2007 Vintage Comics Signature Auction
| Sale Number: | 825 |
| Location: | |
| Auction Date: | August 2nd at 6 PM CT through August 4th |
Featured Collections
The Keith Marlow Collection
Session 1
Original Comic Art
Murphy Anderson - Hit Comics #1 Cover Recreation Original Art (1996). As a tribute to his artistic inspiration, Lou Fine, Murphy Anderson recreated, as paintings, several of Fine's best Golden Age covers. The piece offered here recreates Hit Comics #1 and Anderson has faithfully rendered the art in Fine's style, and enhanced this piece with vivid coloring. Anderson, celebrated by many fans as a first-rate talent in his own right, has combined his talent with his admiration for Lou Fine to make this piece a blockbuster. This painting has an image area of 15" x 21", and the art is in Excellent condition. Also included with this lot is a certificate of authenticity signed by Murphy Anderson.
Murphy Anderson - Superman #14 Cover Recreation Original Art (undated). Murphy Anderson pays tribute to Fred Ray's classic patriotic "shield and eagle" Superman #14 cover with his own star-spangled recreation. This stirring scene is counted by many fans as one of the finest Golden Age cover designs ever drawn. This painting has an image area of 15" x 20", and the art is in Excellent condition.
Murphy Anderson - Weird Comics #1 Cover Recreation Original Art (undated). For many fans, comic books and giant apes go together like bread and butter. Murphy Anderson certainly did his share of great ape covers for Silver and Bronze Age DC comics. Now he pays homage to the artists of the Golden Age era with this splendid recreation of the ape-based cover to Weird Comics #1, dedicating it to "unascertained artists." This painting has an image area of 15" x 21", and the art is in Excellent condition.
Murphy Anderson - Overstreet Comic Book Price Guide #31 Cover Featuring Batman Original Art (2001). This powerful and awesome cover illustration by Murphy Anderson is a recreation of Detective Comics #31, featuring the mysterious Batman vs. the terrifying master of crime known as the Monk. Rendered in ink and watercolor, the image area measures 16" x 21", and the art is in Excellent condition.
Al Avison - Speed Comics #28 Cover Original Art (Harvey, 1943). This World War II-era Al Avison cover shows Harvey's response to the dreaded Nazi menace -- a horned demon wreaks havoc on an All-American city. The back of this page features a rough pencil sketch of the Green Hornet. The image area of this scene is 12" x 16". There are moderate white-out touch-ups on the cover that do little to detract from the impact of the image. The logo and the art for a Captain Freedom figure (which was pasted-on at the upper right of the design) are missing; otherwise, this piece is in Good condition.
Al Avison (attributed) - Dick Tracy Comics Monthly #25 Cover Original Art (Harvey, 1950). On this cover, the first Dick Tracy Comics Monthly published by Harvey, Flat Top makes like Santa Claus while Dick Tracy and Pat Patton scour a rooftop. Rendered in ink on bristol board, this cropped piece has an overall size of 11" x 9.5". The logo portion has been cut away from art; otherwise, the condition is Very Good.
Mark Bagley and John Romita Sr. - Overstreet Comic Book Price Guide #22 Cover Featuring Spider-Man and The Green Goblin Original Art (1992). Two of Spider-Man's top-notch artists teamed to paint this starlit scene spotlighting Spider-Man and his nemesis, the gruesome Green Goblin. These two mortal enemies battle it out over the concrete canyons of the Manhattan skyline, and few artists are better suited to paint such a scintillating scene than Mark Bagley and John Romita Sr. This web-slinging wonder has an image area of 12.5" x 19.5", and the art is in Excellent condition.
Olive Bailey - Land of the Lost #8 Cover Original Art (EC, 1947). The mirthful mysteries of an undersea fantasy world are explored in this offbeat cover scene. Although the type indicates that this art was slated for issue #6, this scene actually appeared on issue #8. This charming cover has an image area of 13.5" x 19", and aside from some loose and missing pasted-on type elements, the cover is in Very Good condition.
Carl Barks - Uncle Scrooge #62 "Queen of the Wild Dog Pack" Panel Page Original Art (Gold Key, 1966). Uncle Scrooge and Donald Duck prepare to stake out a mystery involving a wild dingo pack on Scrooge's ranch Down Under, while Huey, Dewey, and Louie make plans of their own, in this rare surviving page from the late Good Duck Artist. So few pages of original Barks comic book art featuring the Disney ducks exist today that we expect bidding to be especially fierce on this wonderful example -- better stake out your bid early! As was his usual practice, Barks drew this inked page on two separate pieces of board; the top and bottom have been assembled to present the entire page, with an image area of 16" x 23". The page has been matted to an overall size of 24" x 31.25", and is in Excellent condition.
Carl Barks - "Blackstone the Great" Illustration Original Art (1978). This showy illustration of the duck-faced Blackstone the Great and his pretty assistant, now apparently cut in two, is part of the Carl Barks series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl." Rendered in ink and watercolor on textured watercolor paper, this is Barks' twenty-third painting of 1978. The image area measures 8" x 10". Custom matted and framed and in Excellent condition. From the Estate of Bruce Hamilton.
Carl Barks - "Calamity Jane" Illustration Original Art (1978). Calamity Jane, one of the most legendary women of the Wild West, is the subject of this wonderful watercolor by Carl Barks, part of his series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl." The image area measures 8" x 10". In Excellent condition.
Carl Barks - Walt Disney's Comics and Stories #214 Cover Recreation Original Art (undated). Hold onto your hats, Donald Duck fans, here's a bona fide rarity -- an original Carl Barks cover spotlighting the Duckburg clan! According to a plaque on this framed piece, this drawing was "reprinted as drawn and as originally published in the Carl Barks Library, Set IX, volume 3, pages 544 and 545." This masterwork has an image area of 10.5" x 13.5", and the art is in Excellent condition.
Carl Barks - "Dubious Doings at Dismal Downs" Oil Painting Original Art (1986). The indomitable patriarch of the clan, Uncle Scrooge McDuck, and his nephews Donald Duck, Huey, Dewey, and Louie Duck, are riveted by the spellbinding presence of an unseeable apparition carrying a chest of treasures and wielding a jewel-encrusted sword, in this scene based on the 1948 story. "The Old Castle's Secret," which ran in Four Color #189. The image area of this "spook-tacular" measures 25" x 20", and it's been framed to an overall size of 32.5" x 28". This painting is in Excellent condition.
Carl Barks - "First National Bank of Cibola" Oil Painting Original Art (circa 1987). Based on his 1954 saga for Uncle Scrooge #7, "The Seven Cities of Cibola," Carl Barks painted this awe-inspiring, opulent scene of glittering, buried treasure. Before there was an archeologist-hero such as Indiana Jones to unearth the hidden treasures of the ancient world, it was up to those dauntless ducks, Uncle Scrooge, Donald Duck, and Huey, Dewey, and Louie to bring home the prizes of the half-forgotten past. History tells us that Cibola was one of the "Seven Cities of Gold." According to ancient myth, seven bishops fled Merida, Spain to prevent invaders from obtaining their sacred religious relics. Later, the bishops founded the cities of Cibola and Quivira and legend had it that these cities grew rich in gold and precious stones. Such delicious details spawned countless expeditions in search of Cibola throughout the centuries. Leave it to those bounders, the Beagle Boys, to try steal the treasure and set off a booby-trap that collapses the cities, burying them for all time. The galvanized globetrotting adventures of the denizens of Duckburg have often been cited as a profound influence on many contemporary filmmakers and cartoonists of action-adventure drama. This magnificent masterwork has been indexed by Barks scholars as painting #133P. The image area measures 20" x 25", and the art is in Excellent condition. The painting was signed by Carl Barks at the lower right.
Carl Barks - "An Astronomical Predicament" Oil Painting Original Art (1990). The way-out sixties found Uncle Scrooge and Donald taking part in the space race. This oil painting, based on the yarn "Island in the Sky" from Uncle Scrooge #29, shows Uncle Scrooge, Donald, Huey, Dewey, and Louie as they are confronted by the hungry inhabitants of a barren asteroid. The image area of this masterwork measures 19" x 25.5", and it's been framed to an overall size of 24.5" x 31". This piece is in Excellent condition.
Wayne Boring - Superman Sunday Original Art, dated 6-12-49 (McClure Syndicate, 1949). Superman Sunday page #502 is a terrific example of the classic Golden Age Superman, drawn by one of his finest interpreters -- Wayne Boring. In keeping with the production procedures of this period, this art was drawn on two pieces of 14.25" x 22.5" paper, each with an approximate image area of 12.75" x 19.5". The large Superman Sundays of this era were usually taped together on the reverse, after completion. Overall, aside from some yellowing to the title logo stat, the art is in Excellent condition. This sensational Superman Sunday is sure to be a showpiece for any first-rate Superman collection.
Wayne Boring - Superman Sunday Comic Strip Original Art, dated 11-17-63 (Bell-McClure Syndicate, 1963). Lex Luthor plays an unusual role, that of the hero, in this interstellar Superman Sunday. Every panel has one of the two arch-rivals. The inking on this Wayne Boring blockbuster is first-rate, with its fine brushwork, keen attention to background detail, and bold "spotting" of the black areas. This Sunday has an approximate image area of 24.5" x 16", and the art is in Excellent condition.
Harrison Cady - Peter Rabbit Sunday Comic Strip Original Art, dated 9-26-20 (NY Tribune, 1920). For Peter Rabbit, the fishing game's not what it's cracked up to be. This strip has an image area of 20" x 26", and aside from some staining to the left side of the Sunday, the art is in Good condition.
Harrison Cady - Peter Rabbit Sunday Comic Strip Original Art, dated 2-13-21 (NY Tribune, 1921). Chaos breaks out when Peter tries to give his family the slip on the skating rink. This strip has an image area of 20" x 26", and aside from some edge and corner wear and a few small stains, the art is in Very Good condition.
Harrison Cady - Peter Rabbit Sunday Comic Strip Original Art, dated 4-24-21 (NY Tribune, 1921). Peter Rabbit falls for a bit of picnic-snatching hi-jinx by Mr. Tumble Bug in this charming Sunday. This strip has an image area of 20" x 26", and the art is in Very Good condition.
Dick Calkins - Buck Rogers Daily Comic Strip Original Art, dated 1941 (John Dille Co., 1941). John Flint Dille, president of the National Newspaper Syndicate, believed that the comic strip reading public was ready for something different, so he contacted Philip Nowlan, (whose novella Armageddon 2149 A.D. had recently appeared in the pulp magazine Amazing Stories) and pitched the idea of a science fiction comic strip. Nowlan adapted his novella about a young World War I pilot who enters a bizarre state of suspended animation and awakens 500 years in the future. Dick Calkins was convinced to illustrate Nowlan's script -- and a legend was born. This strip, featuring Buck and Wilma, is a superb example of Calkins' art. With an image area of approximately 18" x 4.25", and in Excellent condition, this is a splendid opportunity to acquire a landmark of science-fiction art.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 5-31-39 (Chicago Tribune, 1939). Milton Caniff avoided cartooning shortcuts and instead mastered lighting, "camera angle" points of view, and clever dialogue as demonstrated by this crisply inked daily featuring Pat Ryan, April Kane, and Connie. This strip has an image area of 20" x 6", and the art is in Excellent condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 8-17-47 (United Feature Syndicate, 1947). Biting satire as only Al Capp can deliver it is the focus of this Sunday from the late forties. This strip has an image area of 19" x 22". Aside from missing its title logo, this art is in Very Good condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 8-24-47 (United Features Syndicate, 1947). Li'l Abner look-alike Killer Gat Garson runs wild in this Sunday, and Al Capp also manages to work in a few smoking hot scenes showcasing Daisy Mae and Gat Garson's moll. The image area of this Sunday measures approximately 19" x 22". Each of the three panel tiers were cut apart and later rejoined with tape. The strip is also missing its title logo; otherwise, the art is in Good condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 6-30-57 (United Feature Syndicate, 1957). The eye-popping "good girl" art of Al Capp's assistant Frank Frazetta is showcased in this scintillating Sunday. The image area of this episode measures approximately 27.5" x 18". Each of the three panel tiers, and several of the individual panels were cut apart and later rejoined. There is also a fold through the center of the strip, and a few small stains; otherwise, the art is in Good condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 10-20-57 (United Features Syndicate, 1957). The Wilkes-Barresaurus takes center stage in this satirical sensation and Hairless Joe and Lonesome Polecat co-star. This strip hails from the years that Frank Frazetta was assisting on Li'l Abner. The image area of this Sunday measures approximately 27.5" x 18". Each of the three panel tiers and several of the individual panels were cut apart, and later rejoined. There is also a fold through the center of the strip; otherwise, the art is in Good condition.
L. B. Cole - Target Comics V9#4 Cover Original Art (Novelty Publications, 1948). Sensational wildlife artist and creator of more than 1,500 eye-popping covers, Leonard B. Cole created the ultimate "survival of the fittest" scene for this surreal thriller. The image of this jungle cover measures approximately 15" x 22", and the art is in Very Good condition. L. B. Cole signed the piece at the lower left.
Bud Counihan - Betty Boop Daily Comic Strip Original Art, dated 11-2-34 (King Features Syndicate, 1934). One of Hollywood's hottest cartoon stars, Betty Boop, was created by renowned animator Myron "Grim" Natwick for the Max Fleischer studio. The epitome of the "flapper" girl, Betty appeared in the Fleischer cartoons throughout the thirties, and in her own comic strip from 1934 through 1937. Her newspaper strip was drawn by Bud Counihan, who also drew the features The Big Little Family and Little Napoleon. These originals have proven to be very scare, and Jerry Weist, in his Comic Art Price Guide, Second Edition writes, "There are less than ten dailies known and few Sundays known to exist." This superb daily has an image area of approximately 19.75" x 4.75", and the art is in Excellent condition.
Bud Counihan - Betty Boop Daily Comic Strip Original Art, dated 11-16-34 (King Features Syndicate, 1934). Boop-boop-a-doop -- Betty flashes a little garter in this delightful daily from the flirty thirties. This delicious daily has an image area of 20" x 5", and the art is in Excellent condition.
Reed Crandall - T.H.U.N.D.E.R. Agents #1, NoMan page 2 Original Art (Tower, 1965). Hang on to your invisible cloaks NoMan fans -- because here's Reed Crandall's historic page where Dr. Anthony Dunn first transfers his mind from an aged body into NoMan's android body! T.H.U.N.D.E.R.'s ultimate super-spy, NoMan, has seldom looked better. This milestone has an image area that measures 12" x 18", and the art is in Excellent condition. A Reed Crandall fan would be hard-pressed to find a more fantastic NoMan page than this one.
animation art
Walt Disney Studios - "Pinocchio" Stromboli and Pinocchio Animation Production Cel and Background Original Art (Disney, 1940). The domineering puppeteer Stromboli attempts to placate the little wooden boy, Pinocchio, in this multi-layered hand inked and hand painted cel with original watercolor background. The image area measures 14.5" x 11". Matted and framed and in Excellent condition.
Original Comic Art
Will Eisner - The Spirit #2, Splash Page 1 Original Art (Harvey, 1967). Caught in a crossfire -- the Spirit is under the gun in this dynamic splash page for the sixties' yarn, "Octopus, The Life Story of the King of Crime." The image area of this masterwork is 12" x 16.5". The page has been pasted together using various pieces of original art, some of which were drawn on vellum. A few pasted-on lettering elements have been lost (at the top of the page); otherwise, the art is in Very Good condition.
Will Eisner - The Spirit #2, page 2 Original Art (Harvey, 1967). Will Eisner's mastery of graphic storytelling is demonstrated with his hallmarked use of backgrounds as "stage sets," his use of shifting points of view, and the rich, atmospheric lighting in page 2 of "Octopus, The Life Story of the King of Crime." The image area of this page is 12" x 16.5", and the art is in Excellent condition.
Will Eisner - The Spirit #2, page 3 Original Art (Harvey, 1967). The rejection of Zitzbath Zark's life of crime by his mother, as well as his apparent death, leads to the birth of the crime king known as -- the Octopus. It's top-notch Silver Age action by the legendary comics master, Will Eisner. The image area of this page is 12" x 16.5", and aside from a missing lettering correction in panel four, the art is in Excellent condition.
Will Eisner - The Spirit #2, page 4 Original Art (Harvey, 1967). The decades have passed and Will Eisner's immortal hero, the Spirit has returned from the Golden Age to battle the Octopus anew. The image area of this thriller is 12" x 16.5", and aside from a missing lettering correction in panel four, the art is in Excellent condition.
Will Eisner - The Spirit #2, page 5 Original Art (Harvey, 1967). The Octopus schemes and plots, and as usual, the only clear view we get of this master criminal is his distinctive gloves. The Spirit stars in panel one of this moody melodrama. The image area of this page is 12" x 16.5". The Spirit figure in panel one is an original art paste-on; otherwise, the art is in Excellent condition.
Will Eisner - The Spirit #2, page 6 Original Art (Harvey, 1967). Double-crossing is the name of the game in this Silver Age Spirit spectacular. The image area of this page is 12" x 16.5". Each of the Spirit figures on this page is an original art paste-on, as is the policeman and sweaty criminal in panel seven. There are also glue stains in two of the word balloons; otherwise, the art is in Very Good condition.
Will Eisner - The Spirit #2, page 7 Original Art (Harvey, 1967). The sinuous line and masterful montages of Will Eisner are the highlights of the thrilling conclusion of "Octopus, The Life Story of the King of Crime." The image area of this page is 12" x 16.5". Four of the panels of this page have original art paste-ons. The final panel is a paste-on, and underneath it are three panels of (unused) original art; otherwise, the page is in Very Good condition.
Will Eisner - The Spirit #2, page 24 Original Art (Harvey, 1967). The offbeat tongue-in-cheek humor of Will Eisner is showcased in this title page for the two-pager, "The Spirit Lab (The Man From MSD)." The image area of this page is 12" x 16.5", and the art is in Excellent condition.
Will Eisner - The Spirit #2, page 25 Original Art (Harvey, 1967). Will Eisner wraps up his outrageous spoof of the sixties spy craze with this romp. The final panel features a terrific Silver Age portrait of the Spirit. The image area of this page is 12" x 16.5", and the art is in Excellent condition.
Will Elder - Mad #25 Illustration Original Art (EC, 1955). Twelve year old Pocahontas rescues John Smith in this hysterical re-creation by Will Elder for the feature, "Have You Heard About John Smith and His Indian Princess." Partial photostat, and partial original art, the image area measures 8" x 10". In Very Good condition. Signed by Will Elder at the bottom right.
Al Feldstein - "Going Steady With Peggy" Penciled Page Original Art, Group of 8 (undated). This is the writer/artist's first work for EC, though it never saw publication! Before he became one of EC's top men, Al Feldstein toiled on eye-popping "good girl" yarns for Fox, and this story is in that same vein. This lot features eight pages of Feldstein's pulse-pounding pencils for an unpublished Peggy romp titled, "Lashes to Lashes." These smoking hot pages are drawn in pencil and are not inked, except for the word balloons, which feature Jim Wroten's inked Leroy lettering. Each page has an image area of 13" x 18", and the art is in Excellent condition.
Al Feldstein - Overstreet Comic Book Price Guide #30 Cover Featuring EC Horror Hosts Original Art (2000). Good lord...choke...it's the ghosts of horror comics past as those beloved EC horror hosts, the Vault Keeper, the Old Witch, the Crypt Keeper, and Drusilla return for a spine-tingling scene to celebrate the Golden Anniversary of EC's "New Trend" comics. Something's clawing its way out of a grave marked with the tombstone "EC RIP 1950-1956" -- hoo-hah, EC lives again! This painting has an image area of 20" x 24", and the art is in Excellent condition.
Lou Fine - Jumbo Comics "Count of Monte Cristo" Page Original Art (Fiction House, circa 1940). Golden Age great Lou Fine was influenced by hall-of-fame illustrators such as J. C. Leyendecker, John R. Neill, and Harvey Dunn. Working closely with Will Eisner, Lou Fine created an adaptation of Alexander Dumas' Count of Monte Cristo for an early issue of Jumbo Comics. The page has an image area of 15.5" x 22.5". The paper has aged and is missing its title logo; otherwise, the art is in Good condition.
Hal Foster - Tarzan Sunday Comic Strip Original Art, dated 1-20-35 (United Feature Syndicate, 1935). An electrifying Sunday, "Dester Molu's Fate" is a superb example of Foster's later work on Tarzan, before he left to create his own feature, Prince Valiant, in 1937. In this page, the villain, Dester Molu, had attempted to kill Tarzan's ape friend Bohgdu, but Tarzan revives him and the ape kills the villain in a major turning point for the story. This strip has an image area of approximately 26.25" x 19.5", and the art is in Excellent condition.
Frank Frazetta - "Came the Dawn" Illustration for Shock Illustrated #4 Original Art (EC, circa 1954). This superb illustration for "Came the Dawn" was done in preparation for what was to be the fourth issue of Shock Illustrated. This seductive sensation by Frank Frazetta has an image area of approximately 7.75" x 6.75", and the art is in Excellent condition. Frazetta signed the piece in its upper left corner.
Frank Frazetta and Al Williamson - Science Fiction Page Original Art (undated). From early on in their respective careers comes this beautiful page from two of the comic field's acknowledged masters. A superb example of the Frazetta/Williamson collaboration, this page spotlights three science fiction/fantasy scenes With an image area measuring approximately 12" x 18", this page is in Excellent condition and is signed by Williamson and Frazetta. A gorgeous piece that will certainly enhance any collection.
Burton Geller - Tiny Tot Comics #13 Unpublished Cover Original Art (EC, circa 1947). Here's buried treasure from the EC vaults -- a lighthearted cover, slated for issue #13 of Tiny Tot Comics. It's hard to believe that the same company who started out with the cutesy adventures of Smoky the Snake would only a few years later unleash the famed ghoul-lunatics. This cover has an image area of 14" x 19", and the art is in Very Good condition.
Floyd Gottfredson - Mickey Mouse Daily Comic Strip Original Art, dated 4-5-32 (Walt Disney Enterprises, 1932). Courtroom drama is the focus of this daily from the "Great Orphanage Robbery" storyline and Horace Horsecollar is on trial for theft. Panel one has been inscribed and signed, "To Gunther - sincerely Walt Disney," but since the signature shows signs of being penciled under the inked signature, it may have been signed by a studio artist. This strip has an image area of 26.5" x 5.5", and the art is in Excellent condition.
Floyd Gottfredson - Mickey Mouse Daily Comic Strip Original Art, dated 3-16-33 (Walt Disney Enterprises, 1933). From the "Mail Pilot" storyline comes this wonderful barnstorming strip, as Mickey takes to the airways. This high-flying daily is drawn in pen and ink, with some blue pencil. This strip has an image area of 26.5" x 5.5", and the art is in Excellent condition.
Floyd Gottfredson - "Mickey Mouse in the Foreign Legion" Painting (undated). This sun-baked desert scene spotlighting Mickey Mouse, Pegleg Pete, and Trigger Hawkes in the Foreign Legion was one in the series of 24 paintings originally commissioned by collector Malcolm Willits from 1978-83. These sensational scenes were the only full-color Mickey Mouse paintings that Floyd Gottfredson did. Gottfredson was the primary creator of the Mickey Mouse daily newspaper strip, and his first daily debuted on May 5, 1930. Each painting in the commissioned series was based on a storyline that Gottfredson created for the newspaper strip, and this work was based on "Mickey Mouse in the Foreign legion," which ran from March 23, 1936 through August 8, 1936. The storyline was also used in the 1940 Big Little Book, Mickey Mouse in the Foreign Legion. This sensational mixed-media on paper mouse-terpiece has an approximate image area of 20.5" x 16", is framed, and is in Excellent condition. The painting was signed by Gottfredson at the lower left.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 9-22-33 (Chicago Tribune, 1933). With the help of a bespectacled doctor, Dick Tracy injects "truth serum" into Slicer in an attempt to crack an auto theft ring. Those were heady "pre-Miranda warning" days for lawmen. This daily was originally given away in 1933 to the fellers of the Hoboken YMCA, as Chester Gould's handwritten notation at the upper right attests. The episode stars Dick Tracy and Pat Patton. Strips before 1940 are rarely offered for sale -- an example signed by Gould is even more special. This daily has an image area of 20" x 5.5", and the art is in Excellent condition.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 6-2-35 (Chicago Tribune, 1935). Dick Tracy is joined by Tess Trueheart, Junior, and Junior's mother, Mary Steele, in this Sunday from the dirty thirties. Meanwhile, the treacherous Toby sets up a swindle. This strip has been assembled from four different tiers all mounted onto a backing board, and the panels have been extended at the bottom, adding about a half-inch of art to each. The image area measures 19" x 26", and the art is in Excellent condition.
George Herriman - Krazy Kat Daily Comic Strip Original Art, dated 3-12-37 (King Features Syndicate, 1937). Poor Krazy, her "Tiga Tea" business proves to be a tempest in a tea \pot. Krazy stars in all four panels of this delightful daily from the thirties. This strip has an image area of 20" x 4.5", and the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art (King Features Syndicate, circa 1920). The classic Krazy Kat love-hate triangle is fast at play in this whimsical Sunday. Krazy Kat, Ignatz Mouse, and Offissa Bull Pupp -- the chaotic courtship continues! This Sunday has an image area of 17" x 19", and aside from a few small stains at the lower part of the page, the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 6-20-20 (King Features Syndicate, 1920). Calling all Coconino County fans -- you'll swoon with delight over this calamitous Krazy Kat Sunday from the twenties. Krazy Kat and Ignatz Mouse are joined by Mr. Walter Cephus Austridge for some merry, madcap mayhem. This Sunday has an image area of 17" x 19", and aside from a crease through its lower right corner, the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 10-15-22 (King Features Syndicate, 1922). Turnabout is fair play in this Sunday as Ignatz takes a conk on the noggin from a dog who demands peace and quiet! Krazy Kat appears in almost every panel of this rib-tickler. The lighthearted fantasies of George Herriman remain unique in the art of the comic strip. This Sunday has an image area of 17" x 19", and the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 10-28-28 (King Features Syndicate, 1928). Ask not for whom the bell tolls -- it tolls for Offissa Pupp, who has invented his own form of a "house arrest ankle monitor." Leave it to wily Ignatz to foil the scheme, in order to "mace" Krazy Kat with a brick. This sensational Sunday has an image area of 16" x 18.25", and condition of the art is Excellent.
Burne Hogarth - Tarzan Sunday Comic Strip Original Art, dated 5-26-40 (United Feature Syndicate, 1940). It seems hard to believe today, but when the idea of a comic strip based on Edgar Rice Burroughs' famous jungle hero, Tarzan, was first pitched to the newspaper syndicates, no one was interested. It took the involvement of a first class artist, Hal Foster, to sell the strip, which then wasted no time becoming one of the most popular comic strips around. For many, though, the peak period of this strip began in 1937, when a former art teacher named Burne Hogarth began drawing the feature. Hogarth's command of composition and dynamic movement of form was like no other artist working in comics at that time. His art stands out today for its expressionistic vision and symbolic interpretation of nature. This action-packed episode pits the Ape-Man against some fierce gladiators, and includes an encounter with a number of scary-looking "demon fish." This spectacular Sunday has been framed to an overall size of 29" x 36", and the art is in Excellent condition.
Carmine Infantino and Joe Giella - The Flash #112, page 2 Original Art (DC, 1960). It's the first appearance of the Elongated Man, in page 2 from "The Mystery of the Elongated Man," written by stellar scribe, John Broome. Iris West co-stars. Carmine Infantino's streamlined action scenes were made even zippier by Joe Giella's sleek inking -- the two artists became one of editor Julius Schwartz's frontline creative teams. The image area of this page is 13" x 18", and the art is in Excellent condition.
Graham Ingels - Tales From the Crypt #29, Complete 7-page Story "A Sucker For a Spider" Original Art (EC, 1952). Signed "Ghastly," the pencils and inks of this gothic masterpiece are courtesy of legendary horror artist Graham Ingels. "Ghastly" drew with a moody, and atmospheric style, rich with scenes of cobwebs, wrinkles, and deep pools of shadows. This creepy-crawly story, with its trademarked EC "twist" ending, will have you shivering with arachnophobia. This yelp-yarn features many of "Ghastly's" detailed panels, including the opener on the title page which spotlights the Old Witch. Each page has an image area of 13" x 18", and aside from some glue stains left behind by missing lettering corrections, the art is in Excellent condition.
Graham Ingels - Gunfighter #14, Complete 7-page Story "The Secret Strangler" Original Art (EC, 1950). Saddle up for Western action, EC style. Graham Ingels illustrated this rough-riding thriller with his hallmarked drybrush inking style, well-suited for this sagebrush saga. The image area of each page is 13" x 18", and the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 5-27-51 (Post Hall Syndicate, 1951). Albert and Barnstable Bear prove themselves to be a couple of would-be galloping' gourmets in this hilarious Sunday. Miz Bear co-stars. This strip has an image area of 23" x 16", and the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 3-2-52 (Post Hall Syndicate, 1952). Albert spins a fantastic, fractured fairy tale about "Goldilocks the Dragon" in this masterpiece of whimsy from the fifties. Pogo and Churchy LaFemme star. This strip has an image area of 23" x 16", and aside from a piece that has been torn out of the upper right corner and a few missing lettering corrections, the art is in Very Good condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 3-16-52 (Post Hall Syndicate, 1952). Albert continues his offbeat yarn about "Goldilocks the Dragon" and Pogo, Howland Owl, and Churchy LaFemme star. This strip has an image area of 23" x 16", and the art is in Excellent condition.
Hank Ketcham - Dennis The Menace Sunday Comic Strip Original Art, dated 2-3-52 (Post-Hall Syndicate Inc., 1952). That tireless toy-breaker, Dennis the Menace, is up to his old tricks in this super-early Sunday. The panel tiers of this strip were cut apart and later tastefully matted as separate elements in one frame. This piece has an approximate image area of 21.5" x 16.5", and the art is in Excellent condition.
Jack Kirby and Vince Colletta - Thor #142, Tales of Asgard, page 3 Original Art (Marvel, 1967). Beware the presence of the merciless Mogul, whose heart knows no kindness. Mogul is about to repay the attentions of his manservant, Suliburg, with a deadly drop of the spotted plague. Only Jack Kirby and Stan Lee could create such a compelling portrait of pure evil. The image area of this "Tales of Asgard" page from "We Who Are About To Die" measures 12.5" x 18.5", and the art is in Excellent condition.
Harvey Kurtzman - John Wayne Adventure Comics #12, Complete 1-page Story "Genius" Original Art (Toby Press, 1951). Speaking of "genius" -- many Harvey Kurtzman aficionados feel that among the funniest yarns this Mad-man ever created were the one-pagers that he wrote and drew in the late forties and early fifties. This superbly staged gag has been framed to an overall size of 20" x 26", and the art is in Excellent condition. This is believed to be the only original art of the "Genius" feature to survive. From the Estate of Bruce Hamilton.
Harvey Kurtzman - Mad Magazine Cover Border Original Art (EC, 1955). Editor and artist Harvey Kurtzman relaunched his Mad comic book as a magazine with issue #24 in early 1955, mainly as a way to sidestep the new Comics Code Authority. The result was one of the funniest publications to ever hit the newsstands, and although Kurtzman would soon leave due to disagreements with publisher William Gaines, the magazine still thrives today, tickling the funnybones of a whole new generation. Here's the historic border art that graced the first three magazine issues, crammed with plenty of "eyeball kicks," as Kurtzman and crew called them (look for Marilyn Monroe alongside Napoleon, Freud, and others). This ink on bristol board piece has an image area of 16.75" x 21.75", and is in Good condition, with a few rubber cement stains, light soiling, and tape. Areas where the price and central image of each cover would go are cut out for multiple usage.
Jim Lee and Scott Williams - X-Men #3 Cover Original Art (Marvel, 1991). On Asteroid M, the X-Men Gold Team desperately try to save their teammates before the Russians destroy Magneto's base, in this intense cover penciled by mega-popular artist Jim Lee, and inked by Scott Williams. The art has an image area of 10" x 15" and includes the original logo and indicia paste-up art. In Excellent condition.
Gus Mager - Main Street Hand Colored Sunday Comic Strip Original Art, dated 12-24-22 (NY World, 1922). This beautifully designed Sunday is made even more striking thanks to Gus Mager's superb hand coloring. This strip has an image area of 21.5" x 26", and aside from some edge and corner wear, the art is in Good condition.
Chet Marshall - "Woosome Twosome" Illustration Original Art (early 1970s). Minnie plants a kiss on Mickey's cheek, in this adorable illustration by Chet Marshall. Rendered with colored pencils on heavy paper, this piece was presumably drawn for internal promotional use by the Disney Studio to be made into prints. The image area measures 20" x 15", and is in Very Good condition.
Sheldon Mayer - Batman, Complete 17-page Penciled Story "The Face of the Grim Reaper" Original Art (DC, undated). This isn't the "Sheldon M." you're used to seeing draw Batman, it's Sheldon Mayer capturing the magic of the Golden Age in this eccentric 17-page thriller. The art and dialogue is in pencil-form only and DC never printed it. What a shame -- fans of Sheldon Mayer will certainly treasure this amazing adventure. Note that Mayer drew two versions of page 2, so there are actually 18 pages of art in all. Each page of this "Bats-terpiece" has an approximate image area of 10" x 15", and the art averages Very Good condition.
Sheldon Mayer - Rudolph, the Red-Nosed Reindeer "Season's Greeting" Poster Original Art (DC, 1977). Season's Greetings from Rudolph and Santa Claus. This holly-jolly poster scene has an approximate image area of 16" x 21", and aside from some missing type paste-ons, the art is in Very Good condition.
Sheldon Mayer - Rudolph, the Red-Nosed Reindeer Cover Original Art (DC, 1978). Have yourself a very merry Christmas with Rudolph and Santa Claus. This high-flying holiday spectacular has an approximate image area of 12" x 16", and the art is in Excellent condition.
Sheldon Mayer - Rudolph, The Red-Nosed Reindeer and Santa Claus Pin-Up Poster Original Art (DC, c.1980). On many yuletides, DC readers could look forward to comic book yarns featuring the adventures of Rudolph, Grover, and Santa Claus. Look closely and you will see that Sugar Plumm makes a cameo as a toy doll in this merry Sheldon Mayer pin-up poster. A copyright date on the back of the page indicates that it was created around 1980. This piece has an overall size of 19" x 25", and aside from a missing type correction at the lower right, the art is in Very Good condition.
Sheldon Mayer - Sugar and Spike, Complete 8-page Story "The Day Spike First Saw a Yo-Yo" Original Art (DC, 1980s). Few artists could top Sheldon Mayer's ability to capture the wonders of childhood. The image area of each page of this lighthearted romp measures 10" x 15", and the art averages Excellent condition.
Sheldon Mayer - Sugar and Spike, Complete 24-page Story "Spike's Hidden Talents" Original Art (DC, circa 1980s). Get ready to laugh yourself silly. This lot features 24 pages of superb Sheldon Mayer story and art, drawn as only a master of mirth could render them. Sugar and Spike explore the mystery of the snerzle. This yarn hails from an unidentified issue, and it may be unpublished. The image area of each page measures 10" x 15", and the art averages Excellent condition.
Sheldon Mayer - Best of DC #29, Complete 8-page Sugar & Spike Story "The Big Hippo Mystery" Original Art (DC, 1982). The playful antics of Sugar and Spike seldom fail to amuse, and any Sheldon Mayer fan would be pleased to add the art from "The Big Hippo Mystery" to his or her collection! The image area of each page of his laugh-fest measures 10" x 15", and the art averages Excellent condition.
Sheldon Mayer - The Best of DC #41, Complete 10-page Sugar & Spike Story "The Grown-Up Toy Boat" Original Art (DC, 1983). Using his own kids for inspiration, Sheldon Mayer created Sugar & Spike, which many humor fans consider to be one of the best comic book titles ever done. Sugar and Spike seem to be all smiles and wide-eyed innocence, but it's just a matter of time before the madcap mayhem begins. The image area of each page of this 10-page romp measures 10" x 15" and the art averages Very Good condition.
Winsor McCay (as Silas) - Dream of the Rarebit Fiend Sunday Comic Strip Original Art (New York Herald, circa 1908). Daredevil driving is the focus of this mirthful masterpiece from the dawn of the comic strip era. For those who may not know, a rarebit sandwich is made by melting grated cheese with beer and mustard, which is then poured onto toast and broiled. No wonder rarebits are the fuel for nightmares. The image area of this strip measures approximately 13.5" x 16". The masthead logo of this strip is the original stat, and the art is in Very Good condition, with only some light aging and edge and corner wear.
Winsor McCay - Fantasy Illustration Original Art (undated). Universally acclaimed as one of the greatest draftsmen ever to work in comics or animation, Winsor McCay also must be counted as a top-notch surrealist. This startling illustration has a caption that reads, "They're a mean lot of liars, he cried." this piece has an image area of 15" x 9", and the art is in Excellent condition.
George McManus - Bringing Up Father Sunday Comic Strip Original Art, dated 3-24-40 (King Features Syndicate, 1940). The Bringing Up Father characters took a tour of the United States in the late thirties and early forties. This wide-ranging Sunday features landmarks of famous American cities, and in this charming episode, Jiggs and Maggie review photographs of their travels to Washington D. C., Atlantic City, Weehawken, San Francisco, New York, and Albuquerque. There are detailed drawings of the famous landmarks, along with several crowd scenes, a George McManus specialty. This dazzling piece has an image area of approximately 16" x 15", and is in Excellent condition.
Norman Mingo - Overstreet Comic Book Price Guide #12 Cover featuring Alfred E. Neuman and Bob Overstreet Original Art (1982). Hoo-hah! Alfred E. Neuman shares the cover spotlight with Bob Overstreet in this furshlugginer Mad-sterpiece by ace cover artist, Norman Mingo. As if that weren't tempting enough for any EC fan-addict, EC publisher and figurehead William Gaines has signed and inscribed this piece in its lower border, "For Bob Overstreet -- Ecccccchhhhh!!!!! And many thanks for your wonderful Price Guides -- how could we live without them? Mad-ly yours -- Bill Gaines." This painting has an image area of 14" x 19", and the art is in Excellent condition.
Sheldon Moldoff - Moon Girl #6 Cover Original Art (EC, 1949). Moon Girl's powers are taxed to their limits in this earth-shaking scene for the cover of "The Day the World Trembled." Sheldon Moldoff did a magnificent job on this EC thriller. This cover has an image area of 13.5" x 19", and the art is in Excellent condition.
Sheldon Moldoff - Moon Girl #6, Complete 9-page Story "The Day the World Trembled" Original Art (EC, 1949). Claire Lune, the marvelous Moon Girl, and the Prince battle the Venusian women-warriors of Erica in this 9-page battle royale. Sheldon Moldoff modeled Moon Girl's looks after actress Merle Oberon, and the veteran comic book artist succeeded in giving Moon Girl an exotic appeal. Shelly himself appears in the final panel of this story. The image area of each page measures 13" x 18". Some of the pasted-on lettering corrections have slipped off of the pages and the title logo stat has some glue stains; otherwise, the art is in Very Good condition.
Sheldon Moldoff - Moon Girl #6, Complete 7-page Story "Moon Girl Meets the Buffoon" Original Art (EC, 1949). Moon Girl and the Prince battle the brazen Buffoon in this seven-page Sheldon Moldoff adventure, and this yarn moves at a fast-paced clip. Moon Girl only ran for seven issues before the "pre-trend" era at EC ended, so the supply of these Moldoff melodramas is limited. The image area of each page measures 13" x 18". Some of the pasted-on lettering corrections have slipped off of the pages and the title logo stat has some glue stains; otherwise, the art is in Very Good condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 2-22-46 (McClure Syndicate, 1946). Jughead and Betty star in this, the seventeenth Archie daily. This strip has an image area of 19" x 5", and aside from some staining in the bottom border (outside the image area), the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 7-30-46 (McClure Syndicate, 1946). Archie and Jughead clown around in this early strip, which hails from within the first six months of the daily's debut. This episode has an image area of 19" x 5". Aside from some minor aging to the Craftint Duotone pattern, the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 1-31-47 (McClure Syndicate, 1947). Archie inadvertently invents an "extreme sport" in this episode. This strip has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 6-21-47 (McClure Syndicate, 1947). Jughead is duped again in this uproarious gag. This episode has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 6-21-48 (McClure Syndicate, 1948). Jughead demonstrates how to create his favorite dessert in this super-sweet daily. This strip has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 12-29-46 (McClure Syndicate, 1946). For Jughead, no good deed goes unpunished. Jughead, Veronica, and Archie all star in this episode. This strip has an image area of 19" x 26". This strip was cut between panel tiers two and three, and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 2-23-47 (McClure Syndicate, 1947). This Riverdale riot features Archie, Jughead, Reggie, Mr. Weatherbee, and Miss Shapely -- it's a winner. This strip has an image area of 19" x 26". This episode was cut between panel tiers two and three, and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 3-9-47 (McClure Syndicate, 1947). When you mix a rooster with Archie, Jughead, and Mr. Weatherbee, the result is bound to be a big belly-laugh. This strip has an image area of 19" x 26". This strip was cut between panel tiers two and three and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 8-24-47 (McClure Syndicate, 1947). Archie has the fashion sense of a waiter in this Hawaiian-themed laugh-fest. This strip has an image area of 19" x 25". This Sunday was cut between panel tiers two and three and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 9-7-47 (McClure Syndicate, 1947). Archie and his Pop have another gleeful father-son moment in this outrageous episode. This strip has an image area of 19" x 26". This strip was cut between panel tiers two and three and later rejoined with tape (on the back of the page); otherwise, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 9-26-48 (McClure Syndicate, 1948). Jughead takes the fall in Archie's clubhouse initiation. This strip has an image area of 20.5" x 14.5", and aside from a missing title logo stat and a few small stains, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 10-24-48 (McClure Syndicate, 1948). Veronica has seldom looked more vivacious than in this Sunday. This strip has an image area of 21" x 14", and aside from glue stains on the title logo stat , the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 3-13-49 (McClure Syndicate, 1949). Much to Archie, Betty, and Veronica's amazement, Jughead makes his stage debut. This strip has an image area of 20.5" x 14.5", and aside from a missing lettering correction and a few small stains, the art is in Excellent condition.
Richard Moore - Walt Disney's Treasury of Classic Tales Sunday Comic Strip Original Art, dated 5-29-83 (King Features Syndicate, 1983). The Wicked Queen unveils her plan to poison the beautiful Snow White and Richard "Sparky" Moore's lively drawings bring these unforgettable scenes to life. This is a wonderful retelling of Walt Disney's classic film "Snow White and the Seven Dwarfs." This Sunday has an image area of 21" x 14", and, aside from some slight discoloration to the logo panel paste-up, the condition is Excellent.
Ruben Moreira - Tarzan Sunday Original Art, dated 2-2-47 (United Feature Syndicate, 1947). Tarzan finds himself at the mercy of a cabal of evil scientists in this deeply shadowed Sunday. The talented comic book artist, Ruben Moreira drew the strip for about 20 months and he signed his work using the pen name of "Rubimor." This Sunday has an image area of 19.5" x 26.5". The strip was cut between panel tiers two and three and was later rejoined with tape; otherwise, the art is in Very Good condition.
Paul Norris - Four Color #190, Complete 48-page Flash Gordon Story "The Adventure of the Flying Saucers" Original Art (Dell, 1948). The versatile cartoonist Paul Norris is credited with drawing this thrilling Flash Gordon epic, based on the famous comic strip. Norris has done a fine job of capturing the flair of Alex Raymond's trend-setting art style. Each page of the yarn has an image area of 12.5" x 18.5", and the art averages Very Good condition.
Howard Nostrand - Flip #1, Complete 5-page Story "V...for Wampire" Original Art (Harvey, 1954). Real vampires aren't born, they're made -- at good old Vampire U. Pretty Vanessa just wants to do her "field work" and graduate, but she can't seem to find a real man to have a "drink" with. Done in a brilliant parody of Jack Davis and Wally Wood's humor stylings, Howard Nostrand gives this story just the right touch of creepiness. Each page has an image area of 12" x 18", and the art is in Excellent condition.
Bob Powell - Black Cat #34, Complete 7-page Story "Jack of Horror" Original Art (Harvey, 1952). Bob Powell uncorks his wildest use of perspective and wild points of view for this 7-page yelp-yarn, "Jack of Horror." The blue ink washes, originally used to indicate color effects to the production staff, add an eerie mood and sense of space to these spine-tingling pages. There's a horrifying pre-Code immolation scene on the last page, as well as everything else you would want in a Bob Powell horror story. These pages have an image area of 12" x 18', and the art averages Excellent condition.
Alex Ross - Overstreet Comic Book Price Guide #27 Cover Featuring The Golden Age Green Lantern Original Art (1997). Let evil beware his light -- the Golden Age Green Lantern flies again! This scintillating scene was based on the classic cover scene for one of the most celebrated superhero comics of the Golden Age -- Green Lantern #1. Alex Ross has paid tribute to artist Sheldon Moldoff in his signature, but numerous reference sources say Howard Purcell drew the original. In any case, this is a real gem of an update. This gouache on board thriller has an image area of 12.75" x 19.75", and the art is in Excellent condition.
Alex Schomburg - Overstreet Comic Book Price Guide #21 Cover Featuring Captain America, The Human Torch, And The Sub-Mariner Original Art (1991). Look out Axis, here they come -- Captain America, the Human Torch, and the Sub-Mariner! The Timely super-stars of the Golden Age launch a thrilling three-man naval assault as only Alex Schomburg could have pictured it. This stirring scene graced the cover of 1991's Overstreet Comic Book Price Guide. That year's guide celebrated Captain America's 50th anniversary, and what a splendid tribute this World War II tableau was. This gouache on board blockbuster has an overall size of 16" x 22", and the art is in Excellent condition. Any Alex Schomburg or Timely superhero fan would have a hard time topping this martial masterwork -- an unsinkable salute to the Golden Age of comics!
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 5-18-53 (United Feature Syndicate, 1953). In the sandlot, when you own the baseball, you can keep on pitching even after you give up a bunch of home runs! Charlie Brown and Schroeder star in this uproarious, early daily. The image area of this strip measures 26.5" x 5". The daily was folded between panels two and three; otherwise, the art is in Very Good condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 10-11-66 (United Features Syndicate, 1966). Charlie Brown and Linus Van Pelt explore the topics of combination locks, memory, and baseball players in this classic school scene from the sixties. This strip has an image area that measures approximately 27" x 5.5". The art was folded between the second and third panels; otherwise, it is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 6-30-71 (United Features Syndicate, 1971). Apparently, Schroeder and Lucy Van Pelt are marching to the beat of different drummers in this musical melodrama. This side-splitting strip has an image area that measures approximately 27" x 5.5". The art was folded between the second and third panels; otherwise, it is in Excellent condition.
E. C. Segar - Popeye Sunday Comic Strip Original Art, dated 8-30-31 (King Features Syndicate, 1931). It's a clash of the hard-heads as Popeye and Joe Gooch stage a titanic tête-à-tête in Rough-House's cafe. Wimpy cameos as an egger-on. This Sunday has an approximate image area of 20" x 16", and the art is in Excellent condition.
E. C. Segar - Popeye Sunday Comic Strip Original Art, dated 10-1-33 (King Features Syndicate, 1933). When it comes to getting his mitts around a tasty-fresh hamburger, J. Wellington Wimpy shows no mercy! This shocker is often cited as the most controversial strip that E. C. Segar ever drew. Though accepted by King Features Syndicate, this episode was censored by many of the nation's newspapers, who deemed it too grisly for their readers. For many years, this remarkable Sunday was housed in the collection of Bud Sagendorf, who started out as Segar's assistant, and then took over the feature after Segar's untimely passing. This Sunday has an image area of 20" x 16", and the art is in Excellent condition. From the Estate of Bruce Hamilton.
E. C. Segar - Popeye Daily Comic Strip Original Art, dated 6-14-35 (King Features Syndicate, 1935). Ahoy, maties -- here is a top-notch daily featuring Popeye and the rest of the main cast of Thimble Theatre. Wimpy, Olive Oyl, Castor Oyl, and even Mr. Sphink -- the gang's all here in this hilarious strip from a peak period of the feature. The image area of this daily is 20.5" x 4.5", and the art is in Excellent condition.
E. C. Segar - Popeye Daily Comic Strip Original Art, dated 11-21-36 (King Features, 1936). In this melancholic episode, while Popeye gains a poppa in his reunion with Poopdeck Pappy, the beautiful mermaids that kept Pappy company for so many years are about to loose their faithful friend. A scene of pathos such as this shows that E. C. Segar was not only a supreme humorist, but also a master storyteller. This daily has an image area of 20.5" x 4.5", and the art is in Excellent condition.
John Severin - Mad #2, "Melvin," pages 1 and 2 Original Art (EC, 1952). At Mad, before there was Alfred -- there was Melvin! John Severin penned the art for pages 1 and 2 of "Melvin," and this time, Melvin stars in Harvey Kurtzman's hilarious send-up of Edgar Rice Burroughs' world-famous apeman. Hoooo-haa! These pages were drawn on Craftint paper and each one has an image area of 13" x 18". The Duotone pattern is still vivid on these pages, and the art is in Excellent condition.
John Severin - Two-Fisted Tales #36 Cover Original Art (EC, 1954). Hold on to your colts, Western fans -- 'cause "a difference of opinion" leads to a deadly shootout in this John Severin thriller. This cover has an image area of 13.5" x 18". Aside from missing its logo and other type elements, this cover is in Excellent condition. This lot also includes a hand colored color guide, most likely done for the Russ Cochran EC Library set. Yee-haw -- be sure to take your best crack at this EC masterpiece!
John Severin - Cracked #104 Complete 6-page Story, "The Rodfather" Original Art (Globe, 1972). Here's an offering you cant refuse -- wiseguy John Severin's spin on the "Godfather." The image area of each page is approximately 13" x 16". The art was drawn on Craftint paper and aside from some aging, the art averages Very Good condition.
John Severin - Cracked #117 Complete 6-page Story, "High Plains Shifter" Original Art (Globe, 1974). Western movie star Clint Eastwood gets lampooned by the talented John Severin in this priceless parody of the shoot-'em-up, "High Plains Drifter." The image area of each page is approximately 13" x 16". The art was drawn on Craftint paper and aside from some aging, the art averages Very Good condition.
John Severin - Cracked #124 Cover Original Art (Globe, 1975). Marlon Brando as a Don Vito Corleone in knee-pants has sent Sylvester P. Smythe a sobering message. This cinematic scream has an image area of 17" x 18", and the art is in Excellent condition.
John Severin - Cracked #155 Cover Original Art (Globe, 1978). Only a master of the art of caricature like John Severin could make such a hilarious, star-studded beach scene come to life. This Bronze Age beauty, filled with pop culture icons, has an image area of 15" x 20.5", and the art is in Excellent condition.
John Severin - Cracked #173 Complete 7-page Story, "The Empire Strikes Out" Original Art (Globe, 1980). John Severin lampoons the beloved "Star Wars: Episode V" film, "The Empire Strikes Back." May the "farce" be with you! The image area of each page is approximately 13" x 16". The art was drawn on Craftint paper and aside from some aging, the art averages Very Good condition.
John Severin - Cracked Giant #34 Cover Original Art (Globe, 1982). Sylvester P. Smythe and E. T. swap intergalactic fun and games in this "infinity" cover for a Cracked Giant. This mixed-media gem has an image area of 12.5" x 14", and the art is in Very Good condition.
John Severin - Cracked Giant #34 Complete 7-page Story, "EaTing" Original Art (Globe, 1982). The Steven Spielberg saga "E. T. the Extra-Terrestrial" gets Cracked-on by John Severin in this superb seven-pager. The image area of each page is approximately 13" x 16". The art was drawn on Craftint paper and aside from some aging, the art averages Very Good condition.
John Severin - Cracked #199 Complete 8-page Story, "Return of the Jed Eye" Original Art (Globe, 1983). Enjoy a Cracked view of the "Star Wars: Episode VI" film, "Return of the Jedi" -- "The Send-up Continues!" The image area of each page is approximately 13" x 16". The art was drawn on Craftint paper and aside from some aging, the art averages Very Good condition.
Joe Shuster Studio - Superman, Unpublished page 9 Original Art (DC, circa 1941). Superman learns the meaning of pain -- welcome to our world, son of Krypton! Most likely, this spectacular page was unpublished and created by the artists at the Joe Shuster studio sometime in the early forties. The Man of Tomorrow stars in every panel of this action-packed extravaganza. This page is thought to be part of a unpublished yarn that may have spurred the decision to create an Achilles' heel for the Man of Steel. It wasn't until years later, in Superman #61, that Kryptonite was finally established as a weakness for Superman. The image area of this page measures 13" x 19" and, aside from a few small creases in the page, the art is in Very Good condition. Joe Shuster signed the art in its lower right border.
Dick Sprang - Detective Comics #136 Cover Recreation Original Art (1991). A fantastic recreation rendered by one of Batman's pre-eminent Golden Age artists. Sprang, who passed away in 2000, was a regular on Batman titles for nearly three decades, and created a unique visual style for the Caped Crusader. This piece showcases one of his Golden Age covers from 1948, showing the Dark Knight taking down Scarface Carson, killer-at-large. This lot includes an amusing letter he wrote to the recipient claiming that this piece would be unique, simply because of the difficulty Sprang had reproducing all the lettering. As far as recreations go, this is top of the line. Nicely matted and framed, this piece has an image area that measures 13" x 18" and is ready to grace the wall of any Bat-fan.
Jim Steranko - "Supergirls" Pin Up Illustration Original Art (undated). When it comes to drawing sizzling Supergirls, few artists can outdo Jaunty Jim Steranko. From his own creations of Valentina Allegro de Fontaine and Madame Hydra to such famous pulp and comic book super-stars as Phantom Lady, Valkyrie, Sheena and all the others, Steranko remains the master of the femme fatale genre. This hard-boiled hottie has an image area of 12.5" x 19", and the art has been framed to an overall size of 27" x 34". This drawing was signed at the lower left and it's in Excellent condition.
William Stout - The Comics Journal #80, William Gaines Cover Original Art (Fantagraphics, 1983). Good lord -- (choke)! In this chilling scene, publisher William Gaines claws his way from a burial plot in true EC "New Trend" fashion. William Stout's superb portrait captures all the iconoclastic character of this comic book legend, who was showcased in a lengthy Comics Journal Interview. This cover has an image area of 13.5" x 18.5", and the art is in Excellent condition. This piece was signed by Al Feldstein and William Stout in its lower border.
Al Taliaferro - Donald Duck Daily Comic Strip Original Art, dated 12-2-38 (Walt Disney Enterprises, 1938). Here's one of the earliest Donald Duck dailies known to exist, and as an added bonus it also features everyone's favorite Woodchucks -- Huey, Dewey, and Louie. The image area of this side-splitting strip measures 21.5" x 4.75", and the art is in Excellent condition.
Animation Art
Gustaf Tenggren - "Pinocchio" Geppetto's Store Front Concept Illustration Original Art (Disney, 1940). A light snow falls on this indelible image of Geppetto's store front by Gustaf Tenggren. Attractively matted and framed, this beautiful watercolor concept illustration has an image area of approximately 14" x 10". In Excellent condition and signed by Gustaf Tenggren at the bottom right.
Original Comic Art
Ed Waldman - Crime Patrol #14, Complete 8-page Story "The Maxwell Brothers" Original Art (EC, 1949). Inspired art by Ed Waldman is the highlight of this hard-hitting yarn of brother battling brother. The image area of each page measures 13" x 18". There is some slight staining from a few missing lettering corrections; otherwise, these pages average Excellent condition.
Bill Ward - Torchy #5 Cover Recreation Original Art (undated). This shapely sweetheart is easy to recognize, no matter what costume she's wearing. Follow the "line of sight" of these frozen fellers and you will also see that this cover scene spotlights what the term "headlights" in comics, was all about. Bill Ward's classic character, Torchy, certainly set fire to more than a few hearts in her time, and this sizzler of a cover recreation is smoking hot. This mixed media on board masterpiece has an image area of 17" x 21.5", and the art is in Excellent condition.
Basil Wolverton - Plop #9 Cover Original Art (DC, 1974). Few comic artists' drawings are as instantly recognizable as Basil Wolverton's. His comical, often twisted, views of life provided an uproarious change of pace from the staid conventions of reality. Underground comix legend Robert Crumb was one of the many cartoonists influenced by the outrageous humor of such "wolvertoons," and Wolverton's covers for Plop are regarded by many fans to be among his definitive works. This calamitous cover portrait has an overall size of approximately 18.75" x 12.5", and the art is in Excellent condition.
Wally Wood and Harry Harrison - Modern Love #8, Complete 6-page Story "Illegal to Love" Original Art (EC, 1950). Wally Wood and Harry Harrison teamed to draw this molten melodrama featuring a "volcanic explosion of hate and heartbreak." It's perky, pre-Code romance, EC-style. The image area of each page measures 13" x 18" and the art averages Excellent condition.
Wally Wood - Valor #4 Cover Original Art (EC, 1955). One of the greatest artists to illustrate the pages of EC Comics, Wally Wood's tour de force Valor covers are highly sought after by his many fan-addicts. Whether he was drawing incredible science fiction scenes or, as in this cover, battle scenes taken from the Ancient World, Wood always delivered, with a precisionist attention to detail that few cartoonists, if any, could match. This cover was the second of only three covers that Wood drew for Valor, so bid accordingly. This fantastic cover has an image area of 13.5" x 19.5", and has been framed to an overall size of 27" x 33". The art is in Excellent condition.
Wally Wood - Mad #25 "Jackie Glisten" Illustration Original Art (EC, 1955). Hooray for Wally Wood! Highly rendered art, full of Mad-cap mayhem is what made Wood a legend among his peers in the comic book field. This incredible masterwork from "The Jackie Glisten Story" is brimming with daffy detail. This page has an image area of 16.5" x 20", and the art is in Excellent condition.
Wally Wood - Mad #30 "Walt Dizzy" Illustration Original Art, Group of 4 (EC, 1956). When it comes to lampooning the Wonderful World of Walt Disney, nobody can top master satirist Wally Wood. These side-splitting pieces from "Walt Dizzy Presents Dizzyland" have an overall size that ranges from 17" x 11.5" to 18" x 25", and aside from missing type elements in the word balloons and some pasted-on art corrections, the art averages Very Good condition.
Wally Wood - Mad #36 "Mad Visits Corny Island" Illustration Original Art (EC, 1957). This panoramic laugh-riot appeared as a scrambled-up "puzzle picture" in Mad #36, but with these original art pages you can get a nice, clear look at the cartooning genius of Wally Wood. These pages have a combined image area of 33" x 20". The pages were taped together on the back of the paper; otherwise, this masterpiece of mirth is in Excellent condition.
Wally Wood - Mad #38 Illustration Original Art, Group of 4 (EC, 1958). Wally Wood points out why "Nobody Has Any Fun At Parties" -- in Mad-man fashion with his ultra-detailed humor art. These eye-popping pieces have an overall size that ranges from 9.5" x 13.5" to 17.5" x 24", and aside from some missing pasted-on type elements in a few of the word balloons, the art is in Excellent condition.
Wally Wood - Overstreet Comic Book Price Guide #9 Science Fiction Cover Original Art (1979). Good Lord -- choke! Or should we say Squa Tront? For the cover of the 1979 Overstreet, Wally Wood conjured up a science fiction classic to rival his great EC covers of the fifties. This Bronze Age blockbuster has an image area of 13" x 13", and is in Excellent condition. Also included in this lot is an alternate hand colored photostat of the same scene, and a tearsheet of the printed cover.
Dan Barry and George Roussos - George Roussos Sketchbook Illustration Original Art (circa 1942). This bold drawing gives a sardonic insight into the nature of the Dan Barry and George Roussos art team. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Dan Barry - George Roussos Sketchbook "Mr. Crime" Illustration Original Art (circa 1942). Mr. Crime tempts Inky" Roussos with, "C'mon sucker! Why don't you get into an easy racket? Don't you know: comics don't pay?" This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Philip "Tex" Blaisdell, Jon Small, Herb Field, Stan Kaye, and Ralph Mayo - George Roussos Sketchbook Illustration Original Art, Group of 5 (circa 1942). George Roussos' talented peers each presented their own unique views of cartooning and art with this group of five illustrations. Each page has an overall size of 9" x 11.75", and the pages average Very Good condition.
Johnny Craig and Al Feldstein - George Roussos Sketchbook Illustration Original Art, Group of 2 (circa 1942). Two of EC's top editor/writer/artist contributed these whimsical illustrations to George Roussos' incredible sketchbook collection. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Charles Flanders - George Roussos Sketchbook "Lone Ranger" Illustration Original Art (1943). Silver is sitting down on the job, much to the Lone Ranger's chagrin. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Hal Foster - George Roussos Sketchbook "Prince Valiant" Illustration Original Art (circa 1942). Hal Foster added this warm note to his superb illustration of Prince Valiant, "To George Roussos whose friendship I enjoy and hope to retain during his long climb to success. Best wishes for a quick journey! Hal Foster." This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Hal Foster - George Roussos Sketchbook "The Deadline" Illustration Original Art (circa 1942). George Roussos is treated to a spectacular portrait by comic strip legend Hal Foster, who added these comments to his illustration, "To gorgeous George the raucous kid of the comics ...hi! Hal Foster." How cool is that? This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Frank Frazetta - George Roussos Sketchbook Illustration Original Art (circa 1942). The young Frank Frazetta added this telling note to his drawing, "You can have this George... but please get me those Tarzans ...Franky." Some things never change. This whimsical page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Jack Kirby - George Roussos Sketchbook "Boy Commandos" Illustration Original Art (1942). Jack "King" Kirby added this humorous note to his sketch of the Boy Commandos, "Now that these are done, you can put your gun away, Jack Kirby,'42." This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Robert W. McCay - George Roussos Sketchbook Illustration Original Art (circa 1942). Winsor McCay's son, Robert, drew this terrific portrait of Flip from the Little Nemo in Slumberland newspaper feature for George Roussos. This colorful page has an overall size of 9" x 11.75", and the condition is Very Good.
Mort Meskin - George Roussos Sketchbook Illustration Original Art, Group of 2 (circa 1942). Longtime George Roussos collaborator Mort Meskin drew two superb illustrations in his friend's sketchbook. Vigilante villain, the Dummy, stars in one, while Mort Meskin himself is the focus of the other. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Charles Paris - George Roussos Sketchbook Illustration Original Art, Group of 2 (circa 1942). Ace DC inker Charlie Paris drew these two Western-themed scenes for George Roussos. Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Mac Raboy - George Roussos Sketchbook Self-Portrait Illustration Original Art (circa 1942). While the world explodes in war, artist Mac Raboy keeps on penciling his Green Lama pages. This delightful self-portrait pencil drawing has an overall size of 9" x 11.75", and the art is in Very Good condition.
Fred Ray - George Roussos Sketchbook Illustration Original Art, Group of 2 (circa 1942). Golden Age great Fred Ray contributed these two top-notch illustrations to the George Roussos sketchbook, Each page has an overall size of 9" x 11.75", and the art averages Very Good condition.
Jerry Robinson - George Roussos Sketchbook Tweedledee Illustration Original Art (circa 1942). Batman foe, Tweedledee, cuts a rug in this swinging Jerry Robinson masterpiece. This page has an overall size of 9" x 11.75", and the art is in Very Good condition
DC Staffers - George Roussos Sketchbook Autograph pages, Group of 8 (1942-86). DC staffers autographed George Roussos' sketch book, and later, Roussos himself wrote an inscription with an autograph when he sold his sketchbook to editor Jim Salicrup in 1986. The autographs in this lot include Bernie Breslauer, Ira Schnapp, Jack Schiff, George F. Putnam, David Taylor Marke, Joseph Samuelson, Private Mort Weisinger, Murray Boltinoff, and Alfred Bester. Each page has an overall size of 9" x 11.75", and they average Very Good condition.
Joe Shuster and Jerry Siegel - George Roussos Sketchbook Batman and Superman Illustration Original Art (circa 1942). Superman's creators pay homage to George Roussos with this signed sketch, and how often do you see a Joe Shuster drawing featuring both Batman and Superman? This page has an overall size of 9" x 11.75", and the condition of the art is Very Good.
Joe Simon - George Roussos Sketchbook Adolph Hitler Illustration Original Art (circa 1942). Der Fuehrer sports a new offbeat "zoot suit" wardrobe thanks to the satiric wit of Joe Simon. This page has an overall size of 9" x 11.75", and the condition is Very Good.
George Tuska - George Roussos Sketchbook Illustration Original Art (circa 1942). Golden Age legend George Tuska offered his encouragement to George Roussos with this pleasant daydream. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Henry Boltinoff, Win Mortimer, and Howie Post - George Roussos Sketchbook Illustration Original Art, Group of 3 (circa 1942). Humor is the name of the game with these lighthearted illustrations by three first-rate "bigfoot" cartoonists. Each page has an overall size of 9" x 11.75", and the pages average Very Good condition.
Cliff Young - George Roussos Sketchbook "Green Arrow" Illustration Original Art (1942). Green Arrow exclaims, "Hats off, to charcoaler-penciler, "Inky" Roussos." A fine tribute from DC artist Cliff Young. This page has an overall size of 9" x 11.75", and the art is in Very Good condition.
Session 2
Golden Age (1938-1955)
A-1 Comics #4 Texas Slim and Dirty Dalton - Vancouver pedigree (Magazine Enterprises, 1946) CGC NM+ 9.6 White pages. We think these early issues of A-1, Magazine Enterprises' first comic series, are scarcer than the reference books give them credit for. We hadn't seen this issue before, and sincerely doubt there's any nicer copy in existence of this white-cover book! Ferd Johnson is the cover artist. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 1 in 9.6, none higher.
Abbott & Costello #5 Vancouver pedigree (St. John, 1948) CGC NM 9.4 White pages. This superb copy is the only copy of the issue CGC has certified to date. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 1 in 9.4, none higher.
Action Comics #109 (DC, 1947) CGC VF+ 8.5 Cream to off-white pages. We've only offered copies of this issue on five earlier occasions in the past six years. Wayne Boring cover. Interior art by John Sikela and George Roussos. Overstreet 2007 VF 8.0 value = $425; VF/NM 9.0 value = $688. CGC census 6/07: 1 in 8.5, 6 higher.
Adventure Comics #72 Mile High pedigree (DC, 1942) CGC NM/MT 9.8 White pages. A 9.8 Mile High copy is a lovely sight to see no matter what the comic, but especially so for a significant book like this one, the first work for DC by the acclaimed team of Joe Simon and Jack Kirby. Whoever had S&K working for them had the best that the comics world had to offer, and Timely's loss was definitely DC's gain! S&K wrote and drew the Sandman story in this issue, and they soon made the character their own with their dynamic interpretation, so much so that Starman's days as star of the issue were numbered (this book does have a neat Starman cover by Jack Burnley, though). Other heroes seen in this issue are Hourman (with art by Bernard Baily) and the Shining Knight (drawn by Creig Flessel). This comic's status as the best existing copy of a comic ranked among the 100 most valuable Golden Age books by Overstreet makes it a desirable prize indeed! Overstreet 2007 NM- 9.2 value = $19,000. CGC census 6/07: 1 in 9.8, none higher.
Adventure Comics #96 San Francisco pedigree (DC, 1945) CGC VF 8.0 Off-white to white pages. Eye-catching copy looks even better than CGC's grade. There is a date stamp on the logo and a "45" in ink just to the left of the DC emblem. Jack Kirby and Joe Simon's cover was the last war cover of the title. Overstreet 2007 VF 8.0 value = $600. CGC census 5/07: 1 in 8.0, 5 higher.
Adventure Comics #147 (DC, 1949) CGC NM+ 9.6 Off-white to white pages. Unbelievably fresh copy from 1947, and it isn't even a pedigreed copy! To illustrate its rarity, CGC has certified only one other copy of #147, and at VF 8.0, it's far inferior to this beauty. CGC notes that the cover has been "Mis-cut". Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 1 in 9.6, none higher.
The Adventures of Bob Hope #1 Carson City pedigree (DC, 1950) CGC FN+ 6.5 Off-white to white pages. Ol' Ski Nose is on skis in this photocover premiere issue. The Gerber "uncommon" issue just doesn't turn up in high grade. CGC's highest certification to date is a FN/VF 7.0, barely nicer than this offering. Overstreet 2007 FN 6.0 value = $567; VF 8.0 value = $1,181. CGC census 5/07: 2 in 6.5, 1 higher.578
The Adventures of Bob Hope #2 "D" Copy pedigree (DC, 1950) CGC FN/VF 7.0 Off-white to white pages. Mr. Nose-It-All always did have an eye for the ladies, and who wouldn't have an eye for the always-photogenic Rhonda Fleming? We think the photo cover might be a still from "The Great Lover," in which the two co-starred. Note: this is not the same copy as the one we offered previously from the Davis Crippen ("D" Copy) Collection, and the esteemed collection did have duplicates of a given issue in many instances. Overstreet 2007 FN 6.0 value = $246; VF 8.0 value = $513. CGC census 6/07: 1 in 7.0, 3 higher.
Air Ace V2#11 Vancouver pedigree (Street & Smith, 1945) CGC NM 9.4 White pages. Charles Payne cover and art. Ray Evans art. Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 1 in 9.4, none higher.
All-American Comics #52 "D" Copy pedigree (DC, 1943) CGC VF 8.0 Off-white to white pages. Green Lantern cover by Paul Reinman. Atom, Dr. Mid-Nite, and Hop Harrigan appear.
Overstreet 2007 VF 8.0 value = $594. CGC census 6/07: 1 in 8.0, 1 higher.
Overstreet 2007 VF 8.0 value = $594. CGC census 6/07: 1 in 8.0, 1 higher.
All-American Comics #1-12 Bound Volume (DC, 1939-40). A label on the inside front cover reads "Personal Property M. C. Gaines" -- and this volume comes from the company which like the series was called All-American Comics, in fact #1 was the firm's very first publication. Gaines, "the father of the American comic book," ran the company, which maintained close ties to the DC line. The first appearances of such early characters as Scribbly, Hop Harrigan, Red White and Blue, and the Ultra-Man are highlights of these issues (also, amid all the All-American issues there's a copy of Mutt and Jeff #1). The ring-bound comics in this black hardcover have cream to tan pages with brittle edges. The covers are in superb condition and would please any collector. Overstreet 2007 VG 4.0 value for group = $4,912.
All-American Comics #13-24 Bound Volume (DC, 1940-41). We challenge you not to gasp when you open this volume and turn to the brilliant cover of #16, one of the five most valuable comic books in the hobby and perhaps the scarcest issue of the major DC keys. The ring-bound copies in this black hardcover are from the library of M. C. Gaines, publisher of All-American Comics (the company and the series) and the father of the American comic book! While the first appearance of Green Lantern in #16 makes everything else pale in comparison, it's far from the only noteworthy issue here. Take #18 with its World's Fair cover, an issue which is almost impossible to find in any condition. Or take #19, the first appearance of the original Atom! And we could go on and on, mentioning things like the Red Tornado's debut in #20, and also an unexpected bonus in the form of Mutt and Jeff #2, found between #17 and #18 here. The pages of this volume are off-white at the centers and tan around edges, with no brittleness except at the very top inside corner where the pages meet the rings. And the condition of the covers is stunning. This represents a run that would be a tall order to put together even on an unlimited budget, and the presence of #16, which itself would be a six-figure item in high grade, makes this one of the more intriguing items in this auction. Overstreet 2007 VG 4.0 value for group = $31,898.
All-American Comics #25-36 Bound Volume (DC, 1941-42). The first appearance of Dr. Mid-Nite in #25 and the debut of Doiby Dickles in #27 are two highlights of this volume, which contains ring-bound copies from the office of managing editor M. C. Gaines. Number 25 is a very tough book to find (we think it's even less common than #16!), and several of these others are issues we haven't seen in a while. There's also a little bonus in the form of Mutt and Jeff #4. Pages are off-white to tan; the only hint of brittleness is at the inside edge where the paper meets the rings. The covers look absolutely great. Issue #25 was accidentally perforated at the outside edge as well as the inside, but this is the only issue so affected. Overstreet 2007 VG 4.0 value for group = $6,206.
All-American Comics #37-48 Bound Volume (DC, 1942-43). A hardcover volume from the files of M. C. Gaines, this is a traditional bound volume (with trimmed comics) rather than the ring-bound variety used for the earlier issues. The pages are a nice cream to off-white with no brittleness, and the covers featuring Green Lantern look amazing. Overstreet 2007 VG 4.0 value for group = $2,864.
All-American Western #103 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. The first issue of this title spotlighted Johnny Thunder by Alex Toth, a feature that had begun in All-American Comics #100, continuing through the title change. Toth also did the cover. C. C. Beck and Joe Kubert contributed interior art. Overstreet 2007 NM- 9.2 value = $675. CGC census 6/07: 2 in 9.2, none higher.
All-Flash #1 (DC, 1941) CGC VF- 7.5 White pages. DC's Fastest Man Alive gets his first solo title (in the older Flash Comics, he had to share interior space with the likes of Hawkman, Johnny Thunder, and others) with art by E. E. Hibbard, and a retelling of his origin. Sheldon Mayer drew the Hop Harrigan back-up feature. This key issue checks in at #44 in Overstreet's 2005 list of Top Golden Age Books. This is a very attractive copy, with bright, rich cover colors contrasted by a deep black background, and supple white interior pages. Overstreet 2007 VF 8.0 value = $10,628. CGC census 6/07: 2 in 7.5, 9 higher.
All-Flash #1-12 Bound Volume (DC, 1941-43). Handsome copies of All-Flash #1 (origin retold), 2, 3, 4, #5 (first appearances of Winky, Blinky, and Noddy), 6, 7, 8, 9, 10, 11, and #12 (origin and first appearance of the Thinker), bound and trimmed into a sturdy hardcover volume. Most feature covers and art by E. E. Hibbard, and all are in great shape with glossy covers, and only moderate tanning and mild wear. The hardcover shows only minor wear to the edges and corners. Overstreet 2007 VG 4.0 value for group = $5,586.
All Great #1 Vancouver pedigree (Fox, 1946) CGC NM+ 9.6 White pages. Note to confused collectors: this is the one-shot called All Great by Overstreet, but All Great Comics on the cover and in the indicia, and not to be confused with the later Fox series, the William H. Wise series, or the very similar-looking Fox Giant. This one's in the sharp condition common to just about every Vancouver book! Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 1 in 9.6, none higher.
All Star Comics #1 (DC, 1940) CGC VG/FN 5.0 Light tan to off-white pages. DC brought together several major stars of its All-American line -- including the Flash, the Spectre, Hourman, and Hawkman -- for this new anthology title. By the famous third issue, All-Star became home to the Justice Society of America. This key issue also includes house ads for All-American Comics #16 (which introduced the Green Lantern, the replacement for muscle-bound Gary Concord, Ultra-Man) and Batman #1. This unrestored copy displays some wear, but is still quite attractive. Overstreet 2007 VG 4.0 value = $2,324; FN 6.0 value = $3,486. CGC census 6/07: 2 in 5.0, 13 higher.
All Star Comics #7 (DC, 1941) CGC VF/NM 9.0 Off-white to white pages. Batman and Superman together in a story for the first time ever! Yes, believe it or not, it happened right here in All Star, with the duo appearing for all of three panels thanks to -- what else? -- Johnny Thunder wishing they would appear (the Flash pops in as well). The issue, which looks at the plight of war orphans, has an E. E. Hibbard cover, with interior art by Hibbard, Martin Nodell, Bernard Baily, Sheldon Moldoff, and more. Overstreet 2007 VF/NM 9.0 value = $3,726; NM- 9.2 value = $5,300. CGC census 6/07: 3 in 9.0, 4 higher.
All Star Comics #35 (DC, 1947) CGC VF+ 8.5 Off-white pages. High grade copy of an issue that featured the first appearance of Per Degaton and a Johnny Thunder cameo, in addition to the usual crowded field of superheroes -- the Flash, Green Lantern, Hawkman, Dr. Mid-Nite, the Atom, and Wonder Woman. Irwin Hasen did the cover; Hasen, Joe Kubert, and Lee Elias provided interior art. Overstreet 2007 VF 8.0 value = $738; VF/NM 9.0 value = $1,194. CGC census 5/07: 3 in 8.5, 5 higher.
All Star Comics #56 (DC, 1950) CGC NM 9.4 Off-white to white pages. We can't imagine a nicer copy of issue #56, although CGC's census shows one (and only one) higher grade certified to date. Arthur Peddy's Robot cover makes us wonder why he's usually overlooked when collectors talk about DC's great cover artists of the Golden Age. Peddy also provided interior art in this issue, along with Joe Kubert, Frank Giacoia, and Bernard Sachs. Overstreet 2007 NM- 9.2 value = $1,585. CGC census 5/07: 2 in 9.4, 1 higher.
All Star Comics #1-12 Bound Volume (DC, 1940-42) . Here's one to make you go weak at the knees. What might seem like a joke or a misprint is neither, this volume really does contain the first twelve issues of one of the most collectible series ever, featuring two of the 25 most valuable Golden Age books, namely #3 (the first appearance of the Justice Society of America) and #8 (the first appearance of Wonder Woman). The book is the office copy of M.C. Gaines, co-publisher of All-American Comics, publisher of the early run of this title which co-starred some heroes from sister publisher DC. The significance of these early issues is well-documented, and this series is a run that has always been tough to put together -- witness the late JSA superfan Jerry Bails, who searched for 14 years to find all 57 issues! The pages of this book are cream to off-white, with no brittleness, and the covers look very fresh and appealing. As is customary with bound volumes, the comics have been trimmed in the binding process. Overstreet 2007 VG 4.0 value for group = $22,412.
All Star Comics #13-24 Bound Volume (DC, 1942-45). Collectors get very passionate about their runs of All Star, and even in the highly unlikely event that you have all of these issues, the opportunity to secure a bound volume with nice page quality (cream to off-white, no brittleness) should not be missed. As it happens, this volume contains M. C. Gaines' office copies -- Gaines' firm All-American Comics (which was allied with DC) was the publisher of this title for the first couple of years. The covers of all of these Justice Society books look superb, on a par with any high-grade "loose" copies you might find. As usual, these comics have been trimmed in the binding process. Overstreet 2007 VG 4.0 value for group = $4,662.
All Top Comics #8 (Fox Features Syndicate, 1947) CGC VF 8.0 Off-white to white pages. It's hard to believe Overstreet doesn't consider this Jack Kamen cover, featuring jungle queen Rulah and two hog-tied pygmies, a classic! We can assure you that among collectors of "good girl" art, it's deemed one of the best! Inside, there are appearances by Blue Beetle and Phantom Lady. Matt Baker's art is featured. Overstreet 2007 VF 8.0 value = $1,675. CGC census 6/07: 2 in 8.0, 2 higher.
Amazing Mystery Funnies V2#7 Mile High pedigree (Centaur, 1939) CGC Apparent VF+ 8.5 Slight (P) White pages. This one's a Gerber "8" and called "scarce" by Overstreet. It's the first appearance of the Fantom of the Fair (he plied his trade at the New York World's Fair that was going on at that time). Notables Bill Everett, Paul Gustavson, and Carl Burgos contributed art to the issue. CGC notes, "Restoration includes: color touch, spine splits sealed, cleaned, reinforced." Overstreet 2007 GD 2.0 value = $350; VG 4.0 value = $700; FN 6.0 value = $1,050; VF 8.0 value = $2,275; VF/NM 9.0 value = $3,938.
America's Best Comics #17 (Nedor Publications, 1946) CGC VF/NM 9.0 Cream to off-white pages. We had never encountered this delightful issue in high grade before. Alex Schomburg is the cover artist here, the ballcarrier is Doc Strange, and being good sports about missing the tackle are the Black Terror and the Fighting Yank (meanwhile, Pyroman brings new meaning to the term "running interference"). Overstreet 2007 VF/NM 9.0 value = $532; NM- 9.2 value = $735. CGC census 6/07: 1 in 9.0, 1 higher.
America's Funniest Comics #2 Carson City pedigree (Wm. H. Wise & Co., 1944) CGC NM+ 9.6 Off-white to white pages. This is the first time we had ever seen this funny animal comic, and our offering is the only copy that CGC has certified to date. Since the Carson City collection is famous for first issues, we were surprised to see this #2 -- yet Gerber's Photo-Journal provides the answer to the puzzle by noting that the only other (non-numbered) issue of the title actually followed this one. Overstreet 2007 NM- 9.2 value = $365. CGC census 6/07: 1 in 9.6, none higher.
America in Action #1 Vancouver pedigree (Mayflower, 1945) CGC NM 9.4 Off-white to white pages. Three adaptations from American history. H.C. Kiefer and Robert Webb art. This is the only CGC-graded copy to date. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 1 in 9.4, none higher.
Animal Antics #2 Vancouver pedigree (DC, 1946) CGC NM 9.4 White pages. We're pleased to be offering a number of Vancouver copies here. When you check out the condition and the page quality, you'll see why we're so excited! The cover is credited to Rube Grossman, one of DC's go-to guys in the funny animal department. Overstreet 2007 NM- 9.2 value = $295. CGC census 6/07: 1 in 9.4, none higher.
Animal Comics #13 Vancouver pedigree (Dell, 1945) CGC NM 9.4 White pages. Funny animal stories. Walt Kelly cover. Beautiful page quality. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 1 in 9.4, none higher.
Animal Fair #1 Vancouver pedigree (Fawcett, 1946) CGC NM- 9.2 White pages. Captain Marvel Bunny cover. Overstreet 2007 NM- 9.2 value = $330. CGC census 6/07: 1 in 9.2, none higher.
Annie Oakley #2 Vancouver pedigree (Timely/Atlas, 1948) CGC NM 9.4 White pages. The Vancouver pedigree provides the finest copy of this issue to date, according to CGC's most recent census. The cover colors, spine, corners, and page quality are outstanding. Speaking of outstanding, check out Timely's "good girl" interpretation of the sharp-shooting Western lass. The issue had the first appearance of Lana, a Hey Look feature by Harvey Kurtzman, and a Hedy Devine backup story. Overstreet 2007 NM- 9.2 value = $320. CGC census 5/07: 1 in 9.4, none higher.
Atoman #1 (Spark Publications, 1946) CGC VF/NM 9.0 Cream to off-white pages. The origin and first appearance of Atoman is featured in this premiere issue of the somewhat obscure and short-lived (2 issues) title. Jerry Robinson and Mort Meskin, two artists normally associated with DC comics, provide interior art, with Robinson also doing the cover. Overstreet 2007 VF/NM 9.0 value = $677; NM- 9.2 value = $935. CGC census 6/07: 2 in 9.0, 1 higher.
Atomic Comics #1 Vancouver pedigree (Green Publishing Co., 1946) CGC NM+ 9.6 White pages. The Vancouver books are exceeding collectors' expectations when it comes to how white a Golden Age comic can be. Even the 9.4 Mile High copy of this book looks dingy by comparison! Hype, you say? Then by all means, have a look at our scan and judge for yourself. This issue has a very DC-ish look to it, seeing as how the cover swipes Detective Comics #8, the logo is similar to that of Action Comics, and it even has a story of Jerry Siegel and Joe Shuster's Radio Squad (of More Fun Comics fame). Overstreet 2007 NM- 9.2 value = $1,775. CGC census 6/07: 1 in 9.6, none higher.
Silver Age (1956-1969)
The Avengers #1-20 Bound Volume (Marvel, 1963-65). The debut adventures of Marvel's mighty superhero dream team, as recounted in The Avengers #1 (origin and first appearance of team; vs. Loki), #2 (Hulk quits team), #3 (Avengers vs. Hulk and Sub-Mariner; Spider-Man cameo), #4 (first Silver Age appearance and revival of Captain America), 5, #6 (first appearance of original Baron Zemo and his Masters of Evil), #7 (Rick Jones appears in costume as Bucky), #8 (first appearance of Kang), #9 (first appearance and "death" of Wonder Man), #10 (origin and first appearance of Immortus; early Hercules appearance), #11 (Spider-Man cover), 12, 13, 14, #15 (death of Zemo), #16 (new line-up), 17, 18, #19 (first appearance of Swordsmen), and 20, trimmed and bound into a hardcover volume. Art by Jack Kirby and Don Heck. The books are in excellent condition with minimal wear, glossy covers, and supple white to off-white pages. Overstreet 2007 VG 4.0 value for group = $1,710.
The Avengers #21-40 Bound Volume (Marvel, 1965-67). The condition and page quality rank with the nicest we've ever seen in a bound volume! The comics have been trimmed as part of the binding process. Black hardcover volume with title embossed in gold. Overstreet 2007 VG 4.0 value for group = $288.
The Avengers #41-60 Bound Volume (Marvel, 1967-69). Extremely nice condition and page quality. The comics have been trimmed as part of the binding process. Black hardcover volume with title embossed in gold. Overstreet 2007 VG 4.0 value for group = $260.
The Avengers #61-80 Bound Volume (Marvel, 1968-70). Includes copies of Avengers #61, 62, 63, 64, 65, 66, 67, 68, 69, 70, #71 (first appearances of the Invaders and Nighthawk; Black Knight joins team), 72, 73, 74, 75, 76, 77, 78, 79, and #80 (first appearance of Red Wolf) that have been trimmed and bound into a hardcover volume. Art by John and Sal Buscema and Barry Smith. The books are in excellent condition with minor wear, glossy covers, and off-white pages. Overstreet 2007 VG 4.0 value for group = $192.
Golden Age (1938-1955)
Badmen of Tombstone #nn Vancouver pedigree (Avon, 1950) CGC NM 9.4 White pages. A one-shot starring villains is an unusual sight, but less so at Avon, who also brought us oddities like The Hooded Menace. This one's got the page quality we expect from the Vancouver books! Overstreet 2007 NM- 9.2 value = $185. CGC census 6/07: 1 in 9.4, none higher.
The Barker #1 Vancouver pedigree (Quality, 1946) CGC NM+ 9.6 White pages. Another Vancouver book, another high-grade stunner! If you'd never heard of the Barker, he is indeed a carnival barker, and his travels around the country with the carnival result in all kinds of adventures. Quality thought so highly of the character that he was the lead feature in National Comics for quite a while as well. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 1 in 9.6, none higher.
Batman #27 (DC, 1945) CGC VF/NM 9.0 Off-white to white pages "Classic" is Overstreet's designation for Jack Burnley's heartwarming Christmas cover scene. We heartily agree, and fervently hope that Santa has that much in his sack of gifts the next time he visits us! Inside the issue, Batman and Robin take on the Penguin. Also, there's Jerry Robinson art in the issue. Overstreet 2007 VF/NM 9.0 value = $2,063; NM- 9.2 value = $2,850. CGC census 6/07: 7 in 9.0, 6 higher.
Batman #32 (DC, 1945) CGC NM- 9.2 Off-white pages. Dazzling copy, with color literally leaping from the cover. The origin of Robin is retold, the Joker makes an appearance, and famed Bat artist Dick Sprang brings the art, both on the cover and on the interior. Overstreet 2007 NM- 9.2 value = $1,625. CGC census 5/07: 2 in 9.2, 2 higher.
Batman #53 (DC, 1949) CGC VF- 7.5 Off-white to white pages. There's a Joker story in this one, drawn by Bob Kane and Lew Schwartz. Ageless Jim Mooney is the cover artist. Overstreet 2007 VF 8.0 value = $538. CGC census 6/07: 3 in 7.5, 7 higher.
Bee-29 The Bombardier #1 Carson City pedigree (Neal Publications, 1945) CGC NM+ 9.6 Off-white pages. This funny animal one-shot is, as far as we can ascertain, the only thing Neal Publications ever published. But while the title's not well known, there are two well-known artistic contributors in John Giunta and Howie Post. Overstreet 2007 NM- 9.2 value = $365. CGC census 6/07: 1 in 9.6, none higher.
Big 3 #1 Denver pedigree (Fox, 1940) CGC VF- 7.5 White pages. Fox's "big three" -- Blue Beetle, Samson, and the Flame -- team up for this early anthology title. Alex Blum, best known for his Classics Illustrated work, is featured as a story artist. A great-looking copy, this one also boasts great interior page quality. Overstreet 2007 VF 8.0 value = $1,519. CGC census 6/07: 3 in 7.5, 4 higher.
Big Shot Comics #15 Mile High pedigree (Columbia, 1941) CGC NM 9.4 Off-white to white pages. If you're set on a high-grade copy of the issue, this is it... the only high-grade copy in existence! At least, according to CGC's current census, which discloses that only two copies have been certified to date (the other is a distance second best VF- 7.5 copy). Inside is the origin of the Cloak, plus appearances by Skyman, the Face, and Sparky Watts. Overstreet 2007 NM- 9.2 value = $610. CGC census 5/07: 1 in 9.4, none higher.
Blackhawk #9 Mile High pedigree (Quality, 1944) CGC NM+ 9.6 Off-white to white pages. The Blackhawk team members are so proud to headline their own title (continued from Uncle Sam Quarterly), they've assembled on the front cover to sing about it! You may feel like breaking out with a happy tune yourself if your bid brings this one home! It's another choice example from the Edgar Church collection, one of two copies of this issue found in that legendary hoard. All together now -- Hawkaaa-aaa! Overstreet 2007 NM- 9.2 value = $5,800. CGC census 6/07: 1 in 9.6, 1 higher.
Blue Beetle #1 Larson pedigree (Fox Features Syndicate, 1939) CGC Apparent VG+ 4.5 Slight (P) Off-white pages. The premiere issue of one of the most enduring heroes of the Golden Age boasted a Lou Fine cover, Will Eisner story and art, and interior art by Charles Nicholas. CGC notes, "Restoration includes tear seals to cover, small amount of glue on spine of cover." Overstreet 2007 GD 2.0 value = $459; VG 4.0 value = $918.
Blue Circle Comics #4 Vancouver pedigree (Rewl, 1945) CGC NM 9.4 White pages. Steel Fist story. Says "V2#1" in the indicia. Only copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 1 in 9.4, none higher.
Book of Comics #nn Mile High pedigree (Wise Publications, 1944) CGC FN/VF 7.0 Off-white to white pages. This issue doesn't turn up that often, as evidenced by CGC's having certified just two copies to date. Our offering is by far the highest-graded. It has that Mile High look, but CGC notes, "Manufactured with piece out margin of 53rd page, slightly affects story." Overstreet 2007 FN 6.0 value = $120; VF 8.0 value = $241. CGC census 5/07: 1 in 7.0, none higher.
Broadway Romances #1 Carson City pedigree (Quality, 1950) CGC NM/MT 9.8 Off-white to white pages. You can count on the Carson City collection to come through with a nice copy of a given series' first issue, no matter how obscure the title! You sure won't find Broadway Romances very often in any condition, and this copy is, as the grade would indicate, an all but perfect copy. This cover, the only line-drawn one of the series, is credited to Bill Ward. The book's interior artists include Ward and Paul Gustavson. Overstreet 2007 NM- 9.2 value = $450. CGC census 6/07: 1 in 9.8, none higher.
Buck Rogers #3 (Eastern Color, 1941) CGC FN/VF 7.0 Cream to off-white pages. One of the nicer copies around of this early comic book. Stephen A. Douglas cover art. Overstreet 2007 FN 6.0 value = $345; VF 8.0 value = $719. CGC census 6/07: 1 in 7.0, 3 higher.
Captain America Comics #59 (Timely, 1946) CGC NM- 9.2 Off-white pages. Here is the finest copy of Cap #59 we have ever offered. This special issue has Cap's origin retold, making it the third most valuable issue after the early span of issues #1-18. To add to the range of excitement, there's a Human Torch story and a... spanking panel? Well those fun guys at CGC mention it anyway! Syd Shores did the cover, with Carmine Infantino and Vince Alascia doing interior art. Overstreet 2007 NM- 9.2 value = $4,700. CGC census 5/07: 2 in 9.2, 2 higher.
Captain Marvel Adventures #24 (Fawcett, 1943) CGC VF+ 8.5 Off-white pages. This issue has the very first of the popular "city stories," and it was Minneapolis, MN, that was honored with the first visit from Captain Marvel. Also in this issue: the third installment of the "Monster Society of Evil" serial, a concept that is being revived in current comics. C. C. Beck is the cover artist. Overstreet 2007 VF 8.0 value = $419; VF/NM 9.0 value = $677. CGC census 6/07: 1 in 8.5, 4 higher.
Captain Marvel Jr. #27 Mile High pedigree (Fawcett, 1945) CGC NM+ 9.6 Off-white to white pages. Mac Raboy cover and art, Mile High pedigree, NM+ 9.6 copy... put 'em all together, and you have one heckuva comic book! After all these years, the premiere comic pedigree still leaves us in awe -- isn't it time you had one for your very own? Overstreet 2007 NM- 9.2 value = $635. CGC census 5/07: 1 in 9.6, none higher.
Captain Midnight #2 (Fawcett, 1942) CGC FN/VF 7.0 Cream to off-white pages. Jack Binder is credited with the cover art. Overstreet 2007 FN 6.0 value = $429; VF 8.0 value = $894. CGC census 6/07: 1 in 7.0, 4 higher.
Captain Midnight #5 Pennsylvania pedigree (Fawcett, 1943) CGC NM+ 9.6 White pages. This smart copy is in a virtual tie with the Mile High copy in CGC's current census for issue #5, even down to the white pages! A highlight is the Mac Raboy cover. Overstreet 2007 NM- 9.2 value = $1,575. CGC census 6/07: 2 in 9.6, none higher.
Captain Midnight #13 (Fawcett, 1943) CGC VF- 7.5 Cream to off-white pages. Sheldon Moldoff art. Overstreet 2007 VF 8.0 value = $344. CGC census 6/07: 2 in 7.5, 5 higher.
Captain Midnight #62 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. Nothing finer than a Mile Higher! Overstreet 2007 NM- 9.2 value = $325. CGC census 6/07: 2 in 9.4, none higher.
Century of Comics #nn (Eastern Color, 1933) CGC FN- 5.5 Cream to off-white pages. Just the third comic book ever made, this one came out after Funnies On Parade and Famous Funnies: A Carnival of Comics, but is much more valuable than either of its two predecessors. It's ranked among the 50 most valuable Golden Age comics by Overstreet, and would undoubtedly rank higher if not for the fact that no value above VF is listed! As far as we know, no VF copy even exists -- our offering here is topped by only one other (a 7.0) in CGC's current census. We've seen that 7.0 copy, and not to be too harsh on a 70-year-old book, but it had some "crunched" corners and lacked the brighter whites that this more strictly graded copy has. This comic's significance certainly makes it one to pursue: after the success of the previous comics mentioned above, companies such as Kinney Shoe Stores and Wheatena cereal asked M. C. Gaines, the "father of the American comic book," for another promotional giveaway item. And this one certainly topped its two 32-page predecessors, becoming the first 100-page comic book! The content consists of favorites from the Sunday funnies like Mutt and Jeff and Joe Palooka. Overstreet 2007 FN 6.0 value = $11,000. CGC census 6/07: 1 in 5.5, 1 higher.
Charlie Chan #2 Vancouver pedigree (Crestwood/Headline, 1948) CGC NM+ 9.6 White pages. The combination of a great character and Simon and Kirby cover art is a real winner, but this has the added bonus of being the nicest copy around. If the immaculate black front cover doesn't wow you, have a look at the back cover, which is pure white without the merest hint of a dust shadow or the like. Overstreet 2007 NM- 9.2 value = $675. CGC census 6/07: 1 in 9.6, none higher.
Cisco Kid Comics #1 Vancouver pedigree (Baily Publication, 1944) CGC NM 9.4 White pages. The Cisco Kid, star of movies and later of TV, rode into his first comic book appearance here, several years before his long-running Dell series began. And appearing in the same comic as the Western star is... Faust? Yes, that Faust! Actually, considering that Bernard Baily is the publisher it's less surprising, as Baily had published Illustrated Stories of the Operas previously. Among the other characters is Funnyman (not the Jerry Siegel and Joe Shuster character), drawn by John Giunta. Giunta drew this issue's cover as well. Overstreet 2007 NM- 9.2 value = $575. CGC census 6/07: 1 in 9.4, 1 higher.
Classics Illustrated #51 The Spy - Back Cover Variant - Vancouver pedigree (Gilberton, 1948) CGC NM- 9.2 White pages. The Spy. Original edition. Back cover variant, printed with blue and yellow ink. Considered "scarce" by Overstreet. Arnold Hicks art. Amazing page quality. Overstreet 2007 NM- 9.2 value = $185. CGC census 6/07: 1 in 9.2, none higher.
Clue Comics #2 Mile High pedigree (Hillman Publications, 1943) CGC NM/MT 9.8 Off-white pages. Considered "scarce" by Overstreet, this is the seminal Mile High copy. A real stunner with sharp corners and bright cover inks. It features the exploits of the Boy King, Micro-Face, and Zippo among others. Overstreet 2007 NM- 9.2 value = $1,100. CGC census 6/07: 1 in 9.8, none higher.
Colossus Comics #1 (Sun Publications, 1940) CGC FN+ 6.5 Light tan to off-white pages. This oddity never really got off the ground, folding after this one issue. Rated "scarce" by Overstreet and Gerber, few high-grade copies have survived to this day. Overstreet 2007 FN 6.0 value = $1,731; VF 8.0 value = $4,039. CGC census 6/07: 1 in 6.5, 3 higher.
Comic Cavalcade #14 (DC, 1946) CGC FN/VF 7.0 Light tan to off-white pages. The Flash, Green Lantern, and Wonder Woman are featured. E. E. Hibbard cover. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 FN 6.0 value = $312; VF 8.0 value = $650. CGC census 6/07: 1 in 7.0, 5 higher.
Comics Novel #1 Anarcho, Dictator of Death - Vancouver pedigree (Fawcett, 1947) CGC VF/NM 9.0 White pages. This is the nicest copy CGC has certified of this issue to date, and this comic is a tough find in high grade thanks to black borders that expose all manner of "dings," as well as a very smudge-prone orange area. No smudges on this copy, though! In fact, it looks as if a minor bend (with no color break) at the bottom right was the only thing keeping this copy from a 9.2 or higher. This oddball one-shot is a book-length anti-fascist story, and the hero of the piece is our old pal Radar the International Policeman, whom we know from many an issue of Master Comics. Overstreet 2007 VF/NM 9.0 value = $270; NM- 9.2 value = $365. CGC census 6/07: 1 in 9.0, none higher.
Comics On Parade #1 (United Features Syndicate, 1938) CGC VG/FN 5.0 Cream to off-white pages. The first issue of a title that ran for 17 years. It features Hal Foster art and strip reprint appearances by Tarzan, Captain and the Kids, Li'l Abner, and Broncho Bill. Overstreet 2007 VG 4.0 value = $712; FN 6.0 value = $1,068. CGC census 6/07: 1 in 5.0, 1 higher.
Contact Comics #12 Vancouver pedigree (Aviation Press, 1946) CGC NM- 9.2 White pages. This ranks as one of our very favorite of L. B. Cole's covers, and that's high praise because we love dozens of 'em! That alone would create lots of collector competition in finding copies of #12, but it also happens to be one of the rarest issues in this title's run. We've got CGC's highest-graded copy right here, so we'll step back and let y'all fight over it! Sky Rangers, Air Kids, and Ace Diamond appear. Overstreet 2007 NM- 9.2 value = $1,275. CGC census 6/07: 1 in 9.2, none higher.
Coo Coo Comics #2 Vancouver pedigree (Nedor Publications, 1942) CGC NM+ 9.6 White pages. A couple of years before Mighty Mouse hit newsstands, Supermouse was performing funny-animal superheroics. This series was the first funny one for Nedor, and reportedly a reaction to the successful titles at Dell. This is the only copy of the issue that CGC has certified to date, and what an amazing copy it is. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.6, none higher.
Cosmo Cat #2 Vancouver pedigree (Fox, 1946) CGC NM+ 9.6 White pages. As of this writing, this is the only copy of any issue of Cosmo Cat that CGC has certified, and this book is setting the bar awfully high. Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 1 in 9.6, none higher.
Crackajack Funnies #10 Mile High pedigree (Dell, 1939) CGC NM+ 9.6 Off-white to white pages. Unreal copy -- NM+ 9.6 and nearly 70 years old, but then it's a Mile High Copy, so it's almost expected. This might be the "reasonably" priced Mile High you've been waiting for. You could pay thousands more and still not have a book so astonishingly fresh. Overstreet 2007 NM- 9.2 value = $585. CGC census 5/07: 2 in 9.6, none higher.
Crackajack Funnies #25-36 File Copy Bound Volume (Dell, 1940-41). The earliest adventures of the Owl are the highlights of these Western Publishing file copies of Crackajack Funnies #25 (the Owl begins), #26 (new costume), 27, 28, 29, 30, #31 (Owl covers begin), #32 (origin of Owl Girl), 33, 34, 35, and #36 (last Tarzan issue) that have been trimmed and bound into a hardcover volume. The comics are in great condition with some areas of mild to moderate wear and tanning, and some soiling along the page edges. The front and back hinges of the volume are loose, but the contents are unaffected by this. Overstreet 2007 VG 4.0 value for group = $1,344.
Crack Comics #1 Denver pedigree (Quality, 1940) CGC NM- 9.2 Cream to off-white pages. Heavy duty Golden Age artists helped launch this early Quality title -- Lou Fine, Paul Gustavson, and Bob Powell; and Will Eisner scripted a story. The origin and first appearances of the Black Condor, Red Torpedo, The Space Legion, and Madam Fatal are featured. Only the Mile High Copy has been certified with a higher CGC grade (9.4 vs. 9.2). Overstreet 2007 NM- 9.2 value = $8,100. CGC census 5/07: 1 in 9.2, 1 higher.
Crime Patrol #15 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. One of the most historic of EC's issues, here was the intro of the Crypt Keeper and the Crypt of Terror. In fact, the title would change in two issues to The Crypt of Terror, then again with issue #20 to Tales From the Crypt. It's currently ranked #8 on Overstreet's Top Horror Books. Johnny Craig provided the cover art, with Craig and Al Feldstein providing interior art. This is one of the very nicest of copies to come from William Gaines' stash. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $4,200. CGC census 5/07: 3 in 9.6, 1 higher.
Crime Patrol #16 Gaines File pedigree 7/11 (EC, 1950) CGC NM+ 9.6 White pages. Gorgeous copy of the last issue of the precursor title to Crypt of Terror, which in turn became Tales From the Crypt. The second appearance of the Crypt-Keeper is featured. Johnny Craig and Al Feldstein both scripted stories and furnished interior art, and Craig was responsible for the cover. Overstreet 2007 NM- 9.2 value = $2,775. CGC census 6/07: 3 in 9.6, 2 higher.
Crime SuspenStories #1 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Sparkling copy of the first issue of this title, which features a Johnny Craig cover, and art by Craig, Wally Wood, Graham Ingels, and Harvey Kurtzman. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $1,800. CGC census 5/07: 1 in 9.6, 2 higher.
Crime SuspenStories #9 Gaines File pedigree (EC, 1952) CGC NM/MT 9.8 Off-white pages. So close to perfection, we can't even tell why this one's not a 9.9 or 10.0! One things certain, this is a breathtaking copy, and CGC hasn't awarded a higher grade for the issue to date. Johnny Craig cover. Interior art by Craig, Jack Davis, Jack Kamen, and Graham Ingels. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $570. CGC census 5/07: 3 in 9.8, none higher.
Crime SuspenStories #10 Gaines File pedigree 9/12 (EC, 1952) CGC NM 9.4 Off-white to white pages. According to CGC's current census, only one copy of the issue has been certified with a higher grade to date. Johnny Craig cover with interior art by Craig, Graham Ingels, Jack Kamen, and Jack Davis. Overstreet 2007 NM- 9.2 value = $570. CGC census 6/07: 2 in 9.4, 1 higher.
Cryin' Lion Comics #3 Vancouver pedigree (Wm. H. Wise & Co., 1945) CGC NM 9.4 Off-white to white pages. Funny animals. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 1 in 9.4, none higher.
Crypt of Terror #17 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. The first issue of this title carried over the numbering from Crime Patrol, where two issues previously, the Crypt Keeper and the Crypt of Terror had been introduced. This was in effect the first EC New Trend title to hit the newsstands in 1950, and this copy is undoubtedly nicer than any of those newsstand copies! Currently ranked in the Top 5 of most valuable horror comic book issues by Overstreet, it's moved up a notch from 2006, and will probably take over fourth place by 2008. Johnny Craig did the cover and also provided interior art, along with Al Feldstein and George Roussos. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $4,600. CGC census 5/07: 3 in 9.6, 1 higher.
Crypt of Terror #18 Gaines File pedigree (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. When you want the very best copy of most EC issues, you look to the Gaines File pedigree, and here's a copy that's unsurpassed by any of the other nine copies of #18 that William Gaines set aside right off the printing press. Johnny Craig created the cover, and he and partner Al Feldstein got help with interior art from Wally Wood and Harvey Kurtzman, both of whom contributed their first EC horror title art in this issue. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $2,650. CGC census 5/07: 3 in 9.8, none higher.
Crypt of Terror #19 Gaines File pedigree (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. This Gaines File Copy is alone at the top of CGC's census with this grade, the very best of the best! Issue #19 was the last issue of the title, changing to Tales From the Crypt with #20. Johnny Craig did the cover, with Craig, Al Feldstein, and Graham Ingels handling interior art. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $2,650. CGC census 5/07: 1 in 9.8, none higher.
Daredevil Comics #1 Mile High pedigree (Lev Gleason, 1941) CGC NM 9.4 White pages. One of the Golden Age's most famous covers gets the Mile High treatment (as, of course, does the rest of the book, including the pristine pages), and the marriage is spectacular! Charles Biro did the cover with inking assistance from Bob Wood (cover signed "Woodro"), and with the "assistance" of a large photo of Adolf Hitler. Both artists contributed interior art as well. Daredevil and the Claw battle each other in their ongoing war. But the real story here is the condition and pedigree of the book -- incredible! Overstreet 2007 NM- 9.2 value = $22,500. CGC census 6/07: 3 in 9.4, none higher.
Daredevil Comics #7 Mile High pedigree (Lev Gleason, 1942) CGC VF 8.0 White pages. This is the first time we've ever offered this issue, and we start with the best - the Mile High copy! An oddity about the issue is that #6 is shown on the cover. Overstreet 2007 VF 8.0 value = $581. CGC census 6/07: 2 in 8.0, none higher.
Davy Crockett #nn Vancouver pedigree (Avon, 1951) CGC NM+ 9.6 White pages. We're pretty sure this is the first comic book to star Davy Crockett, who would be everywhere by 1955 or so. Gene Fawcette is the cover artist. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 1 in 9.6, none higher.
Dell Giant Comics Raggedy Ann & Andy #1 (Dell, 1955) CGC VF/NM 9.0 Off-white pages. Painted cover. Overstreet 2007 VF/NM 9.0 value = $222; NM- 9.2 value = $315. CGC census 6/07: 2 in 9.0, none higher.
Dell Giant Comics - Vacation Parade #1 - Crowley Copy pedigree (Dell, 1950) CGC VF+ 8.5 Off-white pages. This big, big, really big book of 132 pages boasted 55 pages of Carl Barks art. Donald Duck, Mickey Mouse, Goofy, Huey, Dewey, and Louie appear on the inside, while on the outside a Carl Von Buettner cover starring Donald and the nephews delights the viewer. The top-ranked copies of this issue earned NM- 9.2 certification, just barely nicer than this. Overstreet 2007 VF 8.0 value = $696; VF/NM 9.0 value = $1,223. CGC census 6/07: 2 in 8.5, 2 higher.
Pulps
Doc Savage V2#1 - V22#4 Bound Volumes Group (Street & Smith, 1933-43). Every issue from September 1933 to December 1943 (the last issue before the series converted to digest size) is included in this group of 21 bound volumes. All books are black hardcovers with gold lettering on the spines. All issues have been trimmed in the binding process as usual. While the first six volumes have fairly heavy cover creasing, and inside front covers reinforced with tape, the covers of the remaining issues look fantastic with no reinforcement. The pages are cream to off-white (cream on the first few volumes). Volumes 7, 8, 11, and 13 have large water stains at the top outside corner. With a solid ten years' worth of stories, this group will have any Doc fan making a "low trilling sound!" Approximate Bookery's Guide to Pulps VG value for group = $8,000.
Golden Age (1938-1955)
Doc Savage Comics #5 Mile High pedigree (Street & Smith, 1941) CGC NM 9.4 White pages. This one's loaded to the gills with the origin and first appearance of Astron the Crocodile Queen, an appearance by Norgil the Magician, and what Overstreet describes as a "classic" cover. This particular copy is the highest graded one certified by CGC to date. Overstreet 2007 NM- 9.2 value = $1,325. CGC census 6/07: 1 in 9.4, none higher.
Doc Savage Comics V2#2 (Street & Smith, 1943) CGC VF+ 8.5 Off-white to white pages. Jack Binder art. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 6/07: 1 in 8.5, 3 higher.
Doc Savage Comics V2#4 (Street & Smith, 1943) CGC VF+ 8.5 Off-white pages. Jack Binder art. Bondage cover. CGC hasn't certified a higher grade for this issue to date. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 6/07: 2 in 8.5, none higher.
Donald and Mickey Merry Christmas 1949 (K.K. Publications, 1949) CGC VF 8.0 Off-white pages. Carl Barks contributed 8 pages of art to this Firestone giveaway. Overstreet 2007 VF 8.0 value = $425. CGC census 6/07: 2 in 8.0, 1 higher.
Platinum Age (1897-1937)
Donald Duck #978 (Whitman Publishing Co., 1935) Condition: FN/VF. The very first book devoted exclusively to Donald Duck, published by Whitman in 1935. Illustrated text story printed on heavy linen-like finish cover stock in full color. Measures 9.5" x 13". Written and Illustrated by the staff of the Walt Disney Studios. Overstreet 2007 FN 6.0 value = $1,050; VF 8.0 value = $1,875.
Golden Age (1938-1955)
Donald Duck #nn (Whitman, 1938) Condition: VG+. The first Donald Duck and Walt Disney comic book. No interior markings. Pages are cream, not brittle. Overstreet 2007 VG 4.0 value = $760.
Don Winslow of the Navy #1 (Fawcett, 1943) CGC VG/FN 5.0 Cream to off-white pages. After appearing on radio and in movies, and after appearances in several other comic book titles, Don Winslow gets his own title, the Fawcett version of which ran for eight years. The 68-page premiere issue featured a Captain Marvel cover. Overstreet 2007 VG 4.0 value = $240; FN 6.0 value = $360. CGC census 6/07: 1 in 5.0, 6 higher.
Dopey Duck Comics #1 Vancouver pedigree (Timely, 1945) CGC NM 9.4 White pages. The only copy certified by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 1 in 9.4, none higher.
Exciting Comics #57 (Nedor Publications, 1947) CGC NM+ 9.6 Cream to off-white pages. We can only imagine -- since we're not quite that old -- the excitement Alex Schomburg's airbrushed "good girl" covers stirred up around the spinner racks in 1947. Why, even now, we're affected! That's in part owing to the spectacular condition of this offering, the finest CGC has certified to date of issue #57. Overstreet 2007 NM- 9.2 value = $750. CGC census 5/07: 1 in 9.6, none higher.
Extra! #1 Gaines File pedigree 3/12 (EC, 1955) CGC VF/NM 9.0 Off-white to white pages. One of the first issues of ECs "New Direction" had a unique newspaper headline-styled cover by Johnny Craig. Craig, Reed Crandall, and John Severin contributed interior art. Overstreet 2007 VF/NM 9.0 value = $235; NM- 9.2 value = $300. CGC census 6/07: 5 in 9.0, 8 higher.
Extra! #4 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 Cream to off-white pages. CGC hasn't certified a higher grade of the issue to date. Distinctive newspaper headline-styled covers by Johnny Craig were hallmarks of the short-lived series. Craig, Reed Crandall, and John Severin provided the interior art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $200. CGC census 6/07: 2 in 9.6, none higher.
Famous Funnies #205-212 File Copy Bound Volume (Eastern Color, 1953-54). These are Western Publishing file copies of Famous Funnies #205 (one-page ad drawn by Frank Frazetta), 206, 207, 208, #209 (second Buck Rogers strip series begins), 210, #211 (Buck Rogers ads by Murphy Anderson begin), and 212 that have been trimmed and bound into a hardcover volume. Issues #209-212 feature covers by Frazetta. The comics are in great condition with mild wear and some areas of moderate tanning. The back hinge of the hardcover has begun to separate from the contents, taking the back cover of issue #212 with it. Overstreet 2007 VG 4.0 value for group = $992.
Platinum Age (1897-1937)
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC VF+ 8.5 Off-white to white pages. Here's the second comic book ever published! And our offering is outgraded by only three other copies as of this writing, and all of those are just half a notch higher at 9.0. This issue is a Gerber "8," and it's actually a book that never hit newsstands -- publisher M. C. Gaines, the "father of the comic book," marketed it to various retailers to use as a promotional giveaway for their customers. At this early date, nobody knew if people would actually pay ten cents for one of these staple-bound things! The content consists of reprints of popular strips of the day, with Mutt and Jeff, Reg'lar Fellers, Joe Palooka and the like all appearing. Overstreet 2007 VF 8.0 value = $4,800; VF/NM 9.0 value = $8,900. CGC census 6/07: 2 in 8.5, 3 higher.
Silver Age (1956-1969)
Fantastic Four #1-20 Bound Volume (Marvel, 1961-63). The collected earliest adventures of the Fantastic Four, featuring a ton of first appearances. Included are copies of FF #1 (origins and first appearances of Mr. Fantastic, Invisible Girl, Human Torch, the Thing, and Mole Man), #2 (vs. the Skrulls), #3 (first appearance of the Fantasti-Car), #4 (first Silver Age appearance of the Sub-Mariner), #5 (origin and first appearance of Dr. Doom), #6 (first Marvel super-villain team-up), 7, #8 (first appearances of Puppet Master and Alicia Masters), 9, 10, #11 (origin and first appearance of Impossible Man), #12 (vs. the Hulk), #13 (first appearance of the Watcher), 14, #15 (first appearance of Mad Thinker), #16 (first Ant-Man crossover), 17, #18 (origin and first appearance of Super-Skrull), #19 (first appearance of Rama-Tut), and #20 (origin and first appearance of Molecule Man) that have been trimmed and bound into a hardcover volume. Covers and art by Jack Kirby. The books are in excellent condition with mild wear, and many have white pages. Overstreet 2007 VG 4.0 value for group = $7,036.
Fantastic Four #21-40 Bound Volume (Marvel, 1963-65). A great selection of early FF books that features several early Marvel crossovers. Included are copies of #21 (first appearance of the Hate Monger; first Nick Fury crossover), #22-25 (two-part Hulk vs. Thing story begins; Avengers crossover), #26, #27 (first Dr. Strange crossover), #28 (early X-Men crossover), #29, #30 (first appearance of Diablo), #31 (Avengers crossover), #32, #33 (first appearance of Attuma; partial photo cover), #34, #35 (first appearance of Dragon Man), #36 (first appearance of Madam Medusa and the Frightful Four), #37-#39 (Wally Wood inks), and #40 that have been trimmed and bound into a hardcover volume. Covers and art by Jack Kirby. The books bear minimal wear and have gorgeous, glossy covers and supple white to off-white pages. Overstreet 2007 VG 4.0 value for group = $1,112.
Fantastic Four #41-60 Bound Volume (Marvel, 1965-67). The incomparable Inhumans and the cosmically empowered Galactus and Silver Surfer make their debut in this collection, which includes copies of issues #41 (three-part Frightful Four story), #42-44 (first appearance of Gorgon), #45 (first appearance of the Inhumans), #46 (first full appearance of Black Bolt), #47, #48 (partial origin and first appearance of Silver Surfer), #49 (first full appearance of Galactus), #50, #51 (classic "This Man... This Monster" story), #52 (first appearance of Black Panther), #53 (origin of Black Panther), #54, #55 (Thing vs. Silver Surfer), #56, #57 (vs. Dr. Doom), and #58-60 that have been trimmed and bound into a hardcover volume. Covers and art by Jack Kirby. The books are in beautiful condition with glossy covers and supple off-white pages. Overstreet 2007 VG 4.0 value for group = $710.
Fantastic Four #61-80 Bound Volume (Marvel, 1967-68). Copies of Fantastic Four #61 (Silver Surfer cameo; Sandman cover and story), #62-66 (two-part origin of Adam Warlock begins), #67 (brief first appearance of Adam Warlock), #68-72 (Silver Surfer cover and story), #73 (Spider-Man, Daredevil, and Thor crossover), and #74-80, trimmed and bound into a hardcover volume. Covers and art by Jack Kirby. The books are in excellent condition with minor wear, glossy covers, and off-white pages. Overstreet 2007 VG 4.0 value for group = $326.
Fantastic Four #81-100 Bound Volume (Marvel, 1968-70). Included are copies of Fantastic Four #81 (Crystal joins team), #82 (Inhumans appearance), #83, #84 (vs. Dr. Doom), #85-94 (first appearance of Agatha Harkness), and #95-100 (vs. the Puppet Master and Mad Thinker). Covers and art by Jack Kirby. Books are in excellent condition with minimal wear, glossy covers, and white to off-white pages. Overstreet 2007 VG 4.0 value for group = $226.
Golden Age (1938-1955)
Fast Fiction #5 Beau Geste - Vancouver pedigree (Seaboard Pub., 1950) CGC NM 9.4 White pages. This adaptation of the classic Beau Geste by P.C. Wren was illustrated by H. C. Kiefer. After this issue, the series changed its name to Stories by Famous Authors Illustrated. Overstreet 2007 NM- 9.2 value = $285. CGC census 6/07: 1 in 9.4, none higher.
Fawcett Movie Comic #nn Pioneer Marshal - Vancouver pedigree (Fawcett, 1950) CGC NM- 9.2 White pages. Photo cover. Stars Monte Hale. Back cover photo pin-up. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07: 1 in 9.2, none higher.
Fawcett Movie Comic #7 Gunmen of Abilene - Vancouver pedigree (Fawcett, 1950) CGC NM 9.4 White pages. If you collect the Rocky Lane Western series don't forget about Rocky's appearance here, and in particular, don't miss the chance to snag the highest-graded copy. Overstreet 2007 NM- 9.2 value = $285. CGC census 6/07: 1 in 9.4, none higher.
Platinum Age (1897-1937)
Feature Books #4 Dick Tracy (David McKay, 1937) Condition: VG. We haven't seen another copy with such a nice cover, and we would have graded this much higher but for interior pages that show some brittleness. The centerfold is detached. Overstreet 2007 VG 4.0 value = $266.
Golden Age (1938-1955)
Feature Books #33 The Romance of Flying - Vancouver pedigree (David McKay, 1942) CGC NM+ 9.6 White pages. Gerber rates it "uncommon", and CGC has certified just two copies to date. This is the first time we've ever offered a copy! Clayton Knight art. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 1 in 9.6, none higher.
Feature Comics #27 (Quality, 1939) CGC VF/NM 9.0 Off-white pages. The sixth issue of Quality Comics Group's first comic title is considered "rare" by Overstreet. CGC's census seems to bear that out, with only four copies certified to date. Even more amazing is that no other copy has been certified nicer than VG 4.0! It's also the most valuable in the run because it has the origin and first appearance of Doll Man. The cover colors are striking on this 67-year old Marvel. Lou Fine contributed interior art. Overstreet 2007 VF/NM 9.0 value = $5,294; NM- 9.2 value = $7,500. CGC census 5/07: 1 in 9.0, none higher.
Feature Comics #86 San Francisco pedigree (Quality, 1945) CGC NM 9.4 White pages. Only the Mile High copy has been graded higher by CGC at NM+ 9.6. Pristine white pages are typical for the San Francisco Collection. Alex Kotsky cover. Gill Fox art. Overstreet 2007 NM- 9.2 value = $185. CGC census 6/07: 1 in 9.4, 1 higher.
Fighting Yank #15 (Nedor Publications, 1946) CGC NM 9.4 Off-white to white pages. Superheroes, sadistic goons in hoods, torture, bondage, and mayhem -- it's an Alex Schomburg cover! If the great Golden Age cover artist's work was unsurpassed, so, too, is this Near Mint copy. Wow! Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 2 in 9.4, none higher.
Fighting Yank #18 (Nedor Publications, 1946) CGC NM 9.4 White pages. The title is best known for its 26 covers by Alex Schomburg, and you get the full effect with this Near Mint gem. There's a penciled-in date on the front, but what a copy this is, including white pages! Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 4 in 9.4, none higher.
First Love Illustrated #2 Mile High pedigree (Harvey, 1949) CGC NM+ 9.6 White pages. A heartbreakingly nice copy from the Edgar Church collection. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 1 in 9.6, none higher.
Flash Comics #104 (DC, 1949) CGC VG/FN 5.0 Off-white pages. The last issue of the title's original run, this book is rated "scarce" by Overstreet. It seems incredible that the Flash, Hawkman, the Atom, and Black Canary couldn't sell a comic, but kids had stopped spending their dimes on superheroes for the most part, and that makes this book that much harder to find today. It's interesting to note that the top two heroes were drawn by the same artists who would go on to draw their Silver Age revivals, namely Joe Kubert (Hawkman) and Carmine Infantino (the Flash). The cover is credited to Kubert. Overstreet 2007 VG 4.0 value = $1,318; FN 6.0 value = $1,977. CGC census 6/07: 4 in 5.0, 4 higher.
Flash Comics #1-12 Bound Volume (DC, 1940). Yes, one of the ten most valuable comics in the hobby is included in this amazing bound volume. Since this spiral-bound hardcover came from the Gaines family, it's obviously an office copy from M. C. Gaines' All-American Comics, the publisher of this series. Inside are such highlights as the first appearances of the Flash, Hawkman, and Johnny Thunder, and lots of amazing Sheldon Moldoff covers. The covers are in the superb condition we've come to expect from bound volumes -- you would need a run of VF-and-up copies to enjoy covers this nice, and that would be so expensive it's not even worth discussing. All of the pages have brittle edges, the pages are tan for the most part. The first page of issue #1 is detached. Overstreet 2007 VG 4.0 value for group = $22,292.
Flash Comics #13-24 Bound Volume (DC, 1941). All of the 1941 issues are included in this black hardcover binder from the offices of All-American Comics. The outstanding Sheldon Moldoff covers are in much nicer condition than you'd ever find on a copy "in the wild." Pages have tan edges, but the only brittleness is at some of the inside edges (at the binder rings). Get this volume full of Flash and Hawkman yarns for a fraction of what the comics would cost you! Overstreet 2007 VG 4.0 value for group = $5,224.
Flash Comics #25-36 Bound Volume (DC, 1942). A great set of Golden Age Flash books that includes copies of #25, 26, 27, #28 (last appearance of Les Sparks in title), #29 (first appearance of Ghost Patrol), 30, #31 (classic Hawkman cover), 32, #33 (origin of the Shade; 2 copies bound in), 34, 35, and #36 (first appearance of Rag Doll) that have been trimmed and bound into a hardcover volume. Artists include E. E. Hibbard, Stan Aschmeier, and Sheldon Moldoff. The books are in great shape with bright covers and moderate tanning. The volume shows mild wear and tanning to spine. Overstreet 2007 VG 4.0 value for group = $3,120.
Flash Comics #37-48 Bound Volume (DC, 1943). Excellent copies of Flash Comics #37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, and 48 that have been trimmed and bound. Artists include E. E. Hibbard, Sheldon Moldoff, Stan Aschmeier, and Paul Reinman. The books are in great condition with bright covers, supple pages, and mild to moderate tanning. Overstreet 2007 VG 4.0 value for group = $2,424.
Flash Comics #49-60 Bound Volume (DC, 1944). Excellent copies of Flash Comics #49, 50, 51, #52 (first appearance of a computer in comics), 53, 54, 55, 56, 57, 58, #59 (last "Minute Movies" feature), and 60 that have been trimmed and bound. Artists include E. E. Hibbard, Sheldon Moldoff (some of his last artwork on Hawkman), Stan Aschmeier, and Martin Naydel. The books are in great condition with bright covers, supple pages, and mild to moderate tanning. Overstreet 2007 VG 4.0 value for group = $2,144.
Silver Age (1956-1969)
The Flash #105 (DC, 1959) CGC FN+ 6.5 Off-white pages. One of Overstreet's Top Ten Silver Age books, this one earned mentions as the "first Silver Age comic" for a while, and deservedly so: for the first time, a revamped Golden Age character got his own series (DC continued the numbering from the olden days). On the bad guy front, the book has the origin and first appearance of the Mirror Master. Carmine Infantino cover and art. Overstreet 2007 FN 6.0 value = $1,314; VF 8.0 value = $4,000. CGC census 6/07: 5 in 6.5, 21 higher.
Platinum Age (1897-1937)
40 Big Pages of Mickey Mouse #945 (Whitman, 1936) Condition: FN+. This rare item reprints Mickey Mouse Magazine #1, with a different cover and slightly altered content. One connect-the-dots has been completed in pencil. Overstreet 2007 FN 6.0 value = $492; VF 8.0 value = $1,025.
Golden Age (1938-1955)
Four Color (Series One) #4 Donald Duck - File Copy (Dell, 1940) CGC FN- 5.5 Cream to off-white pages. Here's the first full-color Donald Duck comic book, featuring newspaper strip reprints. This copy comes from the Western Publishing archives features an editorial department stamp on the front cover. Overstreet 2007 FN 6.0 value = $3,225. CGC census 6/07: 4 in 5.5, 1 higher.
Four Color #13 Mr. District Attorney - Vancouver pedigree (Dell, 1942) CGC VF/NM 9.0 Off-white to white pages. Here's one of the few non-"funny" issues from Four Color's early run, with striking art by Jim Chambers. Overstreet 2007 VF/NM 9.0 value = $359; NM- 9.2 value = $500. CGC census 6/07: 1 in 9.0, 1 higher.
Four Color #24 Gang Busters - Vancouver pedigree (Dell, 1943) CGC VF+ 8.5 White pages. Roy Crane art. Overstreet 2007 VF 8.0 value = $210; VF/NM 9.0 value = $348. CGC census 6/07: 1 in 8.5, none higher.
Four Color #73 The Gumps - Vancouver pedigree (Dell, 1945) CGC NM 9.4 White pages. This was the only Four Color outing for the Gumps, who had already been appearing in comics for almost 30 years by this point! Overstreet 2007 NM- 9.2 value = $200. CGC census 6/07: 1 in 9.4, none higher.
Four Color #77 Felix The Cat - Vancouver pedigree (Dell, 1945) CGC VF+ 8.5 White pages. Felix's third Four Color outing. Overstreet 2007 VF 8.0 value = $285; VF/NM 9.0 value = $480. CGC census 6/07: 1 in 8.5, 2 higher.
Four Color #78 Porky Pig - Vancouver pedigree (Dell, 1945) CGC VF+ 8.5 White pages. This one's just the third Four Color appearance of our porcine protagonist. Note the page quality! Overstreet 2007 VF 8.0 value = $196; VF/NM 9.0 value = $323. CGC census 6/07: 1 in 8.5, 1 higher.
Four Color #81 Moon Mullins - Vancouver pedigree (Dell, 1945) CGC NM 9.4 White pages. The only copy certified above 9.0 by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $185. CGC census 6/07: 1 in 9.4, none higher.
Four Color #82 The Lone Ranger - Vancouver pedigree (Dell, 1945) CGC NM+ 9.6 White pages. This is the first Lone Ranger Four Color, and it's the only copy graded above 8.0 by CGC to date. We sold the Mile High copy last year, grading it VF/NM, so we think it very likely that this is the best existing copy. Overstreet 2007 NM- 9.2 value = $725. CGC census 6/07: 1 in 9.6, none higher.
Four Color #102 Oswald the Rabbit - Vancouver pedigree (Dell, 1946) CGC NM+ 9.6 White pages. This is the only copy graded above 9.0 by CGC to date, and it's simply beautiful. Disney recently re-acquired the rights to this character (in a "trade" for announcer Al Michaels, bizarrely enough), and it will be interesting to see how Oswald is used in years to come and whether a new generation will get to know Oswald. As Mr. Michaels might say, being the winning bidder for this stunning copy would be "huge!" Overstreet 2007 NM- 9.2 value = $255. CGC census 6/07: 1 in 9.6, none higher.
Four Color #129 Uncle Remus and His Tales of Brer Rabbit (Dell, 1946) CGC NM- 9.2 White pages. You still can't buy "Song of the South" on DVD or video in the USA, but you can buy this comic tie-in. Not cheaply, though: we auctioned the only 9.4 copy for $1,236, and considering this 9.2 copy's White pages it may well approach that figure. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 1 in 9.2, 1 higher.
Four Color #143 Oswald the Rabbit - Vancouver pedigree (Dell, 1947) CGC NM 9.4 White pages. "Oswald the Rabbit and the Prehistoric Egg." The only copy graded above 8.5 by CGC to date. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 1 in 9.4, none higher.
Four Color #179 Uncle Wiggily - Vancouver pedigree (Dell, 1948) CGC NM 9.4 White pages. This is the only copy that CGC has certified to date, and we certainly hadn't seen one in high grade before. Walt Kelly is the cover artist. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 1 in 9.4, none higher.
Four Color #189 Donald Duck (Dell, 1948) CGC VF+ 8.5 White pages. This is the only copy we've offered that's received the "white pages" designation from CGC, as well as being the nicest copy we've seen, period. Carl Barks provided the story and art for the yarn "The Old Castle's Secret." Overstreet 2007 VF 8.0 value = $570; VF/NM 9.0 value = $985. CGC census 6/07: 2 in 8.5, none higher.
Four Color #230 Zane Grey's Sunset Pass - Vancouver pedigree (Dell, 1949) CGC NM 9.4 White pages. Wraparound painted cover. The only copy graded above 8.5 by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 1 in 9.4, none higher.
Four Color #292 The Cisco Kid - Vancouver pedigree (Dell, 1950) CGC NM- 9.2 White pages. This was the de facto Cisco Kid Comics #1, and his own series began with issue #2 shortly thereafter. This one's got a wraparound cover that's a bit unusual for a Four Color book. Overstreet 2007 NM- 9.2 value = $410. CGC census 6/07: 1 in 9.2, none higher.
Four Color #299 Buck Jones - Vancouver pedigree (Dell, 1950) CGC NM- 9.2 White pages. Painted front and back covers. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 1 in 9.2, none higher.
Four Color #346 Zane Grey's Hide-Out - Vancouver pedigree (Dell, 1951) CGC NM+ 9.6 White pages. Painted cover. Overstreet 2007 NM- 9.2 value = $70. CGC census 6/07: 1 in 9.6, none higher.
Four Color #456 Uncle Scrooge (Dell, 1953) CGC NM- 9.2 Off-white to white pages. Good luck finding another copy of this that cracks the VF mark, never mind a 9.2! The Uncle Scrooge Four Colors are always in high demand, and "Back to the Klondike" is just the second starring turn of the series for the penurious one. The story, written and drawn by Carl Barks, has Scrooge remembering some gold he his decades ago. Fun and adventure ensue in this popular tale. Overstreet 2007 NM- 9.2 value = $1,300. CGC census 6/07: 1 in 9.2, none higher.
Four Color #495 Uncle Scrooge - File Copy (Dell, 1953) CGC NM 9.4 Off-white to white pages. A NM copy of a book seldom found above VG! This is the last of the three Scrooge Four Colors by Carl Barks (Mr. McDuck's own series would begin with #4). The seasoned Scrooge collector will be accustomed to seeing the blue background of this book riddled with color breaks, so we expect plenty of competition for this census-topping copy. Overstreet 2007 NM- 9.2 value = $900. CGC census 6/07: 1 in 9.4, none higher.
Four Favorites #1 (Ace, 1941) CGC FN+ 6.5 Off-white pages. One of DC's stalwart artists of the '50s and '60s, Jim Mooney, did this flag cover, which had Hitler getting bashed around by four different heroes that were featured on the interior. Just two copies of the issue have received higher grading from CGC to date. Overstreet 2007 FN 6.0 value = $525; VF 8.0 value = $1,094. CGC census 6/07: 2 in 6.5, 2 higher.
Fox and the Crow #1 (DC, 1951) CGC Apparent FN/VF 7.0 Slight (A) Off-white to white pages. One of DC's longest-running funny animal teams had been appearing in Comic Cavalcade and Real Screen Comics before getting its own title. Inside the issue, there's an ad for Flippity and Flop #1. CGC notes, "Restoration includes: tear seals to cover. Overstreet 2007 GD 2.0 value = $118; VG 4.0 value = $236; FN 6.0 value = $354; VF 8.0 value = $738.
Frontline Combat #7 Gaines File pedigree (EC, 1952) CGC NM 9.4 White pages. Harvey Kurtzman spotlighted a special Iwo Jima issue with a hellish cover, and Wally Wood, Jack Davis, Bill Elder, and John Severin provided the interior art. Only one other Gaines File Copy at NM+ 9.6 currently ranks ahead of this copy in CGC's census. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $315. CGC census 5/07: 4 in 9.4, 1 higher.
Frontline Combat #8 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. The brilliant cover by Harvey Kurtzman really stands out on this copy from the Gaines vault. Interior art was furnished by Alex Toth, Wally Wood, Jack Davis, and John Severin. CGC has certified this as a Gaines File copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $315. CGC census 5/07: 2 in 9.6, 1 higher.
Frontline Combat #9 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white pages. Peerless copy from the Gaines Files -- CGC hasn't awarded a higher grade at this writing. Harvey Kurtzman cover. John Severin, Jack Davis, and Wally Wood art. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $315. CGC census 5/07: 2 in 9.6, none higher.
Funny Book #7 Vancouver pedigree (Parents' Magazine Institute, 1946) CGC NM+ 9.6 White pages. Incredible copy of an issue (and title) that we've never offered before, with page quality to match. Check out the cover, up close, online -- the colors are eye-popping! Overstreet 2007 NM- 9.2 value = $70. CGC census 6/07: 1 in 9.6, none higher.
Funny Folks #1 Vancouver pedigree (DC, 1946) CGC NM+ 9.6 White pages. Funny Folks was one of DC's earliest funny animal titles, which made it a great place for Nutsy the Squirrel to make his first appearance. He did so in this issue, complete with art by Rube Grossman. Overstreet 2007 NM- 9.2 value = $500. CGC census 6/07: 2 in 9.6, none higher.
Funny Frolics #1 Vancouver pedigree (Timely, 1945) CGC VF/NM 9.0 White pages. A swastika-wearing dog named General Schnitzel appears inside this comic! Cover honors go to Puffy Pig and Krazy Krow. Overstreet 2007 VF/NM 9.0 value = $214; NM- 9.2 value = $290. CGC census 6/07: 1 in 9.0, none higher.
Funny Frolics #3 Vancouver pedigree (Timely, 1946) CGC NM+ 9.6 White pages. Far and away the finest copy CGC has certified to date. White pages! Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 1 in 9.6, none higher.
Funny Funnies #1 Carson City pedigree (Nedor Publications, 1943) CGC VF- 7.5 White pages. Funny thing: Funny Funnies is a title we had never seen or offered before, and this is the only CGC-graded copy of the only issue. But as we've seen, the anonymous "Carson City" collector rarely passed up any "#1." Peter Porker is featured (not the same character as the fondly remembered Spectacular Spider-Ham). Overstreet 2007 VF 8.0 value = $108. CGC census 6/07: 1 in 7.5, none higher.
Funny Stuff #8 Vancouver pedigree (DC, 1946) CGC NM/MT 9.8 White pages. If you didn't know this pedigree before, you are in for a treat -- we've got plenty of the Vancouver pedigree in this auction. This one is just about perfect inside and out, and it's over 60 years old! DC's legendary Sheldon Mayer provided the cover and interior art. Overstreet 2007 NM- 9.2 value = $245. CGC census 6/07: 1 in 9.8, none higher.
Gene Autry Comics #31 Mile High pedigree (Dell, 1949) CGC NM+ 9.6 White pages. This pristine copy just reeks of Mile Highness, and is the higher-graded of just two copies of #31 that CGC has certified to date. "The Singing Cowboy" appears in a partial front photo cover, a photo back cover, and a photo back cover frontispiece. This is the first time we've offered a copy of this issue. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 1 in 9.6, none higher.
Gene Autry Comics #33 Mile High pedigree (Dell, 1949) CGC NM+ 9.6 White pages. This may be stunningest of all the stunning Mile High copies we're offering of the title. Front, back, and inside back cover photo covers are featured. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 1 in 9.6, none higher.
Gene Autry Comics #48 Mile High pedigree (Dell, 1951) CGC NM+ 9.6 White pages. Beautiful copy of an issue that has front, back, and inside back photo covers. It's the only copy CGC has certified to date, and the first copy of #48 we've ever offered. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher.
Gene Autry Comics #50 Mile High pedigree (Dell, 1951) CGC NM+ 9.6 White pages. Undoubtedly the finest copy of this issue in existence, which is usually the case when the copy is from Edgar Church's collection! Front, back, and inside back photo covers are featured. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher.
Gene Autry Comics #52 Mile High pedigree (Dell, 1951) CGC NM+ 9.6 White pages. The front and back photo covers of this issue never had it so good as on the Mile High Copy. CGC hasn't certified another grade higher than VF/NM 9.0 to date, and we've never offered this issue at any grade previously. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher.
Gene Autry Comics #56 Mile High pedigree (Dell, 1951) CGC NM+ 9.6 White pages. Here's another stellar Mile High Copy of an issue we've never offered before, and one that CGC has certified just once. There's a Gene photo front and back. Hey! Where's Champion? Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern (Golden Age) #1-12 File Copy Bound Volume (DC, 1941-44). This important bound volume, originally from the files of All-American publisher Max Gaines, rounds up copies of the first twelve issues of one of AA's best-selling stars, the Golden Age Green Lantern. Several covers are considered "classic" by Overstreet, and there are a number of important first appearances here, including Vandal Savage. The comics, which were trimmed for inclusion in this volume, feature nice covers, although the cover for #1 does show some wear. The pages are fairly tan, but not quite brittle. Overstreet 2007 VG 4.0 value for group = $12,458.
Silver Age (1956-1969)
Green Lantern #1 (DC, 1960) CGC VF+ 8.5 Off-white pages. There's not many nicer copies around; we've offered higher grades on just four previous occasions since our first Comics auction in November, 2001. Green Lantern's origin retold, and there's the first appearance of the Guardians of the Universe. The cover is one of Gil Kane's most famous. Kane also contributed interior art. Overstreet 2007 VF 8.0 value = $3,166; VF/NM 9.0 value = $5,733. CGC census 6/07: 9 in 8.5, 7 higher.
Golden Age (1938-1955)
Haunt of Fear #15 (#1) (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. The first issue of one of EC's famed horror titles gets a "scarce" rating from Overstreet, which makes this stunning NM/MT 9.8 copy all the more amazing. Thank goodness William Gaines set aside all those pristine copies of EC titles! Johnny Craig did the first cover for HOF, and he, Harvey Kurtzman, Wally Wood, and Al Feldstein furnished the interior art. CGC has certified this copy as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $4,600. CGC census 5/07: 3 in 9.8, none higher.
Haunt of Fear #16 (#2) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. This milestone issue, the second of the title, had the first appearance of the Old Witch. The color effect of the purple-on-yellow logo is unique, the only time this scheme was used in the entire run of 28 issues. Johnny Craig gets credit for the cover, and Craig, Graham Ingels, Wally Wood, and Jack Kamen were the formidable artists who provided interior art. CGC has certified this copy as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,960. CGC census 5/07: 2 in 9.6, 6 higher.
Haunt of Fear #5 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Don't be looking for a higher-graded copy -- CGC hasn't certified one higher than this to date. Johnny Craig continued his tenure as cover artist, and also provided interior art along with Graham Ingels, Wally Wood, and Jack Davis. The Wood story has an injury-to-eye panel -- always a fun event! While CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $950. CGC census 5/07: 4 in 9.6, none higher.
Haunt of Fear #6 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Forgive our gushing, but this is another supreme copy, one of many Gaines File Copies we're offering. Al Feldstein's Crypt Keeper feature begins with this issue, which has a Johnny Craig cover and interior art by Graham Ingels, Wally Wood, Jack Kamen, and Jack Davis. CGC has certified this copy as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 3 in 9.6, 2 higher.
Haunt of Fear #7 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. Johnny Craig offered his final cover for the title, and it was a memorable one. The best way to view it is on this unsurpassed-in-grade copy -- what a beauty! Craig also scripted and did some interior art this issue, as did Graham Ingels, Jack Kamen, and Jack Davis. While CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 5 in 9.8, none higher.
Haunt of Fear #9 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 White pages. Even the stellar copies from William Gaines' stash don't always display the white pages this copy boasts -- white pages and the highest CGC grade! Jack Davis takes over the Crypt Keeper feature with this issue from Al Feldstein, who provided the cover. Inside, it's art by Davis, Joe Orlando, Graham Ingels, and Jack Kamen. While CGC certifies this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $710. CGC census 5/07: 4 in 9.6, none higher.
Hi-Lite Comics #1 Vancouver pedigree (E. R. Ross, 1945) CGC NM 9.4 White pages. Yet another copy from this pedigree that's so close to perfect, it's almost unbelievable! The issue was a one-shot, and this copy's the only one to be certified by CGC to date. It features a Miss Shady appearance and Hal Lockwood interior artwork. Overstreet 2007 NM- 9.2 value = $235. CGC census 6/07: 1 in 9.4, none higher.
House of Mystery #1 (DC, 1952) CGC VG/FN 5.0 Off-white to white pages. The first DC horror comic, House of Mystery for over 30 years and 321 issues, reinventing itself multiple times along the way. Curt Swan and Bob Brown contributed interior art to this first issue. Overstreet 2007 VG 4.0 value = $486; FN 6.0 value = $729. CGC census 6/07: 3 in 5.0, 18 higher.
The Human Torch #4 (#3) (Timely, 1941) CGC VF/NM 9.0 Cream to off-white pages. This issue had just about everything collectors love about this Golden Age Timely -- an Alex Schomburg cover, classic Bill Everett Sub-Mariner, and classic Carl Burgos Torch. It also has the Patriot's origin in a text feature. At this writing, CGC hasn't certified a nicer copy of the issue. Overstreet 2007 VF/NM 9.0 value = $4,993; NM- 9.2 value = $7,100. CGC census 5/07: 2 in 9.0, none higher.
Ibis The Invincible #1 (Fawcett, 1943) CGC Apparent VF+ 8.5 Slight (P) Off-white pages. This one's worth getting for Mac Raboy's cover alone! The origin of Ibis (a longtime Whiz Comics stalwart) is revealed here. CGC notes, "Restoration includes: very small amount of color touch to cover, tear seal to cover, cover reinforced." Overstreet 2007 GD 2.0 value = $229; VG 4.0 value = $458; FN 6.0 value = $687; VF 8.0 value = $1,431; VF/NM 9.0 value = $2,316.
Ibis The Invincible #2 (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. Bondage covers weren't a common sight on Fawcett books, so give this one a look! Overstreet 2007 VF 8.0 value = $625; VF/NM 9.0 value = $1,013. CGC census 6/07: 2 in 8.5, 2 higher.
Ibis The Invincible #6 Mile High pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white to white pages. The sixth and final issue of this title hit stands in 1948, six years after #1! The Whiz Comics standby was drawn by Kurt Schaffenberger on this issue's cover. Basil Wolverton contributed a gag feature to the interior. Overstreet 2007 NM- 9.2 value = $675. CGC census 6/07: 3 in 9.2, 1 higher.
It Really Happened #3 Vancouver pedigree (Standard, 1944) CGC NM 9.4 White pages. Here's a somewhat obscure title, but don't pass it by! The great Alex Schomburg did all but one of the 11 covers, including this one. This is the only copy CGC has certified to date of issue #3. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 1 in 9.4, none higher.
Jesse James #1 Vancouver pedigree (Avon, 1950) CGC NM+ 9.6 White pages. This copy will make a believer out of you when it comes to ranking the Vancouver collection among the best of all time -- note the white of Jesse's horse and the perfect page quality, and go to our website to see the pristine back cover, too. Gene Fawcette is the issue's cover artist, and young Joe Kubert was a contributor as well. Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 1 in 9.6, none higher.
Jimmy Durante #1 (Magazine Enterprises, 1948) CGC NM+ 9.6 White pages. Umbriago! Jimmy "The Great Schnozzola" Durante was for many years a star: on stage, movies, and later television -- and briefly, even in comic books! Here's the Schnozz's first issue, actually published as A-1 #18, featuring a partial photo cover with surrounding circus-themed art by Dick Ayers. Durante never looked better than on this incredible NM+ example, which is currently the highest CGC-graded copy listed. "Good night Mrs. Calabash, wherever you are!" Overstreet 2007 NM- 9.2 value = $580. CGC census 6/07: 1 in 9.6, none higher.
Joe Palooka Visits the Lost City #nn Mile High pedigree (Harvey, 1945) CGC NM 9.4 Off-white to white pages. This huge comic book rates a Gerber "6", and sure enough, this is the only copy to be certified by CGC to date. It's almost twice as valuable as Joe Palooka #1, issued later the same year. The one-shot, with 164 pages and a 50¢ cover price, was written and drawn by creator Ham Fisher, whose biography and photo is featured inside. Overstreet suggests this is the single longest comic book story of its time. Overstreet 2007 NM- 9.2 value = $2,400. CGC census 5/07: 1 in 9.4, none higher.
Jo-Jo Comics #nn Vancouver pedigree (Fox Features Syndicate, 1945) CGC NM 9.4 Off-white to white pages. Yes, the series that was later known for odd jungle fare started as a humor title. This is another instance in which we suspect this is the best existing copy (by the way, the Mile High is a restored VF). Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 1 in 9.4, none higher.
Joker Comics #13 Mile High pedigree (Timely, 1943) CGC VF+ 8.5 White pages. Basil Wolverton's Powerhouse Pepper is among the characters in this funnybook. Overstreet 2007 VF 8.0 value = $224; VF/NM 9.0 value = $350. CGC census 6/07: 1 in 8.5, 1 higher.
Joker Comics #18 Mile High pedigree (Timely, 1945) CGC NM 9.4 Off-white pages. A beautiful copy with sharp corners, nice spine, and a wonderfully clean surface, this is truly one not to be missed. Basil Wolverton's Powerhouse Pepper appears in the issue. The cover features Tessie the Typist and Skidsy. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 1 in 9.4, none higher.
Joker Comics #26 Mile High pedigree (Timely, 1947) CGC NM- 9.2 Off-white pages. A fun time was had by all (especially by Powerhouse Pepper!) on this cover. The Powerhouse Pepper story has Basil Wolverton art. There's also a "Hey Look" one-pager by Harvey Kurtzman. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 1 in 9.2, 1 higher.
Silver Age (1956-1969)
Journey Into Mystery #84 (Marvel, 1962) CGC FN/VF 7.0 Off-white to white pages. Second appearance of Thor. First appearance of Jane Foster. Jack Kirby cover. Kirby, Dick Ayers, Don Heck, and Steve Ditko art. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 6/07: 10 in 7.0, 27 higher.
Golden Age (1938-1955)
Jungle Girl #1 (Fawcett, 1942) CGC VF+ 8.5 Off-white pages. Considered the first comic book to devote its entire contents to a movie serial adaptation, this one stars the character better known to comic fans as Nyoka the Jungle Girl. The bondage cover also features a photo of actress Kay Aldridge. Overstreet 2007 VF 8.0 value = $806; VF/NM 9.0 value = $1,303. CGC census 6/07: 4 in 8.5, 1 higher.
Kiddie Kapers #1 Vancouver pedigree (Kiddie Kapers, 1946) CGC NM 9.4 White pages. Infinity cover. Note that this is indeed the 1946 edition, not the 1957 version as indicated in Gerber's Photo Journal. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 1 in 9.4, none higher.
King Comics #23 Mile High pedigree (David McKay Publications, 1938) CGC NM- 9.2 Off-white pages. The stars of King Features' comic strips shine brightly in this magnificent Mile High/Edgar Church comic. Joe Musial provides the cover illustration, featuring a mischievous Henry playing a rather painful prank on Popeye's hamburger-loving pal Wimpy. Inside, there's a more-than-plentiful supply of great comic reprints, including Alex Raymond's Flash Gordon, Thimble Theater by Segar, Mandrake the Magician, Brick Bradford, and more. This pretty, pedigreed copy reigns supreme on CGC's census chart; to date, just one other copy of this early issue has been graded -- and it only rates a paltry 4.5! Overstreet 2007 NM- 9.2 value = $550. CGC census 6/07: 1 in 9.2, none higher.
Komic Kartoons #1 Vancouver pedigree (Timely, 1945) CGC NM+ 9.6 White pages. We have seen the copies of this from most of the heavy-hitter pedigrees, and can report that this is nicer than the "D" copy (VF), the Mile High (also VF), and even the Carson City (9.4). Have a look at the sharp upper right corner of this one and you'll see why it's a 9.6. There are lots of Timely collectors out there who want only the very best... well, this is it. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 1 in 9.6, none higher.
Krazy Krow #2 Vancouver pedigree (Marvel, 1945) CGC NM- 9.2 White pages. Funny animal stories. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.2, none higher.
KrazyLife #1 Vancouver pedigree (Fox, 1945) CGC NM- 9.2 White pages. Funny animal stories. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07:1 in 9.2, none higher.
Large Feature Comic (Series I) #16 (Dell, 1940) Condition: FR. First appearance of Daisy Duck (back cover). Contains 1940 strip reprints in black and white. Cover is detached and split, and missing a few chunks, but this comic is notorious for its flimsy cover, and we have never seen this one in better than FR condition! Overstreet 2007 GD 2.0 value = $500.
Large Feature Comic (Series II) #7 Pluto (Dell, 1942) Condition: FN-. Carl Barks' first comic book work came right here, in a large-format comic co-written by the future "Good Duck Artist" that hit stands before Four Color #9. This copy has a one-inch tear on the back cover. Pages have very slight brittleness at the edges. Overstreet 2007 FN 6.0 value = $471.
Latest Comics #2 Mile High pedigree (Spotlight/Palace, 1945) CGC NM/MT 9.8 Off-white pages. We've never offered this issue before, but CGC has certified a total of nine copies to date, so it's apparently not super-rare. Of course, there isn't another copy that comes close to this one. NM/MT 9.8 for a 1945 issue? Only in Edgar Church's collection! Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 1 in 9.8, none higher.
Leading Comics #1 (DC, 1941) CGC VF 8.0 Cream to off-white pages. This book has the origin of the Seven Soldiers of Victory, and we've got a nice VF copy to offer you. Now, the cover blurb "five favorite features" confuses the issue a bit, so to clear that up: there are five main superheroes. Green Arrow's sidekick Speedy joins them on the cover to make six. Add in sidekicks Stripesy and Wing (not pictured) and you've got eight. And if you, er, don't count Wing as a member for whatever reason you've got seven. Oh, we forgot four, as in "only four copies graded higher to date!" Overstreet 2007 VF 8.0 value = $3,213. CGC census 6/07: 1 in 8.0, 4 higher.
Leading Comics #9 (DC, 1943) CGC VF- 7.5 White pages. As of this writing, only the Mile High copy (8.5) has been graded higher by CGC! The Seven Soldiers of Victory are featured here; Jon Smalle is the cover artist. Overstreet 2007 VF 8.0 value = $488. CGC census 6/07: 1 in 7.5, 1 higher.
Leading Comics #18 Vancouver pedigree (DC, 1946) CGC NM 9.4 White pages. Featuring Nero Fox. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 1 in 9.4, none higher.
Lone Ranger #31 Mile High pedigree (Dell, 1951) CGC NM 9.4 White pages. Here's our new favorite Mile High cover -- that will last until we pick up the next one! The color quality of the painted cover is a joy to behold. This was the first cover to feature the mask logo. The back cover is a pin-up. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 1 in 9.4, none higher.
Lone Ranger #32 Mile High pedigree (Dell, 1951) CGC NM 9.4 White pages. Painted covers begin with this issue and run through #111. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.4, none higher.
Lone Ranger #35 Mile High pedigree (Dell, 1951) CGC NM+ 9.6 White pages. For the finest copy in existence, go the extra Mile... High. Superb copy of an issue that featured a painted front cover and back cover pin-up. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #8 (Dell, 1942) CGC NM 9.4 Off-white pages. Sure looks like a pedigree, and the only other copy of the issue that CGC has certified to date (a VF- 7.5) can't touch this! Leon Schlesinger and Walt Kelly art. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 6/07: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #9 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. Just an unbelievable copy, with a great painted cover by Leon Schlesinger. It's a safe bet there's not a finer copy in existence -- it's currently tied with one File Copy, but the next highest grade in CGC's census is a FN+ 6.5. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 6/07: 2 in 9.6, none higher.
Mad #1 Gaines File pedigree (EC, 1952) CGC NM/MT 9.8 White pages. Only the first 23 issues were comic book sized, but the magazine version has now endured for over 54 years and is still going strong, nearly 500 issues later. It's considered the first satire comic, and the creation that its father -- the versatile, prolific genius Harvey Kurtzman -- will always be associated with. Kurtzman edited, scripted, drew the cover, and provided interior story art for the first issue. Other EC greats Wally Wood, Jack Davis, John Severin, and Bill Elder also contributed interior art. This copy is far nicer than any you would have plucked right off the rack in 1952, selected right off the press and lovingly preserved by EC Managing Editor William C. Gaines. A historic comic book in pristine condition! CGC has certified this as a Gaines File Copy, but no certificate accompanies the lot. Overstreet 2007 NM- 9.2 value = $7,000. CGC census 6/07: 6 in 9.8, none higher.
Mad Hatter #1 (O.W. Comics, 1946) CGC NM- 9.2 Off-white pages. A gorilla cover by John Giunta graces this first issue of the two-issue series. Esoteric Golden Age at its best. Overstreet 2006 NM- 9.2 value = $1,250. CGC census 03/06: 2 in 9.2, 1 higher.
Magic Comics #1 (David McKay Publications, 1939) CGC VF/NM 9.0 Off-white to white pages. Henry gets the full cover treatment, Mandrake gets a blurb, and Blondie gets none of the above, but she does indeed appear in this issue! The book is a Gerber "scarce." Overstreet 2007 VF/NM 9.0 value = $2,922; NM- 9.2 value = $3,900. CGC census 6/07: 2 in 9.0, none higher.
Magic Comics #20 Mile High pedigree (David McKay Publications, 1941) CGC NM+ 9.6 Off-white to white pages. This is the first time we've offered this issue, and we doubt we'll ever find a copy to top this Edgar Church specimen! In addition to Mandrake and Henry features, there's a profile of Charles Lindbergh. Overstreet 2007 NM- 9.2 value = $440. CGC census 6/07: 1 in 9.6, none higher.
Magic Comics #33 Mile High pedigree (David McKay Publications, 1942) CGC NM+ 9.6 White pages. In addition to the sandwich-loving Dagwood and his better half Blondie, the adventures of Mandrake and a host of other strip reprints were included here. This Edgar Church copy is absolutely pristine. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 1 in 9.6, none higher.
Magic Comics #34 Mile High pedigree (David McKay Publications, 1942) CGC VF- 7.5 Off-white to white pages. Featuring Blondie and Mandrake the Magician. Overstreet 2007 VF 8.0 value = $104. CGC census 6/07: 1 in 7.5, none higher.
Magic Comics #35 Mile High pedigree (David McKay Publications, 1942) CGC NM+ 9.6 White pages. Even kids could do their part for the war effort, as Blondie and Dagwood's son Alexander demonstrates here! Mandrake the Magician and other King Features favorites appear inside. This is a gorgeous copy of this white-cover issue. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 1 in 9.6, none higher.
Magic Comics #37 Mile High pedigree (David McKay Publications, 1942) CGC NM+ 9.6 Off-white to white pages. Blondie and Mandrake lead the roster of King Features strip favorites to be found in this issue. This copy's up to the usual Edgar Church standard of quality, i.e. the best around. Overstreet 2006 NM- 9.2 value = $215. CGC census 6/07: 1 in 9.6, none higher.
Magic Comics #38 Mile High pedigree (David McKay Publications, 1942) CGC NM 9.4 Off-white pages. Blondie's son Alexander decides to invest a quarter in saving his skin -- from the sharp fingernails of baby sister Cookie, that is! Just a glance at this beautiful copy will tell you this is from the legendary Edgar Church Mile High collection. Currently, this is the only copy of issue #38 certified by CGC. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 1 in 9.4, none higher.
Magic Comics #43 Mile High pedigree (David McKay Publications, 1943) CGC NM 9.4 White pages. This is the sole highest-graded copy in CGC's census, and it's got white pages to boot. Blondie and Mandrake are the lead features. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.4, none higher.
Magic Comics #46 Mile High pedigree (David McKay Publications, 1943) CGC NM- 9.2 Off-white to white pages. Featuring Blondie and Mandrake. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.2, none higher.
Magic Comics #50 Mile High pedigree (David McKay Publications, 1943) CGC NM 9.4 White pages. While "Blondie" the feature was one of this series' mainstays, Blondie the character only ever made one cover. Here, she stepped aside in favor of Alexander and Daisy. The other King Features stars inside include the Lone Ranger and Mandrake. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.4, none higher.
Manhunt #8 Vancouver pedigree (Magazine Enterprises, 1948) CGC NM 9.4 White pages. Finest of just two copies of the issue to be certified by CGC to date. Fred Guardineer cover and art. First appearance of Trail Colt and an Undercover Girl story are featured. Overstreet 2007 NM- 9.2 value = $340. CGC census 6/07: 1 in 9.4, none higher.
March of Comics #20 Donald Duck (K. K. Publications, Inc., 1948) CGC NM+ 9.6 Off-white pages. One of the most valuable in the entire 488 issue run featured Donald Duck in "Darkest Africa". With a Walt Kelly cover and Carl Barks interior art, the ranking is well-placed. Speaking of ranking -- CGC hasn't certified a higher grade for this copy to date than the NM+ 9.6 awarded this special copy. Overstreet 2007 NM- 9.2 value = $4,800. CGC census 6/07: 2 in 9.6, none higher.
March of Comics #41 Donald Duck (K. K. Publications, Inc., 1949) CGC VF 8.0 Off-white to white pages. Here's a nice copy of an issue that's tied with one other Donald Duck issue (#20) for the second most valuable issue in the entire 488 issue run. Gerber gives the book an "uncommon" on its scarcity index. Donald, the nephews, and Uncle Scrooge star in "Race to the South Seas." Walt Kelly did the cover, and Carl Barks contributed both the story and the story art. Overstreet 2007 VF 8.0 value = $1,950. CGC census 6/07: 3 in 8.0, 4 higher.
Marvel Comics #1 Pay Copy (Timely, 1939) CGC VF/NM 9.0 Off-white pages. Holder of the Guinness world record for the most valuable comic book, this copy is tied with one other at the top of CGC's census, yet equaled by none in terms of significance.
We have been privileged to see some lovely copies of this key comic, but this one's got a nicer spine than the other CGC 9.0 copy, and it has better centering than either that one or the very nice Denver copy. The back cover has a fresh look you'd never expect from an unrestored book. Many copies we've seen either have the word "The" at the bottom left running off the edge, have the red borders of the word "Marvel" at the top cut off, or are even printed much more askew than that, but none of those apply to this specimen. And while most copies of the book have a black circle printed over the "OCT." cover date with "NOV." printed above it, this is the only copy we've seen that has the OCT letters showing through and actually visible.
On the occasion of this copy first becoming known to the collecting world at a 1993 auction, "Many members [of the American Association of Comic Book Collectors Grading Committee] also felt that the "pay Copy" represented the best known copy (whitest pages and the most perfect printed registration. Marvel Comics #1 is notorious for off-registration printing on the interior pages.), " as Roger Hill wrote in Overstreet's Comic Book Marketplace. Gary Carter, chairman of the committee, wrote, "The Lloyd Jacquet Estate 'pay copy' of Marvel #1 impressed me more than I can say." On the occasion of the 2001 sale for a record $350,000, Steve Borock, Primary Grader for CGC, was quoted as saying, "The registration on the pages of this copy of Marvel Comics #1 [is] phenomenal."
This is referred to as the pay copy or "payout copy" because it's the one used by the Lloyd Jacquet studio (aka Funnies Inc.), which produced the comic in its entirety for Timely, to record how much each contributor was paid, on which date and with which check number. For instance, the handwritten notation on the cover tells us that cover artist Frank R. Paul received $25 to draw this now-legendary cover. The inside look that this gives the owner at the very genesis of the Timely/Marvel line is what makes this one of the most desirable single copies of any comic book. Also noted on the interior pages are payments to Bill Everett (for the Sub-Mariner story), Carl Burgos (for the Human Torch story), Ben Thompson (Ka-Zar), Paul Gustavson (the Angel), and others, all dating from late July 1939. Yes, this comic is the first newsstand appearance of all four of those classic characters, and it's also the first comic book by Timely (later known as Marvel). As such, this is the beginning of the Marvel Universe and the entire pop culture phenomenon that that entails.
CGC notes, "Publisher's record of payments to artists noted on 7 pages and cover in pencil." Overstreet 2007 VF/NM 9.0 value = $259,500; NM- 9.2 value = $420,000. CGC census 6/07: 2 in 9.0, none higher.
We have been privileged to see some lovely copies of this key comic, but this one's got a nicer spine than the other CGC 9.0 copy, and it has better centering than either that one or the very nice Denver copy. The back cover has a fresh look you'd never expect from an unrestored book. Many copies we've seen either have the word "The" at the bottom left running off the edge, have the red borders of the word "Marvel" at the top cut off, or are even printed much more askew than that, but none of those apply to this specimen. And while most copies of the book have a black circle printed over the "OCT." cover date with "NOV." printed above it, this is the only copy we've seen that has the OCT letters showing through and actually visible.
On the occasion of this copy first becoming known to the collecting world at a 1993 auction, "Many members [of the American Association of Comic Book Collectors Grading Committee] also felt that the "pay Copy" represented the best known copy (whitest pages and the most perfect printed registration. Marvel Comics #1 is notorious for off-registration printing on the interior pages.), " as Roger Hill wrote in Overstreet's Comic Book Marketplace. Gary Carter, chairman of the committee, wrote, "The Lloyd Jacquet Estate 'pay copy' of Marvel #1 impressed me more than I can say." On the occasion of the 2001 sale for a record $350,000, Steve Borock, Primary Grader for CGC, was quoted as saying, "The registration on the pages of this copy of Marvel Comics #1 [is] phenomenal."
This is referred to as the pay copy or "payout copy" because it's the one used by the Lloyd Jacquet studio (aka Funnies Inc.), which produced the comic in its entirety for Timely, to record how much each contributor was paid, on which date and with which check number. For instance, the handwritten notation on the cover tells us that cover artist Frank R. Paul received $25 to draw this now-legendary cover. The inside look that this gives the owner at the very genesis of the Timely/Marvel line is what makes this one of the most desirable single copies of any comic book. Also noted on the interior pages are payments to Bill Everett (for the Sub-Mariner story), Carl Burgos (for the Human Torch story), Ben Thompson (Ka-Zar), Paul Gustavson (the Angel), and others, all dating from late July 1939. Yes, this comic is the first newsstand appearance of all four of those classic characters, and it's also the first comic book by Timely (later known as Marvel). As such, this is the beginning of the Marvel Universe and the entire pop culture phenomenon that that entails.
CGC notes, "Publisher's record of payments to artists noted on 7 pages and cover in pencil." Overstreet 2007 VF/NM 9.0 value = $259,500; NM- 9.2 value = $420,000. CGC census 6/07: 2 in 9.0, none higher.
Marvel Comics #1 Kansas City pedigree (Timely, 1939) CGC Apparent FN/VF 7.0 Slight (P) Off-white to white pages. This issue is ranked as the third-most valuable comic of all for good reason, and, in fact, for years and years, it held the #1 spot in Overstreet's ranking. It's the first Timely comic, and it has the first newsstand appearances of both the Human Torch and the Angel. The famous cover is by Frank R. Paul. You'll often hear old-school collectors calling this Marvel Mystery #1, and with good reason, since the series, the company's flagship magazine, became Marvel Mystery Comics starting with issue #2. Also worth noting is that the blacked-out "Oct." at upper right with "Nov." printed on top is common to most copies of this issue. This copy hails from the Kansas City collection, which also had a very nice Captain America Comics #1. CGC notes, "Restoration includes: tear seals to cover, cover cleaned and reinforced." Overstreet 2007 GD 2.0 value = $21,250; VG 4.0 value = $42,500; FN 6.0 value = $63,750.
Master Comics #1 (Fawcett, 1940) Condition: VG+. This oversized comic made history by almost causing a lawsuit! DC thought that Master Man, the title character, was a little too similar to their hero Superman, and once they threatened to sue, Fawcett withdrew the character after six issues. The series had a 133-issue run, though it soon adopted a standard-size format. This first issue is a 52-pager measuring 10.5" by 14". Staples are rusted. There's a fair amount of foxing on the interior pages, which have tan edges but are not brittle. Overstreet 2007 VG 4.0 value = $1,552.
Merry Comics #nn Vancouver pedigree (Carlton Publishing, 1945) CGC NM 9.4 White pages. Ridiculously nice condition and page quality make this one to grab. This oddball one-shot is the only comic we can think of that has the cover price at the bottom. A Gerber "7," it's published by Carlton -- not to be confused with Charlton. It has a story featuring Bogeyman, whom we know from Enwil's Red Band Comics. Overstreet 2007 NM- 9.2 value = $245. CGC census 6/07: 1 in 9.4, 1 higher.
Platinum Age (1897-1937)
Mickey Mouse Magazine V1#1 (K. K. Publications, Inc., 1935) Condition: FN+. This is the nicest copy we've seen of one of Overstreet's 100 most valuable Golden Age books... and note that this comic would be even higher on the list but for the fact that the Guide doesn't list a value above VF/NM! The title that eventually became the decades-spanning series Walt Disney's Comics and Stories started as an oversize fun compendium, with puzzles, games, and stories of Disney characters. It's listed as "scarce" in Gerber's The Photo-Journal Guide to Comic Books. This one has a VF appearance from the outside -- we called it FN+ because of a couple of small water spots, minor crayon on one page and very light pencil on one connect-the-dots puzzle. Overstreet 2007 FN 6.0 value = $3,975; VF 8.0 value = $8,500.
Mickey Mouse Magazine #1 (K. K. Publications, Inc., 1935) Condition: Apparent VG. Copies of this debut issue don't grow on trees, so don't let a bit of amateur restoration put you off of one of Overstreet's top 100 Golden Age books, the forerunner to Walt Disney's Comics and Stories. There's tape reinforcement along the spine, and a couple of pieces of tape on the back cover. Nice page quality. One connect-the-dots has been partially completed in pencil and then erased. Overstreet 2007 GD 2.0 value = $1,325; VG 4.0 value = $2,650.
Golden Age (1938-1955)
Military Comics #6 Mile High pedigree (Quality, 1942) CGC NM+ 9.6 White pages. This early issue in the run featured a Chuck Cuidera cover, and interior art from such notables as Cuidera, Fred Guardineer, Bob Powell, Dave Berg, Klaus Nordling, and Al McWilliams. The Photo-Journal Guide to Comic Books rates the issue "uncommon", which makes the Mile High Copy stand out even more. CGC has awarded a grade higher than FN 6.0 on only two occasions, and this one's far and away the best. Overstreet 2007 NM- 9.2 value = $1,525. CGC census 5/07: 1 in 9.6, none higher.
Military Comics #11 Mile High pedigree (Quality, 1942) CGC NM+ 9.6 Off-white pages. The iconic Blackhawk cover, replete with patriotic flag, is by Will Eisner. Inside the artist credits go to an impressive group: Chuck Cuidera, Fred Guardineer, Klaus Nordling, Al McWilliams, Dave Berg, and Al Jaffee. The gorgeous Mile High Copy is one of only three to be certified to date by CGC, and the only copy nicer than FN 6.5. Overstreet 2007 NM- 9.2 value = $1,275. CGC census 5/07: 1 in 9.6, none higher.
Military Comics #19 Mile High pedigree (Quality, 1943) CGC NM+ 9.6 White pages. Classically Mile High, with white pages and near pristine grade. To date CGC hasn't certified a nicer copy of issue #19. The art's by Reed Crandall on the cover, plus Crandall, Fred Guardineer, Al McWilliams, and Klaus Nordling on the interior. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 6/07: 1 in 9.6, none higher.
Platinum Age (1897-1937)
More Fun Comics #10 (DC, 1936) CGC VG+ 4.5 Off-white to white pages. Not only are these early issues of DC's first comic series hard to find, they're next to impossible to find in high grade. Overstreet doesn't even list values above the grade of VF 8.0 for issues #1-20! The highest grade CGC has awarded a copy of this issue to date is FN+ 6.5, and that's the only copy currently ranking ahead of our offering in CGC's census for issue #10. Vin Sullivan cover, with interior art from Creig Flessel, Leo O'Mealia, and Joe Shuster. The last Henri Duval and a Dr. Occult story are featured. Overstreet 2007 VG 4.0 value = $1,094. CGC census 6/07: 1 in 4.5, 1 higher.
Golden Age (1938-1955)
Motion Picture Comics #101 "The Vanishing Westerner" (Fawcett, 1950) CGC VF/NM 9.0 White pages. Don't let the numbering fool you -- this is the first issue of the series, and this is the finest known copy of same! Monte Hale stars in photo covers front and back. The colors outside and the page quality inside are outstanding. Overstreet 2007 VF/NM 9.0 value = $248; NM- 9.2 value = $335. CGC census 6/07: 1 in 9.0, none higher.
Motion Picture Comics #103 "Covered Wagon Raid" (Fawcett, 1951) CGC VF/NM 9.0 White pages. More white-paged greatness from the Vancouver pedigree. In this third issue of the title, Rocky Lane is featured in "Covered Wagon Raid" and in front and back cover photos, along with his horse Black Jack and sidekick Nugget Clark. Overstreet 2007 VF/NM 9.0 value = $222; NM- 9.2 value = $300. CGC census 6/07: 1 in 9.0, 1 higher.
Motion Picture Comics #104 "Vigilante Hideout" Vancouver pedigree (Fawcett, 1951) CGC NM- 9.2 White pages. The fourth issue of the title again featured Rocky Lane in front and back photo covers. And we've got another sparkling Vancouver Copy to feast your eyes upon. Other pedigrees are asking,"Where'd those white pages come from -- the jealousy shoppe?" Bob Powell art is featured. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 1 in 9.2, 2 higher.
Movie Comics #1-6 File Copies Bound Volume (DC, 1939). The entire six-issue run of the short-lived attempt at a fumetti-style comic (utilizing halftone photos pasted in a comic-strip format, with hand-drawn backgrounds and lettering) is represented in this notebook-style ringbound volume. All six are considered scarce by Overstreet. These are among the first comics published by the "All-American" imprint, and these copies are from the files of publisher M. C. Gaines. The covers are colorful and attractive, but the pages have begun to turn tan and are slightly brittle, with corner damage evident on the first issue's cover and opening pages. Overstreet 2007 VG 4.0 value for group = $2,586.
Mutt and Jeff #2-12 Bound Volume (DC, 1940-43). Copies of Mutt and Jeff #2, 3, 4, 5, #6 (includes "Minute Man Answers the Call"), 7, 8, 9, 10, 11, and 12 that have been trimmed and bound into a hardcover volume. The comics are in great condition with glossy covers and nice pages, with moderate tanning and mild wear. The cover of the volume itself shows only minor wear to the edges and corners. The spine erroneously lists the contents as issues #1-12. Overstreet 2007 VG 4.0 value for group = $742.
Platinum Age (1897-1937)
New Comics #3 (DC, 1936) CGC Apparent FN+ 6.5 Slight (A) Cream to off-white pages. This is the first time we've ever offered this issue, which The Photo-Journal Guide to Comic Books rates an "8" or "rare". Vin Sullivan did the cover and some interior art, along with Whitney Ellsworth and Joe Shuster. CGC notes, "Restoration includes: spine splits sealed to cover. (Centerfold detached)." Overstreet 2007 GD 2.0 value = $733; VG 4.0 value = $1,466; FN 6.0 value = $2,200.
Golden Age (1938-1955)
New Funnies #72 (Dell, 1943) CGC NM 9.4 Cream to off-white pages. Felix the Cat, Andy Panda, and Raggedy Ann and Andy appear. Walt Kelly art. Highest grade yet assigned by CGC for this issue. Overstreet 2007 NM- 9.2 value = $375. CGC census 6/07: 1 in 9.4, none higher.
New York World's Fair Comics 1939 (DC, 1939) CGC FN+ 6.5 Cream to off-white pages. Not only does this square bound giant have the first appearance of the Sandman, it has been called "the first newsstand comic with a commercial tie-in." And of course, the format is the direct predecessor of the successful World's Finest Comics. It's listed at number 36 in Overstreet's ranking of the most valuable Golden Age books. The book's stories were set at the World's Fair; and the crimefighting fairgoers included the aforementioned Sandman as well as Superman (he's the blond guy on the cover!), plus gumshoe Slam Bradley (written and drawn by Jerry Siegel and Joe Shuster, as was the Superman feature) and Zatara the Magician (drawn by Fred Guardineer). The roster of artists also included Bob Kane (drawing humor material), Creig Flessel, and Sheldon Moldoff. The cover was a team effort between Vincent Sullivan and Fred Guardineer. Overstreet 2007 FN 6.0 value = $6,300; VF 8.0 value = $14,700. CGC census 6/07: 1 in 6.5, 3 higher.
New York World's Fair Comics 1940 Mile High pedigree (DC, 1940) CGC FN- 5.5 Off-white to white pages. While Edgar Church's collection of vintage comic books has long been noted for their remarkable condition, not everything Chuck Rozanski found in that Denver basement was near mint. This Mile High copy of the second New York World's Fair comic looks to have been read a few times. It's still among the top twenty surviving unrestored copies, though, and one any DC collector would be proud to own, even without the added cachet of the Mile High pedigree. Overstreet 2007 FN 6.0 value = $3,384. CGC census 6/07: 3 in 5.5, 12 higher.
Nickel Comics #1 Mile High pedigree (Fawcett, 1940) CGC NM 9.4 Off-white to white pages. Jack Binder created the cover for this premiere issue, which had the origin and first appearance of Bulletman. As for the pristine condition of this remarkable copy, thank Edgar Church and his collection we so fondly refer to as the Mile High Collection. Overstreet 2007 NM- 9.2 value = $6,500. CGC census 5/07: 2 in 9.4, none higher.
Okay Comics #1 (United Features Syndicate, 1940) CGC VF+ 8.5 Off-white to white pages. The Captain and the Kids and Hawkshaw the Detective are featured in this comic, the first new title United Features had published since 1938. Overstreet 2007 VF 8.0 value = $268; VF/NM 9.0 value = $434. CGC census 6/07: 1 in 8.5, 1 higher.
100 Pages of Comics #1 (Dell, 1937) CGC VF/NM 9.0 Off-white pages. A hefty square bound book of strip reprints with a cover price of only 10¢, this comic must have been seen as a real bargain back in 1937! Wash Tubbs, Captain Easy, and Alley Oop appear alongside cowboy, detective, and adventure strip features. While the heavy paper covers look a little dingy, this seems to be due to the actual paper texture, rather than excessive dirt or wear. Overstreet 2007 VF/NM 9.0 value = $1,663; NM- 9.2 value = $2,300. CGC census 6/07: 1 in 9.0, 1 higher.
Oscar Comics #24 Mile High pedigree (Timely, 1947) CGC NM+ 9.6 Off-white to white pages. The first issue of the title. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 1 in 9.6, none higher.
Ozzie and Harriet #1 (DC, 1949) CGC VF 8.0 Cream to off-white pages. "Top of Guide" for this book is now $1,300, but as far as we know there is no NM- copy! Some call this series Adventures of Ozzie and Harriet since that's what's on the cover, and by the way, this was the only issue of the series to have a photo cover. Overstreet 2007 VF 8.0 value = $600. CGC census 6/07: 1 in 8.0, none higher.
Pancho Villa #nn Vancouver pedigree (Avon, 1950) CGC NM 9.4 White pages. CGC's highest-graded copy of this one-shot issue to date. The distinctive cover is by the talented Everett Raymond Kinstler. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 1 in 9.4, none higher.
Panic #3 Gaines File pedigree 4/12 (EC, 1954) CGC NM+ 9.6 White pages. Terrific copy from Bill Gaines' hoard o' funny file copies has an Al Feldstein cover and interior art from Wally Wood, Joe Orlando, Bill Elder, Basil Wolverton, and Jack Davis. A parody wherein Old King Cole smokes pot is a highlight, along with digs at the Senate Subcommittee and parodies of the works of Walt Kelly and Al Capp. Overstreet 2007 NM- 9.2 value = $190. CGC census 6/07: 3 in 9.6, 2 higher.
Patsy Walker #2 Mile High pedigree (Atlas, 1945) CGC NM/MT 9.8 White pages. Peerless Edgar Church copy. Overstreet 2007 NM- 9.2 value = $335. CGC census 6/07: 1 in 9.8, none higher.
Patsy Walker #5 Mile High pedigree (Atlas, 1946) CGC NM 9.4 Off-white to white pages. The "injury-to-eye motif" is present on this issue's cover, albeit one of the most harmless variations we've seen -- it's Patsy Walker, after all! Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 2 in 9.4, none higher.
Patsy Walker #8 Mile High pedigree (Atlas, 1946) CGC NM+ 9.6 Off-white to white pages. The bow tie-wearing Georgie supplanted Patsy on this issue's cover. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07: 1 in 9.6, none higher.
Patsy Walker #9 Mile High pedigree (Atlas, 1947) CGC NM+ 9.6 White pages. Daisy and Willie also appear. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07: 1 in 9.6, none higher.
Patsy Walker #10 Mile High pedigree (Atlas, 1947) CGC NM 9.4 Off-white to white pages. Millie the Model also appears. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07: 1 in 9.4, none higher.
Patsy Walker #11 Mile High pedigree (Atlas, 1947) CGC NM 9.4 White pages. The only copy certified by CGC to date. Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 1 in 9.4, none higher.
Patsy Walker #12 Mile High pedigree (Atlas, 1947) CGC NM+ 9.6 Off-white to white pages. Here's one of the more revealing cover appearances of the leggy Patsy. Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 1 in 9.6, none higher.
Patsy Walker #13 Mile High pedigree (Atlas, 1947) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman's "Hey Look" backup feature. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.4, none higher.
Patsy Walker #14 Mile High pedigree (Atlas, 1948) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman "Hey Look" backup feature. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.4, none higher.
Pep Comics #1 (MLJ, 1940) CGC Apparent NM 9.4 Slight (P) Cream to off-white pages. This is surely the nicest-looking copy of this comic anywhere! The highest-graded unrestored copy of the issue to date is a 9.0, and the professional restoration here is limited to a mere tear seal. The book features the first appearance of the Shield (who pre-dated even Captain America!). Jack Cole's Comet also makes his first appearance here. Irv Novick drew the robot cover as well as the Shield story. This first issue is of course also notable because it started a series that became one of few to survive the post-Golden Age era, running for over 40 years as an Archie vehicle. CGC notes, "Restoration includes: tear seal to cover." Overstreet 2007 GD 2.0 value = $971; VG 4.0 value = $1,942; FN 6.0 value = $2,913; VF 8.0 value = $6,797; VF/NM 9.0 value =$11,649; NM- 9.2 value = $16,500.
Picture Stories from the Bible New Testament Edition #1 Vancouver pedigree (DC, 1944) CGC NM 9.4 White pages. Until now, the Gaines File copies have been considered the best available specimens of this series, but none of the Gaines copies we've handled has been certified with White pages! If you're still trying to figure out the many variations of this series, we'll note that the DC issues came before the EC ones, in fact, M. C. Gaines used this series as the basis for the original EC line. Don Cameron is the cover artist. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 2 in 9.4, 1 higher.
Picture Stories from the Bible Old Testament Edition #3 Gaines File pedigree (DC, 1943) CGC NM/MT 9.8 Off-white to white pages. A 9.8 copy of a Golden Age comic is always a thrill -- this copy's flawless. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2007 NM- 9.2 value = $330. CGC census 03/06: 2 in 9.8, none higher.
Picture Stories from the Bible Old Testament Edition #3 Gaines File pedigree (DC, 1943) CGC NM+ 9.6 Off-white pages. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2007 NM- 9.2 value = $290. CGC census 6/07: 3 in 9.6, 2 higher.
Picture Stories from the Bible - Old Testament Issue No. 4 (DC, 1943) CGC NM 9.4 Off-white to white pages. Near Mint Copy boasts the highest grade CGC has certified to date for this DC issue. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $290. CGC census 6/07: 3 in 9.4, none higher.
Picture Stories from the Bible - New Testament Edition No. 3 Gaines File pedigree (EC, 1946) CGC NM+ 9.6 Cream to off-white pages. That it's from the Gaines Files goes without saying -- just check out this grade! CGC has certified this as from the famed Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 3 in 9.6, 1 higher.
Piracy #3 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 White pages. Better than Near Mint, it's close to the highest-graded copy that currently rules CGC's census for the issue. Too bad Reed Crandall's cover didn't cover the entire front --it's fantastic! Crandall, George Evans, Bernie Krigstein, and Graham Ingels contributed interior art. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 3 in 9.6, 1 higher.
Piracy #4 Gaines File pedigree 5/12 (EC, 1955) CGC NM+ 9.6 White pages. Reed Crandall cover. Crandall, George Evans, Graham Ingels, and Bernie Krigstein art. No copy of the issue has earned a higher grade from CGC to date, and the page quality is also unsurpassed. Reed Crandall did the cover and some of the interior artwork, along with George Evans, Graham Ingels, and Bernie Krigstein. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 4 in 9.6, none higher.
Pirates Comics #2 Vancouver pedigree (Hillman Publications, 1950) CGC NM 9.4 Off-white to white pages. Neat cover art makes this one well worth a look... as does the outstanding condition! Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 1 in 9.4, none higher.
Police Comics #96 Mile High pedigree (Quality, 1949) CGC NM 9.4 Off-white to white pages. Will Eisner's Spirit is featured in this issue -- no, not the ghost of the late, great artist, but his immortal crime-fighting mystery man. In the cover story, Plastic Man encounters the Black Widow... but you don't want to hear about that, do you? We know -- you can't get past the incredible condition of this Edgar Church specimen, and we honestly can't blame you! It's a honey! This is by far the finest of the three copies certified by CGC to date. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 1 in 9.4, none higher.
Platinum Age (1897-1937)
Popeye #1 (David McKay, 1935) Condition: VG/FN. "The Gold Mine Thieves" are featured in these reprints of the daily strip. Nice page quality. A child's (unobtrusive) ink marks appear on the cover and a couple of interior pages, and part of one page has been colored in. Overstreet 2007 FN 6.0 value = $321.
Popular Comics #10 (Dell, 1936) CGC VF 8.0 Cream to off-white pages. This is one of the first 100 comics ever published, so the existence of a VF copy is a revelation -- it's the only copy graded above 6.5 by CGC to date, and Overstreet doesn't even list a value higher than VF for the book. Any Dick Tracy completist needs this one, and it's got lots of other favorite characters like Little Orphan Annie, Terry and the Pirates, Don Winslow, and more. Overstreet 2007 VF 8.0 value = $825. CGC census 6/07: 1 in 8.0, none higher.
Golden Age (1938-1955)
Popular Comics #80 File Copy (Dell, 1942) CGC NM 9.4 Cream to off-white pages. Smilin' Jack and the Owl are featured. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 2 in 9.4, none higher.
Prize Comics Western #71 Vancouver pedigree (Prize Publications, 1948) CGC NM+ 9.6 White pages. Awesome copy is the finest known copy of this third issue of the title that was formerly Prize Comics. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 1 in 9.6, none higher.
Puppet Comics #2 Vancouver pedigree (George W. Dougherty, 1946) CGC NM 9.4 White pages. Funny animals. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 1 in 9.4, none higher.
Rangers Comics #37 (Fiction House, 1947) CGC NM+ 9.6 Off-white pages. It's another sexy cover by prolific cover artist Joe Doolin, but we bet you've never seen it look so spectacular. That's 'cause this one's probably the finest copy in existence. It's tops on CGC's census listing for issue #37 at any rate. Bob Lubbers, Lily Renee, Matt Baker, and Charles Sultan contributed interior art. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 1 in 9.6, none higher.
Rangers Comics #40 (Fiction House, 1948) CGC NM 9.4 Off-white pages. As improbable as it seems, this Near Mint beauty isn't the only 9.4 copy CGC has certified to date, but no other copy has earned a higher grade to date. And, we've never previously offered a copy nicer than VF- 7.5. Bob Lubbers takes over cover artist duties from Joe Doolin with this issue, but wisely continues the "good girl" adventure motif. Lubbers, George Evans, Matt Baker, and Charles Sultan are among the stellar artists on the interior. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 3 in 9.4, none higher.
Real Fact Comics #3 "D" Copy pedigree (DC, 1946) CGC NM 9.4 Off-white pages. H. G. Wells and Lon Chaney are spotlighted. Overstreet 2007 NM- 9.2 value = $420. CGC census 6/07: 1 in 9.4, 1 higher.
Real Fact Comics #4 "D" Copy pedigree (DC, 1946) CGC NM 9.4 Off-white to white pages. This issue has the very first comic book art by pulp legend Virgil Finlay! Actor Jimmy Stewart, writer Jack London, and the radio game show "Truth Or Consequences" are among the topics covered in this issue. Overstreet 2007 NM- 9.2 value = $465. CGC census 6/07: 1 in 9.4, 1 higher.
Real Heroes Comics #8 Vancouver pedigree (Parents' Magazine Institute, 1943) CGC NM+ 9.6 White pages. Highest-graded copy to date by far. Admiral Nimitz story. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 1 in 9.6, none higher.
Real Screen Comics #2 Vancouver pedigree (DC, 1945) CGC VF+ 8.5 White pages. This was just the second comic book appearance of the Fox and the Crow, whose own series didn't start until later. From outside the slab this copy looks even nicer than the assigned grade... you be the judge! Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 6/07: 1 in 8.5, 1 higher.
Red Ryder Comics #63 Vancouver pedigree (Dell, 1948) CGC NM 9.4 White pages. Only CGC-certified copy to date of this issue, and the Vancouver Copy, white pages and all, will be awfully hard to beat! Fred Harman cover and interior art. Photo frontispiece. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 1 in 9.4, none higher.
Ribtickler #1 Vancouver pedigree (Fox Features Syndicate, 1945) CGC NM+ 9.6 White pages. This is the only known copy nicer than FN+ 6.5! What color and page quality! Overstreet 2007 NM- 9.2 value = $190. CGC census 6/07: 1 in 9.6, none higher.
Silver Age (1956-1969)
Richie Rich #1 (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. The Poor Little Rich Boy became Harvey's most popular character, and his comic book issues the most valuable. He first appeared in Little Dot #1 way back in 1953, finally getting his own book seven years later. And this copy is as nice as any you would have seen on the newsstand in 1960! Overstreet 2007 NM- 9.2 value = $3,700. CGC census 5/07: 4 in 9.4, 1 higher.
Golden Age (1938-1955)
Roundup #2 Vancouver pedigree (D.S. Publishing, 1948) CGC NM 9.4 White pages. Only copy to be certified by CGC to date. This interesting li'l issue had a marijuana drug mention story, a suicide panel, and art by Fox artist Edmond Good. Overstreet 2007 NM- 9.2 value = $160. CGC census 6/07: 1 in 9.4, none higher.
Rusty Comics #14 Mile High pedigree (Timely, 1947) CGC NM- 9.2 Off-white to white pages. Humor-mag legends Basil Wolverton and Harvey Kurtzman both contributed to this issue, the former with a four-page Powerhouse Pepper story and the latter with one of his "Hey Look" one-pagers. And let's not forget ravishing redhead Rusty, not that we could! This is the only copy of this issue that CGC has certified as of this writing. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07:1 in 9.2, none higher.
Sea Hound #nn (#1) Vancouver pedigree (Avon, 1945) CGC NM+ 9.6 Off-white to white pages. This was the first regularly published comic to feature pirates, and it's also notable as one of the earliest comics published by paperback powerhouse Avon (just their second title, in fact). This pedigree copy's immaculate! Jon Blummer is the cover artist. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 1 in 9.6, none higher.
Sensation Comics #53 (DC, 1946) CGC NM- 9.2 Off-white pages. Sure looks like a pedigree copy, and it's one of the nicest that CGC has certified to date of issue #53. H. G. Peter cover and interior art is featured. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 3 in 9.2, 4 higher.
Sensation Comics #1-12 File Copy Bound Volume (DC, 1942). The very first year of this important Golden Age title is collected in this publisher's bound volume, featuring the original Wonder Woman, as well as Wildcat, Mr. Terrific, the Black Pirate, and others. Lots of important firsts are featured in these twelve comics -- like Wonder Woman's first secretary job, the first magic lasso, even the first appearance of Etta Candy. The comics were trimmed for inclusion in this volume; issue #1 shows some bindery wear near the spine, but most covers appear very nice, and page quality is still fairly supple. Overstreet 2007 VG 4.0 value for group = $9,218.
Sensation Comics #13-24 File Copy Bound Volume (DC, 1943). Here's the second year of the title that Wonder Woman called home, not to mention the Black Pirate, Mr. Terrific, and Wildcat. The volume consists of trimmed and bound file copies of issues #13 through 24, and kicks off with issue #13's great bowling cover, which featuring Hitler, Tojo, and Mussolini as pin-heads! This cover has a very small amount of binding damage on the front cover, while the other covers mostly look fresh and new. The paper is cream to off-white for the most part, and still supple. Overstreet 2007 VG 4.0 value for group = $2,024.
Sensation Comics #25-35 File Copy Bound Volume #3 (DC, 1944). From the personal collection of publisher Max Gaines comes this handsome hardbound volume, collecting the 1944 run of issues starring Wonder Woman; highlights include the beginning of Sargon stories in issue #34. The comics were lightly trimmed at the top and bottoms, but not on the outside edges. The covers for each issue are vibrant and fresh; the interior paper is tanning but not quite brittle. Overstreet VG value for group = $1,628.
Pulps
The Shadow V2#1-6 Bound Volume (Street & Smith, 1932). These are copies of the February (classic cover by George Rozen), March (first appearance of the Shadows Henry Arnaud alter ego), April (first appearance of Cliff Marsland), May, June, and July 1932 issues of the classic hero pulp, trimmed and bound into a hardcover volume. The covers are glossy and clean with some mild to moderate wear and occasional tears with tape reinforcement, and the pages are supple and off-white to cream in color. Bookery's Guide to Pulps GD value for group = $1,120; VG value for group = $2,800.
Golden Age (1938-1955)
Shield-Wizard Comics #6 (MLJ , 1941) CGC VF+ 8.5 White pages. Early MLJs in high grade can be difficult to find. This copy is one of the finest CGC has certified to date. Roy the Super Boy appearance. Irv Novick cover. Novick and Paul Reinman art. Overstreet 2007 VF 8.0 value = $813; VF/NM 9.0 value = $1,319. CGC census 6/07: 1 in 8.5, 3 higher.
Shock SuspenStories #3 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white pages. Nothing like a Gaines File Copy to bring the horror of the Wally Wood cover right to your face! Wood also provided some interior art, as did Joe Orlando, Jack Kamen, and Jack Davis. Al Feldstein and William Gaines scripted stories. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $540. CGC census 6/07: 1 in 9.6, 2 higher.
Silver Age (1956-1969)
Showcase #8 The Flash (DC, 1957) CGC VF 8.0 Off-white pages. Where are the NM copies of this book? All but nonexistent, it seems -- only one copy has been graded higher than this VF specimen by CGC as of this writing. The second appearance of the Silver Age Flash (following the famous #4) is currently sixth on Overstreet's list of the ten most valuable Silver Age books. It's also a significant issue in the villain department, as it has the origin and first appearance of recurring foe Captain Cold. Carmine Infantino provided the cover and interior art. Overstreet 2007 VF 8.0 value = $7,500. CGC census 6/07: 5 in 8.0, 1 higher.
Showcase #22 Green Lantern (DC, 1959) CGC Qualified VF- 7.5 Cream to off-white pages. Great-looking copy of one of the Silver Age's biggest books, featuring the origin and first appearance of the Silver Age Green Lantern. Abin Sur and Carol Ferris also appear for the first time. Gil Kane did the cover and the interior art. CGC notes, "Staples cleaned." Overstreet 2007 VF 8.0 value = $3,322.
Golden Age (1938-1955)
Silly Tunes #1 Vancouver pedigree (Timely, 1945) CGC NM 9.4 White pages. This one's nosed out on the census by one Crowley copy, but even that gem doesn't have this one's White pages. Silly Seal and Ziggy Pig are the featured characters. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 1 in 9.4, 1 higher.
Silver Streak Comics #1 (Lev Gleason, 1939) CGC VF+ 8.5 Cream to off-white pages. Here's the first comic book by the company that would soon be known as Lev Gleason Publications (here still called Rhoda Publications with the abbreviation "YG" for Your Guide). As the publisher of Crime Does Not Pay, Daredevil Comics and others, the company would go on to be one of the most successful Golden Age publishers. This issue's content came from the "shop" of artists known as Funnies Inc., which included big names like Jack Cole and Bill Everett. No mystery how the title got its name -- there's actually metallic ink on the cover as a little gimmick to stand out at newsstands. One thing we've always found peculiar about this issue is that it's got an ad for Timely's Marvel Mystery Comics #2 on the inside back cover (the connection being that the Timely book was also a Funnies Inc. production). Also notable about this issue is that it's got the first appearance of the Claw, drawn by Cole. Claw was one of the first supervillains in comics, period, and being fanged, clawed, huge, and evil, not necessarily in that order, he remains one of the more formidable foes comics have seen. All of this contributes to the issue's Overstreet ranking as one of the 100 most valuable Golden Age books; the catch is that it's harder to find than most of the others, earning Overstreet's "scarce" designation. Overstreet 2007 VF 8.0 value = $7,420; VF/NM 9.0 value = $12,360. CGC census 6/07: 1 in 8.5, 2 higher.
Single Series #15 How It Began - Vancouver pedigree (United Features Syndicate, 1939) CGC NM- 9.2 Off-white to white pages. This is the earliest comic in the Vancouver collection, so "How It Began" is a fitting title! We hadn't seen this one in high grade before, and never expected to see it in this high of a grade. It's the only copy CGC has certified to date. Overstreet 2007 NM- 9.2 value = $415. CGC census 6/07: 1 in 9.2, none higher.
Special Edition Comics #1 (Fawcett, 1940) CGC FN/VF 7.0 Cream to off-white pages. This wasn't just the first comic book devoted entirely to Captain Marvel, it was the first Fawcett comic devoted entirely to anyone -- up until this time, all Fawcett books had been anthologies like Whiz Comics, Master Comics, etc. The wildly popular series Captain Marvel Adventures would soon follow. The famous cover is by C. C. Beck. Overstreet 2007 FN 6.0 value = $2,418; VF 8.0 value = $5,642. CGC census 6/07: 4 in 7.0, 9 higher.
Platinum Age (1897-1937)
Star Comics V1#1 (Harry 'A' Chesler, 1937) Condition: VF. This issue's tied with Star Ranger #1 as the first Chesler-published comic book, and this copy's supple pages are much better than you'd ever expect for a 1937 comic -- there's not even a hint of any tanning. This issue is notable for having original material back when that was the exception rather than the rule! Dan Hastings is the most familiar character represented here, and H. C. Kiefer is the best-known artist. The cover is by W. C. Brigham. Overstreet 2007 VF 8.0 value = $1,250.
Golden Age (1938-1955)
Star Spangled Comics #4 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Light tan to off-white pages. One of the nicest copies of this early issue in existence. Full page ad for Sensation Comics #1. Hal Sherman cover and art. Overstreet 2007 VF 8.0 value = $650; VF/NM 9.0 value = $1,050. CGC census 6/07: 2 in 8.5, 2 higher.
Star Spangled Comics #14 Mile High pedigree (DC, 1942) CGC NM 9.4 White pages. Simon and Kirby's Newsboy Legion and their superhero pal the Guardian starred in this star-spangled mag. S & K also drew the corresponding story inside the book. Other features include the Star Spangled Kid, the Tarantula, TNT and Dan the Dyna-Mite, and Robotman. This stunning pedigreed book is the highest graded copy certified by CGC to date. Overstreet 2007 NM- 9.2 value = $1,700. CGC census 6/07: 1 in 9.4, none higher.
Star Spangled Comics #14 (DC, 1942) CGC VF- 7.5 Off-white to white pages. The Newsboy Legion is a "foist-rate" outfit, and comics' greatest art duo Simon and Kirby drew them in this issue! Other features include the Star Spangled Kid, the Tarantula, TNT and Dan the Dyna-Mite, and Robotman. Overstreet 2007 VF 8.0 value = $756. CGC census 6/07: 1 in 7.5, 2 higher.
Star Spangled Comics #18 (DC, 1943) CGC FN+ 6.5 Off-white to white pages. Simon and Kirby's Newsboy Legion heads the cast of characters here, with the Star-Spangled Kid and TNT also appearing. Overstreet 2007 FN 6.0 value = $462; VF 8.0 value = $963. CGC census 6/07: 1 in 6.5, 3 higher.
Star Spangled Comics #33 Mile High pedigree (DC, 1944) CGC NM+ 9.6 Off-white to white pages. This superb Edgar Church specimen is the only copy of the issue that has been graded above 8.5 by CGC as of this writing. The Newsboy Legion stars on the cover (drawn by an unknown hand in the style of the group's creators Simon and Kirby), and the Robotman and the Star-Spangled Kid are also included. Overstreet 2007 NM- 9.2 value = $825. CGC census 6/07: 1 in 9.6, none higher.
Star Spangled Comics #36 Mile High pedigree (DC, 1944) CGC NM+ 9.6 Off-white to white pages. This sweet Edgar Church copy is the only one to be graded above 8.5 by CGC as of this writing. The Newsboy Legion stars, and Robotman and the Star-Spangled Kid appear in back-up features. Overstreet 2007 NM- 9.2 value = $825. CGC census 6/07: 1 in 9.6, none higher.
Star Spangled Comics #49 Mile High pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. Another great issue featuring Simon & Kirby's legendary Newsboy Legion. Various sources attribute this issue's cover to S & K, Jack Kirby by himself, or neither of the two! Other characters include the Star Spangled Kid and Robotman. Overstreet 2007 NM- 9.2 value = $725. CGC census 6/07: 1 in 9.4, none higher.
Star Spangled Comics #54 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. This copy has a virtually flawless Simon and Kirby cover. In addition to S & K's creation, the Newsboy Legion, the book's got adventures of Robotman and the Star Spangled Kid. This is currently, the only copy of this issue with a CGC grade above an 8.5. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 1 in 9.6, none higher.
Star Spangled Comics #57 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. Here's another outstanding pedigree book of this title that ties with one other as the nicest copy certified yet by CGC. It's characterized by beautiful colors on the front and back, a super-strong spine, and corners sharp enough to be dangerous. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 2 in 9.6, none higher.
Straight Arrow #5 Mile High pedigree (Magazine Enterprises, 1950) CGC NM+ 9.6 White pages. This is a beautiful copy, worthy of its premier pedigree. CGC has certified one other copy of this issue, but it can't touch this! Fred Meagher cover, with Meagher and Bob Powell interior art. Overstreet 2007 NM- 9.2 value = $255. CGC census 6/07: 1 in 9.6, none higher.
Strange Adventures #1 Crowley Copy pedigree (DC, 1950) CGC VF/NM 9.0 Cream to off-white pages. This copy, bested by only one copy on the current CGC census, is up to the usual standard for the books from the collection of Fawcett editor Wendell Crowley. We know one reason the folks at Fawcett would have been interested in this DC -- it's got an adaptation of "Destination Moon," which was also a Fawcett Movie Comic with the same far-out cover! Ah, but Fawcett didn't have the services of Dick Sprang, who contributed art to this DC issue. Overstreet 2007 VF/NM 9.0 value = $3,623; NM- 9.2 value = $5,250. CGC census 6/07: 4 in 9.0, 1 higher.
Strange Adventures #3 (DC, 1950) CGC VF/NM 9.0 Off-white to white pages. These early issues had a bit of a sci-fi paperback feel, thanks to the then-unusual practice of crediting writers on the cover! Of course, it's a well-deserved honor when you're talking about names like Edmond Hamilton and Gardner Fox. The cover art has been credited to Howard Sherman. Curt Swan and Dan Barry are among the interior artists. Overstreet 2007 VF/NM 9.0 value = $1,123; NM- 9.2 value = $1,600. CGC census 6/07: 3 in 9.0, 3 higher.
Strange Adventures #4 (DC, 1951) CGC VF+ 8.5 Cream to off-white pages. Chris KL-99 is the featured character in this sci-fi mag. The issue's artists include Curt Swan. Overstreet 2007 VF 8.0 value = $646; VF/NM 9.0 value = $1,123. CGC census 6/07: 2 in 8.5, 5 higher.
Strange Adventures #9 (DC, 1951) CGC NM+ 9.6 Off-white to white pages. DC's first Atomic Age star-hopping hero makes his debut with this issue -- it's Captain Comet, years before Adam Strange! Here he is, walking on air in his civies, while his costumed self waits out in space. Murphy Anderson and Gil Kane are the featured artists. You couldn't hope for a better copy of this key issue! It's outstanding in every way, from the flawless black-background cover, to the sharp cut and supple paper. Overstreet 2007 NM- 9.2 value = $3,200. CGC census 6/07: 2 in 9.6, none higher.
Strange Adventures #12 (DC, 1951) CGC NM- 9.2 Off-white to white pages. Gil Kane drew this issue's colorful cover featuring Captain Comet. Other artists include Murphy Anderson, Alex Toth, and Carmine Infantino. CGC notes, "Slight mis-cut." Despite this minor bindery flaw, this is an attractive copy, and is currently tied with one other as highest CGC-graded. Overstreet 2076 NM- 9.2 value = $850. CGC census 6/07: 2 in 9.2, none higher.
Strange Suspense Stories #2 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Here's a pristine copy of a pre-Code horror mag, and one with two great artists at that. Bernard Baily had a talent for covers that were not just frightening but disturbing, and this one's certainly in that vein. And there's also a story drawn by George Evans of EC fame. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 2 in 9.4, none higher.
Sub-Mariner Comics #1 (Timely, 1941) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. Ranked among the 20 most valuable comic books by Overstreet, this is one of the most hotly desired Timelys. The Sub-Mariner got his own book after being a smash success in the pages of Marvel Mystery Comics, and his cohort from that title, the Angel, joined him in this new series. Subby's adventures were drawn by his creator Bill Everett, and the cover was the work of Timely's talented Alex Schomburg. CGC notes, "Restoration includes: small amount of color touch on cover, cover cleaned." Overstreet 2006 GD 2.0 value = $2,766; VG 4.0 value = $5,532; FN 6.0 value = $8,300; VF 8.0 value = $22,000; VF/NM 9.0 value = $40,000.
Sub-Mariner Comics #21 Ohio pedigree (Timely, 1946) CGC NM 9.4 Off-white pages. A Timely in Near Mint is a sure-fire way to get our attention. This pedigreed copy is unsurpassed in grade in CGC's current census. Syd Shores did the cover, and Bill Everett, Carmine Infantino, and Al Bellman are among the interior artists for this issue, which features the last Angel story in the title. Overstreet 2007 NM- 9.2 value = $1,625. CGC census 5/07: 2 in 9.4, none higher.
Super Duck #5 Vancouver pedigree (MLJ, 1945) CGC NM+ 9.6 White pages. Only copy to be certified by CGC to date, and we're pretty confident that this is the nicest copy in existence. Al Fagaly cover and art. A time machine story is featured. Overstreet 2007 NM- 9.2 value = $200. CGC census 6/07: 1 in 9.6, none higher.
Superman #27 Double Cover - Pennsylvania pedigree (DC, 1944) CGC NM+ 9.6 White pages. Here's the finest copy known of this 1944 issue, and it's got a double cover to boot! CGC notes, "1st cover 9.6, interior cover 9.6." Wayne Boring did the cover of this issue, which has a Toyman appearance. Overstreet 2007 NM- 9.2 value = $1,875. CGC census 5/07: 1 in 9.6, none higher.
Superman #28 Pennsylvania pedigree (DC, 1944) CGC NM+ 9.6 White pages. Pennsylvania pedigree, huh? Where do we get more? Oh, that's right -- right here! Like the preceding lot, this one's an uncanny 9.6 and at the top of CGC's census. Wayne Boring provided the cover art. Overstreet 2007 NM- 9.2 value = $1,875. CGC census 5/07: 1 in 9.6, none higher.
Superman #64 (DC, 1950) CGC VF+ 8.5 White pages. This is really an eye-catching copy, and white pages to top it off! Only one other copy of issue #64 has earned a higher grade from CGC to date. There's a Prankster story in this issue. Wayne Boring offers up the Lois Lane cover, and also contributes interior art. Overstreet 2007 VF 8.0 value = $444; VF/NM 9.0 value = $722. CGC census 6/07: 1 in 8.5, 1 higher.
Super Rabbit #5 Vancouver pedigree (Timely, 1945) CGC NM 9.4 White pages. CGC has certified only one other copy to date, and that one can't compare to this beauty. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 1 in 9.4, none higher.
Tales From the Crypt #20 (#1) Gaines File pedigree (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. Arguably EC's most famous horror title didn't start out that way -- with this title, that is! The title for the first issue of the series had been the innocuous International Comics, which became International Crime Patrol, then simply Crime Patrol before ominously morphing to The Crypt of Terror for three issues before finally settling on Tales From the Crypt. This copy of the first issue of the ultimate title is close enough to perfect for anyone, and has the highest grade you'll find in CGC's census for the issue. Johnny Craig and Al Feldstein each scripted and drew stories, and Craig also provided the cover. Jack Kamen and Graham Ingels contributed interior art. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,875. CGC census 6/07: 4 in 9.8, none higher.
Tales From the Crypt #21 Gaines File pedigree 1/10 (EC, 1951) CGC NM+ 9.6 Off-white pages. When Bill Gaines, Robert Overstreet, and Russ Cochran eyeballed the 10 copies of this issue that Gaines had stashed away years ago, the consensus was that this was the nicest copy, as evidenced by the certificate that accompanies the book. Al Feldstein did the cover and provided interior art, as did Wally Wood and Graham Ingels. Overstreet 2007 NM- 9.2 value = $1,530. CGC census 6/07: 3 in 9.6, 2 higher.
Tales From the Crypt #25 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. CGC's census shows only one nicer copy has been certified to date of this early issue, the sixth of the title. Publisher William C. Gaines and Editor Al Feldstein scripted stories for this issue, and Feldstein also contributed the cover art. Jack Davis, Wally Wood, Jack Kamen, and Graham Ingels did the story art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $935. CGC census 6/07: 5 in 9.6, 1 higher.
Tales From the Crypt #26 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Wally Wood's second cover for EC proved he had a feel for horror -- if there were any doubt! Take it all in on this magnificent Gaines File Copy, surpassed in grade by only one other in CGC's current census. Jack Davis, H. L. Larsen, George Roussos, and Graham Ingels provided the story art for this issue. CGC has certified this as a Gaines File Copy, but no certificate accompanies the lot. Overstreet 2007 NM- 9.2 value = $750. CGC census 6/07: 6 in 9.6, 1 higher.
Tales From the Crypt #41 Gaines File pedigree (EC, 1954) CGC NM 9.4 Off-white to white pages. Unlike most of the Gaines File Copies, the highest grade CGC has certified for this issue is a "mere" NM 9.4, so don't bother trying to find a nicer copy than this! Jack Davis created one of his most disturbing covers here, and Davis, George Evans, Jack Kamen, and Graham Ingels contributed creepy story art. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $655. CGC census 6/07: 3 in 9.4, none higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF/NM 9.0 Off-white pages. This square bound beauty is a bit more difficult to find in high grades than other EC issues of the period, and this is about as nice a non-Gaines File Copy as you will find. The Al Feldstein torture cover was common to all copies, but the insides, comprised of remainder issues, could vary from copy to copy. The ghastly trio of the Vault-Keeper, Crypt-Keeper, and Old Witch could all usually be found inside. Graham Ingels, Wally Wood, and Jack Kamen art was featured. Overstreet 2007 VF/NM 9.0 value = $1,863; NM- 9.2 value = $2,400. CGC census 6/07: 5 in 9.0, 3 higher.
Tex Granger #19 Vancouver pedigree (Parents' Magazine Institute, 1948) CGC NM+ 9.6 White pages. This is the only copy of #19 that CGC has certified to date, and it's a stunner. Second issue of the title. Overstreet 2007 NM- 9.2 value = $90. CGC census 6/07: 1 in 9.6, none higher.
Tex Morgan #1 Vancouver pedigree (Marvel, 1948) CGC NM+ 9.6 White pages. You owe it to yourself to become familiar with the Vancouver books! Yes, we know that newer pedigrees are met with skepticism in some parts, but have a close look at the Vancouver copies in this auction and you won't doubt they're the real deal -- white pages are their trademark! This is the highest-graded copy of this Marvel Western book that CGC has certified to date. Overstreet 2007 NM- 9.2 value = $355. CGC census 6/07: 1 in 9.6, none higher.
3-D Batman (DC, 1953) Condition: VF. We don't see the original 1950s issue of this very often! The 3-D glasses are included here. Reprints Batman #42 and 48. Overstreet 2007 VF 8.0 value = $706.
Thrilling True Story of the Baseball Giants #nn (Fawcett, 1952) CGC NM- 9.2 Off-white to white pages. We bet you won't find a nicer copy of this Gerber "uncommon" issue! Willie Mays, Leo Durocher, Bobby Thompson, and other New York baseball Giants of 1951 star on the photo cover. Back cover photo of 1951 Giants team. Overstreet 2007 NM- 9.2 value = $965. CGC census 6/07: 2 in 9.2, none higher.
Platinum Age (1897-1937)
Tillie The Toiler Group (Cupples & Leon, 1925-31) Condition: Average GD/VG. Issues #nn (the first issue; cover detached), 2, 3 (two copies), 5, and 6 (two copies) are included here. Defects include minor staining, minor foxing, and names written or stamped on most of the books. Overstreet 2007 GD 2.0 value for group = $354; FN 6.0 value = $1,266.
Golden Age (1938-1955)
Tom Mix Comics #1 (Ralston-Purina Co., 1940) CGC Qualified VF/NM 9.0 Off-white to white pages. This giveaway earned a "rare" rating from The Photo-Journal Guide to Comic Books. CGC notes, "3 inch split on bottom spine." Overstreet 2007 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,887; VF/NM 9.0 value = $3,094; NM- 9.2 value = $4,300.
Top-Notch Comics #1 (MLJ, 1939) CGC FN+ 6.5 Off-white pages. The Man with the Super-Brain, the Wizard, debuts in this early MLJ comic. His very first adventure takes him to none other than Pearl Harbor, making this one of the earliest, if not the very first, comic books to mention this important World War II landmark. The talented Jack Cole is among the artists, along with Jack Binder and Dick Ryan. Other than the expected patina of age, this copy looks remarkably sharp and clean. Overstreet 2007 FN 6.0 value = $1,713; VF 8.0 value = $3,997. CGC census 6/07: 1 in 6.5, 5 higher.
Top-Notch Comics #2 (MLJ, 1940) CGC VF+ 8.5 Off-white pages. This second issue beats out all others to claim to be first in showing a Nazi Swastika on its cover, as the Wizard uses his Super-Brain to help down an German Axis warplane. Jack Cole and Mort Meskin are among the artists credited for this issue. Overstreet 2007 VF 8.0 value = $1,538; VF/NM 9.0 value = $2,494. CGC census 6/07: 1 in 8.5, 2 higher.
Top-Notch Comics #4 Mile High pedigree (MLJ, 1940) CGC NM- 9.2 White pages. An early MLJ in this kind of shape is a welcome sight, and the appearance of a German U-Boat and a sub is interesting considering the April 1940 cover date. This issue's cover, credited to artist Edd Ashe, features the Wizard. Filling out the roster of heroes are Bob Phantom, Dick Storm, and Streak Chandler, it's the latter's first (and fifth-to-last) appearance. This is the only copy certified with a grade above 8.5 by CGC to date. Overstreet 2007 NM- 9.2 value = $2,100. CGC census 6/07: 1 in 9.2, none higher.
Top-Notch Comics #8 Mile High pedigree (MLJ, 1940) CGC NM+ 9.6 White pages. One of the very first comic book sidekicks, Roy the Super Boy, made his first appearance in this issue. Overstreet speculates that Roy might be the second costumed boy hero in comics (trailing only Robin). Roy's origin is in this issue, and so are the origin and first appearance of Firefly, who was a regular in this title over the next couple of years. The issue's cover is by Edd Ashe; the interior artists include Mort Meskin. Overstreet 2007 NM- 9.2 value = $2,100. CGC census 6/07: 1 in 9.6, none higher.
Top-Notch Comics #12 Mile High pedigree (MLJ, 1941) CGC NM 9.4 White pages. Quick introductions here: that's the Wizard dashing into the picture, Roy the Super Boy swinging into action, and the Black Hood dishing out an uppercut. Adding even more punch to the book was boxing character Jim Jennings ("the St. Louis Kid"), who made his first appearance in this issue. The cover is by Al Camy, and there's also Irv Novick interior art. As usual, "top-notch" also describes the condition of this Mile High copy (with white pages, no less). This is one of only two copies that CGC has certified to date, and far ahead of the FN runner-up. Overstreet 2007 NM- 9.2 value = $1,525. CGC census 6/07: 1 in 9.4, none higher.
Top-Notch Comics #14 Mile High pedigree (MLJ, 1941) CGC NM- 9.2 Off-white to white pages. A bondage cover means a damsel in distress, and that means it's time for the Black Hood to swing into action! He's assisted on this spooky-looking cover by the Wizard's sidekick, Roy the Super-Boy. This brightly-colored copy from the Edgar Church collection is the highest-graded example that CGC has certified to date, and the only one graded higher than VF- 7.5. Overstreet 2007 NM- 9.2 value = $1,525. CGC census 6/07: 1 in 9.2, none higher.
Magazines
Tops #1 (Lev Gleason, 1949) Condition: FN/VF. Rare attempt at a larger-sized "adult" comic book, featuring great art by Reed Crandall, George Tuska, Dan Barry, and others. Charles Biro drew the cover and scripted some stories. Only one other issue of this title would follow. This copy is flat and attractive, without the usual storage problems associated with oversized comics. Overstreet 2007 FN 6.0 value = $354; VF 8.0 value = $738.
Golden Age (1938-1955)
Tough Kid Squad Comics #1 Kansas City pedigree (Timely, 1942) CGC VF+ 8.5 Cream to off-white pages. One and only issue of the title featured the origin and first appearance of the Human Top and the Tough Kid Squad. Overstreet calls it "scarce", and CGC lists this and one other copy at the top of its census. No other copy has graded higher than FN/VF 7.0. Overstreet 2007 VF 8.0 value = $6,797; VF/NM 9.0 value = $11,649. CGC census 6/07: 2 in 8.5, none higher.
Treasure Comics #1 Vancouver pedigree (Prize, 1945) CGC NM 9.4 White pages. The outstanding copy from the Vancouver stash will make more than a few collectors take notice of this relatively obscure title, whose characters were a bit on the esoteric side -- Paul Bunyan, Marco Polo, Carrot Topp, and Highwayman. Henry Kiefer, best known for his prolific work on Gilberton's Classics series, provided cover and interior art. Overstreet 2007 NM- 9.2 value = $640. CGC census 5/07:2 in 9.4, none higher.
Treasure Comics #5 Vancouver pedigree (Prize, 1946) CGC VF/NM 9.0 White pages. Marco Polo cover. Bernie Krigstein and Henry Kiefer art. Overstreet 2007 VF/NM 9.0 value = $240; NM- 9.2 value = $325. CGC census 6/07: 1 in 9.0, 1 higher.
True Aviation Picture Stories #1 Vancouver pedigree (Parents' Magazine Institute, 1942) CGC NM 9.4 White pages. Also known as True Aviation Comics Digest, the title that appears on the cover. Overstreet 2007 NM- 9.2 value = $165. CGC census 6/07: 1 in 9.4, none higher.
True Comics #2 Vancouver pedigree (True, 1941) CGC NM- 9.2 White pages. Red Cross story. Art by Bill Everett and John Daly. Truly amazing page quality. Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 1 in 9.2, none higher.
Two-Fisted Tales #18 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. First issue -- numbering was continued from Haunt of Fear, which had picked up the numbering from Gunfighter, formerly Fat & Slat! We can't make this stuff up! Back to the issue at hand, Harvey Kurtzman did the cover and some of the interior art, as did Al Feldstein, Wally Wood, and Johnny Craig. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $1,475. CGC census 6/07: 1 in 9.6, 2 higher.
Two-Fisted Tales #19 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. After reviewing Harvey Kurtzman's work before and after this title, it's hard to believe this somber comic book came from the same guy. Kurtzman scripted and provided interior art, and created the disturbing cover scene. Johnny Craig also scripted, and he, Wally Wood, and John Severin provided interior art. CGC has certified this as a Gaines File Copy, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $1,085. CGC census 6/07: 4 in 9.6, 1 higher.
Two-Fisted Tales #20 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Harvey Kurtzman was a triple threat on this title, writing and editing, while drawing the cover and an interior story. Additional interior work came from Jack Davis, Wally wood, John Severin, and Bill Elder. Despite the issue number, this was just the third issue of the title. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $685. CGC census 5/07: 2 in 9.6, 1 higher.
Two-Fisted Tales #22 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. Breathtaking copy earns the highest grade yet for the issue. Of course it's from the Gaines Files. Harvey Kurtzman scripted a story, created the cover, and did interior art for a story. Also helping with interior art were Alex Toth, Jack Davis, Wally Wood, John Severin, and Bill Elder. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $560. CGC census 6/07: 3 in 9.8, none higher.
Two-Fisted Tales #23 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Harvey Kurtzman provides both cover and story art to this issue, which also features Jack Davis, Wally Wood, and the team of John Severin and Bill Elder on story art. Although noted by CGC as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $425. CGC census 6/07: 3 in 9.6, none higher.
Two-Fisted Tales #24 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Beautiful copy has been surpassed in grade by just one other in CGC's census. Harvey Kurtzman provided cover and story art, with Jack Davis, John Severin (with Bill Elder), and Wally Wood also contributing interior art. Overstreet 2007 NM- 9.2 value = $425. CGC census 5/07: 4 in 9.6, 1 higher.
Two-Fisted Tales #32 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white pages. If the cover looks different from other issues in the run -- and it does -- it's because Wally Wood did it, his only cover for this title. Interior art came from Wood, Jack Davis, Joe Kubert, and Johnny Craig. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $315. CGC census 6/07: 2 in 9.4, 1 higher.
Uncle Sam Quarterly #3 (Quality, 1942) CGC NM- 9.2 White pages. George Tuska rendered this issue's cover featuring the character who embodies America. Will Eisner added interior art to the issue. Overstreet 2007 NM- 9.2 value = $1,375. CGC census 6/07: 2 in 9.2, none higher.
Variety Comics #2 Vancouver pedigree (Rural Home, 1945) CGC NM 9.4 White pages. Captain Valiant appearance. Marvin Stein cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 1 in 9.4, none higher.
Vault of Horror #19 Gaines File pedigree (EC, 1951) CGC NM 9.4 Off-white pages. Advice to most anyone on an EC cover: Be careful of what you wish for! At least be more specific! Johnny Craig's smart cover is backed by interior art by Craig, Jack Davis, Jack Kamen, and Graham Ingels. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $750. CGC census 6/07: 2 in 9.4, 6 higher.
Vault of Horror #20 Gaines File pedigree (EC, 1951) CGC NM+ 9.6 White pages. Johnny Craig put his stamp on this title as no other, scripting and providing all the cover art, plus interior artwork for all but two issues. Jack Davis, Jack Kamen, and Graham Ingels gave Craig a hand with interior art for this issue. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $620. CGC census 6/07: 2 in 9.6, 5 higher.
Vault of Horror #24 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. This copy is unsurpassed in grade in CGC's current census for issue #24. A Johnny Craig mini-biography with photo is a highlight of this issue, which sports Craig scripts, story art, and cover art. Graham Ingels, Joe Orlando, and Jack Davis also contributed interior art. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $620. CGC census 6/07: 3 in 9.6, none higher.
Vault of Horror #31 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Besides the delightful, gruesome cover by Johnny Craig, a highlight of the issue was an adaptation of a story by Ray Bradbury, plus a bio and photo of the sci-fi great. Craig, Graham Ingels, Joe Orlando, and Jack Davis helped with the interior art. CGC hasn't certified a higher grade for issue #31. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $510. CGC census 6/07: 4 in 9.6, none higher.
Vault of Horror #32 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white pages. It's a censored cover by Johnny Craig, but what exactly was censored you ask? An ax and an associated head wound! 'Nuff said! Craig, Jack Davis, George Evans, and Graham Ingels were the story artists. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $510. CGC census 6/07: 2 in 9.4, 5 higher.
Vault of Horror #33 Gaines File pedigree (EC, 1953) CGC NM/MT 9.8 White pages. Something awfully creepy about this cover... oh, yeah! It's by Johnny Craig and it's an EC horror mag, so...duhhh! Reed Crandall, Jack Davis, George Evans, and Graham Ingels drew the story art. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $510. CGC census 6/07: 4 in 9.8, none higher.
Vault of Horror #37 Gaines File pedigree (EC, 1954) CGC NM+ 9.6 Off-white to white pages. Johnny Craig continued to push the envelope of acceptable topics for a funny book cover with this hanging scene. He also drew one of the interior stories, as did Al Williamson, Graham Ingels, and Jack Davis. This issue featured the first appearance of Drusilla, a Vampirella look-alike. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $520. CGC census 6/07: 3 in 9.6, 2 higher.
Vault of Horror #40 Gaines File pedigree (EC, 1954) CGC NM/MT 9.8 Off-white pages. The last issue of the title had a Johnny Craig cover, just as the first issue and every issue in-between. Interior art was handled by Craig, Graham Ingels, Bernie Krigstein, and Joe Orlando. Overstreet notes this issue had "low distribution", which makes this unbelievable copy even more special. CGC has certified this as from the Gaines Files, but a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $620. CGC census 6/07: 2 in 9.8, none higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC VF+ 8.5 Off-white pages. Finest copy we've ever offered of this issue, and one of the finest copies CGC has certified to date. New Donald Duck stories by Carl Barks begin. Walt Kelly cover. Overstreet 2007 VF 8.0 value = $2,131; VF/NM 9.0 value = $3,616. CGC census 6/07: 1 in 8.5, 2 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC VF+ 8.5 Off-white pages. Three of the top pencil-wielders in all of Disneydom contributed here -- witness Carl Barks on Donald Duck, Floyd Gottfredson on Mickey Mouse, and Walt Kelly on the Gremlins!
Overstreet 2007 VF 8.0 value = $538; VF/NM 9.0 value = $869. CGC census 6/07: 3 in 8.5, 2 higher.
Overstreet 2007 VF 8.0 value = $538; VF/NM 9.0 value = $869. CGC census 6/07: 3 in 8.5, 2 higher.
War Against Crime #10 Gaines File pedigree (EC, 1949) CGC NM/MT 9.8 Off-white to white pages. This is the most valuable issue in the 11 issue run -- by far -- because it has the first Vault Keeper and first Vault of Horror. The features, of course, would soon essentially take over the book, as the title became Vault of Horror after the next issue. And what a copy! The CGC-certified grade says it all! Johnny Craig did the cover, and Craig and Al Feldstein furnished interior art. While CGC has certified this as from the Gaines Files, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $3,250. CGC census 6/07: 5 in 9.8, 1 higher.
War Stories #7 Vancouver pedigree (Dell, 1943) CGC NM- 9.2 White pages. Night Devils appearance. Bob Jenny cover and art. Overstreet 2007 NM- 9.2 value = $235. CGC census 6/07: 1 in 9.2, none higher.
Weird Fantasy #15 (#3) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Al Feldstein's covers graced the first 18 issues of the title, and this one's mighty impressive on this sterling copy, one of just three that CGC has awarded a grade higher than NM 9.4. Feldstein, Harvey Kurtzman, Jack Kamen, and Wally Wood did the interior art. Although CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 6/07: 2 in 9.6, 1 higher.
Weird Fantasy #17 (#5) Gaines File pedigree (EC, 1951) CGC NM 9.4 White pages. Exquisite copy of one of the earliest issues of EC's groundbreaking title. Check out the Al Feldstein cover -- it's right there with the best space scenes of L. B. Cole. Feldstein, Harvey Kurtzman, Wally Wood, and Jack Kamen provided the interior art. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $850. CGC census 6/07: 2 in 9.4, 2 higher.
Weird Fantasy #8 Gaines File pedigree 9/12 (EC, 1951) CGC NM 9.4 Off-white to white pages. One look is enough -- it has to be another Gaines File Copy! Al Feldstein's cover looks mah-velous! Feldstein, Wally Wood, Jack Kamen, and George Roussos provided the interior art for this issue. Overstreet 2007 NM- 9.2 value = $705. CGC census 6/07: 2 in 9.4, 3 higher.
Weird Science #14 (#3) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. The stupendous robot/end of the world cover by Al Feldstein is one of his best, and this copy is just a smidge below the best CGC has certified to date. Of course it's from the Gaines Files -- where else do you get this grade for ECs? Feldstein, Harvey Kurtzman, Harry Harrison, and Jack Kamen provided the interior art. While CGC has certified this as a Gaines File Copy, no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,395. CGC census 6/07: 6 in 9.6, 1 higher.
Weird Science #15 (#4) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Cream to off-white pages. Our pristine offering is tied with three other copies from the Gaines Files for the honor of highest-graded copy in CGC's census. Al Feldstein wrote a War of the Worlds - type story, created the associated cover, and drew the story itself for this issue, including an atomic explosion panel. Harvey Kurtzman, Jack Kamen, and Graham Ingels also contributed interior art. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,295. CGC census 6/07: 4 in 9.6, none higher.
Weird Science #5 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white pages. We're offering lots of comic books that elicit the question, "Where the heck has that copy been?" And the answer is frequently, "In Bill Gaines' closet for a few decades, that's where!" Al Feldstein's atomic explosion cover is awesome enough anyway, but in 9.8 -- it is mind-blowing! Interior artists include Feldstein, Wally Wood, Harvey Kurtzman, and Jack Kamen. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $985. CGC census 6/07: 4 in 9.8, 1 higher.
Weird Science #8 Gaines File pedigree (EC, 1951) CGC NM/MT 9.8 Off-white pages. Holding out for something nicer? Dream on, pal -- this is as fine a copy as there is of issue #8. That's no surprise, coming from the Gaines Files and all. Al Feldstein did the cover and some interior art. His associates Wally Wood, Jack Kamen, and George Roussos also contributed interior art. CGC has certified this as a Gaines File Copy, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $800. CGC census 6/07: 3 in 9.8, none higher.
Western Action Thrillers #1 (Dell, 1937) Condition: FN/VF. Here's a 100-pager we had previously seen only in much lower grades. Note that CGC does not encapsulate this issue because of its unusual format (it's taller than a regular Golden Age book). Overstreet 2007 FN 6.0 value = $258; VF 8.0 value = $538.
Western Comics #3 Mile High pedigree (DC, 1948) CGC NM 9.4 White pages. This is the only copy of the issue that CGC has certified to date. The Wyoming Kid, Vigilante, and Rodeo Rick appear. The cover art is by Howard Sherman. Overstreet 2007 NM- 9.2 value = $415. CGC census 6/07: 1 in 9.4, none higher.
Western Comics #5 Vancouver pedigree (DC, 1948) CGC NM+ 9.6 White pages. You won't be able to see it on our scan, but this copy might have the whitest white pages we have ever seen on a Golden Age book. The condition blew us away, and if you hadn't given much thought to the Vancouver pedigree before, you might want to re-think that stance. We've seen the Mile High copy, and this one's nicer! The issue has the first appearance of Nighthawk, in a story with Charles Paris art. The issue's other range-riders are the Wyoming Kid (drawn by Howard Sherman on the cover and inside the book) and Rodeo Rick. Overstreet 2007 NM- 9.2 value = $345. CGC census 6/07: 1 in 9.6, none higher.
Whiz Comics #26 (Fawcett, 1942) CGC VF/NM 9.0 Off-white to white pages. We hadn't seen a copy anywhere near this nice before, and from outside the slab it's not evident what might have kept this one from 9.2 honors. With such superb cover colors you can really enjoy the cover art of C. C. Beck. Overstreet 2007 VF/NM 9.0 value = $616; NM- 9.2 value = $850. CGC census 6/07: 2 in 9.0, 1 higher.
Whiz Comics #28 Rockford pedigree (Fawcett, 1942) CGC VF/NM 9.0 Off-white pages. C. C. Beck is the cover artist here. Overstreet 2007 VF/NM 9.0 value = $616; NM- 9.2 value = $850. CGC census 6/07: 2 in 9.0, 1 higher.
Whiz Comics #38 (Fawcett, 1942) CGC NM- 9.2 Off-white to white pages. C. C. Beck is the cover artist. Overstreet 2007 NM- 9.2 value = $500. CGC census 6/07: 1 in 9.2, none higher.
Willie Comics #5 Mile High pedigree (Marvel, 1946) CGC NM+ 9.6 White pages. This one doesn't seem to surface that often in any grade -- much, much less in high grade, and never at this ridiculous grade except here! CGC has certified just two copies of #5, and the other one's lagging behind a bit at FN 6.0. This was the first issue of the title and featured Nellie the Nurse and Georgie backup stories. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 1 in 9.6, none higher.
Wings Comics #1 (Fiction House, 1940) CGC VF+ 8.5 Cream to off-white pages. We love our Fiction House around here, and here's an obvious reason why. It's the first issue of one of the flagship titles of the publisher, with a great grey tone cover. Interior artists include Gene Fawcette, George Tuska, and Arthur Peddy. Overstreet 2007 VF 8.0 value = $1,650; VF/NM 9.0 value = $2,675. CGC census 6/07: 4 in 8.5, 2 higher.
Witness #1 Vancouver pedigree (Marvel, 1948) CGC NM 9.4 White pages. Both The Photo-Journal Guide to Comics Books and Overstreet agree -- this is a scarce issue. In this condition: scarcer than scarce -- like, only one like this, dude! The only issue of the title featured a cover by Don Rico (suggests Overstreet), or Charles Nicholas (says The Photo-Journal), or maybe even Syd Shores. Inside is featured the first appearance of the Witness, and story art by Shores and Ken Bald. Overstreet 2007 NM- 9.2 value = $3,000. CGC census 6/07: 1 in 9.4, none higher.
Wonderland Comics #1 Vancouver pedigree (Feature, 1945) CGC NM+ 9.6 White pages. Alex in Wonderland begins. Howie Post cover and art. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 1 in 9.6, none higher.
Wonder Woman #1 Rockford pedigree (DC, 1942) CGC VF- 7.5 Off-white to white pages. How big of a hit was Wonder Woman? Well, this first issue of her own title came out only about half a year after her debut in All Star Comics #8, and she had spent the interim appearing monthly in Sensation Comics. This first issue of the new title started a four-decade run. She has been called "the only mythological character to flourish in the comics format," and we can't think of another to do so until Thor appeared some two decades later. Wonder Woman's early adventures, written by William Moulton Marston and drawn by H. G. Peter, still fascinate today. As you might expect from a #1 issue, the heroine's origin story is retold and expanded upon here. Overstreet 2007 VF 8.0 value = $17,500. CGC census 6/07: 4 in 7.5, 6 higher.
Wonder Woman #1-12 Bound Volume (DC, 1942-45). The earliest issues of Wonder Woman are tricky to find in general, a bound volume of the first couple of years' worth is a truly breath-taking find. Highlights include not only the origin of Wonder Woman, but also the first appearances of some of her most enduring foes. Included are copies of issues #1 (covers and art by H. G. Peter begin), #2 (origin and first appearance of Mars), 3, 4, #5 (first appearance of Dr. Psycho), #6 (first appearance of Cheetah), 7, 8, 9, #10 (classic "Invasion From Saturn" sci-fi cover), 11, and 12 that have been trimmed and bound into a hardcover volume. This is the first such volume of Golden Age Wonder Woman issues we've ever had the privilege to offer. The books are in wonderful condition with bright, glossy covers and supple pages, with only moderate tanning and wear, as well as an unfortunate tear to the front cover and a couple of loose pages to issue #1. The binding is solid, and the hardcover show some mild edge and corner wear and scuffing, with the outer layer of the spine heavily split and beginning to separate from the volume. An astounding item. Overstreet 2007 VG 4.0 value for group = $8,634.
World's Best Comics #1 (DC, 1941) CGC FN+ 6.5 Off-white pages. The reason why there's no issue #1 of World's Finest is because the premiere issue was World's Best! Fred Ray drew the cover -- at that time it was still quite a novelty to see Batman and Superman together, and the Best/Finest covers were the about the only place they were seen together for many years. Overstreet 2007 FN 6.0 value = $4,236; VF 8.0 value = $10,000. CGC census 6/07: 4 in 6.5, 11 higher.
World's Finest Comics #4 (DC, 1941) CGC VF 8.0 Off-white to white pages. The World's Finest team of Superman, Batman, and Robin ski down to greet the readers on this breezy Fred Ray cover, while Bob Kane, Harry Lampert, Cliff Young, and Howard Purcell supply the artistic thrills inside. Hop Harrigan joins the cast, which also includes Sandman, Crimson Avenger, and Zatara. Only two other copies of issue #4 surpass this square bound beauty in the current CGC census. Overstreet 2007 VF 8.0 value = $1,606. CGC census 6/07: 1 in 8.0, 4 higher.
World's Finest Comics #6 (DC, 1942) CGC FN/VF 7.0 Off-white to white pages. Every time we check the census for this book there's no copy graded higher than 7.5, and as of this writing that still hasn't changed! That makes this copy one of the nicest ones out there. This issue features the series debut of the new "superhero" Sandman by Simon and Kirby (the character had sported his traditional "gas mask" look until this time). The issue also has the Star-Spangled Kid's debut in this title as well as the only Aquaman story of the series' entire Golden Age run. And let's not forget the book's stars, Batman and Superman, or the great patriotic cover by Fred Ray. Overstreet 2007 FN 6.0 value = $567; VF 8.0 value = $1,181. CGC census 6/07: 4 in 7.0, 3 higher.
World's Finest Comics #13 (DC, 1944) CGC VF/NM 9.0 Off-white pages. Jerry Robinson provided the cover and some interior art for this issue. The grade is practically unheard-of for these early cardboard covers. Overstreet 2007 VF/NM 9.0 value = $1,394; NM- 9.2 value = $1,925. CGC census 6/07: 3 in 9.0, 2 higher.
World Famous Stories #1 Vancouver pedigree (Croyden, 1945) CGC NM+ 9.6 White pages. Only issue of the title. Features Ali Baba, Hansel and Gretel, Rip Van Winkle, and a Mid-Summer Night's Dream. Only copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 1 in 9.6, none higher.
Wow Comics #23 Pennsylvania pedigree (Fawcett, 1944) CGC VF/NM 9.0 Off-white pages. Robot cover. Jack Binder art. Overstreet 2007 VF/NM 9.0 value = $274; NM- 9.2 value = $370. CGC census 6/07: 2 in 9.0, 1 higher.
Wow Comics #39 Crowley Copy pedigree (Fawcett, 1945) CGC NM 9.4 Off-white to white pages. This issue's roll call includes Mary Marvel, Commando Yank, Mr. Scarlet and Pinky, and the Phantom Eagle. This copy's from the collection of Fawcett editor Wendell Crowley. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 1 in 9.4, none higher.
Zip Comics #1 Windy City pedigree (MLJ, 1940) CGC VF- 7.5 Cream to off-white pages. Those early MLJ comics were sure loaded with great superhero fare like this issue's Steel Sterling cover, drawn by Charles Biro. Origin stories of the Scarlet Avenger, Kalthar the Giant Man, and Steel, as well as the debuts of Mr. Satan and Captain Valor, make this book a real winner. This title has long been a favorite with Golden Age collectors, and with this exceptionally nice copy of the first issue, it's easy to see why. Other than some mild dust shadowing, it looks almost as fresh as the day it sold for a thin silver dime! Overstreet 2007 VF 8.0 value = $3,542. CGC census 6/07: 2 in 7.5, 4 higher.
Memorabilia
Buster Brown Antics (Frederick A. Stokes Co., 1906) Condition: GD+. One of the first true stars of the American newspaper comics was R. F. Outcault's mischievous Buster Brown. Reprints of his strips were very popular, with several publishers offering collections of strip reprints. Here's the fourth book from the first publisher, a 66 pager (with color printing on one side of each page) measuring 11" x 16 3/8". Overstreet 2007 GD 2.0 value = $400.
Buster Brown the Busy Body (Cupples and Leon, 1909) Condition: VG. Here's an attractive copy of the fourth Cupples and Leon collection of Buster Brown strips, featuring 62 pages of color printing (on one side of each page), on white paper. This copy displays nicely, but has a 1" hole in the cardboard back cover. Overstreet 2007 GD 2.0 value = $129; FN 6.0 value = $475.
Buster Brown on His Travels (Cupples and Leon, 1910) Condition: FN. Outcault's wildly popular Buster Brown travels the globe in this 58 page, 11" x 16" edition, featuring color strips printed on one side of each page. Overstreet 2007 FN 6.0 value = $402.
Dick Tracy Paint Book (Whitman, 1935) Condition: FN+. Chester Gould's famous detective strip stars in an 11.25" x 14" coloring book, the first of the series. Listed as "scarce" in Bill Crouch and Larry Doucet's 1990 Authorized Guide to Dick Tracy Collectibles, with a value of $175-200. Not listed in Overstreet. Hake's Price Guide 6th Edition FN value = $150; NM value = $300.
Donald Duck #nn (Grosset & Dunlap, 1936). A 36-page hardcover. The book itself looks FN to VF from outside, we grade it VG overall because many of the pages to color have been colored in. The dust jacket is GD/VG. Note that Overstreet lists separate values for the book and jacket, with no combined value. Overstreet GD value for jacket = $80; VG value for jacket = $160; VG value for book = $660.
The Doo Dads - Sleepy Sam and Tiny the Elephant (Universal Feature Specialty Co., 1922) Condition: VF. This is a real rarity -- not only do we have an excellent copy of this early Arch Dale strip reprint book but the original mailing envelope as well! Two of the pages inside were tastefully colored with crayons. Overstreet 2007 VF 8.0 value = $250.
Flash Pinback (1942). This pin of the helmeted Jay Garrick was sent to everyone who sent in the survey coupon in All-Flash #6 -- it's said that the first thousand not only got the pin, but a copy of issue #7 (a ten-cent value... back then). While the accompanying letter is not included here, it's worth noting that the pin with letter was dubbed one of the 20 rarest comic memorabilia items by Comic Book Marketplace in 1991. Hake's Price Guide Fine value = $1,500; Near Mint value = $3,000.
Foxy Grandpa, Latest Adventures Of (M. A. Donahue, 1905) Condition: FN. By Carl "Bunny" Schulze. While Overstreet lists this 9" x 15" book as being available in 28, 52, and 68-page versions, this evidently complete copy has 66 interior pages including covers. It's in full color, though only one side of each page is printed on. Very nice pages for a Platinum Age book. Slight bug chew at the very edges of a few pages. Overstreet 2007 FN 6.0 value = $365.
The Lone Ranger and His Horse Silver Punch-Out Book #965 (Whitman, 1940) Condition: NM-. "Less than 10 known," says Hake's Price Guide, which designates the item as "rare." Considering even the cover of this book consists of punch-outs, how hard would it be to find another NM- copy! A beautiful specimen. Not listed in Overstreet. Hake's Price Guide 6th Edition Near Mint value = $5,000.
Mad #7 Cover Proof - Signed by Harvey Kurtzman (EC, 1953). Hoo-hah! This cover proof has an overall size of 8.75" x 12", and is in Very Good condition. The proof was signed at a later date with Harvey Kurtzman's famous cartoon signature.
Mad #9 Cover Proof - Signed by Harvey Kurtzman (EC, 1954). This cover proof has an overall size of 8.75" x 12.25", and is in Very Good condition. The proof was signed at a later date with Harvey Kurtzman's hallmarked cartoon signature.
Mickey Mouse and his Friends #904 (Whitman, 1936) Condition: VF/NM. An appealing 12-pager in full color. Not listed in Overstreet.
Clifford McBride's Immortal Napoleon and Uncle Elby (The Castle Press, 1932) Condition: VG/FN. Very early collection of pen-and-ink Napoleon strips, plus one-panel gags by McBride. Signed and inscribed on the inside first page. Soft-cover book measures approximately 12" x 17". Overstreet 2007 FN 6.0 value = $144.
Adventures of Peck's Bad Boy (Stanton & VanVilet, 1906) Condition: FN+. One of the earliest stars of the comics, Walt McDougal's Peck's Bad Boy was a hugely popular character, one who later became a star of films as well. This is the first book collection, reprinting Sunday strips in color. For a book this old, it's remarkably fresh-looking, with great cover color and nice page quality. Overstreet 2007 FN 6.0 value = $400.
Walt Disney's Pinocchio (Whitman, 1939) Condition: VF. Some color scrapes along the spine are the only defects of this super-sharp copy. The book was designed to be colored in, but there are no interior markings. Not listed in Overstreet.
Popeye Funny Films #2093 (Saalfield, 1934) Condition: FN/VF. Nice uncut version of 10" x 15.75" activity book, featuring "film strips" and Thimble Theater viewers. Not listed in Overstreet.
Superman Coloring Book (Saalfield, 1940) Condition: FN. Very early color and paint book (the first of three from this publisher) featuring the Man of Steel. A very few pages were colored in. Not listed in Overstreet; listed in Hakes's 1993 Guide to Comic Character Collectibles with a value = $150.
Two-Fisted Tales #18 Cover Proof - Signed by Harvey Kurtzman (EC, 1950). This cover proof has an overall size of 8.75" x 11.75", and is in Very Good condition. The proof was signed at a later date with Harvey Kurtzman's trademarked cartoon signature.
Session 3
Original Comic Art
Neal Adams and Dick Giordano - Batman #243, page 12 Original Art (DC, 1972). Shapely Molly Post shares the limelight with Batman in page twelve from the classic Ra's Al Ghul tale, "The Lazarus Pit." This page has an image area of 10" x 15", and the art is in Excellent condition.
Carl Anderson - Magazine Illustration Original Art (undated). Carl Anderson, the famous creator of Henry, penned this domestic scene with a free and easy ink line. Even before Henry, the talented Anderson had a long cartooning career. He drew for both the Pulitzer and the Hearst papers and for such magazines as Judge, Puck, and Collier's. This charming piece has an overall size of 12" x 9.5", and the art is in Very Good condition.
Brent Anderson - Ka-Zar the Savage #14 Cover Original Art (DC, 1982). Ka-Zar finds himself atop a runaway Triceratops, in this power-packed cover illustration by Brent Anderson. The art has an image area of 10" x 15", and is in Excellent condition.
Alfred Andriola - Kerry Drake Daily Comic Strip Original Art (Field Enterprises, undated). Crisp, streamlined artwork is the hallmark of this handsome Kerry Drake daily. This daily has a date of 2-25, but the year is unknown. This episode has an image area of 16.5" x 5.5", and the art is in Excellent condition.
Ross Andru and Mike Esposito - Our Army at War #16, page 1 Original Art (EC, 1953). A "Traffic Cop Soldier" takes a ribbing from his frontline comrades in this early DC war comic's "story hook" set-up. The image area of this title page measures 13" x 18", and the condition of the page is Excellent.
Ross Andru and Mike Esposito - The Flash #179, page 13 Original Art (DC, 1968). The Scarlet Speedster ponders the possibility of parallel Earths in page 13 from "The Flash Fact or Fiction." As a Decidedly Cool "bonus," panel five features a mini-version of the cover to Flash #172. This page has an image area of 10" x 15", and aside from a few small stains in panel three, the art is in Excellent condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 4-page Story "The Ace of Spades" Original Art (Klevart Enterprises, 1972). Ross Andru and Mike Esposito's story, "Ace Of Spades," brought down a rain of controversy on the creators. According to Andru, "We were trying to expose that ridiculous line of prejudice that people possess without thinking. They're so stupid that they're prejudiced against themselves and they don't know what they're talking about." Each page of this controversial tale has an image area of 11" x 15". In Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 9-page Story "Garlic Man" Original Art (Klevart Enterprises, 1972). Hotdog pushcart peddler, Wilford Klutz has the misfortune of riding his bike across ground zero of an experimental garlic bomb, only to become "Garlic Man," in this nine page tale by Ross Andru and Mike Esposito. Inked and toned on Craftint paper, each page has an image area of 11" x 15". In Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 6-page Story "Greta Garish" Original Art (Klevart Enterprises, 1972). Ross Andru and Mike Esposito's venture into self-publishing, Up Your Nose and Out Your Ear was set to be a direct competitor to Mad, but unfortunately never made it past the first issue. Greta Garish was a personal favorite of both Ross and Mike. Will Greta find fame and fortune, or will she settle for love and happiness? Each page has an image area of 11" x 15". In Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, page 4 and 36 Original Art (Klevart Enterprises, 1972). This group includes the one page "Joe Snow's All-Natural Fertilizer Factory," and the one page "The Land of Nurd," both pages created by Ross Andru and Mike Esposito for their self-published magazine, Up Your Nose and Out Your Ear. Includes two pieces of production art for an alternative "Pick Your Nose!" page. Each page has an approximate image area of 11" x 15" (the production art has an image area of 8.5" x 11"). In Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 2-page Story "Monsieur Gogo" Original Art (Klevart Enterprises, 1972). Traveler extraordinaire, Monsieur Gogo, opens his photo album on his trip to New York City, in this double page story by Ross Andru and Mike Esposito. Each page has an image area of 11" x 15", and is in Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 7-page Story "Thelma of the Apes" Original Art (Klevart Enterprises, 1972). Raised by apes, "gorilla girl" Thelma tries to make it in a modern world, in this swingin' seven pager by Ross Andru and Mike Esposito. Each page has an image area of 11" x 15". In Very Good condition.
Ross Andru and Mike Esposito - Up Your Nose and Out Your Ear #1, Complete 3-page Story "The Trials and Tribulations of Homer (Screwball) Kowalski" Original Art (Klevart Enterprises, 1972). A young baseball star copes with the troubles of life, fame, and women, in this three page tale created by Ross Andru and Mike Esposito for their self-published magazine, Up Your Nose and Out Your Ear. Each page has an image area of 11" x 15". In Very Good condition.
Jim Aparo - Aquaman #42, page 10 Original Art (DC, 1968). Jim Aparo was renowned among his peers for his infallible ability to pencil, ink, and letter one page of sensational comic art a day. This Bronze Age gem hails from the thriller, "Is This My Foe?," and it features Aquaman battling his nemesis, the Black Manta. This page has an image area of 10" x 15", and aside from a few small stains in panel three, the art is in Excellent condition.
Sergio Aragones - Specialty Drawing Original Art (2001). A paramour finds he's sung one song too many, in this energetic pen and ink illustration by Sergio Aragones. Rendered in ink with light blue pencil shading, the art has an image area of 13.5" x 10". Matted and framed and in Excellent condition.
Gus Arriola - Gordo Daily Comic Strip Original Art, dated 12-3-51 (United Feature Syndicate, 1951). Pepito seems a bit worried about the safety of this merry-go-round. The image area of this daily measures 19" x 5", and the art is in Excellent condition.
Gus Arriola - Gordo Sunday Comic Strip, dated 9-4-60 (United Feature Syndicate, 1960). Lovely Conchita is the stuff dreams are made of in this hilarious Gordo Sunday. The image area measures 22.5" x 15", and the condition is Excellent.
George Baker - Sad Sack Sunday Comic Strip Original Art, dated 4-13-52 (Bell Syndicate, 1952). The Sad Sack faired no better in civilian life that he did in the army, so he soon re-enlisted. George Baker's "bigfoot" cartooning is a scream, as always. The image area of this outrageous Sunday measures 21.5" x 14", and the art is in Excellent condition.
Kyle Baker - Howard the Duck: The Movie #3 Cover and Page Original Art, Group of 22 (Marvel, 1987). Writer Danny Fingeroth, and artist Kyle Baker tackle the official comics adaptation of "Howard the Duck," in this set of 22 pages. Includes the cover illustration and pages 1-4, 6, 8, 9, 11, 13-15, 17-20, 22, 24, 25, 27, 29, and 30 of "Duck Day Afternoon." Each page has an image area of 10" x 15", and, aside from soiling on page one, and scattered soiling and marker bleeding, the art averages in Good condition.
Ken Bald - Dark Shadows Sunday Comic Strip Original Art, dated 10-17-71 (King Features Syndicate, NEA/Dan Curtis Productions, Inc., 1971). Ken Bald's "photorealistic" art style was a key ingredient to this feature's success. Mister Sinestra and Barnabas Collins star in this chiller. The image area of this strip measures 24" x 16". There are some glue stains left behind from where the Zipatone has slipped off the art; otherwise, the art is in Very Good condition. Ken Bald signed the strip in its next-to-last panel. From the Jim Logan Collection.
Carl Barks - "Spoiling the Concert" Oil Painting Original Art (1973). "Spoiling the Concert" was Carl Barks' 65th painting and the 11th "money bin," the very next "money bin" image he rendered after "This Dollar Saved My Life at Whitehorse", which is generally considered to be the best of them all. Many collectors and experts agree that Barks had a "golden age," a short period in which he produced his very best work. Unlike many Barks paintings, "Spoiling the Concert" has never been reproduced as a print or limited edition lithograph, nor as part of a calendar, or in any other format. It is emerging from a private collection for the first time in 30 years. Several focal points of this dazzling composition are arranged so as to lead the eye around the design in a circular movement, with the cash register serving as the main focal point. Poor Donald can hardly be expected to do much work while Uncle Scrooge sings at the top of his voice. In addition to the money bin details, including many individual coins, this painting is aglow with rich lighting effects. This scene also tells a story -- note that the Huey, Dewey, and Louie are winding up and releasing little mechanical mice, destined to disrupt the rapture with which Uncle Scrooge "plays" the ledger-as-sheet-music. The larger foreground figures combine with other background details to produce a striking three-dimensional effect. The composition, mood, lighting, and theme (both obvious and implied) all combine to present a near-perfect realization of the Scrooge McDuck legacy. Any Barks collector would be thrilled to add this remarkable oil painting to his or her collection. The overall size of this oil on masonite masterwork measures 16" x 20". The painting is in Excellent condition and it's nicely presented in a handsome frame with a brass plaque stating its title.
Carl Barks - "The Diligent Headhunter" Preliminary Sketch Original Art (1979). This incredibly detailed signed preliminary for Carl Barks' "The Diligent Headhunter" painting is from his series of "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl" watercolors. All the wacky details are in place -- the mounted heads on sticks, the "doctor's bag" full of useful items like ether and hypodermic syringes, and a set of handcuffs on a chain, ready to use! The original art appeared in the limited-edition book Animal Quackers, and had the Barks number 79-07. This piece, in graphite and red pencil on vellum, measures 10.5" x 13", and is in Excellent condition. Wak!
Ken Barr -True Magazine Illustration Original Art (Fawcett, undated). An eagle comes to the defense of a wounded man against a grizzly bear, in this dynamic painting by Ken Barr. Rendered in acrylic on heavy illustration board, the art measures 28" x 16.5", and is in Excellent condition.
Ken Barr - Marvel Preview #8 Cover Original Art (Marvel, 1976). Blade the Vampire Slayer and Morbius the Living Vampire are featured on this moody effort. Rendered in acrylic on heavy illustration board, the art has an image area of 12.75 x 17", and is in Excellent condition. Signed by Ken Barr at the lower right. Includes a copy of Marvel Preview #8.
John Berkey - "King Kong" Poster Painting Original Art (Paramount Pictures, circa 1976). John Berkey, the celebrated poster artist of "Star Wars" and "Star Trek", and other films, created a series of power-packed paintings starring King Kong for promotion of the 1976 Paramount Pictures film. Many of these images later appeared on everything from drinking glasses to album covers. For this spectacular scene, Berkey did a jaw-dropping job of capturing the feral fury of King Kong's life and death struggle with a giant constrictor snake. This painting has an image area of 22.5" x 19", and the art is in Excellent condition.
Simon Bisley - Melting Pot: Book Four Cover Illustration Original Art (Kitchen Sink, 1994). This magnificent image of Lord Tyler in battle graced the cover of Kevin Eastman and Simon Bisley's Melting Pot: Book Four. Painted by renowned artist, Simon Bisley, this luminous illustration is filled with excellent detail and heavy impasto texturing. Rendered in acrylic on illustration board, the art has an image area of 14" x 23", and is in Excellent condition.
Simon Bisley - Batman vs. Predator II: Blood Ties Trade Paperback Cover Original Art (DC/Dark Horse, 1995). "A brash young Predator renews the hunt for the Batman, but while Batman is hunted by the Predator, hired assassins also pursue the Dark Knight. Swept into this deadly game is Batman's occasional ally, the Huntress, and a duo of Predator enforcers." Leave it to the one and only Simon Bisley to capture the spine-tingling thrills of this mini-series in one explosive image. This pulse-pounding painting has an image area of 23.5" x 19.25", and the art is in Excellent condition.
Simon Bisley - Mutant Chronicles: Golgotha #3 Cover Illustration Original Art (Acclaim, 1996). Five megacorporations struggle for dominance against one another and against the unholy might of the Dark Legion, in the four-issue mini-series, Mutant Chronicles: Golgotha. Simon Bisley tackles this issue's cover with gusto in a frenzy of power and motion. Rendered in acrylic on heavy illustration board, the art measures 11.5" x 16.5". In Excellent condition.
Video Games
Simon Bisley - Heavy Metal: Geomatrix Game Cover Illustration Original Art (Sega Dreamcast, 2001). Thugs and gangs use cyberspace to wage battles against one another, in Kevin Eastman and Simon Bisley's post-apocalyptic 3-D arena shooter game, Heavy Metal: Geomatrix. This edgy cover illustration was created for the game box by character designer Bisley. Rendered in mixed media on heavy illustration board, the art has an image area of 15" x 17". In Excellent condition. Signed by Simon Bisley at the lower right.
Original Comic Art
Simon Bisley - Point Blank #3 Cover Original Art (Wildstorm, 2002). WildCat Grifter is ensnared in a deadly game of cat and mouse when his old Team 7 associate, John Lynch, is viciously attacked, in the Ed Brubaker mini-series, Point Blank. This cover illustration by the legendary Simon Bisley is rendered in mixed media and measures 12.5" x 18.5". In Excellent condition. Signed with the Simon Bisley monogram "Biz" at the bottom left.
Simon Bisley - Hulk/Wolverine: 6 Hours #3 Cover Original Art (Marvel, 2003). Covering just six hours in "real time," writer Bruce Jones' mini-series, Hulk/Wolverine: 6 Hours, pits two of Marvel's biggest box-office giants in a race against a ticking clock and on-the-run drug dealers to save the life of a young boy. This stunning Simon Bisley cover illustration was rendered in acrylic on a sheet of heavy illustration board. The art measures 11.5" x 16.5", and is in Excellent condition. Signed by Simon Bisley at the lower right.
Animation Art
Mary Blair - "Cinderella" Animation Concept Painting Original Art (Disney, 1950). This outstanding concept illustration by Mary Blair features the Prince and the glass slipper. Rendered in tempera on heavy illustration paper, the art has an image area of 10" x 12". In Excellent condition.
Mary Blair - "Alice in Wonderland" Animation Concept Painting Original Art (Disney, 1951). Mary Blair's magnificent sense of color and design shines in this whimsical concept painting of Alice and the Caterpillar, one of the most memorable scenes in Disney's "Alice in Wonderland." Rendered in tempera on heavy illustration paper, the art has an image area of 9" x 10". In Excellent condition.
Mary Blair - "Alice in Wonderland" Animation Concept Painting Original Art (Disney, 1951). The White Rabbit opens the shutters of his cottage, in this splashy Mary Blair concept painting from Disney's "Alice in Wonderland." Rendered in tempera on heavy illustration paper, the art has an image area of 9" x 10". In Excellent condition.
Mary Blair - "Peter Pan" Animation Concept Painting Original Art (Disney, 1953). Peter Pan holds the wounded Tinkerbell after the explosion of the Lost Boys' hideout, in this spectacular concept painting by Mary Blair. A similar artwork from this sequence can be seen in John Canemaker's book, The Art and Flair of Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9" x 9". In Excellent condition.
Original Comic Art
Alex Blum - Classics Illustrated #86 "Under Two Flags" Painted Cover Original Art (Gilberton, 1951). This brilliantly colorful painting by Alex Blum illustrated the cover for the adaptation of Ouida's Under Two Flags. The classic Foreign Legion romance tells the tale of the honorable Bertie Cecil, who enlists for a military life of danger and hardship (as well as romance) under the blazing Algerian sun, in order to protect his younger brother and a noble lady. Painted on masonite board, this piece has an image area of 11.5" x 17.25". There is tape on the border outside the image area, and some masonite chipping at the edges, otherwise the piece is in Very Good condition.
Brian Bolland - Batman: The Killing Joke, page 32 Original Art (DC, 1988). This explosive page would be any fan's choice as one of the most desirable in Alan Moore's graphic novel Killing Joke -- Batman and the Joker don't meet until the story is almost over, but what a showdown it is when they do. At stake among other things is the life of Commissioner Gordon, seen in the background here. Brian Bolland scored a critical hit at DC with his art on the Camelot 3000 mini-series, and his earlier work on the Judge Dredd stories in 2000 A.D. Weekly had established him as a top talent in the field. For most comic fans, he secured a place in the comic-book hall of fame with his work on this powerful story. Note that this lot is being auctioned without a reserve! The image area of this page measures 10" x 15.75", and the art is in Excellent condition.
Wayne Boring - Superman #200, page 9 Original Art (DC, 1967). For many "Super-fans," Wayne Boring drew the definitive Brainiac and the arch-villain takes center stage in page nine of the yarn, "Super-Brother Against Super-Brother." This page has an image area of 10" x 15", and the art is in Very Good condition.
Berke Breathed - Bloom County Daily Comic Strip Original Art, dated 1-29-87 (Washington Post, 1987). Opus seeks to buy an "Arnold Schwartzenegger (sic) Barbell Set" from a none to tactful exercise equipment salesman in this Berke Breathed daily. Heritage has previously offered only three Bloom County strips to date and we are very pleased to be able to offer this one. The image area measures 16" x 5.5" and the piece is in Excellent condition.
Berke Breathed - Bloom County Daily Comic Strip Original Art, dated 10-20-88 (Washington Post, 1988). Here is a scarce item, one of only a few Bloom County strips that Heritage has ever offered. Opus laments on the current state of the world, in this Berke Breathed daily. The image area measures 16" x 5.5" and the strip is in Excellent condition. Don't miss your chance to own a Breathed strip. They don't come up for sale too often!
Mark D. Bright and Rich Burchett - DC Sneak Preview #1 Cover Original Art (DC, 1991). Green Lantern and the Justice Society of America highlight the cover of this giveaway comic book. Penciled by Mark D. Bright, and inked by Rich Burchett, the art has an image area of 10" x 15" and is in Excellent condition. Signed by Mark D. Bright at the bottom right. From the Fantastic Frank Collection.
Sol Brodsky - Kid Colt #105, Complete 5-page Story "Lawmen Never Die" Original Art (Marvel, 1962). This rootin-tootin' yarn about brains over brawn was drawn by one of Marvel's most stalwart bullpenners, Jolly Solly Brodsky. It's Western action, Marvel style. The image area of each page measures 12.5" x 18.5", and the art is in Excellent condition. Saddle up and bid!
Rick Brown - "Disney Christmas" Promotion Illustration Original Art (Disney, undated). It's a holly, jolly Christmas with Mickey, Minnie, Donald, Daisy, Goofy, Huey, Dewey, Louie, Chip 'n Dale, and Pluto, courtesy of Disney artist Rick Brown. Rendered in acrylic on heavy illustration board, the art has an image area measuring 16.5" x 7.5". In Excellent condition.
Rick Brown - "Mickey Mouse" Promotional Illustration Original Art (Disney, 1982). Mickey sits on a parapet of the signature Disney castle reading a tale, in this thrilling illustration by Rick Brown. Rendered in acrylic on heavy illustration board, the art has an image area measuring 14" x 17". In Excellent condition.
Rick Brown - "The Little Mermaid" Promotional Poster Illustration Original Art (Disney, 1989). This colorful poster illustration of Ariel and her undersea friends is a joy to behold! An artist with a national reputation, Rick Brown's impressive client list includes Disney, NFL properties, Universal Studios, Milton Bradley, Chevron USA, and the Bradford Exchange. Rendered in acrylic on heavy illustration board, the art has an image area measuring 13" x 19". In Excellent condition.
Rick Brown - "Mickey Mouse and Pluto" Promotion Illustration Original Art (Disney, 1991). Lights, camera... Mickey! Disney artist, Rick Brown illustrates the most universally known and loved cartoon character in the world in this dynamic illustration. Rendered in acrylic on heavy illustration board, the image area measures 12.5" x 12.5". In Excellent condition.
Dik Browne - Hi and Lois Sunday Comic Strip Original Art, dated 10-28-62 (King Features Syndicate, 1962). Hi discovers that taking a picture of Trixie is not child's play in this Dik Browne Sunday. The strip has an image area of 21" x 14". Some light soiling; otherwise the art is in Very Good condition.
Marge Buell - Little Lulu Panel Original Art, dated 11-9-35 (Saturday Evening Post, 1935). Little Lulu is up to her usual hilarious hijinks in this gag, the thirty-fifth one to be printed. With an image area of 6.5" x 7", and drawn using ink and grey washes, the art is in Excellent condition.
John Buscema and Bob McLeod - Conan the Barbarian #126, Splash page 1 Original Art (Marvel, 1981). Conan finds himself stranded somewhere in the shadow-haunted Stygia, in this first splash page for the story, "The Blood Red Eye of Truth!," written by J. M. DeMatteis. The image area measures 10" x 15", and the art includes the original indicia paste-up copy. In Excellent condition.
John Buscema and Rudy Nebres - Savage Sword of Conan #88, page 44 Original Art (Marvel, 1983). Mitra help us! Stunning John Buscema pencils finished in ink and ink wash by Rudy Nebres illuminate this page from the Michael Fleisher story, "Isle of the Hunter." The image area measures 11" x 17", and aside from tape stains in the upper and lower edges, the condition is Excellent.
John Buscema - Avengers #57 Cover Recreation Original Art (undated). Behold ...the Vision. John Buscema recreated one of his most striking covers from the late Silver Age, and arguably one of his most popular Marvel Comic covers ever, spotlighting the first Silver Age appearance of the Vision. The image area of this art measures 10" x 15", and the work is in Excellent condition. John Buscema inked the art and signed the piece at the lower center.
Sal Buscema and Joe Staton - The Avengers #134, page 22 Original Art (Marvel, 1975). Agatha Harkness mentors the Scarlet Witch in the science of witchcraft, much to Moondragon's dismay, in this scene from "The Times That Bind." The pairing of artists Sal Buscema and Joe Staton made for a tasteful Bronze Age team-up. This page has an image area of 10" x 15", and the art is in Excellent condition.
Ernie Bushmiller - Nancy Sunday Comic Strip Original Art, dated 7-9-44 (United Feature Syndicate, 1944). Nancy finds out "what goes 'round, comes 'round" in this witty Sunday. This side-splitter has an image area of 22.5" x 14.5", and aside from glue stains in the title logo, the art is in Very Good condition. From the Jim Logan Collection.
Ernie Bushmiller - Nancy Sunday Comic Strip Original Art, dated 1-13-52 (United Feature Syndicate, 1952). Life's a funny bowl of water for Nancy in this dazzling Ernie Bushmiller Sunday. The image measures 22.5" x 15". Aside from some staining to the title logo, and light soiling along the edges, this strip is in Very Good condition.
Ernie Bushmiller - Fritzi Ritz Sunday Comic Strip Original Art, dated 9-25-60 (United Feature Syndicate, 1960). After years of dealing with Nancy, Fritzi Ritz knows how to handle a brat. The image area of this superb Sunday measures 22.5" x 15", and the art is in Excellent condition.
Ernie Bushmiller, Al Posen, Lank Leonard, and John Spranger - Specialty Sketch Original Art, Group of 4 (undated). Specialty sketches featuring Nancy and Sluggo, Sweeney and Son, Mickey Finn and Uncle Phil, and Simon Templar, the Saint are the focus of this group lot. The sketches range in overall size from 7" x 8.5" to 9.5" x 10.5", and the art averages Very Good condition.
Jeffrey Butler - The Green Hornet #2, page 14 Original Art (Now Comics, 1990). Another criminal out of commission, courtesy of the Green Hornet and Kato, in this page from the Ron Fortier storyline. The art has an image area of 10" x 15" and is in Excellent condition. Signed by Jeffrey Butler at the lower right.
Jeffrey Butler and David Mowry - The Green Hornet #6, page 4 Original Art (Now Comics, 1990). The official new Green Hornet dons the mask to go after the killers of Britt Senior, in this page from the Ron Fortier storyline. The art has an image area of 10" x 15" and is in Excellent condition. Signed by Jeffrey Butler at the lower right. Includes a copy of The Green Hornet #6.
John Byrne and Pablo Marcos - Avengers #165, page 30 Original Art (Marvel, 1977). Wonder Man faces the monstrous, mind-staggering power of Count Nefaria, in this page penciled by John Byrne and inked by Pablo Marcos. This is John Byrne's second issue as penciler of this title, and there's a Captain America cameo to boot! The image area of this page measures 10" x 15", and aside from some light soiling along the edges, the condition is Very Good. Signed by Pablo Marcos in the final panel.
John Byrne and Dan Green - Iron Fist #15, page 26 Original Art (Marvel, 1977). A simple misunderstanding forces Danny Rand to battle the Uncanny X-Men, in this page from the Chris Claremont story, "Enter, the X-Men." With appearances by Banshee and Storm, and penciled by John Byrne and inked by Dan Green, this page is sure to please any X-Men fan! Plus this X-Men appearance drawn by Byrne precedes his run on the X-Men title! The image area measures 10" x 15" and the art is in Excellent condition.
John Byrne and Dan Green - Power Man #49, page 31 Original Art (Marvel, 1978). Misty Knight forces Gadget to cough up a tape which proves Power Man's innocence, in this final page from the Chris Claremont tale, "Seagate Is a Lonely Place To Die!" The image area measures 10" x 15", and aside from some printer's oil staining along the right edge, is in Very Good condition.
John Byrne and Terry Austin - X-Men #124, page 10 Original Art (Marvel, 1979). Cyclops and Nightcrawler take center stage in this dauntless death trap scene from the yarn, "He Only Laughs When I Hurt," based in Arcade's Murderworld. Terry Austin's crisp inks provided a brilliant Bronze Age finish for John Byrne's power-packed pencils on this blockbuster. This page has an image area of 10" x 15", and the art is in Excellent condition.
John Byrne and Terry Austin - X-Men #141, page 30 Original Art (Marvel, 1981). The New Brotherhood of Evil Mutants -- Mystique, Destiny, Pyro, Avalanche, and the Blob -- find themselves head on against Storm, Colossus, Wolverine, Angel, Nightcrawler, and Kitty Pryde, in this stupendous page from the memorable Chris Claremont tale, "Days of Future Past." The image area of this page measures 10" x 15", and, aside from some very light soiling along the upper two corners, and three trimmed edges, the condition is Very Good. Signed by John Byrne and Terry Austin in the final panel.
John Byrne - Avengers West Coast #49, page 14 (Marvel, 1989). Captain America finds himself at the receiving end of a pummeling by She-Hulk, in this page from the John Byrne tale, "Baptism of Fire!" The art has an image area of 10" x 15" and is in Excellent condition. Signed by John Byrne in the first panel.
John Byrne and Bob Wiacek - The Sensational She-Hulk #1, Page Original Art, Group of 3 (Marvel, 1989). It's She-Hulk vs. the Ringmaster and his Circus of Crime, in pages 22, 24, and 25 of "Second Chance," written and penciled by John Byrne. Each page has an image area of 10" x 15", and is signed by John Byrne along the lower edge. In Excellent condition.
Milton Caniff - Puffy the Pig Comic Strip Panel Original Art, dated 7-11-32 (A. P., 1932). You'll have a hard time finding an earlier or more offbeat example of Milton Caniff's comic strip cartooning than this lighthearted "funny animal" feature. This precious panel has an image area of 5" x 5.5", and the art is in Very Good condition. From the Jim Logan Collection.
Milton Caniff - Dickie Dare Daily Comic Strip Original Art, dated 2-12-34 (A. P., 1934). Shades of "Little Big Man," in this episode, Dickie Dare is there at the Little Big Horn with General Custer and his men. This thriller has an image area of 24" x 5", and the art is in Excellent condition. This daily was signed by Milton Caniff in its lower border. From the Jim Logan Collection.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 1-10-35 (Chicago Tribune, 1935). In the history of comic strip art, Terry and the Pirates was a landmark. It became a masterpiece of storytelling coupled with crisp, elegant artwork, and Milton Caniff virtually redefined the adventure strip. Expert use of black shadows and panel layout give this piece fasted-paced drama. This strip has an image area that measures 20" x 6", and aside from some edge wear and light soiling, the art is in Excellent condition. This daily was signed and inscribed by Milton Caniff in its upper border. From the Jim Logan Collection.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 1-25-44 (Chicago Tribune, 1944). Four panels of high-flying Milton Caniff action highlight this World War II-era Terry. This episode features masterful inking, as always, by one of the mainstays of action-adventure cartooning. This strip has an image area of 21.5" x 6.5". The condition of the art is Good, with a bit of paper aging evident and a crease through panel two. This daily was signed and inscribed by Milton Caniff in its final panel, "For Jim Logan who lived this stuff ...with thanks for his continued interest. Milton Caniff, N. Y., 1967, Feb." From the Jim Logan Collection.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 11-13-44 (Chicago Tribune, 1944). Three panels of lovely Milton Caniff gals are the highlights of this World War II-era Terry. This daily features masterful inking, as always, by one of the pillars of action-adventure cartooning. The image area of this strip is 21.5" x 6.5", and the condition of the art is Excellent.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 4-2-46 (Chicago Tribune, 1946). In the later years of his run on Terry, Milton Caniff had refined his storytelling techniques to perfection -- note the dramatically lit backgrounds and authentic costuming. This daily has an image area that measures approximately 21.5" x 6.5", and aside from some mild paper aging, the art is in Excellent condition. From the Jim Logan Collection.
Milton Caniff - Terry and the Pirates Sunday Comic Strip Original Art, dated 11-29-42 (Chicago Tribune, 1942). Rouge suffers her Waterloo at the hands of Sgt. Terry Lee in this starkly shadowed Sunday. Milton Caniff's plotting, characterization, and dialogue were just as influential on action-adventure cartoonists as his superb draftsmanship. This Sunday's image area measures 19" x 26". The strip was cut between panel tiers two and three and the paper has some stains, creases, and shows signs of paper aging; otherwise, the art is in Good condition. This Sunday was signed and inscribed by Milton Caniff in its upper border. From the Jim Logan Collection.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 9-11-48 (Field Syndicate, 1948). Milton Caniff heats things up a bit in this Cold War-era daily. The image area of this strip is 21.5" x 6.5". There is some mild paper aging; otherwise, the art is in Excellent condition. This strip was signed and inscribed by Milton Caniff in its upper border. From the Jim Logan Collection.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 7-24-65 (Field Enterprises, 1965). The Cold War cunning continues in this suspense-filled Steve Canyon daily. This strip has an image area of 22" x 6.5", and the art is in Excellent condition. This strip was signed by Milton Caniff in its first panel.
Milton Caniff - Steve Canyon Sunday Comic Strip Original Art, dated 11-14-48 (Chicago Sun-Times, 1948). Milton Caniff was a master of the romantic "courting dance" that takes place between men and women of all ages. The image area of this Sunday measures 24.5" x 16". Each panel was cut out and glued to a larger support paper, with the art then "extended" to fill the borders. Part of the title logo stat is missing, and there are some light glue stains; otherwise, the art is in Good condition. From the Jim Logan Collection.
Milton Caniff - "Miss Lace" Chalk Talk Sketch Original Art (undated). The stuff that G. I. dreams were made of, Miss Lace, is the focus of this 36" x 36" chalk talk drawing. This piece was discovered in an abandoned Theatre in Rochester, New York, and the art is in Very Good condition.
Milton Caniff - "Cheetah" Chalk Talk Sketch Original Art (undated). The Steve Canyon femme fatal, the Cheetah, takes the limelight in this incredible 59" x 36" chalk talk drawing. Milton Caniff would often give chalk talks as moral boosters at National Cartoonist Society events and this piece featuring the Latin American showgirl is in Very Good condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art (United Feature Syndicate, 1934). Even though he looks a bit different, he's still the same ol' Li'l Abner, Although this strip is dated 1936 in its copyright notice, it's actually the 23rd episode and hails from 1934. Also, take note, the strip is signed Al G. Cap rather than Al Capp. Here's a chance to own an early example from the strip's first year. The image area measures approximately 22" x 5", and is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 4-17-39 (United Feature Syndicate, 1939). The gorgeous Daisy Mae takes center stage in this early episode, as she searches high and low for Marryin' Sam. This strip has an image area of 22" x 5.5", and the art is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 4-9-43 (United Features Syndicate, 1943). Moonbeam McSwine struts her stuff in all four panels of this delightful daily. The image area of this smoking hot strip measures 22" x 5.75", and the art is Very Good condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 12-1-48 (United Feature Syndicate, 1948). The delectable Wolf Gal is the highlight of this Sadie Hawkins gag from 1948. This daily has an image area of 22" x 6" and aside from some mild paper aging, the art is in Excellent condition. From the Jim Logan Collection.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 4-22-49 (United Feature Syndicate, 1949). Li'l Abner' and Mammy star in this daily titled "Nature In The Raw." This terrific four-panel daily features the inimitable Al Capp approach to satire. The image area of this strip is approximately 22" x 6". The piece has been trimmed closely to its panel borders; otherwise, the art is in Very Good condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 9-12-51 (United Feature Syndicate, 1951). The satiric genius of Al Capp shines in each panel of this outrageous daily. The image area of this rib-tickler measures 22" x 6", and the art is Very Good condition.
Al Capp - Li'l Abner Daily Comic Strip, "Sadie Hawkins Day" Original Art, dated 11-1-57 (United Feature Syndicate, 1957). Emergency! Mammy Yoakum alerts the bachelor gals of Dogpatch that the annual Sadie Hawkins Day race has been abolished. This daily was drawn during that period when Frank Frazetta was assisting on the feature, and with the buxom beauties in this daily, it appears he may have had a hand in the art. The American folk event, Sadie Hawkins Day, made its debut in the November 15, 1937 strip. Sadie was "the homeliest gal in the hills "who grew tired of waiting for the fellows to come a-courtin'." Her pa, Hekzebiah, fretted about Sadie living at home for the rest of his life, so he decreed the first annual Sadie Hawkins Day, a foot race in which the unmarried gals pursued the town's bachelors, with matrimony the consequence. By the late thirties the event had left the comics page and swept the nation with a life of its own. The image area of this delightful daily is approximately 18.75" x 5.5", and the art is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art featuring Fearless Fosdick, dated 3-1-61 (United Feature Syndicate, 1961). Hide the women and children -- Fearless Fosdick is back on the police force! The image area of this rib-tickler measures approximately 18.5" x 5.5". The title logo stat is missing; otherwise, the condition is Excellent.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 1-26-39 (United Feature Syndicate, 1939). Li'l Abner has his hands full writing Sentimental Sally's love letter column. This superb early Sunday, from the feature regarded by many as the greatest comic strip of all time, has an image area of approximately 19" x 22". The title logo tier is missing. The strip was cut between each panel tier and later rejoined; otherwise, the art is in Good condition. From the Jim Logan Collection.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 6-22-41 (United Feature Syndicate, 1941). Li'l Abner remains one of the most beloved humor features of all time. The strip showcased a cast of zany characters and Li'l Abner and Daisy Mae are joined by Marryin' Sam for this episode. The art was cut between each panel tier and has since been rejoined, to create an image area of 18.75" x 26". The art retains its original title stat, and this strip is in Very Good condition. From the Jim Logan Collection.
Nick Cardy - Strange Sports Stories #1 Cover Original Art (DC, 1973). Sports and fantasy fans will love this unusual Nick Cardy cover illustration for the first issue of Strange Sports Stories. The art has an image area of 10" x 15", and includes all the original logo, and masthead paste-up art. Some light paper tanning, soiling, and glue staining; otherwise the art is in Very Good condition. Includes a copy of Strange Sports Stories #1.
Nick Cardy - The Flash #225 Cover Original Art (DC, 1974). The Flash and Professor Zoom (the Reverse-Flash) shake hands in front of a captive Green Lantern, in this tense cover illustration by Nick Cardy for the story, "Green Lantern, Master Criminal of the 25th Century." The art has an image area of 10" x 15", and includes all the original logo, and masthead paste-up art. Some light paper tanning, soiling, and glue staining; otherwise the art is in Very Good condition. Includes a copy of The Flash #225.
John Celardo - Tarzan Sunday Comic Strip Original Art, dated 7-31-60 (United Feature Syndicate, 1960). The virile art style of John Celardo stets the stage for a Tarzan film-making adventure in this Sunday from the sixties. The image area of this strip measures 22" x 15", and the art is in Excellent condition.
Howard Chaykin - Cody Starbuck Pin-Up Original Art (1974). Howard Chaykin's grand space opera, Cody Starbuck, allowed him to experiment with a variety of artistic styles and techniques. This energetic pen and ink illustration has an image area of 13" x 15". Some light soiling; otherwise the art is in Very Good condition. Signed by Howard Chaykin at the bottom left. From the Fantastic Frank Collection.
Classics Illustrated #27 (Sixth Printing) "The Adventures of Marco Polo" Cover Painting Original Art (Gilberton, 1960). The thrilling allure of exciting adventures in foreign lands is captured in this rousing battle charge. This battle scene is painted so realistically, you can practically taste the dust. The image area of this painting measures 10.5" x 15" and the art is in Excellent condition.
Classics Illustrated #50 (Seventh Printing) "Adventures of Tom Sawyer" Cover Painting Original Art (Gilberton, 1957). Add a piece of pure Americana to your original art collection -- the uproarious cover scene to the Classics Illustrated version of Mark Twain's immortal classic, Adventures of Tom Sawyer. The overall size of this painting measures 18.5" x 26.5" and the art is in Excellent condition.
Classics Illustrated #61 (Second Printing) "The Woman in White" Cover Painting Original Art (Gilberton, 1960). The eerie drama of Wilkie Collins' "sensation novel," The Woman in White, is beautifully realized in this haunting cover scene for the Classics Illustrated version. "Sensation novels" are considered by many scholars to be the precursors to today's mystery novels. This painting has an image area of 14.5" x 21", and the art is in Excellent condition.
Classics Illustrated #99 (Second Printing) "Hamlet" Cover Painting Original Art (Gilberton, 1954). Murder most foul is revealed to Hamlet by the ghost of his father in this chilling scene, based on William Shakespeare's Hamlet. The blockbuster, based on the work of the Bard, has an image area of 12.5" x 18". There are paper surface pulls at the top and bottom of the image; otherwise, the art is in Very Good condition.
Classics Illustrated #113 "The Forty-Five Guardsmen" Painted Cover Original Art (Gilberton, 1953). A dramatic, explosive, painting by an anonymous artist made a fitting cover for The Forty-Five Guardsmen, a tale by Alexander Dumas set in 16th Century France, full of the rich historical detail, rousing action, and gripping characters that mark the best of Dumas' work. Painted on illustration board, this piece has an image area of 13.5" x 16.25". There are tape stains and chipping on the border outside the image area, and the paint surface shows some soiling (probably paper residue, stuck to wet varnish), otherwise the piece is in Good condition.
Classics Illustrated #132 (Second Printing) "The Dark Frigate" Cover Painting Original Art (Gilberton, 1959). In Charles Boardman Hawes' novel, a terrible accident forces orphaned Philip Marsham to flee seventeenth century London in fear for his life. Bred to the sea, he signs on with the "Rose of Devon," a dark frigate bound for the quiet shores of Newfoundland. This sea-going sensation has an image area of 10.5" x 15.5" and the art is in Excellent condition.
Gene Colan and Frank Giacoia - Tales of Suspense #90, page 12 Original Art (Marvel, 1967). Iron Man faces off against the Melter, in this final page from the story, "The Golden Ghost!," written by Stan Lee, penciled by Gene Colan, and inked by Frank Giacoia. The image area measures 12.5" x 18.5". In Excellent condition.
Gene Colan and Joe Sinnott - Captain America #117, page 20 Original Art (Marvel, 1969). This final page is from the landmark first appearance of the Falcon, "The Coming of the Falcon," written by Stan Lee, penciled by Gene Colan, and inked by Joe Sinnott. The image area measures 10" x 15", and aside from a tear in the top left and right corners (outside of the image area), the art is in Excellent condition. Signed by Joe Sinnott along the top edge. Includes two photos of Joe Sinnott holding the page on the day he autographed the work.
Gene Colan and Ernie Chan - Daredevil #96, page 28 Original Art (Marvel, 1973). Daredevil locks horns with the Man-Bull in this thriller from "The Widow Will Make You Pay." This page has an approximate image area of 10" x 15", and the art is in Excellent condition. Ernie Chan signed the page in its lower border.
Gene Colan and Dan Green - Avengers Advertisement Splash Page Original Art (Marvel, 1982). The Avengers assemble to pay tribute to some of the Marvel bullpen in this whimsical scene. This page has an image area of 10" x 15", and the art is in Excellent condition.
Gene Colan and Tom Palmer - Shazam/Dracula Illustration Original Art (2001-03). The Lord of the Damned attempts to take a bite out of the Big Red Cheese, in this phenomenal illustration by penciler, Gene Colan, and inker, Tom Palmer. In the 1970s, Colan drew 70 issues of the terrifying Marvel series, The Tomb of Dracula. By defining his style rather than allowing the Marvel house style to shape his work, Colan created a substantial approach to linear art. Flowing from a loose spray of lines, Colan's outstanding use of light and shade is arguably without equal in comics. The art has an image area of 13.5" x 19.5" and the condition is Excellent. Signed by Gene Colan and Tom Palmer at the bottom.
Tim Conrad - Epic Illustrated #5, page 91 Original Art (Marvel, 1981). Artist Tim Conrad and writer Roy Thomas adapt Robert E. Howard's classic tale "Almuric," in this page from the story, "Conclusion." Rendered in mixed media on heavy board, the art has an image area measuring 11.5" x 17.5", and is in Excellent condition. Signed and inscribed by Tim Conrad at the bottom right.
John Costanza and Ross Andru - Up Your Nose and Out Your Ear #1, page 24 and 25 "Count Varicose" Original Art (Klevart Enterprises, 1972). When creating the material for their magazine, Up Your Nose and Out Your Ear, Ross Andru and Mike Esposito were working at Skywald, so the art chores for this "Count Varicose" story were handled by John Costanza. Andru created the layouts, and Costanza finished the work, this story marking one of the few times that Costanza would ink Andru. Rendered in ink on Craftint paper, each page has an image area of 11" x 15". Some paper tanning, and glue staining; otherwise the pages average in Good condition.
Johnny Craig - War Against Crime #9, "Scott Edwards, Treasury Agent" Splash Page 1 Original Art (EC, 1949). When it came to drawing symbolic montages, Johnny Craig was one of the best artists in the field, ranking alongside such masters as Will Eisner and Jack Kirby. Scott Edwards, Treasury Agent chases down the hot leads in his secret files. This page has an image area of 13" x 18.5", and the art is in Excellent condition.
Johnny Craig - Vault of Horror #39, Complete 8-page Story "Deadly Beloved" Original Art (EC, 1954). "Deadly Beloved" is an exquisite example of Johnny Craig's detailed draftsmanship and razor-sharp inking -- we "double-dog dare you" to find a sensuous spine-tingler that can top this thriller. The splash page kicks things off in grand EC style, with a moody masterpiece spotlighting both the vile Vault-Keeper and the delicious Drusilla. After that, panel after panel of gorgeous "good girl" art is accented with masterfully lit, macabre moments that make this fast-paced chiller one of the finest yelp-yarns that Craig ever drew. Each pulse-pounding page has an image area of 13" x 18", and aside from some pasted-on lettering corrections and a title logo replacement, the art is in Excellent condition.
Marie Severin and Johnny Craig - Sub-Mariner #22, page 9 Original Art (Marvel, 1970). Imperious Rex! Marie Severin's art has never looked more polished than in this page from "The Monarch and the Mystic," inked by EC alumnus Johnny Craig. This Bronze Age blockbuster has an image area of 10' x 15", and the art is in Excellent condition.
Johnny Craig - Vault Keeper Sketch Original Art (undated). Don't ask the Crypt Keeper who he's dug this fresh grave for, ghoul-lunatics -- you might not like his answer! Johnny Craig has rendered a detailed pencil portrait of the Keeper. It was most likely done as a tight preliminary study for one of Craig's fabulous commissioned paintings. Craig was a consummate craftsman, and strove for perfection in all of his works; this drawing is superb. The graphite pencil on vellum sketch has an image area of 8" x 11". There are a few pieces out of the upper edge of the vellum, well outside of the image area; otherwise the art is in Excellent condition. It would be a grave mistake to pass by this sensational sketch!
Robert Crumb - Sketchbook Pages Original Art Group (No Publisher, 1961-62). Compulsive doodler Robert Crumb kept his pencils busy in these pages from two different early sketchbooks. Five two-sided pages are from a 5.25" x 8.25" unlined sketchbook, including the title page, listed as "School Note Book 1961"; these pages include hand-lettered notes on school assignments, sketches of people and faces; drawings of Fritz the Cat and other animal characters (including a great sketch of Fritz caught in a draft, with his umbrella blown out); and some partially inked figures, done in brush and pen. One sketch of Mabel includes an added drawing of young Jim, done by brother Charles. The second set of three double-sided pages is on line notebook paper measuring approximately 6.75" x 8.5, and include some tighter pencil sketches from the following year, including schoolgirls, diary entries, self-portraits, and other fascinating goodies. Other than the first title page, which is worn and taped, the pages are in overall Very Good condition.
Robert Crumb - Motor City Comics #2 "Lenore Goldberg" Page Original Art (Rip Off Press, 1970). Merciful Heavens! Here's the shocking eleventh page of the second "Lenore Goldberg and her Girl Commandos" story, featuring a nude (and how!) Lenore escaping the police by running through a busy grocery store. The page is crammed with detail -- check out all the items spilling out of one shopper's cart, all drawn in Crumb's trademark mechanical pen style. The page measures approximately 9" x 13", and has been professionally matted and frame to an overall size of 15.75" x 20", ready to hang on your wall -- if you dare! The art is in Excellent condition.
Jack Davis - Mad #25, "Stark Club," page 2 Original Art (EC, 1955). Here is a rib-tickling Jack Davis illustration for the early Mad feature, "The Stark Club." The image area measures 25.5" x 14". The type elements are missing; otherwise, the condition is Excellent.
Jim Davis - Garfield Daily Comic Strip Original Art, dated 10-18-94 (United Features Syndicate, 1994). We hope you don't take this Jim Davis daily the wrong way! Measuring approximately 15" x 5", this work is in Excellent condition. Signed by Davis in the first panel.
Phil Davis - Mandrake the Magician Sunday Comic Strip Original Art, dated 6-26-55 (King Features Syndicate, 1955). Mandrake, Lothar, and Narda encounter a fantastic butterfly-like alien in a surreal scene that could have been inspired by Lewis Carroll's classic, Alice's Adventures in Wonderland. Phil Davis' smooth, clean rendering makes it all seem possible. This Sunday has an image area of approximately 14" x 21" and the art is in Excellent condition.
Phil Davis - Mandrake the Magician Daily Comic Strip Original Art, dated 3-20-56 (King Features Syndicate, 1956). Mandrake pits his marvelous magic against advanced robotics science in this crisply inked daily. This episode has an image area of 17" x 5", and the strip was inscribed and signed by Phil Davis in 1962.
Billy DeBeck - Barney Google and Snuffy Smith Sunday Comic Strip Original Art, dated 5-10-36 (King Features Syndicate, 1936). Charles "Sparky" Schulz once told fellow cartoonist Morris Weiss that this particular Sunday had the greatest final panel ever drawn for the comics. Hootin' Holler's most notorious son, Snuffy Smith, barely escapes a bloodthirsty lynch mob of his neighbors, thanks to his ever-loving wife, Loweezy. Billy DeBeck's superb pen work shines in this magnificent Sunday and it's easy to see why Charles Schulz was so impressed with the final panel -- it's about as charming and idyllic a redemption scene as ever has been drawn. This superb Sunday has an image area of 17" x 11", and the art is in Excellent condition.
Rudolph Dirks - Katzenjammer Kids Specialty Sketch Original Art (1901). Rudolph Dirks penned this lighthearted specialty piece just four years after the debut of his world famous strip, The Katzenjammer Kids. This piece has an overall size of 12.5" x 7", and the art is in Good condition. The sketch was inscribed, signed, and dated at the lower right.
Rudolph Dirks - The Captain and the Kids Sunday Comic Strip Original Art, dated 9-11-38 (United Feature Syndicate, 1938). Hans, Fritz, and a flock of their feathered friends star in a cacophonous episode of this long-running strip, told with Rudolph Dirks' unique, quirky humor. The image area of this strip measures 20.75" x 13.5". The strip has some stains and edge and corner wear; otherwise, the art is in Very Good condition. From the Jim Logan Collection.
Rudolph Dirks - The Captain and the Kids Sunday Comic Strip Original Art, dated 2-22-53 (United Features Syndicate, 1953). One of the true pioneers of the comic strip, Rudolph Dirks drew the apoplectic pranks of the The Captain and the Kids, off-and-on-again, until 1958, when he passed the strip onto his son, John. The image area of this uproarious strip measures 22.5" x 15", and the art is in Very Good condition.
animation art
"Dumbo" Storyboard Drawing Original Art (Disney, 1941). You won't be able to resist this adorable storyboard image of Dumbo and his ever-loving mother from Disney's Academy Award-winning film. Rendered in graphite, the art has an image area of approximately 6" x 4", and aside from some paper tanning, the condition is Excellent.
Original Comic Art
Walt Disney Studios - "Mickey and Minnie" Promotion Illustration Original Art (Disney, undated). Mickey and Minnie walk hand in hand, in this romantic illustration. The line work has been hand-inked onto acetate, and hand-painted on the back. The art has an image area measuring 8" x 8", and is in Excellent condition.
Walt Disney Studios - "Mickey and Minnie" Promotion Illustration Original Art (Disney, undated). Mickey and Minnie keep themselves entertained with a ukulele and some lively dancing in this snazzy illustration. The line work has been hand-inked onto acetate, and hand-painted on the back. The art has an image area measuring 14" x 5.5", and is in Excellent condition.
Greg Wray - "Mickey and the Gang Caroling" Promotion Illustration Original Art (Disney, 1985). Filled with the spirit of the holiday season, this festive illustration by Disney artist, Greg Wray, features Mickey, Minnie, and Goofy belting out a Christmas carol at the front door. Rendered in acrylic on heavy illustration board, the art has an image area measuring 9.5" x 12". In Excellent condition.
Walt Disney Studios - Donald Duck Children's Book Illustration Original Art (Disney, undated). Farmer Donald encounters an angry goat in this children's book illustration. The line art has been photocopied onto acetate, which lays over the hand-painted watercolor background art. The art has an image area measuring 9" x 9.5", and is in Excellent condition.
Walt Disney Studios - "Snow White and the Seven Dwarfs" Children's Book Illustration Original Art (Disney, undated). Snow White and the seven dwarfs share a happy moment under the watchful eye of the diabolical Old Witch, in this lively illustration. The line art has been photocopied onto acetate, and painted on the reverse side. The background art is watercolor on illustration board. The art has an image area measuring 9" x 9", and is in Excellent condition.
Walt Disney Studios - "Doc, Grumpy, and Dopey" Promotion Illustration Original Art (Disney, 1985). The personalities of three of the seven dwarfs from Disney's first animated feature, "Snow White and the Seven Dwarfs," shine in this charismatic and beautiful airbrushed illustration. Rendered in mixed media on heavy illustration board, the art has an image area measuring 10" x 10". In Excellent condition.
Walt Disney Studios - "Happy, Bashful, Sneezy, and Sleepy" Promotion Illustration Original Art (Disney, 1985). Diamond mine workers, Happy, Bashful, Sneezy, and Sleepy, are lovingly airbrushed with great attention to detail in this promotional illustration for Disney's "Snow White and the Seven Dwarfs." Rendered in mixed media on heavy illustration board, the art has an image area measuring 10" x 10". In Excellent condition.
Walt Disney Studios - "Beauty and the Beast" Promotion Illustration Original Art (Disney, 1991). This enchanting illustration features lovely Belle and her hairy beau, Beast, waltzing together in a recreation from one of the memorable scenes in Disney's "Beauty and the Beast." The line work has been hand-inked onto acetate, which lays over hand-painted watercolor background art. The art has an image area measuring 16" x 9", and is in Excellent condition.
Luis Dominguez - Weird Mystery Tales #19 Cover and Cover Preliminary Original Art (DC, 1975). This creepy cover illustration by Luis Dominguez is sure to "bug" you! With a 10" x 15" image area, the work includes all the original title and masthead paste-up art. Also includes a preliminary sketch rendered in graphite, which also has a 10" x 15" image area. The cover art has some light soiling and paper tanning along the logo paste-up; otherwise both items are in Very Good condition.
Luis Dominguez - Romance Illustration Original Art (undated). Hot and heavy romance is waiting to happen in this lushly painted Luis Dominguez illustration. This sultry scene has an image area of 10" x 16", and the art is in Excellent condition.
Luis Dominguez - Pirate Woman Painting Original Art (undated). A beautiful, buxom pirate takes center stage in this painted illustration and gives new meaning to the term "booty call." Measuring an overall 18" x 14", and painted on illustration board, the art is in Very Good condition.
William Donahey - The Teenie Weenies Sunday Comic Strip Original Art, dated 12-27-59 (Chicago Tribune - NY News Syndicate, 1959). The Teenie Weenies bravely feed a kitty in this whimsical illustration by pen and ink master William Donahey. This playful piece has an overall size of 23" x 11.5", and the art is in Very Good condition.
Clarence Doore (attributed) - Baseball Home Plate Painting Original Art (undated). The dramatic tension of a ball player sliding home is captured in this action-packed painting. The image has the look and feel of a pulp cover, and this work was probably done for one of the many sports pulps, for a title such as Complete Sports, Super Sports, or Baseball Stories. The overall size of the painting measures 13" x 19". There are a few areas where the paint has flaked from the surface of the board, otherwise, the condition of the art is Good. "Beat the tag," and get your bid in early on this great painting.
Stan Drake - Heart of Juliet Jones Daily Comic Strip Original Art, dated 3-23-61 (King Features Syndicate, 1961). Lovely Juliet and Eve Jones star in this episode. This strip has an image area of 18" x 5.25", and aside from yellowed Zipatone, the art is in Very Good condition.
Mike Dubisch - "Weirdling: The Dream" Illustration Original Art (Kitchen Sink, 1996). After originally appearing as an inside back cover in an issue of Death Rattle, and also on the cover of a limited edition comic book, Weirdling #1, this image is also slated to appear as the cover of Mike Dubisch's forthcoming novel, Weirdling. This piece has an image area of 13" x 19.5", and the art is in Excellent condition.
Mike Dubisch - The Rifter #4 Cover Original Art (Palladium Books, 1998). Mike Dubisch presents "monsters on parade" in this spine-tingling scene for a gaming book cover. This watercolor and ink on paper painting has an overall size of 13.5" x 17.5", and the art is in Excellent condition. A copy of the book is included in this lot.
Michael Dubisch - Faiths and Pantheons "Orc Group" Illustration Original Art (Wizards of the Coast, 2001). Michael Dubisch brings the Orc pantheon to brutal life in this atmospheric illustration, which was published on page 149 of Faiths and Pantheons. Rendered in mixed media on heavy paper, the image area measures 22.75" x 14.5". In Excellent condition. Signed by Michael Dubisch at the lower left.
Mike Dubisch - "Bat Gurl" Illustration Original Art (PODgallery, 2007). Here's a blood-chilling femme fatale - Mike Dubisch offers up his slinky vision of an offbeat, eerie, and sexy, bat-themed heroine. This piece has an overall size of 14" x 20", and the art is in Excellent condition.
Mike Dubisch - "The Children of Cthulu" Illustration Original Art (PODgallery, 2007). This chiller, based on the famous H. P. Lovecraft characters, has an overall size of 14" x 20", and the art is in Excellent condition.
Mike Dubisch - "Cyclops Planet" Illustration Original Art (PODgallery, 2007). Welcome to a weird world of one-eyed wonders -- this image was published as a print from PODgallery. This original, a watercolor and ink on paper painting, has an overall size of 14" x 20" and the art is in Excellent condition.
Mike Dubisch - "The Necronomicon" Illustration Original Art (PODgallery, 2007). The H. P. Lovecraft mythos serves as the basis for this eerie tableau. This piece has an overall size of 14" x 20", and the art is in Excellent condition.
Jan Duursema - Wonder Woman #294 Unused Cover Original Art (DC, 1982). Wonder Woman plays the game of "bullets and bracelets" with the Blockbuster on this unused cover. The lush inks add a touch of glamour to the Amazon princess, while the Blockbuster remains characteristically feral. The image size is 10" x 15", and the art is in Excellent condition. Talk about the "arms race" -- the Blockbuster is hurling artillery shells, rather than everyday ol' bullets -- please don't try this at home folks!
animation art
Eyvind Earle - "Lady and the Tramp" Animation Concept Painting Original Art, Group of 2 (Disney, 1955). Color stylist and production designer Eyvind Earle painted these two concept illustrations, featuring Lady and Tramp walking in a moonlit park, and an image of the gazebo. Both were rendered in tempera on heavy illustration board, each measuring approximately 10" x 5". Matted and framed and in Excellent condition. Both are signed at the bottom right by Eyvind Earle.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). In the tower room, a rejoicing Maleficent stands over the the dead Princess Aurora and the cursed spinning wheel, in this concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 10.5" x 5.5", and is in Excellent condition. Signed by Eyvind Earle.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Eyvind Earle presents this majestic image of the Prince on horseback about to jump onto the drawbridge of Maleficent's forbidden castle. Rendered in tempera on heavy illustration board, the art measures 10.5" x 5.5", and is in Excellent condition. Signed by Eyvind Earle on the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Fighting to save Sleeping Beauty, the Prince faces the fiery breath of the evil Maleficent in her guise as a dragon, in this stunning Eyvind Earle concept painting. Rendered in tempera on heavy illustration board, the art measures 10" x 6", and is in Excellent condition. Signed by Eyvind Earle at the bottom right.
Original Comic Art
Carl Ed - Harold Teen Daily Comic Strip Original Art, dated 4-1-26 (Chicago Tribune, 1926). Harold Teen pitches woo in a moment of romantic comedy. This daily has an image area of 20" x 5.75", and the art is in Excellent condition.
Ron Embleton - Penthouse "Oh, Wicked Wanda!" Part 5, Page 4 Original Art (Penthouse, undated). Haughty, hot, and wild, the magnificent mistress men lust for, Wanda von Kreesus, commanded her own comic strip in the back pages of Penthouse magazine from 1973 through 1980. Each story contained up to eight pages of full-color, deliciously-painted, outre art by Ron Embleton, combined with carefully written adult escapades and political satire by Frederic Mullaly. Two famous animated characters are lampooned in panel two of this romp. The lettering for the page was done on a mylar overlay. This page has an approximate image area of 13" x 18", and the art is in Excellent condition.
Glen Fabry - 2000 AD #506, "Slaine the King" page 1 Original Art (Fleetway, 1987). Glen Fabry worked nearly a decade for the flagship English comic book weekly, 2000 A.D., producing work for Judge Dredd, and the Celtic king, Slaine, with writer Pat Mills. Rendered in pen and ink on heavy illustration board, this page has an image area measuring 12.5" x 14.5". The art has been cut diagonally in each of the four corners; otherwise the condition is Very Good.
Lou Fine and Will Eisner - Spirit (weekly newspaper insert) Page 4 Original Art, dated 8-23-42 (Register and Tribune Syndicate, 1942). The Spirit and Silk Satin star in this thriller from a World War II-era adventure. In the forties,Will Eisner put together a first-rate creative team and the Spirit's exploits were aided and abetted by such colossal Golden Age talents as Lou Fine, Jack Cole, William Woolfolk, and Manley Wade Wellman. Will Eisner had high praise for Lou Fine, "I had respect for his towering kind of draftsmanship. He was the epitome of the honest draftsman. No fakery, no razzle-dazzle -- very direct, very honest in his approach." The image area of this page is 9.75" x 13.5", and the art is in Excellent condition.
Virgil Finlay - Startling Stories V33#2, Summer, 1955 Illustration Original Art (Standard, 1955). Alfred Coppel's short story "Touch the Sky" was illustrated here. Virgil Finlay's remarkable drawing talent has never been better showcased than in this scintillating masterpiece, drawn for that yarn. This superb piece has an overall size of 7" x 8", and the art is in Excellent condition.
Bud Fisher - Mutt and Jeff Daily Comic Strip Original Art, dated 6-25-27 (H. C. Fisher, 1927). With a manager like Jeff, Mutt is sure to be KO-ed every time he enters the boxing ring. The image area of this daily measures 29" x 8.5". There is paper tanning, edge wear, and some light soiling; otherwise the condition is Good. From the Jim Logan Collection.
Ham Fisher - Joe Palooka Daily Comic Strip Original Art, Group of 4 (McNaught Syndicate, undated). Joe Palooka's pal Jerry Leemy takes center stage in these dailies dated 10-16, 10-17, 10-18, and 5-17 (years unidentified). The image area of each beautifully drawn strip measures 18" x 5", and these dailies average Very Good condition.
Richard Martin Fletcher - Surgeon Stone Sunday Comic Strip Original Art, dated 8-17-47 (Chicago Tribune, 1947). Richard Fletcher's bold use of light and shadow effects are showcased in this exciting episode. This Sunday has an image area of 16" x 21", and aside from a few glue stains on the title logo stat, the art is in Excellent condition.
Richard Martin Fletcher - Surgeon Stone Sunday Comic Strip Original Art, dated 8-24-47 (Chicago Tribune, 1947). Richard Fletcher drew this dramatic feature based around the world of health care, and Surgeon Stone compares favorably with other medical-themed strips such as Rex Morgan, M.D., Ben Casey, and Dr. Kildare. This Sunday has an image area of 16" x 21", and aside from glue stains on the title logo stat, the art is in Excellent condition.
Frank Fogarty - Clarence Sunday Comic Strip Original Art, dated 9-8-46 (New York Herald-Tribune Syndicate, 1946). Nothing comes easy for lovable, roly-poly Clarence Gimper, not even buying a new shirt. Frank Fogarty inscribed and signed this piece for a fan in 1961. This strip has an image area of 24.75" x 16.5", and the art is in Very Good condition.
Hal Foster - The Medieval Castle #64 Sunday Comic Strip Original Art, dated 7-8-45 (King Features Syndicate, 1945). Two young, would-be knights, Arn and Guy, have at it in this beautifully drawn episode. The Medieval Castle ran for approximately 18 months and 83 episodes. The strip was run as a companion tier below Prince Valiant (for strips #376-459), and was collected for a book by Hastings House in 1957. Hal Foster is considered by many fans to be the finest adventure cartoonist ever. His classical sense of design, lush rendering, and insistence on historical accuracy have conjured up a thrilling blend of action-adventure and humorous fantasy. This strip has an image area that measures approximately 24" x 11", and the art is in Excellent condition. Hal Foster signed the final panel in blue ink, at a later date.
Fontaine Fox - Toonerville Folks Sunday Comic Strip Original Art, dated 1-20-52 (McNaught Syndicate, 1952). The Skipper makes a poor busman -- he still thinks he's riding the rails. The image area of this Sunday measures 18" x 12", and the art is in Very Good condition. Fontaine Fox inscribed and signed this strip in its bottom border.
Frank Frazetta - "Warrior of Llarn" Frontispiece Illustration Original Art (Ace Books, 1964). Frank Frazetta Ace Book frontispiece illustrations are scarcely offered in the marketplace and here is a real beauty. Gardner Fox's 1964 novel featured an "envoy to a world of science-wizardry," and the lissome lass in this sultry scene provides plenty of "good girl" appeal. Drawn with ink on vellum, this piece has an image area of 4.5" x 5", and it's been professionally framed (by museum framers who do work for the National Gallery London) to an overall size of 10.5" x 11". The art has been signed by Frazetta at the lower right and it's in Excellent condition.
Frank Frazetta - "The Land That Time Forgot" Preliminary Study Original Art (circa 1960s). In a savage land, mankind struggles to survive. Incredible action and drama are the hallmarks of these pencil and watercolor studies, which spotlight deadly dinosaurs, brawny cavemen, and voluptuous women, as only the modern master of fantasy art could draw them. Frank Frazetta's incredible talent with line and color make his drawings come alive! This piece measures 12" x 9" overall and the art is in Very Good condition.
Frank Frazetta - Conan the Warrior/"The Indomitable" Cover Preliminary Original Art (circa 1967). With their raw physical power and formidable weapons, Frank Frazetta's warriors are not the kind of opponents you would want to meet on the battlefield. This powerful pencil and watercolor sketch is a preliminary for Frazetta's renowned masterwork, "The Indomitable," which saw print in 1967 as the cover to Conan the Warrior, by Robert E. Howard. This superb preliminary study measures approximately 4.5" x 4.5", and it's a wonderful demonstration of Frazetta's creative mind at work. The piece is in Very Good condition, and it was signed by Frank Frazetta at the lower right.
Frank Frazetta - The Huntress Preliminary Sketch Original Art (undated). A deadly damsel flanked by two man-eaters... it could only be one thing... Frank Frazetta's preliminary to his famous painting, "The Huntress." Rendered in graphite, the art has an image area of 4" x 5", and aside from some paper tanning, and edge wear, is in Very Good condition.
Frank Frazetta - "New World" Preliminary Cover Illustration Original Art (circa 1972). This gem-like preliminary was done in preparation for the cover art to the Science Fiction Book Club's Year's Best Science Fiction, 1972. The final oil painting can be seen in the introduction to Testament: The Life and Art of Frank Frazetta and on the cover of the 1980 Frazetta Calendar (according to the Frazetta Art Gallery website, the final painting belongs to "Star Wars" director George Lucas). Painted with watercolor on paper, this piece has an image area of 3.5" x 4", and it's been professionally framed (by museum framers who do work for the National Gallery London) to an overall size of 11" x 11.5". The art has been signed by Frazetta at the lower left, and it's in Excellent condition.
Frank Frazetta - Subhumans Illustration Original Art (circa 1983). Ralph Bakshi's film, "Fire and Ice," was inspired by Frank Frazetta's work, and here Frazetta delineates a group of subhumans, minions of the Kingdom of ice, whose menacing physical presence was felt in nearly every scene. Rendered in ink, the art has an image area of 13" x 10", is attractively matted and framed, and in Excellent condition. Signed by Frank Frazetta at the upper right. Includes a photo of Frank Frazetta holding the art.
Frank Frazetta - "Nude Woman Lying Down" Pencil Illustration Original Art (2002). This sly, sensuous pencil drawing of a smiling nude woman by Frank Frazetta displays many of his hallmarks. The subject is obviously uninhibited, but still a little bit coy -- and just irresistible. The consignor provides a remarkable insight into this piece -- Frank Frazetta drew this piece with his left hand! The limitless talents of this "world-beater" artist never cease to amaze. This pencil on paper drawing measures 14" x 11" in overall size, and is in Excellent condition. Frank Frazetta signed the art at the lower right.
Fred Fredericks - Mandrake the Magician Sunday Comic Strip Original Art, dated 12-10-67 (King Features Syndicate, 1967). Narda is kidnapped while Mandrake matches wits with Baron Chance. This Sunday from the swinging sixties has an image area of 22" x 15", and aside from glue stains in the title logo, the art is in Very Good condition. This strip was signed by Fred Fredericks in its lower border. From the Jim Logan Collection.
R. B. Fuller - Okay Doaks Sunday Comic Strip Original Art (AP Features, undated). Okay Doaks rids the merry mountain folks of a pesky dragon with a bit of derring-do. This thriller has an image area of 13.5" x 18'. The page has been cut horizontally along its center, and has since been rejoined with tape on the back; otherwise, the art is in Excellent condition.
George Gately - Heathcliff Daily Comic Strip Original Art, dated 3-20-91 (Tribune Media Services, 1991). The original tabby troublemaker, Heathcliff, stars in this wordless daily. The art has an image area of 7" x 8", and is in Excellent condition. Signed and inscribed by George Gately along the top and bottom margins.
Rick Geary - San Diego Comic Con Mascot Illustration Original Art (1979). Rick Geary's iconic San Diego Comic Con logo was used for years as the official logo for this world famous comic book event -- good times. This whimsical illustration has an overall size of 9.5" x 7.5", and the art is in Excellent condition.
Bill George - Red Ryder Comics #123 Cover Original Art (Dell, 1953). Slap leather, owl hoots. Red Rider is staging a jailbreak in this action-packed cover scene. This gouache on board painting has an overall size of 14" x 17", and the art is in Excellent condition.
Keith Giffen and Larry Mahlstedt - Legion of Super-Heroes #293, page 14 Original Art (DC, 1982). The Legion battles Darkseid's minions, in this page from "Within the Darkness," co-written by Paul Levitz and Keith Giffen. The art has an image area of 10" x 15", and is in Very Good condition. Includes an acetate overlay, with line work, used to create effects in the printing process. Signed by Keith Giffen and Larry Mahlstedt at the bottom right.
Keith Giffen and Larry Mahlstedt - Legion of Super-Heroes #293, page 16 Original Art (DC, 1982). While the Legion fights his clone-minions, Darkseid takes control of the people of Daxam and unleashes them on the universe, in this page from "Within the Darkness," co-written by Paul Levitz and Keith Giffen. The art has an image area of 10" x 15", and is in Very Good condition. Includes an acetate overlay, with Zipatone, used to create effects in the printing process.
Michael Golden - Marvel Fanfare #1, page 6 Original Art (Marvel, 1982). J. Jonah Jameson is determined to have Peter Parker on the Worthington expedition to the Savage Land, in this page from "Fast Descent Into Hell!," written by Chris Claremont. This spectacular page by Michael Golden was originally intended for Marvel Team-Up, hence the stamp with that title at the top of the page. The piece has an image area measuring 10" x 15", and the condition is Excellent. Signed by Michael Golden at the bottom right.
Jose Gonzalez - European Erotic Comic Page Original Art (undated). A buxom brunette is the center of attention in this seductive page by Vampirella headliner Jose Gonzalez. With its bold inking and romantic realism this page is a prime example of the "Spanish School" of cartooning. The image area of this page measures approximately 14.5" x 20.5" and aside from some missing dialogue in a few word balloons, the art is in Excellent condition.
Jose Gonzalez - European Erotic Comic Page Original Art (undated). International illustrator, Jose Gonzalez, is blessed with a remarkable artistic ability to imbue whatever he renders, be it clothing, or the unadorned female form, with a lively quality. Jose Gonzalez combines his profound understanding of feminine anatomy with a flourish of texture, giving this page an art deco sensibility. This page has an image area of approximately 15" x 21", and the art is in Excellent condition.
Jose Gonzalez - European Erotic Comic Page 8 Original Art (undated). "Good girl" artist Jose Gonzalez was among the crew of Spanish artists who came to prominence during the seventies at Warren Publishing. Gonzalez's glamorous gals take center stage in this beautifully rendered page. This piece has an image area of approximately 14.5" x 21", and is in Excellent condition.
Jose Gonzalez - Marilyn Monroe Portrait Illustration Original Art (2002). Jose Gonzalez has drawn a supremely sensuous portrait of movie star Marilyn Monroe, as she appeared in the 1950s and 1960s. The mood of mystery in this work is captivating. Gonzalez even captured Marilyn's "come hither" look. This colored pencil portrait is the work of a top-notch draftsman. The overall size of this portrait measures approximately 19.5" x 14", and the art is in Excellent condition. A must-have piece for fans of Marilyn Monroe.
Jose Gonzalez - Marilyn Monroe Portrait Original Art (2002). Jose Gonzalez has captured the star-power and sexy magnetism of "the Blonde Bombshell" in this exquisitely rendered colored pencil drawing. From Vampirella to Marilyn Monroe, when it comes to drawing gorgeous gals, Jose Gonzalez ranks at the top of the field. The overall size of this piece measures approximately 14" x 19.5", and the art is in Excellent condition.
Jose Gonzalez - Vampirella Pencil Illustration Original Art (2005). Jose Gonzalez, considered by many fans to be the quintessential Vampirella artist, details the Darling of Drakulon in a ferociously feral fantasy. The overall size of this pencil on vellum drawing is approximately 8.25" x 11.5", and the art is in Excellent condition.
Jose Gonzalez - "King Kong" Pencil Illustration Original Art (2006). Ever since its theater debut in 1933, "King Kong" has ruled the roost as the greatest fantasy epic ever made. In this detailed, stunning montage scene, fantasy art master Jose Gonzalez captures the key moments of the entire storyline. Gonzalez's talent for drawing with a rich, sensitive line is perfectly suited for capturing the exhilarating mood of the movie. The overall size of this pencil drawing measures approximately 39" x 27.5". Aside from a few paper stress creases near Kong's left knee, the piece is in Very Good condition. As Carl Denham said, "We'll give him more than chains. He's always been king of his world, but we'll teach him fear. We're millionaires, boys. I'll share it with all of you. Why, in a few months, it'll be up in lights on Broadway -- Kong, the Eighth Wonder of the World."
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 3-6-43 (Chicago Tribune, 1943). Dick Tracy and Pat Patton take full advantage of their radio-equipped patrol car in this snow-swept episode. The image area of the strip measures 19.75" x 6", and aside from some mild paper aging and a fold between panels two and three, the art is in Very Good condition. This daily was signed and inscribed by Chester Gould in its upper border. From the Jim Logan Collection.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 9-11-48 (Chicago Tribune, 1948). Dick Tracy strikes a proud pose with his famous two-way wrist radio in panel three of this daily. B. O. Plenty co-stars in this suspense-filled episode, titled "See Saw." When it comes to police drama in the newspaper strips, Chester Gould remains the undisputed master. The image area of this strip measures 20" x 6", and the art is in Excellent condition.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 8-15-49 (Chicago Tribune, 1949). The psychopath, Sketch Peree, boasts freely to his girl doll, Babee, even while Dick Tracy and Sam Catchem close in on the trail of this demented desperado. The forties produced some of Dick Tracy's greatest villains, but no matter how clever they were, Tracy always tracked them down. This daily has an image area of 20" x 6", and the art is in Excellent condition.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 3-3-57 (Chicago Tribune, 1957). The curvaceous Kitten sisters ditch their get-away motorcycle and hook up with Spike Dyke's Musical Manglers in this beautifully staged episode. Dick Tracy cameos in the final panel. This Sunday has an image area measuring approximately 27" x 18", All of the panels were cut out and pasted onto a large piece of support paper; otherwise, the condition of the art is Excellent.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 2-2-58 (Chicago Tribune, 1958). The larcenous Pantsy has recorded a treasure hunt on vinyl and now two young girls, Janie and Helen, have inadvertently put themselves into the line of danger. It's up to Dick Tracy to clue them in and the stage is being set for a showdown. The image area of this strip is 27" x 18". Each panel of this Sunday was glued to a larger support page and a few are coming loose; otherwise, the art is in Very Good condition.
Bob Grant - Silly Symphonies Sunday Comic Strip Original Art, dated 1-4-42 (King Features Syndicate, 1942). Big-hearted Little Hiawatha doesn't have it in his nature to hurt a moose, in this silent Sunday by Bob Grant from 1942. The image area measures approximately 27" x 17". Each tier has been mounted onto a larger board, and there is paper tanning, soiling, and edge wear; otherwise the art is in Good condition. From the Jim Logan Collection.
Harold Gray - Little Orphan Annie Daily Comic Strip Original Art, dated 12-12-42 (Chicago Tribune, 1942). Little Orphan Annie and Sandy star in every panel of this World War II-era episode. No comic strip art collection could be considered complete without a splendid example from Harold Gray. This daily has an image area of 19.5" x 6", and the art is in Excellent condition.
Harold Gray - Little Orphan Annie Daily Comic Strip Original Art, dated 10-21-66 (Chicago Tribune, 1966). The Asp, Daddy Warbucks, Annie, and Sandy star in this dramatic daily, which has an image area of 20" x 6", and is in Excellent condition. From the Jim Logan Collection.
Harold Gray - Little Orphan Annie Sunday Comic Strip Original Art, dated 6-12-60 (Chicago Tribune, 1960). Few comic strip cartoonists could tell a more compelling story than Harold Gray. After his death, Gray's family donated most of his Little Orphan Annie originals to Boston University, so don't miss your chance to win this one. This strip has an image area of 25.5" x 17". Each panel of this Sunday was glued to a larger support page; otherwise, the art is in Excellent condition.
Harold Gray - Maw Green Sunday Comic Strip Original Art, dated 6-12-60 (Chicago Tribune, 1960). Maw Green imparts more of her home-spun wisdom in this Little Orphan Annie companion strip. The image area measures 19" x 3.75", and aside from some light soiling, the art is in Very Good condition.
Mike Grell - Superboy #211 Cover Original Art (DC, 1975). Element Lad has his sights set on Roxxas' destruction in this prime Mike Grell Bronze Age cover illustration. The image area measures 10" x 15". There is some light staining in the lower portion of the art, and a stain has been removed at the bottom right corner; otherwise the condition is Very Good. The logo and masthead at the top are recent photocopy replacement art.
Mike Grell and Bob Wiacek - Superboy #223, page 24 Original Art (DC, 1977). Saturn Girl comes to the telepathic aid of the Boy of Tomorrow, who finds himself in the grip of the Time-Trapper, in this page from the Jim Shooter story, "We Can't Escape the Trap in Time!" The image area is 10" x 15", and aside from some blue editorial markings and a tape stain at the top and bottom center edges (outside of the image area), the art is in Excellent condition.
Rick Griffin - "Camouflage" Donald Duck Painting Original Art (1974) . Poster artist and Underground Comix legend Rick Griffin produced this unusual item, probably as an experiment, utilizing a silhouette of a running Donald Duck (wearing a pre-WWII Army helmet) repeated in various sizes -- as a camouflage design! Painted in subtle shades of light green and cream, this 20" x 26" acrylic on illustration board painting is certainly different from Griffin's standard pen-and-ink work. Signed in pencil in the lower margin area. Very Good condition, with some noticeable wear along the board edges.
Milt Gross - Comic Strip Panel Original Art, Group of 2 (Press Publishing, circa 1925). The expressive art of Milt Gross is featured in two clipped panels, possibly from a Banana Oil daily. These panels have a combined overall size of 11.75" x 5.5", and the panels are in Very Good condition.
Milt Gross - Banana Oil Daily Comic Strip Panel Original Art, Group of 2 (Press Publishing, undated). The way-out, offbeat humor of Milt Gross is showcased in these two clipped panels from a Banana Oil daily. These panels have a combined overall size of 11.5" x 5.5", and the panels are in Very Good condition
Milt Gross - That's My Pop Specialty Sketch Original Art (undated). The screwball humor of Milt Gross is the highlight of this wacky bit of dentistry business from a specialty sketch, done for a military man. This drawing has an overall size of 9.5" x 5", is in Excellent condition, and was inscribed and signed at the lower right.
Chad Grothkopf - Howdy Doody Sunday Comic Strip Original Art, dated 9-23-51 (United Feature Syndicate, 1951). Howdy Doody only ran for two years as a Sunday-only newspaper strip, making any of its original art a real scarcity. In this episode, Clarabell looses his cool when a bratty customer in Howdy's department store pushes his good nature beyond its limit -- a word to the wise, never mess with a clown. This Sunday has an image area that measures 22.5" x 15" and the art is in Very Good condition.
Tom Grummett and Michael Bair - Power Company: Witchfire #1 Cover Original Art (DC, 2002). This sensational cover scene features pulchritudinous portraits of Wonder Woman and the Power Company's Witchfire in a no-holds barred tussle. The overall paper measures 12" x 17", and the art is in Excellent condition. The art has been signed in the upper left border by writer Kurt Busiek and penciler Tom Grummett.
Vincent T. Hamlin - Alley Oop Daily Comic Strip Original Art, dated 3-28-38 (NEA Service Inc., 1938). Most of the caveman cast of Alley Oop appear in this delightful daily -- Queen Umpa, King Guz, Alley, Foozy, Ooola, and Dinny -- the gang from Moo's all here! This strip has an image area of 20.5" x 4.5". The art has some mild aging and edge and corner wear; otherwise, its condition is Excellent. From the Jim Logan Collection.
V. T. Hamlin - Alley Oop Daily Comic Strip Original Art, dated 6-29-50 (NEA Service Inc., 1950). Apparently, the rumors of Alley Oop's demise have been greatly exaggerated. The Grand Wizer co-stars in this strip. This daily has an image area of 20.5" x 5.75", and the art is in Excellent condition.
V. T. Hamlin - Alley Oop Sunday Comic Strip Original Art, dated 5-11-69 (NEA Inc., 1969). Alley Oop shows why you should always let sleeping cavemen lie. This Sunday has an image area of 24" x 15.5", and the art is in Very Good condition. From the Jim Logan Collection.
Fred Harman - Red Ryder Daily Comic Strip Original Art, dated 9-4-48 (McNaught Syndicate, 1948). If you're a fan of Western action, here's a rootin-tootin' daily spotlighting Red Ryder in panels one and two and a Little Beaver cameo in panel one. This daily has an image area of 20" x 5.75", and the art is in Very Good condition. From the Jim Logan Collection.
Johnny Hart - Second Published B. C. Daily Comic Strip Original Art, dated 2-18-58 (NY Herald- Tribune, 1958). The wildly-popular strip B. C. made its newspaper debut on February 17, 1958. If the date correction note above panel three is correct, that makes this daily the second B. C. strip published. Wow, talk about early examples! This episode has an image area of 17.5" x 5", and the art is in Very Good condition.
Johnny Hart - B.C. Daily Comic Strip Original Art, dated 5-14-58 (New York Herald Tribune, 1958). This early B.C. daily by Johnny Hart has an image area of 17.5" x 4.5". Aside from some slight paper tanning, light soiling, and a tear in the lower portion of the final panel, the art is in Very Good condition.
Johnny Hart - B.C. Daily Comic Strip Original Art, dated 10-28-58 (New York Herald Tribune, 1958). The hula hoop was a big thing when this daily appeared in the dawn of the B.C. pantheon. Published during the first year of Johnny Hart's prehistoric strip, this daily has an image area of 17" x 4.5", and, aside from some very light soiling, the art is in Excellent condition. Signed and inscribed by Johnny Hart along the bottom right edge.
Johnny Hart - B. C. Daily Comic Strip Original Art, dated 6-29-61 (Field Syndicate, 1961). The stone age satire of Johnny Hart was one of the high points of the swinging sixties. This wry daily has an image area of 17.5" x 5", and the art is in Excellent condition. Johnny Hart inscribed and signed in its final panel.
Johnny Hart - B. C. Daily Comic Strip Original Art, dated 3-7-68 (Field Enterprises, 1968). The wry wit of the late, great Johnny Hart was a mainstay of the comics page for over fifty years. This daily has an image area of 21" x 6" and is in Excellent condition. This strip was signed and inscribed by Johnny Hart in its upper border. From the Jim Logan Collection.
Johnny Hart - B. C. Daily Comic Strip Original Art, dated 9-1-72 (Field Enterprises, 1972). Leave it to Wiley to deliver the coup de grace in this hilarious daily. This daily has an image area of 21" x 6" and is in Excellent condition. This strip was signed by Johnny Hart in its upper border. From the Jim Logan Collection.
Johnny Hart - B.C. Daily Comic Strip Original Art, dated 7-2-76 (Field Enterprises, 1976). Big wheels keep on turning in this delightful B.C. daily. The art has an image area of 17" x 4.5", and is in Excellent condition.
Johnny Hart - B. C. Sunday Comic Strip Original Art, dated 5-24-59 (Field Syndicate, 1959). Before there was the "Flintstones," there was the prehistoric humor of B. C. This early episode hails from within a year of the feature's debut. B. C., Wiley, and Curls star. This Sunday has an image area of 19.5" x 13". The strip has been cut between each panel tier; otherwise, the art is in Excellent condition.
Gene Hazelton - Flintstones Sunday Comic Strip Original Art (McNaught Syndicate, undated). For a cavewoman, Wilma seems mighty liberated. Fred and Barney star in this uproarious, undated strip. The image area of this Sunday measures 25" x 17", and the art is in Excellent condition. From the Jim Logan Collection.
Don Heck - Mandrake the Magician #1 Cover Original Art (King Comics, 1966). Magic is in the air as "Mandrake's hypnotic magic fights the weird devices of the Toymaker" on the cover of the premiere issue of the sixties King Comics run. Don Heck, fresh from his artistic triumphs at Marvel Comics, brings his distinctive, crisp inking style to Lee Falk's legendary character and Mandrake has seldom looked more dashing. Mighty Lothar co-stars. This cover has an image area of 15" x 22". The art was folded horizontally through its center and there are some glue stains along the left border (outside the image area); otherwise, this Silver Age spectacular is in Very Good condition.
Don Heck - Detective Comics #416, Batgirl page 7 Original Art (DC, 1971). Don Heck's crisply inked art made Batgirl's adventures a pleasure to read. Commissioner Gordon co-stars in this page from "The Deadly Go-Between." This piece has an image area of 10" x 15", and the art is in Excellent condition.
Don Heck and Don Perlin - Sub-Mariner #66, page 27 (Marvel, 1973). Even if it's Friday, the Thing's gonna deliver Prince Namor a Sunday punch, in this page from "Rise, Thou Killer Whale," written by Steve Gerber. The art has an image area of 10" x 15", and is in Very Good condition.
Dan Heilman - Judge Parker Daily Comic Strip Original Art (Publishers Syndicate, undated). Some days it doesn't pay to be a hero. The date of this action-packed strip is 7-22 (year unidentified). With an image area of 18.5" x 5.5", this daily is in Excellent condition.
Fred Hembeck - Justice League of America #3 Cover Reinterpretation Original Art (1994). Kanjar Ro lords it over the JLA in Fred Hembeck's offbeat tribute to the Murphy Anderson's cosmic classic, "Slave Ship of Space." This scene has an image area of 7.5" x 10.25", and the art is in Excellent condition. The art was signed by Hembeck at the lower left.
Fred Hembeck - Fantastic Four #4 Cover Reinterpretation Original Art (1994). The fantastic Fred Hembeck pays homage to a Silver Age sensation with his own lighthearted version of Jack Kirby's cover art for "The Coming of the Sub-Mariner." This scene has an image area of 7.5" x 10.25", and the art is in Excellent condition. The piece was signed by Hembeck at the lower left.
Fred Hembeck - Nick Fury, Agent of S.H.I.E.L.D. #3 Cover Reinterpretation Original Art (1995). Don't yield, back S.H.I.E.L.D. -- Fred Hembeck takes a crack at reinterpreting Jaunty Jim Steranko's mighty Marvel masterwork, "Dark Moon Rise, Hell Hound Kill." This scene has an image area of 7.5" x 10.25", and the art is in Excellent condition. The art was signed by Hembeck at the lower left.
George Herriman - Krazy Kat Daily Comic Strip Original Art, dated 3-11-32 (King Features Syndicate, 1932). Krazy stars in every panel of this daily from the thirties, titled "A Serious Case." It's a terrific episode, complete with hallmarked George Herriman pen work. This daily has an image area of 22" x 4.75", and the art is in Very Good condition.
Mike Hoffman - "Warrior Woman" Pencil Illustration Original Art (2002). It's a beauty vs. a barbarian in this marvelous Mike Hoffman battle of the sexes, and the ferocious femme fatale has drawn first blood. This pencil on paper drawing has an overall size of 16" x 14", and the art is in Excellent condition.
Mike Hoffman - Beauty and the Beastly Drawing Original Art, Group of 2 (2005). A hoary-headed beast lets his fingers do the walking, in one of these erotically charged masterpieces by Mike Hoffman. This brilliant vision was created in graphite on a 11" x 13" sheet of bristol board. In the other drawing, titled Giant Demon with Nude Woman Sketch Original Art , a gorgeous girl has been captured, with no place to hide, by a giant demon. Mike Hoffman's pencil on paper drawing from Bested by the Devil is full of erotic tension. The overall size of this pencil piece measures 11" x 13.5", and both drawings are in Excellent condition.
Arnold Holeywell - Gene Autry Comics #78 Cover Original Art (Dell, 1953). Gene Autry scarcely breaks a sweat mending his barbed-wire fence -- it must be all that clean living out West. Arnold Holeywell painted the background details in gouache around a color photograph of Gene Autry to create the final cover scene. This mixed-media work has an overall size of 13" x 16", and the art is in Excellent condition.
Arnold Holeywell - Gene Autry Comics #94 Cover Original Art (Dell, 1954). Happy holidays for Gene Autry -- he has a mailbox stuffed with Yuletide presents. Arnold Holeywell painted the wintry background in gouache around a color photograph of Gene Autry to create the finished cover scene. This mixed-media work has an overall size of 12" x 16", and aside from some foxing on the background, the art is in Very Good condition.
Arnold Holeywell - Queen of the West, Dale Evans #3 Cover Original Art (Dell, 1954). She may be the Queen of the West, but Dale Evans can still rustle up a T-bone steak to rival that of any chuck wagon cook. Arnold Holeywell painted the background details in gouache around a color photograph of Dale Evans to create the finished cover design. This mixed-media work has an overall size of 12" x 16", and the art is in Very Good condition.
Arnold Holeywell - Roy Rogers Comics #81 Cover Original Art (Dell, 1954). Always a snappy dresser, Roy Rogers even went fishing and camping in his best Western duds! Arnold Holeywell painted the background elements of this scene in gouache around a color photograph of Roy Rogers to create the finished design. This mixed-media sensation has an overall size of 11" x 14.5". Aside from foxing on the surface of the background scene, the art is in Very Good condition.
Arnold Holeywell - Roy Rogers Comics #83 Cover Original Art (Dell, 1954). Not just a dead-eye with a six-shooter, Roy Rogers is also an expert archer. Arnold Holeywell painted the southwestern landscape of this scene in gouache around a color photograph of Roy Rogers to create the finished cover design. This mixed-media piece has an overall size of 13" x 16". The title logo stats are glued to an acetate overlay. Aside from some paint flaking on Roy's striped pants, the art is in Very Good condition.
Arnold Holeywell - Four Color #625 Walt Disney's True-Life Adventure Beaver Valley Cover Original Art (Dell, 1955). The clever creations of "nature's engineer" take center stage in this colorful scene set in a remote landscape of the Rocky Mountains, Beaver Valley. Arnold Holeywell's cover tableau was painted for the Dell adaptation of the famous Disney documentary. This gouache on illustration board painting has an overall size of 15.5" x 18.5", and the art is in Excellent condition.
Bill Holman - Smokey Stover Illustration Original Art (undated). Screwball fireman, Smokey Stover, and his lovable cat Spooky, cavort across this peppy pen and ink illustration by his creator, Bill Holman. The art measures 11.5" x 10.5", and is signed and inscribed by Bill Holman. There is some paper tanning and light soiling; otherwise the condition is Very Good.
Dave Hunt - Titans #26, Splash page 26 Original Art (Marvel, 1976). Captain Marvel lets loose on the Thing, in this blockbustin' British Bronze Age page from 1976. The image area measures 10" x 15", and the art is in Very Good condition.
Dave Hunt and Mike Esposito - Titans #32 S.H.I.E.L.D. Special Pin-Up Page Original Art (Marvel, 1976). Nick Fury and his men rout A.I.M., in this dazzling delineation from the British Bronze Age. The image area measures 15" x 10", and the art is in Very Good condition.
Carmine Infantino - Silver Age Batgirl Model Sheet/Concept Drawing Original Art (1966). Here she is, Barbara Gordon, the beautiful Batgirl, as pictured by a 360-degree pan around her cowled head. This concept drawing is classic sixties Carmine Infantino art, the very model of the "new look" which inspired the "Batman" TV series. This historic pencil on paper masterwork has an overall size of 17.5" x 11.5". Aside from four holes that were punched in the paper, and two clipped upper corners, this art is in Very Good condition.
Carmine Infantino and Joe Giella - Batman Illustration Original Art (undated). When sales for the Caped Crusader's titles dipped in the sixties, newly-appointed Batman editor Julius Schwartz was put in charge of revamping the Batman character for the Silver Age. Ace DC artist Carmine Infantino re-designed, modernized, and streamlined Batman in order to introduce what was termed a "New Look." Joe Giella, a key inker in Julius Schwartz's stable, added his own streamlined touches, and so it was that Batman was revitalized. These two artistic giants have teamed again to present this moody montage of the Gotham Guardian standing vigil over the city. The overall size of this gray tone scene is 23" x 19", and the art is in Excellent condition.
Graham Ingels - Valor #5, Complete 6-page Story "Important Man" Original Art (EC, 1955). Off with their heads! "Ghastly" Graham Ingels was the perfect artist to illustrate this EC shocker based on the invention of the guillotine by the headstrong, arrogant Doctor Antoine Louis. Each page of this period piece has an image area that measures approximately 13" x 18". The words in the first panel's caption have been pasted-on and a few lines have since come loose. Panels two and four of page 3 are pasted-on art corrections; otherwise, the art is in Very Good condition. A magnificent story from one of comics' greatest artists, these pages are sure to be a welcome addition to any EC art collection.
Michael Jackson - "The Lion King" Promotional Illustration Original Art (Disney, 1994). Mufusa frolics with his son, Simba in this gorgeous promotional illustration by Disney artist Michael Jackson. Rendered in acrylic on heavy illustration board, the art has an image area measuring 19" x 11". In Excellent condition.
Jeff Johnson and Dan Panosian - Wonder Man #13, page 28 Original Art (Marvel, 1992). Thor, Spider-Man, Hercules, Hawkeye, Captain America, Thing, Wonder Man, Sue Storm, and Hank Pym are featured in this Infinity Wars crossover page. Here is page 28 from the story, "Into Infinity," written by Gerard Jones. The art has an image area measuring 10" x 15" and the condition is Excellent. Signed by Jeff Johnson at the bottom.
Jeff Jones - "Snow Queen" Painting Original Art (undated). This sublime, sensuous, full-length portrait by Jeff Jones ranks among his most celebrated masterpieces. In 1971, the painting was first published as the sole color plate in Tom Veilleux's four-plate portfolio, which was also the first portfolio of unpublished Jeff Jones paintings. In 1977, this beauty reappeared, again untitled, in Morningstar Press' Ariel, volume #2 (on page 76). In 1980, the "Snow Queen" was crowned with her new title in Dragon's Dream's Yesterday's Lily (on page 43). In 1993, she was elevated to the status of a goddess on card #65 of FPG's Jeff Jones Card Set I, with her new title of "Winter." This beautiful painting was last seen in 2002, in Underwood Books' The Art of Jeffrey Jones (on page 10), with the new title of "Snow Woman." However you choose to think of this mysterious vision, there's no denying the quality of Jones' talent on this incredible painting. This oil on canvas masterwork was bonded to a piece of 1/4" thick masonite, and it has an overall size of 21.5" x 35.5", and is signed J. Jones at the middle-left. The painting is in Excellent condition.
Jeff Jones - "The Quiet Man" Card Painting Original Art (FPG, 1995). This first-rate, poetic portrait, titled "the Quiet Man," was painted during a peak period in Jeffrey Jones' career, during the years that he worked with FPG. This image appeared on collectible card #64 of Jeffrey Jones, Series Two. This fantastic oil on canvas painting, which has never been offered on the open market before, has an overall size of 26" x 36", and the art is in Excellent condition.
Michael Kaluta - The Shadow and The Batman Pencil Drawing Original Art (undated). "Criminals are a cowardly, superstitious lot," and "the weed of crime bears bitter fruit," especially when the "Master of Men" and the "Darknight Detective" team up to patrol the city. One of the most celebrated of the "new wave" of artists who entered the comics field in the early 1970s, Michael Kaluta quickly made his mark on such landmark series as DC's The Shadow, Batman, and Detective Comics. Long associated with these classic characters, Michael Kaluta has delivered a show-stopper with this magnificent drawing. Beautifully rendered in pencil, and in Excellent condition, this piece has an approximate overall size of 18" x 12". From the Fantastic Frank Collection.
Gil Kane and Frank Giacoia - Sub-Mariner #43 Cover Original Art (Marvel, 1971). "Man or monarch -- no lone foe is a match for Tuval!" So it is that Prince Namor, the Sub-Mariner, is bowled over by the terrifying power of Tuval, in this senses-shattering masterwork penciled by Gil Kane, the celebrated master of superheroic figure drawing. Frank Giacoia adds the perfect Bronze Age finish to this scintillating scene with his crisp linework, accented with dramatic black shapes. This cataclysmic cover has an image area of 10" x 15". The image has been pieced together using several pasted-up elements. The background figures along the left side of the scene, including that of Tuval, are a photostatted element; otherwise, the art is in Excellent condition. Face front and bid, Marvelites!
Gil Kane - Action Comics #546, page 6 Original Art (DC, 1983). Superman, Flash, and the Teen Titans star in this jam-packed page from "Showdown." Drawn with marker on bristol, this page has an approximate image area of 10" x 15", and the art is in Excellent condition.
Gil Kane - Showcase #34, Atom Cover Reinterpretation Original Art (undated). Silver Age comics artist Gil Kane drew this alternate cover scene, based on his original cover scene for the first appearance of the Silver Age Atom -- "Battle of the Tiny Titans." Always evolving as a draftsman, Kane preferred to draw new, updated versions of his Silver Age covers over the option of rendering a precise recreation of his older work. This marker on paper piece has an image area 10" x 15". The title logo and other type are photocopied elements; otherwise, the art is in Excellent condition.
Jack Katz and Aldo Rubano - Lost Worlds #5, Complete 7-page Story "The Quest of the Chlorophyl Monsters" Original Art (Standard, 1952). Jack Katz lends his talented touch to all the "space opera" motifs -- spaceships, aliens, flying saucers, and all-out intergalactic war -- for this scintillating seven-pager. The image area of each page measures 13" x 18", and the art is in Excellent condition.
Bil Keane - Family Circus Sunday Comic Strip Original Art, dated 10-13-68 (Register and Tribune Syndicate, 1968). There's never a dull moment in The Family Circus. This Sunday has an image area of 26" x 12.5" and its condition is Excellent. From the Jim Logan Collection.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 9-10-55 (Hall Syndicate, 1955). Howland Owl turns out to be an awful big pick-up for the "Uninety-States mail," in this daily from 1955. The art has an image area of approximately 16" x 4.5", and the art is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 12-3-56 (Hall Syndicate, 1956). Mr. Wombat and his friend from Mars have a fight over tea, in this daily from 1956. The art has an image area of approximately 16" x 4.5", and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 5-22-63 (Hall Syndicate, 1963). Pogo stars in every panel of this hilarious daily by the great Walt Kelly. This daily has an image area of approximately 16" x 4.5", and the art is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 1-26-65 (Hall Syndicate, 1965). Churchy LaFemme takes the limelight in this rib-tickling daily. This daily has an image area of approximately 16" x 4.5", and the art is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 5-24-68 (Publishers-Hall Syndicate, 1968). We have met the candidate -- and he is Pogo. Molester Mole co-stars in this episode. Walt Kelly's Pogo was a witty, political kick in the shins, brought to life by a comedy master. The image area is 20" x 5.5", and the art is in Excellent condition. This strip was signed and inscribed by Walt Kelly in its lower border. From the Jim Logan Collection.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 5-3-59 (Hall Syndicate, 1959). Barnstable Bear and Albert Alligator steal the show in this side-splitting Sunday. This strip has an image area of 23.5" x 16", and the art is in Excellent condition.
Walt Kelly - Pogo Specialty Sketch Original Art (undated). Go Pogo with this wonderful crayon sketch of everybody's favorite comic strip possum. This Walt Kelly sketch has an overall size of 8.5" x 11", is in Excellent condition, and was inscribed and signed at the lower right.
Jack Kent - King Aroo Sunday Comic Strip Original Art, dated 7-19-53 (McClure Newspaper Syndicate, 1953). King Aroo and Yupyop console a crying alligator in this sweet Sunday, charmingly illustrated by Jack Kent. The art has an image area of 20.5" x 13.5", and is in Excellent condition.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, dated 7-28-52 (Post-Hall Syndicate Inc., 1952).
. This early Dennis the Menace daily hails from within the first eighteen months of the feature's newspaper debut. This panel has an image area of 6.5" x 7.5". There is some paper aging; otherwise, its condition is Very Good. From the Jim Logan Collection.
. This early Dennis the Menace daily hails from within the first eighteen months of the feature's newspaper debut. This panel has an image area of 6.5" x 7.5". There is some paper aging; otherwise, its condition is Very Good. From the Jim Logan Collection.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, dated 3-19-77 (Field Newspaper Syndicate, 1977). Dennis the Menace on an airplane -- could travel get any more fun? The image area of this daily measures 6.5" x 8", and its condition is Excellent.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, dated 6-8-78 (Field Newspaper Syndicate, 1978). Dennis and Ruff star in this heartwarming daily. The image area of this strip measures 6.5" x 8", and its condition is Excellent.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, dated 9-6-79 (Field Newspaper Syndicate, 1979). Mr. Mitchell looses his cool again, in this uproarious Dennis the Menace daily. The image area of this strip measures 6.5" x 8", and its condition is Excellent.
Hank Ketcham - Dennis the Menace Sunday Comic Strip Original Art, dated 10-4-53 (Post-Hall Syndicate, 1953). Somehow Dennis and Ruff can never manage to stay neat and tidy for a visit from Grandma. This early episode hails from within the first year of the Sunday strip's debut. The image area of this romp measures 20" x 14", and the art is in Excellent condition.
Tom Kidd - "Gnemo" Illustration Original Art (undated). The whimsical world of "Gnemo" is explored in this striking 14" x 12" pen and ink fantasy scene by renowned illustrator Tom Kidd, and the art is in Excellent condition.
Woody Kimbrell - Little Lulu Daily Comic Strip Original Art, dated 7-8-61 (Chicago Tribune, 1961). With Little Lulu you can always expect the unexpected, and usually with hilarious results. The image area of this daily measures 19.75" x 6", and aside from Duotone stains in the borders, the art is in Excellent condition.
Frank King - Gasoline Alley Daily Comic Strip Original Art, dated 9-25-25 (Chicago Tribune, 1925). The gorgeous pen work of Frank King is the highlight of this daily featuring good old Walt Wallet. This strip has an image area of 20" x 5.75", and the art is in Excellent condition.
Frank King - Gasoline Alley Daily Comic Strip Original Art, dated 7-4-49 (The Chicago Tribune, 1949). Skeezix and Nina celebrate the Fourth of July in this heart-warming episode. This daily has an image area of 19.5" x 6", and the art is in Excellent condition.
Frank King - Gasoline Alley Daily Comic Strip Original Art, dated 7-5-49 (The Chicago Tribune, 1949). Skeezix stars in this Gasoline Alley daily from the forties, and it looks as though he is about to uncover some shenanigans in Wilmer's bookkeeping. This daily has an image area of 19.5" x 6", and the art is in Excellent condition.
Frank King - Gasoline Alley Hand Colored Sunday Comic Strip Original Art, dated 11-11-45 (Chicago Tribune, 1945). Frank King's fantastic art is even more appealing when it's hand colored. Hand colored originals such as this one were often presented by artists to friends and fans. This lighthearted Sunday has an image area of 17" x 21", and the art is in Very Good condition. From the Jim Logan Collection.
Jack Kirby - The Black Buccaneer Comic Strip Original Art (Lincoln Newspaper Features, 1937). In 1935, Jack Kirby refined his drawing skills, working as an "in-betweener" at Max Fleischer's animation studio on animated cartoons like "Popeye" and "Betty Boop." The skills he cultivated there served him well in his next job at Lincoln Newspaper Features, which produced and distributed comic strips and other features for subscribing newspapers. Kirby's work for this company included contributions to short-lived strips such as The Black Buccaneer, Detective Riley, and Socko the Sea Dog, as well as one-panel editorial cartoons. With this experience in hand, Kirby made an easy transition to the fledgling comic book industry. This rare weekly strip by Kirby (using the pseudonym, Jack Curtiss), is one of "the King's" earliest published works, and in wonderful condition, to boot! The image area measures 18.25" x 4.75". There is some edge wear and slight staining outside of the image area, otherwise this work is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby and Joe Simon - Bulls-Eye #1, Splash Page 12 Original Art (Mainline, 1954). This Simon and Kirby spectacular is a Silver Age sensation. It showcases Kirby's trademarked use of extreme foreshortening and the readers' eyes are led right to the action, with a powerful image of Bulls-Eye himself at center stage. These two comic book creators were both masters in their own rights, but putting them together sparked an industry revolution. This thriller has an image area that measures 12" x 18". The logo stat shows some light staining; otherwise, the art is in Excellent condition. Both artists have signed the page along its lower border. From the Fantastic Frank Collection.
Jack Kirby and Wally Wood - Sky Masters of the Space Force Daily Comic Strip Original Art, dated 4-18-59 (The George Matthew Adams Service, Inc., 1959). The scintillating combination of Jack Kirby's dynamic storytelling and Wally Wood's polished inks was the highlight of this science fiction feature. This superb daily has an approximate image area of 18" x 5.5", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby and Syd Shores - Captain America #102, page 2 Original Art (Marvel, 1968). Nick Fury lays it on the line for Steve Rogers in this Silver Age spectacular from the thriller, "The Sleeper Wakes." This page has an image area of 10" x 15", and aside from two pasted-on lettering corrections and a small stain (in panel five), the art is in Very Good condition. From the Fantastic Frank Collection.
Jack Kirby and Syd Shores - Captain America #109, Splash Page 5 Original Art (Marvel, 1969). Captain America and Bucky tackle a nasty Nazi, armed with an eye-popping piece of "Kirby-tech" hardware. This page, complete with "Marvel-ous" sound effect lettering, has an image area of 10" x 15", and the art is in Excellent condition. Jack Kirby signed the page in pencil, at its lower right. From the Fantastic Frank Collection.
Jack Kirby and Syd Shores - Captain America #109, page 12 Original Art (Marvel, 1969). Nefarious Nazis make ready to sabotage "Project Super Soldier" in this dramatic Silver Age retelling of Captain America's origin -- it's a page that Jack Kirby was born to draw! This piece has an image area of 10" x 15", and aside from some small patches of white-out, the art is in Excellent condition. Jack Kirby signed the page in pencil, at the lower right. From the Fantastic Frank Collection.
Jack Kirby - Psychedelic Pin-Up Illustration Original Art (circa 1969). For many Baby Boomers, Marvel Comics' flawed heroes (dialogued with a tongue-in-cheek irreverence by Stan Lee, and set loose in cosmic settings pictured by Jack Kirby) were no less a force in the 1960s pop culture renaissance than the Beatles were with their rock n' roll music. Novelist Jonathan Lethem, in an essay, even compared the supremely creative collaboration of Stan Lee and Jack Kirby with that of John Lennon and Paul McCartney. Direct from the eve of the Silver Age comes this electrifying "King" Kirby icon, rendered in fluorescent hues. The glowing aerialist displays an energetic euphoria, as though he has at last broken free from a blacklight-filled universe! One of a series of four paintings of this type (displayed in The Jack Kirby Collector #19), this eye-popping pin-up has an image area measuring 19" x 26". The art is in Excellent condition and was signed by Jack Kirby at the bottom right. From the Fantastic Frank Collection.
Jack Kirby, Vince Colletta, and Murphy Anderson - Superman's Pal Jimmy Olsen #139, page 3 Original Art (DC, 1971). "The Guardian Lives Again," and he joins up with the sons of the original Newsboy Legion -- "it's deja vu, all over again," with the kind of excitement only Jack "King" Kirby could create. Vince Colletta finished Kirby's pencils with his crisp inks, except for the Superman and Jimmy Olsen heads, which were re-drawn and inked by top DC talent, Murphy Anderson. This page has an approximate image area of 10" x 15" and aside from a glue stain at the bottom of the page from a missing type element and closely cropped borders, the art is in Very Good condition.
Jack Kirby and Vince Colletta - Superman's Pal Jimmy Olsen #139, page 11 Original Art (DC, 1971). Are you ready for defoliants in your succotash? Are you ready for landmines in your lunchbox? Morgan Edge isn't -- but he still has to deal with the daffy duo of Don Rickles and the identical-looking (but differently spelled) Goody Rickels. This offbeat page from "The Guardian Fights Again" has an image area of 10" x 15", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby, Murphy Anderson, and Vince Colletta - Superman's Pal Jimmy Olsen #145, Splash Page 18 Original Art (DC, 1971). Simyan and Mokkari join Jimmy Olsen for some "face time," Jack Kirby-style, in this splash page from the yarn, "Brigadoom." Vince Colletta finished Kirby's pencils with his gritty inks, except for Jimmy Olsen's head, which was re-drawn by Silver Age DC inker-supreme Murphy Anderson. This super-spectacular has an image area of 10" x 15", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby and Mike Royer - Forever People #8 Cover Original Art (DC, 1972). Those Fourth World free spirits, the Forever People, are held in bitter bondage as "The Prisoners of the Power." This cataclysmic cover scene is a Bronze Age blockbuster that only Jack "King" Kirby could have penciled. Mike Royer, perhaps Kirby's most faithful inker, added the perfect finishing touches to this shocker. This cover retains all of its original title logo and type stats, and the cover drawing has been pasted to a larger support piece of DC cover stock; otherwise, the art is in Excellent condition. The image area is 10" x 15", and Jack Kirby has signed the art at the lower left.
Jack Kirby and Mike Royer - The Forever People #8, Complete 26-page Story "The Power" Original Art (DC, 1972). Mark Moonrider, Big Bear, Beautiful Dreamer, Vykin the Black, and Serifan battle the combined threats of The Sect, Billion-Dollar Bates, Desaad, and Darkseid in the 26-page saga, "The Power." No printed comic book could ever hope to capture the full artistry of Jack Kirby and Mike Royer's original art -- these pulse-pounding pages have to been seen in person to truly appreciate the peerless artistry of this Fourth World phantasmagoria! Each page of this masterwork has an approximate image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby and Mike Royer - The Forever People #10, Complete 22-page Story "The Scavengers" Original Art (DC, 1972). From the Firepits of Apokolips to the glittering spires of New Genesis, Jack Kirby's astounding Fourth World epic burst fully-formed on an unsuspecting world in 1970, when Kirby moved to DC after years at rival Marvel. First appearing in Superman's Pal, Jimmy Olsen, the Fourth World storyline soon spawned three brand-new titles: The New Gods, Mister Miracle, and The Forever People, from which this particular story hails. The "younger generation" of New Genesis, the Forever People traveled Earth battling the evil minions of Darkseid. This story, the next-to-last issue of this key title and one of the best of the run, features Deadman, and also showcases a last panel advertisement for Kirby's new book, The Demon (the ad is original art, not a pasted-up stat). The Fourth World books are fondly remembered and original art from these books is hotly sought-after and collected. Most of the books have been broken up over the years, making complete stories scarce. Kirby was one of the greatest talents the comics industry has ever seen, making this a not-to-be-missed opportunity to acquire a complete Bronze Age masterpiece based on Kirby's mythic vision. Each page of this blockbuster has an approximate image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby and Frank Giacoia - Captain America #198, page 26 Original Art (Marvel, 1976). The high-flying Falcon lends a helping hand in this action-packed shootout from the sixth installment of the celebrated "Madbomb" storyline. Frank Giacoia's super-smooth inks added the perfect Bronze Age finish to Jack Kirby's power-packed pencils. This page has an image area of 10" x 15", and the art is in Excellent condition. Jack Kirby signed the page in pen, at the lower center-right. From the Fantastic Frank Collection.
Jack Kirby and Herb Trimpe - Marvel Treasury Special #1, Captain America's Bicentennial Battles, page 20 Original Art (Marvel, 1976). In these scenes Captain America has traveled through time and space, back to the big-city Depression-era days of Jack Kirby's own Manhattan youth. Herb Trimpe added his own considerable talent to this page with his crisply applied inks. The image area of the piece is 10" x 15", and the art is in Excellent condition. Jack Kirby signed the page in pen, at lower right border. From the Fantastic Frank Collection.
Jack Kirby and Mike Royer - "Hostel of Hawkana/Lord of Light" Presentation Piece Original Art (1978). When it came to creating spectacular cities for alien races, science fiction heroes, or God-like characters, Jack Kirby simply had no equal. In the late seventies, Kirby was commissioned to design the visuals for a film based on Roger Zelazny's novel, Lord of Light. A theme park also using Kirby concepts was planned, but the project was never realized. A key concept from the novel was the blending of Hindu mysticism from Ancient India with a modern technological society. This page has an image area of 22.5" x 18", and the art is in Excellent condition. Jack Kirby signed and dated the art in its lower right corner. From the Fantastic Frank Collection.
Jack Kirby and Joe Sinnott - Silver Surfer Graphic Novel, page 94 Original Art (Marvel, 1978). Behold, Galactus fans - the galactic gourmand, as drawn by the Marvel Comics team-supreme of Jack "King" Kirby and "Joltin'" Joe Sinnott, With a half-page of Galactus' dreaded energy-converter being assembled, what more could a True-Believer ask for? The image area of this magnificent masterwork is 10" x 15", and the art is in Excellent condition. Jack Kirby signed the page in pencil, at lower right border. From the Fantastic Frank Collection.
Jack Kirby - "Mighty Magon" Illustration Original Art (undated). Mara! Marax! Magon! -- and krak! The fresh-faced young kid transforms into a giant, hulking hero named Magon, Master of the Earth-Forces. This superb pencil piece is an animation concept drawing done by Jack Kirby during that period in the late '70s/early '80s when he was working in the animated cartoon industry. The proposal was never picked up, but Kirby fans can revel in this spectacularly powerful figure work by the "King." The design of Magon recalls both the Incredible Hulk and the Martian Manhunter, and note also the Mother Box-like device on the left side of the drawing. The art measures an impressive 23.5" x 18" and is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - Captain Victory and the Galactic Rangers #5, Complete 5-page Story "King of the Unwanted" Original Art (Pacific Comics, 1982). When a comic book yarn calls for wild and way-out humor-action -- there's no doubt, Jack Kirby is the artist of choice. The Goozlebobber, King of the Unwanted stars in this five-page, loony laugh-riot. The image area of each page measures 10" x 15", and aside from clipped corners (outside of the image area), the art averages Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - "Scott Free As Mister Miracle" Toy Concept Pencil Illustration Original Art (1982). When better superhero toys are designed -- they'll be designed by Jack "King" Kirby! Considered by some to be Kirby's greatest creation, Mister Miracle, the man whom no trap could hold, was based on real-life magician and comics legend Jim Steranko. Part of Kirby's Fourth World epic., Scott Free, or Mister Miracle, made a career out of battling the minions of Apokolips and opposing the plans of his evil stepfather, Darkseid. This cataclysmic concept drawing has an overall size of approximately 30" x 20", and the art is in Excellent condition. Jack Kirby signed and dated the piece at the lower right. From the Fantastic Frank Collection.
Jack Kirby and Greg Theakston - Super Powers #2, Splash Page 1 Original Art (DC, 1985). Hawkman, Red Tornado, and the Green Arrow star in this superb splash page brimming with Jack Kirby super-action. It's a modern age masterpiece as only the "King" could have conceived it. This power-packed panorama has an image area of 12" x 17", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - Super Powers #3, page 4 Pencils Original Art (DC, 1985). The DC superhero mainstays get the dynamic Jack Kirby treatment and the "King" features Wonder Woman, Green Lantern and Dr. Fate in this battle royal from "Time Upon Time Upon Time." For this issue, inker Greg Theakston decided to finish the art on separate pieces of paper, using a lightbox, so as to preserve Kirby's penciled pages. This page has an image area of 12" x 18", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - Super Powers #3, page 17 Pencils Original Art (DC, 1985). Space aliens who resembled the somber Easter Island head sculptures were a favorite leitmotif of the Jack Kirby canon, and Dr. Fate stars in this page of pure, unadulterated Kirby pencils. This thriller has an image area of 12" x 18", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - Super Powers #3, page 18 Pencils Original Art (DC, 1985). Talented as many of Jack Kirby's inkers were, there's nothing like the thrill of seeing his undiluted and unaltered pencils. Dr. Fate, Wonder Woman, and Green Lantern take center stage on this power-packed page. This blockbuster has an image area of 12" x 18", and the art is in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby and Karl Kesel - Who's Who #4 "Challengers of the Unknown" Splash Page Original Art (DC, 1985). When it came to creating heroic super-groups, Jack Kirby truly was the "King." The prototypical Sliver Age team, The Challengers of the Unknown, star in this sensational splash page. Ace Morgan, Prof. Haley, Red Ryan, Rocky Davis, and Dr. June Roberts helped blaze the path for another famous Kirby group -- the Fantastic Four! This thrilling splash page also has a vellum overlay that was inked for a special blue ink-only effect in the printing process. The page has an image area of 10" x 11.5", and both pieces average Excellent condition. Jack Kirby signed the page in ink at the lower right From the Fantastic Frank Collection.
Jack Kirby and Greg Theakston - Super Powers #6 Cover Original Art (DC, 1986). Darkseid battles the Super Powers and the prize is Earth! The issue was dedicated to: Julius Schwartz, Gardner Fox, Mike Sekowsky, and Bernie Sachs and was based on the 1985 TV cartoon "Super Powers: Darkseid of the Moon." This page has an overall size of 12" x 17.75". The art extends to the edges of the page (no borders) and it's in Excellent condition. From the Fantastic Frank Collection.
Jack Kirby - Captain 3-D Pencil Illustration Original Art (undated). From the cosmic imagination of Jack Kirby comes this character design for "Captain 3-D" In the later years of his career, Kirby worked in the animation field, creating scores of "concept drawings", and this may be one of them. Kirby's boundless imagination continued to generate offbeat concepts and dynamic action. The image area of this graphite pencil on paper drawing measures 17" x 11", and the art is in Excellent condition. From the Fantastic Frank Collection.
Roy G. Krenkel - "Gwynwyn" Sunday Comic Strip, Try-Out Page Original Art, dated 3-27-47 (1947). This early, detailed Sunday comics strip try-out by master pen man Roy Krenkel shows the profound influence that Hal Foster and his Prince Valiant feature had on young cartoonist-illustrators everywhere. A notorious procrastinator, Krenkel would soon abandon any regular comics work (with their bothersome deadlines) in order to pursue his love of sketching and fantasy illustration. This spectacular piece has an image area of 13" x 18" and the art is in Excellent condition. From the Fantastic Frank Collection.
Roy G. Krenkel - Cro Magnon Hunter Illustration Original Art (undated). This expressive pen and ink image by the hand of fantasy master, Roy G. Krenkel, resonates with primordial energy. The image area measures 7.5" x 6.25" and the art is in Excellent condition. Signed with the "RGK" monograph at the lower left.
Roy G. Krenkel - Giant Illustration Original Art (undated). Best known for his Ace paperback covers, fantasy master Roy G. Krenkel preferred working on fantasy drawings at his own pace, his commercial assignments were taken simply to keep bread on the table. This pen and ink drawing is delicately rendered, in lines that seem etched in ink, almost like a lithographic print. The image area measures 5" x 7.5" and the art is in Excellent condition. Signed with the "RGK" monograph at the lower right.
Joe Kubert - Brave and Bold #43, Splash Page 9 Original Art (DC, 1962). For a true-blue Joe Kubert Hawkman fan, this Silver Age sensation will be hard to top, as the Winged Wonder tackles the macabre menace of the Manhawks, with their humanoid plasti-rubberoid masks. This dynamic Joe Kubert splash page opens the aerial action for chapter two of the classic "Masked Marauders of Earth" yarn written by Gardner Fox. The image area of the page measures 13" x 18". The top and bottom borders were trimmed, there is some mild paper aging and a few small glue stains in the lower left corner; otherwise, the art is in Very Good condition.
animation art
"Training Film" Animation Production Cel on Pantone Background (Walter Lantz Productions, 1942-43). This hand inked and hand painted original production cel is from a Walter Lantz Productions' "Training Film," and is signed by the legendary Shamus Culhane. The image area measures 11.5" x 9.5". Matted and framed and in Excellent condition.
Original Comic Art
Walter Lantz - "Winnie and Woody Woodpecker Ice Skating" Painting Original Art (1987). Woody and Winnie frolic in a winter wonderland in this charming Walter Lantz oil painting. The Baby Boomer generation came to celebrate Walter Lantz as the creator of the Woody Woodpecker cartoons. Lantz often used his TV appearances to demonstrate how animation was created and for many of his viewers it was the first time they had seen how the process worked. The sixties generation also appreciated him for entertaining the troops during the Vietnam War and visiting hospitalized veterans. This delightful piece has an image area of 18" x 14", is framed and is in Excellent condition.
Bob Leffingwell - Little Joe Sunday Comic Strip Original Art, dated 10-3-60 (Chicago Tribune - New York News Syndicate, 1960). Little Joe acts as the straight man for this bit of vaudeville, wild West style. On a side-note, Little Joe holds the record as one of the first, and longest running Western comic strips. This strip has an image area of 20.5" x 9", and the art is in Excellent condition.
John Lehti - Tommy of the Big Top Daily Comic Strip Original Art, dated 9-8-47 (King Features Syndicate, 1947). John Lehti's talent for "good girl art" shines in this episode. This strip has an image area of 20" x 6", and the art is in Very Good condition.
John Lehti - Tales From the Great Book Sunday Comic Strip Original Art, dated 12-31-61 (Publishers-Hall Syndicate, 1961). The story of "Daniel and the Handwriting on the Wall" is detailed in this Sunday. The image area of this strip measures 20.5" x 14", and the art is in Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 1996). Prince Namor, the Sub-Mariner, headlines these six consecutive dailies, dated 12-16, 12-17, 12-18, 12-19, 12-20, and 12-21-96. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2000). There's plenty of web-slinging Spider-Man action in these six consecutive dailies, dated 4-10, 4-11, 4-12, 4-13, 4-14, and 4-15-2000. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2000). The actor/vampire, Lugo Belogi, tackles Spider-Man in these six consecutive dailies, dated 5-29, 5-30, 6-1, 6-2, and 6-3-2000. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001). Spider-Man and Magneto mix it up in these six consecutive dailies, dated 6-4, 6-5, 6-6, 6-7, 6-8, and 6-9-2001. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2000). Spider-Man and his wife, Mary Jane, star in these six consecutive dailies, dated 8-14, 8-15, 8-16, 8-17, 8-18, and 8-19-2000. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2000). Spider-Man and a ferocious werewolf battle in Central Park in these six consecutive dailies, dated 11-6, 11-7, 11-8, 11-9, 11-10, and 11-11-2000. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2003). Wolverine guest stars with Spider-Man and Mary Jane in these six consecutive dailies, dated 6-2, 6-3, 6-4, 6-5, 6-6, and 6-7-2003. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001). The menace of Magneto looms in these six consecutive dailies, dated 6-11, 6-12, 6-13, 6-14, 6-15, and 6-16-2001. The image area of each strip measures 13" x 4", and the art averages Excellent condition.
Bob Lubbers- Tarzan Sunday Comic Strip Original Art, dated 11-11-51 (United Feature Syndicate, 1951). Bob Lubbers' run on Tarzan was short, but superb. Lubbers drew the Sunday for roughly three and a third years from late 1950 to early 1954 -- collectors take note, he only drew about 170 Sundays in all. The image area of this sensational episode is 26" x 17". Aside from some small stains and light paper aging, the art is in Very Good condition.
Bob Lubbers - Long Sam Daily Comic Strip Original Art, dated 9-2-54 (United Feature Syndicate, 1954). There's a new would-be star in town -- the lovely Long Sam. This daily is packed with Bob Lubbers' "good girl" art. The image area of this sultry episode is 19" x 5", and the art is in Excellent condition.
Bob Lubbers - Long Sam Sunday Comic Strip Original Art, dated 11-20-60 (United Feature Syndicate, 1960). Famed "good girl" artist Bob Lubbers was an inspired choice to draw the beautiful Long Sam. Characters based on the likenesses of Nikita Khrushchev, Fidel Castro, and Francisco Franco co-star in this gag. This Sunday has an image area that measures 22.5" x 15", and the art is in Excellent condition.
Stan Lynde - Rick O'Shay Daily Comic Strip Original Art, dated 7-21-59 (Chicago Tribune, 1959). Hipshot stars in this early daily hailing from a little over a year after Rick O'Shay debuted. The art has an image area of 16" x 4.75", and its condition is Excellent.
Stan Lynde - Rick O'Shay Sunday Comic Strip Original Art, dated 10-23-60 (Chicago Tribune, 1960). Rick O'Shay and his pal Bob find it's mighty hard to rattle a cool hand like Hipshot. This early episode hails from within two years of the Sunday's debut. This strip has an image area of 27" x 12.5", and the condition is Excellent.
Stan Lynde - Rick O'Shay Sunday Comic Strip Original Art, dated 9-9-73 (Chicago Tribune, 1973). Unlike Wyatt Earp, Rick O'Shay proves himself to be a better lawman than a gambler. This superb Sunday has an image area of 27" x 12.5", and its condition is Excellent.
Stan Lynde - Rick O'Shay Sunday Comic Strip Original Art, dated 8-4-74 (Chicago Tribune, 1974). Apparently, bronc-buster Rick O'Shay was more shook up than he first let on. This rough-riding Sunday has an image area of 27" x 12.5", and its condition is Excellent.
Kevin Maguire and Joe Rubinstein - The Adventures of Captain America #1, page 11 Original Art (Marvel, 1991). Steve Rogers encounters his mentor, James Fletcher, a.k.a. American Eagle, in this page from the story, "First Flight of the Eagle," written by Fabian Nicieza. The art has an image area of 10.5" x 17", and is in Excellent condition. Signed by Kevin Maguire at the bottom right.
Pablo Marcos - Savage Sword of Conan #9, page 17 Original Art (Marvel, 1975). Conan forces Fazal's own double-edged sword deep into the Son of the Desert's throat, in this blood-thirsty page from "The Curse of the Cat-Goddess," written by Roy Thomas. The art has an image area of 10" x 15", and is in Excellent condition. Includes a copy of Savage Sword of Conan #9.
Rocco Mastroserio - Eerie #5, Complete 7-page Story, "Dr. Griswold's File" Original Art (Warren, 1966). When Jim Warren uncorked his EC-inspired black and white horror titles, Creepy, Eerie, and Vampirella, Rocco Mastroserio, formerly a workhorse at Charlton Comics, drew several spectacular spine-tinglers for Warren. The grey tone effects Mastroserio laid down for this yelp-yarn, "Dr. Griswold's File," are infused with a rich warmth. The image area of each page measures 12.75" x 18.5", and the art is in Excellent condition.
Clifford McBride - Napoleon Daily Comic Strip Original Art (Arthur J. Lafave, undated). Uncle Elby and Napoleon to the rescue in this daily dated 7-6, year unknown. This superb strip has an image area of 19" x 4.5". The strip was folded between panels two and three; otherwise, the art is in Very Good condition. Clifford McBride signed the daily at the lower right.
Clifford McBride - Napoleon Sunday Comic Strip Original Art, dated 10-14-34 (Arthur J. Lafave, 1934). Starting in 1934, Uncle Elby shared the Napoleon strip with Singapore Sam. This notable storyline, highly sought after by collectors, came very early on, in 1933-34, when Elby's seafaring friend, Singapore Sam, narrated an extended fantasy to Willie about Jumping Jack Island and its strange inhabitants. Singapore Sam spins a whopper of a yarn in this beautifully drawn Sunday. The image area of this strip measures 16.5" x 21.5", and the art is in Very Good condition.
Clifford McBride - Napoleon Sunday Comic Strip Original Art, dated 12-9-34 (Arthur J. Lafave, 1934). Uncle Elby's wild prairie schooner ride is full of the action-packed slapstick that Clifford McBride excelled at -- it's a masterpiece of comic strip art. The image area of this strip measures 16.5" x 21.5", and the art is in Very Good condition.
Clifford McBride - Napoleon Sunday Comic Strip Original Art, dated 2-22-42 (Arthur J. Lafave, 1942). Always full of high spirits, Napoleon leapt into the hearts of his fans with his animated antics, and Clifford McBride's playful pen work is always a treat to behold. The image area of this strip measures 21" x 14.5", and the art is in Very Good condition.
Darrell McClure - Little Annie Rooney Sunday Comic Strip Original Art, dated 10-29-33 (King Features Syndicate, 1933). Little Annie Rooney is delineated in the classic "clear line" style in this beautifully drawn Sunday by Darrell McClure. This strip has an image area of 17" x 13.5", and the art is in Excellent condition. From the Jim Logan Collection.
Wilson McCoy - The Phantom Daily Comic Strip Original Art, dated 1-21-55 (King Features Syndicate, 1955). The Phantom closes in on a band of craven kidnappers. Soon, they will feel the sting of his skull ring on their jaws. The image area of this daily measures 20.5" x 6", and the art is in Excellent condition.
Wilson McCoy - The Phantom Daily Comic Strip Original Art, dated 1-26-55 (King Features Syndicate, 1955). The Phantom dives into action in this dynamic daily from the fifties. The appeal of Lee Falk's superhero is timeless. The image area of this daily is 20.5" x 6". The Zipatone film has yellowed; otherwise, the art is in Very Good condition.
Wilson McCoy - The Phantom Daily Comic Strip Original Art, dated 1-27-55 (King Features Syndicate, 1955). The Phantom to the rescue in this sea-going saga. For many, the Ghost Who Walks remains the ultimate mystery man! The image area of this daily is 20.5" x 6". The Zipatone film has yellowed; otherwise, the art is in Very Good condition.
Todd McFarlane and Tony DeZuniga - Original Art for Infinity, Inc. #25, page 5 (DC, 1986). With the Crisis on Infinite Earths over, the JSA makes an offer for Infinity Inc. to join them, in this power-packed page from "Business As Usual," written by Roy Thomas. Todd McFarlane handles the pencils, while Tony DeZuniga inks this astonishing page filled with heroes. The art has an image area of 12" x 17.5", and is in Excellent condition.
McHale's Navy #1 Complete 32-page Story "Sailor, Beware..." Original Art (Dell, 1963). Baby Boomers take note -- "the zaniest crew that ever manned a PT boat" star in thirty-two pages of fun and frivolity in the offbeat romp, "Sailor, Beware...". The image area of each page measures approximately 12" x 18", and the art averages Excellent condition. A copy of the comic book is also included in this lot.
Bob McLeod - X-Men Danger Room Illustration Original Art (2000). The X-men are put through their perilous paces by Professor X in the traumatic training ground of the "Danger Room." This band of marvelous mutants includes the classic Silver Age line-up of Cyclops, Havok, Polaris, Angel, Marvel Girl, Iceman, and the Beast. Bob McLeod's scintillating sensation resonates with the trend-setting innovations of former X-Men artists Neal Adams and Jim Steranko. This drawing has an overall size of 20" x 15", and the art is in Excellent condition.
George McManus - Bringing Up Father Daily Comic Strip Original Art, dated 8-9-52 (King Features Syndicate, 1952). The stylish art deco designs of George McManus remain one of the high points in comic strip art. This strip has an image area of 18" x 5". Aside from yellowing Zipatone and a few glue stains, the art is in Very Good condition.
Al McWilliams - Twin Earths Daily Original Art, Group of 2 (United Feature Syndicate, 1953). The super-sleek, streamlined science fiction art of Al McWilliams is spotlighted in these two supersonic dailies, dated 1-15 and 1-19-53. Aside from a few small stains, the art averages Very Good condition.
Al McWilliams - Dateline Danger Sunday Comic Strip Original Art, dated 6-7-70 (Field Enterprises Inc. , 1970). Al McWilliams' talent for figure drawing shines in this episode, brimming with characters. The image area of this strip is 20" x 13.5", and the art is in Very Good condition.
Al McWilliams - Dateline Danger Sunday Comic Strip Original Art, dated 11-7-71 (Field Enterprises Inc. , 1971). Action, adventure, and beautiful girls -- this Sunday has it all! The image area of this strip is 20" x 13.5", and the art is in Very Good condition.
Dale Messick - Brenda Starr Daily Comic Strip Original Art, dated 1-20-50 (Chicago Tribune, 1950). Beautiful Brenda Starr takes the limelight in three panels of this daily from the fabulous fifties. This strip has an image area of 21.5" x 6.5", and its condition is Excellent.
Dale Messick - Brenda Starr Sunday Comic Strip Original Art, dated 5-1-60 (Chicago Tribune, 1960). Brenda is a gal on the go in this fun-filled Sunday. The image area of this strip measures 28" x 12.5", and the art consists of individual frames which have been attached to a larger piece of illustration board. There is some overall aging apparent and some lettering corrections; otherwise, the art is in Very Good condition.
Sheldon Moldoff - Detective Comics #35, Batman With a Gun Splash Panel Recreation Original Art (undated). Go ahead -- make his day! Sheldon Moldoff has recreated the smoking gun panel from Detective Comics #35 (January, 1940), one of the few times the Cowled Crusader was seen packing heat. Don't miss your chance to add a Golden Age thrill to your Batcave with this rollicking recreation. The art is in Excellent condition and has an image area of 13.5" x 14.25".
Bob Montana - Archie Daily Comic Strip Original Art, dated 2-22-65 (King Features, 1965). All the major Archie characters appear in this gag -- Archie, Veronica, Jughead, Reggie, and Betty. It's a winner. The image area of this strip is 21.5" x 6.5". The Zipatone film has yellowed in all four panels; otherwise, the art is in Very Good condition. This strip was signed and inscribed by Bob Montana in its lower border. From the Jim Logan Collection.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 8-2-53 (McClure Newspaper Syndicate, 1953). Bob Montana's art is at its most refined in this hilarious Sunday starring the whole Riverdale gang -- Archie, Jughead, Betty and Veronica. This strip has an image area of 20.5" x 14, and aside from a few small stains, the art is in Excellent condition.
Gray Morrow - Marvel Preview #2 Punisher Cover Original Art (Marvel, 1972). The first telling of the Punisher's origin, pre-dating the origin stories in the comic books, was in the story "Death Sentence," making this issue one of the most significant of Marvel's black-and-white magazines and this Gray Morrow scene one of the most familiar images. This Bronze Age blockbuster has an overall size of 20" x 30", and aside from some edge and corner wear, the art is in Excellent condition.
Zack Mosley - Smiling Jack Daily Comic Strip Original Art, dated 7-1-50 (News Syndicate, 1950). Smiling Jack is about to go supersonic in this daily -- cavu (ceiling and visibility unlimited)! This daily has an image area of 19.5" x 6", and the art is in Excellent condition. Zack Mosley inscribed and signed this daily in its first panel.
Zack Mosley - Smiling Jack Daily Comic Strip Original Art, dated 1-28-52 (News Syndicate, 1952). Kameeleon makes an appearance in panel three of this daily and she is a perfect example of one of Zack Mosley's "de-icers." In fact this episode, is titled "Downwind's Dream Girl." This daily has an image area of 19.5" x 6", and aside from some yellowing Zipatone, the art is in Excellent condition.
Russell Myers - Broom-Hilda Sunday Comic Strip Original Art, 9-15-71 (Chicago Tribune, 1971). Irwin Troll learns the wisdom of the old saying, "Be careful what you wish for -- you might just get it." Broom-Hilda and Gaylord Buzzard co-star. The image area of this Sunday measures 27.5" x 12". The strip was cut into two pieces and later rejoined with duct tape on the back. There is some paper staining near the cut and along the borders; otherwise, the art is in Good condition. From the Jim Logan Collection.
Don Newton and Jack Abel - The Avengers Annual #9, page 18 Original Art (Marvel, 1979). Iron Man, Thor, and Yellowjacket share the limelight in this beautifully designed page from "Today the Avengers Die." This page has an image area of 10" x 15", and the art is in Excellent condition.
Irv Novick - Our Army at War #8, Complete 8-page Story "One Man Army" Original Art (DC Comics, 1953). Here is a fantastic, almost cinematic "Big 5" yarn that will make a worthy addition to any DC war fan's collection. Irv Novick detailed the hard-hitting action and orchestrated the kind of visual staging that made the DC war titles a resounding success. Credit writer Robert Kanigher for scripting this blockbuster. Each thrilling page has an image area of 13" x 18", and the art is in Excellent condition.
Irv Novick and Mike Esposito - Superman's Girl Friend, Lois Lane #90 Splash Page 1 Original Art (DC, 1969). "Darn you Dahr-Nel," so says the Man of Steel, as Lois Lanes dumps Superman for a husband-to-be in the future - Dahr-Nel. Irv Novick's talent for "good girl" art is showcased in this Silver Age spectacular. This page has an image area of 10" x 13.5", and aside from aging pasted-on type elements, the art is in Very Good condition.
Harry O'Neill - Broncho Bill Sunday Comic Strip Original Art, dated 5-18-41 (United Feature Syndicate, 1941). Harry O'Neill's mastery of animal anatomy is showcased in this spectacular Sunday. This Broncho Bill strip has an image area of 18.5" x 25". The strip was folded between panel tiers two and three and there is some aging and wear to the title logo stat; otherwise, the condition is Very Good. From the Jim Logan Collection.
Frederick Opper - Daily Comic Strip Original Art (undated). In this strip titled, "A Little Exaggeration? Perhaps," it seems even Martians can run afoul of the IRS if they're not careful -- and regulations have only gotten worse since this cartoon was drawn. Frederick Opper is considered to be the one of the first American cartoonists to develop the use of speech balloons in a continuing comic strip. He was also among the first to use panels to advance the story line. This outrageous daily has an image area that measures approximately 12" x 7", and the art is in Very Good condition.
Richard F. Outcault (attributed) - Buster Brown Sunday Comic Strip Original Art, dated 1-21-23 (Newspaper Feature Service Inc., 1923). No matter the situation, Buster Brown and Tige always find a way to get into merry mischief and this adventure, titled "He turns out to be a 'blackslider'," is a case in point. This hilarious Sunday was created using pasted-down drawings whose edges were then extended to the panel borders of the support board. The pasted-down art was most likely recycled from a much earlier strip. Some historians believe that the feature ended in 1921, but that William Randolph Hearst may have continued to offer the strip (as reprints) until 1926. This Sunday has split into two pieces and the art is in Fair condition. The overall size of the combined halves measures approximately 23" x 28".
Carlos Pacheco and Jesus Merino - Avengers Forever #4, page 22 Original Art (Marvel, 1999). Captain Marvel and the Wasp come face to face with Venus, Marvel Boy, 3-D Man, the Human Robot, and Gorilla Man, in the final page from the Kurt Busiek story, "Running Out of Time." The art has an image area of 10" x 15" and is in Excellent condition.
Rudy Palais - Modern Love #5, Complete 6-page Story "I Was Cursed By My Past" Original Art (EC, 1950). The powerful storytelling of Rudy Palais is spotlighted in this moody melodrama. This is one of the few EC stories drawn by this comic book mainstay. The image area of each heart-throbbing page measures 13" x 18". There are two glue stains left behind by loose caption paste-ups on pages 3 and 6; otherwise, these pages average Excellent condition.
Brant Parker - Wizard of Id Sunday Comic Strip Original Art, dated 1-29-67 (Field Enterprises, 1967). Brant Parker and Johnny Hart were masters of the ironic one-liner, and the Wizard of Id was awarded the prestigious Reuben Award by the National Cartoonists Society in 1984. This Sunday has been cut horizontally between each tier of panels; otherwise, the art is in Excellent condition. This Sunday was signed and inscribed by Brant Parker in its first panel, "To Jim -- This could sure use some color! Best, B. Parker." From the Jim Logan Collection.
Virgil Partch - Big George Daily Comic Strip Original Art (Publishers Syndicate, undated). Another tongue-in-cheek Big George daily by Virgil "VIP" Partch. Dated 8-17 (year unidentified), this art has an image area measuring 7.5" x 9". Aside from some light soiling along the right edge, the condition is Excellent.
Virgil Partch - Big George Sunday Comic Strip Original Art, dated 10-29-61 (Field Enterprises, 1961). It's not easy being married to Big George -- it seems his wife's work is never done. This hilarious episode hails from within the first year of the feature's debut. This Sunday has an image area of 20.5" x 14", and the art is in Excellent condition.
Russell Patterson - Daily Comic Strip Original Art (King Features Syndicate, 1945). With an energetic frenzied line, Russell Patterson worked as an illustrator for magazines such as Liberty and the Saturday Evening Post and drew the comic strip Mamie for United Features Syndicate from 1951 to 1956. This daily has an image area of 20.5" x 6", and aside from some light paper tanning, and soiling, the art is in Very Good condition.
Russell Patterson - Mamie Sunday Comic Strip Original Art, dated 11-25-51 (United Feature Syndicate, 1951). That lithesome lass, Mamie, misreads her weight and goes into a real tizzy in this lighthearted Sunday. The bottom tier spotlights two paper doll panels. Few cartoonists could top Russell Patterson talent for drawing gorgeous gals. This Sunday has an image area of 22.5" x 15.5", and the art is in Excellent condition.
Mike Ploog - Classics Illustrated #9, "Tom Sawyer" page 28 Original Art (First Publishing, 1990). The Black Avenger and his crew (Tom Sawyer and Huck Finn) glide down the smooth Mississippi River, in this stunning page by Mike Ploog. Rendered in ink and watercolor, the image area measures 10" x 15" and the art is in Excellent condition. The word balloons were mounted on an acetate overlay, which is also included in this lot.
Mike Ploog - Frankenstein #6 Cover Recreation Original Art (2002). Monster-maker Mike Ploog has recreated a Bronze Age breathtaker as Frankenstein's monster find himself threaten by a crazed, armored foe and a super-sized spider. Mike Ploog has spared no detail in this pencil recreation based on a spine-tingling scene from the yarn, "In Search of the Last Frankenstein." This moody "monster-piece" has an image area of 10" x 14.5", and the art is in Excellent condition.
Mac Raboy - Flash Gordon Sunday Comic Strip Original Art, dated 10-5-58 (King Features Syndicate, 1958). Dale Arden and Bobcat mix it up in a Space Age cat-fight in this thrilling Sunday from the fifties. Flash breaks up this battle of the beauties in order to resume a heated space race. This superb episode has it all. The image area of this scintillating sensation measures approximately 19" x 13", and aside from an aged title logo stat, the art is in Excellent condition.
Alex Raymond - Flash Gordon Sunday Comic Strip Original Art, dated 6-20-37 (King Features Syndicate, 1937). During the inspired period of 1936-38, Alex Raymond brought the quality of heroic romance on Flash Gordon to its all-time high, and his superb drybrush inking on this episode rivals that of "hall of fame" illustrators Matt Clark and John LaGatta. This gorgeous piece has a fascinating provenance. For many years it was in the personal collection of Australian artist and Alex Raymond enthusiast Stanley Pitt, who was greatly inspired by Raymond's Flash Gordon. From 1945-1948 Pitt's own newspaper strip, Silver Starr in the Flameworld, ran in the Sunday Sun. Later, he produced several book cover illustrations and was widely celebrated as a top-tier illustrator of science fiction. Without a doubt, Pitt was one of the finest Australian comic artists working in the classic adventure tradition. This Sunday, a touchstone for Stanley Pitt and countless other cartoonists, has an image area of 20" x 15.75", and the art is in Very Good condition. This magnificent masterwork from the Golden Age of newspaper comics is sure to make a treasured showpiece for any fantasy art collector.
Alex Raymond - Flash Gordon Sunday Comic Strip With Matching Jungle Jim Topper, Original Art, dated 2-6-38 (King Features Syndicate, 1938). One of the finest comic strip artists ever to touch pen to paper, Alex Raymond was a master draftsman and a remarkable storyteller. Created in an attempt to cash in on the success of Buck Rogers, Raymond's Flash Gordon soon outpaced its 25th-century rival, becoming an even bigger, and longer-lasting, strip. Raymond also created Jungle Jim, which eventually ran as a "topper" to the Flash Gordon strip. Finding two matching pieces, as is the case here, is incredibly rare and desirable, making this a unique and enticing offering for any strip fan. The Jungle Jim topper has an image area of approximately 19.75" x 9.5", while the Flash Gordon piece measures approximately 19.5" x 15.5". Both pieces are in Excellent condition; the Flash is signed by Raymond, while the Jungle Jim bears the artist's stylized "R."
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 9-9-49 (King Features Syndicate, 1949). In this daily, the lovely Honey Dorian and Rip Kirby have a poolside chat. One of the finest comic strip artists ever, Alex Raymond was a master draftsman who was also a superb storyteller. The image area of this strip measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 2-19-51 (King Features Syndicate, 1951). This artwork displays the skillful interplay between black and white, shadow and light, that Alex Raymond is justifiably famous for. The image area of this superb piece measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 2-20-51 (King Features Syndicate, 1951). This tense daily finds Rip Kirby at the mercy of Mr. Seven and his thugs, and it also showcases the superlative artwork of Alex Raymond. The image area of this strip measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 11-16-51 (King Features Syndicate, 1951). Desmond takes a shot to the skull while Rip dishes out a few blows of his own in this action-packed episode. This daily has an approximate image area of 20" x 5.25", and aside from some paper aging, glue stains on the back, and a fold between panels one and two, the art is in Good condition. From the Jim Logan Collection.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 1-15-52 (King Features Syndicate, 1952). For this swashbuckling strip, Alex Raymond offers us high drama with a wide variety of facial expressions in three thrilling panels. The image area of this piece measures approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 1-4-53 (King Features Syndicate, 1953). Here's a superb character-based Rip Kirby daily, in which Crusher Twickam tries to weed out the fake Jennys from the real one, while far away, Sharp Haskin, who has seen the news story, advances his own dark plan. Typically stunning work from the creator of Flash Gordon, this daily is in Excellent condition, and has an image area that measures 20" x 5.25".
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-21-53 (King Features Syndicate, 1953). Mrs. McCreedy and Captain Stone battle it out this beautifully-drawn daily by a modern comic strip master -- Alex Raymond. This daily has an approximate image area of 20" x 5.25", and aside from a few small stains in the lower and right borders, the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-25-53 (King Features Syndicate, 1953). Evil Mrs. McCreedy has Honey Dorian held in captivity. With exquisitely rendered artwork from a prime period of Rip Kirby, this daily has an approximate image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-27-53 (King Features Syndicate, 1953). Rip Kirby stars in all three panels of this thriller. This strip is filled with drama, intrigue, and the fantastic artwork of Alex Raymond. This daily has an approximate image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-30-53 (King Features Syndicate, 1953). Rip Kirby is hot on the trail of Mrs. McCreedy and Honey Dorian in this crisply inked daily. This strip has an approximate image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 4-3-53 (King Features Syndicate, 1953). Alex Raymond's skills at figure drawing and composition are showcased in these character-driven scenes. This daily has an approximate image area of 20" x 5.25", and aside from some yellowed Zipatone in the last panel, the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 4-4-53 (King Features Syndicate, 1953). Rip Kirby shares the spotlight with Mr. Conrad, Captain Stone's pesky parrot, in this handsome daily. This strip has an approximate image area of 20" x 5.25", and aside from some yellowed Zipatone in the last panel, the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 4-6-53 (King Features Syndicate, 1953). Rip Kirby spots Mr. Conrad, the singing parrot, in this fast-paced episode. This strip has an approximate image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 5-21-53 (King Features Syndicate, 1953). Gorgeous femme fatale, Jet Allyson, stars in all three panels of this Rip Kirby episode. This daily has an approximate image area of 20" x 5.25", and aside from yellowed Zipatone in three of the panels, the art is in Very Good condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 5-22-53 (King Features Syndicate, 1953). Alex Raymond's sleek and stylish figure drawing had a graceful elan that even the wave of "photo-realistic" soap opera comic strip artists couldn't top. This daily has an approximate image area of 20" x 5.25", and aside from yellowed Zipatone in three of the panels, the art is in Very Good condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 8-26-53 (King Features Syndicate, 1953). Stark shadows dominate this dramatic episode. Few cartoonists are capable of matching the realism of Alex Raymond's action-adventure cartooning. He has inspired countless action-adventure strip artists, but few have equaled his standards. This daily has an approximate image area of 20" x 5.25", and the art is in Very Good condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 10-15-53 (King Features Syndicate, 1953). Alex Raymond's bold use of black shapes and patterns create a "painterly" approach on the art for this three-paneled episode as Raymond minimized his use of outlines around the background forms and figures. This daily has an approximate image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 12-8-53 (King Features Syndicate, 1953). The Crusher makes a mockery of genteel table manners in this skillfully choreographed sequence. Alex Raymond presents the salt-of-the-earth Crusher as a foil to the stylish Rip and Desmond. The image is 20" x 5.25", and the art is in Excellent condition.
Dan Reed and Mike Esposito - What If? #38 Page Original Art, Group of 3 (Marvel, 1983). Penciler Dan Reed, and inker, Mike Esposito illuminate these three pages featuring an alternate future for Captain America, which answers the question, "What if Sharon Carter had not died?" Here are pages 21, 22, and 29 from the story written by Rick Margopoulos. Each page has an image area of 10" x 15" and is in Excellent condition.
William Reusswig (attributed) - Baseball Batter Painting Original Art (undated). This painting of a baseball batter almost certainly graced the cover of a sports pulp, perhaps a title such as Baseball Stories, Complete Sports, or Ten Story Sports. The work is painted in a colorful manner with bold brushstrokes. The overall size of the painting measures 13" x 19". There are a few minor stains on the surface of the painting, but overall the art is in Very Good condition. This will make a great wall piece for a baseball fan.
Robert Ripley - Believe It or Not Sunday Comic Strip Original Art, dated 1-10-32 (King Features Syndicate, 1932). Robert Ripley spotlighted the world and its oddities and this strip was rendered in ink and crayon on coquille board. This large Sunday has an overall size of 22.5" x 27.5", and the art is in Very Good condition.
Frank Robbins - Johnny Hazard Sunday Comic Strip Original Art, dated 12-16-45 (King Features Syndicate, 1945). Frank Robbins' bold brush work is dazzling in this superb Sunday. The image area of this strip measures 15" x 23". The strip was cut between panel tiers two and three, and the title logo stat has glue stains; otherwise, the art is in Very Good condition. From the Jim Logan Collection.
Marshall Rogers and Terry Austin - Doctor Strange #41, page 11 Original Art (Marvel, 1980). Doctor Strange and Baron Mordo have at it in this mystical masterwork by the artistic team-supreme of Marshall Rogers and Terry Austin. This page has an approximate image area of 10" x 15", and the art is in Excellent condition. Marshall Rogers signed the page in panel four.
Marshall Rogers and Terry Austin - Doctor Strange #50, page 16 Original Art (Marvel, 1982). Doctor Strange travels through time and meets Sgt. Fury, and his ill-fated girlfriend Pamela Hawley during World War II. Dum-Dum Dugan and the other Howling Commandos co-star. This page has an approximate image area of 10" x 15", and the art is in Excellent condition. Marshall Rogers signed the page in its lower border.
John Romita Sr. - Spider-Man Medallion Coin Illustration Original Art (Hallmark Minting Service Inc., 1975). "This is the one everybody wants" -- so went the astonishing ad copy for the "official Marvel solid-bronze Spider-Man Medallion Coin." Well, face front True Believers, because here is John Romita Sr.'s pencil on vellum concept sketch for that coveted coin. This peerless piece has an overall size of 5" x 7", and its design area has a diameter of 3". This magnificent Marvel milestone is in Excellent condition. Also included in this lot is a tearsheet of one of the ads.
Art Saaf and Mike Peppe - Intimate Love #27, Complete 8-page Story "Borrowed Romance" Original Art (Standard, 1953). Art Saaf's superb art is the highlight of this eight-pager. Alex Toth revolutionized the art of romance comics in the fifties and set the direction for the "house style" at Standard Comics. Many artists, such as Art Saaf, Ross Andru, Gene Fawcette, and others, picked up on Toth's trend-setting techniques and streamlined, sophisticated storytelling was the result. The image area of each page measures 12" x 18", and the condition is Excellent.
Manuel Sanjulian - "The Witch," Unpublished Vampirella Cover Painting Original Art (1972). Manuel Sanjulian is a modern master in the field of painted fantasy art. This eerie and evocative portrait, titled "The Witch," was created as a presentation piece to land cover assignments from Warren Publishing. James Warren recognized Sanjulian's tremendous talent and the rest is horror magazine history. A note on the back of the board indicates that this was Sanjulian's first, unpublished cover for Vampirella. The overall size of this oil on board painting measures approximately 20" x 26". There is some warping along the top of the illustration board, and this could be matted and framed to flatten the art out; otherwise, the art is in Very Good condition.
Manuel Sanjulian - "Roman Centurion" Painting Original Art (undated). In the ancient world few sights were more breathtaking than a Roman Centurion on horseback, riding at a full gallop. Rendered in glowing, atmospheric tones of warm and cool hues, this electrifying scene is the work of a true modern master of fantasy art. This unstretched oil on canvas piece has an overall size of 41" x 54", and is in Excellent condition.
Warren Sattler - Billy the Kid #116 Cover Illustration Original Art (Charlton, 1976). Captivating painted cover illustration by Warren Sattler, whose work has been featured in Playboy, Cracked, and National Lampoon. Rendered in watercolor on textured paper, this art has an image area of 10" x 15". In Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 1-27-56 (United Feature Syndicate, 1956). Charlie Brown and Snoopy mix it up over who the top dogs are in the grand scheme of things, humans or canines. Charlie Brown is certainly right about one thing, though -- Snoopy is almost human! With Charlie Brown and Snoopy taking the spotlight in every panel of this superb daily, it's sure to be a prized showpiece for any original art collector! Charles M. Schulz was born in Minneapolis, Minnesota, and grew up in Saint Paul. He was the only child of Carl Schulz, who was German, and Dena, who was of Norwegian extraction. His uncle nicknamed him "Sparky" after the horse Spark Plug in the Barney Google comic strip. After leaving the army in 1945, Schulz returned to Minneapolis where he took a job as an art teacher at Art Instruction, Inc., from which he had taken correspondence courses before he was drafted. This particular piece was a gift to Lee S. Preston, former Vice President of Art Instruction, Inc. The dedication on this piece uses not his given name, but the nickname "Sparky" given to Mr. Schulz so many years ago by his uncle. Charles Schulz inscribed and signed the art in panel one, "For my very good friend Lee Preston, with kindly regards -- Sparky." Mr. Preston was the best friend of the consignor's father (a contributing writer to Art Instruction, Inc. textbooks) and the piece came to the consignor through inheritance. The image area of this strip measures approximately 27" x 5.5". Aside from a fold between panels two and three (as is typical with the early dailies), the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 7-12-65 (United Features Syndicate, 1965). Thevery first strip to feature Snoopy as a writer (and designated as such by the official Peanuts web site), this is also the first to show the beagle's attempt at writing the great American novel with the famous words, "It was a Dark and Stormy Night." The gag continued for years, and this is the historic debut of a classic theme of the feature. With Snoopy taking center stage in every panel, this daily is a real show-stopper. Charles Schulz inscribed and signed this strip in its second panel, "For John with best wishes, Charles M. Schulz." The image area of this daily measures 27" x 5.5", and aside from the typical fold between panels two and three, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 3-19-66 (United Feature Syndicate, 1966). Birds have always tried Snoopy's patience, but he finally made a fast friend in Woodstock in 1970. Before that, Snoopy began befriending birds in the early sixties, when they started using his doghouse for various purposes -- a rest stop during migrations, a nesting site, or a place to play cards. In the beginning, none of these birds were ever given names, or even used speech balloons, they simply looked at Snoopy and he understood them. What makes this daily remarkable is that this is the only strip in which one of these birds actually has a speech balloon, and he startles Snoopy with a heartfelt expression of "Bleah!" When Charles Schulz returned from the army to Minneapolis in 1945, he took a job as an art teacher at Art Instruction, Inc. (from which he had taken correspondence courses before he was drafted). This delightful daily was a gift to the sons of Thomas A. Shallbetter, a contributing writer to Art Instruction, Inc. textbooks and this strip came to the current consignor through inheritance. Charles Schulz inscribed and signed this daily in the upper border, "For Tim, Todd, and Paul -- Best wishes, Charles M. Schulz." This daily has an image area that measures approximately 27" x 5.5". The art was folded between the second and third panels; otherwise it is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 4-9-80 (United Feature Syndicate, 1980). Lucy philosophizes about the subtleties of baseball, in this superb daily. The image area measures 21" x 5" and the art is in Excellent condition. Signed in the upper border and inscribed, "For Jim, with best wishes on your birthday, Charles M. Schulz."
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 3-01-59 (United Feature Syndicate, 1959). Here's a delight for any Peanuts fan -- a Sunday spotlighting one of Charlie Brown's epic struggles -- the earnest attempt to experience once and for all the simple "joy" of kite-flying. After the inevitable snafu, Linus delivers a coup de grace in this hilarious episode. The image area of this wind-swept sensation measures 22.5" x 15". This Sunday was folded in half, vertically through its center. Charles Schulz's signature (below the title logo stat), the syndicate copyright notice strip, and the date have been whited-out, most likely by production artists for a reprint book collection of Peanuts strips; otherwise, the art is in Very Good condition.
Charles Schulz - "You've Got a Friend, Charlie Brown" Paperback Cover Illustration Original Art (Fawcett, 1972). Happiness is a great book and a friendly beagle. This heart-warming lot features the original ink drawing used for the cover of the Fawcett paperback, You've Got a Friend, Charlie Brown, and spotlights Good Ol' Charlie Brown and Snoopy. The overall size of the drawing measures approximately 7" x 5.25", and the art is in Excellent condition. A copy of the paperback is included in this lot.
Elzie Segar - Popeye the Sailor Illustration Original Art (undated). Elzie Segar's most renowned character wallops a bad guy in this power-packed pen and ink illustration, by his creator. The image area measures 7" x 7.25". Signed and inscribed by Elzie Segar, it is in Excellent condition.
Syd Shores and Chic Stone - Red Wolf #8, page 17 Original Art (Marvel, 1973). Two of Marvel's top inkers teamed to detail this battle royale from the story "King Cycle Deals Death." This piece has an image area of 10" x 15", and the art is in Excellent condition.
Barry Smith and Dan Adkins - Tower of Shadows #5, page 3 Original Art (Marvel, 1970). Handsome actor, Jason Roland, has made a Hollywood deal with the Devil in the third page from this story, "The Demon That Devoured Hollywood," written by Roy Thomas, penciled by Barry Smith, and inked by Dan Adkins. The art is early Smith at its best, with its jam-packed panels, heavy shadows, and delicate line work. The art has an image area of 10" x 15". There is some slight age discoloration across the entire page, small tape stains along the bottom and right edges, and white out use; otherwise the condition is Very Good. Signed by Barry Smith in the middle panel.
Barry Smith and Sal Buscema - Conan the Barbarian #6, page 20 Original Art (Marvel, 1971). Barry Smith's fast-paced storytelling brings the sword and sorcery saga "Devil-Wings Over Shadizar" to a close, and with pages like this, Smith proved himself to be one of the top talents to watch during the Bronze Age. This beautifully designed page has an image area of 10" x 15". There is a large glue stain over the back of the page and the piece has been trimmed closely to its panel borders; otherwise, the art is in Very Good condition. From the Fantastic Frank Collection.
Sidney Smith - The Gumps Daily Comic Strip Original Art (Chicago Tribune Syndicate, undated). Andy Gump is introduced to the joys of Swiss cheese in this side-splitting Sidney Smith daily. The image area of this strip measures 20" x 6". The strip has been folded in half between panels two and three, and there is some paper tanning and light soiling: otherwise, the art is in Good condition.
Sidney Smith - The Gumps Daily Comic Strip Original Art (Chicago Tribune, 1921). Andy Gump stars in all four panels of this whimsical episode, titled "Flat Vs. Home - Round Three." This strip has an image area of 20" x 5.5", and the art is in Excellent condition.
Reg Smythe - Andy Capp Daily Comic Strip Original Art (Publishers Syndicate, undated). This uproarious Andy Capp daily has an image area of 10" x 8", and the condition is Very Good. This art was signed by Reg Smythe in its lower border. From the Jim Logan Collection.
Otto Soglow - The Little King Sunday Comic Strip Original Art, dated 10-1-44 (King Features Syndicate, 1944). Otto Soglow's Little King first appeared in the New Yorker, but abdicated from the magazine to the newspaper page in 1939. While the Little King doesn't deign to speak himself, he always inspires a noisy burst of laughter from his loyal readers. The image area of this Sunday is approximately 20.5" x 14", and the art is in Excellent condition.
Dick Sprang and Charles Paris - Batman Daily Comic Strip Original Art, dated 2-19-46 (McClure Syndicate, 1946). Dick Sprang Batman dailies are extremely rare, with only three examples known to exist. Sprang is considered by many collectors to be the ultimate illustrator of the Dark Knight Detective, so don't let this rare chance to own a vintage original piece slip by. Sprang began ghosting the Batman feature for DC Comics in 1941. He inked his own work until 1945, and after a stint by Gene MacDonald as inker, Charles Paris took over, and became known as one of the greatest Batman inkers. Sprang went on to do seventy-five Batman stories and thirty-five covers. He once outlined his storytelling approach, "You tried for a variation, and never repeat the same scene, never the same degree of sequential medium shot or closer, long shot. Always vary it. And in all this moving around you try to bring a rhythm into the way you draw the continuity of action and setting. The slant of a building, an exaggerated perspective, leads into the opposite, a bridge, or some other building in the next panel, something that always keeps the reader interested, and alive visually. We're drawing dramatic action stuff, not pretty pictures, so the camera probes, trying to get the best effect of movement and suspense." The strip has been autographed in the lower border by Batman creator Bob Kane, and by Dick Sprang in the first panel. The image area of this strip is approximately 21.5" x 6.5", and the art, on Craftint board, is in Excellent condition.
Russell Stamm - Scarlet O'Neil Daily Comic Strip Original Art, dated 2-22-46 (Chicago Times Inc., 1946). Looks like Invisible Scarlet O'Neil plans to throw a monkey wrench into this merciless manager's "command and control" business model. The image area of this daily measures 18" x 5.25", and the art is in Excellent condition. Russell Stamm signed the strip in its border, at the lower right.
Greg Staples - "Radak Doombringer" Heroes of Azeroth Trading Card Illustration Original Art (World of Warcraft, 2006). This striking image of orc warlock, Radak Doombringer, by modern master Greg Staples was created for the "Heroes of Azeroth" trading card set. Rendered in mixed media on heavy board, the art has an image area of 16.5" x 11.5", and is in Excellent condition.
Leonard Starr - On Stage Daily Comic Strip Original Art, dated 11-28-57(Chicago Tribune, 1957). Mary Perkins looks especially beautiful in this daily from the first year of the feature, and in this episode, Pete almost sees Mary in her wedding dress. The approximate image area of this daily is 20" x 6". There is some mild paper aging apparent; otherwise, the art is in Very Good condition. From the Jim Logan Collection.
Leonard Starr - On Stage Daily Comic Strip Original Art, dated 2-26-60 (Chicago Tribune, 1960). Leonard Starr's mastery of light and shadow, figure drawing, and storytelling all shine in this daily from 1960. This strip has an image area of 16.5" x 5", and the art is in Excellent condition. Leonard Starr inscribed and signed the daily in its bottom border.
Leonard Starr - Mary Perkins On Stage Sunday Comic Strip Original Art, dated 7-31-60 (Chicago Tribune, 1960). The polished realism of Leonard Starr's cartooning helped set a new standard of excellence for the soap opera comic strip genre. Mary Perkins stars in panels one and two. This strip has an image area of 23" x 15.5". Each panel of this Sunday was glued to a larger support page; otherwise, the art is in Excellent condition.
Joe Staton - Space: 1999 #2 Cover Illustration Original Art (Charlton, 1976). Commander Koenig crash lands on a strange planet and finds help from a strange alien in this issue's story, "Survival," written by Nicola Cuti. This vibrant cover, featuring Koenig and the alien, was hand-painted by Joe Staton (who also illustrated the interior story). Rendered in acrylic on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition.
Jim Steranko - Comic Crusader #13 Defender Cover Original Art (1972). More than any other comics creator, the signature of Steranko conjures up thoughts of cutting-edge supergraphics. Steranko infused surrealism into his superheroic work and this magnificent montage is a super-charged spectacular. Measuring an overall 13.5" x 17", and in Excellent condition, this design's asymmetrically balanced visual tension is a Steranko hallmark! Steranko has signed the piece at the center-right. From the Fantastic Frank Collection.
Jim Steranko - The Shadow #21 "The Wealth Seeker" Paperback Cover Preliminary Pencil Illustration Original Art (Jove, 1978). After establishing a reputation with his trend-setting work in comics, Jim Steranko put together a portfolio of fantasy paintings and met with Lancer Books art director Howard Winters. Steranko excelled at this new market for his talents and created dozens of paperback covers, including Pyramid Books? Jove's celebrated reissues of The Shadow pulp novels. This detailed pencil on paper drawing has an image area of 4.5" x 5", and the art is in Excellent condition. Steranko has inscribed and signed a black mat that was placed over this drawing, "To my friend Jeff/Steranko '79." The backing board for the piece was also signed and dated, "Steranko 10-01-01." From the Fantastic Frank Collection.
John Striebel - Dixie Dugan Daily Comic Strip Original Art, dated 6-27-30 (McNaught Syndicate, 1930). John Striebel's talent for "good girl" art is the highlight of this delicious daily which features Dixie Dugan in every panel. This strip hails from within the first year of the feature. The image area of the daily is 5.5" x 20" and the art is in Excellent condition. From the Jim Logan Collection.
Al Taliaferro - Donald Duck Daily Original Comic Strip Art, dated 11-19-57 (King Features Syndicate, 1957). Donald Duck may not break the law, but he sure knows how to bend it. Al Taliaferro began drawing this classic strip from its beginnings in 1938 and his work on the feature continued until his death in 1969. This daily has an image area of 19.5" x 5.5", and aside from some yellowing Zipatone, the art is in Excellent condition.
Enrique Torres - "Vampirella: Beginnings" Painting Original Art (undated). The Darling of Drakulon flies again with a few of her winged warriors. In typical Vampirella fashion, this gorgeous gallery painting by Enrique Torres is both erotically charged and terrifying. This unstretched oil on canvas sensation has an overall size of 62" x 42", and is in Excellent condition.
Enrique "Enric" Torres - "Vampirella: Flight" Painting Original Art (undated). Fans of the Darling of Drakulon will want to feast their eyes on this gorgeous gallery painting which illustrates Vampirella's blood-chilling rise to battle. This thriller features Enric's "classical approach" to painting, using rich, layered oil glazes to build up the final image. This unstretched oil on canvas masterwork has an overall size of 42.5" x 60", and is in Excellent condition.
Enrique Torres - Vampirella, Painted Preliminary Original Art, Group of 2 (undated). Rendered in sensuous strokes of warm and cool hues, this delightful pair of color studies lay bare the creative process of a modern master of fantasy art. Enrique "Enric" Torres is among the elite of the Vampirella cover artists and here's a chance to win two of his graphic gems. These oil on paper paintings have an average overall size of 8.5" x 11.5". Each is signed, and in Excellent condition.
Don Trachte - Henry Sunday Comic Strip Original Art, dated 4-17-55 (King Features Syndicate, 1955). Henry proves himself to be a "sultan of swat," much to the dismay of a teary-eyed shopkeeper. This lighthearted Sunday has an image area of 24.5" x 17.5", and the art is in Very Good condition. Don Trachte inscribed and signed the strip in the lower left panel.
Sal Trapani and Charles Paris - Metamorpho #7, page 24 Original Art (DC, 1966). The Fabulous Freak springs into action as only he can, in this thrilling page from "Terror from Fahrenheit 5,000!," written by Bob Haney. The image area measures 12" x 18", and the art is in Excellent condition.
Tim Truman - Starslayer and Grimjack Illustration Original Art (1983). This handsome sketch is in Excellent condition and measures an overall 9" x 13.5". It is very detailed and only has a few touches of white-out used for minor art corrections. A very striking drawing, sure to be a favorite of the Tim Truman fans.
Tim Truman - Hawkworld #28 Cover Original Art (DC, 1992). Mustang Suzy rides on this stunning cover illustration by Tim Truman. Rendered in mixed media, this art has an image area measuring 10" x 15" and is in Excellent condition. Signed by Tim Truman at the bottom right.
Warren Tufts - Casey Ruggles Sunday Comic Strip Original Art, dated 10-20-52 (United Feature Syndicate, 1952). Warren Tufts' beautifully rendered Western action scenes are always a feast for the eyes. Casey Ruggles and Kit Carson are spotlighted in this epic episode. This Sunday has an image area of 21.5" x 14.5". Aside from some glue staining on the title logo stat, this strip is in Excellent condition.
Leslie Turner - Captain Easy Daily Comic Strip Original Art, dated 6-7-45 (NEA Service, 1945). Captain Easy and Bib Tucker soldier against the Nazis in this World War II-era adventure. The image area of this terrific daily measures 16" x 4.5", and the art is in Very Good condition. Leslie Turner inscribed and signed the strip in its bottom border.
Michael Turner - Ballistic Page Original Art (Top Cow Productions, 1995). Michael Turner's first solo production was this Ballistic mini-series starring Cassandra Lane, member of Cyberforce. The page has an image area of 10" x 15", and is in Excellent condition.
George Tuska - Captain Marvel Adventures #2, page 9 Original Art (Fawcett, 1941). Billy Batson and Beautia star in page 9 of "World of the Microscope." This page features one of the earliest appearances of "The Big Red Cheese." Production notes at the top of the page indicate that this piece was slated for "Cap. Marvel One Shot #3." The publishers must have considered Special Edition Comics #1 as the first issue of the series. In Excellent condition, this page has an image area of 13" x 18", and the art is in Very Good condition.
George Tuska and Vince Colletta - Iron Man #54, page 27 Original Art (Marvel, 1973). It's a battle at the bottom of the sea as the Armored Avenger takes on the Prince of Atlantis, Namor, in this stunning page from "Sub-Mariner: Target For Death!," written by Bill Everett (who also inked the Sub-Mariner heads) and Mike Friedrich. The image area measures 10" x 15", and aside from some light printer's oil staining and tape stains in the center of all four edges, the condition is Very Good.
Boris Vallejo - Tales of the Zombie #3 Cover Painting Original Art (Marvel, 1974). Can even a dead man survive the ritual of fire? Simon Garth, the Zombie, has seldom looked more terrifying than in this "spook-tacular" cover scene, painted by Boris Vallejo. The overall size of this oil on illustration board "monster-piece" measures approximately 18" x 24", and the art is in Excellent condition.
Boris Vallejo - "Nomads of Gor" Paperback Cover Painting Original Art (Ballantine Books, 1976). "For South of the Sadar Mountains Tarl Cabot pursues his mission for the Priest-Kings of Gor. He must find last precious link to survival. All Tarl knows is that it is hidden somewhere among the teeming hordes of the savage Wagon People and that he might well be inviting death to ask for it directly." This fantasy masterwork, done for the cover of the fourth novel in John Norman's celebrated series, is from early in Vallejo's career. The scene has an image area of 16" x 18". The art has been professionally framed, and is in Excellent condition.
Boris Vallejo - "Red Sonja #3: When Hell Laughs" Paperback Cover Original Art (Ace, 1982). Red Sonja, the fiercest heroine in all the Hyborian kingdoms, displays her unbeatable prowess with a sword. Boris Vallejo conjured up this death-dealing scene spotlighting the sword and sorcery she-devil for the cover of David C. Smith and Richard Tierney's third Red Sonja novel. This dazzling painting has been professionally framed to an approximate overall size of 24.5" x 35", and is in Excellent condition.
Boris Vallejo - "The Four Horsemen of the Apocalypse" Painting Original Art (1987). Straight from chapter six of the "Book of Revelation," the Four Horsemen of the Apocalypse, Pestilence, War, Famine, and Death ride again. This blockbuster has been professionally framed to an approximate overall size of 29" x 38.5", and the art is in Excellent condition.
Boris Vallejo - "The Lasas" Painting Original Art (1990). In Etruscan mythology, the Lasas were gods and goddesses who accompanied Turan, the goddess of love, and three of the beauties star in this Boris Vallejo masterpiece. This painting has been professionally framed to an approximate overall size of 24" x 34", and is in Excellent condition.
Raeburn Van Buren - Abbie and Slats Sunday Comic Strip Original Art, dated 3-30-46 (United Feature Syndicate, 1946). In this delightful Sunday, Bathless Groggins shows a Eastern King his best "moves" -- and almost looses his head in the process. The image area of this hilarious strip measures 22.5" x 15", and the art is in Excellent condition.
Mort Walker - Beetle Bailey Daily Comic Strip Original Art, dated 4-5-61 (King Features Syndicate, 1961). Beetle, Sarge, and Zero hit the links in this laugh-riot from the swinging sixties. The image area of this daily measures 18" x 5", and the art is in Excellent condition.
Mort Walker - Beetle Bailey Sunday Comic Strip Original Art, dated 2-4-62 (King Features Syndicate, 1962). "A man's got to know his limitations," but that loveable goldbrick Beetle Bailey may be sandbagging about his athletic ability. It's all a matter of motivation, as sarge finds out. The image area of this slapstick-filled Sunday is 20.5" x 14.5", and the art is in Excellent condition.
Mort Walker - Beetle Bailey Sunday Comic Strip Original Art, dated 1-3-64 (NEA Inc., 1964). Beetle's dream of ending war fades away during the course of everyday life. This Sunday has an image area of 24" x 15.5", and aside from glue stains in the title logo stat and a stain down the center of the strip, the art is in Good condition. This strip was signed by Mort Walker in its lower border. From the Jim Logan Collection.
Bill Ward - Pin Up Girl Humorama Illustration Original Art (undated). Few artists could top Bill Ward when it came to sexy "good girl" art. Drawn with pencil, ink, and opaque white on light brown paper, and measuring approximately 15.5" x 21.5" overall, this art is in Very Good condition.
Coulton Waugh - Dickie Dare Sunday Comic Strip Original Art (AP Newsfeatures, undated). Dickie Dare sails into another adventure in this sublime south seas scene by Colton Waugh. This Sunday has an image area of 19" x 27". The page has been cut horizontally along its center, and has since been rejoined with tape on the back; otherwise, the art is in Excellent condition.
H. T. Webster - The Timid Soul Sunday Comic Strip Original Art, dated 3-15-53 (New York Herald Tribune, 1953). Casper Milquetoast experiences the joys of "phone tag," in this hilarious Harold T. Webster Sunday. This strip showcases masterful pen work by Webster, and the episode has an image area of 27" x 17.5". There is some slight paper aging and minor wear; otherwise, the art is in Very Good condition.
Paul Wenzel - "Song of the South" Poster Concept Illustration Original Art (Disney, 1972). During his 42-year career with the Walt Disney Company, Paul Wenzel created thousands of fine illustrations for motion picture advertising and retail merchandising, including poster artwork for "Mary Poppins" and the Walt Disney Company official Christmas cards. This gorgeous poster concept illustration was created for the 1972 reissue of Disney's "Song of the South." Rendered in mixed media on heavy illustration board, the art has an image area of 9.5" x 11". In Excellent condition. Signed by Paul Wenzel at the lower right.
Paul Wenzel - "Song of the South" Concept Illustration Original Art (Disney, 1972). Official Walt Disney Company Christmas card artist, Paul Wenzel, created this colorful concept illustration for the 1972 reissue of Disney's "Song of the South." Rendered in mixed media on heavy illustration board, the art has an image area of 10.5" x 16". In Excellent condition. Signed by Paul Wenzel at the lower right.
Paul Wenzel - "Walt Disney Feature Films" Poster Concept Illustration Original Art (Disney, 1981). Disney's twenty fourth animated feature, "The Fox and the Hound," is spotlighted on this poster concept illustration by Disney artist, Paul Wenzel. Rendered in mixed media on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition. Signed by Paul Wenzel at the lower right.
Paul Wenzel - "The Great Mouse Detective" Poster Concept Illustration Original Art (Disney, 1986). Veteran Disney artist, Paul Wenzel, created this spectacular poster concept illustration for Disney's twenty sixth animated feature, "The Great Mouse Detective." Rendered in mixed media on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition. Signed by Paul Wenzel at the lower right.
Paul Wenzel - "The Great Mouse Detective" Poster Concept Illustration Original Art (Disney, 1986). Hand-painted by long-time Disney artist, Paul Wenzel, this boisterous poster concept illustration was created for Disney's animated feature, "The Great Mouse Detective." Rendered in mixed media on heavy illustration board, the art has an image area of 10" x 15". In Excellent condition. Signed by Paul Wenzel at the lower right.
Al White - "The Fox and the Hound" Children's Book Illustration Original Art (Disney, 1981). Based on Daniel P. Mannix's novel, The Fox and the Hound, Disney's twenty-fourth animated feature is centered around two unlikely friends, a bloodhound and a red fox, who struggle to preserve their friendship. Stunningly hand-painted on heavy illustration board by Disney artist, Al White, this brilliant illustration has an image area measuring 10.5" x 14". In Excellent condition.
Doug Wildey - The Saint Sunday Comic Strip Original Art, dated 10-02-60 (New York Herald Tribune, 1960). Just four years before "Jonny Quest" debuted on ABC TV, Doug Wildey was working his graphic magic on the newspaper feature, The Saint. Wildey ranks among the most "cinematic" of newspaper cartoonists and this Sunday is a prime example of his talent. This strip has an image area of 27.5" x 18", and the art is in Very Good condition.
George Wildman - Popeye #101, Complete Story Original Art, Group of 5 (Charlton, 1970). This lot consists of five stories, including two seven-page Popeye the Sailor stories ("Tall Tail," and "Goon Balloon"), two Wimpy stories (the three-page, "Coo Coo Cook," and the five-page, "Hamburger Slamburger"), and a four-page O. G. Wotasnozzle story, "Baby Sitter." Each page has an image area measuring 10" x 15", and the items average in Very Good condition. Also includes a photocopy of the Popeye #101 cover line illustration by George Wildman.
George Wildman - Looney Tunes, Complete 18-page Story "Welcome to Looneyland" Original Art (Warner Bros., 1993). Marvin the Martian crash lands his spaceship in the middle of the Looneyland theme park, and spends some time with Pepe LePew, Bugs Bunny, Taz, Elmer Fudd, and Daffy Duck, in this 18-page story penciled and inked by George Wildman. Each page has an image area measuring 10" x 15", and is signed by George Wildman at the bottom. In Excellent condition.
George Wildman - Looney Tunes, Complete 6-page Story "Stupid Martian Tricks" Original Art (Warner Bros., 1994). Between Maarla and K-9, Marvin the Martian won't get a minute's peace, in this 6-pager penciled and inked by George Wildman. Each page has an image area measuring 10" x 15", and is signed by George Wildman at the bottom. In Excellent condition.
George Wildman - Looney Tunes, Complete 6-page Story "An Itch in Time" Original Art (Warner Bros., 1995). K-9 gets a bad case of space fleas, in this 6-page tale which also stars Marvin the Martian. Each page has an image area measuring 10" x 15", and is signed by George Wildman at the bottom. In Excellent condition.
Frank Willard - Moon Mullins Daily Comic Strip Original Art, dated 8-29-25 (Chicago Tribune, 1925). This early Moon Mullins episode hails from within two years of the feature's debut. This hilarious strip has an image area of 20" x 6", and the art is in Excellent condition.
Al Williamson - Secret Agent Corrigan Daily Comic Strip Original Art, dated 1-31-68 (King Features Syndicate, 1968). It's Cold War action mano a mano, in this deadly daily by Al Williamson. The image area measures 16" x 4.75", and the art is in Excellent condition. Williamson inscribed and signed the piece in its lower border. From the Jim Logan Collection.
Tom Wilson - Ziggy Daily Comic Strip Original Art, dated 10-10-83 (Universal Press Syndicate, 1983). The offbeat humor of Tom Wilson seldom fails to amuse -- have a Ziggy day, everyone. This panel has an image area of 4.5" x 4.75", and its condition is Very Good. This piece was signed by Tom Wilson in its lower border. From the Jim Logan Collection.
Wally Wood - Weird Science #9, page 2 Original Art (EC, 1951). No fine collection of science fiction art could be considered complete without an EC page, drawn by Wally Wood. One of the top talents at EC Comics, Wood had a style that was instantly recognizable to his legion of fans, and for many, Woody's genius shone most brightly through his science fiction yarns. This page from "The Invaders" has an image area of 13" x 18". Panel two has an art correction paste-on; otherwise, the art is in Excellent condition.
Bill Wright (attributed) - Woody Woodpecker Daily Comic Strip Original Art, Group of 3 (Consolidated News Features, Inc., 1952). Woody Woodpecker takes the limelight in three handsome dailies dated 4-18, 4-28, and 5-23-52. Each strip has an image area of 18" x 6", and the art averages Very Good condition.
Bernie Wrightson - Swamp Thing #5, page 12 Original Art (DC, 1972). There are few artists more capable than Bernie Wrightson to capture the spine-tingling spectacle of a witch hunt. The winsome Rebecca Ravenwind takes center stage in these scenes from "The Last of the Ravenwind Witches," and Bernie Wrightson was in peak form for this yelp-yarn. This page has an image area of 10" x 15", and the art is in Excellent condition. From the Fantastic Frank Collection.
Bernie Wrightson - "The Thing" Illustration Original Art (undated). When it comes to creating horrifying monsters, few artists can top modern fantasy art master, Bernie Wrightson. This pencil on paper shocker has an overall size of 12.5" x 15", and the condition of the art is in Excellent. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson and Mike Kaluta - Monster Illustration Original Art (1975). This eerie scene spotlights the talents of two Bronze Age greats -- Bernie Wrightson and Mike Kaluta. These two hall-of-famers formed a renowned art group eventually dubbed "The Studio." This chiller has an overall size of 20" x 16", and aside from some edge and corner wear, the art is in Very Good condition. Signed and dated by both artists at the lower right. This piece is sure to be a stand-out in any horror art collection!
Bernie Wrightson - Punisher: P.O.V. #1, page 16 Original Art (Marvel, 1991). Hard-boiled writer Jim Starlin and famed horror artist Bernie Wrightson, the same creative duo that created a fan sensation with their work on the Batman: The Cult series for DC, teamed again to create a cutting-edge mini-series for Marvel. "It's kind of an odd Punisher story." That's how writer Jim Starlin described Punisher: P.O.V., a tale about a psychotic killer who has hallucinations that he's hunting down monsters. This blood-chilling scene from "And None Shall Live" features a sly entrance by the Punisher in the last few panels. Remember, just say no to drugs! This page has an image area of 11.5" x 17.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Curiosity Killed..." Card Illustration Original Art (FPG, 1994). This poor gal finds herself caught in a real chiller-diller in this shocker, painted for card #12 of the Bernie Wrightson II card set. This ink and watercolor on paper "monster-work" has an image area of 11.5" x 8", and the piece is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Why Was I Not Made of Stone Like Thee?" Card Illustration Original Art (FPG, 1994). This melancholy masterwork recalls the famous Hunchback of Notre Dame and was painted for card #13 of the Bernie Wrightson II card set. This ink and watercolor on paper illustration has an image area of 8" x 11.5", and the piece is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Avenger" Card Illustration Original Art (FPG, 1993). The bigger they are, the harder they fall as this fellow finds out in card #30 of the Bernie Wrightson I card set. This ink and watercolor on paper thriller has an image area of 7" x 10.5", and the piece is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Leap of Faith" Card Illustration Original Art (FPG, 1994). It's beast vs. barbarian in this sword and sorcery sensation, painted for card #57 of the Bernie Wrightson II card set. This ink and watercolor on paper spectacular has an image area of 8" x 11.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Vermin" Card Illustration Original Art (FPG, 1994). It's time to put out a call for some talented exterminators from the looks of things in this creepy-crawly cringe-fest painted for card #69 of the Bernie Wrightson II card set. This ink and watercolor on paper "monster-piece" has an image area of 8" x 11.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Lucinda" Card Illustration Original Art (FPG,1994). Lovely Lucinda awaits some lucky lad or lassie in card #83 of the Bernie Wrightson II card set. This ink and watercolor on paper "spook-tacular" has an image area of 11.5" x 8", and the piece is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Boys Night Out" Card Illustration Original Art (FPG, 1994). Here's a real fun bunch of guys, and they're out for a good time in card #88 of the Bernie Wrightson II card set. This ink and watercolor on paper illustration has an image area of 11.5" x 8", and the piece is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Galaxy Quest" Movie, Rock Monster Concept Illustration Original Art (circa 1999). Get ready to rock n' roll with the beloved and memorable rock monster from the hit movie "Galaxy Quest." This pencil on paper movie concept drawing has an overall size of 17" x 11", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "From a Buick 8" Pencil Preliminary Illustration Original Art (Cemetery Dance Publications, 2002). Bernie Wrightson always delivers a shiver with his work on Stephen King's yelp-yarns. This eerie, enigmatic pencil on paper drawing has an image area of 5" x 8", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "From a Buick 8" Pencil Preliminary Illustration Original Art (Cemetery Dance Publications, 2002). Danger lurks within the confines of Stephen King's supernatural Buick. Bernie Wrightson's moody pencil on paper drawing has an image area of 6" x 8", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "From a Buick 8" Pencil Preliminary Illustration Original Art, Group of 2 (Cemetery Dance Publications, 2002). Double your chills with two studies for an illustration in the Stephen King novel. These pencil on paper drawings have an average image area of 6" x 8", and the art averages Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "From a Buick 8" Pencil Preliminary Illustration Original Art (Cemetery Dance Publications, 2002). As the cover to Stephen King's novel says, "From a Buick 8 is a novel about our fascination with deadly things, about our insistence on answers when there are none, about terror and courage in the face of the unknowable." This pencil on paper drawing has an image area of 6" x 9", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "The Dark Tower V: Wolves of the Calla" Preliminary Pencil Illustration Original Art (Donald M. Grant/Scribner, 2003). The wheelchair-bound, recovering schizophrenic, Susannah, stars in this offbeat scene from the fifth novel in Stephen King's compelling magnum opus. This pencil on paper drawing has an image area of 6.5" x 9.5", and the condition of the art is in Excellent. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "The Dark Tower V: Wolves of the Calla" Preliminary Pencil Illustration Original Art (Donald M. Grant/Scribner, 2003). It's always best to let sleeping corpses lie. This pencil on paper drawing has an image area of 7" x 10.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "The Dark Tower V: Wolves of the Calla" Painted Illustration Original Art (Donald M. Grant/Scribner, 2003). Stephen King's The Dark Tower V: Wolves of the Calla continued the eerie adventures of Roland, the last gunslinger and survivor of a civilized world that has moved on. A beautifully moody example of Wrightson's genius, straight out of King's masterfully written book. This acrylic on paper spine-tingler has an image area of 8.5" x 12.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - Toe Tags Featuring George A. Romero #3 Cover Preliminary Illustration Original Art (DC, 2005). When legendary "Dawn of the Dead" filmmaker George A. Romero is teamed with horror artist Bernie Wrightson, the results are sure to be electrifying. This pencil on paper cover preliminary drawing has an image area of 7" x 10.5", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
Bernie Wrightson - "Creature" Illustration Original Art (2006). This detailed character design brings back some memories of famous film dialogue -- "I can tell you something about this place. The boys around here call it 'The Black Lagoon' -- a paradise. Only they say nobody has ever come back to prove it. There are many strange legends in the Amazon. Even I, Lucas, have heard the legend of a man-fish." This pencil on paper drawing of Bernie Wrightson's take on the Gill-Man has an overall size of 11" x 15", and the art is in Excellent condition. From the Studio Collection of Bernie Wrightson.
animation art
X-Men the Animated Series Animation Production Cel and Clean-Up Drawing Original Art (Marvel, 1992). Wolverine dukes it out with a Tyrannosaurus Rex, in this original hand painted cel and original background. Also includes the original clean-up drawing used to create the cel. Each measures approximately 12" x 9", and are attractively matted and framed. Signed by Stan Lee.
Original Comic Art
Chic Young - Blondie Daily Comic Strip Original Art, dated 3-28-31 (King Features Syndicate, 1931). Blondie's plan to live and work in New Zealand is driving Dagwood stark mad! This early Blondie daily has an image area measuring 18" x 4", and the art is in Excellent condition. Signed by Chic Young in the final panel.
Chic Young - Blondie Daily Comic Strip Original Art, dated 4-16-31 (King Features Syndicate, 1931). This cute daily features the flirty flapper, Blondie, in her earlier, sexier days. Meanwhile, Dagwood has to compete with "Honest John" for Blondie's affections. The image area of this strip measures 18" x 4", and the condition is Excellent. Signed by Chic Young in the third panel. From the Jim Logan Collection.
Robert Crumb - "Bo Bo Bolinski" Print, 3/50 (1970). "He's the No. 1 Human Zero; He's No Big Deal" This scarce limited edition black and white print of Robert Crumb's strip features several different views of a schlub sitting in an armchair. The print measures 6.5" x 9.5", and is in Very Good condition. Signed by Robert Crumb at the bottom.
Frank Frazetta - "Golden Girl" Signed Limited Edition Print #286/2000 (Russ Cochran, 1978). "Golden Girl" remains one of the most popular of Frazetta's limited edition prints. This print was reproduced at the exact size of Frank Frazetta's original art, with an image area measuring approximately 11.25" x 13.25" and an overall size of 18" x 17.25". Printed on museum quality paper, and individually signed and numbered by Frank Frazetta. This lot includes the original print sleeve, both items are in Excellent condition.
Frank Frazetta - Signed/Remarqued The Frazetta Art Museum/Cat Girl Print 41/300 (undated). For the Frank Frazetta collector, this handsome, limited edition, remarqued print is a superb offering in many regards. First, Frank Frazetta is considered by many to be the one of the greatest artists who ever worked in comic books, and he has has drawn a spectacular, large, detailed, original art illustration of a panther in the lower right of this print. Secondly, this print commemorating the Frazetta Art Museum, showcases a gorgeous image his moody masterwork, "Cat Girl." Highly desirable as a print, it is extremely well executed and is bright, bold and evocative. From a limited edition, this print is numbered #41. It is hand-signed and numbered by Frazetta, with a 7" x 2" sketch of a prowling panther remarqued in the lower right corner. The print' has an overall size of 18" x 24", while the main image area measures approximately 16" x 12.5". The piece is in Excellent condition.
Walter Lantz - "Woody Woodpecker as the Mona Lisa" Lithograph Original Art (1979). Famed for her mysterious smile, Leonardo DaVinci's "Mona Lisa" served as an inspiration to Walter Lantz for this coy portrait of Woody Woodpecker. Walter Lantz's studio closed in 1972, the last remaining classical cartoon studio. In his retirement, Lantz continued to manage his studio's properties by offering re-releases of cartoons and sales to new venues. He also continued to draw and paint, selling his paintings of Woody Woodpecker. This lithograph, augmented with touches of hand painted color on Woody's head, has an image area of 15" x 19", is framed, and is in Excellent condition.
"Papier Desirs, Papiers A Lire," Erotic Print Portfolio, Signed Limited Edition, #15/150 (Editions Aedena, 1984). Fans of sexy European art will enjoy the decadent delights of this deluxe portfolio, featuring high-quality prints by Barbier, Cabanes, Crepax, Forest, Liberatore, Moebius, Pichard, Varenne, and Manara. Each pulchritudinous print is signed by the artist and numbered #15/150. This prints are housed in a clothbound case which has an overall size of 16.5" x 24.5", and the portfolio is in Excellent condition.
Portfolio of Underground Art #271/1,200 (Schanes and Schanes, 1980). This portfolio contains thirteen plates with exclusive art by top Underground cartoonists. Includes a 32-page booklet with artist bios and photos of all the creators. Artists include Rick Griffin (his cover art is also reproduced on a plate inside), Dan O'Neill, Jack Jackson (Jaxon), Spain Rodriguez, Robert Williams, Rand Holmes, Robert Crumb, the late Rory Hayes, Larry Todd, Guy Colwell, Gary Hallgren, S. Clay Wilson, and Greg Irons. The booklet also includes a rough sketch by Victor Moscoso, who had to drop out of the project before completing his page. Each plate is signed and numbered. All plates are in Excellent condition; the folder is in Good condition.
Bernie Wrightson - Mary Shelley's Frankenstein Limited Edition Portfolio, Group of 3 (Tyrannosaurus Press/Les Editions Du Triton, 1977-80). Three Bernie Wrightson Frankenstein portfolios: Tyrannosaurus Press #259/1000, 1977, six black and white plates, black and white illustrated envelope signed and numbered by Bernie Wrightson; Tyrannosaurus Press #295/200, 1978, six black and white plates, black and white illustrated envelope signed and numbered by Wrightson; and Les Editions Du Triton #1,122/1,200, 1980, six black and white plates, black and white illustrated envelope, signed by Wrightson. Each plate measures 11" x 15.75". The envelopes average in Very Good condition, and the plates average in Excellent condition.
Session 4
Platinum Age (1897-1937)
Buster Brown and His Resolutions (Frederick A. Stokes Co., 1903) Condition: FR. This is the very first book collection of one of the very first American comics superstars -- Buster Brown. While The Yellow Kid may predate him, Buster's popularity with the public easily eclipsed that earlier creation (both of which were by Richard Outcault). Buster was introduced in 1902, named after vaudeville star Buster Keaton. Buster's dog Tige, considered to be the first talking animal in comics, was a huge star in his own right. This initial compilation of strips, printed in color on one side of each page, was distributed through Sears and Roebuck, and is considered the first nationally distributed comic book. Overstreet notes it as rare. This 104 year-old copy has incredible page quality. The front cover is detached and several pages are loose. Overstreet 2007 GD 2.0 value = $1,600.
Charlie Chaplin in the Army #318 (Essanay/M. A. Donohue & Co., 1917) Condition: FN/VF. The silent film star was also featured in an early comic strip. This thin large-size collection features two dailies printed per page, with instructions on how to color each page. Fortunately, the original owner did not heed that advice, and the military-themed strips remain uncolored. Despite the name written in ink on the front cover, this ninety year-old book displays very nicely. Overstreet 2007 FN 6.0 value = $525; VF 8.0 value = $1,400.
Golden Age (1938-1955)
Desert Dawn #nn (EC, circa 1935) CGC FR 1.0 Brittle pages. It's safe to say the Overstreet price for this rarity is a bit conservative: we auctioned this same copy on a previous occasion and the winning bid was $690! EC lived up to its "Educational Comics" designation with this release, a promotional comic under the aegis of the American Museum of Natural History. The story was written by a museum staffer, while the art was in the hands of comics pro Saul Kessler. The star is the distinctly Bugs Bunny-like Johnny Jackrabbit. Overstreet 2007 GD 2.0 value = $44. CGC census 6/07: 1 in 1.0, 2 higher.
Platinum Age (1897-1937)
Donald Duck #978 (Whitman Publishing Co., 1935) Condition: VG/FN. This linen-like illustrated text story book is considered to be the first to star Donald Duck. He appears here with Mickey Mouse's nephews in a scene reminiscent of his film debut, "The Wise Little Hen." Despite some minor soiling and light wear, this is a very attractive copy. Overstreet 2007 VG 4.0 value = $700; FN 6.0 value = $1,050.
Foxy Grandpa Flip-Flaps (M. A. Donahue, 1905) Condition: VG. Here's an edition not yet listed in Overstreet, a softcover, staple-bound 24-pager that's presumably a reduced re-issue of the hardcover 52-pager published that same year. Fun stuff by Carl "Bunny" Schultze, in full color no less! Interior pages have light foxing throughout. While this particular edition is not mentioned in the Guide, we'll note that Overstreet has given the similar 52-pager values of $146 in GD and $510 in FN condition.
Memorabilia
Mickey Mouse Book Later Printing (Bibo & Lang, 1931) Condition: VG. Disney's first licensed publication doesn't turn up often, and very few copies have pages 9 and 10 intact the way this one does (page 9 featured a puzzle meant to be cut out). In fact, a couple of penciled check marks in the margin of one page are the only signs of use, and the only reason this didn't grade higher is because of a three-inch spine split at the top and a two-inch split at the bottom. It couldn't be determined whether this is a second, third, or fourth printing. The content is simply delightful, with song lyrics, Win Smith strip reprints, and a text story telling how Mickey met Walt! Overstreet 2006 GD 2.0 value = $1,050; FN 6.0 value = $5,000.
Mickey Mouse Book Later Printing (Bibo & Lang, 1931) Condition: Qualified FN. This was Disney's first licensed publication! There are song lyrics, games, and cartoons. This is a second, third, or fourth printing (the three were indistinguishable from one another). An attractive copy overall, this one has received a "qualified" grade because one rectangular piece is cut out of the otherwise intact page 9. Overstreet lists a GD 2.0 value of $1,050 and a FN 6.0 value of $5,000, noting, "Puzzle (pages 9 and 10) cut out or missing, subtract 60% to 75%."
Wise Little Hen (Disney/Whitman, 1935) Condition: FN. The story that introduced Donald Duck, published as a hardcover story book with illustrations printed in both black and white, and color (including a great full-pager of Donald, doing a jig on the deck of his houseboat). Nice, solid copy with minor, unobtrusive wear. Not listed in Overstreet.
Platinum Age (1897-1937)
Mickey Mouse Coloring Book #871 (Saalfield Publishing Co., 1931) Condition: GD/VG. This very early Mickey Mouse book utilizes drawings from the first original newspaper strips by Ub Iwerks and Floyd Gottfredson. Only a few pages feature crayon markings; some drawings were printed in color. Minor tape on spine. Overstreet 2007 GD 2.0 value = $400.
Mickey Mouse Magazine Dairy Giveaway V1#5 (Walt Disney Productions, 1934) CGC FN/VF 7.0 White pages. These early dairy giveaway Mickeys are always a tough find. This March, 1934 example spotlights the Girl Scouts, and was issued by Ohio's Clover Leaf Dairies. Our offering is currently the sole copy of this issue to be certified by CGC. Overstreet 2007 FN 6.0 value = $320; VF 8.0 value = $475. CGC census 6/07: 1 in 7.0, none higher.
Mickey Mouse Magazine Dairy Giveaway V2#9 (Walt Disney Productions, 1935) CGC VF+ 8.5 White pages. Another choice example of one of the toughest Mickey Mouse publications to track down, this July, 1935 issue was given away by the Ohio Clover Leaf Dairy. It currently remains the only copy of this issue to be graded by CGC. Overstreet 2007 VF 8.0 value = $310; VF/NM 9.0 value = $455. CGC census 6/07: 1 in 8.5, none higher.
The Pop-Up Buck Rogers - Strange Adventures in the Spider-Ship #nn (Pleasure Books, 1935) Condition: FN. Absolutely beautiful pop-up, loaded with great color and three of the finest pop-ups you'll ever see. A lovely, problem-free copy, with only minimal wear present on the covers. Overstreet 2007 FN 6.0 value = $471.
Pore Lil Mose His Letters to His Mammy (Cupples and Leon, 1902) Condition: FR/GD. Richard Outcault was one of the most popular cartoonists of the early 1900s. Here's a scarce collection of early strips by the artist, published in 1902 in conjunction with the New York Herald and the Grand Union Tea Company, but is best known as the first comic published by Cupples and Leon. This book is tough to find in any condition, let alone complete, and is eagerly sought out by collectors of Black Americana. Our copy's complete, has a taped spine and back cover, and is missing pieces on the front cover; otherwise, it's quite sound and readable. Overstreet 2007 GD 2.0 value = $1,500.
Golden Age (1938-1955)
Action Comics #65 (DC, 1943) CGC VF/NM 9.0 White pages. We've only offered this issue on five occasions over the past five years, and only once in higher grade. And this copy even boasts white pages! Jack Burnley did the cover. Interior artists include Burnley, Joe Kubert, Mort Meskin, and Bernard Baily. Overstreet 2007 VF/NM 9.0 value = $1,085; NM- 9.2 value = $1,500. CGC census 5/07: 1 in 9.0, 2 higher.
Action Comics #166 Davis Crippen ("D" Copy) pedigree (DC, 1952) CGC VF+ 8.5 Off-white to white pages. This issue's from the era when superhero books weren't in demand, and it doesn't seem to turn up in collections much. A mere three copies have been certified by CGC to date. After perusing Win Mortimer's cover, you may wonder why Perry White is acting so strangely. If you guessed "it's a robot double," you're well-versed in DC gimmicks, and we'll note that Lex Luthor is behind all of this. Congo Bill, the Vigilante, and Tommy Tomorrow are the backup features. Overstreet 2007 VF 8.0 value = $329; VF/NM 9.0 value = $527. CGC census 6/07: 1 in 8.5, none higher.
Adventure Comics #72 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Cream to off-white pages. Simon and Kirby's first work for DC makes this a key issue, as it kicked off a memorable run for the most famous creative duo of the Golden Age. S&K wrote and drew the Sandman story, taking over the character shortly after he'd been revamped to become more "superhero-like" and given a sidekick in Sandy the Golden Boy. The other artists contributing to the issue include Jack Burnley (drawing the Starman cover and associated story), Creig Flessel (drawing the Shining Knight) and Bernard Baily (who handled art chores on Hourman). Comes with the Rockford certificate of authenticity. Overstreet 2007 VF 8.0 value = $7,718; VF/NM 9.0 value = $13,359. CGC census 6/07: 1 in 8.5, 3 higher.
Adventure Comics #73 (DC, 1942) CGC Apparent VG/FN 5.0 Moderate (P) Cream to off-white pages. This one's more valuable than Simon and Kirby's DC premiere in #72, and the reason for that is scarcity! While the high value (it's one of Overstreet's 100 most valuable Golden Age books) should be bringing more copies out of the woodwork, we've only seen a few. This issue has the origin and the first appearance of Simon and Kirby's Manhunter (not the same character as the Manhunter who had starred in Adventure up to this time). This cover by S&K is one of only three cover appearances of the character in this series. Sandman, Hourman, Starman, and the Shining Knight also appear inside. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2007 GD 2.0 value = $1,243; VG 4.0 value = $2,486; FN 6.0 value = $3,729. From the Fantastic Frank Collection.
Adventure Comics #79 (DC, 1942) CGC GD/VG 3.0 Off-white to white pages. We see this issue with its classic cover far too seldom for our taste! The fellow about to harpoon a Nazi sub is the Manhunter, drawn here by Simon and Kirby. Also appearing in the issue are the Sandman and Sandy, Starman, and the Shining Knight. Overstreet 2007 GD 2.0 value = $252; VG 4.0 value = $504. CGC census 6/07: 1 in 3.0, 10 higher.
Adventure Comics #204 (DC, 1954) CGC VF 8.0 Off-white to white pages. Featuring Superboy. Win Mortimer cover. Overstreet 2007 VF 8.0 value = $233. CGC census 6/07: 1 in 8.0, 1 higher.
Adventures Into The Unknown #20 Mile High pedigree (ACG, 1951) CGC NM 9.4 White pages. Ogden Whitney portrayed the grave situation on the cover of this pre-Code book. Overstreet 2007 NM- 9.2 value = $340. CGC census 6/07: 2 in 9.4, none higher.
All-American Comics #8 (DC, 1939) CGC VG+ 4.5 Cream to off-white pages. It's the first appearance of the Ultra-Man, the first superhero for this series in the pre-Green Lantern days and also the very first costumed adventurer from M. C. Gaines' All-American group of titles. A look at the census information below will tell you how tough to find this one is! Jon Blummer is credited with the cover art. Overstreet 2006 VG 4.0 value = $600. CGC census 4/07: 1 in 4.5, 2 higher.
All-American Comics #16 (DC, 1940) CGC Apparent GD/VG 3.0 Slight (A) Cream to off-white pages. This is one of the big ones in comic collecting, which has the origin and first appearance of Green Lantern. That it also rates a Gerber "7" and an Overstreet "Rare" just adds to the allure. The issue currently ranks as the 5th most valuable comic of all, nestled between Superman #1 and Batman #1 - pretty heady company! Inside there's a full page ad for another milestone comic book issue, All-Star Comics #1. Martin Nodell created the character and provided story art, but it was another DC mainstay, Sheldon Moldoff, who created the iconic cover. CGC notes, "Restoration includes: small amount of color touch on cover, cover cleaned." It's noteworthy that the highest grade CGC has certified for an unrestored copy to date is just FN- 5.5. Overstreet 2007 GD 2.0 value = $10,000; VG 4.0 value = $20,000.
All-American Comics #61 (DC, 1944) CGC FN 6.0 Off-white to white pages. Solomon Grundy makes his frightening first appearance and has his origin spelled out in this hard-to-find book. Dr. Mid-Nite, the Atom, Mutt and Jeff, and Hop Harrigan appear as well. The classic cover is by Paul Reinman, with interior art by Reinman, Stan Aschmeier, Joe Gallagher, and others. Overstreet 2007 FN 6.0 value = $1,587. CGC census 6/07: 1 in 6.0, 5 higher.
All-American Men of War #128 (DC, 1952) CGC FN/VF 7.0 Cream to off-white pages. This is the second issue of the long-running "Big Five" war book (though a "#2" did follow two months later, oddly enough). One of only two graded above 5.5 by CGC to date. Art by Jerry Grandenetti, Bernard Krigstein, and Irv Novick. Overstreet 2007 FN 6.0 value = $153; VF 8.0 value = $408. CGC census 6/07: 1 in 7.0, 1 higher. From the Keith Marlow Collection.
All-American Men of War #6 (DC, 1953) CGC FN/VF 7.0 Cream to off-white pages. Devil Dog and Ghost Squadron stories. Irv Novick cover and art. The highest-graded of only two copies certified by CGC as of this writing. Overstreet 2007 FN 6.0 value = $102; VF 8.0 value = $255. CGC census 6/07: 1 in 7.0, none higher. From the Keith Marlow Collection.
All-American Men of War #8 (DC, 1953) CGC VF- 7.5 Off-white to white pages. Only two copies of this early "Big Five" issue appear on CGC's census as of this writing! War ace Irv Novick drew the issue's cover, and he also contributed interior art, as did Carmine Infantino, Ross Andru, and Gene Colan. Overstreet 2007 VF 8.0 value = $255. CGC census 5/07: 1 in 7.5, none higher. From the Keith Marlow Collection.
All-American Men of War #10 (DC, 1954) CGC VF 8.0 Off-white pages. Here's an issue we'd never seen before! Jerry Grandenetti drew the cover -- the Alpine tramway was a beloved war-cover motif, but this time the Germans are the ones in the tram! Overstreet 2007 VF 8.0 value = $255. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
All-American Men of War #12 (DC, 1954) CGC VF 8.0 Cream to off-white pages. We present yet another "highest-graded" war book from the Marlow Collection! This issue's notable for having the first contribution to this series by war-comic favorite Russ Heath. Jerry Grandenetti handled cover art chores. Overstreet 2007 VF 8.0 value = $220. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
All-American Men of War #15 (DC, 1954) CGC VF 8.0 Off-white to white pages. Here's one of only two copies on CGC's census report, and the first copy we've ever offered. Jerry Grandenetti's cover rendition of a mano a mano tussle between Yank and German is of the sort Joe Kubert would perfect in years to come -- see elsewhere in this catalog! Overstreet 2007 VF 8.0 value = $220. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
All-Flash #31 (DC, 1947) CGC FN/VF 7.0 White pages. This very nice copy has even nicer page quality! It should be noted that CGC's highest-graded copies (2) of issue #31 have been barely nicer than this (VF- 7.5 to FN/VF 7.0). E. E. Hibbard's bondage cover is striking, and Carmine Infantino contributes interior art. Overstreet 2007 FN 6.0 value = $192; VF 8.0 value = $400. CGC census 6/07: 3 in 7.0, 2 higher.
All-Negro Comics #1 Crowley pedigree (All-Negro Comics, 1947) CGC FN+ 6.5 Cream to off-white pages. The epitome of esotericity, this one-shot's back cover promised features on Ace Harlem, Sugarfoot (no, not Will Hutchins), and Snakeoil in the following issue, which, alas, never was published. And apparently not many of this issue, a 15-cent oddity, were published; Gerber gives the book an almost unheard of rating of "very rare," signifying that only six to ten copies are estimated to still be in existence. To further enhance the allure, Overstreet advises the book is "seldom found in fine or mint condition; many copies have brown pages." Yet your friends at Heritage have one of the rare copies in the seldom-found grade of FN+, and it's a pedigree copy at that! CGC's census lists this as the second-highest graded copy to be certified to date. We have offered just two other copies over the past 2 1/2 years, the top-rated VF- 7.5, and a GD+ 2.5, both of which enticed vigorous bidding interest, as this offering is bound to do. Please note that a small plastic stabilizing peg has broken loose from the CGC holder. This does not affect the comic or the integrity of the holder. Overstreet 2007 FN 6.0 value = $2,400; VF 8.0 value = $4,500. CGC census 5/07: 2 in 6.5, 1 higher.
All Select Comics #11 (Timely, 1946) CGC VF/NM 9.0 Cream to off-white pages. The first appearance of one of the goodest of the "good girl" crime fighters, the Blonde Phantom, makes this issue a collector magnet, and this copy is oh, so close, to being the nicest CGC has certified to date for the issue. The Syd Shores cover is at once inspiring, enticing, and...other things. Interior artists include Shores, Charles Nicholas, Ken Bald, and Jack Binder. Overstreet 2007 VF/NM 9.0 value = $2,747; NM- 9.2 value = $3,800. CGC census 5/07: 1 in 9.0, 1 higher.
All Star Comics #14 (DC, 1942) CGC FN/VF 7.0 White pages. This one has the Justice Society on a humanitarian mission behind enemy lines. Simon and Kirby are among the issue's interior artists; that duo did the Sandman chapter. Joe Gallagher is the cover artist. CGC notes, "'Anthony Gould' written in marker on 1st page." Overstreet 2007 FN 6.0 value = $771; VF 8.0 value = $1,606. CGC census 6/07: 3 in 7.0, 4 higher. From the Fantastic Frank Collection.
All Star Comics #53 (DC, 1950) CGC FN+ 6.5 Off-white pages. Arthur Peddy cover, with interior art by Peddy, Gil Kane, and Harry Lazarus. Overstreet 2007 FN 6.0 value = $339; VF 8.0 value = $706. CGC census 5/07: 2 in 6.5, 4 higher. From the Warren Hall Collection.
All Star Comics #57 (DC, 1951) CGC Apparent FN/VF 7.0 Moderate (A) Off-white pages. Last issue of the title. Last Golden Age appearance of the Justice Society. The only issue of the series to be rated "scarce" by Gerber. Arthur Peddy cover. CGC notes, "Restoration includes: color touch, tear seals, cover cleaned, cover reinforced, re-glossed." Overstreet 2007 GD 2.0 value= $166; VG 4.0 value = $332; FN 6.0 value = $498; VF 8.0 value = $1,038. From the Fantastic Frank Collection.
Amazing-Man Comics #5 (Centaur, 1939) CGC VG- 3.5 Off-white to white pages. The fact that just two unrestored copies of this issue have received higher grades from CGC underscores what a tough book this is. Don't let the number 5 fool you: this was the first issue of the series, making Amazing-Man the first superhero to debut in his own title (preceding Superman and Batman, who were just the headliners of anthology series at this time). And it's also noteworthy that the title character, a Bill Everett creation, hit stands a month before Marvel Comics #1 with the premiere of Everett's Sub-Mariner. Centaur Publications' entire output is difficult to find, this book especially so -- Overstreet and Gerber both rate this issue as "rare." This issue is ranked among the 50 most valuable comics by Overstreet, and it's by far the most valuable Centaur comic. Overstreet 2007 VG 4.0 value = $2,810. CGC census 6/07: 1 in 3.5, 2 higher.
Amazing Adventure Funnies #1 Larson pedigree (Centaur, 1940) CGC FN- 5.5 Off-white to white pages. True to its Centaur legacy, this issue's one that's not that common. It's a Gerber "7", in fact, and even at this modest mid-grade, our copy is one of the nicer around. A trio better known for classic Timely artwork -- Bill Everett, Carl Burgos, and Paul Gustavson -- provided interior art here. Overstreet 2007 FN 6.0 value = $537. CGC census 6/07: 1 in 5.5, 5 higher.
Amazing Mystery Funnies V2#3 (Centaur, 1939) CGC FN/VF 7.0 Cream to off-white pages. Air-Sub DX by Carl Burgos begins; Bill Everett provided the cover. This copy, the first to be offered in a Heritage sale, is currently the only unrestored example on the CGC census; however, CGC does note, "Very minor amount of color touch on cover." Overstreet 2007 FN 6.0 value = $237; VF 8.0 value = $494. CGC census 6/07: 1 in 7.0, none higher.
Amazing Mystery Funnies V2#12 (Centaur, 1939) CGC FN/VF 7.0 Cream to off-white pages. "Scarce," says Overstreet... but if you let that scare you off, you would have stopped collecting Centaurs long ago! This issue has the first appearance of the Space Patrol feature, drawn by the great Basil Wolverton. The cover is by Paul Gustavson, showcasing the new costume for the Fantom of the Fair. CGC notes, "Store stamp on 1st page." Overstreet 2006 FN 6.0 value = $579; VF 8.0 value = $1,206. CGC census 4/07: 3 in 7.0, 2 higher.
Amazing Mystery Funnies V3#1 (Centaur, 1940) CGC VG/FN 5.0 Cream to off-white pages. We think the low Guide value for this issue (also known as #17) is deceptive -- how can you know what it's worth when it almost never changes hands? The Fantom of the Fair is the cover character, Speed Centaur also appears inside, and this issue has the first appearance of the Bullet... make that the only appearance of the Bullet. Overstreet 2007 VG 4.0 value = $158; FN 6.0 value = $237. CGC census 6/07: 1 in 5.0, 1 higher.
Arrow #1 (Centaur, 1940) CGC Apparent FN 6.0 Slight (P) Slightly brittle pages. Comics from Centaur Publications are in demand by discriminating collectors for the unique, off-beat covers, characters, and stories. The fact that these books are not that common -- Gerber's The Photo-Journal Guide to Comic Books rates this book as "rare" -- merely adds to their mystique. The striking cover is by Bob Lubbers. CGC notes, "Restoration includes: spine split sealed to cover, cover reinforced." Overstreet 2007 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900.
Arrow #2 (Centaur, 1940) CGC FN- 5.5 Off-white pages. No copy has been graded higher than 7.0 to date, and of course collecting Centaurs is a challenge in any condition. Paul Gustavson handled art chores on the titular hero here, who had first appeared in Funny Pages. The title didn't last much longer (only one more issue), but then neither did Centaur Publications. This issue is a Gerber "7." Overstreet 2007 FN 6.0 value = $408. CGC census 6/07: 1 in 5.5, 3 higher.
Astonishing #42 (Atlas, 1955) CGC NM- 9.2 Off-white pages. It's the first time we've ever offered this particular issue, and it's the only copy CGC has certified to date of #42. Hmmm... our hunch is that this is one of those Atlas issues that's hard to find in any grade, and danged hard to find in this grade! Ross Andru, Tony DiPreta, and Mort Lawrence art. Overstreet 2007 NM- 9.2 value = $175. CGC census 5/07: 1 in 9.2, one higher. From the Warren Hall Collection.
Baseball Heroes #nn Crowley Copy pedigree (Fawcett, 1952) CGC VF+ 8.5 Cream to off-white pages. Overstreet advises that this is a "scarce" issue, and we note only two copies (at VF/NM 9.0) have earned higher grades from CGC to date. The Hall of Fame issue has a Babe Ruth and Walter Johnson photo cover and Hall of Fame biographies, including the Charles Dexter story. Overstreet 2007 VF 8.0 value = $500; VF/NM 9.0 value = $813. CGC census 6/07: 3 in 8.5, 2 higher.
Batman #1 (DC, 1940) CGC FN+ 6.5 Cream to off-white pages. From the collection of William D. MacNeil, M.D. comes an unrestored copy of one of the more coveted books in the hobby. It's got the first appearances of two of the best-known comic book villains, the Joker and Catwoman. The cover by Bob Kane and Jerry Robinson is one of the most famous images of Batman and Robin. Although any copy of this key is eagerly snapped up, a copy certified as unrestored should excite particular interest, since surviving copies of the comic tend to have restoration of some sort more often than not. Included with this lot is a 1976 letter from Dr. MacNeil, confirming that he bought this copy upon publication in Spring 1940 and was the sole possessor of it for the ensuing 36 years. Overstreet 2007 FN 6.0 value = $22,950; VF 8.0 value = $53,500. CGC census 6/07: 2 in 6.5, 11 higher.
Batman #3 (DC, 1940) CGC FN/VF 7.0 Off-white pages. This is Catwoman's first appearance in costume, and according to Overstreet that makes her the first costumed villainess in all of comics! The issue's classic cover is by Bob Kane and Jerry Robinson. Overstreet 2007 FN 6.0 value = $2,646; VF 8.0 value = $6,174. CGC census 6/07: 4 in 7.0, 16 higher.
Batman #6 (DC, 1941) CGC Apparent FN+ 6.5 Slight (P) White pages. This early Bat-issue marks the first appearance and "death" of the Clock Maker. Bob Kane provides the swinging, memorable cover, with Kane and Jerry Robinson art gracing the interior. CGC notes, "Restoration includes: small amount of color touch on cover, cover & centerfold reinforced." Overstreet 2007 GD 2.0 value = $441; VG 4.0 value = $882; FN 6.0 value = $1,323; VF 8.0 value = $3,087.
Batman #6 (DC, 1941) CGC VG/FN 5.0 Cream to off-white pages. Bob Kane drew the cover of this early issue, then got assistance from Jerry Robinson for the interior art. First appearance and "death" of the Clock Maker. Overstreet 2007 VG 4.0 value = $882; FN 6.0 value = $1,323. CGC census 6/07: 3 in 5.0, 42 higher.
Batman #7 (DC, 1941) CGC VF- 7.5 Off-white to white pages. Nice copy of one of the great early covers. Batman co-creators, Bill Finger (scripts) and Bob Kane (cover and interior art) worked on this issue, which features an eye-catching bullseye cover. Inside, there's a Joker appearance, and Batman begins working with police. Jerry Robinson helped with the interior art. Overstreet 2007 VF 8.0 value = $3,087. CGC census 5/07: 3 in 7.5, 10 higher.
Batman #10 (DC, 1942) CGC FN/VF 7.0 Off-white pages. Fred Ray was associated with just three covers for this title, so that alone makes this issue special. But there's more! Catwoman makes an appearance in this issue, and she's sporting a new costume! Now we're usually not overly affected by fashion, but with Catwoman we make an exception... niiiiice! Jack Burnley contributed interior art. Overstreet 2007 FN 6.0 value = $1,089; VF 8.0 value = $2,360. CGC census 5/07: 8 in 7.0, 10 higher.
Batman #11 (DC, 1942) CGC Apparent FN 6.0 Slight (A) Off-white pages. Featuring a classic Joker cover (third cover appearance) by Fred Ray and Jerry Robinson. The Joker and Penguin both make appearances in this issue. Bob Kane and Robinson handled interior art chores. CGC notes, "Restoration includes: small tear seals to cover, spine splits sealed, cover and centerfold reinforced." Overstreet 2007 GD 2.0 value = $735; VG 4.0 value = $1,412; FN 6.0 value = $2,205. From the Cary and Cheryl Porter Collection.
Batman #14 (DC, 1943) CGC FN+ 6.5 Off-white pages. That felonious fowl, the Penguin, makes his second cover appearance on this issue which alludes to the story inside and if that isn't enough to draw you in, the Dynamic Duo also curtail the activities of a Nazi spy ring in the war-time story "Swastika over the White House." Jerry Robinson contributed the cover and interior art. Bob Kane and Jack Burnley added interior art as well. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,937. CGC census 6/07: 6 in 6.5, 17 higher.
Batman #19 (DC, 1943) CGC VG/FN 5.0 Off-white to white pages. This issue marked the first time Dick Sprang drew Batman, and he also provided the cover art. The Joker appears inside. Overstreet 2007 VG 4.0 value = $408; FN 6.0 value = $612. CGC census 6/07: 4 in 5.0, 40 higher.
Batman #23 (DC, 1944) CGC FN+ 6.5 White pages. Overstreet dubs this Dick Sprang Joker cover a "classic black cover." While our offering has just enough wear along the spine to keep the grade a bit shy of high grade, the white pages can't be beat! Besides the Joker story, there's an Alfred backup feature. Sprang and Jerry Robinson art. Overstreet 2007 FN 6.0 value = $771; VF 8.0 value = $1,606. CGC census 6/07: 5 in 6.5, 32 higher.
Batman #33 (DC, 1946) CGC FN/VF 7.0 Off-white pages. The whimsical Christmas cover is by Dick Sprang. Win Mortimer contributed interior art in this issue, which features an appearance by the Penguin. Overstreet 2007 FN 6.0 value = $396; VF 8.0 value = $825. CGC census 6/07: 10 in 7.0, 12 higher.
Batman #35 (DC, 1946) CGC FN/VF 7.0 Cream to off-white pages. Catwoman story (in new costume without cat-head mask). Dick Sprang cover. Bob Kane and Ray Burnley art. Overstreet 2007 FN 6.0 value = $348; VF 8.0 value = $725. CGC census 6/07: 3 in 7.0, 12 higher.
Batman #37 (DC, 1946) CGC FN+ 6.5 Off-white to white pages. Early Joker covers are in big demand, and this issue is a good example why, with three oversized images of Batman's greatest nemesis, along with two lifesize ones (isn't that one too many?). Jerry Robinson did the cover and interior art, proving again he was the Batman artist of the day. Overstreet 2007 FN 6.0 value = $483; VF 8.0 value = $1,006. CGC census 5/07: 4 in 6.5, 9 higher.
Batman #40 (DC, 1947) CGC VF+ 8.5 Off-white to white pages. The Joker is the subject of a few pranks, courtesy of the Dynamic Duo, on this Jack Burnley cover. The ever-popular Dick Sprang handles art chores inside. We're not joking when we say this copy is extra sharp! Overstreet 2007 VF 8.0 value = $1,006; VF/NM 9.0 value = $1,628. CGC census 6/07: 5 in 8.5, 8 higher.
Batman #40 (DC, 1947) CGC FN+ 6.5 Cream to off-white pages. The Joker cover's by Jack Burnley. Inside there's a Joker story and Dick Sprang art. Overstreet 2007 FN 6.0 value = $483; VF 8.0 value = $1,006. CGC census 6/07: 3 in 6.5, 33 higher.
Batman #41 (DC, 1947) CGC NM 9.4 Off-white to white pages. Holy black cover on a 60 year old 9.4 comic, Batman! This book has the look (and grade) of a pedigree and it's packed with highlights like a Penguin appearance and the first sci-fi cover and story of the title. Jim Mooney contributed the futuristic cover and interior art. Overstreet 2007 NM- 9.2 value = $1,175. CGC census 6/07: 5 in 9.4, 2 higher.
Batman #42 (DC, 1947) CGC FN/VF 7.0 Off-white to white pages. Jack Burnley provided the cover here, the first Catwoman cover for the title. That fatal feline is featured in a story by Batman co-creator Bill Finger. Overstreet 2007 FN 6.0 value = $429; VF 8.0 value = $894. CGC census 5/07: 5 in 7.0, 15 higher.
Batman #44 (DC, 1947) CGC FN 6.0 Off-white to white pages. This Joker cover captures the character perfectly. It's credited to Jim Mooney. Overstreet 2007 FN 6.0 value = $483. CGC census 6/07: 2 in 6.0, 9 higher.
Batman #47 (DC, 1948) CGC FN- 5.5 Off-white pages. It had been nine years since Batman's first appearance in Detective Comics #27, so it was high time a detailed origin of the Caped Crusader was presented. It's here, with story and art by co-creators Bill Finger and Bob Kane. Kane also did the cover. Overstreet 2007 FN 6.0 value = $1,014. CGC census 6/07: 4 in 5.5, 22 higher.
Batman #47 (DC, 1948) CGC VG+ 4.5 Cream to off-white pages. The first detailed origin of Batman makes this issue more valuable than any except the first few in this title. Bill Finger and Bob Kane, the co-creators of the legendary character, provide scripting and art (both cover and interior) respectively. Catwoman makes an appearance. Overstreet 2007 VG 4.0 value = $676. CGC census 5/07: 10 in 4.5, 30 higher.
Batman #56 (DC, 1949) CGC VF 8.0 Off-white pages. Pretty copy of a white background cover by Dick Sprang. Sprang and Jim Mooney contributed interior art. Overstreet 2007 VF 8.0 value = $500. CGC census 6/07: 2 in 8.0, 9 higher.
Batman #60 (DC, 1950) CGC VF- 7.5 White pages. Nice white pages and sharp cover colors suggest a higher grade, and even at 7.5, this copy's in rare company. CGC has certified only two other copies higher than VF 8.0 to date. Jim Mooney cover. Dick Sprang and Bob Kane art. Overstreet 2007 VF 8.0 value = $500. CGC census 6/07: 3 in 7.5, 4 higher.
Batman #61 (DC, 1950) Condition: FN. The issue has the origin of Batplane Mk. II, an appearance by the Penguin, and a full-page ad for Tomahawk #1. Cover by Win Mortimer, with Bob Kane and Dick Sprang providing the interior art. This particular copy cannot be encapsulated due to an overhang. Overstreet 2007 FN 6.0 value = $264.
Batman #62 (DC, 1950) Condition: VF/NM. Don't be fooled by its un-encapsulated state, this copy's one of the nicest you'll find of the 1950 issue. CGC could not encapsulate the beauty because of an overhang, but that just means you can -- carefully -- peek inside, marvel at the off-white pages, and find the origin of Catwoman, who also appears on the Win Mortimer cover. Mortimer, Bob Kane, and Dick Sprang did the interior art. Overstreet 2007 VF/NM 9.0 value = $1,303; NM- 9.2 value = $1,800.
Batman #66 (DC, 1951) CGC Apparent VF 8.0 Slight (P) Cream to off-white pages. Joker cover and story. Dick Sprang and Charles Paris cover and art. Henry Boltinoff, Lew Schwartz, and Bob Kane art. CGC notes, "Restoration includes: small amount of color touch on cover, piece added to cover." Overstreet 2007 GD 2.0 value = $89; VG 4.0 value = $178; FN 6.0 value = $237; VF 8.0 value = $494.
Batman #67 (DC, 1951) CGC FN/VF 7.0 Cream to off-white pages. We'll remind you again that early 1950s DCs aren't that easy to find in grades above VF 8.0. CGC lists one copy of issue #67 above that mark, and just barely, at VF+ 8.5. Joker appearance. Win Mortimer cover. Bob Kane and Dick Sprang art. Overstreet 2007 FN 6.0 value = $189; VF 8.0 value = $394. CGC census 6/07: 3 in 7.0, 8 higher.
Batman #68 (DC, 1951) CGC VF- 7.5 Off-white to white pages. We'd vote for this as the most memorable cover ever to feature Two-Face, which has made it that much more vexing that you never seem to see this book in grades above VG/FN or so. This stands as the nicest copy we've ever offered. Win Mortimer is the cover artist. Overstreet 2007 VF 8.0 value = $438. CGC census 6/07: 1 in 7.5, 5 higher. From the Warren Hall Collection.
Batman #69 (DC, 1952) CGC FN/VF 7.0 Off-white to white pages. This issue's great Catwoman cover by Win Mortimer introduces "The King of the Cats," and in fact he's Catwoman's brother. Overstreet 2007 FN 6.0 value = $246; VF 8.0 value = $513. CGC census 6/07: 1 in 7.0, 14 higher.
Batman #71 (DC, 1952) CGC FN/VF 7.0 Off-white pages. The few times we'd seen this issue before it was always in less-than-stellar condition, so we're not surprised at all that no copy has been graded higher than 7.5 by CGC to date. Win Mortimer's cover ties right into the main story, about a prison run by crooks that incarcerates lawmen. Overstreet 2007 FN 6.0 value = $189; VF 8.0 value = $394. CGC census 6/07: 2 in 7.0, 2 higher. From the Warren Hall Collection.
Batman #77 (DC, 1953) CGC VF 8.0 Off-white pages. Unusual color combination in the logo and background really makes this issue stand out, and this is as fine a copy as you're likely to find. CGC hasn't certified a nicer copy to date. The cover is by Win Mortimer cover. Bob Kane provided some interior art. Overstreet 2007 VF 8.0 value = $394. CGC census 5/07: 2 in 8.0, none higher.
Batman #79 (DC, 1953) CGC VF- 7.5 Cream to off-white pages. Vicki Vale in "The Bride of Batman" story. Win Mortimer cover. Bob Kane and Dick Sprang art. Overstreet 2007 VF 8.0 value = $394. CGC census 6/07: 1 in 7.5, 5 higher.
Batman #80 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Ohh, that Joker. The Jocund Jack-Of-All-Crimes is never lacking for a scheme, and in this issue he decides to make an educational movie for crooks called "How To Handle Batman and Robin." Meanwhile, a backup feature has Robin embarking on a solo adventure. The issue's cover is by Win Mortimer, and the interior art's by Dick Sprang. Overstreet 2007 VF 8.0 value = $481. CGC census 6/07: 2 in 8.0, 1 higher.
Batman #84 (DC, 1954) CGC VF 8.0 Cream to off-white pages. A Catwoman cover appearance is always a particular point of interest for the Bat-collector, and the fact that Ms. Kyle shares the cover with a bevy of bathing-suited beauties certainly doesn't hurt the book's appeal. Inside the comic, in addition to the Catwoman story, the ever-popular Two-Face appears. Overstreet 2007 VF 8.0 value = $481. CGC census 6/07: 2 in 8.0, 3 higher.
Platinum Age (1897-1937)
Big Book of Fun Comics #1 (DC, 1936) Condition: VG/FN. "The second rarest DC book" was the pronouncement about this one in Overstreet Guide #13! Also, Gerber gave it his seldom-used scarcity rating of "9," or "very rare." It was reportedly only available at toy stores and never on newsstands. This is the first comic book annual, and the only thing that kept it off Overstreet's list of the 100 most valuable comic books is that no NM- value is listed by the Guide. This is a large comic (10 1/4" x 15"), with blank inside covers and no indicia. It has 48 pages, with 32 pages in color and the rest in black and white (note that Overstreet counts the covers as pages in calling the issue a 52-pager). Inside, there's work by most of the big names of early DC, for instance Vin Sullivan, Whitney Ellsworth, and Leo O'Mealia. This copy's pages are off-white at the center, and tan and slightly brittle at the edges. Both front and back covers look very nice, with only very minimal edge wear. Overstreet 2007 VG 4.0 value = $4,500; FN 6.0 value = $6,750.
Golden Age (1938-1955)
Big Shot Comics #24 Rockford pedigree (Columbia, 1942) CGC VF+ 8.5 White pages. The Uncle Sam/Tojo cover gets the coveted "classic" nod from Overstreet. This is not generally considered a particularly rare issue, but our high-grade pedigree offering is the only copy CGC has certified to date. Overstreet 2007 VF 8.0 value = $275; VF/NM 9.0 value = $443. CGC census 6/07: 1 in 8.5, none higher.
Bill Boyd Western #1 (Fawcett, 1950) CGC VF/NM 9.0 Off-white to white pages. This is the finest copy CGC has certified to date of the premiere issue, which featured front and back photo covers of the popular Western star. Overstreet 2007 VF/NM 9.0 value = $451; NM- 9.2 value = $620. CGC census 6/07: 1 in 9.0, none higher.
Blackhawk #11 (Quality, 1946) CGC NM+ 9.6 Off-white pages. The entire Blackhawk crew is squared off and ready for action on this Al Bryant cover, for the third issue of the title. Reed Crandall graces the interior pages with his art. This exceptional copy stands alone at the top of the current CGC census. Overstreet 2007 NM- 9.2 value = $1,200. CGC census 6/07: 1 in 9.6, none higher.
Black Knight #2 (Atlas, 1955) CGC VF 8.0 Off-white to white pages. Take one look at this spectacular cover by Joe Maneely and you'll join us in wondering how many more classics the artist might have created if he hadn't suffered an untimely death at a young age. Overstreet 2007 VF 8.0 value = $375. CGC census 6/07: 2 in 8.0, none higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Black Knight #3 (Atlas, 1955) CGC VF- 7.5 Off-white to white pages. Joe Maneely did some of his best work on this series, and this one's cover art is exhibit A. Overstreet 2007 VF 8.0 value = $281. CGC census 6/07: 2 in 7.5, none higher. From the Warren Hall Collection.
Golden Age (1938-1955)
Blue Beetle #12 (Holyoke, 1942) CGC FN+ 6.5 Off-white pages. When Fox faltered, Holyoke was there to take over this series (if you believe the lore, it's because Fox owed Holyoke money!). This was the first Holyoke issue, and while the content was inventory material, you can see little touches of the new publisher, most notably an ad for Catman on the back cover! We hadn't ever offered this issue before, and our specimen isn't far below the CGC-best grade of 7.5. The bondage cover is by Ramona Patenaude. CGC notes, "Small amount of dried glue on spine of cover." Overstreet 2007 FN 6.0 value = $153; VF 8.0 value = $311. CGC census 6/07: 1 in 6.5, 2 higher.
Blue Bolt #103 Davis Crippen ("D Copy") pedigree (Star Publications, 1950) CGC VF+ 8.5 Off-white pages. L. B. Cole cover art. Second issue for this publisher. Overstreet 2007 VF 8.0 value = $216; VF/NM 9.0 value = $333. CGC census 6/07: 1 in 8.5, 1 higher.
Boy Commandos #7 Big Apple pedigree (DC, 1944) CGC NM+ 9.6 Cream to off-white pages. Joe Simon and Jack Kirby provide this issue's cover with plenty of World War II-era thrills. Equally thrilling is the exceptional condition of this brightly-hued beauty. Overstreet 2007 NM- 9.2 value = $725. CGC census 6/07: 2 in 9.6, none higher.
Boy Commandos #10 (DC, 1945) CGC VF 8.0 Off-white pages. World War II cover. Overstreet 2007 VF 8.0 value = $329. CGC census 6/07: 2 in 8.0, 2 higher.
Brenda Starr V2#11 (Superior, 1949) CGC VF+ 8.5 Cream to off-white pages. Overstreet and The Photo-Journal Guide to Comic Books agree this is a "scarce" issue, and this is one of the finest copies in existence. Overstreet 2007 VF 8.0 value = $419; VF/NM 9.0 value = $677. CGC census 6/07: 2 in 8.5, 3 higher.
Captain America Comics #2 (Timely, 1941) CGC FR 1.0 Brittle Pages. Been waiting for the "right" copy of this historic issue to come along? This could be it! It may have brittle pages, but it looks pretty fine in CGC's case! Overstreet rates Joe Simon's Hitler cover a "classic", and that adjective is often used to describe Simon and Kirby's art on Cap inside the issue. Al Avison, Al Gabrielle, and Reed Crandall also lent their artistic talents here. Overstreet 2007 GD 2.0 value = $1,350. CGC census 6/07: 1 in 1.0, 28 higher.
Captain America Comics #52 (Timely, 1946) CGC VF+ 8.5 Off-white to white pages. Pretty copy has few peers among those certified by CGC to date for this issue. Alex Schomburg's cover is a highlight, and Vince Alascia, Al Bellman, and Al Gabriele contributed interior art. Included is a Human Torch vs. Cat-man story. Overstreet 2007 VF 8.0 value = $938; VF/NM 9.0 value = $1,519. CGC census 6/07: 5 in 8.5, 4 higher.
Captain America Comics #78 (Atlas, 1954) Condition: NM-. Warren Hall's run of the three "Atlas-revival" Cap issues is really something special, and while this one -- like his superb #76, offered in our last auction -- could not be encapsulated by CGC because of an overhang, we know of no finer copy, especially considering this one's white pages. Indeed, the highest-graded copy on CGC's census is just VF+ 8.5, so we expect a result here comparable to Mr. Hall's other two Caps which sold for 3x and 6x Guide respectively. This final issue of the proud original Timely-Atlas series was the last 1950s appearance of both Captain America and the Human Torch. Dick Ayers drew the Torch story, while the cover and the rest of the issue were the work of John Romita Sr. Overstreet 2007 NM- 9.2 value = $1,500. From the Warren Hall Collection.
Captain Marvel Adventures #14 Crowley Copy/File Copy (Fawcett, 1942) CGC NM- 9.2 Off-white pages. Great colors on this Crowley File Copy! The cover's by C. C. Beck, who also contributed interior art, as did Marc Swayze. Overstreet 2007 NM- 9.2 value = $1,300. CGC census 6/07: 1 in 9.2, 3 higher.
Captain Marvel Adventures #21 Crowley Copy pedigree (Fawcett, 1943) CGC VF 8.0 Off-white pages. C. C. Beck has Cap confronting Hitler on this cover, as well as prime henchmen Goering and Goebbels. Nice cover colors suggest a higher grade; still our offering ranks high on CGC's current census for issue #21. Overstreet 2007 VF 8.0 value = $594. CGC census 6/07: 1 in 8.0, 4 higher.
Captain Marvel Adventures #81 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. This one has it all! An actionfest space cover by C. C. Beck -- including a robot -- and this copy's absolutely stunning, just what you'd expect of this top-rated pedigree. Inside is more Beck art, a Jon Jarl text story, and an appearance by Mr. Atom. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 1 in 9.4, none higher.
Captain Marvel Jr. #13 Crowley Copy pedigree (Fawcett, 1943) CGC VF/NM 9.0 Cream to off-white pages. Fawcett artist supreme Mac Raboy earned a "classic" mention from Overstreet for this great cover depicting Cap Jr. as a running back, stiff-arming the likes of Hitler, Tojo, and Mussolini, as he "carries the ball for democracy!" Raboy's work makes this issue one of the most valuable and sought-after of the entire series' run. Captain Nazi and Sivana make appearances in this issue. Overstreet 2007 VF/NM 9.0 value = $1,050; NM- 9.2 value = $1,450. CGC census 6/07: 1 in 9.0, 1 higher.
Captain Midnight #3 Mile High pedigree (Fawcett, 1942) CGC NM 9.4 White pages. This high-flying Mile High comic features a classic Nazi war cover, plus art by Jack Binder. While the good Captain is listed on the cover as "Star of Radio and Movies," we think you'll agree the real star here was Edgar Church, who managed to keep this copy exceptionally nice. Overstreet 2007 NM- 9.2 value = $1,800. CGC census 6/07: 2 in 9.4, none higher.
Captain Midnight #57 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. Guess what? Yeah, with this grade and page quality, it's gotta be a Mile High copy! CGC has certified just two other copies of #57, the next nicest achieving a "mere" VF/NM 9.0 grade. What cover colors! Overstreet 2007 NM- 9.2 value = $325. CGC census 5/07: 1 in 9.6, none higher.
Captain Rocket #1 Mile High pedigree (P.L. Publishing Co., 1951) CGC NM- 9.2 White pages. The Mile High copy stands alone atop CGC's census for this issue. No other copy has earned a grade higher than VF 8.0 to date. The Canadian publisher of this one-shot was apparently inspired by EC covers in general and Wally Wood's in particular. It's a beaut, eh? Overstreet 2007 NM- 9.2 value = $575. CGC census 6/07: 1 in 9.2, none higher.
Captain Science #1 (Youthful Magazines, 1950) CGC VF 8.0 Off-white pages. Captain Science models the latest in modern space attire -- a see-through suit (with green tights) -- on this Walter Johnson-illustrated cover. Inside, Wally Wood provides art for the "Monster God of Rogor" story, and the early sci-fi film Destination Moon is is discussed in a text feature. A very handsome copy. Overstreet 2007 VF 8.0 value = $550. CGC census 6/07: 2 in 8.0, 4 higher. From the Cary and Cheryl Porter Collection.
Captain Science #4 (Youthful Magazines, 1951) CGC VF/NM 9.0 Cream to off-white pages. Wally Wood and Joe Orlando provide this issue with some very EC-style graphics, including the great rocket ship interior cover illustration and two stories inside. Overstreet 2007 VF/NM 9.0 value = $821; NM- 9.2 value = $1,135. CGC census 6/07: 2 in 9.0, 2 higher.
Casper the Friendly Ghost #8 File Copy (Harvey, 1953) CGC VF+ 8.5 Cream to off-white pages. Baby Huey back-up story. Overstreet 2007 VF 8.0 value = $150; VF/NM 9.0 value = $245. CGC census 6/07: 2 in 8.5, none higher. From the Cary and Cheryl Porter Collection.
Casper the Friendly Ghost #27 File Copy (Harvey, 1954) CGC NM- 9.2 Cream to off-white pages. Nightmare and Spooky appearances. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 1 in 9.2, 1 higher. From the Cary and Cheryl Porter Collection.
Casper the Friendly Ghost #29 File Copy (Harvey, 1955) CGC NM- 9.2 Cream to off-white pages. Spooky back-up story. Wendy appearance. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 2 in 9.2, 1 higher. From the Cary and Cheryl Porter Collection.
Catman Comics #7 (Continental, 1942) CGC VG+ 4.5 Off-white pages. If you're intent on putting this run together, you'd best not be too picky about grade! Only a FN+ 6.5 copy ranks ahead of this one in CGC's census for #7. The cover's by Charles Quinlan. Overstreet 2007 VG 4.0 value = $160. CGC census 6/07: 1 in 4.5, 1 higher.
Catman Comics #18 (Holyoke, 1943) CGC GD/VG 3.0 Cream to off-white pages. We're a bit skeptical of the Guide value below, but we mean no disrespect to Overstreet -- when a book never changes hands, who knows what it's worth? This issue is considered scarce, and this series is hot, so the bidding could get interesting. Charles Quinlan drew the cover, co-starring the Kitten -- note the swastika tattoo on the back of the baddie's hand! CGC notes, "Cover detached." Overstreet 2007 GD 2.0 value = $61; VG 4.0 value = $122. CGC census 6/07: 1 in 3.0, 3 higher.
Catman Comics #32 (Continental, 1946) CGC FN+ 6.5 Off-white pages. The seldom-seen last issue of the series sports memorable cover art by the great L. B. Cole. It's one of the few times a cover of this series tied in with a story (Cole did the honors on that as well). Comic Book Marketplace called this issue "highly collectible and scarce." Overstreet 2007 FN 6.0 value = $264; VF 8.0 value = $550. CGC census 6/07: 1 in 6.5, 1 higher.
Chamber of Chills #21 (#1) (Harvey, 1951) CGC FN/VF 7.0 Cream to off-white pages. This first issue features a fear-inducing bondage/walled-up-alive cover by Al Avison, and inside the reader is treated to Bob Powell and Rudy Palais art. Overstreet 2007 FN 6.0 value = $141; VF 8.0 value = $287. CGC census 6/07: 4 in 7.0, 6 higher.
Chamber of Chills #22 (Harvey, 1954) CGC NM 9.4 Off-white pages. Tales of torture and gore abound in this title, usually fronted by a Lee Elias cover -- why here's one now! Jack Sparling, Joe Certa, and Manny Stallman contributed ghoulish story art. CGC hasn't awarded a higher grade to date for this issue. Overstreet 2007 NM- 9.2 value = $315. CGC census 6/07: 2 in 9.4, none higher.
Comedy Comics #9 (Timely, 1942) CGC VF+ 8.5 Cream to off-white pages. Here's the finest known copy of the first issue of this Timely funny book title (co-starring the superheroes from Daring Mystery). Overstreet notes it as a "scarce" issue. Nearly 20 years before he became known as the JLA artist, Mike Sekowsky provided the cover art here, with help from George Klein. Bill Everett and Basil Wolverton interior art make this a gem of a Golden Age issue, featuring the first appearance of the Comedy Kid, and also featuring the Fin, Citizen V, Silver Scorpion, and Captain Dash. Overstreet 2007 VF 8.0 value = $1,900; VF/NM 9.0 value = $3,075. CGC census 5/07: 1 in 8.5, none higher.
Comedy Comics #10 (Timely, 1942) CGC VF/NM 9.0 Off-white to white pages. Like the previous lot, Overstreet rates this issue "scarce", and we've offered a copy on only one other occasion. Another similarity is that this is the finest copy CGC has certified to date. The origin and first appearance of the Fourth Musketeer is featured. Fiction House artist Lily Renee provided some interior art. Overstreet 2007 VF/NM 9.0 value = $2,278; NM- 9.2 value = $3,150. CGC census 5/07: 1 in 9.0, none higher.
Congo Bill #3 Mohawk Valley pedigree (DC, 1954) Condition: VF/NM. Although CGC could not encapsulate this high grade copy with cream to off-white pages because of an overhang, it's notable that the highest grade CGC has awarded an unrestored copy of #3 to date is only VF- 7.5. That would corroborate Overstreet's observation that all issues are "scarce" and that the entire run of seven is "rarely found in fine to mint condition." In fact, Overstreet doesn't even bother listing a value above VF 8.0! This book comes with a certificate from The Mohawk Valley Collection. Overstreet 2007 VF 8.0 value = $735. No value listed in Overstreet above VF 8.0.
Cyclone Comics #3 Larson pedigree (Bilbara, 1940) CGC NM- 9.2 Off-white pages. Overstreet considers this book with a "classic" cover to be scarce. Overstreet 2007 NM- 9.2 value = $1,575. CGC census 6/07: 1 in 9.2, 1 higher.
Dale Evans Comics #4 Hawkeye pedigree (DC, 1949) CGC NM 9.4 Off-white to white pages. She's the "Queen of the Westerns", Mrs. Roy Rogers -- or just plain Dale Evans to her many fans. The lovely Dale, and her horse, Buttermilk, are featured on this issue's photo cover, while Alex Toth's equally lovely art awaits inside. Overstreet 2007 NM- 9.2 value = $360. CGC census 6/07: 1 in 9.4, 1 higher.
Daring Mystery Comics #3 (Timely, 1940) CGC VF 8.0 Off-white pages. One of Timely's oldest titles premiered just a few months after Marvel Comics #1, and copies of early issues like this don't turn up often in high grade. Our offering is just a smidge below the highest grade yet certified by CGC for the issue. The cover's by Alex Schomburg, and Joe Simon handled some of the interior art. Overstreet 2007 VF 8.0 value = $3,542. CGC census 5/07: 1 in 8.0, 1 higher.
Dark Mysteries #15 (Master Publications, 1953) CGC VF 8.0 Cream to off-white pages. This series was known for having a skeleton on almost every cover, and it held true to form here. Hy Fleishman is the cover artist of this pre-Code book. Overstreet 2007 VF 8.0 value = $224. CGC census 6/07: 1 in 8.0, none higher.
Dell Giant Comics - Davy Crockett #1 (Dell, 1955) CGC NM 9.4 Off-white pages. Fess Parker photo cover. Back cover photo pin-up. Jesse Marsh art. CGC notes, "From the Dallas Stephens Collection." Overstreet 2007 NM- 9.2 value = $380. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Platinum Age (1897-1937)
Detective Comics #1 (DC, 1937) CGC GD/VG 3.0 Cream to off-white pages. The significance of this Platinum Age milestone is unquestioned -- it's the first issue of the title that gave comics publishing giant DC its name! It came out over a year before Action Comics #1 and over two years before Batman's first appearance in Detective Comics #27, the two most valuable comics of all -- and it's rarer than both. Overstreet and Gerber agree it's a "scarce" issue, and we can corroborate, having offered an unrestored copy in only two previous auctions! Historic was the issue, and historic were the contributors -- Vin Sullivan with the cover; Creig Flessel, Joe Shuster, Paul Gustavson, and Fred Guardineer with interior art; and Jerry Siegel with storywriting. Get your copy today! Overstreet 2007 GD 2.0 value = $9,150; VG 4.0 value = $18,300. CGC census 5/07: 2 in 3.0, 3 higher.
Golden Age (1938-1955)
Detective Comics #20 (DC, 1938) CGC GD/VG Apparent 3.0 Slight (A) Off-white to white pages. The first Detective Comics superhero debuted in this issue! No, it's not Batman, it's the Crimson Avenger. This costumed crusader, somewhat similar to the Green Hornet, was a regular in this title through issue #89. The rest of the issue features the usual lineup of P.I.s and cops, and boasts a (literally) striking cover by Leo O'Mealia. CGC notes, "Restoration includes: tear seal to cover. (1 piece of tape on spine of cover & 3 pieces on interior cover.)" Overstreet 2007 GD 2.0 value = $800; VG 4.0 value = $1,600.
Detective Comics #34 (DC, 1939) Condition: Apparent FN/VF Moderate (P). Creig Flessel did this final non-Batman cover for the title, and inside was the second Crimson Avenger. Overstreet also notes the issue had a "classic" splash panel, which was later used in Batman #1 in the origin story. The professional restoration includes: cover cleaning, tear seals, pieces added, reinforcement, and color touch. It looks bright and beautiful! Overstreet 2007 GD 2.0 value = $518; VG 4.0 value = $1,036; FN 6.0 value = $1,554; VF 8.0 value = $3,626.
Detective Comics #41 (DC, 1940) CGC VF- 7.5 Cream to off-white pages. Robin got his first solo story here (just three issues after his debut), enrolling at a boarding school to unravel a murder case. In this early issue, the Dynamic Duo were still drawn by their creator Bob Kane (with help from Jerry Robinson), both on the cover and inside. Backup features include Speed Saunders, Slam Bradley, and the Crimson Avenger. Overstreet 2007 VF 8.0 value = $2,360. CGC census 6/07: 2 in 7.5, 4 higher.
Detective Comics #43 -15 Cent Variant - Davis Crippen ("D" Copy) pedigree (DC, 1940) CGC FN- 5.5 Cream to off-white pages. What a great issue! From the Bob Kane/Jerry Robinson cover to the Bill Finger/Jerry Siegel scripts, to the interior artwork by Kane/Robinson, Howard Sherman, and Fred Guardineer, this is quintessential Golden Age DC. This copy is a rare 15 cent variant! A 15-cent version of Batman #2, published the same year, is known to exist as well, and speculation has it that these were printed in the U.S. as part of the regular print run, yet intended for the Canadian market. The book displays plenty of nice cover colors that would normally be associated with a higher grade. Overstreet 2007 FN 6.0 value = $813. CGC census 6/07 (for the 15-cent variant): 1 in 5.5, none higher.
Detective Comics #44 (DC, 1940) CGC VG+ 4.5 Cream to off-white pages. Detective's first costumed hero, the Crimson Avenger, gets a make-over in this issue, which also features a wild, dream-related Batman story, "The Land Behind the Light." Bob Kane, Jerry Robinson, and Howard Sherman were among the artists. Overstreet 2007 VG 4.0 value = $542. CGC census 6/07: 4 in 4.5, 11 higher.
Detective Comics #85 (DC, 1944) CGC VF+ 8.5 White pages. We've never offered a nicer copy of this wide-body Golden Age issue. It has a Joker cover and story, with Dick Sprang providing cover art and both Sprang and Jerry Robinson furnishing interior Batman art. Jack Kirby did the interior art on the Boy Commandos feature. Overstreet 2007 VF 8.0 value = $781; VF/NM 9.0 value = $1,266. CGC census 5/07: 2 in 8.5, 3 higher.
Detective Comics #118 (DC, 1946) CGC VF 8.0 Off-white pages. Dick Sprang drew the Joker cover, Howard Sherman the Joker story in this issue. Another longtime DC artist, Curt Swan, handled a Boy Commandos feature. Overstreet 2007 VF 8.0 value = $656. CGC census 6/07: 2 in 8.0, 4 higher.
Detective Comics #118 (DC, 1946) CGC VF- 7.5 Cream to off-white pages. Joker covers and stories are among the most collectible of the Batman-related titles. Duh! Dick Sprang did the cover here, and Howard Sherman on Batman (the Joker story) and Curt Swan on the Boy Commandos were among the interior story artists. Overstreet 2007 VF 8.0 value = $656. CGC census 6/07: 4 in 7.5, 6 higher.
Detective Comics #129 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Jack Burnley cover. Burnley and Curt Swan art. Overstreet 2007 VF 8.0 value = $438. CGC census 6/07: 3 in 8.0, 2 higher.
Detective Comics #136 (DC, 1948) CGC VF/NM 9.0 Off-white pages. The finest copy we've offered previously can't match this one -- it's the highest-graded in CGC's current census for issue #136. Dick Sprang and Howard Sherman teamed up for both the cover and interior artwork. Overstreet 2007 VF/NM 9.0 value = $635; NM- 9.2 value = $875. CGC census 6/07: 1 in 9.0, none higher.
Detective Comics #140 (DC, 1948) CGC Apparent FN/VF 7.0 Slight (P) Off-white pages. You have to go all the way back to issue #40, over eight years earlier, to find a more valuable issue of the title. That's because herein is the origin and first appearance of the Riddler. Win Mortimer did the cover, with Dick Sprang and Curt Swan furnishing interior art. CGC notes, "Restoration includes: tear seals to cover, cover cleaned, cover reinforced." Overstreet 2007 GD 2.0 value = $447; VG 4.0 value = $894; FN 6.0 value = $1,341; VF 8.0 value = $3,129.
Detective Comics #168 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC VF- 7.5 Cream to off-white pages. After 11 years, DC finally provided the first origin of the Joker, who had first appeared in Batman #1. That makes this issue one of the most valuable in the run since the early appearances of the Dynamic Duo a decade before. Lew Schwartz provided both the cover and interior art. Overstreet 2007 VF 8.0 value = $2,275. CGC census 6/07: 2 in 7.5, 5 higher.
Detective Eye #1 (Centaur, 1940) CGC VG+ 4.5 Cream to off-white pages. Here's an elusive Centaur issue that seems to be more uncommon than Gerber's designation of "6" ("uncommon"). The cover artist is Lew Glanzman, yes, he and famed illustrator Louis Glanzman are one and the same! Inside are stories of some superheroes you may have forgotten... Air Man, Eye Sees, Dean Denton, the Masked Marvel. Overstreet 2007 VG 4.0 value = $450. CGC census 6/07: 2 in 4.5, 8 higher.
Donald and Mickey Merry Christmas 1943 (K.K. Publications, 1943) CGC VF- 7.5 Off-white pages. A Firestone Christmas promotional comic. Reprints a Donald Duck story from Walt Disney Comics and Stories #32 by Carl Barks. Overstreet 2007 VF 8.0 value = $469. CGC census 6/07: 1 in 7.5, 3 higher.
Don Winslow of the Navy #18 Pennsylvania pedigree (Fawcett, 1944) CGC NM+ 9.6 Off-white pages. CGC's top-ranked copy of the World War II era issue. There's not another one certified higher than VF/NM 9.0. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 1 in 9.6, none higher.
Don Winslow of the Navy #51 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 Off-white to white pages. Finest copy in existence -- something we seem to say a lot when Edgar Church's books are involved. Singapore Sal makes a welcomed appearance in this issue. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher.
Down with Crime #7 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Outstanding copy of the final issue of a series that managed more than its fair share of mention in the infamous Parade of Pleasure. The nifty cover is by... well, we wish we knew, but neither Overstreet nor Gerber's Photo-Journal Guide to Comic Books wagers a guess. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 2 in 9.4, none higher.
Eerie #1 (Avon, 1947) CGC VF- 7.5 Cream to off-white pages. Whether you call it the first horror comic book (as CGC does), or the first "supernatural" comic (Overstreet), this is a milestone issue when it comes to four-color scariness. The Overstreet guide assigned the issue its "scarce" designation. The book boasts a bondage cover, and the interior artists include Joe Kubert and Bob Fujitani. Overstreet 2007 VF 8.0 value = $2,773. CGC census 6/07: 4 in 7.5, 6 higher.
Eerie #2 Bethlehem pedigree (Avon, 1951) CGC VF/NM 9.0 Cream to off-white pages. Not all of Wally Wood's great horror work was done for EC -- witness his cover here! Wood also contributed interior art to the issue. Overstreet 2007 VF/NM 9.0 value = $712; NM- 9.2 value = $985. CGC census 6/07: 2 in 9.0, none higher.
Eerie #3 (Avon, 1951) CGC VF- 7.5 Off-white to white pages. Wally Wood's sexy artwork stands out on this cover... and, speaking of standing out -- no not those, we were going to mention the CGC certified grade! This is one tough book to find in high grade. There's only one nicer copy (VF/NM 9.0) in CGC's current census. We've offered only two other copies in the past five years. Joe Kubert and Joe Orlando provided interior art. Overstreet 2007 VF 8.0 value = $438. CGC census 6/07: 2 in 7.5, 1 higher.
Eerie #4 Cosmic Aeroplane pedigree (Avon, 1951) CGC VF- 7.5 Off-white to white pages. Skull cover by Wally Wood. Overstreet 2007 VF 8.0 value = $363. CGC census 6/07: 1 in 7.5, 4 higher.
Eerie #5 Cosmic Aeroplane pedigree (Avon, 1952) CGC VF- 7.5 Off-white to white pages. This Wally Wood effort has all the elements that people love about #4, but this book comes along much less often! Overstreet 2007 VF 8.0 value = $363. CGC census 6/07: 2 in 7.5, 1 higher.
Exciting Comics #39 (Nedor Publications, 1945) CGC FN+ 6.5 Cream to off-white pages. Absolutely one of the most famous Alex Schomburg covers, this is one you'll see reprinted in books a lot, but the comic itself is elusive (in case you can't make it out in our catalog picture: the Nazis are giving kids poisoned candy). The Black Terror is the featured character. Overstreet 2007 FN 6.0 value = $198; VF 8.0 value = $413. CGC census 6/07: 1 in 6.5, 4 higher.
Famous Funnies #212 (Eastern Color, 1954) CGC VF+ 8.5 Cream to off-white pages. Frank Frazetta drawing Buck Rogers, what a magical combination! And it's worth mentioning that the three copies graded higher are all just half a notch above this one at 9.0. CGC notes, "Light tanning [at] edges [of] interior front and back cover." Overstreet 2007 VF 8.0 value = $738; VF/NM 9.0 value = $1,194. CGC census 6/07: 2 in 8.5, 3 higher.
Fantastic Comics #7 (Fox, 1940) CGC FN- 5.5 Off-white pages. Joe Simon is credited with the cover art by Overstreet. This is the first unrestored copy we've offered of this issue. Overstreet 2007 FN 6.0 value = $423. CGC census 6/07: 1 in 5.5, 1 higher.
Flash Comics #2 (DC, 1940) CGC Apparent VG/FN 5.0 Slight (A) Cream to off-white pages. Features the first Hawkman cover, by Dennis Neville. CGC notes, "Restoration includes: tear seal to cover, spine split sealed to cover, cover reinforced." Overstreet 2007 GD 2.0 value = $765; VG 4.0 value = $1,530; FN 6.0 value = $2,295.
Flash Comics #7 (DC, 1940) CGC GD 2.0 Off-white pages. This issue features Sheldon Moldoff's first cover depiction of Hawkman. The interior art is by Moldoff and E. E. Hibbard. CGC notes, "Cover detached." Overstreet 2007 GD 2.0 value = $453. CGC census 6/07: 1 in 2.0, 6 higher.
Flash Comics #9 (DC, 1940) CGC Apparent VG/FN 5.0 Slight (A) Cream to off-white pages. A great Hawkman cover courtesy of artist Sheldon Moldoff, who also drew Hawkman's story inside the book. The other features include Cliff Cornwall (also by Moldoff), the Flash (drawn by E. E. Hibbard), and "King" Standish by Harry Lampert. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2007 GD 2.0 value = $325; VG 4.0 value = $650; FN 6.0 value = $975.
Flash Comics #10 (DC, 1940) CGC VG/FN 5.0 Cream to off-white pages. One of the finest covers ever rendered by Shelly Moldoff, showing the Flash saving a woman from a watery death. The interior art is by Moldoff, E. E. Hibbard, and Harry Lampert. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 VG 4.0 value = $650; FN 6.0 value = $975. CGC census 6/07: 2 in 5.0, 7 higher.
Flash Comics #13 (DC, 1941) CGC Apparent NM- 9.2 Slight (P) Off-white to white pages. Sheldon Moldoff provided the cover art for this early issue. CGC notes, "Restoration includes: small amount of glue on cover." Overstreet 2006 GD 2.0 value = $215; VG 4.0 value = $430; FN 6.0 value = $645; VF 8.0 value = $1,344; VF/NM 9.0 value = $2,122; NM- 9.2 value = $2,900.
Flash Comics #14 (DC, 1941) CGC FN+ 6.5 Cream to off-white pages. Superman isn't the only hero who's faster than a speeding bullet, as proven by this World War II-themed cover by Hawkman artist Sheldon Moldoff. Inside is a full-page ad for All Star Comics #3, as well as art by E. E. Hibbard, Harry Lampert, and Moldoff. Overstreet 2007 FN 6.0 value = $771; VF 8.0 value = $1,606. CGC census 6/07: 1 in 6.5, 5 higher.
Flash Comics #15 Davis Crippen ("D" Copy) pedigree (DC, 1941) CGC VG/FN 5.0 Cream to off-white pages. Another stunning Hawkman cover by Sheldon Moldoff, plus interior art by Moldoff, E. E. Hibbard, and Stan Aschmeier. Overstreet 2007 VG 4.0 value = $436; FN 6.0 value = $654. CGC census 6/07: 1 in 5.0, 5 higher.
Flash Comics #19 (DC, 1941) CGC Apparent FN/VF 7.0 Slight (P) Cream to off-white pages. Hawkman battles the Hood, the first super-villain to appear in this title. Sheldon Moldoff cover, with interior art by Moldoff and E. E. Hibbard. CGC notes, "Restoration includes cover cleaned. (Right edge of cover trimmed.)" Overstreet 2007 GD 2.0 value = $218; VG 4.0 value = $436; FN 6.0 value = $654; VF 8.0 value = $1,363.
Flash Comics #40 Davis Crippen ("D" Copy) pedigree (DC, 1943) CGC FN 6.0 Off-white to white pages. Not too many nicer copies around of this issue -- CGC's census lists just two others. That crazy Austrian, Hitler, makes an appearance in this issue, which has story art from E. E. Hibbard and Sheldon Moldoff. Overstreet 2007 FN 6.0 value = $333. CGC census 6/07: 1 in 6.0, 2 higher.
Flash Comics #42 Davis Crippen ("D" Copy) pedigree (DC, 1943) CGC FN 6.0 Off-white to white pages. A mostly black cover by E. E. Hibbard, in very nice condition. Interior art by Hibbard, Sheldon Moldoff, and Stan Aschmeier. Overstreet 2007 FN 6.0 value = $288. CGC census 6/07: 1 in 6.0, 3 higher.
Flash Comics #43 Davis Crippen ("D" Copy) pedigree (DC, 1943) CGC FN 6.0 White pages. Outstanding page quality reminds us again what a great collection Davis Crippen put together. Sheldon Moldoff did the cover and contributed interior art, as did E. E. Hibbard. Overstreet 2007 FN 6.0 value = $288. CGC census 7/07: 2 in 6.0, 5 higher.
Flash Comics #45 (DC, 1943) CGC FN 6.0 Off-white to white pages. Sheldon Moldoff cover. Moldoff and E. E. Hibbard art. Overstreet 2007 FN 6.0 value = $288. CGC census 6/07: 1 in 6.0, 4 higher.
Flash Comics #46 Davis Crippen ("D" Copy) pedigree (DC, 1943) CGC VF 8.0 White pages. A great E. E. Hibbard cover on this issue, with interior art by Hibbard, Sheldon Moldoff, and Stan Aschmeier. This is the highest-graded copy certified by CGC as of this writing, and the only other certified copy is a VG 4.0. Overstreet 2007 VF 8.0 value = $600. CGC census 6/07: 1 in 8.0, none higher.
Flash Comics #47 Davis Crippen ("D" Copy) pedigree (DC, 1943) CGC VF- 7.5 Off-white to white pages. Sheldon Moldoff's unusual "Canned Hawkman" cover kicks off this World War II-era issue. The Flash and Johnny Thunder also appear, with art by Moldoff, E. E. Hibbard, Frank Harry, and Homer Fleming. Overstreet 2007 VF 8.0 value = $600. CGC census 6/07: 2 in 7.5, 1 higher.
Flash Comics #51 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC NM 9.4 White pages. Yet another great Hawkman cover by Sheldon Moldoff, who certainly gives Joe Kubert a run for his money for the title of "Best Hawkman Artist." As usual, the Winged Wonder is joined by Flash and Johnny Thunder inside the comic, with additional art by Martin Naydel and Stan Aschmeier. A great copy, with white pages to boot. Overstreet 2007 NM- 9.2 value = $1,225. CGC census 6/07: 2 in 9.4, 1 higher.
Flash Comics #55 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC VF 8.0 Off-white to white pages. Hawkman and his pet Hawk battle evildoers on this pulse-pounding cover by Sheldon Moldoff. The interior art is by Moldoff, E. E. Hibbard, and Stan Aschmeier. Overstreet 2007 VF 8.0 value = $550. CGC census 6/07: 1 in 8.0, 2 higher.
Flash Comics #56 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC FN/VF 7.0 Off-white to white pages. Martin Nodell, better known as the co-creator and frequent artistic interpreter of Green Lantern, took turns with fellow DC stalwart Sheldon Moldoff with cover duties on this title during the mid-'40s. According to Gerber, this is the scarcest of all in the 104-issue run, earning a "Rare" (estimated 11-20 in existence) designation in The Photo-Journal Guide to Comic Books. This is also the only issue of any mainstream DC series to be a Gerber "white space." Overstreet 2007 FN 6.0 value = $264; VF 8.0 value = $550. CGC census 6/07: 2 in 7.0, 9 higher.
Flash Comics #57 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC FN 6.0 Off-white to white pages. Sheldon Moldoff cover. Moldoff and Martin Naydel art. Overstreet 2007 FN 6.0 value = $264. CGC census 6/07: 1 in 6.0, 7 higher.
Flash Comics #59 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. The fellow playing the tune on this surreal Sheldon Moldoff cover is the Pied Piper, who makes his first appearance in this issue (and who is not to be confused with the Pied Piper from the Flash's rogues gallery). The Hawkman story also has Moldoff art. Other features include the Flash and Johnny Thunder, as well as the last "Minute Movies" feature to appear in the title after a lengthy run. Overstreet 2007 VF/NM 9.0 value = $888; NM- 9.2 value = $1,225. CGC census 6/07: 1 in 9.0, 1 higher.
Flash Comics #61 (DC, 1945) CGC FN/VF 7.0 White pages. Sheldon Moldoff cover. Moldoff and Martin Naydel art. Overstreet 2007 FN 6.0 value = $264; VF 8.0 value = $550. CGC census 6/07: 2 in 7.0, 3 higher.
Flash Comics #71 "D" Copy pedigree (DC, 1946) CGC VF/NM 9.0 Cream to off-white pages. For those who thought Joe Kubert drew the definitive Hawkman, here's his Golden Age version -- the Silver Age version would come some 15 years later! Kubert did the cover and the interior Hawkman story. E. E. Hibbard contributed interior art on the Flash story. We've offered this issue on just a few occasions over the past six years. Overstreet 2007 VF/NM 9.0 value = $787; NM- 9.2 value = $1,085. CGC census 5/07: 2 in 9.0, 4 higher.
Flash Comics #77 (DC, 1946) CGC VF+ 8.5 Off-white pages. Chet Kozlak took on cover duties for this issue, and he drew the Hawkman adventure inside the book as well. Other features include the Flash (of course), drawn by E. E. Hibbard, plus the Ghost Patrol and Johnny Thunder. Overstreet 2007 VF 8.0 value = $488; VF/NM 9.0 value = $787. CGC census 6/07: 1 in 8.5, 2 higher.
Flash Comics #79 (DC, 1947) CGC FN/VF 7.0 Off-white pages. Chet Kozlak drew the cover featuring Hawkman. Overstreet 2007 FN 6.0 value = $234; VF 8.0 value = $488. CGC census 6/07: 1 in 7.0, 4 higher.
Flash Comics #86 (DC, 1947) CGC FN- 5.5 Off-white pages. First appearance of the Black Canary. Bondage cover by Joe Kubert. Kubert and Carmine Infantino art. Overstreet 2007 FN 6.0 value = $879. CGC census 6/07: 1 in 5.5, 4 higher.
Flash Comics #97 Davis Crippen ("D" Copy) pedigree (DC, 1948) CGC FN/VF 7.0 Off-white pages. Irwin Hasen cover. Hasen, Carmine Infantino, and Joe Kubert art. Overstreet 2007 FN 6.0 value = $396; VF 8.0 value = $825. CGC census 6/07: 1 in 7.0, 4 higher.
Flash Comics #99 Davis Crippen ("D" Copy) pedigree (DC, 1948) CGC FN/VF 7.0 Off-white to white pages. Carmine Infantino cover. Infantino, Joe Kubert, and Lee Elias art. Overstreet 2007 FN 6.0 value = $396; VF 8.0 value = $825. CGC census 6/07: 1 in 7.0, 2 higher.
Flash Comics #100 (DC, 1948) CGC FN+ 6.5 Off-white to white pages. Joe Kubert drew the cover as well as the Hawkman story, featuring one of the character's earliest appearances in his new costume. Also featured are the Flash, Black Canary, the Atom, and the Ghost Patrol. This issue is listed as "scarce" according to Overstreet. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,875. CGC census 6/07: 1 in 6.5, 6 higher.
Flash Comics #102 (DC, 1948) CGC FN+ 6.5 Off-white to white pages. This title's great run was nearing the end by the time this issue came out -- low print runs were the result, and in fact, this issue is listed as "scarce" by Overstreet. Note Hawkman's unfamiliar (and short-lived) costume on Joe Kubert's cover. Also included are the Flash (by Alex Toth), the Atom, and the Black Canary (by Carmine Infantino). CGC notes, "Small foreign piece of paper attached to interior cover." Overstreet 2007 FN 6.0 value = $771; VF 8.0 value = $1,606. CGC census 6/07: 2 in 6.5, 4 higher.
Flash Comics #104 (DC, 1949) Condition: VG+. This last Golden Age issue of Flash Comics has long rated as one of the toughest issues to find. In fact, the last four issues are all listed as "scarce" by Overstreet; this final issue has the added cachet of containing a retelling of the Flash's origin. While this copy shows some reader wear and a few small chips off the front cover, it also remains flat, clean, and vibrant, with attractive off-white pages. Please note that this copy could not be encapsulated by CGC due to an overhang. Overstreet 2007 VG 4.0 value = $1,318.
Flying Saucers #nn River City pedigree (Avon, 1952) CGC NM- 9.2 Cream to off-white pages. It just might be Gene Fawcette's finest cover, and it's beautifully displayed on this super-fresh copy. Wally Wood art is featured on the interior. Overstreet 2007 NM- 9.2 value = $625. CGC census 6/07: 2 in 9.2, none higher.
Four Color (Series One) #1 Dick Tracy File Copy (Dell, 1939) CGC VG+ 4.5 Cream to off-white pages. Here's a Western Publishing file copy of the very first in the long series of various titles known collectively as Four Color. Dick Tracy, Chester Gould's square-jawed crime fighter, stars in this initial entry. Overstreet 2007 VG 4.0 value = $1,648. CGC census 6/07: 1 in 4.5, 6 higher.
Four Color (Series One) #7 Gang Busters File Copy (Dell, 1940) CGC FN/VF 7.0 Off-white to white pages. This early Series One book stars Gang Busters, based on the popular radio program, featuring art by Jim Chambers. This copy is very sharp and attractive. Overstreet 2007 FN 6.0 value = $105; VF 8.0 value = $263. CGC census 6/07: 1 in 7.0, none higher.
Four Color (Series One) #9 Terry and the Pirates (Dell, 1940) CGC FN- 5.5 Cream to off-white pages. The Photo-Journal Guide to Comic Books rates this oldie at "8" or "rare" in its scarcity index, and CGC's census shows only five unrestored copies have been certified to date. It's just the fourth time we've offered this issue in the past six years! Overstreet 2007 FN 6.0 value = $201. CGC census 6/07: 1 in 5.5, 4 higher.
Four Color (Series One) #10 Smilin' Jack - File Copy (Dell, 1940) CGC FN/VF 7.0 Cream to off-white pages. This was one of the first comic book appearances for Smilin' Jack, whose newspaper strips ran for decades. Not many copies of this have been certified by CGC to date, and this one's currently the second highest-graded copy. Overstreet 2007 FN 6.0 value = $183; VF 8.0 value = $381. CGC census 6/07: 1 in 7.0, 1 higher.
Four Color (Series One) #11 Smitty (Dell, 1940) CGC VG/FN 5.0 Slightly brittle pages. Considered to be Smitty #1. Overstreet 2007 VG 4.0 value = $88; FN 6.0 value = $132. CGC census 6/07: 1 in 5.0, 1 higher.
Four Color (Series One) #12 Little Orphan Annie - File Copy (Dell, 1940) CGC VF- 7.5 Cream to off-white pages. Featuring Little Orphan Annie strip reprints. Overstreet 2007 VF 8.0 value = $308. CGC census 6/07: 1 in 7.5, 1 higher.
Four Color (Series One) #14 Moon Mullins - File Copy (Dell, 1941) CGC FN/VF 7.0 Off-white pages. Moon Mullins. Overstreet 2007 FN 6.0 value = $132; VF 8.0 value = $268. CGC census 6/07: 1 in 7.0, 1 higher.
Four Color (Series One) #15 Tillie the Toiler (Dell, 1940) CGC FN+ 6.5 Off-white pages. Considered to be Tillie the Toiler #1. Featuring art by Russ Westover. Overstreet 2007 FN 6.0 value = $135; VF 8.0 value = $270. CGC census 6/07: 1 in 6.5, 2 higher.
Four Color (Series One) #16 Mickey Mouse Outwits the Phantom Blot (Dell, 1941) CGC FN+ 6.5 Off-white pages. This classic issue of Four Color features Walt Disney's Mickey Mouse in the very first comic book to be completely devoted to him. The story itself is considered a classic -- written by Merrill de Maris, and drawn by Floyd Gottfredson, with Ted Thwaites and Bill Wright, this is a true "holy grail" for fans of the Pie-Eyed one. High-grade copies are nearly impossible to track down, a fact echoed by Overstreet's lack of value listings for anything past VF 8.0. Our copy remains flat and attractive, with a few minor pencil markings on the front cover. Overstreet 2007 FN 6.0 value = $4,350; VF 8.0 value = $14,500. CGC census 6/07: 2 in 6.5, 6 higher.
Four Color #9 Donald Duck Finds Pirate Gold (Dell, 1942) CGC VF- 7.5 Off-white to white pages. This trend-setting book is noted for featuring the first Donald Duck comic book story with Carl Barks art. In fact, Barks shared art duties with fellow Disney animator Jack Hannah, on a Bob Karp script, for the first in a long series of book-length Donald stories. This fresh, attractive copy is noted by CGC as "From the Dallas Stephens Collection." Overstreet 2007 VF 8.0 value = $6,500. CGC census 6/07: 4 in 7.5, 11 higher.
Four Color #18 Little Orphan Annie's Junior Commandos (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. Who else should lead our nations children to victory in the war effort, wielding pitchforks, rakes, and shovels, but Little Orphan Annie? This issue's American flag cover wraps strips reprinted from June to November of 1942. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 1 in 9.2, none higher.
Four Color #20 Barney Baxter (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. Barney Baxter. Overstreet 2007 VF/NM 9.0 value = $330; NM- 9.2 value = $460. CGC census 6/07: 1 in 9.0, none higher.
Four Color #20 Barney Baxter - Crowley Copy pedigree (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. Overstreet 2007 VF 8.0 value = $200; VF/NM 9.0 value = $330. CGC census 6/07: 1 in 8.5, 1 higher. From the Keith Marlow Collection.
Four Color #23 Raggedy Ann and Andy (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. Raggedy Ann and Andy. Overstreet 2007 VF 8.0 value = $278. CGC census 6/07: 1 in 7.5, 2 higher.
Four Color #25 Andy Panda (Dell, 1943) CGC NM 9.4 Cream to off-white pages. This high grade issue features Andy Panda by Walter Lantz and is in wonderful condition for a non-pedigree book. Overstreet considers this to be the first issue of the title character's series. Overstreet 2007 NM- 9.2 value = $950. CGC census 6/07: 1 in 9.4, none higher.
Four Color #26 Popeye (Dell, 1943) CGC VF- 7.5 Off-white pages. A paltry three copies of this book appear on CGC's census as of this writing, with this copy at the top of the heap! Overstreet 2007 VF 8.0 value = $360. CGC census 6/07: 1 in 7.5, none higher. From the Keith Marlow Collection.
Four Color #27 Mickey Mouse (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. Featuring Walt Disney's Mickey Mouse, this file copy from the vaults of the Disney Publications Department also contains Minnie and Mickey pin-ups. Goofy and Pluto also make appearances. Overstreet 2007 VF 8.0 value = $672. CGC census 6/07: 1 in 7.5, 5 higher.
Four Color #28 Wash Tubbs (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. Featuring Wash Tubbs. Overstreet 2007 VF/NM 9.0 value = $252; NM- 9.2 value = $350. CGC census 6/07: 1 in 9.0, 2 higher.
Four Color #31 Moon Mullins - Crowley Copy pedigree (Dell, 1943) CGC NM- 9.2 Off-white pages. Overstreet 2007 NM- 9.2 value = $325. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
Four Color #31 Moon Mullins (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. Featuring Moon Mullins. Overstreet 2007 VF/NM 9.0 value = $234; NM- 9.2 value = $325. CGC census 6/07: 1 in 9.0, 2 higher.
Four Color #32 Smitty (Dell, 1943) CGC FN/VF 7.0 Cream to off-white pages. Features Smitty. Overstreet 2007 FN 6.0 value = $51; VF 8.0 value = $118. CGC census 6/07: 1 in 7.0, 1 higher.
Four Color #41 Mother Goose and Nursery Rhyme (Dell, 1944) CGC NM 9.4 Cream to off-white pages. Walt Kelly drew the entire issue. Overstreet 2007 NM- 9.2 value = $415. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #41 Mother Goose and Nursery Rhyme Comics (#1) Davis Crippen ("D" Copy) pedigree (Dell, 1944) CGC VF+ 8.5 Off-white to white pages. All Walt Kelly art. Overstreet 2007 VF 8.0 value = $181; VF/NM 9.0 value = $298. CGC census 6/07: 1 in 8.5, 1 higher. From the Keith Marlow Collection.
Four Color #75 Gene Autry (Dell, 1945) CGC VF+ 8.5 Cream to off-white pages. Gene Autry and The Wild Cat. Overstreet 2007 VF 8.0 value = $225; VF/NM 9.0 value = $383. CGC census 6/07: 2 in 8.5, 1 higher. From the Keith Marlow Collection.
Four Color #108 Donald Duck(Dell, 1946) CGC VF+ 8.5 Off-white pages. "The Terror of the River" is featured, with 52 glorious pages of Carl Barks art. Carl Von Buettner did the cover. CGC notes, "'Carl Barks' written on 1st page in pen." Overstreet 2007 VF 8.0 value = $1,173; VF/NM 9.0 value = $2,037. CGC census 6/07: 4 in 8.5, 8 higher.
Four Color #108 Donald Duck (Dell, 1946) CGC VF 8.0 Off-white pages. Donald Duck, with Huey, Dewey, and Louie, star in "The Terror of the River." Carl Barks story and art. Cover by Carl Von Buettner. Overstreet 2007 VF 8.0 value = $1,173. CGC census 6/07: 7 in 8.0, 12 higher. From the Keith Marlow Collection.
Four Color #116 Mickey Mouse and the House of Many Mysteries (Dell, 1946) CGC VF 8.0 Off-white to white pages. Mickey and Minnie star in this funny-animal version of "The Old Dark House." Overstreet 2007 VF 8.0 value = $196. CGC census 6/07: 2 in 8.0, 1 higher.
Four Color #125 The Lone Ranger (Dell, 1946) CGC VF/NM 9.0 Off-white pages. Only the second time we've offered a copy of this issue, the fourth Four Color issue starring the Lone Ranger hit the stands a little over a year before the Masked Man would get his own title. This copy's right purty, ma'm, with lots of cover colors to tickle yore eyeballs. It is, in fact, at the top of CGC's current census gradewise for the issue. Overstreet 2007 VF/NM 9.0 value = $269; NM- 9.2 value = $375. CGC census 6/07: 2 in 9.0, none higher.
Four Color #136 Lone Ranger (Dell, 1947) CGC NM- 9.2 Off-white to white pages. Overstreet 2007 NM- 9.2 value = $375. CGC census 6/07: 2 in 9.2, none higher. From the Keith Marlow Collection.
Four Color #147 Donald Duck in Volcano Valley (Dell, 1947) CGC VF 8.0 Cream to off-white pages. Donald and the boys head down to South America in this issue's classic Carl Barks cover story. No one, before or since, could do Duck stories quite like Barks, and he was at his peak during the late 1940s. Overstreet 2007 VF 8.0 value = $765. CGC census 6/07: 5 in 8.0, 13 higher.
Four Color #170 Mickey Mouse on Spook's Island (Dell, 1947) CGC VF+ 8.5 Off-white to white pages. Mickey and Goofy set sail for scary fun in this issue, which features art by Harvey Eisenberg (cover), Don Gunn, and Tom McKimson (story). Overstreet 2007 VF 8.0 value = $140; VF/NM 9.0 value = $230. CGC census 6/07: 1 in 8.5, 1 higher.
Four Color #181 Mickey Mouse in Jungle Magic (Dell, 1948) CGC VF+ 8.5 Off-white pages. Mickey and Goofy find adventure and bad jungle juju in this attractive copy. Overstreet 2007 VF 8.0 value = $140; VF/NM 9.0 value = $230. CGC census 6/07: 4 in 8.5, 4 higher.
Four Color #194 Mickey Mouse in the World Under the Sea (Dell, 1948) CGC NM+ 9.6 Off-white to white pages. Longtime Disney cartoonist Bill Wright drew this issue's seafaring saga, co-starring Goofy. This stunning copy is currently the highest graded in CGC's census for this issue. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 1 in 9.6, none higher.
Four Color #199 Donald Duck (Dell, 1948) CGC VF+ 8.5 Off-white to white pages. Get yer rootin' tootin' on with Donald and the nephews in "Sheriff of Bullet Valley." Carl Barks all the way -- story script, cover art, and story art. Barks drew himself on a wanted poster on the last page. Overstreet 2007 VF 8.0 value = $629; VF/NM 9.0 value = $1,090. CGC census 6/07: 2 in 8.5, 5 higher.
Four Color #246 Zane Grey's Thunder Mountain - Mile High pedigree (Dell, 1949) CGC NM 9.4 Off-white to white pages. The only copy graded above 9.0 by CGC to date. Overstreet 2007 NM- 9.2 value = $70. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #312 Tonto - Vancouver pedigree (Dell, 1950) CGC NM 9.4 White pages. Features the ridiculously nice pages this pedigree is famous for! The issue is the de facto #1 of the Lone Ranger's Companion Tonto series, which began with #2. Overstreet 2007 NM- 9.2 value = $110. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #386 Uncle Scrooge (Dell, 1952) CGC NM 9.4 Off-white to white pages. Let us tell you what happened with the other known 9.4 copy of this key: we auctioned it in 2003 for $8,337, then, after the advent of the CGC census had made it clear how tough the book is in high grade, it passed through our hands again in 2006 with a high bid of $26,290. Well, if you were outbid either time, here's your chance to get the remaining 9.4 specimen, and here's why you should want to: it's one of the most important Disney comics. "Only a Poor Old Man" is the first Uncle Scrooge solo story, Scrooge's first cover appearance, and the book that counts as Uncle Scrooge #1 -- the character would appear in two more Four Color issues before his own title began with #4. Overstreet 2007 NM- 9.2 value = $2,400. CGC census 6/07: 2 in 9.4, none higher.
Four Color #386 Uncle Scrooge (#1) (Dell, 1952) CGC VF 8.0 Off-white to white pages. Considered Uncle Scrooge #1, this Four Color issue marked the first time for the Uncle Scrooge title. The old codger had first appeared five years earlier in Four Color #178 which featured nephew Donald. Carl Barks created the cover for the issue, and provided the interior art for the story "Only A Poor Old Man". Overstreet 2007 VF 8.0 value = $969. CGC census 5/07: 5 in 8.0, 19 higher.
Four Color #456 Uncle Scrooge (Dell, 1953) CGC FN/VF 7.0 Off-white to white pages. This issue is considered Uncle Scrooge #2, and features "Back to the Klondike" by Carl Barks, who also provided both cover and interior art. Overstreet 2007 FN 6.0 value = $186; VF 8.0 value = $527. CGC census 5/07: 7 in 7.0, 8 higher. From the Warren Hall Collection.
Four Color #596 Turok (Dell, 1954) CGC VF- 7.5 Off-white pages. Turok's first appearance is one of the most valuable 1950s Four Colors, and it's no wonder because the character went on to enjoy a long and much-collected series of his own. Overstreet 2007 VF 8.0 value = $425. CGC census 4/07: 3 in 7.5, 6 higher.
Four Color #656 Turok, Son of Stone (Dell, 1955) CGC VF 8.0 Off-white pages. Features Turok in the second appearance of the character, plus the first mention of Lanok. Painted cover. Overstreet 2007 VF 8.0 value = $240. CGC census 6/07: 2 in 8.0, 5 higher.
Four Color #671 Davy Crockett - File Copy (Dell, 1955) CGC NM+ 9.6 Off-white pages. This is the only copy graded above 9.2 by CGC to date. That's Fess Parker on the photo cover. "Davy Crockett and the River Pirates" has Jesse Marsh interior art. CGC notes, "Light tanning top edge [of] interior front and back cover." Overstreet 2007 NM- 9.2 value = $245. CGC census 5/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Platinum Age (1897-1937)
Funnies On Parade #nn (Eastern Color, 1933) CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. One of the most important comics ever published, this is thought to be the first comic book in the modern format. It was printed in 1933 for Procter & Gamble to be given away as a premium and came out before Famous Funnies or Century of Comics. Gerber's scarcity rating for this comic is an "8," meaning only 11 to 20 copies are estimated to exist. A very sharp-looking comic that is more than 70 years old. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2007 GD 2.0 value = $1,000; VG 4.0 value = $2,000; FN 6.0 value = $3,000; VF 8.0 value = $6,000; VF/NM 9.0 value = $10,500.
Golden Age (1938-1955)
Funny Pages #9 (Centaur, 1937) CGC VF- 7.5 Off-white to white pages. The Photo-Journal Guide to Comic Books calls this issue "rare" (a Gerber "8"), and this is an exceptional grade for the rarity from 1937, the finest known copy in existence. CGC has certified only two other copies, one a 6.0, the other a 5.0. Will Eisner story and art are featured, and Victor Dowling did the cover. Inside, there's story featuring The Clock. Overstreet 2007 VF 8.0 value = $581. CGC census 6/07: 1 in 7.5, none higher.
Funny Pages V3#7 (Centaur, 1939) CGC FN 6.0 Off-white to white pages. Here's a tough book to find, even among Centaurs, generally the most elusive Golden Age comics ever; in fact, it's the first copy we've seen in a Heritage sale. The Arrow makes his first cover appearance, and it's a bondage cover to boot. Paul Gustavson was the primary artist. Overstreet 2007 FN 6.0 value = $771. CGC census 6/07: 1 in 6.0, 3 higher.
Funny Pages V4#1 (Centaur, 1940) CGC Apparent VG/FN 5.0 Moderate (P) Slightly brittle pages. This is not only one of the most significant issues in the run, it's also the rarest. Both Overstreet and The Photo-Journal Guide to Comic Books give it a "rare" rating. At this writing a grand total of five issues have been certified by CGC, including this one and one other restored copy. We've only offered a copy of this issue on two other occasions in the past five years. Featured are an Arrow cover, the origin of Mantoka, an Owl story, and Mad Ming begins. Jack Cole and Tarpe Mills contribute interior art. CGC notes, "Restoration includes: piece re-attached, spine splits sealed, cover cleaned, interior lightened, reinforced. Overstreet 2007 GD 2.0 value = $257; VG 4.0 value = $514; FN 6.0 value = $771.
Funny Pages #35 (Centaur, 1940) CGC FN/VF 7.0 Off-white pages. "Classic Arrow cover" is Overstreet's notation on this issue. Like all Centaurs, this one's not easy to find, earning Gerber's "7" rating. Paul Gustavson drew the cover and provided interior art for the issue as well. Note that no copy has been graded higher than 8.0 by CGC to date. CGC notes, "Very small amount of dried glue on spine of cover." Overstreet 2007 FN 6.0 value = $771; VF 8.0 value = $1,606. CGC census 6/07: 1 in 7.0, 3 higher.
Funny Pages #36 (Centaur, 1940) CGC VG 4.0 Off-white pages. Mad Ming cover by Harold DeLay. CGC notes, "Very minor amount of glue on cover. (2 small pieces of tape on interior cover.)" Overstreet 2007 VG 4.0 value = $226. CGC census 6/07: 1 in 4.0, 2 higher.
Funny Pages #42 (Centaur, 1940) CGC VG 4.0 Cream to off-white pages. This issue's considered "scarce" by Overstreet, a statement which will have frustrated collectors asking which Centaurs are supposed to be common! And backing up the Guide's rating is the fact that this is one of just two unrestored copies CGC has certified. This issue (the final issue of the series) has cover art by Paul Gustavson, featuring the Arrow. Overstreet 2007 VG 4.0 value = $386. CGC census 6/07: 1 in 4.0, 1 higher.
Future Comics #4 Lost Valley pedigree (David McKay Publications, 1940) CGC VF 8.0 Cream to off-white pages. This final issue of the title features a great, colorful cover by Joe Musial, better known in later years for his work on Katzenjammer Kids. To date, no copy of this issue has received a CGC grade higher than 8.5. Overstreet 2007 VF 8.0 value = $625. CGC census 6/07: 1 in 8.0, 2 higher.
Gene Autry Comics #3 Mile High pedigree (Fawcett, 1942) CGC NM+ 9.6 Off-white pages. These early Fawcett issues are much tougher to find in any grade than the Dell issues which began with issue #11. With this beautiful copy, of course, there's the Mile High factor. The next finest copy known has been certified a distant VF+ 8.5 by CGC. Overstreet 2007 NM- 9.2 value = $1,485. CGC census 6/07: 1 in 9.6, none higher.
Ghost #5 Northford pedigree (Fiction House, 1952) CGC NM 9.4 Cream to off-white pages. No publisher had more colorful covers in the early 1950s than Fiction House, and they're on full display on this pedigree copy. Maurice Whitman did the cover; Jack Abel contributed interior art. You won't find a higher grade than this in CGC's current census for the issue. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 3 in 9.4, none higher.
Giant Comics Edition #12 Diary Secrets (St. John, 1950) Condition: GD. The #1 most valuable romance comic in the hobby according to Overstreet's ranking, this is an issue we've never offered before, but having seen the way #9 and #15 from this same series have performed in our auctions, we expect very strong interest in this one. The prostitute cover by Matt Baker speaks for itself! Despite the cover text that might appear to tie in with interior stories, each copy of this comic had different re-bound comics inside. One of those herein happens to be the scarce Adventures #1; also included are Teen Age Romances #6 (which features Baker art), Teen-Age Diary Secrets #4, and one issue we couldn't identify. Two of these were comic/magazine hybrids which St. John would trim down slightly to include in these re-bound books. This copy's back cover is beginning to separate, with a 2 1/2-inch split at the top and a 3/12-inch split at the bottom, and the last couple of pages have 3-inch tears. The page quality is cream to off-white. Overstreet 2007 GD 2.0 value = $132.
Green Giant Comics #1 (Pelican Publications, 1940) CGC VF 8.0 Off-white to white pages. You're looking at one of the few copies of this book in existence. Overstreet calls it "rare," while Gerber terms it "very rare," signifying that only six to ten copies are thought to still exist. Overstreet also notes that the book was distributed only in New York City, and says that even the book's publisher "believes the book never reached the stands." If, despite all of this, you still believe a nicer copy will come along, let us curb your optimism by noting that only two other unrestored copies have been certified by CGC as of this writing, and they are a FN+ 6.5 and a lamentable FR/GD 1.5. Overstreet 2007 VF 8.0 value = $7,800. CGC census 5/07: 1 in 8.0, none higher.
Green Lantern #1 Mile High pedigree (DC, 1941) CGC Apparent VF+ 8.5 Slight (A) White pages. This is one of Overstreet's 20 most valuable Golden Age books, and CGC hasn't assigned a higher grade than 9.0 to date (for unrestored or restored copies alike). Note the fine distinction between "small amount of color touch on cover" which earned this copy CGC's "restored" designation, in contrast with "very minor amount of color touch ..." designation which has accompanied many universal (unrestored) grades thus far. As for the grade itself, it appears that only the "crunched" upper and lower left corners, with no color break visible, are keeping this from being a VF/NM or perhaps even better. Take a close look at our scan of this black-cover book and you'll see what we mean! Howard Purcell is the cover artist. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2007 GD 2.0 value = $2,950; VG 4.0 value = $5,900; FN 6.0 value = $8,850; VF 8.0 value = $22,000; VF/NM 9.0 value = $38,000.
Green Lantern #2 Mile High pedigree (DC, 1941) CGC Apparent VF+ 8.5 Slight (P) White pages. On looks alone -- and certainly page quality -- this copy would rank with the finest copies known of issue #2, which Gerber rates an "uncommon" issue. The highest grade CGC has assigned for an unrestored copy is VF/NM 9.0. For this one, CGC notes, "Restoration includes: very small amount of color touch on cover, spine split sealed to cover." GL creator Martin Nodell provided the cover and interior art. Overstreet 2007 GD 2.0 value = 659; VG 4.0 value = $1,318; FN 6.0 value = $1,977; VF 8.0 value = $4,613; VF/NM 9.0 value = $7,907.
Green Lantern #3 Mile High pedigree (DC, 1942) CGC NM 9.4 White pages. For the first time ever - here's the Mile High Copy with CGC certification. The highest grade CGC had previously assigned for the issue, VF+ 8.5, now pales in the brilliance of this one! It's remarkable as only a Mile High can be, right down to the white pages. Martin Nodell earns an Overstreet "classic" nod for his German war cover, and he also provided interior artwork. One of our most prized offerings in the auction! Overstreet 2007 NM- 9.2 value = $8,300. CGC census 6/07: 1 in 9.4, none higher.
Green Lantern #4 Mile High pedigree (DC, 1942) Condition: NM- White pages. This gorgeous copy from Edgar Church's famed stash could not be encapsulated because of an overhang, but that just means you can peek inside at the lush white pages. The highest-graded CGC-slabbed copy of #4 is but a VF/NM 9.0, so this is an upgrade. Irwin Hasen did the cover; Martin Nodell the interior art. Overstreet 2007 NM- 9.2 value = $6,400.
Green Lantern #5 (DC, 1942) CGC FN/VF 7.0 Cream to off-white pages. Green Lantern lends a hand to our fighting forces on this World War II cover by Irwin Hasen. This copy is solid and attractive, with great cover color. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,875. CGC census 6/07: 1 in 7.0, none higher.
Green Lantern #6 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. No other copy has been certified nicer than FN/VF 7.0 to date by CGC, so you will be excused if this copy gives you the vapors! Irwin Hasen on the cover and Martin Nodell on the interior were the artists for this early issue. Overstreet 2007 NM- 9.2 value = $3,375. CGC census 6/07: 1 in 9.4, none higher.
Green Lantern #7 Mile High pedigree (DC, 1943) CGC VF/NM 9.0 White pages. If the grade seems a wee low for a comic from Edgar Church's collection, consider this: it's still the finest copy certified to date by CGC. And, oh, those white pages! The fun robot cover is courtesy of Martin Nodell, who also provided cover art. Overstreet 2007 VF/NM 9.0 value = $2,513; NM- 9.2 value = $3,475. CGC census 6/07: 1 in 9.0, none higher.
Green Lantern #8 Mile High pedigree (DC, 1943) CGC NM+ 9.6 White pages. The third Overstreet "classic" cover among the first eight issues is this flashy rendering by the tandem of Howard Purcell and Sheldon Mayer. As classic as the cover is, the condition of this Mile High Copy is the bigger story. It's truly remarkable, especially when one takes into account that the next highest-graded copy to be certified by CGC is a VF/NM 9.0. There's a Hop Harrigan story here, with Martin Nodell and Jon Blummer doing some interior art. Overstreet 2007 NM- 9.2 value = $3,275. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #9 Mile High pedigree (DC, 1943) CGC NM- 9.2 White pages. Super copy, Mile High... they just seem to go together! Sheldon Moldoff takes a turn on GL with this cover. Inside, Martin Nodell and Jon Blummer provide story art. There's a Hop Harrigan backup story. Overstreet 2007 NM- 9.2 value = $2,850. CGC census 6/07: 1 in 9.2, 2 higher.
Green Lantern #10 Mile High pedigree (DC, 1943) CGC NM 9.4 Off-white to white pages. Before this beauty came along, CGC's top-rated copy of #10 was a VF+ 8.5. The bar has been raised! Irwin Hasen's colorful cover never looked so good! This issue had the origin and first appearance of Vandal Savage, a Hop Harrigan backup story, and interior art by Martin Nodell and Jon Blummer. Overstreet 2007 NM- 9.2 value = $2,850. CGC census 6/07: 1 in 9.4, none higher.
Green Lantern #12 Mile High pedigree (DC, 1944) CGC NM+ 9.6 White pages. This issue rates a Gerber "7" ("scarce"), and the white background means it's really tough to find in high grade. The second highest-graded copy in CGC's census sits at VF/NM 9.0, and it's the only other copy nicer than VF- 7.5. The origin and first appearance of the Gambler is featured, with Martin Nodell art. Overstreet 2007 NM- 9.2 value = $2,150. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #13 Mile High pedigree (DC, 1944) CGC NM 9.4 White pages. The colors just leap off the Mile High cover, showing off Irwin Hasen's handiwork in the best possible light. The next best known copy is a "mere" VF 8.0. Get a closer, up-front look at this gem at our website. Martin Nodell contributed interior art. Overstreet 2007 NM- 9.2 value = $2,150. CGC census 6/07: 1 in 9.4, none higher.
Green Lantern #14 San Francisco pedigree (DC, 1944) CGC NM 9.4 White pages. This is one of only two copies certified better than VF by CGC to date. The cover art is by still-going-strong Irwin Hasen. Overstreet 2007 NM- 9.2 value = $2,150. CGC census 6/07: 1 in 9.4, none higher.
Green Lantern #16 Mile High pedigree (DC, 1945) CGC NM+ 9.6 White pages. This classic jungle cover is considered scarce in high grade, and the CGC census backs that up, as this is the only copy graded above VF as of this writing. And what a pretty cover, too - Paul Reinman drew this gem, and the way the scene is framed in black is astounding. We were fortunate enough to offer this copy on a previous occasion, when it changed hands for nine times Overstreet's "top of Guide" price. Overstreet 2007 NM- 9.2 value = $2,225. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #17 Ohio pedigree (DC, 1945) CGC VF+ 8.5 White pages. If you're not familiar with this pedigree, this brilliant copy will make you perk up and take notice. According to CGC's current census, there's just one nicer copy certified to date, and it barely edges this one VF/NM 9.0 to VF+ 8.5. Like many issues of this title, this one's not that easy to find in any grade, and we've offered it on just four other occasions in the past six years. Overstreet 2007 VF 8.0 value = $825; VF/NM 9.0 value = $1,338. CGC census 6/07: 2 in 8.5, 1 higher.
Green Lantern #18 Mile High pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. The only Christmas cover of this title's run was drawn by Paul Reinman. All we want for Christmas is a Mile High, but we're far from alone in that regard. Overstreet 2007 NM- 9.2 value = $2,400. CGC census 6/07: 1 in 9.4, 1 higher.
Green Lantern #19 Mile High pedigree (DC, 1946) CGC NM+ 9.6 Off-white to white pages. Our incredible run of Mile High Green Lanterns continue with this lovely specimen, which features a fun Paul Reinman astrology cover. It won't take a crystal ball to see the future for this pedigreed prize, as it ranks at the top of the current CGC census chart. The only question is -- who's collection will it disappear into? Overstreet 2007 NM- 9.2 value = $1,850. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #21 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. This Edgar Church copy stands as the only one certified above VF/NM by CGC as of this writing! The fact that this issue's cover bears the text of Green Lantern's code is notable because it's the later version that we associate with the Silver Age character, not GL's original oath "And I shall shed my light over dark evil," etc. Paul Reinman is credited with the cover art. Overstreet 2007 NM- 9.2 value = $1,650. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #23 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. The vastly superior Mile High Copy scoffs at the next highest-graded copy, a VF/NM 9.0. You can't blame it -- it is one heckuva copy, even among Mile Highs. Irwin Hasen on the cover, and Martin Nodell and Harry Lampert on the interior were the artists for this issue. Overstreet 2007 NM- 9.2 value = $1,650. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #24 Mile High pedigree (DC, 1947) CGC NM/MT 9.8 White pages. Imagine, if you will, going back in time to 1947. While there, carefully pluck this issue, cover-featuring GL's sidekick Doiby and his taxicab, Goitrude, off the stands. Now return to 2007, with that book -- only then will you get a sense of how this stunning Edgar Church copy looks. It literally does not appear older than a month, let alone sixty years! Needless to say, this one tops the current CGC census by a wide margin, with the second-best example coming in at 9.0. Overstreet 2007 NM- 9.2 value = $1,650. CGC census 6/07: 1 in 9.8, none higher.
Green Lantern #25 Mile High pedigree (DC, 1947) CGC VF+ 8.5 White pages. Having examined the two other 8.5 copies on CGC's census, we can report that the Mile High has the best page quality of the three and unlike the other two has no back-cover discoloration. Irwin Hasen is the cover artist. Overstreet 2007 VF 8.0 value = $738; VF/NM 9.0 value = $1,194. CGC census 6/07: 3 in 8.5, none higher.
Green Lantern #26 Mile High pedigree (DC, 1947) CGC NM+ 9.6 White pages. This issue's sea-serpent cover, by Irwin Hasen, ranks as a real fan favorite. Imagine how nice it would be to see this issue in new, never-read condition, and you will have a good idea what this richly colorful Edgar Church copy looks like -- it's just that fresh! Wow! Overstreet 2007 NM- 9.2 value = $1,650. CGC census 6/07: 1 in 9.6, none higher.
Green Lantern #27 Mile High pedigree (DC, 1947) CGC VF/NM 9.0 White pages. Here's a real treasure for all you pirate fanatics out there! Green Lantern's memorable nemesis, the Sky Pirate, makes his debut in this issue, which kicks off with a great black-cover portrait, courtesy of artist Howard Purcell. While this Mile High copy may not grade quite as high as our previous GL offerings, it's still the current CGC census champ. CGC does note, "Very minor amount of glue on cover." Overstreet 2007 VF/NM 9.0 value = $1,266; NM- 9.2 value = $1,750. CGC census 6/07: 1 in 9.0, none higher.
Green Lantern #28 Mile High pedigree (DC, 1947) CGC NM- 9.2 Off-white to white pages. Lovely Mile High Copy -- so fab, so fresh, so firmly packed! The cover colors caress the eyeballs! You can't say that about just any comic book! CGC has certified only one other copy of this issue nicer than FN+ 6.5 -- at VF+ 8.5. Alex Toth did the cover and also contributed some interior art, as did Irwin Hasen. And there's a Sportsmaster appearance. Overstreet 2007 NM- 9.2 value = $1,650. CGC census 6/07: 1 in 9.2, none higher.
Green Lantern #29 Mile High pedigree (DC, 1947) CGC NM- 9.2 White pages. Irwin Hasen created one of his best covers for this issue, and you won't find a better representation than the Mile High Copy, the finest known. Featured was Green Lantern's worthy foe, Harlequin; in fact, this was an all-Harlequin issue, spotlighted by the cover, which Overstreet calls a "classic". Overstreet 2007 NM- 9.2 value = $1,800. CGC census 6/07: 1 in 9.2, none higher.
Green Lantern #30 (DC, 1948) CGC GD+ 2.5 Cream to off-white pages. Scarce issue, featuring the origin and first appearance of Streak the Wonder Dog. Alex Toth art. Nice-looking copy; although not mentioned on the holder, CGC has advised us that the interior pages of this copy are turning brittle. Overstreet 2007 GD 2.0 value = $186. CGC census 6/07: 1 in 2.5, 4 higher.
Green Lantern #33 Mile High pedigree (DC, 1948) CGC VF+ 8.5 White pages. Our hero goes West in this issue's cover story, while the Harlequin makes an appearance in another. Irwin Hasen is the listed artist. While the modest CGC-assigned grade may not say "Mile High," this copy's white pages and overall look certainly do. Overstreet 2007 VF 8.0 value = $640; VF/NM 9.0 value = $1,033. CGC census 6/07: 1 in 8.5, 1 higher.
Green Lantern #34 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. Classy cover is by one of DC's all-time classy artists, Alex Toth, who also contributed interior art for this issue. The Mile High, of course, more than does it justice -- what a copy! There's also a Harlequin appearance, and Irwin Hasen, Bob Oksner, and Ed Wheelan did some interior art. Overstreet 2007 NM- 9.2 value = $1,425. CGC census 6/07: 1 in 9.2, none higher.
Green Lantern #35 Mile High pedigree (DC, 1948) CGC FN/VF 7.0 Off-white to white pages. Frankly, we were a bit puzzled over the (relatively) low grade assigned this attractive Edgar Church comic... until we looked at the back, and saw a tiny 1" x 3/8" piece missing from the lower edge. Regardless, it's still a beautiful copy, with rich cover color and nice interior page quality, and is currently the second highest CGC-graded example of this issue. Inside, the Gambler makes an appearance, and Alex Toth and Joe Kubert are among the artists. Overstreet 2007 FN 6.0 value = $306; VF 8.0 value = $640. CGC census 6/07: 1 in 7.0, 1 higher.
Green Lantern #36 Mile High pedigree (DC, 1949) CGC VF/NM 9.0 White pages. Streak the Wonder Dog takes center-stage for this issue's cover, drawn by Alex Toth. Although giving this pedigreed comic a Universal Grade, CGC notes, "Very minor amount of color touch on cover." We say just try and find a better copy; this Edgar Church beauty is currently the only one listed on CGC's census for issue #36! Overstreet 2007 VF/NM 9.0 value = $1,228; NM- 9.2 value = $1,700. CGC census 6/07: 1 in 9.0, none higher.
Green Lantern #37 Mile High pedigree (DC, 1949) CGC NM- 9.2 White pages. Anyone ever attempting to put together a full set of Golden Age Green Lantern knows how tough it is to track down the last few issues. This next-to-last number features the last GL cover appearance, with art by Alex Toth, Irwin Hasen, and Frank Giacoia. Of course, the real attraction here is that usual Mile High sharpness collectors all around the world clamor for. Overstreet 2007 NM- 9.2 value = $1,700. CGC census 6/07: 2 in 9.2, none higher.
Green Lantern #38 Mile High pedigree (DC, 1949) CGC VF 8.0 Off-white pages. Our run of Mile High Green Lanterns concludes with this final issue. Alex Toth drew the cover art, featuring not GL, but Streak, the Wonder Dog, while Irwin Hasen and Bob Oksner contributed story art. This Edgar Church copy is simply stunning, with a flawless spine and intense cover colors -- why it only rated an 8.0 grade from CGC is beyond us! Of the mere four unrestored copies currently listed by CGC, it comes in at a very respectable second place. Overstreet 2007 VF 8.0 value = $756. CGC census 6/07: 1 in 8.0, 1 higher.
Harvey Comics Library #1 Teen-Age Dope Slaves (Harvey, 1952) CGC VF- 7.5 Off-white pages. From its general theme right down to its hypodermic needle cover and panels, this issue caused quite a stir in 1952. None other than the respected Rex Morgan, M. D. exposes the pitiful teen-age dope slaves in this drug propaganda story that was ahead of its time. The issue got mentioned in Seduction of the Innocent (page 27). Overstreet 2007 VF 8.0 value = $781. CGC census 6/07: 1 in 7.5, 3 higher.
Harvey Comics Library #1 Teen-Age Dope Slaves (Harvey, 1952) CGC VG 4.0 Cream to off-white pages. No less a comic strip luminary than Rex Morgan, M.D. tells the sordid inside story of narcotics addicts here. Fredric Wertham mentioned this issue in Seduction of the Innocent, noting, "This is nothing but another variety of crime comic of a particularly deplorable character." Overstreet 2007 VG 4.0 value = $250. CGC census 6/07: 1 in 4.0, 14 higher.
Haunt of Fear #13 (EC, 1952) CGC VF/NM 9.0 Off-white pages. This is from Roy Krenkel's estate and may be the nicest non-Gaines File Copy of issue #13. Graham Ingels cover. Ingels, Jack Kamen, Johnny Craig, and Jack Davis art. Overstreet 2007 VF/NM 9.0 value = $400; NM- 9.2 value = $540. CGC census 6/07: 1 in 9.0, 4 higher.
Haunt of Fear #19 (EC, 1953) CGC VF- 7.5 Cream to off-white pages. Story "Foul Play", one of the all-time most infamous EC stories, cited by SOTI. Graham Ingels bondage and decapitation cover. Ingels, George Evans, Jack Kamen, and Jack Davis art. Overstreet 2007 VF 8.0 value = $338. CGC census 6/07: 1 in 7.5, 18 higher.
Horrific #6 (Comic Media, 1954) CGC VF/NM 9.0 Cream to off-white pages. Along with #7, this is the rarest issue of the run. It's the first time we've ever offered a copy, and this one's by far CGC's highest-graded of issue #6. Jack the Ripper story. Don Heck cover. Overstreet 2007 VF/NM 9.0 value = $267; NM- 9.2 value = $360. CGC census 6/07: 1 in 9.0, none higher.
Horrific #9 (Comic Media, 1954) CGC VF/NM 9.0 Off-white pages. CGC hasn't certified another copy of this issue with a grade above GD- 1.8! This is the first time we've offered this issue, so don't miss a rare chance to nab it! Don Heck cover, with interior art by Peter Morisi and Rudy Palais. Overstreet 2007 VF/NM 9.0 value = $259; NM- 9.2 value = $350. CGC census 6/07: 1 in 9.0, none higher.
House of Mystery #3 Spokane pedigree (DC, 1952) CGC VF/NM 9.0 White pages. Decades before Chucky of "Child's Play" came along, the haunted dummy on this Bob Brown cover gave kids nightmares! The book's interior stories were drawn by Ruben Moreira, George Roussos, and Curt Swan. Overstreet 2007 VF/NM 9.0 value = $658; NM- 9.2 value = $910. CGC census 6/07: 4 in 9.0, 3 higher.
I Love Lucy #5 (Dell, 1955) CGC NM- 9.2 Cream to off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $325. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
Jimmy Wakely #2 Mile High pedigree (DC, 1949) CGC NM 9.4 White pages. Monogram's best known cowboy star was also featured in this excellent series of DC Western comics. This second issue includes a photo cover, plus art by Alex Toth. And this Edgar Church copy is pretty darn excellent, too. Overstreet 2007 NM- 9.2 value = $575. CGC census 6/07: 2 in 9.4, none higher.
Jimmy Wakely #2 Hawkeye pedigree (DC, 1949) CGC NM 9.4 Off-white to white pages. Features a photo cover, with art by Alex Toth, Frank Giacoia, Irwin Hasen, Joe Giella, and Bernard Sachs. This is one of the highest-graded copies certified by CGC to date. Overstreet 2007 NM- 9.2 value = $575. CGC census 6/07: 2 in 9.4, none higher.
Jimmy Wakely #5 (DC, 1950) CGC NM+ 9.6 Off-white pages. Search high and low, saddle pals -- you're still not likely to ever find a nicer copy of this elusive issue. Featuring Alex Toth and Joe Giella art, plus a photo cover. Overstreet 2007 NM- 9.2 value = $425. CGC census 6/07: 1 in 9.6, none higher.
Jimmy Wakely #6 Hawkeye pedigree (DC, 1950) CGC NM+ 9.6 Off-white to white pages. Features a photo cover with art by the incomparable Alex Toth and Frank Frazetta. This is the highest graded-copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $600. CGC census 6/07: 1 in 9.6, none higher.
Joker Comics #1 (Timely, 1942) CGC VF+ 8.5 Off-white pages. The Photo-Journal Guide to Comic Books notes it's "scarce", while Overstreet opts for "rare" - but you get the point; it's a tough find! Not only is this the highest-graded copy yet certified by CGC, the next best copy is significantly behind at FN/VF 7.0. Powerhouse Pepper by Basil Wolverton makes his first appearance here. Overstreet 2007 VF 8.0 value = $1,831; VF/NM 9.0 value = $2,966. CGC census 5/07: 1 in 8.5, none higher.
Journey Into Mystery #1 (Atlas, 1952) CGC FN- 5.5 Off-white pages. We've only offered a copy of this milestone comic book on one other occasion. The issue is listed fourth among Overstreet's Top 10 Horror Books, and the title ran for 125 issues over 14 years before Thor took over the title as his own. At issue #503, the Thunder God gave the title back, and the JIM title resumed in 1996! Here's where it all started! Russ Heath cover. Dick Ayers and Tony DiPreta art. Overstreet 2007 FN 6.0 value = $900. CGC census 6/07: 2 in 5.5, 8 higher.
Keen Detective Funnies #23 (Centaur, 1940) CGC FN 6.0 Off-white pages. This is Air Man's first appearance, but alas, the series' swan song in #24 was his final flight. A seldom-seen book with appealing cover art. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 FN 6.0 value = $279. CGC census 6/07: 1 in 6.0, 1 higher.
Lawbreakers Suspense Stories #11 (Charlton, 1953) CGC VG+ 4.5 Cream to off-white pages. A disturbingly creepy "severed tongues" cover will remove any doubt in your mind that this is a pre-Code comic. The bizarre cover art by Lou Morales will garner a lot of attention, and as Pat Calhoun noted, "This is a candidate for the grossest cover dialogue ever." Overstreet 2007 VG 4.0 value = $208. CGC census 6/07: 1 in 4.5, 10 higher.
Lone Ranger #1 (Dell, 1948) CGC VF 8.0 White pages. After numerous appearances in Four Color, the popular Western hero gets his own Dell title. Outstanding page quality on this nice copy. Overstreet 2007 VF 8.0 value = $476. CGC census 6/07: 3 in 8.0, 6 higher. From the Keith Marlow Collection.
Looney Tunes and Merrie Melodies Comics #8 File Copy (Dell, 1942) CGC NM+ 9.6 Off-white pages. This is perhaps the finest existing copy of this early Warner Brothers comic, with currently no higher graded copies listed in CGC's census for this issue. Walt Kelly is among the artists featured inside. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 6/07: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #8 (Dell, 1942) CGC FN/VF 7.0 Off-white pages. Leon Schlesinger did the cover; Walt Kelly contributed some interior art. Not many nicer copies of this issue in circulation. Overstreet 2007 FN 6.0 value = $192; VF 8.0 value = $544. CGC census 6/07: 1 in 7.0, 3 higher.
Looney Tunes and Merrie Melodies Comics #10 (Dell, 1942) CGC VG/FN 5.0 Off-white to white pages. Leon Schlesinger's flag cover issue is a toughie to find in even mid-grade condition, at least going by CGC's census, which shows just two copies with nicer grades than this one, and only one copy better than FN+ 6.5. Overstreet 2007 VG 4.0 value = $100; FN 6.0 value = $150. CGC census 6/07: 1 in 5.0, 2 higher.
Looney Tunes and Merrie Melodies Comics #11 File Copy (Dell, 1942) CGC NM 9.4 Cream to off-white pages. So lovely. So Near Mint. So the finest copy known, this File Copy's hot ! Leon Schlesinger cover and art. Overstreet 2007 NM- 9.2 value = $975. CGC census 6/07: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #13 (Dell, 1942) CGC VF- 7.5 Cream to off-white pages. Yeah, it's not the high grade that some of our Looney Tunes offerings are, but, hey, it's still the finest copy that CGC has certified of #13 at this writing. Leon Schlesinger cover and art. Overstreet 2007 VF 8.0 value = $308. CGC census 6/07: 1 in 7.5, none higher.
Looney Tunes and Merrie Melodies Comics #14 File Copy (Dell, 1942) CGC VF+ 8.5 Cream to off-white pages. Just a notch below two 9.0 copies that sit atop CGC's census for issue #14. Leon Schlesinger cover. Overstreet 2007 VF 8.0 value = $308; VF/NM 9.0 value = $522. CGC census 6/07: 1 in 8.5, 2 higher.
Looney Tunes and Merrie Melodies Comics #16 File Copy (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. No finer copy known, if CGC's census means anything, and we think it does! Leon Schlesinger cover and art. Overstreet 2007 VF/NM 9.0 value = $522; NM- 9.2 value = $735. CGC census 6/07: 1 in 9.0, none higher.
Looney Tunes and Merrie Melodies Comics #18 (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. Finest known copy of the 64-year old issue. Leon Schlesinger provided the artwork inside and out. Overstreet 2007 VF 8.0 value = $308; VF/NM 9.0 value = $522. CGC census 6/07: 1 in 8.5, none higher.
Mad #1 (EC, 1952) CGC FN/VF 7.0 Cream to off-white pages. Nice copy of one of comicdom's most historic first issues. It's considered the first satire comic book of all, and with a Harvey Kurtzman cover and scripts, plus the outrageous interior artwork by Wally Wood, Jack Davis, and Bill Elder, it may be the best. Overstreet 2007 FN 6.0 value = $1,272; VF 8.0 value = $3,328. CGC census 6/07: 13 in 7.0, 40 higher.
Mad #21 Gaines File pedigree 3/11 (EC, 1955) CGC NM 9.4 Off-white to white pages. Flanked by pictures of Joseph Stalin and Marilyn Monroe in a fake ad on this issue's cover is super-flake Alfred E. Neuman, the future icon's first cover appearance. Bill Elder (Popeye parody), Jack Davis, and Wally Wood contributed interior art. Overstreet 2007 NM- 9.2 value = $660. CGC census 6/07: 3 in 9.4, 1 higher.
Mad #22 Gaines File pedigree 3/12 (EC, 1955) CGC NM 9.4 White pages. Is there a more famous Mad cover than the "Special art issue?" Well, it's got to rank among the top 23 comic covers of the title, no? This copy ranks high, too, in CGC's census, another gem from the Gaines Files. Harvey Kurtzman created the genius cover, and his longtime sidekick Bill Elder did all the interior art. Overstreet 2007 NM- 9.2 value = $660. CGC census 6/07: 5 in 9.4, 4 higher.
March of Comics #20 Donald Duck File Copy (K. K. Publications, Inc., 1948) CGC VF/NM 9.0 Off-white to white pages. Donald and the boys travel across the globe in search of a rare butterfly in this Carl Barks-written and drawn epic, "Darkest Africa." Walt Kelly provided the cover art. Other than a hand-written "file copy" notation in the upper right corner, this is an unmarked shoe store giveaway, and a comic long sought after by Duck fans. Overstreet 2007 VF/NM 9.0 value = $3,375; NM- 9.2 value = $4,800. CGC census 6/07: 2 in 9.0, 2 higher.
Marge's Little Lulu #4 File Copy (Dell, 1948) CGC VF/NM 9.0 Off-white pages. The same vexing deep-purple cover color that makes #1 such a pain to find in high grade also affects this issue. This is the only copy graded above 8.0 by CGC as of this writing. Overstreet 2007 VF/NM 9.0 value = $341; NM- 9.2 value = $475. CGC census 6/07: 1 in 9.0, none higher. From the Cary and Cheryl Porter Collection.
Marge's Little Lulu #5 File Copy (Dell, 1948) CGC NM- 9.2 Off-white pages. Everybody loves Lulu... with perhaps one exception -- one Wilbur Van Snob! This is a gorgeous copy, the finest known. So tough to find in high grade because of its mostly white cover. There's a Tubby backup story. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 1 in 9.2, none higher.
Marge's Little Lulu #25 File Copy (Dell, 1950) CGC NM- 9.2 Off-white pages. 52 pages. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 1 in 9.2, none higher. From the Cary and Cheryl Porter Collection.
The Marvel Family #2 (Fawcett, 1946) CGC VF+ 8.5 Cream to off-white pages. The whole fam damily breaks out in song on this C. C. Beck cover. For the uninitiated, that would be Captain Marvel, Captain Marvel Jr., Mary Marvel, Uncle Marvel, and the three Lt. Marvels. Beck also furnished the interior art. Overstreet 2007 VF 8.0 value = $494; VF/NM 9.0 value = $797. CGC census 6/07: 2 in 8.5, 7 higher.
Marvel Mystery Comics #27 (Timely, 1942) CGC GD/VG 3.0 Off-white pages. Brilliant cover colors belie the modest grade, with the reward an eye-popping Alex Schomburg cover. A small piece out of the front cover holds the grade down. A featured story has the Vision battling Satan -- and it wasn't about who was the best fiddler! Carl Burgos, Bill Everett, and Bob Oksner contributed interior art. Overstreet 2007 GD 2.0 value = $221; VG 4.0 value = $442. CGC census 6/07: 1 in 3.0, 12 higher.
Marvel Mystery Comics #33 (Timely, 1942) CGC VG 4.0 Cream to off-white pages. Get your magnifying glass out, make yourself a snack, and hunker down to count the figures in the Alex Schomburg cover! You may find Waldo! One of the features on the interior, amid the artwork of Carl Burgos, Syd Shores, Al Gabriele, and Bob Oksner, is a text story by Mickey Spillane. Overstreet 2007 VG 4.0 value = $392. CGC census 6/07: 1 in 4.0, 11 higher.
Marvel Mystery Comics #82 Ohio pedigree (Timely, 1947) CGC NM+ 9.6 Off-white to white pages. Syd Shores' cover pronounced the origin and first appearance of Namora in this issue. There's also a Captain America and Young Allies story. This pedigree copy is the finest copy yet certified by CGC. Overstreet 2007 NM- 9.2 value = $4,000. CGC census 5/07: 1 in 9.6, none higher.
Mary Marvel Comics #1 (Fawcett, 1945) CGC NM+ 9.6 Off-white pages. It's one of Fawcett's key issues, and there's not a finer known copy than this one. Some four years after Captain Marvel got his own title, and three years after Cap Jr. got his, Fawcett did the right thing and gave the fairer Marvel her own mag. Featured inside is the intro and origin of Georgia Sivana. Overstreet 2007 NM- 9.2 value = $3,000. CGC census 6/07: 2 in 9.6, none higher.
Mask Comics #1 (Rural Home, 1945) CGC Apparent FN- 5.5 Slight (A) Off-white to white pages. Classic L. B. Cole Satan cover. CGC notes, "Restoration includes: small amount of color touch on cover, tear seals to cover & interior, staples replaced." Overstreet 2007 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900.
Mask Comics #2 (Rural Home, 1945) CGC FN- 5.5 Cream to off-white pages. You'll see this L. B. Cole "Satan" cover reproduced in any number of books and magazines and cited as one of the artist's masterpieces... but finding a copy of the actual comic is another matter entirely. We agree with Overstreet's "scarce" rating and consider ourselves fortunate to be offering one here for the first time. Overstreet 2007 FN 6.0 value = $546. CGC census 6/07: 1 in 5.5, 6 higher.
Master Comics #18 (Fawcett, 1941) CGC VF/NM 9.0 Cream to off-white pages. Charles Sultan did the cover for this early Fawcett. Sultan, Mac Raboy, and George Tuska contributed interior art. We've offered this issue on just three previous occasions - there's only one nicer copy showing up in CGC's current census. Overstreet 2007 VF/NM 9.0 value = $1,032; NM- 9.2 value = $1,425. CGC census 5/07: 1 in 9.0, 1 higher.
Magazines
Mickey Mouse Magazine V2#1 (K. K. Publications, Inc., 1936) Condition: FN. No interior markings whatsoever. Pages are brittle at edges. Overstreet 2007 FN 6.0 value = $354.
Platinum Age (1897-1937)
Mickey Mouse Magazine V2#5 (K. K. Publications, Inc., 1937) Condition: VF/NM. This issue's so early, Goofy is still referred to as Dippy the Goof! The pages are supple, they're tan at the very edges but not brittle. There is some neatly written pencil in two places inside. Overstreet 2007 VF/NM 9.0 value = $517; NM- 9.2 value = $710.
Mickey Mouse Magazine V2#8 (K. K. Publications, Inc., 1937) Condition: FN/VF. Nice copy with still-supple pages, and the cutout is intact. Overstreet 2007 FN 6.0 value = $159; VF 8.0 value = $323.
Mickey Mouse Magazine V2#11 (K. K. Publications, Inc., 1937) Condition: FN. Mickey, Minnie, and Goofy go for a ride in Mickey's jalopy, on this vividly colored cover illustration. Overstreet 2007 FN 6.0 value = $153.
Golden Age (1938-1955)
Military Comics #19 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. Only the Mile High Copy has earned a higher grade for this issue to date -- and not by much over this prize! The cover and interior feature the art of Reed Crandall, who many consider the finest of several noted artists to draw the legendary Blackhawk team. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 6/07: 1 in 9.4, 1 higher.
Military Comics #22 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. This fantastic pedigreed copy is by far the finest known copy to date. Reed Crandall is the story artist on the cover-featured Blackhawk, his last for this title. Overstreet 2007 NM- 9.2 value = $850. CGC census 6/07: 1 in 9.4, none higher.
Military Comics #24 Pennsylvania pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. Only the San Francisco Copy of this issue has earned a higher grade from CGC to date. Alex Kotzky created the eyecatching cover, while Fred Guardineer and Al Stahl were among the interior artists for this issue. Overstreet 2007 NM- 9.2 value = $850. CGC census 6/07: 2 in 9.4, 1 higher.
Miss Fury #1 (Timely, 1942) CGC VF 8.0 Off-white pages. The newspaper strip character premiered her first comic book with an Alex Schomburg cover and interior art by Tarpe Mills. It was ever so tempting - at least for some - to cut out the paper dolls in this title's issues, which makes it rare to find complete, high-grade copies. This one definitely qualifies -- CGC has certified just one higher grade to date. Overstreet 2007 VF 8.0 value = $2,522. CGC census 5/07: 1 in 8.0, 1 higher.
Miss Fury #4 (Timely, 1944) CGC NM 9.4 Off-white to white pages. Just a beauty of a copy, and it's not even from one of the noted pedigrees! Tarpe Mills provided scripts and art for the issue. Note the picture of Hitler on the wall in the cover scene. Overstreet 2007 NM- 9.2 value = $1,700. CGC census 5/07: 1 in 9.4, none higher.
Mister Mystery #2 Double Cover (Aragon Magazines, Inc., 1951) CGC NM- 9.2 Cream to off-white pages. Superb copy of an early issue of one of the most infamous horror titles of all. Ross Andru and Mike Esposito combined for the cover art, and also contributed interior art, as did Jack Abel and Tony Mortellaro. CGC notes, "1st cover 7.0, interior cover 9.2. Overstreet 2007 NM- 9.2 value = $840. CGC census 6/07: 2 in 9.2, 2 higher.
More Fun Comics #37 (DC, 1938) CGC VG- 3.5 Cream to off-white pages. Most of DC's "name" artists of the Golden Age cut their teeth on the publisher's oldest series. Creig Flessel did this cover, while cohorts Joe Shuster, Bob Kane, and Bernard Baily contributed interior art. Like most of this title's issues, copies are not in abundance, and high-grade copies of #37 are all but non-existent. CGC has awarded a grade higher than FN- 5.5 on only one occasion, and our offering - at a modest VG- 3.5 - is one of the finest known. Overstreet 2007 VG 4.0 value = $500. CGC census 5/07: 1 in 3.5, 2 higher.
More Fun Comics #56 (DC, 1940) CGC Apparent GD+ 2.5 Slight (A) Cream to off-white pages. It's the first Dr. Fate cover - and an Overstreet designated "classic" at that -- and it's by Howard Sherman, who also did some of the interior art as did Bernard Baily. This issue also had the first appearance of Congo Bill. CGC notes, "Restoration includes: small color touch, staples replaced. (Tape on entire spine of interior cover, 1st 4 wraps & on centerfold." Overstreet 2007 GD 2.0 value = $676.
Mystery in Space #1 (DC, 1951) CGC FN 6.0 Off-white to white pages. We know some collectors who get extremely passionate about this book, and how can you blame them? It's the start of a very collectible series, it's got a memorable cover by Carmine Infantino, and great ones Frank Frazetta and Alex Toth contributed interior art. Overstreet 2007 FN 6.0 value = $717. CGC census 6/07: 4 in 6.0, 18 higher. From the Cary and Cheryl Porter Collection.
Mystery in Space #7 River City pedigree (DC, 1952) CGC VF+ 8.5 Off-white pages. A story drawn by Alex Toth is the highlight of this science fiction book, but the other artists involved are no slouches, with Gil Kane (cover), Carmine Infantino, Murphy Anderson, and John Giunta all contributing. Overstreet 2007 VF 8.0 value = $384; VF/NM 9.0 value = $647. CGC census 6/07: 2 in 8.5, 1 higher. From the Keith Marlow Collection.
Mystery in Space #9 (DC, 1952) CGC VF+ 8.5 Off-white pages. Who says diamonds are a girls' best friend? Bob Oksner, Carmine Infantino, and John Giunta art. Murphy Anderson cover. Overstreet 2007 VF 8.0 value = $384; VF/NM 9.0 value = $647. CGC census 6/07: 1 in 8.5, 1 higher. From the Keith Marlow Collection.
Mystery in Space #10 Bethlehem pedigree (DC, 1952) CGC VF 8.0 Off-white pages. Murphy Anderson cover and art. Overstreet 2007 VF 8.0 value = $384. CGC census 6/07: 2 in 8.0, none higher. From the Keith Marlow Collection.
Mystery in Space #20 Cosmic Aeroplane pedigree (DC, 1954) CGC VF/NM 9.0 White pages. This is the only copy graded above 6.0 by CGC as of this writing. Murphy Anderson is the cover artist, and inside there's an installment of the "Interplanetary Insurance, Inc." feature, starring the bespectacled Bert Brandon and drawn by Carmine Infantino. Overstreet 2007 VF/NM 9.0 value = $424; NM- 9.2 value = $600. CGC census 6/07: 1 in 9.0, none higher. From the Keith Marlow Collection.
Mystery Men Comics #2 (Fox, 1939) CGC FN+ 6.5 Off-white to white pages. So much going for this issue! It's one of the earliest titles from Fox, and featured a stunning cover by Lou Fine, with an impressive lineup of interior artists -- Dick Briefer, Bob Powell, Klaus Nordling, George Tuska, and Charles Nicholas. Fine's cover was the second Robot comic book cover ever. Overstreet 2007 FN 6.0 value = $1,014; VF 8.0 value = $2,197. CGC census 5/07: 2 in 6.5, 2 higher.
Mystery Men Comics #4 (Fox, 1939) CGC Apparent VG/FN 5.0 Slight (A) Cream to off-white pages. The early issues are prized for their Lou Fine covers... well take a look! Interior artists included Bob Powell, Charles Nicholas, Dick Briefer, and George Tuska. Captain Savage began in this issue. CGC notes, "Restoration includes: small amount of color touch on cover, tear seal to cover, glue on spine of cover." Overstreet 2007 GD 2.0 value = $261; VG 4.0 value = $522; FN 6.0 value = $783.
Mystery Men Comics #5 (Fox, 1939) CGC FN+ 6.5 Off-white to white pages. The words "Lou Fine cover" are usually enough to make Fox collectors click the "bid" button! The Green Mask was the anointed star here, but the breakout character was the Blue Beetle, who does appear in this issue despite not being mentioned on the cover. Overstreet 2007 FN 6.0 value = $783; VF 8.0 value = $1,631. CGC census 4/07: 1 in 6.5, 1 higher.
Mystery Men Comics #6 (Fox, 1940) CGC VG 4.0 White pages. George Tuska does a striking cover, in the tradition of Lou Fine, who did seven of the first 10 covers of this early Fox title. Tuska also contributed interior art along with Bob Powell, Dick Briefer, and Klaus Nordling. This issue's so hard to find in high grade -- CGC's highest awarded certification to date is VF- 7.5. Overstreet 2007 VG 4.0 value = $428. CGC census 5/07: 1 in 4.0, 5 higher.
Mystery Men Comics #8 (Fox, 1940) CGC VG- 3.5 Off-white pages. Lou Fine's first Blue Beetle cover is also a bondage cover. Double score! Bob Powell, Charles Nicholas, Klaus Nordling, Dick Briefer, and George Tuska provided interior art. Overstreet 2007 VG 4.0 value = $478. CGC census 5/07: 1 in 3.5, 3 higher.
Mystery Men Comics #11 (Fox, 1940) CGC VF+ 8.5 Off-white pages. This well-preserved copy was barely nudged out as the finest specimen that CGC has seen to date of #11. The distinctive cover is by Joe Simon, while inside, Bob Powell, Charles Nicholas, Dick Briefer, George Tuska, and Jim Mooney drew the stories. The issue had the first appearance of Domino. Overstreet 2007 VF 8.0 value = $625; VF/NM 9.0 value = $1,013. CGC census 5/07: 2 in 8.5, 2 higher.
New Comics #6 (DC, 1936) CGC VG- 3.5 Off-white pages. One of the first 20 DC comic issues published, this one is a very tough find in any grade. It's an early installment of the decades-long series that was eventually known as Adventure Comics. The tagline "All Original!" was quite a selling point in those days, as almost every other comic had newspaper strip reprints rather than new material. The most notable feature is Jerry Siegel and Joe Shuster's Federal Men. The cover art is credited to Whitney Ellsworth. Overstreet 2007 VG 4.0 value = $1,466. CGC census 4/07: 1 in 3.5, 3 higher.
New Fun Comics #2 (DC, 1935) Condition: Apparent FN. "Most DC authorities agree that New Fun No. 2, March 1935, is by far the rarest of all DC comics," said the 13th edition of Overstreet. Gerber gives it the issue the seldom-used "9" rating. And everyone's looking for it because it's the second comic book DC ever published! Overstreet lists it among the 100 most valuable Golden Age books despite not listing a value above VF, and there's reason to doubt whether a copy even close to VF exists. The innovation of New Fun was the use of original material rather than reprints from the Sunday funnies. The series remained one of DC's mainstays, later known as More Fun Comics. This copy's pages are tan, with brittle edges. The extensive professional restoration includes: cleaned, pressed, creases removed, pieces added, tear seals, and color touch. A certificate from the professional restoration expert detailing the abovementioned measures is included with this lot. Overstreet 2007 GD 2.0 value = $2,800; VG 4.0 value = $5,600; FN 6.0 value = $8,400.
New York World's Fair Comics #1940 (DC, 1940) CGC VF- 7.5 Off-white pages. We remind you frequently how tough it is to find these DC cardboard cover issues in nice condition, and this square bound offers a good example. CGC has certified only one higher-graded copy of this issue to date. The cover's by Jack Burnley, and the interior artists comprise a Who's Who list of great DC Golden Agers -- Burnley, Creig Flessel, Paul Gustavson, and Bob Kane. Batman, Robin, Superman, Sandman, Slam Bradley, Johnny Thunder, and Zatara appear in the stories. Overstreet 2007 VF 8.0 value = $7,895. CGC census 6/07: 4 in 7.5, 1 higher.
Nickel Comics #4 (Fawcett, 1940) CGC NM 9.4 Cream to off-white pages. It must have seemed like a good idea at the time -- cut the usual 64 page count down to 32, and only charge five instead of ten cents. After only eight issues, the idea was shelved, making this one of the more obscure Fawcett titles. This issue features a great underwater Bulletman cover by Jack Parker, plus the first appearance of Red Gaucho. Jon Smalle, Harry Anderson, and Sven Elven are listed as artists. The back cover is an ad for Special Edition Comics, the first all-Captain Marvel comic book. Overstreet 2007 NM- 9.2 value = $1,135. CGC census 6/07: 3 in 9.4, none higher.
Our Army at War #1 (DC, 1952) CGC FN- 5.5 Off-white pages. Who wouldn't want the first issue of the longest-running war title of all time? It lasted 36 years, with a name change to Sgt. Rock for its final decade. Finding #1 in high grade would seem to be a hopeless cause -- ten copies have been submitted to CGC to date, yet none has received a higher grade than this one. Carmine Infantino drew the cover, and Gil Kane, Irv Novick, and Frank Giacoia contributed interior art. Overstreet 2007 FN 6.0 value = $450. CGC census 5/07: 2 in 5.5, none higher. From the Keith Marlow Collection.
Our Army at War #2 Bethlehem pedigree (DC, 1952) CGC FN/VF 7.0 Off-white to white pages. Surprisingly enough, it's Carmine Infantino who drew the cover for this early issue. More familiar war-comic names like Mort Drucker and Irv Novick contributed interior art. Overstreet 2007 FN 6.0 value = $192; VF 8.0 value = $544. CGC census 6/07: 1 in 7.0, 1 higher. From the Keith Marlow Collection.
Our Fighting Forces #1 (DC, 1954) CGC FN/VF 7.0 Cream to off-white pages. Here's the issue that began a three-decades-plus run for one of DC's "Big Five" war titles. Note that the only copy graded higher by CGC is just one notch above this one at 7.5! Jerry Grandenetti drew the cover for this one. Overstreet 2007 FN 6.0 value = $285; VF 8.0 value = $808. CGC census 5/07: 3 in 7.0, 1 higher. From the Keith Marlow Collection.
Pep Comics #6 (MLJ , 1940) CGC VF- 7.5 Cream to off-white pages. One of the earliest MLJ Magazines' (later Archie Comics) titles, Pep's format in 1940 was distinctively not Archie-related, with superheroes featured like the Shield and the Comet. Irv Novick provided cover and interior art for the Shield, while Jack Cole drew the Comet. Additional interior artists included Charles Biro and Bob Wood. Overstreet 2007 VF 8.0 value = $756. CGC census 5/07: 2 in 7.5, 4 higher.
Pep Comics #12 (MLJ , 1941) CGC VF- 7.5 Off-white to white pages. America's first flag-themed superhero, the Shield, stars on this bondage cover by Irv Novick. The issue also has the origin and first appearance of Fireball, who was MLJ's answer to the Human Torch. As of this writing, only four copies of the book have been certified in any grade, and our offering leads the pack. Overstreet 2007 VF 8.0 value = $894. CGC census 6/07: 1 in 7.5, none higher.
Planet Comics #1 (Fiction House, 1940) CGC Apparent FN+ 6.5 Moderate (P) Slightly brittle pages. The greatest of all science fiction series? At least where the Golden Age is concerned, there can be no debate! That's why the first issue is such a collector's item. The cover art is by the top team of Will Eisner and Lou Fine. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced." Overstreet 2007 GD 2.0 value = $1,133; VG 4.0 value = $2,266; FN 6.0 value = $3,400; VF 8.0 value = $8,500. From the Cary and Cheryl Porter Collection.
Planet Comics #15 (Fiction House, 1941) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. Overstreet dubs this issue "scarce", and CGC's census and our own experience seem to verify. To date CGC has certified just three copies, none better than VG/FN 5.0, and we've only offered this issue on three previous occasions in the past five years! Highlighted by Dan Zolnerowich's cover, the issue also had the first (for this title) installment of the series Mars, God of War. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2007 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,913. From the Cary and Cheryl Porter Collection.
Planet Comics #22 (Fiction House, 1943) CGC VF/NM 9.0 Off-white pages. The great Dan Zolnerowich provides us with one of his trademark Girl and Monster covers for this issue. Inside, there's Joe Doolin, Nick Cardy, and Al Walker story art. This black cover copy is sharp and clean. Overstreet 2007 VF/NM 9.0 value = $1,394; NM- 9.2 value = $1,925. CGC census 6/07: 1 in 9.0, 1 higher.
Planet Comics #25 (Fiction House, 1943) CGC VF+ 8.5 Cream to off-white pages. This issue's Dan Zolnerowich cover depicts what looks to be a camp-out on another planet -- complete with a lizard roast! The black background front cover looks fantastic, but a dust shadow on the backside contributes to this "only" earning a VF+ grade from CGC. Still, there are no higher CGC-graded copies to date. Overstreet 2007 VF 8.0 value = $806; VF/NM 9.0 value = $1,303. CGC census 6/07: 3 in 8.5, none higher.
Planet Comics #41 (Fiction House, 1946) CGC VF+ 8.5 Cream to off-white pages. If collecting Fiction House covers is your thang, this one's got to be high on your priority list. The bondage cover by Joe Doolin used the tried and true elements of a scantily-clad beauty, medical experimentation, deadly snakes, and a robot to entice dimes from eager comic purveyors. More appealing artwork and subject matter on the inside came from the likes of Murphy Anderson and Lee Elias. At 8.5 it's only slightly less stellar than the tops (VF/NM 9.0) in CGC's current census. Overstreet 2007 VF 8.0 value = $500; VF/NM 9.0 value = $813. CGC census 6/07: 3 in 8.5, 2 higher.
Planet Comics #44 Rockford pedigree (Fiction House, 1946) CGC NM 9.4 Cream to off-white pages. Wonderful copy from one of the most famous pedigrees. Featured is a terrific Joe Doolin cover, with interior contributions from Murphy Anderson, Bob Lubbers, and Ruben Moreira. Overstreet 2007 NM- 9.2 value = $1,125. CGC census 6/07: 2 in 9.4, 1 higher.
Planet Comics #48 (Fiction House, 1947) CGC VF+ 8.5 Off-white pages. A nice-looking spine makes this a desirable copy of one of the more impressive covers of the title's run. We believe Joe Doolin drew the robot and the gal. Murphy Anderson, George Evans, and Lily Renee added interior art. Overstreet 2007 VF 8.0 value = $394; VF/NM 9.0 value = $635. CGC census 4/07: 1 in 8.5, 5 higher.
Planet Comics #50 (Fiction House, 1947) CGC VF 8.0 Cream to off-white pages. Oh, those Joe Doolin cover girls! Here's another beaut from the artist who defined covers for the popular sci-fi title for years. Murphy Anderson, George Evans, and Maurice Whitman did some of the interior art. Overstreet 2007 VF 8.0 value = $394. CGC census 6/07: 8 in 8.0, 11 higher.
Planet Comics #51 (Fiction House, 1947) CGC NM 9.4 Cream to off-white pages. We've never offered as fine a copy of this issue before, but then, there's currently not a nicer copy in CGC's census. Joe Doolin's always dynamic cover art is backed by story art from Murphy Anderson, George Evans, and Maurice Whitman, who took over primary cover artist duties in 1949. Overstreet 2007 NM- 9.2 value = $875. CGC census 6/07: 2 in 9.4, none higher.
Planet Comics #56 (Fiction House, 1948) CGC NM 9.4 Off-white pages. CGC's census listing of copies that exceed VF 8.0 for this issue currently numbers just three copies, none graded higher than this one. The lineup of artists contributing to this title is impressive. In this issue alone Matt Baker, George Evans, Joe Doolin, and Maurice Whitman were among those drawing stories, with Joe Doolin providing the cover art. Overstreet 2007 NM- 9.2 value = $875. CGC census 6/07: 3 in 9.4, none higher.
Prize Comics #58 Big Apple pedigree (Prize, 1946) CGC NM+ 9.6 Off-white to white pages. Unreal copy comes from the Big Apple pedigree, one of just two copies of #58 to be certified to date by CGC. A Dick Briefer Frankenstein story is a highlight, and there are other stories featuring The Black Owl, Yank & Doodle, and Boom Boom Brannigan. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 2 in 9.6, none higher.
Punch Comics #18 (Chesler, 1946) CGC VF 8.0 Cream to off-white pages. This issue's bondage cover and hypodermic needle panels should be of interest to all collectors of such pre-Code phenomena. The hero seen on the cover is Master Key -- what might appear to be a ray of light is actually his X-ray vision -- and the distinctive art style is that of Paul Gattuso. Overstreet 2007 VF 8.0 value = $. CGC census 6/07: in 8.0, higher.
Raggedy Ann and Andy #1 File Copy (Dell, 1946) CGC VF+ 8.5 Off-white to white pages. Walt Kelly is among the issue's artists. Overstreet 2007 VF 8.0 value = $263; VF/NM 9.0 value = $444. CGC census 6/07: 3 in 8.5, 4 higher.
Red Raven Comics #1 (Timely, 1940) CGC Apparent VG/FN 5.0 Moderate (P) Cream to off-white pages. Jack Kirby's first work for Timely/Marvel was this one-shot, a comic we would rank among the hardest to find of Overstreet's top 100 Golden Age books. This has the distinction of being the first time the name "Jack Kirby" was signed to a comic (the artist, whose real name was Jacob Kurtzberg, had previously used "Jack Curtiss," "Curt Davis," and other pseudonyms). And this was just Timely's fourth title, trailing only Marvel (Mystery), Daring Mystery, and Mystic. This issue marked the only Golden Age appearance of the title character, and the cover was the only time Kirby drew him (the artist's interior contributions were the "Mercury" and "Comet Pierce" features. Most surviving copies of this book have restoration of some kind, and the professional work here is unobtrusive. CGC notes, "Restoration includes: color touch, piece added, spine splits sealed, reinforced, staples cleaned." Overstreet 2007 GD 2.0 value = $1,133; VG 4.0 value = $2,266; FN 6.0 value = $3,400. From the Fantastic Frank Collection.
Red Ryder Comics #119 File Copy (Dell, 1953) CGC NM+ 9.6 Off-white to white pages. Painted covers were a hallmark of this long-running title. Creator Fred Harman continued providing the story artwork, but beginning with this issue no longer did the covers. The painted covers and interior art stand out on this pristine copy. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 1 in 9.6, 1 higher.
Red Ryder Comics #nn (Dell, 1950) CGC NM+ 9.6 Off-white to white pages. Super high-grade copy of a 16-page giveaway from Wells Lamont Corp. The paper cover makes it even harder to believe it's in this condition! Overstreet 2007 NM- 9.2 value = $255. CGC census 6/07: 1 in 9.6, 2 higher.
Reform School Girl #nn (Realistic Comics, 1951) CGC Apparent VG+ Slight (A) 4.5 Off-white to white pages. Gotta love it! Photo cover and a lingerie cover! Actually, not everyone loved it --Dr. Fredric Wertham's Seduction of the Innocent cites this issue's cover for its... realism? C'mon, Doc, get real! Everett Raymond Kinstler and Jack Abel contributed interior art. CGC notes, "Restoration includes: cover & centerfold reinforced with glue. (Top and bottom edge of 3rd wrap trimmed.)" Overstreet 2007 GD 2.0 value = $250; VG 4.0 value = $500.
Roy Rogers Comics #1 (Dell, 1948) CGC VF/NM 9.0 White pages. After 13 appearances in Four Color beginning in 1944, the King of the Cowboys got his own title in 1948. CGC has seen only one nicer copy to date, but we suggest that copy didn't have nicer pages than this! Overstreet 2007 VF/NM 9.0 value = $1,073; NM- 9.2 value = $1,525. CGC census 6/07: 3 in 9.0, 1 higher. From the Keith Marlow Collection.
Sensation Comics #41 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. Since the upcoming book The Guide to Comic Book Pedigrees is listing the Harold Curtis Collection as one of the 45 greatest Golden Age collections ever discovered, we'll note that this copy originated from Mr. Curtis' hoard. H. G. Peter cover art. Overstreet 2007 VF 8.0 value = $305; VF/NM 9.0 value = $490. CGC census 6/07: 3 in 8.5, 3 higher.
Sensation Comics #68 Double Cover (DC, 1947) CGC VF+ 8.5 Off-white pages. It's the first appearance of the Huntress, and just where has this issue been hiding (we've never offered one before)? The villainess tangles with Wildcat in the backup feature, and Silver Age fans will remember her as a member of the Injustice Society. Of course, the star of the book is Wonder Woman, drawn on the cover and inside by H. G. Peter. CGC notes, "1st cover 7.0 interior cover 8.5." Overstreet 2007 VF 8.0 value = $281; VF/NM 9.0 value = $453. CGC census 6/07: 1 in 8.5, 1 higher.
Shadow Comics #1 (Street & Smith, 1940) Condition: GD. The first comic book published by Street and Smith is also the first comic appearance of the firm's two biggest stars, the Shadow and Doc Savage. The publisher didn't stop there, adding Bill Barnes (America's Air Ace) and even 19th-century creation Nick Carter! The painted cover was an unusual sight on comic racks of 1940. This copy has appealing white pages. It comes from the same collection as the Batman #1 offered in this auction, and the name of the original owner, Bill MacNeil, is written in neat script at the top of the first page. Two sets of Siamese pages near the rear of the book have been separated, causing three-inch tears to two pages. Overstreet 2007 GD 2.0 value = $459.
Shadow Comics V3#12 (Street & Smith, 1944) CGC VF 8.0 Cream to off-white pages. There are skull covers, and there are skull covers -- this is a skull cover! There's a Doc Savage story in this issue. Overstreet 2007 VF 8.0 value = $394. CGC census 6/07: 1 in 8.0, 2 higher.
Skeleton Hand #3 Northford pedigree (ACG, 1953) CGC NM- 9.2 Off-white pages. This pedigree copy has earned the highest grade yet from CGC for issue #3. Ken Bald cover, with Harry Lazarus, Charles Nicholas, and Jon Blummer interior art. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 3 in 9.2, none higher.
Special Edition Comics #1 (Fawcett, 1940) Condition: GD/VG. White pages make this an appealing copy of the first comic book entirely devoted to Captain Marvel. When this was published, Captain Marvel had starred in just a handful of issues of Whiz Comics; this one-shot appeared at the same time as Whiz #8. The cover art has been credited to C. C. Beck, and the clean, appealing style of Beck also graces the interior of this 64-page issue. There's a spine roll and a two-inch spine split, or we would have graded this copy higher. Overstreet 2007 GD 2.0 value = $806; VG 4.0 value = $1,612.
Star Spangled War Stories #131 (#1) (DC, 1952) CGC FN 6.0 Cream to off-white pages. Formerly Star Spangled Comics, this title's numbering restarted with the third issue after the title change, effectively making this the first issue of the series -- and the first #131 (Yeah, we know, it's confusing). Cover by Curt Swan, interior art by Swan, Howard Sherman, and Bob Brown. Overstreet 2007 FN 6.0 value = $300. CGC census 6/07: 1 in 6.0, none higher. From the Keith Marlow Collection.
Star Spangled War Stories #132 (#2) (DC, 1952) CGC VF 8.0 Off-white to white pages. This is the first or second issue, depending on how you look at it! The long-running Star-Spangled Comics series published an issue #131 which had Star Spangled War Stories on the cover but Star Spangled Comics in the indicia, followed by this issue which had no trace of the Comics title. A very early issue of a "Big Five" book in VF, that's a no-brainer buy in our book. Curt Swan supplied the cover art. Overstreet 2007 VF 8.0 value = $419. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
Star Spangled War Stories #133 (#3) Big Apple pedigree (DC, 1952) CGC FN+ 6.5 Off-white to white pages. This issue got mentioned in Parade of Pleasure! Curt Swan is the cover artist. Overstreet 2007 FN 6.0 value = $168; VF 8.0 value = $350. CGC census 5/07: 1 in 6.5, 1 higher. From the Keith Marlow Collection.
Star Spangled War Stories #7 Davis Crippen ("D" Copy) pedigree (DC, 1953) CGC VF- 7.5 Cream to off-white pages. Curt Swan cover. Swan, Bob Brown, and Jerry Grandenetti art. Overstreet 2007 VF 8.0 value = $183. CGC census 5/07: 1 in 7.5, none higher. From the Keith Marlow Collection.
Star Spangled War Stories #9 Salida pedigree (DC, 1953) CGC VF+ 8.5 Off-white to white pages. The Salida pedigree collection is most famous for its high-grade war books, and in any event your selection is not large, as this is the only CGC-graded copy to date! The identity of cover artist is somewhat surprising: it's Curt Swan! CGC notes, "Date/store stamp on cover." Overstreet 2007 VF 8.0 value = $183; VF/NM 9.0 value = $302. CGC census 5/07: 1 in 8.5, none higher. From the Keith Marlow Collection.
Star Spangled War Stories #29 River City pedigree (DC, 1955) CGC NM- 9.2 Off-white pages. Collecting DC war books is quite a challenge: nobody ever seems to want to part with one of these issues, and when they do, they only give up a "reading copy" that looks like every grunt in the foxhole thumbed through it. Not so with this pedigree specimen. Jerry Grandenetti is the cover artist. Overstreet 2007 NM- 9.2 value = $290. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Startling Comics #49 (Better Publications, 1948) CGC FN/VF 7.0 Cream to off-white pages. Everyone has seen this classic Alex Schomburg robot cover and been totally enthralled by it. Schomburg did many of the most notable covers of the Golden Age, but this one is arguably his most renowned airbrushed cover, and it is in high demand. This is a beautiful, unmarred copy that is sure to bring out the bidder in everyone. Overstreet 2007 FN 6.0 value = $1,182; VF 8.0 value = $2,561. CGC census 6/07: 4 in 7.0, 11 higher. From the Cary and Cheryl Porter Collection.
Strange Adventures #1 (DC, 1950) CGC VF+ 8.5 Off-white pages. This seminal issue adapts the sci-fi classic "Destination Moon," featuring a photo cover. The H. G. Wells feature is rendered by Dick Sprang. The issue also contains the first Chris KL-99 story with art by Howard Sherman. Darwin Jones begins a run as well. Curt Swan and Jim Mooney art. CGC notes, "From the Dallas Stephens/Milehighcomics.com Collection." Note that there is a small 1" crack on the back, upper left of the CGC holder that does not affect the integrity of the holder or the book inside. Overstreet 2007 VF 8.0 value = $1,995; VF/NM 9.0 value = $3,623. CGC census 6/07: 6 in 8.5, 5 higher. From the Keith Marlow Collection.
Strange Adventures #10 (DC, 1951) CGC NM 9.4 Cream to off-white pages. Captain Comet makes his second appearance in this issue, which features art from the famed DC trio of Carmine Infantino, Gil Kane, and Murphy Anderson. Overstreet is silent on the cover artist, but the Grand Comics Database Project suggests Bob Oksner. As for this copy -- the Near Mint grading from CGC says it all! Overstreet 2007 NM- 9.2 value = $1,360. CGC census 2/07: 3 in 9.4, 2 higher.
Strange Worlds #3 (Avon, 1951) CGC VF 8.0 Cream to off-white pages. Avon used some of the best illustrators available, but this issue was especially impressive, beginning with the Everett Raymond Kinstler cover. Inside were two supergroup collaborations -- a Wally Wood/Joe Orlando story and a seven-pager that boasted a team-up of -- get this -- Wood/Al Williamson/Frank Frazetta/ Roy Krenkel/and Joe Orlando! It makes this the most valuable in the 22 issue run. Overstreet 2007 VF 8.0 value = $1,381. CGC census 6/07: 4 in 8.0, 6 higher.
Stuntman Comics #1 (Harvey, 1946) CGC VF 8.0 Off-white pages. Let us correct the notation on the CGC slab: this is not a retelling of Stuntman's origin, it's the first telling of the origin, and in fact the first appearance of the title character. The creative minds of Simon and Kirby came up with a very innovative cover for this one. Overstreet 2007 VF 8.0 value = $725. CGC census 6/07: 3 in 8.0, 7 higher. From the Fantastic Frank Collection.
Sub-Mariner Comics #3 (Timely, 1941) Condition: VG/FN. Nice off-white pages and sharp cover colors characterize this copy, which is not a candidate for CGC certification because of an overhang. Not only does Winston Churchill appear in Alex Schomburg's cover, he's in the story as well, and Subby spends the whole 40-page story on a mission for the Brits! Also battling Ratzis was the Angel, who appears in a backup feature. There's a 2 1/2-inch tear on the last interior page. Overstreet 2006 VG 4.0 value = $846; FN 6.0 value = $1,269.
Sub-Mariner Comics #20 (Timely, 1946) CGC NM 9.4 Off-white pages. Striking copy is unsurpassed in CGC's current census for issue #20. An Alex Schomburg cover adds to the desirability, and interior art is contributed by Bill Everett and Allen Simon. Overstreet 2007 NM- 9.2 value = $2,150. CGC census 5/07: 2 in 9.4, none higher.
Sub-Mariner Comics #40 (Timely, 1955) CGC VF+ 8.5 Off-white pages. Atlas superhero titles from this period are tough to find in this grade. Bill Everett contributed the story, plus cover and interior art. Namora makes a welcomed appearance. Overstreet 2007 VF 8.0 value = $481; VF/NM 9.0 value = $778. CGC census 6/07: 1 in 8.5, 3 higher. From the Warren Hall Collection.
Sub-Mariner Comics #41 (Timely, 1955) CGC VF 8.0 Off-white to white pages. CGC's highest-graded copy yet of this elusive issue, which had Bill Everett interior art inside the Joe Maneely cover. There's also an appearance by Namora. Overstreet 2007 VF 8.0 value = $481. CGC census 6/07: 1 in 8.0, none higher. From the Warren Hall Collection.
Sun Girl #1 (Marvel, 1948) CGC FN/VF 7.0 Off-white pages. No copy of this book has surpassed the 8.0 mark to date, making this FN/VF an attractive buy. Sun Girl's probably best known as the Human Torch's sidekick, but she also had a title of her own, and in fact we believe this issue to be her first appearance. Ken Bald handled art chores. Overstreet 2007 FN 6.0 value = $504; VF 8.0 value = $1,050. CGC census 6/07: 3 in 7.0, 6 higher. From the Keith Marlow Collection.
Superboy #1 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF 8.0 Off-white pages. The Lad of Steel had been appearing as a feature in More Fun Comics for four years before getting his own title. Nice bright cover colors, typical of the Crippen pedigree, abound on this copy. Wayne Boring did the cover, while John Sikela's and Ed Dobrotka's works are displayed on the interior. There's also a full page ad for Miss Beverly Hills of Hollywood #1 inside. Overstreet 2007 VF 8.0 value = $5,642. CGC census 6/07: 5 in 8.0, 5 higher.
Superboy #1 (DC, 1949) CGC FN+ 6.5 Off-white pages. A thirty-year run began here for this enduring series which remained in publication even through those difficult pre-Silver Age days when superheroes were largely out of fashion. The Boy of Steel's debut issue features a Wayne Boring cover, and you can see that the character was fairly new at the time, since the cover reminds youngsters that Superboy stories are actually the boyhood adventures of Superman. Overstreet 2007 FN 6.0 value = $2,418; VF 8.0 value = $5,642. CGC census 6/07: 4 in 6.5, 21 higher.
Superboy #1 (DC, 1949) CGC FN- 5.5 Cream to off-white pages. Here's an appealing mid-grade specimen of this sought-after first issue. Wayne Boring is the cover artist. Overstreet 2007 FN 6.0 value = $2,418. CGC census 6/07: 4 in 5.5, 29 higher.
Superboy #7 (DC, 1950) CGC NM- 9.2 Off-white to white pages. As of this writing, this copy tops CGC's census as the only copy certified with a grade above 8.5. The book has a John Sikela cover, with interior art by Sikela, Stan Kaye, and Wayne Boring. Overstreet 2007 NM- 9.2 value = $1,375. CGC census 6/07: 1 in 9.2, higher.
Superboy #16 (DC, 1951) CGC VF+ 8.5 Off-white pages. John Sikela and Curt Swan art. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 6/07: 1 in 8.5, 1 higher. From the Cary and Cheryl Porter Collection.
Super Comics #21 Larson pedigree (Dell, 1940) CGC VF+ 8.5 White pages. Dick Tracy, Little Orphan Annie, Moon Mullins, and Terry and the Pirates are among the many features. The cover art is by Bill Holman. Overstreet 2007 VF 8.0 value = $216; VF/NM 9.0 value = $333. CGC census 6/07: 1 in 8.5, none higher. From the Keith Marlow Collection.
Super Comics #33 Larson pedigree (Dell, 1941) CGC VF/NM 9.0 Off-white to white pages. Dick Tracy, Terry and the Pirates, and many others appear. Overstreet 2007 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 6/07: 3 in 9.0, none higher. From the Keith Marlow Collection.
Super Comics #35 Rockford pedigree (Dell, 1941) CGC VF+ 8.5 Cream to off-white pages. Dick Tracy cover. Overstreet 2007 VF 8.0 value = $180; VF/NM 9.0 value = $278. CGC census 6/07: 1 in 8.5, none higher. From the Keith Marlow Collection.
Superman #2 (DC, 1939) CGC VF- 7.5 Off-white to white pages. One of the nicest copies we've offered, and, according to CGC, one of the nicest copies slabbed to date. Co-creators Jerry Siegel and Joe Shuster continue their work on the world's greatest superhero they had created just the year before. Inside this second issue is a full page ad for the 1939 edition of DC's New York's World Fair. Overstreet 2007 VF 8.0 value = $9,600. CGC census 6/07: 1 in 7.5, 4 higher.
Superman #3 (DC, 1940) CGC VF- 7.5 Off-white pages. Superman proves himself to be faster than a speeding locomotive on this issue's iconic Joe Shuster cover. This is an exceptionally pretty copy, with vivid cover colors, nice interior paper quality, and an overall sharp appearance. Overstreet 2007 VF 8.0 value = $5,558. CGC census 6/07: 3 in 7.5, 4 higher.
Superman #4 (DC, 1940) CGC Apparent FN/VF 7.0 Slight (A) Off-white pages. A terrific action shot of Superman graces the cover of this fourth issue, which also includes the second mention of the Daily Planet, plus the second appearance of Lex Luthor. And no, that bald gentleman on the cover isn't him -- Luthor is still a redhead here. CGC notes, "Restoration includes: centerfold reinforced with glue, staples replaced." Overstreet 2007 GD 2.0 value = $588; VG 4.0 value = $1,176; FN 6.0 value = $1,764; VF 8.0 value = $4,116.
Superman #5 (DC, 1940) CGC VF 8.0 Off-white to white pages. Lex Luthor, still sporting a head of red hair, makes his fourth appearance in this issue. Joe Shuster and Wayne Boring are among the artists in this early number, which also features ads for Batman #1 and All Star Comics #1 inside. Overstreet 2007 VF 8.0 value = $3,297. CGC census 6/07: 2 in 8.0, 8 higher.
Superman #8 (DC, 1941) CGC NM- 9.2 Off-white to white pages. Breathtaking copy of this early issue, which features a Fred Ray cover and interior art by Wayne Boring, Joe Shuster, and Paul Cassidy. Inside there's a full page ad for All Star Comics #3. We've offered a copy of #8 in better than VF 8.0 condition on only one other occasion, and never at this grade. Overstreet 2007 NM- 9.2 value = $4,700. CGC census 5/07: 2 in 9.2, 1 higher.
Superman #10 (DC, 1941) CGC VF/NM 9.0 White pages. This early issue, featuring the fifth appearance of Lex Luthor, is notable for the fact that Man of Steel's most famous nemesis is portrayed as bald for the first time. Paul Cassidy drew the "Superman to the rescue" cover, while Wayne Boring handled art chores inside. This sweet copy boasts great interior paper quality, in addition to vivid cover colors. Overstreet 2007 VF/NM 9.0 value = $3,319; NM- 9.2 value = $4,700. CGC census 6/07: 1 in 9.0, 1 higher.
Superman #12 (DC, 1941) CGC Apparent VF+ 8.5 Slight (P) White pages. Superman salutes the Army and Navy on this patriotic Fred Ray cover and Lex Luthor makes an appearance inside. Don't let that dreaded purple CGC header keep you from checking out this attractive copy. CGC notes, "Restoration includes: cover cleaned." That's it -- a distracting dust shadow was lightened professionally. Overstreet 2007 VG 4.0 value = $500; FN 6.0 value = $750; VF 8.0 value = $1,563; VF/NM 9.0 value = $2,532.
Superman #13 (DC, 1941) CGC VF/NM 9.0 Off-white to white pages. Certified mere days before our auction deadline, this one is the highest-graded copy of the issue -- look at it and you'll see why! Fred Ray's cover art (drawn before the USA entered World War II) really beams at you from this copy. Inside, Superman battles a fellow who calls himself the Light -- the baddie won't reveal his face, but hmm... he has a scheme to seize control of the natio. Go to the head of the class if you guessed it's really Luthor. Overstreet 2007 VF/NM 9.0 value = $2,532; NM- 9.2 value = $3,500. CGC census 6/07: 1 in 9.0, none higher.
Superman #13 Davis Crippen ("D Copy") pedigree (DC, 1941) CGC VG/FN 5.0 Off-white pages. Lex Luthor and Jimmy Olsen both appear in this early issue, which features a Fred Ray World War II cover and John Sikela interior art. Overstreet 2007 VG 4.0 value = $500; FN 6.0 value = $750. CGC census 6/07: 5 in 5.0, 15 higher.
Superman #14 (DC, 1942) CGC VG/FN 5.0 Off-white pages. Fred Ray did just 12 covers for the title, but this super-patriotic masterpiece ranks with the finest cover ever of any of the Superman titles. Overstreet dubs it "classic", and who would argue? Inside there's an ad for Sensation Comics #1, and interior art from John Sikela and Leo Nowak. Overstreet 2007 VG 4.0 value = $700; FN 6.0 value = $1,050. CGC census 6/07: 3 in 5.0, 27 higher.
Superman #15 (DC, 1942) CGC FN/VF 7.0 Off-white to white pages. Nice, color-rich copy appears to be a higher grade at first glance, but some creasing at right lower front cover hold the grade to 7.0. Still, CGC has certified a higher grade for only three other copies of the issue. Fred Ray did the cover. Overstreet 2007 FN 6.0 value = $750; VF 8.0 value = $1,563. CGC census 5/07: 3 in 7.0, 3 higher.
Superman #16 (DC, 1942) CGC FN/VF 7.0 Off-white pages. This is Lois Lane's first cover appearance of this series and just her second cover appearance ever. Fred Ray is the artist. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 FN 6.0 value = $588; VF 8.0 value = $1,225. CGC census 6/07: 1 in 7.0, 11 higher.
Superman #17 (DC, 1942) CGC VG+ 4.5 Off-white to white pages. One highlight of this early issue is the Fred Ray cover, which has the Man of Steel grabbing the squirming Hitler and Hirohito. Other features include the first Fortress of Solitude and a Lex Luthor appearance. Supes' co-creator Joe Shuster provided interior art. Overstreet 2007 VG 4.0 value = $614. CGC census 6/07: 2 in 4.5, 17 higher.
Superman #18 (DC, 1942) Condition: VF. Fred Ray's patriotic cover is one of the most striking of this cover's early run! CGC couldn't encapsulate this issue because of an overhang. It's a sharp book with superb page quality. By the way, while we couldn't trace this copy's provenance, we couldn't help noticing that the cursive "D" on this cover looks exactly like the one seen on books from the Edgar Church/Mile High collection, so it's intriguing to speculate about this one. Overstreet 2007 VF 8.0 value = $1,225.
Superman #19 (DC, 1942) Condition: VF-. Here's a whiz-bang copy that couldn't be encapsulated by CGC because of an overhang. Note that the highest-graded CGC copy to date is 7.0! Beautiful white pages are the cake-icer. Jack Burnley is the issue's cover artist. Overstreet 2007 VF 8.0 value = $1,225.
Superman #20 (DC, 1943) CGC VF+ 8.5 Off-white pages. The Man of Steel flies to the rescue on this World War II cover, featuring art by Jack Burnley. Inside is the famous story where the Daily Planet reveals Superman's secret identity to be Clark Kent. Only a scant two 9.0 copies beat out this pleasing example in the current CGC census report. Overstreet 2007 VF 8.0 value = $1,225; VF/NM 9.0 value = $1,988. CGC census 6/07: 5 in 8.5, 2 higher.
Superman #21 Pennsylvania pedigree (DC, 1943) CGC VF/NM 9.0 White pages. We dare say this one's cover colors didn't look any better back in 1943... what a copy! Jack Burnley is the cover artist. Overstreet 2007 VF/NM 9.0 value = $1,447; NM- 9.2 value = $2,000. CGC census 6/07: 1 in 9.0, none higher.
Superman #22 (DC, 1943) CGC VF+ 8.5 White pages. Both the Prankster and Hitler make appearances in this issue -- how's that for a devilish duo? Jack Burnley provided the "Punch and Judy" cover, while John Sikela, Ed Dobrotka, and Joe Shuster handled story art chores. This copy provides plenty of eye appeal, with its superb cover color and excellent page quality. It is upstaged by only a half grade in the current CGC census. Overstreet 2007 VF 8.0 value = $894; VF/NM 9.0 value = $1,447. CGC census 6/07: 1 in 8.5, 2 higher.
Superman #25 (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. Clark Kent joins the Army in this issue which has a Jack Burnley cover and interior art by Joe Shuster and Fred Ray (his only superhero story). Overstreet 2007 VF/NM 9.0 value = $1,447; NM- 9.2 value = $2,000. CGC census 5/07: 3 in 9.0, 2 higher.
Superman #26 (DC, 1944) CGC VF/NM 9.0 Off-white pages. Superman lets freedom ring on this classic World War II cover, drawn by Jack Burnley. Joe Shuster and Ira Yarbrough art is featured inside. Overstreet 2007 VF/NM 9.0 value = $2,241; NM- 9.2 value = $3,100. CGC census 6/07: 1 in 9.0, 2 higher.
Superman #30 (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. This special issue features the origin and first appearance of Mr. Mxyztplk (later known as Mr. Mxyzptlk) in comic books. Jack Burnley provided the cover illustration, which features both the Man of Steel and his civilian counterpart alongside Lois Lane. Ira Yarbrough, Ed Dobrotka, and Henry Boltinoff art is featured inside. Was it magic that preserved this pretty copy all these years? Overstreet 2007 VF/NM 9.0 value = $2,603; NM- 9.2 value = $3,600. CGC census 6/07: 1 in 9.0, 4 higher.
Superman #31 (DC, 1944) CGC VF/NM 9.0 White pages. The Man of Steel proves his worth on this great Wayne Boring carnival cover. Sam Citron and Ed Dobrotka art is featured in this issue, which also includes an appearance by Lex Luthor. This is currently the top-ranked CGC-graded copy. Overstreet 2007 VF/NM 9.0 value = $1,141; NM- 9.2 value = $1,575. CGC census 6/07: 1 in 9.0, none higher.
Superman #32 (DC, 1945) CGC VF+ 8.5 White pages. This is the nicest copy of issue #32 we've offered to date, and one of the nicest to be certified by CGC at this writing. Note: white pages! Wayne Boring did the dynamic cover. Overstreet 2007 VF 8.0 value = $706; VF/NM 9.0 value = $1,141. CGC census 5/07: 2 in 8.5, 2 higher.
Superman #32 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. Wayne Boring's "It tickles" cover has long been a fan favorite, and finding nice copies of this black-background beauty can be tough. Ed Dobrotka contributed story art, and the terrible Toyman makes an appearance. Overstreet 2007 VF 8.0 value = $706; VF/NM 9.0 value = $1,141. CGC census 6/07: 2 in 8.5, 2 higher.
Superman #33 (DC, 1945) CGC Qualified VF- 7.5 Off-white pages. Featuring the third appearance of the troublesome Mr. Mxyztplk, this issue with a Wayne Boring cover depicts Superman wincing in pain at a youthful handshake. Ira Yarbrough contributed interior art. CGC notes, "Centerfold Detached." Overstreet 2007 GD 2.0 value = $113; VG 4.0 value = $226; FN 6.0 value = $339; VF 8.0 value = $706.
Superman #35 (DC, 1945) CGC VF/NM 9.0 Off-white to white pages. Supes with a handlebar? Jack Burnley portrays a dashing Lois Lane and Superman from the turn of the century on this issues cover. Ira Yarbrough and Ed Dobrotka rendered the interior art. A beautiful copy. Overstreet 2007 VF/NM 9.0 value = $1,141; NM- 9.2 value = $1,575. CGC census 6/07: 2 in 9.0, 1 higher.
Superman #36 (DC, 1945) CGC VF 8.0 White pages. Ah, the super-domestic life! Lois Lane makes an appearance on this cover by Wayne Boring and Stan Kaye, while Mr. Mxyztplk appears in the interior. Incredible page quality on this one! Overstreet 2007 VF 8.0 value = $706. CGC census 6/07: 2 in 8.0, 7 higher.
Superman #37 (DC, 1945) Condition: VF+. Wayne Boring's cover art features the Prankster, who has a hard time getting anything over on our hero. Ed Dobrotka provided story art. This very attractive and sharp copy could not be encapsulated by CGC due to an overhang. Interior pages appear to be a nice off-white. Overstreet 2007 VF 8.0 value = $706; VF/NM 9.0 value = $1,141.
Superman #38 (DC, 1946) CGC VF 8.0 Cream to off-white pages. This action packed issue shows the Man of Steel reading a copy of Batman #32 on the cover by Jack Burnley. Lex Luthor drops in for an appearance and there is an atomic bomb story to boot! Ed Dobrotka and Sam Citron furnished interior art. This copy has the tell-tale "S N" of the Cookeville pedigree, in pencil, on the cover. Overstreet 2007 VF 8.0 value = $706. CGC census 6/07: 3 in 8.0, 8 higher.
Superman #40 (DC, 1946) CGC VF/NM 9.0 White pages. Mr. Mxyztplk and Susie run circles around Supes on the Wayne Boring white cover which matches the awesome white pages inside. Ira Yarbrough contributed interior art. Overstreet 2007 VF/NM 9.0 value = $1,141; NM- 9.2 value = $1,575. CGC census 6/07: 1 in 9.0, 3 higher.
Superman #42 (DC, 1946) CGC FN/VF 7.0 Off-white to white pages. What can't Superman do? The musical Man of Steel is conducted by Lois Lane on this cover by Wayne Boring and Ed Dobrotka. Ira Yarbrough interior art. Overstreet 2007 FN 6.0 value = $267; VF 8.0 value = $556. CGC census 6/07: 2 in 7.0, 11 higher.
Superman #43 (DC, 1946) CGC VF+ 8.5 White pages. Old chrome dome, Lex Luthor gives Superman a hard time in this white paged beauty, with a Wayne Boring and Stan Kaye cover and Joe Shuster and John Sikela art. Overstreet 2007 VF 8.0 value = $556; VF/NM 9.0 value = $903. CGC census 6/07: 3 in 8.5, 3 higher.
Superman #44 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Clark and Lois go back in time to meet William Shakespeare, which is the first Superman time travel story, despite what Overstreet says and the Toyman toys with Supes on the Wayne Boring cover. Ira Yarbrough art. Overstreet 2007 VF 8.0 value = $556. CGC census 6/07: 2 in 8.0, 6 higher.
Superman #46 (DC, 1947) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. The very first mention of Superboy in this title, appears in this issue (in a flashback) and the impish Mr. Mxyztplk appears. Wayne Boring provided the cover, Jerry Siegel furnished a story, and John Sikela added interior art. CGC notes, "Restoration includes: small amount of color touch on the cover." Overstreet 2007 GD 2.0 value = $89; VG 4.0 value = $178; FN 6.0 value = $267; VF 8.0 value = $556.
Superman #49 (DC, 1947) CGC VF+ 8.5 Off-white to white pages. Blinding cover colors testify this is one of the finest known copies of issue #49. The cover's by Wayne Boring. John Sikela and George Roussos contributed interior art for the issue, which has a Toyman appearance. Overstreet 2007 VF 8.0 value = $556; VF/NM 9.0 value = $903. CGC census 5/07: 1 in 8.5, 1 higher.
Superman #49 (DC, 1947) CGC VF 8.0 Off-white pages. This Wayne Boring and Stan Kaye cover wraps an issue which features the villainous Toyman. John Sikela and George Roussos add interior art. Overstreet 2007 VF 8.0 value = $556. CGC census 6/07: 1 in 8.0, 2 higher.
Superman #50 Cookeville pedigree (DC, 1948) CGC VF 8.0 Off-white pages. Superman gets a lion's share of attention on this circus cover by Wayne Boring who also contributed interior art along with Win Mortimer and John Sikela. The ish contains a full page ad for Mr. District Attorney #1. Overstreet 2007 VF 8.0 value = $556. CGC census 6/07: 1 in 8.0, 1 higher.
Superman #55 (DC, 1948) CGC VF 8.0 Off-white pages. Here's another high-ranking copy in CGC's census, with only one lone VF+ 8.5 currently ahead of it. Wayne Boring provided the cover and interior art. Inside, the Prankster makes an appearance. This issue got cited in Dr. Wertham's famous book Seduction of the Innocent. Overstreet 2007 VF 8.0 value = $469. CGC census 5/07: 1 in 8.0, 1 higher.
Superman #57 (DC, 1949) CGC VF- 7.5 Cream to off-white pages. Lois Lane as Superwoman cover. Wayne Boring cover and art. Henry Boltinoff art. Overstreet 2007 VF 8.0 value = $456. CGC census 6/07: 2 in 7.5, 5 higher.
Superman #58 (DC, 1949) CGC VF+ 8.5 Cream to off-white pages. Miniature mobster Tiny Trix puts in his first cover and story appearances in this issue, which has cover art by Al Plastino and interior art by Wayne Boring. Overstreet 2007 VF 8.0 value = $456; VF/NM 9.0 value = $741. CGC census 6/07: 1 in 8.5, none higher.
Superman #59 (DC, 1949) CGC VF+ 8.5 Cream to off-white pages. Wayne Boring and Stan Kaye cover art. Boring, Al Plastino, and Kaye interior art. Overstreet 2007 VF 8.0 value = $456; VF/NM 9.0 value = $741. CGC census 6/07: 1 in 8.5, 2 higher.
Superman #60 (DC, 1949) CGC VF- 7.5 Off-white pages. Al Plastino cover. Plastino and Wayne Boring art. Toyman appearance. Overstreet 2007 VF 8.0 value = $456. CGC census 5/07: 1 in 7.5, 3 higher.
Superman #68 (DC, 1951) CGC VF 8.0 Off-white pages. First Lex Luthor cover in this title. Win Mortimer cover. Al Plastino and Wayne Boring art. Overstreet 2007 VF 8.0 value = $444. CGC census 6/07: 1 in 8.0, 2 higher.
Superman #71 (DC, 1951) CGC FN/VF 7.0 Off-white to white pages. Win Mortimer cover. Wayne Boring and Al Plastino art. Overstreet 2007 FN 6.0 value = $210; VF 8.0 value = $438. CGC census 5/07: 4 in 7.0, 3 higher.
Superman #73 (DC, 1951) CGC VF 8.0 Cream to off-white pages. Cover by Win Mortimer, one of DC's most prolific artists of the '50s and '60s, although normally associated with Superman's pal Batman. Overstreet 2007 VF 8.0 value = $438. CGC census 6/07: 1 in 8.0, 3 higher.
Superman #74 (DC, 1952) CGC VF 8.0 Off-white to white pages. Second Lex Luthor cover appearance for this title. Win Mortimer cover. Wayne Boring and Al Plastino art. Overstreet 2007 VF 8.0 value = $438. CGC census 6/07: 2 in 8.0, 7 higher.
Superman #75 Cover Error Variant (DC, 1952) CGC FN+ 6.5 White pages. This copy of #75 was erroneously printed with #74 on the cover! DC corrected the error for the majority of the print run, the result being that copies with the wrong number are harder to find; Gerber gives the variant a scarcity rating of "6" for "uncommon" as opposed to a "5" for the corrected edition. But let's not let numbering overshadow a pretty funny cover, with an amnesiac Lois Lane mistaking Supes for a Charles Atlas wannabe. Overstreet 2007 FN 6.0 value = $210; VF 8.0 value = $438. CGC census 6/07: 1 in 6.5, 6 higher.
Superman's Pal Jimmy Olsen #3 (DC, 1955) CGC FN/VF 7.0 White pages. Curt Swan cover. Overstreet 2007 FN 6.0 value = $222; VF 8.0 value = $629. CGC census 6/07: 1 in 7.0, none higher.
Suspense #10 River City pedigree (Atlas, 1951) CGC VF/NM 9.0 Cream to off-white pages. Joe Maneely is the cover artist of this Atlas chiller. Overstreet 2007 VF/NM 9.0 value = $270; NM- 9.2 value = $365. CGC census 6/07: 2 in 9.0, none higher.
Suspense Comics #1 Mile High pedigree (Continental Magazines, 1943) CGC VF+ 8.5 White pages. Golden Age artist Charles Quinlan might have created his best cover with this beauty, with its elements of Nazis, babe in bondage, and Satan. L. B. Cole and Don Rico contributed interior art for this issue, which Gerber's The Photo-Journal Guide to Comic Books rates an "8" ("rare"). We've offered a copy of the issue on only one previous occasion. All this makes the copy's Mile High pedigree even sweeter. Overstreet 2007 VF 8.0 value = $2,438; VF/NM 9.0 value = $4,219. CGC census 5/07: 2 in 8.5, 1 higher.
Suspense Comics #2 (Et-Es-Go Magazines, 1944) CGC FN+ 6.5 Off-white pages. Almost every Golden Age collector is interested in this title these days, and this is among the best copies of #2 -- the only ones graded higher by CGC are the Davis Crippen "D" copy and the Mile High. Nina Albright is the cover artist, and the great L. B. Cole added interior art. Overstreet 2007 FN 6.0 value = $837; VF 8.0 value = $1,744. CGC census 6/07: 1 in 6.5, 2 higher.
Suspense Comics #3 (Continental Magazines, 1944) CGC Apparent FN/VF 7.0 Moderate (P) Off-white pages. One of the most famous ("infamous" to some), controversial, and sought-after comic covers of all time. And there's just not enough copies to go around! The Photo-Journal Guide to Comic Books gives it a scarcity index of "9" ("very rare"), and Overstreet calls it "scarce". The horrific Nazi torture and bondage cover is by Golden Age cover artist supreme Alex Schomburg. Another great cover artist, L. B. Cole contributed interior art. Our offering, at Apparent FN/VF 7.0, looks just about as nice as the highest graded unrestored copy that CGC has yet certified -- a VF 8.0 -- CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2007 GD 2.0 value = $2,166; VG 4.0 value = $4,332; FN 6.0 value = $6,500; VF 8.0 value = $13,000.
Suspense Comics #5 (Continental Magazines, 1944) CGC Apparent VG 4.0 Slight (P) Off-white to white pages. L. B. Cole cover and art. CGC notes, "Restoration includes: spine split sealed to cover, cover reinforced." Overstreet 2007 GD 2.0 value = $211; VG 4.0 value = $422.
Suspense Comics #6 (Continental Magazines, 1944) CGC FN 6.0 Off-white to white pages. No copy has been graded higher than 8.0 by CGC to date, so this one is a "Fine" choice! The masterful moodiness of L. B. Cole graces this cover -- squint and you'll see the ominous Mr. Nobody lurking in the shadows. Overstreet 2007 FN 6.0 value = $633. CGC census 6/07: 2 in 6.0, 4 higher.
Suspense Comics #7 (Continental Magazines, 1944) CGC FN+ 6.5 Off-white to white pages. The shadowy Mr. Nobody is seen up close on a cover for the first time on this symbolism-fraught cover by the great L.B. Cole. Overstreet 2007 FN 6.0 value = $483; VF 8.0 value = $1,006. CGC census 6/07: 1 in 6.5, 5 higher. From the Cary and Cheryl Porter Collection.
Suspense Comics #7 (Continental Magazines, 1944) CGC FN- 5.5 Off-white to white pages. Another great L. B. Cole cover in this series, supporting interior artwork from the likes of John Giunta, Tony DiPreta, George Appel, and Rudy Palais. Appears to have originated from the "Cookeville Collection." Overstreet 2007 FN 6.0 value = $483. CGC census 6/07: 2 in 5.5, 8 higher.
Suspense Comics #9 (Continental Magazines, 1945) CGC VF- 7.5 Off-white pages. L. B. Cole's covers for this series were among his earlier comic-book efforts, and this one was among the most striking. Inside the book, there's the formidable lineup of Mr. Nobody and Satan. Overstreet 2007 VF 8.0 value = $. CGC census 6/07: 2 in 7.5, 2 higher.
Suspense Comics #9 (Continental Magazines, 1945) CGC VG 4.0 Cream to off-white pages. Like most issues of this title, the cover art is outstanding and copies are hard to find! L. B. Cole did this 'eyeball' cover doozy. Overstreet 2007 VG 4.0 value = $322. CGC census 6/07: 3 in 4.0, 7 higher.
Suspense Comics #10 (Continental Magazines, 1945) CGC VG/FN 5.0 Cream to off-white pages. L. B. Cole provided this issue's "all hands on the prize" cover art. Overstreet 2007 VG 4.0 value = $322; FN 6.0 value = $483. CGC census 6/07: 2 in 5.0, 6 higher.
Suspense Comics #12 (Continental Magazines, 1946) CGC FN 6.0 Light tan to off-white pages. Only L. B. Cole could come up with this sort of cover! There's a hanging going on, but Mr. Nobody casually checks his watch... your interpretation is as good as ours. Not just the last issue of this series, this was the last comic book published by Continental, which saw comics become less profitable after the World War II boom. Overstreet 2007 FN 6.0 value = $483. CGC census 6/07: 2 in 6.0, 5 higher. From the Cary and Cheryl Porter Collection.
Suspense Comics #12 (Continental Magazines, 1946) CGC VG/FN 5.0 Cream to off-white pages. Hanging cover by L. B. Cole. A Gerber "8." Overstreet 2007 VG 4.0 value = $322; FN 6.0 value = $483. CGC census 6/07: 1 in 5.0, 7 higher.
Tales From the Crypt #23 (EC, 1951) CGC NM 9.4 Off-white pages. What horror fan wouldn't want a NM specimen from EC's most famous and infamous series? Al Feldstein is the cover artist. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 6/07: 3 in 9.4, 8 higher.
Tales From the Crypt #24 (EC, 1951) CGC VF 8.0 Off-white pages. For this issue, Al Feldstein provided what EC superfan Russ Cochran called "one of (Feldstein's) all-time best horror covers." No argument here! The skilled artistry of Jack Davis, Wally Wood, Graham Ingels, and Johnny Craig rounds out the issue. Overstreet 2007 VF 8.0 value = $448. CGC census 6/07: 2 in 8.0, 9 higher.
Tales From the Crypt #26 (EC, 1951) CGC VF/NM 9.0 Off-white pages. This issue's Wally Wood cover was only the second one "Woody" did for EC, and it must have had the Fan-Addicts in a tizzy back in the day! The comic's lead story, drawn by Jack Davis, features an artist who thinks he's been underpaid, and in true EC fashion, the guy's got a plan to exact revenge. Overstreet 2007 VF/NM 9.0 value = $556; NM- 9.2 value = $750. CGC census 6/07: 2 in 9.0, 9 higher.
Tales From the Crypt #36 (EC, 1953) CGC NM 9.4 Off-white pages. This may be the finest copy of the issue in existence that's not a Gaines File Copy. Jack Davis cover. Davis, George Evans, Jack Kamen, and Graham Ingels art. Overstreet 2007 NM- 9.2 value = $670. CGC census 5/07: 2 in 9.4, 4 higher.
Tales From the Crypt #40 Double Cover (EC, 1954) CGC NM- 9.2 Cream to off-white pages. We've never seen this book in better condition than NM-, and unlike so many other ECs with a handful of top-grade Gaines File copies on the CGC census, this one has a lone 9.4 and no 9.6 or above copies as of this writing. And the double cover sets this one apart from other 9.2 copies. This issue was used both in Senate hearings and in Hartford Courant anti-comics editorials. The memorable cover art is by Jack Davis. CGC notes, "1st cover 8.5, interior cover 9.2." Overstreet 2007 NM- 9.2 value = $670. CGC census 6/07: 3 in 9.2, 1 higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF- 7.5 Cream to off-white pages. These annuals, featuring re-bound comics from the previous year (the exact issues differ from copy to copy) are much sought-after because of their low initial distribution. Al Feldstein drew the torture cover featuring the Vault-Keeper, the Crypt-Keeper, and the Old Witch. Overstreet 2007 VF 8.0 value = $1,325. CGC census 6/07: 2 in 7.5, 12 higher.
Target Comics #2 Mile High pedigree (Novelty Press, 1940) CGC NM 9.4 White pages. Bill Everett, signing as "Blake," provided the Manowar cover to this second issue, as well as story art. Joe Simon and Carl Burgos art is also featured. This sharp Edgar Church copy is the better of only two currently certified by CGC; the other is graded a paltry 6.5. Overstreet 2007 NM- 9.2 value = $3,625. CGC census 6/07: 1 in 9.4, none higher.
Terrific Comics #1 Crowley Copy pedigree (Continental Magazines, 1944) CGC VF- 7.5 Cream to off-white pages. Dynamic Don Rico treats us to an early "Evil Clown" cover starring Kid Terrific in this premiere issue, which also features a drug story. L. B. Cole, best known for his comic covers, gets interior art credit here. This copy is currently tied with one other as highest CGC-graded. Overstreet 2007 VF 8.0 value = $2,074. CGC census 6/07: 2 in 7.5, none higher.
This Magazine Is Haunted #21 (Charlton, 1954) CGC VF 8.0 Off-white to white pages. Steve Ditko cover. Last issue of the original series. Overstreet 2007 VF 8.0 value = $216. CGC census 6/07: 1 in 8.0, 1 higher.
Tomb of Terror #14 File Copy (Harvey, 1954) CGC NM- 9.2 Cream to off-white pages. Lee Elias provides what might be considered the ultimate "bug-eyed monster" cover for this special Science Fiction issue. Bob Powell art is also featured. The cover colors for this sharp file copy are very rich and vivid. Overstreet 2007 NM- 9.2 value = $430. CGC census 6/07: 5 in 9.2, none higher.
Tomb of Terror #15 (Harvey, 1954) CGC VG 4.0 Off-white to white pages. One of the gorier covers of all time (Lee Elias is the artist), and the most valuable issue of the series. Overstreet 2007 VG 4.0 value = $114. CGC census 6/07: 1 in 4.0, 19 higher.
Tom Mix Comics #1 (Ralston-Purina Co., 1940) CGC VG+ 4.5 Off-white to white pages. This oldie boasts a Gerber "8" or "rare." CGC's census seems to corroborate -- not a single unrestored copy has graded higher than this to date! Tom's origin is featured, along with the art of Fred Meagher. Overstreet 2007 VG 4.0 value = $600. CGC census 6/07: 1 in 4.5, none higher.
Two-Fisted Tales #27 Gaines File pedigree 3/10 (EC, 1952) CGC NM/MT 9.8 Off-white pages. Harvey Kurtzman's Korean War cover is splashed with vivid color. Inside, Jack Davis, Wally Wood (who also gets a bio), John Severin, and Bill Elder handle story art. This gem of a pedigreed copy looks newsstand fresh, some fifty-five years later. Overstreet 2007 NM- 9.2 value = $425. CGC census 6/07: 4 in 9.8, none higher.
Uncanny Tales #32 Northford pedigree (Atlas, 1955) CGC NM- 9.2 Off-white to white pages. Code-approved weirdness drawn by Bill Everett and Co. is on tap here. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 1 in 9.2, none higher.
Underworld Crime #7 (Fawcett, 1953) CGC FN/VF 7.0 Off-white to white pages. "Bondage and torture cover," states the CGC header for this book. Boy, they aren't kidding around -- this is one of the more brutal torture covers to ever make its way to a comic book rack. Maybe Dr. Wertham was right, after all! Regardless of the content, this is a pretty sweet book, at least condition-wise. Overstreet 2007 FN 6.0 value = $163; VF 8.0 value = $252. CGC census 6/07: 1 in 7.0, 3 higher.
Unknown World #1 (Fawcett, 1952) CGC VF+ 8.5 Cream to off-white pages. This is one of the nicest known copies of the premiere issue of a title that became Strange Stories From Another World with the second issue. The Norman Saunders painted covers would continue, and a look at the cover on this first issue attests to the wisdom of that decision! Overstreet 2007 VF 8.0 value = $275; VF/NM 9.0 value = $443. CGC census 6/07: 1 in 8.5, 2 higher.
Vault of Horror #30 Gaines File pedigree (EC, 1953) CGC NM- 9.2 Off-white to white pages. Sometimes subtle, sometimes not so much, as in this graphic "dismemberment" scene, Johnny Craig was invariably imaginative and pushing the envelope with his EC covers. This issue had stories by Craig, William Gaines, and Al Feldstein, drawn by Craig, Jack Davis, George Evans, and Graham Ingels. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $510. CGC census 6/07: 3 in 9.2, 4 higher.
Walt Disney's Comics and Stories #1 (Dell, 1940) CGC VG- 3.5 Cream to off-white pages. The flagship title of Disney comic titles has been going (...and going...) for nearly 67 years now, enduring six publishing changes, and now closing in on 700 issues. Here's where it all started, the title's first issue, which essentially picked up where Mickey Mouse Magazine left off. We've offered surprisingly few nicer copies over the years than this copy, so give it a good looksee! Overstreet 2007 VG 4.0 value = $3,450. CGC census 5/07: 1 in 3.5, 16 higher.
Walt Disney's Comics and Stories #2 File Copy (Dell, 1940) CGC VF 8.0 Cream to off-white pages. This second issue is almost as tough to find as the first -- heck, maybe it's even tougher! The dozen or so examples we've seen to date have been slightly outnumbered by copies of the first issue. Floyd Gottfredson is listed among the artists. This nicely preserved file copy is free of any front cover markings. Overstreet 2007 VF 8.0 value = $4,326. CGC census 6/07: 1 in 8.0, 1 higher.
Walt Disney's Comics and Stories #24 (Dell, 1942) CGC VF+ 8.5 Cream to off-white pages. Although Heritage doesn't usually note male "bondage" covers, we have to go along with CGC and mention this one! This issue is also notable for "The Flying Gauchito," the first original comic book story written for Walt Disney's Comics and Stories. Overstreet 2007 VF 8.0 value = $369; VF/NM 9.0 value = $597. CGC census 6/07: 2 in 8.5, 1 higher.
Walt Disney's Comics and Stories #25 (Dell, 1942) CGC FN/VF 7.0 Cream to off-white pages. Walt Kelly "schoolroom" cover. Overstreet 2007 FN 6.0 value = $177; VF 8.0 value = $369. CGC census 6/07: 1 in 7.0, none higher.
Walt Disney's Comics and Stories #26 (Dell, 1942) CGC VF/NM 9.0 Cream to off-white pages. Carl Buettner's football-themed cover art is a fan favorite. This freshly-slabbed specimen currently ranks as the highest CGC-graded copy of this issue. Overstreet 2007 VF/NM 9.0 value = $597; NM- 9.2 value = $825. CGC census 6/07: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #27 (Dell, 1942) CGC VF/NM 9.0 Cream to off-white pages. Carl Buettner and Floyd Gottfredson art is featured in this early issue. Very attractive copy, with great cover color. Overstreet 2007 VF/NM 9.0 value = $597; NM- 9.2 value = $825. CGC census 6/07: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #28 (Dell, 1943) CGC VF+ 8.5 Cream to off-white pages. Carl Buettner's New Years cover shows the Duck gang welcoming in 1943. Overstreet 2007 VF 8.0 value = $369; VF/NM 9.0 value = $597. CGC census 6/07: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #29 (Dell, 1943) CGC NM- 9.2 Off-white pages. Walt Kelly contributes a fun "How to Ski" cover. Beautiful cover color. Overstreet 2007 NM- 9.2 value = $825. CGC census 6/07: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #30 (Dell, 1943) CGC VF 8.0 Off-white pages. Huey, Dewey, and Louie's war games are about to be invaded -- by Donald, on this colorful cover. Overstreet 2007 VF 8.0 value = $369. CGC census 6/07: 1 in 8.0, 3 higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC FN+ 6.5 Cream to off-white pages. Here's a nice copy of the historic issue of WDC&S where new ten-page Donald Duck stories by Carl Barks first began (after one full-length story in Four Color, "Finds Pirate Gold"). Walt Kelly provided the World War II cover art. Overstreet 2007 FN 6.0 value = $1,023; VF 8.0 value = $2,131. CGC census 6/07: 1 in 6.5, 8 higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. This issue's infinity cover by Carl Buettner features a great shot of the two stars of the book -- Mickey Mouse and Donald Duck. Carl Barks provided the art for Donald's story. Overstreet 2007 VF 8.0 value = $713. CGC census 6/07: 3 in 7.5, 4 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC VF 8.0 Off-white to white pages. A Walt Kelly Gremlins cover kicks off a short series of Gremlins stories, which begin with this issue. Carl Barks story and art. Floyd Gottfredson art is also featured. Overstreet 2007 VF 8.0 value = $581. CGC census 6/07: 1 in 8.0, 1 higher.
Walt Disney's Comics and Stories #35 (Dell, 1943) CGC VF 8.0 Off-white pages. Walt Kelly's clever cover spotlights Donald Duck's nephews, and their comfy (and tasty) way to keep cool. Carl Barks handles the story and art chores for the Donald story inside. Overstreet 2007 VF 8.0 value = $538. CGC census 6/07: 1 in 8.0, 4 higher.
Walt Disney's Comics and Stories #36 (Dell, 1943) CGC VF 8.0 Off-white to white pages. Donald seems to forget he's actually a water fowl on this issue's eye-catching cover. Carl Barks did the art and story for the Donald story inside. Floyd Gottfredson art. Overstreet 2007 VF 8.0 value = $538. CGC census 6/07: 1 in 8.0, 5 higher.
Walt Disney's Comics and Stories #37 (Dell, 1943) CGC FN/VF 7.0 Cream to off-white pages. Walt Kelly contributes a "schoolroom" cover for this issue. The Donald Duck story is by Jack Hannah, while Al Taliaferro strip reprints are featured. Overstreet 2007 FN 6.0 value = $150; VF 8.0 value = $305. CGC census 6/07: 1 in 7.0, 4 higher.
Walt Disney's Comics and Stories #38 (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. Donald's prank has him "seeing the light" on this colorful Halloween cover. Carl Barks art is featured inside. Overstreet 2007 VF 8.0 value = $369; VF/NM 9.0 value = $597. CGC census 6/07: 1 in 8.5, 2 higher.
Walt Disney's Comics and Stories #42 (Dell, 1944) CGC VF 8.0 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2007 VF 8.0 value = $293. CGC census 6/07: 1 in 8.0, none higher.
Walt Disney's Comics and Stories #43 (Dell, 1944) CGC NM 9.4 Cream to off-white pages. The "Good Duck Artist" Carl Barks contributed a great story and art to this issue and the Seven Dwarfs make an appearance on the joyful Walt Kelly cover. A lovely copy that is surpassed by none on the current CGC census. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #44 (Dell, 1944) CGC FN/VF 7.0 Cream to off-white pages. Walt Kelly cover. Carl Barks and Floyd Gottfredson art. Overstreet 2007 FN 6.0 value = $144; VF 8.0 value = $293. CGC census 6/07: 1 in 7.0, 3 higher.
Walt Disney's Comics and Stories #46 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Donald Duck as Uncle Sam, selling War Bonds on the Walt Kelly cover. Carl Barks story and art. Overstreet 2007 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 6/07: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #47 (Dell, 1944) CGC VF+ 8.5 Cream to off-white pages. Carl Barks story and art. Vivie Risto art, Walt Kelly cover. Nazis appear in the Mickey Mouse story by Floyd Gottfredson. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 6/07: 1 in 8.5, 1 higher.
Walt Disney's Comics and Stories #48 (Dell, 1944) CGC VF 8.0 Cream to off-white pages. Carl Barks story and art. Dick Moores art. Walt Kelly cover. Nazis appear in Floyd Gottfredson's Mickey Mouse story. Overstreet 2007 VF 8.0 value = $293. CGC census 6/07: 1 in 8.0, 2 higher.
Walt Disney's Comics and Stories #49 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Walt Kelly cover. Nazis appear in Floyd Gottfredson's Mickey Mouse stories. Carl Barks and Al Taliaferro art. Overstreet 2007 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 6/07: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #50 (Dell, 1944) CGC VF+ 8.5 Off-white pages. Walt Kelly cover. Carl Barks and Al Taliaferro art. Nazis in Floyd Gottfredson's Mickey Mouse story. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 6/07: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #56 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Carl Barks art. Nazis appear in the Floyd Gottfredson Mickey Mouse story. Overstreet 2007 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 6/07: 1 in 9.0, 2 higher.
War Against Crime #11 Gaines File pedigree 10/11 (EC, 1950) CGC NM 9.4 White pages. EC's first horror cover makes this a must-have for anyone who collects the terror-tinged output of this publisher. Johnny Craig's cover art ties into the issue's only horror story, which is introduced by the Vault Keeper in only his second appearance. The experiment was obviously deemed a success, as the title became Vault of Horror with the next issue! The interior art is by Al Feldstein on the horror story and Craig, Harry Harrison, and George Roussos on the crime and punishment tales. Overstreet 2007 NM- 9.2 value = $1,925. CGC census 4/07: 2 in 9.4, 5 higher.
Web of Mystery #7 (Ace, 1952) CGC VF+ 8.5 Cream to off-white pages. Artists include Mike Sekowsky. Overstreet 2007 VF 8.0 value = $163; VF/NM 9.0 value = $252. CGC census 6/07: 1 in 8.5, 2 higher.
Weird Comics #1 (Fox Features Syndicate, 1940) CGC GD/VG 3.0 Light tan to off-white pages. It's a great cover by either Lou Fine (so suggests CGC) or George Tuska (Overstreet's nod). Bondage, hypodermic, and gorilla elements -- that pretty much ensured the issue flying off the newsstands in 1940! Voodoo Man, Thor, Birdman, Dr. Mortal, and Typhon begin in this issue. Overstreet 2007 GD 2.0 value = $471; VG 4.0 value = $942. CGC census 6/07: 1 in 3.0, 8 higher.
Weird Comics #4 Larson pedigree (Fox Features Syndicate, 1940) CGC VG/FN 5.0 Off-white to white pages. CGC credits Joe Simon with this bondage/torture cover. CGC also notes, "Very minor amount of glue on spine of cover," so minor that the book was still certified a Universal Grade. Overstreet 2007 VG 4.0 value = $246; FN 6.0 value = $369. CGC census 6/07: 1 in 5.0, 4 higher.
Weird Mysteries #2 (Gillmor, 1952) CGC FN- 5.5 Off-white to white pages. Bernard Baily cover. "Robot Woman" by Basil Wolverton. Acid in face panel. Overstreet 2007 FN 6.0 value = $354. CGC census 6/07: 2 in 5.5, 4 higher.
Weird Science #13 (#2) Gaines File pedigree (EC, 1950) CGC NM 9.4 Off-white pages. One of the earliest covers for this title is also one of the most famous, with Al "Nostradamus" Feldstein showing flying saucers over Washington D. C., some two years before an actual "event" in our nation's capitol. Interior art by Feldstein, Harvey Kurtzman, Jack Kamen, and Wally Wood spiced up the interior. This great copy from the Gaines stash looks even better than the Near Mint grade CGC has assigned. While certified by CGC as from the Gaines Files, this book is not accompanied by a certificate. Overstreet 2007 NM- 9.2 value = $1,485. CGC census 6/07: 4 in 9.4, 4 higher.
Weird Science #12 Gaines File pedigree 3/11 (EC, 1952) CGC NM- 9.2 Off-white pages. Wally Wood provides one of his best "inside a rocket ship" covers to this issue. In space, no one can hear you bark! Interior art is brought to you by Wood (two stories, plus a bio), Jack Kamen, and Joe Orlando. This pedigreed copy is certainly no dog -- only two other copies of issue #12 rate higher in the current CGC census. Overstreet 2007 NM- 9.2 value = $570. CGC census 6/07: 2 in 9.2, 2 higher.
Weird Tales of the Future #3 (Aragon, 1952) CGC VF/NM 9.0 Cream to off-white pages. See Basil Wolverton's cover in all its intended glory on this copy. CGC hasn't awarded a higher grade yet for this issue. Wolverton also contributed some interior art. Overstreet 2007 VF/NM 9.0 value = $1,410; NM- 9.2 value = $1,950. CGC census 6/07: 2 in 9.0, none higher.
Weird Tales of the Future #4 Davis Crippen ("D" Copy) pedigree (Aragon, 1952) CGC NM- 9.2 Cream to off-white pages. The Crippen Copy comes mighty close to the NM 9.4 copy that currently rules CGC's census for issue #4. Basil Wolverton's contributions made the first issues of this title especially interesting. In this issue he contributes to the cover and does some of the interior art, as do Tony Mortellaro, Eugene Hughes, and Hy Fleishman. Overstreet 2007 NM- 9.2 value = $1,725. CGC census 6/07: 1 in 9.2, 1 higher.
Weird Tales of the Future #4 (Aragon, 1952) CGC FN+ 6.5 Cream to off-white pages. The great, quirky artist Basil Wolverton puts his stamp on this cover, and also contributed interior art for the issue. Overstreet 2007 FN 6.0 value = $369; VF 8.0 value = $769. CGC census 6/07: 3 in 6.5, 12 higher.
Weird Terror #5 Spokane pedigree (Comic Media, 1953) CGC VF 8.0 White pages. Hanging cover by Don Heck. Article on body snatching and mutilation. Cannibalism story. Overstreet 2007 VF 8.0 value = $244. CGC census 6/07: 2 in 8.0, none higher.
Whiz Comics #146 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Bright cover colors are typical of the Crowley pedigree, and this is a good example. CGC has certified just two copies of #146 to date. Basil Wolverton and Kurt Schaffenberger contributed interior art to this issue. Overstreet 2007 NM- 9.2 value = $295. CGC census 6/07: 2 in 9.4, none higher.
Witchcraft #2 Bethlehem pedigree (Avon, 1952) CGC FN+ 6.5 Off-white pages. Skull cover. Joe Kubert art. Overstreet 2007 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 6/07: 1 in 6.5, 2 higher.
Witchcraft #5 (Avon, 1953) CGC FN/VF 7.0 Off-white pages. The painted cover here is by none other than sci-fi-cover artist (and Mad stalwart) Kelly Freas! Overstreet 2007 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 6/07: 2 in 7.0, 9 higher.
Witchcraft #6 Aurora pedigree (Avon, 1953) CGC FN/VF 7.0 Cream to off-white pages. Skull cover by A. C. Hollingsworth. Overstreet 2007 FN 6.0 value = $123; VF 8.0 value = $250. CGC census 6/07: 1 in 7.0, 3 higher.
Witches Tales #20 File Copy (Harvey, 1953) CGC NM- 9.2 Cream to off-white pages. This sparkling File Copy grades a couple of notches higher than the second finest copy CGC has certified to date. It has a Lee Elias cover, and interior art by Elias, Howard Nostrand, Bob Powell, and Jack Sparling. Overstreet 2007 NM- 9.2 value = $295. CGC census 6/07: 1 in 9.2, none higher.
Wonderworld Comics #3 (Fox, 1939) CGC FN- 5.5 Cream to off-white pages. A true classic from the early days of superhero comics, featuring the first appearance of the Flame by Lou Fine. This is the first issue featuring the new title, Wonderworld; for its first two issues, the book was called Wonder Comics, and was Victor Fox's first foray into the field. The title was changed after Fox faced a lawsuit with DC over his character Wonder Man. The ultra-talented Iger/Eisner shop put together many of Fox's early books, creating some of the finest covers of the Golden Age. Overstreet 2007 FN 6.0 value = $2,031. CGC census 6/07: 1 in 5.5, 1 higher.
Wonderworld Comics #8 (Fox, 1939) CGC VG+ 4.5 White pages. Lou Fine delivers a Flame cover deemed "classic" by Overstreet -- and who are we to argue? Fine, Will Eisner, and Bob Powell provide the story art inside. This white-paged wonder is one of a scant five unrestored copies currently certified by CGC, the highest being a mere 7.0. Overstreet 2007 VG 4.0 value = $542. CGC census 6/07: 1 in 4.5, 2 higher.
World's Finest Comics #17 (DC, 1945) CGC VF+ 8.5 White pages. This was the last issue of World's Finest to feature a cardboard cover. The rickshaw cover illustration is by Jack Burnley, while a Batman story with art by Dick Sprang is the highlight inside. Overstreet 2007 VF 8.0 value = $863; VF/NM 9.0 value = $1,394. CGC census 6/07: 2 in 8.5, 4 higher.
World's Finest Comics #18 (DC, 1945) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. Superman, Batman, and Robin are featured together on this circus-themed cover. This issue marked the beginning of traditional paper cover stock for this series. CGC notes, "Restoration includes: spine splits sealed to cover." Overstreet 2007 GD 2.0 value = $127; VG 4.0 value = $254; FN 6.0 value = $381; VF 8.0 value = $794; VF/NM 9.0 value = $1,285; NM- 9.2 value = $1,775.
World's Finest Comics #24 (DC, 1946) CGC VF/NM 9.0 White pages. Superman, Batman, Green Arrow, and the Boy Commandos head the roster of stars in this issue. The cover is by Jack Burnley, with interior art by Win Mortimer and others. Overstreet 2007 VF/NM 9.0 value = $903; NM- 9.2 value = $1,250. CGC census 6/07: 1 in 9.0, 3 higher.
World's Finest Comics #28 (DC, 1947) CGC VF+ 8.5 Cream to off-white pages. This issue sports a great Jack Burnley cover. Superman battles Lex Luthor in one of the stories, and Batman, Green Arrow, and the Boy Commandos star in tales of their own. Overstreet 2007 VF 8.0 value = $556; VF/NM 9.0 value = $903. CGC census 6/07: 2 in 8.5, 6 higher.
World's Finest Comics #30 (DC, 1947) CGC FN/VF 7.0 Off-white to white pages. Johnny Everyman appearance. Jack Burnley and Charles Paris cover. Bob Kane, Curt Swan, Win Mortimer, John Daly, George Papp, and William White art. Overstreet 2007 FN 6.0 value = $267; VF 8.0 value = $556. CGC census 6/07: 3 in 7.0, 5 higher.
Young Allies Comics #1 (Timely, 1941) CGC VF- 7.5 Off-white to white pages. Quintessential Timely cover by Jack Kirby and Syd Shores had Bucky taking on both the Red Skull and Hitler himself! Nice upper mid-grade copy of a highly sought-after issue. Kirby, Shores, and Charles Nicholas contributed interior art. Overstreet 2007 VF 8.0 value = $10,250. CGC census 6/07: 2 in 7.5, 7 higher.
Young Allies Comics #6 Chicago pedigree (Timely, 1943) CGC VF 8.0 Off-white to white pages. This issue's Alex Schomburg cover is notable for having German and Japanese foes. In addition to the kid group's adventures inside the comic, there's a four-page "Week After Pearl Harbor" story by Stan Lee and Don Rico that promotes buying war bonds. Overstreet 2007 VF 8.0 value = $913. CGC census 6/07: 2 in 8.0, 2 higher.
Young Allies Comics #10 (Timely, 1943) CGC VF+ 8.5 Off-white to white pages. Alex Schomburg provides a great action-packed cover, featuring Toro and Bucky getting the gang out of yet another tight spot. Inside is the origin of Tommy Tyme and the Clock of Ages. Stan Lee gets one of his early writer's credits, and Mike Sekowsky, Dan Barry, and Don Rico are among the listed story artists. The cover colors are striking. There is some writing near the top of the front cover. Overstreet 2007 VF 8.0 value = $913; VF/NM 9.0 value = $1,482. CGC census 2/07: 1 in 8.5, 5 higher.
All-American Comics #18-21 Softcover Bound Volume (DC, 1940). Each of these issues is a tall order to find on its own, and finding all four in such attractive shape would border on impossible. These issues have some of the earliest Green Lantern and Atom stories, including the first appearance of the Atom in #19. And of course, we mustn't forget the Red Tornado's debut in #20. There are plenty of never-reprinted stories here, plus, every one of these meaty 64-pagers has heart-stopping house ads for the likes of All Star #2 and the 1940 New York World's Fair comic. The covers of the issues look fantastic; the pages are cream to off-white, not tan! The comics are bound in an off-white slick-paper cover with the titles and issue numbers handwritten on the spine (while we don't know the provenance, we have seen softcover volumes from later issues of the series before). The outside edges have been trimmed as is customary for bound volumes. A future owner might want to have these re-bound as a hardcover, an inexpensive process. Considering that high-grade copies of the originals would run you a total of $30,000-plus, this volume is a very attractive option. Overstreet 2007 VG 4.0 value for group = $6,596.
All-Flash #1-7 Softcover Bound Volume (DC, 1941-42). The condition of the covers herein ranks with the nicest copies we have seen, and the pages are cream to off-white with no signs of brittleness. These issues have been trimmed as is customary for bound volumes, but the trimming doesn't even come close to any story panels. The issues are wrapped in a simple green paper cover with the title and issue numbers handwritten on the spine. Issue #1 is one of Overstreet's 50 most valuable Golden Age books, and that issue alone Guides at $10,628 in VF and $26,000 in NM-, so this bound volume shapes up as a spectacular buy. Overstreet 2007 VG 4.0 value for group = $4,950.
All-New Comics #5-10 File Copies Bound Volume (Harvey, 1943-44). Superb file copies of All-New #5, #6 (the Boy Heroes and Red Blazer stories begin; Black Cat appearance), #7 (Black Cat and Zebra appearances; art by Joe Kubert and Bob Powell), #8 (Shock Gibson appearance; art by Kubert and Powell), #9 (Black Cat appearance; Kubert Art), and #10 (Zebra appearance; Kubert art) -- all with covers by Alex Schomburg -- trimmed and bound into a single hardcover volume. The books are in great condition with minimal wear, bright covers with some instances of loss of color and gloss, and off-white to cream pages. Overstreet 2007 VG 4.0 value = $1,008.
Silver Age (1956-1969)
The Amazing Spider-Man #50-58 Bound Volume with Sketch (Marvel, 1967-68). Includes copies of Amazing Spider-Man #50 (first appearance of the Kingpin), 51, 52, 53, 54, 55, 56, #57 (Ka-Zar appearance), and 58 that have been trimmed and bound into an ornate hardcover volume. Covers and art by John Romita Sr. The front endpaper bears a large pencil sketch of Spider-Man signed "John Romita '02". The books are in great condition with mild wear and tanning, and some foxing. Overstreet 2007 VG 4.0 value for group = $292.
The Amazing Spider-Man #68-77 and Annual #5 Bound Volume (Marvel, 1968-69). Included are copies of Amazing Spider-Man #68, #69 (Kingpin cover), 70, 71, 72, #73 (first appearance of Silvermane), 74, 75, 76, and 77, plus King-Size Special #5 (40-page Red Skull story; first appearance of Peter Parker's parents), trimmed and bound into an ornate hardcover volume. Covers and art by John Romita Sr. The books are in great condition with glossy covers, off-white pages, and some mild foxing and wear. Overstreet 2007 VG 4.0 value for group = $220.
Bronze Age (1970-1979)
The Amazing Spider-Man #129-144 Bound Volume (Marvel, 1973-75). The first appearance of the Punisher kicks off this volume, which features trimmed and hardbound copies of #129 (first appearances of Punisher and Jackal), 130, 131, 132, 133, #134 (first appearance of Tarantula; Punisher cameo), #135 (second full Punisher appearance), #136 (first appearance of Harry Osborn as Green Goblin), 137, 138, 139, 140, 141, 142, 143, and #144 (first full appearance of Gwen Stacy Clone). In great condition with mild tanning. Overstreet 2007 VG 4.0 value for group = $224.
Golden Age (1938-1955)
The Black Terror #1-12 Bound Volume (Nedor Publications, 1943-45) . Alex Schomburg drew the covers for all of these issues except #1, and here's your chance to enjoy not only those but the interior stories which aren't available in reprint form. This volume is a bit unusual in that the first five issues have been trimmed while the rest have not. The page quality is a sterling white at the page centers but tan at the edges, with slight brittleness in spots. See our hero smash the enemies of democracy! Overstreet 2007 VG 4.0 value for group = $2,034.
The Black Terror Bound Volume of 22 Issues (Nedor Publications, 1942-48). All but five issues of this series' highly collectible run are included here: #1-5, 7-14, 16-22, 24, and 25, that means lots of fantastic Alex Schomburg covers! All comics have been trimmed as part of the binding process, and #1-5 are trimmed to a different width than #7-up. All of the covers are gorgeous, with only the slightest hint of edge tanning (except the back cover of #5, which has a few tears). While the top of the volume shows a water stain at the spine, it's not even noticeable when paging through the interior. The page quality is cream to off-white. Overstreet 2007 VG 4.0 value for group = $3,006.
Blue Bolt #1-12 Funnies Inc. File Copies Bound Volume (Novelty Press, 1940-41) . The very first collaboration between Joe Simon and Jack Kirby was in Blue Bolt #2, and that's just one highlight of this amazing bound volume! To give you an idea of how tough-to-find these issues are: we had only ever seen one copy each of #3 and #7 and we still haven't seen a "loose" copy of #9 to this day, yet all of those issues are included here. This volume originated from Funnies Inc., the "shop" of artists who packaged the content of this series for publisher Novelty Press. We think most any collector will be pleased with the condition: the pages are tan at the edges and only in a few small areas have the edges become brittle. All of the covers are smooth, fresh, and attractive, and each has an "office copy" stamp. Unusually enough, the comics have not been trimmed prior to binding. The hinges of the hardcover volume are loose in spots, but this could be fixed inexpensively. We don't have enough room here to go into all of the interior art (almost none of which has ever been reprinted) by the likes of Bill Everett, Basil Wolverton, and more... all we can say to those who would pass this up is that we doubt another such volume exists. Overstreet 2007 VG 4.0 value for group = $3,544.
Bobby Benson's B-Bar-B Riders #1-12 Bound Volume (Magazine Enterprises, 1950-51). Issues #1 (Lemonade Kid begins; Overstreet lists as "scarce"), 2, 3, #4 (Spider cover), #5 (Lemonade Kid cover), 6, 7, 8, 9, 10, 11, and 12. The interior art is by Bob Powell. Issue #11 features a cover by Frank Frazetta, the rest have covers by Powell. The books are in great condition, with mild wear, bright, glossy covers, and off-white to cream pages. Overstreet 2007 VG 4.0 value for group = $476.
Pulps
Eerie Tales #1 Bound Copy (C. K. Publishing, 1941) Condition: VG-. An exceptionally rare copy -- Bookery's lists its availability as "scarce to rare" -- of the only issue of the title. This Canadian-produced pulp appears to have been inspired by Weird Tales, imitating much of its style and content. Consisting of a scant 64 pages published during the early years of World War II, the paper shortage that diminished the pulps in general no doubt played a part in its demise. This copy has been bound into an attractive protective cover and is in very nice condition with a few small tape repairs to the inside back cover. Bookery's Guide to Pulps VG value = $200.
Silver Age (1956-1969)
Fantastic Four #38-43 and Annual #3 Bound Volume (Marvel, 1965). Includes copies of FF #38, #39 (Wally Wood inks), 40, #41 (vs. Frightful Four), 42, and 43, plus Annual #3 (wedding of Reed Richards and Sue Storm), that have been trimmed and bound into an ornate hardcover volume. Covers and art by Jack Kirby. The books are in great condition and have minor wear, off-white pages, and some foxing. Overstreet 2007 VG 4.0 value for group = $228.
Golden Age (1938-1955)
Green Hornet Comics #15-21 File Copy Bound Volume (Harvey, 1943-44). File copies of Green Hornet Comics #15, 16, 17, 18, 19, #20 (classic cover by Alex Schomburg), and 21 that have been trimmed and bound into a hardcover volume. Artists include Schomburg, Joe Kubert, and Bob Powell. The Books are in great condition with mild wear and moderate tanning. Overstreet 2007 VG 4.0 value for group = $866.
Green Hornet Comics #22-27 File Copy Bound Volume (Harvey, 1945). File copies of issues #22, 23, #24 (sci-fi cover), 25, 26, and 27 that have been trimmed and bound into a hardcover volume. Artists include Alex Schomburg, Bob Fuje, and Jerry Robinson. The comics are in great condition with moderate wear and tanning. Overstreet 2007 VG 4.0 value for group = $588.
Jumbo Comics #21-32 File Copies Bound Volume (Fiction House, 1940-41). File copies of Jumbo Comics #21, #22 (first appearances of Tom, Dick, and Harry; origin of Hawk retold), 23, 24, #25 (Midnight the Black Stallion stories begin), 26, 27, 28, 29, 30, #31 (first appearance of Mars God of War in Stuart Taylor story), and 32 that have been trimmed and bound into a hardcover volume. Overstreet notes that bondage covers, negligee panels, and torture are common in this series. The books are in great condition with bright glossy covers (though many show some color loss), and supple pages with moderate tanning and some foxing. Overstreet 2007 VG 4.0 value for group = $1,468.
Jumbo Comics #33-44 File Copy Bound Volume (Fiction House, 1941-42). File copies of Jumbo Comics #33, 34, 35, 36, 37, 38, 39, 40, 41, #42 (Ghost Gallery stories begin), 43, and 44 that have been trimmed and bound into a hardcover volume. Overstreet notes that bondage covers, negligee panels, and torture are common in this series. The comics are in great shape, with mild wear, glossy covers (though most show some color loss), and mild to moderate tanning to the pages. Overstreet 2007 VG 4.0 value for group = $1,152.
Jumbo Comics #45-56 File Copy Bound Volume (Fiction House, 1942-43). File copies of Jumbo Comics #45, 46, 47, 48, 49, 50, 51, #52 (last Tom, Dick, and Harry story in title), 53, 54, 55, and 56 that have been trimmed and bound into a hardcover volume. Overstreet notes that bondage covers, negligee panels, and torture are common in this series. The books are in great condition with mild wear, glossy covers that exhibit far less color loss than is usual, and moderate page tanning. Overstreet 2007 VG 4.0 value for group = $924.
Miscellaneous Golden Age Comics Bound Volume (Various Publishers, 1947-48). Included are copies of Planet Comics #52 (Maurice Whitman art); Jungle Comics #95 and #97 (Bob Lubbers art); Startling Comics #48 (airbrushed cover by Alex Schomburg); Jumbo Comics #105 and #107 (both with Matt Baker art); Wonder Comics #15 (origin of Tara; bondage cover by Schomburg); Fight Comics #54 (Baker and Jack Kamen art); Classics Illustrated #40 (Mysteries by Edgar Allen Poe; first edition), and #41 (Twenty Years After;first edition); and 4 Favorites #21 (Rudy Palais cover) that have been trimmed and bound into a hardcover volume. The comics are in great condition with mild to moderate wear and tanning. Overstreet 2007 VG 4.0 value for group = $848.
Sheena, Queen of the Jungle #1-3 File Copy Bound Volume (Fiction House, 1942-43). File copies of issues #1, 2, and 3 of Sheena, trimmed and bound into a hardcover collection. The binding is solid and the books are in great condition, with very minor wear, glossy covers that exhibit mild to moderate color loss, and supple off-white to cream pages. Overstreet 2007 VG 4.0 value for group = $928.
Sheena, Queen of the Jungle #4-15 Bound Volume (Fiction House, 1948-52). Gorgeous copies of Sheena issues #4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, and 15, with covers by Matt Baker and Maurice Whitman. The books are in great condition with mild to moderate wear and tanning. Overstreet 2007 VG 4.0 value for group = $984.
Speed Comics #24-28 Bound Volume (Harvey, 1942-43). Copies of Speed Comics #24 (Hitler, Tojo, and Mussolini cover), 25, #26 (flag cover), 27, and 28, that have been trimmed and bound into a single hardcover volume. Artists include George Tuska and Bob Powell. The books are in very nice condition with mild to moderate wear and tanning. Overstreet 2007 VG 4.0 value for group = $502.
Straight Arrow #1-12 Bound Volume (Magazine Enterprises, 1950-51). Includes copies of Straight Arrow #1 (first mention of Sundown Valley and the Secret Cave), #2 (origin and first appearance of Red Hawk, Bob Powell art), #3, #4 (Secret Cave cover), 5, 6, 7, 8, 9, 10, 11 (classic "Valley of Time" story), and 12. Issue #3 has a cover by Frank Frazetta, the rest have covers by Fred Meagher. The comics are in great condition with very mild wear, bright, glossy covers, and mild to moderate tanning and foxing. Overstreet 2007 VG 4.0 value for group = $554.
Modern Age (1980-Present)
Whitman Modern Age File Copies Bound Volume (Whitman, 1980). Some of the toughest Whitman books, including prepack-only issues, are featured here. In all, this volume -- originally from the Western Publishing archives -- includes trimmed and bound copies of Battle of the Planets #6-10 (#7-9 had low print runs), Buck Rogers #7-9 and 11 (#8-9 were prepack-only), and Flash Gordon #28-33 (#30 is the original 40-cent printing which was only distributed in Canada and Australia). By the way, a bindery slip says, "Note: Buck Rogers #10 was not published, don't look for it." Covers look perfect, pages are a nice off-white with no edge tanning. Overstreet 2007 VG 4.0 value for group = $84.
Whitman Cartoon Character Comics - File Copy Bound Volume (Whitman, 1980). These are Western Publishing file copies that have been trimmed and bound into two hardcover volumes. The comics included are Beetle Bailey #132 (last issue); Little Lulu #258, 259, #260 (low distribution according to Overstreet), 261, and 262; and Popeye #156, 157, 158, and 159. Some have handwritten reprint notes on the front cover and/or inside pages. Overstreet 2007 VG 4.0 value for group = $76.
Golden Age (1938-1955)
Wings Comics #73-84 Bound Volume (Fiction House, 1946-47). An attractive volume featuring copies of issues #73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, and 84 that have been trimmed and bound into a single volume. The cover of issue #73 has a three-inch tear and a missing corner chunk, and #82's back cover is also missing a corner, with a 5" crease. The other issues all appear high-grade. Although trimmed during the binding process, the comics have remarkably deep color and brilliant gloss, with cream to off-white pages. Overstreet 2007 VG 4.0 value for group = $576.
Yellowjacket Comics #1-5 File Copy Bound Volume (Charlton, 1944-45). Stunning file copies of Yellowjacket #1 (origin and first appearance of Yellowjacket; Diana the Huntress stories begin; adapts Edgar Allen Poe's "The Black Cat"), #2 (first full Yellowjacket cover), #3, #4 (adapts Poe's "Fall of the House of Usher;" Rudy Palais art), and #5 (Al Fagaly cover), trimmed and bound into a hardcover volume. The volume comes from the personal library of Former Charlton editor Bill Pearson. The comics are in excellent condition with bright glossy covers and off-white to cream pages. Overstreet 2007 VG 4.0 value for group = $354.
Pulps
Adventure Novels and Short Stories #6 Court Case Copy (Chesterfield, 1937) Condition: VG. A copy of the July 1937 issue, with a French Foreign Legion-themed cover by and a story by Murray Leinster. This copy was used as evidence ("Plaintiff's Exhibit VI") in an unspecified lawsuit in 1941, and is festooned with stamps, labels, and notes from the New York County Clerk's Office. It's marked "Defendant's Magazine," but who was suing the publisher and why remains a mystery! Complete spine, off-white to cream pages. Bookery's Guide to Pulps VG value = $50.
All Story Magazine July 1912 Issue (Munsey, 1912) Condition: GD/VG. A very nice copy of the rare July 1912 issue of Argosy featuring the sixth and final installment of Edgar Rice Burroughs' "A Princess of Mars," the first of the author's tales of Civil War veteran John Carter and his adventures on the Red Planet. (Here it's titled "Under the Moons of Mars" and credited to the pseudonym "Norman Bean.") Burroughs' first published work as a writer, it would spawn subgenres of science fiction known as "Sword and Planet" stories and "Planetary Romances." With supple pages and good binding with no tape repair, only some heavy page tanning, soiling, and wear to the head and tail of spine keep this copy from grading higher. Bookery's Guide to Pulps GD value = $500, VG value = $1,250.
All-Story Magazine Oct 1912 (Munsey, 1912) Condition: GD/VG. A milestone in American literature, this magazine represents the first ever appearance of Tarzan in any medium, and prolific writer Edgar Rice Burroughs' second published work (the first under his own name). This issue of All-Story is currently the single most valuable pulp magazine, and is considered very rare with probably fewer than 20 copies in existence. The story was printed in its entirety in this issue (unlike most other Burroughs stories), preceding the McClurg book edition by a year-and-a-half (the two vary textually in a number of respects). The classic cover by Clinton Pettee, which features Tarzan wrestling a lion in the jungle, is the first published image of Tarzan. This particular copy is in very nice condition, albeit with some wear and tear to the front cover and chipping to the top and bottom edges of the pages, and has a virtually complete spine, solid binding, and off-white to cream-colored pages. It comes in a custom-made box with a reproduction of the cover affixed to the front. Last year, an Apparent FN copy of this issue sold at auction for $59,000 -- the highest price ever paid for a pulp! Bookery's Guide to Pulps GD value = $10,000; VG value = $20,000.
All-Story Magazine "Gods of Mars" Group (Munsey, 1913) Condition: Average VG. By the time this, his third professional work, hit the newsstands, Edgar Rice Burroughs had already made a name for himself during the previous year -- first with "Under the Moons of Mars," his first of many science-fantasy tales set on the Red Planet, and followed almost immediately thereafter with the now-legendary "Tarzan of the Apes." "Gods of Mars" was the first of several sequels in the series, and this run features the complete story in five installments. Included are the January, February, March, April, and May, 1913 issues; the February issue grades GD although it is missing the front cover, and the rest have solid binding and supple pages. Approximate Bookery's Guide to Pulps value for group = $2,500.
All-Story Magazine "The Cave Girl" Group (Munsey, 1913) Condition: Average VG. "The Cave Girl" was Burroughs' seventh story, begun immediately after he completed "At the Earth's Core," and was published in three installments on the heels of "Gods of Mars." Included is the complete story in the July (cover by Clinton Pettee), August, and September 1913 issues of All-Story. The July issue is listed as "rare" in the Bookery's Guide to Pulps, and the other two feature the first installments of "Her Forbidden Knight" by Rex Stout. Plus, the September issue features the cover story "The Copper Princess" by Perley Poore Sheehan, featuring a sci-fi bondage cover by P. J. Monahan. Also included are complete "excerpted" installments of the 1917 sequel, "The Cave Man," that were at some point removed from their respective magazines and collected together along with the front cover from the first installment. Approximate Bookery's Guide to Pulps value for group = $2,500.
All Story November 1913 Issue (Munsey, 1913) Condition: GD. This issue of All-Story featured one of Edgar Rice Burroughs' earliest tales as a professional writer, "A Man Without a Soul" (since reprinted as "The Monster Men"), a macabre work that owes much to Frankenstein and The Island of Dr. Moreau. The story is complete in this issue and was featured on the cover, with accompanying cover art painted by P. J. Monahan. Bookery's Guide to Pulps GD value = $400.
All-Story Magazine "Warlord of Mars" Group (Munsey, 1913-14) Condition: Average VG. Edgar Rice Burroughs' third "Barsoom" novel concludes the story arc that began with "A Princess of Mars" and "Gods of Mars" just two years earlier. The trilogy -- and the entire series overall -- played a profound role in shaping science fiction during its formative years. This group of All-Story Magazine issues includes the first, second, and fourth installments of the four-part serial, specifically the December 1913 and January and March 1914 issues. The December issue also features a sci-fi/bondage cover by Fred W. Small and the conclusion of the story "Her Forbidden Knight" by Rex Stout, and the March issue features "The Woman of the Pyramid" by Perley Poore Sheehan. The magazines are in fantastic condition, especially when one considers their age, and tight binding, supple cream-colored pages, and spines that are almost entirely intact. (There is a moderate amount of wear to the top right corner of the March issue.) Approximate Bookery's Guide to Pulps value for group = $2,500.
All-Story Weekly "At the Earth's Core" Group (Munsey, 1914) Condition: Average VG. Another early work by Edgar Rice Burroughs, who started it in 1913 immediately after completing The Return of Tarzan, "At the Earth's Core" introduced the "hollow earth" lost world of Pellucidar. This selection of All-Story issues includes the April 4, 11, and 18, 1914 issues, representing the first three installments of the story (out of four). The April 4 issue features a fabulous bondage cover by Modest Stein, and each is in attractive condition. Approximate Bookery's Guide to Pulps value for group = $1,500.
All-Story Cavalier Weekly "Beasts of Tarzan" Group (Munsey, 1914). Includes the May 23 (covers missing; tape repair along length of spine - FR) and June 6 (back cover missing; some tape repair to spine - GD), 1914 issues, representing the second and fourth installments of the five-part serial. Approximate Bookery's Guide to Pulps value for group = $225.
All-Story Cavalier Weekly "Sweetheart Primeval" Group (Munsey, 1915). This four-issue run represents the complete story "Sweetheart Primeval," Edgar Rice Burroughs' sequel to "The Eternal Lover." Included are the January 23 (GD/VG) and 30 (covers and portion of contents page missing; tape along length of spine - FR), and February 6 (back cover missing; some tape along spine - GD) and 13 (small piece of tape on spine - GD/VG), 1915 issues. The January 23 issue features a striking cover by P. J. Monahan, and the February 23 issue includes "The Methods of Moris Klaw" by Sax Rohmer. Approximate Bookery's Guide to Pulps value for group = $600.
All-Story Weekly "Pellucidar" Group (Munsey, 1915) Condition: Average GD. Featured are all five installments of Edgar Rice Burroughs' sequel to his Pellucidar series, the second of his Hollow Earth stories. Included are the May 1 (Modest Stein cover), 8, 15 (back cover and most of spine is missing), 22, and 29 (P. J. Monahan cover; small portion of cover missing; heavy chipping to rear upper right corner), 1915 issues. The title of the magazine reverted from All-Story Cavalier Weekly back to All-Story Weekly with the May 15 issue. Most have one or more trimmed edges. Approximate Bookery's Guide to Pulps value for group = $500.
All-Story Weekly "Barney Custer of Beatrice" Group (Munsey, 1915) Condition: Average GD/VG. A complete collection of "Barney Custer of Beatrice," Edgar Rice Burroughs' sequel to "The Mad King." Included are the August 7, 14 (heavy chipping to lower left corner), and 21 (tape repair to spine), 1915 issues of All-Story. The August 14 issue also features the story "The Shadow of the Guillotine" by Rafael Sabatini (The Seahawk, Scaramouche, Captain Blood). Approximate Bookery's Guide to Pulps value for group = $600.
All-Story Weekly "Son of Tarzan" Group (Munsey, 1915-16) Condition: Average GD. The first five installments of the six-part Tarzan novel that introduced the Ape-Man's son, Korak. Included are the December 4, 11, 18 (man vs. polar bear cover by P. J. Monahan), and 25, 1915 and January 1, 1916 issues. This run also includes the complete three-part serial "Polaris of the Snows" by C. B. Stilson and the first parts of "The Sea Demons" by Victor Rousseau and "The Great Legend" by Rex Stout. The December 11 issue is missing the front cover, and the January 1 issue has detached covers and is missing most of its spine. Approximate Bookery's Guide to Pulps value for group = $600.
All-Story Weekly "The Lad and the Lion" Group (Munsey, 1917) Condition: Average VG. A variation on his own Tarzan stories, Edgar Rice Burroughs' "The Lad and the Lion" is one of the finest examples of his early writing. These three issues of All-Story Weekly represent the complete serialization of the story. Included are the June 30, 1917 issue, with a beautiful cover image painted by Modest Stein that features a movie audience watching a projected image of a young man with his arm around a lion; the July 7, 1930 issue, with a portrait of an attractive woman on the cover; and the July 14, 1930 issue, which also features a cover story by Max Brand, as well as the first installment of "The Terrible Three" by Tod Robbins, filmed in 1925 as The Unholy Three by Tod Browning with Lon Chaney in the lead role. These are gorgeous copies, especially given their age, with virtually complete spines, tight binding, and supple pages -- definite must haves for the serious collector. Approximate Bookery's Guide to Pulps value for group = $800.
Amazing Stories V1#11 (Ziff-Davis, 1927) Condition: VG/FN. A thrilling dinosaurs-vs.-submarine cover by Frank R. Paul highlights this issue, which included part one of "The Land That Time Forgot" by Edgar Rice Burroughs and part three of "The First Men in the Moon" by H. G. Wells. A stunning copy with a complete spine and light tan pages, only some minor cover wear and light chipping to the upper and lower right corners keep it from grading a solid FN. Bookery's Guide to Pulps VG value = $125; FN value = $250.
Amazing Stories "Land that Time Forgot" Group (Ziff-Davis, 1927) Condition: Average VG+. Edgar Rice Burroughs' complete "Land That Time Forgot" series as reprinted in the February, March, and April 1927 issues of Amazing Stories. Excellent copies; only well-tanned pages and some cover wear prevent them from grading higher. Approximate Bookery's Guide to Pulps value for group = $250.
Amazing Stories Edgar Rice Burroughs Group (Ziff-Davis, 1927-42) Condition: Average GD/VG. A great array of ERB Amazing Stories issues that includes the March (GD) and April 1927 ("Land That Time Forgot" parts two and three); January ("John Carter and the Giant of Mars"), March ("The City of Mummies"), June ("Black Pirates of Barsoom"), August ("Yellow Men of Mars"), and October ("Invisible Men of Mars") 1941; and February ("Return to Pellucidar"), March (Men of the Bronze Age"), and April ("Tiger Girl") 1942 issues, plus the Amazing Stories Annual (the complete "Master Mind of Mars," GD). Complete spines and supple pages; many feature covers by J. Allen St. John. Approximate Bookery's Guide to Pulps value for group = $600.
Amazing Stories 3-Box Lot (Ziff-Davis, 1927-32) Condition: Average GD/VG. This set of three full short boxes includes the February (submarine vs. dinosaur cover by Frank R. Paul; front cover detached; back cover missing), March, April, September ("The Colour Out of Space" by H. P. Lovecraft; "The Radio Ghost" by Otis Adelbert Kline), October, and December 1927; February ("The Revolt of the Pedestrians -- first published story by David H. Keller), March, April, May ("The Octopus Cycle" -- first published story by Fletcher Pratt; cover by Paul), June ("The Golden Girl of Munan" -- first published story by Harl Vincent), July, September (first appearance of "scientifiction" logo), October (classic robot vs. lion in coliseum cover by Paul), November, and December ("The Metal Man" first published work by Jack Williamson; classic cover by Paul) 1928; January, February (2 copies), March (first cover appearance of Buck Rogers, his second and last pulp appearance), April (2), May (2), June (last cover by Paul), July, August, September, October, November, and December (2) 1929; January ("When Atoms Fall" -- first published story by John W. Campbell), February, March, April, May, July (2), August (2 copies - "Skylark Three" by E. E. Smith), September, October (2), November 1930; January (2), February (2), March, April (2 copies; classic cover by Leo Morey), May (3), June (2), July (2), August (2), September (2), October, November (2), and December 1931; January (2), February (2), March (2), April (3), May (4), June (4), July (2), August (3), September (2), October (2 copies - "The First Martian" -- first published story by Eando Binder), November (2), and December (2) 1932 issues of Amazing Stories; plus the Spring 1931 and Fall-Winter 1932 issues of Amazing Stories Quarterly. The average grade is GD/VG, a few with separated or missing covers, and several that grade higher. Approximate Bookery's Guide to Pulps value for group = $3,000.
Amazing Stories 5-Box Lot (Ziff-Davis, 1928-63). This set of five full short boxes features a nice cross-section of the classic, influential sci-fi pulp series. The included issues are: June 1928 (bedsheet format; first published story by Harl Vincent); November 1938 (Stanley G. Weinbaum cover); May, June, July, August (Robert Bloch story), November, and December 1939; January, February, March, May, June, and September 1940; January (dinosaurs vs. battleship cover by J. Allen St. John), March, April (Bloch story), July, August, September and November 1943; January, March (Bloch story, St. John cover), May ("I, Rocket" by Ray Bradbury), and September 1944; March ("I Remember Lemuria" by Richard Shaver; first appearance of the Shaver Mysteries), June (Robert Gibson Jones cover), September (Jones cover), and December ("Let Freedom Ring," first published story by Rog Phillips; Jones good girl cover) 1945; February ("The Final Victim" by Ray Bradbury and Henry Hasse; "The Shaver Mystery" by Phillips), May, June, July ("Chrysalis" by Ray Bradbury; good girl cover by Walter Parke), August (H. W. McCauley cover), September, October, November (good girl cover by Arnold Kohn), and December 1946; January, February, March, April, May, June (special "Shaver Mystery" issue), July, August, September, October, November, and December 1947; January, February, March (classic good girl cover by Jones), April (classic Jones good girl cover), May ("Proof of the Shaver Mystery," by Ray Palmer), July, August (classic Jones good girl cover), October, and November 1948; January (classic dinosaur cover by St. John), February, March, April, June, July, August, September, November (classic bondage cover by Kohn), and December 1949 ("Outpost," first published story by Marion Zimmer Bradley; good girl cover by R. G. Jones); January, February, April, May (Bloch story), June (August Derleth story), July, August (Fredric Brown story), September, October (Brown story), November, and December 1950; January ("The Devil, You Say?", first published story by Charles Beaumont), February ("the Boy Who Cried Wolf 359"), March, April, May, June, July, and September 1951; January (good girl cover by Norm Saunders), February, March, April, May, June, August, September (classic cover by Walter Popp), October, November, and December 1952, January (2 copies), February, March (last pulp-format issue), April-May (first digest-sized issue, Richard Matheson and Robert Heinlein stories), June-July, and October-November 1953 (Matheson story); March, May (Philip K. Dick story), July (Dick story), September, and November 1954; March (Bloch story), May, July, November, and December 1955; March, April (30th anniversary issue), May, August, October, November, and December 1956; January, February, June, September, and October 1957; January, February, April, May, June (Bloch story), and December 1958; January, March, April, May, June (title changes to Amazing Science Fiction), July, October, and December 1959; January, February, June, July, August, November, and December 1962; and March, April, May, June, August, September, October, November (2 copies - "Savage Pellucidar" Rice Burroughs; Piers Anthony story), and December 1963. The pulp issues grade an average of VG, while the later digest-format issues average FN. A number of the issues from 1956-59 feature stories by Harlan Ellison, Philip K. Dick, and J. G. Ballard. Approximate Bookery's Guide to Pulps value for group = $1,700.
Argosy-All Story Weekly Box Lot (Munsey, 1915-38) Condition: Average VG. Includes the August 21, 1915 (part three of "Barney Custer of Beatrice" by Edgar Rice Burroughs) issue of All-Story Weekly and the June 11 and 25, 1925; April 3, 1926; June 11, August 20, September 24, and November 5 and 12, 1927; July 21, 1928; April 20 and November 16 (Cyrano de Bergerac cover by Paul Stahr), 1929; February 7 and March 14, 1931; November 12, 1932 (Zorro story by Johnston McCulley); April 22, 1933 (Zorro story by McCulley); September 21 and 28 (Zorro story by McCulley), 1935; and April 2, 1938 issues of Argosy. Contents include stories by Edgar Rice Burroughs, C. S. Forester, Ray Cummings, H. Bedford-Jones, and A. Merritt. Approximate Bookery's Guide to Pulps value for group = $500.
Argosy-All Story Weekly Edgar Rice Burroughs Group (Munsey, 1916-28) Condition: Average GD. A selection of Argosy issues featuring assorted ERB stories that includes the November 18, 1916 issue (part one of "Tarzan and the Jewels of Opar;" most of the spine is gone); the March 20 and 27 and April 3, 1920 issues (the first three installments of the five-part "Tarzan and the Valley of Luna," which itself was the second part of "Tarzan the Untamed"); and the May 19, 1928 issue (part one of "Apache Devil"; Paul Stahr cover). The March 20 and April 3, 1920 issues have tape along the length of the spines; most have tight binding and bright covers. Approximate Bookery's Guide to Pulps value for group = $50.
Argosy-All Story Weekly "Tarzan the Terrible" Group (Munsey, 1921) Condition: Average GD. The eighth story in Edgar Rice Burroughs' lengthy series of Tarzan tales, in which the Lord of the Jungle must rescue Jane from German soldiers and dinosaurs. Included are all seven installments of the story, as printed in the February 12, 19, and 26, and March 5 (back cover missing), 12 (back cover missing), 19 (back cover missing), and 26, 1921 issues of Argosy. The spine of the March 5 issue has been replaced with tape; the rest have small to medium amounts of tape repairs to the spines. Approximate Bookery's Guide to Pulps value for group = $200.
Argosy-All Story Weekly "The Red Hawk/Efficiency Expert" Group (Munsey, 1921-25) Condition: Average GD. Includes the October 8, 15, 22 (back cover missing), and 29, 1921 issues ("The Efficiency Expert," complete story); and the September 5, 12, and 19, 1925 issues of Argosy ("The Red Hawk," third Moon series story, complete). The 1921 issues all have small tape repairs to the spines. Approximate Bookery's Guide to Pulps value for group = $200.
Argosy-All Story Weekly "Chessmen of Mars" Group (Munsey, 1922) Condition: Average GD/VG. The fifth (and arguably strangest) of Edgar Rice Burroughs' Martian tales finds hero John Carter forced to compete in a live game of Martian chess run by giant floating disembodied heads. This seven-issue run features each installment of the serialized story, and includes the February 18 (P. J. Monahan cover) and 25 (Max Brand cover story), March 4, 11, 18, and 25, and April 1, 1922 issues. Approximate Bookery's Guide to Pulps value for group = $325.
Argosy All-Story Weekly "Tarzan and the Golden Lion" Group (Miscellaneous Publishers, 1922-23) Condition: Average GD. The entirety of Edgar Rice Burroughs' ninth Tarzan story, as featured in the December 9 (P. J. Monahan cover), 16, 23, and 30, 1922, and January 6, 13, and 20, 1923 issues of Argosy. All have heavily chipped spines, otherwise they would grade closer to GD/VG. Approximate Bookery's Guide to Pulps value for group = $200.
Argosy-All Story Weekly "The Moon Men/Moon Maid" Group (Munsey, 1923-25). The first two stories of ERB's three-part Moon series. Included are the May 5 (trimmed; some tape to spine - GD), 12 (covers partially separated - GD), 19 (GD/VG) and 26 (small tape repair to spine - GD+), and June 2 (GD/VG), 1923 issues of Argosy ("The Moon Maid," complete in five parts); as well as the February 21 (2 copies - one GD+, the other GD with spine missing) and 28 (GD+), and March 7 (heavy spine loss - GD) and 14 (heavy spine loss - GD), 1925 issues ("The Moon Men," complete in four parts). Approximate Bookery's Guide to Pulps value for group = $325.
Argosy-All Story Weekly "Bandit of Hell's Bend" Group (Munsey, 1924) Condition: Average VG. A great selection of the September 13, 20 (Paul Stahr cover) and 27 and October 4, 11, and 18, 1924, issues of Argosy All-Story Weekly, featuring the complete Edgar Rice Burroughs Western tale "The Bandit of Hell's Bend." Each has a virtually complete spine, supple off-white pages, and solid binding. Approximate Bookery's Guide to Pulps value for group = $275.
Argosy-All Story Weekly "Tarzan and the Ant-Men" Group (Munsey, 1924) Condition: Average GD/VG. A nice selection of the February 2, 9 (front cover missing), 16, and 23, and March 1 and 8, 1924, issues of Argosy, representing all but the last installment of Burroughs' "Tarzan and the Ant-Men." The first installment is featured on the front cover of the February 2 issue, with a painted cover by Stockton Mulford, and each has illustrations by Roger B. Morrison. Most have mild to heavy tape repairs along the spines, but are in otherwise great condition with bright, clean covers, supple pages, and tight binding. Approximate Bookery's Guide to Pulps value for group = $200.
Argosy-All Story Weekly "War Chief" and "Apache Devil" Group (Munsey, 1927-28) Condition: Average GD. In 1926, Edgar Rice Burroughs began work on "The War Chief," a Western tale that reflected his deep respect for the Apaches, gained during his time with the 7th U.S. Cavalry in 1896-97. A year later, he followed it with the sequel "Apache Devil." This selection of Argosys features the complete runs of both stories, and includes the April 16 (Paul Stahr cover), 23, and 30, May 7 and 14, 1927, and May 19 (Stahr cover; cover detached) and 26, and June 2 (back cover missing), 9, 16 (covers missing), and 23 (back cover missing), 1928 issues. Most have tape repairs to the spine. Approximate Bookery's Guide to Pulps value for group = $200.
Argosy/Fantastic Adventures "Venus" Group (Various, 1932-42) Condition: Average GD/VG. Though not quite as popular as his Martian stories, Edgar Rice Burroughs' Venus series were every bit as swashbuckling -- and possibly more mind-bending. Much of the series is featured in this lot, which includes the September 17, 1932 ("Pirates of Venus" part 1; Leonard Stahr cover), March 4 and 11, 1933 ("Lost on Venus" parts 1 and 2), and January 8 (Rudolph Belarski cover), 15, 22, and 29 and February 5 and 12, 1938 issues of Argosy ("Carson of Venus," complete is six parts); and the March, July, and November 1941 and March 1942 issues of Fantastic Adventures ("Escape on Venus" complete in four parts; J. Allen St. John covers). All have complete spines and supple pages. Approximate Bookery's Guide to Pulps value for group = $400.
Argosy Tarzan Group (Munsey, 1936-41) Condition: Average GD/VG. Includes the September 19 and 26, and October 3, 1936 (the complete "Tarzan and the Magic Men"); March 19 (Ralph Belarski cover) and 26, and April 2, 9, 16, and April 23, 1938 ("Red Star of Tarzan"); and August 23 (Virgil Finlay cover) and 30, and September 6, 1941 ("Quest of Tarzan") issues. The October 3, 1936 is a special prize, as it features "A Gent From the Pecos" by Robert E. Howard and "Mr. Luck" by L. Ron Hubbard, and is the only pulp to feature all three of these pulp giants in the same issue. Approximate Bookery's Guide to Pulps value for group = $250.
Argosy-All Story Weekly Edgar Rice Burroughs Group (Munsey, 1937-39) Condition: Average VG-. Includes the January 9, 16, 23, 30, and February 6 and 13, 1937 ("Seven Worlds to Conquer," aka "Back to the Stone Age," complete in six parts); and January 7 (Rudolph Belarski cover; tape repair to spine), 14, 21, 28, and February 4 and 11, 1939 ("Synthetic Men of Mars," complete in six parts) issues of Argosy. The 1937 issues also feature three installments of L. Ron Hubbard's "Hell Job" series, and the 1939 issues also feature the complete four-part "The Eye of Doom" by Cornell Woolrich. Complete spines and supple pages. Approximate Bookery's Guide to Pulps value for group = $300.
Black Bat Detective Mysteries #3 (Berryman Press, 1933) Condition: VG. A copy of the December 1933 issue, featuring "The Hollywood Murders" by Murray Leinster. The book has off-white pages, a complete spine, and clean covers with a hinge crease on the front. Bookery's lists the books in this series (which only ran six issues) as being "scarce to rare." Bookery's Guide to Pulps VG value = $300.
Black Hood/Hooded Detective Group (Columbia, 1941-42) Condition: Average GD. Includes the September 1941 issue of Black Hood Detective and the November 1941 and January 1942 issues of Hooded Detective. Black Hood was a one shot, whose title changed to Hooded for two issues before becoming Crack Detective for several years. The Black Hood himself started out in Top-Notch Comics and Jackpot by MLJ (creators of Archie) in 1940 before making the leap to pulps. All three of these pulps are listed as "scarce" in Bookery's. Approximate Bookery's Guide to Pulps value for group = $350.
Black Mask Group (Fictioneers Inc., 1928-31) Condition: Average GD+. Included are the September 1928, September (back cover detached), October, and November ("Death and Company" by Dashiell Hammett; last appearance of the Continental Op in Black Mask) 1930, and October 1931 issues of the venerable title, which played a huge part in shaping the crime, adventure, and Western literary genres. The spines are largely complete, and the pages are supple and off-white. Approximate Bookery's Guide to Pulps value for group = $375.
Black Mask V12#7 and #9 "Maltese Falcon" Group (Fictioneers Inc., 1929). The first and third installments of Dashiell Hammett's The Maltese Falcon are in these two pulps, and V12#7 is the first-ever appearance of intrepid P.I. Sam Spade. Serialized in Black Mask in 1929-30, released in book form in 1930, and filmed three times in the decade that followed, The Maltese Falcon redefined many of the conventions of the detective genre. Sam Spade only appeared in this novel and three other short stories, yet is widely considered to be the prototypical hard-boiled private detective. Featured here are the September (GD) and November (GD/VG) 1929 issues. The lower half of the spine of the September issue has flaked away, otherwise the books are in solid condition with supple pages, and are definite must-haves for pulp collectors and fans of detective fiction alike. Approximate Bookery's Guide to Pulps value for group = $1,000.
Blue Book "New Stories of Tarzan" Group (McCall, 1916-17) Condition: Average GD. Included are the October 1916 ("The Capture of Tarzan;" back cover missing) and February ("The Witch-Doctor Seeks Revenge;" front cover missing), May ("The Nightmare"), June ("The Battle for Teeka"), and August ("Tarzan Rescues the Moon") 1917 issues of Blue Book. Published in the magazine as the 12-part "New Stories of Tarzan" series, these stand-alone Tarzan short stories were later collected in Jungle Tales of Tarzan (1919). Approximate Bookery's Guide to Pulps value for group = $400.
Blue Book V27#4 "The Land That Time Forgot" (McCall, 1918) Condition: VG-. From August 1918, this issue contains Edgar Rice Burroughs' "The Land That Time Forgot" in its entirety. A handsome copy with a complete spine and supple pages, and just a little flaking to the edges and some tears and creases to the cover. Bookery's Guide to Pulps VG value = $250.
Blue Book V27#6 "People That Time Forgot" (McCall, 1918) Condition: VG. The October 1918 issue, featuring Edgar Rice Burroughs' complete second installment to his Lost World classic, "The Land That Time Forgot." Complete spine and supple pages. Bookery's Guide to Pulps VG value = $250.
Blue Book "Tarzan and the Lost Empire" Group (McCall, 1928-29). All five installments of Burroughs' twelfth Tarzan saga, as printed in the October (off-white pages - GD/VG), November (back cover missing; most of spine replaced with tape - FR/GD), and December (VG) 1928 and January (VG-) and February (some tape repair to spine; back cover missing - GD) 1929 issues of Blue Book. All but the fifth installment feature Tarzan covers by Frank Hoban. Bookery's Guide to Pulps value for group = $325.
Blue Book "Tarzan at the Earth's Core" Group (McCall, 1929-30) Condition: Average GD/VG. Edgar Rice Burroughs quickly followed up on "Tarzan and the Lost Empire" in the pages of Blue Book with his fourth Hollow Earth story, "Tanar of Pellucidar," which was immediately followed by this inspired crossover between the two series. The complete story is included here, as printed in the September, October (much of the spine missing), November, and December 1929 and January, February, and March 1930 issues of the adventure title, all with interior illustrations and painted Tarzan covers by Frank Hoban. Approximate Bookery's Guide to Pulps value for group = $500.
Blue Book Edgar Rice Burroughs Group (McCall, 1929-40) Condition: Average GD/VG. Includes the March, April, June, and July 1929 ("Tanar of Pellucidar" parts 1, 2, 4, and 5 of 6, Frank Hoban covers); the September, October, November, and December 1932 and January 1933 ("Tarzan and the Leopard Men" parts 2, 3, 4, 5, and 6; sci-fi classic "When Worlds Collide" parts 1-5 of six); and April 1940 ("Tarzan and the Champion," complete story) issues of the venerable adventure pulp. Complete spines and supple pages. Approximate Bookery's Guide to Pulps value for group = $525.
Blue Book Edgar Rice Burroughs Group (McCall Co., 1929-38) Condition: Average GD/VG. This selection of Blue Book issues featuring stories by Burroughs includes the June ("Tanar of Pellucidar" part four; Frank Hoban cover) and December 1929 ("Tarzan at the Earth's Core;" Hoban cover); May ("A Fighting Man of Mars" part two; Laurence Herndon cover) and August 1930 ("Fighting Man" part five); November ("Tarzan and the Elephant Men" part one) and December ("Tarzan and the Elephant Men" part two) 1937, and January 1938 ("Tarzan and the Elephant Men" part three) issues. All have complete spines and white to off-white pages. Approximate Bookery's Guide to Pulps value for group = $300.
Blue Book "A Fighting Man of Mars" Group (McCall, 1930) Condition: Average VG-. Included are the April, May, June July, August, and September 1930 issues of Blue Book, representing all-six installments of Burroughs' seventh Martian novel. Interior Illustrations by Frank Hoban. All have complete spines and supple pages. Approximate Bookery's Guide to Pulps value for group = $350.
Blue Book Edgar Rice Burroughs Group (McCall, 1930-38) Condition: Average GD/VG. Included are the March 1930 ("Tarzan at the Earth's Core" conclusion, first and title pages missing); December 1934 and January, February, March and April 1935 ("Swords of Mars" parts 1 through 6, the latter three issues have spines replaced with tape); October (spine damage), November, and December (spine replaced with tape) 1935, and January, February (spine damage) and March (spine damage) 1936 ("Tarzan and the Immortal Men" parts 1, 2, 3, 4, 5, and 6); and November and December 1937 and January 1938 issues ("Tarzan and the Elephant Men," complete in three issues). Bookery's Guide to Pulps value for group = $450.
Blue Book "Tarzan, Guard of the Jungle" Group (McCall, 1930-31) Condition: Average GD/VG. Story #14 in the Tarzan canon, better known by its reprint title "Tarzan the Invincible." This is the complete story as printed in the October (first bedsheet format issue), November, and December 1930 and January, February, March, and April 1931 issues. The first six installments feature Tarzan covers painted by Laurence Herndon, and each features illustrations by Frank Hoban. Complete spines and supple pages, some in the off-white range. Approximate Bookery's Guide to Pulps value for group = $350.
Edgar Rice Burroughs Tarzan Pulp Group (Miscellaneous Publishers, 1919-40) Condition: Average GD+. Includes March and August 1919 issues of Red Book ("Tarzan the Untamed" parts 1 and 6); March 1928; October, November, and December 1931; and January, February, March, ("Triumph of Tarzan" parts 4, 5, and 6) and August ("Tarzan and the Leopard Men" part 1, Joseph Chenoweth cover) 1932 Blue Book; November 11, 18, 25, December 2, 9, 16, 23, and 30, 1933, and January 6, 1934 Liberty Magazine ("Tarzan and the Lion Man," complete in 9 parts; most have partially or completely split spines and/or detached covers); and June 1940 Thrilling Adventures ("Tarzan and the Jungle Murders;" back cover missing). The Antique Trader Vintage Magazines Price Guide value for the Libertys = $175. Approximate Bookery's Guide to Pulps value for remainder of group = $325.
Edgar Rice Burroughs and Sons Pulp Group (Miscellaneous Publishers, 1931-41) Condition: Average GD/VG. Includes the May, July, August, and September 1931 issues of Blue Book ("Jungle Girl" parts 1, 3, 4, and 5); the February 20, 1937 Argosy ("The Resurrection of Jimber-Jaw;" trimmed; tape along spine); June 1939 Thrilling Wonder Stories ("Man Without a World" by John and Hulbert Burroughs, tape along spine); July 1939 Fantastic Adventures ("The Scientists Revolt"); May 1940 Thrilling Adventures (part three of "The Terrible Tenderfoot" aka "The Deputy Sheriff of Comanche County;" tape repair along spine); and the September 1941 Startling Stories ("The Bottom of the World" by John and Hulbert Burroughs). Approximate Bookery's Guide to Pulps value for group = $300.
Dan Dunn Detective Magazine V1#2 (CJH Publications, 1936) Condition: VG/FN. This title, a pulp series based on the comic strip character, only ran for two issues; both are considered rare, this one more so than the first. The snazzy comic book-style cover is by Fred Meagher. The pages are tanned but supple, and the covers and spine are clean and in great condition. Bookery's Guide to Pulps VG value = $325.
Doc Savage June 1933 (Street & Smith, 1933) Condition: GD/VG. The fourth issue of the series, featuring "The Polar Treasure," one of the best Doc Savage adventures Lester Dent ever wrote. The thrilling cover is by Walter Baumhofer. The spine is intact and fairly clean and the pages are cream to off-white and supple. Some heavy cover creasing prevents this one from grading higher; it's a great specimen nevertheless. Bookery's Guide to Pulps GD value = $200; VG value = $500.
Double Detective Group (Munsey, 1940-41) Condition: Average GD/VG. The further adventures of the crime-fighting Buddhist known as the Green Lama, as published in the April (his first appearance!), June, October, and December 1940, and April 1941 issues of Double Detective. Created as competition for Street & Smith's The Shadow, the Lama wasn't quite as popular but managed a strong enough following to appear in Double Detective from 1940-43, his own comic from 1943-46, and a radio series in 1949. The spines are complete and the page quality ranges from white to off-white. Approximate Bookery's Guide to Pulps value for group = $450.
G-8 and His Battle Aces V2#1 and V4#1 Group (Popular, 1934) Condition: Average VG/FN. Beautiful copies of the February and October 1934 issues, both with classic Frederick Blakeslee covers featuring giant killer insects, highlighting the outlandish elements of this classic pulp series. Both are in great condition with clean covers, fully intact spines, and supple pages. Approximate Bookery's Guide to Pulps value for group = $500.
Horror Stories Group (Popular, 1935-41) Condition: Average GD/VG. Includes the February and September 1935; October-November 1939; October and December 1940; and April 1941 issues, most with ghoulish classic covers. Contents include stories by Ray Cummings, Hugh B. Cave, and Paul Ernst. Each has a complete spine and many have off-white pages. Approximate Bookery's Guide to Pulps value for group = $600.
Ka-Zar #1-3 Group (Red Circle, 1936-37). Includes the October 1936 (VG+) and January (VG/FN) and June (GD/VG) 1937 issues -- a complete run of the short-lived title. Ironically, Ka-Zar was the more successful of many Tarzan knock-offs found in pulps and comics in the '30s and '40s, primarily after being spun-off into comics in 1939 for a brief run and then revived in the '60s as a supporting character in the Marvel Universe, where he continues to thrive. It's also worth noting that these pulps pre-date Marvel Comics #1, making Ka-Zar the oldest original character in the Marvel stable. Each book has supple, off-white to cream pages. Approximate Bookery's Guide to Pulps value for group = $400.
The Lone Ranger Magazine Group (Trojan Publishing, 1937). There hasn't been a medium that the venerable Lone Ranger hasn't been featured in, pulps included. Included are the April (first issue and the Ranger's first pulp appearance - GD/VG), August (VG), and October (GD) 1937 issues of the title, which only lasted for eight issues. Bookery's lists these pulps as "scarce." Each has white to off-white pages and mostly complete spines. Approximate Bookery's Guide to Pulps value for group = $750.
The Magic Carpet Magazine V3#1 (Popular Fiction, 1933) Condition: FN. The first issue of the series, following a title change from Oriental Stories. The cover is by the legendary Margaret Brundage; contents include stories by H. Bedford-Jones, Otis Adelbert Kline, Hugh B. Cave, and E. Hoffman Price. This copy has supple cream pages, clean glossy covers, and a fully intact spine. The right and bottom edges have been trimmed. Bookery's Guide to Pulps FN value = $400.
The Magic Carpet Magazine V3#2 and #4 Group (Popular Fiction, 1933). Includes the April (complete spine; supple pages; trimmed edges; reinforced inside covers - VG) and October (supple pages; largely complete spine - GD+) 1933 issues. Contents include stories by Seabury Quinn, Hugh B. Cave, and H. Bedford-Jones, and both have covers by Margaret Brundage. Approximate Bookery's Guide to Pulps value for group = $250.
Miscellaneous Aviation Pulps Group (Various Publishers, 1931-41) Condition: Average VG. This set of aviation pulp mags includes rare copies of the George Bruce's Air Novels (Rudolph Belarski cover) and George Bruce's Sky Fighters (Eugene Frandzen cover) one-shots, plus November 1939 issue of Sky Fighters and February 1941 issue of Sky Aces. All are in great condition with supple pages and complete spines. Bookery's Guide to Pulps value for group = $250.
Miscellaneous Science Fiction Pulps Group (Various Publishers, 1926-46) Condition: Average GD/VG. Included are the Winter 1939 (first issue) and Fall 1946 issues of Planet Stories; March 1939 Unknown (first issue); November 1931 and January 1932 Wonder Stories; November 1939 Fantastic Adventures; Amazing Stories Annual ("Master Mind of Mars" by Edgar Rice Burroughs - GD); and October and November 1926; February (dinosaurs vs. Submarine cover; "Land That Time Forgot" part one by Burroughs), March (2 copies), April (2), and August (classic "War of the Worlds" cover by Frank R. Paul) 1927, February 1929, and August 1936 issues of Amazing Stories. Approximate Bookery's Guide to Pulps value for group = $875.
Munsey's "The Girl From Hollywood" Group (Frank A. Munsey Company, 1922) Condition: Average GD. One of a handful of Edgar Rice Burroughs non-fantasy tales. Featured is the complete six-part story as printed in the June, July, August, September (covers missing), October, and November (covers missing) 1922 issues of Munsey's, plus the May issue, which has a brief promo mention of the story. Aside from the coverless copies, the spines are mostly complete and the pages are supple. Approximate Bookery's Guide to Pulps value for group = $200.
The Octopus March 1939 (Popular, 1939) Condition: VG+. The only issue of the title, which became The Scorpion with the single subsequent issue. A superb copy of an uncommon pulp, with a complete, unfaded spine and supple, white-to-off white pages. Bookery's Guide to Pulps VG value = $375.
Oriental Stories V1#1 (Popular Fiction, 1930) Condition: GD/VG. A nice copy of the debut issue of this short-lived but influential adventure pulp. The exotic art deco cover is by Von Gelb, and the contents include "The Voice of El-Lil" by Robert E. Howard, as well as stories by Otis Adelbert Kline, Paul Ernst, and G. G. Pendarves. A solid copy with a little cover soiling, a complete spine reinforced with tape, and supple pages. The edges have been trimmed. Bookery's Guide to Pulps GD value = $100; VG value = $250.
Oriental Stories #2, 3, and 5 Group (Popular Fiction, 1930-31). Includes the December-January 1930-31 (some tape on cover and spine - GD/VG), February-March 1931 ("Red Blades of Black Cathay," co-written by Robert E. Howard - GD), and Summer (covers detached - GD) 1931 issues, with covers by Von Gelb. Approximate Bookery's Guide to Pulps value for group = $250.
Oriental Stories V1#3 (Popular Fiction, 1931) Condition: VG+. This issue boasts a striking art deco-ish cover by Von Gelb and contains the story "Red Blades of Black Cathay" by Robert E. Howard and Tevis Clyde Smith. This copy has supple pages and a complete, clean spine with some mild damage and trimmed edges. Only some moderate chipping to the lower right corner and a vertical fold crease that affects the entire book prevent it from grading higher. Bookery's Guide to Pulps VG value = $200.
Oriental Stories V2#3 (Popular Fiction, 1932) Condition: FN. A striking copy of the final issue of the short-lived title. Contents include stories by Otis Adelbert Kline, Clark Ashton Smith, and August Derleth. The cover is by Margaret Brundage, best known for her cover work for Weird Tales. The covers are glossy and clean, the spine is complete with only mild wear, and the pages are supple and off-white. The right and bottom edges have been trimmed. Bookery's Guide to Pulps FN value = $300.
"Reading Kit for Service Men" Pulps With Original Box (Various Publishers) Condition: Average VG. A set of five pulps provided as an entertainment "care package" of sorts for soldiers serving overseas in World War II. Included are the Winter 1942 issue of Famous Western, May 1943 Ideal Love, Summer 1943 All Sports Magazine, July 1943 Crack Detective, and August 1943 Sky Raiders (cover by Alex Schomburg), as well as the original box they were packaged in (in Fine condition with some mild to moderate discoloration and wear to the corners and edges). A rare and fascinating item. The pulps in this group have an approximate Bookery's Guide to Pulps value for group of $50. Hake's Price Guide 6th Edition Fine value for kit = $225.
Saucy Movie Tales April 1937 (Movie Digest, 1937) Condition: VG. A great lingerie cover featuring a damsel menaced by a pistol-packing thug. Light tan pages with some chipping to the corners, otherwise in great condition with a complete spine and clean, well-preserved cover. Bookery's Guide to Pulps VG value = $250.
Science and Invention #124 (Experimenter Publishing Co., 1923) Condition: VG. Published in August 1923, this "Scientific Fiction Number" is considered to be the first American science fiction magazine. Much of the content consists of articles on science and technology, along with fiction by Hugo Gernsback, Ray Cummings, and others. There are a couple of small tape repairs to the spine and inside front cover, but the book is complete and in great condition with glossy white pages. Bookery's Guide to Pulps VG value = $200.
Smashing Novels Magazine V1#4 (Chesterfield, 1936) Condition: FN. The December 1936 issue, the fourth and final one of the title, featuring Robert E. Howard's classic Western "The Vultures of Whapeton," printed with two different endings. This copy has a beautiful cover, complete spine, and mostly off-white pages (with appreciable tanning to the centermost 20 or so). Bookery's Guide to Pulps FN value = $300.
Spicy Adventure Stories Group (Culture, 1935-37) Condition: Average VG-. Includes the February 1935 (classic good girl cover by H. L. Parkhurst) and October 1937 (listed as "scarce" by Bookery's) issues of Spicy Adventure Stories, plus the August 1936 issue of Tattle Tales. All have complete spines and great page quality. Bookery's Guide to Pulps VG value for group = $485.
Spicy Detective Stories Group (Culture, 1935-40). "The coupe roared ahead through the night. It shrieked around the corner on two wheels and a prayer... ". Ah, the action-packed life of Dan Turner, one of the great hard-boiled detectives with a knack for solving the toughest case and getting the prettiest dames -- usually after getting shot, stabbed, and/or beaten to a bloody pulp. Includes copies of the April 1935 (missing story page - VG) and July 1940 (off-white pages - VG+) issues, both featuring Dan Turner stories by Robert Leslie Bellem. Each has supple pages and superb complete spines that exhibit only mild wear. Approximate Bookery's Guide to Pulps value for group = $350.
The Spider Group (Popular, 1933-42). Includes the December 1933 ("Wins of the Black Death," stories by Norvell Page begin - GD), May (VG) and November (VG-) 1941, March 1942 (Suicide Squad crossover from Ace G-Man; white pages - VG-) issues. Approximate Bookery's Guide to Pulps GD value for group = $350.
Strange Stories Group (Better Publications, 1939) Condition: Average VG-. Includes the February (first issue), June, August, and October 1939 issues of the short-lived horror pulp. Include stories by Robert Bloch, Henry Kuttner, E. Hoffman Price, and August Derleth. The first issue has a two-inch tear on the front cover. Most copies feature supple, off-white interior pages, with the exception of the June 1939 issue, which has slightly brittle pages. Bookery's Guide to Pulps VG value for group = $225.
Strange Tales Group (Clayton, 1931-33) Condition: Average GD/VG. Despite having a stable of talented writers that included Robert E. Howard, Hugh B. Cave, Clark Ashton Smith, Paul Ernst, and August Derleth, this rival to Weird Tales lasted a mere seven issues. Included here are copies of the November 1931, June ("People of the Dark" by Howard) and October 1932, and January 1933 (final issue; "Cairn on the Headland" by Howard; "Murgunstrum" by Cave) issues, all with covers by H. W. Wesso. All but the November '31 issue have tape repairs to the spine. Approximate Bookery's Guide to Pulps value for group = $650.
Terror Tales V10#1 and V13#1 Group (Popular, 1938-40) Condition: Average VG-. Includes the November-December 1938 and November 1940 issues, both with classic girl-in-peril covers. Approximate Bookery's Guide to Pulps value for group = $200.
Weird Tales V3#4 (Popular, 1924) Condition: GD+. One of the more common bedsheet-style issues, the April 1924 issue of "The Unique Magazine" includes two stories and a poem by the great H. P. Lovecraft, as well as the second half of a non-fiction article ghost written by Harry Houdini. The spooky séance cover is by R. M. Mally. This copy has a almost-complete spine that bears three very small tape repairs, as well as supple cream to off-white pages. Bookery's Guide to Pulps GD value = $400.
Weird Tales (Pulp) V20#6 (Popular Fiction, 1932) Condition: VG. This landmark pulp dated December, 1932, contains the very first appearance of Robert E. Howard's immortal character, Conan the Barbarian, in a tale entitled "The Phoenix on the Sword." Also featured is author Vincent Starrett's "The Quick and the Dead," and an installment of Otis Adelbert Kline's "Buccaneers of Venus," which is cover illustrated by a great bondage/monster cover. Remarkable stuff, indeed! Bookery's Guide to the Pulps VG value = $600.
Session 5
Silver Age (1956-1969)
Action Comics #242 (DC, 1958) Condition: VF. This copy couldn't be encapsulated by CGC because of an overhang, but note that this book is quite tough in high grade -- the top two copies on CGC census are a VF and a VF+. The issue is quite a key, the first appearance of Brainiac and the first appearance of the shrunken city of Kandor. Curt Swan is the cover artist; Al Plastino and Jim Mooney drew the interior. This copy has cream pages. Overstreet 2007 VF 8.0 value = $1,216.
Action Comics #252 (DC, 1959) CGC FN+ 6.5 Off-white pages. You have to go back to 1940 to find a more valuable issue in the Action run (#29 in 1940 had the first Lois Lane cover) than #252, which featured the first appearances of Supergirl and the new Metallo. Curt Swan did the cover. Overstreet 2007 FN 6.0 value = $456; VF 8.0 value = $1,292. CGC census 5/07: 7 in 6.5, 24 higher.
Action Comics #299 (DC, 1963) CGC VF/NM 9.0 White pages. Curt Swan cover. Overstreet 2007 VF/NM 9.0 value = $116; NM- 9.2 value = $160. CGC census 6/07: 4 in 9.0, 1 higher.
Action Comics #315 (DC, 1964) CGC NM- 9.2 Off-white to white pages. Curt Swan cover. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 2 in 9.2, 4 higher.
Adventure Comics #247 (DC, 1958) Condition: FN+. This nice copy couldn't be encapsulated by CGC because of an overhang, but its white pages attest to its freshness. One of DC's early Silver Age blockbuster issues, here is the first appearance of the Legion of Super-Heroes, and the first appearances of Cosmic Boy, Saturn Girl, and Lighting Boy (Lad). Curt Swan did the cover. Inside there are Green Arrow and Aquaman backup features. Overstreet 2007 FN 6.0 value = $1,125; VF 8.0 value = $3,431.
Adventure Comics #329 (DC, 1965) CGC NM 9.4 Cream to off-white pages. It's the first appearance of the Legion of Stupor-Bizarros, and after mentioning that, what could we say for an encore? Curt Swan is the cover artist. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 2 in 9.4, 1 higher.
Bronze Age (1970-1979)
Adventure Comics #390 (DC, 1970) CGC NM+ 9.6 White pages. Also known as 80-Page Giant G-69, this square bound issue isn't often seen in this condition! Curt Swan and Murphy Anderson are the cover artists. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 3 in 9.6, 1 higher.
Silver Age (1956-1969)
Adventures of the Fly #1 (Archie, 1959) CGC VF+ 8.5 Off-white to white pages. On the heels of Archie Publications' re-entry into the superhero genre two months earlier with The Double Life of Private Strong, came this premiere issue with cover and art by Jack Kirby and Joe Simon. The issue isn't found in high-grade often; in fact, CGC hasn't certified a grade higher than this one's to date. The Fly's origin is told, and there's a Shield appearance. George Tuska also contributes interior art. Overstreet 2007 VF 8.0 value = $400; VF/NM 9.0 value = $675. CGC census 5/07: 2 in 8.5, none higher. From the Warren Hall Collection.
All-American Men of War #40 (DC, 1956) CGC VF/NM 9.0 Light tan pages. Irv Novick, Irwin Hasen, Henry Boltinoff, Ross Andru, and Jerry Grandenetti art. Overstreet 2007 VF/NM 9.0 value = $223; NM- 9.2 value = $310. CGC census 6/07: 1 in 9.0, none higher. From the Keith Marlow Collection.
All-American Men of War #83 (DC, 1961) CGC VF/NM 9.0 Light tan to off-white pages. Second appearance of Johnny Cloud. Irv Novick cover and art, Jack Abel and Jerry Grandenetti art. Overstreet 2007 VF/NM 9.0 value = $103; NM- 9.2 value = $140. CGC census 6/07: 1 in 9.0, 1 higher. From the Keith Marlow Collection.
All-American Men of War #100 (DC, 1963) CGC NM- 9.2 Off-white to white pages. Grey tone cover. Jack Abel and Irv Novick art. Russ Heath cover. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Amazing Fantasy #15 (Marvel, 1962) CGC Apparent FN/VF 7.0 Slight (P) Cream to off-white pages. For the past several years Overstreet has consistently rated this book as the most valuable comic of the Silver Age, and it comes as no small surprise, considering it features the first appearance and origin of Spider-Man, drawn by his co-creator Steve Ditko. Copies of this comic aren't cheap to come by, and with the character riding high upon a hugely successful movie franchise, their value continues to skyrocket. CGC notes, "Restoration includes: Small amount of color touch on cover." The plastic holder has an approx. 1" crack across the back top left corner, which does not compromise the integrity of the holder. Overstreet 2007 GD 2.0 value = $1,600; VG 4.0 value = $3,200; FN 6.0 value = $4,800; VF 8.0 value = $14,000.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN/VF 7.0 White pages. After the events of this summer, Spider-Man's popularity has reached an unprecedented level, so there's no way interest in this first issue will abate anytime soon. Added bonuses: the first appearance of J. Jonah Jameson (even your kids know him!) and also the debuts of John Jameson and the Chameleon. Also, the Fantastic Four ventured outside of the "World's Greatest Comic Magazine" for their first crossover outing. Steve Ditko drew the cover and both stories. Overstreet 2007 FN 6.0 value = $3,075; VF 8.0 value = $9,500. CGC census 6/07: 26 in 7.0, 91 higher. From the Keith Marlow Collection.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN+ 6.5 White pages. The going rate for this book in this grade has almost doubled in the last five years, so now's the time to cast about for a sharp copy before they get even pricier! An East Coast collector consigned us a neat Spidey run with white pages throughout, and here's the crown jewel. Steve Ditko drew this first issue, which features the first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Overstreet 2007 FN 6.0 value = $3,075; VF 8.0 value = $9,500. CGC census 6/07: 44 in 6.5, 118 higher.
The Amazing Spider-Man #2 (Marvel, 1963) CGC FN/VF 7.0 Off-white to white pages. First appearances of the Vulture and the Terrible Tinkerer mark this exceptional second issue. Steve Ditko kept the artistic thrills coming with his cover and interior art. Overstreet 2007 FN 6.0 value = $975; VF 8.0 value = $2,974. CGC census 6/07: 27 in 7.0, 74 higher.
The Amazing Spider-Man #2 (Marvel, 1963) CGC VG+ 4.5 Off-white to white pages. Both the Vulture and the Terrible Tinkerer made their first appearances here. Steve Ditko drew the cover and the story. Overstreet 2007 VG 4.0 value = $650. CGC census 6/07: 40 in 4.5, 219 higher.
The Amazing Spider-Man #3 (Marvel, 1963) CGC FN+ 6.5 Off-white pages. Doctor Octopus makes his first appearance here in the first full-length story in the title's run. The Human Torch makes a cameo, and Steve Ditko presents a Spidey pinup. Ditko also was responsible for the cover and for the story art in this early issue. Overstreet 2007 FN 6.0 value = $750; VF 8.0 value = $2,188. CGC census 6/07: 29 in 6.5, 147 higher.
The Amazing Spider-Man #4 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. One of Steve Ditko's signature Spidey covers has gained even more fans with the release of the latest Spider-Man movie installment which featured the Sandman. This issue has the origin and first appearance of the super-villain, as well as the first appearance of Betty Bryant. Ditko also did the interior art. Overstreet 2007 VF 8.0 value = $1,829; VF/NM 9.0 value = $3,215. CGC census 6/07: 21 in 8.5, 34 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM- 9.2 Off-white pages. We've heard fans who were kids in 1964 cite this issue's cover as the moment they realized that Marvel was offering something utterly different and completely un-DC-like. Most everyone remembers this issue's Stan Lee/Steve Ditko yarn, and don't forget there was also a second feature by Jack Kirby and Ditko guest-starring the Fantastic Four. The cover is by Sturdy Steve. Overstreet 2007 NM- 9.2 value = $2,025. CGC census 6/07: 19 in 9.2, 27 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC VF 8.0 White pages. It's a good-looking copy with great-looking pages! Steve Ditko did the cover and interior art on one story for this issue, which also had a back-up story with art by Jack Kirby and Ditko featuring a Fantastic Four appearance. Overstreet 2007 VF 8.0 value = $816. CGC census 6/07: 41 in 8.0, 98 higher.
The Amazing Spider-Man #9 (Marvel, 1964) CGC FN/VF 7.0 White pages. Origin and first appearance of Electro. Steve Ditko cover and art. Overstreet 2007 FN 6.0 value = $336; VF 8.0 value = $952. CGC census 6/07: 45 in 7.0, 165 higher. From the Janowicz Collection.
The Amazing Spider-Man #10 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. These early issues of the title always seem to feature the "first" something or the other. Here it was the first appearance of the Enforcers and Fred Foswell as Big Man. Steve Ditko and Jack Kirby combined their considerable talents for the cover, with Ditko providing the interior art. Overstreet 2007 VF 8.0 value = $884; VF/NM 9.0 value = $1,530. CGC census 6/07: 37 in 8.5, 71 higher.
The Amazing Spider-Man #12 (Marvel, 1964) CGC NM 9.4 Off-white pages. Spidey versus Doctor Octopus! This is Doc Ock's third appearance, as drawn by Sturdy Steve Ditko. If that's not enough for you, then simply check out the truly amazing condition of this sweet copy. 'Nuff said! Overstreet 2007 NM- 9.2 value = $1,500. CGC census 6/07: 11 in 9.4, 4 higher.
The Amazing Spider-Man #14 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Among serious Webhead collectors, this issue probably ranks right behind Amazing Fantasy #15 and The Amazing Spider-Man #1. The reason? Aww, do we have to tell you? It's the first appearance of Spidey's most formidable nemesis, the Green Goblin (Norman Osborn). Also in this issue, Spidey meets the Hulk for the first time. And, if you're picky about grades, this copy will make even the most serious collector proud! Steve Ditko continues his classic run on the title, providing both cover and interior artwork. Overstreet 2007 VF/NM 9.0 value = $2,585; NM- 9.2 value = $3,700. CGC census 6/07: 46 in 9.0, 56 higher.
The Amazing Spider-Man #17 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Hot collector's issue, with the second appearance of the Green Goblin and a Human Torch crossover, all drawn by Steve Ditko, including the cover. Overstreet 2007 VF/NM 9.0 value = $1,123; NM- 9.2 value = $1,600. CGC census 6/07: 30 in 9.0, 49 higher.
The Amazing Spider-Man #19 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Because of their oft-times contentious relationship, a Human Torch appearance doesn't always bode well for the Webslinger, but he's a welcomed sidekick when true baddies the Sandman and the Enforcers also show up in this issue. Steve Ditko cover and art. Overstreet 2007 NM- 9.2 value = $750. CGC census 6/07: 31 in 9.2, 34 higher.
The Amazing Spider-Man #19 (Marvel, 1964) CGC NM- 9.2 Off-white pages. The Sandman and the Enforcers appear in this ish, which sports a Human Torch crossover. Steve Ditko cover and interior art. Overstreet 2007 NM- 9.2 value = $750. CGC census 6/07: 31 in 9.2, 34 higher.
The Amazing Spider-Man #20 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. It's the origin and first appearance of the ever-pesky Scorpion, with cover and interior art by Steve Ditko. Out of 410 blue-label copies certified by CGC as of this writing, note how few have surpassed this one! Overstreet 2007 NM- 9.2 value = $1,200. CGC census 6/07: 13 in 9.4, 7 higher.
The Amazing Spider-Man #21 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. The second appearance of the Beetle and a Human Torch guest appearance spark this issue. Steve Ditko provide the cover and interior art, including a Spidey pin-up. Overstreet 2007 NM- 9.2 value = $725. CGC census 6/07: 16 in 9.2, 20 higher.
The Amazing Spider-Man #32 (Marvel, 1966) CGC NM- 9.2 Off-white to white pages. Steve Ditko handled the cover and interior art for this one. Overstreet 2007 NM- 9.2 value = $385. CGC census 6/07: 20 in 9.2, 26 higher.
The Amazing Spider-Man #32 (Marvel, 1966) CGC VF/NM 9.0 White pages. Doctor Octopus returns to pester Spider-Man in the first part of a two-part story. Steve Ditko cover and art. Overstreet 2007 VF/NM 9.0 value = $276; NM- 9.2 value = $385. CGC census 6/07: 28 in 9.0, 46 higher. From the Janowicz Collection.
The Amazing Spider-Man #38 Pacific Coast pedigree (Marvel, 1966) CGC NM 9.4 White pages. Second appearance of Mary Jane Watson (face not shown). Steve Ditko cover and art (his last issue as artist of the title). Overstreet 2007 NM- 9.2 value = $385. CGC census 6/07: 30 in 9.4, 7 higher.
The Amazing Spider-Man #46 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. The Shocker made his first appearance here, drawn by John Romita Sr. on the cover and inside. In other news, Peter Parker gets his own place along with Harry Osborn. What a dream for Peter, especially since Harry's dad (a homicidal maniac) has a spare key. Er, anyway, Smilin' Stan Lee provided the story as ever. Overstreet 2006 NM- 9.2 value = $230. CGC census 4/07: 17 in 9.4, 4 higher.
The Amazing Spider-Man #48 Curator pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. If you followed our last auction you saw Curator copies from this series breaking the bank, and we expect a similar result for this one. John Romita Sr. is the cover artist. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 12 in 9.6, 1 higher.
The Amazing Spider-Man #51 (Marvel, 1967) CGC NM 9.4 White pages. This is the first time the Kingpin appeared on a cover, and his second appearance overall. It's also the first time he and Spider-Man actually meet face to face; unfortunately the meeting doesn't go well for Spidey, as you can see by the cover scene. The cover and interior art are by John Romita Sr. Overstreet 2007 NM- 9.2 value = $365. CGC census 6/07: 30 in 9.4, 5 higher. From the Janowicz Collection.
The Amazing Spider-Man #57 Curator pedigree (Marvel, 1968) CGC NM+ 9.6 White pages. Since the last Curator "Spidey" books we auctioned were a very hot item, the sky is the limit for this superb copy. Marvel's perennial guest-star Ka-Zar appears here. The cover is by John Romita Sr. Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 19 in 9.6, 1 higher.
The Amazing Spider-Man #58 (Marvel, 1968) CGC NM+ 9.6 White pages. Never before have we seen a 9.6 copy of this one -- the black border makes it tough! This issue has J. Jonah Jameson joining with the Spider-Slayer to try and do bodily harm to our web-slingin' hero. John Romita Sr. is the cover artist. Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 6 in 9.6, none higher.
The Amazing Spider-Man #59 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. Spider-Man versus the Brainwasher (who turns out to be the Kingpin). First cover appearance of Mary Jane Watson. Cover by John Romita Sr. Overstreet 2007 NM- 9.2 value = $185. CGC census 6/07: 30 in 9.6, 5 higher.
The Amazing Spider-Man #59 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. Gorgeous copy that has been surpassed in CGC-certified grade by only five other copies at this writing. Spider-Man versus the Brainwasher (who turns out to be the Kingpin). First cover appearance of Mary Jane Watson. John Romita Sr. did the cover and also provided interior breakdowns, with Don Heck finishing pencils. Overstreet 2007 NM- 9.2 value = $185. CGC census 5/07: 30 in 9.6, 5 higher.
The Amazing Spider-Man #62 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Spider-Man versus Medusa. Art by John Romita Sr. cover. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 29 in 9.6, 4 higher.
The Amazing Spider-Man #64 Curator pedigree (Marvel, 1968) CGC NM+ 9.6 White pages. A glance at this one will tell you why there has been such a fuss lately about the Curator books -- this white-cover copy has a "newsstand-fresh" look about it! John Romita Sr. is the cover artist. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 57 in 9.6, 9 higher.
The Amazing Spider-Man #66 Curator pedigree (Marvel, 1968) CGC NM+ 9.6 White pages. A superb copy from a collection that has caused a lot of excitement lately! John Romita Sr. drew Spidey's showdown with Mysterio. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 20 in 9.6, 4 higher.
The Amazing Spider-Man #67 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. Randy Robertson (the son of "Robbie") made his first appearance in this issue. Spider-Man has other worries, though, like being six inches high and having to take on a full-size Mysterio! The issue's cover and interior art are by John Romita Sr. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 17 in 9.6, 2 higher.
The Amazing Spider-Man #68 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. A fairly easy "get" in NM 9.4, this book is much tougher to come by in 9.6. While the "Clay Tablet saga" that starts here may not sound as dramatic as "Atlantis Attacks," "Mutant Massacre," or the like, it was an intriguing storyline that wasn't resolved until #74. John Romita Sr. drew the cover and teamed with Jim Mooney on the interior art. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 16 in 9.6, 2 higher.
The Amazing Spider-Man #71 Curator pedigree (Marvel, 1969) CGC NM 9.4 White pages. Quicksilver zips into town to look up the Avengers, but since they're out of town, he figures he'll do some good by rounding up that "villain," Spider-Man. Jeez, you'd think as a former quasi-villain himself, the speedster would be more considerate! John Romita Sr. drew the cover as well as providing interior breakdowns for Jim Mooney's finished pencils. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 30 in 9.4, 19 higher.
The Amazing Spider-Man #78 (Marvel, 1969) CGC NM+ 9.6 Off-white to white pages. The amazingly low number of 9.6 copies of this issue means that everyone who's trying to assemble a Spidey run (i.e. just about every comic collector) is going to be after this one. The Prowler made his first appearance in this issue. John Romita Sr. is the cover artist. Overstreet 2007 NM- 9.2 value = $115. CGC census 6/07: 9 in 9.6, none higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #97 (Marvel, 1971) CGC NM+ 9.6 White pages. Green Goblin cover appearance. Issue not approved by the Comics Code Authority due to its anti-drug theme. John Romita Sr. cover. Gil Kane and Frank Giacoia art. Overstreet 2007 NM- 9.2 value = $160. CGC census 6/07: 38 in 9.6, 6 higher. From the Janowicz Collection.
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM+ 9.6 White pages. A milestone issue for Spider-Man, with cameos by the Green Goblin, Vulture, Lizard, Doctor Octopus, and the Kingpin (all in a dream sequence), plus an unforgettable twist ending. John Romita Sr. provided the cover and Gil Kane the interior art. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 71 in 9.6, 13 higher. From the Janowicz Collection.
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM 9.4 White pages. Anniversary issue, with cameos by the Green Goblin, Vulture, Lizard, Doctor Octopus, and the Kingpin (all in a dream sequence). John Romita Sr. cover, Gil Kane interior art. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 124 in 9.4, 84 higher. From the Keith Marlow Collection.
The Amazing Spider-Man #102 (Marvel, 1971) CGC NM 9.4 Off-white to white pages. No 9.8 has been certified of this issue and there aren't many 9.6 copies either thanks to its purple cover and square binding (it's from the very brief period when Marvel jumped to 48-page issues with a 25-cent cover price). The issue tells the origin of Morbius, who debuted in the previous issue. Gil Kane cover and art. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 45 in 9.4, 15 higher.
The Amazing Spider-Man #104 (Marvel, 1972) CGC NM 9.4 Off-white pages. Ka-Zar and Kraven appearances. Gil Kane cover and art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 18 in 9.4, 7 higher.
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. This is as close as you can get to the perfect Bronze Age comic lot. It's got one of the most famous Spidey covers of the 1970s (courtesy of John Romita Sr.) and contains one of the most dramatic events of the decade, the death of Gwen Stacy. This sharp-cornered copy is a dream. Overstreet 2007 NM- 9.2 value = $325. CGC census 6/07: 8 in 9.8, none higher.
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM- 9.2 Off-white pages. Features the death of Gwen Stacy. Spider-Man battles the Green Goblin. John Romita Sr. cover. Interior art by Gil Kane (pencils) and Romita (inks). Overstreet 2007 NM- 9.2 value = $325. CGC census 5/07: 121 in 9.2, 153 higher.
The Amazing Spider-Man #129 (Marvel, 1974) CGC NM- 9.2 Off-white to white pages. One the Bronze Age's biggest books, this issue currently ranks just below Overstreet's Top 10 for the '70s. It has the first appearance of the Punisher and the first appearance of the Jackal. Gil Kane did the cover; Ross Andru interior art. Overstreet 2007 NM- 9.2 value = $625. CGC census 6/07: 212 in 9.2, 246 higher. From the Keith Marlow Collection.
Modern Age (1980-Present)
The Amazing Spider-Man #252 (Marvel, 1984) CGC NM/MT 9.8 Off-white to white pages. This rocked your world if you were a kid in the '80s: Spider-Man's black costume appeared for the first time. Based on an idea sent in by a fan, this was an event that made the newspapers at the time. And in 2007, the fact that the new movie features a black suit has had a predictable effect: any Wizard-reading youngster would be in a pool of drool within seconds of spotting this one, and this copy's condition means we grown-up '80s kids want it too. Ron Frenz and Klaus Janson are the cover artists. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 220 in 9.8, none higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
Aquaman #1 (DC, 1962) CGC VF+ 8.5 Off-white to white pages. After 20 years in DC comics, Aquaman had appeared in a mere three solo comics (in Showcase) before finally getting his own title here. This issue has the first appearance of Quisp the Water Sprite. Howard Purcell drew the cover, while Nick Cardy, who would gain plenty of experience drawing Aquaman in years to come, handled the interior art. Overstreet 2007 VF 8.0 value = $689; VF/NM 9.0 value = $1,195. CGC census 5/07: 9 in 8.5, 14 higher. From the Keith Marlow Collection.
Astro Boy #1 File Copy (Gold Key, 1965) CGC NM- 9.2 Off-white to white pages. Gold Key one-shot has the first appearance of Astro Boy in comics, and the issue is an Overstreet-designated "scarce". Overstreet 2007 NM- 9.2 value = $700. CGC census 6/07: 2 in 9.2, 9 higher. From the Keith Marlow Collection.
The Atom #1 (DC, 1962) CGC VF+ 8.5 Off-white to white pages. This is the nicest copy we've ever offered of the Mighty Mite's first issue. Making his first appearance here was the Plant Master, aka the Floronic Man, aka Jason Woodrue -- if you don't know him from these Silver Age yarns, you were creeped out by him in the pages of Swamp Thing in later years! Gil Kane handled the cover and interior art. Overstreet 2007 VF 8.0 value = $689; VF/NM 9.0 value = $1,195. CGC census 5/07: 7 in 8.5, 7 higher. From the Keith Marlow Collection.
The Atom #3 (DC, 1962) CGC VF/NM 9.0 Off-white pages. Note that the only two copies graded higher are just one notch above this one at 9.2! This issue has the first of the popular "Time Pool" stories and the first appearance of Chronos. The cover is by Gil Kane. Overstreet 2007 VF/NM 9.0 value = $269; NM- 9.2 value = $375. CGC census 5/07: 2 in 9.0, 2 higher. From the Keith Marlow Collection.
The Atom #7 Massachusetts Copy pedigree (DC, 1963) CGC NM- 9.2 White pages. This issue has the first team-up of Atom and Hawkman, a duo who would pair up quite a bit in the future. It's the first time the Silver Age Hawkman appeared outside of The Brave and the Bold. The cover and art are by Gil Kane and Murphy Anderson. Overstreet 2007 NM- 9.2 value = $500. CGC census 5/07: 5 in 9.2, 5 higher. From the Keith Marlow Collection.
The Avengers #1 (Marvel, 1963) CGC FN/VF 7.0 Off-white to white pages. One of the key issues of Marvel's rebirth in the early 1960s featured a guaranteed instant-classic cover by Jack Kirby, who also provided the interior art. The origin and first appearance of the Avengers (Thor, Iron Man, Ant-Man, the Wasp, and an out-of-place Hulk) are here, along with blockbuster appearances by Loki, the Teen Brigade, and the Fantastic Four. This copy displays cover color and gloss, and page quality normally associated with a higher grade. Overstreet 2007 FN 6.0 value = $849; VF 8.0 value = $2,476. CGC census 5/07: 40 in 7.0, 86 higher. From the Janowicz Collection.
The Avengers #2 (Marvel, 1963) CGC VF 8.0 White pages. Hulk leaves the Avengers in this stellar second issue, which also includes the first appearance of the Space Phantom. Jack Kirby did the cover and story art. Overstreet 2007 VF 8.0 value = $570. CGC census 6/07: 32 in 8.0, 70 higher.
The Avengers #6 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. What a fresh, clean copy this is: note the sidewalk at the bottom of the cover, so often brownish and dingy on lesser copies, but appealingly white here. This issue has the first "real" appearance of Baron Zemo and the first group appearance of the Masters of Evil (for you trivia buffs, it's the Black Knight, the Melter, and the Radioactive Man). Jack Kirby is the artist. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 19 in 9.2, 11 higher.
The Avengers #12 (Marvel, 1965) CGC NM 9.4 White pages. The Avengers take on the Red Ghost and the Mole Man, with an assist from Rick Jones. Jack Kirby cover. Don Heck and Dick Ayers art. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 10 in 9.4, 3 higher. From the Janowicz Collection.
The Avengers #15 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. This issue features the death of the original Baron Zemo. Cover by Jack Kirby, interior art by Don Heck. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 17 in 9.4, 6 higher. From the Janowicz Collection.
The Avengers #17 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. The new Avengers team (Captain America, Quicksilver, the Scarlet Witch, and Hawkeye) contend with the Mole Man and the Minotaur as they search for a missing Hulk. Cover by Jack Kirby, with Don Heck interior art. Overstreet 2007 NM- 9.2 value = $190. CGC census 6/07: 12 in 9.4, 3 higher. From the Janowicz Collection.
The Avengers #21 (Marvel, 1965) CGC NM 9.4 White pages. The origin and first appearance of Power Man, plus an appearance by the Enchantress. Cover by Jack Kirby, art by Don Heck and Wally Wood. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 7 in 9.4, 5 higher. From the Janowicz Collection.
The Avengers #22 (Marvel, 1965) CGC NM 9.4 White pages. Enchantress, Power Man, and Circus of Crime appearances. Jack Kirby cover. Don Heck and Wally Wood art. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 14 in 9.4, 5 higher. From the Janowicz Collection.
The Avengers #26 (Marvel, 1966) CGC NM+ 9.6 White pages. The Avengers battle Attuma and try to rescue the Wasp. Jack Kirby cover. Don Heck art. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 5 in 9.6, 1 higher. From the Janowicz Collection.
The Avengers Annual #1 Pacific Coast pedigree (Marvel, 1967) CGC NM 9.4 Off-white to white pages. John Buscema cover. Don Heck art. Overstreet 2007 NM- 9.2 value = $150. CGC census 6/07: 9 in 9.4, 5 higher.
Batman #100 (DC, 1956) CGC VF- 7.5 Cream to off-white pages. The highly sought-after anniversary issue, one of the Silver Age's true gems, is rarer in nice grade than many Golden Age issues. To date CGC hasn't certified a grade higher than VF/NM 9.0 for #100, making this copy one of the nicer around. Sheldon Moldoff provided story art. Overstreet 2007 VF 8.0 value = $1,606. CGC census 5/07: 3 in 7.5, 8 higher.
Batman #105 (DC, 1957) CGC VF+ 8.5 Cream to off-white pages. Sharp copy of an issue that we see very infrequently. And it's rare to find in high grade. This is the only copy that CGC has certified to date higher than VF 8.0. Featured is the first Batwoman appearance in the title (2nd appearance anywhere). Sheldon Moldoff did the cover and contributed interior art, as did Irv Novick. Overstreet 2007 VF 8.0 value = $363; VF/NM 9.0 value = $587. CGC census 6/07: 1 in 8.5, none higher.
Batman #127 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. Batman vs. Thor the Thunder God -- is this some sort of strange time-warp mix of Marvel and DC? The Joker also appears in one story, and Superman makes a cameo appearance. Curt Swan drew the cover, while Bob Kane, Dick Sprang, and Sheldon Moldoff provide interior art. This is currently the highest CGC-graded copy of this issue. Overstreet 2007 VF/NM 9.0 value = $289; NM- 9.2 value = $390. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
Batman #129 (DC, 1960) CGC VF+ 8.5 Off-white to white pages. A Batwoman bondage cover fronts this issue, which also features a retelling of Robin's origin. This is currently the highest CGC-graded copy. Overstreet 2007 VF 8.0 value = $196; VF/NM 9.0 value = $303. CGC census 6/07: 1 in 8.5, none higher. From the Warren Hall Collection.
Batman #133 (DC, 1960) CGC VF/NM 9.0 Off-white pages. Batwoman, Bat-Mite (making his first appearance in this title), and even Bat-Hound nearly manage to crowd out the Dynamic Duo from the cover of this wild Silver Age issue. Dick Sprang and Sheldon Moldoff art is featured. This choice copy is currently unsurpassed in CGC's census report. Overstreet 2007 VF/NM 9.0 value = $204; NM- 9.2 value = $275. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
Batman #181 (DC, 1966) CGC NM 9.4 White pages. This is the nicest copy we've ever offered of the first appearance of Poison Ivy. Batman was white-hot in '66, Carmine Infantino was in top form to boot and those great go-go checks adorn the book -- all of this should have you itching to bid! Overstreet 2006 NM- 9.2 value = $275. CGC census 4/07: 10 in 9.4, 2 higher.
Batman #200 (DC, 1968) CGC NM+ 9.6 Off-white pages. Neal Adams' first work on this title was this cover illustration of Batman and Robin. This milestone issue includes cameos by the Joker and the Penguin. Overstreet 2007 NM- 9.2 value = $190. CGC census 6/07: 10 in 9.6, 2 higher.
Bronze Age (1970-1979)
Batman #232 (DC, 1971) CGC NM+ 9.6 White pages. We think whoever paid $896 for the last 9.6 copy we offered must be grinning to himself right about now, and while that may seem a strange statement to make about a book from 1971, this issue has everything going for it: the first appearance of Ra's al Ghul, a memorable cover, and one of the greatest Batman stories of all time (drawn by Neal Adams and written by Denny O'Neil) which has deservedly been reprinted again and again. Plus, even the high prices have failed to bring many 9.8s to light, so a 9.6 with this page quality is very desirable indeed. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 38 in 9.6, 5 higher.
Batman #232 (DC, 1971) CGC NM 9.4 White pages. One of the most memorable comic books of the 1970s, this is one we could almost recite panel for panel, from memory! It's the first appearance of Ra's al-Ghul, drawn by Neal Adams from a masterful script by Denny O'Neil (and remember, the master always goes first!). We expect this one to take its place among the most sought-after Bronze Age DCs, so whatever price this NM copy sells for may well seem cheap in a few years! Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 52 in 9.4, 43 higher. From the Keith Marlow Collection.
Batman #251 (DC, 1973) CGC NM+ 9.6 White pages. It's an Overstreet "classic" Joker cover by Neal Adams (and Adams' interior art) that sets this Bronze Age issue apart; but the grade here sets this copy apart. To date CGC has awarded a higher grade just one time, and this is easily the nicest copy of #251 that we've ever offered. Overstreet 2007 NM- 9.2 value = $110. CGC census 5/07: 21 in 9.6, 1 higher. From the Janowicz Collection.
Silver Age (1956-1969)
Batman Annual #1 (DC, 1961) CGC VF 8.0 Cream to off-white pages. This early Silver Age giant featured some of the best Batman tales of the 1950s, with plenty of gorgeous Dick Sprang story art, plus, as a special feature, secrets of Batman's utility belt and batarangs. Overstreet 2007 VF 8.0 value = $493. CGC census 6/07: 7 in 8.0, 12 higher. From the Warren Hall Collection.
Beatles #1 (Dell, 1964) CGC VF+ 8.5 Off-white pages. Features a photo cover and color photo pin-ups. Overstreet considers this book "scarce." Overstreet 2007 VF 8.0 value = $328; VF/NM 9.0 value = $554. CGC census 6/07: 2 in 8.5, 2 higher. From the Keith Marlow Collection.
Blackhawk #108 (DC, 1957) CGC VF/NM 9.0 Cream to off-white pages. This is the first DC issue of the title. Dick Dillin provided the cover and art, featuring the reintroduction of Blackie, the Hawk, the team's mascot. Overstreet 2007 VF/NM 9.0 value = $524; NM- 9.2 value = $740. CGC census 6/07: 1 in 9.0, 1 higher. From the Keith Marlow Collection.
Bonanza #nn (Dell, 1962) CGC NM- 9.2 Off-white to white pages. Photo cover. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $315. CGC census 6/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Boris Karloff Thriller #1 White Mountain pedigree (Gold Key, 1962) CGC NM 9.4 Off-white to white pages. Photo cover. Mike Sekowsky art. CGC notes, "From the Dallas Stephens Collection." Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 3 in 9.4, 2 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
The Brady Bunch #1 (Dell, 1970) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 3 in 9.4, 1 higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
The Brave and the Bold #7 (DC, 1956) CGC VF+ 8.5 Off-white pages. The Silent Knight, Robin Hood, and the Viking Prince are featured here. Irv Novick drew the cover, and Novick, Russ Heath, and Joe Kubert portrayed the derring-do inside. Overstreet 2007 VF 8.0 value = $368; VF/NM 9.0 value = $622. CGC census 6/07: 2 in 8.5, none higher. From the Warren Hall Collection.
The Brave and the Bold #12 (DC, 1957) CGC VF/NM 9.0 Off-white pages. The early issues of this title had lower distribution than other DC titles, and are somewhat scarce, especially in high grade. This is the finest copy to be certified by CGC to date. Separate stories feature the Silent Knight, Robin Hood, and the Viking Prince with art by Russ Heath, Irv Novick, and Joe Kubert. Novick provided the cover art. Overstreet 2007 VF/NM 9.0 value = $460; NM- 9.2 value = $650. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
The Brave and the Bold #17 (DC, 1958) CGC VF+ 8.5 White pages. The Silent Knight and the Viking Prince are featured. Irv Novick cover. Overstreet 2007 VF 8.0 value = $270; VF/NM 9.0 value = $460. CGC census 6/07: 2 in 8.5, none higher. From the Keith Marlow Collection.
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC VF 8.0 Off-white pages. The first appearance of the Justice League of America is one of the ten most valuable Silver Age comics. "Some credit this comic book with being the catalyst which jelled organized fandom and catapulted the hobby of comic book collecting to national status," noted Gary Carter. Mike Sekowsky and Murphy Anderson provided the cover and interior art. Overstreet 2007 VF 8.0 value = $4,008. CGC census 5/07: 12 in 8.0, 7 higher. From the Keith Marlow Collection.
The Brave and the Bold #29 Justice League of America (DC, 1960) CGC VF 8.0 Cream to off-white pages. This one's even tougher to find in grade than #28! Read the census and weep: while #28 has 18 copies certified 8.0 or above as we write this, the second JLA appearance in #29 has a mere six. Mike Sekowsky drew the issue's robot cover. Overstreet 2007 VF 8.0 value = $1,593. CGC census 5/07: 4 in 8.0, 2 higher. From the Keith Marlow Collection.
The Brave and the Bold #30 Justice League of America (DC, 1960) CGC VF 8.0 Cream to off-white pages. This issue would mark the only the third appearance of the Justice League and the first appearances of Amazo the Android and Professor Ivo. The Mirror Master also makes a cameo. Mike Sekowsky and Murphy Anderson cover. Sekowsky and Bernard Sachs art. Overstreet 2007 VF 8.0 value = $1,258. CGC census 6/07: 7 in 8.0, 1 higher. From the Keith Marlow Collection.
The Brave and the Bold #33 Cave Carson (DC, 1961) CGC VF 8.0 Off-white to white pages. Third appearance of Cave Carson. Bernard Baily cover and art. Overstreet 2007 VF 8.0 value = $174. CGC census 6/07: 1 in 8.0, 1 higher. From the Keith Marlow Collection.
The Brave and the Bold #34 Hawkman (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. VF/NM is a strong grade for this issue, considering that no copy has topped 9.4 as of this writing. This was the first appearance of the Silver Age Hawkman and Hawkgirl, whose brand-new origin (they're aliens) had a science-fiction flavor thanks to editor Julius Schwartz and writer Gardner Fox. Joe Kubert drew the spectacular cover as well as the story. Overstreet 2007 VF/NM 9.0 value = $2,864; NM- 9.2 value = $4,100. CGC census 6/07: 8 in 9.0, 7 higher. From the Warren Hall Collection.
The Brave and the Bold #34 Hawkman (DC, 1961) CGC VF- 7.5 Off-white pages. Showcase, famous for it's try-out issues, hit a home run with the origin and first appearance of the Silver Age Hawkman as he was soon to get his own title. Other first appearances in this issue include Hawkgirl, Mavis Trent, and Byth. A fantastic Joe Kubert cover wraps Kubert art. Overstreet 2007 VF 8.0 value = $1,628. CGC census 6/07: 9 in 7.5, 31 higher.
The Brave and the Bold #36 Hawkman (DC, 1961) CGC VF+ 8.5 Off-white to white pages. Origin and first appearance of the Shadow Thief. Third Silver Age appearance of Hawkman. Joe Kubert cover and art. Overstreet 2007 VF 8.0 value = $313; VF/NM 9.0 value = $532. CGC census 6/07: 3 in 8.5, 2 higher. From the Keith Marlow Collection.
The Brave and the Bold #42 Hawkman (DC, 1962) CGC VF+ 8.5 Off-white pages. Hawkman by Joe Kubert. Hawkman earns his helmet wings. Byth appearance. Overstreet 2007 VF 8.0 value = $218; VF/NM 9.0 value = $359. CGC census 6/07: 7 in 8.5, 12 higher. From the Keith Marlow Collection.
The Brave and the Bold #43 Hawkman (DC, 1962) CGC VF 8.0 Off-white to white pages. Detailed origin of Hawkman. Cover and art by Joe Kubert. Overstreet 2007 VF 8.0 value = $255. CGC census 6/07: 8 in 8.0, 10 higher. From the Keith Marlow Collection.
The Brave and the Bold #44 Hawkman - White Mountain pedigree (DC, 1962) CGC VF+ 8.5 Off-white pages. Featuring Hawkman. Grey tone cover. Joe Kubert cover and art. CGC notes, "'62' on cover and 'Sun. 10-14-62' on 1st page written in pen." Overstreet 2007 VF 8.0 value = $205; VF/NM 9.0 value = $338. CGC census 6/07: 7 in 8.5, 8 higher. From the Keith Marlow Collection.
The Brave and the Bold #49 Strange Sports Stories (DC, 1963) CGC NM 9.4 Off-white to white pages. Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 4 in 9.4, 1 higher.
The Brave and the Bold #51 Aquaman and Hawkman - Diamond Run pedigree (DC, 1964) CGC NM- 9.2 Off-white to white pages. Aquaman and Hawkman. Pre-dates Hawkman #1. Howard Purcell cover and art. Overstreet 2007 NM- 9.2 value = $390. CGC census 6/07: 5 in 9.2, 3 higher. From the Keith Marlow Collection.
The Brave and the Bold #53 The Atom and The Flash (DC, 1964) CGC NM 9.4 Off-white to white pages. This copy features the Atom and the Flash and contains a full page ad for Hawkman #1. Alex Toth interior art with a Bob Brown cover. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
The Brave and the Bold #54 Kid Flash, Aqualad, and Robin (DC, 1964) CGC VF/NM 9.0 White pages. While the words "Teen Titans" do not appear on the cover, this is universally considered the first appearance of the group. You could stump many a fanboy by asking who the Titans' first villain and first penciler were: the answers are Mr. Twister and Bruno Premiani respectively. Overstreet 2007 VF/NM 9.0 value = $; NM- 9.2 value = $525. CGC census 6/07: 15 in 9.0, 19 higher.
The Brave and the Bold #57 Metamorpho (DC, 1965) CGC NM+ 9.6 Off-white to white pages. It's the origin and first appearance of Metamorpho, with art by Ramona Fradon. Overstreet 2007 NM- 9.2 value = $290. CGC census 6/07: 3 in 9.6, 1 higher.
The Brave and the Bold #57 Metamorpho (DC, 1965) CGC NM 9.4 Off-white to white pages. The origin and first appearance of Metamorpho is the highlight of this ish. Sapphire Stagg, Simon Stagg, and Java also make their comic intros here. Ramona Fradon contributed the cover; Fradon and Charles Paris the interior art. Overstreet 2007 NM- 9.2 value = $290. CGC census 6/07: 9 in 9.4, 4 higher. From the Keith Marlow Collection.
The Brave and the Bold #58 Metamorpho (DC, 1965) CGC NM 9.4 Off-white to white pages. Second appearance of Metamorpho. Ramona Fradon and Charles Paris cover and art. CGC notes, "Date stamp on back cover." Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 3 in 9.4, 1 higher. From the Keith Marlow Collection.
The Brave and the Bold #62 Starman and Black Canary (DC, 1965) CGC NM+ 9.6 Off-white to white pages. That Sensation Comics stalwart Wildcat made his first Silver Age appearance here, as did the Huntress, a villainess from that same Golden Age series. Murphy Anderson is the artist. CGC notes, "From the Dallas Stephens Collection." Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 4 in 9.6, 1 higher.
The Brave and the Bold #63 Supergirl and Wonder Woman - Western Penn pedigree (DC, 1966) CGC NM- 9.2 Off-white pages. Features Supergirl and Wonder Woman. Jim Mooney cover. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 5 in 9.2, 15 higher. From the Keith Marlow Collection.
Captain America #100 (Marvel, 1968) CGC NM- 9.2 Off-white pages. First issue of the title, continued from Tales of Suspense #99. Cap's origin is retold, with appearances by the Avengers, the Sub-Mariner, and the Black Panther. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $435. CGC census 6/07: 66 in 9.2, 103 higher. From the Keith Marlow Collection.
Captain America #106 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Jack Kirby and Frank Giacoia cover and art. Overstreet 2007 NM- 9.2 value = $65. CGC census 5/07: 22 in 9.6, 2 higher.
Captain America #109 (Marvel, 1969) CGC NM/MT 9.8 White pages. We prefer our Jack Kirby covers in 9.8, so we're quite fond of this offering, which also sports the elusive white pages. Cap's origin is retold in this issue, and there's a Nick Fury appearance. Kirby and Syd Shores provide the interior art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 8 in 9.8, none higher. From the Janowicz Collection.
Casper's Ghostland #22 File Copy (Harvey, 1964) CGC NM/MT 9.8 Off-white to white pages. Giant size. Only copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Casper's Ghostland #30 File Copy (Harvey, 1966) CGC NM/MT 9.8 Off-white to white pages. Giant size. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Casper's Ghostland #38 File Copy (Harvey, 1967) CGC NM/MT 9.8 White pages. Giant size. The only copy graded by CGC to date. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Casper's Ghostland #39 File Copy (Harvey, 1967) CGC NM/MT 9.8 Off-white pages. Giant size. Only copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Casper's Ghostland #40 File Copy (Harvey, 1968) CGC NM/MT 9.8 Off-white pages. Giant size. Currently the only CGC-graded copy. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Challengers of the Unknown #4 (DC, 1958) CGC VF 8.0 Off-white pages. Jack Kirby story, cover, and art. Wally Wood art. Overstreet 2007 VF 8.0 value = $368. CGC census 6/07: 2 in 8.0, 3 higher. From the Keith Marlow Collection.
Challengers of the Unknown #7 (DC, 1959) CGC VF 8.0 Off-white to white pages. Easy to find in low grade, this book's a "challenge" to get in VF! The dream team of Jack Kirby and Wally Wood drew the issue, with Kirby also doing the cover art. Overstreet 2007 VF 8.0 value = $368. CGC census 6/07: 1 in 8.0, 2 higher. From the Keith Marlow Collection.
Challengers of the Unknown #10 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. Bob Brown cover and art. Overstreet 2007 VF 8.0 value = $207; VF/NM 9.0 value = $341. CGC census 6/07: 2 in 8.5, none higher. From the Keith Marlow Collection.
Challengers of the Unknown #11 Mohawk Valley pedigree (DC, 1960) CGC VF 8.0 Cream to off-white pages. Grey tone cover. Cover and interior art by Bob Brown. Overstreet 2007 VF 8.0 value = $150. CGC census 6/07: 2 in 8.0, 2 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
Conan the Barbarian #1 (Marvel, 1970) CGC NM+ 9.6 White pages. A stellar copy with even more impressive page quality! The origin and first comic book appearance of Conan brought back sword and sorcery to comics, the likes of which hadn't been seen since early issues of DC's The Brave and the Bold. There's also a cameo by King Kull, the first appearance for that character as well. Barry Smith provided the sensational artwork for both the cover and interior. Overstreet 2007 NM- 9.2 value = $340. CGC census 6/07: 49 in 9.6, 8 higher. From the Janowicz Collection.
Conan the Barbarian #1 (Marvel, 1970) CGC NM 9.4 White pages. This issue caused quite a stir when it hit the stands, a departure from Marvel's superhero-dominated titles. It also occasioned the emergence of artist Barry Smith, whose unique style was perfectly suited to the swords and sorcery theme. Here was the origin and first Marvel appearance of not only Conan, but also King Kull in a cameo scene. Overstreet 2007 NM- 9.2 value = $340. CGC census 6/07: 126 in 9.4, 57 higher. From the Keith Marlow Collection.
Conan the Barbarian #23 (Marvel, 1973) CGC NM/MT 9.8 White pages. Immaculate copy of the issue that had the first appearance of Red Sonja. Barry Smith art (except for one page by Sal Buscema). Story is adapted from "Shadow of the Vulture" by Robert E. Howard. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 4 in 9.8, none higher. From the Janowicz Collection.
Conan the Barbarian #24 (Marvel, 1973) CGC NM/MT 9.8 White pages. Barry Smith's last issue as penciler of the title had the first full appearance of Red Sonja. Smith did both the cover and interior art. Overstreet 2007 NM- 9.2 value = $60. CGC census 6/07: 4 in 9.8, none higher. From the Janowicz Collection.
Conan the Barbarian #37 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. When you think of this title, it's normal to think Barry Smith, who provided the art for most of the early issues, and John Buscema, who took over for Smith with issue #25 as the primary artist on the title. But the great Neal Adams "guested" on this issue, providing his brilliant flair to the cover and to the interior story art. Only a few copies have matched this outstanding grade, and none has exceeded it, according to CGC's most recent census. And we've never offered such a nice copy before. Overstreet 2007 NM- 9.2 value = $24. CGC census 5/07: 6 in 9.8, none higher.
Silver Age (1956-1969)
Daredevil #3 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Longtime Daredevil foe the Owl made his first appearance in this issue -- he would reappear to terrorize Daredevil many a time over the years (and never seemed to battle any hero but Daredevil!). The issue has a Jack Kirby cover and Joe Orlando interior art. Overstreet 2007 VF/NM 9.0 value = $605; NM- 9.2 value = $850. CGC census 6/07: 14 in 9.0, 27 higher.
Daredevil #4 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Nobody can resist the Purple Man... or a NM copy of this book, especially since no copy has been certified higher than 9.6 to date. Jack Kirby is the cover artist. Overstreet 2007 NM- 9.2 value = $675. CGC census 6/07: 16 in 9.4, 8 higher.
Daredevil #5 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Wally Wood's debut as penciler of this title was significant enough to earn the artist cover billing! And in addition to profiting from the Wood visuals, the title character's look got a minor redesign as the "D" on his chest became a "DD." Daredevil battles the Matador in this issue. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 13 in 9.4, 4 higher.
Daredevil #8 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. Featuring the origin and first appearance of the Stilt-Man, one of Marvel's more curious villains. Wally Wood cover and art. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 10 in 9.6, none higher. From the Janowicz Collection.
Daredevil #9 (Marvel, 1965) CGC NM 9.4 White pages. The first appearance of the Organizer with a Wally Wood cover and interior art by Wood and Bob Powell. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 36 in 9.4, 15 higher. From the Janowicz Collection.
Daredevil #9 (Marvel, 1965) CGC NM 9.4 Off-white pages. Wally Wood is the cover artist here, and "Woody" teamed with Bob Powell on the interior. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 36 in 9.4, 15 higher.
Daredevil #10 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Near Mint copies of early Marvel Age issues like this are red hot! First appearance of the Ani-Men. Organizer appearance. Wally Wood cover and art. Bob Powell layouts. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 5 in 9.4, 2 higher.
Daredevil #11 (Marvel, 1965) CGC NM 9.4 White pages. Daredevil battles the Ani-Men, and Abner Jonas is revealed to be the Organizer. Bob Powell and Wally Wood cover and art. Overstreet 2007 NM- 9.2 value = $160. CGC census 6/07: 11 in 9.4, 7 higher. From the Janowicz Collection.
Daredevil #25 (Marvel, 1967) CGC NM+ 9.6 Off-white pages. The fact that this is the nicest copy of this book that's ever crossed our paths is probably all you need to know, but we must give props to one of the most ingenious characters of all time, who made his first appearance here, and we're not talking about the Leap-Frog. We're talking about Mike Murdock, Matt's hip, happening, cocky, and completely imaginary twin brother. Stan Lee always knew how to delight readers, and artist Gene Colan was in top form as well. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 5 in 9.6, none higher.
Modern Age (1980-Present)
Daredevil #168 (Marvel, 1981) CGC NM/MT 9.8 White pages. This is a very hot item in this grade -- the last 9.8 copy we offered sold for $2,357! It's the origin and first appearance of Elektra and the issue that saw Frank Miller, who had been drawing this title for a year, take over as scripter as well. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 10 in 9.8, none higher.
Daredevil #168 (Marvel, 1981) CGC NM+ 9.6 White pages. We don't offer too many Modern Age issues in our live auctions, but this one's one of the most significant and in-demand of the early 1980s, and it's a scorching copy! Here's the origin and first appearance of Elektra (misspelled on cover). Frank Miller's first issue as scripter of the title. Cover and interior art by Miller. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 92 in 9.6, 10 higher.
Bronze Age (1970-1979)
Dark Mansion of Forbidden Love #4 (DC, 1972) CGC NM/MT 9.8 Off-white pages. Nick Cardy drew this hypnotic grey toned cover for the last issue of DC's unusual gothic romance series (and as usual, in the background there's a dark house with one room lit up). The interior art is by Ernie Chua (aka Ernie Chan). Overstreet 2007 NM- 9.2 value = $115. CGC census 6/07: 4 in 9.8, none higher.
The Defenders #1 (Marvel, 1972) CGC NM 9.4 White pages. This fun and collectible title is no longer a well-kept secret! Sal Buscema is the cover artist. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 74 in 9.4, 43 higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
Dell Giant Comics - Abraham Lincoln Life Story File Copy (Dell, 1958) CGC NM+ 9.6 Off-white pages. Features a painted cover and art by Alberto Giolitti. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 2 in 9.6, none higher. From the Keith Marlow Collection.
Dell Giant Comics Bugs Bunny Vacation Funnies #8 File Copy (Dell, 1958) CGC NM 9.4 Off-white pages. Painted cover, featuring Bugs, Porky, Daffy, Elmer, Tweety, and Sylvester. CGC notes, "From the Random House Archives." Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 4 in 9.4, 1 higher.
Dell Giant Comics - Cadet Gray of West Point #1 (Dell, 1958) CGC NM 9.4 Off-white pages. Photo cover. Art by Al Williamson and John Buscema. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Dell Giants #48 The Flintstones (Dell, 1961) CGC NM 9.4 Cream to off-white pages. The first appearance of the Flintstones in comic book form. Overstreet 2007 NM- 9.2 value = $385. CGC census 6/07: 3 in 9.4, 4 higher. From the Keith Marlow Collection.
Detective Comics #265 (DC, 1959) CGC VF/NM 9.0 Off-white pages. Pretty copy is unsurpassed in grade in CGC's current census. Batman's origin is retold with new facts. Curt Swan cover, with interior art by Sheldon Moldoff, Ruben Moreira, and Joe Certa. Overstreet 2007 VF/NM 9.0 value = $355; NM- 9.2 value = $480. CGC census 6/07: 3 in 9.0, none higher. From the Warren Hall Collection.
Detective Comics #317 (DC, 1963) CGC NM- 9.2 Off-white pages. Sheldon Moldoff cover. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 6 in 9.2, 2 higher.
Bronze Age (1970-1979)
Detective Comics #400 (DC, 1970) CGC NM- 9.2 Off-white pages. While Overstreet raised "top of Guide" to $225 this year, you're just not going to find a strictly graded NM- for that price. The dark outside edges are so prone to showing wear that the top grades are tough for this issue to attain, and of course demand is high. Not only is the issue a milestone round number, this is the first appearance of Man-Bat, with unforgettable visuals by Neal Adams. The issue also has the first Batgirl/Robin team-up, a pairing which would produce some fun stories in the coming years. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 13 in 9.2, 22 higher. From the Warren Hall Collection.
Silver Age (1956-1969)
Doctor Strange #169 (Marvel, 1968) CGC NM 9.4 White pages. First appearance of Dr. Strange in his own title. Origin retold. Dan Adkins cover and art. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 59 in 9.4, 79 higher. From the Warren Hall Collection.
80 Page Giant #1 Superman (DC, 1964) CGC VF 8.0 Off-white pages. Featuring Superman. Curt Swan cover. Overstreet 2007 VF 8.0 value = $308. CGC census 6/07: 13 in 8.0, 13 higher. From the Keith Marlow Collection.
80 Page Giant #2 Jimmy Olsen (DC, 1964) CGC VF 8.0 Off-white pages. Features Jimmy Olsen. Curt Swan cover and art. Overstreet 2007 VF 8.0 value = $170. CGC census 6/07: 4 in 8.0, 7 higher. From the Keith Marlow Collection.
80 Page Giant #3 Lois Lane (DC, 1964) CGC VF/NM 9.0 Cream to off-white pages. Features Lois Lane. Kurt Schaffenberger cover. Overstreet 2007 VF/NM 9.0 value = $219; NM- 9.2 value = $305. CGC census 6/07: 6 in 9.0, 4 higher. From the Keith Marlow Collection.
80 Page Giant #4 (DC, 1964) CGC VF/NM 9.0 Off-white pages. Murphy Anderson cover. Carmine Infantino art. Reprints Golden Age Flash, Johnny Quick, and Kid Flash stories. Overstreet 2007 VF/NM 9.0 value = $219; NM- 9.2 value = $305. CGC census 5/07: 3 in 9.0, 2 higher. From the Keith Marlow Collection.
80 Page Giant #5 Batman (DC, 1964) CGC VF/NM 9.0 Off-white to white pages. 25th anniversary issue. Batman comic reprints by artists including Dick Sprang and Sheldon Moldoff. Also includes newspaper strip reprints with Jack Burnley art. Overstreet 2007 VF/NM 9.0 value = $219; NM- 9.2 value = $305. CGC census 6/07: 8 in 9.0, 6 higher. From the Keith Marlow Collection.
80 Page Giant #7 Sgt. Rock's Prize Battle Tales (DC, 1965) CGC VF/NM 9.0 Cream to off-white pages. Joe Kubert cover and art. CGC notes, "'8 21' written on cover in pen." Overstreet 2007 VF/NM 9.0 value = $269; NM- 9.2 value = $375. CGC census 5/07: 8 in 9.0, none higher. From the Keith Marlow Collection.
80 Page Giant #10 Superboy (DC, 1965) CGC NM- 9.2 Off-white to white pages. Square bound. Reprints of key Superboy stories. Curt Swan cover. Overstreet 2007 NM- 9.2 value = $255. CGC census 5/07: 3 in 9.2, 5 higher. From the Keith Marlow Collection.
80 Page Giant #14 Lois Lane (DC, 1965) CGC VF/NM 9.0 Off-white pages. Kurt Schaffenberger cover. Overstreet 2007 VF/NM 9.0 value = $183; NM- 9.2 value = $255. CGC census 5/07: 4 in 9.0, 4 higher. From the Keith Marlow Collection.
Fantastic Four #1 (Marvel, 1961) CGC FN+ 6.5 White pages. Collectors may argue about whether or not this comic marked the beginning of the Silver Age, but there can be no doubt that this is the comic that ushered in the Marvel Age of comics. Jack Kirby and Stan Lee brought readers a new kind of super-team in this issue, which features the origin and first appearances of Mr. Fantastic, the Invisible Girl, the Human Torch, and the Thing, as well as the villainous Mole Man. Currently ranked #3 on Overstreet's list of Top 20 Silver Age Comics. Overstreet 2007 FN 6.0 value = $3,150; VF 8.0 value = $10,500. CGC census 6/07: 10 in 6.5, 47 higher. From the Janowicz Collection.
Fantastic Four #3 (Marvel, 1962) CGC VF- 7.5 White pages. Stan Lee was already touting his flagship Marvel Age title "The Greatest Comic Magazine In The World" after just two issues! And this issue did have a lot going for it -- the FF donned costumes, established headquarters, and showed off the Fantasti-Car for the first time. Super-villain of the month, Miracle Man, also made his first appearance this issue. Jack Kirby did the cover and interior artwork, testing us to see whether we were paying attention when he drew two left hands onto the Human Torch on the cover. Overstreet 2007 VF 8.0 value = $2,170. CGC census 6/07: 17 in 7.5, 25 higher. From the Janowicz Collection.
Fantastic Four #4 (Marvel, 1962) CGC NM 9.4 Off-white to white pages. The last copy we auctioned in this grade sold for $15,535, and considering this one has the same page quality and better centering, it will take an aggressive bid to walk away with it. The issue is the first Silver Age appearance of the Sub-Mariner, with cover and interior art by Jack Kirby. Overstreet 2007 NM- 9.2 value = $6,300. CGC census 6/07: 6 in 9.4, 1 higher.
Fantastic Four #6 (Marvel, 1962) CGC VF+ 8.5 Off-white to white pages. We love this cover, with the Sub-Mariner and Dr. Doom teaming up against our heroes on a bombastic cover by Jack Kirby. It marks the first Marvel villain team up, and it is the second Silver Age appearance of the Sub-Mariner, as well as the second any age appearance of Dr. Doom. For a popular comic issue of the '60s, this one's not that easy to find in this grade and better. We swear it! It's the finest copy we've offered to date, and we've offered quite a few copies in the previous six years. In addition to his great cover, Kirby provided the interior art for this issue. Overstreet 2007 VF 8.0 value = $1,356; VF/NM 9.0 value = $2,378. CGC census 6/07: 17 in 8.5, 13 higher.
Fantastic Four #6 (Marvel, 1962) CGC FN/VF 7.0 White pages. It may be hard to single out the top few covers Jack Kirby created in the early years of the Marvel Age, but this one has to rank near the top! With each member of the Fantastic Four showing off his/her powers, while confronting the Sub-Mariner and Dr. Doom, two of the greatest super-villains ever, the cover has it all, including some of the best colors of any issue. It's the second appearance of both the Silver Age Sub-Mariner and Dr. Doom, and their first team-up. The page quality is flat out exceptional, especially in a grade less than NM 9.4. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 5/07: 12 in 7.0, 62 higher.
Fantastic Four #8 (Marvel, 1962) Condition: VF+. CGC was unable to encapsulate this nice copy because of an overhang. Otherwise, this would have ranked fairly high on CGC's current census for issue #8. We've offered a nicer copy of the issue on only one previous occasion. Here are the first appearances of the Puppet-Master and Alicia Masters. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $910; VF/NM 9.0 value = $1,580. From the Janowicz Collection.
Fantastic Four #9 (Marvel, 1962) CGC VF- 7.5 Off-white to white pages. The third Silver Age appearance of the Sub-Mariner marked this early issue, depicted in grand fashion by Jack Kirby's cover and interior story art. This copy's great cover colors and page quality suggest a higher grade. Overstreet 2007 VF 8.0 value = $910. CGC census 6/07: 13 in 7.5, 39 higher.
Fantastic Four #12 (Marvel, 1963) CGC VG/FN 5.0 Off-white to white pages. One of the great early issues of Marvel's biggest title of the day had the Fantastic Four meeting the Hulk for the first time. This was the first Hulk crossover, and ties with The Amazing Spider-Man #1 as the first Marvel crossover. Rick Jones also appears. Jack Kirby provided the cover and interior artwork. Overstreet 2006 VG 4.0 value = $428; FN 6.0 value = $642. CGC census 6/07: 24 in 5.0, 155 higher. From the Janowicz Collection.
Fantastic Four #13 (Marvel, 1963) CGC VF+ 8.5 White pages. High-grade copy with white pages! First appearance of the Watcher. First appearance of the Red Ghost and his Super-Apes. Jack Kirby cover. Kirby and Steve Ditko art. Full page ad for Tales of Suspense #39 and Amazing Spider-Man #1. Overstreet 2007 VF 8.0 value = $459; VF/NM 9.0 value = $792. CGC census 6/07: 8 in 8.5, 16 higher. From the Janowicz Collection.
Fantastic Four #15 (Marvel, 1963) CGC NM- 9.2 Off-white to white pages. This issue would herald the first appearance of the Thinker (also known as the Mad Thinker) and his Awesome Android (who would later be referred to as Awesome Andy). The ish also has an FF pin-up, a Jack Kirby cover, and interior art by Kirby and Dick Ayers. Overstreet 2007 NM- 9.2 value = $835. CGC census 6/07: 5 in 9.2, 6 higher.
Fantastic Four #16 (Marvel, 1963) CGC VF 8.0 Off-white pages. First Ant-Man crossover. Doctor Doom appearance. Wasp cameo. Jack Kirby cover. Kirby and Dick Ayers art. Overstreet 2007 VF 8.0 value = $352. CGC census 6/07: 11 in 8.0, 31 higher.
Fantastic Four #19 (Marvel, 1963) CGC NM- 9.2 Off-white to white pages. The first appearance of that evil Egyptian, Rama-Tut, gets the Jack Kirby cover of this issue (note that "Pharaoh" is misspelled on the cover). Also contained inside, is a full page ad for X-Men #1. Kirby and Dick Ayers provided the interior art. Overstreet 2007 NM- 9.2 value = $835. CGC census 6/07: 6 in 9.2, 8 higher.
Fantastic Four #22 (Marvel, 1964) CGC NM 9.4 Off-white pages. This is the nicest copy we've ever offered of this issue! In addition to a battle with the Mole Man, #22 is notable for having the debut of increased powers for the Invisible Girl (her force fields plus the ability to turn other things invisible besides herself). Jack Kirby is the artist. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 8 in 9.4, 2 higher.
Fantastic Four #24 (Marvel, 1964) CGC NM 9.4 Off-white pages. We think it ranks among Jack Kirby's best FF covers, and, boy, does it stand out on this near perfect copy. It's close to the highest grade (a NM+ 9.6) that CGC has certified to date for #24. Kirby also furnished the interior art. Overstreet 2007 NM- 9.2 value = $475. CGC census 6/07: 12 in 9.4, 6 higher.
Fantastic Four #30 (Marvel, 1964) CGC NM- 9.2 White pages. Here is one of the world's greatest copies of the "World's Greatest Comic Magazine." This FF issue has the first appearance of Diablo, and great Jack Kirby art. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 11 in 9.2, 8 higher. From the Janowicz Collection.
Fantastic Four #34 (Marvel, 1965) CGC NM- 9.2 White pages. Features the first appearance of Greg Gideon. Jack Kirby and Chic Stone cover and art. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 11 in 9.2, 8 higher. From the Janowicz Collection.
Fantastic Four #39 (Marvel, 1965) CGC NM- 9.2 White pages. Dr Doom looms large from behind a bunch of buildings as the Fantastic Four and Daredevil are being influenced by remote control on this Jack Kirby and Frank Giacoia cover. The incomparable EC artist, Wally Wood, lends his hands with inks on Daredevil inside this fabulous issue. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 4 in 9.2, 8 higher. From the Janowicz Collection.
Fantastic Four #41 (Marvel, 1965) CGC NM 9.4 White pages. The FF prepare to battle it out with the Frightful Four in this issue. Cover by Jack Kirby, and interior art by Kirby and Vince Colletta. Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 18 in 9.4, 7 higher. From the Janowicz Collection.
Fantastic Four #44 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. Super high-grade copy of an issue right in the middle of the Stan Lee/Jack Kirby classic run. Highlights of issue #44 were the appearances of Medusa and Gorgon (his first). This is the nicest copy we've ever offered. Overstreet 2007 NM- 9.2 value = $180. CGC census 5/07: 13 in 9.6, 1 higher.
Fantastic Four #48 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. As hot as the Silver Surfer is right now, how much encouragement do you need to go after a fantastic copy of his first appearance? Of course, Galactus also made his debut in this key book, which has Jack Kirby art throughout. Overstreet 2007 NM- 9.2 value = $1,075. CGC census 5/07: 67 in 9.4, 59 higher. From the Keith Marlow Collection.
Fantastic Four #53 (Marvel, 1966) CGC NM 9.4 White pages. The Black Panther's second appearance was also the issue that revealed his origin story. Also in this issue is the first appearance of the villainous Klaw, and the first mention of that precious metal known as vibranium. Cover by Jack Kirby, with interior art by Kirby and Joe Sinnott. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 18 in 9.4, 4 higher. From the Janowicz Collection.
Fantastic Four #56 Pacific Coast pedigree (Marvel, 1966) CGC NM 9.4 Off-white to white pages. Jack Kirby cover and art. Cameo appearances by the Silver Surfer and Doctor Doom. The Inhumans and the Klaw also put in appearances. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 17 in 9.4, 3 higher.
Fantastic Four #72 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. This Silver Surfer appearance pre-dates the first issue of the character's own book. He decides to take his anger out on our heroes, and that means drama, as this was the brief phase when the Fantastic Four was down to a trio (Ben, Johnny, and Crystal). The Watcher provided the deus ex machina in this meaning-fraught Stan Lee yarn, illustrated by Jack Kirby of course. Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 25 in 9.4, 8 higher. From the Keith Marlow Collection.
Fantastic Four #78 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. A quality Jack Kirby cover, Kirby and Joe Sinnott art, and appearance by the evil Wizard in the story "The Thing No More" make this a quintessential Silver Age book, and this is a sweet copy. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 11 in 9.6, 8 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Fantastic Four #167 (Marvel, 1976) CGC NM/MT 9.8 White pages. While "top of Guide" is a low number for this bombastic Bronze Ager, try finding another 9.8 copy! Jack Kirby had returned to Marvel by this time and teamed with Joe Sinnott on the cover art, while George Perez penciled the story, guest-starring the Hulk and ending with the Thing's shocking reversion to human form. Overstreet 2007 NM- 9.2 value = $22. CGC census 6/07: 3 in 9.8, none higher.
Silver Age (1956-1969)
The Flash Annual #1 (DC, 1963) CGC VF+ 8.5 Off-white to white pages. Reprints the first appearances of the Elongated Man, Gorilla Grodd, and Kid Flash. Carmine Infantino cover and art, plus a Golden Age Flash reprint with Lee Elias art. Includes an index of all Silver Age Flash stories, writers, and artists up to issue #140. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $497. CGC census 6/07: 10 in 8.5, 17 higher. From the Keith Marlow Collection.
The Flash #106 (DC, 1959) CGC FN/VF 7.0 Cream to off-white pages. The second issue of the Silver Age title had the first appearances of the Pied Piper and Gorilla Grodd, with the latter starring in the first part of the "Grodd Trilogy". With Overstreet rating it "scarce", it's become a hot collector's commodity in recent years. Carmine Infantino continued his definitive artwork on the cover and interior stories. Overstreet 2007 FN 6.0 value = $456; VF 8.0 value = $1,292. CGC census 6/07: 4 in 7.0, 7 higher. From the Keith Marlow Collection.
The Flash #107 (DC, 1959) CGC VF 8.0 Off-white pages. Where are all the high-grade copies of this one? They're tough to find indeed, and this is a collectible issue: it's part two of the Gorilla Grodd trilogy and just the third issue of the title overall. Carmine Infantino drew the cover. Overstreet 2007 VF 8.0 value = $689. CGC census 4/07: 1 in 8.0, 1 higher.
The Flash #109 (DC, 1959) CGC VF 8.0 Off-white to white pages. After appearing in the first Silver Age Flash issue (#105), the Mirror Master reprises his super-villain role here. Carmine Infantino cover and art. Overstreet 2007 VF 8.0 value = $425. CGC census 6/07: 6 in 8.0, 4 higher. From the Keith Marlow Collection.
The Flash #110 (DC, 1959) CGC VF/NM 9.0 White pages. This is the first appearance of Kid Flash (Wally West), a book that became even more significant decades later when Wally became the Flash. There's also a first appearance in the villain department, as the Weather Wizard darkens the skies for the first time here. The issue's cover and art are by Carmine Infantino. This is the nicest copy of #110 we've seen in years. Overstreet 2007 VF/NM 9.0 value = $1,861; NM- 9.2 value = $2,650. CGC census 6/07: 3 in 9.0, 1 higher. From the Warren Hall Collection.
The Flash #111 (DC, 1960) CGC NM- 9.2 Off-white pages. Early Flash issues in this grade have been in huge demand, so we're doing our best to supply! Second Kid Flash tryout. Cloud Creatures appearance. Full page ad for Brave and the Bold #28. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $775. CGC census 6/07: 1 in 9.2, 1 higher. From the Warren Hall Collection.
The Flash #112 (DC, 1960) CGC VF+ 8.5 Off-white pages. It's the origin and first appearance of the Elongated Man, who though billed as a villain on Carmine Infantino's cover, soon became a beloved superhero. Overstreet 2007 VF 8.0 value = $376; VF/NM 9.0 value = $638. CGC census 6/07: 2 in 8.5, 2 higher. From the Warren Hall Collection.
The Flash #113 (DC, 1960) CGC VF+ 8.5 Off-white to white pages. Origin and first appearance of the Trickster. Carmine Infantino cover and art. Overstreet 2007 VF 8.0 value = $323; VF/NM 9.0 value = $549. CGC census 6/07: 2 in 8.5, 2 higher. From the Warren Hall Collection.
The Flash #114 (DC, 1960) CGC VF 8.0 Cream to off-white pages. Captain Cold appearance. Kid Flash backup story. Carmine Infantino art. Overstreet 2007 VF 8.0 value = $248. CGC census 6/07: 1 in 8.0, 2 higher.
The Flash #115 (DC, 1960) CGC NM- 9.2 Off-white to white pages. This copy is the only one CGC has graded higher than VF 8.0 of issue #115 to date. But the issue has substance, too! How do the second appearance of Elongated Man and an early Gorilla Grodd appearance grab you? Carmine Infantino delivered his distinctive interpretation of the Scarlet Speedster on the cover and on the interior stories. Overstreet 2007 NM- 9.2 value = $440. CGC census 5/07: 1 in 9.2, none higher. From the Warren Hall Collection.
The Flash #116 (DC, 1960) CGC NM- 9.2 Off-white pages. Carmine Infantino provided the art for this issue, a book that's a real pain to find in high grade! Overstreet 2007 NM- 9.2 value = $440. CGC census 6/07: 1 in 9.2, 1 higher.
The Flash #116 (DC, 1960) CGC VF+ 8.5 Cream to off-white pages. The CGC census for this one is sparsely populated in VF and up! Hmm, a bald alien who shrinks a city down to portable form... if the Flash doesn't get him, Brainiac's plagiarism lawsuit will! Carmine Infantino is the cover artist. Overstreet 2007 VF 8.0 value = $191; VF/NM 9.0 value = $316. CGC census 6/07: 2 in 8.5, 2 higher. From the Warren Hall Collection.
The Flash #116 (DC, 1960) CGC VF- 7.5 Off-white pages. Interest in nice, early copies of the Silver Age title has increased dramatically recently, so don't let this one speed by without a bid! There's a Kid Flash back-up story here, plus a full-page ad for Justice League of America #1. Carmine Infantino and Joe Giella cover and art. Overstreet 2007 VF 8.0 value = $191. CGC census 6/07: 5 in 7.5, 6 higher. From the Janowicz Collection.
The Flash #117 (DC, 1960) CGC VF/NM 9.0 Off-white pages. Origin and first appearance of Captain Boomerang. Carmine Infantino cover and art. Overstreet 2007 VF/NM 9.0 value = $379; NM- 9.2 value = $535. CGC census 6/07: 1 in 9.0, 1 higher. From the Warren Hall Collection.
The Flash #119 (DC, 1961) CGC NM- 9.2 Off-white pages. As demand for high-grade copies of the Silver Age Flash grows, we find ourselves starting to really crave sweet examples that pass our way -- like this one! In this issue, our hero battles the Mirror-Master, and Elongated Man marries Sue Dearborn. Carmine Infantino, of course, provided the cover and story art. Overstreet 2007 NM- 9.2 value = $440. CGC census 6/07: 1 in 9.2, none higher. From the Warren Hall Collection.
The Flash #119 (DC, 1961) CGC VF+ 8.5 Off-white to white pages. The fact that there's just one 9.2 and a two of VF/NMs on the CGC census as we write this shows that this issue presents a challenge for the high-grade collector. The Flash battles the Mirror-Master here, and the backup feature's noteworthy too, as the Elongated Man marries Sue Dearborn. Carmine Infantino cover and art. Overstreet 2007 VF 8.0 value = $191; VF/NM 9.0 value = $316. CGC census 6/07: 4 in 8.5, 3 higher.
The Flash #120 (DC, 1961) CGC VF/NM 9.0 Off-white pages. Kid Flash learns the Flash's secret identity in this issue, and the two share their first adventure together. We believe it's also the first cover appearance of Wally West, from back when his costume was identical to that of the grown-up speedster -- and of course in more recent years Wally became the Flash! Overstreet 2007 VF/NM 9.0 value = $316; NM- 9.2 value = $440. CGC census 6/07: 2 in 9.0, 2 higher. From the Keith Marlow Collection.
The Flash #121 (DC, 1961) CGC VF+ 8.5 White pages. Carmine Infantino cover and art. Overstreet 2007 VF 8.0 value = $153; VF/NM 9.0 value = $252. CGC census 6/07: 3 in 8.5, 1 higher. From the Keith Marlow Collection.
The Flash #123 (DC, 1961) Condition: VF. One of the most important stories in DC history was this issue's classic "Flash of Two Worlds," since it established the concept of Earth-Two, i.e. the notion that the Golden Age heroes were all still out there! It's also the first Silver Age appearance of the original Flash, Jay Garrick. Carmine Infantino is the artist. This copy couldn't be encapsulated by CGC because of a slight overhang, but it's a collector's dream, and its interior pages have nary a hint of any browning/tanning. Overstreet 2007 VF 8.0 value = $1,054. From the Warren Hall Collection.
The Flash #123 (DC, 1961) CGC VF 8.0 Off-white to white pages. The classic "Flash of Two Worlds" story makes this one of the most important DC comics of all, as it's got the first mention of another Earth where the DC Golden Age heroes live ("Earth Two," to use a term coined later). It's got the first Silver Age appearance of Jay Garrick, the Golden Age Flash, who teams up with his sleek new counterpart Barry Allen. The famous cover, paid homage to many a time in ensuing years, is by Carmine Infantino and Murphy Anderson. Overstreet 2007 VF 8.0 value = $1,054. CGC census 5/07: 7 in 8.0, 8 higher. From the Keith Marlow Collection.
The Flash #124 Massachusetts Copy pedigree (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. Note that the only two copies graded higher are just 9.2 as of this writing, and if you scrutinize our scan you'll have a tough time spotting any flaws that might have kept this one from NM- territory. The issue guest-stars a good guy (the Elongated Man) and a baddie (Captain Boomerang). Carmine Infantino drew the cover for the issue. Overstreet 2007 VF/NM 9.0 value = $204; NM- 9.2 value = $285. CGC census 5/07: 1 in 9.0, 2 higher. From the Keith Marlow Collection.
The Flash #128 (DC, 1962) CGC VF/NM 9.0 Off-white to white pages. What a pain this one is to find in high grade! The culprit is the purple outside edge which makes any teensy flaw stand out. The issue has the origin and first appearance of Abra Kadabra. Carmine Infantino cover art. Overstreet 2007 VF/NM 9.0 value = $197; NM- 9.2 value = $275. CGC census 5/07: 2 in 9.0, none higher. From the Keith Marlow Collection.
The Flash #129 (DC, 1962) CGC VF/NM 9.0 Off-white pages. The Golden Age Flash makes his second Silver Age appearance here, and if a flashback counts as an appearance in your book, this is the first Silver Age appearance of the Justice Society. The villains are no oldsters, mind you: Silver Age slimeballs Captain Cold and the Trickster are the issue's fiends. Carmine Infantino drew the whole issue. Overstreet 2007 VF/NM 9.0 value = $341; NM- 9.2 value = $475. CGC census 5/07: 9 in 9.2, 5 higher. From the Keith Marlow Collection.
The Flash #130 (DC, 1962) CGC VF/NM 9.0 Off-white pages. We proudly present the nicest copy we've ever offered of this black-cover ish. Cover artist Carmine Infantino got to portray the whole "Gauntlet of Super-Villains" here. Meanwhile, Kid Flash has dibs on Dibny as the Elongated Man teams up with the teen speedster. Overstreet 2007 VF/NM 9.0 value = $197; NM- 9.2 value = $275. CGC census 5/07: 3 in 9.0, none higher. From the Keith Marlow Collection.
The Flash #131 (DC, 1962) CGC VF/NM 9.0 Cream to off-white pages. Early Green Lantern crossover. Carmine Infantino cover and art. Overstreet 2007 VF/NM 9.0 value = $165; NM- 9.2 value = $230. CGC census 5/07: 7 in 9.0, 3 higher. From the Keith Marlow Collection.
The Flash #132 Pacific Coast pedigree (DC, 1962) CGC VF/NM 9.0 Off-white pages. Carmine Infantino cover and art. Overstreet 2007 VF/NM 9.0 value = $165; NM- 9.2 value = $230. CGC census 5/07: 4 in 9.0, 3 higher. From the Keith Marlow Collection.
The Flash #137 (DC, 1963) CGC VF+ 8.5 Cream to off-white pages. Golden Age Flash appearance. First full Silver Age appearance of the Justice Society. First Silver Age appearance of Vandal Savage and Johnny Thunder. Carmine Infantino art. Overstreet 2007 VF 8.0 value = $313; VF/NM 9.0 value = $532. CGC census 5/07: 15 in 8.5, 11 higher. From the Keith Marlow Collection.
The Flash #143 (DC, 1964) CGC NM 9.4 Off-white to white pages. Here's the nicest copy we've ever offered of this one. Green Lantern guest-stars in this Carmine Infantino-drawn affair. The ish has the first appearance of T.O. Morrow, best known for creating the android Red Tornado in later years. Overstreet 2007 NM- 9.2 value = $170. CGC census 5/07: 2 in 9.4, 1 higher. From the Keith Marlow Collection.
The Flash #145 (DC, 1964) CGC NM 9.4 Off-white pages. Weather Wizard appearance. Carmine Infantino and Murphy Anderson cover. Infantino and Joe Giella art. Overstreet 2007 NM- 9.2 value = $170. CGC census 5/07: 9 in 9.4, 5 higher. From the Keith Marlow Collection.
The Flash #147 (DC, 1964) CGC NM+ 9.6 White pages. The last time we offered this one in NM+ it was the Western Penn copy that hammered at 11x Guide, and note that this one has the "white pages" certification the other copy lacked! The featured villain is Reverse-Flash, who only made one previous appearance back when he was calling himself Professor Zoom. Carmine Infantino drew the issue. Overstreet 2007 NM- 9.2 value = $170. CGC census 5/07: 4 in 9.6, none higher. From the Keith Marlow Collection.
The Flash #148 (DC, 1964) CGC NM+ 9.6 White pages. Even the sole 9.8 copy of the issue lacks this one's white pages! Carmine Infantino drew the issue's cover. Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 4 in 9.6, 1 higher.
The Flash #150 (DC, 1965) CGC NM 9.4 White pages. That cool criminal, Captain Cold makes a chilling appearance. Carmine Infantino and Murphy Anderson handle the cover and interior art chores. Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 4 in 9.4, 4 higher. From the Keith Marlow Collection.
The Flash #151 (DC, 1965) CGC NM 9.4 Cream to off-white pages. In this key issue, Barry Allen and Iris West get engaged and the Golden Age Flash makes a Silver Age appearance. Carmine Infantino and Murphy Anderson cover. Infantino and Joe Giella art. Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 6 in 9.4, 6 higher. From the Keith Marlow Collection.
The Flash #152 (DC, 1965) CGC NM+ 9.6 Off-white pages. Carmine Infantino and Murphy Anderson cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 5 in 9.6, 1 higher. From the Keith Marlow Collection.
The Flash #153 Western Penn pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Professor Zoom or Reverse Flash gets knocked into the future by his counterpart, in this time traveling adventure. Mr. Element also makes an appearance. Carmine Infantino has provided the cover and interior art. A beautiful pedigree copy! Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 2 in 9.6, 1 higher. From the Keith Marlow Collection.
The Flash #153 (DC, 1965) CGC NM 9.4 Off-white to white pages. Reverse-Flash (or Professor Zoom, as he calls himself here) is a very bad man, so we got a charge out of seeing him knocked into the next century! Carmine Infantino drew the cover and the rest of the issue. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 2 in 9.4, 3 higher.
The Flash #154 (DC, 1965) CGC NM 9.4 White pages. Dexter Myles makes an appearance. Carmine Infantino and Murphy Anderson contribute the cover and art. A nice, sharp copy with great page quality. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 3 in 9.4, 2 higher. From the Keith Marlow Collection.
The Flash #155 (DC, 1965) CGC NM 9.4 Off-white to white pages. The Flash runs the gauntlet of some of his most formidable enemies in this ish. Carmine Infantino and Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 6 in 9.4, 7 higher. From the Keith Marlow Collection.
The Flash #157 (DC, 1965) CGC NM 9.4 Off-white to white pages. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 4/07: 10 in 9.4, 4 higher. From the Janowicz Collection.
The Flash #159 (DC, 1966) CGC NM+ 9.6 Off-white pages. This issue is best remembered for a cover that inspired two stories -- John Broome's tale in this issue and a different yarn penned by Robert Kanigher in #161. In this issue's story, Kid Flash and Dr. Mid-Nite guest-star, and Carmine Infantino handles the art chores. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 8 in 9.6, 3 higher.
The Flash #166 (DC, 1966) CGC NM 9.4 Off-white to white pages. Captain Cold and Heat Wave appearances. Carmine Infantino and Joe Giella cover and art. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 7 in 9.4, 3 higher. From the Keith Marlow Collection.
The Flash #167 (DC, 1967) CGC NM/MT 9.8 White pages. The only other 9.8 copy as of this writing has off-white to white pages, so we know this copy would be an upgrade for anyone reading this! This is the controversial "revised origin" issue, with cover and interior art by Carmine Infantino. Overstreet 2007 NM- 9.2 value = $120. CGC census 5/07: 2 in 9.8, none higher. From the Keith Marlow Collection.
The Flash #168 (DC, 1967) CGC NM 9.4 Off-white pages. Green Lantern appearance. Carmine Infantino and Joe Giella cover. Infantino and Sid Greene art. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 5 in 9.4, 5 higher. From the Keith Marlow Collection.
The Flash #169 (DC, 1967) CGC NM+ 9.6 Off-white pages. Also known as 80 Page Giant G-34, this big issue features a Carmine Infantino and Joe Giella cover and Infantino interior. It also and introduces new facts about the Flash's origin. Overstreet 2007 NM- 9.2 value = $140. CGC census 6/07: 3 in 9.6, none higher. From the Keith Marlow Collection.
The Flash #170 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Many guest appearances fill this ish from the likes of Doctor Fate and Doctor Mid-Nite to the Golden Age Flash and Abra Kadabra. Carmine Infantino and Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 3 in 9.6, 2 higher. From the Keith Marlow Collection.
The Flash #171 (DC, 1967) CGC NM 9.4 Off-white pages. Dr. Light appearance. Carmine Infantino and Sid Greene art. Infantino and Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 4 in 9.4, 3 higher. From the Keith Marlow Collection.
The Flash #173 Boston pedigree (DC, 1967) CGC NM+ 9.6 White pages. Wow! A black cover issue in 9.6 and white pages to boot! That's only to be expected from the Boston pedigree copy. The Golden Age Flash drops by for a visit in this issue. Carmine Infantino and Murphy Anderson contributed the "racy" cover. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 3 in 9.6, none higher. From the Keith Marlow Collection.
The Flash #175 (DC, 1967) CGC NM+ 9.6 Off-white pages. Just about as fine a copy as exists for this issue, and high-grade Silver Age Flashs are in great demand. This issue has the second Superman vs. Flash race, and a Justice League appearance. Carmine Infantino did the cover; Ross Andru the interior art. Overstreet 2007 NM- 9.2 value = $285. CGC census 5/07: 4 in 9.6, 1 higher.
The Flash #176 Northland pedigree (DC, 1968) CGC NM 9.4 Cream to off-white pages. Carmine Infantino cover. Comes with the Northland certificate of authenticity. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 13 in 9.4, 7 higher. From the Cary and Cheryl Porter Collection.
The Flash #176 (DC, 1968) CGC NM 9.4 White pages. Ross Andru and Mike Esposito art. Amazing page quality! Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 13 in 9.4, 7 higher. From the Keith Marlow Collection.
The Flash #177 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. Check out the big brain on the Scarlet Speedster! The Trickster makes an appearance. Ross Andru and Mike Esposito cover and art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 9 in 9.6, 1 higher. From the Keith Marlow Collection.
The Flash #179 Pacific Coast pedigree (DC, 1968) CGC NM 9.4 Off-white to white pages. Flash travels to Earth-Prime and meets DC editor Julie Schwartz. Ross Andru and Mike Esposito cover and art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 2 in 9.4, 3 higher. From the Keith Marlow Collection.
The Flash #180 (DC, 1968) CGC NM+ 9.6 Cream to off-white pages. Ross Andru and Mike Esposito cover and art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 5 in 9.6, 1 higher. From the Keith Marlow Collection.
The Flash #182 Pacific Coast pedigree (DC, 1968) CGC NM 9.4 Off-white to white pages. Ross Andru cover and art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 6 in 9.4, 3 higher. From the Keith Marlow Collection.
The Flash #183 Oakland pedigree (DC, 1968) CGC NM+ 9.6 White pages. Ross Andru cover and art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 3 in 9.6, none higher. From the Keith Marlow Collection.
The Flash #184 Ohio pedigree (DC, 1968) CGC NM 9.4 Off-white pages. Ross Andru and Mike Esposito art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 5 in 9.4, 3 higher. From the Keith Marlow Collection.
The Flash #187 (DC, 1969) CGC NM+ 9.6 White pages. What a sharp copy of a square bound, white-cover issue! The book also known as Giant G-58 has cover art by Ross Andru. Carmine Infantino art. Overstreet 2007 NM- 9.2 value = $90. CGC census 6/07: 7 in 9.6, 1 higher.
The Flash #187 (DC, 1969) CGC NM 9.4 Off-white to white pages. Giant issue. Ross Andru and Mike Esposito cover. Carmine Infantino art. Overstreet 2007 NM- 9.2 value = $90. CGC census 5/07: 8 in 9.4, 8 higher. From the Keith Marlow Collection.
The Flash #189 (DC, 1969) CGC NM 9.4 White pages. Kid Flash appearance. Last 12-cent issue. Joe Kubert cover. Ross Andru and Mike Esposito art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 5 in 9.4, 2 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
The Flash #196 (DC, 1970) CGC NM 9.4 Off-white pages. 68-page Giant (G-70). Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $90. CGC census 5/07: 5 in 9.4, 5 higher. From the Keith Marlow Collection.
The Flash #200 (DC, 1970) CGC NM 9.4 Off-white to white pages. Carmine Infantino and Murphy Anderson cover. Irv Novick and Anderson art. Overstreet 2007 NM- 9.2 value = $. CGC census 6/07: 3 in 9.4, 2 higher. From the Keith Marlow Collection.
The Flash #219 (DC, 1973) CGC NM/MT 9.8 White pages. Nick Cardy cover. Green Lantern/Green Arrow backup feature with Neal Adams art. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 3 in 9.8, none higher.
Silver Age (1956-1969)
Four Color #681 Forever Darling (Dell, 1956) CGC NM 9.4 Off-white to white pages. Forever Darling. Lucille Ball and Desi Arnaz photo cover. Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 1 in 9.4, 1 higher. From the Keith Marlow Collection.
Four Color #721 Captain Kangaroo (Dell, 1956) CGC NM- 9.2 Off-white pages. Captain Kangaroo. Photo cover. There is a small 3/4" crack on the back, upper left of the CGC holder. This does not affect the integrity of the holder or the comic inside. Overstreet 2007 NM- 9.2 value = $290. CGC census 6/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Four Color #780 Captain Kangaroo (Dell, 1957) CGC NM 9.4 Off-white pages. It just isn't right that Captain Kangaroo's comics career was limited to three Four Colors! Yes, his colleague Mr. Green Jeans appears here too. Overstreet 2007 NM- 9.2 value = $235. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #910 The Vikings (Dell, 1958) CGC NM+ 9.6 Off-white pages. The Vikings. Kirk Douglas photo cover. John Buscema art. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Four Color #920 Zorro (Dell, 1958) CGC NM 9.4 Off-white pages. Astonishing copy that's sure to please, especially if your favorite color is red, or, as Don Diego de la Vega would say, rojo. This was the gay blade's ninth Four Color issue -- he would appear five more times before getting his own well-deserved title. The cover's a Guy Williams photo, and Alex Toth provided interior art. This beats the second best copy CGC has certified to date by NM 9.4 to VF+ 8.5! Overstreet 2007 NM- 9.2 value = $205. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #956 Ricky Nelson - File Copy (Dell, 1958) CGC NM 9.4 Off-white pages. Only a (poor little) fool would pass up the sole highest-graded copy of the very first Ricky Nelson Four Color. With photo covers front and back, it's perfect for showing off at your next garden party! Overstreet 2007 NM- 9.2 value = $320. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #994 Sea Hunt (#2) (Dell, 1959) CGC NM+ 9.6 Off-white pages. Superfine copy is the best CGC has certified to date for this Four Color issue, which is considered the second issue of Sea Hunt. The photo cover is of TV series star Lloyd Bridges. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Four Color #999 Leave It To Beaver - File Copy (Dell, 1959) CGC VF/NM 9.0 Off-white pages. Photo cover. Overstreet 2007 VF/NM 9.0 value = $173; NM- 9.2 value = $240. CGC census 5/07: 4 in 9.0, 2 higher. From the Keith Marlow Collection.
Four Color #1013 Bat Masterson (Dell, 1959) CGC NM- 9.2 Cream to off-white pages. "Back when the West was very young..." When you're done singing that classic theme song to yourself, put in a bid on the sole highest-graded copy! Gene Barry stars on the photo cover. Overstreet 2007 NM- 9.2 value = $200. CGC census 6/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Four Color #1018 Rio Bravo (Dell, 1959) CGC VF/NM 9.0 Off-white pages. Only one lot in this auction will be sought after by tough-as-nails John Wayne fans, garden-partying Rick(y) Nelson lovers, and half-sloshed Dean Martin enthusiasts -- that would be this photo-cover Four Color. Alex Toth is the interior artist. Overstreet 2007 VF/NM 9.0 value = $295; NM- 9.2 value = $410. CGC census 6/07: 2 in 9.0, 1 higher. From the Keith Marlow Collection.
Four Color #1025 Vacation In Disneyland - File Copy (Dell, 1959) CGC NM 9.4 Off-white pages. Carl Barks provided 24 pages of art. CGC notes, "From the Random House Archives." Overstreet 2007 NM- 9.2 value = $290. CGC census 5/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1043 Three Stooges - File Copy (Dell, 1959) CGC NM 9.4 Off-white to white pages. The trio's first Four Color and the de facto #1 of the Three Stooges series. Photo cover. CGC notes, "From the Random House Archives." Overstreet 2007 NM- 9.2 value = $460. CGC census 5/07: 8 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1049 Don't Give Up The Ship (Dell, 1959) CGC NM 9.4 Off-white pages. Jerry Lewis photo cover. Overstreet 2007 NM- 9.2 value = $140. CGC census 5/07: 1 in 9.4, 1 higher. From the Keith Marlow Collection.
Four Color #1103 Leave it to Beaver (Dell, 1960) CGC NM 9.4 Off-white pages. Photo cover. CGC notes, "From the Dallas Stephens Collection." Overstreet 2007 NM- 9.2 value = $240. CGC census 5/07: 4 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1126 Sundance (Dell, 1960) CGC NM+ 9.6 Off-white pages. Earl Holliman photo cover. Overstreet 2007 NM- 9.2 value = $95. CGC census 5/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Four Color #1130 The Deputy (Dell, 1960) CGC NM 9.4 Off-white pages. Photo cover featuring Henry Fonda. John Buscema interior art. Overstreet 2007 NM- 9.2 value = $150. CGC census 5/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1139 Spartacus (Dell, 1960) CGC NM 9.4 Off-white pages. Photo cover featuring Kirk Douglas. John Buscema interior art. Overstreet 2007 NM- 9.2 value = $225. CGC census 5/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1168 The Detectives (Dell, 1961) CGC NM 9.4 Cream to off-white pages. Robert Taylor photo cover. Overstreet 2007 NM- 9.2 value = $160. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1191 Leave It to Beaver (Dell, 1961) CGC NM 9.4 Off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 3 in 9.4, 1 higher. From the Keith Marlow Collection.
Four Color #1192 Ricky Nelson (Dell, 1961) CGC NM- 9.2 Off-white to white pages. Ricky's fourth and final feature in Four Color. Photo cover, with Russ Manning interior art. Overstreet 2007 NM- 9.2 value = $255. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
Four Color #1231 Danger Man (Dell, 1961) CGC NM 9.4 Off-white pages. There's no higher-graded copy, so bid... or risk a Patrick McGoohan stare-down! Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #1252 Andy Griffith (Dell, 1962) CGC VF/NM 9.0 Cream to off-white pages. Photo cover features Ron Howard, Andy Griffith, and Don Knotts. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 VF/NM 9.0 value = $480; NM- 9.2 value = $675. CGC census 6/07: 3 in 9.0, 1 higher. From the Keith Marlow Collection.
Four Color #1275 Rocky and His Friends (Dell, 1962) CGC NM 9.4 Off-white pages. Now here's something we hope you'll really like: the sole highest-graded copy. Overstreet 2007 NM- 9.2 value = $350. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #01-428-207 Leave it to Beaver (Dell, 1962) CGC NM 9.4 Off-white pages. Leave it to Beaver. Photo cover. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Friendly Ghost Casper #20 File Copy (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. Attractive file copy, featuring Warren Kremer art. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Friendly Ghost Casper #24 File Copy (Harvey, 1960) CGC NM 9.4 Off-white pages. Baseball-themed cover by Warren Kremer. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Friendly Ghost Casper #77 File Copy (Harvey, 1965) CGC NM/MT 9.8 Off-white to white pages. Overstreet 2007 NM- 9.2 value = $26. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Friendly Ghost Casper #80 File Copy (Harvey, 1965) CGC NM/MT 9.8 Off-white pages. Overstreet 2007 NM- 9.2 value = $26. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Friendly Ghost Casper #84 File Copy (Harvey, 1965) CGC NM/MT 9.8 Off-white to white pages. Overstreet 2007 NM- 9.2 value = $26. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Get Smart #1 White Mountain pedigree (Dell, 1966) CGC NM 9.4 Off-white to white pages. We'd only admit this under the Cone of Silence, but we had never seen this book in high grade before! These TV comics always attract "crossover" collecting interest, so grab the (shoe-)phone and get us your bid! CGC notes, "'66' written on cover, '2-17-66' written on 1st page in pen." Overstreet 2007 NM- 9.2 value = $165. CGC census 5/07: 1 in 9.4, 1 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
Ghost Rider #1 (Marvel, 1973) CGC NM 9.4 White pages. The recent film starring Nicolas Cage has fueled renewed interest in Marvel's supernatural superhero, especially key issues like this #1. Former DC mainstay Gil Kane lent his talents to the cover, and Tom Sutton and Syd Shores provided story art. The issue also had the first appearance of the Son of Satan (Daimon Hellstrom, cameo). Overstreet 2007 NM- 9.2 value = $150. CGC census 5/07: 75 in 9.4, 33 higher. From the Janowicz Collection.
Giant-Size X-Men #1 (Marvel, 1975) CGC NM+ 9.6 White pages. Very few of the NM-and-up copies we've seen have earned the "white pages" certification, that's why we expect strong interest in this copy of the key book. It's the first appearance of the new X-Men (Nightcrawler, Storm, Colossus, and Thunderbird), and the second full appearance of Wolverine. Gil Kane drew the cover, and Dave Cockrum supplied the interior art. Overstreet 2007 NM- 9.2 value = $1,175. CGC census 5/07: 117 in 9.6, 10 higher. From the Keith Marlow Collection.
Giant-Size X-Men #1 (Marvel, 1975) CGC NM 9.4 White pages. Near Mint with white pages says a lot -- it is, after all, one of the most sought-after of all Bronze Age comic books. It's the first appearance of the new X-Men team, as well as the first appearance of most of the members including Nightcrawler, Storm, Colossus, and Thunderbird. Cyclops was from the original team, and Wolverine had made his first appearance a short time before in The Incredible Hulk #181. Gil Kane cover. Dave Cockrum art. Overstreet 2007 NM- 9.2 value = $1,175. CGC census 6/07: 204 in 9.4, 127 higher. From the Janowicz Collection.
Silver Age (1956-1969)
G.I. Combat #44 (DC, 1957) CGC VF/NM 9.0 Cream to off-white pages. "First DC issue!" should be emblazoned on the cover! That wasn't the style in '57, but this was the first issue DC put out after taking over the series from Quality. DC wasted no time putting top talent on the book, with Jerry Grandenetti doing the grey tone cover and Joe Kubert, Russ Heath, and Ross Andru penciling the interior. This is the only copy graded above 7.5 by CGC to date. Overstreet 2007 VF/NM 9.0 value = $675; NM- 9.2 value = $950. CGC census 6/07: 1 in 9.0, none higher. From the Keith Marlow Collection.
G.I. Combat #68 (DC, 1959) CGC VF- 7.5 Off-white pages. It's the first appearance of Sgt. Rock... sort of! The arguments for this being the true "first": it appeared half a year before Our Army At War #83, it says "The Rock" on the cover, and has a story written by Robert Kanigher with Joe Kubert art. Also, the folks at DC dubbed this the first Rock story when they reprinted it in the 100-page Our Army At War #242. Even "Big Five" guru Chris Pedrin, who doesn't give this book the nod, does note, "This is a very important issue because this is where [Kanigher] consciously develops Sgt. Rock and his personality." The icing on the cake is the dramatic cover by Jerry Grandenetti. Overstreet 2007 VF 8.0 value = $476. CGC census 5/07: 1 in 7.5, 1 higher. From the Keith Marlow Collection.
G.I. Combat #87 (DC, 1961) CGC VF 8.0 Off-white pages. The Haunted Tank made its first appearance here -- if you picked up DC war comics any time in the 1960s or 1970s, you know the tank, Jeb Stuart, and of course the ghost of General Stuart! Russ Heath drew the first story in addition to producing a grey tone cover that's rightly regarded as a classic. Overstreet 2007 VF 8.0 value = $476. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
G.I. Combat #91 (DC, 1961) CGC VF 8.0 Off-white pages. The first cover appearance of the Haunted Tank is also one of the most spectacular grey tone covers DC ever produced! Russ Heath drew the cover and the accompanying story featuring the ghost of General Stuart. Overstreet 2007 VF 8.0 value = $131. CGC census 5/07: 2 in 8.0, none higher. From the Keith Marlow Collection.
G.I. Combat #97 (DC, 1962) CGC NM- 9.2 Off-white pages. Russ Heath drew this issue's grey tone cover as well as the Haunted Tank story inside. This is the only copy graded above 7.5 by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $170. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
G.I. Combat #113 (DC, 1965) CGC NM 9.4 Off-white pages. The absolutely beautiful cover art by Russ Heath should be all you need to see here! Inside, Joe Kubert drew the Haunted Tank yarn, and Gene Colan also pitched in. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
G.I. Combat #115 (DC, 1965) CGC NM 9.4 Cream to off-white pages. Team-up between Johnny Cloud and Jeb Stuart (Haunted Tank). Russ Heath cover and art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
G.I. Combat #129 (DC, 1968) CGC NM+ 9.6 Off-white pages. Featuring the Haunted Tank. Russ Heath cover. Heath and Jack Abel art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Green Lantern #32 (DC, 1964) CGC NM 9.4 White pages. We haven't ever seen a copy this nice offered for sale before! What makes this book so tough to find in grade is the unforgiving all-black top edge, and of course there are a few other "ding-prone" black areas too. Gil Kane is the issue's cover artist, and what do you know, Pieface makes one of his rare cover appearances. Overstreet 2007 NM- 9.2 value = $180. CGC census 6/07: 2 in 9.4, 1 higher.
Green Lantern #37 (DC, 1965) CGC NM 9.4 White pages. Evil Star made his first appearance in this issue -- he's a villain who was a worthy foe for Green Lantern, as the "star-band" Evil Star wore on his wrist was pretty similar to GL's power ring. Gil Kane handled cover and interior art chores here. Overstreet 2007 NM- 9.2 value = $180. CGC census 4/07: 2 in 9.4, 4 higher. From the Janowicz Collection.
Green Lantern #40 (DC, 1965) CGC VF/NM 9.0 Off-white pages. The origin of the DC Universe's Infinite Earths is presented in this seminal issue along with the origin of the Guardians, the first appearance of Krona, and a guest star appearance by the Golden Age Green Lantern. Doiby Dickles also appears. Gil Kane cover and art. Overstreet 2007 VF/NM 9.0 value = $622; NM- 9.2 value = $875. CGC census 5/07: 15 in 9.0, 30 higher. From the Keith Marlow Collection.
Green Lantern #51 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Gil Kane cover and art. Note that the CGC holder has a three-inch crack at the top right corner. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 2 in 9.6, 1 higher.
Bronze Age (1970-1979)
Green Lantern #76 (DC, 1970) CGC NM- 9.2 Off-white pages. Seeing as how a 9.4 copy just sold for $8,000, it's probably time to secure a 9.2 for your collection before prices for this grade spiral out of reach. This comic is the book that started the Bronze Age in the opinion of many. It kicks off a landmark run by artist Neal Adams and writer Denny O'Neil, and it's the first to co-star Green Arrow. Not many collectors can say they bought Golden Age All-Star books off the stands and were still collecting in 1970, but Warren Hall is one of them, so enjoy this book from his amazing collection. Overstreet 2007 NM- 9.2 value = $550. CGC census 6/07: 25 in 9.2, 8 higher. From the Warren Hall Collection.
Green Lantern #76 (DC, 1970) CGC VF/NM 9.0 Off-white to white pages. This would be Neal Adams' first issue as penciler of the title as Green Arrow would get co-star billing for the first time. CGC notes, "2/18 written on cover in pen." Overstreet 2007 VF/NM 9.0 value = $390; NM- 9.2 value = $550. CGC census 5/07: 30 in 9.0, 32 higher. From the Keith Marlow Collection.
Green Lantern #77 (DC, 1970) CGC NM 9.4 Off-white pages. From a classic era in the history of both GL and Green Arrow, with a Neal Adams cover and art. Only a few have graded higher than this copy. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 20 in 9.4, 4 higher. From the Warren Hall Collection.
Silver Age (1956-1969)
Green Lantern #79 (DC, 1970) CGC NM 9.4 Off-white pages. One of the finest copies of the Neal Adams issue that CGC has certified to date. There's a Black Canary appearance in the issue, which has Neal Adams cover and interior art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 2 in 9.4, 1 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Green Lantern #89 (DC, 1972) CGC NM+ 9.6 White pages. Neal Adams provided new life to the title with groundbreaking work in the early 1970s, but this was the last issue of the title, the two Greens moving to Flash for their continuing adventures. This gorgeous copy, with its pristine white pages, comes close to being the nicest known copy in existence, according to CGC's census. Overstreet 2007 NM- 9.2 value = $85. CGC census 5/07: 18 in 9.6, 2 higher. From the Janowicz Collection.
Silver Age (1956-1969)
Hawkman #1 (DC, 1964) CGC NM- 9.2 Off-white pages. Following the lead of other Golden Age superheroes being reborn in DC's Silver Age, Hawkman gets his own title after tryout issues in The Brave and The Bold and an appearance in The Atom. Murphy Anderson became the regular artist with this issue, providing both cover and interior art. Overstreet 2007 NM- 9.2 value = $1,100. CGC census 6/07: 9 in 9.2, 9 higher.
Hawkman #1 (DC, 1964) CGC VF+ 8.5 Off-white pages. The intricate cover art by Murphy Anderson makes this one a favorite. Overstreet 2007 VF 8.0 value = $442; VF/NM 9.0 value = $771. CGC census 6/07: 20 in 8.5, 31 higher. From the Keith Marlow Collection.
Hawkman #2 (DC, 1964) CGC VF/NM 9.0 Off-white to white pages. Murphy Anderson cover and art. Overstreet 2007 VF/NM 9.0 value = $287; NM- 9.2 value = $400. CGC census 6/07: 9 in 9.0, 13 higher. From the Janowicz Collection.
Hot Stuff Sizzlers #30 File Copy (Harvey, 1967) CGC NM+ 9.6 Off-white to white pages. Set your sites on this sweet square bound treat! Overstreet 2007 NM- 9.2 value = $32. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff Sizzlers #34 File Copy (Harvey, 1968) CGC NM/MT 9.8 White pages. Hot Stuff enjoys the hottest comic around on the cover of this extra-sharp square bound issue. Overstreet 2007 NM- 9.2 value = $32. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #6 File Copy (Harvey, 1958) CGC VF/NM 9.0 Cream to off-white pages. Stumbo the Giant backup story. Overstreet 2007 VF/NM 9.0 value = $110; NM- 9.2 value = $150. CGC census 5/07: 1 in 9.0, 1 higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #11 File Copy (Harvey, 1959) CGC NM 9.4 Off-white pages. Brilliant cover colors and Near Mint condition mark this sparkling File Copy. The issue has a Stumbo story and a 1959 calendar. Overstreet 2007 NM- 9.2 value = $100. CGC census 5/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #14 File Copy (Harvey, 1959) CGC NM 9.4 Off-white pages. The Little Devil never looked better than on this File Copy! Stumbo the Giant appears in a backup story. Overstreet 2007 NM- 9.2 value = $100. CGC census 5/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #15 File Copy (Harvey, 1959) CGC NM 9.4 Off-white to white pages. With our multiple offerings of file copies of this title, you really need to score at least one! Stumbo the Giant appears in a backup story. Overstreet 2007 NM- 9.2 value = $100. CGC census 5/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #16 File Copy (Harvey, 1959) CGC NM 9.4 Cream to off-white pages. Despite the fact we have multiple file copies of this title in our auction, don't make the mistake of taking the offerings for granted. Not only have we never offered file copies of #14, 15, and 16 before, we've never offered any copies of these issues before! And there's probably not a nicer copy of this issue in existence. Overstreet 2007 NM- 9.2 value = $100. CGC census 5/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #17 File Copy (Harvey, 1959) CGC NM 9.4 Off-white pages. This file copy is red hot! Er, we mean it's a gorgeous Near Mint example. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #19 File Copy (Harvey, 1960) CGC NM 9.4 Off-white pages. Exceptionally nice Harvey file copy. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #22 File Copy (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. Lots of deep, rich cover color on this one. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #28 File Copy (Harvey, 1960) CGC NM+ 9.6 Cream to off-white pages. Hot Stuff makes his points known on this attractive and colorful file copy. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #29 File Copy (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. Another sizzling-hot Harvey file copy! Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #31 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white pages. A great snowy-white background make our little crimson pal really pop out on this cool cover. It's another beautiful Harvey file copy! Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #32 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white pages. A deep chocolate brown background makes this pretty file copy stand out. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #33 File Copy (Harvey, 1961) CGC NM+ 9.6 Cream to off-white pages. Great black cover issue. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #34 File Copy (Harvey, 1961) CGC NM/MT 9.8 Off-white pages. This gem of a file copy really shines! Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #36 File Copy (Harvey, 1961) CGC NM 9.4 Off-white to white pages. This issue may be "too hot," according to the great cover art! Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #37 File Copy (Harvey, 1961) CGC NM 9.4 Off-white to white pages. This file copy features vibrant cover colors. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #38 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white pages. This little red devil is showing some new colors on this issue's cover. It's yet another super-sweet file copy. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #39 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white pages. The Diapered Devil makes some noise on this very colorful cover. This file copy is sharp and clean as... you know! Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #40 File Copy (Harvey, 1961) CGC NM+ 9.6 Off-white to white pages. Our little red-hot friend finds a novel way to fill his tummy on this cute cover. Sweet! 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #41 File Copy (Harvey, 1961) CGC NM/MT 9.8 Off-white pages. This out-of-this-world file copy is sure to please any Hot Stuff fan! Overstreet 2007 NM- 9.2 value = $40. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #42 File Copy (Harvey, 1961) CGC NM/MT 9.8 Off-white to white pages. Our favorite high-flying hero rarely looked as good as on this bright file copy! Overstreet 2007 NM- 9.2 value = $40. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #61 File Copy (Harvey, 1964) CGC NM+ 9.6 Off-white pages. White background cover. Overstreet 2007 NM- 9.2 value = $40. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #64 File Copy (Harvey, 1965) CGC NM/MT 9.8 Off-white pages. Hot Stuff helps out a pal on this issue's brightly colored cover. Overstreet 2007 NM- 9.2 value = $30. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #65 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white pages. This pink-cover file copy looks like a tasty treat to us! Overstreet 2007 NM- 9.2 value = $30. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #87 File Copy (Harvey, 1968) CGC NM/MT 9.8 Off-white pages. It's easy to see why this super-sharp file copy is smokin' hot! Overstreet 2007 NM- 9.2 value = $22. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Hot Stuff, the Little Devil #89 File Copy (Harvey, 1969) CGC NM/MT 9.8 Off-white pages. Brilliant cover colors + outstanding condition = a book you must bid on! Overstreet 2007 NM- 9.2 value = $22. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
House of Mystery #131 Northland pedigree (DC, 1963) CGC NM 9.4 Off-white to white pages. Mort Meskin and George Roussos cover and art. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 2 in 9.4, none higher. From the Cary and Cheryl Porter Collection.
House of Mystery #141 Northland pedigree (DC, 1964) CGC NM+ 9.6 White pages. Dick Dillin and Sheldon Moldoff are credited with the art on the only cover we can think of that name-drops the emperor Nero. Don't "fiddle" around when this one's up for auction, 'cause there's no higher-graded copy! Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 2 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Bronze Age (1970-1979)
H. R. Pufnstuf #1 File Copy (Gold Key, 1970) CGC NM+ 9.6 Off-white to white pages. Photo cover. CGC notes, "From the Random House Archives." Overstreet 2007 NM- 9.2 value = $325. CGC census 6/07: 4 in 9.6, 2 higher.
Silver Age (1956-1969)
I Dream of Jeannie #2 File Copy (Dell, 1966) CGC NM 9.4 Off-white to white pages. Barbara Eden and Larry Hagman photo cover. Overstreet 2007 NM- 9.2 value = $195. CGC census 6/07: 2 in 9.4, 3 higher. From the Keith Marlow Collection.
Golden Age (1938-1955)
I Love Lucy #10 (Dell, 1956) CGC NM 9.4 Off-white to white pages. Partial photo cover. Overstreet 2007 NM- 9.2 value = $60. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
I Love Lucy #11 (Dell, 1956) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
I Love Lucy #14 (Dell, 1957) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
I Love Lucy #15 (Dell, 1957) CGC NM- 9.2 Off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
I Love Lucy #16 (Dell, 1957) CGC NM 9.4 Off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
I Love Lucy #17 (Dell, 1957) CGC NM- 9.2 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
I Love Lucy #19 (Dell, 1958) CGC NM- 9.2 Off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 2 in 9.2, none higher. From the Keith Marlow Collection.
I Love Lucy #20 (Dell, 1958) CGC NM/MT 9.8 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 1 in 9.8, none higher. From the Keith Marlow Collection.
I Love Lucy #22 (Dell, 1959) CGC NM 9.4 Off-white to white pages. Photo cover. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $38. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
I Love Lucy #25 (Dell, 1959) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $38. CGC census 6/07: 1 in 9.4, 1 higher. From the Keith Marlow Collection.
I Love Lucy #26 (Dell, 1960) CGC NM+ 9.6 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
I Love Lucy #27 (Dell, 1960) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 2 in 9.4, 1 higher. From the Keith Marlow Collection.
I Love Lucy #28 (Dell, 1960) CGC NM+ 9.6 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
I Love Lucy #29 (Dell, 1960) CGC NM- 9.2 White pages. Photo cover. Great page quality. Note that there is a small 3/4" crack on the top of the CGC holder that does not affect the integrity of the holder or the comic inside. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
I Love Lucy #30 (Dell, 1961) CGC NM 9.4 Off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 2 in 9.4, 1 higher. From the Keith Marlow Collection.
I Love Lucy #31 (Dell, 1961) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
I Love Lucy #34 (Dell, 1962) CGC NM- 9.2 Cream to off-white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 2 in 9.2, none higher. From the Keith Marlow Collection.
The Incredible Hulk #3 (Marvel, 1962) CGC FN- 5.5 Off-white to white pages. "See The Hulk Banished To Outer Space..." blares the Jack Kirby cover. Golly! After only three issues! And only two issues of being green! One of the more sought-after titles of the Marvel Age, it came out months before Amazing Spider-Man #1, and was gone after just six issues. The Hulk's origin is retold in this issue, which also has the first appearance of the Ringmaster. Jack Kirby also provided the interior art. Overstreet 2007 FN 6.0 value = $456. CGC census 6/07: 13 in 5.5, 67 higher. From the Janowicz Collection.
The Incredible Hulk #4 (Marvel, 1962) CGC VF/NM 9.0 Off-white to white pages. High grade, early issue of this title are few and far between so feast your eyes on this beaut. It has two feature-length stories, including a brief retelling of the Hulk's origin and a Rick Jones appearance, with a Jack Kirby cover and interior art to boot! Overstreet 2007 VF/NM 9.0 value = $2,075; NM- 9.2 value = $2,950. CGC census 6/07: 9 in 9.0, 10 higher.
The Incredible Hulk #4 (Marvel, 1962) CGC VG 4.0 Off-white to white pages. Would you believe a third origin story in just four issues? There's also a Rick Jones appearance in the book, which featured Jack Kirby cover and interior art. Overstreet 2007 VG 4.0 value = $282. CGC census 6/07: 20 in 4.0, 151 higher. From the Janowicz Collection.
The Incredible Hulk #102 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. First issue of the title since issues #1-6 in the early 1960s. Origin retold. Story continued from Tales to Astonish #101. Warriors Three, Odin, and the Enchantress appearances. Marie Severin cover. Severin and George Tuska art. Overstreet 2007 NM- 9.2 value = $375. CGC census 6/07: 67 in 9.4, 46 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
The Incredible Hulk #181 (Marvel, 1974) CGC NM 9.4 Off-white to white pages. The last copy we auctioned with this same grade and page quality slashed its way to a $3,585 price, and we expect a similarly strong result for this specimen. We think most collectors will agree there's no more desirable Bronze Age comic than the first full appearance of Wolverine. Herb Trimpe drew the entire issue. Overstreet 2007 NM- 9.2 value = $1,400. CGC census 5/07: 183 in 9.4, 121 higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
The Incredible Hulk Annual #1 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. The Hulk battles the Inhumans. Classic Jim Steranko and Marie Severin cover. Severin and Syd Shores art. Overstreet 2007 NM- 9.2 value = $155. CGC census 6/07: 31 in 9.4, 22 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Iron Fist #14 (Marvel, 1977) CGC NM 9.4 White pages. First appearance of Sabretooth. John Byrne art. Dave Cockrum cover. Overstreet 2007 NM- 9.2 value = $200. CGC census 5/07: 197 in 9.4, 124 higher. From the Keith Marlow Collection.
Iron Man #55 (Marvel, 1973) CGC NM 9.4 Off-white to white pages. Perhaps no Bronze Age comic has as many first appearances as this hectic affair! Making their debuts are Thanos, Drax the Destroyer, Mentor, Starfox (aka Eros), and Kronos. They're all part of a saga from the mind of Jim Starlin, who wrote and drew the issue. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 50 in 9.4, 27 higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
I Spy #1 File Copy (Gold Key, 1966) CGC NM 9.4 Off-white to white pages. Bill Cosby and Robert Culp photo cover. Overstreet 2007 NM- 9.2 value = $340. CGC census 6/07: 9 in 9.4, 1 higher. From the Keith Marlow Collection.
The Jetsons #1 File Copy (Gold Key, 1963) CGC VF/NM 9.0 Off-white pages. CGC hasn't certified a higher grade of this issue which has the first comic book appearance of the popular TV characters. Overstreet 2007 VF/NM 9.0 value = $316; NM- 9.2 value = $440. CGC census 6/07: 5 in 9.0, none higher. From the Keith Marlow Collection.
Jonny Quest #1 File Copy (Gold Key, 1964) CGC VF/NM 9.0. The only issue of the popular Hanna-Barbera animated character. There's a pin-up back cover. Overstreet 2007 VF/NM 9.0 value = $438; NM- 9.2 value = $620. CGC census 6/07: 3 in 9.0, 2 higher. From the Keith Marlow Collection.
Journey Into Mystery #83 (Marvel, 1962) CGC FN- 5.5 White pages. One of the must-have Marvel keys is this one, the origin and first appearance of Thor. Jack Kirby drew the cover and the story. Steve Ditko added art on a backup feature. Overstreet 2007 FN 6.0 value = $1,650. CGC census 6/07: 14 in 5.5, 112 higher. From the Fantastic Frank Collection.
Journey Into Mystery #90 (Marvel, 1963) CGC VF+ 8.5 Cream to off-white pages. Like many of the Marvels from the period, it's not as easy as you might think to find high-grade copies. To date CGC has certified only one copy better than NM- 9.2, and only two at NM- 9.2! Jack Kirby provided the cover here, while Steve Ditko contributed interior art. The Xartans' first appearance was in this issue. Overstreet 2007 VF 8.0 value = $313; VF/NM 9.0 value = $532. CGC census 5/07: 5 in 8.5, 6 higher.
Journey Into Mystery #101 (Marvel, 1964) CGC NM 9.4 Off-white pages. The second Avengers crossover happens in this issue, which features a great Jack Kirby cover. Kirby, George Roussos, Larry Lieber, and Matt Fox contribute interior art. It's tough finding this issue in a grade so high. Overstreet 2007 NM- 9.2 value = $330. CGC census 5/07: 7 in 9.4, 4 higher.
Journey Into Mystery #109 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. What self-respecting X-Men fan wouldn't want the first crossover appearance of Magneto? Jack Kirby is the artist. It's amazing how few high-grade copies there are of this run compared to other Marvels, note the census info below. Overstreet 2007 NM- 9.2 value = $740. CGC census 6/07: 6 in 9.2, 3 higher.
Journey Into Mystery #114 White Mountain pedigree (Marvel, 1965) CGC NM 9.4 White pages. One of Marvel's most memorable superhero battles was Thor's first fight with the Absorbing Man, whose origin and first appearance are in this issue. The Jack Kirby visuals are spectacular. According to lore, the White Mountain collector didn't care about superhero books and only bought these Marvel series out of force of habit because they used to be monster mags. Well, there are certainly no signs that anyone ever read this one. CGC notes, "'65' written on cover in pen. '1-7-65' written on 1st page in pen." Overstreet 2007 NM- 9.2 value = $360. CGC census 6/07: 8 in 9.4, 2 higher.
Journey Into Mystery #115 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Sensational copy of a sensational issue that has a detailed origin of Loki. Jack Kirby's cover and story art on this series is stuff of Marvel Age legend. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 7 in 9.4, 3 higher. From the Janowicz Collection.
Journey Into Mystery #119 (Marvel, 1965) CGC NM 9.4 White pages. Near Mint copy is surpassed in grade by only one other in CGC's census figures for this issue. The first appearance of the Warriors Three of Asgard (Hogun, Fandral, and Volstagg) and the art of Jack Kirby (cover and interior) are featured. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 7 in 9.4, 1 higher.
Journey Into Mystery #120 (Marvel, 1965) CGC NM 9.4 White pages. Only few copies have graded this nicely, and fewer have page quality this impressive. Jack Kirby provided the cover and story art for this issue, which features an appearance by the Avengers. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 8 in 9.4, 4 higher. From the Janowicz Collection.
Journey Into Mystery #123 (Marvel, 1965) CGC NM 9.4 Cream to off-white pages. Jack Kirby is the artist of this blockbuster, and the epic cast of characters includes Thor, Odin, Loki, and the Absorbing Man, plus a witch doctor who's the "guest villain" this issue. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 12 in 9.4, 3 higher.
Journey Into Mystery #124 (Marvel, 1966) CGC NM+ 9.6 White pages. When will a 9.8 copy of this book show up? Until one reaches that Olympian pinnacle, the best copy available would be a white-page 9.6 like this one here! Speaking of Olympians, Hercules appears in this issue. Also, Thor reveals his secret identity to Jane Foster (something he tried back in #113 without much success). Jack Kirby is the artist. Overstreet 2007 NM- 9.2 value = $230. CGC census 6/07: 33 in 9.6, none higher.
Journey Into Mystery #125 (Marvel, 1966) CGC NM 9.4 White pages. Here's another white-paged beauty from the Janowicz Collection. It's the last issue of the title before the name change to Thor, and has a Hercules appearance and a Tales of Asgard backup feature. Jack Kirby continued his long run as primary cover and interior artist. Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 8 in 9.4, 5 higher. From the Janowicz Collection.
Justice League of America #1 (DC, 1960) CGC FN/VF 7.0 Off-white pages. Overstreet rates this issue the 6th most valuable DC Silver Age comic. After the JLA's successful tryout in The Brave and the Bold, this premiere issue of the group's own title had the origin and first appearance of Despero. Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman appear. Murphy Anderson did the cover; Mike Sekowsky the interior art. Overstreet 2007 FN 6.0 value = $1,149; VF 8.0 value = $3,505. CGC census 6/07: 15 in 7.0, 26 higher.
Justice League of America #5 (DC, 1961) CGC NM 9.4 Cream to off-white pages. It's the origin and first appearance of Doctor Destiny, a villain who menaced the JLA a number of times. While the creepy "skull-face" look he's best known for came later, he caused the JLA a heap of trouble here by impersonating Green Lantern. The issue's cover and art are by Mike Sekowsky. Worthy of note: this was the first JLA cover to show Superman and Batman, grab a magnifying glass and you'll see 'em! Overstreet 2007 NM- 9.2 value = $875. CGC census 6/07: 2 in 9.4, none higher. From the Warren Hall Collection.
Justice League of America #7 (DC, 1961) CGC NM 9.4 White pages. This last 10 cent issue features one of our favorite "goofy" hero covers -- especially that "big-head" Flash, who would appear a few more times. Mike Sekowsky and Murphy Anderson provided the fun-house cover, while Sekowsky and Bernard Sachs turned in the story art. This super-sweet example is one of four top-ranked copies in the current CGC census. Overstreet 2007 NM- 9.2 value = $650. CGC census 6/07: 4 in 9.4, none higher. From the Warren Hall Collection.
Justice League of America #8 (DC, 1962) CGC VF/NM 9.0 Off-white to white pages. Green Lantern, Flash, Aquaman, Green Arrow, Wonder Woman, and the Martian Manhunter appear. Future Marvel writer extraordinaire Roy Thomas has his letter printed in this issue, which has Mike Sekowsky and Murphy Anderson cover art, and Sekowsky interior art. Overstreet 2007 VF/NM 9.0 value = $460; NM- 9.2 value = $650. CGC census 6/07: 3 in 9.0, 6 higher. From the Warren Hall Collection.
Justice League of America #9 (DC, 1962) CGC VF 8.0 Off-white to white pages. Looking for the origin of the JLA? Guess what, you won't find it in Brave and the Bold #28! It's in this ish, with art by Mike Sekowsky. Overstreet 2007 VF 8.0 value = $344. CGC census 6/07: 9 in 8.0, 31 higher. From the Keith Marlow Collection.
Justice League of America #21 (DC, 1963) CGC NM 9.4 White pages. This is the first JLA/JSA crossover, starting a long tradition, in fact if you head for your local comic shop you'll find there's one going on right now! Yet none could be as important as the "Crisis on Earth-One." This is the first Silver Age appearance of Hourman and Dr. Fate as well. Mike Sekowsky drew the issue. No copy has yet topped this one's combination of grade and page quality! Overstreet 2007 NM- 9.2 value = $610. CGC census 6/07: 8 in 9.4, none higher. From the Keith Marlow Collection.
Justice League of America #22 (DC, 1963) CGC VF+ 8.5 White pages. Featuring "Crisis on Earth-Two" story continued from #21. Justice Society of America crossover. Mike Sekowsky and Murphy Anderson cover. Overstreet 2007 VF 8.0 value = $220; VF/NM 9.0 value = $373. CGC census 6/07: 16 in 8.5, 14 higher. From the Keith Marlow Collection.
Justice League of America #23 (DC, 1963) CGC NM- 9.2 Off-white to white pages. One of the nicest copies around of the issue that featured the origin and first appearance of Queen Bee. Mike Sekowsky continued his stint as the title's primary artist, with some assistance from Murphy Anderson on the cover. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 8 in 9.2, 4 higher. From the Janowicz Collection.
Justice League of America #26 (DC, 1964) CGC NM- 9.2 Off-white pages. Grand copy ranks just behind the top grade yet assigned by CGC for issue #26. Mike Sekowsky provided cover and story art, with assistance from Murphy Anderson on the cover. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 1 in 9.2, 1 higher. From the Janowicz Collection.
Justice League of America #50 (DC, 1966) CGC NM+ 9.6 Cream to off-white pages. Appearances by Robin and Lord of Time. Mike Sekowsky cover and art. One of the highest-graded copies certified by CGC to date. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 3 in 9.6, none higher. From the Madison Monk Collection.
Justice League of America #53 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Though there are plenty of 9.4 copies on CGC's census, only very few have made the grade at 9.6 or better. Mike Sekowsky and Murphy Anderson were the artists of this Batman-centric cover from the time when the Caped Crusader was a pop culture phenomenon. In this issue's odd story, Atom contacts Hawkgirl, revealing her secret identity as Shiera Sanders to the rest of the JLA in the process! Thanks for nothing, little "pal!" A very sharp book from the fondly remembered "go-go checks" era. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 4 in 9.6, 2 higher.
Justice League of America #60 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. Batgirl makes an early guest appearance in this issue, including a prominent spot on the cover. The story inside was written by Gardner Fox; with Mike Sekowsky, Sid Greene, and Murphy Anderson handling the artwork. This is one of the highest-graded copies of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 6 in 9.6, none higher. From the Warren Hall Collection.
Justice League of America #64 (DC, 1968) CGC NM 9.4 Off-white to white pages. Origin and first appearance of Silver Age Red Tornado. JSA story. Dick Dillin art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 10 in 9.4, 3 higher.
Justice League of America #67 (DC, 1968) CGC NM 9.4 Cream to off-white pages. 80 Page Giant (G-53). Neal Adams cover. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 6 in 9.4, 2 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Kamandi, the Last Boy on Earth #1 (DC, 1972) CGC NM/MT 9.8 White pages. Origin and first appearance of Kamandi. Jack Kirby story, cover, and art. Overstreet 2007 NM- 9.2 value = $105. CGC census 6/07: 16 in 9.8, none higher.
Silver Age (1956-1969)
Katy Keene #27 (Archie, 1956) CGC NM- 9.2 White pages. Issues of this title were pre-disposed to getting cut up by the girly portion of its viewing audience because of the nifty paper dolls and doll outfits inside. So a copy in this grade is a find indeed. We've never offered a copy of this issue before, and we probably won't ever offer a nicer one! CGC hasn't certified another copy at any grade! Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 1 in 9.2, none higher.
Golden Age (1938-1955)
Marge's Little Lulu #97 File Copy (Dell, 1956) CGC NM+ 9.6 Off-white pages. A clever cover gag you have to look closely at! Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Silver Age (1956-1969)
Movie Comics: Yellow Submarine - Northland pedigree (Gold Key, 1969) CGC NM+ 9.6 Off-white pages. We've never seen a copy this nice, and we went through the entire Random House Archives looking for one! The poster is included, of course. Since Beatles collectors and comic fans alike will be going after this one, we expect a "fab" price. Comes with the Northland certificate of authenticity. Overstreet 2007 NM- 9.2 value = $400. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Munsters #1 (Gold Key, 1965) CGC NM- 9.2 Off-white pages. So nice, it appears to be a File Copy. The premiere issue has a photo cover and a pin-up back cover. Highest grade yet certified by CGC for the issue. Overstreet 2007 NM- 9.2 value = $320. CGC census 6/07: 4 in 9.2, none higher. From the Keith Marlow Collection.
My Favorite Martian #1 (Gold Key, 1964) CGC NM 9.4 Off-white pages. That's Ray Walston as "Uncle Martin" on the photo cover. Russ Manning drew the story. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 3 in 9.4, 1 higher. From the Keith Marlow Collection.
Mystery in Space #46 River City pedigree (DC, 1958) CGC VF/NM 9.0 Off-white pages. Gil Kane grey tone cover. Carmine Infantino, Murphy Anderson, and Bernard Sachs art. Overstreet 2007 VF/NM 9.0 value = $258; NM- 9.2 value = $360. CGC census 6/07: 1 in 9.0, none higher. From the Keith Marlow Collection.
Mystery in Space #53 (DC, 1959) CGC FN/VF 7.0 Off-white pages. Adam Strange began his run in this issue after a successful bid in Showcase. This is the second most valuable issue in the run behind #1. Carmine Infantino handled the art on the Adam Strange feature while Gil Kane drew the backup story and the robot cover. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 6/07: 7 in 7.0, 6 higher. From the Keith Marlow Collection.
Mystery in Space #57 (DC, 1960) CGC VF/NM 9.0 Off-white to white pages. What the census numbers below don't tell you is that the next highest-graded copy is... VG- 3.5?? So we expect heavy bidding on this since DC sci-fi fans are legion. Carmine Infantino is the artist, Adam Strange the character. Overstreet 2007 VF/NM 9.0 value = $287; NM- 9.2 value = $400. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
Mystery in Space #58 White Mountain pedigree (DC, 1960) CGC VF 8.0 Off-white pages. Carmine Infantino cover and art. Overstreet 2007 VF 8.0 value = $174. CGC census 6/07: 1 in 8.0, 3 higher. From the Keith Marlow Collection.
Mystery in Space #59 (DC, 1960) CGC VF 8.0 Off-white to white pages. Murphy Anderson, Carmine Infantino, and Sid Greene art. Gil Kane cover. Overstreet 2007 VF 8.0 value = $174. CGC census 6/07: 2 in 8.0, 1 higher. From the Keith Marlow Collection.
Mystery in Space #64 (DC, 1960) CGC NM- 9.2 Off-white to white pages. This is the only copy graded above 8.0 by CGC as of this writing. Carmine Infantino is the cover artist. Adam Strange is featured. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 1 in 9.2, none higher. From the Warren Hall Collection.
Mystery in Space #66 Bethlehem pedigree (DC, 1961) CGC NM- 9.2 Off-white pages. The Star Rovers appear for the first time as their stories begin in this issue. The great duo of Carmine Infantino and Murphy Anderson handled the art chores. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
Mystery in Space #75 (DC, 1962) CGC NM- 9.2 White pages. Carmine Infantino and Murphy Anderson cover and art. Early JLA crossover. Kanjar Ro appearance. Awesome page quality on this one! Overstreet 2007 NM- 9.2 value = $410. CGC census 6/07: 5 in 9.2, 6 higher. From the Keith Marlow Collection.
The New Adventures of Charlie Chan #1 (DC, 1958) CGC FN/VF 7.0 Cream to off-white pages. "Scarce" according to Overstreet. Sid Greene and Joe Giella cover and art. Overstreet 2007 FN 6.0 value = $213; VF 8.0 value = $444. CGC census 6/07: 1 in 7.0, 2 higher. From the Keith Marlow Collection.
Nick Fury, Agent of SHIELD #1 (Marvel, 1968) CGC NM+ 9.6 White pages. The greatness of Jim Steranko is on display here! Note the sharp corners and the page quality. Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 85 in 9.6, 17 higher. From the Keith Marlow Collection.
Nick Fury, Agent of SHIELD #5 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Only Jim Steranko could come up with a cover like this (called "classic" by Overstreet)! Only Steranko could conceive of the story inside! And only Steranko would throw in a mini-parody of Senator Everett Dirksen (as "Senator Irksome"). A master was at work here, and this is the nicest copy of the issue we've ever offered. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 14 in 9.6, none higher.
Bronze Age (1970-1979)
Omac #1 (DC, 1974) CGC NM/MT 9.8 Off-white to white pages. This title has flown under the radar for some time, especially considering Jack Kirby both scripted and provided the artwork. The super high-grade makes this copy stand out. The comic featured the origin and first appearance of OMAC. Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 27 in 9.8, none higher. From the Janowicz Collection.
Silver Age (1956-1969)
Our Army at War #42 (DC, 1956) CGC VF 8.0 Off-white to white pages. We hadn't seen this issue before, and it's the only copy on CGC's census to date. Irv Novick is the cover artist. Overstreet 2007 VF 8.0 value = $110. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
Our Army at War #81 (DC, 1959) CGC FN 6.0 Cream to off-white pages. This was the last "prototype" Sgt. Rock leading up to the final version in #83. While the cover blurb bills "The Rock," the character inside is called Sgt. Rocky of Easy Company. It's worth noting that DC has often referred to this issue as the first Sgt. Rock appearance (for example, in Rock's entry in Who's Who) and chose to present this ish rather than #83 in its series of Millennium Editions. Ross Andru drew the seminal story, which was written by Bob Haney with an assist from editor Robert Kanigher. Also contributing are artists Jerry Grandenetti (cover) and Russ Heath. Overstreet 2007 FN 6.0 value = $615. CGC census 6/07: 1 in 6.0, 5 higher. From the Keith Marlow Collection.
Our Army at War #83 (DC, 1959) CGC FN+ 6.5 Cream to off-white pages. This is the first "true" appearance of the classic character Sgt. Rock! We say "true" because previous DC war stories had featured characters named Sgt. Rock, Sgt. Rocky, and/or Easy Company, but this one cemented the character we all know today... and need we say that it was written by Robert Kanigher and drawn by Joe Kubert? The only copies of this key that we had seen before were real "beaters," so this attractive specimen was a sight for sore eyes. The cover art is by Jerry Grandenetti. Overstreet 2007 FN 6.0 value = $492; VF 8.0 value = $1,435. CGC census 5/07: 1 in 6.5, 5 higher. From the Keith Marlow Collection.
Our Army at War #84 (DC, 1959) CGC FN/VF 7.0 Off-white pages. Cover by Joe Kubert, and interior art by Irv Novick. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 FN 6.0 value = $93; VF 8.0 value = $220. CGC census 6/07: 1 in 7.0, none higher. From the Keith Marlow Collection.
Our Army at War #91 (DC, 1960) CGC FN+ 6.5 Cream to off-white pages. An all-Sgt. Rock issue was a big deal this early on, remember, not even a year had passed since Rock's first appearance! Joe Kubert drew almost the entire issue, with Jerry Grandenetti handling cover art chores. Overstreet 2007 FN 6.0 value = $180; VF 8.0 value = $510. CGC census 5/07: 3 in 6.5, 3 higher. From the Keith Marlow Collection.
Our Army at War #101 (DC, 1960) CGC VF/NM 9.0 Off-white pages. What a cover, what a character! If you order burgers without the bun, go to some other lot -- you're not man enough to buy this comic! Joe Kubert drew this masterpiece of a cover and illustrated Robert Kanigher's two-part Sgt. Rock gut-wrencher. Overstreet 2007 VF/NM 9.0 value = $161; NM- 9.2 value = $225. CGC census 5/07: 1 in 9.0, none higher. From the Keith Marlow Collection.
Our Army at War #102 (DC, 1961) CGC NM- 9.2 Off-white pages. This is the only copy to top 7.0 on CGC's census as of this writing. Joe Kubert drew Rock and Easy Company in action, both on the cover and inside. Overstreet 2007 NM- 9.2 value = $190. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #119 (DC, 1962) CGC NM- 9.2 Off-white pages. Early-1960s war books are seldom seen in this condition, and from outside the slab we can't tell why this isn't a NM 9.4! Also note yet another great cover by Joe Kubert. Overstreet 2007 NM- 9.2 value = $190. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #125 (DC, 1962) CGC NM 9.4 Off-white to white pages. When the Army says to hold a position, they don't solicit feedback or use the term "IMHO," and it's Sgt. Rock and Easy Company getting the order here. It's drama Robert Kanigher-style, with Joe Kubert portraying it on the cover and Russ Heath illustrating the story. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #132 (DC, 1963) CGC NM- 9.2 Off-white pages. Joe Kubert cover and art. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #146 (DC, 1964) CGC NM- 9.2 Off-white pages. Joe Kubert cover and art. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 2 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #148 (DC, 1964) CGC NM- 9.2 Off-white pages. Most any Rock fan will remember the masterpiece "Generals are Sergeants -- With Stars!" Rock is still wearing a general's stars from last issue, meaning he's got to worry about a possible court-martial in addition to the enemy tanks! Robert Kanigher wrote the tale, and Joe Kubert illustrated both it and the distinctive cover. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 1 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #150 (DC, 1965) CGC NM 9.4 Off-white pages. Normally we'd say you're as likely to see a Silver Age DC war book in NM as you are to see Sgt. Rock getting a pedicure. Well, here is a 9.4 specimen for you, and it's a black-cover issue, no less. Joe Kubert is the cover artist. Note that the CGC holder is cracked at the top right, not affecting the comic inside or the integrity of the holder. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #153 (DC, 1965) CGC NM 9.4 Cream to off-white pages. It's just the second appearance of the classic character Enemy Ace, so tell your simpering orderly to put in a bid! Not only did Joe Kubert supply tremendous art for that tale, not only did he and Robert Kanigher team up a second time on a Sgt. Rock story, Kubert handled the cover art as well. Overstreet 2007 NM- 9.2 value = $290. CGC census 5/07: 4 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #155 (DC, 1965) CGC NM- 9.2 Off-white pages. Third appearance of Enemy Ace. Joe Kubert cover and art. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 3 in 9.2, none higher. From the Keith Marlow Collection.
Our Army at War #158 Boston pedigree (DC, 1965) CGC NM 9.4 Off-white to white pages. First appearance of the Iron Major. Joe Kubert cover and art. Overstreet 2007 NM- 9.2 value = $130. CGC census 5/07: 3 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #163 (DC, 1966) CGC NM 9.4 Cream to off-white pages. The Viking Prince and Sgt. Rock appear together. Joe Kubert cover and art. Overstreet 2007 NM- 9.2 value = $125. CGC census 5/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #173 (DC, 1966) CGC NM+ 9.6 Off-white pages. Joe Kubert cover. Kubert and Gene Colan art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 3 in 9.6, none higher. From the Keith Marlow Collection.
Our Army at War #175 Boston pedigree (DC, 1967) CGC NM+ 9.6 Off-white to white pages. You're not going to find a war book from the "go-go check" era in 9.6 very often! Joe Kubert is the cover artist, and Russ Heath drew most of the interior yarns, including a rare mention of Sgt. Rock's girlfriend who sends off a "Dear John" letter in the issue. Heart-tugging stuff from the master of such yarns, Robert Kanigher! Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 2 in 9.6, none higher. From the Keith Marlow Collection.
Our Army at War #189 (DC, 1968) CGC NM 9.4 White pages. What better way to enjoy this masterpiece of a cover by Joe Kubert than to have a 9.4 copy? Inside, this one has the first appearance of Unit 3, the teenage underground fighters who would feature in their share of late-1960s yarns. Overstreet 2007 NM- 9.2 value = $70. CGC census 5/07: 2 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #190 (DC, 1968) CGC NM 9.4 Cream to off-white pages. Aka 80-Page Giant G-44. "Sgt.Rock's 6 Battle Stars." Johnny Cloud, Mlle. Marie, Gunner and Sarge, and the Haunted Tank appear. Joe Kubert cover. Overstreet 2007 NM- 9.2 value = $100. CGC census 5/07: 4 in 9.4, none higher. From the Keith Marlow Collection.
Our Army at War #196 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. Joe Kubert cover. Kubert and Russ Heath art. Overstreet 2007 NM- 9.2 value = $70. CGC census 6/07: 2 in 9.6, none higher. From the Keith Marlow Collection.
Our Army at War #203 Winnipeg pedigree (DC, 1969) CGC NM+ 9.6 Off-white to white pages. Aka 80-Page Giant G-56. Joe Kubert cover. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 2 in 9.6, none higher. From the Keith Marlow Collection.
Our Fighting Forces #12 (DC, 1956) CGC VF 8.0 Cream to off-white pages. Jerry Grandenetti cover. Interior art by Grandenetti, Irv Novick, Joe Kubert, and Ross Andru. Overstreet 2007 VF 8.0 value = $148. CGC census 6/07: 1 in 8.0, 1 higher. From the Keith Marlow Collection.
Our Fighting Forces #17 Big Apple pedigree (DC, 1957) CGC VF 8.0 Cream to off-white pages. There obviously aren't many copies of this one around -- this is the only one on CGC's census except for a lamentable FR. Jerry Grandenetti is the cover artist; Joe Kubert and Ross Andru contributed interior art. Overstreet 2007 VF 8.0 value = $148. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
Our Fighting Forces #20 (DC, 1957) CGC VF 8.0 Off-white pages. This is the only CGC-graded copy (as of this writing) of what's one of the more notable issues of the early run thanks to an amazing grey tone cover by Jerry Grandenetti! The interior artists include Mort Drucker and Ross Andru, the latter featuring an Easy Company that pre-dates Sgt. Rock's unit of the same name. Overstreet 2007 VF 8.0 value = $163. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
Our Fighting Forces #35 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Such a fantastic cover deserves to be seen, but this is an issue you almost never see! Our copy is the only one on CGC's census, and here's how impressive the condition is: of the first fifty issues of this series combined, only six copies have received a grade of 8.5 or higher as of this writing. The fantastic cover art is by Joe Kubert, by the way! Overstreet 2007 VF 8.0 value = $90; VF/NM 9.0 value = $150. CGC census 5/07: 1 in 8.5, none higher. From the Keith Marlow Collection.
Our Fighting Forces #45 (DC, 1959) CGC VF 8.0 Off-white to white pages. This is the first appearance of Gunner and Sarge, never mind the cover blurb that refers to the two as if they were established characters. The two future Losers (whose real names were never revealed) were drawn by Jerry Grandenetti, who also drew the issue's cover. Russ Heath and Ross Andru also supplied interior art. Overstreet 2007 VF 8.0 value = $285. CGC census 5/07: 2 in 8.0, none higher. From the Keith Marlow Collection.
Outer Limits #1 (Dell, 1964) CGC NM 9.4 Off-white to white pages. First issue of the title based on a popular TV program, and it's the first time we've ever offered a copy. Jack Sparling art. CGC hasn't certified a higher grade than this to date for the issue. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 3 in 9.4, none higher. From the Keith Marlow Collection.
Rip Hunter Time Master #1 (DC, 1961) CGC VF 8.0 Cream to off-white pages. The results of our last auction pointed to strong interest in that ex-Showcase stalwart Rip Hunter. Ross Andru and Mike Esposito are the artists. Overstreet 2007 VF 8.0 value = $404. CGC census 5/07: 5 in 8.0, 4 higher. From the Keith Marlow Collection.
Rocky and His Fiendish Friends #2 File Copy (Gold Key, 1962) CGC NM 9.4 Off-white to white pages. Now here's something we hope you'll really like! A File Copy -- and as CGC notes, "From the Random House Archives." Overstreet 2007 NM- 9.2 value = $215. CGC census 6/07: 3 in 9.4, 4 higher.
Bronze Age (1970-1979)
Sabrina The Teen-Age Witch #1 (Archie, 1971) CGC NM 9.4 Off-white to white pages. The Guide value of this Archie book will be surprising to some, and while the title character's first appearance came nine years earlier, this was her first time headlining a series. It ran for an impressive twelve years. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 2 in 9.4, none higher.
Silver Age (1956-1969)
Sea Devils #1 (DC, 1961) CGC VF/NM 9.0 Off-white pages. The seafaring adventurers made their first solo book appearance here, after three successful issues in Showcase. Russ Heath drew the classic grey tone cover as well as interior art. A very solid copy. Overstreet 2007 VF/NM 9.0 value = $748; NM- 9.2 value = $1,075. CGC census 6/07: 5 in 9.0, 5 higher. From the Keith Marlow Collection.
Sea Devils #2 (DC, 1961) CGC VF+ 8.5 Off-white to white pages. Russ Heath contributed some great grey tone covers to this series and this issue's Nosferatu-ish cover was no exception. This was the last 10¢ issue of the series. Overstreet 2007 VF 8.0 value = $220; VF/NM 9.0 value = $373. CGC census 6/07: 3 in 8.5, 1 higher. From the Keith Marlow Collection.
Sea Devils #3 (DC, 1962) CGC NM 9.4 Off-white pages. Grey tone cover by Russ Heath. Overstreet 2007 NM- 9.2 value = $325. CGC census 5/07: 1 in 9.4, none higher. From the Keith Marlow Collection.
Sea Devils #32 (DC, 1966) CGC NM+ 9.6 Off-white pages. Interior art and grey tone cover by Howard Purcell. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 1 in 9.6, none higher. From the Keith Marlow Collection.
Secret Origins #1 (DC, 1961) CGC NM- 9.2 Off-white to white pages. The reason NM- copies of this are almost never seen is that it was almost impossible to keep from reading this one! We're sure almost no kid had read even one of these origin tales before, never mind all of them (we don't think Wonder Woman #105 was reprinted again for 30 years)! In all, the origin tales of Adam Strange, Green Lantern, the Challengers of the Unknown, J'onn J'onzz, the Flash, Superman and Batman's first team-up, and Wonder Woman were presented here. CGC notes, "From the Dallas Stephens collection." Overstreet 2007 NM- 9.2 value = $935. CGC census 5/07: 2 in 9.2, 1 higher. From the Keith Marlow Collection.
Secret Origins #1 (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. This one-shot featured origin stories of Adam Strange (from Showcase #17), Green Lantern (Green Lantern #1), Challengers of the Unknown (Showcase #6), J'onn J'onzz (Detective Comics #225), The Flash (Showcase #4), Superman and Batman's first team-up (World's Finest #94), and Wonder Woman (Wonder Woman #105). This is the finest copy of the issue we've offered to date. Overstreet 2007 VF/NM 9.0 value = $664; NM- 9.2 value = $935. CGC census 6/07: 3 in 9.0, 3 higher.
Sgt. Fury and His Howling Commandos #1 (Marvel, 1963) CGC VF 8.0 White pages. This premiere issue marks the first appearance of Sergeant Nick Fury, Dum-Dum Dugan, and the Howlers by the fantastic team of Jack Kirby and Dick Ayers. This series ran for almost three decades, and over 160 issues. Nick Fury became an Agent of S.H.I.E.L.D. a few years later, and has continued to be an important character to this day. As you can see, DC war collector Keith Marlow didn't ignore the grunts at Marvel... nor should you. Overstreet 2007 VF 8.0 value = $1,258. CGC census 6/07: 13 in 8.0, 15 higher. From the Keith Marlow Collection.
Sgt. Fury and His Howling Commandos #3 (Marvel, 1963) CGC NM- 9.2 Off-white pages. Check the census data on this one! When talking about Marvels tough to find in high grade, Sgt. Fury #3 hadn't crossed our minds, obviously it should have. This issue has a somewhat controversial Reed Richards appearance as an OSS agent... geez, if he was around in World War II, he was really robbing the cradle when he dated Sue Storm later! Stan Lee and Jack Kirby delivered the action here. Overstreet 2007 NM- 9.2 value = $385. CGC census 6/07: 3 in 9.2, none higher. From the Keith Marlow Collection.
Sgt. Rock's Prize Battle Tales Annual #1 (DC, 1964) CGC NM- 9.2 Cream to off-white pages. Joe Kubert drew the cover of this 80-pager. Overstreet 2007 NM- 9.2 value = $550. CGC census 6/07: 1 in 9.2, 1 higher. From the Keith Marlow Collection.
Showcase #19 Adam Strange (DC, 1959) CGC VF 8.0 Off-white to white pages. This was the third Adam Strange tryout in Showcase, but the first time the Adam Strange logo was used on the cover. In the two previous issues, the logo had been Adventures on Other Worlds. Gil Kane did the cover, with Mike Sekowsky handling the Adam Strange story. Overstreet 2007 VF 8.0 value = $935. CGC census 6/07: 3 in 8.0, 3 higher. From the Keith Marlow Collection.
Showcase #27 Sea Devils (DC, 1960) CGC NM- 9.2 Cream to off-white pages. The Sea Devils made their first appearance here, and they had the good fortune to be drawn by Russ Heath, who could draw underwater figures like no other artist. You gotta love his grey tone cover art here. Overstreet 2007 NM- 9.2 value = $1,500. CGC census 6/07: 3 in 9.2, 1 higher. From the Keith Marlow Collection.
Showcase #29 Sea Devils (DC, 1960) CGC VF+ 8.5 Off-white pages. Features the Sea Devils. Russ Heath grey tone cover and interior art. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $497. CGC census 6/07: 2 in 8.5, 4 higher. From the Keith Marlow Collection.
Showcase #30 Aquaman (DC, 1961) CGC VF 8.0 Off-white pages. The storied DC superhero had first appeared way back in 1941 in More Fun Comics, and moved to Adventure Comics in 1946 where he appeared for 15 years before getting a tryout here. His origin is retold in the first of four appearances in Showcase before finally getting his own title. Howard Purcell and Sheldon Moldoff cover, with Ramona Fradon interior art. Overstreet 2007 VF 8.0 value = $578. CGC census 6/07: 8 in 8.0, 10 higher. From the Keith Marlow Collection.
Showcase #32 Aquaman and Aqualad (DC, 1961) CGC VF+ 8.5 Off-white pages. Here's an issue that's tough to come by in mid-grade, never mind high grade! But we're not quite sure why this copy's grade isn't higher -- take a close look at our scan of this winner and judge for yourself! Nick Cardy drew the cover of this third tryout issue for the aquatic duo. Overstreet 2007 VF 8.0 value = $285; VF/NM 9.0 value = $483. CGC census 6/07: 2 in 8.5, 1 higher. From the Warren Hall Collection.
Showcase #33 Aquaman (DC, 1961) CGC VF 8.0 Off-white to white pages. Unusually difficult to find in this grade and higher. CGC has certified just one nicer copy to date, a VF+ 8.5. Aquaman and Aqualad get their fourth tryout in Showcase. Ramona Fradon cover, with Nick Cardy interior art. Overstreet 2007 VF 8.0 value = $293. CGC census 6/07: 5 in 8.0, 1 higher. From the Keith Marlow Collection.
Showcase #34 (DC, 1961) CGC VF 8.0 Off-white pages. An iconic DC Silver Age issue has the origin and first appearance of the Atom. Gil Kane and Murphy Anderson corroborated on both the cover and interior art, and it was among the best efforts for each of the esteemed artists. This issue also had the first appearance of Jean Loring. Overstreet 2007 VF 8.0 value = $986. CGC census 6/07: 8 in 8.0, 9 higher.
Showcase #35 Atom (DC, 1961) CGC VF 8.0 Off-white to white pages. The second appearance of the Silver Age Atom had Gil Kane and Murphy Anderson again collaborating on the cover and interior art. This was the last 10¢ issue of the title...(sigh). Overstreet 2007 VF 8.0 value = $485. CGC census 6/07: 12 in 8.0, 13 higher. From the Keith Marlow Collection.
Showcase #36 The Atom (DC, 1962) CGC VF 8.0 Off-white pages. Third Silver Age appearance of the Atom. Gil Kane and Murphy Anderson cover and art. Overstreet 2007 VF 8.0 value = $376. CGC census 6/07: 11 in 8.0, 13 higher. From the Keith Marlow Collection.
Showcase #37 Metal Men (DC, 1962) CGC VF+ 8.5 Off-white to white pages. First appearance of the Metal Men and Dr. Will Magnus. Ross Andru cover and art. Only four nicer copies have passed CGC's way to date. Overstreet 2007 VF 8.0 value = $468; VF/NM 9.0 value = $809. CGC census 6/07: 6 in 8.5, 4 higher. From the Keith Marlow Collection.
Showcase #43 Doctor No (DC, 1963) CGC VF 8.0 Off-white pages. The first U.S. comic book appearance of James Bond would be quite a bargain at the Guide price, though we doubt you'll get it for that amount! The comic was first published as a British Classics Illustrated, and some elements thought to be racially demeaning were changed for the U.S. version. The issue is also notable for being the first DC Silver Age movie adaptation. Overstreet 2007 VF 8.0 value = $313. CGC census 5/07: 7 in 8.0, 10 higher. From the Keith Marlow Collection.
Showcase #45 Sgt. Rock (DC, 1963) CGC NM- 9.2 Cream to off-white pages. Rock's origin was retold here, in a story drawn by Joe Kubert. Russ Heath drew the cover. Overstreet 2007 NM- 9.2 value = $500. CGC census 6/07: 2 in 9.2, 1 higher. From the Keith Marlow Collection.
Showcase #55 Doctor Fate and Hourman (DC, 1965) CGC VF/NM 9.0 Cream to off-white pages. First solo appearance by the Golden Age Green Lantern in the Silver Age (pre-dates Green Lantern #40). Origins of Hourman and Doctor Fate retold in text. First Silver Age Solomon Grundy. Murphy Anderson cover and art. Overstreet 2007 VF/NM 9.0 value = $302; NM- 9.2 value = $420. CGC census 6/07: 14 in 9.0, 14 higher. From the Keith Marlow Collection.
Showcase #56 Doctor Fate and Hourman (DC, 1965) CGC VF/NM 9.0 Off-white pages. Doctor Fate and Hourman story. First Silver Age appearance of Psycho-Pirate with a one-page text origin. Murphy Anderson cover and art. Overstreet 2007 VF/NM 9.0 value = $173; NM- 9.2 value = $240. CGC census 6/07: 12 in 9.0, 9 higher. From the Keith Marlow Collection.
Showcase #59 Teen Titans (DC, 1965) CGC NM 9.4 Off-white pages. This is just the third appearance of the Teen Titans (after two Brave and the Bold outings). And just who are the "two guys and a gal" featured so prominently on the cover? They're three crooks impersonating three hip teens who are in a rock band, the Flips. Yes, this is a 1960s comic, how'd you know? Nick Cardy drew the cover. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 3 in 9.4, 2 higher. From the Keith Marlow Collection.
Showcase #61 The Spectre (DC, 1966) CGC NM 9.4 White pages. Murphy Anderson drew the cover for what was just the second Silver Age appearance of the character. Overstreet 2007 NM- 9.2 value = $250. CGC census 4/07: 7 in 9.4, 5 higher.
Showcase #68 The Maniaks - Ohio pedigree (DC, 1967) CGC NM/MT 9.8 White pages. We're pleased to offer the best known copy of this issue, the first appearance of the Maniaks. The Monkees-like group was drawn by Joe Orlando on the cover and Mike Sekowsky inside the book. CGC notes, "From the Dallas Stephens collection."
Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.8, none higher. From the Keith Marlow Collection.
Overstreet 2007 NM- 9.2 value = $65. CGC census 6/07: 1 in 9.8, none higher. From the Keith Marlow Collection.
The Silver Surfer #1 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Most of the other 9.6 copies we've been fortunate enough to auction have not had page quality measuring up to this one! And who knows how hot the Silver Surfer will get now that his name is in the title of a major motion picture? John Buscema drew the cover as well as the story that expanded upon the Surfer's origin story. Overstreet 2007 NM- 9.2 value = $775. CGC census 6/07: 16 in 9.6, 2 higher. From the Keith Marlow Collection.
The Silver Surfer #1 (Marvel, 1968) CGC NM 9.4 Off-white pages. Could this character be any hotter? We think not, so you'll want to pick up this first issue with its memorable John Buscema cover. Overstreet 2007 NM- 9.2 value = $775. CGC census 5/07: 48 in 9.4, 18 higher. From the Keith Marlow Collection.
The Silver Surfer #2 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. This is the nicest copy of the issue we've offered if you factor in the page quality. John Buscema drew the issue's cover. By the way, the green-skinned heavy is one of the Badoon, and this is the first appearance of that nefarious alien race. Overstreet 2007 NM- 9.2 value = $310. CGC census 6/07: 25 in 9.6, 4 higher. From the Keith Marlow Collection.
The Silver Surfer #3 (Marvel, 1968) CGC NM 9.4 Off-white pages. It's the first appearance of Mephisto, and a book that's a pain to find in the highest grades (no 9.8 has been certified to date). John Buscema cover and art. Overstreet 2007 NM- 9.2 value = $270. CGC census 6/07: 24 in 9.4, 10 higher. From the Keith Marlow Collection.
The Silver Surfer #4 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. Anyone who owns a NM+ copy of this one is loath to part with it, and indeed, this is the first 9.6 we have ever offered. John Buscema's cover co-starring Thor is the most memorable of this title's run. Overstreet 2007 NM- 9.2 value = $685. CGC census 6/07: 17 in 9.6, 6 higher.
The Silver Surfer #4 (Marvel, 1969) CGC NM 9.4 Off-white to white pages. Most John Buscema fans would rank this cover among their all-time favorites; it was certainly one the artist was often asked to re-create in later years. Adding mystique is the "low distribution" tag assigned by the Overstreet guide. Overstreet 2007 NM- 9.2 value = $685. CGC census 6/07: 58 in 9.4, 21 higher. From the Keith Marlow Collection.
The Silver Surfer #7 (Marvel, 1969) CGC NM 9.4 White pages. First Marvel Universe appearance of Frankenstein's monster. John Buscema cover and art. Overstreet 2007 NM- 9.2 value = $170. CGC census 6/07: 22 in 9.4, 10 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
The Silver Surfer #13 (Marvel, 1970) CGC NM 9.4 White pages. John Buscema cover and art. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 16 in 9.4, 6 higher. From the Keith Marlow Collection.
The Silver Surfer #18 (Marvel, 1970) CGC NM+ 9.6 White pages. The last issue of the run featured a prototypical Jack Kirby cover, chockfull of superheroes and action. Kirby also handled interior art chores, with an assist from Herb Trimpe. The Inhumans guest-star. Overstreet 2007 NM- 9.2 value = $110. CGC census 5/07: 9 in 9.6, 2 higher. From the Janowicz Collection.
Sinister House of Secret Love #1 (DC, 1971) CGC NM+ 9.6 White pages. Have you ever seen this one in NM+ condition before? We sure hadn't. This gothic horror/romance title was launched at the same time as Dark Mansion of Forbidden Love; the series may not have been a sales hit, but it's a collector's favorite today, especially this first issue. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 4 in 9.6, none higher.
Sinister House of Secret Love #1 (DC, 1971) CGC NM 9.4 Off-white to white pages. If there's a dark castle with a light in one window, this must be an early 70s DC comic! This hybrid horror/romance title was launched at the same time as Dark Mansion of Forbidden Love; the series was not widely collected at the time, but it's a collector's favorite today, especially this first issue. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 7 in 9.4, 4 higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
Space Family Robinson #1 (Gold Key, 1962) CGC VF+ 8.5 Off-white pages. Low distribution according to Overstreet, and no copy has been certified to date by CGC with a grade higher than VF/NM 9.0. This is the nicest of just three copies we've ever offered. Painted cover by George Wilson. Dan Spiegle art. Accompanied by a certificate from The Northland Collection. Overstreet 2007 VF 8.0 value = $174; VF/NM 9.0 value = $287. CGC census 6/07: 1 in 8.5, 1 higher. From the Keith Marlow Collection.
Space Ghost #1 (Gold Key, 1967) CGC NM 9.4 Off-white pages. This character is still a presence on TV today, so don't miss his first comic book appearance. Dan Spiegle is the artist. Overstreet 2007 NM- 9.2 value = $575. CGC census 6/07: 3 in 9.4, 1 higher.
Space Ghost #1 (Gold Key, 1967) CGC VF/NM 9.0 Off-white pages. One-shot of a Hanna-Barbera creation. Dan Spiegle art. Accompanied by a certificate from The Elmhurst Collection. Overstreet 2007 VF/NM 9.0 value = $408; NM- 9.2 value = $575. CGC census 6/07: 6 in 9.0, 8 higher. From the Keith Marlow Collection.
The Spectre #1 (DC, 1967) CGC NM 9.4 Off-white pages. This one's in great condition for a black-cover book. This was the Spectre's very first solo series. Murphy Anderson provided visuals for the first issue. Overstreet 2007 NM- 9.2 value = $225. CGC census 6/07: 12 in 9.4, 1 higher. From the Keith Marlow Collection.
The Spectre #4 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. Neal Adams is the cover artist. Overstreet 2007 NM- 9.2 value = $135. CGC census 6/07: 6 in 9.6, none higher.
Star Spangled War Stories #26 (DC, 1954) CGC VF 8.0 Off-white to white pages. This is the only copy of the issue graded higher than 6.0 by CGC to date. Jerry Grandenetti did the cover; the interior artists include Grandenetti and Mort Drucker. CGC notes, "One-inch tear on 11th page." Overstreet 2007 VF 8.0 value = $126. CGC census 5/07: 1 in 8.0, none higher. From the Keith Marlow Collection.
Star Spangled War Stories #123 (DC, 1965) CGC NM- 9.2 Off-white pages. Russ Heath is credited with the cover art here. Highlights are two "War That Time Forgot" stories drawn by Gene Colan and Ross Andru. Overstreet 2007 NM- 9.2 value = $145. CGC census 5/07: 4 in 9.2, none higher. From the Keith Marlow Collection.
Star Trek #1 Back Cover Variant (Gold Key, 1967) CGC VF+ 8.5 Off-white to white pages. This copy has the rare variant photo back cover, the most valuable version of the run's most valuable issue. Nevio Zaccara art is featured. Overstreet 2007 VF 8.0 value = $368; VF/NM 9.0 value = $622. CGC census 6/07 for back cover variant: 7 in 8.5, 11 higher. From the Keith Marlow Collection.
Star Trek #4 (Gold Key, 1969) CGC NM+ 9.6 Off-white to white pages. There are plenty of copies of this issue around, but precious few in this Near Mint Plus grade. CGC has certified only three copies at NM+ 9.6 to date, and none higher. Photo Cover. Alberto Giolitti art. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 3 in 9.6, none higher.
Strange Adventures #161 (DC, 1964) CGC NM 9.4 Off-white pages. Murphy Anderson cover and art. Last Space Museum. Overstreet 2007 NM- 9.2 value = $70. CGC census 6/07: 1 in 9.4, 1 higher.
Strange Adventures #207 (DC, 1967) CGC NM 9.4 Off-white pages. The late Boston Brand, stuck between this world and the next as he searches for his killer, laments his situation on this snazzy cover by Neal Adams. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 7 in 9.4, 4 higher. From the Warren Hall Collection.
Strange Tales #87 (Marvel, 1961) CGC VF+ 8.5 Off-white to white pages. It's weird and bizarre, and we can't believe our eyes! No, we're not talking about Grogg the flying monster, we're talking about the census report showing that no VF/NM or better copy has been certified, amazing for a mainstream Marvel, and leaving this nice VF+ as the census-topper. Though Grogg is unlike most Marvel monsters in that he wasn't a one-issue wonder: he appeared in a different story in #83 previously. Jack Kirby is the cover artist, natch. Overstreet 2007 VF 8.0 value = $121; VF/NM 9.0 value = $201. CGC census 6/07: 1 in 8.5, none higher.
Strange Tales #89 Bethlehem pedigree (Marvel, 1961) CGC VF 8.0 Off-white to white pages. Ask any collector to name the most famous monster comic and there's a good chance he'll say "the one with Fin Fang Foom." Jack Kirby illustrated the cover and the title story and Steve Ditko also contributed art. This copy has the added cachet of being from one of the most famous collections of horror comics around. Overstreet 2007 VF 8.0 value = $352. CGC census 4/07: 4 in 8.0, 2 higher.
Strange Tales #110 (Marvel, 1963) CGC VF- 7.5 Off-white to white pages. Doctor Strange made his first appearance in this issue's backup feature which was drawn by Jack "The King" Kirby. Also in that story is the first appearance of the Ancient One. Kirby's cover is devoted to the Human Torch story, featuring the Wizard as well as one of our favorite villains, Paste-Pot Pete. Dick Ayers handled interior art on the Torch. This is a sharp-looking copy of a key first appearance. Overstreet 2007 VF 8.0 value = $1,012. CGC census 5/07: 22 in 7.5, 53 higher.
Strange Tales #116 (Marvel, 1964) CGC NM- 9.2 Off-white pages. The first crossover appearance of the Thing has Aunt Petunia's favorite nephew fighting the Human Torch! Wouldn't you know it, the Puppet Master is behind it all. Dick Ayers drew that story, while Steve Ditko contributed his incomparable visuals to a Doctor Strange tale. The cover is by Jack Kirby. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 8 in 9.2, 8 higher.
Strange Tales #140 Western Penn pedigree (Marvel, 1966) CGC NM+ 9.6 White pages. S.H.I.E.L.D. story with Jack Kirby art. Dr. Strange story with Steve Ditko art. Cover by Kirby. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 7 in 9.6, 1 higher.
Strange Tales #151 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Jim Steranko's first work for Marvel. Jack Kirby and Steranko cover. Steranko and Bill Everett art. Overstreet 2007 NM- 9.2 value = $110. CGC census 6/07: 7 in 9.6, none higher.
Strange Tales #158 Boston pedigree (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. Living Tribunal appearance. Marie Severin cover. Severin and Jim Steranko art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 5 in 9.6, 1 higher.
Strange Tales #159 Boston pedigree (Marvel, 1967) CGC NM+ 9.6 White pages. This is the first 9.6 we've ever offered of this issue. Jim Steranko's S.H.I.E.L.D. story is notable not only for Captain America's involvement, but also for the first appearance of Val (you know, Valentina Allegro de Fontaine).... hubba-hubba! There's also a Dr. Strange yarn courtesy of Roy Thomas and Marie Severin. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 6 in 9.6, none higher.
Stumbo Tinytown #11 File Copy (Harvey, 1966) CGC NM+ 9.6 Off-white pages. Square bound giant-size comic, featuring Warren Kremer art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Stumbo Tinytown #12 File Copy (Harvey, 1966) CGC NM+ 9.6 Off-white to white pages. Square bound giant-size comic, featuring Warren Kremer art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Stumbo Tinytown #13 File Copy (Harvey, 1966) CGC NM+ 9.6 Off-white to white pages. Square bound edition, featuring Warren Kremer art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 1 in 9.6, none higher. From the Cary and Cheryl Porter Collection.
Sugar and Spike #13 (DC, 1958) CGC VF 8.0 Off-white pages. Nice copies of this title are about as difficult to find as any DC title from 1956-60. We've never offered a copy of #13 before in any grade; in fact, of the first 20 issues, we've only offered copies of #1 and #6 previously. Sheldon Mayer's scripts and artwork on the title were brilliant. Overstreet 2007 VF 8.0 value = $216. CGC census 5/07: 1 in 8.0, none higher.
Sugar and Spike #40 (DC, 1962) CGC VF+ 8.5 White pages. Sheldon Mayer cover and art. Overstreet 2007 VF 8.0 value = $106; VF/NM 9.0 value = $173. CGC census 6/07: 2 in 8.5, none higher.
Superboy #89 (DC, 1961) CGC VF/NM 9.0 Off-white pages. Mon-El's first appearance is a book seldom found above mid-grade... we've noticed that purple covers are often as ruthless as black covers when it comes to exposing minor flaws! Incidentally, this issue is just the second appearance of the Phantom Zone, where Superboy puts Mon-El until a cure for his condition can be found, and where he stays for the next 1,000 years. Quite a pal, that Superboy. Curt Swan is the cover artist. Overstreet 2007 VF/NM 9.0 value = $330; NM- 9.2 value = $460. CGC census 6/07: 1 in 9.0, none higher.
Superboy Annual #1 (DC, 1964) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover. Overstreet 2007 VF/NM 9.0 value = $223; NM- 9.2 value = $310. CGC census 6/07: 2 in 9.0, 2 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
Super DC Giant S-13 Binky (DC, 1970) CGC NM+ 9.6 Off-white to white pages. This is the first issue of the series, and the term "scarce" was already being used for it eight years ago by Comic Book Marketplace! So despite the unremarkable content (Binky reprints), this is a hot item, and the smudgeable white cover adds to the challenge of finding a high-grade copy. Henry Scarpelli is the cover artist. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 2 in 9.6, none higher.
Silver Age (1956-1969)
Superman #111 Ohio pedigree (DC, 1957) CGC VF+ 8.5 Off-white pages. Al Plastino cover. Ruben Moreira art. Overstreet 2007 VF 8.0 value = $219; VF/NM 9.0 value = $340. CGC census 5/07: 1 in 8.5, none higher.
Superman #117 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. This is currently the only copy certified with a grade above 8.0 by CGC. Curt Swan is the cover artist. Overstreet 2007 VF/NM 9.0 value = $340; NM- 9.2 value = $460. CGC census 6/07: 1 in 9.0, none higher.
Superman #128 (DC, 1959) CGC VF/NM 9.0 Off-white pages. CGC has seen few high grade copies of issue #128 to date. In fact, if VF 8.0 is the minimum point of "high grade", CGC has seen just one! Our offering sits alone atop CGC's census, with three copies in a tie for second place at VF- 7.5. Red Kryptonite is used in this issue, and Bruce Wayne appears. A Curt Swan cover and interior art by Wayne Boring and Kurt Schaffenberger are featured. Overstreet 2007 VF/NM 9.0 value = $296; NM- 9.2 value = $400. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
Superman #138 (DC, 1960) CGC VF/NM 9.0 Off-white to white pages. No other CGC-certified copy comes closer than VF 8.0 to our top-ranked copy. The lovely Lori Lemaris and not so lovely Titano appear in the issue, which has a Curt Swan cover, and interior art by Wayne Boring and Al Plastino. Overstreet 2007 VF/NM 9.0 value = $222; NM- 9.2 value = $300. CGC census 6/07: 1 in 9.0, none higher. From the Warren Hall Collection.
Superman #149 (DC, 1961) CGC NM- 9.2 Off-white to white pages. In one of the most moving tales of the Silver Age, Superman "dies" in an Imaginary Story. Jerry Siegel penned the epic three-parter, which was drawn by Curt Swan. Overstreet 2007 NM- 9.2 value = $265. CGC census 6/07: 1 in 9.2, 1 higher. From the Warren Hall Collection.
Superman #157 (DC, 1962) CGC NM- 9.2 Off-white to white pages. Curt Swan cover. Overstreet 2007 NM- 9.2 value = $160. CGC census 6/07: 2 in 9.2, 1 higher.
Superman #165 (DC, 1963) CGC NM 9.4 White pages. Curt Swan handled the cover and interior art here. Overstreet 2007 NM- 9.2 value = $130. CGC census 6/07: 3 in 9.4, 1 higher.
Superman Annual #4 (DC, 1961) CGC NM 9.4 Off-white to white pages. The first information on the origin of the Legion of Super-Heroes was right here! Yeah, go ahead, check your copy of Adventure #247 -- no origin there, and while this one's just a two-pager, there wouldn't be a full telling until Superboy #147, more than six years after this annual! And nicer copies will be tough to come by, considering this is square bound and has a black cover. Curt Swan is the cover artist. Overstreet 2007 NM- 9.2 value = $390. CGC census 6/07: 2 in 9.4, 1 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Superman's Girl Friend Lois Lane #137 (DC, 1974) CGC NM/MT 9.8 Off-white pages. Last issue of the series. Overstreet 2007 NM- 9.2 value = $28. CGC census 6/07: 1 in 9.8, 1 higher.
Silver Age (1956-1969)
Tales of Suspense #34 (Marvel, 1962) CGC NM- 9.2 Off-white to white pages. This is by far the nicest copy we've seen of this pre-hero issue! The cover shows the dynamite combination of Jack Kirby pencils and Steve Ditko inks. Both artists also penciled interior features cover, with Don Heck contributing as well. Overstreet 2007 NM- 9.2 value = $300. CGC census 6/07: 1 in 9.2, 1 higher.
Tales of Suspense #39 (Marvel, 1963) CGC VF- 7.5 off-white pages. Who? Who? Who? Who else but Iron Man, making his first appearance in this issue, which also relates his origin story. Jack Kirby did the cover, and provided Don Heck with layouts for that important first story. Backup features have Steve Ditko and Gene Colan art. To our eyes, this attractive copy looks even nicer than the CGC-assigned grade. Overstreet 2007 VF 8.0 value = $4,008. CGC census 6/07: 30 in 7.5, 58 higher.
Tales of Suspense #40 (Marvel, 1963) CGC FN/VF 7.0 Off-white to white pages. The second appearance of Iron Man has him trading in his grey armor for yellow. Jack Kirby hits us with a hulking brute of a cover, while Kirby and Steve Ditko handle the art chores inside. Overstreet 2007 FN 6.0 value = $444; VF 8.0 value = $1,258. CGC census 6/07: 11 in 7.0, 37 higher.
Tales of Suspense #42 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Jack Kirby and Don Heck give us one of the very best early Iron Man covers, while Steve Ditko and Larry Lieber also contribute story art. This copy is flat, clean, and downright pretty. Overstreet 2007 VF 8.0 value = $392; VF/NM 9.0 value = $659. CGC census 6/07: 6 in 8.5, 23 higher.
Tales of Suspense #43 (Marvel, 1963) CGC VF+ 8.5 Off-white to white. Love those gold armor Iron Man appearances! Jack Kirby provides cover and story art, while a backup feature was drawn by Steve Ditko. Overstreet 2007 VF 8.0 value = $392; VF/NM 9.0 value = $659. CGC census 6/07: 4 in 8.5, 15 higher.
Tales of Suspense #48 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Iron Man gets yet another new suit of armor -- this time, it's the classic red-and-yellow outfit, as designed by Steve Ditko. Jack Kirby provided the cover, while story art is credited to Ditko, Dick Ayers, and Larry Lieber. As the cover blurb says, "This one you dare not miss!" Overstreet 2007 VF/NM 9.0 value = $549; NM- 9.2 value = $775. CGC census 6/07: 12 in 9.0, 24 higher.
Tales of Suspense #49 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. This action-filled issue is the fourth most valuable since the introduction of Iron Man in #39. The first X-Men crossover, first Avengers crossover, and the first Tales of the Watcher back-up story make it so! Jack Kirby cover and Steve Ditko interior art. Overstreet 2007 VF 8.0 value = $442; VF/NM 9.0 value = $771. CGC census 6/07: 17 in 8.5, 23 higher. From the Janowicz Collection.
Tales of Suspense #50 (Marvel, 1964) CGC NM- 9.2 Off-white pages. First appearance of the Mandarin. Jack Kirby cover. Don Heck and Larry Lieber art. Overstreet 2007 NM- 9.2 value = $425. CGC census 6/07: 4 in 9.2, 6 higher.
Tales of Suspense #57 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Another classic, key issue of TOS -- featuring the origin and first appearance of Hawkeye (not to mention an appearance by the Black Widow). Don Heck handled the cover and art chores. The Watcher backup feature is provided with Larry Lieber art. The real thrills are provided by the amazing condition of this white-cover wonder. Overstreet 2007 NM- 9.2 value = $525. CGC census 6/07: 8 in 9.4, 1 higher.
Tales of Suspense #59 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. This series became a double feature starring Iron Man and Captain America starting with this issue. The Captain America story is his first solo adventure since the 1950s, and nobody who's read it has ever forgotten it -- Cap's spending a quiet day at Avengers Mansion when a gang of thugs shows up ready to take on the entire Avengers team, so they think they've got it made when their only opposition is a guy with no super powers... the resulting battle is one of Jack Kirby's most dynamic efforts, and that's saying something! By the way, you might be surprised to know that the first appearance of Jarvis the butler was not in the pages of The Avengers, but in this very story. And we haven't even mentioned the Iron Man story with Don Heck art and a memorable cover by Kirby. Overstreet 2007 NM- 9.2 value = $610. CGC census 6/07: 13 in 9.4, 9 higher.
Tales of Suspense #59 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. If you call yourself a True Believer, all we have to do is quote the phrase "even a chain can be busted if you find the weakest link," and you'll remember this classic Captain America yarn. Not only is it Cap's first solo story since the 1950s, it's the first appearance of Jarvis the Butler. Jack Kirby drew the cover and the Cap story, while Don did a Heck of a job on the other half of the double-feature, starring Iron Man. Overstreet 2007 NM- 9.2 value = $610. CGC census 6/07: 12 in 9.2, 22 higher.
Tales of Suspense #60 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Just about as nice a copy as exists of #60, which has the second appearance of Hawkeye to go along with appearances by the Black Widow and Thor. Jack Kirby provided the great double panel cover, and he and Don Heck contributed interior art. Overstreet 2007 NM- 9.2 value = $310. CGC census 6/07: 3 in 9.4, 2 higher. From the Janowicz Collection.
Tales of Suspense #61 (Marvel, 1965) CGC NM 9.4 White pages. Sparkling copy with white pages! Iron Man battles the Mandarin, and Captain America takes on a sumo wrestler known as the General in this issue, which has an Iron Man pin-up. Jack Kirby cover with interior art by Kirby (Captain America story), Don Heck (Iron Man story), Chic Stone, and Dick Ayers. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 8 in 9.4, 5 higher. From the Janowicz Collection.
Tales of Suspense #64 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. The Double Feature format of this title meant two Jack Kirby cover scenes. Kirby also handled the interior art on the Cap story, while Don Heck took care of the Iron Man tale. The Black Widow gets a costume in this issue. Overstreet 2007 NM- 9.2 value = $175. CGC census 6/07: 11 in 9.4, 4 higher. From the Janowicz Collection.
Tales of Suspense #68 (Marvel, 1965) CGC NM 9.4 White pages. How many NM 9.4 copies with white pages are we offering? Plenty! Here's one more! There's a Red Skull appearance in this issue, which sports a Jack Kirby cover and interior art by Kirby and Don Heck. Overstreet 2007 NM- 9.2 value = $120. CGC census 6/07: 12 in 9.4, 5 higher. From the Janowicz Collection.
Tales of Suspense #72 (Marvel, 1965) CGC NM 9.4 White pages. Don't stop us now -- we're on a roll! Near Mint! White pages! Jack Kirby cover! This issue had quite a guest list: the Avengers, Awesome Android, Mad Thinker, the Sleeper, and Red Skull. Kirby, George Tuska, and Don Heck contributed interior art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 6 in 9.4, 5 higher. From the Janowicz Collection.
Tales of Suspense #80 (Marvel, 1966) CGC NM+ 9.6 White pages. CGC has certified a higher grade on just one other copy to date. Overstreet gives a "classic" nod to this Red Skull cover by Jack Kirby. Interior art is furnished by Kirby, Don Heck, and Gene Colan. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 22 in 9.6, 1 higher. From the Janowicz Collection.
Tales of Suspense #80 Boston pedigree (Marvel, 1966) CGC NM+ 9.6 White pages. Cosmic Cube saga begins in this issue. Classic Red Skull cover by Jack Kirby. Iron Man story. Kirby and Gene Colan art. Overstreet 2007 NM- 9.2 value = $100. CGC census 6/07: 22 in 9.6, 1 higher.
Tales of Suspense #82 (Marvel, 1966) CGC NM+ 9.6 White pages. This is the nicest copy we've ever offered of this double-feature issue. Captain America takes on the Adaptoid (in the latter's first appearance), while Iron Man battles the Titanium Man. Jack Kirby drew Cap (and the cover as well), while Gene Colan rendered Shellhead. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 8 in 9.6, 1 higher.
Tales of Suspense #97 (Marvel, 1968) CGC NM+ 9.6 White pages. Black Panther and Whiplash appearances. Gene Colan cover. Colan and Jack Kirby art. Overstreet 2007 NM- 9.2 value = $80. CGC census 6/07: 7 in 9.6, 2 higher.
Tales to Astonish #35 (Marvel, 1962) CGC FN/VF 7.0 Off-white pages. Marvel's early superhero Ant-Man gets a costume in this, his second appearance, which also includes an origin story. Jack Kirby provided the cover and main story art, alongside Steve Ditko and Don Heck. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 6/07: 12 in 7.0, 22 higher
Tales to Astonish #37 (Marvel, 1962) CGC VF+ 8.5 Off-white to white pages. That tiny titan, Ant-Man, returns for his fourth appearance, with a Jack Kirby cover and story, plus additional material by Don Heck and Steve Ditko. This copy is attractive and problem-free. Overstreet 2007 VF 8.0 value = $323; VF/NM 9.0 value = $549. CGC census 6/07: 6 in 8.5, 15 higher.
Tales to Astonish #40 White Mountain pedigree (Marvel, 1963) CGC NM- 9.2 White pages. This is the nicest copy we've ever seen of this early Ant-Man outing. Jack Kirby drew Dr. Pym on the cover and inside. Steve Ditko and Don Heck also contributed art to the issue. Overstreet 2007 NM- 9.2 value = $775. CGC census 6/07: 3 in 9.2, 4 higher.
Tales to Astonish #41 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. Another Ant-Man cover by Jack Kirby gets this issue started. Don Heck, Joe Sinnott, and Steve Ditko all contribute story art. A sweet, sharp copy that's sure to please. Overstreet 2007 VF/NM 9.0 value = $424; NM- 9.2 value = $600. CGC census 6/07: 5 in 9.0, 10 higher.
Tales to Astonish #42 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. Ant-Man gets close to the edge on this issue's Jack Kirby cover. Steve Ditko, Don Heck, and Joe Sinnott do their art thing inside. Sharp copy. Overstreet 2007 VF/NM 9.0 value = $424; NM- 9.2 value = $600. CGC census 6/07: 3 in 9.0, 8 higher.
Tales to Astonish #45 (Marvel, 1963) CGC NM- 9.2 Cream to off-white pages. It's the second appearance of the Wasp (who debuted in the previous issue) as well as Egghead (who premiered in #38). Jack Kirby is the cover artist. Overstreet 2007 NM- 9.2 value = $330. CGC census 6/07: 5 in 9.2, 6 higher.
Tales to Astonish #51 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Gorgeous cover colors to...Astonish. The second appearance of the Human Top cannot be... Topped. Jack Kirby cover. Kirby, Dick Ayers, George Roussos, and Larry Lieber art. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 5 in 9.4, 3 higher.
Tales to Astonish #55 (Marvel, 1964) CGC NM 9.4 Off-white pages. This is the nicest copy of this issue we've ever offered. Jack Kirby drew the cover featuring Giant-Man and the Human Top. By the way, if anyone out there points to Flash #122 and a much earlier "Top" character, we'll note that there was already a Human Top in the Timely years, debuting in Red Raven Comics #1. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 8 in 9.4, 2 higher.
Tales to Astonish #57 (Marvel, 1964) CGC NM+ 9.6 Off-white pages. This one's hard to come by in NM+ (we hadn't seen a copy this nice before), and it's a special issue because of an early crossover appearance by Spider-Man (on the stands at the same time as #14 of the Webhead's series). Giant-Man and the Wasp are drawn by Jack Kirby on the cover and Paul Reinman inside. Overstreet 2007 NM- 9.2 value = $485. CGC census 6/07: 7 in 9.6, none higher.
Tales to Astonish #70 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Jack Kirby created the two-paneled cover and also contributed interior artwork, as did Gene Colan. The Sub-Mariner starts as a regular feature with this issue. Overstreet 2007 NM- 9.2 value = $185. CGC census 5/07: 12 in 9.4, 5 higher. From the Janowicz Collection.
Tales to Astonish #71 (Marvel, 1965) CGC NM+ 9.6 White pages. Featuring the Sub-Mariner and the Hulk. Gene Colan cover and art. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 5 in 9.6, none higher.
Tales to Astonish #85 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. The Hulk appears in the Sub-Mariner story in this issue, which sports a Jack Kirby/Bill Everett cover, and interior art by Everett, Gene Colan, and John Buscema. Overstreet 2006 NM- 9.2 value = $75. CGC census 5/07: 3 in 9.6, 1 higher.
Tales to Astonish #100 (Marvel, 1968) CGC NM 9.4 Cream to off-white pages. The Hulk battles the Sub-Mariner. The Puppet Master appears. Cover and art by Marie Severin and Dan Adkins. Overstreet 2007 NM- 9.2 value = $95. CGC census 6/07: 20 in 9.4, 16 higher. From the Keith Marlow Collection.
Teen Titans #1 (DC, 1966) CGC NM- 9.2 Off-white pages. After a couple of tryout appearances in The Brave and the Bold and one in Showcase, the Titans were given their own mag (there's no #1 on the cover as that was considered a negative back in the day). Batman, Flash, Wonder Woman, and Aquaman appear in cameos. Nick Cardy drew the cover and illustrated Bob Haney's story. Overstreet 2007 NM- 9.2 value = $485. CGC census 5/07: 6 in 9.2, 7 higher. From the Keith Marlow Collection.
Thor #128 (Marvel, 1966) CGC NM 9.4 White pages. Hercules guest-stars. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $125. CGC census 6/07: 6 in 9.4, 2 higher. From the Janowicz Collection.
Thor #148 (Marvel, 1968) CGC NM+ 9.6 White pages. Origin and first appearance of the Wrecker. Origin of Black Bolt. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $85. CGC census 6/07: 13 in 9.6, 4 higher.
Thor #152 (Marvel, 1968) CGC NM+ 9.6 White pages. Last installment of the "Origins of the Inhumans" backup feature. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $70. CGC census 5/07: 8 in 9.6, none higher.
Thor #153 (Marvel, 1968) CGC NM+ 9.6 White pages. Brilliant copy, currently unsurpassed in grade in CGC's census for this issue. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $70. CGC census 6/07: 11 in 9.6, none higher.
Bronze Age (1970-1979)
Tomb of Dracula #1 (Marvel, 1972) CGC NM+ 9.6 White pages. Beautiful copy of the premiere issue, featuring the first appearance of Dracula, Frank Drake, and Clifton Graves. Neal Adams cover. Gene Colan art. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/07: 48 in 9.6, 7 higher. From the Keith Marlow Collection.
Tomb of Dracula #9 Massachusetts Copy pedigree (Marvel, 1973) CGC NM/MT 9.8 Off-white to white pages. A Gil Kane cover and Gene Colan art are the highlights of this issue. Overstreet 2007 NM- 9.2 value = $60. CGC census 6/07: 6 in 9.8, none higher.
Tomb of Dracula #17 Massachusetts Copy pedigree (Marvel, 1974) CGC NM/MT 9.8 White pages. If you're looking for a 9.9 copy, it may be a futile search. To date this is as high a grade as CGC has certified. Gil Kane and Tom Palmer collaborated on the cover, while Gene Colan and Palmer teamed up on the interior. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 9 in 9.8, none higher.
Tomb of Dracula #19 Massachusette Copy pedigree (Marvel, 1974) CGC NM/MT 9.8 White pages. Blade discovers he is immune to a vampire's bite. First mention of Blade having vampire blood in him. Gene Colan and Tom Palmer art. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 9 in 9.8, none higher.
Silver Age (1956-1969)
Turok #3 (Dell, 1956) CGC NM 9.4 Off-white pages. This is the first issue of the regularly numbered series, after two earlier Four Color entries. The fantastic painted cover features a charging Triceratops -- yikes! We hope the spear that Turok is brandishing will help him hold off that ferocious "honker!" This is a superb copy, clean and sharp. Overstreet 2007 NM- 9.2 value = $375. CGC census 6/07: 7 in 9.4, none higher.
Turok #6 (Dell, 1956) CGC VF/NM 9.0 Cream to off-white pages. Painted cover. Overstreet 2007 VF/NM 9.0 value = $186; NM- 9.2 value = $260. CGC census 6/07: 1 in 9.0, none higher.
Uncle Scrooge #18 (Dell, 1957) CGC NM- 9.2 Off-white pages. Carl Barks cover and art. Uncle Scrooge and his fine-feathered friends and relatives Donald, Huey, Dewey, Louie, and Gyro Gearloose. Overstreet 2007 NM- 9.2 value = $260. CGC census 6/07: 3 in 9.2, 1 higher. From the Warren Hall Collection.
Bronze Age (1970-1979)
Weird War Tales #1 (DC, 1971) CGC NM 9.4 Off-white to white pages. We've heard this mentioned as a candidate for the title of "first Bronze Age comic book." In any case, the war/horror mix was and is intriguing. Joe Kubert is the cover artist. Overstreet 2007 NM- 9.2 value = $385. CGC census 6/07: 12 in 9.4, 4 higher. From the Keith Marlow Collection.
Weird Western Tales #12 (DC, 1972) CGC NM/MT 9.8 White pages. The first issue of this series, formerly known as All-Star Western, featured the third appearance of Jonah Hex, a skull cover by Joe Kubert, and the art of Neal Adams and Bernie Wrightson -- partner, how can you go wrong? Certainly not with this stunning 9.8 copy! Overstreet 2007 NM- 9.2 value = $220. CGC census 6/07: 2 in 9.8, none higher.
Silver Age (1956-1969)
Wendy, the Good Little Witch #46 File Copy (Harvey, 1968) CGC NM/MT 9.8 Off-white pages. Catch a wave with Wendy on this awesome file copy example. Overstreet 2007 NM- 9.2 value = $32. CGC census 6/07: 1 in 9.8, none higher. From the Cary and Cheryl Porter Collection.
Movie Classics Dr. Who and the Daleks - Northland pedigree (Dell, 1966) CGC VF/NM 9.0 Off-white to white pages. This is the first U.S. comic appearance of the character. Raise your hand if you've seen this oldie screened at a convention and gasped at Peter Cushing playing the role (and calling himself "Dr. Who" rather than "the Doctor"). Since Dr. Who has a much stronger following in 2007 than most any other character Dell used for a Movie Classic, look for this to take its rightful place as the most valuable issue of the series. Comes with the Northland certificate of authenticity. Overstreet 2007 VF/NM 9.0 value = $119; NM- 9.2 value = $165. CGC census 5/07: 1 in 9.0, 1 higher. From the Keith Marlow Collection.
Movie Classics - Tomb of Ligeia - Northland pedigree (Dell, 1965) CGC NM 9.4 Off-white pages. Comic adaptation of the movie starring Vincent Price. Overstreet 2007 NM- 9.2 value = $75. CGC census 6/07: 1 in 9.4, 1 higher. From the Keith Marlow Collection.
Movie Classics - Two On a Guillotine (Dell, 1965) CGC NM+ 9.6 Off-white to white pages. CGC hasn't certified a higher grade for this issue to date. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 2 in 9.6, none higher. From the Keith Marlow Collection.
World's Finest Comics #106 (DC, 1959 ) CGC NM- 9.2 Off-white pages. Currently this is the only copy of #106 that CGC has graded higher than VF 8.0. Curt Swan did the cover; Dick Sprang and Sheldon Moldoff the interior art. Overstreet 2007 NM- 9.2 value = $240. CGC census 6/07: 1 in 9.2, none higher. From the Warren Hall Collection.
World's Finest Comics #115 (DC, 1961) CGC NM 9.4 Off-white to white pages. Dick Sprang drew the story art for this issue's Superman/Batman team up, "The Curse That Doomed Superman". Curt Swan, Jim Mooney, and Lee Elias art is also featured. This super-sharp book is currently the only CGC-certified copy of issue #115 to be graded over 9.2. Overstreet 2007 NM- 9.2 value = $190. CGC census 6/07: 1 in 9.4, none higher. From the Warren Hall Collection.
X-Men #1 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Observe that about 900 unrestored copies of this issue have been certified by CGC as of this writing, and you'll see how well this copy shapes up in the grand scheme of things. The book is the first appearance of the X-Men (the Angel, the Beast, Cyclops, Iceman, and Marvel Girl) as well as the first appearances of Professor X and Magneto. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $6,300; VF/NM 9.0 value = $11,400. CGC census 5/07: 25 in 8.5, 27 higher. From the Keith Marlow Collection.
X-Men #7 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. This is the issue in which Professor X appoints Cyclops as the leader of the X-Men, and soon they must battle Magneto and his Brotherhood of Evil Mutants. This issue also has the first appearance of the mutant-detection device Cerebro. Jack Kirby provided the cover and art. Overstreet 2007 NM- 9.2 value = $975. CGC census 6/07: 14 in 9.2, 7 higher.
X-Men #10 (Marvel, 1965) CGC NM- 9.2 White pages. First Silver Age appearances of Ka-Zar and Zabu the tiger. First appearance of the Savage Land. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $675. CGC census 6/07: 30 in 9.2, 9 higher. From the Janowicz Collection.
X-Men #13 (Marvel, 1965) Condition: NM-. Had CGC been able to slab this gem, it would have ranked within the top 10% of its current census for issue #13. But the company was unable to slab this copy, because of its overhang. The issue has the second appearance of the Juggernaut, a guest appearance by the Human Torch, and cameos by Matt Murdock and the Teen Brigade. Jack Kirby cover and interior layouts, with pencils by Joe Sinnott. Overstreet 2007 NM- 9.2 value = $560. From the Janowicz Collection.
X-Men #27 (Marvel, 1966) CGC NM+ 9.6 White pages. This issue features the return of the Mimic, as well as a cameo appearance by Spider-Man. Art by Werner Roth and Dick Ayers. Overstreet 2007 NM- 9.2 value = $210. CGC census 6/07: 6 in 9.6, 3 higher.
X-Men #45 (Marvel, 1968) CGC NM/MT 9.8 Off-white pages. John Buscema's cover (one of only three that J.B. drew for this series) guest-stars Quicksilver, who you'll recall started as a villain before his career change to "hero." It's one of only three X-Men covers Buscema ever drew. Magneto also appears in the story. Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 5 in 9.8, none higher.
X-Men #45 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. John Buscema's cover (one of only three that he drew for the series) gives us a clash between Cyclops and Quicksilver, whom you'll recall started as a villain before his career change to "hero." Magneto also makes an appearance. The back-up feature tells of how Professor X and Cyclops recruited Iceman for the team. The interior art is by Don Heck (main story) and George Tuska (back-up feature). Overstreet 2007 NM- 9.2 value = $145. CGC census 6/07: 34 in 9.6, 5 higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
X-Men #94 (Marvel, 1975) CGC NM 9.4 Off-white to white pages. From outside the slab we can't tell what might have kept this copy from 9.6 honors -- it's sharp! This is the new X-Men in the regular series, their second appearance overall after Giant-Size X-Men #1. It's also the issue in which the original X-Men (except for Cyclops) resign. Gil Kane and Dave Cockrum are the cover artists. Overstreet 2007 NM- 9.2 value = $1,080. CGC census 6/07: 98 in 9.4, 23 higher. From the Warren Hall Collection.
X-Men #118 (Marvel, 1979) CGC NM/MT 9.8 White pages. This important Bronze Age beauty contains the first appearance of Mariko Yashida, plus an appearance by Sunfire. John Byrne provided story art, while Dave Cockrum and Terry Austin gave us the dynamic cover. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 20 in 9.8, none higher.
X-Men #123 (Marvel, 1979) CGC NM/MT 9.8 White pages. Spider-Man and Arcade appearances. Terry Austin cover and art. John Byrne art. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 13 in 9.8, none higher.
X-Men #128 (Marvel, 1979) CGC NM/MT 9.8 White pages. Proteus appearance. John Byrne and Terry Austin art. George Perez and Austin cover. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 11 in 9.8, none higher.
Modern Age (1980-Present)
X-Men #129 (Marvel, 1980) CGC NM/MT 9.8 White pages. This important issue is packed with first appearances such as Kitty Pryde, the White Queen, Sebastian Shaw, Harry Leland, and Donald Pierce of the Hellfire Club. Whew! John Byrne and Terry Austin provide the cover and interior art. Overstreet 2007 NM- 9.2 value = $60. CGC census 6/07: 22 in 9.8, none higher.
X-Men #131 (Marvel, 1980) CGC NM/MT 9.8 White pages. Second appearance of Dazzler. Emma Frost appearance. John Byrne and Terry Austin cover and art. Chris Claremont story. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 10 in 9.8, none higher.
X-Men #133 (Marvel, 1980) CGC NM/MT 9.8 White pages. The nefarious Hellfire Club makes its mighty presence known in this issue -- can Wolverine set things right? John Byrne and Terry Austin cover and art. Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 30 in 9.8, none higher.
X-Men #134 (Marvel, 1980) CGC NM/MT 9.8 White pages. The Hellfire Club has turned our beloved Phoenix into... what? The storyline takes a dark twist here, True Believers! Overstreet 2007 NM- 9.2 value = $45. CGC census 6/07: 28 in 9.8, none higher.
X-Men #136 (Marvel, 1980) CGC NM/MT 9.8 White pages. Lilandra and President Jimmy Carter appear in this issue, which spotlights Phoenix. John Byrne and Terry Austin cover and art. Overstreet 2007 NM- 9.2 value = $35. CGC census 6/07: 24 in 9.8, none higher.
X-Men #141 (Marvel, 1981) CGC NM/MT 9.8 White pages. This last issue before the official name change to Uncanny X-Men features the classic "Days of Future Past" story. First appearances of Rachel Summers, Pyro, Destiny, and Avalanche. John Byrne and Terry Austin cover and art. Overstreet 2007 NM- 9.2 value = $50. CGC census 6/07: 65 in 9.8, none higher.
Magazines
Comic Book Marketplace Group (Gary Carter/Gemstone, 1991-99). Those pioneers in comic book collecting who brought the hobby where it is today were usually men (and a few women) who grew up in the late 1950s-early 60s Silver Age heyday. Early serious commentary on the medium was first issued in self-published "fanzines" from this group, but later publications, featuring articles and "comics for sale" ads, were more polished affairs, like Gary Carter's Comic Book Marketplace. Our offering is a short box including #2-21 inclusive and 55 other issues, the highest being #74. Of note is the copy of #37, an alternate-cover copy showing the Terrific #5 cover, and an outer wrapper indicating it was for the 1996 AACC annual meeting. Lots of great, informative reading, essential for serious collectors. All issues were subscription copies; later editions come in their mailing envelopes. Overall average condition ranges from VG/FN to NM. Not listed in Overstreet.
Famous Monsters of Filmland Box Lot (Warren, 1963-79) Condition: Average VG. This full short box featuring assorted issues of Forrest J. Ackerman's legendary horror and sci-fi fandom mag includes Famous Monsters #22, 24, 27, 34-37, 39, 41, 43-45, 47-50, 53, 54-56, 58-69, 80-123, 125-135, and 153; Famous Monsters Fear Book #1964, 1965, 1966, 1967, 1968, 1969, 1970, 1971, and 1972; and the Famous Monsters Do-It-Yourself Monster Make-Up Handbook. Approximate Comic Art Price Guide value for group = $1,600.
Savage Sword of Conan #1 (Marvel, 1974) CGC NM/MT 9.8 White pages. This first issue features the origin and first appearance of Blackmark by Gil Kane and the third appearance of Red Sonja. Boris Vallejo contributed the painted cover and John Buscema, Neal Adams, and Esteban Maroto added interior art. Overstreet 2007 NM- 9.2 value = $150. CGC census 5/07: 40 in 9.8, none higher.
Savage Sword of Conan #3 (Marvel, 1974) CGC NM/MT 9.8 White pages. Painted cover by Mike Kaluta. Interior art by Barry Smith, John Buscema, Gil Kane, Tony DeZuniga, and Alfredo Alcala. Overstreet 2007 NM- 9.2 value = $45. CGC census 5/07: 5 in 9.8, none higher.
Savage Tales #1 (Marvel, 1971) CGC NM/MT 9.8 White pages. Pristine copy ties for top honors in CGC's current census for this issue which premiered the second Conan comic title, with Barry Smith drawing the barbarian. This ish also had the origin and first appearance of Man-Thing (Gray Morrow art) and a Ka-Zar story drawn by John Buscema. Other Marvel veterans Gene Colan and John Romita Sr. also contributed interior art. Overstreet 2007 NM- 9.2 value = $275. CGC census 6/07: 6 in 9.8, none higher.
Savage Tales #1 (Marvel, 1971) CGC Qualified NM/MT 9.8 Off-white to white pages. The origin and first appearance of Man-Thing (Gray Morrow art) highlight this issue which also showcases the first Conan appearance outside of his own comic. The Cimmerian is featured in the famous story "Red Nails," adapted by Roy Thomas (who autographed this copy) and drawn by Barry Smith. The cover and the Ka-Zar story both feature art by John Buscema. Additional art by Gene Colan and John Romita Sr. CGC notes, "'Roy Thomas' written on cover in pen." Overstreet 2007 NM- 9.2 value = $275.
Spectacular Spider-Man #1 Multiple CGC Copies Group (Marvel, 1968). This Marvel experiment with a magazine format only lasted two issues and reportedly didn't sell well at the time. But collectors of today certainly appreciate it, especially since it has a John Romita Sr. cover, with interior art by Romita and Jim Mooney. Plus there's an update of Spider-Man's origin, with Larry Lieber and Bill Everett art. Included in this short box lot are five unslabbed copies in VF/NM condition, six slabbed copies in VF/NM 9.0 condition, seven in NM- 9.2, three in NM 9.4, and one in NM+ 9.6. Overstreet 2007 NM- 9.2 value for group = $4,560. CGC census 6/07: 21 in 9.0, 56 higher; 20 in 9.2, 36 higher; 21 in 9.4, 15 higher; 13 in 9.6, 2 higher.
Vampirella #6 Don Rosa Collection pedigree (Warren, 1970) CGC NM+ 9.6 Off-white to white pages. This high grade copy features a great "good girl" Ken Kelly cover and art by Jerry Grandenetti, Jack Sparling, Mike Royer, and Dan Adkins. Overstreet 2007 NM- 9.2 value = $175. CGC census 5/07: 8 in 9.6, 2 higher.
Vampirella #7 Don Rosa Collection pedigree (Warren, 1970) CGC NM+ 9.6 Off-white to white pages. Frank Frazetta's painting "Sun Goddess" adorns the cover of this issue. The magazine's interior art is by Frazetta (one illustration), Tom Sutton, Billy Graham, Ernie Colon, and Jerry Grandenetti. Overstreet 2007 NM- 9.2 value = $180. CGC census 5/07: 9 in 9.6, none higher.
Vampirella #8 (Warren, 1970) CGC NM+ 9.6 Off-white to white pages. This is the first time that Vampirella appears as a serious character. This ish also contains the first appearance of Conrad and Adam Van Helsing and it's Archie Goodwin's first issue as a writer. Ken Kelly did the cover while interior art was done by Tom Sutton, Jack Sparling, George Roussos, Frank Frazetta (one page), and "Tony Williamsune" (Tony Tallarico and Bill Fraccio). Overstreet 2007 NM- 9.2 value = $190. CGC census 5/07: 5 in 9.6, 3 higher.
Vampirella #13 (Warren, 1971) CGC NM+ 9.6 Off-white to white pages. Features the first annual Warren Creator Awards (for 1970), a Manuel Sanjulian cover, and art by Jose Gonzalez and Steve Hickman. Overstreet 2007 NM- 9.2 value = $110. CGC census 5/07: 7 in 9.6, 2 higher.
Vampirella #41 Pacific Coast pedigree (Warren, 1975) CGC NM+ 9.6 Off-white pages. Enrich's cover is particularly dazzling on this superb copy from the Pacific Coast pedigree. Esteban Maroto and Jose Gonzalez contribute interior art. Overstreet 2007 NM- 9.2 value = $55. CGC census 6/07: 2 in 9.6, 1 higher.
Worst From Mad #6 (EC, 1963) CGC NM 9.4 Off-white to white pages. Includes "Fink Along With Mad" record. Overstreet 2007 NM- 9.2 value = $440. CGC census 6/07: 2 in 9.4, 1 higher.
Books
L. Frank Baum "The Songs of Father Goose", Signed (George M. Hill, 1900). Published around the midpoint of Baum's career as a children's author, The Songs of Father Goose was released in 1900 -- the same year as his classic The Wonderful Wizard of Oz -- and both were published by Hill. Father Goose contains 84 pages, illustrated throughout by W. W. Denslow, with music by Alberta N. Hall, illustrated boards, and a cloth spine. This first edition copy is in Good condition with some soiling to the boards and bumping to the corners, some paper loss to the corners and edges, and an inscription and signature in pencil to the first free endpaper. The front hinge has begun to separate from the contents, otherwise it is a sound copy. LOA from PSA/DNA.
Edgar Rice Burroughs "Tarzan of the Apes" First Edition Hardback (McClurg, 1914). About a year-and-a-half after his debut in the pages of The All-Story, Tarzan's first appearance was reprinted in hardback form -- the first hardback Edgar Rice Burroughs ever published. This is a first state, first edition copy of the book, one of only 5,000 printed in that initial run. It lacks the acorn device on the spine and bears "W. F. Hall" on the copyright page in Old English script, marking it as a true first edition. The book is bound in dark red cloth with gold lettering, and is in great condition, with tight binding, off-white pages, and mild to moderate amount of shelfwear and corner bumping. The dustjacket has been repaired, and the extensive restoration includes two major tear seals and multiple pieces added. The fact that a first edition with original dust jacket sold for $45,000 in 2005 underscores the strong demand for copies with jackets. A beautiful book.
Edgar Rice Burroughs Bibliography, Signed by Philip Jose Farmer (McFarland, 1996). A copy of Edgar Rice Burroughs: the Exhaustive Scholar's and Collector's Descriptive Bibliography by ERB scholar Robert B. Zeuschner, signed on the foreword page by sci-fi author Philip Jose Farmer. The book is volume H in a limited lettered edition of 26 copies signed by the author and by Farmer, the latter of whom has written a number of Tarzan pastiches as well as the foreword for this book. Both the volume and the dustjacket are in excellent condition.
Cancelled Comic Cavalcade #1 and 2 Group (DC, 1978). These books are perhaps the rarest collector's items of the Bronze Age. DC had expanded its line in what it proudly called the "DC Explosion," but soon canceled a whole slew of titles in what wags quickly dubbed the "DC Implosion." DC produced this two-volume ashcan edition to protect DC's copyright to the content, printing a mere 35 copies. Of these, 34 were given to the creators and copyright people, and one to price guide publisher Bob Overstreet for documentation purposes. Containing pages photocopied on one side only with blank blue covers and a taped spine, the books each measure 8.5" x 11". Many of these comics were featured in DC house ads, offered as subscriptions, or both before the sudden cancellation. And many of canceled DC series ended on cliffhangers (Shade the Changing Man to name one), making this your one chance to find out how the story ended. Also, completists of artists like Jack Kirby and Steve Ditko will find stories here that never saw the light of day. The contents of Volume #1 are Black Lightning #12, cover to #13, Claw #13 and #14, The Deserter #1, Doorway to Nightmare #6, Firestorm #6, The Green Team #2 and #3. Volume #2 contains Kamandi #60 (including Omac) and #61, Prez #5, Shade #9 (including the Odd Man), Showcase #105 (Deadman) and #106 (The Creeper), Secret Society of Super Villains #16 and #17, The Vixen #1, and covers to Army At War #2, Battle Classics #3, Demand Classics #1 and #2, Dynamic Classics #3, Mister Miracle #26, Ragman #6, Weird Mystery #25 and #26, and Western Classics #1 and #2. Volume 1 has a water stain on the cover and Volume 2 has a cover crease, but the interior is not affected in either case. Overstreet does not list a price for these, but does note that a set was sold in 2004 for $3,220, which we can confirm because we were the sellers. The Bronze Age gets hotter by the year, so grab one of these while you can! From the Fantastic Frank Collection.
"Pinocchio" by Carlo Collodi First Edition (Whitman, 1916). First edition copy of Carlo Collodi's classic tale, with illustrations with Alice Carsey. In Very Good condition with light tan pages and a Good dustjacket that shows some moderate overall wear, tearing, and scuffing.
Reform School Girl (Diversey, 1948) Condition: VF. The infamous Realistic comic published three years later took its cover and title from this staple-bound digest. Inside this lurid package was a reprint of the book House of Fury. This 128-pager, measuring 5 1/4 by 7 5/8, was actually #1 in a series. So if you have Broadway Virgin and One Night With Nancy you owe it to yourself to snag this one too! And you'd have a tough time finding one in nicer condition than this. Not listed in Overstreet.
Dr. Seuss "The 500 Hats of Bartholomew Cubbins" Signed by Dr. Seuss (Vanguard Press, 1938). With their trademark rhyming text and outlandish creatures, Dr. Theodore Seuss Geisel's numerous children's books have become staples for kids and grown-ups alike, and have played a major role in promoting literacy among adolescents. This is a first edition, later printing of Dr. Seuss' second book (after And to Think I Saw It on Mulberry Street), inscribed "For the first grandchild of Josh and Fay Burnett, with best wishes," and signed by Seuss in blue ink en verso of the first free end paper. Numerous illustrations throughout, printed in black, white, and red, all by the author. In Very Good condition with mild to moderate wear and bumping to edges and corners, and moderate to heavy wear and tear to the dust jacket. The binding is solid, the pages clean and white, and the signature is fine and bold. A fabulous collector's item.
Memorabilia
Aurora Model Kit #426 - "The Creature" (Aurora Plastics Corp., Circa 1960s). Offered here is an original "The Creature" model kit, #426 by Aurora, in its original packaging and shrinkwrap. These kits were produced from 1963-68 with an original retail price of 98¢. It is 1/8 scale, produced in metallic green plastic, and was sculpted by Bill Lemon. The original box art was painted by James Bama. The box measures 13" x 5" x 2" and is exceptional condition. It comes in a very nice hard-plastic case.
Aurora Model Kit #460 - "The Hunchback of Notre Dame" (Aurora Plastics Corp., 1964). Offered here is an original "The Hunchback of Notre Dame" model kit, #460 by Aurora, in its original packaging and shrinkwrap. The original art for the packaging was pulled from production in 1965 due to objections from Anthony Quinn, who portrayed Quasimodo in the movie, as the character on the box resembled his portrayal of the monster. This art was replaced with a modified image of a shaggier-haired Hunchback. These kits were produced from 1964-68 with an original retail price of 98¢. It is 1/8 scale, produced in light tan plastic, and was sculpted by Bill Lemon. The original box art was painted by James Bama. The box measures 13" x 5" x 2" and is in Exceptional condition. It comes in a very nice hard-plastic case.
Batman Trading Cards, Second Series Complete Set (Topps, 1966). Here's a sweet set of all 44 "Red Bat" trading cards, featuring great painted portraits of the Dynamic Duo by Norman Saunders. The cards average NM 7 condition.
Bo Welch - "Batman Returns" Gotham Plaza/Church Blueprint (Warner Bros., 1991). Production designer, Bob Welch, illustrates Gotham Plaza along with a church, in this plan and elevation blueprint from Tim Burton's "Batman Returns." The blueprint measures 41" x 37", and there are vertical and horizontal folds and light creases in the work; otherwise the condition is Very Good.
Enoch Bolles - Film Fun Counter Card (undated). A gorgeous illustration by art deco pin-up master, Enoch Bolles, is reproduced on this full-color counter card. The card measures 12" x 16.5", and aside from some light soiling, edge wear, and pin holes, the condition is Good.
Buster Brown Cloth Party Game (Selchow and Righter Co., c.1910). A complete kit, including the original envelope, which contained a printed oilcloth featuring a pin-the-tail type game. Included on the cloth was a strip of twelve black bow ties, which were meant to be separated and cut out; these were then pinned on the picture (of Buster and Tige), blindfolded. This example remains uncut and, with the exception of a light water stain on the cloth (and a little more on the envelope), in Excellent condition. The combined envelope and uncut game cloth are listed in Hake's 2006 Price Guide to Character Toys for $350.
Captain Marvel Fan Club Memorabilia Lot of 10 (Fawcett, 1942). Includes four subscription forms and accompanying envelope for various Fawcett titles; a club newsletter dated October 1942; a letter from Captain Marvel touting the debut issue of the (then) new Captain Marvel Jr. series, with a full-color reproduction of the iconic cover printed on the reverse; A pair of small promotional leaflets, one featuring Mary Marvel, the other a "Special Assignment" for club members; and the original mailing envelope for the items, with a Captain Marvel logo printed on it. The items are in overall nice condition, with some mild wear, tanning, and occasional soiling or rusted paperclip mark, as well as heavy mailing creases to the newsletters and larger subscription forms. Hake's Price Guide 6th Edition pictures a 12-piece kit (8 of which match up with items included here) and assigns it a value of $1,200 in Fine and $1,700 in Mint condition.
Full Display Box of Casper Pez Dispensers (Pez-Haas, Inc., circa 1960s). Who doesn't love those tasty little candy pellets made in far-away Austria? Especially when they come shooting out of a neat blue or white dispenser, with the head of Casper, the Friendly Ghost, that is! Here's a full store display box of 24 individually-wrapped, like-new Pez dispensers, each with two packs of vintage candy (which we wouldn't advise eating). The entire set is in Excellent condition.
A Day With Charlie McCarthy and Edgar Bergen #770 (Whitman, 1938) Condition: VF/NM. Like-new condition 8 5/8" x 11 7/8" picture and story book, featuring behind-the-scene stills from the MGM production "Goldwyn Follies." Vivid cover colors, with off-white pages.
Classics Illustrated #73 The Black Tulip - Writers File Copy, Contract, and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Alexander Dumas's story, with many pages of hand written notes. Also includes the Gilberton signed contract for the adaption, biographical notes on Dumas, the author's personal file copy of the comic, and a Spanish language adaption as well.
Classics Illustrated #76 The Prisoner of Zenda - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Anthony Hope's story, with an astronomical amount of hand written and typed notes. Also includes the author's personal file copy of the comic, newspaper clippings used in research, and letters to Gilberton from Fitch.
Classics Illustrated #79 Cyrano De Bergerac - Writers File Copy and Original Script (Gilberton, 1950). Contains the original script and one revision by author Ken Fitch, based on Edmond Rostand's story, with many pages of hand written notes. Also includes the author's personal file copy of the comic, historical reference notes, and biographical notes on Rostand. An interesting look into comic publishing.
Classics Illustrated #80 White Fang - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Jack London's story, with hand written notes. Also includes the author's personal file copy of the comic.
Classics Illustrated #82 The Master of Ballantrae - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Robert Louis Stevenson's story, with many hand written notes and a hand written plot outline. Also includes the author's personal file copy of the comic.
Classics Illustrated #86 Under Two Flags - Writers File Copy and Original Script (Gilberton, 1950). Contains the original script by author Ken Fitch, based on Ouida's story, with many pages of hand written and typed notes. Also includes the author's personal file copy of the comic. A unique look into comic publishing.
Classics Illustrated #91 The Call of the Wild - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Jack London's story, with hand written notes. Also includes the author's personal file copy of the comic, a signed contract, a biography of Jack London, and a hand written letter on Gilberton stationery.
Classics Illustrated #95 All Quiet on the Western Front - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Erich Maria Remarque's story, with hand written and typed biographical notes on Remarque. Also includes the author's personal file copy of the comic. A unique look into comic publishing.
Classics Illustrated #96 Daniel Boone - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on John Bakeless's story, with many pages of hand written notes and correspondence with Dr. Bakeless himself. Also includes the author's personal file copy of the comic and biographical notes on Bakeless.
Classics Illustrated #97 King Solomon's Mines - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on H. Rider Haggard's story, with many pages of hand written and typed notes. Also includes the author's personal file copy of the comic, a synopsis of the storyline, character outlines, and other printed research material.
Classics Illustrated #100 Mutiny on the Bounty - Writers File Copies, Contract, and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Charles Nordhoff and James Norman Hall's story, with copious hand written and typed notes. Also includes the author's personal file copy of the comic along with a Spanish language edition, newspaper clippings used in research, the Gilberton contract for the adaption, and three pages of biographical notes on Nordhoff and Hall.
Classics Illustrated #101 William Tell - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Friedrich Schiller's story, with hand written and typed biographical notes on Schiller. Also includes the author's personal file copy of the comic and the signed Gilberton contract for the adaption.
Classics Illustrated #102 The White Company - Writers File Copy, Contract, Notes, and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Sir Arthur Conan Doyle's story, with many pages of hand written and typed notes. Also includes the author's personal file copy of the comic, the Gilberton signed contract, and biographical notes on Doyle.
Classics Illustrated #103 Men Against the Sea - Writers File Copy, Contract, and Original Script (Gilberton, 1952). Contains the original script by author Ken Fitch, based on Charles Nordhoff and James Norman Hall's story, with pages of typed and hand written notes. Also includes the author's personal file copy of the comic, and two pages of biographical information on Hall and Nordhoff.
Classics Illustrated #104 Bring 'Em Back Alive - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Frank Buck's story, with hand written notes and three additional progressively edited versions of the script. Also includes the author's personal file copy of the comic, a newspaper clipping used in research for the adaption, and Fitch's biographical study of Buck. A unique look into comic publishing.
Classics Illustrated #107 King of the Khyber Rifles - Writers File Copy, Contract, and Original Script (Gilberton, 1953). Contains the original script by author Ken Fitch, based on Talbot Mundy's story, with hand written notes, a plot breakdown, and biographical notes on Mundy. Also includes the author's personal file copy of the comic, the signed Gilberton contract for the adaption, newspaper clippings, and an envelope from Gilberton.
Classics Illustrated #109 Pitcairn's Island - Writers File Copy and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Charles Nordhoff and James Norman Hall's story, with many pages of hand written and typed notes. Also includes the author's personal file copy of the comic, biographical notes on Hall and Nordhoff, and a very interesting hand drawn map of the island, with key locations pinpointed.
Classics Illustrated #110 A Study in Scarlet - Writers File Copy, Contract, and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Sir Arthur Conan Doyle's story. Also includes the signed contract for the story adaption and the author's personal file copy of the comic. A unique look into comic publishing.
Classics Illustrated #111 The Talisman - Writers File Copy, Contract, and Original Script (Gilberton, 1951). Contains the original script by author Ken Fitch, based on Sir Walter Scott's story, with hand written notes. Also includes the author's personal file copy of the comic, the Gilberton contract for the adaption, character studies, and biographical notes on Scott.
Classics Illustrated Educational Series #2 George Westinghouse - Original Script (Gilberton, 1953). Contains the original script by author Ken Fitch, with two pages of hand written notes. Also includes a letter from Gilberton to Mr. Fitch, informing him of their printing schedule for the year.
Classics Illustrated - The Magic Flute Unpublished Original Script (Gilberton, 1949). Contains the original unpublished script by author Ken Fitch, based on Wolfgang Amadeus Mozart's story, with seven pages of hand written notes. Also includes a letter from Fitch to Harry Adler at Gilberton, detailing future projects.
Classics Illustrated - Quo Vadis Original Unpublished Script (Gilberton, 1951). Contains the original unpublished script for "Quo Vadis" adapted by author Ken Fitch, based on Henryk Sienkiewicz's story, with many hand written notes. A letter also accompanies this group which speaks of the difficult topic of crucifixion, a possible reason that this planned issue may have been shelved.
Classics Illustrated Educational Series - Shelter Through the Ages - Original Script (Gilberton, 1951). Offered here are pages four through nine of the original script to "Shelter Through the Ages." by Ken Fitch. There are several hand written corrections and a note on how much he was paid to write the piece.
Pulps
Lester Dent Personal Items. This large selection of personal items belonging to prolific pulp writer Lester Dent was originally purchased at an estate auction in 1995, following the death of Dent's wife, Norma. A talented writer, Dent created the classic pulp hero Doc Savage for Street & Smith in 1933; it took only six months for the character to become a top-seller. Included here are: a pewter jewelry casket containing a pair of pearl tie tacks worn by Dent; a white Vienna carved meerschaum pipe with dog motif, in case; an ornate hand-carved "Bull's head" pipe (one horn missing); a 10kt gold-filled Bulova watch with Dent's name engraved on the back (non-functioning, crystal missing); Dent's sterling silver Explorer's Club bracelet with his name and member number (#89) engraved on the back (moderate to heavy tarnish); a Ronson "Crown"-style desktop cigarette lighter; a stenographer's notebook with extensive writing by Dent in shorthand (contents unknown, his wife later used it to store recipes); a 6.5" x 8.25" color ink drawing recreating the cover of the November 1935 issue of Doc Savage ("The Murder Melody") by pulp fanzine illustrator Frank Hamilton, dated August 9, 1980 and inscribed and signed by him to Norma Dent; a small selection of Doc Savage-themed fanzines; Dent's Author's Guild -- Pulp Writers Section membership card, signed by him; a bank deposit slip signed by Dent; a VIP pass for an unknown event; three of his business cards; a postcard dated December 22, 1925 to Dent from his parents; four personalized envelopes; 85 unused Doc Savage Award certificates from a posthumous event in 1975 (the Doc Savage-styled thumbprints provided by St. Louis fan and promoter Terry Klasek); 18 unused Apart covers for a miniconvention program book in 1976; 34 printed brochures of "some unusual facts about this Northeast Missouri writer," written and printed by Dent; and five "Caribbean Treasure Hunt" contest brochures with content written by Dent. A great selection of items from a pulp legend, in overall great condition.
Memorabilia
Big Little Book #nn Mickey Mouse the Mail Pilot American Oil Premium (Whitman, 1933) Condition: FN/VF. Soft-cover edition, featuring a back-cover ad for Amoco and American Gas. Pages are supple and off-white. Overstreet 2007 FN 6.0 value = $117; VF/NM value = $270.
Mickey and Minnie Mouse Coloring Book #979 (Saalfield, 1933) Condition: FN. Very early 10 5/8" x 15 1/8" coloring book, with illustrations printed in black and white, and in color. Several pages have been colored in with crayon.
Mickey Mouse Presents a Walt Disney Silly Symphony Book to Color #660 (Whitman, 1934) Condition: VF. Original edition of the 11" x 15" coloring book starring Bucky Bug. Unused book in excellent condition, with tan but supple pages.
A Walt Disney Paint Book #677 (Whitman, 1937) Condition: FN/VF. Although many collectors have seen the Whitman reprint of this very scarce Disney item, this copy is a truly exceptional example of the original 1937 publication. Measuring a large 11" x 14", it remains completely uncolored, with pretty good interior paper - the pages are still relatively supple. The cover displays nice sharp corners and great color. There are a few light creases, some relatively light edge/corner wear, including some stress lines and a slight nick at upper spine staple. Copies of older Disney paint books/coloring books are invariably worn and used, but not so with this exceptional example.
Walt Disney's Pinocchio (Whitman, 1939) Condition: NM-. Very attractive 8 1/2" x 11 3/8" story book, with black and white illustrations designed to be colored in. Nice cover color, with cream to off-white pages. No pages have been colored on.
Snow White and other Disney Cartoon Vintage Premium Postcard Group (Disney, 1940). Excellent condition set of nine 7" x 5" postcards, featuring scenes from "Snow White and the Seven Dwarfs", "Farmyard Symphony", "Ugly Duckling", "Ferdinand the Bull", and "Brave Little Taylor" (with Mickey Mouse). Printed in two colors, on thin stock, these items don't show up often. Not listed in Overstreet.
Donald Duck Army Paint Book (Whitman, 1942) Condition: FN/VF. Beautiful copy of the WWII coloring book, with no pages colored in. Only several small tape snags on the back cover keep this one from a higher grade. Not listed in Overstreet.
Walt Disney's Paint Book #677 (Whitman, 1944) Condition: VF-. Excellent World War II-era coloring book, completely uncolored, with a nice color image of Mickey and Donald on the covers. Beautiful copy with supple pages, and a great spine; there is a tiny pull where the price tag was on the front cover, and a very small corner area on the back cover is missing. Not listed in Overstreet.
Pulps
Doc Savage Pulp Subscriber Portraits (Street & Smith, circa 1930s). This pair of cover prints were premiums sent to subscribers of the Doc Savage pulp magazine. The 8.5" x 11" color prints of Walter M. Baumhofer's painted covers for the July 1935 issue ("The Quest of Qui") and November 1937 ("The Sea Angel") issues. The prints are in overall very nice condition with mild to moderate soiling and wear and a heavy vertical crease to the former, and mild wear, creasing, and some small tears to the latter. Excellent, rare pulp collectibles. Hake's Price Guide 6th Edition Fine value for group = $350; Near Mint value for group = $800.
Memorabilia
Frank Frazetta's Death Dealer by Randy Bowen, Limited Edition Bronze Cast Sculpture, #38/50 (Dark Horse, 1995). Sculpted by master craftsman Randy Bowen in collaboration with Frank Frazetta himself, this limited edition bronze casting of the Death Dealer is a highly sought-after collectible. Highly detailed down to his spurs and chains, the Death Dealer stands an awe-inspiring 12 inches high, and is mounted on a striking black marble base. This sculpture was individually finished by hand and limited to 50 numbered pieces. This particular casting was numbered #36/50, and is in Excellent condition. This lot features only the sculpture itself; there is no box or other material included.
"Joker" Jack in the Box Limited Edition, 10/495 (Stabur Graphics, 1989). Tim Burton's 1989 "Batman" motion picture inspired a wide variety of related merchandise. Here's one of the more unusual items: a nicely crafted jack-in-the-box, featuring the face of the famous Jack from the film, Jack Nicholson as the Joker. Nicholson's Joker laugh is used for our purple-hatted jack, which sits inside an attractive wooden box, complete with a brass plaque numbered 010/495. The Jack figure has been signed on the backside by designer Cheryl Wilson, who has numbered this piece 20/500. Complete with batteries, ready to install, inside the mechanism, and a felt bag. These "magnificent toys" are incredibly scarce today!
Mad Related - Alfred E. Neuman Cuff Links (EC, 1994) Here's one of very few known sets of these promotional cuff links, which were given to Mad distributors. We know you rarely dress up, but when you have your next wedding or funeral (especially if your own) to attend, you'll be set. In those somber moments, Mr. Neuman will be there to cheer you up! Gold, except for Alfred's pasty white face and hair, these links are ready to impress, even if worn on the crummiest of cuffs! Rare Mad-ness memorabilia that even your dumbest friend probably doesn't have, brought to you by your friends at Heritage and Dick DeBartolo. From the Personal Collection of Dick DeBartolo.
Movie Comics #6 Display Card, Group of 2 (DC, 1939). Movie Comics #6 was the last issue of the first title that DC ever canceled, and featured an adaptation of the movie serial, "The Phantom Creeps." Included here are two full-color display cards advertising this issue, the larger one measuring approximately 10.5" x 19", and the smaller one measures 7.25" x 13.25". Both are in Very Good condition.
Overstreet Price Guide Near Complete Hardcover Group (Gemstone, 1970-2006). This astounding collection of hardcover editions of the Overstreet Comic Book Price Guide includes a leather-bound copy of issue #14 and variant covers, as well as a first-printing copy of the soft-cover-only first issue. The second edition is the only notable omission in the run, which ends with #36. The 1970 first edition appears to be in VG/FN, and issue #3 is in VG/FN (with no cover graphics, as printed), and #4 is in VG; most of the other hardbacks range from VF to NM. Approximate Overstreet value for group = $4,500.
Overstreet Price Guide Group (Gemstone, 1972-2003). This group includes softcover copies of editions #2, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 20, 21, 22, 24, 25, 26, #28 (2 copies, variant covers), #29 (2 copies - variant covers), #30 (2 copies - variant covers), #31 (2 copies - variant covers), 32, and #33 (2 copies - variant covers). The first few issues are in Very Good condition, with mild wear, page discoloration, and some spine stress; the rest range from Fine to As New with a few minor defects here and there. All are great copies in overall sturdy condition. Approximate Overstreet value for group = $2,500.
"Polar Lark" Comic Strip Paperweight (King Features Syndicate, 1926). Admiral Richard Byrd's 1926 expedition to the North Pole inspired this extremely cool and unusual figurine, which features the faces of several classic comic strip characters. Included on this "pole" are Jiggs and Maggie, Polly's Pop, Maud the Mule, one of the Katzenjammer Kids, Krazy Kat, Barney Google, and a few other King Feature stars of the day, on a base marked "1926 Polar Lark". The base of this heavy cast metal item has a small crack that extends to the pole, and there are a few nicks on Jiggs' top hat from being dropped, but overall, this 5.5" tall item is in Very Good condition. Listed in Hake's Price Guide to Character Toys with values ranging from $175 to $675.
Charles Schulz Signed Letter, Group of 2 (1966-67). Two hand-typed letters signed by Charles Schulz, on his official letterhead. Each measures 6.25" x 7". In Very Good condition. From the Jim Logan Collection.
Superman Daily Comic Strip Proof Sheet, Group of 65 (McClure Newspaper Syndicate, 1956-60). Set of sixty five Superman comic strip daily proof sheets, featuring art by Wayne Boring, and Curt Swan. Each sheet measures approximately 18.5" x 19.5". In Good condition.
Tarzan School Paper Supplies Cardboard Store Sign (Birmingham Paper Co, 1930s). Well-preserved item, edge abrasion in a couple of spots is the only defect. Hake's Price Guide 6th Edition Fine value = $325.
Tarzan "Foulds Macaroni" Gift Promos, Lot of 3 (1932). Two 9 1/2 by 11 1/2-inch instruction sheets which kids got (along with a small plaster statue) if they sent in proofs of purchase from Foulds Macaroni. Included here are #1 (Tarzan) and #2 (Kala), both in nice condition aside from having been folded as every copy was. Also included is a 9 1/2 x 12 1/2 promo, also from Foulds and printed on both side, showing all of the available gift. This one has fold separation in spots and some soiling. Hake's Price Guide does not list the latter promo but assigns the similar Toddy Malted Drink promo sheet a Good value of $100; the Foulds sheets #1 and 2 are assigned a combined value of $300 in Fine and $530 in Mint condition.
Tarzan Picture Puzzles Set (Saalfield, 1933). Included are three complete 8.5" x 10.75" puzzles, titled "Tarzan Discovers The Lonely Cabin," "Tarzan With Tantor the Elephant," and "The Apes Press Onward, Tarzan In The Lead." Some of the puzzle pieces are in shape of plants and animals, and the puzzles are in overall great condition with very minor wear. The original box is included, and it has some moderate wear with two split corners, a little soiling, and surface paper tears to the lid; otherwise it's Fine with a Very Fine appearance. These sets are rarely found complete. Hake's Price Guide 6th Edition Fine value = $600; Near Mint value = $1,200.
Tarzan Jungle Map And Treasure Hunt Game With Mailer Envelope (Weston Biscuit Co.,1933) A rare item, and the envelope is even tougher to find since the playing pieces for the game had to be cut out of it! The envelope is included here, though it's split partway down both sides and has some tears. The jungle map itself has some fold separation at the right and a three-inch tear, but no other defects of note. Hake's Price Guide 6th Edition lists values of $150 in Good and $450 in Fine for the map without the mailer.
Tarzan Ice Cream Cups Advertising Poster (1930s). "Save the lids for valuable new free prizes." This colorful vintage Tarzan Cups poster measures 11" x 17", and aside from some light edge wear, is in Very Good condition. Hake's Price Guide 6th Edition Good value = $100; Fine value = $300.
"Tarzan of the Air" Promo Book (Edgar Rice Burroughs Inc., 1934). A four-page, 8.5" x 11" promo booklet used to promote the syndicated Tarzan radio show of the 1930s. Edgar Rice Burroughs showed remarkable foresight years earlier, expressing interest in developing a Tarzan radio series after successfully spinning the character of into comic strips, records, and other merchandising, making the Lord of the Jungle one of the first multimedia creations of the 20th century. The brochure is in like-new condition with minimal wear, and is accompanied by its original mailing envelope. Hake's Price Guide 6th Edition Near Mint value = $200.
Tarzan Memorabilia Assortment (1934-49). This large selection of vintage Tarzan memorabilia includes a "Tarzan Treasure Land" game (nice condition with moderate to heavy wear to the packaging; Hake's Good value $300); a b&w 8" x 10" Wheaties premium for the Jack Armstrong program showing of a young Johnny Weissmuller with his signature printed on it (Hake's Fine value $185; Near Mint $325); a three-album "Tarzan's Greatest Jungle Adventure" record set in great condition with mild wear and scratching (Hake's Fine value $100); a "Tarzan Clans of America" membership application card; a pencil tablet from 1935 from Birmingham Paper Co.with a promotional slip advertising a contest; notebook filler paper with a wrapper band advertising a 1941 contest; and an early-40s composition book from Birmingham paper co. featuring the Lord of the Jungle. The items are in very nice overall condition with some mild to moderate instances of creasing, wear, and discoloration.
Tarzan Board Game (Parker Brothers, 1939). A vintage Tarzan jungle adventure board game by the the venerable Parker Brothers. Complete and in excellent condition, with just a little wear and discoloration to the pieces (all of which are present). The box is in Fine condition with some heavy wear to the corners and edges and some soiling and discoloration, but with no split corners or tears. A great item, rarely found complete or in good condition. Hake's Price Guide 6th Edition Fine value = $250; Near Mint value = $575.
Edgar Rice Burroughs - Signed Letter with Three 1935 A $1 Brown Seal Hawaiian Silver Certificates (1944). During World War II, Tarzan author Edgar Rice Burroughs was living in Honolulu, Hawaii, and on November 2, 1944, he wrote a letter to his daughter, Joan Burroughs Pierce. Enclosed with the letter were three 1935 A $1 Brown Seal Hawaiian Silver Certificates for Joan and her two kids, Joanne and Mike. Edgar Rice Burroughs wrote, "This is the only type of paper money that has been legal tender here since June, 1942. Recently the ban has been lifted, and now we can use any United States money and can also send this money to the Mainland for the first time. Love, Ed." The Hawaii overprint was used so that in the event that Japan took over the islands, it would then be easier to render the cash useless to the enemy. The letter has been matted alongside the three bills and they have been framed to an overall size of 17.5" x 14.5". Aside from being folded to fit in an envelope, the letter and the bills are in Very Good condition.
Shirley Temple at Play #1712 (Saalfield, 1935) Condition: NM-. The ever-lovely young Shirley Temple, in a beautiful 10 1/8" x 12 1/2" story and picture book. The full-color illustrations appear to be a combination of photos of Miss Temple and hand-drawn art, very attractive and life-like.
Shirley Temple - Now I Am Eight (Saalfield, 1937) Condition: VF/NM. Or more correctly nine -- this early bit of Hollywood ballyhoo actually claims young Shirley to have been born in 1929 (with factual-looking birth documents), when every bio of the actress gives a birth date of 1928. At any rate, this a is a beautiful copy, with a great shot of Shirley on the front, and lots of black and white photos inside.
Basil Wolverton Autographed High School Yearbook Group (1926-27). Basil Wolverton, the father of the "spaghetti and meatball school of design" and one of the most beloved cartoonists of the 1940s, '50s, and '60s, began practicing his craft at an early age. He sold his first cartoon, to the American Humor magazine, in 1926, while attending Vancouver High School, in Vancouver, Washington. This interesting lot includes two softbound High School yearbooks from VHS, one from 1926, when Wolverton was Upper Junior Class President, and from Wolverton's senior year, 1927. Both books have been signed by Wolverton, and a wonderful added doodle in blue ink of a wrinkled-nosed dog accompanies Mr. Wolverton's photo in the '27 book. We believe this to be the earliest known example of Basil Wolverton art ever to be offered at auction! Both yearbooks show some wear on the covers, but are intact with nice interior paper quality, and are both in Very Good condition overall. As a bonus, a clipped Li'l Abner strip from 1946 is included -- the famous "Lena the Hyena" contest-winning drawing from Wolverton, which made him a household name overnight!
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842