2009 August Signature Comics & Comic Art Auction
| Sale Number: | 7009 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | August 14th at 1 PM CT through August 15th |
View PDF version of the printed catalog.
(Right-click and "Save Target As..." to save it to your hard drive.)
Session 1
Platinum Age (1897-1937)
Ace Comics #1 (David McKay Publications, 1937) CGC FN 6.0 Cream to off-white pages. One of the important pre-Golden Age comic book issues featured the first appearances of Jungle Jim (with Alex Raymond art), Krazy Kat, Blondie, and Ripley's Believe It Or Not. Overstreet 2009 FN 6.0 value = $972. CGC census 6/09: 1 in 6.0, 4 higher.
Golden Age (1938-1955)
Action Comics #11 (DC, 1939) CGC Apparent VF+ 8.5 Moderate (P) Off-white to white pages. So early that Superman wasn't the cover feature here, and not only that: this is just the fourth Action cover to even mention Superman's name (after #7, 9, and 10)! The folks at National did give this one a rollicking naval cover by Fred Guardineer. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2009 GD 2.0 value = $539; VG 4.0 value = $1,078; FN 6.0 value = $1,617; VF 8.0 value = $3,881.
Adventure Comics #40 (DC, 1939) CGC Apparent VF 8.0 Moderate (P) Cream to off-white pages. One of the ten most valuable comic books according to Overstreet, this issue features the Sandman's debut in this title. Overstreet calls the book "rare," a designation the Guide doesn't often use, and indeed this issue is considered among the hardest to find of the Golden Age keys. The striking cover, showing Sandman doing what he does best, is by Creig Flessel. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2009 GD 2.0 value = $5,000; VG 4.0 value = $10,000; FN 6.0 value = $15,000; VF 8.0 value = $37,500.
Adventure Comics #41 (DC, 1939) CGC FN 6.0 Cream to off-white pages. This issue has just the second Adventure outing for the Sandman. A superbly illustrated shark cover by Leo O'Mealia. Overstreet 2009 FN 6.0 value = $1,749. CGC census 7/09: 1 in 6.0, 3 higher.
Adventure Comics #49 (DC, 1940) CGC VF- 7.5 Off-white pages. This is the second appearance of Hourman (or rather the Hour-Man as he was called early on). Only the Mile High and Lamont Larson copies have been graded higher! Sheldon Moldoff cover art. Overstreet 2009 VF 8.0 value = $1,725. CGC census 6/09: 3 in 7.5, 2 higher.
All-American Comics #1 (DC, 1939) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. First appearance of Hop Harrigan and Red, White and Blue. Statue of Liberty cover by Sheldon Mayer. Overstreet 2009 GD 2.0 value = $706; VG 4.0 value = $1,412; FN 6.0 value = $2,118; VF 8.0 value = $4,236.
All-American Comics #16 (DC, 1940) CGC Apparent VF 8.0 Extensive (P) Cream to off-white pages. Green Lantern's first appearance is one of the five most valuable comic books in the hobby! And this professionally restored copy has excellent eye appeal. Sheldon Moldoff is the cover artist. CGC notes, "Color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2009 GD 2.0 value = $12,000; VG 4.0 value = $24,000; FN 6.0 value = $36,000; VF 8.0 value = $96,000.
All-American Comics #25 (DC, 1941) CGC VG+ 4.5 Cream to off-white pages. The first appearance of Dr. Mid-Nite is a very tough book. We've waited seven long years since the last one crossed our path, and this is the first unrestored copy we've ever offered! The highest-graded copy on CGC's census is a 6.5. This copy has a very attractive front cover without any glaring defect you might associate with a VG+ copy. Overstreet, which calls this book "scarce," refers to this as the first story appearance of Dr. Mid-Nite since he was previewed in a half-page text feature in #24. We could go on about Dr. Mid-Nite all day (all nite?), but this book's also an early Green Lantern appearance, and an issue that pre-dates the likes of Green Lantern #1 and All-Star #8. Overstreet 2009 VG 4.0 value = $1,882. CGC census 6/09: 3 in 4.5, 3 higher.
All-Flash #16 Mile High pedigree (DC, 1944) CGC NM+ 9.6 White pages. Origin and first appearance of The Thinker. E. E. Hibbard cover and art. Overstreet 2009 NM- 9.2 value = $1,125. CGC census 6/09: 2 in 9.6, none higher.
All Select Comics #1 Pennsylvania pedigree (Timely, 1943) CGC NM- 9.2 Off-white to white pages. One of the greatest Golden Age covers is this classic by Alex Schomburg, one of the most acclaimed comic artists of that era. This cover is reprinted in many books about comics, and rightly so. Captain America, the Human Torch, and Sub-Mariner were Timely's big three, and this series was created to give them even more exposure. The black area at the top is often found with chunks missing, or at least a few color breaks, so it's a special moment to see a high-grade copy. This is the best one Heritage has ever offered. CGC notes, "Very minor amount of glue on cover. Very minor amount of color touch on cover." Overstreet 2009 NM- 9.2 value = $26,000. CGC census 6/09: 2 in 9.2, none higher.
All Select Comics #1 (Timely, 1943) CGC VG/FN 5.0 Off-white pages. CGC has certified almost as many restored copies (20) as unrestored (28) of this book, so a blue-label specimen is a welcome sight! This Alex Schomburg cover is among the artist's most memorable, as it's got one of the most dynamic portrayals of the Big Three of Captain America, the Human Torch, and the Sub-Mariner. The fact that they're trashing Hitler's Berghof hideaway doesn't hurt! Overstreet 2009 VG 4.0 value = $2,666; FN 6.0 value = $4,000. CGC census 6/09: 4 in 5.0, 12 higher.
All Star Comics #7 (DC, 1941) CGC VF- 7.5 White pages. Superman and Batman appear together for the first time in a story. This issue has the last Hour Man in this title. E. E. Hibbard provided the wartime cover, as well as interior art, along with Martin Nodell, Bernard Baily, and Sheldon Moldoff. Overstreet 2009 VF 8.0 value = $2,237. CGC census 6/09: 2 in 7.5, 8 higher.
All Star Comics #8 (DC, 1942) CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. Wonder Woman's first appearance is one of the 20 most valuable comic issues! While not mentioned on the cover, the Amazing Amazon debuted right here, and the not inconsequential fact that this is also an early Justice Society comic adds to the desirability. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed." Overstreet 2009 GD 2.0 value = $3,333; VG 4.0 value = $6,666; FN 6.0 value = $10,000; VF 8.0 value = $25,000.
Amazing-Man Comics #5 (Centaur, 1939) CGC Apparent FN+ 6.5 Extensive (P) Cream to off-white pages. This is the first issue of Amazing-Man, and it's called "rare" by Overstreet and Gerber. Most surviving copies are low-grade, so have a look at this professionally restored specimen -- the front cover in particular has excellent eye appeal. Bill Everett is the artist, and note that this book pre-dates Marvel Comics #1! CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2009 GD 2.0 value = $1,440; VG 4.0 value = $2,880; FN 6.0 value = $4,320.
The American Air Forces #2 (Wm. H. Wise & Co., 1944) CGC NM- 9.2 Off-white pages. This Japanese War cover featuring Tojo and Uncle Sam is dubbed a "classic" by Overstreet. We had never seen this book in high grade before -- the cover smudges very easily so we're not surprised this 9.2 is the highest-graded copy! Overstreet 2009 NM- 9.2 value = $440. CGC census 6/09: 1 in 9.2, none higher.
Archie Comics #1 (Archie, 1942) CGC FN/VF 7.0 Off-white pages. This is the highest-graded copy of one of Overstreet's top fifty Golden Age comics. Ranked #37 by Overstreet, it should probably be much higher than that, since any copy we've auctioned sells much higher than the Guide value!
This is considered the first teen comic book by Overstreet. While Archie had appeared in other comics before, they were anthology titles like Pep and Jackpot where he shared space with adventure stories. Also, Archie had never been the sole cover feature of a comic before this! Other key points: this issue has what you might call the "origin" of Veronica -- we learn how Archie read about the blue-blooded Park Avenue debutante-to-be and wrote to invite her to his prom in Riverdale (a more mundane account of their first meeting told in Pep Comics #26 was thankfully forgotten from this point forward). This book also has the very first appearance of Mrs. Andrews, Archie's mother. And of course, it's the first issue of a series that's still going strong in the present day and is now closing in on issue #600.
We were really wowed by this copy when we saw it before it was certified. Most copies you'll find (not that it's easy to find any copy) will have tape, staining, smudging, etc.... not so with this gem.
If the name "Guy Holcombe" handwritten on the cover seems familiar, it's because this is originally from a collection that produced a fair number of key books. Dealer/collector Gary Colabuono, who along with Stephen Fishler purchased the collection in the 1980s, tells us that the collection originally also included "early Golden Age runs of Timelys like Marvel Mystery #2, DCs like Green Lantern #1, and more." Mr. Colabuono also noted that more of these books exist than collectors realize, since the name was often written in a spot where it could be removed (and the collection came out two decades ago when such removal was perhaps more common than in the present day).
Having offered a few lower-grade copies of this issue recently and seen them sell for 2-3 times the Guide value at auction, we expect a very strong result for this copy.
Overstreet 2009 FN 6.0 value = $6,300; VF 8.0 value = $16,000. CGC census 6/09: 1 in 7.0, none higher.
This is considered the first teen comic book by Overstreet. While Archie had appeared in other comics before, they were anthology titles like Pep and Jackpot where he shared space with adventure stories. Also, Archie had never been the sole cover feature of a comic before this! Other key points: this issue has what you might call the "origin" of Veronica -- we learn how Archie read about the blue-blooded Park Avenue debutante-to-be and wrote to invite her to his prom in Riverdale (a more mundane account of their first meeting told in Pep Comics #26 was thankfully forgotten from this point forward). This book also has the very first appearance of Mrs. Andrews, Archie's mother. And of course, it's the first issue of a series that's still going strong in the present day and is now closing in on issue #600.
We were really wowed by this copy when we saw it before it was certified. Most copies you'll find (not that it's easy to find any copy) will have tape, staining, smudging, etc.... not so with this gem.
If the name "Guy Holcombe" handwritten on the cover seems familiar, it's because this is originally from a collection that produced a fair number of key books. Dealer/collector Gary Colabuono, who along with Stephen Fishler purchased the collection in the 1980s, tells us that the collection originally also included "early Golden Age runs of Timelys like Marvel Mystery #2, DCs like Green Lantern #1, and more." Mr. Colabuono also noted that more of these books exist than collectors realize, since the name was often written in a spot where it could be removed (and the collection came out two decades ago when such removal was perhaps more common than in the present day).
Having offered a few lower-grade copies of this issue recently and seen them sell for 2-3 times the Guide value at auction, we expect a very strong result for this copy.
Overstreet 2009 FN 6.0 value = $6,300; VF 8.0 value = $16,000. CGC census 6/09: 1 in 7.0, none higher.
Archie's Pal Jughead #1 (Archie, 1949) CGC VF+ 8.5 Cream to off-white pages. Jughead gets his own title, and the first issue introduces comic readers to Moose. Archie's pal first appeared in Pep #22 some eight years previously, the same issue that had Archie's first appearance. This is as nice a copy as CGC has certified to date. Overstreet 2009 VF 8.0 value = $1,304; VF/NM 9.0 value = $2,202. CGC census 6/09: 2 in 8.5, none higher.
Batman #1 (DC, 1940) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. Sorry Bat-fans, the days when a restored copy of this one could be had fairly cheaply are over! The significance (as the first appearance of both the Joker and Catwoman) of this book is just too great and the cover (by Bob Kane and Jerry Robinson) too famous. This copy has very strong eye appeal -- a comparable unrestored copy would flirt with the $100,000 mark. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed." Overstreet 2009 GD 2.0 value = $9,500; VG 4.0 value = $19,000; FN 6.0 value = $28,500; VF 8.0 value = $67,000.
Batman #6 (DC, 1941) CGC FN/VF 7.0 White pages. Great page quality on this one! Bob Kane and Jerry Robinson cover and art. Overstreet 2009 FN 6.0 value = $1,368; VF 8.0 value = $3,283. CGC census 7/09: 10 in 7.0, 24 higher.
Batman #11 (DC, 1942) CGC FN 6.0 White pages. This original-owner copy hails from the same collection as the Detective #27 in our previous auction. This Joker cover is one of the classics, and it's by Fred Ray and Jerry Robinson. It's also just the third Joker cover ever. Overstreet 2009 FN 6.0 value = $2,250. CGC census 7/09: 4 in 6.0, 24 higher.
Batman #14 (DC, 1943) CGC FN+ 6.5 Cream to off-white pages. Second Penguin cover appearance. Contains the war-time story "Swastika over the White House." Jerry Robinson cover. Robinson, Bob Kane, and Jack Burnley art. Overstreet 2009 FN 6.0 value = $900; VF 8.0 value = $2,040. CGC census 6/09: 8 in 6.5, 19 higher.
Blue Ribbon Comics #19 (MLJ, 1941) CGC NM- 9.2 White pages. Pedigree quality copy of MLJ's first comic book title, featuring Irv Novick story art. There's not another certified copy nicer than VF 8.0! Overstreet 2009 NM- 9.2 value = $1,300. CGC census 6/09: 1 in 9.2, none higher.
Boy Commandos #1 Vancouver pedigree (DC, 1942) CGC NM 9.4 White pages. One of Simon and Kirby's signature features got its own title after appearances in Detective and World's Finest. Overstreet cites the front as a "classic WWII cover." This is tied with the Mile High copy at the top of CGC's census, with no other copy coming closer than VF+ 8.5. Overstreet 2009 NM- 9.2 value = $9,100. CGC census 6/09: 2 in 9.4, none higher.
Brenda Starr V2#3 (Superior, 1948) CGC NM- 9.2 White pages. CGC calls this one a classic cover, and Overstreet suggests the artist is "good girl" renderer deluxe Jack Kamen. CGC hasn't certified a finer copy to date. Overstreet 2009 NM- 9.2 value = $1,000. CGC census 6/09: 2 in 9.2, none higher.
Brenda Starr V2#4 (Superior, 1948) CGC VF+ 8.5 Cream to off-white pages. The Jack Kamen cover is what makes this book highly collectible, and it didn't escape the eye of Seduction of the Innocent author Fredric Wertham, who noted, "The whole scene has nothing to do with medicine and is unmistakably sadistic." Overstreet 2009 VF 8.0 value = $517; VF/NM 9.0 value = $871. CGC census 6/09: 2 in 8.5, 1 higher.
Brenda Starr V2#11 (Superior, 1949) CGC NM 9.4 Off-white pages. It's a "scarce" issue, and no other copy has been awarded a grade this high by CGC to date. Overstreet 2009 NM- 9.2 value = $1,025. CGC census 6/09: 1 in 9.4, none higher.
Bruce Gentry #1 Mile High pedigree (Superior, 1948) CGC NM 9.4 Off-white to white pages. This comic's a steal compared to the prices that are paid for other classic "headlight"-cover issues like Blue Beetle #54 and Phantom Lady #17! And if you want to invest in this undervalued book, there's no better copy to go after than the Mile High. The cover artist hasn't been identified, but his work would do Jack Kamen or Matt Baker proud! Overstreet 2006 NM- 9.2 value = $875. CGC census 7/09: 3 in 9.4, none higher.
Platinum Age (1897-1937)
Buck Rogers in the 25th Century (Kellogg Company, 1933) CGC VF 8.0 White pages. This was the first Buck Rogers radio premium and Buck's first appearance in comics. Featured is a great cover by Dick Calkins, presented here in the highest-graded copy CGC has certified to date. Rare in nice grade? Overstreet doesn't even list a grade nicer than VF 8.0! And this copy comes with the original mailing envelope. Overstreet 2009 VF 8.0 value = $850. CGC census 6/09: 1 in 8.0, none higher.
Golden Age (1938-1955)
Captain America Comics #1 (Timely, 1941) CGC VG- 3.5 Light tan to off-white pages. Joe Simon and Jack Kirby created the perfect hero for a troubled time when the iconic Captain America debuted in this key Golden Age book. A number of similar patriotic-themed characters have followed since, but none have had quite as much impact or staying power. Cap's epic origin is featured, as is that of his sidekick Bucky and arch-nemesis the Red Skull (also making their debuts). Kirby's thrilling cover features Cap punching Adolf Hitler in the kisser -- a very nice entrance! This particular copy has a mouse chew to the upper right edge, but is otherwise a nice copy. Overstreet 2009 VG 4.0 value = $16,400. CGC census 6/09: 5 in 3.5, 30 higher.
Captain America Comics #6 (Timely, 1941) CGC FN 6.0 Cream to off-white pages. We've only offered this issue on a handful of occasions over the past seven years, and not at all for the past six. It's a classic wartime Jack Kirby Cap 'n' Nazis cover, and Kirby also provided interior art, as did Al Gabriele and Al Avison. For those of you who like the action a bit heavier than PG, the issue features hanging panels. CGC notes, "Very minor amount of color touch on cover. (1 piece of tape on interior cover.)" Overstreet 2009 FN 6.0 value = $1,917. CGC census 6/09: 2 in 6.0, 10 higher.
Captain Marvel Adventures #nn (#1) (Fawcett, 1941) CGC VG 4.0 White pages. The famous creative team of Joe Simon and Jack Kirby isn't often associated with Fawcett's leading superhero, but they did work on this premiere issue. C. C. Beck, who is the artist most associated with the character, provided the cover for this issue. The only copy certified by CGC with a higher grade than this offering's scored a barely higher VG/FN 5.0 (offered in our May 2008 auction), and frankly we think this one's nicer, with little evidence of the type of spine and other edge wear normally associated with VG 4.0. And, this copy has superb interior page quality. Overstreet 2009 VG 4.0 value = $5,500. CGC census 6/09: 1 in 4.0, 1 higher.
Captain Marvel Adventures #2 Cosmic Aeroplane pedigree (Fawcett, 1941) CGC FN/VF 7.0 Cream to off-white pages. For an issue that's not considered "scarce" or even "uncommon," it is rare to find one in anything above average condition. Only two copies have been certified nicer than FN 6.0 to date. C. C. Beck provided the cover; George Tuska interior art. Overstreet 2009 FN 6.0 value = $1,269; VF 8.0 value = $2,876. CGC census 6/09: 1 in 7.0, 1 higher.
Captain Marvel Adventures #28 Pennsylvania pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white pages. Only copy certified nicer than NM- 9.2 to date. C. C. Beck cover and interior art. Overstreet 2009 NM- 9.2 value = $825. CGC census 6/09: 1 in 9.6, none higher.
Cheerios Premiums #Y1 Donald Duck's Atom Bomb (Walt Disney Productions, 1947) CGC NM 9.4 White pages. That Disney banned the reprinting of this story for many years just adds to its allure -- a Near Mint copy even more so! Plus it's accompanied by the original mailing envelope. Featured are the nephews, Huey, Dewey, and Louie, with Carl Barks interior art and a cover by Carl Buettner. Overstreet 2009 NM- 9.2 value = $1,275. CGC census 6/09: 3 in 9.4, 4 higher.
Classic Comics #1 The Three Musketeers - Original edition (Gilberton, 1941) CGC FN/VF 7.0 Off-white pages. First edition of the first issue of the long-running series, featuring cover and interior art by Malcolm Kildale. Overstreet 2009 FN 6.0 value = $1,332; VF 8.0 value = $3,197. CGC census 6/09: 4 in 7.0, 6 higher.
Columbia Comics #1 Mile High pedigree (Wise Publications, 1943) CGC NM- 9.2 Off-white to white pages. Finest copy known of this one-shot featuring Dixie Dugan, Sparky Watts, Charlie Chan, Captain Yank, and others. Overstreet 2009 NM- 9.2 value = $345. CGC census 6/09: 1 in 9.2, none higher.
Crime Detective Comics #1 Mile High Pedigree (Hillman Publications, 1948) CGC NM+ 9.6 Off-white pages. One of the few covers (if not the only one?) ever to show the notorious "cement overshoes!" A gorgeous Mile High copy with not even a hint of a dust shadow or the like. Bob Fujitani cover and art. Overstreet 2009 NM- 9.2 value = $385. CGC census 6/09: 1 in 9.6, none higher.
Crime Mysteries #3 Mile High pedigree (Ribage Publishing, 1952) CGC NM- 9.2 Off-white to white pages. A horror-tinged cover on the outside is joined by Frank Frazetta art (one page) and hanging panels on the inside! The only copy graded above 7.0 by CGC to date. Overstreet 2009 NM- 9.2 value = $480. CGC census 6/09: 1 in 9.2, none higher.
Crime SuspenStories #4 Gaines File pedigree 5/11 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. The great cover is by Jack Davis, who also contributed interior art along with Johnny Craig, Jack Kamen, and Graham Ingels. Craig, Al Feldstein, and William C. Gaines provided story scripts. Overstreet 2009 NM- 9.2 value = $725. CGC census 6/09: 3 in 9.6, 4 higher.
Crime SuspenStories #12 Gaines File pedigree 8/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. The Old Witch crosses over from her Haunt of Fear home to make an appearance in this issue which features stories by Johnny Craig, William C. Gaines, and Al Feldstein. Craig cover and interior art by Craig, Graham Ingels, and Jack Davis. Overstreet 2009 NM- 9.2 value = $485. CGC census 6/09: 4 in 9.6, 1 higher.
Crypt of Terror #19 Gaines File pedigree 7/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Here's a spectacular copy of the last issue before the name change to Tales From The Crypt. Johnny Craig gives us a great zombie cover; Craig, Al Feldstein, and Graham Ingels provide the artistic chills inside. Overstreet 2008 NM- 9.2 value = $2,900. CGC census 7/09: 6 in 9.6, 2 higher.
Daredevil Comics #1 (Lev Gleason, 1941) CGC Apparent FN+ 6.5 Moderate (P) Off-white to white pages. The first issue of the long-running series (1941-56) was titled Daredevil Battles Hitler, and it's one of the iconic covers of the Golden Age, with its photo appearance of der Führer interjected into artists Bob Wood/Charles Biro's busy cover that featured Daredevil, the Silver Streak, and the arch-villain the Claw. CGC notes, "Restoration includes: piece added, reinforced, re-glossed, staples cleaned. (Right edge trimmed)." Overstreet 2009 GD 2.0 value = $1,216; VG 4.0 value = $2,432; FN 6.0 value = $3,648.
Daredevil Comics #12 Mile High pedigree (Lev Gleason, 1942) CGC NM/MT 9.8 Off-white to white pages. The origin of the villainous Claw is retold, and the first installment of the Scoop Scuttle backup feature by Basil Wolverton is a highlight. The cover is by Charles Biro. A stunning copy from the legendary pedigree. Overstreet 2009 NM- 9.2 value = $1,975. CGC census 6/09: 1 in 9.8, none higher.
Dark Mysteries #19 (Master Publications, 1954) CGC VF/NM 9.0 Cream to off-white pages. Bondage and torture (by skeletons!) are featured on the cover, and this issue also had one of the dreaded injury-to-eye panels. Overstreet 2009 VF/NM 9.0 value = $507; NM- 9.2 value = $710. CGC census 6/09: 2 in 9.0, 2 higher.
Dell Giant Comics - Peter Pan Treasure Chest #1 (Dell, 1953) CGC VF- 7.5 Off-white to white pages. Thanks to the new, thicker holders CGC just came out with, this 212-page whopper can finally be certified! And 7.5 is a great grade for this book -- we've never graded a copy higher than FN/VF. Not only is this the thickest Dell Giant, inside there are all sorts of pages meant to be cut out, colored, etc... not something conducive to copies surviving intact. And this is probably the toughest Dell Giant to find, undoubtedly owing to the 50-cent cover price (the price of five regular comics or two regular Dell Giants), which would have really taxed a kid's allowance in 1953! Overstreet 2009 VF 8.0 value = $904. CGC census 6/09: 1 in 7.5, none higher.
Detective Comics #59 (DC, 1942) CGC VF 8.0 White pages. Bob Kane and Jerry Robinson combined for the cover art on this issue, which featured the second appearance of the Penguin. Overstreet 2009 VF 8.0 value = $1,216. CGC census 6/09: 5 in 8.0, 3 higher.
Detective Comics #85 (DC, 1944) CGC VF+ 8.5 Cream to off-white pages. Joker covers for this title are always in high demand, and this issue's double Joker cover by Dick Sprang is especially enticing. Sprang also provided interior art, as did other noted Golden Age greats Jack Kirby, Jerry Robinson, George Roussos, and Martin Naydel. Overstreet 2009 VF 8.0 value = $926; VF/NM 9.0 value = $1,563. CGC census 6/09: 3 in 8.5, 3 higher.
Famous Funnies #210 Signature Series (Eastern Color, 1954) CGC NM+ 9.6 Off-white pages. Frank Frazetta's signature is a fantastic bonus, but this is also the nicest copy of the issue we've ever offered! CGC notes, "Signed by Frank Frazetta on 11/23/08." The few Buck Rogers covers Frazetta drew for this series are generally acclaimed as some of the best comic covers ever drawn. Overstreet 2009 NM- 9.2 value = $1,760. CGC census 6/09: (for Signature Series): 1 in 9.6, none higher; (for Universal grades) 1 in 9.6, none higher.
Famous Funnies #211 Signature Series (Eastern Color, 1954) CGC FN/VF 7.0 Cream to off-white pages. Frank Frazetta himself signed the cover of this one -- if that doesn't excite you, you're reading the wrong catalog! The cover art, portraying Buck Rogers as a real man's man, is a Frazetta classic. CGC notes, "Signed by Frank Frazetta on 1/11/09." Overstreet 2009 FN 6.0 value = $351; VF 8.0 value = $737. CGC census 7/09: (for Signature series) 1 in 7.0, 3 higher; (for Universal grades) 3 in 7.0, 24 higher.
Fight Against Crime #20 (Story Comics, 1954) CGC VF- 7.5 Off-white to white pages. One of the most notorious comic covers of all time is this decapitation cover. Inside: a hanging, an ax murder, blood, and violence. A pre-Code book worth losing your head over! Overstreet 2009 VF 8.0 value = $410. CGC census 6/09: 2 in 7.5, none higher.
Flaming Western Romances #3 Mile High pedigree (Star, 1950) CGC NM 9.4 Off-white to white pages. The only issue of the series after a title change from Target Western Romances. In addition to the best title this side of Giant-Size Man-Thing, this book has a great, eye-catching L. B. Cole cover. Overstreet 2009 NM- 9.2 value = $480. CGC census 6/09: 1 in 9.4, none higher.
Flash Comics #19 (DC, 1941) CGC VF 8.0 Cream to off-white pages. Hawkman battles the Hood, the first super-villain to appear in this title. Sheldon Moldoff cover. Moldoff and E. E. Hibbard art. Overstreet 2009 VF 8.0 value = $1,386. CGC census 6/09: 2 in 8.0, 3 higher.
Flash Comics #34 San Francisco pedigree (DC, 1942) CGC NM- 9.2 White pages. The only copy to be certified nicer than VF- 7.5 by CGC to date. E. E. Hibbard provided the cover and interior art. Overstreet 2009 NM- 9.2 value = $1,675. CGC census 6/09: 1 in 9.2, none higher.
Flash Comics #56 San Francisco pedigree (DC, 1944) CGC NM- 9.2 Off-white to white pages. This is also the only issue of any mainstream DC series to be a Gerber "white space," i.e. the author of the Photo-Journal could not find one copy in eight years of looking. Matt Nelson noted some years ago that the book is "nearly impossible to obtain in decent grade." Of course, you can go way beyond "decent" by securing the San Francisco copy -- it's fantastic, and looking at the slab from the side we're surprised this book didn't get the "white pages" designation. Martin Naydel (not Nodell) is the cover artist. Overstreet 2009 NM- 9.2 value = $1,275. CGC census 6/09: 2 in 9.2, 1 higher.
Flash Comics #69 Mile High pedigree (DC, 1946) CGC NM 9.4 Off-white to white pages. This is the only copy graded above 8.5 by CGC to date! Mile High copies are the best Golden Age books around -- even the Three Dimwits know that! E. E. Hibbard cover art. Overstreet 2009 NM- 9.2 value = $1,125. CGC census 6/09: 1 in 9.4, none higher.
Flash Comics #71 Mile High pedigree (DC, 1946) CGC NM- 9.2 White pages. Definitive Hawkman artist Joe Kubert drew the Winged Wonder both on the cover and inside the comic. Also appearing in the issue are the Flash (drawn by E. E. Hibbard) and Johnny Thunder (by Stan Aschmeier). Overstreet 2009 NM- 9.2 value = $1,175. CGC census 6/09: 3 in 9.2, 2 higher.
Four Color (Series One) #2 Don Winslow of the Navy - Mile High pedigree (Dell, 1939) CGC NM 9.4 Off-white to white pages. Not just the highest-graded copy on CGC's census, this is the only high-grade copy of the book we've ever seen! The condition is really a sight to behold. The issue is considered "rare" by Overstreet. Overstreet 2009 NM- 9.2 value = $2,800. CGC census 6/09: 1 in 9.4, none higher.
Four Color (Series One) #4 Donald Duck - Davis Crippen ("D" Copy) pedigree (Dell, 1940) CGC FN- 5.5 Cream to off-white pages. This early Donald Duck appearance, drawn by Al Taliaferro, is on Overstreet's list of the 100 most valuable Golden Age comics. Note that the only copy graded higher is just a half-grade higher at 6.0. Overstreet notes, "prices vary widely on this book," and in our experience the variation has all been in one direction, namely upward. Overstreet 2009 FN 6.0 value = $3,450. CGC census 6/09: 5 in 5.5, 1 higher.
Four Color #49 Snow White and the Seven Dwarfs (Dell, 1944) CGC NM 9.4 Off-white pages. Walt Disney's first feature-film star shines in this lovely comic book, which includes artistic contributions from Walt Kelly, Hank Porter, and Bob Grant. Dumbo the Flying Elephant also joins in the fun. This one is a real knockout, as pretty as sweet Snow herself! It's currently the highest CGC-graded copy of this issue. Overstreet 2009 NM- 9.2 value = $1,100. CGC census 7/09: 2 in 9.4, none higher.
Four Color #108 Donald Duck (Dell, 1946) CGC VF 8.0 Off-white to white pages. Donald Duck in "The Terror of the River", with the story and art by Carl Barks, and a cover by Carl Von Buettner. Overstreet 2009 VF 8.0 value = $1,304. CGC census 6/09: 8 in 8.0, 15 higher.
Four Color #147 Donald Duck (Dell, 1947) CGC VF+ 8.5 Off-white pages. Carl Barks story and art. Carl Von Buettner cover. Overstreet 2009 VF 8.0 value = $816; VF/NM 9.0 value = $1,508. CGC census 6/09: 7 in 8.5, 9 higher.
Fox and the Crow #1 (DC, 1951) CGC VF/NM 9.0 Cream to off-white pages. Recent CGC graduate scored the highest grade yet for this key DC humor issue. Overstreet 2009 VF/NM 9.0 value = $1,249; NM- 9.2 value = $1,760. CGC census 6/09: 1 in 9.0, none higher.
Platinum Age (1897-1937)
Funnies on Parade #nn (Eastern Color, 1933) CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. This is the first comic book ever published, and the print run was a mere 10,000! It was a giveaway book, produced for Procter and Gamble, and was sent for free to customers who clipped coupons from the company's products -- charging a dime for this new form of entertainment wouldn't come until later. Ernst Gerber gave this book a scarcity rating of "8" in his Photo-Journal. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2009 GD 2.0 value = $1,000; VG 4.0 value = $2,000; FN 6.0 value = $3,000; VF 8.0 value = $6,000.
Golden Age (1938-1955)
Green Lantern #1 (DC, 1941) CGC Apparent VF 8.0 Moderate (P) Cream pages. A little over a year after first appearing in All-American Comics #16 (a copy of which can be found on a preceding page) Green Lantern got his own title comic, and Howard Purcell commemorated the occasion with a classic cover! CGC notes, "Restoration includes: Color touch, pieces added, spine/centerfold reinforced." Overstreet 2009 GD 2.0 value = $3,000; VG 4.0 value = $6,000; FN 6.0 value = $9,000; VF 8.0 value = $22,000.
Green Lantern #1 (DC, 1941) CGC Apparent FN 6.0 Extensive (P) White pages. This is one of the top 25 Golden Age books according to Overstreet. This classic character finally got his own book here after proving himself in the pages of All-American Comics. Howard Purcell is the cover artist. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, re-glossed. (All 3 edges trimmed)." Overstreet 2009 GD 2.0 value = $3,000; VG 4.0 value = $6,000; FN 6.0 value = $9,000.
Green Lantern #20 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Like many of the early issues of this Golden Age series, high-grade copies are not in plentiful supply. It's rated "uncommon" by The Photo-Journal Guide to Comic Books. Martin Nodell art is featured. Overstreet 2009 VF/NM 9.0 value = $1,404; NM- 9.2 value = $1,975. CGC census 6/09: 2 in 9.0, 1 higher.
Haunt of Fear #18 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Artist Graham Ingels created four "classic" covers between issue #11 and 17, and it's not clear why this wasn't a fifth! George Evans, Jack Kamen, and Jack Davis also contributed interior art for this issue. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2009 NM- 9.2 value = $625. CGC census 6/09: 4 in 9.6, 3 higher.
Hopalong Cassidy #1 Denver pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white pages. Ranked as the second most valuable Western comic by Overstreet, behind only Gene Autry #1. As was typical of all first Fawcett editions, Captain Marvel put in a cover appearance to welcome Hopalong and his horse Topper, who would begin a ten-year run with the publisher before moving to DC Comics in 1954. Overstreet 2009 VF/NM 9.0 value = $5,880; NM- 9.2 value = $8,400. CGC census 7/09: 2 in 9.0, 2 higher.
Horrific #3 Bethlehem pedigree (Comic Media, 1953) CGC VF 8.0 Off-white pages. This "bullet in the head" cover is one of the most striking of all time... amazingly, it's by Don Heck! Just the third copy of this issue we've ever offered. Overstreet 2009 VF 8.0 value = $410. CGC census 6/09: 1 in 8.0, 1 higher.
Jackie Robinson #2 (Fawcett, 1950) CGC NM 9.4 Off-white pages. No other copy has scored better than VF/NM 9.0 from CGC to date. Overstreet 2009 NM- 9.2 value = $800. CGC census 6/09: 1 in 9.4, none higher.
Kid Eternity #1 Mile High pedigree (Quality, 1946) CGC NM 9.4 White pages. After appearing in Hit Comics for the previous four years, Kid Eternity finally gets his own title. This gorgeous copy ranks at the top of CGC's current census for the first issue. Overstreet 2009 NM- 9.2 value = $1,500. CGC census 6/09: 2 in 9.4, none higher.
Little Lotta #1 File Copy (Harvey, 1955) CGC VF/NM 9.0 Cream to off-white pages. One of the "biggies" in Harvey lore... and the comic's notable, too! Richie Rich appears (five years before he got his own book), as does Little Dot. Overstreet 2009 VF/NM 9.0 value = $514; NM- 9.2 value = $750. CGC census 6/09: 2 in 9.0, none higher.
Lone Ranger #2 (Dell, 1948) CGC NM+ 9.6 Off-white to white pages. The only copy of this issue graded above 9.0, this is by far the best one we've ever offered! The clean cover is beautiful to behold. This copy's probably a unique opportunity, so put aside some cash or call a loan arranger! Overstreet 2009 NM- 9.2 value = $525. CGC census 7/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #13 (Dell, 1942) CGC NM+ 9.6 Cream to off-white pages. We've never offered a finer copy of this issue to date. It's a beauty! Overstreet 2009 NM- 9.2 value = $825. CGC census 6/09: 1 in 9.6, none higher.
Looney Tunes and Merrie Melodies Comics #22 (Dell, 1943) CGC NM 9.4 Off-white pages. This issue features a Pat, Patsy and Pete story by Walt Kelly. Overstreet 2009 NM- 9.2 value = $685. CGC census 6/09: 1 in 9.4, none higher.
Looney Tunes and Merrie Melodies Comics #23 (Dell, 1943) CGC NM+ 9.6 Cream to off-white pages. This book boasts interior art by Walt Kelly. Overstreet 2009 NM- 9.2 value = $685. CGC census 6/09: 2 in 9.6, none higher.
Mad #1 (EC, 1952) CGC FN+ 6.5 Cream to off-white pages. If your experience with Mad is limited to the black and white magazine with the Alfred E. Neuman covers (and that would cover roughly the past 34 years), your literary education is incomplete. Mad started as a comic book, and, believe it or not, was zanier, and even more outrageous than its successor magazine format. The genius of Harvey Kurtzman, Bill Elder, Jack Davis, and Wally Wood was on display most every issue from the first through the 23rd. This is a really nice looking copy, especially from the front where it presents as FN/VF or better. Overstreet 2009 FN 6.0 value = $1,242; VF 8.0 value = $3,312. CGC census 6/09: 13 in 6.5, 56 higher.
March of Comics #41 Donald Duck - File Copy (K. K. Publications, Inc., 1949) CGC NM- 9.2 Off-white to white pages. This is the best copy we've ever offered of this highly sought-after Carl Barks duck book. Being a file copy, this one has a blank space on the back cover, where most circulated copies have an ad for a shoe store or the like. Donald, the nephews, and Uncle Scrooge star in "Race to the South Seas" by Barks. Walt Kelly did the cover. Overstreet 2009 NM- 9.2 value = $5,200. CGC census 6/09: 2 in 9.2, none higher.
Marvel Mystery Comics #2 Larson pedigree (Timely, 1939) CGC VF/NM 9.0 Off-white to white pages. The second issue of the series that started it all for Timely/Atlas/Marvel is "rare" according to Overstreet, scarcer than the more famous Marvel Comics #1. Its scarcity is illustrated by the fact that over the years we've offered unrestored copies of Marvel Comics #1 on more than twice as many occasions as this issue. And what a copy this pedigree specimen is! It's tied with one other with the highest grade yet certified by CGC, and up close it makes an argument for an even higher grading. Carl Burgos, Bill Everett, and Paul Gustavson render the superheroes with whom they're most often associated: Human Torch, Sub-Mariner, and Angel respectively. Claire Moe provided the great cover. Overstreet 2009 VF/NM 9.0 value = $41,250; NM- 9.2 value = $60,000. CGC census 7/09: 3 in 9.0, none higher.
Marvel Mystery Comics #2 (Timely, 1939) CGC VG 4.0 Off-white to white pages. This issue is one of the 30 most valuable comic books according to Overstreet, and unrestored copies are very tough to come by. This is an original-owner copy, from the same collection that produced the Detective #27 that was in our May sale. Marvel Comics was retitled Marvel Mystery Comics starting with this issue. You can tell it's an early issue by the fact that the Angel got the cover -- at this point it wasn't clear that the Human Torch and the Sub-Mariner would be the breakout stars. The cover art has been credited to Claire Moe. Overstreet 2009 VG 4.0 value = $6,000. CGC census 7/09: 1 in 4.0, 6 higher.
Marvel Mystery Comics #3 (Timely, 1940) CGC VG/FN 5.0 Off-white to white pages. How tough is it to find unrestored copies of this book? Well, there are so few higher-graded ones that Mordecai "Three-Finger" Brown could count them off on one hand! This copy presents very well, it's an original-owner copy from the same collection as the #2 we're offering in this sale. The cover, featuring the elegant Angel, is Alex Schomburg's first Marvel Mystery cover. Overstreet 2009 VG 4.0 value = $3,350; FN 6.0 value = $5,025. CGC census 7/09: 2 in 5.0, 3 higher.
Marvel Mystery Comics #8 Recil Macon pedigree (Timely, 1940) CGC VF- 7.5 Off-white pages. The eye appeal of this copy is much stronger than the 7.5 grade would indicate -- see for yourself! We think this looks nicer than the higher-graded Lamont Larson copy we auctioned previously. This is certainly a significant issue since it has the first superhero crossover battle in comics, that being the Human Torch versus Sub-Mariner fight that raged through issues #9 and #10 as well. Cover art by Alex Schomburg and Bill Everett. The Recil Macon pedigree is not as well-known as some (and CGC had only certified a total of 23 Recil Macon copies last we heard) but the quality of this copy should make more collectors sit up and take notice. Overstreet 2009 VF 8.0 value = $8,500. CGC census 6/09: 2 in 7.5, 5 higher.
Marvel Mystery Comics #78 (Timely, 1946) CGC VF/NM 9.0 Off-white pages. Syd Shores is credited with the cover art featuring the Human Torch and Toro. Overstreet 2009 VF/NM 9.0 value = $1,350; NM- 9.2 value = $1,900. CGC census 6/09: 1 in 9.0, 2 higher.
Mickey Mouse Magazine V3#4 File Copy (K. K. Publications, Inc., 1938) CGC VF/NM 9.0 Cream to off-white pages. Before the movie "Snow White" was released, this issue was on the newsstands, beginning a serial featuring the character. This one's got a delightful New Year's cover ringing in 1938! Overstreet 2009 VF/NM 9.0 value = $913; NM- 9.2 value = $1,275. CGC census 6/09: 1 in 9.0, none higher.
Mickey Mouse Magazine V5#12 File Copy (K. K. Publications, Inc., 1940) CGC VF 8.0 Cream to off-white pages. The most valuable issue of the series except for #1, this final issue of the title was a "transition issue" with content more similar to Walt Disney's Comics and Stories (which would replace this series as of the following month) than to the previous issues of this magazine. We had only ever offered rough copies of V5#12 (none graded higher than GD+ but still selling for hundreds of dollars), so we expect a lot from this high-grade specimen. Overstreet 2009 VF 8.0 value = $3,200. CGC census 6/09: 1 in 8.0, none higher.
Platinum Age (1897-1937)
More Fun Comics #25 (DC, 1937) CGC FN/VF 7.0 Cream to off-white pages. Like most of the pre-1940 issues of DC's first comic series (it started as New Fun Comics way back in 1935), this one's a tough find in this grade. Vincent Sullivan is the cover artist. We've seen that "HG" cover stamp before, it was on the highest-graded copy of the key Adventure Comics #40! Overstreet 2009 FN 6.0 value = $828; VF 8.0 value = $1,518. CGC census 6/09: 1 in 7.0, 1 higher.
Golden Age (1938-1955)
New Comics #9 Lost Valley pedigree (DC, 1936) CGC VG/FN 5.0 Off-white pages. Joe Shuster (pre-Superman) and Creig Flessel supplied the art for this very early DC offering, with a cover by Whitney Ellsworth. Gerber considers the book "scarce"; Overstreet notes that issues #1-6 of the title are rarely found in mint condition, and doesn't list guide values for grades higher than VF 8.0 for any of the 11 issues of the title. Overstreet 2009 VG 4.0 value = $1,186; FN 6.0 value = $1,779. CGC census 7/09: 1 in 5.0, 4 higher.
New Funnies #76 (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. The most valuable issue of this title has Carl Barks providing an Andy Panda in the real world story. Woody Woodpecker crossovers in Oswald stories end in this issue. Overstreet 2009 VF/NM 9.0 value = $1,186; NM- 9.2 value = $1,750. CGC census 6/09: 1 in 9.0, 1 higher.
New York World's Fair Comics 1939 (DC, 1939) CGC VG- 3.5 Off-white to white pages. The first published appearance of the Sandman was in this early DC, a book that pre-dates the likes of Detective #27 and More Fun #52. You'll notice the 15¢ sticker on the cover -- this book sold poorly at its original 25-cent price and was therefore marked down, with mail-order customers who paid the higher amount receiving a free Superman #1 or #2 (gasp, choke, wheeze) to make up the difference. CGC notes, "Cover re-attached with 2 long pieces of tape on interior cover." Overstreet 2009 VG 4.0 value = $3,400. CGC census 6/09: 1 in 3.5, 20 higher.
New York World's Fair Comics 1940 (DC, 1940) CGC FN- 5.5 Cream to off-white pages. The issue's cover was the first time Superman, Batman, and Robin all appeared together in one scene, and according to cover artist Jack Burnley, it's the first time those characters were ever drawn by somebody other than their creators! It's also the first published comic book work by Burnley. The likes of Hourman, Johnny Thunder(bolt) and the Sandman also appear. Overstreet 2009 FN 6.0 value = $2,766. CGC census 6/09: 3 in 5.5, 11 higher.
Our Gang Comics #8 File Copy (Dell, 1943) CGC NM- 9.2 Cream to off-white pages. Walt Kelly cover and story art. Benny Burro by Carl Barks begins. CGC notes, "Very minor amount of color touch on cover." Overstreet 2009 NM- 9.2 value = $950. CGC census 6/09: 1 in 9.2, 1 higher.
Our Gang Comics #11 File Copy (Dell, 1944) CGC NM+ 9.6 Off-white pages. First appearance of Barney Bear and Benny Burro by Carl Barks. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $800. CGC census 6/09: 1 in 9.6, none higher.
Police Comics #39 Mile High pedigree (Quality, 1945) CGC NM/MT 9.8 White pages. A Golden Age 9.8 is always a big deal, and this book is perfect! We had seen a few 9.4 Police Mile Highs, and even a 9.6 or two, but this tops all of 'em. Jack Cole cover art. Overstreet 2009 NM- 9.2 value = $750. CGC census 6/09: 1 in 9.8, none higher.
Red Raven Comics #1 (Timely, 1940) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. One of Overstreet's top 100 Golden Age books, this marked the first time the name "Jack Kirby" was signed to a comic (the artist, whose real name was Jacob Kurtzberg, had previously used other pseudonyms). This was just Timely's fourth title, trailing only Marvel (Mystery), Daring Mystery, and Mystic... and there never was a second issue of Red Raven. Most surviving copies of this book have restoration of some kind. When Heritage previously offered this copy in 2002, it was certified 8.0 and as a Kansas City pedigree copy; CGC chose to drop the "Kansas City" certification when the book was re-submitted. A very tough Timely! Cover art by Kirby. Overstreet 2009 GD 2.0 value = $1,185; VG 4.0 value = $2,370; FN 6.0 value = $3,555; VF 8.0 value = $8,900.
Spotlight Comics #nn Ashcan (Country Press, Inc., 1940) Condition: NM. Rare ashcan, not distributed to newsstands, intended for in-house use only. Overstreet notes that a copy sold in 2006 for $2,225, but does not list values by grade.
Spy Smasher #1 Crowley Copy pedigree (Fawcett, 1941) CGC FN+ 6.5 Cream to off-white pages. Fawcett made good use of silver ink covers like this one from the premiere issue of the title, but high grade copies are few in existence. Overstreet 2009 FN 6.0 value = $987; VF 8.0 value = $2,237. CGC census 6/09: 3 in 6.5, 6 higher.
Star Spangled Comics #7 (DC, 1942) CGC FN/VF 7.0 Off-white pages. Note how few copies of this one have been graded higher! It's the first appearance of Simon and Kirby's Newsboy Legion as well as their good-guy superhero pal the Guardian. Further shaking up this series (heretofore a Star-Spangled Kid vehicle) were the debuts of TNT and Dan the Dyna-Mite, as well as Robotman (not the Doom Patrol guy, but a character who enjoyed a long run in this series and later appeared in the All-Star Squadron). The cover art is by kinetic Kirby and sizzlin' Simon! Overstreet 2009 FN 6.0 value = $2,001; VF 8.0 value = $4,802. CGC census 6/09: 1 in 7.0, 4 higher.
Sub-Mariner Comics #3 (Timely, 1941) CGC FN/VF 7.0 Light tan to off-white pages. Winston Churchill assassination cover by Alex Schomburg. Overstreet 2009 FN 6.0 value = $1,371; VF 8.0 value = $3,200. CGC census 6/09: 3 in 7.0, 3 higher.
Super Comics #30 File Copy (Dell, 1940) CGC NM- 9.2 Off-white pages. Errol Flynn shot to stardom in the swashbuckling epic movie The Sea Hawk, directed by Michael Curtiz and co-starring Olivia de Havilland and Basil Rathbone. The flick is adapted in this issue, which also features the usual array of strip reprints led by Dick Tracy. Overstreet 2009 NM- 9.2 value = $470. CGC census 6/09: 1 in 9.2, 1 higher.
Superman #1 (DC, 1939) CGC GD/VG 3.0 Off-white pages. It's the nicest copy of the Golden Age blockbuster that we've offered in more than two years! There are just not that many copies available in nice grades. Soon after Superman's debut in Action Comics #1, it was apparent that one title for the Man of Tomorrow wasn't enough. So, barely a year later, DC gave him his own title. Today, the premiere issue is ranked fourth on Overstreet's Top 100 Golden Age Books list, and on pace to move into the third position within a few years. The creative team of writer Jerry Siegel and artist Joe Shuster built on their success with this new title, leaving no doubt about which superhero is the world's greatest, then and still. CGC notes, "Very minor amount of color touch on cover. Very minor amount of glue on cover. (Cover re-attached with 2 pieces of tape)." Overstreet 2009 GD 2.0 value = $25,000; VG 4.0 value = $50,000. CGC census 6/09: 3 in 3.0, 11 higher.
Superman #1 (DC, 1939) CGC Apparent VG+ 4.5 Moderate (P) Cream to off-white pages. One of the top five comic issues in the hobby, this is also one of the most significant comics of all time. It's the first time that a character created for comic books was given his own series!
The cover by Joe Shuster is a famous image, and the back cover pin-up is the first one in the history of comics. That pinup is also a big reason why this book is so difficult to find intact -- kids couldn't resist cutting out the pinup to put on their walls.
Restored copies of the key books have been in much stronger demand the past year or two, and we expect that will be no different when this lot comes up. CGC notes, "Restoration includes: color touch, tear seals, pieces replaced, reinforcement." Overstreet 2009 GD 2.0 value = $25,000; VG 4.0 value = $50,000.
The cover by Joe Shuster is a famous image, and the back cover pin-up is the first one in the history of comics. That pinup is also a big reason why this book is so difficult to find intact -- kids couldn't resist cutting out the pinup to put on their walls.
Restored copies of the key books have been in much stronger demand the past year or two, and we expect that will be no different when this lot comes up. CGC notes, "Restoration includes: color touch, tear seals, pieces replaced, reinforcement." Overstreet 2009 GD 2.0 value = $25,000; VG 4.0 value = $50,000.
Superman #24 Cookeville pedigree (DC, 1943) CGC FN/VF 7.0 Off-white to white pages. A classic flag cover by Jack Burnley! Overstreet 2009 FN 6.0 value = $744; VF 8.0 value = $1,550. CGC census 6/09: 5 in 7.0, 9 higher.
Superman #53 (DC, 1948) CGC VF 8.0 Off-white pages. One of the "hot" issues of the famed title - it's the tenth anniversary issue, featuring a retelling of Superman's origin, and embellished by a classic cover by Wayne Boring. It's consistently bringing better-than-Guide prices, especially in grades this nice, which, incidentally, isn't all that common. And of the six copies certified to date by CGC with a higher grade, just one of those fared better than VF/NM 9.0. The point is, for issue #53, it doesn't get much better than this. CGC notes, "Small stain on first three pages." Overstreet 2009 VF 8.0 value = $1,981. CGC census 6/09: 3 in 8.0, 6 higher.
Tales of Terror Annual #3 Williamsport pedigree (EC, 1953) CGC VF/NM 9.0 Cream to off-white pages. Vault-Keeper, Crypt-Keeper, and Old Witch bondage/torture cover by Al Feldstein. Square bound. Overstreet 2009 VF/NM 9.0 value = $2,048; NM- 9.2 value = $2,700. CGC census 6/09: 5 in 9.0, 3 higher.
Terrific Comics #5 (Continental Magazines, 1944) CGC GD+ 2.5 Off-white to white pages. Alex Schomburg renders an incredible bondage cover that rivals his notorious Suspense Comics #3. The interior art is by L. B. Cole and Bob Fujitani. Gerber rates this issue's scarcity an "8" or "rare", and that matches our experience, having offered a copy of the issue on just four previous occasions over the past seven (nearly eight) years, and not at all in the past three! Overstreet 2009 GD 2.0 value = $750. CGC census 6/09: 1 in 2.5, 7 higher.
Terry-Toons Comics #1 (Timely, 1942) CGC VF 8.0 Off-white to white pages. Overstreet "scarce" issue features characters that first appeared on the movie screen. Gandy Goose and Sourpuss begin. Overstreet 2009 VF 8.0 value = $1,216. CGC census 6/09: 1 in 8.0, 2 higher.
The Thing! #7 Northford pedigree (Charlton, 1953) CGC VF/NM 9.0 Off-white to white pages. One of the most unusual and horrifying images ever to grace a comic book. Overstreet mentions that the "injury to eye" theme is carried over to an inside panel. Before we totally "creep you out," let us take a moment to observe the condition of this copy: it's terrific, with a ton of cover gloss. Cover art by Lou Morales. Overstreet 2009 VF/NM 9.0 value = $746; NM- 9.2 value = $1,050. CGC census 6/09: 1 in 9.0, 1 higher.
Tomb of Terror #15 (Harvey, 1954) CGC VF+ 8.5 Cream to off-white pages. Showing an exploding face is further than even some horror publishers were willing to go, and we bet your friends will be shocked to see this one was published by that wholesome publisher of harmless kiddie fare (in later years anyway), Harvey! A classic cover. Overstreet 2009 VF 8.0 value = $630; VF/NM 9.0 value = $1,065. CGC census 6/09: 3 in 8.5, 10 higher.
Top-Notch Comics #6 San Francisco pedigree (MLJ, 1940) CGC VF+ 8.5 Off-white to white pages. Early issue of one of MLJ's first titles has an Edd Ashe cover and interior stories drawn by Ashe, Irv Novick, and Mort Meskin. Overstreet 2009 VF 8.0 value = $693; VF/NM 9.0 value = $1,172. CGC census 6/09: 1 in 8.5, 1 higher.
Tough Kid Squad Comics #1 Kansas City pedigree (Timely, 1942) CGC VF 8.0 Cream to off-white pages. "Highly prized due to its rarity" is how Overstreet once described this one-shot, and the Guide still gives it a "scarce" rating today, with Gerber using the same term. The cover art appears to be the work of Syd Shores. Note the low number of higher-graded copies, Timely fans! Overstreet 2009 VF 8.0 value = $6,761. CGC census 6/09: 1 in 8.0, 1 higher.
Uncle Scrooge #4 (Dell, 1953) CGC NM+ 9.6 Off-white to white pages. The first issue of this very collectible title (it began with #4 because Scrooge's three Four Color issues were considered #1-3). This is the only copy graded above 9.2 as of this writing. The tale "Hawaiian Hideaway," co-starring the Beagle Boys, was written and drawn by the great Carl Barks. Overstreet 2009 NM- 9.2 value = $950. CGC census 6/09: 1 in 9.6, none higher.
Uncle Scrooge #9 (Dell, 1955) CGC NM 9.4 Off-white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $500. CGC census 7/09: 1 in 9.4, none higher.
United States Marines #2 (Magazine Enterprises, 1944) CGC VF/NM 9.0 Off-white pages. Much like American Air Forces #2, offered in this same auction, this book is seldom seen in high grade. And both books feature inflammatory Japanese war covers. This issue's back cover ad is in the same vein: "How would you like to play 'WAR' with your very own Krak-A-Jap Machine Gun?" Overstreet 2009 VF/NM 9.0 value = $465; NM- 9.2 value = $650. CGC census 6/09: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #29 (Dell, 1943) CGC VF+ 8.5 Off-white pages. Walt Kelly cover. Overstreet 2009 VF 8.0 value = $523; VF/NM 9.0 value = $887. CGC census 6/09: 2 in 8.5, 4 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. Carl Barks story and art. Walt Kelly Gremlins cover. Gremlins stories begin. Floyd Gottfredson art. Overstreet 2009 VF/NM 9.0 value = $1,244; NM- 9.2 value = $1,750. CGC census 6/09: 3 in 9.0, 1 higher.
Walt Disney's Comics and Stories #35 (Dell, 1943) CGC VF+ 8.5 Cream to off-white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2009 VF 8.0 value = $693; VF/NM 9.0 value = $1,172. CGC census 6/09: 3 in 8.5, 2 higher.
Walt Disney's Comics and Stories #38 (Dell, 1943) CGC VF+ 8.5 Off-white to white pages. Halloween cover. Carl Barks art. Overstreet 2009 VF 8.0 value = $460; VF/NM 9.0 value = $780. CGC census 6/09: 2 in 8.5, 4 higher.
Walt Disney's Comics and Stories #41 File Copy (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. Walt Kelly's cover combines Disney's two biggest stars, Mickey and Donald, for an oft-reprinted winter-themed cover. Those pesky Gremlins also make an appearance, with art by Kelly, and Carl Barks provides a Donald Duck 10-pager. Overstreet 2009 NM- 9.2 value = $900. CGC census 6/09: 2 in 9.2, 2 higher.
Walt Disney's Comics and Stories #43 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Seven Dwarfs cover appearance by Walt Kelly. Carl Barks story and art. Overstreet 2009 VF/NM 9.0 value = $639; NM- 9.2 value = $900. CGC census 6/09: 2 in 9.0, 1 higher.
Walt Disney's Comics and Stories #45 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. The Walt Kelly cover looks innocent enough, but inside this issue's Mickey Mouse story by Floyd Gottfredson, Nazis appear! Carl Barks art is also featured. Overstreet 2009 VF/NM 9.0 value = $639; NM- 9.2 value = $900. CGC census 6/09: 1 in 9.0, 3 higher.
Walt Disney's Comics and Stories #46 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. The highlight is Walt Kelly's cover that has Donald Duck as Uncle Sam, selling War Bonds. Carl Barks provides story and interior art. Overstreet 2009 VF/NM 9.0 value = $639; NM- 9.2 value = $900. CGC census 6/09: 2 in 9.0, 1 higher.
Walt Disney's Comics and Stories #48 (Dell, 1944) CGC VF/NM 9.0 Off-white to white pages. Just shy of the finest copy yet certified by CGC! Carl Barks story and art. Walt Kelly cover. Nazis appear in Floyd Gottfredson's Mickey Mouse story. Overstreet 2009 VF/NM 9.0 value = $639; NM- 9.2 value = $900. CGC census 6/09: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #80 (Dell, 1947) CGC NM 9.4 Cream to off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2009 NM- 9.2 value = $420. CGC census 6/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #93 (Dell, 1948) CGC NM+ 9.6 Off-white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2009 NM- 9.2 value = $325. CGC census 6/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #102 (Dell, 1949) CGC NM 9.4 Off-white to white pages. Walt Kelly cover. Carl Barks art. Overstreet 2009 NM- 9.2 value = $275. CGC census 6/09: 2 in 9.4, 1 higher.
Walt Disney's Comics and Stories #104 (Dell, 1949) CGC NM 9.4 Off-white to white pages. Seldom does a non-file copy reach such dizzying heights! This will be a nice prize for a Carl Barks collector. Overstreet 2009 NM- 9.2 value = $240. CGC census 6/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #143 File Copy (Dell, 1952) CGC NM+ 9.6 Off-white to white pages. Carl Barks cover. Overstreet 2009 NM- 9.2 value = $125. CGC census 7/09: 1 in 9.6, none higher.
Walt Disney's Comics and Stories #147 File Copy (Dell, 1952) CGC NM+ 9.6 Off-white pages. The only copy graded above 8.5 as of this writing. Carl Barks cover art. Overstreet 2009 NM- 9.2 value = $125. CGC census 7/09: 1 in 9.6, none higher.
Weird Fantasy #8 Gaines File pedigree 5/12 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. This installment of EC's science fiction book has an Al Feldstein cover and interior art by Feldstein, Jack Kamen, Wally Wood, and guest artist George Roussos. Overstreet 2009 NM- 9.2 value = $775. CGC census 6/09: 3 in 9.6, 1 higher.
Whiz Comics #3 (#2) (Fawcett, 1940) CGC FN+ 6.5 Off-white to white pages. The second appearance of Captain Marvel is also the second comic book Fawcett ever published (tied with Master Comics #1). There's no number on the cover and the indicia say #3, yet this was just the second issue to hit newsstands (an "ashcan" edition was considered #1). Adding to the confusion would be the next issue, also called #3, which finally corrected the order. Captain Marvel's button-down flap tunic (seen on C. C. Beck's cover) is a look the hero only sported in his first four outings. We seldom see this second issue, and no copy has been graded above 7.5 by CGC to date. Overstreet 2009 FN 6.0 value = $1,383; VF 8.0 value = $3,319. CGC census 7/09: 2 in 6.5, 1 higher.
Whiz Comics #4 (Fawcett, 1940) CGC FN/VF 7.0 Cream to off-white pages. This is the nicest unrestored copy we've seen, and it's a book we seldom see in any grade. Despite the odd numbering of previous issues, this really is the fourth issue of the series, though the indicia inside say #5. C. C. Beck is the cover artist. Overstreet 2009 FN 6.0 value = $891; VF 8.0 value = $1,871. CGC census 7/09: 2 in 7.0, 2 higher.
Whiz Comics #5 Crowley Copy pedigree (Fawcett, 1940) CGC FN/VF 7.0 Cream to off-white pages. The first issue with "normal" numbering in the series boasts a war cover with Captain Marvel battling... well, presumably the Germans. The first swastika appeared on a comic cover just a few months previously -- you'll note there's an X on the side of the submarine here. C. C. Beck cover art. Overstreet 2009 FN 6.0 value = $750; VF 8.0 value = $1,575. CGC census 7/09: 3 in 7.0, 1 higher.
Whiz Comics #7 (Fawcett, 1940) CGC FN+ 6.5 Off-white to white pages. This is the first copy of #7 we've offered in five years -- while this series was a bestseller in years to come, the first few issues are tough to come by! The cover colors are excellent on this copy; in fact, the front cover looks great, period -- the book's lower technical grade obviously has to do with some back-cover staining that does little to detract from the overall eye appeal. Cover art by C. C. Beck. Overstreet 2009 FN 6.0 value = $549; VF 8.0 value = $1,153. CGC census 7/09: 3 in 6.5, 3 higher.
Whiz Comics #8 (Fawcett, 1940) CGC VF/NM 9.0 White pages. We hadn't seen a copy of this one in five years! This copy's got outstanding cover colors and excellent page quality. Overstreet 2009 VF/NM 9.0 value = $1,952; NM- 9.2 value = $2,750. CGC census 7/09: 1 in 9.0, 1 higher.
Witness #1 (Marvel, 1948) CGC VF+ 8.5 Off-white to white pages. This one-shot is termed "scarce" by both Overstreet and Gerber. It's the first appearance of the Witness (a different character than the Witness who was in Mystic previously), and while there was only one issue of this series, the mysterious host character did crop up in other Timely books subsequently. CGC attributes the cover art to Charles Nicholas. Overstreet 2009 VF 8.0 value = $1,468; VF/NM 9.0 value = $2,484. CGC census 6/09: 3 in 8.5, 2 higher.
Wonder Woman #1 (DC, 1942) CGC GD 2.0 Light tan to off-white pages. This is the first issue of a four-decade run for this title! H. G. Peter's provided the distinctive art. The amazing Amazon's origin story is retold and expanded upon here. CGC notes, "2 extra staples, not from manufacturing." Overstreet 2009 GD 2.0 value = $2,550. CGC census 6/09: 3 in 2.0, 40 higher.
Wonder Woman #2 (DC, 1942) Condition: VF+ Off-white to white pages. It's a shame this copy couldn't be slabbed by CGC (overhang), because this is one of the finest known copies of issue #2. Inside is the first appearance of Mars, plus an appearance by the Duke of Deception. Take advantage of this having not been slabbed by checking out the photo of the Wonder Woman creative team of Charles Moulton (William Marston), H. G. Peter, Sheldon Mayer, and M. C. Gaines on the inside cover. Overstreet 2009 VF 8.0 value = $3,046; VF/NM 9.0 value = $5,323.
World's Finest Comics #5 (DC, 1942) CGC VF 8.0 Off-white to white pages. These early issues with cardboard covers are hard enough to find in any kind of decent grade. Batman and Robin aren't the only Dynamic Duo here -- this issue introduces Tex N. Thomas and Danny Dunbar, aka TNT and Dan the Dyna-Mite! While some have wondered whether this or Star-Spangled Comics #7 is their first appearance, we notice this story speaks of "the first adventure of a new TNT team". The patriotic wartime cover is by Fred Ray. Overstreet 2009 VF 8.0 value = $1,594. CGC census 6/09: 2 in 8.0, 2 higher.
Silver Age (1956-1969)
Amazing Fantasy #15 (Marvel, 1962) CGC VF- 7.5 White pages. The "white pages" designation here is seen very seldom for this book -- we've auctioned 100 CGC-graded copies of this issue, and this is just the third "white pages" copy we've ever offered.
This is the origin and first appearance of Spider-Man, the most valuable Silver Age comic issue. Demand is so strong that the Overstreet values have not kept up with prices being paid in the middle and higher grades, and we expect this copy to surpass the VF Guide value by a wide margin.
The issue, which also has the first appearances of Uncle Ben and Aunt May, is by Stan Lee and Steve Ditko. Cover art by Jack Kirby. Overstreet 2009 VF 8.0 value = $21,000. CGC census 6/09: 22 in 7.5, 29 higher.
This is the origin and first appearance of Spider-Man, the most valuable Silver Age comic issue. Demand is so strong that the Overstreet values have not kept up with prices being paid in the middle and higher grades, and we expect this copy to surpass the VF Guide value by a wide margin.
The issue, which also has the first appearances of Uncle Ben and Aunt May, is by Stan Lee and Steve Ditko. Cover art by Jack Kirby. Overstreet 2009 VF 8.0 value = $21,000. CGC census 6/09: 22 in 7.5, 29 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC FN 6.0 Off-white to white pages. When it comes to the Silver Age of comics, this issue's the tops, and the gap between #1 and #2 on Overstreet's Top 20 Silver Age Books listing just keeps getting wider with every passing year. It's consistently selling at over Guide from grades VG/FN 5.0 and up, meaning, if you haven't got your copy yet, you may seriously want to think about it! This mid-grade just may the opportunity. The issue has the origin and first appearance of Spider-Man, Uncle Ben, and Aunt May. Jack Kirby provided the cover; Steve Ditko the interior art. Overstreet 2009 FN 6.0 value = $7,200. CGC census 6/09: 24 in 6.0, 139 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC VG/FN 5.0 Off-white to white pages. If you shudder at the dreaded "Marvel chipping" this is the copy for you, it's totally free of that vexing flaw. And of course, this is the most valuable Silver Age comic issue, the origin and first appearance of Spider-Man. Jack Kirby cover art. Overstreet 2009 VG 4.0 value = $4,800; FN 6.0 value = $7,200. CGC census 6/09: 45 in 5.0, 177 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC VG 4.0 Off-white to white pages. The epic origin and first appearance of Spider-Man can be found right here. The story also features the first appearances of Uncle Ben and Aunt May, an oft-imitated cover by Jack Kirby and Steve Ditko, and interior art by Ditko. This is one of the most sought-after Silver Age comic books in the hobby. High-grade copies are unaffordable by most collectors, and low- and mid-grade copies are quickly rising in value also -- all the more reason to bid on this little number while it's still within reach. Overstreet 2009 VG 4.0 value = $4,800. CGC census 6/09: 73 in 4.0, 278 higher.
Amazing Fantasy #15 UK Edition (Marvel, 1962) CGC Apparent FN+ 6.5 Off-white pages. Remember when comics only cost... ninepence? UK fans certainly do, and this is the first appearance and origin of one of the most popular characters in the world. Wowing fans on both sides of the Atlantic with his artwork was the incomparable Steve Ditko. Aside from the cover price and the lack of an "AUG" under the issue number, this is the same comic as the US version, and we've heard it said that these were not reprints as such, but printed at the same time. As is often the case for trimmed books, CGC does not specify a degree of restoration here but notes, "All edges trimmed." Overstreet does not list non-US comics, but note that the US edition has Overstreet values of $2,400 in GD, $4,800 in VG, and $6,000 in Fine.
The Amazing Spider-Man #1 (Marvel, 1963) CGC NM 9.4 Off-white to white pages. It's been nearly four years since we've offered a copy this nice, but then there's not many copies in existence this nice! Collectors have come to expect evidence of "Marvel chipping" on these early '60s keys, so the razor-sharp right edge of this copy's front cover is simply stunning. This book at this grade at this time should ensure some of the most competitive bidding ever for a Silver Age issue!
Currently ranked the fourth most valuable Silver Age comic book by Overstreet, it will probably overtake Showcase #4 within the next few years. Spider-Man's origin is retold is this premiere issue, which also has the first Fantastic Four crossover and first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko combined forces for the cover art with Ditko doing the interior, the beginning of his classic 38-issue run. Overstreet 2009 NM- 9.2 value = $44,000. CGC census 6/09: 5 in 9.4, 4 higher.
Currently ranked the fourth most valuable Silver Age comic book by Overstreet, it will probably overtake Showcase #4 within the next few years. Spider-Man's origin is retold is this premiere issue, which also has the first Fantastic Four crossover and first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko combined forces for the cover art with Ditko doing the interior, the beginning of his classic 38-issue run. Overstreet 2009 NM- 9.2 value = $44,000. CGC census 6/09: 5 in 9.4, 4 higher.
The Amazing Spider-Man #1 (Marvel, 1963) CGC Qualified FN+ 6.5 Off-white to white pages. First appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko cover. CGC notes, "Staples cleaned." Overstreet 2009 GD 2.0 value = $1,375; VG 4.0 value = $2,750; FN 6.0 value = $4,125.
The Amazing Spider-Man #27 (Marvel, 1965) CGC NM- 9.2 Off-white pages. Look how nice the deep blue background looks here -- a far cry from the average copy! This early appearance of the Green Goblin has cover and interior art by Steve Ditko. Overstreet 2009 NM- 9.2 value = $800. CGC census 6/09: 18 in 9.2, 22 higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #194 (Marvel, 1979) CGC MT 9.9 Off-white to white pages. The first appearance of the Black Cat has been a hot issue lately, and while CGC has certified over 900 copies to date, this is the first one to achieve a 9.9 grade. In our last auction, non-key "Spidey" 9.9s from this era sold for 75-100 times top of Guide, so there should be intense interest in this pristine copy of this key book. Al Milgrom is the cover artist. Overstreet 2009 NM- 9.2 value = $60. CGC census 7/09: 1 in 9.9, none higher.
Silver Age (1956-1969)
The Avengers #4 (Marvel, 1964) CGC VF+ 8.5 Cream to off-white pages. We continue to consider this an undervalued book in light of its significance! It's the first Silver Age appearance of Captain America, who joins the Avengers in this issue. Jack Kirby is the cover artist. Overstreet 2009 VF 8.0 value = $1,114; VF/NM 9.0 value = $2,132. CGC census 6/09: 27 in 8.5, 87 higher.
The Avengers #24 (Marvel, 1966) CGC NM/MT 9.8 White pages. The Avengers are very hot right now, and this is the best copy of this book we've ever offered! Jack Kirby and Wally Wood are the cover artists. Overstreet 2009 NM- 9.2 value = $125. CGC census 6/09: 6 in 9.8, none higher.
Bronze Age (1970-1979)
Batman #227 (DC, 1970) CGC NM+ 9.6 Off-white to white pages. Neal Adams classic cover, paying homage to Detective #31. Overstreet 2009 NM- 9.2 value = $85. CGC census 6/09: 7 in 9.6, 1 higher.
Silver Age (1956-1969)
Captain Action #1 (DC, 1968) CGC NM/MT 9.8 Off-white pages. Captain Action began "life" as an Ideal Toys action figure, sort of a superhero version of G.I. Joe. You could write a book about this cult character, in fact our friend Michael Eury has done so! This is the one and only 9.8 copy certified to date. Irv Novick is the cover artist. Overstreet 2009 NM- 9.2 value = $110. CGC census 7/09: 1 in 9.8, none higher.
Bronze Age (1970-1979)
Conan the Barbarian #1 (Marvel, 1970) CGC NM+ 9.6 White pages. Even President Obama collects Conan, so how much hotter could this book be? It's the first comic book appearance of Robert E. Howard's Cimmerian character. If you don't have a high-grade copy yet, what in Crom's name are you waiting for? Barry Smith is the cover artist. Overstreet 2009 NM- 9.2 value = $400. CGC census 6/09: 65 in 9.6, 8 higher.
DC 100-Page Super Spectacular #6 World's Greatest Super-Heroes (DC, 1971) CGC NM+ 9.6 White pages. This Neal Adams wraparound cover is surely one of the best ever published -- you can see the back cover in all its glory at HA.com. Every major DC superhero is here! The square bound format and the black edges combine to make this tough to find in the highest grades. Overstreet 2009 NM- 9.2 value = $350. CGC census 6/09: 2 in 9.6, none higher.
Silver Age (1956-1969)
Fantastic Four #5 (Marvel, 1962) CGC FN 6.0 Off-white to white pages. Origin and first appearance of Doctor Doom. Jack Kirby cover and art. A solid mid-grade book. Overstreet 2009 FN 6.0 value = $1,155. CGC census 6/09: 16 in 6.0, 98 higher.
The Flash #106 (DC, 1959) CGC VF- 7.5 Cream to off-white pages. This is the first appearance of Gorilla Grodd, and just the second issue of this Silver Age series! We're still waiting for a 9.2 or above copy to be certified by CGC -- as it stands, this VF- specimen is one of the best we've ever seen. Not many collections seem to have this book, and Overstreet calls it "scarce." Also making his first appearance: the Pied Piper, who still appears in DC comics to this day. Carmine Infantino cover. Overstreet 2009 VF 8.0 value = $1,540. CGC census 6/09: 3 in 7.5, 6 higher.
The Flash #123 (DC, 1961) CGC VF+ 8.5 White pages. This key Silver Age issue has the first appearance of the Golden Age Flash in the Silver Age and the first mention of another Earth where the DC Golden Age heroes live (Earth II). Carmine Infantino and Murphy Anderson did the cover, Infantino also providing interior art. Overstreet 2009 VF 8.0 value = $1,173; VF/NM 9.0 value = $2,237. CGC census 6/09: 2 in 8.5, 8 higher.
Bronze Age (1970-1979)
Giant-Size X-Men #1 (Marvel, 1975) CGC NM 9.4 Off-white to white pages. First appearance of the new X-Men (Nightcrawler, Storm, Colossus, and Thunderbird). Second full appearance of Wolverine. Gil Kane cover. Overstreet 2009 NM- 9.2 value = $1,250. CGC census 6/09: 243 in 9.4, 164 higher.
Silver Age (1956-1969)
Green Lantern #59 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. It's the first appearance of Guy Gardner, a Green Lantern who had his own series for years and who's still a fixture in DC comics in the present day. Gil Kane and Murphy Anderson cover. Overstreet 2009 NM- 9.2 value = $290. CGC census 6/09: 6 in 9.6, 1 higher. From the Capital City Collection.
Bronze Age (1970-1979)
Green Lantern #76 (DC, 1970) CGC VF/NM 9.0 White pages. This was Neal Adams' first issue as penciler of the title, and also the first in which Green Arrow shared the top billing. It's considered by some to be the first Bronze Age comic book. Overstreet 2009 VF/NM 9.0 value = $752; NM- 9.2 value = $1,200. CGC census 6/09: 39 in 9.0, 45 higher.
Green Lantern #85 (DC, 1971) CGC NM/MT 9.8 Off-white pages. Who could ever forget this shocking anti-drug issue, with Speedy revealed as a junkie in the last panel as well as on Neal Adams' cover? In its own way this was as big a milestone as #76. Overstreet 2009 NM- 9.2 value = $155. CGC census 6/09: 4 in 9.8, none higher. From the Capital City Collection.
Silver Age (1956-1969)
House of Mystery #174 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. One of the breakout books of the past few years. Prior to this issue, Robby Reed of "Dial 'H' for Hero" had full rein over this title. With #174, the format became mystery, and new host Cain took over in the next issue. This book, featuring a striking Carmine Infantino cover, is not as common as one might think. High-grade copies are nearly impossible to find, understandable because for so many years the unappreciated copies languished in dealers' 25¢ boxes! This beauty is tied as the highest CGC-graded copy to date. Overstreet 2009 NM- 9.2 value = $170. CGC census 6/09: 5 in 9.6, none higher.
The Incredible Hulk #1 (Marvel, 1962) CGC VG/FN 5.0 Off-white to white pages. Every unrestored copy of this book we've auctioned the last four years has sold for over Guide, so keep that in mind as you budget your bid! It's no surprise that everybody wants the origin and first appearance of the Hulk. This is a solid copy of one of the toughest Silver Age Marvels to find in nice condition. Also making first appearances: Rick Jones, Betty Ross, and Thunderbolt Ross. Jack Kirby cover. Overstreet 2009 VG 4.0 value = $2,000; FN 6.0 value = $3,000. CGC census 6/09: 24 in 5.0, 121 higher.
The Incredible Hulk #5 (Marvel, 1963) CGC VF+ 8.5 White pages. Finding any of the first six issues in high grade is a chore indeed! And this one's a beauty! Jack Kirby and Dick Ayers cover art. Overstreet 2009 VF 8.0 value = $1,258; VF/NM 9.0 value = $2,329. CGC census 6/09: 6 in 8.5, 19 higher.
Bronze Age (1970-1979)
The Incredible Hulk #181 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The first full appearance of Wolverine is the most valuable 1970s comic book! While a couple of variants may have higher Guide values, the numbers $17,825 and $26,290 speak for themselves: those are the prices fetched by the previous two 9.8 copies Heritage has sold, easily our best Bronze Age results. Wolverine was named the top comic book character of all time by Wizard magazine, and we see no end to his popularity in sight. Herb Trimpe cover art. Overstreet 2009 NM- 9.2 value = $1,450. CGC census 6/09: 21 in 9.8, 1 higher.
The Incredible Hulk #181 (Marvel, 1974) CGC NM 9.4 Cream to off-white pages. The first full appearance of Wolverine in Near Mint, that's a high-demand comic in anyone's book. Herb Trimpe cover art. Overstreet 2009 NM- 9.2 value = $1,450. CGC census 6/09: 209 in 9.4, 148 higher.
Silver Age (1956-1969)
Journey Into Mystery #107 (Marvel, 1964) CGC NM+ 9.6 Off-white to white pages. A wise Heritage staffer once said that if the vignette at the top left of a Silver Age Marvel looks nice, the rest of the book usually does too. This incredible copy supports that theory -- have a look and see why it's the only copy to be certified 9.6 to date. The issue has the origin and first appearance of Grey Gargoyle, and appropriately enough Jack Kirby's cover art is inked by Stone (Chic, that is). Also making a first appearance: series regular (and later Marvel Universe hottie) Karnilla. Overstreet 2009 NM- 9.2 value = $330. CGC census 7/09: 1 in 9.6, none higher.
Journey Into Mystery #108 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. This is the highest-graded copy we've ever offered of this issue. Many a Marvelite would probably bet money that Dr. Strange never appeared in Journey Into Mystery, but here he is for the one and only time, and it's also unusual to see this character drawn by Jack Kirby! Overstreet 2009 NM- 9.2 value = $350. CGC census 7/09: 3 in 9.4, none higher.
Journey Into Mystery #115 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. Silver Age Marvels are just notoriously scarce in this grade! Featured this issue is a detailed origin of Loki and an appearance by the Absorbing Man. The cover and interior art are by Jack Kirby. Overstreet 2009 NM- 9.2 value = $340. CGC census 6/09: 4 in 9.6, none higher.
Justice League of America #9 (DC, 1962) CGC NM 9.4 Cream to off-white pages. The origin of the Justice League was told for the first time in this issue, in a story set before their first appearance in Brave and the Bold #28 (which had no origin info -- back in their first appearance the JLA was a fully formed group that already had a fully-equipped HQ!). The cover, by Mike Sekowsky and Murphy Anderson, is a memorable one that has been reprinted many a time. Overstreet 2009 NM- 9.2 value = $950. CGC census 7/09: 1 in 9.4, 2 higher.
Richie Rich #5 File Copy (Harvey, 1961) CGC NM- 9.2 Off-white pages. Little Dot and Little Lotta backup stories. Overstreet 2009 NM- 9.2 value = $975. CGC census 6/09: 3 in 9.2, 2 higher.
Showcase #9 Lois Lane (DC, 1957) CGC VF- 7.5 Off-white to white pages. One of the toughest Showcase issues to find in high grade is this "girl" comic! That's not to say it wasn't a success back then; in fact, Lois Lane was the first Showcase character to get her own book, in a time when such honors were seldom bestowed. Note how few copies have been graded higher! Overstreet 2009 VF 8.0 value = $5,200. CGC census 6/09: 4 in 7.5, 4 higher.
Showcase #27 Sea Devils (DC, 1960) CGC NM 9.4 Off-white to white pages. This is the Sea Devils' first appearance, highlighted by a beautiful grey tone cover by Russ Heath, and this copy is the nicest we've ever seen. It's originally from the superb Warren Hall collection. Overstreet 2009 NM- 9.2 value = $1,750. CGC census 3/09: 1 in 9.4, none higher.
Strange Tales #167 (Marvel, 1968) CGC NM+ 9.6 White pages. This book's really hot now... don't ask us why it wasn't really hot a long time ago, given the flag cover by Jim Steranko! Overstreet 2009 NM- 9.2 value = $100. CGC census 6/09: 6 in 9.6, none higher.
Superman's Girlfriend Lois Lane #70 (DC, 1966) CGC NM 9.4 White pages. First Silver Age appearance of Catwoman. Batman, Robin, and Penguin appearances. Kurt Schaffenberger cover and art. Overstreet 2009 NM- 9.2 value = $475. CGC census 6/09: 7 in 9.4, 3 higher.
Tales of Suspense #39 (Marvel, 1963) CGC VF- 7.5 Off-white to white pages. The first appearance and origin of Iron Man is one of the top ten Silver Age books, and should get more popular with each passing year since another movie is on the way. Jack Kirby cover. Overstreet 2009 VF 8.0 value = $5,400. CGC census 6/09: 35 in 7.5, 72 higher.
Tales of Suspense #58 (Marvel, 1964) CGC NM- 9.2 White pages. Captain America battles Iron Man in this blockbuster Marvel Age issue, which also has the second appearance of Kraven the Hunter. Jack Kirby's cover got a "classic" nod from Overstreet. Overstreet 2009 NM- 9.2 value = $750. CGC census 6/09: 13 in 9.2, 11 higher.
Tales to Astonish #27 (Marvel, 1962) CGC Apparent VF+ 8.5 Slight (A) Cream to off-white pages. The "amateur" restoration certification probably does this copy a disservice. We don't dispute the accuracy but you shouldn't miss the very strong eye appeal of this copy! We all know this book is almost impossible to find in high grade anyway, making a restored specimen very attractive indeed. It's the first appearance of Henry Pym (Ant-Man), with cover art by Jack Kirby. CGC notes, "Restoration includes: "small amount of color touch on cover, staples cleaned. (Top & bottom edge of cover trimmed)." Overstreet 2009 GD 2.0 value = $385; VG 4.0 value = $770; FN 6.0 value = $1,155; VF 8.0 value = $3,465.
Thor #126 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. Thor battles Hercules in the first issue of the title after the name change from Journey Into Mystery. Jack Kirby cover and art. Overstreet 2009 NM- 9.2 value = $375. CGC census 6/09: 5 in 9.4, 5 higher.
Uncle Scrooge #14 (Dell, 1956) CGC NM+ 9.6 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $400. CGC census 6/09: 3 in 9.6, none higher.
Uncle Scrooge #18 (Dell, 1957) CGC NM 9.4 Cream to off-white pages. Carl Barks cover and art. Overstreet 2009 NM- 9.2 value = $325. CGC census 6/09: 2 in 9.4, none higher.
Uncle Scrooge #32 (Dell, 1960) CGC NM+ 9.6 Off-white pages. Carl Barks story, cover and art. Overstreet 2009 NM- 9.2 value = $225. CGC census 7/09: 2 in 9.6, none higher.
Uncle Scrooge #34 (Dell, 1961) CGC NM 9.4 Off-white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $180. CGC census 7/09: 2 in 9.4, 1 higher.
Uncle Scrooge #41 (Gold Key, 1963) CGC NM+ 9.6 Off-white to white pages. The only copy graded above 9.2 as of this writing. Overstreet 2009 NM- 9.2 value = $210. CGC census 7/09: 1 in 9.6, none higher.
Bronze Age (1970-1979)
Uncle Scrooge #88 File Copy (Gold Key, 1970) CGC NM/MT 9.8 White pages. Carl Barks cover art. Overstreet 2009 NM- 9.2 value = $90. CGC census 7/09: 1 in 9.8, none higher.
Silver Age (1956-1969)
X-Men #2 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. The second appearance of the X-Men occasions the first appearance of the Vanisher. Jack Kirby cover and interior art are featured. CGC notes, "'Jack Kirby' and 'Stan Lee '91' written on first page." Overstreet 2009 VF 8.0 value = $1,330; VF/NM 9.0 value = $2,565. CGC census 6/09: 19 in 8.5, 46 higher.
X-Men #4 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. You could argue that this is the most significant and collectible original X-Men issue behind only #1. First appearances of two longtime Marvel villains-turned-heroes in Quicksilver and the Scarlet Witch, as well as Mastermind who would become quite important in later years... heck, even the Toad made it into the X-Men movie. This group joined Magneto to form the Brotherhood of Evil Mutants here. Jack Kirby's cover for #4 is probably his most striking one for this title. Overstreet 2009 NM- 9.2 value = $2,150. CGC census 6/09: 15 in 9.4, 2 higher.
X-Men #58 (Marvel, 1969) CGC NM+ 9.6 Off-white pages. The first appearance of Havok in costume is a triumph of cover design by Neal Adams! Overstreet 2009 NM- 9.2 value = $220. CGC census 6/09: 13 in 9.6, 2 higher. From the Capital City Collection.
Bronze Age (1970-1979)
X-Men #114 (Marvel, 1978) CGC NM/MT 9.8 White pages. As of this writing 457 copies of this book have been submitted to CGC, and as you can see less than 3% have been certified 9.8. This John Byrne cover was one of the artist's best. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 13 in 9.8, none higher.
Platinum Age (1897-1937)
Adventures of Mr. Obadiah Oldbuck Extra IX Bound Volume (Wilson Publishing, 1842). This is the earliest known sequential-art American comic book, and it's a rare item -- less than a dozen copies have been confirmed to exist.
Swiss writer/artist Rodolphe Töpffer, considered the inventor of the modern comic strip, originated the work in the late 1820s. The work was pirated in Paris in the 1830s, then the pirated version was translated into English for British publisher Tilt and Bogue. As Robert Beerbohm noted, "In a world where international copyright conventions did not exist, this was perfectly legal, if morally questionable."
This edition was produced by the publishers of the newspaper Brother Jonathan, reformatted into what constitutes a modern comic book format as we recognize it today, printed in black and white and bound with string. Staple-binding and color printing weren't an option in the 1840s!
All copies we have seen have been in Fair condition or thereabouts. This bound copy has extensive restoration, including rice paper reinforcement to almost every page. Interior pages have been cleaned but are still heavily stained. There's a lot of pencil writing on the third-to-last page. Note that Overstreet's page count of 44 reflects the outer cover that one variant copy reportedly possesses, i.e. this 40-page copy is complete. Overstreet 2009 GD 2.0 value = $2,500. From an Important California Collection.
Swiss writer/artist Rodolphe Töpffer, considered the inventor of the modern comic strip, originated the work in the late 1820s. The work was pirated in Paris in the 1830s, then the pirated version was translated into English for British publisher Tilt and Bogue. As Robert Beerbohm noted, "In a world where international copyright conventions did not exist, this was perfectly legal, if morally questionable."
This edition was produced by the publishers of the newspaper Brother Jonathan, reformatted into what constitutes a modern comic book format as we recognize it today, printed in black and white and bound with string. Staple-binding and color printing weren't an option in the 1840s!
All copies we have seen have been in Fair condition or thereabouts. This bound copy has extensive restoration, including rice paper reinforcement to almost every page. Interior pages have been cleaned but are still heavily stained. There's a lot of pencil writing on the third-to-last page. Note that Overstreet's page count of 44 reflects the outer cover that one variant copy reportedly possesses, i.e. this 40-page copy is complete. Overstreet 2009 GD 2.0 value = $2,500. From an Important California Collection.
Silver Age (1956-1969)
Amazing Spider-Man #8-283 And Annuals #1-20 Bound Volumes (Marvel, 1964-86).
These 23 hardcover volumes have over two decades' worth of the most collected series in all of comics!
Page quality is cream to off-white through about issue #70, and off-white thereafter. Covers look excellent, with no defects worse than a creased corner on some issues (very few). Unlike some bound volumes you'll see which were "cobbled together," these books have the uniform look of copies from a single collection. "Loose" copies of the first volume's worth alone (#8-19) would be very expensive to buy in this condition.
These are black volumes, with issue ranges and dates embossed on the spines and a previous owner's name embossed on the front covers. The books containing issues #92-103 and #272-283 have trimmed edges, as is customary for bound volumes; all other issues are untrimmed. Having everything from the early Stan Lee/Steve Ditko years through the "Hobgoblin" saga and beyond, including all ads, Bullpen Bulletins, etc. is a rare opportunity! Overstreet 2009 VG 4.0 value for group = $6,197.
These 23 hardcover volumes have over two decades' worth of the most collected series in all of comics!
Page quality is cream to off-white through about issue #70, and off-white thereafter. Covers look excellent, with no defects worse than a creased corner on some issues (very few). Unlike some bound volumes you'll see which were "cobbled together," these books have the uniform look of copies from a single collection. "Loose" copies of the first volume's worth alone (#8-19) would be very expensive to buy in this condition.
These are black volumes, with issue ranges and dates embossed on the spines and a previous owner's name embossed on the front covers. The books containing issues #92-103 and #272-283 have trimmed edges, as is customary for bound volumes; all other issues are untrimmed. Having everything from the early Stan Lee/Steve Ditko years through the "Hobgoblin" saga and beyond, including all ads, Bullpen Bulletins, etc. is a rare opportunity! Overstreet 2009 VG 4.0 value for group = $6,197.
Golden Age (1938-1955)
Four Color (Series One) #13-25 File Copies Bound Volume (Dell, 1941). A selection of file copies of Four Color #13 (Walt Disney's Reluctant Dragon), 14 (Moon Mullins #1), 15 (Tillie the Toiler #1), 16 (Mickey Mouse #1), 17 (Dumbo #1), 18 (Jiggs and Maggie #1), 19 (Barney Google and Snuffy Smith #1), 20 (Tiny Tim), 21 (Dick Tracy), 22 (Don Winslow), 23 (Gang Busters), 24 (Captain Easy), and 25 (Popeye) that have been trimmed and bound into a hardcover volume. The volume has handwritten pencil notations on the front cover, issue #17 has handwritten notes in pencil and paper notations attached with tape throughout the book, the contents have separated from the volume, and the cover to issue #13 and front endpaper have completely separated from the contents; otherwise,, the comics are in nice condition with glossy covers, supple pages, and some tanning. Overstreet 2009 VG 4.0 value for comics = $4,490.
Four Color #97-108 File Copies Bound Volume (Dell, 1946). A selection of file copies of Four Color #97 (Little Lulu), 98 (Lone Ranger), 99 (Smitty), 100 (first Gene Autry photo cover), 101 (Terry and the Pirates), 102 (Oswald the Rabbit, Walt Kelly art), 103 (Mother Goose, Kelly art), 104 (Fairy Tale Parade, Kelly art), 105 (Albert the Alligator and Pogo Possum, Kelly art), 106 (Tillie the Toiler), 107 (Little Orphan Annie), and 108 (Donald Duck in "The Terror of the River", Carl Barks art) that have been trimmed and bound into a hardcover volume. The back board is loose, and the front cover of the volume erroneously lists the contents as "Little Lulu Comics Vol. 11", with the correct contents handwritten on the cover in black felt tip. The comics are in nice condition with glossy covers, supple pages, and some tanning. Overstreet 2009 VG 4.0 value for comics = $842.
Looney Tunes and Merrie Melodies Comics #1-12 File Copies Bound Volume (Dell, 1941-42). A selection of file copies of issues #1-12 that have been trimmed and bound into a hardcover volume. Highlights include the first comic book appearances of Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Kandi and the Cave Kids, and more. Other highlights include the first funny animal superhero story in issue #5, a painted cover on #9, a flag cover on #10, and art by Walt Kelly. There is a large strip of masking tape across the back cover of the volume; the comics are in very nice condition with glossy covers, supple pages, and some very mild tanning and wear. Overstreet 2009 VG 4.0 value for comics = $3,795.
Silver Age (1956-1969)
Our Army at War #1-9 Bound Volume (DC, 1952-53). Tracking down these early issues is no easy task, and here's a chance to get all of them with one bid! The comics have been trimmed and bound into a black hardcover volume. Covers are pristine. Page edges are tan, but only very slight brittleness limited to a couple of spots. This volume is from the collection of DC publisher Harry Donenfeld, consigned by the grandson of that comic legend. Overstreet 2009 VG 4.0 value for group = $1,060.
Star Spangled War Stories #131-133 and 3-8 Bound Volume (DC, 1952-53). The first nine issues of the series, trimmed and bound into a black hardcover volume. (Note: #131-133 were the first three issues, followed by #3, there were no issues #1 and #2). Page edges are cream but there is no brittleness. From the collection of DC publisher Harry Donenfeld! Overstreet 2009 VG 4.0 value for group = $896.
Star Spangled War Stories #9-21 Bound Volume (DC, 1953-54). Trimmed and bound copies in a black hardcover volume. Page edges are cream but not brittle. From the collection of DC publisher Harry Donenfeld. Overstreet 2009 VG 4.0 value for group = $530.
Golden Age (1938-1955)
Superman #14-25 Bound Volume (DC, 1942-43). A eye-popping set of issues #14-25 of Superman's eponymous solo title, trimmed and bound into a hardcover volume. Highlights include Lois Lane's second cover appearance (in #16) and several great wartime covers by Fred Ray and Jack Burnley. Most feature heavy tanning to the inside covers, a few have tape repairs, and the front cover to #14 is a little loose; otherwise,, the comics are in nice condition with bright covers, mild to moderate wear, and supple pages with very little tanning. Overstreet 2009 VG 4.0 value for comics = $5,614.
Superman Bound #26-43 Volume (DC, 1944-46). A great set of copies of Superman #26-43 that have been trimmed and bound into a hardcover volume. Highlights include the origin and first appearance of Mr. Mxyzptlk, an Overstreet "classic" war cover on issue #26, the first "Lois Lane Girl Reporter" stories, and an A-bomb story in issue #38 that was delayed by government censorship. The comics are in nice condition with bright covers, supple pages, mild to moderate tanning to the inside covers and most pages, and some instances of wear and foxing. Overstreet 2009 VG 4.0 value for comics = $4,810.
Target Comics V3#1-12 File Copies Bound Volume (Novelty Press, 1942-43). A great set of untrimmed Funnies Inc. file copies of Target Comics V3#1-12 that have been bound into a hardcover volume. Highlights include Space Hawk stories with art by Basil Wolverton, a V for Victory cover on issue #4, and a Hitler/Tojo/Flag cover on #8. The comics are in nice condition with glossy covers, supple pages, mild wear, mild to moderate tanning, and some wear to the boards. Overstreet 2009 VG 4.0 value for comics = $1,210.
Walt Disney's Comics and Stories #1-12 File Copies Bound Volume (Dell, 1940-41). These are gorgeous file copies of the first 12 issues of the popular Disney title that have been trimmed and bound into a hardcover volume. Highlights include Al Taliaferro and Floyd Gottfredson art, and early cover appearances by Goofy, Clarabelle Cow, and Huey, Dewey, and Louie. Included are issues #1 (restoration including tear seal, spine reinforced, and slight color touch), 2 (half of one text page removed), 3 (half of a story page removed), 4 (panel cut out), 5-8, 9 (page missing), 10 (coupon cut out), 11, and 12 (page missing). Except as mentioned, the comics are in very nice condition with beautiful glossy covers, supple pages, and overall mild tanning and wear. Overstreet 2009 VG 4.0 value for comics = $9,276.
Walt Disney's Comics and Stories #13-24 File Copies Bound Volume (Dell, 1941-42). Attractive file copies of WDC&S #13-24 that have been trimmed and bound into a hardcover volume. The comics are in very nice condition with bright, glossy covers, supple pages, and mild tanning and wear. Overstreet 2009 VG 4.0 value for comics = $2,466.
Whiz Comics #25-38 File Copies Bound Volume (Fawcett, 1941-42). Fawcett file copies of Whiz Comics #25-38 that have been trimmed and bound into a hardcover volume. Highlights include Captain Marvel's fateful battle with Captain Nazi in #25, which leads to the first appearance and origin of Captain Marvel Jr. in the same issue, plus a couple of appearances by Spy Smasher. Comics are in nice condition with glossy covers, supple pages, and some mild tanning and mild wear. Overstreet 2009 VG 4.0 value for comics = $2,438.
Whiz Comics #39-47 File Copies Bound Volume (Fawcett, 1943). An attractive selection of Fawcett file copies of Whiz Comics #39-47 that have been trimmed and bound into a hardcover volume. Highlights include a Spy Smasher/Ibis/Golden Arrow/Captain Marvel crossover, a flag cover on issue #44, and a recap of Marvel's origin in #47. Cover art by C. C. Beck. The books are in very nice condition with glossy covers, supple pages, and very mild tanning. Overstreet 2009 VG 4.0 value for comics = $664.
Silver Age (1956-1969)
X-Men #1-212 And More Bound Volumes (Marvel, 1963-86). These eighteen hardcover volumes also include Giant-Size X-Men #1 and 2 and X-Men Annual #1-10. Having two decades' worth of one of the most collectible titles is pretty amazing, but the condition is an even bigger story. Page quality averages off-white to white, and none of the books are tan at the page edges as bound volumes often tend to be. The covers are pristine for the most part, though some of the early issues appear to have been VG-type copies before binding. There's a marking or a crease here or there, but when a 1-inch tear on the cover of #3 is the most "serious" defect you can find, that's a special run indeed!
These are black volumes, with issue ranges and dates embossed on the spines and a previous owner's name embossed on the front covers (the embossed numbers are correct -- in a couple of cases an issue is repeated at the end of one volume and the beginning of the next). The books containing issues #1-84 and earlier and #133-212 have trimmed edges, as is customary for bound volumes; the middle issues are untrimmed. Having everything from the Jack Kirby years through the John Romita Jr. run, including all ads, Bullpen Bulletins, etc. is sheer delight! Overstreet 2009 VG 4.0 value for group = $5,830.
These are black volumes, with issue ranges and dates embossed on the spines and a previous owner's name embossed on the front covers (the embossed numbers are correct -- in a couple of cases an issue is repeated at the end of one volume and the beginning of the next). The books containing issues #1-84 and earlier and #133-212 have trimmed edges, as is customary for bound volumes; the middle issues are untrimmed. Having everything from the Jack Kirby years through the John Romita Jr. run, including all ads, Bullpen Bulletins, etc. is sheer delight! Overstreet 2009 VG 4.0 value for group = $5,830.
Gothic Blimp Works #1-8 Group (East Village Other, 1969) Condition: Average VF. The Underground Comix movement got a big early push by appearing in existing Underground newspapers of the day, like East Village Other and the Berkeley Barb during 1967-68. Borrowing their tabloid newsprint format, a group of UG cartoonists produced their own paper featuring nothing but comic strips -- a "Sunday Comic Section" for hippies, so to speak. Vaughn Bodé acted as editor, and the cream of the UG crop, including Robert Crumb, Gilbert Shelton, S. Clay Wilson, Kim Deitch, Robert Williams, and more contributed strips. Lasting but a single year, the eight published issues of Gothic Blimp Works remain some of the toughest UG Comix to find in any grade, with choice, unfolded examples extremely few and far between. Here's one of the nicest sets we've seen to date. Issue one was lightly folded at one time, but has long since been flattened out. Issue #7 has a small water stain along the spine edge, and #8 has some very light ink smudging, but overall, these are extraordinary copies, worthy of a place in the most serious of Underground collections. Fogel's Underground Comix Price Guide FN value for group = $1,980; NM value = $3,300. Adult themes.
Platinum Age (1897-1937)
Mickey Mouse Book First Printing (Bibo & Lang, 1930) Condition: VG/FN. This was the very first Walt Disney licensed publication -- a magazine devoted to the studio's new star, Mickey Mouse. This first printing contains the original version of song lyrics that were altered for later printings. A bit of staining to the front cover is the only defect worth noting. Parts of this book were designed to be cut out, so an intact first printing comes along very seldom! Overstreet 2009 FN 6.0 value = $6,000. From the Don Vernon Collection.
Magazines
Playboy #2 (HMH Publishing, 1954) Condition: VG. Hugh Hefner's innovative venture had little margin for failure; if Playboy hadn't been well-received right away, Hef's pet project would've folded. The second issue had a lower print run than the first and no Marilyn Monroe, but there was another Sherlock Holmes story by Sir Arthur Conan Doyle, a feature on cartoonist Milt Caniff's WWII strip Male Call, a two-page feature of holiday cartoons by Hef himself, and more "tasteful" bare-skin pictorials than in the premiere issue.
With its lower print run, it's rarer than #1, and this is just the second copy we've offered in the past three years. This copy's in Very Good condition with overall wear indicative of having been read many times, but well-cared for overall. The spine shows stress, the staples show some rusting, and there is minor creasing at the corners of the covers. Inside, the book demonstrates off-white to white pages and a general appearance of a copy in Fine or better condition.
With its lower print run, it's rarer than #1, and this is just the second copy we've offered in the past three years. This copy's in Very Good condition with overall wear indicative of having been read many times, but well-cared for overall. The spine shows stress, the staples show some rusting, and there is minor creasing at the corners of the covers. Inside, the book demonstrates off-white to white pages and a general appearance of a copy in Fine or better condition.
Vampirella #3 (Warren, 1970) CGC NM/MT 9.8 White pages. One of the few Warren issues that's considered hard to find. One of only two copies graded above 9.4 to date, and given the white cover we don't expect to see many more. The cover art is by Larry Todd and Vaughn Bode. Overstreet 2006 NM- 9.2 value = $750. CGC census 6/09: 2 in 9.8, none higher.
Memorabilia
Carl Barks A 1934 Belchfire Runabout Regular Edition Lithograph #75/345 (Another Rainbow, 1984). This Carl Barks continuous-tone commemorative lithograph was released in honor of Donald Duck's 50th birthday. Printed on Opalesque paper, the print has an overall size of 30" x 26.5" with a 22" x 18" image area. In Excellent condition and signed by Carl Barks. This lot includes a Certificate of Authenticity.
Carl Barks Return to Morgan's Island Regular Edition Lithograph #33/345 (Another Rainbow, 1985). Uncle Scrooge, Donald Duck, and his nephews, along with crusty old parrot, Yellow Beak, unearth buried desert island treasure in this continuous-tone lithograph. This is the sixth Carl Barks lithograph in the Another Rainbow series, with an overall size of 25.5" x 21", and a 20" x 16" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks The Makings of a Fish Story Regular Edition Lithograph #107/345 (Another Rainbow, 1985). Donald Duck and his nephews follow their Uncle Scrooge to Davy Jones' locker, in this twelfth lithograph in the Another Rainbow series. This continuous-tone, multi-colored lithograph has an overall size of 21.5" x 25", with a 16" x 20" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks Dubious Doings at Dismal Downs Regular Edition Lithograph #33/345 (Another Rainbow, 1986). Uncle Scrooge and his nephew Donald Duck, and Huey, Dewey, and Louie Duck are spellbound by an apparition carrying a chest of treasures and wielding a jewel-encrusted sword, in this continuous-tone, twelve-color lithograph. This is the ninth Carl Barks lithograph in the Another Rainbow series. The print measures 25" x 21.5", with a 20" x 16" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks Halloween in Duckburg Regular Edition Lithograph #243/395 (Another Rainbow, 1992). Based on the cover of Donald Duck #26, this is the nineteenth Carl Barks lithograph in the Another Rainbow series. The print measures 22" x 27", with a 16.5" x 22" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Carl Barks July Fourth in Duckburg Regular Edition Lithograph #338/350 (Another Rainbow, 1998). Comic fans Bruce Hamilton, Bud Plant, Bob Overstreet, and Russ Cochran share the street with Donald Duck, Uncle Scrooge, the Junior Woodchucks, and all the other residents of Duckburg, in this patriotic lithograph. This print has an overall size of 25" x 20.5", and a 20" x 15" image area. Signed by Carl Barks and in Excellent condition. Includes a Certificate of Authenticity.
Robert Crumb Footsy Limited Edition Serigraph Print, 120/200 (Wildwood Editions, 1994). R. Crumb shares a schoolboy moment, circa 1956, in this enormous and beautiful silkscreened print. A total of 31 passes through the screen print process, one for each color, was required for this print. These oversized prints (image size is approximately 19" x 25", matted to an overall size of 28" x 37.5") quickly sold out, and are not to be confused with smaller giclee prints currently available. The print is in Excellent condition, and is signed and numbered by Crumb.
Robert Crumb The Adventures of R. Crumb Himself Limited Edition Serigraph Print, 120/190 (Wildwood, 1995). R. Crumb gets ready for another day's adventures in this large, colorful silkscreen print, based on the first page of his story in the 1973 Underground, Tales of the Leather Nun. A total of 25 colors were used in printing this masterpiece! This original edition sold out quickly, and is not to be confused with a smaller giclee print currently available. Image size is a whopping 17" x 25.5", matted to an overall size of 27" x 37.75", in Excellent condition. Signed and numbered by Crumb.
Fine Art of Walt Disney's Donald Duck McDuck Edition, Publisher's Proof #133/1875 (Another Rainbow Publishing, Inc., 1981). Excellent-condition copy of this slipcased hardcover edition featuring glossy prints and fold-outs of the work of "the good Duck artist." Signed and numbered by Carl Barks himself. An entertaining, comprehensive reference book. Previous copies auctioned by Heritage have sold for $700 - $1,000.
Frankenstein Limited Edition 36/500 Signed by Bernie Wrightson and Stephen King (Dodd, Mead & Co., 1983). Slipcased edition. Signed by Bernie Wrightson and Stephen King on limitation page. Excellent condition.
Toonerville Trolley Tin Wind-Up Toy (Nifty, 1922). Hey Fontaine Fox fans: get a real trolley complete with Skipper! The Toonerville Folks entertained America from the 1910s to the 1950s. This is the first time we've seen this item. No visible condition issues. Box not included. Hake's Price Guide to Character Toys Good value = $400; Fine value = $800.
Session 2
Original Comic Art
Neal Adams The Witching Hour #14 Cover Original Art (DC, 1971). Aside from the early superhero covers that Neal Adams worked on for DC during the 1970s, he also did some of his most creative and powerful work for their horror comic titles. This early and classic cover, featuring the witches on their broomsticks, is a choice example where the artist brought together the elements of horror and science fiction, and made them work as one. The scene on this cover provides an entertaining preview of what was to come inside the comic -- a story by Al Williamson and Carlos Garzon entitled "The Haunted House in Outer Space." This cover has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Neal Adams Green Arrow Sketch Original Art (1980). Neal Adams re-designed DC's Emerald Archer at the dawn of the Bronze Age, and his dynamic vision breathed new life into the character. Adams originally drew this piece for comic artist Dave Hoover in 1980, and Hoover later worked with Adams. This top-notch pencil and ink drawing has an overall size of 11" x 14", and the art is in Excellent condition.
Neal Adams All-New Collectors' Edition #C-56 Superman Vs. Muhammad Ali Pencil Cover Preliminary Original Art (DC, 1978). The Man of Tomorrow squares off against "the Greatest" in the heavyweight bout that electrified the Bronze Age comics reading world. Neal Adams was the perfect choice to illustrate this battle. Celebrities Marlon Brando, O. J. Simpson, Wolfman Jack, and Elton John make cameo appearances in the audience. This detailed pencil preliminary has an approximate image area of 14" x 20.5", and aside from a vertical crease through the page, the art is in Very Good condition.
Brent Anderson and Klaus Janson Battlestar Galactica #21 Cover Original Art (Marvel, 1980). "They were searching for a star called Earth, but first they had to win a great war." Brent Anderson's show-stopping cover has an image area of 9.75" x 15", and the art is in Excellent condition.
Murphy Anderson All-Winners Comics #4 Cover Re-Creation Original Art (undated). The multi-talented Anderson has re-created the cover of one of the most memorable Golden Age comics of the war era -- All-Winners Comics #4. Anderson did a superb job of capturing the appeal of Timely mainstay, Al Avison. This piece has an image area of 15" x 21", and the art is in Excellent condition.
Murphy Anderson (attributed) World's Finest Comics #27 Cover Re-Creation Original Art (undated). Robin gets a helping finger from Superman in this re-creation of a lighthearted Golden Age scene, originally drawn by Jack Burnley. This piece has an image area of 15" x 21", and the art is in Very Good condition.
Murphy Anderson Pogo Possum #1 Cover Re-Creation Original Art (undated). Walt Kelly's marvelous "marching band" cover to Pogo Possum #1 is faithfully re-created by veteran comic artist Murphy Anderson, in this delightful drawing. Ink and watercolor on bristol, with an image area of approximately 15.5" x 20.5", in Excellent condition.
Jim Aparo The Phantom #38 Complete 7-page Story "The Phantom's New Faith" Original Art (Charlton, 1970). Jim Aparo's art is absolutely magnificent in this seven-pager from the dawn of the Bronze Age. Each page of this beautifully drawn yarn has an image area of 9" x 13.5", and the art is in Excellent condition.
Jim Aparo Phantom Stranger #11 pages 1-11 Original Art (DC, 1971). For many of Jim Aparo's fans, his finest work was done for The Phantom Stranger. This fantastic lot features the first half of "Walk Not in the Desert Sun." Each page of this Bronze Age thriller has an image area of 10" x 15", and the art is in Excellent condition.
Jim Aparo Phantom Stranger #11 pages 12-22 Original Art (DC. 1971). A triple-threat, Aparo penciled, inked, and lettered most of his art, and he set an impressive pace of one beautiful, fully-finished page a day. He was truly at the peak of his artistry for his work on The Phantom Stranger. This lot showcases the second half of issue #11, with the story titled "And the Gods Call Me Messiah." Each page of this Bronze Age blockbuster has an image area of 10" x 15", and the art is in Excellent condition.
Sergio Aragonés Mad #193 Complete 4-page Story "A Mad Look at Movie Making" Original Art (EC, 1977). That "marginally-Mad" cartoonist treats us to four full pages of Sergio-style silliness about the movies as seen from the other side of the camera. Each ink on bristol page features image areas measuring approximately 11" x 16", with amberlith overlays. All are in Excellent condition. Each page is signed and dated 1976.
Mike Arens Walt Disney's Treasury of Classic Tales Sunday Comic Strip Original Art dated 6-24-73 (King Features Syndicate, 1973). The thirteenth and final installment of Cinderella finds friendly mice Gus and Jaq helping a locked-away Cindi escape just in time to try on the famous Glass Slipper, and -- it fits! A true prince of a Sunday page. The image area is approximately 24" x 16", and the page has been professionally double-matted and Plexiglas-framed to an overall size of 32" x 24". In Excellent condition. From the Bob Cowan Collection.
Al Williamson Tales From the Crypt #31 "The Thing in the 'Glades" page 2 Original Art (EC, 1952). Although most celebrated for his star-crossed science fiction stories, Williamson was also quite capable of creating an eerie mood of menace as can be seen in this suspenseful page for this chiller. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Al Avison Chamber of Chills #21 Cover Original Art (Harvey, 1951). A creepy cover done in the tradition of Edgar Allan Poe's "The Black Cat," this is a terrific piece by Harvey mainstay Al Avison. This cover has an image area of 12.5" x 18.5". The title logo and the caption are replacements; otherwise,, the art is in Excellent condition.
Ray Bailey Mandrake the Magician #7 Complete 13-page story "Return of King Lothar" Original Art (King, 1967). Longtime Milton Caniff assistant Ray Bailey works his graphic magic on this 13-page story about Lothar's return to his jungle homeland. Each page of this tale has an image area of 12" x 17", and the art is in Excellent condition.
Matt Baker Fight Comics #53 Kayo Kirby Splash Page 1 Original Art (Fiction House, 1948). "Good girl" art legend Matt Baker adds a touch of glitzy glamour to the opening scene of this Kayo Kirby yarn. This is an exemplary example of Baker's Golden Age artistry. The image area of this page measures 12" x 18", and the art is in Excellent condition.
Carl Barks Miss Strippingham Gag Panel (1940s). In the beginning of his long career as a cartoonist, Carl Barks created art for a number of men's magazines. In 1934, he was drawing for the Calgary Eye Opener, and this was one of the many pieces he did for that magazine (NOTE: we've recently been alerted that this piece actually dates to the early 1940s, when Barks worked at the Disney studios). In this beautiful work, Barks has his stripper forgetting a small item of clothing; her only item in fact! The stereotyped black servant is the one breaking the news, in language Barks must have taken from an old movie: "Psst! Miss Strippingham, yo' all fo'got somethin'." Pretty racy stuff for its time. This special piece is beautifully rendered in many shades of greys and blacks. Of course, it was the Disney Ducks that made Barks famous, but here's a bit of his little-known past work, showing a bit more than might be expected from the beloved Duck Man! This piece has an image area of approximately 7" x 9.5", and it has been matted and framed to an overall size of 16" x 18.5". In Excellent condition.
Carl Barks First National Bank of Cibola Oil Painting Original Art (c. 1987). Based on his 1954 saga for Uncle Scrooge #7, "The Seven Cities of Cibola," Carl Barks painted this awe-inspiring, opulent scene of glittering, buried treasure. Before there was an archeologist-hero such as Indiana Jones to unearth the hidden treasures of the ancient world, it was up to those dauntless ducks, Uncle Scrooge, Donald Duck, and Huey, Dewey, and Louie to bring home the prizes of the half-forgotten past. History tells us that Cibola was one of the "Seven Cities of Gold." According to ancient myth, seven bishops fled Merida, Spain to prevent invaders from obtaining their sacred religious relics. Later, the bishops founded the cities of Cibola and Quivira and legend had it that these cities grew rich in gold and precious stones. Such delicious details spawned countless expeditions in search of Cibola throughout the centuries. Leave it to those bounders, the Beagle Boys, to try to steal the treasure and set off a booby-trap that collapses the cities, burying them for all time. The galvanized globetrotting adventures of the denizens of Duckburg have often been cited as a profound influence on many contemporary filmmakers and cartoonists of action-adventure drama. This magnificent masterwork has been indexed by Barks scholars as painting #133P. The image area measures 20" x 25", and the art is in Excellent condition. The painting was signed by Carl Barks at the lower right.
Carl Barks Wishing Well Painting Original Art (1971-95). Scrooge takes no chances with his money, even when tossing a coin in the wishing well! This vibrant 16" x 20" oil painting on canvas, based on the cover to Uncle Scrooge #7 (1954), was originally created in 1971, and is marked on the back as #20-71. In 1995, Barks was commissioned by the owner of the piece to retouch it with added detail in the background (the industrial smokestacks, Scrooge's Money Bin, and the horseshoe-like halo), and he revised the date on the painting at that time. Most of Barks' paintings were done on masonite; this is one of his rare canvas works. The art is in Excellent condition.
C. C. Beck (attributed) Marvel Mystery Comics #7 Cover Re-Creation Original Art (undated). This beautifully painted re-creation captures all the blazing action of an exceptional Golden Age scene originally drawn by Alex Schomburg. Based on one of the earliest Timely covers, it not only has nice views of all the top characters plus plenty of action -- it also has the "bondage" and "hypodermic needle" elements that raised the eyebrows of librarians and other guardians of America's youth. This issue came out early in the Timely scheme of things -- Marvel Mystery was still one of just three titles published by the firm (the others being Daring Mystery and Mystic).This rip-roaring re-creation has an image area of 11.25" x 15.25", and the art is in Excellent condition.
C. C. Beck Master Comics #21 Cover Re-Creation Original Art (1975). Beck's crisply painted re-creation spotlights the classic colossal confrontation between Captain Marvel, Captain Nazi, and Bulletman from the scene originally drawn by Mac Raboy. One of the scarcest, most desirable Fawcett comics in fandom, this landmark issue featured part one of the trilogy origin of Captain Marvel Jr., the first appearance of Captain Nazi, and Mac Raboy's first cover work for the company. This fantastic re-creation has an image area of 11" x 15.5", and the art is in Excellent condition.
Doug Beekman The Savage Sword of Conan #149 Cover Original Art (Marvel, 1988). Doug Beekman's sanguine sword and sorcery show-stopper has an image area of 20" x 29.5", and it has been framed to an overall size of 26" x 36". The art is in Excellent condition and a copy of the magazine is included in this lot.
Patrick Block Donald Duck Adventures #27 Complete 26-page Story "The Mystery of Widow's Gap" Original Art (Gladstone, 1994). Pat Block delivers a book-length adventure tale featuring Donald and the nephews that is right in the grand old tradition of the Four Color stories by the Good Duck Artist, Carl Barks. The story runs 26 pages as printed; however, Block prefers to do his art in half-pages, as did Barks in his prime. Each of the 52 half-pages has an image area of approximately 15.75" x 11.5". The ink from the markers used to do the bold-face lettering has begun to spread slightly, but otherwise, the art is in Excellent condition. This is the first complete story by Block Heritage has offered, so get ready for some fierce bidding, Duck fans!
Wayne Boring Superman #189 page 16 Original Art (DC, 1966). Superman and Lyla take a romantic tour of Krypton, visiting Cloud Land and the Grotto of Images, in this page from "Krypton's Second Doom." The art has an image area of 12" x 18" and it is in Excellent condition.
Wayne Boring Superman #189 page 19 Original Art (DC, 1966). A deathly silence hangs over doomed Krypton and there is no one left alive but Superman and Lyla, in this page from "Krypton's Second Doom." The art has an image area of 12" x 18" and it is in Excellent condition.
Wayne Boring Alter Ego #37 Superman Fourth of July Cover Original Art (Two Morrows, 1981). Originally drawn as a specialty sketch for a fan in 1981, this patriotic scene featuring Superman graced the cover of Alter Ego #37 in 2004. This piece has an overall size of 10.25" x 15.5", and the art is in Excellent condition. Boring inscribed and signed the piece at the lower right, "'Bombs bursting in air' for Charlie Roberts with my best wishes Wayne Boring, '81."
Wayne Boring The Secret Origin of Superman Hand Colored Illustration Original Art (1985). Longtime Superman artist, Wayne Boring, did a super-spectacular job on this hand-colored illustration of the Man of Tomorrow titled, "The Secret Origin of Superman." This mixed-media masterwork has an overall size of 14" x 17", and the art is in Excellent condition.
Martin Branner Winnie Winkle Daily Comic Strip Original Art Group (Chicago Tribune, 1927-1930). Three delightful Winnie Winkle dailies, dated 6-15-27, 10-21-30, and 10-23-30, have been matted and framed together. Each strip has an approximate image area of 20" x 6", and they have been framed to an overall size of 30" x 32". The art is in Excellent condition. From the Bob Cowan Collection.
Berkeley Breathed Bloom County Sunday Comic Strip Original Art dated 4-26-87 (Washington Post Writers Group, 1987). Any fan of Bloom County knows that the heart and soul of the feature was the wistful penguin Opus, so it's an extra-special treat that the flightless fowl takes the limelight in this angst-filled episode. This Sunday has an image area of 19.5" x 13.5", and the art is in Excellent condition.
Mark Bright and Trevor Scott Who's Who Update 1993 #1 The Green Lantern Corps Splash page 19 Original Art (DC, 1992). Mark Bright and Trevor Scott shine some green light on the intergalactic peace-keeping force, the Green Lantern Corps headed by the Guardians of the Universe in this pin-up page. The art has an image area of 9" x 13" and it is in Excellent condition. Signed by Mark Bright at the bottom right.
Pat Broderick and Joe Rubinstein What If #19 Spider-Man Cover Original Art (Marvel, 1980). "H-e-e-eere's Spidey!" Before there was Space Ghost Coast to Coast, there was What If #19, "What If Spider-Man Had Stopped the Burglar Who Killed His Uncle?" This offbeat cover has an image area of 11" x 15". Aside from some yellowed Zipatone the art is in Very Good condition.
Pat Broderick and Dick Giordano The Fury of Firestorm #10 Cover Original Art (DC, 1983). This suspense-ridden cover features Firestorm casually flying high above the New York City streets, little realizing that right around the corner on a nearby ledge, the nefarious Hyena is about to pounce on "the Nuclear Man" himself. This cover was meticulously illustrated by Pat Broderick, with crisp, vibrant inks added by comics legend Dick Giordano. This sensational cover has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Rich Buckler and Steve Mitchell Secrets of Haunted House #35 Cover Original Art (DC, 1981). This awesome Bronze-Age blockbuster features the title's lead character, Mister E, as he bursts through a coffin-shaped doorway and into "The Lair of Lady Frankenstein." The Frankenstein Monster is prominently featured as he is electrocuted on a slab in the foreground of this sizzling scene. This cover has an image area of 9.75" x 15", and the art is in Excellent condition. Rich Buckler signed the piece at the lower right, and a copy of the comic book is included in this lot.
John Buscema Marvel Calendar Silver Surfer Illustration Original Art (Marvel, 1981). The Sky-Rider of the Spaceways shoots a cosmic curl in this star-crossed scene, drawn for the 1981 Marvel Calendar. The piece has an image area of 11.75" x 17.5". A collector mounted this calendar illustration on a backing board and added a logo to give this piece the appearance of an unpublished cover; otherwise,, it is in Excellent condition.
Sal Buscema and Mike Esposito Marvel Team-Up Annual #1 Spider-Man and the X-Men Splash Page 1 Original Art (Marvel, 1976). Quite an early appearance of the new X-Men (appearing around the same time as X-Men #101). With an atomic explosion in the background, it's a scene of mind-boggling Marvel magnificence, created by the talents who know how to thrill. This page has an image area of 10" x 14". Aside from some glue staining at the center left, the art is in Very Good condition. Buscema signed the page at the upper right.
John Byrne and Terry Austin X-Men #137 page 43 Original Art (Marvel, 1980). This key story needs no introduction, but you may have forgotten that the punch (reluctantly) thrown by Colossus here caused Phoenix to revert to Marvel Girl, setting up her tear-jerking final moments with Cyclops as this 48-page epic drew to a close. Professor X had ordered the X-Men to attack, and they know they must, however much it hurts. Even tough-guy Wolverine admits his love for Jean here. The icing on the cake is the famous "fastball special," but with Wolvie doing the throwing for once! Signed by Austin and writer Chris Claremont. This page has an image area of 10" x 15", and aside from some light overall paper aging, the art is in Excellent condition.
John Byrne and Terry Austin Epic Illustrated #29 Nova Page Original Art (Marvel, 1985). "The Last Galactus Story" fascinates every John Byrne fan, not only because it reunited the Byrne/Austin team acclaimed as one of the best penciler/inker duos of all time, but also because it was never finished! The adult-themed Epic was canceled with issue #34 before the story had a chance to run its course. Galactus' herald Nova is featured here. Signed by Terry Austin at right. This star-crossed spectacular has an overall size of 11" x 17", and the art is in Very Good condition.
John Byrne Marvel Fanfare #29 Hulk Splash Page 6 Original Art (Marvel, 1986). Every page of this memorable story was a full-page splash, and no one captured the awesome power of the Hulk like Byrne! Interestingly, penciled notes at the top show that this story was first slated for The Incredible Hulk #320 which came out half a year earlier (Byrne's all-too-brief tenure on that title came to an end with #319). The old man seen here is actually the villain-slaying Scourge, who was crossing over into most every Marvel title in the summer of '86. Scourge's storyline and life were both over by the time this tale saw print. This power-packed portrait has an image area of 10" x 15", and the art is in Excellent condition.
Dick Calkins Buck Rogers and Wilma Deering Specialty Drawing Original Art (1957). This ink and watercolor beauty has an image area of 10.5" x 13.5", and it has been matted and framed to an overall size of 18.5" x 15.5". Aside from some small stains at the center-left, the art is in Excellent condition. From the Bob Cowan Collection.
Dick Calkins Buck Rogers Sketch Original Art (undated). Buck Rogers scores a hit in the "Battle of Minneapolis 2432 A.D." in this 7" x 10" pencil on paper sketch. Inscribed and signed by Calkins in the lower right corner, this piece has been matted and framed to an overall size of 15" x 18", and it is in Excellent condition. From the Bob Cowan Collection.
Al Capp Li'l Abner Sunday Comic Strip Original Art dated 10-12-41 (United Feature Syndicate, 1941). A newsreel captures life in Dogpatch -- but not normal life, in this unusual Sunday. As a result of a strange cosmic ray, everyone in town acts completely opposite! See Abner propose to Daisy Mae, and get rejected! See Pappy Yokum take a sock at Earthquake McGoon for no reason! See the Yokum's bitterest enemies, the Scraggs, offer to help a weak-as-a-kitten Mammy! A very funny episode from one of the strip's best periods. The image area measures approximately 19" x 26", including the masthead and "Advice Fo' Chillun" topper. Each of the five tiers was cut apart, and reassembled with tape on the back of the artboard, and the overall condition is Very Good.
Al Capp and Frank Frazetta Li'l Abner Sunday Comic Strip Original Art dated 12-9-56 (United Feature Syndicate, 1956). Earthquake McGoon as a Moon-man? That's what Professor Von Floogle thinks, in this episode entitled "When McGoon Comes Over the Mountain." A Sunday from the period when Frank Frazetta assisted Capp. The art has been cut between tiers and matted to an overall size of 33.5" x 27.5", and is in Excellent condition. This strip is reprinted in the Dark Horse book, Al Capp Li'l Abner the Frazetta Years Volume 2, on page 59. A copy of that book is included, along with a certificate of authenticity from Animation Plus! Gallery, Inc.
Al Capp with Frank Frazetta Li'l Abner Sunday Comic Strip Original Art dated 4-21-57 (United Feature Syndicate, 1957). The Scraggs have captured Abner and Daisy Mae's youngest, Honest Abe, and it takes a bull-fighting "Furriner" to save him. What will he ask in return? A Sunday from the period when Frank Frazetta assisted Capp. The image area measures approximately 20.5" x 23.25". The strip was cut between panel tiers, and the second panel of the third tier was also cut (and has become discolored from age); the masthead is missing two pasted-over pieces, leaving behind glue stains. In Good condition.
Nick Cardy The Witching Hour #37 Cover Original Art (DC, 1973). Nick Cardy, perhaps best known for his graceful, stylish work on such classic books as Teen Titans, Superboy, and Wonder Woman, contributes this chilling cover for one of DC's premier horror titles of the Seventies. Richly evocative, telling a whole story in a single picture, this cover comes from a prime period of Cardy's creative output, and is a worthy addition to any Bronze Age art collection. The cover's image area measures approximately 10" x 15" and it has been matted alongside a copy of the printed cover, and framed to an overall size of 22" x 20.5". Aside from a missing stat in the lower left of the piece, and a few glue stains, the art is in Very Good condition.
Casper, the Friendly Ghost #55 Unpublished Alternative Cover Original Art (Harvey, 1957). Casper keeps up with his friend Spooky's adventures in this unpublished alternative cover. The art has an image area of 6" x 7". Some light paper tanning; otherwise,, in Very Good condition.
Casper, the Friendly Ghost #19 Cover Original Art (Harvey, 1954). Raindrops keep falling through his head! This charming cover from 1954 has an image area of 7" x 10". The logo and masthead is recent photocopy replacement art. Some light glue staining; otherwise,, the art is in Very Good condition.
Casper, the Friendly Ghost #21 Cover Original Art (Harvey, 1954). This "touching" portrait from 1954 has an image area of 7" x 10". Includes the original logo and masthead paste-up art, which has been slightly trimmed along the top edge. Some light glue staining; otherwise,, the art is in Very Good condition.
Arturo Cazeneuve Speed Comics #14 Captain Freedom Story Page Original Art Group (Harvey, 1941). This was just the second comic issue Harvey ever published! It's also Captain Freedom's second appearance (Harvey took over this series from another publisher). The lot includes pages 2-5, 11-13, and 15-18 of "The Sinister Saboteurs." This lot also includes the Captain Freedom page 11 from Speed Comics #15. The lot has twelve pages in all. Each page has an approximate 8" x 12.5" image area. There is some slight aging; otherwise,, the condition of the pages is Very Good.
Ernie Chan Savage Sword of Conan #94 Splash Page 63 Original Art (Marvel, 1984). The barbarian, the beauty, and the beasts -- this savage splash page by Chan has it all! With an overall size of 11" x 17", the art is in Excellent condition.
Gene Colan and Tom Palmer Tomb of Dracula #6 page 18 Original Art (Marvel, 1973). Lord Edwin Dering reveals a horrible family secret to Rachel Van Helsing and her fellow vampire hunters in this page from "The Moorlands Monster!" The art has an image area of 10" x 15" and aside from some tape staining on all four edges (one small piece into the image area), the condition is Very Good. Signed by Gene Colan at the lower left.
L. B. Cole Catman Comics #31 Cover Re-Creation Original Art (1980). Creator of more than 1500 covers, brilliant wildlife artist, and pioneering comic book publisher -- Leonard Brandt Cole remains a towering figure in the field of comic book art. The back of this art notes, "Number 1," and the note is dated February 26, 1980, and signed by Cole. This piece has an image area of 11" x 15.75", and aside from some slight bowing to the board, it is in Excellent condition.
L. B. Cole Blue Bolt #108 Cover Re-Creation Original Art (1981). If you crave a stellar, show-stopping cover re-creation, search no further -- here it is! The back of this colorful piece notes, "Re-Creation no. 1, Feb. 3, 1981," and the note is signed by Cole. This scene has an image area of 10.75" x 15.5", and it has been matted to an overall size of 15" x 20". The art is in Excellent condition.
L. B. Cole Blue Bolt Weird Tales #117 "The Thing in the Pit" Cover Re-Creation Original Art (1981). L. B. Cole began his art career as art director for a lithography company, before leaping headlong into the comic book field in the early 1940s. Cole is renowned for the bold, flat colors on his self-described "poster color covers." The back of this art notes, "Re-Creation no. 1, April 1, 1981," and the note is signed by Cole. This piece has an image area of 14.5" x 21", and it is in Excellent condition.
L. B. Cole Catman Comics #29 Cover Re-Creation Original Art (1981). Catman always had great covers, but then late in the run when Continental started publishing the series, L. B. Cole "kicked it up a notch" with his incomparable cover designs. The back of this art notes, "Re-Creation 1 ½ up, no. 1, July 10, 1981," and the note is signed by Cole. This piece has an image area of 11" x 15.75", and aside from some slight bowing to the board, it is in Excellent condition.
Amanda Conner and Jimmy Palmiotti Vampirella: Ascending Evil Trade Paperback Cover Original Art (Harris, 2003). Amanda Conner and Jimmy Palmiotti introduced a sharper-fanged Vampirella, dangerously obsessed with wiping vampires off the earth in the landmark story arc, Ascending Evil. This blazing cover scene has an image area of 9.5" x 15", and it has been matted and framed alongside a copy of the printed paperback cover. The entire framed display has an overall size of 18" x 34", and the art is in Excellent condition.
Amanda Conner and Jimmy Palmiotti Vampirella #22 Cover Original Art (Harris, 2003). Banshees, hexes and headless horses are just the beginning of Vampi's troubles in this cover illustration for this "Catch-22" issue. Framed and matted with an image area of 10" x 15" the work is in Excellent condition. Signed by Conner and Palmiotti at the bottom. Includes a copy of Vampirella #22.
Richard Corben Heavy Metal Vol. 2 #4 "New Tales of the Arabian Nights" page 23 Original Art (Heavy Metal, 1978). Richard Corben and Jan Strnad re-interpret an old legend in this page from "New Tales Of The Arabian Nights: Sindbad In The Land Of The Jinn." Mixed media on illustration paper with image area of 10" x 14" the art is in Excellent condition. Signed by Corben in the margin above the third panel.
Johnny Craig Moon Girl #2 Complete 6-page Story "The Rustlers of Ransom Gap" Original Art (EC, 1947). Clair Lune, aka Moon Girl, travels to Pine Ridge and encounters a few tricky cattle rustlers, in this wild West adventure. The art is crisp and clean, a Johnny Craig trademark. The image area averages approximately 13" x 18" per page. Other than missing the "Moon Girl" type strip at the top of the last page and a few minor patches of yellowing, the art is fresh as a daisy, and in Excellent condition.
Johnny Craig Haunt of Fear #5 "Seeds of Death" pages 1 and 2 Original Art (EC, 1951). As the Vault Keeper himself might exclaim, this beautifully choreographed double-page opener for "Seeds of Death" is "reeking with fear, oozing with suspense, crammed with tension, and overflowing with mood, atmosphere, and sheer terror." Also note, EC yelp-yarn addicts, that the large portrait of the Vault Keeper on page 2 is original art and not a stat, and as an added "art bonus," the back of page 2 has several terrific pencil sketches by Craig. Each page has an image area of 13" x 18", and the art is in Excellent condition.
Johnny Craig Vault of Horror #22 "Fountains of Youth" page 5 Original Art (EC, 1952). Femmes fatales were a Craig specialty and the last two panels of this fear-fest (as well as two marvelous sketches on the back of the page) showcase Joltin' Johnny's talent for "good girl" art. This page, with its crisply inked panels, is also filled with Craig's hallmark scenes of taught suspense, accented with deep shadows. To top it all off, there's a fantastic portrait of the Vault Keeper in panel two. This EC treasure has an image area of 13" x 18", and the art is in Excellent condition.
Robert Crumb "Macro Biotic Comix" Sketch Original Art (undated). From one of R. Crumb's many sketchbooks comes this highly irreverent study of Jesus Christ promoting macrobiotics as a form of weight loss. Done in the style of a comic book cover, this loose sketch was drawn freehand, using an india ink technical pen, around 1966-67. The sketchbook page has been professionally separated from the back page, and affixed to another piece of paper, for an overall size of 7.625" x 10". It has been restored to Excellent condition, and will make a fine addition to any collection of Underground Comix art.
Robert Crumb Mr. Natural Unpublished Illustration Original Art and Letter (1986). The grand old sage of Underground Comix pays us one more visit in this whimsical drawing, which was specially commissioned in 1986. According to the letter included with the art, the original price was quite a bargain -- "Thanks for the hundred -- here's your picture of Mr. Natural... hope you feel you got your money's worth...." Indeed! We imagine the new price for this little treasure will go up just a bit! The art is in Excellent condition, and and was done in R. Crumb's typical technical pen and ink style, with an image area of approximately 10" x 13". It's been matted and framed along with the letter, written out by hand in Crumb's famous lettering, and signed with a distinctive autograph. While the letter mentions the fact that Crumb was no longer drawing the character, he has revived Mr. Natural a few times since, including the production of a vinyl "squeek" toy in 1993. Perhaps this drawing was Crumb's inspiration to bring him back. The world needs Mr. Natural now, more than ever!
Jack Davis Tales From the Crypt #40 "Pearly to Dead" Cover Original Art (EC, 1954). For most EC art collectors, the ultimate "Grail piece" would be an electrifying Jack Davis Tales From the Crypt cover, but these treasures rarely come to market. Case in point, the only prior Davis Crypt cover Heritage has offered hails back to a 2005 auction. This cover is, without a doubt, one of the supreme shockers from the entire Crypt run, containing all the elements a fan-addict could hope for in peak period Davis -- including one of the most gruesome ghouls ever put down on paper. This piece has an image area of 13.5" x 19.5", and the art is in Excellent condition.
Jack Davis Incredible Science Fiction #33 "Kaleidoscope" page 2 Original Art (EC, 1956). Davis rarely drew science fiction yarns for the EC titles, and this action-packed page hails from the final issue of the title, at the end of EC's fabled "New Trend." Davis is a master at drawing action and his dramatic inking ensures that once seen, these space warfare scenes between Earth and Venus will engage your "sense of wonder." The space costumes and futuristic hardware in these panels are first-rate. This piece has an image area of 13" x 19", and aside from some pasted-on lettering corrections, the art is in Excellent condition.
Jack Davis and Harvey Kurtzman Humbug #3 page 3 "Humbug Hero of the Month" Illustration Original Art (Humbug Publications, 1957). This uproarious pen and ink on scratch-board "mirth-terpiece," has an overall size of 15" x 20", and it parodied those "American Gothic" hicks who would rather watch Lawrence Welk on TV instead of the much cooler Sid Caesar. Aside from some glue stains, the art is in Excellent condition.
Jack Davis and Harvey Kurtzman Humbug #8 pages 21 and 22 "Winner of the National Snow-Job Trophy" Illustration Original Art (Humbug Periodicals, 1958). Drawn on Craftint duotone paper, this two-pager is a satire on the best snow sculptures. And the winner is -- Jayne Mansfield with her "monumental" snow bra. Page 1 has an overall size of 14.25" x 20", while page 2 has an overall size of 11.75" x 17.5". Some of the typeset elements are fragile, with some pieces missing from two panels of page 1; otherwise,, the art is in Very Good condition.
Jim Davis Garfield Sunday Comic Strip Original Art dated 10-16-83 (United Feature Syndicate, 1983). Odie is so happy and carefree -- and Garfield just can't stand it! This fun Sunday strip comes glass framed and matted alongside artist Jim Davis' original marker sketch, and a Certificate of Authenticity, and has been signed and inscribed. The image area measures approximately 19" x 13", and the overall frame measures 24" x 26". Davis' original marker signature within the strip has somewhat faded; otherwise,, the art is in Excellent condition.
Jim Davis Garfield Daily Comic Strip Original Art dated 10-11-85 (United Feature Syndicate, 1985). There are no hugs like bear hugs! This sentimental daily from the most widely syndicated strip on the planet has an image size of 14" x 4" and it is in Excellent condition.
Jim Davis Garfield Daily Comic Strip Original Art dated 1-27-98 (Universal Press Syndicate, 1998). Those pesky mice pop up again, as Garfield gets popped upside his head by a golf ball, in this sporty daily. For any golf-playing fans of the strip (and who doesn't get a kick out of Garfield?), this one's a hole in one. Image size is approximately 14" x 4", and the art has been professionally matted and Plexiglas-framed to an overall size of 21.25" x 11.25". In Excellent condition.
Jim Davis Garfield Sunday Comic Strip Original Art dated 11-2-03 (Universal Press Syndicate, 2003). When you have a great big huge whoa-momma honking hunger, one little grape just won't do! Garfield Sundays don't come along often, and this one is certainly a winner! The art has an image size of 18.75" x 12.5" and it is in Excellent condition.
Jim Davis Garfield Sunday Comic Strip Original Art dated 9-30-07 (Universal Press Syndicate, 2007). This sweet and sentimental Garfield Sunday says so much without saying a word! The art has an image area of 18.75" x 12.5" and it is in Excellent condition.
Jim Davis Garfield Daily Comic Strip Original Art dated 1-7-08 (Universal Press Syndicate, 2008). Cats can be very mercurial! This daily has an image size of 14" x 4" and it is in Excellent condition.
Phil Davis Mandrake the Magician Sunday Comic Strip Original Art dated 6-25-44 (King Features Syndicate, 1944). The sartorially splendid Mandrake the Magician and his buff valet/bodyguard, Lothar, are much needed troubleshooters on the Sam Jones circus tour, in this delightful Sunday. Phil Davis' smooth, clean rendering effortlessly carried Lee Falk's storylines, a combination that mesmerized Mandrake readers for over 30 years. This strip has an image area of 13.75" x 21.25" and it has been framed to an overall size of 24.5" x 32.5". The art is in Excellent condition. From the Bob Cowan Collection.
Billy DeBeck Hand Colored Barney Google Specialty Sketch Original Art (1933). This beautiful DeBeck drawing has an image area of 15" x 4.5", and it has been matted and framed to an overall size of 22" x 11.25". The art is in Excellent condition. DeBeck inscribed and signed this drawing at the lower right.
Dan DeCarlo Humorama Men's Magazine Cartoon Illustration Original Art (Humorama, 1956). This cartoon was used many times and was last seen in the September, 1971 issue of Fun House. Caption: "Why don't you try and catch something else besides fish?" This illustration has an image area of 9" x 12.5", and the art is in Very Good condition. From the Estate of Charles Martignette.
Dan DeCarlo Humorama Men's Magazine Cartoon Illustration Original Art (Humorama, 1956). This cartoon was used several times and was last seen in the July 1972 issue of Fun House. Caption: "He's a real gentleman momma -- he gave me a blank check and told me to sign it myself." This illustration has an image area of 9" x 12.5", and the art is in Very Good condition. From the Estate of Charles Martignette.
Dan DeCarlo Humorama Men's Magazine Cartoon Illustration Original Art (Humorama, 1957). This cartoon was reprinted several times and was last seen in the August 1971 issue of Laugh Digest. Caption: "There you go, Jack -- losing yourself again." This illustration has an image area of 9" x 12", and the art is in Excellent condition. From the Estate of Charles Martignette.
Dick Tracy Monthly #101 Painted Cover Original Art (Harvey, 1956). "Assume the position." Dick Tracy is the ultimate crime-stopper. This boldly painted cover has an image area of 11" x 11", and it has been matted to an overall size of 16" x 16". The art is in Excellent condition.
Dick Tracy Monthly #108 Painted Cover Original Art (Harvey, 1957). Dick Tracy to the rescue in this hair-raising traffic stop. This dramatic painted cover has an image area of 12" x 11", and it has been matted to an overall size of 16" x 15". The art is in Excellent condition.
Dick Dillin and Dick Giordano Justice League of America #116 Complete 20-page Story "The Kid Who Won Hawkman's Wings" Original Art (DC, 1975). For many Bronze Age fans, the talented duo of Dillin and Giordano were the top art team on the JLA. This yarn marked Charlie Parker/Golden Eagle's first appearance. Each page of this story has an image area of 10" x 15", and the art is in Excellent condition.
Walt Disney Characters 1935 Specialty Painting Original Art (undated). The winter of '35 sets the scene for this joyful painting featuring Mickey Mouse, Minnie Mouse, Donald Duck, Clarabelle Cow, Goofy (or Dippy the Goof, as he was originally called), Horace Horsecollar, the Wise Little Hen, and Pluto the Pup, all making merry music as the snow falls around them. We're not sure of the artist, as the piece is unsigned and missing any Walt Disney copyright information, but the characters all look perfect for the time period depicted. Oil on canvas, with an image area of approximately 29.5" x 23.5", framed in a simple wooden frame without glass. In Excellent condition.
Steve Ditko Tales of Suspense #7 "Martian Maze" Title Page 1 Original Art (Marvel, 1960). When it comes to fabulous fantasy and scintillating science fiction yarns, Ditko's art is a thing of beauty. No collection of the great comic book artists would be complete without an example from Sturdy Steve, and here is a prime piece from the dawn of the Marvel revolution. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko Incredible Hulk #6 page 4 Original Art (Marvel, 1963). In addition to his spectacular work on Spider-Man, Steve Ditko also brought his peerless pencils and inks to The Incredible Hulk, for the final issue of its original run. A malevolent menace debuts in this historic page from "The Metal Master." This page has an image area of 12.5" x 18.5", and aside from a clipped upper left corner (outside the image area), the art is in Excellent condition.
Steve Ditko Incredible Hulk #6 page 5 Original Art (Marvel, 1963). Steve Ditko is celebrated as the seminal Spider-Man artist, but his first-rate work on the Hulk is highly regarded as well. The Metal Master demonstrates his mental powers for General Thunderbolt Ross and his armed forces in this hallmark Ditko nine-panel page. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko and George Roussos (as George Bell) Strange Tales #125 Doctor Strange vs. Baron Mordo page 8 Original Art (Marvel, 1964). Doctor Strange pages rarely turn up in the marketplace and these dazzling delineations by Ditko make this Silver Age page a Marvel masterpiece -- each panel is filled with magical mayhem. There are two stained areas on the art -- one between the top two panels, and another on the bottom middle panel; otherwise,, the art is in Very Good condition.
Steve Ditko Ghostly Tales #102 Cover Original Art (Charlton, 1973). Leave it to hall of fame comic book artist Steve Ditko to create a haunting, spine-tingling cover design for the Charlton chiller, "Who is Next?" This "scare-ific" piece has an image area of 12.5" x 18.5". This cover is pieced together with several pasted-on original art and type elements. Some of the lettering corrections at the center left are missing, and the page was folded horizontally through its center; otherwise,, the art is in Very Good condition.
Will Eisner The Spirit (Weekly Comic Book) Complete 7-page Story "Fat Looie" Original Art dated 2-16-47 (Des Moines Register and Tribune Syndicate, 1947). This full, 7-page Spirit story hails from a prime year. As an "art bonus," on the back of the first page is a lettered and partially penciled variant splash. Each page has an overall size of 14.25" x 22", and the art averages Very Good condition.
Will Eisner The Spirit (Weekly Comic Book) "The Hallowe'en Spirit of 1947 -- The Burning of P. S. 43" Splash Page 1 Original Art dated 10-26-47 (Des Moines Register and Tribune Syndicate, 1947). Eisner's Spirit splashes are legendary. Most were destroyed or are in museum collections. This is one of the best surviving splashes remaining, and this iconic holiday image has been reprinted many times. This brush, pen, and ink on heavy bristol board masterwork has an overall size of 16.5" x 22". The title logo is a replacement; otherwise,, the art is in Excellent condition.
Will Eisner Will Eisner's Quarterly #6/Will Eisner Reader Cover Original Art (Kitchen Sink, 1985). The elderly man watching a young boy build sand castles at the beach is a metaphor for life inspired by Eisner's own advancing age, and this melancholy piece was used as a cover image on two different publications. This watercolor on illustration board painting has an overall size of 11.5" x 13.5", and it was signed and dated at the lower right. The art is in Excellent condition.
Will Eisner The Spirit Sword Fighting Movie Scene Concept Illustration Original Art (1986). This is one of just five Eisner paintings that were commissioned by Warner Brothers for the first made-for-TV Spirit movie. This watercolor-on-board concept illustration, with an overall size of 12.75" x 10", depicts a fencing scene between the Spirit and the villain inside a museum. The art is in Excellent condition.
Will Eisner A View From the Edge: 21st Century Watercolor Painting Original Art (1997). This never-before-seen, unpublished Eisner painting of Father Time holding a sickle and scanning the horizon of time was done for an aborted project about the then-coming millennium. This 12" x 16" watercolor on illustration board painting is in Excellent condition.
Bill Everett and Jack Kirby Tales to Astonish #79 Hulk vs. Hercules page 9 Original Art (Marvel, 1966). It's a clash of the titans as the Green-Skinned Goliath battles the Prince of Power. Throw in some mountain juggling, an artillery attack, and a hallmarked Hulk leap, and this page is sure to make a treasured showpiece for any merry Marvelite. This piece has an image area of 12.5" x 18.5". The upper left corner has been clipped (outside the image area) and there are some areas with white-out; otherwise,, this art is in Excellent condition.
Bill Everett Tales to Astonish #87 Sub-Mariner page 9 Original Art (Marvel, 1967). This hard-hitting "twice-up" page showcasing the Sub-Mariner, was created by the best artist to ever draw him -- his creator, Bill Everett. Krang co-stars. The image area of this Silver Age spectacular is 12.5" x 18.5", and the art is in Excellent condition.
Bill Everett and Jack Kirby Tales to Astonish #79 Hulk page 3 Original Art (Marvel, 1966). Two of the comic book field's greatest talents teamed to create this incredible page from "The Titan and the Torment." Bill Everett's polished inks added a perfect Silver Age finish to Jack Kirby's dynamic layouts. With the Hulk starring in five panels, this page is nothing less than a magnificent Marvel masterwork. The page has an image area of 12.5" x 18.5". Panel five is a pasted-on art correction, the upper left corner has been clipped (outside the image area), and there are some areas with white-out; otherwise,, this art is in Excellent condition.
Bill Everett Prince Namor, the Sub-Mariner Sketch Original Art (undated). Don't miss this chance to win a sensational pencil portrait, drawn by Golden Age great Bill Everett, featuring his world-famous, watershed creation, the Sub-Mariner. This is but the third Everett sketch we've offered to date, and this wonderful piece has an overall size of 11" x 14". The art is in Excellent condition.
Al Feldstein Weird Science #6 "The Spawn of Venus" Cover Original Art (EC, 1951). "Take a trip in science fiction -- see the incredible horrors that inhabit the cloud-covered mystery planet -- Venus." Renowned EC artist Al Feldstein spotlights an eerie tableau of bizarre alien life forms in this cover, based on events from the famous EC yarn, "The Spawn of Venus." Feldstein's razor-sharp brush strokes and dramatic perspective were influenced strongly by the detailed, hard-edged astronomical paintings of Chesley Bonestell. This surreal cover scene has an image area of 13.5" x 19.25". The logo and lower caption stats are replacements; otherwise,, the art is in Excellent condition.
Fred Fields Mind Flayer TSR Module Cover Original Art (1992). This magnificently detailed piece has an image area of 17.5" x 27", and it has been framed to an overall size of 23" x 33". The art is in Excellent condition.
Hal Foster Prince Valiant Partial Sunday Comic Strip #1136 Original Art dated 11-16-58 (King Features Syndicate, 1958). Big, bold, and beautiful, this piece -- the bottom half of a Sunday -- features King Arthur, Queen Guinevere, Val, Aleta, and the twins, Karen and Valeta. The art has an image area of 22.5" x 22.5", and it has been matted and framed to an overall size of 33.5" x 33.5". In Excellent condition. From the Bob Cowan Collection.
Frank Frazetta and Al Williamson John Wayne Adventure Comics #8 page 9 Original Art (Toby, 1950). Williamson, Frazetta, and a band of their artist friends and peers worked and played together as young cartoonists back in the fabulous fifties. Most likely, Williamson penciled this page from "The Ugly Duckling Bandit," while Frazetta inked it. This page has image area is 12" x 18". Aside from a glue stain in a lettering correction in panel one, the art is in Excellent condition.
Frank Frazetta Johnny Comet Daily Comic Strip Original Art dated 4-4-52 (McNaught Syndicate, 1952). Frazetta's celebrated mastery of pen and ink is showcased in this thrilling Johnny Comet daily. Note the fine detail and graphic excellence of these portraits of the young Johnny, who bears more than a passing resemblance to Frazetta himself. This daily, which is signed in the first panel, has an image area that measures approximately 16.75" x 4.5", and the art is in Excellent condition.
Frank Frazetta Outlaw World (White Apes) Paperback Cover Preliminary Original Art (1969). No artist has ever drawn or painted more charismatic apes than Frazetta. This gem-like study was done in preparation for the cover of Edmond Hamilton's Captain Future novel, Outlaw World (Popular Library, 1969). This piece has an image area of 5" x 7", and it has been matted and framed to an overall size of 13.5" x 16.5". Frazetta later titled his finished painting "White Apes." The art is in Excellent condition and is signed by Frazetta at the lower right. From an Important California Collection.
Frank Frazetta Full Page Pencil Sketch Sheet Original Art (c. 1970s). This 7" x 10" full page sketch sheet contains studies for the paintings "Amazon Headhunter" and "Ogre," and it comes with a letter of authenticity from noted Frazetta authority, Dr. David Winiewicz. Aside from a few small stains and an irregular left edge, the art is in Very Good condition.
Frank Frazetta A Caveman Carrying a Woman Away Drawing Original Art (c. 1976). When it comes to drawing scenes of raw, primitive love, few if any artists can match the master, Frank Frazetta. This piece has an image area of 6.25" x 5" and has been matted and framed to an overall size of 14.5" x 12.5". In Excellent condition.
Frank Frazetta Savage With a Knife Drawing Original Art (undated). A fierce-looking warrior brandishes a long knife in this expressive Frazetta ink sketch, signed with a typical fine line. The paper size measures 9" x 12", the art has an approximate image area of 4" x 4.25". Some tape stains along the paper edges and a few minor creases outside of the image area; otherwise, in Excellent condition.
Floyd Gottfredson Mickey Mouse Adventures with Robin Hood Painting Original Art (1980). Floyd Gottfredson is celebrated as the primary creator of the Mickey Mouse daily newspaper strip -- his first daily debuted on May 5, 1930. In this charming Gottfredson painting, Mickey journeys back to the joyous days of Robin Hood and joins his hearty band of Merry Men. He rescues Maid Minerva, a damsel in distress incarcerated in the castle Durance Vile, and together join in a festive tournament among the greenery of fabled Sherwood Forest. This piece was reproduced on page 18 of The Malcolm Willits Collection of Mickey Mouse Paintings by Floyd Gottfredson and it has an approximate image area of 21" x 16". The art is in Excellent condition, and Gottfredson signed the painting at the lower right.
Chester Gould Dick Tracy Sunday Comic Strip Original Art dated 11-9-47 (Chicago Tribune, 1947). Mumbles finds an interesting way to get the upper hand on Tracy in this sharp Sunday -- what's his game? Gould's villains make Dick Tracy one of the most popular strips of all time, and this example hits a high note. Like most Tracy Sundays, each panel has been cut from another board and pasted in place, with some panels slightly extended. This piece has an image size of 27" x 18" and it is in Very Good condition.
Mike Grell The Warlord #31 Cover Original Art (DC, 1980). Travis Morgan takes an unexpected flight over Shamballah via an enormous eagle in this startling Mike Grell cover illustration. The art has an image area of 10" x 15" and it is in Excellent condition. Signed and inscribed by Mike Grell at the lower left.
Mike Grell Green Arrow #71 Cover Original Art (DC, 1993). Oliver Queen's on the trail of a black panther loose in Seattle in this striking cover illustration by Mike Grell. The art has an image area of 10" x 15" and it is in Excellent condition. Signed and inscribed by Grell at the bottom right.
Mike Grell Spawn the Impaler #3 Penciled Cover Original Art (Image, 1996). Spirited drawing in graphite for the third cover of this three-issue series written and penciled by Mike Grell. These were the final pencils, which were transferred onto the art board and used as a base for the final, fully painted cover. The art has an image area of 10.5" x 16" and it is in Excellent condition. Signed by the artist at the bottom.
Mike Harris and Tony DeZuniga All-Star Squadron #49 Cover Original Art (DC, 1985). This riveting cover has the reader seeing the Shining Knight on the verge of plunging his sword into Hourman. While the shocked facial images of Dr. Fate, Firebrand, Robotman, and Blackhawk look on in disbelief, a phantom image of the treacherous Wotan looks on with utter delight. This spectacular scene has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Harvey Comics Jack-in-the-Box Logo Illustration Original Art (Harvey, undated). The familiar, jolly image of the green and red Jack-in-the-Box first graced the covers of Harvey comic books in 1959. Based on the 1940s Paramount "Noveltoons" logo for theatrical cartoons, the Jack figure was updated when the Famous Studios cartoons appeared on television, featuring the Harvey roster of characters. This sharply rendered artwork is loaded with fine-line detail, and may have been created to be used in Harvey house ads. While the original creator of this iconic piece is not known, we suspect Warren Kremer may have been the artist. The ink on bristol art has an image area of approximately 2.5" x 4.5", and it is in Excellent condition.
George Herriman Embarrassing Moments/Bernie Burns Daily Comic Strip Original Art dated 1-26-32 (King Features Syndicate, 1932). This hilarious episode by the great George Herriman has an image area of 7" x 7", and it has been matted and framed to an overall size of 13" x 13.25". In Excellent condition.
Greg and Tim Hildebrandt Magic the Gathering: Mercadian Masques Single - Forced March Trading Card Illustration Original Art (Wizards of the Coast, 1999). "The Caterans call it a screening process. The dead are in no condition to argue." This painting by the modern fantasy masters has an image area of 14" x 10.75", and it has been matted and framed to an overall size of 22.5" x 19". In Excellent condition.
Alex Horley Wolverine vs. Sabretooth VS System Trading Card Game Illustration Original Art (Upper Deck/Marvel, 2006). It's mutant mayhem as Wolverine takes on Sabretooth in this feral masterpiece. Horley's art has been in high demand for the last several years, and rightfully so, as he is considered by many to be one of the most exciting young painters working in comics today. This piece has an overall size of 8.5" x 8.5", and the art is in Excellent condition. Two signed tearsheets are included in this lot.
Graham Ingels Vault of Horror #19 Complete 7-page Story "Reunion" Original Art (EC, 1951). Loosely inspired by Ray Bradbury's yarn, "Skeleton," this horror tale of a love affair postponed must rank among the greatest of Ingels' fabled EC canon. "Ghastly's" spider web-thin ink lines outline a love tryst so chilling, so eerie, the original art must be admired in person to appreciate the full impact of his consummate artistry. Each page has an image area of 13" x 18". Panel three of page three has an art correction paste-up; otherwise, the art is in Excellent condition. Page 1 has been matted and framed to an overall size of 19" x 24".
Graham Ingels Tales From the Crypt #31 "Buried Treasure" page 7 Original Art (EC, 1952). The Old Witch puts the finishing touches on this EC yelp-yarn in a splendid portrait panel by the master of horror, "Ghastly." This fearsome finale from "Buried Treasure" has an image area of 13" x 18", and the art is in Excellent condition.
Jimmy Janes and Rudy Nebres Vampirella #84 Splash Page Original Art (Warren, 1980). This glorious grey tone splash from "Phantasmagoria of Terror" features the Darling of Draculon, and it has an image area of 13" x 19". The piece has been framed to an overall size of 18" x 26", and the art is in Good condition.
Jeff Jones Earth God Illustration Original Art (c. 1960s). This early fantasy piece has an overall size of 11" x 14", and the pen and ink art is in Excellent condition.
Jeff Jones Idyl Page Original Art (National Lampoon, undated). Jeff Jones explores the metaphysics of being in this beautifully drawn "Idyl" strip, most likely slated for an issue of National Lampoon. The image area of the art measures 18" x 23", and it is in Excellent condition.
Jeff Jones The Woman in Black Painting Original Art (c. 1985). Jones' facile brushwork and somber palette are showcased in this intimate portrait. This painting has an image area of 24" x 32", and it has been framed to an overall size of 29" x 37". In Excellent condition.
Michael W. Kaluta Eclipse #5 Complete 4-page Story "Among the Scarabaeidae" Original Art (1970-1982). The previously unpublished "Among The Scarabaeidae" was drawn in 1970, but saw print in Eclipse magazine #5 in 1982. Each page of this fantasy sensation has an image area of 10" x 13", and the pages average in Excellent condition.
Michael W. Kaluta House of Mystery #315 "I... Vampire!" Cover Original Art (DC, 1983). Reluctant vampire Andrew Bennett floats downstream in flames, in this exquisite cover by Michael Kaluta. Taken from chapter 20 of the ongoing saga, "I... Vampire," this Twilight-tinged piece is remarkable, even though the original logo and type stats are now missing. Ink on bristol with an image area of approximately 9.75" x 15".
Some rubber cement stains and minor edge soiling; otherwise,, in Very Good condition.
Some rubber cement stains and minor edge soiling; otherwise,, in Very Good condition.
Michael W. Kaluta Vampirella #2 Alternate Cover Original Art (Harris, 1992). Vampi lets her pet, er, kittens feast on a little snack in this alluring cover illustration. Here's a little bonus for the fellows -- Vampirella is nude in this version! "I did the cover work as nudes, then added the costume for publication" was the reply when we asked Michael about this piece. It also appeared as drawn in 1999, as part of the limited edition black and white portfolio, Nudes. We think you'll agree that our favorite blood-sucking siren never looked so good! The art is in graphite and ink on bristol, with an image area measuring approximately 16" x 21". In Excellent condition.
Michael W. Kaluta The Shadow Movie Adaptation #2 page 15 Original Art (Dark Horse, 1994). Shiwan Kahn's minions fall beneath a hail of bullets from the Shadow's smoking twin .45s, in this quintessential Shadow page by Michael W. Kaluta. The art has an image area of 10" x 15" and it is in Excellent condition.
Michael W. Kaluta and Dave Stevens The Shadow Movie Adaptation #2 page 6 Original Art (Dark Horse, 1994). The silky-smooth inks of the late, great Dave Stevens grace this page of Michael W. Kaluta's Shadow adaptation. This fast-moving action page is sure to stoke any art lover's "pulp fever." This unique piece has an image area of 10" x 14", and the art is in Excellent condition.
Michael W. Kaluta Tales of the Unexpected #2 Cover Original Art (DC, 2007). The Spectre lights up the night with a set of glowing bones in this eerie cover to DC's revived Tales of the Unexpected. What is to be expected is a wonderful piece of line art from a true master, and Kaluta delivers with style! The art extends to the bristol board edges, which measure approximately 11.5" x 17", and it is in Excellent condition. A color print of the finished cover, sans logo and type, is included.
Gil Kane and Joe Giella Green Lantern #7 Green Lantern vs. Sinestro page 15 Original Art (DC, 1961). Hal Jordan vanquishes Sinestro, the renegade Green Lantern, in these scenes from "The Day 100,000 People Vanished," the tale that was the villain's the first appearance. This decidedly cool piece of Silver Age DC history has an image area of 13" x 18", and the art is in Excellent condition.
Jack Kirby and Joe Simon Stuntman page 9 Original Art (Harvey, c. 1946). The famous Simon and Kirby team's wild and wacky sense of humor is showcased on this Stuntman page from an unidentified issue. The Panda co-stars as the heavy. This page has an image area of 12" x 18", and the art is in Very Good condition.
Jack Kirby and Joe Simon Black Cat Mystic #58 Cover (Harvey, 1956). No collection of first-rate comic art could be considered complete without a terrific cover example by the legendary team of Jack Kirby and Joe Simon. Even working under the draconian restrictions of the newly-established Comics Code Authority, this scene is eerie enough to cause a shiver or two to run down your spine. This piece has an image area of 12" x 17.5", and aside from missing its cover type and logos, the art is in Very Good condition.
Jack Kirby Black Cat Mystic #59 Complete 5-page Story "Today I Am a--?" Original Art (Harvey, 1957). The Simon and Kirby team has created another show-stopper with this science fiction sensation. Each page of this fantastic 5-pager from the fifties has an image area of 18" x 12", and the pages average in Excellent condition.
Jack Kirby and Sol Brodsky Fantastic Four #3 page 4 Original Art (Marvel, 1962). After demonstrating his uncanny abilities to the Fantastic Four and a live audience, the Miracle Man takes a fateful turn from being a mere entertainer to a vile arch-villain. Take note, this page hails from the earliest Fantastic Four yarn yet to reach the marketplace, and features the first story-page appearance of the Fantasticar. This mighty Marvel milestone has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers Fantastic Four #14 page 3 Original Art (Marvel, 1963). Fans -- they mean well, but at times they can be a real pain. While Mr. Fantastic and the Invisible Girl take a more measured response to unwanted requests, the Thing takes his typically direct approach in these lighthearted scenes from "The World's Greatest Comic Mag." This piece has an image area of 12.5" x 18.5", and it has been matted and framed to an overall size of 24" x 32". The art is in Excellent condition.
Jack Kirby and Sol Brodsky Tales to Astonish #40 Ant-Man page 5 Original Art (Marvel, 1963). Kirby's mastery of extreme, forced perspective is showcased for a great effect in this early Marvel hero yarn, "The Day That Ant-Man Failed." This pulse-pounding page, filled with dizzying drama, has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and George Roussos Sgt. Fury #7 page 15 Original Art (Marvel, 1964). Things look dark for the head Howler in this page from "The Court-Martial of Sgt. Fury." The page has an image area of 12.5" x 18.5", and aside from a few small stains, the art is in Excellent condition.
Jack Kirby and Chic Stone Fantastic Four Annual #2 Dr. Doom Origin page 2 Original Art (Marvel, 1964). Doctor Doom revisits the place and time where his terrifying rise to power began. It's a moody Marvel masterwork by the key architects of the House of Ideas -- Jack Kirby and Stan Lee. This page has an image area of 12.5" x 19", and aside from a few light stains in the last panel, the art is in Excellent condition.
Jack Kirby and Chic Stone Fantastic Four Annual #2 Molecule Man Pin Up Page Original Art (Marvel, 1964). "Twice-up" pin up pages from the early FF annuals are always highly sought after by Kirby collectors, and this is a first-rate example. Enhanced with the bold ink lines of Stone, this Marvel masterwork is a prime portrait of one of the "King's" most electrifying villains. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Simon Fighting American #1 page 2 Original Art (Harvey, 1966). The Simon and Kirby team's outrageous brand of satire is featured in this page from "The Secret of Yafata's Moustache." Originally slated for the never-published issue #8 of the first series, this page didn't see print until the Harvey Comics one-shot in 1966. This page has an image area of 12" x 18", and the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #127 Pluto page 4 Original Art (Marvel, 1966). Pluto (from Red Raven Comics #1, August 1940) was reintroduced to the Marvel Age with this story. Who but Jack Kirby could dress Pluto, the Lord of the Underworld, as a slick Hollywood producer with such flair -- this page is nothing less than another triumph for the House of Ideas. This Silver Age showstopper from "The Hammer and the Holocaust" has an image area of 12.5" x 18.5", and the art is in Excellent condition. Kirby signed the piece in its final panel.
Jack Kirby and Joe Sinnott Tales of Suspense #94 Captain America and Modok page 10 Original Art (Marvel, 1967). Sinnott's polished inking combined with Kirby's dramatic storytelling brought the Silver Age Captain America feature to its highest heights of glory, and this action-packed page will look outstanding in any Marvelite's collection. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Vince Colletta Thor #152 page 8 Original Art (Marvel, 1968). With the Destroyer down, Asgard summons Thor to decide its fate in this page from "The Dilemma of Dr. Blake!" By the Golden Gates, thou shalt not pass up this wondrous page penciled by Jack Kirby and inked by Vince Colletta! The art has an image area of 10" x 15" and it is in Very Good condition. Signed by Jack Kirby in the final panel.
Jack Kirby Dr. Droom Pin-Up Illustration Original Art (c. 1970). The dynamic central figure of this thriller harkens back to an early Jack Kirby creation, the pre-hero Marvel character Doctor Droom, who was featured in the first few issues of Amazing Adventures. The Humpty Dumpty-esque feller riding a hoverpad behind him is a dead ringer for Egg-Head from Captain Victory, while the demonic minions lining the borders are hallmark Kirby creations. This appears to have been a specialty commission that Kirby completed at the specific request of a fan. It's quite a stunner, with its large size (18" x 22.5") and bold inks. A spectacular piece for any Kirby collector, the artwork is in Excellent condition, with only minor blunting at the corners.
Warren Kremer Richie Rich #9 Cover Original Art (Harvey, 1962). The art has an image area of 7" x 11". There is glue residue along all four edges (outside of the image area), and in the upper portion; otherwise,, the art is in Very Good condition. The logo and masthead are a recent replacement.
Warren Kremer Richie Rich Millions #6 Cover Original Art (Harvey, 1963). Richie puts a thief through some very expensive paces in this cover gem by Warren Kremer. The art has an image area of 7" x 10" and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Warren Kremer Richie Rich Millions #7 Cover Original Art (Harvey, 1963). Richie drops a very chic anchor in this Warren Kremer cover illustration. The art has an image area of 7" x 10" and it includes the original logo and masthead paste-up art (although the Harvey logo and the bottom two "TV screen" cameos are recent replacements). In Very Good condition.
Warren Kremer Richie Rich #24 Cover Original Art (Harvey, 1964). This cover features superb work by Harvey mainstay Kremer. The art has an image area of 7" x 10.25", and it is in Very Good condition. The logo and masthead are a recent replacement.
Warren Kremer Richie Rich Millions #9 Cover Original Art (Harvey, 1964). It's "hump day" for Richie as he takes a ride through the desert -- camel-style -- in this wonderful cover by Warren Kremer. The art has an image area of 7" x 10" and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Warren Kremer Richie Rich #47 Cover Original Art (Harvey, 1966). Richie can afford all the latest technology -- and someone to carry it! This cover has an image area of 7" x 10" and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Warren Kremer Richie Rich Millions #19 Cover Original Art (Harvey, 1966). Richie makes his way through the forest in 20-carat style in this "facet-nating" cover by Warren Kremer. The art has an image area of 7" x 10" and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Warren Kremer Richie Rich #55 Cover Original Art (Harvey, 1967). Richie puts the finishing touches on his three-story tall snow giant in this "uplifting" cover illustration. The art has an image area of 7" x 10" and it is in Very Good condition. The logo and masthead is recent photocopy replacement art.
Warren Kremer Richie Rich #57 Cover Original Art (Harvey, 1967). While they all may be styled the same, Richie has a new suit for every day of the month. This sartorially splendid cover scene has an image area of 7" x 10.5", and it is in Very Good condition. The logo and masthead are a recent replacement.
Bernard Krigstein Valor #4 Complete 6-page Story "The Know Nothing" Original Art (EC, 1955). One of the most respected artists from the world-class EC line-up, Bernard Krigstein was an inspired artist. His output for EC was more limited than most of the other staffers, and as a result, complete stories by him scarcely turn up in the marketplace. A suspenseful thriller from one of comics' most innovative action-adventure artists, this story is certain to make a prized addition to any EC art collection. Each page has an image area that measures approximately 13" x 18". The word balloons and captions have been pasted-on due to Code-mandated changes; otherwise,, the art is in Excellent condition.
Joe Kubert Our Army at War #198 Sgt. Rock Chapter Title Page 7 Original Art (DC, 1968). The fabled "K-K team," Robert Kanigher and Joe Kubert, dominated the war comic genre in the Silver Age. Kubert's expressionistic art was the perfect complement to Kanigher's emotion-laden scripts. Easy Company's lives aren't worth a "Plugged Nickel" unless Sgt. Rock can lead them to victory over a formidable Tiger tank -- as usual, nothin's ever easy for Easy! The image area of the page is 10" x 15", and the art is in Excellent condition.
Harvey Kurtzman Jungle Book "Compulsion on the Range" page 94 Original Art (Ballantine Books,1959). Jungle Book, among Kurtzman's most acclaimed and influential works, was also arguably the first graphic novel. With pen, brush, ink washes, as well as his withering wit, Kurtzman created another satirical masterwork. This page has an overall size of 7.7" x 12.5", and its condition is Very Good.
Harvey Kurtzman Jungle Book "Thelonius Violence" page 13 Original Art (Ballantine Books,1959). In this page from "Thelonius Violence," Kurtzman parodied the womanizing Peter Gunn TV detective series using pen, brush, and ink washes. The Jungle Book is perhaps Kurtzman's most acclaimed solo work. This page has an overall size of 7.5" x 12.5", and the art is in Very Good condition.
Harvey Kurtzman and Will Elder Mad #270 Complete 4-page Story "Banana Republic Dictator of the Year" Original Art (EC, 1987). Original Madmen Harvey Kurtzman and Will Elder (remember, gang -- Elder used to sign his name as "Bill" back in the old Mad days) return to the fold for this side-splitter featuring "Pill Wurry" interviewing El Presidente of El San Banana. Like back in the old days, Elder crams in lots of little "eyeball kicks" in his art, the kind of thing Kurtzman used to refer to as "chicken fat." The top of the first page is missing the story title (which was added during production), but the other three are complete, with image areas measuring approximately 14.75" x 20.5", and the pages are all in Excellent condition. Hoo Hah, amigos!
Rick Leonardi and P. Craig Russell X-Men #235 Cover Original Art (Marvel, 1988). Welcome to Genosha, X-Men! This claustrophobic cover illustration was penciled by Rick Leonardi and inked by P. Craig Russell. The image area is 10" x 15" and the art is in Excellent condition. Signed and inscribed by Rick Leonardi at the bottom.
Bobby London Dirty Duck Panel Page Original Art (c. early 1970s). Annie's in "big trouble" in this early Underground Comix page. Bobby London was the George Herriman of the Undergrounds in these days, and this page fully channels the spirit of Krazy Kat -- in fact, that looks a lot like Krazy in the crowd running past Dirty Duck and Annie in the strip's climax. The ink on bristol art measures approximately 12.75" x 17.5", and it is in Excellent condition. Adult themes.
Bobby London Dirty Duck Complete 1-page Story "Erotic Book of the Month Club" Original Art (National Lampoon, c. 1972). Before he went on to draw Popeye, Bobby London's Dirty Duck was a Krazy Kat-inspired comic strip that ran in the infamous Air Pirates Funnies, Playboy, and National Lampoon. This ink on paper piece has an image area of 12" x 18.25", and it has been framed to an overall size of 13.25" x 19.25". Aside from some touches of white-out used for art corrections, the art is in Excellent condition.
Don Martin Mad #219 Complete Story Original Art Group (EC, 1980). Here's the story art for the cover feature of Mad #219, four pages of "Don Martin Looks at Firemen," and a single extra page, listed at the bottom of the art board as "One Day in the Life of a Fireman," originally slated for issue #218. Each of the first four pages has two amberlith overlays used to indicate tones to be dropped in by the printer. The image area varies from page to page, but averages 16.25" x 21". The first two pages are missing the top title and text, which was dropped in during production. All pages are in Excellent condition.
Winsor McCay Little Nemo in Slumberland Sunday Comic Strip Original Art dated 12-23-06 (New York Herald Co., 1906). Indisputably, Winsor McCay's Little Nemo is one of the all-time classics in the history of the comic strip. This early pen and ink strip was produced only 14 months after the strip's introduction. After 1909, McCay became districted by other projects. The strip is unusual in that it has Little Nemo and in Princess in every panel of the page. In addition, this strip includes an "Eternal Theme" of Santa Claus in his Toyland with his Elves, lists of "good boys and girls" and making ready to depart for his annual Christmas deliveries. This magical Yuletide spectacular has an image area of 21.75" x 29.5", and it has been matted and framed to an overall size of 30" x 38". In Excellent condition. From the Bob Cowan Collection.
Winsor McCay (as Silas) Dream of the Rarebit Fiend Sunday Comic Strip Original Art (New York Herald, 1908). The sweet sound of money rolling in -- too bad it's just a rarebit-induced dream. A master of comic strip art, political cartoons, and animation work, McCay penned his own epitaph when he wrote, "Simply, I could not keep myself from drawing." The overall size of this strip measures approximately 14" x 17". This piece has been removed from its illustration board backing, and cleaned. There are a few small holes in panels one and two, and small tears in the borders (some have been closed with tape on the back of the page); otherwise,, the art is in Good condition.
Todd McFarlane The Amazing Spider Man #328 page 16 Original Art (Marvel, 1990). The Hulk tosses a truck at him, but Spidey's got it covered (in webbing, that is) in this page from "Shaw's Gambit," by Todd McFarlane. The art has an image area of 10" x 15" and is signed by McFarlane at the right. In Excellent condition.
George McManus Bringing Up Father Hand Colored Sunday Comic Strip Original Art dated 10-5-24 (Int'l Features Service Inc., 1924). One of the hallmarks of McManus' strips is his sleek Art Deco-styled designs. Large chandeliers, flowing staircases, modernist designs, and streamlined decorations were all McManus specialties, and as a result, some historians tout Bringing Up Father as the first comic strip to achieve world-wide fame. This Sunday has an image area of 16.5" x 21". This gorgeous episode from the twenties has been handsomely hand-colored using watercolor. The strip was cut between panel tiers two and three and carefully taped back together; otherwise,, the art is in Excellent condition.
George McManus Hand Colored Bringing Up Father Partial Sunday Comic Strip Original Art (undated). McManus' art is even more appealing when it's hand-colored. Hand colored originals such as this one were often presented by artists to friends and fans. This top-half piece has an overall size of 17.5" x 12.5". Aside from edge and corner wear and some paper aging, the art is in Very Good condition.
Al Milgrom and Bob Layton The Avengers #182 Cover Original Art (Marvel, 1979). Earth's mightiest heroes battle the many faces of evil in this Bronze Age showdown. This piece has an image area of 9.75" x 15". The title logo is a replacement and a caption at the lower left is missing; otherwise,, the art is in Excellent condition.
Frank Miller and Bob Wiacek Marvel Team-Up #100 page 15 Original Art (Marvel, 1980). Miller's version of Spider-Man is a treat, and this page is from the issue with the first appearance of Karma, later a founding member of the New Mutants. Karma's brother Tran, who has the same powers, attempts to take control of Spidey's mind in this page from "And Introducing-- Karma! She Possesses People!" The art has an image area of 10" x 15" and it is in Very Good condition.
Frank Miller and Klaus Janson Marvel Calendar Daredevil Illustration Original Art (Marvel, 1981). The Man without Fear vaults across the Manhattan rooftops as only he can, in this acrobatic scene drawn for the June 1981 page of the Marvel Calendar. The piece has an image area of 12" x 17.25". A collector mounted this calendar illustration onto a backing board and added a logo and caption so as to give this piece the appearance of an unpublished cover; otherwise,, it is in Excellent condition.
Sheldon Moldoff Flash Comics #7 Hawkman Cover Re-Creation Original Art (1984). The high-flying thrill of the Golden Age Hawkman's adventures is recaptured in this splendid hand-colored re-creation of the cover scene from Flash Comics #7 by Sheldon "Shelly" Moldoff. That issue was just the second Hawkman comic book cover ever, behind only #2 of the series, and the first by Moldoff, one of the artists most identified with the character. Since the comic was dated July 1940, Moldoff dated this piece 1940-84. This mixed-media masterwork has an overall size of 15" x 20", and the art is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art dated 7-23-46 (McClure Newspaper Syndicate, 1946). Jughead raises a red flag on a stop during a road trip, but of course Archie ignores it. Superb, early Bob Montana art is the highlight of this episode. This daily has an image area of 19" x 6", and the art is in Excellent condition.
Bob Montana Archie Sunday Comic Strip Original Art dated 3-14-48 (McClure Newspaper Syndicate, 1948). Once again, one of Archie's pranks backfires -- when will that boy learn? Fred Andrews and Jughead co-star. This Sunday has an image area of 20.5" x 14.5", and aside from a glue-stained title logo, and pasted-in art corrections in a few panels, the art is in Very Good condition.
Bob Montana Archie Sunday Comic Strip Original Art dated 3-13-49 (McClure Newspaper Syndicate, 1949). Much to Archie, Betty, and Veronica's amazement, Jughead makes his stage debut. This strip has an image area of 20.5" x 14.5", and aside from a missing lettering correction and a few small stains, the art is in Excellent condition.
Bob Montana Archie Daily Comic Strip Original Art dated 12-28-49 (McClure Newspaper Syndicate, 1949). Archie experiences a flight of fantasy in this Bob Montana daily. The image area measures 19" x 5.75" and the strip is in Excellent condition.
Jim Mooney Pussycat page 4 (along with its Pencil Preliminary) Original Art (Magazine Management/Marvel, undated). Jim Mooney's eye-popping talent for "good girl" art is showcased in this closer for a Pussycat romp. Is it our imagination or is Pussycat a dead-ringer for Gwen Stacy? This page has an image area of 11" x 15", and it is in Excellent condition. Also included in this lot is a preliminary, drawn in blue pencil on vellum.
Jim Mooney Men May 1972 Complete 4-page Pussycat Story "Bullets, Boobs, and Broads" Original Art (Magazine Management/Marvel, 1972). Pussycat's adventures are the kind men like, as can be clearly seen by the production notes on the backs of these pages -- this delectable yarn ran in Men, Cartoon Laughs, Best Cartoons, Cartoon Capers, and Cartoons and Gags from 1972-74. Each gorgeous grey tone page has an image area of 11" x 15", and the art averages in Excellent condition.
Ruben Moreira Tarzan Sunday Comic Strip #782 Original Art dated 3-3-46 (United Feature Syndicate, 1946). Kreegah, Tarzan art aficionados. Here's a scarce example -- scarce because the talented comic book artist, Ruben Moreira, drew the strip for only about 20 months. Moreira signed his work using the pen name of "Rubimor." This Sunday has an approximate image area of 19.5" x 29.5". The strip was cut between panel tiers two and three and has been nicely matted as two sections. This piece has been framed to an overall size of 28.75" x 38", and the art is in Excellent condition. From the Bob Cowan Collection.
Earl Norem Tales of the Zombie #9 Cover Original Art (Marvel, 1975). If any zombie knows of any reason why this union should not take place, let him grunt now or forever hold his peace. No grave or wedding ceremony can hold Simon Garth, in this monstrous matrimony painted by Earl Norem! Acrylic on heavy illustration board, the art measures 16.25" x 22.75". In Excellent condition.
Earl Norem Marvel Preview #9 Cover Original Art (Marvel, 1976). Hugo Danner flexes his magnificent alkaline radical-charged muscles in this cover illustration by Earl Norem for the Marvel adaptation of Philip Wylie's novel, Gladiator. Acrylic on heavy illustration board, framed to an image area of 16" x 23". In Excellent condition.
Earl Norem Star Wars II: World of Fire Cover Original Art (Marvel, 1982). The second issue of the Marvel Illustrated Books Star Wars series was graced with this stellar Earl Norem cover painting. Acrylic on heavy illustration board with an image area of 13" x 19". There is some glue residue along all four edges (well outside of the image area); otherwise, the work is in Excellent condition.
Earl Norem Savage Sword of Conan #171 Cover Original Art (Marvel, 1990). The savage Cimmerian battles by the light of the "Hunter's Moon" in this Marvel masterwork, painted by Norem. This gouache on board piece has an image area of 21" x 27", and it has been matted and framed to an overall size of 30.5" x 40". In Excellent condition.
Kevin Nowlan Outsiders #26 Cover Original Art (DC, 2005). Nowlan's handsome cover was done for part one of a two-parter that reunited Batman with Black Lightning, Katana, and Metamorpho. This beautifully rendered cover has an overall size of 12" x 17". The title logo is a replacement, mounted on an acetate overlay; otherwise,, the art is in Excellent condition.
Bob Oksner Shazam! #11 Cover Original Art (DC, 1974). The Big Red Cheese is bigger and redder than ever in this Earth-spanning cover by Bob Oksner. The art has a 10" x 15" image area and it is in Very Good condition.
Joe Orlando Shock SuspenStories #9 "The Meddlers" page 6 Original Art (EC, 1953). Here's the final page from the story "The Meddlers," which could well be called "The Thing From the Sewer," as a blob-like menace living on excrement in bilge water develops a taste for... human flesh. The art is on a standard EC board measuring 15" x 22", with an image area of 13" x 18". The last panel has been cut by Orlando, who taped a second board behind, and revised his art before publication. This added piece has turned slightly brown; otherwise,, the page is in Excellent condition.
George Papp Superboy #127 page 15 Original Art (DC, 1966). This offbeat page from "The Strange Insect Lives of Lana Lang" has an image area of 12" x 18", and the art is in Excellent condition.
Al Plastino Action Comics #201, page 10 Original Art (DC, 1955). The Man of Steel is forced to do Benny the hood's bidding in these prehistoric scenes from "The Challenge of Stoneman." This power-packed Plastino page has an image area of 13" x 18". There is some edge and corner wear with glue stains around the borders; otherwise,, the art is in Good condition.
Vic Prezio Magnus, Robot Fighter #18 Cover Original Art (Gold Key, 1967). "Magnus Versus North Am -- robot justice makes Magnus a fugitive from robot police." Nothing shouts "Silver Age" quite like a beautifully painted Gold Key cover, especially one featuring every fan's favorite robot fighter. This piece has an image area of 12.5" x 17.5", and the art is in Excellent condition.
Mac Raboy Flash Gordon Sunday Comic Strip Original Art dated 1-8-61 (King Features Syndicate, 1961). This crisply inked Sunday spotlights Raboy's astounding artistry with a brush -- each panel is a "mini-masterpiece" of draftsmanship. This episode has an image area of 19" x 13", and it has been framed to an overall size of 24.5" x 30.5". Aside from a glue-stained title logo, the art is in Excellent condition. From the Bob Cowan Collection.
Fred Ray and Joe Kubert Tomahawk #139 Complete 8-page Civil War Story "The Lost Battle" Original Art (DC, 1971). Fred Ray was an expert on the history of American forts and a consultant to the Smithsonian Institution. He also wrote several books on American history, including Oh, Say, Can You See and Alfred R. Waud, Civil War Artist. Each page of this Bronze Age Civil War yarn has an image area of 10" x 15". Panel two of page 7 has a glued-on art correction by Kubert, and an art correction has slipped off panel two of page 3, leaving behind a glue stain; otherwise,, the pages average in Very Good condition.
Alex Raymond Flash Gordon Sunday Comic Strip Original Art dated 4-28-35 (King Features Syndicate, 1935). For many Flash Gordon art collectors, there are few Sundays more desirable than one that hails from the brief and highly-sought-after period in which the strip was drawn at its largest -- the full-page format. During this period Raymond brought an unparalleled feeling of romance to Flash with his superlative drybrush inking, and his work was inspired by an approach pioneered by magazine illustrators Matt Clark and John LaGatta. This spectacular Sunday, featuring Azura, Queen of Magic, has an approximate image area of 18" x 28", and it is framed to an overall size of 27" x 37". The title logo is a hand-colored replacement stat; otherwise,, the art is in Excellent condition. From the Bob Cowan Collection.
Alex Raymond Flash Gordon with a Matching Jungle Jim Sunday Comic Strip Original Art dated 7-6-41 (King Features Syndicate, 1941). Gorgeous "good girl" art is showcased in these matching episodes, and Alex Raymond's use of a "feathered" brush line is flawless, as usual, on these strips. Matching features are always a special treat for Raymond art collectors as they present a complete page as it would appear in the newspaper. The Flash Gordon strip has an image area of 15.75" x 13", while the Jungle Jim has one of 15.75" x 7". The Flash panel tiers were cut apart, and the third and fourth panels were also cut from their respective tiers. The Jim tier is a complete tier piece. Each of these cut tiers and panels has been mounted to a black backing board; otherwise, the art is in Very Good condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art (King Features Syndicate, 1946). According to notes on the back of this strip, this undated daily may have appeared in the August 20, 1946 issue of Look magazine, in an article titled "Cartoonist at College." This storyline, "The Hicks Formula," ran from April-July of 1946. This strip has an image area of 19.75" x 6", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 9-7-49 (King Features Syndicate, 1949). This beautiful daily, filled with fine figure drawing, has an image area of 18.5" x 5.5". The art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 12-28-53 (King Features Syndicate, 1953). Raymond's colorful cast of characters star in these dramatic portrait shots. This finely rendered episode has an image area of 20" x 5.25", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 3-31-54 (King Features Syndicate, 1954). The peerless figure drawing of the incomparable Alex Raymond is the highlight of this action-packed daily. This episode has an image area of 20"x 5.25", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 4-1-54 (King Features Syndicate, 1954). Who better than Raymond to stage a dramatic life and death struggle in three suspense-filled panels? This daily has an image area of 20"x 5.25", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 5-19-54 (King Features Syndicate, 1954). Raymond's mastery of high contrast lighting is used to capture the drama of a late night prowl. This fabulous daily has an image area of 20"x 5.25", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 5-20-54 (King Features Syndicate, 1954). This is about as dramatic a three panel strip as one could ask for. It's a superb demonstration of why Alex Raymond remains a legend among cartoonists and fans alike. This episode has an image area of 20"x 5.25", and the art is in Excellent condition.
Ralph Reese RoboPro Painting Original Art (undated). Ralph Reese's detailed sci-fi streetwalker scene was done for a never-published "Robot Sex" portfolio planned by NYCA gallery. This piece has an overall size of 21.5" x 28". Aside from some edge and corner wear, the art is in Very Good condition.
Ralph Reese Creepy #87 The Warmonger of Mars Story Page Original Art Group (Warren, 1977). Mad-man Wally Wood wrote the script for Ralph Reese's uproarious send-up of Edgar Rice Burroughs' science fiction classic, John Carter, Warlord of Mars. This lot includes story pages 2, 5, 6, and 7 of the 7-pager. The Warren Companion notes, "Nicola Cuti was editor for this special Mars-themed issue. 'Warmonger of Mars' was drawn many years earlier, 'just for fun,' and not specifically for Warren." Each page has an image area of 12.25" x 17.75", and the art is in Very Good condition.
Paul Reinman Golden Age Green Lantern Unpublished Page 7 Original Art (DC, 1949). Dr. Cypher outlines a cunning experiment designed to reveal Green Lantern's alter ego as Alan Scott in page 7 of "The Puzzle King's Problem." Apparently slated for All-American Comics #89, this Golden Age Green Lantern story was "written off," and was fated to be destroyed. Clever DC interns cut the page horizontally along its panel tiers instead of through the artwork, and the tiers were later rejoined using tape on the back of this piece. The image area of the page measures 13" x 18", and aside from the taped together tiers, the art is in Excellent condition.
Don Rosa Picsou Magazine #318 Uncle Scrooge Illustration Original Art (1998). Originally drawn for the French Uncle Scrooge magazine Picsou, this ornate illustration features Scrooge, the Gilded Man, Flintheart Glomgold, Huey, Dewey, Louie and Donald Duck. Measures 9.5" x 13.5". In Excellent condition. Signed by the artist at the bottom.
John Rosenberger Adventures of the Jaguar #6 Complete Story Page Original Art Group (Archie/Radio Comics, 1962). Included in this large Silver Age lot are the Jaguar stories, "The Cat Girl's Rival" (8 pages), "The Scourge of the Jaguar" (12 pages), "Coming Attractions -- Fly Girl" (1 page), "The Fire from Space" (6 pages), and the paste-up for the text page, "Danger in the Deep" (1 page). Each art page has an image area of 12" x 17.5", and they average Very Good condition.
Arnold Roth Humbug #7 Inside Front Cover "Grand Humbug Award: September 1957 to Orval Faubus" Illustration Original Art (Humbug Publications, 1958). Arnold Roth dishes out satire at its most savage in this pen, ink, and ink wash on bristol board illustration, with an overall size of 12" x 17". Orval Faubus was the racist Arkansas governor who won this "Grand Humbug Award" for "leading his troops into battle" with small black children attempting to integrate a Little Rock school. There is a piece cut out of the lower right area of the page, as well as some glue stains; otherwise,, the art is in Very Good condition.
Norman Saunders and Bob Powell Batman Trading Card Third Series "Blue Bat" #37B "Riddler on the Roof" Illustration Original Art (Topps, 1966). Thanks to the cross-media "Bat-mania" that swept the nation in the mid-sixties, Norman Saunders' mini-masterpieces for the Topps card sets remain in feverish demand with "Bat-fans." Here is one of the finest examples of Batman Card art that we've offered. E. Nigma, the Riddler, is collared in mid-air, high above Gotham City's skyscrapers by his arch-rival, the Batman, in card #37B. Saunders based his painting on a layout sketch drawn by fellow comic book legend Bob Powell. This indispensable piece of sixties Pop Culture has an overall size of 3.5" x 4.75", and the art is in Excellent condition.
Charles Schulz Linus Specialty Sketch Original Art (undated). Loveable Linus is the focus of this large, vintage specialty sketch -- it's one of the best we've seen. Charles Schulz inscribed and signed this piece, "To Paul O. Gormann, Jr. with kindest regards, Charles M. Schulz." This piece has an image area of 10" x 13", and it has been matted and framed to an overall size of 15" x 18". The art is in Excellent condition. From an Important California Collection.
Charles Schulz Snoopy Specialty Sketch Original Art (undated). Snoopy does his famous "Snoopy Dance" in this expressive large sketch by Charles Schulz. Charcoal on light brown pastel paper matted to an image area of 16.5" x 21". Aside from some light creasing and pinholes in the corners, this piece is in Very Good condition. Signed by the artist at the lower right. From an Important California Collection.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 5-12-55 (United Feature Syndicate, 1955). When it comes to expressing stubborn dogged faith, few comic strip characters can top good ol' Charlie Brown. Charlie and Violet star in every panel of this early episode. This daily was folded between panels two and three (as was the custom at the time). The episode has an image area of 27" x 5", and the art is in Excellent condition. This daily was inscribed and signed in its lower border, "For Joe Sullivan with sincere best wishes -- Charles M. Schulz."
Charles Schulz Peanuts Sunday Comic Strip Original Art Signed with a Christmas Greeting dated 11-4-56 (United Feature Syndicate, 1956). One of the most beloved comic strips of all time made its debut in 1950 and established itself as the most successful comic strip in newspaper history. This early example featuring Lucy and Schroeder was created six years into the strip's life, and it showcases Schulz's virtuoso command at staging a three-tier Sunday page. This musical masterpiece has a delightful hand written Yuletide inscription by Schulz in panel one, "Merry Christmas to Billy from Charles M. Schulz (and Betty!), Dec. 25, 1956." This superb Sunday has an image area of 22.5" x 15". The strip has been mounted to a backing board and there are some small stains in panel six and an aged title logo stat; otherwise,, the art is in Very Good condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 7-4-57 (United Feature Syndicate, 1957). Good grief -- Lucy's logic may be convoluted, but it works! Charles Schulz, ever sensitive to how his characters' actions might affect his readers, chose to have them ponder life at a brick wall instead of a street curb, simply because it was safer. This daily has an image area of 27.25" x 5.5", and it has been framed to an overall size of 29.25" x 7.5". The art is in Very Good condition.
Charles Schulz Peanuts Snoopy Daily Comic Strip Original Art dated 6-18-57 (United Feature Syndicate, 1957). With Snoopy starring in all four panels, this daily is sure to make a prized showpiece for a Peanuts fan. As Rheta Grimsley Johnson wrote in Good Grief, The Story of Charles M. Schulz, "Snuffy Smith did it to Barney Google; Dagwood did it to Blondie; Mike Nomad did it to Steve Roper, who had done it to someone named Chief Wahoo. And Snoopy has done it to his own master. Snoopy has stolen the show, and Schulz conceded that Peanuts reached the height of its popularity on Snoopy's bi-wing." This daily has an image area of 27.25" x 5.5", and it has been framed to an overall size of 29.25" x 7.5". The art is in Very Good condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 8-7-71 (United Feature Syndicate, 1971). Those two kids from another neighborhood, Marcie and Peppermint Patty, added a new dimension to the Peanuts cast. As Rheta Grimsley Johnson noted in Good Grief! The Story of Charles M. Schulz, "For the first few years, Peppermint Patty served as a walk-on, a guest star who breezed in from afar. In 1971, her companion Marcie was introduced, and the other neighborhood began to coalesce as a true third ring." This uproarious episode is featured on page 87 of Peanuts A Golden Celebration The Art and Story of the World's Best-Loved Comic Strip. This episode has an image area of 27" x 5.5". Aside from the usual fold between panels two and three, and a small stain in panel two, the art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 10-21-71 (United Feature Syndicate, 1971). Lovable Linus may be the most philosophical of the Peanuts cast, but he certainly gets some strange notions at times -- besides this "gully cat," need we mention the Great Pumpkin? This episode has an image area of 27" x 5.5". Aside from the usual fold between panels two and three and a stain in the upper right corner (outside the image area), the art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 8-2-74 (United Feature Syndicate, 1974). Sports buff Snoopy is in play again, and in this seventies episode he's ready to serve up a supersonic ace. While his "biggie" serve turned out to be a "smallie," with Snoopy staring in all four panels of this hilarious daily -- it's a winner all the way. Charles Schulz inscribed and signed this strip in its upper border, "For Bob with friendship -- Sparky." The image area of this episode measures 27" x 5.5", and it has been matted and framed to an overall size of 30.25" x 8.25". This piece was folded between panels two and three (as usual); otherwise,, it is in Excellent condition.
Charles Schulz Peanuts Sunday Comic Strip Original Art dated 8-10-80 (United Feature Syndicate, 1980). Once again, what manager-pitcher Charlie Brown and outfielder Lucy Van Pelt have, is a hilarious failure to communicate. Baseball strips are among the most highly coveted of all Peanuts Sundays and this one is a gem. This uproarious eighties episode has an image area of 22.5" x 15", and the art is in Excellent condition. From an Important California Collection.
Charles Schulz Peanuts Sunday Comic Strip Original Art dated 10-23-88 (United Feature Syndicate, 1988). Almost every strip art collector loves Peanuts original art, and who among us can resist a football-themed Sunday? The football episodes were one of Charles Schulz's "twelve devices" that made Peanuts the success it was, and this laugh riot is featured on page 161 of Peanuts A Golden Celebration The Art and Story of the World's Best-Loved Comic Strip. The image area of this strip measures 22.5" x 14.75", and it has been matted and framed to an overall size of 30" x 23". The art is in Excellent condition. This episode was signed in the first and second panels and inscribed, "For Dan, with friendship. Charles M. Schulz."
Charles Schulz Peanuts Sunday Comic Strip Original Art dated 9-30-90 (United Feature Syndicate, 1990). Charles Schulz once wrote, "The last panel in a Sunday comic strip is especially important. When the reader first glances at the Sunday pages of his or her comics, it is very easy for her or his eye to drop to the lower right-hand corner and have the whole page spoiled for him. Thus, it is sometimes necessary to try not to attract attention to that panel, to make certain that the beginning panels are interesting enough to keep the reader from skipping to the end." True to that philosophy, Snoopy's priceless expression is the payoff for this uproarious episode from the nineties. This Sunday has an image area of 22" x 14.75", and it has been framed to an overall size of 32.5" x 25". The art is in Excellent condition. From the Bob Cowan Collection.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 1-20-94 (United Feature Syndicate, 1994). Never one to do things half-way, Snoopy presents the perfect picture of a "happy dog" in this hilarious episode. Despite his somewhat shaky linework, Charles Schulz still held back from letting assistants draw the strip for him, and his touch is what makes these pieces so special. The image area of this daily measures 19" x 5.25", and the piece has been matted to an overall size of 24.5" x 11". The art is in Excellent condition.
Charles Schulz Peanuts Daily Comic Strip Original Art dated 4-1-94 (United Feature Syndicate, 1994). Charles Schulz once commented, "Snoopy refuses to be caught in the trap of doing ordinary things like chasing and retrieving sticks. I like Snoopy and probably wouldn't mind having him for my own dog, although I sometimes feel as Charlie Brown does when he says, 'Why can't I have a normal dog like everyone else?'" This wonderful daily, featuring Snoopy in all three panels, has an image area of 19" x 5.25", and it has been framed to an overall size of 25" x 9". The art is in Excellent condition.
Charles Schulz Newsweek Unpublished Cover Snoopy and Woodstock Sketch Original Art (1972). A charming color marker sketch of Snoopy and his little pal, Woodstock, ready for Christmas with stockings hung. This is one of two holiday-themed sketches commissioned from Schulz for a proposed Newsweek magazine cover; eventually, breaking news events took precedence, and the Schulz cover was not used. This was Schulz's favorite of the two, as noted in his handwriting, below the image. Although not signed, this and one other sketch came directly from an ex-Newsweek staffer. On paper, with an image area of approximately 7.25" x 8.25". In Excellent condition.
Charles Schulz Newsweek Unpublished Cover Snoopy, Linus and Woodstock Sketch Original Art (1972). Linus joins Snoopy and Woodstock, as the countdown to Christmas morning begins. This was the second of two cover ideas drawn by Schulz for a holiday-themed issue of Newsweek that was bumped at the last moment by breaking news. Although not signed, this and the other piece offered in this sale came directly to us from a former Newsweek staffer. Color marker on paper, with an image area of approximately 7.5" x 9". In Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (undated). And into the glittering world of ice, there skimmed a dog named Snoopy, that "world- famous skater." The provenance of this entire group of originals is impeccable, as they come directly from the collector originally in charge of the Ice Follies production, and the printed versions of the drawings can be seen in our online listings. This piece has an image area of 5" x 5.5", and it has been matted and framed to an overall size of 8.5" x 10.5". Charles Schulz signed the drawing at the lower center. The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (undated). A bouquet of flowers has been awarded to Snoopy for his show-stopping performance. Bravo! This piece has an image area of 5" x 5", and it has been matted and framed to an overall size of 8.5" x 10.5". Charles Schulz signed the drawing at the lower center. The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (undated). Snoopy pays homage to Mr. Frick, the durable "Dean of Comics," with this back-bending pose. This piece has an image area of 5" x 4.5", and it has been matted and framed to an overall size of 8.5" x 10.5". Charles Schulz signed the drawing at the lower left. The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). Snoopy steals his audience's hearts with his winsome charm and marvelous grace. This drawing has an image area of 4.75" x 6", and it has been matted and framed to an overall size of 8.5" x 10.5".
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). Snoopy, full of quicksilver grace and tawny beauty, is beguiling to behold as he suavely skates across the ice. This drawing has an image area of 6" x 6", and it has been matted and framed to an overall size of 8.5" x 10.5". Charles Schulz signed the drawing at the lower right. The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). With an engaging elan that speaks his enjoyment of the sport, Snoopy showcases the virtuosity that places him among the finest skaters in all of cartoons. This piece has an image area of 5" x 5.5", and it has been matted and framed to an overall size of 8.5" x 10.5". The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). Snoopy glides with style in this charming pose. This illustration has an image area of 6" x 6", and it has been matted and framed to an overall size of 8.5" x 10.5". The art has touches of white-out in the background; otherwise,, it is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). Here's the world famous Ice Follies Master of Ceremonies, Snoopy, ready to entertain. This wonderful illustration has an image area of 4.75" x 5", and it has been matted and framed to an overall size of 8.5" x 10.5". The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1971). Snoopy celebrates the opening of the 1971 Shipstads and Johnson Ice Follies with a joyful leap on the program cover. This fun-filled drawing has an image area of 4" x 6", and it has been matted and framed to an overall size of 8.5" x 11". The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Ice Follies Snoopy Spot Illustration Original Art (1973). Snoopy's apparently reckless, but beautifully controlled leaps and spins are sure to carry him into strong contention for the World's Greatest Cartoon Beagle Skater. This piece has an image area of 6" x 6", and it has been matted and framed to an overall size of 8.5" x 10.5". Charles Schulz signed the drawing at the lower right. The art is in Excellent condition.
Charles Schulz Shipstads and Johnson Holiday on Ice Snoopy and Woodstock Spot Illustration Original Art (1973). Shy Woodstock "slipped off the ice arena" for the printed version of this whimsical piece. This drawing has an image area of 6" x 6", and it has been matted and framed to an overall size of 10.5" x 8.5". Charles Schulz signed the drawing at the lower left. The art is in Excellent condition.
John Severin and Bill Elder Two-Fisted Tales #27 Complete 8-page Story "Luck" Original Art (EC, 1952). The EC war comic squad was at the peak form for this bitterly ironic Harvey Kurtzman story, expertly rendered by the hallowed Severin-Elder art team. The staging of the action is relentless, and these panel sequences were "swiped" countless times by others. Each page of this war classic has an image area of 13" x 18", and they average in Excellent condition.
John Severin Alarming Tales #5 Cover Original Art (Harvey, 1958). EC alumnus John Severin is one of comics' most consistent artists -- he's never turned in less than a top-notch effort. This Harvey shocker has an image area of 9" x 14". The title logo is a replacement, and there are some areas of extensive white-out in the center of the design; otherwise,, the art is in Very Good condition.
Joe Shuster Superman Pencil Sketch Original Art with a Letter of Provenance (c. 1945). This sensational, vintage pencil drawing of the Man of Tomorrow has an overall size of 6" x 10", and it is in Excellent condition. This lot includes a fascinating 2007 letter of provenance from Denise Weston which reads in part, "History: My grandparents lived in New York City during the war from 1941-1945. My great Aunt Pamela Ward was a nightclub entertainer. She had met Joe Shuster at the club and introduced him to my grandparents. My father, Michael Ward Van Lenten, was born on February 2, 1943. For his first or second birthday, Joe Shuster presented my grandparents with a drawing of Superman, dedicated to my father, Michael. This piece was passed down to me from my father, Michael Ward Van Lenton." The drawing was inscribed and signed by Shuster, "To Michael -- from Superman's artist-creator Joe Shuster."
Joe Shuster Studio Superman Sunday Comic Strip #325 Original Art dated 1-20-46 (McClure Syndicate, 1946). This dynamic Superman Sunday is sure to be a treasured showpiece for any fan of the Man of Steel. Superman Sunday page #325 is an action-packed episode, showcasing the Golden Age Superman. In keeping with the production procedures of this period, this art was drawn on two pieces of 14.25" x 22.5" paper, each with an approximate image area of 12.75" x 19.5". The art has been matted and framed to an overall size of 29.5" x 37", and it is in Excellent condition. Joe Shuster signed the strip in panel one. A framed tearsheet of the printed strip is included in this lot. From the Bob Cowan Collection.
Joe Shuster Superman Sketch Original Art (1979). The most enduring comic book character of all time, Superman, is drawn by his co-creator, Joe Shuster. Rendered in graphite on heavy paper, this Superman treasure measures 11" x 14" and it is in Excellent condition. Signed by the artist at the bottom.
Barry Smith and Sam Grainger Western Gunfighters #4 "Here Comes the Outcast" Splash Original Art (Marvel, 1971). Barry Smith brought his dynamic storytelling out of the Hyborian age and into the Old West for this Bronze Age thriller. The then-newcomer Smith drew a page tough as leather, as only a guy from Western England can. Here comes the Outcast, a blend of Billy Jack and Geronimo -- a bell-bottom-wearing half-breed, kickin' up justice with a cloud of dust. This page has an image area of 10" x 15", and the art is in Good condition.
Barry Smith Rune/Silver Surfer #1 Cover Original Art (Marvel/Malibu, 1995). This ornate cover illustration by Barry Smith graced the cover of this one-shot cross-over issue starring the energy vampire, Rune, and the cosmos-spanning Silver Surfer. The art has an image area of 12" x 18" and it is in Excellent condition.
Dick Sprang and Charles Paris World's Finest Comics #50 Batman page 7 Original Art (DC, 1951). Vintage Dick Sprang pages featuring Batman rarely come to market. To date, Heritage has offered only two other lots (both hailing from Batman #56). Don't miss this splendid chance to win this Sprang example. In this World's Finest Comics thriller, a private detective hatches a plot to petition Batman and the other members of the Bullet Hole Club to become a member after he has purposely put himself in harm's way to do it. This page, featuring oversized prop guns, has an image area of 13" x 18", and the art is in Excellent condition.
John Stanley Thirteen #18 Cover Original Art (Dell, 1966). John Stanley was one of the great humor writer-artists in comics. Most of the time, he provided scripts and breakdowns for other artists to follow, but submitted here for your approval is this superb, signed cover featuring Val and Billy. The piece was folded in half horizontally and there are areas of white-out that have flaked off the page; otherwise,, the art is in Good condition.
Jim Starlin Captain Marvel #36 Hand Colored Splash Page 1 Original Art (Marvel, 1974). Take a good look at this stellar, hand-painted splash -- it's the only Captain Marvel series page-one splash that was penciled, inked, and painted by Starlin. This scintillating first page framed this issue's story, "The Coming of Captain Marvel," which reprinted the first appearance of Captain Marvel, from Marvel Super-Heroes #12. The image area measures 10" x 15" and aside from some glue and tape stains, mostly outside of the image area and some missing lettering corrections at the bottom of the page, the art is in Very Good condition.
Jim Steranko Strange Tales #160 Nick Fury, Agent of S.H.I.E.L.D. page 10 Original Art (Marvel, 1967). Here's a super-scarcity -- this is the very first Jim Steranko Nick Fury page we've ever offered -- and it's a doozy! Nick Fury infiltrates a dire plot to take over New York City, America, and the world in these drama-drenched scenes from "Project: Blackout." Steranko's high-tech costumes and machinery rival those of Jack Kirby, and these panels represent the ultimate in Silver Age spy art. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Curt Swan and Neal Adams Action Comics #378 Cover Original Art (DC, 1969). A titanic collaboration between two "Super" artists, this is an outstanding example of what made DC Silver Age comics great. With Swan's unerring sense of layout and composition, and Adams' lush and dynamic inking, this cover was an instant classic from the moment it was created. The logos and type are all stats, but all the rest of this killer cover is original art, an exceptional offering for any fan of Silver Age goodness. This piece has an image are of 10" x 15", and it is in Excellent condition.
J. P. Targette Orc Oil Painting Original Art (2004). This moody portrait of a fearsome fantasy warrior has an image area of 10" x 13.5", and the piece has been framed to an overall size of 19.5" x 22.5". The art is in Excellent condition.
Gustaf Tenggren Snow White and the Seven Dwarfs Illustration Original Art (Good Housekeeping, 1937). The coming of Walt Disney's first feature-length animated film resulted in a change in format for Good Housekeeping's usual monthly illustrated Disney feature. Instead of a cute rhyme with Tom Wood providing comic illustrations, GH enlisted the help of screenwriter Dorothy Ann Blank, who told the complete Snow White story in prose, alongside wonderfully detailed drawings by the great children's book illustrator, Gustaf Tenggren. Here is the illustration featuring the Seven Dwarfs, returning from a hard day's work to find a light on in their humble cottage. The linework is extremely fine and the color rich and sumptuous. The odd shape of the panel is how the art was presented, as seen in page 145 of the lavish coffee table book, Mickey and the Gang. The art has an approximate image size of 9.5" x 10", and has been professionally matted and Plexiglas-framed to an overall size of 20" x 20.5". It's in Excellent condition. Tenggren's early Disney art is eagerly sought after, so don't let this masterpiece march past you without placing a bid! From an Important California Collection.
Frank Thorne Comic Reader #104 Enemy Ace Cover Original Art (Street Enterprises, 1974). "Only DC dares to reveal the enemy side of the war." This Bronze Age battle classic showcases Hans von Hammer, the "Hammer of Hell," drawn by DC legend Frank Thorne, who noted on his tribute, "With a deep bow to the great Kubert." With its brooding portrait of Von Hammer and his death-dealing Fokker DR1 triplane, it just doesn't get much better than this for an Enemy Ace or "Big 5" DC war fan. This piece has an overall size of 11.5" x 17". Aside from a few very small stains in the lower left corner, the art is in Excellent condition. A copy of the Comic Reader is included in this lot.
Garry Trudeau Doonesbury Sunday Comic Strip Original Art dated 1-19-86 (Universal Press Syndicate, 1986). Political commentary was the raison d'être of Doonesbury, but the Pulitzer-Prize winning strip also made some points about the state of academia. This rib-tickling Sunday has an image area that measures 22" x 15", and the art is in Excellent condition.
George Tuska and Vince Colletta Iron Man #44 pages 4 and 5 Original Art (Marvel, 1972). Iron Man, Captain America, Guardsman, Night Phantom, Whitney Frost, Janice Cord, and Mr. Kline -- these two Bronze Age pages from "Weep for a Lost Nightmare" are brimming with Iron Man cast members. Each page has an image area of 10" x 15", and the pages average Very Good condition.
UFO Flying Saucers #8 Cover Original Art (Gold Key, 1975).
"Who is blacking out our cities?" Attention, Gold Key fans -- this electrifying painted cover is guaranteed to "flip your switch." This piece has an approximate image area of 11" x 14", and the art is in Excellent condition. From the Estate of Charles Martignette.
"Who is blacking out our cities?" Attention, Gold Key fans -- this electrifying painted cover is guaranteed to "flip your switch." This piece has an approximate image area of 11" x 14", and the art is in Excellent condition. From the Estate of Charles Martignette.
Boris Vallejo Medea Painting Original Art (1990). From Greek mythology: Medea was the wife of Jason, the Greek hero who retrieved the Golden Fleece. When Jason was slated to wed another woman for political reasons, Medea, a woman scorned, killed his new wife-to-be, and also slew her sons that she had by Jason. This fantastic Boris masterwork has an image area of 19" x 25", and it has been matted and framed to an approximate overall size of 30" x 36". In Excellent condition.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1958). Caption: "It's so beautiful, you would have to rope me to get me inside now." This piece has an image area of 14.5" x 20.5", and the art is in Very Good condition. From the Estate of Charles Martignette.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1964). Caption: "If you keep following me, I'm gonna let you have it, if I can remember what." This piece has an image area of 13" x 16.5", and the art is in Very Good condition. From the Estate of Charles Martignette.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1966). Caption: "Oh don't look so frightened. I couldn't hurt a flea, much less a college halfback." This piece has an image area of 15.5" x 23", and the art is in Very Good condition. From the Estate of Charles Martignette.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1968).
Caption: "Mr. Gotrocks, I love you for what you are -- the owner of that hotel." This piece has an image area of 17" x 23", and the art is in Very Good condition. From the Estate of Charles Martignette.
Caption: "Mr. Gotrocks, I love you for what you are -- the owner of that hotel." This piece has an image area of 17" x 23", and the art is in Very Good condition. From the Estate of Charles Martignette.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1971).
Caption: "Let's read lips, darling." This piece has an image area of 16.5" x 23", and the art is in Very Good condition. From the Estate of Charles Martignette.
Caption: "Let's read lips, darling." This piece has an image area of 16.5" x 23", and the art is in Very Good condition. From the Estate of Charles Martignette.
Robert Webb Sheena, Queen of the Jungle #5 Complete 11-page story Original Art (Fiction House, 1942). "Behold. Gaze upon the lithe lovely goddess of the Congo --" in this electrifying 11-pager, drawn by the great Robert Webb. Each page of this jungle jamboree has an image area of 12" x 18", and the pages average in Very Good condition.
Larry Welz Cherry #1 Pin-Up page 20 Original Art (Last Gasp, 1982). Sexy pin-up of Cherry Poptart by Larry Welz. The art has an image area of 8" x 12" and it is in Excellent condition. Signed by Larry Welz at the lower right. Includes a copy of Cherry #1.
Larry Welz Cherry #2 Pin-Up page 21 Original Art (Last Gasp, 1985). Larry Welz pays tribute to Return of the Jedi in this ribald one-pager. The art has an image area of 9" x 13" and it is in Excellent condition. Signed by Larry Welz at the lower right.
Larry Welz Cherry #10 page 5 Original Art (Last Gasp, 1990). Cherry calls Patty in for a bit of fluffing in this sizzling page from "The New Guy." The art has an image area of 12" x 18" and it is in Excellent condition.
Larry Welz Cherry #10 Complete 4-page Story "The Cherry Duke Show" Original Art (Last Gasp, 1990). Double your fun with this wickedly funny take-off (yeah, take it all off!) parody of the 1960s TV Land fave, The Patty Duke Show, written by Dan Fogel. The art is ink on bristol, with an average image area measuring approximately 12" x 18". In Excellent condition. Sorry, kids, this one's for adults only!
Frank Willard Moon Mullins Hand Colored Sunday Comic Strip Original Art dated 12-21-24 (Chicago Tribune, 1924). This hand-colored Sunday is a superb example from the Golden Era of newspaper comic strips, and it's sure to make a super-attractive showpiece for any Moon Mullins fan. This Sunday has an image area of 16.5" x 24.5". A strip of paper was added to the top panel; otherwise,, the piece is in Excellent condition.
Gluyas Williams Busy Office Lobby Cartoon Illustration (undated). This beautifully designed drawing by the famed New Yorker cartoonist has an image area of 9.5" x 12.5", and it has been matted and framed to an overall size of 15.5" x 19.5". The art is in Excellent condition.
Al Williamson and Frank Frazetta Weird Science #16 "Space-Borne" page 6 Original Art (EC, 1952). This spectacular Williamson/Frazetta "monster-piece" from the spine-tingling classic, "Space-Borne," must count as one of the very finest science fiction pages to ever come from the talented hands of these legendary artists. Each beautifully detailed scene draws the reader into another time, another place, and, finally, another world. Note the distinctive Frazetta touches in the last two panels. This graphic gem has an image area of 13" x 18". The next-to-last panel was drawn on Craftint paper and then pasted and taped to the EC artboard; otherwise,, the piece is in Excellent condition.
George Wilson Tarzan #204 Painted Cover Original Art (Gold Key, 1971). "Tarzan defies baboon defenders and Somali raiders to protect the treasures of the Tower of Sheba." This Bronze Age thriller has an image area of 11" x 15" while the artboard has an overall size of 15" x 20". In Excellent condition.
George Wilson Turok, Son of Stone #86 Cover Original Art (Gold Key, 1973). "Too late Turok! And Andar is next!" This Bronze Age blockbuster has an image area of 12" x 15", while the art board has an overall size of 15" x 20". In Excellent condition.
Ron Wilson and Alfredo Alcala Hulk #20 Splash Page 33 and 34 Original Art (Marvel, 1980). This glorious grey tone double-page splash from the Hulk's magazine not only showcases the Greenskin's power, it's an artistic tip of the hat to the famous Amazing Spider-Man #33! This piece has an image area of 21.5" x 16", and it has been matted to an overall size of 30" x 24". In Excellent condition.
Tom Wood Movie Makers Illustration Original Art (Good Housekeeping, 1938). The unmade Disney short, Movie Makers, is realized by Tom Wood in this partial set of ink and watercolor illustrations published in Good Housekeeping magazine. This art has been reprinted on page 159 of Mickey and the Gang. The art has been professionally framed and matted with linen-covered board to an image area of 19" x 16.5", and it is in Excellent condition. From an Important California Collection.
Wally Wood Ramrod Cover Preliminary Illustration Original Art (c. 1949). This wild, Western "Wood-work" was published on page 49 of Squa Tront #9 in the feature, "Cover Ideas from the Wood File." In late 1949 Harry Harrison and Wally Wood adapted the Strange Case of Dr. Jekyll and Mr. Hyde for Victor Fox's Star Presentation Comics. It seems other cover roughs such as this thriller were done at the same time for the same publisher. This piece has an overall size of 6.75" x 9.75", and the art is in Excellent condition.
Wally Wood Chennault Try-Out Sunday Comic Strip Original Art (1963). In 1963, Wood created four breathtaking, panoramic comic strips for a proposed Sunday series based on famous historical subjects and personalities. This incredibly detailed episode spotlighting Claire Lee Chennault, leader of the famous Flying Tigers, features the same eye-popping drama that was Wood's claim to fame on such EC titles as Two-Fisted Tales, Frontline Combat, and Shock SuspenStories. Although the strip never appeared in the newspapers, these show-stopping scenes were later printed as the Wallace Wood Portfolio in 2000. This awesome episode has an image area of 26" x 17". The page was trimmed to its panel borders and mounted to a piece of black backing board; otherwise,, the art is in Very Good condition.
Bernie Wrightson The Berni Wrightson Catalog NYCA Gallery - Oct. 1977 Cover Original Art (NYCA Gallery, 1977). This stunningly staged tableau must be seen in person to soak in the subtle color transitions found in this scene of twilight terror -- no printed page could fully capture its haunting beauty. For a Wrightson fan, it just doesn't get much better than this. This gorgeous "monster-piece" has an image area of 12.75" x 17.75", and aside from a cut line in the upper left background, the art is in Very Good condition.
Bernie Wrightson Showcase #83 Nightmaster page 21 Original Art (DC, 1969). A much needed influx of new talent in comics was spearheaded by Bernie Wrightson. This superb page from the Nightmaster yarn, "Sing a Song of Sorcery," already shows the dedication to detail and mood that would make Wrightson a fan-favorite. This page has an image area of 10" x 15". Panel three is a pasted-in (from the back) replacement panel; otherwise,, the art is in Excellent condition.
Bernie Wrightson Creepy #76 "Clarice" Panel Original Art (Warren, 1976). This spine-tingling specter of a man shambled across page 2 of the blood-chilling story, "Clarice." Wrightson's fear-fraught association with Warren Publishing has deep roots -- his first published work appeared on the Creepy #9 fan page in 1966 (Fan Club Member #520). This ghoulish grey tone panel has an image area of 5" x 7", and the art is in Excellent condition.
Bernie Wrightson Wrightson's Revolting Rhymes Preliminary Illustration Original Art (1970). "Hey diddle diddle, the cat's on the griddle --." This whimsical self-portrait of the modern master of the macabre was done as a preliminary warm up for the final version of the feature that appeared in Abyss #1 in 1970. This pencil and ink drawing has an image area of 10.75" x 15", and the art is in Excellent condition.
Bernie Wrightson Swamp Thing #8 page 9 (with a Pencil Preliminary) Original Art (DC, 1974). Bernie Wrightson was in peak artistic form when he drew this Bronze Age showdown for "The Lurker in Tunnel 13." In this suspense-filled yarn, the mines in the town of Perdition have been restored by sorcery and people have been disappearing -- can the Swamp Thing get to the bottom of the terrifying mystery? This lot features two superb pieces by the master of the macabre -- a pencil on vellum preliminary and the finished page. Each page has an approximate image area of 10" x 15", and the art is in Excellent condition.
Bernie Wrightson Creepy #62 Inside Front Cover Uncle Creepy Splash Page Original Art (Warren, 1974). This gloriously gruesome grey tone portrait of Uncle Creepy was drawn during a peak period for the master of the macabre, and it ranks among the greatest mug shots of the famous Warren horror host ever done. This Bronze Age chiller is drawn on an oval piece of paper, and it has an approximate size of 12.5" x 15". Aside from a surface pull at the upper right edge, the art is in Excellent condition.
Bernie Wrightson Secrets of Haunted House #5 Cover Original Art (DC, 1975). Even with the draconian restrictions of the Comics Code Authority, Bernie Wrightson showed he could still scare the pants off of any trick-or-treater with this "scare-riffic" Halloween cover. Although signed and dated 1973, this cover did not see print until 1975. This large piece has an overall size of 15" x 22", and aside from small surface pulls and tears on the left and right edges, the art is in Very Good condition.
Chic Young Blondie Daily Comic Strip Original Art dated 11-24-30 (King Features Syndicate, 1930). This early daily (the strip debuted in September 1930) features Dagwood's father. For those not in the know: Dagwood came from a wealthy family and was disinherited when he married Blondie a couple of years later! Here Mr. Bumstead is already subjecting the gal to pretty frank questioning. This early daily has an image area measuring 18" x 4". There is some light paper tanning and soiling; otherwise, the art is in Very Good condition.
Mike Zeck Master of Kung Fu #78 Cover Original Art (Marvel, 1979). This action-packed cover image features the headline, "Moving Targets!," and showcases only the tenth cover appearance of Shang-Chi by Zeck. This dramatic cover scene has an image area of 9.75" x 15", and aside from a sealed tear in the lower border (outside the image area) and a few light stains, the art is in Excellent condition. A copy of the comic book is included in this lot.
Animation Art
Carl Barks Alpine Climbers Animation Production Drawing Original Art (Disney, 1936). Donald Duck faces an angry eagle high in the Swiss Alps, in this original animation drawing -- the first Donald Duck artwork created by Carl Barks for Disney. Rendered in graphite, red, yellow, and green pencil, the drawing measures 12" x 10", and is OPD #73. Aside from some paper tanning, the condition is Very Good. Initialized by Carl Barks at the bottom right corner.
Mark Davis Snow White and the Seven Dwarfs Animation Drawing with Color Model Details Original Art (Disney, 1937). Snow White sings with a songbird in this original animation drawing by Mark Davis from Disney's first feature, Snow White and the Seven Dwarfs (OPD #44). Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper. Some light paper tanning and edge wear; otherwise, the condition is Very Good.
Donald's Golf Game Animation Production Cel Set-Up with Courvoisier Background Original Art (Walt Disney, 1938). Donald confronts his caddy nephew in this hand-inked and hand-painted cel set-up with Courvoisier background. Includes the original frame, matte, and label. The art has an image area of 9.25" x 6", and aside from some light cel buckling and soiling, it is in Very Good condition.
Dumbo Animation Production Drawing Original Art (Disney, 1941). A sweet drawing of Dumbo from his Academy Award-winning feature film. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper (OPD #A-4). The paper has some slight tanning; otherwise,, the art is in Very Good condition.
Sylvia Holland Fantasia Concept Animation Drawing Original Art (Walt Disney, 1940). Beethoven's Pastorale Symphony was presented in Fantasia featuring Greek mythology characters like unicorns, cupids, and centaurs. Here's a lovely colored chalk concept sketch of a female centaur by Disney artist Sylvia Moberly-Holland on brown paper, with an image area of approximately 6.5" x 7", matted and Plexiglas-framed to an overall size of 16" x 14.24". In Excellent condition. From an Important California Collection.
Make Mine Music Animation Production Drawing Original Art (Disney, 1946). Willie is in his stage role as Mephistopheles in this original animation drawing from the short, Willie the Operatic Whale. Rendered in graphite and red and blue pencil on 16-field paper, this drawing measures 15.5" x 12.5" (OPD #43). Aside from some light paper tanning and edge wear, the condition is Very Good.
The Mail Pilot Mickey Mouse Production Drawing Animation Art Group (Walt Disney, 1933). These two original production drawings feature Mickey Mouse in his plane after landing, with Black Pete bouncing past, and Mickey flying high with a snow-covered plane (OPDs #119 and #129). Graphite on two-hole 12" x 9.5" animation paper, with added red pencil to drawing #129. #119 is in Excellent condition, while #129 has a small stain out of the image area and a little more paper tanning, for an overall grade of Very Good.
Mickey's Service Station Animation Production Drawing Original Art Group (Disney, 1935). Mickey changes a tire with hilarious results in this set of consecutive drawings (OPDs #1, 63, 68, and 232). Each drawing is rendered in graphite and colored pencil on a 12" x 9.5" sheet of animation paper. The paper has some slight tanning and edge wear (OPD #1 has some water damage along the left edge); otherwise, the drawings average in Good condition.
Pinocchio Production Animation Drawing Original Art (Walt Disney, 1940). Original production drawing #M13E, stamped "Model Drawg", features a great image of Pinocchio, with a smile on his face and a tear in his eye. Rendered in graphite with colored pencil highlights on 12" x 10" five-hole animation paper. In Excellent condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Tremendous drawing of the malevolent Maleficent, rendered in graphite. The art has been trimmed to 11" x 9.5" and, aside from some light paper tanning, it is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Nice upper figure drawing of the masterfully animated villainess Maleficent, rendered in graphite. The art measures 15.5" x 12.5" and, aside from some light paper tanning and edge wear, it is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Original production drawing of one Disney's most memorable villains, Maleficent. Rendered in graphite and red and blue pencil on a 20" x 12.5" sheet of animation paper (OPD #80). Aside from some light paper tanning, edge wear and some staple rust in the upper edge, the art is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). The wicked fairy, Maleficent, looks exceptionally menacing in this original production drawing from Sleeping Beauty. Rendered in graphite and red pencil on a 22" x 12.5" sheet of animation paper (OPD #335). Aside from some light paper tanning, the art is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Splendid image of the evil fairy, Maleficent from Disney's sixteenth animation feature. Rendered in graphite and red pencil on a 22" x 12.5" sheet of animation paper (OPD #354). Aside from some light paper tanning, the art is in Very Good condition.
Snow White and the Seven Dwarfs Story Sketch Original Art (Disney, 1937). Animated story sketch rendered in graphite and red pencil on a sheet of 12" x 10" sheet of animation paper. Includes a Disney studio stamp. In Very Good condition.
Snow White and the Seven Dwarfs Old Witch Animation Production Drawing Original Art (Disney, 1937). The Disney artists capture a truly malicious Old Witch clutching her poisoned apple in this superb drawing (OPD #1223). Rendered in graphite, red, and green pencil on a 12 field sheet of animation paper (12" x 10"). Aside from some light paper tanning, the art is in Very Good condition. Includes a Disney studio stamp at the lower left.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). Doc gets a push from a deer telling him there's trouble back at the cottage, in this original production drawing (OPD #51A). Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper, this piece includes a Disney studio stamp. There is some slight paper tanning and creasing; otherwise, the drawing is in Very Good condition.
Snow White and the Seven Dwarfs Animation Drawing Original Art (Disney, 1937). A plethora of forest animals tug on Sneezy... Snow White is in trouble! Rendered in graphite and multi-colored pencil on a sheet of 12" x 10" animation paper (OPD #50). This piece includes a Disney studio stamp and is in Very Good condition.
Snow White and the Seven Dwarfs Animation Drawing Original Art (Disney, 1937). Happy is at home in the mine in this delightful original animation drawing (OPD #239). Rendered in graphite and multi-colored pencil on a sheet of 12" x 10" sheet of animation paper, with color notations for the cel colorists. This piece includes a Disney studio stamp and is in Very Good condition.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Disney, 1937). Music is in the air in this captivating original animation drawing from Disney's premiere feature, Snow White and the Seven Dwarfs (OPD #119). Drawn in graphite and red pencil on a 12" x 10" sheet of animation paper, it includes a Disney studio stamp. Some light paper tanning; otherwise, the art is in Very Good condition.
Session 3
Golden Age (1938-1955)
Aces High #3 Gaines File pedigree (EC, 1955) CGC NM+ 9.6 White pages. George Evans cover. Wally Wood, Jack Davis, and Bernie Krigstein art. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2009 NM- 9.2 value = $200. CGC census 6/09: 4 in 9.6, none higher.
Action Comics #27 (DC, 1940) CGC VG/FN 5.0 Off-white pages. Paul Cassidy cover and art. Fred Guardineer, Sheldon Moldoff, and Bernard Baily art. Overstreet 2009 VG 4.0 value = $612; FN 6.0 value = $918. CGC census 6/09: 1 in 5.0, 12 higher.
Action Comics #42 (DC, 1941) CGC Apparent FN/VF 7.0 Slight (P) Off-white to white pages. Origin of the Vigilante. Fred Ray cover. CGC notes, "Restoration includes: cover cleaned." Overstreet 2009 GD 2.0 value = $213; VG 4.0 value = $426; FN 6.0 value = $639.
Adventures Into The Unknown #24 White Mountain pedigree (ACG, 1951) CGC NM 9.4 White pages. The only copy of the issue to be certified with a grade nicer than VF 8.0 by CGC to date. Overstreet 2009 NM- 9.2 value = $325. CGC census 6/09: 1 in 9.4, none higher.
All-American Comics #33 (DC, 1941) CGC Apparent VF+ 8.5 Slight (P) Cream to off-white pages. Green Lantern cover by Irwin Hasen. CGC notes, "Restoration includes: Small amount of color touch on cover, tear seals to cover, cover cleaned." Overstreet 2009 GD 2.0 value = $140; VG 4.0 value = $280; FN 6.0 value = $420; VF 8.0 value = $882.
All-American Comics #34 (DC, 1942) CGC VF- 7.5 Cream to off-white pages. Green Lantern cover by Irwin Hasen. Overstreet 2009 VF 8.0 value = $850. CGC census 6/09: 1 in 7.5, none higher.
All-American Comics #84 Davis Crippen ("D" Copy) pedigree (DC, 1947) CGC VF- 7.5 Off-white pages. The only copy graded above 6.5 by CGC to date. Green Lantern cover by Irwin Hasen. Overstreet 2009 VF 8.0 value = $431. CGC census 6/09: 1 in 7.5, none higher.
All-American Men of War #3 Salida pedigree (DC, 1953) CGC VF 8.0 White pages. Arthur Peddy cover. Overstreet 2009 VF 8.0 value = $336. CGC census 6/09: 1 in 8.0, none higher.
All-American Men of War #6 Salida pedigree (DC, 1953) CGC FN/VF 7.0 White pages. Devil Dog and Ghost Squadron stories. Irv Novick cover and art. Overstreet 2009 FN 6.0 value = $102; VF 8.0 value = $255. CGC census 6/09: 1 in 7.0, none higher.
All-American Men of War #7 Salida pedigree (DC, 1953) CGC VF- 7.5 White pages. Overstreet 2009 VF 8.0 value = $240. CGC census 6/09: 1 in 7.5, 1 higher.
All-American Men of War #15 Salida pedigree (DC, 1954) CGC VF- 7.5 White pages. Jerry Grandenetti cover. Overstreet 2009 VF 8.0 value = $220. CGC census 6/09: 1 in 7.5, 1 higher.
All-American Men of War #16 Salida pedigree (DC, 1954) CGC VF+ 8.5 White pages. Jerry Grandenetti cover. Overstreet 2009 VF 8.0 value = $229; VF/NM 9.0 value = $427. CGC census 6/09: 1 in 8.5, none higher.
All-American Men of War #17 Salida pedigree (DC, 1955) CGC VF- 7.5 White pages. Jerry Grandenetti cover. Overstreet 2009 VF 8.0 value = $239. CGC census 6/09: 1 in 7.5, none higher.
All-Flash #3 (DC, 1941) CGC Qualified FN/VF 7.0 White pages. E. E. Hibbard cover and art. CGC notes, "Staples replaced." Overstreet 2009 GD 2.0 value = $177; VG 4.0 value = $354; FN 6.0 value = $531.
All-Flash #5 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Cream to off-white pages. First appearance of Winky, Blinky, and Noddy. E. E. Hibbard cover and art. CGC notes, "Manufactured with an extra set of staples." Overstreet 2009 VF 8.0 value = $819; VF/NM 9.0 value = $1,385. CGC census 6/09: 1 in 8.5, none higher.
All Star Comics #28 (DC, 1946) CGC VF 8.0 Cream to off-white pages. Martin Naydel cover and art. Joe Kubert art. Overstreet 2009 VF 8.0 value = $769. CGC census 6/09: 4 in 8.0, 4 higher.
All Star Comics #29 (DC, 1946) CGC VF- 7.5 White pages. Martin Naydel cover and art. Joe Kubert art. Overstreet 2009 VF 8.0 value = $769. CGC census 6/09: 3 in 7.5, 11 higher.
All Star Comics #41 (DC, 1948) CGC FN 6.0 Off-white pages. First copy we've offered in four years. Black Canary is voted into the Justice Society. Alex Toth cover. Overstreet 2009 FN 6.0 value = $345. CGC census 6/09: 1 in 6.0, 3 higher.
All Star Comics #52 (DC, 1950) CGC FN 6.0 Off-white to white pages. Overstreet 2009 FN 6.0 value = $339. CGC census 6/09: 1 in 6.0, 3 higher.
All Star Comics #56 (DC, 1950) CGC FN+ 6.5 White pages. Hawkman and Green Lantern cover by Arthur Peddy. Overstreet 2009 FN 6.0 value = $342; VF 8.0 value = $713. CGC census 6/09: 1 in 6.5, 7 higher.
All Star Comics #57 Mile High pedigree (DC, 1951) CGC Apparent FN+ 6.5 Slight (P) White pages. Last issue of the title. Last Golden Age appearance of the Justice Society. The only issue of the series to be rated "scarce" by Gerber. Arthur Peddy cover and art. Joe Kubert art. CGC notes, "Restoration includes: small amount of color touch on cover, piece added to cover, centerfold reinforced, staples cleaned." Overstreet 2009 GD 2.0 value = $167; VG 4.0 value = $334; FN 6.0 value = $501.
All Winners Comics #4 (Timely, 1942) CGC VG 4.0 Light tan to off-white pages. The Al Avison Statue of Liberty cover is an Overstreet "classic." Hitler appearance. Bill Everett and Carl Burgos art. Overstreet 2009 VG 4.0 value = $800. CGC census 6/09: 4 in 4.0, 16 higher.
Animal Comics #7 (Dell, 1944) CGC NM+ 9.6 Cream to off-white pages. Walt Kelly cover. Overstreet 2009 NM- 9.2 value = $310. CGC census 6/09: 1 in 9.6, none higher.
Archie's Rival Reggie #1 (Archie, 1950) CGC VF- 7.5 Cream to off-white pages. The title only lasted 14 issues, and the first issue is rarely found in high grade. Overstreet 2009 VF 8.0 value = $536. CGC census 6/09: 2 in 7.5, 4 higher.
Boy Commandos #1 (DC, 1942) CGC VG+ 4.5 Light tan to off-white pages. Origin of Liberty Belle. The Sandman and Newsboy Legion crossover. Joe Simon and Jack Kirby cover and art. Overstreet calls this a "classic" cover. Overstreet 2009 VG 4.0 value = $1,012. CGC census 6/09: 3 in 4.5, 27 higher.
Boy Commandos #3 (DC, 1943) CGC FN+ 6.5 Off-white pages. World War II cover by Joe Simon and Jack Kirby. Overstreet 2009 FN 6.0 value = $399; VF 8.0 value = $838. CGC census 6/09: 1 in 6.5, 4 higher.
Boy Commandos #14 Crowley Copy pedigree (DC, 1946) CGC NM- 9.2 Cream to off-white pages. Underwater cover by Simon and Kirby. Overstreet 2009 NM- 9.2 value = $400. CGC census 6/09: 2 in 9.2, none higher.
Bulletman #2 Crowley Copy pedigree (Fawcett, 1941) CGC FN+ 6.5 Light tan to off-white pages. Decapitation panel. Mac Raboy cover. Charles Sultan art. Overstreet 2009 FN 6.0 value = $489; VF 8.0 value = $1,027. CGC census 6/09: 2 in 6.5, 7 higher.
Captain Marvel Adventures #32 Pennsylvania pedigree (Fawcett, 1944) CGC NM 9.4 Off-white to white pages. Mr. Mind appearance. Captain Marvel fights the Mole Men in Dallas, TX. C. C. Beck cover and art. Overstreet 2009 NM- 9.2 value = $710. CGC census 6/09: 1 in 9.4, none higher.
Claire Voyant #3 (Pentagon, 1947) CGC VF- 7.5 Off-white pages. Bridal/pistol-whipping cover by Jack Kamen. Mentioned in Love and Death, and also in Seduction of the Innocent. Overstreet 2009 VF 8.0 value = $359. CGC census 6/09: 2 in 7.5, none higher.
Clue Comics #1 (Hillman Publications, 1943) CGC VF+ 8.5 Off-white pages. Origin of the Boy King, Nightmare, Micro-Face, Twilight, and Zippo. Overstreet 2009 VF 8.0 value = $1,008; VF/NM 9.0 value = $1,704. CGC census 6/09: 1 in 8.5, 3 higher.
Crime Mysteries #4 Davis Crippen ("D" Copy) pedigree (Ribage Publishing, 1952) CGC VF+ 8.5 Off-white pages. Classic bondage and blood-draining cover. One page of Frank Frazetta art. Overstreet 2009 VF 8.0 value = $359; VF/NM 9.0 value = $610. CGC census 6/09: 1 in 8.5, none higher.
Crimes by Women #3 Davis Crippen ("D" Copy) pedigree (Fox, 1948) CGC VF 8.0 Off-white to white pages. Used in Seduction of the Innocent. Overstreet 2009 VF 8.0 value = $394. CGC census 6/09: 2 in 8.0, none higher.
Crime SuspenStories #4 (EC, 1951) CGC NM- 9.2 Cream to off-white pages. Johnny Craig severed head cover. Craig, Jack Kamen, Jack Davis, and Graham Ingels art. Overstreet 2009 NM- 9.2 value = $725. CGC census 6/09: 3 in 9.2, 8 higher.
Crime SuspenStories #18 Gaines File pedigree (EC, 1953) CGC NM 9.4 White pages. Johnny Craig cover, with interior art by Craig, Jack Kamen, Reed Crandall, and Bill Elder. Note that while CGC has certified this comic as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2009 NM- 9.2 value = $425. CGC census 6/09: 2 in 9.4, 6 higher.
Crown Comics #1 (Golfing, Inc., 1944) CGC NM- 9.2 Cream to off-white pages. Contains the Edgar Allan Poe story adaption of "The Oblong Box." Overstreet 2009 NM- 9.2 value = $575. CGC census 6/09: 1 in 9.2, 2 higher.
Daredevil Comics #25 Rockford pedigree (Lev Gleason, 1944) CGC NM- 9.2 Cream to off-white pages. Charles Biro cover. Overstreet 2009 NM- 9.2 value = $550. CGC census 6/09: 2 in 9.2, none higher.
Daring Mystery Comics #3 (Timely, 1940) CGC VG 4.0 Cream to off-white pages. Alex Schomburg cover featuring the Purple Mask. Overstreet 2009 VG 4.0 value = $1,012. CGC census 6/09: 2 in 4.0, 6 higher.
Dell Giant Comics - Donald Duck Fun Book #1 File Copy (Dell, 1953) CGC VF 8.0 White pages. Features games, puzzles, comics and cut-outs. Overstreet notes, "Very rare in unused condition, most copies commonly have defaced interior pages." Overstreet 2009 VF 8.0 value = $504. CGC census 6/09: 3 in 8.0, 4 higher.
Dell Giant Comics Donald Duck in Disneyland #1 File Copy (Dell, 1955) CGC NM+ 9.6 Off-white pages. Painted front and back covers. First Disneyland Dell Giant. Goofy appearance. Overstreet 2009 NM- 9.2 value = $300. CGC census 6/09: 2 in 9.6, none higher.
Detective Comics #20 (DC, 1938) Condition: FR. Leo O'Mealia cover. Tape repair, chunks out of some pages. No missing pages. Overstreet 2009 GD 2.0 value = $800.
Detective Comics #85 (DC, 1944) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. Joker cover by Dick Sprang. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2009 GD 2.0 value = $147; VG 4.0 value = $294; FN 6.0 value = $441; VF 8.0 value = $819.
Detective Comics #121 (DC, 1947) CGC VF 8.0 White pages. Jack Burnley cover. Curt Swan art. Overstreet 2009 VF 8.0 value = $454. CGC census 6/09: 1 in 8.0, 7 higher.
Doll Man Quarterly #1 (Quality, 1941) CGC FN/VF 7.0 Off-white to white pages. One of Quality's earliest and longest-running series started right here. Overstreet 2009 FN 6.0 value = $987; VF 8.0 value = $2,237. CGC census 6/09: 2 in 7.0, 4 higher.
Donald Duck #26 Davis Crippen ("D" Copy) pedigree (Dell, 1952) CGC VF 8.0 Off-white pages. First issue in his own title after a lengthy Four Color run. Features "Trick Or Treat" by Carl Barks, plus Barks cover and interior art. A Donald Duck mask is on the back cover. Overstreet 2009 VF 8.0 value = $254. CGC census 6/09: 6 in 8.0, 1 higher.
Don Winslow of the Navy #37 Mile High pedigree (Fawcett, 1946) CGC NM/MT 9.8 Off-white to white pages. Gorgeous copy from Edgar Church's collection, easily the finest known. Overstreet 2009 NM- 9.2 value = $140. CGC census 6/09: 1in 9.8, none higher.
Don Winslow of the Navy #45 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. Overstreet 2009 NM- 9.2 value = $120. CGC census 6/09: 1 in 9.6, none higher.
Exciting Comics #6 (Nedor Publications, 1940) CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2009 FN 6.0 value = $234; VF 8.0 value = $488. CGC census 6/09: 1 in 7.0, none higher.
Extra! #3 Gaines File pedigree 10/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. Johnny Craig, Reed Crandall, and John Severin art. Overstreet 2009 NM- 9.2 value = $215. CGC census 6/09: 5 in 9.6, none higher.
Famous Funnies #102 File Copy (Eastern Color, 1943) CGC VF/NM 9.0 Cream to off-white pages. Hitler, Tojo, and Mussolini New Year's cover. Overstreet 2009 VF/NM 9.0 value = $605; NM- 9.2 value = $850. CGC census 6/09: 1 in 9.0, 2 higher.
Platinum Age (1897-1937)
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC Apparent PR 0.5 Slight (A) Off-white pages. The second comic ever published. CGC notes, "Restoration includes: moderate amount of glue on spine of cover. Wrong back cover. Incomplete." Overstreet 2009 GD 2.0 value = $800.
Golden Age (1938-1955)
Fantastic Comics #8 (Fox, 1940) CGC VF- 7.5 Off-white pages. Bondage and torture cover. Best copy we've ever offered. Overstreet 2009 VF 8.0 value = $611. CGC census 6/09: 1 in 7.5, 1 higher.
Feature Comics #74 San Francisco pedigree (Quality, 1944) CGC NM+ 9.6 Off-white to white pages. Al Bryant cover. Overstreet 2009 NM- 9.2 value = $280. CGC census 6/09: 1 in 9.6, none higher.
First Love Illustrated File Copies Group (Harvey, 1949-63) Condition: Average VF+. Huge lot of heartstring-tuggers includes #2, 4, 8-53, 55-75, 77-87, 89, 90. Approximate Overstreet value for group = $2,700.
First Romance File Copies Group (Harvey, 1949-58) Condition: Average VF+. You never forget your First Romance... file copies! Includes #1-4, 6, 8-14, 16-24, 28-52. Approximate Overstreet value for group = $1,800.
Flash Comics #83 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Joe Kubert Hawkman cover. Overstreet 2009 VF 8.0 value = $491. CGC census 6/09: 2 in 8.0, 5 higher.
Forbidden Worlds #2 (ACG, 1951) CGC VF/NM 9.0 Off-white pages. Pre-Code issue. Ken Bald cover. Overstreet 2009 VF/NM 9.0 value = $701; NM- 9.2 value = $985. CGC census 6/09: 3 in 9.0, 1 higher.
Four Color (Series One) #16 Mickey Mouse (Dell, 1941) CGC Apparent GD- 1.8 Slight (P) Brittle pages. The first Mickey Mouse comic book. Floyd Gottfredson art. CGC notes, "Restoration includes: small amount of color touch on cover, tear seals to cover, cover and centerfold reinforced." Overstreet 2009 GD 2.0 value = $1,250.
Four Color #27 Mickey Mouse File Copy (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. Walt Disney's Mickey Mouse in "The Seven-Colored Terror". Goofy and Minnie Mouse appearances. Minnie and Mickey pin-ups. CGC does not list this as a file copy, despite the stamp on front cover. Overstreet 2009 VF 8.0 value = $646. CGC census 6/09: 2 in 7.5, 5 higher.
Four Color #83 Gene Autry (Dell, 1945) CGC NM 9.4 Cream to off-white pages. Fifth appearance in this title for the Singing Cowboy. Till Goodan cover and interior art are featured. Overstreet 2009 NM- 9.2 value = $540. CGC census 6/09: 2 in 9.4, none higher.
Four Color #300 Donald Duck (Dell, 1950) CGC VF 8.0 Off-white pages. Donald Duck in "Big-Top Bedlam." Carl Barks story and art. Overstreet 2009 VF 8.0 value = $360. CGC census 6/09: 5 in 8.0, 9 higher.
Four Color #308 Donald Duck (Dell, 1951) CGC VF 8.0 Cream to off-white pages. Donald Duck in "Dangerous Disguise" by Carl Barks. Barks cover and art. Overstreet 2009 VF 8.0 value = $344. CGC census 6/09: 2 in 8.0, 9 higher.
Green Lantern #21 Davis Crippen ("D" Copy) pedigree (DC, 1946) CGC VF- 7.5 Off-white pages. Paul Reinman cover. Martin Nodell art. Overstreet 2009 VF 8.0 value = $756. CGC census 6/09: 1 in 7.5, 3 higher.
Headline Comics #22 Mile High pedigree (Prize, 1946) CGC NM+ 9.6 White pages. Features Henry Kiefer cover art and the last Junior Rangers story to appear in the title. A stunning copy with sharp corners and gorgeous color. Overstreet 2009 NM- 9.2 value = $150. CGC census 6/09: 1 in 9.6, none higher.
Heroic Comics Mile High pedigree #21 (Eastern Color, 1943) CGC NM+ 9.6 White pages. Painted wartime cover by Henry Kiefer. Overstreet 2009 NM- 9.2 value = $220. CGC census 6/09: 2 in 9.6, none higher.
Hi-School Romance File Copies Group (Harvey, 1949-58) Condition: Average VF+. Just one book short of the full run! #1-61 and 63-75 are here. Approximate Overstreet value for group = $2,400.
House of Mystery #1 (DC, 1952) CGC FN- 5.5 Cream to off-white pages. The first DC horror comic. Win Mortimer cover. Curt Swan and Bob Brown art. Overstreet 2009 FN 6.0 value = $729. CGC census 6/09: 6 in 5.5, 20 higher.
The Human Torch #2 (#1) Cover Only (Timely, 1940). Front and back covers only, no interior. Spine completely split.
Ibis The Invincible #3 (Fawcett, 1945) CGC VF+ 8.5 Off-white pages. Mac Raboy and Basil Wolverton art. Overstreet 2009 VF 8.0 value = $460; VF/NM 9.0 value = $780. CGC census 6/09: 3 in 8.5, 4 higher.
Ibis The Invincible #6 (Fawcett, 1948) CGC NM- 9.2 Off-white to white pages. Kurt Schaffenberger skull cover. Basil Wolverton art. Overstreet 2009 NM- 9.2 value = $710. CGC census 6/09: 4 in 9.2, 1 higher.
Jumbo Comics #12 (Fiction House, 1940) CGC VG 4.0 Cream to off-white pages. Will Eisner bondage cover and art. Lou Fine and Bob Powell art. Overstreet 2009 VG 4.0 value = $262. CGC census 6/09: 2 in 4.0, none higher.
Li'l Abner #61 (#1) File Copy (Harvey, 1947) CGC NM 9.4 Cream to off-white pages. The first Harvey issue of the series. Basil Wolverton and Bob Powell art. Overstreet 2009 NM- 9.2 value = $385. CGC census 6/09: 2 in 9.4, none higher.
Little Dot #7 (Harvey, 1954) CGC VF/NM 9.0 Off-white pages. Overstreet 2009 VF/NM 9.0 value = $345; NM- 9.2 value = $475. CGC census 6/09: 1 in 9.0, none higher.
Mad #23 (EC, 1955) CGC NM 9.4 Off-white pages. Last comic book issue of Mad. Contains a Pogo parody. Atomic explosion panel. Harvey Kurtzman, Wally Wood, and Jack Davis art. Overstreet 2009 NM- 9.2 value = $700. CGC census 6/09: 4 in 9.4, 2 higher.
The Marvel Family #2 (Fawcett, 1946) CGC VF+ 8.5 Cream to off-white pages. The Three Lt. Marvels and Uncle Marvel appearances. C. C. Beck cover and art. Overstreet 2009 VF 8.0 value = $491; VF/NM 9.0 value = $833. CGC census 6/09: 3 in 8.5, 8 higher.
Marvel Mystery Comics #41 (Timely, 1943) CGC VG/FN 5.0 Off-white pages. First copy we've auctioned in five years. Japanese war cover by Alex Schomburg. Overstreet 2009 VG 4.0 value = $386; FN 6.0 value = $579. CGC census 6/09: 2 in 5.0, 2 higher.
Marvel Mystery Comics #81 (Timely, 1947) CGC VF 8.0 Cream to off-white pages. Syd Shores cover featuring the Human Torch. Overstreet 2009 VF 8.0 value = $788. CGC census 6/09: 1 in 8.0, 3 higher.
Magazines
Mickey Mouse Magazine V2#1 (K. K. Publications, Inc., 1936) Condition: VF-. Excellent page quality. Scarce in high grade. Overstreet 2009 VF 8.0 value = $1,100.
Platinum Age (1897-1937)
More Fun Comics #19 (DC, 1937) CGC VG+ 4.5 Cream to off-white pages. Vincent Sullivan cover. Dr. Occult story by Jerry Siegel. Sullivan, Creig Flessel, and Joe Shuster art. Back cover ad for Detective Comics #1. Overstreet 2009 VG 4.0 value = $600. CGC census 6/09: 1 in 4.5, 5 higher.
Golden Age (1938-1955)
More Fun Comics #62 (DC, 1940) CGC FN 6.0 Off-white pages. Spectre cover. Bernard Baily and Jerry Siegel art. CGC notes, "2 Siamese pages." Overstreet 2009 FN 6.0 value = $954. CGC census 6/09: 2 in 6.0, 6 higher.
More Fun Comics #73 (DC, 1941) CGC GD+ 2.5 Off-white pages. First appearances of Aquaman, Green Arrow, and Speedy. CGC notes, "1 piece of tape on cover." Overstreet 2009 GD 2.0 value = $1,367. CGC census 6/09: 1 in 2.5, 13 higher.
New Funnies #67 (Dell, 1942) CGC NM+ 9.6 Off-white pages. Billy and Bonnie Bee by Frank Thomas begins. Overstreet 2009 NM- 9.2 value = $675. CGC census 6/09: 1 in 9.6, none higher.
Our Gang Comics #9 File Copy (Dell, 1944) CGC VF/NM 9.0 Off-white pages. Carl Barks art on Benny Burro and Happy Hound stories. Walt Kelly cover. Overstreet 2009 VF/NM 9.0 value = $574; NM- 9.2 value = $840. CGC census 6/09: 1 in 9.0, none higher.
Our Gang Comics #10 File Copy (Dell, 1944) CGC NM 9.4 Off-white pages. Benny Burro story by Carl Barks. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $600. CGC census 6/09: 1 in 9.4, none higher.
Our Gang Comics #13 File Copy (Dell, 1944) CGC NM+ 9.6 Cream to off-white pages. Art by Carl Barks and Walt Kelly. Overstreet 2009 NM- 9.2 value = $365. CGC census 6/09: 1 in 9.6, none higher.
Our Gang Comics #14 File Copy (Dell, 1944) CGC NM 9.4 Off-white pages. Carl Barks art. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $365. CGC census 6/09: 1 in 9.4, none higher.
Our Gang Comics #15 File Copy (Dell, 1945) CGC NM 9.4 Off-white to white pages. Carl Barks art. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $365. CGC census 6/09: 1 in 9.4, none higher.
Our Gang Comics #16 File Copy (Dell, 1945) CGC NM 9.4 Off-white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2009 NM- 9.2 value = $360. CGC census 6/09: 1 in 9.4, none higher.
Our Gang Comics #17 File Copy (Dell, 1945) CGC NM+ 9.6 Off-white pages. Carl Barks art. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $360. CGC census 6/09: 1 in 9.6, none higher.
Our Gang Comics #18 File Copy (Dell, 1945) CGC NM 9.4 Off-white pages. Carl Barks art. Walt Kelly story and art. Overstreet 2009 NM- 9.2 value = $365. CGC census 6/09: 1 in 9.4, none higher.
Our Gang Comics #19 File Copy (Dell, 1945) CGC NM+ 9.6 Off-white to white pages. Carl Barks art. Walt Kelly cover and story art. Overstreet 2009 NM- 9.2 value = $360. CGC census 6/09: 1 in 9.6, none higher.
Phantom Lady #23 (Fox Features Syndicate, 1949) CGC VG+ 4.5 White pages. Matt Baker and Jack Kamen art. Classic bondage cover. CGC notes, "Very minor amount of glue on cover." Overstreet 2009 VG 4.0 value = $320. CGC census 6/09: 3 in 4.5, 8 higher.
Picture Stories from the Bible New Testament Edition #3 Gaines File pedigree (EC, 1946) CGC NM/MT 9.8 Off-white pages. Best copy we've ever offered. Note that while CGC has certified this book as a Gaines File Copy, no certificate accompanies this lot. Overstreet 2009 NM- 9.2 value = $235. CGC census 6/09: 2 in 9.8, none higher.
Plastic Man #4 (Quality, 1946) CGC VF/NM 9.0 Off-white pages. CGC notes, "Tanning [on] interior front and back cover." Overstreet 2009 VF/NM 9.0 value = $922; NM- 9.2 value = $1,275. CGC census 6/09: 1 in 9.0, 3 higher.
Rulah Jungle Goddess #17 (#1) (Fox Features Syndicate, 1948) CGC Apparent VF/NM 9.0 Slight (P) Cream to off-white pages. Jack Kamen cover. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2009 GD 2.0 value = $103; VG 4.0 value = $206; FN 6.0 value = $309; VF 8.0 value = $649; VF/NM 9.0 value = $1,100.
Sad Sack Comics File Copies Box Lot (Harvey, 1949-82). The most complete run we've ever offered has 268 of the 287 issues Harvey published! Includes #2-17, 19-24, 26-59, 66-70, 72, 76-181, 183-200, 203-229, 231-235, 238-287. Condition: #2 through 17 vary widely from GD/VG to VF, #19 through 80 average VF (#55 is water-stained and low-grade), and #81 through 287 average VF/NM or better. Approximate Overstreet value for group = $4,500.
Sensation Comics #22 (DC, 1943) CGC FN+ 6.5 Off-white pages. H. G. Peter cover and art. Overstreet 2009 FN 6.0 value = $240; VF 8.0 value = $504. CGC census 6/09: 2 in 6.5, 4 higher.
Shadow Comics V9#4 Okajima pedigree/Double Cover (Street & Smith, 1949) CGC VF+ 8.5 Off-white to white pages. Doc Savage backup story. Bob Powell cover and art. CGC notes, "1st cover 8.0, interior cover 8.5." Overstreet 2009 VF 8.0 value = $267; VF/NM 9.0 value = $446. CGC census 6/09: 1 in 8.5, 2 higher.
Silver Streak Comics #6 (Lev Gleason, 1940) CGC Apparent VG+ 4.5 Slight (P) Cream to off-white pages. Origin and first appearance of the original Daredevil. Classic cover by Jack Cole featuring the Claw. Rated "scarce" by Gerber and Overstreet. One of Overstreet's Top 100 Golden Age books. CGC notes, "Restoration includes: spine split sealed to cover, tear seals to cover, cover reinforced." Overstreet 2009 GD 2.0 value = $1,285; VG 4.0 value = $2,570.
Startling Terror Tales #11 (Star Publications, 1952) CGC VG 4.0 Off-white pages. Classic L. B. Cole spider cover. Overstreet 2009 VG 4.0 value = $320. CGC census 6/09: 3 in 4.0, 14 higher.
Strange Adventures #19 (DC, 1952) CGC VF+ 8.5 White pages. Murphy Anderson cover and art. Carmine Infantino, Gil Kane, and Alex Toth art. Overstreet 2009 VF 8.0 value = $328; VF/NM 9.0 value = $614. CGC census 6/09: 2 in 8.5, 3 higher.
Sub-Mariner Comics #38 (Timely, 1955) CGC VF+ 8.5 Off-white pages. Origin of Sub-Mariner's ankle wings. Last pre-Code issue. Syd Shores cover. Overstreet 2009 VF 8.0 value = $567; VF/NM 9.0 value = $959. CGC census 6/09: 3 in 8.5, 1 higher.
Sunny #14 (Fox, 1948) CGC VF 8.0 Off-white to white pages. Al Feldstein cover. Last issue. Overstreet 2009 VF 8.0 value = $504. CGC census 6/09: 2 in 8.0, 1 higher.
Superboy #1 (DC, 1949) CGC GD 2.0 Cream to off-white pages. Superman cover appearance. CGC notes, "Tape on cover and interior cover." Overstreet 2009 GD 2.0 value = $833. CGC census 6/09: 4 in 2.0, 62 higher.
Superman #2 (DC, 1939) CGC Apparent VG/FN 5.0 Slight (A) Off-white pages. Joe Shuster cover. CGC notes, "Restoration includes: small amount of glue on spine of cover, tear seals to interior." Overstreet 2009 GD 2.0 value = $1,550; VG 4.0 value = $3,100.
Superman #20 Williamsport pedigree (DC, 1943) CGC FN- 5.5 White pages. Jack Burnley cover. Overstreet 2009 FN 6.0 value = $660. CGC census 6/09: 6 in 5.5, 23 higher.
Superman #77 Williamsport pedigree (DC, 1952) CGC VF- 7.5 Off-white pages. Best copy we've ever offered. Win Mortimer cover. Overstreet 2009 VF 8.0 value = $388. CGC census 6/09: 4 in 7.5, 4 higher.
Tales From the Crypt #41 Gaines File pedigree 8/12 (EC, 1954) CGC VF/NM 9.0 Off-white to white pages. Jack Davis cover. Overstreet 2009 VF/NM 9.0 value = $519; NM- 9.2 value = $710. CGC census 6/09: 3 in 9.0, 6 higher.
Tales From the Crypt #44 (EC, 1954) CGC VF/NM 9.0 Off-white pages. Jack Davis guillotine cover. Davis, Reed Crandall, Jack Kamen, and Graham Ingels art. Overstreet 2009 VF/NM 9.0 value = $519; NM- 9.2 value = $710. CGC census 6/09: 4 in 9.0, 6 higher.
Terrifying Tales #13 (Star Publications, 1953) CGC VF 8.0 Cream to off-white pages. Classic devil/bondage cover by L. B. Cole. Overstreet 2009 VF 8.0 value = $330. CGC census 6/09: 1 in 8.0, 1 higher.
The Thing! #16 (Charlton, 1954) CGC NM 9.4 Off-white pages. Injury-to-eye panel. Dick Ayers, Joe Shuster, and Sam Moskowitz art. Overstreet 2009 NM- 9.2 value = $425. CGC census 6/09: 9 in 9.4, 4 higher.
3-D Dolly #1 File Copy (Harvey, 1953) CGC NM 9.4 Off-white pages. Richie Rich story. Two pairs of 3-D glasses inside. Overstreet 2009 NM- 9.2 value = $1,050. CGC census 6/09: 3 in 9.4, 1 higher.
Three Dimensional Tales from the Crypt of Terror #2 (EC, 1954) CGC VF- 7.5 White pages. Overstreet says it's "rare in high grade," but this copy comes close. Stories from Tales From the Crypt and Vault of Horror were redrawn to the 3-D format by Jack Davis, Will Elder, Johnny Craig, and Joe Orlando. Al Feldstein did the cover. Overstreet 2009 VF 8.0 value = $580. CGC census 6/09: 3 in 7.5, 11 higher.
Tom Mix Western #7 Mile High pedigree (Fawcett, 1948) CGC NM+ 9.6 White pages. A census-topping copy of this issue, with a painted/photo cover. Interior art by C. C. Beck. Overstreet 2009 NM- 9.2 value = $275. CGC census 6/09: 1 in 9.6, none higher.
Underworld #4 Mile High pedigree (D.S. Publishing, 1948) CGC VF+ 8.5 Off-white to white pages. Used in Love And Death. Overstreet 2009 VF 8.0 value = $198; VF/NM 9.0 value = $319. CGC census 6/09: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #1 (Dell, 1940) Condition: GD. First issue of the best-selling comic series of all time. This copy has very nice off-white pages. No markings except as noted below. Subscription crease, one-inch spine split at bottom. Pencil tracing on front cover and crayon on inside front cover. Overstreet 2009 GD 2.0 value = $2,000.
Walt Disney's Comics and Stories #24 (Dell, 1942) CGC VF 8.0 Off-white pages. Contains "The Flying Gauchito," the first original comic book story written for Walt Disney's Comics and Stories. Walt Kelly art. Overstreet 2009 VF 8.0 value = $523. CGC census 6/09: 1 in 8.0, 5 higher.
Walt Disney's Comics and Stories #25 (Dell, 1942) CGC FN/VF 7.0 Cream to off-white pages. Walt Kelly cover. Overstreet 2009 FN 6.0 value = $207; VF 8.0 value = $523. CGC census 6/09: 1 in 7.0, 2 higher.
Walt Disney's Comics and Stories #43 (Dell, 1944) CGC VF+ 8.5 Cream to off-white pages. Carl Barks story and art. Walt Kelly cover. Overstreet 2009 VF 8.0 value = $378; VF/NM 9.0 value = $639. CGC census 6/09: 1 in 8.5, 3 higher.
Walt Disney's Comics and Stories #88 (Dell, 1948) CGC NM- 9.2 Off-white pages. First appearance of Gladstone Gander. New Year's cover. Overstreet 2009 NM- 9.2 value = $385. CGC census 6/09: 2 in 9.2, 3 higher.
Walt Disney's Comics and Stories #113 (Dell, 1950) CGC NM 9.4 Off-white to white pages. Walt Kelly cover. Overstreet 2009 NM- 9.2 value = $155. CGC census 6/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #114 (Dell, 1950) CGC NM 9.4 Off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2009 NM- 9.2 value = $200. CGC census 6/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #156 File Copy (Dell, 1953) CGC NM 9.4 Off-white pages. Carl Barks cover and art. Overstreet 2009 NM- 9.2 value = $120. CGC census 7/09: 3 in 9.4, none higher.
Walt Disney's Comics and Stories #157 File Copy (Dell, 1953) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $105. CGC census 7/09: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #159 File Copy (Dell, 1953) CGC NM 9.4 Off-white to white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $105. CGC census 7/09: 1 in 9.4, 1 higher.
Walt Disney's Comics and Stories #169 File Copy (Dell, 1954) CGC NM+ 9.6 Off-white pages. Carl Barks story, cover, and art. Overstreet 2009 NM- 9.2 value = $105. CGC census 7/09: 3 in 9.6, none higher.
Whiz Comics #40 Rockford pedigree (Fawcett, 1943) CGC NM- 9.2 Off-white pages. Three Lieutenant Marvels appear. C. C. Beck cover and art. Overstreet 2009 NM- 9.2 value = $525. CGC census 6/09: 2 in 9.2, 1 higher.
Whiz Comics #49 (Fawcett, 1943) CGC NM 9.4 Off-white pages. C. C. Beck cover and art. Overstreet 2009 NM- 9.2 value = $470. CGC census 6/09: 3 in 9.4, none higher.
World's Best Comics #1 (DC, 1941) CGC GD/VG 3.0 Cream to off-white pages. Only issue -- became World's Finest with issue #2. Superman, Batman, and Robin cover by Fred Ray. Overstreet 2009 GD 2.0 value = $1,475; VG 4.0 value = $2,950. CGC census 6/09: 5 in 3.0, 36 higher.
World's Finest Comics #10 (DC, 1943) CGC VF- 7.5 Off-white to white pages. Batman, Superman, Green Arrow, and the Boy Commandos appear. Bob Kane, Joe Simon, Jack Kirby, and Jerry Robinson art. Overstreet 2009 VF 8.0 value = $1,052. CGC census 6/09: 5 in 7.5, 3 higher.
World's Finest Comics #16 (DC, 1944) CGC VF+ 8.5 Off-white to white pages. Jack Burnley cover featuring Batman and Superman. Overstreet 2009 VF 8.0 value = $851; VF/NM 9.0 value = $1,438. CGC census 6/09: 4 in 8.5, 2 higher.
World's Finest Comics #40 (DC, 1949) CGC VF 8.0 Light tan to off-white pages. Win Mortimer cover featuring Superman, Batman, and Robin. Overstreet 2009 VF 8.0 value = $517. CGC census 6/09: 1 in 8.0, 1 higher.
Platinum Age (1897-1937)
Wow Comics #1 (Henle, 1936) Condition: VG-. First comic book work of Will Eisner and the first comic produced by S. M. "Jerry" Iger. Aka Wow What A Magazine! Dick Briefer cover. A Gerber "8," and this is just the third copy we've ever seen. Tape repair to cover and a couple of interior pages. Overstreet 2009 GD 2.0 value = $307; VG 4.0 value = $614.
Silver Age (1956-1969)
The Amazing Spider-Man #1 (Marvel, 1963) CGC GD/VG 3.0 Off-white pages. First appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko cover. Overstreet 2009 GD 2.0 value = $1,375; VG 4.0 value = $2,750. CGC census 6/09: 119 in 3.0, 678 higher.
The Amazing Spider-Man #3 (Marvel, 1963) CGC FN/VF 7.0 Cream to off-white pages. Origin and first appearance of Doctor Octopus. Steve Ditko cover and art. Overstreet 2009 FN 6.0 value = $864; VF 8.0 value = $2,520. CGC census 6/09: 50 in 7.0, 117 higher.
The Amazing Spider-Man #50 (Marvel, 1967) CGC VF+ 8.5 Off-white to white pages. First appearance of the Kingpin. Spider-Man's origin retold. Johnny Carson and Ed McMahon cameos. John Romita Sr. cover and art. Overstreet 2009 VF 8.0 value = $476; VF/NM 9.0 value = $913. CGC census 6/09: 79 in 8.5, 135 higher.
Modern Age (1980-Present)
The Amazing Spider-Man #214 (Marvel, 1981) CGC MT 9.9 Off-white to white pages. Sub-Mariner and Frightful Four appearances. John Romita Jr. cover and art. Overstreet 2009 NM- 9.2 value = $12. CGC census 6/09: 2 in 9.9, none higher.
The Amazing Spider-Man #217 (Marvel, 1981) CGC MT 9.9 Off-white to white pages. Sandman and Hydro-Man combine to become Mud-Thing. John Romita Jr. cover and art. Overstreet 2009 NM- 9.2 value = $12. CGC census 6/09: 2 in 9.9, none higher.
The Amazing Spider-Man #219 (Marvel, 1981) CGC MT 9.9 Off-white to white pages. Frank Miller cover. Overstreet 2009 NM- 9.2 value = $12. CGC census 6/09: 2 in 9.9, none higher.
The Amazing Spider-Man #362 (Marvel, 1992) CGC MT 10 White pages. Gem Mint copy. Carnage and Venom appearances. Mark Bagley cover and art. Overstreet 2009 NM- 9.2 value = $9. CGC census 6/09: 5 in 10.0.
Silver Age (1956-1969)
America's Best TV Comics #nn File Copy (Marvel, 1967) CGC NM/MT 9.8 Off-white pages. Appearances by Spider-Man, Fantastic Four (drawn by Jack Kirby and Dick Ayers), Casper, King Kong, and George of the Jungle. "Journey to the Center of the Earth" story promoting the new cartoon. Overstreet 2009 NM- 9.2 value = $245. CGC census 6/09: 4 in 9.8, none higher.
Barbie and Ken #3 File Copy (Dell, 1963) CGC NM 9.4 Off-white to white pages. Photo cover. Vince Colletta art. Overstreet 2009 NM- 9.2 value = $580. CGC census 6/09: 4 in 9.4, none higher.
Barbie and Ken #4 File Copy (Dell, 1963) CGC NM 9.4 Off-white pages. Photo cover. Vince Colletta art. Overstreet 2009 NM- 9.2 value = $580. CGC census 6/09: 5 in 9.4, none higher.
Boris Karloff Tales of Mystery File Copies Box Lot (Gold Key, 1962-80) Condition: Average NM. Just two issues short of being a complete run, this lot includes #1 (CGC 9.8), 2 (CGC 9.6), 3 (CGC 9.4), 4 (CGC 9.4), 5 (CGC 9.4), 6 (CGC 9.0), 7 (CGC 9.4), 8 (CGC 9.4), 9-15, 16 (CGC 9.2), 17-26, 27 (CGC 9.6), 28-38, 40-73, and 75-97, plus Boris Karloff Tales of Mystery Story Digest #1 (CGC 9.4). All are file copies. The non-CGC-certified issues average NM. Overstreet 2009 NM- 9.2 value for group (highest value listed) = $2,325.
Dell Giant Comics Disneyland Birthday Party #1 File Copy (Dell, 1958) CGC NM+ 9.6 Off-white pages. Carl Barks 16 page story. Painted cover by Tony Strobl. Overstreet 2009 NM- 9.2 value = $500. CGC census 6/09: 2 in 9.6, none higher.
Dell Giant Comics Donald and Mickey in Disneyland #1 File Copy (Dell, 1958) CGC NM+ 9.6 Off-white to white pages. Tony Strobl art. Painted cover. Overstreet 2009 NM- 9.2 value = $225. CGC census 6/09: 1 in 9.6, none higher.
Fantastic Four #1 (Marvel, 1961) CGC VG 4.0 Off-white pages. The comic that started it all! Origin and first appearance of the Fantastic Four. Origin and first appearance of the Mole Man. Jack Kirby cover. Overstreet 2009 VG 4.0 value = $3,400. CGC census 6/09: 63 in 4.0, 174 higher.
Fantastic Four #5 (Marvel, 1962) CGC VG 4.0 Off-white pages. Origin and first appearance of Doctor Doom. Jack Kirby cover and art. Overstreet 2009 VG 4.0 value = $770. CGC census 6/09: 34 in 4.0, 204 higher.
Modern Age (1980-Present)
Fantastic Four #239 (Marvel, 1982) CGC MT 9.9 Off-white to white pages. First appearance of Aunt Petunia. John Byrne cover. Overstreet 2009 NM- 9.2 value = $5. CGC census 6/09: 2 in 9.9, none higher.
Bronze Age (1970-1979)
The Forever People #1 (DC, 1971) CGC NM/MT 9.8 Off-white to white pages. First appearance of the Forever People. First full appearance of Darkseid. Superman appearance. Jack Kirby story, cover, and art. Overstreet 2009 NM- 9.2 value = $110. CGC census 6/09: 5 in 9.8, none higher.
Modern Age (1980-Present)
G. I. Joe, A Real American Hero #21 (Marvel, 1984) CGC NM+ 9.6 Off-white to white pages. First appearance of Storm Shadow. "Silent" issue. Overstreet 2009 NM- 9.2 value = $35. CGC census 6/09: 68 in 9.6, 6 higher.
Silver Age (1956-1969)
Green Lantern #1 (DC, 1960) CGC FN- 5.5 Off-white pages. Green Lantern's origin retold. First appearance of the Guardians of the Universe. Gil Kane cover and art. Murphy Anderson art. Overstreet 2009 FN 6.0 value = $1,095. CGC census 6/09: 17 in 5.5, 86 higher.
Hawkman #12 (DC, 1966) CGC NM+ 9.6 White pages. Murphy Anderson cover and art. Overstreet 2009 NM- 9.2 value = $100. CGC census 7/09: 5 in 9.6, 1 higher.
The Incredible Hulk #6 (Marvel, 1963) CGC FN/VF 7.0 White pages. Just the second unrestored copy we've seen certified "white pages." Last issue of the original series. First appearance of the Teen Brigade. Steve Ditko cover. Overstreet 2009 FN 6.0 value = $489; VF 8.0 value = $1,426. CGC census 6/09: 21 in 7.0, 54 higher.
Bronze Age (1970-1979)
The Incredible Hulk #141 (Marvel, 1971) CGC NM/MT 9.8 Off-white to white pages. Origin and first appearance of Doc Samson. Herb Trimpe cover. Trimpe and John Severin art. Overstreet 2009 NM- 9.2 value = $135. CGC census 7/09: 3 in 9.8, none higher. From the Capital City Collection.
The Incredible Hulk #181 (Marvel, 1974) CGC VF 8.0 Off-white to white pages. First full appearance of Wolverine. Wendigo appearance. Herb Trimpe cover. Trimpe and Jack Abel art. Overstreet 2009 VF 8.0 value = $700. CGC census 6/09: 359 in 8.0, 1,301 higher.
Iron Man #128 (Marvel, 1979) CGC NM/MT 9.8 Off-white to white pages. Classic Tony Stark alcoholism cover by Bob Layton. Overstreet 2009 NM- 9.2 value = $18. CGC census 6/09: 9 in 9.8, none higher.
Silver Age (1956-1969)
Journey Into Mystery #124 (Marvel, 1966) CGC NM 9.4 White pages. Hercules appearance. Thor reveals his secret identity to Jane Foster. Tales of Asgard backup feature. Jack Kirby cover and art. Overstreet 2009 NM- 9.2 value = $240. CGC census 6/09: 32 in 9.4, 23 higher.
Modern Age (1980-Present)
Marvel Super Heroes Secret Wars #8 (Marvel, 1984) CGC MT 9.9 White pages. Origin of Spider-Man's black costume (the alien symbiote that eventually becomes Venom). Mike Zeck cover and art. Overstreet 2009 NM- 9.2 value = $32. CGC census 6/09: 11 in 9.9, none higher.
Marvel Team-Up #117 Spider-Man and Wolverine (Marvel, 1982) CGC MT 10 Off-white to white pages. Gem Mint copy. Bob Layton cover. Overstreet 2009 NM- 9.2 value = $12. CGC census 6/09: 2 in 10.
Silver Age (1956-1969)
My Love #1 (Marvel, 1969) CGC NM 9.4 White pages. John Romita Sr. cover. Overstreet 2009 NM- 9.2 value = $100. CGC census 6/09: 3 in 9.4, none higher.
Nick Fury, Agent of S.H.I.E.L.D. #4 (Marvel, 1968) CGC NM+ 9.6 White pages. Origin of S.H.I.E.L.D. Classic Jim Steranko Statue of Liberty cover. Overstreet 2009 NM- 9.2 value = $100. CGC census 6/09: 17 in 9.6, 1 higher.
Nick Fury, Agent of S.H.I.E.L.D. #7 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. Jim Steranko cover. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 14 in 9.6, 2 higher.
Playful Little Audrey File Copies Box Lot (Harvey, 1958-76) Condition: Average VF+. Nearly two decades' worth: #6, 10-15, 17-51, 53-59, 62-71, 73-111, 113-117, and 119-121. Issues #25 and under average VF; #26 and above average VF/NM. Approximate Overstreet value for group = $3,000.
The Red Iceberg #nn (2nd version) (Impact, 1960) CGC NM- 9.2 Off-white to white pages. "Impact Press" back cover. Anti-communist comic. Overstreet 2009 NM- 9.2 value = $500. CGC census 6/09: 2 in 9.2, none higher.
Richie Rich #19 File Copy (Harvey, 1963) CGC NM+ 9.6 Off-white to white pages. Overstreet 2009 NM- 9.2 value = $325. CGC census 6/09: 1 in 9.6, none higher.
Richie Rich #20 File Copy (Harvey, 1963) CGC NM 9.4 Off-white pages. Overstreet 2009 NM- 9.2 value = $325. CGC census 6/09: 1 in 9.4, none higher.
Richie Rich #28 File Copy (Harvey, 1964) CGC NM+ 9.6 Off-white to white pages. Little Dot and Little Lotta backup stories. Overstreet 2009 NM- 9.2 value = $210. CGC census 6/09: 6 in 9.6, none higher.
Richie Rich #33 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white pages. Little Lotta and Little Dot backup stories. Overstreet 2009 NM- 9.2 value = $165. CGC census 6/09: 6 in 9.6, none higher.
Richie Rich #55 File Copy (Harvey, 1967) CGC NM/MT 9.8 Off-white to white pages. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 2 in 9.8, none higher.
Richie Rich #58 File Copy (Harvey, 1967) CGC NM/MT 9.8 Off-white to white pages. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 1 in 9.8, none higher.
Bronze Age (1970-1979)
Richie Rich #93 File Copy (Harvey, 1970) CGC NM/MT 9.8 Off-white to white pages. Little Dot and Little Lotta stories. Overstreet 2009 NM- 9.2 value = $40. CGC census 6/09: 3 in 9.8, none higher.
Silver Age (1956-1969)
Richie Rich File Copies Box Lot (Harvey, 1964-89) Condition: Average VF/NM. Cadbury would throw out his back lifting this box lot! Issues 28 (FN+), 36 (FN-), 37, 38, 40, 41, 44, 45, 47, 51-54, 56-59, 61-151, 154-175, 178-195, 199-218, 221-226, 228, 231, 232, 235-237, 239, and 243. Approximate Overstreet value for group = $4,000.
Sad Sack's Army Life Parade #1 File Copy (Harvey, 1963) CGC NM/MT 9.8 Off-white to white pages. Giant-size issue. Overstreet 2009 NM- 9.2 value = $120. CGC census 6/09: 4 in 9.8, none higher.
Sad Sack's Army Life Parade #2 File Copy (Harvey, 1964) CGC NM/MT 9.8 Off-white to white pages. Giant-size issue. Overstreet 2009 NM- 9.2 value = $60. CGC census 6/09: 4 in 9.8, none higher.
Sad Sack Laugh Special #1 File Copy (Harvey, 1958) CGC NM/MT 9.8 Off-white to white pages. Giant-size issue. Overstreet 2009 NM- 9.2 value = $180. CGC census 6/09: 1 in 9.8, none higher.
Secret Origins #1 (DC, 1961) CGC VF/NM 9.0 Off-white pages. Square bound. Origin stories of Adam Strange, Green Lantern, Challengers of the Unknown, J'onn J'onzz , The Flash, and Wonder Woman, plus Superman and Batman's first team-up. CGC notes, "Slight foxing inside front and back cover." Overstreet 2009 VF/NM 9.0 value = $680; NM- 9.2 value = $1,000. CGC census 7/09: 4 in 9.0, 5 higher.
Showcase #8 The Flash (DC, 1957) CGC VG+ 4.5 Off-white to white pages. Second appearance of Silver Age Flash. Origin and first appearance of Captain Cold. Carmine Infantino cover and art. Overstreet 2009 VG 4.0 value = $1,640. CGC census 6/09: 6 in 4.5, 31 higher.
The Spectre #1 (DC, 1967) CGC NM 9.4 Off-white to white pages. Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $250. CGC census 6/09: 12 in 9.4, 1 higher.
Superman #169 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Mr. Mxyzptlk and Bizarro appearances. Curt Swan cover and art. Overstreet 2009 NM- 9.2 value = $165. CGC census 6/09: 3 in 9.6, 1 higher.
Tastee-Freez Comics #1 File Copy (Harvey, 1957) CGC NM+ 9.6 Cream to off-white pages. Features Little Dot and the Richie Rich backup story "Ride Em Cowboy," which was published here one year prior to being printed in Harvey Hits #9. Overstreet 2009 NM- 9.2 value = $350. CGC census 6/09: 8 in 9.6, none higher.
Teen Titans #23 Don Rosa Collection (DC, 1969) CGC NM+ 9.6 Off-white to white pages. Wonder Girl in new costume, cover and story. Nick Cardy cover. Cardy and Gil Kane art. Overstreet 2009 NM- 9.2 value = $70. CGC census 6/09: 3 in 9.6, none higher.
Uncle Scrooge #83 File Copy (Gold Key, 1969) CGC NM/MT 9.8 Off-white to white pages. Tony Strobl cover. Overstreet 2009 NM- 9.2 value = $110. CGC census 6/09: 1 in 9.8, none higher.
Modern Age (1980-Present)
Web of Spider-Man #1 (Marvel, 1985) CGC MT 9.9 Off-white to white pages. More than 2,000 copies have been graded by CGC with only two reaching 9.9 as of this writing. Overstreet 2009 NM- 9.2 value = $15. CGC census 7/09: 2 in 9.9, none higher.
Bronze Age (1970-1979)
X-Men #83 White Mountain pedigree (Marvel, 1973) CGC NM+ 9.6 White pages. Reprints X-Men #35. Spider-Man appears. Overstreet 2009 NM- 9.2 value = $110. CGC census 6/09: 5 in 9.6, none higher.
X-Men #95 (Marvel, 1975) CGC NM+ 9.6 White pages. Death of Thunderbird. Third appearance of the new X-Men. Gil Kane cover. Overstreet 2009 NM- 9.2 value = $290. CGC census 6/09: 49 in 9.6, 7 higher.
X-Men #102 (Marvel, 1976) CGC NM/MT 9.8 Off-white to white pages. Dave Cockrum cover. Overstreet 2009 NM- 9.2 value = $115. CGC census 6/09: 12 in 9.8, none higher.
X-Men #107 (Marvel, 1977) CGC NM/MT 9.8 Off-white to white pages. One of the toughest "New X-Men" issues to find in this grade. First full appearance of the Starjammers. Dave Cockrum cover. Overstreet 2009 NM- 9.2 value = $105. CGC census 6/09: 9 in 9.8, none higher.
X-Men #112 (Marvel, 1978) CGC NM/MT 9.8 White pages. George Perez cover. John Byrne art. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 24 in 9.8, none higher.
X-Men #114 (Marvel, 1978) CGC NM/MT 9.8 White pages. John Byrne cover and art. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 12 in 9.8, none higher.
X-Men #116 (Marvel, 1978) CGC NM/MT 9.8 White pages. Ka-Zar and Zabu appearances. John Byrne cover and art. Overstreet 2009 NM- 9.2 value = $80. CGC census 6/09: 9 in 9.8, none higher.
Silver Age (1956-1969)
All-American Men of War #89-100 Bound Volume (DC, 1962-63). A black hardcover volume of trimmed and bound copies. Page edges are tan but with no brittleness. From the collection of famous DC publisher Harry Donenfeld, consigned to our auction by his grandson. Overstreet 2009 VG 4.0 value for group = $168.
Golden Age (1938-1955)
Boy Comics #8, 12, and 13 Bound Volume (Lev Gleason, 1943). Funnies Inc./Lloyd Jacquet file copies of Boy Comics #8 ("death" of Iron Jaw), 12 (torture cover), and 13 that have been trimmed and rebound into a hardcover volume with new binding. Covers by Charles Biro. Comics are in nice condition with glossy covers, supple pages, and some tanning. Overstreet 2009 VG 4.0 value for comics = $418.
Silver Age (1956-1969)
Our Army at War #114-149 Bound Volumes (DC, 1962-64). Three black hardcover volumes of trimmed and bound copies. Includes some of the earliest all-Sgt. Rock issues. Covers are pristine. Pages are a supple cream to off-white. From the collection of legendary DC publisher Harry Donenfeld, consigned to our auction by his grandson! Overstreet 2009 VG 4.0 value for group = $804.
Golden Age (1938-1955)
Police Comics #46 (Quality, 1945) CGC NM 9.4 Off-white pages. Best copy we've ever offered. Jack Cole art. Overstreet 2009 NM- 9.2 value = $550. CGC census 6/09: 1 in 9.4, none higher.
Star Spangled Comics #14 and 15 Bound Volume (DC, 1942). Funnies Inc./Lloyd Jacquet file copies of issues #14 and 15 that have been trimmed and rebound into a hardcover volume with new binding. Covers by Joe Simon and Jack Kirby. Comics are in nice condition with glossy covers, supple pages, and some tanning. Overstreet 2009 VG 4.0 value for comics = $480.
Wow Comics #11-13 Bound Volume (Fawcett, 1943). Fawcett file copies of Wow Comics #11, 12, and 13 that have been trimmed and rebound into a hardcover volume with new binding. Each has a Mary Marvel cover. Comics are in nice condition with glossy covers, supple pages, and some tanning. Overstreet 2009 VG 4.0 value for comics = $282.
Magazines
Playboy #3-5 Group (HMH Publishing, 1954) Condition: Average VG/FN. Nice copies from Playboy's first year aren't that easy to find. Here are issues #3-5, featuring contributions from Erskine Caldwell, Sir Arthur Conan Doyle, Virgil Partch, and Ray Bradbury (the first two installments of Fahrenheit 451). Issue #5 has some tape along the bottom of the cover spine. Interiors of all books are very nicely preserved, with off-white to white pages.
Playboy Group (HMH Publishing, 1954). More hard to find copies from Playboy's first year: issues #6-13 in average Fine. Issue #6 is in FN/VF; #7 in VF. The page quality of these copies is indicative of even higher grades, with off-white to white pages. Issue #13 appears FN, but centerfold, while present inside the copy, is detached. "1954" is written in ink on the front of issues #8 and 9; "54" on #11 and 13. Highlights include works by Ray Bradbury, Erskine Caldwell, W. Somerset Maugham, and Ray Russell; and pictorials on Gina Lollobrigida and Nudity in The Foreign Film.
Playboy Group (HMH Publishing, 1955). Complete year of 1955 in average Fine condition (except February, which has a subscription coupon cut out of back cover), with extremely nice interiors. Highlights include the January issue with Bettie Page as Playmate, the February issue with Jayne Mansfield as Playmate, and two issues (July and December) featuring Janet Pilgrim as Playmate. Featured are works by Ray Bradbury, Erskine Caldwell, Herbert Gold, W. Somerset Maugham, Ray Russell, and John Steinbeck. Pictorial subjects include Eartha Kitt, Bettie Page (May), Marilyn Monroe, Anita Ekberg, and Gina Lollobrigida.
Playboy Complete 1956-57 Group (HMH Publishing, 1956-57). Complete years of 1956 (average Fine) and 1957 (average FN/VF). Notable Playmates include Janet Pilgrim, Lisa Winters, and Carrie Radison. Pictorial subjects include Jayne Mansfield, Diana Dors, Anita Ekberg, Zsa Zsa Gabor, Tina Louise, and Sophia Loren. Works by Ray Bradbury, Erskine Caldwell, Herbert Gold, Ray Russell, Shel Silverstein, and John Steinbeck are featured.
Playboy Group (HMH Publishing, 1958-59).
Complete years of 1958-59 in average FN/VF. Interiors are exceptionally nice, most with white pages. Famous Playmates include Joyce Nizzari (12/58) and Ellen Stratton (12/59). Notable pictorial subjects: Jayne Mansfield, Tina Louise, June Wilkinson, Brigitte Bardot, Most Popular Playmates, and Kim Novak. Works of Arthur C. Clarke, Jules Feiffer, Ralph Ginsburg, Herbert Gold, Jack Kerouac, Ray Russell, Shel Silverstein, and John Steinbeck are spotlighted.
Complete years of 1958-59 in average FN/VF. Interiors are exceptionally nice, most with white pages. Famous Playmates include Joyce Nizzari (12/58) and Ellen Stratton (12/59). Notable pictorial subjects: Jayne Mansfield, Tina Louise, June Wilkinson, Brigitte Bardot, Most Popular Playmates, and Kim Novak. Works of Arthur C. Clarke, Jules Feiffer, Ralph Ginsburg, Herbert Gold, Jack Kerouac, Ray Russell, Shel Silverstein, and John Steinbeck are spotlighted.
Memorabilia
Milton Caniff Terry and the Pirates Character Print (1940). This print featuring Terry and the Pirates has been hand-painted with watercolor and features Dragon Lady, Pat Ryan, and Terry. This piece has an image area of 7" x 10", and it has been matted and framed to an overall size of 18" x 20.75". Caniff inscribed and signed the print in its lower right corner, and it's in Excellent condition. From the Bob Cowan Collection.
Music Memorabilia
Donald Duck Hardback with Dust Jacket (Grosset & Dunlap, 1936). Hard-to-find early Donald item. FN/VF copy. Dust jacket has some restoration and is Apparent VG. Overstreet 2009 values for book: FN $810 and VF $1,420. Values for dust jacket: GD $65 and VG $130.
Memorabilia
East Village Other Group (EVO, 1968-69). Group of thirteen Underground newspapers from New York City, beginning with V3#15, and ending with V4#46, including issues V3#16 (Spain Rodriguez cover), V3#46 (Vaughn Bodé "Mother" cover), V3#47 (Robert Crumb's infamous Mr. Natural "...Dirt is your Conscious Mind" cover), V4#14 (Bodé cover advertising Gothic Blimp Works) and V4#39 (Gilbert Shelton "Dope Famine" cover). Comics by Crumb, Spain, Kim Deitch, Art Spiegelman, and others. Also included is Spain's Collected Trashman tabloid. Condition on most, including the above mentioned issues, is FN or better, with most copies unfolded. A second, incomplete copy of V3#26 is included. Fogel's Underground Comix Price Guide for the Trashman in FN = $21; the EVOs are not listed. Adult content.
Harvey Kurtzman 1998 Outer Galactic Comic-Con Limited Edition Lithograph 84/500 (Stabur Graphics, 1984). Harvey Kurtzman, the original genius behind Mad, gives us a peek at a truly cosmic comic convention in this signed and numbered print. Image area measures approximately 14" x 22.75", with an overall size of 17.5" x 26.75". Some minor foxing along the outside top and right edges, away from the image area; otherwise, in Excellent condition.
Adventures of Mickey Mouse Book 1 (David McKay, 1931) Condition: Apparent NM-. Hardback version without characters on back cover. First true Mickey Mouse hardcover book; first mention of Donald Duck. This is a pretty copy that appears to have some minor color touch, mainly on the back cover. 2009 Overstreet GD 2.0 value = 45; FN 6.0 value = $180; VF 8.0 value = $400.
Seduction of the Innocent, First Edition With Bibliographical Note (Rinehart, 1953). First version with the bibliographical note on pages 399 and 400 intact. Overstreet notes that "several copies got out before the comic publishers forced the removal of this page." The book itself is in Good/Very Good condition (first page is nearly detached). The dust jacket is incomplete (missing both flaps). The Guide value is perhaps a bit misleading, as the last two first printings we sold (both with complete dust jackets) went for $402 and $575. Overstreet 2009 GD 2.0 value = $57; VG 4.0 value = $114.
Barry Smith Hand Colored Fantastic Island Portfolio Plate Three Print #11/25 (GPB, 1978). Barry Smith's hand-colored print was issued in a limited, stated edition of 25, but it is believed that fewer were actually produced. This piece has an image area of 6.5" x 13", and it is in Excellent condition. The print was signed and numbered by Smith.
Barry Smith Hand Colored Fantastic Island Portfolio Plate Two Print #11/25 (GPB, 1978). This hand-colored print by Barry Smith was issued in a limited, stated edition of 25, but it seems fewer were actually produced. This piece has an image area of 6.5" x 13", and it is in Excellent condition. The print was signed and numbered by Smith.
Arthur Szyk Books, Lot of 2 (1941). The famed illustrator's anti-Nazi The New Order (New York 1941; Good copy with dust jacket) and The Haggadah (Jerusalem 1967; Fine copy with metal outer casing, in an excellent-condition illustrated cardboard box). Two very different works, each powerful in its own right.
Pulps
Weird Tales Group (Popular Fiction, 1934-46) Condition: Average FN/VF. Includes the July 1934 (H. P. Lovecraft story, Margaret Brundage cover); July 1938 (Virgil Finlay cover); March 1940; and November 1946. All have complete covers and spines. Bookery's Guide to Pulps FN value for group = $375.
Memorabilia
Wally Wood's Weird Sex-Fantasy Limited Edition Signed Portfolio 1766/2000 (Collector's Press, 1981). A total of eleven 12" x 16" plates showcase Wood's "good girl," black and white art. Wally Wood has signed and numbered the first plate in black marker. All of the plates, plus the intro page and cover, are in Excellent condition.
Original Comic Art
Brent Anderson New Mutants Illustration Original Art (1984). This super-sized sensation has an overall size of 20" x 32", and the art is in Excellent condition.
Araujas Micro-Leyendas #160 Cover Original Art (1970). Titled "Los Cuervos Del Molino" ("The Crows of the Windmill"), this wonderfully weird cover illustration for Micro-Leyendas (Micro-Legends) has an image area of 9" x 12.5". Gouache on illustration board. There is a small water stain at the middle right portion; otherwise, the work is in Very Good condition.
Araujas Micro-Leyendas #175 Cover Original Art (1970). This suitably creepy cover illustration, titled "La Monja Demente" ("The Demented Nun"), was created for Micro-Leyendas (Micro-Legends). Rendered in gouache on illustration board, the art has an image area of 9" x 12.75" and is in Very Good condition.
Carl Barks Bad Bird from Bodie Preliminary Sketch Original Art (1978). Part of the Carl Barks series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl," here is the preliminary sketch for Barks' fourteenth painting of 1978. Graphite and red pencil on paper with an image area of 8" x 10". In Very Good condition. Signed by Barks at the lower left.
Carl Barks Ben Frankloon Preliminary Sketch Original Art (1979). Part of the Carl Barks series, "Famous Figures of History as They Might Have Looked Had Their Genes Gotten Mixed with Waterfowl," here is the preliminary sketch for Barks' twelfth painting of 1979. Graphite on paper with an image area of 8" x 10". In Very Good condition. Signed by Barks at the lower left.
Dan Barry Flash Gordon Daily Comic Strip Original Art dated 9-18-56 (King Features Syndicate, 1956). This dramatic two-panel daily has an image area of 18.25" x 5.25", and the art is in Very Good condition.
Dan Barry Flash Gordon Daily Comic Strip Original Art dated 4-1-57 (King Features Syndicate, 1957). This detailed daily has an image area of 18.25" x 5.25", and aside from some yellowed Zipatone and some paper aging around the borders, the art is in Very Good condition.
Dave Berg Panel Page Original Art Group (Warner Books, 1977-87). A set of paperback book pages from wry observer, Dave Berg, including four pages from Dave Berg Takes a Loving Look (1977); four from Dave Berg Looks at Today, and a four page story from an unidentified book. Each set of pages is done four-up on one art board; average image area per board is 12" x 20.25". Each page is in Excellent condition.
Wayne Boring Superman Daily Comic Strip #8123 Original Art dated 12-30-64 (Bell-McClure Syndicate, 1964). Wayne Boring inked in the Superman figure at the top of this daily in 1985. This daily has an image area of 16.75" x 4.75", and the art is in Very Good condition. Signed in the lower border.
Wayne Boring Superman Daily Comic Strip #8125 Original Art dated 1-1-65 (Bell-McClure Syndicate, 1965). Wayne Boring drew the Superman figure at the top of this daily in 1982. This strip has an image area of 16.75" x 4.75", and the art is in Very Good condition. Signed in the lower border.
Wayne Boring Superman Daily Comic Strip #8147 Original Art (Bell-McClure Syndicate, c. 1965). Clark Kent goes undercover in this suspense-filled sixties episode. This daily has an image area of 16.75" x 4.75". The art paper has been lightstruck; otherwise,, the art is in Very Good condition. Signed at the lower right.
Wayne Boring Superman Daily Comic Strip #8151 Original Art dated 2-1-65 (Bell-McClure Syndicate, 1965). Clark Kent isn't so mild-mannered in this slam-bang episode. This daily has an image area of 16.75" x 4.75", and the art is in Excellent condition.
Wayne Boring Superman Daily Comic Strip #8160 Original Art dated 2-11-65 (Bell-McClure Syndicate, 1965). Wayne Boring added the Superman figure to the top of this daily in 1985. This episode has an image area of 16.75" x 4.75", and the art is in Very Good condition. Signed in the lower border.
Wayne Boring Superman Daily Comic Strip #8189 Original Art dated 3-17-65 (Bell-McClure Syndicate, 1965). Wayne Boring added the Superman figure to the top of this daily in 1982. This daily has an image area of 16.75" x 4.75", and the art is in Very Good condition. Signed in the lower border.
Wayne Boring Superman Daily Comic Strip #8217 Original Art dated 4-26-65 (Bell-McClure Syndicate, 1965). This dramatic daily has an image area of 16.75" x 4.75", and the art is in Very Good condition.
Wayne Boring Superman Specialty Illustration Original Art (undated). The Man of Tomorrow greets the Schechter family in this handsome specialty illustration. This piece has an image area of 5.75" x 11.5", and it has been matted to an overall size of 9" x 14.75". The art is in Excellent condition.
Wayne Boring A Christmas Carol Illustration Original Art (undated). The characters of the Charles Dickens classic "trip the light fantastic" in this lighthearted mixed-media drawing. This piece has an overall size of 11" x 14", and the art is in Very Good condition.
Wayne Boring Fernandel Caricature Illustration Original Art (undated). Wayne Boring presents a page of lively caricatures of French actor Fernand Contandin, otherwise known by his stage name of "Fernandel." On the back of the page is a partially inked try-out strip of "The Land of the Yellow Robe." This piece has an overall size of 11.5" x 17.5", and the art is in Very Good condition.
Wayne Boring Superman Daily Comic Strip #8150 Original Art dated 1-30-65 (Bell-McClure Syndicate, 1965). Wayne Boring added the Superman figure to the top of this daily in 1985. This daily has an image area of 16.75" x 4.75", and the art has been matted and framed to an overall size of 28" x 16". The art is in Very Good condition. Signed in the lower border. From the Bob Cowan Collection.
Pat Boyette Vampirella #16 "Lover" Title Page 1 Original Art (Warren, 1972). This Boyette chiller, with a fabulous portrait of Vampi, has an image area of 10.5" x 15", and it has been matted and framed to an overall size of 16" x 21". The art is in Excellent condition.
Pat Boyette The Phantom #59 Complete 7-page Story "Caught in the Devil's Cauldron" Original Art (Charlton, 1973). The Phantom is well-equipped with high-tech gear in this fast-moving 7-pager, thanks to the artistry of Pat Boyette. Each page has an image area of 10" x 15". Some of the panels were drawn with marker and there is some "marker bleed" on some of the pages; otherwise,, the art is in Very Good condition.
Bob Brown and Joe Giella Detective Comics #381 page 4 and 5 Original Art Group (DC, 1968). Batman gives Robin a direct order to return to the Batcave, saving him from certain death by Dead-Eye, then overhears a deadly conversation at the Gotham waterfront, in these two pages from "One Drown... One More to Go!" The art has an approximate image area of 10" x 15" and both pages are in Excellent condition.
Bob Brown and Mike Esposito Superboy #152 page 9 Original Art (DC, 1968). A master forger and a Mahaguru conspire to destroy Superboy's reputation in this page from "The 2 Faces of Superboy!", inspired by Oscar Wilde's classic tale, The Picture of Dorian Gray. The image area measures 10" x 15" and the art is in Excellent condition.
Bob Brown and Wally Wood Superboy #155 page 2 Original Art (DC, 1969). The ever-vigilant teenage guardian of mankind, Superboy, rushes to a percolating Krakoa in this page from "Revenge of the Teen-Age Robots!" The image area measures 10" x 15" and the art is in Very Good condition.
Sal Buscema and Mike Esposito (as Joe Gaudioso) Sub-Mariner #31 page 14 Original Art (Marvel, 1970). Attuma uses human prisoners and captured Atlantean scientist Ikthon to burrow underneath Manhattan in hopes of launching a surprise assault, in this page from "Attuma Triumphant!" The art has an image area of 10" x 15" and it is in Excellent condition.
Sal Buscema The Incredible Hulk #250 page 15 Original Art (Marvel, 1980). The Sentinel of the Spaceways makes a desperate attempt to break through Galactus' barrier to the unattainable stars beyond, in this page by Sal Buscema. The art has an image area of 10" x 15" and, aside from some staining at the bottom of the page, it is in Very Good condition.
Ernie Bushmiller Nancy Daily Comic Strip Original Art dated 9-2-47 (United Feature Syndicate, 1947). Nancy brings a little positive energy to the complaint department in this daily from 1947. Framed and matted, the art has an image area of 18.5" x 5" and is in Excellent condition. From the Bob Cowan Collection.
Leslie Cabarga Betty Boop Tunnel of Love Greeting Card Illustration Original Art (undated). The aftermath of the Tunnel of Love leaves Betty Boop's lipstick all over Bimbo's face in this romantic illustration by Leslie Cabarga. Mixed media on board with an image area 12" x 16" and in Excellent condition. Signed by Cabarga in pencil at the lower right. From the Bob Cowan Collection.
Leslie Cabarga Betty Boop Boo-pid Cupid Greeting Card Illustration Original Art (undated). This exquisite Valentine's Day card illustration by Leslie Cabarga features a classical rendition of Betty Boop. Mixed-media on board with an image area of 11" x 15.5" and in Excellent condition. From the Bob Cowan Collection.
Leslie Cabarga Betty Boop Happy Birthday Greeting Card Illustration Original Art (undated). Betty Boop puts the finishing touch on a delicious birthday cake, while Bimbo sneaks some icing in this sparkling illustration by Leslie Cabarga. Mixed-media on board with an image area of 9.5" x 13.5" and in Excellent condition. Signed by Cabarga in pencil at the lower right. From the Bob Cowan Collection.
Milton Caniff Terry and the Pirates Burma Daily Comic Strip Original Art dated 7-19-44 (Chicago Tribune, 1944). Gorgeous girls delineated with masterful inking, as always, by one of the legends of action-adventure cartooning. A little tease by Burma adds spice to this World War II-era Terry, titled "Double Peel-Off." The image area of the daily is 21.75" x 6.5", and the condition of the art is Excellent.
Milton Caniff Steve Canyon Daily Comic Strip Original Art dated 7-5-49 (Sun and Times Company, 1949). There's plenty of fine figure drawing in this dramatic daily from the late forties. This episode has an image area of 21.5" x 6.5", and the piece has been matted and framed to an overall size of 27.25" x 12.5". Caniff inscribed and signed the art in its upper border in 1979. The art is in Excellent condition.
Ernie Chan Savage Sword of Conan Splash Page Original Art (Marvel, 1981). This barbaric blockbuster, drawn on Craftint paper, has an overall size of 11.5" x 17.5", and the art is in Very Good condition.
Gene Colan and Frank Giacoia Our Love Story #10 Splash Page 1 Original Art (Marvel, 1971). This splash page for "How Near to Heaven" originally appeared in Our Love Story #10, and was reprinted later in My Love #22. The art has an image area of 10" x 14". There is some glue staining along the left and right edges and along the bottom; otherwise,, the art is in Very Good condition.
Richard Corben Aliens: Alchemy #2 page 11 Original Art (Dark Horse, 1997). "It's the end of the world and the almighty First Father hath sent a plague of Aliens. Give your faith to him or face an eternity of damnation." Who better to illustrate a blood-chilling Aliens comic book than the master of the macabre, Richard Corben. This page has an image area of 10.5" x 13", and the art is in Excellent condition. Signed by Corben below the second panel tier.
Richard Corben Metal Hurlant "King's Crown" Page Original Art (Humanoids Inc., 2003). This far-out fantasy page for the European magazine Metal Hurlant has an image area of 10.25" x 15.25", and the art is in Excellent condition. Corben signed this page in panel three.
Reed Crandall Piracy #2 "Sea Food" page 7 Original Art (EC, 1954). Crandall's superb pen work was a perfect fit for the short-lived pirate genre. Crandall followed in the footsteps of the celebrated story book illustrators who pictured many a swashbuckler -- artists such as Howard Pyle, N .C. Wyeth, and J. C. Coll. This page from "Sea Food" has an image area of 13" x 18", and the art is in Excellent condition.
Howard Cruse Complete 6-page Barefootz Story "Mamasoy Boy Vumulukrishkrosh and a Pox On Your Panty Hose" Original Art (undated). Barefootz and Dolly are up to their stock-in-trade -- wild and wacky hijinks -- at a pandemonium-filled panty hose sale. Each page of this rib-tickling six-pager has an image area of 14" x 20". Aside from yellowing Zipatone, the pages average Excellent condition.
Alan Davis and Mark Farmer Superboy's Legion #1 page 45 Original Art (DC, 2001). The Fatal Five abduct Brainiac 5 in this page from the first issue of the two-issue series featuring the Last Son of Krypton and his Legion of Super-Heroes. The art has an image area of 10.5" x 15.5" and it is in Excellent condition. Signed by Alan Davis and Mark Farmer along the bottom edge.
Jack Davis and Harvey Kurtzman Humbug #6 pages 23 and 24 "Have You Saved Your Confederate Money?" Illustration Original Art (Humbug Publications, 1958). These Confederate bills, spotlighting Jack Davis' caricatures of Arkansas Governor Orval Faubus and events related to the first school integration in Little Rock, were created by gluing pen and ink drawings to one side of oversized, double-sided reproductions of Confederate money. Each bill has an approximate overall size of 14.5" x 6.5", and the art is in Excellent condition.
Jack Davis Mad #162 Complete 2-page Story "Magazines for Neglected Sports" Original Art (EC, 1973). There's room on the newsstands for all kinds of sports magazines, right? Jack Davis provides two pages of oddball examples, rendered in ink and grey wash on bristol, with image areas measuring approximately 15" x 20". All type was added during production; otherwise,, the pages are in Excellent condition.
Jack Davis Mad #163 Illustration Original Art Group (EC, 1973). Set of ten illustrations (two boards contain four illustrations each) by Jack Davis for the feature "Mad's Sure-Fire Sports Predictions." Each illustration has an approximate image area of 6" x 6". In Excellent condition.
Jack Davis Roller Skating Shoe Salesman Illustration Original Art (undated). High-rolling illustration by Jack Davis with an image area of 8" x 12". Ink with wash on heavy illustration paper. In Excellent condition and signed by the artist at the lower right.
Dennis the Menace Sunday Comic Strip Original Art dated 4-21-85 (News America Syndicate, 1985). This uproarious episode from the eighties has an image area of 19.25" x 13.5". The last panel is a pasted-on replacement panel; otherwise,, the art is in Excellent condition. A color guide for the strip is also included in this lot.
Dick Dillin and Sid Greene Justice League of America #64 page 8 Original Art (DC, 1968). The Red Tornado rejoins the Justice Society of America just in time to lend Black Canary a helping hand in this action-packed page from "The Stormy Return of the Red Tornado." The image area of this Silver Age sensation measures 10" x 15", and the art is in Excellent condition.
Ray Dirgo The Flintstones #6 Cover Original Art (Charlton, 1971). Pebbles has a hankering for ice cream in this Ray Dirgo cover which includes the original logo and masthead paste-up art. Framed and matted to an image area of 12.5" x 19", this piece is in Excellent condition. From the Bob Cowan Collection.
Luis Dominguez Comics Journal #56 Jonah Hex Cover Preliminary Original Art (1977). This foreboding portrait of Jonah Hex has an overall size of 9.75" x 15", and the art is in Excellent condition.
Donald Duck Family Illustration Original Art (undated). Attractive gouache rendering of Donald on horseback, with Daisy and nephews Huey, Dewey, and Louie floating a coal barge downstream. Possibly used as a book illustration. This piece has an image area of 25.5" x 9", matted to an overall size of 29.75" x 13", and is in Excellent condition.
Stan Drake Heart of Juliet Jones Daily Comic Strip Original Art dated 1-19-62 (King Features Syndicate, 1962). Stan Drake's fine lined inking in these passionate scenes is first-rate, as always. The image area of this episode measures 16" x 4.75", and aside from some yellowed Zipatone, the art is in Excellent condition.
Mort Drucker Mad #84 "Celebrities' Nightmares" Panel Page Original Art (EC Publications, 1964). Drucker pokes fun at President Kennedy, Premier Khrushchev, Frank Sinatra, and Bert Parks in this silly page. One of the Sinatra figures is pasted on, and shows some cement staining. Ink and wash with pasted-on type on illustration board, with an image area of approximately 16" x 17", and is in Very Good condition. A separate "self-portrait" sketch, inscription, and autograph, are matted with the piece. Glass framed to an overall size of 24.25" x 24.25". Includes photocopies of some of the issue's pages.
Will Eisner Spirit Illustration Original Art (1998). This splendid Spirit portrait, inscribed to editorial cartoonist Draper Hill, has an image area of 7" x 9.5". The piece has been framed to an overall size of 11.5" x 14.5", and it is in Excellent condition. A signed letter from Will Eisner is included in this lot.
Will Eisner The Spirit Specialty Illustration Original Art (1998). This robust, full-figured portrait of Eisner's signature character has an overall size of 9" x 12.5", and the art is in Excellent condition. Eisner inscribed and signed the piece at the lower right.
George Evans Rangers Comics #51 page 3 Original Art (Fiction House, 1950). Jane X tells her tale of secret Incan worshiping places and a treasure map in this page from "I Confess." Rendered in ink with a blue wash (to indicate tone for the printer), this page has an image area of 12" x 18" and it is in Very Good condition.
George Evans Weird Western Tales #39 Unpublished Scalphunter Origin Splash Page 1 Original Art (DC, 1976). EC alumnus George Evans drew this historic, unpublished opening splash page for the Wild West warrior who would come to be called Scalphunter. In this opening scene, the penciled copy reads, "This is the tale of an outcast of a man who lived in two worlds, but was at home in neither. The Kiowa called him Ke-Woh-No-Tay, 'He who is less than human.' White men called him ...Savage. This is his story." This thriller has an image area of 10" x 15", and the art is in Excellent condition.
Jules Feiffer Comic Strip Original Art dated 5-27-79 (Village Voice, 1979). This pithy examination of two uptight women discussing their views was signed and inscribed by Jules Feiffer to a fellow cartoonist, the late Draper Hill. Three of the drawings are pasted on, but all are original art. The image area measures approximately 14" x 7", matted and glass-framed to an overall size of 20.25" x 13". In Excellent condition.
Jules Feiffer Comic Strip Original Art dated 2-27-94 (Universal Press Syndicate, 1994). A morning run gives Bill Clinton a moment to reflect on the current state of the world in this Village Voice strip. All but one of the running figures are photostats, and all have been pasted onto a larger board. The art has an image area of approximately 14" x 7.5", and has been signed and inscribed by Jules Feiffer. In Excellent condition.
Hal Forrest Tailspin Tommy Specialty Sketch Original Art Group (1941). Hal Forrest presents two original sketches of his high-flyin' hero, Tailspin Tommy. Both drawings are framed and matted together, each with an image area of approximately 5.5" x 3.5". In Excellent condition. Each drawing is signed and inscribed by Hal Forrest. From the Bob Cowan Collection.
Hal Forrest Four Aces Sunday Comic Strip Topper Original Art dated 7-20-41 (United Feature Syndicate, 1941). The thrills never let up in this incredible Sunday topper to Tailspin Tommy. The image area of this episode measures 21" x 14", and the piece has been framed to an overall size of 32" x 23.25". The art is in Excellent condition. From the Bob Cowan Collection.
Hal Foster Prince Valiant Sketch Original Art (undated). The most gorgeous adventure comic strip of all time, Prince Valiant, ran for 35 years under its creator, Hal Foster. The master rendered this sketch of his Arthurian hero in pen and ink, signing and inscribing it at the lower left. Framed and matted to an image area of 3.5" x 5.5" and in Excellent condition. From the Bob Cowan Collection.
Frank Frazetta Sketch Original Art (c. 1940s). The Milton Caniff-like head shots and figure study appear to be the work of a young Frazetta, trying out a brush. Ink on paper, with additional brush strokes on the reverse side. Signed F. F. The image area is approximately 7" x 6", and is in Excellent condition.
Frank Frazetta Alien Crucifixion Cover Preliminary Sketch Original Art (1972). This miniature masterwork was drawn as a study for the infamous "alien crucifixion" scene which appeared on the cover of National Lampoon on the June 1972 issue. This irregularly shaped pencil on paper piece has an approximate overall size of 3.25" x 4.75". The sketch has been mounted to a backing board with an overall size of 13.5" x 15", and the piece is in Very Good condition.
Funny 3-D #1 Cover Original Art (Harvey, 1953). This fun-filled laugh-riot, drawn on Craftint paper, has an image area of 10.5" x 16". Aside from some paper aging, the art is in Excellent condition.
Sam Glanzman Our Army at War #261 Complete 4-page U.S.S. Stevens Story "Today is Tomorrow" (Hiroshima Bombing) Original Art (DC, 1973). The U.S.S. Stevens was awarded nine battle stars for her service during World War II. Comic book legend Sam Glanzman served aboard the Stevens from 1941-1945, and recounted his years aboard her in a superb series of short stories for the DC war comics. This thriller, the first Heritage Auctions has ever offered, is based around the atomic bombing of Hiroshima. Each page has an image area of 10" x 15", and from some aged photostats, the art is in Excellent condition.
Rube Goldberg Life's Little Jokes Daily Comic Strip Original Art dated 2-26 (c. 1920s). This daily, which asks why the work of most artists has value only after the artist dies, came from the collection of They'll Do It Every Time and Little Iodine cartoonist Jimmy Hatlo. Goldberg inscribed the piece to Hatlo, whom he referred to as "a big-league draftsman and a real person." The art has an image area of approximately 17" x 4.5", and is matted and glass-framed to an overall size of 21.5" x 9.25". Excellent condition.
Chester Gould Dick Tracy Comic Strip Panel Original Art (Chicago Tribune, 1936). Dick Tracy gets forensic evidence from the coroner in this piece, which was the fourth panel of the daily Dick Tracy comic strip for March 21, 1936. Framed and matted with an image area of 5.25" x 6". In Excellent condition. From the Bob Cowan Collection.
Chester Gould Dick Tracy Daily Comic Strip Original Art dated 9-19-77 (Chicago Tribune, 1977). Here's a crimestopper tip -- never mix dope with martinis, or you might end up on a marble slab. Dick Tracy sports a moustache in this swinging seventies daily. This daily has an image area of 16.75" x 5", and the piece has been framed to an overall size of 23" x 9.25". The art is in Excellent condition. Inscribed and signed in the upper border.
Harold Gray Little Orphan Annie Daily Comic Strip Original Art dated 2-22-50 (Chicago Tribune, 1950). Clever Annie stars in all three panels of this daily, titled "Strategic Retreat." This episode has an image area of 19.5" x 6", and the art is in Excellent condition.
Harold Gray Little Orphan Annie Daily Comic Strip Original Art dated 5-31-58 (News Syndicate Inc., 1958). Here's a terrific episode from this long-running adventure strip, a classic of the genre. The image area of this daily measures 19.5" x 6", and the art is in Excellent condition.
Sid Greene Detective Comics #381 Elongated Man pages 1 and 2 Original Art (DC, 1968). Ralph and Sue Dibny star in these two pages from the lighthearted romp "The Come-and-Go Mansion Mystery." Each page has an image area of 10" x 15", and aside from a missing credit caption circle at the upper left of page 1, two clipped right corners, and registration holes that were punched in the upper and lower borders, the art is in Very Good condition.
Vernon Greene The Shadow Daily Comic Strip #A-33 Original Art (The Ledger Syndicate, c. 1938). "Who knows what evil lurks in the hearts of men? The Shadow knows!" From the moment he leaps from his autogiro, the Shadow's deadly .45 automatic is blazing. This quick-firing episode has an image area of 25" x 5.5", and the art is in Very Good condition.
V. T. Hamlin Alley Oop Daily Comic Strip Original Art dated 2-8-63 (NEA, Inc., 1963). It's Alley to the rescue in this sensational daily from the sixties. This daily has an image area of 20" x 6", and aside from a fold between panels two and three, the art is in Excellent condition.
Mike Hoffman In the Court of the Thipdar Illustration Original Art (2004). The maven of fantasy art, Mike Hoffman, presents a frightfully feral confrontation. This ink on paper drawing has an overall size of 18" x 14", and the art is in Excellent condition.
Burne Hogarth Tarzan Sketch Original Art (1939). Twenty five year old Burne Hogarth took the reigns of the Tarzan comic strip from the great Hal Foster in 1936 and helmed the strip for a decade, certainly one the highest points in comics. This pen and ink sketch by the "Michaelangelo of the comic strip," was drawn in 1939, early in his famed first tenure with the strip. Framed and matted to an image area of 5.5" x 3.5" and in Excellent condition. Signed and inscribed by Burne Hogarth at the lower right. From the Bob Cowan Collection.
Graham Ingels Tales From the Crypt #31 "Buried Treasure" page 3 Original Art (EC, 1952). Johann and Emile hatch a plot to steal the Duke's jewels in this moody period piece, a "Ghastly" Graham Ingels specialty. This page from has an image area of 13" x 18", and the art is in Excellent condition.
Al Jaffee Humbug #2 page 21 "British Armed Might Becomes Offensive" Illustration Original Art (Humbug Publications, 1957). This pen and ink on illustration board laugh-riot, by the man with a "snappy answer" to British armed might, has an overall size of 12" x 20". Jaffee's guffaw-filled gag about Colonial British military tactics historically, through to the 1957 Empire in retreat, has some fragile type that is loose in places; otherwise, the art is in Very Good condition.
Al Jaffee Humbug #5 page 6 "How to Bring Up Your Child Without Really Lying" Illustration Original Art (Humbug Publications, 1957). The "fold-in" genius, Al Jaffee, sends-up a super destructive Dennis the Menace as the ultimate delinquent. The original Humbug mechanical paste-up for this piece, which is fragile, is also included in this lot. The pen and ink drawing has an overall size of 6.5" x 10", while the mechanical has an overall size of 8.75" x 11.75". The art is in Excellent condition.
Jeff Jones Tarzan Mixed-Media Sketch Original Art (undated). This pencil, ink, and watercolor sketch of the Jungle Lord by Jeff Jones measures 11" x 14". In Excellent condition.
Jeff Jones Dinosaur Sketch Original Art (undated). Jeff Jones delivers a primordial beast with a savage line and color in this sketch from his sketchbook. The art measures 14" x 11" and it is in Excellent condition.
Jeff Jones Castle Illustration Original Art (undated). This evocative piece has an image area of 4.25" x 4", and the art is in Excellent condition. Signed with a monograph at the lower left.
Jeff Jones Knight on Horseback Sketch Original Art (undated). This quick sketch of a knight has an overall size of 8.5" x 11", and the art is in Excellent condition. This piece was signed with a monograph in the lower right.
Jeff Jones Female Figure Study Original Art (undated). This lively and loosely-rendered pencil and watercolor sketch by master fantasy artist, Jeff Jones, has an overall size of 11" x 15". In Excellent condition, the piece was signed with Jones' monograph at the lower left.
Jeff Jones The Slave Girl and the Axe Slayer Pencil Drawing Original Art (undated). This pencil on vellum drawing has an overall size of 12" x 17", and the art is in Excellent condition. Jones signed the piece at the lower right.
Jeff Jones Kandar Paperback Cover Preliminary Illustration Original Art (1969). Add a touch of the Jeff Jones mystique to your art collection with this science fiction/fantasy sensation. This piece was done as a preliminary study for the cover of the paperback, Kandar, by Kenneth Bulmer, and published by Paperback Library in May, 1969. This eerie scene has an overall size of 11.5" x 14.5", and the art is in Excellent condition.
Michael W. Kaluta The Shadow Sketch Original Art (1976). Masterful sketch of Conde-Nast's iconic hero, the Shadow, by his most highly favored contemporary artist, Michael W. Kaluta. Graphite on heavy illustration paper, the art measures 6.75" x 10.75". In Very Good condition. Signed and inscribed by Kaluta at the lower right.
Gil Kane Checkmate #9 Peacemaker Cover Original Art (DC, 1989). Peacemaker leads the charge in this hard-hitting cover by comics legend Gil Kane. This piece has an image area of 10" x 15". The type and logo elements are on an acetate overlay; otherwise,, the art is in Excellent condition.
Walt Kelly Pogo Daily Comic Strip Original Art dated 8-9-54 (Post Hall Syndicate, 1954). Bewitched, Bothered, and Bemildred co-star with Porky Pine in this daily from the fifties. The strip has an image area of 16" x 4.5", and it has been matted and framed to an overall size of 21.25" x 10.25". The art is in Excellent condition. Inscribed and signed in the lower border by Kelly.
Walt Kelly Pogo Daily Comic Strip Original Art dated 3-12-58 (The Hall Syndicate, 1958). Beauregard Chaulmoogra Frontenac de Montmingle Bugleboy, or if you prefer, Hound Dog, is featured in all four panels of this typically amusing Pogo daily. This strip has an image area of 16.25" x 4.5" and the art is in Excellent condition.
Walt Kelly Pogo Daily Comic Strip Original Art dated 10-5-71 (Publishers-Hall Syndicate, 1971). Molester Mole and Deacon Mushrat take the limelight in this seventies episode. This daily has an image area of 18" x 5", and it is in Excellent condition.
Frank King and Dick Moore Gasoline Alley Daily Comic Strip Original Art dated 9-15-58 (Chicago Tribune-NY News Syndicate, 1958). Walt and Skeezix take center stage in these panels from a fifties episode. Dick Moores worked on the Gasoline Alley dailies starting in 1956, but he didn't get a credit line until 1964. This daily has an image area of 19.5" x 6". The borders have been masked off with tape; otherwise,, the art is in Very Good condition.
Stanley Link Tiny Tim Sunday Comic Strip Original Art dated 7-21-35 (Chicago Tribune/N. Y. News Syndicate, 1935). Tim finds himself in King Zorex's secret lair, as the evil king sends his robot men off on a terrible mission. This half-page Sunday should appeal to fans of cliffhanger serials like 1935's "The Phantom Empire", which featured similar-looking robot men. The image area measures approximately 18.75" x 12.5", and other than some light soiling, is in Excellent condition. Professionally matted and Plexiglas-framed to an overall area of 29.75" x 22.25". From the Bob Cowan Collection.
Looney Tunes and Merry Melodies Comics #108 Cover Original Art (Dell, 1950). It's a two-for-one matinee as Porky sneaks Bugs into the theater in this cover illustration from 1950. The art has an image area of 11.5" x 16". Some soiling and edge wear; otherwise,, the art is in Good condition.
Bob Montana Archie Sunday Comic Strip Original Art dated 4-1-56 (King Features Syndicate, 1956). Great "Egyptian" graphics fill this vintage Sunday as the gang takes a field trip. Image size is approximately 20.5" x 13.75", and the page has been professionally matted and Plexiglas-framed to an overall size of 32" x 25.5". An old type correction has slipped off and there are some tears in the last panel; overall, the art is in Very Good condition. From the Bob Cowan Collection.
Bob Montana Archie Sunday Comic Strip Original Art dated 5-6-56 (King Features Syndicate, 1956). "Keep on rockin'" with this Bob Montana Sunday. This episode has an image area measuring 20.5" x 13.5", and it has been framed to an overall size of 25.5" x 32". Aside from a tear in the lettering correction in panel three, the art is in Excellent condition. From the Bob Cowan Collection.
Richard Moore Walt Disney's Treasury of Classic Tales Sunday Snow White Comic Strip Original Art dated 4-3-83 (King Features Syndicate, 1983). Artist Richard "Sparky" Moore captures the terror of Snow White's near-death experience with the Huntsman in these wonderfully expressive panels. The art has an image area of 21" x 14", and the piece has been framed to an overall size of 29" x 22". The condition of the art is Excellent. From the Bob Cowan Collection.
Zack Mosley Smilin' Jack Sunday Comic Strip Original Art dated 7-26-36 (News Syndicate Co. Inc., 1936). CAVU -- Ceiling And Visibility Unlimited -- in this high-flying Smilin' Jack Sunday from the thirties. This episode has an image area of 20.5" x 13.5", and it has been framed to an overall size of 31" x 24.5". Mosley inscribed and signed this strip in panel four. The art is in Excellent condition. From the Bob Cowan Collection.
Phil Moy and David Tanguay Powerpuff Girls #19 Cover Original Art (DC, 2001). The Girls face the full force of that dastardly monkey Mojo Dojo in this cover for their nineteenth issue. The art has an image area of 10" x 15" and it is in Excellent condition. Signed by the artist along the lower left edge.
Steve Muffatti Little Audrey #25 (First Harvey Issue) Story Page Original Art Group (Harvey, 1952). Little Audrey's pet frog, Quincy, leads her on a hopping fun adventure at the circus. These landmark pages which hail from a story in Audrey's first Harvey issue were cut apart and reconfigured for later use in Little Audrey 3-D. Except for the first partial page (only the bottom panel tier of the title page of this story survived), each remaining, rejoined page has an image area of 12" x 18" and they average in Very Good condition.
John Cullen Murphy Big Ben Bolt Sketch Original Art (undated). This exceptional sketch by John Cullen Murphy features world class boxer and adventurer Big Ben Bolt. Rendered in ink with a red watercolor wash, the art is framed and matted to a image area of 3.75" x 5.5". In Excellent condition. From the Bob Cowan Collection.
Earl Norem - Magazine Cover Original Art (undated). Norem's hard-boiled action-adventure painting, done for an unidentified project, has an image area of 16" x 21.5". Aside from some glue stains in the borders, the art is in Excellent condition.
Large Proteus British Fantasy/Gaming Magazine Illustration and Production Art Group (c. 1980s). Attention fantasy fans -- this gigantic group lot includes well over 100 pieces of art and related production materials representing 16 of the 20 issues of the British fantasy and gaming magazine, Proteus. These pieces vary in size from 6" x 8" to 8" x 10", and they average Excellent condition. From an Important California Collection.
Fred Ray Star Spangled Comics #121 Tomahawk page 5 Original Art (DC, 1951). Fred Ray's mastery of period costume detail and his command of dramatic lighting effects are showcased in this handsome page featuring Tomahawk. This story was later reprinted in Limited Collectors' Edition #C-47 Superman Salutes the Bicentennial in 1976. The image area of the page is 13" x 18", and the art is in Excellent condition.
Alex Raymond Rip Kirby Daily Comic Strip Original Art dated 5-11-53 (King Features Syndicate, 1953). Crisp inking and flawless draftsmanship are the hallmarks of a Raymond daily. The image area of this episode measures approximately 20" x 5.25". There is glue staining in each of the panels, left from Zipatone shading film which has slipped off the strip; otherwise,, the art is in Very Good condition.
John Romita Sr. and Frank Giacoia Daredevil #16 page 18 Original Art (Marvel, 1966). As far as Spider-Man fans are concerned, this legendary crossover tale, "Enter Spider-Man," could have been subtitled "Enter John Romita Sr." Co-starring on this page are the macabre Masked Marauder, and the ace law team of Matt Murdock, Foggy Nelson, and Karen Page. The image area of this Marvel masterwork is 12.5" x 18.5", and the art is in Excellent condition.
Mike Sekowsky and Bernard Sachs Justice League of America #15 page 9 Original Art (DC, 1962). The Martian Manhunter stars in these scenes from "The Challenge of the Untouchable Aliens," and Green Arrow and Aquaman cameo. This piece has an image area of 13" x 18". The paper has some overall aging and a stain in the lower right corner; otherwise,, the art is in Good condition.
Bill Sienkiewicz Moon Knight #11 page 24 Original Art (Marvel, 1981). Deep in the Big Easy, Marc Spector is on the heels of drug dealer Creed, in this page from "To Catch a Killer," illustrated by Bill Sienkiewicz. The art has an image area of 10.5" x 15" and it is in Very Good condition.
John Stanley Thirteen #21 Cover Original Art (Dell, 1967). Val won't stand for her man playing second fiddle! This exceptional Thirteen cover has an image area of 14" x 19" and it is in Very Good condition.
William Stout Female Figure Drawing Original Art (2004). Master dinosaur draftsman, William Stout, renders this figure in Conte crayon and white charcoal on parchment paper. Measures 11" x 8.5". In Excellent condition. Signed by the artist at the lower left.
Tom Sutton Grave Tales #2 Complete 8-page Story Original Art (Hamilton, 1992). This grand story is entitled "The Monster Maker," and it's a spine-tingling yarn about sorcery, chivalry, monsters, and raising the dead. This chiller features a beautiful two-thirds splash page as well as Tom Sutton's hallmarked, meticulous delineation throughout the entire tale. Accomplished in pencil, ink, and a mesmerizing blue hue, this story was truly a crowning achievement for Tom Sutton, during the later years of his career. Each page has an image area of 10" x 14", and aside from some areas of marker bleed on a few of the pages, the art averages Excellent condition. A copy of the comic book magazine is included in this lot.
Herb Trimpe and Bruce Patterson Marvel Treasury Edition #25 page 48 Original Art (Marvel, 1980). "Bug-Man... must... die!" A drug-muddled Hulk must obey Kala's command and destroy Spider-Man in this page from "The Outcasts." Mole Man cameo. The art has an image area of 10" x 15" and it is in Very Good condition.
Garry Trudeau Doonesbury Daily Comic Strip Original Art dated 5-28-03 (Universal Press Syndicate, 2003). Trudeau takes a not-so-subtle dig at George W. (represented as a Roman Gladiator helmet) in this choice daily. The image size is approximately 14.75" x 5.5", matted and Plexiglas framed to an overall size of 20.5" x 17.5". It's signed and inscribed by Trudeau, and is in Excellent condition. Includes photocopies of related strips taped to the back of the frame.
George Tuska and Vince Colletta World's Greatest Super Heroes Sunday Comic Strip Original Art dated 10-14-79 (C.T.N.Y.N.S., 1979). Superman/Clark Kent, Jimmy Olsen, Perry White, and Phineas Potter all share the billing in this episode from the seventies. The image area of this Sunday measures 20.5" x 14", and the art is in Excellent condition.
John Van Fleet HERO #5 Cover Original Art (DC, 2003). Married company man Matt Allen takes the H-E-R-O device to new levels in this mixed-media illustration by John Van Fleet. The image area measures 10" x 15" and the art is in Excellent condition. Van Fleet has signed the piece at the lower right edge.
Mike Vosburg American Flagg #49 page 2 Original Art (First, 1988). Raul pulls the plug on broadcast television in this page from part three of "Sometimes a Great Notion Goes Awry." The art has an image area of 10" x 15" and it is in Excellent condition.
Walt Disney's Comics and Stories #401 Cover Original Art (Dell, 1974). Donald gets a stealth snowball from a most unexpected place in this playful cover illustration. The art has an image area of 10" x 11". There is a horizontal tear in the art at the left edge (outside of the image area); otherwise, the art is in Very Good condition.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1959). This big, bold, and beautiful Ward cartoon has an image area of 16.5" x 24". This cartoon has a caption that reads, "You know what they say, Mr. Harris -- a picture is worth 10,000 words." Aside from a tape residue stain across the upper portion of the page, the art is in Good condition.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1959). Bodacious and bouncy, this wicked Ward cartoon has an image area of 16" x 23". This cartoon has a caption that reads, "I think you're carrying this 'ladies first' idea too far." Aside from a torn upper left corner, the art is in Very Good condition.
Bill Ward Humorama Cartoon Illustration Original Art (Humorama, 1963). This slinky and sexy Ward cartoon has a 17.5" x 23.5" image area. Its caption reads, "You say that you're having a coming out party tonight -- it looks like you've already started." Aside from heavy corner and edge wear, and tape around the edges of the drawing, the art is in Very Good condition.
Larry Welz Cherry #6 page 2 and 3 Original Art (Last Gasp, 1988). Cherry confronts her creator in this set of two pages from "Artist in Torment." Each page has an image area of 12" x 18" and is in Excellent condition.
Larry Welz Cherry #20 Pin-Up page 18 Original Art (Cherry Comics, 1999). Cherry's hot mom does the washing in this sizzling pin-up page by Larry Welz. The art has an image area of 7.5" x 10.5" and it is in Excellent condition.
Gluyas Williams Ready For Supper Comic Strip Original Art dated 4-29 (Bell Syndicate, year unknown). Williams' lively comic strip has an image area of 8" x 8", and it has been matted and framed to an overall size of 12.75" x 13.25". The art is in Excellent condition.
Al Williamson Secret Agent Corrigan Daily Comic Strip Original Art dated 5-11-72 (King Features Syndicate, 1972). This fast-moving episode is brimming with elegant figures and detailed backgrounds. The image area measures 19.75" x 5.75". Aside from yellowing Zipatone, the art is in Very Good condition.
Al Williamson Secret Agent Corrigan Daily Comic Strip Original Art dated 3-8-78 (King Features Syndicate, 1978). Superb Al Williamson line work is the highlight of this daily from 1978. The image area of this episode measures 19" x 5.5", and the art is in Excellent condition.
George Wilson Twilight Zone #46 Cover Original Art (Gold Key, 1972). "His nightmares were too real for sleep." The image area of this acrylic on board "monster-piece" is approximately 12" x 16", while the art board has an overall size of 15" x 20". The art is in Very Good condition.
S. Clay Wilson Collected Checkered Demon Illustration Original Art (1997).
The Checkered Demon and his pals get lubricated on some tasty libations in this super-detailed drawing by the Underground Comix legend. This illustration also appeared in The World of Fandom fanzine. This piece has an overall size of 7" x 10", and the art is in Excellent condition. Wilson signed the piece at the lower left.
The Checkered Demon and his pals get lubricated on some tasty libations in this super-detailed drawing by the Underground Comix legend. This illustration also appeared in The World of Fandom fanzine. This piece has an overall size of 7" x 10", and the art is in Excellent condition. Wilson signed the piece at the lower left.
Elmer "Doc" Winner (attributed) Popeye Daily Comic Strip Original Art dated 3-9-39 (King Features Syndicate, 1939). Popeye and Wimpy star in this rollicking episode from the thirties titled, "Blast the Luck." Aside from some Zipatone glue residue stains, the art is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 Page Original Art Group (Radio Comics/Archie, 1959). A tuxedo-wearing K.O. Kelly puts out Bully Butch's lights in plenty of time to attend Katy's charity ball in pages 2, 3, 4, and 6 from "Katy at the Charity Ball". Cameos by Bing Crosby and Bob Hope. Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 page 1 and 3 Original Art (Radio Comics/Archie, 1959). K.O.'s got more on his mind than child's play in pages 1 and 3 of "Katy and K. O. Have a Circus with Sis and Billy." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 page 1 and 2 Original Art (Radio Comics/Archie, 1959). Katy and Bertha share fan-submitted apron designs and poetry in page 1 and 2 of "Katy and Bertha in Apron Poetry." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 Page Original Art Group (Radio Comics/Archie, 1959). Horse pin-ups are featured in pages 1, 2, and 3 of "Katy in Horse Pin-Up Story," and a youngster takes a B. B. shot at a Grizzly bear in page 5 of "Katy's Near Miss." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 Page Original Art Group (Radio Comics/Archie, 1959). Includes the one-page "Circus Coloring Fun," page 1 and 3 of "Katy's Old Fashioned Kitchen Recipes," the one-page "Katy Keene Sweetheart Fashions on Parade" (with reader designer list), and page one from "Katy's Near Miss." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 Complete Story Original Art Group (Radio Comics/Archie, 1959). Includes the one-page features "Katy's Fun Page" (there are two of these in this lot), "Crazy Rockets for Sis," and "Katy and Sis in Have You Ever Seen;" and the two-page "Katy in Gold Dust Valley." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Bill Woggon Katy Keene Pinup Parade #9 Page Original Art Group (Radio Comics/Archie, 1959). African animals are featured in pages 2, 3, 4, and 7 from "Katy in Safari Nice Story." Each page has an image area of 12" x 17.5" and is in Very Good condition.
Ashley Wood Image Comics Page 23 Original Art (undated). This lyrical piece from an unidentified title by one of modern comics' most innovative talents has an image area of 10.25" x 15.5". The art is in Excellent condition and Wood signed the piece at the lower left.
Chic Young Blondie Sunday Comic Strip Original Art dated 10-8-33 (King Features Syndicate, 1933). Blondie volunteers to spend the night at her ailing mother's home, and Dagwood shows his support by inviting his pals over for a game of cards! This hilarious misadventure has an image area of 17" x 14" and it is in Excellent condition. It has an image area of 17" x 8, and is in Very Good condition.
Chic Young The Family Foursome Sunday Topper Comic Strip Original Art dated 10-8-33 (King Features Syndicate, 1933). The family just can't seem to put that jig-saw puzzle down! This topper accompanied the Blondie Sunday, and it has an image area of 17" x 8". In Very Good condition.
Animation Art
The Autograph Hound Lionel Barrymore Animation Production Drawing Original Art (Disney, 1939). Biting caricature of Lionel Barrymore from the Donald Duck short, The Autograph Hound. Rendered in graphite on a 15.5" x 12.5" sheet of animation paper, this is OPD #C41. There is some light paper tanning and edge wear; otherwise, the condition is Very Good.
The Autograph Hound Katharine Hepburn Animation Production Drawing Original Art (Disney, 1939). Caricature of Katharine Hepburn from the Donald Duck short, The Autograph Hound. Rendered in graphite on 16-field animation paper (15.5" x 12.5"), this is OPD #112B. There is some light paper tanning and edge wear; otherwise, the condition is Very Good.
The Autograph Hound Groucho Marx Animation Production Drawing Original Art (Disney, 1939). Impressive caricature of Groucho Marx from the Donald Duck short, The Autograph Hound. Rendered in graphite on 16-field animation paper (15.5" x 12.5"), this is OPD #D23. There is some light paper tanning and edge wear; otherwise, the condition is Very Good.
The Autograph Hound Harpo Marx Animation Production Drawing Original Art (Disney, 1939). Masterful caricature of the silent Marx Brother, Harpo, from the Donald Duck short The Autograph Hound. Rendered in graphite on a 15.5" x 12.5" sheet of animation paper, this is OPD #D35. There is some light paper tanning; otherwise, the condition is Very Good.
Babes in the Woods Old Witch Animation Production Drawing Original Art (Walt Disney, 1932). An original production drawing numbered #102, featuring a full-figure version of the witch, with color notations. Graphite on two-hole animation paper measuring 12" x 9.5", and in Excellent condition.
Canine Caddy Animation Production Drawing Original Art Group (Disney, 1941). Two original animation drawings featuring Mickey Mouse (OPD #141) and Pluto (OPD #123). Each is rendered in graphite and blue pencil on a 12-field sheet of animation paper (12" x 9.5", Mickey includes a Disney studio stamp). There is some paper tanning and light edge wear; otherwise, the drawings are in Very Good condition.
Dognappers Donald and Mickey Production Drawing Animation Art Group (Walt Disney, 1934). Original production drawing #83 and #248, showing Mickey driving a motorcycle, and Donald flying off the back. Nicely detailed, especially officer Mickey's motorcycle and Donald's wide-eyed expression. Graphite on two-hole animation paper measuring 12" x 9.5"; in Excellent condition.
Dumbo Animation Production Drawing Original Art (Disney, 1941). The fun-loving crows from Disney's fourth feature film, Dumbo, raise a ruckus in this drawing. Rendered in graphite and green pencil on a 12" x 10" sheet of animation paper (OPD #20B). The paper has some slight tanning and edge wear; otherwise, the art is in Very Good condition.
The Goddess of Spring Pluto Animation Production Drawing Original Art, Group of 2 (Disney, 1934). These two original production drawings feature Underworld god, Pluto and his bride, Persephone. Each drawing was rendered in graphite and multi-colored pencil on a 12" x 10" sheet of animation paper. There is some paper tanning; otherwise, the art is in Very Good condition.
How to Be a Sailor Animation Storyboard Drawing Original Art (Disney, 1944). Lively storyboard drawing from the Goofy short about the history of water transport, directed by Jack Kinney. Rendered in colored pencil, the art has an image area of 8" x 6" and it is in Very Good condition.
The Klondike Kid Animation Production Drawing Original Art (Disney, 1932). Mickey feeds Minnie soup in this buoyant animation drawing from the Disney short, The Klondike Kid (OPD #11). The art is rendered in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning, the condition is Very Good.
Lady and the Tramp Animation Production Drawing Original Art Group(Disney, 1955). These two spirited drawings include Tramp (OPD #64), and Scottie (OPD #C-90). Each 16-field drawing measures 15.5" x 12.5" and is in Very Good condition.
Mickey Mouse Animation Production Drawing Original Art (Walt Disney, c. 1929). Very early "pie-eyed" Mickey in full-figure pose, holding a megaphone to his ear. Graphite with colored pencil details on two-hole animation paper, numbered #181. The image area measures approximately 4" x 3.25" and the art is in Excellent condition.
Mickey's Mellerdrammer Animation Production Drawing Original Art Group (Disney, 1933). Mickey and Minnie step lively in these two original animation drawings (OPDs #22H and 170). Each drawing was rendered in graphite on a 12" x 9.5" sheet of animation paper. The paper shows slight tanning with light creasing; otherwise, the drawings average in Very Good condition.
Mickey's Gala Premiere Animation Production Drawing Original Art (Disney, 1933). Mickey Mouse meets comedic actor Will Rogers in this original animation drawing (OPD #143), rendered in graphite on a 12" x 10" sheet of animation paper. Some paper tanning; otherwise, the condition is Very Good.
Mickey Plays Papa Animation Production Drawing Original Art (Disney, 1934). Mickey recites a passage from a murder mystery book to Pluto in this original production drawing from the Disney short Mickey Plays Papa. Rendered in graphite and blue pencil on a 12" x 9.5" sheet of animation paper (OPD #51). The paper has some tanning and light creasing; otherwise, the condition is Very Good.
Mickey's Fire Brigade Animation Production Drawing Original Art Group (Disney, 1935). These two original animation drawings feature fire chief Mickey Mouse (OPD #9), and Mickey and Donald trying to pull Goofy out of a sink (OPD #143). Each is rendered in graphite on a 12-field sheet of animation paper (12" x 10"). Aside from some paper tanning, the drawings are in Excellent condition.
Mickey's Garden Animation Production Drawing Original Art (Disney, 1935). Mickey's bug sprayer gets clogged in his war on the insects who have infested his garden in this drawing from the Disney short, Mickey's Garden (OPD #61). Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. Aside from some light paper tanning, the drawings are in Excellent condition.
Mickey's Service Station Animation Production Drawing Original Art (Disney, 1935). Black Pete is chased by a car engine in this drawing rendered in graphite and multi-colored pencil on a 12" x 10" sheet of animation paper (OPD #80). The paper has some light tanning and edge wear; otherwise, condition is Very Good.
Mickey's Service Station Animation Production Drawing Original Art (Disney, 1935). Goofy gets a pants-full of motor oil in this great drawing from the 1935 Mickey Mouse short, Mickey's Service Station. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper (OPD #300). The paper has some light tanning and edge wear; otherwise, condition is Very Good.
Mickey's Circus Animation Production Drawing Original Art (Disney, 1936). Ringmaster Mickey sparkles in this original animation drawing (OPD #68). Rendered in graphite and multi-colored pencil on a 12" x 10" sheet of animation paper. Some paper tanning; otherwise, the condition is Very Good.
Mickey's Amateurs Animation Production Drawing Original Art (Disney, 1937). This drawing features Goofy's one-man-band machine from the 1937 short film, Mickey's Amateurs. Rendered in graphite and red and blue pencil on a 12" x 9.5" sheet of animation paper (OPD #18). Aside from some light paper tanning, the art is in Very Good condition.
Mickey's Parrot Animation Production Drawing Original Art (Walt Disney, 1938). Nice close-up of a nightshirt-wearing Mickey, shotgun in hand, in this original production drawing numbered #38. Rendered in graphite and red pencil on five-hole animation paper measuring 12" x 10". In Excellent condition.
Tugboat Mickey Animation Production Drawing Original Art (Disney, 1940). Mickey gets some fine-feathered pelican interference in this drawing from the 1940 short, Tugboat Mickey. Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"), this is OPD #65. Aside from some paper tanning and a light crease in the bottom left corner, the condition is Very Good.
Moose Hunters Animation Production Drawing Original Art (Walt Disney, 1937). Goofy's having fun, but Donald finds his canoe ride rough going in this original production drawing (OPD #25). Graphite and colored pencil on 12" x 10" five-hole animation paper. Stamped "Model Drawing Return to Dot Powers". Some light tanning and minor soiling; otherwise, in Excellent condition.
Moose Hunters Animation Production Drawing Original Art (Walt Disney, 1937). Donald gets things wrapped up in this original production drawing (OPD #72). Graphite and colored pencil on 12" x 10" five-hole animation paper, with color notations. In Excellent condition.
Moose Hunters Animation Production Drawing Original Art (Walt Disney, 1937). Mickey's in the bushes, shotgun in hand, in this nicely colored pencil drawing. Rendered on five-hole animation paper marked #28, with added yellow, blue, red, green, and brown highlights. The image area measures approximately 8.5" x 8.5" and the art is in Excellent condition.
Mother Goose Goes Hollywood Animation Production Drawing Original Art Group (Disney, 1938). Cab Calloway leads his orchestra, which includes Laurel and Hardy, in this set of five animation drawings (OPDs #429, 436, 340, 240, and C6). Each drawing is rendered in graphite on a 12-field sheet of animation paper (12" x 10"). Aside from some paper tanning, the drawings are in Very Good condition.
Mother Goose Goes Hollywood Animation Production Drawing Original Art Group (Disney, 1938). These three fabulous animation drawings feature the Marx Brothers as the "Fiddlers Three" (OPDs #32, 213, and 120). Each drawing is rendered in graphite and red pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise,, the drawings are in Very Good condition.
Mother Goose Goes Hollywood Animation Production Drawing Original Art Group (Disney, 1938). Matched set of two original animation drawings featuring the Marx Brothers as the "Fiddlers Three" (OPDs #159A and 259A). Each drawing is rendered in graphite and red pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise,, the drawings are in Very Good condition.
The Nifty Nineties Animation Production Drawing Original Art (Disney, 1941). Mickey and Minnie take a wild ride in an antique car in this drawing from the 1941 short, The Nifty Nineties. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper (OPD #35). There is some light paper tanning and a small crease in the art at the lower right corner; otherwise, the condition is Very Good.
Bill Peet Ben and Me Animation Storyboard Drawing Original Art (Disney, 1953). With the help of Amos Mouse, Ben Franklin invents his famous Franklin stove in this set of storyboard sketches by Bill Peet. Graphite on paper, each frame has been taped to a larger paper with an approximate overall image area of 14.5" x 11". Some paper tanning and tape staining; otherwise, the work is in Good condition.
Bill Peet Ben and Me Animation Storyboard Drawing Original Art (Disney, 1953). Amos Mouse assists Ben Franklin in the creation of bifocal lenses in this set of storyboard sketches by Bill Peet. Graphite and red pencil on paper, each frame has been taped to a larger paper with an approximate overall image area of 13" x 9.5". Some paper tanning and tape staining; otherwise, the work is in Good condition.
Bill Peet Ben and Me Animation Storyboard Drawing Original Art (Disney, 1953). Amos Mouse aids Ben Franklin in his electrical experiments in this set of storyboard sketches by Bill Peet. Graphite and red pencil on paper, each frame has been taped to a larger paper with an approximate overall image area of 15" x 11". Some paper tanning and tape staining; otherwise, the work is in Good condition.
Peter Pan Animation Production Drawing Original Art (Walt Disney, 1953). Shake hands with Peter Pan! Pencil drawing on three-hole animation paper measuring 15.5" x 12.5" (OPD #77). The image area is approximately 5" x 9.5" and the work is in Excellent condition.
Peter Pan Animation Production Cel Original Art (Walt Disney, 1953). Little Michael Darling tugs at his pink pajamas in this cel, which carries the number 117 in the lower right corner. The acetate is three-hole punched, and the image area is approximately 3.5" x 5.5". In Excellent condition.
Puppy Love Animation Production Drawing Original Art (Disney, 1933). Minnie is not too pleased to find a bone in her box of chocolates, in this scene from the 1933 Mickey Mouse short. Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"), this is OPD #546. Some paper tanning; otherwise, the condition is Very Good.
Virgil Ross Bugs Bunny Nips the Nips Drawing Original Art (Warner Bros., undated).
Bugs won't back down from a sumo wrestler in this Virgil Ross drawing inspired by the 1944 short, Bugs Bunny Nips the Nips. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, the art is in Excellent condition and signed by Virgil Ross at the bottom.
Bugs won't back down from a sumo wrestler in this Virgil Ross drawing inspired by the 1944 short, Bugs Bunny Nips the Nips. Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, the art is in Excellent condition and signed by Virgil Ross at the bottom.
Virgil Ross Racketeer Rabbit Drawing Original Art (Warner Bros., undated). Bugs plays butler to Rocky, an Edward G. Robinson look-alike, in this scene recreation from Racketeer Rabbit (1946). Rendered in colored pencil on a 10.5" x 12.5" sheet of animation paper, the art is in Excellent condition. Signed by Virgil Ross at the bottom left.
Virgil Ross Water, Water Every Hare Drawing Original Art (Warner Bros., undated). "Uh oh, think fast, rabbit!" Bugs finds himself between an axe and a furry place in this hilarious Virgil Ross drawing inspired by Water, Water Every Hare (1952). Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, this piece is in Excellent condition and is signed by Virgil Ross at the bottom left.
Virgil Ross Forward March Hare Drawing Original Art (Warner Bros., undated). Bugs Bunny goes through an army drill in his own inimitable style, in this scene recreation from Forward March Hare (1953). Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper and in Excellent condition. Signed by Virgil Ross at the bottom.
Virgil Ross The Scarlet Pumpernickel Drawing Original Art (Warner Bros., undated). "Parting is such sweet stuff, but you will be safe here, m' beloved." Daffy Duck as the Scarlet Pumpernickel gives the fair Melissa a goodbye kiss in this scene recreation from The Scarlet Pumpernickel (1948). Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper and in Excellent condition. Signed by Virgil Ross at the bottom left.
Virgil Ross Drip-Along Daffy Drawing Original Art (Warner Bros., undated). "Western type hero" Sheriff Daffy Duck goes beak to face with rustler Nasty Canasta in this scene recreation from Drip-Along Daffy (1951). Rendered in colored pencil on a 12.5" x 10" sheet of animation paper, the art is in Excellent condition. Signed by Virgil Ross at the bottom right.
Virgil Ross Rocket Squad Drawing Original Art (Warner Bros., undated). Monday (Daffy) and Tuesday (Porky) are featured in this scene recreation from the 1956 Dragnet/sci-fi parody, Rocket Squad (1956). The art was rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper and it is in Excellent condition. Signed by Virgil Ross at the bottom right.
Virgil Ross Feed the Kitty Drawing Original Art (Warner Bros., undated). The tender and touching relationship between Marc Anthony and Pussyfoot is perfectly captured by veteran animator Virgil Ross in this drawing inspired by Feed the Kitty (1952). Rendered in colored pencil on a 12.5" x 10.5" sheet of animation paper, this piece is in Excellent condition and is signed by Virgil Ross at the bottom right.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Coquettish image of the beautiful Princess Aurora, rendered in graphite on 16-field paper (15.5" x 12.5"). This is OPD #24 and it is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). The beautiful Princess Aurora, rendered in graphite on 16-field paper (15.5" x 12.5"). This is OPD #122 and it is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Lovely animation production drawing of Princess Aurora. Rendered in graphite on 16-field animation paper (15.5" x 12.5"), this is OPD #254. In Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Princess Aurora animation production drawing from Disney's sixteenth animated feature (OPD #279). The drawing measures 15.5" x 12.5", and it is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Princess Aurora and Prince Phillip share a romantic moment in this animation production drawing (OPD #109). Rendered in graphite on 16-field animation paper (15.5" x 12.5"), this piece is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Dramatic original animation production drawing featuring Prince Phillip riding Samson (OPD #13). Rendered in graphite on a 16-field sheet of animation paper (15.5" x 12.5"). There is some paper tanning, soiling and creasing; otherwise, the art is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Original animation production drawing featuring Briar Rose and Prince Phillip dancing together in the forest (OPD #12X). Rendered in graphite on a 16-field sheet of animation paper (15.5" x 12.5"). There is some paper tanning and edge wear; otherwise, the art is in Very Good condition.
Sleeping Beauty Animation Production Drawing Original Art (Disney, 1959). Briar Rose dances in the forest in this lovely animation production drawing (OPD #10). Rendered in graphite on a 16 field sheet of animation paper (15.5" x 12.5"). In Very Good condition.
Snow White and the Seven Dwarfs Animation Production Drawing Original Art (Walt Disney, 1937). Original Production Drawing #75A finds three of the dwarfs whistling as they prepare to grab Grumpy. Rendered lightly in brown pencil, and in tighter graphite on five-hole animation paper, with an image area of approximately 8.5" x 6". In Excellent condition.
Snow White and the Seven Dwarfs Animation Drawing Original Art (Disney, 1937). Grumpy is at his grumpiest in this original animation drawing from Disney's first feature film (OPD #80). Rendered in graphite and red pencil on a sheet of 12" x 10" animation paper, this piece includes a Disney studio stamp. In Very Good condition.
Snow White and the Seven Dwarfs Animation Drawing Original Art (Disney, 1937). Original animation drawing featuring Dopey (OPD #6). Rendered in graphite on a sheet of 12" x 10" animation paper. In Very Good condition.
Snow White and the Seven Dwarfs Doc Animation Production Drawing Original Art Group (Walt Disney, 1937). Snow White's loveable Doc in two original production drawings numbered #49 and #13. Both are in graphite on five-hole 12" x 10" animation paper, with added red pencil highlights to #13. In Excellent condition.
Snow White and the Seven Dwarfs Animation Drawing Original Art (Disney, 1937). Doc washes his hands in this brilliant drawing from Disney's first animated feature (OPD #101). Rendered in graphite and multi-colored pencil on a sheet of 12" x 10" animation paper with a Disney studio stamp. In Very Good condition.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). Mickey enters a reluctant Pluto into a dog show on roller skates, in this wonderful animation drawing (OPD #33). Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. Some light paper tanning; otherwise, the art is in Very Good condition.
Society Dog Show Animation Production Drawing Original Art (Disney, 1939). A little perfume goes a long way, in this drawing from the 1939 short cartoon, Society Dog Show. Rendered in graphite and red pencil on a 12 field sheet of animation paper (OPD #43). Some paper tanning; otherwise, the condition is Excellent.
So Much for So Little Illustration Original Art (Warner Bros., 1949). This animated cartoon was produced by the U. S. Government, and won the 1949 Academy Award for Best Documentary Short Subject. Here, Johnny's dad tries to keep dirty flies away -- with a gun! Art by Pete Alvarado. Gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little "Whooping Cough" Illustration Original Art (Warner Bros., 1949). Pete Alvarado painted this scary-looking germ, who looks ready to pounce. From the Oscar-winning public service documentary short subject, directed by Chuck Jones. Rendered in gouache on heavy two-hole animation paper, measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little "Rheumatic Fever" Illustration Original Art (Warner Bros., 1949). That nasty-looking creature hanging on to a limb was created by Pete Alvarado for the Oscar-winning public service documentary, which was directed by Chuck Jones. Rendered in gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". Excellent condition.
So Much for So Little "Smallpox" Illustration Animation Art (Warner Bros., 1949). This painting of a sneaky spotted germ was created by Pete Alvarado for the Oscar-winning short subject documentary, directed by Chuck Jones. Rendered in gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". Excellent condition
So Much for So Little Illustration Original Art (Warner Bros., 1949). Here's part of the problem -- filthy garbage cans that breed disease. Pete Alvarado painted this background for the award-winning public service documentary short feature, directed by Chuck Jones. Rendered in gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). The Oscar-winning public service short subject shows how our Public Health officers are cleaning up the environment -- even nasty trash cans. This spotless background painting was created by Pete Alvarado, for Chuck Jones' production. Rendered on heavy two-hole animation paper measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). Our Public Service doctors are there to check new mothers like Mary Jones, in this background scene painted by Pete Alvarado. Chuck Jones directed this Oscar-winning documentary short subject. Rendered in gouache on heavy animation paper measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). Advice and instructions come courtesy of the Public Health Department, in this scene from the Oscar-winning short subject documentary. Painted by Pete Alvarado, directed by Chuck Jones. Rendered on heavy two-hole animation paper measuring approximately 12.5" x 10", and in Excellent condition.
So Much for So Little Illustration Animation Art (Warner Brothers, 1949). Good medical care -- you can count on it, in this scene from the award-winning public service short, directed by Chuck Jones, and rendered in gouache by Pete Alvarado. On heavy two-hole animation paper measuring approximately 12.5" x 10". Excellent condition.
So Much for So Little Illustration Animation Art (Warner Brothers, 1949). Johnny Jones and his bride-to-be Mary have their blood tested by Public Health doctors in this scene from the Oscar-winning short subject, painted by Pete Alvarado and directed by Chuck Jones. Rendered on heavy two-hole animation paper measuring approximately 12.5" x 10". In Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). Public health workers test blood for disease in this Pete Alvarado painted scene, from the Academy Award winning short directed by Chuck Jones. Painted with gouache on heavy two-hole animation paper, with an image area of approximately 9.5" x 7.5". In Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). Blood to be tested is first numbered, in this Pete Alvarado illustration used in the award-winning public service cartoon, directed by Chuck Jones. Rendered in gouache on heavy two-hole animation paper, with an image area of approximately 10.5" x 7.5". The top part of the paper, with the peg holes, was cut and repositioned with tape; otherwise,, the art is in Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). The tested blood whirls around in this thingamajig, in this Pete Alvarado painted background. It's from Chuck Jones' Oscar-winning short subject documentary about health care. Rendered in gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". Excellent condition.
So Much for So Little Illustration Original Art (Warner Bros., 1949). In this scene from Chuck Jones' award-winning public service cartoon, tested blood gets examined. Rendered by Pete Alvarado in gouache on heavy two-hole animation paper measuring approximately 12.5" x 10". In Excellent condition.
Three Blind Mouseketeers Animation Production Drawing Original Art Group (Disney, 1936). Two original animation drawings from the 1936 Silly Symphony (OPDs #340 and 135). Each drawing was rendered in graphite and multi-color pencil on a 12" x 9.5" sheet of animation paper. The paper has some slight tanning and light creasing; otherwise, the drawings average in Very Good condition.
The Worm Turns Animation Production Drawing Original Art (Disney, 1937). Mickey prepares to try his super strength serum in this original animation drawing from the short, The Worm Turns. Rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 10"), this is OPD #38. Some paper tanning and light edge wear; otherwise, the condition is Very Good.
Copyright © 1999-2026 Heritage Capital Corporation
Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842
Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842