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Charles Schulz - Original Comic Strip Art for Peanuts Sunday 6-2-52 (United Features Syndicate, 1952). This wonderful, witty example of early Peanuts art offers a funny send-up of the violence to be found at every local newsstand in America, circa 1950s. Good Ol' Charlie Brown, depressed and discouraged as always, needs a pick-me-up, the kind only a good gore-filled comic book can deliver. In the process of choosing a comic, he manages to lay waste to the entire rack! The incredibly clean line work of Schulz is truly a thing of beauty, and we can envision the lucky high bidder spending hours studying every brushstroke on this masterpiece. Comic art for the "funnypapers" doesn't get any better than this! The art has been professionally double-matted and framed to a size of 32" x 24.5", with an image area of 23" x 15.5". The art is in excellent condition.
Auction 810 | Lot: 1099 | Apr 4, 2004

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Captain America Comics #1 (Timely, 1941) CGC VF 8.0 Off-white to white pages. With a sock to Hitler's jaw, Captain America makes his auspicious comics debut on this cover by the then-fledgling artist who would be "King," Jack Kirby. One of the giants in comics, Kirby's creations and distinctive art would continue until his death over 50 years after his most famous character blazed onto the scene in 1941. Breathtaking in its scope and audacity, Cap is then, now, and forever America's ultimate super-patriot. This issue also features first appearances of Cap's sidekick, Bucky, and of his nemesis, the Red Skull. This unrestored book ranks high among the finest copies CGC lists in the most current census available. Just four unrestored copies have earned higher grades from CGC to date, only one of which exceeded VF/NM 9.0, making our offering particularly enticing to the serious collector. Overstreet 2003 VF 8.0 value = $49,060.
Auction 810 | Lot: 2032 | Apr 4, 2004

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The Brave and the Bold #28 Justice League of America (DC, 1960) CGC NM 9.4 Off-white pages. The Silver Age of comics began with DC's decision to revive and update the concepts that made the Golden Age so successful. Here's one of their best revivals, in this "try-out" issue of Brave and the Bold. The transformation of the All Star Comics team, the Justice Society, into the more modern Justice League was truly inspired, and proved to be enormously popular with the current crop of comic book readers, most of whom were too young to remember the originals. After only two more Brave and the Bold appearances, the group was awarded their own series, which was a top seller throughout the 1960s, serving as inspiration for many more heroic teams to come -- including those at rival companies like Marvel. As Silver Age key issues go, this one is hard to beat. And this copy is the one to beat as well; currently, it remains the highest graded copy of issue #28 certified by CGC, with the next highest copy a modest VF/NM 9.0. Overstreet 2003 NM 9.4 value = $7,500.
Auction 810 | Lot: 3130 | Apr 4, 2004

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Detective Comics #27 (DC, 1939) CGC VG- 3.5 Cream to off-white pages. Iconic and awe-inspiring, this groundbreaking issue currently ranks behind only Action Comics #1 on Overstreet's Top 100 Golden Age Comics list. The Photo-Journal Guide to Comic Books identifies this as an "uncommon" issue, and it's awfully difficult to find in nicer condition than this offering. We have previously sold just two unrestored copies, both of which bore lower CGC grades than this. Batman's creator, Bob Kane, just 22 years old when this issue hit the stands, handled cover and interior art on this issue which introduced the Caped Crusader and Commissioner Gordon. Even at this grade, CGC has certified just four other unrestored copies with higher grades, none higher than Very Fine. CGC notes, "2 small pieces of tape on spine." Overstreet 2003 VG 4.0 value = $62,000.
Auction 810 | Lot: 3054 | Apr 4, 2004

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Superman Comics #nn Ashcan (DC, 1939) CGC VF/NM 9.0 Off-white pages. For any Superman title collector, this is the ultimate item to acquire. This ashcan features the cover art from Action Comics #7 (which was rendered by Joe Siegel and Jerry Shuster) and a partial interior from Action Comics #8. DC produced Ashcans to secure the trademark and copyright to the title and logo. Hence, this is the first time that Superman Comics appeared on a published cover anywhere in history. Accordingly, this item might theoretically be valued much higher than the actual Superman #1 that got newsstand distribution. There are only two known copies of this ashcan, and both were purchased from Sol Harrison who worked his way up from a production assistant to President at DC comics. Again, as only a handful of ashcans were needed, they were produced by hand. The cover stock used is velox paper, which is the same material used to shoot the completed artwork of a regular comic book. Velox paper is noted for its ability to create crisp and clear lines from the artwork. Consequently, the detail on ashcans is unsurpassed. This ultimate Superman collectible has staples that are about an inch off center that go clean through to the other side of the comic. The cover is hand trimmed with nary a detracting factor. Once the importance of ashcans are fully realized by the marketplace, their values should soar.
Auction 810 | Lot: 3106 | Apr 4, 2004

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Winsor McCay - Original Comic Strip Art for Little Nemo in Slumberland Sunday dated 1909 (New York Herald, 1909). Since the debut of newspaper comics around the dawn of the Twentieth Century, there have been many memorable strips. Some, like George Herriman's Krazy Kat, are revered for their literary qualities. Others, like Walt Kelly's Pogo, are remembered for their incisive look at contemporary politics and society, or like Peanuts for their gentle good humor. For sheer artistic quality and imagination, none can compare to Winsor McCay's masterwork, Little Nemo in Slumberland. The story of a young boy and his wonderful adventures in the land of dreams, McCay painted fabulous vistas of color and light on the comics page that were far, far ahead of his time. His delicate linework, unerring sense of color, and boundless imagination combined to create an artistic and engaging strip that has not yet seen its equal. In 1966, McCay's work was the subject of an exhibit at the New York Metropolitan Museum of Art, and noted illustrator Maurice Sendak has cited McCay's work as a major influence on his own style. High praise indeed for a "mere comic strip artist." The stunning example offered here, showing Nemo, Flip, and a friend escaping from a rising volcano, is typical of McCay's work on this strip and the related Dreams of a Rarebit Fiend, where a seemingly small event blossoms into a crisis of brobdingnagian proportions. Created in two panels, each with an image area of approximately 21.5" x 13.75" and in excellent condition, this piece represents the high water mark in comic strip collecting. It is signed by McCay in the last panel.
Auction 810 | Lot: 1076 | Apr 4, 2004

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Batman #1 (DC, 1940) CGC FN+ 6.5 Off-white pages. One of the most coveted comics of the Golden Age, Batman #1 offers many reasons for its vast popularity, including the first appearance of comicdom's quintessential villain, the Joker, as well as the Catwoman, the first villainess in comics. Also included is a non-Robin story intended for use in Detective #38. Batman's origin is retold in this issue, and the Joker's origin is told for the first time. Ranked as the sixth most valuable Golden Age comic by Overstreet, this book is elusive in grades even this high. Just a half-dozen unrestored copies have earned higher grades from CGC to date. Overstreet 2003 FN 6.0 value = $20,300.
Auction 810 | Lot: 2016 | Apr 4, 2004

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The Flash #105 (DC, 1959) CGC NM- 9.2 Off-white to white pages. The Scarlet Speedster, who launched the Silver Age of Comics with his tryout appearances in Showcase, gets his own title, with the numbering picking up where the Golden Age Flash Comics left off. Carmine Infantino provided the cover and interior art, and made a serious bid at becoming comics' finest artist with his work on this title. The Mirror Master makes his first appearance, and the Flash's origin is retold. This beautiful copy is one of just two at this grade to be certified by CGC to date, with none yet graded higher. Overstreet 2003 NM 9.4 value = $7,500.
Auction 810 | Lot: 3136 | Apr 4, 2004

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Justice League of America #1 (DC, 1960) CGC NM- 9.2 Off-white pages. Murphy Anderson's dramatic cover ranks high among the greatest of all Silver Age DCs. For those too young to remember the Golden Age Justice Society (and even for the oldsters who could), this premiere issue was greeted with enthusiastic anticipation. Mike Sekowsky's career-defining stint on the title's interior art continued from the Brave and the Bold tryout issues. This is an extremely elusive issue to find in high grade. Think we're just hypin'? Wrong, Despero-face! CGC has certified only one copy (of 119 unrestored copies certified to date) nicer, at NM 9.4, and at Heritage we haven't offered a copy nicer than VF 8.0 among 16 previous copies auctioned. One of the blockbusters of our sale! Overstreet 2003 NM 9.4 value = $5,300.
Auction 810 | Lot: 3155 | Apr 4, 2004

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The Human Torch 2 (#1) (Timely, 1940) CGC VF 8.0 Off-white pages. That's right! It's bold! It's bad! It's the third biggest (i.e., Overstreet value) Timely book of all, ranking number 24 among all Golden Age comic books, and moving up the charts! It's fall of 1940, and the Human Torch, Toro, and the Sub-Mariner are already taking on Nazis in this Alex Schomburg cover. The Torch by Carl Burgos, Subby by Bill Everett; it doesn't get any Timelier than this. The origin and intro of Toro is featured in this Gerber "uncommon" book, our copy of which currently ranks behind only two copies that CGC has certified to date. And one of those is barely ahead at VF+ 8.5. Overstreet 2003 VF 8.0 value = $20,000.
Auction 810 | Lot: 2070 | Apr 4, 2004

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Jack Burnley and Charles Paris - Original Comic Strip Art for Batman Sunday dated 2-10-46 (McClure Syndicate, 1946). The "grotesque bird of ill omen," the perfidious Penguin, is at it again in this ultra-rare Batman Sunday strip signed by the Dark Knight Detective's creator, Bob Kane (although the actual art was done by Kane Studio members Jack Burnley and Charles Paris). Batman strip art comes to market very rarely, with Sundays being virtually nonexistent. This is an exceptional piece, with great shots of Batman, Robin, and the Penguin. In excellent condition, the piece measures approximately 20.25" x 26.5", with slight use of white-out. The Bat-logo in the first panel is a stat, but the rest is all original art. Dailies of this vintage have commanded five-figure prices at auction in the past; this is a rare offering indeed.
Auction 810 | Lot: 1010 | Apr 4, 2004

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Batman #5 Double Cover (DC, 1941) CGC NM+ 9.6 White pages. These earliest issues of the Caped Crusader need little hype; Batman is a perennial favorite, and Bob Kane's cover and interior art depict him as only the creator could. The Batmobile first gets its bat-head front this issue, and the unique ride remained timelessly, stylishly cool for decades. This copy impresses at first glance; after all, the cover is VF/NM 9.0, and CGC has awarded a higher grade for the issue on only two occasions. One of those occasions was this very book! Double-talk? Hardly. Double Cover? Now you've got it! As nice as the outside looks, CGC notes, "1st cover 9.0, interior cover 9.6." It's the finest copy known by CGC at this writing. Overstreet 2003 NM 9.4 value = $6,300.
Auction 810 | Lot: 2018 | Apr 4, 2004

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Hal Foster - Original Art for Tarzan Sunday dated 4-2-33 (United Features Syndicate, 1933). A fine draftsman and a gifted storyteller, Hal Foster brought a sense of realism to the comics page that had seldom, if ever, been seen before. With an eye for detail and an artist's knowledge of anatomy and perspective, one could almost smell the jungle as Tarzan swung through the trees in search of danger and adventure. In this page, Tarzan rushes to the aid of the Princess, as Ptok the Great Ape hurls her to the ground. There are no better examples of Hal Foster's work on Tarzan than this! Foster, who in his earlier life had worked as everything from a newspaper boy, to a hunting guide, to a gold prospector, brought his wealth of true-life experience to the feature, which thrilled audiences for several years, before turning the strip over to the equally-talented Burne Hogarth in 1937, when Foster moved on to Prince Valiant. This work of art presents an image area of approximately 27" x 20", and is in excellent condition. Title logos are stats, all else is original. The piece is signed by Foster in the last panel.
Auction 810 | Lot: 1039 | Apr 4, 2004

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Adventure Comics #61 Mile High pedigree (DC, 1941) CGC Apparent NM 9.4 Slight (P) White pages. Starman makes his first appearance in this issue, which begins a 12 issue run of Starman covers drawn by the great Jack Burnley. This key Golden Age DC comic also has Burnley art on Starman's debut story inside, along with artwork by such Golden Age luminaries as Creig Flessel for the Sandman story, and Bernard Baily on this issue's Hourman tale. Jerry Siegel's Federal Men are also in this issue. We would be remiss if we failed to drive home the fact that this gem of a comic is the one and only Mile High copy -- and it's got the looks (and CGC label) to prove it. Called "scarce" and rated a "7" by Ernie Gerber's The Photo-Journal Guide to Comic Books, there are only 21 to 50 copies estimated to exist. This is the highest CGC-graded copy of this issue to date, and a grand total of only 10 copies have currently been certified by CGC. For perspective, the highest graded unrestored copy only earned a grade of VF+. Upon inspection, this Mile High beauty appears perfect, but slight professional restoration earned this great comic a purple label; CGC notes, "Restoration includes: moderate amount of color touch on spine, tiny tear seal." Overstreet 2003 GD 2.0 value = $1,033; VG 4.0 value = $2,066; FN 6.0 value = $3,100; VF 8.0 value = $7,748; VF/NM 9.0 value = $11,624; NM 9.4 value = $15,500.
Auction 810 | Lot: 3018 | Apr 4, 2004

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Whiz Comics #2 (#1) (Fawcett, 1940) CGC FN- 5.5 Off-white to white pages. The Lambert Collection affords yet another super-key from the Golden Age of Comics, the milestone issue featuring the origin and the first appearance of Superman's most formidable rival (in sales anyway), Captain Marvel. No issue number is indicated on the cover of this premiere issue of Whiz Comics, but the inside indicia specifies "#2." So, if this is the first issue, what's with the "#2"? Very simply "#1" belongs to both Flash #1 (not the DC character, though) and Thrill Comics #1. Huh? Just trust us; this is the first issue of Whiz! Incredibly, our mid-grade copy is the second-highest graded unrestored copy CGC has certified to date of the issue. Overstreet 2003 FN 6.0 value = $21,000.
Auction 810 | Lot: 2212 | Apr 4, 2004

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Wonder Woman #1 Crowley pedigree (DC, 1942) CGC VF 8.0 Off-white to white pages. Following her debut in All-Star Comics #8, Wonder Woman had to prove herself in the Sensation Comics title before being given a book entirely devoted to her... and even named after her. This significant DC seldom shows up for sale in unrestored grades above FN. The origin of Wonder Woman is retold in this key DC, and in more detail than the story in All-Star #8. H. G. Peter, the artist most associated with Golden Age Wonder Woman issues, lends his distinctive, instantly recognizable style to the most important female heroine in all of comics. There are currently only two unrestored copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $15,000.
Auction 810 | Lot: 3108 | Apr 4, 2004

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Sheldon Moldoff - Original Cover Art for Batman #157 (DC, 1963). Looks like "helpful" Vicki Vale is about to assist Mirror Man in discovering the Dark Knight's secret identity! The pre-"New Look" Batman makes one of his last appearances on this cool cover by Sheldon Moldoff, the premier Batman artist of the early 1960s. Moldoff, whose career at DC stretches back to the early days of the Golden Age, has signed this piece in the right margin. Drawn on a 15" x 20" board, this piece is in excellent condition save for a few light tape and rubber cement stains. The stats and indicia all appear to be original.
Auction 810 | Lot: 1398 | Apr 4, 2004

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Neal Adams - Original Cover Art for Deadly Hands of Kung-Fu #2 (Marvel, 1974). Back when everyone was "kung-fu crazy" as a result of the hit television series starring David Carradine, Marvel's mighty magazine, Deadly Hands of Kung-Fu, was on a lot of reading lists! The distinctive cover to issue #2, drawn by Neal Adams, is our offering in this lot. This fantastic piece is sure to generate intense bidding, as it has been "off the market" in private hands for many years now. Despite the Overstreet claim that this is a "painted" cover, it is actually inked and colored (by an unidentified colorist -- perhaps Adams himself) in the tradition of Adams' famous superhero art. It is truly a powerful illustration, with trademark Adams action in every brushstroke. It's a large signed piece, measuring approximately 14.5" x 23", and is in excellent condition. And as before, it's likely to wind up in a private collection, with little chance of re-entering the market anytime soon. Make sure your collection becomes its next home!
Auction 810 | Lot: 1165 | Apr 4, 2004

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Alex Raymond - Original Comic Strip Art for Flash Gordon Sunday dated 2-6-38 (King Features Syndicate, 1938). One of the finest comic strip artists ever to touch pen to paper, Alex Raymond was a master draftsman and a remarkable storyteller. Created in an attempt to cash in on the success of Buck Rogers, Raymond's Flash Gordon soon outpaced its 25th-century rival, becoming an even bigger, and longer-lasting, strip. Raymond also created Jungle Jim, which eventually ran as a "topper" to the Flash Gordon strip. Finding two matching pieces, as is the case here, is incredibly rare and desirable, making this a unique and enticing offering for any strip fan. The Jungle Jim topper has an image area of approximately 19.75" x 9.5", while the Flash Gordon piece measures approximately 19.5" x 15.5". Both pieces are in excellent condition; the Flash is signed by Raymond, while the Jungle Jim bears the artist's stylized "R."
Auction 810 | Lot: 1094 | Apr 4, 2004

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J.R.R. Tolkien - The Hobbit, First Edition, First Impression, 1937, London: George Allen & Unwin, Ltd. 8vo, green decorated cloth binding, map endpapers, illustrations by the author, 301 pages. Condition: Very Good to Fine with no discernible markings or tears. Dust Jacket: Good with some chipping at top and some staining and discoloration. 1.5" tear from top right front, and a missing piece approximately 2.75" x 1" at the lower left front. Small piece missing from top rear spine, approximately .75" x .5" and several small tears and nicks along the bottom. The word "Dodgeson" has been hand-corrected, with an inkmark through the "e", and the front flap, which is unclipped, bears the correct price of "7s. 6d. NET". Taken together, these indicate that a first impression dustjacket accompanies this rare first edition book.Tolkien wrote the first line of The Hobbit, "In a hole in the ground there lived a Hobbit," on a blank sheet while correcting exam papers in school. After several years of development (in which Tolkien would tell parts of the story to his children), the book was submitted to publisher Allen & Unwin, Ltd in 1936. Chairman Stanley Unwin greenlighted the project on the advice of his ten-year-old son, Rayner, who wrote, "It is good and should appeal to all children between the ages of five and nine." Released on September 21, 1937 in a limited edition of 1,500 copies, the book sold out completely in a mere three months and has been in print ever since. Of particular interest to collectors are the differences between the first edition of this work and subsequent editions. A compulsive rewriter, Tolkien was rarely satisfied with his work, and often went back and revised passages. One of the more well-known examples of the "niggling", as Tolkien called it, is in the Riddle Game played between Bilbo and Gollum, which is markedly different in the first edition. As Tolkien worked on The Lord of The Rings, he found it necessary to make certain alterations in h
Auction 810 | Lot: 2641 | Apr 4, 2004

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Crypt of Terror #17 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Cream to off-white pages. A lone woman walks down a spooky, moonlit street. She hears a noise, sees a cat, but doesn't see the lycanthrope stalking her in the background. And so, Johnny Craig's cover launches this key book, not only the first issue of this title, but also the very first New Trend book to hit the stands. Formerly Crime Patrol, the title and format changed to horror with this issue. After just two more issues, this comic changed titles yet again, and became the legendary Tales from the Crypt. This is arguably the most important pre-Code horror comic book of all. Interior artists Craig and Al Feldstein ensured the success of the fledgling genre with their stunning art. This copy is as close to perfect as you're likely to find; CGC hasn't awarded a higher grade for this issue to date. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $3,600.
Auction 810 | Lot: 2255 | Apr 4, 2004

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Hal Foster - Original Comic Strip Art for Prince Valiant Sunday dated 12-17-44 (King Features Syndicate, 1944). Look up the word "stunning" in any dictionary, and you'll see a picture of this piece. Considered by many to be the finest adventure strip ever penned, Prince Valiant began in 1937, after Foster left Tarzan. Set in the Fifth Century world of King Arthur and the Knights of the Round Table, Val has fought the good fight for almost seventy years, in a strip that still runs today. Foster's eye for detail, his lush, almost photo-realistic rendering, and his obsessive insistence on historical accuracy, combined to create a strip that was a satisfying blend of stirring adventure and high fantasy. The piece offered here, complete with its rare Medieval Castle bottom, is an exceptional example of Foster's skill. Rendered in exacting detail, the strip is obviously a work of both love and high craftsmanship. Created in two panels, the top Valiant portion measures approximately 29" x 23" overall, and is signed by Foster in the last panel. The matching Medieval Castle portion measures approximately 29" x 11.5" overall, and is signed by Foster in the upper banner area. In excellent condition, this could easily serve as a showpiece in even the finest collection.
Auction 810 | Lot: 1038 | Apr 4, 2004

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Batman #23 (DC, 1944) CGC NM+ 9.6 Off-white pages. That grinning gangster the Joker never looked as good as he does on this Dick Sprang cover, which is remarkably well-preserved for a book now sixty years old! This black cover shows virtually no stress or wear, other than a slight rounding of the upper spine corner. And we all know how badly an all-black background on a comic this old can age with wear! Of the 43 copies currently residing in CGC's census report, only this beautiful specimen ranks as high, with the next-best copy coming in at VF/NM 9.0. You might want to know that in addition to the great Dick Sprang (many fans of the Dark Knight feel Sprang was the ultimate Bat-artist), there's also art by Jerry Robinson and Ray Burnley, and stories penned by Bill Finger and Don Cameron. But for this remarkable copy, the condition is the big news here. Your move, bidders. Overstreet 2003 NM 9.4 value = $2,500.
Auction 810 | Lot: 3037 | Apr 4, 2004

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Bob Kane - Original Comic Strip Art for Batman Daily dated 10-29-43 (DC Comics, Inc./McClure Syndicate, 1943). A very rare find indeed, this is the fifth strip from the introductory week of this historic comic, which includes a detailed cutaway view of the Batcave! Rendered in pen & ink and blue-pencil (to indicate shading), this piece measures approximately 24.5" x 9.5" overall, with an image area of approximately 22.75" x 5.75". In excellent condition, there is a paste-over missing in the final panel, so that the original text is visible. The art is signed by Bob Kane in the upper left, although Jerry Robinson's influence and contribution is clearly evident.
Auction 810 | Lot: 1066 | Apr 4, 2004

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Elzie Crisler Segar - Original Comic Strip Art for Popeye Sunday dated 11-25-34 (King Features Syndicate, 1934). It's every man for himself, as Popeye takes to the gridiron to try to teach the Gashouse Gang some "Feetball Ettykitt" as only a one-eyed sailorman can! From the boisterous pen of creator E.C. Segar, this study in cartoon mayhem gets off to a rollicking start and never looks back, as Popeye carries the ball for the eventual "touch me down." An absolutely priceless example of Segar's work, this comic masterpiece has an approximate image area of 20.5" x 16" and is in excellent condition. Signed by Segar in the next to last panel, any fan of Popeye or the game of football will treasure this vintage classic.
Auction 810 | Lot: 1104 | Apr 4, 2004

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Charles Schulz - Original Comic Strip Art for Peanuts Sunday dated 12-7-80 (United Features Syndicate, 1980). Snoopy spends a little quality time with his cute little buddy Woodstock in the great Sunday original from Charles Schulz. Peanuts Sunday originals are always a rare treat when they turn up on the market, and this example should generate lots of interest from collectors and fans of this beloved, and sadly missed strip. Don't miss your chance to own a wonderful piece of American comic strip art like this, or you may wind up as sad as little Woodstock feels in the final panel! Awww! Cute little guy! This piece measures 24" x 17", and is in excellent condition.
Auction 810 | Lot: 1161 | Apr 4, 2004

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Charles Schulz - Original Comic Strip Art for Peanuts Daily dated 12-2-53 (United Features Syndicate, 1953). Ask anyone to name the top 10 greatest comic strips of all time, and at the top of virtually every list, you'll no doubt find Charles Schulz's enduring and endearing creation, Peanuts. First syndicated in 1950, it has been the subject of comic books, animated cartoons, feature films, and even a hit Broadway musical. The piece offered here, featuring Charlie Brown and Patty, is a wonderful example of Schulz's trademark gentle humor. Original pieces from early in this strip's run are incredibly desirable among collectors, as so few seem to exist in private hands. With an image area of approximately 27" x 5" and in excellent condition, this will make an incredible addition to some lucky collector's hoard. Signed by the artist in the last panel.
Auction 810 | Lot: 1100 | Apr 4, 2004

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Jack Kirby and Neal Adams - Original Cover Art for Superman's Pal Jimmy Olsen #144 (DC, 1971). The penultimate Kirby/Adams cover from Jack's run on Jimmy Olsen, this is also one of the finest, with an iconic shot of Superman soaring over the Loch Ness-esque critter rising from the Deep Scottish Lake, while the Newsboy Legion tumbles out of their raft. No one could match Kirby for sheer power, but the Adams touch takes the work to a whole new level. There are relatively few Kirby/Adams collaborations, so you'd be wise not to ignore this rare opportunity. The artwork measures 11" x 17" and has been tastefully matted and framed. The art was signed by Kirby in the upper right quadrant, though the ink has faded somewhat. A knockout cover from two of the greatest talents ever to work in comics -- c'mon, what more do you want?!?
Auction 810 | Lot: 1347 | Apr 4, 2004

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Marvel Comics #1 (Timely, 1939) CGC FR/GD 1.5 Off-white to white pages. If you're like most of us, you haven't quite saved up enough moolah for a high-grade copy of this issue, or even a mid-grade copy. But, hey! This is the historical comic book that begat all Timelys, Atlases, and Marvels to come, ranked third in value among all comics ever, so a complete copy, even in our offered grade, is one big deal. Same blockbusting first appearances of the Human Torch, Sub-Mariner, Angel, and Ka-Zar by Carl Burgos, Bill Everett, and Paul Gustavson, in convenient lower priced form! CGC notes, "5 pieces of tape on cover, interior cover, and 1st wrap." Overstreet 2003 GD 2.0 value = $18,750.
Auction 810 | Lot: 2081 | Apr 4, 2004

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George Herriman - Original Comic Strip Art for Krazy Kat Sunday dated 3-25-34 (King Features Syndicate, 1934). One of the earliest proponents of "word jazz," a style of writing in which language is fluid and ignores the conventions of grammar, spelling, and tense, to create a unique sound, style, and rhythm, George Herriman birthed the unique characters of Kokonino County as fillers for two earlier strips, The Dingbat Family and The Family Upstairs. The lovelorn Krazy Kat, the brick-throwing Ignatz Mouse, and the ever-vigilant Offisa Pup delighted newspaper audiences for over three decades. Originally printed in the Hearst newspaper's Art & Drama section, rather than on their comics page, Krazy Kat was at once set off from its contemporaries, a distinction it retains to this day as one of the few comic strips recognized as true "art." The example offered here, built around a wildly improbable "brick gag," has an image area of approximately 18" x 20" and is in excellent condition. "Brick" strips are always highly prized by collectors, with this example being particularly nice. The piece is signed by Herriman in the last panel.
Auction 810 | Lot: 1062 | Apr 4, 2004

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Winsor McCay - Original Comic Strip Art for Dream of the Rarebit Fiend Sunday dated 1906 (New York Herald, 1906). Who would have thought that a little Welsh rarebit before bed could have such disastrous results? McCay was a master of the fantastic, ushering his readers into the bizarre world of dreams in which small events often blossomed into full-fledged cataclysms, as in this explosive strip. A gifted draftsman and a true visionary, McCay's work is still as vibrant and vital today as it was upon its initial publication. The piece offered here, with an approximate image area of 24.75" x 15.75", is in excellent condition, with only the slightest evidence of soiling to attest to its age. Signed "Silas" in the last panel (McCay's favorite nom du plume), this is an exceptional piece from one of America's greatest creative geniuses.
Auction 810 | Lot: 1075 | Apr 4, 2004

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Action Comics #4 (DC, 1938) CGC VF 8.0 Cream to off-white pages. Before Superman took over the covers of this title completely, Leo O'Mealia distinguished himself with covers like this. Just one other copy of #4, "uncommon" according to The Photo-Journal Guide to Comic Books, has earned a higher grade from CGC to date. We have offered copies of this 1938 issue on just a few prior occasions. Overstreet 2003 VF 8.0 value = $8,960.
Auction 810 | Lot: 3001 | Apr 4, 2004

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Superman #53 (DC, 1948) CGC NM 9.4 Off-white pages. Billed as the Tenth Anniversary Issue, this important book features the first real origin of Superman, filling in many details that would go on to become part of the character's legend. Actually, this is the third telling of the Man of Steel's beginnings, but this is the one that would become the one all future issues would follow. Artist Wayne Boring's classic cover makes this an instantly recognizable icon of twentieth century pop art. This incredible copy currently tops the CGC census, with the next highest grade being only VF/NM 9.0. If this book is on your dream list, hesitate not. Something this nice may not reappear for many years to come! Overstreet 2003 NM 9.4 value = $3,250.
Auction 810 | Lot: 3105 | Apr 4, 2004

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Al Taliaferro - Original Comic Strip Art for Donald Duck Sunday dated 2-23-40 (Walt Disney Productions/King Features Syndicate, 1940). Destined for stardom after his debut in 1934's "The Wise Little Hen," Donald Duck (uniquely voiced on-screen by the talented Clarence "Ducky" Nash) had a busy career on the silver screen before taking over the Silly Symphonies Sunday strip in 1939. The legendary Al Taliaferro contributed the art, racking up an impressive 30+ year run and becoming one of the foremost, and most beloved, "Duck" artists. The piece offered here, from the earliest days of the strip, features Donald, Daisy, and Donald's nephews Huey, Dewey, and Louie, as Donald tries to combat a rather odiferous problem (we particularly like the "Ancient Mariner Cheese" in the last panel). The page has an image area of approximately 23.5" x 15.5", and is in excellent condition. Jerry Weist, in his Comic Art Price Guide, Second Edition notes that Donald Duck strips from the 1939-1940 period are "rare," with less than 15 known to exist. Donald is an American cartoon icon, known and loved by several generations of fans. This is a unique opportunity to acquire one of his earliest appearances.
Auction 810 | Lot: 1117 | Apr 4, 2004

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Phil Davis - Original Comic Strip Art for Mandrake the Magician Sunday dated 9-13-36 (King Features Syndicate, 1936). What character, created and shopped around for ten years before being picked up, was the first costumed, superpowered force for justice on the comics page? If you said Superman, you're dead wrong. That distinction belongs to Mandrake the Magician, who began his crimebusting career a full four years before the Kryptonian-come-lately. Created by 19-year-old Lee Falk (who would also go on to create The Phantom), it took ten years for Mandrake to find a home with King Features Syndicate. Strong on scripting, but weak on artistic ability, Falk hired Phil Davis, a commercial artist, to draw the feature, and history was made. Davis' strong, stylish art, coupled with Falk's taut storylines, made Mandrake a favorite with readers. Aided by the giant Lothar, Mandrake has fought the good fight for over six decades. The strip offered here, a beautiful example of Davis' art deco stylings, has an image area of approximately 13.75" x 21.25" and is in excellent condition. Signed by Davis in the seventh panel, it would be hard to find a more attractive example of this classic strip.
Auction 810 | Lot: 1027 | Apr 4, 2004

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Cliff Sterrett - Original Comic Strip Art for Polly and her Pals Sunday (King Features Syndicate, circa 1930). Paw Perkins gets ready for the worst when Maw decides to take up driving in this undated Sunday page. This a very funny gag strip, with Paw and his shadow-like pet, Kitty, getting run down, back and forth, by an obstinate Maw, who is convinced that by simply "reading the book," she knows all there is to driving a car! It's a huge piece in excellent condition, measuring a whopping 26" x 33" (approximate), which includes the "topper" strip, Sweethearts and Wives. Artist Cliff Sterrett has been referred to as the "Picasso of the comics" for his inventive use of shapes and forms. This wonderfully wacky strip paved the way for all the "pretty girl" strips to come, like Fritzi Ritz and Boots and her Buddies, and then took the medium even further with great style and down to earth domestic humor. Comic fans the world over owe a debt of gratitude to Cliff Sterrett.
Auction 810 | Lot: 1112 | Apr 4, 2004

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Warren Kremer (attributed) - Original Cover Art for Little Dot #6 (Harvey, 1953). Harvey mainstay Richie Rich makes his debut cover appearance with this issue of Little Dot. Here, he's alongside Little Lotta, both taking equal billing with Little Dot Polka, in this fabulous cover by Warren Kremer. Richie Rich was introduced as a backup feature in Little Dot #1 (September, 1953) in a story titled, "The Dancing Lessons." It would take until November 1957 and the publication of Harvey Hits #3 for an entire issue to be devoted to the Poor Little Rich Boy, but by then his success was ensured. Since that time, Richie has appeared in over 50 titles bearing his name, for a total of well over 2,000 individual issues, making him the one of the most successful characters in comics history. This fine work is an excellent example of the simple, yet powerful, imagery that has made Harvey Comics so memorable. The art measures approximately 9" x 14" overall, with a 7" x 10.5" image area. There is some slight aging apparent, mostly outside of the inked area, and some minimal white-out usage, but otherwise this work is in excellent condition. The logo and indicia at the top are recent photocopy replacements.
Auction 810 | Lot: 1372 | Apr 4, 2004

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More Fun Comics #56 (DC, 1940) CGC VF/NM 9.0 White pages. This is a magnificent copy, guaranteed to earn "oohs" and "aahs" from anyone who sees it. Howard Sherman's Dr. Fate vs. Wotan cover is wonderfully rendered and enhanced by a splendiferous color job, one that has miraculously retained its beauty and vibrancy for over sixty years, thanks to the superlative preservation of this specimen. In addition to its brilliant colors and cover gloss, the interior pages are a bright white, and the spine and corners display a minimal amount of wear. Additional treats include the debut of Congo Bill, Bernard Baily interior art, and Dr. Fate's first cover appearance! Overstreet 2003 VF/NM 9.0 value = $5,627; NM 9.4 value = $7,500.
Auction 810 | Lot: 3071 | Apr 4, 2004

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Frank Frazetta - 20 Page Sketchbook of Original Art (circa 1952). This is a Frank Frazetta spiral bound sketchbook, measuring 12"x 9". Twenty pages of quintessential Frazetta images are rendered in pencil on the front and back of ten pieces of drawing paper. The conceptions in this sketchbook could serve as a work book for Frazetta's famous Thun'da stories. Marvelous images of heroic jungle men, cavemen, neanderthals, snakes, jungle foliage, mountain and tropical "lost landscapes," flying lizards, lumbering Stegosaurus, skeletal and anatomical studies of Tyrannosaurus Rex, and head studies of the Piltdown Man, all leap to life on the pages of this sketchbook. Included with this lot is a card with the seal, "Certified and Authorized by Frank and Ellie Frazetta," and signed by Frank Frazetta Jr. A stunning catalog of the fantasy images that have made Frank Frazetta an art legend.
Auction 810 | Lot: 1278 | Apr 4, 2004

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Detective Comics #31 (DC, 1939) CGC VG/FN 5.0 Off-white to white pages. Bob Kane earns "classic" designation for his larger-than-life Batman cover, and the interior is chockfull with contributions from some of the Golden Age's most famous artists, including Fred Guardineer, Paul Gustavson, Sheldon Moldoff, Ken Ernst, and Joe Shuster. We haven't offered this issue often, just twice during 2003 in any of our auctions. Incredibly, just two unrestored copies of #31 have earned higher grades from CGC to date, one at VF 8.0, the other at FN+ 6.5. Overstreet 2003 VG 4.0 value = $5,466; FN 6.0 value = $8,200.
Auction 810 | Lot: 3055 | Apr 4, 2004

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Burne Hogarth - Original Comic Strip Art for Tarzan Sunday dated 7-31-49 (United Features Syndicate, 1949). One of the most beloved Tarzan artists, Burne Hogarth defined the look and feel of the Jungle Lord for a generation of fans. Charting the course during the strip's period of greatest popularity, Hogarth turned the strip from a success into a phenomenon. The Sunday page offered here is a perfect example of Hogarth's genius, showing the Ape-Man in fierce combat with a pack of oversized heads! With an image area of approximately 19.25" x 27" and in excellent condition, this is a stunning piece that is certain to appeal to anyone who loves comic art. Signed by Hogarth in the last panel.
Auction 810 | Lot: 1064 | Apr 4, 2004

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Sub-Mariner Comics #1 (Timely, 1941) CGC FN+ 6.5 Cream pages. Currently tied with three other Golden Age issues at 21st place on Overstreet's (2003) Top Golden Age Books list, this super-key Timely is moving up the list, up from 25th place the previous year. Alex Schomburg created one of his special Nazis-getting-their-butts-whipped-by-a-grossly-outnumbered-good-guy covers for the occasion; Bill Everett draws his famous creation on the interior; and Paul Gustavson does the Angel feature. Just a few other copies of the issue sport higher CGC grades, and none higher than 9.0. Overstreet 2003 FN 6.0 value = $7,500.
Auction 810 | Lot: 3254 | Apr 4, 2004

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Marvel Mystery Comics #37 Pennsylvania pedigree (Timely, 1942) CGC NM 9.4 Off-white pages. Timely comics continue to be popular for many reasons; their distinctive look, their harder edge (compared to DC), and the continuity of characters over six decades and counting. This issue features a Hitler cover by Syd Shores, certifiably Overstreet "classic." High-grade Timelys consistently sell at and above guide value, especially at this extremely uncommon grade. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $2,100.
Auction 810 | Lot: 3226 | Apr 4, 2004

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Bob Montana - Original Comic Strip Art for Archie Sunday 7-27-47 (Archie Comics, 1947). The classic look of Bob Montana's Archie is present in every brushstroke of this great Sunday strip. Jughead kicks things off with a refusal to attend a lawn party, but sure enough he'll be there, even if Archie has to hog-tie him first! Those lovely ladies that Montana draws so well, Betty and Veronica, are both here, and how! Ths is the kind of comic strip that will get you going in the morning just by giving it a sideways glance, so bid high and be the lucky one to have this great piece on your own wall! This strip was drawn on two pieces of board and taped together in the middle, with an overall size of 22" x 30"; the image size is 19" x 25.5". The logo is a stat that appears to be an original. The condition of the art is excellent, with only very minor soiling evident along the edges.
Auction 810 | Lot: 1085 | Apr 4, 2004

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Elzie Crisler Segar - Original Comic Strip Art for Popeye Daily dated 9-5-32 (King Features Syndicate, 1932). On January 17, 1929, when Castor Oyl asked the gruff looking gentleman with the sailor's cap, corncob pipe, and anchors tattooed on his forearms, "Hey there! Are you a sailor?", and received the response, "'Ja think I'm a cowboy?", little did he, or anyone know that we were witnessing the birth of a comics superstar. Popeye was originally conceived as a walk-on character in E.C. Segar's Thimble Theater, a popular strip that had been running since 1919. Within a year of Popeye's first appearance, he had become the star of the strip, which was soon after renamed in his honor. The strip offered here, from relatively early in Popeye's career, features both Popeye and Olive Oyl (Castor's spindly sister), and is in excellent condition. Measuring approximately 21.25" x 5.25" overall, the words "The face in the moonlight" have been written along the bottom margin in blue pencil, presumably in Segar's own hand. A dark, moody example, with a pleasing sense of implied menace, the strip is signed by Segar in the last panel.
Auction 810 | Lot: 1103 | Apr 4, 2004

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Captain America Comics #3 (Timely, 1941) CGC FN/VF 7.0 Off-white pages. This third issue is famous for several reasons; it's one of our favorites here at Heritage because it contains the very first Timely work by our buddy Stan Lee. It also has a stunning cover by Alex Schomburg, replete with a blonde that is not only bound, but in one of the famous clear tubes that everyone seemed enamored with in the early Golden Age. This cover is also considered a "classic," featuring Cap's arch-nemesis, the Red Skull, and a striking yellow background for the logo. Overstreet 2003 FN 6.0 value = $3,000; VF 8.0 value = $7,000.
Auction 810 | Lot: 2034 | Apr 4, 2004

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Batman #34 Spokane pedigree (DC, 1946) CGC NM+ 9.6 White pages. Are you wearing your shades? You may want to don them, as the rich colors and cover gloss on this gem may induce temporary blindness! From the extolled Spokane collection comes a near-pristine copy of Batman #34 that literally looks as if it was just removed from a 1946 distributor's box -- and that's no cliche! Sharp corners and white pages are additional hallmarks. The comic's content is equally as appealing, from the flashy Dick Sprang cover to the Jerry Robinson Batman art inside. A true prize, boasting CGC's highest grade assigned to this issue. Overstreet 2003 NM 9.4 value = $1,275.
Auction 810 | Lot: 3040 | Apr 4, 2004

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Amazing Spider-Man #1 (Marvel, 1963) CGC VF- 7.5 Cream to off-white pages. We have offered numerous copies of this classic Marvel Age issue in every imaginable grade since our first auction in 2001, and you still don't have one? Jack Kirby and Steve Ditko's famous cover is just the beginning. The premiere issue features the first appearance of J. Jonah Jameson and the Chameleon, and the first Fantastic Four crossover... oh, and the second appearance of Marvel's most popular superhero, the Amazing Spider-Man. This issue remains one of the most-in-demand comic books ever, and it's time you had your own copy! Overstreet 2003 VF 8.0 value = $9,350. From the personal collection of Ahmet Zappa.
Auction 810 | Lot: 3267 | Apr 4, 2004

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