2008 May Vintage Comics & Comic Art Signature Auction
| Sale Number: | 828 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | May 22nd at 1 PM CT through May 23rd |
Featured Collections
The Kylberg Collection
The David Toth Collection of DC Silver Age
The Williamsport Collection
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Session 1
Golden Age (1938-1955)
Action Comics #1 (DC, 1938) CGC Apparent VF+ 8.5 Moderate (P) Off-white to white pages. No comic bestows more bragging rights upon its owner than a copy of the most important issue ever published, the first appearance of Superman. By general consensus, it's the comic that started the Golden Age, and Joe Shuster's cover remains the best-known in comic history. This copy's page quality certification is worth noting: of the 15 times we have offered an Action #1, this is just the third different "off-white to white" copy we have auctioned (and we haven't seen one with "white pages" to date). We were also impressed by the sharp back cover. With this book's combination of supply (low) and demand (couldn't be higher), we expect a strong price for this specimen. It bears the highest CGC grade of any restored copy we have ever offered, and the service GPAnalysis, which tracks sales of certified comics, notes no recorded sales (of the 1938 original) in any grade matching or exceeding this one. This copy was pictured in the June 20, 1994 issue of USA Today after selling for $54,625 in a Sotheby's auction, still more proof that this book has appeal that transcends the comic book hobby. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned reinforced." Overstreet 2008 GD 2.0 value = $42,000; VG 4.0 value = $84,000; FN 6.0 value = $126,000; VF 8.0 value = $275,000; VF/NM 9.0 value = $475,000. From the Kylberg Collection.
Adventure Comics #40 (DC, 1939) CGC Apparent FN+ 6.5 Extensive (P) Off-white to white pages. This key book is in Overstreet's Top Ten, and if you can find it at all, you'll almost never see a copy with this much eye appeal. This is the first Sandman issue of the series, and most of the nicer surviving copies have restoration (the Mile High among them). While New York World's Fair 1939 (also offered here as part of the Kylberg Collection) is the Sandman's first printed appearance, this issue is still one of the major DC keys thanks to Creig Flessel's classic cover plus its status as the first superhero issue of one of DC's earliest and longest-running books. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced, re-glossed." Overstreet 2008 GD 2.0 value - $5,000; VG 4.0 value = $10,000; FN 6.0 value = $15,000; VF 8.0 value = $37,500. From the Kylberg Collection.
Adventure Comics #48 (DC, 1940) CGC Apparent FN+ 6.5 Moderate (P) Off-white to white pages. A wonderfully clean copy of the first appearance of the Hourman, one of Overstreet's Top 30 Golden Age books. Bernard Baily is the cover artist. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $2,500; VG 4.0 value = $ 5,000; FN 6.0 value = $7,500; VF 8.0 value = $18,750. From the Kylberg Collection.
All-American Comics #16 (DC, 1940) CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. Green Lantern's origin and first appearance is one of the five most valuable comic book issues, and what put it there is not just the significance but also the scarcity -- it's simply tougher to find than the likes of Flash Comics #1 or All-Star #8. Overstreet calls the issue "rare," while Gerber gives it a 7, meaning "scarce." The Green Lantern story is by Martin Nodell, credited as "Mart Dellon," who created the character and got some help on this issue's script from Bill Finger of Batman fame. The issue's cover is by Sheldon Moldoff. Incidentally, the comic is far from an all-superhero affair -- the backup features include Mutt and Jeff as well as Sheldon Mayer's comic artist character Scribbly. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $10,625; VG 4.0 value = $21,250; FN 6.0 value = $31,875; VF 8.0 value = $85,000; VF/NM 9.0 value = $165,000. From the Kylberg Collection.
All-Flash #1 (DC, 1941) CGC Apparent FN 6.0 Moderate (P) Off-white pages. This issue marked just the third time a character from an anthology series got his own title (while the other series was called Flash Comics, it also starred Hawkman and many other characters). The fact that only Superman and Batman had accomplished this previously puts the Scarlet Speedster in pretty good company. E. E. Hibbard is the cover artist. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $1,417; VG 4.0 value = $2,834; FN 6.0 value = $4,251. From the Kylberg Collection.
All Star Comics #1 (DC, 1940) CGC Apparent VF+ 8.5 Moderate (P) Off-white to white pages. This title was a way for DC (and its sister company All-American Comics) to showcase top characters who hadn't yet been given a series of their own (though most of them were headliners of anthology titles). The lineup here includes the Flash, Hawkman, Hourman, the Spectre, Sandman, Biff Bronson, Red White and Blue, and Gary Concord, Ultra-Man. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $1,150; VG 4.0 value = $2,300; FN 6.0 value = $3,450; VF 8.0 value = $8,600. From the Kylberg Collection.
All Star Comics #3 (DC, 1940) CGC Apparent VF 8.0 Moderate (P) Cream to off-white pages. The first appearance of the Justice Society of America is such a milestone, and the cover so memorable, that we could go on and on about it! The heavy demand has put it at #13 on Overstreet's list of the top Golden Age books. The sharp eyes at CGC make an excellent point with their notation that this is the first cover appearance of the Atom, who only had a couple of outings in the back pages of All-American to his credit. A good-looking, professionally restored copy. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced. (2 tape stains on interior cover & 1st wrap)." Overstreet 2008 GD 2.0 value = $3,950; VG 4.0 value = $7,900; FN 6.0 value = $11,850; VF 8.0 value = $29,600. From the Kylberg Collection.
All Star Comics #5 (DC, 1941) CGC VG+ 4.5 White pages. Shiera Sanders appears as Hawkgirl for the first time here, making her the first costumed super-heroine. Cover by Howard Purcell. Overstreet 2008 VG 4.0 value = $874. CGC census 4/08: 1 in 4.5, 25 higher. From the Kylberg Collection.
All Star Comics #8 (DC, 1942) CGC Apparent VF/NM 9.0 Moderate (P) Cream to off-white pages. This is the first appearance of Wonder Woman, and this professionally restored copy bears the highest numerical grade of any we have offered to date. The issue is currently #22 on Overstreet's list of the top 100 Golden Age books. Wonder Woman isn't on the cover, nor does she appear in the Justice Society story, rather her debut story is included at the end of the book. The prevailing theory is that the Amazon was originally supposed to debut in Sensation Comics #1 and was a last-minute addition here to encourage readers of this established title to seek out the new series. The first part of Wonder Woman's origin is told in this story. We mustn't forget the Justice Society -- this early outing for the group has Dr. Mid-Nite and Starman being inducted as members. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $3,150; VG 4.0 value = $6,300; FN 6.0 value = $9,450; VF 8.0 value = $23,600; VF/NM 9.0 value = $41,800; NM- 9.2 value = $60,000. From the Kylberg Collection.
All Winners Comics #1 (Timely, 1941) CGC VF- 7.5 Cream to off-white pages. This smashing copy displays extremely well for the assigned grade -- have a look at our scan and we think you'll agree. All of the best Timely characters are featured on the cover of this issue. Inside, there's the first appearance of the All-Winners Squad in a text story by Stan Lee. The group wouldn't appear in comic panels until issue #19. Overstreet 2008 VF 8.0 value = $15,375. CGC census 4/08: 3 in 7.5, 9 higher. From the Kylberg Collection.
Silver Age (1956-1969)
Amazing Fantasy #15 (Marvel, 1962) CGC Apparent VF/NM 9.0 Moderate (P) Off-white to white pages. The release of the new Overstreet Guide last month marked the first time a Silver Age comic was given a NM- 9.2 value of $50,000. And of course, that book was Amazing Fantasy #15, the origin and first appearance of Spider-Man. We have actually seen unrestored 9.0 copies surpass that figure before, so whoever picks up this professionally restored specimen will be getting all the eye appeal for a fraction of the price. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $1,850; VG 4.0 value = $3,700; FN 6.0 value = $5,550; VF 8.0 value = $16,000; VF/NM 9.0 value = $33,000; NM- 9.2 value = $50,000. From the Kylberg Collection.
The Amazing Spider-Man #1 (Marvel, 1963) CGC Apparent VF 8.0 Slight (P) White pages. This book's Overstreet values went up by about 20% in all grades in the newest Guide, and this continues to be an issue that's on almost everyone's want list. This issue has the first Fantastic Four crossover and the first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Steve Ditko drew the cover over Jack Kirby layouts and handled all of the interior art. Overstreet 2008 GD 2.0 value = $1,250; VG 4.0 value = $2,500; FN 6.0 value = $3,750; VF 8.0 value = $11,000. From the Kylberg Collection.
Bronze Age (1970-1979)
The Amazing Spider-Man #129 (Marvel, 1974) CGC NM- 9.2 Off-white to white pages. The first appearance of the Punisher and a striking Gil Kane/John Romita Sr. cover get all the attention here, but don't forget that this key ish also has the debut of the Jackal. This book is on Overstreet's (and everyone else's) list of the top ten books of the bombastic Bronze Age. Overstreet 2008 NM- 9.2 value = $700. CGC census 4/08: 223 in 9.2, 265 higher. From the Kylberg Collection.
Golden Age (1938-1955)
America's Greatest Comics #1 (Fawcett, 1941) CGC Apparent FN+ 6.5 Slight (P) Off-white to white pages. Spy Smasher, Bulletman, Captain Marvel, Minute-Man, and Mr. Scarlet all appear on the Mac Raboy cover. The first time that all of Fawcett's major heroes ever appeared together on a cover. This square bound comic was Fawcett's first in this format. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2008 GD 2.0 value = $333; VG 4.0 value = $666; FN 6.0 value = $1,000; VF 8.0 value = $2,165. From the Kylberg Collection.
Atomic Comics #1 (Green Publishing Co., 1946) CGC NM 9.4 Off-white to white pages. This oddity certainly looks like a DC thanks to its Action-like logo, content reprinted from More Fun and Adventure, and a cover swiped from Detective Comics #8. Overstreet 2008 NM- 9.2 value = $1,700. CGC census 4/08: 4 in 9.4, 1 higher. From the Kylberg Collection.
Batman #1 (DC, 1940) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. It's the Joker's first appearance and Catwoman's too, no wonder this issue is #6 on Overstreet's list of the most valuable comic books! And of course, it's the first issue of one of the very few comics that has been in continuous publication for 65-plus years. Also of note are a retelling of Batman's origin and a classic (and much-imitated) cover by Bob Kane and Jerry Robinson. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $8,200; VG 4.0 value = $16,400; FN 6.0 value = $24,600; VF 8.0 value = $57,400. From the Kylberg Collection.
Silver Age (1956-1969)
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC FN 6.0 Cream to off-white pages. The first appearance of the Justice League of America puts this on Overstreet's list of the top 20 Silver Age books, and we've heard many times about how seeing this comic wowed a whole generation of kids who weren't yet born when the Justice Society was around. Our favorite bit of trivia about this one: it was the first cover appearance of Aquaman, who had been around for 19 years! Mike Sekowsky and Murphy Anderson are the cover artists. Overstreet 2008 FN 6.0 value = $1,380. CGC census 4/08: 6 in 6.0, 46 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Captain America Comics #1 (Timely, 1941) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. One of the most famous comic covers of all combines with the origin and first appearance of the title character to make this #7 in Overstreet's ranking of the 100 most valuable comic books (and behind only Marvel Comics #1 in the Timely department). There's no villain quite as evil as Adolf Hitler, of course, but in the fictional department you can't get much more fiendish than the Red Skull, who also debuts. And don't forget Cap's loyal sidekick Bucky Barnes who also appears inside. Creative geniuses Joe Simon and Jack Kirby drew the origin story, while the cover is a solo effort by Kirby. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $7,700; VG 4.0 value = $15,400; FN 6.0 value = $23,100; VF 8.0 value = $55,000. From the Kylberg Collection.
Captain Marvel Adventures #nn (#1) (Fawcett, 1941) CGC VG/FN 5.0 Cream to off-white pages. This is the highest-graded unrestored copy that CGC has certified! So you can see the validity of Overstreet's assertion that the book is "rarely found in Fine or Mint condition" because it was printed on poor paper stock. We see this issue much less than the other Fawcett keys, and as one of Overstreet's Top 30 Golden Age books, it's an issue we can't get enough of. At its height, this series was the bestselling comic in America, with total sales for the 1944 issues surpassing 14 million copies! It even went biweekly to meet demand at one point. This is the one and only issue of the title to have Jack Kirby art, and it was drawn on the "night shift" at the time Kirby was working on Captain America by day. This first issue's cover art is by C. C. Beck. This book was not present in most of the noted "pedigree" collections, and note that the next highest-graded copy on CGC's census is a 3.5. Overstreet 2008 VG 4.0 value = $5,500; FN 6.0 value = $8,250. CGC census 4/08: 1 in 5.0, none higher. From the Kylberg Collection.
Classic Comics #1 The Three Musketeers - Denver pedigree (Elliott, 1941) CGC VF+ 8.5 Off-white to white pages. This is the best copy we've ever offered of the Original Edition. The issue is a Gerber "7," and it seems that the white strip along the spine is the downfall of many a copy. Not so with this pedigree specimen, however. Overstreet 2008 VF 8.0 value = $3,080. CGC census 4/08: 2 in 8.5, 2 higher. From the Kylberg Collection.
Silver Age (1956-1969)
Daredevil #1 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. The origin and first appearance of Daredevil and the first appearances of Karen Page and Foggy Nelson are seen in this key issue. Bill Everett illustrated Stan Lee's story and drew the cover with some assistance from Jack Kirby. Overstreet 2008 VF/NM 9.0 value = $4,094; NM- 9.2 value = $6,000. CGC census 4/08: 36 in 9.0, 39 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Daring Mystery Comics #1 (Timely, 1940) CGC Apparent FN- 5.5 Moderate (P) Off-white to white pages. The bondage cover by Alex Schomburg is the first for Timely by that great artist (tied with Marvel Mystery #3) and like most of Schomburg's earlier covers has more of a "pulp" feel to it than the "cast of thousands" scenes he did later. Another one of the greats, Joe Simon, made his first Timely contribution here. Having received instructions to create another Human Torch, he delivered the Fiery Mask. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $1,900; VG 4.0 value = $3,800; FN 6.0 value = $5,700. From the Kylberg Collection.
Platinum Age (1897-1937)
Detective Comics #1 (DC, 1937) CGC Apparent FN 6.0 Moderate (P) Cream to off-white pages. Being the first issue of the comic series that gave DC its name is reason enough to make the collector want this one, but the book's legendary scarcity makes it more intriguing yet! This was only the third title that the company published, following More Fun Comics and New Adventure Comics. If not the very first comic series to be devoted to a single theme, Detective was certainly the first successful single-theme series. A word about the cover: the character is often mistaken for Fu Manchu, and though that Sax Rohmer character did appear in later issues of Detective, the fellow you see here is Chin Lung, drawn by Vin Sullivan. The simple cover design makes it among the most eye-catching of the Golden Age keys, and would make this issue easy to spot on a dealer's wall... if dealers ever had any on their walls! CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $9,700; VG 4.0 value = $19,400; FN 6.0 value = $29,100. From the Kylberg Collection.
Golden Age (1938-1955)
Detective Comics #27 (DC, 1939) CGC Apparent VF- 7.5 Moderate (P) Off-white to white pages. This bears the highest CGC grade of any copy we have offered to date! An unrestored VF- would be almost impossible to acquire (only two certified blue-label copies match or exceed this grade), and if located, would be a quarter-million-dollar item, so we think this professionally restored specimen would merit being the centerpiece of even a high-level Batman collection. The character's first appearance, this is behind only Action Comics #1 in the ranking of the most valuable comic books, and it's the only comic with a realistic chance to ever dislodge Action from the #1 spot. It's also worth mentioning that CGC's restoration notes on the slab pertain to the cover; the page quality certification matches the highest we've seen for this issue.
Included with this lot is a backing board autographed by Bob Kane with the inscription "For Duncan -- 'Bats' wishes" inside a sketched Batman silhouette. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2008 GD 2.0 value = $35,000; VG 4.0 value = $70,000; FN 6.0 value = $105,000; VF 8.0 value = $225,000. From the Kylberg Collection.
Included with this lot is a backing board autographed by Bob Kane with the inscription "For Duncan -- 'Bats' wishes" inside a sketched Batman silhouette. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2008 GD 2.0 value = $35,000; VG 4.0 value = $70,000; FN 6.0 value = $105,000; VF 8.0 value = $225,000. From the Kylberg Collection.
Detective Comics #33 (DC, 1939) CGC Apparent FN/VF 7.0 Moderate (P) Off-white pages. This copy has excellent eye appeal, particularly on the all-important front cover. This is ranked #12 on Overstreet's top Golden Age books list, and it's the second most-valuable Detective issue behind Batman's first appearance in #27. The reason is that this is the first telling of Batman's origin story, a tale that's now so familiar that practically everyone who's ever read a comic knows it. This issue also intrigues collectors because of the holster Batman's wearing on the cover drawn by Bob Kane. The Darknight Detective, who of course shunned guns in later years, is also holding a smoking gun in a famous panel at the end of the story. CGC notes, "Restoration includes: color touch, tear seal, spine splits sealed, cover cleaned, interior lightened, reinforced." Overstreet 2008 GD 2.0 value = $4,125; VG 4.0 value = $8,250; FN 6.0 value = $12,375; VF 8.0 value = $31,000. From the Kylberg Collection.
Detective Comics #38 (DC, 1940) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. The first appearance of Robin the Boy Wonder started one of the most imitated concepts in all of comics. Just ask Bucky, Roy the Super-Boy, Sandy, Speedy, Pinky, Toro, etc. etc. Punching and kicking are just more fun when accompanied by puns and wisecracks! In the same vein, keys are more fun when they've been lovingly restored to look as appealing as this copy here. By the way, the tape stains mentioned in CGC's notes obviously refer to the interior cover, as the visible portion of the spine looks fine. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced. (Tape stains on entire spine of cover.)" Overstreet 2008 GD 2.0 value = $3,850; VG 4.0 value = $7,700; FN 6.0 value = $11,550; VF 8.0 value = $29,000. From the Kylberg Collection.
Platinum Age (1897-1937)
Donald Duck #978 (Whitman Publishing Co., 1935) Condition: VF/NM. This linen-like illustrated text story book is considered to be the first comic ever devoted to Donald Duck. He appears here with Mickey Mouse's nephews in a scene reminiscent of his film debut, The Wise Little Hen. Most surviving copies tend to have smudging, so you'll like this high-grade specimen. Overstreet 2008 VF/NM 9.0 value = $2,800; NM- 9.2 value = $4,000. From the Kylberg Collection.
Golden Age (1938-1955)
Double Action Comics #2 (DC, 1940) Condition: VF/NM. Only seven copies of this rarity are said to exist, and if you need proof of the demand, look no further than our last auction when a restored CGC 5.5 specimen sold for $16,730, or well above the VF/NM Overstreet value. This copy is apparently hand-assembled, as the cover extends beyond the edges of the printed pages, and this overhang means that it's not a candidate for CGC encapsulation. Two very small tears on the overhang (back cover) and a slight crunch to one corner are the only flaws of note; four of our in-house graders examined the book, with three grading it VF/NM and one NM-. This copy has cream interior pages. A Gerber "10," the book was named one of the 20 rarest Golden Age books by Comic Book Marketplace (a list that included ashcans and the like). While the Overstreet Guide says that an ashcan of #1 exists, we believe this to be false. The contents of this issue are black and white (and it may have been an experiment to see if a black-and-white comic would sell). The content is all pre-Action #1 DC fare (including Siegel and Shuster's Dr. Occult in two stories reprinted from different issues of More Fun Comics), and you'll recognize the cover as the image used on Adventure Comics #37 which came out the previous year. While the Overstreet listing would indicate that the majority of the existing copies are high-grade, we have heard accounts that contradict this. Indeed, the CGC census shows one copy each in PR, GD/VG, apparent FN-, VF/NM, and NM-. Included in this lot is a 1996 letter from comic dealer Stephen Fishler, attesting to the provenance of this copy. Overstreet 2008 VF/NM 9.0 value = $13,850; NM- 9.2 value = $18,500.
Provenance:
Rich Kylberg Collection
Metropolis Collectibles
Collection of DC editor Sol Harrison From the Kylberg Collection.
Provenance:
Rich Kylberg Collection
Metropolis Collectibles
Collection of DC editor Sol Harrison From the Kylberg Collection.
Platinum Age (1897-1937)
Famous Funnies #1 (Eastern Color, 1934) CGC Apparent FN+ 6.5 Moderate (A) Off-white to white pages. This was the first comic book sold to the general public through newsstand distribution! Just to differentiate from some other firsts: Funnies On Parade (the first comic book, and also offered in this same section) and a couple of other one-shots were giveaway premiums, the success of which indicated that there might be reader demand for the format. Another book, known as Famous Funnies Series 1, was sold to the general public through chain stores. The new format having passed those tests, Eastern Color brought out this first issue of a monthly newsstand series. It would run for over twenty years. Like all early comic books, this contained comic strip reprints -- the featured characters included Mutt and Jeff, Tailspin Tommy, and Joe Palooka (at the time, some naysayers wondered why anyone would pay 10 cents for the same strips they had already read for free in the newspapers). This comic is currently ranked #75 on Overstreet's list of the most valuable Golden Age comics -- the only reason it's not much higher is that while most comics have NM- prices listed in the Guide, no NM- copy of this is known to exist. This issue is a Gerber "9" or "Very Rare." CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $3,043; VG 4.0 value = $6,086; FN 6.0 value = $9,129; VF 8.0 value = $22,000. From the Kylberg Collection.
Golden Age (1938-1955)
Fantastic Comics #1 (Fox, 1939) CGC NM- 9.2 Cream to off-white pages. This copy has a high "wow" factor -- it's one thing to see it in low to mid-grade, as most Golden Age collectors have, and something else to see this copy's brilliant colors! The back cover looks great, too. The very collectible Lou Fine is the cover artist. Fine's fellow Iger shop artists handled the interior, which saw the first appearance of Samson, a character who later had his own book. Also, we can't resist mentioning the first appearance of Stardust, because we recall an old Overstreet notation that the character "assassinated wrongdoers regularly." Overstreet 2008 NM- 9.2 value = $8,400. CGC census 4/08: 1 in 9.2, none higher. From the Kylberg Collection.
Silver Age (1956-1969)
Fantastic Four #1 (Marvel, 1961) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. The new Overstreet Guide saw the VF price for this book go up by $2,000. This book's Jack Kirby cover is so much more appealing when the white background looks clean, and this professionally restored copy fills that bill. It's the origin and first appearance of the Fantastic Four, Marvel's first superhero team. This Stan Lee yarn, which also has the debut of the Mole Man, is the first Silver Age Marvel comic and behind only Amazing Fantasy #15 and Showcase #4 on Overstreet's Top Silver Age Books list. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 VF 8.0 value = $12,500. CGC census 4/08: 10 in 7.5, 23 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Flash Comics #1 Ashcan Edition (DC, 1939) CGC NM 9.4 Cream to off-white pages. In late 1939, DC and Fawcett, both coveting the catchy title "Flash," each raced to get its own ashcan version printed to secure the copyright to the name. But it was DC beating Fawcett to the punch. As usual for ashcans, the content was not new material -- the cover is Leo O'Mealia's cover art for Adventure Comics #41, and the interior was lifted from All-American Comics #8. This ashcan is listed in Gerber with a scarcity rating of "10." At the time it was offered in the June 28-29, 1996 Sotheby's auction it was thought to be the only extant copy, and to this day only three appear on the CGC census. Overstreet did not list this edition until 2006, and still does not list a value today, though the Guide does note that a CGC 9.6 copy sold for $12,000 in 2003. CGC census 4/08: 1 in 9.4, 1 higher. From the Kylberg Collection.
Flash Comics Ashcan Edition #1 Captain Thunder (Fawcett, 1940) CGC NM 9.4 White pages. This is one of just eight existing copies of the first printed appearance of Captain Marvel, a comic that was not discovered by hobbyists until 1983. With the Golden Age in full bloom, publishers raced to secure the copyrights to desirable titles, and that's where ashcans came in (an ashcan is a mock-up of a comic, produced in very small quantities). As Fawcett's editorial director said in an interview, "Only a few copies were printed and sent by registered mail to wholesalers and distributors to indicate distribution and to establish the date of first usage in case another publisher came up with the same title." But of course, Fawcett lost the race for the "Flash" title to DC (note that DC's own ashcan of the same name is also featured in this auction). Fawcett, which also tried Thrill Comics as a title (see that ashcan elsewhere in this auction as well), finally settled on Whiz Comics. In fact, the existence of this makes it clear why the first issue of Whiz to hit newsstands, Fawcett's first-ever comic, was #2 rather than #1. While we call the cover character Captain Marvel, he was actually "Captain Thunder" in this inaugural issue. Overstreet says the name change was because of a conflict with Captain Terry Thunder (and even the most committed Golden Age diehard could be forgiven for not knowing that the latter was a Fiction House character, first appearing in Jungle Comics #1, dated January 1940). We have also heard the equally plausible theory that the conflict was with Johnny Thunder, who debuted in DC's own Flash #1 (also January 1940). The eight-page origin story of Captain Thunder essentially corresponds to the first seven pages as published in the first issue of Whiz Comics, with the 13th and final page of the full story changed around to serve as a wrap-up to the truncated tale. Unlike most other ashcans, this one has a cover that wasn't later used for a published comic. The back cover is blank. A CGC VF/NM 9.0 copy sold in the January 2006 Heritage auction for $10,177.50. Overstreet does not list a value for this issue. CGC census 4/08: 1 in 9.4, none higher. From the Kylberg Collection.
Flash Comics Ashcan Edition #1 Golden Arrow Variant (Fawcett, 1940) CGC Apparent VF/NM 9.0 Slight (P) White pages. A version of this ashcan that we hadn't seen before, this may well have preceded the better-known Fawcett Flash ashcan (also offered in this auction) that has Captain Thunder -- later known as Captain Marvel -- on the cover. This one features Golden Arrow, another character whose first official newsstand appearance was Whiz #2, and who appeared in almost every issue of that title in addition to a brief series of his own. Ernst Gerber's interpretation was that this version came first, and that Fawcett, believing this version had staked out the rights to the Flash name, added Captain Thunder to the subsequent version, with all of the above taking place in late November/early December 1939. This strikes us as plausible, because if the more polished-looking Captain Thunder version had been first, whether it had succeeded or failed, there would scarcely have been any reason to follow up with this rougher-looking version later. Note that while Gerber's description refers to Dan Dare, the accompanying photograph (677-2 (1)) clearly shows this Golden Arrow version. CGC notes, "Restoration includes: spine split sealed to cover, cover & centerfold reinforced." Overstreet does not list a value for this item. From the Kylberg Collection.
Flash Comics #1 (DC, 1940) CGC FN+ 6.5 Cream to off-white pages. The only two copies graded higher than this one by CGC to date are a VF+ 8.5 and the 9.6 Mile High, the latter of which sold in a Heritage auction for $273,125. And we previously auctioned the other 6.5 copy (which also had cream to off-white pages) for $33,460. What we love about the copy we're offering here is the lack of any staining, foxing, or the like, most notably on the pink "floor" at lower right which seems to appear mottled on most any copy you'll find. This key has the first appearances of the Flash, Hawkman, Johnny Thunder, and Shiera Sanders (the future Hawkgirl). Since those first two are among the most famous comic characters of all time, no wonder this comic is in Overstreet's Top Ten! The cover art for this milestone issue is credited to Sheldon Moldoff. Overstreet 2008 FN 6.0 value = $20,550; VF 8.0 value = $51,500. CGC census 4/08: 3 in 6.5, 2 higher. From the Kylberg Collection.
Four Color (Series One) #4 Donald Duck - 15 Cent Cover (Dell, 1940) CGC VG 4.0 Off-white pages. This is the only copy we have ever seen or heard of to have a 15-cent cover price! It's certainly interesting to speculate how this copy might have come about -- the 1940 publication date puts it in the same year as other 15-centers known to exist like Batman #2 and Detective Comics #43. This early Donald Duck appearance, drawn by Al Taliaferro, is on Overstreet's list of the 100 most valuable Golden Age comics, and it's difficult to come by even in VG (a FN 6.0 copy we auctioned some years ago remains the highest-graded copy of the normal 10-cent edition). Overstreet 2008 VG 4.0 value (for the 10-cent edition) = $2,200. CGC census 4/08 (for the 15 Cent Cover variant) 1 in 4.0, none higher. From the Kylberg Collection.
Four Color (Series One) #16 Mickey Mouse - File Copy (Dell, 1941) CGC GD+ 2.5 Cream to off-white pages. From inside the slab, this looks awfully nice for a GD+ copy. In fact, the attractiveness of the front cover compares to much higher-graded copies we have seen. "Mickey Mouse Outwits The Phantom Blot" is the first "regular" Mickey Mouse comic book; i.e., the first standard-format, four-color Mickey comic. The only reason it's not on the Top 100 Golden Age books list is that Overstreet doesn't list a value above VF for it! Floyd Gottfredson is the artist. Overstreet 2008 GD 2.0 value = $1,250. CGC census 4/08: 1 in 2.5, 24 higher. From the Kylberg Collection.
Four Color #9 Donald Duck (Dell, 1942) CGC Apparent FN/VF 7.0 Extensive (P) Cream to off-white pages. The very pretty spine will catch your eye when you examine this copy of "Donald Duck finds Pirate Gold," the first Donald Duck story drawn by Carl Barks. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $971; VG 4.0 value = $1,942; FN 6.0 value = $2,913; VF 8.0 value = $6,800. From the Kylberg Collection.
Platinum Age (1897-1937)
Funnies On Parade #nn (Eastern Color, 1933) CGC VG/FN 5.0 Cream to off-white pages. This is the first comic book ever published, and this copy is the only unrestored copy we've ever seen! This was a giveaway book, produced for Procter and Gamble with a print run of 10,000. Gerber gave this a scarcity rating of "8" in his Photo-Journal. The comic was sent for free to customers who clipped coupons from the company's products -- charging a dime for this new item would come later! The contents were all reprinted Sunday funnies. When you compare the significance to the Guide values, this would have to be considered one of the biggest bargains in all of comic collecting. Overstreet 2008 VG 4.0 value = $2,000; FN 6.0 value = $3,000. CGC census 4/08: 1 in 5.0, 4 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Green Lantern #1 (DC, 1941) CGC FN+ 6.5 Off-white pages. Currently #19 in Overstreet's ranking of top Golden Age books. After a year of starring in All-American Comics, Green Lantern became the fourth anthology character to get his own series, after Superman, Batman, and the Flash. Howard Purcell is the cover artist. The key point on this book is always: has the black cover survived without color breaks? The only ones seen here are very minimal. Overstreet 2008 FN 6.0 value = $9,000; VF 8.0 value = $22,000. CGC census 4/08: 4 in 6.5, 12 higher. From the Kylberg Collection.
The Human Torch #2 (#1) (Timely, 1940) CGC Apparent FN+ 6.5 Slight (P) Cream to off-white pages. The first issue of the series, this had the first appearance of the title character's sidekick Toro! Alex Schomburg is the cover artist. This is ranked among Overstreet's 20 most valuable comic books, and in the Timely department only Marvel Comics #1 and Captain America #1 top it... both of which are offered in this same section! CGC notes, "Restoration includes: cover cleaned." Overstreet 2008 GD 2.0 value = $3,000; VG 4.0 value = $6,000; FN 6.0 value = $9,000; VF 8.0 value = $22,500. From the Kylberg Collection.
Silver Age (1956-1969)
The Incredible Hulk #1 (Marvel, 1962) CGC FN/VF 7.0 Off-white to white pages. Once you get past FN+ 6.5 on the CGC census, the population numbers really start thinning out, and this lack of higher-grade copies is the reason there's such a huge spread between the FN and VF Overstreet values. This is the origin and first appearance of the Hulk. The story's writer and artist, whom we call "the Man" and "the King" respectively, autographed this one, as per CGC's standard policy the certification firm did not attempt to authenticate the autograph. CGC notes, "'Stan Lee' & 'Jack Kirby' written on 1st page in pen and marker." Overstreet 2008 FN 6.0 value = $3,000; VF 8.0 value = $10,000. CGC census 4/08: 15 in 7.0, 34 higher. From the Kylberg Collection.
Journey Into Mystery #83 (Marvel, 1962) CGC Apparent VG 4.0 Slight (A) Off-white to white pages. The origin and first appearance of Thor, this book has been a strong performer lately, both in unrestored and restored condition. Jack Kirby cover art. CGC notes, "Restoration includes: small amount of color touch on cover, small amount of glue on spine of cover. (Bottom edge trimmed)." Overstreet 2008 GD 2.0 value = $600; VG 4.0 value = $1,200. From the Kylberg Collection.
Golden Age (1938-1955)
Jungle Comics #1 (Fiction House, 1940) CGC VF+ 8.5 Cream to off-white pages. This issue has the only cover of the series drawn by highly collectible artist Lou Fine. This was the only jungle series on the stands at the time, starting what would soon be an entire genre. The issue's got the origin and first appearance of Kaanga, who had the lead feature in all 163 issues of this series (though we were confused to see that Kaanga has the umlaut on the first A of his name here, somehow that got switched to the second A shortly thereafter!). Also making their first appearances were the likes of Wambi the Jungle Boy (soon to star in his own series) and Captain Terry Thunder. Overstreet 2008 VF 8.0 value = $3,200; VF/NM 9.0 value = $5,600. CGC census 4/08: 1 in 8.5, 2 higher. From the Kylberg Collection.
Marvel Comics #1 (Timely, 1939) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. This copy was pictured in the color section of the 1977-78 Comic Book Price Guide (#7), and at that time Marvel #1 also occupied the #1 spot on the list of most valuable comic books. It certainly hasn't lost significance since then, as it's the first comic to be published by the company that became Marvel. It's also got the first appearance of the Human Torch and the first newsstand appearance of the Sub-Mariner. Frank R. Paul is the cover artist. CGC notes, "Restoration includes: color touch, piece added, spine split sealed, reinforced, re-glossed." Overstreet 2008 GD 2.0 value = $22,000; VG 4.0 value = $44,000; FN 6.0 value = $66,000; VF 8.0 value = $147,000. From the Kylberg Collection.
Mary Marvel Comics #1 (Fawcett, 1945) CGC NM 9.4 Off-white pages. You'll seldom see a circulated copy in this condition -- we certainly didn't spot a flaw! After starring in Wow Comics, Mary Marvel earned her own title, and not only did she have Captain Marvel introduce her on the cover, she got her very own archfoe in Georgia Sivana (daughter of Dr. Sivana), whose first appearance and origin are in these pages. The cover art is by Jack Binder. Overstreet 2008 NM- 9.2 value = $3,200. CGC census 4/08: 1 in 9.4, 2 higher. From the Kylberg Collection.
Platinum Age (1897-1937)
Mickey Mouse Book Later Printing (Bibo & Lang, 1931) Condition: VF+. Disney's first licensed publication is almost unheard-of in this condition -- complete copies are tough to come by, never mind high-grade ones! Also, this one does not have interior markings of any sort. It couldn't be determined whether this is a second, third, or fourth printing, though the presence of "Age 11 Years" on the first page, as well as the absence of the lyrics "kill him" inside, shows that it is not a first printing. This copy previously sold in the June 29, 1996 Sotheby's auction (though not identified as a later printing at the time) with a consultant's grade of "very fine 87." The content is simply delightful, with song lyrics, Win Smith strip reprints, and a text story telling how Mickey Mouse met Walt Disney! Overstreet 2008 VF 8.0 value (highest value listed) = $10,000. From the Kylberg Collection.
Mickey Mouse Magazine #1 (K. K. Publications, Inc., 1935) Condition: FN. The title that eventually became the decades-spanning series Walt Disney's Comics and Stories started as an oversize fun compendium, with puzzles, games, and stories of Disney characters. This first issue is ranked among the 100 most valuable Golden Age books by Overstreet, and would be even higher on the list except that the Guide doesn't list a value above VF/NM! This copy's cover colors look excellent, and unlike most copies, it doesn't have any pencil markings on the interior puzzles. There is browning at the page edges. This one ranks with Four Color #16 (also available in this auction) as one of the most desirable comic items for the Mickey Mouse collector. Overstreet 2008 FN 6.0 value = $4,125. From the Kylberg Collection.
Golden Age (1938-1955)
Millie the Model #1 (Marvel, 1945) CGC VF- 7.5 Light tan to off-white pages. This comic tends to be found in "falling-apart" condition if you can find one at all. We believe this to be Millie's first appearance, and that's pretty significant since this title ran for 207 issues and she also starred in other series too (Modeling with Millie etc.). Insofar as it's possible for a fashion model to have an origin, that's told in this issue. The cover concept of "guy flabbergasted by Millie's beauty, to comic effect" was a Millie trademark! Overstreet 2008 VF 8.0 value = $563. CGC census 4/08: 2 in 7.5, 2 higher. From the Kylberg Collection.
More Fun Comics #52 (DC, 1940) CGC Apparent VG/FN 5.0 Extensive (P) Off-white pages. This copy has excellent eye appeal that belies the modest grade! The first appearance of the Spectre is one of the ten most valuable comic books of all, and most surviving copies do seem to have some degree of restoration (CGC has issued more "restored" grades than universal grades to date). The Spectre story, which also has the character's origin, was drawn by Bernard Baily and written by Superman's co-creator Jerry Siegel. Further distinguishing this first issue is the fact that this was the only appearance of the blue-grey Spectre, who adapted his signature green and grey garb thereafter. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed. (Married centerfold)." Overstreet 2008 GD 2.0 value = $6,000; VG 4.0 value = $12,000; FN 6.0 value = $18,000. From the Kylberg Collection.
More Fun Comics #53 (DC, 1940) CGC Apparent VF- 7.5 Moderate (P) Off-white to white pages. One of the 20 most valuable comic book issues, this is the second appearance of the Spectre, featuring the second half of his origin story and the first time he is seen with the green cape that later became his trademark. This is one of those Golden Age books that's found in restored form more often than unrestored, and whatever restoration expert did the honors here certainly did a bang-up job -- have a look at our scan and you'll see how appealing this one is. CGC notes, "Restoration includes: color touch, piece added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $2,850; VG 4.0 value = $5,700; FN 6.0 value = $8,550;VF 8.0 value = $20,000. From the Kylberg Collection.
More Fun Comics #73 (DC, 1941) CGC VF 8.0 Off-white to white pages. The first appearances of Aquaman, Green Arrow, and Speedy make this one of the key issues of the run as well as one of Overstreet's Top 100 Golden Age books. The origin of Aquaman is also told here. The rest of the star-studded lineup includes Doctor Fate (the star of the book at the time), Johnny Quick, and the Spectre. As both of the main characters are still well-represented in comics and pop culture today, this book should have staying power. Only the Mile High and one other copy have been certified with higher grades to date. Overstreet 2008 VF 8.0 value = $10,000. CGC census 4/08: 2 in 8.0, 2 higher. From the Kylberg Collection.
More Fun Comics #101 (DC, 1945) CGC Apparent VG/FN 5.0 Moderate (A) Cream to off-white pages. Ever since Superboy got his own TV show, the character's first appearance has taken on added significance, and that first story is right here, despite the fact he's not shown or even mentioned on the cover! A couple of things about this issue's lineup of characters have always intrigued us: for one thing, the Spectre story is not only the character's last appearance in this series, he didn't appear anywhere in comics until Showcase #60, 21 years later. The fact that Dover and Clover are mentioned on the cover but don't appear inside leads us to believe that Superboy was a last-minute replacement here (those comedic twins will get no sympathy from their co-star Aquaman, who never appeared on any Golden Age cover). The Green Arrow cover art is by Cliff Young. CGC notes, "Restoration includes: color touch, pieces added, tear seals, glue on spine, reinforced, staples cleaned. (Right edge trimmed)." Overstreet 2008 GD 2.0 value = $857; VG 4.0 value = $1,714; FN 6.0 value = $2,571. From the Kylberg Collection.
Motion Picture Funnies Weekly #1 (First Funnies, Inc., 1939) CGC Apparent VG 4.0 Moderate (P) Brittle pages. Only nine copies are known to exist of this comic, one of the more fascinating books among Overstreet's Top 50. The existence of this wasn't discovered until the early seventies, but it soon became one of the most prized comics of all -- in fact, in Overstreet Guide #8, it was ranked as the third most-valuable comic, behind only Marvel #1 and Action #1. The discovery of this book caused such a sensation is because collectors were forced to realize that the Sub-Mariner story here pre-dates the near-identical one in Marvel Comics #1, making this the character's first printed appearance.
Never released to newsstands, this was created as a promotional giveaway to be distributed weekly at movie theatres (as demonstrated by the back-cover ad which elaborates on the concept). It didn't catch on, and no second issue was printed, though cover proofs for later issues were made (and are offered in this same auction).
Note that this was not published by Timely. Rather, the "Funnies Inc." studio produced it, and they later re-used Bill Everett's Sub-Mariner story for Marvel Comics #1, which Funnies Inc. produced in its entirety for Timely Comics. Fred Schwab drew the cover of this one and only issue. CGC notes, "Restoration includes: color touch, pieces added, spine splits sealed, reinforced." Overstreet 2008 GD 2.0 value = $4,400; VG 4.0 value = $7,700. From the Kylberg Collection.
Never released to newsstands, this was created as a promotional giveaway to be distributed weekly at movie theatres (as demonstrated by the back-cover ad which elaborates on the concept). It didn't catch on, and no second issue was printed, though cover proofs for later issues were made (and are offered in this same auction).
Note that this was not published by Timely. Rather, the "Funnies Inc." studio produced it, and they later re-used Bill Everett's Sub-Mariner story for Marvel Comics #1, which Funnies Inc. produced in its entirety for Timely Comics. Fred Schwab drew the cover of this one and only issue. CGC notes, "Restoration includes: color touch, pieces added, spine splits sealed, reinforced." Overstreet 2008 GD 2.0 value = $4,400; VG 4.0 value = $7,700. From the Kylberg Collection.
Motion Picture Funnies Weekly #2-4 Covers Only (First Funnies, Inc., 1939) Condition: NM. Issues #2-4 were planned but never printed, so these covers are a real piece of comic book history. Of course, issue #1 is the legendary comic (featured elsewhere in this auction) which was printed (though it never reached newsstands) and featured the true first appearance of the Sub-Mariner. The title was meant to be distributed at movie theaters as a promotional giveaway. Alas, the concept never took off. This title is also significant for being the first comic production of the Lloyd Jacquet shop, aka Funnies Inc., who went on to produce Marvel Comics #1 as well as many other key Golden Age comics. As for these items, the cover art for #3 is by Max Neill, whose work was later seen in Centaur comics among others, and the cover art for #2 and 4 is by Martin Filchock -- if you were a kid in the 1970s you'll probably remember the "compare these two pictures" scenes Filchock drew for Highlights magazine. Overstreet 2008 NM- 9.2 value for set = $1,000. From the Kylberg Collection.
Movie Comics #1 (DC, 1939) CGC Apparent VG/FN 5.0 Moderate (P) Slightly brittle pages. This "scarce" book (so designated by both Overstreet and Gerber) came out quite early in DC's publishing history, preceding series like Superman and Batman. Overstreet once called this comic "The first movie adaptation in standard comic book form." CGC notes, "Restoration includes: color touch, pieces added, cleaned, reinforced." One of the five films covered is Son of Frankenstein. Overstreet 2008 GD 2.0 value = $345; VG 4.0 value = $690; FN 6.0 value = $1,035. From the Kylberg Collection.
National Comics #1 Denver pedigree (Quality, 1940) CGC VF 8.0 Off-white pages. The finest existing copy? Not only is it the best we've seen, it also has a higher CGC grade than the Mile High copy of #1, which had a small stain. That's probably why Ernst Gerber chose this Denver copy to picture in his Photo-Journal, while photographing Mile High copies as ideal examples of the succeeding issues.
Overstreet called the cover art "Lou Fine at his very best," and the featured character, Uncle Sam, made his first appearance here. While he's obviously James Montgomery Flagg's "I Want You" poster come to life, Steranko's History of Comics noted that his costume matches that of Frank Godwin's cover illustration for the January 19, 1935 Liberty Magazine. When in this debut story, young Buddy asks the hero whose Uncle he is, he replies, "Everyone's Uncle -- every American boy is my nephew!" Uncle Sam was one of the first patriotic superheroes to come along -- only the Shield precedes him, and Captain America wouldn't hit newsstands for another eight months.
This book doesn't come along very often in any grade, and note that just nine copies appear on CGC's census to date. While other comics in the Kylberg Collection will undoubtedly sell for higher prices, we won't think ill of you if you point to this one as one of the most exciting of the bunch. Overstreet 2008 VF 8.0 value = $3,600. CGC census 4/08: 1 in 8.0, none higher. From the Kylberg Collection.
Overstreet called the cover art "Lou Fine at his very best," and the featured character, Uncle Sam, made his first appearance here. While he's obviously James Montgomery Flagg's "I Want You" poster come to life, Steranko's History of Comics noted that his costume matches that of Frank Godwin's cover illustration for the January 19, 1935 Liberty Magazine. When in this debut story, young Buddy asks the hero whose Uncle he is, he replies, "Everyone's Uncle -- every American boy is my nephew!" Uncle Sam was one of the first patriotic superheroes to come along -- only the Shield precedes him, and Captain America wouldn't hit newsstands for another eight months.
This book doesn't come along very often in any grade, and note that just nine copies appear on CGC's census to date. While other comics in the Kylberg Collection will undoubtedly sell for higher prices, we won't think ill of you if you point to this one as one of the most exciting of the bunch. Overstreet 2008 VF 8.0 value = $3,600. CGC census 4/08: 1 in 8.0, none higher. From the Kylberg Collection.
Platinum Age (1897-1937)
New Fun Comics #1 File Copy With Letter From Lloyd Jacquet (DC, 1935) Condition: Apparent VF-. This is the first DC comic book, the first tabloid size comic, and also "the prototype of the modern comic in that it featured an anthology format of continuing characters and original rather than reprinted material," as Overstreet once put it. The February 1935 cover date speaks volumes! This first issue started a series which became More Fun Comics.
This file copy (which was once owned by comic writer Ken Fitch) is accompanied by a letter (printed to resemble handwriting) from Lloyd Jacquet, editor of the issue, dated 1/11/35. It reads:
New FUN - hot off the Daily Eagle press - goes on sale today from coast to coast. Take this copy home -- try it on the youngsters from 2 to 90 -- and see them go through this live, modern idea of a kid's mag, filled with original comics and features! Lloyd Jacquet, Editor. P.S. How do you like it?
As for the content Jacquet and colleagues developed: in addition to the first comic book appearance of Oswald the Rabbit (later seen in Dell's Four Color series), this all black-and-white issue has adventure strips, text features, photos, and even ads (which were not regularly seen in comics back then). This issue is currently #29 in Overstreet's ranking of the most valuable comics, but that's a bit unfair because the highest Overstreet value is for Very Fine, and the VF value is higher than that of top-ten books More Fun #52 and Adventure #40. On top of all of that, this issue is tough to find: Comic Book Marketplace once put it among the 50 rarest Golden Age books. This copy has the proper names "Batten Barton Dursten Osborn" penciled at the top of the cover; these will be familiar to some as the full name of the legendary advertising agency BBDO, which had already been around for some years in 1935 (the relevance to this comic, if any, will likely never be known). The text features on pages 16 and 17 have "300" and "300 wds" respectively penciled next to them, which would be consistent with a file copy. The extensive restoration includes rice paper support to all pages. Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000; VF 8.0 value = $49,000. From the Kylberg Collection.
This file copy (which was once owned by comic writer Ken Fitch) is accompanied by a letter (printed to resemble handwriting) from Lloyd Jacquet, editor of the issue, dated 1/11/35. It reads:
New FUN - hot off the Daily Eagle press - goes on sale today from coast to coast. Take this copy home -- try it on the youngsters from 2 to 90 -- and see them go through this live, modern idea of a kid's mag, filled with original comics and features! Lloyd Jacquet, Editor. P.S. How do you like it?
As for the content Jacquet and colleagues developed: in addition to the first comic book appearance of Oswald the Rabbit (later seen in Dell's Four Color series), this all black-and-white issue has adventure strips, text features, photos, and even ads (which were not regularly seen in comics back then). This issue is currently #29 in Overstreet's ranking of the most valuable comics, but that's a bit unfair because the highest Overstreet value is for Very Fine, and the VF value is higher than that of top-ten books More Fun #52 and Adventure #40. On top of all of that, this issue is tough to find: Comic Book Marketplace once put it among the 50 rarest Golden Age books. This copy has the proper names "Batten Barton Dursten Osborn" penciled at the top of the cover; these will be familiar to some as the full name of the legendary advertising agency BBDO, which had already been around for some years in 1935 (the relevance to this comic, if any, will likely never be known). The text features on pages 16 and 17 have "300" and "300 wds" respectively penciled next to them, which would be consistent with a file copy. The extensive restoration includes rice paper support to all pages. Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000; VF 8.0 value = $49,000. From the Kylberg Collection.
Golden Age (1938-1955)
New York World's Fair Comics 1939 (DC, 1939) CGC VG/FN 5.0 Cream to off-white pages. We believe this to be the Twilight pedigree copy, though the book is accompanied by the Twilight certificate of authenticity for the 1940 issue, perhaps a clerical error at the time of a previous sale. This issue, listed at number 41 in Overstreet's ranking of the most valuable Golden Age books, went up in demand when comic collectors realized that the Sandman story here was released before Adventure #40, previously considered the character's first appearance. The fact that Superman has blond hair on the cover is just one interesting oddity, the other is the 15-cent sticker found on this and many other copies. This 100-pager was priced at an unheard-of 25 cents upon release and didn't sell, so DC took the extraordinary step of lowering the price. As for the kids who did send in a quarter after seeing the first ads, to make up the dime difference DC sent them (and we can't say this without gasping and choking) a copy of Superman #1 or #2. Vin Sullivan and Fred Guardineer are the cover artists. Overstreet 2008 VG 4.0 value = $3,800; FN 6.0 value = $5,700. CGC census 4/08: 3 in 5.0, 7 higher. From the Kylberg Collection.
Nickel Comics #1 Ashcan Edition (Fawcett, 1940) CGC VF+ 8.5 White pages. Unlike Fawcett's ashcans for Flash Comics and Thrill Comics, this one bears a title that the publisher ended up actually using. Though the publisher hedged its bets by also putting out a 5 Cent Comics ashcan around the same time! Once Nickel Comics was confirmed as the title, the book had an eight-issue run in 1940. The cover copy of this one reads "Featuring the episode adventures of Scoop Smith, daring young reporter whose "beat" is the entire world." And this rarity is the only comic cover the character was ever mentioned on -- not only did he never appear in the regular Nickel Comics title, we believe his only appearances anywhere were in the back pages of Whiz Comics #1-6. Only two copies of this ashcan appear on the CGC census; Heritage sold the other copy (CGC 9.6) for $7,200 in March 2003. Overstreet does not list a value for this comic. CGC census 4/08: 1 in 8.5, 1 higher. From the Kylberg Collection.
Books
Overstreet Price Guide #1 First Printing (Bob Overstreet, 1970) Condition: FN-. Back when this white-cover first printing came out, everyone was hunting for #1 issues, but few thought to preserve the #1 issue of the Guide itself! Adding to the problem of finding a nice one is the fact that these were hand-bound by Mr. Overstreet and his family, and the book's 200 pages strain the staple binding to the limit. We don't know what's more amazing: the Mint price of $5 each for Brave and the Bold #28-30, or the fact that not one single ad says "I pay the most." There are a couple of red ink marks on the back cover and the last page. Overstreet 2008 Fine value = $900. From the Kylberg Collection.
Golden Age (1938-1955)
Planet Comics #1 (Fiction House, 1940) CGC FN/VF 7.0 Cream to off-white pages. The most valuable Fiction House comic book, this one is in Overstreet's Top 100 list. A cover by greats Lou Fine and Will Eisner kicked off the best of the Golden Age sci-fi series. Overstreet 2008 FN 6.0 value = $3,450; VF 8.0 value = $8,600. CGC census 4/08: 2 in 7.0, 6 higher. From the Kylberg Collection.
Plastic Man #nn (#1) (Quality, 1943) CGC VF+ 8.5 Cream to off-white pages. There are only two higher-graded copies (none certified above 9.2), so it's no "stretch" to call this one of the best around. It's not the character's first appearance (though we are offering that book, Police #1, as part of the Kylberg Collection), but this one has a classic skull cover with Plas in action. The art is by Jack Cole, of course. Overstreet 2008 VF 8.0 value = $2,750; VF/NM 9.0 value = $4,875. CGC census 4/08: 2 in 8.5, 2 higher. From the Kylberg Collection.
Police Comics #1 (Quality, 1941) CGC VF- 7.5 White pages. The first appearance of Plastic Man and the first appearance of Phantom Lady in a book with a "top of Guide" price of $13,500 strikes us as one of the biggest bargains (relatively speaking) among all Golden Age keys. Both characters went on to headline their own titles, Plas at Quality and DC, Phantom Lady at Fox and Ajax/Farrell. Heck, even the Human Bomb and Firebrand were seen in DC comics in later decades after that publisher bought out the Quality characters. The only two copies graded higher than this one are the Mile High (9.4) and Windy City (9.2) pedigree copies, and if you take a close look at this copy you'll see it's got much more than just superb page quality going for it. The only flaws are tiny ones around the edges that do little to distract from the overall eye appeal. Overstreet 2008 VF 8.0 value = $5,397. CGC census 4/08: 2 in 7.5, 2 higher. From the Kylberg Collection.
Silver Age (1956-1969)
Richie Rich #1 (Harvey, 1960) CGC NM+ 9.6 Off-white pages. The other 9.6 copy sold for $29,875 in a Heritage auction, and what jumps out at us is that this one has better page quality than the previous copy (which was certified "cream to off-white"). This is the issue that started the whole Richie Rich phenomenon -- while the Poor Little Rich Boy had been a backup feature in every issue of Little Dot, and had two Harvey Hits tryout issues devoted to him, this series proved that he could carry his own book, and of course it wasn't too long before he was carrying many, many titles! Warren Kremer provided the visuals for this early outing (with Richie being waited on by Hawkins, this was before Cadbury took over as butler). One could argue that this is the most desirable copy of a Harvey comic ever offered, and we expect heavy competition when it comes up for auction. Overstreet 2008 NM- 9.2 value = $4,800. CGC census 4/08: 2 in 9.6, none higher. From the Kylberg Collection.
Golden Age (1938-1955)
Sensation Comics #1 (DC, 1942) CGC Apparent FN 6.0 Slight (A) Off-white to white pages. This is just the second appearance of Wonder Woman, close on the heels of her debut in All Star Comics #8. That's why the book is listed among the 30 most valuable comics by Overstreet! The second part of Wonder Woman's origin is shown here, which means it's got her arriving in America for the first time and also introduces her "Diana Prince" secret identity. Also making their first appearances here are Wildcat and Mr. Terrific, who both became Justice Society members (briefly in the Golden Age, and again in more recent comics). Jon Blummer is the cover artist. CGC notes, "Restoration includes: spine split sealed to 1st wrap." Overstreet 2008 GD 2.0 value = $2,850; VG 4.0 value = $5,700; FN 6.0 value = $8,550. From the Kylberg Collection.
Sheena, Queen of the Jungle #1 (Fiction House, 1942) CGC FN/VF 7.0 Off-white to white pages. In The Great Comic Book Heroes, Jules Feiffer said that Wonder Woman "wouldn't have lasted a round with Sheena." We don't disagree, and it's only fair that the character earned her own book after starring in Jumbo Comics. Dan Zolnerowich is credited with the cover art for this first issue of a series that produced all of 18 issues in 11 years! Overstreet 2008 FN 6.0 value = $807; VF 8.0 value = $1,681. CGC census 4/08: 2 in 7.0, 8 higher. From the Kylberg Collection.
Silver Age (1956-1969)
Showcase #4 The Flash (DC, 1956) CGC Apparent FN- 5.5 Moderate (P) Light tan to off-white pages. The first Silver Age comic book is still the second most-valuable of that great era, with only Amazing Fantasy #15 topping it. It's the first appearance of Barry Allen, the Silver Age Flash, and the book that brought superheroes rocketing back into vogue at DC. Carmine Infantino and Joe Kubert are the cover artists. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2008 GD 2.0 value = $1,333; VG 4.0 value = $2,666; FN 6.0 value = $4,000. From the Kylberg Collection.
Showcase #34 The Atom (DC, 1961) CGC FN/VF 7.0 Off-white to white pages. The origin and first appearance of the Silver Age Atom, with art by Gil Kane and Murphy Anderson. Overstreet 2008 FN 6.0 value = $351; VF 8.0 value = $995. CGC census 4/08: 12 in 7.0, 31 higher. From the Kylberg Collection.
Strange Tales #101 (Marvel, 1962) CGC VF- 7.5 White pages. Owners of high-grade unrestored copies of this book never seem to want to part with them, probably because the Guide value still seems modest given the book's significance. We recall some wise comic pundit putting it thus: "call it Human Torch #1, now what's it worth?" The book pre-dates the likes of Amazing Spider-Man #1, Tales of Suspense #39, X-Men #1, and Avengers #1, after all, and the Torch stories were a new direction after the monstrous likes of Zzutak, Fin Fang Foom, Grottu, and Grogg who used to populate the book. Jack Kirby is the cover artist here. Overstreet 2008 VF 8.0 value = $850. CGC census 4/08: 17 in 7.5, 24 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Sub-Mariner Comics #1 (Timely, 1941) CGC Apparent VF 8.0 Extensive (P) Off-white to white pages. Ranked among the 20 most valuable comic books by Overstreet, this is one of the most hotly desired Timelys. The Sub-Mariner got his own book after being a smash success in the pages of Marvel Mystery Comics, and his cohort from that title, the Angel, joined him in this new series. Subby's adventures were drawn by his creator Bill Everett, and the cover was the work of Timely's talented Alex Schomburg. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced." Overstreet 2008 GD 2.0 value = $2,850; VG 4.0 value = $5,700; FN 6.0 value = $8,550; VF 8.0 value = $22,000. From the Kylberg Collection.
Superman #1 (DC, 1939) CGC Apparent VF- 7.5 Moderate (P) Cream to off-white pages. Currently ranked #4 on Overstreet's list of the most valuable Golden Age books, this issue could be said to be #2 in its significance in the history of comics, behind only Action Comics #1. That's because Superman #1 represents the first time that a character created for comic books was given his own series, at a time when the medium featured anthology series, strip reprints, etc. The cover by Joe Shuster is nearly as famous as that of Action #1, and by the way, the back cover pin-up is the first one in the history of comics. It's worth noting that unrestored copies with comparable eye appeal are all but unheard-of: among unrestored copies certified to date, only two match or exceed this numerical grade. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $21,000; VG 4.0 value = $42,000; FN 6.0 value = $63,000; VF 8.0 value = $160,000. From the Kylberg Collection.
Silver Age (1956-1969)
Tales of Suspense #39 (Marvel, 1963) CGC VF 8.0 Off-white to white pages. This is the nicest copy of this key we've seen in a while, and what a time to buy Iron Man! The movie's premiere comes a few days after this catalog goes to press, but if the original grey armor really is in the movie, that can only be good for the character's origin and first appearance. Overstreet 2008 VF 8.0 value = $4,500. CGC census 4/08: 15 in 8.0, 45 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Thrill Comics #1 Ashcan (Fawcett, 1940) CGC VF/NM 9.0 White pages. Overstreet says three copies of this issue exist, while four appear on the CGC census. Either way these are items that almost never change hands, and you can see why it's a Gerber "10." In the Comic Book Marketplace survey of the "50 Rarest Golden Age Comic Books," this was tied for fifth place. As with its abortive Flash Comics (see the description of Fawcett's Flash ashcan elsewhere in this auction for full details), Fawcett was not able to use the title Thrill Comics because of Nedor's Thrilling which was cover-dated February 1940. As with the Flash Comics ashcan, the superhero who would become famous as Captain Marvel was still called Captain Thunder here. A CGC 8.0 copy sold for $11,400 in the July 2003 Heritage auction. Overstreet does not list a value for this comic. CGC census 4/08: 1 in 9.0, none higher. From the Kylberg Collection.
USA Comics #1 (Timely, 1941) CGC Apparent FN/VF 7.0 Slight (P) Off-white to white pages. The first appearance of the Whizzer and a Jack Kirby cover are the highlights of one of Overstreet's top 100 Golden Age books. It's also among the 20 most valuable Timelys. CGC notes, "Restoration includes: spine split sealed to cover, staples cleaned." Overstreet 2008 GD 2.0 value = $1,150; VG 4.0 value = $2,300; FN 6.0 value = $3,450; VF 8.0 value = $8,500. From the Kylberg Collection.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC Apparent VF- 7.5 Extensive (P) Cream to off-white pages. Any Golden Age fan will love the bold colors on this professionally restored copy. This is the origin and first appearance of Captain Marvel, who in his heyday was the bestselling superhero on the stands. This issue, while a #2, was the very first Fawcett comic book to make it to newsstands (the previous efforts were ashcans, all of which you'll find featured in this same auction). The issue also has the first appearances of supporting characters Shazam (the old wizard) and Dr. Sivana, plus the first appearances of Spy Smasher, Ibis the Invincible, and Lance O'Casey, all long-running characters who had their own series at one time or another. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed." Overstreet 2008 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000; VF 8.0 value = $40,000. From the Kylberg Collection.
Wonder Woman #1 (DC, 1942) CGC FN/VF 7.0 White pages. This first issue of Wonder Woman's own title came out just half a year or so after her debut in All Star Comics #8 (she had appeared in Sensation Comics in the meantime). It's no wonder this issue is on Overstreet's top Golden Age books list (at #31) -- it started off a title that would last for four decades -- even surviving through the era when superheroes were "out." As you might expect from a #1 issue, the heroine's origin story is retold and expanded upon here. H. G. Peter is the cover artist. Overstreet 2008 FN 6.0 value = $7,200; VF 8.0 value = $18,000. CGC census 4/08: 3 in 7.0, 10 higher. From the Kylberg Collection.
Silver Age (1956-1969)
X-Men #1 (Marvel, 1963) CGC FN/VF 7.0 Off-white pages. Origin and first appearance of the X-Men (the Angel, the Beast, Cyclops, Iceman, and Marvel Girl). First appearances of Professor X and Magneto. Jack Kirby cover and art. Overstreet 2008 FN 6.0 value = $2,100; VF 8.0 value = $6,500. CGC census 4/08: 42 in 7.0, 119 higher. From the Kylberg Collection.
Golden Age (1938-1955)
Action Comics #2 Rockford pedigree (DC, 1938) CGC FN- 5.5 Cream to off-white pages. The second appearance of Superman puts this issue among the 20 most valuable comic books in Overstreet's ranking. On the rare occasions we had seen unrestored copies before, they always had significant staining or foxing. Given this book's light cover colors, the chance to acquire such a clean copy should not be passed up! While this should command a high price, the winning bidder can take some solace in the fact that he's getting a book as hard to find as #1 for about a tenth of the price! Surprisingly for the modern-day reader, Superman didn't make the issue's cover, but this was before DC had caught on to the fact that the Man of Tomorrow was the breakout character. Still, we've seen this elegant illustration by Leo O'Mealia show up on collectors' "all-time favorite covers" lists. CGC notes, "Very minor amount of glue on cover. (2 tape stains to spine of cover.)" Overstreet 2008 FN 6.0 value = $12,375. CGC census 4/08: 1 in 5.5, 3 higher.
Action Comics #4 Rockford pedigree (DC, 1938) CGC Apparent VG 4.0 Slight (P) Cream to off-white pages. The fourth appearance of Superman is one of Overstreet's top 100 Golden Age books, and this is the first copy we've offered in four years. Leo O'Mealia drew the adventure-themed cover illustration. CGC notes, "Restoration includes: spine splits sealed to cover." Overstreet 2008 GD 2.0 value = $1,563; VG 4.0 value = $3,126.
Action Comics #6 Rockford pedigree (DC, 1938) Apparent CGC VG/FN 5.0 Slight (P) Cream to off-white pages. This very early Superman adventure has the debut of an unnamed "office boy," who according to Overstreet as well as DC's own Who's Who is none other than Jimmy Olsen. It's a pretty important first appearance, considering that Superman's Pal later starred in his own comic that ran for twenty years! Neither Jimmy nor Superman made the cover, but Leo O'Mealia's absolutely superb cover illustration more than makes up for that. In fact, we regret that O'Mealia, who was best known as a sports cartoonist, wasn't much more prolific in the comic book field. We'd be remiss if we didn't note that this may be DC's first-ever gorilla cover -- a theme the publisher would return to over and over in later decades, to the delight of many fans including us. CGC notes, "Restoration includes: small amount of glue on cover, tear seal to cover." Overstreet 2008 GD 2.0 value = $1,563; VG 4.0 value = $3,126; FN 6.0 value = $4,689.
Action Comics #9 (DC, 1939) CGC FN/VF 7.0 Off-white to white pages. This newly certified copy is the only one graded above 3.5 by CGC to date, and one of only three unrestored copies that have been certified. The page quality is simply remarkable for an early Action! This was just the second cover to mention Superman's name (#7 being the first, even #1 did not have his name), showing that perhaps by this time DC had an early inkling that the costumed adventurer was the character who was selling the book. Still, Superman did not become the full-fledged permanent cover feature until #19; this cover illustration is by Fred Guardineer, a regular since issue #1. This copy actually hails from the same collection that produced the highest-graded copy of #7, the book that was pictured on the cover of our last catalog and that sold for $143,400. While the entire hobby holds out hope that more undiscovered Golden Age collections exist, even some of the best we've seen haven't had nice copies of the early Action issues, so this book represents an opportunity that might not come along again. Overstreet 2008 FN 6.0 value = $3,093; VF 8.0 value = $7,475. CGC census 4/08: 1 in 7.0, none higher.
Action Comics #20 (DC, 1940) CGC FN/VF 7.0 White pages. This is the nicest copy we've ever seen of this issue -- none of the higher-graded copies is better than 8.0! The page quality is almost unheard-of for an early Action! This issue is unique in that the "S" is missing from Superman's chest. The character's co-creator Joe Shuster is the cover artist. Overstreet 2008 FN 6.0 value = $1,593; VF 8.0 value = $3,717. CGC census 4/08: 1 in 7.0, 2 higher.
Action Comics #20 (DC, 1940) CGC VG+ 4.5 Off-white pages. Unrestored copies of this one are few and far between, so it's downright incredible we have two copies in our auction. The Joe Shuster cover is unique in that the "S" is missing from Superman's chest! The Man of Tomorrow's foe this issue is the Ultra-Humanite, one of the first supervillains in comics. Overstreet 2008 VG 4.0 value = $1,062. CGC census 4/08: 2 in 4.5, 4 higher.
Action Comics #104 (DC, 1947) CGC NM 9.4 Off-white to white pages. For this sparkling copy, the Near Mint designation tells it all! As for the issue, The Prankster makes an appearance, much to Supes' chagrin. Congo Bill, Vigilante, and Zatara backup stories. Overstreet 2008 NM- 9.2 value = $1,000. CGC census 3/08: 2 in 9.4, 2 higher.
Adventure Comics #48 (DC, 1940) CGC VG+ 4.5 Off-white to white pages. Unrestored copies of this key have proven harder to find than previously thought; in fact, they're in the minority on CGC's census report! Also, high-grade unrestored copies may not exist, with even the Mile High checking in at VF+ 8.5. Ranked #30 on Overstreet's list of the top Golden Age comic books, this is the first appearance of the Hourman. The character has been a member of the Justice Society, the Freedom Fighters, and the All-Star Squadron, and a version of the Hourman still appears in current comics! This copy has never been offered for public sale before, and looking through it before it was certified, we were impressed by the appealing page quality. Overstreet 2008 VG 4.0 value = $5,000. CGC census 4/08: 1 in 4.5, 5 higher.
Adventure Comics #52 Nova Scotia pedigree (DC, 1940) CGC VF+ 8.5 Off-white pages. Bernard Baily supplied the art for what is just the third Hourman cover. This copy's in smashing condition for an early DC. This book may have a high issue number, but it was on the stands at the same time as All-American #16! CGC notes, "From the collection of Nicolas Cage." Overstreet 2008 VF 8.0 value = $1,506; VF/NM 9.0 value = $2,503. CGC census 4/08: 1 in 8.5, 2 higher.
Adventure Comics #72 (DC, 1942) CGC FN- 5.5 Cream to off-white pages. This issue's notable as the first DC comic book that featured the artwork of the classic duo of Joe Simon and Jack Kirby. And Jack Burnley's Starman cover isn't too shabby either! Burnley also contributed interior art, along with Bernard Baily. Overstreet 2008 FN 6.0 value = $3,087. CGC census 4/08: 1 in 5.5, 6 higher.
Adventure Comics #75 (DC, 1942) CGC VF 8.0 Off-white to white pages. Jack Kirby hones his Thor-drawing skills on this cover and in the interior Sandman story, some 20 years before the debut of the more famous Marvel superhero of the same name in Journey Into Mystery #83. Jack Burnley and Bernard Baily also contributed interior art for this issue. Overstreet 2008 VF 8.0 value = $1,163. CGC census 4/08: 1 in 8.0, 4 higher.
Adventure Comics #76 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. Jack Kirby and Joe Simon deliver this handsome cover and also contribute interior art on a Kirby story. Jack Burnley and Bernard Baily add art as well. Only the Mile High copy tops this one on the current CGC census. Overstreet 2008 VF 8.0 value = $1,163; VF/NM 9.0 value = $1,932. CGC census 4/08: 1 in 8.5, 1 higher.
Adventure Comics #78 Mile High pedigree (DC, 1942) CGC NM- 9.2 White pages. If it weren't for Edgar Church's copy, CGC's highest-graded #78 would be a modest VF 8.0. We've never offered a copy nicer than VG/FN 5.0 before! Simon and Kirby's cover and interior art make the issue extra special. Jack Burnley and Bernard Baily also furnished interior art. Overstreet 2008 NM- 9.2 value = $2,700. CGC census 4/08: 1 in 9.2, none higher.
All-Flash #1 (DC, 1941) CGC VF 8.0 Off-white pages. Nice copy of one of DC's key Golden Age issues. It's the first solo Golden Age Flash title (he had to share Flash Comics with Hawkman and other superheroes), and his origin is retold. E. E. Hibbard provided cover and interior art. Overstreet 2008 VF 8.0 value = $10,628. CGC census 4/08: 5 in 8.0, 4 higher.
All-Flash #18 San Francisco pedigree (DC, 1945) CGC NM 9.4 White pages. From one of the very best Golden Age collections ever assembled, this copy's got it all, from the Near Mint grade to its snowy white pages, a hallmark of the San Francisco pedigree. Martin Naydel provided the cover and interior art for this issue, which also marked the beginning of a Mutt & Jeff series. Overstreet 2008 NM- 9.2 value = $1,075. CGC census 4/08: 2 in 9.4, 1 higher.
All Star Comics #36 Spokane pedigree (DC, 1947) CGC NM+ 9.6 White pages. Ha! Fooled you! Despite the grade, the page quality, and the fact that CGC hasn't certified a nicer copy to date, this is not from Edgar Church's collection! But it's more than worthy! Batman and Superman guest star in this issue, which featured art by Joe Kubert. Overstreet 2008 NM- 9.2 value = $4,000. CGC census 4/08: 2 in 9.6, none higher.
Batman #1 (DC, 1940) CGC Apparent VG+ 4.5 Extensive (A) Cream to off-white pages. Superman may have launched the Golden Age of comics, but over the past few decades, Batman has given the Man of Steel a run for his money popularity-wise. The Caped Crusader first appeared in Detective Comics #27 the previous year, but this premiere issue of his own title had other firsts -- the first appearance of the Joker and the Cat (Catwoman). And it ranks #6 on Overstreet Top Golden Age Books for value. CGC notes, "Restoration includes: color touch, pieces added, tear seals, re-glossed. (Right edge trimmed) (23rd, 24th, 25th page married)." Overstreet 2008 GD 2.0 value = $8,200; VG 4.0 value = $16,400.
Batman #1 (DC, 1940) CGC FR/GD 1.5 Cream to off-white pages. It's one of comicdom's most important and sought-after issues, currently ranking as the sixth most valuable Golden Age book of all. The premiere issue has the first appearance of the Joker and the Cat (later Catwoman), plus an appearance by Hugo Strange. Bob Kane and Jerry Robinson combined efforts for the front cover and for the back cover pinup of the Dynamic Duo. CGC notes, "Cover detached and spine completely split." Overstreet 2008 GD 2.0 value = $8,200. CGC census 4/08: 3 in 1.5, 40 higher. From the Williamsport Collection.
Batman #3 (DC, 1940) CGC FN+ 6.5 Cream to off-white pages. This is Catwoman's first appearance in costume, and according to Overstreet that makes her the first costumed villainess in all of comics! The issue's classic cover is by Bob Kane and Jerry Robinson. Overstreet 2008 FN 6.0 value = $2,472; VF 8.0 value = $6,400. CGC census 4/08: 7 in 6.5, 21 higher.
Batman #4 (DC, 1940) CGC GD/VG 3.0 Off-white pages. A key issue featuring art by Bob Kane and Jerry Robinson, scripts by Bill Finger, and the third appearance of the Joker. Gotham City is mentioned by name for the first time in this issue. Overstreet 2008 GD 2.0 value = $714; VG 4.0 value = $1,428. CGC census 4/08: 10 in 3.0, 46 higher. From the Williamsport Collection.
Batman #6 (DC, 1941) CGC FN+ 6.5 White pages. A very early issue in the series, this book featured the first appearance and consequent death of the Clock Maker as rendered by the able team of Bob Kane and Jerry Robinson, on the swingin' cover and the interior. A solid copy with dynamic page quality. Overstreet 2008 FN 6.0 value = $1,338; VF 8.0 value = $3,122. CGC census 4/08: 3 in 6.5, 34 higher.
Batman #7 (DC, 1941) CGC VG 4.0 Off-white to white pages. Bob Kane's bullseye cover and a story featuring the Joker have made this a popular issue. Interior art by Jerry Robinson. Overstreet 2008 VG 4.0 value = $892. CGC census 4/08: 4 in 4.0, 37 higher. From the Williamsport Collection.
Batman #9 (DC, 1942) CGC FN 6.0 Cream to off-white pages. Joker appearance. First Batman Christmas story. Classic cover pose, swiped repeatedly during the Golden Age. Bob Kane, Jerry Robinson, and George Roussos art. A great copy of a book that's hard to find in high grades due to its easily marred all-black cover. Overstreet 2008 FN 6.0 value = $1,092. CGC census 4/08: 2 in 6.0, 23 higher. From the Williamsport Collection.
Batman #10 (DC, 1942) CGC FN/VF 7.0 Cream to off-white pages. A Catwoman appearance in a new costume spices up this issue, which featured a Jerry Robinson cover, and interior art by Robinson and Bob Kane. Overstreet lists both Fred Ray and Jerry Robinson as the cover artist, CGC says it's Ray, and The Grand Comics Database Project says Robinson. Ray, Robinson, and Jack Burnley interior art. Overstreet 2008 FN 6.0 value = $1,092; VF 8.0 value = $2,366. CGC census 4/08: 9 in 7.0, 11 higher. From the Williamsport Collection.
Batman #11 (DC, 1942) CGC FN+ 6.5 Off-white pages. Nice copy of an early issue boasting a Fred Ray cover that has earned "classic" accolades from Overstreet. The Joker stars on the cover and inside, where the Penguin also makes an appearance. Interior artists include Bob Kane, Jerry Robinson, and George Roussos. And at this grade, there are not that many nicer copies around. Overstreet 2008 FN 6.0 value = $2,229; VF 8.0 value = $5,200. CGC census 4/08: 4 in 6.5, 19 higher. From the Williamsport Collection.
Batman #12 (DC, 1942) CGC VF 8.0 Cream to off-white pages. Joker appearance. Batman and Robin do their part to support the WWII effort on this Jerry Robinson "war savings bonds" cover. Inside there's a Joker appearance, with interior artwork from the DC Golden Age legends Robinson, Bob Kane, and Jack Burnley. Overstreet 2008 VF 8.0 value = $1,919. CGC census 4/08: 3 in 8.0, 4 higher. From the Williamsport Collection.
Batman #13 (DC, 1942) CGC FN/VF 7.0 Off-white pages. The striking cover's by Batman artist great Jerry Robinson, who also provided interior artwork for this issue, as did co-creator Bob Kane and Jack Burnley. Speaking of co-creators, Jerry Siegel, co-founder of Superman, appears in a Batman story in this issue. A Joker appearance is the icing to this cake. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,931. CGC census 4/08: 2 in 7.0, 13 higher. From the Williamsport Collection.
Batman #26 (DC, 1945) CGC VF- 7.5 Off-white pages. You know the Batmoblie, the Batplane, the Batboat, and even the Bat-gyro, but this cover introduces... the Bat-sled! Artist Jerry Robinson follows this whimsical cover by contributing interior art, with Dick Sprang and George Roussos also on tap inside. Overstreet 2008 VF 8.0 value = $969. CGC census 4/08: 6 in 7.5, 15 higher. From the Williamsport Collection.
Batman #27 (DC, 1945) CGC VF 8.0 Off-white pages. Overstreet minces no words about the Jack Burnley cover -- it's a "classic Christmas cover." Burnley and Jerry Robinson provided story art for this issue, which featured a Penguin appearance and an Alfred backup story. Overstreet 2008 VF 8.0 value = $1,294. CGC census 4/08: 7 in 8.0, 18 higher. From the Williamsport Collection.
Batman #60 (DC, 1950) CGC VF/NM 9.0 Off-white to white pages. Only two copies of this early '50s issue have earned CGC certification higher than VF 8.0, and the colors of the Jim Mooney cover really stand out on this smokin' specimen. Dick Sprang and Bob Kane provide interior art, and there's an ad on an inside cover for Strange Adventures #1. Overstreet 2008 VF/NM 9.0 value = $860; NM- 9.2 value = $1,200. CGC census 4/08: 1 in 9.0, 1 higher. From the Williamsport Collection.
Batman #63 (DC, 1951) CGC VF 8.0 Off-white pages. Brilliant cover is attributed to Batman co-creator Bob Kane, and the stunning colors on our highest-graded copy suggest an even higher grade. Maybe that's due to this issue hardly ever showing up in even mid-grade condition. To date, CGC has certified just seven copies with Universal grades, only two of which are nicer than FN 6.0! Kane and Dick Sprang contributed interior artwork for the issue, which featured the first appearance of Killer Moth (shown on the cover), and an appearance by the Joker. Overstreet 2008 VF 8.0 value = $494. CGC census 4/08: 1 in 8.0, none higher. From the Williamsport Collection.
Batman #79 (DC, 1953) CGC VF/NM 9.0 Cream to off-white pages. It's the top-rated copy of an issue that featured Vicki Vale in "The Bride of Batman," and a Professor Carter Nichols appearance. Win Mortimer did the cover; Bob Kane and Dick Sprang interior art. Overstreet 2008 VF/NM 9.0 value = $682; NM- 9.2 value = $950. CGC census 4/08: 1 in 9.0, none higher. From the Williamsport Collection.
Batman #80 (DC, 1954) CGC NM- 9.2 Off-white pages. Purple covers were a DC favorite in the 1950s, but the problem is, a dinged-up purple cover looks just plain ugly. So what a delight this copy is, and we're not surprised to see that it's the only copy graded above VF 8.0 to date! Win Mortimer is the cover artist. Speaking of purple things, the Joker appears inside, his latest shtick being an educational movie for crooks called "How To Handle Batman and Robin." Overstreet 2008 NM- 9.2 value = $1,150. CGC census 4/08: 1 in 9.2, none higher. From the Williamsport Collection.
Batman #83 (DC, 1954) CGC NM- 9.2 Off-white to white pages. This will make you take notice: we're offering the only copy graded above VF by CGC to date. You can find this book in mid-grade fairly easily, but always with edge wear at the top, and don't get us started on the black corner at lower right. This is the copy to have, all right! Dick Sprang and Charles Paris are the cover artists. Overstreet 2008 NM- 9.2 value = $900. CGC census 4/08: 1 in 9.2, none higher. From the Williamsport Collection.
Batman #87 (DC, 1954) CGC NM- 9.2 Cream to off-white pages. When we offered a VF copy of this in our previous auction, we wondered who might have that 9.2 we spotted on the census. It turned out Jack Juka had it as part of the storied "Williamsport" hoard, and no other copy has been certified above 8.0 to date. Highlights of the issue are a Joker appearance and Win Mortimer's delightfully silly cover. Overstreet 2008 NM- 9.2 value = $900. CGC census 4/08: 1 in 9.2, none higher. From the Williamsport Collection.
Batman #88 (DC, 1954) CGC VF/NM 9.0 Cream to off-white pages. Luscious copy barely misses the #1 spot in CGC's census for #88. Win Mortimer and Sheldon Moldoff combine for the cover art, with Moldoff and Dick Sprang contributing story art. Overstreet 2008 VF/NM 9.0 value = $644; NM- 9.2 value = $900. CGC census 4/08: 1 in 9.0, 1 higher. From the Williamsport Collection.
Batman #99 (DC, 1956) CGC NM- 9.2 Off-white pages. This is the only copy graded above VF 8.0 by CGC to date! The issue's Penguin appearance is the last time the character appeared until issue #155 of this title (1963). Win Mortimer is the cover artist. 2008 NM- 9.2 value = $760. CGC census 4/08: 1 in 9.2, none higher. From the Williamsport Collection.
Blazing Comics #4 Mile High pedigree (Enwil Comics, 1945) CGC NM 9.4 White pages. A book from 1945 that is in 9.4 and has white pages could only have come from one place... the Mile High Collection! A beautiful copy with sharp corners and bright cover inks features the adventures of the world's "slowest" crime fighter, the Green Turtle. The only other graded copy above a 5.0 currently sits at 8.5. Overstreet 2008 NM- 9.2 value = $425. CGC census 4/08: 1 in 9.4, none higher.
Blue Ribbon Comics #9 (MLJ , 1941) CGC VF+ 8.5 Off-white to white pages. Scarce is the word that Overstreet and Gerber use for #9, and we certainly agree, as we hadn't seen this book in six years, and never in high grade! It's the only copy graded above 6.0 by CGC to date. The issue has the origin and first appearance of Mr. Justice, MLJ's answer to the Spectre. Sam Cooper is the cover artist. Overstreet 2008 VF 8.0 value = $1,902; VF/NM 9.0 value = $3,251. CGC census 4/08: 1 in 8.5, none higher.
Boy Commandos #1 Carson City pedigree (DC, 1942) CGC FN/VF 7.0 Off-white pages. A Simon and Kirby cover is a highlight of the premiere issue, a war-time classic that Overstreet cites as "classic." Also featured are the origin of Liberty Belle and appearances by Sandman and the Newsboy Legion. Overstreet 2008 FN 6.0 value = $1,509; VF 8.0 value = $3,521. CGC census 4/08: 6 in 7.0, 9 higher.
Captain Aero Comics #1 (Holyoke Publications, 1941) CGC VF 8.0 White pages. Charles Quinlan provided a timely WW II cover for this issue, dated the same month Pearl Harbor was attacked. Quinlan had created the cover a couple of months before, and his adversaries were the Nazis and the British. Flag Man and Rusty made their first appearances here. Overstreet 2008 VF 8.0 value = $1,100. CGC census 4/08: 1 in 8.0, 2 higher.
Captain America Comics #13 (Timely, 1942) CGC VG/FN 5.0 Cream to off-white pages. The prolific Al Avison isn't normally mentioned in the same breath as the more famous Timely artists such as Alex Schomburg, Joe Simon, Jack Kirby, and Bill Everett, but Overstreet recognizes Al's efforts by deeming this a "classic" cover. Inside, the origin of the Secret Stamp is featured in this "Remember Pearl Harbor" issue. Avison and Don Rico contributed interior artwork. Overstreet 2008 VG 4.0 value = $858; FN 6.0 value = $1,287. CGC census 4/08: 1 in 5.0, 12 higher.
Captain America Comics #76 (Atlas, 1954) Condition: VF+. We speculated that this could be the finest known copy of Cap's comeback issue when it was last auctioned a year ago, and though we've seen nice "Atlas superhero revival" books in the meantime, none have equaled this copy, which can't be encapsulated by CGC because of an overhang. For comparison's sake, the top copy on CGC's census is VF- 7.5. The pages are an appealing off-white to white, and a bit of rust on the staples is the only flaw of any consequence. The first issue of this series after a four-year hiatus has a great "commie-smashing" cover by an unknown artist, plus story art by a very well-known artist, namely John Romita Sr. in his first go-round at Atlas/Marvel! The Human Torch and Toro also appear. Overstreet 2008 VF 8.0 value = $838; VF/NM 9.0 value = $1,394.
Captain Marvel Adventures #7 Mile High pedigree (Fawcett, 1942) CGC NM/MT 9.8 Off-white to white pages. This supernova-hot book leaves the second highest-graded copy in CGC's census in its wake! C. C. Beck's cover looks as if he just finished it. Overstreet 2008 NM- 9.2 value = $1,750. CGC census 4/08: 1 in 9.8, none higher.
Captain Midnight #14 Mile High pedigree (Fawcett, 1943) CGC NM 9.4 Off-white to white pages. This issue's baddie is billed as "The King of Villains" -- the man enveloped in shadow is none other than (cover your eyes if you want to be surprised)... Storm Von Kloud! This issue's colors and page quality are what you'd expect from a Mile High book; i.e., the best you'll find. Overstreet 2008 NM- 9.2 value = $700. CGC census 4/08: 4 in 9.4, none higher.
Cheerios Premiums Y1 Donald Duck's Atom Bomb (Walt Disney Productions, 1947) CGC NM 9.4 White pages. A controversial item indeed, this was not reprinted until decades later, and then in altered fashion. In this original story, an atom bomb goes off, the citizens of the town all have their hair fall out, and the opportunistic Donald Duck tries to profit from the disaster by selling hair-growth tonic for $1 a bottle! By the way, the story is by Carl Barks. His colleague Carl Buettner handled the cover art. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 4/08: 1 in 9.4, 3 higher.
Classics Illustrated Giants: An Illustrated Library of Exciting Mystery Stories (Gilberton, 1949) Condition: NM-.
You'll find a thousand regular Classics issues for every one of these Giants -- they're all dubbed "rare" by both Gerber and Overstreet. It collects issues #13, 21, 30, and 40 of the regular series. Collectors of Holmesiana will want to note that this is probably the scarcest comic book to feature Sherlock Holmes. This one's in fantastic condition, with white pages, and it originally came from the esteemed John McLaughlin collection. Overstreet 2008 NM- 9.2 value = $2,275.
You'll find a thousand regular Classics issues for every one of these Giants -- they're all dubbed "rare" by both Gerber and Overstreet. It collects issues #13, 21, 30, and 40 of the regular series. Collectors of Holmesiana will want to note that this is probably the scarcest comic book to feature Sherlock Holmes. This one's in fantastic condition, with white pages, and it originally came from the esteemed John McLaughlin collection. Overstreet 2008 NM- 9.2 value = $2,275.
Daredevil Comics #1 Daredevil Battles Hitler - Rockford pedigree (Lev Gleason, 1941) CGC VF+ 8.5 Cream to off-white pages. This has got to be one of the most memorable covers of the Golden Age, with the icing on the cake being Bob Wood and Charles Biro's retouching of the Phew-rer's face into a silly expression. Inside the comic, Daredevil also has to battle the meanest fictional villain Lev Gleason had to offer, namely the Claw. And there's even the "origin" of Hitler, believe it or not. Overstreet 2008 VF 8.0 value = $9,120; VF/NM 9.0 value = $15,810. CGC census 4/08: 2 in 8.5, 5 higher.
Daring Mystery Comics #1 (Timely, 1940) CGC FN 6.0 Off-white to white pages. Just one unrestored copy has been graded higher to date (the 9.4 Denver copy), so this lot represents an opportunity to secure one of the best copies of one of the top 50 Golden Age books. Tied with Marvel Mystery #3 as the third comic book Timely ever published, it's also tied with that same book as Alex Schomburg's first Timely cover art, and this copy's cover bears the autograph of the artist! (CGC, as per its standard procedure, did not authenticate the autograph.) The issue also has the Timely debut of Joe Simon, who drew the Human Torch-like Fiery Mask. Impressive page quality is the icing on the cake for one of the best Timely offerings in our auction. CGC notes, "'Alex Schomburg' written on cover in pen." Overstreet 2008 FN 6.0 value = $5,700. CGC census 4/08: 1 in 6.0, 1 higher.
Daring Mystery Comics #6 (Timely, 1940) CGC FN 6.0 Cream to off-white pages. Joe Simon and Jack Kirby collaborated on the dynamic cover and on interior art for this issue from Timely's early days. It's an "uncommon" issue according to The Photo-Journal Guide to Comic Books, and we believe that, having offered on average just over one copy per year, only one of which had a higher CGC grade. Featured here was the origin and first appearance of Marvel Boy, and the interior cover had an ad for Red Raven Comics #1. CGC notes, "Very small amount of dried glue on spine of cover." Overstreet 2008 FN 6.0 value = $1,269. CGC census 4/08: 2 in 6.0, 2 higher.
Dark Mysteries #18 (Master Publications, 1954) CGC NM- 9.2 Cream to off-white pages. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $525. CGC census 4/08: 2 in 9.2, none higher. From the Williamsport Collection.
Detective Comics #29 (DC, 1939) CGC VG/FN 5.0 Off-white to white pages. Batman's second cover appearance didn't come until his third issue! This is the nicest unrestored copy of the book we've ever seen. The last time we auctioned it, the winning bid was $10,925. The cover art by Bob Kane is simply electrifying, and you could argue that the Darknight Detective is more "in character" here than on #27. You can see why this issue is one of Overstreet's Top 20 Golden Age books! CGC notes, "Small amount of dried glue on spine of cover." Overstreet 2008 VG 4.0 value = $6,770; FN 6.0 value = $10,155. CGC census 4/08: 3 in 5.0, 3 higher.
Detective Comics #41 (DC, 1940) CGC VF- 7.5 Cream to off-white pages. Robin got his first solo story here (just three issues after his debut), enrolling at a boarding school to unravel a murder case. In this early issue, the Dynamic Duo were still drawn by their creator Bob Kane (with help from Jerry Robinson), both on the cover and inside. Overstreet 2008 VF 8.0 value = $2,444. CGC census 4/08: 2 in 7.5, 4 higher.
Detective Comics #58 (DC, 1941) CGC VF+ 8.5 Off-white pages. Unless you're intent on finding -- and shelling out big bucks for -- one of the three NM 9.4 copies that CGC has certified of this issue, this one's your highest-graded option. The key issue featured the first Penguin appearance, with Fred Ray cover art and interior art by Bob Kane and Howard Sherman. Overstreet 2008 VF 8.0 value = $3,080; VF/NM 9.0 value = $5,390. CGC census 4/08: 1 in 8.5, 3 higher.
Detective Comics #135 (DC, 1948) CGC NM 9.4 Off-white to white pages. There's only one copy of the issue that CGC has awarded a grade higher than VF 8.0 -- yep, you're looking at it! The Frankenstein cover by Dick Sprang is an eye-catcher, and the associated time travel story delightful esoterica. Curt Swan provided the art for the Boy Commandos feature. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 4/08: 1 in 9.4, none higher.
Detective Comics #225 (DC, 1955) CGC FN/VF 7.0 Cream to off-white pages. This key DC issue has an identity problem -- does it belong in the Golden Age (defined broadly as extending through 1955), or is it an early Silver Ager? Many have argued that the Silver Age began right here, with the origin and first appearance of the new superhero J'onn J'onzz, Martian Manhunter. CGC has certified just one copy nicer than VF 8.0 to date, so this is one of the nicer copies you're likely to find. Win Mortimer did the cover; Sheldon Moldoff interior art. Overstreet 2008 FN 6.0 value = $1,116; VF 8.0 value = $3,348. CGC census 4/08: 8 in 7.0, 7 higher. From the Toronto Collection.
Platinum Age (1897-1937)
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC VG 4.0 Cream to off-white pages. Considered the second-ever comic book, it was distributed as a premium and as a giveaway in 1933. Comic publishing pioneer M. C. Gaines sold the comic to Wheatena, Malt-O-Milk, John Wanamaker, Kinney Shoe Stores, and others for promotional purposes. A vital part of comic book history! Overstreet 2008 VG 4.0 value = $1,600. CGC census 4/08: 1 in 4.0, 17 higher.
Golden Age (1938-1955)
Flash Comics #26 Mile High pedigree (DC, 1942) CGC NM+ 9.6 Off-white pages. One of the few copies in this run that we had offered previously, it sold in 2003 for $14,950, or more than 11 times the Guide price of that year. The highest-graded copy then and now, this one has the usual outstanding cover colors, a beautiful back cover, and perfect centering. The cover art (against a background pattern of Flash logos and helmets) is by E. E. Hibbard. Overstreet 2008 NM- 9.2 value = $1,775. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #27 Mile High pedigree (DC, 1942) CGC FN/VF 7.0 Off-white to white pages. While this may be one of the lowest-graded copies in the run we're offering, it's still the highest-graded copy of #27 on CGC's census, the only one graded above 6.0 in fact! The bottom front does have chipping of the sort you'll often see on Silver Age comics, but the rest of the comic has the same unbelievable cover colors as the other Mile Highs we're offering. Look at that and the superb spine and you'll agree that this copy is tops in terms of desirability (Gerber solved the problem in his Photo-Journal by picturing this copy and simply cropping the image at the bottom). When we examined this copy before certification, we thought the pages were white, while CGC calls the edges off-white. Whatever the case, the winning bidder may be tempted to take this one out of the slab and delight in an amazing comic book. Overstreet 2008 FN 6.0 value = $366; VF 8.0 value = $763. CGC census 4/08: 1 in 7.0, none higher.
Flash Comics #32 Mile High pedigree (DC, 1942) CGC VF- 7.5 White pages. We thought this issue looked unfamiliar, and indeed, this is only the second copy we've ever offered. More importantly still, it's the only copy graded above FN- 5.5 by CGC to date, and one of only three to be certified. Chet Kozlak is the cover artist. Overstreet 2008 VF 8.0 value = $688. CGC census 4/08: 1 in 7.5, none higher.
Flash Comics #33 Mile High pedigree (DC, 1942) CGC NM+ 9.6 White pages. The bold colors and the distinctive Mile High coding will catch your eye immediately here, and of course the cover image, called "classic" by Overstreet, is a favorite of this title's run. Sheldon Moldoff is the cover artist. Longtime Flash fans will want to note that this issue had the first appearance of the Shade, who appeared in the "Flash of Two Worlds" story and even got his own series in 1997. The other 9.6 CGC has certified is the San Francisco copy that Heritage auctioned for $5,462 in 2005 -- while it would be tough to choose between those two stunners, the Mile High does have more appealing centering than the San Francisco, which had part of the white back cover wrapping around to the front. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 4/08: 2 in 9.6, none higher.
Flash Comics #37 Mile High pedigree (DC, 1943) CGC NM+ 9.6 White pages. Sheldon Moldoff's Hawkman cover is one of the most dramatic of the title's run, but alas, we never really got the full effect by seeing copies in so-so shape. Enter the Mile High, the only copy graded above 9.0 to date, and one of just two graded above 5.5. Overstreet 2008 NM- 9.2 value = $1,600. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #39 Mile High pedigree (DC, 1943) CGC VF+ 8.5 White pages. It's not apparent from outside the slab what defects might have kept this one from a higher grade. In fact, if you held this beautiful exemplar next to the CGC 9.4 San Francisco copy, we dare say they are equally attractive (and you can make this exact comparison using the auction archives on our website). Sheldon Moldoff is the cover artist, featuring a rare spotlight on Hawkgirl. Overstreet 2008 VF 8.0 value = $688; VF/NM 9.0 value = $1,144. CGC census 4/08: 1 in 8.5, 1 higher.
Flash Comics #40 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. The immaculate black edges at the right and the bottom will make a believer out of you (not that there are many Mile High skeptics out there!). This is a smashing specimen, the best around! Overstreet 2008 NM- 9.2 value = $1,600. CGC census 4/08: 1 in 9.4, none higher.
Flash Comics #41 Mile High pedigree (DC, 1943) CGC NM 9.4 White pages. The fresh cover colors here are a delight, and to see all of the red surfaces without even the most minor color break is an experience you may never have again. Simply the best! Sheldon Moldoff is the cover artist. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 4/08: 1 in 9.4, none higher.
Flash Comics #42 Mile High pedigree (DC, 1943) Condition: NM-. This copy couldn't be encapsulated by CGC because of a slight overhang at the outer edge, but the good news is that you can take as much delight in paging through this amazing copy as we did grading it. Aside from small bindery tears at the top and bottom of the spine (which any Golden Age collector has seen even on 9.6/9.8 copies), the only flaw of any consequence is a tiny chip in middle of spine, with the small piece still attached. The pages are white, and they've got that distinctive "Mile High" smell you know and love (or should get to know if you don't)! The highest-graded CGC-certified copy is VF/NM 9.0, no surprise since this black cover is so susceptible to "dings" under normal circumstances. This superb copy is the exception to that rule! Overstreet 2008 NM- 9.2 value = $1,400.
Flash Comics #45 San Francisco pedigree (DC, 1943) CGC NM+ 9.6 White pages. Most collectors consider this pedigree second in desirability only to Edgar Church's Mile High collection, and this book shows why. From the certified grade right down to the page quality, it's peerless. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #47 Mile High pedigree (DC, 1943) Condition: NM. This one couldn't be encapsulated by CGC because of an overhang, so the winning bidder will be able to page through it, enjoying the white pages. Page very carefully, though, with a great Mile High comes great responsibility! Sheldon Moldoff's Hawkman cover looks as bold and beautiful as the day it was printed. We could not find a single flaw on the front cover, and cordially dare you to do so! As for the back cover, the only reasons we didn't dub this NM+ or NM/MT are tiny (2 mm) staple tears of the kind you'll find on almost every Golden Age comic, and an all but imperceptible white-on-white crease at the top left. The overhang is more pronounced than the one on issue #42, but careful handling by previous owners means only the slightest of bends has resulted. We would say "show this off to your friends," but we wouldn't let our ham-fisted pals anywhere near it... The highest-graded CGC copy is 9.0, so get this and glory in the knowledge that you have the very best! Overstreet 2008 NM- 9.2 value = $1,400.
Flash Comics #48 Mile High pedigree (DC, 1943) CGC NM- 9.2 White pages. The only copy graded above 8.5 by CGC to date. A look at the clean back edges, plus the yellow field that's unsullied by a dust shadow (or any other defect) will tell you all you need to know. E. E. Hibbard is the cover artist. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 4/08: 1 in 9.2, none higher.
Flash Comics #50 Pennsylvania pedigree (DC, 1944) CGC NM+ 9.6 White pages. We interrupt our Mile High run here, but we're not interrupting the string of "highest-graded" copies! The authors of the forthcoming Guide To Comic Book Pedigrees tell us that the Pennsylvania collection, with a median grade of 9.0, ranks in the top 25% of all pedigrees, and this specimen is obviously one of the standouts at 9.6. Have a look at our scan and note the page quality! E. E. Hibbard is the cover artist, and the Flash stars in "the tale of the 1,000 dollar bill"... sorry, but we doubt that a bill in that denomination will be enough to take this comic home. Overstreet 2008 NM- 9.2 value = $1,400. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #51 Mile High pedigree (DC, 1944) CGC NM 9.4 White pages. Gorgeous copy from the most renowned pedigree of all! The issue is one we've offered only three times over the past six years in any grade. Sheldon Moldoff provided the cover and the artwork for the Hawkman story inside. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 4/08: 3 in 9.4, 1 higher.
Flash Comics #52 Mile High pedigree (DC, 1944) CGC NM- 9.2 White pages. As the only copy graded above FN 6.0 to date, it's probably safe to say that this Mile High smokes the competition. Copies of this issue seem harder to come by, period, as just five appear on the CGC census. This issue has the distinction of the first computer ever to appear in a comic. Martin Naydel is the cover artist. By the way, this is encased in the world's largest CGC slab because this copy has a millimeter or two of extra width that wasn't trimmed down in the binding process. More comic for your money! Overstreet 2008 NM- 9.2 value = $1,275. CGC census 4/08: 1 in 9.2, none higher.
Flash Comics #54 Pennsylvania pedigree (DC, 1944) CGC NM 9.4 White pages. To date, the only higher-graded copy is the Mile High, which sold for $6,900 in a 2004 Heritage auction. The specimen offered here is a first-rate copy that matches the Church copy in terms of page quality. Martin Naydel is the cover artist. Overstreet 2008 NM- 9.2 value = $1,225. CGC census 4/08: 1 in 9.4, 1 higher.
Flash Comics #55 Mile High pedigree (DC, 1944) CGC FN 6.0 White pages. To answer the question on everyone's mind: this one has a water stain at the top of the back cover, hence the grade of "only" FN. First of all, it's pretty unobtrusive as water stains go, and second of all, the front cover and the spine look every bit as fresh and beautiful as the 9.4 copies in this same run. You'll recognize the distinctive way Sheldon Moldoff inked Hawkman's wings on this issue's cover. Overstreet 2008 FN 6.0 value = $264. CGC census 4/08: 1 in 6.0, 4 higher.
Flash Comics #59 Mile High pedigree (DC, 1944) CGC VF/NM 9.0 White pages. If you love Golden Age books as much as we do, the temptation will be strong to crack this out of its slab and glory in it. It's a squeaky-clean copy with ideal page quality. Sheldon Moldoff is the cover artist. Overstreet 2008 VF/NM 9.0 value = $913; NM- 9.2 value = $1,275. CGC census 4/08: 2 in 9.0, 1 higher.
Flash Comics #63 Mile High pedigree (DC, 1945) CGC NM 9.4 White pages. Joe Kubert supplied the bizarre cover art here. Not only does this copy have great colors and perfect page quality, the back cover doesn't even have a dust shadow. While the San Francisco copy received a higher CGC grade, this Edgar Church specimen simply has everything you could want. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 4/08: 1 in 9.4, 1 higher.
Flash Comics #70 (DC, 1946) CGC NM 9.4 White pages. This beautiful copy is near the top of CGC's census -- only the Hawkeye copy has been graded higher, and that one didn't have this copy's "White pages" certification. Young Joe Kubert is the cover artist. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 4/08: 1 in 9.4, 1 higher.
Flash Comics #73 (DC, 1946) CGC NM 9.4 Cream to off-white pages. Joe Kubert was but a teenager when this book came out, but his skills were such that he was entrusted with this issue's cover as well as its Hawkman story. Other features in the book include Flash, Ghost Patrol, and Johnny Thunder. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 4/08: 2 in 9.4, none higher.
Flash Comics #78 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. A grand total of four copies have earned as high as VF 8.0 certification from CGC for this issue to date, with only this gem grading nicer than NM- 9.2. It's tough beating these Mile Highs! E. E. Hibbard cover and art. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #83 Hawkeye pedigree (DC, 1947) CGC NM- 9.2 Off-white to white pages. Only the Ohio pedigree copy is ahead of this one in CGC's current census of certified copies, and just barely! Joe Kubert did the cover; E. E. Hibbard contributed interior art. Overstreet 2008 NM- 9.2 value = $1,125. CGC census 4/08: 1 in 9.2, 1 higher.
Flash Comics #87 Mile High pedigree (DC, 1947) CGC NM- 9.2 White pages. Tied with the "D" Copy as the highest-graded copy in CGC's census, the Mile High breaks the virtual tie with its superior page quality. This issue had the introduction of the Foil and the second appearance of the Black Canary. Featured was the distinctive talent of Everett Raymond Kinstler on the cover, with Kinstler and E. E. Hibbard doing story art. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 4/08: 2 in 9.2, none higher.
Flash Comics #88 Mile High pedigree (DC, 1947) CGC NM+ 9.6 White pages. This one destroys the competition as the only copy certified above 9.0 to date. This very copy was pictured in Comic Book Marketplace #31, with noted Mile High collector Pat Kochanek singling it out as one of the great unheralded Golden Age covers (Joe Kubert is the credited cover artist). While this issue hasn't been designated "scarce," we had never seen a high-grade copy before, and just six copies appear on CGC's census to date. The page quality is exceptional, and the overall appeal lets us dub this the best existing copy without fear of contradiction. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #92 Mile High pedigree (DC, 1948) CGC NM- 9.2 White pages. Probably the most collectable issue of the later part of the Flash run, this one is beloved as the first cover appearance of Black Canary as well as her first solo story (i.e. her first story without Johnny Thunder). The added mystique comes from the white cover which makes it famously prone to smearing (though we hasten to add that this Edgar Church copy is free of this defect). Overstreet notes that this key issue is "rare in Mint due to black ink smearing on white cover." Well, there's no sign of any smearing on this outstanding copy.
Oddly enough, two copies have been certified 9.4, and since we have examined both we can compare and contrast with this Mile High. It's worth noting that the 9.4 Davis Crippen "D" Copy, certified with cream to off-white pages, lacked this one's amazing page quality. The other 9.4 is from what we've heard called the "Cape Cod" collection, and had a slight mis-cut and mis-wrap.
One of the more appealing covers of the run shows two of the other stars of the book, but we'll note that the Atom also appeared here, and the issue had the first appearance of detective Larry Lance, a recurring character who became Black Canary's husband in later years.
This smashing copy was pictured in the color section of the 1983-84 Overstreet Comic Book Price Guide #13. Overstreet 2008 NM- 9.2 value = $5,700. CGC census 4/08: 2 in 9.2, 2 higher.
Oddly enough, two copies have been certified 9.4, and since we have examined both we can compare and contrast with this Mile High. It's worth noting that the 9.4 Davis Crippen "D" Copy, certified with cream to off-white pages, lacked this one's amazing page quality. The other 9.4 is from what we've heard called the "Cape Cod" collection, and had a slight mis-cut and mis-wrap.
One of the more appealing covers of the run shows two of the other stars of the book, but we'll note that the Atom also appeared here, and the issue had the first appearance of detective Larry Lance, a recurring character who became Black Canary's husband in later years.
This smashing copy was pictured in the color section of the 1983-84 Overstreet Comic Book Price Guide #13. Overstreet 2008 NM- 9.2 value = $5,700. CGC census 4/08: 2 in 9.2, 2 higher.
Flash Comics #94 Mile High pedigree (DC, 1948) CGC NM- 9.2 Off-white to white pages. Another tough issue to find in any grade. It turns up on the average less than once a year in our auctions. And here's the extraordinary Mile High copy. Joe Kubert did the cover and interior art on Hawkman, with Carmine Infantino also providing story art in this issue. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 4/08: 1 in 9.2, 2 higher.
Flash Comics #95 Mile High pedigree (DC, 1948) CGC NM- 9.2 White pages. It seems almost impossible that a vintage Golden Age comic could look this good -- this sharp-cornered, black-cover issue is quite a sight to behold, and the page quality is exceptional too. It seems that what kept it from a higher numerical grade is an almost imperceptible hairline color break at the top right, but a collector so discriminating that he would be bothered by that might as well give up hope of putting together a run of this title. It's been five years since we had seen #95 in any grade! Overstreet 2008 NM- 9.2 value = $1,900. CGC census 4/08: 1 in 9.2, none higher.
Flash Comics #96 Mile High pedigree (DC, 1948) CGC NM 9.4 White pages. Anyone who doesn't rank this as one of the best covers of the run probably hasn't seen the book... not that we've seen many copies ourselves! An underwater bondage cover with a shark and centaurs and Hawkman, drawn by Joe Kubert no less, is almost a dream come true. So is this copy for that matter, a very pretty one with perfect page quality. This Mile High was depicted in Comic Book Marketplace in January 1996, accompanying an article by its then-owner Pat Kochanek. This is the only copy graded above 9.0 by CGC to date. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 4/08: 1 in 9.4, none higher.
Flash Comics #98 Mile High pedigree (DC, 1948) CGC NM+ 9.6 White pages. The only copy graded over 8.5 by CGC to date, this also bears the highest grade of the unparalleled run we're offering here. A look at the amazing spine and the excellent page quality should tell you all you need to know. The issue isn't an easy one to find even in low grade -- just five are on the CGC census as of this writing, and we've offered copies on just two previous occasions. The issue is notable as the debut of new costumes for Hawkman and the Atom. The former is seen on Joe Kubert's cover, and since the Atom's not pictured we'll note that Mr. Pratt got a half mask to replace the full, a chest logo for the first time, and the previously bare-legged stalwart got some tights as well. Overstreet 2008 NM- 9.2 value = $1,900. CGC census 4/08: 1 in 9.6, none higher.
Flash Comics #104 Mile High pedigree (DC, 1949) CGC NM 9.4 White pages. As the only copy certified with a grade above 8.5, this one will make you weak in the knees if you collect this title. It's rated "scarce" by Overstreet, and it's the last issue of the original series. It is hard to believe that the likes of the Flash, Hawkman, the Atom, and Black Canary, drawn by talented artists Joe Kubert and Carmine Infantino, couldn't sell a comic in 1949! The cover, credited to Kubert, features the unusual costume that Hawkman had been sporting since #98. We liked this copy when it was shown in the Overstreet Guide #13, and we love it even more now that we see it up close. To see this red cover in unblemished form is a treat indeed. Overstreet 2008 NM- 9.2 value = $11,500. CGC census 4/08: 1 in 9.4, none higher.
Four Color #9 Donald Duck (Dell, 1942) CGC VF+ 8.5 Cream to off-white pages. This collectors' milestone featured the first Carl Barks rendition of Disney's famous duck in "Donald Duck Finds Pirate Gold." Carl Barks and Jack Hannah art. Overstreet 2008 VF 8.0 value = $6,800; VF/NM 9.0 value = $11,900. CGC census 4/08: 2 in 8.5, 5 higher.
Four Color #147 Donald Duck (Dell, 1947) CGC VF+ 8.5 Cream to off-white pages. Donald Duck and nephews Huey, Dewey, and Louie in "Volcano Valley." Carl Barks wrote the story and provided the interior art, while Carl Von Buettner provided the cover. Overstreet 2008 VF 8.0 value = $816; VF/NM 9.0 value = $1,508. CGC census 4/08: 7 in 8.5, 7 higher.
Four Color #178 Donald Duck (Dell, 1947) CGC VF+ 8.5 Cream to off-white pages. The first appearance of Uncle Scrooge in "Christmas on Bear Mountain," written and drawn by Carl Barks. Overstreet 2008 VF 8.0 value = $978; VF/NM 9.0 value = $1,814. CGC census 4/08: 3 in 8.5, 7 higher.
Four Color #178 Donald Duck (Dell, 1947) CGC VF 8.0 Off-white pages. The parsimonious Uncle Scrooge makes his first comic book appearance in this benchmark issue, in the Carl Barks' written and drawn "Christmas on Bear Mountain." Mickey Mouse, Goofy, and Dumbo also appear. Overstreet 2008 VF 8.0 value = $978. CGC census 4/08: 8 in 8.0, 10 higher.
Four Color #199 Donald Duck (Dell, 1948) CGC VF/NM 9.0 Cream to off-white pages. Early Carl Barks Donald Duck in "Sheriff of Bullet Valley." Barks was a triple threat here, scripting the story and providing cover and interior artwork. The "good duck artist" draws himself on a wanted poster on the last page. Overstreet 2008 VF/NM 9.0 value = $1,232; NM- 9.2 value = $1,800. CGC census 4/08: 3 in 9.0, 3 higher.
Four Color #275 Donald Duck (Dell, 1950) CGC VF/NM 9.0 Cream to off-white pages. "Donald Duck in Ancient Persia" is the title of Carl Barks' story. This newly certified copy barely missed tying the 9.2 that's at the top of CGC's census. Overstreet 2008 VF/NM 9.0 value = $639; NM- 9.2 value = $925. CGC census 4/08: 2 in 9.0, 1 higher.
Gene Autry Comics #5 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white pages. From the scarcer Fawcett series (the Dell series came later), this Mile High copy aces CGC's second-highest graded copy 9.6 to 9.0! Till Goodan provided the cover and interior art. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 4/08: 1 in 9.6, none higher.
Great Comics #3 (Great Comics Publications, 1942) CGC FN 6.0 Off-white pages. We've only offered this Gerber "uncommon" issue once before, which suggests its rarity factor may have been understated! CGC gives this cover a "classic" nod, and it's easy to see why, as Futuro takes Hitler to hell, and der Fuehrer seems none too pleased! Overstreet 2008 FN 6.0 value = $900. CGC census 4/08: 1 in 6.0, 3 higher.
Green Lantern #1 (DC, 1941) CGC VF/NM 9.0 Off-white pages. No copy of this black-cover issue has been graded higher by CGC to date. The origin of Green Lantern is retold here, with art by Martin Nodell. Howard Purcell contributed the cover art. You don't often see a Golden Age key signed by its creator, but this first issue is signed by Nodell inside (as is their policy, CGC did not authenticate the autograph). CGC notes, "'Martin Nodell '90' written on 1st page in pen." Overstreet 2008 VF/NM 9.0 value = $38,000; NM- 9.2 value = $60,000. CGC census 4/08: 4 in 9.0, none higher.
Hit Comics #11 Cosmic Aeroplane pedigree (Quality, 1941) CGC VF 8.0 Off-white to white pages. That it boasts a Lou Fine cover (rated "classic" by Overstreet) makes this issue highly sought-after, but it's also a Gerber "7" - a combination that collectors find hard to resist! We've offered copies of #11 on just three previous occasions in the past six years, and never a copy this nice. In fact, CGC has certified just one higher-graded copy to date, a barely-nicer VF+ 8.5. Noted artists Jack Cole, Klaus Nordling, Nick Cardy, and Reed Crandall contributed interior art. Overstreet 2008 VF 8.0 value = $1,144. CGC census 4/08: 1 in 8.0, 1 higher.
Hit Comics #15 (Quality, 1941) CGC VF+ 8.5 Off-white to white pages. Der Fuehrer makes an appearance in this issue, which came out several months before the US entered WW II. Gerber rates the issue "uncommon" - our experience suggests it may be even more scarce. We've offered a copy just once before, nearly six years ago, and CGC has certified just two copies of #15 to date, with the other checking in at a much inferior VG- 3.5! Superior interior artistry is provided by Al Bryant, Alex Blum, Reed Crandall, and Klaus Nordling, with Crandall also contributing the cover art. Overstreet 2008 VF 8.0 value = $756; VF/NM 9.0 value = $1,253. CGC census 4/08: 1 in 8.5, none higher.
Horrific #13 (Comic Media, 1954) CGC NM- 9.2 Off-white pages. Final issue of the series. Vampire cover by Don Heck. Interior art by Marty Elkin. This copy ties with one other as the highest graded by CGC to date. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 2 in 9.2, none higher. From the Williamsport Collection.
Journey Into Mystery #1 (Atlas, 1952) CGC FN/VF 7.0 Off-white to white pages. Atlas titles of the weird/horror/sci-fi genres came and went during the '50s, but JIM, one of the earliest from Atlas, would last some 125 issues over 14 years, ceasing only after Thor took over the title's name altogether in 1966. Russ Heath did the great cover. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,970. CGC census 4/08: 2 in 7.0, 4 higher. From the Williamsport Collection.
Junior Comics #16 (Fox Features Syndicate, 1948) CGC FN/VF 7.0 Off-white pages. Headlight cover and art by Al Feldstein. Overstreet 2008 FN 6.0 value = $300; VF 8.0 value = $625. CGC census 4/08: 1 in 7.0, 4 higher.
Kite Fun Book Donald Duck - File Copy (Southern California Edison, 1954) CGC VF/NM 9.0 Cream to Off-white pages. Also known as "Donald Duck Tells About Kites," this "Edison" version is called rare by Overstreet. Carl Barks collectors have always been intrigued by this promotional comic, which was only distributed on the West Coast. Back in 1977 it had a higher Guide value than a complete 1-up run of Amazing Spider-Man! This file copy bears a stamp on the first page that puts the publication date at 11/28/54. Overstreet 2008 VF/NM 9.0 value = $2,863; NM- 9.2 value = $4,000. CGC census 4/08: 1 in 9.0, 2 higher.
Leading Comics #8 Pennsylvania pedigree (DC, 1943) CGC NM+ 9.6 White pages. This wonderful pedigree copy is unsurpassed in grade by even the Mile High Copy! The Dummy (not a puppet but a small, evil man who looked like a puppet) menaces the Seven Soldiers of Victory in this issue. The eighth member of the Seven Soldiers, the Crimson Avenger's pal Wing, makes one of his few cover appearances. The issue has a Jon Smalle cover. Overstreet 2008 NM- 9.2 value = $950. CGC census 4/08: 2 in 9.6, none higher.
Little Lotta #1 File Copy (Harvey, 1955) CGC VF/NM 9.0 Cream to off-white pages. One of the "biggies" in Harvey lore... and this premiere issue's notable, too (rim shot)! Richie Rich and Little Dot appearances help kick off this inaugural issue. Our file copy offering is the highest-graded copy known. Overstreet 2008 VF/NM 9.0 value = $482; NM- 9.2 value = $700. CGC census 4/08: 1 in 9.0, none higher.
Mad #1 Gaines File pedigree 4/12 (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. One of our spotlighted offerings -- it's a ridiculously high-grade pedigree copy of one of the truly groundbreaking issues in comics history. Considered the first satire comic, Mad was driven by maniacal genius Harvey Kurtzman, who enlisted the creative and artistic minds of fellow EC alumni Wally Wood, Bill Elder, Jack Davis, and John Severin for this first issue. If you hadn't noticed, the series has been running now for over 55 years! Harvey Kurtzman contributed both the cover and story art for one story with Wood, Elder, Davis, and Severin helping out with other story art. Trust us, there's not a finer copy in existence than this immaculate specimen! Overstreet 2008 NM- 9.2 value = $7,000. CGC census 4/08: 6 in 9.8, none higher.
March of Comics #4 Donald Duck (K. K. Publications, Inc., 1947) CGC VG/FN 5.0 Cream to off-white pages. A key issue for any Carl Barks collector, this famous early giveaway comic contains the classic "Maharajah Donald" story. It's a solid mid-grade copy, which is saying something considering the fragile nature of its thin newsprint cover. Overstreet 2008 VG 4.0 value = $1,372; FN 6.0 value = $2,058. CGC census 4/08: 1 in 5.0, 3 higher.
March of Comics #20 Donald Duck - File Copy (K. K. Publications, Inc., 1948) CGC NM+ 9.6 Off-white to white pages. "Donald Duck in Darkest Africa" is one of the more controversial Donald Duck stories, and this Carl Barks tale was never reprinted in uncensored fashion (a panel showing cannibals with pointed teeth was taken out of all reprints). Walt Kelly is the cover artist. This file copy has no imprint on the back cover in the space where most circulated copies had the logo of a shoe store. Overstreet 2008 NM- 9.2 value = $5,400. CGC census 4/08: 3 in 9.6, none higher.
Marvel Mystery Comics #14 (Timely, 1940) CGC Apparent FN/VF 7.0 Slight (P) Cream to off-white pages. Quintessential Golden Age Timely, with a terrific Schomburg German war cover, and interior artwork from Bill Everett and Carl Burgos. An added bonus is the cover promo reproduction of the cover for Human Torch #2 (#1). CGC notes, "Restoration includes: small amount of color touch on cover, tear seal to cover." Overstreet 2008 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,881.
Platinum Age (1897-1937)
Mickey Mouse Book First Printing (Bibo & Lang, 1930) Condition: FN/VF. Here's a nice copy of the very first Walt Disney licensed publication -- a magazine devoted to their new star, Mickey Mouse. This first printing contains the original version of song lyrics that were altered for later printings. There's a tiny amount of rust at the staples (visible only from the inside centerspread), plus a minor stain on the inside back cover and some very light soiling along the front cover spine area; otherwise, this remains a solid, attractive copy of a historic item. 2008 Overstreet FN 6.0 value = $6,000.
Golden Age (1938-1955)
More Fun Comics #54 (DC, 1940) CGC Apparent VG/FN 5.0 Moderate (P) Off-white to white pages. It's the third appearance of the Spectre, and Bernard Baily has created an eyecatching cover deemed "classic" by Overstreet. The allure is enhanced by its rarity; it's rated "scarce" by The Photo-Journal Guide to Comic Books. CGC notes, "Restoration includes: color touch, spine splits sealed, reinforced, re-glossed." Overstreet 2008 GD 2.0 value = $1,367; VG 4.0 value = $2,734; FN 6.0 value = $4,100.
Pep Comics #19 (MLJ , 1941) CGC NM 9.4 Off-white pages. We're not sure that we believe The Photo-Journal Guide to Comic Books' assessment that this is a "common." Not only is this the first time we've offered a copy of this issue, it's the only copy to be certified to date by CGC! At this grade, it may never be topped. Before introducing Archie in issue #22, the title was devoted to superheroes like the Shield and the Hangman, both starring in this Irv Novick cover. Overstreet 2008 NM- 9.2 value = $1,350. CGC census 4/08: 1 in 9.4, none higher.
Planet Comics #44 (Fiction House, 1946) CGC NM 9.4 Cream to off-white pages. Joe Doolin creates a creepy scenario, even for a Planet Comics cover, while Murphy Anderson, Bob Lubbers, and Ruben Moreira contribute interior art. A beautiful, colorful copy. Overstreet 2008 NM- 9.2 value = $1,175. CGC census 4/08: 2 in 9.4, 1 higher.
Plastic Man #4 Big Apple pedigree (Quality, 1946) CGC NM- 9.2 Off-white pages. Plastic Man sends a crook named the Lobster to jail, and afterwards Woozy notices that the villain's parents seem lonely, so he moves in with them! Watch out, Woozy, there's trickery afoot! The rotund Mr. Winks also appears in a solo story in the issue. Jack Cole drew the cover and some of the interior art. Overstreet 2008 NM- 9.2 value = $1,275. CGC census 4/08: 2 in 9.2, 1 higher.
Shock SuspenStories #1 Gaines File pedigree 8/11 (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. The shocking electrocution cover by Al Feldstein highlighted the premiere issue, and rates an Overstreet "classic" designation. And what a copy from the Gaines Files! Jack Kamen, Jack Davis, Joe Orlando, and Graham Ingels provided interior art. Overstreet 2008 NM- 9.2 value = $1,375. CGC census 4/08: 4 in 9.8, 1 higher.
Space Detective #2 (Avon, 1951) CGC VF/NM 9.0 Off-white pages. Wally Wood gets some help from Joe Orlando on this cover, which looks like a prototype for EC covers to come. Wood also provided layouts for the interior, which features a "Tales of the Shadow Squad" story and a "Slave Ship of Saturn" story. Overstreet 2008 VF/NM 9.0 value = $878; NM- 9.2 value = $1,225. CGC census 4/08: 1 in 9.0, 1 higher. From the Williamsport Collection.
The Spirit (weekly newspaper insert) Group (Star-Ledger, 1941) Average condition: VG-. Includes the following 1941 sections: 1/5, 1/19, 1/26, 2/2, 2/9, 2/16, 2/23, 3/2, 3/9, 3/16 (first Silk Satin), 3/23, 3/30, 4/6, 4/13, 4/20, 4/27, 5/4, 5/11, 5/18, 5/25, 6/1, 6/8, 6/22 (Hitler appearance), 6/29, 7/6, 7/13, 7/20, 7/27, 8/3, 8/10, 8/17, 8/31, 9/7, 9/14, 9/21, 9/28, 10/5, 10/12, 10/19, 10/26, 11/9, 11/16, 11/30, 12/7 (Pearl Harbor Day), 12/14, and 12/28. Overstreet 2008 VG 4.0 value for group = $996.
The Spirit (weekly newspaper insert) Group (Star Ledger, 1940) Average Condition: VG-. The first seventeen Spirit sections and 29 of the first 31! Will Eisner's classic masked crimefighter, in his original newspaper insert appearances. Includes the following 1940 weekly issues: 6/2 (first issue, with origin), 6/9, 6/16, 6/23, 6/30, 7/7, 7/14, 7/21, 7/28, 8/4, 8/11, 8/18, 8/25, 9/1, 9/8, 9/15, 9/22, 10/13, 10/20, 10/27, 11/3, 11/10, 11/17, 11/24, 12/1 (classic spanking cover), 12/8, 12/15, 12/22, and 12/29. Overstreet 2008 VG 4.0 value for group = $960.
Star Spangled Comics #8 Rockford pedigree (DC, 1942) CGC NM 9.4 Off-white pages. The unmistakable artwork of Simon and Kirby graces the cover, and the duo also provides interior art for this issue, which had the origin of TNT and Dan the Dyna-Mite. Overstreet 2008 NM- 9.2 value = $3,350. CGC census 4/08: 1 in 9.4, none higher.
Star Spangled Comics #11 Rockford pedigree (DC, 1942) CGC NM 9.4 Off-white pages. One of just three copies of #11 to be certified by CGC to date, and the next highest-graded one is only VF+ 8.5. Just the third time we've offered a copy in any grade. Overstreet 2008 NM- 9.2 value = $1,725. CGC census 4/08: 1 in 9.4, none higher.
Sun Girl #1 Davis Crippen ("D" Copy) pedigree (Marvel, 1948) CGC VF 8.0 Off-white to white pages. Sun Girl's probably best known as the Human Torch's sidekick, but she also had a title of her own, and in fact we believe this issue to be her first appearance. Ken Bald handled art chores. This all-female affair also has a Miss America story. Overstreet 2008 VF 8.0 value = $1,056. CGC census 4/08: 2 in 8.0, none higher.
Sun Girl #2 Davis Crippen ("D" Copy) pedigree (Marvel, 1948) CGC VF 8.0 Off-white to white pages. This is the only copy of this issue graded above 7.0 by CGC as of this writing, and it tops even the Mile High, which was certified 7.0. The cover art appears to be the work of Ken Bald. The Blonde Phantom appears in a four-page backup feature. Overstreet 2008 VF 8.0 value = $725. CGC census 4/08: 1 in 8.0, none higher.
Superman #6 (DC, 1940) CGC VF- 7.5 Off-white to white pages. This is one of the "feel-good" covers of the Golden Age, drawn by Joe Shuster, and there's nothing about this copy -- surely one of the best in existence -- that would mar your enjoyment. Overstreet 2008 VF 8.0 value = $2,204. CGC census 4/08: 2 in 7.5, 2 higher.
Superman #24 (DC, 1943) CGC VF+ 8.5 White pages. The best copy we have ever offered of this "classic cover" issue! Jack Burnley is the cover artist. Overstreet 2008 VF 8.0 value = $1,550; VF/NM 9.0 value = $2,575. CGC census 4/08: 1 in 8.5, 4 higher.
Superman #92 (DC, 1954) CGC VF/NM 9.0 Off-white pages. The Toronto Collection boasted two copies of this book. The other, also graded 9.0 by CGC, sold for $1,673 in our last auction. Al Plastino is the cover artist. Overstreet 2008 VF/NM 9.0 value = $521; NM- 9.2 value = $725. CGC census 4/08: 4 in 9.0, none higher. From the Toronto Collection.
Superman's Pal Jimmy Olsen #1 (DC, 1954) CGC VF- 7.5 Cream to off-white pages. Gerber cites this issue as "common" in The Photo-Journal Guide to Comic Books, but collectors know this is nigh impossible to find in nice grade. Case in point: this VF- 7.5 copy is the finest known! Curt Swan provided the cover and interior art for this premiere issue, a pre-Code, pre-Silver Age key. Overstreet 2008 VF 8.0 value = $4,140. CGC census 4/08: 1 in 7.5, none higher. From the Toronto Collection.
Superworld Comics #3 Larson pedigree (Hugo Gernsback, 1940) CGC FN 6.0 Off-white pages. Rated "scarce" by both Overstreet and The Photo-Journal Guide to Comic Books, the Larson copy here is the finest known copy. Frank R. Paul did the cover. CGC notes, "Rusted staples. Heavy transfer stain interior front and back cover." Overstreet 2008 FN 6.0 value = $1,000. CGC census 4/08: 1 in 6.0, none higher.
Tales From the Crypt #35 Gaines File pedigree 1/11 (EC, 1953) CGC NM+ 9.6 Off-white pages. It doesn't get any better than this, or so says CGC's census about the NM+ 9.6 grade for issue #35. The fabulous werewolf cover is by Jack Davis, who did all of the final 18 covers for the title. Davis, Joe Orlando, Jack Kamen, and Graham Ingels did the interior art. Overstreet 2008 NM- 9.2 value = $700. CGC census 4/08: 6 in 9.6, none higher.
Tales of Terror Annual #3 (EC, 1953) CGC VF+ 8.5 Cream to off-white pages. Most likely the only copies of this issue that have been certified with higher grades by CGC were from the vaunted Gaines Files. The square bound format of the book made it dicey to preserve in such nice condition as seen here. Chances are if you ever had two or more copies of this, you didn't have two alike. Each issue was comprised of four complete comic books, generally from 1952 that had not sold originally on the newsstand. We're going to make a calculated guess that artists Feldstein, Johnny Craig, Jack Davis, Graham Ingels, and a few others are represented in the interior. Vault-Keeper, Crypt-Keeper, and Old Witch bondage/torture cover by Al Feldstein. Overstreet 2008 VF 8.0 value = $1,395; VF/NM 9.0 value = $2,048. CGC census 4/08: 3 in 8.5, 8 higher. From the Williamsport Collection.
Target Comics V3#10 Rockford pedigree (Novelty Press, 1942) CGC NM+ 9.6 Off-white pages. A gorgeous, pedigree copy of this issue -- one of only two that have been certified by CGC to date. The almost flawless cover and great page quality make this a must-have for serious collectors. On the inside, Basil Wolverton provided the art for the Spacehawk story, his last work for the title. Overstreet 2008 NM- 9.2 value = $785. CGC census 4/08: 1 in 9.6, 1 higher.
USA Comics #9 (Timely, 1943) CGC FN 6.0 Off-white pages. Quite possibly the finest cover Syd Shores ever did, one deemed a "classic" by Overstreet. The elements of Hitler, hypodermic needle injection, ghoulish Nazis, and bondage were real vote-getters! This issue had the last Secret Stamp. Overstreet 2008 FN 6.0 value = $828. CGC census 4/08: 1 in 6.0, 4 higher.
Vault of Horror #12 (EC, 1950) CGC FN/VF 7.0 Off-white pages. Fine CGC-certified copy of the first issue bearing the Vault of Horror title, tied with Crypt of Terror as the first horror comic. Overstreet designates it "scarce," so that makes this offering all the more alluring. Johnny Craig cover did the tortuous cover, and also provided interior art, along with Al Feldstein and Harvey Kurtzman. Overstreet 2008 FN 6.0 value = $1,413; VF 8.0 value = $3,768. CGC census 4/08: 4 in 7.0, 8 higher. From the Williamsport Collection.
Walt Disney's Comics and Stories #4 (Dell, 1941) CGC FN+ 6.5 Off-white pages. This is the first Huey, Dewey, and Louie cover of this series, and it's interesting to contrast the portrayal of the nephews here (by an unknown artist) with the later Carl Barks version. The contents include a Donald Duck feature drawn by Al Taliaferro, and a Mickey Mouse tale drawn by Floyd Gottfredson. These early issues aren't often found in high grades, and this particular copy ties with one other as the highest graded copy certified by CGC to date. Overstreet 2008 FN 6.0 value = $642; VF 8.0 value = $1,338. CGC census 4/08: 2 in 6.5, none higher.
Walt Disney's Comics and Stories #7 (Dell, 1941) CGC VF- 7.5 Off-white pages. Tom Wood cover. This copy ties with one other as the highest graded copy certified by CGC to date. Overstreet 2008 VF 8.0 value = $906. CGC census 4/08: 2 in 7.5, none higher.
Walt Disney's Comics and Stories #73 File Copy (Dell, 1946) CGC NM- 9.2 Off-white pages. The only copy graded above 7.5 by CGC to date. The last few Heritage auctions have shown that these books, quite common in lower grade, are almost impossible to find in true NM-! Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #79 File Copy (Dell, 1947) CGC NM- 9.2 Off-white pages. Walt Kelly cover. Carl Barks art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 2 in 9.2, none higher.
Walt Disney's Comics and Stories #82 File Copy (Dell, 1947) CGC NM- 9.2 Cream to off-white pages. The only copy graded above 8.5 by CGC as of this writing. Goofy co-stars on the cover, drawn by Walt Kelly. Carl Barks interior art. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #86 File Copy (Dell, 1947) CGC NM 9.4 Off-white pages. Walt Kelly cover. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 3 in 9.4, none higher.
Walt Disney's Comics and Stories #88 File Copy (Dell, 1948) CGC NM 9.4 Off-white pages. The first appearance of Gladstone Gander, one of the major Carl Barks characters, for $385... where do we sign up? Actually we expect this copy to sell for quite a bit more than "top of Guide," as it's tied with the "D" copy at the top of CGC's census. Walt Kelly drew the New Year's cover. Overstreet 2008 NM- 9.2 value = $385. CGC census 4/08: 2 in 9.4, none higher.
War Against Crime #10 Gaines File pedigree 10/11(EC, 1949) CGC NM/MT 9.8 Off-white to white pages. Stunning copy of the historic issue that introduced the first Vault Keeper and the first Vault of Horror, leading to the title changing to Vault of Horror after one more issue. Johnny Craig's chilling cover, and the twisted stories and interior artwork by Craig and Al Feldstein set the tone for the impending New Trend comics. Overstreet 2008 NM- 9.2 value = $3,500. CGC census 4/08: 5 in 9.8, 1 higher.
World's Finest Comics #7 (DC, 1942) CGC VF- 7.5 Off-white to white pages. The cover's by Jack Burnley, noted for his wholesome, light-humored Golden Age covers for this and other Superman and Batman-related titles. Maybe it's just us, but this one seems a tad more complex, humorous but suggestive... ok, it's just us! Nice grade for these cardboard covers so prone to creases. Interior artist included Simon and Kirby, Bob Kane, and Jerry Robinson. Features include a back cover ad for Paramount Superman cartoons, the last Sandman, last Red, White and Blue, and the beginning of the Green Arrow in this title. Overstreet 2008 VF 8.0 value = $1,163. CGC census 4/08: 3 in 7.5, 5 higher.
Silver Age (1956-1969)
Action Comics #232 (DC, 1957) CGC NM- 9.2 Off-white pages. Until CGC reviewed this gem of a copy recently, VF+ 8.5 ruled the census. In fact, it's rare to find any 9.2 copy of this title in any 1950s issue. As you'll see, there's more "highest-graded copies" from this impressive collection that has us all abuzz! This issue is historic for sporting the first Curt Swan cover of the title. Interior artists include Wayne Boring, Jim Mooney, and Nick Cardy. Overstreet 2008 NM- 9.2 value = $650. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Action Comics #239 (DC, 1958) CGC NM- 9.2 Cream to off-white pages. Stunning copy leaves the next highest-graded copy in CGC's census (a modest FN/VF 7.0) in the dust! Curt Swan did the cover; Wayne Boring, Jim Mooney, and Howard Sherman interior art. Overstreet 2008 NM- 9.2 value = $540. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Action Comics #240 (DC, 1958) CGC NM 9.4 Off-white pages. Again the Toth Collection has provided us with a highest-graded copy. To date only five copies of #240 have garnered better than a FN+ 6.5 grade from CGC, and just two copies have graded as high as VF/NM 9.0! Brilliant Curt Swan cover opens to an issue with interior art from Wayne Boring, Jim Mooney, and Howard Sherman. Overstreet 2008 NM- 9.2 value = $540. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #251 (DC, 1959) CGC NM 9.4 Off-white to white pages. Copies of Superman's classic title from this era are just plain scarce in grades nicer than VF+ 8.5. For #251, only two copies have been certified higher than VF- 7.5 to date. And just forget about finding another NM 9.4 copy! Curt Swan did the cover. Inside was the last appearance of Jim Mooney's Tommy Tomorrow, which had run for over 10 years. Overstreet 2008 NM- 9.2 value = $445. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #252 (DC, 1959) CGC VF/NM 9.0 Off-white pages. It's the origin and first appearance of Supergirl! The cover by Curt Swan is one of the more famous of the Silver Age, and it's been paid homage to many times over. Having seen the bidding wars that have broken out for highest-graded copies of #285 and other Supergirl keys, we expect a similar result here. Overstreet 2008 VF/NM 9.0 value = $2,458; NM- 9.2 value = $3,600. CGC census 4/08: 4 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #260 (DC, 1960) CGC NM+ 9.6 Off-white to white pages. Extra special copy of this issue -- no other copy of #260 has been certified higher than VF 8.0 to date! Curt Swan's contributed the cover art, with Jim Mooney and Howard Sherman providing story art. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #271 (DC, 1960) CGC NM+ 9.6 Off-white pages. Stupendous copy that soared right to the top of CGC's census for #271. Curiously (or is it?), this seemingly typical Silver Age issue, may not be that typical. We've offered copies on just three previous occasions over the past six years. The issue has Lex Luthor and Streaky appearances, with cover by Curt Swan and interior art by Al Plastino and Jim Mooney. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #284 (DC, 1962) CGC NM+ 9.6 Off-white to white pages. Lots going on in this issue: appearances by Mon-El and Krypto, an atomic explosion panel, and story art by Curt Swan and Jim Mooney. Swan also did the cover. But it's the pristine condition of this copy that's really exciting! Overstreet 2008 NM- 9.2 value = $225. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #285 (DC, 1962) CGC NM+ 9.6 Off-white to white pages. Face it -- David Toth just took better care of his Silver Age comics than you... or I! Stellar copy with an insane grade is as close as you'll come to a newsstand copy after 46 years. And note that 9.4 copies have sold for as much as $3,300 in Heritage auctions! Featured are the Legion's 12th appearance, a Brainiac 5 cameo, JFK and Luthor cameos, and Supergirl's existence revealed to the world. Curt Swan cover. Jim Mooney art. There's a dealer-marked arrival date on the front cover. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #289 (DC, 1962) CGC NM+ 9.6 Off-white to white pages. Hey, Supes! Not so fast! Didn't you just hook up with another superwoman in #260? Invulnerable and insatiable! This copy's invulnerable, too -- the finest CGC has certified to date of #289. There's an adult Legion of Super-Heroes appearance in a Supergirl backup story in this issue and a half page ad for Atom #1, plus the requisite Curt Swan cover. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #247 (DC, 1958) CGC VF+ 8.5 Off-white to white pages. Extremely nice copy of this milestone issue, ranked by Overstreet as the 13th most valuable Silver Age comic book. It's the first appearance of the Legion of Super-Heroes and members Cosmic Boy, Saturn Girl, and Lighting Boy (later Lightning Lad). Curt Swan did one of his most memorable covers for the occasion. As was common for DC's longest-running series (at the time) during this period, backup features included Green Arrow and Aquaman. Overstreet 2008 VF 8.0 value = $3,600; VF/NM 9.0 value = $6,800. CGC census 4/08: 3 in 8.5, 3 higher. From the David N. Toth Collection.
Adventure Comics #260 (DC, 1959) Condition: VF/NM. This important issue contains the first Silver Age origin of Aquaman. The Superboy cover is by Curt Swan, while John Sikela (Superboy), Ramona Fradon (Aquaman), and Lee Elias (Green Arrow) provide story art. This very attractive copy could not be encapsulated by CGC due to an overhang. Overstreet 2008 VF/NM 9.0 value = $788; NM- 9.2 value = $1,100. From the David N. Toth Collection.
Adventure Comics #261 (DC, 1959) CGC NM+ 9.6 Off-white to white pages. This issue, featuring a teen-aged Lois Lane's first encounter with Superboy (shades of the "Smallville" television show!) is tough to find in any condition -- check the current CGC census, which contains only four copies in addition to this freshly-graded specimen. Naturally, with a grade like 9.6, this copy is the current census king! Curt Swan cover, with George Papp and Ramona Fradon interior art. Overstreet 2008 NM- 9.2 value = $230. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #267 (DC, 1959) CGC VF/NM 9.0 Cream to off-white pages. The second appearance of the Legion of Super-Heroes came one year and eight months after the first! Lightning Boy had become Lightning Lad in the meantime, and as you can see, the characters' costumes here are closer to the established later versions. Since then, the group has gone on to be one of the most popular in the history of comics, and their following is particularly fanatical. Said fans tend to be readers more so than preservers, hence the difficulty of finding this in high grade. If you're used to seeing that orange background all creased up, check out the book the way it was meant to look! Curt Swan drew the cover, which co-stars Superboy, who is technically the star of this key book. Overstreet 2008 VF/NM 9.0 value = $985; NM- 9.2 value = $1,375. CGC census 4/08: 3 in 9.0, none higher. From the David N. Toth Collection.
Adventure Comics #268 (DC, 1960) CGC NM 9.4 White pages. Not only the highest graded copy ever of this issue, check out the page quality! This collection is astounding! Curt Swan did the cover, with interior artwork being furnished by Al Plastino, Lee Elias, and Ramona Fradon. Overstreet 2008 NM- 9.2 value = $230. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #287 (DC, 1961) CGC NM+ 9.6 White pages. The only copy graded above 9.0 by CGC to date, this is in uncanny condition for a black-cover book from this era! This issue has the first appearance of Dev-Em, yet another Krypton survivor who has popped up in the DC universe on more than a few occasions since. The "Tales of the Bizarro World" backup feature has Jimmy Olsen creating Bizarro-Olsen! Curt Swan is the cover artist. Overstreet 2008 NM- 9.2 value = $195. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #288 (DC, 1961) CGC NM+ 9.6 Off-white to white pages. The only copy graded above 9.2 to date, this is the nicest specimen of this issue we think we'll ever see. While Superboy was the headliner of this series, the "Tales of the Bizarro World" backup feature was the best part in the opinion of many, so it's only fair that the Bizarros got to be on Curt Swan's cover. Inside, the spell-check-defying Bizarro-Kltpzyxm appears, and yes, he's the Bizarro version of Mr. Mxyzptlk. Overstreet 2008 NM- 9.2 value = $195. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #290 (DC, 1961) CGC NM/MT 9.8 Off-white to white pages. This issue, the last of the ten-cent Adventures, contains a key Legion of Super-Heroes tale, in which Sun Boy joins the team. A wacky Bizarro story is also featured. Curt Swan drew the cover, with George Papp and John Forte handling the inside art chores. Of course, the real attraction here is the mind-boggling 9.8 grade, practically unheard of for DCs from this era. Overstreet 2008 NM- 9.2 value = $340. CGC census 4/08: 1 in 9.8, none higher. From the David N. Toth Collection.
Adventure Comics #291 (DC, 1961) CGC NM+ 9.6 White pages. The only copy graded above 9.0 by CGC to date. We searched in vain to find a flaw that prevented this from being a 9.8; to our eyes this looks like a perfect comic book. Curt Swan must have had a blast drawing Cleopatra on her barge here, and looking on is not Mark Antony but rather Lana Lang's dad, and if you knew that his first name is Thomas, you're the kind of DC fanatic who has to bid on this. Bizarro fanatics will want to know that the "Idiot of Steel" (Bizarro No. 1) did appear in his usual backup feature. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #292 (DC, 1962) CGC NM+ 9.6 White pages. The first appearances of Bizarro Lana Lang and Bizarro Lucy Lane are seen in this issue. If you're enough of a DC fanatic to know who Lucy Lane is, you will be dying for this copy, which is absolutely immaculate, front and back. Curt Swan is the cover artist. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #295 (DC, 1962) CGC NM+ 9.6 White pages. We had never seen this issue in high grade, and not only is the Toth copy the only one graded above 9.0, just three copies have topped 6.0 on CGC's census. Bizarro-Titano made his first appearance here, in a story that ends with Bizarro No. 1's proclamation: "Me so happy, me sorry me was ever borned." John Forte handled cover art chores. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #298 (DC, 1962) CGC NM+ 9.6 White pages. Look at the white clouds on the front cover here, then check the back-cover scan on our website -- do you seriously think you could find a better specimen of this one? Curt Swan is the cover artist. "Tales of the Bizarro World" is the backup. Bizarros may hold auctions to buy the worst possible copy, but in our world, it's the David N. Toth copy or bust! Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #299 (DC, 1962) CGC NM+ 9.6 White pages. This issue's "imaginary story" had the first use of gold Kryptonite (which is the kind that strips Kryptonians of their super powers). Curt Swan is the cover artist. On a "down" note, this ish had the 15th and last "Tales of the Bizarro World" backup, entitled, "Car 45, Get Lost!" Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #307 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. Great Scott! What a copy! You'll not find a higher grade of #307 in CGC's census. Origin and first appearance of Element Lad and the first appearance of Roxxas are highlights of this issue, which has a Curt Swan cover. Overstreet 2008 NM- 9.2 value = $175. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #381 (DC, 1969) CGC NM/MT 9.8 Off-white to white pages. Supergirl's first book-length story came in this issue, some 10 years after her first appearance in Action #252! This looks like a Neal Adams cover all the way, though apparently that young Turk was actually inking vet Curt Swan's pencils. An incredible copy! Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.8, none higher.
Adventures of The Big Boy #1-233 Bound Volumes (Illustrated Features Corp. 1956-76). "If money were no object, what comic run would be the toughest to put together?" a dealer friend asked us some time ago. His nomination was Adventures of The Big Boy, the giveaway series distributed at the restaurant chain for many decades, and our pal joked that the next level of masochism would be to insist on copies with none of the puzzles filled in! Well, this lot of 13 bound volumes has the toughest part of that run, the first 20 years' worth, and almost none of them have any puzzles filled in.
The name embossed on the cover of each of these blue hardcover volumes is that of Manfred Bernhard, the series' creator and longtime publisher (and incidentally son of the famous graphic designer Lucien Bernhard)!
Timely completists will be among the interested parties, since Stan Lee and colleagues famously produced the earliest issues. #1 and #2 have cover and interior art by Bill Everett. While sources put the Timely run at #1-12, issue #13 has a Dan DeCarlo cover, and some later issues, while unsigned, certainly look like DeCarlo's work, with Big Boy's best girl Dolly a dead ringer for a young Betty.
Condition: While these volumes are not especially attractive from the outside, when you page through these newsprint comics with paper covers, they look fine, with cream to off-white pages (Vol. 1 with issues 1-12 is off-white!). Now and then there will be a small defect such as a torn-off corner, an isolated 2- or 3-inch tear, or a piece of tape. Issue #1 has a one-inch cover tear. Volume 7 has a water stain throughout, the outer cover of Volume 10 is in poor condition with acid stains. Vol. 13 has some moisture damage. While we didn't check every single page of every volume, we only spotted three completed puzzles, all in Vol. 2! Since these comics had no indicia and later issues had the issue number near the spine and thus hidden by the binding, not all issue numbers could be verified, but we found nothing to indicate a missing issue. Some have a penciled issue number on the right side of the cover.
The earliest issues are mostly from Arizona or California "Bob's" locations, but others bear the imprint of Eat 'n Park (PA), Elias Brothers (MI), Tops, Mark's, McDowell's (ND), Elby's, Mr. B's, JB's (Canada), Ken's, Marc's (WI, not to be confused with Mark's), Shoney's, Kip's (TX/OK), and others. While we have heard that some "East Coast" editions were printed that featured a blond Big Boy, no such issues are in these volumes.
A bonanza for lovers of nostalgic roadside America and devotees of good, clean fun. Overstreet 2008 VG 4.0 value for group = $1,354.
The name embossed on the cover of each of these blue hardcover volumes is that of Manfred Bernhard, the series' creator and longtime publisher (and incidentally son of the famous graphic designer Lucien Bernhard)!
Timely completists will be among the interested parties, since Stan Lee and colleagues famously produced the earliest issues. #1 and #2 have cover and interior art by Bill Everett. While sources put the Timely run at #1-12, issue #13 has a Dan DeCarlo cover, and some later issues, while unsigned, certainly look like DeCarlo's work, with Big Boy's best girl Dolly a dead ringer for a young Betty.
Condition: While these volumes are not especially attractive from the outside, when you page through these newsprint comics with paper covers, they look fine, with cream to off-white pages (Vol. 1 with issues 1-12 is off-white!). Now and then there will be a small defect such as a torn-off corner, an isolated 2- or 3-inch tear, or a piece of tape. Issue #1 has a one-inch cover tear. Volume 7 has a water stain throughout, the outer cover of Volume 10 is in poor condition with acid stains. Vol. 13 has some moisture damage. While we didn't check every single page of every volume, we only spotted three completed puzzles, all in Vol. 2! Since these comics had no indicia and later issues had the issue number near the spine and thus hidden by the binding, not all issue numbers could be verified, but we found nothing to indicate a missing issue. Some have a penciled issue number on the right side of the cover.
The earliest issues are mostly from Arizona or California "Bob's" locations, but others bear the imprint of Eat 'n Park (PA), Elias Brothers (MI), Tops, Mark's, McDowell's (ND), Elby's, Mr. B's, JB's (Canada), Ken's, Marc's (WI, not to be confused with Mark's), Shoney's, Kip's (TX/OK), and others. While we have heard that some "East Coast" editions were printed that featured a blond Big Boy, no such issues are in these volumes.
A bonanza for lovers of nostalgic roadside America and devotees of good, clean fun. Overstreet 2008 VG 4.0 value for group = $1,354.
Amazing Fantasy #15 (Marvel, 1962) CGC FN 6.0 Off-white to white pages. Even though the FN Guide price went up this year, we doubt that amount will be enough to win this copy! The origin and first appearance of Spider-Man remains the top Silver Age comic book, with no end to that status in sight. Overstreet 2008 FN 6.0 value = $5,500. CGC census 4/08: 20 in 6.0, 109 higher.
Amazing Fantasy #15 (Marvel, 1962) CGC VG/FN 5.0 Off-white pages. Origin and first appearance of Spider-Man. #1 on Overstreet's list of the top Silver Age books. First appearance of Uncle Ben and Aunt May. Jack Kirby/Steve Ditko cover. Ditko art. Overstreet 2008 VG 4.0 value = $3,700; FN 6.0 value = $5,550. CGC census 4/08: 35 in 5.0, 165 higher.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN 6.0 Off-white pages. A very solid copy of the issue that had the first Fantastic Four crossover and the first appearances of John Jameson, J. Jonah Jameson, and the Chameleon. As a nice bonus, a color photo of this book's first page, showing the Stan Lee signature, is included with this lot. CGC notes, "'Stan Lee '88' written on 1st page in pen." Overstreet 2008 FN 6.0 value = $3,750. CGC census 4/08: 47 in 6.0, 171 higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM/MT 9.8 Off-white pages. We've been lucky enough to see 9.6 copies fairly often, but a 9.8 for this ish is tough to come by. John Romita Sr. is the cover artist. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 13 in 9.8, none higher.
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM+ 9.6 White pages. This cover by John Romita Sr. announced the death of a major character, and we're probably not giving anything away when we say it was Gwen Stacy. It happens in Spider-Man's battle with the Green Goblin, and it all adds up to one of the most memorable comic book moments ever. The story was penciled by Gil Kane and inked by Romita. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 49 in 9.6, 8 higher. From the Williamsport Collection.
Silver Age (1956-1969)
Aquaman #1 (DC, 1962) CGC NM- 9.2 Off-white to white pages. Here's a beautiful, sharp, and glossy copy of this first issue. It features the first appearance of Quisp the Water Sprite. Howard Purcell drew the cover, while nifty Nick Cardy ably handed the interior art. Overstreet 2008 NM- 9.2 value = $1,800. CGC census 4/08: 7 in 9.2, 2 higher. From the David N. Toth Collection.
The Atom #2 (DC, 1962) CGC NM+ 9.6 White pages. The Diminutive Dynamo stars in the second issue of his own title. This particular comic is a favorite here at Heritage; our chief Comics Cataloger, Jimmy Steele, got his first letter to the editor published here, alongside future comics artist Dave Cockrum. This copy is simply outstanding in every way, fresh, sharp, vibrant, and the current CGC census champ. Overstreet 2008 NM- 9.2 value = $625. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
The Avengers #2 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. The green on the Hulk's soles wasn't moss - the Incredible one leaves the Avengers in this story, after just one issue! The Space Phantom makes his first appearance to balance things out. Jack Kirby provided the cover and story art. Overstreet 2008 VF/NM 9.0 value = $1,098; NM- 9.2 value = $1,600. CGC census 4/08: 26 in 9.0, 28 higher.
The Avengers #57 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. Being a key Silver Age book, this issue features the first appearance of the Silver Age Vision and the death of Ultron-5. John Buscema provides the cover and interior art. Overstreet 2008 NM- 9.2 value = $230. CGC census 4/08: 11 in 9.6, none higher.
Batman #100 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. A one-hundredth issue still meant a lot in 1956, and this cover collage reprised some of our favorites from the first 99. To be exact: #1, 23, 25, 47, 48, and 61 are shown here. All-new stories were inside. This is the most collectible Batman issue of the 1950s, and note that this is the highest grade CGC has assigned! Overstreet 2008 VF/NM 9.0 value = $2,863; NM- 9.2 value = $4,000. CGC census 4/08: 3 in 9.0, none higher. From the Williamsport Collection.
Golden Age (1938-1955)
Batman #101 (DC, 1956) CGC VF/NM 9.0 Off-white pages. Before now the highest-graded copy we've offered of this issue was certified VF- 7.5. Clark Kent crosses over to help protect Batman's secret identity. Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $553; NM- 9.2 value = $775. CGC census 4/08: 1 in 9.0, none higher. From the Williamsport Collection.
Silver Age (1956-1969)
Batman #106 (DC, 1957) CGC NM- 9.2 Off-white pages. Only the best for our bidders! CGC's highest-graded copy to date of the early Silver Age issue, which featured a Sheldon Moldoff cover, plus interior art from Moldoff and Dick Sprang. Overstreet 2008 NM- 9.2 value = $675. CGC census 4/08: 1 in 9.2, none higher. From the Williamsport Collection.
Batman #108 (DC, 1957) CGC NM- 9.2 Off-white to white pages. The highest-graded-yet copies just keep coming and coming! To be entirely clear, there's one other CGC-certified copy of #108 that earned the same grade, but it's hard to believe it would look nicer than this stellar copy! Sheldon Moldoff provided cover and interior art. Overstreet 2008 NM- 9.2 value = $675. CGC census 4/08: 2 in 9.2, none higher. From the Williamsport Collection.
Batman #121 (DC, 1959) CGC NM- 9.2 Off-white pages. The origin and first appearance of Mr. Zero (aka Mr. Freeze, who appears on the cover) are presented here. The issue contains a full page ad for Flash #105. Curt Swan cover. Sheldon Moldoff interior art. Overstreet 2008 NM- 9.2 value = $775. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Batman #128 (DC, 1959) CGC NM 9.4 Off-white to white pages. David Toth's copy is nicer than yours... and everyone else's, too! Now, it could be yours. Sheldon Moldoff contributed cover and story artwork for this issue, which featured an appearance by Kathy Kane and a full page ad for Flash #110. Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Batman #129 (DC, 1960) CGC NM- 9.2 Off-white to white pages. CGC hasn't certified a copy of this issue nicer than VF+ 8.5, until now, of course. We don't see the issue often in any grade, so forgive us while we geek! Sheldon Moldoff's Batwoman bondage cover is one of our favorites from the early Silver Age years. Moldoff and Dick Sprang contributed interior art for this issue, which retold Robin's origin and had a full page ad for Brave and the Bold #28. Overstreet 2008 NM- 9.2 value = $475. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Batman #130 (DC, 1960) CGC NM- 9.2 Off-white pages. Those wonky science fiction issues of the pre-"new look" Batman have finally started to really catch on with collectors. Here's a great-looking example, nearly perfect in every way -- and it's by far the finest CGC-graded copy to date. Includes a Lex Luthor appearance. Sheldon Moldoff cover, with Moldoff and Dick Sprang story art. Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Batman #134 (DC, 1960) CGC NM+ 9.6 Off-white to white pages. The new standard-bearer in CGC's census beats the previous champ handily, 9.6 to 9.0. DCs from this era just don't show up this nice! Sheldon Moldoff provided the cover and interior art for this issue, which has an appearance by the Dummy. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Batman #135 (DC, 1960) CGC NM+ 9.6 White pages. This purple-background covered prize is sure to quicken the pulse of any true Batfan who sees it -- it's a real beauty. Sheldon Moldoff was the cover and story artist. This copy is far and above the highest-graded on the current CGC census, with the next-highest examples registering in at a paltry 9.0. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Batman #136 (DC, 1960) CGC NM 9.4 Off-white pages. The Joker takes center stage on the colorful cover to this ten-cent issue. Sheldon Moldoff provided the cover and interior story art. This super-sweet single-owner copy just topped the current CGC census chart for issue #136. Overstreet 2008 NM- 9.2 value = $360. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Batman #143 (DC, 1961) CGC NM 9.4 Off-white pages. A great bug-eyed monster fills the cover of this, the final ten-cent issue of Batman. The cover colors, especially the yellow background, are so bright, they literally pop off the page. Artists include Sheldon Moldoff and Charles Paris. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Batman #144 (DC, 1961) CGC NM 9.4 Off-white to white pages. Here's a choice copy of a great early Silver Age Batman. This was the first 12-cent issue, featuring the "big box" cover price, but more importantly, it showcased appearances by the Joker, Batwoman, the original Bat-Girl, and Bat-Mite. Sheldon Moldoff cover, with Moldoff and Charles Paris story art. Outstanding cover color and original gloss. This freshly slabbed specimen has jumped to the head of the current CGC census list. Overstreet 2008 NM- 9.2 value = $320. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Batman #155 (DC, 1963) CGC NM 9.4 White pages. Key Silver Age issue has the first appearance of the Penguin since his Golden Age days. Our copy is tied with one other as CGC's highest-graded #155 to date, but we bet the other one doesn't have the page quality of this one! Sheldon Moldoff did the cover and interior art, and an added attraction is a Vicki Vale appearance. Overstreet 2008 NM- 9.2 value = $575. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC NM- 9.2 Off-white pages. This is the first appearance of the Justice League of America, and we'd say this book is the highlight of the David N. Toth collection... though if one of the other keys is your favorite, more power to you! This copy has nice page quality as does the rest of the collection, and of all the copies of #28 we've sold we have yet to see one certified with better page quality than "off-white." Also particularly outstanding is the white back cover, the freshest we've seen on any copy of this book. A strict Near Mint-minus copy is a Silver Age collector's dream.
The issue is also the first appearance of villain Starro and gadfly/sidekick Snapper Carr, and it's just the fourth appearance of the Silver Age Green Lantern, pre-dating his own book. Gary Carter noted that for a generation too young to have heard of the Justice Society, this key "meant that all the DC characters must live in the same universe... that they must have heard of each other... and most importantly, that they could have adventures together! This 'new' team concept was a revelation with far-reaching implications." Overstreet 2008 NM- 9.2 value = $11,500. CGC census 4/08: 1 in 9.2, 1 higher. From the David N. Toth Collection.
The issue is also the first appearance of villain Starro and gadfly/sidekick Snapper Carr, and it's just the fourth appearance of the Silver Age Green Lantern, pre-dating his own book. Gary Carter noted that for a generation too young to have heard of the Justice Society, this key "meant that all the DC characters must live in the same universe... that they must have heard of each other... and most importantly, that they could have adventures together! This 'new' team concept was a revelation with far-reaching implications." Overstreet 2008 NM- 9.2 value = $11,500. CGC census 4/08: 1 in 9.2, 1 higher. From the David N. Toth Collection.
The Brave and the Bold #29 Justice League of America (DC, 1960) CGC VF/NM 9.0 Off-white to white pages. The second appearance of the Justice League of America is even tougher to find than their first -- while the census for #28 shows seven copies graded 9.0 or higher, this is one of just two copies of #29 to reach that VF/NM mark! The purple background looks excellent, and the page quality is the best we've seen (we have yet to see #29 certified with "white" pages). The robot cover by Mike Sekowsky and Murphy Anderson is reminiscent of the Justice Society cover for All-Star #43. Overstreet 2008 VF/NM 9.0 value = $2,866; NM- 9.2 value = $4,200. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
The Brave and the Bold #30 Justice League of America (DC, 1960) CGC NM- 9.2 Cream to off-white pages. This newly certified gem is the highest-graded copy, and one of only two copies ever certified above VF 8.0! This was the third appearance of the Justice League of America, the final Brave and the Bold issue for the group that would be given its own series four months later. The group had the super-team category to itself until the Fantastic Four followed in November 1961! The cover, by Mike Sekowsky and Murphy Anderson, is considered one of the JLA's best. This issue had the first JLA letters page, worth noting because it mentioned All Star Comics and the Justice Society, shocking many a young reader with no inkling that there had been a supergroup before. We loved looking at this original-owner copy before it was certified, and we still can't stop staring at it now. Overstreet 2008 NM- 9.2 value = $3,300. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
The Brave and the Bold #54 Kid Flash, Aqualad, and Robin (DC, 1964) CGC NM 9.4 Off-white to white pages. The first appearance and origin of the Teen Titans was here, even if the group was not officially called by that name yet! Of course, it's a group that's still going strong today. Bruno Premiani drew the cover and the group's first-ever adventure. Overstreet 2008 NM- 9.2 value = $575. CGC census 4/08: 7 in 9.4, 2 higher. From the David N. Toth Collection.
Bronze Age (1970-1979)
Daredevil #158 (Marvel, 1979) CGC NM/MT 9.8 White pages. Frank Miller's first issue as artist of this title. Origin and "death" of Deathstalker. Black Widow appearance. Miller cover and art. Overstreet 2008 NM- 9.2 value = $115. CGC census 4/08: 21 in 9.8, none higher. From the Furfferi Collection.
Modern Age (1980-Present)
Daredevil #168 (Marvel, 1981) CGC NM/MT 9.8 White pages. Origin and first appearance of Elektra (misspelled on cover). Frank Miller's first issue as scripter of the title. Cover and interior art by Miller. Overstreet 2008 NM- 9.2 value = $150. CGC census 4/08: 16 in 9.8, none higher. From the Furfferi Collection.
Silver Age (1956-1969)
Detective Comics #262 (DC, 1958) CGC NM 9.4 Cream to off-white pages. Copies of DC's namesake title from this era just aren't found in this grade; that is, until this marvelous collection came out! Until now the finest copy we've ever offered of #262 was a mere VF 8.0. This one's the finest CGC has certified, and only one of two to have earned certification higher than VF 8.0. Curt Swan did the cover, with Sheldon Moldoff and Ruben Moreira among the story artists for this issue, which featured the origin of the Jackal. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #266 (DC, 1959) CGC NM+ 9.6 Off-white pages. The only copy graded above 9.2. Curt Swan and Stan Kaye cover. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Detective Comics #268 (DC, 1959) CGC NM 9.4 Off-white to white pages. Our experience is that issues of Detective from this time period in any condition are pretty tough finds, and #268 offers a prime example. We've only offered one copy (a modest FN specimen) in over six years of doing comic auctions, so forgive us if we gush over this one! Curt Swan provided the cover, and Sheldon Moldoff some interior art in this issue which featured a recap of the Martian Manhunter's origin. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #277 (DC, 1960) CGC NM 9.4 Cream to pink pages. Another issue that's been darn scarce in our auctions (we've offered a copy only once before) and just non-existent in this grade until now. Sheldon Moldoff provided cover and story art, with other interior contributions from Joe Certa and Ruben Moreira. Overstreet 2008 NM- 9.2 value = $280. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #280 (DC, 1960) CGC NM 9.4 Off-white pages. It's thrilling to discover a "new" collection, especially when so many of the books are in the "highest-graded to date" category! That's where this copy now resides -- atop CGC's census for #280. Just a handful of copies between #200 and #300 have been certified as high as 9.4 by CGC to date. The cover's by Sheldon Moldoff, who also contributed interior art, as did Ruben Moreira. Overstreet 2008 NM- 9.2 value = $280. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #299 (DC, 1962) CGC NM/MT 9.8 Off-white pages. No, it's not a misprint. Yes, it's really a NM/MT 9.8, and indeed it's the finest copy known of this Silver Age issue from the "Batman and Aliens" theme era. Dick Dillin and Sheldon Moldoff combined efforts on the cover, and interior stories were drawn by Jim Mooney, Nick Cardy, and Joe Certa. Overstreet 2008 NM- 9.2 value = $200. CGC census 4/08: 1 in 9.8, none higher. From the David N. Toth Collection.
Detective Comics #303 (DC, 1962) CGC NM/MT 9.8 White pages. Unbelievable grade for this title from this era! Would you believe that the only 9.8s CGC has awarded to date for this title for the span of issues from #184 to #337, which covers a 13 year period beginning in 1952 are David Toth's copies of #299, 303, and 310? Believe it! Sheldon Moldoff contributed cover and interior art for the issue, which has a Martian Manhunter backup story. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.8, none higher. From the David N. Toth Collection.
Detective Comics #307 (DC, 1962) CGC NM+ 9.6 Off-white pages. Another sterling copy from this collection, another highest-graded copy to date in CGC's census. Batman, Robin, Batwoman, and Ace, the Bat Hound appear. Manhunter from Mars backup story. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Detective Comics #310 (DC, 1962) CGC NM/MT 9.8 Off-white to white pages. The only copy graded above 9.4. To put the incredible condition and the book's age in perspective, it's worth noting that this was on the stands three months before Amazing Spider-Man #1! Bat-Mite guest-stars in this issue along with an Elongated Man lookalike. Sheldon Moldoff is the cover artist. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.8, none higher. From the David N. Toth Collection.
Detective Comics #321 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. The Terrible Trio made its second appearance here, five years after the first (issue #253). It was too good a group not to bring back, not since the Sandman had anyone combined a mask with a business suit! Sheldon Moldoff is the cover artist. A superb, squeaky-clean copy. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Detective Comics #327 (DC, 1964) CGC NM 9.4 White pages. Our David N. Toth copy may be tied for the highest grade that CGC has certified for #327, but its page quality is unparalleled! This is the first "New Look" Batman and Robin owing to Carmine Infantino taking over the art chores, Julius Schwartz taking over the editing, and Batman taking on a new costume. The Elongated Man series also begins. Overstreet 2008 NM- 9.2 value = $210. CGC census 4/08: 4 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #359 (DC, 1967) CGC NM 9.4 Off-white to white pages. The most valuable issue from 1962-70 of DC's longest running title had the origin and first appearance of Batgirl plus the first Silver Age appearance of Killer Moth. A highlight is the brilliant cover from the talented duo of Carmine Infantino and Murphy Anderson, who also provided interior artwork. Brilliant also aptly describes the fresh, striking colors of this copy's exterior, which is no surprise considering it's from the Toth Collection. Overstreet 2008 NM- 9.2 value = $270. CGC census 4/08: 10 in 9.4, 5 higher. From the David N. Toth Collection.
80 Page Giant #1 Superman Annual (DC, 1964) CGC NM+ 9.6 Off-white to white pages. So tough to find really high-grade copies of this. The issue was originally planned as Superman Annual #9, but a #1 works so much better! Curt Swan did the cover. Interior artists included a variety of Supes renderers of previously printed stories, including Swan, Win Mortimer, Jim Mooney (on Supergirl feature), Al Plastino, and John Sikela. Overstreet 2008 NM- 9.2 value = $750. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
80 Page Giant #3 Lois Lane (DC, 1964) CGC NM 9.4 Off-white to white pages. Another pretty copy from the Toth Collection, this one sparkles and shines! Kurt Schaffenberger is everyone's favorite Lois Lane artist, and there's plenty of the master's work in this issue from the cover to several of the interior stories. Other artists include Curt Swan, Creig Flessel, and Win Mortimer. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 1 in 9.4, 2 higher. From the David N. Toth Collection.
80 Page Giant #11 Superman (DC, 1965) CGC NM+ 9.6 Off-white to white pages. It's an All Superman-Luthor affair for this issue, and this is an All World copy, tied with one other as the highest-graded copies yet. Curt Swan did the cover. The "best of" stories included artwork by Swan, Wayne Boring, and Kurt Schaffenberger. Overstreet 2008 NM- 9.2 value = $255. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Fantastic Four #1 Golden Record Reprint (Marvel, 1966) CGC NM+ 9.6 White pages. Sparkling copy of the reprint from 1966, which was originally accompanied by a vinyl recording, not included here. It's not nearly as rare in high grade as the original Marvel key, but to date CGC has certified just two nicer copies than this one. If you've forgotten, the cover and interior art is by Jack Kirby. Overstreet 2008 NM- 9.2 value = $320. CGC census 4/08: 13 in 9.6, 2 higher.
The Flash #123 (DC, 1961) CGC NM 9.4 Off-white to white pages. So few high-grade copies of this era of the title have been certified, and that makes this startling copy all the more special. It's the classic "Flash of Two Worlds" story, which has the first appearance of the Golden Age Flash in the Silver Age, plus the first mention of another Earth where the DC Golden Age heroes live. Carmine Infantino did the cover and interior art, with expert assistance from Murphy Anderson on the cover. Overstreet 2008 NM- 9.2 value = $3,000. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
The Flash #124 (DC, 1961) CGC NM+ 9.6 Off-white pages. The only copy of the issue graded above 9.2 to date is one of the highlights of this great run! The Elongated Man co-stars, and the bad guy is that Rogues' Gallery regular, Captain Boomerang. Carmine Infantino is the cover artist. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
The Flash #126 (DC, 1962) CGC NM 9.4 White pages. We don't have to tell you how much in-demand high-grade copies of this title from this era have become, do we? Guess we just did again! CGC hasn't seen a finer copy to date, and this gem even has the white pages as its cherry on top! Carmine Infantino and Murphy Anderson created one of their more memorable collaborative covers for this issue, which featured Flash's old nemesis the Mirror Master, plus the first appearance of Daphne Dean. Overstreet 2008 NM- 9.2 value = $325. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
The Flash #127 (DC, 1962) CGC NM- 9.2 White pages. As the highest-graded (and sole recipient to date of the grade of NM- 9.2) in CGC's census for #127, this one's sure to cause a stir in our auction. A 9.0 copy brought more than $3,000 over a year ago! Grodd the Gorilla returns, rendered expertly by Carmine Infantino on the cover and in the featured story. Overstreet 2008 NM- 9.2 value = $325. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
The Flash #129 (DC, 1962) CGC NM+ 9.6 Off-white pages. Super-fine copy of one of the title's key issues. The second Silver Age appearance of the Golden Age Flash is also occasioned by the first Silver Age appearance of the Justice Society of America, which included the Golden Age Green Lantern, Hawkman, Atom, Dr. Mid-Nite, Black Canary, and Wonder Woman. Multiple super-villains also appear -- familiar Flash foes Captain Cold and the Trickster. Carmine Infantino cover and interior art. Overstreet 2008 NM- 9.2 value = $550. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
The Flash #130 (DC, 1962) CGC NM 9.4 White pages. Once again, a stunning copy from David N. Toth! This is one of the most impressive because until now, the highest grade CGC has awarded for #130 is VF/NM 9.0. The largely black cover is unforgiving, showing the slightest defect, but this copy simply has none, and even boasts white pages. Inside, villains abound with the first appearance of the Gauntlet of Super-Villains. There are also Elongated Man and Kid Flash backup stories, with art by Carmine Infantino, who also did the cover with help from his frequent collaborator Murphy Anderson cover. Overstreet 2008 NM- 9.2 value = $325. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
The Flash #134 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. The Carmine Infantino-Murphy Anderson duo was responsible for some of the great DC covers of the Silver Age. Here, it's the Elongated Man (sporting the mask he only wore in his early appearances) and Captain Cold co-starring. When we eyeballed the 9.4 Western Penn copy a couple of years ago we thought we might never see a nicer one... we were wrong! Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
The Flash #137 (DC, 1963) CGC NM- 9.2 White pages. Key issue in which the Golden Age DC meets the Silver Age DC. Here the Golden Age Flash makes an appearance (his third), Vandal Savage makes his first Silver Age appearance, and the Justice Society of America makes its second Silver Age appearance. Carmine Infantino and Murphy Anderson team up for the cover, with Infantino also providing the interior art for this issue. Overstreet 2008 NM- 9.2 value = $750. CGC census 4/08: 3 in 9.2, 3 higher. From the David N. Toth Collection.
The Flash #139 (DC, 1963) CGC NM 9.4 White pages. Carmine Infantino signature cover really pops on this pristine copy. Featured this issue is the origin and first appearance of Professor Zoom (aka Reverse-Flash). Infantino also furnished the story art. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
The Flash #140 (DC, 1963) CGC NM 9.4 Off-white to white pages. There's a new super-villain in town in this issue, which has the origin and first appearance of Heat Wave. Add a Captain Cold appearance and a full page ad for Flash Annual #1, and DC's most dynamic title of the day had another winner. Segue this copy from the Toth Collection... wow! Carmine Infantino and Murphy Anderson cover, with Infantino story art. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 3 in 9.4, 1 higher. From the David N. Toth Collection.
Green Lantern #8 (DC, 1961) CGC NM- 9.2 White pages. This Gil Kane grey tone cover is a collector's favorite, and this is just about the finest copy ever to be certified by CGC. Featured is the first 5700 A.D. story. Overstreet 2008 NM- 9.2 value = $525. CGC census 4/08: 2 in 9.2, 1 higher. From the David N. Toth Collection.
Green Lantern #11 (DC, 1962) CGC NM 9.4 White pages. The white pages are just about as rare as the grade on this beauty. This issue featured the first appearance of the Green Lantern Corps, plus an appearance by Sinestro. Gil Kane cover and art. Overstreet 2008 NM- 9.2 value = $340. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Green Lantern #12 (DC, 1962) CGC NM 9.4 Off-white pages. Gil Kane and Murphy Anderson combined their considerable talents for the cover, displayed to maximum effect by this scintillating copy from the Toth Collection. Overstreet 2008 NM- 9.2 value = $340. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Green Lantern #13 (DC, 1962) CGC NM- 9.2 Off-white to white pages. Green Lantern and the Flash revealed their identities to each other in this issue. How close did they become? Well, when GL's book got canceled, who took him in as a backup feature? We rest our case. Here, it's just fun to see Gil Kane's take on the Flash, and to see the book in high grade, which we haven't done often. Overstreet 2008 NM- 9.2 value = $575. CGC census 4/08: 5 in 9.2, 2 higher. From the David N. Toth Collection.
Green Lantern #14 (DC, 1962) CGC NM 9.4 White pages. One of DC's most sought-after titles from this period, especially in this condition, the highest grade yet certified by CGC for #14. The issue featured the origin and first appearance of Sonar, with cover and story art by Gil Kane. There's a dealer-marked arrival date on the front cover. Overstreet 2008 NM- 9.2 value = $285. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Green Lantern #18 (DC, 1963) CGC NM 9.4 White pages. Sinestro is the featured fiend, he's a character who's made a big comeback in DC comics lately! Gil Kane is the cover artist. Overstreet 2008 NM- 9.2 value = $285. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Green Lantern #19 (DC, 1963) CGC NM 9.4 White pages. This is the best copy we've seen of this issue! If you follow Gil Kane's career, you know he would do a self-referential story or cover now and then, and this eye-catching cover is a case in point. Overstreet 2008 NM- 9.2 value = $285. CGC census 4/08: 2 in 9.4, 2 higher. From the David N. Toth Collection.
Green Lantern #20 (DC, 1963) CGC NM+ 9.6 White pages. This is another issue that's just about impossible to find in grades over VF/NM 9.0, and at NM+ 9.6, this one's one of a kind! Gil Kane and Murphy Anderson combined for one of their many DC covers, and Kane did the interior art for this issue that featured a Flash crossover. Overstreet 2008 NM- 9.2 value = $285. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Green Lantern #22 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. There's a new leader atop CGC's census for #22. This copy beats the next best by two degrees, 9.6 to 9.2. Featured are a Hector Hammond appearance and a Jordan Brothers backup story. Gil Kane cover and art. Overstreet 2008 NM- 9.2 value = $215. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Harvey Hits #3 Richie Rich (Harvey, 1957) CGC VF 8.0 Off-white to white pages. Richie Rich, who in later years would practically carry the Harvey line with his many different titles, stars here in his very first solo book. An early Little Dot story is also reprinted. If you think like Richie, you'll be glad to know that investing in comics like this is actually better than putting money in the bank! Overstreet 2008 VF 8.0 value = $1,037. CGC census 4/08: 2 in 8.0, 9 higher. From the David N. Toth Collection.
Hot Stuff, the Little Devil #1 (Harvey, 1957) CGC VF/NM 9.0 White pages. As far as this key Harvey issue goes, copies just don't get any better than this. And if the highest grade CGC has assigned to date isn't enough, check out the page quality! Overstreet 2008 VF/NM 9.0 value = $692; NM- 9.2 value = $1,000. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Hot Stuff, the Little Devil #2 (Harvey, 1957) CGC NM- 9.2 Off-white to white pages. To call early issues of this title "hot" would be pretty accurate, as the prices for high-graded copies are zooming through the roof! And you can't go wrong with this fresh-to-the-market copy, from a single-owner collection -- it's already taken over as the current CGC census champ! Includes a "Stumbo"-like giant, one issue before the big guy himself began his run of back-up stories in the next issue. Overstreet 2008 NM- 9.2 value = $450. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Iron Man #1 (Marvel, 1968) CGC NM+ 9.6 White pages. It's one of the key issues in Marvel's late '60s offerings, and one of Gene Colan's most memorable and dynamic covers. The origin of Iron Man is retold in a story that continued from the one-shot Iron Man and Sub-Mariner #1. Colan and Johnny Craig art. Overstreet 2008 NM- 9.2 value = $650. CGC census 4/08: 38 in 9.6, 19 higher.
Journey Into Mystery #112 (Marvel, 1965) CGC NM+ 9.6 Off-white to white pages. As they say on the Internet, OMG! The Mighty Thor and The Incredible Hulk in The Unsurpassed Near Mint Plus copy! Of issue #112, that is, of Thor's home base in 1965, Journey Into Mystery. This epic confrontation is Silver Age Marvel at its best, and nobody could draw a clash of titans the way Jack Kirby could. Overstreet 2008 NM- 9.2 value = $950. CGC census 4/08: 5 in 9.6, none higher.
Justice League of America #1 (DC, 1960) CGC NM 9.4 Off-white pages. JLA #1 has been a super-tough book to find in high grade, so when this collection came out, this stunning copy stood out -- even among many other stellar books. Murphy Anderson's cover is branded on every Silver Age DC collector's brain. Inside, regular artist Mike Sekowsky provides the artwork, as villain Despero, making his first comic book appearance, ambitiously attempts to eliminate, one by one, a team comprised of Superman, Batman, Green Lantern, Flash, Wonder Woman, Aquaman, and J'onn J'onzz. That would be as daunting as finding a nicer copy than this! Overstreet 2008 NM- 9.2 value = $10,000. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Justice League of America #2 (DC, 1961) CGC NM- 9.2 Off-white to white pages. Murphy Anderson drew the cover for this second issue. The pink background looks outstanding on this copy! Overstreet 2008 NM- 9.2 value = $2,300. CGC census 4/08: 3 in 9.2, 3 higher. From the David N. Toth Collection.
Justice League of America #3 (DC, 1961) CGC Qualified NM 9.4 Off-white pages. The black cover makes this one practically impossible to find in nicer than VF+ 8.5 grade, so this copy's quite astonishing. The grade would be a Universal Near Mint 9.4, and the first with so high a grade, except the cover and first wraparound are detached from the bottom staple. It's still the nicest-looking copy you'll find of the issue that featured the origin and first appearance of Kanjar Ro, a great Murphy Anderson cover and interior art from Mike Sekowsky. CGC notes, "Cover and 1st wrap detached from bottom staple." Overstreet notes, "scarce in high grade due to black cover." Overstreet 2008 NM- 9.2 value = $1,900. From the David N. Toth Collection.
Justice League of America #4 (DC, 1961) CGC NM- 9.2 Off-white pages. Murphy Anderson did one of his most memorable covers for this early JLA issue, which featured Green Arrow joining (and immediately saving) the Justice League. Regular artist Mike Sekowsky furnished the story art. This superclean copy is tied for the highest-graded copy of #4 to date in CGC's census. Overstreet 2008 NM- 9.2 value = $1,200. CGC census 4/08: 2 in 9.2, none higher. From the David N. Toth Collection.
Justice League of America #5 (DC, 1961) CGC NM- 9.2 White pages. Fresh copy with white pages of an issue that has the origin and first appearance of Dr. Destiny. Mike Sekowsky's cover and interior art is featured. Overstreet 2008 NM- 9.2 value = $1,050. CGC census 4/08: 2 in 9.2, 2 higher. From the David N. Toth Collection.
Justice League of America #6 (DC, 1961) CGC NM 9.4 White pages. With no other copy certified above 9.0 as of this writing, a lot of eyes will be on this copy when the auctioneer calls it out. The issue has the origin and first appearance of Amos Fortune. Mike Sekowsky and Murphy Anderson are the cover artists. Overstreet 2008 NM- 9.2 value = $775. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Justice League of America #8 (DC, 1962) CGC NM 9.4 White pages. A young, future Marvel writer supreme Roy Thomas had his letter published in this early JLA issue, which also featured a cover by Mike Sekowsky and Murphy Anderson and Sekowsky interior art. Silver Age DCs continue to be highly sought-after, especially in grades like this. Overstreet 2008 NM- 9.2 value = $775. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Justice League of America #9 (DC, 1962) CGC NM+ 9.6 White pages. The origin of the Justice League was told for the first time in this issue, in a story set before Brave and the Bold #28 (back in their first appearance they were a fully formed group that already had a fully-equipped HQ). The cover, by Mike Sekowsky and Murphy Anderson, is a memorable one that has been reprinted many a time. Look at this super-clean book (the back cover is as nice as the front) and you'll see condition of the kind you might expect from a sharp Bronze/Modern Age book, but this was on the stands before Fantastic Four #3! Overstreet 2008 NM- 9.2 value = $950. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Justice League of America #10 (DC, 1962) CGC NM 9.4 Off-white pages. Ridiculous copy from the David N. Toth Collection, the first to garner a CGC-certified grade higher than NM- 9.2. And this issue was a doozy, from the imaginative Murphy Anderson cover to the full-length story that had the origin and first appearances of Felix Faust, Abnegezar, Rath, and Ghast, plus the first appearance of the Lord of Time. Overstreet 2008 NM- 9.2 value = $775. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Justice League of America #11 (DC, 1962) CGC NM+ 9.6 White pages. If there's a nicer copy, CGC doesn't know about it. Mind-blowing specimen, complete with white pages, of an issue that continues the story from JLA #10, in which our intrepid heroes battle the Lord of Time. Mike Sekowsky and Murphy Anderson combined efforts for the cover, with Sekowsky also providing interior art. Overstreet 2008 NM- 9.2 value = $450. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Justice League of America #12 (DC, 1962) CGC NM 9.4 Off-white pages. The origin and first appearance of Dr. Light are in this issue. He's a baddie with longevity who played a big role in the recent Identity Crisis and other DC books. Murphy Anderson is the cover artist. Overstreet 2008 NM- 9.2 value = $450. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Justice League of America #13 (DC, 1962) CGC NM 9.4 White pages. Murphy Anderson's covers on the early JLA issues are things of beauty, and speaking of beauty... what about this copy? CGC's highest grade yet for #13, with white pages! Besides the bevy of usual superheroes, Green Arrow's young charge Speedy appears. Mike Sekowsky art. Overstreet 2008 NM- 9.2 value = $450. CGC census 4/08: 4 in 9.4, none higher. From the David N. Toth Collection.
Justice League of America #17 (DC, 1963) CGC NM 9.4 Off-white to white pages. Another glorious copy from a wonderful collection. The issue features an Adam Strange cameo and an appearance by the Tornado Tyrant. Murphy Anderson and Mike Sekowsky provide the cover and interior art respectively. Overstreet 2008 NM- 9.2 value = $375. CGC census 4/08: 4 in 9.4, 1 higher. From the David N. Toth Collection.
Justice League of America #37 (DC, 1965) CGC NM+ 9.6 Off-white pages. This isn't a book we've ever seen change hands in this grade, so look for heavy competition for this one. It's a beautiful copy. The Justice Society of America not only guest-starred but starred here, and one of their number, Mr. Terrific, was making his first appearance since the Golden Age (for that matter, so was Johnny Thunder's thunderbolt, who dominates the cover). Brownie points for you if you knew that the "Earth Without a Justice League" is Earth-A. Mike Sekowsky drew the cover. Overstreet 2008 NM- 9.2 value = $200. CGC census 4/08: 3 in 9.6, 2 higher. From the David N. Toth Collection.
Metal Men #1 (DC, 1963) CGC NM- 9.2 White pages. Ingenious concept and writing by one of the all-time great comic book writers Robert Kanigher, with signature artwork from the combo of Ross Andru and Mike Esposito. And this copy of the premiere issue, from the newly famous Toth Collection is pretty ingenious and signature, too! Overstreet 2008 NM- 9.2 value = $1,150. CGC census 4/08: 3 in 9.2, 5 higher. From the David N. Toth Collection.
Showcase #4 The Flash (DC, 1956) CGC FR/GD 1.5 Cream to off-white pages. The Silver Age begins right here with this landmark issue, which kick-started DC's trend of reviving and updating dormant Golden Age heroes. Overstreet ranks this key book among the 20 most valuable comics of all, and the second most valuable of the Silver Age. CGC notes, "Centerfold detached." Overstreet 2008 GD 2.0 value = $1,333. CGC census 4/08: 5 in 1.5, 88 higher.
Showcase #9 Lois Lane (DC, 1957) CGC VF+ 8.5 White pages. Lois Lane's first tryout issue must have been considered a success, since Superman's girlfriend got her own title a few months later, even before the Flash and the Challengers of the Unknown, who had earlier (and later) tryouts in Showcase. This copy's a real find, just a shade below the finest copy certified to date. Overstreet 2008 VF 8.0 value = $5,200; VF/NM 9.0 value = $9,100. CGC census 4/08: 2 in 8.5, 1 higher. From the David N. Toth Collection.
Showcase #10 Lois Lane (DC, 1957) CGC VF 8.0 Off-white to white pages. Nice copy of an issue that's not plentiful at this grade and better. It's the second tryout issue for Lois Lane -- that's all she would need to command her own title just a few months later. There's a Jor-el cameo in an interior story. Wayne Boring did the cover and also some of the interior artwork. Overstreet 2008 VF 8.0 value = $2,083. CGC census 4/08: 2 in 8.0, 4 higher. From the Williamsport Collection.
Showcase #30 Aquaman (DC, 1961) CGC VF/NM 9.0 White pages. CGC has certified just one copy of this issue that surpassed this one in grade - and not by much (9.2 to 9.0). It's the first tryout issue for Aquaman and gives the origin of the superhero of the seas. The cover's by Howard Purcell and Sheldon Moldoff; the interior art is by Ramon Fradon. Overstreet 2008 VF/NM 9.0 value = $1,165; NM- 9.2 value = $1,700. CGC census 4/08: 6 in 9.0, 1 higher. From the David N. Toth Collection.
Showcase #34 The Atom (DC, 1961) CGC VF+ 8.5 White pages. Julius Schwartz panned for more Silver Age gold by reviving a Golden Age hero with this first tryout book for the Atom. The DC "A" team of Gardner Fox scripting and the peerless tandem of Gil Kane and Murphy Anderson providing the art ensured another Silver Age key issue. Featured are the origin and first appearance of the Silver Age Atom and of his fiancee Jean Loring. It's a tough book to find this nice; CGC has certified just one copy higher than VF/NM 9.0 to date. Overstreet 2008 VF 8.0 value = $995; VF/NM 9.0 value = $1,848. CGC census 4/08: 5 in 8.5, 5 higher. From the David N. Toth Collection.
Superboy #68 (DC, 1958) CGC VF/NM 9.0 Off-white pages. Notoriously scarce in high grade -- CGC has certified just four copies higher than FN+ 6.5, and none as high as this astonishing copy. The origin and first appearance of Bizarro has made this key issue the most valuable in the title's long run, except for the first 15 issues, issued years before. Curt Swan cover. It good, you bid now, or we am sad! Overstreet 2008 VF/NM 9.0 value = $610; NM- 9.2 value = $850. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Superboy #89 (DC, 1961) CGC NM- 9.2 Off-white pages. Highest-graded copy of the issue with the first appearance of Mon-El and the second appearance of the Phantom Zone. Curt Swan provided cover and story art. Overstreet 2008 NM- 9.2 value = $485. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Superman #125 (DC, 1958) CGC NM 9.4 Off-white pages. The only copy graded above 9.0 by CGC to date. In this issue, Superman loses all of his powers, but gains a new one, namely... the ability to make a midget duplicate of himself. We kid you not. Curt Swan is the cover artist. Overstreet 2008 NM- 9.2 value = $420. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman #137 (DC, 1960) CGC NM 9.4 Off-white to white pages. CGC simply hasn't seen many NM 9.4 copies of Supe issues from this era. In fact, this is the only 9.4 CGC has certified to date for any issue of the title from #126-136 inclusive! Krypto makes an appearance in this issue, which sports Curt Swan cover and interior art. Overstreet 2008 NM- 9.2 value = $330. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman #139 (DC, 1960) CGC NM 9.4 White pages. The Toth collection sets a new standard for this issue with another highest-graded copy. Lori Lemaris makes her third appearance in little more than a year, much to Lois Lane's dismay. Supergirl and Red Kryptonite also appear in this issue, which has a Curt Swan cover plus interior art from Swan and Wayne Boring. Overstreet 2008 NM- 9.2 value = $330. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman #142 (DC, 1961) CGC NM+ 9.6 Cream to off-white pages. Curt Swan and Stan Kaye are the cover artists here. The cover situation looks hairy, and in fact it takes help by Batman, Supergirl, and Krypto to set things right. Speaking of the Super-Dog, he also figures in the issue's other story, trying his best to get Superman to propose to Lois Lane. We're all for commitment... to owning the nicest possible copies of our favorite books, so we propose that you go after this one. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman #146 (DC, 1961) CGC NM 9.4 Off-white pages. There are a bunch of 9.2 copies, but this one stands alone in this grade! Superman's origin was refined and expanded upon many times over the years, and this thorough account explains more about why he has super powers. The issue even told kids why Clark Kent's glasses never seem to get damaged (they're pieces of the rocket from Krypton that brought Superman to Earth). Overstreet notes that the backup feature hints at an Earth-Two, just a couple of months before more was revealed in Flash #123. Curt Swan drew the issue's cover, and what a cover! Overstreet 2008 NM- 9.2 value = $375. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman #147 (DC, 1961) CGC NM 9.4 Off-white to white pages. This top-notch copy ties with just one other as the highest-graded copy of #147 to be certified by CGC to date. Curt Swan swipes his own cover from Adventure Comics #247, which introduced the Legion of Super-Heroes in a Superboy story, but Swan had good reason -- it's the first appearance of the adult Legion, and to make things interesting, the first appearance of the Legion of Super-Villains. Swan and Al Plastino provided interior art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Superman #148 (DC, 1961) CGC NM 9.4 White pages. Mr. Mxyzptlk's back, and while that's entertaining to the reader, Superman is not amused! Bright, bold, and beautiful copy of and issue that also has appearances by Aquaman and Bizarro. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #149 (DC, 1961) CGC NM 9.4 Off-white pages. This one has a "death of Superman" imaginary story. Curt Swan is the cover artist, and the Legion of Super-Heroes, who had appeared in just seven stories previously, makes a cameo. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #156 (DC, 1962) CGC NM+ 9.6 Off-white to white pages. The only copy graded above 9.2 by CGC to date. Such a beautiful, clean, copy... we can't imagine how this book could look any better! Curt Swan is the cover artist. DC was known to re-use a good story idea now and then, and this issue's "The Last Days of Superman" is the story from issue #66, given some Silver Age polish with the additions of Supergirl and Krypto. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman #165 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. Curt Swan handled the cover and interior art here. Overstreet 2008 NM- 9.2 value = $150. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Superman Annual #4 (DC, 1961) CGC NM+ 9.6 Off-white to white pages. Unbelievable grade for this Giant. What a beauty! Curt Swan cover, with Swan, Wayne Boring, Kurt Schaffenberger, and Al Plastino art on the collection of best-of Supes stories from the past. Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Superman Annual #5 (DC, 1962) CGC NM 9.4 Off-white pages. All Krypton issue with Curt Swan cover. Interior art by Swan, Wayne Boring, Kurt Schaffenberger, and John Sikela. Overstreet 2008 NM- 9.2 value = $320. CGC census 4/08: 1 in 9.4, 1 higher. From the David N. Toth Collection.
Superman Annual #8 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Gorgeous copy of this Giant issue that's not easily found in high grade. All origins issue, with a Curt Swan cover and reprint stories featuring the art of Swan, Wayne Boring, Kurt Schaffenberger, John Sikela, and Al Plastino. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 1 in 9.6, 1 higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #1 (DC, 1958) CGC VF- 7.5 Off-white to white pages. Notoriously difficult to find in high grade; in fact, if "high grade" starts at VF 8.0, a high grade copy has yet to be certified by CGC! This one comes close, and at VF- 7.5 is tied as the finest copy known. Curt Swan did the cover; Kurt Schaffenberger the interior art. Overstreet 2008 VF 8.0 value = $2,880. CGC census 4/08: 3 in 7.5, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #14 (DC, 1960) CGC NM 9.4 Cream to off-white pages. Finding nice copies, let alone Near Mint ones, of early issues of Lois Lane can be daunting. This is the very first time we've offered this issue in any grade, so to offer the very finest copy known is a real pleasure. Curt Swan did the cover for this issue, which featured a Supergirl appearance and interior artwork by Kurt Schaffenberger. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #16 (DC, 1960) CGC NM+ 9.6 Off-white pages. To prove our point about the difficulty in finding early issues of this title in higher grades, here's an astounding factoid for you: at this writing, for issues #1-20 of this title, CGC has awarded grades higher than 9.2 on just six occasions. Oh, and by the way, the 9.4 #18 is also from this collection. Wow! Curt Swan did the cover, Kurt Schaffenberger interior art. Overstreet 2008 NM- 9.2 value = $335. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #17 (DC, 1960) CGC NM 9.4 Off-white pages. Weird things are happening here! #1: This isn't just at the top of the census, it's the only copy graded above VF 8.0 by CGC to date. #2: Overstreet's assertion that the second appearance of Brainiac was here, in Lois Lane, had the look of an April Fool's joke or a typo, but sure enough, the villain who first appeared in Action #242 (7/58) stopped in here for a May, 1960 tale before what we thought was his second appearance, Superman #141 (11/60). #3: Actually this isn't so weird if you know Lois, but only she would interpret receiving a blood transfusion as the conniving act of a brazen hussy. See how she really feels about Lana Lang on this issue's cover, by Curt Swan, Stan Kaye, and Kurt Schaffenberger. Overstreet 2008 NM- 9.2 value = $335. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #18 (DC, 1960) CGC NM 9.4 Off-white to white pages. This one's so scarce, it's the first time we've ever offered a copy in any grade. CGC has awarded a grade higher than FN/VF 7.0 to just two copies of #18 to date. Curt Swan cover, with interior art by Kurt Schaffenberger and Al Plastino. Overstreet 2008 NM- 9.2 value = $335. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #21 (DC, 1960) CGC NM+ 9.6 White pages. Cat-fight! Super-Lois and Super-Lana go at it in this issue which has a Curt Swan cover and Kurt Schaffenberger story art, with an appearance by Kandor native Van-Zee. A NM+ 9.6 comic book from 1960 is a real rarity -- CGC's second highest-graded copy lags behind at a "mere" VF/NM 9.0. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Superman's Girl Friend Lois Lane #27 (DC, 1961) CGC NM+ 9.6 Cream to off-white pages. If you love Bizarro as we love Bizarro, then this am book for you! Curt Swan provided the Bizarro cover, while Kurt Schaffenberger portrayed our mentally and socially challenged superhero not in the interior story. And if this 9.6 doesn't move you, then you am King of Bizarro world. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Tales of Suspense #38 (Marvel, 1963) CGC NM+ 9.6 Off-white to white pages. Jack Kirby cover and layouts. Jack Davis, Don Heck, and Steve Ditko art. A stunning copy! Overstreet 2008 NM- 9.2 value = $330. CGC census 4/08: 2 in 9.6, none higher.
Teen Titans #1 (DC, 1966) CGC NM 9.4 Off-white to white pages. The group's first issue (from the days when DC didn't put "#1" on covers) is just their fourth appearance, after two Brave and the Bold outings and one Showcase. Nick Cardy is the cover artist. Overstreet 2008 NM- 9.2 value = $550. CGC census 4/08: 6 in 9.4, 3 higher. From the David N. Toth Collection.
Uncle Scrooge #52 File Copy (Gold Key, 1964) CGC NM 9.4 Off-white to white pages. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 1 in 9.4, none higher.
Uncle Scrooge #53 File Copy (Gold Key, 1964) CGC NM+ 9.6 Off-white pages. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.6, none higher.
Uncle Scrooge #54 File Copy (Gold Key, 1964) CGC NM+ 9.6 Off-white pages. Donald Duck, Gyro Gearloose, Huey, Dewey, and Louie appear. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.6, none higher.
Uncle Scrooge #56 File Copy (Gold Key, 1965) CGC NM 9.4 Off-white pages. Carl Barks cover and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 1 in 9.4, none higher.
World's Finest Comics #94 (DC, 1958) CGC VF 8.0 Off-white to white pages. Origin of the Superman/Batman team retold in this Silver Age key. Tomahawk and Green Arrow backup stories are also featured. Cover by Curt Swan, while story art is provided by Dick Sprang, Fred Ray, and Carmine Infantino. While there is a little noticeable wear along the spine, this issue remains bright, flat, and colorful. It's not an easy book to find in high grade, as the CGC census reveals; this copy is currently bested by only one other. Overstreet 2008 VF 8.0 value = $408. CGC census 4/08: 1 in 8.0, 1 higher. From the David N. Toth Collection.
World's Finest Comics #97 (DC, 1958) CGC NM 9.4 Off-white to white pages. It's next to impossible to find any issue of this title from the late '50s in NM 9.4, so we were blown away by this specimen, much as we have been blown away by many copies from the David N. Toth Collection. Curt Swan did the cover; Jack Kirby provided interior art on a Green Arrow story, Dick Sprang handling the Superman/Batman feature story. Overstreet 2008 NM- 9.2 value = $385. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
World's Finest Comics #115 (DC, 1961) CGC NM+ 9.6 Off-white pages. Curt Swan drew the cover for this Superman-Batman team-up. Overstreet 2008 NM- 9.2 value = $200. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Bronze Age (1970-1979)
X-Men #96 (Marvel, 1975) CGC NM/MT 9.8 White pages. We had never seen this one in 9.8 before, so this copy will really get the blood of any X-fan pumping. Worth noting: it's the fourth appearance of the new X-Men, and the first appearance of Moira MacTaggert as well as Sentinel-making mastermind Steven Lang. And for all you X-Maniacs out there, we'll note that the N'Garai demons seen on this cover would next appear to terrorize Kitty Pryde in a memorable tale in #143! The new X-Men's co-creator Dave Cockrum drew this issue's story, while Marie Severin provided the cover art. Overstreet 2008 NM- 9.2 value = $150. CGC census 4/08: 3 in 9.8, none higher.
Session 2
Original Comic Art
Neal Adams - Brave and Bold #79, Batman and Deadman page 18 Original Art (DC, 1968). From the very beginning, it was Neal Adams' revitalization of Batman -- rescuing him from the camp trap of the sixties TV series -- that made the artist a favorite among fans and, very quickly, a living legend. Offered here is a spectacular action page from one of Adams' earliest Bat-assignments, as Boston Brand, aka Deadman, possesses the Caped Crusader to exact revenge against the hook-handed crook who murdered him. The image in panel five is a stat of the cover artwork, used here as a time-saving device to recreate this pivotal moment in the story; the rest of the page is 100% original art, with Adams providing his own inks, an increasingly rare occurrence as demand for his skills increased. This page has an image area of 10" x 15", and the art is in Excellent condition.
Neal Adams - The Brave and the Bold #80, Batman and the Creeper Cover Original Art (DC, 1968). By this issue of The Brave and the Bold, Batman was the anchor of the title, especially since Neal Adams was drawing it, and the new Steve Ditko creation, the Creeper, was into the third issue of his short-lived series, Beware the Creeper. Batman and the Creeper battle the freakish half-man, half-insect, Hellgrammite, in this cover illustration, brought to menacing life by Neal Adams' skilled hand. It's pure Adams, at his best! The art has an image area of 10" x 15". There is some glue staining, especially at the upper left corner (from a missing logo stat paste-up), and the attached paste-ups exhibit a bit of aging; otherwise, the condition is Very Good. This lot includes a copy of the comic book and a hand painted color guide for the cover (which has an image area of 7" x 10.25"). Although the guide has some overall aging, its condition is Very Good.
Neal Adams - Strange Adventures #212, Deadman page 2 Original Art (DC, 1968). Neal Adams was in peak form for this sensational Deadman page, and his revolutionary art style revitalized DC comics during the end of the Silver Age. Adams' talent for "good girl" art is showcased in the first two panels. This superb page has an image area of 10" x 15", and the art is in Excellent condition.
Neal Adams - Strange Adventures #212, Deadman page 14 Original Art (DC, 1968). For Silver Age DC art fans, not many pages could be as impressive as this cinematic page from the Neal Adams Deadman story, "The Fatal Call of Vengeance." The page has an image area of 10" x 15", and the art is in Excellent condition.
Neal Adams - Superman #235 Cover Original Art (DC, 1971). It could be made of magic, or maybe it's the relic of some forgotten science. However you explain it, when you play it, "The Devil's Harp" can even steal superpowers from Superman. Former scholar, Ferlin Nyxly, dons a Pan costume, and with this enchanted harp, actually gets the best of that "idiot stuffed with muscle" -- Superman -- on this cover by Neal Adams. The image area measures 10" x 15". The art has its original logo, masthead, and title type paste-ups, and is in Excellent condition.
Dan Adkins - Tales to Astonish #92 Splash Page 5 Original Art (Marvel, 1967). The sheer power of It, the Silent One is showcased in this sinew-straining splash page drawn by Sub-Mariner artist Dan Adkins. The dynamic energy generated by the art approach of the House of Ideas leaps off the page of this inspired super-spectacular. This piece has an image area of 12.5" x 18.5", and aside from some white-out used in the caption at the lower left, the art is in Excellent condition.
Ross Andru and Mike Esposito - Marvel Team-Up #1, Spider-Man and the Human Torch page 7 Original Art (Marvel, 1972). This terrific page by Ross "Boss" Andru from "Have Yourself a Sandman Little Christmas" has an image area of 10" x 15", and the art is in Excellent condition.
Ross Andru and Jim Mooney - Marvel Team-Up #7, Spider-Man page 18 Original Art (Marvel, 1973). Spider-Man visits the homeland of Thor, fabled Asgard, in this cosmic page from "A Hitch In Time." This page has an acetate overlay that recreates the "reversed" black backgrounds in panels two and three. Under the overlay is the original "positive" background art, and much of it has a glue stain perhaps from where stats had been glued in. This page has an image area of 10" x 15", and aside from the glue staining, the art is in Very Good condition.
Ross Andru and Dick Giordano - Action Comics #500 Front and Back Covers Original Art (DC, 1979). The Man and Maid of Steel celebrate the 500th issue of Action Comics in this jam-packed wrap-around cover, drawn on two pieces of paper. Much of the imagery was made using stats, but the rocket ship, exploding Krypton planet, and the Superman, Lois Lane, and Supergirl figures are original art. Each page has an approximate image area of 10" x 15". Aside from aging stats and glue-staining, the art is in Very Good condition.
Dick Ayers - Strange Tales #119, Complete 13-page Human Torch Story "The Torch Goes Wild" Original Art (Marvel, 1963). With a surprise guest-appearance by Spider-Man, this 13-page yarn from the dawn of "the Marvel Age of heroes" will make a prized showpiece for any fan of Silver Age action-adventure. Each page has an image area of 12.5" x 18.5", and the art averages Excellent condition.
Dick Ayers - Strange Tales #121, Complete 14-page Story "Prisoner of the Plantman" Original Art (Marvel 1964). The Human Torch faces off against the weed of crime, Sam Smithers, in his guise of the Plantman, in the 14-page story, "Prisoner of the Plantman." Dick Ayers' exuberant, quick-fire storytelling was perfectly suited for the adventures of the Human Torch. The rest of the Fantastic Four cameo on page 6. Each page of this yarn has an image area of 12.5" x 18.5", and the art averages Excellent condition.
Dick Ayers and Vince Colletta - Sgt. Fury #17, Complete 20-page Story "While the Jungle Sleeps" Original Art (Marvel, 1965). Face front, heroes --Sgt. Fury and his Howlers star in a 20-page Silver Age spectacular that starts with a bang in the Sahara Desert and ends in the African jungle with a daring rescue mission. Each page has an image area that measures 12.5" x 18.5", and the art averages Very Good condition. For mighty Marvel war art fans, this lot is a dream come true.
Dick Ayers - Sgt. Fury #32, Unpublished Alternate Cover Original Art (Marvel, 1966). Wah-hoo, Sgt. Fury fans -- you'll be the envy of war art collectors everywhere with this unpublished, never-been-seen masterwork, featuring Izzy Cohen and the rest of the Howlers, from the mighty Marvel yarn, "A Traitor In Our Midst." This Silver Age spectacular has an image area of 12.5" x 18.5", and the art is in Excellent condition. Dick Ayers signed the piece at the lower left.
Dick Ayers and Bill Everett (as Bill Roman) - Two-Gun Kid #81, Splash Page 1 Original Art (Marvel, 1966). A Two-Gun Kid fan would be hard-pressed to find a more iconic splash page of Marvel's Western hero than this thriller, penciled by Dick Ayers and inked by Bill Everett. "Bill Roman" was a pen name used by Everett, and he based the moniker on the "reversed spelling" of his famous creation, "Namor," the Sub-Mariner's name. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Dick Ayers and John Severin - Sgt. Fury #54, Splash Page 1 Original Art (Marvel, 1968). Sgt. Fury, the Howlers, and Happy Sam Sawyer answer the call to duty in this 10" x 14" battle classic by Darlin' Dick Ayers and Jocular John Severin. Aside from a few small stains, this art is in Excellent condition.
Mark Bagley and Randy Emberlin - The Amazing Spider-Man #379 Cover Original Art (Marvel, 1993). Spidey, Deathlok, and Venom fight Carnage and his band of killers when their violence spills into the streets of Manhattan, in this wild cover illustration. The image area measures 10" x 15" and the cover includes the original title and type paste-up art. In Excellent condition.
Clive Barker - "Ghost Hand" Illustration Original Art (undated).
This mixed-media illustration has an image area of 7.5" x 9.5", and the piece has been framed to an overall size of 16.5" x 18.5". The piece is in Excellent condition, and it was signed on the back of the frame.
This mixed-media illustration has an image area of 7.5" x 9.5", and the piece has been framed to an overall size of 16.5" x 18.5". The piece is in Excellent condition, and it was signed on the back of the frame.
Clive Barker - "Woman With a Fish Bowl Head" Illustration Original Art (1996). This piece hails from Clive Barker's fantasy book Abarat. This artwork was used by Levi's jeans for an international poster celebrating Barker's artwork. A color version of this art has been published in a run of giclées, and as a result, this piece has become one of Barker's best-known illustrations. This ink on paper piece has an image area of 30" x 22", and the art is in Excellent condition.
Carl Barks - Mickey Mouse "Thru the Mirror" Drawing Original Art (undated). This drawing by Carl Barks features Mickey Mouse in his role in the short film, "Thru the Mirror." Rendered in graphite and colored pencil on a 7" x 6" sheet of paper. Signed by Carl Barks at the bottom.
Carl Barks - Walt Disney's Comics and Stories Donald Duck Page 5 Original Art (Dell, 1960). Donald and the boys set sail for a tropical paradise, but find only scrub brush awaiting them. From the Donald Duck tale, "Want to Buy an Island?" comes this fifth story page, by the ultimate Duck artist, Carl Barks. Like all of Unca Carl's pages the art has been split into two sections, each with an image area of 16" x 11.5", and have been matted together for an overall size of 20" x 28". Both halves are lightly tanned, and the upper half has a couple of tiny stains in the last panel, but overall, the art remains in Excellent condition. Any Barks art is always in high demand, but story pages are especially rare, as many were routinely destroyed through the years by the publisher.
Carl Barks - "Flying Dutchman II" Oil Painting Original Art (1972-90). A half-page panel from 1959's Uncle Scrooge #25 served as the inspiration for this magnificent oil on masonite seascape -- Uncle Scrooge, Donald Duck, and Huey, Dewey, and Louie first sight the ghostly Fliegende Hollaender flying across the stormy skies with its crimson sails set in "The Flying Dutchman." Carl Barks ultimately painted three different versions of this electrifying scene and this is the work numbered #24-72. A note written on the back of the art board by Carl Barks reads, "This painting was begun in 1972. Shelved unfinished until 1990. Finished 1990. Painting medium used: Taubes Copal Heavy, Final varnish finish: Kamar #1312." The image area of this painting measures 23.5" x 17.5", and the piece has been framed to an overall size of 30.5" x 24.5". The art is in Excellent condition, and the painting was signed by Carl Barks at the lower right.
Big Little Book "Gene Autry and the Mystery of Paint Rock Canyon" Cover Original Art (Whitman, 1947). Gene Autry and his horse, Champion, are riding high in this fantastic piece of art, which was used as the cover to Big Little Book #1425. Art like this rarely turns up for sale, and this 15.5" x 15.5" ink and watercolor masterpiece is as nice a piece of "Pop" Western art as you're likely to ever find. It's been professionally matted and framed, to an overall size of 23" x 23.5", and is in Excellent condition. A nice copy of the Big Little Book is included.
Big Little Book "Dick Tracy and the Tiger Lilly Gang" Cover Original Art (Whitman, 1949). Dapper detective Dick Tracy and sidekick Junior track down their prey in this intensely colorful cover to Big Little Book #1460. If you're a fan of Chester Gould's famous creation, you really owe it to yourself to check this beautifully airbrushed gouache and ink painting. The image area is 14.75" x 15.5", and is double-matted and framed to an overall size of 20.25" x 20.25". There are a few small spots on the art where water has come in contact, causing some light running of colors, but this is a very minor distraction to a vibrant, eye-popping piece; otherwise, the art is in Excellent condition. A copy of the Big Little Book is included.
Roger Brand - Tales of Sex and Death #2 Cover Original Art (Print Mint, 1975). Cartoonist Roger Brand got his start assisting a couple of the "Big Boys" -- namely, Wally Wood and Gil Kane -- before trying his hand at Underground Comix. His work has long been admired for its crisp, EC-style look. This particular cover, dated 1971, is one of Roger's best pieces; it's pictured (in color, of course) on the Lambiek online comics encyclopedia page for Brand. The Wally Wood influence is clear to see in the mad-doctor's gadget-filled walls. This ink on bristol piece has an image area of 12.5" x 18.5" and is in Excellent condition. Great stuff!
Martin Branner - Winnie Winkle Sunday Comic Strip Original Art, dated 4-26-25 (Chicago Tribune, 1925). Perry Winkle's circus star dream takes a turn for the worse in this superbly illustrated Sunday by Martin Branner. This strip has an image size of 16.5" x 24". The art was cut between panel tiers three and four and later taped back together on the back; otherwise, the condition is Very Good.
Berkeley Breathed - Bloom County Sunday Comic Strip Original Art, dated 2-21-88 (Washington Post Writers Group, 1988). Matt Groening's Life In Hell character, Binky, and a character that we think is from Lynda Barry's Ernie Pook's Comeek each make a cameo in this episode. This Sunday has an image area of 19.5" x 13.5", and aside from some pasted-on lettering corrections and a taped-on logo stat, the art is in Excellent condition.
Pat Broderick and Bruce Patterson - Alpha Flight #120 Cover Original Art (Marvel, 1993). Alpha Flight is kicking some major tail in this battle royal for the conclusion of the "Clampdown" story arc. Bruce Patterson's silky smooth inks added the perfect finish to Pat Broderick's action-packed pencils. This piece has an image area of 9.75" x 15", and the art is in Excellent condition.
Bob Brown and Joe Giella - Detective #381, Batman pages 1 and 2 Original Art (DC, 1968). Robin sleeps with the fishes, as Batman finally gets rid of his pesky sidekick in these shocking scenes from the Silver Age classic, "One Drown -- One More to Go." Each page has an approximate image area of 10" x 15", and the art averages Excellent condition.
Rich Buckler and Keith Pollard - Werewolf by Night #39 Cover Original Art (Marvel, 1976). Jack Russell terrorizes Jericho Drumm in this haunting cover illustration penciled by Rich Buckler and inked by Keith Pollard. The cover has an image area of 10" x 15" and includes the original title paste-up art. In Excellent condition.
Rich Buckler and Dick Giordano - Justice League of America #164 Cover Original Art (DC, 1979).
In this mystical cover scene, Zatanna's mother almost looks young enough to be her sister -- it must be magic. This Bronze Age blockbuster has an image area of 10" x 15", and the art is in Very Good condition.
In this mystical cover scene, Zatanna's mother almost looks young enough to be her sister -- it must be magic. This Bronze Age blockbuster has an image area of 10" x 15", and the art is in Very Good condition.
Rich Buckler and Steve Mitchell - Ghosts #100 Cover Original Art (DC, 1981). Fans of infinity covers will love the chiller that celebrated the 100th issue of Ghosts. This "monster-piece" was drawn to perfection by the talented twosome of Rich Buckler and Steve Mitchell. This cover has an image area of 10" x 15", and aside from some fading to the photostat reduction of the cover scene at the lower left, the art is in Very Good condition.
Rich Buckler and Dick Giordano - The Unexpected #210 Cover Original Art (DC, 1981). Is he savior or savage? A group of vampire killers find themselves in a very "hairy" situation in this cover penciled by Rich Buckler and inked by Dick Giordano. The art has an image area of 10" x 15" and includes the original title and type paste-ups. Aside from some light paper tanning and glue staining, the art is in Very Good condition. Signed by Rich Buckler at the bottom right.
Rich Buckler and Bob McLeod - The Saga of the Sub-Mariner #2 Cover Original Art (Marvel, 1988). The Avenging Son encounters surface men for the first time, in this cover from the second issue of the twelve-issue mini-series. The cover has an image area of 10" x 15" and includes the original title and type paste-up art. In Excellent condition.
Rich Buckler and Bob McLeod - The Saga of the Sub-Mariner #3 Cover Original Art (Marvel, 1989). Prince Namor goes to war, in this cover from the third issue of the twelve-issue mini-series. Penciled by Rich Buckler and inked by Bob McLeod, the art has an image area of 10" x 15" and is in Excellent condition. Includes a copy of Saga of the Sub-Mariner #3.
Rich Buckler and Bob McLeod - The Saga of the Sub-Mariner #6 Cover Original Art (Marvel, 1989). The Prince of Atlantis faces his "Dark Destiny" in this outstanding cover penciled by Rich Buckler and inked by Bob McLeod. The cover has an image area of 10" x 15" and includes the original title and type paste-up art. In Excellent condition. Signed by Rich Buckler at the bottom right.
Rich Buckler and Dick Giordano - Secrets of Haunted House #37 Cover Original Art (DC, 1981). This brain-blasting bombshell spotlights the danger that lurks ahead for he who would be so foolish as to defy the Shaman's curse. This cover has an image area of 9.75" x 15", and the art is in Excellent condition. Rich Buckler signed the piece at the center-right.
John Buscema, John Romita Sr., and John Verpoorten - Fantastic Four #118 Cover Original Art (Marvel, 1972). Betrayal most foul is the theme of this Bronze Age bombshell as the Inhumans, Crystal and Lockjaw, turn against the Fantastic Four. With art by mainstay bullpenners John Buscema, John Romita Sr., and John Verpoorten, this cover is nothing short of a Marvel masterwork. The image area of this piece is 10" x 15". The various elements of the cover have been pasted and taped together by Marvel production artists, and there are a few small stains; otherwise, the condition of the art is Excellent.
John Buscema and Joe Sinnott - Fantastic Four #137, Splash Page 1 Original Art (Marvel, 1973). John Buscema's powerful figure drawing made him a Marvel mainstay and this sublime splash page shows the keen attention to detail and deft handling of textures that have made Joe Sinnott a living legend among his inking peers. This piece has an image area of 10" x 14", and aside from a few stains, the art is in Excellent condition.
John Buscema and Joe Sinnott - Thor #238, page 6 Original Art (Marvel, 1975). Ulik leads Thor to an underground river to meet Zotarr, the Troll Supreme, in this exceptional page from "Night of the Troll!" The art has an image area of 10" x 15", and, aside from some light paper tanning and tape staining, is in Very Good condition.
John Buscema and Tom Palmer - The Avengers #290 Cover Original Art (Marvel, 1988). The Avengers find themselves boxed-in and put on ice in this superb John Buscema cover scene, drawn to warn Marveldom about the coming "Day of the Adaptoid." The captured heroes include Captain Marvel, U.S. Agent, She-Hulk, Doctor Druid, the Black Knight, the Sub-Mariner, Machine Man, and Marrina. This piece has an image area of 9.75" x 15", and the art is in Excellent condition. The "splatter texture" was done as a special effect on an acetate overlay.
John Byrne and Joe Sinnott - Fantastic Four #218, page 2 Original Art (Marvel, 1980). The Frightful Four (with Electro standing in for Madame Medusa) have Spider-Man fit to be tied in this beautifully rendered page from "When Spider-Man Comes Calling." This page has an image area of 10" x 15", and the art is in Excellent condition.
John Byrne - The Thing #7 Cover Original Art (Marvel, 1984). Ben Grimm takes a pummeling from Goody Two-Shoes, in this all-John Byrne cover illustration. The art has an image area of 10" x 15" and is in Excellent condition. Includes the original logo and title type paste-up art.
John Byrne - The Avengers #305 Cover Original Art (Marvel, 1989). Avengers Assemble --- for an attack of the Lava Men. These hot-heads first appeared way back in Avengers #5 and the inextinguishable firebrands returned 300 issues later for this heated rematch! This cover features a lineup of Captain America, Thor, She-Hulk, Quasar, and the Black Panther. This cover has an image area of 9.5" x 15", and the art is in Excellent condition.
John Byrne and Tom Palmer - X-Men: the Hidden Years #7, Splash Page 22 Original Art (Marvel, 2000). You will have a hard time finding a modern "retro" splash page that can top this surprise "drop-in" scene featuring the Fantastic Four and the original X-Men. This dynamic page by two of Marvel's finest has an image area of 10" x 15", and the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 11-19-35 (Chicago Tribune, 1935). This daily hails from what many comic strip aficionados consider to be the peak period of the feature, when Noel Sickles was lending a hand to Milton Caniff in the drawing of Terry. An expert use of black shadows and panel fast-paced storytelling give this piece a mood of drama and even menace. The image area of this daily measures 20" x 5.5", and the art is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art (United Features Syndicate, 1934). Don't let his fancy silk pajamas fool you! Even though he looks a bit different, he's still the same ol' Li'l Abner, with one thing on his mind -- "bre'kfust!" in this Sadie Hawkins Day Race story. How early was this particular strip? Glad you asked! It's the 17th strip ever of our homespun hero -- you can see the number "17" in the lower left corner of the last panel. Further testament came more recently from Kitchen Sink in its reprint book, in which the strip is listed as the 17th overall in the series. Here's a chance to own a beautiful example from the strip's first year! The strip has an image area measuring approximately 22" x 5", and is in Excellent condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, 11/19/45 (United Feature Syndicate, 1945). This hair-raising episode finds the Yokum clan trapped in a diabolical experiment, where one member of the family must die -- so naturally, Abner, Mammy and Pappy all decide on their own to take "poison," and spare the others! What a strip! Of course, it all turns out to have a happy ending! The ink and pencil art on bristol has a combined image area of approximately 19" x 22", matted to an overall size of 26.5" x 29.25". Each tier of panels has been cut apart and reassembled; otherwise, the art is in Excellent condition.
Al Capp - L'il Abner Daily Comic Strip Original Art, dated 11-24-48 (United Feature Syndicate, 1948). Daisy's relentless pursuit of L'il Abner continues in this daily from 1948, which has immense historical significance as the very first Shmoo story. Add the scarcity factor, and you're looking at a real find! The art has an approximate image area of 7" x 22.5" and, aside from a missing title stat, is in Very Good condition.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, 2-7-54 (United Feature Syndicate, 1954). What is the terrible secret of "the Wrecker", who destroys the mind of every man she encounters? Leave it to cold-hearted C. C. Yokum to find out! Fans of "good girl" art will want to check this one out -- even Moonbeam McSwine makes a guest appearance in the final panel. Ink, pencil, and white-out on bristol, with a combined image area of approximately 19" x 21.75"; matted to an overall size of 27" x 29.75". Each tier of panels was cut and then reassembled; otherwise, the art is in Excellent condition.
Dave Cockrum - Nova #7 Unpublished Alternate Cover Original Art (Marvel, 1977). A bold variant of the published cover, this unused version was nixed by a critical Marv Wolfman. His note to Jack Kirby, who drew the final, published version reads, "Jack, buildings look phony. Men should be cops. Nova is too old. He's 17. Cover needs more tension. Marv Wolfman." Comparing this cover to the published version, Jack Kirby remained quite faithful to Dave Cockrum's design. Apparently "the King" thought more of it than Wolfman did. A power-packed portrait of Nova, this cover has an approximate image area of 10" x 15". The title, price, and date logos are absent; otherwise, the art is in Excellent condition. Dave Cockrum signed the piece twice at the lower left, and Marv Wolfman signed the piece at the lower right.
Dave Cockrum and Bob Wiacek - Spider-Woman #4 Cover Original Art (Marvel, 1978). "Marvel's newest super-heroine is caught between two super-villains! But the question is -- can she survive?" This Dave Cockrum bombshell has an image area of 9.75" x 15", and the art is in Excellent condition. Dave Cockrum signed the piece at the lower left.
Gene Colan and Dick Ayers - Daredevil #28, page 3 Original Art (Marvel, 1967). Two of Marvel's magnificent mainstays, Gene "The Dean" Colan and Darling Dick Ayers, put Daredevil through his gymnastic paces in these scenes from the Silver Age spectacular, "Thou Shalt Not Covet Thy Neighbor's Planet." This piece has an image area of 12.5" x 18.5", and aside from closely cropped borders, the art is in Excellent condition.
Gene Colan and Dan Adkins - Tales of Suspense #94, Iron Man page 8 Original Art (Marvel, 1967). Gene Colan's dramatic storytelling brought the Iron Man feature to new heights of glory, and this jet-propelled action page will look outstanding in any Marvelite's collection. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Gene Colan and Dan Adkins - Tales of Suspense #94, Iron Man page 9 Original Art (Marvel, 1967). Dan Adkins' lustrous inks added the perfect finish to Gene Colan's showdown scenes between Iron Man and Titanium Man in theses scenes from "The Tragedy and the Triumph." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Gene Colan and Syd Shores - Daredevil #64, page 2 Original Art (Marvel, 1970). He swings through the night with the greatest of ease, and the Man Without Fear's glide path is caught in stop-motion thanks to the cinematic storytelling style and bold background designs of Gene "the Dean" Colan. Syd Shores' lustrous inks added the perfect Bronze Age sheen to these scenes from "Suddenly...The Stunt-Master." This page has an image area of 10" x 15", and the art is in Excellent condition.
Richard Corben - Robot Painting Original Art (circa 1970s). We're not sure where this fantastic robot painting saw print, but it certainly does look cool. Corben worked in his name in a rather sneaky style -- look closely at the info plate on the robot's chest! The airbrushed art on illustration board has an image area of 11" x 15.5", and, other than a few tack holes and outer edge wear, is in Excellent condition.
Robert Crumb and S. Clay Wilson - Gothic Blimp Works #3 Complete One-Page Story "What The F**k" Original Art (East Village Other, 1969). One of the greatest innovations from the "anything goes" Underground cartoonists was the "Jam" strip, where two or more artists would improvise a story, each artist providing a panel or so of art, then turning it over to the next, who would either continue the story line, or take it in a completely different direction. This early page was the work of arguably the two most important artists of the UG movement, Zap Comix pals Robert Crumb and S. Clay Wilson. It's a seldom-seen item from a hard-to-find Gothic Blimp Works tabloid, reprinted only once (in Fantagraphics' Complete Crumb series). Crumb and Wilson worked well together, and their mechanical pen styles complement each other's work very nicely. The pencil and ink on bristol art page measures approximately 11" x 14"; there are tack holes in the upper corners, and some very minor soiling along the outside edges, otherwise the condition is Excellent. Crumb and Wilson together -- what the (censored), indeed! Adult situations.
Robert Crumb - Mr. Natural #1 Complete 3-Page Story "The Origins of Mr. Natural" Original Art (Apex Novelties/Don Donahue, 1970). One of R. Crumb's most famous characters gets the "faux" origin treatment, in three funny pages of illustrated text. Actually, the "text" is all Crumb's intricate hand lettering, and the "photos" are of course all hand-drawn art, done in Crumb's most classic "big nose" style. The story of Mr. Natural is recounted in dead-earnest prose, tracing the wisecracking guru from his early days as a drug store errand runner to patent medicine pusher, vaudeville magician, band leader, bum, and finally, mystic advisor and truth seeker. This fantastic three-pager originally appeared in the first Mr. Natural solo book. The art is ink (drawn with mechanical pens) on thin bristol measuring approximately 11" x 14". The pages have light soiling along the edges and a few tiny stains, some minor white-out text corrections (on page two), and all three have page numbers written in pen by another hand in the upper right corners, but overall, the art is in Excellent condition. If you missed out on our earlier sale of the front cover to this important Underground, be sure to get your bids in on this incredible lot.
Robert Crumb - XYZ Comics Cover Original Art (Kitchen Sink, 1972). It's the Last Word in Comics -- XYZ! This incredible cover image, done during the very height of R. Crumb's most popular period, is a true modern masterpiece. It's easy to spot Crumb's influences here -- the look of old Dell comics, circa 1948 (when a young Bobby Crumb first discovered the joys of the comic book format). Robert and his siblings spent most of their spare time not only reading comic books, but cranking out their own versions. But by the mid-1970s, Crumb was starting to show a certain weariness to his work, as more and more demands were placed on him. Here then, is one of the last of the projects done before Crumb's eventual burn-out. Doing XYZ was a real joy for the artist. The first half of the book was a sequence of unrelated panels, each done while listening to a selected record from Crumb's massive collection of old 78s. A first-printing copy of the comic has been included in this lot, and you can trace the artist's mood from page to page. The cover, featuring a dim-looking couple surrounded by small character drawings, remains one of the most upbeat things in the book. The art was primarily done freehand in ink (a few light pencil lines do show through) on thin bristol board, measuring 11" x 13.75". There is light tape residue along the outside edges, and the pasted-on Kitchen Sink logo has left a glue stain that has permeated the paper around it, but otherwise, the art is in Excellent condition. This cover was acquired by the current owner shortly after it was completed, and has never been offered for sale; considering the action surrounding our recent sale of another important Crumb cover, we expect some very serious bidding. It's Crumb, it's classic, it's Krazy Kool!
Robert Crumb - Hup #3 Cover Original Art (Last Gasp, 1989). The 1980s saw Robert Crumb refine his drawing skills to an amazing level. Always a compulsive doodler, Crumb began a serious study of old photos, etchings, and drawings by artist like Pieter Bruegel; he would often copy the images in his sketchbooks, and these influences crept into his "serious" work. This particular cover, showing a neurotic-looking, bonnet-wearing Robert being pushed in a baby carriage by a typical Crumb-style woman, is filled with incredible detail in the woman's old-world clothing and long, braided hair. It makes for a remarkable image, and a great catch for any Crumb collector. Not that many comic covers feature self-portraits, and this one sure is a doozy! The art is ink, graphite, and white-out on bristol, and the Hup logo is a pasted-on stat. There are numerous comments written in the margins, in pencil; some are technical instructions concerning the coloring, but one says "Boycott Styrofoam". Some of the penciled notes on the left margin have been partially cut off. The board has an image area of approximately 11" x 15.25", and the art, which has been loosely attached to a larger board for support, is in Excellent condition.
Robert Crumb - Tony Murena Illustration Original Art (undated). Italian born accordionist Tony Murena was best known in France, where he hosted radio and television shows. He played with a "who's who" of Jazz and Tango musicians, including Django Reinhardt. He was the recent subject, along with several other French accordionists, of this beautiful pen and ink portrait by Robert Crumb. The art, done similar to Crumb's various musician card boxed sets, has an image area of approximately 5" x 7", and was signed in ink by Crumb at the bottom of the piece. The art is in Excellent condition, matted to an overall size of 12.5" x 14.75". Crumb really loves the music from a bygone era, and his intensely detailed portrait of Murena shows his devotion to the form.
Jack Davis - Haunt of Fear #26 "Comes the Dawn" Splash Page Original Art (EC, 1954). All that stands between Jack Bolton and a fortune in uranium is... a vampire! A wild tale of a greedy prospector in the frozen North is given the EC treatment, with suitable art by Jack Davis. The art is in ink, graphite, shading film, and a few pasted on type and logo elements, all of which are present. Image area for the page is 13" x 18", and aside from the usual minor light soiling along the outer borders, in Excellent condition.
Billy DeBeck - Barney Google and Snuffy Smith Sunday Comic Strip Original Art, dated 9-27-42 (King Features Syndicate, 1942). Soldier Snuffy is ready for action, even if it wakes him up from a night's sleep, in this World War II entry. Balls o' fire! Ink on bristol board measuring approximately 18.25" x 11.75". Some light stains and soiling; overall in Very Good condition.
Disney Artists - Fantasia Hardback Book with Added Sketch Original Art (Simon and Schuster, 1940). Former Disney animator and creator of Chip and Dale, William "Tex" Henson received this copy of the deluxe hardbound Fantasia book as a parting gift when he left the studio in the mid-1940s, and many of Tex's friends add sketches and autographs to the inside pages. Artists include: Bob Gesteland, Dick Lucas, Les Bierbaum, Cliff Nordberg, Fred Kopietz, Eric Cleworth, and many more, some who have contributed beautiful, full page color drawings of their buddy, Tex. The book itself is wonderful, with many tipped-in plates, but is missing the dust jacket, and is generally in VG condition. Tex went on to a long career in animation, working on well-known characters like Casper the Friendly Ghost and Rocky and Bullwinkle.
Steve Ditko - Tales to Astonish #44, page 3 Original Art (Marvel, 1963). No collection of great comic book art could be considered complete without a fine example from Hall-of-Fame and Marvel legend, Steve Ditko. This page from the science fiction anti-violence morality tale of the future, "Hunted," has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko and Sal Trapani - Forbidden Worlds #138, Complete 3-page Story "You'll Know No Rest" Original Art (ACG, 1966). The chilling story of whaler Jabez Green, a member of a family of mystics, is brought to life by the talented team of Steve Ditko and Sal Trapani in this spine-tingling 3-page yarn. Each page of this Silver Age "spook-tacular" has an image area of 12" x 18", and aside from a few glue stains where lettering corrections have slipped off the pages, the art averages Excellent condition.
Steve Ditko - Haunted #1 Cover Original Art (Charlton, 1971). Only hall of fame comic book artist Steve Ditko could conceive of such a bold and innovative cover design for the premier issue of Haunted. This eerie piece has an image area of 12.5" x 18.5". One of the "eye shapes" (titled "Revenge of the Singing Ghost") and the "mouth shape" are vintage original art elements that have been attached to an archival support board. The other "eye shape" (titled "About Time") and the title logos are all photostat replacement elements, and this piece has been restored to Excellent condition. A copy of the comic book is included in this lot.
Luis Dominguez - The World of Sherlock Holmes Mystery Magazine #1 Illustration Original Art (Stories, Layouts and Press, Inc., 1977). Beautiful magazine illustration, featuring Sherlock Holmes being introduced to a Salvation Army officer. Oil on illustration board, with an image area of 10.5" x 14.75, in Excellent condition. If Holmes is your thing, it's elementary -- place a bid!
Mort Drucker - Mad #378, Stone Cold Steve Austin and Alfred Cover Original Art (EC, 1999). "What him worry?" -- Alfred tries his hand at the twisted world of pro wrestling, but Stone Cold Steve Austin, the only man in World Wrestling Entertainment history to win the Royal Rumble three times, seems to have the Mad mascot wrapped up with his "Stone Cold Stunner." Vince McMahon may rule the wrestling world, but when it comes to drawing hilarious caricatures, Mort Drucker is the undisputed, world-wide champion. This piece has an image area of 17.5" x 21", and it has been framed to an overall size of 25" x 29". The art is in Excellent condition. This lot also includes a photocopy of the cover scene autographed by Mort Drucker.
Dick Duerrstein - Mickey Mouse Folder Illustration Original Art (Walt Disney, 1993). A very modern look is given to this commercial portrait of an otherwise classic "pie-eyed" Mickey, by celebrated artist Dick Duerrstein. The art is oil on canvas, with an image area of approximately 47.5" x 23.75, rolled and in Excellent condition. The art is signed in gold marker. Included with the painting is a copy of the printed die-cut folder.
Will Eisner - Okay Comics Joe Palooka Cover Original Art, dated 12-4-37 (1937). Okay Comics #1 premiered on October 16, 1937, and this British publication reprinted such American newspaper strips as Terry and the Pirates, Alley Oop, Tailspin Tommy, and Mutt and Jeff. These books were "packaged" for export to the foreign distributor by the newly formed "comic book shop" of Eisner and Iger. Will Eisner served as the main cover artist for the title as on this cover, where boxer Joe Palooka takes the limelight. The image area measures 15" x 21.5". The logo is a replacement and the board shows slight signs of aging; otherwise the art is in Excellent condition. Signed by Will Eisner at the lower left.
Will Eisner - Okay Comics Tommy Tailspin Cover Original Art (1937). Hal Forrest's aviator hero Tommy Tailspin barnstorms out of his newspaper strip to star on this sensational Golden Age comic book cover by Will Eisner. A collector would be hard-pressed to find an earlier Eisner cover than his Okay Comics covers! Will Eisner later signed this cover in blue ballpoint pen at the upper left of the image. The image area of the piece is 15" x 21.5". Aside from the board, which shows slight signs of aging, and some old pieces of cellophane tape, which were used to affix the logo, the art is in Excellent condition.
Will Eisner - Spirit Section page Original Art, dated 8/17/52. Rarely seen for public sale, this page comes from the later part of The Spirit's original run, right before Wally Wood took over art duties on the "Trip to the Moon" storyline. This page, drawn in classic Will Eisner style, features Commissioner and Ellen Dolan, and mentions the upcoming Moon trip in a newspaper headline. The art has an image area measuring 13" x 18", and, aside from light glue staining, and missing a stat in the second panel, the condition is Very Good.
Hal Forrest - Tailspin Tommy Hand Colored Sunday Comic Strip Original Art, dated 4-20-30 (Bell Syndicate, 1930). Jerry Weist's The Comic Art Price Guide notes, "Only the first 150 Tailspin Tommy Sunday pages were hand-colored by creator Hal Forrest." This episode is from 1930, the first year of Sundays. It is Sunday #27 (noted in the last panel in the lower left corner). The image area of this high-flying episode measures 21.5" x 28". The color has faded and a lot of the blues have disappeared; otherwise, the art is in Good condition.
Hal Foster - Prince Valiant Sunday Comic Strip #1351 Original Art, dated 12-30-62 (King Features Syndicate, 1962). This episode, featuring Prince Valiant in nearly every panel, and drawn with Hal Foster's usual flair for figure drawing and keen attention to background detail will make a prized addition to any classic comic strip art collection. The image area of this episode is 22.5" x 33.5". Panel tier one was cut from the page and rejoined with tape on the back of the paper, there is a photostat of a village battle scene pasted into panel three, and the captions have slipped loose, and were reattached using masking tape; otherwise, the art is in Very Good condition.
Frank Frazetta - Durango Kid #15 Dan Brand and Tipi Panel Page Original Art (Magazine Enterprises, 1952). The White Indian, Dan Brand, encounters "The White Wolf" in this beautiful and dramatic page. This is from one of the sought-after stories not reprinted in the White Indian series, and the wildlife scenes in this opening page are simply stunning. This incredible page would make a great stand-alone presentation piece. The art is ink, graphite, white-out, and pasted-on stats and type (with nothing missing, other than part of the "Durango Kid" title stat at the top of the page, above the art) on illustration board, with an image area of approximately 12.5" x 18", and is in Excellent condition.
Frank Frazetta - "The Land That Time Forgot" Frontispiece Preliminary Original Art (circa 1960s). These detailed "thumbnail sketch" studies bring into sharp focus what is best about Frank Frazetta's art -- the dynamic action, the brilliant use of lighting, and the sheer savagery of cavemen falling victim to their dinosaur predators -- all of these fantasy elements are brilliantly conceived by the man many fans have dubbed "the King of twentieth century illustration." Frazetta draws his viewers into another time and place and creates a fantasy world that becomes more and more compelling at each viewing. This piece measures 11" x 8.5" overall, and the art is in Very Good condition.
Frank Frazetta - Swordsman, Tarzan, and Nude Studies Ink Drawing Original Art (undated). This fantastic page of Frank Frazetta ink drawings has just about everything a Frazetta fan-addict could ever want -- it's a stone-cold masterwork. This piece has an image area of 7.5" x 9.75", and it has been matted and framed to an overall size of 12" x 14.5". The art is in Excellent condition.
Frank Frazetta - Canoe Trip Ink Drawing Original Art (undated). Frank Frazetta's delicate touch with a pen is showcased in this intimate ink study -- it's a true graphic gem. This drawing has an image area of 6" x 4", and it has been matted and framed to an overall size of 13.75" x 11.75". The art is in Excellent condition.
Kelly Freas - Mad #47 Cover Original Art (EC, 1959). Hapless driver Alfred E. Neuman plows through a stop sign -- pity the poor sign! A classic early Mad cover from beloved cover artist Kelly Freas, and one of only seven covers to feature the outline of Alfred's noggin. This large, impressive piece oil on board illustration has an art image area of approximately 17" x 17", and with the added replacement logo, the image area measures 22" x 17.35." The art has been matted to an overall size of 23" x 28". In Excellent condition.
Ron Frenz and John Byrne - The Marvel Saga #3 Cover Original Art (Marvel, 1986). Dr. Doom, Sub-Mariner, and Spider-Man are featured on the front part of this wraparound cover for the Official History of the Marvel Universe, and Captain America, the Hulk, the Invaders, and the Fantastic Four are featured on the back portion. The art has an image area of 20" x 15.5", and, aside from some light soiling, is in Very Good condition. The logo is recent replacement photocopy art.
Chester Gould - Dick Tracy Sunday Comic Strip Original Art, dated 12-26-54 (The Chicago Tribune, 1954). Chester Gould mixes a little bad business with his pleasure in this post-Christmas Dick Tracy Sunday strip. At headquarters, Sam Catchem and the Chief unlock a few clues from a photograph using a magnifying glass. At the same time across the border, Rughead trades an old top for a new one. The art measures 27" x 18" and includes the original logo paste-up. There is some slight discoloration around the logo and a few minor stains in several panels, but overall this piece is in Very Good condition. Includes an original tear sheet from December 26, 1954.
Harold Gray - Little Orphan Annie Sunday Comic Strip Original Art, dated 1-20-63 (Chicago Tribune, 1963). After his death, Harold Gray's family donated most of his Little Orphan Annie originals to Boston University -- don't miss your chance to win this one for your collection. This strip has an image area of 25.5" x 17". Each panel of this Sunday was glued to a larger support page; otherwise, the art is in Very Good condition.
Rick Griffin - Zap Comix #2 Complete One-Page Story Original Art (Apex Novelties, 1968). It's weird, it's mysterious, it's... Rick Griffin, in one of his mystifying pages from his first issue of Zap Comix! Poster artist Griffin was one of the first artists asked to join R. Crumb's successful Underground title, and Rick climbed on board with his buddy Victor Moscoso and, fresh from Kansas, S. Clay Wilson, to produce the second issue. Griffin did a number of wigged-out pages for Zap #2; this one (from near the end of the comic) follows the traditional comic-strip format, but without any linear storyline (and not much dialog) to follow. Here then, are the "adventures" of Valhala ("Chapter 2"), Omo Bob, and Oxo Beppo for your enjoyment, filled with trademark Griffin touches, like anthropomorphic eyeballs and floating cheeseburgers. The three inked strips are all on separate pieces of board that have been pasted together onto a 14" x 20" page; the page has some minor soiling and glue stains, but is overall in Excellent condition.
NOTE: As an added bonus, the art pieces have been pasted onto one of Griffin's Family Dog posters, "Eternal Reservoir", promoting a concert featuring headliner Quicksilver Messenger Service, and is a first printing, as noted in Eric King's poster guide as FD-101-OP-5.
NOTE: As an added bonus, the art pieces have been pasted onto one of Griffin's Family Dog posters, "Eternal Reservoir", promoting a concert featuring headliner Quicksilver Messenger Service, and is a first printing, as noted in Eric King's poster guide as FD-101-OP-5.
Rick Griffin - Illustration Original Art (undated). Rick Griffin has become known as one of the premier psychedelic artists of the 1960s, due mainly to his incredible poster designs for Jimi Hendrix, Grateful Dead, and others during the "Summer of Love" era, in San Francisco, as well as his mid-blowing comic pages in Zap Comix and other Underground publications. In the 1970s, he turned his attention to Christian themes, while still doing the occasional Dead cover or Zap story. He died in 1991 in a tragic motorcycle accident. This lovely piece combines two of Rick's passions: Mickey Mouse and Western themes, and the two kissing creatures closely resemble characters used in Griffin's famous Honk concert poster. Rick's art rarely hits the marketplace these days, and this piece came from a long-time collector who knew the artist. The ink, colored Zipatone screens, and white-out drawing is on bristol measuring approximately 11" x 12.5, with an image area of 9" x 9". It's in Excellent condition.
George Gross - The Avenger #9 "Tuned For Murder" Paperback Cover Original Art (Warner Books, 1973). "Mystery shrouds a deadly new secret weapon. Is there a link between a howling dog and a banker who gives away money? The Avenger races to the scene to avert a horrible crime!" George Gross delivers another top-notch cover scene for this thriller. This painting has an image area of 10" x 14.5", and the art is in Very Good condition.
George Gross - The Avenger #13 "Murder on Wheels" Paperback Cover Original Art (Warner Books, 1973). "A beautiful woman trapped on the deserted shores of Lake Michigan. A murderous gunman hidden within a car hidden within a truck tracking her down with intent to kill," all in all, it spells non-stop pulp action in this masterwork painted by George Gross. This painting has an image area of 10" x 16", and the art is in Very Good condition.
George Gross - Nick Carter Paperback Cover Original Art (undated). Nick Carter is a long running series, starting from the year 1865 on, and this spy series "out-Bonds" James Bond. Spies, sex, women, violence, and adventure-- this George Gross cover painting from an unidentified title has everything a pulp fiction fan could want. This piece has an image area of 8" x 13", and the art is in Very Good condition.
George Gross - "The Peking Dossier" Nick Carter Paperback Cover Original Art (Award Books, 1973). "Whatever it meant in Chinese, to Nick Carter KAN spelled death -- quick, brutal, efficient -- death to Americans by a squad of first-class assassins. KAN, the ultimate death force with the ultimate weapon. It's Carter's toughest assignment yet, as AXE's Number One Agent and his beautiful help-mate face a deadly succession of single-minded pure-bred killers." George Gross' striking cover painting has an image area of 9" x 14", and the art is in Excellent condition.
Gene Ha and Romeo Tanghal - Green Lantern #44 Cover Original Art (DC, 1993). The Emerald Guardian faces the wrath of the Destroyer, in this comic cover illustration. The art has an image area of 10" x 15" and is in Excellent condition. Includes the original logo and title type paste-up art.
Harry Harrison - War Against Crime #11, Complete 7-page Story "A Bed of Murder" Original Art (EC, 1950). Before Harry Harrison became the renowned satirical science fiction author of the Stainless Steel Rat series and the novel, Bill, the Galactic Hero (which satirized Robert A. Heinlein's Starship Troopers), he worked as an artist at EC and Fox, and often teamed with Wally Wood in those early days. This eerie 8-pager details a deathtrap involving private eye Bill Roberts and his close call with "A Bed of Murder." Each page of this story has an image area of 13" x 18", and the art is in Excellent condition.
Russ Heath - Penthouse Comics, Complete 9-page Story, "Pirate Hearts, Part 2, Old Hickory" Original Art (Penthouse, undated). Bawdy and humorous, with elements of adventure in early America, these nine pages of bawdy adventure by Russ Heath can't help but impress any fan of quality erotica. Each page has an image area of 10" x 15" and is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 11-18-17 (King Features Syndicate, 1917). Almost all of Coconino County walks right past a camouflaged snapping turtle without noticing him -- all but one "kurious kat," Krazy Kat. With guest appearances by Don Kiyoty, Walter Cephus Austridge, and Ignatz Mouse, this hilarious episode is sure to make a treasured showpiece for any Krazy Kat fan. This splendid Sunday has an image area of 17" x 20", and the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 10-13-18 (King Features Syndicate, 1918). "Who watches out for the watchman?" In this case it's Offissa Pupp, who keeps Ignatz far away from Krazy Kat's guard duty -- much to Krazy's dismay. All three sides of the comic strips' most unusual "love triangle" are here. George Herriman's variegated horizon lines not only serve as panel borders, they also provide a platform for his hallmarked fantasy landscapes. This delightful episode has an image area of 17" x 20", and the art is in Excellent condition.
Mike Hoffman - Tigress Tales #4 Complete 23-page Story "The Gods Destroy" Original Art (Amryl Entertainment, 2002). Mike Hoffman is your guide into another "islands in space" exotic adventure in this 23-page yarn. Each page of this story has an approximate image area of 10" x 15", and aside from not having any word balloons or captions, the art averages Excellent condition.
Mike Hoffman - Ballad of Utopia #4 Complete 20-page Story Original Art (Black Daze, 2002). Mike Hoffman continues the saga of an eccentric frontier town plagued by a mysterious killer. This series is by turns outrageous, weird, and suspenseful. The town is presented with an eye for historical authenticity, but it's like no Western town you've ever seen before. Each page of this yarn has an approximate image area of 12" x 18", and the art averages Excellent condition.
Mike Hoffman - Ballad of Utopia #6 Complete 20-page Story Original Art (Black Daze, 2003). The mirth and mayhem continue in this tale of Sam David and Brigham Love's search for whoever was responsible for murdering the local stage keep, Charlie Burnette. During their quest, the sordid secrets of the small, southwestern town of Utopia are slowly brought to light, much to the chagrin of the townsfolk and the other forces at work in Utopia. Mike Hoffman's magnificent greytone art was a perfect fit for this far-out storyline. Each page of this story has an approximate image area of 10" x 15", and the art averages Excellent condition.
Mike Hoffman - Ballad of Utopia #7 Complete 20-page Story Original Art (Black Daze, 2003). In this issue, Sam David and Brigham Love accept a job to bring down an unusual group of rustlers. After a brutal chase through mazelike canyons, the two confront the leaders of the gang. Only an artist as talented as macabre Mike Hoffman could detail the gritty action of this spine-tingling shoot-out. Each page of this romp has an approximate image area of 10" x 15", and the art averages Excellent condition.
Mike Hoffman - Ballad of Utopia #8 Complete 20-page Story Original Art (Black Daze, 2004). The startling, super-shocking conclusion of the mystery of who murdered Charlie Burnette is the focus of this issue. Will justice be served? When it comes to Gothic-Western storytelling, with a twist of humor, Mike Hoffman is a top-hand. Each page of this story has an approximate image area of 10" x 15", and the art averages Excellent condition.
Carmine Infantino and Bob Wiacek - Star Wars #35 Cover Original Art (Marvel, 1980). "Darth Vader plays a game of death against the Star Warriors." Former DC cover ace Carmine Infantino worked his legendary graphic magic over at Marvel with this show-stopping scene for "Dark Lord's Gambit." Darth Vader appeared on very few of the Star Wars covers, at least early on. Have a look at your Marvel Gerber volumes and you'll see what we mean. This might be the best cover of the whole series because it showcases Vader and also has all the major "Star Wars" cast, which few did. The image area of this extravaganza measures 9.75" x 15", and the art is in Excellent condition. Bob Wiacek signed the page at the lower left.
Graham Ingels - Tales From the Crypt #31 "Buried Treasure!" Page 4 Original Art (EC, 1952). It's a case of the Haves vs. the Have-Nots, as a poor peasant attempts to rob a rich Duke, in this well-drawn period piece, page four from the "Buried Treasure!" story. Ink and graphite on an EC comic page, with an image area of approximately 13" x 18"; some light soiling and tack holes, but overall the page is in Excellent condition.
Graham Ingels - Tales From the Crypt #31 "Buried Treasure!" Page 5 Original Art (EC, 1952). Johann must face his punishment for attempting to steal the Duke's jewels, but a wave of resentment is beginning to surface among the poor peasants! The fifth page from the story, "Buried Treasure!" is ink on EC art board, with an image area of approximately 13: x 18". Other than some light edge wear and a few tack holes in the outer borders, the art is in Excellent condition.
Graham Ingels - Tales From the Crypt #31 "Buried Treasure!" Page 6 Original Art (EC, 1952). Before the cruel sentence can be committed, one hungry peasant decides he's had enough tyranny, in this sixth page from the story, "Buried Treasure!". Ink and graphite on an EC comics art page, with an image area of approximately 13" x 18". There are several small, light brown stains on two of the panels, plus some very light edge wear and tack holes; otherwise, the page is in Excellent condition.
Graham Ingels - Vault of Horror #25 Splash Page 1 Original Art (EC, 1952). Eye-popping artwork from "Ghastly" Graham Ingels sets the stage for this opening page to the EC yarn, "Collection Complete!". This would make a great stand-alone page for any EC fan or art collector for the story title alone! The art is in ink, graphite, and white-out with the original logo stat, on EC comics board. The image area is approximately 13" x 18", and the page is in Excellent condition.
Jeffrey Jones -"The Bermuda Triangle" Cover Preliminary Original Art (circa 1960s). This cover study, drawn in pencil with Jeffrey Jones' hallmark line, has an image area of 16.5" x 11", and the art is in Very Good condition.
Jeffrey Jones - Alien Warrior Riding Alien Creature Illustration Original Art (1970). Add a touch of the Jeffrey Jones mystique to your art collection with this science fiction/fantasy sensation. This eerie piece has an overall size of 11.5" x 14.5", and the art is in Excellent condition.
Jeffrey Jones - Beauty and the Space Beast Illustration Original Art (circa early 1970s). Jeffrey Jones presents his version of a timeless, tried-and-true science fiction/fantasy theme -- a beautiful girl menaced by a "bug-eyed monster." This pencil, ink, and watercolor "monster-piece" has an overall size of 15" x 15.5", and aside from some heavy edge wear, the art is in Very Good condition.
Jeffrey Jones - "Dydl" Page Original Art (National Lampoon, 1973). Things are amiss in the Garden of Eden in this Jeff Jones parody of his own "Idyl" strip. The image area of the art measures 17.5" x 12.5", and the condition is Very Good.
Jeffrey Jones - "Mermaid" Painting Original Art (undated). A mysterious woman emerges from the sea - could she be one of the legendary mermaids? Artist Jeffrey Jones, formerly one fourth of the famous "Studio" (along with Berni Wrightson, Michael Kaluta, and Barry Windsor Smith) is a pretty mysterious figure as well. Jones has produced work for many various publications, from paperback novels to National Lampoon magazine. This piece is painted in oils, on a canvas measuring 11" x 14"; other than some rust on the staples holding the canvas along the outside edge, the art is in Excellent condition.
Gil Kane and Murphy Anderson - Atom #5, page 7 Original Art (DC, 1963). The Silver Age art team-supreme of Gil Kane and Murphy Anderson presents a spectacular page of Decidedly Cool scenes from "The Specter of 3000-Moons Lake." This superb page has an image area of 13" x 18", and the art is in Excellent condition.
Gil Kane and Mike Esposito - Marvel Team-Up #26 Cover Original Art (Marvel, 1974). It's fire vs. fire as the Human Torch and the Thunder God face the lethal legions of the Lava Men, in this sizzling cover penciled by Gil Kane and inked by Mike Esposito. The cover has an image area of 10" x 15" and includes the original title and type paste-up art. Aside from glue staining from missing type paste-up art, and light soiling, the cover is in Very Good condition.
Gil Kane and Tom Palmer - Ghost Rider #11 Cover Original Art (Marvel, 1975). "Is he alive or dead? Hint: the Incredible Hulk prefers the latter -- and he is going to make sure!" With the green-skinned Goliath on a riotous rampage, the Ghost Rider would love to make a quick get-away on his tipped-over motorcycle. The image area of this superb scene is 10" x 15". Several of the type elements that appeared on the printed cover are not here. Since there are no glue stains were the missing captions were, they may have been added to an overlay or photostat of the cover scene; otherwise, the condition of the art is Excellent.
Gil Kane and Tom Palmer - Giant-Size Conan the Barbarian #3 Cover Original Art (Marvel, 1975). Conan the savage Cimmerian has turned the tables on an ill-fated executioner and turned the axe-man into an axe-victim. This Bronze Age blockbuster was created by two of comicdom's top talents -- penciler Gil Kane and inker Tom Palmer. The image area of this thriller is 10.25" x 15". The various elements of the cover have been pasted and taped together by Marvel production artists; otherwise, the condition of the art is Excellent.
Walt Kelly - Pogo Possum #12, page 27 Original Art (Dell, 1953). Poor Churchy LeFemme! He can't see Albert from his point of view, and mistakes an innocent bout with a fishing pole for murder in the first degree! More Walt Kelly tomfoolery with his Okeefenokee citizens, in this page from Pogo Possum #12. The image area measures 9.5" x 13" and, aside from some slight paper tanning, the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, 3-27-60 (Hall Syndicate, 1960). While ruminating about what might have been in his life (with his charm, brains, good looks, etc.), Albert opens his mouth one time too often in this knee-slapper from 1960. Funny, funny stuff, from that master of "funny animal" comics, Walt Kelly. Ink and blue pencil on bristol, with an image are of approximately 23.5" x 16". Other than some light soiling along the outside borders, the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, dated 9-3-61 (Hall Syndicate, 1961). The second Big Camp Siberia Cheerful Sleepin' Contest is at hand! Follow Albert and Churchy as they compete to see who can come up with the best dream in this enchanting Sunday by Walt Kelly. The art has an image area of 23" x 16" and aside from some light edge wear and glue staining, the condition is Very Good.
Walt Kelly - Pogo Sunday Comic Strip Original Art, 12-9-62 (Hall Syndicate, 1962). A classic case of mistaken identity stirs up things in the swamp, as a de-feathered parrot has Pogo and Howland thinking he's Churchy, minus his shell! Even Churchy himself gets a little confused in this screwy Sunday episode. Ink on bristol, with an image area measuring 23.5" x 16". Other than some light soiling along the outer borders, the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, 4-5-70 (Hall Syndicate, 1970). Spring has sprung, which for the swamp critters means just one thing -- play ball! Another classic baseball-themed Pogo, filled with all the major characters. The panel featuring Pogo winding up a pitch is priceless! Ink and blue pencil on illustration board, with an image area of approximately 23" x 16", matted to an overall size of 30.5" x 23". Other than some minor glue stains on the pasted-on logo, the art is in Excellent condition.
Frank King - Gasoline Alley Hand-Colored Sunday Comic Strip Original Art, 4/28/46 (The Chicago Tribune, 1946). Old office mates Chigger and Bobble find themselves in a chance meeting, and begin to scheme up new plans. This post-WWII strip is missing the main cast of characters, but still conveys a good sense of American life as we follow the two featured players through lunch, drinks afterwards, and a stroll downtown -- all beautifully hand-colored by the artist. Ink and watercolor on illustration board, with an image area of approximately 17" x 21", matted to an overall size of 23" x 27.5" In Excellent condition.
Jack Kirby and Dick Ayers - Strange Tales #84, "This Is Magneto," page 5 Original Art (Marvel, 1961). As any true Marvelite knows, many of the concepts used for the world-famous Marvel super heroes gestated in the pages of the fabulous "pre-hero" monster stories. This "prototype" Magneto has the name and powers of the most famous of the X-Men villains, who made his debut two years later. This blockbuster has an image area of 12" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers - Journey into Mystery #77, page 3 Original Art (Marvel, 1962). From the yelp-yarn "I Don't Believe in Ghosts" comes this suspense-filled Jack Kirby and Dick Ayers page, chock-full of mysterious circumstances. The image area of this page measures 12.5" x 18.5" and aside from a tape residue stain at the lower right, and some edge wear, the art is in Excellent condition.
Jack Kirby and Dick Ayers - Avengers #1, page 15 Original Art (Marvel, 1963). From a magnificent Marvel milestone -- the first issue of the Avengers, comes this power-packed page showcasing the mighty Thor as he fights off the unnatural attacks of the evil Loki. The creative team of Stan Lee, Jack Kirby, and Dick Ayers proved to be an irresistible force in the expansion of "the Marvel Age of heroes." The image area of this historic page is 12.5" x 18.5", and the art is in Excellent condition. Jack Kirby has signed the page at the lower right.
Jack Kirby and Don Heck - Journey Into Mystery #97, Thor page 6 Original Art (Marvel, 1963). In Asgard, wicked Loki plots his crafty revenge on Thor, while here on Earth Thor, in his identity as Dr. Don Blake, is about to lose his gorgeous gal-pal, nurse Jane Foster. All the hallmarks of an early Marvel yarn are here in this top-notch page from "The Mighty Thor Battles the Lava Man." This page has an image area of 12.5" x 18.5", and aside from a few small stains, the art is in Excellent condition. Jack Kirby signed the page at the lower right.
Jack Kirby and Paul Reinman - X-Men #1, page 6 Original Art (Marvel, 1963). Make yours Marvel, with this boisterous bombshell from the first issue of the X-Men. This Silver Age sensation spotlights Professor X and his protégés the Beast, Cyclops, and Ice Man as they engage in a training session, filled with hallmarked mutant mayhem. This historic page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman - X-Men #1, page 8 Original Art (Marvel, 1963). Lovely Jean Grey makes her historic first appearance in these classic scenes from X-Men #1, and Professor Xavier explains the meaning behind the name, X-Men -- face it tigers, this page is a magnificent Marvel milestone. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman - X-Men #1, page 9 Original Art (Marvel, 1963).
Marvel Girl takes center stage in these scenes as she demonstrates her uncanny telekinetic power. Personally, we agree with Warren Worthington's smooth line, "She has one obvious power -- the power to make a man's heart beat faster." This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Marvel Girl takes center stage in these scenes as she demonstrates her uncanny telekinetic power. Personally, we agree with Warren Worthington's smooth line, "She has one obvious power -- the power to make a man's heart beat faster." This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman - X-Men #1, page 13 Original Art (Marvel, 1963). The peerless power of the Master of Magnetism is vividly displayed in these senses-shattering scenes from the mighty Marvel milestone, X-Men #1. When it came to penciling high-impact action pages for the House of Ideas, Jack "King" Kirby wrote the book. This superb page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers - Avengers #8, page 14 Original Art (Marvel, 1964). Jack Kirby was in peak form when he drew this spectacular page from "Kang, the Conqueror." Kang's costume must rank among his greatest designs in this, his origin and first appearance. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. Jack Kirby signed the page in its last panel.
Jack Kirby and Dick Ayers - Avengers #8, page 15 Original Art (Marvel, 1964). Kang, in his first appearance and origin, seems to have defeated the Avengers, but then Rick Jones and the Teen Brigade save Dr. Don Blake/Thor in this Silver Age classic from "Kang, the Conqueror." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition. Jack Kirby signed the page in its next-to-last panel.
Jack Kirby and Chic Stone - X-Men #8, page 20 Original Art (Marvel, 1964). This Silver Age sensation showcases one of the X-Men's most fearsome foes, Unus, the Untouchable, from his first appearance and origin story. This scene marks Unus' downfall as the malevolent mutant succumbs to Hank McCoy's ingenious plan of increasing Unus' "x-power," his matter-repelling force field. These scenes are classic "King" Kirby. The image area of this page measures 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Chic Stone - X-Men #8, page 18 Original Art(Marvel, 1964). X-Men art by Jack "King" Kirby does not turn up very often in the marketplace for one main reason -- Kirby only penciled the first eleven issues. Here is an opportunity to own a vintage page showcasing one of the X-Men's almost fearsome foes -- Unus, the Untouchable -- from his first appearance and origin story. This scene marks Unus' Waterloo as the malevolent mutant falls victim to Hank McCoy's plan to increase Unus' "x-power" -- his matter-repelling force field. The image area of this page measures 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Joe Sinnott - Fantastic Four #55, page 11 Original Art (Marvel, 1966). It just doesn't get any better than this for Marvel fans, as the Thing and the Silver Surfer slug it out in this Jack Kirby and Joe Sinnott masterwork from "When Strikes the Silver Surfer." This page from the very heart of the Marvel Age has an image area of 12.5" x 18.5", and the art is in Excellent condition. Joe Sinnott signed the page at the lower right.
Jack Kirby and Joe Sinnott - Fantastic Four #55, page 12 Original Art (Marvel, 1966). The Thing isn't retreating from the Silver Surfer -- he's just advancing in another direction. For many Marvel fans, this period of the Fantastic Four represents the absolute zenith of Marvel art, the crème de la creme. This pulse-pounding piece has an image area of 12.5" x 18.5", and the art is in Excellent condition. Joe Sinnott signed the page at the lower left.
Jack Kirby and Vince Colletta - Thor #128, page 8 Original Art (Marvel, 1966). For many comic book fans, Jack Kirby's Thor series stands as one of the greatest sword and sorcery sagas of all time. Balder the Brave and Thor star in these action-packed scenes from the Silver Age story, "The Power of Pluto." This page has an image area of 12.5" x 18.5", and aside from clipped upper corners (outside the image area) and a few small stains, the art is in Excellent condition.
Jack Kirby, Werner Roth, and Dick Ayers - X-Men #16, page 2 Original Art (Marvel, 1966). Professor X stars in every panel of this dramatic page from "The Supreme Sacrifice," a chapter in the first Sentinel story arc. Although this page was detailed by Werner Roth (working under the pseudonym of "Jay Gavin"), the riveting storytelling and layouts bear the hallmarked touches of Jack Kirby. Stan Lee often used Kirby's layouts to train a defecting artist from another comic company "the Marvel method" of staging a yarn. The image area of this piece measures approximately 12.5" x 18.5", and aside from some white-out used for lettering corrections in a few balloons, the art is in Excellent condition.
Jack Kirby, Werner Roth, and Dick Ayers - X-Men #17, page 15 Original Art (Marvel, 1966). Fans of Marvel Girl and the Beast will have a hard time topping this action-packed page of the duo from the unforgettable Silver Age yarn, "And None Shall Survive." The image area of this page measures 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Vince Colletta - Thor #149 Cover Original Art (Marvel, 1968). The punishing power of Jack "King" Kirby's comic book brawls has never been surpassed. This no-holds-barred slugfest between Thor and the Wrecker was so sensational, it was spotlighted as the cover scene for the thriller, "When Falls a Hero." "Twice-up" Kirby covers from the Silver Age are difficult to find, making this a super-special prize. This blockbuster has an image area of 13" x 20", and it has been framed to an overall size of 20" x 27". The art is in Excellent condition and Jack Kirby signed the page at the lower left.
Jack Kirby and Mike Royer - Mr. Miracle #12, page 11 Original Art (DC, 1973). An ominous telephone call preludes danger to come for Scott Free, in this page from the tale, "Mystivac!" Your collection can't escape these stupendous Jack Kirby pencils and Mike Royer inks, so don't even try! The art has an image area of 10" x 15", and, aside from some tape stain residue on all four edges, the condition is Excellent. Signed by Jack Kirby in the fifth panel.
Jack Kirby and Mike Royer - Mr. Miracle #15, page 16 Original Art (DC, 1973). Mister Fez and Jammer take Scott Free and Big Barda by surprise, knocking them cold with a beam that jams their brain waves. The Super Escape Artist, Mr. Miracle, was one of Kirby's best-loved '70s series, and collectors of JK artwork always make a bee-line for pages of this inescapable quality. Mike Royer's smooth, slick inks brought out every molecule of energy in Jack's pencils, transforming these Fourth World follies into powerhouse pages packed with pure pandemonium. The art has an image area of 10" x 15", and, aside from some tape stain residue on all four edges, the condition is Excellent.
Jack Kirby and Mike Royer - What If #11, "What If the Original Marvel Bullpen Had Become the Fantastic Four," page 14 Original Art (Marvel, 1978). Here's an idea so offbeat, only Jack Kirby could have pulled it off -- it's another Marvel milestone from "the King." Not only did he draw it, he appears in it as the Thing, along with Stan Lee (Mr. Fantastic), Sol Brodsky (Human Torch), and Flo Steinberg (Invisible Girl). This page has an image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby and Mike Royer - "Hostel of Hawkana/Lord of Light" Presentation Piece Original Art (1978). When it came to creating spectacular cities for alien races, science fiction heroes, or God-like characters, Jack Kirby simply had no equal. In the late seventies, Kirby was commissioned to design the visuals for a film based on Roger Zelazny's novel, Lord of Light. A theme park also using Kirby concepts was planned, but the project was never realized. A key concept from the novel was the blending of Hindu mysticism from Ancient India with a modern technological society. This page has an image area of 22.5" x 18", and the art is in Excellent condition. Jack Kirby signed and dated the art in its lower right corner.
Joe Kubert - The Brave and the Bold #34, page 25, First Silver Age Hawkman Original Art (DC, 1961). The first Silver Age Hawkman story was featured in The Brave and the Bold #34. To launch the series, editor Julius Schwartz brought in two comics giants, writer Gardner Fox and artist Joe Kubert. Joe was in his mid-thirties at that time, and yet he had already been drawing comics, as a professional, for twenty years! This handsome "two-thirds" page is the final page of "Creature of a Thousand Shapes." All of the Hawkman characters are portrayed: Commissioner George Emmet, Hawkgirl, and Hawkman in costume, the duo in their secret identities of museum staffers Carter and Shiera Hall, as well as their flirtatious co-worker, Mavis Trent. Even one of the Hawks' bird friends makes a cameo in the final panel. The title lettering in the last panel is hand-drawn art, not a type stat or paste-up. The bottom of the page was left blank, as a house ad was to appear in that space on the printed page. A touch of Joe Kubert's blue under-penciling shows from beneath the inks. The paper measures 14.5" x 21", while the image area is 13" x 12". This is a terrific page, in Excellent condition, from that first Silver Age appearance, as drawn by a comics legend, so get your bid in today.
Jim Lee and Art Thibert - X-Men Illustration Original Art (undated). Face Front, Marvelites -- this famous pin up, featuring seven prominent members of the New X-Men team (the complete "Blue Team") in full-body shots, was created during Jim Lee's transition from Uncanny X-Men to the X-Men series. This sensational illustration was used extensively for Marvel's ad campaigns, and it was also the source image for countless X-Men based products, such as posters, clothes -- it's a famous, prime-vintage example of Jim Lee X-Men art. If all that isn't impressive enough, this piece was also featured as a double-page spread in the Wizard: Jim Lee, Millennium Edition, and as the back cover for X-Men Legends Vol. 1: Mutant Genesis. This marvelous piece has an image area of 15" x 10". There are no paste-ups on this illustration, which is rare for art created at this time, and it is in Excellent condition.
Larry Lieber and Mike Esposito (as Mickey Demeo) - Amazing Spider-Man Annual #5, page 2 (Marvel, 1968). Big, bold, and bombastic -- that describes the wall-crawling wonderment of these three larger-than-life scenes from the historic yarn, "The Parents of Peter Parker." The image area of this page measures 12.5" x 18.5", and aside from a few stains, the art is in Very Good condition.
Greg Luzniak and Bob Wiacek - Venom: Along Came a Spider #1 Cover Original Art (Marvel, 1996). It's an all-out slugfest as Venom and Spider-Man spar for their lives in a tightly wound spider web. Boys, boys, whatever happened to "your friendly neighborhood Spider-Man?" This piece has an image area of 10" x 15", and the art is in Excellent condition.
Kevin Maguire and John Dell - Justice League: Midsummer's Nightmare #1 Cover Original Art (DC, 1997). It's the Super Seven against Doctor Destiny in this majestic cover penciled by Kevin Maguire and inked by John Dell. The art has an image area of 12" x 17", and, aside from three light tears in left and right edges, and a light crease in the upper right corner, the condition is Very Good.
Don Martin - Mad #182 Complete 1-page Story "Early One Morning Downtown" Original Art (EC, 1976). You can "bank" on this hilarious Don Martin robbery strip! The art is matted and framed with an image area of 14.5" x 18". In Excellent condition.
Sheldon Mayer - Sugar & Spike #52 Page Original Art, Group of 28 (DC, 1964).
Using his own kids for inspiration, Mayer created Sugar & Spike, which many comic fans consider among the funniest comic book series ever done. Only page 1 of the final story, "An Adventure With an Umbrella" is missing from this near-complete issue. This lot includes the art for the stories, "The Day the Baby Vanished - Slightly!" (complete 6-page story), "Pint-Size Pin-Ups" (complete 2-page story), "New Adventure with Grown-Up Talk!" (complete 6-page story), "Write Your Own Comic Page!" (complete 1-page feature), "A Lesson in Sharing" (complete 6-page story), "Look at all the Letters from Our Readers!" (a production piece paste-up of the letters page), "An Adventure with an Umbrella!" (an incomplete story, missing page 1, so 7 pages of the 8-page story). Most of the pages have an image area of 10" x 15", but some of the pages are larger and have an image area of 13" x 18". The pages average Very Good condition.
Using his own kids for inspiration, Mayer created Sugar & Spike, which many comic fans consider among the funniest comic book series ever done. Only page 1 of the final story, "An Adventure With an Umbrella" is missing from this near-complete issue. This lot includes the art for the stories, "The Day the Baby Vanished - Slightly!" (complete 6-page story), "Pint-Size Pin-Ups" (complete 2-page story), "New Adventure with Grown-Up Talk!" (complete 6-page story), "Write Your Own Comic Page!" (complete 1-page feature), "A Lesson in Sharing" (complete 6-page story), "Look at all the Letters from Our Readers!" (a production piece paste-up of the letters page), "An Adventure with an Umbrella!" (an incomplete story, missing page 1, so 7 pages of the 8-page story). Most of the pages have an image area of 10" x 15", but some of the pages are larger and have an image area of 13" x 18". The pages average Very Good condition.
Sheldon Mayer - Sugar & Spike #75 Page Original Art, Group of 26 (DC, 1967). This lot includes pages 2-20 of the Sugar & Spike adventure, "The Mystery of the Mischievous Marble." The splash page of the yarn is missing, and the last page is a "half-page." This Silver Age laugh-fest is also accompanied by a few other features of this issue -- a half-page "Write Your Own Comic Page," and six photostatted production art pages of the "Doodles Duck" story. Each page has an approximate image area of 10" x 15", and the art averages Very Good condition.
Sheldon Mayer - Sugar & Spike #78, Complete 20-page Story "Beware of Froolers" Original Art (DC, 1968). This lot includes the art for the complete Sugar & Spike romp, "Beware of Froolers." Each page has an approximate image area of 10" x 15", and the art averages Very Good condition. Also included in this lot is the photostatted production art page for the letters column, and a copy of the comic book.
Sheldon Mayer and Tenny Henson - All-New Collectors' Edition #C-60 Rudolph's Summer Fun, pages 1-35 Original Art (DC, 1978). Rudolph and Grover head south on a holiday adventure and run into the conniving Mr. Cat. This lot includes only the first 35 pages of the book -- this group includes the complete first chapter, "The Open Road (17 pages), and then the continuity ends partway through the second chapter, "The Lady On Liberty Island." Each page of this summer spectacular has an approximate image area of 10.5" x 15", and the art averages Very Good condition.
Sheldon Mayer - Best of DC #41, Complete 10-page Sugar & Spike Story "How Did Sugar & Spike Become Pint Size Human Flies?" Original Art (DC, 1983).
Between Uncle Charlie, the motorcycle cop, and Bernie the Brain, there's no telling what kind of crazy things can happen to Sugar and Spike. Each page of this terrific 10-pager has an image area of 10" x 15", and the art averages Excellent condition.
Between Uncle Charlie, the motorcycle cop, and Bernie the Brain, there's no telling what kind of crazy things can happen to Sugar and Spike. Each page of this terrific 10-pager has an image area of 10" x 15", and the art averages Excellent condition.
Todd McFarlane - The Amazing Spider-Man #325, Page 24 Original Art (Marvel, 1989). Todd McFarlane pencils and inks this page from "The Assassin Nation Plot Part 6," titled, "Finale in Red," written by David Michelinie. The art has an image area of 10" x 15" and is in Excellent condition. Signed by Todd McFarlane at the upper left.
George McManus - Bringing Up Father Sunday Comic Strip with Rosie's Beau Topper Original Art, dated 5-7-44 (King Features Syndicate, 1944). Jiggs recounts memories of bygone days in a jocular jaunt down memory lane in this twelve panel Sunday by George McManus. Also includes a companion page topper of Rosie's Beau. This strip consists of two pieces which have been mounted together between the third and fourth tiers, and has an image area of 16.5" x 20.5". In Excellent condition.
Norman Mingo - Mad #33, "Spring Issue," Alfred as a Jack-In-the-Box Cover Original Art (EC, 1957). There was a fresh new face on the newsstands when Mad #33 was sprung on eager readers. This Norman Mingo "Mad-sterpiece" was only Alfred's fourth cover appearance. As noted in Mad Cover To Cover, "The year 1956 marked the start of a new regime, with Al Feldstein taking over as editor after the departure of Harvey Kurtzman. One of the first decisions of the editorial staff was to combine the face of the 'idiot kid' with the name Alfred E. Neuman and make him Mad's official mascot and cover boy. Early versions of Alfred possessed a muddy, archaic look, so Feldstein advertised for a young new cover artist. The man hired was sixty-year-old Norman Mingo, a former magazine illustrator and the only veteran of World War I ever to work for Mad. Mingo came out of retirement and took on the task of creating the perfect Alfred. He succeeded, and his rendering became the prototype for all subsequent depictions of Alfred." This piece has an overall size of 19" x 20.5", and the art is in Excellent condition.
Sheldon Moldoff - Moon Girl #4 Complete Story "Peace For the Old Countries!" Original Art (EC, 1948). The people of a once-peaceful multi-ethnic section of the city find themselves at each other's throats, until Moon Girl uncovers the evil plot behind the madness! Nine exciting Pre-Trend pages, featuring the dynamic art of Shelly Moldoff, make up this lot. Issues of Moon Girl are hard enough to find on their own, let alone attempting to track down the original art for a complete story, but here's your chance to add this prize to your collection. The pages all feature ink and graphite on blue-lined EC comic art boards measuring approximately 15" x 22", and each has an image area of 13" x 18". While a few pasted-on type correction are beginning to come loose, everything, including the original logo stats, are complete and in Excellent condition.
Sheldon Moldoff - Moon Girl Fights Crime #8 Cover Original Art (EC, 1948). The spotlight shines on EC's superheroine, Clare Lune or Moon Girl, for the final issue of her series -- one of only two Moon Girl Fights Crime issues that ever appeared. Shelly Moldoff once said, "I wanted the character of Moon Girl to be as real and exotic as possible, so I modeled her after the actress Merle Oberon. She had kind of an Asian quality to her." Moon Girl only ran for seven issues before the "pre-trend" era at EC ended -- don't miss your chance at winning this rare beauty. The image area of this cover measures 13.5" x 19", and the art is in Excellent condition.
Bob Montana - Pep Comics #25, Archie page 2 Original Art (MLJ, 1940). These hilarious taxi scenes hail from only the third issue after Archie's historic debut in Pep Comics #22. This page has an image area of 13" x 18.5", and aside from a small stain the last panel, the art is in Excellent condition.
Bob Montana - Pep Comics #32, Archie page 5 Original Art (MLJ, 1942). Archie, Jughead, and Betty star in this early Archie misadventure. While Bob Montana comic strip art can be frequently found, early comic book pages are much more scarcely seen in the marketplace. This page has an image area of 13" x 18.5". Several word balloon lettering corrections have slipped off this page and there is a hole in panel five; otherwise, the art is in Very Good condition.
Bob Montana - Jackpot Comics #25, Archie page 4 Original Art (MLJ, 1942). Bob Montana's gift for comedic timing and staging are the highlight of this guffaw-filled Golden Age page. This piece has an image area of 13" x 18.5", and the art is in Excellent condition.
Gray Morrow - "Mean Mother" Movie Poster Illustration Original Art (1974). Smashing the man and the mob for his women! This super cool and wild illustration by Gray Morrow features the cast of the exploitation classic, "Mean Mother." Rendered in mixed media on illustration board, the art has an image area of 11.5" x 13.5" and is in Excellent condition.
Wesley Morse - Bazooka Joe Comic Strip Illustration Original Art, numbered 1-55-40 (Topps, undated). Wesley Morse was contacted by Topps' creative director, Woody Gelman, to draw a series of illustrated gum comics featuring a gang of kids. From 1954 on, the company released several series of Bazooka Joe episodes each year. Morse drew the strip until the early 1960s, when he passed away. This strip has an approximate image area of 5" x 7.75", and the art is in Very Good condition.
Wesley Morse - Bazooka Joe Comic Strip Illustration Original Art (Topps, undated). This uproarious strip has an image area of 5.5" x 4.75", and the art is in Very Good condition.
John J. Muth - Dracula: a Symphony in Moonlight and Nightmares Painting Original Art (NMB, 1992). "Listen to them -- children of the night" spoke Bela Lugosi's title character, in the original classic film version of Bram Stoker's Dracula. In this splash page from John J. Muth's updated graphic novel, we see one of those "children" making a little "night music" as Dracula's castle sits in the background, and a solitary bat hovers above. A very chilly and atmospheric watercolor painting from the award-winning Moonshadows artist, on watercolor paper with an image area of 9" x 12". In Excellent condition.
Norman Nodell - Classics Illustrated #71, Complete 45-page Story, "The Man Who Laughs" Original Art (Gilberton, 1962). Norman Nodell details Victor Hugo's poignant tale, "The Man Who Laughs," in this forty-five page tale. Each page of this yarn has an image area measuring 12" x 18", and aside from a few lettering and art corrections, the pages average in Excellent condition. Also included with this lot are three pages of type-set text.
James O' Barr - The Crow Page Original Art, Group of 2 (1981-1998). In 1981, writer/artist James O' Barr started work on The Crow, while he was in the Marines and stationed in Berlin. This lot includes page 25 from the original story, published by Caliber Press, and page 1 from an unidentified issue, both illustrated by James O' Barr. The pages have image areas of 12.5" x 19" and 9.75" x 15.5" and average in Very Good condition. Both pages include a certificate of authenticity.
Dan O'Neill and Shary Flenniken - "Clouds" Sketch Original Art (1977). The two Air Pirates cartoonists jam on this colorful piece, which combines Flenniken's "Trots and Bonnie" and O'Neill's "Odds Bodkins" characters. Marker and watercolor on paper measuring 11" x 14". In Excellent condition.
George Perez and Dick Giordano - Superman #364 Cover Original Art (DC, 1981). There's a rumble in Metropolis, as the Man of Steel faces a super monster, in this earth-shaking cover illustration penciled by George Perez and inked by Dick Giordano. The cover has an image area of 10" x 15" and includes the original title and type paste-up art. In Excellent condition. Signed by George Perez and the bottom left.
George Perez - Tales of the Teen Titans #49 Cover Original Art (DC, 1984). Dr. Light has his sights set on the destruction of Central City, in this flashy cover illustration by George Perez. The image area measures 10" x 15", and the art includes the original title and type paste-up art on an acetate overlay. In Very Good condition.
George Perez - JSA #86 Cover Original Art Cover (DC, 2006). The Green Lantern, WildCat, Jakeem Thunder and Powergirl pit their powers against the Gentleman Ghost and his gang of ectoplasmic thieves, in this cinematic cover illustration by George Perez. The art has an image area of 10" x 15" and is in Excellent condition. Signed by George Perez at the lower right.
Howard Purcell - Brave and Bold #51, Aquaman and Hawkman Splash Page 1 Original Art (DC, 1963). Double your viewing pleasure with this Dynamically Composed splash page for "Fury of the Exiled Creature." This Silver Age super-spectacular features two of DC's mainstay characters -- Aquaman, King of the Seas, and Hawkman, Monarch of the Sky (in a pre-Hawkman #1 appearance). This splash page has an approximate image area of 13" x 18". The two large panels and the caption below have all been attached to a piece of color-matched support paper. The title logo and indicia are replacements and the piece has been restored to Good condition.
John Romita Sr. (attributed) - Captain Marvel #12 Cover Original Art (Marvel, 1969). Captain Marvel faces off for "the Moment of -- the Manslayer." This scintillating Silver Age spectacular is sure to get the pulse pounding for any ever-lovin' Marvel cover collector. The image area of this cover is 10" x 15". The various elements of the cover have been pasted and taped together by Marvel production artists and there are a few stains; otherwise, the condition of the art is Very Good.
John Romita Sr., Ron Wilson, and Frank Giacoia - Captain America #178 Cover Original Art (Marvel, 1974). This battered billboard asks, "Where is Captain America?" The Falcon may be wondering the same thing as he battles this metallic menace alone. It's dynamic drama as only the trio of John Romita Sr., Ron Wilson, and Frank Giacoia could present it. This seventies sensation has an image area of 10" x 15", and the art is in Excellent condition. John Romita Sr. and Ron Wilson signed the page in its lower border.
John Romita Jr. and Bob Wiacek - Marvel Team-Up #109 Cover Original Art (Marvel, 1981). Dazzler takes the law into her own hands in her fight alongside Spider-Man against Thermo, in this brilliant cover illustration penciled by John Romita Jr. and inked by Bob Wiacek. The image area measures 10" x 15" and the cover includes the original title and type paste-up art. In Excellent condition.
John Romita Jr. and Klaus Janson - Thor V2#9 Cover Original Art (Marvel, 1999). "Revealed! The Secret of the Dark Gods." John Romita Jr.'s bold cover design continues the tradition of awe-inspiring action-adventure as pioneered by Jack "King" Kirby for Thor. This cover has an image area of 10" x 15", and the piece was signed by John Romita Jr. in the lower border.
Alex Ross - Spider-Man Costume Concept Illustration Original Art (Sony Pictures, 2002). Alex Ross was commissioned by Sony Pictures to create concept sketches for Spider-Man directed by Sam Raimi. This stupendous illustration was rendered in mixed media on an 11" x 17" sheet of illustration paper. In Excellent condition. Signed by Alex Ross at the lower left.
Jerome Rozen - Shadow Pulp Cover Recreation Original Art (undated). George Jerome Rozen (1895-1974) and Jerome George Rozen (1895-1987) were twins. After World War I, Jerome enrolled in the Art Institute of Chicago. He soon became an instructor there, and George followed Jerome into a career in art, a year later, and actually studied under Jerome's tutelage. Jerome's first sale was to the Fawcett magazine Excitement. With that success, he moved to the Bronx, opened a studio at 163 West Twenty-third Street, and began painting covers for many of the pulps. George followed Jerome to New York, and both brothers' work was in high demand. Street and Smith's The Shadow was a sensation, thanks in part to Jerome's early covers. George Rozen also painted The Shadow covers, from 1932-39, and in again, in 1941-42, and 1949. Just as his pulp career was winding down, Jerome was severely injured in an automobile accident. George continued working in the pulp field after World War II, and later, after the pulps' day had waned, he tried, in vain, to convince Street and Smith to revive the Shadow and Doc Savage franchises. In 1964, Jerome closed his studio, just as photography began to usurp painted illustration in magazines and advertising. The Rozen brothers produced hundreds of unforgettable pulp cover images. For this sensational recreation, Jerome paid tribute to George's cover for The Shadow, September 1, 1932 issue, which featured the story, "Hidden Death." The painting is oil on linen, has an image area measuring approximately 21" x 30", and is framed to an overall size of 26" x 36". The piece is in Excellent condition.
Paul Ryan and Tom Palmer - The Avengers #312 Cover Original Art (Marvel, 1989). Freedom Force shows up at Avengers Park to beat up on Marvel's Mightiest, in this cover penciled by Paul Ryan and inked by Tom Palmer. The image area measures 10" x 15" and the cover includes the original title and type paste-up art. In Excellent condition.
Norman Saunders - Wacky Packages "Sailem" Illustration Original Art (Topps, 1973). "Better to sail 'em than smoke 'em" is the motto on this wild parody package. According to the Wacky Packages Website, these were the creation of Art Spiegelman (who came up with the concept and jokes) and Norm Saunders, who rendered the realistic-looking designs. Originally sold at Topps' 1989 auction; these original art pieces have skyrocketed in demand ever since. The mixed-media art is on bristol measuring 5" x 7", and is in Excellent condition.
Alex Schomburg - Science Fiction Illustration Painting Original Art (undated). Alex Schomburg presents the future of law and order with this sobering scene of justice and capital punishment. No more "if the glove does not fit, you must acquit!" This splendidly rendered montage scene, painted in acrylic on board, hails from an unidentified science fiction magazine, but it seems from the nature of the layout that it may have been designed as a 2-page spread, book endpapers, or perhaps a centerfold of some kind. This piece has an image area of 19" x 12", and the art is in Excellent condition. The piece was signed by Alex Schomburg at the lower left.
Mark Schultz - Xenozoic Tales #6, page 1 Original Art (Kitchen Sink, 1988). The fluidity and grace of Mark Schultz's brush and pencil work has brought him increasing recognition over the last twenty years. Schultz's initial acclaim was achieved through his award-winning work on the series, Xenozoic Tales, which ran 14 issues over the course of ten years. Here is the first page from the story, "Green Air." The art has an image area measuring 11" x 16.5", and is in Excellent condition.
Mark Schultz - Hannah Dundee Illustration Original Art (1992). This handsome ink drawing of Xenozoic Tales' Hannah Dundee has an image area of 9" x 6.5", and the piece has been framed to an overall size of 17" x 12". The art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, 3-26-52 (United Feature Syndicate, 1952). Little Lucy gets some conflicting advice from the bigger girls, Patty and Violet, in this early episode. In fact, this is only the seventh appearance of Lucy Van Pelt, who would go on to be one of the main characters of this beloved, long-running strip. It's pretty rare to find examples of original Peanuts art this early; it came from a business associate of Schulz's, a script writer who had offered his services to Mr. Schulz back during his pre-Peanuts strip, Li'l Folks. Schulz signed the first panel to his friend, and gave it to him as a gift, which he has held onto for all these years. The title logo is missing, and the strip, like most daily examples, has been folded down the middle, which shows a little wear along the crease; otherwise, the ink and pencil on bristol art is in Very Good condition. It measures approximately 28" x 6".
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 10-20-53 (United Feature Syndicate, 1953). The early cast of the Peanuts gang is all here -- much to Charlie Brown's surprise. Aside from a fold between panels two and three, a few small stains, and a missing copyright notice, the art is in Very Good condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 7-25-55 (United Feature Syndicate, 1955). Who would believe it was possible? That famous fussbudget, Lucy Van Pelt, is actually having fun and is attempting to communicate her enthusiasm to good ol' Charlie Brown. This fabulous fifties daily has an image area of 27" x 5". As usual, the strip was folded between panels two and three; otherwise, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, 6-22-63 (United Feature Syndicate, 1963). The gang's game brings out a capacity crowd -- of one, in this charming, baseball-themed strip. Charlie Brown and Schroeder star, with Sally Brown appearing in the final panel. The ink on bristol art has an image area of approximately 27" x 5.5", and has been trimmed and mounted onto a heavier piece of board. Like most four-panel Peanuts dailies, the board was fold between the second and third panels, but overall, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 9-11-63 (United Feature Syndicate, 1963). Sally Brown covers her bases with a strong closer for her recitation of the Pledge of Allegiance in this sixties episode. The Pledge of Allegiance recently had been changed to include the phrase "under God," and Sally has sensed that this addition deserves the ritual religious response -- a rare bit of political commentary by Charles Schulz. The image area of this rib-tickler measures 27" x 5.5". This daily was folded between panels two and three; otherwise, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 9-23-64 (United Feature Syndicate, 1964). Has there ever been a more fantastic piece of comic strip architecture/museum of art than Snoopy's wonderful doghouse? Not likely. Apparently, the precocious Linus has managed to condense the entire history of civilization into one mural painting, in the manner of Michelangelo. The image area of this delightful daily measures 27" x 5.5". This daily was folded between panels two and three, and there is some light paper aging; otherwise, the art is in Very Good condition. Charles Schulz inscribed and signed the daily in its second panel, "For Dr. Burns, with kindest regards -- Charles M. Schulz."
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 4-8-74 (United Feature Syndicate, 1974). With all of his personality, charm, and zest for life, who could really blame Peppermint Patty for mistaking Snoopy for "a funny-looking kid with a big nose?" This episode with its perfectly staged phone conversation between Peppermint Patty and Charlie Brown captures all of Patty's quirky, offbeat charm. The image area of this daily measures 27" x 5.5". This strip was folded between panels two and three (as almost all dailies were); otherwise, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 4-5-74 (United Feature Syndicate, 1974). Every writer must deal with rejection slips, but getting a double-dose is a bit much, even for Snoopy. Ever since Snoopy began his great American novel back in July, 1965, the theme of the struggling writer has been a constant fan-favorite -- don't miss your chance to win a great one. The image area of this daily measures 27" x 5.5". This strip was folded between panels two and three; otherwise, the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 4-27-76 (United Feature Syndicate, 1976). With Snoopy and Woodstock featured in every panel of this episode, this spectacular seventies daily is sure to be a treasured addition to any comic art collection. The image area of this episode measures 27" x 5.5", and it has been framed to an overall size of 32" x 10". This strip was folded between panels two and three; otherwise, the art is in Excellent condition. Charles Schulz inscribed and signed the art in panels two and three.
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 7-26-59 (United Feature Syndicate, 1959). Here's a spectacular showpiece for any Peanuts or best-of-the-best comic strip art collector -- an unforgettable, classic episode from the epic battle between Snoopy and Linus over possession of Linus' beloved blanket, without a single word balloon. Charlie Brown cameos in the final panel. The image area of this rock 'em-sock 'em Sunday measures 22.5" x 15". This strip was folded in half, vertically through its center. The syndicate copyright notice strip and the date have been whited-out, most likely by production artists, as was typically done with the most popular strips, for a reprint book collection of Peanuts strips. This superb piece has had some paper fill-in restoration to the back of the paper, and the strip was professionally cleaned; the art is in overall Very Good condition.
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 2-15-70 (United Feature Syndicate, 1970). With 14 panels featuring Snoopy and Woodstock, this sensational Sunday is a masterpiece of comedic timing and "acting," thanks to the tremendous cartooning talent of Charles Schulz. Snoopy's expression in the final panel is priceless. The image area of this seventies Sunday measures 22.5" x 15.5", and aside from some light aging to the title logo stat, two vertical creases, and a few small stains, the art is in Very Good condition. Charles Schulz inscribed and signed the art in its second panel tier, "Best wishes -- Charles M. Schulz."
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 5-10-70 (United Feature Syndicate, 1970). As this episode demonstrates, Peanuts was more than just a simple gag-a-day strip. The feature also explored deeper aspects of the human condition, and this Mother's Day Sunday featuring Woodstock and Snoopy just might bring a tear to your eye, and maybe even make you appreciate your Mom more than ever. The image area of this Sunday measures 22.5" x 15.5", and the art is in Excellent condition.
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 10-20-91 (United Features Syndicate, 1991).
The Doctor may be in, but as is often the case, Lucy's mental health advice proves to be out in left field, and Charlie Brown wisely chooses a more conservative approach to his persistent case of the "blahs."
The Psychiatric Advice Booth has been a quintessential part of the Peanuts strip since the sixties and is referred to in Schulz's biography as one of his "12 devices" or key storylines.
This particular strip has the most desirable and collected elements of the Psyche Booth gag: the direct interaction between Lucy and Charlie Brown, reference to a well known psychiatric issue, Lucy's inane solution, and Charlie Brown's refusal to participate!
Of particular note is the strong public exhibition history of this strip. This piece was prominently featured at the Cartoon Art Museum's major Peanuts retrospective in 1995 and was a highlight in the year long, seven museum "Art of Charles M. Schulz" exhibition in Japan in 2000-2001.
This uproarious Sunday has an image area of 22" x 15", and the art is in Excellent condition.
The Doctor may be in, but as is often the case, Lucy's mental health advice proves to be out in left field, and Charlie Brown wisely chooses a more conservative approach to his persistent case of the "blahs."
The Psychiatric Advice Booth has been a quintessential part of the Peanuts strip since the sixties and is referred to in Schulz's biography as one of his "12 devices" or key storylines.
This particular strip has the most desirable and collected elements of the Psyche Booth gag: the direct interaction between Lucy and Charlie Brown, reference to a well known psychiatric issue, Lucy's inane solution, and Charlie Brown's refusal to participate!
Of particular note is the strong public exhibition history of this strip. This piece was prominently featured at the Cartoon Art Museum's major Peanuts retrospective in 1995 and was a highlight in the year long, seven museum "Art of Charles M. Schulz" exhibition in Japan in 2000-2001.
This uproarious Sunday has an image area of 22" x 15", and the art is in Excellent condition.
Sea Monster and Girl Painting Original Art (undated). Shades of One Million B. C. -- a scantily clad young woman is confronted by a sharp-toothed Plesiosaurus arising from the deep, as Pterodactyls fly overhead. We wish we could identify the artist and tell you where this was published, but we're stumped -- please drop us a line if you know! The art is in mixed media on illustration board measuring 14" x 22", and is in Excellent condition.
Dr. Seuss (Theodor S. Geisel) Horton Sketch Original Art (undated). That ever-popular pachyderm, Horton, is the subject of this cute blue-pencil sketch by Dr. Seuss. The drawing is undated, but done on a vintage two-cent prepaid mailing envelope. Original art by Dr. Seuss is always tough to find, and this piece, framed to a total size of approximately 10.5" x 8.5", is in Excellent condition.
Marie Severin and Johnny Craig - Iron Man #25 Cover Original Art (Marvel, 1970). Up from the seething sea comes Sub-Mariner to battle Iron Man in "This Doomed Land, This Dying Sea." This Bronze Age blockbuster has an image area of 10" x 15". This art elements of this cover were cut out and pasted-up; otherwise, the art is in Excellent condition. The cover is original art, except for the title stats. The figures, word balloons, and title logo were cut out, positioned, and glued or taped down. This can be seen at the top edge along Iron Man's hand and the machinery the Sub-Mariner is holding (see the enlarged scan). It was all done to integrate the title logo into the scene.
Marie Severin and Tom Palmer - Where Monsters Dwell #4 Cover Original Art (Marvel, 1970). This creepy cover illustration was penciled by Marie Severin and inked by Tom Palmer. The art has an image area of 10" x 15", and, aside from some light soiling and tape staining, is in Very Good condition. Signed by Marie Severin at the bottom left.
Gilbert Shelton, with Tony Bell and Joe Brown, Jr - Complete 3-Page Story "Adventures of Philbert Desanex" Original Art (Millar Publishing, 1968). Wonder Wart-Hog's secret identity takes center stage in this extremely wacky three-pager. Originally printed in issue #2 of Wonder Wart-Hog Magazine, it's also seen print in several other compilations of Shelton's W W-H strips. The ink and blue pencil art is on heavy illustration board, with image areas of approximately 10" x 13.25". The art boards have some smudging and soiling along the outside borders, but the art remains in Excellent condition. Classic, laugh-out-loud stuff from one of the leading lights in Underground Comix!
Gilbert Shelton - Hydrogen Bomb and Biochemical Warfare Funnies Splash Page Poster Ad Original Art (1969). Here's a truly incredible piece. It appears to perhaps have been an aborted first attempt at the cover to Gilbert Shelton's Hydrogen Bomb comic, changed at the last minute to work as an advertising poster. The figures below, of the Fabulous Furry Freak Brothers, Philbert Desanex, Wonder Wart-Hog, and Oat Willie were drawn on a separate piece of bristol, and glued to the main art. The intricate shading done at the top of the piece must have taken many hours to complete, which leads us to believe this was not originally meant as just an ad page. It was eventually produced as a Head Shop poster in 1970, with only about a hundred copies printed. The overall image size of this ink, white-out, and Zipatone masterpiece is approximately 12.5" x 18", and other than some minor stains tears, and soiling in the outside border area, is in Excellent condition. For fans of Shelton and his many comic creations, you couldn't do much better that this fabulous illustration. Let another bidder get this, and you'll be glowing green -- with envy!
Joe Shuster Studio - Superman Daily Comic Strip Original Art, #1375 (McClure Newspaper Syndicate, 1943). The Man of Steel hits an "invisible wall" even he, with his mighty powers, can't budge in this bizarre installment of the daily newspaper strip. We wish we knew the identity of the fabulous four-eyed villain, but he's new to us! The art is ink on Craftint board, with an image area of 19.5" x 5". Other than some of the shading dots along the outside edge turning dark, the art is in Excellent condition. A great early example of daily strip art, with Superman appearing in all three panels.
Joe Shuster - Superman and Clark Kent Sketch Original Art (undated). One of two creators (with Jerry Siegel) of the Superman character, Joe Shuster was the original artist for the Man of Steel. Here's pair of sketches by Shuster, showing profile views of Clark Kent and Superman. Both are marker on paper sketches, with image areas of approximately 5.25" x 8". The art has been matted and framed together, for an overall size of 14" x 11". A drop of water has created a small blue stain in Clark's hair; otherwise, the pieces are in Excellent condition. While the occasional Superman sketch by Shuster will surface, this is the first Kent sketch we've seen at Heritage, and the two together make quite an impressive pair.
Allen Simon - Unpublished Picture Stories From Science #4 Cover Original Art (EC, circa 1947). Yesterday's magic is juxtaposed against today's science in this unpublished cover, slated for the never-published issue #4. This cosmic cover scene has an image area of 13.5" x 19.5", and the art is in Excellent condition.
Art Spiegelman - Complete 1-Page Story Original Art (Cavalier, 1969). As was the fashion of the times, our mustached main man (with a teddy bear in his hand) is movin' to the country, in this cute, hand colored strip, which originally appeared in Cavalier Magazine. A rare example of early Spiegelman Underground cartoon art; the artist, of course, went on to create the award-winning Maus graphic novel a few years later. This ink, marker, and watercolor page is on illustration board, with an image area of approximately 12" x 17.5". The outer borders are somewhat soiled, but the art remains in Excellent condition.
Frank Springer - Ghost Stories #18 Cover Original Art (Dell, 1967). "The strangest tale ever told -- ghostly gunmen of old return to find out who is the fastest gun -- dead or alive." Frank Springer's spooky showdown scene has an image area of 9" x 14", and aside from a few stains, the art is in Very Good condition. A copy of the comic book is included in this lot.
Jim Starlin - Warlock #1 Cover Original Art (Marvel, 1992). Before the Infinity Gauntlet there was Warlock! Jim Starlin brings his cosmic skills to this cover illustration for the first issue of this series. The image area measures 10" x 15" and the cover includes the original title and type paste-up art. In Excellent condition.
Curt Swan and Al Vey - Tales of the Legion of Superheroes Annual #5 Cover Original Art (DC, 1987). Darkseid hovers ominously over this scene featuring the Legionnaires vs. Validus, penciled by Curt Swan and inked by Al Vey. The image area measures 10" x 15" and the art is in Excellent condition. Signed by Curt Swan at the bottom.
Larry Todd - Dr. Atomic Comic Strip #1 Original Art (1972). Larry Todd's Dr. Atomic (anyone care to guess his first name? It's Otto!) was, like R. Crumb's Mr. Natural, a somewhat older hero than most found in Underground Comix. Dr. Atomic started out as a comic strip in a short-lived tabloid, The Sunday Paper, distributed mainly in the San Francisco Bay area. The first issue of Sunday Paper featured a two-tier Dr. Atomic strip titled "The Iron Pig", noted as the very first appearance of the good Doctor himself. In this first installment, Atomic sets about building his robot companion, which is seen in the last panel. Our single tier offering is very similar to that first published strip, only shorter, and may have been an unpublished "try-out". The ink and white-out on bristol measures approximately 23" x 7.25", with an image area of 21" x 5.5". There are a few light stains along the outer edges, but overall, the art is in Excellent condition.
Herb Trimpe and Dan Green - Godzilla #14 Cover Original Art (Marvel, 1978). S.H.I.E.L.D.'s super robot, Red Ronin, has been beheaded by alien monsters and thoroughly trashed in battle. Now, as Dum Dum Dugan and Jimmy Woo run damage control, Earth's last chance lies with the counter-attack of Godzilla. Herb Trimpe's power-packed pencils were inked to perfection by Dan Green and the result is a Marvel masterwork. This cover has an image area of 9.75" x 15", and the art is in Very Good condition. Herb Trimpe signed the page in its lower border.
Herb Trimpe and Joe Sinnott - What If #14 ( ... Sgt. Fury Had Fought World War Two In Outer Space?) Cover Original Art (Marvel, 1979). First "Star Wars," then "Battlestar Galactica," and now -- wah-hoo, Sgt. Fury and his Howlers in space! It's a blockbuster concept, drawn by two of Marvel's finest penciler/inkers -- Herb Trimpe and Joe Sinnott. This cover has an image area of 10" x 15". The title logo is on an acetate overlay; otherwise, the art is in Excellent condition.
Gary Trudeau - Doonesbury Daily Comic Strip Original Art, dated 11-19-87 (Universal Press Syndicate, 1987).
This raucous episode from the eighties has an image area of 14.5" x 4.5", and the art is in Excellent condition.
This raucous episode from the eighties has an image area of 14.5" x 4.5", and the art is in Excellent condition.
George Tuska and Ernie Chan - Daredevil #98 Cover Original Art (Marvel, 1973). Daredevil and the Black Widow battle the menace of Macabee in this cataclysmic cover scene for the late Steve Gerber's yarn, "Let There Be Death." One of the Disciples of Doom, the murderous Macabee has the power to manipulate the four elements -- earth, fire, air, and water. It seems this vile villain has a score to settle with the Black Widow because she belted him with a flying drop-kick in the previous issue. This Bronze Age beauty has an image area of 10" x 15". The various elements of the cover were pasted together and there are a few small stains; otherwise, the art is in Very Good condition.
Boris Vallejo - 1988 Zodiac Calendar, "Sagittarius (The Archer)" Painting Original Art (1988). When one thinks of contemporary works of fantasy art that showcase sensuous women and heroic men, the art of Boris Vallejo springs to mind. Boris Vallejo has also been a favorite of fans of the signs of the Zodiac. This dynamic composition spotlighting "Sagittarius" has an image area of 20" x 26", and an overall size of 24.5" x 30". This oil on board painting is in Excellent condition.
Ricardo Villagran - The House of Mystery #241 Cover Original Art (DC, 1976). The cat's going to have more than this guy's tongue, in this chilling cover illustration by Ricardo Villagran. The art has an image area of 10" x 15" and includes the original title and type paste-ups. Aside from some light staining and soiling, the art is in Very Good condition.
Ogden Whitney - Two-Gun Kid #88 Cover Original Art (Marvel, 1967). "He's Back! The slitherin'est, six-shootin'est sidewinder of all." Ogden Whitney presents this fast-striking cover scene for "The Revenge of the Rattler." This cover has an image area of 13" x 20". This scene was pieced together from pasted-up original art and stats, and the glue has dried out and some of the pieces have shifted and are loose; otherwise, the art is in Very Good condition.
Ogden Whitney - Two-Gun Kid #89 Cover Original Art (Marvel, 1967). "This is it -- the biggest Western of them all -- 'Three Rode Together'!" Kid Colt and the Rawhide Kid team up with the Two-Gun Kid for a Marvel milestone. This cover has an image area of 13" x 20". A few stats have come loose due to dried-out glue; otherwise, the art is in Excellent condition.
Bob Wiacek - The Man-Thing #8 Cover Original Art (Marvel, 1981). The shambling Man-Thing and Barbie Bannister face the fearsome force of Captain Fate aboard his vessel, in this cover illustration by Bob Wiacek. The cover has an image area of 10" x 15" and includes the original title and type paste-up art. In Excellent condition. Signed by Bob Wiacek at the bottom left.
Frank Willard - Moon Mullins Hand Colored Sunday Comic Strip Original Art, dated 5-18-24 (Chicago Tribune, 1924). This hand colored Sunday is a magnificent example from the Golden Era of newspaper comic strips, and it's sure to make a fantastic wall piece for any Moon Mullins fan. This Sunday has an image area of 16.5" x 24.5". Three of the panel tiers were pasted-on and extended with added art; otherwise, the piece is in Excellent condition.
Richard Williams - "Mad Art" Book Cover Painting Original Art (Watson Guptill, 2002). Richard Williams pays an uproarious tribute to two American magazine icons -- Alfred E. Neuman and Norman Rockwell -- with his cover scene for Mad Art: A Visual Celebration of the Art of Mad Magazine and the Idiots Who Create It. Look carefully at this scene and you will see a graphic "tip of the hat" to such Mad mainstays as Sergio Aragones, Dave Berg, Al Jaffee, and even the Mad zeppelin, the "Poiuyt" optical illusion, and Arthur, the plant. This oil on canvas "Mad-sterpiece" has an overall size of 31" x 40", and the art is in Excellent condition.
Richard Williams - Mad #484 "Barf" Cover Original Art (EC/Warner, 2007). Here's a turkey dinner you'll never forget! Richard Williams has taken Norman Rockwell's classic, beloved "Thanksgiving Dinner" painting and re-imagined it with special dinner guests named Lindsay, Paris, Nicole, and Britney -- wow! Hollywood's favorite party girls! Can't you just picture this incredible painting hanging on your wall? Well, can ya? Oil on canvas, with an image area measuring 22.75" x 30", in Excellent condition.
Robert Williams - Snatch Comics #1 Panel Page Original Art (Apex Novelties, 1968). Gosh! A small town feller doesn't stand a chance with this kind of "big city women"! Zap Comix artist Robert Williams (signing here as "Salvador Betty") outraunches himself in this crazy panel, from the first notorious issue of Snatch Comics. Absolutely outrageous! Ink and white-out on thin bristol, measuring approximately 7.5" x 10"; some light edge soiling, but overall in Excellent condition. Adult content (and how... whew!)
Robert Williams - "Crucifixion" Illustration Original Art (undated).
This mixed-media illustration by the Zap Comix artist has an image area of 4" x 4.5", and the piece has been matted to an overall size of 8" x 9". The art is in Excellent condition.
This mixed-media illustration by the Zap Comix artist has an image area of 4" x 4.5", and the piece has been matted to an overall size of 8" x 9". The art is in Excellent condition.
George Wilson - Classics Illustrated Special Issue #138A "Adventures in Science" Painted Cover Original Art (Gilberton, 1957). The Cold War and the Space Age were in full bloom for this dramatic George Wilson cover scene -- a sure-fire crowd pleaser for the "steely-eyed missile men" out there. This piece has a 15.5" x 22.5" image area. Painted on illustration board, there are some glue stains around the edges, outside the image area; otherwise, the art is in Very Good condition. A copy of the comic book is included in this lot.
George Wilson - Brothers of the Spear #13 Cover Original Art (Gold Key, 1975). "Dan-el and Tavane escape the clutches of the Leopard Men but become subservient to the Tree of Mystery." This Bronze Age blockbuster has an approximate image area of 11.5" x 15", and the art is in Very Good condition.
Ron Wilson and Mike Esposito - Spider-Man Comics Weekly #41 Cover Original Art (Marvel UK, 1973). It's "excitement in the magnificent Marvel tradition" as Kraven the Hunter unleashes a withering double-barreled blast from his tunic on Spider-Man in this Bronze Age blockbuster, drawn for the English market. This scintillating scene has an approximate image area of 11" x 15", and aside from a few small stains and some production notes, the art is in Very Good condition.
S. Clay Wilson - Saga of Yukon Pete Complete Story Original Art (Dedicated Fool, 1974). Now here's something different, even for Underground artist S. Clay Wilson! Didja know Wilson had a band? They were known as the Muffdivers, and in 1974, they cut a 45, "The Saga of Yukon Pete." Included with the record was a "tijuana bible" style comic by Wilson, detailing the action behind the bawdy lyrics. This is the original artwork for that rarely-seen mini-comic, eight pages plus front and back covers, featuring the disgusting, yet somewhat touching story of "Big Ass Lil" and her encounter with Yukon Pete. The ink, blue pencil, and white-out art is on two sheets of bristol, one measuring approximately 11" x 8.5", the other 11" x 13.75". The individual panels have an image area of approximately 5" x 3.75". Both pages are in Excellent condition, but the larger piece does have some light staining, primarily in panel six. Adult themes.
S. Clay Wilson - "Irish Pub" Illustration Original Art (Hustler, 1994). Begorrah! Come quench your thirst -- for anything -- at this wee watering hole! From the twisted mind of Underground Comix legend S. Clay Wilson, this is one bar unlike any other, originally drawn for a Hustler magazine article. It's a mixed-media piece with an image area of approximately 16" x 9.25", nicely matted and framed to an overall size of 24" x 18.5". In Excellent condition. Adult themes.
S. Clay Wilson - "Sirens" Unpublished Illustration Original Art (1996). Take a trip to the Giant Teeth Tree Island for an experience you'll never forget! Underground icon S. Clay Wilson does it again in this incredible mixed-media "dense-pack" illustration, done originally as a private commission for a long-time friend and collector. Every inch of this 14.75" x 10" image is crammed with colorful detail from that most outré of all the Zap Comix guys. Wilson is still working, but it'll probably be a cold day in Hell before he turns in another piece like this! It's in Excellent condition, nicely matted and framed to an overall size of 23" x 18.75". Need we tell you that this, like most Wilson illustrations, is loaded with sexual situations, and adult content? Why, of course we do -- 'cause it is!
Basil Wolverton - Illustration Original Art (undated). Another "anything but pretty" illustration by the "Father of Spaghetti and Meatballs Illustration," Basil Wolverton. Rendered in his painstaking stippling technique, this pen and ink drawing has an image area measuring 18" x 12". Matted and framed and in Excellent condition.
Tom Wood - Lumberjack Donald Magazine Illustration Original Art (Good Housekeeping, 1937). Can Donald bring down a tree with an ax? Why, sure -- he can bring down... something! Mickey's nephews, Mortie and Ferdie co-star with our hapless hero, in a beautifully drawn set of four watercolor and ink illustrations, which were recently reprinted on page 139 of Mickey and the Gang. The art has been professionally matted with linen-covered board, for an approximate size of 24" x 31.25", and is in Excellent condition. An interesting sidenote: most Good Housekeeping Disney pages spotlighted the latest cartoon short produced by the studio, but over time, the magazine had to resort to adapting cartoons still in their planning stages. "Lumberjack Donald" went through several story and star changes before being eventually shelved, unfinished.
Tom Wood - Donald Duck "The Delivery Boy" Magazine Illustration Original Art (Good Housekeeping, 1938). Donald enlists Pluto to help him make a few deliveries in this lovely set of ink and watercolor drawings originally published in the January, 1938 issue of Good Housekeeping Magazine. Unlike most of the GH layouts, this one was not based on a cartoon, but rather, an unfinished project that never went past the storyboard stage. That doesn't take a thing away from this fantastic prize, a must-have for any serious Duck lover, which recently saw print in the hardcover Mickey and the Gang book, page 155. The watercolor and ink art has been professionally linen-matted to an overall size of 22" x 30", and is in Excellent condition.
Tom Wood - Walt Disney "Beach Picnic" Good Housekeeping Illustration Original Art (Good Housekeeping, 1938). A lobster dangles from Goofy's nose in this Tom Wood illustration from the Good Housekeeping series of Walt Disney illustrated verse, featuring "Beach Picnic." This beautiful framed presentation showcases a wonderful watercolor illustration from the September, 1938 issue. Matted and framed with a 7" x 6.5" image area. In Excellent condition.
Wally Wood - Sally Forth Comic Strip #S89 Original Art (Wood and Richter, 1973). Sally Forth displays her titanic talents in three delicious panels of this episode -- oh my! Wally Wood drew Sally Forth, a humor strip designed for military readers, for a newspaper titled the Overseas Weekly from 1971-74. This uproarious episode was drawn on two boards, each with an image area measuring 16.5" x 10.25", and both pieces are in Excellent condition.
Bernie Wrightson - Swamp Thing #9, page 4 Original Art (DC, 1974). The fine-lined inking and dramatic storytelling that made Bernie Wrightson a Bronze Age fan-favorite and comic book legend are on full display in these stormy scenes from "The Stalker From Beyond." This page has an image area of 10" x 15", and aside from tape reside stains on three of the borders (outside the image area), the art is in Excellent condition. Bernie Wrightson signed the page just below panel one.
Bernie Wrightson - Unpublished Alternate Marvel Preview #4, Star-Lord Frontispiece Illustration Original Art (Marvel, 1976).
"He stalks the galaxies. One man -- on a mission of cosmic vengeance." From Star-Lord's premiere issue comes Bernie Wrightson's sensational, alternate version of the frontispiece published in Marvel Preview #4. The publisher asked Wrightson for a different perspective and composition, so he drew another version of the scene. Bernie Wrightson told our consignor that he liked this original version better -- it's a dandy. This piece has an image area of 13" x 19", and it has been framed using a plexiglass front to an overall size of 22" x 28". The art is in Excellent condition.
"He stalks the galaxies. One man -- on a mission of cosmic vengeance." From Star-Lord's premiere issue comes Bernie Wrightson's sensational, alternate version of the frontispiece published in Marvel Preview #4. The publisher asked Wrightson for a different perspective and composition, so he drew another version of the scene. Bernie Wrightson told our consignor that he liked this original version better -- it's a dandy. This piece has an image area of 13" x 19", and it has been framed using a plexiglass front to an overall size of 22" x 28". The art is in Excellent condition.
Bernie Wrightson - Creepy #95, Complete 6-page Story "The Laughing Man" Original Art (Warren, 1978). Turn-about is fair play, in this blood-curdling yelp-yarn written by Bruce Jones and drawn to spine-tingling perfection by Bernie Wrightson. Each page of this 6-page chiller-thriller has an image area of 14" x 18.5", and the art averages Excellent condition.
Bernie Wrightson - Creepshow, page 8 Original Art (Signet, 1982). Murder by ashtray is the highlight of this horrific page from the "Creepshow" movie adaptation. Bernie Wrightson's superb inking technique amps up the terror factor of this eerie page, culminating in a pair of decimated hands breaking through the ground. The art has an image area measuring 12.5" x 16", and includes an acetate overlay containing the lettering. In Excellent condition.
Bernie Wrightson - Creepshow, page 11 Original Art (Signet, 1982). Hank meets the now-late Aunt Bedelia, as well as his own doom in this chilling page from the adaptation of the movie "Creepshow." Bernie Wrightson pulls out all the horror stops in this amazing page, hand-painted by the artist for publication. The art has an image area measuring 12.5" x 16", and includes an acetate overlay containing the lettering. In Excellent condition.
Bernie Wrightson - Creepshow, page 10 Original Art (Signet, 1982). The family waits for Aunt Bedelia to finish her pilgrimage to the graveyard -- little do they know she's never coming home again! In the segment entitled "Father's Day," Bernie Wrightson supplies a suitably creepy graveyard, and expressive line work even in the expository panels. The art has an image area measuring 12.5" x 16", and has an acetate overlay containing the lettering. In Excellent condition.
Bernie Wrightson - Freak Show Panel Page Original Art (Heavy Metal, circa 1982). A suicide in the rain is cut short by a mysterious cloaked figure, in this moody and atmospheric page by comic art master of the macabre, Bernie Wrightson. The word balloons are all blank, awaiting type, but the crisp black and white art is razor sharp. Ink and graphite on double-thick illustration board, with an image area of 13" x 17.25". Signed in black marker by Wrightson, in the final caption balloon. Some light tanning and minor soiling along the outside edges, otherwise in Excellent condition.
Bernie Wrightson - "Cycle of the Werewolf" Preliminary Plate Illustration Original Art (Land of Enchantment, 1983).
Bernie Wrightson, who teamed with famed author Steven King on Creepshow and also drew the illustrations for the unexpurgated The Stand, detailed this pencil preliminary for a pastoral scene set in Tarker's Mills. This delicate pencil drawing has an image area of 18" x 12", and the art is in Excellent condition. Bernie Wrightson signed the art at the lower right.
Bernie Wrightson, who teamed with famed author Steven King on Creepshow and also drew the illustrations for the unexpurgated The Stand, detailed this pencil preliminary for a pastoral scene set in Tarker's Mills. This delicate pencil drawing has an image area of 18" x 12", and the art is in Excellent condition. Bernie Wrightson signed the art at the lower right.
Chic Young - Dumb Dora Daily Comic Strip Original Art, Group of 6 Consecutive Dailies (Newspaper Feature Service, 1929). Before there was Blondie, there was Dumb Dora! Chic Young's delightful flapper is the focus of a week's worth of dailies, dated 2-18 to 2-23-29. Each episode has an image area of 18" x 4", and the strips are in Excellent condition.
Mike Zeck and Gene Day - Master of Kung Fu #91 Cover Original Art (Marvel, 1980). "The street gang known as the Joy Boys of Chinatown have declared Shang Chi their new leader, and his first order of business is to lead them against their rivals, the Golden Claws. Can even the Master of Kung Fu stifle the burning rage of two gangs and stop this senseless turf war before anyone is killed in the crossfire?" This hard-hitting cover scene has an image area of 9.75" x 15", and the art is in Excellent condition.
Mike Zeck and Bob McLeod - Captain America #259 Alternative Unused Cover Original Art (Marvel, 1981). Cap battles Doc Ock in this fine cover illustration penciled by Mike Zeck and inked by Bob McLeod. The art has an image area of 10" x 15", and, aside from some paper tanning, is in Excellent condition. The logo at the top is recent photocopy replacement art. Signed and inscribed by Mike Zeck along the bottom edge.
Animation Art
Ub Iwerks - "Plane Crazy" Animation Production Drawing Original Art (Disney, 1928). This unique item is an original production drawing from the first animated cartoon to feature Mickey Mouse, "Plane Crazy" (OPD #207). Ub Iwerks reportedly spent six weeks animating this film, almost exclusively. Rendered in graphite on a 12" x 10" sheet of animation paper, the paper is a bit tanned; otherwise the condition is Very Good.
"Babes in the Woods" Animation Production Drawing Original Art (Disney, 1932). A witch approaches two Dutch darlings, in this production drawing from the Silly Symphony, "Babes in the Woods." Rendered in graphite on a 12" x 9.5" sheet of animation paper, this is OPD #76. The paper has tanned; otherwise, the condition is Excellent.
"The Whoopee Party" Animation Production Drawing Original Art, Group of 2 (Disney, 1932). Mickey prepares a snack, and dances with Patricia Pig, in these two uproarious original animation drawings from the 1932 Disney short, "The Whoopee Party" (OPDs #80 and 128). Each is rendered in graphite on a 12-field sheet of animation paper (12" x 9.5"). Aside from some paper tanning and light edge wear, the drawings are in Very Good condition.
"Ye Olden Days" Animation Production Drawing Original Art, Group of 2 (Disney, 1932). Medieval minstrel Mickey tries to rescue Princess Minnie from a Prince in these two original animation drawings from the short, "Ye Olden Days." Each drawing is rendered in graphite on a 12-field animation paper (12" x 10", OPDs #16, and 161). Aside from some light paper tanning, the art is in Very Good condition.
"The Mail Pilot" Storyboard Drawing Original Art (Disney, 1933). In his bat-winged plane, Pete swoops in for an attack on Mickey in this original animation drawing from "The Mail Pilot." The drawing is rendered in graphite on a partially trimmed 12" x 10" sheet of animation paper. Matted and framed and in Excellent condition.
"The Mail Pilot" Animation Production Drawing Original Art, Group of 2 (Disney, 1933). Mickey Mouse drags Pete's plane through the sky in these two original animation drawings from the short "The Mail Pilot" (OPD's #16, and 99). Each drawing is rendered in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning and light edge wear, the drawings are in Very Good condition.
"Mickey's Mellerdrammer" Animation Production Drawing Original Art (Disney, 1933). Mickey and Minnie cut a rug to the tune of "Dixie," in this winsome drawing from the Disney short, "Mickey's Mellerdrammer." Rendered in graphite on a 12 field sheet of animation paper (12" x 10"), this is OPD #199. The paper has some tanning; otherwise the art is in Very Good condition.
"The Pet Store" Animation Production Drawing Original Art, Group of 2 (Disney, 1933). These two original animation drawings featuring Mickey, Minnie, and Beppo the Ape are from Disney's King Kong parody, "The Pet Store." Each drawing is rendered in graphite on a 12-field animation paper (12" x 10", OPDs #48, and 133). Aside from some light paper tanning, the art is in Very Good condition.
"Puppy Love" Animation Production Drawing Original Art (Disney, 1933). Mickey is dressed to impress Minnie in this charming drawing. The art was rendered in graphite on a 12-field sheet of animation paper (12" x 10"), and is OPD #223. Some paper tanning; otherwise the condition is Very Good.
"Puppy Love" Animation Production Drawing Original Art (Disney, 1933). Minnie is not impressed with the bone she mistakenly got from Mickey, in this engaging drawing. The art was rendered in graphite on a 12-field sheet of animation paper (12" x 10"), and is OPD #495. Some paper tanning; otherwise the condition is Very Good.
"Camping Out" Animation Production Drawing Original Art, Group of 3 (Disney, 1934). Mickey and Minnie rough it in this set of three original animation drawings from the short, "Camping Out." Each drawing is rendered in graphite on a 12 field sheet of animation paper (12" x 10", OPDs #16A, 74, and 53). Aside from light paper tanning, the drawings are in Very Good condition.
"Dognappers" Animation Production Drawing Original Art (Disney, 1934). Officers Mickey Mouse and Donald Duck are hot on the trail of the kidnappers of Minnie's dog, in this original animation drawing. Rendered in graphite, red, yellow and green pencil, the drawing measures 12" x 10", and is OPD #17. Aside from some paper tanning, the condition is Very Good.
"Dognappers" Animation Production Drawing Original Art (Disney, 1934). Officers Mickey Mouse and Donald Duck race into action in this original animation drawing (OPD #77). Rendered in graphite, red, and green pencil, the drawing measures 12" x 10". Aside from some paper tanning, the condition is Very Good.
"The Goddess of Spring" Pluto Animation Production Drawing Original Art (Disney, 1934). Pluto, the god of the Underworld has his sights set on Persephone, the goddess of the Spring, in the legendary Disney short, "The Goddess of Spring." This original animation drawing was created in multi-colored pencils on a 12" x 10" sheet of animation paper. The paper has a bit of tanning; otherwise the condition is Excellent.
"Gulliver Mickey" Preliminary Publicity Drawing Original Art (Disney, 1934). Mickey Mouse lets his fingers do the talking when the tiny citizens of Lilliput display force, in this pencil sketch from the legendary Disney short. This magnificent preliminary pencil sketch was created by Disney Studios artists for a publicity illustration used to promote the film. This is the only publicity pencil drawing believed to have survived from the early Disney Studio years. The art is matted and framed with a 10" x 8" image area, and is in Excellent condition.
"Mickey Plays Papa" Animation Production Drawing Original Art (Disney, 1934). Mickey reads a scary book to Pluto in this original production drawing from the Disney short "Mickey Plays Papa." Rendered in graphite and blue pencil on a 12" x 9.5" sheet of animation paper, this is OPD #27. The paper has some tanning; otherwise the condition is Very Good.
"Mickey's Fire Brigade" Animation Production Drawing Original Art, Group of 4 (Disney, 1935). These four original animation drawings feature firemen Mickey Mouse (OPD #36B), Goofy (OPD #20), Donald Duck (OPD #47D), and a group shot of all three (OPD #167). Each is rendered in graphite on a 12-field sheet of animation paper (12" x 9.5"). Aside from some paper tanning, the drawings are in Excellent condition.
"Mickey's Garden" Animation Production Drawing Original Art, Group of 2 (Disney, 1935). Mickey launches an all-out war on the insects who are infesting his garden in these two drawings from the Disney short, "Mickey's Garden" (OPDs #45 and 179). Both drawings were rendered in graphite, red and blue pencil on a 12" x 10" sheet of animation paper. Aside from some light paper tanning, the drawings are in Excellent condition.
"Mickey's Kangaroo" Animation Production Drawing Original Art, Group of 2 (Disney, 1935). Mickey's package from Australia includes a kangaroo and her joey, in the short, "Mickey's Kangaroo." This set of two original animation drawings were rendered in graphite and multi-colored pencils on 12-field animation paper (12" x 10", OPDs #95C and 201). Aside from some light paper tanning, the art is in Very Good condition.
"Mickey's Service Station" Animation Production Drawing Original Art (Disney, 1935). Mickey, Donald, and Goofy sneak away from Black Pete in synchronicity in this attractive production drawing rendered in graphite on a 12" x 9.5" sheet of animation paper (OPD #21). The paper is a bit tanned; otherwise the condition is Excellent.
Carl Barks - "Alpine Climbers" Animation Production Drawing Original Art (Disney, 1936). High in the Swiss Alps, Donald Duck is confronted by an angry mother eagle, in this original animation drawing by Carl Barks (the first Donald Duck artwork he created for Disney). Rendered in graphite, red, yellow and green pencil, the drawing measures 12" x 10", and is OPD #104. Aside from some paper tanning, the condition is Very Good. Initialized by Carl Barks at the bottom right corner.
"Elmer Elephant" Animation Production Drawing Original Art, Group of 5 (Disney, 1936). This set of five animation drawings from the Silly Symphony "Elmer Elephant" feature Elmer Elephant, Tilly Tiger, the monkey fire chief, and other assorted animals. Each drawing was rendered in graphite on a 12" x 9.5" sheet of animation paper (OPDs #53, 17, 15, 9C and 'B'). The paper has tanned on the drawings; otherwise they are in Excellent condition.
"The Brave Little Tailor" Animation Production Drawing Original Art, Group of 3 (Disney, 1937). These three original animation feature tailor Mickey Mouse (OPD #86), the king (OPD #26), and the giant (OPD #45). Each is rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 9.5"). Aside from some paper tanning, the drawings are in Excellent condition.
"Little Hiawatha" Animation Production Drawing Original Art, Group of 2 (Disney, 1937). The mighty little boy warrior, Little Hiawatha, is featured in this set of two original animation drawings (OPDs #44 and 99). Each is rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. In Very Good condition.
"Moose Hunters" Animation Production Drawing Original Art, Group of 2 (Disney, 1937). With a moose costume down around his ankles, Donald Duck confronts an angry bee, and Donald and Goofy take a canoe for a spin, in these two animation drawings from the Disney short, "Moose Hunters" (OPDs #27 and 147). Each is rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. The drawings have some paper tanning; otherwise they average in Very Good condition.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). The lovely little princess Snow White, never looked lovelier! This captivating original animation drawing (OPD #46) was drawn in graphite and red pencil on a 12" x 9.5" sheet of animation paper. The paper has a bit of tanning; otherwise the condition is Excellent.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). The "fairest of them all" shares a melody with a songbird, in this enchanting original animation drawing from Disney's premiere feature, "Snow White and the Seven Dwarfs" (OPD #57). Drawn in graphite and red pencil on a 12" x 9.5" sheet of animation paper. The paper has a bit of tanning; otherwise the condition is Excellent.
"Snow White and the Seven Dwarfs" Animation Concept Drawing Original Art (Disney, 1937). The Disney artists delineate a scene of the dwarfs building a bed for Snow White, in this imaginative concept drawing. Rendered in graphite on illustration paper, the art has an image area of 14.5" x 11.5". Aside from paper tanning, the art is in Very Good condition.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). This original production drawing features four of the seven dwarfs. Rendered in graphite on a 12" x 9.5" sheet of animation paper, this is OPD #130A. The paper has a bit of tanning; otherwise the condition is Excellent.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). This original production drawing of the good-natured Doc was created by the Disney Studio artisans for Disney's first full-length animated feature, "Snow White and the Seven Dwarfs." Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper, this is OPD #1. The paper has a bit of tanning; otherwise the condition is Excellent. Includes some interesting production notes for the inkers along the edges.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). This original production drawing features Grumpy sitting on a barrel. Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper, this is OPD #103. The paper has a bit of tanning; otherwise the condition is Excellent.
"Snow White and the Seven Dwarfs" Animation Production Drawing Original Art (Disney, 1937). The Disney artists capture the Old Witch in all her maliciousness in this superb drawing (OPD #1227D). Rendered in graphite, red and green pencil, on a 12 field sheet of animation paper (12" x 10"). Aside from some paper tanning, and light edge wear, the art is in Very Good condition.
"Mickey's Trailer" Animation Production Drawing Original Art, Group of 2 (Disney, 1938). Here are two drawings from the Disney short, "Mickey's Trailer," featuring Mickey Mouse and Donald Duck (OPDs #59 and 203). Each drawing is rendered in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning, the drawings are in Very Good condition.
"Mother Goose Goes Hollywood" Animation Production Drawing Original Art, Group of 3 (Disney, 1938). These three original animation drawings feature Joe E. Brown (OPD #100-H), Martha Raye (OPD #16), and Raye kissing Brown (OPD #37). Each drawing is rendered in graphite and red pencil on a 12 field sheet of animation paper (12" x 10"). Aside from some paper tanning, the drawings are in Very Good condition.
"Mother Goose Goes Hollywood" Animation Production Drawing Original Art, Group of 3 (Disney, 1938). These three fabulous animation drawings feature the Marx Brothers as the "Fiddlers Three" (OPDs #32, 213, and 120). Each drawing is rendered in graphite and red pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise, the drawings are in Very Good condition.
"Mother Goose Goes Hollywood" Animation Production Drawing Original Art, Group of 2 (Disney, 1938). Matched set of two original animation drawings featuring the Marx Brothers as the "Fiddlers Three" (OPDs #117.5, and 17). Each drawing is rendered in graphite and red pencil on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise, the drawings are in Very Good condition.
"Mother Goose Goes Hollywood" Animation Production Drawing Original Art (Disney, 1938). Edward G. Robinson and Greta Garbo teeter on a see-saw in this caricatural animation drawing (OPD #35). Rendered in graphite on a 12-field sheet of animation paper (12" x 10"). Some paper tanning; otherwise the drawing is in Excellent condition.
"The Autograph Hound" Animation Production Drawing Original Art, Group of 2 (Disney, 1939). Autograph-seeker Donald Duck meets Mickey Rooney, in this set of two drawings from the short, "The Autograph Hound." Each drawing is rendered in graphite, and multi-colored pencil on a 12 field sheet of animation paper (12" x 10", OPDs #52 and H68). Aside from light paper tanning and light edge wear, the drawings are in Very Good condition.
"The Autograph Hound" Animation Production Drawing Original Art, Group of 2 (Disney, 1939). Screen legends Greta Garbo and Clark Gable share a passionate embrace, despite their well-known and often public statements that expressed a very clear and mutual animosity, in the first of these two original animation production drawings (OPD #26). Garbo quickly drops Gable when she hears that Donald Duck is on the set in the second drawing (OPD #56). Each drawing is rendered in graphite on a 12-field sheet of animation paper. There is light paper tanning and some slight creasing; otherwise the drawings average in in Very Good condition.
"The Hockey Champ" Animation Production Drawing Original Art, Group of 2 (Disney, 1939). Hockey champ, Donald Duck, and his three nephews are featured in these two original animation drawings from the short, "The Hockey Champ" (OPD's #C-19, and A-102). Each drawing is rendered in graphite on a 12" x 10" sheet of animation paper. Aside from some paper tanning, the drawings are in Very Good condition.
"Society Dog Show" Animation Production Drawing Original Art (Disney, 1939). Mickey enters a reluctant Pluto into a dog show on roller skates, in this wonderful animation drawing. Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper, the paper is a bit tanned; otherwise the condition is Very Good.
"Society Dog Show" Animation Production Drawing Original Art (Disney, 1939). Mickey fills a sprayer full of perfume to increase Pluto's chances for being a champion in this animation production drawing from the short, "Society Dog Show." Rendered in graphite, and red and green pencil on a 12" x 10" sheet of animation paper, this is OPD #43. The paper has some slight tanning; otherwise the condition is Very Good.
"Society Dog Show" Character Drawing Original Art (Disney, 1939). This cute little Chihuahua was crafted by Disney animators for the short, "Society Dog Show." Rendered in graphite and colored pencil on a 12" x 10" sheet of animation paper. The paper has some slight tanning, and light edge wear; otherwise the condition is Very Good.
"Fantasia" Chernabog Pencil Animation Drawing Original Art (Walt Disney, 1940). The night demon, Chernabog, reacts to the coming of the dawn, in this spectacular drawing from the "Night On Bald Mountain" sequence of Disney's "Fantasia." The drawing measures 15.5" x 12.5", and, aside from some light creasing along the left portion, is in Very Good condition. Numbered 159 in the lower right corner.
"Fantasia" Chernabog Pencil Animation Drawing Original Art (Walt Disney, 1940). The demonic Chernabog cowers at the sight of the morning sun, in this magnificent drawing from the "Night On Bald Mountain" sequence in Disney's masterpiece "Fantasia." The drawing measures 15.5" x 12.5", and, aside from some light creasing along the left portion, is in Very Good condition. The drawing was numbered 115 in the lower right corner.
"Fantasia" Pegasus Storyboard Drawing Animation Original Art (Disney, 1940). Two young pegasi fight over a bunch of grapes, in this remarkable storyboard drawing (#42) from Disney's "Fantasia." Rendered in graphite on a 12-field sheet of animation paper, the art measures approximately 12" x 10". Aside from tape staining at the top and pin holes in the top two corners, the art is in Very Good condition.
"The Sorcerer's Apprentice" Animation Production Drawing Original Art (Disney, 1940). Mickey Mouse made a splash in his first feature film appearance, in Disney's "Fantasia." This original animation drawing was rendered in graphite and yellow pencil, and measures 12" x 10". Aside from some light paper tanning, the condition is Very Good.
"The Sorcerer's Apprentice" Animation Production Drawing Original Art (Disney, 1940). Mickey Mouse stars in this original animation drawing from the most famous sequence in Disney's experimental feature film, "Fantasia." Rendered in graphite and red pencil, this drawing measures 12" x 10", and, aside from some light paper tanning, the condition is Very Good.
"The Sorcerer's Apprentice" Animation Production Drawing Original Art (Disney, 1940). Mickey Mouse knows he's in trouble with his boss, the Wizard, and you can see it in his face, in this expressive animation drawing from "Fantasia." Rendered in graphite, red and green pencil, this drawing measures 12" x 10", and is OPD #99B. Aside from some light paper tanning, the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). Pinocchio kicks up his heels in this fanciful original animation drawing from Disney's second animated feature. Rendered in graphite and multi-colored pencil on a 12-field sheet of animation paper (12" x 10"), this is OPD #215. The art includes Disney studio stamps and some ink and paint notes. There is some light paper tanning; otherwise the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). This animation drawing of Pinocchio was rendered in graphite and multi-colored pencil on a 12-field sheet of animation paper (12" x 10", OPD #C52). The art includes Disney studio stamps and timing notes along the edges. There is some light paper tanning and edge wear; otherwise the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). From the "Got No Strings" sequence of Disney's "Pinocchio," comes this appealing animation drawing featuring Pinocchio in profile dancing a Russian dance. The art is rendered in graphite and multi-colored pencil on a 12-field sheet of animation paper (12" x 10", OPD #45), and includes a Disney studio stamp. There is some paper tanning; otherwise the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). Pinocchio is in a half-puppet half-donkey stage, in this tremendous original animation. Rendered in graphite and multi-colored pencil on a 12-field sheet of animation paper (12" x 10"), this is OPD #44. The art includes a Disney studio stamp, and some notes for the cel painter. There is some light paper tanning, and light creasing; otherwise the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). This animation drawing of the Coachman was rendered in graphite and green pencil on a 12-field sheet of animation paper (12" x 10", OPD #67), and includes Disney studio stamps. There is some paper tanning, and light creasing; otherwise the condition is Very Good.
"Pinocchio" Animation Production Drawing Original Art (Disney, 1940). This animation drawing of Stromboli was rendered in graphite and multi-colored pencil on a 12-field sheet of animation paper (12" x 10", OPD #69), and includes Disney studio stamps. There is some paper tanning, and light creasing; otherwise the condition is Very Good.
"The Riveter" Animation Production Cel with Background Original Art (Walt Disney, 1940). This exquisite animation production cel with original background is from the Dick Lundy directed Donald Duck film, "The Riveter." The art is matted and framed with an image area measuring 10.75" x 8" (the cel is trimmed with an image area measuring 8" x 8"). Aside from some light buckling on the acetate, both the cel and the background are in Excellent condition.
"Canine Caddy" Animation Production Drawing Original Art, Group of 2 (Disney, 1941). Mickey Mouse is on the green, set to swing his golf club in these two original animation drawings (OPDs #A46, and 15). Both drawings were rendered in graphite and multi-colored pencil on a 12 field sheet of animation paper (12" x 9.5"). There is some paper tanning; otherwise the drawings are in Very Good condition.
"Dumbo" Animation Production Drawing Original Art, Group of 2 (Disney, 1941). This colorful collection includes two hand-painted clown drawings from Disney's Academy Award-winning feature film, Dumbo. Each drawing is rendered in graphite and hand-painted in watercolor on a 12" x 9.5" sheet of animation paper. The paper is a bit tanned, with some light soiling and edge wear; otherwise the drawings are in Very Good condition.
"The Nifty Nineties" Animation Production Drawing Original Art (Disney, 1941). Mickey and Minnie take a wild ride in an antique car in this drawing from the 1941 short, "The Nifty Nineties." Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper, the paper is a bit tanned; otherwise the condition is Very Good.
"Make Mine Music" Animation Production Drawing Original Art (Disney, 1946). Destined to be the biggest thing to hit the Met, Willie plays Pagliacci, in this tremendous original animation drawing from the short, "Willie the Operatic Whale." Rendered in graphite, red and blue pencil on 16-field paper, this drawing measures 15.5" x 12.5" (OPD #26). Aside from some light paper tanning, the condition is Very Good.
"Lady and the Tramp" Animation Production Cel Set-Up Original Art (Disney, 1955). "Look at the skies, they have stars in their eyes, on this lovely bella notte." Tony and Joe serenade young lovers, Lady and Tramp, in this romantic cel set-up from Disney's fifteenth animated feature. The art is matted and framed with a 10" x 8.75" image area, and includes what appears to be a hand-painted background. In Excellent condition.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art, Group of 3 (Disney, 1959). These three concept paintings from the renowned artist Eyvind Earle may be small in size, but they're filled with magnificent detail. One features Prince Phillip on his horse (signed by Earle on the back), another is a cottage in the forest, and the third features a fairy passing by a castle wall. Each painting was rendered in tempera on heavy illustration board, with a size of 3" x 2". Aside from light edge wear, the work is in Very Good condition.
"The Prince and the Pauper" Animation Production Cel Set-Up Original Art (Disney, 1990). Mickey Mouse plays two roles, a pampered prince, and a look-alike peasant, in this hand-painted animation production cel. The background is color photocopy art. The art is matted and framed with an image area of 16" x 10" and in Excellent condition.
Mary Blair - "Penelope" Animation Concept Painting Original Art (Disney, undated). This winning painting by Mary Blair is from one of her earliest projects for Disney, "Penelope." Rendered in gouache on watercolor paper, the art has an image area of 7.5" x 8". Aside from light paper tanning and pinholes along the edges, the art is in Very Good condition.
Mary Blair - "Destino" Animation Concept Painting Original Art (Disney, 1945). Mary Blair lends her enormous talent to this concept painting for "Destino," a collaboration between Walt Disney and Salvador Dali. Rendered in mixed media on a 10" x 12" sheet of black paper, the art has some edge wear (especially along the extreme right edge); otherwise the condition is Very Good. Signed by Mary Blair at the bottom right.
Mary Blair - "The Adventures of Ichabod Crane" Animation Concept Painting Original Art (Disney, 1949). Ichabod Crane finds himself sitting backwards on his horse with the Headless Horseman close behind, in this marvelous Mary Blair concept painting. Rendered in tempera on heavy illustration paper, the art has an image area of 8" x 7". In Very Good condition.
animation art
Mary Blair - Song of the South Concept Painting Original Art (Walt Disney, 1946). Two frogs spend some quiet time at the old fishing hole, in this marvelous Mary Blair watercolor. Done originally as a concept piece for Disney's "Song of the South" feature, this charming little painting is on an 8.75" x 8" piece of illustration board, with an image area of 7.75" x 8.25". There are a few very faint pencil marks in the top half of the art, but they are hardly a distraction from the colorful country scene.
Animation Art
Mary Blair - "Cinderella" Animation Concept Painting Original Art (Disney, 1950). This exquisite concept painting by Mary Blair features Cinderella's castle in all its regal glory lit up against a dark night. Rendered in tempera on heavy illustration board, the art has an image area measuring 8" x 6. 5", and is in Very Good condition.
Mary Blair - "Cinderella" Animation Concept Painting Original Art (Disney, 1950). Cinderella rushes down a flight of stairs in her ball gown, in this splendid concept painting by Mary Blair. Rendered in tempera on heavy illustration board, the art has an image area measuring 6.25" x 5", and is in Very Good condition.
Marc Davis - "Mickey's Circus" Animation Production Drawing Original Art, Group of 3 (Disney, 1936). Here are three original animation drawings from the Disney short, "Mickey's Circus," including the opening title type (OPD #56), and a drawing of Mickey Mouse on a tightrope (OPD #28), and a waterlogged Donald Duck (drawn and initialed by Marc Davis, OPD #93). Each is rendered in graphite on a 12 field sheet of animation paper (12" x 9.5"). Aside from some paper tanning, and light edge wear, the drawings are in Excellent condition.
Marc Davis - "Sleeping Beauty" Animation Production Drawing Original Art (Disney, 1959). The pivotal moment when Prince Phillip's Sword of Truth pierces the heart of the evil Maleficent in her guise as a dragon is captured in this stunning original animation drawing by Marc Davis. Rendered in graphite on 16-field animation paper, this drawing measures 15.5" x 12.5" (OPD #63). Aside from some light paper tanning, the condition is Very Good. Signed by Marc Davis at the lower left.
Eyvind Earle - "Toot, Whistle, Plunk and Boom" Animation Concept Painting Original Art (Disney, 1953). The experimental Disney short, "Toot, Whistle, Plunk and Boom," follows the evolution of four musical instruments over the ages. Eyvind Earle painted this prehistoric scenario in tempera on heavy illustration board. The art measures 12" x 6" and is in Excellent condition.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Briar Rose shares some time in the forest with her rabbit friends, in this exceptional Eyvind Earle concept painting. Rendered in tempera on heavy illustration board, the art measures 14" x 6". Aside from pinholes in each of the four corners, the work is in Excellent condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). This colorful forest concept scenario featuring Briar Rose and some songbirds, was created by Eyvind Earle for Disney's sixteenth animated feature, "Sleeping Beauty." Painted in tempera on heavy illustration board, the art measures 15" x 6.25". Aside from some slight edge wear, the work is in Very Good condition.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art, Group of 2 (Disney, 1959). Eyvind Earle illustrates two sensational concept paintings: Maleficent in the tower room with the spinning wheel with a partial image of the fallen Princess Aurora, and a very dramatic image of the fallen princess in the tower room with her crown next to her on the floor. Each painting was rendered in tempera on heavy illustration board and signed by Eyvind Earle at the bottom right. Both are matted and framed and in Excellent condition.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Designer Eyvind Earle presents this moody rendering of the interior arches and walls of Maleficent's castle, and includes a silhouette of Maleficent approaching down a hall. Rendered in tempera on heavy illustration board, the art measures 10" x 5". Aside from light edge wear, and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Prince Phillip makes his way through sun-flecked corridors deep within Maleficent's castle walls, in this marvelous concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 15.5" x 6". Aside from light edge wear, and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
animation art
Walt Kelly - Snow White "Torture Chamber" Preliminary Sketch Original Art (Walt Disney, 1936). Walt Kelly turned in this inspirational sketch for Disney's upcoming first full-length animated film, Snow White and the Seven Dwarfs, providing a chilling image of what might be the Wicked Witch's torture chamber of horrors. It's a side of Kelly (and Disney) rarely seen, and certainly not something used in the final film -- think of the nightmares kiddies would have after viewing this! The graphite, red, and blue pencil drawing has an image area of approximately 9.25" x 8", and is matted to an overall size of 15.5" x 13". The art has a few minor stains (from tape, transferred from another page -- there is no tape on the art itself), and a small tear along the bottom, next to the hand-written caption. Overall condition is Very Good, and the piece, which was eventually published in Walt Disney's Comics and Stories #632, remains an attractive example of early Walt Kelly art.
Animation Art
Horton Hears a Who! Production Cel Original Art (Chuck Jones Productions, 1970). This hand-painted cel was used in the production of Chuck Jones' heart-warming animated television adaptation of Dr. Seuss' Horton Hears a Who! (OPC #CJ 57-026-003). The background is a color photocopy. The art is matted and framed with an 11.5" x 9.5" image area, and is in Excellent condition. Includes a certificate of authenticity, a Chuck Jones autograph, and a Linda Jones Enterprises seal. Chuck Jones also signed and inscribed the back of the frame.
Winsor McCay - Gertie the Dinosaur Production Drawing Animation Art (1914). While Winsor McCay's pioneering animation effort, Gertie the Dinosaur, was not the first animated cartoon, it remains one of the first important films of this type. Like all art from the cartoon, this panel was completely hand-drawn on vellum paper, with no cel overlays. In this scene, Gertie is quenching her thirst, at the expense of the lake nearby. It's numbered 194 in the sequence. The 8.5" x 6.75 paper has been attached to a slightly larger piece of board, and a few glue spots are visible, but not within the image area itself. Other than the stains, and a 1" tear near the bottom left registration mark, the art is in Excellent condition.
Virgil Ross - Witch Hazel Model Sheet Original Art (undated). Legendary animator Virgil Ross casts a spell with this hand-drawn model sheet featuring the bewitching Witch Hazel. Rendered in colored pencil on a 16.5" x 13.5" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross at the lower right.
"Superior Duck" Production Cel Original Art (Warner Bros., 1995). This hand-painted cel was used in the production of the theatrical short, "Superior Duck" (OPC #CJS1-056-014). The background is a color photocopy. The art is matted and framed with an 11.5" x 8.5" image area, and is in Excellent condition. Includes a certificate of authenticity, a Chuck Jones signature, and a Linda Jones Enterprises seal.
Pulps
Amazing Stories Julius Schwartz Group (Ziff-Davis, 1926-29) Condition: VG unless otherwise stated. This astounding set of sci-fi pulps from the personal childhood collection of late DC Comics editor Julius Schwartz includes the April (first issue, GD/VG with incorrect back cover glued on as replacement), May, June, and July 1926 issues of Amazing Stories; Winter (first issue), Summer, and Fall 1928 issues of Amazing Stories Quarterly; and the June 1929 Science Wonder Stories (first issue - GD/VG). Also included is a softcover copy of Between Worlds by Garrett Smith (Stellar Pubs. 1929, #1 in a series, Fine condition), and the original mailing envelope from the time of publication with Schwartz's address written on it (said envelope is signed and dated April 5, 1997 by Schwartz). The spines of the pulps are complete with mild to moderate tanning, the covers are complete and largely unfaded with some mild defects, and the pages are supple. Approximate Bookery's Guide to Pulps value for group = $1,000.
Amazing Stories Box Lot (Ziff-Davis, 1930-43) Condition: Average VG/FN. This full short box includes the August ("Skylark Three" by E. E. Smith begins), October, November, and December 1930; January 1931; April (front cover missing), July, and August 1932; January, February, March, April, May, June, July, August-September, October (first pulp magazine-sized issue), November, and December 1933; January ("Triplanetary" by Smith, small piece out of front cover), February, March, April, May, August, September, October, and November (dinosaur cover) 1934; January and February 1935; January ("John Carter and the Giant of Mars by Edgar Rice Burroughs, J. Allen St. John cover) and June ("Black Pirates of Barsoom" by Burroughs, St. John cover) 1941, both VG; and February 1943 ("Skeleton Men of Jupiter" by Burroughs, St. John cover, VG with some fading to spine) issues. Approximate Bookery's Guide to Pulps value for group = $1,500.
Silver Age (1956-1969)
Gothic Blimp Works #1-5, 7 Group (East Village Other, 1969). The notorious Underground tabloid, so hard to find in unfolded condition, was a treasure trove of great (and mostly never reprinted) art from the best in the business -- R. Crumb, S. Clay Wilson, Vaughan Bodé, Gilbert Shelton, and more. Here's a choice collection of nice, flat copies, including #1, 2, 3, 4, 5, and 7. The first three (all with Crumb covers) appear to be in the best condition; issues #4 and 5 were folded once long ago, while #7 has some tape repair on the front, and a tear on the back cover. Overall, the condition ranges from GD/VG to FN/VF. Approximate Fogel's Underground Price Guide value for group = $1,500.
Modern Age (1980-Present)
Raw V2#1-3 Group, including Signed Copy (RAW, 1989-91) Average Condition NM-. Digest-sized run of the last three issues of this amazing and innovative title. Issue V2#1 has been signed on the cover by contributors Kim Deitch, Ben Katchor, R. Sikoryak, Mark Newgarden, Mark Beyer, Krystine Kryttre, and Charles Burns and Art Spiegelman, both of whom added a small sketch.
Pulps
Startling Stories Bound Volumes Group (Standard, 1939-50). Includes the January (first issue, robot cover), March, May, July, September (Alex Schomburg cover), and November 1939; January, March, May, July, September, and November 1940; January, March, May, July, September ("The Bottom of the World" by John Coleman Burroughs and Hulbert Burroughs), and November 1941; January, March, May, July, September, and November 1942; January, March, June, and Fall 1943; Winter, Spring, Summer, and Fall 1944; Winter, Spring (first appearance of Captain Future in the title), Summer, and Fall 1945; Winter, March, Spring, Summer, and Fall 1946; January, March, May, July, September, and November 1947; January, March, May, July, September, and November 1948; January, March, May, July, September, and November 1949; and January, March, May, July, September, and November 1950 issues, trimmed and bound into a set of ten hardcover volumes. The back covers of each were removed prior to the binding process, otherwise the pulps are in overall very nice condition with glossy covers and supple pages exhibiting mild to moderate tanning. Bookery's Guide to Pulps VG value for group = $1,093.
Weird Tales December 1932 (Popular Fiction, 1932) Condition: VG/FN. The first appearance of Robert E. Howard's Conan in any medium came in this issue's "The Phoenix On The Sword!" And the J. Allen St. John cover art for Otis Kline's "Buccaneers of Venus" is certainly eye-grabbing. This is a tight, clean, copy with supple cream to light-tan pages. Originally from the John McLaughlin collection. Bookery's Guide to Pulps VG value = $600; FN value = $1,200.
Weird Tales October 1933 (Popular Fiction, 1933) Condition: FN. Classic cover art and remarkable condition make this a very desirable pulp. Margaret Brundage's "bat-woman" cover is instantly recognizable. This copy, which originally came from the John McLaughlin collection, is clean and tight, with a full, unfaded spine, and supple cream pages. This issue also features a Robert E. Howard Conan story, "The Pool of the Black One." Bookery's Guide to Pulps VG value = $1,000.
Weird Tales Box Lot (Popular Fiction, 1927-53) Condition: Average GD/VG. This full long box includes the June (GD, tape repairs and tape residue to spine and covers) and July 1927; May (FR with heavy water damage), November (GD), and December (GD with heavy tape repairs to spine and covers) 1928; June (3 copies, one with tape along spine) and July (FR, front cover reattached and spine replaced with tape) 1929; November 1935; February (GD, tape repairs to spine and covers), May (spine faded to yellow with two small tape repairs) and October (FR/GD, heavy tape repairs to front cover) 1936; March (some tape repairs and fading to spine, chipping to page corners) April, and November (GD, moderate cover wear) 1937; January and July (some damage and tape repair to spine) 1938; February (heavy tape repairs to cover), March (2 copies, both with heavy tape repairs, one with back cover missing), April (GD), September (minor tape repair, corner chipping), and November 1939; May, July (spine faded to yellow), September (2 copies, one with spine faded to yellow), and November 1940; March 1941 (VG); January 1943 (minor tape repair, spine almost completely faded); May (VG) and July 1944 (FR, front and back covers and outermost pages detached, spine gone, chipping to edges of pages); May, September (3 copies; one GD with covers detached and page chipping, one with tape repair to spine), and November (VG) 1947; January (GD, front cover detached, spine almost completely faded), March, May (2, one with tape repair to spine), July, September (2), and November (2 copies, one with heavy spine fading) 1948; January (4 copies, two with minor tape repairs to cover), March (2), May, July (4, one with cover detached, one with tape repairs), September (2 copies, one with front cover and spine partly detached), and November (2) 1949; January (2), March (2), May (2 copies), July, September, and November 1950; January, March, May, September, July, and November 1951; January, March (2), May, September, July, and November 1952; and January, March, May, July, September (2), and November 1953 issues. Cover artists include Margaret Brundage, Virgil Finlay, Hugh Rankin, and Hannes Bok. Writers include H. P. Lovecraft, Robert E. Howard, Seabury Quinn, Clark Ashton Smith, and Allison V. Harding. Except as noted, most of the 1950s issues grade an average VG, and the rest grade an average GD/VG with complete or almost-complete spines and covers. Approximate Bookery's Guide to Pulps value for group = $2,000.
Weird Tales Group (Popular Fiction, 1933). Included in this fantastic selection of Weird Tales pulps are the February (Julius Schwartz copy, stain on back cover - GD/VG), April ("Golden Blood" by Jack Williamson, classic cover - VG), May (Schwartz copy - VG), July ("The Horror in the Museum" and "Dreams in the Witch-House" by H. P. Lovecraft, "The Man on the Ground" by Robert E. Howard - VG- with large pieces cut from three story pages), August (VG), November ("Shambleau" -- the first published story by C. L. Moore, Schwartz copy - FN-), and December ("Old Garfield's Heart" by Howard - FN) 1933 issues. The first three have covers by J. Allen St. John, the rest are by Margaret Brundage. Almost all have complete spines and covers with minor instances of fading and wear. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $775.
Weird Tales Box Lot (Popular Fiction, 1935-54) Condition: Average VG/FN. This full long box includes the April 1935; March and April 1937; July, November, and December 1938; January, April, May, July, August, September, and November 1939; September 1941; May and September 1942; January, March, and May 1943; January, March, May, and July 1944; January and March 1945; July 1946; July and November 1948; March, July, and November 1949; January, July, September, and November 1950; January, March, May, July, September, and November 1951; January and May 1952; July, September, and November 1953; and July 1954 issues. Cover artists include Margaret Brundage, Virgil Finlay, and J. Allen St. John. Authors include H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Seabury Quinn, and Robert Bloch. All have complete spines (with some instances of fading), glossy covers, and supple pages, and are largely free of major defects. Approximate Bookery's Guide to Pulps value for group = $2,000.
Weird Tales Group (Popular Fiction, 1937-38) Condition: Average FN. This group offers the issues dated May 1937, June 1937, July 1937, August 1937, September 1937, October 1937, and January 1938. The August 1937 issue grades VG, yet the overall average for this group remains FN. Cover art by Margaret Brundage and Virgil Finlay. Stories by Robert E. Howard and H. P. Lovecraft are featured. These copies were originally from the John McLaughlin collection. Bookery's Guide to Pulps FN value for group = $750.
Magazines
Playboy #1 (HMH Publishing, 1953) Condition: FN. This ranks as one of the nicer copies we have ever offered of the groundbreaking magazine. Founder Hugh Hefner was definitely on to something in 1953 when he saw his publishing dreams come to fruition with an issue that was basically put together in his apartment on a shoestring budget, largely money borrowed from family and friends. From a printing of just over 50,000 copies for issue #1, Playboy's print run reached 5 million within 15 years.
It's come to be known as "the Marilyn issue" because of the inclusion of an iconic nude photo of a young Marilyn Monroe as the first centerfold. Actually, it wasn't technically a centerfold, since it took up just one page, but it was the start of the feature that more than any other became associated with the fledgling publication -- the Playmate of the Month.
Of course the Playmate feature was complemented by the smartest blend of cartoons, interviews, fiction, music, sports, fashion, sexy pictorials, and other timely non-fiction articles ever seen in a magazine before, a magazine that quickly became known succinctly as "Entertainment for Men."
Hefner knew what he wanted -- essentially what millions of other men would appreciate in a magazine. And although at 27 years old he was relatively young to be launching such an ambitious project, he had already been "publishing" for nearly 20 years. His first endeavor was a neighborhood newspaper he printed and sold (at 1¢ a copy) when he was just eight years old!
The winning formula was evident with the very first issue. In the initial, abbreviated form of just 42 pages, Hef presented the Marilyn nude, a short story by Sir Arthur Conan Doyle, a sports article -- "The Return of the All-Purpose Back," a music piece on Big Band legends the Dorsey Brothers, and a cartoon gallery by noted cartoonist Virgil Partch, "VIP On Sex."
With such a low initial print run, the passage of time and normal wear and tear has reduced the number of copies this nice to a quantity that's becoming more and more challenging to accommodate collectors. Our offering has mild wear around the edges, but displays clean and bright front and back covers, which, because of the predominant white backgrounds, are often found in less attractive states.
The inside pages, including the Marilyn nude, are even nicer, very well-preserved in a copy that appears remarkably fresh for its age. There are two marks on the front cover that easily escape one's first review. "#1" was printed lightly in ink just above the "Y" in the Playboy logo, and "53" was printed just to the right of Marilyn's left pinkie finger. You may have a hard time finding either marking on our website images.
Don't let this fine specimen of a supremely collectible book go by without your bidding!
It's come to be known as "the Marilyn issue" because of the inclusion of an iconic nude photo of a young Marilyn Monroe as the first centerfold. Actually, it wasn't technically a centerfold, since it took up just one page, but it was the start of the feature that more than any other became associated with the fledgling publication -- the Playmate of the Month.
Of course the Playmate feature was complemented by the smartest blend of cartoons, interviews, fiction, music, sports, fashion, sexy pictorials, and other timely non-fiction articles ever seen in a magazine before, a magazine that quickly became known succinctly as "Entertainment for Men."
Hefner knew what he wanted -- essentially what millions of other men would appreciate in a magazine. And although at 27 years old he was relatively young to be launching such an ambitious project, he had already been "publishing" for nearly 20 years. His first endeavor was a neighborhood newspaper he printed and sold (at 1¢ a copy) when he was just eight years old!
The winning formula was evident with the very first issue. In the initial, abbreviated form of just 42 pages, Hef presented the Marilyn nude, a short story by Sir Arthur Conan Doyle, a sports article -- "The Return of the All-Purpose Back," a music piece on Big Band legends the Dorsey Brothers, and a cartoon gallery by noted cartoonist Virgil Partch, "VIP On Sex."
With such a low initial print run, the passage of time and normal wear and tear has reduced the number of copies this nice to a quantity that's becoming more and more challenging to accommodate collectors. Our offering has mild wear around the edges, but displays clean and bright front and back covers, which, because of the predominant white backgrounds, are often found in less attractive states.
The inside pages, including the Marilyn nude, are even nicer, very well-preserved in a copy that appears remarkably fresh for its age. There are two marks on the front cover that easily escape one's first review. "#1" was printed lightly in ink just above the "Y" in the Playboy logo, and "53" was printed just to the right of Marilyn's left pinkie finger. You may have a hard time finding either marking on our website images.
Don't let this fine specimen of a supremely collectible book go by without your bidding!
Playboy Complete 1954 Group of 12 (HMH Publishing, 1954) Condition: Average FN. It's the complete collection of Playboy's first full year - 1954. The first issue (see previous lot in our auction) had a December 1953 date; here are issues #2-13. The second issue is about as rare as the first; in fact, over the years we've offered more copies of #1 than of #2. And these are as nice of a collection of the issues from 1954 as you're likely to find together. All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Grades of the copies are: #2 (FN-), 3 (FN/VF), 4 (VG/FN, corner crease with a tear on the back lower left, and "P" in pencil partially erased front top left), 5 (VG/FN), 6 (VG/FN, "1954" in ink on front cover, pencil mark erased back cover, tiny tape pull back cover lower left), 7 (FN-, pencilled price erased front cover), 8 (FN-), 9 (FN+), 10 (VG/FN), 11 (FN+), 12 (FN+), and 13 (FN+, corner crease lower front cover, otherwise Very Fine).
Notable contributors to these issues include Ray Bradbury, Erskine Caldwell, Sir Arthur Conan Doyle, Bob Hope, W. Somerset Maugham, Virgil Partch, Ray Russell, and Hugh Hefner himself.
Get a jumpstart on completing a challenging year!
Grades of the copies are: #2 (FN-), 3 (FN/VF), 4 (VG/FN, corner crease with a tear on the back lower left, and "P" in pencil partially erased front top left), 5 (VG/FN), 6 (VG/FN, "1954" in ink on front cover, pencil mark erased back cover, tiny tape pull back cover lower left), 7 (FN-, pencilled price erased front cover), 8 (FN-), 9 (FN+), 10 (VG/FN), 11 (FN+), 12 (FN+), and 13 (FN+, corner crease lower front cover, otherwise Very Fine).
Notable contributors to these issues include Ray Bradbury, Erskine Caldwell, Sir Arthur Conan Doyle, Bob Hope, W. Somerset Maugham, Virgil Partch, Ray Russell, and Hugh Hefner himself.
Get a jumpstart on completing a challenging year!
Playboy Complete 1955 Group of 11 (HMH Publishing, 1955) Condition: Average FN/VF. This is the complete year's worth of Playboy issues from 1955, two of which stand out above the rest. The January issue featured pop culture icon Bettie Page as its Playmate of the Month, and the February issue had starlet Jayne Mansfield in the same role. The issues are two of the most sought-after in Playboy's history, and the copies here happen to be two of the finest condition-wise in the group.
There were 11 issues in 1955, with March being slighted. Grades here include: January 1955 (VF/NM), February (FN+, "55" in pencil partially erased), April (FN+), May (FN+), June (FN), July (VF, tiny tape pull back cover), August (VF+), September (VF), October (VG/FN, with moisture signs along top of front cover and along page edges), November (FN-), and December (FN-, with a 3" crease - otherwise VF). All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Contributors include Ray Bradbury, Dave Brubeck, Erskine Caldwell, Herbert Gold, W. Somerset Maugham, Ray Russell, Irwin Shaw, and John Steinbeck.
There were 11 issues in 1955, with March being slighted. Grades here include: January 1955 (VF/NM), February (FN+, "55" in pencil partially erased), April (FN+), May (FN+), June (FN), July (VF, tiny tape pull back cover), August (VF+), September (VF), October (VG/FN, with moisture signs along top of front cover and along page edges), November (FN-), and December (FN-, with a 3" crease - otherwise VF). All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Contributors include Ray Bradbury, Dave Brubeck, Erskine Caldwell, Herbert Gold, W. Somerset Maugham, Ray Russell, Irwin Shaw, and John Steinbeck.
Playboy Complete 1956 Group of 12 (HMH Publishing, 1956) Condition: Average VF. Here's the complete run of Playboy for the year 1956, with most copies in near pristine condition. One reason for that is that all have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards. Grades are as follows: January 1956 (FN), February (FN/VF), March (FN), April (VF/NM), May (VF-), June (VF/NM), July (VF/NM), August (VF/NM), September (NM-), October (VF), November (FN/VF), December (VF).
Notable Playmates include Marian Stafford (first 3-page centerfold) and Lisa Winters, while noteworthy pictorials include Jayne Mansfield, Diana Dors, and Anita Ekberg. Contributors included Ray Bradbury, Erskine Caldwell, Herbert Gold, Ray Russell, and Shel Silverstein.
Notable Playmates include Marian Stafford (first 3-page centerfold) and Lisa Winters, while noteworthy pictorials include Jayne Mansfield, Diana Dors, and Anita Ekberg. Contributors included Ray Bradbury, Erskine Caldwell, Herbert Gold, Ray Russell, and Shel Silverstein.
Playboy Complete 1957 Group of 12 (HMH Publishing, 1957) Condition: Average VF-. These 12 issues represent the entire Playboy run during 1957. All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards, a major reason they're in such nice condition. Grades are as follows: January 1957 (NM-), February (VF), March (VG/FN), April (VF+), May (VF+), June (VF), July (VF-, with 2.5" crease on the top left of the back cover - otherwise VF+), August (FN+), September (VF), October (VF-), November (FN/VF), and December (FN/VF).
Jayne Mansfield was prominently featured this year, with pictorials in two separate issues. Other pictorials of note featured Edie Adams, Zsa Zsa Gabor, Sophia Loren, Tina Louise, Julie Newmar, and one of the most popular Playmates of all time, Lisa Winters in two issues. Contributors included: Ray Bradbury, Herbert Gold, William Iversen, Ray Russell, Shel Silverstein, and John Steinbeck.
Jayne Mansfield was prominently featured this year, with pictorials in two separate issues. Other pictorials of note featured Edie Adams, Zsa Zsa Gabor, Sophia Loren, Tina Louise, Julie Newmar, and one of the most popular Playmates of all time, Lisa Winters in two issues. Contributors included: Ray Bradbury, Herbert Gold, William Iversen, Ray Russell, Shel Silverstein, and John Steinbeck.
Playboy Complete 1958 Group of 12 (HMH Publishing, 1958) Condition: Average VF. The complete collection of 12 issues for the year 1958 is highlighted by continued uncoverage of one of Playboy's all-time favorites, Jayne Mansfield who appeared in two more pictorials, as did sex kitten and international sensation Brigitte Bardot.
All copies have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards, so it's no surprise they're in such fine shape. Grades for these copies: January 1958 (VF, with '1958' in ink above 'January' on the front cover), February (FN), March (VF/NM), April (FN+), May (VF), June (VF+), July (VF/NM), August (VF/NM), September (FN/VF), October (FN+), November (VF+), and December (VF-).
Famous contributors this year included Steve Allen, Arthur C. Clarke, Jules Feiffer, Herbert Gold, William Iversen, Jack Kerouac, Ray Russell, Bill Safire, Shel Silverstein, and John Steinbeck.
All copies have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards, so it's no surprise they're in such fine shape. Grades for these copies: January 1958 (VF, with '1958' in ink above 'January' on the front cover), February (FN), March (VF/NM), April (FN+), May (VF), June (VF+), July (VF/NM), August (VF/NM), September (FN/VF), October (FN+), November (VF+), and December (VF-).
Famous contributors this year included Steve Allen, Arthur C. Clarke, Jules Feiffer, Herbert Gold, William Iversen, Jack Kerouac, Ray Russell, Bill Safire, Shel Silverstein, and John Steinbeck.
Playboy Complete 1959-60 Group of 24 (HMH Publishing, 1959-60) Condition: Average VF. What a great way to put together two complete years worth of Playboy from the early years! And most of these copies are VF or nicer, all having been stored in 100% polypropylene clear plastic bags with non-acidic backing boards. Individually the books grade as follows: January 1959 (FN), February (FN+), March (VF), April (FN/VF), May (FN/VF), June (VF+), July (VF-), August (VF/NM), September (VF), October (VF/NM), November (VF/NM), December (FN/VF), January 1960 (FN/VF), February (NM-), March (VF/NM), April (FN/VF), May (VF-), June (FN/VF), July (VF/NM), August (VF/NM), September (VF/NM), October (VF/NM), November (VF), and December (VF/NM).
Pictorials included Brigitte Bardot, Sophie Loren, Tina Louise, Jayne Mansfield, Marilyn Monroe, Kim Novak, and June Wilkinson. Famous Playmates included Stella Stevens and Ellen Stratton (who would become the first Playmate of the Year). Contributors included: Ray Bradbury, Arthur C. Clarke, Jules Feiffer, Ian Fleming, Herbert Gold, William Iversen, Jack Kerouac, Leroy Neiman, Ray Russell, Carl Sandburg, and Shel Silverstein.
Pictorials included Brigitte Bardot, Sophie Loren, Tina Louise, Jayne Mansfield, Marilyn Monroe, Kim Novak, and June Wilkinson. Famous Playmates included Stella Stevens and Ellen Stratton (who would become the first Playmate of the Year). Contributors included: Ray Bradbury, Arthur C. Clarke, Jules Feiffer, Ian Fleming, Herbert Gold, William Iversen, Jack Kerouac, Leroy Neiman, Ray Russell, Carl Sandburg, and Shel Silverstein.
Playboy Complete 1961-65 Group of 60 (HMH Publishing, 1961-65) Condition: Average VF/NM. Half of all the swingin' sixties issues of Playboy are right here, and these copies are in tip-top condition. All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards, and only a few grade out less than VF, with many issues in VF/NM and better condition, bringing the overall average grade for the 60 issues to a stellar VF/NM!
Some of the many highlights for this period are popular Playmates Heidi Becker, Christa Speck, June Cochran, Donna Michelle, Jo Collins, Jennifer Jackson (the first African-American Playmate), and Allison Parks. Noteworthy pictorials included Ursula Andress, Brigitte Bardot, Catherine Deneuve, Anita Ekberg, Carol Lynley, Jayne Mansfield, Marilyn Monroe, Elke Sommer, Elizabeth Taylor (as Cleopatra), and Mamie Van Doren. Some of the most memorable interviews in Playboy's 54-year history were during this period, including Miles Davis (the first Playboy interview), Frank Sinatra, Malcolm X, Jimmy Hoffa, Ingmar Bergman, Salvador Dali, Henry Miller, Cassius Clay (later to be known as Muhammad Ali), Dr. Martin Luther King Jr., the Beatles, Jean-Paul Sartre, Robert Shelton (Grand Wizard of the United Klans of America), and Madalyn Murray.
Some of the many highlights for this period are popular Playmates Heidi Becker, Christa Speck, June Cochran, Donna Michelle, Jo Collins, Jennifer Jackson (the first African-American Playmate), and Allison Parks. Noteworthy pictorials included Ursula Andress, Brigitte Bardot, Catherine Deneuve, Anita Ekberg, Carol Lynley, Jayne Mansfield, Marilyn Monroe, Elke Sommer, Elizabeth Taylor (as Cleopatra), and Mamie Van Doren. Some of the most memorable interviews in Playboy's 54-year history were during this period, including Miles Davis (the first Playboy interview), Frank Sinatra, Malcolm X, Jimmy Hoffa, Ingmar Bergman, Salvador Dali, Henry Miller, Cassius Clay (later to be known as Muhammad Ali), Dr. Martin Luther King Jr., the Beatles, Jean-Paul Sartre, Robert Shelton (Grand Wizard of the United Klans of America), and Madalyn Murray.
Playboy Complete 1966-70 Group of 60 (HMH Publishing, 1966-70) Condition: Average VF/NM. It was an eventful period in US history, and Playboy wasn't missing a beat. This group of 60 issues represents every issue published during the five year period 1966-70, and includes many of the nicest copies we've ever seen of specific issues. All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards. The average grade is VF/NM, with only 14 copies in the lot grading at less than VF/NM, none lower than a very nice FN+. Seventeen of the 60 approach perfection, with grades of NM- or better!
Playboy enjoyed unprecedented success during this era, with circulation of over 5,000,000 per month, and why not, with famous Playmates such as Dolly Read, Lisa Baker, DeDe Lind, Angela Dorian (aka Victoria Vetri, Connie Kreski, Cynthia Myers, and Claudia Jennings; pictorials that included stars Carroll Baker, Brigitte Bardot, Jane Fonda, Ann-Margaret, Julie Newmar, Stella Stevens, and Sharon Tate; interviews of the likes of Federico Fellini, George Lincoln Rockwell (founder of the American Nazi Party), Bob Dylan, Fidel Castro, Woody Allen, Johnny Carson, Norman Mailer, Stanley Kubrick, Eldridge Cleaver, Bill Cosby, Ray Charles, and William F. Buckley. And there were contributions from such luminaries as Woody Allen, Arthur C. Clarke, Harlan Ellison, Jules Feiffer, Ian Fleming, J. Paul Getty, Herbert Gold, William Iversen, Harvey Kurtzman, W. Somerset Maugham, Vladimir Nabokov, Frederick Pohl, Ray Russell, William Saroyan, Jean-Paul Sartre, Jean Shepherd, Shel Silverstein, and Kurt Vonnegut, Jr.
Get a head start on starting your Playboy collection, or just improve the copies you currently have with this sparkling set!
Playboy enjoyed unprecedented success during this era, with circulation of over 5,000,000 per month, and why not, with famous Playmates such as Dolly Read, Lisa Baker, DeDe Lind, Angela Dorian (aka Victoria Vetri, Connie Kreski, Cynthia Myers, and Claudia Jennings; pictorials that included stars Carroll Baker, Brigitte Bardot, Jane Fonda, Ann-Margaret, Julie Newmar, Stella Stevens, and Sharon Tate; interviews of the likes of Federico Fellini, George Lincoln Rockwell (founder of the American Nazi Party), Bob Dylan, Fidel Castro, Woody Allen, Johnny Carson, Norman Mailer, Stanley Kubrick, Eldridge Cleaver, Bill Cosby, Ray Charles, and William F. Buckley. And there were contributions from such luminaries as Woody Allen, Arthur C. Clarke, Harlan Ellison, Jules Feiffer, Ian Fleming, J. Paul Getty, Herbert Gold, William Iversen, Harvey Kurtzman, W. Somerset Maugham, Vladimir Nabokov, Frederick Pohl, Ray Russell, William Saroyan, Jean-Paul Sartre, Jean Shepherd, Shel Silverstein, and Kurt Vonnegut, Jr.
Get a head start on starting your Playboy collection, or just improve the copies you currently have with this sparkling set!
Playboy Complete 1971-75 Group of 60 (HMH Publishing, 1971-75) Condition: Average VF/NM. The magazine known succinctly as "Entertainment for Men" reached its circulation zenith in 1972 when it topped 7 million! Hugh Hefner's formula had been continuously improved and expanded from the first issue's 42 pages to over 300 pages for the magazine's holiday issues. Here are all 60 issues published for the period 1971-75, with an average condition of VF/NM. All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Notable Playmates included Liv Lindeland, Janice Pennington, Karen Christy, Marilyn Cole, Cyndi Wood, Nancy Cameron (Playboy's only front and back centerfold, part of the 20th Anniversary issue), Bebe Buell, and Lillian Mueller. Popular pictorials included Ursula Andress, Barbi Benton, Brigitte Bardot, Julie Christie, Linda Evans, Barbara Hershey, Margot Kidder, Linda Lovelace, Valerie Perrine, and Lana Wood (Natalie's younger sister).
Some of the best interviews were with Mae West, John Wayne, Jack Nicholson, Tennessee Williams, Huey Newton, Walter Cronkite, Bob Hope, Clint Eastwood, Hunter Thompson, and Hefner himself.
Notable Playmates included Liv Lindeland, Janice Pennington, Karen Christy, Marilyn Cole, Cyndi Wood, Nancy Cameron (Playboy's only front and back centerfold, part of the 20th Anniversary issue), Bebe Buell, and Lillian Mueller. Popular pictorials included Ursula Andress, Barbi Benton, Brigitte Bardot, Julie Christie, Linda Evans, Barbara Hershey, Margot Kidder, Linda Lovelace, Valerie Perrine, and Lana Wood (Natalie's younger sister).
Some of the best interviews were with Mae West, John Wayne, Jack Nicholson, Tennessee Williams, Huey Newton, Walter Cronkite, Bob Hope, Clint Eastwood, Hunter Thompson, and Hefner himself.
Playboy Complete 1976-80 Group of 60 (HMH Publishing, 1976-80) Condition: Average VF/NM. Superfine copies of five big years of Playboy, all but a few in near-flawless VF/NM condition or better! All have been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Famous Playmates during this period included Patti McGuire, Debra Jo Fondren, Candy Loving, Dorothy Stratten, Ola Ray, and Terri Welles. Eye-poppin' pictorial highlights included Ursula Andress, Barbara Bach, Barbara Carrera, Denise Crosby, Bo Derek, Pamela Sue Martin, Barbara Parkins, Suzanne Somers, and Raquel Welch. Prime interviews with Jimmy Carter, O. J. Simpson, Alex Haley, Bob Dylan, and Marlon Brando.
Famous Playmates during this period included Patti McGuire, Debra Jo Fondren, Candy Loving, Dorothy Stratten, Ola Ray, and Terri Welles. Eye-poppin' pictorial highlights included Ursula Andress, Barbara Bach, Barbara Carrera, Denise Crosby, Bo Derek, Pamela Sue Martin, Barbara Parkins, Suzanne Somers, and Raquel Welch. Prime interviews with Jimmy Carter, O. J. Simpson, Alex Haley, Bob Dylan, and Marlon Brando.
Playboy Complete 1981-90 Group of 120 (HMH Publishing, 1981-90) Condition: Average VF/NM. Back to the '80s! Here's a full decade's worth of high-grade copies of "Entertainment for Men," every issue from 1981 through 1990. From 1981-85, the copies average VF/NM, but after 1985 the vast majority are in NM- to MT condition, with all having been stored in 100% polypropylene clear plastic bags with non-acidic backing boards.
Unforgettable Playmates for the decade include Shannon Tweed, Barbara Edwards, Karen Velez, Donna Edmondson, India Allen, Kimberly Conrad (future Mrs. Hugh Hefner), Erika Eleniak, Pamela Anderson, and Lisa Matthews. Pictorials of the sexy famous included Barbara Bach, Jayne Kennedy, Valerie Perrine, Bo Derek, Mariel Hemmingway, Tanya Roberts, Kim Bassinger, Sybil Danning, Joan Collins, Madonna, Linda Evans, Vanna White, Jessica Hahn, Brigette Nielsen, Denice Crosby, Cindy Crawford, La Toya Jackson, and Joan Severance. A few of the interviews included Robin Williams, Stephen King, David Letterman, Steve Jobs, Kareen Abdul-Jabbar, Lionel Richie, Arnold Schwartzenegger, Billy Crystal, Cher, and Bob Woodward.
Unforgettable Playmates for the decade include Shannon Tweed, Barbara Edwards, Karen Velez, Donna Edmondson, India Allen, Kimberly Conrad (future Mrs. Hugh Hefner), Erika Eleniak, Pamela Anderson, and Lisa Matthews. Pictorials of the sexy famous included Barbara Bach, Jayne Kennedy, Valerie Perrine, Bo Derek, Mariel Hemmingway, Tanya Roberts, Kim Bassinger, Sybil Danning, Joan Collins, Madonna, Linda Evans, Vanna White, Jessica Hahn, Brigette Nielsen, Denice Crosby, Cindy Crawford, La Toya Jackson, and Joan Severance. A few of the interviews included Robin Williams, Stephen King, David Letterman, Steve Jobs, Kareen Abdul-Jabbar, Lionel Richie, Arnold Schwartzenegger, Billy Crystal, Cher, and Bob Woodward.
Vampirella #113 (Harris, 1988) CGC NM+ 9.6 Off-white to white pages. This first Harris issue had a very low print run according to Overstreet and, consequently, is one of the most sought-after issues by collectors. A beautiful example. This copy shares the honor of CGC's highest graded copy with only one other. Overstreet 2008 NM- 9.2 value = $485. CGC census 4/08: 2 in 9.6, none higher.
Memorabilia
Carl Barks and Randy Bowen - The Barkster Bronze Figurine, 70/100 (Gemstone/Dark Horse, 1994). Imagine, if you will, what legendary "Good Duck Artist" Carl Barks would have looked like if he had actually been a duck! That's what sculptor Randy Bowen has done with this incredibly cool figurine. Based on a design by Barks, Bowen has created a loving tribute to our beloved Unca Carl with this beautiful brass figurine, measuring approximately 9" tall. It's signed and numbered on the rock base by Barks and Bowen, and comes with a special certificate of authenticity and a (still sealed) VHS video featuring an interview with Carl Barks. The base of the figurine has a pair of very tiny edge dings that are hardly noticeable; otherwise, everything is in Excellent condition. Listed in Hake's Price Guide to Disney Collectibles with a value of $1,500.
Dr. Dracula Roadshow Theater Poster (Australian, undated). Say you fancy a bit of sex, er, "hex-appeal" with your midnight horror movies? No worries, mate! This late-night horror-fest included an appearance by shapely Donna Haynes, billed as "6 ft. 4 in. of Hex Appeal", and her lovely image is by far the most attractive part of this garish, monster-filled movie poster. From the fun days of 1950s late-night "spook shows", Down Under style. The poster measures approximately 30" x 40.5", and is in Very Good condition, with numerous small tears along the outside border edges of the thin paper stock.
EC Related - William Gaines' Personal Briefcase (c. 1950s). Rarely has there been a more colorful character in comics than EC publisher, Bill Gaines. From his start, taking over the tiny Educational Comics company after the death of his father, Max Gaines; through the development of the renamed Entertaining Comics and their "New Trend" titles, like Tales From the Crypt and Weird Fantasy; to the groundbreaking Mad comic; the uproar caused by Dr. Wertham and the subsequent Senate hearings on comic books and their relation to juvenile delinquency; and finally, the mega-success of the reformatted Mad magazine, Gaines has been at the center of it all. And by Bill's side for years was this battered, leather briefcase. It's an "accordion" style folder brief, with a brass combination lock. The briefcase is unlocked, and the combination has apparently been lost. This item was used by Bill up until his death, in 1992. Carry a little comics history around with you! Comes with copies of the original Annie Gaines auction listing (item #131), and a photo of Gaines with the case.
Early Twentieth Century Stone-Litho Magician Poster (Adolph Friedlander). The "headless woman" graphics are simply amazing on this generic magician's show poster, printed by old-world stone lithography in Hamburg, Germany. We're not sure of the exact year, but is seems obvious to us that this poster dates back at least to the early 1900s -- we know that printer Adolph Friedlander, best known for his many circus posters, was in business from 1872 to 1935. Condition on this 27" x 33" poster is quite nice, with no major tears, only a few slight creases here and there, making this item a strong Fine. Matted and framed to an overall size of 31.5" x 37.75".
"Sax-Ona Ghost Show" Midnight Roadshow Theater Poster (undated). Remember the "good old days" when Saturday night at the local movie house meant a special horror-show stage presentation, plus a really good old-time feature film, like Bela Lugosi in "Dracula"? Here's a wild poster advertising such a night; this time, the gimmick is a "Ghost Show," featuring the "spirit" of Sir Arthur Conan Doyle, of all people! No children allowed! Doctor and nurse in attendance! What red-blooded 1950s teen wouldn't want to be there? This poster measures approximately 28" x 42", and is in Good condition, mounted on foamcore, with several dings that lightly tear through the thin paper. It's still quite impressive, with great spooky lettering and graphics, and would make a fun display for any fan of classic horror films.
Superman Picture Puzzles #1504 (Saafield, 1940). Very early Superman item -- a boxed set of three different jigsaw puzzles, housed in a colorful 7.75" x 10.5" x 1" box. We've peeked inside; two of the puzzles were not assembled, while one was; however, it does appear all the pieces are there. The box is in VG/FN condition, with a name written neatly in pencil, and the puzzle pieces look to be in Excellent condition. Listed in Hake's Price Guide to Character Toys with a complete Fine value of $625, and a Near Mint value of $1,100.
Superman Secret Chamber Initial Ring (Ostby and Barton, 1941) Condition: FN. This incredibly scarce premium ring was originally offered in conjunction with the Defense Club Milk Program for ten cents and two bottle lids. Kids got to pick their initial, which went next to the "mystic eye" on the front panel. This panel pops off to reveal a red, white, and blue paper sticker with the image of Superman on the reverse side. Hake's suggests only 27 reported known copies, with only 13 in Fine or better condition. We're calling this one a conservative Fine; no dents, scratches, or other physical problems, other than a bit of the finish missing from the band and inside. The tiny Superman image is sharp and clean. A fantastic item! Listed in Hake's Price Guide to Character Toys with a Fine value of $4,500.
Randy Bowen - Yellow Kid 100th Anniversary Gold Edition Statue and Poster, 3/25 (Gemstone, 1995). Not only was Richard Outcault's classic Yellow Kid character one of the very first American comic strips, but also the subject of one of the first mass-marketing campaigns. Like Palmer Cox's strip, the Brownies, the Yellow Kid was featured on a vast array of products during the early twentieth century, making him an early comic icon. It's only fitting that such an icon should have a statue based on his likeness, and here it is. It's a beautiful gold-toned figurine on a hefty marble base (signed by artist/designer, Randy Bowen); depicted along the upper edges of the base is the skyline of New York City, including the World Trade Center's twin towers. The statue stands approximately 13.5" tall, with a base 8.5 wide. Also included is a framed 13" x 23" poster, signed and remarqued by Randy Bowen. Both items are in Excellent condition.
Session 3
Golden Age (1938-1955)
Adventure Comics #79 (DC, 1942) CGC Apparent FN 6.0 Moderate (P) Off-white to white pages. The classic cover by Simon and Kirby features a very large Manhunter poised to harpoon a Nazi sub. Contents also include an ad for Wonder Woman #1 and art by Jack Burnley and Bernard Baily. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2008 GD 2.0 value = $255; VG 4.0 value = $510; FN 6.0 value = $765.
Adventure Comics #85 (DC, 1943) CGC FN/VF 7.0 Cream to off-white pages. Joe Simon and Jack Kirby cover. Features a Sandman story with art by Simon & Kirby, and a Manhunter back-up story with art by Pierce Rice. Overstreet 2008 FN 6.0 value = $357; VF 8.0 value = $744. CGC census 4/08: 2 in 7.0, 3 higher. From the Fantastic Frank Collection.
Adventure Comics #112 (DC, 1947) CGC VF 8.0 Cream to off-white pages. Tenth appearance of Superboy following his move (with Aquaman, Green Arrow, and Johnny Quick) from More Fun Comics. Overstreet 2008 VF 8.0 value = $431. CGC census 4/08: 2 in 8.0, 5 higher.
Adventure Comics #166 (DC, 1951) CGC VF+ 8.5 Off-white pages. Last Shining Knight story. Win Mortimer cover. Ramona Fradon and George Papp art. Overstreet 2008 VF 8.0 value = $275; VF/NM 9.0 value = $455. CGC census 4/08: 1 in 8.5, none higher.
Adventure Comics #204 (DC, 1954) CGC VF/NM 9.0 Off-white pages. Contains a full page ad for Jimmy Olsen #1. Win Mortimer cover. George Papp and Ramona Fradon art. Overstreet 2008 VF/NM 9.0 value = $376; NM- 9.2 value = $515. CGC census 4/08: 2 in 9.0, none higher. From the Toronto Collection.
Adventure Comics #218 (DC, 1955) CGC FN/VF 7.0 Off-white to white pages. Curt Swan cover. Swan and Ramona Fradon art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 FN 6.0 value = $114; VF 8.0 value = $226. CGC census 4/08: 3 in 7.0, none higher. From the Williamsport Collection.
Adventures Into Terror #22 (Atlas, 1953) CGC VF 8.0 Cream to off-white pages. Russ Heath, Joe Maneely, Paul Reinman, and Chuck Winter art. This copy ties with one other as the highest graded copy certified by CGC to date. Overstreet 2008 VF 8.0 value = $117. CGC census 4/08: 2 in 8.0, none higher.
Airboy Comics V2#12 (Hillman Fall, 1946) CGC VF/NM 9.0 Off-white to white pages. Valkyrie cover and appearance. Fred Kida cover and art. Maurice Whitman art. This issue is currently tied with one other book for CGC's highest graded copy honors. Overstreet 2008 VF/NM 9.0 value = $516; NM- 9.2 value = $720. CGC census 4/08: 2 in 9.0, none higher. From the Williamsport Collection.
All-New Comics #14 Mile High pedigree (Harvey, 1946) CGC VF+ 8.5 White pages. Ham Fisher's Joe Palooka stars on the cover, and Bob Powell lends his artistry to the "Green Hornet" and "Man in Black Called Fate" interior features. Overstreet 2008 VF 8.0 value = $323; VF/NM 9.0 value = $537. CGC census 4/08: 1 in 8.5, 2 higher.
America's Greatest Comics #6 File Copy - Crowley Copy pedigree (Fawcett, 1943) CGC NM 9.4 Cream to off-white pages. The gun-toting Captain Marvel on this great C. C. Beck cover reminds us of a machine-gun wielding Dark Knight, from the cover of Batman #15. Charles Sultan contributes interior art. The cover bears a light "Checking Copy" stamp. Overstreet 2008 NM- 9.2 value = $975. CGC census 4/08: 1 in 9.4, none higher.
Batman #2 (DC, 1940) CGC FR/GD 1.5 Cream to off-white pages. A Golden Age classic for an attainable price. Second appearance of Catwoman, but the first time she's called by that name. The cover is detached, but pages are of good quality. Bob Kane and Jerry Robinson cover and art. Second appearance of Joker. CGC notes, "Cover detached." Overstreet 2008 GD 2.0 value = $1,385. CGC census 4/08: 4 in 1.5, 36 higher. From the Williamsport Collection.
Batman #6 (DC, 1941) CGC VG+ 4.5 Cream to off-white pages. Features the first appearance and "death" of the Clock Maker. Bob Kane and Jerry Robinson teamed up for both the cover and the interior art. Overstreet 2008 VG 4.0 value = $892. CGC census 4/08: 3 in 4.5, 49 higher. From the Williamsport Collection.
Batman #8 (DC, 1942) CGC VG- 3.5 Cream to off-white pages. First appearance of Professor Radium. Joker appearance. Infinity cover by Fred Ray and Jerry Robinson. Bob Kane, Robinson, and George Roussos art. Overstreet 2008 VG 4.0 value = $752. CGC census 4/08: 3 in 3.5, 30 higher. From the Williamsport Collection.
Batman #13 (DC, 1942) CGC Apparent FN/VF 7.0 Moderate (P) Off-white pages. Cover and art by Jerry Robinson. Superman co-creator Jerry Siegel appears in a Batman story in this issue. Joker appearance. CGC notes, "Restoration includes: color touch, pieces added, reinforced, re-glossed." Overstreet 2008 GD 2.0 value = $300; VG 4.0 value = $600; FN 6.0 value = $900; VF 8.0 value = $1,931.
Batman #14 (DC, 1943) CGC VG/FN 5.0 Cream to off-white pages. Second cover appearance and story featuring the Penguin. Jerry Robinson cover and art. Bob Kane and Jack Burnley art. Overstreet 2008 VG 4.0 value = $600; FN 6.0 value = $900. CGC census 4/08: 5 in 5.0, 32 higher. From the Williamsport Collection.
Batman #15 (DC, 1943) CGC FN 6.0 Off-white pages. Catwoman appearance in new costume. Jack Burnley cover and art. Bob Kane and Jerry Robinson art. CGC notes, "Centerfold detached." Overstreet 2008 FN 6.0 value = $900. CGC census 4/08: 5 in 6.0, 19 higher. From the Williamsport Collection.
Batman #16 (DC, 1943) CGC Qualified FN+ 6.5 Cream to off-white pages. This early issue of the popular title features the origin and first appearance of Bruce Wayne's trusted butler Alfred. There's also a Joker appearance, making this already important book even more collectible. Jerry Robinson provided the cover (first small logo), with Robinson, Bob Kane, and Jack Burnley handling interior art chores. CGC notes, "Cover and two center wraps detached." Overstreet 2008 GD 2.0 value = $520; VG 4.0 value = $1,040; FN 6.0 value = $1,560; VF 8.0 value = $3,640. From the Williamsport Collection.
Batman #17 (DC, 1943) CGC VG/FN 5.0 Cream to off-white pages. Penguin appearance. Classic war cover by Jerry Robinson (ghosting for Bob Kane). Kane, Robinson, and Jack Burnley art. Copies of this issue are difficult to find in higher grades due to the all-black cover. Overstreet 2008 VG 4.0 value = $510; FN 6.0 value = $765. CGC census 4/08: 5 in 5.0, 35 higher. From the Williamsport Collection.
Batman #18 (DC, 1943) CGC FN+ 6.5 Off-white pages. Tweedledee and Tweedledum appearance. Hitler, Hirohito, and Mussolini get their comeuppance on this Axis-bashing cover by Stan Kaye. Bob Kane, Jerry Robinson, and Jack Burnley art. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,931. CGC census 4/08: 8 in 6.5, 15 higher. From the Williamsport Collection.
Batman #19 (DC, 1943) CGC FN- 5.5 Off-white pages. Dick Sprang cover and art. Joker appearance. First Batman art by Sprang. Overstreet 2008 FN 6.0 value = $612. CGC census 4/08: 12 in 5.5, 33 higher. From the Williamsport Collection.
Batman #20 (DC, 1943) CGC FN/VF 7.0 Cream to off-white pages. This eye-catching cover by Dick Sprang is the first time the Batmobile appeared on a comic book cover! There's also a story featuring Batman's arch nemesis, the Joker. The art is by Bob Kane and Jack Burnley. Overstreet 2008 FN 6.0 value = $765; VF 8.0 value = $1,594. CGC census 4/08: 8 in 7.0, 19 higher. From the Williamsport Collection.
Batman #21 (DC, 1944) CGC FN/VF 7.0 Off-white pages. Penguin appearance. Dick Sprang cover and art. Overstreet 2008 FN 6.0 value = $465; VF 8.0 value = $969. CGC census 4/08: 3 in 7.0, 21 higher. From the Williamsport Collection.
Batman #22 (DC, 1944) CGC FN- 5.5 Off-white pages. First Alfred solo story and cover. Catwoman and Cavalier appearances. Dick Sprang cover. Bob Kane, Jerry Robinson, and Jack Burnley art. Overstreet 2008 FN 6.0 value = $465. CGC census 4/08: 2 in 5.5, 30 higher. From the Williamsport Collection.
Batman #23 (DC, 1944) CGC VG+ 4.5 Off-white pages. Joker cover by Dick Sprang. Alfred back-up story. Sprang and Jerry Robinson art. Overstreet 2008 VG 4.0 value = $524. CGC census 4/08: 10 in 4.5, 54 higher. From the Williamsport Collection.
Batman #28 (DC, 1945) CGC FN 6.0 Off-white pages. Joker appearance. Alfred back-up story. Jack Burnley and Charles Paris cover. Jerry Robinson art. Overstreet 2008 FN 6.0 value = $465. CGC census 4/08: 10 in 6.0, 31 higher. From the Williamsport Collection.
Batman #34 (DC, 1946) CGC FN/VF 7.0 Cream to off-white pages. Dick Sprang cover. Jerry Robinson art. Overstreet 2008 FN 6.0 value = $351; VF 8.0 value = $731. CGC census 4/08: 7 in 7.0, 14 higher. From the Williamsport Collection.
Batman #35 (DC, 1946) CGC FN/VF 7.0 Off-white pages. Catwoman story (in new costume without cat-head mask). Dick Sprang cover. Bob Kane and Ray Burnley art. Overstreet 2008 FN 6.0 value = $351; VF 8.0 value = $731. CGC census 4/08: 4 in 7.0, 12 higher. From the Williamsport Collection.
Batman #42 (DC, 1947) CGC FN/VF 7.0 Off-white pages. Catwoman's second cover appearance -- provided by Jack Burnley -- her first in this title. Also included is a Catwoman solo story. Interior art by Charles Paris. Overstreet 2008 FN 6.0 value = $435; VF 8.0 value = $906. CGC census 4/08: 6 in 7.0, 16 higher. From the Williamsport Collection.
Batman #45 (DC, 1948) CGC FN/VF 7.0 Off-white pages. Catwoman appearance. Win Mortimer Christmas cover. Jim Mooney art. Overstreet 2008 FN 6.0 value = $258; VF 8.0 value = $538. CGC census 4/08: 4 in 7.0, 6 higher. From the Williamsport Collection.
Batman #47 (DC, 1948) CGC VG+ 4.5 Off-white pages. First detailed origin, and first Bat-signal cover in this title. Batman tracks down his parents' killer and reveals his identity to him. Bob Kane cover and art. Overstreet 2008 VG 4.0 value = $704. CGC census 4/08: 11 in 4.5, 32 higher. From the Williamsport Collection.
Batman #49 (DC, 1948) CGC FN+ 6.5 Off-white to white pages. First appearances of Vicki Vale and the Mad Hatter. Joker cover and story. Bob Kane cover. Kane, Jim Mooney, and Charles Paris art. Overstreet 2008 FN 6.0 value = $558; VF 8.0 value = $1,163. CGC census 4/08: 8 in 6.5, 18 higher. From the Williamsport Collection.
Batman #56 (DC, 1949) CGC VF- 7.5 Off-white pages. Penguin appearance. Dick Sprang and Charles Paris cover. Sprang and Jim Mooney art. Overstreet 2008 VF 8.0 value = $519. CGC census 4/08: 1 in 7.5, 11 higher. From the Williamsport Collection.
Batman #58 (DC, 1950) CGC VF 8.0 Off-white pages. Penguin cover and story. Cover and interior art by Dick Sprang. Overstreet 2008 VF 8.0 value = $581. CGC census 4/08: 2 in 8.0, 1 higher. From the Williamsport Collection.
Batman #66 Double Cover (DC, 1951) CGC VF- 7.5 Off-white pages. It's double the Joker cover fun with this double cover issue. It features the story "The Joker's Comedy of Errors." Dick Sprang and Charles Paris cover and art. Bob Kane art. CGC notes, "1st cover 6.0, interior cover 7.5." Overstreet 2008 VF 8.0 value = $606. CGC census 4/08: 9 in 7.5, 7 higher.
Batman #66 (DC, 1951) CGC FN/VF 7.0 Cream to off-white pages. Joker cover and story. Dick Sprang and Charles Paris cover and art. Bob Kane art. Overstreet 2008 FN 6.0 value = $291; VF 8.0 value = $606. CGC census 4/08: 4 in 7.0, 16 higher. From the Williamsport Collection.
Batman #67 (DC, 1951) CGC VF- 7.5 Cream to off-white pages. The Joker makes an appearance, as does the Batman of the 31st Century. Eye-catching noose cover by Win Mortimer. Bob Kane and Dick Sprang art. Overstreet 2008 VF 8.0 value = $494. CGC census 4/08: 3 in 7.5, 5 higher. From the Williamsport Collection.
Batman #70 (DC, 1952) CGC VF 8.0 Off-white pages. This one just doesn't turn up that often, and rarely in nice grades. The robot cover is by Win Mortimer. Bob Kane and Curt Swan contributed interior art. Overstreet 2008 VF 8.0 value = $413. CGC census 4/08: 1 in 8.0, 2 higher. From the Williamsport Collection.
Batman #71 (DC, 1952) CGC VF- 7.5 Off-white pages. Win Mortimer cover and art. Bob Kane art. This copy ties with one other as the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $413. CGC census 4/08: 2 in 7.5, none higher. From the Williamsport Collection.
Batman #74 (DC, 1952) CGC FN/VF 7.0 Cream to off-white pages. Joker appearance. Used in Parade of Pleasure. Win Mortimer cover. Bob Kane, Lew Schwartz, and Dick Sprang art. This is currently the highest CGC-graded copy. Overstreet 2008 FN 6.0 value = $198; VF 8.0 value = $413. CGC census 4/08: 1 in 7.0, none higher. From the Williamsport Collection.
Batman #75 (DC, 1953) CGC VF- 7.5 Off-white pages. One of the most desirable covers from the early 1950s is this "gorilla" creation by Win Mortimer. Many issues from this era seem to be more scarce than issues from the 1940s, as evidenced by CGC's census which shows only one other copy having been graded higher by CGC as of this writing. Dick Sprang provided the interior art. Overstreet 2008 VF 8.0 value = $413. CGC census 4/08: 1 in 7.5, 1 higher. From the Williamsport Collection.
Batman #76 (DC, 1953) CGC FN/VF 7.0 Cream to off-white pages. Penguin makes an appearance in this issue sporting a Dick Sprang cover and art by Bob Kane and Lew Schwartz. This copy ties with one other as the highest graded copy of this issue certified by CGC to date. Overstreet 2008 FN 6.0 value = $198; VF 8.0 value = $413. CGC census 4/08: 2 in 7.0, none higher. From the Williamsport Collection.
Batman #77 (DC, 1953) CGC FN/VF 7.0 Cream to off-white pages. Win Mortimer cover. Bob Kane art. Overstreet 2008 FN 6.0 value = $198; VF 8.0 value = $413. CGC census 4/08: 3 in 7.0, 3 higher. From the Williamsport Collection.
Batman #84 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Catwoman cover and story. Win Mortimer cover. Dick Sprang and Sheldon Moldoff art. Overstreet 2008 VF 8.0 value = $538. CGC census 4/08: 2 in 8.0, 3 higher. From the Williamsport Collection.
Batman #85 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Joker story. Sheldon Moldoff cover. Moldoff and Bob Kane art. Overstreet 2008 VF 8.0 value = $400. CGC census 4/08: 3 in 8.0, 3 higher. From the Williamsport Collection.
Batman #86 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Joker story. Introduction of the Batmarine (Batman's submarine). Win Mortimer cover and art. Dick Sprang and Charles Paris art. Overstreet 2008 VF 8.0 value = $400. CGC census 4/08: 1 in 8.0, 2 higher. From the Williamsport Collection.
Batman #91 (DC, 1955) CGC FN/VF 7.0 Off-white pages. Win Mortimer cover art. Sheldon Moldoff, Charles Paris, and Dick Sprang interior art. Only one copy of this issue has been graded higher by CGC as of this writing. Overstreet 2008 FN 6.0 value = $159; VF 8.0 value = $329. CGC census 4/08: 1 in 7.0, 1 higher. From the Williamsport Collection.
Batman #93 (DC, 1955) CGC VF 8.0 Cream to off-white pages. Win Mortimer cover, with Dick Sprang interior art. (this was the last issue of Batman to feature contents drawn entirely by Sprang.) Overstreet 2008 VF 8.0 value = $329. CGC census 4/08: 3 in 8.0, 2 higher. From the Williamsport Collection.
Batman #95 (DC, 1955) CGC FN+ 6.5 Off-white pages. From the cover story, Sam Strong composes "The Ballad of Batman." Win Mortimer cover. Art by Boring and Sheldon Moldoff. Overstreet 2008 FN 6.0 value = $159; VF 8.0 value = $329. CGC census 4/08: 1 in 6.5, 4 higher. From the Williamsport Collection.
Batman #96 (DC, 1955) CGC FN/VF 7.0 Off-white pages. Win Mortimer cover. Sheldon Moldoff, Charles Paris, and Stan Kaye art. Overstreet 2008 FN 6.0 value = $159; VF 8.0 value = $329. CGC census 4/08: 3 in 7.0, 2 higher. From the Williamsport Collection.
Blondie Comics File Copies Box Lot (Harvey, 1950-65) Condition: Average VF/NM. This short box contains Harvey file copies of Blondie Comics #16 (first Harvey issue), 17-20, 22, 23, 25-27, 29-31, 36-41, 43, 44, 46, 49-53, 56-68, 72, 73, 77, 78, 81-102, 105, 107-121, and 126-163; Blondie Family #1-4; and the Blondie New York State Dept. of Mental Hygiene giveaway. Approximate Overstreet value for group = $3,200.
The Brave and the Bold #1 (DC, 1955) CGC FN 6.0 Off-white pages. The first issue of the long-running DC tryout series, kicked off with stories of the Viking Prince, Silent Knight, and Golden Gladiator. Art by Joe Kubert and Russ Heath highlighted the issue. Overstreet 2008 FN 6.0 value = $789. CGC census 4/08: 5 in 6.0, 4 higher. From the Toronto Collection.
Bulletman #8 Crowley Copy pedigree (Fawcett, 1942) CGC VF+ 8.5 Off-white to white pages. Uncommonly nice copy for this title and issue, which featured a story and artwork by future Mad mainstay Dave Berg. Overstreet 2008 VF 8.0 value = $494; VF/NM 9.0 value = $822. CGC census 4/08: 1 in 8.5, 2 higher.
Bulletman #9 (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. Dave Berg story and art. Overstreet 2008 VF 8.0 value = $494; VF/NM 9.0 value = $822. CGC census 4/08: 3 in 8.5, 3 higher.
Captain America Comics #50 (Timely, 1945) CGC FN 6.0 Off-white pages. Gorilla cover by Alex Schomburg. Human Torch story included in the contents. Overstreet 2008 FN 6.0 value = $465. CGC census 4/08: 1 in 6.0, 12 higher. From the Williamsport Collection.
Captain Flash #1 (Sterling, 1954) CGC VF 8.0 Off-white pages. Origin story. Mike Sekowsky art. Tomboy (female superhero) begins. Only pre-Code issue. Atomic rocket cover. Overstreet 2008 VF 8.0 value = $238. CGC census 4/08: 1 in 8.0, none higher. From the Williamsport Collection.
Captain Marvel Adventures #5 (Fawcett, 1941) CGC VG/FN 5.0 Cream to off-white pages. Sivana appearance. C. C. Beck cover. Overstreet 2008 VG 4.0 value = $318; FN 6.0 value = $477. CGC census 4/08: 4 in 5.0, 9 higher. From the Williamsport Collection.
Captain Marvel Adventures #6 (Fawcett, 1942) CGC FN 6.0 Cream to off-white pages. C. C. Beck cover and art. Pete Costanza art. Overstreet 2008 FN 6.0 value = $363. CGC census 4/08: 1 in 6.0, 3 higher. From the Williamsport Collection.
Captain Marvel Adventures #9 (Fawcett, 1942) CGC FN+ 6.5 Cream to off-white pages. C. C. Beck cover and art. Second appearance of Ibac. Otto Binder writes his first Captain Marvel script. Overstreet 2008 FN 6.0 value = $363; VF 8.0 value = $756. CGC census 4/08: 2 in 6.5, 8 higher. From the Williamsport Collection.
Captain Marvel Adventures #10 (Fawcett, 1942) CGC FN+ 6.5 Cream to off-white pages. C. C. Beck cover and art. Overstreet 2008 FN 6.0 value = $363; VF 8.0 value = $756. CGC census 4/08: 1 in 6.5, 8 higher. From the Williamsport Collection.
Captain Marvel Adventures #13 (Fawcett, 1942) CGC FN/VF 7.0 Off-white pages. Contains a two page Captain Marvel centerfold pin-up. C. C. Beck cover and art. Overstreet 2008 FN 6.0 value = $279; VF 8.0 value = $581. CGC census 4/08: 1 in 7.0, 9 higher. From the Williamsport Collection.
Captain Marvel Adventures #15 (Fawcett, 1942) CGC FN+ 6.5 Off-white pages. Hitler appearance. C. C. Beck cover. Interior art by Marc Swayze. Comic cards on the back cover make their first appearance with this issue. Overstreet 2008 FN 6.0 value = $279; VF 8.0 value = $581. CGC census 4/08: 2 in 6.5, 5 higher. From the Williamsport Collection.
Captain Marvel Adventures #41 (Fawcett, 1944) CGC VF/NM 9.0 Cream to off-white pages. Captain Marvel runs for President. C. C. Beck art. Overstreet 2008 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 4/08: 4 in 9.0, 2 higher. From the Williamsport Collection.
Captain Marvel Adventures #43 (Fawcett, 1945) CGC NM- 9.2 Cream to off-white pages. C. C. Beck cover and art. Mr. Mind appearance. Overstreet 2008 NM- 9.2 value = $500. CGC census 4/08: 2 in 9.2, none higher. From the Williamsport Collection.
Captain Marvel Adventures #51 Double Cover (Fawcett, 1946) CGC NM 9.4 Off-white pages. Bi-weekly issues started with this one. C. C. Beck cover. Pete Costanza art. This is a double cover issue. CGC notes, "1st cover 8.0, interior cover 9.4". Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 6 in 9.4, 1 higher. From the Williamsport Collection.
Captain Marvel Adventures #129 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. Robot cover. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 2 in 9.4, none higher.
Captain Marvel Jr. #1 (Fawcett, 1942) CGC GD/VG 3.0 Off-white pages. Mac Raboy's classic cover embodies the essence of this beloved character. The origin of Junior is retold here, with an appearance by his arch nemesis, Captain Nazi. Overstreet 2008 GD 2.0 value = $543; VG 4.0 value = $1,086. CGC census 4/08: 2 in 3.0, 13 higher. From the Williamsport Collection.
Captain Marvel Jr. #2 (Fawcett, 1942) CGC FN+ 6.5 Cream to off-white pages. Captain Marvel Jr. vs. Captain Nazi. Origin of Captain Nippon. Mac Raboy cover. Overstreet 2008 FN 6.0 value = $600; VF 8.0 value = $1,250. CGC census 4/08: 1 in 6.5, 2 higher. From the Williamsport Collection.
Captain Marvel Jr. #4 (Fawcett, 1943) CGC FN 6.0 Cream to off-white pages. Mac Raboy cover. Overstreet "classic" cover. Overstreet 2008 FN 6.0 value = $351. CGC census 4/08: 1 in 6.0, 4 higher. From the Williamsport Collection.
Captain Marvel Jr. #5 (Fawcett, 1943) CGC FN 6.0 Cream to off-white pages. Captain Marvel Jr. vs. the dastardly Captain Nazi. Mac Raboy cover. Overstreet 2008 FN 6.0 value = $285. CGC census 4/08: 1 in 6.0, 2 higher. From the Williamsport Collection.
Captain Marvel Jr. #7 Crowley Copy pedigree (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. For this and other titles during the early to mid-1940s, a prime factor in their collectability quotient was the signature covers by Mac Raboy. This Crowley Copy is unsurpassed in grade by any other that has been certified by CGC to date. Overstreet 2008 VF 8.0 value = $488; VF/NM 9.0 value = $807. CGC census: 4/08 2 in 8.5, none higher.
Captain Marvel Jr. #13 (Fawcett, 1943) CGC VF 8.0 Off-white pages. Mac Raboy's depiction of Jr., football in one arm, and stiff-arming his way through the defensive trio of Hitler, Mussolini, and Tojo rates a "classic" designation by Overstreet. This issue also features a Captain Nazi appearance. CGC notes, "Very minor amount of glue on spine of cover." Overstreet 2008 VF 8.0 value = $688. CGC census 4/08: 2 in 8.0, 3 higher.
Captain Marvel Jr. #13 (Fawcett, 1943) CGC VF- 7.5 Cream to off-white pages. Hitler/Tojo/Mussolini cover by Mac Raboy. Overstreet 2008 VF 8.0 value = $688. CGC census 4/08: 1 in 7.5, 5 higher. From the Williamsport Collection.
Captain Marvel Jr. #15 (Fawcett, 1944) CGC VF 8.0 Cream to off-white pages. Mac Raboy cover and art. Captain Nazi appearance. Overstreet 2008 VF 8.0 value = $419. CGC census 4/08: 1 in 8.0, 2 higher. From the Williamsport Collection.
Captain Marvel Jr. #119 (Fawcett, 1953) CGC VF+ 8.5 Off-white pages. Electrocution cover by Bud Thompson. Last issue of the series, listed as "scarce" by Overstreet. Thompson, Joe Certa, and Art Helfant art. Overstreet 2008 VF 8.0 value = $305; VF/NM 9.0 value = $503. CGC census 4/08: 1 in 8.5, 2 higher. From the Williamsport Collection.
Captain Midnight #15 (Fawcett, 1943) CGC NM 9.4 Off-white pages. Leonard Frank art fills this gorgeous copy that could have come from a pedigree collection. Overstreet 2008 NM- 9.2 value = $700. CGC census 4/08: 2 in 9.4, 1 higher.
Captain Midnight #41 (Fawcett, 1946) CGC NM+ 9.6 White pages. By 1946, there were no Axis powers left to vanquish, but Captain Midnight was still fighting the good fight. This is the highest-graded copy of this issue that CGC has certified as of this writing -- it even outscores a few pedigreed copies. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.6, none higher.
Captain Midnight #42 Mile High pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. The "Crusader of the Clouds" is flying proud on the cover of the Mile High beaut. The page quality is excellent and the dark cover shows nary a blemish. You'll not find a nicer copy anywhere, as this one currently tops the CGC census. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.6, none higher.
Captain Midnight #57 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. Wow! A jet-powered car in 1947. This cover was ahead of its time and pre-dates the first jet-powered car by almost 20 years. Another highest-graded, white-paged stunner from the cedar-lined closet of Edgar Church. Overstreet 2008 NM- 9.2 value = $300. CGC census 3/08: 1 in 9.6, none higher.
Captain 3-D #1 File Copy (Harvey, 1953) CGC NM 9.4 Cream to off-white pages. Jack Kirby and Mort Meskin cover. Kirby and Steve Ditko art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 3 in 9.4, none higher.
Choice Comics #3 (Great Comics Publications, 1941) CGC FN/VF 7.0 Off-white to white pages. This Gerber "uncommon" issue has earned a "classic cover" designation from Overstreet. To date, CGC hasn't certified another copy of the final issue of this title. The "Lost City" story is continued from Great Comics #3, a copy of which we're offering in Session 1 of this auction. Overstreet 2008 FN 6.0 value = $393; VF 8.0 value = $819. CGC census 4/08: 1 in 7.0, none higher.
Classics Illustrated #40 Mysteries by Edgar Allan Poe - Original Edition (Gilberton, 1947) CGC VF/NM 9.0 Off-white to white pages. This issue featured three works by the great mystery/horror author. Henry Kiefer provided cover and interior art. Overstreet 2008 VF/NM 9.0 value = $615; NM- 9.2 value = $860. CGC census 4/08: 1 in 9.0, 1 higher.
Crime SuspenStories #14 Double Cover (EC, 1952) CGC VF 8.0 Off-white pages. There is an Old Witch appearance and an interior cover ad for Mad #1 in this issue. Johnny Craig provided the cover art and Craig, Jack Kamen, and Graham Ingels, the interior art. CGC notes, "1st cover 7.5, interior cover 8.0." Overstreet 2008 VF 8.0 value = $216. CGC census 4/08: 3 in 8.0, 12 higher. From the Williamsport Collection.
Crime SuspenStories #18 (EC, 1953) CGC NM 9.4 Off-white pages. Johnny Craig cover. Interior art by Craig, Reed Crandall, Jack Kamen, and Bill Elder. Used in Seduction Of The Innocent. Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 2 in 9.4, 6 higher. From the Williamsport Collection.
Crown Comics #6 Mile High pedigree (Golfing, Inc., 1946) CGC VF+ 8.5 Off-white to white pages. Matt Baker cover and art. Only the Big Apple copy currently grades higher than this Edgar Church offering. Overstreet 2008 VF 8.0 value = $170; VF/NM 9.0 value = $268. CGC census 4/08: 1 in 8.5, 1 higher.
Cupid #2 Davis Crippen ("D" Copy) pedigree (Marvel, 1950) CGC VF 8.0 Off-white pages. Overstreet cites this dreamy photo cover as featuring Bettie Page, the 50s pin-up queen. Bob Powell art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $235. CGC census 4/08: 1 in 8.0, none higher.
Dagwood File Copies Box Lot (Harvey, 1951-64) Condition: Average VF/NM. A full short box that includes Harvey file copies of issues #3-22, 24, 25, 27-36, 38, 41-55, 57, 59-65, 68-74, 77-84, 89-92, and 97-138. The earlier issues feature one-page back-up strips that include Popeye and other characters. Approximate Overstreet value for group = $5,250.
Daring Comics #11 (Timely, 1945) CGC VF- 7.5 Off-white to white pages. Destroyer story. Alex Schomburg cover featuring the Sub-Mariner and the Human Torch. Art by Al Simon, Al Gabriele, and Al Bellman. Overstreet 2008 VF 8.0 value = $681. CGC census 4/08: 5 in 7.5, 4 higher. From the Williamsport Collection.
Detective Comics #50 (DC, 1941) CGC FN- 5.5 White pages. Contains a full page ad for World's Best Comics #1. Bob Kane cover. Kane and Jerry Robinson art. Amazing page quality on this one. Overstreet 2008 FN 6.0 value = $807. CGC census 4/08: 5 in 5.5, 7 higher.
Detective Comics #72 Crowley Copy pedigree (DC, 1943) CGC VF- 7.5 Off-white to white pages. Jerry Robinson art. CGC notes, "'Flash Gordon' written on the centerfold in pencil." Only one copy outgrades our offering on the current CGC census. Overstreet 2008 VF 8.0 value = $731. CGC census 4/08: 1 in 7.5, 1 higher.
Detective Comics #82 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Bob Kane and Jerry Robinson treat us to this kickin' Batman and Robin cover. The ish contains a Boy Commandos feature by Joe Simon and Jack Kirby. George Roussos art. Overstreet 2008 VF 8.0 value = $594; VF/NM 9.0 value = $985. CGC census 4/08: 1 in 8.5, 3 higher.
Detective Comics #127 (DC, 1947) CGC VF 8.0 Off-white pages. The Dynamic Duo become "Pigmies in Giantland" in this ish with a Charles Paris cover and interior art. A Boy Commandos story is rendered by Curt Swan. Overstreet 2008 VF 8.0 value = $431. CGC census 4/08: 2 in 8.0, 6 higher.
Detective Comics #220 (DC, 1955) CGC VF- 7.5 Off-white pages. Win Mortimer cover. Art by Dick Sprang, Charles Paris, Joe Certa, and Ruben Moreira. Overstreet 2008 VF 8.0 value = $287. CGC census 4/08: 2 in 7.5, none higher. From the Williamsport Collection.
Donald and Mickey Merry Christmas #1947 (K.K. Publications, 1947) CGC VF 8.0 Light tan to off-white pages. Features the story "Three Good Little Ducks." Carl Barks cover and art. Overstreet 2008 VF 8.0 value = $488. CGC census 4/08: 1 in 8.0, 3 higher.
Dotty Dripple #13-42 File Copies Group (Harvey, 1950-55) Condition: Average NM-. Set of high-grade Harvey file copies that includes issues #13-24 and #25-42 (title changed to Horace and Dotty Dripple). Approximate Overstreet value for group = $975.
EC and Other "VD"-Related Promotional Comics Group (1948-50) Condition: Qualified VF/NM. Except for being 3-hole-punched, these are very nice copies, and two tough ECs are the highlights. The K.O. Punch has Al Feldstein and Jack Kamen art, and details the medical repercussions of having extramarital affairs with loose women. Lucky Fights It Through was Harvey Kurtzman's first work for EC and is called Very Rare by Overstreet. It looks at the bad things that can happen when cowboys "carry on" with dance hall girls. Lastly, Sidewalk Romance (Health Publications, 1950) follows a guy who "caught VD from a dame on a spree." Overstreet 2008 values for group (not counting Sidewalk Romance which is not listed) = GD $206; VG $412; FN $618; VF $1,287; VF/NM $2,131.
Fawcett Miniatures Captain Marvel and the Raiders From Space (Fawcett, 1946) CGC NM/MT 9.8 White pages. Wheaties giveaway contains a Golden Arrow story. Overstreet 2008 NM- 9.2 value = $200. CGC census 4/08: 3 in 9.8, none higher.
Silver Age (1956-1969)
Felix the Cat File Copies Group (Harvey, 1955-61) Condition: Average VF/NM. These are high-grade Harvey file copies of issues #62 (first Harvey issue), #63-69, 71, 72, 79-82, 88, 90, 95-97, 99-110, and 115-118. Approximate Overstreet value for group = $1,350.
Golden Age (1938-1955)
Fight Against Crime #16 (Story Comics, 1953) CGC VF 8.0 Off-white pages. Doug Wildey and Ross Andru art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $240. CGC census 4/08: 1 in 8.0, none higher. From the Williamsport Collection.
Fight Comics #50 Mile High pedigree (Fiction House, 1947) CGC VF- 7.5 Off-white to white pages. Tiger Girl bondage cover and panels. Matt Baker and Lily Renee art. One of the great Fiction House covers from one of the great pedigree collections. Overstreet 2008 VF 8.0 value = $178. CGC census 4/08: 1 in 7.5, 5 higher.
First Love Illustrated Group (Harvey, 1949-63) Condition: Average VF/NM unless otherwise noted. Includes #2, 4, 8-10, 16 (VG), 18-29, #30 (lingerie panel), 31-35, 37-45, 46 (FN), 83-87, 89, and 90. Artists include Joe Orlando and Bob Powell. Approximate Overstreet value for group = $2,000.
First Romance File Copies Group (Harvey, 1949-58) Condition: Average VF/NM. An almost-complete run of the series that includes Harvey file copies of issues #1-4, 6, 8 (2 copies), 10 (2), 11-14, 16-24, 26, 27, #28 (Howard Nostrand art), 29-31, #32 (last pre-Code issue), 33-39, 40 (2), 41-48, 49 (2), and 50-52. Issues #41-43 feature covers by Jack Kirby. Many feature art by Bob Powell. Approximate Overstreet value for group = $2,175.
Flash Comics #53 (DC, 1944) CGC VF/NM 9.0 White pages. Only the San Francisco Copy has won a higher grade (NM- 9.2) from CGC to date, but even that illustrious pedigree can't boast better page quality! Sheldon Moldoff did the cover and the Hawkman story. Martin Naydel contributed the Flash story. Overstreet 2008 VF/NM 9.0 value = $913; NM- 9.2 value = $1,275. CGC census 4/08: 2 in 9.0, 1 higher.
Flash Comics #63 Davis Crippen ("D" Copy) pedigree (DC, 1945) CGC VF 8.0 Off-white pages. Joe Kubert cover and art. CGC notes, "Slight foxing on pages." Overstreet 2008 VF 8.0 value = $488. CGC census 4/08: 1 in 8.0, 2 higher. From the Williamsport Collection.
Four Color #159 Donald Duck (Dell, 1947) CGC VF 8.0 Off-white pages. Donald and nephews Huey, Dewey, and Louie in "Ghost of the Grotto" by Carl Barks (story and art). Carl Von Buettner cover. Overstreet 2008 VF 8.0 value = $723. CGC census 4/08: 5 in 8.0, 9 higher.
Four Color #238 Donald Duck (Dell, 1949) CGC VF 8.0 Off-white to white pages. Donald Duck and Huey, Dewey, and Louie in "Voodoo Hoodoo," with story, cover, and art by Carl Barks. Overstreet 2008 VF 8.0 value = $459. CGC census 4/08: 3 in 8.0, 7 higher.
Great Comics #1 Mile High pedigree (Novack, 1945) CGC VF 8.0 White pages. A thrilling underwater scene is depicted on this excellent L. B. Cole cover, while inside, The Defenders and Captain Power make appearances. Al Fagaly provides additional art. A real beauty from the cedar-lined closets of Edgar Church. Overstreet 2008 VF 8.0 value = $186. CGC census 4/08: 3 in 8.0, 8 higher.
Hi-School Romance File Copies Group (Harvey, 1949-58) Condition: Average VF/NM. With issues #2-3, 5-25, 29-61, and 63-75, this group falls just six issues short of being the series' full nine-year run! Also included are second copies of #14, 22, and 68, as well as a copy of Hi-School Romance Datebook #1. A few of the early issues have brittle page edges. Overstreet 2008 VF/NM 9.0 value for group = $2,880.
Hit Comics #16 (Quality, 1941) CGC VF+ 8.5 Off-white pages. Lou Fine did all but one of the first 16 issues of the early Quality title, including this one. Al Bryant, Jack Cole, Reed Crandall, and Klaus Nordling furnished interior art. As with most of the early issues, this one's a very tough find in high grade; CGC has certified just two copies nicer than FN- 5.5 to date, none higher than our offering. Overstreet 2008 VF 8.0 value = $756; VF/NM 9.0 value = $1,253. CGC census 4/08: 2 in 8.5, none higher.
Howdy Doody #8 (Dell, 1951) CGC NM+ 9.6 Off-white to white pages. Pinted cover. Overstreet 2008 NM- 9.2 value = $265. CGC census 4/08: 1 in 9.6, none higher. From the Williamsport Collection.
The Human Torch #38 (Timely, 1954) CGC FN/VF 7.0 Off-white pages. Final issue. Sub-Mariner story. Carl Burgos cover. Bill Everett and Dick Ayers art. Overstreet 2008 FN 6.0 value = $270; VF 8.0 value = $563. CGC census 4/08: 4 in 7.0, 4 higher. From the Williamsport Collection.
Jungle Comics #57 Rockford pedigree (Fiction House, 1944) CGC NM 9.4 Cream to off-white pages. Joe Doolin cover. Ruben Moreira art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.4, 1 higher.
Jungle Comics #58 Rockford pedigree (Fiction House, 1944) CGC NM 9.4 Cream to off-white pages. Joe Doolin cover art, with Ruben Moreira interior art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 1 in 9.4, 1 higher.
Jungle Comics #72 Davis Crippen ("D" Copy) pedigree (Fiction House, 1945) CGC NM- 9.2 Cream to off-white pages. Joe Doolin cover, with Fran Hopper, Ruben Moreira, and Howard Larsen interior story art. Highest grade yet certified for issue #72 by CGC. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 3 in 9.2, none higher.
Jungle Comics #80 Davis Crippen ("D" Copy) pedigree (Fiction House, 1946) CGC NM- 9.2 Off-white pages. Joe Doolin's covers provided the distinctive "look" for Fiction House books for most of the mid- to late-1940s. He provided a bondage cover here, and is supported by interior artwork from John Celardo, Bob Lubbers, and Fran Hopper in this issue. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 1 in 9.2, 1 higher.
Lash LaRue Western #1 (Fawcett, 1949) CGC NM 9.4 Off-white pages. Lash and his horse, Diamond, begin a run that would last for almost five years. Photo front and back covers. Overstreet 2008 NM- 9.2 value = $1,250. CGC census 4/08: 3 in 9.4, none higher.
Little Max File Copies Group (Harvey, 1950-61) Condition: Average NM-. Includes high-grade Harvey file copies of issues #5-17, 19-29, 31, 32, 34-47, and 49-73 -- almost the entire series. Approximate Overstreet value for group = $2,850.
Lone Ranger's Famous Horse Hi-Yo Silver File Copies Group (Dell, 1953-60) Condition: Average VF+. This set of Dell file copies includes issues #7, 8, 12-18, 20-22, 24, 25, and 27-36. All feature painted covers. Approximate Overstreet value for group = $900.
Looney Tunes and Merrie Melodies Comics #12 (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. A gorgeous copy of this early issue in the long run. Overstreet 2008 NM- 9.2 value = $775. CGC census 4/08: 2 in 9.2, 1 higher.
Love Lessons #1 File Copy (Harvey, 1949) CGC NM 9.4 Cream to off-white pages. A metallic silver cover header was printed over the canceled cover for Love Letters #1. The indicia still reads "Love Letters #1". Overstreet 2008 NM- 9.2 value = $175. CGC census 4/08: 1 in 9.4, none higher.
Mad #1 (EC, 1952) CGC VF- 7.5 Off-white to white pages. Clean, very attractive copy. Tiny (3mm) spine split at the top. Historic first issue. Harvey Kurtzman cover art. Wally Wood, Jack Davis, and Bill Elder interior art. Overstreet 2008 VF 8.0 value = $3,296. CGC census 4/08: 18 in 7.5, 22 higher.
Mad #1 (EC, 1952) CGC VG 4.0 Off-white pages. Nice copy of one of comicdom's most historic first issues. It's considered the first satire comic book of all, and with a Harvey Kurtzman cover and scripts, plus the outrageous interior artwork by Wally Wood, Jack Davis, and Bill Elder, it may be the best. Overstreet 2008 VG 4.0 value = $824. CGC census 4/08: 12 in 4.0, 114 higher. From the Williamsport Collection.
Mad #2 (EC, 1952) CGC FN/VF 7.0 Off-white pages. Tarzan of the Apes parody. Dick Tracy cameo. Jack Davis cover. Davis, John Severin, Bill Elder, and Wally Wood art. Overstreet 2008 FN 6.0 value = $327; VF 8.0 value = $872. CGC census 4/08: 11 in 7.0, 33 higher.
Mad #4 (EC, 1953) CGC VF+ 8.5 Off-white pages. Superman, Robin Hood, and the Shadow are parodied in this lampooning issue. Harvey Kurtzman delivers a story and the cover art while Wally Wood, John Severin, Bill Elder, and Jack Davis round out the artists stable. Overstreet 2008 VF 8.0 value = $600; VF/NM 9.0 value = $938. CGC census 4/08: 5 in 8.5, 15 higher.
Mad #5 (EC, 1953) CGC VF 8.0 Off-white to white pages. There were fewer copies of this issue available to readers, than previous issues, as many copies were pulled from newsstands due to the "humorous" William Gaines biography, which stated that he was "peddling dope near nursery schools." A Blackhawk parody and a Bill Elder "hanging" cover were joined by Wally Wood, Harvey Kurtzman, John Severin, and Jack Davis interior art. Overstreet 2008 VF 8.0 value = $1,224. CGC census 4/08: 4 in 8.0, 8 higher.
Mad #19 (EC, 1955) CGC NM- 9.2 Off-white pages. The Mickey Mouse and "The Caine Mutiny" parodies in this ish are calculated to drive you... Harvey Kurtzman story and racing form cover. Bill Elder, Jack Davis, and Wally Wood art. Overstreet 2008 NM- 9.2 value = $685. CGC census 4/08: 2 in 9.2, 5 higher.
Marge's Little Lulu #34 File Copy (Dell, 1951) CGC VF+ 8.5 Cream to off-white pages. This copy ties with one other as the highest graded copy certified by CGC to date. Overstreet 2008 VF 8.0 value = $87; VF/NM 9.0 value = $156. CGC census 4/08: 2 in 8.5, none higher.
Marvel Mystery Comics #23 (Timely, 1941) CGC FN/VF 7.0 Cream to off-white pages. Alex Schomburg cover. Last Paul Gustavson Angel story. Origin of the Vision in text. Overstreet 2008 FN 6.0 value = $807; VF 8.0 value = $1,681. CGC census 4/08: 4 in 7.0, 6 higher. From the Williamsport Collection.
Marvel Tales #107 Double Cover (Atlas, 152) CGC VF- 7.5 Off-white pages. Art by Gene Colan, Bernie Krigstein, Ogden Whitney, and Allen Bellman. Store stamp on outer cover. CGC notes, "First cover 7.5, interior cover 6.0." Overstreet 2008 VF 8.0 value = $293. CGC census 4/08: 1 in 7.5, 1 higher. From the Williamsport Collection.
Marvel Tales #134 (Atlas, 1955) CGC VF/NM 9.0 Off-white to white pages. Flying saucer cover. Art by Bernie Krigstein, Joe Kubert, Dick Ayers, and Manny Stallman. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $209; NM- 9.2 value = $285. CGC census 4/08: 1 in 9.0, none higher. From the Williamsport Collection.
Miss Beverly Hills of Hollywood #5 Mile High pedigree (DC, 1949) CGC VF/NM 9.0. How can you beat this delightful cover, with the titular heroine surrounded by Hollywood heartthrobs? Humor wins out over studliness, though -- of all the stars pictured on this partial photo cover, only Bob Hope gets to meet our cover beauty in the story. If you want to be like ol' Ski-Nose and hold something pretty in your arms, go after this pedigree book -- it's the highest-graded copy of this issue that CGC has certified to date. Overstreet 2008 VF/NM 9.0 value = $380; NM- 9.2 value = $520. CGC census 4/08: 1 in 9.0, none higher.
Mister Mystery #2 (Mikeross Publications, 1951) CGC VF/NM 9.0 Off-white to white pages. Ross Andru and Mike Esposito cover art. Contains art that Overstreet describes as "Kurtzmanesque." Overstreet 2008 VF/NM 9.0 value = $625; NM- 9.2 value = $875. CGC census 4/08: 5 in 9.0, 4 higher.
Mystery in Space #5 (DC, 1952) CGC FN/VF 7.0 Off-white pages. Carmine Infantino cover. Infantino, Bob Oksner, and Gil Kane art. Overstreet 2008 FN 6.0 value = $165; VF 8.0 value = $468. CGC census 4/08: 1 in 7.0, 8 higher. From the Williamsport Collection.
Mystery Men Comics #11 (Fox, 1940) CGC VF+ 8.5 Off-white pages. First appearance of Domino. Joe Simon cover. Art by Bob Powell, George Tuska, Dick Briefer, Charles Nicholas, and Jim Mooney. Overstreet 2008 VF 8.0 value = $638; VF/NM 9.0 value = $1,057. CGC census 4/08: 1 in 8.5, 2 higher.
New York World's Fair Comics #1939 (DC, 1939) CGC GD- 1.8 Slightly Brittle pages. This issue is listed at number 41 in Overstreet's ranking of the most valuable Golden Age books. It features the first published appearance of the Sandman. An unusually blonde haired Superman graces the masthead, while Scoop Scanlon, Zatara, Slam Bradley, and Ginger Snap by Bob Kane make appearances. An art deco Vincent Sullivan cover and background by Fred Guardineer make for an interesting, futuristic look. CGC notes, "Cover detached. 1st page detached." Overstreet 2008 GD 2.0 value = $1,900. CGC census 4/08: 3 in 1.8, 26 higher.
New York World's Fair Comics 1940 (DC, 1940) CGC Qualified VG- 3.5 Off-white to white pages. Featuring appearances by Batman, Robin, Superman, Slam Bradley, Johnny Thunder, Sandman, and Zatara, this issue, which sold for 15¢ at the 1940 New York World's Fair, was wrapped with a Jack Burnley cover starring the Dynamic Duo and Supes on a cover, together for the very first time. Its big 96 pages were filled with art by stalwarts like Creig Flessel, Paul Gustavson, and Bob Kane. CGC notes, "1st page missing, affects story. Incomplete." Overstreet 2008 GD 2.0 value = $1,000; VG 4.0 value = $2,000.
Nyoka the Jungle Girl #7 Mile High pedigree (Fawcett, 1947) CGC VF+ 8.5 White pages. A bondage cover, depicting the "North Pole Jungle," wraps this Mile High offering. Bernie Krigstein interior art. As is common with this collection, the page quality is exemplary. Overstreet 2008 VF 8.0 value = $109; VF/NM 9.0 value = $172. CGC census 4/08: 1 in 8.5, 1 higher.
Pep Comics #6 (MLJ , 1940) CGC VF+ 8.5 Off-white to white pages. The Shield (whose secret identity was only known to J. Edgar Hoover) and the Comet take charge in this issue, from one of the earliest MLJ Magazines' (later Archie Comics) titles. Irv Novick provided cover and interior art for the Shield, while Jack Cole drew the Comet. Additional artists included Charles Biro and Bob Wood. Overstreet 2008 VF 8.0 value = $763; VF/NM 9.0 value = $1,269. CGC census 4/08: 1 in 8.5, 2 higher.
Pep Comics #8 (MLJ , 1940) CGC VF+ 8.5 Off-white to white pages. An Irv Novick branding iron, torture cover, featuring the Shield, adorns this very nice copy. Jack Cole, Mort Meskin, Charles Biro, and Bob Wood provide interior art. Overstreet 2008 VF 8.0 value = $763; VF/NM 9.0 value = $1,269. CGC census 4/08: 2 in 8.5, none higher.
Pep Comics #51 Davis Crippen ("D" Copy) pedigree (MLJ , 1944) CGC VF 8.0 Off-white to white pages. Bill Vigoda cover. Art by Vigoda and Irv Novick. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $176. CGC census 4/08: 1 in 8.0, none higher.
Piracy #2 (EC, 1955) CGC NM- 9.2 Off-white pages. Reed Crandall cover. Art by Crandall, Jack Davis, Wally Wood, Al Williamson, and Angelo Torres. Overstreet 2008 NM- 9.2 value = $290. CGC census 4/08: 1 in 9.2, 6 higher. From the Williamsport Collection.
Planet Comics #9 (Fiction House, 1940) CGC VG/FN 5.0 Off-white pages. We're fortunate enough to see later Planet issues fairly regularly, but ones from early in the run are another story. Artists in these pages include George Tuska. Overstreet 2008 VG 4.0 value = $414; FN 6.0 value = $621. CGC census 4/08: 1 in 5.0, 5 higher.
Planet Comics #48 (Fiction House, 1947) CGC VF/NM 9.0 Off-white pages. The robot cover by Joe Doolin is just another in his incredible offerings that started nearly four years before and would continue for another two years for Fiction House's flagship title. Murphy Anderson, George Evans, Fran Hopper, and Lily Renee contributed interior art. Overstreet 2008 VF/NM 9.0 value = $663; NM- 9.2 value = $925. CGC census 4/08: 2 in 9.0, 4 higher.
Prize Comics #53 Mile High pedigree (Prize, 1945) CGC NM 9.4 White pages. Dick Briefer contributes both story and art to this Mile High stunner. Inside the Devil cover, a transvestism story awaits. A very sharp looking copy. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 1 in 9.4, none higher.
Psychoanalysis #1 (EC, 1955) CGC VF+ 8.5 Off-white pages. Not approved by Comics Code. Jack Kamen cover and art. Overstreet 2008 VF 8.0 value = $152; VF/NM 9.0 value = $241. CGC census 4/08: 1 in 8.5, 4 higher. From the Williamsport Collection.
Roy Rogers Annual (Canadian) #nn (Wilson Publishing, 1947) CGC GD 2.0 Off-white pages. "Less than 5 known copies," says Overstreet, and the CGC census puts the number at exactly five. This Canada-only annual doesn't correspond to any single U.S. publication. The front and back covers are those of Dell's Roy Rogers Comics #2, while the content is reprinted from that issue as well as Four Color #137 and 153. The result is a whopping 132-pager. Overstreet does not list a value for this issue, but notes, "A copy in VG/FN was sold in 1986 for $400, in 1996 for $1,200 and in 2000 for $1,500; a FN+ sold for $1,650." CGC census 4/08: 1 in 2.0, 4 higher.
Shock SuspenStories #6 (EC, 1952) CGC VF/NM 9.0 Cream to off-white pages. Overstreet describes this Wally Wood cover as a "classic hooded vigilante bondage cover." Wood, Jack Kamen, Joe Orlando, and Graham Ingels art. Overstreet 2008 VF/NM 9.0 value = $588; NM- 9.2 value = $800. CGC census 4/08: 4 in 9.0, 7 higher. From the Williamsport Collection.
Sparkler Comics #39 Davis Crippen ("D" Copy) pedigree (United Features Syndicate, 1944) CGC NM- 9.2 Off-white pages. Burne Hogarth Tarzan cover. Overstreet 2008 NM- 9.2 value = $635. CGC census 4/08: 2 in 9.2, 2 higher.
Startling Comics #3 (Better Publications, 1940) CGC FN/VF 7.0 Off-white to white pages. The only copy graded above 3.5, and the first copy we have ever offered. Featuring Captain Future. Overstreet 2008 FN 6.0 value = $249; VF 8.0 value = $519. CGC census 4/08: 1 in 7.0, none higher.
Strange Terrors #6 (St. John, 1953) CGC VF+ 8.5 Off-white pages. Bondage/skull cover by Albert Tyler. Tyler, Lou Cameron, and Pete Morisi art. Overstreet 2008 VF 8.0 value = $323; VF/NM 9.0 value = $537. CGC census 4/08: 1 in 8.5, none higher. From the Williamsport Collection.
Sub-Mariner Comics #10 (Timely, 1943) CGC FN 6.0 Cream to off-white pages. Alex Schomburg cover. Overstreet 2008 FN 6.0 value = $828. CGC census 4/08: 3 in 6.0, 9 higher.
Sub-Mariner Comics #35 (Timely, 1954) CGC VF 8.0 White pages. The Human Torch and Namora appear inside as Namor fights off both the Russians and a tentacled beasty on this great Sol Brodsky underwater cover. Bill Everett story and art. Dick Ayers art. Overstreet 2008 VF 8.0 value = $506. CGC census 4/08: 2 in 8.0, 2 higher.
Superboy #1 (DC, 1949) CGC GD- 1.8 Off-white pages. Superman cover appearance. Wayne Boring cover. A very nice-looking GD-, complete and presentable with a small piece of tape on the tail of the spine. Overstreet 2008 GD 2.0 value = $829. CGC census 4/08: 2 in 1.8, 64 higher. From the Williamsport Collection.
Superboy #7 (DC, 1950) CGC VF+ 8.5 Off-white pages. John Sikela cover and art. Wayne Boring and Stan Kaye art. Overstreet 2008 VF 8.0 value = $638; VF/NM 9.0 value = $1,057. CGC census 4/08: 1 in 8.5, 1 higher. From the Williamsport Collection.
Superboy #10 (DC, 1950) CGC VF- 7.5 Off-white to white pages. This issue introduces Lana Lang to Smallville, and Superboy's world will be forever altered by this ravishing red-haired teen queen. Superman's affairs of the heart always seemed to involve a lady with "LL" initials, a trend that started at this moment in his life. This attractive copy has great cover color and paper quality. Overstreet 2008 VF 8.0 value = $688. CGC census 4/08: 1 in 7.5, 2 higher. From the Williamsport Collection.
Superboy #34 (DC, 1954) CGC VF/NM 9.0 Off-white pages Win Mortimer cover. Curt Swan art. The next closest CGC-graded copy only registers a 7.0. Overstreet 2008 VF/NM 9.0 value = $347; NM- 9.2 value = $475. CGC census 4/08: 1 in 9.0, none higher. From the Toronto Collection.
Superboy #38 (DC, 1955) CGC VF 8.0 Cream to off-white pages. Last pre-Code issue. Curt Swan cover and art. Currently the highest CGC-graded copy by a long shot. The next highest graded issue is only a 3.5! The first copy that we have ever offered. Overstreet 2008 VF 8.0 value = $219. CGC census 4/08: 1 in 8.0, none higher. From the Toronto Collection.
Superboy #41 (DC, 1955) CGC VF/NM 9.0 Off-white pages. Win Mortimer cover. Curt Swan art. The highest CGC-graded copy to date, by a mile. The next closest issue sits at 5.5. Overstreet 2008 VF/NM 9.0 value = $308; NM- 9.2 value = $420. CGC census 4/08: 1 in 9.0, none higher. From the Toronto Collection.
Super Comics #1 (Dell, 1938) CGC FN+ 6.5 White pages. The Photo-Journal Guide to Comic Books rates this book as "rare" -- not really that big a surprise considering this oldie beat Action Comics #1 to the newsstands by a month! Dick Tracy, Little Orphan Annie, Terry and the Pirates, the Gumps, and many other comic strip favorites of the day are featured. Overstreet 2008 FN 6.0 value = $876; VF 8.0 value = $1,679. CGC census 4/08: 2 in 6.5, 6 higher.
Super Comics #10 File Copy (Dell, 1939) CGC NM- 9.2 Cream to off-white pages. Bright colors prevail on this cover's images, which are set against a very red background. This, along with the straight, clean spine, make our copy the highest graded on the current CGC census, even eclipsing the Mile High copy! Overstreet 2008 NM- 9.2 value = $700. CGC census 4/08: 1 in 9.2, none higher.
Superman #2 (DC, 1939) CGC Apparent VG 4.0 Extensive (P) Off-white to white pages. The second issue of the Man of Steel's own title ranks number 50 on Overstreet's list of most valuable Golden Age comics and consists of reprints of daily strips. It also contains a full page ad for the 1939 New York World's fair. This copy has been trimmed and has had some restoration. Jerry Siegel and Joe Shuster cover. CGC notes, "Restoration includes: color touch, pieces added, seals, cleaned. (10th wrap backward)". Overstreet 2008 GD 2.0 value = $1,350; VG 4.0 value = $2,700.
Superman #4 (DC, 1940) CGC Apparent VG/FN 5.0 Slight (A) Off-white pages. Highlights of this seminal issue include a red-headed Lex Luthor appearance (that's his bald henchman on the cover) who is living in an underwater city, creating earthquakes. The Daily Planet is mentioned for only the second time. Joe Shuster donates the cover image and some interior art. Sheldon Moldoff adds interior art as well. CGC notes, "Restoration includes: small amount of color touch, small amount of glue on spine. (Small piece of tape on interior cover)". Overstreet 2008 GD 2.0 value = $629; VG 4.0 value = $1,258; FN 6.0 value = $1,887.
Superman #11 (DC, 1940) CGC FN 6.0 Off-white pages. Fred Ray delivers an iconic cover image of the Man of Steel breaking chains, as Lee Novak contributed the interior art to a Jerry Siegel story. To date, only two copies have been graded higher by CGC. Overstreet 2008 FN 6.0 value = $786. CGC census 4/08: 1 in 6.0, 2 higher.
Superman #99 (DC, 1955) CGC VF 8.0 Off-white pages. Al Plastino cover and art. Wayne Boring art. Only one copy has been graded higher by CGC to date. Overstreet 2008 VF 8.0 value = $275. CGC census 4/08: 1 in 8.0, 1 higher. From the Toronto Collection.
Superman #100 (DC, 1955) CGC VG/FN 5.0 Off-white to white pages. Anniversary issue. Origin of Superman retold. Shows the covers of #1, 25, 50, and 75 on the cover. Win Mortimer cover. Wayne Boring and Al Plastino art. Overstreet 2008 VG 4.0 value = $442; FN 6.0 value = $663. CGC census 4/08: 10 in 5.0, 17 higher. From the David N. Toth Collection.
Superworld Comics #1 (Hugo Gernsback, 1940) CGC GD/VG 3.0 Cream to off-white pages. Rated a "scarce" issue by both Overstreet and Ernst Gerber, this esoteric book is always a crowd-pleaser. The fantastic fantasy cover is by noted sci-fi pulp artist Frank R. Paul. Inside is the origin and first appearance of Hip Knox, Super Hypnotist. Other features were Mitey Powers, Buzz Allen, the Invisible Avenger, and Little Nemo. CGC notes, "4 pieces of tape on spine of cover & 1 on interior cover. Overstreet 2008 GD 2.0 value = $731; VG 4.0 value = $1,462. CGC census 4/08: 1 in 3.0, 5 higher.
Superworld Comics #2 (Hugo Gernsback, 1940) CGC Apparent GD/VG 3.0 Slight (A) Slightly brittle pages. Overstreet says it's "scarce," but Gerber goes a step further, calling it a "rare" issue. What's certain is that CGC has certified just two copies to date with Universal grades. The distinctive cover is by Frank R. Paul. There's a two inch crack in the CGC slab at left front bottom corner. CGC notes, "Restoration includes: glue on spine of cover." Overstreet 2008 GD 2.0 value = $423; VG 4.0 value = $846.
Suspense #1 Carson City pedigree (Atlas, 1949) CGC NM 9.4 Off-white to white pages. The creepy cover featuring a photo of Peter Lorre and Sidney Greenstreet, starring in Dashiel Hammet's "The Verdict," looks great on this chart smashing, highest CGC-graded copy. The second highest graded copy is a paltry 8.0. Bob Powell art graces the interior. Overstreet 2008 NM- 9.2 value = $850. CGC census 4/08: 1 in 9.4, none higher.
Suspense Comics #11 (Continental Magazines, 1946) CGC FN+ 6.5 White pages. Classic devil cover by L. B. Cole. Overstreet 2008 FN 6.0 value = $900; VF 8.0 value = $1,970. CGC census 4/08: 1 in 6.5, 8 higher.
The Texan #4-9 New Hampshire pedigree Group (St. John, 1948-49) Condition: Average VF+. This double pedigree lot includes #4, 5, 6, 7, 8, and 9. All have Matt Baker covers, and most have Baker art. Approximate Overstreet value for group = $750. From the Robert M. Overstreet collection.
The Thing! #9 Davis Crippen ("D" Copy) pedigree (Charlton, 1953) CGC VF+ 8.5 Off-white to white pages. Used in Seduction of the Innocent. Bob Forgione cover and art. Overstreet 2008 VF 8.0 value = $506; VF/NM 9.0 value = $841. CGC census 4/08: 3 in 8.5, 2 higher.
True Brides' Experiences and Others File Copies Group (Harvey, 1954-58) Condition: Average VF/NM. Includes Teen-Age Brides #6 (Lee Elias cover, Bob Powell art); True Brides' Experiences #8 (FN/VF), 11-15, and 16 (final issue); and True Bride-to-Be Romances #17 (Joe Simon & Jack Kirby cover, Powell art), and 18-29 (Powell and Matt Baker art). Approximate Overstreet value for group = $875.
True Love Problems and Advice Illustrated File Copies Group (Harvey, 1949-58) Condition: Average VF+. Includes True Love Problems and Advice Illustrated #3-20, 23-25, 29, 30, #31 (last pre-Code issue), 32-37, #38 (Joe Simon and Jack Kirby cover), and 39-44. Issues #7-9 feature covers by Lee Elias. Also included is Romance Stories of True Love #45-51, and 52 (Matt Baker art, final issue). Many feature art by Bob Powell. Approximate Overstreet value for group = $1,800.
Walt Disney's Comics and Stories #48 File Copy (Dell, 1944) CGC VF+ 8.5 Cream to off-white pages. Carl Barks story and art. Dick Moores art. Walt Kelly cover. Nazis appear in Floyd Gottfredson's Mickey Mouse story. Overstreet 2008 VF 8.0 value = $323; VF/NM 9.0 value = $537. CGC census 4/08: 1 in 8.5, 2 higher.
Walt Disney's Comics and Stories #85 File Copy (Dell, 1947) CGC NM- 9.2 Cream to off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.2, 1 higher.
Walt Disney's Comics and Stories #87 File Copy (Dell, 1947) CGC NM- 9.2 Cream to off-white pages. Walt Kelly cover. Carl Barks story and art. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 2 in 9.2, 1 higher.
Walt Disney's Comics and Stories #89 File Copy (Dell, 1948) CGC VF/NM 9.0 Off-white to white pages. Walt Kelly cover. Carl Barks story and art. Currently tied with one other as highest CGC-graded copy of this issue. Overstreet 2008 VF/NM 9.0 value = $209; NM- 9.2 value = $300. CGC census 4/08: 2 in 9.0, none higher.
Walt Disney's Comics and Stories #90 File Copy (Dell, 1948) CGC VF/NM 9.0 Off-white pages. Walt Kelly cover. Carl Barks story and art. Currently highest CGC-graded copy of this issue. Overstreet 2008 VF/NM 9.0 value = $209; NM- 9.2 value = $300. CGC census 4/08: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #91 File Copy (Dell, 1948) CGC VF/NM 9.0 Off-white pages. Walt Kelly cover. Carl Barks story and art. Currently highest CGC-graded copy of this issue. Overstreet 2008 VF/NM 9.0 value = $191; NM- 9.2 value = $275. CGC census 4/08: 1 in 9.0, none higher.
Weird Tales of the Future #4 (Aragon, 1952) CGC VF- 7.5 Off-white pages. "Jumpin Jupiter" by Basil Wolverton. Partial Wolverton cover. Overstreet 2008 VF 8.0 value = $788. CGC census 4/08: 3 in 7.5, 7 higher. From the Williamsport Collection.
Whiz Comics #58 Crowley Copy pedigree (Fawcett, 1944) CGC NM+ 9.6 Cream to off-white pages. C. C. Beck cover and art. Overstreet 2008 NM- 9.2 value = $365. CGC census 4/08: 1 in 9.6, 0 higher.
Whiz Comics #100 (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. 100th anniversary issue. C. C. Beck cover and art. Kurt Schaffenberger, Basil Wolverton, and Bernie Krigstein art. Overstreet 2008 NM- 9.2 value = $365. CGC census 4/08: 3 in 9.4, 1 higher.
World's Finest Comics #5 (DC, 1942) CGC FN+ 6.5 Off-white to white pages. After a short run in the title, King and the Crimson Avenger make their last appearances here, while TNT and Dan the Dyna-Mite make their first appearances. Fred Ray cover. Lee Novak, John Lehti, and Jerry Robinson art. CGC notes, "3 pieces of tape on last page." Overstreet 2008 FN 6.0 value = $756; VF 8.0 value = $1,575. CGC census 4/08: 3 in 6.5, 8 higher.
Young Men #13 (Atlas, 1952) CGC NM 9.4 Cream to off-white pages. Artists include Russ Heath and Paul Reinman. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.4, none higher. From the Williamsport Collection.
Young Men #24 (Atlas, 1953) CGC GD+ 2.5 Off-white pages. First comic book of Marvel's "superhero revival" period that brought back the Human Torch, Captain America, and the Sub-Mariner. Recaps the origins of all three heroes. Hitler and Red Skull appearances. Russ Heath, Bill Everett, and John Romita Sr. art. Overstreet 2008 GD 2.0 value = $300. CGC census 4/08: 1 in 2.5, 17 higher. From the Williamsport Collection.
Zip Comics #6 (MLJ, 1940) CGC FN/VF 7.0 Off-white pages. Featuring Steel Sterling. Charles Biro cover and art. Irv Novick and Mort Meskin art. Overstreet 2008 FN 6.0 value = $414; VF 8.0 value = $863. CGC census 4/08: 2 in 7.0, 3 higher.
Silver Age (1956-1969)
Action Comics #223 (DC, 1956) CGC VF 8.0 Cream to off-white pages. Wayne Boring cover and art. Jim Mooney art. Overstreet 2008 VF 8.0 value = $244. CGC census 4/08: 1 in 8.0, 1 higher. From the David N. Toth Collection.
Action Comics #227 (DC, 1957) CGC VF+ 8.5 Cream to off-white pages. Wayne Boring cover. Boring, Howard Sherman, and Jim Mooney art. Overstreet 2008 VF 8.0 value = $244; VF/NM 9.0 value = $392. CGC census 4/08: 2 in 8.5, 1 higher. From the David N. Toth Collection.
Action Comics #228 (DC, 1957) CGC VF 8.0 Cream to off-white pages. Al Plastino cover. Art by Plastino, Jim Mooney, and Howard Sherman. Overstreet 2008 VF 8.0 value = $244. CGC census 4/08: 2 in 8.0, 1 higher. From the David N. Toth Collection.
Action Comics #233 (DC, 1957) CGC VF+ 8.5 Off-white pages. Curt Swan cover. Wayne Boring and Jim Mooney art. Overstreet 2008 VF 8.0 value = $244; VF/NM 9.0 value = $392. CGC census 4/08: 1 in 8.5, none higher. From the David N. Toth Collection.
Action Comics #236 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Curt Swan and Stan Kaye cover. Wayne Boring, Stan Kaye, Jim Mooney, and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $244; VF/NM 9.0 value = $392. CGC census 4/08: 1 in 8.5, none higher.
Action Comics #237 (DC, 1958) CGC VF/NM 9.0 Off-white pages. Curt Swan cover. Wayne Boring, Howard Sherman, and Jim Mooney art. Overstreet 2008 VF/NM 9.0 value = $392; NM- 9.2 value = $540. CGC census 4/08: 2 in 9.0, 1 higher. From the David N. Toth Collection.
Action Comics #238 (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. Curt Swan gorilla cover. Wayne Boring, Jim Mooney, and Howard Sherman art. Currently the highest CGC-graded copy. Overstreet 2008 VF/NM 9.0 value = $392; NM- 9.2 value = $540. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #241 (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. Batman appearance. First appearance of the Fortress of Solitude (aka Fort Superman). Curt Swan cover. Wayne Boring, Jim Mooney, and Howard Sherman art. This copy ties with one other as the highest graded issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $326; NM- 9.2 value = $445. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #242 (DC, 1958) CGC VG/FN 5.0 Cream to off-white pages. Origin and first appearance of Brainiac. First appearance of shrunken city of Kandor. Curt Swan cover. Al Plastino and Jim Mooney art. Overstreet 2008 VG 4.0 value = $296; FN 6.0 value = $444. CGC census 4/08: 6 in 5.0, 11 higher. From the David N. Toth Collection.
Action Comics #243 (DC, 1958) Condition: VF/NM. CGC advises that this beauty cannot be encapsulated because of an overhang. What a shame, since this copy would have shot straight to #1 on CGC's census for issue #243. Currently, the highest grade for a CGC-slabbed copy is a mere VF 8.0! Curt Swan did the cover; Wayne Boring, Jim Mooney, and Howard Sherman the interior art. Overstreet 2008 VF/NM 9.0 value = $326; NM- 9.2 value = $445. From the David N. Toth Collection.
Golden Age (1938-1955)
Action Comics #244 (DC, 1958) CGC VF+ 8.5 Off-white to white pages. Curt Swan cover. Wayne Boring, Stan Kaye, Jim Mooney, and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $206; VF/NM 9.0 value = $326. CGC census 4/08: 1 in 8.5, none higher. From the David N. Toth Collection.
Silver Age (1956-1969)
Action Comics #246 (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover. Wayne Boring, Howard Sherman, and Jim Mooney art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $326; NM- 9.2 value = $445. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #247 (DC, 1958) CGC VF+ 8.5 Off-white pages. Curt Swan cover. Al Plastino, Jim Mooney and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $206; VF/NM 9.0 value = $326. CGC census 4/08: 1 in 8.5, none higher. From the David N. Toth Collection.
Action Comics #248 (DC, 1959) CGC VF/NM 9.0 White pages. Curt Swan cover. Wayne Boring, Stan Kaye, Jim Mooney, and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $326; NM- 9.2 value = $445. CGC census 4/08: 1 in 9.0, 1 higher. From the David N. Toth Collection.
Action Comics #249 (DC, 1959) CGC VF/NM 9.0 Off-white pages. Lex Luthor appearance. Curt Swan cover. Al Plastino, Howard Sherman, and Jim Mooney art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $326; NM- 9.2 value = $445. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #253 (DC, 1959) CGC VF- 7.5 Off-white to white pages. Second appearance of Supergirl. Curt Swan cover. Swan, Jim Mooney, and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF 8.0 value = $344. CGC census 4/08: 1 in 7.5, none higher. From the David N. Toth Collection.
Action Comics #254 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. First meeting of Bizarro and Superman. Lex Luthor appearance. Contains an Atomic Bomb panel. Curt Swan cover. Al Plastino, Jim Mooney, and Howard Sherman art. Overstreet 2008 VF/NM 9.0 value = $400; NM- 9.2 value = $550. CGC census 4/08: 1 in 9.0, 1 higher. From the David N. Toth Collection.
Action Comics #255 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. First Bizarro Lois Lane (cover story). Both Bizarros leave Earth to make Bizarro World. Third appearance of Supergirl. Curt Swan cover. Howard Sherman and Jim Mooney art. This copy ties with two others as the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $329; NM- 9.2 value = $450. CGC census 4/08: 3 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #258 (DC, 1959) CGC NM- 9.2 White pages. Krypto appearance. Curt Swan cover. Jim Mooney, Wayne Boring, and Howard Sherman art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Action Comics #266 (DC, 1960) CGC NM- 9.2 Off-white pages. Curt Swan and Stan Kaye cover. Wayne Boring and Jim Mooney art. Overstreet 2008 NM- 9.2 value = $260. CGC census 4/08: 1 in 9.2, 1 higher. From the David N. Toth Collection.
Action Comics #276 (DC, 1961) CGC VF/NM 9.0 White pages. First appearance of Brainiac 5, Sun Boy, Phantom Girl, Triplicate Girl, Shrinking Violet, and Bouncing Boy. Supergirl joins the Legion. Curt Swan cover. Wayne Boring art. Currently tied with two other books for the highest grade on the CGC census. Overstreet 2008 VF/NM 9.0 value = $293; NM- 9.2 value = $400. CGC census 4/08: 3 in 9.0, none higher. From the David N. Toth Collection.
Action Comics #283 (DC, 1961) CGC NM 9.4 Off-white pages. The Chameleon Men (Jan Dex and Zo-Gar) and Mr. Mxyzptlk make appearances in this "All 'Red Kryptonite' issue." Curt Swan and Sheldon Moldoff donate the cover art; Swan and Jim Mooney, the interior art. Overstreet 2008 NM- 9.2 value = $225. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #288 (DC, 1962) CGC NM 9.4 Off-white pages. Mon-El and Jax-Ur appear in the Supergirl story which retells her origin. Curt Swan cover and art. Jim Mooney art. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #296 (DC, 1963) CGC NM+ 9.6 White pages. Lex Luthor appearance. Curt Swan cover. Al Plastino and Jim Mooney art. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #303 (DC, 1963) CGC NM 9.4 Off-white to white pages. Red Kryptonite story. Curt Swan cover. Swan and Jim Mooney art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #304 (DC, 1963) CGC NM 9.4 Off-white to white pages. Origin and first appearance of Black Flame. Curt Swan story and art. Jim Mooney art. Overstreet 2008 NM- 9.2 value = $130. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Action Comics #306 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. The Super-pets, Super-Horse, Krypto, and Streaky make appearances in the Supergirl story and there is a full page ad for Flash Annual #1 inside. Curt Swan cover. Al Plastino and Jim Mooney art. Overstreet 2008 NM- 9.2 value = $130. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Action Comics #308 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Curt Swan cover. Al Plastino and Jim Mooney art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Adventure Comics #231 (DC, 1956) CGC Qualified NM- 9.2 Off-white to white pages. Curt Swan cover. John Sikela and Ramona Fradon art. CGC notes, "Cover detached from top staple." This is the highest graded copy certified by CGC to date. Overstreet 2008 GD 2.0 value = $32; VG 4.0 value = $64; FN 6.0 value = $96; VF 8.0 value = $186; VF/NM 9.0 value = $293; NM- 9.2 value = $400. From the David N. Toth Collection.
Adventure Comics #242 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover and art. Ramona Fradon and George Papp art. Overstreet 2008 VF/NM 9.0 value = $293; NM- 9.2 value = $400. CGC census 4/08: 1 in 9.0, 1 higher. From the David N. Toth Collection.
Adventure Comics #244 (DC, 1958) CGC NM- 9.2 Off-white to white pages. Curt Swan cover. Ramona Fradon art. Currently the highest CGC-graded copy of this issue. Overstreet 2008 NM- 9.2 value = $400. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Adventure Comics #246 (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover and art. Ramona Fradon and George Papp art. Currently the highest CGC-graded copy of this issue. Overstreet 2008 VF/NM 9.0 value = $293; NM- 9.2 value = $400. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Adventure Comics #247 (DC, 1958) CGC VG 4.0 Cream to off-white pages. This totally cosmic issue features the first appearances of the Legion of Super-Heroes, Cosmic Boy, Saturn Girl, and Lighting Boy (Lad). Curt Swan handles the cover art while Al Plastino provided interior art. Green Arrow and Aquaman backup stories. Overstreet 2008 VG 4.0 value = $800. CGC census 4/08: 14 in 4.0, 45 higher. From the Toronto Collection.
Adventure Comics #249 (DC, 1958) CGC VF/NM 9.0 White pages. Curt Swan cover. George Papp and Ramona Fradon art. Overstreet 2008 VF/NM 9.0 value = $246; NM- 9.2 value = $335. CGC census 4/08: 4 in 9.0, none higher. From the David N. Toth Collection.
Adventure Comics #251 (DC, 1958) CGC NM- 9.2 Off-white pages. Curt Swan cover. George Papp, Jack Kirby, and Ramona Fradon art. The next closest book to this chart topper, on the current CGC census, is a mere 7.5. Overstreet 2008 NM- 9.2 value = $335. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Adventure Comics #259 (DC, 1959) CGC VF/NM 9.0 Off-white pages. First appearance of the Crimson Archer. Curt Swan cover. George Papp, Ramona Fradon, and Lee Elias art. Overstreet 2008 VF/NM 9.0 value = $205; NM- 9.2 value = $280. CGC census 4/08: 1 in 9.0, 2 higher. From the David N. Toth Collection.
Adventure Comics #266 (DC, 1959) CGC NM- 9.2 White pages. Origin and first appearance of the first Aquagirl. Curt Swan cover. George Papp, Ramona Fradon, and Lee Elias. Overstreet 2008 NM- 9.2 value = $240. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Adventure Comics #272 (DC, 1960) CGC NM 9.4 Off-white to white pages. Krypto cover and story. Curt Swan robot cover. Ramona Fradon and George Papp art. Overstreet 2008 NM- 9.2 value = $210. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #275 (DC, 1960) CGC NM 9.4 Off-white to white pages. Origin of the Superman/Batman team is retold. Curt Swan cover. George Papp and Ramona Fradon art. Overstreet 2008 NM- 9.2 value = $300. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #297 (DC, 1962) CGC NM 9.4 White pages. Bizarro World backup story. Curt Swan cover. George Papp art. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.4, 1 higher. From the David N. Toth Collection.
Adventure Comics #300 (DC, 1962) CGC VF+ 8.5 Off-white to white pages. Tales of the Legion of Super-Heroes series begins. Mon-el leaves the Phantom Zone (temporarily) and joins the Legion. Curt Swan cover. George Papp and Al Plastino art. Overstreet 2008 VF 8.0 value = $285; VF/NM 9.0 value = $518. CGC census 4/08: 4 in 8.5, 4 higher. From the David N. Toth Collection.
Adventure Comics #303 (DC, 1962) CGC NM 9.4 Off-white to white pages. Origin and first appearance of Matter-Eater Lad. Curt Swan and George Klein cover. George Papp and John Forte art. This copy ties with one other as the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #304 (DC, 1963) CGC NM 9.4 Off-white pages. This issue features a milestone Legion of Super-Heroes tale; the "death" of Lightning Lad. Curt Swan cover. This copy ties with a few others as the highest graded copy certified by CGC to date. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 5 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #305 (DC, 1963) CGC NM 9.4 Off-white pages. Mon-El leaves the Phantom Zone and becomes a full-time Legion member. First appearance of the Sun-Eater. Curt Swan cover. George Papp and John Forte art. This copy ties with one other as the highest graded copy certified by CGC to date. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Adventure Comics #306 (DC, 1963) CGC NM+ 9.6 White pages. The Legion of Substitute Heroes make their debut in this issue. Another truly incredible, newsstand-fresh copy! This is really like traveling through time, looking at the David Toth comics collection, and this particular issue of Adventure is as sharp, bright, and clean as you're ever likely to encounter. In fact, it would have been hard finding a copy off the stands this nice! Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 1 in 9.6, 1 higher. From the David N. Toth Collection.
Adventure Comics #309 (DC, 1963) CGC NM+ 9.6 White pages. The Legion of Superheroes takes over the lead feature spot with this issue, and Legionnaire Braniac 5 also guest stars in the Superboy story. While this copy has all the hallmarks of any typical CGC 9.6 example, we would be remiss if we didn't point out a few light fingerprint smudges near the "fake" Superboy's feet on the front cover. Trust us, though -- it's still a beautiful comic book! Overstreet 2008 NM- 9.2 value = $175. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
The Amazing Spider-Man #3 (Marvel, 1963) CGC FN 6.0 Cream to off-white pages. Only the fourth appearance of the web-slinger, this issue also included the origin and first appearance of Doctor Octopus, who would become one of Spidey's most recurring archnemeses. This was also the first issue to contain a full-length Spider-Man story. The Human Torch makes an appearance and a Spider-Man pin-up by Steve Ditko, who provided the cover and interior art, is included. Overstreet 2008 FN 6.0 value = $801. CGC census 4/08: 26 in 6.0, 190 higher.
The Amazing Spider-Man #4 (Marvel, 1963) CGC VF/NM 9.0 White pages. A superb copy of the ish that showcased the origin and first appearance of the Sandman (aka Flint Marko), the villain featured in the latest installment of the cinematic Spidey series. The first appearances of Betty Brant, J. Jonah Jameson's personal secretary, and Liz Allan, a schoolmate of Peter Parkers, who would both become early love interests for our hero, are also inside. Steve Ditko cover and art. Amazing page quality on this copy! Overstreet 2008 VF/NM 9.0 value = $3,410; NM- 9.2 value = $5,000. CGC census 4/08: 16 in 9.0, 21 higher.
The Amazing Spider-Man #5 (Marvel, 1963) CGC VF/NM 9.0 White pages. The first Doctor Doom appearance outside of the Fantastic Four and a Fantastic Four cameo highlight this great looking copy. Flash Thompson, the bully football player/classmate of Peter Parker's, who first appeared in Amazing Fantasy #15, dresses up as Spider-Man in the story. Steve Ditko cover and art. Check out the page quality on this one. Overstreet 2008 VF/NM 9.0 value = $2,798; NM- 9.2 value = $4,100. CGC census 4/08: 20 in 9.0, 23 higher.
The Amazing Spider-Man #5 (Marvel, 1963) CGC VF 8.0 Cream to off-white pages. This is the first Doctor Doom appearance outside of the Fantastic Four title. Steve Ditko is the artist. Overstreet 2008 VF 8.0 value = $1,496. CGC census 4/08: 25 in 8.0, 53 higher.
The Amazing Spider-Man #6 (Marvel, 1963) CGC NM- 9.2 Off-white to white pages. Punctuating this early issue is the first appearance of the Lizard (Dr. Curtis Connors), rendered by Steve Ditko who also treated us to the unforgettable cover image. The condition and page quality make the book appear as if it were just plucked from the comic rack in 1963. Overstreet 2008 NM- 9.2 value = $3,750. CGC census 4/08: 13 in 9.2, 18 higher.
The Amazing Spider-Man #6 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. First appearance of the Lizard. Steve Ditko cover and art. Overstreet 2008 VF 8.0 value = $1,365; VF/NM 9.0 value = $2,558. CGC census 4/08: 13 in 8.5, 43 higher.
The Amazing Spider-Man #7 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. This issue, featuring the second appearance of the Vulture, would initiate fans to a monthly dose of Spidey for the foreseeable future. Steve Ditko drew the classic cover and interior art. This copy has lots of eye appeal. Overstreet 2008 VF 8.0 value = $927; VF/NM 9.0 value = $1,714. CGC census 4/08: 17 in 8.5, 48 higher.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Fantastic Four back-up story with art by Jack Kirby and Steve Ditko. Ditko cover and art. Overstreet 2008 NM- 9.2 value = $2,050. CGC census 4/08: 21 in 9.2, 28 higher.
The Amazing Spider-Man #9 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. "Sturdy" Steve Ditko supplied both the cover and interior art to the origin and first appearance of Electro here, in a book-length story. A nice clean copy of this early web-slinging issue. Overstreet 2008 VF 8.0 value = $995; VF/NM 9.0 value = $1,723. CGC census 4/08: 23 in 8.5, 69 higher.
The Amazing Spider-Man #29 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. The sinister Scorpion makes his sophomore appearance here, with a Steve Ditko cover and art that just got better and better with every issue. A superb Near-Mint copy. Overstreet 2008 NM- 9.2 value = $475. CGC census 4/08: 20 in 9.4, 10 higher.
Bronze Age (1970-1979)
The Amazing Spider-Man #133 (Marvel, 1974) CGC NM/MT 9.8 White pages. Molten Man appearance. John Romita Sr. cover. Ross Andru art. Overstreet 2008 NM- 9.2 value = $60. CGC census 4/08: 9 in 9.8, none higher.
The Amazing Spider-Man #194 (Marvel, 1979) CGC NM/MT 9.8 Off-white to white pages. The first appearance of the Black Cat graces this issue. We think she's the cat's meow! Al Milgrom cover. Keith Pollard art. Overstreet 2008 NM- 9.2 value = $55. CGC census 4/08: 20 in 9.8, none higher. From the Furfferi Collection.
Modern Age (1980-Present)
The Amazing Spider-Man #300 (Marvel, 1988) CGC NM/MT 9.8 White pages. A landmark in the Spider-Man saga, Venom makes his first full appearance here, and we are told his origin. It also would be the last time that Spider-Man would wear the black costume. The Thing appears. Todd McFarlane cover and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 153 in 9.8, 3 higher. From the Furfferi Collection.
Silver Age (1956-1969)
Aquaman #3 (DC, 1962) CGC NM 9.4 White pages. Aqualad and Aquaman travel back to the time of Atlantis in this seafaring ish. Nick Cardy provided the cover and interior art. Still a beautiful copy after more than 40 years! Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 7 in 9.4, 5 higher. From the David N. Toth Collection.
Aquaman #4 (DC, 1962) CGC NM 9.4 White pages. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $350. CGC census 4/08: 5 in 9.4, none higher. From the David N. Toth Collection.
Aquaman #7 (DC, 1963) CGC NM 9.4 Off-white to white pages. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $225. CGC census 4/08: 3 in 9.4, 1 higher. From the David N. Toth Collection.
Aquaman #10 (DC, 1963) CGC NM 9.4 White pages. Nick Cardy art. Overstreet 2008 NM- 9.2 value = $225. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Aquaman #18 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Aquaman weds Mera. JLA cameo. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $170. CGC census 4/08: 3 in 9.6, none higher. From the David N. Toth Collection.
Aquaman #19 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
The Avengers #1 (Marvel, 1963) CGC Apparent FN+ 6.5 Slight (P) Cream to off-white pages. Nice-looking copy of a Marvel Age key, with slight, professional color touch. Here is the origin and first appearance of the Avengers (Thor, Iron Man, Hulk, Ant-Man, and Wasp), with appearances by Loki, the Teen Brigade, and the Fantastic Four. Jack Kirby provided cover and interior art. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2008 GD 2.0 value = $320; VG 4.0 value = $640; FN 6.0 value = $960; VF 8.0 value = $2,880.
The Avengers #4 (Marvel, 1964) CGC VF 8.0 Off-white to white pages. This key issue features the first Silver Age appearance of the late, great Captain America, making this the second-most valuable issue of the title. The Sub-Mariner also makes an appearance. Jack Kirby cover and art. CGC notes, " 'Jack Kirby' written on first page in marker." Overstreet 2008 VF 8.0 value = $1,088. CGC census 4/08: 58 in 8.0, 102 higher.
The Avengers #55 (Marvel, 1968) CGC NM/MT 9.8 White pages. We learn that the Crimson Cowl is actually UItron-5 (his first appearance) in this issue. John Buscema cover and art. Overstreet 2008 NM- 9.2 value = $75. CGC census 4/08: 4 in 9.8, none higher.
The Avengers #1-23 Bound Volumes (Marvel, 1963-65). The debut adventures of Marvel's mighty superhero dream team, as recounted in The Avengers #1 (origin and first appearance of team; vs. Loki), #2 (Hulk quits team), #3 (Avengers vs. Hulk and Sub-Mariner; Spider-Man cameo), #4 (first Silver Age appearance and revival of Captain America), 5, #6 (first appearance of original Baron Zemo and his Masters of Evil), #7 (Rick Jones appears in costume as Bucky), #8 (first appearance of Kang), #9 (first appearance and "death" of Wonder Man), #10 (origin and first appearance of Immortus; early Hercules appearance), #11 (Spider-Man cover), 12, 13, 14, #15 (death of Zemo), #16 (new line-up), 17, 18, #19 (first appearance of Swordsmen), 20, 21, 22, and 23 trimmed and bound into a pair of hardcover volumes with the original owner's name embossed on the covers. Art by Jack Kirby, Don Heck, and John Romita Sr. The books are in nice condition with some instances of mild to moderate wear to the covers and pages, primarily the earlier issues, and mild tanning, with supple pages and nice cover gloss. Overstreet 2008 VG 4.0 value for group = $1,812.
Bronze Age (1970-1979)
The Avengers #48-106 Bound Volumes (Marvel, 1968-72). Highlights of this five-volume set include the debut of the Silver Age version of the Vision, the 100th issue "Every Avenger Guest Stars" extravaganza, as well as Annuals #2-4. Artists include Barry Smith, Neal Adams, and Gene Colan. The comics are in very nice condition, with mild tanning, wear along the edges of most, and the previous owner's name embossed on the hardcovers. Overstreet 2008 VG 4.0 value for group = $586.
Silver Age (1956-1969)
Baby Huey and Papa #2-33 File Copies Group (Harvey, 1962-68) Condition: Average NM-. Just one issue short of the series' full run. Approximate Overstreet value for group = $1,100.
Baby Huey, the Baby Giant #9-99 File Copies Box Lot (Harvey, 1957-80) Condition: Average VF/NM. This short box contains an almost-complete run of the series, including Harvey file copies of issues #9-99. Approximate Overstreet value for group = $2,700.
Barbie and Ken #2 (Dell, 1962) CGC NM 9.4 Cream to off-white pages. Photo cover. Overstreet 2008 NM- 9.2 value = $560. CGC census 4/08: 5 in 9.4, 2 higher.
Batman #97 (DC, 1956) CGC VF 8.0 Off-white pages. The second appearance of Ace, the Bat-Hound, with a cover appearance drawn by Win Mortimer. Also included is a story featuring the Joker. This issue is from the period when superheroes weren't in vogue, and as such it's more uncommon than issues from other eras. Interior art by Sheldon Moldoff, Dick Sprang, and Charles Paris. Overstreet 2008 VF 8.0 value = $329. CGC census 4/08: 1 in 8.0, 2 higher. From the Williamsport Collection.
Batman #98 (DC, 1956) CGC VF 8.0 Off-white pages. Jules Verne appearance. First Arnold Drake story for DC. Contains a full page ad for Showcase #1. Win Mortimer cover. Dick Sprang and Sheldon Moldoff art. Overstreet 2008 VF 8.0 value = $329. CGC census 4/08: 4 in 8.0, 3 higher. From the Williamsport Collection.
Batman #102 (DC, 1956) CGC VF- 7.5 Off-white pages. The final Golden Age appearance of Batman, published the month before the Flash's debut in the benchmark Showcase #4. Mid-1950s issues have proven to be tough to find in any grade, and this is a fantastic copy. Sheldon Moldoff and Dick Sprang art. Overstreet 2008 VF 8.0 value = $293. CGC census 4/08: 2 in 7.5, 6 higher. From the Williamsport Collection.
Batman #103 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. First Silver Age issue. Third Bat-Hound cover and story. Sheldon Moldoff cover and art. Dick Sprang art. Overstreet 2008 VF/NM 9.0 value = $484; NM- 9.2 value = $675. CGC census 4/08: 5 in 9.0, 1 higher. From the David N. Toth Collection.
Batman #104 (DC, 1956) CGC VF/NM 9.0 Off-white pages. Boy, do we love this Sheldon Moldoff cover, and we especially love it on the finest copy yet certified by CGC for the issue. Moldoff and Dick Sprang contributed interior art. Overstreet 2008 VF/NM 9.0 value = $484; NM- 9.2 value = $675. CGC census 4/08: 1 in 9.0, none higher. From the Williamsport Collection.
Batman #107 (DC, 1957) CGC VF 8.0 Cream to off-white pages. Sheldon Moldoff cover and art. Stan Kaye and Charles Paris art. Overstreet 2008 VF 8.0 value = $293. CGC census 4/08: 3 in 8.0, none higher. From the Williamsport Collection.
Batman #109 (DC, 1957) CGC VF- 7.5 Off-white to white pages. Sheldon Moldoff cover and art. Charles Paris and Dick Sprang art. Overstreet 2008 VF 8.0 value = $293. CGC census 4/08: 1 in 7.5, 5 higher. From the Williamsport Collection.
Batman #110 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. Joker appearance. Cover by Curt Swan and Stan Kaye. Art by Dick Sprang and Sheldon Moldoff. Overstreet 2008 VF/NM 9.0 value = $492; NM- 9.2 value = $685. CGC census 4/08: 5 in 9.0, none higher. From the Williamsport Collection.
Batman #111 (DC, 1957) CGC VF+ 8.5 Off-white to white pages. Sheldon Moldoff cover and art. Charles Paris and Stan Kaye art. Overstreet 2008 VF 8.0 value = $250; VF/NM 9.0 value = $400. CGC census 4/08: 2 in 8.5, none higher. From the Williamsport Collection.
Batman #112 (DC, 1957) CGC VF+ 8.5 Off-white to white pages. First appearance of Signalman and Professor Milo. Dr. Carter Nichols appearance. Sheldon Moldoff cover and art. Dick Sprang art. Overstreet 2008 VF 8.0 value = $250; VF/NM 9.0 value = $400. CGC census 4/08: 2 in 8.5, 1 higher. From the David N. Toth Collection.
Batman #113 (DC, 1958) CGC VF 8.0 Off-white to white pages. The first appearance of Fatman is featured here. In this issue Batman also meets his Planet X counterpart who, incidentally, has a chest plate similar to the Silver Age Batman's (a yellow oval with a black bat inside). One of our favorite Dick Sprang issues. Sheldon Moldoff cover and art. Overstreet 2008 VF 8.0 value = $250. CGC census 4/08: 2 in 8.0, 3 higher. From the Toronto Collection.
Batman #114 (DC, 1958) CGC VF- 7.5 Off-white pages. Contains a full page ad for Lois Lane #1. Sheldon Moldoff cover and art. Dick Sprang art. Overstreet 2008 VF 8.0 value = $250. CGC census 4/08: 3 in 7.5, 2 higher. From the Williamsport Collection.
Batman #115 (DC, 1958) CGC VF/NM 9.0 Off-white to white pages. Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $400; NM- 9.2 value = $550. CGC census 4/08: 1 in 9.0, 2 higher. From the David N. Toth Collection.
Batman #116 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Hercules, Zeus, and Batwoman make appearances in this ish whose cover makes us think of The Wizard of Oz for some strange reason. Sheldon Moldoff cover and art. Overstreet 2008 VF 8.0 value = $250; VF/NM 9.0 value = $400. CGC census 4/08: 1 in 8.5, 1 higher. From the Toronto Collection.
Batman #119 (DC, 1958) CGC VF+ 8.5 Off-white pages. Batwoman appearance. Curt Swan cover. Sheldon Moldoff art. Overstreet 2008 VF 8.0 value = $250; VF/NM 9.0 value = $400. CGC census 4/08: 2 in 8.5, 1 higher. From the David N. Toth Collection.
Batman #123 (DC, 1959) CGC NM- 9.2 Off-white to white pages. Joker appearance. Bathound cover appearance. Curt Swan cover. Dick Sprang and Sheldon Moldoff art. Overstreet 2008 NM- 9.2 value = $425. CGC census 4/08: 1 in 9.2, 1 higher. From the David N. Toth Collection.
Batman #132 (DC, 1960) CGC NM- 9.2 Off-white to white pages. Sea-Fox appearance. Sheldon Moldoff cover and art. Currently the highest graded copy on the CGC census. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Batman #133 (DC, 1960) CGC VF+ 8.5 White pages. Third appearance of Bat-Mite (first appearance in the Batman title). Batwoman appearance. Sheldon Moldoff cover. Moldoff and Dick Sprang art. Overstreet 2008 VF 8.0 value = $145; VF/NM 9.0 value = $228. CGC census 4/08: 1 in 8.5, 2 higher. From the David N. Toth Collection.
Batman #137 (DC, 1961) CGC NM- 9.2 Cream to off-white pages. Mr. Marvel appearance. Sheldon Moldoff cover and art. Overstreet 2008 NM- 9.2 value = $310. CGC census 4/08: 2 in 9.2, none higher. From the David N. Toth Collection.
Batman #139 (DC, 1961) CGC VF/NM 9.0 Off-white pages. First appearance of the original Bat-Girl. Batwoman appearance. First appearance of the Blue Bowman (formerly Signalman). Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $228; NM- 9.2 value = $310. CGC census 4/08: 3 in 9.0, 1 higher. From the David N. Toth Collection.
Batman #145 (DC, 1962) CGC VF/NM 9.0 Off-white to white pages. Joker cover and story. Sheldon Moldoff cover and art. Overstreet 2008 VF/NM 9.0 value = $244; NM- 9.2 value = $350. CGC census 4/08: 3 in 9.0, 6 higher. From the David N. Toth Collection.
Batman #153 (DC, 1963) CGC NM 9.4 Off-white pages. Batwoman and Bat-Girl Appearances. First book-length story in the title. Sheldon Moldoff cover and art. Overstreet 2008 NM- 9.2 value = $210. CGC census 4/08: 5 in 9.4, none higher. From the David N. Toth Collection.
Batman #197 (DC, 1967) CGC NM 9.4 Cream to off-white pages. Fourth Silver Age appearance of Catwoman, first appearance of new Batgirl in this title (fifth anywhere). Carmine Infantino cover. Overstreet 2008 NM- 9.2 value = $160. CGC census 4/08: 5 in 9.4, 2 higher. From the David N. Toth Collection.
Batman Annual #1 (DC, 1961) CGC VF+ 8.5 Off-white pages. Curt Swan cover. Overstreet 2008 VF 8.0 value = $468; VF/NM 9.0 value = $872. CGC census 4/08: 5 in 8.5, 8 higher. From the Williamsport Collection.
Batman Annual #2 (DC, 1961) CGC VF+ 8.5 Off-white pages. Includes a 1962 pin-up calendar. Batman Family pin-up on back cover. Curt Swan cover art. Dick Sprang, Sheldon Moldoff, and Lew Schwartz art. Overstreet 2008 VF 8.0 value = $203; VF/NM 9.0 value = $364. CGC census 4/08: 2 in 8.5, 6 higher. From the Williamsport Collection.
Bunny #1-21 File Copies Group (Harvey, 1966-71) Condition: Average VF+. A complete run of the series. It includes Harvey file copies of issues #1-13, 14 (2 copies), and 15-21. Approximate Overstreet value for group = $900.
Casper's Ghostland File Copies Box Lot (Harvey, 1959-79) Condition: Average VF/NM. This short box contains an almost-complete run of the series, and includes Harvey file copies of issues #2-6, 8-11, 13, 15, and 17-99. Approximate Overstreet value for group = $3,600.
Bronze Age (1970-1979)
Casper and Spooky and Others File Copies Group (Harvey, 1972-77) Condition: Average VF/NM. Includes Casper and Spooky #1-7; Casper and Wendy #1-8; Casper and the Ghostly Trio #1-7; Casper Space Ship #1-8; Casper Strange Ghost Stories #1-14; and Casper TV Showtime #1-5. Approximate Overstreet value for group = $900.
Conan the Barbarian #1-45 Bound Volumes (Marvel, 1970-74). Trimmed and bound copies in a set of four hardcover volumes, with issue numbers embossed on the spines of the books. Highlights include the first appearances in comic book-form of Robert E. Howard's Conan and Kull, and of the Howard-inspired Red Sonja. Most are FN to VF-type copies. Barry Smith, John Buscema, and Neal Adams art. Overstreet 2008 VG 4.0 value for group = $394.
Silver Age (1956-1969)
Detective Comics #237 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. Sheldon Moldoff cover and art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $406; NM- 9.2 value = $560. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Detective Comics #242 (DC, 1957) CGC VF+ 8.5 Off-white pages. Sheldon Moldoff cover and art. Ruben Moreira art. Overstreet 2008 VF 8.0 value = $208; VF/NM 9.0 value = $329. CGC census 4/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #243 (DC, 1957) CGC VF+ 8.5 Off-white pages. Sheldon Moldoff cover. Dick Sprang and Ruben Moreira art. Overstreet 2008 VF 8.0 value = $208; VF/NM 9.0 value = $329. CGC census 4/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #246 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. First appearance of Diane Meade. Sheldon Moldoff cover and art. Ruben Moreira art. The next highest CGC-graded copies currently sit at a lowly 6.0. Overstreet 2008 VF/NM 9.0 value = $329; NM- 9.2 value = $450. CGC census 4/08: 1 in 9.0, none higher. From the Toronto Collection.
Detective Comics #247 (DC, 1957) CGC VF+ 8.5 Off-white pages. Professor Milo appearance. Curt Swan cover. Sheldon Moldoff and Ruben Moreira art. Overstreet 2008 VF 8.0 value = $208; VF/NM 9.0 value = $329. CGC census 4/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #250 (DC, 1957) CGC VF/NM 9.0 Off-white pages. Sheldon Moldoff cover and art. Ruben Moreira and Joe Certa art. This issue ties with one other as the highest graded copy of this issue certified by CGC to date. Overstreet 2008 VF/NM 9.0 value = $329; NM- 9.2 value = $450. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Detective Comics #255 (DC, 1958) CGC VF/NM 9.0 Off-white pages. Sheldon Moldoff cover and art. Win Mortimer and Joe Certa art. Overstreet 2008 VF/NM 9.0 value = $329; NM- 9.2 value = $450. CGC census 4/08: 1 in 9.0, 1 higher. From the David N. Toth Collection.
Detective Comics #258 (DC, 1958) CGC NM- 9.2 Cream to off-white pages. Curt Swan and Stan Kaye cover. Sheldon Moldoff, Ruben Moreira, and Joe Certa art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $450. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Detective Comics #265 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. Batman's origin is retold with new facts. Curt Swan cover. Interior art by Sheldon Moldoff. Overstreet 2008 VF/NM 9.0 value = $383; NM- 9.2 value = $525. CGC census 4/08: 5 in 9.0, none higher. From the David N. Toth Collection.
Detective Comics #267 (DC, 1959) CGC NM- 9.2 Off-white to white pages. Origin and first appearance of Bat-Mite. Curt Swan cover. Sheldon Moldoff and Joe Certa art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $560. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Detective Comics #285 (DC, 1960) CGC NM 9.4 White pages. Batwoman appearance. Full page ad for Justice League of America #1. Sheldon Moldoff cover. Art by Moldoff, Ruben Moreira, and Joe Certa. This copy ties with two others as the highest graded copy certified by CGC to date. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #286 (DC, 1960) CGC NM 9.4 Off-white pages. Batwoman appearance. Martian Manhunter backup story. Sheldon Moldoff cover and art. Joe Certa art. Currently tied with one other copy for the honor of highest CGC-graded copy. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #289 (DC, 1961) CGC NM 9.4 Off-white to white pages. Bat-Mite cover/story. Cover by Sheldon Moldoff. Art by Moldoff and Bernard Baily. Currently the highest CGC-graded copy of this issue. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #291 (DC, 1961) CGC NM 9.4 Off-white pages. Sheldon Moldoff cover and art. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #292 (DC, 1961) CGC NM 9.4 Off-white to white pages. Last Roy Raymond, TV Detective. Superman cameo. Batwoman appearance. Sheldon Moldoff cover and art. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 3 in 9.4, 1 higher. From the David N. Toth Collection.
Detective Comics #293 (DC, 1961) CGC NM- 9.2 Off-white to white pages. Aquaman back-up stories begin, predating Aquaman #1. Sheldon Moldoff cover. Art by Moldoff, Nick Cardy, Joe Certa, and Charles Paris. Overstreet 2008 NM- 9.2 value = $230. CGC census 4/08: 3 in 9.2, 1 higher. From the David N. Toth Collection.
Detective Comics #294 (DC, 1961) CGC NM 9.4 Off-white pages. Sheldon Moldoff cover. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #295 (DC, 1961) CGC NM 9.4 White pages. Sheldon Moldoff cover and art. Nick Cardy art. Aquaman backup story. Currently the highest CGC-graded copy of this issue. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #296 (DC, 1961) CGC NM 9.4 White pages. Aquaman backup story. Dick Dillin and Sheldon Moldoff cover. Jim Mooney, Joe Certa, and Nick Cardy art. Currently the highest CGC-graded copy of this issue. Overstreet 2008 NM- 9.2 value = $220. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #312 (DC, 1963) CGC NM 9.4 White pages. Clayface appearance. Sheldon Moldoff cover. Moldoff and Joe Certa art. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #316 (DC, 1963) CGC NM+ 9.6 White pages. Martian Manhunter back-up story. Sheldon Moldoff cover. Moldoff and Joe Certa art. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.6, none higher. From the David N. Toth Collection.
Detective Comics #323 (DC, 1964) CGC NM 9.4 White pages. Zodiac Master appearance. Sheldon Moldoff cover and art. This is currently the highest CGC-graded copy. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Detective Comics #353 (DC, 1966) CGC NM+ 9.6 White pages. Weather Wizard appearance. Carmine Infantino cover and art. Overstreet 2008 NM- 9.2 value = $90. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Devil Kids File Copies Box Lot (Harvey, 1962-81) Condition: Average NM-. A full short box that includes Harvey file copies of Devil Kids #3-8, 12-14, 17-28, 31, 33-103, 105, and 106 -- an almost-complete run of the series. Approximate Overstreet value for group = $3,150.
Fantastic Four #58 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. Continuing the saga of Doctor Doom wielding the powers he stole from the Silver Surfer. Jack Kirby cover and art. Overstreet 2008 NM- 9.2 value = $135. CGC census 4/08: 10 in 9.6, 1 higher.
Fantastic Four #1-9 Bound Volume (Marvel, 1961-62). The collected earliest adventures of the Fantastic Four, featuring many key Marvel issues. Included are copies of FF #1 (origins and first appearances of Mr. Fantastic, Invisible Girl, Human Torch, the Thing, and Mole Man), #2 (vs. the Skrulls), #3 (first appearance of the Fantasti-Car), #4 (first Silver Age appearance of the Sub-Mariner), #5 (origin and first appearance of Dr. Doom), #6 (first Marvel super-villain team-up), #7, #8 (first appearances of Puppet Master and Alicia Masters), and #9 that have been trimmed and bound into a hardcover volume with the previous owner's name embossed on the cover. Covers and art by Jack Kirby. The books are in nice condition with mild to moderate wear and a few cover creases, and many have off-white pages. Overstreet 2008 VG 4.0 value for group = $5,984.
Fantastic Four #10-21 and Annual #1 Bound Volume (Marvel, 1963). Rare copies of some of the early adventures of the Fantastic Four, featuring a number of debut appearances, including copies of FF #10, #11 (origin and first appearance of Impossible Man), #12 (vs. the Hulk), #13 (first appearance of the Watcher), 14, #15 (first appearance of Mad Thinker), #16 (first Ant-Man crossover), #17, #18 (origin and first appearance of Super-Skrull), #19 (first appearance of Rama-Tut), #20 (origin and first appearance of Molecule Man), #21 (first appearance of the Hate Monger, first Nick Fury crossover), and Fantastic Four Annual #1 (early Spider-Man appearance) that have been trimmed and bound into a hardcover volume with the previous owner's name embossed on the front. Covers and art by Jack Kirby. The books are in very nice condition with mild to moderate wear -- primarily instances of chipping and tearing to the edges of the pages and covers -- and many have supple, off-white pages. Overstreet 2008 VG 4.0 value for group = $1,770.
Fantastic Four #22-45/Avengers #24-47 Bound Volumes (Marvel, 1964-67). A great four-volume set of bound early FF and Avengers books that features several early Marvel keys issues featuring numerous crossovers and first appearances. Also included is Avengers Annual #1 and FF Annuals #2 and 3. Highlights include early Hulk, X-Men, Dr. Strange, and Avengers crossovers; and the first appearances of the Inhumans, Diablo, Attuma, Dragon Man, and Madam Medusa and the Frightful Four. Artists include Jack Kirby, Gil Kane, and Don Heck. The books are in very nice condition with mild edge wear, mild to moderate tanning, and glossy covers and supple pages. Overstreet 2008 VG 4.0 value for group = $1,512.
Fantastic Four #46-129 and Annuals #4-9 Bound Volumes (Marvel, 1966-72). The bulk of Jack Kirby's lengthy tenure on this series is featured in this group of seven bound volumes, with highlights that include the first appearances of Silver Surfer, Galactus, Black Bolt, the Black Panther, Annihilus, Adam Warlock, and Agatha Harkness. These hardcover books have trimmed and bound copies (mostly mid-grade) of every issue listed above, including Annuals #4-9. The title and issue numbers are embossed on the spine of each book, and the original owner's name is embossed on the cover. The books are in overall very nice condition glossy covers and supple pages, and mild to moderate tanning and wear to the earlier issues. Overstreet 2008 VG 4.0 value for group = $1,362.
First Love Illustrated File Copies Group (Harvey, 1954-63) Condition: Average VF+. This great selection of Harvey file copies represents about half the series, and includes #42-48, #49 (last pre-Code issue), 50-53, 55-75, 77-80, 81 (2 copies), 82-84, 85 (2 copies), 86, #87 (Joe Orlando cover), 89, and #90 (final issue). Issues #67-70 feature covers by Jack Kirby. Many feature art by Bob Powell. Approximate Overstreet value for group = $1,650.
The Flash #125 (DC, 1961) CGC VF/NM 9.0 Off-white pages. Kid Flash appearance. Carmine Infantino cover and art. Overstreet 2008 VF/NM 9.0 value = $227; NM- 9.2 value = $325. CGC census 4/08: 2 in 9.0, 5 higher. From the David N. Toth Collection.
The Flash #142 (DC, 1964) CGC NM 9.4 White pages. Trickster appearance. Carmine Infantino and Murphy Anderson cover. Infantino art. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 5 in 9.4, 2 higher. From the David N. Toth Collection.
The Flash #154 (DC, 1965) CGC NM 9.4 White pages. Dexter Myles appearance. Carmine Infantino and Murphy Anderson cover and art. Overstreet 2008 NM- 9.2 value = $160. CGC census 4/08: 3 in 9.4, 2 higher. From the David N. Toth Collection.
The Flash #161 (DC, 1966) CGC NM 9.4 Off-white to white pages. Mirror Master appearance. Carmine Infantino and Murphy Anderson cover. Infantino and Joe Giella art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 8 in 9.4, 1 higher. From the David N. Toth Collection.
The Flash #168 Pacific Coast pedigree (DC, 1967) CGC NM+ 9.6 Off-white to white pages. As fine a copy as you're likely to find of this one, given the pedigree and the fact CGC hasn't certified a higher grade to date. Green Lantern appearance. Carmine Infantino cover and art. Overstreet 2008 NM- 9.2 value = $125. CGC census 4/08: 7 in 9.6, none higher.
Friendly Ghost Casper File Copy Long Box Group (Harvey, 1959-87) Condition: Average NM- unless otherwise noted. This full long box lot includes file copies of issues #7, 11-23, 25-50, 52-99, 101-178, 180-227, 231-239, and 243; and a copy of Casper and the Ghostly Trio #1. The issues from #7 to #30 average a condition of VF/NM. Approximate Overstreet value for group = $6,000.
Green Lantern #16 (DC, 1962) CGC VF/NM 9.0 White pages. Origin and first appearance of Star Sapphire. Abin Sur backup story. Gil Kane and Murphy Anderson cover. Kane art. Unbeatable page quality. Overstreet 2008 VF/NM 9.0 value = $198; NM- 9.2 value = $285. CGC census 4/08: 3 in 9.0, 8 higher. From the David N. Toth Collection.
Green Lantern #23 (DC, 1963) CGC NM 9.4 Off-white to white pages. Origin and first appearance of Tattooed Man. Gil Kane and Murphy Anderson cover. Kane art. Overstreet 2008 NM- 9.2 value = $215. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Green Lantern #25 (DC, 1963) CGC NM 9.4 Off-white to white pages. Hector Hammond and Sonar appearances. Gil Kane cover and art. Overstreet 2008 NM- 9.2 value = $215. CGC census 4/08: 3 in 9.4, none higher. From the David N. Toth Collection.
Green Lantern #28 (DC, 1964) CGC NM 9.4 Off-white to white pages. Green Lantern battles the Shark. Contains a full page ad for Hawkman #1. Gil Kane cover and art. Murphy Anderson art. Overstreet 2008 NM- 9.2 value = $215. CGC census 4/08: 4 in 9.4, 1 higher. From the David N. Toth Collection.
Green Lantern #34 (DC, 1965) CGC NM+ 9.6 White pages. Hector Hammond appearance. Gil Kane and Murphy Anderson cover. Kane art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 3 in 9.6, none higher. From the David N. Toth Collection.
Green Lantern #40 (DC, 1965) CGC NM- 9.2 White pages. Big at the time, this issue is bigger than big in hindsight, because it reveals the origin of the DC Universe's infinite Earths and has the genesis of story elements that were key to the Crisis On Infinite Earths. For that matter, they figured into Infinite Crisis, too (and no doubt in future "crises" to come). Also in this issue are the first appearance of baddie Krona and the origin of the Guardians of the Universe. Guest-starring is none other than the Golden Age Green Lantern, Alan Scott (and his pal Doiby Dickles). Gil Kane is the cover artist. Overstreet 2008 NM- 9.2 value = $900. CGC census 4/08: 18 in 9.2, 15 higher. From the David N. Toth Collection.
Green Lantern #41-75 Plus Bound Volumes (DC, 1965-70). These two green hardcover volumes contain The Hawk and the Dove #1-6 in addition to the Green Lantern #41-75 (note that the spines of the books show the wrong issue range). Some covers have creasing. Page quality is cream to off-white. All comics have been trimmed in the binding process. The books have the previous owner's name embossed on the covers. Overstreet 2008 VG 4.0 value for group = $584.
Harvey Hits File Copies Group (Harvey, 1958-67) Condition: Average NM-. This set of Harvey file copies of the anthology series includes #5, #8 (Sad Sack's Army Life, George Baker cover), 22, 28-31, 33-35, 40-43, 45, 46, 48, 52, 53, 55-67, #70, 72, 73, 80-83, 85, 86, 90, 92, 94-107, 109, 110, and 120-122. Approximate Overstreet value for group = $2,400.
Harvey Comics January 1958 Bound Volume (Harvey, 1958). File copies of Blondie #110, Casper #64, Dagwood #85, Dick Tracy #119, Felix #91, Sad Sack Comics #78, Spooky #16, Baby Huey #9, Joe Palooka #104, Little Dot #29, Harvey Hits #5 (Stevie), Inky and Dinky #3, Little Lotta #14, Mazie #25, and Sad Sack and the Sarge #3 that have been trimmed and bound into a hardcover volume with Alfred Harvey's name embossed on the spine, and his book file stamp in the inside front cover. The comics are in nice condition with mild wear, moderate tanning, and some water damage to the back contents. Overstreet 2008 VG 4.0 value for group = $174.
Hot Stuff Sizzlers #2-59 File Copies Box Lot (Harvey, 1960-74) Condition: Average VF/NM. A full short box that includes Harvey file copies of issues #2-59 -- very nearly a complete run of the title. Approximate Overstreet value for group = $2,150.
Hot Stuff, the Little Devil File Copies Box Lot (Harvey, 1959-82) Condition: Average NM-. This full short box includes Harvey file copies of issues #13-17, 19-74, 77-116, 118-129, 131-148, 150-154, and 157-164. Approximate Overstreet value for group = $5,600.
Justice League of America #7 (DC, 1961) CGC VF 8.0 White pages. Last 10¢ issue. Mike Sekowsky and Murphy Anderson cover. Mike Sekowsky and Bernard Sachs art. Overstreet 2008 VF 8.0 value = $293. CGC census 4/08: 7 in 8.0, 18 higher. From the David N. Toth Collection.
Justice League of America #21 (DC, 1963) CGC VF/NM 9.0 Off-white pages. Featuring "Crisis on Earth-One" story. Re-introduces the Justice Society of America in this title. First Silver Age appearances of Hourman, Dr. Fate, Icicle, and Wizard. Mike Sekowsky and Murphy Anderson cover. Sekowsky art. Overstreet 2008 VF/NM 9.0 value = $482; NM- 9.2 value = $700. CGC census 4/08: 5 in 9.0, 15 higher. From the David N. Toth Collection.
Justice League of America #22 (DC, 1963) CGC NM- 9.2 White pages. Featuring "Crisis on Earth-Two" story continued from Justice League of America #21. Justice Society of America crossover. Mike Sekowsky and Murphy Anderson cover. Mike Sekowsky and Bernard Sachs art. Overstreet 2008 NM- 9.2 value = $600. CGC census 4/08: 4 in 9.2, 2 higher. From the David N. Toth Collection.
Justice League of America #29 (DC, 1964) CGC NM- 9.2 Off-white to white pages. First Silver Age appearance of Starman. Justice Society of America crossover. "Crisis on Earth-Three" story. Mike Sekowsky cover and art. Overstreet 2008 NM- 9.2 value = $325. CGC census 4/08: 5 in 9.2, 2 higher. From the David N. Toth Collection.
Justice League of America #56 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Justice League vs. Justice Society story. First Silver Age appearance of the Golden Age Wonder Woman. Carmine Infantino cover. Mike Sekowsky art. This is the highest graded copy of this issue certified by CGC to date. Overstreet 2008 NM- 9.2 value = $110. CGC census 4/08: 1 in 9.6, none higher. From the Williamsport Collection.
Little Dot File Copies Box Lot (Harvey, 1957-76) Condition: Average VF/NM. This full short box includes Harvey file copies of issues #28, 31, 34, 36-39, and 41-164. Each includes back-up stories featuring Richie Rich and Little Lotta. Approximate Overstreet value for group = $4,600.
Little Dot's Uncles and Aunts File Copies Group (Harvey, 1962-74) Condition: Average NM-. Includes high-grade Harvey file copies of #2-8 and #11-52, an almost-complete run of the series. Approximate Overstreet value for group = $1,600.
Little Dot Dotland #4-63 File Copies Group (Harvey, 1963-73) Condition: Average NM-. Includes high-grade Harvey file copies of issues #4-63, an almost-complete run of the series. Approximate Overstreet value for group = $1,900.
Little Lotta File Copies Box Lot (Harvey, 1957-76) Condition: Average VF/NM. A full short box containing Harvey file copies of issues #13, 19-29, 31, 33-41, 43, 44, 46-49, 51-61, 64-73, 75-116, 119, and 120. Approximate Overstreet value for group = $1,900.
Marge's Little Lulu File Copies Group (Dell/Gold Key, 1956-70) Condition: Average VF. This large selection of Dell and Gold Key file copies includes issues #101, 109, 125-128, 131-134, 136, 140-143, 145, 148-161, 162, 164, 167, 172, 173, 176-179, 181, and 183-195. Approximate Overstreet value for group = $1,475.
Metal Men #1 (DC, 1963) CGC VF/NM 9.0 Off-white to white pages. Ross Andru and Mike Esposito cover and art. Fifth appearance of the Metal Men. Overstreet 2008 VF/NM 9.0 value = $788; NM- 9.2 value = $1,150. CGC census 4/08: 12 in 9.0, 10 higher. From the Williamsport Collection.
The Monkees #1 (Dell, 1967) CGC NM 9.4 Off-white to white pages. Photo cover. Only one copy currently grades higher than this offering. Overstreet 2008 NM- 9.2 value = $170. CGC census 4/08: 2 in 9.4, 1 higher.
Mystery in Space #75 (DC, 1962) CGC NM- 9.2 White pages. Early JLA crossover in the Adam Strange story. Kanjar Ro appearance. Carmine Infantino and Murphy Anderson cover and art. Overstreet 2008 NM- 9.2 value = $435. CGC census 4/08: 8 in 9.2, 6 higher. From the David N. Toth Collection.
Nightmare and Casper/Casper and Nightmare File Copies Group (Harvey, 1964-74) Condition: Average NM-. Contains Nightmare and Casper #3 and 4 and Casper and Nightmare #6, 8-14, 17-46. Just six issues short of the full run of this series, which changed titles starting with #6. Overstreet 2008 NM- 9.2 value for group = $1,450.
Playful Little Audrey File Copies Box Lot (Harvey, 1958-76) Condition: Average NM-. A full short box that includes Harvey file copies of issues #6, 10-15, 17-51, 53-71, 75-116, and 119-121. Approximate Overstreet value for group = $3,250.
Richie Rich File Copy Long Box Group (Harvey, 1966-82) Condition: Average NM- unless otherwise noted. This group consists of a long box of Richie Rich file copies that is 2/3 full and includes issues #41, 44-78, 80-120, 123-39, 143-149, 154-175, 178-195, and 199-218. Issue #49 has a creased bottom right corner. All of the issues prior to #99 average a grade of VF/NM. Approximate Overstreet value for group = $5,000.
Bronze Age (1970-1979)
Richie Rich Diamonds #1-59 File Copies Group (Harvey, 1972-82) Condition: Average NM-. Includes high-grade Harvey file copies of issues #1-59, a complete run of the title. Approximate Overstreet value for group = $775.
Silver Age (1956-1969)
Richie Rich Dollars and Cents File Copies Box Lot (Harvey, 1963-82) Condition: Average NM-. This full short box contains high-grade Harvey file copies of issues #2-86 and #88-109 -- an almost-complete run of the title. Approximate Overstreet value for group = $3,000.
Richie Rich Millions #13-113 File Copies Box Lot (Harvey, 1965-82) Condition: Average VF/NM. This full short box contains a lengthy run that includes the last issue of the series. Approximate Overstreet value for group = $2,300.
Richie Rich Success Stories File Copies Box Lot (Harvey, 1965-82) Condition: Average VF/NM. This short box contains an almost-complete run of the series, and includes Harvey file copies of issues #7, 9, 10, 12, 13-26, #27 (first appearance of Penny Van Dough), #28-37, #38 (last 68-page issue), #40-43, #44 (Super Richie appearance), #45-90, #91 (Onion appearance), 92-100, #101 (Dr. Blemish appearance), 102-104, and #105 (final issue). Approximate Overstreet value for group = $2,200.
Sad Sack's Army Life #1 File Copy (Harvey, 1963) CGC NM/MT 9.8 Off-white to white pages. Giant-size issue. Overstreet 2008 NM- 9.2 value = $120. CGC census 4/08: 2 in 9.8, none higher.
Sad Sack's Army Life #1-61 File Copies Group (Harvey, 1963-1976) Condition: VF+. The full run of the series! Average condition is VF+; the later issues are nicer. Approximate Overstreet value for group = $1,200.
Sad Sack's Funny Friends File Copies Group (Harvey, 1955-69) Condition: Average VF/NM unless otherwise noted. Just two issues short of a full run, this group includes #1 (VF-), 2-33, 35, and 37-75. The Sarge, Sadie Sack, and the General are the Funny Friends in question. Approximate Overstreet value for group = $1,950.
Sad Sack and the Sarge File Copies Box Lot (Harvey, 1957-82) Condition: Average VF/NM. This short box lot contains an almost-complete run of the series, and includes Harvey file copies of issues #1-141, 143-151, 153, 154, and #155 (final issue). Approximate Overstreet value for group = $2,800.
Sad Sack Comics File Copies Box Lot (Harvey, 1950-82) Condition: Average VF/NM unless otherwise noted. This pair of short boxes contain Harvey file copies of issues #7 (FN/VF), 9, 11-15, 17, 18, 20, 21, #22 (Sad Sack returns to the army), 23-59, 66-70, 77-172, 174-180, 185-200, 203-236, and 238-287. Issues #286 and 287 experienced limited distribution, according to Overstreet. Approximate Overstreet value for group = $5,600.
Sad Sack Comics Armed Forces Complimentary/File Copies Group (Harvey, 1957-62) Condition: Average NM- unless otherwise noted. Includes #1 (VG/FN), 2-11, 14-22, 23 (FN), and 24-38. Approximate Overstreet value for group = $800.
Sad Sack Laugh Special #1-93 File Copies Box Lot (Harvey, 1958-77) Condition: Average NM-. This short box contains a complete run of the series that includes Harvey file copies of issues #1-29, 30, #31 (Hi-Fi Tweeter appearance), 32-59, #60 (last 68-page issue), and 61-93. Approximate Overstreet value for group = $3,000.
Secret Origins #1 (DC, 1961) CGC VF+ 8.5 Off-white to white pages. Good-looking copy of a big square bound that can be difficult to locate in such a high grade. This one-shot featured origin stories of Adam Strange (from Showcase #17), Green Lantern (Green Lantern #1), Challengers of the Unknown (Showcase #6), J'onn J'onzz (Detective Comics #225), The Flash (Showcase #4), Superman and Batman's first team-up (World's Finest #94), and Wonder Woman (Wonder Woman #105). Overstreet 2008 VF 8.0 value = $368; VF/NM 9.0 value = $664. CGC census 4/08: 6 in 8.5, 6 higher. From the David N. Toth Collection.
Secret Origins #1 (DC, 1961) CGC VF- 7.5 Off-white pages. This one-shot featured origin stories of Adam Strange (from Showcase #17), Green Lantern (Green Lantern #1), Challengers of the Unknown (Showcase #6), J'onn J'onzz (Detective Comics #225), The Flash (Showcase #4), Superman and Batman's first team-up (World's Finest #94), and Wonder Woman (Wonder Woman #105). Overstreet 2008 VF 8.0 value = $368. CGC census 4/08: 8 in 7.5, 17 higher. From the Williamsport Collection.
Showcase #10 Superman's Girlfriend Lois Lane (DC, 1957) CGC FN+ 6.5 Off-white to white pages. Lois Lane would be the first Showcase try-out character to win her own title. Jor-el makes a cameo appearance in the story while Superman appears on the cover. Wayne Boring cover and art. Overstreet 2008 FN 6.0 value = $714; VF 8.0 value = $2,083. CGC census 4/08: 3 in 6.5, 14 higher. From the David N. Toth Collection.
Showcase #35 The Atom (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. The Atom made his second of three "tryout" appearances here. Gil Kane and Murphy Anderson are the cover artists. Overstreet 2008 VF/NM 9.0 value = $855; NM- 9.2 value = $1,250. CGC census 4/08: 7 in 9.0, 6 higher. From the David N. Toth Collection.
Showcase #63 Inferior Five (DC, 1966) CGC NM+ 9.6 White pages. Inferior Five. Joe Orlando cover and art. Overstreet 2008 NM- 9.2 value = $90. CGC census 4/08: 3 in 9.6, none higher. From the David N. Toth Collection.
The Silver Surfer #1-18 Bound Volumes (Marvel, 1968-70). This is the full run of the short-lived but much-collected series! These are trimmed copies that have been bound into two hardcover volumes, with titles and issue numbers embossed on the spines and the original owner's name embossed on the covers. The comics are in nice condition with some mild to moderate cover wear, a few subscription creases, and a small piece clipped from a page of issue #17. The pages have light tanning. Overstreet 2008 VG 4.0 value for group = $458.
The Spectre #8 (DC, 1969) CGC NM/MT 9.8 White pages. Nick Cardy cover. Overstreet 2008 NM- 9.2 value = $90. CGC census 4/08: 2 in 9.8, none higher.
Spooky File Copies Box Lot (Harvey, 1955-1980) Condition: Average VF/NM unless otherwise noted. Full short box with issues #7, 9, 10, 13, 14, 17, 18, 20-22, 24-29, 32-34, 41-48, 54, 57, 60, 61, 63-66, 70-102, 104-142, 144-161. Issue #161 was the last issue of the series, published almost a year after #160. Overall average is VF/NM; #7, 9, 10 13, 14, 38, 43, 47 and 70 average VG/FN due mostly to water stains, still very attractive. Overstreet 2008 VF/NM 9.0 value for group = $3,300.
Spooky Spooktown File Copies Group (Harvey, 1962-76) Condition: Average VF/NM unless otherwise noted. Just three issues short of the full run of the series, and the missing ones are all 1970s issues. Included here are #1-58, 61-63, 65-66. Issues #5, 9, and 27 average FN+.Approximate Overstreet value for group = $1,950.
Superman #107 (DC, 1956) CGC VF+ 8.5 Off-white pages. Wayne Boring cover. Boring and Al Plastino art. Overstreet 2008 VF 8.0 value = $256; VF/NM 9.0 value = $416. CGC census 4/08: 2 in 8.5, none higher. From the Williamsport Collection.
Superman #109 (DC, 1956) CGC FN/VF 7.0 Off-white pages. First Silver Age issue. Al Plastino cover. Plastino and Wayne Boring art. Overstreet 2008 FN 6.0 value = $123; VF 8.0 value = $256. CGC census 4/08: 2 in 7.0, 7 higher. From the Williamsport Collection.
Golden Age (1938-1955)
Superman #112 (DC, 1957) CGC VF 8.0 Off-white to white pages. Wayne Boring cover and art. Al Plastino art. Overstreet 2008 VF 8.0 value = $235. CGC census 4/08: 4 in 8.0, 2 higher. From the Williamsport Collection.
Silver Age (1956-1969)
Superman #114 (DC, 1957) CGC FN/VF 7.0 Cream to off-white pages. Al Plastino cover art. Wayne Boring and Plastino interior art. Overstreet 2008 FN 6.0 value = $120; VF 8.0 value = $235. CGC census 4/08: 2 in 7.0, 2 higher. From the Williamsport Collection.
Superman #115 (DC, 1957) CGC VF+ 8.5 White pages. Al Plastino cover and art. Wayne Boring art. The highest graded copy on the current CGC census. Overstreet 2008 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 4/08: 1 in 8.5, none higher. From the David N. Toth Collection.
Superman #115 (DC, 1957) CGC FN/VF 7.0 Off-white to white pages. Al Plastino and Stan Kaye cover. Plastino and Wayne Boring art. Overstreet 2008 FN 6.0 value = $120; VF 8.0 value = $235. CGC census 4/08: 4 in 7.0, 4 higher. From the Williamsport Collection.
Superman #118 (DC, 1958) CGC VF 8.0 Off-white pages. Curt Swan and Stan Kaye cover. Art by Swan, Al Plastino, and Ray Burnley. Overstreet 2008 VF 8.0 value = $235. CGC census 4/08: 2 in 8.0, 2 higher. From the Williamsport Collection.
Superman #126 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. Contains an Alfred E. Neuman parody. Curt Swan cover. Wayne Boring and Kurt Schaffenberger art. Currently, the sole highest CGC-graded copy; only two others have earned better than FN- 5.5 to date. Overstreet 2008 VF/NM 9.0 value = $308; NM- 9.2 value = $420. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Superman #129 (DC, 1959) CGC VF+ 8.5 Off-white pages. Introduction and origin of Lori Lemaris. Contains a full page ad for Action Comics #252. Curt Swan cover. Wayne Boring art. Overstreet 2008 VF 8.0 value = $195; VF/NM 9.0 value = $308. CGC census 4/08: 3 in 8.5, 1 higher. From the David N. Toth Collection.
Superman #135 (DC, 1960) CGC NM- 9.2 White pages. Second Lori Lemaris appearance. Mr. Mxyztplk appearance. Curt Swan cover. Wayne Boring art. Overstreet 2008 NM- 9.2 value = $330. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Superman #141 (DC, 1960) CGC NM- 9.2 Off-white to white pages. First appearance of Lyla Lerrol whose origin is briefly told. Superman time travels and returns to Krypton. Curt Swan cover. Overstreet 2008 NM- 9.2 value = $275. CGC census 4/08: 1 in 9.2, 2 higher. From the David N. Toth Collection.
Superman #149 (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. The 8th Legion of Super-Heroes appearance occurs in this "Death" of Superman story. This would be the last 10¢ issue of the series. Curt Swan and Stan Kaye deliver the cover and interior art. Overstreet 2008 VF/NM 9.0 value = $220; NM- 9.2 value = $300. CGC census 4/08: 6 in 9.0, 4 higher.
Superman #151 (DC, 1962) CGC NM 9.4 White pages. Curt Swan cover. Art by Swan, George Klein, and Al Plastino. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #152 (DC, 1962) CGC NM 9.4 White pages. Legion of Super-Heroes appearance. Curt Swan cover. Al Plastino art. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #154 (DC, 1962) CGC NM 9.4 Off-white pages. Mr. Mxyzptlk appears. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 3 in 9.4, 1 higher. From the Fantastic Frank Collection.
Superman #155 (DC, 1962) CGC NM 9.4 Off-white to white pages. Legion of Super-Heroes and Mr. Mxyzptlk appearances. Curt Swan cover. Art by Swan, Wayne Boring, and Stan Kaye. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 1 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #157 (DC, 1962) CGC NM 9.4 White pages. Supergirl and Legion of Super-Heroes appearances. First appearance of Quex-Ul. Curt Swan cover. Art by Swan and Al Plastino. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 1 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #162 (DC, 1963) CGC NM- 9.2 Off-white pages. First appearances of Superman Red and Superman Blue. Brainiac appearance. Supergirl and Mr. Mxyzptlk cameos. Kurt Schaffenberger cover. Art by Schaffenberger, Curt Swan, and George Klein. Overstreet 2008 NM- 9.2 value = $190. CGC census 4/08: 1 in 9.2, 1 higher. From the Williamsport Collection.
Superman #167 (DC, 1964) CGC NM 9.4 Off-white to white pages. First Brainiac/Luthor team-up. New origin of Brainiac. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $180. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman #171 (DC, 1964) CGC NM 9.4 Off-white to white pages. Mr. Mxyzptlk appearance. Curt Swan cover. Art by Swan, Al Plastino, and George Klein. Overstreet 2008 NM- 9.2 value = $150. CGC census 4/08: 5 in 9.4, 1 higher. From the David N. Toth Collection.
Bronze Age (1970-1979)
Superman #300 (DC, 1976) CGC NM/MT 9.8 White pages. Superman in the year 2001 story. Curt Swan and Bob Oksner art. CGC notes, "'Mark Jewelers' insert." Overstreet 2008 NM- 9.2 value = $35. CGC census 4/08: 2 in 9.8, none higher. From the David N. Toth Collection.
Silver Age (1956-1969)
Superman Annual #2 (DC, 1960) CGC VF/NM 9.0 Off-white to white pages. Super-Villain issue. Reprints the origins of Brainiac, Titano, Metallo, and Bizarro. DC cover gallery on the back cover. Curt Swan cover. Overstreet 2008 VF/NM 9.0 value = $518; NM- 9.2 value = $765. CGC census 4/08: 4 in 9.0, 3 higher. From the David N. Toth Collection.
Superman Annual #6 (DC, 1962) CGC NM 9.4 Off-white to white pages. The origin story of the Legion of Super-Heroes is reprinted from Adventure Comics #247. Front and back covers by Curt Swan. Back cover is Superman Family pin-up. Interior art by Swan, Dick Sprang, Kurt Schaffenberger, Al Plastino, and Jim Mooney. Overstreet 2008 NM- 9.2 value = $285. CGC census 4/08: 2 in 9.4, 1 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #2 (DC, 1958) CGC FN+ 6.5 Off-white pages. Curt Swan cover. Kurt Schaffenberger art. A difficult-to-locate issue in any condition. Overstreet 2008 FN 6.0 value = $249; VF 8.0 value = $706. CGC census 4/08: 2 in 6.5, 2 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #4 (DC, 1958) CGC VF- 7.5 White pages. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $344. CGC census 4/08: 1 in 7.5, 3 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #6 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. Robin appearance. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $255; VF/NM 9.0 value = $465. CGC census 4/08: 3 in 8.5, 1 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #7 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. Contains a full page ad for Flash #105. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $255; VF/NM 9.0 value = $465. CGC census 4/08: 2 in 8.5, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #8 (DC, 1959) CGC VF/NM 9.0 White pages. Contains a "Lois Lane as Superwoman" story. Curt Swan cover. Kurt Schaffenberger art. The single highest CGC-graded copy on the current census. Overstreet 2008 VF/NM 9.0 value = $388; NM- 9.2 value = $560. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #9 (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. Pat Boone cover and story. Curt Swan cover. Kurt Schaffenberger and Dick Sprang art. Currently the sole highest graded copy on the CGC census. Overstreet 2008 VF/NM 9.0 value = $388; NM- 9.2 value = $560. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #10 (DC, 1959) CGC VF+ 8.5 Off-white to white pages. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $216; VF/NM 9.0 value = $388. CGC census 4/08: 2 in 8.5, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #13 (DC, 1959) CGC VF+ 8.5 Cream to off-white pages. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $132; VF/NM 9.0 value = $234. CGC census 4/08: 2 in 8.5, 2 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #15 (DC, 1960) CGC VF+ 8.5 Off-white to white pages. Curt Swan and Stan Kaye cover. Kurt Schaffenberger art. Overstreet 2008 VF 8.0 value = $132; VF/NM 9.0 value = $234. CGC census 4/08: 1 in 8.5, 1 higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #19 (DC, 1960) CGC NM- 9.2 Off-white pages. Imaginary series begins. Curt Swan cover. Kurt Schaffenberger art. Currently the highest CGC-graded copy of this issue. Overstreet 2008 NM- 9.2 value = $335. CGC census 4/08: 1 in 9.2, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #20 (DC, 1960) CGC VF/NM 9.0 Cream to off-white pages. Supergirl cover/story appearance. Curt Swan cover. Kurt Schaffenberger and Al Plastino art. Currently the highest CGC-graded copy of this issue. Overstreet 2008 VF/NM 9.0 value = $237; NM- 9.2 value = $340. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #23 (DC, 1961) CGC VF/NM 9.0 Off-white pages. First appearance of Lena Thorul, Lex Luthor's sister. Supergirl appearance. First appearance of Lois as Elastic Lass. Curt Swan cover. Kurt Schaffenberger art. Overstreet 2008 VF/NM 9.0 value = $175; NM- 9.2 value = $250. CGC census 4/08: 3 in 9.0, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane #24 (DC, 1961) CGC NM 9.4 Off-white to white pages. Curt Swan and Stan Kaye cover. Kurt Schaffenberger art. Currently the highest CGC-graded copy of this issue, with only eight total copies listed in the census report. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Superman's Girlfriend Lois Lane Annual #2 (DC, 1963) CGC NM 9.4 Off-white to white pages. This 80 page giant is tied with one other book for CGC's highest grade honors. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 2 in 9.4, none higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #19 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. Curt Swan cover and art. Currently tied with one other book for CGC's highest grade. Overstreet 2008 VF/NM 9.0 value = $348; NM- 9.2 value = $485. CGC census 4/08: 2 in 9.0, none higher. From the David N. Toth Collection.
Superman's Pal Jimmy Olsen #79 (DC, 1964) CGC NM+ 9.6 White pages. Beatles cameo. Curt Swan cover and art. Overstreet 2008 NM- 9.2 value = $75. CGC census 4/08: 2 in 9.6, none higher. From the David N. Toth Collection.
Tales of Suspense #35 (Marvel, 1962) CGC NM- 9.2 Off-white to white pages. The Watcher prototype issue. Jack Kirby cover and art. Don Heck and Steve Ditko art. Overstreet 2008 NM- 9.2 value = $385. CGC census 4/08: 1 in 9.2, 2 higher.
Tales of Suspense #44 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Jack Kirby cover, with interior art by Steve Ditko and Don Heck. Overstreet 2008 VF/NM 9.0 value = $757; NM- 9.2 value = $1,100. CGC census 4/08: 5 in 9.0, 5 higher. From the Williamsport Collection.
Teen Titans #2 (DC, 1966) CGC NM 9.4 Off-white to white pages. First appearance of Garn. Nick Cardy cover and art. Overstreet 2008 NM- 9.2 value = $235. CGC census 4/08: 4 in 9.4, 3 higher. From the David N. Toth Collection.
TV Casper and Company File Copies Group (Harvey, 1963-74) Condition: Average VF+. Includes #1-31 (last 68-page issue), 32, and 37-46. Approximate Overstreet value for group = $1,300.
Uncle Scrooge #46 File Copy (Gold Key, 1963) CGC NM 9.4 Cream to off-white pages. Carl Barks cover and art. Mickey Mouse and Gyro Gearloose appear. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 5 in 9.4, 1 higher.
Uncle Scrooge #47 File Copy (Gold Key, 1964) CGC NM+ 9.6 Off-white pages. Carl Barks cover and art. Gyro Gearloose backup feature. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 3 in 9.6, none higher.
Uncle Scrooge #48 File Copy (Gold Key, 1964) CGC NM+ 9.6 Off-white pages. Magica De Spell appears on the cover. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.6, none higher.
Uncle Scrooge #50 File Copy (Gold Key, 1964) CGC NM 9.4 Cream to off-white pages. Donald Duck, Magica De Spell, Gyro Gearloose, Huey, Dewey, and Louie appearances. Carl Barks story, cover, and art. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 6 in 9.4, 1 higher.
Uncle Scrooge #55 File Copy (Gold Key, 1965) CGC NM 9.4 Off-white pages. Carl Barks cover. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.4, 1 higher.
Wendy, the Good Little Witch File Copies Group (Harvey, 1961-75) Condition: Average VF+. Issues #6, 11-50, 52-54, 56-71, 77-83, and 85-88. Approximate Overstreet value for group = $1,700.
Wonder Woman #86 (DC, 1956) CGC VF/NM 9.0 Off-white pages. Irv Novick cover. H. G. Peter art. Overstreet 2008 VF/NM 9.0 value = $355; NM- 9.2 value = $485. CGC census 4/08: 1 in 9.0, none higher. From the David N. Toth Collection.
World's Finest Comics #88 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. First Joker/Lex Luthor team-up. Curt Swan cover. Dick Sprang, George Papp, and Fred Ray art. Overstreet 2008 VF/NM 9.0 value = $364; NM- 9.2 value = $525. CGC census 4/08: 1 in 9.0, none higher. From the Toronto Collection.
World's Finest Comics #92 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Curt Swan cover. Dick Sprang, Fred Ray, and George Papp art. Overstreet 2008 VF 8.0 value = $150; VF/NM 9.0 value = $268. CGC census 4/08: 1 in 8.5, none higher. From the David N. Toth Collection.
World's Finest Comics #104 (DC, 1959) CGC NM 9.4 Cream to off-white pages. Batwoman and Lex Luthor appearances. Dick Sprang, Jim Mooney, and Lee Elias art. This copy crushes the competition for highest CGC-grade as the closest contender is only a 7.0! Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
World's Finest Comics #105 (DC, 1959) CGC NM 9.4 White pages. Curt Swan cover. Dick Sprang and Sheldon Moldoff art. Great page quality on this CGC highest graded copy. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
World's Finest Comics #108 (DC, 1960) CGC NM 9.4 Off-white to white pages. Curt Swan cover. Dick Sprang, Jim Mooney, and Lee Elias art. Overstreet 2008 NM- 9.2 value = $250. CGC census 4/08: 1 in 9.4, none higher. From the David N. Toth Collection.
Bronze Age (1970-1979)
X-Men #101 (Marvel, 1976) CGC NM/MT 9.8 White pages. Dave Cockrum rendered the origin and first appearance of Phoenix for this issue, and Black Tom Cassidy and Juggernaut put in appearances. Dave Cockrum cover. An amazing copy. Overstreet 2008 NM- 9.2 value = $200. CGC census 4/08: 10 in 9.8, none higher.
X-Men #102 (Marvel, 1976) CGC NM/MT 9.8 Off-white to white pages. Elements of Storm's origin are revealed. Juggernaut and Black Tom Cassidy appearances. Chris Claremont story. Dave Cockrum cover. Cockrum and Sam Grainger art. Overstreet 2008 NM- 9.2 value = $110. CGC census 4/08: 9 in 9.8, none higher. From the Furfferi Collection.
X-Men #113 (Marvel, 1978) CGC NM/MT 9.8 White pages. Magneto appearance. John Byrne's first cover for the series. Byrne and Terry Austin art. Overstreet 2008 NM- 9.2 value = $75. CGC census 4/08: 12 in 9.8, 1 higher. From the Furfferi Collection.
X-Men #118 (Marvel, 1979) CGC NM/MT 9.8 Off-white to white pages. First appearance of Mariko Yashida. Sunfire appearance. John Byrne art. Dave Cockrum and Terry Austin cover. Overstreet 2008 NM- 9.2 value = $60. CGC census 4/08: 24 in 9.8, none higher. From the Furfferi Collection.
X-Men #119 (Marvel, 1979) CGC NM/MT 9.8 White pages. Moses Magnum, Sunfire, and Misty Knight appearances. Dave Cockrum cover. John Byrne art. Overstreet 2008 NM- 9.2 value = $60. CGC census 4/08: 33 in 9.8, none higher. From the Furfferi Collection.
X-Men #121 (Marvel, 1979) CGC NM/MT 9.8 White pages. First full Alpha Flight appearance and story. Dave Cockrum cover. John Byrne art. Overstreet 2008 NM- 9.2 value = $90. CGC census 4/08: 22 in 9.8, none higher.
X-Men #123 (Marvel, 1979) CGC NM/MT 9.8 Off-white to white pages. Spider-Man and Arcade appear. Terry Austin cover art. John Byrne and Austin interior art. Overstreet 2008 NM- 9.2 value = $55. CGC census 4/08: 18 in 9.8, none higher. From the Furfferi Collection.
X-Men #125 (Marvel, 1979) CGC NM/MT 9.8 White pages. Chris Claremont story. John Byrne and Terry Austin art. Dave Cockrum and Terry Austin cover. First appearance Mutant X (Proteus). Overstreet 2008 NM- 9.2 value = $55. CGC census 4/08: 37 in 9.8, none higher. From the Furfferi Collection.
X-Men #127 (Marvel, 1979) CGC NM/MT 9.8 Off-white to white pages. Proteus appearance. John Byrne and Terry Austin cover and art. Overstreet 2008 NM- 9.2 value = $55. CGC census 4/08: 45 in 9.8, none higher. From the Furfferi Collection.
Modern Age (1980-Present)
X-Men #131 (Marvel, 1980) CGC NM/MT 9.8 Off-white to white pages. Second appearance of Dazzler. Emma Frost appearance. John Byrne and Terry Austin cover and art. Overstreet 2008 NM- 9.2 value = $55. CGC census 4/08: 13 in 9.8, none higher. From the Furfferi Collection.
Original Comic Art
Neal Adams Studio - Emergency Magazine, page 29 Original Art (Charlton, 1976). This page is based on the Jack Webb-produced TV drama which followed the adventures of two paramedics, Roy DeSoto and Johnny Gage, who worked for the Los Angeles County Fire Department's Squad 51. The art for this series was produced by Neal Adams' Continuity Associates studio, which included artists such as Dick Giordano and Terry Austin. This page from an unidentified issue has a 10.5" x 15" image area, and the art is in Very Good condition. Neal Adams signed the page at the lower right.
Neal Adams Studio - Six Million Dollar Man Magazine, page 11 Original Art (Charlton, 1976). In this page, Steve Austin spies alongside the female agent based on Farrah Fawcett's cameo on the TV show. The Neal Adams Continuity Associates studio, which included Dick Giordano, Klaus Janson, and Terry Austin, detailed this handsome 10.5" x 15" page, and the art is in Very Good condition. Neal Adams signed the page at the lower right.
Elmer Lehnhardt - Yogi Bear and Friends Lunchbox Illustration Original Art (Hanna-Barbera/Aladdin Industries Inc., 1963). Yogi Bear and his friends' picnic shenanigans get out of hand for Ranger Rick, in this painted illustration that was featured on the back and bottom of an Aladdin lunchbox. Rendered by artist Elmer Lehnhardt in watercolor the art has an image area of 11" x 9" and includes the type on an acetate overlay. Also includes sketches along with notes by Lehnhardt attached to the back of the art. In Excellent condition.
Elmer Lehnhardt - "Gentle Ben" Lunchbox Illustration Original Art (Ivan Tors' Films, Inc./Aladdin Industries Inc., 1968). American black bear, Gentle Ben, rushes Mark Wedloe out of a dangerous forest fire, in this illustration by Elmer Lehnhardt. This remarkable water media illustration was used on the front cover of an Aladdin lunch box. The art has an image area of 11" x 9.5", and includes the type on an acetate overlay. In Excellent condition.
Woody Woodpecker Lunchbox Illustration Original Art (Walter Lantz Productions/Aladdin Industries Inc., 1971). Wally Walrus finds himself on the wrong side of the roller coaster track, in this painted illustration that was featured on the back and bottom of an Aladdin lunchbox. Rendered in watercolor the art has an image area of 11" x 9" and includes the type on an acetate overlay. In Excellent condition.
Super Friends Lunchbox Illustration Original Art (DC/Aladdin Industries Inc., 1975). Superman, Wonder Woman, Batman, and Robin take charge on this painted illustration that was featured on the front of an Aladdin lunchbox. The line art is printed onto acetate which sits over a watercolor background with an image area of 11" x 9". In Excellent condition.
Elmer Lehnhardt - "Welcome Back, Kotter" Lunchbox Illustration Original Art (Wolper Organization and Komack Company, Inc./Aladdin Industries Inc., 1977). Gabe Kotter, Juan Epstein, Vinnie Barbarino, Freddie "Boom Boom" Washington, and Arnold Horshack star in this illustration by Elmer Lehnhardt that was used on the front of an Aladdin lunch box. Rendered in watercolor on heavy illustration board, the art has an image area of 11" x 9.5", and includes the type on an acetate overlay. In Excellent condition.
Elena Kucharik - Care Bear Cousins Lunchbox Illustration Original Art (American Greetings Corp./Aladdin Industries Inc., 1984). Painted by the original Care Bear artist, Elena Kucharik, this delightful illustration was used on the back and bottom of an Aladdin lunch box. Rendered in watercolor on heavy illustration board, the art has an image area of 8" x 6.5", and includes the type on an acetate overlay. In Excellent condition.
Street Hawk Lunchbox Illustration Original Art (Universal City Studios/Aladdin Industries Inc., 1984). This illustration featuring the turbo-charged defender of the streets of L.A., Street Hawk, was used on the front of an Aladdin lunch box. Rendered in watercolor on heavy illustration board, the art has an image area of 8" x 6.5", and includes the type on an acetate overlay. In Excellent condition. There are some editorial notes included on a tracing paper overlay.
Kent Allen - My Play a Tune Book Cover Original Art (Disney, 1988). Maestro Mickey Mouse waves his baton to the sounds of Disney's classic music, in the vibrant cover illustration by Kent Allen. The art has an image area of 23.5" x 16", and, aside from a light crease in the upper left corner, is in Excellent condition. Includes a copy of My Play a Tune Book.
Murphy Anderson - The Atom and Hawkman #43, page 2 Original Art (DC, 1969). The outrageous origin of the Gentleman Ghost is about to be revealed in this "spook-tacular" title page for "Come To My Hanging." The image area of this Murphy Anderson extravaganza measures 10" x 15", and aside from a torn upper corner, and a title logo replacement, the condition of the art is Very Good.
Ross Andru and Mike Esposito - Joe Yank #9, Complete 7-page Story "Miss Foxhole of 1952" Original Art (Standard, 1952). This way-out war story is the ultimate oddball war yarn. It features sex-crazed G. I.s, a goat, slapping, cross-dressing, humiliation, and Commie spies -- you'll never find another fifties war tale as weird as this one. The image area of each page is 14.25" x 22.5", and the art is in Very Good condition, with only a few small stains and spots of white-out.
Sergio Aragones - "Henry, the Smiling Dog," page 6 and 7 Illustration Original Art (G. P. Putnam's Sons, 1966). These pages set the opening for Henry Blankfort's children's book. Each page has an overall size of 15" x 11", and the art averages Excellent condition.
Sergio Aragones - "Henry, the Smiling Dog," page 24 Illustration Original Art (G. P. Putnam's Sons, 1966). The chase is on in this dog-catching scene from Henry Blankfort's children's book, Henry the Smiling Dog. This piece has an overall size of 15" x 11", and the art is in Excellent condition.
Sergio Aragones - "Henry, the Smiling Dog," page 26 Illustration Original Art (G. P. Putnam's Sons, 1966). "Henry was the most mixed-up mutt anyone had ever seen, but that wasn't what made him different -- what made him unique was he could smile. His 10-year old owner, Judy, lived on a block whose other canine inhabitants were very pedigreed. But most important of all -- none of the dogs or their masters ever smiled." This page from Henry Blankfort's children's book has an overall size of 15" x 11", and the art is in Excellent condition.
Sergio Aragones - Complete 1-page Mad Story Original Art (EC, undated). Sergio Aragones details a unique defense against armed robbery in this hilarious one-pager. This page has an image area of approximately 10" x 15", and the art is in Excellent condition. The piece was signed in its lower right corner.
Dick Ayers - Gunsmoke Western #75, Complete 5-page Story "The Deputy and the Desperado" Original Art (Marvel, 1963). It takes a mighty brave lawman to face off with a gunslinger like "Top-Notch" Morgan! This complete five-page tale was written by Stan Lee, and illustrated by Dick Ayers. Each page has an image area of 12.5" x 18" and is in Very Good condition.
Dick Ayers and Bill Everett (as Bill Roman) - Two-Gun Kid #81, page 2 Original Art (Marvel, 1966). Bill Everett's wondrous way with a brush is featured over Dick Ayers' detailed pencils in this page from "The Hidden Gun." The Two-Gun Kid makes a dramatic entrance in the final panel. This piece has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Dick Ayers and Vince Colletta - Ghost Rider #5, Splash page 14 Original Art (Marvel, 1967). The Ghost Rider gives the masked marauder known as the Tarantula the ghostly end of his whip in this "spook-tacular" splash page from the story, "The Tarantula Strikes Back." The art has an image area of 12.5" x 18.5" and is in Excellent condition.
Dick Ayers and Vince Colletta - Ghost Rider #5, page 16 Original Art (Marvel, 1967). With the aid of a glowing whip, the Ghost Rider relieves the Tarantula of his weapon, in this bone-chilling splash page from the Gary Friedrich story, "The Tarantula Strikes Back." The art has an image area of 12.5" x 18.5" and is in Excellent condition.
Chris Bachalo and Mark Buckingham - Generation X #1 Panel Page 12 Original Art (Marvel, 1994). Emma Frost and M are showcased in this sharp page from the premiere issue of Generation X. Lettering was added later, so this page is free of any type, making for an extremely nice presentation piece. Ink and pencil on a Marvel comics page, with an image area of approximately 10.25" x 15", and is in Excellent condition.
Matt Baker - Flamingo Daily Comic Strip Original Art, undated (Phoenix Features, circa 1953). Matt Baker's ability at drawing the female figure is spotlighted in this daily, especially in panels one and four -- va va vooom! The image area of this episode measures 19" x 5". There is some white-out in panel two and a few minor glue-stains in panel three; otherwise, the art is in Very Good condition.
Clive Barker - "Mirror" Illustration Original Art (undated). This mixed-media illustration has an image area of 7.5" x 9.5", and the piece has been framed to an overall size of 16.5" x 18.5". The piece is in Excellent condition, and it was signed on the back of the frame.
Carl Barks - Walt Disney's Comics and Stories #242 Cover Preliminary Original Art (Dell, 1960). Traffic cop Donald makes no exceptions as he tickets nephews Huey, Dewey, and Louie -- for driving a kiddie car! A preliminary pencil sketch from the Good Duck Artist, graphite on tracing paper, with an image area of approximately 7.25" x 10", double-matted to an overall size of 12.25" x 15.25". Signed by Barks in ink. Excellent condition.
Carl Barks - "Nobody's Spending Fool" Preliminary Original Art (undated). A young Scrooge totes his sack of gold with a determined look in his eyes, in this penciled preliminary sketch. Graphite on tracing paper, with an image area of approximately 7.5" x 9," and matted to an overall size of 12.5" x 15". In Excellent condition. Signed by Barks in ink.
Carl Barks - Donald Duck Family Sketch Original Art Group (undated).
Three rough sketches, including one in graphite of an angry Donald in a bullet-riddled cowboy hat (head and neck only), with a blue-pencil sketch of a hand holding a six-shooter, and color pencil clothing elements in green and brown; on tracing paper measuring approximately 8" x 12.5". Page is signed by Barks, in graphite. Next, a blue pencil sketch of Donald and the three nephews jumping out of a window, on tracing paper measuring approximately 11" x 5.75" (not signed; comes with COA signed by Jerry Weist). Finally, four dark blue pencil sketches of Daisy as a cheerleader, waving her pom-poms and strutting; on white paper measuring approximately 12.75" x 6.75", signed in graphite. All three are in Excellent condition.
Three rough sketches, including one in graphite of an angry Donald in a bullet-riddled cowboy hat (head and neck only), with a blue-pencil sketch of a hand holding a six-shooter, and color pencil clothing elements in green and brown; on tracing paper measuring approximately 8" x 12.5". Page is signed by Barks, in graphite. Next, a blue pencil sketch of Donald and the three nephews jumping out of a window, on tracing paper measuring approximately 11" x 5.75" (not signed; comes with COA signed by Jerry Weist). Finally, four dark blue pencil sketches of Daisy as a cheerleader, waving her pom-poms and strutting; on white paper measuring approximately 12.75" x 6.75", signed in graphite. All three are in Excellent condition.
Mark Beachum - Gold Superman II Illustration Original Art (undated). The Man of Tomorrow looks awe-inspiring in this majestic illustration by Mark Beachum. Rendered in mixed media on heavy illustration paper, the art has an image area of 15" x 9.75", and is in Excellent condition. Signed by Mark Beachum at the left.
Joe Benitez and Matt "Batt" Banning - Weapon Zero T-2 #3 Cover Original Art (Image, 1994). Joe Benitez and Matt "Batt" Banning thrust you directly into into the T'Sirri and Batai alien race war, in this exceptional cover illustration. The cover has an image area measuring 10.5" x 15.5" and includes the original title and type paste-up art. In Excellent condition.
Joe Benitez and John Livesay - The Darkness #24 Cover Original Art (Image, 1999). Beware the wrath of Jackie Estacado who wields the powers of The Darkness, the universal force of chaos and creation. This chiller has an overall size of 11" x 17", and the art is in Excellent condition.
Walter Berndt - Smitty Sunday Comic Strip Original Art, dated 8-24-30 (The Chicago Tribune, 1930). Smitty's kid brother, Herby, takes his job of covering Pop up with sand extremely seriously, in this sun-filled Sunday by Walter Berndt. The image area measures 19" x 26", and, aside from some paper tanning, discoloration along the conjoined section between the third and fourth tiers, and some water damage at the right edge; the work is in Good condition.
Simon Bisley - Science Fiction Story Page 27 Original Art (undated). The master of mayhem, Simon Bisley takes care of business, "Biz"-style, in this thriller from an unidentified title. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Steve Bissette and Alfredo Alcala - Swamp Thing #64, page 7 Original Art (DC, 1987). This beautifully inked page hails from Alan Moore's last story for this series. This swampy scene has an image area of 11.5" x 18". Aside from yellowing pasted-on word balloons and captions, this page is in Excellent condition.
Joe Brozowski and Sam De La Rosa - Firestorm the Nuclear Man #78 Cover Original Art (DC, 1988). This explosive image graced the cover of the seventy-eighth issue of Firestorm the Nuclear Man. The art has an image area of 10" x 15" and includes the original logo and title paste-up art on an acetate overlay. Aside from some paper tanning, the art is in Excellent condition.
John Buscema, Don Perlin, and Vince Colletta - Thor #213, page 15 Original Art (Marvel, 1973). Thor, Tana Nile, and Hildegarde star in this Bronze Age beauty from "The Demon Brigade." This page has an image area of 10" x 15", and the art is in Very Good condition.
John Buscema and Bill Anderson - Silver Surfer/Rune #1, page 13 Original Art (Marvel, 1995). Planet soaring cosmic action, as only John Buscema could picture it, is the highlight of this 10" x 15" page. The art is in Excellent condition.
John Buscema and Bill Sienkiewicz - Galactus, the Devourer #4, page 15 Original Art (Marvel, 1999). No top-drawer collection of Silver Surfer art would be complete without a sterling example drawn by Big John Buscema. This fantastic page has an image area of 10" x 15", and the art is in Excellent condition.
Jim Calafiore and Mark McKenna - Aquaman #34 Cover Original Art (DC, 1997). Triton and Aquaman battle for supremacy over the creatures of the deep in this hard-hitting cover scene for the thriller, "One On One." This blockbuster has an image area of 10" x 15.5", and the art is in Excellent condition. Jim Calafiore signed the page in the lower right border.
Milton Caniff - Terry and the Pirates Partial Sunday Comic Strip Original Art, dated 12-2-45 (Chicago Tribune, 1945). This partial Sunday is the two panel tiers from the top half of the episode, and it has an image area that measures 19" x 12". Aside from glue staining to the title logo stat, the art is in Very Good condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 11-18-48 (Chicago Sun-Times, 1948). The master of high drama works his magic with light and shadow in this episode titled, "It's All In How (And Where) You Put It." This daily has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 11-29-48 (Chicago Sun-Times, 1948). Cold War cuties are the focus of this episode titled, "Tick In Her Eye." This daily has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Al Capp - Li'l Abner Daily Comic Strip Original Art, 7/17/57 (United Feature Syndicate, 1957). Politics? Tiny Yokum never heard of them, either! A sweet daily, complete with a gorgeous femme fatale, from the Frank Frazetta-ghosted period of Li'l Abner. The ink, blue pencil, and white-out (covering an art change) page has an image area of approximately 19" x 5.5", and is matted to an overall size of 24.5" x 11". In Excellent condition.
Gerald McCann - Classics Illustrated #45 Tom Brown's School Days (Fourth Printing) Painted Cover Original Art (Gilberton, 1964). Add a memorable scene from one of the great works of literature to your original art collection -- the school yard scrimmage scene for the Classics Illustrated version of Thomas Hughes' timeless classic, Tom Brown's School Days. The approximate image area of this painting measures 14.5" x 21", and the art is in Excellent condition.
Thomas Oughton - Classics Illustrated #62 Western Stories (Sixth Printing) Painted Cover Original Art (Gilberton, 1963). The adventurous appeal of the Western frontier is captured perfectly in this cover scene for the Western tales of Bret Harte. This Classics Illustrated cover has an approximate image area of 14.5" x 21". The surface paper is separating from its illustration backing board; otherwise, the art is in Good condition.
Classics Illustrated #85 Sea Wolf (Sixth Printing) Painted Cover Original Art (Gilberton, 1964). This spine-tingling scene from the Classics Illustrated version of Jack London's sea-going story, The Sea Wolf, will make a superb wall piece for any Classics Illustrated aficionado. The approximate image area of this painting measures 11.5" x 20", and the art is in Very Good condition.
Rudy Palais - Classic Illustrated #89 Crime and Punishment, Complete 44-page Story Original Art (Gilberton, 1951). Rudy Palais adapts Fyodor Dostoyevsky's epic crime novel of the ill-fated Raskolnikov, in this forty-four pager. A two-page back-up story, "So Proudly We Hail," is also included in the lot. Each page has an image area measuring 12" x 18". The artwork is in Very Good condition overall, with pasted-in text corrections on most pages, and a few tipped-in art corrections as well. There are also two pasted-up text pages, including a biography of Dostoyevsky (the original art for this page is included) and an article on the opera Mignon.
Classics Illustrated #146 With Fire and Sword (Third Printing) Painted Cover Original Art (Gilberton, 1963). One of the most thrilling scenes in all of literature awaits your bid -- the sword clashing scene for the Classics Illustrated adaptation of Henryck Sienkiewicz's With Fire and Sword. The overall size of this painting measures 18" x 24", and the art is in Excellent condition.
Gerald McCann - Classics Illustrated #158 The Conspirators (Second Printing) Painted Cover Original Art (Gilberton, 1964). This rousing scene from the Classics Illustrated version of Alexandre Dumas' adventure tale, The Conspirators, is sure to make a treasured showpiece for a Classics Illustrated fan. The approximate image area of this painting measures 14.5" x 21", and the art is in Excellent condition.
Geoffrey Biggs - Classics Illustrated Special Issue #162-A "The War Between the States" Painted Cover Original Art (Gilberton, 1961). This beautifully painted cover scene has an approximate image area of 14.5" x 21", and the art is in Excellent condition
Gene Colan and Dick Ayers - Captain America #134, page 2 Original Art (Marvel, 1971). Gene Colan's talent for drawing fast-paced action scenes is featured at its best in this page from "They Call Him Stone-Face." Dick Ayers added his own touches to these Bronze Age battle scenes with his energetic inks. This page has an image area of 10" x 15", and aside from some white-out used for art corrections in the last panel, the art is in Excellent condition. Gene Colan signed the page in its lower border.
Gene Colan and Bob Smith - Night Force #3 Cover Original Art (DC, 1982). It's terror in the water for two of Baron Winters' Night Forcers, in this cover illustration penciled by Gene Colan and inked by Bob Smith. The cover has an image area of 10" x 15" and includes the original logo and indicia paste-up art. Signed by Gene Colan at the bottom.
Reed Crandall - Impact #3, "Life Sentence," page 5 Original Art (EC, 1955). When it came to illustrational cartooning, Reed Crandall was among the best in the field. This page is full of the realistic storytelling and details that made Crandall a legend among his peers. It has an image area of 12.5" x 18", and the art is in Excellent condition.
Roy Crane - Buz Sawyer Sunday Comic Strip Original Art, dated 10-12-47 (King Features Syndicate, 1947). Get set to howl -- Roy Crane has done it again, with another episode in the adventures of Roscoe Sweeney, Buz Sawyer's pal. This Sunday has an image area of 24.5" x 17", and aside from a glue-stained title logo and some lettering corrections, the art is in Very Good condition.
Roy Crane - Buz Sawyer Sunday Comic Strip Original Art, dated 6-11-50 (King Features Syndicate, 1950). Skullduggery on the high seas. No comic strip art collection would be complete without a superb Roy Crane example. This Sunday has an image area of 24.5" x 17", and aside from some edge wear, the art is in Very Good condition.
Alan Davis and Mark Farmer - Flash #87 Cover Original Art (DC, 1994). Ho, ho, ho --- Merry Death-mas." A heatwave and a crimewave in Keystone at Christmas time makes for a very cranky Flash in this cover scene for "Christmas Rush." This piece has an image area of 10" x 15", and the art is in Excellent condition.
Dan DeCarlo - Pep Comics #197 Cover Original Art (Archie, 1966).
This cool pool party cover features the whole gang -- Archie, Jughead, Reggie, Betty, and Veronica. The overall size of the piece is approximately 14" x 20", with an image area measuring 14" x 15". The support paper and title logo stats are recent replacements; otherwise, the art is in Very Good condition.
This cool pool party cover features the whole gang -- Archie, Jughead, Reggie, Betty, and Veronica. The overall size of the piece is approximately 14" x 20", with an image area measuring 14" x 15". The support paper and title logo stats are recent replacements; otherwise, the art is in Very Good condition.
Mike DeCarlo - Savage Sword of Conan Illustration Original Art (Marvel, undated). By Crom, Conan is in a tight spot this time -- if he wounds or kills this winged beast he will be dropped from a great height into a smoldering volcano! How will the sinewy Cimmerian survive this battle? This detailed piece from an unidentified issue has an image area of 10.5" x 15", and the art is in Excellent condition.
Jose Delbo and Mark Texeira - Conan the Barbarian #226 Cover Original Art (Marvel, 1989). The Lion of Cimmeria meets the Panther of Bast in this exceptional cover illustration penciled by Jose Delbo and inked by Mark Texeira. The art has an image area measuring 10" x 15" and includes the original title and type paste-up art on an acetate overlay. In Excellent condition. Signed by Mark Texeira at the lower left.
Mike Deodato - X-Men Unlimited #32, Complete 11-page Story, "The Gift" Original Art (Marvel, 2001). Fan fave, Mike Deodato, illustrates this eleven-page back-up story written by James Pruett. Deodato delivers some beautifully penciled artwork for this solo story with a focus on Nightcrawler, struggling with his mutant appearance, with the help of his faith. Each page has a 10.5" x 15.5" image area, and is in Excellent condition. Includes the preliminary sketches and the roughs used for word placement.
Tony DeZuniga - Arak, Son of Thunder #42 Cover Original Art (DC, 1985). Arak discovers what lurks beyond the Scorpion Gate, in this terrifying cover illustration by Tony DeZuniga. This piece has an image area of 10" x 15" and includes the original logo and title paste-up art. In Excellent condition.
"Alice in Wonderland" Illustration, page 7 Original Art (Golden Press/Disney, 1951). Alice, the Dodo and company float on a sea of Alice's tears, in this dynamic watercolor illustration created for A Big Golden Book, "Alice in Wonderland." Matted and framed with a 9.5" x 13" image area. Aside from some light soiling at the bottom, the work is in Excellent condition.
Walt Disney's Pluto Coloring Book Cover Original Art (circa 1950s). Pluto and his pal, Mickey, do some plein air painting in this exceptional cover illustration. Rendered in watercolor, the art is matted and framed, with a 14" x 18" image area. In Excellent condition.
Richard "Dormouse" Noe - Complete 1-Page "Harry the Hop" Story Original Art (1972). Harry "spaces out" under the influence of good music and good... er... let's just say "nova dust," in this amusing artifact from the seventies. Drawn on two pieces of bristol, which are combined into one published page. Ink and Zipatone on pages measuring approximately 14" x 11". Some wear and tears along the outer borders; otherwise, in Very Good condition.
Dragon Illustration Original Art (undated). A big purple dragon hovers over the Big Apple, in this vibrant illustration. Rendered in mixed media on a 16.5" x 21" sheet of illustration board. In Excellent condition.
Dick Duerrstein - Mickey Mouse Painting Original Art (1995). Mickey Mouse in his most famous role as the sorcerer's apprentice comes to life in this magical painting by Dick Duerrstein. Painted in mixed media on canvas, this piece measures 30" x 24". In Excellent condition. Signed by Dick Duerrstein at the lower left.
Dick Duerrstein - Uncle Scrooge Painting Original Art (undated). Dick Duerrstein presents this vibrant and bold image of Duckburg's richest citizen, painted in mixed media on heavy illustration board. Measures 25" x 24". In Excellent condition. Signed by Dick Duerrstein at the lower left.
Lee Elias - Terry and the Pirates Comics #18, Complete 3-page Hotshot Charlie Story "The Expert" Original Art (Harvey, 1949). Hotshot Charlie is defeated by a simple appliance repair in this lighthearted romp. The image area of each page measures 12" x 18", and, aside from some glue staining in the first panel from a few missing stat elements, the condition is Very Good.
Enric (Enrique Torres) - Vampirella Color Preliminary Painting Original Art (undated). This vibrant color preliminary featuring the alluring Vampirella was created by one of Europe's "new old masters," Enrique "Enric" Torres. The art has an image area of 7" x 10" and is in Excellent condition.
Hal Foster - Pencil Breakdowns and Script for Prince Valiant Original Art (King Features Syndicate, 1977). This lot provides a terrific insight into Hal Foster's later work on the Prince Valiant feature. For each episode, Foster detailed a tight pencil breakdown of the page layout, and also provided a typed script to artist John Cullen Murphy, who then rendered the full-sized illustrations. This lot features the typed script for page #2115 (dated August 21, 1977), and Foster's penciled breakdown for the page. Each page measures 8.5" x 11". The pages have been three-hole punched; otherwise they are in Very Good condition. This gem-like Hal Foster drawing will be a welcome addition to any art collector's portfolio!
Ramona Fradon - House of Mystery #235, page 1 Original Art (DC, 1975). Ramona Fradon sets the stage for a real chiller with her eerie title page for "The Spawn of the Devil." This spooky piece has an image area of 10" x 15", and the art is in Excellent condition.
Frank Frazetta - Cavemen Ink Sketches Original Art (undated). These whimsical ink Frank Frazetta studies are filled with life and laughter. This piece has an image area of 7.5" x 10", and it has been framed to an overall size of 11" x 13.5". The art is in Excellent condition.
Ron Frenz, Bob Layton, and Jackson Guice - The Amazing Spider-Man Annual #18, Page 8 Original Art (Marvel, 1984). Spidey kisses J. Jonah Jameson in this startling page from the Tom DeFalco and Stan Lee "Wedding Issue" story, "The Scorpion Takes a Bride." The page has an image area of 10" x 15", and is in Very Good condition.
Dick Giordano - Dracula Lives #10 Splash Page 1 Original Art (Marvel, 1975). The glorious "good girl" art of Dick Giordano is showcased in this splendid splash page for "Ship of Death." This page has an overall size of 14" x 22", and the art is in Excellent condition.
Dick Giordano - Legion of Monsters #1, Dracula Title Page 1 Original Art (Marvel, 1975). Fans of Dick Giordano's superb artistry would be hard-pressed to find a more handsome piece than this terrific title page for "Death Be Thou Proud." This page has an image area of 12" x 18", and aside from a missing line of type in the first caption, the art is in Excellent condition.
Frank Godwin - Rusty Riley Sunday Comic Strip Original Art, dated 1-19-58 (King Features Syndicate, 1958). Frank Godwin's first-rate talent for figure drawing is showcased in this late fifties episode, near the close of Frank Godwin's storied career. This episode has an image area of 23" x 15.5", and the art is in Excellent condition.
Randy Green and Jonathan Sibal - Tales of the Witchblade #6 Cover Original Art (Image, 1998). Samantha returns to her Celtic home, and uses the power of the Witchblade to drive the Roman invaders out, in this issue of Tales of the Witchblade. Randy Green pencils, and Jonathan Sibal inks this cover which has an image area of 10" x 15". In Excellent condition.
Tom Grindberg - Warlock and the Infinity Watch #16 Cover Original Art (Marvel, 1993). Adam Warlock has his hands full battling the "shadows from the abyss" in this eerie cover scene by the talented Tom Grindberg. This nineties knock-out has an image area of 9.5" x 15", and the art is in Excellent condition. Tom Grindberg has signed the page in the lower right border.
Doug Hansen - "Alexander Kazakow" Splash Page Original Art (1977). Animal Bites cartoonist Doug Hansen combines his love of World War trivia with funny animal comics to produce this cool "fighting seacow" page. The ink, pencil, and white-out art is on bristol measuring approximately 14" x 18.5" and is in Excellent condition.
Doug Hansen - "Big Bang/Bang-Up" Splash Page Original Art Group (1977). California cartoonist Doug Hansen provides two views of young couples and the way they watch television -- in this case, old movies and documentaries about World War II. In "Big Bang Real American Comix," the main action seems to be happening on (or falling off) the couch, while in "Bang-Up All American Comix," a slightly more serene situation is unfolding. Both pages feature great renderings of WWII airplanes. The ink, blue pencil, and Zipatone art is featured on illustration boards measuring approximately 13.5" x 20". Both pieces are in Excellent condition.
Johnny Hart - B. C. Sunday Comic Strip Original Art, dated 8-9-70 (Field Enterprises, 1970). This B. C. episode from the seventies has an image area of 19" x 13". Aside from having been cut between each panel tier, this strip is in Excellent condition. The piece was inscribed and signed by Johnny Hart in the first panel.
John Hebert and Greg Adams - X-Men Adventures Season II #9 Cover Original Art (Marvel, 1994). Rogue is tormented by visions of Mystique and Ms. Marvel in this "good girl" art extravaganza. This pulchritudinous piece has an image area of 9.75" x 15" and the art is in Excellent condition.
Don Heck - Tales to Astonish #42, Ant-Man page 10 Original Art (Marvel, 1963). Dashing Don Heck presents a spell-binding page from the early days of Marvel, when the universe was just aborning. This page from "The Voice of Doom" has an image area measuring 12.5" x 18.5", and the art is in Excellent condition.
Don Heck - Tales to Astonish #54, Ant-Man page 4 Original Art (Marvel, 1964). Don Heck's talent for gorgeous "good girl" art is showcased in these scenes from "No Place to Hide." This page has an image are of 12.5" x 18.5", and the art is in Excellent condition.
Mike Hoffman - Tigress Tales #3, Complete 12-page Story "The House at the End of the Word" Original Art (Amryl Entertainment, 2002). Eerie events and voluptuous femme fatales -- Mike Hoffman has done it again, in this terrific 12-page tale from Tigress Tales #3. Each page of this story has an approximate image area of 10" x 15", and aside from not having any word balloons or captions, the art averages Excellent condition.
Judith Hunt and Bill Sienkiewicz - Marvel Fanfare #38, Moon Knight page 12 Original Art (Marvel, 1987).
This action-packed page from the yarn "Whatever Happened to the Podunk Slam" has an image area of 10" x 15". Aside from yellowing pasted-on word balloons, the art is in Excellent condition.
This action-packed page from the yarn "Whatever Happened to the Podunk Slam" has an image area of 10" x 15". Aside from yellowing pasted-on word balloons, the art is in Excellent condition.
Simon Bisley - Science Fiction Story Page 29 Original Art (undated). Simon Bisley's detailed space battle page is sure to be a welcome addition to any "Biz" collector's portfolio. This scintillating page has an image area of 10" x 15", and the art is in Excellent condition. As an "art bonus" there are a few ink doodles on the back of this page.
Jiminy Cricket Dot to Dot Coloring Book Cover Illustration Original Art (Disney, 1956). Mickey Mouse and Jiminy Cricket share a happy moment in this delightful hand-painted cover illustration. Rendered in watercolor on heavy illustration board, the art has an image area of 10.5" x 17.75". In Very Good condition. Includes a copy of Jiminy Cricket Dot to Dot Coloring Book.
Jeffrey Jones - Abyss #1, "Union," page 4 Preliminary Original Art (1970). The poetic imagery of Jeffrey Jones is featured in this pencil on layout paper, preliminary drawing for the fanzine science fiction story, "Union." This piece has an image area of 10.5" x 15", and aside from an irregular top border (outside the image area), the art is in Excellent condition.
Jeffrey Jones - Abyss #1, "Union," page 8 Preliminary Original Art (1970). The fabled Jeffrey Jones talent for "good girl" art is on full display in this beautifully drawn preliminary page from "Union." This piece has an image area of 10.5" x 15", and aside from an irregular top border (outside the image area), the art is in Excellent condition.
Dan Jurgens and Dick Giordano - Sun Devils #7 Cover Original Art (DC, 1985). The Sun Devils struggle to survive in the orbit of a blazing sun in this dynamic cover illustration penciled by Dan Jurgens and inked by Dick Giordano. The art has an image area measuring 10" x 15" and includes the original title and type paste-up art. In Excellent condition.
Michael W. Kaluta - Fantastic, August, 1970, "A Gift From the Gozniks" Story Illustration Original Art (Fantastic, 1970). This evocative piece, drawn to illustrate the Gordon Eklund science fiction story, has an image area of 5" x 15", and the art is in Excellent condition.
Bob Kane - Batman, Robin and Joker Sketch Original Art Group (1994). The originator of the Dark Knight draws three of his most famous creations -- the Joker, Batman, and Robin -- for this lot of matted sketches. Each piece measures approximately 3" x 4", and the mat has an overall size of 12" x 9". The Batman art has a tiny bit of water damage along the top of Batman's cowl and the "Keep up the good work" caption; otherwise, all are in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 12-1-56 (Post Hall Syndicate, 1956). Little Joey has come all the way from Mars to be in the "Oleo-impics," to take the "Squeakin' Champeenship," in this Walt Kelly daily. The art has an image area of 18.5" x 5", and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 2-16-65 (Hall Syndicate, 1965). Meet the new truant officer, Churchy LeFemme, in this lively Walt Kelly daily. The art has an image area of 18.5" x 5", and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 6-10-65 (Hall Syndicate, 1965). Commercialism has Howland Owl on Pogo's case, in this Walt Kelly daily. The art has an image area of 18.5" x 5", and is in Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 5/1/67 (Hall Syndicate, 1967). Blustery P. T. Bridgeport hatches another scheme in the swamp, but Pogo and Porky have something to tell him first! A wonderful daily, filled with Bridgeport's ornate poster lettering in each of his word balloons, and all three characters appear in every panel. The ink and blue pencil art has an image area of approximately 18.5" x 5", and is matted to an overall size of 24" x 10.5". In Excellent condition.
Walt Kelly - Pogo Daily Comic Strip Original Art, dated 9-11-71 (Hall Syndicate, 1971). The lady folk share a spot of tea, in this Walt Kelly daily. This daily has an image area of 18.5" x 5", and is in Excellent condition.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, 6/1/72 (Publishers-Hall Syndicate, 1972). Dennis and Joey may have some advice for Mrs. Wilson in this two-panel charmer from the seventies. Ink on bristol, with an image area of approximately 6.5" x 8.25". In Excellent condition.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, 11/3/72 (Publishers-Hall Syndicate, 1972). Shades of Hillary -- Dennis can't believe Margaret might wind up as the President someday! This timely treasure features two great drawings of Dennis. Ink on bristol, with an image area of approximately 6.5" x 8". In Excellent condition.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, 8/28/76 (Field Newspaper Syndicate, 1976). Something's got the cat upset in this cute daily, starring Dennis and his dad. Ink on bristol, with an image area of approximately 6.5" x 8". In Excellent condition.
Hank Ketcham - Dennis the Menace Daily Comic Strip Original Art, 11/8/79 (Field Enterprises, 1979). Gina gives Dennis the lowdown in this sweet two-panel daily. Love that expression on Dennis' face in the second panel! Ink on bristol, with an image area of approximately 6.5" x 8.25". There's a caption correction paste-over; otherwise, the art is in Excellent condition.
Jack Kirby and Dick Ayers - Tales of Suspense #30, page 5 Original Art (Marvel, 1962). This page from "The Ghost Rode a Roller Coaster" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers - Rawhide Kid #22, page 10 Original Art (Marvel, 1961). This rough and tumble page from the Western-monster thriller,"Beware the Terrible Totem" has an image area of 12.5" x 18.5", and the art is in Excellent condition. Jack Kirby signed the page at the lower left.
Jack Kirby and Dick Ayers - Rawhide Kid #32, page 5 Original Art (Marvel, 1963). Kicking tail and taking names is a way of life for the Rawhide Kid. The Kid doesn't let his talent go to his head either, as you can see in these scenes from "No Guns For a Gunman." This romp by the Marvel mainstays, Jack Kirby and Dick Ayers, has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Dick Ayers - Rawhide Kid #32, page 8 Original Art (Marvel, 1963). The Rawhide Kid stars in every panel of this superb page from the Silver Age yarn, "Beware of the Barker Brothers." This Jack Kirby and Dick Ayers classic has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and D. Bruce Berry - Our Fighting Forces #161, The Losers page 6 Original Art (DC, 1975). From Jack Kirby's final Losers story, "The Major's Dream," comes this fabulous 10" x 15" page of battle scenes, and a panel featuring Sarge and Captain Storm. This piece is in Excellent condition.
Charles Connor - The Kapers of Koko Illustration Original Art (Volland, 1931). From a rare and very collectible early children's book, Victorine Kirk's The Kapers of Koko, this illustration shows the bear Koko and his family as they skip hibernation to explore the canals of Venice. This lovely, art-decoish drawing is ink and some minor white-out on illustration board, with an image area of approximately 8.75" x 5.75", and has been matted, with an overall size of 12.75" x 9.125". Other than some light toning, the art is in Excellent condition. A color photocopy of the book's front cover is included.
Joe Kubert - Weird War Tales #91, Partial Cover Illustration Original Art (DC, 1980). "March 10, 1945--B-29 bombers blotted out the sky over Tokyo, unleashing a hail of death -- but not before a small boy with strange powers exacted devastating revenge." This spine-tingling Joe Kubert cover illustration of fire-bombed soldiers was drawn on a vellum overlay for a special effect on the printed cover. The background art is not included in this lot, but what is included are three color separation pieces of the background, printed on photopaper, and a copy of the comic book.
Harvey Kurtzman - Mermaid Illustration Original Art (undated). This whimsical mixed-media media illustration of two mermaids has an overall size of 11" x 14", and the art is in Excellent condition.
Harvey Kurtzman - Little Annie Fanny Pencil Preliminaries/Layouts for Complete 3-page Story "Frisbee Story" Original Art (Playboy, 1979). Harvey Kurtzman's storytelling genius is revealed in this three-page layout for a story that appeared in the August 1979 issue of Playboy. The 83rd Little Annie Fanny story was drawn in mixed-media on grid paper, and titled "Frisbee Story," and these layouts are filled with the renowned Kurtzman attention to detail. The story is reprinted on pages 130-132 in the Little Annie Fanny reprint books published by Dark Horse (vol. 2). Each page measures approximately 9" x 12" overall, and the art is in Very Good condition.
Ray Lago - Timely Presents: All Winners Cover Original Art (Marvel, 1999). Captain America, Bucky, the Whizzer, Miss America, the Sub-Mariner, Toro, and the Human Torch dangle like helpless puppets in this sizzling illustration created for the Golden Age Marvel reprint comic Timely Presents: All Winners. This spectacular painting recreates the unforgettable cover of All Winners Comics #19, and has an image area of 14" x 21". In Excellent condition.
Bob Larkin - The Savage Sword of Conan #42 Cover Original Art (Marvel, 1979). The greatest barbarian of all battles the Devil-Tree of Gamburu, in this cover illustration by Bob Larkin. Painted in mixed media on heavy illustration board, the art has an image area of 15" x 20". In Excellent condition, and signed by Bob Larkin at the lower right.
Jim Lee and Scott Williams - Gen 13 #7, page 13 Original Art (Image, 1995). This face-plate-kickin' page was penciled by Gen 13 creator, Jim Lee, and inked by Scott Williams. The art has an image area of 10" x 15", and is in Excellent condition. Signed by Jim Lee at the bottom.
Jim Lee and Scott Williams - Gen 13 #7, page 20 Original Art (Image, 1995). Members of Gen13 encounter their evil counterparts, the Deviants, in this Jim Lee/Scott Williams page. The art has an image area of 10" x 15", and is in Excellent condition. Signed by Jim Lee at the bottom right.
Larry Lieber and Matt Fox - Strange Tales #113, page 5 Original Art (Marvel, 1963). The eerie inks of Matt Fox make this Larry Lieber Silver Age space chiller even more otherworldly. This page from "The Search for Shanng" has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Larry Lieber and Al Hartley - Journey Into Mystery #104 Page Original Art (Marvel, 1964). The magic of early Marvel art is here in pages 1, 3, and 5 of the sci-fi story, "Revenge," by Marvel mainstays Larry Lieber and Al Hartley. Each page has an image area of 12.5" x 18.5", and the art averages Excellent condition.
Larry Lieber and Frank Giacoia - Mighty Marvel Western #33 Rawhide Kid Cover Original Art (Marvel, 1974). Three sneaky sidewinders face off against the Rawhide Kid and they're ready to slap leather - looks like the Kid has these rannies out-gunned! This suspense-filled showdown is brought to you by the Kid's most faithful chronicler, Larrupin' Larry Lieber. Frank Giacoia's slick inks added the perfect finish to this Bronze Age beauty. This cover has an image area of 10" x 15", and aside from missing three pasted-on word balloons and a caption, the art is in Very Good condition.
Ron Lim and Harry Candelario - X-Men 2099 #31 Cover Original Art (Marvel, 1994). Metalhead and Rosa Navarro Vasquez tend to their child on this stunning cover illustration by Ron Lim and Harry Candelario. The cover has an image area measuring 10.5" x 15.5" and includes the original title and type paste-up art. In Excellent condition.
Alex Maleev - Daredevil #26 Alternative Cover Original Art (Marvel, 2002). Alex Maleev draws you into a realistic, shadowy world of danger with his moody rendering of the Man Without Fear, in this cover illustration. The art has an image area measuring 6.5" x 9", and is in Excellent condition. Signed by Alex Maleev at the lower left.
Alex Maleev - Daredevil #35 Cover Original Art (Marvel, 2002). Peter Parker supports fellow hero, Matt Murdock, through trying times in this issue's tale written by Brian Michael Bendis, titled, "I'm Not Afraid of You." This cover illustration by Alex Maleev has an image area of 8.5" x 11.5", and is in Excellent condition. Signed by Alex Maleev at the lower right.
Mike Manley - The Punisher War Zone #11 Cover Original Art (Marvel, 1993). "And you thought the snowman was abominable --." This Mike Manley masterwork has an image area of 10" x 15", and the art is in Excellent condition.
Russ Manning, Paul Norris, and Mike Royer - Magnus Robot Fighter #28, page 1 Original Art (Gold Key, 1969). This was to be the Russ Manning studio's last Magnus issue. Written and inked by Mike Royer and penciled by Paul Norris, this yarn also had Russ Manning penciling touches in panels throughout the story. The approximate image area of this page from "A Secret Kept" is 12" x 18", and the art is in Excellent condition.
Val Mayerik - The Toxic Avenger #7 Cover Original Art (Marvel, 1991). "Melvin was a 90-pound weakling until nuclear waste transformed him into...the Toxic Avenger!" The first super hero -- from New Jersey -- battles the menace of "the Souvlaki Sewer Syndrome" in this offbeat "monster-piece." This cover has an image area of 9.75" x 15" and the art is in Excellent condition.
Bob Montana - Archie Sunday and Daily Comic Strip Original Art, Group of 3 (McClure Newspaper Syndicate, 1946-47). This glorious group lot of Archie strips from the forties -- two dailies dated 7-8-46 and 5-9-46, and a Sunday dated 8-31-47 -- are the perfect way to start a Bob Montana art collection. The Sunday has an image area of 19.5" x 26", while each daily has an image area of 19" x 5.75". The Sunday was cut between panel tiers two and three, and the dailies have glue stains at the bottom of each episode; otherwise, the art averages Very Good condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 2-16-49 (McClure Newspaper Syndicate, 1949). Archie and Jughead are showcased at their wise-cracking best in every panel of this episode. This daily has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 9-19-49 (McClure Newspaper Syndicate, 1949). Archie and Jughead pop off in front of Professor Flutesnoot in this daily. This episode has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 10-11-49 (McClure Newspaper Syndicate, 1949). Archie and Reggie zing each other with a snappy suspenders prank. This daily has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 11-28-49 (McClure Newspaper Syndicate, 1949). Miss Grundy suspects the worst hanky-panky from Archie and Veronica in this hilarious episode. This daily has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 12-26-49 (McClure Newspaper Syndicate, 1949). To be a good girls' basketball coach, Archie needs to focus more on actual game plans and less on girls. Betty and Jughead cameo in this episode. This daily has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 3-14-48 (McClure Newspaper Syndicate, 1948). Once again, one of Archie's pranks backfires -- when will that boy learn? Fred Andrews and Jughead co-star. This Sunday has an image area of 20.5" x 14.5", and aside from having a glue-stained title logo and having a pasted-in art correction in a few panels, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 9-10-50 (McClure Newspaper Syndicate, 1949). Archie nearly does Mr. Weatherbee in on the first day of school in this slapstick sensation. The famous "Thinker" statue appears in the next-to-last panel and Miss Grundy also cameos. This episode has an image area of 20.5" x 14.5", and aside from having a missing title logo stat and some lettering corrections, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 9-11-49 (McClure Newspaper Syndicate, 1949). The tables are turned on Archie once again. Jughead and Betty also put in a guest appearance in this episode. This Sunday has an image area of 20.5" x 14.5", and aside from having a glue-stained title logo, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 11-6-49 (McClure Newspaper Syndicate, 1949). Slowly but surely Archie and the gang are driving the Riverdale High faculty around the bend. Mr. Flutesnoot has lost it, but Miss Grundy is still hanging tough. This episode has an image area of 20.5" x 14.5", and aside from having a glue-stained title logo, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 3-26-50 (McClure Newspaper Syndicate, 1950). Mr. Weatherbee should know better than to rely on Archie to fix anything. This episode has an image area of 20.5" x 14.5", and aside from having a glue-stained title logo stat, the art is in Very Good condition.
Jim Mooney - Pussycat Page Original Art (Marvel, circa 1960s). The de-classified top-secret information on Pussycat is scant, but one thing we can share about her is -- hey now! Jim Mooney, perhaps best known for his work on Supergirl for DC and on Spider-Man for Marvel, sure knew how to draw lovely ladies. Pussycat, agent of S.C.O.R.E. battles the evil villains of L.U.S.T. in this "Man from U.N.C.L.E." send-up. This page has an image are of 13.5" x 18.5", and the art is in Excellent condition.
John Cullen Murphy - Prince Valiant Sunday Comic Strip Original Art, dated 10-25-87 (King Features Syndicate, 1987). In page #2646, Queen Aleta is the star of the episode. John Cullen Murphy's crisp line is at its best in rendering both figures and landscapes. The page was cut into three panel tiers and later rejoined with tape on the back of the paper. The combined tiers have an image area measuring approximately 13" x 19", and the art is in Excellent condition.
Don Newton and Joe Rubinstein - New Gods #16, page 4 Original Art (DC, 1978). Don Newton brings his own style of high-energy storytelling to Jack Kirby's creations in this page from the yarn, "The Titan and the Hunter." This piece has an image area of 10" x 15", and the art is in Excellent condition.
Jerry Ordway - Superman, The Man of Steel Annual #5 Original Art (DC, 1996). Jerry Ordway's classic, sleek art style is perfect for this magnificent montage of an alternate view of the Superman family. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Brant Parker - Wizard of Id Sunday Comic Strip Original Art, dated 2-7-71 (Field Enterprises, 1971). Brant Parker and Johnny Hart were two of the funniest cartoonists in the comic strip field. As such, they were awarded the famed Reuben Award by the National Cartoonists Society in 1984. No humor strip collection would be complete without an example from these two. This Sunday has been cut horizontally between each tier of panels; otherwise, the art is in Very Good condition. It was signed by both Brant Parker and Johnny Hart in its first panel.
Brandon Peterson and Tim Townsend - The Astonishing X-Men #1 (Dynamic Forces Marvel Authentix Edition) Cover Original Art (Marvel, 1999). "As the enigmatic Mannites are hunted by the villain that seeks to bring about their extinction, Phoenix and Cyclops scramble to assemble a team capable of defeating this dire threat." This cover scene was created for a special edition, printed for Dynamic Forces. The cover has an image area of 10" x 15". The first printing logo was recreated on an acetate overlay; otherwise, the art is in Excellent condition.
Jay Scott Pike and Jose Marzan Jr. - Star Trek: The Next Generation - The Series Finale Page Original Art, Group of 39 (DC, 1994). DC and Marvel "good girl" art specialist, Jay Scott Pike, tries his hand at science fiction in this story, based on the celebrated TV series. Page 14 is missing from the first forty pages of the story, "All Good Things..." This galactic group lot includes pages 1-13 and 15-40 of the 58-page story. Each page has an image area of 10" x 15.5". Aside from a few panels made of stats, these pages average Excellent condition.
Dan Piraro - Bizarro Title Panel Comic Strip Original Art Group (King Features Syndicate, undated). Two amusing title panels to Dan Piraro's wacky panel strip, possibly designed to be used in book compilations. Ink on paper, the first with an image area of approximately 6.25" x 6" and the other with an image area of 6.5" x 6.5". Both pieces are in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art (King Features, 1993). Dan Piraro takes us back to Oz, for this hilarious daily. The art has an image area of 12.75" x 6.5" and is in Excellent condition. Signed by Dan Piraro at the right.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 3-4-01 (King Features, 2001). No, it's not the end of the world, it's just another wacky Dan Piraro Bizarro daily. The art has an image area of 13" x 6.5" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 2-2-02 (King Features, 2002). There's no famous icon too taboo for the comic scrutiny of cartoonist Dan Piraro. A certain red-nosed reindeer gets a rhinoplasty, in this Bizarro daily. The art has an image area of 12.75" x 6.5" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 7-18-04 (King Features, 2004). They can fly, they can fly, they can fly! Dan Piraro presents a very urban Peter Pan in this Bizarro daily. The art has an image area of 13" x 6.75" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 8-29-04 (King Features, 2004). Here is another remarkably peculiar daily by Dan Piraro. The art has an image area of 13" x 7.25" and is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 1-05-06 (King Features, 2006). More fun from the absurd and eccentric mind of cartoonist, Dan Piraro, is featured in this Bizarro daily. The art has an image area of 6" x 7.5" and is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 7-30-06 (King Features, 2006). Dan Piraro gets his "point" across in this dapper Bizarro daily. Note the cameo of Dan Piraro and his wife, Ashley Smith, in the background. The art has an image area of 12.75" x 6.5" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 9-14-06 (King Features, 2006). A famous mouse waxes roth, in this hilarious Bizarro daily by Dan Piraro. The art has an image area of 6" x 7.5" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 12-24-06 (King Features, 2006). Since 2004, Dan Piraro was nominated for the National Cartoonist Society's highest award, "Outstanding Cartoonist of the Year." This daily has an image area of 13" x 7.25" and is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 7-22-07 (King Features, 2007). Three time Reuben Award winning cartoonist, Dan Piraro, spins another great gag in this quirky daily. The art has an image area of 13" x 7.25" and is in Excellent condition. Signed by Dan Piraro at the lower right.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 9-09-07 (King Features, 2007). Dan Piraro puts his best wooden leg forward in this Bizarro episode. The art has an image area of 13" x 7.25" and is in Excellent condition.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 11-04-07 (King Features, 2007). Dan Piraro's Bizarro entertains millions of readers in more than 200 newspapers. This daily has an image area of 13" x 7.25" and is in Excellent condition. Signed by Dan Piraro at the lower left.
Dan Piraro - Bizarro Daily Comic Strip Original Art, dated 12-30-07 (King Features, 2007). Dan Piraro's Bizarro was first syndicated in 1985 and currently appears daily in around 250 markets on four continents. This daily has an image area of 13" x 7.25" and is in Excellent condition. Signed by Dan Piraro at the lower right.
Keith Pollard and Joe Sinnott - Fantastic Four Annual #21, Invisible Woman Splash Page 41 Original Art (Marvel, 1988). Joe Sinnott's polished inks add style and grace to Keith Pollard's full-figure pin-up of Sue Richards. This pin-up has an image area of 10" x 15", is in Excellent condition, and Joe Sinnott signed the back of this page.
Ron Randall - Arak, Son of Thunder Annual #1 Cover Original Art (DC, 1984). This Ron Randall cover illustration has an image area of 10" x 15". The logo and indicia are recent replacement art pieces. In Excellent condition.
Ron Randall - Conqueror of the Barren Earth #4 Cover Original Art (DC, 1985). Jinal is the new Conqueror of the Barren Earth, and under her rule the three great races unite to bring new life into the desert. This climactic cover has an image area measuring 10" x 15" and includes the original logo and title type paste-up art. In Excellent condition.
Tom Raney and Keith Williams - Warlock Chronicles #1 Cover Original Art (Marvel, 1993). Adam Warlock strikes a bold pose for the premiere issue of his chronicles. The majestic Marvel cover has an image area of 9.75" x 15". The title logo is a replacement logo, done on an acetate overlay; otherwise, the art is in Excellent condition.
Jack Rickard - Mad #194 Preliminary Cover Original Art (Mad, 1977). Alfred E. Neuman figures he can't be hit below the belt! The Mad legacy continues in this cover parody of Rocky, featuring the "Italian Stallion" vs. a gap-toothed imp in a pair of oversized trunks. The image area of this piece measures 21.5" x 20", and the art is in Excellent condition.
Marshall Rogers - Detective Comics #473 Cover Recreation Original Art (undated). Even as the Batman and Robin battle for their lives, a deadlier menace casts his shadow over them... the Penguin! This incredible illustration by Marshall Rogers is a recreation of the original cover he created for Detective Comics #473. The art has an image area measuring 11.5" x 16.5" and is in Excellent condition.
John Romita Sr. and John Verpoorten - Fantastic Four #105, page 2 Original Art (Marvel, 1970). When Jack Kirby left Marvel's flagship title, John Romita Sr. was handed the daunting task of taking over "the King's" Fantastic Four art assignment. Despite Romita's concerns over fan reaction, sales actually went up, just as they did after Romita took over Spider-Man when Steve Ditko left the title. As Stan Lee once said, John Romita has the golden touch. All the same, Romita only drew the title for a few issues, so his FF art is rather scarce. This page from "The Monster in the Streets" has an image area of 10" x 15", and aside from a few small stains, the art is in Very Good condition.
John Rosenberger - The Jaguar #4, page 11 Original Art (Archie, 1962). The streamlined art of John Rosenberger is showcased at its heroic best in this high-flying splash page for "The Return of the Cat Girl." This page has an image area of 12" x 17.5". The art elements and captions were cut out and pasted to a support paper; otherwise, the art is in Very Good condition.
P. Craig Russell - The Ring of the Nibelung Gotterdammerung #3 Cover Original Art (Dark Horse, 2001). The mighty saga of the Twilight of the Gods is detailed in P. Craig Russell's cover scene from "Double Blind." This piece has an overall size of 11.5" x 17.5", and the art is in Excellent condition.
Tom K. Ryan - Tumbleweeds Sunday Comic Strip Original Art, dated 1-31-71 (Register and Tribune Syndicate, 1971). The image area of this hilarious episode measures 26.5" x 12", and the art is in Excellent condition. Tom K. Ryan inscribed and signed this Sunday under panel two.
Stan Sakai - Space Usagi II #1 Cover Original Art (Mirage, 1993). This iconic cover scene has an image area of 10" x15.5", and the art is in Excellent condition.
Stan Sakai - Space Usagi II Illustration Original Art (undated). Space Usagi is the descendant of the 17th-century Usagi and the two actually met in a back-up story in Teenage Mutant Ninja Turtles #47. This glowing full-color picture of the major cast of Space Usagi has an image area of 10" x 16", and the art is in Excellent condition.
Javier Saltares and Scott Hanna - Ghost Rider #12 (Second Printing) Cover Original Art (Marvel, 2007). Johnny Blaze has -- against the will of the Ghost Rider bonded to his soul -- decided to try to help the people of New York City against the unstoppable juggernaut that is The Hulk --by attacking The Hulk, head-on. Johnny just wants to do some good... but isn't that what he always says before he does something ultimately catastrophic? This Marvel "monster-piece" has an image area of 10" x 15", and the art is in Excellent condition. Scott Hanna signed the page on the back of the art.
Bill Sienkiewicz - Moon Knight #12, pages 15 and 16 Original Art (Marvel, 1981). Moon Knight is featured in every panel of these hard-hitting scenes from "The Nightmare of Morpheus." Each page has an image area of 10" x 15", and aside from yellowed pasted-on word balloons, the art is in Very Good condition. Bill Sienkiewicz signed each page in its lower border.
Dave Sim and Gerhard - Cerebus Sketch Original Art (undated). An exceptional Cerebus illustration by Dave Sim and Gerhard, showing the Earth-Pig studying a half-empty beer glass. Drawn in black ink, and then toned with gray, the art measures 9" x 12" and is in Excellent condition. Signed and inscribed by Dave Sim and Gerhard.
Barry Smith - Sitting Woman Sketch Original Art (undated). A beautiful and graceful classic Greek-style woman dressed in a toga-like robe is the subject of this blue pencil and ink sketch, by fan-favorite artist, Barry Windsor Smith. On paper, with an image area of approximately 9" x 11", and signed with the initials BWS. In Excellent condition.
Tod Smith and Mike DeCarlo - The Omega Men #13 Cover Original Art (DC, 1984). Broot and his wife are the main feature on this cover illustration penciled by Tod Smith and inked by Mike DeCarlo. The art has an image area of 10" x 15" and includes the original logo and title paste-up art on an acetate overlay. In Excellent condition.
Claude St. Aubin and Romeo Tanghal - Green Lantern #40 Cover Original Art (DC, 1993). "Has Barry 'Flash' Allen returned -- only to be killed by Darkstar?" Barry Allen can't catch a break and this expressive cover captures the sheer agony etched on Hal Jordan's face as he sees his fleet-footed friend suffer again. This shocker has an image area of 10" x 15". The title logo is mounted on an acetate overlay; otherwise, the art is in Excellent condition.
John Stinsman and Marlo Alquiza - Avengelyne #7 Cover Original Art (Maximum Press, 1996). This divine cover illustration penciled by John Stinsman and inked by Marlo Alquiza features fallen angel, Avengelyne, and Divinity. The art has an image area measuring 10" x 15" and is in Excellent condition.
J. Michael Straczynski and Christian Zanier - Rising Stars #10 Cover and Complete 23-page Story Original Art (Image, 2000). In a story set years after the first eight issues, many of the "Specials" are running rampant, taking revenge or setting up their own little empires, while a few still try to stop them. All the normal people were afraid of what the Specials might one day become -- that day has arrived. Each thrilling page has an image area of 10" x 15.5", and aside from not having their word ballons or lettering, the art is in Excellent condition.
Charles Sultan - This Is War #8, Complete 8-page Story "Payment in Full" Original Art (Standard, 1953). Charles Sultan's artwork is a joy to behold in this shell-shocked portrait of fear and courage under fire, on the battlefields and river crossings of Korea. This pre-Code war story features execution of prisoners by bayonet, and it is a phenomenal example of this accomplished Golden Age artist's work. The image area of each page is 14.75" x 22". Page one has a couple holes punched in the margin; otherwise, the art is in Excellent condition.
Larry Todd and Willy Murphy - Dr. Atomic Comic Strip Original Art (1972). Here's another very early appearance of Dr. Atomic, in a two-tier strip entitled "Dr. Atomic 'Socks It To 'Em'". Making a guest appearance in the final panel is Willy Murphy's big-footed "Harry Kirschner" character. The art is in ink and blue pencil, on thin bristol board measuring approximately 14.5" x 14.5", with an image area of 12" x 12". Other than some minor soiling and wear primarily along the outer borders, the art is in Excellent condition.
Larry Todd - Dr. Atomic's Dope Lab Comic Strip Original Art (1974). Drift back to the lazy, hazy seventies with this large, single-panel strip, showing Dr. Atomic's instructions on building a "bottom stoker" smoking pipe. Ah, those crazy carefree days! We don't advise following the instructions, but this piece makes for a pretty cool artifact of a bygone era! The image area of this ink and blue pencil page is approximately 14" x 7"; the art is matted to an overall size of 19" x 12", and is in Excellent condition.
Angelo Torres - Mad #321, Complete 5-page Story "Groundhog Deja Vu" Original Art (EC, 1993). "There is a hot air front moving across the country from Hollywood to local theaters along the east coast. It's about a weatherman who lives the same day over and over again." To get an idea what that's like, try reading this introduction to Angelo Torres' sensational send-up of the movie Groundhog Day over and over. This laugh-riot was drawn in ink and wash. Each page has an approximate image area of 17" x 21", and the art is in Excellent condition.
Angelo Torres - Mad #324, Complete 5-page Story "In Line to Be Fired" Original Art (EC, 1994). "Nowdays, a government agent who is loyal, helpful, courteous, kind, obedient, cheerful, thrifty, brave, clean, and reverent is a bigger dinosaur than you'd expect to find in 'Jurassic Park.' With these qualities, it's no wonder Crank Haggard is... 'In Line To Be Fired.'" Angelo Torres' caricatures of Clint Eastwood, Rene Russo, and John Malkovich in their roles from the thriller, "In the Line of Fire," are a scream. This yarn was drawn in ink and wash, and each page has an approximate image area of 17" x 21". The art is in Excellent condition.
Angelo Torres - Mad #341, Complete 5-page Story "Appalling 13" Original Art (EC, 1995). From the Losing Your Launch Dept., "Houston - we have a problem. We don't have enough oxygen to breathe because we are laughing so hard at Angelo Torres' lampoon of the Tom Hanks movie, 'Apollo 13.'" Film stars Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise, and Ed Harris get the Torres treatment in this send-up. This story was drawn in ink and wash, and each page has an approximate image area of 17" x 21". The art is in Excellent condition.
Angelo Torres - Mad #343, Complete 5-page Story "sleepWalker, Texas Stranger" Original Art (EC, 1996). "He's sleepWalker Texas Ranger. He has a badge, a gun, and a mean left foot. About the only thing he doesn't have is the ability to register any human emotion." Angelo Torres illustrated this high-kicking TV show satire of "Walker, Texas Ranger" in ink and wash. Each page has an approximate image area of 17" x 21", and the art is in Excellent condition.
Angelo Torres - Mad #344, Complete 5-page Story "Police Squad: O. J. On the Rocks" Original Art (EC, 1996). In this 5-page romp, the team from Police Squad! re-investigates the Nicole Simpson and Ron Goldman murders. Angelo Torres sticks it to O. J. Simpson, all of the witnesses, and the other assorted law personalities from the trial. This savage satire was drawn in ink and wash, and each page has an approximate image area of 17" x 21". The art is in Excellent condition.
Angelo Torres - Mad #347, Complete 5-page Story "Wishing For the Impossible" Original Art (EC, 1996). "Take a popular 20-year old TV show, give it a new cast, and a ridiculously high budget -- project it on a wide screen, and whattaya get? Mainly a profound desire for that great old TV show with its fun, exciting plots, and wonderful, believable cast. But it's too late, 'cause once again those Hollywood geniuses have screwed up, leaving you -- 'Wishing For the Impossible.'" This Angelo Torres "Mad-sterpiece" was drawn in ink and wash, and each page has an approximate image area of 17" x 21". The art is in Excellent condition.
Herb Trimpe and Dan Green - Godzilla #15, Splash Page 3 Original Art (Marvel, 1978). The King of the Monsters towers over John Hawk's ranch in this rip-roaring splash from "Roam on the Range." This page has an image area of 10" x 15", and the art is in Excellent condition.
Herb Trimpe - Shogun Warriors #19, Splash Page 1 Original Art (Marvel, 1980). The mighty Shogun Warriors fly like bolts of lightning in the Herb Trimpe extravaganza, "The Giant of Manhattan." This splash has an image area of 10" x 15", and the art is in Excellent condition.
Herb Trimpe - The Incredible Hulk #193 Alternative Cover Original Art (undated). The Doctor's name is Samson and he's sworn to capture the green-skinned goliath dead or alive! This building-smashing cover by Herb Trimpe has an image area of 10" x 15" and is in Excellent condition. Signed by Herb Trimpe at the lower right. This was Herb Trimpe's final cover drawn for his initial, long run on the Incredible Hulk.
Irving Tripp - Marge's Little Lulu #96 Cover Original Art (Dell, 1958). Any true-blue fan of this beloved Dell series will be thrilled to add this lighthearted cover to their collection. This tasty scene has an image area of 7.5" x 10.5", and aside from its missing price tag paste-up, the art is in Excellent condition. A copy of the comic book is included in this lot.
William Tucci, Poly Feliciano, and Nelson Asencio - Shi: Kaidan #1 Cover Original Art (Crusade Comics, 1996). William Tucci pencils this cover to Crusade's first horror anthology devoted to the honored tradition of the macabre in Japan, Shi: Kaidan. The art has an image area of 10" x 15" and is in Excellent condition. Signed by William Tucci at the top right.
Warren Tufts - Casey Ruggles Sunday Comic Strip Original Art, dated 8-23-53 (United Feature Syndicate, 1953). Warren Tufts' beautifully rendered Western action scenes are always a treat for the eyes. This Sunday has an image area of 21.5" x 14.5". Aside from being cut between each panel tier and having some small tape residue stains, this strip is in Very Good condition.
George Tuska and Vince Colletta - Iron Man #50, page 12 Original Art (Marvel, 1972). George Tuska's talent for the superhero, "good girl," and horror genres shines in this page from the Iron Man chiller, "Deathplay." Tony Stark's fiancee, Marianne Rodgers, is overcome with horrific visions of the Cyborg-Sinister and Iron Man's danger, and her emotional state is captured in Tuska's expressive drawings and storytelling. This page has an image area of 10" x 15", and aside from a taped in panel replacement for panel one, the art is in Very Good condition.
Bill Vigoda - The Adventures of the Fly #5, page 11 Original Art (Archie, 1960). This offbeat thriller from "The Fly Meets the Bat," the first issue featuring an adult Flyman (and a villain inspired by a certain well-known DC icon), has an image area of 12" x 17.5", and the art is in Excellent condition.
Mike Vosburg and Al Milgrom - The Savage She-Hulk #18 Cover Original Art (Marvel, 1981). She-Hulk finds herself in the grip of the Grappler, in this topsy-turvy cover illustration penciled by Mike Vosburg and inked by Al Milgrom. The art has an image area measuring 10" x 15", and includes the original title and type paste-up art. Aside from an overall paper tanning, the art is in Very Good condition.
Mike Wieringo and Sean Parsons - Avengers Next #5 Cover Original Art (Marvel, 2006). As the Earth is slowly transformed into New Asgard, Thunderstrike returns and the Avengers face the fierce vengeance of Sylene, the daughter of Loki, who is determined to make up for the mistake her father made when he inadvertently caused the origin of the original Avengers -- this is a superb cover scene by the late, great Mike Wieringo. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Al Williamson - Hand Colored Flash Gordon Limited Edition Print #9/20 (1987). Dr. Zarkov, Dale Arden, and Flash Gordon survey a panoramic view of a city on the world of Mongo in this fantastic hand colored print by Al Williamson. The image area of the print measures 23" x 13" and the print is in Excellent condition. Signed by Al Williamson.
Charles "Doc" Winner - The Katzenjammer Kids Sunday Comic Strip Original Art, dated 12-2-51 (King Features Syndicate, 1951). Himmel! Mit decoy ostridges in der house anything can happen! This Katzenjammer Kids Sunday by Doc Winner has an image area of 17" x 16". Aside from some aging in the logo, the art is in Excellent condition.
Bernie Wrightson - DC Special Series #14, The Second Issue of the Original Swamp Thing Saga Cover Preliminary Illustration Original Art (DC, 1979). The Swamp Thing battles two of his fiercest foes, the Patchwork Man and the Werewolf from "Monster on the Moors," in this boldly composed preliminary study for the wrap-around cover to DC Special Series #14. This piece has an image area of 14" x 10", and the art is in Excellent condition.
Bernie Wrightson - Captain Sternn: Running Out of Time #1, page 4 Original Art (Kitchen Sink, 1993). Captain Sternn fakes his death to escape from prison in this mirthful masterwork by the Master of the Macabre, Bernie Wrightson. This piece has an image area of 11.75" x 18", and the art is in Excellent condition. Bernie Wrightson signed the page in the lower left.
Bernie Wrightson - Bernie Wrightson II: More Macabre Trading Card #48 Illustration Original Art (FPG, 1994). From the trading card set Bernie Wrightson II: More Macabre comes this illustration for card #48, titled, "Damp Cellar." Rendered in watercolor on heavy illustration paper, the art has an image area of 8.5" x 11.5" and is in Excellent condition. Signed by Bernie Wrightson at the bottom right.
George Wunder - Terry and the Pirates Sunday Comic Strip Original Art, dated 2-18-62 (News Syndicate Co., 1962). Girls, girls, and more girls. This Sunday has an image area of 25.5" x 17". Each panel of this strip was cut out and glued to a larger piece of support paper. There is some light glue staining and there are a few lettering corrections; otherwise, its condition is Very Good.
Chic Young - Blondie Daily Comic Strip Original Art, dated 7-8-31 (King Features Syndicate, 1931). Blondie cuts a striking figure in the last panel of this cliff-hanger. This lighthearted episode from the Blondie and Dagwood elopement sequence has an image area of 17.5" x 4", and the art is in Excellent condition.
Chic Young - Blondie Daily Comic Strip Original Art, dated 6-1-37 (King Features Syndicate, 1937). Baby Dumpling "monkeys around" with his supper in this darling daily by Chic Young. The image area measures 19.5" x 4" and aside from light edge wear and soiling, the art is in Very Good condition. Signed and inscribed by Chic Young in the last panel.
Chic Young - Blondie Daily Comic Strip Original Art, dated 2-1-46 (King Features Syndicate, 1946). Cookie slams the door on good manners in this daily created by Chic Young. The image area measures 17.5" x 5.25". There is some general aging, and a bit of light soiling overall; otherwise, the condition of this episode is Very Good.
Carl Barks - "An Embarrassment of Riches" Limited Edition Print, 340/395 (Another Rainbow, 1983). Here's the second in the series of Carl Barks lithographs produced by Another Rainbow. This one spotlights Uncle Scrooge as he, Donald, and nephews Huey, Dewey, and Louie inspect the contents of Scrooge's fabulous money bin. The litho print was produced on 20" x 24" heavy 90 lb. Buckeye Ltd. paper, with an image area of 16" x 20"; it's in Excellent condition. Included is a certificate of authenticity.
Carl Barks - "Afoul of the Flying Dutchman" Regular Edition Lithograph, 112/345 (Another Rainbow, 1985). Donald, Uncle Scrooge, and nephews Huey, Dewey, and Louie find themselves in a scary situation at sea as they discover the legendary Flying Dutchman, in this breath-taking print. It's the seventh in Another Rainbow's celebrated series, printed on Opalesque cotton-fiber paper. The print measures 25.5" x 21", is signed and numbered by Carl Barks, and is in Excellent condition. Comes with a certificate of authenticity.
Carl Barks - "A Lithographic Suite of Preliminary Paintings" Portfolio, 386/500 (Another Rainbow, 1986). Ten of Carl Barks' preliminary paintings and idea sketches make up this collection. The prints include "An Embarrassment of Riches", "Among His Souvenirs", "Till Death Do Us Part", "Prosperity Posed For Posterity", "A 1934 Belchfire Runabout", "Which Disney Themepark is This?", "Return to Morgan's Island", "Afoul of the Flying Dutchman", "Dam Disaster at Money Lake", and "Dubious Doings at Dismal Downs." The prints average 15" x 12"; all have been numbered and initialed by Barks. Also includes a certificate of authenticity, which has been signed by Barks. All are in Excellent condition.
Animation Art
"The Klondike Kid" Animation Production Drawing Original Art, Group of 3 (Disney, 1932). Pegleg Pierre bullies Mickey in these three original animation drawings from the short, "The Klondike Kid." Each drawing is rendered in graphite on a 12-field animation paper (12" x 10", OPDs #53, 67, and 11). Aside from some light paper tanning, the art is in Very Good condition.
"The Big Bad Wolf" Animation Production Drawing Original Art, Group of 2 (Disney, 1934). These two animation drawings feature Fifer and Fiddler Pig, from the Disney short, "The Big Bad Wolf." Each is drawn in graphite on a 12" x 9.5" sheet of animation paper (OPDs #84 and 94). Aside from some light paper tanning, and light creasing, the drawings are in Very Good condition.
"Fantasia" Brudus Animation Production Drawing Original Art (Walt Disney, 1940). Original production drawing #45 of the Centaur Brudus rendered in graphite and multi-colored pencil on 16-field, 5-hole animation sheet measuring 15.5" x 12.5". Aside from some light paper tanning and creasing, the art is in Very Good condition.
"Fantasia" Melinda Animation Production Drawing Original Art (Walt Disney, 1940). This drawing features the young girl Centaurette, Melinda, from the "Pastoral Symphony" segment of Disney's animated feature "Fantasia" (OPD #C-91). Rendered in graphite and red pencil on a 16-field, 5-hole animation sheet, this art measures 15.5" x 12.5". Aside from some light paper tanning and creasing, the art is in Very Good condition.
"Fantasia" Melinda Animation Production Drawing Original Art (Walt Disney, 1940). This original production drawing #49 features the Centaurette, Melinda, and is drawn on a 16-field animation sheet measuring 15.5" x 12.5". Aside from some light paper tanning and creasing, the art is in Very Good condition.
animation art
Mickey Mouse 60th Anniversary Limited Edition Cel Animation Art Group, 15/950 (Walt Disney, 1988). Two classic Mickey cartoons are featured in this set of two cel and background setups. First, Mickey and Pluto prepare for a climb in "Alpine Climbers" (1936); next, Mickey serenades Minnie in this scene from "The Little Whirlwind" (1941). Both set-ups feature hand-painted cels, which were laminated on the back with clear plastic to prevent future cracking and chipping, and each comes with a beautiful 16.75" x 13.25" presentation background, reproduced by Disney artists. Both set-ups are housed in individual envelopes, and come with a brief printed note from the company.
Animation Art
"A Doonesbury Special" Animation Production Cel and Drawing Original Art, Group of 8 (1977). This set of original hand-inked and hand-painted production cels and drawings was created for the Oscar-nominated television special based on Garry Trudeau's satirical comic strip, Doonesbury. Each measures 12.5" x 10" and they average in Excellent condition. Two cels are signed by Garry Trudeau.
Magazines
Mad #26 (EC, 1955) CGC NM 9.4 Cream to off-white pages. A Marilyn Monroe "Seven Year Itch" parody appears inside this book with a Harvey Kurtzman cover logo and outrageous border. The amazing EC staff that contributes to the interior art includes Wally Wood, Jack Davis, Bill Elder, and Bernie Krigstein. A great copy with a clean, bright cover, sharp edges, and straight spine. Overstreet 2008 NM- 9.2 value = $665. CGC census 4/08: 8 in 9.4, 3 higher. From the Williamsport Collection.
Mad #42 (EC, 1958) CGC NM 9.4 Cream to off-white pages. Frank Kelly Freas painted cover. Wally Wood, Joe Orlando, Mort Drucker, Dave Berg, and Don Martin contribute interior art. Danny Kaye musical parody. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 2 in 9.4, 3 higher. From the Williamsport Collection.
Mad #44 (EC, 1959) CGC NM 9.4 Cream to off-white pages. Christmas cover by Frank Kelly Freas. Interior art by Wally Wood, Don Martin, Mort Drucker, and Joe Orlando. Overstreet 2008 NM- 9.2 value = $185. CGC census 4/08: 5 in 9.4, 4 higher. From the Williamsport Collection.
Mad #36-99 Group (EC, 1957-65). This lengthy run of the classic humor mag includes issues #36-59, #60 (Nixon/JFK flip cover, first Spy vs. Spy cartoon), 61-85, #86 (first fold-in), and #87-99. Issues #36-38 grade an average of VG; #39-46 average FN/VF; #47-56 average VF; #57-70 average VF+; #71-80 average VF/NM; and #80-99 average VF. Several issues from the latter span grade as high as NM-, but a few have been "folded in," thus lowering their grades a bit. Approximate Overstreet value for group = $3,500.
Mad Group (EC, 1959-68) Condition: Average VF unless otherwise noted. This large group of "humor in a jugular vein" consists of #43-45, #46 (has a 1" spine split at the top - FN+), 47, 48, 50, 52, 55-60, 61-68, 71, 75, 82, and 119; and More Trash from Mad Annual #4. A great addition or start to any Silver Age Mad collection. Approximate Overstreet value for group = $1,800.
Playboy Complete 1991-2000 Group of 120 (HMH Publishing, 1991-2000) Condition: Average NM-. The decade of the '90s is fully represented by this group of 120 issues, most in pristine Near Mint condition or better, with all but a very few of the remaining grading at NM-.
Beautiful copies deserve beautiful insides, and Playboy was never more slick than the decade of the '90s. Famous Playmates included Donna D'Errico, Jenny McCarthy, Karen McDougal, Kelly Monaco, Brande Roderick, and Anna Nicole Smith. The pictorials were never better, as posing in Playboy became a cause célèbre of Hollywood and Entertainment beauties. To name but a few: Pamela Anderson, Chyna, Carmen Electra, Farrah Fawcett, Geri Halliwell, Elle MacPherson, Dian Parkinson, Bijou Phillips, Stephanie Seymour, Nancy Sinatra, Uma Thurman, and Katarina Witt.
The interviews were wide-ranging and provocative, including these noteworthies: Charles Barkley, Barry Bonds, Tom Cruise, Johnny Depp, Snoop Doggy Dogg, Michael Jordan, Bill Gates, Spike Lee, Salman Rushdie, Carl Sagan, Martin Scorsese, Jerry Seinfeld, Howard Stern, Donald Trump, Jesse Ventura, and the Man himself, Hugh Hefner.
If you ever thought about collecting Playboy, this would be a good start!
Beautiful copies deserve beautiful insides, and Playboy was never more slick than the decade of the '90s. Famous Playmates included Donna D'Errico, Jenny McCarthy, Karen McDougal, Kelly Monaco, Brande Roderick, and Anna Nicole Smith. The pictorials were never better, as posing in Playboy became a cause célèbre of Hollywood and Entertainment beauties. To name but a few: Pamela Anderson, Chyna, Carmen Electra, Farrah Fawcett, Geri Halliwell, Elle MacPherson, Dian Parkinson, Bijou Phillips, Stephanie Seymour, Nancy Sinatra, Uma Thurman, and Katarina Witt.
The interviews were wide-ranging and provocative, including these noteworthies: Charles Barkley, Barry Bonds, Tom Cruise, Johnny Depp, Snoop Doggy Dogg, Michael Jordan, Bill Gates, Spike Lee, Salman Rushdie, Carl Sagan, Martin Scorsese, Jerry Seinfeld, Howard Stern, Donald Trump, Jesse Ventura, and the Man himself, Hugh Hefner.
If you ever thought about collecting Playboy, this would be a good start!
Playboy 2001-2008 Group of 89 (HMH Publishing, 2001-2008) Condition: Average MT. Here's every issue published from 2001 through the May, 2008 issue -- 89 magazines total. All but 12 issues are still sealed in their newsstand plastic, with the others grading no lower than NM-. Eight issues come with supplemental pictorial specials such as "Sexy Nude College Girls" and "Hot Summer Nudes."
Some of the more popular Playmates from these issues are Carmella DeCesare, Stephanie Heinrich, Dalene Kurtis, Shanna Moakler, Kara Monaco, Sara Jane Underwood, Lindsey Vuolo, and Jennifer Walcott. The pictorials included such names as Pamela Anderson (often!), Brooke Burke, Belinda Carlisle, Tia Carrere, Shannen Doherty, Carmen Electra, Daryl Hannah, Rachel Hunter, Cindy Margolis, Jaime Pressley, Anna Nicole Smith, Tiffany, and Dita Von Teese.
The interviews continued to run the gamut. Examples: Tim Burton, Simon Cowell, Dale Earnhardt Jr., Al Franken, Jimmy Kimmel, Bobby Knight, Bill Maher, Metallica, Willie Nelson, Bill O'Reilly, Jeremy Piven, Charlie Sheen, Quentin Tarentino, Billy Bob Thornton, Denzel Washington, and Kanye West.
Stellar copies of the last seven years (and then some!) of Playboy!
Some of the more popular Playmates from these issues are Carmella DeCesare, Stephanie Heinrich, Dalene Kurtis, Shanna Moakler, Kara Monaco, Sara Jane Underwood, Lindsey Vuolo, and Jennifer Walcott. The pictorials included such names as Pamela Anderson (often!), Brooke Burke, Belinda Carlisle, Tia Carrere, Shannen Doherty, Carmen Electra, Daryl Hannah, Rachel Hunter, Cindy Margolis, Jaime Pressley, Anna Nicole Smith, Tiffany, and Dita Von Teese.
The interviews continued to run the gamut. Examples: Tim Burton, Simon Cowell, Dale Earnhardt Jr., Al Franken, Jimmy Kimmel, Bobby Knight, Bill Maher, Metallica, Willie Nelson, Bill O'Reilly, Jeremy Piven, Charlie Sheen, Quentin Tarentino, Billy Bob Thornton, Denzel Washington, and Kanye West.
Stellar copies of the last seven years (and then some!) of Playboy!
Pulps
The Avenger V2#5 (Street & Smith, 1940) Condition: VG/FN. Classic cover. Cream pages, complete spine, and glossy cover; no major defects. Bookery's Guide to Pulps VG value = $50; FN value = $100.
The Avenger V3#1 (Street & Smith, 1940) Condition: VG/FN. Cream pages, complete spine, and glossy cover; no major defects. Overstreet 2008 VG 4.0 value = $40; FN 6.0 value = $80.
The Avenger V3#4 (Street & Smith, 1941) Condition: VG/FN. Cream pages, complete spine, and glossy cover; no major defects. Bookery's Guide to Pulps VG value = $40; FN 6.0 value = $80.
Black Mask V36#2 (Fictioneers Inc., 1951) Condition: FN. A copy of the final issue of the quintessential detective pulp. Includes a cover story by G. T. Fleming-Roberts and a short story by Agatha Christie. Cream to off-white pages, complete spine, a few instances of very mild scuffing and wear to the cover. Bookery's Guide to Pulps FN value = $50.
Blue Book/Green Book Group (McCall, 1910-17) Condition: Average VG/FN. Includes the March, April, and October (story by Damon Runyon) 1910 issues of Blue Book, and the June 1916 and May 1917 issues of Green Book. Approximate Bookery's Guide to Pulps value for group = $150.
Captain Hazzard Magazine V1#1 (Magazine Publishers Inc., 1938) Condition: VG. A copy of the first and only issue of this Doc Savage clone. Cover by Norm Saunders. Off-white pages, complete spine, and glossy cover, with some minor wear and creases to the spine and edges of cover. Bookery's Guide to Pulps VG value = $125.
Captain Zero #1 (Popular, 1950) Condition: VG. A copy of the first issue of the short-lived title, with off-white pages, complete spine, and no major cover defects. Bookery's Guide to Pulps VG value = $75.
Dime Adventure Magazine V1#1 (Popular Publications, 1935) Condition: VG+. A very nice copy of the debut issue. Hubert Rogers cover. Off-white pages, complete spine, clean cover with some minor creasing, and no major defects. Bookery's Guide to Pulps VG value = $75; FN value = $150.
Dime Detective Magazine April 1940 File Copy (Popular, 1940) Condition: VG. Bookery's lists this issue as scarcer than most. Features a classic cover and includes stories by Frederick C. Davis and Hugh B. Cave. A great copy with off-white pages, complete spine, mild edge, very little in the way of cover defects, but with water damage to top edge and some warping to the spine. Bookery's Guide to Pulps VG value = $50.
Doc Savage December 1943 (Street & Smith, 1943) Condition: VG/FN. "The Spook of Grandpa Eben." Off-white pages, complete spine, very mild cover wear. Bookery's Guide to Pulps VG value = $35; FN value = $75.
Doc Savage Digest-Size Pulps Group (Street & Smith, 1945-46) Condition: Average FN. Includes the November 1945, and February and March 1946 issues. Each is in great condition with off-white pages, complete spines, and no major defects. Bookery's Guide to Pulps value for group = $125.
Doc Savage September 1938 (Street & Smith, 1938) Condition: VG. Doc Savage vs. "The Red Terrors." Off-white pages, tanned inside covers, complete spine, no cover defects, mild spine wear, and less than the usual amount of wear and tearing along the edges. Bookery's Guide to Pulps VG value = $50.
Eerie Mysteries V1#1 (Magazine Publishers Inc., 1938) Condition: VG. Debut issue, featuring a Norm Saunders cover. Off-white pages, complete spine, and a glossy cover with only a few minor defects. Bookery's Guide to Pulps VG value = $125.
Mobsters V1#2 (Standard Magazines, 1953) Condition: VG. Off-white to white pages, complete spine, and glossy cover, with some mild wear and creasing to cover and spine. Overstreet 2008 VG 4.0 value = $25.
Out of This World Adventures #1 (Avon, 1950) Condition: FN/VF. A sci-fi pulp magazine with 32 pages of color comics. Contains a comic strip with Joe Kubert art. Off-white pages. Overstreet 2008 FN 6.0 value = $207; VF 8.0 value = $431.
Shadow V21#5 Yakima pedigree (Street & Smith, 1937) Condition: VG/FN. A great copy of this pulp, obtained from the Yakima Collection. Very mild wear to the spine and cover, with a store stamp on the front cover; otherwise, in very nice condition with off-white to white pages, complete spine, and glossy cover. Bookery's Guide to Pulps VG value = $85; FN value = $175.
Shadow V35#2 Pennsylvania pedigree (Street & Smith, 1940) Condition: FN. A gorgeous copy, from the Pennsylvania pedigreed collection. Off-white pages, complete spine, glossy cover, and sharp edges and corners, with only a few areas of very minor wear. Bookery's Guide to Pulps FN value = $125.
South Sea Stories V1#1 (Ziff-Davis, 1939) Condition: VG+. A very nice copy of the debut issue. Features the story "Blood Will Tell," co-written by Otis Adelbert Kline. Off-white pages, glossy cover free of defects, and complete spine; only slight water damage to back cover and a little spine warping keep it from grading higher. Bookery's Guide to Pulps VG value = $50; FN value = $100.
Unknown/Unknown Worlds Group (Street & Smith, 1939-43) Condition: Average VG. Includes the March (first issue, GD/VG) and December 1939; March and August ("It" by Theodore Sturgeon) 1940; April 1941 (Robert Heinlein story) issues of Unknown, and the December 1941 and June and August 1943 issues of Unknown Worlds. Approximate Bookery's Guide to Pulps value for group = $250.
Weird Tales Group (Popular Fiction, 1925-30) Condition: Average FR. Some nice rarities can be found in this selection of Weird Tales, which includes the October 1925 (top quarter of front cover missing); and February ("Fearsome Touch of Death" by Robert E. Howard, front cover detached), May (piece out of front cover, back cover missing), and August ("The Hills of the Dead" -- Solomon Kane story by Howard, moderate tape repair to spine) 1930 issues. The 1925 issue marks the first appearance of Seabury Quinn's occult detective Jules de Grandin, a Weird Tales regular who appeared in 96 short stories and one novel-length adventure over the course of 26 years. Approximate Bookery's Guide to Pulps value value for group = $175.
Memorabilia
Carl Barks' Personal Day Planner Book, Group of 2 (1976-80). The ultimate Good Duck Artist kept track of his comings and goings with these two day planner books. Our beloved Unca Carl noted every phone conversation, road trip, and motel stay within these pages. The 1976 book even tracks the appearances of certain sparrow birds seen in his yard, which he referred to as "stripies". Russ Cochran, Bruce Hamilton, Don and Maggie Thompson, Donald Ault, Malcolm Willits, and other well-known Barks fans and associates are mentioned. Both books are in Excellent condition (the 1980 book has a piece of felt glued to the spine for Carl's comfort), and come with individual certificates of authenticity from Jerry Weist. Want to know how Barks spent the 4th of July, 1976? Bid!
L. B. Cole - Suspense Comics #9 Cover Proof (Continental, 1945). The seeing eye sees all, in this almost psychedelic cover design, by the great L. B. Cole. This cover proof is flat and clean, but has a .75" tear along the top, plus some very minor edge wear. Blank back side.
L. B. Cole - Suspense Comics #8 Cover Proof (Continental, 1945). One of L. B. Cole's best covers for this short-lived series, featuring a gigantic skull-headed spider. Overstreet has noted this as a classic cover. Very minor crease to the lower left corner, otherwise Excellent condition. Blank back side.
L. B. Cole - Suspense Comics #10 Cover Proof (Continental, 1946). A fantastic cover design -- hands all reaching for a prize gem -- is the focus of this colorful L. B. Cole cover. This cover proof is sharp and vibrant, with just a hint of wear along the corners. In Excellent condition. Blank back side.
L. B. Cole - Suspense Comics #11 Cover Proof (Continental, 1946). Money is the root of all evil, a thought beautifully pictured by L. B. Cole's classic devil cover to this next-to-last issue. Other than a tiny tear along the left edge, this cover proof is sharp and clean, with eye-popping color. Excellent condition.
L. B. Cole - Law Against Crime #1 Cover Proof (Essenkay, 1948). An incredible "Electric Chair" illustration by L. B. Cole makes this cover a stand-out. Very minor edge wear, otherwise in Excellent condition. Blank back side.
Books
Overstreet Price Guide #1 First Print (Robert Overstreet, 1970) Condition: VF. One of the nicest copies we've seen of this first printing! While the prices are pretty funny some 37 Guides later (Action #1 for $300, anyone?) this has become a very collectible item in its own right. There are a few rust spots on the staples. Overstreet 2008 Fine value = $900; Near Mint value = $1,800.
Memorabilia
Overstreet Price Guide #3 Hardcover (Robert M. Overstreet, 1973). This ranks among the four toughest Overstreets to acquire along with the two printings of #1 and the hardcover edition of #2. Fascinating for its insight into an earlier era of comic book collecting, it's mind-boggling to read these old guides today - for example, it suggests using glue instead of tape when making repairs, and lists the value for X-Men #1 in Mint condition as $8! Ah, the good ol' days! A key point is that unlike the #2 hardcover, #3 was produced without an interior soft cover inside the hardcover binding (no doubt much to the consternation of the Passaic Book Center who had the inside-cover ad!). This hardcover copy is in Very Good condition with mild shelf wear and some fading and wear to the spine. Overstreet 2008 Fine value = $475; Near Mint value = $950.
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Mailing Address:
PO Box 619999
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Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842