condition.
Vaughn Bodé Poem-Toon #9 Five Strap Illustration Original Art (1970). Quirky, sexy illustration by Hugo Award winner, Vaughn Bodé. Ink and marker on heavy illustration paper. The image area measures 4.5" x 7". In Excellent condition.
Brian Bolland Detective Comics #559 Cover Original Art (DC, 1986). A skewed view of Batman, Catwoman, Black Canary, and Green Arrow, drawn in Bolland's famously confident style. The cover has a 10" x 15" image area, and the art is in Excellent condition.
James Bond Secret Agent 007 Lunchbox Painted Illustration Original Art (Aladdin, 1966). "Look Up! Look Down! Look Out! Here Comes The Biggest Bond Of All!" Emilio Largo's hydrofoil, the Disco Volante, comes under fire in this scene based on the 1965 James Bond movie, Thunderball. This piece has an image area of 12" x 10", and the art is in Excellent condition. The type elements are attached to an acetate overlay.
Wayne Boring Superman Daily Comic Strip Original Art dated 5-23-63 (Bell-McClure Syndicate, 1963). The Man of Tomorrow stars in every panel of this episode, drawn on Craftint paper. This strip has an image area of 17" x 4.75", and the art is in Excellent condition.
Bob Brown and Wally Wood Superboy #158 page 18 Original Art (DC, 1969). Wood's polished inks add a slick and lustrous Silver Age finish to Brown's dynamic pencils in this cosmic page from "Superboy's Darkest Secret." This page has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Frank Brunner Ka-Zar #4 (Second Series) Cover Original Art (Marvel, 1974). Celebrated by Marvelites for his lushly detailed work on Dr. Strange, Howard the Duck, and other fantasy features, Brunner turned in a real Bronze Age blockbuster for this issue. This atmospheric thriller for "Into the Shadows of Chaos" was drawn and inked on a piece of textured coquille board to create a special grey tone effect. This piece has an image area of 10"x 15", and aside from some overall paper aging, a glue-stained title logo stat, and a missing word balloon and caption (which reveal more art), it is in Very Good condition.
Frank Brunner Howard the Duck #1 Cover Re-Creation Original Art (2008). This beautifully drawn re-creation has an image area of 10" x 15", and the art is in Excellent condition.
Rich Buckler and Joe Sinnott The Avengers #104 Cover Original Art (Marvel, 1972). Only the Scarlet Witch is left standing in a battle against the Sentinels in this cover scene for "With a Bang and a Whimper." This cataclysmic cover has an image area of 10" x 15", and the art is in Excellent condition.
Rich Buckler and John Romita Sr. The Cat #3 Cover Original Art (Marvel, 1973). Kraken has the Cat in his hooks in this brazen Bronze Age cover illustration penciled by Buckler and inked by Romita Sr.! The art has an image area of 10" x 15" and includes the original logo and masthead paste-up art. Aside from some light soiling and glue staining from a missing paste-up at the lower left, the art is in Very Good condition. Signed by Romita Sr. at the lower right.
Rich Buckler and Dan Adkins (attributed) Skull the Slayer #5 Cover Original Art (Marvel, 1976). The Black Knight lends Skull a sword-swinging hand in this Bronze Age battle royal. There are some title logo stats and a word balloon missing, as well as several tears along the left edge, some paper warping, and several stress creases; otherwise, the art is in Good condition.
Rich Buckler and Al Milgrom The Spectacular Spider-Man Annual #1 Cover Original Art (Marvel, 1979). Hey, Real Frantic Ones -- check out this ultra-cool Bronze Age cover featuring an awesome montage of scenes showcasing Spider-Man as he battles Doctor Octopus. This cover and the comic's storyline were a continuation from the yarn started in Amazing Spider-Man Annual #13. Note that his cover was drawn at a larger size than most seventies Marvel covers -- the art went all the way from border to border for a panoramic presentation that's 11" x 17.75". This pulse-pounding piece has very light tanning around its edges, and it has been archivally mounted to an acid-free backing board; otherwise, the art is in Excellent condition. This cover was signed by Stan Lee in its lower border, and a copy of the comic book is included in this lot.
John Coleman Burroughs Better Little Book #1402 John Carter of Mars Cover Preliminary Original Art (Whitman, 1940). Although the art for this cover preliminary is not signed, the interior of this Better Little Book featured illustrations by John Coleman Burroughs, many of which were reproductions of his panels drawn for The Funnies. This beautifully rendered piece has an image area of 7.5" x 6.75", and aside from a scuff mark at the lower right corner, the art is in Excellent condition. The back of the piece has production notes drawn in pencil.
John Coleman Burroughs Unpublished Page Slated for The Funnies #57 John Carter of Mars page 1 Original Art (c. 1941). This page slated for The Funnies #57, but never used, was printed for the first time on page 166 of Russ Cochran's The Edgar Rice Burroughs Library of Illustration Volume 2, in 1977. This fantasy classic has an image area of 14.5" x 19.5", and the art is in Excellent condition.
John Coleman Burroughs Unpublished Page Slated for The Funnies #57 John Carter of Mars page 2 Original Art (c. 1941). John Burroughs modeled the lovely Deja Thoris after his wife, Jane Ralston Burroughs. This page slated for The Funnies #57, but never used, was printed for the first time on page 167 of Russ Cochran's The Edgar Rice Burroughs Library of Illustration Volume 2, in 1977. This piece has an image area of 14.5" x 19.5", and the art is in Excellent condition.
John Coleman Burroughs Unpublished Page Slated for The Funnies #57 John Carter of Mars page 3 Original Art (c. 1941). John Burroughs showcases his talent for drawing fantastic creatures and gorgeous "good girl" art - two staples of fantasy art. This page slated for The Funnies #57, but never used, was printed for the first time on page 168 of Russ Cochran's The Edgar Rice Burroughs Library of Illustration Volume 2, in 1977. This page has an image area of 14.5" x 19.5", and the art is in Excellent condition.
John Coleman Burroughs John Carter of Mars Sunday Comic Strip #65 Original Art dated 2-28-43 (United Feature Syndicate, 1943). In this epic Sunday, "Call to Duty," John Carter and Deja Thoris join forces with Sola, the green woman, to ride across the dead sea bottom on her six-legged mount, a thoat. In order to help draw this fantasy creature, Burroughs made a detailed three dimensional model of the thoat. This Sunday has an image area of 28" x 18", and the piece is in Excellent condition.
John Buscema The Mighty Thor Illustration Original Art (undated). This ink and watercolor Marvel masterwork has an overall size of 10" x 10", and the art is in Excellent condition. This piece was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema The Silver Surfer Illustration Original Art (undated). This sleek ink and watercolor illustration of the Sentinel of the Skyways has an overall size of 10" x 10", and the art is in Excellent condition. This piece was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema Doctor Doom Illustration Original Art (undated). Doctor Doom springs into action in the mighty Marvel manner, thanks to Big John Buscema. This dynamic piece has an overall size of 10" x 10", and the art is in Excellent condition. This illustration was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema and George Klein Avengers #62 Black Panther Cover Original Art (Marvel, 1969). The bravery of the Black Panther is spotlighted in this magnificent Marvel masterwork, the cover for "The Monarch and the Man-Ape." Buscema's superlative figure work opened up new vistas of glory for the Avengers title and helped cement his reputation as one of the key artists at Marvel Comics. Buscema's art set the standard for the "House of Ideas" after Jack Kirby departed in 1970. First-rate inker George Klein had just returned to the Marvel fold in 1968 after spending several prime years at DC. Sadly, he passed away only one year later in 1969, making his later Silver Age work at Marvel quite scarce. This show-stopping spectacular has an approximate image area of 10" x 15". The figures and portraits on this cover have been collaged together to create the composition; otherwise, the art is in Very Good condition.
John Buscema and John Verpoorten Amazing Adventures #2 Inhumans and the Black Widow Cover Original Art (Marvel, 1970). Face Front, it's another triumph from Buscema, whose extraordinary genius at figure drawing in this "split cover" will knock your socks off. Any true Marvelite would jump at the chance to hang this Bronze Age bombshell among the other graphic gems in their collection. This cover has an image area of 10" x 15", and the art has been matted and framed to an overall size of 22" x 16". Aside from missing a caption near the center of the page, the art is in Excellent condition.
John Buscema Conan the Barbarian #119 Cover Original Art (Marvel, 1970). John Buscema's self-professed passion for drawing the Conan character is evident in this eerie cover scene for "The Voice of One Long." This piece has an image area of 10" x 15", and the art is in Excellent condition.
John Buscema and Dan Adkins Silver Surfer #13 page 5 Original Art (Marvel, 1970). Big John Buscema's titanic talent for figure drawing shines ever so brightly in this sterling page from "The Dawn of the Doomsday Man." This piece has an image area of 10" x 15", and aside from a few light production process stains, the art is in Excellent condition.
John Buscema and Dan Adkins Silver Surfer #15 Fantastic Four page 15 Original Art (Marvel, 1970). While the Human Torch battles the Silver Surfer in the skies, Mr. Fantastic and the Thing take the limelight in these scenes from "The Flame and the Fury." This Bronze Age page has an image area of 10" x 15", and aside from a few light production process stains, the art is in Excellent condition.
John Buscema and Frank Giacoia Fantastic Four #114 Cover Original Art (Marvel, 1971). The Fantastic Four are ready to rumble in this Buscema battle royal for the thriller "But Who Shall Stop the Over-Mind?" This Marvel masterwork has an image area of 10" x 15", and aside from some production process stains, and some glue stains at the upper right, left behind by a missing art correction paste-on (over the clenched fist), the art is in Very Good condition.
John Buscema and Joe Sinnott Fantastic Four #120 page 19 Original Art (Marvel, 1972). It's deja-vu all over again in this landmark issue which featured the first appearance of Galactus' new herald, Gabriel, the Air-Walker. The Fantastic Four faced off in another senses-shattering showdown with an apocalyptic cosmic menace. The Buscema/Sinnott team was in peak form for these scenes from "The Horror That Walks on Air." This page has an image area of 10" x 15", and the art is in Excellent condition.
John Buscema Conan the Barbarian #183 Cover Original Art (Marvel, 1986). Marvel's master of figure drawing does it again -- this bone-crushing cover scene for "Blooddawn" has an image area of 10" x 15", and the art is in Excellent condition.
Sal Buscema The Avengers #91 Cover Original Art (Marvel, 1971). Bronze Age collectors assemble! This Buscema blockbuster for "Take One Giant Step - Backward" has an image area of 10" x 15". A few of the pasted-on balloons at the lower left have gone missing: otherwise, the art is in Very Good condition.
Sal Buscema The Incredible Hulk #241 page 19 Original Art (Marvel, 1979). Merlin's former foe, Tyrannus makes a desperate effort to revitalize his youth with ancient technology, in this page from "Partners in Deception!" This page has an image area of 10" x 15" and is in Very Good condition.
John Byrne and Terry Austin X-Men #114 Sauron Splash Page 31 Original Art (Marvel, 1978). This page is Sauron's first appearance since issue #61, way back in the Roy Thomas/Neal Adams run - and this tale was in the hands of the only creative team of the 1970s who could match giants like Thomas/Adams, panel for power-packed panel! We're talking about Byrne, Austin, and Chris Claremont, and this was just the sixth issue with all three members of that trio on board.
Byrne's curvaceous rendering of Storm is characteristic of his early work, as seen in his Charlton days and his earlier Marvel efforts. The Savage Land is the locale where the presumed-dead mutants (this was the issue with the "Day the X-Men Died" cover) come face to face with someone else whose rumored demise was greatly exaggerated.
The image area of this mutant masterwork is 10" x 15", and the art is in Excellent condition. Both artists signed and inscribed the art at the bottom of the page in 1996.
Byrne's curvaceous rendering of Storm is characteristic of his early work, as seen in his Charlton days and his earlier Marvel efforts. The Savage Land is the locale where the presumed-dead mutants (this was the issue with the "Day the X-Men Died" cover) come face to face with someone else whose rumored demise was greatly exaggerated.
The image area of this mutant masterwork is 10" x 15", and the art is in Excellent condition. Both artists signed and inscribed the art at the bottom of the page in 1996.
John Byrne and Terry Austin The Uncanny X-Men #141 "Days of Future Past" page 19 Original Art (Marvel, 1981). "Days of Future Past" is probably the most memorable story of the entire Chris Claremont-John Byrne run, and elements of it have appeared in one of the "X-Men" movies as well. In the year 2013, the Sentinels have obliterated nearly all superheroes and the few remaining send an adult Kate Pryde (i.e. Kitty) back to the present to prevent this nightmare from happening. Also appearing here: Rachel Summers (this issue was her first appearance), a grown-up Franklin Richards (son of Reed), and of course Colossus (now married to Kitty) and Wolverine.
Any fan of these books will love seeing Austin's intricate inks up close, and even the distinctive lettering of Tom Orzechowski will resonate with the X-Fan. The image area of this thriller measures 10" x 15", and aside from some trimmed edges and corners (done during the production process), the art is in Excellent condition.
Any fan of these books will love seeing Austin's intricate inks up close, and even the distinctive lettering of Tom Orzechowski will resonate with the X-Fan. The image area of this thriller measures 10" x 15", and aside from some trimmed edges and corners (done during the production process), the art is in Excellent condition.
John Byrne and Terry Austin Crazy Super Special #82 New X-Men Cover Original Art (Marvel, 1981). The entire New X-Men team: Wolverine, Colossus, Cyclops, Storm, Kitty "Sprite" Pryde, Iceman, Professor X, and Nightcrawler (plus Havok in the background), all as only the legendary team of John Byrne and Terry Austin could have rendered them. This sensational piece has an image area of 17" x 21". The title logo and word balloons are mounted on an acetate overlay, and the page has been archivally mounted to an acid-free backing board. The art is in Excellent condition, and the piece was signed by Stan Lee (in the UPC box, under the overlay). A copy of the comic magazine is included in this lot.
J. Scott Campbell and Alex Garner GEN 13 #1 Cover Original Art (Image, 1995). Jim Lee's X-Men inspired teenage superhumans look alive in this cover for their second series, penciled by superstar J. Scott Campbell and inked by Alex Garner. The art has an image area of 10" x 15" and it is in Excellent condition.
Milton Caniff Terry and the Pirates Sunday Comic Strip Original Art dated 11-5-44 (Chicago Tribune, 1944). Leave it to Hot-Shot Charlie to charm the cuties, even in the face of all army regulations. The image area of this superbly staged Sunday measures 19" x 26". The page was cut between panel tiers two and three, and the title logo stat has some glue staining; otherwise, the art is in Excellent condition.
Nick Cardy Ghosts #26 Cover Original Art (DC, 1974). Cardy's macabre cover illustration for DC's long-running horror series is an unsettling, haunting image that will leave the hair on your neck a bit raised! This piece has an image area of 10" x 15", and the art includes all of the original logo, title, masthead, and word balloon paste-ups. The art is in Excellent condition.
Casper the Friendly Ghost #11 Cover Original Art (Harvey, 1953). Casper can't quite grasp the sport of baseball in this cover for his eleventh Harvey issue. The art has an image area of 7" x 10.25", and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Casper the Friendly Ghost #43 Cover Original Art (Harvey, 1956). Wendy the Good Little Witch takes a sail courtesy of her pal, Casper, in this buoyant cover illustration. This was Wendy's second cover appearance. The art has an image area of 7" x 10.25". Aside from some glue staining and light soiling, the art is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Dave Cockrum X-Men #102 Cover Original Art (Marvel, 1976).
"If Colossus Should Fall - Who Shall Stop The Juggernaut?" was the cover blurb that accompanied this dynamite battle cover. Without logos and such covering some of the art, the atmosphere of the scene (a castle in Ireland) is even more striking! Colossus was the central character on just about every early cover. Nightcrawler, reportedly the artist's favorite X-Man, looks on along with Storm.
This Bronze Age blockbuster is but the second Cockrum X-Men cover we've offered to date, and the first from his original stint on the book. Cockrum's status as one of the best at delivering dynamite covers is underlined by the fact that he continued to be assigned many X-Men covers even after young John Byrne took over the interiors the following year.
What other Marvel cover has ever delivered such raw punching power? The way Cockrum puts the reader so close to the action reminds us of the likes of Journey Into Mystery #114, Thor #126, and Defenders #10, but as memorable as those showdowns were, we dare say this concussive close-ranger equals or betters any of them.
This oversized drawing has an overall size of 11.5" x 17.5". Signed by Cockrum at lower right and upper left. Aside from missing its logo and type stats (which were most likely attached to an overlay), the art is in Excellent condition.
"If Colossus Should Fall - Who Shall Stop The Juggernaut?" was the cover blurb that accompanied this dynamite battle cover. Without logos and such covering some of the art, the atmosphere of the scene (a castle in Ireland) is even more striking! Colossus was the central character on just about every early cover. Nightcrawler, reportedly the artist's favorite X-Man, looks on along with Storm.
This Bronze Age blockbuster is but the second Cockrum X-Men cover we've offered to date, and the first from his original stint on the book. Cockrum's status as one of the best at delivering dynamite covers is underlined by the fact that he continued to be assigned many X-Men covers even after young John Byrne took over the interiors the following year.
What other Marvel cover has ever delivered such raw punching power? The way Cockrum puts the reader so close to the action reminds us of the likes of Journey Into Mystery #114, Thor #126, and Defenders #10, but as memorable as those showdowns were, we dare say this concussive close-ranger equals or betters any of them.
This oversized drawing has an overall size of 11.5" x 17.5". Signed by Cockrum at lower right and upper left. Aside from missing its logo and type stats (which were most likely attached to an overlay), the art is in Excellent condition.
Gene Colan and Vince Colletta Captain Marvel #8 Cover Original Art (Marvel, 1968). Two of Marvel's mainstay Silver Age artists, Colan and Colletta, teamed to create this magnificent montage scene for "And Fear Shall Follow." This Silver Age spectacular has an image area of 10" x 15", and aside from some small glue stains and areas of white-out, the art is in Very Good condition. Colan signed the page in its upper border.
Gene Colan and Jack Abel Tomb of Dracula #10 page 3 Original Art (Marvel, 1973). Blade kicks off his vampire-hunting career in a cold warehouse, with a group of angry blood-suckers, in this page from his first appearance in the tale titled, "His Name Is... Blade!" The art has an image area of 10" x 15" and it is in Very Good condition.
Giorgio Comolo Sub-Mariner #5 Cover Re-Creation Original Art (2007). Prince Namor, the Sub-Mariner, battles Tiger Shark in this fine, full color re-creation based on the cover of the fifth issue of his celebrated Silver Age series. Comolo has developed a large fan following for his intricately detailed commissions of Marvel and DC heroes and villains. This piece has an image area of approximately 11.5" x 16.5" and the art has been matted to an overall size of 17.5" x 22.5". This piece is in Excellent condition.
Bud Counihan Betty Boop Daily Comic Strip Original Art dated 10-23-34 (King Features Syndicate, 1934). Boop-boop-a-doop -- Betty reveals her offbeat, unpredictable nature in this super-scarce Betty Boop daily. Jerry Weist, in his Comic Art Price Guide, Second Edition writes, "There are less than ten dailies known and few Sundays known to exist." This episode has an image area of approximately 19.75" x 4.75", and the art is in Excellent condition.
Johnny Craig Vault of Horror #28 Cover Original Art (EC, 1952). With an undeniable talent for creating scenes of spine-tingling terror, Johnny Craig was given the green light by Bill Gaines to create the covers for every issue of the Vault of Horror. "He did some of our best covers," Gaines recalled, "Including the infamous severed head cover, which may be the most famous cover ever in comics, and certainly the only one ever to be the focus of an inquiry before the United States Senate."
The image area of this blood-chilling classic measures 13" x 18.5", and it has been matted and framed to an overall size of 17.5" x 23". The art is in Excellent condition.
The image area of this blood-chilling classic measures 13" x 18.5", and it has been matted and framed to an overall size of 17.5" x 23". The art is in Excellent condition.
Johnny Craig Vault of Horror #36 "Twin Bill" Splash Page 1 Original Art (EC, 1954). EC yelp-yarn fan-addicts, to quote the Vault Keeper himself, this crisply inked Craig splash is "reeking with fear, oozing with suspense, crammed with tension, and overflowing with mood, atmosphere, and sheer terror." The portrait of the Vault Keeper is original art and not a stat. This page has an image area of 13" x 18", and it has been matted and framed to an overall size of 22.5" x 27.5". The art is in Excellent condition.
Reed Crandall Modern Comics #77 Blackhawk Cover Original Art (Quality, 1948). In the early forties Crandall's published work for the Eisner and Iger shop so impressed Quality Comics publisher Everett "Busy" Arnold, he persuaded the powers-that-be at that shop to allow Crandall to work exclusively on his own titles. Arnold, who had already hired such legendary cartoonists as Will Eisner, Jack Cole, and Lou Fine, was absolutely smitten by the talent of this newcomer. "I always thought my artists over the years were the finest in the business," Arnold once remarked, "And I rate Crandall as the best man I ever had." With work like this piece, it's easy to see why he felt that way. This fantastic cover, "Blackhawk Battles the Beast Men" is now offered in the marketplace for the first time. The vintage art board of this cover was cut above the image area during the production process at Quality Comics, perhaps in order to reuse the title logo. This missing piece has been replaced using new board and a carefully color-matched replacement logo; otherwise, the art is in Excellent condition. This page has an overall size of 15" x 19.5".
Reed Crandall Modern Comics #78 Blackhawk Cover Original Art (Quality, 1948). For Quality Comics, Crandall first drew the adventures of the Ray, Dollman, Hercules, and Firebrand. His lasting fame among comic book fans came when publisher Busy Arnold turned over the Blackhawk features to the talented draftsman. Although originally created by Will Eisner and Chuck Cuidera, Crandall's Blackhawk was hailed by fans as a masterwork. In his Steranko History of Comics 2, Jim Steranko called the run, "A classic, a work of major importance, and lasting value." Steranko has described Crandall's art in glowing terms as, "unmistakable, distinguished by its unerring accuracy and naturalness. The history of comics has yet to produce another giant like him." This is a gorgeous Golden Age "good girl" cover, sure to please any fan of the genre. The vintage art board of this cover was cut above the image area during the production process at Quality Comics, perhaps in order to reuse the title logo. This missing piece has been replaced using new board and a carefully color-matched replacement logo; otherwise, the art is in Excellent condition. This page has an overall size of 15" x 19.5".
Reed Crandall Modern Comics #79 Blackhawk Cover Original Art (Quality, 1948). Blackhawk required Crandall to draw more than convincing scenes of planes, tanks, and weapons. He also had to construct dynamic, multiple figure compositions, and pit his heroes against compelling weird menaces. Influenced by such titans of illustration as Howard Pyle, N. C. Wyeth, and James Montgomery Flagg, Crandall's work was amazingly realistic, leaning more toward classic book and magazine illustration than comic book cartooning. According to one of his fellow artists, "Reed was a real problem for the shops. His stuff was so great, every time he came into work we all stopped to look at his stuff." To keep their overall productivity high, publishers soon learned to request that Crandall work at home rather than in their bullpens. This Golden Age showstopper is fresh to the art market, so collector interest is sure to be keen. The vintage art board of this cover was cut above the image area during the production process at Quality Comics, perhaps in order to reuse the title logo. This missing piece has been replaced using new board and a carefully color-matched replacement logo; otherwise, the art is in Excellent condition. This page has an overall size of 15" x 19.5".
Alan Davis Batman and the Outsiders #22 Cover Original Art (DC, 1985). This issue of Batman and the Outsiders concluded Halo's origin and brought the top-notch Davis on as artist. The image of Halo has been photocopied onto a separate acetate overlay (not original art). The image area of this cover is 10" x 15", and its condition is Excellent.
Jack Davis 1977 Battle for the Lombardi Trophy Illustration Original Art (NFL Properties, c. 1978). When it comes to sports cartoon illustrations, Jack Davis is a world champion. No matter which AFC team you follow, your favorite is here! This ink and watercolor masterwork has an image area of 18" x 22". The piece has been matted and framed to an overall size of 23" x 27", and the art is in Excellent condition.
Jack Davis 1980 Battle for the Lombardi Trophy Illustration Original Art (NFL Properties, c. 1980). While the Philadelphia Eagles seem to have the inside track for the trophy in this rough and tumble Davis illustration, it was the Oakland Raiders who ended up winning Superbowl XV. This ink and watercolor laugh-riot has an overall size of 15.5" x 20", and the art is in Excellent condition.
Jack Davis Open Try-Outs for Kickers Illustration Original Art (NFL Properties, undated). "This foot for hire" reads the helmet of a "wannabe" professional football kicker in this uproarious Davis cartoon. This ink and watercolor drawing has an overall size of 20" x 25", and aside from some foxing, the art is in Very Good condition.
Phil Davis Mandrake the Magician Sunday Comic Strip Original Art dated 10-18-36 (King Features Syndicate, 1936). What action hero stakes a claim as the first costumed, superpowered force for justice on the comics page? It's not Superman. Mandrake the Magician began his crimebusting career a full four years before the Man of Steel. Created by 19-year-old Lee Falk (who also created The Phantom), it took ten years for Mandrake to find a home with King Features Syndicate. Falk hired Davis, a commercial artist, to draw the feature, and history was made. This early episode, a superb example of Davis' art deco stylings and drybrush technique, has an image area of approximately 13.75" x 21.25", and the art is in Excellent condition.
Billy DeBeck Barney Google and Snuffy Smith Daily Comic Strip Original Art dated 1-26-31 (King Features Syndicate, 1931). Barney Google stars in panel one of this expressively drawn episode. The breezy inking style of Billy DeBeck is a delight to behold. The image area of this daily measures approximately 17.75" x 4.5", and the art is in Excellent condition.
Billy DeBeck Barney Google and Snuffy Smith Hand Colored Sunday Comic Strip Original Art dated 12-14-41 (King Features Syndicate, 1941). Snuffy Smith stars in this handsomely hand colored episode, set in the World War II-era. This superb piece has an image area of 17" x 11" and it has been matted and framed to an overall size of 22" x 16". The art is in Excellent condition.
Steve Ditko Tales of Suspense #35 page 5 Original Art (Marvel, 1962). The Great Cozo falls victim to an ironic twist of fate in this delightful Ditko page from "Never Threaten a Witchman." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko Strange Tales #125 Doctor Strange vs. Baron Mordo page 8 Original Art (Marvel, 1964).
Doctor Strange pages rarely turn up in the marketplace and these dazzling delineations by Ditko make this Silver Age page a Marvel masterpiece - each panel is filled with magical mayhem. There are two stained areas on the art: one between the top two panels, and another on the bottom middle panel; otherwise, the art is in Very Good condition.
Doctor Strange pages rarely turn up in the marketplace and these dazzling delineations by Ditko make this Silver Age page a Marvel masterpiece - each panel is filled with magical mayhem. There are two stained areas on the art: one between the top two panels, and another on the bottom middle panel; otherwise, the art is in Very Good condition.
Steve Ditko Amazing Spider-Man #22 page 9 Original Art (Marvel, 1965).
After their big heist, the Ringmaster's crime troupe is now operating solo, and while the master hypnotist plots his revenge, a certain wall-crawler pays him a visit, in this mesmerizing page. Our hat's off to Ditko, who conjured up another dazzling Silver Age masterpiece, in this page from the story, "The Clown and His Masters of Menace." The image area of this page is 12.5" x 18.5", and aside from a few small tears in the right border, the condition is Excellent.
After their big heist, the Ringmaster's crime troupe is now operating solo, and while the master hypnotist plots his revenge, a certain wall-crawler pays him a visit, in this mesmerizing page. Our hat's off to Ditko, who conjured up another dazzling Silver Age masterpiece, in this page from the story, "The Clown and His Masters of Menace." The image area of this page is 12.5" x 18.5", and aside from a few small tears in the right border, the condition is Excellent.
Steve Ditko The Amazing Spider-Man #36 page 17 Original Art (Marvel, 1966). This action-packed page from Ditko's third-from-the-last Spider-Man story spotlights our favorite wall-crawler in hot pursuit of the larcenous Looter. Sturdy Steve rendered this ultra-classic page with his usual dynamic flair and pulse-pounding storytelling. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Joe Doolin Rangers Comics #1 Complete 12-page Rangers of Freedom Story Original Art (Fiction House, 1941). The Rangers of Freedom - Biff Barkley, Tex Russell, and Percy Cabot - battle the menace of the Super-Brain in this yarn from the premiere issue of Rangers Comics #1. Doolin succeeded Dan Zolnerowich as the main cover artist at Fiction House, and he was responsible for some of the most memorable space "good girl" covers of the Golden Age. Each page of this Golden Age extravaganza has an image area of 13" x 18", and the pages average Excellent condition.
Mort Drucker Mad #303 Cover Original Art (EC, 1991). Macaulay Culkin spots something even worse than being "Home Alone" with Joe Pesci - namely, Alfred E. Neuman! Mort Drucker does it again with this funny mixed-media painting, for Mad's take on the classic movie, titled "Home A-Groan." Wild! This piece has an image area of 16' X 23.5", and is in Excellent condition.
Bill Everett Tales to Astonish #87 Sub-Mariner page 9 Original Art (Marvel, 1967). This hard-hitting "twice-up" page showcasing the Sub-Mariner, was created by the best artist to ever draw him, his creator, Bill Everett. Krang co-stars. The image area of this Silver Age spectacular is 12.5" x 18.5", and the art is in Excellent condition.
Hal Foster Partial Tarzan Sunday Comic Strip #55 Earliest Example Known to Exist Original Art dated 3-27-32 (United Features Syndicate, 1932). Feast your eyes on the earliest Foster Tarzan Sunday known to exist. Foster took over the Sunday from Rex Maxon in September of 1931, and this bottom half of Sunday #55 features the pioneering Foster hallmarks that have inspired generations of cartoonists and fans alike - superbly staged jungle action, powerful panel compositions, and stark, dramatic lighting, infused with a romantic atmosphere. This historic half-page has an image area of 19.25" x 11". The paper has been mounted to a cardboard backing board which has bowed slightly: otherwise, the art is in Excellent condition.
Hal Foster Tarzan Sunday Comic Strip Original Art dated 4-2-33 (United Features Syndicate, 1933). From early on in Hal Foster's run on Tarzan, this electrifying episode showcases fast and furious jungle action. Although for some collectors, Foster's later work would take on a more sophisticated and formal quality, there is a vitality and directness in these thrilling scenes that is unbeatable. Titled "The Woman and the Ape," this spectacular Sunday has an image area of 20" x 26.5", and the piece has been professionally restored to Very Good condition.
Hal Foster Tarzan Sunday Comic Strip #315 Original Art dated 3-21-37 (United Features Syndicate, 1937). This classically composed episode is a terrific example of Hal Foster's later work on the feature with his fully developed, mature style. This strip titled "A Hero Dies" was done just two months before Foster went on to create his own classic character, Prince Valiant. This Sunday has an image area of approximately 19.5" x 26.5". The piece was cut between panel tiers three and four, the title logo stat is a replacement from the later Burne Hogarth period, and there is some overall paper aging; otherwise, the art is in Very Good condition.
Hal Foster Prince Valiant Sunday Comic Strip Panel Original Art (King Features Syndicate, 1942). When Foster received a letter from a fan, he often cut a panel from a recently published strip and enclosed it with his reply. Measuring approximately 8.75" x 10.5" overall, this piece was originally inscribed, "To Carl Robie, with best wishes, Hal Foster". The signature and inscription faded over time, and someone rewrote the inscription over the original. It appears that the original inscription and signature are authentic Foster, while the the strengthening overwriting was most likely done by another hand.
Hal Foster Prince Valiant Sunday #860 Comic Strip Original Art dated 8-2-53 (King Features Syndicate, 1953). Prince Valiant is on a diplomatic mission to seek peace with Rory McColm, King of all Kings of Ireland, and this episode spotlights his first look at the King. The fine draftsmanship and brushwork in each panel is awe-inspiring. This Sunday was drawn by Hal Foster, at a time when he was at the height of his powers, and the composition of each panel is worthy of the designs of the Old Masters. The page was drawn on two pieces of paper that have a combined image area of 22.5" x 34". Aside from some glue staining in the logo and captions, the art is in Very Good condition.
Frank Frazetta A Caveman Carrying a Woman Away Drawing Original Art (c. 1976). When it comes to drawing scenes of raw, primitive love, few if any artists can match the master, Frank Frazetta! This spirited ink drawing was sold through Russ Cochran's Graphic Gallery #9, and has been off the market until now. This piece has an image area of 6.25" x 5". The piece has been matted and framed to an overall size of 14.5" x 12.5", and the art is in Excellent condition.
Frank Frazetta Warrior With a Spear Drawing Original Art (undated). This wonderful ink drawing has an overall size of 9" x 12". The page shows some mild color change where an overmat was, and there is a tape transfer stain at the top-center of the page (outside the image area); otherwise, the art is in Excellent condition.
Frank Frazetta Savage With a Knife Drawing Original Art (undated).
The living legend of fantasy art has rendered this fearsome figure study on a page with an overall size of 9" x 12". This page has four small tape transfer stains (three at the top and one at the bottom edges of the page) outside the image area; otherwise, the art is in Excellent condition.
The living legend of fantasy art has rendered this fearsome figure study on a page with an overall size of 9" x 12". This page has four small tape transfer stains (three at the top and one at the bottom edges of the page) outside the image area; otherwise, the art is in Excellent condition.
Frank Frazetta Tarzan Pencil Drawing Original Art (undated). The intensity and attitude of the dynamic stance taken by Tarzan bring this drawing alive. Tarzan stands ready to survive another dangerous jungle battle. His legs seem to blend into the tree branch so that Tarzan and the power of nature become one. This specific Frank Frazetta "Tarzan" graphite illustration is featured on page 112 of Rough Work: Concept Art, Doodles, and Sketchbook Drawings by Frank Frazetta. This piece has an overall size of 12" x 16", and the art is in Excellent condition.
Frank Frazetta and Al Williamson John Wayne Adventure Comics #8 page 9 Original Art (Toby, 1950). Williamson, Frazetta, and a band of their artist friends and peers worked and played together as young cartoonists back in the fabulous fifties. Most likely, Williamson penciled this page from "The Ugly Duckling Bandit," while Frazetta inked it. This page has image area is 12" x 18". Aside from a glue stain in a lettering correction in panel one, the art is in Excellent condition.
Frank Frazetta Hand Colored/Remarqued/Signed Buck Rogers Famous Funnies Print #34/50 (Russ Cochran, 1972). This is an outstanding offering on many levels - first, the subject has mass appeal and notoriety, secondly, Frazetta is considered by many to be the greatest artist who ever worked in comic books, and best of all, this piece represents what is perhaps the quintessential Frazetta comic book cover, from Weird Science-Fantasy #29. This scene was original drawn as a cover for Famous Funnies, but it was rejected for its overt violence. The scene is extremely well executed, bright, bold, and evocative. A very small edition, the intention was to publish 50 pieces, but Frazetta only ever finished 40, making the edition even a bit more exclusive. The artist's hand is evident throughout the piece in the beautiful and intricate hand coloring. It is hand signed, dated, and numbered by Frazetta, with a beautiful 2" x 3" ink sketch of a female nude, remarqued in the lower right corner. The print's main image area is approximately 13" x 17", and the piece has been matted and framed to an overall size of 21.5" x 27.5". This piece is in Excellent condition.
Paul Fung Sr. Dumb Dora Hand Colored Sunday Comic Strip Original Art dated 6-5-32 (King Features Syndicate, 1932). Hand colored Sundays are a special treat for original art collectors and this one is a peach. The image area of this episode is 16.75" x 13.25", and it has been matted and framed to an overall size of 25" x 21.5". The art was cut between panel tiers two and three, and then carefully rejoined; otherwise, it is in Excellent condition.
Manny Galan and Scott Koblish The Original Ghost Rider #17 Cover Original Art (Marvel, 1993). This supernatural showdown scene, created for a reprint of Ghost Rider #9, has an image area of 9.75" x 15". The title logo is mounted on an acetate overlay, and the art is in Excellent condition.
Floyd Gottfredson Mickey Mouse Sunday Comic Strip Original Art dated 4-29-34 (Walt Disney Enterprises, 1934). Mickey and Minnie actually get married in this incredible Sunday! Well, sort of, anyway - babysitter Mickey tells his young audience a fanciful fairy tale which features a fantasy wedding scene between the two pie-eyed paramours. This particular week's installment was the last of the fabled "Rumplewatt the Giant" storyline, in which the rescued Butterfly Princess is revealed to be none other than Minnie, who then grants her hand in marriage to the brave little mouse. You couldn't ask for a better example of early Gottfredson art, and seeing Mickey and Minnie walk down the aisle is a special treat. The art has an image area of approximately 28" x 22.5", and is framed to an overall size of 37.5" x 32"; an old crease down the middle of the art has been lightly touched up with white, and the top half has been carefully rejoined to the bottom; otherwise, it appears in Excellent condition.
Floyd Gottfredson Mickey Mouse Daily Comic Strip Original Art dated 1-14-36 (Walt Disney Enterprises, 1936). Horace Horsecollar gets a mighty laugh at Mickey's expense in this daily, which includes an appearance by Oscar the Ostrich. It's a funny early strip, featuring Gottfredson's classic "pie-eyed" Mickey. The art is ink and blue pencil on board, with an image area of 26.5" x 5.5"; the strip has been matted and framed to an overall size of 34.5" x 14.5", and it is in Excellent condition.
Chester Gould Dick Tracy Sunday Comic Strip Original Art dated 6-23-40 (Chicago Tribune, 1940). Mama escapes and seeks a terrible revenge on Jerome Trohs in this episode. The forties featured many of Dick Tracy's greatest villains and original Tracy pages from this era are among the hardest to find. They are also avidly sought-after by collectors. This Sunday has an image area measuring approximately 27" x 17.5", and the piece has been matted to an overall size of 33" x 24". Each of the panels were cut and repositioned into larger panels, with added art filling the larger panel area; otherwise, the art is in Excellent condition.
Chester Gould Dick Tracy Sunday Comic Strip dated 11-9-47 (Chicago Tribune, 1947). Mumbles finds an interesting way to get the upper hand on Tracy in this sharp Sunday - what's his game? Gould's villains make Dick Tracy one of the most popular strips of all time, and this example hits a high note. Like most Tracy Sundays, each panel has been cut from another board and pasted in place, with some panels slightly extended. This piece has an image size of 27" x 18" and is in Very Good condition.
Vernon Greene First The Shadow Daily #A-1 Comic Strip Original Art (The Ledger Syndicate, c. 1938). "Who knows what evil lurks in the hearts of men? The Shadow knows!" Those words chilled radio audiences in the 1930s, as they listened to the exploits of "the mysterious Shadow, weird fighter against crime, who possessed the ability to cloud men's minds so they could not see him." A smash in the pulps, and a hit on the radio, the Shadow also had a brief run in the newspapers, starring in his own strip from 1938 through 1942. This daily, numbered A-1 is believed to be the very first episode of The Shadow comic strip. This landmark strip has an image area of 25" x 5.5" and the art is in Excellent condition.
Vernon Greene The Shadow Comics V1 #9 Cover Original Art (Street and Smith, 1941). The Master of Darkness, the Shadow, stamps out the weed of crime in this cliff-hanging cover for "The Mystery of the Sealed Box." Meanwhile, the Hooded Wasp and Wasplet swing in for a cameo in the lower right corner of this Golden Age spectacular. This thriller has an image area of 11.5" x 16.5", and the art is in Excellent condition.
Fred Guardineer Adventure Comics #45 Cover with a Sandman Cameo Portrait Original Art (DC, 1939). Golden Age DC superhero fans kindly note that this cover features an exciting "art extra" - the Sandman cameos in a small, pasted-on original drawing, up in the title logo! This Sandman portrait was most likely drawn by DC staff artist, Creig Flessel. This slam-bang cover hails from late 1939, and it's only the second DC cover we have offered of such an early vintage. Fred Guardineer, a 20 year veteran of comics, delineated the covers of many early DC titles, and with his clean, crisp approach, he brought a burst of adrenaline-pumping drama to this dire soldier-of-fortune battle scene. This cover has an overall size of 13" x 18". The issue number and date type elements are missing from the top of the cover; otherwise, the art is in Excellent condition.
Paul Gulacy and Jimmy Palmiotti Batman: Legends of the Dark Knight #141 Cover Original Art (DC, 2001). Batman tangles with the Scarecrow in Hugo Strange's castle in this fiery cover illustration. The art has an image area measuring 10" x 15" and the condition is Excellent.
Don Heck Tales to Astonish #47 Ant-Man Splash Page 1 Original Art (Marvel, 1963). In this offbeat tale, Trago the jazz trumpeter sounds a mind-numbing note for Ant-Man and the Wasp - wild and wacky stuff. The image area of this splash is 12.5" x 18.5", and the art is in Excellent condition.
Don Heck Tales of Suspense #55 Iron Man vs. Mandarin page 10 Original Art (Marvel, 1964). Don Heck's Iron Man art was tops among many a Silver Age Marvel reader. Any Iron Man fan would be hard pressed to find a more action-filled transistor-powered thriller than this page from "No One Escapes the Mandarin." The page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Don Heck and George Roussos (as George Bell) The Avengers Annual #1 page 30 Original Art (Marvel, 1967). The Living Laser makes a spectacle of himself (at the behest of the Mandarin) while Thor and Hawkeye prepare to take him on. This sensational Silver Age chapter splash has an image area of 12.5" x 19.5". The lower right corner has a lightened glue stain and the page has been cleaned; otherwise, it is in Very Good condition.
Don Heck and Tony DeZuniga Ghost Rider #25 page 31 Original Art (Marvel, 1973). Ghost Rider gives Malice a taste of Hell, in this final page from the story "Menace Is a Man Called Malice!" The art has an image area of 10" x 15", and aside from some tape residue at the upper and lower edges, the condition is Very Good.
Jaime Hernandez Love and Rockets #30 "Ninety-Three Million Miles From the Sun" Splash Page 2 Original Art (1989). Love and Rockets' Penny Century looks cute in anything she throws on - even a straitjacket. This splash page from the "Flies on the Ceiling" storyline has an image area of 10" x 13", and the art is in Excellent condition.
Al Hirschfeld Carl Barks Caricature Illustration Original Art (1999). Two legendary masters of pen-and-ink meet in this rarely seen caricature of Carl Barks, the celebrated "good duck artist," by the master of the fine-line portrait, Al Hirschfeld. Hirschfeld drew some of the country's most famous caricatures over three-fourths of a century, including Broadway and Hollywood stars, politicians and world leaders, and his original drawings command big prices whenever they make their way to the marketplace. The then 96-year-old legend depicted a 99 year-old legend, Carl Barks, shown sketching Donald Duck and his three nephews. The ink on board piece has an image area of 15" x 15", and has been matted and framed to an overall size of 20.5" x 28". From the Estate of Bruce Hamilton.
Bill Hughes Vampirella #2 Cover Preliminary Original Art (Warren, 1969). Meet Evilly, Vampirella's wild, weird witch cousin in this deadly color cover preliminary by Bill Hughes to Vampi's second issue ever! Framed and matted to an image area measuring 9.5" x 12", this work is in Excellent condition. Includes a copy of Vampirella #2.
Adam Hughes He-Man and Sorceress Art Card Original Art (BCI Eclipse, 1995). Sorceress steps into her guise as Zoar, while He-Man looks on in this magnificent illustration for an art card which was included in the The Best of He-Man and the Masters of the Universe: Top 10 Collector's Edition DVD set. The art has an image area of 13" x 18" and it is in Excellent condition. Includes a color print of the art card image measuring 13" x 19".
Jeff Jones The Kiss Painting Original Art (undated). Modern fantasy art master Jones has produced superb work for many publications, from paperback novels to his pieces for National Lampoon magazine. This evocative and erotic image is painted in oil on canvas, and has an image area of 18.5" x 23". The piece has been framed to an overall size of 26.5" x 30", and the art has been restored to Excellent condition.
Dan Jurgens and Bob McLeod Action Comics #669 Cover Original Art (DC, 1991). The Man of Steel has Thorn in his sights in this moody cover illustration penciled by Dan Jurgens and inked by Bob McLeod. The image area measures 10" x 15" and the art is in Excellent condition. Includes the logo and masthead paste-up art on an acetate overlay. Signed by Bob McLeod at the lower right.
Michael Kaluta and Russ Heath The Shadow: Hitler's Astrologer page 58 Original Art (Marvel, 1988). "Who knows what evil lurks in the hearts of Nazis? -- the Shadow knows." This spellbinding page spotlights superb line art by two masters of the pencil, pen, and brush set, Kaluta and Heath. This piece has an image area of 11" x 15", and it is in Excellent condition.
Gil Kane and Joe Giella Green Lantern #24 page 9 Original Art (DC, 1963). This outstanding page, drawn by two of DC editor Julie Schwartz's best artists, features peerless power ring action in almost every panel. This Silver Age sensation from "The Green Lantern Disasters" has an image area of 13" x 18". Aside from some mild paper aging and a trimmed upper border, this DC masterpiece is in Very Good condition.
Gil Kane and Frank Giacoia Marvel Team-Up #5 Spider-Man and the Vision Cover Original Art (Marvel, 1972). Face Front! This power-packed Kane scene for the yarn "A Passion of the Mind" has an image area of 10" x 15". Aside from some production process stains, the art is in Excellent condition.
Gil Kane and Tom Palmer Tomb of Dracula #5 Cover Original Art (Marvel, 1972). Cornered at the entrance to his castle by a mob of angry villagers, Dracula keeps his cool in this dynamic delineation by Gil Kane, with inks by Tom Palmer. The art has been cut and mounted onto a larger sheet of bristol paper, and includes the original logo and masthead paste-up art. The image area measures 10" x 15" and, aside from some printer's oil stains along the edges, and light soiling, the art is in Very Good condition.
Gil Kane and Frank Giacoia Marvel Team-Up #6 Cover Original Art (Marvel, 1973). Spidey and Ben Grimm are put through deadly paces by two villains bent on their destruction - the Mad Thinker and Puppet Master - in this exceptional cover from 1973. The art has an image area of 10" x 15" and it includes the original logo and masthead paste-up art. Aside from some printer's oil stains along the edges (mostly outside of the image area), and some light soiling, the art is in Very Good condition.
Gil Kane and Frank Giacoia Thor #212 Cover Original Art (Marvel, 1973). Odin bound - and sold into slavery? Inconceivable - and yet, Kane and Giacoia's cover for "The Secret of Sssthgar" is nothing less than another triumph for mighty Marvel. This piece has an image area 10" x 15", and the art is in Excellent condition.
Gil Kane, Rich Buckler, and Frank Giacoia Fantastic Four #153 Cover Original Art (Marvel, 1974). The Fantastic Four can't stop Mahkizmo, the Nuclear Man from exploding - and when Mahkizmo dies, a universe dies with him. You'd be hard-pressed to find a more power-packed Bronze Age cover portrait of the FF than this Kane showstopper. This scintillating scene has an image area of 11" x 15.5". The title logo is a replacement, the word balloon, story title, and a caption are missing, and there are a few small glue stains; otherwise, this cover is in Very Good condition.
Gil Kane and Frank Giacoia Man Thing #21 Cover Original Art (Marvel, 1975). "A city trembles in mortal fear - for there's a lunatic on every corner - and there's a Scavenger right in their midst." Gil Kane presents a senses-shattering slugfest between the Man-Thing and the life-draining mutant known as Scavenger. This Bronze Age blockbuster has an image area of 9.75" x 15". A circular caption is missing from the lower left corner, and there is some glue staining; otherwise, this cover is in Very Good condition.
Gil Kane and Dan Adkins Conan #66 Cover Original Art (Marvel, 1976). The wrath - the revenge of Dagon, God of Death - it's a barbaric battle as only Kane could draw it. This Bronze Age masterwork has an image area of 10" x 15", and it has been matted and framed alongside a copy of the comic book to an overall size of 24.5" x 22". The art is in Excellent condition.
Gil Kane and Mike Esposito Iron Man #84 Cover Original Art (Marvel, 1976). The furious, fearsome Freak seems to have the upper hand in this savage sewer scene. This cover for "Night of the Walking Bomb" has an image area of 10" x 15". Aside from a few light glue stains, and a paper pull on the caption box at the upper right, the art is in Very Good condition.
Gil Kane and Pablo Marcos Conan the Barbarian #70 Cover Original Art (Marvel, 1977). "Swords, sorcery, and savagery in a time gone mad." Beautiful Bêlit slings a blade alongside Conan in this bloody cover scene for "The City in the Storm." This sword and sandal sensation has an image area of 9.75" x 15". A caption box at the upper right is missing, there are a few stains, and a few pieces of vintage production tape used to hold down type elements; otherwise, the art is in Very Good condition.
Gil Kane Tales of the Green Lantern Corps Annual #2 Unused Cover/Pin Up Page Original Art (DC, 1986). As the caption on this piece explains, this was slated to be the cover for the TOTGLC Annual, but since so many of the Corps members had died or had costume changes, DC had Joe Staton redraw and update the scene for the final printed cover. This superb Kane image then saw print as a "bonus pin-up" in the same issue. This page has an image area of 10" x 15", and the art is in Excellent condition.
Ken Kelly Dungeon of Death Conan Painting Original Art (1993). Caught in another near-impossible situation, Conan faces death from all sides! Will the snarling lizard get him first, or the evil sorcerer and his minions, coming through the doorway? Painted by Ken Kelly, this tableau depicts a fateful moment in the life of everyone's favorite Cimmerian. World-renowned for his book and album covers, Kelly is a painter whose work is the pride of many private and public collections. This sword and sorcery sensation measures 24" x 41" overall, and aside from some edge and corner wear, the art is in Very Good condition.
Ken Kelly Vampirella Painting Original Art (2003). The Darling of Drakulon finds herself bound in a dark, dank dungeon in this perilous painting by former Warren Publishing cover artist Ken Kelly. This pulchritudinous oil on board piece has an image area of 11.5" x 17.5", and it has been matted to an overall size of 18" x 24". The art is in Excellent condition.
Walt Kelly Walt Disney's Comics and Stories #45 Cover Original Art (Dell, 1944). This incredible cover, starring Donald Duck, Snow White's Doc, and Dopey, has been a fan-favorite for years. This is an unusually sharp and detailed piece for a typical Kelly cover (who began his run of WDC&S covers with #34), but on close inspection, the tell-tale signs of his work are evident in the inking, notably in the furniture shading and window grating.
Finding such an early piece of Disney cover art, let alone a Walt Kelly masterpiece, is astounding in itself, as Western Printing (Dell) was notorious for destroying artwork after publication.
The ink, graphite, and blue pencil on bristol artwork has an image area of approximately 14" x 19", and the logo stats are all original. The overall condition of the cover is Very Good, with only a few small stains, light soiling, and a few tiny red ink marks; still, this is a beautiful piece of comic art that would easily be the highlight of just about any Disney or Kelly collection.
Finding such an early piece of Disney cover art, let alone a Walt Kelly masterpiece, is astounding in itself, as Western Printing (Dell) was notorious for destroying artwork after publication.
The ink, graphite, and blue pencil on bristol artwork has an image area of approximately 14" x 19", and the logo stats are all original. The overall condition of the cover is Very Good, with only a few small stains, light soiling, and a few tiny red ink marks; still, this is a beautiful piece of comic art that would easily be the highlight of just about any Disney or Kelly collection.
Walt Kelly Pogo Sunday Comic Strip Original Art dated 3-28-54 (Post Hall Syndicate, 1954). Howland Owl's latest scheme involves managing the next heavyweight champ - namely, Churchy. Prime Pogo art from the King of the swamp-critter comics, Walt Kelly. Ink and blue pencil on bristol, with an image area is approximately 23.5" x 16". Excellent condition.
Walt Kelly Pogo Sunday Comic Strip Original Art 12-28-69 (Hall Syndicate, 1969). Albert and Beauregard mix it up in this hilarious New Year's resolution episode, and this strip also features a few bars of the beloved song, "Deck Us All With Boston Charlie." This Sunday has an image area of 23.5" x 16", and the art is in Excellent condition.
Everett Raymond Kinstler Jesse James #4 Inside Front Cover Illustration Original Art (Avon, 1951). The bandit chieftain of the wild West stars in three fast-shooting panels. This page was showcased on page 64 of Everett Raymond Kinstler The Artist's Journey Through Popular Culture 1942-1962. Some lettering corrections have slipped off the board, a piece is out of the upper left margin, and there is some edge and corner wear; otherwise, the art is in Good condition.
Everett Raymond Kinstler Prison Break #2 Inside Front Cover Illustration Original Art (Avon, 1951). This crime spree was spotlighted on page 91 of Everett Raymond Kinstler The Artist's Journey Through Popular Culture 1942-1962. There are numerous tears at the bottom of the page and corner wear; otherwise, the art is in Good condition.
Everett Raymond Kinstler The Savage Raids of Chief Geronimo #4 Inside Front Cover Illustration Original Art (Avon, 1952). Kinstler's inspired pen work is showcased to its full effect in this wonderful page about Chief Geronimo. This piece was spotlighted on page 67 of Everett Raymond Kinstler The Artist's Journey Through Popular Culture 1942-1962. There is some edge and corner wear and some creasing; otherwise, the art is in Very Good condition.
Everett Raymond Kinstler U.S. Tank Commandos #3 Inside Front Cover Illustration Original Art (Avon, 1952). Kinstler paid homage to illustrator Dean Cornwell in panel two of this blazing battlefield blockbuster. This piece was featured on page 70 of Everett Raymond Kinstler The Artist's Journey Through Popular Culture 1942-1962. A lettering correction in the title has slipped off the board and there is some edge and corner wear; otherwise, the art is in Very Good condition.
Jack Kirby and Dick Ayers Strange Tales #78 Complete 7-page Story "A Martian Walks Among Us" Original Art (Marvel, 1960). The Marvel all-star team of Lee, Kirby, and Ayers present another masterpiece of offbeat fantasy in this hair-raising seven-pager. Each page of this sci-fi showstopper has an image area of 12.5" x 18.5", and aside from two tape residue stains (on pages 5 and 7), the pages average Excellent condition.
Jack Kirby and Sol Brodsky Fantastic Four #3 Chapter III Title Page 11 Original Art (Marvel, 1962). In these memorable scenes from the dawn of the Marvel Age of Heroes, the Thing tore off his brand-spanking new FF costume and helmet - the "monkey suit" lasted all of two panels and helped define the Thing's irascible, loner nature. As an "art bonus" there is a rough pencil layout on the back of the page, something we've never seen before on a Kirby page - it may have been drawn by someone else. This is the earliest piece of Fantastic Four art we've offered to date, and this Silver Age spectacular has an image area of 12.5" x 18.5". The art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Beast Training Lesson page 3 Original Art (Marvel, 1963). From the boisterous bullpen of the House of Ideas comes this historic milestone of X-Men art - the readers' very first look at one of Professor X's rigorous training lessons at his school for "talented" students. Hank McCoy, the Beast, is put through his paces and demonstrates his uncanny athleticism. This Silver Age spectacular has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Angel Training Lesson page 4 Original Art (Marvel, 1963). With this pulse-pounding premiere, created by Stan Lee and Jack Kirby, two of the most legendary talents in all of comicdom, popular culture rocketed into the Marvel Age. Prepare to have your spirits soar, as this mighty Marvel milestone spotlights high-flying Kirby action all the way - it's nothing less than a treasured piece of comics history from a landmark origin tale. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Iceman Training Lesson page 5 Original Art (Marvel, 1963). Face Front, True Believers, with this offbeat "ice-capade" from the first issue of the X-Men. This Silver Age showpiece spotlights Bobby Drake, aka Ice Man, as his teen-aged reflexes are put to the test in a deadly training session, filled with star-studded mutant hijinks. This historic page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman X-Men #1 Magneto page 14 Original Art (Marvel, 1963). The supreme confidence of Magneto, as he struts into a military missile base, is palpable in this awesome page from the evil mutant's landmark first appearance. Only Jack "King" Kirby could create earth-shaking drama like this. This Silver Age masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Chic Stone Fantastic Four Annual #2 Molecule Man Pin Up Page Original Art (Marvel, 1964). "Twice-up" pin up pages from the early FF annuals are always highly sought after by Kirby collectors, and this is a first-rate example. Enhanced with the bold ink lines of Stone, this Marvel masterwork is a prime portrait of one of the "King's" most electrifying villains. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Steve Ditko Amazing Spider-Man #8 Splash Page 1 "Spider-Man Tackles the Torch" Original Art (Marvel, 1964). Let the trumpets blare, and the banners wave. Here's your chance to win a magnificent moment in Marvel lore. In this masterpiece, a spiteful Spider-Man drops in to date Dorrie Evans, the Human Torch's high school sweetheart. This early crossover tale spotlighted an all-star team-up - not just webhead and hothead, but also three of the House of Ideas' most important architects, Stan "The Man" Lee, Jack "King" Kirby and "Sturdy" Steve Ditko. Throw a 1963 Sting Ray into the scene and - this splash is a swinging' sixties sensation. 'Nuff said. The page has an image area of 12" x 18", and the art is in Excellent condition.
Jack Kirby and Chic Stone Journey Into Mystery #112 Thor page 3 Original Art (Marvel, 1965). Face front! The all-out battle royale between the Sub-Mariner, the Hulk, and the Avengers from Avengers #3, is recounted in these slam-bang scenes drawn by the "King." This superb page from "The Mighty Thor Battles the Incredible Hulk" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby, Dick Ayers, and Chic Stone Sgt. Fury #18 Death of Pamela Hawley Splash page 1 Original Art (Marvel, 1965). Although the credits box on this splash credit only Ayers and Stone for the art, it's quite obvious that Jack Kirby was called upon to redraw the main figures of this scene. If you look closely to the left of Sgt. Fury's inked head, you can discern the erased pencils for the original pose as drawn by Ayers. In this key story, the Howlers faced tragedy again, as Sgt. Fury's girlfriend was fated to die in the tragic story, "Killed In Action." This splash has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott Tales of Suspense #94 Captain America and Modok page 10 Original Art (Marvel, 1967). Sinnott's polished inking combined with Kirby's dramatic storytelling brought the Silver Age Captain America feature to its highest heights of glory, and this action-packed page will look outstanding in any Marvelite's collection. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #145 Cover Original Art (Marvel,1967). From the heart of the Marvel Age of Heroes comes the storm-swept cover scene for "Abandoned on Earth," a mise-en-scène so different, so exciting, so imitably Kirby's own, it has to be seen in person in order to fully appreciate the cosmic drama. This "twice-up" cover has an image area of 13" x 20", and the piece has been matted and framed to an overall size of 20" x 27". Aside from some areas of heavy white-out, applied by Colletta, the art is in Very Good condition.
Jack Kirby and Frank Giacoia Tales of Suspense #86 Captain America page 5 Original Art (Marvel, 1967). Most Marvelites agree that "Fearless" Frank Giacoia's inimitable inks were among the best ever, over Kirby. Indeed, the "King" himself cited Giacoia as one of his favorite embellishers. Unfortunately, it seems Giacoia was a world-class procrastinator and he just didn't ink as many pages as his fans craved - so don't miss your chance to win this scarce Silver Age Cap page from "The Secret." The brush lines are polished, the figures sleek and pulsing with power, and the panels are packed with Kirby-tech machinery - in short, its a Marvel masterwork. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Syd Shores Captain America #100 Sub-Mariner page 2 Original Art (Marvel, 1968). This milestone moment from the landmark first issue of Captain America's Silver Age title spotlights a key scene in Cap's revival, and it features the Sub-Mariner. Face it, Marvelite - it's a "King" Kirby masterpiece. This page has an image area of 10" x 15". The page was creased horizontally through the bottom panel tier, there is a 2-inch horizontal tear at the top of the last panel, and a piece out of the lower right border; otherwise, the art is in Good condition.
Jack Kirby and Frank Giacoia Fantastic Four #93 Thing page 14 Original Art (Marvel, 1969). It's clobberin' time - only the ever-lovin blue-eyed Thing seems to be on the short end of the stick in this galactic gladiator page from "At the Mercy of Torgo." We couldn't ever forget this showdown in the distant Skrull galaxy. This sensational Kirby page (inked by the great Frank Giacoia, not Joe Sinnott as we originally listed) has an image area of 10" x 15", and aside from a few production process stains, the art is in Excellent condition.
Jack Kirby and Joe Sinnott Fantastic Four #92 Thing Cover Original Art (Marvel, 1969). Marvelites take note - this thriller is but the fourth Fantastic Four cover by Kirby and Sinnott we've offered to date. The fight news proclaims, "New battler imported for games." The latest and greatest galactic gladiator, Ben Grimm is about to be forced to fight the terrifying titan known as Torgo, and Ben's not one bit happy about the news. Sinnott added the perfect Silver Age sheen to this mighty Marvel spectacular. During his fifty-plus year career as a Marvel mainstay, Sinnott has been celebrated for his superb work on a host of titles, but it was with Kirby on the Fantastic Four that this hall-of-fame art team received its highest acclaim. This Silver Age spectacular has an approximate image area of 10" x 15". The portrait of the Thing (on the fight poster) was originally drawn smaller. During the production process, it was cut out and a stat was made to create an enlarged portrait for the poster. The original portrait drawing has since been saved, and mounted on a piece of acetate, and the art is in Excellent condition.
Jack Kirby and Frank Giacoia Marvel Treasury Edition #7 The Mighty Avengers Cover Original Art (Marvel, 1974). Marveldom Assembled, here is a Kirby classic, sure to warm the very cockles of your true believing hearts - the House of Ideas' mightiest heroes charging at you in a full-speed-ahead sprint as only the "King" could capture it. Add the polished inks of Giacoia, and this Bronze Age cover is nothing less than a no-holds-barred action extravaganza. This piece has an overall size of 11.5" x 17.5". The title logo is a replacement, mounted on an acetate overlay; otherwise, the art is in Excellent condition. Kirby signed the art at the lower center. Keep the faith, hang loose, and think Kirby.
Jack Kirby and Joe Sinnott Fantastic Four Annual #11 Cover Original Art (Marvel, 1976). Whenever Kirby and Sinnott teamed to create their art, the results left most Marvelites screaming for more, more, more. This super-charged slugfest must be counted among the in-demand duo's finest cover efforts ever. It showcases the gladiators of the Golden Age, the fighting mad Invaders, vs. the premier supergroup of the Silver Age, the Fantastic Four - 'nuff said! This Marvel masterwork will leave you mind-boggled and bedazzled. This peerless piece from the Bronze Age has an overall size of 11.5" x 17.5". The title logo is done on an acetate overlay, and the art is in Excellent condition. Kirby signed the art at the lower right. A copy of the comic book is included in this lot.
Jack Kirby and Vince Colletta Fantastic Four #41 page 11 Original Art (Marvel, 1965). No true-blue Marvelite could ever forget these blood-chilling scenes from "The Brutal Betrayal of Ben Grimm" when the Wizard turned the Thing to the dark side as his brainwashed lackey. The rest of the Frightful Four was less than thrilled with the Wizard's success, and ironically enough, many years later, Madame Medusa would defect and become a member of the FF. This "King" Kirby masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Sol Brodsky Fantastic Four Annual #1"Inside the Baxter Building" Splash Page Original Art (Marvel, 1963). Many a kid spent hours studying this mind-boggling cut-away view of the Fantastic Four's fabulous 35-story high skyscraper headquarters, imagining new adventures of the best super-team around. Now you can own the original art for the pin up of this hallowed headquarters, bursting with Kirby-tech. This piece has an image area of 12.5" x 18.5", and aside from a few stains, the art is in Very Good condition.
Jack Kirby and Frank Giacoia Captain America #207 Cover Original Art (Marvel, 1977). Kirby collectors take note, this is but the fourth Captain America cover by the "King" that we have offered to date. Cap's been kidnapped and he has to take on a Central American despot, armed with nothing but his shield and his never-say-die spirit! It's a fondly remembered yarn for many a fan of Kirby's "return to Marvel" era. This cover for "The Tiger and the Swine" has an image area of 9.5" x 15". A pasted-on photostat/editorial correction of Captain America's head (by John Romita Sr.) has been removed from the page and placed on a mylar overlay so as to reveal the original Kirby-drawn version. Aside from the rubber cement stain over Cap's head and a few other small stains in the borders, the art in Very Good condition. Kirby inscribed and signed the page in its lower left corner.
Jack Kirby and Joe Rubinstein Black Panther #12 Cover Original Art (Marvel, 1978). "Through the walls of stone they stalk! Beware the agents of Kiber!" It's another amazing Marvel moment brought to you courtesy of "King" Kirby. This cover has an image area of 10" x 15", and aside from some small stains, the art is in Very Good condition. Kirby signed the art at the lower right.
Jack Kirby The Wizard and the Wonder Gloves From Fantastic Four Pencil Illustration Original Art (c. 1970s). In the seventies, as a Valentine gift for his wife Roz , the "King" filled a sketchbook with 125 pencil drawings of his greatest comic book characters and creations. Eventually these pencil drawings were published in a facsimile form as Jack Kirby's Heroes and Villains. As striking as the book is, the full power and beauty of Kirby's pencils must be seen in person to be fully appreciated - there is just no substitute for the real thing. This page, spotlighting the merciless leader of the Frightful Four has an image area of 8" x 10.5", and it has been matted and framed to an overall size of 13.5" x 16.25". The art is in Excellent condition.
Jack Kirby Cleveland Browns Fantasy Illustration Original Art (NFL Properties, c. 1970s). Cleveland Browns head coach Paul Brown insisted, "The key to winning is poise under stress," and by that measure, this running back, designed and drawn by Kirby, is nothing less than a sure-fire winner. This piece has an image area of 11" x 16", and the art is in Excellent condition.
Jack Kirby Green Bay Packers Fantasy Illustration Original Art (NFL Properties, c. 1970s). To quote Green Bay Packer coaching legend Vince Lombardi, "The quality of a person's life is in direct proportion to their commitment to excellence, regardless of their chosen field of endeavor." That is why Kirby is "King," and his fantastic superhero costume designs remain unparalleled. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby New York Giants Fantasy Illustration Original Art (NFL Properties, c. 1970s).
New York Giants head coach Bill Parcells once said, "I like linebackers. I collect 'em. You can't have too many good ones." Odds are he'd have loved to have one built like the bruiser Kirby designed for this specialty piece. This drawing has an overall size of 11" x 16", and the art is in Excellent condition.
New York Giants head coach Bill Parcells once said, "I like linebackers. I collect 'em. You can't have too many good ones." Odds are he'd have loved to have one built like the bruiser Kirby designed for this specialty piece. This drawing has an overall size of 11" x 16", and the art is in Excellent condition.
Jack Kirby San Francisco 49ers Fantasy Illustration Original Art (NFL Properties, c. 1970s).
As 49ers head coach Bill Walsh once observed, "Nothing is more effective than sincere, accurate praise, and nothing is more lame than a cookie-cutter compliment." Most comic book fans have nothing but sincere praise for the boundless imagination of Jack Kirby and his revolutionary costume designs. This piece has an image area of 11" x 16", and the art is in Excellent condition.
As 49ers head coach Bill Walsh once observed, "Nothing is more effective than sincere, accurate praise, and nothing is more lame than a cookie-cutter compliment." Most comic book fans have nothing but sincere praise for the boundless imagination of Jack Kirby and his revolutionary costume designs. This piece has an image area of 11" x 16", and the art is in Excellent condition.
Jack Kirby Pro Magazine "Out of Mind's Reach" Illustration Original Art (NFL, 1972). First and ten, a galaxy to go! Only Jack Kirby could picture a cosmic game of football as awe-inspiring as this! As was detailed in an article in The Jack Kirby Collector #10, this eye-popping illustration was featured as a double-page spread in the October 22, 1973 issue of Pro Magazine, the official magazine of the National Football League. A caption in Pro read, "We measure time in minutes and hours, in days and weeks. Most of us do. Jack Kirby measures it in light years. We say, 'Far out,' and it is a figure of speech. To most of us. To Jack Kirby, 'Far out' is really where it's at. His mind is a carousel of super-fantasy, whirling forward and backward, whirling somewhere the rest of us aren't - but would like to be. Ask Jack Kirby about pro football and he will tell you about cosmic sweeps and flying wedges that are really that. Ask Jack Kirby to take pro football and do his special kind of cosmic mind-magic on paper - and the game becomes in an instant, intergalactic. Superstars become super beings, and the sounds of their struggle are heard throughout infinity. Well maybe infinity is stretching it a bit. In Jack Kirby's mind at least." This piece was also used as the back cover illustration for The Jack Kirby Collector #8 and shown in the book Kirby: King of Comics. This cosmic grid-iron extravaganza has an image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby Pro Magazine Illustration Original Art (NFL, 1972). Are you ready for some football - "King" Kirby style? Go long, into the next galaxy! Now, this is fantasy football! Kirby created this scene for the October 22, 1973 issue of Pro Magazine, the official magazine of the National Football League. This piece was also spotlighted as the cover illustration for The Jack Kirby Collector #8 in 1996. This cosmic grid-iron extravaganza has an image area of 10" x 15", and the art is in Excellent condition.
Warren Kremer The Friendly Ghost, Casper #4 Cover Original Art (Harvey, 1958). Casper and a friend keep cool in this cover illustration by Warren Kremer. The art has an image area of 7.25" x 10.25". In Very Good condition. The logo and masthead are recent photocopy replacements.
Warren Kremer Richie Rich #2 Cover Original Art (Harvey, 1961). This splendid cover was "cooked up" by Warren Kremer, who was responsible for the majority of Harvey's covers. The art has an image area of 7.25" x 10.5". Some light glue residue in the upper portion; otherwise the art is in Very Good condition. The logo and masthead are recent photocopy replacements.
Warren Kremer Richie Rich #7 Cover Original Art (Harvey, 1961). An exceptional cover illustration. The art has an image area of 7" x 10.25", and it is in Very Good condition. The logo and masthead are recent photocopy replacements.
Warren Kremer Richie Rich #10 Cover Original Art (Harvey, 1962). The art has an image area of 7" x 11". There is glue residue along all four edges (outside of the image area), and in the upper portion; otherwise the art is in Very Good condition. The logo and masthead are recent photocopy replacements.
Warren Kremer Richie Rich #72 Cover Original Art (Harvey, 1968). Fine work by Harvey standby Kremer. The art has an image area of 7" x 10.25", and it is in Very Good condition. The logo and masthead are recent photocopy replacements on an acetate overlay.
Harvey Kurtzman Pageant February 1962 Complete 11-page Story "The Psychological Indian" Original Art (MacFadden Publications, 1962). Satirical genius Kurtzman presented this uproarious five-act comic strip in the pages of Pageant magazine. This rarely reproduced masterpiece of sixties humor begins, "This is the story of Charlie Eager-Beaver, an Indian who wanted to act (of all things) like an Indian - and how he stepped out of the Reservation and into the modern world of show business, where he came face to face with - the Psychological Indian." Each page of this story has an image area of 6.5" x 9.75", and was drawn on a board with an overall size of 15" x 10". Drawn in mixed-media, with a few pasted on lettering corrections and typeset captions, the pages average Excellent condition. A tearsheet booklet of the printed pages is included with this lot.
Harvey Kurtzman and Bill Elder Playboy January 1970 Little Annie Fanny "Marijuana" page 2 Original Art (Playboy, 1970). As every die-hard comic fan knows, these two former top Mad-men teamed again to produce the ultra-lavish Little Annie Fanny strips for Playboy. Harvey Kurtzman wrote, orchestrated, and laid out the storyline while Bill Elder painted in the gorgeous "eye candy," crowded background visual gags, and funny business. The image area of this mixed-media on board laugh-riot measures 14" x 20", and this piece has been matted to an overall size of 18" x 24". Kurtzman signed the page in its lower border, and the art is in Excellent condition.
Walter Lantz Woody's American Gothic Painting Original Art (1983). Woody and his gal pal Winnie seem to be hoping for a good crop in this cutting recreation of Grant Wood's immortal classic. Painted in oils on board, with a round image area of approximately 16", and beautifully showcased in an ornate frame measuring 30.5" x 30.5". In Excellent condition.
Walter Lantz Woody as Mona Lisa Painting Original Art (1983). Woody sports a sly smile in this playful recreation of Leonardo da Vinci's masterpiece. Done during Lantz's retirement, these oil on board paintings have proven popular with his many fans. This one has an image circumference of approximately 16", and is housed in an ornate frame measuring 31" x 31". In Excellent condition.
Walter Lantz Woody Woodpecker as Blue Boy Painting Original Art (1983). Walter Lantz's playful, prankish Woodpecker takes on an air of elegance in this take-off of Thomas Gainsborough's 1770 masterpiece. The art is in oil paint on board, with an image area of approximately 15.5" in circumference, and is displayed in an ornate frame measuring 31" x 31". In Excellent condition.
Walter Lantz Triple Self-Portrait Painting Original Art (1983).
Woody Woodpecker pays tribute to Norman Rockwell and his famous cover for the February 16, 1960 issue of the Saturday Evening Post. Done during Lantz's retirement, this oil on board painting has an image circumference of approximately 16", and it has been framed to an overall size of 30.5" x 30.5". The art is in Excellent condition.
Woody Woodpecker pays tribute to Norman Rockwell and his famous cover for the February 16, 1960 issue of the Saturday Evening Post. Done during Lantz's retirement, this oil on board painting has an image circumference of approximately 16", and it has been framed to an overall size of 30.5" x 30.5". The art is in Excellent condition.
Larry Lieber and Mike Esposito (as Mickey Demeo) Amazing Spider-Man Annual #5 page 16 Original Art (Marvel, 1968). Reed Richards, Mr. Fantastic, drops Spider-Man off in Algeria in this magnificent Marvel crossover moment. This page from "The Parents of Peter Parker" has an image area of 12.5" x 18.5", and aside from a few small stains, the art is in Excellent condition.
Russ Manning and Mike Royer Magnus, Robot Fighter #19 page 4 Original Art (Gold Key, 1966). "An unseen, sinister force plagues all of North Am by creating ever-growing Monster-Robs." The Monster-Robots have the pol-robs on the run in this beautifully designed and drawn Manning page from the mid-sixties. This is only the third Manning Magnus page we've offered to date. This piece has an image area of 12" x 17.75", and the art is in Excellent condition.
Rex Maxon Tarzan Daily Comic Strip Original Art Inscribed to Edgar Rice Burroughs (United Feature Syndicate, undated). This wonderfully staged episode was inscribed to "The Old Master himself," Edgar Rice Burroughs, and the strip has an image area of 20.75" x 5". The art has some paper aging and a few tears at the bottom of the strip; otherwise it is in Good condition.
Rex Maxon Tarzan Daily Comic Strip Original Art, Inscribed to John Coleman Burroughs (United Feature Syndicate, 1938). In March 1929, Rex Maxon succeeded Harold Foster as the artist on the daily Tarzan comic strip, and drew the series for the next 18 years. This episode is special as it was inscribed to John Coleman Burroughs, Edgar Rice Burroughs' artist son. The strip has an image area of 20.5" x 5" and it is in Excellent condition.
Rex Maxon Tarzan Daily Comic Strip Original Art, Inscribed to John Coleman Burroughs (United Feature Syndicate, 1938). This pantomime episode was inscribed to John Coleman Burroughs, and the strip has an image area of 20.5" x 5". The art is in Excellent condition.
Rex Maxon Tarzan Daily Comic Strip Original Art Inscribed to John Coleman Burroughs (United Feature Syndicate, 1938). This elephant rescue episode was inscribed to John Coleman Burroughs, and the strip has an image area of 20.75" x 5". The art is in Excellent condition.
Val Mayerik Savage Sword of Conan #22 Cover Original Art (Marvel, 1977). "Terror in a timeless land - the pool of the Black One." This Bronze Age blockbuster has an overall size of 20" x 24", and the art is in Excellent condition.
Sheldon Mayer Best of DC Blue Ribbon Digest #29 Complete 3-Page Sugar and Spike Story "The Mystery of the Bouncing Stick" Original Art (DC, 1982).
Since DC did not commission Sheldon Mayer to create new material for this 1982 digest, unpublished and inventoried stories were used instead. Though published in 1982, this yarn was created in 1964. Each page of this three-page romp has an image area of 11" x 15.5", and the art averages Excellent condition.
Since DC did not commission Sheldon Mayer to create new material for this 1982 digest, unpublished and inventoried stories were used instead. Though published in 1982, this yarn was created in 1964. Each page of this three-page romp has an image area of 11" x 15.5", and the art averages Excellent condition.
Winsor McCay (as Silas) Dream of the Rarebit Fiend Sunday Comic Strip Original Art (New York Herald, 1907). Politeness is taken to absurd, insulting heights in this uproarious McCay masterwork. For those who are baffled by the title, a typical rarebit sandwich is made by melting grated cheese with beer and mustard, which is then poured on toast and broiled. This superb strip is over one hundred years old, and still it remains a timeless example of superb drawing and humor. The image area of this episode measures approximately 13.5" x 18". The masthead logo is an original stat and the art is in Excellent condition.
Winsor McCay City With Angels Illustration Original Art (c. 1918). McCay's magnificent vision of a fantasy city with angels flying overhead rivals the fantastic architectural renderings of such master penmen as Franklin Booth, John R. Neill, and Roy Krenkel. The back of this art board has a cropped watercolor portrait painting of "Old Dr. Adams," but it is not known who painted it. This piece has an overall size of 23" x 12". There are several long tears (one at the lower left and two at the upper right) that have been closed with tape; otherwise, the art is in Good condition.
Luke McDonnell and Steve Mitchell Iron Man #174 "Armor Chase" Cover Original Art (Marvel, 1983). Tony Stark has lost his company to Obadiah Stane, who immediately demanded delivery of the Iron Man armor as part of Stark International's assets. Suddenly the race was on between James Rhodes, Stane, and S.H.I.E.L.D. to raid Tony Stark's hidden lab and capture Iron Man's prototype suits. By the yarn's end there was only one suit of Iron Man armor that survived - the classic model. This cover, showcasing twelve different armored suit designs, has an image area of 9.75" x 15". The Zipatone pattern is attached to an acetate overlay, and the art is in Excellent condition. This piece was signed by both artists at the lower left.
Al Milgrom and Bob Layton The Avengers #182 Cover Original Art (Marvel, 1979). Earth's mightiest heroes battle the many faces of evil in this Bronze Age showdown. This piece has an image area of 9.75" x 15". The title logo is a replacement and a caption at the lower left is missing; otherwise, the art is in Excellent condition.
Frank Miller and Tom Palmer Amazing Spider-Man Annual #14 Cover Original Art (Marvel, 1980). The cover caption cuts to the chase, "Spidey and Doctor Strange versus Doctor Doom and the dread Dormammu - 'nuff said!" The title logo stats for this Miller masterpiece are on an acetate overlay, and the entire page has been mounted to a piece of black mat board; otherwise, the art is in Excellent condition. Miller signed the page in the UPC box at the lower left, but the marker has faded over time. A copy of the comic book is included in this lot.
Frank Miller and Klaus Janson Daredevil #184 Punisher page 19 Original Art (Marvel, 1982). The hallmarked Miller/Janson superhero noir elements are showcased in this shootout scene between Daredevil and the Punisher from the thriller, "Good Guys Wear Red." This modern Marvel masterwork has an image area of 10" x 15", and aside from clipped corners (outside the image area), and a small crease at the lower left, the art is in Very Good condition. Miller signed the page in its lower border.
Norman Mingo Mad #101 Alfred "Infinity" Cover Original Art (EC, 1966). This Mingo masterpiece is spotlighted on page 62 of Mad Cover to Cover. One of the "usual gang of idiots," author Frank Jacobs, elaborates, "This cover within a cover 'infinity' gag harkens back to the composition book gag (issue #20), a device for sneaking Mad into class. Always a contrarian, Alfred uses Mad to sneak Shakespeare into class. We believe it was the Bard who said, 'A Neuman by any other name would still be as dumb.'" This piece has an image area of 13.5" x 19", and it has been matted to an overall size of 21.5" x 28". The art is in Excellent condition.
Sheldon Moldoff Moon Girl #6 Cover Original Art (EC, 1949). Moon Girl's powers are taxed to their limits in this earth-shaking scene for the cover of "The Day the World Trembled." Moldoff did a magnificent job on this EC thriller. This cover has an image area of 13.5" x 19", and the art is in Excellent condition.
Victor Moscoso NFL Properties Field Goal Illustration Original Art Group of 3 (c. 1970s). The kick is up and it's good - or is it? You make the call! Legendary psychedelic Rock n' Roll poster and Zap underground comix artist Moscoso presents a far out field goal attempt, captured in his hallmarked three-part "upside-down/picture puzzle" format. Each piece has an image area of 6.5" x 8.25", and the art is in Excellent condition.
Steve Muffatti Little Audrey #25 First Harvey Issue Page Original Art Group of 6 (Harvey, 1952). Little Audrey's pet frog, Quincy, leads her on a hopping fun adventure at the circus. Unlike later stories inked by Harvey staff inkers, this yarn was penciled and inked by Steve Muffatti himself. Muffatti had established himself as a first-rate animator at Fleischer Studios, where he was credited with animating some of the best Superman cartoons. In 1952, Harvey Comics acquired Audrey and Casper from St John, and published Little Audrey with issue #25. These historic, landmark pages which hail from a story in Audrey's first Harvey issue were cut apart and reconfigured for later use in Little Audrey 3-D. Except for the first partial page (only the bottom panel tier of the title page of this story survived), each remaining, rejoined page has an image area of 12" x 18" and they average in Very Good condition.
John Cullen Murphy and Hal Foster Prince Valiant Sunday Comic Strip #1793 Original Art dated 6-20-71 (King Features Syndicate, 1971). When Hal Foster decided to retire from the Prince Valiant strip, it turned out to be a long, gradual process that took over ten years to complete. Working from Foster's scripts and penciled breakdowns, John Cullen Murphy finished this action-packed Sunday, and the strip hails from the second year of his stint on the feature. Murphy was in top form here, and his figure drawing with a dramatic spotting of shadowed areas is superb. The influence of Hal Foster's storytelling approach can be noted in the panel compositions. This page was cut between each panel tier, and then taped together on the back of the paper. The tiers combine to form an image area measuring approximately 16.5" x 24.5", and the art is in Excellent condition. John Cullen Murphy inscribed and signed the art at the lower left, "For my golfing partner, Bob, from John Cullen Murphy - August 4, 1972."
Alex Niño The Minions of Kane Illustration Original Art (Christopher Enterprises, 1976). Niño was one of the most innovative new talents to explode on the comic book scene in the Bronze Age, and here is a panoramic display of his virtuosity at fantasy art. Originally created for Christopher Enterprise's limited edition Fantasy Print set, this mixed-media scene has an image area of 24" x 17", and the art is in Excellent condition.
Earl Norem True Men July 1965 Cover Original Art (1965). He-man action-adventure as you like it. This piece has an overall size of 19" x 24", and the art is in Excellent conditions.
Joe Orlando Creepy #4 Complete 7-page Story The Trial of Adam Link (Memoirs of Adam Link, Part II) Original Art (Warren, 1965). Two giants of science fiction comics, writer Otto Binder and EC art alumnus Joe Orlando, teamed to create this superb Silver Age adaptation of Binder's SF yarn. Each page of this fan-favorite has an image area of 13" x 19.5", and the pages average Excellent condition.
Joe Orlando and Jerry Grandenetti Creepy #8 Complete 8-page Story Adam Link's Mate (Memoirs of Adam Link, Part IV) Original Art (Warren, 1966).
The early Warren magazines revived the long gone spine-tingling quality of the EC era and the wash tone printing process inspired many of the artists to stretch themselves beyond the limits of traditional comic book art. Seven of these moody pages each have an image area of 12" x 17", but the last page was drawn smaller, and it has an image area of 10.5" x 15". The pages average Excellent condition.
The early Warren magazines revived the long gone spine-tingling quality of the EC era and the wash tone printing process inspired many of the artists to stretch themselves beyond the limits of traditional comic book art. Seven of these moody pages each have an image area of 12" x 17", but the last page was drawn smaller, and it has an image area of 10.5" x 15". The pages average Excellent condition.
Joe Orlando and Jerry Grandenetti Creepy #9 Complete 8-page Story Adam Link's Vengeance (Memoirs of Adam Link, Part V) Original Art (Warren, 1966). With dramatic, skewed points of view and shadow drenched panels, these pages set an appropriately hair-raising atmosphere for this Adam Link thriller. Seven of the pages have an image area of 12" x 17", but the first page was drawn smaller, and it has an image area of 10.5" x 15". The pages average Excellent condition.
Joe Orlando Creepy #15 Complete 7-page Story Adam Link, Champion Athlete (Memoirs of Adam Link, Part IX) Original Art (Warren, 1967). Adam and Eve Link struggle for citizenship and public acceptance in this seven-page tale with an important moral message, perhaps inspired by the type of yelp-yarns that EC publisher William Gaines pioneered, and what he humorously dubbed "preachies." Each page of this Silver Age romp has an image area of 12" x 17", and the art is in Excellent condition.
Mike Parobeck and Jeff Albrecht Justice Society of America #8 Cover Original Art (DC, 1993). This action-packed cover for this short-lived, but very well-loved series features Hourman, Johnny Quick, and Johnny's daughter, Jesse Quick, fighting against the Ku Klux Klan in the tale entitled "The Disciples of Hate (aka "Whispering Death)." While Mike Parobeck was just shy of turning 31 when he died from complications stemming from Diabetes, his legacy in the comics field has left an indelible impact, thanks to series such as Justice Society of America and The Batman Adventures. This cover has an image area of 10" x 15" and the art is in Excellent condition. A copy of the comic book is included in this lot.
George Perez and Dick Giordano The New Teen Titans Drug Awareness Special #1 Cover, Page 23, and More Original Art (DC, 1983). Included with this cover art is the original art to the media press kit, original art corrections (for two of the kids' heads on the press kit page) which were drawn on a 5" x 5.5" vellum overlay, and the original art to page 23 of the comic (all of which are illustrated by Perez).
This superb example of comic book cover art is featured in the 2008 release, The DC Vault, from Running Press Publishers. If you don't recognize the hero in the group scene with the kids (and kneeling down on the cover), that's the Protector -- this promotional comic co-sponsored by Keebler couldn't have a Robin appearance because the Boy Wonder was licensed to another cookie company! Each page has an approximate image area of 10" x 15", and the pieces are in Excellent condition. A copy of the comic book is also included in this lot.
This superb example of comic book cover art is featured in the 2008 release, The DC Vault, from Running Press Publishers. If you don't recognize the hero in the group scene with the kids (and kneeling down on the cover), that's the Protector -- this promotional comic co-sponsored by Keebler couldn't have a Robin appearance because the Boy Wonder was licensed to another cookie company! Each page has an approximate image area of 10" x 15", and the pieces are in Excellent condition. A copy of the comic book is also included in this lot.
George Perez and Jerry Ordway Crisis on Infinite Earths #12 page 11 Original Art (DC, 1986). Heroes all over the Earth fight an invasion of the Anti-Monitor's demons in this power-packed page featuring Sunburst, Rising Sun, Red Star, Jack O' Lantern, Godiva, Thunder, Lightning, Geo-Force, and the Lieutenant Marvels. George Perez pencils, and Jerry Ordway inks this page from the historic series which rebooted the entire DC Universe. The art has an image area of 10" x 15". The upper edge, and three corners have been trimmed; otherwise the art is in Very Good condition. Signed by George Perez and Jerry Ordway at the lower right.
Mike Ploog and Frank Chiaramonte Marvel Spotlight #6 Ghost Rider page 27 Original Art (Marvel, 1972). The high-speed motorcycle action on this page from "Angels From Hell" is sure to thrill any Ghost Rider fan. This piece has an image area of 10" x 15", and aside from some tape residue in the borders, the art is in Excellent condition.
Mike Ploog and Frank Chiaramonte Marvel Spotlight #6 Ghost Rider page 28 Original Art (Marvel, 1972). This pulse-pounding chase scene from "Angels From Hell" has an image area of 10" x 15", and aside from some tape residue in the borders, the art is in Excellent condition. Ploog signed the page in panel four.
Mike Ploog Marvel Spotlight #7 Ghost Rider page 12 Original Art (Marvel, 1972). Transformed into Satan's creation, Ghost Rider, Johnny Blaze follows the trail of Roxanne's kidnappers in this page by Mike Ploog. The art has an image area of 10" x 15", and aside from some tape staining (outside of the image area), it is in Very Good condition. Signed by Mike Ploog in the final panel.
Mike Ploog and Jim Mooney Marvel Spotlight #8 Ghost Rider, page 10 Original Art (Marvel, 1973). The Ghost Rider and Crash Simpson battle their way through "The Hordes of Hell." This page has an image area of 10" x 15", and aside from some tape residue in the borders and an art correction paste-up that has slipped off the page, the art is in Very Good condition.
Mike Ploog Marvel Spotlight #10 Ghost Rider page 11 Original Art (Marvel, 1973). Fifteen year old Johnny Blaze gets a taste of danger when his motorcycle catches fire in this highly charged page. The art has an image area of 10" x 15", and, aside from some tape residue and printer's oil staining, it is in Very Good condition.
Hank Porter Timber Donald Duck Illustration Original Art (Good Housekeeping, 1941). Hank Porter adapts the Donald Duck short film, Timber, to print in this beautiful illustration published in Good Housekeeping magazine. This watercolor and ink illustration was recently reprinted on page 259 of Mickey and the Gang. The art has been professionally matted with linen-covered board, for an approximate size of 16" x 24", and is in Very Good condition.
Hank Porter Donald's Camera Illustration Original Art (Good Housekeeping, 1942). The short film, Donald's Camera, gets a spectacular adaptation by Hank Porter for this set of illustrations published in Good Housekeeping magazine. This watercolor and ink illustration was recently reprinted on page 289 of Mickey and the Gang. The art has been professionally matted with linen-covered board, for an approximate size of 14.5" x 23", and is in Very Good condition.
Fred Ray George Roussos Sketchbook Illustration Original Art Group (c. 1942). Golden Age great Ray contributed these two top-notch illustrations to his buddy George Roussos' sketchbook. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Alex Raymond Flash Gordon Sunday Comic Strip with Matching Jungle Jim Topper Original Art dated 3-15-36 (King Features Syndicate, 1936). Raymond's Flash Gordon is considered by most fans to be the finest science fiction/fantasy comic strip ever done, with the period of 1934-1936 being the most desirable for original art collectors due to the large size of the art drawn during those three years. Titled "Three Against Ming," all of the major characters in the Flash Gordon saga appear in this Sunday - Flash, Dale Arden, Dr. Hans Zarkov, and, most impressively, their nemesis, the evil Ming the Merciless. The inscrutable, leering portrait of Ming in panel two must number among the finest ever done; his sinister presence is palpable. Dale turns Ming's weapon of choice, the paralyzo-ray, on his own minions. This insidious device was frequently featured in the Flash Gordon movie serial, and is fondly recalled by aficionados. Making this already impressive Sunday even more spectacular is the art for the matching Jungle Jim topper. Jim is being forced into a "shotgun wedding" with the evil Bat-woman, and the line work on her gorgeous visage on the final panel is breathtaking. The Flash Gordon strip's image area measures 24" x 19", while the Jungle Jim topper measures 24" x 11.5". The art is in Excellent condition. Considering the remarkable qualities of this example, it must number among the top five known Flash Gordon originals. This is a rare and splendid piece for any enthusiast of American comic strip art.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 9-8-49 (King Features Syndicate, 1949). One of the finest comic strip artists ever, Raymond was a master draftsman who was also a superb storyteller. Panel two of this episode is made even more chilling with the knowledge of Raymond's own untimely death in a car crash on September 6, 1956. The image area of this strip measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 9-10-49 (King Features Syndicate, 1949). Raymond was at the forefront a new school of glamorous adventure strip art with Rip Kirby and set the standard for decades to come. In this episode, he keeps the continuity interesting by moving his point of view around, much as a great film director would. The image area of this gorgeous daily, starring Rip and Honey, is 5.5" x 18.5", and the condition of the art is Excellent.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-27-51 (King Features Syndicate, 1951). Raymond's expressive line work combined with stark, shadowed forms make this one of the most dramatic dailies of this storyline. The image area of this episode measures 18.5" x 5.5", and its condition is Excellent.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-28-51 (King Features Syndicate, 1951). Raymond's superb storytelling and impressionistic brushwork in this superbly staged episode rivals that of his fellow cartooning legends, Noel Sickles and Milton Caniff. The image area of this daily measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-29-51 (King Features Syndicate, 1951). This beautifully drawn episode spotlights the skillful interplay between black and white, and shadow and light that Raymond is justifiably famous for. The image area of this first-rate daily measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Paul Reinman Golden Age Green Lantern Unpublished Page 8 Original Art (DC, 1949). Green Lantern and Doiby Dickles battle the arson of Dr. Cypher in page 8 of "The Puzzle King's Problem." Apparently slated for All-American Comics #89, this Golden Age Green Lantern story was instead "written off," and was fated to be destroyed. Clever DC interns cut the page horizontally along its panel tiers instead of through the artwork and the tiers were later rejoined using tape on the back of this piece. The image area of the page measures 13" x 18", and aside from the taped together tiers, the art is in Excellent condition.
Jerry Robinson George Roussos Sketchbook Tweedledee Illustration Original Art (c. 1942). Batman foe, Tweedledee, cuts a rug in this swinging Robinson masterpiece, originally done for the George Roussos sketchbook. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Spain Rodriguez Screw Magazine #812 Cover (Al Goldstein, 1984). Spain treats us to a tempting view of three well-known porn actresses, all pointing guns and fingers, in this ink and Zipatone on artboard piece. We'll let you decide who the actresses are! This piece has an image area of 13" x 9.5" and is in Excellent condition, with light soiling in the outer margins The "ink blot" painting in the background is a paste-on. A color photocopy of the printed cover is included.
John Romita Sr. (attributed) Captain Marvel #12 Cover Original Art (Marvel, 1969). Captain Marvel faces off for "the Moment of - the Manslayer." This scintillating Silver Age spectacular is sure to get the pulse pounding for any ever-lovin' Marvel cover collector. The image area of this cover is 10" x 15". The various elements of the cover have been pasted and taped together by Marvel production artists and there are a few stains; otherwise, the condition of the art is Very Good.
John Romita Sr. Amazing Adventures #18 First War of the Worlds/Killraven Cover Original Art (Marvel, 1973). In the midst of looming annihilation and burning carnage, the man known as Killraven stands in proud defiance, in this apocalyptic Romita Sr. cover scene for "The War of the Worlds." This piece has an image area of 10" x 15", and aside from a replacement caption at the bottom of the page, the art is in Excellent condition. Romita Sr. signed the page at the lower right.
John Romita Sr. Ghost Rider #3 Cover Original Art (Marvel, 1973). Johnny Blaze unveils his new "Hell on wheels" cycle in this blazing Bronze Age beauty. This momentous Marvel milestone has an image area of 10" x 15", and aside from assorted production process and glue stains, the art is in Very Good condition.
John Romita Sr. Marvel Spotlight #17 Son of Satan Cover Original Art (Marvel, 1974). If Daimon Hellstrom perishes... so falls Earth! The Son of Satan throws down with Spyros in this hellacious cover illustration by Romita Sr. This classic Bronze Age cover art features only the sixth appearance of Daimon Hellstrom, the Son of Satan, as he lunges into battle against the vicious Spyros. The art has an image area of 10" x 15", and it is in Excellent condition. Signed by Romita Sr. and Stan Lee at the bottom. A copy of the comic book is included with this lot.
Alex Ross Kingdom Come Wraparound T-Shirt Painted Diptych Original Art (DC, 1996). This image is considered by many Ross aficionados to be the ultimate Kingdom Come group portrait - and it is definitely the largest interpretation yet of this storied group of heroes and anti-heroes. Although this lineup was done for a single project, it really consists of two separate pieces of incredible, painted artwork.
The first section of the project showcases Superman, Wonder Woman, the Batman, Red Robin, the Green Lantern, Jade, the Flash, Flash IV, Oliver Queen (a.k.a. Green Arrow), and Deadman.
The second section of the project spotlights Captain Marvel, the Spectre, Hawkman, Wildcat III, Nightstar, Blue Beetle II, the Flash, the Ray II, Power Woman, Black Canary III, Fate V, and Norman McCay.
Not only are these the largest paintings ever to capture the main characters of Kingdom Come, they are also among the finest paintings that Ross has painted, featuring all the significant heroes for a detailed, unified, close-up group portrait. All in all, there are 22 superheroes portrayed, and each character portrait measures between 8" to 14.5" in height. Each of these two paintings has an image area of 21.5" x 25.5", and each has been matted and framed, using Plexiglas fronts, to an overall size of 30" x 33.5". The art is in Excellent condition, and Ross signed both pieces in their lower left corners.
The first section of the project showcases Superman, Wonder Woman, the Batman, Red Robin, the Green Lantern, Jade, the Flash, Flash IV, Oliver Queen (a.k.a. Green Arrow), and Deadman.
The second section of the project spotlights Captain Marvel, the Spectre, Hawkman, Wildcat III, Nightstar, Blue Beetle II, the Flash, the Ray II, Power Woman, Black Canary III, Fate V, and Norman McCay.
Not only are these the largest paintings ever to capture the main characters of Kingdom Come, they are also among the finest paintings that Ross has painted, featuring all the significant heroes for a detailed, unified, close-up group portrait. All in all, there are 22 superheroes portrayed, and each character portrait measures between 8" to 14.5" in height. Each of these two paintings has an image area of 21.5" x 25.5", and each has been matted and framed, using Plexiglas fronts, to an overall size of 30" x 33.5". The art is in Excellent condition, and Ross signed both pieces in their lower left corners.
Alex Ross Overstreet Comic Book Price Guide #27 Cover Featuring The Golden Age Flash Original Art (1997). What a rush - Alex Ross has freeze-framed the moment of Jay Garrick's victorious race against the bullet fired pointblank at his girlfriend, Joan Williams. This heroic deed is a re-imagining of Sheldon Moldoff's classic cover scene for one of the most important comic books of any age - Flash Comics #1. Ross, renowned for a "magic realism" which makes even the fantastic seem plausible, remained faithful to Moldoff's scene even as he added his own superb contribution to the continuing legacy of the Golden Age Flash. This gouache on board thriller has an image area of 12.75" x 20", and the art is in Excellent condition.
Alex Ross Wizard: Alex Ross Millennium Edition Special page 24 Vampirella and Uncle Creepy Illustration Original Art (Wizard Entertainment, 1999). Two popular horror icons embrace in this supernatural scenario by Alex Ross. Ross describes this piece as the one and only time he has drawn Vampirella! Mixed media on vellum paper. Matted to an image area of 6.5" x 10.75". In Excellent condition.
Mark Schultz Xenozoic Tales #6 "Green Air" Splash page 2 Original Art (Kitchen Sink, 1988). The lost civilizations, elaborate palaces, characters and fantastic landscapes of Xenozoic Tales owe much of their charm to Schultz's beautifully realized pen and ink work. Schultz isn't afraid to wear the influences of the some of the great comic artists on his sleeve, in this splash title page from the story, "Green Air." The image area measures 11" x 16.5", and the art is in Excellent condition.
Charles Schulz Peanuts Sunday Comic Strip Original Art dated 1-30-55 (United Feature Syndicate, 1955). Patty introduces little Lucy to the simple joy of "connect-the-dots," and a new passion is born within everyone's favorite fussbudget. When Lucy Van Pelt takes on a new hobby, she goes all-out with a one-track mind, as Charlie Brown soon finds out! This uproarious Sunday has an image area of 22.5" x 15.25", and aside from some very slight surface wear and mild paper aging, the art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 10-19-79 (United Feature Syndicate, 1979). Leave it to Peppermint Patty to find her own silver linings in the dark clouds of academia. This seventies daily has an image area of 21" x 5", and the piece has been matted and framed to an overall size of 28" x 12". Aside from the usual fold between panels two and three, and a faded inscription, the art is in Excellent condition. Schulz inscribed and signed the strip in its upper border, "For Paul, with friendship and admiration - Charles Schulz."
Charles Schulz Peanuts Daily Comic Strip Original Art dated 8-22-91 (United Feature Syndicate, 1991). Heyyyyyy - it's Joe Cool! It seems the ultra-cool, hipster Joe Cool has a totally bourgeois approach to art, at least on the first day of his drawing class. This hilarious strip has an image area of 19" x 5.5", and the art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 9-28-91 (United Feature Syndicate, 1991). Snoopy stars in every panel of this early nineties episode, and with its unusual head-on views of the nation's favorite cartoon beagle, this daily is sure to make a prized showpiece for any comic strip art collector. This strip has an image area of 19" x 5.5", and the art is in Excellent condition.
Charles Schulz Peanuts Treasury Dedication Page Snoopy Illustration Original Art (Holt, Rinehart, and Winston, 1968). Offered here is a splendid original Snoopy book illustration signed by Charles Schulz, drawn in the early sixties when Linus proudly wore brand new eyeglass prescribed by his ophthalmologist -- and which Snoopy frequently absconded with. Putting ten-dollar words in kids' mouths was Schulz's stock-in-trade and he was vexed by the stream of complaints he began receiving from optometrists. "It's hard to explain that ophthalmology is a funny word," Schulz said, "and optometry is not." This delightful drawing was used as spot art on the dedication page of the hardback, Peanuts Treasury. This piece has an overall size of 5.75" x 8". This drawing has been mounted to cardboard, and there are paper pulls around the outer edges (outside the image area) where an overmat had been glued; otherwise, the art is in Excellent condition.
E. C. Segar Popeye Daily Comic Strip Featuring the Jeep Original Art dated 6-2-36 (King Features Syndicate, 1936). Olive Oyl can't handle the truth. The whimsical, mystical, magical critter known as the Jeep takes center-stage in this hilarious episode. This daily has an image area of 20.5" x 4.5", and the art is in Excellent condition.
Mike Sekowsky and Jack Abel Metal Men #34 Cover Original Art (DC, 1968). Sekowsky was a master at designing dramatic "team book" scenes, and this dynamic composition must rank among his finest Silver Age covers. This sterling piece has an image area of 10" x 15", and the art is in Excellent condition. Also included in this lot are the cover's color guide and a copy of the comic book.
John Severin Two-Fisted Tales #38 Complete 6-page Story "Bullets" Original Art (EC, 1954). Severin's peerless talent for drawing "period pieces" is showcased in this story, set south of the Khyber Pass, in the northwest frontier between India and Afghanistan. Colin Dawkins, the writer of the cover story for issue #38, has acknowledged that he based this tale on Rudyard Kipling's story, "Slaves of the Lamp, Part 2," from the book Stalky and Co. Each page of "Bullets" was drawn at a smaller size than most EC art, yet Severin still managed to fill each scene with superb detail and a tapestry of visual textures. Each page has an image area of 8.75" x 12", and the art is in Excellent condition.
John Severin Cracked #203 Complete 7-page Story "The A-A-Ayy Team" Original Art (Major Magazines, 1984). In 1984, a Cracked comic artist was sent to draw this satire. If you have a problem, if no other art can help, and if you can find the bid sheet, maybe you can acquire... "The A-A-Ayy Team." We pity the fool who passes up this seven-page John Severin tale, poking fun of the television program, The A Team. Rendered in ink with an ink wash, each page has an approximate image area of 13" x 16". In Very Good condition.
Marie Severin and Frank Giacoia The Incredible Hulk #105 Cover Original Art (Marvel, 1968). The terrifying power of the Hulk erupts with the force of a gamma-ray bomb on the cover on this, the fourth issue of his Silver Age re-launch title. This Silver Age showstopper has an image area of 10" x 15", the pasted on stats are loose, and the Comics Code stamp is missing; otherwise, the art is in Very Good condition.
Harold Shuli Famous Monsters of Filmland #81 Jungle Captive Cover (Warren, 1970). You axed for it - "The Ape Girl lives again." This classic FM cover was based on a scene from the 1944 Universal film Jungle Captive. All choking aside FM fan-addicts, this heart-stopping "monster-piece" has to be seen in person to fully appreciate the blood-chilling colors and breath-taking brushwork. This acrylic on masonite painting has an overall size of 17.75" x 24", and the art is in Excellent condition. A copy of the magazine is included in this lot.
Joe Shuster George Roussos Sketchbook Batman and Superman Illustration Original Art Signed by Jerry Siegel (c. 1942). Superman's creators pay homage to fellow comics creator Roussos with this signed sketch, and how often do you see a Shuster drawing featuring both Batman and Superman? This page has an overall size of 9" x 11.75", and the condition of the art is Very Good.
Bill Sienkiewicz and Klaus Janson Moon Knight #6 page 1 Splash Page Original Art (Marvel, 1980). This early Moon Knight splash page is about as perfect as you can get, as Marc Spector (in costume) leaps dramatically from his Mooncopter. The page is signed and personalized "To Dan" by artist Bill Sienkiewicz. This page has an image area of 10" x 15", and outside of some whiteout and some minor light stains, is in Excellent condition.
Bill Sienkiewicz Elektra: Assassin #4 page 18 Original Art (Marvel, 1986). With Elektra: Assassin, Sienkiewicz broke new ground in graphic storytelling with an avant-garde approach to mixed-media materials and the comic book page. This page from "Young Love" has an image area of 10" x 15", and the art is in Excellent condition.
Dave Sim Cerebus #88 Cover Original Art (Aardvark-Vanaheim, 1986). Cerebus' creator had an inspiration in the seventies, and he single-handedly heralded the independent movement, which reached its zenith in the early 1990s. Because Cerebus is so admired by fans, getting a chance to acquire an original cover is rare - this is only the fourth one we've offered to date. This piece has an image area of 9" x 11", and the art is in Excellent condition.
Joe Simon Captain America Painting Original Art (c. 1980). The glory of the Golden Age of comics is captured in this dazzling portrait of Captain America, painted by his co-creator, and a true living legend of the comic book field, Joe Simon. This piece has an overall size of 15" x 20", and the art is in Excellent condition. The piece was signed by Joe Simon and his fellow Marvel writer-editor, Stan Lee.
Joe Sinnott Thor #280 Cover Original Art (Marvel, 1979). Who's stronger - Superman or the mighty Thor? We may never know, but it looks like this bout between Hyperion and Thor would make a grand tune-up fight for such a world-shattering event (one of the worst-kept secrets in comics was that the Squadron Supreme was a nod to DC's Justice League, with Hyperion in the Man of Steel role) . Inker supreme Sinnott demonstrates his considerable penciling ability in this Bronze Age knockout. No stranger to the Thunder God, Sinnott also penciled some of the early Thor yarns, way back in 1963. This piece has an image area of 9.75" x 15". The title logo and word balloons are replacements, and there are a few stains; otherwise, the art is in Excellent condition. Sinnott signed this cover four times.
Barry Smith, Tom Sutton, and Tom Palmer Conan the Barbarian #8 page 5 Original Art (Marvel, 1971). Barry Smith's superb storytelling and detailed panel art were in full bloom when this issue hit the stands, and as all Bronze Age Marvelites know, Smith proved himself a perfect fit for Conan. Smith's Conan pages are scarcely offered in the marketplace, and as a result, we have auctioned less than ten to date. The brawny barbarian stars in every panel of this suspenseful page from "The Keepers of the Crypt." This piece has an image area of 10" x 15" and it has been matted and framed to an overall size of 14" x 20". The art is in Excellent condition.
Barry Windsor-Smith Uncanny X-Men #186 "Lifedeath" Cover Original Art (Marvel, 1984). A whole generation of young readers was blown away when this issue hit the stands - most 1980s kids were too young to know Barry Smith's earlier work on Conan et. al., and Marvel picked the perfect showcase for the artist's stunning talent. Storm and Forge (in his first appearance) star in this lyrical cover scene for the tale, "Lifedeath." X-Men scribe Chris Claremont has cited "Lifedeath" and "Lifedeath II" as two of his favorite Storm stories, and these stories have remained powerful and integral parts of Storm's narrative. This Marvel milestone has an image area of 9.75" x 15", and the art is in Excellent condition.
Kenneth Smith The Beach Boys Illustration Original Art (1977). This evocative, surreal water and acrylic illustration has an image area of 17.5" x 11", and the art is in Excellent condition.
Kenneth Smith I -- Alien Paperback Cover Illustration Original Art Group (Ace Books, 1978). This richly hued and ultra-detailed cover illustration for Michael Reaves' sci-fi book has an image area of 14" x 11". Also included in this lot is a finely textured ink on paper preliminary illustration with an image area of 10.75" x 8.5". Both pieces are in Excellent condition.
Jim Starlin and Joe Sinnott Marvel Feature #12 Thing page 18 Original Art (Marvel, 1971). It's clobberin' time for the Blood Brothers. This ever-lovin' Starlin page has an image area of 10" x 15", and aside from some tape residue stains along the borders, the art is in Excellent condition.
Jim Starlin and Frank Giacoia Avengers #120 Cover Original Art (Marvel, 1974). "Face to face with the death-dealing legion called - Zodiac." This battle royal from "The Death-Stars of the Zodiac," spotlighting Captain America, Iron Man, Thor, and the Vision has an image area of 9.75" x 15". Aside from a missing caption at the lower left, and a few small stains, the art is in Excellent condition.
Jim Starlin Captain Marvel #36 Hand Colored Splash Page 1 Original Art (Marvel, 1974). Take a good look at this stellar, hand-painted splash - it's the only Captain Marvel series page one splash penciled, inked, and painted by Starlin. This scintillating first page framed this issue's story, "The Coming of Captain Marvel," which reprinted the first appearance of Captain Marvel, from Marvel Superheroes #12. The image area measures 10" x 15" and aside from some glue and tape stains, mostly outside of the image area and some missing lettering corrections at the bottom of the page, the art is in Very Good condition.
Jim Starlin and Dan Adkins Giant-Size Defenders #3 Hand-Colored Splash page 6 Original Art (Marvel, 1975). When the Grandmaster plays -- the prize is Earth! Sub-Mariner, Hulk, Dr. Strange, Valkyrie, Nighthawk, and Daredevil star in this overwhelming page, hand colored in watercolor and colored pencil, with an image area of 10" x 15". There is some printer's oil staining in the second word balloon at the upper left; otherwise, the condition is Excellent.
Tom Sutton and Chic Stone Marvel Spotlight #9 Ghost Rider Title page 1 Original Art (Marvel, 1973). The flaming-skulled cyclist named Johnny Blaze plummets to a certain death at the bottom of a canyon in this title page for the yarn, "The Snakes Crawl at Night." The art has an image area of 10" x 15". Aside from some printer's oil staining and tape residue along the edges, the work is in Very Good condition. Signed by Tom Sutton at the lower right.
Tom Sutton and Jim Mooney Marvel Spotlight #10 Ghost Rider page 2 Original Art (Marvel, 1973). Ghost Rider makes a desperate midnight ride to save Roxanne's life in this feverishly-paced page from "The Coming of Witch-Woman." The art has an image area of 10" x 15". In Excellent condition. Signed by Tom Sutton at the lower left.
Tom Sutton and Jim Mooney Marvel Spotlight #10 Ghost Rider page 19 Original Art (Marvel, 1973). With two motorcycle cops on his tail, the Ghost Rider rides himself into a dead end on a lonely stretch of highway in this page from "The Coming of Witch-Woman." The art has an image area of 10" x 15" and it is in Excellent condition.
Tom Sutton and Syd Shores Ghost Rider #1 page 16 Original Art (Marvel, 1973). Hot shot cyclist, Bart Slade, rides a ramp to either fame or disaster as he attempts to cross a vast canyon on his bike, in this page from "A Woman Possessed." The art has an image area of 10" x 15" and it is in Excellent condition. Signed by Tom Sutton in the final panel.
Bruce Timm The Batman Sketch Original Art (undated). From Les Daniels' Batman: The Complete History, here's a dynamic sketch of the Gotham Guardian by one of the key creative forces behind the highly-regarded Batman:The Animated Series. Timm often did not date his work - this is from the early '90s. It has an overall size of 8.5" x 11", and was drawn on light paper stock, with blue-line pencil and ink. Timm sketches of the Batman are in high-demand, and this is a spectacular image of the Dark Knight.
Angelo Torres Mad #380 Complete 4-page Story "Flushmore" Original Art (EC, 1999).
The laughs are non-stop in this 4-pager from Mad's "Movie of the Geek Dept." Angelo Torres' caricatures of Bill Murray and the cast of Rushmore are a scream. Each page has an approximate image area of 17" x 21", and the art is in Excellent condition.
The laughs are non-stop in this 4-pager from Mad's "Movie of the Geek Dept." Angelo Torres' caricatures of Bill Murray and the cast of Rushmore are a scream. Each page has an approximate image area of 17" x 21", and the art is in Excellent condition.
John Totleben Swamp Thing #162 Cover Original Art (DC, 1996). John Totleben's mastery of crosshatching is showcased to full effect in this evocative cover scene for "Telephone Calls from the Dead." There are several pencil studies for this composition on the back of the page. This piece has an overall size of 11.5" x 17", and the art is in Excellent condition.
Herb Trimpe Conan the Barbarian #33 Cover Original Art (Marvel, 1973). Everyone's favorite sinewy Cimmerian is faced with "The Gauntlet of the Seven Deaths" in this Bronze Age bruiser. This "Happy" Herb Trimpe cover has an image area of 10" x 15". There are a few stains, and a few pieces of vintage production era tape used to hold down type elements; otherwise, the art is in Excellent condition.
Garry Trudeau Doonesbury Daily Comic Strip Original Art dated 6-23-71 (Universal Press Syndicate, 1971). Pulitzer Prize-winning cartoonist Trudeau has been documenting the life stories of his Doonesbury characters since October 26, 1970, and this daily from within a year of the feature's debut was inscribed and signed in its lower border. This piece, the earliest example we have offered to date, has an image area of 14.5" x 4.5", and it has been matted and framed to an overall size of 30" x 14.5". The art is in Excellent condition.
Michael Turner and D-Tron Witchblade #19 Cover Original Art (Image, 1997). Ian Nottingham manifests the powers of both the Witchblade and the Darkness in this macabre cover illustration penciled by Michael Turner and inked by D-Tron. The art is framed and matted to an image area of 10" x 15" and it is in Excellent condition.
George Tuska Captain Marvel Adventures #2 page 44 Original Art (Fawcett, 1941). "The Big Red Cheese" is showcased in every panel on this page by the great George Tuska. A superb example from one of the earliest issues of the popular, long-running series. Note that the art has "Marvel One Shot #3" written at the top of the page; Special Edition Comics was considered the first issue at the time. The art has an image area of 13" x 18", and it is in Excellent condition.
George Tuska and Mike Esposito Iron Man #23 Cover Original Art (Marvel, 1970). The thunder of a deck gun shatters the stillness over the chill of the Atlantic as Iron Man weaves through a deck gun barrage when hunter and hunted clash, in this explosive scene for "The Man Who Killed Tony Stark." The main scene, caption, and title logo were cut out, positioned, and pasted down, a common production practice at Marvel in this era. This Bronze Age bombshell has an image area of 10" x 15". Aside from some light glue staining and touches of white-out for art corrections, the art is in Very Good condition.
George Tuska and Ernie Chan Daredevil #98 Cover Original Art (Marvel, 1973). Daredevil and the Black Widow battle the menace of Macabee in this cataclysmic cover scene for the late Steve Gerber's yarn, "Let There Be Death." One of the Disciples of Doom, the murderous Macabee has the power to manipulate the four elements -- earth, fire, air, and water. It seems this vile villain has a score to settle with the Black Widow because she belted him with a flying drop-kick in the previous issue. This Bronze Age beauty has an image area of 10" x 15". The various elements of the cover were pasted together and there are a few small stains; otherwise, the art is in Very Good condition.
George Tuska and Mike Esposito Iron Man #63 Splash Page 1 Original Art (Marvel, 1973). It's Iron Man to the rescue in this storm-swept splash from "Enter Dr. Spectrum." This Bronze Age bonanza has an image area of 10" x 15", and aside from some production process stains along the left and right edges, the art is in Very Good condition.
Boris Vallejo She Vampire Painting Original Art (1983). Boris' fetching portrait of a sensuous she vampire has an image area of 10" x 16". This piece has been matted and framed to an overall size of 19" x 24", and the art is in Excellent condition.
Boris Vallejo Perseus Defeats Medusa Painting Original Art (1988). In this Boris mythological masterwork, based on the famous Greek myth, Perseus is about to destroy Medusa, the once-beautiful woman whose hair had been changed into snakes by Athene. To aid Perseus in his deadly mission, Athene presented him with a highly-polished shield to use as a mirror. Thus, in the fateful battle, he was able to avoid looking directly at Medusa herself. This piece has an image area of 19" x 19", and it has been matted and framed to an overall size of 27" x 27". The art is in Excellent condition.
Mort Walker Beetle Bailey Sunday Comic Strip Original Art dated 11-11-62 (King Features Syndicate, 1962). Sarge and Rocky co-star in this uproarious Sunday. This rib-tickler has an image area of 20" x 14", and aside from some stains in the logo and some stains in the last panel, the art is in Very Good condition.
Alvin S. White Studio Disney Characters Christmas Painting Original Art (undated). A colorful Christmas scene of Dumbo, candy cane in trunk, pulling a golden sleigh far above the North Pole. Santa's helpers Timothy Q. Mouse, Mickey Mouse, Goofy, and Pluto are ready to hand out jolly gifts. Meanwhile, Donald Duck wraps the entire globe in a bright yellow ribbon. This attractive illustration came from the Alvin S. White Studios, producers of many Disney Press children's books. The overall size of the art board measures 18" x 18.25", and is in Excellent condition. Gear up for the holidays with mistletoe, candy canes, and Mickey Mouse!
Bob Wiacek Man-Thing V2#10 Cover Original Art (Marvel, 1981). The Man-Thing strikes back in this incendiary cover scene, drawn for the next-to-last issue of the second volume of the Marvel muck-monster's title. This piece has an image area of 10" x 15", and the art is in Excellent condition.
George Wildman Looney Tunes #282 Complete 12-page Story "Chateau Snow" Original Art (DC, 1993). Both Daffy and Elmer take a few days off and head to the slopes for some winter fun in this twelve-page gagfest. Guess who winds up being chipped out of a solid block of ice... again? George Wildman's wacky way with a brush provides some top-notch graphics. Ink and blue pencil on bristol; a few panels use photostats and white-out. Signed on the first page. Image area is approximately 10" x 15", and all pages are in Excellent condition. As a bonus, this lot also includes photocopies of Wildman's original penciled pages, plus Wildman's copy of the typed script by John Walker.
Kent Willliams Island Zombie Painting Original Art (undated). This eerie island tableau was rendered in mixed-media, in Williams' loose and gestural style. This piece was created for a "Charity By Numbers" auction. The charity gave completed paint-by-numbers paintings to participating artists to modify and/or paint over. This work is framed to an overall size of 15" x 18.5", and the art is in Excellent condition. The art was signed with initials at the lower right.
Al Williamson and Frank Frazetta John Wayne Adventure Comics #8 Complete 12-page Story "The Weeping Walloper" Original Art (Toby Press, 1951). Two of the greatest talents in comics teamed to create this rough and tumble 12-page thriller - what more could any Western fan ask for? Each page has an image area of 12" x 18". Pages 1-7 were drawn on bristol board, while pages 8-12 were drawn on heavier illustration boards. Aside from tape residue stains in the borders (outside the image areas), the pages average Very Good condition. Williamson signed two of the pages, and Frazetta initialed the first page next to Williamson's signature.
S. Clay Wilson Waiting For the Other One Illustration Original Art Group (1962-01). Wilson completed this Western-themed oil on canvas painting when he was a twenty-one year-old art student at the University of Nebraska, and it remained in his possession for many years. When a friend persuaded him to sell the piece, Wilson added a second version, done in inks and watercolors, showing that the "one" the cowboy was waiting on was none other than the Checkered Demon! The painting measures approximately 13.5" x 17.75", framed to 16.5" x 20.5"; the later piece is approximately 5" x 7", matted and framed to 10.75" x 14". Both are in Excellent condition. As a bonus, there's an additional sketch on an envelope, included with the later piece.
S. Clay Wilson Mexican Reputation Seeker Painting Original Art (1962). This rare early oil on canvas painting by legendary Underground cartoonist S. Clay Wilson was considered the artist's favorite piece of art, hanging in his studio for many years. It's being offered to the general public for the first time. Approximate image size is 13.75" x 13.75", and has been professionally framed for an overall size of 20.5" x 20.5". In Excellent condition.
S. Clay Wilson and Skip Williamson Underground Comix Hall of Fame Poster Illustration Original Art (1992). Underground Comix legends S. Clay Wilson and Skip Williamson collaborated for this rare piece, which was sent back and forth through the mail until both artists had finished. It's packed with detail, meaning it took a lot of mailings! The Checkered Demon and Snappy Sammy Smoot both appear. The ink on board piece has an image area of approximately 11" x 9.5"; it's been professionally framed to an overall size of 18" x 17", and is in Excellent condition. A copy of the printed poster is included.
Tom Wood Clock Cleaners Illustration Original Art (Good Housekeeping, 1937). Clock cleaners Mickey Mouse and Donald struggle to clean a cuckoo clock in this Tom Wood illustration. This set of ink and watercolor illustrations was published in Good Housekeeping magazine, and recently reprinted on page 129 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board for an approximate size of 17" x 24", and is in Excellent condition.
Tom Wood Goofy and Wilbur Illustration Original Art (Good Housekeeping, 1939). Goofy and his pet grasshopper Wilbur go fishing in this splashy set of ink and watercolor illustrations originally published in Good Housekeeping magazine. Recently reprinted on page 199 of Mickey and the Gang, the art has been professionally matted with linen-covered board for an approximate size of 18.5" x 26". In Very Good condition.
Wally Wood Weird Science #21 Cover Original Art (EC, 1953). Few science fiction/fantasy "cover hooks" are used as often as that of a beautiful "good girl" being saved from the clutches of an alien monster by a handsome hero. But when the artist is the talented Wally Wood, EC fan-addicts are sure to cry out, "One more time!" Wood's hard work was legendary. Fellow artist Roy Krenkel's anecdote about Wood's work schedule is typical, "You'd come to Wally's door, and you'd realize Wally had been up all night. The door finally, slowly, opens, and Wally stands there with an absolutely glazed look in his eyes, totally incapable of focusing. The guy was totally obsessed with work. Why it didn't kill him, I'll never know." Wood's hard work paid off and his EC work made him a legend in the comic book field. This sensational cover has an image area of 13.25" x 20". The "Incredible Science-Fiction Stories" banner at the bottom of the page is a replacement, and the cover has been professionally restored to Excellent condition.
Wally Wood Mad #4 "Superduperman" Title page 1 Original Art (EC, 1953). Shazoom! - don't miss your chance to win this mind-blowing title page from the superhero lampoon that secured the future of Mad and EC - it's a bona fide "Mad-sterpiece" by two of the greatest talents in the history of comics. This was the first issue of Mad to sell well, and it was also the first time Mad satirized something other than a EC comic. As Maria Reidelbach noted in Completely Mad, "Mad was developing a following, and it wasn't entirely made of the usual comic book fans." Wood packs in the hilarious side-jokes and background gags, filling the panels with what he dubbed "clutter," and what Kurtzman called "chicken fat." Legend has it that DC threatened a lawsuit against EC for this savage Superman parody, but the usual gang of idiots at Mad simply ignored the threat - what, them worry? This page has an image area of 13" x 18". Panel two was drawn on a separate piece of Craftint paper, and it was carefully taped into a hole cut into the bristol board (on the back of the page) by Wood; otherwise, the art is in Excellent condition.
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Wally Wood Two-Fisted Tales #33 "Signal Corps" Cover Original Art (EC, 1953). Wood fans take note, Wood only drew six New Trend war covers for EC, and of those, only two were for Two-Fisted Tales. One of the most talented artists to illustrate the pages of EC' s titles, Wally Wood's tour de force covers are highly coveted by art fan-addicts. Whether he was drawing mind-boggling science fiction scenes, outrageous satire, or, as in this cover, compelling war scenes based on the day's current battles, Wood always delivered, with a tightly focused attention to detail that few cartoonists, if any, could match. This explosive cover has an image area of 13.5" x 19.5", and the art is in Excellent condition.
Wally Wood Three Dimensional EC Classics "V-Vampires" page 5 Original Art (EC, 1954). For EC's debut into the 3-D craze, four fan-favorite yarns, one from each of the titles, Mad, Weird Science, Frontline Combat, and Crime SuspenStories, were retold in this one-shot, published in the Spring of 1954. This is page 5 of Wood's reworked version of the Mad #3 classic, "V-Vampires." The art is rendered on Craftint paper and four pieces of acetate, each piece having art and consecutively numbered pages. The five pieces were then stacked together, with eye-popping results. The 3-D effect is striking, and then there's added attraction of the voluptuous Godiva-- a Wood specialty. Aside from some mild aging of the acetate and some very minor paint loss, this art is in Excellent condition.
Wally Wood Mad #54 "Around the World with U.S. Television" page 5 Original Art (EC, 1960). From the "Variations on a Screen Dept." comes the laugh-riot "Honorable Father is Wisest," and it's chockfull of hallmarked and hilarious Wood detail. This piece has an image area of 16.5" x 21". The page was cut between panel tiers one and two and later rejoined with tape on the back; otherwise, the art is in Excellent condition.
Wally Wood T.H.U.N.D.E.R. Agents #1 page 2 Original Art (Tower, 1965). T.H.U.N.D.E.R.'s top scientist, the greatest mind in the world, has just been murdered by the minions of the Warlord, in the Silver Age milestone, "First Encounter." As comics historian Mike Benton noted in his Masters of Imagination, "Wally Wood was the undisputed master of inking and he used light and shadow to create rich effects of reflection, depth, and contrast seldom seen in comics. Black ink defined Wood's work and his bold outlines and black draping made his art instantly recognizable." This masterwork has an image area of 12" x 18", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Wally Wood and Dom Sileo Military News First Appearance of Sally Forth W. A. C. Comic Strip Original Art (Armed Forces, 1968). The origins of Wood's character Sally Forth are detailed in Bhob Stewart and Jim Vadeboncoeur Jr.'s Wallace Wood Checklist. Wood recalled, "It all started in 1968 when I was asked to do a complete comic section for a proposed tabloid newspaper for servicemen." Among the proposed features was a half-page feature Wood felt had a great name for a comic heroine - Sally Forth. When Wood revived the character, she went on for a two-and-a-half year run in Overseas Weekly. This lot also contains the companion strip for this page, "Joe's Bar and Grill," signed by Wood collaborator Dom Sileo. This piece has a combined image area of 18.5" x 24.5". This page was cut into two pieces and later rejoined with tape on the back of the page. Aside from yellowed tape and tape residue stains, the art is in Very Good condition.
Wally Wood Sally Forth Comic Strip #S105 Original Art (Wood and Richter, 1973). Humor, fantasy, and erotic art - Sally Forth was Wood's idea of the perfect comic strip feature for the military papers! This episode, co-starring Snorky and Q. P. Dahl, was drawn on two boards, each with an image area measuring 16.5" x 10.25", and aside from a torn corner (outside the image area), the art is in Excellent condition.
Wally Wood Sally Forth Comic Strip #S92 Original Art (Wood and Richter, 1973).
Sally forth into sexy satire with Wood's pert and perky answer to Playboy's Little Annie Fanny. This episode was drawn on two boards, each with an image area measuring 16.5" x 10.25", and the art is in Excellent condition.
Sally forth into sexy satire with Wood's pert and perky answer to Playboy's Little Annie Fanny. This episode was drawn on two boards, each with an image area measuring 16.5" x 10.25", and the art is in Excellent condition.
Wally Wood Cannon Comic Strip #C-93 Original Art (Wood and Richter, 1973).
Comic book hall-of-famer Wood was among the most talented of all action-adventure cartoonists. From 1970-74 Wood wrote and drew Cannon, an adult comic strip for a newspaper distributed exclusively to military bases. This episode spotlights an interoffice romance featuring Cannon's exceptionally voluptuous co-worker Elena. The art consists of two separate pieces that have since been rejoined with tape - the top half has an image area of 17" x 12.75" and the lower half has one of 17" x 10.5". Aside from some glue stains around the title logo, the art is in Excellent condition.
Comic book hall-of-famer Wood was among the most talented of all action-adventure cartoonists. From 1970-74 Wood wrote and drew Cannon, an adult comic strip for a newspaper distributed exclusively to military bases. This episode spotlights an interoffice romance featuring Cannon's exceptionally voluptuous co-worker Elena. The art consists of two separate pieces that have since been rejoined with tape - the top half has an image area of 17" x 12.75" and the lower half has one of 17" x 10.5". Aside from some glue stains around the title logo, the art is in Excellent condition.
Wally Wood The Magazine of Mail Order Collector's Press Newsletter #16 Cover Illustration Original Art (Collector's Press, 1979). Sexy Sally Forth, Snorky, a weird sci-fi menace, and the wicked wit of Wally Wood - this gorgeous cover for a mail order catalog/newsletter has it all. This piece has an image area of 12" x 17", and the art is in Excellent condition.
Bernie Wrightson Badtime Stories "King of the Mountain, Man" page 29 Original Art (Graphic Masters, 1971). The offbeat humor of horror master Wrightson is showcased in this beautifully inked page, and it is very much in the EC tradition of Jack Davis and Graham Ingels. These scenes from "King of the Mountain, Man" feature the hallmarked Wrightson brushwork, but his wicked sense of humor is really the focus. This piece has an image area of 12" x 17.25", and the art is in Excellent condition. Wrightson signed the page at the lower right.
Bernie Wrightson Swamp Thing #3 Splash page 1 Original Art (DC, 1973). The grotesque creature that was once a man, the Swamp Thing, looks down upon the Balkan village as the morning sun arises. This memorable opening scene began one of the original Swamp Thing's most interesting stories, The Patchwork Man. Written and drawn by the red-hot young team of Len Wein and Bernie Wrightson, this was DC Bronze Age at its best. This magnificent splash page has an image area of approximately 10" x 15", and includes the original pasted-on logo art and indicia type. There is old tape on all four sides, but this hardly detracts from the glorious Wrightson ink on bristol artwork.
Bernie Wrightson Swamp Thing #9 page 19 Original Art (DC, 1974). The Swamp Thing gets a helping hand from an amiable alien, who takes over the role of the "misunderstood monster" for the yarn, "The Stalker From Beyond." This Bronze Age bombshell has an image area of 10" x 15", and aside from closely trimmed borders and a few tape residue stains on the edges of the page, the art is in Excellent condition. Wrightson signed the page at the lower right.
Bernie Wrightson Freak Show page 24 Original Art (Heavy Metal, c.1982).
In this finely rendered chiller, Wrightson's linework is reminiscent of one of his artistic idols, illustrator Franklin Booth. This page has an image area of 11.5" x 16.5". The word balloons are all unlettered (the finished lettering was added in later during a production stage), and the art is in Excellent condition. This page was signed in its lower border by Wrightson.
In this finely rendered chiller, Wrightson's linework is reminiscent of one of his artistic idols, illustrator Franklin Booth. This page has an image area of 11.5" x 16.5". The word balloons are all unlettered (the finished lettering was added in later during a production stage), and the art is in Excellent condition. This page was signed in its lower border by Wrightson.
Chic Young Blondie Hand Colored Sunday Comic Strip Original Art dated 8-29-54 (King Features Syndicate, 1954). This beautifully colored episode has an image area of 16.75" x 14.75". The strip was cut between panel tiers two and three and later rejoined with tape; otherwise, the art is in Excellent condition.
Animation Art
Bambi Production Cel with Courvoisier Background Original Art (Disney, 1940). This exquisite hand-inked and hand-painted masterpiece includes a Courvoisier background. The cel is framed and matted to a 4" x 5" image area. Some paint loss; otherwise the art is in Good condition.
Mary Blair Cinderella Animation Concept Painting Original Art (Disney, 1950). Cinderella's magical coach makes its way towards the Prince's castle, in this dazzling Mary Blair concept painting. Rendered in tempera on heavy illustration paper, the art has an image area of 7.75" x 6.25". In Very Good condition.
Mary Blair Alice in Wonderland Animation Concept Painting Original Art (Disney, 1951). Alice is pursued by the Queen of Hearts' army through the maze in this wondrous concept sketch created by Mary Blair for Disney's thirteenth animated feature film. Rendered in tempera on heavy illustration paper, the art has an image area of 7.5" x 6.5". In Very Good condition.
Mary Blair Alice in Wonderland Animation Concept Painting Original Art (Disney, 1951). The Carpenter leads a row of oysters in this playful Mary Blair concept sketch. Rendered in tempera on heavy illustration paper, the art has an image area of 7.75" x 5.75". In Very Good condition.
Mary Blair Peter Pan Animation Concept Painting Original Art (Disney, 1953). Peter Pan and Tinker Bell make their way to the Darling residence in this concept painting by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9.25" x 5.75". In Very Good condition.
Mary Blair Peter Pan Animation Concept Painting Original Art (Disney, 1953). Captain Hook and one of his crew explore an exotic island by lamplight in this moody concept painting by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9.25" x 5.75". In Very Good condition.
The Brave Little Tailor Animation Production Cel and Courvoisier Background Original Art (Disney, 1937). In the 1937 Mickey Mouse short film, The Brave Little Tailor, Mickey's tale of how he killed seven (flies) with one blow impresses the king enough to appoint him "Royal High Killer of the Giant". This hand-inked and hand-painted cel with a Courvoisier background is framed and matted to an image area of 7.5" x 6.5". In Very Good condition.
Eyvind Earle Lady and the Tramp Animation Concept Painting Original Art (Disney, 1955). Lady and Tramp make their way to a park, in this Eyvind Earle concept sketch. Rendered in tempera on heavy illustration board, the art measures 10" x 5.5", and it is in Excellent condition. Signed by Eyvind Earle on the bottom right.
Eyvind Earle Sleeping Beauty Animation Concept Painting Original Art (Disney, 1959). This elegant image by Eyvind Earle of a royal coach in transit was rendered in tempera on heavy illustration board. The art measures 10" x 5", and it is in Excellent condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle Sleeping Beauty Animation Concept Painting Original Art (Disney, 1959). The Prince braves the deadly Maleficent in her guise as a dragon, in this striking Eyvind Earle concept painting. Rendered in tempera on heavy illustration board, the art measures 10" x 5", and it is in Excellent condition. Signed by Eyvind Earle at the bottom right.
Fantasia Production Cel Set-Up with Courvoisier Background Original Art (Disney, 1940). Wood sprites and milkweed ballerinas fill this delicately rendered animation cel set-up. Set against a Courvoisier background, the cel is framed and matted to a 9" x 7.25" image area. In Very Good condition.
Ward Kimball Mars and Beyond Character Concept Sketch Original Art (Disney, 1957). One of Disney's illustrious Nine Old Men, Ward Kimball created this otherworldly creature for Mars and Beyond, an episode of the 1957 TV show Disneyland. Painted in tempera on heavy illustration board, the art measures 5.25" x 6", and it is in Excellent condition. Signed by Ward Kimball at the bottom right.
The Mail Pilot Animation Production Drawing Original Art (Disney, 1933). Valiant mail deliverer Mickey Mouse is hoisted upon the remnants of his mail plane, in this original animation drawing (OPD #22A). Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper. Aside from some paper tanning, and light buckling, the art is in Very Good condition.
Moose Hunters Animation Production Background Painting Original Art (Disney, 1937). Gorgeous hand-painted background from the 1937 Disney short, Moose Hunters. This lovely forest scenario, rendered in watercolor, is from Scene 32 and the art measures 12.25" x 9.5". There are staples in the upper and lower edges (outside of the image area); otherwise the art is in Very Good condition.
Peter Pan Animation Production Drawing Original Art (Walt Disney, 1953). The boy who will not grow up looks amazed in this original production drawing (OPD #81) from Disney's 1953 production. Rendered in graphite on a sheet of 16 field animation paper (15.5" x 12.5"). Aside from some slight paper tanning and light edge wear, the art is in Very Good condition.
Pinocchio Stromboli and Pinocchio Animation Production Cel and Background Original Art (Disney, 1940). The domineering puppeteer Stromboli attempts to placate the little wooden boy, Pinocchio, in this multi-layered hand inked and hand painted cel with original watercolor background. The image area measures 14.5" x 11". Matted and framed and in Excellent condition.
Pinocchio Animation Production Drawing Original Art (Disney, 1940). This appealing image of Gepetto's doll includes shadow notes for the effects department. Rendered in graphite, red and green pencil on a 12-field sheet of animation paper (12" x 10", OPD #C30A), this piece includes a Disney studio stamp. There is some paper tanning; otherwise the condition is Very Good.
Pinocchio Animation Production Drawing Original Art (Disney, 1940). The craftsmanship of the Disney animation department shows in this sparkling production drawing of Pinocchio, which comes complete with shadow indications for the effects department. Rendered in graphite, red and green pencil on a 12-field sheet of animation paper (12" x 10", OPD #C37), this piece includes a Disney studio stamp. There is some paper tanning; otherwise the condition is Very Good.
Pinocchio Animation Production Cel (Disney, 1940). Pinocchio gets carried away in a Cossack dance number, in this remarkable cel from the "I Got No Strings" song number of Disney's second animated feature, Pinocchio. Fine hand-inking, and painting hallmark this exquisite piece of animation history. The cel measures 12.25" x 9.75", and it is in Very Good condition. The background is color photocopy presentation art. Includes a Certificate of Authenticity.
Pinocchio Animation Production Cel and Courvoisier Background Original Art (Disney, 1940). Finally freed from Monstro's monstrous gullet, Jiminy Cricket faces more danger in this picturesque hand-inked and hand-painted cel with a Courvoisier background. Framed and matted to an image area of 8" x 6.75", the work is in Very Good condition.
Who Framed Roger Rabbit Production Cel Set-Up Original Art (Disney, 1989). Roger Rabbit takes Benny the Cab on a wacky joyride in this hand-painted original animation cel set-up presented on a photographic print background. The set-up measures 17" x 12.5" and it is in Excellent condition.
Roller Coaster Rabbit Baby Herman Cel Set-Up Original Art (Disney, 1990). Hand-painted cel set-up from the second animated Roger Rabbit short, produced after the 1988 film, Who Framed Roger Rabbit. Each cel measures 17" x 12.5", and is in Excellent condition.
Sleeping Beauty Animation Production Cel with Presentation Background Original Art (Disney, 1959). The evil fairy, Maleficent, magic staff raised, is at her nefarious best in this hand-painted original production cel from Disney's sixteenth animated feature, Sleeping Beauty. Animated by Disney legend Marc Davis, this scene inspired a limited edition cel from the Disney Studio. It is presented on a photographic image from the same scene. Framed and matted to an image area of 13.5" x 10.5". In Excellent condition.
The Steeple Chase Animation Layout Drawing Original Art (Disney, 1933). Mickey runs into the stable to grab a couple of stable hands to use in place of his drunk horse, in this breezy layout drawing from the 1933 short. Rendered in graphite, red and blue pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning and edge wear; otherwise the condition is Very Good.
Gustaf Tenggren Pinocchio Geppetto's Store Front Concept Illustration Original Art (Disney, 1940). A light snow falls on this indelible image of Geppetto's store front by Gustaf Tenggren. Attractively matted and framed, this beautiful watercolor concept illustration has an image area of approximately 14" x 10". In Excellent condition and signed by Gustaf Tenggren at the bottom right.
Session 3
Golden Age (1938-1955)
Action Comics #25 (DC, 1940) CGC VG- 3.5 Cream to off-white pages. Joe Shuster cover. CGC notes, "2 pieces of tape on 2 center wraps at staples." Overstreet 2008 VG 4.0 value = $654. CGC census 1/09: 1 in 3.5, 9 higher.
Action Comics #59 (DC, 1943) CGC Apparent VF 8.0 Slight (P) Off-white to white pages. Jack Burnley cover. CGC notes, "Restoration includes: cover cleaned & pressed, spine splits sealed to cover." Overstreet 2008 GD 2.0 value = $131; VG 4.0 value = $262; FN 6.0 value = $393; VF 8.0 value = $819.
Adventure Comics #94 (DC, 1944) CGC VF- 7.5 Off-white to white pages. Jack Kirby cover featuring the Sandman. Overstreet 2008 VF 8.0 value = $606. CGC census 1/09: 3 in 7.5, 9 higher.
Adventure Comics #103 (DC, 1946) CGC Apparent VF+ 8.5 Slight (P) Cream to off-white pages. Aquaman, Green Arrow, Johnny Quick, and Superboy all move over from More Fun Comics #107. Joe Shuster cover. CGC notes, "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $317; VG 4.0 value = $634; FN 6.0 value = $951; VF 8.0 value = $1,981.
All-American Comics #1 (DC, 1939) CGC Apparent VF- 7.5 Slight (P) Off-white to white pages First appearances in the premiere issue included Hop Harrigan and Scribbly. CGC notes, "Restoration includes: spine splits sealed to cover, cover reinforced." Overstreet 2008 GD 2.0 value = $704; VG 4.0 value = $1,408; FN 6.0 value = $2,112; VF 8.0 value = $4,224.
Alley Oop #15 Mile High pedigree (Standard, 1948) CGC NM+ 9.6 White pages. Overstreet 2008 NM- 9.2 value = $245. CGC census 1/09: 1 in 9.6, none higher.
All New Comics #14 File Copy (Family Comics, 1947) CGC NM+ 9.6 Cream to off-white pages. Ham Fisher cover. Fisher, Bob Powell, and Al Avison art. Overstreet 2008 NM- 9.2 value = $750. CGC census 12/08: 2 in 9.6, none higher.
All Winners Comics V2#1 (Timely, 1948) CGC FN 6.0 Off-white to white pages. Only issue of V2. Blonde Phantom, Sub-Mariner, Human Torch, and Captain America appear. Overstreet 2008 FN 6.0 value = $891. CGC census 1/09: 2 in 6.0, 7 higher.
Archie Annual #4 Davis Crippen ("D" Copy) pedigree (Archie, 1953) CGC VF 8.0 Cream to off-white pages. Bob Montana cover. Overstreet 2008 VF 8.0 value = $250. CGC census 1/09: 2 in 8.0, none higher.
Archie Comics #12 (Archie, 1945) CGC FN+ 6.5 Cream to off-white pages. Bill Vigoda cover and art. Overstreet 2008 FN 6.0 value = $249; VF 8.0 value = $519. CGC census 12/08: 1 in 6.5, 1 higher.
Archie Comics #14 (Archie, 1945) CGC FN/VF 7.0 Cream to off-white pages. Bill Vigoda cover and art. Bill Woggon art. Overstreet 2008 FN 6.0 value = $249; VF 8.0 value = $519. CGC census 12/08: 4 in 7.0, 3 higher.
Archie Comics #46 (Archie, 1950) CGC NM- 9.2 Off-white pages. Bob Montana cover. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 1 in 9.2, none higher.
Archie's Girls, Betty and Veronica #1 (Archie, 1950) CGC FN 6.0 White pages. From the most-collected series of all the long-running Archie books. Overstreet 2008 FN 6.0 value = $705. CGC census 12/08: 4 in 6.0, 6 higher.
The Black Terror #18 (Nedor Publications, 1947) CGC NM 9.4 Off-white to white pages. A superb Alex Schomburg cover. Overstreet 2008 NM- 9.2 value = $835. CGC census 1/09: 1 in 9.4, none higher.
Bob Steele Western #1 Crowley Copy pedigree (Fawcett, 1950) CGC NM- 9.2 Off-white pages. Bob Steele and his horse Bullet begin. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 1 in 9.2, none higher.
Boy Comics #3 (Lev Gleason, 1942) CGC FN/VF 7.0 White pages. Featuring first appearances and origins of Crimebuster, Bombshell, and Young Robin Hood, plus the first appearance of classic villain Iron Jaw. Overstreet 2008 FN 6.0 value = $918; VF 8.0 value = $1,989. CGC census 1/09: 1 in 7.0, 4 higher.
Boy Commandos #5 (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. Joe Simon and Jack Kirby cover and art. Overstreet 2008 VF/NM 9.0 value = $860; NM- 9.2 value = $1,200. CGC census 1/09: 1 in 9.0, 1 higher.
Canteen Kate #1 (St. John, 1952) CGC VF+ 8.5 Off-white pages. Matt Baker cover and art. Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 1/09: 1 in 8.5, 5 higher.
Captain America Comics #33 (Timely, 1943) CGC VG/FN 5.0 Cream to off-white pages. Alex Schomburg cover. CGC notes, "pg 21-24 lots of tears and pieces out." Overstreet 2008 VG 4.0 value = $504; FN 6.0 value = $756. CGC census 1/09: 2 in 5.0, 8 higher.
Captain America Comics #75 (Timely, 1950) CGC Apparent FN+ 6.5 Slight (P) Cream to off-white pages. Last issue of the original series. Horror issue with no Captain America appearance. Gene Colan cover art. CGC notes, "Restoration includes: small amount of color touch on cover, tear seal to cover." Overstreet 2008 GD 2.0 value = $235; VG 4.0 value = $470; FN 6.0 value = $705.
Captain Marvel Adventures #3 (Fawcett, 1941) CGC VG 4.0 Off-white pages. Well-known issue because of silver metallic cover. C. C. Beck cover art. Overstreet 2008 VG 4.0 value = $600. CGC census 1/09: 1 in 4.0, 17 higher.
Captain Marvel Jr. #11 Crowley Copy/File Copy (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. Mac Raboy cover. Overstreet 2008 NM- 9.2 value = $975. CGC census 1/09: 1 in 9.2, 1 higher.
Captain Midnight #3 (Fawcett, 1942) CGC VF/NM 9.0 Off-white to white pages. Overstreet "classic" cover. Overstreet 2008 VF/NM 9.0 value = $1,288; NM- 9.2 value = $1,800. CGC census 1/08: 1 in 9.0, 2 higher.
Captain Midnight #12 (Fawcett, 1943) CGC NM 9.4 Off-white pages. Captain Midnight faces off against the Sinister Angels. Red Skye and Johnny Blair backup stories round out the contents. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/08: 1 in 9.4, none higher.
Captain Midnight #15 (Fawcett, 1943) CGC NM 9.4 Off-white pages. Leonard Frank art fills this gorgeous copy that could have come from a pedigree collection. Overstreet 2008 NM- 9.2 value = $700. CGC census 12/08: 2 in 9.4, 1 higher.
Captain Midnight #26 Crowley Copy pedigree (Fawcett, 1944) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $550. CGC census 12/08: 2 in 9.4, 1 higher.
Captain Midnight #38 Mile High pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.6, none higher.
Captain Midnight #59 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 2 in 9.4, none higher.
Champion Comics #2 (Harvey, 1939) CGC VF 8.0 Off-white to white pages. First issue of the title, only Harvey's second series, debuting a couple of months after Speed Comics. The series soon converted to superhero fare, but this first issue stars the Champ, a he-man's he-man who bears a passing resemblance to gridiron great Bronko Nagurski! Overstreet 2008 VF 8.0 value = $1,075. CGC census 1/09: 1 in 8.0, none higher.
Cisco Kid Comics #1 (Baily Publication, 1944) CGC NM- 9.2 Cream to off-white pages. This Gerber "uncommon" issue features the first appearance of the Cisco Kid. Overstreet 2008 NM- 9.2 value = $600. CGC census 1/09: 2 in 9.2, 2 higher.
Clue Comics #7 "D" Copy pedigree (Hillman Publications, 1943) CGC NM- 9.2 Cream to off-white pages. Overstreet notes, "Classic concentration camp torture cover." Tony DiPreta story, cover, and art. Overstreet 2008 NM- 9.2 value = $850. CGC census 12/08: 1 in 9.2, 2 higher.
Congo Bill #6 (DC, 1955) CGC FN/VF 7.0 Off-white to white pages. Nick Cardy cover and art. Overstreet 2008 FN 6.0 value = $285; VF 8.0 value = $760. CGC census 1/09: 2 in 7.0, 3 higher.
Dale Evans Comics #8 Mile High pedigree (DC, 1949) CGC NM+ 9.6 Off-white to white pages. Photo cover. Alex Toth art. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.6, none higher.
Dick Cole #4 Mile High pedigree (Curtis , 1949) CGC NM+ 9.6 Off-white to white pages. L. B. Cole cover. Overstreet 2008 NM- 9.2 value = $280. CGC census 1/09: 1 in 9.6, none higher.
Dr. Fraud Confesses #nn Lost Valley pedigree (American Cancer Society, c. 1949-50) CGC NM+ 9.6 Off-white to white pages. Rare promotional comic from the American Cancer Society. Published without a cover. Harry Anderson art. Not listed in Overstreet. CGC census 1/09: 1 in 9.6, none higher.
Eerie #4 (Avon, 1951) CGC VF- 7.5 Off-white pages. Skull cover by Wally Wood. Overstreet 2008 VF 8.0 value = $369. CGC census 1/09: 2 in 7.5, 5 higher.
Eerie #6 Northford pedigree (Avon, 1952) CGC VF/NM 9.0 Cream to off-white pages. Only copy graded above 8.0. Overstreet 2008 VF/NM 9.0 value = $311; NM- 9.2 value = $425. CGC census 1/09: 1 in 9.0, none higher.
Eerie #8 Northford pedigree (Avon, 1952) CGC VF/NM 9.0 Off-white pages. Bondage cover by Harry Lazarus. Everett Raymond Kinstler art. Overstreet 2008 VF/NM 9.0 value = $303; NM- 9.2 value = $410. CGC census 1/09: 1 in 9.0, none higher.
Eerie #10 Northford pedigree (Avon, 1952) CGC VF+ 8.5 Cream to off-white pages. First copy we've seen in five years! Skull cover by A. C. Hollingsworth. Overstreet 2008 VF 8.0 value = $197; VF/NM 9.0 value = $311. CGC census 1/09: 1 in 8.5, none higher.
Eerie #12 Davis Crippen ("D" Copy) pedigree (Avon, 1953) CGC VF 8.0 Off-white pages. First Dracula adaptation (from the novel) in comics. Wally Wood art. Overstreet 2008 VF 8.0 value = $235. CGC census 1/09: 4 in 8.0, 1 higher.
Eerie #16 River City pedigree (Avon, 1954) CGC VF+ 8.5 Off-white to white pages. Only copy graded above 4.5. First copy we've ever offered. Wally Wood art. Overstreet 2008 VF 8.0 value = $220; VF/NM 9.0 value = $300. CGC census 1/09: 1 in 8.5, none higher.
Exciting Comics #2 (Nedor Publications, 1940) CGC FN/VF 7.0 Off-white pages. Ted Crane is the cover feature. Overstreet 2008 FN 6.0 value = $507; VF 8.0 value = $1,056. CGC census 1/09: 1 in 7.0, 2 higher.
Platinum Age (1897-1937)
Famous Funnies #1 (Eastern Color, 1934) CGC Apparent FN+ 6.5 Moderate (P) Off-white pages. The first comic book sold to the general public through newsstand distribution. A Gerber "9" or "Very Rare," and we've offered copies on only two previous occasions. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened. (Bottom edge of cover trimmed)." Overstreet 2008 GD 2.0 value = $3,043; VG 4.0 value= $6,086; FN 6.0 value = $9,129; VF 8.0 value = $22,000.
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC FR/GD 1.5 Brittle pages. Considered the second-ever comic book. Distributed as a premium and a giveaway. Overstreet 2008 GD 2.0 value = $800. CGC census 1/09: 1 in 1.5, 22 higher.
Golden Age (1938-1955)
Fawcett Movie Comic #nn Pioneer Marshal - Vancouver pedigree (Fawcett, 1950) CGC NM- 9.2 White pages. Monte Hale photo front and back covers. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 1 in 9.2, none higher.
Fawcett Movie Comic #7 Vancouver pedigree (Fawcett, 1950) CGC NM 9.4 White pages. Gunmen of Abilene. Rocky Lane photo front and back covers. Bob Powell art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 1 in 9.4, none higher.
Feature Films #1 Captain China - Lost Valley pedigree (DC, 1950) Condition: VF. Photo cover. Overstreet 2008 VF 8.0 value = $413.
First Love Illustrated File Copies Group (Harvey, 1949-63) Condition: Average VF/NM. A full short box that includes high-grade Harvey file copies of #2, 4, 7-53, 55-75, 77-82, and 84-90 -- and almost-complete run. Art by Bob Powell, Howard Nostrand, Jack Kirby, and Jay Disbrow. Approximate Overstreet value for group = $3,600.
First Romance File Copies Group (Harvey, 1949-58) Condition: Average VF/NM. An almost-complete run of the title that includes high-grade Harvey file copies of issues #2-4, 6, 8-13, #14 (VG with a two-inch tear to the front cover), and 15-52. Bob Powell, Jack Kirby, and Howard Nostrand art. Approximate Overstreet value for group = $2,300.
Four Color #18 Little Orphan Annie's Junior Commandos (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. Flag cover. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 3 in 9.2, none higher.
Four Color #27 Mickey Mouse File Copy (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. Featuring Mickey Mouse, this file copy contains Minnie and Mickey pin-ups. Goofy and Pluto appearances. Bears a "File Copy" stamp on the cover. Overstreet 2008 VF 8.0 value = $646. CGC census 12/08: 2 in 7.5, 5 higher.
Four Color #101 Terry and the Pirates (Dell, 1946) CGC NM+ 9.6 Cream to off-white pages. Milt Caniff cover and art. Overstreet 2008 NM- 9.2 value = $425. CGC census 1/09: 2 in 9.6, none higher.
Four Color #115 Marge's Little Lulu (Dell, 1946) CGC VF+ 8.5 Off-white pages. Overstreet 2008 VF 8.0 value = $263; VF/NM 9.0 value = $482. CGC census 1/09: 2 in 8.5, 2 higher.
Four Color #147 Donald Duck (Dell, 1947) CGC VF 8.0 Cream to off-white pages. Donald Duck in Volcano Valley. Carl Barks story and art. Overstreet 2008 VF 8.0 value = $816. CGC census 9/08: 6 in 8.0, 16 higher.
Frontline Combat #5 Gaines File pedigree 6/10 (EC, 1952) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman story, cover, and interior art, with additional interior art by John Severin, Bill Elder, and Jack Davis. Overstreet 2008 NM- 9.2 value = $375. CGC census 1/09: 1 in 9.4, 5 higher.
Frontline Combat #9 Gaines File pedigree 5/10 (EC, 1952) CGC NM- 9.2 Off-white to white pages. Harvey Kurtzman story and cover. John Severin, Jack Davis, and Wally Wood interior art. Overstreet 2008 NM- 9.2 value = $315. CGC census 1/09: 1 in 9.2, 4 higher.
Frontline Combat #13 Gaines File pedigree 8/12 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Wally Wood cover. Wood, Jack Davis, and George Evans interior art. Overstreet 2008 NM- 9.2 value = $245. CGC census 1/09: 4 in 9.6, none higher.
The Funnies #50 (Dell, 1940) CGC VF 8.0 Off-white pages. One of Dell's earliest titles. Only three copies of #50 have been certified by CGC to date. Overstreet 2008 VF 8.0 value = $344. CGC census 1/09: 1 in 8.0, 2 higher.
Gang Busters #1-67 Complete Run Group (DC, 1947-59). Condition of the books ranges from GD up to FN, with most in the VG+ range. Artists include Frank Frazetta, Jack Kirby, Dan Barry, Mort Drucker, and others. Approximate Overstreet value for group = $5,000.
Gene Autry Comics #7 Mile High pedigree (Dell, 1947) CGC NM 9.4 Off-white to white pages. Photo front and back cover. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 2 in 9.4, none higher.
Gene Autry Comics #10 Mile High pedigree (Dell, 1947) CGC NM 9.4 White pages. Photo cover. Back cover photo pin-up. Only copy of issue to be certified by CGC to date. Overstreet 2008 NM- 9.2 value = $265. CGC census 1/09: 1 in 9.4, none higher.
Gene Autry Comics #11 Mile High pedigree (Dell, 1948) CGC NM 9.4 White pages. Photo cover. Back cover photo pin-up. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 1 in 9.4, none higher.
Gene Autry Comics #14 Mile High pedigree (Dell, 1948) CGC NM 9.4 Off-white to white pages. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.4, none higher.
Haunt of Fear #19 (EC, 1953) CGC VF 8.0 Off-white pages. Graham Ingels bondage and decapitation cover. Ingels, George Evans, Jack Kamen, and Jack Davis art. Overstreet 2008 VF 8.0 value = $344. CGC census 1/09: 2 in 8.0, 17 higher.
Haunt of Fear #20 Gaines File pedigree 11/11 (EC, 1953) CGC NM- 9.2 White pages. "Ghastly" Graham Ingels cover and art. Al Feldstein, Jack Davis, and Reed Crandall art. Overstreet 2008 NM- 9.2 value = $565. CGC census 1/09: 1 in 9.2, 6 higher.
Hopalong Cassidy #4 and 8 Lost Valley pedigree Group (Fawcett, 1946-47) Condition: Average VF-. Overstreet 2008 VF 8.0 value for group = $349.
The Human Torch #6 (Timely, 1941) CGC VG 4.0 Cream to off-white pages. Alex Schomburg cover. CGC notes, "Centerfold detached." Overstreet 2008 VG 4.0 value = $566. CGC census 1/09: 2 in 4.0, 11 higher.
Ibis The Invincible #6 Davis Crippen ("D" Copy) pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white pages. Last issue. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 3 in 9.2, 1 higher.
Jo-Jo Comics #17 (Fox Features Syndicate, 1948) CGC NM- 9.2 Pink pages. Jack Kamen bondage cover. Fox Features was always known to use the most cost effective paper that they could find, hence the pink pages on this issue. Overstreet 2008 NM- 9.2 value = $700. CGC census 1/09: 1 in 9.2, none higher.
Jumbo Comics Group - Lost Valley pedigree (Fiction House, 1945-48) Condition: VF+. Issues #71, 111, and 112. Approximate Overstreet value for group = $480.
Jungle Girl #1 Lost Valley pedigree (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. This title, considered the first comic entirely devoted to a movie serial adaption, lasted just one issue before a name change to the better known Nyoka, Jungle Girl. The bondage cover features a photo of Nyoka actress Kay Aldridge. Overstreet 2008 VF 8.0 value = $775; VF/NM 9.0 value = $1,288. CGC census 1/09: 4 in 8.5, 1 higher.
Katy Keene #2 Mile High pedigree (Archie, 1950) CGC FN+ 6.5 Off-white to white pages. Overstreet 2008 FN 6.0 value = $177; VF 8.0 value = $369. CGC census 1/09: 1 in 6.5, 1 higher.
Katy Keene #3 (Archie, 1950) CGC VF- 7.5 Off-white pages. The only copy that CGC has certified to date. We've offered a copy (in VG-) of #3 on just one occasion in the past. CGC notes, "Best from Katy's Boss Man - Bill Woggon '83" written on 1st page in marker. Overstreet 2008 VF 8.0 value = $281. CGC census 1/09: 1 in 7.5, none higher.
Katy Keene #4 (Archie, 1951) CGC VF 8.0 Off-white pages. Bill Woggon cover and art. CGC notes, "'Best wishes from Katy's boss-man - Bill Woggon 83' written on 1st page in marker." Overstreet 2008 VF 8.0 value = $281. CGC census 1/09: 2 in 8.0, 1 higher.
Kerry Drake Detective Cases File Copies Group (Harvey, 1948-52) Condition: Average VF/NM. Includes high-grade Harvey file copies of issues #9 (FN/VF), 11, 15-19, 21-28, and 33 (FN/VF). Approximate Overstreet value for group = $1,000.
King Comics Group - Lost Valley pedigree (David McKay, 1939-1946). Issues #40, 42, 46, 54, 63, 65, 67, 77, 81, 115, and 121. Average grade is VF but #40, 63, and 121 average NM-. Popeye and friends are on every cover. Approximate Overstreet value for group = $1,700.
Lash LaRue Western #1 Hawkeye pedigree (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 12/08: 3 in 9.4, none higher.
Leading Comics #8 Double Cover (DC, 1943) CGC VF+ 8.5 Off-white pages. Jon Smalle cover. Overstreet notes, "1st cover 8.0, interior 9.6." Overstreet 2008 VF 8.0 value = $413; VF/NM 9.0 value = $682. CGC census 1/09: 1 in 8.5, 2 higher.
Leading Comics #10 (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. CGC notes, "Slight mis-cut." Overstreet 2008 VF/NM 9.0 value = $682; NM- 9.2 value = $950. CGC census 1/09: 2 in 9.0, 2 higher.
Li'l Abner #61 Mile High pedigree (Harvey, 1947) CGC VF/NM 9.0 Off-white to white pages. First Harvey issue. Al Capp cover. Overstreet 2008 VF/NM 9.0 value = $285; NM- 9.2 value = $385. CGC census 1/09: 2 in 9.0, 4 higher.
Little Max File Copies Group (Harvey, 1950-61) Condition: Average VF/NM. Includes high-grade Harvey file copies of issues #5-29, 31, 32, 34-47, 49-64, and 66-73 -- most of the series. Contents include Little Lotta, Joe Palooka, and Richie Rich. Approximate Overstreet value for group = $2,350.
Looney Tunes and Merrie Melodies Comics #1 File Copy (Dell, 1941) Condition: GD-. Landmark first issue features the comic book debuts of Daffy Duck, Elmer Fudd, Mary Jane and Sniffles, and Pat, Patsy, and Pete. The Bugs Bunny story was drawn by early Mickey Mouse artist Win Smith. Overstreet 2008 GD 2.0 value = $1,050.
Mad #13 Gaines File pedigree 8/12 (EC, 1954) CGC NM- 9.2 White pages. Harvey Kurtzman cover. Overstreet 2008 NM- 9.2 value = $800. CGC census 1/09: 2 in 9.2, 3 higher.
March of Comics #20 Donald Duck (K. K. Publications, Inc., 1948) CGC FN+ 6.5 Off-white to white pages. Donald Duck in "Darkest Africa." Walt Kelly cover. Carl Barks art. CGC notes, "1 piece of tape on back cover." Overstreet 2008 FN 6.0 value = $981; VF 8.0 value = $2,125. CGC census 1/09: 3 in 6.5, 11 higher.
Marge's Little Lulu #1 (Dell, 1948) CGC VF+ 8.5 Off-white pages. The beloved curly-top finally got her own title after three years and 10 starring appearances in Four Color. Overstreet 2008 VF 8.0 value = $502; VF/NM 9.0 value = $926. CGC census 1/09: 1 in 8.5, 2 higher.
Marge's Little Lulu #23 File Copy (Dell, 1950) CGC VF+ 8.5 Off-white pages. Overstreet 2008 VF 8.0 value = $112; VF/NM 9.0 value = $186. CGC census 1/09: 1 in 8.5, none higher.
Marge's Little Lulu #27 (Dell, 1950) CGC NM- 9.2 Cream to off-white pages. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 2 in 9.2, none higher.
Marge's Little Lulu #31 (Dell, 1951) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 1 in 9.4, none higher.
Marge's Little Lulu #35 (Dell, 1951) CGC VF/NM 9.0 Cream to off-white pages. First Mumday story. Overstreet 2008 VF/NM 9.0 value = $156; NM- 9.2 value = $225. CGC census 1/09: 1 in 9.0, none higher.
The Marvel Family #37 (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. A C. C. Beck cover and Kurt Schaffenberger interior art grace this wonderful copy. Overstreet 2008 NM- 9.2 value = $250. CGC census 1/09: 1 in 9.4, 1 higher.
Master Comics #7 (Fawcett, 1940) CGC FN 6.0 White pages. Significant as the first regular sized issue of the long run of this title and the first issue featuring Bulletman. This issue rates a Gerber "uncommon" designation. Overstreet 2008 FN 6.0 value = $879. CGC census 1/09: 1 in 6.0, none higher.
Master Comics #19 Crowley Copy pedigree (Fawcett, 1941) CGC VF 8.0 Off-white pages. Bulletman and Bulletgirl cover by Mac Raboy. Raboy, Charles Sultan, and George Tuska art. Overstreet 2008 VF 8.0 value = $625. CGC census 1/09: 2 in 8.0, 2 higher.
Master Comics #41 Lost Valley pedigree (Fawcett, 1943) Condition: VF-. Mac Raboy cover featuring Captain Marvel Jr. Overstreet 2008 VF 8.0 value = $406.
Master Comics #50 Crowley Copy/File Copy (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Radar, International Policeman and Nyoka begin runs. Jack Sparling art. Overstreet 2008 NM- 9.2 value = $565. CGC census 1/09: 2 in 9.2, none higher.
Master Comics #102 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. Kurt Schaffenberger cover. Overstreet 2008 NM- 9.2 value = $190. CGC census 1/09: 2 in 9.4, 1 higher.
Master Comics #125 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Overstreet notes "lower print run." Kurt Schaffenberger cover. Overstreet 2008 NM- 9.2 value = $195. CGC census 1/09: 2 in 9.4, none higher.
Master Comics #131 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Kurt Schaffenberger cover. Overstreet notes that this issue had a "lower print run" than other books in the series. Overstreet 2008 NM- 9.2 value = $195. CGC census 1/09: 1 in 9.4, 1 higher.
Meet the New Post-Gazette Sunday Funnies #nn (Pittsburgh Post, 1949) CGC FN/VF 7.0 Cream to off-white pages. Superman, Archie, and Dick Tracy sharing the same comic? We don't know where else you'd find that but in this newspaper insert, called "rare" by Overstreet. Buck Rogers, Terry and the Pirates, and others appear as well. Overstreet 2008 FN 6.0 value = $1,200; VF 8.0 value = $2,600. CGC census 12/08: 2 in 7.0, 4 higher. From the Robert M. Overstreet Collection.
Mickey Mouse Magazine File Copy V3#7 (K. K. Publications, Inc., 1938) Condition: VF+. Seven Dwarfs Easter cover. Overstreet 2008 VF 8.0 value = $344; VF/NM 9.0 value = $572.
Miss Fury #4 (Timely, 1944) Condition: FN+. Very nice page quality. Centerfold loose. Hitler on cover. Overstreet 2008 FN 6.0 value = $363; VF 8.0 value = $756.
More Fun Comics #62 (DC, 1940) CGC FN 6.0 Off-white pages. Bernard Baily cover featuring the Spectre. Overstreet 2008 FN 6.0 value = $900. CGC census 1/09: 2 in 6.0, 6 higher.
Movie Comics #5 Lost Valley pedigree (DC, 1939) Condition: FN/VF. "The Man in the Iron Mask" cover. Features Johnny Mack Brown and others. Overstreet lists as "scarce." Overstreet 2008 FN 6.0 value = $477; VF 8.0 value = $994.
Movie Love #1 and 8 Group - Lost Valley pedigree (Famous Funnies, 1950-51). #1 is VF/NM. #8 is FN+ and has 6 pages of Al Williamson and Frank Frazetta art. Approximate Overstreet value for group = $330.
National Comics #57 Mile High pedigree (Quality, 1946) CGC NM+ 9.6 White pages. Al Bryant cover. Overstreet 2008 NM- 9.2 value = $245. CGC census 1/09: 1 in 9.6, none higher.
Picture Stories From American History #2 Gaines File pedigree 10/11 (EC, 1947) CGC NM+ 9.6 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 2 in 9.6, 1 higher.
Picture Stories From American History #3 Gaines File pedigree 5/11 (EC, 1947) CGC NM+ 9.6 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 3 in 9.6, 1 higher.
Picture Stories from the Bible - New Testament Edition #1 - Gaines File pedigree 6/12 (EC, 1946) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 2 in 9.4, 1 higher.
Picture Stories from the Bible New Testament Edition #3 Gaines File pedigree 11/12 (EC, 1946) CGC NM+ 9.6 Off-white pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 5 in 9.6, 2 higher.
Picture Stories from the Bible New Testament #3 Gaines File pedigree 4/12 (EC, 1946) CGC NM 9.4 Off-white pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 3 in 9.4, 7 higher.
Picture Stories from the Bible Complete New Testament (40¢) Gaines File pedigree 4/12 (EC, 1946) CGC NM+ 9.6 Off-white pages. Complete New Testament, contains New Testament issues #1-3. Overstreet 2008 NM- 9.2 value = $340. CGC census 12/08: 1 in 9.6, 1 higher.
Picture Stories from World History #2 Gaines File pedigree 7/11 (EC, 1947) CGC NM+ 9.6 White pages. Allen Simon cover. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 4 in 9.6, none higher.
Piracy #2 Gaines File pedigree 5/12 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall cover and art. Jack Davis, Al Williamson, Angelo Torres, and Wally Wood art. Overstreet 2008 NM- 9.2 value = $290. CGC census 1/09: 5 in 9.6, 1 higher.
Piracy #3 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall cover and art. Bernie Krigstein, George Evans, and Graham Ingels art. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 4 in 9.4, 2 higher.
Piracy #4 Gaines File pedigree 9/12 (EC, 1955) CGC NM 9.6 White pages. Art credits include Reed Crandall (cover), George Evans, Bernie Krigstein, and Graham Ingels. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 4 in 9.4, none higher.
Planet Comics #23 Rockford pedigree (Fiction House, 1943) CGC VF+ 8.5 Cream to off-white pages. Dan Zolnerowich cover. Overstreet 2008 VF 8.0 value = $800; VF/NM 9.0 value = $1,325. CGC census 1/09: 3 in 8.5, 2 higher.
Planet Comics #26 (Fiction House, 1943) CGC VF+ 8.5 Cream to off-white pages. CGC notes, "'4' written on 1st page in pencil." Overstreet 2008 VF 8.0 value = $800; VF/NM 9.0 value = $1,325. CGC census 1/09: 1 in 8.5, 2 higher.
Planet Comics #41 (Fiction House, 1946) CGC VF+ 8.5 Cream to off-white pages. Bondage cover by Joe Doolin. Overstreet 2008 VF 8.0 value = $506; VF/NM 9.0 value = $841. CGC census 1/09: 3 in 8.5, 2 higher.
Planet Comics #50 (Fiction House, 1947) CGC VF 8.0 Cream to off-white pages. Joe Doolin cover art. Murphy Anderson, George Evans, and Rudy Palais art. Overstreet 2008 VF 8.0 value = $400. CGC census 1/09: 8 in 8.0, 11 higher.
Platinum Age (1897-1937)
Popular Comics #15 Larson pedigree (Dell, 1937) Condition: FN. Features Terry and the Pirates, Dick Tracy, and others. Overstreet 2008 FN 6.0 value = $249.
Golden Age (1938-1955)
Popular Comics #94 Mile High pedigree (Dell, 1943) CGC NM+ 9.6 Off-white pages. Overstreet 2008 NM- 9.2 value = $320. CGC census 1/09: 1 in 9.6, none higher.
Popular Comics Group - Lost Valley pedigree (Dell, 1942-44). Includes #73, 74,77, 82, and 99. Issue 99 is NM-, rest average VF-. Captain Midnight and the Owl are featured. Approximate Overstreet value for group = $900.
Raggedy Ann and Andy #1 (Dell, 1946) CGC NM- 9.2 Off-white to white pages. Walt Kelly art. Overstreet 2008 NM- 9.2 value = $625. CGC census 1/09: 1 in 9.2, none higher.
Rangers Comics #1 (Fiction House, 1941) CGC Apparent FN+ 6.5 Moderate (P) Cream to off-white pages. First appearance of Ranger Girl and the Rangers of Freedom. Joe Doolin art. CGC notes, "Restoration includes: color touch, pieces added, spine split sealed, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $315; VG 4.0 value = $630; FN 6.0 value = $945.
Red Ryder Comics #12 Mile High pedigree (Dell, 1943) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 2 in 9.4, none higher.
Red Ryder Comics #16 Mile High pedigree (Dell, 1943) CGC NM- 9.2 Off-white to white pages. Fred Harman cover and art. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 2 in 9.2, 1 higher.
Red Ryder Comics #18 Rockford pedigree (Dell, 1944) CGC NM 9.4 Cream to off-white pages. Fred Harman cover and art. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.4, none higher.
Roy Rogers Annual #nn Canadian Edition (Wilson Publishing, 1947) CGC FN- 5.5 White pages. No American edition of this comic exists. The cover is from Roy Rogers #2 and the interior is comprised of reprints from Roy Rogers #2 and Four Color #137 and #153. Noted in Overstreet but no set values are listed. Heritage auctioned a GD copy for $448 and a FN+ copy for $1,017. CGC census 1/09: 1 in 5.5, 2 higher.
Roy Rogers Comics #5 (Dell, 1948) CGC NM+ 9.6 White pages. Photo cover. Back cover photo pin-up. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 1 in 9.6, none higher.
Roy Rogers Comics #6 (Dell, 1948) CGC NM 9.4 Cream to off-white pages. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $265. CGC census 1/09: 1 in 9.4, none higher.
Roy Rogers Comics #23 (Dell, 1949) CGC NM 9.4 Off-white pages. Photo front and back covers. CGC notes, "From the Dallas Stephens Collection." Overstreet 2008 NM- 9.2 value = $180. CGC census 1/09: 1 in 9.4, none higher.
Sad Sack Comics File Copies Group (Harvey, 1953-82). Full long box includes Harvey file copies of #22-24, 26-59, 66-71, 77-181, 183, 185-200, 203-236, 238-256, and 258-287. The first half of the contents grade an average VF/NM, the rest average NM. Issues #33, 36, 49, 51, 54, 55, 66, 95, 209, 225, and 236 exhibit defects such as small tears or light water damage, but still have the high gloss and excellent paper expected from a file copy. Approximate Overstreet value for group = $5,000.
Saint #3 (Avon, 1948) CGC NM- 9.2 Off-white pages. Overstreet 2008 NM- 9.2 value = $450. CGC census 1/09: 1 in 9.2, 1 higher.
Sensation Comics #8 (DC, 1942) CGC VF 8.0 Off-white pages. A unique Wonder Woman cover as rendered by H. G. Peter. Highest grade yet assigned by CGC for this issue. Overstreet 2008 VF 8.0 value = $725. CGC census 1/09: 1 in 8.0, none higher.
Sensation Comics #11 (DC, 1942) CGC Qualified VF- 7.5 Off-white to white pages. H. G. Peter cover and art. CGC notes, "Centerfold detached." Overstreet 2008 GD 2.0 value = $100; VG 4.0 value = $200; FN 6.0 value = $300; and VF 8.0 value = $625.
Sensation Comics #13 (DC, 1943) CGC Qualified VF+ 8.5 Off-white to white pages. Hitler, Tojo, and Mussolini on cover. CGC notes, "Coupon cut out of back cover. Incomplete." Overstreet 2008 GD 2.0 value = $145; VG 4.0 value = $290; FN 6.0 value = $435; and VF 8.0 value = $906.
Sensation Comics #14 (DC, 1943) CGC FN+ 6.5 Off-white to white pages. H. G. Peter cover and art. Overstreet 2008 FN 6.0 value = $300; VF 8.0 value = $625. CGC census 1/09: 1 in 6.5, 1 higher.
Sensation Comics #16 (DC, 1943) CGC FN/VF 7.0 Off-white to white pages. H. G. Peter cover. This copy would have graded much higher if not for a "scrunched" corner on the back cover (with no color break). Overstreet 2008 FN 6.0 value = $300; VF 8.0 value = $625. CGC census 1/09: 2 in 7.0, 2 higher.
Sensation Comics #18 (DC, 1943) CGC VF 8.0 Off-white to white pages. Wonder Woman, the Amazon princess is featured on this H. G. Peter cover. Overstreet 2008 VF 8.0 value = $625. CGC census 1/09: 1 in 8.0, 2 higher.
Sensation Comics #22 (DC, 1943) CGC FN+ 6.5 Off-white pages. H. G. Peter cover and art. Overstreet 2008 FN 6.0 value = $237; VF 8.0 value = $494. CGC census 1/09: 2 in 6.5, 3 higher.
Sensation Comics #41 Diamond Run pedigree (DC, 1945) CGC VF/NM 9.0 Off-white pages. H. G. Peter cover and art. Overstreet 2008 VF 8.0 value = $293; VF/NM 9.0 value = $447. CGC census 1/09: 3 in 8.5, none higher.
Sensation Comics #47 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. Wonder Woman cover by H. G. Peter. Overstreet 2008 VF 8.0 value = $311; VF/NM 9.0 value = $511. CGC census 1/09: 1 in 8.5, 4 higher.
Sensation Comics #50 Davis Crippen ("D" Copy) pedigree (DC, 1946) CGC VF+ 8.5 Cream to off-white pages. H. G. Peter Wonder Woman cover and art. Overstreet 2008 VF 8.0 value = $311; VF/NM 9.0 value = $511. CGC census 1/09: 2 in 8.5, 1 higher.
Sensation Comics #51 Davis Crippen ("D" Copy) pedigree (DC, 1946) CGC VF 8.0 Cream to off-white pages. H. G. Peter pays tribute to Action Comics #1 with this clever cover swipe starring Wonder Woman. Overstreet 2008 VF 8.0 value = $299. CGC census 1/09: 2 in 8.0, 3 higher.
Sensation Comics #53 (DC, 1946) CGC NM 9.4 Off-white pages. H. G. Peter cover and art. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 2 in 9.4, 2 higher.
Sensation Comics #54 Ohio pedigree (DC, 1946) CGC VF+ 8.5 Off-white to white pages. H. G. Peter cover and art. Overstreet 2008 VF 8.0 value = $299; VF/NM 9.0 value = $492. CGC census 1/09: 1 in 8.5, 3 higher.
Sensation Comics #57 (DC, 1946) CGC VF+ 8.5 Cream to off-white pages. H. G. Peter provided this Wonder Woman cover. CGC notes, "From the Estate of Lloyd Jacquet." Overstreet 2008 VF 8.0 value = $299; VF/NM 9.0 value = $492. CGC census 1/09: 1 in 8.5, 3 higher.
Sensation Comics #59 (DC, 1946) CGC NM- 9.2 Off-white pages. H. G. Peter cover and art. Overstreet 2008 NM- 9.2 value = $685. CGC census 1/09: 4 in 9.2, 3 higher.
Sensation Comics #61 (DC, 1947) CGC VF+ 8.5 White pages. Wonder Woman is featured on this H. G. Peter cover. Overstreet 2008 VF 8.0 value = $256; VF/NM 9.0 value = $416. CGC census 1/09: 1 in 8.5, 1 higher.
Sensation Comics #69 (DC, 1947) CGC NM 9.4 Off-white pages. Wonder Woman cover by H. G. Peter. Overstreet 2008 NM- 9.2 value = $575. CGC census 1/09: 1 in 9.4, 1 higher.
Sensation Comics #97 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC FN+ 6.5 Cream to off-white pages. Wonder Woman cover by Irwin Hasen. H. G. Peter and Carmine Infantino art. Overstreet 2008 FN 6.0 value = $150; VF 8.0 value = $305. CGC census 1/09: 1 in 6.5, none higher.
Slam-Bang Comics #1 (Fawcett, 1940) CGC FN 6.0 Cream to off-white pages. Second Fawcett comic book after Whiz #1. CGC notes, "Centerfold detached." Overstreet 2008 FN 6.0 value = $621. CGC census 1/09: 1 in 6.0, 5 higher.
Smiley Burnette Western #1 (Fawcett, 1950) CGC NM+ 9.6 White pages. Only copy of the issue to be certified with a grade above 8.5 by CGC as of this writing. Overstreet 2008 NM- 9.2 value = $600. CGC census 12/08: 1 in 9.6, none higher.
Space Patrol #2 Bethlehem pedigree (Ziff-Davis, 1952) CGC VF 8.0 Off-white pages. Norman Saunders painted cover. Bernie Krigstein art. Includes a certificate of authenticity from The Bethlehem Collection. Overstreet 2008 VF 8.0 value = $406. CGC census 12/08: 1 in 8.0, 1 higher.
Sparkler Comics #1 (United Features Syndicate, 1941) CGC FN+ 6.5 Cream to off-white pages. Origin and first appearance of Sparkman. Tarzan story with art by Burne Hogarth. Overstreet 2008 FN 6.0 value = $714; VF 8.0 value = $1,488. CGC census 1/09: 1 in 6.5, 2 higher.
Sparkler Comics #1 (United Features Syndicate, 1941) CGC VG/FN 5.0 Cream to off-white pages. The origin and first appearance of Sparkman. Also contains a Tarzan story with art by Burne Hogarth. Overstreet 2008 VG 4.0 value = $476; FN 6.0 value = $714. CGC census 1/09: 3 in 5.0, 4 higher.
Sparkler Comics Group - Lost Valley pedigree (United Features Syndicate, 1944-46) Condition: Average VF. Issues #37, 38, 51, 52, 53, 56, 58, 59. Some have Tarzan covers by Burne Hogarth. Approximate Overstreet value for group = $900.
Special Edition Comics #1 (Fawcett, 1940) CGC Apparent FN/VF 7.0 Moderate (P) Cream to off-white pages. First comic book entirely devoted to Captain Marvel, pre-dating Captain Marvel Adventures #1. C. C. Beck cover. CGC notes, "Restoration includes: color touch, pieces added, spine splits sealed, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $743; VG 4.0 value = $1,486; FN 6.0 value = $2,229.
Spellbound #1 White Mountain pedigree (Atlas, 1952) CGC VF- 7.5 Off-white to white pages. Horror/weird stories. Sol Brodsky cover. Jerry Robinson art. Overstreet 2008 VF 8.0 value = $425. CGC census 1/09: 2 in 7.5, 1 higher.
Star Spangled Comics #18 (DC, 1943) CGC VF- 7.5 Off-white to white pages. Origin of the Star Spangled Kid. Joe Simon and Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $938. CGC census 1/09: 2 in 7.5, 2 higher.
Startling Comics #14 (Better Publications, 1942) CGC VF 8.0 Off-white to white pages. Only copy graded above 6.0. Overstreet 2008 VF 8.0 value = $400. CGC census 1/09: 1 in 8.0, none higher.
Startling Comics #39 (Better Publications, 1946) CGC VF/NM 9.0 Light tan to off-white pages. Alex Schomburg cover. Overstreet 2008 VF/NM 9.0 value = $439; NM- 9.2 value = $610. CGC census 1/09: 1 in 9.0, 3 higher.
Startling Comics #46 (Better Publications, 1947) CGC VF+ 8.5 Off-white to white pages. Classic bondage cover by Graham Ingels. Ingles interior art. Overstreet 2008 VF 8.0 value = $688; VF/NM 9.0 value = $1,144. CGC census 1/09: 4 in 8.5, 6 higher.
Strange Adventures #8 (DC, 1951) CGC NM- 9.2 Off-white to white pages. The cover that started the gorilla craze at DC! Overstreet 2008 NM- 9.2 value = $1,400. CGC census 1/09: 2 in 9.2, 2 higher.
Strange Worlds #1 (Avon, 1950) CGC VF 8.0 Off-white to white pages. The first-ever sword-and-sorcery story in comics was this issue's "Crom the Barbarian", drawn by John Giunta. Joe Kubert art. Overstreet 2008 VF 8.0 value = $819. CGC census 1/09: 4 in 8.0, 7 higher.
Sub-Mariner Comics #3 (Timely, 1941) Condition: VG/FN. Winston Churchill assassination cover by Alex Schomburg. Nice off-white pages and sharp cover colors characterize this copy, which is not a candidate for CGC certification because of an overhang. There is a 2 1/2-inch tear on the last interior page. Overstreet 2008 VG 4.0 value = $914; FN 6.0 value = $1,371.
Sub-Mariner Comics #36 (Atlas, 1954) CGC VF- 7.5 Off-white pages. Namora appearance. Bill Everett art. Overstreet 2008 VF 8.0 value = $494. CGC census 1/09: 2 in 7.5, 4 higher.
Sub-Mariner Comics #38 (Atlas, 1955) CGC FN+ 6.5 Off-white pages. Origin of Sub-Mariner's wings. Namora appearance. Last pre-Code issue. Bill Everett art. Overstreet 2008 FN 6.0 value = $264; VF 8.0 value = $550. CGC census 1/09: 1 in 6.5, 6 higher.
Sub-Mariner Comics #41 (Timely, 1955) CGC VF- 7.5 Cream to off-white pages. Namora appearance. Bill Everett story and art. Overstreet 2008 VF 8.0 value = $494. CGC census 1/09: 2 in 7.5, 2 higher.
Superboy #9 (DC, 1950) CGC VF 8.0 Off-white to white pages. Humpty Dumpty, the Hobby Robber appearance. John Sikela cover and art. Curt Swan art. Overstreet 2008 VF 8.0 value = $638. CGC census 12/08: 2 in 8.0, 2 higher.
Superboy #12 (DC, 1951) CGC VF- 7.5 Off-white pages. Al Plastino cover. Curt Swan art. Overstreet 2008 VF 8.0 value = $475. CGC census 12/08: 1 in 7.5, 3 higher.
Superman #22 Williamsport pedigree (DC, 1943) CGC FN 6.0 Off-white to white pages. Jack Burnley cover. Hitler appearance. Overstreet 2008 FN 6.0 value = $456. CGC census 1/09: 2 in 6.0, 21 higher.
Superman #27 Williamsport pedigree (DC, 1944) CGC VF 8.0 Cream to off-white pages. Wayne Boring cover featuring Lois Lane. Overstreet 2008 VF 8.0 value = $863. CGC census 1/09: 7 in 8.0, 10 higher.
Superman #31 (DC, 1944) CGC VF+ 8.5 Off-white to white pages. Lex Luthor appearance. Wayne Boring cover. Overstreet 2008 VF 8.0 value = $725; VF/NM 9.0 value = $1,200. CGC census 1/09: 2 in 8.5, 2 higher.
Superman #51 Williamsport pedigree (DC, 1948) CGC VF- 7.5 Off-white pages. Lois Lane cover by Wayne Boring. Overstreet 2008 VF 8.0 value = $488. CGC census 1/09: 1 in 7.5, 6 higher.
Superman #65 Williamsport pedigree (DC, 1950) CGC FN/VF 7.0 Off-white pages. First appearance of the Krypton Foes: Mala, Kizo, and U-Ban. Al Plastino cover and art. Wayne Boring art. Overstreet 2008 FN 6.0 value = $228; VF 8.0 value = $475. CGC census 1/09: 4 in 7.0, 4 higher.
Superman #67 Williamsport pedigree (DC, 1950) CGC VF- 7.5 Off-white pages. Perry Como cover and story. Overstreet 2008 VF 8.0 value = $475. CGC census 1/09: 2 in 7.5, 5 higher.
Superman #68 Williamsport pedigree (DC, 1951) CGC FN/VF 7.0 Off-white pages. First Lex Luthor cover in this title. Win Mortimer cover. Al Plastino and Wayne Boring art. Overstreet 2008 FN 6.0 value = $228; VF 8.0 value = $475. CGC census 1/09: 3 in 7.0, 4 higher.
Superman #84 Williamsport pedigree (DC, 1953) CGC FN/VF 7.0 Off-white pages. Win Mortimer cover. Al Plastino, Henry Boltinoff, and Wayne Boring art. Overstreet 2008 FN 6.0 value = $177; VF 8.0 value = $369. CGC census 1/09: 2 in 7.0, 5 higher.
Superman #89 Williamsport pedigree (DC, 1954) CGC VF- 7.5 Off-white pages. First Curt Swan cover in this title. Overstreet 2008 VF 8.0 value = $356. CGC census 1/09: 1 in 7.5, 2 higher.
Target Comics #1 (Novelty Press, 1940) CGC FN 6.0 Off-white to white pages. Origin and first appearance of Manowar, T-Men, White Streak, and Bulls Eye Bill. Bill Everett story, cover, and art. Carl Burgos, Jack Cole, and Tarpe Mills art. Overstreet 2008 FN 6.0 value = $1,491. CGC census 1/09: 3 in 6.0, 3 higher.
Target Comics #1 (Novelty Press, 1940) CGC FN 6.0 Cream to off-white pages. Origins/first appearances of Manowar, T-Men, White Streak, and Bull's Eye Bill. Cover by Bill Everett. One of the earliest comic Westerns, rated "scarce" by Gerber. Overstreet 2008 FN 6.0 value = $1,491. CGC census 1/09: 3 in 6.0, 3 higher.
Tarzan Adventures UK Comics Group (United Features Syndicate, 1953-59) Condition: Average VG/FN. British weekly reprints of the United Features comic strip. Includes 228 individual issues and four bound volumes. Not currently listed in Overstreet.
Teen-Age Brides/True Brides File Copies Group (Harvey, 1953-58) Condition: Average VF+. A complete run that includes high-grade Harvey file copies of Teen-Age Brides #1-7; True Bride's Experiences #8-16; and True Bride-to-Be Romances #17-29. Art by Bob Powell. Approximate Overstreet value for group = $1,100.
The Thing! #16 (Charlton, 1954) CGC NM+ 9.6 Off-white to white pages. Injury-to-eye panel. Overstreet 2008 NM- 9.2 value = $385. CGC census 1/09: 4 in 9.6, none higher.
Thrilling Comics #68 (Better Publications, 1948) CGC VF/NM 9.0 Off-white pages. Alex Schomburg airbrushed cover. Contains two Frank Frazetta stories, one eight-pager and one six-pager. Overstreet 2008 VF/NM 9.0 value = $503; NM- 9.2 value = $700. CGC census 1/09: 3 in 9.0, 1 higher.
Tim Holt #2 Mile High pedigree (Magazine Enterprises, 1948) CGC NM- 9.2 White pages. Photo cover. Also known as A-1 #17. Overstreet 2008 NM- 9.2 value = $400. CGC census 1/09: 1 in 9.2, none higher.
Tim Holt #3 Mile High pedigree (Magazine Enterprises, 1948) CGC NM- 9.2 White pages. Photo cover. Also known as A-1 #19. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.2, none higher.
Tip Top Comics #4 Lost Valley pedigree (United Features Syndicate, 1936) Condition: VF-. Early Tarzan appearance. Overstreet 2008 VF 8.0 value = $678.
Platinum Age (1897-1937)
Tip Top Comics #9 Lost Valley pedigree (United Features Syndicate, 1937) Condition: FN/VF. Tarzan cover. Overstreet 2008 FN 6.0 value = $312; VF 8.0 value = $593.
Golden Age (1938-1955)
Tip Top Comics #33 Lost Valley pedigree (United Features Syndicate, 1939) Condition: VF/NM. Tarzan cover. Overstreet 2008 VF/NM 9.0 value = $503; NM- 9.2 value = $700.
Tip Top Comics #41 Lost Valley pedigree (United Features Syndicate, 1939) Condition: VF. Tarzan cover. Reprints first Tarzan Sunday. Overstreet 2008 VF 8.0 value = $338.
Tip Top Comics #59 Lost Valley pedigree (United Features Syndicate, 1941) Condition: VF/NM. Tarzan story by Burne Hogarth. Overstreet 2008 VF/NM 9.0 value = $293; NM- 9.2 value = $400.
Tip Top Comics Group - Lost Valley pedigree (United Features Syndicate, 1936-38) Condition: Average FN+. Issues #5, 10, 12, 30. Early Tarzan appearances. Issue #5 is one of the first 100 comics ever published. Approximate Overstreet value for group = $1,040.
Torchy #5 Davis Crippen ("D" Copy) pedigree (Quality, 1950) CGC VF+ 8.5 Cream to off-white pages. Bill Ward cover. Overstreet 2008 VF 8.0 value = $625; VF/NM 9.0 value = $1,013. CGC census 1/09: 5 in 8.5, 3 higher.
True Love Problems and Advice Illustrated File Copies Group (Harvey, 1949-58) Condition: Average VF+. A near-complete run that features high-grade Harvey file copies of issues True Love Problems #1, 3-20, and 24-44; and Romance Stories of True Love #45-52. Bob Powell, Lee Elias, and Matt Baker art. Approximate Overstreet value for group = $2,000.
Two-Fisted Tales #33 Gaines File pedigree #11/12 (EC, 1953) CGC NM 9.4 Off-white pages. Classic atom bomb story. Wally Wood cover and art. Jack Davis, John Severin, Bill Elder, and Joe Kubert art. Overstreet 2008 NM- 9.2 value = $325. CGC census 1/09: 5 in 9.4, none higher.
Two-Fisted Tales #37 Gaines File pedigree #11/12 (EC, 1954) CGC NM 9.4 White pages. John Severin cover and art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 3 in 9.4, none higher.
Two-Fisted Tales #38 Gaines File pedigree #7/12 (EC, 1954) CGC NM 9.4 White pages. John Severin cover and art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 5 in 9.4, none higher.
Two-Fisted Tales #39 Gaines File pedigree #11/12 (EC, 1954) CGC NM+ 9.6 White pages. John Severin cover and art. Gene Colan art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 4 in 9.6, none higher.
Two-Fisted Tales #40 Gaines File pedigree #11/12 (EC, 1955) CGC NM 9.4 White pages. George Evans cover and art. John Severin and Jack Davis art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 1 in 9.4, 5 higher.
Two-Fisted Tales #41 Gaines File pedigree #11/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. Last issue of the title. Jack Davis cover. John Severin, Bernie Krigstein, Wally Wood, and George Evans art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 5 in 9.6, none higher.
Uncanny Tales #1 (Atlas, 1952) CGC VF 8.0 Off-white pages. Horror stories begin. Russ Heath art. Sol Brodsky cover. Overstreet 2008 VF 8.0 value = $556. CGC census 1/09: 3 in 8.0, 2 higher.
Vault of Horror #24 Gaines File pedigree 7/11 (EC, 1952) CGC VF/NM 9.0 Off-white to white pages. Cover by Johnny Craig. Overstreet 2008 VF/NM 9.0 value = $477; NM- 9.2 value = $650. CGC census 1/09: 2 in 9.0, 6 higher.
Venus #10 (Atlas, 1950) CGC VF+ 8.5 Cream to off-white pages. Science fiction and horror stories begin with this issue. Rocket ship cover. Joe Maneely art. Overstreet 2008 VF 8.0 value = $463; VF/NM 9.0 value = $769. CGC census 1/09: 1 in 8.5, 1 higher.
Voodoo #5 Mile High pedigree (Farrell, 1953) CGC VF- 7.5 Off-white pages. Nazi death camp story. Hanging panel. Overstreet 2008 VF 8.0 value = $197. CGC census 1/09: 3 in 7.5, 2 higher.
Wacky Duck #1 (Marvel, 1948) CGC NM- 9.2 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #23 (Dell, 1942) CGC VF 8.0 Off-white to white pages. Al Taliaferro cover. Overstreet 2008 VF 8.0 value = $431. CGC census 1/09: 3 in 8.0, 5 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC VF/NM 9.0 Off-white to white pages. Carl Barks story and art. Walt Kelly Gremlins cover. Overstreet 2008 VF/NM 9.0 value = $1,072; NM- 9.2 value = $1,500. CGC census 1/09: 3 in 9.0, 1 higher.
Walt Disney's Comics and Stories #37 (Dell, 1943) CGC VF+ 8.5 Cream to off-white pages. Walt Kelly cover art. Donald Duck by Jack Hannah. Al Taliaferro art. Overstreet 2008 VF 8.0 value = $338; VF/NM 9.0 value = $557. CGC census 1/09: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #39 (Dell, 1943) CGC VF- 7.5 Off-white to white pages. Christmas cover. Carl Barks story and art. Overstreet 2008 VF 8.0 value = $400. CGC census 1/09: 2 in 7.5, 3 higher.
Walt Disney's Comics and Stories #48 - File Copy (Dell, 1944) CGC VF 8.0 Off-white pages. Carl Barks story and art. Dick Moores art. Walt Kelly cover. Nazis appear in Floyd Gottfredson's Mickey Mouse story. Overstreet 2008 VF 8.0 value = $323. CGC census 1/09: 2 in 8.0, 3 higher.
Walt Disney's Comics and Stories #52 (Dell, 1945) CGC VF+ 8.5 Off-white to white pages. Carl Barks art. Li'l Bad Wolf begins. Overstreet 2008 VF 8.0 value = $212; VF/NM 9.0 value = $381. CGC census 1/09: 1 in 8.5, 2 higher.
Walt Disney's Comics and Stories #56 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Carl Buettner cover. Carl Barks art. Nazis appear in the Floyd Gottfredson Mickey Mouse story. Overstreet 2008 VF/NM 9.0 value = $381; NM- 9.2 value = $550. CGC census 1/09: 2 in 9.0, 2 higher.
Walt Disney's Comics and Stories #58 (Dell, 1945) CGC VF+ 8.5 Off-white to white pages. Walt Kelly flag cover. Carl Barks art. Overstreet 2008 VF 8.0 value = $205; VF/NM 9.0 value = $338. CGC census 1/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #59 (Dell, 1945) CGC VF+ 8.5 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 VF 8.0 value = $205; VF/NM 9.0 value = $338. CGC census 1/09: 3 in 8.5, none higher.
Walt Disney's Comics and Stories #60 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. The only copy graded above 8.0. Walt Kelly cover. Carl Barks art. Overstreet 2008 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 1/09: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #73 File Copy (Dell, 1946) CGC VF/NM 9.0 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 VF/NM 9.0 value = $244; NM- 9.2 value = $350. CGC census 1/09: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #82 (Dell, 1947) CGC VF/NM 9.0 Off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 VF/NM 9.0 value = $209; NM- 9.2 value = $300. CGC census 1/09: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #85 (Dell, 1947) CGC NM- 9.2 Off-white to white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.2, 1 higher.
Walt Disney's Comics and Stories #98 File Copy (Dell, 1948) CGC VF/NM 9.0 Off-white to white pages. First Uncle Scrooge appearance in WDC&S title. Carl Barks and Walt Kelly art. Overstreet 2008 VF/NM 9.0 value = $348; NM- 9.2 value = $500. CGC census 1/09: 3 in 9.0, 1 higher.
Walt Disney's Comics and Stories #105 File Copy (Dell, 1949) CGC NM- 9.2 Off-white to white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #110 File Copy (Dell, 1949) CGC NM 9.4 Off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $240. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #111 File Copy (Dell, 1949) CGC NM+ 9.6 Off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #112 File Copy (Dell, 1950) CGC NM+ 9.6 Off-white pages. Donald Duck uses drugs (ether). Carl Barks story and art. Walt Kelly cover. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 0 in 9.6, none higher.
Walt Disney's Comics and Stories #114 (Dell, 1950) CGC NM- 9.2 Off-white to white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $200. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #115 File Copy (Dell, 1950) CGC NM 9.4 Cream to off-white pages. Walt Kelly cover. Back cover ad for the theatrical release of Cinderella. Overstreet 2008 NM- 9.2 value = $135. CGC census 12/08: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #118 File Copy (Dell, 1950) CGC NM 9.4 Off-white to white pages. Walt Kelly cover. Overstreet 2008 NM- 9.2 value = $135. CGC census 12/08: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #120 File Copy (Dell, 1950) CGC NM 9.4 Off-white to white pages. Carl Buettner. Overstreet 2008 NM- 9.2 value = $135. CGC census 12/08: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #121 File Copy (Dell, 1950) CGC NM 9.4 Off-white to white pages. Grandma Duck begins. Carl Buettner cover. Overstreet 2008 NM- 9.2 value = $135. CGC census 12/08: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #125 File Copy (Dell, 1951) CGC NM 9.4 Off-white pages. First appearance of the Junior Woodchucks. Carl Barks story and art. Carl Buettner cover. Overstreet 2008 NM- 9.2 value = $250. CGC census 12/08: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #127 File Copy (Dell, 1951) CGC NM+ 9.6 Off-white to white pages. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $170. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #130 File Copy (Dell, 1951) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $170. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #132 - File Copy (Dell, 1951) CGC NM/MT 9.8 Off-white to white pages. Carl Barks art. Overstreet 2008 NM- 9.2 value = $170. CGC census 1/09: 1 in 9.8, none higher.
Walt Disney's Comics and Stories #133 File Copy (Dell, 1951) CGC NM 9.4 Off-white to white pages. Carl Barks art. Overstreet 2008 NM- 9.2 value = $160. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #137 File Copy (Dell, 1952) CGC NM 9.4 Off-white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #138 File Copy (Dell, 1952) CGC NM+ 9.6 Off-white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $260. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #139 File Copy (Dell, 1952) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #141 File Copy (Dell, 1952) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #143 File Copy (Dell, 1952) CGC NM 9.4 Off-white to white pages. Little Hiawatha begins. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 2 in 9.4, none higher.
Walt Disney's Comics and Stories #145 File Copy (Dell, 1952) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #151 File Copy (Dell, 1953) CGC NM+ 9.6 Off-white to white pages. Carl Barks stories, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #152 File Copy (Dell, 1953) CGC NM 9.4 Off-white to white pages. Carl Barks cover, story, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #153 File Copy (Dell, 1953) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #157 File Copy (Dell, 1953) CGC NM- 9.2 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #160 File Copy (Dell, 1954) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 3 in 9.4, 1 higher.
Walt Disney's Comics and Stories #168 File Copy (Dell, 1954) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Paul Murry art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 2 in 9.6, none higher.
Walt Disney's Comics and Stories #169 File Copy (Dell, 1954) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 3 in 9.6, none higher.
Walt Disney's Comics and Stories #183 File Copy (Dell, 1955) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 3 in 9.6, none higher.
Weird Fantasy #13 (#1) (EC, 1950) CGC FN/VF 7.0 Cream to off-white pages. First issue of the Title. Al Feldstein cover. Overstreet 2008 FN 6.0 value = $591; VF 8.0 value = $1,576. CGC census 1/09: 2 in 7.0, 17 higher.
Weird Science #12 (#1) (EC, 1950) CGC FN/VF 7.0 Cream to off-white pages. Al Feldstein cover. Overstreet 2008 FN 6.0 value = $591; VF 8.0 value = $1,576. CGC census 1/09: 3 in 7.0, 17 higher.
Weird Science #15 (#4) (EC, 1950) CGC VF- 7.5 Off-white to white pages. Al Feldstein cover. Overstreet 2008 VF 8.0 value = $632. CGC census 1/09: 3 in 7.5, 10 higher.
Weird Science #8 (EC, 1951) CGC VF/NM 9.0 Cream to off-white pages. Al Feldstein cover. Overstreet 2008 VF/NM 9.0 value = $625; NM- 9.2 value = $850. CGC census 1/09: 1 in 9.0, 9 higher.
Western Comics #5 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. First appearance of Nighthawk. Overstreet 2008 NM- 9.2 value = $345. CGC census 1/09: 2 in 9.2, 1 higher.
Western Outlaws #20 Mile High pedigree (Fox, 1949) CGC NM 9.4 White pages. Overstreet 2008 NM- 9.2 value = $225. CGC census 1/09: 1 in 9.4, none higher.
Western Thrillers #2 Mile High pedigree (Fox Features Syndicate, 1948) CGC NM- 9.2 Off-white to white pages. Skull cover. Overstreet 2008 NM- 9.2 value = $300. CGC census 1/09: 1 in 9.2, none higher.
Whiz Comics #20 Crowley Copy pedigree (Fawcett, 1941) CGC VF/NM 9.0 Off-white pages. C. C. Beck cover and art. Charles Sultan and Mac Raboy art. Overstreet 2008 VF/NM 9.0 value = $894; NM- 9.2 value = $1,250. CGC census 1/09: 1 in 9.0, 3 higher.
Wings Comics #5 (Fiction House, 1941) CGC FN/VF 7.0 Off-white pages. Overstreet 2008 FN 6.0 value = $204; VF 8.0 value = $425. CGC census 1/09: 1 in 7.0, 1 higher.
Wonder Comics #8 (Better Publications, 1946) CGC VF/NM 9.0 Off-white pages. Alex Schomburg cover. Overstreet 2008 VF/NM 9.0 value = $537; NM- 9.2 value = $750. CGC census 1/09: 1 in 9.0, 1 higher.
Wonder Comics #13 (Better Publications, 1947) CGC VF/NM 9.0 Cream to off-white pages. Alex Schomburg airbrushed bondage cover. Overstreet 2008 VF/NM 9.0 value = $644; NM- 9.2 value = $900. CGC census 1/09: 2 in 9.0, 6 higher.
World's Finest Comics #3 (DC, 1941) CGC VF- 7.5 Off-white pages. First appearance of the Scarecrow. Jack Burnley cover. Originally from the Harold Curtis collection. Overstreet 2008 VF 8.0 value = $2,126. CGC census 12/08: 2 in 7.5, 5 higher.
Wow Comics #2 Crowley Copy pedigree (Fawcett, 1941) CGC FN 6.0 Cream to off-white pages. The Hunchback begins. Overstreet considers this book "scarce." Overstreet 2008 FN 6.0 value = $900. CGC census 1/09: 1 in 6.0, 4 higher.
Wow Comics #3 Crowley Copy pedigree (Fawcett, 1941) CGC VF 8.0 Cream to off-white pages. Mr. Scarlet cover. Overstreet 2008 VF 8.0 value = $863. CGC census 1/09: 3 in 8.0, 2 higher.
Wow Comics #5 Crowley Copy pedigree - File Copy (Fawcett, 1942) CGC VF 8.0 Cream to off-white pages. Mr. Scarlet and Pinky cover. Only Pinky's second appearance. Bears a "Checking Copy" stamp on the cover. Overstreet 2008 VF 8.0 value = $519. CGC census 1/09: 1 in 8.0, 1 higher.
Wow Comics #7 Crowley Copy pedigree (Fawcett, 1942) CGC VF/NM 9.0 Off-white pages. Dave Berg story and art. Overstreet 2008 VF/NM 9.0 value = $644; NM- 9.2 value = $900. CGC census 1/09: 1 in 9.0, 1 higher.
Wow Comics #8 Rockford pedigree (Fawcett, 1942) CGC VF/NM 9.0 Off-white pages. Dave Berg story and art. Overstreet 2008 VF/NM 9.0 value = $644; NM- 9.2 value = $900. CGC census 1/09: 1 in 9.0, 2 higher.
Silver Age (1956-1969)
Action Comics #326 (DC, 1965) CGC NM+ 9.6 White pages. Curt Swan cover. Overstreet 2008 NM- 9.2 value = $100. CGC census 1/09: 3 in 9.6, none higher.
Adventure Comics #306 (DC, 1963) CGC NM 9.4 Off-white pages. First appearance of the Legion of Substitute Heroes. Overstreet 2008 NM- 9.2 value = $175. CGC census 1/09: 1 in 9.4, 3 higher.
Bronze Age (1970-1979)
All-Star Western #11 Slobodian pedigree (DC, 1972) CGC NM+ 9.6 White pages. Second appearance of Jonah Hex. Nestor Redondo cover. Last issue. Overstreet 2008 NM- 9.2 value = $270. CGC census 1/09: 3 in 9.6, none higher.
Silver Age (1956-1969)
The Amazing Spider-Man #39 (Marvel, 1966) CGC NM- 9.2 White pages. First issue of John Romita Sr.'s run as artist. The Green Goblin's identity is revealed as Norman Osborn. Overstreet 2008 NM- 9.2 value = $650. CGC census 1/09: 40 in 9.2, 41 higher.
The Amazing Spider-Man #40 (Marvel, 1966) CGC NM- 9.2 Off-white to white pages. Green Goblin origin story. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $775. CGC census 1/09: 60 in 9.2, 49 higher.
The Amazing Spider-Man #43 (Marvel, 1966) CGC NM 9.4 White pages. Rhino appearance and origin. First full appearance of Mary Jane Watson. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 1/09: 35 in 9.4, 14 higher.
The Amazing Spider-Man #47 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. Kraven the Hunter appears. Harry and Norman Osborn appearances. Green Goblin cameo. John Romita Sr. cover and art. Overstreet 2008 NM- 9.2 value = $285. CGC census 12/08: 50 in 9.4, 24 higher.
The Amazing Spider-Man #48 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. First Blackie Drago appearance as the Vulture. John Romita Sr. cover and art. From the Marin County Collection. Overstreet 2008 NM- 9.2 value = $285. CGC census 12/08: 39 in 9.4, 17 higher.
The Amazing Spider-Man #50 (Marvel, 1967) CGC VF+ 8.5 White pages. First appearance of the Kingpin. John Romita Sr. cover and art. Overstreet 2008 VF 8.0 value = $459; VF/NM 9.0 value = $855. CGC census 1/09: 76 in 8.5, 123 higher.
The Amazing Spider-Man #64 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. John Romita Sr. cover. Overstreet 2008 NM- 9.2 value = $150. CGC census 1/09: 71 in 9.6, 15 higher. From the Capital City Collection.
The Amazing Spider-Man #77 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. John Romita Sr. cover. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 14 in 9.6, 3 higher. From the Capital City Collection.
Modern Age (1980-Present)
The Amazing Spider-Man #298 (Marvel, 1988) CGC MT 9.9 Off-white to white pages. Todd McFarlane's first issue as artist of the title. First appearance of Eddie Brock, who later becomes Venom. Overstreet 2008 NM- 9.2 value = $60. CGC census 1/09: 2 in 9.9, none higher.
Silver Age (1956-1969)
Baby Huey and Papa #1 File Copy (Harvey, 1962) CGC NM/MT 9.8 Off-white pages. Overstreet 2008 NM- 9.2 value = $285. CGC census 12/08: 2 in 9.8, none higher.
Barbie and Ken #4 File Copy (Dell, 1963) CGC NM 9.4 Off-white pages. Photo cover. Overstreet 2008 NM- 9.2 value = $560. CGC census 1/09: 4 in 9.4, none higher.
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC FN 6.0 Off-white pages. The first appearance of the JLA. Mike Sekowsky and Murphy Anderson cover and art. Overstreet 2008 FN 6.0 value = $1,380. CGC census 1/09: 7 in 6.0, 50 higher.
The Brave and the Bold #56 Flash and Manhunter from Mars - Slobodian pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Bernard Baily cover and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 5 in 9.6, none higher.
The Brave and the Bold #59 Batman and Green Lantern - Slobodian pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. First Batman team-up in this title. Gil Kane cover. Overstreet 2008 NM- 9.2 value = $195. CGC census 12/08: 2 in 9.6, 1 higher.
The Brave and the Bold #70 Batman and Hawkman - Slobodian pedigree (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Carmine Infantino cover. Overstreet 2008 NM- 9.2 value = $85. CGC census 12/08: 2 in 9.6, none higher.
Comicpac A1 (DC, 1966) Condition: Average NM. Unopened. Contains Superman's Girl Friend Lois Lane #89, Superboy #153, Adventures of Jerry Lewis #110, and Action #371. Overstreet 2008 NM- 9.2 value = $240.
Comicpac A3 (DC, 1966) Condition: Average NM. Unopened. Contains Superman's Pal Jimmy Olsen #118, Superboy #154, Green Lantern #67, and Aquaman #44. Overstreet 2008 NM- 9.2 value = $255.
Comicpac A4 (DC, 1966) Condition: Average NM. Unopened. Contains Superman #215, Superman's Girl Friend Lois Lane #91, Metal Men #37, and Atom and Hawkman #42. Overstreet 2008 NM- 9.2 value = $255.
Dell Giants #38 Uncle Donald and His Nephews Family Fun - File Copy (Dell, 1960) CGC NM/MT 9.8 Off-white to white pages. Painted cover. Uncle Scrooge appearance. Overstreet 2008 NM- 9.2 value = $250. CGC census 1/09: 2 in 9.8, none higher.
Bronze Age (1970-1979)
Doctor Strange #8 (Marvel, 1975) CGC MT 9.9 Off-white pages. Gil Kane cover. Gene Colan art. Overstreet 2008 NM- 9.2 value = $12. CGC census 12/08: 1 in 9.9, none higher.
Silver Age (1956-1969)
Fantastic Four #49 (Marvel, 1966) CGC NM- 9.2 Off-white to white pages. Second appearances of the Silver Surfer and Galactus. First cover appearance for both characters. Part two of an epic three-part storyline. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $725. CGC census 12/08: 18 in 9.2, 15 higher.
Fantastic Four #66 (Marvel, 1967) CGC NM 9.4 White pages. Two part origin of Him (Warlock) begins. Jack Kirby cover and art. Joe Sinnott art. From the Marin County Collection. Overstreet 2008 NM- 9.2 value = $190. CGC census 12/08: 15 in 9.4, 5 higher.
Four Color #1075 Tales of Wells Fargo - File Copy (Dell, 1960) CGC NM/MT 9.8 Off-white to white pages. Only copy graded above 9.4. Dale Robertson photo cover. Overstreet 2008 NM- 9.2 value = $130. CGC census 1/09: 1 in 9.8, none higher.
Friendly Ghost Casper #1 File Copy (Harvey, 1958) CGC VF 8.0 Cream to off-white pages. Infinity cover. Overstreet 2008 VF 8.0 value = $240. CGC census 1/09: 3 in 8.0, none higher.
Friendly Ghost Casper File Copies Box Lot (Harvey, 1959-88) Condition: Average NM-. Full long box includes high-grade Harvey file copies of issues #11-15, 17-50, 52-59, 61-99, 101-142, 145-157, 159-178, 180, 181, 183-197, 199, 201-223, 225-227, 231-239, and 243. Issues #11-15 grade an average of VF, the rest average NM-. Approximate Overstreet value for group = $5,500.
G.I. Combat #68 (DC, 1959) CGC FN 6.0 Cream to off-white pages. This issue introduces a Sgt. Rock prototype (the "Rock"). Jerry Grandenetti cover. CGC notes, "Sticker attached to back cover." Overstreet 2008 FN 6.0 value = $183. CGC census 1/09: 3 in 6.0, 6 higher.
G.I. Combat #90 (DC, 1961) CGC VF 8.0 Cream to off-white pages. Grey tone cover by Jerry Grandenetti. Overstreet 2008 VF 8.0 value = $90. CGC census 1/09: 1 in 8.0, 1 higher.
Bronze Age (1970-1979)
Harvey Assorted Comic Book Bagged Sets (Harvey, 1970s) Condition: Average VF. Includes high-grade Harvey file copies of 68 different polybagged 2-Packs, 3-Packs, and 4-Packs, featuring Richie Rich, Hot Stuff, Sad Sack, Casper, Little Dot, Little Audrey, Wendy, the Good Little Witch, and others. A couple even include 45-speed records, and some of the packs include very early issues of Richie Rich related titles. A very unique group of multi-packs in their original packaging!
Silver Age (1956-1969)
Hawkman #12 (DC, 1966) CGC NM+ 9.6 White pages. Murphy Anderson cover and art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 4 in 9.6, 1 higher.
Hot Stuff Sizzlers File Copies Group (Harvey, 1960-74) Condition: Average VF/NM. A near-complete run of the title that includes high-grade Harvey file copies of issues #2-4, #5 (VF), 7-10, 12-15, 17-48, 50-56, 58, and 59. Approximate Overstreet value for group = $1,800.
The Incredible Hulk #1 (Marvel, 1962) CGC GD+ 2.5 Cream to off-white pages. Origin and first appearance of the Hulk. Jack Kirby cover. Overstreet 2008 GD 2.0 value = $1,000. CGC census 1/09: 37 in 2.5, 284 higher.
I Spy #5 (Gold Key, 1968) CGC NM/MT 9.8 Off-white to white pages. Al McWilliams art. Photo cover. Last 12¢ issue. Overstreet 2008 NM- 9.2 value = $200. CGC census 12/08: 2 in 9.8, none higher.
Journey Into Mystery #121 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $225. CGC census 12/08: 6 in 9.6, none higher. From the Capital City Collection.
Justice League of America #32 (DC, 1964) CGC NM+ 9.6 Off-white pages. Origin and first appearance of Brain Storm. Mike Sekowsky and Murphy Anderson cover. Overstreet 2008 NM- 9.2 value = $165. CGC census 1/09: 4 in 9.6, none higher.
Bronze Age (1970-1979)
Man-Thing #1 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. Second appearance of Howard the Duck. Frank Brunner cover. Overstreet 2008 NM- 9.2 value = $70. CGC census 1/09: 18 in 9.8, none higher.
Silver Age (1956-1969)
Marvel Silver Age Multi-Mags Pack #69-A1 (Marvel, 1969). Unopened package contains X-Men #52, Incredible Hulk #112, Amazing Spider-Man #69, and Daredevil #48. Overstreet 2008 NM- 9.2 value for group = $410. From the Don Vernon Collection.
Marvel Silver Age Multi-Mags Pack #68-B12 (Marvel, 1968). Unopened pack contains Fantastic Four #82, Avengers #59, Captain Savage #9, and Captain Marvel #9. Overstreet 2008 NM- 9.2 value for group = $195. From the Don Vernon Collection.
Marvel Super-Heroes #12 Stan Lee File Copy - Signature Series (Marvel, 1967) CGC FN/VF 7.0 Off-white pages. Origin and first appearance of Captain Marvel. Gene Colan cover. CGC notes, "Signed by Stan Lee on 4/18/02." Overstreet 2008 FN 6.0 value = $36; VF 8.0 value = $82. CGC census 1/09 (for Signature series) 1 in 7.0, 1 higher; (for Universal grades): 7 in 7.0, 187 higher.
Marvel Tales #1 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. From the Marin County Collection. Overstreet 2008 NM- 9.2 value = $550. CGC census 12/08: 4 in 9.2, 4 higher.
Mutt and Jeff #116-148 File Copies Group (Harvey, 1960-65) Condition: Average NM. A complete run of the Harvey series that includes high-grade file copies of issues #116-148. Approximate Overstreet value for group = $1,900.
Nightmare and Casper File Copies Group (Harvey, 1964-74) Condition: Average NM. Includes high-grade Harvey file copies of Nightmare and Casper #3 and #4; and Casper and Nightmare #8-14, and 17-46. Overstreet 2008 NM- 9.2 value for group = $1,055.
Plastic Man #1 Slobodian pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. First Silver Age appearance of Plastic Man. Gil Kane cover. Overstreet 2008 NM- 9.2 value = $150. CGC census 12/08: 3 in 9.6, 1 higher.
Playful Little Audrey File Copy Group (Harvey, 1959-76). This short box contains #4 (VF+), 6 (VF+), 10-15, 17-56, 63, 64, 68-71, 73-109, and 113-121. All average NM- unless noted. Approximate Overstreet value for group = $2,550.
Richie Rich #11 File Copy (Harvey, 1962) CGC NM- 9.2 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $325. CGC census 12/08: 1 in 9.2, 2 higher.
Richie Rich #12 File Copy (Harvey, 1962) CGC NM- 9.2 Off-white to white pages. First high-grade copy we have ever offered. Overstreet 2008 NM- 9.2 value = $325. CGC census 12/08: 1 in 9.2, none higher.
Richie Rich #17 File Copy (Harvey, 1963) CGC NM 9.4 Off-white pages. Little Dot and Little Lotta stories. Overstreet 2008 NM- 9.2 value = $325. CGC census 12/08: 1 in 9.4, 2 higher.
Richie Rich #24 File Copy (Harvey, 1964) CGC NM 9.4 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $210. CGC census 12/08: 2 in 9.4, none higher.
Richie Rich #28 File Copy (Harvey, 1964) CGC NM+ 9.6 Off-white to white pages. First high-grade copy of this issue we've ever offered. Overstreet 2008 NM- 9.2 value = $210. CGC census 1/09: 1 in 9.6, none higher.
Richie Rich #38 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white to white pages. Little Dot and Little Lotta stories. Overstreet 2008 NM- 9.2 value = $165. CGC census 1/09: 1 in 9.6, none higher.
Richie Rich #40 File copy (Harvey, 1965) CGC NM/MT 9.8 Off-white to white pages. Overstreet 2008 NM- 9.2 value = $165. CGC census 1/09: 1 in 9.8, none higher.
Richie Rich File Copies Group (Harvey, 1962-90) Condition: Average NM-. Full short box includes #10 (VF), 39, 41, 44-48, 51-151, 154-175, 178-195, 198-218, 221-226, 228, 229, 231-233, 235-237, 239, 241-244, and 246-249. Includes the first appearances of Super Richie, Irona, and Prof. Keenbean. Issues #10-100 average VF/NM, the rest average NM-. Approximate Overstreet value for group = $4,750.
Richie Rich Dollars and Cents #6 File Copy (Harvey, 1964) CGC NM/MT 9.8 Off-white to white pages. Giant size issue. Little Lotta and Little Dot backup stories. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 1 in 9.8, none higher.
Richie Rich Success Stories File Copies Group (Harvey, 1966-82) Condition: Average NM. A near-complete run of the title that includes high-grade Harvey file copies of issues #1-10, and 13-105. #1-6 grade VF/NM, the rest average NM. Overstreet NM- 9.2 value for group = $3,500.
Robin Hood Tales #8 (DC, 1957) CGC NM 9.4 Off-white pages. Ross Andru and Mike Esposito cover. Overstreet 2008 NM- 9.2 value = $375. CGC census 12/08: 1 in 9.4, none higher.
Sad Sack's Army Life Parade File Copies Group (Harvey, 1963-76) Condition: Average NM-. An almost-complete run of the series that includes high-grade Harvey file copies of issues #1-46, 48-53, and 59-61. Approximate Overstreet value for group = $1,800.
Sad Sack Laugh Special #2-67 File Copies Group (Harvey, 1959-72) Condition: Average NM-. A lengthy run that includes high-grade Harvey file copies of issues #2-67. Approximate Overstreet value for group = $2,750.
Sad Sad Sack World #1 File Copy (Harvey, 1964) CGC NM/MT 9.8 Off-white to white pages. Giant sized issue. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 1 in 9.8, none higher.
Spooky File Copies Group (Harvey, 1957-80). Includes high-grade Harvey file copies of issues #8-10, 17-20, 22, 23, 25, 26, 29, 32-34, 42-46, 51, 54, 57-59, 61, and 63-161. Issues #8-68 grade an average of VG/FN, the rest average VF/NM. Approximate Overstreet value for group = $2,000.
Strange Tales #110 (Marvel, 1963) CGC VF 8.0 Off-white pages. First appearance of Doctor Strange. Jack Kirby cover. Overstreet 2008 VF 8.0 value = $1,020. CGC census 12/08: 19 in 8.0, 45 higher.
Strange Tales #113 Slobodian pedigree (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. First appearance of Plantman. Overstreet 2008 VF/NM 9.0 value = $195; NM- 9.2 value = $280. CGC census 1/09: 11 in 9.0, 5 higher.
Strange Tales #126 Slobodian pedigree (Marvel, 1964) CGC NM 9.4 White pages. First appearance of Clea. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $125. CGC census 12/08: 7 in 9.4, 4 higher.
Strange Tales #128 Slobodian pedigree (Marvel, 1965) CGC NM 9.4 White pages. Early Quicksilver and Scarlet Witch appearances. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 9 in 9.4, 2 higher.
Strange Tales #131 Slobodian pedigree (Marvel, 1965) CGC NM 9.4 White pages. Steve Ditko and Dick Ayers cover. Overstreet 2008 NM- 9.2 value = $125. CGC census 1/09: 6 in 9.4, 1 higher.
Stumbo Tinytown #1 File Copy (Harvey, 1963) CGC NM 9.4 Off-white to white pages. Giant size issue. Overstreet 2008 NM- 9.2 value = $275. CGC census 1/09: 2 in 9.4, none higher.
Bronze Age (1970-1979)
Supernatural Thrillers #5 The Living Mummy - Don Rosa Collection pedigree (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. First appearance of the Living Mummy. George Tuska and John Romita Sr. cover. Overstreet 2008 NM- 9.2 value = $80. CGC census 1/09: 5 in 9.8, none higher.
Silver Age (1956-1969)
Tales of Suspense #41 (Marvel, 1963) CGC VF- 7.5 Off-white to white pages. The third appearance of Iron Man. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $740. CGC census 9/08: 11 in 7.5, 22 higher.
Teen Titans #2 (DC, 1966) CGC NM+ 9.6 White pages. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $235. CGC census 1/09: 2 in 9.6, 1 higher.
Teen Titans #9 (DC, 1967) CGC NM+ 9.6 White pages. Nick Cardy cover. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 4 in 9.6, 1 higher.
T.H.U.N.D.E.R. Agents #8 (Tower, 1966) CGC NM+ 9.6 White pages. Origin and first appearance of Raven. Wally Wood cover and art. Mike Sekowsky and George Tuska art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 2 in 9.6, 1 higher.
Tuff Ghosts Starring Spooky File Copies Group (Harvey, 1962-72) Condition: Average NM-. Includes high-grade Harvey file copies of issues #3, 9, 11, 13, 18, #19 (VG/FN), 20-26, and 28-43. Approximate Overstreet value for group = $950.
TV Casper and Company File Copies Group (Harvey, 1963-74) Condition: Average NM. Includes high-grade Harvey file copies of issues #1-33 and 37-46 -- almost a complete run of the series. Overstreet 2008 NM- 9.2 value for group = $2,100.
Uncle Scrooge #53 File Copy (Gold Key, 1964) CGC NM+ 9.6 Off-white pages. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 1/09: 2 in 9.6, none higher.
Walt Disney's Comics and Stories #187 (Dell, 1956) CGC NM+ 9.6 Off-white to white pages. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 3 in 9.6, none higher.
Walt Disney's Comics and Stories #188 (Dell, 1956) CGC NM+ 9.6 Off-white to white pages. Carl Barks art. Overstreet 2008 NM- 9.2 value = $95. CGC census 1/09: 1 in 9.6, none higher.
Bronze Age (1970-1979)
Weird War Tales #1 (DC, 1971) CGC NM+ 9.6 Off-white pages. Top grade copies of this are very few, despite the relatively recent 1971 date! This issue is called the first Bronze Age comic book by some, and this war/horror hybrid lasted for 12 years, outlasting longstanding series like House of Secrets and Our Fighting Forces. Joe Kubert cover art. Overstreet 2008 NM- 9.2 value = $425. CGC census 1/09: 5 in 9.6, none higher.
Silver Age (1956-1969)
Wendy, the Good Little Witch File Copies Group (Harvey, 1962-90) Condition: Average VF/NM. A near-complete run of the title that includes high-grade Harvey file copies of issues #11-48, 52, 53, 55-95, and 97. Approximate Overstreet value for group = $2,150.
Wendy Witch World File Copies Group (Harvey, 1962-73) Condition: Average VF/NM. Includes high-grade Harvey file copies of issues #2-7, 9-14, 16, 19-22, 26, 27, 29, 31, 32, 34-42, and 48-50. Approximate Overstreet value for group = $1,400.
Wonder Woman #157 Pacific Coast pedigree (DC, 1965) CGC NM+ 9.6 White pages. Ross Andru and Mike Esposito cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 2 in 9.6, none higher.
Wonder Woman #161 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 White pages. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 2 in 9.6, none higher.
Wonder Woman #162 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 White pages. First Silver Age appearance of Minister Blizzard. Origin of Wonder Woman's Diana Prince ID retold. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 2 in 9.6, none higher.
Wonder Woman #165 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. Dr. Psycho appearance. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 1 in 9.6, none higher.
Wonder Woman #168 Pacific Coast pedigree (DC, 1967) CGC NM+ 9.6 White pages. Ross Andru cover and art. Overstreet 2008 NM- 9.2 value = $110. CGC census 1/09: 2 in 9.6, none higher.
X-Men #7 (Marvel, 1964) CGC VF+ 8.5 White pages. The X-Men battle Magneto and the Brotherhood of Evil Mutants. First appearance of Cerebro. Second appearance of the Blob. Cyclops becomes deputy leader of the X-Men. Jack Kirby cover and art. Overstreet 2008 VF 8.0 value = $400; VF/NM 9.0 value = $725. CGC census 1/09: 15 in 8.5, 41 higher.
X-Men #26 Slobodian pedigree (Marvel, 1966) CGC NM+ 9.6 White pages. Werner Roth and Dick Ayers cover. Overstreet 2008 NM- 9.2 value = $235. CGC census 12/08: 11 in 9.6, 1 higher.
X-Men #29 Slobodian pedigree (Marvel, 1967) CGC NM 9.4 Off-white to white pages. Werner Roth cover and art. Overstreet 2008 NM- 9.2 value = $235. CGC census 1/09: 21 in 9.4, 9 higher.
X-Men #31 Slobodian pedigree (Marvel, 1967) CGC NM 9.4 White pages. Jack Kirby cover. Overstreet 2008 NM- 9.2 value = $180. CGC census 1/09: 15 in 9.4, 5 higher.
X-Men #45 Slobodian pedigree (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. John Buscema cover. Overstreet 2008 NM- 9.2 value = $155. CGC census 12/08: 38 in 9.6, 5 higher.
X-Men #51 (Marvel, 1968) CGC NM+ 9.6 White pages. First appearance of Erik the Red (cameo). Magneto appearance. Jim Steranko cover and art. Backup feature with Werner Roth art continues the origin of the Beast. Overstreet 2008 NM- 9.2 value = $165. CGC census 1/09: 15 in 9.6, 2 higher.
Bronze Age (1970-1979)
X-Men #92 (Marvel, 1975) CGC NM+ 9.6 White pages. Ron Wilson and Frank Giacoia cover. Overstreet 2008 NM- 9.2 value = $105. CGC census 1/09: 8 in 9.6, 1 higher.
X-Men #94 (Marvel, 1975) CGC VF/NM 9.0 Off-white to white pages. Debut of the new X-Men in this series. Second appearance of Colossus, Nightcrawler, Storm, and Thunderbird after Giant-Size X-Men #1. Angel, Marvel Girl, Iceman, and Sunfire leave the group. Gil Kane and Dave Cockrum cover. Interior art by Cockrum. Overstreet 2008 VF/NM 9.0 value = $835; NM- 9.2 value = $1,150. CGC census 1/09: 211 in 9.0, 275 higher.
Modern Age (1980-Present)
X-Men #156 (Marvel, 1982) CGC MT 10.0 Off-white to white pages. Gem Mint copy. Only copy graded above 9.8 to date. Dave Cockrum cover art. Overstreet 2008 NM- 9.2 value = $10. CGC census 1/09: 1 in 10.0.
X-Men #160 (Marvel, 1982) CGC MT 10.0 Off-white to white pages. Gem Mint copy. First appearance of adult Illyana Rasputin (Magik). Brent Anderson cover. Overstreet 2008 NM- 9.2 value = $10. CGC census 1/09: 1 in 10.0.
Golden Age (1938-1955)
Crackajack Funnies File Copies Bound Volume (Dell, 1939-40). Issues #10-12, 15, and 17-20, trimmed and bound into a blue hardcover volume. The spine is embossed with the name "Geo. T. Delacorte, Jr.," he's the founder of Dell Publishing! Frontpapers have a Dell "library copy" stamp. Covers look excellent, but page edges are extremely brittle. The first page of #10 is detached. Overstreet 2008 VG 4.0 value for group = $580.
Silver Age (1956-1969)
Fantastic Four #31-47 and Annual 3 Bound Volume (Marvel, 1964-66). Trimmed and bound copies in a green hardcover volume. Title and issue numbers embossed on spine. Creasing on some comic covers. Page quality varies from off-white to cream. Overstreet 2008 VG 4.0 value for group = $564.
The Flash #131-150 Bound Volume (DC, 1962-65). Issues trimmed and bound into a green hardcover volume, with the previous owner's name embossed on the cover. VG-type copies for the most part, page quality averages cream to off-white except #135 which has tan pages. Overstreet 2008 VG 4.0 value for group = $550.
Golden Age (1938-1955)
Green Hornet Comics #15-21 Bound Volume (Harvey, 1943-44). Trimmed and bound file copies in a green hardcover volume. Pages are cream to off-white with very slight edge brittleness. All but one issue have Alex Schomburg covers. Overstreet 2008 VG 4.0 value for group = $884.
Silver Age (1956-1969)
Harvey Suspense/War/Adventure File Copies Bound Volume (Harvey, 1957-58). Lots of Simon and Kirby art in this volume. Trimmed and bound copies of Alarming Tales #1-6 (full run), Black Cat Mystic #59-62, Man in Black #1-4 (full run), Warfront #30-35, and Race for the Moon #1-3 (full run) in a red hardcover volume. Spine says "Harvey Adventure Group 1957-1958 Production." Pages are off-white with cream edges. Overstreet 2008 VG 4.0 value for group = $682.
Golden Age (1938-1955)
Joe Palooka #1-27 File Copies Bound Volumes (Harvey, 1945-48). Trimmed copies bound into two blue hardcover volumes. "Leon Harvey" embossed on spine of both; "only available copy" stamp on frontpapers of both. Cover of first volume is completely detached from the block of comics, and the cover of issue #1 is detached. Cream pages, with only very slight brittleness at the extreme edges in spots. Page numbers of each issue are handwritten in ballpoint pen at the top corner of each page. Overstreet 2008 VG 4.0 value for group = $770.
Silver Age (1956-1969)
Korak, Son of Tarzan #1-40 Bound Volumes (Gold Key, 1967-70). Outstanding condition, pages off-white with no edge darkening whatsoever. Some have white pages. Trimmed and bound into two green hardcover volumes. Overstreet 2008 VG 4.0 value for group = $334.
Golden Age (1938-1955)
The Marvel Family #25-30 Bound Volume (Fawcett, 1948). A great selection of The Marvel Family issues #25, 26, 27, 28, 29, and 30 that have been trimmed and bound into a hardcover volume. Artists include C. C. Beck, Kurt Schaffenberger, and Sheldon Moldoff. The comics are in great condition with clean, bright covers, supple pages, and mild tanning and wear. Overstreet 2008 VG 4.0 value for group = $300.
The Marvel Family #31-36 Bound Volume (Fawcett, 1949). Issues #31, 32, 33, 34, 35, and 36 of The Marvel Family that have been trimmed and bound into a hardcover volume, each in excellent condition with glossy, unfaded covers, supple pages, and mild tanning and wear. Artists include C. C. Beck and Kurt Schaffenberger. Overstreet 2008 VG 4.0 value for group = $240.
The Marvel Family #37-42 Bound Volume (Fawcett, 1949). Issues #37, 38, 39, 40, 41, and 42 of The Marvel Family that have been trimmed and bound into a hardcover volume. Art by C. C. Beck and Kurt Schaffenberger. Each is in excellent condition with glossy, unfaded covers, supple pages, and mild tanning and wear. Overstreet 2008 VG 4.0 value for group = $224.
The Marvel Family #43-48 Bound Volume (Fawcett, 1950). Some gorgeous copies of The Marvel Family #43, 44, 45, 46, 47 (flying saucer cover and story), and #48 that have been trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple off-white pages, and very mild wear. Overstreet 2008 VG 4.0 value for group = $206.
Mary Marvel Comics #3-8 Bound Volume (Fawcett, 1946). A great selection of early Mary Marvel Comics that have been trimmed and bound. Included are #3, 4, 5, 6, 7, and 8 (Mary Marvel/Bulletgirl crossover, Christmas cover), each with cover and interior art by Jack Binder. They are in great condition with bright, glossy covers, supple pages, and some mild tanning and corner wear. Overstreet 2008 VG 4.0 value for group = $532.
Mary Marvel Comics #9-13 Bound Volume (Fawcett, 1947). A great array of gorgeous copies of Mary Marvel Comics #9, 10, 11, 12, and 13, trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple off-white pages, and some mild wear. Overstreet 2008 VG 4.0 value for group = $298.
Mary Marvel Comics #14-19 Bound Volume (Fawcett, 1947). A great selection that includes Mary Marvel Comics #14, 15, 16, 17, 18, and 19, trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple pages, and mild tanning and wear. Overstreet 2008 VG 4.0 value for group = $300.
Silver Age (1956-1969)
Richie Rich #21-64 File Copies Bound Volumes (Harvey, 1964-67). Two red hardcover volumes of trimmed and bound file copies. "Leon Harvey" is embossed on the spines. Covers are pristine throughout, the pages are an appealing cream to off-white. Overstreet 2008 VG value for group = $754.
Golden Age (1938-1955)
Speed Comics #29 and #31-40 Bound Volumes (Harvey, 1943-45). Most have Alex Schomburg covers. Hitler and Tojo cover on #31, Iwo Jima flag cover on #38. Comics trimmed and bound into two blue hardcover volumes. Cream to off-white pages, edges are slightly brittle in spots. Overstreet 2008 VG 4.0 value for group = $1,110.
Silver Age (1956-1969)
Superboy #81-100 Bound Volume (DC, 1960-64). Handsome bound volume, featuring Superboy #81-100, plus Superboy Annual #1. The comics appear to have averaged between VG and FN before being trimmed and bound. Approximate Overstreet 2008 VG value for group = $545.
Wendy, the Good Little Witch and Harvey Hits File Copies Bound Volume (Harvey, 1958-62). Trimmed and bound copies of Harvey Hits #7, 16, 21, 23, 27, 30, and 33 and Wendy the Good Little Witch #1-15. "Leon Harvey" embossed on spine. Covers are all pristine, pages are an appealing cream to off-white. Spine is embossed upside-down. Overstreet 2008 VG 4.0 value for group = $398.
Golden Age (1938-1955)
Wow Comics #2-4 Bound Volume (Fawcett, 1941). Copies of #2 (Hunchback stories begin, Overstreet lists as "scarce"), #3, and #4 (origin and first appearance of Pinky) that have been trimmed and bound into a hardcover volume. All feature Mr. Scarlet covers and Jack Binder art. Though they exhibit some mild discoloration to the page edges, the comics are in overall great condition with vibrant, unfaded covers and pages, very little wear, and some mild tanning. Overstreet 2008 VG 4.0 value for group = $1,166.
Wow Comics #5, 7, and 8 Bound Volume (Fawcett, 1942). Copies of #5, 7, and 8 that have been trimmed and bound into a hardcover volume. Artists include Jack Binder, Mac Raboy, and Dave Berg. The comics are in great condition with vibrant covers and pages, but with some light staining to page edges visible when the volume is closed. Overstreet 2008 VG 4.0 value for group = $414.
Pulps
Argosy/All Story Weekly Edgar Rice Burroughs Group (Munsey, 1915-1939). Includes the August 7, 1915 All-Story Weekly; December 9, 1922 Argosy-All Story Weekly; and the March 12, and September 17, 1932, March 19, 1938, and January 7, 1939 Argosy. All feature ERB stories. Earler issues grade GD/VG, the rest are VG. Complete spines and covers. Approximate Bookery's Guide to Pulps value for group = $425.
Blue Book Edgar Rice Burroughs Group (McCall, 1930-32) Condition: Average VG. Includes the November and December 1930; June and August-October 1931; and June, August, and November 1932 issues, all featuring ERB stories. Most are bedsheet format and have tape to head and tail of spine. Covers and spines are complete. Approximate Bookery's Guide to Pulps value for group = $500.
Dime Mystery Magazine Group (Popular, 1934-35) Condition: VG/FN. Includes the February, October, and November 1934; and February 1935 issues. Each has been trimmed, and all have complete covers and spines. Approximate Bookery's Guide to Pulps value for group = $625.
Dime Mystery Magazine Group (Popular, 1936-40) Condition: Average VG/FN. Includes the February, March, September, and November 1936; and September 1940 issues. Complete covers and spines, some trimmed edges. Approximate Bookery's Guide to Pulps value for group = $425.
Doc Savage Group (Street & Smith, 1933-49) Condition: Average VG. Includes the November (FR with large pieces out of last three pages) and December (GD/VG) 1933 and Winter (George Rozen cover) and Spring 1949 issues. Approximate Bookery's Guide to Pulps value for group = $450.
Doc Savage 1934 Group (Street & Smith, 1934) Condition: Average GD. Includes the January-December 1934 issues. Some grade as high as VG. Complete spines and covers. Approximate Bookery's Guide to Pulps value for group = $900.
Doc Savage 1935 Group (Street & Smith, 1935-36) Condition: Average GD. Includes the January, February, May, July, November, and December 1935 issues; plus October 1936. Complete spines and covers. Approximate Bookery's Guide to Pulps value for group = $300.
Doc Savage 1936 Group (Street & Smith, 1936) Condition: Average GD. Includes the January and March-December 1936 issues. Complete spines and covers. March-May have been trimmed. Some issues grade as high as VG. Approximate Bookery's Guide to Pulps value for group = $625.
Doc Savage 1937 Group (Street & Smith, 1937) Condition: Average GD/VG. Includes the January-December 1937 issues. Average grade is GD/VG, with grades ranging from FR to VG. November issues features first "Skipper" back-up story. Approximate Bookery's Guide to Pulps value for group = $675.
Dr. Yen Sin Pulp Group (Popular, 1936). Includes the May (first issue - GD/VG) and September (final issue - VG) issues. Complete covers and spines. Approximate Bookery's Guide to Pulps value for group = $400.
Future Fiction Group (Columbia, 1940-42) Condition: Average FN/VF. Includes the March (VG/FN), July (VG/FN), and November 1940; April, August, October, and December 1941; and February, April, June, and December 1942 issues. Robert Heinlein and Hugo Gernsback stories. Complete covers and spines, and white pages. Bookery's Guide to Pulps FN value for group = $275. From the Uncle Lefty Collection.
Horror Stories Group (Popular, 1935-36) Condition: Average FN. Includes December 1935 and February and April 1936 issues. Complete covers and spines, off-white pages. Approximate Bookery's Guide to Pulps value for group = $750.
All-Story Weekly Son of Tarzan Group (Munsey, 1915-16) Condition: Average GD. The first five installments of the six-part novel. Includes the December 4, 11, 18, and 25, 1915; and January 1, 1916 issues. The December 11 issue is missing the front cover, and the January 1 issue has detached covers and is missing most of its spine. Approximate Bookery's Guide to Pulps value for group = $600.
Miscellaneous Detective Pulps Group (Various Publishers, 1932-40) Condition: Average FN. Includes the July 1932 Dime Detective; February 1938 Romantic Detective (first issue); and May 1940 Strange Detective. Approximate Bookery's Guide to Pulps value for group = $650.
Planet Stories Group (Fiction House, 1939-52) Condition: Average GD/VG. Includes the Winter 1939 (FN); Spring, Summer, Fall, and Winter 1940; Spring, Summer, Fall, and Winter 1941; Summer, Fall, and Winter 1942; March, Fall, and Winter 1943; Spring and Summer 1944; Spring 1945; Summer and Fall 1947; Spring and Winter 1948; Fall 1949; May and July 1951; and July 1952 issues. Complete spines and covers. Bookery's Guide to Pulps value for group = $525.
Private Detective Stories Group (Trojan Publishing, 1938-42) Condition: Average VG/FN. Includes the June 1938, February, March, and July 1941 (white pages); and December 1942 (VG) issues. Complete covers and spines, supple pages. Approximate Bookery's Guide to Pulps value for group = $200.
Science Fiction Group (Blue Ribbon Magazines, 1939-41) Condition: Average FN/VF. Includes the December 1939; March, June, and October 1940; and January, March, June, and September (FN-) 1941 issues. Complete covers and spines, supple pages. Bookery's Guide to Pulps FN value for group = $350. From the Uncle Lefty Collection.
The Secret 6 Pulp Group (Popular, 1934-35) Condition: Average GD/VG. Includes the October 1934 (first issue, bottom edge trimmed); and January 1935 (final issue). Complete covers and spines. Approximate Bookery's Guide to Pulps value for group = $525.
Spicy Detective/Spicy Western Group (Culture, 1936-41) Condition: Average FN. Includes the September 1936 Spicy Detective; and December 1941 Spicy Western. Approximate Bookery's Guide to Pulps value for group = $425.
Spicy Detective Stories - July 1935 (Culture, 1935) Condition: FN/VF. Complete spine and covers, cream to off-white pages. Bookery's Guide to Pulps FN value = $300.
Spicy Mystery Stories - February 1936 (Culture, 1936) Condition: GD+. Classic lingerie cover. Bookery's Guide to Pulps GD value = $300.
Terror Tales - September 1934 (Popular, 1934) Condition: FN+. First issue. Classic cover. Complete covers and spine, supple pages. Bookery's Guide to Pulps FN value = $600.
Terror Tales Group (Popular, 1934-35) Condition: Average FN. Includes the October 1934 (second issue - VG); and February and April 1935 issues. Complete covers and spines. Approximate Bookery's Guide to Pulps value for group = $650.
Terror Tales Group (Popular, 1935-37) Condition: Average VG/FN. Includes the May and August 1935; and March and May 1937 issues. Complete covers and spines. Approximate Bookery's Guide to Pulps value for group = $700.
Terror Tales Group (Popular, 1940-41) Condition: Average VG/FN. Includes July and September 1940, and January and March (final issue) 1941. Complete covers and spines, cream to off-white pages. Approximate Bookery's Guide to Pulps value for group = $625.
Thrilling Wonder Stories Group (Beacon, 1941-51) Condition: Average FN. Includes the October 1941 (classic gorilla cover); February 1948 (Ray Bradbury story); and August 1951 issues. Complete covers and spines, supple pages. Approximate Bookery's Guide to Pulps value for group = $100.
Uncanny Tales - April 1939 (Red Circle, 1939) Condition: FN. First issue. Includes "Revelry in Hell" by Robert Weinberg. Complete covers and spine. Bookery's Guide to Pulps FN value = $500.
Weird Tales Group (Popular Fiction, 1932-34) Condition: Average FN/VF. Includes the August and October 1932; and March 1934 (H. P. Lovecraft story) issues, two with Margaret Brundage covers. Each is trimmed, all have complete covers and spines. Bookery's Guide to Pulps FN value for group = $575.
Weird Tales Group (Popular Fiction, 1934-46) Condition: Average FN/VF. Includes the July 1934 (H. P. Lovecraft story, Margaret Brundage cover); July 1938 (Virgil Finlay cover); March 1940; and November 1946. Each has been trimmed, and all have complete covers and spines. Bookery's Guide to Pulps FN value for group = $375.
Doc Savage Pulp Promo Card (1934). An 8.5" x 12" advertising card featuring a mounted cover proof for the December 1934 issue of Doc Savage Magazine ("The Annihilist"). In excellent condition, matted and framed to 12" x 15".
Breezy Stories Cover Proof Set (Young Publications, 1939). Set of "progressive color" proofs, in four-color process; the logo was cut out of several proofs in the set, but lucky for us an additional, loose full-color print was also included. The loose print is in Very Good condition with edge damage that does not affect the image area, which is suitable for framing.
Memorabilia
Comic Magazine Publishing Report #71 (Edward Dougherty, 1947). Fascinating statistics on all comic titles on sale in September through November 1947, with exact on-sale dates! Also notes which titles ceased publication (like More Fun) new titles that debuted (like [Marge's] Little Lulu). Six pages plus cover, staple-bound.
Comic Magazine Publishing Report #70 (Edward H. Dougherty, 1947). Fascinating statistics on all comic titles on sale in September-October 1947, with exact on-sale dates, a statistic that's almost impossible to find! Also publication frequency, page counts, and more. Six pages plus cover, staple-bound.
Comic Magazine Publishing Report #69 (Edward H. Dougherty, 1947). Impossible-to-find information includes the on-sale dates of all comics released in August-September 1947. Also publishing frequency, page counts, etc. Many other statistics, including that National Comics (i.e. DC) had an average of 16 titles on sale, while Charlton had "less than one". Small pieces torn out of the first couple of pages but not affecting text. 6 pages plus covers, staple-bound.
Batman: The Dark Knight Returns Retailer Bubble Display (DC, 1986). Very cool three-dimensional display with cardboard stand. Approx. 9 x 13". Small chip missing from the upper right. Dented slightly at Batman's right fist. Classic Frank Miller artwork!
Frank Brunner Brass Engraving Group (Looking Glass Productions, 1980). A set of four engraved 8" x 10.5" brass plates designed by fantasy master Frank Brunner, mounted on 10" x 15" wooden plaques: Queen of Swords, Queen of Wands, Queen of Cups, and Queen of Pentacles, all numbered 7/100. Other than a slight discoloration of the brass, they are all in Excellent condition, with three still in their original packaging. Each one comes with a Certificate of Authenticity. Also included are a set of letters, catalogs, and other pages from Looking Glass and Collector's Press. From the Don Vernon Collection.
Frank Brunner Brass Engraving Group (Looking Glass, 1980-81). A second set of three handsome 8" x 10.75" engraved fantasy plates, mounted onto 10" x 14" wooden plaques: Sun Dragon, War Dragon, and Moon Dragon, all featuring art by Frank Brunner. All three are numbered 7/200, are in their original packaging, and have certificates of authenticity included. From the Don Vernon Collection.
Civil War Trading Card And Currency Complete Set (Topps, 1962). Topps celebrated the centennial of the War Between the States with this set of 88 trading cards, which also included 17 mini-sized reproductions of Confederate currency. The ultra-violent art was provided by Norm Saunders. This three-ring binder features NM copies of all 88 cards and 17 bills (plus one duplicate).
Robert Crumb Underground Comix Hall of Fame Etched Glass Award (1991). In 1991, several big-time Underground Comix fans in Chicago got together and decided to honor their favorite cartoonists. The event, held at the Bucktown Pub, produced a number of beautiful glass pieces etched with comic images from the honored artists as awards. In each case there were one to five extras made of each piece, and this one, featuring Crumb's Mr. Natural, is one of those extras. These came directly from one of the organizers, and they are something else. This heavy piece measures approximately 10" x 13", and is about .75" thick. There seems to be a bit of glue or tape residue on this one that could be removed with a little effort; otherwise, it's in Excellent condition.
Rick Griffin Underground Comix Hall of Fame Etched Glass Award with Stand (1991). A guitar-playing beetle sings "Why Don't We Do It in the Road" on this exquisite heavy glass piece. The piece measures approximately 5.5" x 12.75", and is .5" thick. The etched portion of the beetle has been painted with two shades of metallic gold. Included is a stone stand which the glass was originally glued on to; it measures approximately 8.5" x 3". Excellent condition.
Kitchen Sink Press Underground Comix Hall of Fame Etched Glass Award (1991). Denis Kitchen's fondly remembered comic publishing company was the recipient of this award, a beautifully etched replica of the company's logo. The glass measures approximately 12.5" x 12.75", and is .5" thick. Excellent condition.
Jay Lynch Underground Comix Hall of Fame Etched Glass Award (1991). Nard and Pat, the hapless man-and-cat team, are expertly etched into this eye-catching glass award. It measures approximately 10" x 13", and is about .5" thick. On the bottom edge, "2 of 6" has been scratched in. In Excellent condition. A lighted display base is also included.
Mickey Mouse Toy Tea Set with Original Box (Japan, c. 1930s). Beautiful, vintage 24-piece set of blue and white pearl-finish chinawear play tea set, decorated with Mickey and Minnie Mouse images. The box features a generic pattern design. There is no Walt Disney copyright notice listed, so these are probably unauthorized. Most pieces are in Excellent condition, although one small tea kettle has been broken and then glued back together (with one piece missing). The box is in Good condition, with tears along the edges. A similar 21-piece set in brown finish is listed in Hake's Price Guide to Disney Collectibles, with a FN value = $400.
Pep Comic Character Pinback Group (Kellogg's, 1945). Here's the most complete set of Kellogg's Pep Pins you'll ever find. These little comic character pins were issued in boxes of cereal back in 1945, in five different sets, consisting of eighteen pins per set. This collection has all five sets, with each pin housed in a coin-style cardboard holder, all sequentially numbered and labeled. The kicker is that Superman was originally included in all five sets; as a result, there are five Superman pins in this collection. All 90 pinbacks are held in vinyl coin pages, in a three-ring binder, with a checklist attached to the inside front cover. The pins average in Fine condition or better, including the elusive Phantom and Felix buttons.
Robin Hood Trading Card Complete Set (Topps, 1957). Nice-looking set of cards, with colorized images taken from the Adventures of Robin Hood television series. All 60 cards in average NM, plus a 1950s-era Robin Hood Iron-on patch, still in its original packaging.
Alex Ross Superman and Batman: World's Finest Limited Edition Print #252/300 (Warner Bros., 2000). This awe-inspiring giclee print has an image area of 29.5" x 17". This piece has been matted and framed to an overall size of 40" x 28.5" and its condition is Excellent. The print was signed by Ross at the lower right, and a COA is included in this lot.
Alex Ross Batman:Knight Over Gotham City Limited Edition Print #297/350 (Warner Bros., 2000). Taken from an image in the graphic novel, Batman: War On Crime, this handsome giclee print has an image area of 29" x 20". This piece has been matted and framed to an overall size of 38.5" x 30" and its condition is Excellent. The print was signed by Ross at the lower right, and a COA is included in this lot.
George Roussos Sketchbook Autograph Page Group (1942-86). DC staffers autographed George Roussos' sketch book, and later, Roussos himself wrote an inscription with an autograph when he sold his sketchbook to editor Jim Salicrup in 1986. The autographs in this lot include Bernie Breslauer, Ira Schnapp, Jack Schiff, George F. Putnam, David Taylor Marke, Joseph Samuelson, Private Mort Weisinger, Murray Boltinoff, and Alfred Bester. Each page has an overall size of 9" x 11.75", and they average Very Good condition.
Gilbert Shelton Underground Comix Hall of Fame Etched Glass Award (1991). The Fabulous Furry Freak Brothers, along with Fat Freddy's Cat, are beautifully etched into this heavy glass presentation piece. The glass is in Excellent condition, and measures approximately 10" x 13".
Martin Krause Walt Disney's Snow White and the Seven Dwarfs:An Art in Its Making Hardcover Book Autographed by Eight Animators (Hyperion, 1994). Signed by the remaining crew of the legendary animated film, eight of Disney's "old guard" writers and animators, who worked on the film. This group included Ward Kimball (animator), Joe Grant (character designer), Ken O'Connor (art director), Maurice Noble (background artist), Marc Davis (animator), Bill Justice (animator), Ollie Johnson (animator), and Frank Thomas (animator). This group of autographs would be hard to match and most of the artists are now deceased. First printing copy with dust jacket, in Excellent condition.
Space Cards Trading Card Complete Set (Topps, 1958). A complete set of all 88, in average VF/NM condition, housed in a three-ring binder.
Frank Stack Underground Comix Hall of Fame Etched Glass Award (1991). The pioneering efforts of Frank "Foolbert Sturgeon" Stack and his comic strip The New Adventures of Jesus was honored with this gold-filled etched glass award, which measures approximately 5.5" x 12.75", and is .5" thick. Comes with a stone stand, designed to have the award glued to it. Excellent condition.
Underground Comix Hall of Fame Signed Poster and Others (1991). A 14" x 22" poster, signed by Robert Crumb, S. Clay Wilson, Gilbert Shelton, Dan Clyne, Jay Kinney, Denis Kitchen, Larry Welz, Jay Lynch, Skip Williamson (who drew the original image), and Frank Stack. Excellent condition. Also included are an unsigned version, plus a poster for the 1993 event, and the mechanical art for the 1992 poster. These additional pieces average VG+ condition.
Gluyas Williams Autographed Photo (c. 1920s). Preeminent cartoonist for New Yorker and countless other publications, Gluyas Williams' clean art style is immediately identifiable. This signed photo is identified on the back as from the artist of The World At Its Worst, Williams' 1920s gag panel. This photo was used in an article on Williams in the magazine Comic Art. It measures approximately 2.75" x 3.75", in VG condition.
Skip Williamson Underground Comix Hall of Fame Etched Glass Award (1991). Skip's cartoon character, Snappy Sammy Smoot, is featured in this heavy glass award. Who wouldn't want Snappy Sammy immortalized in glass? Before you answer that, remember that this piece measures approximately 11.5" x 14", and like the others in this sale, was made as a back-up piece for the one actually awarded to each artist. Excellent condition. Comes with a lighted display base.
S. Clay Wilson Underground Comix Hall of Fame Etched Glass Award (1991). King of the "dense-pack" dementia, S. Clay Wilson's art really has no equal. This incredible scenario features a hideous demon, surrounded by the dead, dying, and screaming. Fun stuff! Wilson playfully signed this as Hank "Elephant Boy" Longcrank, but there's no doubt who the real artist is! This heavy glass award measures approximately 13.25" x 9.75", and is about .75" thick. In Excellent condition.
S. Clay Wilson Rotting Zombie Madonna Artist's Proof Print (1995). This wild image almost caused an international event when it was sent to Russia as part of a cultural exchange! Rare artist's proof, the only print done in two colors. Signed. Measures approximately 14" x 22.5"; matted and framed to an overall size of 23" x 32.5". Excellent condition.
Wally Wood's Weird Sex-Fantasy Limited Edition Signed Portfolio 1470/2000 (Collector's Press, 1981). A total of eleven 12" x 16" plates showcase Wood's "good girl," black and white art. Wally Wood has signed and numbered the first plate in black marker. All of the plates, plus the intro page and cover, are in Excellent condition.
Zorro Trading Card Complete Set with Unopened Pack (Topps, 1958). A complete set in a three-ring binder, all in high grade. In addition, this set includes an unopened penny pack, plus the wrapper to a nickel pack, and the promotional card to the 1998 card set.
Original Comic Art
Jim Aparo The Brave and the Bold #131 Batman Title Page 1 Original Art (DC, 1976). Image area of 10" x 13", and the art is in Excellent condition. Inscribed and signed by Aparo in the upper right border.
Dick Ayers and John Severin Sgt. Fury #52 page 14 Original Art (Marvel, 1968). This page from "Triumph at Treblinka" has an image area of 10" x 15", and aside from some small stains in the last panel and overall paper aging, the art is in Very Good condition.
Dick Ayers and Mike Esposito Combat Kelly #4 Nick Fury Splash Page 1 Original Art (Marvel, 1972). Wah-hoo -- Nick Fury guest stars in this war-torn splash page for "To Hell With Heroes." This piece has an image area of 10" x 15". The elements of this page were cut out and attached to a backing board: otherwise, the art is in Very Good condition.
Mark Bagley and Joe Rubinstein Amazing Spider-Man #408 Cover Original Art (Marvel, 1996). Spidey is in the fight of his life against Mysterio, in Part Two of "Media Blizzard," covered by this spectacular illustration. The art has an image area of 10" x 15" and includes the original logo paste-up. In Excellent condition.
Carl Barks Panel Cartoon Original Art (c. 1930s). Vintage Carl Barks gag cartoon rendered in graphite and red pencil on paper. Measures 8.5" x 7.25". Aside from some light paper tanning and a horizontal fold in the center of the art (created by the artist), the condition is Very Good. Includes a Certificate of Authenticity.
Carl Barks Scrooge McDuck Preliminary Sketch Original Art (Dell, 1960). Graphite and red pencil on tracing paper, the work has been matted to an image area of 7" x 9". In Very Good condition. Signed by Carl Barks at the lower right.
Carl Barks Donald Duck #72 Preliminary Cover Sketch Original Art (Dell, 1960). Rendered in blue pencil on tracing paper, the art is matted to an image area of 11" x 15". There is some paper tanning and light creasing in the upper portion; otherwise the work is in Very Good condition. Signed by Carl Barks at the lower left.
Carl Barks Uncle Scrooge McDuck: His Life and Times Illustration Preliminary Original Art (Celestial Arts, 1981). This piece featuring Donald Duck and his nephews is a revision of the top portion of a Carl Barks' original sketch for his illustrated story, "Go Slowly, Sands of Time," which was published in Uncle Scrooge McDuck: His Life and Times. This preliminary sketch was rendered in graphite and watercolor, and it is framed and matted to an image area of 10" x 8". In Excellent condition and signed by Carl Barks at the lower right.
C. C. Beck Captain Marvel Adventures #118 Splash Panel Re-Creation Illustration Original Art (1971). C. C. Beck re-created this hard-hitting splash panel spotlighting Captain Marvel's startling slugfest with the Weird Water Man. This scene has an image area of 13" x 11.5", and the art is in Excellent condition. A copy of Captain Marvel Adventures #118 is included in this lot.
Pat Boyette Korg: 70,000 B.C. #1 Cover Illustration Original Art (Charlton, 1975). Rendered in acrylic on heavy illustration board, this hand-painted cover illustration for the premier issue of Korg has a 10" x 15" image area, and it is in Excellent condition.
Bob Brown and Mike Esposito The Avengers #116 page 17 Original Art (Marvel, 1973). Featuring the Silver Surfer. From the "Avengers-Defenders War." The art has an image area of 10" x 15", and aside from tape residue on all four edges, it is in Very Good condition.
Bob Brown and Mike Esposito The Avengers #116 page 18 Original Art (Marvel, 1973). Featuring the Scarlet Witch, the Vision, and the Silver Surfer. From the "Avengers-Defenders War." The art has an image area of 10" x 15". Aside from some light paper tanning between the bottom two tiers, the art is in Very Good condition.
Bob Brown and Mike Esposito The Avengers #116 page 21 Original Art (Marvel, 1973). The Silver Surfer and the Scarlet Witch appear. From the "Avengers-Defenders War." The art has an image area of 10" x 15", and aside from tape residue on all four edges, it is in Very Good condition.
Bob Brown and Mike Esposito The Avengers #116 page 22 Original Art (Marvel, 1973). The Vision rescues his love, the Scarlet Witch. From the "Avengers-Defenders War." The art has an image area of 10" x 15". In Excellent condition.
Bob Brown and Mike Esposito The Avengers #116 page 24 Original Art (Marvel, 1973). From the "Avengers-Defenders War." The art has an image area of 10" x 15". In Excellent condition.
Bob Brown and Mike Esposito The Avengers #116 page 25 Original Art (Marvel, 1973). The Scarlet Witch, the Vision, and the Silver Surfer appear. From the "Avengers-Defenders War." The art has an image area of 10" x 15". In Excellent condition.
Bob Brown and Mike Esposito The Avengers #116 page 27 Original Art (Marvel, 1973). The Vision and the Scarlet Witch appear. From the "Avengers-Defenders War." The art has an image area of 10" x 15". Aside from some light soiling along the left edge and tape residue along the edges, the art is in Very Good condition.
Dik Browne Hi and Lois Daily Comic Strip Original Art dated 9-14-55 (King Features Syndicate, 1955). This early Hi and Lois daily hails from within a year of the feature's debut. This strip has an image area of 18" x 5". The paper has aged slightly; otherwise, the art is in Excellent condition.
Dik Browne Hi and Lois Sunday Comic Strip dated 7-8-62 Original Art (King Features Syndicate, 1962). This sixties Sunday spotlighting Trixie has an image area of 15" x 10", and the art is in Very Good condition.
Mark Buckingham Doctor Strange (Third Series) #66 Cover Original Art (Marvel, 1994). Wondrous Wong takes center stage in this 9.75" x 15" cover scene. The logo is mounted on acetate, and the art is in Excellent condition.
John Buscema The Black Panther Illustration Original Art (undated). The Black Panther's grace and power are captured perfectly in this Buscema specialty illustration. This piece has an overall size of 10" x 10", and the art is in Excellent condition. Drawn in the seventies as finished art for an unspecified licensing project.
John Buscema Captain America Illustration Original Art (undated). The Star-Spangled Avenger is in motion in this handsome specialty illustration. This piece has an overall size of 10" x 10", and the art is in Excellent condition. This piece was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema The Hulk Illustration Original Art (undated). The Hulk gets set for high-impact action and when the Green-skinned Goliath is set, he is practically immovable. This piece has an overall size of 10" x 10", and the art is in Excellent condition. This piece was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema Iron Man Illustration Original Art (undated). Transistor power is go in this Buscema portrait of Iron Man. This piece, drawn in the seventies as finished art for an unspecified licensing project, has an overall size of 10" x 10", and the art is in Excellent condition.
John Buscema Spider-Man Illustration Original Art (undated). The wall-crawling wonder uses his spider-speed to cover a lot of ground in this Buscema bombshell. This piece has an overall size of 10" x 10", and the art is in Excellent condition. This illustration was drawn in the seventies as finished art for an unspecified licensing project.
John Buscema The Thing Illustration Original Art (undated). This piece has an overall size of 10" x 10", and the art is in Excellent condition. Drawn in the seventies as finished art for an unspecified licensing project.
John Buscema and Steve Leialoha Howard the Duck #3 page 2 Original Art (Marvel, 1976). Howard takes center stage in every panel in this page from "Four Feathers of Death." This page has an image area of 10" x 15", and the art is in Very Good condition.
John Buscema and Tony DeZuniga Thor #249 page 17 Original Art (Marvel, 1976). Thor seeks the omnipotent Norn queen Karnilla's help to check All-Father Odin's madness, in this page from "The Throne and the Fury!" The art has an image area of 10" x 15" and it is in Excellent condition.
Ernie Bushmiller Nancy Sunday Comic Strip Original Art dated 10-30-66 (United Feature Syndicate, 1966). This offbeat rib-tickler has an image area of 22" x 15", and aside from a loose title logo stat, the art is in Very Good condition.
John Byrne Wheelie and the Chopper Bunch #2 Cover Original Art (Charlton, 1975). John Byrne's first professional cover was also the first comic this popular artist illustrated in full (he had backup features see print previously). His comment on this issue: "That was my first whole book... and I just said, 'Okay, if this is going to be it, then I'm going to be the Carl Barks of Wheelie and the Chopper Bunch.'" This piece has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
John Byrne Dazzler #36 Cover Original Art (Marvel, 1985). This piece has an image area of 9.75" x 15", and the art is in Excellent condition. Signed by Byrne at the lower left.
J. Scott Campbell Buffy the Vampire Slayer Cover Original Art (1998). Rendered in graphite, the art has an image area of 10" x 15" and it is in Excellent condition. Signed by J. Scott Campbell at the lower left.
Milton Caniff Terry and the Pirates Daily Comic Strip Original Art dated 6-25-38 (The Chicago Tribune, 1938). Tender youth and hardened age, life and death, and light and shadow -- all the visual drama one expects from Caniff is evident in this thirties daily titled "Going to Work on Yurk." The influence of Noel Sickles is apparent as well. The areas of blue wash were used to indicate to the printers where to drop in a mechanical grey tone pattern. The daily has an image size of 20" x 6". There are glue stains in the borders, mostly outside of the art area; otherwise the art is in Excellent condition.
Milton Caniff Terry and the Pirates Flip Corkin Daily Comic Strip Original Art dated 9-17-45 (News Syndicate, 1945). Dramatic staging with bold shadowed forms, hallmarks of Caniff's revolutionary cartooning style, are evident in this episode titled "No Flame Means Bored Firemen." The image area of this daily is 21.75" x 6.5", and the condition of the art is Excellent.
Milton Caniff Steve Canyon Daily Comic Strip Original Art dated 9-19-49 (Sun and Times Company, 1949). Caniff stages some cunning Cold War intrigue in this dramatic daily from the late forties. This episode has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Milton Caniff Steve Canyon Daily Comic Strip Original Art dated 2-7-52 (Field Enterprises Inc., 1952). This episode has an image area of 21.5" x 6.5". The strip was cut in half between panels two and three; otherwise, the art is in Very Good condition. Caniff inscribed and signed this strip in its lower border.
Al Capp Li'l Abner Daily Comic Strip Original Art dated 11-24-39 (United Feature Syndicate, 1939). Li'l Abner is featured in every panel of this episode, and this daily has an image area of 22.25" x 5.75". The condition of the art is Excellent.
Nick Cardy Aquaman #37 Ocean Master page 14 Original Art (DC, 1965). Beautiful brushwork and solid storytelling are showcased in this page by the supremely talented Cardy. The image area of this swingin' sixties page starring the evil Ocean Master measures 13" x 18" and the art is in Excellent condition.
Keu Cha and Jason Gorder Rising Stars #1 Cover Original Art (Image, 1999). This cover illustration has an image area of 44" x 15.5" and is in Excellent condition.
Keu Cha and Jason Gorder Rising Stars #2 Cover Original Art (Image, 1999). This electrifying cover for the second issue of J. Michael Straczynski's Rising Stars was penciled by Keu Cha and inked by Jason Gorder. The art has an image area of 10" x 15" and is in Excellent condition.
Ernie Chan Claw the Unconquered #5 Cover and 7-page Group Original Art (DC, 1976). In addition to the cover for this issue, this lot also features interior pages 4-6, 8, and 12-14 of this sword and sorcery saga. Each page has an image area of 10" x 15", and the pages average Excellent condition.
Dave Cockrum Wolverine with the Fiend-With-No-Name Illustration Original Art (1982). This unpublished image features Logan in his "skull and crossbones" costume (as first and last seen in Iron Fist #15) sharing a few brews with the Fiend-With-No-Name (who was featured in "Kitty's Fairy Tale" in X-Men #153). Overall size of 11" x 14", and the art is in Excellent condition.
Gene Colan Kid Colt Outlaw #112 page 4 and 5 Original Art (Marvel, 1963). This rough and tumble lot features pages 4 and 5 from the story, "Fury In The Streets," by one of Marvel's top Silver Age artists. Colan not only penciled these slam-bang pages, he also inked them. Each page has an image area of 12.5" x 18", and the art averages Excellent condition.
Gene Colan and Dan Adkins Strange Tales #169 Brother Voodoo page 11 Original Art (Marvel, 1973). Jericho Drumm returns to to his home in Haiti, in this origin page from the first comic book appearance of Brother Voodoo. The art has an image area of 10" x 15" and the condition is Excellent.
Gene Colan and Dan Adkins Strange Tales #169 Brother Voodoo page 14 Original Art (Marvel, 1973). Jericho Drumm travels back to the house in which he was born in these dramatic scenes from the first comic book appearance of Brother Voodoo. This page has an image area of 10" x 15" and the art is in Excellent condition.
Gene Colan and Dan Adkins Strange Tales #169 Brother Voodoo page 22 Original Art (Marvel, 1973). This supernatural showdown has an image area of 10" x 15", and the art is in Excellent condition.
Gene Colan and Dan Adkins Strange Tales #169 Brother Voodoo page 27 Original Art (Marvel, 1973). Jericho Drumm is featured in nearly every panel of this chiller. This page from "Brother Voodoo" has an image area of 10" x 15", and the art is in Excellent condition.
Gene Colan and Dan Adkins Strange Tales #169 Brother Voodoo page 30 Original Art (Marvel, 1973). This piece has an image area of 10" x 15", and the art is in Excellent condition.
Gene Colan and Jack Abel Tomb of Dracula #10 page 10 Original Art (Marvel, 1973). From the landmark story, "His Name Is Blade," this page has an image area of 10" x 15". Several of the panels were cut out and attached to a larger support page; otherwise, the art is in Very Good condition.
Gene Colan and Tom Palmer Tomb of Dracula #12 page 24 Original Art (Marvel, 1973). Blade battles the Lord of Darkness in this page from "Night of the Screaming House!" The art has an image area of 10" x 15" and it is in Very Good condition.
Gene Colan and Steve Leialoha Howard the Duck #9 page 6 Original Art (Marvel, 1977). This page from "Scandal Plucks Duck" has an image area of 10" x 15", and aside from some small glue stains, the art is in Very Good condition. This piece has been signed by Steve Gerber, Colan, and Leialoha.
Gene Colan and Steve Leialoha Howard the Duck #9 page 7 Original Art (Marvel, 1977). This piece has an image area of 10" x 15", and aside from some small glue stains, the art is in Very Good condition. Signed by both artists.
Gene Colan and Dick Giordano Detective Comics #531 Batman Cover Original Art (DC, 1986). This cover has an image area that measures 10" x 15", and the art is in Excellent condition.
Denys Cowan V #18 Cover Original Art (DC, 1986). This cover for the fantastic freedom fighting final issue, titled "Betrayal," has an approximate image area of 10" x 15", and the art is in Excellent condition.
Denys Cowan Moon Knight #22 Cover Original Art (Marvel, 1991). Chainsaw is ready to rumble in this cutting-edge cover. This piece has an image area of 9.75" x 15", and the art is in Excellent condition.
Johnny Craig and Sam Grainger Iron Man #25 Sub-Mariner page 18 Original Art (Marvel, 1970). Prince Namor and Iron Man team up in these crisply inked scenes from "This Doomed Land, This Dying Sea." This page has an image area of 10" x 15" and aside from some production process stains, the art is in Excellent condition.
Roy Crane Buz Sawyer featuring Rosco Sweeney Sunday Comic Strip Original Art dated 7-8-45 (King Features Syndicate, 1945). Here's a post-war Sunday spotlighting the "we were just doing our job" attitude of "Citizen Soldier" or "the Greatest Generation." This Sunday has an image area of 24.5" x 17", and the art is in Very Good condition.
Jack Davis Errol Mann, Oakland Raiders Kicker Cartoon Illustration Original Art (NFL Properties, c. 1978). This Davis illustration has an overall size of 15" x 20", and the art is in Excellent condition.
Jack Davis Rich Szaro, New Orleans Saints Kicker Cartoon Illustration Original Art (NFL Properties, c. 1978). This dandy Davis piece has an overall size of 15" x 20", and the art is in Excellent condition.
Jack Davis Garo Yepremian, Miami Dolphins Kicker Cartoon Illustration Original Art (NFL Properties, c. 1978). Garo Yepremian, perhaps best known for his botched "pass" in Super Bowl VII, was the Dolphin kicker during the famous, and never duplicated, undefeated 1972 season. This animated Davis illustration has an overall size of 15" x 20", and the art is in Excellent condition.
Jack Davis Miami Dolphins "Killer B's" Cartoon Illustration Original Art (NFL Properties, c. 1980s). The "Killer B's" was a collective nickname for several starters for the Miami Dolphins defense in the 1980s whose last names started with B --- Bob Baumhower, Bill Barnett, Lyle Blackwood, Kim Bokamper and Bob Brudzinski. This piece has has an image area of 12.5" x 16.5", and the art is in Excellent condition.
Jim Davis Garfield Daily Comic Strip Original Art (PAWS, 1997). The Big D is the subject of this Texas-style Garfield daily from January 1997. The image area measures 14" x 4" and the strip is in Excellent condition.
Paul Davis Paper Moon Painting Original Art (c. 1973). This canvas has an overall size of 32" x 40", and the art is in Excellent condition.
Jose Delbo Billy the Kid #102 Cover Original Art (Charlton, 1973). This Bronze Age thriller has an image area of 9" x 14". The tile logo is a photocopy replacement on an acetate overlay; otherwise, the art is in Excellent condition.
Little Pig's Picnic and Other Stories Book Illustration Original Art (Disney/D. C. Heath & Co., 1939). Published by D. C. Heath and Company, Little Pig's Picnic and Other Stories, adapted some of Disney's most beloved shorts, such as "The Grasshopper and the Ants," "Orphan Kittens," and the "Old Mill." This illustration was created for the end paper of the book, and has an image area measuring 5.5" x 4". There is some overall paper tanning and light soiling; otherwise, the condition is Good.
Luis Dominguez Weird War Tales #38 Unpublished Alternative Cover Original Art (DC, c. 1974). This spine-tingler has an image area of 10" x 5". The logo is a photocopied replacement; otherwise, the art is in Excellent condition.
Dave Dorman Homicidal Killer Painting Original Art (1980). This spine-tingler, painted for an unknown project, has an overall size of 18" x 24", and the art is in Excellent condition.
Dave Dorman King Arthur/Camelot Painting Original Art (1981). This Arthurian scene, painted for an unidentified project, has an overall size of 17" x 28", and the art is in Excellent condition.
Dave Dorman Possessed Girl Painting Original Art (1982). This chiller, painted for an unidentified project, has an overall size of 18" x 24", and the art is in Excellent condition.
Mort Drucker Mad #337 "Buttman Fershlugginer" page 4 Original Art (EC, 1995). Image area of 16" x 21", and aside from some glue staining on the pasted-on captions, the art is in Excellent condition. This page has been signed in the upper left corner by Batman himself, actor Val Kilmer. Drucker also signed the piece twice. A copy of the comic magazine is included in this lot.
Dick Duerrstein Alice and Wonderland Painting Original Art (undated). This unstretched canvas has an overall size of 36" x 36", and the art is in Excellent condition.
Dick Duerrstein Cinderella Painting Original Art (undated). This canvas has an overall size of 20" x 30", and the art is in Excellent condition.
Dick Duerrstein Duffer Donald Duck Painting Original Art (2001). This canvas has an overall size of 24" x 30", and the art is in Excellent condition.
Dick Duerrstein Donald Duck Painting Original Art (2002). This unstretched canvas has an image area of 48" x 24", and the art is in Excellent condition.
Dick Duerrstein Goofy Painting Original Art (undated). This canvas has an overall size of 20" x 30", and the art is in Excellent condition.
Dick Duerrstein Mickey Mouse Painting Original Art (undated). This canvas has an overall size of 30" x 15", and the art is in Excellent condition.
Dick Duerrstein Mickey Mouse With Guitar Painting Original Art (2004). This canvas has an overall size of 30" x 24", and the art is in Excellent condition.
Dick Duerrstein Mickey Mouse Painting Original Art (undated). This canvas has an overall size of 36" x 24", and the art is in Excellent condition.
Dick Duerrstein Mickey n' Pals Painting Original Art (2003). This unstretched canvas has an image area of 40" x 30", and the art is in Excellent condition.
Dick Duerrstein Jessica Rabbit Painting Original Art (undated). This canvas has an overall size of 24" x 36", and the art is in Excellent condition.
Dick Duerrstein Rabbit, Christopher Robin, Winnie the Pooh, and Piglet Painting Original Art (2003). This canvas has an overall size of 30" x 30", and the art is in Excellent condition.
Dick Duerrstein The Grinch Painting Original Art (2000). This canvas has an overall size of 24" x 36", and the art is in Excellent condition.
Dick Duerrstein Bart and Homer Simpson Painting Original Art (undated). This canvas has an overall size of 24" x 36", and the art is in Excellent condition.
Dick Duerrstein Bugs Bunny and Elmer Fudd Playing Poker Painting Original Art (undated). This canvas has an overall size of 30" x 30", and the art is in Excellent condition.
Dick Duerrstein Bugs Bunny Arabian Nights Painting Original Art (undated). This canvas has an overall size of 24" x 36", and the art is in Excellent condition.
Dick Duerrstein Daffy Duck, Gunfighter Painting Original Art (undated). This canvas has an overall size of 24" x 24", and the art is in Excellent condition.
Dick Duerrstein Duck Dodgers Painting Original Art (undated). This canvas has an overall size of 20" x 30", and the art is in Excellent condition.
Dick Duerrstein Daffy Duck Western Diptych Painting Original Art Group of 2 (2002). These two canvases have a combined overall size of 45" x 30", and the art is in Excellent condition.
Dick Duerrstein Dripalong Daffy Rides Again Painting Original Art (2003). This canvas has an overall size of 36" x 29", and the art is in Excellent condition.
Dick Duerrstein Foghorn Leghorn and Egghead Jr. Painting Original Art (undated). This canvas has an overall size of 24" x 36", and the art is in Excellent condition.
Dick Duerrstein Marvin Martian and Bugs Bunny Painting Original Art (undated). This canvas has an overall size of 30" x 30", and the art is in Excellent condition.
Dick Duerrstein Instant Martians Painting Original Art (undated). This unstretched canvas has an overall size of 30" x 30", and the art is in Excellent condition.
Dick Duerrstein Pepe LePew Painting Original Art (2001). This canvas has an overall size of 24" x 30", and the art is in Excellent condition.
Dick Duerrstein Speedy Gonzales Painting Original Art (2002). This canvas has an overall size of 30" x 24", and the art is in Excellent condition.
Dick Duerrstein Yosemite Sam, Draw Varmit Painting Original Art (undated). This canvas has an overall size of 24" x 18", and the art is in Excellent condition.
Mike Edelstein Joe Louis Championship Boxing Illustration Original Art (c. 1937). This pencil and ink on coquille paper illustration featuring five boxing champions, Jimmy Braddock, Tommy Farr, Joe Louis, Max Schmeling, and Max Baer, has an image area of 10" x 8.5", and the art is in Very Good condition.
Al Feldstein and Johnny Craig Modern Love #2 "I Craved Excitement" page 2 Original Art (EC, 1949). This page by the two EC legends has an image area of 13" x 18", and the art is in Excellent condition.
Al Feldstein Crypt of Terror #19 "Ghost Ship" page 4 Original Art (EC, 1950). Crypt of Terror was the first of the EC New Trend horror titles to hit the stands, and this eerie page hails from the third issue featuring the new approach. A superb example of early EC history. Image area of 12.5" x 17.5". The art is in Excellent condition.
Al Feldstein Crypt of Terror #19 "Ghost Ship" page 5 Original Art (EC, 1950). Hoo-hah, here's a page from the revolutionary New Trend in magazines, illustrated suspenstories that EC dared us to read. Crypt of Terror was the first of the EC New Trend horror comics, and this page from a Feldstein yelp-yarn has an image area of 12.5" x 17.5". The art is in Excellent condition.
Al Feldstein Crypt of Terror #19 "Ghost Ship" page 6 Original Art (EC, 1950). This spine-tingler hails from only the third issue after this comic's title switched to Crypt of Terror from the earlier Crime Patrol. Feldstein's horror on the high seas page has an image area of 12.5" x 17.5", and the art is in Excellent condition.
D. Fields Police Patrol Lunchbox Painted Illustration Original Art (Aladdin, 1978). Aladdin Industries closed shop in 2003 and donated much of their original lunch box art to the Smithsonian Museum of American History in Washington, DC. As such, the pieces that become available on the market are scarce. Image area of 11.75" x 10". The art is in Excellent condition. An overlay with the type elements is included in this lot.
Joe Benitez and Victor Llamas Aphrodite IX #1 Cover Original Art (Image, 2000). Perfect cyborg assassin Aphrodite IX is ready for business, in this deadly delicious cover illustration. The art has an image area of 10" x 15" and is in Excellent condition.
Gary Frank and John Livesay Rising Stars #0 Cover Original Art (Image, 2000). Gary Frank pencils and John Livesay inks this prelude to the Rising Stars legend. The art has an image area of 10" x 15" and its condition is Excellent.
Sam Glanzman G.I. Combat #208 Complete 12-page story "Battle By the Book" Original Art (DC, 1978). The image area of each page of this yarn measures approximately 10" x 15", and the art is in Very Good condition.
Frank Godwin Rusty Riley Sunday Comic Strip Original Art dated 1-19-55 (King Features Syndicate, 1955). Frank Godwin's preternatural talent for figure drawing is showcased in this late fifties episode, near the close of Frank Godwin's storied career. This episode has an image area of 23" x 15.5", and the art is in Excellent condition.
Rube Goldberg Editorial Cartoon Original Art (undated). Titled, "Long Way to Go." Rendered in ink and crayon on coquille board. The image area measures 11" x 12", and aside from some light paper tanning, the art is in Excellent condition. Signed by Rube Goldberg at the upper left.
Rube Goldberg Editorial Cartoon Original Art (undated). Ink and crayon on coquille board illustration titled "Must Keep Trying." The image area measures 11" x 11.5", and aside from some light paper tanning, the art is in Excellent condition. Signed by Goldberg at the upper right.
Tom Grindberg The Secret Defenders #11 Cover Original Art (Marvel, 1993). The image area measures 10" x 15" and the logo and masthead are mounted on an acetate overlay. This piece is in Excellent condition.
Russ Heath G. I. Combat Haunted Tank page 7 Original Art (DC, 1973). Heath's flawless brushwork never ceases to amaze. This Bronze Age bombshell has an image area of 10" x 15", and the art is in Excellent condition.
Don Heck and Vince Colletta X-Men #39 page 11 Original Art (Marvel, 1967). There's more mutants than you can shake a Cerebro at in this battle royal, which includes Cyclops, Beast, Marvel Girl, Angel, Iceman, Unus, the Vanisher, Mastermind, and Mutant-Master. This panoramic page from "Lonely Are the Hunted" has an image area of 10" x 15", and the art is in Excellent condition.
Don Heck and Tony DeZuniga Ghost Rider #25 page 15 Original Art (Marvel, 1973). The art has an image area of 10" x 15", and aside from some tape residue along the edges, the condition is Very Good.
Don Heck and Tony DeZuniga Ghost Rider #25 page 26 Original Art (Marvel, 1973). Malice pulls out his whole arsenal to stop the hellspawn Ghost Rider in this page from "Menace Is a Man Called Malice!" The art has an image area of 10" x 15", and aside from some tape residue at the upper and lower edges, the condition is Very Good.
George Herriman Embarrassing Moments Daily Comic Strip Original Art dated 11-30-31 (King Features Syndicate, 1931). This hilarious episode by Krazy Kat's creator has an image area of 7" x 7", and the art is in Excellent condition.
Mike Hoffman SOD Magazine #14 Cover Original Art (Independent Media International, 2000). This macabre cover scene has an overall size of 16" x 20", and the art is in Excellent condition. A copy of the magazine is included in this lot.
Burne Hogarth Morphos Character Page Fantasy Illustration Original Art (untitled). This whimsical drawing titled "Mutant Genetic Anomalies in Kyra's Laboratory" has an overall size of 14" x 11", and the art is in Excellent condition. Hogarth initialed the page at the lower right.
Dave Hoover and Robert Campanella The Wanderers #6 Cover original Art (DC, 1988). This highly charged cover scene has an approximate image area of 10" x 15", and the art is in Excellent condition. This page has been signed by Campanella in its lower left corner.
Carmine Infantino and Frank McLaughlin Red Tornado #3 Splash Page 2 and 3 Original Art (DC, 1985). This slam-bang double-page splash from "Eye of the Storm" is chock full of DC heroes as they battle the menace of the Construct. The superheroes include the JLA, the Teen Titans, Batman and the Outsiders, Ragman, Creeper, Animal Man, and more. This double-page splash has a combined image area of 21" x 15", and the art is in Very Good condition.
Bob Jenny Clay Cody #1 Complete 9-page Story "Cattle Drive" Original Art (Pines, 1957). Each page of this Western thriller from Clay Cody's one and only issue has an image area of 11.75" x 18", and the pages average Excellent condition. This lot also includes the color guides for the story and a color press proof of the comic.
Jeff Jones Fantasy Sketches Page Original Art (undated). This page of evocative figure studies, sensitively rendered in ink and watercolor, has an overall size of 13" x 22", and the art is in Very Good condition.
Dan Jurgens and Dick Giordano Sun Devils #7 Cover Original Art (DC, 1985). The art has an image area measuring 10" x 15" and includes the original title and type paste-up art. In Excellent condition.
Dan Jurgens and Dick Giordano Justice League of America #73 Cover Original Art (DC, 1993). Hawkman takes center stage on this dramatic cover. Also featuring Wonder Woman and the Ray. The art has an image area of 10" x 15", and is in Excellent condition. The logo and story title are on an acetate overlay. The DC logo and price, textured background, and JLA logo are pasted-on stats.
Michael Kaluta Lost Valley of Iskander Chapter 2 Chapter Header Illustration Original Art (Zebra Books, 1976). This evocative illustration for Robert E. Howard fantasy story has an overall size of 9.5" x 4", and the art is in Excellent condition. El Borak discovers a lost city from the times of Alexander the Great, and gets on the wrong side of the city's king, Ptolemy.
Michael Kaluta Aquaman #71 Cover Original Art (DC, 2000). The Sea King faces Travis Morgan, a.k.a. the Warlord, in this Michael Kaluta cover extravaganza. The art has an image area of 10" x 15" and it is in Excellent condition.
Bob Kane Batman and Robin Sketch Original Art (undated). This pencil and marker sketch of the dynamic duo has an image area of 12" x 9", and the art is in Excellent condition. From the Don Vernon Collection.
Gil Kane Legends of the Dark Knight #25 page 17 Original Art (DC, 1991). This page has an image area of 10.25" x 15.5". Aside from a lettering correction in panel two and some marker fading, the art is in Very Good condition.
Gil Kane Legends of the Dark Knight #25 page 25 Original Art (DC, 1991). This page has an image area of 10.25" x 15.5". Aside from a taped on caption box in the final panel, the art is in Very Good condition.
Bil Keane The Family Circus Sunday Comic Strip Original Art dated 2-14-65 (Register and Tribune Syndicate, 1965). This heartwarming Sunday features Billy, Dolly, Jeffy, and PJ all vying for Mom's attention on St. Valentine's Day. This piece has an image area of 26" x 12.5", and aside from a vertical crease through the page (which does not detract from the eye-appeal of the piece), and a missing title logo stat from the companion strip, at the upper right, the art is in Very Good condition.
Keator Shock #4 Cover Original Art (Stanley, 1969). This gruesome gang of ghoulies are the last surgeons you'd want to see in an operating room. This sixties chiller has an image area of 12.5" x 16.5", and the art is in Excellent condition.
Walt Kelly Pogo Sweeps Convention Illustration Original Art (1952). Swamp candidate Pogo has been running for President since 1952, and in this illustration the Okeefenokee native sweeps the convention - literally! Matted to an image area of 10.5" x 15". Some light soiling; otherwise the art is in Very Good condition. Signed and inscribed by Walt Kelly at the lower left.
Walt Kelly The Pogo Stepmother Goose Illustration Original Art (Simon and Schuster, 1953). Four free-wheeling illustrations from Walt Kelly's take on the Mother Goose stories. These four drawings from "Willow the Wasp" were rendered on paper and have been mounted to heavy board with an overall size of 7.5" x 23". Some paper tanning; otherwise the art is in Very Good condition.
Walt Kelly Uncle Pogo So-So Stories Page 11 Original Art (Simon and Shuster, 1953). The plot sickens in this eleventh page from the hard-boiled send-up, "Mucky Spleen the Bloody Drip." Churchy LaFemme co-stars as Tundra Plunder, the plucky girl chicken plucker. This page has an image area of 10.5" x 15", and the art is in Excellent condition.
Walt Kelly Pogo Daily Comic Strip Original Art dated 1-17-58 (The Hall Syndicate, 1958). The lucky properties of rabbits' feet are the subject of discussion in this typically amusing Pogo daily. Image area measures 16.25" x 4.5" and the art is in Very Good condition.
Hank Ketcham Dennis the Menace Daily Comic Strip Original Art dated 5-12-73 (Field Newspaper Syndicate, 1973). This priceless example of the wit and wisdom of Dennis has an image area of 6.25" x 8" and the art is in Excellent condition.
Hank Ketcham Dennis the Menace Daily Comic Strip Original Art dated 4-14-77 (Field Newspaper Syndicate, 1977). This rib-tickling strip has an image area of 6.25" x 8" and the art is in Excellent condition.
Everett Raymond Kinstler The Dalton Boys Inside Front Cover Illustration Original Art (Avon, 1951). The pasted-on type has slipped off the board and there is some edge and corner wear; otherwise, the art is in Good condition.
Everett Raymond Kinstler Wild Bill Hickok #11 Inside Front Cover Illustration Original Art (Avon, 1952). Some lettering corrections have slipped off the board and there is some edge and heavy corner wear, especially at the upper left; otherwise, the art is in Good condition.
Everett Raymond Kinstler Comic Book Artist V2#6 In Memory of Will Eisner Illustration Original Art (Top Shelf Productions, 2005). Master portraitist Kinstler pays homage to Will Eisner and The Spirit with this splendid illustration. This piece has an overall size of 11" x 14", and the art is in Excellent condition.
Everett Raymond Kinstler Zorro, Hawkman, and the Shadow Bookplate Illustration Original Art (2005). The piece has an overall size of 9" x 12", and the art is in Excellent condition.
Jack Kirby and Wally Wood Sky Masters of the Space Force Daily Comic Strip Original Art dated 1-3-59 (The George Matthew Adams Service, Inc., 1959). The unbeatable combination of Jack Kirby's dynamic storytelling and Wally Wood's polished inks was the highlight of this fan-favorite feature. This beautifully drawn daily has an approximate image area of 18" x 5.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Journey Into Mystery #67 Grotto page 5 Original Art (Marvel, 1960). This Kirby "monster-piece" has an image area of 12.5" x 18.5". This page was glued to a mat backing board; otherwise, the art is in Very Good condition. A copy of the comic book is included in this lot.
Jack Kirby and Dick Ayers Tales of Suspense #11 page 3 Original Art (Marvel, 1960). This drama-drenched page from "I Created Spoor the Thing That Could Not Die" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Tales of Suspense #11 page 4 Original Art (Marvel, 1960). The peasants are revolting -- and so is the giant amoeba known as Sporr. This Kirby-Ayers "monster-piece" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Adam Kubert The Overstreet Comic Book Companion Cover Illustration Original Art (Avon Books, 1992). Rendered in mixed media, the art has an image area of 9.25" x 15" and is in Excellent condition. Includes a tear sheet of the cover of The Overstreet Comic Book Companion.
Alan Kupperberg and Alan Weiss Thor #327 Cover Original Art (Marvel, 1983). Thor, Odin, Sif, and the Warriors Three battle the menace of the Midgard Serpent in the star-crossed scene for "This Battleground Earth." This piece has an image area of 10" x 15", and the art is in Very Good condition.
Gary Kwapisz Conan the Barbarian #153 Cover Original Art (Marvel, 1983). Conan soars to new heights of far-out fantasy in this spectacular air battle from "The Bird-Men of Akah Ma'at." This cover scene has an image area of 9.75" x 15", and the art is in Excellent condition.
Gary Kwapisz Conan the Barbarian #221 Cover Original Art (Marvel, 1989). The art has an image area of 10" x 15" and it is in Excellent condition. Signed and inscribed by Kwapisz at the bottom right.
Bob Layton Iron Man Subterranean Armor Unpublished Cover Illustration Original Art (2005). This beautifully rendered specialty piece, drawn in the style of a cover, has an image area of 10" x 15.5", and the art is in Excellent condition.
Larry Lieber and Al Hartley Journey Into Mystery #104 Splash Page 1 Original Art (Marvel, 1964). The magic of early Marvel art is here in the splash page for the sci-fi story, "Revenge," by Marvel mainstays Lieber and Hartley. Each page has an image area of 12.5" x 18.5", and the art averages Excellent condition.
Anton Loeb The Little Train That Won a Medal Illustration Original Art (Wonder Books, 1947). Anton Loeb worked as an animator for various studios, including the Fleischer Brothers, producers of the Popeye cartoons. This airbrushed illustration for the Darlene Geis story has an image area of 16.5" x 10.5", and aside from tape around its borders, the art is in Very Good condition.
Anton Loeb Wizard of Oz illustration (Random House, 1950). This charming illustration showcasing the The Deadly Poppy Field scene from The Wizard of Oz has an overall size of 7.5" x 7.5", and the art is in Very Good condition.
Pablo Marcos Captain Britain #39 Cover Original Art (Marvel UK, 1977). The Captain is a superhero gone mad in this 10" x 13.75" thriller. The art is in Excellent condition.
Esteban Maroto - Succubus/Vampira Painting Original Art (c. 1975). Painted on canvas paper. This piece has an image area of 13.5" x 17.75", and the art is in Excellent condition. Signed by Maroto at the lower left.
Ralph Mayo New Romances #19 Complete 6-page Story "Beautiful Schemer" Original Art (Standard, 1953). Jim Farnum, "roving" reporter is finally tamed in this love story. Each page of this match-making melodrama has an image area of 12" x 18", and the pages average Excellent condition.
David Mazzucchelli Daredevil #232 page 2 Original Art (Marvel, 1986).
Frank Miller and Mazzucchelli were pure magic, producing a run everyone remembers. This explosive page from the yarn, "Good and country," spotlights Nuke, and it has an image area of 10" x 15". Aside from tape residue stains in three of the borders, the art is in Excellent condition. Mazzucchelli signed the page in its lower border.
Frank Miller and Mazzucchelli were pure magic, producing a run everyone remembers. This explosive page from the yarn, "Good and country," spotlights Nuke, and it has an image area of 10" x 15". Aside from tape residue stains in three of the borders, the art is in Excellent condition. Mazzucchelli signed the page in its lower border.
Clifford McBride Napoleon Sunday Comic Strip Original Art dated 2-22-42 (Arthur J. Lafave, 1942). Always full of high spirits, Napoleon leapt into the hearts of his fans with his animated antics, and Clifford McBride's playful pen work is always a treat to behold. The image area of this strip measures 21" x 14.5", and the art is in Very Good condition.
Robert W. McCay - George Roussos Sketchbook Illustration Flip Original Art (c. 1942). Winsor McCay's son, Robert, drew this terrific portrait of Flip from the Little Nemo in Slumberland newspaper feature for Roussos. This colorful page has an overall size of 9" x 11.75", and the condition is Very Good.
Darrell McClure Little Annie Rooney Sunday Comic Strip Original Art dated 10-29-33 (King Features Syndicate, 1933). Little Annie Rooney is delineated in the classic "clear line" style in this beautifully drawn Sunday by Darrell McClure. This strip has an image area of 17" x 13.5", and the art is in Excellent condition.
Shawn McManus Dr. Fate (Second Series) #19 Phantom Stranger Cover Original Art (DC, 1990). This piece has an approximate image area of 10" x 15", and aside from a small stain in the title logo stat, the art is in Excellent condition. The page was signed by McManus in its lower border.
Mort Meskin - George Roussos Sketchbook Illustration Original Art Group of 2 (c. 1942). Longtime Roussos collaborator Meskin drew two superb illustrations in his friend's sketchbook. Vigilante villain, the Dummy, stars in one, while Meskin himself is the focus of the other. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Frank Miller The Big Fat Kill #1 Preliminary Page Layout Original Art (Dark Horse, 1994). This energetic blue pencil and marker preliminary layout gives a terrific insight into the creative process of comic book legend turned movie director, Frank Miller. This piece, drawn on vellum, has an overall size of 12" x 18", and the art is in Excellent condition.
Sheldon Moldoff Catwoman, Riddler, Joker, and Penguin Illustration Original Art (undated). Four of Batman's most fiendish foes fill this full color illustration by Sheldon "Shelly" Moldoff. Ink, marker, and watercolor on board. Framed and matted to an image area measuring 12" x 9" and in Excellent condition.
Sheldon Moldoff More Fun Comics #52 The Spectre Splash Page Re-Creation Painted Original Art (1993). This awesome, full color specialty painting by Golden Age great, Sheldon Moldoff, re-creates the title splash from the first-ever appearance of the Spectre from More Fun Comics #52 (1940), complete with a hand-drawn logo. Matted and framed, this piece has an image area of 16" x 13", and is in Excellent condition.
Sheldon Moldoff Batman #156 Cover Re-Creation Original Art (1995). Re-creation of perhaps the most iconic cover of Moldoff's time with the Caped Crusader. "Robin Dies at Dawn" is deservedly remembered as a classic. The overall size of this piece measures 15" x 22", and the art is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art dated 3-7-46 (McClure Newspaper Syndicate, 1946). Lovely Veronica adds some glamour to this scene. This episode has an image area of 19" x 5", and the art is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art dated 3-13-46 (McClure Newspaper Syndicate, 1946). Betty, Veronica, and Jughead cameo in panel one. This episode has an image area of 19" x 5", and the art is in Excellent condition.
Jim Mooney Spider-Man vs. Doctor Octopus Illustration Original Art (undated). This spectacular slugfest has an image area of 11" x 15.5", and the art is in Excellent condition.
Gray Morrow Savage Tales #2 page 9 Original Art (Marvel, 1973). Morrow was a master of swashbuckling fantasy and "good girl art" and this page is a prime example of his talent. The image area of this Bronze Age beauty is 12" x 17.25". This page has a glue-stained area where an art correction was made in the final panel; otherwise, the art is in Very Good condition.
Don Newton Daredevil, The Man Without Fear Painting Original Art (c. late 1970s). As an added "art bonus," the back of this piece has several figure studies drawn in marker. This painting has an overall size of 9" x 12", and the art is in Excellent condition.
Alex Niño DC Graphic Novel #7 Space Clusters page 21 Original Art (DC, 1986). This sci-fi spectacular is a beautiful page of crisp original black and white line art by the uniquely talented Niño, who also fully rendered the page with jaw-dropping watercolors, resulting in a truly cosmic painting. It has an image area of 11" x 15", and the art is in Excellent condition. A copy of the graphic novel is also included.
Alex Niño DC Graphic Novel #7 Space Clusters page 35 Original Art (DC, 1986). The far-out fantasy art style of Alex Niño was ideally suited for the science fiction genre. This fast-paced page of original black and white Niño line art has also been fully rendered by Alex in gorgeous watercolor, resulting in a star-spanning painted page. It has an image area of 11" x 15"; the art is in Excellent condition.
Alex Niño DC Graphic Novel #7 Space Clusters page 46 Original Art (DC, 1986). Alex Niño's mind-boggling work borders on the psychedelic with its surreal, almost hallucinogenic imagery. This beautiful page of original Niño line art has been rendered in rich watercolors by the artist, for a mind-bending fully painted page. It has an image area of 11" x 15", and the art is in Excellent condition.
Michael Oeming Powers Page Original Art (Image, undated). This double-page spread has an overall size of 17" x 11", and the art is in Excellent condition.
Charles Paris - George Roussos Sketchbook Illustration Original Art Group of 2 (c. 1942). Ace DC inker Paris drew these two Western-themed scenes for Roussos. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Mike Ploog and Frank Chiaramonte Marvel Spotlight #6 Ghost Rider page 30 Original Art (Marvel, 1972). This piece has an image area of 10" x 15", and, aside from some tape residue in the borders, the art is in Excellent condition.
Mike Ploog Werewolf by Night #15 page 27 Original Art (Marvel, 1974). The King of Vampires, Dracula, and Jack Russell tangle in this fang-barin' extravaganza by Mike Ploog from the tale "Death of a Monster!" The art has an image area of 10" x 15", and aside from some tape residue along three edges and some light soiling, it is in Very Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 8-13-49 (King Features Syndicate, 1949). Raymond created visual drama in this daily with his use of close up points-of-view, heavy shadows, and striking, patterned forms. This episode hails from the fourth year strip, and it has an image area of 18.5" x 5.5". The art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 8-15-49 (King Features Syndicate, 1949). Raymond was always experimenting with his storytelling techniques -- he never relied on a "set" formula, a hallmark of a truly creative artist. As always, the figure drawing is first-rate. The image area of this episode is 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-8-51 (King Features Syndicate, 1951). In this episode, Raymond builds some intrigue by using a wide variety of facial expressions in all three panels. The image area of this episode is 18.5" x 5.5". The Zipatone has yellowed and there are some scatter stains; otherwise, the art is in Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-9-51 (King Features Syndicate, 1951). Raymond's peerless talent for figure drawing and his mastery of patterning are showcased in this episode. The image area of this daily is 18.5" x 5.5". The Zipatone has yellowed and there are some scatter stains; otherwise, the art is in Very Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-10-51 (King Features Syndicate, 1951). Raymond was a master at studying mainstream magazine illustration and bringing the latest trends to the world of comic strips. This suspense-filled episode had a streamlined, contemporary look for its time. The image area of this daily is 18.5" x 5.5". The Zipatone has yellowed; otherwise, the art is in Very Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 5-11-53 (King Features Syndicate, 1953). Crisp inking and flawless draftsmanship are the hallmarks of a Raymond daily. The image area of the strip measures approximately 20" x 5.25". There is glue staining in each of the panels, left from Zipatone shading film which has slipped off of the strip; otherwise, the art is in Very Good condition.
Paul Rivoche Action Comics #749 Superman Cover Original Art (DC, 1998). Paul Rivoche's fantastic science fiction battle over the great blimp works of Kandor has an approximate image area of 10" x 15", and the art is in Excellent condition.
David Roach Unpublished Jack Kirby Tribute, New Gods Cover Original Art (1994). Working from a photocopy of a 1978 Kirby pencil drawing, artist David Roach inked Kirby's tableau onto a sheet of a paper with the help of a light box in 1994. Thus, there are no pencils under these inks and the page is super-clean. As often is the case, the piece even has an inked facsimile of Kirby's signature dated "'78." The image area of the cover is 10" x 15", and the art is in Excellent condition.
Rough Rider Lunchbox Painted Illustration Original Art (Aladdin, 1973). This exhilarating piece has an image area of 11" x 9.5", and the art is in Excellent condition. An overlay with the type elements is included in this lot.
Mike Royer 101 Dalmatians Roger Radcliffe Concept Sketch Original Art (Disney, 1996). Pongo's owner, Roger Radcliffe, tickles the ivories, while Dalmatian puppies look on, in this Mike Royer concept sketch. Red ink with blue pencil on vellum. Measures 11" x 14". In Very Good condition.
P. Craig Russell The Ring of the Nibelung V2 #2 Cover Original Art (Dark Horse, 2000). P. Craig Russell's adaptation of Richard Wagner's Ring Cycle continues with this mythic cover illustration. The art has an image area of 10" x 15", and it includes the original logo and masthead paste-up art. In Excellent condition.
Mark Schultz Xenozoic Tales Book I Monolophosaurus Dinosaur Pencil Illustration Original Art (c. 1989). This 13.5" x 10" dinosaur illustration is in Excellent condition. Inscribed and signed by Schultz in the lower left corner.
Val Semeiks and Geoff Isherwood Conan the Barbarian #208 Cover Original Art (Marvel, 1988). This pumped-up, savage cover scene for "The Heki Trilogy, Book Three" has an image area of 10" x 15", and aside from some white-out touch-ups, the art is in Excellent condition. Semeiks signed the piece at the lower right.
John Severin Cracked #131 Complete 5-page Story "Havaii 5-0" Original Art (Major Magazines, 1976). Jack Lord gets the Cracked treatment in this five-page John Severin satire of Hawaii 5-0. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
John Severin Cracked #150 Complete 7-page Story "Close Encounters of the Worst Kind" Original Art (Major Magazines, 1978). Cracked sends up one of Hollywood's classic sci-fi films, Close Encounters of the Third Kind, in this seven-page satire by John Severin. Ink on Craftint duotone paper. Each page has an approximate image area of 13" x 16" and is in Very Good condition.
Marc Silvestri and Matt "Batt" Banning The Darkness #1 Cover Original Art (Image, undated). The unstoppable night creature known as the Darkness is rendered by his creator, Marc Silvestri with inking by Batt. The art is framed and matted with an image area of 10" x 15", and it is in Excellent condition.
Joe Simon Captain America Illustration Original Art (c. 1980). Signed by Simon and Stan Lee! This piece has an overall size of 15" x 23", and aside from some of edge and corner wear, the art is in Excellent condition.
Joe Staton and Mark Farmer Green Lantern Corps #206 Splash Page 1 Original Art (DC, 1986). The art has an image area of 10" x 15" and the condition is Excellent. This page was signed by Staton at the bottom right.
Steve Stiles and Frank Giacoia Captain Britain #2 Fantastic Four Pin Up Original Art (Marvel UK, 1976). This mighty Marvel extravaganza has an image area of 15" x 10", and aside from a few stains at the upper left and a missing caption box that has left behind a glue stain, the art is in Very Good condition.
Al Taliaferro Waldo Tryout Sunday Comic Strip Original Art (c. mid-1930s). Donald Duck artist Taliaferro had another character waiting in the wings, Waldo. This "everyman" concept is presented in three stages; original penciled layout, drawn to size (14.5" x 9.75") on vellum; finished ink on board art measuring 20.5" x 15"; and, in stage three, Taliaferro has colored a stat of the finished art, reduced to publication size. These rare items came from the Taliaferro estate, and have been professionally matted together and framed to an overall size of 29.75" x 45.25".
Al Taliaferro Donald Duck Daily Comic Strip Original Art dated 9-23-55 (King Features Syndicate, 1955). This space-crazy episode has an image area of 19.25" x 5.5". Aside from aged Zipatone, the art is in Very Good condition.
Al Taliaferro Donald Duck Daily Comic Strip Original Art dated 2-25-58 (King Features Syndicate, 1958). This episode has an image area of 19.5" x 5.5", and aside from yellowed Zipatone, the art is in Excellent condition.
Al Taliaferro Donald Duck Daily Comic Strip Original Art Signed by Carl Barks dated 6-27-63 (King Features Syndicate, 1963). This daily guest-starring Uncle Scrooge was matted in a special decorative mat and the strip was signed by Carl Barks at the lower right. This piece was originally sold by Walt Disney Art Classics, and it comes with a COA. The art has an image area of 18" x 5", and it has been matted and framed to an overall size of 30.5" x 15.75". The Zipatone has yellowed in places; otherwise, the art is in Excellent condition.
Al Taliaferro Donald Duck Daily Comic Strip Original Art Signed by Carl Barks dated 12-16-66 (King Features Syndicate, 1966). This daily featuring Uncle Scrooge was matted in a special decorative mat and the strip was signed by Carl Barks at the lower right. This piece was originally sold by Walt Disney Art Classics, and it comes with a COA. The art has an image area of 18" x 5", and it has been matted and framed to an overall size of 30.5" x 15.75. The Zipatone has yellowed; otherwise, the art is in Excellent condition.
Al Taliaferro Donald Duck Daily Comic Strip Original Art Signed by Carl Barks dated 3-12-69 (King Features Syndicate, 1969). This daily showcasing Uncle Scrooge was matted in a nicely done decorative mat and the strip was signed by Carl Barks at the lower right. This piece was originally sold by Walt Disney Art Classics, and it comes with a COA. The art has an image area of 18" x 5", and it has been matted and framed to an overall size of 30.5" x 15.75. The Zipatone has yellowed; otherwise, the art is in Excellent condition.
Gustaf Tenggren (attributed) Arabian Knights page 24 Illustration Original Art (undated). This gouache on board illustration was done for a project titled in production notes as "Arabian Nights". Although painted in a different style than the illustrations published in Tenggren's 1957 Golden Tales of the Arabian Nights, one of the illustrations was stamped with Tenggren's name. The art has an overall size of 13" x 16", and the art is in Excellent condition. Also included is a small color guide with color notations written in pencil.
Bruce Timm The Joker Sketch Original Art (undated). Straight from the streets of Gotham City comes this awesome Bruce Timm drawing of the Clown Prince of Crime. While Timm didn't date this - and he typically did not - we believe this was done in the early 1990s. It was drawn with blue pencil, and then inked. The art paper measures an overall 8.5" x 11", and it is in Excellent condition, and initialed "B. T."
Angelo Torres Mad #360 Complete 6-page Story "Corn Air" Original Art (EC, 1997). From the "Heaving on a Jet Plane Dept." comes a two-fisted movie satire so uproarious it will slap you in the face and make you cuss your mama. Each page of this loony lampoon has an image area of 15" x 19.5", and the art averages Excellent condition.
Angelo Torres Mad #364 Complete 6-page Story "The Droop Carey Show" Original Art (EC, 1997). From the "Play That Chunky Music, Fat Boy Dept." comes a 6-page send-up so silly it will have you gasping for breath. Each page of this slap-happy satire has an image area of 15" x 19.5", and the art averages Excellent condition.
Angelo Torres Mad #388 Complete 5-page Story "Moronica's Closet" Original Art (EC, 1999). From the "Alley Oops! Dept." comes a 5-page parody so hilarious it should be banned. Each page of this laugh riot has an image area of 15" x 19.5", and the art averages Excellent condition.
Angelo Torres Mad #390 Complete 5-page Story "Wilt and Craze" Original Art (EC, 2000). From the "What a Difference a Gay Makes Dept." comes a 5-page screamer so outrageous it will have you doubled over with laughter. Each page of this wild and wacky lampoon has an image area of 15" x 19.5", and the art averages Excellent condition.
Angelo Torres Mad #418 Complete 5-page Story "Six Feet Blunder" Original Art (EC, 2002). Torres buries the fan-favorite TV show, Six Feet Under, with this howlingly funny parody. This savage satire was drawn in ink and wash, and each page has an approximate image area of 17" x 21". The art is in Excellent condition.
Alex Toth Dune Patrol Character Design/Presentation Illustration Original Art (Hanna-Barbera, 1973). Alex Toth was a legendary master at drawing character and prop design illustrations for the Hanna-Barbera animated TV shows. This marker drawing of surfside action has an overall size of 20" x 17", and the art is in Excellent condition.
George Tuska - George Roussos Sketchbook Illustration Original Art (c. 1942). Golden Age legend Tuska offered his encouragement to Roussos with this pleasant daydream. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
George Tuska and Russ Jones What If? #5 Captain America and Bucky Splash Page 1 Original Art (Marvel, 1977). With action-packed appearances by Captain America, Bucky, and the Watcher, this Bronze Age battle classic is sure to Make Yours Marvel! This splash has an image area of 10" x 15", and aside from heavy touches of white-out, the art is in Very Good condition.
Rick Veitch and Alfredo Alcala Swamp Thing #74 pages 4 and 5 Original Art (DC, 1988). The Swamp Thing figures on this page were drawn in graphite or crayon, cut out, and pasted to the fully inked pages, so as to create a special effect. This double-page spread for "Center of the Cyclone" has a combined image area of 23" x 18", and aside from tape in the borders (outside the image area), the art is in Excellent condition.
Mort Walker Beetle Bailey Daily Comic Strip Original Art dated 9-1-55 (King Features Syndicate, 1955). The Sarge is knocked for a loop by the army's #1 foul ball, Beetle Bailey, in this early daily. This strip has an image area of 18" x 5.25" and aside from yellowing Zipatone and some edge wear, the art is in Good condition.
Mort Walker Beetle Bailey Sunday Comic Strip Original Art dated 11-20-55 (King Features Syndicate, 1955). This hilarious Sunday has an image area of 20" x 14", and aside from some small stains, the art is in Very Good condition.
Bill Ward Master Comics #119 Captain Marvel Jr. page 9 Original Art (Fawcett, 1950). This page has an image area of 13" x 18" and the art is in Excellent condition.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1965). Caption: "You promised me a big surprise Mr. Wetherby -- but I didn't know it meant you would run out of money." This buxom beauty has an image area of 14" x 20.5", and the art is in Very Good condition.
Bill Ward Cracked #81 Complete 2-page Story "Cracked Takes a Look at Night Clubs" Original Art (Major Magazines, 1969). The image area of this uproarious double-page spread measures 25" x 14.5". The art is missing many of its word balloon stats, and there is heavy edge wear and some tearing; otherwise it is in Good condition.
Larry Welz Cherry #12 "Cherry's Mom" Pin-Up Page Original Art (1991). Ink and blue pencil on bristol board, with an image area of approximately 12" x 18". Excellent condition. Adult content.
Paul Wenzel The Great Mouse Detective Poster Concept Illustration Original Art (Disney, 1986). Rendered in mixed media on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition. Signed by Wenzel at the lower right.
Kevin West and Steve Montano Guardians of the Galaxy #31 Cover original Art (Marvel, 1992). This body-slamming cover scene has an approximate image area of 10" x 15", and the art is in Excellent condition. This page has been signed by West in its lower border.
Kevin West and Ken Branch Justice League America #85 Cover Original Art (DC, 1994). Image area of 9.75" x 15". The logo is on an acetate overlay, and the art is in Excellent condition. West signed the page at the lower left.
Mike Wieringo and Sean Parsons Avengers Next #2 Cover Original Art (Marvel, 2007). Thor's daughter makes her first appearance. The image area of this piece measures 10.5" x 16", and it includes the logo and masthead paste-up art. In Excellent condition. PLEASE NOTE that while this inked piece is the final, published art, it was inked by Sean Parsons over a printed "blueline" copy of Mike Wieringo's pencils, not over the actual penciled artwork itself.
George Wildman Popeye #101 Complete Story Original Art Group of 5 (Charlton, 1970). This lot consists of five stories, including two seven-page Popeye the Sailor stories ("Tall Tail," and "Goon Balloon"), two Wimpy stories (the three-page, "Coo Coo Cook," and the five-page, "Hamburger Slamburger"), and a four-page O. G. Wotasnozzle story, "Baby Sitter." Each page has an image area measuring 10" x 15", and the items average in Very Good condition. Also includes a photocopy of the Popeye #101 cover line illustration by George Wildman.
Richard Williams Britney Spears Mad Magazine Illustration Original Art (EC, undated). Oops, she ate it again -- it seems pop star Britney Spears has to eat, drink, and smoke for two now, in this fine piece of "humor in a jugular vein," painted by Mad artist Richard Williams. This piece has an overall size of 17.5" x 23", and the art is in Excellent condition.
Richard Williams Mad #474 "Gap Celebrity Ads You May Have Missed - Kevin Federline" Illustration Original Art (EC, 2007). Richard Williams captures the irresistible appeal of Kevin Federline, the ex-husband of pop diva, Britney Spears. This piece has an overall size of 18.5" x 13.5", and the art is in Excellent condition.
Al Williamson and Frank Frazetta John Wayne Adventure Comics #8 page 4 Original Art (Toby Press, 1951). Williamson and Frazetta created some outstanding artwork on this seven-paneled page. Old West action, drawn by two of the comic book field's legendary talents -- what more could any action-adventure art collector ask for?! The image area of this page measures 12" x 18", and aside from some flaking white-out in the last panel, the art is in Excellent condition. The page was signed by Williamson at the lower right.
Ron Wilson and Chris Ivy Wolfpack #5 Unpublished Alternative Cover Original Art (Marvel, 1988). The art has an image area of 10" x 15", and it includes the original logo and masthead paste-up art. In Excellent condition.
S. Clay Wilson Old Home Painting Original Art (1965). This sentimental early oil on canvas painting was Wilson's mother's favorite, and it hung in the Wilson family home for many years. The image area measures approximately 17.75" x 16", framed to an overall size of 20.75" x 19". In VG condition, with some light crackling of the paint occurring.
S. Clay Wilson St. Pat's Bash! Checkered Demon Illustration Original Art (Dick's Bar, 1984). Colorful poster illustration, done by the veteran Undergrounder for his favorite watering hole, Dick's Bar. This mixed media on board piece has an image area of 19.5" x 29.5"; it's been framed to an overall size of 22.5" x 32.5", and is in VG condition.
Stan Woch and Rick Magyar New Talent Showcase #1 Cover Original Art (DC, 1984). Image area of 10" x 15". Includes the original logo and masthead paste-up art. In Excellent condition.
Stan Woch New Talent Showcase #17 Cover Original Art (DC, 1985). This cosmic confrontation has an approximate image area of 10" x 15", and the art is in Excellent condition.
Stan Woch and Alfredo Alcala Swamp Thing #49 page 29 Original Art (DC, 1986). Mystic heroes Deadman, the Phantom Stranger, the Demon and John Constantine rally to stop the impending doom, as Judith drops the black pearl in the waters of Hell, in this page from "The Summoning." The art has an image area of 10" x 15" and it is in Excellent condition.
Chuck Wojtkiewicz and Bob Dvorak Justice League America #99 Cover Original Art (DC, 1995). With "The Coming of Strange Brood," a whole new Justice League America reformed under Wonder Woman. The team members included Hawkman III, Nuklon, and Obsidian. Other members answering the roll call were the Flash, Crimson Fox, and Metamorpho. This cover scene has an image area of 10" x 15". The type elements are pasted on to an acetate overlay, and the art is in Excellent condition.
Wally Wood Galaxy Science Fiction Magazine December 1958 Illustration Original Art (Galaxy, 1958). This pastoral washtone illustration for the Jack Vance story has an overall size of 14.5" x 11", and the art is in Excellent condition.
Wally Wood Gangbang, Sally Forth "Alfred" Page Original Art (Nuance, c.1981). Humor aficionados may spot a familiar gap-tooth grin on the "satisfied customer" in panel one of this triple-X Sally Forth romp. This landmark moment for Alfred, or his twin brother, is courtesy of an original Mad-man, Wally Wood. This page has an image area of 12.5" x 18", and the art is in Very Good condition. Wood signed the page in its lower right border.
Animation Art
101 Dalmatians Nanny Production Drawing Original Art (Walt Disney, 1961). Nanny dusts the soot off Pongo's pups after their delightful homecoming in this original production drawing from Disney's seventeenth animated feature (OPD #50). Rendered in graphite and purple pencil, the art measures 15.5" x 12.5", and it is in Very Good condition.
101 Dalmatians Production Cel Set-Up Original Art (Walt Disney, 1961). This hand-painted production cel is set against a color photocopy background. Framed and matted to an image area of 10" x 8" and in Excellent condition.
Alpine Climbers Animation Production Cel Original Art (Disney, 1936). Donald has a handful of edelweiss in this charming hand-inked and hand-painted production cel from the 1936 Disney short, Alpine Climbers. The art has been framed and matted to an image area of 6" x 6". Aside from some minor paint loss, the art is in Very Good condition.
Alpine Climbers Animation Production Cel Original Art (Disney, 1936). A button-eyed Mickey is the subject of this hand-inked and hand-painted cel. Framed and matted to a 6" x 6" image area. Some paint loss; otherwise the art is in Very Good condition.
Ken Anderson Catfish Bend Layout Original Art (Disney, 1972). Colorful concept layout illustration from Catfish Bend, an unproduced Disney feature film. This piece was created with a combination of ink and watercolor with the line work on a cel overlay, the same approach Disney used in 101 Dalmations and The Sword in the Stone. The art has been matted to an image area of 14.25" x 10.5", and it is in Very Good condition. The matt was signed by Ken Anderson at the bottom right.
The Autograph Hound Animation Production Drawing Original Art Group of 2 (Disney, 1939). Autograph-seeker Donald Duck meets Mickey Rooney in these two drawings from the short, The Autograph Hound. Each drawing is rendered in graphite, and multi-colored pencil on a 12 field sheet of animation paper (12" x 10", OPDs #897 and H68). Aside from light paper tanning, light edge wear and creasing, the drawings are in Very Good condition.
Babes in the Woods Animation Production Drawing Original Art (Disney, 1932). Two lost children have the misfortune of meeting a witch in this production drawing from the Silly Symphony, Babes in the Woods. Rendered in graphite on a 12" x 9.5" sheet of animation paper, this is OPD #94. The paper has tanned; otherwise, the condition is Excellent.
The Big Bad Wolf Animation Production Drawing Original Art Group of 2 (Disney, 1934). Little Red Riding Hood, and Fiddler and Fifer Pig (OPD #122) are interrupted on their journey to Grandma's house by the Big Bad Wolf in fairy disguise (OPD #38), in this set of two original animation drawings from the Disney short, The Big Bad Wolf. Each drawing is rendered in graphite on a 12" x 9.5" sheet of animation paper, and aside from paper tanning, and light edge wear, they average in Very Good condition.
The Big Bad Wolf Animation Production Drawing Original Art (Disney, 1934). Magnificent original production drawing of the Big Bad Wolf himself (OPD #206). Rendered in graphite on a 12 field sheet of animation paper (12" x 10"). Some paper tanning, and light creasing; otherwise the drawing is in Very Good condition.
The Big Wash Animation Production Drawing Original Art (Disney, 1948). Goofy has his hands full trying to bathe Dolores the elephant, in this drawing from the Goofy cartoon, The Big Wash. This drawing (OPD #62) was rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"). There is some paper tanning; otherwise the art is in Very Good condition.
Boat Builders Animation Production Drawing Original Art (Disney, 1938). Donald Duck is not so ship-shape in this drawing from the 1938 short, Tugboat Mickey. Rendered in graphite on a 12 field sheet of animation paper (12" x 10"), this is OPD #29. Aside from some paper tanning, and edge wear, the condition is Good.
Bone Trouble Animation Production Drawing Original Art (Disney, 1940). After stealing his neighbor's bone, Pluto runs into the Hall of Mirrors to avoid his bulldog pursuer -- with hilarious results -- in this original animation drawing (OPD #53A). Drawn in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning and light buckling, the art is in Very Good condition.
The Brave Little Tailor Animation Production Drawing Original Art Group of 2 (Disney, 1937). Two wonderful original animation drawings featuring tailor Mickey Mouse (OPD #65E), and the giant (OPD #23). Each is rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 9.5"). Aside from some paper tanning, and light creasing, the drawings are in Very Good condition.
Camping Out Animation Drawing Original Art Group of 2 (Disney, 1934). It's Minnie Mouse and Clarabelle Cow vs. an angry swarm of mosquitos, in these two original drawings from the short, Camping Out (OPDs #3, and 145). Each drawing is rendered in graphite and red pencil on a sheet of 12" x 9.5" sheet of animation bond paper. Some paper tanning; otherwise these pieces are in Very Good condition.
Camping Out Animation Drawing Original Art (Disney, 1934). Minnie and Mickey are aghast as mosquitos attack in this original drawing from the short, Camping Out (OPD #3, and 145). Rendered in graphite and red pencil on a sheet of 12" x 9.5" sheet of animation bond paper. Some paper tanning; otherwise the art is in Very Good condition.
Canine Caddy Animation Production Drawing Original Art (Disney, 1941). Mickey Mouse is on the golf link in this swingin' original animation drawing (OPD #133). Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 9.5"), this drawing includes a Disney studio stamp. There is some paper tanning, and light creasing; otherwise the drawing is in Very Good condition.
The Dognapper Animation Production Drawing Original Art (Disney, 1934). Officers Mickey and Donald are on the trail of dognapper Pegleg Pete, in this original drawing from the 1934 short. Rendered in graphite on a 12 field sheet of animation paper (12" x 10"), this is OPD #124. Aside from some paper tanning, the condition is Very Good.
Donald Duck and Nephew Cel Set-Up Original Art (Disney, undated). Vintage hand-inked and hand-painted cel set-up featuring Donald Duck sporting a pith helmet and monocle along with one of his darling nephews. Matted to an image area of 9.5" x 7.25". Some light buckling to both cels; otherwise they average in Very Good condition.
Fantasia Chernabog's Demons Animation Production Drawing Original Art (Disney, 1940). The sound of the church bell sends the demon Chernabog's followers back into hiding, in this multi-character drawing from the "Night On Bald Mountain" sequence of Disney's Fantasia (OPD #85A). The drawing measures 12" x 10", and aside from some light paper tanning, it is in Very Good condition.
Fantasia Chernabog Animation Production Drawing Original Art Group of 2 (Disney, 1940). This set of drawings is from the "Night On Bald Mountain" sequence of Disney's Fantasia. The enormous night demon Chernabog looks menacing perched at the top of Bald Mountain in the first drawing, and the second drawing is an effects drawing featuring volcanic smoke (OPDs #2 and C-2). Each drawing measures 12" x 10", and aside from some light paper tanning, and light creasing, they average in Very Good condition.
Fantasia Chernabog's Demons Animation Production Drawing Original Art (Disney, 1940). A horde of fantastic creatures answer the call of night demon Chernabog, in this drawing from the "Night On Bald Mountain" sequence of Disney's Fantasia (OPD #41A). The drawing measures 12" x 10", and aside from some light paper tanning, and light creasing, it is in Very Good condition.
The Goddess of Spring Animation Production Drawing Original Art Group of 2 (Disney, 1934). Hades the god of the Underworld, and Persephone, the goddess of Spring, make an odd couple in these two drawings from the Disney Silly Symphony (OPDs #22 and 4). This short film represents Disney animators' first attempt at animating realistic human figures. Each multi-colored pencil drawing measures 12" x 9.5", and aside from paper tanning, they average in Very Good condition.
The Hockey Champ Animation Production Drawing Original Art Group of 2 (Disney, 1939). Donald Duck plays hockey with his three enthusiastic nephews in these two original animation drawings from the short, The Hockey Champ (OPDs #C-65, and 15). Each drawing is rendered in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning, and light creasing, the drawings are in Very Good condition.
Ward Kimball Dumbo Animation Concept Drawing Original Art (Disney, 1941). Playful sketch of Dumbo by one of Disney's Nine Old Men, Ward Kimball, drawn during his tenure working on Disney's Academy Award-winning feature film, Dumbo. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper, this is drawing #151. The paper has some slight tanning; otherwise the art is in Very Good condition. Signed by Ward Kimball at the left.
Lady and the Tramp Animation Production Cel Set-Up Original Art (Walt Disney, 1955). This hand-inked and hand-painted original animation production cel set-up features Trusty and one of Lady and Tramp's puppies. The art has been framed and matted to an image area of 11.25" x 7", and it is in Very Good condition.
The Lion King Animation Concept Painting Original Art (Disney, 1994). The savannah is kissed with golden mid-afternoon light, in this splendid concept sketch. Rendered in tempera on heavy illustration board, the art measures 6.5" x 3.5", and it is in Very Good condition.
Little Hiawatha Animation Production Drawing Original Art (Disney, 1953). Little Hiawatha meets a baby bear in this irresistible original animation drawing (OPD #170). Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. The art has some light paper tanning and creasing; otherwise the condition is Very Good.
Little Hiawatha Animation Production Drawing Original Art Group of 2 (Disney, 1953). Two original drawings of brave Little Hiawatha, including one from the memorable moment when his pants fall down (OPDs #50 and 24). Each drawing is rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. The art has some light paper tanning and creasing; otherwise the drawings average in Very Good condition.
The Mad Doctor Animation Production Drawing Original Art (Disney, 1933). Pluto is ecstatic to see Mickey in this playful drawing (OPD #77), which includes shadow indications for the colorist. Rendered in graphite, and red and blue pencil on a 12 field sheet of animation paper (12" x 10"). Some paper tanning; otherwise the condition is Very Good.
Mickey Mouse Animation Production Drawing Original Art (Disney, c. 1930). Adventurous, button-eyed Mickey Mouse steals the show in this delightful vintage animation drawing. Rendered in graphite on a sheet of animation paper, this piece is matted with an image area measuring 11.5" x 9". The paper has a bit of tanning and some light creasing; otherwise, its condition is Very Good.
Mickey's Pal Pluto Animation Production Drawing Original Art Group of 3 (Disney, 1933). When Pluto's rescue of a group of kittens goes unrecognized, it brings out his devilish side in this set of three original drawings (OPDs #56, 34, and 67). Each drawing was rendered in graphite on a 12" x 9.5" sheet of animation paper. Aside from some paper tanning, the drawings average in Very Good condition.
Mickey's Gala Premiere Animation Drawing Original Art (Disney, 1933). Stars Marie Dressler, Jimmy Durante, Will Rogers, Oliver Hardy and Joe Brown turn out to congratulate Mickey Mouse on his latest film, in this original drawing from the Disney short, Mickey's Gala Premiere. Drawn in graphite on a 12" x 9.5" sheet of animation bond paper, this is OPD #185. The paper has some tanning with some light creasing; otherwise the condition is Very Good.
Mickey's Mellerdrammer Animation Production Drawing Original Art (Disney, 1933). Mickey and Minnie tap dance to the song, "Dixie," in this energetic drawing from the Disney short, Mickey's Mellerdrammer (OPD #140). Drawn in graphite on a 12" x 9.5" sheet of animation bond paper. The paper has some light tanning; otherwise this piece is in Very Good condition.
Mickey Plays Papa Animation Production Drawing Original Art (Disney, 1934). Mickey reads a murder mystery to Pluto in this original production drawing from the Disney short Mickey Plays Papa. Rendered in graphite and blue pencil on a 12" x 9.5" sheet of animation paper (OPD #5). The paper has some tanning, and light creasing; otherwise the art is in Very Good condition.
Mickey's Service Station Animation Production Drawing Original Art (Disney, 1935). Faulty mechanics Mickey, Donald, and Goofy make tracks away from Black Pete's car in this drawing (OPD #167), rendered in graphite on a 12" x 9.5" sheet of animation paper. The paper has some slight tanning, and edge wear (two small tears in the upper and right edges), otherwise the condition is Very Good.
Mickey's Garden Animation Production Drawing Original Art (Disney, 1935). Armed with a bug sprayer, Mickey makes a valiant effort to control the bug problem in his garden in this classic animation drawing. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. There is some paper tanning, some edge wear, and two small cuts in the art around the peg holes (created by the studio to reposition the art), otherwise the condition is Very Good.
Mickey's Circus Animation Production Drawing Original Art Group of 3 (Disney, 1936). Here are three original animation drawings from the Disney short, Mickey's Circus, including the opening title type (OPD #61), and two exaggerated drawings of Mickey Mouse on the highwire (OPDs #17, and 34). Each is rendered in graphite on a 12 field sheet of animation paper (12" x 9.5"). Aside from some paper tanning, the drawings are in Very Good condition.
Mickey's Elephant Animation Production Drawing Original Art (Disney, 1936). Mickey is delighted with his gift from the Rajah of Gahboon -- a baby elephant -- in this original animation drawing (OPD #183). Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. There is paper tanning; otherwise the art is in Very Good condition.
Mickey's Amateurs Animation Production Drawing Original Art (Disney, 1937). An out-of-control one-man-band machine is trouble for Goofy in this animation production drawing from the 1937 short film, Mickey's Amateurs. Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper (OPD #27). The paper has tanning, otherwise the art is in Very Good condition.
Mickey's Parrot Animation Production Drawing Original Art (Disney, 1938). Mickey is on alert for an escaped criminal in this drawing from his 1938 short, Mickey's Parrot. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. The paper has tanning, and light edge wear, otherwise the art is in Very Good condition.
Mickey Mouse and Donald Duck 1988 Academy Awards Animation Production Cel Original Art Group of 2 (1988). Two matching hand-painted animation cels featuring Mickey Mouse as the sorcerer's apprentice and Donald Duck in a tuxedo created for the 1988 Academy Awards. Each hand-painted cel measures 17" x 13.5". In Very Good condition.
Moose Hunters Animation Production Drawing Original Art (Disney, 1937). Goofy and Donald Duck make unlikely game hunters in this animated drawing from the Disney short, Moose Hunters (OPD #27). Rendered in graphite, and red and green pencil on a 12" x 10" sheet of animation paper, and stamped "Model Drawing Return to Dot Powers." Aside from some paper tanning, and light edge wear, the condition is Very Good.
Mother Goose Melodies Animation Production Drawing Original Art Group of 2 (Disney, 1931). Two original animation drawings from the Silly Symphony, Mother Goose Melodies, featuring Mother Goose and the title type (OPDs #45 and 410). Each drawing is rendered in graphite on a 12" x 9.5" sheet of animation paper. Aside from some paper tanning, the drawings average in Very Good condition.
Mother Goose Goes Hollywood Animation Production Drawing Original Art Group of 2 (Disney, 1938). The "Fiddlers Three," Groucho, Harpo, and Chico Marx, are here in this set of two matched original animation drawings (OPDs #108 and 8). Each drawing is rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 10"). Some paper tanning, otherwise the drawings are in Very Good condition.
Mulan Animation Concept Painting Original Art (Disney, 1998). A moody blue light permeates this superlative concept painting from Disney's thirty-sixth animated feature. Rendered in tempera on heavy illustration board, the art is matted to an image area of 6.25" x 3.25", and it is in Excellent condition.
Peter Pan Animation Production Drawing Original Art (Walt Disney, 1953). The eternally youthful imp Peter Pan looks determined in this original production drawing (OPD #116), which includes shadow indications for the effects department. Rendered in multi-colored pencil on a sheet of 16 field animation paper (15.5" x 12.5"). Aside from some light paper tanning, the art is in Very Good condition.
Peter Pan Mr. Darling Animation Production Drawing Original Art (Walt Disney, 1953). Wendy, John, and Michael Darling's dad look content in this original production drawing (OPD #65), rendered in graphite on a sheet of 16 field animation paper (15.5" x 12.5"). Aside from some light paper tanning, the art is in Very Good condition.
The Pet Store Animation Production Drawing Original Art Group of 2 (Disney, 1933). Two original animation drawings from Disney's King Kong parody, The Pet Store featuring Mickey, Minnie, and Beppo the Ape. Each drawing is rendered in graphite on a sheet of 12-field animation paper (12" x 10", OPDs #34 and 139). Aside from some light paper tanning, the art is in Very Good condition.
Pinocchio Animation Production Drawing Original Art (Disney, 1940). Attractive image of the little wooden boy with hat in hand, complete with shadow notes indicated. The art is rendered in graphite and color pencil on a 12 field sheet of animation paper (12" x 10", OPD #C13), and includes a Disney studio stamp. There is some paper tanning, and light edge wear, otherwise the condition is Very Good.
Pinocchio Storyboard Drawing Original Art (Disney, 1940). Standing on a box of matches, Pinocchio's conscience, Jiminy Cricket makes a point in this original storyboard drawing from Disney's second animated feature. Rendered in graphite, the art is framed and matted to an image area of 5.75" x 4.5". In Very Good condition. Includes a Certificate of Authenticity.
Pluto's Pal Bobo Animation Production Drawing Original Art (Disney, 1939). Original animation drawing from an unproduced sequel to Mickey's Elephant featuring Pluto and his elephant friend, Bobo. Rendered in graphite on a 12 field sheet of animation paper (12" x 10", OPC #48C). Aside from some slight paper tanning, and light edge wear, the art is in Very Good condition.
The Practical Pig Animation Production Drawing Original Art (Disney, 1939). Original animation drawing of the Practical Pig, from the fourth and final animated short featuring the Three Little Pigs. Drawn in graphite and red pencil on a 12" x 10" sheet of animation paper. Aside from some paper tanning and light soiling, the art is in Very Good condition.
Puppy Love Animation Production Drawing Original Art (Disney, 1933). Minnie is not impressed with the bone she mistakenly got from Mickey, in this engaging drawing (OPD #495). The art was rendered in graphite and red pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise the condition is Very Good.
Puppy Love Animation Production Drawing Original Art (Disney, 1933). Armed with flowers and a box of chocolates and flowers, a dapper Mickey comes to call on Minnie, in this cheerful drawing (OPD #141). The art was rendered in graphite, red and green pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise the condition is Very Good.
The Rescuers Madame Medusa Animation Production Cel Original Art (Disney, 1977). The wicked kidnapper Madame Medusa strikes a haughty pose in this exceptional hand-painted cel from Disney's twenty-third animated feature film, The Rescuers. The art measures 16" x 12.5" and it is in Very Good condition.
Virgil Ross Bugs Bunny and Yosemite Sam Drawing Original Art (Warner Bros., undated). Grey-haired hare Bugs Bunny, and red-bearded Yosemite Sam size each other up in this charismatic drawing by veteran animator, Virgil Ross. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, the work is in Very Good condition. Signed by Virgil Ross at the lower right.
Virgil Ross Marvin the Martian Drawing Original Art (Warner Bros., undated). Commander X-2, the menacing Martian known as Marvin, stands with his ray gun in hand, in this drawing by Virgil Ross. Rendered in colored pencil on a 10" x 12.5" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross at the bottom left.
Rabbit of Seville Bugs Bunny Drawing Original Art (Warner Bros., undated). Bugs is dressed for barber success in this wonderful color drawing by Virgil Ross. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, this piece is in Excellent condition. Signed by Virgil Ross at the lower right.
Rhapsody Rabbit Bugs Bunny Drawing Original Art (Warner Bros., undated). Concert pianist, Bugs Bunny, sits at the grand piano in this original drawing by master animator, Virgil Ross. Brought to Termite Terrace in 1938 by Tex Avery, Ross worked there until the studio closed their animation division in 1964. The drawing was rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, and it is in Excellent condition. Signed by Virgil Ross at the lower right.
Virgil Ross Bugs Bunny and Gossamer Drawing Original Art (Warner Bros., undated). Bugs Bunny shares the scene with big, red, hairy Gossamer, in this colorful drawing by legendary animator, Virgil Ross. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross at the lower right.
Virgil Ross Bugs Bunny and McCrory Drawing Original Art (Warner Bros., undated). Bugs Bunny and the Scotsman, McCrory, are together on the green in this drawing by veteran animator, Virgil Ross. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross.
Virgil Ross Bugs Bunny, Marvin the Martian, and K-9 Drawing Original Art (Warner Bros., undated). Bugs is outgunned by Marvin the Martian and his dog, K-9, in this exceptional drawing by Virgil Ross. Rendered in colored pencil on a 12.5" x 10" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross at the bottom right.
Virgil Ross Bugs Bunny and Edward G. Robinson Drawing Original Art (Warner Bros., undated). Bugs Bunny and a character based on Edward G. Robinson shared the screen in the short, Racketeer Rabbit. This outstanding drawing by Virgil Ross was rendered in colored pencil on a 12.5" x 10" sheet of animation paper. Aside from a crease in the lower left corner, the work is in Excellent condition. Signed by Virgil Ross at the bottom right.
Sleeping Beauty Animation Production Cel with Background Original Art (Disney, 1959). A pensive Briar Rose sits in the forest in this exquisite hand-inked and hand-painted cel with background. Framed and matted to an image area of 14.5" x 10.5", this piece is in Excellent condition.
Snow White and the Seven Dwarfs Grumpy Animation Drawing Original Art, Group of 2 (Disney, 1937). Grumpy draws the line in this set of two original animation drawings from Disney's first feature film, Snow White and the Seven Dwarfs (OPDs #223, and 262). Each drawing is rendered in graphite and red pencil on a sheet of 12" x 9.5" sheet of animation bond paper. In Very good condition.
Snow White and the Seven Dwarfs Animation Background Recreation Original Art (Disney, undated). This modern background recreation captures the sparkle and mood of Disney's original classic feature film. Watercolor on heavy illustration board, with an image area of 10" x 7.25". In Very Good condition.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). "Come on, perk up. Won't you smile for me?" Snow White befriends a lost bluebird in this drawing from Disney's first feature film. The angelic qualities of Disney's first heroine shine through in this memorable original production drawing (OPD #134-A). Rendered in graphite and red pencil on a sheet of 12" x 9.5" sheet of animation bond paper, this piece includes a Disney studio stamp. In Very good condition.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). The wicked queen, disguised as an old hag, makes a run for it in this wicked original animation drawing (OPD #900) from Disney's first animated feature film. Rendered in graphite and multi-colored pencil on a 12" x 10" sheet of animation paper, this piece includes a Disney studio stamp. The paper has slight tanning, light wear and buckling, otherwise the condition is Very Good.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). This original animation drawing (OPD #312) features an indelible image of the Old Witch from Disney's first animated feature film. Rendered in graphite and multi-colored pencil on a 12" x 10" sheet of animation paper, this piece includes a Disney studio stamp. The paper has slight tanning, and light buckling, otherwise the condition is Very Good.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). Pluto tears the dog show judge's pants in this drawing from Society Dog Show. Rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 10", OPD #52A). There is some light paper tanning, otherwise the art is in Very Good condition.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). A proud Mickey pets his winning pup, Pluto, as the judge awards him the hero medal in this drawing from the short, Society Dog Show. Rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 10", OPD #1A). There is some paper tanning, creasing, and edge wear; otherwise the condition is Very Good.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). Pluto gets a push into the dog show by Mickey, in this wonderful animation drawing. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. Some paper tanning, and light creasing, otherwise the art is in Very Good condition.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). The dog show judge is not too happy with Pluto in this drawing from the 1939 short, Society Dog Show. Rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 10", OPD #127F). There is some paper tanning and edge wear, otherwise the condition is Very Good.
The Sword in the Stone Arthur Animation Production Drawing Original Art (Disney, 1963). Exuberant original production drawing (OPD #99) featuring young Wart. Rendered in graphite on a sheet of 16 field animation paper (15.5" x 12.5"). Aside from some light paper tanning, and light edge wear, the art is in Very Good condition.
Tennis Racquet Animation Production Drawing Original Art (Disney, 1949). This Goofy cartoon, Tennis Racquet, featured Goofy playing Goofy in a game of tennis with a Goofy announcer, and Goofy spectators! This dynamic drawing (OPD #23) was rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"). There is some paper tanning, otherwise the art is in Very Good condition.
Tiger Trouble Animation Production Drawing Original Art (Disney, 1945). Great game hunter Goofy and his tiger quarry take a break from hunting in this drawing from the Goofy cartoon, Tiger Trouble (OPD #9). This drawing was rendered in graphite on a 12 field sheet of animation paper (12" x 10"). There is some paper tanning, otherwise the art is in Very Good condition.
Toby Tortoise Returns Animation Production Drawing Original Art (Disney, 1936). Toby takes a swing at Max Hare in this sporty drawing from Toby Tortoise Returns. Rendered in graphite and colored pencil on a 12 field sheet of animation paper (OPC #73). Although there is slight paper tanning, and one small stain at the bottom right, the condition is Very Good.
Toby Tortoise Returns Animation Production Drawing Original Art Group of 2 (Disney, 1936). Max Hare and Toby the Tortoise return in these two drawings from the sequel to The Tortoise and the Hare. Each drawing was rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. Max is OPD #46, and Toby was drawn and initialized by Marc Davis (OPD #49). There is some paper tanning, otherwise both drawings are in Excellent condition.
Toby Tortoise Returns Animation Production Drawing Original Art (Disney, 1936). Max Hare takes a turn as a porter in this vibrant color drawing from Toby Tortoise Returns, which includes color notations. Rendered in graphite and colored pencil on a 12 field sheet of animation paper (OPC #41). Although there is slight paper tanning, the condition is Excellent.
Trader Mickey Animation Production Drawing Original Art (Disney, 1932). Trader Mickey was a spoof of the 1931 MGM film, Trader Horn. This original animation drawing (OPD #37) was rendered in graphite on a 12" x 10" sheet of animation paper. There is paper tanning, and light edge wear, otherwise the art is in Very Good condition.
Truant Officer Donald Animation Background Original Art (Disney, 1941). In the 1941 short, Truant Officer Donald, Donald's job is to make sure his nephews get to school, but what nephew could resist a scene like this? This sparkling watercolor on textured paper has an image area of 21.75" x 9.25". In Very Good condition.
Tugboat Mickey Animation Production Drawing Original Art (Disney, 1940). Mickey gets some fine-feathered interference from a pelican in this drawing from the 1940 short, Tugboat Mickey. Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"), this is OPD #63. Aside from some paper tanning, the condition is Very Good.
Tugboat Mickey Animation Production Drawing Original Art Group of 2 (Disney, 1940). Goofy gets a face full of shovel in this set of two original drawings from the 1940 short, Tugboat Mickey. Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"), these drawing are OPDs #C-28, and 39A. Aside from some paper tanning, they average in Very Good condition.
Two-Gun Mickey Animation Production Drawing Original Art (Disney, 1934). Desert dust flies as cowboy Mickey takes to the trail in this original animation drawing from the 1934 Disney short, Two-Gun Mickey. This drawing (OPD #1A) is rendered in graphite and green pencil on a 12" x 9.5" sheet of animation paper. In Very Good condition.
Two-Gun Mickey Animation Production Drawing Original Art (Disney, 1934). Bandit Pete and cowboy Mickey tangle on the edge of a cliff in this original animation drawing from Two-Gun Mickey. This drawing (OPD #51) is rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper. Aside from paper tanning, and edge wear, the art is in Very Good condition.
UPA Animation Concept Painting Original Art (UPA, c. 1940-50s). UPA has a big influence on Pixar, and this concept painting is a certain giveaway. Painted in watercolor on heavy illustration board, the art has an image area of 7.5" x 5.5". In Very Good condition.
UPA Animation Background Original Art (UPA, c. 1940-50s). This 12 field background painting was rendered in watercolor on heavy illustration board. The art has an image area of 11" x 8.5" and is in Very Good condition.
UPA Animation Background Original Art (UPA, c. 1940-50s). Rendered in mixed media on illustration paper, this art measures 13.5" x 10" and is in Very Good condition.
UPA Animation Concept Painting Original Art (UPA, c. 1940-50s). With its simplified linework and loose presentation, this concept sketch has all the hallmarks of UPA. Painted in watercolor on textured illustration paper, the art has an image area of 13" x 9". Aside from some light soiling, the work is in Very Good condition.
Who Framed Roger Rabbit Production Cel Original Art Group of 3 (Walt Disney, 1989). The technically marvelous film, Who Framed Roger Rabbit, blended animated, ink-and-paint cartoon characters with flesh-and-blood live actors. In this scene, Roger has a violent reaction after having accepted a shot of whiskey from Eddie Valiant, played by Bob Hoskins. Included here are three original hand painted animation production cels featuring Roger Rabbit, presented on photographic print backgrounds. Each cel has an image area of 13" x 8.5" image area, and is in Excellent condition. Includes a certificate of authenticity. From the Estate of Bruce Hamilton.
Who Framed Roger Rabbit Production Cel Original Art (Walt Disney, 1989). Eddie Valiant knows what happens to Roger Rabbit when he drinks whiskey, so a shot is just the thing to bring him free from Judge Doom's evil grip! Roger's greenish cheeks are inflated, and his ears are just starting to propel in this hand painted cel from Who Framed Roger Rabbit. Presented on a photographic print background, the image area measures 13" x 9". The condition is Excellent. Includes a certificate of authenticity. From the Estate of Bruce Hamilton.
Who Framed Roger Rabbit Production Cel Original Art (Walt Disney, 1989). Who Framed Roger Rabbit is seen as a landmark film that sparked the most recent era in American animation. An innovative blend of animated cartoon characters with live actors, the film is considered a modern classic. Here is an original hand painted animation production cel featuring the title character, Roger Rabbit, presented on a photographic print background. The image area measures 14" x 10", and the condition is Excellent. Includes a certificate of authenticity. From the Estate of Bruce Hamilton.
Who Framed Roger Rabbit Production Cel Original Art (Walt Disney, 1989). "I'll do anything for my husband, Mr. Valiant. Anything." Eddie Valiant (Bob Hoskins) attempts to get dressed as Jessica Rabbit draws near, in this hand painted cel from Who Framed Roger Rabbit, presented on a photographic print background. The image area measures 15.5" x 10.5", and the condition is Excellent. Includes a certificate of authenticity. From the Estate of Bruce Hamilton.
Who Framed Roger Rabbit Production Cel Original Art (Walt Disney, 1989). "Open up in the name of the law!" At the sound of an approaching group of Toon Patrol Weasels, Roger, who has playfully cuffed himself onto Eddie Valiant's wrist, panics in this hand-painted cel from Who Framed Roger Rabbit. Presented on a photographic print background, the image area measures 13" x 9". The condition is Excellent. Includes a certificate of authenticity. From the Estate of Bruce Hamilton.
Who Framed Roger Rabbit Production Cel Original Art (Disney, 1989). "P-p-p-p--please, Eddie!" Roger Rabbit pleads in this hand-painted original animation cel. The cel measures 16.5" x 11.75" and it is in Excellent condition.
Who Framed Roger Rabbit Production Cel Original Art (Disney, 1989). Roger Rabbit hangs on for dear life in this hand-painted original animation cel. The cel measures 13" x 10.5" and it is in Excellent condition.
Who Framed Roger Rabbit Production Cel Set-Up Original Art (Disney, 1989). Roger Rabbit chats with Benny the Cab in this hand-painted original animation cel set-up presented on a photographic print background. The set-up measures 17" x 12.5" and it is in Excellent condition.
Who Framed Roger Rabbit Jessica Rabbit Production Drawing Original Art (Disney, 1989). Jessica Rabbit is armed and deadly delectable, in this bountiful original animation drawing (OPD #197-1). The art measures 17" x 12.5" and it is in Very Good condition.
Winnie the Pooh and the Blustery Day Heffalump and Woozle Concept Drawing Original Art Group of 2 (Disney, 1968). Two concept depictions of a Heffalump and a Woozle from the dream sequence of the Academy Award-winning Disney short, Winnie the Pooh and the Blustery Day. Each drawing was rendered in marker and measures 15.5" x 12.5". In Good condition.
Ye Olden Days Animation Production Drawing Original Art (Disney, 1932). Original animation drawing of medieval minstrel Mickey from the short, Ye Olden Days. Rendered in graphite on a sheet of 12 field animation paper (12" x 10", OPD #71). Aside from some light paper tanning, the art is in Very Good condition.
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Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842
Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842