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GI Joe - Original Prototype (Hasbro, 1964). Ten-HUT! Stand at attention for the five-star general of GI Joe collectibles. That's right, soldier! Raise your hand and sah-LUTE the first hand-crafted prototype, the original Government Issue Joe, the springboard from which was spawned not just an incredibly successful line of figures and accessories, but a revolution in the toy industry! This twelve-inch-tall icon of plastic, metal, and fabric marked the dawn of the "action figure," an unheard-of concept in 1963, when Hasbro Creative Director Don Levine first shepherded in the concept of an articulated military figure (from an original idea by Stan Weston) that would appeal to young boys in the same way that Barbie had captured the little-girl market. Based in part on the articulated wooden mannequins used by artists, this figure would expand on the popular "toy soldier" concept with a full-articulated man of action that could hold a rifle, crouch in a foxhole, and generally assume almost any pose that a real soldier could. This concept had to be developed and engineered from scratch, as no real antecedent existed in the toy industry. This hand-crafted prototype became that antecedent, and served as the opening shot in a revolution that continues to this day. The first fully-articulated prototype created for both internal visualization and presentations to potential buyers, this 12" figure consists of a plastic body with wire-spring joints, and a hand-painted plastic head that was created by pulling a temporary mold from a carved wooden original. The hand-sewn uniform consists of olive-drab fatigues and field jacket with chevrons, as well as a backpack. Also included are hand-sewn black boots, and plastic combat helmet (the helmet, unfortunately, has sustained some damage, and has a large chunk missing from the back end). Of particular note is this early version of the head, which is wider, and has noticeably different features than the final production model, and the boots, which were as
Auction 807 | Lot: 6484 | Jul 20, 2003

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Young Allies Comics #1 San Francisco pedigree (Timely, 1941) CGC NM+ 9.6 Off-white to white pages. This milestone Timely issue presented the origin and first appearance of the Young Allies, a group of rambunctious youths headed up by Captain America's sidekick Bucky and the Human Torch's protege Toro, who were hell-bent on making their contribution to the war effort, burst onto the scene for a twenty-issue run that today has become one of the top collected Golden Age titles because of the guest appearances and classic covers. Speaking of classic covers, this one by the immortal team of Joe Simon and Jack Kirby ranks among the best of all wartime covers for pure action, verve, and propaganda! It features the desperate teaming of Hitler and the vile Red Skull who are both getting walloped by our kid heroes. The issue also features the first-ever meeting of Captain America and the Human Torch in an interior story. Very cool! In reality, we've just begun to tell of the true significance and redeeming qualities of this particular Timely first issue. Consider for a moment that of all the hundreds of Timely comics, less than ten covers sported Hitler's mug (We know, we know, it's hard to believe, but true!), and even more astounding is that there were even less Red Skull covers (Yes, it's a fact that the Red Skull only appeared on the cover of six Timely issues, and most collectors don't even count the cover of Captain America #5 because just the Red Skull's head appears on the "Wheel of Death."). Thus, to find both evil-doers on the same cover is a rarity indeed. The San Francisco pedigreed collection is often compared to the famous Mile High collection, and books from this incredible find of 1973 are always gobbled up quickly whenever they come to market. They are notable primarily for their incredible, supple white pages, and rich gloss. This book is no exception. The spine is exceptionally sound and tight, the corners are sharp, and the colors seem to leap off the cover, all l
Auction 807 | Lot: 5172 | Jul 20, 2003

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Batman #6 Allentown pedigree (DC, 1941) CGC NM+ 9.6 Off-white to white pages. It's not clear to us why this simple, striking cover by Jerry Robinson isn't mentioned as "classic" by Overstreet; it's definitely one of the favorites of Batman collectors. Of the eleven copies of issue #6 that CGC has certified Very Fine or better to date, none but this amazing copy has scored as high as Near Mint. If only the best will do, this qualifies on every level; one of the icons among superheroes, historical significance, eye-catching cover by one of the premier Golden Age artists, respected pedigree, and the highest-graded copy of the issue that CGC has reviewed to date. Truly one of the rare gems in this auction. Overstreet 2003 NM 9.4 value = $5,500.
Auction 807 | Lot: 5732 | Jul 20, 2003

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Detective Comics #27 (DC, 1939) CGC GD/VG 3.0 Cream to off-white pages. Big, bold, and beautiful, this is Number Two on Overstreet's Top 100 Golden Age Comics list, behind only Action Comics #1. Batman's creator, Bob Kane, just 22 years old when this issue hit the stands, handled cover and interior art on this issue which introduced the Caped Crusader and Commissioner Gordon. Even at this grade, CGC has certified just five other unrestored copies with higher grades, none higher than Very Fine. CGC notes, "two small pieces of tape on spine." A great, uncommon opportunity for one giant of a comic book. Overstreet 2003 GD 2.0 value = $31,000; VG 4.0 value = $62,000.
Auction 807 | Lot: 5779 | Jul 20, 2003

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Hal Foster - Original Comic Strip Art for Prince Valiant Sunday, dated 12-21-52 (King Features Syndicate, 1952). A truly breathtaking piece, this is certainly one of the finest examples of a "Prince Valiant" page ever to be offered for public sale. From the "Duel in Ireland" storyline, this page shows Val drinking a "goblet of sacred honey-mead" and having an hallucinatory vision of the Aesir, including Thor, the Rainbow Bridge and Odin himself. This storyline was very classical, invoking images of the archetypal "trials of a hero" tales of yore, with the many ordeals the protagonist must face, and overcome. The red lines in the first and third panels indicate color holds, a technique that Foster used very sparingly and to great effect, giving the finished product a more painterly look. The linework displayed here is phenomenal, bringing to mind the best works of such classic illustrators as Howard Pyle and Gustave Dore. Measuring a large 24.5" x 34.25" overall, this piece is in excellent condition and is signed by the artist in the lower left.
Auction 807 | Lot: 9029 | Jul 20, 2003

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Adventure Comics #79 Mile High pedigree (DC, 1942) CGC NM+ 9.6 White pages. What better way to own a copy of this Simon and Kirby classic cover than to have the immaculate Mile High copy. It is absolutely amazing that books have actually survived the ravages of time in such a pristine condition. This book is, by far, the highest graded copy from CGC of issue #79 to date. Overstreet 2003 NM 9.4 value = $2,550.
Auction 807 | Lot: 5672 | Jul 20, 2003

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GI Joe - Prototype Navy Standard Figure with Modified Male Doll (Hasbro, 1964). An early test for what would become the standard Navy figure, this is another vintage male doll pressed into service to model the early uniform prototypes. Possibly sewn by Hasbro staffer Florence DeLisle, this closely resembles the finished product, with sky-blue chambray shirt and navy blue jeans, the standard outfit of any gob at sea. Smaller details, such as the tiny key ring and keys, would not survive to the final production model, but make this early prototype all the more special. The shoes and socks appear to be store-bought stock items. The clothing is in immaculate condition, appearing like-new. Amusingly, this boyish figure has had some of his baby fat carved away to make him appear more masculine; the face is carved at the back of the neck, around the eyes and cheeks, and nose, with the eyebrows re-painted. Some of the original flocking is also missing. The superb craftsmanship evident on this hand-sewn uniform is a testament to the committment of the Hasbro design team. From the personal collection of Don Levine, creator of GI Joe.
Auction 807 | Lot: 6480 | Jul 20, 2003

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Wally Wood - Original Cover Art for Incredible Science Fiction #33 (EC, 1956). If one were asked to sum up this cover in one word, that word would have to be... Incredible. A stunning image, highlighting all that was best about Wood... the dramatic lighting, the cool spacesuits, the sense of impending action... it's all here to fascinate and excite the lucky viewer. An added bonus is that the spaceship on the left side is true art, not a stat as is often the case. Incredible, stunning, exciting, stupendous... you pick your own adjective. With an image area of approximately 13.5" x 19.5" and in immaculate condition, this will be the pride of any collection.
Auction 807 | Lot: 9736 | Jul 20, 2003

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Captain America Comics #7 (Timely, 1941) CGC NM+ 9.6 Off-white pages. This outrageous copy is far and away the highest-graded issue #7 in CGC's most recent census, giving other copies of the issue inferiority complexes. Jack Kirby's classic cover of Cap and Nazi mayhem, torture, and bondage is worth a closer look. Zoom in at our website for a better view, unless you're faint of heart. Kirby gets inking help from Syd Shores on the cover, and from his usual partner, Joe Simon, on the interior of this issue, which features a Red Skull appearance. Overstreet 2002 NM 9.4 value = $7,200.
Auction 807 | Lot: 5032 | Jul 20, 2003

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Mad #1 Gaines File pedigree 4/12 (EC, 1952) CGC NM+ 9.6 Off-white pages. The first satire comic burst onto the scene during the Cold War of the early 1950s, irreverently and indiscriminately poking fun at literary works, people, and events past, present, and future. Few titles have managed to last as long as Harvey Kurtzman's brain-child, which is still going strong today. Kurtzman drew the cover to this seminal issue, Jack Davis satirizes the horror genre, Wally Wood lampoons the sci-fi, John Severin skewed the westerns, and Bill Elder poked fun at the crime stories that EC published. What more could you want? Why, perhaps a stunning specimen of this important comic! Our offering's grade misses being the highest yet assigned by CGC for this issue by a quarter-grade. Overstreet 2003 NM 9.4 value = $7,000.
Auction 807 | Lot: 5537 | Jul 20, 2003

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Bob Montana - Original Comic Strip Art for Archie Sunday (Archie, 1947). Heritage Comics is proud to present the historical original art for the first "Archie" Sunday newspaper comic strip. When Bob Montana and Vic Bloom created Archie Andrews as a character modeled after Mickey Rooney's film persona, they couldn't possibly have imagined the impact that he would have on the comic industry. Archie is the all-American teen with all of the anxiety, challenges, and occasional victories that the youth of the last 60 years have experienced and, therefore, can greatly relate to. Dan DeCarlo is recognized as being the definitive artist for the Archie titles and is responsible for setting the standard for the Archie "house style". However, it was Bob Montana who established the personalities of the large cast of Riverdale characters with an expressive style that has never been matched. Montana's Archie looked more confident, more frustrated, and more in trouble. Betty and Veronica never looked better and Mrs. Grundy, well, never looked more like Mrs. Grundy. This is a wonderful example of Archie's heroic view of himself as an academic titan. Unfortunately, it's all been a dream and he's in trouble again. Because the title part of the first panel was cut away -- probably to be pasted up on a subsequent Sunday strip -- Heritage Comics has had this exceptional piece professionally restored so as to present it in a way that best reflects the original intent of the artist. It has been mounted to a heavy piece of illustration board that measures 22.5" x 29". Few pieces truly warrant the amount of acclaim that this work of art will garner for the next proud owner.
Auction 807 | Lot: 9060 | Jul 20, 2003

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Gustaf Tenggren - Original Storyboard Art for Pinocchio (Disney, 1940). Born in Sweden in 1896, Gustaf Tenggren had established himself as a well-known illustrator of children's books before joining the Disney Studios as an "inspirational sketch artist" in 1936. Although he remained with Disney for only three years, his incredibly rich, detailed paintings had a profound impact on both "Snow White" and "Pinocchio." Offered here is a beautiful, yet somewhat eerie, painting of Pinocchio trapped in a bird-cage, with shadows of other marionettes menacingly projected on the back wall. Attractively matted and framed, this gorgeous piece has an image area of approximately 13.25" x 10". Pictured in John Canemaker's 1996 book, Before the Animation Begins (page 46), this is a breathtaking piece by one of the architects of two of Disney's most popular films.
Auction 807 | Lot: 9665 | Jul 20, 2003

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Superman #1 (DC, 1939) CGC VG- 3.5 Cream to off-white pages. The superhero credited with launching the Golden Age of Comics deserved his own title, and he got it with this premiere issue, about a year after his first appearance in Action Comics #1. His origin is reprinted here, with additional pages by Siegel and Shuster to the pair's original story. The first comic book pin-up is the back cover of this issue. This just might be the grade that enables your procuring one of comicdom's most holy issues. Overstreet 2003 VG 4.0 value = $32,000.
Auction 807 | Lot: 5876 | Jul 20, 2003

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Captain America Comics #1 (Timely, 1941) CGC FN/VF 7.0 Cream to off-white pages. He wasn't the first patriotic superhero in comic books, but Cap is the one we think of first when the subject comes up. Jack "King" Kirby's legacy would have been assured even if Cap were the only character he ever created. The classic team of Simon and Kirby handled the interior art, but two renowned sources, Overstreet and Gerber, differ in identifying the cover artist or artists. Overstreet suggests Joe Simon did the classic Hitler cover, while Gerber's The Photo-Journal Guide to Comic Books lists the combo of Jack Kirby pencils and Syd Shores inks. One of the most important comic books of all, not only introduced Captain America to comicdom, it also featured the first appearances of Cap's longtime sidekick, Bucky, and his longtime arch-nemesis, the Red Skull. Better than mid-grade, not quite high-grade, you can save a bundle over a higher-graded copy and still have a copy that will have your collecting friends salivating like Pavlov's dog! Overstreet 2003 FN 6.0 value = $20,300; VF 8.0 value = $49,060.
Auction 807 | Lot: 5022 | Jul 20, 2003

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Green Hornet Comics #1 Mile High pedigree (Harvey, 1940) CGC NM- 9.2 Off-white pages. We have a projection based on early returns; with only six copies of this first issue having been certified by CGC to date, we're predicting it will reign as the nicest specimen indefinitely, if not forever. The Mile High pedigree, you see, makes us a little cocky! The issue features the origin and first comic book appearance of the Green Hornet, Kato, and Black Beauty (his car). The wondrous painted cover goes uncredited, but this copy will show it off impressively for posterity, provided the proud winning bidder will just resist cracking the CGC casing. Overstreet 2002 NM 9.4 value = $6,000.
Auction 807 | Lot: 6139 | Jul 20, 2003

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Superman #1 (DC, 1939) CGC Apparent VF/NM 9.0 Extensive (P) White pages. A truly historic book, Superman #1 arrived scarcely a year after the Man of Steel's first appearance in Action Comics #1, proving his meteoric rise in popularity. This American icon has been a symbol of truth, justice, and the American way through several wars, during times of peace, and for all the times in-between over six decades. For comic books, he heralded the superhero genre. The cover alone is considered by many to be the single most recognized image in comic fandom. This landmark issue features, "The Complete Story of the Daring Exploits of the One and Only Superman." It includes the stories from Action Comics #1-4 by co-creators Jerry Siegel (writer) and Joe Shuster (art) with two new pages added to the origin re-telling, plus four new pages that were omitted from the Action Comics stories. The back cover features not only the first pin-up of Superman, but the first pin-up period. Let there be no doubt, this is a milestone book, second in historical importance only to Action Comics #1 when you're talking about the character that launched the Golden Age of Comics. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." But the colors are bright, the spine is tight, the edges are crisp, the gloss impressive, and the the pages white. It adds up to the highest-graded restored copy among all CGC-certified copies of the first issue. In fact, considering that the highest-graded unrestored copy to date earned just VF 8.0 from CGC, this is the best-looking copy CGC has certified to date restored or otherwise. Overstreet 2003 GD 2.0 value = $16,000; VG 4.0 value = $32,000.

Auction 807 | Lot: 5875 | Jul 20, 2003

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Gene Colan and Frank Giacoia - Original Cover Art for Daredevil #27 (Marvel, 1967). Gene Colan's career on Daredevil and Tomb of Dracula has always been much admired by Marvel maniacs, and this cover certainly shows why. Inked with rich, moody blacks by Frank Giacoia, Daredevil is ready to kick some arch-villains in the anatomy. And if Spider-Man, in one of his early crossover appearances, gets in the way then too bad for him! Please note that one of staffers here felt that the inks might be by John Romita, but we are listing it with the more conservative attribution of the very talented inker, Frank Giacoia. If you think this art looks different from the published comic, then give yourself a prize. After the original art had been drawn, Stan Lee decided that Spidey needed to be moved to the left (you can see the editorial notes in the margin), and so photostats were made and pasted over the inked artwork. These stats have been professionally removed and replaced with recreations of the logo and caption stats to allow the new owner to see the piece as it was originally drawn. So now you're probably thinking, "Darn, I wish I could get those original stats too." Sleep soundly tonight, o anxious one, because, as a bonus, this lot includes all of the original stats. A twice-up Daredevil cover would be highly desirable without Spidey, but with him, the sky's the limit! 17" x 22". Image size is approximately 13" x 20".
Auction 807 | Lot: 9225 | Jul 20, 2003

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Gil Kane and Tom Palmer - Original Cover Art for The Tomb of Dracula #10 (Marvel, 1973). Maybe Dracula's hot stuff back in Transylvania, but nobody messes around with Blade, the Vampire Slayer! That is certainly true now that Wesley Snipes has brought Blade to life on the big screen. From 1973 comes this ground-breaking cover featuring the first-ever appearance of our favorite day-walker. If the cover looks similar but somehow different to other covers in the series, there's a plausible explanation. Usual inker Tom Palmer contributes, but the penciler is Gil Kane, who takes a rare turn with this series that Gene Colan dominated for all but a few issues in the run. Kane shows his dark side with this exciting illustration of Blade and Drac in a classic showdown. Overall page size is 11.5" x 17.5" with an image area of 10" x 15". Includes the original Tomb of Dracula logo and indicia at the top of the page. The logo and indicia along the top portion is a recent replacement photocopy of the original paste-up art, but the original logo art is attached to the back. It's a cover you won't soon forget, vampire fans!
Auction 807 | Lot: 9232 | Jul 20, 2003

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Alex Schomburg - Original Cover Art for Speed Comics #33 (Harvey, 1944). The collectibility of many Golden Age comics can be traced directly to the man who drew their covers: Alex Schomburg; he is unquestionably the finest cover illustrator to work in the industry during the 1940s. This outstanding Speed cover fairly boils with kinetic action, as Captain Freedom, Shock Gibson, and the Black Cat triumph over heavily-armed Axis thugs. The portrayal of the enemy may not exactly be politically correct, but the mastery of the artist is not in question. The artwork is so complex and rich that every examination rewards the viewer with a host of subtle nuances. Covers of this quality and vintage rarely leave the collections in which they are safely nestled, and the work of Alex Schomburg is even less likely to come to public auction, making this an opportunity not to be ignored. This wonderful piece of artwork is in excellent condition and is sure to be the gem of any collection. It was produced on a thick piece of illustration board that measures approximately 16.5" x 22.25". The image area measures 13.75" x 20.25". The title mast area and text circle are recent replacements.
Auction 807 | Lot: 9617 | Jul 20, 2003

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Al Williamson and Frank Frazetta - Original Art for Weird Science Fantasy #20, Complete 7-page Story, "I, Rocket" (EC, 1953). It is impossible to find the right superlatives to describe this masterpiece. Executed with Craftint, zip-a-tone, textured paper, and ink-wash, this story is a tour de force collaboration of three of the finest artists ever to work in comics: Al Williamson (pencils and inks), Frank Frazetta (some inks), and Roy Krenkel (some background pencils and inks). Each of these artists is a giant in his own right, but there is truly something special in their work on this adaptation of Ray Bradbury's "I, Rocket." Al Williamson did some of his best wash and crafttint work in order to depict the tribulations of the rocket. The ink must have just dripped from Frank's pen as he was able to give a sensual feeling to the decaying rocket on the splash page. Frazetta's fine lines are virtually unreproducible and can only be appreciated when the page is viewed in person. Roy Krenkel, another of Williamson's infrequent collaborators, provided the Art Deco rocket interiors and cityscapes. All of this fine art was done to support the haunting quality of Al Feldstein's adaptation. There are some chips, glue stains, and editorial markings in the margins of the page. One small stat attributing the story to Ray Bradbury is missing from the splash. Panels drawn on Crafttint or textured paper have been pasted onto the larger pages. All in all, this is a story that its owner will marvel at again and again. Overall size is approximately 15"x 22". Image size is approximately 13" x 18".
Auction 807 | Lot: 9721 | Jul 20, 2003

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Detective Comics #99 Mile High pedigree (DC, 1945) CGC NM/MT 9.8 White pages. Dick Sprang provides the Penguin cover, as well as story art for this issue, but you can thank Edgar Church and his Mile High Collection for the nearest-you-can-possibly-get-to-perfect-without-being-perfect copy offered here. When you ask CGC if there's been another copy of issue #99 that came close to this grade, the PG retort is likely to be, "Surely you jest!" We feel secure in touting this brilliant copy as close to one-of-a-kind as any offering in our auction. Verily! Overstreet 2003 NM 9.4 value = $1,300.
Auction 807 | Lot: 5797 | Jul 20, 2003

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Action Comics #63 Mile High pedigree (DC, 1943) CGC NM+ 9.6 Off-white to white pages. This Superman war cover shows what all Americans wanted to see after Pearl Harbor, an enemy fighter pilot about to get his clock cleaned. Classic war covers, such as this exemplary Jack Burnley creation, continue to command high premiums in the market place. This issue demonstrates why you don't tug on Superman's cape! DC legend Joe Kubert helps with interior art. This Mile High copy, with the distinctive distributor marking, is by far the best CGC-graded copy to date. Don't let this superb copy pass you by! Overstreet 2003 NM 9.4 value = $1,250.
Auction 807 | Lot: 5655 | Jul 20, 2003

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The Haunt of Fear #15 (#1) Gaines File pedigree 3/11 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. As first issues go, this one's a doozy, as not only does it feature a tremendous Johnny Craig cover, it features the first appearance of the Old Witch. More importantly, this issue helped usher in the start of the ECs foray into the horror genre with a vengeance. EC comics gave nightmares to thousands of youngsters in the telling of their gruesome stories. As horrific as the stories were, justice was always served perhaps with a side of blood, but the wicked never got off the hook. The scarcity of this premiere issue is notorious, as it is frequently the last issue that a collector needs to finish his run. Calling this copy high-grade is a vast understatement, and it is the highest CGC-graded copy to date. Overstreet 2003 NM 9.4 value = $3,600.
Auction 807 | Lot: 5528 | Jul 20, 2003

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Fantastic Four #1 (Marvel, 1961) CGC VF+ 8.5 Off-white pages. Tied with The Amazing Spider-Man #1 for third place among the most valuable of all Silver Age comic books, many would argue this is the most important of that era. It was the book that ushered in Marvel's Silver Age, a period in which Marvel began challenging DC's dominance after a mostly unchallenging decade of the 1950s. Stan Lee and Jack Kirby were the men who could pull it off, and their teamup on this and other titles to soon follow would shake comicdom on its ear. We have not offered this book at a higher grade, and only a small percentage of the copies that CGC has certified have earned higher grades. Step up to the plate, Sluggo, and take a swing at a big, big comic book. Overstreet 2003 VF/NM 9.0 value = $20,675.
Auction 807 | Lot: 6944 | Jul 20, 2003

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Crypt of Terror #17 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Cream to off-white pages. A lone woman walks down a spooky, moonlit street. She hears a noise, sees a cat, but doesn't see the lycanthrope stalking her in the background. And so, Johnny Craig's cover launches this key book, not only the first issue of this title, but also the very first New Trend book to hit the stands. Formerly Crime Patrol, the title and format changed to horror with this issue. After just two more issues, this comic changed titles yet again, and became the legendary Tales from the Crypt. This in fact is arguably the most important pre-Code horror comic book of all. Interior artists Craig and Al Feldstein ensured the success of the fledgling genre with their stunning art. This copy is as close to perfect as you're likely to find; CGC hasn't awarded a higher-grade for this issue to date. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $3,600.
Auction 807 | Lot: 5520 | Jul 20, 2003

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Robert Crumb - Original Art for American Splendor #4, Complete 7-page story "The Young Crumb Story" (Harvey Pekar, 1979). Seven pages by Crumb describing the first meeting between Harvey Pekar, Marty Pahls, and a young Robert Crumb. The pages came from a spiral bound notebook so they still have tabs along the top. But overall this is a great chance to get a piece of Crumb history! Each page measures 11" x 14".
Auction 807 | Lot: 9799 | Jul 20, 2003

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Action Comics #61 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. This historic atomic radiation cover has got to be one of the most beautiful covers on a comic book...period. And what better way to see the intense colors than on the Mile High copy? This book is a perfect example of why Mile Highs bring multiples of guide. In the current CGC census no copy comes anywhere close to being as nice as this book. If you want only the best...here's your chance. Overstreet 2003 NM 9.4 value = $1,300.
Auction 807 | Lot: 5654 | Jul 20, 2003

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Daredevil Comics #1 (Lev Gleason, 1941) CGC VF/NM 9.0 Off-white pages. Holy cow! Any collector with an interest in Golden Age has got to want a copy of this classic book, one of Overstreet's top 100 Golden Age comics. And what a copy this is - just as fresh as when it first hit the stands, back in 1941. There appears to be a small tear at the top corner of the spine (a bindery cut?), and that may have kept this prize from an even higher grade. Still, at this date, only one other copy has earned a higher grade from CGC. This is an outstanding opportunity to bid on one of the key comics of all time in beautiful unrestored condition. Overstreet 2003 VF/NM 9.0 value = $12,000; NM 9.4 value = $16,000.
Auction 807 | Lot: 6032 | Jul 20, 2003

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Marvel Mystery Comics #7 Larson pedigree (Timely, 1940) CGC NM- 9.2 Off-white to white pages. With each issue he did for Marvel Mystery Comics, Alex Schomburg seemed to be getting more and more into his cover artist spotlight role by adding more elements, more action, more fear, and... more terror. He adds the dreaded "hypo" and bondage element to this Human Torch cover to captivating and brilliant effect. Inside, there are stories featuring the daring and courageous exploits of Ka-Zar, The Angel, the Sub-Mariner, Electro, and... The Ferret? The first ten issues of Marvel Mystery remain some of the most desirable, because of both their coolness factor and their rarity. This copy hails from the famous Lamont Larson collection, known for its depth of titles and issues, and superb page quality. The book is beautiful, exhibiting a tight spine, crisp edges, sharp corners, Larson's name in pencil and light foxing (commonly found on comics from this pedigree). According to CGC's most recent census, no book has graded higher. Overstreet 2003 NM 9.4 value = $8,500.
Auction 807 | Lot: 5088 | Jul 20, 2003

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Action Comics #50 Mile High pedigree (DC, 1942) CGC NM 9.4 White pages. One glimpse of this blinding book and you will know exactly why Mile High books command such a hefty premium. Holding this book you might just know how some kid felt 60 years ago while perusing the newsstand trying to figure out which book to spend their hard-earned money on. This white-paged stunner is, as of this writing, the highest graded copy. Overstreet 2003 NM 9.4 value = $1,450.
Auction 807 | Lot: 5653 | Jul 20, 2003

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Detective Comics #109 Mile High pedigree (DC, 1946) CGC NM/MT 9.8 White pages. This copy is, and undoubtedly will remain, the highest graded copy. This book has razor-sharp edges and the pages are a brilliant white. The best part about this book is that you get an early Joker cover. This book will definitely upgrade any collection. Overstreet 2003 NM 9.4 value = $1,125.
Auction 807 | Lot: 5798 | Jul 20, 2003

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Detective Comics #118 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. The Joker cover by Win Mortimer is cool enough, but it takes on an entirely new life on this amazing copy from the Mile High Collection. It looks so perfect; was it really ever on the newsstand at all? Multi-hues are set against a blinding (on this copy) yellow background, and if you can find fault with the page quality, corners, spine, or appearance of this book, you're a better (or pickier) reviewer than we! CGC seems to agree, with a certified grade that blows away the second highest-graded copy seen to date. Overstreet 2003 NM 9.4 value = $1,125.
Auction 807 | Lot: 5799 | Jul 20, 2003

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Hal Foster - Original Comic Strip Art for Prince Valiant, dated 5-13/51 (King Features Syndicate, 1951). From the "Return to Rome" storyline, this sequence is notable in that Val, "properly garbed and barbered," loses his trademark pageboy haircut for a much hipper Roman 'do. An interesting note: Arf, Val's squire, referred to in the first panel, was a nickname for Foster's son. A beautiful example of Foster's intricately detailed style, this is an exceptional page that will certainly be the highlight of any collection. Measuring a generous 26.25" x 34.5", this page is in excellent condition and is signed by the artist in the lower right.
Auction 807 | Lot: 9028 | Jul 20, 2003

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Wally Wood - Original Cover Art for Shock SuspenStories #3 (EC, 1952). A "Jolting Tale of Tension" as Man faces Beast in the frozen wilderness! EC produced a number of comics' superstars during its brief but shining life in the 1950s, but few were more legendary than the ever-incredible Wally Wood. A multi-talented artist, Wood was able to render everything from stark terror to laugh-out-loud humor with equal alacrity. His Shock SuspenStories covers are considered classics, none moreso than the adrenaline-pumping piece offered here. Measuring approximately 15" x 22" overall, this cover is in excellent condition and will make a proud addition to any collection.
Auction 807 | Lot: 9737 | Jul 20, 2003

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Action Comics #10 (DC, 1939) CGC FN+ 6.5 Off-white pages. You want an early Superman cover? Well, here's a nice unrestored copy of Superman's third cover appearance. It's tough to get much earlier than that! This is the issue in which Clark Kent gets himself assigned to a chain gang to expose a corrupt prison warden. The story and art are by creators Jerry Siegel and Joe Shuster. CGC notes: "Very minor amount of glue on spine," but this was not deemed detrimental enough to preclude a "Universal" grade. According to CGC's most recent census, only one unrestored copy has been graded higher. Overstreet 2003 FN 6.0 value = $4,800.
Auction 807 | Lot: 5647 | Jul 20, 2003

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Action Comics #70 Mile High pedigree (DC, 1944) NM/MT 9.8 Off-white to white pages. Edgar Church's copy of Action #70 is undoubtedly the finest existing copy of this book. Certainly, CGC knows of no better copy at this date. It's a beauty, fresh, tight, and clean. There are a couple of small penciled distributor marks in the dark blue field around the logo; these are typical of Mile High copies and really don't detract from the overall beauty of the book. The page quality is the stuff this pedigree is famous for. This is a stunning book, even for a Mile High. Overstreet NM 9.4 value =$1,000.
Auction 807 | Lot: 5656 | Jul 20, 2003

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Flash Comics Ashcan Edition V1#1 (DC, 1939) CGC NM+ 9.6 Off-white pages. In late 1939, DC and Fawcett, coveting this title, each raced to get its own ashcan version printed and a copyright secured. Each succeeded in printing an ashcan, but DC beat Fawcett to the punch, ever so barely, and gained the copyright to Flash Comics. The title became one of DC's mainstay Golden Age series, and, later, in 1956, the prime namesake character, The Flash, was instrumental in launching the Silver Age. This offering was acquired directly from long-time Golden Age DC Editor/Production Manager Sol Harrison, who was an excellent custodian of the rare copy. At NM+ 9.6, this beauty is not only the highest-graded DC ashcan known, it may be the highest-graded copy of any ashcan. The cover is a Leo O'Mealia creation for Adventure Comics #41, and the interior was lifted from All-American Comics #8, which featured the first appearance of the Ultra Man. If you're into "one of a kind", you're going to love this! This book is not listed in Overstreet.
Auction 807 | Lot: 5815 | Jul 20, 2003

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All Select Comics #1 (Timely, 1943) CGC VF+ 8.5 Off-white pages. Alex Schomburg chalks up another classic cover designation with this Cap/Torch/Subby-against-the-Nazi-horde cover. The grade is just a half-grade shy of the best CGC has certified to date of this issue. Overstreet 2003 VF 8.0 value = $7,748; VF/NM 9.0 value = $11,624.
Auction 807 | Lot: 5002 | Jul 20, 2003

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More Fun Comics #68 Mile High pedigree (DC, 1941) CGC NM- 9.2 Off-white to white pages. The top-ranked copy of this issue in CGC's latest census again comes from Edgar Church's peerless collection. Of course the book is gorgeous, appearing even nicer than the 9.2 CGC has assigned, but there is just a bit of scuffing around the lower staple to preclude 9.4 or even 9.6 status. It's still undoubtedly the finest copy in existence. Clip Carson begins in this issue, which features the art of Jerry Siegel and Bernard Baily. Overstreet 2003 NM 9.4 value = $2,650.
Auction 807 | Lot: 5838 | Jul 20, 2003

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Thrill Comics #1 Ashcan Edition (Fawcett, 1940) CGC VF 8.0 White pages. The most fascinating of the ashcan books, Thrill Comics, and its companion Flash Comics, ended the long-standing mystery of Whiz #1. For years, no one could explain whatever happened to the first issue of Whiz until the mid-'80s, when someone stumbled upon multiple copies of two strange-looking books with Capt. Marvel on the cover. Both were identical except for the titles; one was called Flash (eight existing copies), and the other Thrill (three existing copies). The interior was composed of pages 1-7 and 13 of the Captain Marvel story from Whiz #2, yet he carried the name of Captain Thunder. Fawcett apparently made a mad dash to copyright these two titles, but was beaten to the punch by DC (who nabbed Flash) and Nedor (who scored Thrilling). Even Captain Thunder's name was scrapped, thanks to Terry Thunder at Fiction House. Regrouping, Fawcett finally got their act together and put out Whiz Comics, re-lettering Capt. Marvel's name throughout the story. These 11 issues were quickly absorbed into the market for around $10,000 each during the late '80s, and few have been offered for sale since. Of the three Thrill copies found, this may be the nicest, grading VF 8.0 with white pages. A very light stain is present on the right side, along with minor wear at the top edge near the spine. Considering that the cover, rendered by Leo O'Mealia, was only printed on this issue, its appeal is even greater. Another copy may not surface for sale for quite some time; take advantage of this unique opportunity. From the collection of Nicolas Cage.
Auction 807 | Lot: 6375 | Jul 20, 2003

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The Amazing Spider-Man #1 (Marvel, 1963) CGC VF+ 8.5 Cream to off-white pages. This is quintessential Spider-Man by co-creator Steve Ditko, the book that kicked off the most popular series of the Silver Age. A nice high-grade example that appears every bit as nice as some of the NM- 9.2 copies we've seen. With no "Marvel chipping" present, a perfect spine, deep colors, and a clean back cover, this one should please even the most picky graders. Overstreet 2003 VF 8.0 value = $9,350; VF/NM 9.0 value = $20,675. From the collection of Nicolas Cage.
Auction 807 | Lot: 6813 | Jul 20, 2003

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All Star Comics #3 (DC, 1940) CGC FN+ 6.5 Off-white pages. This is a Big One! With the origin and first appearance of the Justice Society of America, it's no wonder that this Golden Age comic ranks as the 14th most valuable comic book of all ages, according to the 2003 edition of Overstreet. E. E. Hibbard drew the famous cover, while Bernard Baily and Sheldon Moldoff provided story art. At this writing, just three unrestored copies have earned higher grades than this FN+ copy. Overstreet 2003 FN 6.0 value = $10,000.
Auction 807 | Lot: 5696 | Jul 20, 2003

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Crypt of Terror #18 Gaines File pedigree 3/10 (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. Cover artist Johnny Craig was 24 years old when he created this cover, typically clean, understated, and, oh, so creepy. Craig was already an EC veteran of three years here, and had drawn every cover in the series since the title had changed to Crime Patrol with issue #7. Confused? Okay, here goes: the series started as International Comics, changed to International Crime Patrol, became Crime Patrol, then Crypt of Terror, before finally settling on Tales From the Crypt. Interior art comes from Craig, Wood, Feldstein, and Kurtzman. This is an absolutely brilliant copy, practically unimprovable, and the highest grade CGC has awarded to a copy of issue #18. Overstreet 2003 NM 9.4 value = $2,100.
Auction 807 | Lot: 5522 | Jul 20, 2003

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War Against Crime #10 Gaines File pedigree 4/11 (EC, 1949) CGC NM+ 9.6 Off-white to white pages. The title's content changed to horror with this issue; two issues later the title would change to Vault of Horror. The Vault Keeper and the Vault of Horror appear for the first time in this issue, which features cover art by Johnny Craig. Story art comes from Craig and Al Feldstein. This luminous copy is a wonder, a small dent at the top right corner of the back cover away from perfection. Overstreet 2003 NM 9.4 value = $2,500.
Auction 807 | Lot: 5623 | Jul 20, 2003

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Charles Schulz - Original Comic Strip Art for Peanuts Daily, dated 4-23-53 (United Features Syndicate, 1953). From early in this landmark strip's history ("Peanuts" began in 1950), this 4-panel gem features an early Charlie Brown and Schroeder. In very good to excellent condition, the piece has been folded down the center between panels two and three, but this does not affect the art at all. Measuring approximately 29" x 6.75" overall, it is signed by the artist in the lower right. Early examples of Schulz's work are quite rare and quite desirable, especially those featuring Charlie Brown and popular secondary characters. Bid on this one for the music lover in your life.
Auction 807 | Lot: 9088 | Jul 20, 2003

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All Star Comics #36 Spokane pedigree (DC, 1947) CGC NM+ 9.6 White pages. One of the highest compliments we can thank of to describe the quality of a pedigree's copy is to say, "It looks like a 'Mile High'!" This copy deserves the accolade; it blows away the next highest-graded copy (a 7.5) that CGC has certified to date. Irv Hasen did the cover for this issue, which has Superman and Batman guesting. Overstreet 2003 NM 9.4 value = $3,250.
Auction 807 | Lot: 5723 | Jul 20, 2003

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Amazing Fantasy #15 (Marvel, 1962) CGC VF- 7.5 Off-white pages. For many fans of Silver Age Marvel, it all begins here. Sure, the Fantastic Four came first, in November, 1961, but this was the big bomb the House of Ideas dropped on an unsuspecting public, and the reverberations are still being felt. Steve Ditko graduated from 1950s style monster stories to this, the Superhero as Mixed-up Teenager. His art style fit the concept well, and skinny, gawky kids all over the world identified with a Peter Parker who looked as if a slight wind could knock him down. This copy shows a very minor amount of wear; there is a tiny tear on the back cover and some stress on the spine; otherwise it looks sharp and flat and ready to find a place in a first-rate collection. And it even comes with a Marvel Milestone Edition reprint, so you can read the darn thing! Overstreet 2003 VF 8.0 value =$14,000.
Auction 807 | Lot: 6810 | Jul 20, 2003

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Burne Hogarth - Original Comic Strip Art for Tarzan, dated 2-1-48 (King Features Syndicate, 1948). One of the finest artists ever to grace the comic strip page, Burne Hogarth is renowned for his dynamic anatomy and his intricately detailed renderings. In this stunning example, Tarzan come face-to-face with N'ani, White Goddess of the Jungle and her feline companions. In excellent condition, without a hint of whiteout, this beautiful page measures approximately 21" x 28" and is signed by the artist in the last panel. Hogarth had two runs on "Tarzan," the first from 1937 to 1945 was marked by his attempt to mimic the style of Foster, from whom he inherited the strip. His second run, from 1947 to 1950 (the period from which this piece comes), shows a more mature artist, comfortable and confident in his own abilities, and ready to take "Tarzan" to new heights of greatness. After leaving the strip in 1950, Foster concentrated his efforts on his School of Visual Arts, teaching other artists the tricks and techniques he had learned and perfected. This is an exceptional opportunity to acquire a classic piece by one of the greatest artists ever to touch pen to paper. Don't let this one pass you by!
Auction 807 | Lot: 9039 | Jul 20, 2003

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