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Frank Frazetta - Original Painting, "Savage World" (1967). Some pieces of art stand as the definitive works of their creators. Van Gogh's Starry Night, Seurat's A Sunday in the Park on the Island of La Grande Jatte, or Munch's The Scream are all examples of creations that have bestowed artistic immortality on the artists who painted them. In much the same way, Savage World brings together on one canvas all that is best about Frank Frazetta. The dynamic imagery, the brilliant use of color, the savagery of the cavemen contrasted with the raw sensuality of their female captive, even the plodding menace of the great beasts who stalk the primitive hunters...all of these elements are perfectly rendered by the man many have called the King of twentieth century illustration. Brilliantly conceived and flawlessly executed, Frazetta easily draws the viewer into another time and place, creating a fantasy world that reveals hidden levels and inner depths that become more and more apparent on each viewing. First published as the wrap-around cover of Monster Mania #2 and simultaneously released as a print, the piece was repainted by Frazetta in 1981 while working on the animated feature Fire and Ice. It was later published in the 1985 release, Frazetta Book V. Measuring an imposing 22.5" x 35" overall, the piece is in excellent condition and is signed and dated by the artist in the lower right. A classic work by a modern master, this will be the prize addition to any collection of fine art.
Auction 806 | Lot: 6824 | Mar 9, 2003

Sold For: $120,750.00
John Byrne and Terry Austin - Original Art for X-Men #137, page 2 and 3, "The Fate of the Phoenix" (Marvel, 1980). More has probably been said and written about X-Men #137 than virtually any other comic book of the period. In conjunction with Marvel's 40th anniversary in the fall of 2001, this issue of X-Men was voted by fans to be the third greatest Marvel comic of all time. With this special double-size issue, Marvel began a new era of comic book heroism, as the death of Jean Grey completely rewrote the rules about what was possible in the Marvel Universe. Here is a spectacular page, one that shows every X-Man from the ongoing story, pencilled by fan faves John Byrne and Terry Austin. Overall size is approximately 16" x 22" with an image area of 15" x 21". Some slight overall yellowing does nothing at all to detract from the overwhelming beauty and historical significance of these two grand pages. Here's your chance to own a piece of Marvel history.
Auction 806 | Lot: 6745 | Mar 9, 2003

Sold For: $55,200.00
Bob Kane - Original Comic Strip Art for Batman dated 10/29/43 (Detective Comics, Inc./McClure Newspaper Syndicate, 1943). A very rare find, indeed, this is the the fifth strip from the introductory week of this historic strip, which includes a detailed cutaway view of the Batcave. Rendered in pen & ink and blue pencil (to indicate shading), this piece measures approximately 24.5" x 9.5" overall, with an image area of approximately 22.75" x 5.75". In excellent condition, there is a pasteover missing in the final panel, so that the original text is visible. The art is signed by Bob Kane in the upper left, although Jerry Robinson's influence and contribution is clearly evident.
Auction 806 | Lot: 6673 | Mar 9, 2003

Sold For: $43,700.00
Carmine Infantino - Original Cover Art for Superman #199 (DC, 1967). We don't throw the word legendary around too often when we talk about comics, but we can safely use it here when describing this incredible cover by Carmine Infantino. There are some covers that stick in your memory for many reasons and here is a great example. This Superman cover is legendary in scope and design, drawn by Infantino, one of the artists who defined the Silver Age of comics. This first race between Superman and the Flash would decide who is the fastest man alive. Not only do you get this historic event captured in all its pencil and inked glory, you get cameo appearances by Batman, Robin, Green Lantern, the Atom, Hawkman, Wonder Woman, Green Arrow, Aquaman and the Martian Manhunter. Aside from some general aging and slight yellowing at the upper left and middle bottom edges, and some rather extensive use of white-out, this cover is in otherwise great shape; there is a missing word balloon on the right side, with a slight glue stain where it was previously affixed. Signed by Carmine Infantino in purple pencil in the bottom right corner. Overall size is 14" x 21.5" with an image area of 12" x 18.5". No matter what the outcome of this race, you'll be the winner if you own it!
Auction 806 | Lot: 6875 | Mar 9, 2003

Sold For: $33,925.00
Wally Wood - Original Cover Art for Weird Science #22 (EC, 1953). EC horror master Wally Wood works his magic on this cover. The huge slithering blob is truly a work of genius: notice the fine lines in the bulbous monstrosity's protuberances. The spacemen are classic Wood with a clear glass helmet with an air hose on each side. Also note the faces on the columns and by the stairs. Even in a full space suit, Wood's women are drop-dead gorgeous knockouts. This virtuoso's work still inspires artists today and remains a yardstick for aspiring artistic talents. When the comic book market hit the skids in the mid-1950s, Wood's brilliant career stalled. Dr. Wertham's Seduction of the Innocent and the brouhaha over comics as the cause of juvenile delinquency affected Wood more than most, and he eventually found work in more traditional illustrating mediums. He tried periodically to re-enter the comic business with forays such as the T.H.U.N.D.E.R. Agents and Cannon. Unfortunately, he never quite hit the same success as he did at EC. His health failing, he passed away in 1981 in a tragic loss to the world of comics. His crowning artistic achievements were made at EC where he drew many covers such as the one offered here. This is undoubtedly his best amorphous monster work. This cover was used to draw the reader into Wood's story title "My World" contained inside. A fantastic Wood original cover, it has a bit of white out on it and has stats for the logos. Overall the piece is in excellent condition. It measures approximately 14" x 19.5" and comes framed.
Auction 806 | Lot: 7077 | Mar 9, 2003

Sold For: $32,200.00
Frank Frazetta - Original Illustration (undated). A personal piece done by Frank Frazetta for his own amusement in the mid-1960s, this is a breathtaking example of the lush, dramatic style that has made "Fritz" a true modern master. Boldly rendered in pen and ink, the image area of this stunning piece measures approximately 8.5" x 10.5". In excellent condition, the art is signed by the artist in the lower left. Potential bidders should note that a forgery of this piece is known to exist, and has been offered for public sale in the past. The example offered here, however, has been authenticated by noted Frazetta scholar and expert Dr. David Winiewicz as being original and genuine. It would be difficult to find a finer example of Frazetta's work at any price, making this a potentially once-in-a-lifetime opportunity.
Auction 806 | Lot: 6812 | Mar 9, 2003

Sold For: $25,300.00
Frank Frazetta - Original art for Mastermind of Mars (Doubleday, 1974). Offering a rare look inside the laboratory of Ras Thavas, one of the foremost scientific geniuses of Barsoom, Frazetta succeeds in rendering another minor masterpiece. Originally published as the frontispiece to the Doubleday edition of The Mastermind of Mars, this richly textured work is at once amazingly subtle and starkly powerful, revealing the full depths of Frazetta's prodigious talents. The caption that ran with this illustration reads, "An attendant appeared bearing the body of the beautiful girl." Signed by the artist in the upper right, this piece has an approximate image area of 8" x 10.5" and is in excellent condition. A wonderful piece for any fan of Frazetta, Burroughs, or great illustrative art in general.
Auction 806 | Lot: 6814 | Mar 9, 2003

Sold For: $20,700.00
Frank Frazetta - Original Cover Art for Ghost Rider #3 (ME, 1950). Frank Frazetta is widely held to be the greatest artist to work in the comic book field. Ironically, his actual body of work on comic books is very small. The cover art offered here is one of his best. It is both finely rendered and highly dramatic. The main theme of the piece is a train robbery. It is the ferocity of the explosion that has made this a true classic, and a coveted book by collectors. The art is in exceptional condition. The logo appears to be hand painted and is undoubtedly original. There is a small paste over (drawn) on the Ghost Rider's head, with some slight discoloration, but overall, this is an unforgettable image. Image area measures 13" x 18".
Auction 806 | Lot: 6813 | Mar 9, 2003

Sold For: $18,400.00

Make Offer to Owner
$1,075,000 or more
Frank Frazetta - Original Art for Thuvia, Maid of Mars (Doubleday, 1973). Originally published as the frontispiece for Doubleday's 1973 edition of Edgar Rice Burroughs' Thuvia, Maid of Mars, this is a powerful illustration, presented with all the power and vitality that one has come to expect from Frazetta. The caption printed underneath this illustration reads, "With a savage cry of triumph, Thar Ban vaulted to the back of his throat, Thuvia of Ptarth still in his arms." Rendered in pen and ink, the piece measures approximately 13.25" x 12" overall, with an approximate image area of 11.5" x 10" and is in excellent condition. Signed by the artist in the lower right, the detail in this piece is stunning, and it is easy to see here why Frazetta is considered by many to be the King of modern illustrators.
Auction 806 | Lot: 6815 | Mar 9, 2003

Sold For: $18,000.00
Joe Simon (attributed) - Original Cover Art for Champ #20 (Harvey, 1942). This cover may be by Joe Simon, as he certainly did the previous issues, but we are unable to fully document that attribution. It is definitely in his style and has the great composition of which Joe was capable. This Japanese collaborating with demons aspect is wild, to say the least. This book was not shown in The Photo-Journal Guide to Comic Books so this cover has escaped the gaze of most. The stats are of a later origin and the actual image size on this piece is 9.5" x 12.5"
Auction 806 | Lot: 7004 | Mar 9, 2003

Sold For: $13,225.00
Joe Simon - Original Cover Art for Pocket Comics #1 (Harvey, 1941). Offered here is a museum-quality piece that one lucky bidder will have the opportunity to hang on their own wall. It really doesn't get much better than this. Created by Joe Simon, the gentleman that co-created Captain America, this is an astounding rendition of the Black Cat smashing Nazi goons alongside the Spirit of '76. The Black Cat is delicately drawn to exude pure sex-appeal while at the same time showing that she's more than ready to kick some Nazi tail. At a time when the Axis was a threat to our shores and our way of life, it was books like this that flew off the shelves. Now you can have this one-of-a-kind piece of Americana for your own. The image size on this piece is 8.5" x 11. The logo is a copy of later origin and there is minimal white out that does not at all obscure the over-all beauty of this piece. It has been nicely matted, framed and ready to hang. Don't miss your chance on this historic treasure!
Auction 806 | Lot: 7003 | Mar 9, 2003

Sold For: $10,925.00
Hal Foster - Original Comic Strip Art for Tarzan Sunday dated 3-26-33 (United Features Syndicate, 1933). Harold R. (Hal) Foster took over the job of drawing the Tarzan Sunday page from artist Rex Maxon in September, 1931. Edgar Rice Burroughs himself was not happy with Maxon's work on the Sundays, although Maxon continued to draw the daily strips for many years. When Hal Foster got this job, it was during the depths of the great Depression, and work was hard to get. He was working in Chicago at an advertising agency and things were so bad that Foster allowed four other starving artists to help him with the earliest pages, and the $75 per page which Foster was paid was divided equally, $15 per man per week. Even though the job was Foster's and only his name appeared on the Sunday page, he took only an equal share. In his words, these five families "ate ape" during those difficult years. Sometime in 1932, with fan mail coming in, Foster was inspired to put more work into his pages, and gradually took over the pages completely with no assistants. The earliest Foster page known to exist is dated July 10, 1932, and during this period Foster is starting to experiment with panel layout. These early pages are filled with action, and rarely will you see an action figure duplicated, as was common with other artists. Foster could draw Tarzan in any position, in any action, and it looked real. Most collectors agree that he reached his peak on Tarzan in what has become known as the "Egyptian sequence", where the story line took Tarzan to a lost Egyptian civilization that bordered the jungle. That way, he could fill his pages with the pomp and pageantry of the Egyptian kings and princesses, and then cut to nearby action with apes in the jungle. It was the best of both worlds. The Sunday page offered here is among the best from this memorable period, dated 3/26/33, which features the Egyptian princess with her entourage and her barge, and then the action segues to the jungle where a great
Auction 806 | Lot: 6662 | Mar 9, 2003

Sold For: $10,350.00
Barry Windsor-Smith - Original Splash Page Art for Conan the Barbarian #14, page 18 (Marvel, 1971). From one of the greatest issues of Barry Windsor-Smith's run on Conan, this stunning splash page shows the Warrior-King of Cimmeria battling alongside Elric, the albino king of Melnibone, the creation of noted fantasist Michael Moorcock. The opportunity to team up Moorcock's refined, yet tragic, hero with Robert E. Howard's battling barbarian was too good for Roy Thomas to pass up, and the result was a two-issue extravaganza that has well earned its "classic" status. Pages from these issues rarely surface, as they are doggedly sought after and highly prized by collectors. This, then, is potentially a once-in-a-lifetime opportunity to acquire a spectacular page from a legendary issue. The piece is in excellent condition, with an image area that measures approximately 10" x 14".
Auction 806 | Lot: 7070 | Mar 9, 2003

Sold For: $9,775.00
Jack Kirby and Herb Trimpe - Original Splash Page Art for Silver Surfer #18 (Marvel, 1970). Sound the alarm! The Silver Surfer dares to enter the Great Refuge of the Inhumans in this sensational splash page pencilled by Jack Kirby and inked by Herb Trimpe. A soaring Silver Surfer surveys a scene that can only be described as pure Kirby with a fast-approaching Black Bolt in the background. Some minor staining around the edges of the art, and some use of white-out on Black Bolt and the upper figure, but you can't ask for a better splash page! Overall size is approximately 11" x 16" with an image area of 10" x 15". Signed by Jack Kirby at the lower right.
Auction 806 | Lot: 6912 | Mar 9, 2003

Sold For: $9,487.50
Robert Crumb - Original Illustration (1966). Crumb lets us know what he thinks of TV in this groovy illustration titled "Boobtoob". Wow. She must have been watching Jerry Springer. Done in ink on heavy paper, this classic illustration was originally done for an art show, later to be published in the Yellow Dog and in his sketchbooks, which were published by Fantagraphics. There are small tape marks surrounding the front edge from framing, but they don't detract from this 12" x 12" image with an overall size of 18" x 14".
Auction 806 | Lot: 7119 | Mar 9, 2003

Sold For: $8,337.50
Al Feldstein - Original Cover Art for Weird Science #11 (EC, 1952). Legendary EC artist Al Feldstein serves up another superior piece of science-fiction splendor on this cover. In typical dramatic fashion, Feldstein has set an explosive scene that just begs the reader to buy the comic to find out just what fantastic adventure is taking place. That adventure is Wally Wood's "The Conquerors of the Moon!". Feldstein's brush strokes on this cover are perfect in creating a moon landscape that depicts the cragginess of the barren and desolate surface of our nearest celestial neighbor. Note the two spacemen being ejected from the ship blowing up. This splendiferous piece has stats for logos, a tad of browning around these stats, but is in otherwise excellent condition. The image area measures approximately 14" x 19" and it is attractively framed and matted.
Auction 806 | Lot: 6807 | Mar 9, 2003

Sold For: $8,050.00
Robert Crumb - Original Illustration for Art and Beauty Magazine, "Eagle" (Kitchen Sink Press, 1996). A sexy page by Crumb of a blonde straddling a stool, the model has a rather endearing "deer-in-the-headlights" look in her eyes. This pin-up has a very early 70s sensibility to it, with cut-offs and a tank top, that evoke memories of a time when Crumb was first getting started as an underground cartoonist. This piece, with an image area of 9" x 13", will look great in anyone's underground art collection.
Auction 806 | Lot: 7104 | Mar 9, 2003

Sold For: $8,050.00
Margaret Brundage - Original Oil Painting (ca. early 1970s). Offered here is a painting from one of the most wonderful and treasured artists in the entire hobby. Margaret Brundage (1900-1976) painted many of the most attractive, provocative and alluring covers during her extensive run on Weird Tales, quite atypical for a female artist of the period. This lush oil measures 11.75" x 15.75" and is signed on the lower bottom left corner. Framed and in excellent condition, this image of a gorgeous disrobed woman with a transparent veil in front of her is breathtaking. The nude image is extremely reminiscent of her classic work of the '30s. This piece was acquired by the consigner directly from Margaret shortly before her death, and has never been seen or offered for sale to the public since that time.
Auction 806 | Lot: 6733 | Mar 9, 2003

Sold For: $7,762.50
Barry Windsor-Smith - Original Unpublished Cover Art for Conan #9 (Marvel, 1971). Conan fights as he falls in this action-packed cover from Marvel's most popular Bronze Age title. With backgrounds as detailed as the main figures themselves, you can see why Barry Smith's art, especially covers, are so prized by original art collectors. In amazing condition, this piece would be the center of any fine comic cover collection. Somewhat different than the actual printed version, this was apparently an earlier version of the piece, most likely changed at the request of the editor. In many ways, however, this version is clearly superior to the version that was eventually published. This cover comes framed to an overall size of 19.5" x 14" with the art measuring approximate 10" x 15".
Auction 806 | Lot: 7068 | Mar 9, 2003

Sold For: $7,590.00
Al Feldstein - Original Painting, "Tales of Terror #2 Revisited" (2003). This, the second of Al Feldstein's exclusive Heritage Comics paintings, features The Ghoulunatics and their undead friends cooking up a fearsome feast in the Witch's cauldron! Ghoulish gastronomy of the highest order, for fellow fear-fiends only! Despite numerous offers, Feldstein no longer accepts private commissions; Heritage Comics is very proud to be the exclusive representative for one of the most accomplished comic artists in the history of the medium. As an editor at EC, Feldstein wrote and drew many of the stories that have become favorites of fans of all ages, all around the world. His mastery of composition and detail, as well as his sly sense of humor, are obvious in this painting. Less obvious is his brilliant use of color that must be seen in person to be properly appreciated. This impressive piece measures a full 22" x 28", is painted in acrylic on canvas, varnished and framed - ready for display in your home, crypt or mausoleum. Just the thing for a true fan-addict!
Auction 806 | Lot: 6806 | Mar 9, 2003

Sold For: $7,475.00
Ken Kelly - Original Painting (1977). This fabulous painting shows a Sinbad-type warrior trying to ward off a horde of Arabs. Note the gritty determination in the fighters' steely eyes. Ken Kelly's fantasy paintings are becoming more and more world renowned, and this fabulous painting shows why. Kelly's brilliant use of light is evident as a vivid yellow swath of illumination comes from behind the wall. This incredible painting would be a great centerpiece for any collection. The painting is in excellent condition and comes nicely framed. The image area measures approximately 40" x 29".
Auction 806 | Lot: 6899 | Mar 9, 2003

Sold For: $7,187.50
Ken Kelly - Original Cover Art for Creepy #75 (Warren, 1975). This fantastic painted cover shows a winged demon terrorizing man in a hot air balloon. The choice of angle for this scene lends itself to the tension and drama of the situation. Note that the demon appears to be one of the most vile of all, a stone devil. While the cover may be dark, it impresses upon the viewer the foreboding and terror that the balloon rider must be feeling. This piece is in excellent condition and measures approximately 19" x 24".
Auction 806 | Lot: 6895 | Mar 9, 2003

Sold For: $6,785.00
Charles Schultz - Original Comic Strip Art for Peanuts Daily dated 2/16/71 (United Features Syndicate, 1971). Good 'Ol Charlie Brown and Snoopy discuss Valentine etiquette in this marvelous daily from 1971. The line work is wonderful... it's full of vitality and carries the full impact of Schultz's humor. The art is very clean, matted and framed. Image area is 5.5" x 27". Signed by Charles Schultz in the last frame.
Auction 806 | Lot: 6698 | Mar 9, 2003

Sold For: $6,612.50
Robert Crumb - Original Illustration (1966). A large, dark San Francisco-like cityscape graces this magnificent piece. With Victorian houses, fog and traffic, you can almost feel the streets beneath your feet. Though this was done for a New York art show in 1966, it was also later published in the Yellow Dog and in the Crumb sketchbooks by Fantagraphics. There is light use of white-out and tape marks on the edges from framing. The overall size of this image is 14.5" x 18". A unique cityscape for the still life collector and art collector alike.
Auction 806 | Lot: 7117 | Mar 9, 2003

Sold For: $6,440.00
Mike Zeck and John Beatty - Original Art for Marvel Super Heroes Secret Wars #11 Cover and Complete Story, "And Dust to Dust" (Marvel, 1985). The world versus Dr. Doom is the subject of this eleventh issue of a twelve-issue limited series written by Jim Shooter. Mike Zeck delivers a potent mix of power and raw emotion in his pencils, perfectly capturing the human quality of these larger-than-life characters. With John Beatty's rich inks, the art practically crackles off the page. Beatty is truly a master at the craft of laying line to paper. Cameos by most of the major Marvel characters make this issue a stand-out. Overall page size is 11" x 17" with an image area of 10" x 15". Bright white paper with a clean, clear line. Great stuff!
Auction 806 | Lot: 7089 | Mar 9, 2003

Sold For: $6,325.00
Ken Kelly - Original Oil Painting "El Borok" (undated). Depicting a mighty warrior in the throes of battle, one can almost hear the clang of steel on steel and feel the hot desert air as the viewer is pulled into this masterful rendering. Measuring a massive 32.5" x 42.5" and in excellent condition, this piece appeals to the adventurer in all of us.
Auction 806 | Lot: 6897 | Mar 9, 2003

Sold For: $6,037.50
Robert Crumb - Original Illustration for Art and Beauty Magazine, (Kitchen Sink Press, 1996). Crumb shows his fascination with not just big women, but strong women as well in this piece. Sexy and strong, you can feel her muscles ripple in this full page illustration. With little use of white-out, and great quotes on the page, this 11" x 14" piece will look great on some lucky bidder's wall.
Auction 806 | Lot: 7102 | Mar 9, 2003

Sold For: $6,037.50
Gil Kane and Sid Greene - Original Cover Art for The Atom #37 (DC, 1968). Major Mynah, a talking Mynah bird that Ray Palmer kept in a cage as his personal transportation while shrunk as the Atom, gets him into some major trouble in this weird, wild cover from 1968. Pencilled by vet Gil Kane, and inked with finesse by Sid Greene, this impressive Silver Age cover is the first appearance of the Major Mynah character. Owning just an ordinary bird is not enough for the Atom, who has Hawkman outfit it with a pair of artificial wings powered by a cosmic-ray motor, which enables it to fly faster than the fastest birds. The overall page size is 11.5" x 17" with an image area of 10" x 15". This piece is in excellent condition with very little aging and the slightest bit of yellowing around the crop marks on all four sides. A soaring example of Silver Age superstar talent.
Auction 806 | Lot: 6893 | Mar 9, 2003

Sold For: $5,750.00
Robert Crumb - Original Art, Complete 1-page Story for The East Village Other, "Western Man" (East Village Other, 1967). A lot of today's top underground artists got their start in college and independent newspapers, with Crumb being no exception. This piece represents one of his earliest published works available on the market today. Dated 11/15/67, "Western Man" bears a striking resemblance to LBJ. This page was also later reprinted in R. Crumb's Head Comix. The panels on the page seem to have been drawn individually, then glued to a larger page, so some panels have slight glue marks around them. Still, this page, measuring 8" x 14", is very early and a great addition to any Crumb collection.
Auction 806 | Lot: 7101 | Mar 9, 2003

Sold For: $5,290.00
Matt Wagner - Original Back Cover Art for Comico Black Book (Comico, 1987). Grendel is ready for the night in this incredible piece by Matt Wagner. Done in pastel pencil on black paper this is a beautiful rendition of Matt's first creation. Considering his immense popularity with collectors this is probably his earliest cover that does not currently reside in a private collection. Tape is used to form the borders on the paper, the image area is 14" x 16" with an overall size of 16" x 19". This piece would easily be the cornerstone to any modern original art collection!
Auction 806 | Lot: 7062 | Mar 9, 2003

Sold For: $5,060.00
Curt Swan and Neal Adams - Original Cover Art for Action Comics #378 (DC, 1969). A titanic collaboration between two "Super" artists, this is a beautiful example of what made DC Silver Age comics great. With Swan's unerring sense of layout and composition, and Adam's lush and dynamic inking, this cover was an instant classic from the moment it was created. Measuring approximately 11.5" x 17.5" overall, the art is in excellent condition. The logos and type are all stats, but all the rest of this killer cover is purely original. An exceptional offering for any fan of Silver Age goodness.
Auction 806 | Lot: 7021 | Mar 9, 2003

Sold For: $4,715.00
Joe Orlando - Original Art for Weird Science #15, Complete 7-page Story, "Bum Steer" (EC, 1952). Some of the most bizarre aliens ever to appear in any EC comic (they look like centaurs with plant-like arms, horns, and a mane of luxurious hair) populate this blunt cautionary tale about cowboys being kidnapped to an alien planet where they suspect their ultimate fate may be eerily similar to the cattle they left behind on Earth... Orlando is an underrated EC artist, and this story is a lovely example of his solid work for the company. He makes the outlandish aliens believable, and beautifully renders the raven-haired woman the aliens use as bait. This 7-page story is exceptionally clean, with very little tanning, and only two paste-up corrections on page six. Seven pages, measuring 15" x 22" each.
Auction 806 | Lot: 6956 | Mar 9, 2003

Sold For: $4,312.50
Larry Lieber - Original Comic Strip Art for The Amazing Spider-Man Daily, Lot of 100 (King Features Syndicate, 1990s). Direct from Stan Lee himself, this stupendous stack of Spidey strips are sure to excite any true believing Marvelite. Among the startling stand-outs in this stack of strips are several that recall Daredevil's origin. Several strips from the "Spidey Sneakers" story line are included, (in which Spider-Man decided to try to cash in by marketing a line of Spidey-themed shoes). Rodney Dangerfield makes a cute one panel cameo. And there's even a few strips featuring a young cartoonist who's working at his Uncle's publishing company - shades of Stan the Man himself! Other highlights are exciting appearances by Doctor Doom, Doctor Strange, the mutant Beast, lovely Mary Jane, and more! This lot is a great way to quickly add a big, bold batch of original art to your collection. Most of these strips do not have Spider-Man in costume, but as an added bonus stats of strips that retell Spidey's origin, with art by John Romita, are included. How could anyone pass up such an outstanding opportunity? The strips measure 13.25" x 4.25" and are in excellent condition. Excelsior!
Auction 806 | Lot: 6681 | Mar 9, 2003

Sold For: $4,140.00
Larry Lieber - Original Comic Strip Art for The Amazing Spider-Man Daily, Lot of 100 (King Features Syndicate). Face front, true believer! We've got a real deal for you here. Like the other lot of 100 dailies this batch doesn't have a lot of Spidey in costume, but there's a bonus of 10 stat strips retelling of Spidey's origin with drawn with flair by "Jovial" John Romita. And of course the original strips have all the action, adventure, romance, tension, intrigue and social relevance that you've come to expect from the pens of Stan "The Man" Lee and his brother Larry. Several strips feature one of the original X-Men, the mutant Beast, who even takes a trip to the X-Men's mansion. The criminal Kingpin of crime makes a couple of murderous appearances, and there are several strips telling the tragic story of J. Jonah Jameson's astronaut son. And there's plenty of Peter's blushing bride Mary Jane too. This glorious group of Spidery goodness measure up at 4.25" x 13.25" and are all in excellent condition. 'nuff said!
Auction 806 | Lot: 6682 | Mar 9, 2003

Sold For: $4,025.00
John Romita and Ron Lim - Original Cover Art for Spider-Man Wedding trade paperback (Marvel, 1992). This great piece is the front AND the back cover to the collected stories of Peter Parker and Mary Jane Watson's wedding. This cool cover features renderings of many marvelous Marvel characters, including the Thing, Doctor Octopus, Captain America, Aunt May, and an awe-inspiring rendition of Spider-Man carrying his lovely bride. In great condition, with only a few spots of white-out and some very light blue lines and pencil marks, the piece measures approximately 23" x 16" and is suitable for framing.
Auction 806 | Lot: 6983 | Mar 9, 2003

Sold For: $4,025.00

Make Offer to Owner
$12,600 or more
Alex Raymond - Original Comic Strip Art for Rip Kirby Daily dated 1/13/51(King Features, 1951). All Alex Raymond work is memorable but this one particularly so as it introduces several new characters. This page has large portraits of "Two Detectives", "Rip Kirby", "Joe Seven", "The Widow" and "Wilfred Cuttle." This is a museum quality piece that would look great framed over your mantel. The piece measures 20.5" x 7" and is in great shape.
Auction 806 | Lot: 6693 | Mar 9, 2003

Sold For: $3,680.00
John Romita - Original Cover for Marvel Quarterly Report #3 (Marvel, 1991). When Marvel floated on the Stock Exchange in 1991, they issued their interim quarterly financial reports in the form of 4 or 6 page comic books, which were distributed to all shareholders. They were published for the 1st, 2nd and 3rd quarters of the year, with the 4th Quarter obviously being the full Annual Report. All were comic sized, with the exception of the three 1993 quarterly reports, which were magazine format. Offered here is the 3rd Quarter report from 1991, with a cover drawn by famed Spidey artist John Romita, Sr. Romita renders the Arachnid Avenger swinging in a low wide arc over the New York Stock Exchange, holding a copy of the Wall Street Journal. Loaded with numerous background details, he really pulled out all the stops on this one! Incredibly clean and bright, this illustration has an image area of approximately 10" x 15" on an 11" x 17" piece of bristol board. Includes a hand-painted color guide for the cover.
Auction 806 | Lot: 6984 | Mar 9, 2003

Sold For: $3,565.00
Rafael Auraleon - Original Cover Art for Vampirella #22 (Warren Pub., 1973). It's Vampire vs. Vampire in the House of the Lord...and only one can survive! As two incredulous monks look on, a raven-tressed beauty takes on a tux-clad demon in a struggle that only one can win. Auraleon was one of Warren's mainstay artists during the 1970's, contributing a plethora of gorgeous covers and interiors (this particular cover illuminates the story Cry of the Dhampir, which he illustrated as well). Attractively framed and matted, this piece is in excellent condition, with an approximate image area of 12" x 16.5". A copy of Vampirella #22 is included with this lot.
Auction 806 | Lot: 6719 | Mar 9, 2003

Sold For: $3,480.00
Frank Frazetta - Original Comic Strip Art for Johnny Comet daily, Dated 2/7/52 (McNaught Syndicate, 1952). This absolutely astounding Johnny Comet strip shows Frank Frazetta's absolute mastery of pen and ink. Note the incredible detail and mind boggling brilliance in the first panel as the car careens out of control, and the last panel where it crashes in dramatic conclusion. Frazetta's rendering of the force of the impact is truly awe-inspiring. The smoke, the flames, the wheels buckling, the helmet flying and the glass splintering...few other artists are able to capture action and drama in such a powerful way. The piece, which is signed, is in excellent condition and measures approximately 23" x 8". There are some minor blemishes but, nothing to take away from the prowess of the master's brush strokes.
Auction 806 | Lot: 6664 | Mar 9, 2003

Sold For: $3,450.00
Bob Montana - Original Comic Strip Art for Archie (McClure, 1946). In this early (the eleventh!) syndicated Archie strip, Betty ensnares our hero, Archie Andrews, with her feminine wiles. America's favorite teenager never had a chance! The strip also features a nice shot of Jughead. Bob Montana art is very scarce and very desirable, as he is credited as the creator of Archie. The condition of the page is very fine with some erased editorial markings in the margins. Overall size is approximately 8"x 23". Image size is approximately 5" x 19".
Auction 806 | Lot: 6687 | Mar 9, 2003

Sold For: $3,450.00
Robert Crumb - Original Illustration for Art and Beauty Magazine (Kitchen Sink Press, 1996). The sexy title page to Crumbs 1996 opus, Art and Beauty Magazine, shows the artist hunched over studying one of his big boned gals. Lovingly rendered as an homage to the Rubenesque beauties that he has spent decades honoring, it is hard to imagine a piece that more definitively defines Crumb as an artist. With almost no use of white-out on this page, measuring 11" x 14", it would be the center of a great underground art collection.
Auction 806 | Lot: 7103 | Mar 9, 2003

Sold For: $3,450.00
John Buscema and Neal Adams - Original Cover Art for Tarzan #11 (Marvel, 1978). A definitive view of the King of the Apes if ever there was one. Tarzan triumphs in this stunning cover pencilled by John Buscema and inked by Neal Adams. Not only do we have Tarzan swinging through the trees with Jane under his arm, we also have his ape friends and, of course, the evil jungle invaders, bent on Tarzan's destruction. Its amazing that these two comic giants were able to get so much into this 10" x 15" image area. Very clean page with tight inks and just the slightest aging along the extreme edges. Signed by Neal Adams at the bottom.
Auction 806 | Lot: 6737 | Mar 9, 2003

Sold For: $3,220.00
John Byrne and Terry Austin - Original Art for X-Men #128, page 30, "The Action of the Tiger!" (Marvel, ). The final page of this story features a grieving Moira MacTaggert being consoled by Colossus while the X-Men look on. John Byrne and Terry Austin, the two artists that defined this series for a generation of fans, are just getting their groove on in this trail-blazing issue. Significant for its historical value as well as its beauty, this page has all the earmarks of a classic. Overall size is approximately 16" x 22" with an image area of 15" x 21". There is some slight overall yellowing and use of white out, but this page is still a beauty!
Auction 806 | Lot: 6744 | Mar 9, 2003

Sold For: $3,220.00
Boris Vallejo - Original Painting "Lady Demon" (Unpublished, 1995). Boris Vallejo started off as the son of a distinguished lawyer in Lima, Peru. A series of early career choices didn't quite work out, including aspirations to be a violinist and a doctor. He eventually went to art college where he found his true calling, fortunately for all of us. His prowess quickly showed itself, and it wasn't long before he decided to become a fantasy illustrator. He painted numerous covers for Warren's publishing empire including covers for Vampirella, Eerie and Creepy. As one of the most prolific fantasy and science fiction artists, having painted some 300 pieces by the end of the 1970s, Boris has relentlessly honed his craft at drawing barbarians, monsters, and incredibly beautiful women. The piece offered here is a masterpiece showing his exquisite ability to render the female form in all of its glory and seductiveness. Boris' paintings are always full of animal power and magnetism like the one in this lot. He has always found new ways to titillate with his paintings. Note the volcanos erupting in the background, the skulls in the foreground and Lady Demon's beautiful long-flowing white locks. While the demoness is muscular, she is also incredibly erotic. The question that remains is simply: "Is this creature wrapped in the throes of utter triumph or howling in sheer ecstasy?" Or, perhaps both? This stunning piece is in pristine condition and comes handsomely framed. The image area measures approximately 14" x 21".
Auction 806 | Lot: 7055 | Mar 9, 2003

Sold For: $3,220.00
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Robert Crumb - Original Sketches (undated). Crumb explores his kinkier side with this fantasy sketch. In ink on lined paper we have a skinny guy getting over on a mother and daughter. The girl in pigtails bears a striking resemblance to Crumbs "Honeybunch Kaminski" character. No matter how hardcore his subject, Crumb always manages to inject a sly sense of humor into his work. There are small tape marks on the back and minor creases at the right edge. The image measures 8.5" x 6.5" with an overall size of 9.5" x 7.5". Not for the faint of heart, this piece will look good in any art collection.
Auction 806 | Lot: 7105 | Mar 9, 2003

Sold For: $3,220.00
Joe Orlando - Original Art for Shock SuspenStories #6, Complete 6-page Story, "Not So Tough!" (EC, 1952). Joe Orlando renders a master science fiction SuspenStory. Orlando, an EC standby artist, is a virtuoso at drawing spaceships, their interiors, and the ragged and tough men inside of them. This wonderful 6-page story just begs to be framed and displayed. Each page is drawn on EC's own stock board and overall, each page is in excellent condition. Only small dabs of white-out are sparingly used. A few pencil marks here and there along with the stray blue pencil mark in the margin are the only blemishes of note. Each page measures approximately 15" x 22".
Auction 806 | Lot: 6955 | Mar 9, 2003

Sold For: $3,162.50
Ken Kelly - Original Oil Painting, "Daughter of Erlik Khan" (1977). A large-scale piece by acclaimed fantasy painter Ken Kelly, this piece was used as the cover for a Berkley Books edition, as well as being featured as a calendar plate. Measuring an impressive 30" x 40", this dynamic oil on canvas is ready to be the centerpiece of any original art collection.
Auction 806 | Lot: 6896 | Mar 9, 2003

Sold For: $2,990.00
Sheldon Moldoff and Charles Paris - Original Splash Page Art for Batman #144, page 1 (DC, 1961). Watch Out! Bat-Girl's back... and so is Bat-Mite! When those two are around, anything can happen... and usually does! As if that isn't enough, there is also a cameo appearance by Robin, the Boy Wonder. A brilliant splash page from the Silver Age, pencilled by Sheldon Moldoff and inked by Charles Paris. The sweet, clean line work, and open, uncluttered layout, marks this page as the work of true pros. This page is in great condition with only some very slight age coloring over the entire page, and a thin line travelling down the length of the right side of the art, but it doesn't detract in the least. The upper left portion of the art has been replaced with a color copy of the original logo art, and some of the words have been touched up to replace the missing section. Overall size is approximately 14" x 21" with an image area of 13" x 18". Signed by Sheldon Moldoff at the bottom left.
Auction 806 | Lot: 6940 | Mar 9, 2003

Sold For: $2,990.00

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