2008 February Vintage Comics & Comic Art Signature Auction
| Sale Number: | 827 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | February 28th at 1 PM CT through February 29th |
Featured Collections
The Toronto Collection
Session 1
Golden Age (1938-1955)
Action Comics #2 Court Copy (DC, 1938) CGC Apparent FN/VF 7.0 Slight (P) Off-white pages. This is the second-ever appearance of Superman, an issue ranked among the 20 most valuable comic books by Overstreet and one of the toughest of those twenty keys to come by. The last copy we offered some 3 1/2 years ago (CGC 4.5) didn't hold a candle to this one, yet it still sold for over $7,000 despite having no small amount of mold on the cover! Thanks to some professional restoration, the copy offered here is the most appealing one we've seen (for comparison's sake, the highest-graded unrestored specimen to date is a 7.0). Quaintly enough, Superman did not even appear on the cover of this anthology book, instead readers got a gorgeous adventure illustration by Leo O'Mealia. This is designated the Court Copy because it was used as evidence in DC's lawsuit against Fox and the latter publisher's character Wonder Man, claiming copyright infringement. The case was styled "Detective Comics, Inc., v. Bruns Publications, Inc., et al." and this comic was Exhibit 13. It bears two date stamps from the U.S. District Court for the Southern District of New York, one showing March 16, 1939, the other showing April 6, 1939. When all was said and done, the judge did indeed issue an injunction "forbidding the further publication" of Wonder Man. The unique history behind this copy makes it perhaps the biggest wild card in our auction; since we observed much oohing and ahhing when this comic was on display at Geppi's Entertainment Museum, we expect spirited bidding at the auction session. CGC notes, "Restoration includes: spine split sealed to cover, tear seals, cover cleaned, cover reinforced." Overstreet 2007 GD 2.0 value = $3,871; VG 4.0 value = $7,742; FN 6.0 value = $11,613; VF 8.0 value = $28,065.
Action Comics #5 (DC, 1938) CGC Apparent FN- 5.5 Moderate (P) Slightly brittle pages. This one's more difficult to find than even Action #1! It's just the second copy we've ever seen here at Heritage. We suspect it was only the modest page quality that led to what seems a pessimistic CGC grade, because as you can see from our scan, the cover presents extremely well. Of course, you know you've got an early Action when Superman isn't the cover feature! The Man of Tomorrow does star in the lead story, which is by his creators Jerry Siegel and Joe Shuster. Leo O'Mealia drew the issue's adventure-themed cover. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2007 GD 2.0 value = $1,484; VG 4.0 value = $2,968; FN 6.0 value = $4,452.
Action Comics #7 (DC, 1938) CGC VF 8.0 Off-white to white pages. Superman appeared on a comic book cover for just the second time here. That's what puts this issue among the 25 most valuable comics! And we're privileged to offer nothing less than the finest CGC-certified copy. A look at CGC's census as of this writing shows a runner-up at FN/VF 7.0 and no other unrestored copy graded higher than VG+ 4.5. This Very Fine copy has impressive page quality too, as surviving copies of the earliest Actions often have cream, tan, or brittle pages. A word on the early covers: #2-6, which had Superman stories inside, had adventure-themed covers that didn't tie into any interior feature. After #1 and #7, Superman's next cover appearance was #10, and while every issue from #12 onward at least showed the costumed hero in a small vignette, he did not become the full-fledged permanent cover feature until #19. Oft-repeated comic book lore has DC's management puzzled at the unexpectedly strong sales of Action (an anthology series with many different characters sharing its 64 pages) and actually surveying newsdealers only to find out that kids were not asking for Action Comics but simply requesting the comic with Superman. While it's not clear whether DC discovered this before or after #7 came out, the striking cover image leaves little doubt that this one sold out in a hurry. The cover art is by the character's creator Joe Shuster, and it's worth noting that Superman's "S" has changed since issue #1 (the version seen here is closer to the final look of the symbol) and our hero is wearing his familiar boots here, not the ankle-high shoes he sported on #1. Also, #7 is the first comic book cover ever to show the word "Superman!" Other distinctions: it's the second superhero cover of any comic (at best, the Crimson Avenger's cover on Detective Comics #22, also December 1938, ties it for the honor), and this is also the first cover to show Superman as we know him best today: airborne. We would say "flying," but in these early stories his power was simply to take gigantic leaps! And what an influential scene it was: think of how many times the image of a superhero soaring across a cityscape with a helpless crook was used when publishers needed a high-impact scene: you need only look at Detective #27, or for that matter Amazing Fantasy #15. As to what this superb Action #7 might bring at auction: we recall a CGC VG 4.0 copy of this key issue changing hands for $15,201 a couple of years ago (more than double the 2007 Overstreet value for that grade) so it will be interesting indeed to see the final price for this far superior copy, one of the undisputed highlights of our sale. Overstreet 2007 VF 8.0 value = $23,381. CGC census 1/08: 1 in 8.0, none higher.
Action Comics #11 (DC, 1939) CGC FN/VF 7.0 Cream to off-white pages. It's been five long years since we last saw an unrestored copy of this early issue, and this is also easily the best we've ever offered. Hard to believe though it may be, Superman was not the cover feature here, and in fact this is just the fourth cover in the series to mention the hero's name (after #7, 9, and 10). In fairness: costumed mystery men weren't yet a full-fledged craze by this early date (April 1939), in fact Detective #27 hadn't even hit the stands yet. The folks at National did give this one a rollicking naval cover by Fred Guardineer. As noted above, this is a very difficult book to come by in this grade. Overstreet 2007 FN 6.0 value = $1,446; VF 8.0 value = $3,374. CGC census 1/08: 1 in 7.0, none higher.
Action Comics #166 (DC, 1952) CGC VF+ 8.5 Off-white pages. Win Mortimer did the lion's share of work on the cover, while Wayne Boring, Curt Swan, and Bob Brown handled the interior art chores. A stunning single owner copy. One of only three CGC-graded copies on the current census and the highest grade one of them all. Overstreet 2007 VF 8.0 value = $329; VF/NM 9.0 value = $527. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #182 (DC, 1953) CGC VF 8.0 Cream to off-white pages. You'll recognize the classic Wayne Boring rendition of Superman here. The villains of the ish try to pass themselves off as Kryptonians, no laughing matter for Kal-El. This one's near the top of CGC's census, with only a 9.0 topping it as of this writing. Overstreet 2007 VF 8.0 value = $317. CGC census 1/08: 1 in 8.0, 1 higher. From the Toronto Collection.
Action Comics #186 (DC, 1953) CGC VF+ 8.5 Off-white to white pages. One of just three CGC-certified copies to date that scored nicer than FN+ 6.5. Win Mortimer cover, with interior art by Wayne Boring, Jim Mooney, and Howard Sherman. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 1/08: 2 in 8.5, 1 higher. From the Toronto Collection.
Action Comics #194 (DC, 1954) CGC VF+ 8.5 Off-white pages. Mala, the Kryptonian criminal, makes an appearance in a story and on the Al Plastino cover of this Toronto Collection looker. Wayne Boring, Ed Smalle, Jim Mooney, and Howard Sherman art. The next closest book on the current CGC census is only a 6.5. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #195 (DC, 1954) CGC VF- 7.5 Off-white pages. Wayne Boring cover and art. Jim Mooney art. Overstreet 2007 VF 8.0 value = $317. CGC census 1/08: 1 in 7.5, none higher. From the Toronto Collection.
Action Comics #196 (DC, 1954) CGC VF/NM 9.0 Off-white pages. A plethora of artists collaborated on this issue including Wayne Boring, Ed Smalle, Howard Sherman, and Jim Mooney. It also features a Win Mortimer cover. Overstreet 2007 VF/NM 9.0 value = $509; NM- 9.2 value = $700. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #197 (DC, 1954) CGC VF+ 8.5 Off-white pages. Another great book from the Toronto collection features an Al Plastino cover and art. Ed Smalle and Howard Sherman art. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #198 (DC, 1954) CGC VF 8.0 Off-white pages. Wayne Boring cover and art. Ed Smalle and Howard Sherman art. Overstreet 2007 VF 8.0 value = $317. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Action Comics #199 (DC, 1954) CGC VF/NM 9.0 Cream to off-white pages. The bald baddie, Lex Luthor makes an appearance in this single owner issue. Wayne Boring provides the cover and some interior art. Jim Mooney and Ed Smalle art. A very lovely copy that tops the current CGC census. Overstreet 2007 VF/NM 9.0 value = $509; NM- 9.2 value = $700. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #200 (DC, 1955) CGC VF 8.0 Cream to off-white pages. The pre-Silver Age portion of the run is the hardest to find, and this copy's not only the highest-graded, it's one of a mere three unrestored copies on CGC's census. Win Mortimer is credited with the cover art. Overstreet 2007 VF 8.0 value = $317. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Action Comics #201 (DC, 1955) CGC VF 8.0 Off-white pages. This last pre-Code issue doesn't turn up that often; just twice before in our auctions and never this nice. It's tied with another copy as the highest-graded that CGC has certified to date of #201. Win Mortimer cover. Al Plastino and Jim Mooney art. Overstreet 2007 VF 8.0 value = $317. CGC census 1/08: 2 in 8.0, none higher. From the Toronto Collection.
Action Comics #203 (DC, 1955) CGC NM 9.4 Off-white to white pages. Al Plastino treats us to an Eiffel Tower cover, the location where Supes would save Lois Lane again in the 1980 Superman II movie sequel. The interior art of this stunner from the Toronto Collection is by Wayne Boring and Ed Smalle. A Tommy Tomorrow backup feature with Jim Mooney art is also included. Overstreet 2007 NM- 9.2 value = $600. CGC census 1/08: 1 in 9.4, none higher. From the Toronto Collection.
Action Comics #204 (DC, 1955) CGC VF+ 8.5 Off-white pages. Win Mortimer cover. Wayne Boring, Jim Mooney, and Ed Smalle art. Overstreet 2007 VF 8.0 value = $268; VF/NM 9.0 value = $434. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #205 (DC, 1955) CGC VF/NM 9.0 Cream to off-white pages. Al Plastino cover and art. Tommy Tomorrow backup feature with Jim Mooney art. Overstreet 2007 VF/NM 9.0 value = $434; NM- 9.2 value = $600. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Adventure Comics #44 Mile High pedigree (DC, 1939) CGC Apparent NM+ 9.6 Slight (P) White pages. Restored or not, this would have to be considered one of the most desirable copies of the issue, with the Lamont Larson specimen (blue-label 9.0) the only other serious contender. This early Golden Age issue (bearing the same cover date as Marvel Comics #1) stands out because of its moody, striking Creig Flessel cover. Like most of the Sandman covers in this series, it's not clear to the newsstand browser whether he's looking at a hero or a villain here! It's just the third Sandman cover and the first to show the character in his familiar green suit. CGC notes, "Restoration includes: small amount of color touch on cover, spine split sealed to cover, cover cleaned, cover reinforced." Overstreet 2007 GD 2.0 value = $694; VG 4.0 value = $1,388; FN 6.0 value = $2,082; VF 8.0 value = $4,858; VF/NM 9.0 value = $8,329; NM- 9.2 value = $11,800.
Adventure Comics #47 Mile High pedigree (DC, 1940) CGC NM+ 9.6 White pages. Until recently the highest grade CGC had certified for this issue was a modest FN/VF 7.0, which easily bested the next best certified copies -- one at VG/FN 5.0 and two others at VG 4.0. But then this Mile High gem "came out"! The issue's rated "uncommon" by The Photo-Journal Guide to Comic Books, so that makes this one all the more astounding. The stylish cover is by early DC great Creig Flessel. Inside is the first appearance of Dian Belmont. Bob Kane and Ogden Whitney provided interior art. Overstreet 2007 NM- 9.2 value = $8,300. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #49 Mile High pedigree (DC, 1940) CGC VF/NM 9.0 White pages. From storywriters Gardner Fox, Jerry Siegel, and Bill Finger to artists Sheldon Moldoff (cover), Bob Kane, and Bernard Baily, this issue could boast contributions by some of the Golden Age's most legendary names. So, when you add the element of the most legendary of comic pedigrees, it makes for quite a combination. Here is the second appearance of Hourman, his story still newsstand-fresh on white pages! This Gerber "uncommon" issue has been certified nicer than VF- 7.5 on just two occasions by CGC, and we infrequently offer the issue in any grade. Overstreet 2007 VF/NM 9.0 value = $2,747; NM- 9.2 value = $3,800. CGC census 1/08: 1 in 9.0, 1 higher.
Adventure Comics #50 Mile High pedigree (DC, 1940) CGC NM- 9.2 White pages. This issue may be more scarce than its Gerber "uncommon" rating. We've only offered two other copies in the past six years, and CGC has certified only four unrestored copies ever! The Mile High copy comes through again with its wondrous page quality and a grade that just misses being the highest that CGC has certified to date for #50. Bernard Baily did the Hourman cover and some of the interior art, as did Creig Flessel and Bob Kane. Overstreet 2007 NM- 9.2 value = $3,800. CGC census 1/08: 0 in 9.2, 0 higher.
Adventure Comics #51 Mile High pedigree (DC, 1940) CGC NM/MT 9.8 White pages. One look at this one and you'll agree it puts every other copy to shame. The second highest-graded copy on CGC's census is the 9.4 Nova Scotia copy, and while that one was superb, it did have a dust shadow here, a smudge there. You will have no such worries with this impossibly fresh-looking copy. The cover image by Creig Flessel is a well-remembered one, and we're always struck by how elegant the Sandman looks as he dashes into action, and the reader never doubts that a plot for world domination is being foiled. Overstreet 2007 NM- 9.2 value = $5,500. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #52 Mile High pedigree (DC, 1940) CGC NM 9.4 White pages. The sheer joy of holding this before it was encapsulated is an experience we wish we could share with you, and we weren't surprised to see it become the highest-graded copy on CGC's census. This was Hourman's third cover of the series, with Bernard Baily supplying the cover art. The Sandman appeared inside the book in addition to providing an ominous stare in a cover vignette. An issue number in the fifties often makes us think of a much later comic, but this series happened to get off to an early start (this issue actually has the same cover date as All-American #16). Those who say the early Mile Highs are the nicest will certainly get no contradiction from us. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #53 Mile High pedigree (DC, 1940) CGC NM 9.4 White pages. Simply the best copy by a mile, this is the only one graded above 8.0 by CGC to date (it was the Lamont Larson copy that got the VF nod). The corners are sharp, and there is no dust shadow, no foxing, and no smudging, not even on the many yellow areas or the white back cover. This issue had the first appearance of the Hour Man's kid sidekick, Jimmy "Minute Man" Martin. Bernard Baily is the cover artist. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #54 Mile High pedigree (DC, 1940) CGC NM+ 9.6 Off-white pages. The spine of this copy will make a believer out of you if for some reason you haven't yet jumped on the Mile High bandwagon. And if that doesn't do it, the bright, unsmudged yellows will. We've seen a few decent copies of this in our day, but even the VF+ 8.5 Larson looks like chopped liver next to this Edgar Church copy (and those two copies are the only ones certified above FN 6.0 as of this writing). The cover star is the Hour Man, a character who still appears in DC comics to this day. He's assisted by his sidekicks the Minute Men of America here, with Bernard Baily handling the cover art. The ever-spooky Sandman, this series' original superhero, is seen on a cover vignette and of course inside. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #55 Mile High pedigree (DC, 1940) CGC NM/MT 9.8 Off-white to white pages. The Wow factor of this near perfect copy is off the charts! True, it's the Mile High copy, but a 9.8 book from 1940? CGC hadn't even certified a copy of #55 higher than 8.5 before this. Check out a closeup at our website! Bernard Baily provided cover and interior art, with Creig Flessel also contributing on the interior. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #56 Mile High pedigree (DC, 1940) CGC NM 9.4 White pages. One of the amazing aspects of the Mile High run of this pre-eminent DC title is that there are so few high grade copies known to exist, making copies like this all the more unique. The cover colors are brilliant and the pages white on this beauty -- are we repeating ourselves? Bernard Baily did the cover and some interior art, joined by Howard Purcell and Creig Flessel. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #57 Mile High pedigree (DC, 1940) CGC NM+ 9.6 White pages. The bright yellows of Hour-Man's costume and of the comic's logo almost don't look real, and the same is true for the whites of the open doorway or the Sandman vignette. Note the "white pages" certification as well. This Edgar Church copy simply sets the standard, and the chance to acquire it is an opportunity that might never come up again. Bernard Baily is the cover artist. Overstreet 2007 NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #58 Mile High pedigree (DC, 1941) CGC VF/NM 9.0 Off-white to white pages. One of the last Hourman covers by Bernard Baily graces the cover of this issue, which had the first appearance of Paul Kirk, Manhunter, plus a full page ad for All Star Comics #3. This Mile High copy just misses earning the highest grade yet from CGC for #58 (9.2 to 9.0), but we think you'll be pleased with this one nonetheless! Overstreet 2007 VF/NM 9.0 value = $2,460; NM- 9.2 value = $3,400. CGC census 1/08: 1 in 9.0, 1 higher.
Adventure Comics #59 Mile High pedigree (DC, 1941) CGC VF 8.0 Off-white to white pages. That the highest-graded copy of issue #59 comes from the Mile High pedigree, isn't a surprise, but the grade seems a bit modest for the most famous of comic pedigrees. The cover colors still dazzle, verifying the exquisite care Edgar Church took with his collection. The final Bernard Baily Hourman cover may be the best, so don't let this one slide by while you ogle the higher grades we're offering! Baily, Creig Flessel, and Howard Purcell contributed story art, and there's an ad for the milestone All Star Comics #3 inside. Overstreet 2007 VF 8.0 value = $1,519. CGC census 1/08: 1 in 8.0, none higher.
Adventure Comics #60 Mile High pedigree (DC, 1941) CGC NM+ 9.6 White pages. It's one of the nicest among our stunning Mile High Adventure offerings, which is high praise indeed! The Creig Flessel Sandman cover is a revelation, with colors only the Mile High copy can boast. Inside this issue artists Flessel, Bernard Baily, and Howard Purcell plied their trade, and there was a full page ad for World's Best Comics #1. Overstreet 2007 NM- 9.2 value = $5,500. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #63 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. Finding this issue above FN is a very tall order, in fact this copy and an 8.0 are the only two high-grade copies on CGC's census... and of course it's a steep drop from NM to VF. We are simply stunned that comics with predominantly yellow covers (or even yellow and white!) could survive in this condition. Jack Burnley drew the issue's cover, featuring Starman. Overstreet 2007 NM- 9.2 value = $2,800. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #65 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. Jack Burnley drew this issue's cover featuring Starman. Note the skull and crossbones on the enemy plane, underlining the fact that this was published before the U.S. entered World War II and almost all war covers had Nazi villains. Perhaps needless to say, this copy is the nicest we've ever seen. Overstreet 2007 NM- 9.2 value = $2,800. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #66 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. The only copy graded above 9.0 by CGC as this writing is also the nicest we ever expect to see. The red bar at the top alone is so solid and clean... most collectors would forgive a few smudges and color breaks (and still pay a lot of money for a copy with a couple such peccadilloes), so to see a copy that approximates its condition on the day it was printed is a special experience. The issue has the origin and first appearance of the Shining Knight, who would go on to be a member of the Seven Soldiers of Victory (Generation X comic fans might also remember him from the All-Star Squadron). He would appear in almost every issue of this series for the ensuing ten years. The cover art (which has never looked better than on this copy!) is by Jack Burnley and features Starman. Note that a small white line you'll see on the scan near Starman's thigh is not on the comic itself, rather it's a tiny piece of plastic between the slab and CGC's inner well, not affecting this pristine comic book. Overstreet 2007 NM- 9.2 value = $3,350. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #67 Mile High pedigree (DC, 1941) CGC NM/MT 9.8 White pages. Uh... forget what we said about any of the preceding Mile High copies in this run, this is our favorite! It has a dynamic Starman cover by Jack Burnley (Overstreet calls it a "classic"), sure, but it's the absolutely pristine condition that's the deal-maker here. Inside is the first appearance of the Mist, the second appearance of Shining Knight, and story art by Jack Burnley, Creig Flessel, and Bernard Baily. Overstreet 2007 NM- 9.2 value = $2,800. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #68 Mile High pedigree (DC, 1941) CGC NM- 9.2 White pages. Optimal page quality is just one of the reasons this copy's the highest-graded on CGC's census. And for whatever reason, this issue seems to turn up less frequently than those immediately before and after it in the run. The fellow wielding the anti-gravity rod on the cover is our hero Starman, with art by Jack Burnley. Overstreet 2007 NM- 9.2 value = $2,800. CGC census 1/08: 1 in 9.2, none higher.
Adventure Comics #69 Mile High pedigree (DC, 1941) CGC NM+ 9.6 White pages. This key issue has the first appearance of the "new look" Sandman, complete with colorful superhero costume, and the debut of his sidekick Sandy the Golden Boy. This new Sandman is so firmly associated with Simon and Kirby that it's easy to forget that Paul Norris handled the art chores here (with S&K not taking over until #72). Adding to the mystique of this book is the fact that this important story has never been reprinted (not that we recommend thumbing through the Mile High copy if you win it)! Starman is the cover feature, drawn by Jack Burnley. We actually sold the CGC 9.4 copy from Nicolas Cage's collection, and while that had everything a collector could want, it did not have quite the bold colors of this Mile High. We keep mentioning the way the bright yellows look on the entire run, and if you are able to see the books in person you will see what all the fuss is about. Overstreet 2007 NM- 9.2 value = $2,900. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #70 Mile High pedigree (DC, 1942) CGC NM+ 9.6 Off-white to white pages. This is the only copy graded above 9.0 by CGC to date, and it has cover colors so brilliant you could be forgiven for mistaking it for a reprint! A look at the yellow "Adventure Comics" field, unsullied by a dust shadow, foxing, or any other blemish for that matter, will make a believer out of you. Starman is the cover character, drawn by Jack Burnley. Just for fun, we'll note that this was the final appearance of the Federal Men, who first appeared way back in #2, when the title was still called New Comics. We fear that this Mile High might have spoiled us for other copies, and if you've met the same fate there is no alternative to trying your best to win this one! Overstreet 2007 NM- 9.2 value = $2,800. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #71 Mile High pedigree (DC, 1942) CGC NM+ 9.6 White pages. The next highest-graded copy as of this writing is (gasp, choke) VF+ 8.5, so think long and hard before passing on this one! The red bar at the top looks superb on this copy (as on all the ones we're offering), and while we've actually seen other copies with pretty nice front covers, we like our back covers to be unencumbered with a ghastly dust shadow, and if you're of a like mind, you'll like Mr. Church's copy. Starman is the cover star, drawn by Jack Burnley, but this issue is more significant for fellow good guy Hourman. It's the first appearance of the latter's Miraclo Machine, which would let him power up without taking pills. Also, Jimmy "Minute Man" Martin, while already a sidekick of sorts to Hourman, actually donned a costume starting in this issue, bringing him more in line with the Sandys and Buckys of the world. Overstreet 2007 NM- 9.2 value = $2,700. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #72 Mile High pedigree (DC, 1942) CGC NM/MT 9.8 White pages. This is the only copy certified above 9.2 to date, and we're talking about a significant issue, the first work for DC by the acclaimed team of Joe Simon and Jack Kirby. Whoever had S&K working for them had the best that the comics world had to offer, and Timely's loss was definitely DC's gain! S&K wrote and drew the Sandman story in this issue, and they soon made the character their own with their dynamic interpretation, so much so that Starman's days as star of the issue were numbered (this book does have a neat Starman cover by Jack Burnley, though). Other heroes seen in this issue are Hourman (with art by Bernard Baily) and the Shining Knight (drawn by Creig Flessel). This comic's status as the best existing copy of a comic ranked among the 100 most valuable Golden Age books by Overstreet makes it a desirable prize indeed! Overstreet 2007 NM- 9.2 value = $19,000. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #72 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Cream to off-white pages. This seminal issue would introduce DC readers to the art of Joe Simon and Jack Kirby for the first time, in the Sandman storyline, which would dominate the large logo issues, going forward. Jack Burnley's cover is the last Starman cover in this series. This copy has only slight wear to the corners keeping it from a higher grade. The deep, rich cover inks on this pedigree copy are strikingly bright! Comes with the Rockford certificate of authenticity. Overstreet 2007 VF 8.0 value = $7,718; VF/NM 9.0 value = $13,359. CGC census 1/08: 1 in 8.5, 3 higher.
Adventure Comics #73 (DC, 1942) CGC Apparent VG+ 4.5 Slight (A) Off-white pages. The third most valuable issue in the illustrious run of this title is considered "scarce" by both Overstreet and The Photo-Journal Guide to Comic Books. We believe 'em, since our experience has been limited to having offered the issue on just five previous occasions in the past six years! The Simon and Kirby cover -- an Overstreet "classic" -- introduces Manhunter to comics, and the duo also draws his origin story inside, where other contributing artists include Jack Burnley and Bernard Baily. CGC notes, "Restoration includes: moderate color touch, tear seals, glue on cover (top of cover trimmed)(tape on interior cover & centerfold.) Overstreet 2007 GD 2.0 value = $1,243; VG 4.0 value = $2,486.
Adventure Comics #79 (DC, 1942) CGC Apparent VG+ 4.5 Moderate (P) Off-white pages. An Overstreet "classic" cover by the famed duo of Joe Simon and Jack Kirby has the Golden Age Manhunter stalking a Nazi sub. The wartime issue also featured Simon and Kirby, Jack Burnley, and Bernard Baily interior art, and an ad for Wonder Woman #1. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, staples cleaned." Overstreet 2007 GD 2.0 value = $252; VG 4.0 value = $504. From the Fantastic Frank Collection.
Adventure Comics #81 Mile High pedigree (DC, 1942) CGC NM+ 9.6 White pages. Jack Kirby's Sandman cover comes in glorious color on the Mile High copy, which grades several notches higher than the next best copy of #81 that CGC has certified to date. The cool, high 'n dry conditions that Edgar Church's books enjoyed preserved his collection as none other. Kirby and partner Joe Simon also contributed interior art for this issue, as did Bernard Baily and Mort Meskin. Overstreet 2007 NM- 9.2 value = $1,665. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #81 (DC, 1942) CGC FN/VF 7.0 Cream to off-white pages. Jack Kirby and Joe Simon were really given the "star treatment" during their brief but brilliant 1940s tenure at DC -- note the "by-line" on this issue's cover. Their Sandman and Sandy story is a standout in an issue crammed with other great features, including art by Mort Meskin and Bernard Baily. Don't wait for time to run out before placing a bid on this beauty! Overstreet 2007 FN 6.0 value = $357; VF 8.0 value = $744. CGC census 1/08: 1 in 7.0, 4 higher.
Adventure Comics #82 Mile High pedigree (DC, 1943) CGC Apparent NM- 9.2 Slight (P) White pages. It looks every bit a pristine Mile High copy -- unbelievable cover colors, white pages, sharp corners, and a smooth spine, but CGC notes, "Restoration includes: small amount of color touch on cover." We don't doubt CGC, but... we wish we could find the color touch ourselves! Don't overlook this beauty just because of the purple CGC label! Jack Kirby, Mort Meskin, and Bernard Baily art. Overstreet 2007 GD 2.0 value = $119; VG 4.0 value = $238; FN 6.0 value = $357; VF 8.0 value = $744; VF/NM 9.0 value = $1,205; NM- 9.2 value = $1,665.
Adventure Comics #83 Mile High pedigree (DC, 1943) CGC NM+ 9.6 White pages. The crisp cover colors of this super high grade copy scream Mile High! and the white pages so typical of the collection second the emotion. Simon and Kirby provided the cover and interior story art for Sandman, and Bernard Baily drew the last Hourman feature in the title. Overstreet 2007 NM- 9.2 value = $1,665. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #84 Mile High pedigree (DC, 1943) CGC Qualified VF+ 8.5 White pages. This one's from the days of rationed materials when only one staple was the norm, and this copy has two added staples as well as a staple hole (the latter already visible on the Photo-Journal picture of this copy). We suspect that the hole is the reason for the "low" numerical grade, because everything else about this copy is in line with the superb 9.4/9.6 specimens that comprise the remainder of the run. We think that this copy has superior overall appeal to the highest-graded blue label copy, a 9.0 that's viewable in our online auction archives. This is certainly an issue to go after, thanks to the striking cover by the innovative Simon and Kirby, one that may well have inspired Flash #163 and other similar covers of later years. CGC notes, "2 extra staples added, not manufacturing." Overstreet 2007 GD 2.0 value = $119; VG 4.0 value = $238; FN 6.0 value = $357; VF 8.0 value = $744; VF/NM 9.0 value = $1,205.
Adventure Comics #86 Mile High pedigree (DC, 1943) CGC NM+ 9.6 White pages. Another stellar Mile High copy, another finest copy known to exist! This time it's a Simon and Kirby Sandman cover that's highlighted, and does it look good! You know the rest -- flat cover, sharp corners, tight spine, and white pages -- all those things that make a Mile High a Mile High. Overstreet 2007 NM- 9.2 value = $1,665. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #88 Mile High pedigree (DC, 1943) CGC NM+ 9.6 White pages. A Golden Age book has seldom looked so fresh, and when we saw this one before it was encapsulated we felt as if we'd gone back in time to 1943. Note in particular how nice the whites look, not only on the logo background but also on the snow at the bottom and on the back cover as well. The cover is a favorite of many, as the Sandman and Sandy plan a rude awakening for a certain Nazi and his world-domination dreams. Jack Kirby is the artist. Overstreet 2007 NM- 9.2 value = $1,665. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #92 Mile High pedigree - Double Cover (DC, 1944) CGC NM+ 9.6 White pages. This one's cover colors have to be seen to be believed, plus this is a copy without any sort of dust shadow front or back (something even other Mile Highs weren't immune to). Simon and Kirby are the artists of the Sandman cover, and inside there's Starman and the Shining Knight, plus the last Golden Age appearance of (the second) Manhunter. A copy that already has everything going for it is made even more intriguing by the double cover. CGC notes, "1st cover 9.2, interior cover 9.6." Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.6, none higher.
Adventure Comics #93 Mile High pedigree (DC, 1944) CGC NM 9.4 White pages. Why isn't this copy a 9.6 or even -- dare we say it -- a 9.8? Before you dismiss that question as the ravings of hopeless Mile High addicts (though we certainly are that), have a look at our scan. Since the small bindery chip at the top of the spine is usually considered permissible in a Golden Age 9.8, the one thing resembling a defect we can see is a barely perceptible crease (with no color break) above the words "Adventures Of" on the back-cover ad. Other than that this is a perfect comic book as far as we're concerned. The Sandman and Sandy appear on the cover by Simon and Kirby. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 2 in 9.4, none higher.
Adventure Comics #94 Mile High pedigree (DC, 1944) CGC NM/MT 9.8 White pages. What can we say that the image and CGC's grade haven't said already? Perhaps only that this is one of the most eye-grabbing of the Simon and Kirby covers (looks a lot like Kirby's Captain America #198 effort, eh, Bronze Agers?). The Sandman and Sandy are featured. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #96 Mile High pedigree (DC, 1945) CGC NM/MT 9.8 White pages. The first copy of the issue that we've seen receive the "white pages" certification is also the only copy graded above 9.4 to date. The cover by Simon and Kirby is the last war cover in the series. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.8, none higher.
Adventure Comics #102 Mile High pedigree (DC, 1946) CGC NM 9.4 White pages. The only copy graded above 9.0 by CGC to date, this one has everything you could hope for (check out the back cover scan on our website, it's just as impressive as the front). The reason this caps our run is the same reason many collectors limit their focus to the #40-102 span: the series changed completely with #103, becoming a vehicle for Superboy, Aquaman, and Green Arrow. That made this the last appearance of the Golden Age (in this series or anywhere else) for the classic character Sandman, who debuted in #40, as well as for Starman, who had been around since #61. Simon and Kirby drew this issue's cover featuring the Sandman and Sandy. This isn't an issue you see very often (we last offered one in 2003), and of course it's doubtful that the Edgar Church copy would come on the market again anytime soon. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.4, none higher.
Adventure Comics #201 (DC, 1954) CGC NM- 9.2 Off-white pages. This one tops the current CGC census. The issue features a Curt Swan cover and appearances by Superboy, Aquaman, Johnny Quick, and Green Arrow. Overstreet 2007 NM- 9.2 value = $490. CGC census 1/08: 1 in 9.2, none higher. From the Toronto Collection.
Adventure Comics #206 (DC, 1954) CGC NM- 9.2 Cream to off-white pages. It's hard enough to find these early '50s DCs in any condition, but this one's at the top of CGC's census. No other copy has scored better than VF+ 8.5, and only three copies have managed grades better than FN- 5.5 to date. We've offered copies just twice in the past. Win Mortimer did the cover. Overstreet 2007 NM- 9.2 value = $490. CGC census 12/07: 1 in 9.2, none higher. From the Toronto Collection.
Adventure Comics #207 (DC, 1954) CGC VF+ 8.5 Cream to off-white pages. Last appearance of Johnny Quick in the title. Curt Swan and Ray Burnley cover. George Papp art. Overstreet 2007 VF 8.0 value = $233; VF/NM 9.0 value = $362. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Adventure Comics #208 (DC, 1955) CGC VF/NM 9.0 Off-white pages. John Sikela cover. Curt Swan, Ramona Fradon, and George Papp art. Overstreet 2007 VF/NM 9.0 value = $362; NM- 9.2 value = $490. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Adventure Comics #211 (DC, 1955) CGC VF+ 8.5 Cream to off-white pages. Superboy, Aquaman, and Green Arrow features. Win Mortimer cover. Curt Swan, Ramona Fradon, and George Papp art. Overstreet 2007 VF 8.0 value = $219; VF/NM 9.0 value = $340. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Adventure Comics #212 (DC, 1955) CGC NM- 9.2 Off-white pages. Curt Swan and Ray Burnley cover. Swan, Ramona Fradon, and George Papp art. Overstreet 2007 NM- 9.2 value = $460. CGC census 1/08: 1 in 9.2, none higher. From the Toronto Collection.
Adventure Comics #216 (DC, 1955) CGC VF/NM 9.0 Off-white pages. Superman appearance. Origin of Superboy retold. Curt Swan cover. Swan, Ramona Fradon, and George Papp art. Overstreet 2007 VF/NM 9.0 value = $340; NM- 9.2 value = $460. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Adventures of Dean Martin and Jerry Lewis/Adventures of Jerry Lewis #1-124 Complete Run Group Plus (DC, 1952-71). There's a lot of wackiness in this short box, crammed with a complete run of comics starring comedian Jerry Lewis! The first 40 issues team him with his one-time stage and screen partner, Dean Martin. Later issues feature occasional guest stars, like Batman, Superman, and the Flash, with most issues drawn by Bob Oksner. Issue #1 is CGC graded at FN 6.0, with white pages. There's an additional coverless copy of issue of #1 for your reading pleasure (and it's a hoot, too!). The ungraded issues run from Good to Fine, with most early issues in the GD/VG range, and later issues along the VG/FN line. Also included is Super DC Giant S-19, starring Jerry. As an additional bonus, a copy of Buzzy #48 is included -- that's Jerry on the television screen Buzzy is "working" on! Approximate Overstreet value for group = $2,500.
Air Fighters Comics #1 (Hillman, 1941) CGC FN/VF 7.0 Off-white pages. The first issue of a series that ran for four years features the only appearance of the Black Commander. Harry Anderson delivers the cover and art with interior art help by Bob Oksner. Overstreet 2007 FN 6.0 value = $792; VF 8.0 value = $1,650. CGC census 11/07: 2 in 7.0, 5 higher.
All-American Comics #1 Larson pedigree (DC, 1939) CGC VF 8.0 White pages. This is the nicest copy we've seen of this first issue! Indeed, this same specimen was certified VF+ 8.5 by CGC the last time we offered it -- we direct you to our scan so you can decide for yourself which grade you agree with. This was the first publication by a new publisher, also called All-American, which existed for seven years (maintaining very close ties to DC). In addition to the first DC appearance of Sheldon Mayer's character Scribbly, this one has the first appearances of Hop Harrigan and Red, White, and Blue. Overstreet 2007 VF 8.0 value = $4,200. CGC census 12/07: 2 in 8.0, 1 higher.
All-American Comics #1 (DC, 1939) CGC Apparent VF- 7.5 Slight (P) Off-white to white pages. The premiere issue of one of DC's signature Golden Age titles is rarely found in high grade. For unrestored, CGC-certified copies, the census lists just one at VF+ 8.5 and two at VF 8.0. For restored copies, this one has the highest Apparent grade for the issue that CGC has awarded to date. Featured are the first appearances of Hop Harrigan and Red, White, and Blue. The Statue of Liberty cover is by Sheldon Mayer. Mayer, Jon Blummer, and Harry Lampert contributed interior art. CGC notes, "Restoration includes; spine splits sealed to cover, cover reinforced." Overstreet 2007 GD 2.0 value = $700; VG 4.0 value = $1,400; VF 8.0 value = $4,200.
All-American Comics #95 (DC, 1948) CGC VF 7.5 Cream to off-white pages. It's the first time we've offered this issue, and this is one of the finest copies CGC has certified to date. In fact, only a VF 8.0 copy ranks higher on CGC's current census for this issue. Carmine Infantino was responsible for the Harlequin cover art, and also contributed interior art, as did Harry Lampert. Overstreet 2007 FN 6.0 value = $333; VF 8.0 value = $694. CGC census 11/07: 1 in 7.5, 1 higher.
All-American Comics #100 (DC, 1948) CGC FN/VF 7.0 Off-white to white pages. This issue's called "scarce" by Overstreet, and if you look at the census information below you'll see why. This is the first appearance of Johnny Thunder (the Western hero, that is), drawn by Alex Toth. A title change to All-American Western would soon follow, but here, superheroes Green Lantern and Dr. Mid-Nite were still on hand, though relegated to backup features. Overstreet 2007 FN 6.0 value = $588; VF 8.0 value = $1,225. CGC census 1/08: 1 in 7.0, 2 higher. From the Tom Fagan Diamond Run Collection.
All-Flash #1 Denver pedigree (DC, 1941) CGC NM 9.4 Off-white pages. The assortment of super-nice #1 issues in the Denver collection borders on the ridiculous, and this specimen is a case in point. We had the chance to scrutinize the only other 9.4 copy, and while that one had a bit of a miswrap, with white border showing at the left edge, this one is perfectly centered, with no dust shadows, no foxing... nothing that would get in the way of enjoying this pristine gem. This first issue, ranked among the 50 most valuable Golden Age books by Overstreet, represented a major step for the Flash -- the hero who had to share Flash Comics with lots of other characters had become popular enough to get his own book. The cover art is by E. E. Hibbard. Overstreet 2007 NM- 9.2 value = $26,000. CGC census 1/08: 2 in 9.4, none higher.
All-Flash #4 (DC, 1942) CGC FN/VF 7.0 Cream to off-white pages. The only higher-graded copy is just one notch higher at 7.5. E. E. Hibbard is the cover artist. Overstreet 2007 FN 6.0 value = $537; VF 8.0 value = $1,119. CGC census 1/08: 1 in 7.0, 1 higher.
All-Negro Comics #1 (All-Negro Comics, 1947) CGC Apparent FN- 5.5 Moderate (P) Off-white to white pages. This one-shot is a Gerber "9," or "very rare," and it's called "rare" by Overstreet as well. Note that it cost 15 cents back when a dime was the norm! Overstreet says, "seldom found in fine or mint condition; many copies have brown pages." CGC notes, "Restoration includes: color touch, piece added, tear seals, reinforced, staples replaced." Overstreet 2007 GD 2.0 value = $800; VG 4.0 value = $1,600; FN 6.0 value = $2,400.
All Star Comics #17 (DC, 1943) CGC VG/FN 5.0 Off-white to white pages. Joe Gallagher's cover is one of our favorites in the series. The issue has the second appearance of Brain Wave, and interior art by DC stalwarts Jack Kirby, Bernard Baily, Sheldon Moldoff, and Joe Simon. Relatively few copies of #17 have been certified at a higher grade to date. Overstreet 2007 VG 4.0 value = $372; FN 6.0 value = $558. CGC census 12/07: 2 in 5.0, 9 higher. From the Fantastic Frank Collection.
All Star Comics #22 Including Insert Card (DC, 1944) CGC FN 6.0 Off-white pages. Looking through this comic before it was encapsulated, we were surprised to find a reply postcard asking the reader's opinion of All Star #22 and allowing him to request further information about the "East and West Association." That organization, headed by author Pearl S. Buck, was also behind the Johnny Everyman stories that appeared in World's Finest as well as the promotional comic "Out Of The Past A Clue To The Future" (published by M. C. Gaines' EC, and of course this All-American comic was published by Gaines as well). We hadn't ever seen this card before, and we even consulted Roy Thomas, who has written three books about this series, only to find he had never heard of it either. This copy has two front-cover stamps, one reading "Indexed in publication files" and another that appears to say "enclosure," leading us to believe this was the office copy of some organization. As for the book itself, it's a very solid copy from the highly collectible series featuring the Justice Society. The flag cover is by Frank Harry. Overstreet 2007 FN 6.0 value = $483. CGC census 1/08: 1 in 6.0, 9 higher.
All Star Comics #33 (DC, 1947) CGC VF/NM 9.0 Off-white pages. Brilliant copy of a sought-after book. Much to Golden Age readers' and latter day collectors' chagrin, this was the last Golden Age Solomon Grundy appearance. The Justice Society, however, didn't bemoan his absence in subsequent issues! Irwin Hasen provided the Overstreet "classic" cover. Hasen, Joe Kubert, and Martin Naydel were among the interior art contributors. Overstreet 2007 VF/NM 9.0 value = $3,938; NM- 9.2 value = $5,600. CGC census 12/07: 1 in 9.0, 3 higher.
All Star Comics #45 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC FN/VF 7.0 Off-white pages. Irwin Hasen and Bob Oksner combined for the cover art on this issue, which had a Johnny Peril backup story. Arthur Peddy and Howard Purcell contributed story art. Overstreet 2007 FN 6.0 value = $339; VF 8.0 value = $706. CGC census 12/07: 1 in 7.0, 4 higher.
All Star Comics #48 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF/NM 9.0 Off-white to white pages. The pedigree copy barely misses being the highest-graded that CGC has certified of #48. There's an Irwin Hasen cover, interior art by Arthur Peddy and Howard Purcell, and a backup Johnny Peril story. Overstreet 2007 VF/NM 9.0 value = $1,146; NM- 9.2 value = $1,585. CGC census 12/07: 1 in 9.0, 1 higher.
All Star Comics #49 (DC, 1949) CGC VF 8.0 Off-white to white pages. Brilliant cover colors suggest a higher grade, and this copy's already one of the highest-graded to be certified by CGC to date. The powerful cover design is by one of DC's unsung artists, Arthur Peddy, who also contributed interior art for the issue, along with Howard Purcell and Martin Naydel. Overstreet 2007 VF 8.0 value = $706. CGC census 12/07: 1 in 8.0, 2 higher.
All Star Comics #50 (DC, 1949) CGC NM- 9.2 Off-white pages. Just two copies of issue #50 have been CGC-certified nicer than VF 8.0 to date, and the other's "merely" a VF+ 8.5. Arthur Peddy provided cover and interior art, but the real prize here is a three page backup story drawn by Frank Frazetta. Overstreet 2007 NM- 9.2 value = $1,700. CGC census 12/07: 1 in 9.2, none higher.
All Star Comics #53 (DC, 1950) CGC VF+ 8.5 Off-white pages. Finest known copy, according to CGC's most recent census, with a grade that's hard to find on early 1950s DCs. Overstreet 2007 VF 8.0 value = $706; VF/NM 9.0 value = $1,146. CGC census 12/07: 1 in 8.5, none higher.
All Star Comics #55 (DC, 1950) CGC VF+ 8.5 Off-white pages. A "slight mis-cut" as CGC puts it, probably cost this high-grade copy from sitting alone atop CGC's census as the highest-graded copy. As it is, it's tied for first place with two other copies. Sci-fi cover and story. Overstreet 2007 VF 8.0 value = $706; VF/NM 9.0 value = $1,146. CGC census 12/07: 3 in 8.5, none higher.
All Star Comics #56 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC NM 9.4 Off-white to white pages. This Near Mint copy is just a half smidgeon below the finest copy CGC has certified to date. The Hawkman/Green Lantern robot cover is by Arthur Peddy, who also contributed story art, as did Joe Kubert. There's a backup Johnny Peril story inside. Overstreet 2007 NM- 9.2 value = $1,585. CGC census 1/08: 2 in 9.4, 1 higher.
All Winners Comics #1 Chicago pedigree (Timely, 1941) CGC NM+ 9.6 Off-white to white pages. As the only copy graded above 9.2 by CGC as of this writing, this is one of the most desirable Timely comics we've ever offered. This issue is one of Overstreet's top 50 Golden Age books, and it's much sought-after in any grade! A great cover featuring all of the best Timely characters is reason enough to like this one, but it's also significant book because of the Stan Lee-penned text feature with the first appearance of the All-Winners Squad, the first Timely/Marvel superhero group. Overstreet 2007 NM- 9.2 value = $40,000. CGC census 11/07: 1 in 9.6, none higher.
Amazing Mystery Funnies V2#12 (Centaur, 1939) CGC FN- 5.5 Light tan to off-white pages. This early Centaur has earned a "scarce" rating from The Photo-Journal Guide to Comic Books, and to punctuate that, we've offered this issue on just three previous occasions in the past six years. The first appearance of Space Patrol came in this issue, and the Fantom of the Fair gets a new costume. Paul Gustavson did the cover, with interior art credited to Gustavson, Basil Wolverton, and Tarpe Mills. Overstreet 2007 FN 6.0 value = $579. CGC census 11/07: 1 in 5.5, 6 higher.
America's Best Comics #15 Mile High pedigree (Nedor Publications, 1945) CGC NM- 9.2 Cream to off-white pages. The America's Best team -- Doc Strange, Black Terror, and Fighting Yank -- braves flying bullets to smash the "Black Market Headquarters" in this stirring Alex Schomburg WWII cover. This Edgar Church Mile High comic looks mighty nice; it's currently the CGC census champ for this issue. CGC notes, "1/2" tear on centerfold and next page." Overstreet 2007 NM- 9.2 value = $735. CGC census 1/08: 1 in 9.2, none higher.
An Earth Man on Venus #nn (Avon, 1951) CGC NM 9.4 Off-white to white pages. Scintillating copy of one of the early '50s great sci-fi covers by Gene Fawcette. Wally Wood provided 26 pages of interior art for the Avon one-shot. Overstreet 2007 NM- 9.2 value = $1,850. CGC census 1/08: 2 in 9.4, none higher.
Animal Comics #2 (Dell, 1943) CGC NM 9.4 Off-white pages. Walt Kelly art is a highlight of this issue which had the second appearance of Pogo, the first Uncle Wiggily in comics, and a nifty wraparound cover. And the copy's almost perfect! Overstreet 2007 NM- 9.2 value = $675. CGC census 1/08: 1 in 9.4, 1 higher.
Batman #1 (DC, 1940) CGC Apparent GD/VG 3.0 Slight (A) Off-white to white pages. The first first appearances of the Joker and Catwoman would be enough to make this one of the more valuable comics in the hobby, but it's also got one of the most famous covers, and of course it's the first issue of a series that's still running. CGC notes, "Restoration includes: moderate amount of color touch on cover, staples replaced. (Right edge of cover trimmed). (Tape on cover)," and also "Cover trimmed." Overstreet 2007 GD 2.0 value = $7,650; VG 4.0 value = $15,300. From the Tom Fagan Diamond Run Collection.
Batman #14 (DC, 1943) CGC FN+ 6.5 Cream to off-white pages. The Penguin makes his second cover appearance on this issue. Jerry Robinson contributed the cover and interior art. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,937. CGC census 1/08: 6 in 6.5, 17 higher.
Batman #26 (DC, 1945) CGC VF- 7.5 Off-white pages. Nicest copy we've offered of this issue in well over a year. Featured are a Cavalier appearance and a Alfred backup story. Jerry Robinson provided the cover and some interior art, as did Dick Sprang. Overstreet 2007 VF 8.0 value = $969. CGC census 1/08: 6 in 7.5, 15 higher.
Batman #33 (DC, 1946) CGC VF+ 8.5 White pages. Awfully tough finding a copy so clean and bright of this mostly white cover, but this one qualifies. Dick Sprang did the Christmas themed scene, while Win Mortimer furnished interior art in this issue, which had a Penguin appearance. Overstreet 2007 VF 8.0 value = $825; VF/NM 9.0 value = $1,338. CGC census 1/08: 3 in 8.5, 6 higher.
Batman #36 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. The two quintessential Golden Age artists of the title, Jerry Robinson and Dick Sprang, both contributed to issue #36 -- Sprang with the cover art and Robinson with interior art. The cover colors of this copy are dazzling, as befits one of the finest copies that CGC has certified to date. In this issue: a Penguin appearance and the last Alfred solo story. Overstreet 2007 VF/NM 9.0 value = $1,175; NM- 9.2 value = $1,625. CGC census 1/08: 10 in 9.0, 4 higher.
Batman #51 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF/NM 9.0 Off-white to white pages. Just one other copy of #51 has earned a higher grade from CGC to date than this pedigree gem. It has outstanding cover color presentation! Inside is a Penguin story, a full page ad for Superboy #1, and art by Bob Kane, who also drew the cover. Overstreet 2007 VF/NM 9.0 value = $813; NM- 9.2 value = $1,125. CGC census 1/08: 2 in 9.0, 1 higher.
Batman #53 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF/NM 9.0 White pages. The Crippen copy is tied for the highest grade yet assigned by CGC for issue #53, and it's easy to see why. The colors on this Jim Mooney-drawn cover practically leap off the page! Inside there's a Joker story, and Mooney and Bob Kane contribute story art. Overstreet 2007 VF/NM 9.0 value = $869; NM- 9.2 value = $1,200. CGC census 1/08: 3 in 9.0, none higher.
Batman #84 (DC, 1954) CGC FN/VF 7.0 Cream to off-white pages. This Catwoman cover is by Win Mortimer, and did you notice the scantily clad... we thought so. Overstreet 2007 FN 6.0 value = $231; VF 8.0 value = $481. CGC census 12/07: 4 in 7.0, 6 higher. From the Toronto Collection.
Batman #85 (DC, 1954) CGC VF+ 8.5 Off-white pages. In this wild Batman issue, mistaken identities rule the day! As seen on Sheldon Moldoff's cover, a bad guy wants to wipe out the actors who are auditioning to play Batman, unless the real Masked Manhunter can rescue them in time. Things get even hairier in the issue's Joker appearance, which finds Batman trapped in Joker's body and the Fiendish Funster in the Caped Crusader's body! The interior art is by Moldoff as well. Overstreet 2007 VF 8.0 value = $369; VF/NM 9.0 value = $585. CGC census 12/07: 3 in 8.5, none higher. From the Toronto Collection.
Batman #86 (DC, 1954) CGC VF+ 8.5 Off-white pages. The Joker appears inside this issue. Meanwhile, the "tom-tom-foolery" on the cover is courtesy of artist Win Mortimer. Overstreet 2007 VF 8.0 value = $375; VF/NM 9.0 value = $605. CGC census 12/07: 2 in 8.5, none higher. From the Toronto Collection.
Batman #87 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Like many other books from this collection, this one ranks high gradewise in CGC's census. The Joker makes an appearance in this issue which has a Win Mortimer cover, and interior art from Bob Kane and Sheldon Moldoff. Overstreet 2007 VF 8.0 value = $375. CGC census 12/07: 2 in 8.0, 1 higher. From the Toronto Collection.
Batman #88 (DC, 1954) CGC VF+ 8.5 Off-white pages. Gorgeous cover colors on this copy, which comes close to the finest CGC has certified to date for #88. Win Mortimer and Sheldon Moldoff combined efforts to produce the cover, with Moldoff and Dick Sprang contributing interior art. Overstreet 2007 VF 8.0 value = $375; VF/NM 9.0 value = $605. CGC census 12/07: 1 in 8.5, 2 higher. From the Toronto Collection.
Batman #94 (DC, 1955) CGC VF- 7.5 Off-white pages. Win Mortimer cover. Sheldon Moldoff art. Overstreet 2007 VF 8.0 value = $317. CGC census 12/07: 5 in 7.5, 5 higher. From the Toronto Collection.
Batman #96 (DC, 1955) CGC FN/VF 7.0 Off-white to white pages. Think this one's not hard to find in nice grades? CGC has certified just two copies with higher grades to date. Win Mortimer's responsible for the cover; Dick Sprang for some of the interior art. Overstreet 2007 FN 6.0 value = $156; VF 8.0 value = $317. CGC census 12/07: 3 in 7.0, 2 higher. From the Toronto Collection.
Bill Battle, The One Man Army #4 Crowley Copy pedigree (Fawcett, 1953) CGC NM 9.4 Off-white to white pages. Photo cover. Overstreet 2007 NM- 9.2 value = $60. CGC census 1/08: 1 in 9.4, none higher.
Black Diamond Western #13 Mile High pedigree (Lev Gleason, 1949) CGC NM+ 9.6 White pages. Charles Biro cover. Fred Guardineer art. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $90. CGC census 1/08: 1 in 9.6, none higher.
Black Diamond Western #14 Mile High pedigree (Lev Gleason, 1949) CGC NM+ 9.6 Off-white to white pages. Charles Biro cover. Fred Guardineer art. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $90. CGC census 1/08: 1 in 9.6, none higher.
Black Diamond Western #16 Mile High pedigree (Lev Gleason, 1949) CGC NM 9.4 White pages. Charles Biro cover. Basil Wolverton story and art. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 1 in 9.4, none higher.
Black Diamond Western #19 Mile High pedigree (Lev Gleason, 1950) CGC NM 9.4 White pages. Charles Biro cover. Basil Wolverton and Fred Guardineer art. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 1 in 9.4, none higher.
Blackhawk #9 (Quality, 1944) CGC VF 8.0 Cream to off-white pages. Here's the first issue of the World War II fighting team that managed to last well beyond the war, for a run of nearly 40 years through two different publishers. The numbering was continued from Uncle Sam Quarterly, in case you wondered. This copy may not be the CGC census topper, but we think you'll agree that it's a solid, attractive example, with plenty of vibrant cover color. Overstreet 2007 VF 8.0 value = $2,360. CGC census 1/08: 3 in 8.0, 5 higher.
Blackhawk #20 (Quality, 1948) CGC NM 9.4 Off-white to white pages. Finest copy known, and surprisingly it's not from one of the famous pedigrees. CGC has only certified a grade higher than VF- 7.5 for two other copies, both inferior to this one. The sexy bondage cover is courtesy of one of the greatest of the stellar artists that worked on Blackhawk over the years, Reed Crandall. Crandall also provided interior art, as did Bill Ward. Overstreet 2007 NM- 9.2 value = $635. CGC census 1/08: 1 in 9.4, none higher.
Black Knight #1 (Atlas, 1955) CGC VF+ 8.5 Off-white to white pages. Striking copy of a hard-to-find issue. In fact, this is the finest copy to be certified by CGC to date, and the only one graded higher than FN/VF 7.0. Joe Maneely provided the dynamic cover and interior art as well. Inside was the origin of the Crusader. Overstreet 2007 VF 8.0 value = $538; VF/NM 9.0 value = $869. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Black Knight #2 (Atlas, 1955) CGC VF+ 8.5 Cream to off-white pages. The highest-graded CGC copy of a Black Knight is worth jousting over, and this collection had produced the best copy of #1 and #2. Extremely detailed cover art by Joe Maneely. Overstreet 2007 VF 8.0 value = $375; VF/NM 9.0 value = $608. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Black Magic #1 (Prize, 1950) CGC VF 8.0 Cream to off-white pages. It's the black cover, not the black magic, that makes this one tough to find in high grade! The great Jack Kirby drew the cover, and he joined up with his usual partner Joe Simon for an interior story. Overstreet 2007 VF 8.0 value = $850. CGC census 1/08: 1 in 8.0, 4 higher. From the Tom Fagan Diamond Run Collection.
Boy Commandos #1 (DC, 1942) CGC VF 8.0 Off-white to white pages. One of Simon and Kirby's most famous covers, this striking WWII battle scene is deemed a "classic" by Overstreet. The key issue has the origin of Liberty Belle, a Sandman and Newsboy Legion crossover, and Simon and Kirby interior art. This is one of the nicest copies of the Golden Age comic that you'll find. Overstreet 2007 VF 8.0 value = $3,584. CGC census 12/07: 2 in 8.0, 4 higher. From the Fantastic Frank Collection.
Boy Commandos #6 (DC, 1944) CGC NM- 9.2 Off-white pages. Finest copy yet certified of issue #6 of the legendary Simon & Kirby creation. The duo provided both the cover and interior art here. Another interior feature is a full page Batman and Robin PSA, with art by Jerry Robinson. Overstreet 2007 NM- 9.2 value = $1,160. CGC census 12/07: 1 in 9.2, none higher.
Bulls Eye #1 (Mainline Publications, 1954) CGC FN/VF 7.0 Off-white pages. Joe Simon and Jack Kirby cover. Overstreet 2007 FN 6.0 value = $165; VF 8.0 value = $340. CGC census 1/08: 1 in 7.0, 1 higher. From the Toronto Collection.
Captain America Comics #4 (Timely, 1941) CGC Apparent VG+ 4.5 Moderate (P) Slightly brittle pages. The great Alex Schomburg only did two of the early Cap covers -- this was his first, and it's a doozy, with enough ghoulish Nazi action to satisfy even the most demanding of collectors. Simon & Kirby supplied interior art, and the issue also featured a Cap and Bucky pin-up back cover. CGC notes, "Restoration includes: color touch, pieces added, spine splits sealed, cleaned, reinforced, staple replaced." The restoration certificate from the professional restorer is included. Overstreet 2007 GD 2.0 value = $753; VG 4.0 value = $1,506. From the Fantastic Frank Collection.
Captain America Comics #5 (Timely, 1941) CGC VG/FN 5.0 Cream to off-white pages. What could be creepier than a mutant, Nazi circus, axe-wielding dwarf-clown, Wheel of Death, bondage, torture cover by Jack Kirby? Perhaps the story, which was written and drawn by Kirby too. Joe Simon also contributed art and a story. Tuk and Hurricane backups round out the issue. Overstreet 2007 VG 4.0 value = $1,376; FN 6.0 value = $2,064. CGC census 1/08: 3 in 5.0, 12 higher.
Captain America Comics #7 (Timely, 1941) CGC GD/VG 3.0 Cream to off-white pages. Here's the third among the first seven covers of the title to be designated "classic" by Overstreet. Jack Kirby and Syd Shores combined talents here, smartly incorporating proven elements to grab the comic buying public: action galore, bondage, torture, and devious Nazi types. The legendary team of Simon & Kirby provided interior art on the feature story, which featured a Red Skull appearance. It's Timely at its best! Overstreet 2007 GD 2.0 value = $665; VG 4.0 value = $1,330. CGC census 12/07: 1 in 3.0, 21 higher. From the Fantastic Frank Collection.
Captain America Comics #46 (Timely, 1945) CGC FN/VF 7.0 Off-white to white pages. Many would consider this to be Alex Schomburg's most dynamic cover, and that puts it in lofty company indeed. Overstreet gives it a "classic" designation -- the gut-wrenching holocaust scene impacts as few others in comic history. Interior artists include Vince Alascia and a very young Carmine Infantino. There's also a Human Torch story in this issue, which hasn't turned up very often in our auctions over the past six years. Overstreet 2007 FN 6.0 value = $813; VF 8.0 value = $1,694. CGC census 1/08: 3 in 7.0, 6 higher.
Captain America Comics #76 Double Cover (Atlas, 1954) CGC FN/VF 7.0 Off-white to white pages. After a four year hiatus since the last Timely issue, Cap returned under the Atlas moniker for a three-issue tease, then would not return until 1964 when the Marvel Age was gaining steam. This was the first of the three Atlas issues, and featured a Human Torch and Toro story. The only two copies ranked higher in CGC's census are just barely nicer at VF- 7.5. CGC notes, "1st cover 6.0, interior cover 7.0." Overstreet 2007 FN 6.0 value = $321; VF 8.0 value = $669. CGC census 1/08: 1 in 7.0, 2 higher. From the Toronto Collection.
Captain America Comics #77 (Atlas, 1954) CGC VG/FN 5.0 Off-white to white pages. Extremely difficult issue to find in high grade. To date, the highest grade that CGC has certified is only FN/VF 7.0, and just two copies have earned higher grades than our offering. Human Torch story. John Romita Sr. cover and interior art. Overstreet 2007 VG 4.0 value = $214; FN 6.0 value = $321. CGC census 1/08: 1 in 5.0, 2 higher. From the Toronto Collection.
Captain America Comics #78 (Atlas, 1954) CGC FN/VF 7.0 Off-white to white pages. The famed Golden Age superhero had been retired by Timely/Marvel after issue #75 in 1950, before a brief revival in 1954. This was the last of that short-lived revival series, and featured a John Romita Sr. cover, and a Human Torch and Toro story. Overstreet 2007 FN 6.0 value = $321; VF 8.0 value = $669. CGC census 11/07: 3 in 7.0, 4 higher. From the Toronto Collection.
Captain Marvel Adventures #10 (Fawcett, 1942) CGC FN 6.0 Cream to off-white pages. With one "word of power," young Billy Batson turns into mighty Captain Marvel -- what a hero! C. C. Beck provides this issue's World War II cover. This copy sure looks sweet; check out that smooth, stress-free spine. Overstreet 2007 FN 6.0 value = $360. CGC census 1/08: 2 in 6.0, 9 higher.
Captain Marvel Adventures #81 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. This black covered beauty comes from the premier collection of Edgar Church and you can almost smell that sweet Mile High aroma emanating from the slab. The C. C. Beck rocketship cover only makes the book that much more appealing. This is currently the highest CGC-graded copy. Overstreet 2007 NM- 9.2 value = $320. CGC census 1/08: 1 in 9.4, none higher.
Captain Marvel and the Lieutenants of Safety #1 Rockford pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Kite-flying is a fun and popular hobby that is not without its risks, especially around power lines. In order to educate children on the hazards, several publishers produced special giveaway comics promoting safety, including Fawcett, the home of the Big Red Cheese himself, Captain Marvel. This is the first of three starring Captain Marvel and his three "Lieutenants of Safety" (Captain Caution, Speedy Ade, and a sprite named Sir Safety), named "Danger Flies a Kite", and it's considered scarce by Overstreet. Overstreet 2007 NM- 9.2 value = $1,600. CGC census 1/08: 2 in 9.4, none higher.
Captain Marvel Jr. #21 Crowley Copy (Fawcett, 1944) CGC NM 9.4 Cream to off-white pages. Mac Raboy's patriotic cover shows our young hero plugging a good cause for the war effort. More Raboy art is featured inside. CGC currently lists this pedigreed copy as the highest-graded example of issue #21 certified to date. Overstreet 2007 NM- 9.2 value = $635. CGC census 1/08: 1 in 9.4, none higher.
Captain Marvel Jr. #26 Mile High pedigree (Fawcett, 1945) CGC NM 9.4 White pages. A Mac Raboy cover on a Mile High Copy is quite a combination, as this comic book attests! CGC hasn't certified another copy of #26 nicer than 9.0 to date. Overstreet 2007 NM- 9.2 value = $635. CGC census 1/08: 1 in 9.4, none higher.
Captain Marvel Jr. #90 Crowley Copy pedigree (Fawcett, 1950) CGC NM 9.4 Cream to off-white pages. Bright, colorful copy ranks just behind the highest grade CGC has certified to date for this issue. Overstreet 2007 NM- 9.2 value = $320. CGC census 1/08: 3 in 9.4, 1 higher.
Captain Midnight #3 (Fawcett, 1942) CGC VF/NM 9.0 Off-white to white pages. The high-flying cover of this early issue from 1942 has earned a "classic" designation from Overstreet. Only two copies have earned higher grades from CGC to date. Overstreet 2007 VF/NM 9.0 value = $1,303; NM- 9.2 value = $1,800. CGC census 1/08: 1 in 9.0, 2 higher.
Captain Midnight #12 (Fawcett, 1943) CGC NM 9.4 Off-white pages. Captain Midnight faces off against the Sinister Angels in this issue, which looks as if it had come straight out of a pedigree collection. Red Skye and Johnny Blair backup stories round out the contents. Overstreet 2007 NM- 9.2 value = $775. CGC census 1/08: 1 in 9.4, none higher.
Captain Midnight #13 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white to white pages. This Mile High happens to be the copy pictured in Gerber's Photo-Journal, but the pic in Gerber's book hardly does it justice. This one has a Mac Raboy cover, Sheldon Moldoff art, and a sweet 9.6 grade that allows it to tie with one other as the highest-graded copy to date. Overstreet 2007 NM- 9.2 value = $775. CGC census 1/08: 2 in 9.6, none higher.
Captain Midnight #26 Mile High pedigree (Fawcett, 1944) CGC NM+ 9.6 Off-white to white pages. Captain Midnight checks into the "Hotel of Horror" in this issue -- a place arguably as scary as the Hotel California. This Mile High copy is the highest-graded copy of the issue that CGC has certified to date. Overstreet 2007 NM- 9.2 value = $600. CGC census 1/08: 1 in 9.6, none higher.
Captain Midnight #35 (Fawcett, 1945) CGC NM 9.4 White pages. If you're waiting on a nicer copy, it might be a long wait! This is the highest-graded copy in CGC's current census, and with white pages! The Japanese war cover really comes through! Overstreet 2007 NM- 9.2 value = $390. CGC census 1/08: 1 in 9.4, none higher.
Captain Midnight #52 Mile High pedigree (Fawcett, 1947) CGC NM 9.4 Off-white pages. The black background of this cover makes it extremely difficult to find in high grade, and the only reason we have one to offer is that this is from the Edgar Church home for wayward comics. A beautiful comic by any measure, and the highest-graded copy from CGC. Overstreet 2007 NM- 9.2 value = $325. CGC census 1/08: 1 in 9.4, none higher.
Captain Midnight #59 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white pages. Ah! You can almost smell the cedar on this Edgar Church copy. A very colorful cover image wraps the book. Overstreet 2007 NM- 9.2 value = $325. CGC census 1/08: 2 in 9.4, none higher.
Captain Midnight #62 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. The good Captain is flying high - in fact, Mile High -- on this issue's colorful cover. This must be one of Overstreet's favorites as well; it's pictured in the current Price Guide. A check with CGC's current census report finds this copy to be unsurpassed. Overstreet 2007 NM- 9.2 value = $325. CGC census 1/08: 2 in 9.4, none higher.
Captain Science #4 (Youthful Magazines, 1951) CGC VF/NM 9.0 Cream to off-white pages. Wally Wood and Joe Orlando treat us to this great cover, depicting a rocket ship interior, complete with alien and "good girl." The issue certainly looks like an EC offering. A vampire story also wings it's way into the book. Overstreet 2007 VF/NM 9.0 value = $821; NM- 9.2 value = $1,135. CGC census 1/08: 2 in 9.0, 2 higher.
Charlie Chan #2 Vancouver pedigree (Crestwood/Headline, 1948) CGC NM+ 9.6 White pages. Joe Simon and Jack Kirby tackled a number of different directions during their partnership, including a brief run featuring this popular licensed character, the star of books, movies, and radio. Their usual brilliant job is overshadowed here only by the remarkably fresh condition of this pedigreed prize, one of the exceptional comics that made up the Vancouver collection. It's one of only three copies currently slabbed by CGC, and is the highest graded by far. Overstreet 2007 NM- 9.2 value = $675. CGC census 1/08: 1 in 9.6, none higher.
Cheerios Premiums Y1 (Walt Disney Productions, 1947) CGC NM 9.4 Off-white pages. A controversial item indeed, this was not reprinted until decades later, and then in altered fashion. In this original story, an atom bomb goes off, the citizens of the town all have their hair fall out, and the opportunistic Donald Duck tries to profit from the disaster by selling hair-growth tonic for $1 a bottle! By the way, the story is by Carl Barks. His colleague Carl Buettner handled the cover art. Overstreet 2007 NM- 9.2 value = $1,200. CGC census 12/07: 1 in 9.4, 3 higher.
Classic Comics #1 The Three Musketeers - First Edition (Elliott Publications, 1941) CGC FN/VF 7.0 Cream to off-white pages. This comic book is the granddaddy of all Classics Comics and the eventual title Classics Illustrated, and, yes, this is a first edition! The Photo-Journal Guide to Comic Books rates the first edition "scarce", and we've only offered a copy on a handful of occasions in the past six years. Malcolm Kildale provided the cover and interior art. Overstreet 2007 FN 6.0 value = $1,287; VF 8.0 value = $3,003. CGC census 1/08: 2 in 7.0, 5 higher.
Classic Comics #3 Count of Monte Cristo - First Edition - Davis Crippen ("D" Copy) pedigree (Elliott Publications, 1942) CGC FN/VF 7.0 Cream to off-white pages. We've offered a first edition copy of this Gerber "uncommon" issue on just three previous occasions. The Crippen copy is one of the finest to be certified to date. Overstreet 2007 FN 6.0 value = $423; VF 8.0 value = $881. CGC census 1/08: 1 in 7.0, 2 higher.
Classic Comics #4 Last of the Mohicans - First Edition - Davis Crippen ("D" Copy) pedigree (Gilberton, 1942) CGC FN+ 6.5 Off-white pages. We've rarely offered a first edition copy of this early issue of the title that became Classics Illustrated. Ray Ramsey cover and art. Overstreet 2007 FN 6.0 value = $357; VF 8.0 value = $744. CGC census 1/08: 2 in 6.5, 2 higher.
Classic Comics #11 Don Quixote - First Edition (Gilberton, 1943) CGC VF 8.0 Off-white pages. Nice copy of a first edition version that's currently tied for high grade honors for #11 in CGC's census. Louis Zansky cover and art. Overstreet 2007 VF 8.0 value = $500. CGC census 1/08: 2 in 8.0, none higher.
Classic Comics #13 Dr. Jekyll and Mr. Hyde - First Edition - Davis Crippen ("D" Copy) pedigree (Gilberton, 1943) CGC VF 8.0 Cream to off-white pages. One of the more popular issues in the run, it's considered by some to be the first horror comic book, and it rated a mention in Seduction of the Innocent. CGC hasn't certified a higher grade for this issue to date. Arnold Hicks art. Overstreet 2007 VF 8.0 value = $769. CGC census 1/08: 3 in 8.0, none higher.
Comic Cavalcade #5 (DC, 1943) CGC FN/VF 7.0 Tan to off-white pages. Nice grade for this square bound issue from '43. Frank Harry did the Christmas-themed cover, with H. G. Peter, Martin Naydel, Howard Purcell, and Irwin Hasen contributing interior art for this issue. Overstreet 2007 FN 6.0 value = $477; VF 8.0 value = $994. CGC census 1/08: 1 in 7.0, 5 higher.
Comic Cavalcade #6 (DC, 1944) CGC FN+ 6.5 Light tan to off-white pages. Wonder Woman, Green Lantern, and the Flash were all featured in this early DC title. The cover art is a composite of efforts by H. G. Peter, Paul Reinman, and Martin Naydel. Interior artists included Peter, Reinman, Howard Purcell, and E. E. Hibbard. Overstreet 2007 FN 6.0 value = $372; VF 8.0 value = $775. CGC census 11/07: 1 in 6.5, 4 higher.
Comic Cavalcade #12 (DC, 1945) CGC VF- 7.5 White pages. Early issues of this Golden Age title can be found, but it's just not that easy to find them in this condition. Only two VF+ copies are rated above this one in CGC's current census. E. E. Hibbard, H. G. Peter, and Sheldon Mayer combined for the cover. Interior artists included Peter and Martin Naydel. Overstreet 2007 VF 8.0 value = $650. CGC census 11/07: 1 in 7.5, 2 higher.
Comic Cavalcade #14 (DC, 1946) CGC FN/VF 7.0 Light tan to off-white pages. The Flash, Green Lantern, and Wonder Woman are featured. E. E. Hibbard cover. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 FN 6.0 value = $312; VF 8.0 value = $650. CGC census 1/08: 2 in 7.0, 6 higher.
The Comics #1 File Copy (Dell, 1937) CGC VF+ 8.5 Cream to off-white pages. The new medium of "comic books" was really taking off, so Dell followed up Popular Comics and The Funnies with this third anthology series reprinting popular newspaper strips of the day. Tom Mix made his first comic book appearance here. The front cover bears a light editorial department stamp. Overstreet 2007 VF 8.0 value = $1,163; VF/NM 9.0 value = $1,882. CGC census 1/08: 2 in 8.5, 1 higher.
Congo Bill #1 (DC, 1954) CGC FN+ 6.5 Off-white to white pages. Overstreet and The Photo-Journal Guide to Comic Books agree -- this book is "scarce"! Overstreet goes further, indicating the entire seven issue run is "Rarely found in fine to mint condition." We've offered a finer copy on just one previous occasion. Nick Cardy provided the cover and interior art. Overstreet 2007 FN 6.0 value = $525; VF 8.0 value = $1,400. CGC census 1/08: 1 in 6.5, 3 higher. From the Toronto Collection.
Congo Bill #3 (DC, 1954) CGC VF- 7.5 Off-white pages. We've offered this issue even fewer times than we've seen the #1. Its grade approaches the highest (VF 8.0) that Overstreet even lists a value for, and at VF- 7.5, is the highest-graded copy in CGC's census. Nick Cardy cover and interior art. Overstreet 2007 VF 8.0 value = $735. CGC census 1/08: 1 in 7.5, none higher. From the Toronto Collection.
Congo Bill #4 (DC, 1955) CGC FN/VF 7.0 Off-white pages. It's just the third time we've offered this issue, and never a copy as nice as this. It may be the finest copy in existence, as it currently sports the highest grade CGC has certified to date for #4. Like others in the short seven issue run, this one rates an Overstreet "scarce" designation, and was the last pre-Code issue. Nick Cardy cover and art. Overstreet 2007 FN 6.0 value = $276; VF 8.0 value = $735. CGC census 1/08: 1 in 7.0, none higher. From the Toronto Collection.
Congo Bill #5 (DC, 1955) CGC VF/NM 9.0 Off-white pages. This brilliant copy isn't even supposed to exist! Overstreet doesn't even list a value above VF 8.0, assuming such high grades are not to be found. We found it! The next highest grade CGC has certified to date of #5 is a distant VG/FN 5.0! Nick Cardy provided the cover art. Overstreet 2007 VF 8.0 value = $735 (highest grade currently listed in Overstreet). CGC census 1/08: 0 in 9.0, 0 higher. From the Toronto Collection.
Crackajack Funnies #1 (Dell, 1938) CGC FN 6.0 Off-white to white pages. One of Dell's earliest titles followed one of the most common formats of the day, bringing popular newspaper comics and radio features to the new-fangled comic book venue. Such favorites as Dan Dunn, Tom Mix, Don Winslow, Myra North, Wash Tubbs, and others were in the premiere issue. Overstreet 2007 FN 6.0 value = $771. CGC census 1/08: 1 in 6.0, 9 higher.
Crackajack Funnies #10 Mile High pedigree (Dell, 1939) CGC NM+ 9.6 Off-white to white pages. If you've ever wondered what all the fuss was about the Edgar Church Mile High collection of comic books, here's one you simply have to see. It literally looks as if it had just been cherry-picked off the stands yesterday! Not too bad for a comic published back in the spring of 1939! The contents include mostly strip reprints, including Red Ryder, Wash Tubbs, and others, but the real star here is, of course, the remarkable freshness of this copy -- even the staples look like new. If you've been wanting a choice-grade Mile High that won't bust your budget, this is the book for you. Overstreet 2007 NM- 9.2 value = $585. CGC census 1/08: 2 in 9.6, none higher.
Crackajack Funnies #25 Lost Valley pedigree (Dell, 1940) CGC FN+ 6.5 Cream to off-white pages. One of the most sought after issues in the run has the first appearance of the Owl and Gabby Scoops, an Ellery Queen cover, and Frank Thomas art. It's a real challenge finding this one in nice grades -- at FN+ 6.5, this pedigree copy's currently the nicest CGC has certified to date. Overstreet 2007 FN 6.0 value = $240; VF 8.0 value = $500. CGC census 12/07: 1 in 6.5, none higher.
Crime Patrol #16 Gaines File pedigree (EC, 1950) CGC NM 9.4 Off-white to white pages. Just the second appearance of the Crypt Keeper, but EC must have liked what they were seeing after the "try-out" -- with the next issue the title changed to Crypt of Terror, and the contents went to an all-horror format. Johnny Craig provided the cover. Craig and Al Feldstein contributed story art. CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $2,775. CGC census 11/07: 2 in 9.4, 6 higher.
Crown Comics #4 Mile High pedigree (Golfing, Inc., 1945) CGC NM 9.4 Off-white to white pages. Edgar Church's copy blows away the competition again! The next best copy in CGC's census lags far behind at VF- 7.5. Matt Baker cover and interior art is featured, and the issue also has the first appearance of Ace of the Newsreels. Overstreet 2007 NM- 9.2 value = $340. CGC census 1/08: 1 in 9.4, none higher.
Cyclone Comics #1 (Bilbara, 1940) CGC VF/NM 9.0 Off-white to white pages. Bursting on the Golden Age scene with an action cover that boasted the appearances of new features Tornado Tom, Volton, Kingdom of the Moon, and Mister Q, the title, was, alas, short-lived at five issues. Charles Quinlan of Catman fame is among the issue's artists. Overstreet 2007 VF/NM 9.0 value = $1,591; NM- 9.2 value = $2,200. CGC census 1/08: 1 in 9.0, 4 higher.
Dale Evans Comics #4 Hawkeye pedigree (DC, 1949) CGC NM 9.4 Off-white to white pages. "Queen of the Westerns" photo cover. Alex Toth art. A lovely pedigree copy. Only the Mile High copy currently grades higher. Overstreet 2007 NM- 9.2 value = $360. CGC census 1/08: 1 in 9.4, 1 higher.
Daredevil Comics #1 Daredevil Battles Hitler (Lev Gleason, 1941) CGC NM 9.4 Cream to off-white pages. This first issue of Daredevil Comics, also known as Daredevil Battles Hitler, is one of the all-time Golden Age greats, and a favorite among collectors for generations. It's currently listed at #70 in Overstreet's Top 100 Golden Age Books, and the partial photo cover featuring "Ol' Shicklgruber" is always an attention-grabber at conventions. This Near Mint beauty is tied with two others (including the Mile High example) as the highest graded copy in the current CGC census report for issue #1. Talk about attention grabbers -- this one will knock you for a loop! Overstreet 2007 NM- 9.2 value = $22,500. CGC census 1/08: 3 in 9.4, none higher.
Daring Mystery Comics #1 Kansas City pedigree (Timely, 1940) CGC FN- 5.5 Off-white pages. Marvel/Timely's second oldest title premiered just two months after the legendary Marvel Comics #1. It's a Gerber "scarce" issue, and CGC has certified just one copy nicer than FN 6.0 to date, making this pedigree copy one of the very nicest known. The book currently ranks 36th on Overstreet's Top 100 Golden Age Books listing. Alex Schomburg's great bondage cover opens to features that include the first appearances of the Fiery Mask (drawn by Joe Simon), John Steele - Soldier of Fortune, Doc Denton, and Monako - Prince of Magic. It also features the only appearances of Flash Foster, Barney Mullen, and Sea Rover. Overstreet 2007 FN 6.0 value = $5,625. CGC census 1/08: 2 in 5.5, 2 higher.
Daring Mystery Comics #6 (Timely, 1940) CGC FN 6.0 Light tan to off-white pages. Timely's second oldest title only ran for eight issues (changed name to Daring Comics and continued for four more), but gave us some superheroes who never quite became household names -- Flying Flame, Dynaman, Stuporman (!), and The Fiery Mask in this issue alone. Also appearing in issue #6 for the first time anywhere was Marvel Boy, who stars in the Simon & Kirby cover as well as the feature story. The S&K artistic team also provided interior art. This is one of the harder Timely superhero titles to find, and high grade copies are especially elusive. We've offered a nicer copy just once before, and CGC lists only two nicer copies that have been certified to date. Overstreet 2007 FN 6.0 value = $1,269. CGC census 12/07: 1 in 6.0, 2 higher. From the Fantastic Frank Collection.
Daring Mystery Comics #7 (Timely, 1941) CGC FN/VF 7.0 Cream to off-white pages. You may not recognize the superheroes (Thunderer, Challenger, Captain Daring, Blue Diamond, Silver Scorpion, and the Fin, for instance, most of whom make their first appearances in this issue), but the artists include classic Timely contributors, Simon & Kirby, Bill Everett, and Carl Burgos. Inside there's a full page ad for Sub-Mariner Comics #1. Overstreet 2007 FN 6.0 value = $1,050; VF 8.0 value = $2,275. CGC census 12/07: 2 in 7.0, 2 higher. From the Fantastic Frank Collection.
Dell Giant Comics: Vacation Parade #1 (Dell, 1950) CGC VF- 7.5 Cream to off-white pages. "I've never seen a true near mint copy, and I doubt one exists," was Bill Howard's comment in Comic Book Marketplace. Indeed, CGC's highest-graded copy to date is 9.0, and this specimen we're offering is a nice one indeed. Carl Von Buettner is the cover artist, and there's Carl Barks art inside. Overstreet 2007 VF 8.0 value = $696. CGC census 1/08: 1 in 7.5, 6 higher.
Dell Giant Comics Tom and Jerry Winter Fun #3 File Copy (Dell, 1954) CGC NM 9.4 Off-white pages. Painted cover. This is the first high-grade copy that we have had the opportunity to offer. Overstreet 2007 NM- 9.2 value = $160. CGC census 1/08: 1 in 9.4, none higher.
Dell Giant Comics Woody Woodpecker Back to School #3 File Copy (Dell, 1954) CGC NM+ 9.6 Off-white pages. About the only way to find a high-grade copy of one of these square bound Dell Giants, is to nab one of the File Copies -- we're happy to be of service! This one's the nicest copy CGC has certified to date of the issue. Overstreet 2007 NM- 9.2 value = $155. CGC census 1/08: 1 in 9.6, none higher.
Platinum Age (1897-1937)
Detective Comics #2 (DC, 1937) CGC VG 4.0 Cream to off-white pages. Even harder to find than the #1, this issue is considered "rare" by Overstreet, and the Guide doesn't even bother listing a grade value above that for VF 8.0. The Photo-Journal Guide to Comic Books goes further, rating the issue "very rare", and we've offered just three copies of #2 over the past six years. It's a great example of why Creig Flessel covers are so prized among the early DCs. Inside Superman creators Jerry Siegel and Joe Shuster contributed their talents more than a year before Action #1 came out. Overstreet 2007 VG 4.0 value = $5,000. CGC census 1/08: 1 in 4.0, 3 higher.
Golden Age (1938-1955)
Detective Comics #17 (DC, 1938) CGC VF 8.0 Off-white to white pages. This is a tough book we had only seen once before (and never in high grade), and note the July 1938 cover date, putting it just a month after Action #1. It's the first DC appearance of Fu Manchu (note that the character on the cover of issue #1 was a Fu Manchu knockoff, not the original). A serial featuring the popular villain began in this issue. Creig Flessel's cover features one of this title's regulars, Speed Saunders. Overstreet 2007 VF 8.0 value = $2,819. CGC census 1/08: 1 in 8.0, 1 higher.
Detective Comics #18 (DC, 1938) CGC VG 4.0 White pages. Creig Flessel's last cover for this series was probably his best, it's a memorable image of Fu Manchu. And this one's no easier to find than the other pre-Batman Detective issues. The white pages are also noteworthy, since most of the other copies we've seen have been slightly brittle. Overstreet 2007 VG 4.0 value = $1,726. CGC census 1/08: 2 in 4.0, 2 higher.
Detective Comics #20 (DC, 1938) CGC FN/VF 7.0 Off-white to white pages. The second costumed superhero in all of comics, the Crimson Avenger, made his debut in this issue, published just four months after the first appearance of Superman. The rest of the issue features the usual lineup of P.I.s and cops, and boasts a (literally) striking cover by Leo O'Mealia. Overstreet 2007 FN 6.0 value = $2,400; VF 8.0 value = $4,200. CGC census 1/08: 1 in 7.0, 2 higher.
Detective Comics #22 (DC, 1938) CGC FN- 5.5 White pages. The first superhero cover in Detective featured not Batman, but the Crimson Avenger! And this comic is tied with Action #7 as the second comic book superhero cover ever. It's also the Crimson Avenger's only cover appearance of the in this title (though a few hardy dissenters aver that the masked fellow on #34 is this character). Jim Chambers is the cover artist. This is the first unrestored copy of the book we've ever seen! Overstreet 2007 FN 6.0 value = $1,737. CGC census 1/08: 1 in 5.5, 3 higher.
Detective Comics #23 (DC, 1939) CGC FN+ 6.5 White pages. You could make the case that this is one of the toughest Detective issues: as of early January this issue was one of only three (along with #3 and #21) to have just two unrestored copies on CGC's census. This newly certified copy has just joined the party, and we're glad it did! Fred Guardineer is the cover artist. Overstreet 2007 FN 6.0 value = $1,263; VF 8.0 value = $2,210. CGC census 1/08: 1 in 6.5, 1 higher.
Detective Comics #25 (DC, 1939) CGC FN+ 6.5 Cream to off-white pages. Just one unrestored copy has been graded higher, and the other blue-label books on CGC's census are all GD/VG or less, so we think this solid copy will be in high demand. Fred Guardineer is the cover artist. Overstreet 2007 FN 6.0 value = $1,263; VF 8.0 value = $2,210. CGC census 1/08: 1 in 6.5, 1 higher.
Detective Comics #27 (DC, 1939) CGC Apparent GD/VG 3.0 Slight (A) Cream to off-white pages. This is the second most valuable comic issue in the hobby, behind only Superman's debut in the first issue of Action Comics, and in fact, we don't doubt that on the personal wantlists of many collectors, Detective #27 occupies the Number One spot. Low-grade and/or restored copies are the only ones to be had for under $50,000, so we expect healthy demand for this one. While most comic fans know this by heart, we should note for completeness' sake that this issue is the first appearance of Batman. It's also the debut of Commissioner Gordon, and contains the revelation at the very end that Batman is in fact Bruce Wayne. Bob Kane is credited with a cover image that went down in history. CGC notes, "Restoration includes: moderate amount of color touch, staples replaced. (Top edge of cover trimmed)(Tape on interior cover)," and also, "Cover trimmed." Overstreet 2007 GD 2.0 value = $33,500; VG 4.0 value = $67,000. From the Tom Fagan Diamond Run Collection.
Detective Comics #29 (DC, 1939) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. The second Batman cover was the lead highlight of this issue, which is currently tied with Action Comics #2 on Overstreet's Top 100 Golden Age Books list. Co-creator Bob Kane provided the cover and also contributed interior art, as did Joe Shuster. The issue had the first appearance of Dr. Death. We haven't offered a copy of the milestone issue in over 2 years. CGC notes, "Restoration includes: cover reinforced." Overstreet 2007 GD 2.0 value = $3,250; VG 4.0 value = $6,500; FN 6.0 value = $9,750; VF 8.0 value = $24,400.
Detective Comics #31 (DC, 1939) CGC Apparent GD+ 2.5 Slight (A) Cream to off-white pages. This issue has been creeping higher and higher in Overstreet's Top Golden Age Books ranking (it's now at #16) mostly thanks to the classic cover by Bob Kane and Jerry Robinson. The inside of the comic also had a number of famous firsts, namely the debuts of the Batplane (called Batgyro here) and the Batarang (spelled "Baterang" in this early appearance). It's also got the first appearance of Bruce Wayne's fiancee, Julie Madison. This copy, like the Detective #27 and Batman #1 we're offering in this auction, is from the collection of Tom Fagan of Rutland, VT, the erstwhile co-editor of an early Batman fanzine who was immortalized to all Bat-fans in the "Night of the Reaper" story in Batman #237. CGC notes, "Restoration includes: moderate amount of color touch, staples replaced. (Top & bottom edge of cover trimmed)(Tape on cover, and also, "Cover trimmed." Overstreet 2007 GD 2.0 value = $3,400. From the Tom Fagan Diamond Run Collection.
Detective Comics #35 (DC, 1940) CGC VG- 3.5 Cream to off-white pages. Forget about the grade for a moment and look at our picture of this comic. You'll see it presents very well, and while nits could be picked here and there, overall this is a "show-off-to-your-friends" comic. The issue is one of Overstreet's Top 100 Golden Age Books, and a copy that's certified as unrestored is hard to come by. This issue has a classic cover which marked the beginning of Batman's run as the permanent cover star of this title, a streak that is still going in 2008. It's also famous for its splash panel, which shows Batman holding a smoking gun. Every copy we have offered recently from Poor on up has outpaced the Overstreet value, and we expect that trend to continue here. Overstreet 2007 VG 4.0 value = $2,300. CGC census 1/08: 1 in 3.5, 5 higher.
Detective Comics #35 (DC, 1940) CGC Apparent GD/VG 3.0 Slight (A)Cream to off-white pages. Highly sought after in any grade, this is also a book that seems to be found with restoration more often than not. The issue is ranked among the 100 most valuable Golden Age books by Overstreet. It marked the beginning of Batman's run as the permanent cover star of this title, a streak that's still ongoing! Among other things, the book is famous for its splash panel, which shows Batman holding a smoking gun. CGC notes, "Restoration includes: Small amount of glue on spine of cover. (1 piece of tape on spine of cover & 1 on interior cover.)" Overstreet 2007 GD 2.0 value = $1,150; VG 4.0 value = $2,300.
Detective Comics #111 (DC, 1946) CGC NM- 9.2 Off-white to white pages. We've offered a copy this nice just once before, and who knows when we'll see another as nice, much less nicer! We think it's one of Win Mortimer's best covers, and the long-time Batman artist also contributed interior art, as did Curt Swan, George Roussos, and Howard Sherman. Overstreet 2007 NM- 9.2 value = $1,025. CGC census 1/08: 3 in 9.2, 3 higher.
Detective Comics #113 (DC, 1946) CGC VF+ 8.5 Off-white pages. The last large logo cover of the title is from the dynamic Dick Sprang, who also adds interior art. Overstreet 2007 VF 8.0 value = $456; VF/NM 9.0 value = $741. CGC census 1/08: 1 in 8.5, 5 higher.
Detective Comics #127 (DC, 1947) CGC VF/NM 9.0 Off-white to white pages. Charles Paris drew double Dynamic Duo duty in this issue, drawing both the cover and interior art as our heroes take on the sinister, giant Dr. Agar. The Boy Commandos story is illustrated by Curt Swan. Howard Sherman adds interior art as well. Overstreet 2007 VF/NM 9.0 value = $707; NM- 9.2 value = $975. CGC census 1/08: 3 in 9.0, 3 higher.
Detective Comics #133 Davis Crippen ("D" Copy) pedigree (DC, 1948) CGC VF/NM 9.0 Off-white to white pages. The Arthur Loom crystal ball of doom spells trouble for Batman and Robin, the phony medium at large predicts, in the cover story. Air Wave, the Boy Commandos, and Slam Bradley are the backup features. The cover is credited to Bob Kane, Lew Schwartz, and Charles Paris. A great copy. Overstreet 2007 VF/NM 9.0 value = $635; NM- 9.2 value = $875. CGC census 1/08: 1 in 9.0, none higher.
Detective Comics #144 (DC, 1949) CGC VF/NM 9.0 Cream to off-white pages. Real-life bandleader Kay Kyser guest-stars in "The Mystery Broadcast" cover story. Dick Sprang furnished both the cover and interior art for the issue. It also contains a full page ad for Superboy #1. Howard Sherman art. This is currently the highest graded copy on the CGC census. A real beauty. Overstreet 2007 VF/NM 9.0 value = $635; NM- 9.2 value = $875. CGC census 1/08: 1 in 9.0, none higher.
Detective Comics #153 (DC, 1949) CGC VF 8.0 Off-white to white pages. This issue features the first appearance of Roy Raymond, TV Detective, a crime-solving TV host whose "Impossible -- But True!" feature would run for the next four years in this title. Also in this book: one of the first Pow Wow Smith, Indian Lawman stories. Dick Sprang drew Batman both on the cover and inside the comic. Overstreet 2007 VF 8.0 value = $438. CGC census 12/07: 1 in 8.0, 3 higher.
Detective Comics #161 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC VF 8.0 Off-white pages. At the time of this writing, there are only four CGC-graded copies of this issue above a 6.0, so don't let this high grade, pedigree, stunner get away. Win Mortimer draws the Batcycle cover, with Lew Schwartz and Charles Paris rendering the interior. Overstreet 2007 VF 8.0 value = $356. CGC census 1/08: 1 in 8.0, 2 higher.
Detective Comics #162 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC VF 8.0 Off-white pages. Nothing like a peaceful train ride through the country to wash away the worries of the workaday world as the Dynamic Duo demonstrate on this Win Mortimer cover and story, "The Law of the Iron Road." Lew Schwartz and Dan Barry contribute interior art to this phenomenal, unread "D" copy. Overstreet 2007 VF 8.0 value = $356. CGC census 1/08: 1 in 8.0, 2 higher.
Detective Comics #166 Davis Crippen ("D" Copy) pedigree (DC, 1950) CGC NM- 9.2 Off-white to white pages. Bruce Wayne's ward, Dick Grayson, heads back to his roots in this issue's circus based story, "The Man with a Million Faces." Win Mortimer contributed the cover and interior art. Dick Sprang and Charles Paris supplied additional art. A beautiful copy from a premier pedigree collection. Overstreet 2007 NM- 9.2 value = $800. CGC census 1/08: 1 in 9.2, none higher.
Detective Comics #170 Davis Crippen ("D" Copy) pedigree (DC, 1951) CGC VF 8.0 Off-white to white pages. Lot of white on this Win Mortimer cover makes the issue doubly tough to find in high grade, and this copy ranks high on CGC's census. The cover colors are bright and vivid, suggestive of a higher grade, with only minor cumulative wear keeping the book at "just" VF 8.0. Inside, there's Bruno Premiani art, a Robotman backup story, and a full page ad for Mystery In Space #1. Overstreet 2007 VF 8.0 value = $356. CGC census 12/07: 1 in 8.0, 3 higher.
Detective Comics #176 (DC, 1951) CGC VF+ 8.5 Off-white to white pages. The Dynamic Duo takes on Mr. Velvet! No, not Bobby Vinton, but rather an underworld capo who has our heroes in a bit of a jam (see a preview on the issue's Win Mortimer cover). Also appearing in the issue are Robotman and Pow-Wow Smith. Overstreet 2007 VF 8.0 value = $356; VF/NM 9.0 value = $578. CGC census 12/07: 1 in 8.5, 1 higher.
Detective Comics #195 Davis Crippen ("D" Copy) pedigree (DC, 1953) CGC VF 8.0 Off-white pages. Robotman and Pow-Wow Smith backups follow the Caped Crusader cover story. Win Mortimer is credited with the cover, featuring "The Original Batman." Dick Sprang, Joe Certa, and Ruben Moreira offer interior art. One of only three CGC books that currently grade over 5.0. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 1 in 8.0, 2 higher.
Detective Comics #202 (DC, 1953) CGC VF 8.0 Off-white to white pages. This issue would mark the last appearances of Robotman and Pow Wow Smith in the title. A Win Mortimer cover wraps art by Sheldon Moldoff, Joe Certa, and Ruben Moreira. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 3 in 8.0, 1 higher. From the Toronto Collection.
Detective Comics #203 (DC, 1954) CGC VF- 7.5 Off-white pages. Catwoman makes a cover appearance and Mysto the Magician and Captain Compass begin series runs. Mysto's origin is also explained. Win Mortimer cover. Sheldon Moldoff, Joe Certa, and Ruben Moreira art. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 1 in 7.5, 1 higher. From the Toronto Collection.
Detective Comics #204 (DC, 1954) CGC FN/VF 7.0 Off-white pages. Win Mortimer cover and art. Sheldon Moldoff, Ruben Moreira, and Joe Certa art. Overstreet 2007 FN 6.0 value = $162; VF 8.0 value = $329. CGC census 1/08: 2 in 7.0, none higher. From the Toronto Collection.
Detective Comics #209 (DC, 1954) CGC VF- 7.5 Cream to off-white pages. Win Mortimer cover. Mortimer, Dick Sprang, Joe Certa, and Leonard Starr art. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 2 in 7.5, 1 higher. From the Toronto Collection.
Detective Comics #210 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Win Mortimer cover. Dick Sprang, Joe Certa, and Leonard Starr art. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 1 in 8.0, 1 higher. From the Toronto Collection.
Detective Comics #211 (DC, 1954) CGC VF+ 8.5 Off-white to white pages. A Win Mortimer Catwoman cover and story highlight this copy from the Toronto Collection. Mortimer, Dick Sprang, Leonard Starr, and Joe Certa art are also included. Overstreet 2007 VF 8.0 value = $394; VF/NM 9.0 value = $635. CGC census 1/08: 3 in 8.5, none higher. From the Toronto Collection.
Detective Comics #212 (DC, 1954) CGC VF 8.0 Off-white pages. The last appearance of Mysto the Magician punctuates this issue that touts a Win Mortimer cover. Dick Sprang and Joe Certa contribute interior art. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Detective Comics #213 (DC, 1954) CGC VF 8.0 Off-white pages. This beautiful issue from the Toronto Collection showcases the origin and first appearance of the Mirror Man, who was next seen in Batman #157. Win Mortimer supplied the cover art. Overstreet 2007 VF 8.0 value = $400. CGC census 1/08: 2 in 8.0, none higher. From the Toronto Collection.
Detective Comics #214 (DC, 1954) CGC VF- 7.5 Off-white pages. Win Mortimer cover. Mortimer, Sheldon Moldoff, Charles Paris, Ruben Moreira, and Joe Certa art. Overstreet 2007 VF 8.0 value = $329. CGC census 1/08: 2 in 7.5, none higher. From the Toronto Collection.
Detective Comics #215 (DC, 1955) CGC VF+ 8.5 Off-white pages. First appearance of Batmen of all Nations. Sheldon Moldoff and Charles Paris cover. Moldoff and Joe Certa art. Overstreet 2007 VF 8.0 value = $329; VF/NM 9.0 value = $527. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #217 (DC, 1955) CGC VF 8.0 Off-white pages. Win Mortimer cover. Dick Sprang, Charles Paris, Ruben Moreira, and Joe Certa art. Overstreet 2007 VF 8.0 value = $281. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Detective Comics #218 (DC, 1955) CGC VF 8.0 Off-white pages. Win Mortimer cover. Sheldon Moldoff, Stan Kaye, Joe Certa, and Ruben Moreira art. Batman Jr. and Robin Sr. appearances. Overstreet 2007 VF 8.0 value = $281. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Detective Comics #221 (DC, 1955) CGC VF+ 8.5 Cream to off-white pages. Win Mortimer cover. Sheldon Moldoff and Joe Certa art. Overstreet 2007 VF 8.0 value = $281; VF/NM 9.0 value = $453. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #224 (DC, 1955) CGC VF+ 8.5 Off-white to white pages. The last appearance of Captain Compass in the title and a Win Mortimer cover punctuate this issue which is filled with Dick Sprang, Joe Certa, and Ruben Moreira art. Overstreet 2007 VF 8.0 value = $281; VF/NM 9.0 value = $453. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Eye #1 (Centaur, 1940) Condition: Apparent VF. Extensive professional restoration (including tear seals and color touch) has made this an extremely attractive copy. Centerfold is detached. Cover art by Louis Glanzman, who went on to become a famous illustrator. Overstreet 2007 GD 2.0 value = $225; VG 4.0 value = $450; FN 6.0 value = $675; VF 8.0 value = $1,406.
Doll Man Quarterly #8 (Quality, 1946) CGC FN/VF 7.0 Cream to off-white pages. Lots of highlights in this issue, the most important of which is the first appearance of Torchy by Bill Ward. But wait! That's not all! You also get an Al Bryant cover, lingerie and hypodermic needle panels, and the ever popular injury to eye panel! Act now and we'll throw in the Ginsu knife! Overstreet 2007 FN 6.0 value = $492; VF 8.0 value = $1,025. CGC census 1/08: 2 in 7.0, 6 higher.
Platinum Age (1897-1937)
Donald Duck #978 (Whitman Publishing Co., 1935) Condition: VF/NM. This is the nicest copy we've seen of an item that's almost always found with smudging, soiling, color loss etc. This one has great colors and pages; some rust spots on the staples were the only reason we did not assign this a Near Mint grade. This linen-like illustrated text story book is considered to be the first to star Donald Duck. He appears here with Mickey Mouse's nephews in a scene reminiscent of his film debut, "The Wise Little Hen." Overstreet 2007 VF/NM 9.0 value = $3,038; NM- 9.2 value = $4,200.
Golden Age (1938-1955)
Double Action Comics #2 (DC, 1940) CGC Apparent FN- 5.5 Slight (P) Off-white to white pages. One of the few comics on Overstreet's Top 100 Golden Age books list that we had never offered before, this Gerber "10" was named one of the 20 rarest Golden Age books by Comic Book Marketplace (a list that included ashcans and the like). Note that this isn't an ashcan, though it's a book that surely had very limited distribution -- Overstreet puts the count at seven known copies, and five appear on the CGC census as of this writing. No issue #1 was distributed, though rumor has it that #1 exists as an ashcan (while the Overstreet Guide asserts this as fact, we have never laid eyes on a copy of #1). The contents are black and white, and it's fair to assume that this represented an experiment to see if a black-and-white comic would sell. The content is all pre-Action #1 DC fare (including Siegel and Shuster's Dr. Occult in two stories reprinted from different issues of More Fun Comics), and you'll recognize the cover as the image used on Adventure Comics #37 which came out the previous year. This is a 64-pager like other DCs of the day (despite the "double" in the title), and of course the similarity of the title to that of DC's flagship series leads to all sorts of intriguing speculation. The definitive history of this one-shot has yet to be written, but in any case, some very advanced Golden Age DC collectors have yet to secure this book, and we anticipate high demand and plenty of bidder competition. CGC notes, "Restoration includes: spine splits sealed to cover, tear seals to cover, cover reinforced." Overstreet 2007 FN 6.0 value = $4,500.
Double Comics 1941 White Flash Cover (Elliot, 1941) CGC FN+ 6.5 Off-white to white pages. This 128-page oddity was issued with a variety of covers. Overstreet lists three "known" covers for 1941, and this White Flash cover by Malcolm Kildale is a fourth. The interior includes remaindered copies of Daredevil Comics #4 and Weird Comics #17. Overstreet 2007 FN 6.0 value = $483; VF 8.0 value = $1,006 (note that Overstreet says "The actual contents would have to determine its price... value would be approximately 50 percent of contents," so we'll note that half the Guide value of the Daredevil and Weird would be $366 in FN and $763 in VF). CGC census 12/07: 1 in 6.5, 4 higher.
Down with Crime #7 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. An amazing copy of the last issue of this infamous title, which garnered many an appearance in the Parade of Pleasure study. A striking cover from an unknown artist wraps this pedigreed prize. Overstreet 2007 NM- 9.2 value = $150. CGC census 1/08: 2 in 9.4, none higher.
Fairy Tale Parade #1 (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. Among Walt Kelly's comic book work done for Dell in the early 1940s, his adaptations of classic fairy tales remain fan favorites, and high-grade copies like this are always in demand. A look at the current CGC census for this first issue shows no higher graded copies. Overstreet 2007 NM- 9.2 value = $2100. CGC census 1/08: 3 in 9.2, none higher. From the Collectors Bookstore Archives.
Platinum Age (1897-1937)
Famous Funnies (Series 1) #1 (Eastern Color, 1934) CGC GD 2.0 Light tan to off-white pages. The first comic book actually sold to the public is now one of the steepest challenges for the comic book collector! Comic Book Marketplace estimated that perhaps ten copies exist, and only four appear on CGC's census as of this writing. The print run was said to be just 35,000 -- if you compare that to Superman #1's million-copy print run and think how difficult that book is to find, the true challenge of securing one of these becomes clear. Indeed, we at Heritage hadn't had the privilege to offer one before now. This scarcity is one reason why the issue is ranked #40 on Overstreet's list of the top Golden Age books, and it would be higher if a value above VF were listed. Hoping to find a high-grade copy strikes us as sheer folly: the only unrestored copy certified with a higher grade by CGC is itself a low-grade specimen at 3.0. As mentioned above, this is the first comic book to be sold to the public, all previous ones were giveaways! And while the notation on the CGC slab calls this a newsstand comic book, our understanding is that it was only distributed through department stores. At 10 cents for 64 interior pages, this was the prototype for all comics that followed, and an extremely desirable item in any grade. CGC notes, "Cover detached." Overstreet 2007 GD 2.0 value = $4,058. CGC census 12/07: 1 in 2.0, 1 higher.
Famous Funnies #1 (Eastern Color, 1934) CGC Apparent FN+ 6.5 Moderate (P) Off-white pages. This was the first comic book sold to the general public through newsstand distribution! To recap the evolution of the modern-format comic magazine: this comic's predecessors Funnies On Parade, Famous Funnies: A Carnival Of Comics, and a couple of other one-shots were giveaway premiums, the success of which indicated that there might be reader demand for the format. Then came Famous Funnies, Series 1, which was sold to the general public through chain stores. The new format having passed those tests, Eastern Color brought out this first issue of a monthly newsstand series. It would run for over twenty years. Like all early comic books, this contained comic strip reprints -- the featured characters included Mutt and Jeff, Tailspin Tommy, and Joe Palooka (at the time, some naysayers wondered why anyone would pay 10 cents for the same strips they had already read for free in the newspapers). This issue is a Gerber "9" or "Very Rare," and indeed, we've offered copies on only two previous occasions. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened. (Bottom edge of cover trimmed)." Overstreet 2007 GD 2.0 value = $3,043; VG 4.0 value= $6,086; FN 6.0 value = $9,129; VF 8.0 value = $22,000.
Famous Funnies #3 (Eastern Color, 1934) CGC Apparent FN/VF 7.0 Moderate (P) Cream to off-white pages. Four years before Action Comics #1 officially launched the Golden Age of Comics, this title was paving the way. In the third issue, Buck Rogers made his first ever comic book appearance. As you would expect, a copy in any condition is difficult to come by, and The Photo-Journal Guide to Comic Books rates this one "rare". The highest Universal grade CGC has handed out to date is FN+ 6.5; this one's got the highest Apparent grade. Overstreet doesn't even bother listing values for grades above VF 8.0. Nab it while you can! CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2007 GD 2.0 value = $800; VG 4.0 value = $1,600; FN 6.0 value = $2,400; VF 8.0 value = $6,000.
Golden Age (1938-1955)
Famous Funnies #212 (Eastern Color, 1954) CGC VF+ 8.5 Cream to off-white pages. Frank Frazetta drawing Buck Rogers, what a magical combination! And it's worth mentioning that the three copies graded higher are all just half a notch above this one at 9.0. CGC notes, "Light tanning [at] edges [of] interior front and back cover." Overstreet 2007 VF 8.0 value = $738; VF/NM 9.0 value = $1,194. CGC census 1/08: 2 in 8.5, 3 higher.
Platinum Age (1897-1937)
Famous Funnies: A Carnival of Comics #nn (Eastern Color, 1933) CGC FN- 5.5 Cream pages. Considered the second-ever comic book, it was distributed as a premium and as a giveaway in 1933. Comic publishing pioneer M. C. Gaines sold the comic to Wheatena, Malt-O-Milk, John Wanamaker, Kinney Shoe Stores, and others for promotional purposes. What a concept! The book consisted of strip reprints of The Bungle Family, Dixie Dugan, Hairbreadth Harry, Joe Palooka, Keeping Up With the Joneses, Mutt & Jeff, Reg'lar Fellers, S'Matter Pop, Strange As It Seems, and others. A vital part of comic book history! Overstreet 2007 FN 6.0 value = $2,400. CGC census 11/07: 4 in 5.5, 10 higher.
Golden Age (1938-1955)
Fantastic Comics #1 (Fox, 1939) CGC FN 6.0 Cream to off-white pages. Lou Fine... end of description. Seriously, one of the most collectible Golden Age artists drew this issue's cover, and this is one of the nicest copies we've encountered of this issue. Overstreet 2007 FN 6.0 value = $1,413. CGC census 12/07: 4 in 6.0, 2 higher.
Platinum Age (1897-1937)
Feature Books #nn Dick Tracy (David McKay, 1937) Condition: Apparent VF. Considered the first Dick Tracy comic book, this historic, 100-page issue is an extremely tough find, rating an Overstreet "very rare" and a Gerber "unique", a rating reserved for issues of which it is thought five or less copies exist at all. It's hard to imagine a nicer looking copy; this one has bright, vibrant cover colors and nice cream to off-white pages. A true Platinum Age treasure! The professional restoration is Moderate and includes a reinforced spine, color touch, and pieces added. Overstreet 2007 GD 2.0 value = $853; VG 4.0 value = $1,706; FN 6.0 value = $2,559; VF 8.0 value = $5,971.
Golden Age (1938-1955)
First Love Illustrated File Copies Group (Harvey, 1949-63) Condition: Average VF/NM. This large selection (almost half the series) of file copies includes First Love #2, #3 ("I Was Too Fat to Be Loved" story), 4, 7-10, 18-29, #30 (lingerie panel), 31-34, #35 (featured in Seduction of the Innocent), 37, #38 (Howard Nostrand art), 39-46, 83-86, #87 (Joe Orlando cover), 89, and 90. All are in excellent condition. Many feature art by Bob Powell. Approximate Overstreet value for group = $2,000.
Flash Comics #3 (DC, 1940) CGC VG 4.0 Cream to off-white pages. How many unrestored copies of this issue exist? Well, CGC has certified all of two as of this writing! And this copy presents quite well for a VG thanks to very nice colors. This issue has the first appearance of "King" Standish -- the master of disguise would be a regular in the series for several years to come. On the Flash front, this is the first time that the character's longtime artist E. E. Hibbard drew the titular Scarlet Speedster. Hawkman and Johnny Thunder also appear. Sheldon Moldoff is the cover artist. CGC notes, "Small piece of paper attached to last page, slightly affects story." Overstreet 2007 VG 4.0 value = $1,058. CGC census 1/08: 1 in 4.0, 1 higher.
Flash Comics #11 (DC, 1940) CGC VF+ 8.5 Off-white to white pages. If you thought the DC gorilla covers began in the Silver Age, think again! Sheldon Moldoff drew this beaut and also provided interior art for this issue. The cover is bursting with color on this extraordinary copy, which CGC certified just a half-notch below the highest grade (9.0) awarded to date for a #11. Overstreet 2007 VF 8.0 value = $1,363; VF/NM 9.0 value = $2,207. CGC census 1/08: 3 in 8.5, 3 higher.
Flash Comics #36 (DC, 1942) CGC NM- 9.2 Off-white pages. If you're looking for a CGC-certified copy of this issue that grades higher than FN+ 6.5, your search starts and ends right here! It's the only one in CGC's current census! That's a fact, Jack, as are these: this issue has the first appearance of Rag Doll, and interior art is furnished by the likes of E. E. Hibbard, Jon Blummer, and Sheldon Moldoff. Overstreet 2007 NM- 9.2 value = $1,560. CGC census 1/08: 1 in 9.2, none higher.
Flash Comics #54 (DC, 1944) CGC NM- 9.2 White pages. Martin Naydel provided a trippy cover for this issue, as well as drawing the interior art for the Flash story inside. (The CGC notes erroneously list Martin Nodell.) Other features include Johnny Thunder, the Ghost Patrol, the Whip, and a Hawkman story with art by Sheldon Moldoff. A superb copy. As of this writing, only the Mile High copy has been graded higher by CGC. Overstreet 2007 NM- 9.2 value = $1,225. CGC census 1/08: 1 in 9.2, 1 higher.
Flash Comics #59 Davis Crippen ("D" Copy) pedigree (DC, 1944) CGC VF/NM 9.0 Off-white to white pages. The fellow playing the tune on this surreal Sheldon Moldoff cover is the Pied Piper, who makes his first appearance in this issue (and who is not to be confused with the Pied Piper from the Flash's rogues' gallery). The Hawkman story also has Moldoff art. Other features include the Flash and Johnny Thunder, as well as the last "Minute Movies" feature to appear in the title after a lengthy run. Overstreet 2007 VF/NM 9.0 value = $888; NM- 9.2 value = $1,225. CGC census 1/08: 1 in 9.0, 1 higher.
Flash Comics #69 (DC, 1946) CGC VF+ 8.5 Off-white pages. E. E. Hibbard cover. Art by Hibbard and Joe Kubert. Overstreet 2007 VF 8.0 value = $488; VF/NM 9.0 value = $787. CGC census 1/08: 1 in 8.5, 1 higher.
Flash Comics #75 (DC, 1946) CGC VF+ 8.5 Off-white pages. This high grade copy ranks as one of the nicest that CGC has certified to date of #75. Joe Kubert provided the cover and also contributed interior art, along with E. E. Hibbard. Overstreet 2007 VF 8.0 value = $488; VF/NM 9.0 value = $787. CGC census 1/08: 1 in 8.5, 2 higher.
Flash Comics #77 (DC, 1946) CGC VF+ 8.5 Off-white pages. High grade copies of this issue are scarce -- just three copies have been certified by CGC to date nicer than VF- 7.5. Chet Kozlak did the cover here. Kozlak and E. E. Hibbard contributed interior art. Overstreet 2007 VF 8.0 value = $488; VF/NM 9.0 value = $787. CGC census 1/08: 1 in 8.5, 2 higher.
Flash Comics #78 Diamond Run pedigree (DC, 1946) CGC FN/VF 7.0 Off-white pages. E. E. Hibbard cover and art. Overstreet 2007 FN 6.0 value = $234; VF 8.0 value = $488. CGC census 11/07: 3 in 7.0, 4 higher.
Flash Comics #83 (DC, 1947) CGC VF+ 8.5 Off-white pages. Still don't have a high-grade copy of the Golden Age title? There's not that many out there, but this one certainly qualifies! Joe Kubert provided cover and story art. Overstreet 2007 VF 8.0 value = $488; VF/NM 9.0 value = $787. CGC census 1/08: 1 in 8.5, 2 higher.
Four Color #9 Donald Duck - File Copy (Dell, 1942) CGC FN 6.0 Cream to off-white pages. "Donald Duck Finds Pirate Gold" is also the first Donald story drawn by Carl Barks, and not only that, it has been called "the first originally created and drawn funny animal adventure comic book." The "Western Publishing" stamp on the front cover lends this particular copy added cachet! Overstreet 2007 FN 6.0 value = $2,595. CGC census 1/08: 2 in 6.0, 20 higher.
Four Color #9 Donald Duck (Dell, 1942) CGC GD+ 2.5 Off-white pages. "Pirate Gold" was a milestone in comic history because it was the first time Donald Duck was drawn by Carl Barks. Nephews Huey, Dewey, and Louie appear. Overstreet 2007 GD 2.0 value = $865. CGC census 1/08: 1 in 2.5, 42 higher.
Four Color #13 Mr. District Attorney (Dell, 1942) CGC NM- 9.2 Cream to off-white pages. One of the few early Four Color features based on a radio show rather than a newspaper strip or cartoon. Featuring cover art by Jim Chambers. Overstreet 2007 NM- 9.2 value = $500. CGC census 11/07: 1 in 9.2, 1 higher.
Four Color #29 Donald Duck (Dell, 1943) CGC VG/FN 5.0 Cream to off-white pages. "Donald Duck and the Mummy's Ring" was the next Donald adventure Carl Barks drew after the famous "Donald Duck Finds Pirate Gold." The cover is by Barks as well. While CGC didn't certify this one as a file copy, note that "file copy" is written on the front cover. Overstreet 2007 VG 4.0 value = $1,190; FN 6.0 value = $1,785. CGC census 1/08: 4 in 5.0, 7 higher.
Four Color #45 Raggedy Ann - Davis Crippen ("D" Copy) pedigree (Dell, 1944) CGC NM 9.4 Cream to off-white pages. The third starring appearance in this title for the beloved children's character. The Crippen Copy is the finest known. Overstreet 2007 NM- 9.2 value = $550. CGC census 1/08: 1 in 9.4, none higher. From the Keith Marlow Collection.
Four Color #62 Donald Duck (Dell, 1945) CGC VF+ 8.5 Off-white to white pages. Donald's fourth appearance in this title, and the third where he's drawn by Carl Barks, here in "Frozen Gold." This Carl Barks masterpiece is one of the most prized Walt Disney comics. Only a 9.0 copy and a 9.2 copy rank higher in CGC's current census. Overstreet 2007 VF 8.0 value = $1,593; VF/NM 9.0 value = $2,797. CGC census 1/08: 4 in 8.5, 2 higher.
Four Color #96 Dick Tracy - Crowley Copy pedigree (Dell, 1946) CGC NM 9.4 White pages. Gorgeous copy from Wendell Crowley's stash has earned the highest grade yet from CGC for this issue, the seventh in this title's run to feature everyone's favorite crimefighting Dick. Overstreet 2007 NM- 9.2 value = $440. CGC census 1/08: 4 in 9.4, none higher.
Four Color #97 Little Lulu - File Copy (Dell, 1946) CGC VF+ 8.5 Off-white to white pages. The second Little Lulu comic book came eight months after the first, also part of the Four Color series. This is but a whisker away from being the finest copy CGC has certified to date of the issue. John Stanley cover and interior art. Overstreet 2007 VF 8.0 value = $408; VF/NM 9.0 value = $692. CGC census 12/07: 1 in 8.5, 1 higher.
Four Color #105 Albert the Alligator and Pogo Possum (Dell, 1946) CGC VF+ 8.5 Off-white pages. Walt Kelly's politically-minded possum and his swamp-critter pals take center stage in this issue, after a run of featured appearances in Animal Comics. Overstreet 2007 VF 8.0 value = $468; VF/NM 9.0 value = $809. CGC census 1/08: 1 in 8.5, 2 higher.
Four Color #147 Donald Duck - File Copy (Dell, 1947) CGC VF 8.0 Off-white pages. Features Donald Duck in "Volcano Valley" with Huey, Dewey, and Louie. Carl Barks provided the story and interior art; Carl Von Buettner the cover. Overstreet 2007 VF 8.0 value = $765. CGC census 11/07: 6 in 8.0, 13 higher.
Four Color #159 Donald Duck (Dell, 1947) CGC VF 8.0 Off-white pages. It's Donald and nephews Huey, Dewey, and Louie in "Ghost of the Grotto" by Carl Barks (story and interior art). Carl Von Buettner did the cover, which really shines on this high-grade copy. Overstreet 2007 VF 8.0 value = $689. CGC census 1/08: 5 in 8.0, 9 higher.
Four Color #159 Donald Duck (Dell, 1947) CGC FN/VF 7.0 Off-white to white pages. Donald and nephews Huey, Dewey, and Louie in "Ghost of the Grotto" by Carl Barks (story and art). Carl Von Buettner cover. Overstreet 2007 FN 6.0 value = $243; VF 8.0 value = $689. CGC census 1/08: ★ 7 in 7.0, 21 higher.
Four Color #178 Donald Duck (Dell, 1947) CGC VF/NM 9.0 Off-white pages. Pretty copy sports one of the highest grades CGC has awarded to date for this issue, which features Donald Duck in "Christmas on Bear Mountain." What makes this book extra special is the first appearance of Uncle Scrooge. Mickey Mouse and Goofy also appear, and the "good duck artist" Carl Barks provided the story and interior art. Dan Gormley contributed the cover. Overstreet 2007 VF/NM 9.0 value = $1,651; NM- 9.2 value = $2,350. CGC census 1/08: 4 in 9.0, 3 higher.
Four Color #189 Donald Duck (Dell, 1948) CGC VF+ 8.5 Off-white pages. The highest-graded copy of any of Carl Barks' Donald Duck comics is bound to be a high-demand item... witness the other 8.5 copy, which fetched $4,780 in a Heritage auction last year. "The Old Castle's Secret" is the story here. Overstreet 2007 VF 8.0 value = $570; VF/NM 9.0 value = $985. CGC census 1/08: 2 in 8.5, none higher.
Four Color #199 Donald Duck (Dell, 1948) CGC VF/NM 9.0 Cream to off-white pages. The Four Color appearances by Donald Duck starting in 1940 are some of the most in-demand issues in the title's long run. The feature here is "Sheriff of Bullet Valley" by Carl Barks, who draws himself on a wanted poster on the last page. Overstreet 2007 VF/NM 9.0 value = $1,090; NM- 9.2 value = $1,550. CGC census 1/08: 2 in 9.0, 3 higher.
Four Color #203 Donald Duck (Dell, 1948) CGC VF+ 8.5 Cream to off-white pages. "The Golden Christmas Tree" is the title of Carl Barks' story. With VF-and-up copies tough to come by, we expect this one to sell for quite a bit more than the Guide value. Overstreet 2007 VF 8.0 value = $425; VF/NM 9.0 value = $738. CGC census 1/08: 1 in 8.5, 2 higher.
Four Color #238 Donald Duck (Dell, 1949) CGC NM- 9.2 Cream to off-white pages. This is the nicest copy we've seen of this early Uncle Scrooge appearance (his third). "Voodoo Hoodoo" is the tale, Bombie the Zombie is the most memorable character. This is one of Carl Barks' more famous Duck stories, as it was banned from being reprinted for years because of some politically incorrect elements (which are peripheral to the main story). The reprints that do exist have made minor changes to Barks' original. Overstreet 2007 NM- 9.2 value = $1,050. CGC census 1/08: 1 in 9.2, 2 higher.
Four Color #318 Donald Duck (Dell, 1951) CGC NM- 9.2 Off-white pages. This copy comes oh-so-close to the nicest (2 copies at 9.4) that CGC has certified to date. The feature story is Donald and the nephews in "No Such Varmint" with story and art by Carl Barks. Overstreet 2007 NM- 9.2 value = $715. CGC census 1/08: 1 in 9.2, 2 higher.
Four Color #367 Donald Duck (Dell, 1952) CGC VF/NM 9.0 Off-white pages. Donald Duck and his nephews in "A Christmas for Shacktown" has cover and interior art by Carl Barks, with the added attraction of the Christmas motif, always a collectible winner. And we've offered this issue on fewer occasions than even some of the earlier Four Color issues featuring Donald. Overstreet 2007 VF/NM 9.0 value = $417; NM- 9.2 value = $585. CGC census 1/08: 1 in 9.0, 2 higher.
Four Color #386 Uncle Scrooge File Copy (Dell, 1952) CGC FN/VF 7.0 Off-white pages. Here's a real fan-favorite -- "Only A Poor Old Man," the classic first Uncle Scrooge solo comic, written and drawn by Carl Barks. This first-issue cover is a doozy -- can you imagine a lake bed 20 feet deep, full of coins and currency? Only in Uncle Scrooge's world! Overstreet 2007 FN 6.0 value = $342; VF 8.0 value = $969. CGC census 11/07: 6 in 7.0, 37 higher.
Four Color #408 Donald Duck and the Golden Helmet (Dell, 1952) CGC VF/NM 9.0 Off-white to white pages. Only one 9.2 and one 9.4 top this one on CGC's census. Carl Barks is the writer/artist. Overstreet 2007 VF/NM 9.0 value = $417; NM- 9.2 value = $585. CGC census 1/08: 6 in 9.0, 2 higher.
Four Color #422 Donald Duck (Dell, 1952) CGC NM 9.4 Off-white pages. When we auctioned the other 9.4 copy of "Donald Duck and The Gilded Man" a while back, the winning bid was $5,676. Here's another chance to get one of the two NM specimens. This memorable Carl Barks issue has Donald and his nephews meeting El Dorado in an adventure that begins as the quest for a rare stamp. Overstreet 2007 NM- 9.2 value = $585. CGC census 1/08: 2 in 9.4, none higher.
Four Color #495 Uncle Scrooge (Dell, 1953) CGC VF 8.0 Off-white pages. Carl Barks story, cover, and art keeps this issue, the third devoted to Uncle Scrooge, in high demand. Overstreet 2007 VF 8.0 value = $376. CGC census 12/07: 1 in 8.0, 5 higher.
Four Color #596 Turok (Dell, 1954) CGC VF 8.0 Off-white to white pages. Turok's first appearance is one of the most valuable 1950s Four Colors, and it's no wonder because the character went on to enjoy a long and much-collected series of his own. Overstreet 2007 VF 8.0 value = $425. CGC census 1/08: 4 in 8.0, 4 higher. From the Toronto Collection.
Platinum Age (1897-1937)
The Funnies #1 (Dell, 1936) CGC VG+ 4.5 Cream to off-white pages. This historic issue not only was one of the first by Dell, it featured the first comic book appearances of Alley Oop, Captain Easy, Mutt & Jeff, and Tailspin Tommy. Other famous comic strip characters were also featured in the issue, a Gerber "7" or "scarce" book. Even at this grade, it's difficult to find a nicer copy! Overstreet 2007 VG 4.0 value = $766. CGC census 1/08: 1 in 4.5, 5 higher.
Golden Age (1938-1955)
The Funnies #58 (Dell, 1941) CGC VF- 7.5 Off-white to white pages. Captain Midnight, a character made famous via radio broadcasts, makes his first cover appearance in this issue, his second ever comic book appearance. Dan Gormley did the cover. Overstreet 2007 VF 8.0 value = $625. CGC census 1/08: 1 in 7.5, 3 higher.
Funny Pages V3#7 (Centaur, 1939) CGC Apparent FN/VF 7.0 Slight (A) Off-white to white pages. Only issue V2#10, which featured the first appearance of the Arrow, is more valuable in this title's 42-issue run. This one has the first Arrow cover (a bondage one at that!), as provided by Paul Gustavson, who also contributed interior art. The Photo-Journal Guide to Comic Books rates every single issue of this title "uncommon", "scarce", or "rare". This issue is rated "scarce". CGC notes, "Restoration includes: small amount of color touch on cover, spine split sealed to cover, glue on spine of cover." Overstreet 2007 GD 2.0 value = $257; VG 4.0 value = $514; FN 6.0 value = $771; VF 8.0 value = $1,606.
Gang Busters #1-67 Complete Run Group (DC, 1947-59). This series, based on the popular radio program, was one of DC's few attempts to break into the then-hot Crime comics trend of the post-war forties. It lasted all through the fifties as well, outliving the radio show (which ended in 1957), and a short-lived TV version as well. This title is not an easy one to complete, so we've done it for you; the condition of the books ranges from GD up to FN, with most in the VG+ range. Artists include Frank Frazetta, Jack Kirby, Dan Barry, Mort Drucker, and others. Approximate Overstreet value for group = $5,000.
Gene Autry Comics #2 File Copy (Fawcett, 1942) CGC NM 9.4 Off-white pages. Gene never looked better than on this Till Goodan grey tone cover. Helping matters a great deal is the remarkable condition of this publisher's file copy, which is currently sitting at the top of the CGC census report for issue #2. Overstreet 2007 NM- 9.2 value = $2,350. CGC census 1/08: 1 in 9.4, none higher.
Gene Autry Comics #4 (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. Gene rescues a child from a fire in this dramatic and colorful cover. We don't wish to argue with our friends at CGC, but this superb copy looks a lot better than the assigned grade, at least to our eyes! Overstreet 2007 VF 8.0 value = $663; VF/NM 9.0 value = $1,074. CGC census 1/08: 1 in 8.5, 1 higher.
Gene Autry Comics #6 Mile High pedigree (Fawcett, 1943) CGC NM+ 9.6 Off-white to white pages. This copy has the page quality, bright inks, and sharp corners that we have come to expect from this seminal pedigree. From the first Fawcett series (these issues are much more difficult to find than books from the Dell series), the cover is by Till Goodan. Overstreet 2007 NM- 9.2 value = $1,185. CGC census 1/08: 1 in 9.6, none higher.
Gene Autry Comics #6 Crowley pedigree (Fawcett, 1943) CGC VF+ 8.5 Off-white pages. He's back in the saddle again, pals -- and looking good, too! Only one other copy tops this one in the current CGC census. Overstreet 2007 VF 8.0 value = $531; VF/NM 9.0 value = $858. CGC census 1/08: 2 in 8.5, 1 higher.
Gene Autry Comics #7 (Fawcett, 1943) CGC VF 8.0 Cream to off-white pages. A colorful, action-packed Till Goodan cover graces this seventh Fawcett issue. Overstreet 2007 VF 8.0 value = $531. CGC census 1/08: 1 in 8.0, 1 higher.
Gene Autry Comics #8 Mile High copy (Fawcett, 1943) CGC NM 9.4 White pages. This issue's Jim Chambers cover shows the star crooning his signature tune, "Back in the Saddle Again" -- to a gang of trussed up baddies, no less. This sweet Mile High copy exhibits sharp corners and plenty of eye appeal, and is the highest-graded copy certified by CGC to date. Overstreet 2007 NM- 9.2 value = $1,185. CGC census 1/08: 1 in 9.4, none higher.
Gene Autry Comics #9 Crowley Copy pedigree (Fawcett, 1943) CGC FN/VF 7.0 Cream to off-white pages. This was the penultimate issue in the 10-issue Fawcett series, all of which are more uncommon than those from the Dell series that began later in 1943. This attractive pedigreed issue boasts sharp corners and vibrant color. The cover is by Jim Chambers. Overstreet 2007 FN 6.0 value = $255; VF 8.0 value = $531. CGC census 1/08: 2 in 7.0, 2 higher.
Gene Autry Comics #10 (Fawcett, 1943) CGC VF/NM 9.0 Off-white to white pages. This was the final issue of the Fawcett series, though Gene would continue his exploits for another decade and a half over at Dell. Cover by Till Goodan. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 VF/NM 9.0 value = $858; NM- 9.2 value = $1,185. CGC census 1/08: 1 in 9.0, none higher.
Gene Autry Comics #15 (Dell, 1948) CGC NM 9.4 Off-white to white pages. Beautiful copy that's surprisingly not from one of the famous pedigrees. Photo front and back covers of "The Singing Cowboy" doing what he does best -- singing and playing his gee-tar on one, disarming a bad guy on the other. Overstreet 2007 NM- 9.2 value = $225. CGC census 1/08: 2 in 9.4, 1 higher.
Green Lantern #1 Double Cover (DC, 1941) CGC VF/NM 9.0 Cream to off-white pages. This issue is listed among the 20 most valuable comic books by Overstreet, and no copy of the issue has been graded higher by CGC as of this writing. Green Lantern had earned his own book after a successful run in All-American Comics, and this issue was really the start of something big - except for taking the 1950s off, as did just about every superhero, Green Lantern has been in near-continuous publication from the 1940s through the present day. This issue's story retells the origin of Alan Scott, the Golden Age bearer of the ring. The book features a cover by Howard Purcell and interior art by GL's creator Martin Nodell, with stories by Bill Finger. The issue is a Gerber "7." CGC notes, "1st cover 7.0, interior cover 9.0." Overstreet 2007 VF/NM 9.0 value = $38,000; NM- 9.2 value = $59,000. CGC census 1/08: 4 in 9.0, none higher.
Green Lantern #1 (DC, 1941) CGC FN/VF 7.0 Off-white pages. The origin of the Golden Age Green Lantern is retold in the title's premiere issue. Like GL's other vehicle, All-American Comics, the early issues of this title are tough finds. This one rates a Gerber "scarce". One of comics most iconic covers (Overstreet deems it a "classic") is courtesy of Howard Purcell, and this is one of the nicer representations around, ranking high in CGC's census at FN/VF. Martin Nodell contributed interior artwork. Overstreet 2007 FN 6.0 value = $8,850; VF 8.0 value = $22,000. CGC census 11/07: 5 in 7.0, 7 higher.
Green Lantern #5 (DC, 1942) Condition: FN+. The original Golden Age Green Lantern gets involved in a World War II adventure that takes him to the mysterious Middle East, in this action-packed four-part story. Irwin Hasen contributed the cover, while Marty Nodell handled the interior art chores. This attractive "raw" copy has a cover overhang that kept CGC from slabbing it, but the page quality is a nice, supple, light cream to off-white, and the cover colors remain brilliant. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,875.
Green Lantern #26 (DC, 1947) CGC VF+ 8.5 Off-white pages. This is a notoriously tough title to collect in high grade, but here's one for you, one of the nicest copies of #26 that CGC has certified to date. The dynamic cover is by Irwin Hasen, who also furnished interior art, as did Howard Purcell. Overstreet 2007 VF 8.0 value = $738; VF/NM 9.0 value = $1,194. CGC census 2/08: 3 in 8.5, 4 higher.
Haunt of Fear #16 (#2) Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Significant among the early New Trend issues in that it featured the first appearance of the Old Witch. Eye-popping colors fully accentuate the Johnny Craig cover, thanks to this superb Gaines File copy. Craig, Graham Ingels, Wally Wood, and Jack Kamen art. While CGC has certified this as from the Gaines Files, a certificate does not accompany the book. Overstreet 2007 NM- 9.2 value = $1,960. CGC census 1/08: 2 in 9.6, 6 higher.
Hi-School Romance #25 and 34-75 File Copies Group (Harvey, 1954-58) Condition: Average VF/NM. A great selection of file copies of the Harvey romance title. Included are #25, 34, 35, #36 (last pre-Code issue), 37-72, #73 (Jack Kirby cover), 74, and 75. All are in great condition, and most feature art by the inimitable Bob Powell. Approximate Overstreet value for group = $1,200.
Hit Comics #1 (Quality, 1940) CGC VF+ 8.5 Off-white to white pages. Here's the finest known copy of the first issue of one of Quality's earliest titles. The next highest graded copy in CGC's census is far back at FN+ 6.5! For its first glorious 14 issues, this title boasted distinctive covers by Golden Age great Lou Fine. Inside was the origin and first appearances of Hercules and Neon the Unknown, plus the first appearances of Red Bee, X-5 Super Agent, and Blaze Barton. Interior artists included Klaus Nordling, Dan Zolnerowich, Charles Sultan, and Alex Blum. Overstreet 2007 VF 8.0 value = $4,613; VF/NM 9.0 value = $7,907. CGC census 1/08: 1 in 8.5, none higher.
Hopalong Cassidy #1 Vancouver pedigree (Fawcett, 1943) CGC NM- 9.2 Off-white to white pages. One of the most successful Western comics ever published, Hopalong Cassidy enjoyed a 16-year run, first under the Fawcett flag and then later at DC. Captain Marvel makes an appearance on the cover, sporting a ten-gallon hat, to boot! Tough to find in any grade, let alone one this gorgeous -- it's the highest graded copy of this issue certified CGC to date, even outscoring its Mile High counterpart! Overstreet 2007 NM- 9.2 value = $8,200. CGC census 1/08: 1 in 9.2, none higher.
Hot Rod Comics #6 Crowley Copy pedigree (Fawcett, 1952) CGC NM+ 9.6 Off-white to white pages. One of the nicest copies known of this early issue, which had Bob Powell cover and interior art. Overstreet 2007 NM- 9.2 value = $145. CGC census 1/08: 1 in 9.6, 1 higher.
House of Mystery #1 (DC, 1952) CGC FN- 5.5 White pages. This issue is considered to be the first DC horror comic. An eerie Win Mortimer lycanthrope cover dresses the book. Curt Swan and Bob Brown art adorn the interior. Overstreet 2007 FN 6.0 value = $729. CGC census 1/08: 4 in 5.5, 17 higher.
Howdy Doody #1 File Copy (Dell, 1950) CGC NM 9.4 Cream to off-white pages. The television star debuts in his very own comic book. This first issue sports a photo cover of the children's favorite star and the back cover sports a group portrait of the TV show's co-stars. Furthermore, this scarce first issue is also comicdom's first TV comic. This is an exceptional copy of a historic book. Overstreet 2007 NM- 9.2 value = $1,750. CGC census 1/08: 2 in 9.4, none higher.
The Human Torch #2 (#1) (Timely, 1940) CGC Apparent FN+ 6.5 Moderate (P) Off-white to white pages. One of the 20 most valuable Golden Age issues of all, this was the first issue of one of Timely's most legendary titles. The Human Torch and Sub-Mariner had been introduced several months before, but it was this issue that had the origin and first appearance of Toro. The cover's by Alex Schomburg, with Carl Burgos, Bill Everett, Joe Simon, and Al Gabriele contributing interior art. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2007 GD 2.0 value = $2,950; VG 4.0 value = $5,900; FN 6.0 value = $8,850.
The Human Torch #5 (Timely, 1941) CGC VG 4.0 Off-white pages. The later and more valuable of the two issue #5s, this is the one with a Human Torch versus Sub-Mariner battle covering 60 pages. These battles are among the few individual Timely stories that were truly memorable, and topping things off is Alex Schomburg cover art. CGC notes, "Very minor amount of color touch on cover." Overstreet 2007 VG 4.0 value = $1,058. CGC census 12/07: 1 in 4.0, 9 higher.
The Human Torch #36 (Atlas, 1954) CGC FN+ 6.5 Off-white to white pages. It had been 5 years since the previous issue, and the revival of one of Timely's most famous Golden Age titles lasted just 3 issues. Carl Burgos reprised his long tenure on the character with his cover artwork. Inside there was a Sub-Mariner story and art by Bob Powell and Dick Ayers. Only a 7.0 copy has earned a higher grade from CGC for #36 to date. Overstreet 2007 FN 6.0 value = $267; VF 8.0 value = $556. CGC census 1/08: 2 in 6.5, 1 higher. From the Toronto Collection.
The Human Torch #37 (Atlas, 1954) CGC FN/VF 7.0 White pages. Timely veterans Bill Everett (story and story art) and Carl Burgos (cover) were still around when the latter day Timely (Atlas) brought this title back for a few issues in the mid-1950s. The Atlas issues are fairly scarce, especially in nice grades like this. This issue includes a Sub-Mariner story. Overstreet 2007 FN 6.0 value = $267; VF 8.0 value = $556. CGC census 1/08: 2 in 7.0, 3 higher. From the Toronto Collection.
The Human Torch #38 (Atlas, 1954) CGC VF 8.0 Off-white to white pages. Carl Burgos on the cover and Bill Everett contributing interior art offered a classic pairing, reminiscent of the title's original Timely days. This was the last issue of the brief revival of the title, and it featured a Sub-Mariner story. Overstreet 2007 VF 8.0 value = $556. CGC census 1/08: 2 in 8.0, 1 higher. From the Toronto Collection.
Ibis The Invincible #1 (Fawcett, 1943) CGC VF 8.0 Off-white pages. Mac Raboy created the eye-grabbing cover for this issue, which has the origin of Ibis. The cover colors suggest a higher grade on this very appealing copy. Overstreet 2007 VF 8.0 value = $1,431. CGC census 1/08: 2 in 8.0, 3 higher.
Is This Tomorrow - Black and White "Confidential Advance" Variant (Catechetical Guild, 1947) CGC Apparent VF+ 8.5 Slight (A) White pages. "Only two known copies," says Overstreet. And the CGC census only lists two as well. This has somewhat different content than the regular edition of the widely distributed anti-communist comic (and we do mean "widely distributed" -- some four million copies of the color edition were printed). Overstreet says "Contains script and art edited out of the color edition, including one page of extreme violence showing [a] mob nailing a Cardinal to a door... the two black and white copies listed... surfaced in 1979 from the [Catechetical] Guild's old files in St. Paul, Minnesota." The message printed on the cover even states that the comic "contains a number of errors that we are now correcting." The cover message goes on to solicit suggestions regarding distribution as well as how to improve the content. And the back cover message is also tantalizing: it asks for ideas on what might be included in a planned future promotional comic with the working title This Is The Answer, which would have elaborated on the alternative to communism. CGC notes, "Very small amount of color touch on cover. Very small amount of glue on cover." Overstreet 2007 GD 2.0 value = $107; VG 4.0 value = $214; FN 6.0 value = $321; VF 8.0 value = $669; VF/NM 9.0 value = $1,085. From the Robert M. Overstreet Collection.
Jackie Robinson #4 Crowley Copy pedigree (Fawcett, 1950) CGC NM/MT 9.8 Off-white pages. An iconic photographic image of Jackie Robinson, sliding into home plate, fronts this impeccable copy from the Crowley Collection. This book is simply in amazing condition for being almost 60 years old. Overstreet 2007 NM- 9.2 value = $625. CGC census 1/08: 2 in 9.8, none higher.
Jackpot Comics #4 Chicago pedigree (MLJ, 1941) CGC NM- 9.2 Off-white to white pages. Just after Archie made his first appearance in Pep Comics #22, the eternal teenager began a series in this title. Mrs. Grundy is introduced in this issue. Before long Archie and Friends would push MLJ's superheroes right out of the picture, but in this issue the Black Hood, Mr. Justice, and Steel Sterling were going strong. This is the nicest copy of issue #4 that CGC has graded to date. Overstreet 2007 NM- 9.2 value = $6,500. CGC census 1/08: 1 in 9.2, none higher.
Joan of Arc #nn Mile High pedigree (Magazine Enterprises, 1949) CGC NM 9.4 Off-white to white pages. Brilliant front and back photo covers and frontispiece from the movie starring Ingrid Bergman. The Mile High copy smokes the next highest-graded from CGC by 9.4 to 8.5. Issue is also known as A-1 Comics #21. Venerable DC writer Gardner Fox and ACG main artist Ogden Whitney team up for the interior story and art. Overstreet 2007 NM- 9.2 value = $340. CGC census 1/08: 1 in 9.4, none higher.
John Wayne Adventure Comics #2 (Toby Publishing, 1950) CGC NM 9.4 Off-white pages. Photos of "The Duke" in the old West and on the WWII battlefield wrap this beautiful, high grade copy which sports art by Al Williamson and Frank Frazetta. One of the stories is reprinted from Billy the Kid #1. Overstreet 2007 NM- 9.2 value = $1,000. CGC census 1/08: 1 in 9.4, none higher.
Journey Into Mystery #1 (Atlas, 1952) CGC FN/VF 7.0 Cream to off-white pages. One of Timely/Atlas/Marvel's longest-running titles started with this issue, which featured a Russ Heath cover and interior art by Tony DiPreta and Dick Ayers. Just one copy at VF+ 8.5 and two copies at VF- 7.5 have earned higher grades to date from CGC. We've only offered this key issue on three previous occasions. Overstreet 2007 FN 6.0 value = $900; VF 8.0 value = $1,950. CGC census 1/08: 2 in 7.0, 4 higher.
Jumbo Comics #2 (Fiction House, 1938) Condition: FR/GD. Very early Jack Kirby art is just one highlight of this oversized comic, which is called "rare" by Overstreet and assigned a "7" by Gerber. The artist's first comic book work was issue #1, and this second issue is still so early that Kirby wasn't even using the name "Kirby" yet! Here you can see his style shining through on both "The Count of Monte Cristo" (signed "Jack Curtiss") and "The Diary of Dr. Hayward" (signed "Curt Davis"). The origin of Sheena, Queen of the Jungle, is told for the first time in this issue, drawn by ace artist Mort Meskin. There were many other big-name contributors as well, including Bob Kane, who drew multiple gag features, and Dick Briefer, who drew the Hunchback of Notre Dame. Another feature spotlights everyone's favorite dummy, Charlie McCarthy. This oversized monster measures 10.5" x 14.5", and it's printed on alternating red and green paper. The spine is split most of the length of the book; it's an "otherwise VG" copy. It's got a sticker from the "Canadian National Railways News Service." Overstreet 2007 GD 2.0 value = $700.
Jumbo Comics #6 (Fiction House, 1939) Condition: VG. The only other copy of this we had ever seen was the Mile High, and at the time we speculated how many others could possibly exist. We certainly think Gerber was right on with his "9" rating (meaning "very rare... from 6 to 10 still exist). With a February 1939 cover date, this oversized book has early work by Will Eisner, Jerry Iger, Bob Kane, and Dick Briefer. The paper is alternating pink and white (some earlier issues were pink and green). The centerfold is detached at one staple, and there's a one-inch tear at the centerfold. There's a small water stain at lower left that goes through the whole book. Overstreet 2007 VG 4.0 value = $710.
Jungle Comics #8 (Fiction House, 1940) CGC NM 9.4 Off-white to white pages. Oh, how we love our Fiction House issues! And it wasn't just the provocatively posed babes... ok, that was most of it, but what's wrong with that? Especially when a copy is Near Mint, like this gem. Bob Powell provided cover and story art, along with other comic masters George Tuska, Arthur Peddy, H. C. Kiefer, and Charles Sultan. Overstreet 2007 NM- 9.2 value = $1,100. CGC census 1/08: 1 in 9.4, 1 higher.
Keen Detective Funnies #8 (Centaur, 1938) CGC FN+ 6.5 Cream to off-white pages. The index may say #8, but this was actually the first issue of the title, which had supposedly morphed from Detective Picture Stories. Like virtually all of the pre-1940 Centaurs, this one's tough to find, and boasts a Gerber "7" or "scarce" in The Photo-Journal Guide to Comic Books' scarcity index. That rating may be conservative, because this is the one and only copy to be certified by CGC to date, and we've never offered a copy in any grade before. The Clock is the headline story. Overstreet 2007 FN 6.0 value = $717; VF 8.0 value = $1,494. CGC census 1/08: 1 in 6.5, none higher.
Platinum Age (1897-1937)
King Comics #5 (David McKay Publications, 1936) CGC FN+ 6.5 White pages. This is the only copy of the Platinum Age issue that's been certified by CGC to date. The white page quality is really rare for a comic this old. Joe Musial cover. Overstreet 2007 FN 6.0 value = $420; VF 8.0 value = $770. CGC census 1/08: 1 in 6.5, none higher.
Golden Age (1938-1955)
Kite Fun Book #nn Donald Duck (Pacific Gas and Electric Company, 1954) CGC NM+ 9.6 Off-white to white pages. The only copy CGC has certified of the PG&E version to date, this is also the only copy we have ever seen. It's called "scarce" by Overstreet, and appears to be even less common than the "Southern California Edison" version which we've seen on just two occasions (as the names imply, both of these promotional comics were only distributed on the West Coast). A couple of panels of this version are different than the "Edison" version, changed to show the different sponsor. Carl Barks fans have known about this one for a while -- the 1977 Overstreet guide assigned the PG&E version a higher value than the likes of All-American #16 or All-Star #3! Since this changes hands so seldom and "highest-graded" copies of Barks books are so hot right now, this stands as one of the biggest wild cards in the present auction. Overstreet 2007 NM- 9.2 value = $3,000. CGC census 1/08 for the PG&E version: 1 in 9.6, none higher. From the Robert M. Overstreet Collection.
Large Feature Comic (Series I) #1 Dick Tracy (Dell, 1942) Condition: FN+. One of the earliest comics to feature the most famous Dick of all, this is rarely found in such nice condition. We've offered a copy on just two previous occasions, but never a copy nicer than VG. Overstreet 2007 FN 6.0 value = $546; VF 8.0 value = $1,138.
Large Feature Comic (Series I) #11 Dick Tracy - Mile High pedigree (Dell, 1940) Condition: NM. This is in amazing condition for a large-format comic! And while the issue only got a scarcity rating of "6" from Gerber, the only other time we'd seen one is when we sold this same copy previously for $4,370! A word on the provenance: it was previously in the collection of Larry Doucet, a Dick Tracy completist who had the Edgar Church/Mile High copies of most of the key large-format Tracy issues. Overstreet 2007 NM- 9.2 value = $1,175.
Lash LaRue Western #1 Hawkeye pedigree (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. Fawcett scored a coup by gaining the rights to publish the comic book adaptation of this Western hero. Lash's popularity, garnered via a spate of Saturday matinee thrillers, translated into an impressive comic book run of 84 issues over twelve years. Lash and his horse Black Diamond appear on the photo cover to this fine pedigree copy. Overstreet 2007 NM- 9.2 value = $1,550. CGC census 1/08: 3 in 9.4, none higher.
Leading Comics #1 (DC, 1941) CGC VF 8.0 Cream to off-white pages. The Seven Soldiers of Victory -- Green Arrow, Speedy, Crimson Avenger, Vigilante, Silent Knight, and the Star-Spangled Kid and Stripesy -- debuted in this issue of the all-star DC series, designed to highlight its second-tier stars. Variations of the team and its members pop up in DC comics to this day. Often undervalued by Overstreet, this is one of the cheapest DC Golden Age keys. Overstreet 2007 VF 8.0 value = $3,213. CGC census 1/08: 1 in 8.0, 4 higher.
Little Giant Movie Funnies #1 (Centaur, 1938) Condition: VF. This high-grade copy has off-white pages and nice cover colors. A dent near the "M" in "Movie" is the only defect of any consequence here. Note that CGC doesn't encapsulate this series because of its unusual size, it's quite compact at 6 3/4 x 4/12 inches and 132 pages. Gerber gave this Centaur a scarcity rating of "8", and note that it's quite an early Golden Age comic, cover-dated just two months after Action #1. The content consists of Ed Wheelan's "Minute Movies" reprints. Overstreet 2007 VF 8.0 value = $494.
Lone Ranger #6 Mile High pedigree (Dell, 1948) CGC NM+ 9.6 White pages. A stunning Mile High copy with a bright, glossy cover and unmarred spine, edges, and corners. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $315. CGC census 1/08: 1 in 9.6, none higher.
Lone Ranger Comics #1 Poster Variant (Lone Ranger Inc., 1939) CGC FN+ 6.5 Off-white to white pages. This is the second version variant of a promotional book considered the first Western comic devoted to a single character. Overstreet rates this book "rare," and this particular copy is the highest-graded copy certified by CGC to date. CGC notes, "Two inserts glued on," referring to a poster pasted over the centerfold and a smaller one pasted over the back cover, identifying this as the second version variant. Overstreet 2007 FN 6.0 value = $3,200; VF 8.0 value = $7,300. CGC census 2/08: 1 in 6.5, none higher.
Looney Tunes and Merrie Melodies Comics #1 File Copy (Dell, 1941) Condition: GD-. Bugs and Porky welcome you to the first issue of this popular, long-running title. Making their comic book debuts in this issue are Daffy Duck, Elmer Fudd, Mary Jane and Sniffles, and Pat, Patsy, and Pete. The Bugs Bunny story was drawn by early Mickey Mouse artist Win Smith. While this file copy has obviously seen better days, the historical importance of the first issue, combined with the publisher's provenance, makes this one well worth owning. Overstreet 2007 GD 2.0 value = $1,033. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #2 File Copy (Dell, 1941) Condition: FN-. Bugs Bunny plants a wet one on Porky on this issue's second cover -- what's up with that, doc? This Western Publishing file copy comes from the time before the Dell Comics logo appeared on the covers. Other than the non-obtrusive Editorial Department stamp, this is a solid, attractive copy. Overstreet 2007 FN 6.0 value = $465. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #3 (Dell, 1942) Condition: VG+. Walt Kelly joins the Looney Tunes staff for this issue, which features his Kandi the Cave Kid story. Nice mid-grade copy. Overstreet 2007 VG 4.0 value = $224. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #4 File Copy (Dell, 1942) Condition: FN/VF. Walt Kelly art continues in this issue's Kandi the Cave Kid story. The Editorial Department stamp on this Western Publishing file copy is fairly light and non-distracting, and the overall look to this copy is quite pleasing. Overstreet 2007 FN 6.0 value = $336; VF 8.0 value = $952. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #5 (Dell, 1942) Condition: VG. Bugs and Porky share a good laugh on this issue's well-remembered cover. Inside is an important Bugs story, "Bugs Bunny the Super-Duper Rabbit" -- it's the very first funny animal super hero! Walt Kelly's Kandi the Cave Kid also appears. Overstreet 2007 VG 4.0 value = $172. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #6 (Dell, 1942) Condition: VG. Bugs raids Elmer's Victory Garden on this issue's cover. Walt Kelly art continues. Overstreet 2007 VG 4.0 value = $128. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #8 (Dell, 1942) Condition: FN/VF. Walt Kelly's Kandi the Cave Kid continues in this issue. It's one of the few comic book features he did for this title, and the stories have yet to be reprinted. The cover is great, too! Overstreet 2007 FN 6.0 value = $192; VF 8.0 value = $544. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #9 (Dell, 1942) Condition: FN/VF. An unusual painted cover graces this issue. Despite having his signature printed on the cover, Leon Schlesinger did not do the art -- Leon was more of a Warner Brothers CEO than an artist. Overstreet 2007 FN 6.0 value = $150; VF 8.0 value = $413. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #10 (Dell, 1942) Condition: VG-. Porky leads the band on this patriotic Flag cover. Overstreet 2007 VG 4.0 value = $100. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #11 (Dell, 1942) Condition: FN. Walt Kelly's Kandi the Cave Kid continues in this issue. This is a solid, good-looking mid-grade copy. Overstreet 2007 FN 6.0 value = $150. From the Collectors Bookstore Archives.
Looney Tunes and Merrie Melodies Comics #12 (Dell, 1942) Condition: VG/FN. Bugs is headed for a fall on this issue's fun cover. Overstreet 2007 VG 4.0 value = $82; FN 6.0 value = $123. From the Collectors Bookstore Archives.
Mad #1 (EC, 1952) CGC FN+ 6.5 Cream to off-white pages. One of comicdom's milestone issues, it's considered the first satire comic. The brilliant mind of Harvey Kurtzman was the prime force in the early going, but he got considerable help from fellow EC stalwarts Wally Wood, Bill Elder, Jack Davis, and John Severin in the premiere issue, which has increased appreciably in demand in recent years. This copy won't set you back as a Gaines File copy might, and it's a nice copy of the historic issue. Overstreet 2007 FN 6.0 value = $1,272; VF 8.0 value = $3,328. CGC census 1/08: 11 in 6.5, 53 higher.
Mad #4 (EC, 1953) CGC VF/NM 9.0 Cream to off-white pages. This is one of the nicer non-Gaines File copies of #4 around. From its zany, none-too-subtle cover by Harvey Kurtzman, to a Superman parody by Wally Wood and a Jack Davis story famous for its mention of "reefer" (Flob Was a Slob), it was masterful satire in a style all its own. John Severin and Bill Elder also contributed interior art. Overstreet 2007 VF/NM 9.0 value = $924; NM- 9.2 value = $1,250. CGC census 1/08: 4 in 9.0, 11 higher.
Mad #21 Gaines File Copy 3/11 (EC, 1955) CGC NM 9.4 Off-white to white pages. One of the last of the comic-sized issues, this one featured the first appearance of Alfred E. Neuman (see him on the cover?). Art by Bill Elder (Popeye parody), Jack Davis, and Wally Wood only enhances the ability of this awesome Gaines file copy to "drive you... Mad." Overstreet 2007 NM- 9.2 value = $660. CGC census 1/08: 3 in 9.4, 1 higher.
Mad #22 Gaines File Copy 3/12 (EC, 1955) CGC NM 9.4 White pages. Touted as the "special art issue," the Picassoesque cover was by Harvey Kurtzman whose photo also appears. The Interior art was by Bill Elder. This is an excellent copy, hand picked for the publisher's personal files. The vibrant cover colors speak for themselves as well as the crisp corners. Overstreet 2007 NM- 9.2 value = $660. CGC census 1/08: 5 in 9.4, 4 higher.
Manhunt #8 Vancouver pedigree (Magazine Enterprises, 1948) CGC NM 9.4 White pages. The first appearance of Trail Colt and an Undercover Girl story are featured. Fred Guardineer cover and art. This is the finest of just two copies of this issue that have been certified by CGC to date. Overstreet 2007 NM- 9.2 value = $340. CGC census 1/08: 1 in 9.4, none higher.
March of Comics #41 Donald Duck (K. K. Publications, Inc., 1949) CGC VF/NM 9.0 Cream to off-white pages. This copy has a blank space on the back cover, something we don't recall ever seeing before for this issue (they're usually printed with an ad for a shoe store or the like). Donald, the nephews, and Uncle Scrooge star in "Race to the South Seas." Walt Kelly did the cover, and Carl Barks contributed both the story and the story art. It's one of the most valuable issues of this long-running series, and a book that can be found in the VF range but seldom above. Overstreet 2007 VF/NM 9.0 value = $3,375; NM- 9.2 value = $4,800. CGC census 1/08: 1 in 9.0, 2 higher.
March of Comics #54 Gene Autry - File Copy (K. K. Publications, Inc., 1950) CGC NM 9.4 Off-white to white pages. Ties with one other copy as the highest-graded copy certified by CGC to date. Note that this is the version without a slick outer cover. Overstreet 2007 NM- 9.2 value = $210. CGC census 2/08: 2 in 9.4, none higher.
March of Comics #68 Roy Rogers - File Copy (K. K. Publications, Inc., 1951) CGC NM 9.4 Off-white to white pages. This is the only copy of the issue certified with a grade above 8.0 by CGC to date. Note that this is the version without the slick outer cover. Overstreet 2007 NM- 9.2 value = $220. CGC census 1/08: 1 in 9.4, none higher.
March of Comics #78 Gene Autry (K. K. Publications, Inc., 1951) CGC NM 9.4 Off-white to white pages. Last regular size issue. Highest CGC grade for this issue. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 4 in 9.4, none higher.
Marvel Comics #1 (Timely, 1939) CGC FN 6.0 Off-white to white pages. This strikes us as an awfully nice copy for the assigned grade. Considering that three copies of this have sold for six-figure sums in our auctions, the prospect of getting a copy nearly as nice for tens of thousands less should be an appealing one. There are some color scrapes along the spine, but that is the only visible flaw of any consequence, note the nice corners and edges. We think you'll agree it's a nicer copy than the 6.0 from the Nicolas Cage collection we auctioned some years ago (viewable in our online auction archives). The "off-white to white" page quality is very appealing as well. Interestingly enough, while most copies of the book have a black circle printed over the "OCT." cover date with "NOV." printed above it, this is the only specimen we've seen (except for the Pay Copy) that has the OCT letters showing through and actually visible. The significance of the issue is that it's the first comic book published by Timely (the firm later known as Marvel), with the first newsstand appearances of the Human Torch and the Sub-Mariner. The famous cover is by noted pulp illustrator Frank R. Paul. Overstreet 2007 FN 6.0 value = $63,750. CGC census 1/08: 4 in 6.0, 6 higher.
The Marvel Family #2 (Fawcett, 1946) CGC NM 9.4 Off-white to white pages. From the appearance and page quality of this copy, you would have thought that it had come from a pedigree collection. Appearances by the three Lt. Marvels, Mary Marvel, and Uncle Marvel, on the C. C. Beck cover and story, make this early issue very desirable. Overstreet 2007 NM- 9.2 value = $1,100. CGC census 1/08: 1 in 9.4, 3 higher.
The Marvel Family #3 Big Apple pedigree (Fawcett, 1946) CGC NM+ 9.6 White pages. This is the only copy graded above 9.0 by CGC as of this writing. The cover is by C. C. Beck. Overstreet 2007 NM- 9.2 value = $750. CGC census 1/08: 1 in 9.6, none higher.
The Marvel Family #9 Crowley Copy pedigree (Fawcett, 1947) CGC VF 8.0 Cream to off-white pages. The Crowley Copy ranks high on CGC current census for issue #9. C. C. Beck cover art and Jack Binder interior art are featured. Note that the CGC slab has a one-inch crack at lower left, not affecting the comic itself or the integrity of the holder. Overstreet 2007 VF 8.0 value = $230. CGC census 11/07: 1 in 8.0, 2 higher.
The Marvel Family #37 (Fawcett, 1949) CGC NM 9.4 Off-white to white pages. A C. C. Beck cover and Kurt Schaffenberger interior art grace this wonderful copy. Overstreet 2007 NM- 9.2 value = $245. CGC census 1/08: 1 in 9.4, 1 higher.
Marvel Mystery Comics #4 (Timely, 1940) CGC GD+ 2.5 Cream to off-white pages. When most collectors think Golden Age wartime cover it's a good bet a Timely cover by Alex Schomburg is conjured up. This early issue of Timely's flagship title had that, plus a couple of firsts -- the first Sub-Mariner cover and the first Nazi flag cover. It wasn't the first bondage cover, but it's a darn good one just the same! Even at this modest grade, it's the nicest copy we've offered in over four years, an indication of how difficult it is to find in any condition. Interior artwork from Carl Burgos, Paul Gustavson, and Bill Everett. CGC notes, "Cover & centerfold detached." Overstreet 2007 GD 2.0 value = $1,150. CGC census 1/08: 3 in 2.5, 5 higher.
Marvel Mystery Comics #12 (Timely, 1940) CGC FN- 5.5 Cream to off-white pages. Alex Schomburg might be more renowned as the Timely cover artist of the era, but Jack Kirby created some memorable ones of his own. Here Kirby utilized some of the same spellbinding techniques as Schomburg -- torture, bondage, and freaks -- to create what Overstreet refers to as a "classic cover", the last one to feature the Angel. Carl Burgos, Bill Everett, and Paul Gustavson contributed interior art. Overstreet 2007 FN 6.0 value = $1,257. CGC census 1/08: 2 in 5.5, 10 higher.
Marvel Mystery Comics #85 (Timely, 1948) CGC VF 8.0 Cream to off-white pages. Wow! There is so much going on, on this Syd Shores cover that Alex Schomburg would be jealous. Aside from the hanging, if the Torch doesn't drown, he will surely get cancer from all of that liquid asbestos. Let's hope that Toro has a background in haz-mat cleanup. Miss America and the Blonde Phantom make their last appearances in the title. Shores and Bill Everett provide the interior art. Overstreet 2007 VF 8.0 value = $650. CGC census 1/08: 2 in 8.0, 2 higher.
Master Comics #7 (Fawcett, 1940) CGC FN 6.0 White pages. Significant as the first regular sized issue of the long run of this title and the first issue featuring Bulletman, who moved from his original home in Nickel Comics. The issue rates a Gerber "uncommon" designation, which seems to be verified by CGC's current census, listing just two unrestored copies having been certified to date. This one's the finer of the two by 6.0 to 3.5! Overstreet 2007 FN 6.0 value = $900. CGC census 1/08: 1 in 6.0, none higher.
Master Comics #41 Pennsylvania pedigree (Fawcett, 1943) CGC NM- 9.2 Off-white pages. A great Mac Raboy cover highlights this lovely pedigree copy which has Bulletman, Bulletgirl, and the Big Red Cheese showing up in the Minute-Man story. Overstreet 2007 NM- 9.2 value = $910. CGC census 1/08: 2 in 9.2, none higher.
Master Comics #49 Crowley Copy/File Copy (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Captain Marvel Jr. battles Doctor Sivana and his diabolic dirigible. Cover art by Mac Raboy. Back-up features include Hopalong Cassidy, Bulletman, and Minute Man (his last of the series). This attractive copy comes from the personal files of Fawcett editor Wendell Crowley, and bears a light "Checking Copy" stamp on the front cover. Overstreet 2007 NM- 9.2 value = $525. CGC census 1/08: 1 in 9.2, 2 higher.
Master Comics #102 Crowley Copy pedigree (Fawcett, 1949) CGC NM 9.4 Off-white pages. Kurt Schaffenberger gives some great depth to this colorful cover and the Bulletman story is rendered by good girl artist Bill Ward. An excellent copy from a highly regarded pedigree. Overstreet 2007 NM- 9.2 value = $180. CGC census 1/08: 2 in 9.4, 1 higher.
Master Comics #122 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Overstreet notes that this issue had a "lower print run" than most of the rest of the series, resulting in this pedigree copy's high desirability. Bright inks on the Kurt Schaffenberger cover. Overstreet 2007 NM- 9.2 value = $185. CGC census 1/08: 2 in 9.4, none higher.
Master Comics #125 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. Tom Mix and Nyoka make appearances in this ish which Overstreet notes as having a "lower print run" than other books in the series. Kurt Schaffenberger cover. Overstreet 2007 NM- 9.2 value = $185. CGC census 1/08: 2 in 9.4, none higher.
Master Comics #131 Crowley Copy pedigree (Fawcett, 1952) CGC NM 9.4 Off-white pages. Another wonderful offering from the Crowley collection displays all of the featured characters on the Kurt Schaffenberger cover, including Captain Marvel Jr., Tom Mix, Nyoka, and Ozzie. Overstreet notes that this issue had a "lower print run" than other books in the series. Overstreet 2007 NM- 9.2 value = $185. CGC census 1/08: 1 in 9.4, 1 higher.
Meet the New Post-Gazette Sunday Funnies #nn (Pittsburgh Post, 1949) CGC FN/VF 7.0 Cream to off-white pages. Superman, Archie, and Dick Tracy sharing the same comic? We don't know where else you'd find that but in this newspaper insert, called "rare" by Overstreet. That's not the end of the roster of characters: Buck Rogers, Funnyman (by Jerry Siegel and Joe Shuster), Gasoline Alley, Terry and the Pirates, Brenda Starr, and others appear as well. Overstreet 2007 FN 6.0 value = $1,500; VF 8.0 value = $4,500. CGC census 1/08: 1 in 7.0, 3 higher. From the Robert M. Overstreet Collection.
Men's Adventures #27 (Atlas, 1954) CGC FN 6.0 Cream to off-white pages. Captain America, Sub-Mariner, and Human Torch stories. Toro and Bucky appearances. Carl Burgos cover, with interior art by Bob Powell and Dick Ayers. Overstreet 2007 FN 6.0 value = $312. CGC census 1/08: 1 in 6.0, 4 higher. From the Toronto Collection.
Men's Adventures #28 (Atlas, 1954) CGC VG/FN 5.0 Off-white to white pages. Captain America, Sub-Mariner, and Human Torch stories. Namora, Toro, and Bucky appearances. Last issue. Bill Everett and John Romita Sr. art. Overstreet 2007 VG 4.0 value = $208; FN 6.0 value = $312. CGC census 1/08: 3 in 5.0, none higher. From the Toronto Collection.
Platinum Age (1897-1937)
Mickey Mouse Magazine V1#9 (Walt Disney Productions, 1934) CGC VF+ 8.5 White pages. A high-grade copy of the dairy giveaway sponsored by Rieck-McJunkin dairy of Pittsburgh. Overstreet 2007 VF 8.0 value = $475; VF/NM 9.0 value = $688. CGC census 11/07: 1 in 8.5, 2 higher.
Mickey Mouse Magazine V2#11 (K. K. Publications, Inc., 1937) Condition: VF. The oversized publication eventually became Walt Disney's Comics and Stories, but it all began years before. Chockfull of Disney characters, including Mickey and Minnie Mouse, Donald Duck, Goofy, Pluto, Horace Horsecollar, Clarabelle, the Three Little Pigs, and many others. We've offered this issue just four times in the past, and never in finer condition than this. Overstreet 2007 VF 8.0 value = $311.
Golden Age (1938-1955)
Mickey Mouse Magazine V3#5 (K. K. Publications, Inc., 1938) Condition: VF-. It was the February issue, and this first Snow White and the Seven Dwarfs cover was incorporated into a St. Valentine's Day themed cover. This may be the finest copy in existence; it's at least the finest copy we've seen to date of the few we've offered. Overstreet 2007 VF 8.0 value = $669.
Military Comics #3 (Quality, 1941) CGC VF/NM 9.0 Off-white to white pages. Significant issue in Blackhawk history has the origin and first appearance of Chop-Chop. You wouldn't know it from the cover by Chuck Cuidera, but the most horizontally challenged of the Blackhawk team would ham it up on many future covers. There's only one nicer copy known of #3, according to CGC's latest census, the Mile High copy. Jack Cole, Al McWilliams, and Bob Powell furnished interior art. Overstreet 2007 VF/NM 9.0 value = $2,278; NM- 9.2 value = $3,150. CGC census 1/08: 1 in 9.0, 1 higher.
Military Comics #8 Pennsylvania pedigree (Quality, 1942) CGC VF/NM 9.0 White pages White pages. Wonderful pedigree copy of this early issue, which featured the cover artistry of Chuck Cuidera, who shows off his unique style in a very limited space here, and also provided interior art along with Ken Nordling and Bob Powell. Overstreet 2007 VF/NM 9.0 value = $1,103; NM- 9.2 value = $1,525. CGC census 1/08: 1 in 9.0, 1 higher.
Military Comics #14 (Quality, 1942) CGC NM 9.4 Cream to off-white pages. Sensational copy is tied for highest-graded copy CGC has certified to date. Impressive artist lineup for this issue included Reed Crandall (cover and interior), Al McWilliams, Fred Guardineer, and Klaus Nordling. Private Dogtag begins here. Overstreet 2007 NM- 9.2 value = $1,150. CGC census 11/07: 3 in 9.4, none higher.
Military Comics #28 San Francisco pedigree (Quality, 1944) CGC NM 9.4 Off-white pages. From the pedigree that many feel comes closest to the overall quality of the Mile High collection, this copy is one of two that have earned the highest grade CGC has certified to date for issue #28. Alex Kotzky had a way with covers for Blackhawk, and also provided interior artwork along with Jack Cole and Fred Guardineer for this issue. Overstreet 2007 NM- 9.2 value = $850. CGC census 1/08: 2 in 9.4, none higher.
Military Comics #37 (Quality, 1945) CGC NM 9.4 White pages. No copy of this issue has been graded higher by CGC to date. The cover is by Alex Kotzky. Overstreet 2007 NM- 9.2 value = $700. CGC census 1/08: 1 in 9.4, none higher.
Mister Mystery #2 Double Cover (Aragon Magazines, Inc., 1951) CGC NM- 9.2 Cream to off-white pages. Superb copy of an early issue of one of the most infamous horror titles of all. Ross Andru and Mike Esposito combined for the cover art, and also contributed interior art, as did Jack Abel and Tony Mortellaro. CGC notes, "1st cover 7.0, interior cover 9.2. Overstreet 2007 NM- 9.2 value = $840. CGC census 11/07: 2 in 9.2, 2 higher.
More Fun Comics #52 (DC, 1940) CGC FN 6.0 Cream to off-white pages. One of the ten most valuable comic books is the key issue shown here, the origin and first appearance of the Spectre. And as for how difficult it is to find a nice copy: CGC, which has certified over a million comics to date, has certified only six unrestored More Fun #52 copies with grades higher than FR 1.0! With the exception of the Lamont Larson copy we auctioned for $119,500, we haven't seen an unrestored copy with nicer cover colors than this one, and we don't doubt you'll say the same when you look at our scan. The high issue number can be deceiving: this is an early DC comic, published before the likes of Batman #1 and All-American #16, and the reason the number is so high is that this was DC's first comic book series (starting as New Fun Comics #1 in February 1935). Yet this is the first superhero issue of the series. And while this debut appearance was the only time that the Spectre wore a bluish-gray cape -- it was changed to the familiar green shortly thereafter -- the eerie hero has proven an enduring character, and has been the headliner of his own series many times over in the ensuing decades. His debut story was written by the Jerry Siegel (Superman's co-creator), and drawn by Bernard Baily. The sharp front cover in particular makes this one of the best copies you'll ever see of one of the essential Golden Age DCs. Overstreet 2007 FN 6.0 value = $17,100. CGC census 1/08: 1 in 6.0, 3 higher.
More Fun Comics #85 (DC, 1942) CGC VF 8.0 Cream to off-white pages. DC's "second string" characters Green Arrow and Speedy were the cover stars of this issue, with Doctor Fate, Aquaman, and Johnny Quick also appearing in separate stories. George Papp drew the cover, with Mort Meskin and Bernard Baily among the story artists. Overstreet 2007 VF 8.0 value = $838. CGC census 1/08: 2 in 8.0, 1 higher.
More Fun Comics #87 (DC, 1943) CGC FN+ 6.5 Off-white to white pages. Slightly off-center superhero Johnny Quick gets one of his rare spotlights on this cover by Mort Meskin, who also contributed interior art. This issue had the last Radio Squad and featured a interior cover ad for Boy Commandos #1. Overstreet 2007 FN 6.0 value = $402; VF 8.0 value = $838. CGC census 1/08: 2 in 6.5, 5 higher.
Motion Picture Comics #110 When Worlds Collide - Crowley Copy (Fawcett, 1952) CGC NM 9.4 Off-white pages. Adapts the 1951 sci-fi classic "When Worlds Collide." George Evans and Al Williamson art. (Both drew themselves into the story.) Front and back photo covers. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.4, none higher.
Mystic #1 (Atlas, 1951) CGC VF 8.0 Cream to off-white pages. One of the finest copies of this issue that CGC has certified to date. Mike Sekowsky and Manny Stallman art are featured. Overstreet 2007 VF 8.0 value = $581. CGC census 1/08: 2 in 8.0, 3 higher.
Platinum Age (1897-1937)
New Fun Comics #1 (DC, 1935) Condition: Apparent VG. The mighty publisher DC began their comics empire with this initial offering, an oversized anthology of mixed genre material. Unlike the other comic books of the day featuring newspaper strip reprints, the contents of New Fun were produced especially for this title. It was a revolutionary idea that quickly transformed the fledgling comics industry, and led directly to the publication of such iconic characters as Superman and Batman. It was the brainchild of Major Malcolm Wheeler-Nicholson, who reasoned that all-new material in a larger format could top the competition. There's the first comic book appearance of Oswald the Rabbit (later seen in Dell's Four Color series) and the debut of Barry O'Neill (who was later a regular in Adventure Comics). This all black-and-white issue has more than just comics -- there are text features covering sports, airplanes, model-building, and radio and movies, and there are photos of cowboy stars Johnny Mack Brown and Tim McCoy, plus a group photo of the Buck Rogers radio actors. This issue is currently #28 in Overstreet's ranking of the most valuable comics, which is even more impressive considering that Overstreet doesn't list a NM- or even a VF/NM value for the issue. Since this issue's got lots of coupons and a number of cut-out features meant for kids to use their scissors on, there can't be many other complete copies in existence of this rarity, a Gerber "8". Finding attractive copies of this fragile first issue has been close to impossible, with most survivors now in tatters. This copy presents itself quite well, despite some amateur restoration, including a spine split unobtrusively sealed with tape on the interior along the entire length of the spine. The centerfold is detached, and there is some slight rust migration at the top staple. Overstreet 2007 GD 2.0 value = $6,700; VG 4.0 value = $13,400.
Golden Age (1938-1955)
Nickel Comics #1 Mile High pedigree (Fawcett, 1940) CGC NM 9.4 Off-white to white pages. Jack Binder created the cover for this premiere issue, which features the origin and first appearance of Bulletman. The title was short-lived, but Bulletman went on to be the star of Master Comics and even had his own title for a while (the character was recently re-imagined for the current DC stable). As for the condition, the status afforded to the Mile High pedigree is evidenced by sharp corners and some truly breathtaking color quality. Overstreet 2007 NM- 9.2 value = $6,500. CGC census 1/08: 2 in 9.4, none higher.
Out of the Night #2 Mile High pedigree (ACG, 1952) CGC NM- 9.2 Off-white to white pages. We auctioned this very copy as an unslabbed NM- in 2006, and now that CGC has come to the same conclusion grade-wise, this specimen is the only copy on the census graded above 7.0. Al Williamson contributed five pages of art to this pre-Code horror issue. There's also a vampire story and other ghoulish goings-on. Overstreet 2007 NM- 9.2 value = $650. CGC census 1/08: 1 in 9.2, none higher.
Phantom Lady #5 (Ajax / Farrell, 1955) CGC FN+ 6.5 Off-white to white pages. The great Matt Baker provided art for this premiere issue, the title of which had previously been Linda (#1-4). Overstreet 2007 FN 6.0 value = $348; VF 8.0 value = $725. CGC census 1/08: 2 in 6.5, 3 higher. From the Toronto Collection.
Planet Comics #44 Rockford pedigree (Fiction House, 1946) CGC NM 9.4 Cream to off-white pages. We ask you, what more could a sci-fi comic fan want out of a Joe Doolin cover than tentacled and clawed aliens trapping scantily clad girls in bubbles? Murphy Anderson, Bob Lubbers, and Ruben Moreira provide interior art. Only one copy sits atop this one on the current CGC census. Overstreet 2007 NM- 9.2 value = $1,125. CGC census 1/08: 2 in 9.4, 1 higher.
Planet Comics #51 (Fiction House, 1947) CGC NM 9.4 Cream to off-white pages. Joe Doolin shows his underrated talents on this exciting rocketship/skull cover. The color is excellent and the book looks like it came from a pedigree collection. Artists include Murphy Anderson and George Evans. This one should draw some attention. Overstreet 2007 NM- 9.2 value = $875. CGC census 1/08: 3 in 9.4, none higher.
Planet Comics #54 (Fiction House, 1948) CGC NM 9.4 Off-white pages. From one of the key science-fiction titles of the period comes this interstellar copy which features a great Mysta of the Moon cover, wrapping Matt Baker, George Evans, and Joe Doolin art. The origin of Futura is also retold. Overstreet 2007 NM- 9.2 value = $875. CGC census 1/08: 2 in 9.4, none higher.
Planet Comics #59 Lost Valley pedigree (Fiction House, 1949) CGC NM 9.4 White pages. Just as it did on the newsstand in 1949, Joe Doolin's Mysta of the Moon cover reels you in, and the interior work by Matt Baker, George Evans, and Graham Ingels was sure to keep you glued to every panel. This is just a magnificent copy, and the page quality is rarer than the overall Near Mint grade! Overstreet 2007 NM- 9.2 value = $875. CGC census 9/07: 3 in 9.4, 1 higher.
Plastic Man #3 (Quality, 1946) CGC VF/NM 9.0 Off-white pages. Sparkling copy of this early issue. Jack Cole's imaginative covers and story art were primary reasons this was such a longrunning title even while Plas was still being featured in his original vehicle Police Comics. Overstreet 2007 VF/NM 9.0 value = $1,228; NM- 9.2 value = $1,700. CGC census 1/08: 2 in 9.0, 1 higher.
Police Comics #6 (Quality, 1942) CGC VF 8.0 Off-white to white pages. Only one other copy has earned a higher grade from CGC to date. Gill Fox did this Plastic Man cover, while the artist most often associated with the Golden Age character, Jack Cole, provided interior art, as did Reed Crandall. Overstreet 2007 VF 8.0 value = $1,038. CGC census 11/07: 3 in 8.0, 1 higher.
Platinum Age (1897-1937)
Popular Comics #1 (Dell, 1936) CGC VG 4.0 Off-white to white pages. Dell's first comic book featured reprints of some of the most popular comic strips of the day, including Dick Tracy (making his first comic book appearance), Gasoline Alley, The Gumps, Little Orphan Annie, Terry and the Pirates, Don Winslow (first appearance), Moon Mullins, Mutt & Jeff, Tailspin Tommy, Smokey Stover, and others. Difficult to find at all (we've only offered this issue once before), the book's virtually impossible to find in high grade. Overstreet doesn't bother listing values beyond that for VF 8.0, and listing even that grade value may have been unnecessary, since this VG copy represents the highest grade that CGC has awarded to date for the issue. It's rated by The Photo-Journal Guide to Comic Books as a "7" or "scarce." Overstreet 2007 VG 4.0 value = $1,480. CGC census 12/07: 1 in 4.0, none higher.
Popular Comics #2 (Dell, 1936) CGC VG 4.0 White pages. This is the first unrestored copy of the second issue of Dell's first comic book title that we've ever offered, and it's the only unrestored copy that CGC has certified to date. It's "scarce" according to The Photo-Journal Guide to Comics Books, and Overstreet doesn't even bother listing values for any grade above VF 8.0 -- perhaps they should've stopped at FN 6.0! Despite its moderately worn exterior, our offering boasts white pages. A really intriguing nugget, no? Overstreet 2007 VG 4.0 value = $500. CGC census 1/08: 1 in 4.0, none higher.
Golden Age (1938-1955)
Popular Comics #52 (Dell, 1940) CGC NM 9.4 Cream to off-white pages. Dell's very first comic book title was already 50 issues old by 1940. This issue features a terrific robot cover by an unknown artist, and an interior feature, Bronc Peeler, that was scripted and drawn by Red Ryder creator Fred Harman. This copy is tied with another as the highest-graded copy certified by CGC to date. Overstreet 2007 NM- 9.2 value = $475. CGC census 1/08: 2 in 9.4, none higher.
Red Ryder Comics #11 (Dell, 1943) CGC NM 9.4 Off-white pages. The first thing that you'll notice about this Fred Harman cover is how bright the inks are. You could almost cut yourself on the sharp corners too! Harman interior art. There is no higher copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $400. CGC census 1/08: 1 in 9.4, none higher.
Red Ryder Comics #27 (Dell, 1945) CGC NM 9.4 Off-white pages. Fred Harman cover. This copy has the look of a pedigree book. Only one higher graded copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $275. CGC census 1/08: 1 in 9.4, 1 higher.
Red Ryder Comics #29 (Dell, 1945) CGC NM 9.4 Off-white pages. Fred Harman cover. A beautiful copy. Very clean. Overstreet 2007 NM- 9.2 value = $275. CGC census 1/08: 1 in 9.4, 1 higher.
Sensation Comics #1 (DC, 1942) CGC Apparent VF 8.0 Extensive (P) Off-white to white pages. This is just the second appearance of Wonder Woman, close on the heels of her debut in All Star Comics #8. That's why the book is listed among the 30 most valuable comics by Overstreet! The second part of Wonder Woman's origin is shown here, which means it's got her arriving in America for the first time and also introduces her "Diana Prince" secret identity. Also making their first appearances here are Wildcat and Mr. Terrific, who both became Justice Society members (briefly in the Golden Age, and again in more recent comics). Jon Blummer is the cover artist. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced." Overstreet 2007 GD 2.0 value = $2,700; VG 4.0 value = $5,400; FN 6.0 value = $8,100; VF 8.0 value = $20,000.
Smiley Burnette Western #1 (Fawcett, 1950) CGC NM+ 9.6 White pages. Smiley Burnette was a singin' cowboy just like his pal Gene Autry, except Smiley was usually used in a "comic-relief sidekick" capacity. One of his trademarks was a horse with a black circle around its eye, so it's only natural that his steed appeared with him on this photo cover! This is the only copy of the issue to be certified with a grade above 8.5 by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $600. CGC census 1/08: 1 in 9.6, none higher.
Space Detective #2 (Avon, 1951) CGC VF+ 8.5 Off-white pages. The cover is by Wally Wood (with an assist by Joe Orlando), who also supplied the interior layouts on the "Slave Ship of Saturn" story. Overstreet 2007 VF 8.0 value = $525; VF/NM 9.0 value = $850. CGC census 1/08: 2 in 8.5, 2 higher.
Space Patrol #2 Bethlehem pedigree (Ziff-Davis, 1952) CGC VF 8.0 Off-white pages. Norman Saunders' powerful painted portrait features Plutonian pugilists, while Bernie Krigstein's a triple threat this ish, illustrating a trio of tales. Only one other copy in CGC's current survey grades higher than this pedigreed specimen. Includes a certificate of authenticity from The Bethlehem Collection. Overstreet 2007 VF 8.0 value = $406. CGC census 1/08: 1 in 8.0, 1 higher.
Space Western #43 Spokane pedigree (Charlton, 1953) CGC NM- 9.2 Off-white to white pages. Stan Campbell's moody cover is utterly mesmerizing, and Space Western's quirky hybrid genres make features like "Spurs Jackson and his Space Vigilantes" a collectible curiosity. No copy in CGC's current census has earned a higher grade than this copy. Overstreet 2007 NM- 9.2 value = $550. CGC census 1/08: 1 in 9.2, none higher.
Sparkler Comics #1 (United Features Syndicate, 1941) CGC VG/FN 5.0 Cream to off-white pages. Origin and first appearance of Spark Man. Tarzan by Burne Hogarth, Nancy, Captain and the Kids, Abbie an' Slats, and many more. Overstreet 2007 VG 4.0 value = $492; FN 6.0 value = $738. CGC census 1/08: 2 in 5.0, 3 higher.
Special Edition Comics #1 (Fawcett, 1940) CGC FN/VF 7.0 Cream to off-white pages. This is the first comic book entirely devoted to Captain Marvel, pre-dating Captain Marvel Adventures #1 by about six months. (The hero had of course been the star of Whiz Comics, but he had to share that title with other characters.) Captain Marvel's signature artist, C. C. Beck, drew this now-famous cover in addition to providing spectacular interior artwork. Overstreet 2007 FN 6.0 value = $2,418; VF 8.0 value = $5,642. CGC census 1/08: 4 in 7.0, 9 higher.
Speed Comics #1 (Harvey, 1939) CGC VF+ 8.5 Off-white pages. Why isn't this one a NM or thereabouts? Well, from outside the slab the only flaws we can detect are a couple of very soft creases/indentations which in our minds do very little to detract from the overall appeal of this one. Even as a VF+, it's tied for the highest grade on the census. The book is the first appearance of Shock Gibson, published by Brookwood. Various histories of the comic book medium disagree on whether Brookwood was another name for Harvey, connected to Harvey, or whether rights to this series were simply bought by Harvey at a later time. What's certain is that the series was published under the Harvey name starting with issue #14, and Shock Gibson was the first significant Harvey superhero, making this issue a must-buy for any collector of that long-running publisher. Overstreet 2007 VF 8.0 value = $2,197; VF/NM 9.0 value = $3,799. CGC census 12/07: 3 in 8.5, none higher.
The Spirit (weekly newspaper insert) 8/17/52 (Newark Star-Ledger, 1952) Condition: FN/VF. Why did the last "Wally Wood" Spirit sections we auctioned sell for about twenty times Guide? We sort of answered our own question by mentioning Mr. Wood, but there's also the matter of the rarity of these sections from the end of the twelve year run. Overstreet 2007 FN 6.0 value = $66; VF 8.0 value = $125.
The Spirit (weekly newspaper insert) 9/7/52 (Newark Star-Ledger, 1952) Condition: VG+. Collectors are realizing how difficult these Wally Wood sections are to find... and also how superb the team-ups between Wood and Will Eisner were when it came to comic artistry. Called "rare" by Overstreet. There's a piece of tape on the inside of the front page, and there are three other 1-inch edge tears. Overstreet 2007 VG 4.0 value = $52.
The Spirit (weekly newspaper insert) 9/28/52 (Newark Star-Ledger, 1952) Condition: VG+. The second-to-last Spirit section ever produced is a very tough one to find, a fact that became clear to us when two very comprehensive collections of Spirit sections, the Davis Crippen "D" copies and the Robert M. Overstreet collection, didn't include it. "Return From the Moon" is the story (by Will Eisner), Wally Wood the artist of the outer-space tale. This copy has a half-inch tear at the spine. Since these change hands so rarely it's tough to say what they're worth, but we'll note that our last auction saw other 1952 Wood sections receive a winning bid of around twenty times Guide. Overstreet 2007 VG 4.0 value = $50.
Spook #23 Bethlehem pedigree (Star Publications, 1953) CGC NM- 9.2 Off-white to white pages. L. B. Cole is the artist of this creepy cover. Comes with the Bethlehem certificate of authenticity. Overstreet 2007 NM- 9.2 value = $355. CGC census 1/08: 2 in 9.2, none higher.
Spy Smasher #10 (Fawcett, 1943) CGC VF 8.0 Off-white pages. Hitler cover. Overstreet 2007 VF 8.0 value = $594. CGC census 12/07: 2 in 8.0, 3 higher.
Platinum Age (1897-1937)
Star Ranger #1 Windy City pedigree (Centaur, 1937) Condition: FN+. What a stunning copy of a milestone comic book! It's considered the first Western comic, and rates a "7" on Gerber's scarcity index. We've offered a copy on two previous occasions, but this one's the nicest yet. Creig Flessel art is featured. Overstreet 2007 FN 6.0 value = $600; VF 8.0 value = $1,250.
Golden Age (1938-1955)
Star Spangled Comics #7 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. Any Simon and Kirby lover will want to pick this one up, it's the first appearance of the Newsboy Legion! And the story also has the origin and first appearance of the Guardian, who the newsboys always suspected was really Officer Jim Harper (we readers knew for sure). A couple of other new features debuted here as well, namely Robotman (not the guy from Doom Patrol, but the Jerry Siegel creation who later joined the All-Star Squadron) and TNT and his sidekick Dan the Dyna-Mite. Overstreet 2007 VF 8.0 value = $4,529; VF/NM 9.0 value = $7,765. CGC census 1/08: 1 in 8.5, 1 higher.
Star Spangled Comics #7 (DC, 1942) CGC Apparent VF- 7.5 Moderate (P) Off-white to white pages . The most prized issue in the 130 issue, 11-year run featured the first appearances of Simon & Kirby's Newsboy Legion and the Guardian, plus the first appearances of Robotman, TNT, and Dan the Dyna-Mite. In addition to the Newsboy story, S & K did the cover art. CGC notes, "Restoration includes: color touch, pieces added, cleaned, reinforced. ('Jack Kirby' written on 1st page in pen.)." Overstreet 2007 GD 2.0 value = $647; VG 4.0 value = $1,294; FN 6.0 value = $1,941; VF 8.0 value = $4,529. From the Fantastic Frank Collection.
Star Spangled Comics #10 (DC, 1942) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. This issue really doesn't turn up that often, and we haven't offered a copy in well over a year. It's basically a vehicle for the classic duo of Simon and Kirby, who provided the story and the cover and interior art for the Newsboy Legion feature. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, reinforced." Overstreet 2007 GD 2.0 value = $168; VG 4.0 value = $336; FN 6.0 value = $504; VF 8.0 value = $1,050. From the Fantastic Frank Collection.
Star Spangled Comics #57 "D" Copy pedigree (DC, 1946) CGC VF+ 8.5 Off-white pages. Jack Kirby's Newsboy Legion vied for "most times tied up" honors with the likes of Tonto, Robin, and Bucky (Captain America's sidekick), as this S & K cover illustrates. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 11/07: 2 in 8.5, 4 higher.
Star Spangled Comics #67 Mile High pedigree (DC, 1947) CGC NM 9.4 Off-white to white pages. Neither Overstreet nor The Photo-Journal Guide to Comic Books consider this to be a particularly uncommon issue, but fact is we've only offered a copy of this issue on two previous occasions. CGC has certified just two copies nicer than VG/FN 5.0 to date, and the Mile High copy is -- you guessed it -- easily the finest known. Win Mortimer cover. Overstreet 2007 NM- 9.2 value = $935. CGC census 1/08: 1 in 9.4, none higher.
Star Spangled Comics #90 (DC, 1949) CGC VF/NM 9.0 Off-white pages. This later Golden Age DC issue only comes up about once a year, and this copy's the finest one that CGC has certified to date of #90. So jump on it! Highlights include a Batman and Robin story, a full page ad for Superboy #1, and Jim Mooney cover and interior art. Overstreet 2007 VF/NM 9.0 value = $605; NM- 9.2 value = $835. CGC census 1/08: 1 in 9.0, none higher.
Star Spangled Comics #91 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF/NM 9.0 Off-white to white pages. There's not another CGC-certified copy of this issue nicer than VF 8.0. Featured are Robin, Tomahawk, Captain Compass, and Federal Agent, with Batman guest-starring in the Robin story. Dick Sprang cover with Jim Mooney, Fred Ray, Win Mortimer, and Creig Flessel art. Overstreet 2007 VF/NM 9.0 value = $605; NM- 9.2 value = $835. CGC census 1/08: 1 in 9.0, none higher.
Star Spangled Comics #93 Davis Crippen ("D" Copy) pedigree (DC, 1949) CGC VF/NM 9.0 Off-white to white pages. The Crippen Copy claims top spot in CGC's census for this issue, the only copy to earn a grade nicer than VF 8.0. Batman appears in the Robin feature. Jim Mooney cover. Mooney, Fred Ray, and Creig Flessel art. Overstreet 2007 VF/NM 9.0 value = $605; NM- 9.2 value = $835. CGC census 1/08: 1 in 9.0, none higher.
Straight Arrow #7 Mile High pedigree (Magazine Enterprises, 1950) CGC NM/MT 9.8 Off-white to white pages. As many times as we've seen and marveled at stunning Mile High books, Gaines File copies, and copies from other prestige pedigrees, a book like this still grabs our attention. The grade, of course, certifies that this is a pristine copy, and try as we may to find the tiniest of faults, we can't! The abundance of white on both covers makes the final grade assignment even more impressive. Fred Meagher cover, with Meagher and Bob Powell art. Overstreet 2007 NM- 9.2 value = $625. CGC census 1/08: 1 in 9.8, none higher.
Straight Arrow #15 Mile High pedigree (Magazine Enterprises, 1951) CGC NM+ 9.6 White pages. The unbelievable page quality of the books from Edgar Church's collection continues to amaze, and this copy is no exception. Fred Meagher renders the cover and provides interior art. Bob Powell art. Overstreet 2007 NM- 9.2 value = $170. CGC census 1/08: 1 in 9.6, none higher.
Strange Adventures #8 White Mountain pedigree (DC, 1951) CGC NM 9.4 White pages. The one that started it all! When this gorilla cover by Win Mortimer hit the newsstands, it created quite a stir and sold more copies than just about any DC issue to date. From that point on we could expect at least one DC gorilla cover a month. Bob Oksner, Murphy Anderson, Alex Toth, and Gil Kane provided interior art. This White Mountain copy is simply stunning. CGC notes, "Date stamp on 1st page." Overstreet 2007 NM- 9.2 value = $1,360. CGC census 1/08: 2 in 9.4, none higher.
Strange Adventures #15 (DC, 1951) CGC NM 9.4 Off-white to white pages. The circus freaks are planning to take over the planet in this typically bizarre early '50s sci-fi comic from DC, with great art by Gil Kane, Murphy Anderson, and Carmine Infantino. Overstreet 2007 NM- 9.2 value = $840. CGC census 1/08: 2 in 9.4, none higher.
Strange Stories from Another World #3 White Mountain pedigree (Fawcett, 1952) CGC NM- 9.2 White pages. This is the highest-graded copy of the issue that CGC has certified to date. The issue sports a memorable Norm Saunders cover. Overstreet 2007 NM- 9.2 value = $475. CGC census 1/08: 1 in 9.2, none higher.
Strange Stories from Another World #4 Crowley Copy (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. The painted covers by pulp ace Norman Saunders are what collectors love about this series. This is the highest-graded copy that CGC has certified to date. Overstreet 2007 NM- 9.2 value = $485. CGC census 1/08: 1 in 9.4, none higher.
Strange Stories from Another World #5 Crowley Copy (Fawcett, 1953) CGC NM 9.4 Off-white pages. Another terrifying painted cover by pulp artist Norman Saunders graced this, the last issue of the title. This particular copy is the highest-graded copy -- and the only one above 9.0 -- certified by CGC as of this writing. Overstreet 2007 NM- 9.2 value = $475. CGC census 1/08: 1 in 9.4, none higher.
Sub-Mariner Comics #33 (Atlas, 1954) Condition: FN/VF. This nice copy couldn't be slabbed because of an overhang, but CGC has certified a higher grade for this issue only once to date. The issue has the Sub-Mariner's origin, with appearances by Namora and the Human Torch. Bill Everett cover and art. Overstreet 2007 FN 6.0 value = $300; VF 8.0 value = $625. From the Toronto Collection.
Sub-Mariner Comics #34 (Atlas, 1954) CGC FN- 5.5 Off-white to white pages. Highlights include a Namora appearance, a Human Torch story, a bondage cover, and Bill Everett art. Overstreet 2007 FN 6.0 value = $237. CGC census 1/08: 1 in 5.5, 15 higher. From the Toronto Collection.
Sub-Mariner Comics #35 (Atlas, 1954) CGC FN/VF 7.0 Off-white pages. Namora appearance and Human Torch story. Sol Brodsky cover and Bill Everett interior art. Overstreet 2007 FN 6.0 value = $237; VF 8.0 value = $494. CGC census 1/08: 1 in 7.0, 5 higher. From the Toronto Collection.
Sub-Mariner Comics #36 (Atlas, 1954) CGC VF- 7.5 Off-white pages. Namora appearance. Sol Brodsky cover, with interior art by Bill Everett and Mort Meskin. Overstreet 2007 VF 8.0 value = $481. CGC census 1/08: 2 in 7.5, 3 higher. From the Toronto Collection.
Sub-Mariner Comics #37 (Atlas, 1954) CGC VF 8.0 Cream to off-white pages. Timely became Atlas, Nazis became Commies, and Sub-Mariner kept kicking arse! This grade is as high as it gets with this issue -- at least CGC hasn't certified a higher grade to date for this pre-Code issue, which featured a Namora appearance, plus artwork from Joe Maneely (cover) and Bill Everett (interior). Overstreet 2007 VF 8.0 value = $481. CGC census 1/08: 3 in 8.0, none higher. From the Toronto Collection.
Sub-Mariner Comics #38 (Atlas, 1955) CGC FN+ 6.5 Off-white pages. Origin of Sub-Mariner's wings. Namora appearance. Last pre-Code issue. Syd Shores cover. Bill Everett and Joe Maneely art. Overstreet 2007 FN 6.0 value = $258; VF 8.0 value = $538. CGC census 1/08: 1 in 6.5, 6 higher. From the Toronto Collection.
Sub-Mariner Comics #39 (Atlas,1955) CGC VF- 7.5 Off-white pages. Namora appearance. Joe Maneely cover, with interior art by Bill Everett and Howard Post. Overstreet 2007 VF 8.0 value = $481. CGC census 1/08: 2 in 7.5, 2 higher. From the Toronto Collection.
Sub-Mariner Comics #40 (Atlas, 1955) CGC VF+ 8.5 Cream to off-white pages. The Commies of the early 1950s were no more a match for the Sub-Mariner than the Nazis had been a decade earlier. Namora appearance. Syd Shores cover, with Bill Everett and Tony DiPreta interior art. Overstreet 2007 VF 8.0 value = $481; VF/NM 9.0 value = $778. CGC census 1/08: 2 in 8.5, 3 higher. From the Toronto Collection.
Sub-Mariner Comics #41 (Timely, 1955) CGC VF- 7.5 Cream to off-white pages. Namora appearance, with cover by Joe Maneely and interior art by Bill Everett. Overstreet 2007 VF 8.0 value = $481. CGC census 1/08: 2 in 7.5, 1 higher. From the Toronto Collection.
Sub-Mariner Comics #42 (Atlas, 1955) CGC VF 8.0 Off-white pages. CGC hasn't certified a higher grade to date for this, the last of the 9-issue run in 1954-55. Featured were an appearance by Namora, a Joe Maneely cover, and Bill Everett interior art. Overstreet 2007 VF 8.0 value = $550. CGC census 1/08: 2 in 8.0, none higher. From the Toronto Collection.
Superboy #4 (DC, 1949) CGC VF+ Apparent 8.5 White pages. John Sikela art. Note that CGC did not list a degree of restoration. CGC notes, "Right edge of cover trimmed." Overstreet 2007 GD 2.0 value = $113; VG 4.0 value = $226; FN 6.0 value = $339; VF 8.0 value = $706; VF/NM 9.0 value = $1,141.
Superboy #6 (DC, 1950) CGC FN/VF 7.0 Off-white to white pages. First appearance of Humpty Dumpty. Al Plastino cover. Overstreet 2007 FN 6.0 value = $294; VF 8.0 value = $613. CGC census 1/08: 1 in 7.0, 2 higher.
Superboy #12 (DC, 1951) CGC NM- 9.2 White pages. Note the nice page quality of this NM- copy! The cover art is by Al Plastino. Overstreet 2007 NM- 9.2 value = $1,050. CGC census 1/08: 2 in 9.2, none higher.
Superboy #42 (DC, 1955) CGC VF/NM 9.0 Off-white pages. By far the highest-graded copy of the issue to date, this one looks down from a great height at the FN- runner-up. Curt Swan and Stan Kaye are credited with the cover art. Overstreet 2007 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Silver Age (1956-1969)
Superboy #44 (DC, 1955) CGC VF/NM 9.0 Cream to off-white pages. The only unrestored copy on CGC's census as we write these words, this book's also the only high-grade copy we had ever seen. Curt Swan and Stan Kaye are credited with the cover, which co-stars young Lana Lang. Overstreet 2007 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Golden Age (1938-1955)
Superboy #45 (DC, 1955) CGC VF/NM 9.0 Cream to off-white pages. This is the only copy certified above 5.5 as of this writing. Curt Swan is the cover artist. Overstreet 2007 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Super Comics #1 (Dell, 1938) CGC FN/VF 7.0 Cream to off-white pages. One of Dell's earliest titles, this first issue premiered the month before Action Comics #1. Dick Tracy dominated the title, but other popular comic strip features of the day also appeared, including Terry & the Pirates, Little Orphan Annie, Smilin' Jack, Gasoline Alley, and many others. The Photo-Journal Guide to Comic Books rates this one an "8" or "rare", and we've offered a copy on just four previous occasions in the past six years. Overstreet 2007 FN 6.0 value = $888; VF 8.0 value = $1,702. CGC census 1/08: 2 in 7.0, 4 higher.
Super Comics #2 (Dell, 1938) CGC FN/VF 7.0 Cream to off-white pages. One of Dell's oldest titles featured such newspaper comic strip favorites as Dick Tracy, Terry & the Pirates, The Gumps, Little Orphan Annie, and many more. Just one other copy at VF 8.0 rates higher in CGC's current census. Overstreet 2007 FN 6.0 value = $327; VF 8.0 value = $627. CGC census 12/07: 1 in 7.0, 1 higher.
Super Comics #3 (Dell, 1938) CGC VF- 7.5 Cream to off-white pages. The earliest issues of this pre-1940 title can be tough to find. We've offered this issue on just two earlier occasions, and never in as high grade as this. In fact, this is easily the finest copy CGC has certified to date of issue #3. Overstreet 2007 VF 8.0 value = $552. CGC census 12/07: 1 in 7.5, none higher.
Superman #2 (DC, 1939) CGC FN/VF 7.0 Off-white to white pages. It's not as rare as the first issue, but there's still just not that many nice copies in existence, as the CGC census will verify. Joe Shuster's cover is just a shade less iconic than the first, and issue #2 has been steadily moving up Overstreet's Top 100 Golden Age Books list in recent years. There's a full page ad for the 1939 edition New York's World Fair. Overstreet 2007 FN 6.0 value = $3,825; VF 8.0 value = $9,600. CGC census 1/08: 4 in 7.0, 5 higher.
Superman #5 (DC, 1940) CGC VF 8.0 Off-white to white pages. Lex Luthor, still sporting a head of red hair, makes his fourth appearance in this issue. Joe Shuster and Wayne Boring are among the artists in this early number, which also features ads for Batman #1 and All Star Comics #1 inside. Overstreet 2007 VF 8.0 value = $3,297. CGC census 1/08: 2 in 8.0, 8 higher.
Superman #5 (DC, 1940) CGC Apparent VG 4.0 Extensive (P) Slightly brittle pages. These early issues are very desirable in any grade. This one has an early Luthor appearance, from back when the fiend still had red hair. Jerry Siegel is the writer, Joe Shuster and his studio aides are the artists. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2007 GD 2.0 value = $471; VG 4.0 value = $942.
Superman #16 (DC, 1942) CGC FN/VF 7.0 Off-white pages. This is Lois Lane's first cover appearance of this series and just her second cover appearance ever. Jack Burnley is the cover artist. CGC notes, "Very minor amount of glue on cover." Overstreet 2007 FN 6.0 value = $588; VF 8.0 value = $1,225. CGC census 2/08: 1 in 7.0, 11 higher.
Superman #19 (DC, 1942) Condition: VF-. Here's a whiz-bang copy that couldn't be encapsulated by CGC because of an overhang. Note that only one copy that CGC has certified to date earned a grade higher than 7.0! Beautiful white pages are the cake-icer. Jack Burnley is the issue's cover artist. Overstreet 2007 VF 8.0 value = $1,225.
Superman #53 (DC, 1948) CGC FN+ 6.5 Cream to off-white pages. The retelling of the origin of Superman in this 10th Anniversary issue has made this issue highly sought-after. You have to go all the way back to issue #17 before you'll find an issue that has a higher Overstreet value. The cover by Wayne Boring rates an Overstreet "classic" designation, and Boring also contributes interior art. Overstreet 2007 FN 6.0 value = $921; VF 8.0 value = $1,919. CGC census 1/08: 5 in 6.5, 16 higher.
Superman #91 (DC, 1954) CGC VF 8.0 Off-white pages. Looks like Perry White has exclaimed "Great Caesar's Ghost!" once too often, on this Al Plastino cover. Plastino and Wayne Boring handle the interior art chores. Overstreet 2007 VF 8.0 value = $305. CGC census 1/08: 1 in 8.0, 2 higher. From the Toronto Collection.
Superman #92 (DC, 1954) CGC VF/NM 9.0 Off-white to white pages. One of the more serious Superman covers of the day, this one is the work of Win Mortimer. Overstreet 2007 VF/NM 9.0 value = $490; NM- 9.2 value = $675. CGC census 12/07: 4 in 9.0, none higher. From the Toronto Collection.
Superman #94 (DC, 1955) CGC NM- 9.2 Cream to off-white pages. Clark finds himself in the clutches of a real Southern Belle ("You're still mah man, Clark!") on this Win Mortimer-drawn cover. Wayne Boring and Al Plastino provide interior art. This is currently the highest CGC-graded copy. Overstreet 2007 NM- 9.2 value = $675. CGC census 1/08: 1 in 9.2, none higher. From the Toronto Collection.
Superman #95 (DC, 1955) CGC VF/NM 9.0 Off-white pages. This last pre-code issue features a blond Jimmy Olsen, as well as a pesky practical joker, on this Al Plastino cover. Plastino and Wayne Boring provide story art. We're not kidding when we tell you that this colorful copy is currently unsurpassed in CGC's census. Overstreet 2007 VF/NM 9.0 value = $459; NM- 9.2 value = $625. CGC census 1/08: 2 in 9.0, none higher. From the Toronto Collection.
Superman #98 (DC, 1955) CGC VF/NM 9.0 Cream to off-white pages. Al Plastino cover. Plastino and Wayne Boring interior art. Overstreet 2007 VF/NM 9.0 value = $419; NM- 9.2 value = $575. CGC census 1/08: 1 in 9.0, 1 higher. From the Toronto Collection.
Superman #100 (DC, 1955) CGC VG/FN 5.0 Cream to off-white pages. 100th anniversary issues are generally special editions, and it's certainly true of this title. It's one the three most valuable issues of all to come out after WWII. The origin of Superman is retold, and Win Mortimer's cover commemorates earlier covers from issues #1, 25, 50, and 75. Wayne Boring and Al Plastino provided the interior art. Overstreet 2007 VG 4.0 value = $428; FN 6.0 value = $642. CGC census 1/08: 4 in 5.0, 13 higher. From the Keith Marlow Collection.
Superman's Pal Jimmy Olsen #2 (DC, 1954) CGC FN/VF 7.0 Cream to off-white pages. Super tough issue to locate in nice grades. This one's tied at the top of CGC's census as the highest grade certified to date for issue #2. Curt Swan cover and interior art. Overstreet 2007 FN 6.0 value = $408; VF 8.0 value = $1,156. CGC census 1/08: 2 in 7.0, none higher. From the Toronto Collection.
Superman's Pal Jimmy Olsen #3 (DC, 1955) CGC VF- 7.5 Cream to off-white pages. Here's a scoop worthy of Olsen: this third issue is as tough to find in grade as the notorious #1. We've got the highest-graded copy right here, Chief! Curt Swan is the cover artist. Overstreet 2007 VF 8.0 value = $629. CGC census 1/08: 1 in 7.5, none higher. From the Toronto Collection.
Superman's Pal Jimmy Olsen #4 (DC, 1955) Condition: VF. This extremely nice, single owner book could not be encapsulated by CGC due to a slight cover overhang. An early issue in series, this copy would have been the highest graded copy, as the current census topper is only a 5.0. Overstreet 2007 VF 8.0 value = $425. From the Toronto Collection.
Supersnipe Comics #12 Pennsylvania pedigree (Street & Smith, 1943) CGC VF/NM 9.0 Off-white pages. George Marcoux treats us to a football cover featuring the daydreaming original comic book geek! Marcoux also adds interior art. You should treat yourself to this lovely pedigree copy! Overstreet 2007 VF/NM 9.0 value = $509; NM- 9.2 value = $700. CGC census 1/08: 1 in 9.0, 1 higher.
Suspense Detective #5 Crowley Copy (Fawcett, 1953) CGC NM 9.4 Off-white pages. Highest-graded copy of this issue certified by CGC to date. Mike Sekowsky cover, with interior art by Sekowsky, Bernard Baily, and Alex Toth. Overstreet 2007 NM- 9.2 value = $270. CGC census 1/08: 1 in 9.4, none higher.
Tales From the Crypt #20 Gaines File pedigree (EC, 1950) CGC NM/MT 9.8 Off-white to white pages. Outrageous copy from the legendary Gaines Files of the first issue of this title, which had previously been The Crypt of Terror, previously Crime Patrol, previously International Crime Patrol, and previously International Comics... whew! The most enduring of the EC horror line featured a Johnny Craig cover, with stories illustrated by EC heavy hitters Craig, Al Feldstein, Graham Ingels, and Jack Kamen. You won't find a nicer copy! CGC has certified this as from the Gaines Files, but no certificate accompanies the book. Overstreet 2007 NM- 9.2 value = $1,875. CGC census 2/08: 5 in 9.8, none higher.
Tales From the Crypt #35 Gaines File pedigree (EC, 1953) CGC NM+ 9.6 Off-white to white pages. One of EC's most vivid horror images" is what James Van Hise called this Jack Davis cover... how could anyone disagree? The issue also has the infamous story drawn by Joe Orlando in which vampires attach a spigot to their victim's neck. Note that while CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2007 NM- 9.2 value = $670. CGC census 1/08: 5 in 9.6, none higher.
Target Comics #1 (Novelty Press, 1940) CGC VF+ 8.5 White pages. Superb copy of the longrunning title's first issue, right down to the white pages. Bill Everett did the cover and also provided some of the interior art along with other Golden Age artist icons Carl Burgos, Jack Cole, and Tarpe Mills. Featured are the first appearances of Manowar, T-Men, White Streak, and Bulls Eye Bill. Overstreet 2007 VF 8.0 value = $3,542; VF/NM 9.0 value = $6,071. CGC census 12/07: 1 in 8.5, 1 higher.
Target Comics #1 (Novelty Press, 1940) CGC FN 6.0 Off-white to white pages. This premiere issue features the origins and first appearances of Manowar, T-Men, White Streak, and Bull's Eye Bill, with art by industry heavyweights Carl Burgos, Joe Simon, and Tarpe Mills, and a cover by Bill Everett (using the pen name "Blake"). Marijuana use is mentioned in one story. One of the earliest comic Westerns, rated a 7, ("scarce") by Gerber's The Photo-Journal Guide to Comics. Overstreet 2007 FN 6.0 value = $1,518. CGC census 1/08: 2 in 6.0, 3 higher.
Target Comics #4 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 White pages. Only two unrestored copies of the issue have been certified by CGC to date, and the other one came in a bit behind... at VG+ 4.5! Our offering looks every bit a Mile High, complete with the tell-tale white pages. The early issues of this title boasted some pretty impressive artists, including in this issue alone, Timely's Carl Burgos, Bill Everett, Joe Simon, and Tarpe Mills, plus Golden Age great Jack Cole. Overstreet 2007 NM- 9.2 value = $2,200. CGC census 1/08: 1 in 9.6, none higher.
Target Comics V2#7 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 Off-white to white pages. Another amazing example from the Mile High collection. The Red Seal and White Streak put in appearances while Basil Wolverton adds his artistic touch to the interior of this beauty. Overstreet 2007 NM- 9.2 value = $835. CGC census 1/08: 0 in 9.6, 0 higher.
Terrific Comics #1 Crowley Copy pedigree (Continental Magazines, 1944) CGC VF- 7.5 Cream to off-white pages. Don Rico treats us to a creepy circus cover, complete with a sinister clown and L. B. Cole, the dynamic cover artist, gets interior art credit here. The ish starred Kid Terrific in this premiere issue, which also featured an opium story. This copy is currently tied with one other at the top of the CGC census. Overstreet 2007 VF 8.0 value = $2,074. CGC census 1/08: 2 in 7.5, none higher.
Terry-Toons Comics #1 (Timely, 1942) CGC VF 8.0 Off-white to white pages. Paul Terry's characters had appeared in big screen cartoons, but never before in comics. Gandy Goose and Sourpuss break the ice with their first comic book appearances in this issue, considered "scarce" by both Overstreet and Gerber's The Photo-Journal Guide to Comic Books. We've only offered this premiere issue on two previous occasions, and neither of those copies were as nice as this, currently the second highest-graded copy CGC has certified. Overstreet 2007 VF 8.0 value = $1,094. CGC census 12/07: 1 in 8.0, 1 higher. From the Fantastic Frank Collection.
The Thing! #17 Northford pedigree (Charlton, 1954) CGC NM 9.4 Off-white to white pages. Here's a beautiful, flawless black-background copy of the last issue of this title. Steve Ditko provides a colorful sorcerer cover, which brings to mind his later work on Dr. Strange for Marvel. Inside, there's a classic parody of "Through the Looking Glass" by Bob Powell. Art by another future Marvel regular, Dick Ayers, is featured inside as well. Overstreet 2007 NM- 9.2 value = $1,075. CGC census 1/08: 1 in 9.4, none higher.
This Magazine Is Haunted #8 Crowley Copy (Fawcett, 1952) CGC NM+ 9.6 Off-white pages. This is the only 9.6 copy, and highest-graded copy overall, that CGC has certified to date. Sheldon Moldoff's cover uses that old horror-mag tactic of questioning the reader's courage. Ha ha, how foolish... do be sure to check for a bogeyman under your bed before you read it, though. A frighteningly nice copy! Overstreet 2007 NM- 9.2 value = $310. CGC census 1/08: 1 in 9.6, none higher.
This Magazine Is Haunted #10 Crowley Copy (Fawcett, 1953) CGC NM- 9.2 Cream to off-white pages. Gerber's Photo Journal notes "classic cover" for this issue while assigning the book an "uncommon" rating. The cringe-inducing severed head cover and interior art are by Sheldon Moldoff. Overstreet 2007 NM- 9.2 value = $510. CGC census 1/08: 2 in 9.2, none higher.
Tom Mix Western #1 (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. After deserting the army to marry his first wife Grace Allin in 1902, Tom Mix began a Wild West career that would make him the #1 cowboy star in the silent films of the 1920s. Mix met his death in an auto accident in 1940, but by that time, a popular radio program (starring other actors as "Tom Mix") renewed his fame. A photo of the cowboy who appears on the Beatles' "Sgt. Pepper" album cover also graces the cover of this excellent census-topping copy. Overstreet 2007 NM- 9.2 value = $1,350. CGC census 1/08: 1 in 9.4, none higher.
Tom Mix Western #3 Crowley Copy pedigree (Fawcett, 1948) CGC NM- 9.2 Off-white pages. Painted/photo cover. Overstreet 2007 NM- 9.2 value = $385. CGC census 1/08: 2 in 9.2, 1 higher.
Tom Mix Western #17 Crowley Copy/File Copy (Fawcett, 1949) CGC VF/NM 9.0 Cream to off-white pages. Nice copy of this big 52-pager, which sports a painted cover. For this book, the cover bears a "Checking Copy" stamp, so common with this pedigree. Overstreet 2007 VF/NM 9.0 value = $174; NM- 9.2 value = $235. CGC census 1/08: 1 in 9.0, 2 higher.
Torchy #5 (Quality, 1950) CGC VF+ 8.5 Off-white to white pages. Ten - hut! Now what red-blooded male comic purveyor wouldn't have reacted to this titillating cover by Bill Ward when the issue hit the newsstand in 1950? Shoot, we're reacting to it right now! We won't even mention the lingerie panels inside! Overstreet 2007 VF 8.0 value = $625; VF/NM 9.0 value = $1,013. CGC census 1/08: 2 in 8.5, 3 higher.
True Brides' Experiences/True Bride-to-Be Romances File Copies Group (Harvey, 1955-58) Condition: Average VF/NM. This run includes excellent file copies of True Brides' Experiences #12-15, and #16 (last issue before title change); and True Bride-to-Be Romances #17 (Simon & Kirby cover), 18-28, #29 (one page of Matt Baker art), and 30. Several feature art by Bob Powell. Approximate Overstreet value for group = $700.
True Love Problems and Advice Illustrated File Copies Group (Harvey, 1949-58) Condition: Average VF/NM. This large high-grade group of Harvey file copies would be a great start or addition to any Golden Age romance collection. It consists of True Love Problems and Advice #3-20, 23-26, and 29-44; and Romance Stories of True Love #45-52. Artists include Lee Elias, Bob Powell, Matt Baker, Joe Simon, and Jack Kirby. Approximate Overstreet value for group = $2,100.
True Sport Picture Stories V2#6 Crowley Copy pedigree (Street & Smith, 1944) CGC NM+ 9.6 Off-white to white pages. William Mullin cover. Charlie Tomsley art. Overstreet 2007 NM- 9.2 value = $240. CGC census 1/08: 1 in 9.6, none higher.
Uncle Scrooge #8 (Dell, 1954) CGC NM 9.4 Off-white pages. The last copy of this book we sold in this grade wound up at $1,553! Carl Barks, who created Scrooge, handled story and art chores here. Overstreet 2007 NM- 9.2 value = $300. CGC census 1/08: 4 in 9.4, none higher. From the Toronto Collection.
Vault of Horror #12 (EC, 1950) CGC FN/VF 7.0 Off-white pages. Ranked as the #1 most valuable horror comic by Overstreet, this is tied with Crypt of Terror #17 as EC's first horror comic, and is designated a "scarce" issue by Overstreet. It's also the first issue of the series. Johnny Craig's cover is one of the more memorable EC efforts. CGC notes, "2 center wraps detached from top staple only." Overstreet 2007 FN 6.0 value = $1,401; VF 8.0 value = $3,666. CGC census 1/08: 3 in 7.0, 8 higher.
Walt Disney's Comics and Stories #28 Double Cover (Dell, 1943) CGC VF/NM 9.0 Off-white pages. Carl Buettner did the cute New Year's cover for this early issue, and this copy's the finest that CGC has certified to date. As an added attraction, there's the double cover! CGC notes, "1st cover 7.5, interior cover 9.0. Overstreet 2007 VF/NM 9.0 value = $597; NM- 9.2 value = $825. CGC census 1/08: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC VF 8.0 Off-white pages. The first new Donald Duck story by Carl Barks was in this issue (compare to Four Color #9, which was adapted from storyboards by Barks and a colleague). Walt Kelly is the cover artist. Overstreet 2007 VF 8.0 value = $2,131. CGC census 1/08: 1 in 8.0, 3 higher.
Walt Disney's Comics and Stories #33 (Dell, 1943) CGC VF 8.0 Cream to off-white pages. This issue's infinity cover by Carl Buettner features a great shot of the two stars of the book -- Mickey Mouse and Donald Duck -- and it's one of the standout covers of the series' run. Carl Barks provided the art for Donald's story. Overstreet 2007 VF 8.0 value = $713. CGC census 1/08: 1 in 8.0, 3 higher.
Walt Disney's Comics and Stories #34 (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. Carl Barks story and art. Walt Kelly Gremlins cover. Gremlins stories begin. Overstreet 2007 VF/NM 9.0 value = $941; NM- 9.2 value = $1,300. CGC census 1/08: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #35 (Dell, 1943) CGC VF 8.0 Cream to off-white pages. Walt Kelly shows he's a pretty "good duck artist" himself with this cute cover. The "good duck artist" Carl Barks provided scripts and story art. Overstreet 2007 VF 8.0 value = $538. CGC census 12/07: 2 in 8.0, 4 higher.
Walt Disney's Comics and Stories #38 (Dell, 1943) CGC VF/NM 9.0 Cream to off-white pages. A gorgeous run of Golden Age WDC&S starts with this great Halloween cover issue. Carl Barks had begun his classic series of 10-page Donald Duck stories only a few issues earlier, in #32. This copy exhibits great cover colors, and looks very clean, flat, and fresh. Overstreet 2007 VF/NM 9.0 value = $597; NM- 9.2 value = $825. CGC census 1/08: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #39 (Dell, 1943) CGC VF- 7.5 Cream to off-white pages. A typically grumpy Donald Duck can't spoil the boys' Christmas spirit on this festive cover. Carl Barks contributes story and art inside, as does Al Taliaferro. Overstreet 2007 VF 8.0 value = $369. CGC census 1/08: 1 in 7.5, 3 higher.
Walt Disney's Comics and Stories #40 (Dell, 1944) CGC VF- 7.5 Cream to off-white pages. Two titans in the world of Funny Animal comics, Walt Kelly, and Carl Barks, contribute stories and art to this issue. This black background cover has held up well, with very little wear evident. Overstreet 2007 VF 8.0 value = $369. CGC census 1/08: 1 in 7.5, 4 higher.
Walt Disney's Comics and Stories #41 (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. Walt Kelly gives us a terrific team-up cover, featuring Donald and Mickey -- looks like Donald's having "snow fun" as the two sled down a snowy hill. Carl Barks art, plus a Gremlins appearance by Kelly, makes this a must-have issue, especially in this nice condition. Overstreet 2007 NM- 9.2 value = $650. CGC census 1/08: 1 in 9.2, 1 higher.
Walt Disney's Comics and Stories #42 (Dell, 1944) CGC VF 8.0 Cream to off-white pages. Walt Kelly's cover find's Donald "gone with the wind" as the month of March blows in. Carl Barks story and art is featured. This attractive copy is currently unsurpassed in CGC's census report for issue #42. Overstreet 2007 VF 8.0 value = $293. CGC census 1/08: 2 in 8.0, none higher.
Walt Disney's Comics and Stories #43 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Donald dances a jig with our favorite dwarf on this colorful Walt Kelly cover. Carl Barks story and art is featured. This is a sweet, problem-free copy. Overstreet 2007 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 1/08: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #45 (Dell, 1944) CGC VF/NM 9.0 Cream to off-white pages. Donald joins the Dwarfs for a "jam session" on this great Walt Kelly cover, one of our personal favorites. Nazis appear in this issue's Mickey Mouse story by Floyd Gottfredson art, and Carl Barks story and art is also featured. It's another sweet copy, with nice sharp corners and a smooth spine. Overstreet 2007 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 1/08: 1 in 9.0, 2 higher.
Walt Disney's Comics and Stories #46 (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. This unusual World War II cover features Donald Duck as Uncle Sam, selling War Bonds. The cover is by Walt Kelly, while Carl Barks story and art is featured inside. This recently slabbed copy is currently topping the CGC census for this issue. Overstreet 2007 NM- 9.2 value = $650. CGC census 1/08: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #47 (Dell, 1944) CGC NM 9.4 Cream to off-white pages. Walt Kelly's cover features Donald Duck and Dopey, "sharing" an ice cream treat. There's a Carl Barks story, and Nazis appear in the Mickey Mouse story by Floyd Gottfredson. This exceptional copy easily tops the current CGC census report for this issue. Overstreet 2007 NM- 9.2 value = $650. CGC census 1/08: 1 in 9.4, none higher.
Walt Disney's Comics and Stories #49 (Dell, 1944) CGC VF- 7.5 Cream to off-white pages. Walt Kelly's cover teams Donald, Mickey, and a pesky, "double-stinger" hornet! Nazis appear in Floyd Gottfredson's Mickey Mouse stories. Carl Barks and Al Taliaferro art is also featured. Overstreet 2007 VF 8.0 value = $293. CGC census 1/08: 2 in 7.5, 2 higher.
Walt Disney's Comics and Stories #51 (Dell, 1944) CGC VF 8.0 Cream to off-white pages. It's Christmas time again at the Duck household, in this wonderfully witty Walt Kelly cover. Carl Barks keeps the fun going with another 10-page Donald story inside. Overstreet 2007 VF 8.0 value = $205. CGC census 1/08: 1 in 8.0, 1 higher.
Walt Disney's Comics and Stories #52 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Walt Kelly's cover again features both Donald Duck and Mickey Mouse. Inside, there's Carl Barks art, and Li'l Bad Wolf stories begin. This copy is as pretty as a picture, and is unsurpassed in the current CGC census. Overstreet 2007 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 1/08: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #54 (Dell, 1945) CGC NM- 9.2 Off-white pages. Walt Kelly's cover has Donald resorting to a little "extra" luck in his battle with a boxing kangaroo. A Carl Barks story is also featured. Who'll be the lucky bidder to win this prize specimen? It's currently the CGC-census champ! Overstreet 2007 NM- 9.2 value = $470. CGC census 1/08: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #55 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. There goes Donald's paint job, in this cute Walt Kelly cover. Carl Barks contributes a story inside. This one leads the pack by a country mile, in the current CGC census for issue #55. Overstreet 2007 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 1/08: 1 in 9.0, none higher.
Walt Disney's Comics and Stories #56 (Dell, 1945) CGC VF/NM 9.0 Cream to off-white pages. Carl Buettner's cover has Donald in Sherlock Holmes mode, much to the delight of Huey, Dewey, and Louie! Carl Barks art is featured inside. Overstreet 2007 VF/NM 9.0 value = $338; NM- 9.2 value = $470. CGC census 1/08: 1 in 9.0, 2 higher.
Walt Disney's Comics and Stories #59 (Dell, 1945) CGC VF+ 8.5 Cream to off-white pages. Walt Kelly's colorful cover has Donald in a bad mood -- again. Carl Barks art. Another superb copy, currently unsurpassed in CGC's census report. Overstreet 2007 VF 8.0 value = $205; VF/NM 9.0 value = $338. CGC census 1/08: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #60 (Dell, 1945) CGC VF- 7.5 Cream to off-white pages. A hungry ostrich teams with Donald Duck in this issue's cover, drawn by Walt Kelly. Carl Barks art is featured inside. Overstreet 2007 VF 8.0 value = $205. CGC census 1/08: 1 in 7.5, 2 higher.
Walt Disney's Comics and Stories #64 (Dell, 1946) CGC NM- 9.2 Off-white pages. The boys are on their best behavior (for the most part) in this Walt Kelly Christmas cover. Inside, there's Carl Barks art, plus a Pinocchio story. It's a real prize of a copy, currently the highest to be CGC-graded. Overstreet 2007 NM- 9.2 value = $405. CGC census 1/08: 1 in 9.2, none higher.
Walt Disney's Comics and Stories #71 (Dell, 1946) CGC VF+ 8.5 Cream to off-white pages. Donald attempts to strike up a tune in this fun Walt Kelly cover. Carl Barks art is featured. This pretty copy is currently unsurpassed, CGC-wise. Overstreet 2007 VF 8.0 value = $133; VF/NM 9.0 value = $219. CGC census 1/08: 1 in 8.5, none higher.
Walt Disney's Comics and Stories #78 (Dell, 1947) CGC VF/NM 9.0 Cream to off-white pages. Donald's walking into this deal with eyes wide open -- will he go for it? With Carl Barks (catch his name on the cover) and Walt Kelly art, this beautiful copy will have no problem finding a buyer. Overstreet 2007 VF/NM 9.0 value = $219; NM- 9.2 value = $305. CGC census 1/08: 1 in 9.0, 1 higher.
Walt Disney's Comics and Stories #171 (Dell, 1954) CGC NM+ 9.6 Off-white pages. The only copy certified above 9.2 as of this writing. Carl Barks cover and art. Overstreet 2007 NM- 9.2 value = $80. CGC census 1/08: 1 in 9.6, none higher. From the Toronto Collection.
War Against Crime #10 Gaines File pedigree 4/11 (EC, 1949) CGC NM+ 9.6 Off-white to white pages. This issue had the first Vault Keeper and the first Vault of Horror. After one more issue the title itself would change to The Vault of Horror, and the New Trend in comics would be in full bloom. Johnny Craig did the cover and contributed interior art along with Al Feldstein. Super-nice copy from the Gaines Files. Overstreet 2007 NM- 9.2 value = $3,250. CGC census 2/08: 1 in 9.6, 6 higher.
Weird Science-Fantasy #29 (EC, 1955) CGC VF- 7.5 Off-white to white pages. The final issue of the run had a memorable Frank Frazetta cover that was originally designated for Famous Funnies, which did feature Frazetta covers for eight issues. This one, though, was deemed too violent for that title... but just fine for EC! Additional outstanding art could be found on the interior where Al Williamson (inked by Roy Krenkel), Wally Wood, Reed Crandall, and Joe Orlando plied their talents. Overstreet 2007 VF 8.0 value = $620. CGC census 2/08: 3 in 7.5, 14 higher. From the Toronto Collection.
Whiz Comics #25 (Fawcett, 1941) CGC Apparent VF 8.0 Extensive (P) Off-white pages. One of the major Fawcett keys, this issue features the first appearance and origin of Captain Marvel Jr. According to CGC, it's the first time that a story that began in one title was continued in another (elements of this story began and ended in the pages of Master Comics). The cover is by C. C. Beck, while the key story is by the "dream team" of Beck and Mac Raboy. A text feature recounts the origin of the elderly wizard Shazam. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cover cleaned, interior lightened, reinforced." Overstreet 2007 GD 2.0 value = $547; VG 4.0 value = $1,094; FN 6.0 value = $1,641; VF 8.0 value = $3,829.
Whiz Comics #133 Crowley Copy pedigree (Fawcett, 1951) CGC NM 9.4 Off-white pages. This ish includes a Basil Wolverton "Culture Corner" backup feature, a Pete Costanza cover, and Kurt Schaffenberger art. A very nice copy. Overstreet 2007 NM- 9.2 value = $295. CGC census 1/08: 1 in 9.4, 1 higher.
Win A Prize Comics #2 (Charlton, 1955) CGC VF+ 8.5 Off-white pages. One of the very toughest Simon and Kirby comics to find is this two-issue series. We last offered a copy in 2003, and that 5.5 specimen and this one are the only two on CGC's census as of this writing. Don't feel bad if you didn't know S & K worked for Charlton at all... this contest-filled comic is certainly one of their most unusual efforts. Overstreet 2007 VF 8.0 value = $305; VF/NM 9.0 value = $490. CGC census 12/07: 1 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #65 (DC, 1954) CGC VF 8.0 Cream to off-white pages. Wonder Woman goes tornado chasing in this issue -- can the Amazon Princess tame a twister? The Duke of Deception also makes an appearance. This sharp example is currently the highest CGC-graded copy. Overstreet 2007 VF 8.0 value = $231. CGC census 1/08: 1 in 8.0, none higher. From the Toronto Collection.
Wonder Woman #66 (DC, 1954) CGC VF- 7.5 Off-white pages. Apparently, the origin of Wonder Woman's tiara cover story is for the birds. The Duke of Deception makes an appearance. Cover by Irv Novick and interior art by H. G. Peter. Currently, the highest CGC-graded copy. Overstreet 2007 VF 8.0 value = $231. CGC census 1/08: 1 in 7.5, none higher. From the Toronto Collection.
Wonder Woman #69 (DC, 1954) CGC VF+ 8.5 Cream to off-white pages. Irv Novick cover. H. G. Peter art. Overstreet 2007 VF 8.0 value = $231; VF/NM 9.0 value = $358. CGC census 1/08: 2 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #73 (DC, 1955) CGC VF+ 8.5 Off-white pages. Perhaps Steven Spielberg got his idea for "Close Encounters" from this Irwin Hasen cover featuring a flying ship over Devil's Tower. H. G. Peter interior art. An amazing copy from the Toronto collection. Overstreet 2007 VF 8.0 value = $204; VF/NM 9.0 value = $315. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #74 (DC, 1955) CGC NM- 9.2 Cream to off-white pages. Wonder Woman takes the bull by the horns on this near perfect copy from the single owner Toronto Collection. It showcases an Irwin Hasen cover and dynamic H. G. Peter interior art. Overstreet 2007 NM- 9.2 value = $425. CGC census 1/08: 1 in 9.2, none higher. From the Toronto Collection.
World's Best Comics #1 (DC, 1941) CGC FN+ 6.5 Off-white pages. This title introduced the unbeatable team of Superman and Batman on its covers (they wouldn't actually team up in a story for another 13 years, though) before becoming World's Finest Comics from issue #2 on. It features a great Fred Ray cover, with numerous Golden Age legends contributing interior art, among them Bob Kane, Creig Flessel, Harry Lampert, Paul Gustavson, and Howard Purcell. Overstreet 2007 FN 6.0 value = $4,236; VF 8.0 value = $10,000. CGC census 1/08: 4 in 6.5, 11 higher.
World's Finest Comics #3 (DC, 1941) CGC VF- 7.5 Off-white pages. The Sandman begins his run while Johnny Thunder ends his, in this third issue, which also features the origin and first appearance of the Scarecrow. Jack Burnley provided the baseball-themed cover, while Creig Flessel, Bob Kane, and Jerry Robinson are among the story artists. Overstreet 2007 VF 8.0 value = $2,152. CGC census 2/08: 2 in 7.5, 5 higher.
World's Finest Comics #4 (DC, 1941) CGC VF 8.0 Off-white to white pages. Fred Ray cover featuring Batman and Robin and Superman hitting the slopes. This is a beautiful 96-page square bound copy, difficult to find in such a high grade due to the easily creased cardboard cover. Overstreet 2007 VF 8.0 value = $1,606. CGC census 1/08: 1 in 8.0, 4 higher.
World's Finest Comics #6 (DC, 1942) CGC FN/VF 7.0 Off-white pages. Relatively high grade for an early issue of this title, which famously featured cardboard covers that were easily bent, creased, and smushed. The only copies in CGC's census that are nicer are a barely-nicer VF- 7.5 in grade. The Star Spangled Kid begins this issue, which also has an Aquaman story. Fred Ray cover. Jack Kirby, Jerry Robinson, and John Sikela art. Overstreet 2007 FN 6.0 value = $567; VF 8.0 value = $1,181. CGC census 12/07: 6 in 7.0, 3 higher. From the Fantastic Frank Collection.
World's Finest Comics #8 (DC, 1942) CGC FN/VF 7.0 Cream to off-white pages. Jack Burnley's great "Sink the Japanazis" bonds and war stamps cover, showing Batman making the "V for Victory" finger sign, has always made this early, cardboard-cover issue a fan favorite. The Boy Commandos feature starts, with art by Joe Simon and Jack Kirby, and the first issue of their title is highlighted by a full-page ad on the back cover. Overstreet 2007 FN 6.0 value = $537; VF 8.0 value = $1,119. CGC census 1/08: 2 in 7.0, 7 higher.
World's Finest Comics #10 (DC, 1943) CGC FN/VF 7.0 White pages. This one boasts very fresh cover colors, and we like the page quality too. Batman, Superman, Green Arrow, and the Boy Commandos appear... not to forget the Star-Spangled Kid and Stripesy! Overstreet 2007 FN 6.0 value = $504; VF 8.0 value = $1,050. CGC census 1/08: 2 in 7.0, 7 higher.
World's Finest Comics #10 (DC, 1943) CGC GD+ 2.5 Brittle pages. Batman, Superman, Green Arrow, and the Boy Commandos appear. First appearance of the Insect Master. Bob Kane, Joe Simon, Jack Kirby, Bob Kane, and Jerry Robinson art. CGC notes, "Cover detached." Overstreet 2007 GD 2.0 value = $168. CGC census 12/07: 2 in 2.5, 23 higher. From the Fantastic Frank Collection.
World's Finest Comics #13 (DC, 1944) CGC VF/NM 9.0 Off-white pages. This issue's Superman, Batman, and Robin cover illustration by Jerry Robinson promotes a war-time paper drive. Ironically, while this noble cause did help the war effort, it also consumed tons of early comic books. Fortunately, this beautiful specimen survived. Contents include a Boy Commandos story by Simon & Kirby. Overstreet 2007 VF/NM 9.0 value = $1,394; NM- 9.2 value = $1,925. CGC census 1/08: 3 in 9.0, 2 higher.
World's Finest Comics #14 Crowley Copy (DC, 1944) CGC NM- 9.2 Off-white to white pages. Jack Burnley provides the cool, refreshing summertime cover, while Wayne Boring, Jerry Robinson, and Hal Sherman deliver the artistic goods inside. This superb pedigreed copy currently tops the CGC census report for this issue. Overstreet 2007 NM- 9.2 value = $1,925. CGC census 1/08: 1 in 9.2, none higher.
World's Finest Comics #17 (DC, 1945) CGC VF+ 8.5 White pages. Here's the last issue of World's Finest to feature a cardboard cover. The rickshaw cover illustration is by Jack Burnley, while a Batman story with art by Dick Sprang is the highlight inside. Supporting features include Green Arrow and the Boy Commandos. Overstreet 2007 VF 8.0 value = $863; VF/NM 9.0 value = $1,394. CGC census 1/08: 3 in 8.5, 4 higher.
World's Finest Comics #28 Crowley Copy (DC, 1947) CGC NM- 9.2 Cream to off-white pages. This one's got it all: a great Jack Burnley cover, Superman battling Lex Luthor in one of the stories, and Batman, Green Arrow, and the Boy Commandos starring in tales of their own. It seems incredible that there are copies graded higher on CGC's census -- this beautiful copy has everything you could want in a square bound Golden Age comic. Also, football fans will love the back cover ad that tells the story of the infamous mistake by California's Roy "Wrong-Way" Riegels. Overstreet 2007 NM- 9.2 value = $1,250. CGC census 1/08: 2 in 9.2, 3 higher.
World's Finest Comics #71 (DC, 1954) CGC FN- 5.5 Off-white pages. The combination of "scarce" (according to Overstreet) and "key" (Batman and Superman begin as a team) makes this a highly sought-after issue, and more valuable than any other non-cardboard cover issue (#s 1-17). Win Mortimer did the cover; Curt Swan and Nick Cardy contributed interior art. Overstreet 2007 FN 6.0 value = $387. CGC census 11/07: 1 in 5.5, 8 higher. From the Toronto Collection.
World's Finest Comics #72 (DC, 1954) CGC VF- 7.5 Cream to off-white pages. This Overstreet "scarce" issue contains a full page ad for Superman's Pal Jimmy Olsen #1. It looks like Batman and Robin have become "cling-ons" on this Curt Swan cover. Swan, George Papp, and Nick Cardy interior art. Overstreet 2007 VF 8.0 value = $538. CGC census 1/08: 3 in 7.5, 1 higher. From the Toronto Collection.
World's Finest Comics #73 (DC, 1954) CGC VF- 7.5 Cream to off-white pages. Another excellent book from the Toronto Collection. Overstreet calls this issue "scarce." A Curt Swan cover and interior art by Nick Cardy and George Papp only add to the desirability of this copy. Overstreet 2007 VF 8.0 value = $538. CGC census 1/08: 3 in 7.5, 1 higher. From the Toronto Collection.
World's Finest Comics #75 (DC, 1955) CGC VF+ 8.5 Off-white pages. This is the first Comics Code approved issue of the title. Graced by a Curt Swan cover and George Papp art, this is a lovely copy. Overstreet 2007 VF 8.0 value = $381; VF/NM 9.0 value = $616. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
World's Finest Comics #76 (DC, 1955) CGC VF+ 8.5 Off-white pages. Detailed cityscapes were a rare sight on DC covers, so have a look at this one by Win Mortimer. Superman and Batman star, as usual. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 12/07: 1 in 8.5, 1 higher. From the Toronto Collection.
World's Finest Comics #77 (DC, 1955) CGC VF+ 8.5 Off-white pages. Curt Swan cover. Batman gets Superman's powers. Overstreet 2007 VF 8.0 value = $293; VF/NM 9.0 value = $472. CGC census 12/07: 1 in 8.5, none higher. From the Toronto Collection.
Worlds of Fear #7 Crowley Copy (Fawcett, 1952) CGC NM 9.4 Off-white to white pages. It's horror and violins on this cover by Sheldon Moldoff. This is the highest-graded copy of this issue certified by CGC to date. Overstreet 2007 NM- 9.2 value = $400. CGC census 1/08: 1 in 9.4, none higher.
Wow Comics #17 Rockford pedigree (Fawcett, 1943) CGC NM 9.4 Cream to off-white pages. The first appearance of Ranger the Marvel Dog and a fight between Mary Batson and Mary Marvel highlight this fine looking pedigree book with a Jack Binder cover. Binder and Bert Whitman contribute interior art. Overstreet 2007 NM- 9.2 value = $650. CGC census 1/08: 2 in 9.4, none higher.
Young Allies Comics #1 (Timely, 1941) CGC Apparent FN- 5.5 Moderate (P) Cream to off-white pages. This quintessential Timely had a Red Skull/Hitler cover by Jack Kirby and Syd Shores, who also provided interior art, as did Charles Nicholas. The origin and first appearance of the Young Allies is featured. CGC notes, "Restoration includes: color touch, spine splits sealed, tear seals, reinforced. Overstreet 2007 GD 2.0 value = $1,365; VG 4.0 value = $2,730; FN 6.0 value = $4,095. From the Fantastic Frank Collection.
Young Allies Comics #2 (Timely, 1941) CGC Apparent VG/FN 5.0 Slight (A) Cream to off-white pages. Simon & Kirby are responsible for the great cover, with Stan Lee contributing a story and Al Gabriele furnishing interior art in this issue. Captain America and the Human Torch are featured. CGC notes, "Restoration includes: 2 center wraps reinforced with glue." Overstreet 2007 GD 2.0 value = $381; VG 4.0 value = $762; FN 6.0 value = $1,143. From the Fantastic Frank Collection.
Young Men #24 (Atlas, 1953) CGC FN- 5.5 Off-white to white pages. This was the first comic book of Marvel's "superhero revival" period that reintroduced the Human Torch, Captain America, and the Sub-Mariner to comic fans. Featured were recaps the origins of all three heroes, plus appearances by dastardly villains Hitler and the Red Skull. Russ Heath, Bill Everett, and John Romita Sr. handled the interior art. Overstreet 2007 FN 6.0 value = $888. CGC census 2/08: 2 in 5.5, 6 higher. From the Toronto Collection.
Young Men #25 (Atlas, 1954) CGC VF- 7.5 Cream to off-white pages. Just one other copy, at VF 8.0, has earned a higher grade than this from CGC. These mid-1950s Atlases just don't turn up often in nice grades! Captain America, Sub-Mariner, and Human Torch stories begin with this issue, which has a Statue of Liberty cover and John Romita Sr and interior art by Carl Burgos and Bill Everett. Overstreet 2007 VF 8.0 value = $713. CGC census 1/08: 2 in 7.0, 1 higher. From the Toronto Collection.
Young Men #26 (Atlas, 1954) CGC FN+ 6.5 Cream to off-white pages. One of the nicer copies you'll find of this issue. CGC lists only a 7.5 copy and a 7.0 copy ahead of it in its census at this time. Featured are Human Torch, Captain America, and Sub-Mariner stories, and the first appearance of the Vulture. Bill Everett, Dick Ayers, and John Romita Sr. contributed interior art. Overstreet 2007 FN 6.0 value = $342; VF 8.0 value = $713. CGC census 1/08: 3 in 6.5, 2 higher. From the Toronto Collection.
Young Men #27 (Atlas, 1954) CGC FN+ 6.5 Off-white pages. Over the past year, this title has become much more sought-after, as one of the scarcer Atlas titles from the era. Dick Ayers provided the cover and John Romita Sr Carl Burgos, and Bill Everett contributed interior art for this issue, which had the "death" of the Red Skull. Overstreet 2007 FN 6.0 value = $342; VF 8.0 value = $713. CGC census 1/08: 5 in 6.5, 6 higher. From the Toronto Collection.
Young Men #28 (Atlas, 1954) CGC FN 6.0 Off-white to white pages. The final issue in the short-lived run had Human Torch, Captain America, and Sub-Mariner stories with art by Bill Everett and John Romita Sr. Overstreet 2007 FN 6.0 value = $342. CGC census 1/08: 3 in 6.0, 3 higher. From the Toronto Collection.
Zip Comics #2 (MLJ , 1940) CGC VF- 7.5 Cream to off-white pages. Charles Biro, the Golden Age's most prolific cover artist, provided the Steel Sterling cover for this issue, which featured story art from Biro, Irv Novick, and Mort Meskin. This is the finest copy of issue #2 we've ever offered, and it's the second nicest copy CGC has certified to date. Overstreet 2007 VF 8.0 value = $1,538. CGC census 12/07: 1 in 7.5, 1 higher.
Session 2
Silver Age (1956-1969)
Action Comics #215 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. Fronted by a rocket ship cover by Wayne Boring, this issue has interior art by Boring and Jim Mooney. A very sharp looking copy. Overstreet 2007 VF/NM 9.0 value = $434; NM- 9.2 value = $600. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #216 (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. Wayne Boring robot cover. Boring and Jim Mooney interior art. Overstreet 2007 VF 8.0 value = $268; VF/NM 9.0 value = $434. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #217 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. Super-Baby appearance. Al Plastino did the cover and contributed interior art along with Jim Mooney. Overstreet 2007 VF/NM 9.0 value = $434; NM- 9.2 value = $600. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #221 (DC, 1956) CGC VF+ 8.5 Off-white pages. Considered to be the first Silver Age issue of the title. Al Plastino cover, with Wayne Boring, Howard Sherman, and Jim Mooney interior art. This is currently the only CGC-graded copy of this issue. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #222 (DC, 1956) CGC NM 9.4 Off-white to white pages. From the Toronto Collection comes this amazing census topping copy with an Al Plastino cover and interior art. There is a Tommy Tomorrow backup story and additional artwork by Howard Sherman and Jim Mooney. The next closest book on the CGC census sits at a lowly 8.5. Overstreet 2007 NM- 9.2 value = $500. CGC census 1/08: 1 in 9.4, none higher. From the Toronto Collection.
Action Comics #223 (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. Wayne Boring cover with interior art by Boring, Jim Mooney and Howard Sherman. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #224 (DC, 1957) CGC VF/NM 9.0 Off-white pages. First Golden Gorilla story in Congo Bill. Al Plastino cover. Wayne Boring, Howard Sherman, and Jim Mooney art. Overstreet 2007 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #225 (DC, 1957) CGC VF+ 8.5 Off-white pages. "Kongorilla" appears in the Congo Bill story, he's considered a prototype for the later stories when Bill became Congorilla! The robot cover is by Al Plastino. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Golden Age (1938-1955)
Action Comics #227 (DC, 1957) CGC VF/NM 9.0 Off-white pages. Here's the finest copy known to CGC to date, and one of just a handful to score better than FN 6.0. Wayne Boring cover. Boring, Howard Sherman, and Jim Mooney art. Overstreet 2007 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Silver Age (1956-1969)
Action Comics #230 (DC, 1957) CGC VF+ 8.5 Off-white pages. First appearance of the Mad Hatter. Brief recap of the origin of Martian Manhunter. Al Plastino cover. Wayne Boring, Nick Cardy, and Jim Mooney art. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #231 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. So hard to find this issue in high grade -- CGC has certified only two copies nicer than FN+ 6.5 to date, both at this grade. We've only offered this issue on three previous occasions in any grade! Wayne Boring cover. Boring, Nick Cardy, and Jim Mooney art. Overstreet 2007 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 12/07: 2 in 9.0, none higher. From the Toronto Collection.
Action Comics #235 (DC, 1957) CGC VF/NM 9.0 Off-white pages. Curt Swan cover. Wayne Boring, Jim Mooney, and Howard Sherman art. Overstreet 2007 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Action Comics #237 (DC, 1958) CGC VF/NM 9.0 Cream to off-white pages. These gorgeous books from the Toronto Collection just keep on coming. This one sports a Curt Swan cover with Wayne Boring, Howard Sherman, and Jim Mooney interior art. Overstreet 2007 VF/NM 9.0 value = $368; NM- 9.2 value = $500. CGC census 1/08: 1 in 9.0, 1 higher. From the Toronto Collection.
Action Comics #238 (DC, 1958) CGC VF+ 8.5 Off-white to white pages. Curt Swan cover. Wayne Boring, Jim Mooney, and Howard Sherman art. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Action Comics #240 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Curt Swan cover. Wayne Boring, Jim Mooney, and Howard Sherman art. Overstreet 2007 VF 8.0 value = $235; VF/NM 9.0 value = $368. CGC census 1/08: 1 in 8.5, 1 higher. From the Toronto Collection.
Action Comics #241 (DC, 1958) CGC VF+ 8.5 Cream to off-white pages. Here's another of the hard-to-find in high grade, early 1950s DC issues from the Toronto Collection. This copy is barely nudged out by a 9.0 copy as the finest that CGC has certified to date. There's a Batman appearance here, but the real event is the first appearance of the Fortress of Solitude (aka Fort Superman). Curt Swan cover. Wayne Boring, Jim Mooney, and Howard Sherman art. Overstreet 2007 VF 8.0 value = $196; VF/NM 9.0 value = $303. CGC census 1/08: 1 in 8.5, 1 higher. From the Toronto Collection.
Action Comics #285 (DC, 1962) CGC NM- 9.2 Off-white pages. This is a popular issue because it was the one that saw Supergirl's existence revealed to the world (she had spent her first three years or so as Superman's secret weapon). The issue also had a pretty early Legion of Super-Heroes outing, and there are even cameos by John F. Kennedy and the First Lady. Curt Swan is the cover artist. Overstreet 2007 NM- 9.2 value = $260. CGC census 1/08: 5 in 9.2, 4 higher.
Action Comics #327 (DC, 1965) CGC NM+ 9.6 Off-white pages. It's an "imaginary story" issue, with Curt Swan handling cover art chores. Overstreet 2007 NM- 9.2 value = $90. CGC census 12/07: 3 in 9.6, 2 higher. From the Fantastic Frank Collection.
Action Comics #329 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Curt Swan drew the cover of this "imaginary story" ish. Overstreet 2007 NM- 9.2 value = $90. CGC census 12/07: 3 in 9.6, none higher. From the Fantastic Frank Collection.
Adventure Comics #220 (DC, 1956) CGC VF 8.0 Off-white pages. CGC hasn't certified a nicer copy yet for this issue, which has an early Krypto appearance. Curt Swan did the cover and also contributed interior art. Overstreet 2007 VF 8.0 value = $241. CGC census 12/07: 2 in 8.0, none higher. From the Toronto Collection.
Adventure Comics #222 (DC, 1956) CGC NM 9.4 Off-white pages. A beautiful copy from the single owner Toronto Collection. Curt Swan treats us to the cover and some interior art. Overstreet 2007 NM- 9.2 value = $375. CGC census 1/08: 1 in 9.4, none higher. From the Toronto Collection.
Adventure Comics #231 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. A Curt Swan cover graces this wonderful Toronto copy. The only other copy on the current CGC census sits at a mere 4.0! Overstreet 2007 VF/NM 9.0 value = $278; NM- 9.2 value = $375. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Adventure Comics #234 (DC, 1957) CGC VF+ 8.5 Cream to off-white pages. If you're looking for a nicer copy, you may be out of luck! This one has earned CGC's highest grade to date for issue #234. Curt Swan did the cover, and Ramona Fradon contributed interior art. Overstreet 2007 VF 8.0 value = $180; VF/NM 9.0 value = $278. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Adventure Comics #235 (DC, 1957) CGC VF+ 8.5 Cream to off-white pages. We're seeing a pattern here... another Toronto Collection copy that's at the top of CGC's graded list for the issue. Curt Swan cover. Overstreet 2007 VF 8.0 value = $180; VF/NM 9.0 value = $278. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Adventure Comics #248 (DC, 1958) CGC VF+ 8.5 Off-white pages. This is the nicest of just two copies of #248 to be certified by CGC to date. The nifty four-panel cover is by Curt Swan. Early Golden Age great Creig Flessel and Ramona Fradon did some of the interior. Overstreet 2007 VF 8.0 value = $152; VF/NM 9.0 value = $234. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Adventure Comics #249 (DC, 1958) CGC VF/NM 9.0 Cream to off-white pages. A Curt Swan cover and Ramona Fradon interior art are featured. This Toronto copy is tied with one other book for the current highest CGC grade. Overstreet 2007 VF/NM 9.0 value = $234; NM- 9.2 value = $315. CGC census 1/08: 2 in 9.0, none higher. From the Toronto Collection.
Bronze Age (1970-1979)
Amazing Adventures #11 The Beast (Marvel, 1972) CGC NM 9.4 White pages. Sparkling copy of the issue that had the first appearance of the "furry" Beast, whose X-Men compadres also make an appearance. Gil Kane and Bill Everett cover with Tom Sutton and Syd Shores art. Overstreet 2007 NM- 9.2 value = $225. CGC census 2/08: 27 in 9.4, 17 higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
Amazing Fantasy #15 (Marvel, 1962) CGC Apparent VF+ 8.5 Extensive (P) Off-white pages. Everyone's favorite web slinger swings into action for the very first time in this, the ultimate origin issue. The first appearances of Uncle Ben and Aunt May are rendered by Steve Ditko who also assists Jack "King" Kirby on the cover chores. The restoration work on this book was masterfully done. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed." Don't miss your opportunity to own a copy of one of the most sought-after Silver Age Marvel comics. Overstreet 2007 GD 2.0 value = $1,600; VG 4.0 value = $3,200; FN 6.0 value = $4,800; VF 8.0 value = $14,000; VF/NM 9.0 value = $29,000.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN/VF 7.0 Off-white pages. The ol' Web Slinger's first issue -- what red-blooded Silver Age fan (especially those of the Marvel persuasion) can resist this classic comic? In case you need reminding, here are the basics: Spider-Man's origin is retold. First Fantastic Four crossover. First appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Steve Ditko cover (Jack Kirby layouts) and art. And as for this particular copy, it's a honey of an example, free of Marvel chipping or other obvious problems. Overstreet 2007 FN 6.0 value = $3,075; VF 8.0 value = $9,500. CGC census 1/08: 33 in 7.0, 94 higher.
The Amazing Spider-Man #1 (Marvel, 1963) CGC FN- 5.5 Cream to off-white pages. Easily Marvel's most popular character, the first issue of his own title was actually his second comic book appearance, the first coming some six months earlier in Amazing Fantasy #15. The Web Slinger's origin is retold in this issue, and the Fantastic Four make their first crossover appearance in a star-studded story. Other firsts include the appearances of John Jameson, J. Jonah Jameson, and the Chameleon. Jack Kirby and Steve Ditko combined talents for the cover, with Ditko doing the story art. Overstreet 2007 FN 6.0 value = $3,075. CGC census 1/08: 62 in 5.5, 217 higher. From the Furfferi Collection.
The Amazing Spider-Man #6 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Another landmark issue, featuring the first appearance of the Lizard. Who else but Steve Ditko could provide such dramatic cover and art? We still love you, Steve! Overstreet 2007 VF 8.0 value = $1,374; VF/NM 9.0 value = $2,412. CGC census 1/08: 22 in 8.5, 55 higher.
The Amazing Spider-Man #9 (Marvel, 1964) CGC VF 8.0 White pages. More and more collectors seem to be searching for those two little words that really make a difference in vintage comics -- White Pages. This sharp copy's got 'em, buddy! Origin and first appearance of Electro. Steve Ditko cover and art. Overstreet 2007 VF 8.0 value = $952. CGC census 1/08: 52 in 8.0, 88 higher.
The Amazing Spider-Man #14 (Marvel, 1964) CGC VF+ 8.5 Cream to off-white pages. Pretty copy of one the key Marvel Age issues of all, which featured the first appearance of the Green Goblin (Norman Osborn). Outside of the first five issues, this is the most valuable in the run. There's also a Hulk crossover appearance in this issue, which has Steve Ditko cover and interior art. Overstreet 2007 VF 8.0 value = $1,470; VF/NM 9.0 value = $2,585. CGC census 12/07: 65 in 8.5, 103 higher.
The Amazing Spider-Man #45 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. Third appearance of the Lizard. John Romita Sr. cover and art. Overstreet 2007 NM- 9.2 value = $250. CGC census 1/08: 47 in 9.4, 23 higher. From the Furfferi Collection.
The Amazing Spider-Man #64 (Marvel, 1968) CGC NM+ 9.6 White pages. Spider-Man versus the Vulture. John Romita Sr. cover. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 60 in 9.6, 9 higher. From the Furfferi Collection.
Bronze Age (1970-1979)
The Amazing Spider-Man #91 (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. Copies of #91 don't often get better than this - CGC's census lists just three copies with a higher certified grade! Featured inside the John Romita Sr. cover was the funeral of Captain Stacy with art by Romita and Gil Kane. Overstreet 2007 NM- 9.2 value = $115. CGC census 2/08: 29 in 9.6, 3 higher. From the Fantastic Frank Collection.
The Amazing Spider-Man #97 (Marvel, 1971) CGC NM/MT 9.8 Off-white to white pages. This is the first 9.8 copy we've seen of this issue. The book's a notable one, too, as one of the anti-drug stories that wasn't approved by the Comics Code Authority. John Romita Sr. drew the cover co-featuring the Green Goblin. Overstreet 2007 NM- 9.2 value = $160. CGC census 2/08: 8 in 9.8, none higher. From the Fantastic Frank Collection.
The Amazing Spider-Man #100 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. Breathtaking copy of the anniversary issue, with a cover by John Romita Sr. and interior art by Gil Kane. The Green Goblin, Vulture, Lizard, Doctor Octopus, and the Kingpin make cameos - all in a dream sequence. John Romita Sr. cover, Gil Kane interior art. Overstreet 2007 NM- 9.2 value = $275. CGC census 2/08: 77 in 9.6, 13 higher. From the Fantastic Frank Collection.
The Amazing Spider-Man #119 (Marvel, 1973) CGC NM/MT 9.8 White pages. Of over 300 copies certified to date, note how few have claimed 9.8 honors! What we really like about this copy is its perfect centering -- so many copies of this issue seem to have part of the white back cover wrapping around to the front. This memorable Spider-Man versus Hulk cover is by John Romita Sr. Overstreet 2007 NM- 9.2 value = $115. CGC census 1/08: 7 in 9.8, none higher.
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM+ 9.6 White pages. One of the Bronze Age keys of this title, with its "Death of Gwen Stacy" storyline that involved the Green Goblin. John Romita Sr. provided the cover, Gil Kane the interior pencils. Overstreet 2007 NM- 9.2 value = $325. CGC census 2/08: 48 in 9.6, 8 higher. From the Fantastic Frank Collection.
The Amazing Spider-Man #129 (Marvel, 1974) CGC NM/MT 9.8 White pages. Some 2,400 copies of the Punisher's first appearance have been submitted to CGC thus far, and only six have received the coveted 9.8 certification! This key also has the first appearance of the Jackal, who would figure prominently in the next 20 issues or so. Gil Kane and John Romita rendered Gerry Conway's creation on the issue's cover. Overstreet 2007 NM- 9.2 value = $625. CGC census 2/08: 6 in 9.8, none higher. From the Fantastic Frank Collection.
The Amazing Spider-Man #133 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The Molten Man appears. John Romita Sr. cover. Ross Andru art. Overstreet 2007 NM- 9.2 value = $55. CGC census 1/08: 7 in 9.8, none higher.
The Amazing Spider-Man #137 (Marvel, 1974) CGC NM/MT 9.8 Off-white pages. Green Goblin appearance (the second time Harry Osborn appears as the Goblin). Gil Kane cover with Ross Andru art. Overstreet 2007 NM- 9.2 value = $70. CGC census 11/07: 9 in 9.8, none higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
America's Best TV Comics #1 (Marvel, 1967) CGC NM/MT 9.8 Cream to off-white pages. Appearances by Spider-Man, Fantastic Four (drawn by Jack Kirby and Dick Ayers), Casper, King Kong, and George of the Jungle. Journey to the Center of the Earth story promoting the new cartoon. Overstreet 2007 NM- 9.2 value = $240. CGC census 1/08: 4 in 9.8, none higher.
The Atom #7 (DC, 1963) CGC NM- 9.2 Off-white to white pages. The first Hawkman crossover makes this issue special and the third most valuable in the run, behind only the first two issues. Gil Kane and Murphy Anderson continue their stellar collaboration on cover and interior art. This copy comes with a certificate from The Sid's Luncheonette Collection. Overstreet 2007 NM- 9.2 value = $500. CGC census 12/07: 5 in 9.2, 5 higher.
The Atom #15 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Pretty advanced physics equipment for a safecracker on this cover by Gil Kane and Murphy Anderson. Kane and Sid Greene interior art. A wonderful example of this issue! Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 3 in 9.6, none higher.
The Atom #17 (DC, 1965) CGC NM 9.4 Off-white pages. Super-nice copy of this '65 issue, which featured a Jules Verne appearance in the Time Pool story. Gil Kane and Murphy Anderson collaborated on the cover, with Kane providing story art. Overstreet 2007 NM- 9.2 value = $105. CGC census 1/08: 5 in 9.4, 2 higher.
The Atom #36 (DC, 1968) CGC NM 9.4 Off-white to white pages. Near Mint copy of an issue that featured a Golden Age Atom crossover. Gil Kane cover and art. Overstreet 2007 NM- 9.2 value = $95. CGC census 1/08: 7 in 9.4, 2 higher.
The Avengers #1 (Marvel, 1963) CGC Apparent FN+ 6.5 Slight (P) Cream to off-white pages. Nice-looking copy of a Marvel Age key, with slight, professional color touch. Here is the origin and first appearance of the Avengers (Thor, Iron Man, Hulk, Ant-Man, and Wasp), with appearances by Loki, the Teen Brigade, and the Fantastic Four. Jack Kirby provided cover and interior art. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2007 GD 2.0 value = $283; VG 4.0 value = $566; FN 6.0 value = $849; VF 8.0 value = $2,476.
The Avengers #2 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. It's only issue #2, and already typical Marvel drama has the Hulk leaving the Avengers. There's also the first appearance of the Space Phantom, all brought to you, dear reader, by Stan Lee and Jack Kirby (cover and interior art). Overstreet 2007 VF 8.0 value = $570; VF/NM 9.0 value = $985. CGC census 12/07: 18 in 8.5, 53 higher.
The Avengers #4 (Marvel, 1964) CGC VF 8.0 Off-white to white pages. The first Silver Age appearance of Captain America makes this issue the second most valuable in the title's run, a must-have for any self-respecting True Believin' Marvelite. The Sub-Mariner shows up to make things more interesting. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $1,156. CGC census 1/08: 57 in 8.0, 99 higher.
Baby Huey and Papa #1 File Copy (Harvey, 1962) CGC NM/MT 9.8 Off-white pages. Unsurpassed copy of this #1 issue. Overstreet 2007 NM- 9.2 value = $275. CGC census 2/08: 1 in 9.8, none higher.
Golden Age (1938-1955)
Batman #97 (DC, 1956) CGC VF+ 8.5 Off-white to white pages. This early Silver Age (or is it late Golden Age?) issue featured the second appearance of Ace, the Bat Hound and a Joker story. Win Mortimer did the cover, with Sheldon Moldoff contributing interior art. This copy's unsurpassed in grade, according to CGC's census for issue #97. Overstreet 2007 VF 8.0 value = $317; VF/NM 9.0 value = $509. CGC census 1/08: 2 in 8.5, none higher.
Silver Age (1956-1969)
Batman #97 (DC, 1956) CGC VF- 7.5 Off-white to white pages. Bat Hound cover and story (his second appearance). Joker story. Win Mortimer cover. Sheldon Moldoff art. Overstreet 2007 VF 8.0 value = $317. CGC census 12/07: 2 in 7.5, 3 higher. From the Toronto Collection.
Golden Age (1938-1955)
Batman #98 (DC, 1956) CGC VF 8.0 Off-white pages. Jules Verne appearance. First Arnold Drake story for DC. Full page ad for Showcase #1. Win Mortimer cover. Dick Sprang and Sheldon Moldoff art. Overstreet 2007 VF 8.0 value = $317. CGC census 12/07: 4 in 8.0, 3 higher. From the Toronto Collection.
Batman #102 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. Sheldon Moldoff was one of the most prolific cover artists of all time, and on this title alone did 40 consecutive, including this one. He also contributed interior art for this issue. This copy is surpassed in grade by just one currently according to CGC's census. Overstreet 2007 VF/NM 9.0 value = $451; NM- 9.2 value = $620. CGC census 12/07: 2 in 9.0, 1 higher.
Batman #107 (DC, 1957) CGC VF 8.0 Cream to off-white pages. Sheldon Moldoff cover and art. Tied for the nicest copy of #107 to be certified by CGC to date. Overstreet 2007 VF 8.0 value = $281. CGC census 1/08: 3 in 8.0, none higher. From the Toronto Collection.
Silver Age (1956-1969)
Batman #110 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. Curt Swan did one of his infrequent covers for the title here, a job that Win Mortimer and Sheldon Moldoff seemed to think was their own! Moldoff and Dick Sprang contributed interior art for this issue, which featured a Joker story. CGC hasn't certified a higher grade for this issue to date. Overstreet 2007 VF/NM 9.0 value = $461; NM- 9.2 value = $635. CGC census 1/08: 5 in 9.0, none higher.
Batman #123 (DC, 1959) CGC NM 9.4 Off-white to white pages. Extraordinary copy of an issue that is rare in high grade. CGC hasn't certified another copy higher than VF+ 8.5 to date. In fact, this issue doesn't turn up that often in any grade -- we've offered it on just two previous occasions over the past six years! Curt Swan did the cover, while Sheldon Moldoff and Dick Sprang contributed interior art for the issue, which featured a Joker story. Overstreet 2007 NM- 9.2 value = $390. CGC census 1/08: 1 in 9.4, none higher.
Batman #147 (DC, 1962) CGC NM 9.4 Off-white pages. Who can get enough of the "superheroes as babies" motif? Certainly not DC in the 1960s. Veteran Sheldon Moldoff handled art chores here. Overstreet 2007 NM- 9.2 value = $225. CGC census 12/07: 3 in 9.4, 1 higher. From the Fantastic Frank Collection.
Batman #148 (DC, 1962) CGC NM 9.4 Off-white pages. The Joker unmasking Batman... how will the Caped Crusader survive this one? (So that you don't have to crack this NM copy out of the slab, we'll tell you: it turns out the searchlight's glare prevented Joker from getting a good look at Mr. Wayne's handsome face). Sheldon Moldoff is the cover artist. Overstreet 2007 NM- 9.2 value = $320. CGC census 12/07: 3 in 9.4, none higher. From the Fantastic Frank Collection.
Batman #150 (DC, 1962) CGC NM 9.4 Off-white pages. We hadn't seen this issue in a grade above VF before! Jim Mooney and Sheldon Moldoff are credited with the cover art. Overstreet 2007 NM- 9.2 value = $225. CGC census 12/07: 1 in 9.4, none higher. From the Fantastic Frank Collection.
Batman #155 (DC, 1963) CGC VF/NM 9.0 White pages. The first Silver Age appearance of the Penguin and a Vicki Vale appearance make this one hot book, but a VF/NM grade and white pages set this baby on fire! Sheldon Moldoff cover and art. Overstreet 2007 VF/NM 9.0 value = $373; NM- 9.2 value = $525. CGC census 1/08: 7 in 9.0, 6 higher. From the Fantastic Frank Collection.
Batman #168 (DC, 1964) CGC NM 9.4 Off-white to white pages. Mystery Analysts backup story. Carmine Infantino cover and Sheldon Moldoff interior art. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 5 in 9.4, 2 higher. From the Fantastic Frank Collection.
Batman #171 (DC, 1965) CGC NM- 9.2 Cream to off-white pages. Missing for far too long from the arsenal of Bat-Baddies, the Riddler would make his first Silver Age appearance since 1948 in this issue. The character proved to be so immensely popular that the Batman TV pilot was based on this story. Carmine Infantino cover. Sheldon Moldoff art. Overstreet 2007 NM- 9.2 value = $685. CGC census 1/08: 9 in 9.2, 2 higher. From the Fantastic Frank Collection.
Batman #179 (DC, 1966) CGC NM+ 9.6 Off-white to white pages. This is just the second Silver Age appearance of the Riddler, and note that the character hadn't made many appearances, period, up to this time. The black cover makes this one tough to find in high grade. Gil Kane and Murphy Anderson cover art. Overstreet 2007 NM- 9.2 value = $240. CGC census 12/07: 2 in 9.6, none higher. From the Fantastic Frank Collection.
Batman #181 (DC, 1966) CGC NM+ 9.6 White pages. Elite copy of the issue with the first appearance of Poison Ivy. We've never offered as nice a copy, and CGC's census currently lists only one other in this grade, the highest yet certified for #181. Carmine Infantino and Murphy Anderson combined for the cover and a centerfold pin-up art, with Sheldon Moldoff and Sid Greene contributing interior art. Demand for Silver Age copies in this grade continues to skyrocket. Overstreet 2007 NM- 9.2 value = $300. CGC census 12/07: 2 in 9.6, none higher. From the Fantastic Frank Collection.
Batman #190 (DC, 1967) CGC NM 9.4 Off-white to white pages. Penguin cover appearance. Carmine Infantino cover with Sheldon Moldoff interior art. Overstreet 2007 NM- 9.2 value = $110. CGC census 1/08: 10 in 9.4, none higher.
Batman #191 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Joker and Penguin cameos. Mystery Analyst backup feature. Carmine Infantino and Murphy Anderson cover. Sheldon Moldoff art. Overstreet 2007 NM- 9.2 value = $85. CGC census 1/08: 5 in 9.6, none higher.
Bronze Age (1970-1979)
Batman #220 (DC, 1970) CGC NM/MT 9.8 White pages. This issue's purple background would make any tiny bit of edge wear stand out, so we think you'll thrill to this census-topping copy. The cover is by the greatest Batman artist of the day, Neal Adams. Overstreet 2007 NM- 9.2 value = $45. CGC census 12/07: 1 in 9.8, none higher. From the Fantastic Frank Collection.
Batman #232 (DC, 1971) CGC NM+ 9.6 White pages. One of the Best of the Bronze issues of this title, largely owing to the art of Neal Adams on both the cover and interior, where the first appearance of Ra's al Ghul is featured, along with a retelling of the origin of Batman and Robin. Overstreet 2007 NM- 9.2 value = $220. CGC census 2/08: 40 in 9.6, 6 higher. From the Fantastic Frank Collection.
Batman #234 (DC, 1971) CGC NM 9.4 Off-white to white pages. One of Neal Adams' most famous Bronze Age covers for the title looks awesome on this 9.4 copy! The issue has the first Silver Age appearance of Two-Face (Harvey Dent), a Robin backup story, and interior art by Adams and Irv Novick. Overstreet 2007 NM- 9.2 value = $230. CGC census 1/08: 31 in 9.4, 16 higher.
Silver Age (1956-1969)
Batman Annual #1 Mohawk Valley pedigree (DC, 1961) CGC NM 9.4 Off-white pages. By now you know that these Silver Age squarebounds are tougher in high grade than their stapled counterparts. And this issue would make any DC fan's list of favorite Giants. Comes with the Mohawk Valley certificate of authenticity. Overstreet 2007 NM- 9.2 value = $1,225. CGC census 1/08: 3 in 9.4, none higher.
Batman Annual #2 Mohawk Valley pedigree (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. Not many copies have surpassed this one to date (and none have been graded above 9.4). In addition to 80 pages of Bat-stories, this issue has one of our favorite back covers of any comic ever, Sheldon Moldoff's portrait of the Batman Family, which has been reprinted many times and deservedly so. Comes with the Mohawk Valley certificate of authenticity. Overstreet 2007 VF/NM 9.0 value = $359; NM- 9.2 value = $500. CGC census 1/08: 3 in 9.0, 5 higher.
The Brave and the Bold #6 (DC, 1956) CGC VF 8.0 Cream to off-white pages. From the days when this title was devoted to tales of derring-do, with stories starring Robin Hood, the Silent Knight, and the Golden Gladiator (his last appearance). These were great comics, featuring art by Joe Kubert and Russ Heath. Tough to find in high grade; in fact, this solid example is currently tied for the highest CGC-graded copy. Overstreet 2007 VF 8.0 value = $368. CGC census 1/08: 2 in 8.0, none higher. From the Toronto Collection.
The Brave and the Bold #34 Hawkman (DC, 1961) CGC VF/NM 9.0 Off-white pages. One of DCs key Silver Age issues featured the first Silver Age appearance of Hawkman and Hawkgirl. Joe Kubert did some of his most memorable work in the Winged Wonder's tryout issues, reprising his Golden Age gig in Flash Comics. The issue also had the first appearance of Mavis Trent and Byth. Overstreet 2007 VF/NM 9.0 value = $2,864; NM- 9.2 value = $4,100. CGC census 12/07: 9 in 9.0, 8 higher.
The Brave and the Bold #42 Hawkman (DC, 1962) CGC NM 9.4 Cream to off-white pages. Second tryout series for the Silver Age Hawkman, who earns his helmet wings in this issue. The cover and art are by Joe Kubert. Overstreet 2007 NM- 9.2 value = $500. CGC census 1/08: 1 in 9.4, none higher.
The Brave and the Bold #61 Starman and Black Canary - Pacific Coast pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Features Starman and Black Canary. First Silver Age appearance of the Mist. Murphy Anderson cover and interior art. Overstreet 2007 NM- 9.2 value = $210. CGC census 12/07: 5 in 9.6, none higher.
Challengers of the Unknown #1 (DC, 1958) CGC FN+ 6.5 Cream to off-white pages. After four tryout issues in Showcase, Jack Kirby's groundbreaking series got its own title. King Kirby contributed the story, the cover, and the interior art for this DC Silver Age key book. This is the finest copy of #1 that we've ever offered. Overstreet 2007 FN 6.0 value = $585; VF 8.0 value = $1,706. CGC census 2/08: 3 in 6.5, 10 higher. From the Toronto Collection.
Bronze Age (1970-1979)
Conan the Barbarian #3 (Marvel, 1971) CGC NM+ 9.6 White pages. When this series began, Marvel only had the rights to the Conan character, not Robert E. Howard's stories. But Roy Thomas and Co. struck a deal here to adapt Howard's "The Grey God Passes," changing the set from ancient Ireland to Conan's Hyborian Age. (CGC erroneously lists the source as "Spears of Clontarf," an early, non-fantasy version of the same story) Barry Smith provided both the cover and interior art. According to Overstreet, this issue experienced low distribution in some areas of the country. Overstreet 2007 NM- 9.2 value = $210. CGC census 1/08: 15 in 9.6, 1 higher.
Silver Age (1956-1969)
Dell Giant Comics Donald Duck Beach Party #3 File Copy (Dell, 1956) CGC NM 9.4 Off-white to white pages. Painted cover. Uncle Scrooge, Pluto, and Mickey Mouse appear. Overstreet 2007 NM- 9.2 value = $210. CGC census 1/08: 2 in 9.4, none higher.
Dell Giant Comics Donald Duck Beach Party #4 File Copy (Dell, 1957) CGC NM 9.4 Off-white pages. Donald Duck, Mickey Mouse, Minnie Mouse, and Goofy appear. Overstreet 2007 NM- 9.2 value = $210. CGC census 1/08: 1 in 9.4, 1 higher.
Dell Giant Comics Donald Duck Beach Party #5 File Copy (Dell, 1958) CGC NM 9.4 Off-white to white pages. Donald Duck, Mickey Mouse, and Goofy appear. Overstreet 2007 NM- 9.2 value = $210. CGC census 1/08: 1 in 9.4, 1 higher.
Dell Giant Comics Woody Woodpecker's Country Fair #2 File Copy (Dell, 1958) CGC NM/MT 9.8 Off-white to white pages. As near a perfect copy as you are likely to find anywhere! Painted cover. Andy Panda, Chilly Willy, and Oswald appearances. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 1 in 9.8, none higher.
Detective Comics #227 (DC, 1956) CGC VF+ 8.5 Off-white pages. The Martian Manhunter made his first appearance only two issues prior to this, making his third appearance in this issue's backup feature. A Win Mortimer cover wraps this Toronto Collection copy. Sheldon Moldoff, Ruben Moreira, and Joe Certa art. Overstreet 2007 VF 8.0 value = $336; VF/NM 9.0 value = $543. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Detective Comics #228 (DC, 1956) CGC VF+ 8.5 Off-white pages. The Bat becomes a bird on this Win Mortimer cover. Bob Kane, Ruben Moreira, and Joe Certa add interior art. A Martian Manhunter backup story rounds out the issue. Overstreet 2007 VF 8.0 value = $336; VF/NM 9.0 value = $543. CGC census 1/08: 2 in 8.5, none higher. From the Toronto Collection.
Detective Comics #229 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. Here's another issue that's a tough quest in high grade, in part because of the unforgiving black color on much of the cover. This one's the finest example of #229 that CGC has certified to date. In this issue you'll find a full page ad for Showcase #1. Win Mortimer cover with interior art by Dick Sprang and Ruben Moreira. Overstreet 2007 VF/NM 9.0 value = $543; NM- 9.2 value = $750. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Detective Comics #232 (DC, 1956) CGC VF 8.0 Off-white pages. Curt Swan cover. Dick Sprang, Joe Certa, and Ruben Moreira art. Overstreet 2007 VF 8.0 value = $241. CGC census 1/08: 1 in 8.0, 1 higher. From the Toronto Collection.
Detective Comics #233 (DC, 1956) CGC FN 6.0 Cream to off-white pages. It's one of the key issues of DC's namesake title, featuring the origin and first appearance of Batwoman. We've offered a nicer copy on just one previous occasion. Sheldon Moldoff provided one of the more than 125 covers he did for the title, and he also furnished interior art, as did Ruben Moreira. Overstreet 2007 FN 6.0 value = $417. CGC census 2/08: 3 in 6.0, 9 higher. From the Toronto Collection.
Detective Comics #235 (DC, 1956) CGC FN/VF 7.0 Cream to off-white pages. The grade may seem modest, but there's only one copy that CGC has certified higher to date for this issue, which features the origin of Batman and his costume. Sheldon Moldoff provided cover and interior art; Ruben Moreira and Joe Certa also contributed story art. Overstreet 2007 FN 6.0 value = $195; VF 8.0 value = $406. CGC census 1/08: 2 in 7.0, 1 higher. From the Toronto Collection.
Detective Comics #237 (DC, 1956) CGC VF/NM 9.0 Off-white pages. Not just the sole highest-graded copy, this is the only high-grade copy of this issue we've ever seen. Tryouts for the job of Robin are featured... no, you won't find Jason Todd or Tim Drake here, it's all just a typically convoluted 1950s tale. Sheldon Moldoff is the cover artist. Overstreet 2007 VF/NM 9.0 value = $383; NM- 9.2 value = $525. CGC census 12/07: 1 in 9.0, none higher. From the Toronto Collection.
Detective Comics #240 (DC, 1957) CGC VF+ 8.5 Off-white to white pages. Sheldon Moldoff provided the cover art for this one. Overstreet 2007 VF 8.0 value = $241; VF/NM 9.0 value = $383. CGC census 12/07: 2 in 8.5, none higher. From the Toronto Collection.
Detective Comics #295 (DC, 1961) CGC NM- 9.2 Off-white pages. Sheldon Moldoff cover. Overstreet 2007 NM- 9.2 value = $200. CGC census 12/07: 1 in 9.2, none higher.
Detective Comics #315 (DC, 1963) CGC NM+ 9.6 White pages. This is a grade you seldom see for this title and this era! Batman and Robin tackle Tarzan, or a reasonable approximation thereof, and Sheldon Moldoff is the artist. Overstreet 2007 NM- 9.2 value = $120. CGC census 12/07: 2 in 9.6, none higher.
Detective Comics #318 (DC, 1963) CGC VF+ 8.5 Cream to off-white pages. Second appearance of Cat-Man. Overstreet 2007 VF 8.0 value = $60; VF/NM 9.0 value = $93. CGC census 12/07: 3 in 8.5, 5 higher.
Detective Comics #319 (DC, 1963) CGC NM 9.4 Off-white pages. Sheldon Moldoff cover. Overstreet 2007 NM- 9.2 value = $120. CGC census 12/07: 3 in 9.4, none higher.
Detective Comics #321 (DC, 1963) CGC NM 9.4 Off-white to white pages. Second appearance of the Terrible Trio. Sheldon Moldoff and Joe Certa art. Overstreet 2007 NM- 9.2 value = $120. CGC census 1/08: 5 in 9.4, 1 higher.
80 Page Giant #4 The Flash (DC, 1964) CGC NM 9.4 Off-white to white pages.
This square bound mag reprinted Golden Age Flash, Johnny Quick, and Kid Flash stories. Carmine Infantino is the cover artist. We weren't surprised that this sharp copy ended up tied for the highest grade on CGC's census. Overstreet 2007 NM- 9.2 value = $305. CGC census 12/07: 2 in 9.4, none higher. From the Fantastic Frank Collection.
This square bound mag reprinted Golden Age Flash, Johnny Quick, and Kid Flash stories. Carmine Infantino is the cover artist. We weren't surprised that this sharp copy ended up tied for the highest grade on CGC's census. Overstreet 2007 NM- 9.2 value = $305. CGC census 12/07: 2 in 9.4, none higher. From the Fantastic Frank Collection.
Fantastic Four #1 (Marvel, 1961) CGC Apparent VF- 7.5 Moderate (P) Off-white to white pages. Impressive looking, professionally restored copy of the quintessential Marvel Age issue that featured the origin and first appearance of the Fantastic Four, Marvel's first superhero team since the Golden Age. Jack Kirby provided cover and interior art. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced, re-glossed." Overstreet 2007 GD 2.0 value = $1,050; VG 4.0 value = $2,100; FN 6.0 value = $3,150; VF 8.0 value = $10,500.
Fantastic Four #1 (Marvel, 1961) CGC Apparent FN/VF 7.0 Extensive (P) Cream to off-white pages. It's really the book that started the Marvel Age and fueled the Silver Age after DC got it started. Here was the origin and first appearance of the Fantastic Four, Marvel's first superhero team, and the origin and first appearance of Mole Man. Stan Lee and Jack Kirby had collaborated on countless stories already, but this is probably their most important team-up. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced. Overstreet 2007 GD 2.0 value = $1,050; VG value = $2,100; FN 6.0 value = $3,150; VF 8.0 value = $10,500.
Fantastic Four #1 (Marvel, 1961) CGC FN- 5.5 White pages. This is the issue that paved the way for all other Marvel Age superheroes and superhero teams to follow. The now famous cover by Jack Kirby was a welcome change to the DC titles of the day, and the interior stories were just as distinctive. So many firsts! Here's the origin and first appearance of the Fantastic Four and its members, Mr. Fantastic, the Thing, the Human Torch (not the same character Timely/Marvel featured in comics' Golden Age), and Invisible Girl -- Marvel's first super-hero team since the Golden Age and Mole Man's first appearance as well. Stan Lee and Jack Kirby were on to something! Overstreet 2007 FN 6.0 value = $3,150. CGC census 12/07: 14 in 5.5, 80 higher.
Fantastic Four #2 (Marvel, 1962) CGC NM- 9.2 Off-white to white pages. Finding this above VF is very tough, and finding the owner of such a copy who's willing to part with it is even tougher. This is just the second superhero issue Marvel ever published (tied with Tales to Astonish #27), and the second and last FF to have a 10-cent cover price. It has the first appearance of the Skrulls, and of course just the second appearance of the Fantastic Four, whose costumes hadn't even been created yet. In case you didn't know, it's a production of writer Stan Lee and artist Jack Kirby. Overstreet 2007 NM- 9.2 value = $8,300. CGC census 1/08: 12 in 9.2, 4 higher.
Fantastic Four #2 (Marvel, 1962) CGC Apparent VF/NM 9.0 Moderate (P) Off-white pages. Seriously good-looking copy of a copy that's not easily found in this grade -- CGC Universal or Restored. Featured were the second appearance of the Fantastic Four (not in costume) and the first appearance of the Skrulls. Another highlight is a Thing pinup... (you wouldn't really hang that, would you?). Jack Kirby, with the cover and interior art, continues what would become one of his longest title runs ever. CGC notes, "Restoration includes: color touch, piece added, cover re-glossed. Overstreet 2007 GD 2.0 value = $346; VG 4.0 value = $692; FN 6.0 value = $1,038; VF 8.0 value = $3,166; VF/NM 9.0 value = $5,733; NM- 9.2 value = $8,300.
Fantastic Four #3 (Marvel, 1962) CGC Apparent FN 6.0 Slight (A) Off-white pages. The Fantastic Four don costumes, establish headquarters, and show off the brand-new Fantasti-Car for the first time. It all moves Stan and Jack to declare "The Greatest Comic Magazine In The World!" for the first time on this cover, then Kirby plays a little trick on us by depicting Human Torch with two left hands! CGC notes, "Restoration includes: small amount of color touch on cover, spine split sealed to cover." Overstreet 2007 GD 2.0 value = $248; VG 4.0 value = $496; FN 6.0 value = $744.
Fantastic Four #4 (Marvel, 1962) CGC NM- 9.2 Off-white pages. It didn't take Marvel long to get up to speed with their revolutionary title. Here it was just issue #4, and in this blockbuster, they were already bringing in one of their biggest superheroes from the Golden Age, the Sub-Mariner, who makes his first Silver Age appearance. Jack Kirby's cover image is seared into our Silver Aged brains, and Kirby also provided the interior art, including a Mr. Fantastic pin-up. This copy ranks high gradewise in CGC's census for #4. Overstreet 2007 NM- 9.2 value = $6,300. CGC census 1/08: 5 in 9.2, 7 higher.
Fantastic Four #4 (Marvel, 1962) CGC FN+ 6.5 White pages. Marvel's flagship Silver Age title gained momentum with each issue in the early going. Here, Stan Lee brought back the Sub-Mariner for his first Silver Age appearance. This issue also featured a Mr. Fantastic pin-up by Jack Kirby, who provided the cover and interior art. The cover colors are sparkling on this copy, which goes along with the pristine white pages. Overstreet 2007 FN 6.0 value = $822; VF 8.0 value = $2,398. CGC census 1/08: 22 in 6.5, 73 higher.
Fantastic Four #5 (Marvel, 1962) CGC VF- 7.5 Off-white pages. Like most of the early issues of the title, this one's a blockbuster, with the origin and first appearance of Doctor Doom. Only the first issue can boast a higher Overstreet value. The grade here is close to the finest copies (VF+ 8.5) that we've offered to date. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $3,203. CGC census 12/07: 16 in 7.5, 34 higher.
Fantastic Four #6 (Marvel, 1962) CGC FN+ 6.5 White pages. No sooner does Marvel reintroduce the Sub-Mariner (issue #4) and introduce Dr. Doom (issue #5) in the two preceding blockbuster issues, than they bring the two FF nemeses together for the first Marvel villain team-up. It's one of Jack Kirby's most striking covers in his long association with the title -- he did the first 101 covers and several more between issues #164 and 200. The book has impressive cover colors and even more impressive white pages. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 1/08: 15 in 6.5, 78 higher.
Fantastic Four #7 (Marvel, 1962) CGC VF 8.0 Off-white to white pages. Why would humankind turn on their superhero benefactors after only six issues? What the heck is Planet X? Why go to all the trouble of creating such a gigantic Wanted Poster - doesn't everyone already know what the Fantastic Four look like? How'd they get that picture of Invisible Girl anyway? Only Stan Lee and Jack Kirby know, and they wouldn't tell you unless you forked over a dime in 1962. The flying saucer cover and interior art were the doings of Jack Kirby. Kurrgo (who?) makes his first appearance. Overstreet 2007 VF 8.0 value = $910. CGC census 12/07: 14 in 8.0, 26 higher.
Fantastic Four #8 (Marvel, 1962) CGC VF 8.0 White pages. The Puppet-Master makes his first appearance in a creepy cover by Jack Kirby, who also drew the associated story in this issue. The Puppet-Master's anything-but creepy daughter Alicia Masters also makes her debut here. Excellent page quality on this copy. Overstreet 2007 VF 8.0 value = $910. CGC census 1/08: 14 in 8.0, 25 higher.
Fantastic Four #9 (Marvel, 1962) CGC VF 8.0 Off-white to white pages. The third Silver Age appearance of the Sub-Mariner. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $910. CGC census 12/07: 14 in 8.0, 28 higher.
Fantastic Four #12 (Marvel, 1963) CGC VF 8.0 Off-white pages. It was the battle of the titans when the Hulk takes on the Fantastic Four, and more specifically the FF's strongman, the Thing. It's a first meeting, and one that ties with The Amazing Spider-Man #1 for the first Marvel crossover, both involving the Fantastic Four. The epic confrontation makes this issue the fifth most valuable issue in the run, and we've offered a nicer copy of #12 on just a few previous occasions. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $1,873. CGC census 1/08: 25 in 8.0, 37 higher.
Fantastic Four #20 (Marvel, 1963) CGC VF/NM 9.0 Cream to off-white pages. The Marvel Age was in high gear when the Molecule Man made his first appearance in this issue. There's also a Watcher appearance in this issue, which featured Jack Kirby cover and interior art. Overstreet 2007 VF/NM 9.0 value = $605; NM- 9.2 value = $850. CGC census 1/08: 19 in 9.0, 14 higher. From the Keith Marlow Collection.
Fantastic Four Annual #4 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. First Silver Age appearance of the Golden Age Human Torch, who battles Silver Age Human Torch. The original Torch's origin is retold. First appearance of Quasimodo. Jack Kirby cover and art. Also contains reprints of the Hulk vs. Thing battle from FF #25 and 26. Overstreet 2007 NM- 9.2 value = $185. CGC census 12/07: 15 in 9.4, 11 higher. From the Fantastic Frank Collection.
The Flash #105 Mohawk Valley pedigree (DC, 1959) CGC FN/VF 7.0 Cream to off-white pages. This was the first issue of the Silver Age series, on the heels of the Flash's successful tryout issues in DC's Showcase title. The numbering on the series was a continuation of the last Golden Age issue of Flash Comics. Highlights include a retelling of Flash's origin and the origin and first appearance of the Mirror Master. Carmine Infantino rendered the cover and interior art. Comes with a COA. Overstreet 2007 FN 6.0 value = $1,314; VF 8.0 value = $4,000. CGC census 1/08: 8 in 7.0, 14 higher.
The Flash #122 (DC, 1961) CGC NM- 9.2 Cream to off-white pages. It's as fine a copy as CGC has certified to date for the issue that had the origin and first appearance of the Top. Carmine Infantino and Murphy Anderson teamed up for the cover, with Infantino providing interior art. Overstreet 2007 NM- 9.2 value = $350. CGC census 1/08: 2 in 9.2, none higher. From the Keith Marlow Collection.
The Flash #123 (DC, 1961) CGC VF- 7.5 Off-white to white pages. This seminal issue contains the classic "Flash of Two Worlds" story, featuring the first appearance of the Golden Age Flash in the Silver Age and the first mention of another Earth where the DC Golden Age superheroes live. Carmine Infantino provided the cover and interior art, with help from Murphy Anderson on the cover. Overstreet 2007 VF 8.0 value = $1,054. CGC census 1/08: 17 in 7.5, 15 higher. From the Fantastic Frank Collection.
The Flash #128 (DC, 1962) CGC VF/NM 9.0 White pages. The origin and first appearance of Abra Kadabra is not a book you'll find in true NM, mostly because of the purple outside edge that has a way of revealing every little flaw. So here's a census-topping VF/NM to zero in on! Carmine Infantino is the cover artist. Overstreet 2007 VF/NM 9.0 value = $197; NM- 9.2 value = $275. CGC census 1/08: 3 in 9.0, none higher. From the Fantastic Frank Collection.
The Flash #129 (DC, 1962) CGC NM- 9.2 Off-white pages. The Golden Age Flash makes his second Silver Age appearance here, and if a flashback counts as an appearance in your book, this is the first Silver Age appearance of the Justice Society. The villains are no oldsters, mind you -- Silver Age slimeballs Captain Cold and the Trickster are the issue's fiends. Carmine Infantino drew the whole issue. Overstreet 2007 NM- 9.2 value = $475. CGC census 12/07: 5 in 9.2, 2 higher. From the Fantastic Frank Collection.
The Flash #133 (DC, 1962) CGC NM 9.4 Cream to off-white pages. It's the second appearance of Abra Kadabra, with cover and interior art by Carmine Infantino. Overstreet 2007 NM- 9.2 value = $230. CGC census 11/07: 4 in 9.4, none higher. From the Keith Marlow Collection.
The Flash #136 (DC, 1963) CGC NM 9.4 White pages. This is the best copy we've ever seen of this issue! Carmine Infantino and Murphy Anderson are the cover artists. Flash is starting with the man in the mirror (namely the Mirror Master), and by the way, a supporting character makes his first appearance here, namely Dexter Miles, curator of the Flash museum. Overstreet 2007 NM- 9.2 value = $230. CGC census 1/08: 2 in 9.4, none higher. From the Fantastic Frank Collection.
The Flash #139 (DC, 1963) CGC VF/NM 9.0 Off-white pages. Origin and first appearance of Professor Zoom (aka Reverse-Flash). Carmine Infantino cover and art. Overstreet 2007 VF/NM 9.0 value = $173; NM- 9.2 value = $240. CGC census 12/07: 3 in 9.0, 4 higher. From the Fantastic Frank Collection.
The Flash #142 (DC, 1964) CGC NM 9.4 Off-white to white pages. Slick copy of this issue, so slick the Trickster threatens to escape the cover. Gotcha Near Mint Silver Age copy of this title yet? They're going like hotcakes! Carmine Infantino and Murphy Anderson cover, with Infantino interior art. Overstreet 2007 NM- 9.2 value = $170. CGC census 1/08: 3 in 9.4, 2 higher. From the Fantastic Frank Collection.
The Flash #147 (DC, 1964) CGC NM 9.4 Off-white pages. Near Mint copies of this title have been in huge demand in recent months. Featured in this issue (and the cover) is the Reverse Flash, with art by Carmine Infantino. Overstreet 2007 NM- 9.2 value = $170. CGC census 1/08: 6 in 9.4, 4 higher.
The Flash #148 (DC, 1964) CGC NM 9.4 Off-white pages. Did any title have cooler super-villains? Flash battles Captain Boomerang in this issue, which has an Alley Award-winning backup story, with cover art by Carmine Infantino and Murphy Anderson and interior art by Infantino. Overstreet 2007 NM- 9.2 value = $170. CGC census 1/08: 6 in 9.4, 5 higher. From the Fantastic Frank Collection.
The Flash #149 (DC, 1964) CGC NM 9.4 Off-white to white pages. Sensational copy of #149 which had appearances by Kid Flash and Abra Kadabra. Carmine Infantino and Murphy Anderson cover and interior art. Overstreet 2007 NM- 9.2 value = $170. CGC census 1/08: 6 in 9.4, 3 higher. From the Fantastic Frank Collection.
The Flash #152 (DC, 1965) CGC NM+ 9.6 Off-white pages. CGC has awarded a higher grade to just one other copy of #152 to date. The Trickster makes one of his regular appearances to annoy the Flash in this issue, which had Carmine Infantino and Murphy Anderson cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 6 in 9.6, 1 higher. From the Fantastic Frank Collection.
The Flash #155 (DC, 1965) CGC NM 9.4 Off-white to white pages. For this issue, this copy's hard to beat! The highest certified grade from CGC to date is a barely better 9.6. All your favorite villains and then some here, including Gorilla Grodd, Captains Boomerang and Cold, Heat-Wave, the Top, Mirror Master, and Pied Piper. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 8 in 9.4, 7 higher. From the Fantastic Frank Collection.
The Flash #156 (DC, 1965) CGC NM 9.4 Off-white to white pages. Kid Flash appearance. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 4 in 9.4, 2 higher. From the Fantastic Frank Collection.
The Flash #158 (DC, 1966) CGC NM+ 9.6 Off-white to white pages. Professor Ivo appearance. Justice League of America cameo. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 6 in 9.6, none higher. From the Fantastic Frank Collection.
The Flash #159 (DC, 1966) CGC NM+ 9.6 Off-white to white pages. Dr. McNider (Dr. Midnite) and Kid Flash appearances. Carmine Infantino cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 9 in 9.6, 3 higher. From the Fantastic Frank Collection.
The Flash #168 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Fellow Showcase alum Green Lantern joins the Flash in this issue. Carmine Infantino is the artist. Overstreet 2007 NM- 9.2 value = $120. CGC census 2/08: 7 in 9.6, none higher.
The Flash #178 (DC, 1968) CGC NM 9.4 Off-white pages. Like so many of this title's issues in the '60s, copies in this grade are few and far between. To date, CGC hasn't certified a higher grade for #168. It's a 80 Page Giant and featured a Ross Andru cover, with Carmine Infantino reprints from earlier issues inside. Overstreet 2007 NM- 9.2 value = $125. CGC census 1/08: 4 in 9.4, none higher. From the Keith Marlow Collection.
Bronze Age (1970-1979)
The Flash #196 Winnipeg pedigree (DC, 1970) CGC NM+ 9.6 White pages. 68-page Giant #G-70. Murphy Anderson cover. An incredible white-paged pedigree pearl. Overstreet 2007 NM- 9.2 value = $90. CGC census 1/08: 6 in 9.6, none higher. From the Keith Marlow Collection.
Silver Age (1956-1969)
Flintstones on the Rocks #nn (Dell, 1961) CGC NM 9.4 White pages. Surely this is the most sought-after Flintstones comic, and for a Dell it's very tough to find -- only five appear on CGC's census as of this writing, and we had offered a copy on just one previous occasion. Since then, we auctioned the publisher's archive without coming across a single one of these! One reason for the scarcity is the cover price of a dollar, back when Dell comics were 12 cents. It's a 116-pager, and Overstreet notes the presence of new material. If you're eyeing this one, put in some overtime down at the quarry, because every copy we've seen change hands has done so far above the Guide value. Overstreet 2007 NM- 9.2 value = $150. CGC census 1/08: 3 in 9.4, none higher.
Four Color #1142 Johnny Ringo - File Copy (Dell, 1961) CGC NM/MT 9.8 Off-white pages. Johnny Ringo. Don Durant and Mark Goddard photo cover. Highest graded copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $105. CGC census 1/08: 1 in 9.8, none higher.
Four Color #1144 The Story of Ruth - File Copy (Dell, 1961) CGC NM+ 9.6 Off-white pages. The Story of Ruth. Stuart Whitman and Viveca Lanfors photo front and back covers. Tom Gill art. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 2 in 9.6, none higher.
Four Color #1146 Restless Gun - File Copy (Dell, 1961) CGC NM+ 9.6 Off-white pages. Restless Gun. Photo cover. Doug Wildey art. Single highest graded copy to date. Overstreet 2007 NM- 9.2 value = $120. CGC census 1/08: 1 in 9.6, none higher.
Four Color #1165 Ellery Queen Detective - File Copy (Dell, 1961) CGC NM+ 9.6 Cream to off-white pages. Ellery Queen. Painted cover. Highest CGC-graded copy to date. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 1 in 9.6, none higher.
Four Color #1179 The Swamp Fox - File Copy (Dell, 1961) CGC NM+ 9.6 Off-white pages. Leslie Nielsen photo cover. Based on the Disney movie. Overstreet 2007 NM- 9.2 value = $130. CGC census 1/08: 1 in 9.6, 1 higher.
Friendly Ghost Casper #6 File Copy (Harvey, 1959) CGC NM 9.4 Cream to off-white pages. Christmas cover. Spooky backup story. Overstreet 2007 NM- 9.2 value = $125. CGC census 1/08: 2 in 9.4, none higher.
Friendly Ghost Casper #7 File Copy (Harvey, 1959) CGC NM 9.4 Cream to off-white pages. Contains a Christmas toy section. Overstreet 2007 NM- 9.2 value = $125. CGC census 1/08: 2 in 9.4, none higher.
G.I. Combat #68 (DC, 1959) CGC FN 6.0 Off-white pages. The last copy of this issue we sold (a VF-) went for five times Guide, and this issue isn't any easier to find in FN, so we expect strong interest this time. This is the first appearance of Sgt. Rock... according to some, at least. It appeared half a year before Our Army At War #83, it says "The Rock" on the cover, and has a story written by Robert Kanigher with Joe Kubert art. Also, the folks at DC dubbed this the first Rock story when they reprinted it in the 100-page Our Army At War #242. Jerry Grandenetti is the cover artist. Overstreet 2007 FN 6.0 value = $168. CGC census 2/08: 1 in 6.0, 4 higher. From the Keith Marlow Collection.
The Incredible Hulk #1 (Marvel, 1962) CGC FN+ 6.5 Cream to off-white pages. One of the earliest Marvel Age keys is also one of the toughest to find in higher grades. The dark background of the cover was problematic, showing the tiniest of flecks, and Marvel chipping seemed to claim more of this issue than others. And what an issue - the origin and first appearance of the Hulk and associated supporting characters Rick Jones, Betty Ross, and Thunderbolt Ross. Jack Kirby was at his best when he created the memorable cover, and Stan Lee's story is the stuff of Marvel legend. Overstreet 2007 FN 6.0 value = $2,250; VF 8.0 value = $8,500. CGC census 1/08: 30 in 6.5, 48 higher.
The Incredible Hulk #2 (Marvel, 1962) CGC FN 6.0 Off-white pages. The first time the Hulk appeared with green skin was this second issue, you might recall he was gray in his debut! This is the second appearance of supporting characters Rick Jones, Betty Ross, and General Ross. The cover is penciled by Jack Kirby and inked by Steve Ditko. Overstreet 2007 FN 6.0 value = $717. CGC census 1/08: 16 in 6.0, 45 higher.
The Incredible Hulk #3 (Marvel, 1962) CGC FN/VF 7.0 Cream to off-white pages. First appearance of the Ringmaster. Jack Kirby cover, interior art by Kirby and Dick Ayers. Overstreet 2007 FN 6.0 value = $456; VF 8.0 value = $1,292. CGC census 1/08: 11 in 7.0, 36 higher.
The Incredible Hulk #4 (Marvel, 1962) CGC VF 8.0 Cream to off-white pages. Two feature-length stories, including a brief retelling of the Hulk's origin. Jack Kirby cover and art. Overstreet 2007 VF 8.0 value = $1,199. CGC census 1/08: 15 in 8.0, 28 higher.
The Incredible Hulk #5 (Marvel, 1963) CGC VF- 7.5 Off-white pages. Jack Kirby and Dick Ayers cover and art. First appearance of Tyrannus. Overstreet 2007 VF 8.0 value = $1,199. CGC census 1/08: 15 in 7.5, 33 higher.
The Incredible Hulk #6 (Marvel, 1963) CGC FN/VF 7.0 Cream to off-white pages. Last issue of the original series. First appearance of the Teen Brigade. Steve Ditko cover and art. Overstreet 2007 FN 6.0 value = $498; VF 8.0 value = $1,453. CGC census 1/08: 16 in 7.0, 52 higher.
The Incredible Hulk #102 (Marvel, 1968) CGC NM+ 9.6 White pages. Splendid copy of the Man-Monster's second premiere issue. His first title series came in 1962 and lasted just six issues. After eventually winding up in Marvel's long-running Tales to Astonish beginning in issue #59, the Hulk took over the title with this issue. His origin is retold in a story that's continued from TTA #101. Warriors Three, Odin, and the Enchantress appearances. Marie Severin cover. Severin and George Tuska art. Overstreet 2007 NM- 9.2 value = $375. CGC census 1/08: 43 in 9.6, 5 higher.
Bronze Age (1970-1979)
Iron Fist #14 (Marvel, 1977) CGC NM+ 9.6 White pages. The first appearance of Sabretooth makes this issue one of the most popular of all Bronze Marvels, and at this grade, especially coveted. It doesn't hurt that there's a Dave Cockrum cover and John Byrne interior art. Overstreet 2007 NM- 9.2 value = $200. CGC census 2/08: 114 in 9.6, 21 higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
Iron Man #1 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. Surprisingly enough, we've offered just one other copy this nice (a 9.8 in our last auction) of this milestone book in the past two years. Iron Man had first appeared in Tales of Suspense #39 some six years prior, starring in that title until he finally got his own. Gene Colan challenged Jack Kirby for dynamic first covers with this one, and also furnished the interior art, with assistance from famous EC alumni Johnny Craig. The origin of Iron Man is retold in a story that continued from the one-shot Iron Man and Sub-Mariner #1, which in turn had been continued from the final issue (#99) of TOS. The second wave of Marvel premiere issues which came out in 1968 are still surprisingly affordable, but values are going up! Overstreet 2007 NM- 9.2 value = $635. CGC census 1/08: 36 in 9.6, 19 higher.
Bronze Age (1970-1979)
Iron Man #55 (Marvel, 1973) CGC NM 9.4 Off-white to white pages. Only the first issue of this title boasts a higher Overstreet value, making this Near Mint copy even more enticing. Featured are the first appearances of Thanos, Drax the Destroyer, Mentor, Starfox (aka Eros), and Kronos. Jim Starlin and Joe Sinnott combined for the cover, and Starlin handled the interior art. Overstreet 2007 NM- 9.2 value = $210. CGC census 2/08: 54 in 9.4, 32 higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
I Spy #5 (Gold Key, 1968) CGC NM/MT 9.8 Off-white to white pages. If you think Robert Culp's all-white tennis outfit looks sharp on this photo cover, have a look at the condition of this all but perfect copy. Al McWilliams provided the interior art. Overstreet 2007 NM- 9.2 value = $200. CGC census 1/08: 2 in 9.8, none higher.
Bronze Age (1970-1979)
Jonah Hex #1 (DC, 1977) CGC NM/MT 9.8 White pages. Jose Garcia-Lopez cover and art. Overstreet 2007 NM- 9.2 value = $170. CGC census 12/07: 8 in 9.8, none higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
Journey Into Mystery #83 (Marvel, 1962) CGC Apparent FN 6.0 Cover Trimmed Off-white to white pages. One of the key "origin and first appearance" issues at the beginning of the Marvel Age that any serious Silver Age collector covets. Jack Kirby's Thor debuts and soon takes over the long-running supernatural title altogether. Kirby did the cover and the Thor origin story; Steve Ditko provided the art for another story. CGC notes, "Top & bottom edge of cover trimmed." Overstreet 2007 GD 2.0 value = $550; VG value = $1,100; FN 6.0 value = $1,650.
Journey Into Mystery #88 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. As if the second appearance of Loki and a Jack Kirby cover, inked by Steve Ditko weren't enough, this ish also has a Thor story penciled by Kirby and backup features with Ditko and Don Heck art. Overstreet 2007 VF 8.0 value = $400; VF/NM 9.0 value = $675. CGC census 1/08: 8 in 8.5, 20 higher. From the Fantastic Frank Collection.
Journey Into Mystery #91 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Loki cover appearance. Jack Kirby cover, with interior art by Joe Sinnott, Steve Ditko, Larry Lieber, and Sol Brodsky. Overstreet 2007 VF/NM 9.0 value = $424; NM- 9.2 value = $600. CGC census 1/08: 3 in 9.0, 10 higher. From the Fantastic Frank Collection.
Journey Into Mystery #95 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Thor vs. Thor on this Jack Kirby cover. Steve Ditko, Joe Sinnott, and Larry Lieber contribute interior art. Overstreet 2007 VF/NM 9.0 value = $480; NM- 9.2 value = $675. CGC census 1/08: 5 in 9.0, 6 higher. From the Fantastic Frank Collection.
Journey Into Mystery #96 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Talk about loaded! This issue boasts a Jack Kirby cover, Joe Sinnott art, and two mystery-themed backups that feature art by Steve Ditko and Paul Reinman. There is a John F. Kennedy appearance, a Medusa story, and an appearance by Merlin. Overstreet 2007 VF/NM 9.0 value = $424; NM- 9.2 value = $600. CGC census 1/08: 7 in 9.0, 14 higher. From the Fantastic Frank Collection.
Journey Into Mystery #97 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. This issue is packed with firsts. The Tales of Asgard stories begin with this issue. The origin of Odin and the origin and first appearance of Lava Man are presented as well as the first appearance of Surtur in a cameo. Jack Kirby provides the cover and interior art, along with Larry Lieber, Don Heck, and George Roussos. Overstreet 2007 VF/NM 9.0 value = $513; NM- 9.2 value = $725. CGC census 1/08: 7 in 9.0, 10 higher. From the Fantastic Frank Collection.
Journey Into Mystery #100 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. In this anniversary issue, Thor battles Mr. Hyde, and Jack "King" Kirby provides the cover. Kirby, Don Heck, Paul Reinman, and Larry Lieber offer up the interior art. Overstreet 2007 NM- 9.2 value = $500. CGC census 1/08: 7 in 9.2, 6 higher. From the Fantastic Frank Collection.
Journey Into Mystery #101 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Second Avengers crossover. Jack Kirby cover. Kirby, George Roussos, Larry Lieber, and Matt Fox art. Beautiful condition. Overstreet 2007 NM- 9.2 value = $330. CGC census 1/08: 7 in 9.4, 4 higher. From the Fantastic Frank Collection.
Journey Into Mystery #106 (Marvel, 1964) CGC NM- 9.2 Off-white pages. Thor versus Mr. Hyde and the Cobra. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $310. CGC census 1/08: 5 in 9.2, 9 higher. From the Fantastic Frank Collection.
Journey Into Mystery #107 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Here's a very sharp copy that's tied for the top spot in CGC's census. Speaking of CGC, those ace certifiers noted on the label that this is the origin and first appearance of the Grey Gargoyle, but somehow the Sarasotan slabmeisters failed to note that it's also the first appearance of Karnilla! We haven't forgotten the Norn Queen, though... va-va-voom! Overstreet 2007 NM- 9.2 value = $310. CGC census 2/08: 11 in 9.4, none higher.
Journey Into Mystery #108 (Marvel, 1964) CGC NM- 9.2 Off-white pages. An early Avengers and a Dr. Strange crossover are included in this issue, which also featured a Loki appearance. Jack Kirby cover and interior art (10 pages). Overstreet 2007 NM- 9.2 value = $330. CGC census 1/08: 10 in 9.2, 3 higher. From the Fantastic Frank Collection.
Journey Into Mystery #109 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. An early Magneto and the Brotherhood of Evil Mutants appearance -- the first Magneto crossover -- marks this issue that features Jack Kirby cover and interior art. Overstreet 2007 VF/NM 9.0 value = $524; NM- 9.2 value = $740. CGC census 1/08: 12 in 9.0, 10 higher. From the Fantastic Frank Collection.
Journey Into Mystery #112 (Marvel, 1965) CGC NM 9.4 Cream to off-white pages. With no 9.8 on the census and just a few 9.6 copies, this one is a tall order in high grade, and we expect it to sell for multiples of Guide. The issue's one of the best of the Thor run, thanks to the Thunder God's battle with the Hulk and an irresistible Jack Kirby cover. Overstreet 2007 NM- 9.2 value = $825. CGC census 2/08: 9 in 9.4, 5 higher.
Journey Into Mystery #114 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. Origin and first appearance of Absorbing Man. Jack Kirby cover and art. A great looking copy. Overstreet 2007 NM- 9.2 value = $360. CGC census 1/08: 8 in 9.2, 10 higher. From the Fantastic Frank Collection.
Journey Into Mystery #115 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. A detailed origin of Loki is explained with a Jack Kirby cover and interior art. A real looker with great page quality! Only three copies have ever been graded higher by CGC to date. Overstreet 2007 NM- 9.2 value = $320. CGC census 1/08: 8 in 9.4, 3 higher. From the Fantastic Frank Collection.
Journey Into Mystery #116 (Marvel, 1965) CGC NM 9.4 Off-white pages. The Avengers, Daredevil, and the Frightful Four make cameo appearances in this issue that is filled with Jack Kirby art. Kirby also treats us to the cover. Talk about beautiful! Only one copy has been graded higher by CGC to date. Overstreet 2007 NM- 9.2 value = $215. CGC census 1/08: 6 in 9.4, 1 higher. From the Fantastic Frank Collection.
Journey Into Mystery #122 (Marvel, 1965) CGC NM 9.4 Off-white to white pages. Thor faces the Absorbing Man in the cover story as well as Loki in the Tales of Asgard backup feature. Jack Kirby dishes out the cover and interior art. A top-notch copy. Overstreet 2007 NM- 9.2 value = $215. CGC census 1/08: 9 in 9.4, 2 higher. From the Fantastic Frank Collection.
Justice League of America #1 (DC, 1960) CGC Apparent VF+ 8.5 Extensive (P) Cream to off-white pages. Here is the premiere issue that resulted from their tryout series in The Brave and the Bold: Aquaman, Batman, Flash, Green Lantern, J'onn J'onzz, Superman, and Wonder Woman appear as the first Justice League team. A memorable Murphy Anderson cover wraps Mike Sekowsky interior art. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed." Overstreet 2007 GD 2.0 value = $383; VG 4.0 value = $746; FN 6.0 value = $1,149; VF 8.0 value = $3,505.
Justice League of America #9 (DC, 1962) CGC NM- 9.2 Off-white to white pages. This almost perfect issue, which features the origin of the Justice League of America, has our heroes rooting out a problem with a meteor on the Mike Sekowsky and Murphy Anderson cover. Sekowsky adds interior art. Only one book tops this great looking copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $825. CGC census 1/08: 11 in 9.2, 1 higher. From the Fantastic Frank Collection.
Justice League of America #12 (DC, 1962) CGC NM 9.4 Off-white pages. An impeccable copy that showcases the origin and first appearance of Dr. Light in what the cover touts as the "last case of the Justice League." Murphy Anderson cover and Mike Sekowsky art. Currently tied for highest CGC-graded copy. Overstreet 2007 NM- 9.2 value = $385. CGC census 1/08: 2 in 9.4, none higher. From the Fantastic Frank Collection.
Justice League of America #15 (DC, 1962) CGC NM 9.4 Off-white to white pages. Mike Sekowsky and Murphy Anderson cover. Overstreet 2007 NM- 9.2 value = $385. CGC census 12/07: 3 in 9.4, 1 higher. From the Fantastic Frank Collection.
Justice League of America #16 (DC, 1962) CGC NM- 9.2 Off-white to white pages. Murphy Anderson cover. Mike Sekowsky art. Overstreet 2007 NM- 9.2 value = $320. CGC census 12/07: 3 in 9.2, 2 higher. From the Fantastic Frank Collection.
Justice League of America #21 (DC, 1963) CGC NM- 9.2 Off-white to white pages. Featuring the "Crisis on Earth-One" story, this ish re-introduces the Justice Society of America in the title. Also of note are the first Silver Age appearances of Hourman, Dr. Fate, Icicle, and Wizard. Mike Sekowsky and Murphy Anderson cover. Sekowsky art. Overstreet 2007 NM- 9.2 value = $610. CGC census 1/08: 7 in 9.2, 8 higher. From the Fantastic Frank Collection.
Justice League of America #34 (DC, 1965) CGC NM 9.4 Cream to off-white pages. Joker cover and story. Dr. Destiny appearance. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $155. CGC census 12/07: 4 in 9.4, 2 higher. From the Fantastic Frank Collection.
Justice League of America #39 (DC, 1965) CGC NM 9.4 Off-white to white pages. Aka 80-Pg. Giant G-16. Reprints #5 of JLA as well as The Brave and the Bold #28 and 30. Included in the issue is an index of all JLA stories, writers, and artists through issue #39. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $195. CGC census 12/07: 4 in 9.4, 2 higher. From the Fantastic Frank Collection.
Justice League of America #40 (DC, 1965) CGC NM 9.4 Off-white to white pages. Ten superheroes and four super-villains. All for 12¢... well, it'll cost you more than that now! The Penguin makes his third Silver Age appearance, fellow villains Mirror Master, the Shark, and Captain Cold also vying for panel exposure. Mike Sekowsky provided the cover and interior artwork. Overstreet 2007 NM- 9.2 value = $140. CGC census 2/08: 5 in 9.4, 2 higher. From the Fantastic Frank Collection.
Justice League of America #41 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. The origin and first appearance of the Key as wielded by the Key-Master is presented in this exemplary copy. Hawkgirl also guest-stars. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $140. CGC census 1/08: 5 in 9.6, none higher.
Justice League of America #43 (DC, 1966) CGC NM 9.4 Off-white to white pages. First appearance of the Royal Flush Gang. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $115. CGC census 2/08: 6 in 9.4, 2 higher. From the Fantastic Frank Collection.
Justice League of America #44 (DC, 1966) CGC NM 9.4 White pages. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $115. CGC census 2/08: 5 in 9.4, 3 higher. From the Fantastic Frank Collection.
Justice League of America #50 (DC, 1966) CGC NM 9.4 White pages. Only two copies of #50 have been certified with a higher grade by CGC to date. Mike Sekowsky cover and art. Overstreet 2007 NM- 9.2 value = $95. CGC census 2/08: 12 in 9.4, 3 higher. From the Fantastic Frank Collection.
Justice League of America #55 Pacific Coast pedigree (DC, 1967) CGC NM+ 9.6 Off-white pages. There have been eight 9.4 copies certified to date but just this one 9.6, and it's tough to picture a better copy of this issue with its dark cover. This issue has the first Silver Age appearance of the Golden Age Robin (i.e. Earth-Two Robin), who was an adult and a member of the Justice Society of America. Mike Sekowsky is the cover artist. Overstreet 2007 NM- 9.2 value = $130. CGC census 12/07: 1 in 9.6, none higher.
Justice League of America #56 (DC, 1967) CGC NM 9.4 Off-white to white pages. Justice League vs. Justice Society story. First Silver Age appearance of the Golden Age Wonder Woman. Carmine Infantino cover. Mike Sekowsky art. Overstreet 2007 NM- 9.2 value = $110. CGC census 1/08: 9 in 9.4, 1 higher. From the Fantastic Frank Collection.
Little Dot #32 File Copy (Harvey, 1958) CGC NM+ 9.6 Cream to off-white pages. Now that's a horse of a different color! Only CGC-graded copy on the current census. Overstreet 2007 NM- 9.2 value = $24. CGC census 1/08: 1 in 9.6, none higher.
Little Dot's Uncles and Aunts #1 File Copy (Harvey, 1961) CGC NM+ 9.6 Cream to off-white pages. Giant size issue. Richie Rich begins a run in the title. Overstreet 2007 NM- 9.2 value = $225. CGC census 2/08: 4 in 9.6, none higher.
Magnus Robot Fighter #2 (Gold Key, 1963) CGC NM 9.4 Off-white to white pages. Russ Manning art. Overstreet 2007 NM- 9.2 value = $170. CGC census 2/08: 5 in 9.4, 1 higher. From the Fantastic Frank Collection.
Mystery in Space #75 (DC, 1962) CGC NM- 9.2 White pages. From the pages of Justice League of America comes villain Kanjar Ro and the JLA themselves in an early crossover. Carmine Infantino and Murphy Anderson combine for the cover and interior art. Overstreet 2007 NM- 9.2 value = $410. CGC census 1/08: 6 in 9.2, 6 higher.
Our Army at War #84 (DC, 1959) CGC VF 8.0 Off-white to white pages. Joe Kubert cover. Irv Novick, Ross Andru , and Jack Abel art. Overstreet 2007 VF 8.0 value = $220. CGC census 1/08: 1 in 8.0, none higher. From the Keith Marlow Collection.
Our Army at War #105 (DC, 1961) CGC VF+ 8.5 Cream to off-white pages. CGC hasn't awarded a grade higher than FN 6.0 for #105, except for this copy. Joe Kubert cover and art. First appearance of Junior. Overstreet 2007 VF 8.0 value = $97; VF/NM 9.0 value = $161. CGC census 1/08: 1 in 8.5, none higher. From the Keith Marlow Collection.
Our Army at War #107 (DC, 1961) CGC VF+ 8.5 Cream to off-white pages. Finest copy known of this issue of DC's most famous war title, which is so typical of this collection. Joe Kubert provided the cover and the interior story art for the Sgt. Rock feature. Overstreet 2007 VF 8.0 value = $84; VF/NM 9.0 value = $137. CGC census 1/08: 1 in 8.5, none higher. From the Keith Marlow Collection.
Golden Age (1938-1955)
The Red Iceberg #nn 3rd Version (Impact, 1960) CGC NM 9.4 Off-white to white pages. CGC's designates this the "Explanation Variant" -- its back-cover copy explains the purpose of this anti-Communist comic. This is one of only two copies of this version on CGC's census (the other one being FN 6.0). Overstreet 2007 NM- 9.2 value = $450. CGC census 1/08 (for Explanation Variant): 1 in 9.4, none higher. From the Robert M. Overstreet Collection.
Silver Age (1956-1969)
Richie Rich #1 (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. The Poor Little Rich Boy became Harvey's most popular character, and his comic book issues the most valuable. He first appeared in Little Dot #1 way back in 1953, finally getting his own book seven years later. And this copy is as nice as any you would have seen on the newsstand in 1960! Overstreet 2007 NM- 9.2 value = $3,700. CGC census 12/07: 4 in 9.4, 1 higher.
Richie Rich #29 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white pages. Little Dot and Little Lotta stories. Overstreet 2007 NM- 9.2 value = $175. CGC census 2/08: 1 in 9.6, none higher.
Richie Rich #30 File Copy (Harvey, 1965) CGC NM 9.4 Off-white pages. Little Dot and Little Lotta stories. Overstreet 2007 NM- 9.2 value = $175. CGC census 12/07: 3 in 9.4, none higher.
Richie Rich #41 File Copy (Harvey, 1966) CGC NM+ 9.6 Off-white pages. Little Lotta and Little Dot backup stories. Overstreet 2007 NM- 9.2 value = $105. CGC census 12/07: 1 in 9.6, none higher.
Richie Rich #74 File Copy (Harvey, 1968) CGC NM/MT 9.8 White pages. Little Dot story. Overstreet 2007 NM- 9.2 value = $55. CGC census 12/07: 2 in 9.8, none higher.
Richie Rich #84 File Copy (Harvey, 1969) CGC NM/MT 9.8 Off-white to white pages. Little Dot and Little Lotta stories. Overstreet 2007 NM- 9.2 value = $35. CGC census 12/07: 3 in 9.8, 0 higher.
Richie Rich #86 File Copy (Harvey, 1969) CGC NM/MT 9.8 Off-white to white page. First time we've ever offered this issue. Little Dot and Little Lotta stories. Overstreet 2007 NM- 9.2 value = $35. CGC census 2/08: 1 in 9.8, none higher.
Bronze Age (1970-1979)
Richie Rich #98 File Copy (Harvey, 1970) CGC NM/MT 9.8 Off-white to white pages. First time we've ever offered this issue, which features Little Dot and Little Lotta stories. Overstreet 2007 NM- 9.2 value = $35. CGC census 2/08: 1 in 9.8, none higher.
Silver Age (1956-1969)
Richie Rich Success Stories #2 File Copy (Harvey, 1965) CGC NM 9.4 Off-white pages. Giant size issue. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 1 in 9.4, 1 higher.
Richie Rich Success Stories #3 File Copy - Double Cover (Harvey, 1965) CGC NM/MT 9.8 Off-white to white pages. This is the first copy that we have ever offered, and it's got a double cover to boot! CGC notes, "1st cover 9.4, interior cover 9.8." A truly amazing copy. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 1 in 9.8, none higher.
Richie Rich Success Stories #4 File Copy (Harvey, 1965) CGC NM+ 9.6 Off-white to white pages. Giant size issue. A very nice looking copy. Overstreet 2007 NM- 9.2 value = $135. CGC census 1/08: 4 in 9.6, none higher.
Richie Rich Success Stories File Copies Group (Harvey, 1966-79) Condition: Average VF/NM. This full short box includes file copies of #7, #9, #10, #13, #19-27 (first appearance of Penny Van Dough), #28-38 (last 68-page giant), #41-44 (Super Richie appearance), and #45-88 of the Richie Rich spin-off title. All are in excellent condition. Approximate Overstreet value for group = $1,500.
Robin Hood Tales #8 (DC, 1957) CGC NM 9.4 Off-white pages. Ross Andru and Mike Esposito cover. This is currently the highest CGC-graded copy. Overstreet 2007 NM- 9.2 value = $375. CGC census 1/08: 1 in 9.4, none higher.
Sad Sack's Army Life File Copies Group (Harvey, 1963-76) Condition: Average NM. This full short box includes gorgeous file copies of issues #1-33, #34 (last 68-page issue), 35-50, #51 (last 52-page issue), 52, 53, and 59-61. This is almost a complete run of the title! Overstreet 2007 NM- 9.2 value for group = $1,534.
Sad Sack Laugh Special #1 File Copy (Harvey, 1958) CGC NM+ 9.6 Off-white to white pages. Giant size issue. Overstreet 2007 NM- 9.2 value = $150. CGC census 2/08: 3 in 9.6, none higher.
Showcase #4 The Flash (DC, 1956) CGC FN/VF 7.0 Off-white pages. Generally considered the issue and event that started the Silver Age of Comics, the significance of this comic book is immense. After years of decline of the superhero as the centerpiece of comics, DC correctly perceived the time was ripe to expand the genre past Superman and Batman, two of the few Golden Age superheroes that had survived the early 1950s. So, DC used its new tryout title to reintroduce the Fastest Man Alive to a new generation of comic readers. The Flash was updated, given a snappy new costume and origin, and voila! The Silver Age was launched! Carmine Infantino and Joe Kubert, two of DC's best artists since the 1940s provided the cover and interior art for this issue, which not only brought back the Flash, but also had the first appearance of his fiancee, Iris West. The milestone book currently ranks just behind Amazing Fantasy #15 as the second most valuable Silver Age issue of all. Overstreet 2007 FN 6.0 value = $3,800; VF 8.0 value = $13,600. CGC census 1/08: 2 in 7.0, 15 higher.
Showcase #7 Challengers of the Unknown (DC, 1957) CGC VF+ 8.5 White pages. The second appearance of the Challengers of the Unknown came with a Jack Kirby cover that's essentially a primer for the Kirby "style", and it really stands out on this high-grade copy. We've offered a nicer copy (a 9.2) on just one previous occasion. The Challengers were the first Silver Age superhero team, preceding Kirby's more famous collaboration with Stan Lee, the Fantastic Four, by nearly five years. Kirby also furnished the story art, with assistance from wife Roz. Overstreet 2007 VF 8.0 value = $1,292; VF/NM 9.0 value = $2,246. CGC census 1/08: 1 in 8.5, 3 higher.
Showcase #8 The Flash (DC, 1957) CGC Qualified FN+ 6.5 Off-white to white pages. DC didn't rush its second tryout appearance of the Silver Age Flash -- it came six months after the first. This time the Crimson Avenger got to meet... ok, confront is more like it... Captain Cold, whose origin and first appearance is presented. Carmine Infantino continued with the artwork, both cover and interior, on the gig that would essentially be his most famous. CGC notes, "Staples cleaned." A Universal FN+ 6.5 certification would be one of the nicer copies on CGC's census, which currently lists only one Universal copy higher than VF 8.0. Overstreet 2007 GD 2.0 value = $820; VG 4.0 value = $1,640; FN 6.0 value = $2,460; VF 8.0 value = $7,500.
Showcase #11 Challengers of the Unknown (DC, 1957) CGC VG/FN 5.0 Off-white to white pages. Third appearance of the Challengers of the Unknown. Jack Kirby cover and art. Overstreet 2007 VG 4.0 value = $280; FN 6.0 value = $420. CGC census 12/07: 2 in 5.0, 13 higher. From the Fantastic Frank Collection.
Showcase #12 Challengers of the Unknown (DC, 1958) CGC VF+ 8.5 Off-white to white pages. We've never offered a nicer copy of this issue, which had the fourth appearance of the Challengers of the Unknown, and was followed in just three months by the group's getting their own title. The fantastic cover's by Jack Kirby, who also did the the interior art. Overstreet 2007 VF 8.0 value = $1,190; VF/NM 9.0 value = $2,070. CGC census 1/08: 1 in 8.5, 2 higher.
Showcase #12 Challengers of the Unknown (DC, 1958) CGC FN+ 6.5 Off-white to white pages. Here is the fourth tryout appearance of the Challengers in this title, and the first original Silver Age hero group would have their own title three months later. We don't offer this issue all that often, and this is one of the finest copies we've seen. Jack Kirby cover and art. Overstreet 2007 FN 6.0 value = $420; VF 8.0 value = $1,190. CGC census 2/08: 3 in 6.5, 4 higher. From the Toronto Collection.
Showcase #29 Sea Devils (DC, 1960) CGC VF/NM 9.0 Cream to off-white pages. Just one other copy of this issue, at NM- 9.2, has been certified a higher grade than this. The issue had the third tryout appearance of the Sea Devils, rendered on the cover and in the interior by Russ Heath. Featured is a striking grey tone cover and a half page ad for Justice League of America #1. Overstreet 2007 VF/NM 9.0 value = $497; NM- 9.2 value = $700. CGC census 1/08: 3 in 9.0, 1 higher.
Showcase #30 Aquaman (DC, 1961) CGC VF+ 8.5 Off-white to white pages. This issue represents the first time Aquaman ever had a whole comic devoted to him, despite appearing in various DC titles continuously for 20 years. This tryout issue is also notable for a brand-new origin that differs from the Golden Age account. Howard Purcell and Sheldon Moldoff cover, with Ramona Fradon interior art. Overstreet 2007 VF 8.0 value = $578; VF/NM 9.0 value = $1,002. CGC census 1/08: 4 in 8.5, 6 higher.
Showcase #34 The Atom (DC, 1961) CGC VF 8.0 Cream to off-white pages. The origin and first appearance of the Atom is one of the undisputed Silver Age keys, and finding one in better condition than this is not easy; two 9.4 copies top the census, with the rest of the field at 9.0 or lower. Gil Kane is the cover artist of this first issue, which by the way also introduced Ray Palmer's love interest, career gal Jean Loring. Overstreet 2007 VF 8.0 value = $986. CGC census 1/08: 9 in 8.0, 9 higher.
Showcase #35 The Atom (DC, 1961) CGC VF/NM 9.0 Cream to off-white pages. The second tryout appearance of the Silver Age Atom comes in the last 10¢ issue of the title. Gil Kane and Murphy Anderson cover and art. CGC notes, "From the Collection of Joe and Nadia Mannarino." Overstreet 2007 VF/NM 9.0 value = $843; NM- 9.2 value = $1,200. CGC census 1/08: 6 in 9.0, 6 higher.
Showcase #36 Atom (DC, 1962) CGC VF/NM 9.0 Off-white pages. The Silver Age incarnation of the Atom made his third appearance in this issue, courtesy of a cover and interior art by Gil Kane and Murphy Anderson. Overstreet 2007 VF/NM 9.0 value = $638; NM- 9.2 value = $900. CGC census 1/08: 5 in 9.0, 5 higher.
The Silver Surfer #3 (Marvel, 1968) CGC NM 9.4 Off-white pages. High grade copies of square bound issues are prizes, even for books "only" 39 years old! And the demand just keeps going up. This issue had the first appearance of Mephisto and a Watcher backup feature. John Buscema did the cover, and also contributed interior art as did Gene Colan. Overstreet 2007 NM- 9.2 value = $270. CGC census 12/07: 25 in 9.4, 10 higher. From the Fantastic Frank Collection.
The Silver Surfer #5 (Marvel, 1969) CGC NM 9.4 White pages. The Silver Surfer battles the Stranger. The Thing, Mr. Fantastic, and the Human Torch appear. John Buscema cover and art. Backup feature is a re-done version of the story from Tales to Astonish #26, featuring the Watcher in this version drawn by Howard Purcell. Overstreet 2007 NM- 9.2 value = $170. CGC census 2/08: 35 in 9.4, 16 higher. From the Keith Marlow Collection.
Spooky File Copies Box Lot (Harvey, 1957-80) Condition: Average VF+. This full short box includes great file copies of the bulk of the series, specifically issues #14, 21-26, 35-38, 41-46, 52-55, 57-61, 63-66, 71-102, 104-142, and 144-161. Early issues average VF (issue 24 is FN-), and the later issues average NM. Approximate Overstreet value for group = $2,000.
Spooky Spooktown #1 File Copy (Harvey, 1961) CGC NM+ 9.6 Cream to off-white pages. If pristine File copies of Giant Size Harveys are your thing, you're in luck! Overstreet 2007 NM- 9.2 value = $275. CGC census 2/08: 5 in 9.6, none higher.
Superboy #49 (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. Here's the highest-graded copy of the first appearance of Metallo. Now, before Action #252 owners start a letter-writing campaign, we should note that this Metallo is Jor-El's robot, not the villain of the same name. Curt Swan is the cover artist. Overstreet 2007 VF 8.0 value = $192; VF/NM 9.0 value = $296. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Superman #104 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. Mr. Mxyztplk appearance. Full page ad for Showcase #1. Wayne Boring cover and art. Overstreet 2007 VF/NM 9.0 value = $394; NM- 9.2 value = $535. CGC census 1/08: 2 in 9.0, 1 higher. From the Toronto Collection.
Golden Age (1938-1955)
Superman #105 (DC, 1956) CGC VF+ 8.5 Off-white pages. Not a book we had ever encountered in high grade before! Al Plastino is the cover artist. Overstreet 2007 VF 8.0 value = $252; VF/NM 9.0 value = $394. CGC census 12/07: 2 in 8.5, 2 higher. From the Toronto Collection.
Silver Age (1956-1969)
Superman #109 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. This first Silver Age issue features "The Super Puppet with X-Ray Eyes". Al Plastino and Wayne Boring are the issue's artists. This copy looks flat, clean and colorful. Overstreet 2007 VF/NM 9.0 value = $394; NM- 9.2 value = $535. CGC census 1/08: 2 in 9.0, 1 higher. From the Toronto Collection.
Superman #111 (DC, 1957) CGC VF/NM 9.0 Off-white pages. Al Plastino's cover has the Man of Steel popping out of a magician's trunk -- or is it a trick? Plastino also provides story art. This sharp copy currently ranks highest-graded in CGC's census for this issue. Overstreet 2007 VF/NM 9.0 value = $340; NM- 9.2 value = $460. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Superman #118 (DC, 1958) CGC VF+ 8.5 Off-white pages. This issue presents "The Death of Superman", a theme to be revisited time and again in the coming years. Curt Swan and Al Plastino provide the art. This issue is currently unsurpassed in CGC's census report for issue #118. Overstreet 2007 VF 8.0 value = $219; VF/NM 9.0 value = $340. CGC census 1/08: 2 in 8.5, none higher. From the Toronto Collection.
Superman #182 (DC, 1966) CGC NM+ 9.6 White pages. Toyman appearance. Curt Swan cover and interior art. A truly super copy! Overstreet 2007 NM- 9.2 value = $100. CGC census 1/08: 2 in 9.6, 1 higher. From the Fantastic Frank Collection.
Superman Annual #4 (DC, 1961) CGC NM+ 9.6 Off-white pages. A square bound DC from this era is almost unheard-of in this grade. And note that this issue had some very significant original material, namely the first information on the origin of the Legion of Super-Heroes, some three years after Adventure #247. While this one's just a two-pager, there wouldn't be a full telling until Superboy #147, more than six years after this annual. Curt Swan is the cover artist. Overstreet 2007 NM- 9.2 value = $390. CGC census 1/08: 1 in 9.6, none higher.
Superman's Girl Friend Lois Lane #70 (DC, 1966) CGC NM 9.4 Off-white to white pages. The first Silver Age appearance of the Catwoman (and the ensuing catfight with Supes' gal) makes this one of the most valued issues in the long run -- only the first 10 issues rank higher in Overstreet. There's also appearances by the Penguin, Batman, and Robin, with cover and interior art by Kurt Schaffenberger. Overstreet 2007 NM- 9.2 value = $410. CGC census 12/07: 6 in 9.4, 2 higher. From the Fantastic Frank Collection.
Superman's Girl Friend Lois Lane #77 (DC, 1967) CGC NM 9.4 Off-white to white pages. Aka 80 Page Giant #G-39. Kurt Schaffenberger cover. Overstreet 2007 NM- 9.2 value = $95. CGC census 1/08: 3 in 9.4, 1 higher. From the Fantastic Frank Collection.
Tales of Suspense #39 Stan Lee File Copy - Signature Series (Marvel, 1963) CGC VG/FN 5.0 Off-white pages. When we last auctioned this copy some years ago, the high bid was a senses-shattering quadruple Guide, thanks to the bragging rights bestowed by owning "The Man's" personal file copy. With an Iron Man movie set to hit screens (we presume Smilin' Stan will have a cameo), we expect the character and his co-creator to be in the news often, meaning you will be the envy of all of your front-facing friends if you own this copy of Shellhead's origin and first appearance. Jack Kirby is the credited cover artist. CGC notes, "Signed by Stan Lee on 4/18/02. (Piece of tape on back cover.)" Overstreet 2007 VG 4.0 value = $876; FN 6.0 value = $1,314. CGC census 1/08 (for Signature Series): 2 in 5.0, none higher; (for Universal grades): 36 in 5.0, 195 higher.
Tales of Suspense #40 (Marvel, 1963) CGC VF 8.0 White pages. The second appearance of Iron Man makes this a popular issue among collectors. Like the previous issue that introduced the new superhero, Jack Kirby provided cover and interior art. Steve Ditko also contributed interior art. Overstreet 2007 VF 8.0 value = $1,258. CGC census 12/07: 7 in 8.0, 19 higher.
Tales of Suspense #59 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. This series became a double feature starring Iron Man and Captain America starting with this issue. The Captain America story is his first solo adventure since the 1950s, and nobody who's read it has ever forgotten it -- Cap's spending a quiet day at Avengers Mansion when a gang of thugs shows up ready to take on the entire Avengers team, so they think they've got it made when their only opposition is a guy with no super powers... the resulting battle is one of Jack Kirby's most dynamic efforts, and that's saying something! By the way, you might be surprised to know that the first appearance of Jarvis the butler was not in the pages of The Avengers, but in this very story. And we haven't even mentioned the Iron Man story with Don Heck art and a memorable cover by Kirby. You won't find a much nicer copy anywhere! Overstreet 2007 NM- 9.2 value = $610. CGC census 1/08: 13 in 9.4, 9 higher.
Tales of the Unexpected #41 Bethlehem pedigree (DC, 1959) CGC VF/NM 9.0 Off-white to white pages. This pedigree book is second to only one other CGC-certified copy of the issue that features the fourth appearance of Space Ranger. Overstreet 2007 VF/NM 9.0 value = $469; NM- 9.2 value = $660. CGC census 1/08: 1 in 9.0, 1 higher.
Tales to Astonish #35 (Marvel, 1962) CGC FN/VF 7.0 Off-white to white pages. A high point of this ish is the origin and second appearance of Ant-Man, the first in costume. A series of Ant-Man covers by Jack Kirby also begins. Steve Ditko and Don Heck supply additional art. Overstreet 2007 FN 6.0 value = $465; VF 8.0 value = $1,356. CGC census 1/08: 12 in 7.0, 23 higher.
Thor #148 (Marvel, 1968) CGC NM+ 9.6 White pages. Features the origin and first appearance of the Wrecker, as well as the origin of Black Bolt. Jack Kirby cover and art. Overstreet 2007 NM- 9.2 value = $85. CGC census 1/08: 14 in 9.6, 5 higher.
Bronze Age (1970-1979)
Weird War Tales #1 (DC, 1971) CGC NM 9.4 Off-white pages. Note that there is no 9.8 copy of this black-cover book as of this writing, and a mere four have been graded 9.6. Joe Kubert drew the cover for this inaugural issue, one we've heard mentioned as a dark horse candidate for the title of "first Bronze Age comic book." Overstreet 2007 NM- 9.2 value = $385. CGC census 12/07: 14 in 9.4, 4 higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
Wendy, the Good Little Witch File Copy Group (Harvey, 1962-75) Condition: Average VF+. This group includes 69 file copies of Wendy, including #11-45, #47-49, #51-71, #78-83, and #85-88. Issue #47 has writing on the cover in pen, and #48 has writing on the cover in grease pencil. Overstreet 2007 VF 8.0 value for group = $1,334; VF/NM 9.0 value = $1,826.
Bronze Age (1970-1979)
Werewolf by Night #1 (Marvel, 1972) CGC NM 9.4 Off-white to white pages. Bronze Age keys are hot and values rising. Catch it while you can! Story is continued from Marvel Spotlight #4. Mike Ploog cover and art. Overstreet 2007 NM- 9.2 value = $150. CGC census 12/07: 63 in 9.4, 18 higher. From the Fantastic Frank Collection.
Silver Age (1956-1969)
Wonder Woman #79 (DC, 1956) CGC VF+ 8.5 Off-white pages. With Wonder Woman miniaturized, do you think that the Atom has a chance of promoting a date? Irwin Hasen cover. H. G. Peter interior art. Another census topper from the Toronto Collection. Overstreet 2007 VF 8.0 value = $204; VF/NM 9.0 value = $315. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #82 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. WW seems to be saying "I'm ready for my closeup, Mr. DeMille" on this Irv Novick cover. Robin Hood appearance. H. G. Peter art. Overstreet 2007 VF/NM 9.0 value = $315; NM- 9.2 value = $425. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Wonder Woman #85 (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. Wonder Woman issues of this era can be elusive in high grade, and this copy has earned the highest grade to date from CGC for #85. Irv Novick cover. H. G. Peter art. Overstreet 2007 VF 8.0 value = $204; VF/NM 9.0 value = $315. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #87 (DC, 1957) CGC VF+ 8.5 Off-white pages. Irv Novick cover. H. G. Peter art. Overstreet 2007 VF 8.0 value = $204; VF/NM 9.0 value = $315. CGC census 1/08: 1 in 8.5, 1 higher. From the Toronto Collection.
Wonder Woman #89 (DC, 1957) CGC VF+ 8.5 Cream to off-white pages. Irv Novick treats us to a flying saucer cover on this high-grade single owner copy. H. G. Peter adds interior art. This is currently the highest graded copy. Overstreet 2007 VF 8.0 value = $196; VF/NM 9.0 value = $291. CGC census 1/08: 1 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #93 (DC, 1957) CGC VF/NM 9.0 Off-white to white pages. You're not likely to find a nicer copy than this chart topper anytime soon. Ross Andru cover. H. G. Peter art. Overstreet 2007 VF/NM 9.0 value = $248; NM- 9.2 value = $335. CGC census 1/08: 1 in 9.0, none higher. From the Toronto Collection.
Wonder Woman #96 (DC, 1958) CGC VF+ 8.5 Off-white to white pages. This beauty from the Toronto Collection is tied with one other book for the highest CGC grade to date. Ross Andru cover. H. G. Peter art. Overstreet 2007 VF 8.0 value = $161; VF/NM 9.0 value = $248. CGC census 1/08: 2 in 8.5, none higher. From the Toronto Collection.
Wonder Woman #97 (DC, 1958) CGC VF+ 8.5 Off-white pages. Irv Novick shows us a dinosaur cover. Unfortunately for long time WW fans, this would be the last issue with H. G. Peter art in the series. A wonderful copy from a single owner collection. Overstreet 2007 VF 8.0 value = $158; VF/NM 9.0 value = $234. CGC census 1/08: 1 in 8.5, 1 higher. From the Toronto Collection.
Wonder Woman #141 (DC, 1963) CGC NM 9.4 Off-white pages. Robert Kanigher's scripts and Ross Andru's art (including the bondage cover) notwithstanding, the grade on this copy is what really sets it apart. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 1 in 9.4, 1 higher. From the Fantastic Frank Collection.
Wonder Woman #145 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Gorgeous copy ranks high in CGC's census for this issue, which has Ross Andru cover and interior art. There's also a full page ad for Hawkman #1 inside. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 1 in 9.6, 1 higher. From the Fantastic Frank Collection.
Wonder Woman #146 (DC, 1964) CGC NM 9.4 White pages. Near Mint and with white pages! Ross Andru contributed the bondage cover and interior art. This copy's unsurpassed in CGC's current census. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 4 in 9.4, none higher. From the Fantastic Frank Collection.
Wonder Woman #147 (DC, 1964) CGC NM 9.4 Off-white to white pages. Another pristine copy of the Silver Age title from our consignor. And the grade here is tied for the highest CGC has awarded to date for the issue. Wonder Girl is featured. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 7 in 9.4, none higher. From the Fantastic Frank Collection.
Wonder Woman #148 (DC, 1964) CGC NM 9.4 Off-white to white pages. DC looked for any excuse to run a Ross Andru dinosaur cover in these days, and this copy shows it off smartly. Featured in this issue was a Duke of Deception appearance. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 3 in 9.4, 1 higher. From the Fantastic Frank Collection.
Wonder Woman #150 (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Wondrous cover colors characterize this sensational copy, which boasts the highest grade CGC has certified to date for #150. Wonder Girl is featured. Overstreet 2007 NM- 9.2 value = $125. CGC census 12/07: 3 in 9.6, none higher. From the Fantastic Frank Collection.
Wonder Woman #152 (DC, 1965) CGC NM 9.4 Off-white to white pages. Wonder Girl stories continue, and this time the teen Wonder Woman gets her own cover logo. Ross Andru provided the cover and interior art. Overstreet 2007 NM- 9.2 value = $95. CGC census 12/07: 6 in 9.4, 1 higher. From the Fantastic Frank Collection.
Wonder Woman #153 (DC, 1965) CGC NM 9.4 White pages. Wonder Girl cover logo and stories continue with art by Ross Andru. Overstreet 2007 NM- 9.2 value = $95. CGC census 12/07: 3 in 9.4, 3 higher. From the Fantastic Frank Collection.
Wonder Woman #155 (DC, 1965) CGC NM+ 9.6 White pages. Wonder-ous copy barely missed earning the highest grade yet from CGC for this issue, which featured Robert Kanigher scripts and Ross Andru cover and story art. Overstreet 2007 NM- 9.2 value = $95. CGC census 12/07: 1 in 9.6, 1 higher. From the Fantastic Frank Collection.
Wonder Woman #162 (DC, 1966) CGC NM 9.4 Off-white to white pages. Only one copy of #162 has earned a higher grade from CGC to date than this beauty. The issue had the first Silver Age appearance of Minister Blizzard, and the origin of Wonder Woman's Diana Prince id is retold. Ross Andru and Mike Esposito combined for the cover and interior art. Overstreet 2007 NM- 9.2 value = $95. CGC census 1/08: 5 in 9.4, 1 higher.
World's Finest Comics #80 (DC, 1956) CGC VF/NM 9.0 Cream to off-white pages. Green Arrow and Tomahawk backup stories help to fill out the Win Mortimer cover. Dick Sprang, George Papp, and Fred Ray provide the interior art. Overstreet 2007 VF/NM 9.0 value = $472; NM- 9.2 value = $650. CGC census 1/08: 2 in 9.0, none higher. From the Toronto Collection.
World's Finest Comics #82 (DC, 1956) CGC VF 8.0 Off-white pages. Dick Sprang Batman art; featuring "The Three Super-Musketeers." Win Mortimer cover. Overstreet 2007 VF 8.0 value = $218. CGC census 12/07: 1 in 8.0, 1 higher. From the Toronto Collection.
World's Finest Comics #85 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. Dick Sprang cover. Sprang, Curt Swan, and Fred Ray art. Overstreet 2007 VF/NM 9.0 value = $359; NM- 9.2 value = $500. CGC census 1/08: 2 in 9.0, none higher. From the Toronto Collection.
World's Finest Comics #86 (DC, 1957) CGC VF/NM 9.0 Off-white pages. Curt Swan cover. Dick Sprang and Jim Mooney art. Overstreet 2007 VF/NM 9.0 value = $359; NM- 9.2 value = $500. CGC census 1/08: 2 in 9.0, none higher. From the Toronto Collection.
X-Men #1 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. After launching the Marvel Age with the likes of the Fantastic Four, Thor, Iron Man, Ant Man, Spider-Man, and Dr. Strange, Stan Lee stretched his imagination and rolled the dice with his concept of the X-Men. "The Strangest Super-Heroes of All", along with Spider-Man and, possibly, the Incredible Hulk, have weathered the decades and have been embraced as enthusiastically by later generations as they were originally in 1963. The first issue had the origin and first appearance of the team (the Angel, the Beast, Cyclops, Iceman, and Marvel Girl) and the first appearances of their leader Professor X and their first super-villain nemesis, Magneto. Jack Kirby provided the cover and interior art. Overstreet 2007 VF 8.0 value = $6,300; VF/NM 9.0 value = $11,400. CGC census 1/08: 26 in 8.5, 28 higher.
X-Men #7 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Sparkling copy of the issue in which Professor X appoints Cyclops as the leader of the X-Men, just as the good mutants gird for battle with bad mutants Magneto and his Brotherhood of Evil Mutants. This issue also has the first appearance of the mutant-detection device Cerebro. Jack Kirby provided the cover and art. Overstreet 2007 NM- 9.2 value = $975. CGC census 1/08: 15 in 9.2, 7 higher.
X-Men #55 (Marvel, 1969) CGC NM+ 9.6 White pages. Alex Summers (soon to become Havok) discovers he has mutant powers in this issue. The cover is by Barry Smith (one of his first comic covers), and the interior art is by Werner Roth. A backup feature tells how the Angel joined the X-Men. Overstreet 2007 NM- 9.2 value = $150. CGC census 12/07: 14 in 9.6, 1 higher.
Bronze Age (1970-1979)
X-Men #100 (Marvel, 1976) CGC NM/MT 9.8 White pages. Sick copy - we mean it in a good way - of the popular anniversary issue that featured the Old versus the New X-Men. CGC hasn't awarded a higher grade to date. The issue features one of Dave Cockrum's best covers, and he also provided the interior art. Other fun features herein: partial origin of Phoenix, and the last 25¢ issue. Overstreet 2007 NM- 9.2 value = $150. CGC census 11/07: 10 in 9.8, none higher.
Golden Age (1938-1955)
All-American Comics #1-12 Bound Volume (DC, 1939-40). This nifty bound collection includes copies of All-American Comics #1 (first appearances of Hop Harrigan and Red, White, and Blue; first DC appearance of Scribbly; Toonerville Folks, Mutt & Jeff, Adventures in the Unknown, Reg'lar Fellers, Mystery Men of Mars, and Wiley of West Point, and other features begin), #2 (Ripley's Believe It or Not begins), #3, #4, #5 (The American Way begins), #6 (Popsicle Pete begins), #7, #8 (Ultra Man begins), #9, #10 (Christmas cover), #11 (Ultra Man cover), and #12 (last Toonerville Folks) that have been trimmed and spiral-bound into a hardcover volume for the office of managing editor M. C. Gaines. Artists include Sheldon Mayer and Stan Aschmeier. The comics were trimmed on all sides (meaning the spines have been trimmed away as well) and had holes punched along the left edges to accommodate the spiral binding; otherwise the comics are in overall nice condition with bright, glossy covers, off-white to tan pages pages, and mild to moderate wear. Overstreet 2007 VG 4.0 value for group = $4,640.
All-American Comics #25-36 Bound Volume (DC, 1941-42). This stunning bound volume features the first appearances of Dr. Mid-Nite (who predates Daredevil as the first blind superhero by more than 20 years), Sargon the Sorcerer, and Green Lantern's sidekick Doiby Dickles as well as Hop Harrigan's brief career as an actual superhero. Included are copies of All-American Comics #25 (origin and first appearance of Dr. Mid-Nite, Hop Harrigan's first appearance as the Guardian Angel, last "Adventure in the Unknown" story), #26 (origin and first appearance of Sargon), #27 (first appearance of Doiby Dickles), #28 (last appearance of Hop Harrigan as costumed hero), 29, 30, 31, 32, 33, 34, 35, and 36 that have been trimmed and spiral-bound into a hardcover volume for the office of managing editor M. C. Gaines. Artists include Stan Aschmeier, Martin Nodell, Howard Purcell, and Irwin Hasen. The comics were trimmed on all sides (meaning the spines have been trimmed away as well) and had holes punched along the left edges to accommodate the spiral binding (the cover and first seven pages of #25 were punched along the right as well), and the front hinge is slightly loose; otherwise the comics are in overall nice condition with bright, glossy covers, off-white to tan pages pages, and mild to moderate wear. Overstreet 2007 VG 4.0 value for group = $6,206.
All-Flash #1-12 Bound Volume (DC, 1941-43). Some beautiful copies of All-Flash #1 (origin retold), 2, 3, 4, #5 (first appearances of Winky, Blinky, and Noddy), 6, 7, 8, 9, 10, 11, and #12 (origin and first appearance of the Thinker) that have been trimmed and bound into a hardcover volume, with covers and art by E. E. Hibbard. The comics are in great condition with bright, glossy cover, supple pages, and mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $5,186.
Silver Age (1956-1969)
Amazing Fantasy #15 and Amazing Spider-Man #1-25 Bound Volume (Marvel, 1962-65). A mind-blowing bound volume featuring the origin and first appearance of Spider-Man, his first adventures, and the debut of most of the series' villains and supporting players. Included are copies Amazing Fantasy #15 (origin and first appearance of Spider-Man, first appearances of Uncle Ben and Aunt May) and Amazing Spider-Man #1 (first Fantastic Four crossover, first appearances of Chameleon and J. Jonah Jameson), #2 (first appearances of Vulture and Terrible Tinkerer), #3 (first appearance of Doctor Octopus, first full-length story), #4 (origin and first appearance of the Sandman, first appearances of Betty Brant and Liz Allen, first monthly issue), #5 (Doctor Doom appearance), #6 (first appearance of Lizard), 7, 8, #9 (origin and first appearance of Electro), #10 (first appearance of Big Man and the Enforcers), 11, 12, #13 (first appearance of Mysterio), #14 (first appearance of Green Goblin, Hulk crossover), #15 (first appearance of Kraven the Hunter), #16 (vs. Daredevil), 17, #18 (first appearance of Ned Leeds), 19, #20 (origin and first appearance of Scorpion), 21, #22 (first appearance of Princess Python), 23, 24, and #25 (brief first appearance of Mary Jane Watson, first appearance of Spencer Smythe). Covers and art by Steve Ditko, with an assist by Jack Kirby on AF #15 and ASM #1. All have been trimmed and bound into a single hardcover volume with the original owner's name embossed on the front cover. AF #15 exhibits some cover creases; ASM #1 has a small tear to and small piece missing from the front cover, #2 has a small spot of water damage to the front cover, and #19 has tracings in ink on the front cover. Overall, the comics are in nice condition with glossy covers and supple pages, instances of mild to moderate wear and creasing to some of the covers, and moderate tanning to the pages and edges of the covers (both inside and out). Overstreet VG 4.0 value for group = $10,248.
The Amazing Spider-Man #26-50 Bound Volume (Marvel, 1965-67). A very nice collection of early Spider-Man adventures that includes copies of Amazing Spider-Man #26, 27, #28 (origin and first appearance of Molten Man, scarce in high grades due to black cover), 29, 30, #31 (first appearances of Harry Osborn and Gwen Stacy), 32, 33, 34, 35, 36, #37 (first appearance of Norman Osborn), 38, #39 (Green Goblin's identity revealed), #40 (first origin of Green Goblin), #41 (first appearance of Rhino), #42 (first full appearance of Mary Jane Watson), 43, 44, 45, #46 (first appearance of Shocker), 47, 48, 49, and #50 (first appearance of the Kingpin) that have been trimmed and bound into a single hardcover volume with the original owner's name embossed on the cover. Issues #26-38 feature covers and art by Steve Ditko, while #39-50 feature covers and art by John Romita Sr. The contents of issue #26 appear to have been removed and reshuffled prior to the binding process, #31 has a deep crease along the length of the cover, #39 shows some water damage, and #40-50 exhibit very small stains to the lower right edges of some pages. Otherwise, the comics are in nice condition with glossy covers and supple pages, instances of mild wear and creasing to some of the covers, and moderate tanning to the pages and edges of the covers (both inside and out). Overstreet VG 4.0 value for group = $1,372.
Golden Age (1938-1955)
America's Greatest Comics #1-8 Bound Volume (Fawcett, 1941-43). This is a complete run of Fawcett's first squarebound comic, America's Greatest Comics, that features copies of #1 (classic Mac Raboy cover featuring group cover appearance of Fawcett's major characters), #2 (moderate wear to cover), 3, #4 (Commando Yank stories begin), 5, 6, 7, and #8 (Captain Marvel Jr. appearance, Spy Smasher/Captain Midnight crossover) that have been trimmed and bound into a hardcover volume. Unless noted otherwise, the comics are in overall great condition with bright covers that exhibit a lot of gloss and some mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $1,926.
Silver Age (1956-1969)
The Brave and the Bold #37-50/Bomba #1-7 Bound Volume Silver Age (DC, 1961-68). Here's a nice collection of DC's second try-out series (after Showcase), featuring micro-runs of Suicide Squad, Cave Carson Inside Earth, Hawkman (with art by Joe Kubert), and Strange Sports Stories. Also included: the first of the many team-up issues, #50 (featuring the Green Arrow and Manhunter from Mars), plus as a special bonus, the entire seven-issue run of Bomba the Jungle Boy. All comics look to have been around Fine or better when trimmed and bound for this attractive volume, and the page quality appears supple and mostly off-white to white. The former owner's name has been embossed on the outside front cover. Overstreet VG value for group = $516.
Golden Age (1938-1955)
Bulletman #1-12 Bound Volume (Fawcett, 1941-43). A complete run of the first 12 issues of Bulletman, trimmed and bound into a hardcover volume that includes #1 (silver ink cover by Mac Raboy), 2, 3, 4, 5, 6, 7, 8, 9, #10 (first appearance of Bulletdog, piece cut from front cover, cuts to back cover), #11 (large tear to and some pieces cut out of front cover), and #12 (robot cover), most with covers by Raboy. The comics are in overall great condition unless noted otherwise, with vibrant, glossy covers and only mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $2,822.
Bulletman #10-16 Bound Volume (Fawcett, 1942-46). A nice run of Bulletman includes #10 (first appearance of Bulletdog, Mac Raboy cover), 11, #12 (robot cover), 14, 15, and #16 (final issue) that have been trimmed and bound into a hardcover volume. (Note: The series never had an issue #13.) The comics are in overall excellent condition with bright, glossy covers and very mild tanning. Overstreet 2007 VG 4.0 value for group = $784.
Captain Marvel Adventures #10-18 Bound Volume (Fawcett, 1942). These are some stunning copies of Captain Marvel Adventures #10, 11, #12 (slight water damage), 13, 14, 15, #16 (painted cover), #17 (painted cover), and #18 (origin and first appearance of Mary Marvel and the Marvel Family, painted cover) that have been trimmed and bound into a hardcover volume. The covers are by C. C. Beck, with interior art by Beck, Mac Raboy, Pete Costanza, and others. Overall, the books are in excellent condition with clean, glossy, bright covers, a little bit of wear, and mild tanning. Overstreet 2007 VG 4.0 value for group = $1,994.
Captain Marvel Adventures #19-30 Bound Volume (Fawcett, 1943). A beautiful run of Captain Marvel Adventures books that feature the debut of the villainous Mr. Mind, as well as some notable covers, that have been trimmed and bound into a hardcover volume. Included are issues #19 (Mary Marvel crossover, Christmas cover), 20, #21 (Hitler cover), #22 (introduction of Mr. Mind), 23, 24, 25, #26 (flag cover), #27 (first full appearance of Mr. Mind), 28, 29, and 30, with art by C. C. Beck, Pete Costanza, and Marc Swayze. The comics are in excellent condition with glossy, bright covers, very little wear, and some tanning. Overstreet 2007 VG 4.0 value for group = $1,646.
Captain Marvel Adventures #31-41 Bound Volume (Fawcett, 1944). A great run of Captain Marvel Adventures #31, 32, 33, 34, #35 (origin of Radar), 36, #37 (Mary Marvel crossover), 38, 39, 40, and 41 that have been trimmed and bound into a hardcover volume. Artists include C. C. Beck, Kurt Schaffenberger, and Pete Costanza. The comics are in very nice condition with glossy covers, a little wear, and moderate tanning. Overstreet 2007 VG 4.0 value for group = $1,060.
Captain Marvel Adventures #146-150 Bound Volume (Fawcett, 1953). A collection of the last few issues of Captain Marvel Adventures, that have been trimmed and bound into a hardcover volume. Included are #146, 147, 148, 149, and #150 (final issue, low distribution according to Overstreet). Each is in excellent condition with glossy covers, off-white pages, and very mild wear. Overstreet 2007 VG 4.0 value for group = $278.
Captain Marvel Jr. #1-14 Bound Volume (Fawcett, 1942-43). This must-have collection of the earliest adventures of Captain Marvel Jr., includes several classic covers and numerous battles with arch-nemesis Captain Nazi. Included are #1 (origin retold, Captain Nazi appearance, classic cover), #2 (vs. Captain Nazi, origin of Captain Nippon), 3, #4 (classic cover), 5, 6, 7, 8, #9 (classic flag cover), #10 (Hitler cover), 11, 12, #13 (classic Hitler/Mussolini/Tojo football cover), and #14 (Christmas cover), trimmed and bound into a hardcover volume. All feature amazing covers by Mac Raboy. Each is in great condition with glossy covers, supple pages, and some mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $3,906.
Captain Marvel Jr. #15-25 Bound Volume (Fawcett, 1943). A breath-taking collection of Captain Marvel Jr. #15 (vs. Captain Nazi), #16 (Captain Marvel and Sivana appearances), 17, 18, #19 (vs. Captain Nazi and Captain Nippon), 20, 21, 22, 23, 24, and #25 (flag cover) that have been trimmed and bound into a hardcover volume. All feature action-packed covers by Mac Raboy. Each is in great condition with superb cover quality, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $1,180.
Captain Marvel Jr./Captain Marvel Adventures Bound Volume (Fawcett, 1944-45). This Golden Age Fawcett volume features copies of Captain Marvel Jr. #31, 32, and 33, as well as Captain Marvel Adventures #47, 48, 49, and 50, that have been trimmed and bound into a hardcover volume. Each is in very nice condition with bright covers and some mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $516.
Captain Marvel Jr. #26-33 Bound Volume (Fawcett, 1945). An attractive hardbound collection of Captain Marvel Jr. issues #26, 27, 28, 29, 30, 31, 32, and 33. Issues #30-32 feature covers by Mac Raboy. Each is in great condition with glossy covers, supple pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $674.
Captain Marvel Jr. #35-39 Bound Volume (Fawcett, 1946). A very nice collection of Captain Marvel Jr. #35, 36, #37 (infinity cover), 38, and 39 that have been trimmed and bound into a hardcover volume. Each is in great condition with beautiful covers and pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $340.
Captain Marvel Jr. #40-45 Bound Volume (Fawcett, 1946). A breath-taking collection of Captain Marvel Jr. #40, 41, #42 (robot cover), 43, 44, and 45 that have been trimmed and bound into a hardcover volume. Each is in great condition with gorgeous covers, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $338.
Captain Marvel Jr. #46-50 Bound Volume (Fawcett, 1947). Beautiful copies of Captain Marvel Jr. #46, 47, 48, 49, and 50 that have been trimmed and bound into a hardcover volume. The comics are in excellent condition with bright, glossy covers, supple pages, and some mild tanning. Overstreet 2007 VG 4.0 value for group = $270.
Captain Marvel Jr. #51-56 Bound Volume (Fawcett, 1947). Some very nice copies of Captain Marvel Jr. #51, 52, #53 (atomic bomb cover), 54, 55, and 56 that have been trimmed and bound into a hardcover volume. Each is in great condition with glossy, unfaded covers, supple off-white pages, and very mild wear. Overstreet 2007 VG 4.0 value for group = $324.
Captain Marvel Jr. #57-62 Bound Volume (Fawcett, 1948). A selection of Captain Marvel Jr. issues that includes #57 (Mac Raboy cover), 58, #59 (Raboy cover), 60, 61, and 62, trimmed and bound into a hardcover volume. Each is in excellent condition with beautifully glossy covers, supple off-white to white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $324.
Captain Marvel Jr. #63-68 Bound Volume (Fawcett, 1948). Issues of Captain Marvel Jr. #63, 64, 65, 66, 67, and 68 that have been trimmed and bound into a hardcover volume. Most have Kurt Schaffenberger covers and/or Bill Ward art. Each is in great condition with clean, glossy covers, supple pages, and very mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $324.
Captain Marvel Jr. #69-74 Bound Volume (Fawcett, 1949). Some very nice copies of Captain Marvel Jr. #69, 70, 71, 72, 73, and 74 that have been trimmed and bound into a hardcover volume. Each features a great cover by Kurt Schaffenberger. The comics are in excellent condition; the covers are glossy and unfaded, the pages are supple and off-white, and very little wear is evident. Overstreet 2007 VG 4.0 value for group = $268.
Captain Marvel Jr. #75-80 Bound Volume (Fawcett, 1949). Beautiful copies of Captain Marvel Jr. #75, 76, 77, 78, 79, and 80 that have been trimmed and bound into a hardcover volume. All feature cool Kurt Schaffenberger covers. The contents are in excellent condition with glossy, bright covers, supple off-white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $240.
Captain Marvel Jr. #81-86 Bound Volume (Fawcett, 1950). Trimmed-and-bound copies of Captain Marvel Jr. #81, 82, 83, 84, 85, and 86, all with covers by Kurt Schaffenberger, in excellent condition with clean, glossy covers, mild page tanning, and very little wear. Overstreet 2007 VG 4.0 value for group = $240.
Captain Marvel Jr. #93-98 Bound Volume (Fawcett, 1951). Copies of Captain Marvel Jr. #93, 94, 95, 96, 97, and 98, each with a cover by Kurt Schaffenberger, that have been trimmed and bound into a hardcover volume. The comics are in great condition with clean, glossy covers, supple off-white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $240.
Don Winslow of the Navy #1-10 Bound Volume (Fawcett, 1943). Beautiful copies of Don Winslow #1 (Captain Marvel cover appearance), 2, 3, 4, 5, #6 (flag cover), 7, 8, 9, and 10 that have been trimmed and bound into a hardcover volume. The comics are in great condition with vibrant color on the pages and covers, mild tanning, and very little wear. Overstreet 2007 VG 4.0 value for group = $822.
Fawcett Assorted Golden Age Comics Bound Volume (Fawcett, 1945-46). This eye-popping collection includes copies of Nutty Comics #1 (one page of Basil Wolverton art), Hopalong Cassidy #2, Captain Marvel Story Book, Lance O'Casey #1 and #2, Bulletman #14, Mary Marvel #1 (Origin and first appearance of Georgia Sivana) and #2, Marvel Family #1 (first appearance of Black Adam, origins of Marvel family retold) and #2, Billy the Kid and Oscar #1, Nyoka the Jungle Girl #2, Ibis the Invincible #3 (four pages of Wolverton art), and Golden Arrow #3 that have been trimmed and bound into a hardcover volume. The spine of the hardcover binding shows a large area of adhesive staining; the comics themselves are in very nice condition with only mild tanning and wear, covers that range from mildly faded to glossy and bright, and supple cream-colored pages. Overstreet 2007 VG 4.0 value for group = $1,862.
Fawcett Miscellaneous Comics Bound Volume (Fawcett, 1949). Included in this hardcover volume are trimmed and bound copies of Captain Marvel Story Book #4, Ozzie and Babs #13 (final issue), Fawcett's Funny Animals #64 (two one-inch holes cut in cover), and Jackie Robinson #nn (photo cover). Each is in great condition with bright, glossy covers, and supple off-white pages. Overstreet 2007 VG 4.0 value for group = $288.
Flash Comics #1-12 Bound Volume (DC, 1940). This fantastic bound volume features several key Golden Age DC first appearances -- among them are those of the Flash, Hawkman, and Johnny Thunder! Included are copies of Flash Comics #1 (first appearances of Flash, Hawkman, Johnny Thunder, the Whip, and Sheira Saunders), #2 (Rod Rian stories begin, first Hawkman cover), #3 (first appearance of King Standish, E. E. Hibbard art begins on Flash), #4 (The Whip cover, Sheldon Moldoff's first Hawkman art), #5 (King Standish cover), 6, 7, #8 (classic Flash cover), 9, #10 (classic Flash cover), #11 (gorilla cover), and #12 (Lee Watts stories begin) that have been trimmed and spiral-bound into a hardcover volume for the office of managing editor M. C. Gaines. The comics also feature art by Stan Aschmeier for the Johnny Thunder stories. The comics were trimmed on all sides (meaning the spines have been trimmed away as well) and have had holes punched along the left edges to accommodate the spiral binding; otherwise the comics are in overall nice condition with bright, glossy covers, off-white to tan pages with some instances of very mild chipping, and mild to moderate wear. The first page of issue #1 has become detached. Overstreet 2007 VG 4.0 value for group = $22,292.
Gene Autry Comics #1-10 Bound Volume (Fawcett, 1941-43). A breath-taking collection of the first ten issues of Gene Autry Comics, including stunning copies of issue #1 (listed by both Gerber's and Overstreet as "rare") and #2 (listed by Gerber's as "scarce"), that have been trimmed and bound into a hardcover volume. This represents a complete run of the Fawcett series, which Dell quickly picked up and continued for another 129 issues. Each is in excellent condition with bright, glossy covers, supple pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $3,410.
Gift Comics #1-3 Bound Volume (Fawcett, 1942). These are copies of Gift Comics #1, 2, and 3 that have been trimmed and bound into a hardcover volume. Each has a whopping 324 pages featuring the adventures of Captain Marvel, Ibis the Invincible, Bulletman, Golden Arrow, Mr. Scarlet, and Spy Smasher. This is the first such volume we've ever had the opportunity to offer, and the contents are in great condition with glossy, unfaded cardboard covers and supple pages, some damage to the left edge of the front cover of issue #1 from where the binding has stuck, and mild overall wear and tanning. Overstreet 2007 VG 4.0 value for group = $1,100.
Green Lantern #1-12 Bound Volume (DC, 1941-44). Alan Scott, the original Green Lantern, lands his own series as well as two new arch nemeses in this volume, namely Vandal Savage and the Gambler. Contents include issues #1 (origin retold, classic cover), #2 (first book-length story), #3 (classic war cover), #4 (Green Lantern and Doiby Dickles join the Army), 5, 6, #7 (robot cover), #8 (Hop Harrigan back-up stories begin, classic cover), 9, #10 (origin and first appearance of Vandal Savage), 11, and #12 (origin and first appearance of the Gambler), trimmed and securely bound into a hardcover volume. Artists include Howard Purcell, Mart Nodell, Sheldon Mayer, and Paul Reinman. The comics are in great condition, with gorgeous, glossy covers, off-white to tan pages, mild wear, and binding that is still tight and secure. Overstreet 2007 VG 4.0 value for group = $12,458.
Holiday Comics #1 Bound Volume (Fawcett, 1942). This is a copy of Holiday Comics #1 that has been trimmed and bound into a hardcover volume The 196-page comic includes a two-page Captain Marvel portrait and stories featuring Ibis, Nyoka, Golden Arrow, and others. In very nice condition with some wear along the left edge of the front cover and some mild tanning. Overstreet 2007 VG 4.0 value = $342.
The Marvel Family #1 and 2 Bound Volume (Fawcett, 1945-46). The origins of the titular super-family and the first appearance of arch nemesis Black Adam can be found between the covers of this bound volume. Includes issues #1 (origins of Captain Marvel, Captain Marvel Jr., Mary Marvel, and Uncle Marvel retold, origin and first appearance of Black Adam) and #2 (the Lieutenant Marvels and Uncle Marvel appear) of The Marvel Family, trimmed and bound into a hardcover volume. Covers and art by C. C. Beck. Both are in very nice condition with mild fading to the cover of #1, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $516.
The Marvel Family #3-7 Bound Volume (Fawcett, 1946). These are some of the earliest adventures of The Marvel Family, trimmed and bound into a hardcover volume that includes issues #3, 4, 5, 6, and #7 (appearance by the wizard Shazam). Each is in great condition with glossy covers, supple off-white pages, and some mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $450.
The Marvel Family #8-12 Bound Volume (Fawcett, 1947). Some very nice copies of The Marvel Family #8, 9, 10, 11, and 12 that have been trimmed and bound into a hardcover volume, with art by C. C. Beck. Each is in great condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $360.
The Marvel Family #13-18 Bound Volume (Fawcett, 1947). These are copies of The Marvel Family #13, 14, 15, 16, 17, and 18 that have been trimmed and bound into a hardcover volume, with art by C. C. Beck, Pete Costanza and Kurt Schaffenberger. Each is in great condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $360.
The Marvel Family #19-24 Bound Volume (Fawcett, 1948). These are copies of The Marvel Family #19, 20, 21, 22, 23, and 24, featuring the adventures of the World's Mightiest Family, trimmed and bound into a hardcover volume. The art is by C. C. Beck and Kurt Schaffenberger. With the exception of a 1/2 inch tear on one page, the pages are in nice condition with mild wear, and the covers glossy and unfaded. Overstreet 2007 VG 4.0 value for group = $320.
The Marvel Family #25-30 Bound Volume (Fawcett, 1948). A great selection of The Marvel Family issues #25, 26, 27, 28, 29, and 30 that have been trimmed and bound into a hardcover volume. Artists include C. C. Beck, Kurt Schaffenberger, and Sheldon Moldoff. The comics are in great condition with clean, bright covers, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $300.
The Marvel Family #31-36 Bound Volume (Fawcett, 1949). Issues #31, 32, 33, 34, 35, and 36 of The Marvel Family that have been trimmed and bound into a hardcover volume, each in excellent condition with glossy, unfaded covers, supple pages, and mild tanning and wear. Artists include C. C. Beck and Kurt Schaffenberger. Overstreet 2007 VG 4.0 value for group = $252.
The Marvel Family #37-42 Bound Volume (Fawcett, 1949). Issues #37, 38, 39, 40, 41, and 42 of The Marvel Family that have been trimmed and bound into a hardcover volume. Art by C. C. Beck and Kurt Schaffenberger. Each is in excellent condition with glossy, unfaded covers, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $236.
The Marvel Family #43-48 Bound Volume (Fawcett, 1950). Some gorgeous copies of The Marvel Family #43, 44, 45, 46, #47 (flying saucer cover and story), and 48 that have been trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple off-white pages, and very mild wear. Overstreet 2007 VG 4.0 value for group = $218.
Mary Marvel Comics #1 and 2 Bound Volume (Fawcett, 1945-46). This exquisite volume features trimmed-and-bound copies of Mary Marvel Comics #1 (Captain Marvel cover appearance, origin and first appearance of Georgia Sivana) and #2. The covers and art are by Jack Binder. The books are in overall great condition with just a little fading to the covers, supple pages, and some mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $686.
Mary Marvel Comics #3-8 Bound Volume (Fawcett, 1946). A great selection of early Mary Marvel Comics that have been trimmed and bound. Included are #3, 4, 5, 6, 7, and #8 (Mary Marvel/Bulletgirl crossover, Christmas cover), each with cover and interior art by Jack Binder. They are in great condition with bright, glossy covers, supple pages, and some mild tanning and corner wear. Overstreet 2007 VG 4.0 value for group = $536.
Mary Marvel Comics #9-13 Bound Volume (Fawcett, 1947). A great array of gorgeous copies of Mary Marvel Comics #9, 10, 11, 12, and 13, trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple off-white pages, and some mild wear. Overstreet 2007 VG 4.0 value for group = $302.
Mary Marvel Comics #14-19 Bound Volume (Fawcett, 1947). A great selection that includes Mary Marvel Comics #14, 15, 16, 17, 18, and 19, trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple pages, and mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $300.
Master Comics #7 and 10-21 Bound Volume (Fawcett, 1940-41). A number of Fawcett characters make their first appearances in these issues -- including Captain Marvel Jr.'s arch nemesis, Captain Nazi! Included are copies of Master Comics #7 (Bulletman, Zoro, Lee Granger, Jungle King, and Buck Jones stories begin), #10 (last Lee Granger story), #11 (origin and first appearance of Minute Man), 12, #13 (origin and first appearance of Bulletgirl, Hitler cover), 14, 15, 16, #17 (Mac Raboy art on Bulletman begins), 18, 19, #20 (Captain Marvel cameo appearance), and #21 (origin and first appearance of Captain Nazi, Captain Marvel/Bulletman crossover, Raboy's first Fawcett cover, listed as "scarce" by Overstreet) that have been trimmed and bound into a hardcover volume. The Captain Nazi issue was part of a trilogy that saw the creation of Captain Marvel Jr. in Whiz Comics #25. The comics are in excellent condition with glossy, unfaded covers, supple off-white pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $4,550.
Master Comics Bound Volume (Fawcett, 1941-43). The highlight of this great collection is easily issue #21 (listed as "scarce" by Overstreet), which features the origin and first appearance of Captain Nazi in a story arc that would lead to the creation of battles between the two rivals. Included are copies of Master Comics #21 (Captain Marvel/Bulletman crossover, Raboy's first Fawcett cover), 26, 31, #33 (Hopalong Cassidy stories begin), 34, 35, 36, 37, 38, #39 (2" tear, heavy crease, and a hole in front cover), #40 (Flag cover), #41 (CM Jr./Bulletman/Bulletgirl/Minute-Man team-up), 42, 43, 44, and 45. The comics generally have glossy, unfaded covers, supple pages, and some mild wear and tanning, but some of the issues display slight brittleness at the top of the spine. Issues before #37 are in jumbled order, but #37-on are in order. The spine erroneously lists the years as 1941-42, but the actual span of years for the issues included is 1941-43. Overstreet 2007 VG 4.0 value for group = $2,852.
Master Comics #35-46 Bound Volume (Fawcett, 1943-44). These are copies of Master Comics #35, 36, 37, 38, 39, #40 (flag cover), #41 (Captain Marvel Jr./Bulletman/Bulletgirl/Minute-Man team-up), 42, 43, 44, 45, and 46 that have been trimmed and bound into a hardcover volume, each with cover art by Mac Raboy. They are in great condition with glossy, bright covers, supple pages, and very mild tanning and wear. Overstreet 2007 VG 4.0 value for group = $1,318.
Master Comics #47-56 Bound Volume (Fawcett, 1944). Some nifty key issues are featured in this collection of Master Comics #47 (Hitler becomes "Corporal Hitler"), #48 (first appearance of Bulletboy, Captain Marvel cameo), #49 (last Minute Man story), #50 (origin and first appearance of Radar, Captain Marvel crossover, first appearance of Nyoka the Jungle Girl), 51, 52, 53, 54, 55, and 56 that have been trimmed and bound into a hardcover volume. Most feature covers by Mac Raboy. Each is in condition with bright, glossy covers, supple pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $622.
Master Comics #57-64 Bound Volume (Fawcett, 1945). An attractive collection of Master Comics issues #57, #58 (Mac Raboy cover and art), 59, 60, #61 (Captain Marvel Jr.'s first meeting with Uncle Marvel), 62, 63, and 64 that have been trimmed and bound into a hardcover volume. Issues #59-62 feature the Nyoka serial "The Terrible Tiara." Each is in excellent condition with bright, glossy covers, supple pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $388.
Master Comics #65-69 Bound Volume (Fawcett, 1946). Trimmed and hardbound copies of Master Comics #65, 66, 67, 68, and 69, all with Mac Raboy covers, and each in great condition with bright, glossy covers, supple pages, and very little wear. Overstreet 2007 VG 4.0 value for group = $190.
Master Comics #70-75 Bound Volume (Fawcett, 1946). Included in this hardcover volume are trimmed and bound copies of Master Comics #70, 71, 72, 73, 74, and 75, each in excellent condition with bright covers, supple pages, and almost no tanning or wear. Overstreet 2007 VG 4.0 value for group = $190.
Master Comics #76-80 Bound Volume (Fawcett, 1947). A collection of Captain Marvel Jr.'s adventures in Master Comics #76, 77, 78, 79, and 80 that have been trimmed and bound into a hardcover volume. Each is in great condition with glossy covers, supple pages, excellent color, and very little wear or tanning. Overstreet 2007 VG 4.0 value for group = $190.
Master Comics #81-86 Bound Volume (Fawcett, 1947). A breath-taking collection of Master Comics #81, 82 (Bernie Krigstein art), 83, 84, 85, and 86 that have been trimmed and bound into a hardcover volume. All are in excellent condition with bright, glossy covers, supple pages, and very little tanning or wear. Overstreet 2007 VG 4.0 value for group = $194.
Master Comics #87-92 Bound Volume (Fawcett, 1948). These are striking copies of Master Comics #87, #88 (Hopalong Cassidy features begin, Bernard Krigstein art), 89, 90, 91, and #92 (Krigstein art) that have been trimmed and bound into a hardcover volume. Each is in excellent condition with bright, glossy covers, supple pages, and very little tanning or wear. Overstreet 2007 VG 4.0 value for group = $196.
Minute Man #1-3 Bound Volume (Fawcett, 1941-42). These are copies of Minute Man #1, 2, and #3 (one-inch tear to bottom front cover) -- a complete run of the short-lived series -- that have been trimmed and bound into a hardcover volume. The comics are in overall very nice condition with glossy covers, supple pages, very mild wear, and mild to moderate tanning. Overstreet 2007 VG 4.0 value for group = $914.
Silver Age (1956-1969)
Mystery in Space #81-100 Bound Volume (DC, 1963-65). Attractive copies of Mystery in Space #81, 82, 83, 84, 85, 86, #87 (Adam Strange/Hawkman double features begin), 88, 89, #90 (first Adam Strange/Hawkman team-up), 91, #92 (Space Ranger stories begin), 93, #94 (first Adam Strange/Space Ranger team-up), 95, 96, 97, 98, 99, and 100 that have been trimmed and bound into a hardcover volume with the previous owner's name embossed on the cover. Artists include Carmine Infantino, Gil Kane, Win Mortimer, Lee Elias, and Dick Dillin. The comics are in excellent condition condition with very little wear and mild tanning. Overstreet 2007 VG 4.0 value for group = $414.
Golden Age (1938-1955)
Nickel Comics #1-8 Bound Volume (Fawcett, 1940). A complete run of Nickel Comics, issues #1 (origin and first appearance of Bulletman), 2, 3, #4 (Red Gaucho stories begin), #5 (bondage cover), 6, 7, and #8 (World's Fair cover, Overstreet lists as "scarce"), that has been trimmed and bound into a hardcover volume. The art is by C. C. Beck and Jack Binder. The volume has tight binding, and the comics are in overall great condition with bright, glossy covers, supple pages, and mild to moderate wear and tanning. Overstreet 2007 VG 4.0 value for group = $2,088.
Silver Age (1956-1969)
Showcase #30-53 Partial Issues Bound Volume (DC, 1961-64). Here's a great chance to read some of DC's best Silver Age comics, from their original sources, and not reprints! This handsome hardbound volume contains copies of Showcase #30 (origin of Silver Age Aquaman), 31, 32, 33, #34 (origin and first appearance of Silver Age Atom, Gil Kane and Murphy Anderson art), 35, 36, #37 (first appearance of Metal Men), 38, 39, 40, 41, 42, #43 (Dr. No, first DC movie adaptation, Martin Nodel art), 44, #45 (Sgt. Rock, Russ Heath cover), 46, 47, #48 (Cave Carson), 49, #50 (I Spy), 51, 52, and #53 (G.I. Joe, Heath art). All have been slightly trimmed during the binding process. The back covers and last (non-story) pages were removed prior to binding; otherwise, the comics are in very nice condition with glossy covers and supple pages, and mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $1,418.
Golden Age (1938-1955)
Slam-Bang Comics #1-7 Bound Volume (Fawcett, 1940). These are copies of Slam-Bang Comics #1 (Diamond Jack, Mark Swift and the Time Retarder, Lee Granger, and Jungle King stories begin), 2, #3 (classic cover), 4, 5, #6 (first appearance of Zoro the Mystery Man), and 7 -- a complete run of the title -- that have been trimmed and bound into a hardcover volume. There is some discoloration to the page edges, otherwise the comics are in overall great condition with glossy, sharp covers, supple pages, and very mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $1,566.
Spy Smasher #1-11 Bound Volume (Fawcett, 1941-43). A complete run of Fawcett's Spy Smasher series that has been trimmed and bound into a hardcover volume. Included are issues #1 (silver metallic cover), 2, #3 (bondage cover), #4 (Irvin Steinberg cover), 5, 6, #7 (partial photo cover), #8 (war cover), #9 (Hitler/Tojo/Mussolini cover), #10 (Hitler cover), and #11 (war cover), with some featuring covers and/or art by Mac Raboy. The comics are in great condition with vibrant, unfaded colors throughout, and only very mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $2,770.
Superman #1-12 Bound Volume (DC, 1939-41). This item is being sold without reserve this time after going unsold in our last auction, and looking through the book again, we have not wavered from our previously stated opinion that it's one of the most impressive comic items we've ever offered. Open it up and the first thing you'll see is a very nice copy of Superman #1 -- if you saw a "loose" copy that looked this nice, your first reaction would be "it must be restored" (this one isn't). The page quality is cream to off-white throughout, with no brittleness, and the cover colors have that "pop" that's characteristic of bound volumes. The classic cover to #11, which was used on a U.S. postage stamp, is just one of the many other highlights contained here, in a volume that extends from Summer 1939 to September 1941. The book has a red cloth binding with the title printed in black on the spine. The volume has head and tail bands and green endpapers. A couple of defects of note: issue #2 has a crease running through the cover (though without breaking color). Also, half of two pages from issue #8 were obviously torn out by accident and scotch-taped back together many years ago -- the tape has browned with age and left a slight stain on the pages immediately before and after (only one story page is affected). And as always with bound volumes, the comics were slightly trimmed on three sides as part of the binding process. Have a look at our scans of the covers and we think you'll agree that acquiring copies of all twelve of these issues with similar eye appeal would cost well into six figures and wouldn't be easy even with an unlimited budget. Overstreet 2007 VG 4.0 value for group = $49,332.
Silver Age (1956-1969)
Superman and Other DC Annuals Bound Volume (DC, 1960-64). This collection of DC annuals includes copies of Superman Annual #1 (first Silver Age DC annual), #2 (super-villain issue), #3 ("Strange Lives of Superman"), #4 (early Legion of Super-Heroes appearance, first Legion origin), #5 (all-Krypton issue), 6, 7, and #8 (all-origins issue); Superman's Girlfriend Lois Lane Annual #1 and 2, and Flash Annual #1, as well as Secret Origins #1, trimmed and bound into a hardcover volume with the previous owner's name embossed on the cover. The comics are in very nice condition with mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $732.
Superman's Pal Jimmy Olsen #66-125 Bound Volumes (DC, 1963-69). A Lengthy run that includes copies of Superman's Pal Jimmy Olsen #66-71, #72 (Jimmy Olsen joins Legion of Super-Heroes as Elastic Lad), 73-94, #95 (Giant-size issue), 96-103, #104 (giant-size issue), 105-109, #110 (infinity cover), 111, 112, #113 (giant-size issue), 114-116, #117 (Batman cameo), 118-121, #122 (giant-size issue), and 123-125 -- most of which feature appearances by the Legion of Super-Heroes -- that have been trimmed and bound into a set of three hardcover volumes with the previous owner's name embossed on the covers. Issues #66-85 appear to be VG copies (with subscription creases) at the time they were bound; issues #86-125 appear to be nicer grade copies at the time they were bound, with mild to moderate wear and mild tanning. Overstreet 2007 VG 4.0 value for group = $588.
Golden Age (1938-1955)
Whiz Comics #25-37 Bound Volume (Fawcett, 1942). A great collection of Whiz Comics that kicks of with the epic debut of Captain Marvel Jr.! The issue was the second part in a trilogy that saw Captain Marvel pursue Captain Nazi from the the pages of Master Comics #21, a battle that leads to CM Jr.'s creation under tragic circumstances. Included are copies of #25 (origin and first appearance of Captain Marvel Jr., origin of wizard Shazam in text), 26, 27, 28, 29, 30, 31, #32 (origin and first appearance of the Trolls, Hitler/Mussolini satire by C. C. Beck), #33 (Spy Smasher/Captain Marvel crossover), 34, #35 (Captain Marvel/Spy Smasher cover), 36, and 37 that have been trimmed and bound into a hardcover volume. Art by Beck, Mac Raboy, Alex Blum, and Marc Swayze. There is some soiling to the edges, otherwise the comics are in excellent condition with supple, unfaded covers and pages, and very mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $2,380.
Whiz Comics #38-49 Bound Volume (Fawcett, 1942-43). These are gorgeous copies of Whiz Comics #38, 39, 40, 41, 42, #43 (Spy Smasher, Ibis, and Golden Arrow crossover Captain Marvel), #44 (flag cover), #45 (red paint splotch on cover and 3" tear on back cover), 46, 47, 48, and 49 that have been trimmed and bound into a hardcover volume. The covers are by C. C. Beck. The comics are in very nice condition with bright, glossy covers and mild wear and tanning. Overstreet 2007 VG 4.0 value for group = $832.
Whiz Comics #50-60 Bound Volume (Fawcett, 1944). Excellent copies of Whiz Comics #50 (some pencil marks on cover), 51, #52 (Captain Marvel/Ibis crossover), 53, 54, 55, 56, 57, 58, 59, and 60 that have been trimmed and bound into a hardcover volume. The comics are generally in great condition with glossy, bright covers and mild wear and tanning, but there is a slight cover abrasion on the cover of #56 near the spine and pencil tracing of the title logo. Overstreet 2007 VG 4.0 value for group = $674.
Wonder Woman #1-12 Bound Volume (DC, 1942-45). The earliest issues of Wonder Woman are tricky to find in general, a bound volume of the first couple of years' worth is a truly breath-taking find. Highlights include not only the origin of Wonder Woman, but also the first appearances of some of her most enduring foes. Included are copies of issues #1 (covers and art by H. G. Peter begin), #2 (origin and first appearance of Mars), 3, 4, #5 (first appearance of Dr. Psycho), #6 (first appearance of Cheetah), 7, 8, 9, #10 (classic "Invasion From Saturn" sci-fi cover), 11, and 12 that have been trimmed and bound into a hardcover volume. This is the first such volume of Golden Age Wonder Woman issues we've ever had the privilege to offer. The books are in wonderful condition with bright, glossy covers and supple pages, with only moderate tanning and wear, as well as an unfortunate tear to the front cover and a couple of loose pages to issue #1. The hardcover shows some mild edge and corner wear and scuffing, with the outer layer of the spine heavily split and beginning to separate from the volume. An astounding item. Overstreet 2007 VG 4.0 value for group = $8,634.
Wow Comics #2-4 Bound Volume (Fawcett, 1941). Copies of Wow Comics #2 Hunchback stories begin, Overstreet lists as "scarce"), 3, and #4 (origin and first appearance of Pinky) that have been trimmed and bound into a hardcover volume. All feature Mr. Scarlet covers and Jack Binder art. Though they exhibit some mild discoloration to the page edges, the comics are in overall great condition with vibrant, unfaded covers and pages, very little wear, and some mild tanning. Overstreet 2007 VG 4.0 value for group = $1,094.
Wow Comics #5, 7, and 8 Bound Volume (Fawcett, 1942). Copies of Wow Comics #5, 7, and 8 that have been trimmed and bound into a hardcover volume. Artists include Jack Binder, Mac Raboy, and Dave Berg. The comics are in great condition with vibrant covers and pages, but with some light staining to page edges visible when the volume is closed. Overstreet 2007 VG 4.0 value for group = $408.
Wow Comics #9-20 Bound Volume (Fawcett, 1943). Copies of Wow Comics #9 (Captain Marvel, Captain Marvel Jr., and Shazam appearances, Mary Marvel Covers and stories begin, Mr. Scarlet and Pinky crossover), 10, 11, 12, 13, 14, #15 (Flag cover), 16, 17, #18 (first appearance of Uncle Marvel, infinity cover), 19, and 20 that have been trimmed and bound into a hardcover volume. The comics are in great condition with beautiful, glossy covers and only mild tanning. Overstreet 2007 VG 4.0 value for group = $1,264.
Wow Comics #21-31 Bound Volume (Fawcett, 1944). Copies of Wow Comics #21, 22, #23 (robot cover), 24, 25, 26, 27, #28 (Mary Marvel/Pinky crossover), 29, 30, and 31 that have been trimmed and bound into a hardcover volume. All feature Mary Marvel covers. The comics are in very nice condition with glossy covers, supple pages, and mild to moderate tanning and wear. Overstreet 2007 VG 4.0 value for group = $664.
Wow Comics #32-40 Bound Volume (Fawcett, 1945). A great selection of Wow Comics that includes issues #32 (Phantom Eagle back-up stories begin, with Marc Swayze art), 33, 34, 35, 36, 37, 38, 39, 40, 41, and 42 that have been trimmed and bound into a hardcover volume. Each has a Mary Marvel-themed cover. The comics are in great condition with bright, clean, glossy covers, supple off-white pages, and only a few instances of minor wear. Overstreet 2007 VG 4.0 value for group = $476.
Magazines
The Deadly Hands of Kung Fu #14 (Marvel, 1975) CGC NM 9.4 White pages. Special Bruce Lee issue, with painted cover by Neal Adams. Interior art by Howard Chaykin, George Perez, Rudy Nebres, and Dan Adkins. Overstreet 2007 NM- 9.2 value = $75. CGC census 1/08: 2 in 9.4, 1 higher.
Famous Monsters of Filmland #2 (Warren, 1958) CGC VF 8.0 Off-white to white pages. An early issue of the premiere monster mag features Forry Ackerman text, a photo cover, and the first appearance of the Monster Mail-Order section. "Dear Monster" letters begin also. Jerry Weist's Comic Art Price Guide says that this book is rare in VF or higher and lists values of $200 in Fine and $350 in Near Mint condition. CGC census 1/08: 4 in 8.0, 3 higher. From the Janowicz Collection.
Mad #24 (EC, 1955) CGC NM+ 9.6 Off-white pages. From the twisted minds at E.C. comes the first magazine format issue of Mad which featured the first cover appearance of the phrase "What? Me Worry?". Alfred E. Neuman also shows up on the cover (his fourth cover appearance ever), complete with a Harvey Kurtzman logo and border. The zany artists on this ish include Wally Wood, Jack Davis, Bill Elder, and Bernie Krigstein. This phenomenal copy is only eclipsed by one issue as the highest CGC-graded copy to date. Overstreet 2007 NM- 9.2 value = $1,550. CGC census 1/08: 2 in 9.6, 1 higher.
Mad #25 (EC, 1955) CGC NM- 9.2 Off-white pages. Al Jaffee's debut as a regular writer for the magazine would highlight this issue as well as a Jackie Gleason parody and a Steve Allen photo and musical score. Wally Wood, Jack Davis, and Bill Elder provided the whimsical interior art. Overstreet 2007 NM- 9.2 value = $725. CGC census 1/08: 4 in 9.2, 4 higher.
Mad #26 (EC, 1955) CGC NM 9.4 Cream to off-white pages. During the height of her popularity not even the dishy Marilyn Monroe, who makes a cover border appearance, was above lampooning as the boys at E.C. treated their readers to a parody of "The Seven Year Itch." Ernie Kovacs added a text story and Wally Wood provided the sputnik-like cover, two years before the launch of the Russian satellite. Wood, Jack Davis, Al Jaffee, and Bill Elder art. Overstreet 2007 NM- 9.2 value = $640. CGC census 1/08: 8 in 9.4, 3 higher.
Mad #27 (EC, 1956) CGC NM- 9.2 Cream to off-white pages. A new logo would front this issue which featured an Ed Sullivan parody, an Alfred E. Neuman pin-up, and would introduce Al Jaffee as a full-time staff artist. Jack Davis star filled painted cover. Davis, Wally Wood, Russ Heath, and Bill Elder added interior art. Overstreet 2007 NM- 9.2 value = $640. CGC census 1/08: 3 in 9.2, 3 higher.
Mad #29 (EC, 1956) CGC NM 9.4 Cream to off-white pages. Al Feldstein's first issue as editor features Don Martin's first artwork as a staff regular. Also, art by Jack Kamen, Basil Wolverton, Jack Davis, and Wally Wood graces the interior. Overstreet 2007 NM- 9.2 value = $460. CGC census 1/08: 3 in 9.4, 2 higher.
Mad #32 Gaines File pedigree (EC, 1957) CGC NM- 9.2 White pages. Some names indelibly associated with the title, Joe Orlando, Mort Drucker, and George Woodbridge began as regulars with this early magazine issue. Other famous contributors for #32 included Al Feldstein, Norman Mingo (cover artist), Wally Wood, and Don Martin. The high grade and pristine pages are hallmarks of the Gaines Files. Overstreet 2007 NM- 9.2 value = $350. CGC census 1/08: 3 in 9.2, 2 higher.
Mad #35 Gaines File Copy (EC, 1957) CGC NM+ 9.6 Off-white to white pages. The Norman Mingo fifth anniversary, painted, wraparound cover displays all of your favorite advertising icons of the '40s and '50s. A Cinderella parody and interior art by Wally Wood, Reed Crandall, Joe Orlando, Don Martin, and Dave Berg, not to mention the 9.6 grade and the Gaines pedigree, make this copy a "must have!" Overstreet 2007 NM- 9.2 value = $285. CGC census 1/08: 2 in 9.6, none higher.
Mad #41 Gaines File pedigree (EC, 1958) CGC NM+ 9.6 Off-white to white pages. Astonishing bright colors on the front, and a snow-white background of the back cover leave no doubt that William C. Gaines squirreled this copy away for himself! Contemporary comics (in 1958, that is) Ernie Kovacs, Henry Morgan, and Bob & Ray contributed humor to this issue, as did regular writers and/or artists Wally Wood, Joe Orlando, Don Martin, Dave Berg, and Mort Drucker. The cover's by Kelly Freas. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 2 in 9.6, 1 higher.
Mad #42 Gaines File Copy (EC, 1958) CGC NM 9.4 Off-white to white pages. The Danny Kaye musical parody in this ish is considered to be a classic. A Kelly Freas painted cover and Wally Wood, Joe Orlando, Mort Drucker, Dave Berg, and Don Martin interior art also mark this issue. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 2 in 9.4, 3 higher.
Mad #46 (EC, 1959) CGC NM 9.4 Off-white pages. Ridiculous upside-down April Fool issue, featuring a Kelly Freas cover (is it a front or back?) and classic TV ad, plus dubious creations from Mort Drucker, Don Martin, Wally Wood, George Woodbridge, and Joe Orlando. This offering's not from the Gaines Files, but it's a honey! Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 6 in 9.4, 2 higher.
Mad #49 Gaines File Copy (EC, 1959) CGC NM 9.4 Off-white to white pages. The controversial beatnik version of the "Gettysburg Address" appeared in this issue and Sid Caesar contributed a story. Kelly Freas cover. Interior art by Mort Drucker, Don Martin, Dave Berg, and Joe Orlando. A stellar copy. Overstreet 2007 NM- 9.2 value = $175. CGC census 1/08: 3 in 9.4, 2 higher.
Mad #51 Gaines File Copy (EC, 1959) CGC NM 9.4 Off-white to white pages. "The Price is Right" and Teen Magazine parodies. Kelly Freas painted cover. Mort Drucker, Don Martin, Wally Wood, Dave Berg, and Joe Orlando art. Overstreet 2007 NM- 9.2 value = $150. CGC census 1/08: 2 in 9.4, 3 higher.
Mad #57 Gaines File Copy (EC, 1960) CGC NM+ 9.6 White pages. Kelly Freas front and back covers. Comic strip parodies of Superman, Donald Duck, Peanuts, and Prince Valiant, with Wally Wood art. Other artists include Dave Berg, Don Martin, Joe Orlando, and Mort Drucker. An insanely nice copy that is only surpassed by one copy on the current CGC census. Overstreet 2007 NM- 9.2 value = $150. CGC census 1/08: 2 in 9.6, 1 higher.
Mad #89 (EC, 1964) CGC NM 9.4 Off-white to white pages. Norman Mingo cover featuring Frankenstein's monster. Charles Schulz photo. Walt Kelly strip and photo. "The Fugitive" spoof. Mort Drucker, Don Martin, Jack Rickard, Joe Orlando, and Bob Clarke art. Overstreet 2007 NM- 9.2 value = $80. CGC census 1/08: 3 in 9.4, 2 higher.
Mad Disco #nn Gaines File pedigree (EC, 1980) CGC NM/MT 9.8 Off-white to white pages. Brilliant copy has the highest grade yet awarded by CGC for this issue, which includes a Mad Disco record. Jack Rickard did the cover, while familiar idiot artists Jack Davis, Mort Drucker, and Don Martin contributed to the interior. Overstreet 2007 NM- 9.2 value = $20. CGC census 1/08: 3 in 9.8, none higher.
Mad Special #26 Gaines File pedigree (EC, 1978) CGC NM/MT 9.8 Off-white pages. Sensational copy has the highest grade CGC has awarded to date for this Mad Super Special. The cover's by Mort Drucker. Besides the usual "Best Of" reprints, there's a 6 1/2 minute flexible record included, "Makin' Out." No, it didn't chart, but it should have! Overstreet 2007 NM- 9.2 value = $22. CGC census 1/08: 2 in 9.8, none higher.
Scream #1 (Skywald, 1973) CGC NM 9.4 Off-white to white pages. First appearance of Nosferatu. Contains a Cthulhu/Necronomicon story. Gray Morrow art. We have only seen one other copy of this issue, besides this census topper, in our auction history. Overstreet 2007 NM- 9.2 value = $85. CGC census 1/08: 4 in 9.4, none higher.
Playboy #1 (HMH Publishing, 1953) Condition: VG/FN. When former Esquire copywriter Hugh Hefner borrowed $8,000 from 45 investors to launch Playboy in 1953, he wasn't sure whether his venture would last more than a few issues. But, boy, did it -- in the process, becoming an American institution and arguably one of the country's most influential publications in a relatively short time. The intelligent mix of sex, humor, fine fiction, and timely articles was just what men were looking for as the sexual revolution kicked into high gear.
The first issue, of course, featured the famous Marilyn Monroe pinup, the beginning of the regular Playmate of the Month feature for which the magazine became best-known. Other features in the first issue were "VIP On Sex" a series of cartoons by popular cartoonist Virgil Partch, a Big Band Jazz article on the Dorsey Brothers, fiction by Sir Arthur Conan Doyle, and the first installment of Playboy Party Jokes. It was an instant classic!
Our offering is a nice copy with minor accumulated wear along the cover edges and along the spine. The interior pages are nicer, and the Marilyn page -- well, just check it out at our website! You'll also notice a date stamp of "Nov 11 1953" at the top right corner of the front cover, which identifies the copy as one of the earliest to be mailed from the distributor.
An added attraction is the inclusion of the original subscription mailing wrapper, also viewable at our website. Interest in this issue has increased dramatically in recent years, and if you're one of the interested parties, this is a fine representation of the premiere edition.
The first issue, of course, featured the famous Marilyn Monroe pinup, the beginning of the regular Playmate of the Month feature for which the magazine became best-known. Other features in the first issue were "VIP On Sex" a series of cartoons by popular cartoonist Virgil Partch, a Big Band Jazz article on the Dorsey Brothers, fiction by Sir Arthur Conan Doyle, and the first installment of Playboy Party Jokes. It was an instant classic!
Our offering is a nice copy with minor accumulated wear along the cover edges and along the spine. The interior pages are nicer, and the Marilyn page -- well, just check it out at our website! You'll also notice a date stamp of "Nov 11 1953" at the top right corner of the front cover, which identifies the copy as one of the earliest to be mailed from the distributor.
An added attraction is the inclusion of the original subscription mailing wrapper, also viewable at our website. Interest in this issue has increased dramatically in recent years, and if you're one of the interested parties, this is a fine representation of the premiere edition.
Esquire #1 Group (Esquire Publishing Co., 1933) Condition: VG. Before there was Playboy, another magazine had established the basic format that Hugh Hefner would incorporate into his upstart publication in 1953. That forerunner and groundbreaking magazine in its own right was Esquire. The first issue came out more than 20 years before the first Playboy issue, so copies are scarce to come by. It made an auspicious debut, oversized (10" x 14") and a generous 117 pages -- more than twice the number as the first Playboy. Billed initially as "The Quarterly For Men" its cover boasted "36 Features in Full Color" and listed notable contributors such as Erskine Caldwell, Dashiell Hammett, and Douglas Fairbanks, Jr. with fiction; Ernest Hemingway and Ring Lardner with articles; George Petty (famous for the "Petty Girl") with cartoons; features on sports figures of the day Bobby Jones and Gene Tunney; and much, much more.
Our offering is a moderately worn copy with wear along the cover edges, a 2" spine split, and some minor moisture damage along the bottom of the covers and interior pages which has caused some wrinkling. Otherwise, the interior pages are in nice condition and are predominantly white.
Also included with our Esquire #1 are copies of the 25th Silver Anniversary issue from 1958, including the special silver cardboard mailer it originally came in, and a copy of the Golden 50th Anniversary issue from 1983. Both magazine copies are in Fine condition, and the silver mailer for the 1958 issue is about Very Good, with wear and some tears along the top and bottom edges. Finding the mailer in any condition is quite a coup! Go to our website for closeup photos of all!
Our offering is a moderately worn copy with wear along the cover edges, a 2" spine split, and some minor moisture damage along the bottom of the covers and interior pages which has caused some wrinkling. Otherwise, the interior pages are in nice condition and are predominantly white.
Also included with our Esquire #1 are copies of the 25th Silver Anniversary issue from 1958, including the special silver cardboard mailer it originally came in, and a copy of the Golden 50th Anniversary issue from 1983. Both magazine copies are in Fine condition, and the silver mailer for the 1958 issue is about Very Good, with wear and some tears along the top and bottom edges. Finding the mailer in any condition is quite a coup! Go to our website for closeup photos of all!
Memorabilia
Batmania and Gotham Gazette Fanzines Group (1964-66). Issues #1, 2, 4, 5, and 9 of Batmania and V1#1 of the Gotham Gazette are included here. The latter is a 6-page staple-bound fanzine put out by such familiar names as Biljo White and Bill Dubay. It's a VG copy in nice condition except for a subscription crease. As for Batmania, the first three are mailed copies in VG condition, the other two are VF. All are from the collection of Tom Fagan of Rutland, VT (if you don't know who he is, read "Night of the Reaper in Batman #237), who by the end of this run was a co-editor of the 'zine. These take you back to a world before the Overstreet guide and DC Archive Editions, when information on the Golden Age was tough to come by. Revelations include: Batman once used a gun! There was no Whiz Comics #1! Captain America had a different shield in his first appearance! And there's fevered discussion of the New Look Batman, who was brand new at the time! These are chock-full of familiar names of fans/creators/dealers like Jerry Bails, Howard Keltner, Roy Thomas, Robert Jennings, Lucas Dang, Don and "Margaret" Thompson, Sam Viviano, Mike Friedrich, Paul Gambaccini (who decries the introduction of Aunt Harriet), and TV's William Dozier (who writes in to drum up support for the upcoming TV show). Comic Art Price Guide value for group = $225. From the Tom Fagan Diamond Run Collection.
Buster Brown and His Resolutions (Frederick A. Stokes Co., 1903) Condition: VG. This reprint book of early Buster Brown half-page Sunday strips is recognized in Overstreet as being the first nationally distributed comic book. Originally offered through Sears and Roebuck catalogs, this 16" x 11.25" 68-page book features full-color strips printed on one side of each page, with the back side of each page blank. Overstreet also lists it as rare; while we've offered two previous copies, neither was as nice as this one. There is a small tape pull on the front cover, below the "N" in Brown, and a 1" corner missing from the back cover, but the pages are nice and supple. Overstreet 2007 GD 2.0 value = $1,600; FN 6.0 value = $5,500.
Fanzine Group (1963-72). A VG copy of The Comicollector #10 highlights this group. There's a classified ad in in which Paul Gambaccini offers one dollar for Showcase #1... which seems generous when you see that Howard Rogofsky was offering to sell Amazing Fantasy #15, Hulk #1 and Fantastic Four #1 for one dollar each and an "almost mint" copy of Captain America Comics #1 for $25! Also included here: Captain Biljo Presents #1 (1968, VF/NM), Captain Biljo Comics #1 (1968, VF/NM), and EC Collector Illustrated #1 (1972, NM). From the Tom Fagan Diamond Run Collection.
Harvey Comics Editorial Binder Group (Harvey, 1940s-60s). From the files of the late, great Harvey Comics comes this set of eight three-ring binders, each containing unusual and esoteric items like the one-sided cover proofs pictured here; comics printed for the British and Australian market (all 3-hole punched); schedules for advertising and shipping; letters to and from advertisers, printers, engravers. etc.; analysis of characters, in-house notes and letters involving Sid Jacobson and Alfred Harvey; and more. The comics include UK or Australian editions of War Battles, Joe Palooka, and Little Max. The cover proofs feature 1960s Romance titles, and 1970s Wendy issues. Grades are fairly low on the comics, and the binders have seen some degree of storage problems, but overall, this is a fascinating and rare look inside a major comics publisher. Go to our website for more pictures of the lot.
A Marvel-ous Evening with Stan Lee at Carnegie Hall Poster (1972). Such was Stan Lee's popularity, he actually hosted a "performance" at the famed Carnegie Hall, on January 5, 1972. Lee recalled in an interview, "While I was still living in New York -- it must have been in the late sixties or early seventies -- somebody produced an evening for me at Carnegie Hall. It was 'Stan Lee at Carnegie Hall.' Just one lousy evening. But it was great -- it was a packed house." This fantastic piece captures "the face of Marvel" with its unique composite portrait, and it will make a magnificent wall piece for any True Believer. This Marvel milestone has an overall size of 18" x 23.5", and it's in Very Good condition. From the Tom Fagan Diamond Run Collection.
Lone Ranger Punch-Out Book #965 (Whitman, 1940) Condition: NM-. Punch-out books have been popular with children for years, but attempting to find, let alone collect, complete vintage examples can be tricky if not downright impossible. Here's a beautiful Lone Ranger punch-out book that is not only 100% complete and unpunched, it is also incredibly vibrant. It's hard to imagine a 1940-era child not wanting to punch out and play with these richly colored Western scenes; we're even tempted ourselves, but not to worry -- all are secure inside, with no loose pieces. Hakes lists this item as Rare, with less than ten examples known to exist. Hakes Price Guide to Character Toys NM value = $5,000.
Mickey Mouse and Other Disney In-Store Display Group (Disney, 1930s). Walt's signature Mouse was the subject of many an advertising campaign, back in the early days of the feature. The genius of this was that it not only kept Mickey's smiling image in the public, long after theater patrons saw the cartoons, but it also was a great source of extra revenue. Included in this collection are several generic cardboard store displays starring Mickey, designed to be used by local bakeries to promote their own line of bread. There are four colorful, die-cut displays with Mickey's image and illustrations from "Mickey's Scrap Book," along with another three in-store advertisements for Good Housekeeping Magazine, spotlighting Disney features with wonderful, full-color graphics. All the pieces are in Fine to Excellent condition, and are grouped on a 36.5" x 42" blue board with a plexi sheet, ready to frame.
Joe Shuster - Panel Strip Engraved Printing Plate (circa 1930). Before creating the Man of Steel, Superman artist Joe Shuster drew this panel of students "surprising" one of their own, as a smiling teacher looks on. This appears to have been done for Shuster's high school newspaper, the Torch, during the time he and Jerry Siegel were attending Glenville High School, in Cleveland. The art for this item has no doubt disappeared long ago; what remains is the original metal printing plate for the panel, which is mounted on a block of wood measuring 2" x 2 1/8". A page with two prints made from the plate is included, and both items are in Excellent condition.
Joe Shuster - Four Panel Comic Strip Engraved Printing Plate (circa 1930). Joe Shuster displays his pre-Superman skills as a cartoonist in this strip, probably done for the Glenville High School weekly paper, The Torch, back in Cleveland, Ohio. The strip take a light-hearted look at summer activities (including summer school), and features a self-portrait of the artist relaxing in a cool bathtub, with a case of Coca-Cola nearby. The strip has been mechanically engraved onto a metal printing plate measuring 6" x 2"; the plate is attached to a wooden block, and a print has been made from the plate and included. Both items are in Excellent condition. This is a very rare opportunity to see some early art from one of the most famous comic creators of all time!
Snow White Jingle Club Promotional Poster (Walt Disney, 1938). This beautiful poster, featuring full-figure portraits of Snow and all seven of her diminutive pals, was issued to promote the Snow White Jingle Book, a promo item issued by local bread companies, and was displayed in grocery stores. The huge poster measures 58.5" x 35.5", and was screen printed on cloth. It's in Excellent condition, and has been professionally mounted on linen. While "Jingle Club" items turn up from time to time (with various items described in the current Hakes Disney guide), this is the first poster we've seen.
Star Trek Complete Trading Card Set (Leaf, 1967). Offered here is a complete 72 card set of the original 1967 Leaf Star Trek trading cards. They are printed in black and white and feature photos from the iconic sci-fi series. Although the original TV series only ran for 3 years, the fan base that the show developed, has helped to keep spin-offs and movies, based on Gene Rodenberry's characters, in production. The card series was rumored to have been pulled due to problems with licensing and seems to have been primarily distributed in the Midwest. The text on many of the backs humorously does not match the front of the cards. Cards #16, 20, 36, 70, 71, and 72 have been PSA-graded. This is a difficult-to-find series in Excellent condition, with sharp corners and plenty of gloss. All the cards have been holdered. Cards from this set routinely sell for $25 to $35 each.
Pulps
Amazing Stories Julius Schwartz Group (Ziff-Davis, 1926-29) Condition: VG unless otherwise stated. This astounding set of sci-fi pulps from the personal childhood collection of late DC Comics editor Julius Schwartz includes the April (first issue), May, June, and July 1926 issues of Amazing Stories; Winter (first issue), Summer, and Fall 1928 issues of Amazing Stories Quarterly; and the June 1929 Science Wonder Stories (first issue - GD/VG). Also included is a softcover copy of Between Worlds by Garrett Smith (Stellar Pubs. 1929, #1 in a series, Fine condition), and the original mailing envelope from the time of publication with Schwartz's address written on it (said envelope is signed and dated April 5, 1997 by Schwartz). The spines of the pulps are complete with mild to moderate tanning, the covers are complete and largely unfaded with some mild defects, and the pages are supple. Approximate Bookery's Guide to Pulps value for group = $1,200.
Argosy-All Story Weekly and Others Robert E. Howard Group (Munsey, 1929-41) Condition: Average VG. This collection of assorted Robert E. Howard stories includes the July 20, 1929 ("Crowd-Horror," front cover detached and repaired with surgical tape - GD), August 15 ("The Dead Remember"), October 3 ("A Gent from the Pecos"), 17 ("Gents on the Lynch"), and 31 ("The Riot at Bucksnort"), and November 28 ("Vulture's Sanctuary"), 1936 issues of Argosy; as well as April 1929 Ghost Stories ("Apparition in the Prize Ring," back cover partially detached - GD/VG) and February 1941 Stirring Science Stories (verse). Except as noted above, they have complete spines with minor to moderate tanning, and complete covers with instances of minor defects and tanning. Approximate Bookery's Guide to Pulps value for group = $250.
Astounding Stories Group (Street & Smith, 1937-54) Condition: Average VG. This large lot of 221 copies of Astounding Stories -- many featuring the first published works of such authors as Arthur C. Clarke, Lester del Rey, Nelson Bond, Theodore Sturgeon, A. E. Van Vogt, Robert Heinlein, and others -- includes every issue from 1937 through 1954, with the exception of the September 1938 and July 1954 issues. Besides a veritable "Who's Who" of featured writers, these books spotlight the artistic talents by such notables as Virgil Finlay, Modest Stein, and Kelly Freas.
More specifically, included are the issues: January, February, March, April, May, June, July, August, September, October, November, and December (first issue edited by John W. Campbell) 1937; January, February, March, April, May, June, July, August ("Who Goes There?" by Campbell), October (2 copies), November and December 1938; January, February, March, April, May, June, July ("The Black Destroyer by Van Vogt), August (Virgil Finlay's only cover art for the title), September, October ("Grey Lensman" by E. E. Smith), November, and December 1939; January, February, March, April, May, June, July, August, September ("Slan" by Van Vogt), October, November, and December 1940; January, February, March, April, May ("Liar!" by Isaac Asimov, first appearance of Three Laws of Robotics), June, July, August, September, October, November ("Second Stage Lensman" by Smith), and December 1941; January (first bedsheet issue), February, March, April, May (first Foundation story by Asimov), June, July, August, September, October, November (only sci-fi pulp cover by Modest Stein), and December 1942; January, February, March, and April 1942; May, June, July, August ("Judgment Night" by C. L. Moore), September, October, November (first digest-format issue), and December 1943; January, February, March, April, May, June ("Arena" by Fredric Brown), July, August, September, October, November ("Killdozer!" by Sturgeon), and December 1944; January, February, March, April, May, June, July, August, September, October, November, and December 1945; January, February, March, April, May, June (2), July, August, September, October, November, and December 1946; January, February, March, April, May, June, July, August, September, October, November (2 copies - "Children of the Lens" by Smith), and December 1947; January, February, March, April, May, June, July, August, September, October (2), November, and December 1948; January, February, March, April, May, June (2), July, August, September, October, November, and December 1949; January, February, March, April (2), May, June, July, August, September, October, November, and December 1950; January, February, March, April, May, June, July, August, September, October, November, and December 1951; January, February, March, April, May, June, August, September, October, November, and December 1952; January, February, March, April, May, June ("Imposter" by Philip K. Dick), July, August, September, October (classic robot cover by Frank Kelly Freas), November, and December 1953; and January, February, March, April, May, June, August, September, October, November, and December 1954 issues.
The pulps are in overall very nice condition, most with complete spine and covers, little fading, some instances of mild to moderate wear, some instances of water damage to the corners and upper edges, and supple pages ranging from cream to off-white. Approximate Bookery's Guide to Pulps value for group = $3,000.
More specifically, included are the issues: January, February, March, April, May, June, July, August, September, October, November, and December (first issue edited by John W. Campbell) 1937; January, February, March, April, May, June, July, August ("Who Goes There?" by Campbell), October (2 copies), November and December 1938; January, February, March, April, May, June, July ("The Black Destroyer by Van Vogt), August (Virgil Finlay's only cover art for the title), September, October ("Grey Lensman" by E. E. Smith), November, and December 1939; January, February, March, April, May, June, July, August, September ("Slan" by Van Vogt), October, November, and December 1940; January, February, March, April, May ("Liar!" by Isaac Asimov, first appearance of Three Laws of Robotics), June, July, August, September, October, November ("Second Stage Lensman" by Smith), and December 1941; January (first bedsheet issue), February, March, April, May (first Foundation story by Asimov), June, July, August, September, October, November (only sci-fi pulp cover by Modest Stein), and December 1942; January, February, March, and April 1942; May, June, July, August ("Judgment Night" by C. L. Moore), September, October, November (first digest-format issue), and December 1943; January, February, March, April, May, June ("Arena" by Fredric Brown), July, August, September, October, November ("Killdozer!" by Sturgeon), and December 1944; January, February, March, April, May, June, July, August, September, October, November, and December 1945; January, February, March, April, May, June (2), July, August, September, October, November, and December 1946; January, February, March, April, May, June, July, August, September, October, November (2 copies - "Children of the Lens" by Smith), and December 1947; January, February, March, April, May, June, July, August, September, October (2), November, and December 1948; January, February, March, April, May, June (2), July, August, September, October, November, and December 1949; January, February, March, April (2), May, June, July, August, September, October, November, and December 1950; January, February, March, April, May, June, July, August, September, October, November, and December 1951; January, February, March, April, May, June, August, September, October, November, and December 1952; January, February, March, April, May, June ("Imposter" by Philip K. Dick), July, August, September, October (classic robot cover by Frank Kelly Freas), November, and December 1953; and January, February, March, April, May, June, August, September, October, November, and December 1954 issues.
The pulps are in overall very nice condition, most with complete spine and covers, little fading, some instances of mild to moderate wear, some instances of water damage to the corners and upper edges, and supple pages ranging from cream to off-white. Approximate Bookery's Guide to Pulps value for group = $3,000.
Dime Detective Magazine Group (Popular, 1933-50) Condition: Average VG. Includes the March 15, May 1 (2 copies), November 1, and December 1, 1933; March 15 (classic cover), August 1, November 15, and December 1, 1934; July 1, 1935 (cover trimmed); September 1936 (2 copies); January and April 1937; May 1938; and April 1950 issues. Contents include stories by Cornell Woolrich, Hugh B. Cave, Max Brand, and Carroll John Daly. Though some exhibit mild to moderate amounts of water damage, all have complete and unfaded spines, glossy covers that are mostly free of defects, and supple pages ranging from cream to white. Approximate Bookery's Guide to Pulps value for group = $1,500.
Robert E. Howard Boxing and Western Pulps Group (Miscellaneous Publishers, 1931-56) Condition: VG unless otherwise stated. Working a variety of jobs (including roughneck, sports reporter, cotton picker, and stenographer) while living in Depression era West Texas shaped Robert E. Howard's writing style and allowed him to write for a broader spectrum of genres than most pulpsters. Included in this fantastic lot showcasing some of Howard's Western and boxing-themed stories are the January and May 1931 and February ("Viking of the Gloves") and March (heavy tape repair/reinforcement to cover and spine - GD) 1932 issues of Fight Stories; Fall 1950 Hopalong Cassidy's Western Magazine (white pages, small group of pages detached - GD/VG); December 1935 (front cover missing - GD) and October 1936 Action Stories; July 1937 ("Knife-River Prodigal") Cowboy Stories; May 1944 ("Texas John Alden") Masked Rider Western; December 1956 Double-Action Western; June and August 1934 Jack Dempsey's Fight Magazine; December 1936 Smashing Novels ("Vultures of Whapeton," moderate fading to cover - GD/VG); June 1950 Max Brand's Western; and the September 1936 Star Western (heavy water damage to cover - GD). Some of them are under his "Patrick Ervin" pseudonym, and many feature the exploits of fightin' sailor Steve Costigan and good-natured cowboy Breckinridge Elkins, Howard creations more prolific but less well-known than Conan. Except as noted above, the pulps are in great condition with complete spines, little fading, and generally mild wear and supple pages. Approximate Bookery's Guide to Pulps value = $1,150.
Miscellaneous Pulps Group (Miscellaneous Publishers, 1938-50) Condition: Average VG. Includes the January 1938 Romantic Western (first issue, H. L. Parkhurst good girl cover, white pages), April 1945 Leading Western (first issue, tape reinforcement along edge of inside front cover), March 1940 Five-Novels Monthly (VG/FN), and May 1938 Captain Hazzard (only issue of title, Norm Saunders cover, slight brittleness to pages). Complete and unfaded spines and covers with no major defects. Approximate Bookery's Guide to Pulps value for group = $350.
Historical Adventure Pulps Group (Miscellaneous Publishers, 1931-39) Condition: Average VG. This great selection of classic historical adventure-themed pulps includes the Autumn 1931 ("Blood of Belshazzar" by Robert E. Howard) Oriental Stories; July ("The Lion of Tiberius" by Howard, J. Allen St. John cover, mild water damage) and October (classic Margaret Brundage cover) 1933 Magic Carpet; and October ("Roman Holiday" by Talbot Mundy), November ("Black Vulmea's Vengeance" by Howard), and December 1938 and February, March, and April (Brundage cover) 1939 issues of Golden Fleece. All were short-lived titles whose exceptional content, brief existences, and subsequent scarcity have made them a must for collectors. The spines and covers are complete and unfaded, with some mild wear and tear, and the pages are supple and cream to off-white. Approximate Bookery's Guide to Pulps value for group = $850.
Science Fiction Pulp First Issues Group (Miscellaneous Publishers, 1927-51) Condition: VG unless otherwise stated. Includes the Amazing Stories Annual ("Master Mind of Mars" by Edgar Rice Burroughs, front cover missing, replaced with photostat reproduction - FR); August 1938 Marvel Science Stories (classic Norm Saunders cover); February 1939 Strange Stories (GD); February 1939 Dynamic Science Stories; Winter 1939 Planet Stories; March 1940 Super Science Stories; December 1940 Comet; December 1949 A. Merritt's Fantasy Magazine; Spring 1951 10 Story Fantasy; and July and December 1950 Out of This World Adventures (piece out of back cover - GD). All but the last issue listed are first issues. Except as noted above, all are in very nice condition with complete and unfaded spines and covers, mild wear and/or soiling, and supple pages. Approximate Bookery's Guide to Pulps value for group = $500.
Shadow Canadian Editions Group (Street & Smith, 1941-42) Condition: Average VG/FN. Includes the July, September, November, and December ("League of Death")1941; and January, February, March ("The Thunder King," reprints first appearance of Margot Lane), April ("The Star of Delhi"), May ("The Blur"), June ("The Crimson Death") and November 1942 issues. Excellent copies, most with off-white to white pages, very little wear, and no soiling to the covers. Bookery's Guide to Pulps VG value for U.S. editions = $540; FN value = $1,085.
Spicy Adventure Stories Robert E. Howard Group (Culture, 1936-42) Condition: Average GD/VG. Though best known for his horror and fantasy writings for Weird Tales, Robert E. Howard wrote for a wide variety of pulp magazines, including this notorious title. This group features six of the eight issues of Spicy Adventure that featured stories by Howard, most published posthumously and all under the pseudonym "Sam Walser." Included are the June ("Desert Blood"), September ("Dragon of Kao Tsu"), and November ("The Purple Heart of Erlik) 1936; January 1937 ("Murderer's Grog"); and September ("Revenge by Proxy") and October ("Nothing to Lose," heavy spine discoloration) 1942 issues. (The 1942 stories are retitled reprints.) The spines and covers are complete with little fading and primarily minor creases and wear; page quality ranges from light tan to white with some instances of chipping. Approximate Bookery's Guide to Pulps value value for group = $950.
The Spider #1 (Popular, 1933) Condition: VG/FN. After the success of the Shadow's magazine debut in '31, hero pulps became all the rage, and 1933 saw the introduction of such stalwart crimefighters as Doc Savage, G-8, the Black Bat, the Phantom Detective, and arguably the most violent, lurid, and over-the-top of them all, the Spider, "The Master of Men." This stunning copy of the debut issue is in amazing condition for a 75-year-old pulp; the spine is intact, the pages are supple and off-white to white, and the cover is bright, glossy, and exhibits very little of the creasing, soiling, tearing, or overhang and ragged edges one would expect. The cover is by legendary pulp artist Walter Baumhofer, and the contents include a short story by Norvell Page, who took over the series on third issue and wrote most of the Spider's tales (under the house name "Grant Stockbridge") during its ten-year run. Bookery's Guide to Pulps VG value = $875; FN value = $1,750.
The Spider #1-3 Group (Popular, 1933). One of the most longest-running and most popular of the hero pulps, The Spider -- like many a Popular Publication -- was chock full of lurid, bloody, over-the-top action and adventure. Included in this lot are the first three issues of the series, from October (first issue, Walter Baumhofer cover, back cover missing - GD), November (some page chipping - VG), and December (first Norvell Page story - VG) 1933. A must-have for any fan. Approximate Bookery's Guide to Pulps value for group = $1,000.
The Spider Group (Popular, 1934) Condition VG unless otherwise stated. Some of the earliest Spider stories by Norvell Page can be found in this complete run from 1934. Included are the January (some water damage, moderate cover fading - GD+), February, March (first classic image of Spider in mask, hat, and cape, piece out of back cover - GD/VG), April (classic cover), May, June (cream to off-white pages - VG/FN), July, August, September, October, November, and December issues. Complete spines with some instances of fading, very nice covers, and a few instances of page chipping. Approximate Bookery's Guide to Pulps VG value for group = $2,300.
The Spider Group (Popular, 1935) Condition: VG unless otherwise stated. A complete run from 1935 that includes the January, February, March (Spider vs. werewolf cover), April, May, June, July, August, September, October (moderate fading to cover and spine - GD/VG), November ("Death Reign of the Vampire King"), and December issues. Complete spines, very nice covers with little fading or soiling, and only a few instances of page chipping. Approximate Bookery's Guide to Pulps value for group = $1,250.
The Spider Group (Popular, 1936) Condition: Average VG. A complete run from 1936 that includes the January, February (classic cover), March, April, May, June, July, August, September, October, November, and December issues. Complete spines, very nice covers with little fading or soiling, and only a few instances of page chipping and/or water damage. Approximate Bookery's Guide to Pulps VG value for group = $1,500.
The Spider Group (Popular, 1937) Condition: Average VG. A complete run from 1937 that includes the January, February (classic cover), March, April, May, June, July, August, September, October (classic cover), November, and December (2 copies, one PR with covers missing) issues. Complete spines, very nice covers with little fading or soiling, and only a few instances of page chipping. Approximate Bookery's Guide to Pulps VG value for group = $1,350.
The Spider Group (Popular, 1938) Condition: VG unless otherwise stated. A complete run from 1938 that includes the January, February, March, April, May, June (small piece missing from front cover - GD/VG), July, August, September (front cover missing - GD), October, November, and December issues. Complete spines, very nice covers with little fading or soiling, and only a few instances of page chipping. Approximate Bookery's Guide to Pulps VG value for group = $1,300.
The Spider Group (Popular, 1939). Includes the January (covers missing - FR/GD), February (front cover missing - GD), March (VG), April (2 copies - one VG and one GD with large piece of lower right corner and most of spine missing), May (front cover missing - GD), June (top quarter of front cover missing - GD/VG), July (back cover and upper left corner of front cover missing - GD+), August (front cover missing - GD), September (classic cover, small piece out of front cover - GD+), October (VG), November (top portion of front cover missing - VG), and December (front cover missing - GD) 1939 issues. Approximate Bookery's Guide to Pulps value for group = $900.
The Spider Group (Popular, 1940) Condition: VG unless otherwise stated. Includes the January (classic cover), February (top quarter out of front cover), March (first of several classic covers featuring a "fanged" Spider - VG/FN), April (some light pencil marks to cover logo), May, June, July (classic cover), August, September, October, November (top quarter out of front cover), and December (top quarter out of front cover) 1940 issues. All have supple pages, clean, unfaded covers, and complete spines. Approximate Bookery's Guide to Pulps value for group = $1,600.
The Spider Group (Popular, 1941) Condition: Average VG. Includes the January (bondage cover), February (bondage cover), March, April (top quarter out of front cover), May (classic cover), June, July (top quarter out of front cover), August (top quarter out of front cover), September (top quarter out of front cover), October (top quarter out of front cover), November, and December 1941 issues. All have supple pages, clean, unfaded covers, and complete spines. Approximate Bookery's Guide to Pulps value for group = $1,000.
The Spider Group (Popular, 1942-43) Condition: VG unless otherwise stated. A great selection of some of the final issues of The Spider that includes the January, February, March (Suicide Squad crossover from Ace G-Man, top third of front cover missing - GD/VG), April, May, June, July, August, September, October (moderate fading to cover and spine - GD/VG), November, and December 1942, and February (top quarter of cover missing - GD/VG) and March 1943 issues. Very nice covers with little fading or soiling, only a few instances of page chipping, and almost all have complete spines. Approximate Bookery's Guide to Pulps value for group = $1,125.
Strange Tales Group (Clayton, 1931-33) Condition: Average VG. This is a complete run of this short-lived competitor to Weird Tales. Included are the September and November 1931; January ("Wolves of Darkness" by Jack Williamson, classic cover), March, June ("People of the Dark" by Robert E. Howard), and October 1932; and January 1933 ("The Cairn on the Headland by Howard, "Murgunstrum" by Hugh B. Cave, back cover almost detached) issues. The contents also include works by Clark Ashton Smith, Paul Ernst, Ray Cummings, and August Derleth. All feature eerie covers by H. W. Wesso. Although each exhibits mild to moderate water damage around the edges, all are in otherwise great condition with complete spines, great covers with only minor wear, and supple cream to off-white pages with some instances of chipping. Approximate Bookery's Guide to Pulps value value for group = $1,750.
Thrilling Adventures "Thunder Jim Wade" Group (Standard Publishers, 1941) Condition: Average VG. Includes the May (first appearance of Thunder Jim Wade), June, July (Pongo Jim Mayo story by Louis L'Amour), August, and September (classic cover, Pongo Jim Mayo story by L'Amour) 1941 issues of Thrilling Adventures. All feature Thunder Jim Wade stories by Henry Kuttner. Spines and covers are complete and unfaded with no major defects, and all have white to off-white pages. Approximate Bookery's Guide to Pulps value for group = $275.
Weird Tales July 1925 (Popular Fiction, 1925) Condition: VG. One of the most important issues of the title, featuring "Spear and Fang," the first published story by pulp legend Robert E. Howard. Contents also include "The Unnamable" by H. P. Lovecraft, H. Warner Munn's first published work -- "The Werewolf of Ponkert," and tales by Seabury Quinn, E. Hoffman Price, and others. This is a Julius Schwartz copy, in great condition with a complete spine, nice cover, and just a bit of page chipping. Bookery's Guide to Pulps VG value = $1,500.
Weird Tales August 1925 (Popular Fiction, 1925) Condition: VG. Robert E. Howard's second published work of pulp fiction is this issue's werewolf tale "In the Forest of Villefere." Also featured are works by Murray Leinster, Seabury Quinn, and Frank Belknap Long. The pulp is a Julius Schwartz copy, and is in very nice condition with very little wear and soiling to the cover, an almost complete spine with some wear, and pages with light tan edges and a small amount of chipping. Bookery's Guide to Pulps VG value = $750.
Weird Tales February 1926 (Popular Fiction, 1926) Condition: VG. Though they never met in person, H. P. Lovecraft and Robert E. Howard corresponded often during their careers as pulp writers, and greatly influenced each others' work. Their respective deaths, roughly a year apart, marked the end of Weird Tales' heyday and of an exciting era in genre fiction. This classic issue was the second to feature works by both authors: "Lovecraft's "The Outsider" and Howard's "Wolfshead," his first cover story. This is a Julius Schwartz copy, It boasts a very mildly faded but complete spine, blood-red cover, and only the slightest chipping to the pages. Bookery's Guide to Pulps VG value = $500.
Weird Tales February 1928 (Popular Fiction, 1928) Condition: VG. This classic issue -- listed as "scarce" by Bookery's -- features two notable stories: Robert E. Howard's "The Dream Snake," and, most importantly, "The Call of Cthulhu" -- the first installment of H. P. Lovecraft's epic and influential Cthulhu Mythos. This is a Julius Schwartz copy, and a gorgeous one at that, with a complete spine, only minor cover wear, just a little fading, and a little chipping to the page corners. Bookery's Guide to Pulps VG value = $300.
Weird Tales August 1928 (Popular Fiction, 1928) Condition: VG. This key issue features "Red Shadows," the first appearance of Robert E. Howard's fighting puritan, Solomon Kane, as well as "The Vengeance of Nitocris," the first published work of Tennessee Williams (writing as "Thomas L. Williams"). A stunning Julius Schwartz copy, with a bright red cover and spine (both of which are complete and largely unmarred), some chipping to the right-hand corners, and supple, cream-colored pages. Bookery's Guide to Pulps VG value = $300.
Weird Tales August 1929 (Popular Fiction, 1929) Condition: VG. King Kull, Robert E. Howard's first barbarian character and an early model for his more popular Conan, made his first appearance in this issue's "The Shadow Kingdom." This is a handsome copy, with a bright red cover (by Hugh Rankin) and spine (which is complete), and supple cream to off-white pages (one of which has a tape repair). Bookery's Guide to Pulps VG value = $200.
Weird Tales December 1932 (Popular Fiction, 1932) Condition: VG. Conan the Cimmerian, Robert E. Howard's most well-known and popular character, made his debut in this classic issue of Weird Tales. The story, "The Phoenix on the Sword," is actually a rewritten Kull story that Howard was having trouble selling. A gorgeous copy, it has solid binding, a lightly faded but complete spine, unfaded cover (by J. Allen St. John) with only mild wear, and supple off-white pages. Bookery's Guide to Pulps VG value = $600.
Weird Tales January 1933 (Popular Fiction, 1933) Condition: VG. Robert E. Howard's most successful creation, Conan of Cimmeria, makes his second appearance in this issue, in the story "The Scarlet Citadel." This copy has been trimmed along the right edge, and has a complete spine that shows only mild fading and a J. Allen St. John cover with very little wear. Bookery's Guide to Pulps VG value = $200.
Weird Tales March 1933 (Popular Fiction, 1933) Condition: VG. Margaret Brundage's classic cover of a nude accompanied by a wolf pack highlights this issue, which includes Robert E. Howard's third Conan story ("Tower of the Elephant"), and tales by Seabury Quinn, Clark Ashton Smith, and Paul Ernst. This copy has a complete spine that exhibits some wear, an unfaded cover with some minor wear, and supple pages. It has been trimmed along the right edge. Bookery's Guide to Pulps VG value = $150.
Weird Tales October 1933 (Popular Fiction, 1933) Condition: FN-. A classic issue made all the more desirable by its beautiful condition. Margaret Brundage's classic "bat-woman" cover is one of her best, and has been reprinted many times. The contents include the Conan tale "The Pool of the Black One" by Robert E. Howard, "Seed of the Sepulcher" by Clark Ashton Smith, and a Jules de Grandin tale by Seabury Quinn. The right edge has been trimmed, otherwise, this copy is clean and tight, with great color, a full unfaded spine, and supple cream pages. Bookery's Guide to Pulps FN value = $1,000.
Weird Tales April 1934 (Popular Fiction, 1934) Condition: FN. A striking Margaret Brundage cover and stories by Robert E. Howard, C. L. Moore, and Clark Ashton Smith combine to make this a must-have issue. It doesn't hurt that this Julius Schwartz copy is virtually flawless, boasting a complete and unfaded spine and cover -- both free of major defects -- and supple cream to off-white pages. The right edge has been trimmed. Bookery's Guide to Pulps FN value = $200.
Weird Tales May 1934 (Popular Fiction, 1934) Condition: FN. Conan the Cimmerian made his first Weird Tales cover appearance with this issue, courtesy of artwork by Margaret Brundage. The story therein is "Queen of the Black Coast" by Robert E. Howard, one of his best yarns; also included is a story by Clark Ashton Smith, and one of C. L. Moore's Northwest Smith tales. This exquisite Julius Schwartz copy has a complete and unfaded spine, an unfaded and near-flawless cover, and supple cream pages. It has been trimmed along the right edge. Bookery's Guide to Pulps FN value = $400.
Weird Tales August 1934 (Popular Fiction, 1934) Condition: FN. Conan makes his second Weird Tales cover appearance in "The Devil in Iron," courtesy of Margaret Brundage. Also included is one of C. L. Moore's Northwest Smith stories, tales by Paul Ernst and Hugh B. Cave, and verse by Clark Ashton Smith. This copy has a complete and unfaded spine, a gorgeous cover with only some mild wear, and supple cream pages. The right edge has been trimmed. Bookery's Guide to Pulps FN value = $300.
Weird Tales August 1935 (Popular Fiction, 1935) Condition: FN-. This issue marks the first appearance of Paul Ernst's weird menace character Doctor Satan, who's given a snazzy entrance on this cover by Margaret Brundage. A Julius Schwartz copy, the spine is complete and unfaded, the pages are supple and off-white, the cover is free of defects though it has been trimmed across the top, and the book as a whole has been trimmed along the right edge. Bookery's Guide to Pulps FN value = $150.
Weird Tales Group (Popular Fiction, 1925-30) Condition: Average FR. Some nice rarities can be found in this selection of Weird Tales, which includes the October 1925 (top quarter of front cover missing); and February ("Fearsome Touch of Death" by Robert E. Howard, front cover detached), May (piece out of front cover, back cover missing), and August ("The Hills of the Dead" -- Solomon Kane story by Howard, moderate tape repair to spine) 1930 issues. The 1925 issue marks the first appearance of Seabury Quinn's occult detective Jules de Grandin, a Weird Tales regular who appeared in 96 short stories and one novel-length adventure over the course of 26 years. Approximate Bookery's Guide to Pulps value value for group = $175.
Weird Tales Group (Weird Tales, 1927). Includes two classic issues, from January 1927 (VG) and October 1927 (GD). The former includes "The Horror at Red Hook" by H. P. Lovecraft and "The Lost Race" by Robert E. Howard, and the latter features Lovecraft's classic "Pickman's Model," as well as the first published works of Donald Wandrei and Wallace West. The January issue is a Julius Schwartz copy; both exhibit slight fading and mild damage to the otherwise complete spines. Approximate Bookery's Guide to Pulps value for group = $400.
Weird Tales Robert E. Howard Group (Popular Fiction, 1928) Condition: Average VG. Includes the March, May (trimmed, small piece out of back cover), and September 1928 issues, featuring a selection of short stories and prose by Robert E. Howard, as well as works by Weird Tales regulars Clark Ashton Smith, Seabury Quinn, Murray Leinster, G. G. Pendarves, and August Derleth. The first two are Julius Schwartz copies, and the pulps are in great condition with complete spines, some fading to the May issue, only mild wear, and great page quality. Approximate Bookery's Guide to Pulps value for group = $400.
Weird Tales Group (Popular Fiction, 1929). Includes the January ("The Silver Key" by H. P. Lovecraft, "Skulls in the Stars" by Robert E. Howard and featuring Solomon Kane - GD), February (Julius Schwartz copy - GD/VG), March (tape along length of spine - GD), April ("The Dunwich Horror" by Lovecraft, front cover detached - GD), May (VG), June ("The Rattle of Bones" by Howard and featuring Solomon Kane - VG), and July (Schwartz copy - VG) 1929 issues. Approximate Bookery's Guide to Pulps value for group = $675.
Weird Tales Robert E. Howard Kull Group (Popular Fiction, 1929-30) Condition: Average VG. Includes the September 1929 and November 1930 issues of Weird Tales, featuring the second and third Kull stories, "The Mirrors of Tuzun Thune" and "Kings of the Night." The latter features another of Howard's notable characters, the Pictish chieftain Bran Mak Morn. The 1930 issue is a Julius Schwartz copy, and has been trimmed. It exhibits some fading to the spine and cover; otherwise, both are gorgeous copies with mild wear, great page quality, and complete spines. Approximate Bookery's Guide to Pulps value for group = $325.
Weird Tales - Robert E. Howard "Skull-Face" Group (Popular Fiction, 1929) Condition: Average VG. A tale of mysticism and terror, "Skull-Face" and its sequels can be considered as Robert E. Howard's take on the Fu Manchu novels by Sax Rohmer (one of Howard's many influences). Included are the October, November, and December 1929 issues of Weird Tales, featuring all three parts of the story. Also included are stories by H. P. Lovecraft, Seabury Quinn, Gaston LeRoux, and others. The latter two issues are Julius Schwartz copies, and overall the pulps are in nice condition, though trimmed, with supple pages, unfaded covers, and complete spines. Approximate Bookery's Guide to Pulps value for group = $450.
Weird Tales Group (Popular Fiction, 1930-31). Includes the January (VG), March ("The Thought Monster" by Amelia Reynolds Long -- filmed as Fiend Without a Face in 1958, Julius Schwartz copy, small piece out of front cover - GD), April (VG), September (verse by Robert E. Howard, Schwartz copy - VG), October (Schwartz copy - VG), and December (Schwartz copy - GD/VG) 1930; and January ("Horror of the Hills" by Frank Belknap Long, bondage cover, Schwartz copy - VG), February (verse by Howard - VG), and April ("Children of the Night" by Howard, Schwartz copy - VG) 1931 issues. Approximate Bookery's Guide to Pulps value for group = $875.
Weird Tales Robert E. Howard "Moon of Skulls" Group (Popular Fiction, 1930). Includes the June (trimmed, fading to spine - VG/FN) and July (Julius Schwartz copy, one-third of spine gone, mild fading to spine and cover, tape repair to inside front cover - GD/VG) 1930 issues, featuring both parts of Robert E. Howard's great Solomon Kane tale "The Moon of Skulls." contents also include stories by Clark Ashton Smith, Seabury Quinn (the classic "Bride of Dewer"), Paul Ernst, Val Lewton (director of Cat People), and August Derleth. Approximate Bookery's Guide to Pulps value for group = $325.
Weird Tales "Tam, Son of the Tiger" Group (Popular Fiction, 1931)Condition: VG unless otherwise stated. This is the complete six-part jungle adventure saga by Otis Adelbert Kline, as serialized in Weird Tales, as well as great early stories by Robert E. Howard and H. P. Lovecraft. Included are the July, August ("The Whisperer in Darkness" by Lovecraft, contents have separated from binding - GD), September ("The Footfalls Within" Solomon Kane story by Howard), and October ("Gods of Bal-Sagoth" by Howard, "Strange High House in the Mist" by Lovecraft) 1931 issues, plus a hardcover volume with trimmed and bound copies of the November and December ("The Dark Man" by Howard) 1931 issues. The spines of these two issues appear to have been removed and the tables of contents were placed before the covers prior to the binding process; otherwise, the contents are in nice condition. Except as noted above, the other four have mostly complete spines with mild fading, complete covers largely free of defects, and supple pages. All have been heavily trimmed. Approximate Bookery's Guide to Pulps VG value for group = $900.
Weird Tales Group (Popular Fiction, 1932) Condition: VG unless otherwise stated. Includes the January, February ("The Thing on the Roof" by Robert E. Howard, six-part "The Devil's Bride" serial by Seabury Quinn begins), March, April ("In the Vault" by H. P. Lovecraft), May ("The Horror on the Mound" by Howard, "The Brotherhood of Blood" -- Hugh Cave's first Weird Tales story), June (first J. Allen St. John cover for title, cover partly detached - GD), and July ("Wings in the Night" by Howard, top edge of cover trimmed) 1932 issues. All but the January issue are Julius Schwartz copies. The spines are mostly complete with some fading and mild wear, the covers are complete and show only some minor wear and defects, and the pages are supple. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $750.
Weird Tales Group (Popular Fiction, 1932). Included in this group are the August (VG), September (VG/FN), October (VG), and November (J. Allen St. John cover - VG+) 1932 issues. Margaret Brundage's first two covers for Weird Tales grace the September and October issues, and the November issue features one of Robert E. Howard's best stories, "Worms of the Earth." Contents also include verse by Howard; stories by Seabury Quinn, G. G. Pendarves, Clark Ashton Smith, and Hugh Cave; and a serialized reprint of Mary Shelley's Frankenstein. All but the September issue are Julius Schwartz copies. The spines show a mild amount of fading and soiling but are complete, the covers show some instances of fading but are largely free of defects, and the pages are supple. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $500.
Weird Tales Group (Popular Fiction, 1933). Included in this fantastic selection of Weird Tales pulps are the February (Julius Schwartz copy, stain on back cover - GD/VG), April ("Golden Blood" by Jack Williamson, classic cover - VG), May (Schwartz copy - VG/FN), July ("The Horror in the Museum" and "Dreams in the Witch-House" by H. P. Lovecraft, "The Man on the Ground" by Robert E. Howard - VG/FN), August (VG), November ("Shambleau" -- the first published story by C. L. Moore, Schwartz copy - FN-), and December ("Old Garfield's Heart" by Howard - FN) 1933 issues. The first three have covers by J. Allen St. John, the rest are by Margaret Brundage. Almost all have complete spines and covers with minor instances of fading and wear. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $900.
Weird Tales Conan Group (Popular Fiction, 1933-34) Condition: VG/FN unless otherwise stated. Includes the June and September (classic nude cover) 1933 and January 1934 (classic bondage cover, Julius Schwartz copy, slight water damage - VG+) issues, featuring the Conan stories "Black Colossus," "The Slithering Shadow," and "Rogues in the House" by Robert E. Howard, as well as covers by Margaret Brundage. The spines are complete with just a little fading and/or wear, the covers are largely free of major defects with the exception of a slight hinge crease to the September issue, and the pages are supple and mostly off-white. Each has been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $450.
Weird Tales Group (Popular Fiction, 1934). Included are the February ("Valley of the Worm" by Robert E. Howard - VG/FN), March ("Winged Death" by H. P. Lovecraft under a pseudonym, Julius Schwartz copy - FN), June ("Haunter of the Ring" by Howard, Schwartz copy - FN), and July ("Through the Gates of the Silver Key" by Lovecraft and E. Hoffman Price - VG) 1934 issues. Each has a cover by Margaret Brundage. All have complete spines with mild fading (except the February issue, which has faded to yellow), the covers are unfaded and free of major defects aside from a slight hinge crease to the July issue, and the pages are supple and range from cream to off-white, with a few minor instances of chipping. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value value for group = $575.
Weird Tales "People of the Black Circle" Group (Popular Fiction, 1934) Condition: FN unless otherwise stated. Includes all three parts of the Conan tale "The People of the Black Circle" by Robert E. Howard, as serialized in the September (VG), October, and November 1934 issues, all with Margaret Brundage covers. The latter two are Julius Schwartz copies. All are in great condition with complete spines that have only slight fading and wear, glossy covers that are almost defect-free, and the pages are off-white and supple. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $425.
Weird Tales Conan Group (Popular Fiction, 1934-35) Condition: Average FN. A great selection of assorted Conan stories by Robert E. Howard that includes the December 1934 ("A Witch Shall Be Born," Julius Schwartz copy) and March ("Jewels of Gwalhur"), May ("Beyond the Black River"), and November ("Shadows in Zamboula") 1935 issues. These are some of the last stories to feature the character, due to Howard's declining interest in fantasy writing and eventual suicide in June 1936. All feature great covers by Margaret Brundage. The spines are complete, with moderate fading and tape reinforcement to the March issue; the covers are glossy almost entirely free of defects (the November issue has a noticeable hinge crease), and the pages range from cream to off-white. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $725.
Weird Tales Group (Popular Fiction, 1935). This great sampling of high-quality Weird Tales pulps includes the January ("Feast in the Abbey" by Robert Bloch -- his first pro-published work - VG+), February ("The Grisly Horror" by Robert E. Howard - VG+), April ("Out of the Eons" by H. P. Lovecraft - FN), June (part two of "Beyond the Black River" by Howard - FN), and July (FN) 1935 group. Each has a gorgeous cover by Margaret Brundage, and all but the February and April issues are Julius Schwartz copies. Each has a complete spine with some mild fading, glossy covers with few defects, and supple pages that range from cream to off-white. Each has been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $750.
Weird Tales Group (Popular Fiction, 1935-36) Condition: Average VG/FN. Included are the September ("The Shambler from the Stars" by Robert Bloch, classic nude cover) and October 1935, and May (Dr. Satan cover) and June ("Black Canaan" by Robert E. Howard) 1936 issues, each with cover art by Margaret Brundage. The covers are glossy and free of significant defects, the spines are complete with fading that ranges from mild to heavy, and the pages are supple and off-white. Each has been trimmed along the right edge. Approximate Bookery's Guide to Pulps value value for group = $500.
Weird Tales "Hour of the Dragon" Group (Popular Fiction, 1935-36). Featured in this lot is the entirety of Robert E. Howard's lengthy Conan tale The Hour of the Dragon, as serialized in the December 1935 (third and final Conan cover, Virgil Finlay's first published illustrations - VG) and January (FN), February (Julius Schwartz copy - FN), March (nude/bondage cover, Schwartz copy - VG+), and April (stain on back cover - VG) 1936 issues of Weird Tales. This was one of only two novel-length stories written by Howard, and the only one to feature Conan. Each features a cover by Margaret Brundage. The spines are complete with fading ranging from mild to heavy, the covers are glossy with the higher-graded issues being defect free, and the supple pages range from cream to off-white. Each has been trimmed along the right edge. Approximate Bookery's Guide to Pulps value value for group = $575.
Weird Tales "Red Nails" Group (Popular Fiction, 1936) Condition: FN unless otherwise stated. Included is the complete three-part Conan tale "Red Nails" as serialized in the July, August-September, and October (J. Allen St. John cover, tape repair to top and bottom of spine - GD/VG) 1936 issues of Weird Tales. It was the last Conan tale to be published in the magazine, and the last of Robert E. Howard's stories to see print in his lifetime; sadly, the first installment hit the newsstands just before his untimely death. The first two are Julius Schwartz copies and feature Margaret Brundage covers. The spines are complete with mild fading and soiling, the covers are glossy and in great condition, and the pages are supple and off-white. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $400.
Weird Tales Group (Popular Fiction, 1936-37) Condition: Average VG/FN. Includes the November ("Black Hound of Death" by Robert E. Howard) and December ("Haunter of the Dark" by H. P. Lovecraft, "Fire of Asshurbanipal" by Howard) 1936, and February ("Dig Me No Grave" by Howard) and March 1937 issues. The February issue has the distinction of bearing Virgil Finlay's first cover for Weird Tales, while the others bear two covers by Margaret Brundage and one by J. Allen St. John. The spines are complete with fading that ranges from very light to heavy, the covers are unfaded and exhibit only very light wear, and the pages range from cream to off-white. All have been trimmed along the right edge. Approximate Bookery's Guide to Pulps value for group = $400.
Weird Tales Box Lot (Popular Fiction, 1937-39) Condition: VG unless otherwise stated. This full short box (26 issues) includes the April, July, August, September (bondage cover), and October ("The Shunned House" by H. P. Lovecraft, tape on spine - GD-) 1937; January ("Roads" by Seabury Quinn), February ("From Beyond" by Lovecraft, tape on cover), March ("Beyond the Wall of Sleep" by Lovecraft), April, May ("Pigeons from Hell" by Robert E. Howard, tape on cover), June (classic bondage cover), July, September ("A Thunder of Trumpets" by Howard), November, and December 1938; and January ("Medusa's Coil" by Lovecraft), February, March, April, May, July, August, September, October ("In the Walls of Eryx" by Lovecraft), November, and December (first pro cover art by Hannes Bok) 1939 issues. Cover artists include Margaret Brundage, Virgil Finlay, and Harold DeLay. The May-August issues contain Howard's novel-length story Almuric, and several others contain verse by him. Grades range from GD- to VG/FN, with most falling in the VG range. All have complete spines and covers (none of which are detached), with fading ranging from none to moderate, and the covers are clean with only a few instances of heavy soiling or creasing. Approximate Bookery's Guide to Pulps value for group = $900.
Silver Age (1956-1969)
God Nose #1 (Jack Jackson, 1964) Condition: Apparent VG/FN. The late Jack Jackson was one of a number of early 1960s students doing highly irreverent and satiric comic strips for college newspapers, but Jackson took his character, based on the Almighty Himself, and produced his own comic book. Thus began the revolution known today as Underground Comix, and the world has never been the same since. This purple-cover first printing has, somewhere down the line, had its staples removed and replaced (leaving holes from the original three), and a name has been written on then cover, but don't let that stop you from bidding on this still attractive and always tough-to-find item. Be sure to check out the back cover list of "contributors," including Homer D. Brave, Doris Open, and finally, Gladys Over! Fogel's Underground Comix Price Guide GD 2.0 value = $1,000; FN 6.0 value = $3,000.
Topps Salesman Brochure "The Road to Success" Illustrated by Robert Crumb (Topps Chewing Gum Co., 1965) Condition: FN. Here's a little item that even most hard-core R. Crumb collectors have never seen: a pamphlet designed to encourage bubblegum salesmen! In 1964, a young Robert Crumb left his family home in Philadelphia for New York, where he managed to get a few freelance jobs working for Topps Chewing Gum Company. This is perhaps his first assignment there, a small booklet printed on colored stock, with every other page blank. There are seventeen pages of Crumb art, including the cover. While this material has been reprinted (in The Complete Crumb, Volume 4), actual copies of the brochure have yet to surface at Heritage -- until now. This example comes from the files of former East Village Other art director Don Lewis, and other than some very light soiling, is in wonderful condition.
Yarrowstalks #3 (Brian Zahn, 1967) Condition: VF. If you were to reply to the trivia question, "What was Robert Crumb's first solo comic book" with the answer Zap Comix, you would be wrong... 'cause this tabloid, printed in Philadelphia in 1967, was it. Crumb had contributed strips to this early Underground paper's first issue, when the publisher approached him about a solo issue. Crumb was reported to be so inspired, he then drew the first two issues of Zap, and sent one (#0) to Yarrowstalks' publisher, Brian Zahn, for him to print. Instead, he ran off with the art (which Crumb had managed to photocopy first), and so Charlie Plymell and Don Donahue printed Zap #1 the following year. Crumb had been paid for his work in Yarrowstalks with 500 copies which he supposedly distributed in San Francisco; while that may have been true, these things are incredibly scarce today. There remains confusion about the page count, as Don Fiene mentioned 40 pages in his R. Crumb Checklist, but the few copies that do surface only have eight, including this one. If there was a second section, we've not seen it. This copy originated from the files of Don Lewis, the art director of the East Village Other, who kept it in great condition. We're not planning on holding our breath waiting for a better copy to come along anytime soon.
Session 3
Animation Art
Joe Barbera - "Designs On Jerry" Tom and Jerry Storyboard Animation Art (1955). One half of the famous animation team Hanna-Barbera, the late Joe Barbera produced this storyboard sheet, featuring four scenes from the Tom and Jerry cartoon, "Designs On Jerry." The Academy Award winning Barbera produced cartoons featuring the cat and mouse duo for seventeen years, from 1940 until 1957. This penciled piece is loosely sketched, but the facial expressions are great. The three-hole animation page measures 12.5" x 10.5", and is in Excellent condition. Barbera has signed the piece near the bottom.
Bosko Animation Drawing Original Art (MGM, 1938). Bosko, the little boy with the overactive imagination, appeared only in a handful of Harman-Ising cartoons. Here he is in this original animation production drawing rendered in graphite and red pencil. The art measures 12" x 10", and, aside from some paper tanning, and light edge wear, the art is in Very Good condition.
animation art
Bullwinkle, Rocky, and Mr. Peabody Limited Edition Cel (Jay Ward, undated). The Bullwinkle and Rocky duo are accompanied by Mr. Peabody on a live radio broadcast in this limited edition cel. The image area measures 11.5" x 9.5". In Excellent condition. Signed by Jay Ward at the bottom left.
Animation Art
"The Cat in the Hat" Production Cel Original Art (Chuck Jones Productions/DePatie-Freleng, 1971). The Cat in the Hat converses with Karlos K. Krinklebein, the fish, in this indelible animation production cel from Chuck Jones Production's adaptation of Dr. Suess' famous fable. The image area measures 10" x 9.5" and the art is in Excellent condition.
"Clutch Cargo" Animation Production Cel Original Art, Group of 2 (Cambria Studios, 1959). Clutch Cargo and his young ward, Spinner, co-star in these two adventurous hand-inked and hand-painted cels. The cels measure 12.5" x 10.5" and 5.75" x 7". In Very Good condition.
Donald Duck Animation Production Drawing Original Art (Disney, 1930s). This sprightly drawing features the early long-billed Donald Duck (OPD #49). Rendered in graphite on a 12 field sheet of animation paper (12" x 9.5"), there is some paper tanning and light wear; otherwise the drawing is in Very Good condition.
"Donald's Nephews" Storyboard Drawing Original Art (Disney, 1938). Huey, Dewey and Louie turn their uncle Donald's living room into a polo field in the 1938 short, "Donald's Nephews." Donald takes his lumps from one of his nephews in this storyboard frame. Rendered in multi-colored pencil, the art has an image area of 7" x 4.5". Aside from some paper tanning and light edge wear, the art is in Very Good condition.
Donald Duck "der Fuehrer's Face" Story Board Animation Original Art (Walt Disney, 1942). The Walt Disney studios produced some memorable cartoons during World War II, which went a long way to boost morale, both overseas and on the home front. The most famous of these was director Jack Kinney's masterpiece, "der Fuehrer's Face", in which Donald Duck dreams he is an assembly line worker in Nazi Germany. This story board was created during the writing sessions by Disney's Victory Unit, and features Donald trying his best to keep up the impossible pace... and still find time to salute every image of Hitler he sees! Drawn in colored pencil on a 15" x 11" sheet of heavy paper, with an image area of 9.5" x 8". Note the initial "W" next to the OK stamp -- this sketch was approved by Walt Disney himself! In Good condition, framed to an overall size of 18.5" x 14.5".
"Donald Gets Drafted" Animation Production Cel with Presentation Background Original Art (Disney, 1942). Despite his flat feet, Donald Duck gets drafted into the U.S. Army, in the short "Donald Gets Drafted." Donald struggles with his drills, in this hand-painted production cel with presentation background. The cel measures 11.5" x 11.75" and, aside from some light buckling, is in Very Good condition.
Donald Duck Animation Production Cel Original Art (Disney, circa 1950s). Eternally-exasperated Donald Duck is stewing in this vintage hand-inked and hand-painted production cel. The art has an image area of 8.5" x 6.5" and is in Excellent condition.
Steamboat Willie Production Drawing Animation Original Art (Walt Disney, 1928). Walt Disney's first sound cartoon was also the one that helped introduced the studio's most famous creation -- Mickey Mouse. Although two earlier Mickey cartoons had been produced as silents, they were both held back from general release in favor of Steamboat Willie, and then retrofitted with soundtracks. This production drawing, showing the boat's smokestacks distorting as they blow rings, also shows numbered positions for the characters. The art is done on 12" x 9.5" two-hole paper, with the number 10 written by hand in the bottom right corner. On the back of the sheet, the number 27 is stamped in light purple ink, in the upper right corner. A certificate of authenticity from Gallery Lainzberg is included. In Excellent condition.
"Steamboat Willie" Dock Background Original Art (Disney, 1928). Offered here is a once in a lifetime opportunity to own a piece of Disney history! This master background from the first talking Mickey Mouse short, "Steamboat Willie," is the only one outside of the Disney archives available on the market. It was also featured in the documentary," Ub Iwerks, the Man Behind the Mouse." 10.75" x 8.75", and, aside from paper tanning, and some light soiling, is in Very Good condition. Also includes a certificate of participation at the Ronald Reagan Presidential Library and Museum celebrating the century's most important person, Walt Disney.
Walt Disney Studio - Mickey Mouse Animation Production Drawing Original Art (Disney, circa 1930). Adventurous, button-eyed Mickey Mouse steals the show in this delightful vintage animation drawing. Rendered in graphite on a sheet of animation paper, this piece is matted with an image area measuring 11.5" x 9". The paper has a bit of tanning and some light creasing; otherwise, its condition is Very Good.
"Mickey's Man Friday" Animation Production Drawing Original Art (Disney, 1935). Mickey makes the best of being stranded on a desert island with his cannibal friend, Friday, in this original animation drawing. Rendered in graphite on a 12 field sheet of animation paper (12" x 10"). Aside from some paper tanning and light edge wear, the art is in Good condition.
"Lonesome Ghosts" Mickey Mouse Animation Production Cel Original Art (Disney, 1937). Ghost hunter Mickey answers the call of a couple of ghosts in search of a good time, in this hand-inked and hand-painted animation cel. The cel measures 12" x 9.75", and is in Very Good condition.
"Orphan's Benefit" Animation Production Cel Original Art (Disney, 1941). Mickey and his friends put on a revue for some out-of-control orphans, in the short "Orphan's Benefit." This hand-painted production cel measures 12.5" x 10" and is in Very Good condition.
"Fun and Fancy Free" Mickey Mouse Animation Production Drawing Original Art (Disney, 1947). Mickey starred in a retelling of "Jack and the Beanstalk" in this drawing from the "Fun and Fancy Free" feature. Rendered in multi-colored pencil, the drawing has an image area measuring 10" x 8.75", and is in Very Good condition.
"Figaro and Frankie" Animation Background Original Art (Disney, 1947). Minnie kicks her cat, Figaro, out when she thinks he's eaten her bird, Frankie, in the short, "Figaro and Frankie." This captivating hand-painted background has a 10" x 7.75" image area, and is in Excellent condition.
"The Simple Things" Animation Drawing Original Art, Group of 3 (Disney, 1953). Included in this fun-filled lot are two 12" x 10" animation drawings from the Mickey Mouse short, "The Simple Things," featuring an aggressive seagull who is chasing after Mickey's bait. This lot also includes an 8" x 6" sketch of Donald Duck as Kaiser Wilhelm. These three pieces average in Very Good condition.
"The Simple Things" Animation Production Cel Set-Up Original Art (Walt Disney, 1953). From Mickey's last Golden Age short film, "The Simple Things," comes this marvelous hand-inked and hand-painted original animation production cel set-up. The art has an image area of 16" x 7.5", and, aside from some buckling to the cels, is in Very Good condition.
Mickey Mouse "Carnival Day" Animation Production Cel with Presentation Background Original Art (Disney, 1956). Step right up and see Mickey at his showman best, in this hand-inked and hand-painted production cel with presentation background. Originally purchased at the Art Corner at Disneyland's Main St. U.S.A., this art has an image area of 7" x 6.75". Aside from some slight ink loss around Mickey's waist, the art is in Very Good condition.
Mickey Mouse Animation Production Drawing, Group of 17 (undated). Included here is a set of original animation drawings featuring Mickey Mouse, with several additional drawings featuring Minnie, Pluto, and Mickey's nephew, Morty. Rendered in graphite and blue pencil, each drawing measures approximately 12.5" x 10.5". The Morty drawings are on tracing paper and measure 5" x 6". In Good condition.
Ub Iwerks - "Mother Goose Melodies" Production Drawing Animation Original Art Group (Walt Disney, 1931). A happy six-armed spider bobs back and forth in this delightful set of eight pencil animation drawings, from the cartoon "Mother Goose Melodies". It's done on two-hole paper bearing "Management Bond Hammermill Product" watermarks. The pages are numbered from 893 to 900 in the lower right corners.
"Three Little Pigs" Practical Pig Animation Production Drawing Original Art (Disney, circa 1933). Clever Practical Pig, who always saves his brothers' bacon, appeared in four short films, "Three Little Pigs," "The Big Bad Wolf," "Three Little Wolves," and "The Practical Pig." This original production drawing has an image area measuring 10" x 8.5", and, aside from light paper tanning, is in Very Good condition.
F. H. Horvath - Character Concept Drawing Animation Art, Group of 3 (Disney, circa 1935). This delightful group of character sketches was created by Ferdinand Huszti Horvath, an established European artist who was hired by Walt Disney in the mid-thirties to provide ideas and concept sketches for his films. Rendered in graphite, and colored pencil, with touches of watercolor, each page consists of smaller sketches which have been mounted onto a 12" x 9.75" sheet of animation paper. Each piece has minor glue staining; otherwise, they average Very Good condition.
Art Babbitt (attributed) - "Broken Toys" Layout Drawing Original Art (Disney, 1935). A toy soldier rallies a group of downtrodden dolls in the Disney short, "Broken Toys." This layout drawing has an image area of 10.5" x 9.5". Aside from paper tanning and light soiling, the art is in Very Good condition.
"The Country Cousin" Animation Production Drawing Original Art, Group of 10 (Disney, 1936). Here are ten consecutive drawings of cousin Abner from the Disney short, "The Country Cousin" (OPDs #30A, 31, 32, 33, 34, 35, 36, 37, 38, and 39). Each drawing is rendered in graphite, red, and green pencil on a 12" x 10" sheet of animation paper. The drawings have a bit of aging and some light edge wear; otherwise they are in Good condition.
"Snow White and the Seven Dwarfs" Snow White Animation Drawing Original Art (Disney, 1937). Lips red as the rose. Hair black as ebony. Skin white as snow. This lovely production drawing features the fairest girl in the land, Snow White. Rendered in graphite on a 12" x 10" sheet of animation paper. There is slight paper tanning and light creasing; otherwise the art is in Very Good condition.
"Snow White and the Seven Dwarfs" Snow White Pencil Animation Drawing Original Art (Disney, 1937). Standing at a well, Snow White hums a tune and asks the birds: "Want to know a secret? Promise not to tell? We are standing by a wishing well." This original production drawing features Snow White singing to her feathered friends from Disney's premiere feature, "Snow White and the Seven Dwarfs." Rendered in red pencil on a 12" x 10" sheet of animation paper. There is slight paper tanning and light creasing; otherwise the condition is Very Good.
"Snow White and the Seven Dwarfs" Storyboard Sketch Drawing Original Art (Disney, 1937). Four of the seven dwarfs congregate in this original storyboard drawing from Disney's feature, "Snow White and the Seven Dwarfs." Rendered in graphite the drawing measures 6" x 5". There is slight paper tanning; otherwise the art is in Very Good condition.
"Snow White and the Seven Dwarfs" Sneezy Pencil Animation Drawing Original Art (Disney, 1937). "Ah, ah, aachoo!" This original production drawing features the nasally-challenged Sneezy from Disney's first feature, "Snow White and the Seven Dwarfs." Rendered in graphite and red pencil on a 12" x 10" sheet of animation paper. There is slight paper tanning and light creasing; otherwise the condition is Very Good.
"Snow White and the Seven Dwarfs" Grumpy Pencil Animation Drawing Original Art (Disney, 1937). Birds drag Grumpy kicking and screaming to his bath, in this lively production drawing rendered in graphite and multi-colored pencil. The art has an image area measuring 10.5" x 8.5", and aside from paper tanning and light creasing, it is in Very Good condition.
"Ferdinand the Bull" Model Sheet Illustration Original Art (Disney, 1938). Hand-drawn model sheet featuring the flower-loving Ferdinand, the matador, and a lovely senorita. This original pen and ink illustration has an image area measuring 13.5" x 10.5". In Excellent condition.
"The Whalers" Goofy Animation Production Cel Original Art (Disney, 1938). Crewman Goofy gets a little too close to the ship's cannon, in this hilarious, hand-inked and hand-painted animation cel from the 1938 short, "The Whalers." The image area measures 9.75" x 6.5", and the art is in Excellent condition.
Walt Disney Studio - "Fantasia" Production Drawing Animation Art, Group of 4 (Disney, 1940). This lot features four spectacular pencil sketches from Disney's "Fantasia." Includes two full color 12" x 10" character sketches from "The Nutcracker Suite" sequence, featuring music-making beetles, crickets, and lady bugs, rendered in color pencil; and two 15.5" x 12.5" animation production drawings from "The Pastoral Symphony" sequence, featuring a lovely centaurette, rendered in graphite, red, and blue pencil. These pieces average Good condition.
Fantasia "Centaurs" Production Drawing Animation Original Art (Walt Disney, c. 1940). The ongoing war between men and women apparently extended to centaurs, as this early storyboard drawing illustrates. Note the tapping "feet" of the male and female characters -- who can hold out the longest in their disagreement? It was done as part of the Pastoral Symphony segment of Disney's landmark animated film, Fantasia. Artists who worked on this segment include Walt Kelly, Jack Bradbury, Fred Moore, and Ward Kimball. This penciled sketch measures approximately 8.25" x 6.25", and it has been mounted on a five-hole sheet of animation paper measuring 12" x 10". In Excellent condition.
Fantasia "Cherub" Production Drawing Animation Original Art (Walt Disney, circa 1940). From the Pastoral Symphony segment of Disney's groundbreaking film comes this cute portrait of a young Pan-like cherub, who pops up quite unexpectedly below Mama Bird's nest. This charming pencil and colored chalk storyboard sketch is numbered "2" in the upper left corner. It's on 5-hole animation paper measuring 12" x 10", and is in Very Good condition.
"Pinocchio" Clock Sequence Production Cel Set-Up Original Art, Group of 2 (Walt Disney, 1940). The clock sequence in Gepetto's workshop is particularly inventive and painstakingly detailed. This lot includes two cel set-ups from this sequence, both matted into one frame. Each hand-inked and hand-painted cel has an image area of 9" x 7", and is in Very Good condition.
"Pinocchio" J. Worthington Foulfellow and Gideon Production Cel Original Art (Walt Disney, 1940). The unscrupulous Foulfellow the Fox and his feline companion, Gideon are beautifully illustrated in this original production cel. The art has an image area of 13.5" x 9.5", and, aside from some buckling, is in Very Good condition.
"Pinocchio" Jiminy Cricket Animation Production Drawing Original Art (Disney, 1940). This dapper drawing rendered in graphite and red pencil features hallmark character, Jiminy Cricket. The art has an image area measuring 9.5" x 7", and, aside from some paper tanning and light creasing, is in Very Good condition.
"Pinocchio" Storyboard Drawing Original Art (Disney, 1940). Gepetto and Figaro share this beautifully rendered storyboard sketch from Disney's second animated feature, "Pinocchio." Rendered in graphite, the art has an image area of 7" x 5.25". Aside from some paper tanning, the art is in Very Good condition.
"The Reluctant Dragon" Publicity Photo Enhanced with Hand-Painted Cel Original Art (Disney, 1941). Robert Benchley and Jane Withers share a lively moment with Goofy and Mickey Mouse in this vintage publicity photo. Mickey has been inked and painted onto an overlaying sheet of acetate. There is some cracking on Mickey's paint; otherwise the condition of this piece is Very Good.
"Cinderella" Animation Production Cel Original Art (Disney, 1950). This gorgeous hand-inked and hand-painted cel features the lovely Cinderella's from Disney's twelfth feature, "Cinderella." The image area measures 4" x 5", and the art is in Excellent condition.
"Alice in Wonderland" Alice Concept Drawing Original Art (Disney, 1951). This delightful sketch of Lewis Carroll's heroine, Alice, was created by the staff of Walt Disney Studios on a heavy sheet of illustration board. Rendered in graphite and red pencil, the art has an image area of 7" x 5". Aside from paper tanning and light edge wear, the art is in Very Good condition.
"Peter Pan" Captain Hook Animation Production Drawing Original Art (Walt Disney, 1953). After being thwarted by Peter Pan, Captain Hook, the scourge of Neverland, is a disheveled mess in this production drawing from "Peter Pan." Rendered in multi-colored pencil on a sheet of 16 field animation paper (16" x 12.5"). Aside from some slight paper creasing, the art is in Very Good condition.
"Peter Pan" Animation Production Cel with Presentation Background Original Art (Walt Disney, 1953). This captivating hand-inked and hand-painted original animation production cel features a teddy bear and fairy dust. The cel measures 16" x 12", and is in Very Good condition.
"Lady and the Tramp" Si and Am Production Cel Original Art (Walt Disney, 1955). "We are Siamese, if you please!" Twin Siamese cats, Si and Am, are up to no good in this original hand painted animation production cel with presentation background. The art has an image area of 9" x 5.5", and is in Excellent condition.
"Lady and the Tramp" Animation Production Cel Set-Up Original Art (Walt Disney, 1955). This impressive hand-inked and hand-painted original animation production cel set-up has an image area of 9.5" x 7.5", and is in Excellent condition.
Eyvind Earle - "Sleeping Beauty" Princess Aurora Animation Concept Painting Original Art (Disney, 1959). This ethereal image of Princess Aurora by Eyvind Earle was rendered in tempera on heavy illustration board, and measures 14.25" x 6". Aside from light edge wear and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Princess Aurora sits at her dressing mirror, in this concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 12" x 6". Aside from light edge wear, and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Prince Phillip makes his way through the thorn forest surrounding King Stefan's castle created by Maleficent, in this concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 10.5" x 5". Aside from light edge wear, and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Prince Phillip Animation Concept Painting Original Art (Disney, 1959). A dejected Prince Phillip sits deep within Maleficent's dungeon, in this concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 14" x 6.5". Aside from light edge wear, pinholes in each of the four corners, and a small scratch at the extreme right edge, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). Maleficent, in the guise of a dragon, approaches a downed Prince Phillip, in this concept painting by Eyvind Earle from a pivotal moment in Disney's "Sleeping Beauty." Rendered in tempera on heavy illustration board, the art measures 14" x 6". Aside from pinholes in each of the four corners, the work is in Excellent condition. Signed by Eyvind Earle at the bottom right.
Eyvind Earle - "Sleeping Beauty" Animation Concept Painting Original Art (Disney, 1959). The evil fairy, Maleficent, sits in her massive throne room, surrounded by pagan idols, in this large concept painting by Eyvind Earle. Rendered in tempera on heavy illustration board, the art measures 33" x 12". Aside from light edge wear, and pinholes in each of the four corners, the work is in Very Good condition. Signed by Eyvind Earle at the bottom right.
Kay Nielsen - "Sleeping Beauty" Animation Concept Illustration Original Art (Disney, 1959). This striking concept sketch by celebrated illustrator, Kay Nielsen, is rendered in pastel on paper. Nielsen's artwork for Disney's "Sleeping Beauty" is extremely rare, and very few samples of his color pastel work for this film exist in the Disney Archive. The image area measures 7.75" x 6". In Excellent condition.
"101 Dalmatians" Towser Production Cel with Presentation Background Original Art (Walt Disney, 1961). The howling bloodhound hero, Towser, is the star of this hand-painted production cel which measures 16.5" x 12". In Excellent condition.
"The Sword in the Stone" Animation Production Cel Original Art (Disney, 1963). Merlin makes an appearance in this magical hand-painted cel from Disney's eighteenth feature, "The Sword in the Stone." The image area measures 13" x 9.25", and, aside from some light buckling to the acetate, the art is in Very Good condition.
"Duck Tales" Uncle Scrooge Animation Production Cel Original Art (Disney, 1987). Uncle Scrooge, the richest duck in the world, makes his point in this original production cel with photocopied background. The art has an image area measuring 10" x 8.5" and is in Excellent condition. Includes a Disney seal.
"Duck Tales" Uncle Scrooge and Flintheart Glomgold Animation Production Cel Set-Up Original Art (Disney, 1987). The first and second richest ducks in the world, Uncle Scrooge and Flintheart Glomgold, are here in this original production cel set-up with photocopied background. The image area measures 10" x 8.5" and the art is in Excellent condition. Includes a Disney seal.
"The Little Mermaid" Ariel Production Cel with Presentation Background Original Art (Walt Disney, 1989). This impressive close up of mermaid Princess Ariel has an image area of 12.5" x 8". The art bears a Disney seal and is in Excellent condition.
"The Little Mermaid" Production Cel with Hand-Painted Background Original Art (Walt Disney, 1989). Ariel and her friends share a vibrant seascape sunset, in this production cel with a hand-painted background. The art has an image area of 12.5" x 8". The art has been matted and framed to an overall size of 15.25" x 16.75" and is in Excellent condition. There is no Disney seal or certificate of authenticity with this piece.
animation art
"Beauty and the Beast" Limited Edition Serigraph Cel (Walt Disney, circa 1991). Belle and the Beast never looked more dignified than in this elegant limited edition serigraph cel. Limited to an edition of 2500, this piece is in Excellent condition. Includes a Disney seal.
Animation Art
"Beauty and the Beast" Belle Animation Production Cel Set-Up with Background Original Art (Disney, 1991). This enchanting cel set-up features Belle outside the Beast's castle, and includes an original hand-painted background. The art has an image area measures 17" x 12.5". Aside from some light edge wear, the art is in Very Good condition.
Mary Blair - "Penelope" Animation Concept Painting Original Art (Disney, undated). Playfulness and bold expressive color hallmark this concept painting for "Penelope," the earliest project for Disney by designer Mary Blair. Rendered in gouache on watercolor paper, the art has an image area of 9.75" x 8". Aside from light paper tanning and pinholes along the edges, the art is in Very Good condition.
Mary Blair - "Cinderella" Animation Concept Painting Original Art (Disney, 1950). Cinderella's two cruel step sisters tear the dress off her body in a fit of jealousy, in this concept sketch from Disney's "Cinderella." Rendered in tempera on heavy illustration board, the art measures 7" x 6.25", and is in Very Good condition.
Mary Blair - "Cinderella" Animation Concept Painting Original Art (Disney, 1950). Cinderella works hard to keep the castle clean, in this majestic concept sketch from Disney's twelfth animated feature, "Cinderella." Rendered in tempera on heavy illustration board, the art measures 8.5" x 7", and is in Excellent condition.
Mary Blair - "Peter Pan" Animation Concept Painting Original Art (Disney, 1953). Peter Pan surveys his domain in this concept painting by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9" x 7". In Very Good condition.
Mary Blair - "Peter Pan" Animation Concept Painting Original Art (Disney, 1953). A carriage is parked outside of the Darling residence, in this concept painting by Mary Blair. Rendered in tempera on heavy illustration paper, the art has an image area of 9.75" x 8". In Very Good condition.
Winnie-the-Pooh Animation Production Cel with Presentation Background Original Art (Disney, undated). Love is in the air, in this hand-painted production cel with presentation background featuring Winnie-the-Pooh and Piglet. The cel measures 12.5" x 10.5" and is in Excellent condition.
Winnie-the-Pooh Animation Production Cel with Presentation Background Original Art (Disney, undated). A hunny-pot holding Winnie-the-Pooh, Piglet, and Rabbit share the scene in this hand-painted production cel with presentation background. The cel measures 12.5" x 10.5" and is in Excellent condition.
Winnie-the-Pooh Animation Production Cel Set-Up with Background Original Art (Disney, undated). Rabbit pulls a bouquet out of his sleeve to the amazement of Pooh and Piglet, in this exceptional cel set-up with hand-painted background. The image area measures approximately 14" x 11", and the art is in Excellent condition.
Winnie-the-Pooh Animation Production Cel with Background Original Art (Disney, undated). Rabbit and Pooh conversate outside Rabbit's house, in this original production cel with hand-painted background. The image area measures approximately 13" x 10", and is in Excellent condition.
Winnie-the-Pooh Animation Production Cel with Presentation Background Original Art (Disney, undated). Rabbit finds something really amusing in this hand-painted production cel with presentation background. The cel measures 12.5" x 10.5" and is in Excellent condition.
Winnie-the-Pooh Background Drawing Original Art (Disney, undated). This outstanding background illustration consists of a hand-painted background, with two acetate overlays, one has hand-painted color touches, and the other is photocopied line art. The image area measures approximately 14.5" x 11", and the art is in Excellent condition.
animation art
Winnie-the-Pooh Illustration Original Art (Disney, undated). Kanga and Roo invite Eeyore and Pooh onto the frozen lake, in this picturesque animation-style illustration. The background is hand-painted in watercolor on heavy illustration board, and the figures have been printed on an acetate overlay, which has been hand-painted on the reverse side. The art measures approximately 13" x 10", and is in Excellent condition.
Animation Art
Winnie-the-Pooh Animation Production Cel Original Art (Disney, undated). Hunny-lovers with love this hand-painted production cel with presentation background of winsome Winnie-the-Pooh! The cel measures 12.5" x 10.5" and is in Excellent condition.
"Dragon's Lair" Animation Production Cel with Master Background Original Art (Cinematronics, 1983). The valiant knight, Dirk the Daring, stands at the ready in this hand-painted animation cel with master background, from the video game animated by Don Bluth. The art measures approximately 13.5" x 10" and is in Excellent condition.
Eyvind Earle - "West Side Story" Animated Trailer Concept Painting Original Art (UA/Eyvind Earle Productions, 1961). Eyvind Earle created an animated trailer for "West Side Story" for United Artists through his animation company, Eyvind Earle Productions. This graphic interpretation by Earle was rendered in tempera on heavy illustration board, and measures 12" x 6". Aside from pinholes in each of the four corners, the work is in Excellent condition. Signed by Eyvind Earle at the bottom right.
"FernGully: The Last Rainforest" Hexxus Animation Production Cel Original Art (FAI Films, 1992). Hexxus, the evil spirit of destruction, comes on strong in this dynamic hand-painted animation cel with presentation background. The image area measures 16" x 9" and the art is in Excellent condition.
Flintstones Production Cel Animation Original Art (Hanna-Barbera, 1976). Barney hatches a dinosaur egg the hard way -- atop his head -- as Fred hatches a plan of his own, in this two-cel set-up from the beloved television series. The background is a color copy with "Rock Rockstone" noted at the bottom, and the top cel (with Fred) has been embossed with a H-B stamp. Measures approximately 12.5" x 11. In Excellent condition.
"George of the Jungle" Animation Production Cel with Background Original Art (Jay Ward Productions, circa 1967). "Watch out for that tree!" Jay Ward's Tarzan parody, George of the Jungle, swings into action in this hand-inked and hand-painted animation production cel with original hand-painted background. The image area measures 9" x 7", and the art is in Excellent condition.
Winsor McCay - Gertie the Dinosaur Animation Drawing Original Art (1914). Here is drawing number 23 of Winsor McCay's groundbreaking film featuring the friendly dinosaur, Gertie. Ink on rice paper measuring approximately 8.75" x 6.5", mounted on a slightly larger piece of white board. Aside from paper tanning, and light soiling, the art is in Very Good condition.
"How the Grinch Stole Christmas" Grinch Production Cel Original Art (Chuck Jones Productions, 1966). A whimsical image of Dr. Suess' Christmas-hating Grinch graces this hand-painted production cel. The image area of the art measures 11" x 9", and is in Excellent condition. Signed by Chuck Jones at the lower right. Includes a certificate of authenticity.
"Horton Hears a Who!" Horton Production Cel with Background Original Art (Chuck Jones Productions, 1970). Sweet-natured Horton holds Whoville in his trunk, in this hand-painted production cel with original background from Dr. Suess' famous tale. The image area of the art measures 11.5" x 9.5", and is in Excellent condition.
animation art
Alexander Ignatiev - Mr. Magoo Black and Blue Graphite Model Sheet Original Art (UPA/United Productions of America, 1959). Oh Magoo -- you've done it again! This "fun-tastic" model sheet is sure to be a treasured showpiece for fans of the near-sighted comedic genius, Mr. Magoo. This piece has an image area of 12" x 9.5", and aside from edge wear, the art is in Very Good condition. This drawing was signed in blue graphite by Alex Ignatiev.
Animation Art
Jorgen Klubien - "Toy Story" Storyboard Drawing Original Art (Pixar, 1995). Award-winning director, screenwriter, storyboard artist, designer, and animator Jorgen Klubien, takes pencil in hand to create this lively storyboard sketch featuring Buzz Lightyear. The image area measures 11" x 8.5" and the art is in Excellent condition.
"Monsters, Inc." Storyboard Drawing Original Art (Pixar, 2001). James P. "Sully" Sullivan rolls up his sleeves to take care of business in this rousing storyboard drawing from the Academy Award winning film, "Monsters, Inc." Rendered in graphite and blue pencil, the art has an image area measuring 11" x 8.5" and is in Excellent condition.
"Nightmare Before Christmas" Storyboard Drawing Original Art (Touchstone Pictures, 1993). Sally the rag doll runs through Halloween Town, in this vigorous storyboard drawing from the Academy Award nominated film, "Nightmare Before Christmas." Rendered in ink and graphite, the art measures 8.5" x 5" and is in Excellent condition.
"Nightmare Before Christmas" Layout Drawing Original Art (Touchstone Pictures, 1993). Welcome to Sally the rag doll's room! Rendered in mixed media, this layout drawing from "Nightmare Before Christmas" has an image area of 9.75" x 7.75". In Excellent condition.
"Peanuts" Ford Television Commercial Background Illustration Original Art (Bill Melendez Productions, 1960). Charles Schulz's famous characters made their animated debut in a Ford television commercial produced by Bill Melendez. This hand-painted pan background measures 43" x 10.5", and is in Excellent condition.
"The Charlie Brown and Snoopy Show" Lucy and Linus Van Pelt Animation Production Cel Set-Up Original Art (Lee Mendelson/Bill Melendez Productions, 1983). Lucy and her brother, Linus, spend a moment together in this hand-painted original animation production cel set-up with presentation background from the episode, "Lucy Loves Schroeder". Both of the two cels measure approximately 13.5" x 11" and are in Excellent condition.
"The Charlie Brown and Snoopy Show" Charlie Brown and Lucy Van Pelt Animation Production Cel Original Art (Lee Mendelson/Bill Melendez Productions, 1983). Charlie Brown shares some professional time with advisor, Lucy in this hand-painted original animation production cel set-up with presentation background. Each of the two cels measure approximately 12.5" x 10.5" and are in Excellent condition.
Popeye Storyboard Sketch Original Art (Famous Studios, undated). This vintage full-color storyboard sketch features Popeye in a "hot" situation. Rendered in colored pencil and crayon, the art has an image area of 10.5" x 8". In Very Good condition.
Popeye "Clean Shaven Man" Background Production Animation Original Art (Max Fleischer, 1936). Popeye has just given his sworn enemy the closest shave ever -- to the neckline! This unusual set up has Bluto's body drawn on paper, carefully trimmed, and pasted onto the original background art. There is no use of acetate cel, so we must conclude these two pieces were used together as a background, and all action involving Popeye and Bluto's head occurred on the cels. The sepia tone walls are drawn on a 3-hole sheet of bristol measuring 11.75" x 9", while the black and white body of Bluto measures approximately 5.5" x 3.25". The art is in Excellent condition.
"The Ren and Stimpy Show" Production Cel Original Art (Nickelodeon, 1992). The demented Chihuahua Ren and Stimpson J. Cat share a scene in this hand-painted animation production cel from the classic short, "Space Madness." The image area of the art measures 11" x 8.5", and is in Excellent condition. The background is color photocopy art. The art includes a Nickelodeon seal.
"The Ren and Stimpy Show" Production Cel Original Art (Nickelodeon, 1992). Nurse Stimpy takes care of Ren, in this hand-painted animation production cel from the hilarious short, "Nurse Stimpy." The image area of the art measures 11" x 8.5", and is in Excellent condition. The background is color photocopy art. The art includes a Nickelodeon seal.
"Rock-a-Doodle" Chanticleer Production Cel Set-Up Original Art Signed by Glen Campbell (Sullivan/Bluth Studios, 1992). Here is the world's first rockin' rooster, Chanticleer, in a cel set-up with a presentation background. The art has an image area of 15.5" x 10.5", and is in Excellent condition. Signed on the matte by Chanticleer voice artist, Glen Campbell.
"Space Ace" Animation Production Cel with Master Background Original Art (Cinematronics, 1983). "Be valiant, space warrior, the fate of Earth is in your hands!" Defender of justice, Ace, faces an alien menace in this hand-painted animation cel with master background, from the video game animated by Don Bluth. The art measures approximately 17.5" x 13.5" and is in Excellent condition.
"Super Chicken" Animation Production Cel Original Art (Jay Ward Productions, circa 1967). This hand-inked and hand-painted animation production cel features Jay Ward's offbeat superhero, Henry Cabot Henhouse III (Super Chicken) and his lion valet, Fred. The image area measures 9.5" x 7.5", and the art is in Excellent condition.
Tom and Jerry "It's Greek To Me-Ow" Storyboard Drawing Original Art (1961). More painful shenanigans ensue between the most famous cat and mouse team in the world, in this storyboard frame. Rendered in multi-colored pencil, the art has an image area of 5.25" x 4.5". Aside from some light soiling at the upper left, the art is in Good condition.
Tom Terrific and Mighty Manfred, the Wonder Dog Production Cel and Clean-Up Drawing Original Art (Terrytoons, 1957). Funnel-hatted boy hero, Tom Terrific, and his lazy sidekick, Mighty Manfred, are presented here in this hand-inked and hand-painted cel from the intro sequence to his series. Includes the original clean-up drawing used to create the cel. The image area of each measures 9" x 7.25" and the art is in Excellent condition.
Alex Toth - "Space Angel" Animation Production Drawing Original Art, Group of 2 (Cambria Studio, 1965).
The late great Alex Toth, celebrated by comic book fans for the dynamic mystery and fantasy yarns he penciled for DC in the 1950s-1970s, drew these two production pieces for the "Space Angel" animated TV cartoon in the 1960s. These bold line drawings epitomize the sophisticated compositions of a master designer. The image area of these pieces range from 5.75" x 7.5" to 11" x 8", and they are both in Excellent condition.
The late great Alex Toth, celebrated by comic book fans for the dynamic mystery and fantasy yarns he penciled for DC in the 1950s-1970s, drew these two production pieces for the "Space Angel" animated TV cartoon in the 1960s. These bold line drawings epitomize the sophisticated compositions of a master designer. The image area of these pieces range from 5.75" x 7.5" to 11" x 8", and they are both in Excellent condition.
"Porky's Poultry Plant" Vulture Group Animation Production Cel Original Art (Warner Bros., 1936). A group of aggressive vultures move in on Porky's poultry farm in the Frank Tashlin-directed short film, "Porky's Poultry Plant." This black and white, hand-inked, and hand-painted cel has an image area measuring 9" x 6.5" and the art is in Excellent condition.
"Porky in Egypt" Animation Production Drawing Original Art (Warner Bros., 1938). Tourist Porky has a hard time on his visit to Egypt in the 1938 short, "Porky in Egypt," directed by Bob Clampett. Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper. There is some paper tanning and light edge wear; otherwise the art is in Very Good condition.
"Scalp Trouble" Animation Production Drawing Original Art (Warner Bros., 1939). General Daffy Duck's fort is plagued by Indian attack, in the 1939 short, "Scalp Trouble," directed by Bob Clampett. Rendered in graphite and red pencil on a 12" x 9.5" sheet of animation paper. There is some paper tanning, edge wear, and light soiling; otherwise the art is in Very Good condition.
Bob Clampett (attributed) - Porky Pig Sketch Original Art (circa 1940s). Porky pigs up his ham hocks when he gets the mess hall within sights, in this playful color sketch. Rendered in ink and watercolor, the art has an image area of 6.5" x 8". Aside from paper tanning and soiling, the art is in Good condition.
animation art
Virgil Ross - "What's Opera, Doc?" Drawing Original Art (Warner Bros., undated). Elmer is stopped in his tracks at the sight of the beautiful Valkyrie Brunnhilde (Bugs Bunny in drag), in this winsome drawing by legendary animator, Virgil Ross. Rendered in colored pencil on a 12" x 10.5" sheet of animation paper, the work is in Excellent condition. Signed by Virgil Ross at the lower right.
Animation Art
"A Sheep in the Deep" Background Illustration Original Art (Warner Bros., 1962). This alluring hand-painted background with created for the 1962 Merrie Melodies directed by Chuck Jones and Maurice Noble. The art measures 11.5" x 9.5" and is in Excellent condition.
Chuck Jones - "Father of the Bird" Production Cel Animation Original Art (Warner Brothers, 1997). Longtime Warner Brother animation master Chuck Jones returned to the studio in 1997 to produce this cartoon, starring Sylvester and a small bird named Cornbread. We assume Tweety was unavailable at the time! This large cel measures 16.5" x 13", and has been signed by Jones and director Stephen Fossatti. In Excellent condition.
"Yellow Submarine" George Harrison and the Nowhere Man Production Cel Original Art (UA/King Features Syndicate, 1968). This hand-inked and hand-painted animation production cel is from the surreal and visionary animated feature film featuring the Fab Four and their fuzzy pal Jeremy Boob, the Nowhere Man. The image area of the art measures 11.5" x 9", and is in Excellent condition.
Yogi Bear Hand-Painted Limited Edition Cel Signed (Hanna-Barbera, undated). "Please Feed the Bears." Yogi Bear puts a new spin on an old Jellystone Park sign, in this hand-painted limited edition cel with presentation background. The image area measures 11.5" x 9.5". In Excellent condition. The official Hanna Barbera gold seal is affixed to the art and it is signed by Joe Barbera and Bill Hanna.
Original Comic Art
Neal Adams - The Brave and the Bold #76, Batman and Plastic Man Cover Original Art (DC, 1968). "Why Batman? Why Plastic Man? Why this odd joining of the caped crusader and the pliable pretzel? It's another great team-up in The Brave and the Bold." This is one of the earliest Neal Adams cover renditions of Batman known to exist and it's decidedly cool. This piece has an image area of 10" x 15", and it's in Excellent condition. As an added "bonus," also included in this lot is the original house ad for this issue. The ad has hand lettering, while the images are stat elements. This piece has an image area of 10" x 15". The stats have aged and there is some glue-staining; otherwise, the ad piece is in Very Good condition.
Neal Adams - The Witching Hour #14 Cover Original Art (DC, 1971). Aside from the early superhero covers that Neal Adams worked on for DC during the 1970's, he also did some of his most creative and powerful work for their horror comic titles. This early and classic cover, featuring the witches on their broomsticks, is a choice example where the artist brought together the elements of horror and science fiction, and made them work as one. The scene on this cover provides an entertaining preview of what was to come inside the comic -- a story by Al Williamson and Carlos Garzon entitled "The Haunted House in Outer Space." This cover has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Neal Adams (attributed) - "X-Men" TV Production Full Color Illustration Original Art (circa 1992). The uncanny X-Men are primed for action and the mind-boggling line-up of this electrifying showstopper spotlights Professor X, Wolverine, Cyclops, Storm, Rogue, and Jubilee. This marker on layout paper illustration has an overall size of 11.75" x 17", and the art is in Excellent condition. This striking scene will make a sensational showpiece for any X-Men fan.
Brent Anderson and Ray McCarthy - Dark Claw Meets Jubilee Trading Card Illustration Original Art (Amalgam, 1996). Dark Claw and his sidekick, Jubilee, share this moody scenario penciled by Brent Anderson and inked by Ray McCarthy for the Amalgam trading card set. The image area measures 7" x 9", and the art is in Excellent condition. Signed by Ray McCarthy at the lower right.
Murphy Anderson - Hawkman #1, page 6 Original Art (DC, 1964). Considered by many fans to be Murphy Anderson's finest Silver Age work, Hawkman was filled with Anderson's bold layouts, superb figure drawing, and his silky-smooth inking. This fantastic page features Hawkman and Hawkgirl as they battle Chac in the Gardner Fox-written classic, "Master of the Sky Weapons." This page has an image area of 13" x 18", and the art is in Excellent condition. Murphy Anderson signed the page at the lower right.
Al Avison - Chamber of Chills #22 (#2), "Shudder Pulp" Bondage Cover Original Art (Harvey, 1951). Monsters, bondage, and pretty girls always make for an entertaining horror cover and in this chiller, a busty beauty in bondage is kept under glass, ready to be experimented on in the cosmos aging machine as her aged, hapless sister is dragged off by a couple of ghouls. Harvey horror covers are always in high-demand and this famous classic from the second issue of the title is sure to inspire aggressive bids. This piece has an overall size of 13.5" x 19.5", and the type stats and art paste-ups have been restored to a Very Good condition.
Al Avison - Tomb of Terror #3, Bondage Cover Original Art (Harvey, 1952). Here's a real "monster-piece" -- it's a horrific bondage cover from one of the classic pre-Code horror titles. Harvey Comics mainstay Al Avison served up a real chiller-diller for this cover scene. This piece has an overall size of 18.75" x 19.5". The title stat is the original stat. Some elements of the bottom edge of the art were cut and re-positioned (notably the hand coming up out of the water), and whatever backing board was used has been lost, leaving a behind a couple of small holes in the art due to the lack of the backing board. The piece was folded in half at some point, leaving a horizontal crease; otherwise, the art is in Very Good condition. Don't let the condition report scare you off, this is a very powerful, horrific image that will make a "spook-tacular" addition to any horror art collection, and given the scarcity of original pre-code horror covers in general, this is an opportunity not to be missed!
Dick Ayers and Syd Shores - Captain Savage and His Leatherneck Raiders #7 Cover Original Art (Marvel, 1968). Simon Savage and his Leathernecks ride the waves to rescue Lt. Ben Grimm from the clutches of Colonel Sakata, in this cover illustration. The art has an image area of 10" x 15" and includes all the original logo, title and indicia paste-up art. There is glue staining and soiling; otherwise the art is in Very Good condition.
Matt Baker - Flamingo Daily Comic Strip #132 Original Art, dated 6-30-52 (Phoenix Features, 1952). Matt Baker's figure work is as superb as always in these romantic scenes. This daily has two dates noted on the art. The image area of this episode measures 18.5" x 5", and the art is in Excellent condition.
Al Banx - World War II-Era Political Cartoon Illustration Original Art (circa 1943). This action-packed political cartoon comic strip originally hails from the collection of Private Leo White who was stationed in the Public Relations Office of HQ, Fort Devens, Massachusetts, during World War II. This dynamic drawing has an image area of 21" x 13.75", and aside from some water staining, the art is in Good condition. The piece was boldly signed in black ink by Al Banx in panel one.
Carl Barks - "Flight to the Mountains" Painting Original Art (circa late 1960s). Not just a "Duck artist, " Carl Barks painted this colorful figure study of Native Americans in the late sixties. This acrylic on canvas board painting (numbered #266) has an image area of 9" x 12", and has been framed to an approximate overall size of 18" x 14.5". The art is in Excellent condition and is signed at the lower left.
Carl Barks - "The Wadfather" Preliminary Sketch Original Art (1971). When Carl Barks retired from comic books in 1966, he started painting in oil in his newly acquired free time. Drawn in 1971, this preliminary sketch, featuring Uncle Scrooge and his family, later evolved into "The Wadfather," painted the next year. Rendered in colored pencil and marker on an 8.5" x 11" sheet of paper, this colorful sketch is signed by Carl Barks, and in Very Good condition. This lot also includes a note describing this sketch's origin, also signed by Carl Barks. Filmmaker Terry Zwigoff is mentioned in this note.
Carl Barks - "The Goose Egg Nugget" Oil Painting Original Art (circa 1973).
Carl Barks based "The Goose Egg Nugget" on the dazzling display of a giant gold nugget set in the Dawson City Saloon, and taken from his 1953 Uncle Scrooge romp in Four Color #456. In that classic adventure, "Back to the Klondike," the escapade started when Uncle Scrooge gulped down a handful of "memory pills." After that, Scrooge remembered a sack of gold nuggets that he had cached in the Yukon fifty years earlier. When the Duck clan packs off to the Klondike to claim Scrooge's treasure, they discover that Scrooge's claim has been taken over by Glittering Goldie. Scrooge had met the former dance hall girl during his earliest Gold Rush days and she is featured in this scene just to the right of the Goose Egg Nugget. Carl Barks commented on this work, one of his favorites, in The Fine Art of Walt Disney's Donald Duck by Carl Barks, "There is a wealth of detail as well as gold in the painting. You're not looking head on into that mirror, you always see everything at a 45-degree angle from the line at which you look into it. Out there behind them is this window with snow on the sill, all in cold colors. Inside, in the warm saloon, I tried to make the bottles look like the old whiskey bottles of that era. The brass spittoon and the brass rail, the picks and the gold pans, the kerosene lamp; those are things that had to be figured out and made authentic for the period of time. The hobnail boots, for example. It's typical of the drunks of that period that they'd drink themselves into such a stupor that they'd fall on the floor. The other characters follow the standard Disney convention and are dogs or pigs rather than ducks. For one thing, there's no mistaking a duck. When he's with a dog-faced guy, there's no resemblance between him and the outsiders. So I kept the ducks pretty much straight and the outsiders were all dog faces. When you come to think of it, if you use a horse face, the guy doesn't resemble a human in any way any more. Goat faces and so on are about as far as you can go. Rat faces, too. But the dog faces and pig faces, they looked a little bit like human faces; that is, you could caricature them as human. I always liked 'The Goose Egg Nugget' very much -- it told its own story." This lustrous oil painting has been indexed by Barks scholars as painting #68P. The image area of this treasure measures 16" x 20", and the art is in Excellent condition. This majestic masterwork was signed by Carl Barks at the lower right.
Carl Barks based "The Goose Egg Nugget" on the dazzling display of a giant gold nugget set in the Dawson City Saloon, and taken from his 1953 Uncle Scrooge romp in Four Color #456. In that classic adventure, "Back to the Klondike," the escapade started when Uncle Scrooge gulped down a handful of "memory pills." After that, Scrooge remembered a sack of gold nuggets that he had cached in the Yukon fifty years earlier. When the Duck clan packs off to the Klondike to claim Scrooge's treasure, they discover that Scrooge's claim has been taken over by Glittering Goldie. Scrooge had met the former dance hall girl during his earliest Gold Rush days and she is featured in this scene just to the right of the Goose Egg Nugget. Carl Barks commented on this work, one of his favorites, in The Fine Art of Walt Disney's Donald Duck by Carl Barks, "There is a wealth of detail as well as gold in the painting. You're not looking head on into that mirror, you always see everything at a 45-degree angle from the line at which you look into it. Out there behind them is this window with snow on the sill, all in cold colors. Inside, in the warm saloon, I tried to make the bottles look like the old whiskey bottles of that era. The brass spittoon and the brass rail, the picks and the gold pans, the kerosene lamp; those are things that had to be figured out and made authentic for the period of time. The hobnail boots, for example. It's typical of the drunks of that period that they'd drink themselves into such a stupor that they'd fall on the floor. The other characters follow the standard Disney convention and are dogs or pigs rather than ducks. For one thing, there's no mistaking a duck. When he's with a dog-faced guy, there's no resemblance between him and the outsiders. So I kept the ducks pretty much straight and the outsiders were all dog faces. When you come to think of it, if you use a horse face, the guy doesn't resemble a human in any way any more. Goat faces and so on are about as far as you can go. Rat faces, too. But the dog faces and pig faces, they looked a little bit like human faces; that is, you could caricature them as human. I always liked 'The Goose Egg Nugget' very much -- it told its own story." This lustrous oil painting has been indexed by Barks scholars as painting #68P. The image area of this treasure measures 16" x 20", and the art is in Excellent condition. This majestic masterwork was signed by Carl Barks at the lower right.
Carl Barks - "Sailing the Spanish Main" Hand-Colored Photocopy Line Art (1982). Carl Barks' fantastic original oil painting, titled, "Sailing the Spanish Main," was the first independently licensed Barks painting to be offered solely as a lithograph, and is today the most sought after and valuable of all the Barks lithographs. This line art by Barks has been photocopied and hand-colored by the Old Duck Man himself. The image area measures 8" x 9.75". Matted and framed, the condition is Excellent. From the Estate of Bruce Hamilton.
Carl Barks - Magica De Spell "Vesuvius Airline Frequent Flier" Pastel Drawing Original Art (circa 1980s). Carl Barks created this original watercolor depicting how Scrooge's nemesis, Magica De Spell, might have made the trip from Mount Vesuvius, Italy to Duckburg. Barks demonstrates how fast it would have been had Magica used twin-broom power instead of her usual single 'stick. The image area of this drawing is 7" x 9", and the art is in Excellent condition. The piece is unsigned but included in this lot is a 2007 Certificate of Authenticity from Jerry Weist and Chris Boyko, as the "Authorized Consultants and Researchers to the Carl Barks Estate for Bonham's Carl Barks Estate Auction."
Carl Barks - "The Stone That Turns All Metal Gold" Oil Painting Original Art (circa 1991). In the glittering, opulent setting of the throne room of King Minos, Uncle Scrooge, Donald Duck, and his nephews stumble upon the Philosopher's Stone, which turns all base metals into pure gold. Although the oil painting was described as an "Idea Sketch" in the lower left corner of the composition, the spectacular scene by Carl Barks has essentially the same quality as one of his finished paintings. This superb composition, done in anticipation of Carl Barks' oil painting (dubbed CB Oil 139P by Barks scholars), is a masterpiece, and it was painted as the penultimate version of this spectacular scene.
The amazing tableau was based on "the Good Duck Artist's" famous 1955 yarn, "The Fabulous Philosopher's Stone," from Uncle Scrooge #10. In this romp, the Ducks search all over Europe for the philosopher's stone, which can transmute base metals into gold, following a path that ultimately leads them to the labyrinth of Crete. The image area of this highly detailed oil on board masterwork measures 10.25" x 13", and the piece has been framed to an overall size of 20.5" x 23". The painting is in Excellent condition, and it was signed by Carl Barks at the lower left.
The amazing tableau was based on "the Good Duck Artist's" famous 1955 yarn, "The Fabulous Philosopher's Stone," from Uncle Scrooge #10. In this romp, the Ducks search all over Europe for the philosopher's stone, which can transmute base metals into gold, following a path that ultimately leads them to the labyrinth of Crete. The image area of this highly detailed oil on board masterwork measures 10.25" x 13", and the piece has been framed to an overall size of 20.5" x 23". The painting is in Excellent condition, and it was signed by Carl Barks at the lower left.
Carl Barks - "Dude for a Day" Lithograph Preliminary Sketch Original Art (1997). A dapper Donald Duck decked out in his Sunday best gets a quick buff from his shoe-shining nephew in this pencil preliminary sketch for the lithograph "Dude for a Day." Rendered in graphite and red and blue pencil, the art has an image area of 8" x 11", and is in Very Good condition. Signed by Carl Barks at the lower right.
Ed Barreto and Jose Garcia-Lopez - Atari Force #14 Cover Original Art (DC, 1985). Packrat is about to be collared in this dynamic cover scene by the talented two-some of Ed Barreto and Jose Garcia-Lopez. Atari Force was part of the innovative expansion of titles from "the new DC," whose slogan was, "There's no stopping us now." This cover scene has an image area of 9.75" x 15", and the art is in Excellent condition.
Sy Barry - The Phantom Sunday Comic Strip Original Art, dated 8-19-62 (King Features Syndicate, 1962). "The Ghost Who Walks," the Phantom, has been among the top action-adventure features since its inception in 1936. Over the years, a select number of talented artists have worked with writer Lee Falk to picture the saga of the Phantom. In 1961, the art reigns were taken by Seymour "Sy" Barry, who stayed with it for over three decades. Here is an early Barry Sunday from 1962 (within three months of when he added the Sunday to his work on the dailies), spotlighting his hallmarked streamlined drawing style and lush brush work. This Sunday has an image area of 26" x 17.5", and the top panel tier was cut from the page and later rejoined; otherwise, the art is in Excellent condition.
C. C. Beck - Captain Marvel Specialty Illustration Original Art (1972). C. C. Beck spotlights his creation, Captain Marvel, the biggest-selling comic character of the Golden Age. The image area measures 4.5" x 8". Signed by C. C. Beck at the right.
C. C. Beck - World's Finest Comics #7 Cover Recreation Original Art (1980). Although most renowned for his art on the original Captain Marvel, C. C. Beck could draw in virtually any style he wanted to, and in his later years he did faithful recreations of other artists' work. Here, he presents his version of Jack Burnley's 1942 cover for World's Finest #7, featuring three of DC's biggest guns -- Superman, Robin, and Batman. This splendid painting has an image area of 11" x 15.5", and the art is in Excellent condition.
Doug Beekman - Marvel Graphic Novel: Kull -The Vale of Shadow Cover Original Art (Marvel, 1989). "In the timelost age of Atlantis, an age of heroes, broadswords, and ancient sorcery, King Kull strides like a colossus across the Seven Empires. Then one day, waging war against the Kingdom of Commoria, Kull falls wounded in battle on the gore-strewn field. Now, Kull the Magnificent must face his darkest foe as Death comes to call in a guise of deadly and seductive beauty." Doug Beekman's eerie cover scene captures the sword and sorcery afoot in this timeless thriller. This piece has an image area of 19" x 29", and the piece has been framed to an overall size of 24" x 34.5". This lot also includes a copy of the graphic novel.
Doug Beekman - "The Devil's Day," Original Paperback Cover Painting Original Art (Baen Books, 1990). Devilish Doug Beekman has conjured up a spine-tingling cover scene for James Blish's horror novel. This acrylic on canvas chiller has an overall size of 20" x 30", and the art is in Excellent condition. Doug Beekman signed the work at the lower-center.
Dave Berg and George Woodbridge - "Mad Stew" Paperback Page Original Art, Group of 25 (Warner, 1978). Twenty-five uproarious paperback pages from two of the "Usual Gang of Idiots" of Mad, Dave Berg and George Woodbridge, could be yours with a winning bid. These pages, which hail from the stories "The Lighter Side of Pick Up Talk," "The Lighter Side of Ego Talk," "The Lighter Side of Zodiac Talk," "The PU Program," and others range in overall size from 9.5" x 11.5" to 14.5" x 11.5" (three double-page spreads), and the art is in Excellent condition.
Dave Berg - "Mad's Dave Berg Looks at Today" Panel Page Original Art, Group of 6 (Warner Books, 1991). These hilarious pages spotlight side-splitting social commentary by Dave Berg. These stories were printed on pages 86-89, 142-145, 150-153, 154-157, 166-169, and 170-173 of Mad's Dave Berg Looks at Today. Each page has an image area of 5.5" x 9.5", and the condition of the art is Excellent.
Simon Bisley - "Spider Queen" Illustration Original Art (1997). A hammer-swinging champion attacked by the "queen of all spiders" -- this scene is a "Monster Massacre" vision that captures the essence of Simon Bisley in almost every aspect -- from the teeth-clenching, muscle-bound hero to the multi-limbed insectoid terror, to the dank, steamy environment accented by a buxom beauty! It can't be stressed enough how amazing this painting looks in person! The image area of this peerless piece measures 15" x 23" and the art is in Excellent condition.
Vaughn Bode - "The Adventures of Tom Sawyer," page 35 Children's Book Illustration Original Art (Frank E. Richards, 1967). Vaughn Bode brought his offbeat imagination to this piece of Americana based on Mark Twain's classic novel. This scene was presented to a new generation of school aged readers and it was accompanied with a newly-adapted text, written by Helen Prevo. The caption for this charming illustration read, "The three 'dead' boys were walking down the aisle." This piece has an overall size of 7.5" x 11.25", and the art is in Excellent condition. This wonderful piece is certain to be a must-have for every Tom Sawyer completist, and it will also appeal to the collector of Underground comix illustration.
Vaughn Bode - Deadbone Erotica, "Slating On a Slate" Page Original Art (1970).
Vaughn Bode was a talented artist who had a totally original style. His influence is still felt today, over three decades after his untimely death in 1975. The underground art movement known as graffiti in New York City is widely known for its "appropriation" of Bode's images. This particular example features a lizard character as well as one of his famous "Bode broads." Delicately drawn in ink, colored pencil, and watercolor on a 16.5" x 24" page, with an image area of 15" x 20", this page is in Excellent condition. Also included in this lot is a production piece done on vellum, with an overall size of 18" x 24", and aside from a horizontal fold through its center, this piece is in Excellent condition.
Vaughn Bode was a talented artist who had a totally original style. His influence is still felt today, over three decades after his untimely death in 1975. The underground art movement known as graffiti in New York City is widely known for its "appropriation" of Bode's images. This particular example features a lizard character as well as one of his famous "Bode broads." Delicately drawn in ink, colored pencil, and watercolor on a 16.5" x 24" page, with an image area of 15" x 20", this page is in Excellent condition. Also included in this lot is a production piece done on vellum, with an overall size of 18" x 24", and aside from a horizontal fold through its center, this piece is in Excellent condition.
Brian Bolland - 2000 A.D. Program (Issue) #77, Judge Dredd, "Cursed Earth, Part 16," page 14 Original Art (Eagle Comics, 1978). "The Cursed Earth" was the first Judge Dredd yarn to run more than twenty episodes, and as an epic-length saga, the storyline revealed many key elements of the world of Mega-City One. "The Cursed Earth" series ran from programs (issues) #61-85 (May to October 1978). Brian Bolland's flawless line work spotlights Judge Dredd in a classic rendition -- big, bold, and in your face. This infamous sequence was banned from reprints because of Bolland's satirical caricatures of two famous American corporate symbols -- Colonel Sanders and Speedy. It seems he did too a good a job of "goring these sacred cows." This mega-masterwork has an image area of 11" x 14". The word balloons and captions are paste-ons; otherwise, the art is in Excellent condition.
Wayne Boring - Superman Sunday Comic Strip #478 Original Art, dated 12-26-48 (McClure Syndicate, 1948). In this forties Sunday, Superman finds that his "flying carpet" prank has backfired and it has created legal problems for George and Mary Paley. This episode was drawn around a time when Jerry Siegel and Joe Shuster had just sued DC Comics for a larger share of the royalties on the product licensing of their creations for the company. As a result, DC had the "by Jerry Siegel and Joe Shuster" byline removed from the comic strip and the comic books, and the byline would not return again until after 1975, nearly thirty years later. So it was that the former Shuster art assistant and "ghost," Wayne Boring, was allowed to sign this splendid episode, and his signature appears in the final panel. Boring's art has seldom looked more majestic, and this Sunday showcases his talent for lighthearted comedy. This episode has an image area of 19.5" x 25.5", and the art has been professionally cleaned and restored to Excellent condition.
Wayne Boring - Superman Sunday Comic Strip #479 Original Art, dated 1-2-49 (McClure Syndicate, 1949). In this forties Sunday, Superman finds himself involved in a hot and heavy court case, only in this case, it's pure fiction. Meanwhile, in real life, Jerry Siegel and Joe Shuster had just sued DC Comics for a bigger cut of the royalties on the product licensing of their creations for the company. When the dust had cleared from that legal brouhaha, DC had the "by Jerry Siegel and Joe Shuster" byline removed from the comic strip and the comic books, and the byline would not return again until after 1975, nearly thirty years later. Wayne Boring was allowed to sign this strip and his signature appears in the final panel. His art has never looked more refined or polished, and this Sunday showcases Boring's talent for "good girl" art -- Lois Lane looks absolutely gorgeous. This Sunday has an image area of 19.5" x 25.5", and the art has been professionally restored to Excellent condition.
Wayne Boring - Superman Sunday Comic Strip #485 Original Art, dated 2-13-49 (McClure Syndicate, 1949). This episode is a first-rate example of the classic Golden Age Superman, as drawn by one of his finest interpreters, Wayne Boring. This strip showcases many of the Man of Steel's trademarked superpowers, such as his invulnerability, super-speed, and tremendous strength. With its "lost civilization" setting, and mythic symbolism, this exotic Superman Sunday is sure to be a treasured showpiece in any Superman collection. This episode has an image area of 19.5" x 26.5", and aside from being cut between panel tiers two and three, and some mild paper aging, the art is in Excellent condition. As an added "art bonus" there are three Wayne Boring drawings of pretty girls on the back of the page.
Wayne Boring -"The Secret Origin of Superman" Hand Colored Illustration Original Art (1985). Longtime Superman artist, Wayne Boring, did a super-spectacular job on this hand colored illustration of the Man of Tomorrow titled, "The Secret Origin of Superman." This mixed-media masterwork has an overall size of 14" x 17", and the art is in Excellent condition.
Pat Boyette - Fightin' Marines #129 Cover Original Art (Charlton, 1976). Pat Boyette captures thrilling Marine action in the Far East with this exotic cover scene. This acrylic on board illustration has an image area of 10" x 15", and the art is in Excellent condition.
Pat Boyette - Korg: 70,000 B.C. #9 Cover Original Art (Charlton, 1976). Disaster lurks ahead, in this stormy cover scene for the thriller, "South...to Atlantis." This painted illustration was created in mixed-media and has an image area of 10" x 15", and the art is in Excellent condition.
Tim Bradstreet - Hellblazer #214 Cover Original Art (DC, 2006). Tim Bradstreet established a distinctive "noir" look and supernatural mood for DC/Vertigo's Hellblazer series with his eye-catching covers. The streetwise magician, John Constantine, looks right at home in this eerie urban scene -- it's a perfect representation of the morbid, yet, somehow, lovable hero. This cover scene has an image area of 10.5" x 16", and the art is in Excellent condition.
Tim Bradstreet - Punisher #39 Cover Original Art (Marvel, 2006). Frank Castle looks to be in a tight spot on this striking cover. In this issue. the nefarious General Zakharov returned to match wits with the Punisher -- not a good idea. Tim Bradstreet's photo-realistic style helped redefine this popular Marvel character, giving him a gritty, believable look that fans have come to adore. This piece has an image area of 10.5" x 16", and the art is in Excellent condition.
Martin Branner - Winnie Winkle Easter Dress Parade Sunday Topper Comic Strip Original Art, dated 4-19-30 (Chicago Tribune, 1930). Easter is on its way and Winnie Winkle models some stylish holiday ensembles from the thirties. This strip has an image area of 20" x 5.75", and aside from some mild paper aging, the art is in Excellent condition.
Berkeley Breathed - Bloom County Sunday Comic Strip Original Art, dated 3-20-88 (Washington Post Writers Group, 1988). When Oliver Wendell Jones and Opus wax poetic about stars, light, and the march of history through time, the course of their reverie is bent when it turns out that the "star" was actually a firefly -- oh well, perception is reality as the "spin doctors" might say. This Sunday has an image area of 19" x 13.5", and aside from some pasted-on lettering corrections and a taped-on logo stat, the art is in Excellent condition.
Berkeley Breathed - Bloom County Sunday Comic Strip Original Art, dated 10-02-88 (Washington Post Writers Group, 1988). Bill the Cat, Michael Binkley, Milo Bloom, and Opus skewer the political process in this uproarious episode from the election year when George Bush ran against Michael Dukakis for the Presidency. This Sunday has an image area of 19" x 13.5", and aside from some pasted-on lettering corrections and a taped-on logo stat, the art is in Excellent condition.
Dan Brereton - Neil Gaiman's Lady Justice V2#1 Cover Original Art (Big Entertainment, Inc., 1996). "She is Justice. Represented since the beginning of time as a robed woman, blinded, armed with naught but a sword and a sense of balance. A woman cut off from the masculine world of clues and hard realities, forced into the depths of her remaining senses -- touch, smell, taste, hearing. A woman joined with her innermost self, focused only on her mission. A woman who cannot be deceived, cannot be fooled. A woman blind -- to all but justice." Dan Brereton's torrid cover scene has an image area of 12.5" x 19.5", and it has been framed to an overall size of 20" x 27". The art is in Excellent condition and a copy of the comic book is included in this lot.
Dan Brereton - Vampirella Back Cover Original Art (2003). The darling of Drakulon strikes a sultry pose in this sanguine sensation, painted for the back cover of an unidentified issue. This pulchritudinous piece has an image area of 13" x 20.5", and the art is in Excellent condition.
Pat Broderick and Dick Giordano - Fury of Firestorm #10 Cover Original Art (DC, 1983). This suspense-ridden cover features Firestorm casually flying high above the New York City streets, little realizing that right around the corner on a nearby ledge, the nefarious Hyena is about to pounce on "the Nuclear Man" himself. This cover was meticulously illustrated by Pat Broderick, with crisp, vibrant inks added by comics legend Dick Giordano. This sensational cover has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Mat Broome and Troy Hubbs - Grifter #7 Cover Original Art (Image, 1996). Mat Broome takes on the gunslinging masked man known as The Grifter, in this extraordinary cover illustration. The art has an image area of 10" x 15", and is in Excellent condition. Includes a color guide hand-painted in marker over a photocopy (6.5" x 10" image area), in Excellent condition.
Bob Brown and Mike Esposito - The Avengers #117, page 7 Original Art (Marvel, 1973). It's a super-powered showdown that pits Avenger against Defender in a cataclysmic confrontation of the Swordsman and Valkyrie from the story, "Holocaust." This page has an image area of 10" x 15", and aside from tape residue stains around the borders and a few small stains, the art is in Very Good condition.
Bryan - Spiderman and the Green Goblin, the Death of Gwen Stacey Illustration Original Art (undated). The most tragic moment of Spider-Man's life is captured in this large pencil illustration. This scene was drawn on two pieces of paper, and they have a combined image area of 37" x 24". The piece is in Excellent condition and has been framed to an overall size of 46.5" x 33".
Rich Buckler and Steve Mitchell - Secrets of Haunted House #35 Cover Original Art (DC, 1981). This awesome Bronze-Age blockbuster features the title's lead character, Mister E, as he bursts through a coffin-shaped doorway and into "The Lair of Lady Frankenstein." The Frankenstein Monster is prominently featured as he is electrocuted on a slab in the foreground of this sizzling scene. This cover has an image area of 9.75" x 15", and the art is in Excellent condition. Rich Buckler signed the piece at the lower right, and a copy of the comic book is included in this lot.
Marge Buell - Little Lulu Panel Page Original Art (Saturday Evening Post, undated). Here's a girl who is serious about her sand castle! Marge Buell's lozenge-eyed mischief-maker with the corkscrew curls made her debut in the single panels of the Saturday Evening Post, before moving to animated cartoons and comic books. This laugh-riot was drawn with pen and ink and red-orange wash on heavy illustration board. This scene has an image area of 6.5" x 7," and the art is in Excellent condition.
Marge Buell - Little Lulu Panel Page Original Art (Saturday Evening Post, undated). Marge Buell's adolescent anarchist, Little Lulu, puts a couple of smoochers in the spotlight, in this panel from the Saturday Evening Post. This piece was drawn in pen and ink and red wash on heavy illustration board. The art has an image area of 6.5" x 7". There is a light scratch along Lulu's face, which is hardly noticeable; otherwise, this art is in Excellent condition.
John Buscema and George Roussos (as George Bell) - The Avengers #43, Hawkeye page 7 Original Art (Marvel, 1967). Taking on Hawkeye in a street brawl is not a good idea, especially if you're only a mere mortal. These bombastic battle scenes hail from the yarn, "Color Him the Red Guardian." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
John Buscema and Tom Palmer - The Avengers #81, page 4 Original Art (Marvel, 1970). Action and intrigue are the hallmarks of this page from the yarn, "When Dies a Legend." As any True Believer knows, John Buscema and Tom Palmer produced some of the greatest art ever in the hallowed halls of the "House of Ideas." This page has an image area of 10" x 15", and aside from a taped-in correction in panel seven, the art is in Excellent condition.
John Buscema and Joe Sinnott - Astonishing Tales featuring Ka-Zar and Dr. Doom #4 Cover Original Art (Marvel, 1971). Two titans of Bronze Age Marvel art, John Buscema and Joe Sinnott, teamed to create this bombastic blockbuster. This cover has an image area of 10" x 15", and aside from a few small stains, the art is in Excellent condition.
John Buscema and Klaus Janson - Giant-Size Man-Thing #2, Splash Page 1 Original Art (Marvel, 1974). Who better to do the art honors on a Giant-Size Man-Thing than Marvel mainstay John Buscema? Klaus Janson's crisp inks add drama to this Bronze Age blockbuster. This page has an image area of 10" x 14", and aside from glue stains along the page's edges and some yellowed Zipatone, the art is in Excellent condition.
John Buscema and Yong Montano - Savage Sword of Conan #11, page 25 Original Art (Marvel, 1976). Conan is at his barbaric best as he slays the luckless Makkar in this Bronze Age bruiser. John Buscema's masterful figure drawing was given a fantastic finish by inker extraordinaire, Yong Montano. This art has an image area of 10.5" x 15", and it is in Excellent condition.
John Buscema and Scott Koblish - Doom 2099 #40, Splash Page 13 Original Art (Marvel, 1996). The Dr. Doom of 1996 finally meets his mysterious foe -- Doom 2099 -- in this commanding page from the story, "Rage Against Time I: Visitation," which was written by Tom Peyer. The image area of this thriller measures 10" x 15", and the condition is Excellent. The page was signed by John Buscema in its bottom border.
Sal Buscema and Joe Staton - The Avengers #128, page 32 Original Art (Marvel, 1974). Avengers Assemble -- 'cause Kang, the Conqueror is back from the future to set the stage for "Kiss Tomorrow Goodbye." Sal Buscema and Joe Staton present a plethora of characters to admire on this shocker -- Swordsman, Iron Man, Thor, Scarlet Witch, Mantis, Vision, and even Agatha Harkness. This page has an image area of 10" x 15", and aside from a few small stains, the art is in Excellent condition.
Ernie Bushmiller - Nancy Daily Comic Strip Original Art, dated 8-16-41 (United Feature Syndicate, 1941). When it comes to lending a helping hand, even the stalwart Sluggo has his limits. This Ernie Bushmiller daily has an image area of 21.5" x 4.75", and the condition is Excellent.
John Byrne - Fantastic Four Try-Out, Penciled Splash Page 25 Original Art (circa 1974). In the days when Rich Buckler was drawing the Fantastic Four in his best effort at the Jack Kirby style, John Byrne thought, "Well, if that's what they want, I can give it to them." Byrne was driven. He even went so far as to approach Rich Buckler at a convention and boldly proclaim, "I'm John Byrne and I want your job." Under his arm was a tightly penciled, thirty page Giant-Size Fantastic Four try-out story. This epic tale was eventually printed in David Anthony Kraft's Comics Interview #25. This splash from the story dazzles with its panorama of Jack "King" Kirby-like "Kirby-tech" presented on a colossal scale. And is that the Mad Thinker's Awesome Android in that cylinder? -- you'd better believe it, Marvellite! The art has an image area of 10" x 15", and the page is in Excellent condition. With this masterwork hanging on your wall, you'll be the envy of those unfortunates who settled for Brand Echh art.
John Byrne and Terry Austin - X-Men #115, page 11 Original Art (Marvel, 1978). The tale "Visions of Death" takes place in the Savage Land and this page finds Sauron facing off with Cyclops and Banshee. Colossus and Storm co-star in the bottom panel tier -- all in all, this gem is nothing less than an "x-ceptional" page, detailed by fan-favorites John Byrne and Terry Austin. This Marvel masterwork has an image area of 10" x 15". The edges of the paper were trimmed closely to the panel borders, the upper corners were clipped (outside the image area), and there is some mild paper aging; otherwise, the art is in Excellent condition. Terry Austin signed this thriller in panel four of the page.
John Byrne - The Hulk Sketch Original Art (1978). The Green-Skinned Goliath is captured in all his gamma-ray glory, thanks to fan-favorite artist, John Byrne. This incredible drawing hails from Byrne's sketchbook, circa 1978, during the time period he created his unforgettable runs on such Marvel titles as the Uncanny X-Men, the Avengers, and Iron Fist. With a full color portrait and two pencil studies, this piece is sure to make a treasured showpiece for any Hulk or John Byrne fan. This fabulous piece has an overall size of 11" x 14", and the art is in Very Good condition.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 4-14-37 (Chicago Tribune, 1937). The artistic interchange between Milton Caniff and Noel Sickles is spotlighted in this dramatic daily starring Pat Ryan and Normandie. As cartoonist and comics historian Jerry Robinson has noted in his history, The Comics, "In Terry and the Pirates, all the storytelling techniques of the adventure strip fused and a classic style emerged. Caniff developed and integrated the narrative and its visual expression into a uniform aesthetic balance." Fellow cartoonist Jules Feiffer has also pointed out, "Before Caniff introduced the Dragon Lady to Pat Ryan, before Burma and Raven Sherman and Normandie Drake fell for our hero, there was not a hint of sex to be found in the American newspaper strip. Caniff changed all that." The areas of blue ink wash in this episode were used to indicate to the engraver where to add a mechanical gray tone. The image area of this daily measures 20" x 5.5". There is a glue residue stain in the lower border, outside the art area; otherwise, the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 5-5-37 (Chicago Tribune, 1937). The artistic interplay between Milton Caniff and Noel Sickles is evident in this melodramatic episode starring Normandie. Sickles' influence on Caniff was profound. The figures and backgrounds in Terry grew more realistic and heavily shadowed areas created a dramatic mood that quickly became a hallmark of action-adventure cartooning. The areas of blue ink wash were used to indicate to the engraver where to add a mechanical gray tone. The image area of the daily measures 20" x 5.5". There is a glue residue stain in the right and lower borders, mostly outside the art area; otherwise, the art is in Excellent condition.
Milton Caniff - Terry and the Pirates Daily Comic Strip Original Art, dated 1-11-38 (Chicago Tribune, 1938). Terry, Connie, and Burma star in panel one of this episode, titled "Purge." Meanwhile, General Klang proves himself to be a deadly killer in a masterfully staged action sequence. The image area measures 20" x 5.5". There is a glue residue stain in the right and lower borders, mostly outside the art area; otherwise, the art is in Excellent condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 8-10-48 (Chicago Sun-Times, 1948). When it came to drawing Cold War cuties, few artists could match the curvaceous characters drawn by Milton Caniff. This episode has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 8-11-48 (Chicago Sun-Times, 1948). Exotic women were always a Milton Caniff hallmark and Captain Shark heats up the action in this episode. This melodramatic daily has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 9-19-49 (Sun and Times, 1949). Milton Caniff stages some hard-hitting action in this Cold War thriller from the late forties. This episode has an image area of 21.5" x 6.5", and the art is in Excellent condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 10-2-59 (Field Enterprises Inc., 1959). Delicious dolls are the focus of this fantastic fifties episode. This super-stylish episode has an image area of 21.5" x 6.5". Aside from a few glue stains and some missing type elements, the art is in Very Good condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 12-16-67 (Chicago Sun-Times, 1967). Even with the complicated grouping of figures and detailed backgrounds in this episode, Milton Caniff maintains clarity and adds drama with his mastery of shadowed forms. This sixties daily has an image area of 22" x 6.75", and aside from glue stains left behind by Zipatone, the art is in Very Good condition.
Milton Caniff - Steve Canyon Daily Comic Strip Original Art, dated 1-4-68 (Chicago Sun-Times, 1968). Sigma Chi member Milton Caniff stayed true to his alma matter, Ohio State, and he often referred to it in his Steve Canyon strips as "Maumee University." This grid-iron thriller has an image area of 21.5" x 6.5", and aside from glue stains left behind by Zipatone that has slipped off the page (in panel three), the art is in Very Good condition.
Milton Caniff - Steve Canyon Sunday Comic Strip Original Art, dated 3-13-83 (Field Enterprises, Inc., 1983). In this episode from the eighties, gorgeous Summer Olsen Canyon steals the show, dressed in her sleek black cat suit. In the meantime, an international banking scam is busted up, thanks to the clever work of Detective Lieutenant Leslie John. This Sunday has an image area of 26.5" x 12.5". The strip was cut in half vertically, and later rejoined with tape on the back of the page. There are also pasted-on type and art corrections; otherwise, the art is in Good condition. The art was inscribed and signed by Milton Caniff in green ink, in the final panel.
Al Capp - Li'l Abner Sunday Comic Strip Original Art, dated 5-4-41 (United Feature Syndicate, 1941). Side-splitting satire is the focus of this early forties Sunday featuring Li'l Abner, Mammy and Pappy Yokum, and Marryin' Sam. This episode has an image area of 19" x 26". Aside from glue stained title logos and cuts between each panel tier, this art is in Very Good condition.
Al Capp - L'il Abner Sunday Comic Strip Original Art, dated 7-30-50 (United Feature Syndicate, 1950). Picnickers from out of this world drop off the Money-Ha-Ha, a little critter whose ears emit "genoowine" currency, in this spacey Sunday. Each tier was cut between the borders and then later rejoined with tape. The image area measures 19" x 22". There are tape residue stains (outside of the image area) and some light soiling; otherwise, the condition is Very Good.
Al Capp - Li'l Abner Daily Comic Strip Original Art, dated 5-24-62 (United Feature Syndicate, 1962). Daisy Mae perks up any scene she stars in, and she shares this pistol-packing episode with her son, Honest Abe Yokum and Romeo Scragg. This sharply inked daily has an image area of 18.75" x 5.5", and the art is in Excellent condition.
Nick Cardy - Wanted: The World's Most Dangerous Villains #7 Johnny Quick and Hourman Cover Original Art (DC, 1972). Johnny Quick and the Hourman battle a duo of demented doctors in this Nick Cardy blockbuster. This Bronze Age beauty has an image area of 10" x 15". Aside from some wear to the photostatted type paste-ons of this cover, the art is in Very Good condition.
Edd Cartier - Astounding Science Fiction V6#8, February 1949, "Prisoner in the Skull" Story Illustration Original Art (Street & Smith, 1949). This expressive Illustration was created by American pulp illustrator Edd Cartier for the Lewis Padgett tale, "The Prisoner In the Skull." This offbeat pen and ink drawing has an image area of 8" x 9.25," and the piece has been framed to an overall size of 12.25" x 13.5". Aside from some mild paper aging, the art is in Excellent condition.
Famous Comic Strip Cartoonist Sketch and Signature Group (undated). This incredible collection, personalized to Sylvia Bullis, features sketches and autographs by these comic strip greats: Carl Anderson (Henry); Edward Anthony and Ruth Carroll (The Pussycat Princess); Bill Holman (Spooky, Smokey Stover, a photographic portrait, and one stand-alone signature); Milton Caniff (Pat Ryan of Terry and the Pirates); Zack Mosely (Smilin' Jack); Alfred Andriola (Charlie Chan); Harold Gray (Little Orphan Annie); Lank Leonard (Mickey Finn); Max Fleischer (Popeye, Betty Boop, and Koko); Milt Gross (That's My Pop); Les Forgrave (Big Sister); Rube Goldberg (Boob McNutt); Jack Callahan (Home Sweet Home); E. C. Segar (Popeye of Thimble Theatre); Jordan (Guess Who?); Ham Fisher (signature only); Fontaine Fox (Toonerville Folks); Carl Ed (Harold Teen); Rube Goldberg (signature only); Robert Ripley (signature); Stanley Link (Tiny Tim and Ching Chow), Chester Gould (Dick Tracy); Jack Callahan (signature only); John Hix (signature only); and Otto Soglow (The Little King). Each card has been mounted with corner holders and the whole group has been framed to an overall size of 32" x 27". The pieces average Excellent condition.
Famous Comic Strip Cartoonist and Illustrator Sketch and Signature Group (undated). Here's a real find for die-hard fans of comic strip and magazine illustration art and autographs. This group includes cards signed (some decorated with art) by: Packer; Fanny Corry (Little Miss Muffet); James Montgomery Flagg (a pretty girl profile); George McManus (Bringing Up Father); Feg Murray; Clifford K. Berryman (Teddy Bears); Jack Bliss; Milton Caniff (signature only); Russ Westover (Tillie the Toiler); McClelland Barclay (signature only); Lank Leonard (Mickey Finn); Dan Beard: Bruce Russell; Peter Arno (signature only); Walt Disney (Dopey of "Snow White" - signature is "studio" signature, not by Walt himself ); Snow White and Doc (unsigned art); Walt Disney ("studio" signature); Walt Disney (Mickey and Minnie Mouse; "studio" signature): Leo E. O' Mealia (two pieces); musician Xavier Cugat (signature); Arthur William Brown (signature only); Fanny Y. Corry (signature only); James Montgomery Flagg (signature only); Alfred Andriola (signature only); Chic Young (Blondie); Vernon Hawe Bailey (signature); illegible signature; Carl Ed (signature only) Harry Whittier Frees (signature only); and Paul Robinson (Etta Kett). Each card has been mounted with corner holders and the whole group has been framed to an overall size of 32" x 27". The pieces average Excellent condition.
John Cassaday - Astonishing X-Men #16, Double-Page Spread, pages 2 and 3 Original Art (Marvel, 2004). "The best X-Men since Claremont and Byrne" is what many have called the Joss Whedon/John Cassaday team-up. This slam-bang double-page spread is from the "x-citing" yarn, "Torn." The 2006 Eisner Awards proved to be quite an event for the Astonishing X-Men. The title took home the 2006 Eisner Award for "Best Continuing Series," while Cassaday won the award for "Best Penciler/Inker," for his work on the series. These pages have a combined image area of 20" x 15.5", and the art is in Excellent condition.
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Travis Charest and Scott Hanna - Darkstars #6, Splash Page 1 Original Art (DC, 1993). One of the hottest talents of the Modern Age, Travis Charest, detailed this high-flying scene from the nineties, featuring the Intergalactic policemen known as the Darkstars. This spectacular splash page has an image area of 10" x 15", and the art is in Excellent condition.
Travis Charest and Troy Hubbs - WildC.A.T.s #15, Splash page 6 Original Art (Image, 1994). Travis Charest came into WILDC.A.T.S #15 as Jim Lee's chosen replacement and destroyed the competition. This dynamic action page shows Charest at his finest and has an image area of 10" x 15". In Excellent condition.
Sid Check - Crime SuspenStories #13, "Second Chance," EC Quickie, page 5 Original Art (EC, 1952). Artist Sid Check detailed this torrid EC title page in an art style much influenced by a master of "good girl" art -- his friend and fellow cartoonist, Wally Wood. This pulchritudinous page hails is what was termed an "EC Quickie," meaning a short story of only three pages, not something more salacious. This piece has an image area of 13" x 18", and aside from some pasted-on lettering corrections and some corner wear (outside the image area), this page is in Excellent condition.
Bob Clarke - Mad #189, "New Yorker" Lampoon Back Cover Original Art (EC, 1977). Eustace Tilly, the dandy New Yorker mascot, is treated to a brutal big city mugging in the uproarious Bob Clarke lampoon, "Magazine Covers We'd Like to See." This knee-slapper of a back cover has an image area of 15.5" x 22", and it is in Excellent condition. Also included in the lot are five uncut cover proofs, each in Excellent condition.
Classics Illustrated #9 "Les Miserables" (Tenth Printing) Painted Cover Original Art (Gilberton, 1963). Add a dramatic scene from one of the great works of literature to your original art collection -- the suspenseful cover to the Classics Illustrated version of Victor Hugo's timeless classic, Les Miserables. The overall size of this painting measures 14.5" x 21", and the art is in Excellent condition.
Mort Kunstler - Classics Illustrated #109 "Pitcairn's Island" Painted Cover Original Art (Gilberton, 1953). The slam-bang action of Charles Nordoff and James Norman Hall's naval adventure novel is captured in this hard-hitting cover scene. Nordhoff and Hall served together as U.S. Air Service pilots in World War I and had a highly successful literary partnership that lasted nearly three decades. They produced several bestsellers and are best known for their high-seas adventure, dubbed the "Bounty trilogy." Pitcairn's Island lays out a tale of drunkenness, betrayal, murder, and vengeance and it features the fate of Fletcher Christian, the mutineers, and a handful of Tahitians, who take refuge on a remote island in the Pacific. This art has an image area of 13" x 17", and the piece is in Excellent condition.
H. C. Kiefer - Classics Illustrated #104, Complete 44-page Story "Bring 'Em Back Alive" Original Art (Gilberton, 1953). "When I think of all the wild animals with which I've returned to America since I started bringing 'em back alive, I wonder why I haven't had many more anxious moments." H. C. Kiefer's art captures the thrills and chills of Frank Buck's hunting adventures perfectly. These pages each have an approximate image area measuring 12" x 18", and aside from a few lettering and art corrections, some of which are loose or have slipped off the pages, they average Very Good condition.
Claude Coates - Lady and the Tramp Book Illustration Original Art (Walt Disney, 1955). Claude Coates was a Disney artist for over fifty years, usually associated with background illustration. He was also one of the chief designers for Disneyland. Here is a very attractive page from the original children's book adaptation of the story with art by Coates. It's one of the pages of the book, featuring Lady, Jock, and Trusty, done as a "scrapbook page" format, with two illustrations done as sepia-toned photos, and a large, first-place blue ribbon added to the margin. A clipping from the book featuring type has been added to complete the page, which is now ready to frame and display. The art is in gouache on heavy illustration board measuring approximately 9.75" x 13", and is in Excellent condition.
Dave Cockrum - Thor Illustration for Tom Fagan's Halloween Party Original Art (1972). The God of Thunder strikes a dynamic pose for this specialty illustration. Dave Cockrum's notes on this piece read, "Tom -- Hope this fits the bill -- you said it would be on a 9' x 9' board, so I made it square. Sorry about the dark 'seam' in the Zipatone -- it may not show up in reproductions, though. Best, Dave Cockrum. PS: We will be there for Halloween, but did I hear you may not have the house this year?" This electrifying scene has an image area of 11" x 11", and the art is in Excellent condition.
Dave Cockrum - X-Men #100 Variant Cover Original Art (Marvel, 2000). The original cast of the Uncanny X-Men, Nightcrawler, Colossus, Wolverine, Storm, and Phoenix, face front on this dynamite cover illustration by the series' original artist, Dave Cockrum. The image area of this scene measures 10" x 15" and the condition of the art is Excellent. Dave Cockrum signed the page in its lower border.
Gene Colan and Dan Adkins - Sub-Mariner #10 Cover Original Art (Marvel, 1969). Imperious Rex -- Prince Namor battles the man called Barracuda for the nefarious, mystical Serpent Crown in this, only the second cover appearance of the deadliest head gear in the Marvel Universe. The bewitched crown is linked to the malevolent seven-headed exiled serpent demon-god Set from whom it draws its eerie powers. Any wearer of the crown pays a steep price -- falling under the mental domination of Set, who then commands the wearer perform feats which would help bring about its unwelcome return to our Earthly realm. This Marvel milestone has an image area of 10" x 15", and the aside from a few small glue stains from logo stat paste-ons, the art is in Excellent condition. Gene Colan signed the art in its lower right corner.
Gene Colan and Bob Smith - Detective Comics #566, page 5 Original Art (DC, 1986). Batman reviews his arch-enemies' files on the Batcave's crime computer, and the Killer Moth's dossier has come up. The Killer Moth first appeared in Batman #63 and #64, in 1951. This page showcases the mystery and mood that are the celebrated hallmarks of Gene Colan's art. This page has an image area of 10" x 15", and the art is in Excellent condition.
Gene Colan - Wedding of Dracula #1 Cover Original Art (Marvel, 1993). This early nineties single-issue title featured reprints of stories from Tomb of Dracula #30, 45 and 46, written by Marv Wolfman, and Gene Colan inked as well as penciled this Marvel "monster-work." This cover scene is a prime example of Gene Colan's fluid figure drawing style and expert use of shadow. This chiller has an image area of 9.75" x 15", and it has been framed to an overall size of 17" x 22". The art is in Excellent condition.
L. B. Cole - Classics Illustrated #159 "The Octopus" Painted Cover Original Art (Gilberton, 1960). The late L. B. Cole was celebrated for the bold, flat hues of his "poster color covers," and here is one of the few known Classics Illustrated covers that he illustrated. Price-gouging railroads served as the greedy "octopus" in Frank Norris' novel of the wheat-growing industry, set in the San Joaquin valley, California. This hard-riding thriller has an image area of 14.5" x 21", and the art is in Very Good condition.
L. B. Cole - Dick Tracy Adventures Magazine #1 Cover Original Art (Gladstone, 1991). An unarmed Tracy faces a pistol-totin' Littleface, in this stunning creation by the legendary L. B. Cole. Rendered in mixed media, this vibrant cover illustration has an image area of 8.25" x 11.5". The piece is in Excellent condition, and was signed by L. B. Cole at the bottom right.
Guy Colwell - Doll #4 Cover Original Art (Rip Off Press, 1990). Guy Colwell's Inner City Romance series of Underground Comix put him on the map as a sensitive chronicler of everyday people and their modern-day loves, lives, and problems, but his true masterpiece was this incredible series. Doll was the ongoing tale of a super-realistic "sex doll," designed as a companion for a horribly disfigured man. It didn't take long for the Doll to be stolen and passed from one sordid hand to another, all in beautifully detail from an artist Robert Crumb once described as one of his favorites. This cover illustration is ink on bristol measuring 13" x 17.5", and is in Excellent condition.
Guy Colwell - Doll #5 Cover Original Art (Rip Off Press, 1990). Artist Guy Colwell does it again with this provocative cover to his landmark Doll series. By this time, our beautiful but inanimate heroine has been taken from her original disfigured owner, and is slowly sinking ever lower into the depths of depraved humanity. This piece is ink on bristol, with an overall size of 13" x 17.5". Other than some very minor edge soiling, it remains in Excellent condition.
Guy Colwell - Doll #7 Cover Original Art (Rip Off Press, 1991). Guy Colwell's plastic princess, Doll, becomes the inspiration for an artist, one who finds himself unable to resist her artificial charms, in this cover illustration. When it comes to erotic comics, few can match the skills of Colwell, who kept to the "high road" in his examination of people and their desires. This ink and pencil on bristol cover measures 13" x 17.5"; there is a small brown stain on Doll's arm, but otherwise the cover is in Excellent condition.
Guy Colwell - Doll #8 Cover Original Art (Rip Off Press, 1992). Our lovely synthetic siren Doll gets a radical new look as chaos erupts all around her, in this cover illustration for the last issue of the series. Guy Colwell's art was never better than this example, done in a super-clean line style which was beautifully colored on the printed cover. We think the black and white art stands up nicely on its own, in this ink on bristol piece, which measures 13" x 17.5". In Excellent condition.
Giorgio Comolo - Commando Spawn Illustration Original Art (2000). The Italian advertising artist with a soft spot for American comics, Giorgio Comolo, renders Todd McFarlane's infamous hellspawn in mixed media on illustration paper. The image area measures 7.5" x 11", and the art is in Excellent condition. Signed by Giorgio Comolo at the bottom right.
Giorgio Comolo - Galactus Illustration Original Art (2006). The awesome might of the Third Force of the Universe is brought to life in this spectacular rendering by Giorgio Comolo. Rendered in mixed media on illustration paper, the art has an image area measuring 6" x 8", and is in Excellent condition. Signed by Giorgio Comolo at the bottom right.
Dave Cooper - Giant Robot Illustration Original Art (2003). A gigantic art deco robot stands ready to defend his city in this sci-fi spectacular rendered with Dave Cooper's hallmarked "clear line" style. A Harvey and Ignatz Award-winner, Cooper is perhaps best known for his work on Weasel #1-6, and he has also worked extensively as a designer, producer, and creator in the field of animation. Cooper's designs were used on "Futurama," especially in scenes of the Planet Express office. This piece has an image area of 13" x 19.5", and the art is in Excellent condition.
Richard Corben - "Island of the Lizard King" Paperback Cover Painting Original Art (Dell, 1985). "Kidnapped by a vicious race of Lizard Men from Fire Island, the young men of Oyster Bay face a grim future of slavery, starvation and lingering death. Their new master is the mad and dangerous Lizard King, who rules his land of mutants using the strange powers of black magic and voodoo." Richard Corben provided the perfect cover scene for Ian Livingstone's fighting fantasy gamebook. This sword and sorcery sensation was also featured as a color plate in Sal Q Productions Inc. 1986 portfolio, Corben Classics Set Two. This piece is also published in Richard Corben's Art Book Volume 2 on page 55. This painting has an image area of 15" x 17", and the art is in Excellent condition. A copy of the paperback and the portfolio are included in this lot.
Pete Costanza - Unknown Worlds #27, Complete 9-page Story "Ghost of a Private Eye" Original Art (ACG, 1963). The wild and wooly imagination of editor/writer Richard Hughes (who was actually named Leo Rosenbaum, according to some scholars) is showcased in this outrageous supernatural sleuth story. Hughes wrote this romp under yet another pen-name, Kurato Osaki. Pete Costanza's crisply inked art adds the perfect touch of dream-like surrealism to this outrageous Silver Age yarn. Each page has an approximate image area of 12" x 18", and the pages average Very Good condition.
Johnny Craig - Vault of Horror #31, "Easel Kill You" page 5 Original Art (EC, 1953). A haunted artist hopes to find redemption in the form of a gorgeous woman in this fast-paced page -- it's filled with Johnny Craig's hallmarked scenes of taught suspense. Crisply inked panels await you Craig fan-addicts, and they're accented with deep shadows and Craig's infamous depiction of emotion-laden "sweat beads." This page has an image area of 13" x 18", and the art is in Excellent condition.
Robert Crumb - Mr. Snoid Sketch Original Art (circa 1970). This amusing little sketch of R. Crumb's devilish Mr. Snoid character comes to us by way of an unsung hero of the Underground. Graphic artist Don Lewis was present at the birth of the Underground newspaper movement in the mid-1960s, first in Chicago, and later in New York City, where he acted as the Art Director for the infamous East Village Other. It was at the EVO that several of the Underground cartoonists began their careers, including Spain Rodriguez and Kim Deitch. Crumb himself contributed three classic covers to EVO, and while there sketched this piece in ink onto a green packing tag. It's not signed, but the art style is unmistakably Crumb. The tag measures approximately 2" x 4.25", with an image that's 3" tall. In Excellent condition, framed with an old journal cover.
Paris Cullins and Gary Martin - Blue Devil Annual #1 Cover Original Art (DC, 1985). Felix Faust's plot for world domination attracts the attention of Blue Devil, Madame Xanadu, the Phantom Stranger, the Demon, the Creeper, the Man-Bat, and the Black Orchid in this rousing cover scene for "The Day All Hell Broke Loose." This cover has an image area of 9.75" x 15", and aside from missing its title logo and other type stats, the art is in Excellent condition.
Jack Davis - Mad #26 Unpublished "The Dave Garrowunway Show" Illustration Original Art (EC, 1955). Newsflash -- here for the first time is a view of an unpublished "extra" panel featuring Dave Garrowunway's reporter in the field, Scoopie Doopiedoo. This panel was originally slated for page 9 of the lampoon of the "Dave Garroway Show" (later "Today") TV lampoon in Mad #26. This vintage Jack Davis illustration was drawn on Craftint Duotone board, and has an image area of 7" x 5.5", and the art is in Excellent condition.
Billy DeBeck - Barney Google and Snuffy Smith Daily Comic Strip Original Art, dated 4-4-32 (King Features Syndicate, 1932). Billy DeBeck's expressive pen work shines in this superb three-panel daily from the thirties. Barney stars in the last panel. The image area of this episode measures approximately 17.5" x 4", and the condition is Excellent.
Dan DeCarlo - The Brain, Complete 3-page Story "Fancy Diving?" Original Art (ME, circa 1957). That little egghead, the Brain, invents a Rube Goldberg-like diving machine and Dink and Russel are the ones who suffer the consequences in this hilarious 3-pager drawn by the great Dan DeCarlo. Each page of this romp has an image area of 12" x 18", and the averages Excellent condition.
Gabriele Dell'Otto - Annihilation: Super-Skrull #3 Cover Original Art (Marvel, 2006). Super-Skrull and his army of alien rogues cut a swath of enemy carnage in this stunning painted cover image by Italian sensation, Gabriele Dell'Otto. The image area measures 10" x 15" and the condition is Excellent.
Mike Deodato Jr. - Venom #12 Cover Original Art (Marvel, 2004). The horrifying space alien known as Venom roams a slimy sewer system in this spine-tingling cover scene for "Patterns, Part 2." In this story arc, certain questions have arisen since Venom's mysterious appearance at a radar station in Northern Canada -- how did he get there? Where's Eddie Brock and what turned the former "Lethal Protector" into a bloodthirsty killer? This cover scene has an image area of 10" x 15", and the art is in Excellent condition.
Donald Duck and Pluto Book Illustration Original Art (Disney/D. C. Heath & Co., circa 1939). Donald Duck ties a balloon to Mickey's best pal, Pluto, in this sweet illustration. Notes indicate that this fun-filled illustration was created for a D. C. Heath & Company publication, possibly Donald Duck and His Friends. Hand-inked and hand-painted on acetate, the art has an image area of 5.5" x 4". Aside from some light buckling to the acetate, the art is in Very Good condition.
Little Pig's Picnic and Other Stories Book Illustration Original Art (Disney/D. C. Heath & Co., 1939). Published by D. C. Heath and Company, Little Pig's Picnic and Other Stories, adapted some of Disney's most beloved shorts, such as "The Grasshopper and the Ants," "Orphan Kittens," and the "Old Mill." This illustration was created for the end paper of the book, and has an image area measuring 5.5" x 4". There is some overall paper tanning and light soiling; otherwise, the condition is Good.
"Walt Disney's Pinocchio" Book Cover Illustration Original Art (Disney/D. C. Heath & Co., 1940). The Walt Disney Studio's feature film, "Pinocchio," was adapted to print, in this book published by D. C. Heath and Company. This remarkable cover illustration has an image area measuring 11" x 15.5". There is some light paper tanning and some tape stains in the upper right corner; otherwise, the condition is Very Good.
Snow White Book Illustration Original Art (Disney/D. C. Heath & Co., 1939). Snow White bonds with the creatures of the forest in this affectionate illustration created for a D. C. Heath & Company publication. This hand-inked and hand-painted on acetate illustration has an image area of 6.5" x 4.5". Aside from some light buckling to the acetate, the art is in Very Good condition.
Donald Duck and His Nephews "Teacher Minnie" Book Illustration Original Art (Disney/D. C. Heath & Co., 1940). This animation-style three-cel set-up was used as one of the illustrations for Florence Brumbaugh's hardcover storybook. Notes on the art indicate this was illustration #45, used on page 55 of the original edition. In this scene, Huey, Dewey, and Louie are called to teacher Minnie Mouse's desk; looks like Dewey is hiding something -- the clockworks from Minnie's alarm clock perhaps. The colored cel is marked with numbers, which were used by the printers to match the cel's color. Image size on this piece is 5.5" x 4.75", and it's in Very Good condition.
Water Babies' Circus and Other Stories Book Illustration (Disney/D. C. Heath & Company, 1940). Darling water sprites Pixie, Nixie and Trink ride hopping frogs in this original illustration from Water Babies' Circus and Other Stories, which was published by D. C. Heath & Company. The art consists of a hand-inked acetate cel, with the color painted on a separate acetate layer beneath. There is some minor buckling; otherwise the art is in Very Good condition. Includes a printed version of the art.
Bambi Book Illustration Original Art (Disney/D. C. Heath & Co., 1944). Bambi frolics in the forest with his friends, in this illustration printed on page 44 of Bambi, published by D. C. Heath and Company. The image area of this piece measures 14" x 10.5", and the art is in Very Good condition.
Bambi Book Illustration Original Art (Disney/D. C. Heath & Co., 1944). A sudden burst of rain sends Bambi and his forest friends scampering, in this illustration printed on page 23 of Bambi, published by D. C. Heath and Company. The image area of this illustration measures 13" x 10.5", and the art is in Excellent condition.
Sport Goofy Lunchbox Front Panel Original Art (Aladdin Industries, 1980). Twin views of Goofy in action, playing soccer and basketball, are on display in this fun illustration. What kid wouldn't want to carry a lunchbox to school with lovable Goofy printed on the front? The art is rendered in airbrushed opaque color, with an overlay for the black type and logo elements. Production notes and Pantone swatch samples are included with the original art. The art has an image area of approximately 11.5" x 9.75". In Excellent condition.
Winnie-the-Pooh Promotion Illustration Original Art (Disney/Vaccaro Associates, undated). The artisans of Vaccaro Associates illustrate "willy nilly silly ole bear," Winnie-the-Pooh in this irresistible illustration. Rendered in watercolor on heavy illustration board, the image area measures 6.5" x 9.5". In Excellent condition.
Winnie-the-Pooh Collector's Plate "Picnic" Preliminary Illustration Original Art (The Bradford Exchange, undated). Christopher Robin shares a tranquil moment with pals Winnie-the-Pooh and Piglet, in this charming pencil and watercolor illustration. The art is on illustration board which has been taped to a larger board. The image area is 7.5", and the art is in Excellent condition.
Alvin Sommerville White Studio - Disney Alphabet Golden Book Page Illustration Original Art (undated). It's "Z for Zebra" on this page starring Goofy. "Z is for Zebra, Who has a striped hide. Look at him here, giving Goofy a ride!" The art is done animation-style, on two acetate cels; the one on top has the black line art, while the one below colors in the figures of Goofy, the Zebra, and the background tree. All other background art, done in watercolor, is on the illustration board, which measures approximately 10" x 14.5". The type is on a separate vellum overlay. All elements are in Excellent condition.
Alvin Sommerville White Studio - Farmer Donald Golden Book Illustration Original Art (Walt Disney, undated). Donald's picnic-time nap is about to be interrupted by a number of cake-stealing ants, in this colorful illustration, done for a young-reader book designed to help in counting. The art is done animation-style; a black-line acetate overlay (which appears to have been photocopied rather than hand-drawn) sits atop a second overlay, with hand-applied coloring. The background green grass, tree trunk, and red and white cloth were painted on the illustration board. An additional vellum overlay holds the type elements. The board measures approximately 10" x 15", and the image area measures approximately 9" x 8". In Excellent condition.
Alvin Sommerville White Studio - Little Hiawatha Alphabet Golden Book Illustration Original Art (Walt Disney, undated). "I is for Indian" is the theme of this charming children's illustration, which hints at the tragic loss suffered upon the Native American people when "others came." The illustration was built up animation-style; after the vellum overlay which holds the type elements, the first acetate layer is a black line art, shot from pencils, and the second acetate overlay is hand-colored fills. The lovely background art of the river and purple mountains is painted in watercolor on the 10" x 15" illustration board. The image area measures approximately 8" x 8". In Excellent condition.
Steve Ditko - Tales of Suspense #15 Complete 5-page Story "I Am The Living Ghost" Original Art (Marvel, 1961). Celebrated as the comic book legend who co-created Spider-Man and Dr. Strange, Steve Ditko also was a master at illustrating far-out fantasy yarns for "pre-hero" Marvel. Ditko's sublime storytelling and inking on this spooky yarn are at a zenith and these "large size" pages spotlight his hall-of-fame talent to its full effect. The image area of each page measures 12.5" x 18.5", and aside from some mild paper aging and cropped page borders, the art is in Excellent condition. Want to see each page in its entirety? Go to our website, HA.com!
Steve Ditko - Tales to Astonish #38, "The Secret of the Statues" page 4 Original Art (Marvel, 1962). A word to the wise for the would-be art critics out there, never criticize a space alien's artwork! The master of pre-hero Marvel fantasy, Steve Ditko, turned in another flawless page with this graphic gem from the yarn, "The Secret of the Statues." This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Steve Ditko - T.H.U.N.D.E.R. Agents #18, Mr. Mek page 3 Original Art (Tower, 1968). Steve Ditko is one of the most important comic artists from the Silver Age. His highly recognizable art has graced the pages of nearly every major title of the time. Whether working on Amazing Spider-Man and Strange Tales for Marvel, Beware the Creeper and Hawk and Dove for DC, or horror and superhero titles for Charlton, Ditko had the ability to take characters and make it seem as if he were the definitive artist for all of them. His art has a clean and precise quality yet looks as if it were easily poured onto the surface of the page. His action sequences fill panels with fluid characters that seem to glide through the composition with the grace of a ballet dancer. This page is filled with the exaggerated facial expressions and swirling panel stages that Ditko is famous for. This Silver Age page has an image area of 12" x 18.5", and the art is in Excellent condition.
Luis Dominguez - The Witching Hour #37 Cover Original Art (DC, 1977). Seeing your future might not be such a good thing! This creepy Luis Dominguez cover has an image area of 10" x 15" and includes all the original logo, title, and indicia paste-up art. Aside from some light soiling, the art is in Very Good condition.
Luis Dominguez - Jonah Hex #37 Cover Original Art (DC, 1980). Renegade bounty hunter, Jonah Hex, makes a desperate leap to avoid a certain death by waterfall, in this startling cover by Luis Dominguez. The art has an image area of 10" x 15" and includes all the original logo, title, and indicia paste-up art. Aside from some light paper tanning, the art is in Excellent condition.
Luis Dominguez - Men's Magazine Illustration Painting Original Art (undated).
The testosterone-laden, he-man action of a men's magazine adventure scene is captured perfectly in this hard-charging rescue attempt, painted by the talented Luis Dominguez. This thunderous thriller may have been painted for an unidentified men's magazine or perhaps a paperback book. With an image area that measures 13" x 17", and painted on illustration board, the art has some edge wear and a stain in the upper right corner; otherwise, the piece is in Good condition.
The testosterone-laden, he-man action of a men's magazine adventure scene is captured perfectly in this hard-charging rescue attempt, painted by the talented Luis Dominguez. This thunderous thriller may have been painted for an unidentified men's magazine or perhaps a paperback book. With an image area that measures 13" x 17", and painted on illustration board, the art has some edge wear and a stain in the upper right corner; otherwise, the piece is in Good condition.
Mort Drucker - Mad #264 "Hulk Hogan vs. Alfred" Cover Original Art (EC, 1986).
What, him worry? Alfred has Hulk Hogan just where he wants him -- taking a ribbing on the cover of Mad. Alfred is no doubt about to execute a tricky counter-hold he learned during a game of "43-Man Squamish." This Mort Drucker "Mad-sterwork" has an image area of 15" x 20", and the piece has been framed to an overall size of 22.5" x 28". The art is in Excellent condition.
What, him worry? Alfred has Hulk Hogan just where he wants him -- taking a ribbing on the cover of Mad. Alfred is no doubt about to execute a tricky counter-hold he learned during a game of "43-Man Squamish." This Mort Drucker "Mad-sterwork" has an image area of 15" x 20", and the piece has been framed to an overall size of 22.5" x 28". The art is in Excellent condition.
Will Eisner - The Spirit (weekly newspaper insert) "The Tunnel," page 2 Original Art, dated 3-21-48 (Register and Tribune Syndicate, 1948). Will Eisner's mastery of his characters' "body language," timing, and staging are all showcased in these suspenseful scenes featuring Commissioner Dolan and Officer Sam Klink. This yarn also featured Professor Medulla and an incredible machine that could record a dead man's memory. This page has an image area of 15" x 21", and the art is in Excellent condition.
The Spirit Section, "The Miami Beach Rumble," page 3 Original Art, dated 3-2-52 (Des Moines Register and Tribune Syndicate, 1952). From a seat on an airplane to a blanket on the sunny beach, the Spirit stars in every panel of this wide-ranging page, drawn near the end of the feature's fabled run. Just try to get on a plane while wearing a mask and gloves in today's airports. This page, featuring art from Will Eisner's studio artists, has an image area of 13" x 18", and aside from some wear to the stats stapled at the top of the page, the art is in Excellent condition.
The Spirit Section, "The Miami Beach Rumble," page 6 Original Art, dated 3-2-52 (Des Moines Register and Tribune Syndicate, 1952). The Spirit just can't seem to shake the smarmy salesman, Mr. Quartz, in these suspense-filled scenes from a fifties adventure, with art from Will Eisner's studio artists. This page has an image area of 13" x 18", and aside from some wear to the stats stapled at the top of the page, the condition of the art is in Excellent.
Will Eisner - San Diego Con Program The Spirit Illustration Original Art (1980). With tongue planted in cheek, this puckish portrait captures the unique appeal of Will Eisner's seminal super hero creation, the Spirit. This iconic drawing has an overall size of 6" x 9", and aside from a glue stain on the back of the page (which does not affect the image area), the art is in Excellent condition.
Bill Elder and BK - Mad #27 and #28 Illustration Original Art, Group of 2 (EC, 1956). Bill Elder's hilarious portrait of deadpan TV host Ed Sullivan was repeated 15 times with slight variations for Mad's wicked lampoon of "The Ed Sullivan Show" in issue #27, while the drawing of a machine-gunner shooting darts (signed "BK" and from the University of Texas' humor magazine, The Texas Ranger) appeared in issue #28, in a feature titled "Collegiate Whimsy." These pieces range in size from 3.5" x 4" to 12" x 5.25", and they average Very Good condition.
Bill Elder - "Moving Walk" Science Fiction Illustration Original Art (circa 1960s). A clean, modern view of a futuristic, utopian city scene is showcased in this detailed greytone illustration by Mad-man Bill Elder. Too bad things haven't yet turned out to be so clean and streamlined, but maybe there's still hope for such an attractive piece of urban design. This splendid illustration, which hails from an unidentified publication, has an overall size of 12" x 5.75", and aside from a glue stain on the back of the page (which does not affect the image area), the art is in Excellent condition.
Bill Elder - Self-Portrait with Little Annie Fanny Watercolor Illustration Original Art (undated). In this delightful scene, artist Bill Elder charts a heavenly body -- namely, Playboy star Little Annie Fanny. The curvaceous cutie was the creation of Elder and his long-time partner in mirth, Mad-man Harvey Kurtzman. Don't miss out on a chance to win this senses-shattering sensation for your collection. This watercolor on illustration board painting has an overall size of 6.75" x 10.5", and the art is in Excellent condition.
Martin Emond - White Trash Book Four, Splash Page 3 Original Art (Tundra, 1992). "Road rage" is the theme of this bombastic blockbuster. Martin Emond gained notoriety for his high-octane illustrations in the nineties comic book series White Trash, written by Gordon Rennie. Emond also worked on the UK comic 2000 A.D., DC's Lobo mini-series, and created album covers for heavy metal rocker Glenn Danzig. He lived in Los Angeles for the last eight months of his life before his untimely death at age 34. This mixed-media drawing has an image area of 13" x 9.75", and the art is in Excellent condition. An acetate overlay with a single pasted-on caption is also included in this lot.
Martin Emond (as Martywood) - Cowboygal Illustration Original Art (undated). Hold onto your hats buckaroos -- the smokin' hot cowboygal is armed and ready for action in this eye-popping, iconic illustration. This piece has an image area of 15" x 11", and the art is in Excellent condition.
Al Fago - Frisky Fables V3#11 Cover Original Art (Premium Group, 1948). It's fun galore as Neddy and his friends ring in the new year of 1948 in this Golden Age hullabaloo. This cover has an image area of 15" x 23", and the art is in Very Good condition. A copy of the comic book is included in this lot.
Al Fago - Frisky Fables V4#3 Cover Original Art (Premium Group, 1948). Neddy plays the role of the ringmaster in this circus-themed cover from the forties -- it's more fun than a barrel full of funny animals. This cover has an image area of 15" x 21.5", and the piece is in Very Good condition. A copy of the comic book is included in this lot.
Duncan Fegredo - Kid Eternity #1-3 Cover Original Art (DC, 1991). A cropped detail of this intense portrait was used on each cover of the Kid Eternity #1-3 miniseries, so that when placed side-by-side the comic books presented the whole image. This piece has an overall size of 26" x 18", and the art is in Excellent condition.
Al Feldstein - Weird Science #13 (#2) Cover Original Art (EC, 1950). With this cover for the second issue of Weird Science, EC introduced a historic new trend in magazines -- fantastic "SuspenStories" they dared the public to read. This electrifying scene is considered by many comic book fans to be the Cold War period's single most effective cover, spotlighting the flying saucer mania of the late forties and fifties in a political conspiracy context. An Air Force "spin doctor" is forced to eat a monumental-sized serving of "crow" as gigantic flying saucers rocket over his head even as he denies their existence in the nation's capitol. In true EC fashion, Al Feldstein set up a truly jaw-dropping scene that compelled the Atomic Age readers to buy this issue to find out about "events leading up to the flying saucer invasion" -- Spa fon, what a cover-up! The image area of this spectacular cover measures approximately 13" x 19.5", and it is in Excellent condition.
Al Feldstein - Weird Fantasy #10 Cover Original Art (EC, 1951). Legendary EC artist Al Feldstein spotlights a spectacular scene of space exploration in this cover based on the yarn, "The Secret of Saturn's Ring." Feldstein's razor-sharp brush strokes and dramatic perspective prove brilliant in heightening the sense of wonder of this cosmic tableau and his eerie science fiction landscapes often recalled the detailed, hard-edged astronomical paintings of Chesley Bonestell. This iconic scene has an image area of 13.5 x 19.25". The logo stats are replacements; otherwise, the art is in Excellent condition. Al Feldstein signed the art at the lower right.
Al Feldstein - "Weird Fantasy #8 Revisited" Painting Original Art (2005). Al Feldstein proved to be a key factor in the success of EC. Feldstein was a first-rate editor, writer, and artist for EC, and as an artist, he was recognized as a specialist in the "good girl/headlight" cover. Weird Fantasy #8 has always been a fan-favorite in this specialized genre. As a science fiction artist, Feldstein was also renowned for his super-sharp, stylish renderings which were often influenced by the fabulous "space-scapes" of Chesley Bonestell. This oil on stretched canvas has an overall size of 30" x 24", and the art is in Excellent condition.
Fields - "Police Patrol" Aladdin Lunchbox Scene Illustration Original Art (Aladdin Industries Incorporated, 1978). The thrill of a high-speed police chase is captured in this helicopter and car getaway scene, based around a theme of "Police Patrol." This crimebusting image was featured on one side of an Aladdin metal lunchbox, and the art was signed by its artist with only his last name, "Fields." This gouache on board painting has an image area of 11.75" x 10", and the acetate overlay with the title logo is included in this lot. The art is in Excellent condition.
Lou Fine - The Spirit (weekly newspaper insert) "Pink Elephants," page 5 Original Art, dated 9-6-42 (Register and Tribune Syndicate, 1942). The romantic chemistry between the Spirit and Ellen Dolan is featured in this page from the Golden Age yarn, "Pink Elephants," and Ebony White interrupts the duo's witty flirtations. In the forties,Will Eisner put together a top-flight creative team. The Spirit's adventures were directed by such legendary comic book talents as Lou Fine, Jack Cole, William Woolfolk, and Manley Wade Wellman. Will Eisner always had the highest esteem for Lou Fine's skill, "I had respect for his towering kind of draftsmanship. He was the epitome of the honest draftsman. No fakery, no razzle-dazzle -- very direct, very honest in his approach." The image area of this page is 11.25" x 15.75", and the art is in Excellent condition.
Virgil Finlay - Startling Stories, June 1952, "The Square Cube Law" Story Illustration Original Art (Thrilling Publications, 1952). George Helmfleety Jones' story, "The Square Cube Law" gets the incomparable Virgil Finlay treatment in this breathtaking scratchboard illustration. This fantastic drawing has an image area of 5.25" x 5.25", and the piece has been framed to an overall size of 13" x 14". The art is in Excellent condition.
Creig Flessel - Action Comics #1 (Ashcan) Cover Reinterpretation Original Art (1993). Craig Flessel has reinterpreted the gruesome cover scene that originally graced the ultra-rare comic that was used to register the trademark and logo for Action Comics, where, only a few months later, Superman had his historic world premiere. Very few ashcans were created to begin with and this was the only ashcan whose cover scene was not recycled from published art. Despite extensive searching over the past 15 years, only three copies of the Action Comics ashcan are known to exist, and one of those is in the permanent archives of DC comics. Flessel's reinterpretation of this historic black and white cover has been enhanced with the addition of blood-red and yellow hues. This macabre masterwork has an image area of 7" x 10", while the illustration board has an overall size of 13.5" x 18.75". The art is in Excellent condition.
Hal Foster - Prince Valiant Partial Sunday Comic Strip #1313 Original Art, dated 4-8-62 (King Features Syndicate, 1962). This lot features the art for the top and bottom panel tiers of this superb 1962 Sunday. Hal Foster drew the Prince Valiant pages quite large, and it was his common studio practice to cut the art pages between the panel borders of each of the three tiers. This made for ease of drawing during the inking stage, and also for handling the art in the production process. Often, Foster would cut individual panels out of his Sundays to give to his fans, so that acquiring a complete tier has become a bit of a coup. In addition to these five wonderful panels of art, this lot also includes the hand painted color guides done in three tiers, the four paper printing plates, to be used by a newspaper for the four-color printing process, a full-sized black and white printer's proof, and a full-sized color proof of the Sunday. The art is in great condition, but there are some minor stains on panel two of tier one. The type captions are paste-on lettering, some of the captions are loose, and a missing line of type has slipped off of panel two of tier one. There is some minor glue-staining of the paste-on Prince Valiant logo. The overall size of the art paper is 11.5" x 25" with an image area of 11" x 22.75" on each of the two tiers, and the art is in Very Good condition. The overall size of the paper printing plates and the proof pages is 17.5" x 25" each. This is a wonderful Prince Valiant lot with images of Val, Arn, a gargoyle, horses, and a castle. This Sunday was done while Hal Foster was still at the height of his artistic powers, setting the illustration standards for this comic strip.
Hal Foster - Prince Valiant Sunday Comic Strip #1577 Original Art, dated 4-30-67 (King Features Syndicate, 1967). With Prince Valiant jousting in nearly every panel of this episode and an outline of Camelot looming in the final scene, this superb Sunday from the sixties is sure to make a prized addition to any Prince Valiant or Hal Foster fan's collection. The image area measures approximately 22.75" x 34". This page was cut between each panel tier, there are some glue stains, and some of the pasted-on captions are missing; otherwise, the art is in Very Good condition.
Ramona Fradon and Vince Colletta - Freedom Fighters #5, Splash Page 1 Original Art (DC, 1976). Wonder Woman joins three ex-Quality Comics stalwarts (Uncle Sam, the Human Bomb, and Phantom Lady) to battle the threat of King Samson in the dramatic splash page for "The Rise and Fall of King Samson." This page has an approximate image area of 10" x 13", and aside from a few missing lettering corrections in the credits caption, this Bronze Age bonanza is in Very Good condition.
Frank Frazetta - Li'l Abner's Pappy Yokum Greeting Card Ink and Watercolor Illustration Original Art (Superior Greeting Company, Inc./United Feature Syndicate, circa 1950's). While the artwork for this greeting card was rendered by Frank Frazetta, the published greeting card was edited and thus, signed by Al Capp! The caption for this card read, "Ah' always knew it. Yo'r off yo'r rocker!" This illustration has an overall size of 6" x 8.5", and the art is in Excellent condition. This lot also includes an example of the printed greeting card.
Frank Frazetta - Conan, Pen and Ink Illustration Original Art (1988). Drawn by the master of fantasy illustration, offered here is a dynamic pen-and-ink sketch of Conan, warrior-king of Cimmeria, in a moment of repose. The quality of line for which Frank Frazetta is justly revered is in clear evidence in this piece, as is his impeccable sense of layout and design. Even in a standing pose, Conan radiates a sense of power that is a hallmark in the best of Frazetta's work. Nicely matted, the piece measures approximately 9.5" x 12" overall, with the figure measuring approximately 8.5" x 3.25", and the art is in Excellent condition.
Frank Frazetta - "Seated Woman On a Tree" Drawing Original Art (circa 1999). This ink study of a coy, seated woman by Frank Frazetta displays many of his distinctive touches, but with one remarkable difference -- Frank Frazetta drew this piece with his left hand. The talent of this "world-beater" artist never ceases to astound. This ink on paper drawing measures 6" x 4.75" in overall size, and is in Excellent condition. Frank Frazetta signed the art at the lower left. This lot also comes with a letter of authenticity, written on the back of a "Frazetta: The Documentary" postcard. This card is stamped with a "Certified and Authorized. Frank and Ellie Frazetta" seal, dated 1999, and it has written in gold paint pen the words, "Original Frazetta. Pen and ink. Left hand drawn. 5 x 7 on paper. (signed) F. Frazetta Jr."
Kelly Freas - Mad #40 "Wedding Cake" Recreation Cover Original Art (undated).
Alfred has his own "runaway bride" in this superb Kelly Freas recreation of a classic cover scene from Mad. The supremely talented Kelly Freas had a world-class career as a science fiction artist, but for many comic book fans, his outrageous Mad scenes are the ones that really stick in their minds. This painting has an image area of 13" x 18", and the piece has been framed to an overall size of 21" x 27". The condition of the art is Excellent.
Alfred has his own "runaway bride" in this superb Kelly Freas recreation of a classic cover scene from Mad. The supremely talented Kelly Freas had a world-class career as a science fiction artist, but for many comic book fans, his outrageous Mad scenes are the ones that really stick in their minds. This painting has an image area of 13" x 18", and the piece has been framed to an overall size of 21" x 27". The condition of the art is Excellent.
Ron Frenz and Sal Buscema - Spider-Girl #79, Splash Page 17 Original Art (Marvel, 2004). Spider-Girl uncorks a wicked haymaker on the Queen of Goblins for this explosive battle scene from "When Destiny Calls!" This high-impact page has an image area of 10.5" x 15.75", and the art is in Excellent condition.
German Garcia and Joe Rubinstein - Action Comics #761, Wonder Woman Splash Page 3 Original Art (DC, 2000). Wonder Woman takes center stage in this big, bold and beautiful splash page, drawn for the tale, "For a Thousand Years..." This page has an image area of 10.5" x 15.5", and aside from pasted-on lettering elements, the art is in Excellent condition.
Frank Giacoia - Johnny Reb and Billy Yank Sunday Comic Strip Original Art, dated 10-19-58 (New York Herald Tribune, 1958). Johnny Reb and a fellow soldier hide out with a pretty petticoat that can hold her own. This piece is a great example of Frank Giacoia's heavy, robust linework. The image area of this Sunday is 20.5" x 13.25", and aside from masking tape around the edges of the strip (outside the image area), the art is in Excellent condition.
Dick Giordano - Wonder Woman #262 Cover Original Art (DC, 1979). Suffering Sappho -- in this Bronze Age blockbuster Wonder Woman declares war on the street warriors -- it's a sign of the attempt at social relevance in comic books of the seventies. "Good girl" specialist Dick Giordano adds his own touch of stylish glamour to Wonder Woman's other amazing attributes. No Wonder Woman cover would be considered complete without the image of chains somewhere in the scene and this scene has them, in the form of street weapons. The image area of this cover measures 10" x 15". The DC logo, issue number, and price tag stats have slipped off the page and the Wonder Woman logo is loose; otherwise, the art is in Very Good condition.
Frank Godwin - Rusty Riley Sunday Comic Strip Original Art, dated 12-1-57 (King Features Syndicate, 1957). A master at drawing both the human and animal figure, this pastoral episode spotlights the richness of Frank Godwin's layouts, as well as his mastery of relevant detail, and his superb ability to invent interesting and colorful characters. This Sunday has an image area of 23" x 15", and aside from a photocopied title logo replacement panel, the art is in Excellent condition.
Frank Godwin - Rusty Riley Sunday Comic Strip Original Art, dated 8-23-59 (King Features Syndicate, 1959). Frank Godwin's top-flight talent for figure drawing is showcased to full effect in this late fifties episode, near the close of Frank Godwin's fabled career. This episode has an image area of 23" x 15", and the art is in Excellent condition.
Rube Goldberg - Rube Goldberg Device Daily Comic Strip Original Art, dated 4-14-51 (King Features Syndicate, 1951). Who hasn't laughed out loud at a cleverly convoluted "Rube Goldberg Device?" Rube Goldberg's take on "how to feed the cat while you're away" is a real side-splitter and comedian Jimmy Durante stars in panel two. The image area of this cacophonous daily measures approximately 17" x 8", and the art is in Excellent condition.
Michael Golden - What If #29, "...The Avengers Defeated Everybody" Cover Original Art (Marvel, 1981). This fabulous cover by fan-favorite, Michael Golden, features cameos of just about every major superhero from the dawn of the Marvel Age, including Spider-Man, the Fantastic Four, Doctor Doom, the original X-Men, Daredevil, Magneto, Electro, Doctor Octopus, Doctor Strange, and other assorted characters! This mighty Marvel masterwork has an image area of 9.75" x 15", and aside from some mild paper aging, the art is in Excellent condition.
Manuel Gonzales and Dick Moores - Walt Disney's Cinderella Sunday Comic Strip Original Art, dated 4-9-50 (King Features Syndicate, 1950). The famous dressmaking scene from the Walt Disney Studio's animated classic is the focus of this comic strip adaptation, and this beautifully drawn episode retells the scene perfectly. This Sunday has an image area of 23" x 16". Each panel tier was cut apart and then stapled to a larger piece of support paper; otherwise, the art is in Excellent condition.
Manuel Gonzales and Dick Moores - Walt Disney's Treasury of Classic Tales Peter Pan Sunday Comic Strip Original Art, dated 3-1-53 (King Features Syndicate, 1953). Almost the entire cast of Walt Disney's "Peter Pan" appears in this delightful Sunday comic strip adaptation of the 1953 film -- Peter Pan, Wendy, John, Michael, the Lost Boys, Captain Hook and Mr. Smee. The Lost Boys even sing the catchy tune, "Following the Leader." This episode has an image area of 23" x 16". Each panel tier was cut apart and then stapled to a larger piece of support paper, and the title logo stat is missing; otherwise, the art is in Excellent condition.
Chester Gould - Dick Tracy Daily Comic Strip Original Art, dated 9-13-57 (Chicago Tribune, 1957). The cold-hearted Elsa Crystal gives her husband the ultimate cold shoulder in this chilling daily. Meanwhile, Dick Tracy and his unit are hot on the trail in panel one. The image area of this episode measures 16.25" x 5" and the art is in Excellent condition.
Jerry Grandenetti - The Spirit Try-Out Page Original Art (undated). The Spirit and Ebony White take the limelight in this wonderful Jerry Grandenetti page featuring the hallmarked, moody backgrounds and avant-garde panel layouts of this fabled feature. This page has an overall size of 14.5" x 23.5", and the art is in Excellent condition.
Harold Gray - Little Orphan Annie Daily Comic Strip Original Art, dated 7-3-61 (Chicago Tribune, 1961). A determined Annie stars in all three panels of this daily, which has an image area of 19.75" x 6". Aside from some paper aging and a bit of water damage to the lower left corner, the art is in Very Good condition.
Randy Green - Buffy, the Vampire Slayer #12 Cover Original Art (Dark Horse, 1999). The new girl in Sunnydale hangs out with a dangerous crowd, as Buffy finds out in this "hell-raising" cover illustration by Randy Green. It's more excitement than you can shake a candle at! The image area of this cover measures 10" x 15", and the condition is Excellent.
Tom Grummett - New Thunderbolts #13 Penciled Cover Original Art (Marvel, 2005). "There is a new superhuman team the government can't trust whose roster is made up of questionable choices. Unaccountable. Uncontrollable. Unknown. So the Commission on Superhuman Activities has a 'request' for the New Thunderbolts -- take down the New Avengers" -- and so, it's Songbird vs. Captain America, Photon vs. Sentry, Radioactive Man vs. Iron Man, Speed Demon vs. Spider-Man, Atlas vs. Cage, and Joystick vs. Spider-Woman. Tom Grummet pays homage to John Buscema's cover for Avengers Special #2 with his only super rumble scene. This penciled piece has an image area of 10" x 15", and the art is in Excellent condition.
Paul Gulacy - Airboy #20 Cover Original Art (Eclipse, 1987). Shades of "Ben" -- Airboy and his lady friend are besieged by a roaming pack of rowdy rodents in this chilling cover scene for the yarn, ''Rats, Part II." This piece has an image area of 10" x 15". The background has marker fading; otherwise, the art is in Very Good condition.
Clark Haas - Jack and Jill Magazine, Complete 6-page Story "Clutch Cargo" Original Art (Curtis Publishing Co., circa 1960). The opening caption for this fun-filled six-pager says it all, "Introducing Clutch Cargo and his pals Spinner and Paddlefoot, in scenes from their latest TV adventure. This new and exciting cartoon series features fascinating 'Syncro-Vox', (an entirely new, patented television cartoon production technique) which enables all the characters to speak with real life lips." Syncro-Vox was developed by television cameraman, and partner in Cambria Studios, Edwin Gillette as a technique of superimposing real human mouths onto the faces of animals for the popular "talking animal" commercials of the fifties. "Clutch Cargo" employed the Syncro-Vox technique by superimposing live-action human lips over limited-motion animation or even motionless animation cels. Anyone who has seen the effect recalls how truly weird it looked. Each page of this Space Age yarn has an image area of 11.25" x 16", and the art is in Excellent condition.
Matt Haley and Kevin Nowlan - Batgirl Annual #1 Cover Original Art (DC, 2000). "When a young Indian actor is kidnapped from the streets of Gotham City, Batgirl and the Dark Knight travel to India to solve the mystery, but find more than they bargained for in the shapeshifting form of Aruna, a metahuman who is also looking for the boy, and is unwilling to let anything -- or anyone -- deter her." The sensuous Aruna shares the limelight with Batgirl on this modern masterwork. This cover has an image area of 10.5" x 15.5", and the art is in Excellent condition.
Hanna-Barbera TV Cartoon Characters, With Yogi Bear, Boo Boo Bear, Quick Draw McGraw, Augie Doggie, Doggie Daddy, Super Snooper, and Loopy De Loop Painted Illustration Original Art, Group of 7 (undated). These fun-filled painted illustrations spotlight many of the wonderful Hanna-Barbera TV cartoon super-stars of the fifties and sixties. Each scene has an approximate overall size of 3.5" x 5", and they may have been painted as illustrations for a children's book. The top surface of the illustration board paper was separated from its backing on each scene; otherwise, the art averages Excellent condition.
Jack Hannah - Donald Duck Painting Original Art (undated). Animator, storyteller, and director of more than 100 Donald Duck cartoons, Jack Hannah, paints this patriotic piece, titled "Donald Loses His Hat." Painted in oil on canvas, the art measures 8" x 10". In Excellent condition. Signed by Jack Hannah at the upper right.
Fred Harman - Red Ryder Daily Comic Strip Original Art, dated 5-28-40 (NEA, 1940). If you're a fan of wild and wooly Western action, chances are you'll be thrilled by this early Red Ryder daily. Red began his life on the comics page in Bronc Peeler, a Sunday strip by Fred Harman, and then made his own newspaper debut in 1938. This example hails within the first two years of the feature. The strip was cut into two pieces between panels one and two; otherwise, the art is in Very Good condition. The two halves combine for an overall image area of 24.5" x 5.5".
Mike Harris and Tony DeZuniga - All-Star Squadron #49 Cover Original Art (DC, 1985). This riveting cover has the reader seeing the Shining Knight on the verge of plunging his sword into Hourman. While the shocked facial images of Dr. Fate, Firebrand, Robotman, and Blackhawk look on in disbelief, a phantom image of the treacherous Woton looks on with utter delight. This spectacular scene has an image area of 9.75" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Johnny Hart - B. C. Sunday Comic Strip Original Art, dated 7-18-71 (Field Enterprises, 1971). Apparently there's more than one way to catch and eat a fish -- we haven't seen a prehistoric critter this thirsty since "Gertie the Dinosaur." This B. C. episode from the seventies has an image area of 19" x 13". Aside from having been cut between each panel tier, this strip is in Excellent condition. There is a note about the piece written in French on the back of the page, so this episode may have spent some time abroad.
Johnny Hart - B.C. Daily Comic Strip Original Art, Group of 2 (Field Enterprises, 1976). B. C., Peter, and Clumsy Carp are featured in these two consecutive dailies, dated 1-14 and 1-15-76. These strips were matted together and framed to an overall size of 24" x 18.5". The art is in Excellent condition.
Don Heck - Tales To Astonish #45, Ant-Man page 4 Original Art (Marvel, 1963).
It's hard to stop a bad egg from raising a stink -- and the nefarious scientist known as Egghead plots his foul revenge in this dramatically inked page from the dawn of the Marvel Age of superheroes. Ant-Man and the Wasp cameo in panel one. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
It's hard to stop a bad egg from raising a stink -- and the nefarious scientist known as Egghead plots his foul revenge in this dramatically inked page from the dawn of the Marvel Age of superheroes. Ant-Man and the Wasp cameo in panel one. This page has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Don Heck - Tales To Astonish #45, Ant-Man page 6 Original Art (Marvel, 1963).
Marvel bullpen artist Don Heck was at the "top of his game" for these Silver Age scenes featuring Egghead, Henry Pym, and playgirl, Janet Van Dyne. This Marvel masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
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Marvel bullpen artist Don Heck was at the "top of his game" for these Silver Age scenes featuring Egghead, Henry Pym, and playgirl, Janet Van Dyne. This Marvel masterwork has an image area of 12.5" x 18.5", and the art is in Excellent condition.
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Don Heck - Tales of Suspense #55, Iron Man page 5 Original Art (Marvel, 1964). Let the trumpets blare and the banners unfurl, True Believers! Don Heck's art has seldom looked more dashing than in these fast-moving scenes from the Silver Age thriller, "No One Escapes the Mandarin." Heck was second only to Jack "King" Kirby when it came to creating cool looking futuristic technology for the sixties Marvel Universe. This super-spectacular has an image area of 12.5" x 18.5". Aside from an art correction paste-on that has gone missing in the final panel (leaving behind a hole), the art is in Very Good condition.
Don Heck and Dick Ayers - Tales of Suspense #58, Iron Man page 14 Original Art (Marvel, 1964). The pulse-pounding power of the transistor-charged Golden Gladiator, Iron Man, is showcased in these action-packed scenes from the epic length adventure, "In Mortal Combat With Captain America." Faithful Stark Industry employees Happy Hogan and Pepper Potts co-star. Darling Dick Ayers provided the perfect Silver Age finish for Dashing Don Heck's pencils. This Marvel milestone has an image area of 12.5" x 18.5" and the art is in Excellent condition.
Don Heck and Vince Colletta - Tales of Suspense #69, Iron Man page 2 Original Art (Marvel, 1965). Wealth, good looks, and intelligence -- the Howard Hughes-like Tony Stark had everything a man could desire, except a strong heart. Without your health, you've got nothing, and the transistor-thin line between life and death is dramatically captured in these drama-drenched scenes from "If I Die Let It Be With Honor." Iron Man is going to need every bit of his strength in the action ahead because this issue marked the first time he went up against Titanium Man. Tony Stark's ever-faithful employees Happy Hogan and Pepper Potts co-star in the last panel. This Silver Age blockbuster has an image area of 12.5" x 18.5", and the art is in Excellent condition.
George Herriman - Baseball Sports Cartoon Featuring A Gooseberry Sprig Appearance Original Art (L. A. Herald, circa 1908). This episode must be counted as among the earliest known examples of George Herriman's comic strip art, and it spotlights one of his earliest characters, Gooseberry Sprig, who cameos throughout this uproarious baseball commentary. A hand-written note on the back of the art notes, "'Gooseberry Sprig' is the character that appeared often in his sports comments -- somehow related to Hen Berry of L.A. Angels." This piece features Herriman's unparalleled talent for story staging and panel layout and showcases a clever device of peripheral sport commentaries by a narrator outside of the action in the strip. This piece has an overall size of 24.5" x 10.25", and aside from paper aging, the art is in Very Good condition.
George Herriman - The Dingbat Family with Krazy Kat Daily Comic Strip Original Art (Hearst, circa 1913). Hang onto your hats -- offered here is an extremely rare Dingbat Family daily with a Krazy Kat bottom strip. The Dingbats were Herriman's first important comic strip and it was here that Krazy was first introduced as the family cat. Although this strip is undated, the series only ran six years, from 1910-1916, so it's of exceptional vintage. The Dingbat Family strip, with characters that recall Mutt and Jeff, is funny enough, but the real coup here is the Krazy Kat bottom strip, which features Ignatz hurling a brick -- this time made of ice cream -- at Krazy; brick-hurling strips are the crème de la crème for KK collectors, and this one's a winner. The image area measures 27" x 9". This vintage piece has been professionally cleaned and restored to Excellent condition. Don't miss this opportunity to acquire a superb, early Krazy Kat!
George Herriman - Baron Bean Daily Comic Strip Original Art (International Feature Service, 1917). George Herriman pays tribute to Bud Fisher's enormously popular Mutt and Jeff with his own version of a short and tall "odd couple." This episode has an image area of 26.5" x 6.5", and the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 10-26-19 (King Features Syndicate, 1919). The night life of Cocinino County is explored in this somnambulistic spell-binder. This delightful episode, starring Krazy Kat and Ignatz Mouse, has an image area of 17" x 19", and aside from a stress crease above the bottom panel tier, the art is in Excellent condition.
George Herriman - Krazy Kat Sunday Comic Strip Original Art, dated 3-6-21 (King Features Syndicate, 1921). Krazy Kat is "all cap and goggles and no motor car," much to Ignatz Mouse's chagrin. Anatole co-stars. This uproarious Sunday has an image area of 17" x 19", and aside from a stress crease below the top panel tier, the art is in Excellent condition.
George Herriman - Embarrassing Moments Daily Comic Strip Original Art, dated 6-27-32 (King Features Syndicate, 1932). It seems that a traffic ticket is in store for Bernie Burns -- he's been caught red-handed, parked in front of a hydrant, and a fire engine is on the way to boot. How embarrassing. This hilarious episode has an image area of 7" x 7", and aside from some small stains, the art is in Very Good condition.
George Herriman - Embarrassing Moments Daily Comic Strip Original Art, dated 9-3-32 (King Features Syndicate, 1932). Bernie Burns' dreams of being a player are dashed in this droll daily. Fine, expressive pen work by Krazy Kat creator, George Herriman is the highlight of this panel cartoon. This episode has an image area of 7" x 7", and the art is in Excellent condition.
George Herriman - Krazy Kat Daily Comic Strip Original Art, dated 3-15-41 (King Features Syndicate, 1941). Offissa Pupp seems to have a new unrequited love-object in the person of Mimi. This melodrama is detailed with the hallmark George Herriman pen strokes of genius. This episode has an image area of 20" x 4.5", and aside from being cropped closely, near its upper panel border, this daily is in Excellent condition.
George Herriman - Krazy Kat Daily Comic Strip Original Art, dated 8-10-42 (King Features Syndicate, 1942). The wonderful whimsy of George Herriman can never be topped and so, no comic strip art collection could be considered complete without a shining example. Krazy stars in three panels of this dandy daily from the forties. This strip has an image area of 18.5" x 4", and aside from a few stains, the art is in Very Good condition.
Greg Hildebrandt and Tim Hildebrandt - "Smith of Wootton Major and Farmer Giles of Ham" Paperback Cover Original Art (Ballantine Books, circa 1974-75). For fantasy fans, the names of Greg and Tim Hildebrandt will forever be linked to the works of fantasy author J. R. R. Tolkien, thanks to the brothers' world-famous visual interpretations of the Tolkien characters. Here, the Brothers Hildebrandt present a wonderfully whimsical scene based on J. R. R. Tolkien's story, "Farmer Giles of Ham" for what was their first published, Tolkien-inspired work. This delightful cover illustration, with its superb artistic nod to the style of classic illustrator Maxfield Parrish, captures the mood of Tolkien's ribald mock-heroic tale perfectly. "When a 'cunning, inquisitive, greedy, well-armored but not overly bold' dragon invades the kingdom, a most unwilling Farmer Giles is chosen to slay the dragon...a dragon who refuses to fight!" This fabulous piece has an image area of 12.5" x 21.5", and the art is in Excellent condition. The illustration was signed at the lower right. A copy of the paperback is also included in this lot.
Bryan Hitch - Mys-Tech Wars #4 Wrap-Around Cover Original Art (Marvel, 1993). It's a battle royal as the heroes of Marvel assemble for this mind-bending battle scene for the thriller, "When the Battle's Lost And Won." Death's Head II, Psylocke, Invisible Woman, Doctor Strange, Wolverine, Motormouth, Captain America, Albion, Dark Angel, and the Hulk -- the gang's all here! This double-page, wrap-around cover scene has a combined image area of 19" x 15". Aside from lacking its type elements, this cover scene is in Excellent condition.
Mike Hoffman - Tigress Tales #5, Complete 24-page Story "The Theta-B" Original Art (Amryl Entertainment, 2001). Mighty Mike Hoffman pays tribute to Jack "King" Kirby with the "in-your-face" energy of this 24-page romp which appeared in the final issue of Tigress Tales. Each greytone page has an image area of 10" x 15", and the art averages in Excellent condition. Mike Hoffman signed each page in its lower border.
Mike Hoffman - Sorceress Sketches #1 Cover Original Art Illustration Art (2002). Macabre Mike Hoffman showcases one of his hallmarked, sultry femmes fatales in this eerie tableau -- the buxom bat-woman. This oil on board painting has an approximate image area of 16" x 20", and it has been framed to an overall size of 19" x 23".
Mike Hoffman - Lost Worlds of Fantasy & SF #4, Complete 7-page Story "New Lives For Gold" Original Art (Antimatter, 2003). Apparently, living forever is not all it's cracked up to be, as is seen in this offbeat seven-page science fiction romp by Mike Hoffman. Each page of this way-out yarn has an image area of 10" x 15", and the art is in Excellent condition.
Mike Hoffman - "Tiger World" Painting Original Art (2007). With flash and style, artist Mike Hoffman renders this lovely painted portrait of a sexy jungle girl and her ferocious feline companion. Hot, steamy, and lushly painted, this canvasboard piece has an overall size of 16" x 20", and the art is in Excellent condition. Mike Hoffman signed and dated the painting at the lower left.
Mike Hoffman - "War of the Worlds" Painting Original Art (undated). A scene inspired by H. G. Wells' chilling novel, War of the Worlds, is brought to life in this Mike Hoffman painting of the alien assault. Martians unleash an all-out war on our planet with hundreds of invulnerable war machines. The invasion takes place all over the world and each of the major cities are destroyed one after another -- if humans can't beat the invaders, who can? This oil on board painting has an overall size of 30" x 20", and the art is in Excellent condition.
Mike Hoffman - Vampirella Showgirl Painting Original Art (2007). The gal who put the "vamp" in vampire, Vampirella, takes a curtain call in this glitzy scene painted by macabre Mike Hoffman. This piece has an overall size of 18" x 24", and the art is in Excellent condition.
Alex Horley (Alessandro Orlandelli) - Venom Poster Illustration Original Art (Marvel, 1995). Exaggerated anatomy and vibrant lights and shades, interpreted with a masterful art technique, using pencil and paint, gives the art of Italian artist Alessandro Orlandelli (a.k.a. Alex Horley) a vivid three-dimensionality. This snarling, grimacing vision of Venom, crouched over a mound of fallen bodies, and set against the red splash of Spider-Man's cowl, makes for an electrifying poster scene that is riveting, and this is arguably Horley's best piece to date! This Marvel "monster-piece" has an image area of 19" x 28" and it is in Excellent condition.
Carmine Infantino and Murphy Anderson - Mystery In Space #72, Adam Strange page 2 Original Art (DC, 1961). For most comic fans nothing says "Silver Age" quite like an original Adam Strange page by the top-notch DC art team of Carmine Infantino and Murphy Anderson. Add the plotting/editing of Julius Schwartz and the scripting of Gardner Fox to the mix, and this page from "The Multiple Menace Weapon" is nothing less than a DC classic. In these opening scenes a purple Zeta beam transports Adam Strange from his idling sixties station wagon, not to Rann, but to the New York City of the far future. Carmine Infantino's knack for sleek streamline design and futuristic architecture is showcased to spectacular effect in the final panel. This decidedly cool masterwork has an image area of 13'" x 18", and the art is in Excellent condition.
Carmine Infantino and Wayne Howard - Creepy #134, Complete 4-page Story "Orson Who?" Original Art (Warren, 1982). This cataclysmic tale, titled "Orson Who?," chronicles the unexpected events about to take place on the 100th Anniversary of Orson Welles' broadcast of "War of the Worlds" on October 31, 2038 in Grover's Mill, New Jersey. Besides being a wonderful science-fiction story loosely based on fact, Carmine Infantino and Wayne Howard painstakingly illustrated "Orson Who?" in ink, using a beautiful greytone wash technique. Each page of this yarn has an image area of 10.5" x 15". The word balloons have pasted-on type, the borders of page 1 are smaller, and the edges of the panel borders of each page were masked off with white tape; otherwise, the art is in Excellent condition. Each page has been boldly signed in black ink by Carmine Infantino. A copy of the magazine is included in this lot.
Graham Ingels - Haunt of Fear #21 Cover Original Art (EC, 1953). Few horror comic artists could top Graham "Ghastly" Ingels at creating a spine-tingling cover scene infused with a blood-chilling atmosphere, and this classic ranks as one of his most moody with its masterful blend of understated compassion and bitter realism. This macabre masterwork was based on the Guy de Maupassant-like yelp-yarn, "The High Cost of Dying," set in 19th-century Paris. This chiller has an image area of 13.5" x 19.5", and the art is in Excellent condition.
Daan Jippes and Murad Gumen - Gladstone Comics Covers and Other Pages Original Art, Group of 28 (Gladstone, 1987-90). This incredible selection contains five fabulous Daan Jippes covers, including Walt Disney's Comics and Stories #516; Uncle Scrooge #220 and 222; Mickey Mouse #222; and Donald Duck #253. It also includes six Murad Gumen covers, including Mickey Mouse #249, 251, 252, and 253; Gladstone Comic Album Special #3 (Walt Disney's Mickey Mouse: Bar-None Ranch) and a beautiful unidentified cover by Gumen featuring Mickey and Goofy at a gas station. Also includes are the covers for Gladstone Comic Album #17; Walt Disney's Mickey and Donald #15 and 17; and an unidentified cover featuring Donald and his nephews with a snowman. In addition, this incredible group features the first two pages of "Pawns of the Loup Garou," by Daan Jippes (12" x 17" image area), two 9" x 12" blue pencil cover sketches on vellum for DuckTales, four graphite and red pencil "DuckTales" animation drawings featuring Uncle Scrooge, including a layout drawing, and a group of miscellaneous production material (including photocopies of the pencils to Uncle Scrooge #223, and reduced line art for "Mickey's Circus," and "Mother Goose Goes Hollywood"). The covers average 10" x 15" (some measure 14" x 18"), and aside from some staining on several of the Jippes covers, are in Very Good condition.
Jeff Jones - "Bias," Hand Colored Comic Page Original Art (1972).
Does life have any consequence? It all depends on your bias. A fast-moving space explorer is groped by a slow-moving herbaceous life form, and by the time the plant creature finishes its probing, the girl's flesh is long gone. Jeff Jones' ironic tale is told with his graceful ink drawings. The art has been hand colored, and the image size measures 16" x 21". It's in Excellent condition, and Jeff Jones has signed the piece at the lower right.
Does life have any consequence? It all depends on your bias. A fast-moving space explorer is groped by a slow-moving herbaceous life form, and by the time the plant creature finishes its probing, the girl's flesh is long gone. Jeff Jones' ironic tale is told with his graceful ink drawings. The art has been hand colored, and the image size measures 16" x 21". It's in Excellent condition, and Jeff Jones has signed the piece at the lower right.
Kelley Jones and Kyle Hotz - Night Man Vs. Wolverine #0 Cover Original Art (Marvel/Malibu, 1995). Kelley Jones spotlights Wolverine in all his feral glory in this super-sharp crossover cover scene. This piece has an image area of 10" x 15.5", and the art is in Excellent condition.
Joe Jusko, Jimmy Palmiotti, and Vince Evans - Black Panther #7, Double-Page Splash Original Art (Marvel, 1999). The Black Panther finds himself in dire straits in this seedy scene from "Caged." This double-page splash was drawn on one sheet of paper, has an image area of 20" x 16", and the art is in Excellent condition. Joe Jusko signed the piece at the lower left.
Joe Jusko - "Joe Jusko Vampirella Special" Cover Original Art (Harris, 2006). The voluptuous Vampirella is perched atop her eerie throne in this crimson cover scene painted by the talented Joe Jusko. This piece has an overall size of 18" x 30", and the art is in Excellent condition.
Michael W. Kaluta - King Conan #19 Cover Original Art (Marvel, 1983). The savage Cimmerian cuts a swath through a death's head pirate flag in this bold cover design for the tale, "Bones and Blade." Michael W. Kaluta's visual interpretation of Conan ranks among the very best the sword and sorcery genre has to offer! This cover has an image area of 9.75" x 15", and aside from a light glue stain from where the title logo stat was removed, the art is in Excellent condition.
Michael W. Kaluta - Polyhedron Magazine Illustration Original Art (Wizards of the Coast, 2002). Michael W. Kaluta has limned a quiet, romantic moment for this sword and sorcery scene, titled "Lord and Lady," and drawn for Polyhedron magazine. This ink and watercolor piece has an overall size of 8.5" x 12", and the art is in Excellent condition.
Bob Kane and Charles Paris - Batman Daily Comic Strip Original Art, dated 7-7-45 (McClure Newspaper Syndicate, 1945). Bruce Wayne and Dick Grayson enjoy a hearty breakfast, courtesy of their butler, Alfred Pennyworth. This episode, titled "Thanks For the Memory," is a terrific example of Batman strip art, as rendered by the Caped Crusader's creator Bob Kane, and ace inker Charles Paris. This daily was drawn on Craftint paper, and it has an image area of approximately 21.5" x 6.25". The edges of the paper were trimmed closely to its panel borders and there is a vertical fold in panel three; otherwise, the art is in Very Good condition. Precious little Golden Age Batman art has surfaced in the marketplace, and so this piece is certain to be a highly sought-after piece for the die-hard Gotham Guardian collectors.
Gil Kane and John Severin - Two-Gun Kid #102 Cover Original Art (Marvel, 1972). Gil Kane and John Severin team-up to present a fast-shooting, hard riding Bronze Age cover scene of the Two-Gun Kid in "Shoot-Out at Gunpowder Range." This piece has an image area of 10" x 15", and aside from some paper aging, the art is in Very Good condition.
Gil Kane and Vince Colletta - Monsters on the Prowl #18 Cover Original Art (Marvel, 1972). "Nothing can stop Bruttu" -- and nothing could stop Gil Kane, Bronze Age cover artist supreme. You'll recognize Bruttu as a Jack Kirby monster from Tales of Suspense #22, as that tale from '61 was given an encore in this Bronze Age book. Kane turned out masterpiece after masterpiece for Marvel in the seventies, and thereby sealed his reputation as one of the best comic cover artists of all time. This cover has an image area of 10" x 15", and aside from some stains, and tape on the photostatted type elements, the art is in Excellent condition.
Gil Kane and Dan Adkins - Giant-Size Man-Thing #5 Cover Original Art (Marvel, 1975). Comics legend Gil Kane spotlights the Man-Thing in a mind-bending cover scene, drawn in the mysterious Marvel manner. Dan Adkins' sharp inks provide the perfect Bronze Age finish for this thriller. This cover has an image area of 10" x 15", and aside from a few small stains, the art is in Very Good condition. Gil Kane signed the art in its lower border.
Gil Kane and Mike Esposito - Power Man #25 Cover Original Art (Marvel, 1975). Luke Cage cuts loose against the Ringmaster and his Circus of Crime, in this over-the-big-top cover penciled by Gil Kane! The art has an image area of 10" x 15" and includes all the original logo, title, and indicia paste-up art. There is glue staining and soiling; otherwise the art is in Very Good condition.
Ken Kelly - Creepy #59 Cover "Dax the Damned" Painting Original Art (Warren, 1974). "Dax, the warrior who walks among the gods rescues a beautiful woman from the cave of death, and releases a deadly plague on all mankind." This heroic image was also used for a Milton Bradley jigsaw puzzle and Ken Kelly Colossal Card #17 (titled "The Warrior").This oil on board "monster-piece" has an image area of 21" x 26", and it has been framed to an overall size of 24" x 30". The art is in Excellent condition. A copy of the magazine, the puzzle, and the card are also included in this lot.
Ken Kelly - Eerie #68 Cover Painting Original Art (Warren, 1976).
In this Bronze Age spectacular, "Hunter II and a killer robot wade knee deep in the blood of goblins -- to save a dying world." This oil on board painting has an approximate image area of 20" x 24", and it has been framed to an overall size of 24" x 28". A copy of the magazine is included in this lot.
In this Bronze Age spectacular, "Hunter II and a killer robot wade knee deep in the blood of goblins -- to save a dying world." This oil on board painting has an approximate image area of 20" x 24", and it has been framed to an overall size of 24" x 28". A copy of the magazine is included in this lot.
Ken Kelly - Creepy #81 Cover Painting Original Art (Warren, 1976). "It is the 'war to end all wars' and Brannigan's gremlins are waging their own battle -- against the evil demons of the Axis." This compelling image was also made into a Milton Bradley jigsaw puzzle and also used on Ken Kelly Colossal Card #13 (titled "Yin and Yang"). This oil on board painting has an image area of 20.5" x 27.5", and it has been framed to an overall size of 24.5" x 31.5". Aside from a horizontal warp in the illustration board near the center of piece, the art is in Very Good condition. A copy of the magazine, the puzzle, and the card are also included in this lot.
Ken Kelly - "The Great Fury" Painting Original Art (1990). Survival of the fittest is the theme of this savage jungle scene as an albino mother ape takes on a pride of lions to defend her young. This awe-inspiring battle scene has an approximate image area of 30" x 40", and the piece has been framed to an overall size of 34" x 44". The art is in Excellent condition.
Ken Kelly - "Dungeon of Death" Conan Painting Original Art (1993). Caught in another near-impossible situation, Conan faces death from all sides! Will the snarling lizard get him first, or the evil sorcerer and his minions coming through the doorway? Painted by Ken Kelly, this tableau depicts a fateful moment in the life of everyone's favorite Cimmerian. World-renowned for his book and album covers, Kelly is a painter whose work is the pride of many private and public collections. This sword and sorcery sensation measures 24" x 41" overall, and the art is in Excellent condition.
Walt Kelly - Pogo Sunday Comic Strip Original Art, 12-12-54 (Post Hall Syndicate, 1954). No sooner does Howland get out of one screwy situation, he finds himself in another, in this knee-slapper of a Sunday! We wonder how he'll adjust to life as a pet dog named Spot -- now owed by two frogs! Only in the funnypapers, folks! This ink on bristol masterpiece has an image area measuring 23.5" x 16", and is in Excellent condition. Professionally matted and framed to an overall size of 31" x 24".
Walt Kelly - Pogo Sunday Strip Original Art, 12-19-54 (Post Hall Syndicate, 1954). The swamp critters ponder that eternal question, "how can dogs have feathers," in this typically wacky mid-fifties Sunday outing, a sequel to our last lot. As Albert tries to out-think two sharp frogs over the fate of potential house pet Howland Owl, Churchy is heard to exclaim, "Hat's have 'em, pillows, Indians, why not dogs?" Who can argue with logic like that? Ink on bristol, with an image area of 23.5" x 16". In Excellent condition. Professionally matted and framed to an overall size of 31" x 24".
Hank Ketcham - Dennis the Menace Sunday Comic Strip Original Art, dated 11-29-53 (Post-Hall Syndicate, 1953). Dennis is a realtor's worst nightmare and this strip is an absolute riot. This early episode hails from within the first year of the Sunday strip's debut. The image area of this romp measures 20" x 14", and the art is in Very Good condition.
Hank Ketcham - Dennis the Menace and Joey Illustration Original Art (1967). Even as a future young adult, Dennis the Menace, the little towheaded devil, makes quite an impression in this dreamy Hank Ketcham illustration. This drawing has an image area of 9" x 11", and aside from some light foxing, the art is in Very Good condition.
Hank Ketcham - "In Tribute to Sylvia Field Original Mrs. Wilson 'Dennis the Menace' 1959-63" Illustration Original Art (1998). Hank Ketcham paid tribute to actress Sylvia Field, who played Mrs. Wilson of the "Dennis the Menace" TV show from 1959-63, with this heartwarming ink and watercolor illustration. Also included in this lot is a signed letter, dated 2-5-98, regarding Sylvia Field and the illustration. Both pieces are matted together with an elaborately cut mat, done with a Dennis theme. Aside from some small stains at the bottom of the mat (and a misspelling of Ketcham's name on a brass plate), the art is in Very Good condition.
Woody Kimbrell - Little Lulu Daily Comic Strip Original Art, dated 7-19-57 (Chicago Tribune, 1957). Jump on in Lulu fans-- the water's fine. This fun-filled episode features the whole Little Lulu gang -- Tubby, Iggy, Alvin, and Annie -- it's a winner! The image area of this daily measures 19.75" x 6", and the art is in Excellent condition.
Jack Kirby and Frank Giacoia - Tales of Suspense #79, Captain America page 9 Original Art (Marvel, 1966). Captain America battles the menace of an assassin wearing a cool piece of "Kirbytech," a "hypno-helmet," in this Silver Age sensation from Tales of Suspense #79, from the yarn "The Red Skull Lives." Jack Kirby's heralded talent for action and super-charged suspense is showcased in these scenes of Captain America in deadly danger. This page has an image area of 12.5" x 18.5". The borders have been trimmed and there are a few small stains; otherwise, the art is in Very Good condition.
Jack Kirby and Mike Royer - Mister Miracle #17, Splash Page 4 Original Art (DC, 1973-74). Scott Free, the New God known as Mister Miracle -- the man whom no trap can hold, is spotlighted in this superb chapter title splash page from one of Jack "King" Kirby's most memorable DC series. Mister Miracle has made a career out of battling the minions of Apokolips and foiling the designs of his evil stepfather, Darkseid and in this scene he is accompanied by his young aide, Shilo Norman. Mike Royer laid down the perfect Bronze Age finish over Kirby's pulse-pounding pencils in this set-up scene from "Murder Lodge." This page has an image area of 10" x 15", and the art is in Excellent condition.
Jack Kirby and Joe Rubinstein - Black Panther #12 Cover Original Art (Marvel, 1978). "Through the walls of stone they stalk! Beware the agents of Kiber!" It's another amazing Marvel moment brought to you, courtesy of Jack "King" Kirby. This cover has an image area of 10" x 15", and aside from some small stains, this cover is in Very Good condition. Jack Kirby signed the art at the lower right.
Jack Kirby and Mike Royer - Captain Victory and the Galactic Rangers #2, page 9 Original Art (Pacific Comics, 1982). The pulse-pounding power of Jack Kirby's storytelling is showcased magnificently in this bold, six-paneled page from the thriller, "Death Hive, U.S.A." This page has an image area of 10" x 15", and the art is in Excellent condition. A copy of the comic book is included in this lot.
Barry Kitson and James Pascoe - Azrael #5 Cover Original Art (DC, 1995). Enter Ra's al Ghul -- "the demon strikes," as Azrael is caught in the lair of the murderous mastermind. Ra's' daughter, Talia, adds an exotic accent of beauty to this mise en scène. This piece has an image area of 10.5" x 15.5", and the art is in Excellent condition.
Harold Knerr - The Katzenjammer Kids Sunday Comic Strip Original Art, dated 1-26-47 (King Features Syndicate, 1947). Harold Knerr's use of slapstick humor continued the Katzenjammer Kids comic strip tradition established by Rudolph Dirks. This side-splitting episode is jam-packed with enough medical puns to induce a conniption fit. This Sunday has an image area that measures 17" x 15", and the art is in Very Good condition.
Warren Kremer (attributed) - Little Dot #6 Cover Featuring the First Cover Appearance of Richie Rich Original Art (Harvey, 1953). Harvey mainstay Richie Rich made his debut cover appearance with this issue of Little Dot. Here, he's alongside Little Lotta, both taking equal billing with Little Dot Polka, in this fabulous cover. Richie Rich was introduced as a backup feature in Little Dot #1 (September, 1953) in a story titled, "The Dancing Lessons." It would take until November 1957 and the publication of Harvey Hits #3 for an entire issue to be devoted to the "Poor Little Rich Boy," but by then his success was ensured. Since that time, Richie has appeared in over 50 titles bearing his name, for a total of well over 2,000 individual issues, making him the one of the most successful characters in comics history. This fine work is a superb example of the simple, powerful, imagery that made Harvey Comics so memorable. The art measures approximately 9" x 14" overall, with a 7" x 10.5" image area. There is some slight paper aging apparent (mostly outside of the inked area), and the logo and type at the top are recent photocopy replacements; otherwise, this work is in Excellent condition.
Warren Kremer - Richie Rich Dollars and Cents #19 Cover Original Art (Harvey, 1967). For most kids, the first sight of Richie and Dollar the Dog makes for a startling moment. And Richie Rich Dollars and Cents #19 had the first comic book appearance, and, needless to say, the first comic book cover appearance of the privileged canine. This superb Warren Kremer cover has an approximate image area of 5.5" x 8.5". The title logo and other type stats have gone missing and there are glue stains where art correction paste-ons used to be, as well as around the borders; otherwise, the art is in Good condition.
Warren Kremer - Richie Rich #54 Cover Original Art (Harvey, 1967).
This is about as close to "roughing it" as Richie Rich can get. This cover scene has an approximate image area of 7" x 7.5". The title logo and other type stats have gone missing and have left behind glue stains; otherwise, the art is in Very Good condition.
This is about as close to "roughing it" as Richie Rich can get. This cover scene has an approximate image area of 7" x 7.5". The title logo and other type stats have gone missing and have left behind glue stains; otherwise, the art is in Very Good condition.
Warren Kremer - Richie Rich Dollars and Cents #22 Cover Original Art (Harvey, 1968). If you want to know where Richie is, "follow the money trail" -- literally! This Silver Age sensation has an approximate image area of 7" x 10.5". The title logo and other type stats have gone missing and there is a glue stain at the top (outside the image area); otherwise, the art is in Excellent condition.
Warren Kremer - Richie Rich #89 Cover Original Art (Harvey, 1970).
Richie discovers a new source of income in outer space -- he's the "kid with the Midas touch." This cover scene has an approximate image area of 7" x 8.5". The title logo and other type stats have gone missing and there are glue stains around the borders of the image; otherwise, the art is in Very Good condition.
Richie discovers a new source of income in outer space -- he's the "kid with the Midas touch." This cover scene has an approximate image area of 7" x 8.5". The title logo and other type stats have gone missing and there are glue stains around the borders of the image; otherwise, the art is in Very Good condition.
Warren Kremer - Richie Rich #90 Cover Original Art (Harvey, 1970).
Even the mice are wealthy at Richie Rich's mansion. This scene was "flopped" or photographically reversed for the printed cover. This piece has an approximate image area of 7" x 10.5". The title logo and other type stats have gone missing and there are a few small glue stains at the top (outside the image area); otherwise, the art is in Excellent condition.
Even the mice are wealthy at Richie Rich's mansion. This scene was "flopped" or photographically reversed for the printed cover. This piece has an approximate image area of 7" x 10.5". The title logo and other type stats have gone missing and there are a few small glue stains at the top (outside the image area); otherwise, the art is in Excellent condition.
Warren Kremer - Richie Rich #99 Cover Original Art (Harvey, 1970). Not only is Richie's dazzling diamond large enough to be a top, it's so shiny he has to wear sunglasses. This cover scene has an approximate image area of 7" x 8.5". The title logo and other type stats have gone missing and have left behind glue stains; otherwise, the art is in Very Good condition.
Bernie Krigstein - Valor #1, "Strategy" page 5 Original Art (EC, 1955).
One of the most respected artists from the world-class EC line-up, Bernie Krigstein was a master craftsman at the top of his form when the psychological thriller, "Strategy," was published. EC was under fire by the newly created Comics Code Authority, and this page spotlights Krigstein's remarkable storytelling and draftsmanship. This piece has an image area that measures approximately 13" x 18", and the art is in Excellent condition. A magnificent page from one of comics' greatest artists, this piece is sure to be a welcome addition to any EC art collection.
One of the most respected artists from the world-class EC line-up, Bernie Krigstein was a master craftsman at the top of his form when the psychological thriller, "Strategy," was published. EC was under fire by the newly created Comics Code Authority, and this page spotlights Krigstein's remarkable storytelling and draftsmanship. This piece has an image area that measures approximately 13" x 18", and the art is in Excellent condition. A magnificent page from one of comics' greatest artists, this piece is sure to be a welcome addition to any EC art collection.
Adam Kubert - The Overstreet Comic Book Companion Cover Illustration Original Art (Avon Books, 1992). The hellish might of former motorcycle stunt rider, Johnny Blaze, goes full throttle in this fiery cover illustration by Adam Kubert. Rendered in mixed media, the art has an image area of 9.25" x 15" and is in Excellent condition. Includes a tear sheet of the cover of The Overstreet Comic Book Companion.
Harvey Kurtzman (writer) - Mad #13, Complete 6-page Photo Story "Baby Quips" Original Art (EC, 1954). This innovative story, written by Harvey Kurtzman, begins, "Photography Dept.: You have all, no doubt seen them there baby photographs with a caption underneath so's it has the baby talking like Milton Berle. If you haven't seen any, you're in luck. You're just in time to catch the Mad version of...Baby Quips!" Each hand lettered page of this howler features a large photograph, screened for reproduction, and accented with Kurtzman's hilarious "Mad-libs." Each page of the story has an image area of 9" x 12", and the pages are in Excellent condition. Potrezebie.
Greg Land and Wayne Faucher - Batman Villains Secret Files, Ferak Splash Page Original Art (DC, 1998). Greg Land's talent for "good girl" art is showcased in this sultry splash page from the feature, "Nature's Female Fury." This piece has an image area of 7" x 15.75", and the art is in Excellent condition. This piece was signed by Greg Land at the lower right.
Walter Lantz - "Waikiki Woody" Limited Edition Oilgraph #AP 4/45 (1987). Walter Lantz's animation studio closed in 1972, and in his retirement, Lantz continued to manage his studio's properties by offering re-releases of cartoons and creating sales in new venues. He began to draw and paint again, selling his new scenes of Woody Woodpecker. This piece, dubbed an "Oilgraph" by Lantz, is a photographic reproduction, augmented with touches of hand painted color, and it bears an "artist's proof" edition number of #AP 4/25. This Oilgraph has an image area of 20" x 15.5", and is framed to an overall size of 24.5" x 20.5". The piece is in Excellent condition.
Walter Lantz - "Woody's Beach Party" Limited Edition Oilgraph (1987). Woody, Winnie, Knothead, and Splinter enjoy a beach party and Chilly Willy is their waiter in this limited edition Oilgraph, a photographic print, hand-finished with brushed-on paint. This Oilgraph has an image area of 13.5" x 10.5", and is framed to an overall size of 17" x 14". The piece is in Excellent condition.
Bob Larkin - Kull the Destroyer #19 Cover Original Art (Marvel, 1979). Kull battles for his life against the malevolent magic of Thulsa Doom in this sword and sorcery spectacular from the barbaric Bronze Age. This piece has an image area of 14.5" x 19.5", and it has been framed to an overall size of 21" x 26". The art is in Excellent condition and a copy of the magazine is included in this lot.
Howard Larsen - Crime Patrol #11, "The Werewolf's Curse" page 1 Original Art (EC, 1949). This early EC yelp-yarn, right in the middle of a crime title, spotlights the hair-raising attack of a feral werewolf against a fiery background. This Golden Age spectacular featuring Tom Brady and his sister Beth has an image area of 13" x 18". The title logo and the caption are pasted-on elements; otherwise, the piece is in Excellent condition.
Howard Larsen - Crime Patrol #11, "The Werewolf's Curse" page 2 Original Art (EC, 1949). The shapely Beth Brady takes center stage on this atmospheric page. The talented Howard Larsen was a mainstay at "good girl" factory Fiction House throughout the forties. This bold page has an image area of 13" x 18", and the art is in Excellent condition.
Howard Larsen - Crime Patrol #11, "The Werewolf's Curse" page 3 Original Art (EC, 1949). In several panels of this chiller, Howard Larsen's lush brushwork recalls that of the great EC horror artist, Graham "Ghastly" Ingels. Beautiful Beth Brady provides plenty of ravishing "good girl" scenes. This page has an image area of 13" x 18", and the art is in Excellent condition.
Howard Larsen - Crime Patrol #11, "The Werewolf's Curse" page 4 Original Art (EC, 1949). Horror yarn or not, for most EC fan-addicts leggy Beth Brady is bound to be the focal point of these eerie scenes. This moody melodrama has an image area of 13" x 18", and aside from a few touches of whiteout here and there, this page is in Excellent condition.
Gary Larson - The Far Side Daily Comic Strip Original Art, dated 4-16-83 (Chronicle Features 1983). Attention comic strip art collectors, here's a find -- since Gary Larson keeps most of his Far Side originals, examples rarely appear in the marketplace. The caption on this rib-tickler reads, "Just a minute, young man! What are you taking from the jungle?" This piece has an approximate image area of 6.75" x 9". Aside from some yellowed Zipatone and small paper surface pulls at the lower right corner, the art is in Excellent condition.
Jae Lee and Jan Harpes - Marvel Tales #254, Ghost Rider Pin Up Illustration Original Art (Marvel, 1991). "Bad to the bone" -- that's Johnny Blaze, the original Ghost Rider. This rubber-burning pin up was one of Jae Lee's earliest efforts for the House of Ideas. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Jim Lee - WildC.A.T.s: Covert Action Teams #1 Insert Card Illustration Original Art (Image, 1992). Jim Lee's heroes, Spartan and Voodoo, are spotlighted in these illustrations for two insert cards. This piece has a combined approximate image area of 15" x 10", and the art is in Excellent condition. Jim Lee signed the piece in the lower left of the Voodoo card.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2000). Spidey battles the Demolisher in this hard-hitting week of dailies. These six consecutive strips ran from 10-2 to 10-7-2000. Each episode has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001). The evil mutant Magneto stars in this week of dailies to point out that while Spider-Man is not a mutant, his future children could be. These six consecutive strips ran from 4-30 to 5-5-2001. Each episode has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001). Spider-Man pulls the wool over J. Jonah Jameson's eyes and battles the Scorpion in this action-packed week of dailies. These six consecutive strips ran from 8-27 to 9-1-2001. Each episode has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001). Spider-Man, the Scorpion, and J. Jonah Jameson share center stage in this web-slinging week of dailies. These six consecutive strips ran from 9-3 to 9-8-2001. Each episode has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2001-02). That quick-change villain, the Chameleon, could be anybody in these six consecutive dailies, which ran from 12-21-2001 to 1-5-2002. Each episode has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2002). The clever mastermind of crime, the Chameleon, is featured in six consecutive dailies, which ran from 1-7 to 1-12-2002. Each episode has an image area of 13" x 4", and they average Excellent condition..
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2002). A 9-11 Twin Towers memorial takes the limelight in one of these six consecutive dailies, which ran from 9-9 to 9-14-2002. Spidey also battles the menace of Hammerhand. Each strip has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2003). Our friendly neighborhood wall-crawler battles the loathsome Lizard in six consecutive dailies, which ran from 1-13 to 1-18-2003. Each strip has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2003). There's plenty of wall-crawling, web-spinning action in these six consecutive dailies, dated 7-14 to 7-19-2003. Wolverine, Raven, and Kort co-star. Each daily has an image area of 13" x 4", and they average Excellent condition.
Larry Lieber - The Amazing Spider-Man Daily Comic Strip Original Art, Group of 6 (King Features Syndicate, 2002). Dr. Curt Conners' attempts to rejuvenate his lost arm transform him into the Lizard in these six consecutive dailies, which ran from 12-2 to 12-7-2002. Each episode has an image area of 13" x 4", and they average Excellent condition.
Michael Leo Lieberman - The Savage Sword of Conan the Barbarian #228 Cover Painting Original Art (Marvel, 1994). Even three hooded executioners are no match for Conan the Barbarian. This moody masterwork has an image area of 23.5" x 29.5", and it has been framed to an overall size of 38" x 34.5". The art is in Excellent condition and a copy of the magazine is included in this lot.
Rob Liefeld - Onslaught Reborn, Penciled Scarlet Witch Splash Page 1 Original Art (Marvel, 2007). The shapely Scarlet Witch is showcased in this penciled page by Rob Liefeld. This piece has an image area of 10" x 15.5", and the art is in Excellent condition.
Ron Lim and Danny Bulanadi - Captain America #13 Double-Page Splash, pages 6 and 7 Original Art (Marvel, 1997). Captain America leads an all-star superhero squad into battle in this dynamic double-page splash from the "World War 3" storyline. The Thing is just one of the guest stars here. These pages have a combined image area of 20" x 15", and the art is in Excellent condition.
Joseph Michael Linsner - Dawn Illustration Original Art (2000). The curvaceous Dawn models her provocative bodysuit in this superbly rendered illustration. This mixed-media masterpiece has an overall size of 11" x 14", and the art is in Excellent condition.
Paule Loring - World War II Political Cartoon Illustration Original Art, dated 4-15-43 (Providence Journal-Bulletin, 1943). Entitled "In an Unenviable Position," this very imaginative and finely-detailed satirical piece shows German Field Marshal, Erwin Johannes Eugen Rommel (also known as "The Desert Fox") about to be overcome by Allied air and sea power as he attempts thwart Tunisia. Paule Stetson Loring (1899-1968) was a Rhode Island artist who earned an international reputation for his cartoons, caricatures, and seascapes. He quit school at age 13 and worked numerous odd jobs, from truck driver to editor of a leather factory newsletter. Eventually, he distinguished himself as a war correspondent and political cartoonist for the Providence Journal-Bulletin. This piece originally hailed from the collection of Private Leo White, who was stationed in the Public Relations Office of HQ, Fort Devens, Massachusetts during World War II. This superb illustration has an overall size of 13" x 13", and has some surface bowing to the illustration board; otherwise, the art is in Very Good condition. The piece was boldly signed in black paint by Paule Loring at the lower left.
J. Lutfi - "Valet au Balion" Painting Original Art (1995-98). An enigmatic and iconic figure serves as the focus of this somber acrylic on wood painting. This piece has an overall size of 16" x 24", and the art is in Excellent condition.
Gus Mager - Main Street Hand Colored Sunday Comic Strip Original Art, dated 12-24-22 (NY World, 1922). This beautifully designed Sunday is made even more striking thanks to Gus Mager's superb hand coloring. This strip has an image area of 21.5" x 26", and aside from some edge and corner wear, the art is in Good condition.
Kevin Maguire and Andrew Pepoy - X-Men Forever #4 Cover Original Art (Marvel, 2001). The Juggernaut was one of the X-Men's first enemies, and without a doubt, one of the toughest to handle when it comes to brute force. This unstoppable cover image of Cain Marko is brought to brutal life by penciler Kevin Maguire and inker Andrew Pepoy. The image area of this cover measures 10" x 15" and the condition of the art is Excellent. The piece was signed by Kevin Maguire at the bottom right.
Esteban Maroto - Conan the Barbarian Painting Original Art (1977). Fan-favorite fantasy artist, Esteban Maroto, presents a stunning vision of Conan versus some predatory vampire demons, with the life of a lovely lady at stake. This scene was painted on canvas by Maroto in the midst of the artist's "peak period," during which he created a number of wonderful masterpieces for Warren Publications, and became highly esteemed for the uniqueness he brought to the genre. Originally published in 1977 as a poster, it later became the inside-front cover for Xotica, The Art of Esteban Maroto (SQP,1995). Painted in rich hues of blue and green, in ravishing oil color, Maroto brings his unique sense of style to this 17.5" x 22.5" painting, which has been framed to an overall size of 26" x 31". The art is in Excellent condition and it was signed by Esteban Maroto at the lower right.
Chet Marshall - "Woosome Twosome" Illustration Original Art (early 1970s). Mickey and Minnie, with arms outstretched, rush together in this romantic illustration by Chet Marshall. Rendered with colored pencils on heavy paper, this piece was presumably drawn for internal promotional use by the Disney Studio to be made into prints. The image area measures 28.5" x 19.5", and the work is matted and framed and in Excellent condition. From the Estate of Bruce Hamilton.
Chet Marshall - "Don Donald" Illustration Original Art (early 1970s). Don Donald, in sombrero and guitar, woos Donna Duck, in this illustration by Chet Marshall, which was inspired by Disney's 1937 short, "Don Donald." Rendered with colored pencils on heavy paper, this piece was presumably drawn for internal promotional use by the Disney Studio to be made into prints. The image area measures 28.5" x 19.5". Matted and framed and in Excellent condition. From the Estate of Bruce Hamilton.
Don Martin - Mad Paperback "One Educational Saturday Morning On Television" Page Original Art, Group of 5 (Warner, undated). Mad's maddest artist, Don Martin, presents his offbeat take on one of those absurd educational TV shows. These Mad paperback illustrations were drawn for pages 93-97 of the story, "One Educational Saturday Morning On Television." Each paperback panel page has an approximate image area of 5.25" x 9.5", and the art is in Excellent condition. Also included in this lot are the vellum overlays with red marker, used to indicate to the printer where to drop in flat greytones.
Sheldon Mayer - Sugar & Spike Try-Out Daily Comic Strip Original Art (undated). Sugar explains the many subtle meanings of "no" to Spike in this Sheldon Mayer daily. Only the figures and backgrounds were inked, the lettering and panel borders are still in pencil. The art has an approximate image area of 22" x 6.75", and aside from a fold between panels two and three, the art is in Very Good condition.
Sheldon Mayer - Sugar & Spike #74, Complete 20-page Story "Revolt In The Nursery" Original Art (DC, 1967). This 20-page Silver Age laugh-riot is also accompanied by the other features of this issue -- the 2-page feature, "Pint-Size Pin-Ups," a half-page "Write Your Own Comic Page," and two photostatted production art pages (the letters column and "Sugar the Baker"). Each page has an approximate image area of 10" x 15", and the art averages Very Good condition.
Sheldon Mayer - Best of DC #47, Unpublished Sugar & Spike Back Cover Original Art (DC, 1984). Sugar knows -- nothing ventured, nothing gained. This unpublished laugh-riot was slated for the back cover of Best of DC #47, and the piece has an image area of 10" x 14." The art is in Excellent condition.
Sheldon Mayer and Tenny Henson - Limited Collectors' Edition #C-33 Rudolph, the Red-Nosed Reindeer, Pages 1-25 Original Art (DC, 1975). Rudolph, Grover, and Baddie Bear mix it up in pages 1-25 of "Christmas Won't Wait" (Part 1). Each page of this holiday romp has an approximate image area of 10.5" x 15", and the art averages Very Good condition.
Sheldon Mayer and Tenny Henson - All-New Collectors' Edition #C-53, Rudolph, The Red-Nosed Reindeer Page Original Art, Group of 60 (DC, 1978). Rudolph and friends star in the adventure, "Only Two Days To Christmas," but page 2 is missing from this lot, so there are only 42 pages of the story. Next, Santa and Rudolph take off on a complete 12-page story, "Giant Problem." Topping off this lot are six 1-page feature pages. Each page has an image area of 11" x 15.5", and the pages average Very Good condition.
Mike Mayhew - Vampirella Legendary Tales #2 Limited Edition Cover Painting Original Art (Harris, 2000). Vampirella strikes a fetching pose in this Mike Mayhew "monster-piece" of a beauty and the beasts. This piece has an image area of 10" x 16", and aside from surface pulls where the art had been masked off with tape, the art is in Excellent condition. Mike Mayhew signed the art in pencil at the lower left.
Winsor McCay - Little Nemo in Slumberland Sunday Comic Strip Original Art, dated 10-10-09 (New York Herald Co., 1909). Make way for the great Slumberland hunters! Since the origins of the newspaper comic strip in the early twentieth century, few creations have come close to matching Winsor McCay's epic, Little Nemo in Slumberland, for its brilliant draftsmanship or its boundless imagination. McCay detailed his surreal saga with an Art Nouveau-influenced linework that had the visual punch of a well-designed circus poster. This episode was cut between panel tiers two and three, and the conjoined pieces have a combined image area of 21.5" x 27.5". The art has been professionally cleaned and restored to an Excellent condition.
Todd McFarlane and Tony DeZuniga - Infinity Inc. #15 Original Art (DC, 1985). Obsidian takes the limelight in this striking Todd McFarlane splash page for the story, "Song Without End -- Amen." This splash page has an image area of 12" x 18". Some of the type elements are paste-ons; otherwise, the art is in Excellent condition.
Dave McKean - "Batman: Arkham Asylum: A Serious House On Serious Earth," page 102 Original Art (DC, 1987). "It is April first and the lunatics have taken over Arkham Asylum. Led by the Joker, they issue a terrible challenge to the man responsible for their imprisonment -- the Batman." In these scenes from writer Grant Morrison and artist Dave McKean's ground-breaking graphic novel, Batman's sinister split-personality foe, Two-Face, flips out over the Tarot cards that therapists forced on him as a substitute for the duality of his deadly decision-making coin. Dave McKean's moody mixed-media work blazed a new trail for cutting-edge sequential art. This piece has an image area of 14" x 21.5", and the art is in Excellent condition. Dave McKean signed the art in silver paint-pen at the lower center.
George McManus - Bringing Up Father Daily Comic Strip Original Art, Group of 2 (King Features Syndicate, 1942-43). Two exquisitely drawn dailies are matted together for one great presentation piece. In the top strip, dated 6-18-42, the entire household dons roller skates -- maybe they should have waited until they got to the rink! This ink on bristol piece has an image area of 18" x 4". In the lower strip, dated 9-25-43, a lost combination to a safe becomes a business opportunity for one of Maggie's slightly less than law-abiding relations, and it too features lovely detailed pen and ink work from McManus. This strip features an image area of 18" x 5.25", and both strips are in Excellent condition.
Shawn McManus and John Nyberg - Spider-Man Unlimited #10, Splash Page 2 and 3 Original Art (Marvel, 1995). Ben Reilly, the Scarlet Spider, showcases his spectacular swinging style in this dynamic double-page splash, drawn in the mighty Marvel manner. This double-page scene has a combined image area of 20" x 15.75". These pages have pasted-on type elements; otherwise, they are in Excellent condition.
Angel Medina and Robin Riggs - Incredible Hulk #443 Cover Original Art (Marvel, 1996). "The Hulk is back -- and so is Rick Jones' granddaughter!" In this explosive thriller, Rick Jones' granddaughter arrives from the future in a blazing ball of fire. It's merry mayhem, in the mighty Marvel manner. This cover has an image area of 10" x 15", and the art is in Excellent condition. Angel Medina signed the page at the lower right.
Dale Messick - Brenda Starr Fashion Cut-Outs Hand Colored Topper Sunday Comic Strip Original Art, dated 2-29-48 (Chicago Tribune, 1948). Pretty Jerry, copy girl on The Flash newspaper, is the subject of this stylish, hand colored paper doll strip that served as the 'topper" for a Brenda Starr Sunday. This episode has an image area of 28" x 6", and the art is in Very Good condition.
Dale Messick - Brenda Starr Fashion Cut-Outs Hand Colored Topper Sunday Comic Strip Original Art, dated 10-23-49 (Chicago Tribune, 1949).
Elegant eveningwear is the theme of this fashion show featuring haute couture designs by Brenda Starr readers. This strip has an image area of 28" x 6", and the art is in Very Good condition.
Elegant eveningwear is the theme of this fashion show featuring haute couture designs by Brenda Starr readers. This strip has an image area of 28" x 6", and the art is in Very Good condition.
Otto Messmer - Felix and His Friends #3 Page Original Art, Group of 11 (Toby Press, 1954). You'll get a big kick out of pages 2-12 of "The Merry Midgets." Felix celebrates his birthday with these far-out fantasy folk and offbeat Otto Messmer art is the focus of these pages. The image area of each page measures 12" x 18", and the art averages Excellent condition.
Pop Mhan and Norman Lee - Pittsburgh Comic Con Program Cover Avengers Illustration Original Art (2001). Avengers assemble! Answering the rollicking roll call for this Pittsburgh Comic Con cover scene are the Scarlet Witch, the Wasp, Iron Man, Captain America, and the Beast -- evildoers everywhere beware! This piece has an image area of 9" x 13", and the art is in Excellent condition.
Frank Miller - Early Batman Illustration Original Art (undated). Here's a portend of "things to come," which is also "back to the future." Long before Batman:The Dark Knight Returns or Batman: Year One ever hit the comics racks, a teen-aged Frank Miller drew this brooding, greytone illustration of Batman for Tom Fagan. Miller returned the character to his "old look" -- Bob Kane's earliest version of the Gotham Guardian. This drawing was inscribed and signed, "To Tom Fagan -- thanks for Halloween, Frank Miller." As an added "art bonus," the back of the page has a rough layout and panel sketch for an unfinished comic page. This piece has an image area of 9" x 13", and the art is in Very Good condition.
Frank Miller - The Amazing Spider-Man #218 Cover Original Art (Marvel, 1981).
Spider-Man faces the menace of an amalgamated Sandman and Hydro-Man in this Frank Miller cover scene for "Eye of the Beholder." For many comic fans, Frank Miller's interpretation of the webbed wall-crawler ranks right up there with the Spider-Man giants -- Steve Ditko and John Romita Sr. This cover has an image area of 10" x 15", and aside from some faded marker lines in some of the details, the art is in Very Good condition.
Spider-Man faces the menace of an amalgamated Sandman and Hydro-Man in this Frank Miller cover scene for "Eye of the Beholder." For many comic fans, Frank Miller's interpretation of the webbed wall-crawler ranks right up there with the Spider-Man giants -- Steve Ditko and John Romita Sr. This cover has an image area of 10" x 15", and aside from some faded marker lines in some of the details, the art is in Very Good condition.
Bob Montana - Pep Comics #30 "The Escort Agency" Archie Page Original Art (MLJ, 1942). Archie's new night job has him playing the role of a male escort -- to Miss Grundy! This incredible early page of Archie madness dates back to August, 1942; in fact, Archie debuted in the pages of Pep only a few months earlier, in December, 1941! In this page, he's in disguise behind a long beard, but there's no mistaking our young hero -- except to a love-starved Miss Grundy, that is! This ink on bristol page, the fifth of the six-page story, measures 17" x 22", with an image area of 13" x 18.5", and is in Very Good condition, with only some minor aging and light soiling along the border edges. While Montana strip art remains fairly common, older Archie-related comic pages like this simply don't come our way very often, so don't miss out!
Bob Montana - Archie #2 Panel Page "Archie the Athlete" Original Art (MLJ, 1943). Confusion reigns at Riverdale's sporting events, due to Archie and Jughead! This is page eight of the opening nine-page story from only the second issue of this long-running favorite. It's a fast-paced panel page, featuring Principal Weatherbee and others alongside our star performers. Ink on bristol, the page measures 17" x 22", with an image area of 13" x 18". In Very Good condition, with minor soiling along the outer border areas. As a bonus, there are several brushed ink doodles on the backside by Montana, including a nice female portrait.
Bob Montana - Archie Daily Comic Strip Original Art, dated 3-7-46 (McClure Newspaper Syndicate, 1946). The magician Sohami picks Archie as his subject to be sawed in half -- Sohami'll be sorry. Lovely Veronica adds some glamour to this scene. This episode has an image area of 19" x 5", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 3-13-46 (McClure Newspaper Syndicate, 1946). Archie is an inadvertent comedic sensation during Sohami's magic act and Betty, Veronica, and Jughead cameo in panel one. This episode has an image area of 19" x 5", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 3-21-46 (McClure Newspaper Syndicate, 1946). Betty Cooper and Fred Andrews are the star attractions of this early daily. This episode has an image area of 19" x 5", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 6-10-46 (McClure Newspaper Syndicate, 1946). Archie "puts on the dog" for Miss Grundy. First-rate, early Bob Montana art is the highlight of this episode. This daily has an image area of 19" x 6", and aside from some glue stains along the lower border, the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 6-19-46 (McClure Newspaper Syndicate, 1946). This early daily hails from within six months of the feature's debut, and Archie, Reggie, and Miss Grundy star. Archie's not cross-dressing in panel two, that's a kilt he's wearing in this episode. This strip has an image area of 19" x 5.75". Aside from a light glue stain at the lower border, the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 11-5-47 (McClure Syndicate, 1947). Jughead proves to be a real menace with a bowling ball -- is anyone surprised that Archie co-stars? This episode has an image area of 19" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 10-10-49 (McClure Newspaper Syndicate, 1949). Leave it to Archie to single-handedly create a stock market crash for his Pop. This episode has an image area of 19" x 5.5", and the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 6-10-51 (McClure Newspaper Syndicate, 1951). Betty and Veronica put on a delightful display for fans of "good girl" art everywhere in this episode from the fifties. This sizzling Bob Montana Sunday has an image area of 20.5" x 14.5", and aside from a missing title logo stat, the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 9-24-51 (McClure Newspaper Syndicate, 1951). This deliciously funny Bob Montana daily featuring Archie and Mr. Weatherbee has an image area of 19.25" x 5.75", and the art is in Excellent condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 10-16-51 (McClure Newspaper Syndicate, 1951). Archie takes center stage in all four panels of this laugh-riot, while Jughead cameos in two panels. This episode has an image area of 19.25" x 5.75", and the art is in Very Good condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 8-8-52 (McClure Newspaper Syndicate, 1952). Archie trades lines with a kid who is strictly from vaudeville. Veronica adds some beauty and charm to panel one. This episode has an image area of 19.25" x 5.75", and the art is in Very Good condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 11-12-53 (McClure Newspaper Syndicate, 1953). Archie's trick-play backfires much to Jughead and Coach Kleats' chagrin. This episode has an image area of 19.25" x 5.75", and aside from some stains along the lower panel borders, the art is in Very Good condition.
Bob Montana - Archie Daily Comic Strip Original Art, dated 6-9-54 (McClure Newspaper Syndicate, 1954). Archie can never get enough dates and Jughead can never have too much money -- the boys run true to form in this episode. This episode has an image area of 19.25" x 5.75", and aside from some stains along the lower panel borders, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 8-15-54 (McClure Newspaper Syndicate, 1954). In this episode, Jughead dubs Archie a "moron genius" -- it takes one to know one! The lovelorn Byrtle Lapp co-stars. The image area of this strip measures 20.5" x 13.5", and, aside from missing its title logo stat, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 8-12-56 (King Features Syndicate, 1956). Archie and Jughead show off their networking talents in this laugh-out-loud Bob Montana Sunday. Veronica looks especially cute in this episode. This Sunday has an image area of 20.5" x 13.5". Aside from missing its title logo stat, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 1-16-49 (McClure Newspaper Syndicate, 1949). The "jukebox blues" is the only tune Archie plays in this episode. This musical masterpiece has an image area of 20.5" x 14.5", and aside from a missing title logo stat, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 2-20-49 (McClure Newspaper Syndicate, 1949). Archie, Betty, Veronica and Reggie frolic in a winter wonderland in this fun-filled episode. This superb Sunday has an image area of 20.5" x 14.5", and aside from a missing title logo stat and some small stains, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 4-24-49 (McClure Newspaper Syndicate, 1949). There's never a moment of peace and quiet while Archie and Jughead are up to their hilarious hijinks. is Sunday has an image area of 20.5" x 14.5", and aside from missing its title logo and having a few small stains, the art is in Very Good condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 5-29-49 (McClure Newspaper Syndicate, 1949). Leave it to Archie and Jughead to come home from a fishing trip with nothing to show but a pig! This side-splitting Sunday has an image area of 20.5" x 14.5", and aside from a missing copyright notice, the art is in Excellent condition.
Bob Montana - Archie Sunday Comic Strip Original Art, dated 9-4-49 (McClure Newspaper Syndicate, 1949). Archie and Jughead -- what a madcap pair of Romeos. This episode has an image area of 20.5" x 14.5", and aside from a glue-stained title logo, the art is in Excellent condition.
Richard "Sparky" Moore - Walt Disney's Treasury of Classic Tales The Rescuers Sunday Comic Strip Original Art, dated 5-29-77 (King Features Syndicate, 1977). Penny, Bernard, Miss Bianca, Orville, and Madam Medusa all appear in this, the final episode of the comic strip adaptation of the wildly popular animated feature. This superb Sunday has an image area of 21" x 14", and the art is in Excellent condition.
Mutt and Jeff Cover Original Art (DC, undated). Everyone's a critic -- especially when Mutt and Jeff are around. This cover scene appears similar to published DC covers, and may not have been used. The image area measures 7" x 10.5". The title logo stat is loose; otherwise, the art is in Excellent condition.
Mutt and Jeff Cover Original Art (DC, undated). The original odd couple is at it again in this hilarious cover scene. This cover art stylistically matches DC issues, and appears to have been never used. The art has an approximate image area of 7" x 10.5". The title logo and other type stats are missing; otherwise, the art is in Excellent condition.
Russell Myers - Broom Hilda Daily Comic Strip Original Art, dated 1-23-73 (Chicago Tribune, 1973). Broom-Hilda and Irwin Troll make ends meet in this enchanting daily by Russell Myers. The love-starved witch has entranced newspaper fans with her hilarious musings about life since 1970. The image area measures 21" x 6", and the art is matted and framed and in Excellent condition. Signed and inscribed by Russell Myers at the top (some fading is apparent). From the Estate of Bruce Hamilton.
Vincent Napoli - Weird Tales Magazine, January 1950, "Black Harvest of Moraine" Story Illustration Original Art (Weird Tales, 1950). "When the ice-age retreated, who could know the forces it left behind to plague and outwit men of the scientific age?" Vincent Napoli's fabulous symbolic illustration kicked off the opening pages of Arthur J. Burks' yarn, "Black Harvest of Moraine." This ink on scratchboard piece has an image area of 10.5" x 16.5", and aside from some small stains and edge and corner wear, the art is in Very Good condition. A copy of the Weird Tales magazine is included in this lot.
Graham Nolan and Keith Wilson (Kez) - Power of the Atom #10 Cover Original Art (DC, 1989). The Atom faces a maddening foe on the cover scene for "Who Is -- What Is -- Humbug?" This piece has an image area of 9.75" x 15". The type elements are on an acetate overlay; otherwise, the art is in Excellent condition. Graham Nolan later signed the art at the lower left.
Earl Norem - Savage Sword of Conan #70 Cover Original Art (Marvel, 1981). Earl Norem presented the sinewy Cimmerian at his most barbaric for this mighty Marvel "monster-piece." This acrylic on illustration board painting has an image area of 16.5" x 22", and aside from some glue stains around the edges (outside of the image area), the art is in Excellent condition.
Earl Norem - The Savage Sword of Conan #86 Cover Original Art (Marvel, 1988). Conan races to save the Goddess-Princess from the horror in the pit in this spine-tingling scene for "Revenge of the Sorcerer." This painting has an overall size of 16" x 20", and the art is in Excellent condition. As a bonus, also included in this lot are two preliminary drawings ( a 16" x 20" one in graphite pencil and an 8" x 11.5" one in colored pencil), and a copy of the magazine.
Irv Novick and Frank McLaughlin - Batman #317, Splash page 1 Original Art (DC, 1979). Gotham City, beware! Can the Dynamic Duo solve the Prince of Puzzlers' shattering secret before it's too late? Here is the first splash page to the Len Wein tale, "The 1,001 Clue Caper, or Why Did the Riddler Cross the Road?" The art has an image area of 10" x 15" and includes the original indicia paste-up type. In Very Good condition.
Dan O'Neill - Air Pirates Funnies #1 Cover Recreation Original Art (2003). It's hard to keep an Underground comix legend down, and thanks to Dan O'Neill's recreation of the Air Pirates Funnies #1 cover scene -- the plane route that launched a popular vs. counterculture dogfight flies anew. The story of the infamous Air Pirate Funnies lawsuit is recounted in Bob Levin's 2003 book, The Pirates and the Mouse: Disney's War Against the Counterculture. Originally, cartoonist Dan O'Neill drafted fellow artist Bobby London and several other San Francisco artists to produce two issues of a satirical Underground comix based around a subversive version of Mickey Mouse and other Disney characters. The Disney corporation wasted little time bringing the artists to court, and the lawsuit went on for years (it was finally settled out of court). London's cover scene for issue #1, which featured a version of Mickey, was swiped from the Big Little Book, "Mickey Mouse the Mail Pilot"; only on the Air Pirates Funnies cover, that's not mail that Mickey is hauling. This Dan O'Neill ink and marker recreation has an image area of 7.5" x 10", and the art is in Excellent condition.
Noly Panaligan - Vampirella #101 Cover Painting Original Art (Warren, 1981). "Upon a flaming meteor it came -- devouring all who stood in its path. Only Vampirella can stop 'The Attack of the Star Beast.'" The Darling of Drakulon is spotlighted brilliantly in this "scare-ifying" scene, near the end of her run in the Warren magazines. This painting has an image area of 16.5" x 22.5", and it has been framed to an overall size of 23" x 20". The art is in Excellent condition.
Alex Pardee - "Bunny With" Illustration Original Art, Group of 4 (Last Gasp, 2002). Warped rabbit aficionado Alex Pardee pulls a few more "Bunny Withs" out of his magic hat, in this set of four illustrations. Each measures 11" x 17" and they average Excellent condition.
Paul Terry's Comics #101 Cover Original Art (St. John, 1953). A cat, a mouse, and a stick of dynamite -- all the elements of an animated classic are here! Before there was "Itchy and Scratchy," there was Little Roquefort and Percy, the cat. This piece has an image area of 13" x 19", and the art is in Very Good condition. A copy of the comic book is included in this lot.
Al Plastino - Action Comics #332 Superman Splash Page 1 Original Art (DC, 1966). In the Silver Age classic, "The Super-Vengeance of Lex Luthor," the evil scientific genius would rather drive Superman crazy than kill him. This startling splash set the stage for a bone-chilling riddle and the "story hook" of what Superman did to deserve such a fate. Although production notes indicate this page was slated for issue #322, it actually was printed in issue #332. This splash has an image area of 13" x 17.25". The band of paper at the top of the page with the title logo and caption is a recent photocopied replacement; otherwise, the art is in Very Good condition.
Al Plastino - Action Comics #332 Superman page 2 Original Art (DC, 1966).
Superman's arch-enemies, Lex Luthor, Brainiac, Lightning Lord, Saturn Queen, and Cosmic King compare asteroid prison-break plans in page two of "The Super-Vengeance of Lex Luthor." Meanwhile back on Earth, the Man of Steel's pals, Jimmy Olsen and Perry White, cameo in panel one. There's also a classic shot of Superman's famed Arctic Fortress in panel two -- this Silver Age page has a lot going for it. Aside from editorial blue pencil markings, a small stain in panel one, and a few lettering corrections, this page is in Very Good condition.
Superman's arch-enemies, Lex Luthor, Brainiac, Lightning Lord, Saturn Queen, and Cosmic King compare asteroid prison-break plans in page two of "The Super-Vengeance of Lex Luthor." Meanwhile back on Earth, the Man of Steel's pals, Jimmy Olsen and Perry White, cameo in panel one. There's also a classic shot of Superman's famed Arctic Fortress in panel two -- this Silver Age page has a lot going for it. Aside from editorial blue pencil markings, a small stain in panel one, and a few lettering corrections, this page is in Very Good condition.
Keith Pollard - Vigilante #3 Cover Original Art (DC, 1984). The Vigilante is in for quite a scrap as he faces the power of the New Teen Titans' member, Cyborg. This power-packed showdown has an image area of 11.75" x 16", and aside from missing its type elements, the cover is in Excellent condition. Keith Pollard signed the piece at the lower right.
George Pratt - Marvel Comics Presents #141 Ghost Rider Cover Original Art (Marvel, 1993). The hellblazing vigilante, Ghost Rider, is taken to task by modern master, George Pratt, in this fiery cover illustration. The art has an image area of 10" x 15" and includes all the original logo, title, and indicia paste-up art. Aside from some light glue staining, the art is in Excellent condition.
Roger Price - Mad #27, "The Brave Dogs" Illustration Original Art (EC, 1956). From the third issue of Mad's new magazine format comes this uproarious illustration, "La Stompa Natural." From the "Roger Price Dept.," this line drawing was part of Price's biting satire on the sport of bullfighting and the muy macho instruction manuals written for would-be toreadors. This marker on paper drawing has an overall size of 8.5" x 11", and the piece is in Very Good condition.
Alex Raymond - Secret Agent X-9 Daily Comic Strip Original Art, dated 11-2-34 (King Features Syndicate, 1934). Alex Raymond's pulp magazine illustrator-influenced drybrush inking is at its best in this exciting episode from 1934, the first year of the feature. Raymond may have been inspired to use this inking technique as the strip's writer, Dashiell Hammett, was a renowned writer for the pulp magazine, Black Mask. This daily has an image area of 25" x 5.5", and aside from slight edge wear and a fold through panel two, the art is in Very Good condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 2-26-51 (King Features Syndicate, 1951). Looks like it could be a one-way trip to "Davy Jones' locker" for Rip Kirby, in this dramatic episode from 1951. Alex Raymond's expressive line work and stark, shadowed forms make this one of the most thrilling dailies we've offered to date. The image area of this daily measures 18.5" x 5.5", and the condition is Excellent.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 2-27-51 (King Features Syndicate, 1951). Attention action-adventure fans, here's an episode that will be hard to top -- Rip Kirby escaping from a watery deathtrap! With Rip in every panel this daily is a classic. The image area of this strip measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-1-51 (King Features Syndicate, 1951).
A victorious Rip Kirby is totally spent by his harrowing escape. The superb storytelling of this brilliantly staged episode rivals that of Milton Caniff. The image area of this daily measures approximately 18.5" x 5.5", and the art is in Excellent condition.
A victorious Rip Kirby is totally spent by his harrowing escape. The superb storytelling of this brilliantly staged episode rivals that of Milton Caniff. The image area of this daily measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-2-51 (King Features Syndicate, 1951). Alex Raymond's peerless talent for figure drawing and his depiction of light and shadow are first-rate in this episode. Rip is stripped down to the basics with only his glasses, a knife, and his keen wits to survive a deadly plot hatched by Joe Seven and a ruthless widow. The image area of this daily measures approximately 18.5" x 5.5", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 3-3-51 (King Features Syndicate, 1951). Alex Raymond was a master at studying mainstream magazine illustration and bringing the latest trends to the world of comic strips. This suspense-filled episode has a streamlined, contemporary look. The image area of this daily measures 18.5" x 5.5", and aside from a few small stains, the condition is Excellent.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 4-4-53 (King Features Syndicate, 1953). Rip Kirby shares the spotlight with Mr. Conrad, Captain Stone's pesky parrot, in this terrific daily. This strip has an approximate image area of 20" x 5.25", and aside from some yellowed Zipatone in the last panel, the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 6-23-53 (King Features, 1953). High drama, intrigue, and the fantastic artwork of Alex Raymond are the highlights of this episode. The remarkable and expressive artwork is supremely confident -- there is not a line or brush stroke out of place. This daily has an image area of 20" x 5.25" and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 6-29-53 (King Features Syndicate, 1953). Alex Raymond's knack for creating an interesting and attractive ensemble of players is highlighted in this expository episode. The image area of this daily measures approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 7-1-53 (King Features Syndicate, 1953). Rip seems to be having a whirlwind romance with lovely Jet Allyson, and Desmond seems none too pleased by it. Maybe Des is worried about the fate of Honey Dorian, Rip's steady girlfriend. The image area of this episode measures approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 7-2-53 (King Features Syndicate, 1953). Alluring Jet Allyson seems to be a bit of a femme fatale -- no wonder Desmond was so concerned about Rip Kirby's apparent infatuation with her. The image area of this daily measures approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 8-31-53 (King Features Syndicate, 1953). A desperate shootout is the focus of this three-paneled thriller and Rip makes his play in panel three. The image area of this daily measures approximately 20" x 5.25", and the art is in Excellent condition.
Alex Raymond - Rip Kirby Daily Comic Strip Original Art, dated 10-5-53 (King Features Syndicate, 1953). Dramatic points of view and eerie lighting set the stage for this supernatural adventure in this episode titled, "Idolizing Wife -- and Widow." The image area of this handsome daily measures approximately 20" x 5.25", and the art is in Excellent condition.
Enrique Romero - "Conan the Cruel" Illustration Original Art (SQP, 1996). "Black-haired, sullen eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth," so was Conan described by his creator, Robert E. Howard in 1932, a description which has been brilliantly brought to life in this stunning illustration by Enrique Romero. Famous for his long-running work on the syndicated newspaper strip, Modesty Blaise, and many full-length graphic novels featuring Axa, Romero is a master of fantasy illustration. Originally published in SQP's Conan the Cruel art book, this piece, which measures approximately 11.75" x 17" overall, is in Excellent condition, and it has been signed by the artist.
John Romita Sr. and Joe Sinnott - Captain America #142, page 11 Original Art (Marvel, 1971). High-flying action with Captain America and the Falcon sharing the stage on one page -- and these Bronze Age heroes are drawn by "Jazzy" John Romita Sr. and "Jolting" Joe Sinnott, two of the best Marvel artists ever? "Nuff said, except to add, the image area of this thriller is 10" x 15", and the art is in Excellent condition.
John Romita Sr. - Luke Cage, Hero For Hire #2 Cover Original Art (Marvel, 1972). "He's danger! He's death! He's the man called -- Diamondback." You'd be hard-pressed to find a more explosive Bronze Age cover than this hard-hitting masterpiece by Jazzy John Romita Sr. This scene is tops when it comes to gritty, urban, action-adventure. This slam-bang scene has an image area of 10" x 15", and aside from missing a caption box stat in the lower right corner, and having a few stains, the art is in Very Good condition.
John Romita Sr. - Amazing Spider-Man #365 Cover Original Art (Marvel, 1992).
Marvel Comics celebrated the 30th anniversary of Spider-Man's first appearance with this rollickin' recreation of the Amazing Fantasy #15 cover scene. Any Spidey fan probably has the image firmly fixed in his memory -- it's that iconic. It's worth noting that this John Romita Sr. design was transformed into a special hologram for the final, printed cover. The image area of the entire cover measures approximately 14" x 20". The art in the center is an original drawing, while the decorative border is a large photostat, and the piece is in Excellent condition. Even without the hologram effect of the printed cover, this is one eye-popping display piece, showcasing the legendary John Romita Sr. art at its best. It's not just a cool cover -- it's a marvelous milestone in Spider-Man's history!
Marvel Comics celebrated the 30th anniversary of Spider-Man's first appearance with this rollickin' recreation of the Amazing Fantasy #15 cover scene. Any Spidey fan probably has the image firmly fixed in his memory -- it's that iconic. It's worth noting that this John Romita Sr. design was transformed into a special hologram for the final, printed cover. The image area of the entire cover measures approximately 14" x 20". The art in the center is an original drawing, while the decorative border is a large photostat, and the piece is in Excellent condition. Even without the hologram effect of the printed cover, this is one eye-popping display piece, showcasing the legendary John Romita Sr. art at its best. It's not just a cool cover -- it's a marvelous milestone in Spider-Man's history!
Don Rosa - Uncle Scrooge One-page Story Original Art (Gemstone, undated). Gladstone's fantastic luck takes a turn for the worse as he and Scrooge stroll through the park, in this delightful hand-colored original art page. With an image area of 10.5" x 15.5", this ink and colored marker art is in Excellent condition, and is professionally matted and framed to an overall size of 17" x 22". Artist Don Rosa is often cited as the "heir" to the Good Duck Artist himself, Carl Barks, so don't pass this gem by!
Don Rosa - Disney Duck/EC Cover Homage Illustration Original Art (undated). Wak -- what if the denizens of Duckburg had appeared in some spine-tingling adventures published by the usual gang of greats over at EC? Hoo-hah -- Don Rosa gives us a glimpse of what might have been, with his delightful lampoons of/homages to four classic EC covers. "Tales from the Bin" spotlights a crazed Uncle Scrooge reenacting a blood-curdling scene with Huey, Dewey, and Louie, taken from Jack Davis' Tales of the Crypt #39 cover. Then, in "Web-Footed Tales," a Woodchuck is killed in action as Huey and Dewey recoil in terror when Louie plays out the death scene from Harvey Kurtzman's Two-Fisted Tales #22 cover. In "Weird Inventions," Gyro Gearloose is menaced by a gigantic version of his Helper in the parody of Wally Wood's Weird Science #15 cover -- they can't hear you quack in space. Last, but not least, in "Walt Disney's Comics and Suspenstories" an axe-wielding Donald Duck finally takes his gruesome revenge on Gladstone Gander in this grisly, yet faithful version of George Evans' Crime SuspenStories #24 cover. These four mixed-media masterpieces are matted together for an overall size of 30" x 40". The art is framed and in Excellent condition. From the Estate of Bruce Hamilton.
Werner Roth (as Jay Gavin) and Dick Ayers - X-Men #20, page 16 Original Art (Marvel, 1966). The mighty Marvel milestone "I, Lucifer" recounted the tragic story of how Professor X lost the use of his legs while locked in a deadly skirmish with a space alien villain. As all true believers know, Lucifer first came to Earth as the vanguard of a space alien invasion, which was foiled by the young Charles Xavier. In an act of vile revenge, Lucifer dropped a huge stone block on Xavier, leaving his legs crippled. Ouch! Werner Roth penciled this Silver Age spectacular and Dick Ayers inked it. This thriller has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Henry Rouson - Shop Acts Daily Comic Strip Original Art, dated 8-6-34 (King Features Syndicate, 1934). Flighty flapper humor is the hallmark of this stylish strip from the thirties, titled "No Guarantee With That." The image area of this daily measures 20.5" x 5", and the art is in Very Good condition.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 2 Original Art (Warren, 1969). Fetchingly illustrated by "good girl" artist extraordinaire, Mike Royer, Vampirella is showcased in three panels of this show-stopping page. This piece has an image area of 13.5" x 19", and the art is in Excellent condition.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 3 Original Art (Warren, 1969). Vampirella spreads her wings in this Silver Age spectacular. This pulchritudinous page has an image area of 13.5" x 19", and its condition is Excellent.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 4 Original Art (Warren, 1969). The darling of Drakulon is spotlighted with bat wings in these scenes -- a rare sight indeed. This early Vampirella page has an image area of 13.5" x 19", and its condition is Excellent.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 5 Original Art (Warren, 1969). Gorgeous ghouls as far as the eye can see -- this sultry page is sure to be a treasured showpiece for any Vampirella or Warren magazine fan! This piece has an image area of 13.5" x 19", and the condition is Excellent.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 6 Original Art (Warren, 1969). It's a "beautiful beast" contest, as James Warren and Forry Ackerman audition would-be mascots for "Monsterella" magazine in these spine-tingling scenes. This page has an image area of 13.5" x 19", and the art is in Excellent condition.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 7 Original Art (Warren, 1969). Rendered in the greytones that were the forte of the Warren magazines, Vampirella struts her stuff for the Warren Publishing brass, James Warren and Forry Ackerman. This eye-catching page has an image area of 13.5" x 19", and the art is in Excellent condition.
Mike Royer - Vampirella #2, "Vampirella: Down to Earth," page 8 Original Art (Warren, 1969). It seems this early yarn was narrated by none other than Vampirella's twin sister, the buxom blonde, Draculina! This electrifying page has an image area of 13.5" x 19", and the art is in Excellent condition.
Sanjulian (Manuel Perez Clemente) - World War II Illustration Original Art (undated). Master fantasy artist Sanjulian has truly outdone himself in this stunning oil painting set in the Pacific Theatre. The composition, colors, and details of this realistic-looking illustration bring the spectacle of an escape from a Japanese prison to vivid life. This high-quality piece has an image area measuring 13.5" x 16.5" and its condition is Excellent.
Sanjulian (Manuel Perez Clemente) - Vampirella #50 Cover Preliminary Pencil Illustration Original Art (Warren, 1976). The Darling of Drakulon fends of an overly aggressive feline friend -- could it be Pantha? Sanjulian painted many memorable covers for the original Warren run of Vampirella, and he has enjoyed a celebrated association with the character. This spectacular and highly-finished preliminary features Vampirella in an iconic pose, and this milestone piece from the 50th issue has all the hallmarks of a first-rate Sanjulian. This drawing has an image area of 10" x 15", and the art is in Excellent condition. Also included in this lot is a COA from Sanjulian.
Sanjulian (Manuel Perez Clemente) - "Tapestry," Pin Up Painting Original Art (undated). The sensual delights of a beautiful woman in a posh setting are captured in this magnificent figure study by a master of modern "good girl" art, Sanjulian. This oil on canvas painting has an overall size of 21" x 45.5", and the art is in Excellent condition.
Sam Savitt - Four Color #875, "Luke Short's Trumpets West" Cover Original Art (Dell, 1958). The thrill of life in the Old West is captured in this rousing cover for "Luke West's Trumpets West...to the last great battle." Frederick Glidden was one of America's most popular Western writers. Using the pen name Luke Short, he published several novels, novelettes, articles, screenplays, and teleplays. Sam Savitt was famous for his mastery of equestrian art. When these two talents were united, the result was a top-notch Western comic book cover. This painting has an image area of 13" x 17.5", and aside from a tear along the right-center side of the painting, the art is in Very Good condition.
Kurt Schaffenberger - Superman's Girl Friend, Lois Lane #62, page 24 Original Art (DC, 1966). With character appearances by Lois Lane, Mr. Mxyzptlk , Jimmy Olsen, and Superman, this page from Part III of "The Super Election " is a prime slice of Silver Age DC. Kurt Schaffenberger's silky-smooth inks have seldom looked better. This page has an image area of 12" x 18", and aside from mild paper aging and a stain in the lower right corner (mostly outside the image area), the art is in Very Good condition.
Kurt Schaffenberger - Shazam! #26, page 11 Original Art (DC, 1977). Once again, Captain Marvel battles the evil schemes of his arch rival Dr. Sivana. This action-packed page from "The Case of the Kidnapped Congress" features five super shots of the "World's Mightiest Mortal," and is sure to thrill any Bronze Age Captain Marvel fan. This page has an image area of 10" x 15", and the art is in Excellent condition. The page was signed by Kurt Schaffenberger in panel three.
Mark Schultz - "Scenes From the Xenozoic Age" Portfolio Plate Illustration Original Art (Kitchen Sink, 1994). Mark Schultz, the renowned creator, writer, and illustrator of Xenozoic Tales (also known as "Cadillacs and Dinosaurs" for the CBS TV series) has detailed a pulse-pounding, action-adventure scene that recalls the Golden Age of fantasy fiction. The stars of this Xenozoic Age scene, Hannah Dundee and Jack Tenrec, are uneasy allies in a future world where a mysterious cataclysm has radically changed the Earth's ecosystem and brought many formerly extinct species, including dinosaurs, back to life. This elegant drybrush illustration has an image area of 10" x 15", and the art is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 3-15-52 (United Features Syndicate, 1952). This early, mirthful, musical masterpiece featuring Charlie Brown, Schroeder, and Patty dates from within six months of Schroeder's historic debut on the toy piano (on September 24, 1951)! Since then Schroeder has played countless classical passages, many of them taken from a sonata by his idol, composer Ludwig Van Beethoven. The supremely gifted Schroeder somehow manages to perform multi-octave selections of music on his toy piano -- and the black keys are just painted on to the white keys! Once Charlie Brown tried to convince Schroeder to play a full-sized piano but Schroeder couldn't bring himself to do it. This daily has an image area of 27" x 5". The art was folded between the second and third panels, as almost all Peanuts dailies are; otherwise, it is in Excellent condition. Charles Schulz inscribed and signed the strip in its third panel, "For Roland Welch with sincere best wishes -- Charles M. Schulz."
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 2-23-68 (United Feature Syndicate, 1968). Much to Charlie Brown's chagrin, for Lucy Van Pelt, it's not who you play the game with-- it's whether you can beat them. After losing countless ballgames, who can blame Lucy for having an unquenchable thirst for victory? Linus will probably talk some sense to her later. The image area of this sensational sixties episode measures 27" x 5.5", and aside from the usual crease between the second and third panels, the art is in Excellent condition. (Charles Schulz folded his dailies between the panels in order to mail them to the syndicate).
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 12-3-70 (United Feature Syndicate, 1970). When it comes to tripping the light fantastic, Snoopy was always the irrepressible hoofer of the Peanuts gang -- even the ever-cautious Peppermint Patty was coaxed onto the dance floor in this fast-stepping episode from the soon-to-be disco seventies. Who can ever forget those offbeat dance moves spotlighted on the animated "Peanuts" specials? You can almost hear Vince Guaraldi music when you look at this daily. This lighthearted episode has an image area of 27" x 5.5". The art was folded between the second and third panels; otherwise, it is in Excellent condition. Charles Schulz inscribed and signed the strip in its upper border, "For Ray with every best wish, Charles M. Schulz."
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 5-14-71 (United Features Syndicate, 1971). It's a hit -- when it comes to pitching Charlie Brown may try to be unflappable, but he sure has second thoughts after the results of his latest fastball. This superb baseball-themed daily has an image area of 27" x 5.5". The art was folded between the second and third panels; otherwise, it is in Excellent condition.
Charles Schulz - Peanuts Daily Comic Strip Original Art, dated 3-28-88 (United Feature Syndicate, 1988). Snoopy has a new opening line for his "great American novel," but the name "Hucklebeagle Finn" isn't quite up to snuff -- so, rewrite! The very first episode to feature Snoopy as a writer appeared on July 12, 1965, and thirteen years later, he was still pecking away at the keyboard. The image area of this terrific daily measures 5" x 21". The Zipatone film has yellowed somewhat; otherwise, the art is in Excellent condition. If you've been searching for a superb Peanuts daily showcasing Snoopy at his typewriter, look no further!
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 2-14-71 (United Features Syndicate, 1971). Poor lovestruck Charlie Brown. His dreams of receiving a valentine card from the little red-haired girl are soundly dashed by Linus, who reminds Charlie that there is no mail delivery on Sunday -- and so, "it is a good day to sigh." As a bonus, Woodstock cameos in two panels. The image area of this seventies Sunday measures 22.5" x 15.5", and aside from some light aging to the title logo stat, the art is in Excellent condition.
Charles Schulz - Peanuts Sunday Comic Strip Original Art, dated 7-28-96 (United Features Syndicate, 1996). Pitcher-manager Charlie Brown may never say die -- but on the other hand, there's never been a right fielder quite as offbeat or quirky as Lucy Van Pelt to keep the game interesting. The image area of this hilarious baseball episode measures 22.5" x 15", and the art is in Excellent condition.
E. C. Segar - Popeye Daily Comic Strip Featuring Bluto Original Art, dated 9-23-32 (King Features Syndicate, 1932). Take note Bluto boosters, for here is a spectacular offering -- this daily features a raucous round from the historic first slugfest between Popeye and his arch-nemesis, Bluto. This episode hails from the milestone story, "The Eighth Sea," which kicked-off on September 12, 1932. Few, if any, comic strip characters enjoyed a knock-down, drag out fight as much as E. C. Segar's pugnacious powerhouse, Popeye. However, the two-fisted sailor shows his good manners in this high-seas slugfest with Bluto titled, "Politeness Pays." Bully boy Bluto was only featured in a dozen or so strips drawn by E. C. Segar. The evolution of the character Bluto (or as he is sometimes called, Brutus) is worth recounting. When the Fleischer Studio was in the early stages of developing their "Popeye" animated films, they decided they needed a strong antagonist to play opposite Popeye, often in an ongoing "love triangle" with Olive Oyl. The Fleischer Studio sent Segar a telegram asking him to create such a character and Segar accommodated the request by giving his assistant, a very young Bud Sagendorf, the task of researching the old strip proofs and compiling a list of Popeye's foes. Segar used this research to formulate a formidable "composite" character. The brute was named "Bluto the Terrible" -- a hulking and ruthless pirate. Although Bluto was developed for the animated films, his introduction to the public was actually made in the Thimble Theatre comic strip. It all began when Popeye hears of a parrot who knows the location of a vast treasure. The sailor man finds the parrot and buys it from his owner (who warns Popeye that a terrible pirate named Bluto is also after the treasure). Eventually the scheme is uncovered, and Bluto announces that he will kill Popeye at dawn with his bare hands. This is arguably the finest Bluto daily that Segar ever drew -- for Popeye art collectors it's an opportunity too great to pass up. This slam-bang episode has an image area of 20.5" x 4.5", and aside from a few touches of whiteout in two of the word balloons and on the publication dates, the art is in Excellent condition.
E. C. Segar - Popeye Daily Comic Strip Featuring the First Appearance of Pooky Jones Original Art, dated 9-16-36 (King Features Syndicate, 1936).
With the first appearance of Pooky Jones, a panel featuring Eugene the Jeep, Popeye showcased in every panel, and a coveted nighttime setting, this outrageous daily titled "Double-Jointed?," is about as fine an example as any E. C. Segar fan could ask for! The back story of Pooky Jones begins in August 1936 when Popeye launches a search for his long-lost father. The sailor man has come into possession of a magical creature, Eugene the Jeep, and he asks the Jeep to reveal if Popeye's father is still living. Eugene acknowledges that he is, and indicates that the old-timer lives somewhere out at sea. Popeye sets sail and during the quest his crew tells him of a ghost roaming aboard their ship. On September 16th, 1936, Popeye goes on deck to find the apparition others claim to have seen. What he finds is an eerie figure with a long beard wearing a shroud. Popeye is wrong when he concludes, "Oh, I see, it's jus' a tall swab with a sheet around him." In the next panel the "ghost" removes his own head and holds it in his hands. The head then bounces around the deck independently of the body. As it turns out, the apparition is none other than Poopdeck Pappy (Popeye's father), along with his sidekick, Pooky Jones, and their pet gorilla. Pooky's beard is so long it obscures his body, thus giving the unnerving illusion that the "ghost" has a removable head. Pooky Jones was Poopdeck Pappy's best and only friend, and as Pooky states in a later strip, "Where goes Poopdeck Pappy, so goes Pooky Jones." This comic art gem has an image area of 20.5" x 4.5", and the art is in Excellent condition.
With the first appearance of Pooky Jones, a panel featuring Eugene the Jeep, Popeye showcased in every panel, and a coveted nighttime setting, this outrageous daily titled "Double-Jointed?," is about as fine an example as any E. C. Segar fan could ask for! The back story of Pooky Jones begins in August 1936 when Popeye launches a search for his long-lost father. The sailor man has come into possession of a magical creature, Eugene the Jeep, and he asks the Jeep to reveal if Popeye's father is still living. Eugene acknowledges that he is, and indicates that the old-timer lives somewhere out at sea. Popeye sets sail and during the quest his crew tells him of a ghost roaming aboard their ship. On September 16th, 1936, Popeye goes on deck to find the apparition others claim to have seen. What he finds is an eerie figure with a long beard wearing a shroud. Popeye is wrong when he concludes, "Oh, I see, it's jus' a tall swab with a sheet around him." In the next panel the "ghost" removes his own head and holds it in his hands. The head then bounces around the deck independently of the body. As it turns out, the apparition is none other than Poopdeck Pappy (Popeye's father), along with his sidekick, Pooky Jones, and their pet gorilla. Pooky's beard is so long it obscures his body, thus giving the unnerving illusion that the "ghost" has a removable head. Pooky Jones was Poopdeck Pappy's best and only friend, and as Pooky states in a later strip, "Where goes Poopdeck Pappy, so goes Pooky Jones." This comic art gem has an image area of 20.5" x 4.5", and the art is in Excellent condition.
E. C. Segar - Popeye Daily Comic Strip Original Art, dated 1-29-38 (King Features Syndicate, 1938). Will Popeye save Olive Oyl from being sacrificed as "the Bride of George, the Sea Monster" by the goons? This cliff-hanging episode is a thriller, drawn near the end of E. C. Segar's life. The image area of this episode measures 21" x 4.5" and the art is in Excellent condition.
Mike Sekowsky and Jack Abel - Metal Men #33 Cover Original Art (DC Comics, 1968). The battle call has been sounded -- destroy the renegade robots, the Metal Men. Mike Sekowsky's alley scene stands out as one of the most dramatic DC covers from the close of the Silver Age. This piece has an image area of 10" x 15", and aside from a few missing type stats, the art is in Excellent condition.
Dr. Seuss - The Cat in the Hat Sketch Original Art (undated). Dr. Seuss' subversive Cat in the Hat shares this sketch with Sam I Am's green egg. Rendered in black, red, and green marker, and signed by the artist, the art measures 4.25" x 4.75" and is in Excellent condition.
John Severin and Will Elder - Two-Fisted Tales #36, "Dangerous Man" page 1 Original Art (EC, 1954). Ruby Ed Coffey shoots it out with three desperate characters in the action-packed opener for the yarn, "Dangerous Man." John Severin paid tribute to Roy Crane's newspaper hero with Ruby Ed -- note the striking similarity in appearance to Captain Easy as seen in Ruby Ed, the central character of the final panel. This page has an image area of 13" x 18", and the art is in Excellent condition.
John Severin - Western Gunfighters #9 Cover Original Art (Marvel, 1971). John Severin spent a lot of time during his days at EC Comics drawing Western comics. His Western-themed stories for Two Fisted Tales were great, loaded with the kind of detail editor Harvey Kurtzman demanded, and this high quality carried over to Severin's work done for Marvel two decades later. This cover, spotlighting the Black Rider, is moody and grim, with the Rider towering over the dead bodies of five gunslingers who were a little slow on the draw, as thunderclouds darken the sky. Delicately drawn on duotone Craftint board, the original art image area measures approximately 8.25" x 8.5"; the total cover measures 10" x 14". All the original type and stat elements are present on this Very Good condition cover, with a few stains evident on the mast and statted figures along the left side of the art. The piece has been professionally and attractively double mounted, and is ready for framing.
John Severin - Cracked Magazine "Sagebrush" Page Original Art (undated). Life and humor in the Old West was anything but politically correct, especially at Cracked Magazine. John Severin's vaudevillian-styled gag has an image area of 11" x 15". This page was drawn on pieces of vellum that were then pasted together to create the finished page. The vellum has aged and there are touches of white-out; otherwise, the art is in Very Good condition.
Marie Severin - EC Staff Caricature Sketch Original Art, Group of 3 (circa 1953). Mirthful Marie Severin was a whiz a caricaturing her fellow EC staffers, and this lot includes vintage cartoons of Ruby Kast, Jerry DeFuccio, and Mr. Lee (the EC Business Manager). Each piece has an overall size of 7.5" x 11", and each drawing was laminated with thick plastic on both sides; otherwise, the pieces are in Excellent condition.
Marie Severin and Johnny Craig - Sub-Mariner #22, Splash Page 1 Original Art (Marvel, 1970). Imperious Rex -- Marie Severin's art has seldom looked better than in this sunken sword-and-sorcery splash page from the blockbuster, "The Monarch and the Mystic," inked by EC alumnus Johnny Craig. This Bronze Age beauty has an approximate image area of 10" x 14", and the art is in Excellent condition.
Gilbert Shelton - Fabulous Furry Freak Brothers #2 Complete 1-page Story "Fat Freddy's Cat Song" Original Art (Rip Off Press, 1971). Just as Little Orphan Annie had her pet Sandy, and Charlie Brown had Snoopy, so too did Fat Freddy (one third of the Fabulous Furry Freak Brothers) have an animal companion. That's where the similarities end, though -- as you can see from this hilarious illustrated song, Fat Freddy's Cat was very much his own creature! Fat Freddy's Cat began appearing in 1970 as a companion one-tier strip featured at the bottom of the full-page Freak Brothers strip. We believe this fantastic page to be the first full-pager to star the Cat. It first saw print as the inside front cover to the Freak's second issue (also known as The Further Adventures of those Fabulous Furry Freak Brothers). This ink on illustration board page has an image area of approximately 12.25" x 16" and has been professionally matted and framed to an overall size of 17.5" x 21.75; aside from some areas of very light staining, the page is in Excellent condition. This is a prime piece of classic Gilbert Shelton comic art, not to be missed if Undergrounds are your thing! Adult content.
Bill Sienkiewicz - Conan Calendar Illustration Original Art (1983). Crom! Bill Sienkiewicz pulled out all the stops for his spectacular Conan the Barbarian illustration, done for a calendar. The brawny barbarian is backlit and his deadly blade shines with brilliant white flashes as he slashes at the dark hell-spawn of black sorcery; a dazzling effect that adds to the drama of the skirmish. Bill Sienkiewicz keeps his outlook fresh by rejecting conventional approaches, always searching for a new aspect or technique, and this is a startling new vision of Robert E. Howard's immortal character! It is sure to be a treasured showpiece for any Cimmerian aficionado! This mixed-media masterpiece has an image area of 24" x 32", and the art is in Excellent condition.
Bill Sienkiewicz - New Mutants #31 Cover Original Art (Marvel, 1985). Dazzler, Sunspot, Magik, Cannonball, and Magma are manipulated like marionettes in this modern masterpiece by "Wild" Bill Sienkiewicz. In this suspenseful story, the New Mutants took on the Gladiators in a yarn titled, "Saturday Night Fight," and scripted by fan-favorite writer Chris Claremont. Bill Sienkiewicz went all-out for this gargantuan, mixed-media cover. This piece has an image area of 26" x 37", and an overall size of 30" x 40". The art is in Very Good condition.
Bill Sienkiewicz - Stray Toasters #1, Splash Page 35 Original Art (Marvel, 1988). This somber view of childhood provides a stark insight to the offbeat, cutting-edge world of Bill Sienkiewicz. This painted splash page has an image area of 12" x 18", and the art is in Excellent condition.
Bill Sienkiewicz - 1994 Fleer Ultra X-Men, Psylocke Card #7 Illustration Original Art (Fleer Corp., 1994). "A one-woman fighting force, Psylocke's unmatched combat skill and formidable mental powers make her one of the most valuable members of the X-Men's Blue Team." She also looks great -- especially when Bill Sienkiewicz is the artist. This illustration has an image area of 7.5" x 9.5", and it has been framed over two copies of the card to an overall size of 14.5" x 21". The art is in Excellent condition.
Bill Sienkiewicz - Cyborg Superman Trading Card Illustration Original Art (undated). Hank Henshaw, the Cyborg Superman, has seldom been painted in a more illuminating manner. The Modern Age menace first appeared as the Cyborg Superman during the famed "Reign of the Supermen" storyline following Superman's "death," and he has been a formidable nemesis to both Superman and Green Lantern. This spectacular piece, painted for a trading card, has an image area of 14" x 27.5", and the art is in Excellent condition. Bill Sienkiewicz signed the art just below the figure's left leg.
Jim Silke - "Rascals in Paradise" Trade Paperback Preliminary Cover Illustration Original Art (Dark Horse, 1995). Spicy Saunders, the blonde bombshell with lots of attitude and very little clothing, is featured in this detailed pencil preliminary for the cover of the 1995 Rascals in Paradise trade paperback. Jim Silke burst upon the comic book scene in 1993 with the Dark Horse Comics release of Rascals in Paradise. Silke is an entertainment industry Renaissance man -- he's a Grammy-winning art director for Capitol Records and has also been the publisher/editor of Cinema, a glamour photographer, and a writer of novels and screenplays. This pencil on paper piece has an image area of 14.5" x 19", and the art is in Excellent condition.
Dave Sim and Gerhard - Cerebus #68, page 7 Original Art (Aardvark-Vanaheim, 1977). The sly satire of Dave Sim is showcased in this four-panel page featuring Cerebus in "Another Thing Coming." Cerebus covers and interior art past issue #60 are rarely scene in the marketplace. This page has an image area of 10" x 15", and the art is in Excellent condition. This page was signed by Dave Sim and Gerhard in its upper border.
Dave Sim and Gerhard - Cerebus #68, page 8 Original Art (Aardvark-Vanaheim, 1977). Count on Cerebus to maintain the upper hand even while he is lying on the floor. This satirical sensation has an image area of 10" x 15", and the art is in Excellent condition. This page was signed by Dave Sim and Gerhard in its upper border.
Dave Sim and Gerhard - Cerebus #73 Cover Original Art (Aardvark-Vanaheim, 1985). Family discord is eerily symbolized by this shocking image of a framed family portrait of Cerebus, Red Sophia, and Mrs. Henrot-Gutch, with a wicked swath cut right through it. This cover hails from the "Church and State" storyline, for many fans, the most desirable part of the entire Cerebus series! Dave Sim has signed and inscribed the page in its upper border, "To Kevin -- best wishes to you and the Turtles." The image area of this cover is 10" x 15", and the art is in Excellent condition.
Dave Sim and Gerhard - Cerebus #152, page 13 Original Art (Aardvark-Vanaheim, 1991). Cerebus cameos in panel one of this detailed page from the "Mothers and Daughters" storyline. This page has an image area of 10" x 15", and the art is in Excellent condition. This moody masterpiece was signed by Dave Sim and Gerhard in its upper border.
Dave Sim and Gerhard - Cerebus #152, page 14 Original Art (Aardvark-Vanaheim, 1991). The savage sword of Cerebus cuts deeply in this blood-soaked sword and sorcery scene from the story, "Flight 2." This piece has an image area of 10" x 15", and the art is in Excellent condition. This blockbuster was signed by Dave Sim and Gerhard in its upper border.
Dave Sim and Gerhard - Cerebus #153, page 3 Original Art (Aardvark-Vanaheim, 1991). The angry aardvark is revolting -- as he battles the Cirinists in this example of dramatic counterpoint from the "Mothers and Daughters" story arc. This page has an image area of 10" x 15", and the art is in Excellent condition. This piece was signed by Dave Sim and Gerhard in its upper border.
Dave Sim and Gerhard - Cerebus #160 Cover Original Art (Aardvark-Vanaheim, 1992). The richness of the sense of light and color of this torch-lit cover scene from "Flight 10" has to be seen in person to be fully appreciated. Cerebus covers after issue #60 seldom make their way to the marketplace. This gem has an image area of 10" x 15", and the art is in Excellent condition.
Dave Sim and Gerhard - Amazing Heroes #201 Cerebus Cover Original Art (Fantagraphics, 1992). Cerebus shares a Bacchanalian belch with comic book fans in this cover scene for Amazing Heroes magazine. This issue featured interviews with Dave Sim and Gerhard. This piece has an image area of 9.5" x 13.5", and the art is in Excellent condition.
Dave Sim and Gerhard - Cerebus #189, page 16 Original Art (Aardvark-Vanaheim, 1994). Cerebus and Cirin go their separate ways as the throne splits in an asteroid belt. This cosmic caper has an image area of 10" x 15", and the art is in Excellent condition. This page was signed by Dave Sim and Gerhard in its top border.
Dave Sim and Gerhard - Cerebus #189, page 17 Original Art (Aardvark-Vanaheim, 1994). Defiant as always, Cerebus gets in the last word in this page from a star-crossed spiritual split from the yarn, "Mind 3." This page has an image area of 10" x 15", and the art is in Excellent condition. This piece was signed at the top by Dave Sim and Gerhard.
Dave Sim and Gerhard - Cerebus #234, page 15 Original Art (Aardvark-Vanaheim, 1998). Like most men, Cerebus doesn't like to stop and ask directions, so it's up to Princess Jaka in these scenes from "Going Home." This art has an image area of 10" x 15", and the piece is in Excellent condition. This page was signed at the top by Dave Sim and Gerhard.
Barry Smith, P. Craig Russell, and Dan Adkins - Conan the Barbarian #21, page 7 Original Art (Marvel, 1972). By Crom, it was sword and sorcery scenes such as these that established Marvel newcomer, Barry Smith, as a Bronze Age fan-favorite! In this issue, his collaborator, writer Roy Thomas, served up a riveting adaptation of the Robert E. Howard yarn, "The Black Stone." This page was at one time glued to a larger piece of support paper and has since been detached. This lot includes the support paper, but you might not want to rejoin the two because of a note written on the back of the smaller page. The piece has an approximate image area of 10" x 15", and the art is in Very Good condition. As noted, as a historical bonus, the backside of the art has a hand written note from Barry Smith to Roy Thomas regarding the future development of the characters in these scenes.
Otto Soglow - The Little King Sunday Comic Strip with Sentinel Louie Topper Original Art, dated 10-30-38 (King Features Syndicate, 1938). Sheer delight is the sensation you'll feel from Otto Soglow's pantomime gags in these matching strips from 1938. The strips have a combined image area of approximately 20.5" x 28". The strips were cut apart, and there is a stain in the Sentinel Louie topper; otherwise, the art is in Very Good condition.
Otto Soglow - New Yorker Cartoon Illustration Original Art (New Yorker, 1964). When it comes to offbeat pantomime gags, Otto Soglow, creator of the Little King and Sentinel Louie is hard to top. This laugh-riot, drawn for the New Yorker, has an overall size of 15" x 13", and the art is in Excellent condition.
Jack Sparling - Turok, Son of Stone #127 Complete 12-page Story "The Healer" Original Art (Gold Key, 1981). This 12-page Turok thriller continued the title's tried-and-true theme of Native American know-how pitted against dinosaur attack. "The Healer" hails from one of the last issues of the series' original run (#130 was the final issue). The image area of each page measures 10" x 15" and the art is in Excellent condition.
Jack Sparling - Turok, Son of Stone #129, Complete 10-page Story "A Child Named Rana" Original Art (Gold Key, 1981). She's cute, she's precocious, and she's got Turok and Andar trapped under her pretty little thumb! This ten-page tale, written by Paul S. Newman, is penciled and inked by Jack Sparling. Each page has a 10" x 15" image area. In Very Good condition. Signed by Paul S. Newman at the top of page one.
Art Spiegelman - Maus Specialty Drawing Original Art (2000). Pulitzer Prize Special Award-winning cartoonist Art Spiegelman drew this bold portrait of his famous mouse alter-ego from Maus: A Survivor's Tale for longtime comics fan Charlie Roberts. The mouse holds a pasted-on photocopy reproduction of a vintage King Features Syndicate calendar with a Krazy Kat daily. Note Spiegelman's witty "tip of the hat" to Ignatz Mouse, in the form of a brick at the lower left. This piece has an overall size of 8.5" x 11", and the art is in Excellent condition.
Jim Starlin and Klaus Janson - Captain Marvel #33, page 26 Original Art (Marvel, 1974). Here's a bombshell from one of Jim Starlin's signature series -- Captain Marvel takes on Thanos in "The God Himself," with cosmic scripting by Steve Englehart, spectacular plotting and penciling by Jim Starlin, and crisp inking by Klaus Janson. This Bronze Age brain-blaster guest stars Drax the Destroyer and Mantis, and this piece has an image area of 10" x 15". The word balloons are stick-ons and a few have gone missing. There is some clear tape on the page and some small stains; otherwise, the art is in Very Good condition.
Jim Starlin and Al Milgrom - Marvel Fanfare #20 The Thing Cover Original Art (Marvel, 1985). "It's clobberin' time" -- the Thing takes on a gang of ghoulish goblins in this captivating cover chiller for the yarn, "The Clash." For reasons unknown, the issue number in the logo stat is mis-numbered as issue #21 when it should read #20. This heart-thumping thriller has an image area of 9.75" x 15", and aside from a few small stains, the art is in Excellent condition. Jim Starlin signed the page at the lower left.
Jim Starlin and Joe Rubinstein - Hardcore Station #3 Cover Original Art (DC, 1998). Eye puts the hurt on Synnar as Chief Max and Green Lantern look on in this cover scene from "Epiphany." This slam-bang cover has an image area of 10" x 15", and the art is in Excellent condition. Signed by Joe Rubinstein in the lower right corner.
Joe Staton and Terry Beatty - Guy Gardner #13 Cover Original Art (DC, 1993). Guy Gardner (aka Green Lantern) stands side by side with himself, in this cover brawl penciled by Joe Staton and inked by Terry Beatty. The art has an image area of 10" x 15", and includes all the original title, logo, and indicia paste-up art. The logo and title type are on an acetate overlay. In Excellent condition. Signed by Joe Staton at the lower left.
Joe Staton - Nighthawk Illustration Original Art (undated). Kyle Richmond, the reformed villain from the Squadron Supreme who later joined the superhero group, the Defenders, strikes a dynamic Nighthawk pose, courtesy of Joe Staton. This piece has an overall size of 11" x 14", and the art is in Excellent condition.
Ken Steacy - Blackhawk #272, page 23 Original Art (DC, 1984). The fine art of "nose cone" painting is the focus of this splendid Ken Steacy page from the penultimate issue of the first run of Blackhawk. This page has an image area of 10" x 15". Aside from clipped corners (outside the image area) and a small piece out of the top title stat, this piece is in Excellent condition.
Brian Stelfreeze - Comics Interview #114 Batman Cover Original Art (Fictioneer Books Ltd., 1992). Playboy Bruce Wayne casts the shadow of the Batman over a Wayne Foundation sign in this colorful scene painted for a Comics Interview issue that spotlighted superstar cover artist Brian Stelfreeze. This piece has an image area of 11" x 16", and it has been framed to an overall size of 18" x 24". The art is in Excellent condition, and a copy of the magazine is also included in this lot.
Brian Stelfreeze - Batman: Shadow of the Bat #35 Cover Original Art (DC, 1995). The sign of the Batman is in flight all over this gothic glimpse of the Gotham Guardian. This cover scene for "Troika, Part Two" has an image area of 11.5" x 17", and it has been framed to an overall size of 19" x 25". The art is in Excellent condition, and a copy of the comic book is also included in this lot.
Jim Steranko - Batman and Nighthawk Sketch Original Art (1970). Tom Fagan, energetic promoter of the Halloween Parade in Rutland, Vermont since 1960, counts those heroes of the night, the Batman and Marvel's Nighthawk, as among his favorites. In fact Mr. Fagan has appeared in comics dressed up as both, see Batman #237 and Avengers #83, respectively! So what could be finer than a double-portrait of the two together by Jim Steranko? This pencil on paper sketch has an overall size of 11" x 8.5", and aside from some paper aging at the top of the page and around the edges, the art is in Very Good condition.
Dave Stevens - Nuff Said? #2 Complete 5-page story "Teran" Original Art (1972). The roots of the supremely talented Dave Stevens are revealed in "Teran," a five-page tale drawn for David Chamberlain's 1972 fanzine, Nuff Said?. Dave Stevens' story, written by Chamberlain, shows the influence of such comic book and fantasy art titans as Jeff Jones, Frank Frazetta, Joe Kubert, and Burne Hogarth. Dave was learning from the best and in a very short time, he would be joining their ranks as a fan-favorite! Even in this early effort, Dave Stevens' inked lines have a grace, precision, and elegance that are in a league of their own. The image area of each page measures 10" x 12.5", and aside from a few touches of white-out used for art corrections, the art is in Excellent condition. As a bonus, photostats of the story, and a copy of the fanzine are included in this lot. The 'zine also features interviews with Mark Evanier and Marv Wolfman. Die-hard Dave Stevens fans will be thrilled to add this story to their portfolios, so bid accordingly, art mavens!
Dave Stevens - "Time Machine 4: Sail With Pirates" Paperback Cover Painting Original Art (Byron Preiss/Bantam Books, 1984). "It is the year 1684. You have traveled back to the age of pirates. You are standing face-to-face with a pirate captain. He offers you a choice: join his crew or die." Dave Stevens' colorful cover illustration of this blood-chilling confrontation graced the cover of Jim Gasperi's role-playing adventure paperback. This mixed media on board painting has an image area of 5.5" x 11", and the art is in Excellent condition. Also included in this lot are a photocopy of the layout design of this scene, and a copy of the paperback, autographed by Dave Stevens.
Super Duck Comics #86, Complete 6-page Story, "The Stuntman" Original Art (Archie, 1959). In order to impress his starstruck gal-pal, Super Duck takes on new work as a movie stuntman. Actor Monty Duck has Super's girl, Uwanna, in a swoon -- there's madcap merriment all through this sensational 6-pager. Each page has an image area of 12" x 17.25", and the art averages Excellent condition.
Tom Sutton - War #3 Cover Original Art (Charlton, 1975). A dramatic WW I aerial dogfight is brought to life by the late, great Tom Sutton. The artists at Charlton Comics produced a number of striking painted cover scenes and this is one of the best. The mixed-media on board masterwork has an image area of 10.5" x 16", and the art is in Excellent condition.
Tom Sutton - Grave Tales #2, Complete 8-page Story "The Monster Maker" Original Art (Hamilton, 1992). This grand story is entitled "The Monster Maker," and it's a spine-tingling yarn about sorcery, chivalry, monsters, and raising the dead. This chiller features a beautiful two-thirds splash page as well as Tom Sutton's hallmarked, meticulous delineation throughout the entire tale. Accomplished in pencil, ink, and a mesmerizing blue hue, this story was truly a crowning achievement for Tom Sutton, during the later years of his career. Each page has an image area of 10" x 14", and aside from some areas of marker bleed on a few of the pages, the art averages Excellent condition. A copy of the comic book magazine is included in this lot.
Curt Swan and Murphy Anderson - Action Comics #402, Splash Page 2 Original Art (DC, 1971). For many Bronze Age fans, the famed "Swanderson" team created the ultimate version of the Man of Steel's adventures. This spectacular splash for "This Hostage Must Die" will make a splendid addition to any Superman art collection. This page has an image area of 10" x 15", and aside from some mild paper aging, the art is in Excellent condition.
Al Taliaferro - Waldo Tryout Sunday Comic Strip Original Art (circa mid-1930s). Al Taliaferro is best known for his long stint as the artist for the Donald Duck daily and Sunday newspaper comic strips, but did you know he had another character waiting in the wings? Waldo was Taliaferro's "everyman", who, in this trial installment, goes fishing with his cat, Inadore. This concept is presented in three stages; stage one is the original penciled layout, drawn to size (14.5" x 9.75") on vellum. Note one panel has been colored in. Al refined the art in stage two, the finished ink on board art measuring 20.5" x 15". The art is now very similar to Taliaferro's work on Donald Duck, with very little dialog, and animation-style pantomime action -- in fact, he could have easily substituted Donald for Waldo, and submitted this as a Disney strip! Finally, in stage three, Taliaferro has colored a stat of the finished art, reduced to publication size. These rare items came to Bruce Hamilton directly from the Taliaferro estate, and have been professionally matted together and framed to an overall size of 29.75" x 45.25". From the Estate of Bruce Hamilton.
Al Taliaferro - Donald Duck Daily Original Comic Strip Art, dated 7-6-56 (King Features Syndicate, 1956). There's never a dull moment when Donald Duck and Huey, Dewey, and Louie are around. Al Taliaferro began drawing this classic strip from its beginnings in 1938 and his work on the feature continued until his death in 1969. This daily has an image area of 19.25" x 5.5", and aside from some yellowing Zipatone, the art is in Excellent condition.
Al Taliaferro - Donald Duck Sunday Comic Strip Original Art, dated 3-15-59 (King Features Syndicate, 1959). Donald Duck stars in every panel of this Al Taliaferro Sunday from the fifties. Many fans regard Taliaferro as a top "Duck artist," on a par with Carl Barks. The key to Taliaferro's popularity is a funny gag, always finely staged, and this knee-slapper is no exception. The image area of this episode measures 20" x 14.5", and aside from a pasted-on art correction in the next-to-last panel, the art is in Excellent condition.
Ty Templeton - Who's Who Update '88 #2 Wrap-Around Cover Original Art (DC, 1988). This installment of "The Definitive Directory of the DC Universe" shows the likes of the Joker, Lex Luthor, the Martian Manhunter, Nightwing, and Mr. Mxyzptlk. And how about this, old-timers: the Golden Age likes of the Newsboy Legion and Little Boy Blue are here, and so are some old Quality stalwarts in Midnight and Miss America! If even that doesn't persuade you, we dub you Negative Man (he's here too by the way)! This double-page scene has a combined image area of 19.25" x 15". These pages have no type elements; otherwise, this cover scene is in Excellent condition.
Gustaf Tenggren (attributed) - "Arabian Knights," page 24 Illustration Original Art (undated). This gouache on board illustration was done for a project titled in production notes as "Arabian Nights". Although painted in a different style than the illustrations published in Tenggren's 1957 Golden Tales of the Arabian Nights, one of the illustrations was stamped with Tenggren's name. The art has an overall size of 13" x 16", and the art is in Excellent condition. Also included is a small color guide with color notations written in pencil.
Riley Thomson - Bobo and Herman Try Out Daily Comic Strip Original Art, Group of 2 (undated). Veteran Disney Studio animator/director/storyman Riley Thomson tried his hand at a comic strip with these two charming Bobo and Herman dailies, done as try outs. Note that Herman, the dog, bears more than a passing resemblance to Pluto pup. Thomson is credited with directing the animated Disney Studio cartoons, "Mickey's Birthday Party" (1942), "Orphans' Benefit" (1941), "The Nifty Nineties" (1941), "The Little Whirlwind" (1941), and "Put-Put Troubles" (1940). He also worked on Disney-related comic books for Western Publishing, as well as the comic strip Uncle Remus and His Tales of Br'er Rabbit. Each daily has an image area of 22" x 4.75", and the art averages Very Good condition.
Tick Tock Tales #27 Cover Original Art (ME, 1950). Raymond and Koko and Kola Bear enjoy a good scare on this "fun-tastic" Halloween cover scene. This piece has an image area of 11" x 16" and aside from a missing ME logo stat, the art is in Excellent condition. Also included in this lot are a copy of the comic book and a set of progressive color cover proofs.
Angelo Torres - Mad #131, Peanuts Lampoon Comic Strip Original Art (EC, 1969). From the "Blasting Impression Dept." comes this side-splitting Mad parody of Charles Schulz's Peanuts newspaper strip. This uproarious gag comes from a feature subtitled, "If people in the newspapers talked like Don Rickles...," and it's just what the title says. Hoo-hah! "Wally Wood" has been handwritten on the back, but Mad's own comprehensive reference, "Totally Mad", a 7 CD-ROM collection, attributes the art to the prolific, master caricaturist, Angelo Torres. This piece has an image area of 19.75" x 5", and the art is in Excellent condition.
Irving Tripp - Little Lulu Library Set VI Slipcase Cover Illustration Original Art (Another Rainbow, 1983). Leave it to Little Lulu to blithely walk her cat past Tubby's dog show and stir up a ruckus! The image area of this delightful Irving Tripp scene is approximately 18" x 24", and the art is in Excellent condition. From the Estate of Bruce Hamilton.
Irving Tripp - Little Lulu Library Set IV Slipcase Cover Illustration Original Art (Another Rainbow, 1987). When Little Lulu needs help planting her garden, Tubby hops to it! The image area of this lighthearted Irving Tripp drawing measures approximately 12.5" x 17", and the art is in Excellent condition. From the Estate of Bruce Hamilton.
Irving Tripp - Little Lulu Library Set II Slipcase Cover Illustration Original Art (Another Rainbow, 1991). Clever Little Lulu has found a new way to win all of Tubby's marbles - Yow! Irving Tripp was coaxed out of retirement in the 1980s to draw new covers for the Little Lulu Library sets. You may have noticed that this Irving Tripp cover has a later date than some others in this auction, while it was drawn for a Little Lulu Library set with a lower number. That's explained by the fact that the sets were released in "reverse order," so that the lower numbered sets actually came out later than the higher numbered ones. The image area of this cover measures approximately 12.5" x 15.5", and the art is in Excellent condition. From the Estate of Bruce Hamilton.
Garry Trudeau - Doonesbury Daily Comic Strip Original Art, dated 8-31-78 (Universal Press Syndicate, 1978). Barbara Anne Boopstein or "Boopsie" is on a real Elvis-quest in this delightful daily from the eighties -- "the King lives." The image area of this daily measures 14.5" x 4.5", and art is in Excellent condition.
Garry Trudeau - Doonesbury Daily Comic Strip Original Art, dated 7-6-94 (Universal Press Syndicate, 1994). Joanie Caucus has a hard time getting a cigarette manufacturer to admit to the truth, even with a tall stack of incontrovertible evidence -- deny, deny, deny. This daily has an image area of 14.5" x 4.5", and the art is in Excellent condition.
Boris Vallejo - "Red Sonja #6: Star of Doom" Paperback Cover Original Art (Ace Books, 1983). "From the savage, sorcery-ridden lands of the Hyborian Kingdoms comes a warrior as beautiful as she is deadly. They call her Red Sonja -- for her flame-red hair, for the smoldering fire of her pride which gives her sword arm a strength that even the barbarian known as Conan cannot best." Boris Vallejo captured all the sword and sorcery thrills and he spotlighted the sultry she-devil for the cover of David C. Smith and Richard Tierney's sixth Red Sonja novel. This painting has an image area of 17" x 27" and has been framed to an approximate overall size of 25" x 35". The art is in Excellent condition.
Boris Vallejo - "Conan the Victorious" Paperback Cover Painting Original Art (Tor Books, 1985). Sword, sorcery, and seduction -- the quintessential hallmarks of the genre, are showcased in Boris Vallejo's spectacular cover scene for Robert Jordan's (pen name of James Riney Jr.) novel, Conan the Victorious. The sinewy Cimmerian has seldom looked more vital. This magnificent masterwork has an image area of 17" x 27" and has been framed to an approximate overall size of 25" x 35". The piece is in Excellent condition.
Boris Vallejo - "Gilkarth's Odyssey (The Ax Man)" Painting Original Art (1997). Sword and sorcery is a genre that Boris Vallejo excels at and this barbaric image was painted as a design for a tee-shirt for "Crusade For Kids." It also appeared as the plate for the month of July in the 1998 Mythology Calendar. This painting has an image area of 16.5" x 18", and it has been framed to an overall size of 26" x 30". A copy of the calendar is included in this lot.
Henry Wang - Nude Pin Up Painting Original Art (undated). Torrid hues dazzle the senses on this pin up piece, painted by "good girl" artist extraordinaire, Henry Wang. This oil on unstretched canvas painting has an image area of 24.5" x 36", and an overall size of 27" x 39". The art is in Excellent condition.
Henry Wang - Very Nude Pin Up Painting Original Art (undated). Oh, my and --- hey, now! This oil on unstretched canvas painting has an image area of 24.5" x 36", and an overall size of 26.75" x 38.5". The art is in Excellent condition.
Bill Ward - Pin Up Girl Humorama Illustration Original Art (undated).
Bill Ward was the acknowledged king when it came to drawing hilarious, yet sexy "good girl" art. This gag has two captions written on its support paper backing -- "But when I called, you said you had nothing on for tonight." and "This also has all the proof you'll want." Drawn with pencil, ink, and opaque white on light brown paper, this illustration measures approximately 13.75" x 21.5" overall. The art has slipped off its backing board; otherwise, it is in Very Good condition.
Bill Ward was the acknowledged king when it came to drawing hilarious, yet sexy "good girl" art. This gag has two captions written on its support paper backing -- "But when I called, you said you had nothing on for tonight." and "This also has all the proof you'll want." Drawn with pencil, ink, and opaque white on light brown paper, this illustration measures approximately 13.75" x 21.5" overall. The art has slipped off its backing board; otherwise, it is in Very Good condition.
Keith Watson - Eagle Magazine V13 #15, Dan Dare page 7 Original Art, dated 4-14-62 (Eagle, 1962). Entitled "Operation Earth-Saver," this sci-fi spectacular has an image area of 14" x 18", and the art is in Excellent condition. This lot also includes a copy of the Eagle Magazine, dated April 14, 1962.
Keith Watson - Eagle Magazine V13 #27, Dan Dare page 7 Original Art, dated 7-7-62 (Eagle, 1962). Entitled "The Evil One," this dandy Dan Dare page has an image area of 14" x 18", and the art is in Excellent condition. This lot also includes a copy of the Eagle Magazine, dated July 7, 1962.
Bob Wiacek - Man-Thing V2#11 Cover Original Art (Marvel, 1981). Doctor Strange and Clea co-star in this offbeat cover scene, drawn for the final issue of the second volume of the Marvel muck-monster's title. This piece has an image area of 10" x 15", and the art is in Excellent condition.
Al Williamson - Secret Agent Corrigan Daily Comic Strip Original Art, dated 7-25-73 (King Features Syndicate, 1973). It's combat, man a mano, as Corrigan takes on a stone-cold killer, in this deadly daily by Al Williamson. The image area of this episode measures 15" x 4.25", and the art is in Excellent condition.
Richard Williams - Mad #289 "Batman E. Neuman" Cover Original Art (EC, 1989). Alfred, an institution in his own right, poses as the "world's finest" superhero, as he combines features of the costumes of Batman and Superman for this own super suit as "Batman E. Neuman" -- holy triple-icon. This Richard Williams "Bats-terpiece" has an image area of 12" x 15", and the piece has been framed to an overall size of 20.5" x 24". The art is in Excellent condition.
George Wilson - Classics Illustrated Special Issue #138A "Adventures in Science" Painted Cover Original Art (Gilberton, 1957). The Cold War and the Space Age were in full bloom for this dramatic George Wilson cover scene -- a sure-fire crowd pleaser for the "steely-eyed missile men" out there. This piece has a 15.5" x 22.5" image area. Painted on illustration board, there are some glue stains around the edges, outside the image area; otherwise, the art is in Very Good condition. A copy of the comic book is included in this lot.
George Wilson - Turok, Son of Stone #46 Cover Original Art (Gold Key, 1965). "A monster too terrible to be real -- but Turok must slay it or face a savage tribe's vengeance." This Silver Age sensation has an image area of 9" x 13", and the piece has been framed to an overall size of 17" x 21". The art is in Excellent condition.
Ashley Wood and Jim Daly - Ghost Rider 2099 #16 Cover Original Art (Marvel, 1995). An iconic design and gritty textures are the hallmarks of this moody cover scene for the "One Nation Under Doom" thriller, "Dangerous Curve." This piece has an image area of 9.5" x 14.75". The logo is on an acetate overlay; otherwise, the art is in Excellent condition.
Wally Wood - Jungle Girl Adventure Comic Book Cover Preliminary Watercolor Illustration Original Art (circa late 1940s-early 1950s). Wally Wood used to quip, "When better drawings are drawn ...they'll be drawn by Wood." This fabulously feral pencil and watercolor fantasy gives an direct look into the creative imagination of Wally Wood, the comic book legend fellow cartoonist Al Williamson called, "the best artist in the business." This piece has an overall size of 7.5" x 10.25", and the art is in Excellent condition.
Wally Wood - Weird Science #5, "Return" Splash Page 1 Original Art (EC, 1951).
Wally Wood returned to the Weird Science title with this story and his art appeared in every issue thereafter, establishing his legacy as a science fiction master. This splash is a sure-fire winner for any Wood fan. This moody masterpiece demonstrates Wood's uncanny understanding of the power of light and shadow. A cautionary tale about the evils of war and conflict, this detailed splash page showcases Wally Wood at his best. This gem has an image area of 13" x 18". A pasted-up art correction of a figure's face has slipped off of panel three; otherwise, the art is in Excellent condition. This page is signed "Wood" in the lower left corner of the first panel.
Wally Wood returned to the Weird Science title with this story and his art appeared in every issue thereafter, establishing his legacy as a science fiction master. This splash is a sure-fire winner for any Wood fan. This moody masterpiece demonstrates Wood's uncanny understanding of the power of light and shadow. A cautionary tale about the evils of war and conflict, this detailed splash page showcases Wally Wood at his best. This gem has an image area of 13" x 18". A pasted-up art correction of a figure's face has slipped off of panel three; otherwise, the art is in Excellent condition. This page is signed "Wood" in the lower left corner of the first panel.
Wally Wood - Weird Fantasy #7, "Breakdown" page 3 Original Art (EC, 1951).
Cold War paranoia is the subtext of this spine-tingling yarn, and Wally Wood's detailed, claustrophobic panels create a sense of mounting dread. Well-founded dread it turns out, as the hideous appearance of the vanguard scouts of an outer space invasion was revealed later in the "twist ending" of the story. Meanwhile, Sandy, the dog isn't fooled at all. This EC masterwork has an image area of 13" x 18", and the art is in Excellent condition.
Cold War paranoia is the subtext of this spine-tingling yarn, and Wally Wood's detailed, claustrophobic panels create a sense of mounting dread. Well-founded dread it turns out, as the hideous appearance of the vanguard scouts of an outer space invasion was revealed later in the "twist ending" of the story. Meanwhile, Sandy, the dog isn't fooled at all. This EC masterwork has an image area of 13" x 18", and the art is in Excellent condition.
Wally Wood - Three Dimensional EC Classics "V-Vampires," page 7 Original Art (EC, 1954). For EC's debut into the 3-D craze, four fan-favorite yarns, one from each of the titles, Mad, Weird Science, Frontline Combat, and Crime SuspenStories, were retold in this one-shot, published in the Spring of 1954. Offered here is page 7 of Wally Wood's reworked version of the Mad #3 classic, "V-Vampires." The art is rendered on Craftint paper and four pieces of acetate, each piece having art and consecutively numbered pages. The five pieces were then stacked together, with eye-popping results. The 3-D effect is striking, and then there's added attraction of the voluptuous "doll" -- a Wood specialty. Aside from some mild aging of the acetate and some very minor paint loss, this art is in Excellent condition.
Wally Wood - Mad #34, "Wedding Album" Illustration Original Art (EC, 1957). From the "Oh, Promise Me Dept." comes this superb Wally Wood illustration, loaded with the sort of sight-gag details that helped make Wood a legend in the comics field. The thrust of this feature was that Wally Balloo, "Mad's crack photographer" would take follow-up shots for comparison to idyllic wedding album shots, just to see how things were going. The caption on the opening wedding album scene (not offered in this lot) read, "Here's the picture taken when the lights are low, a spotlight is on the dance floor, the band strikes up 'their song,' and bride and groom start the first waltz." Now for the fun -- this "after" scene, offered here, is "Six months later," and its caption read, "And here's Balloo's shot of the second waltz, taken after a six month intermission, when he dropped in on 'the happy couple' unexpectedly during a battle royal." Hoo-hah! It's a hilarious Mad's-eye view of stark reality. This ink on Craftint board "Mads-terwork" has an image area of 6.5" x 7.5", and aside from missing its typeset captions at the top of the page, the art is in Excellent condition.
Wally Wood - "Peace On You, Sir Arthur Kish" Illustration Original Art (Russ Jones, 1964). The wicked wit of Wally Wood is spotlighted in this comic book panel adapted to read, "If perchance the other fellow's point of view seems to be winning the day, give 'im the old knee -- right in the groin, that is! Peace on you, Sir Arthur Kish." This piece of savage lampoonery has an overall size of 6" x 8.5". Aside from some white-out used to alter the lettering and a coat-of arms chest symbol on the figure's chest, the art is in Very Good condition.
Bernie Wrightson - Swamp Thing #8, page 8 Original Art (DC, 1974). The moss-encrusted man-brute faces a mindless mob on the main street of Perdition, in this page from the Len Wein/Bernie Wrightson tale, "The Lurker in Tunnel 13." Great gothic art by Bernie Wrightson. The image area of this page measures 10" x 15", and, aside from tape residue on all four edges, the condition of the art is Excellent. Signed by Bernie Wrightson at the lower left.
Bernie Wrightson - "Newly Chopped Christmas Tree" Holiday Greeting Card Illustration Original Art (circa 1975). This festive Yuletide scene was rendered in pencil and ink and has an image area of 3.75" x 9.5". The art is in Excellent condition and Bernie Wrightson signed the piece at the upper left.
Bernie Wrightson - "The Tell Tale Heart" Edgar Allan Poe Portfolio Painting Original Art (Christopher Enterprises, circa 1976). Edgar Allan Poe's images of horror and the macabre have been graphically embellished by some of the world's most famous illustrators, and here is a blood-chilling scene painted by an artist who happened to be born in the same town Poe died in -- Bernie Wrightson. This chiller was done as part of an eight-painting portfolio published by Christopher Enterprises and based on the works of Edgar Allan Poe. In the monograph, Berni Wrightson: A Look Back, the artist said, "In most Poe stories there is one really gruesome scene that is a natural for an illustration. I wanted to stay away from that. The 'Tell Tale Heart' was the first completed painting and my favorite from the printed portfolio." And so, let's let Edgar Allan Poe himself set the stage for this "terror-ific" scene, "Was it possible they heard not? Almighty God, no, no. They heard, they suspected, they knew! They were making a mockery of my horror. This I thought, and this I think. But anything was better than this agony. Anything was more tolerable than this derision. I could bear those hypocritical smiles no longer. I felt that I must scream or die, and now, again. Hark, louder, louder, louder, louder! 'Villains,' I shrieked, 'dissemble no more.' I admit the deed. Tear up the planks. Here, here, it is the beating of his hideous heart!" For this famous confession scene, Wrightson used an eerie impasto technique, and painted the scene with very thick, broad strokes. His colors are appropriately dark, being made up primarily of blacks, greens, and browns. Indeed, this painting was so troublesome to print correctly, it was represented by a preliminary drawing on page 229 of Berni Wrightson: A Look Back, and its caption admitted, "Original pencil sketch to 'The Tell Tale Heart.' Due to the technique used in the painting, it is extremely difficult to reproduce. Because of that it is omitted from this collection." This painting simply has to be seen in person to take in the full effect. This oil on canvas masterpiece has an overall size of 22" x 28", and the art is in Excellent condition.
Bernie Wrightson - Unpublished "Apparitions II" Portfolio Plate Illustration Original Art (1979). Sal Q Productions had such a success with its first Apparitions portfolio in 1978, they commissioned Bernie Wrightson to create a second portfolio. Unfortunately, the project was scrapped, so this is the only plate slated for the second portfolio that was completed. This piece was created circa 1979, a peak time for Wrightson, and at a time during which "The Studio" was disbanded -- yet another factor in why this image never saw print. This huge scene is even more amazing when viewed in person -- it transports the viewer into the thick of battle on the tower steps. When a scene of sword-swinging savagery is called for, count on the modern master of fantasy art, Bernie Wrightson, to deliver a visual coup de grace. This mixed-media masterwork has an image area of 23" x 18", and the art is in Excellent condition.
Bernie Wrightson and Mike Kaluta - Frankenstein Illustration Original Art (circa 1980s-2005). Bernie Wrightson's life-long fascination with the Frankenstein story has been a constant source of inspiration for the artist. Wrightson commented in Christopher Zavisa's book, Berni Wrightson: A Look Back, "Ever since I first started working professionally I drew the monster into various things. You can find him in just about everything from fanzines to Swamp Thing. It seems as though my whole career up to this point has been in preparation for an illustration of the novel." In 1974, the collaboration of Bernie Wrightson and Mike Kaluta in DC Comics' The Shadow #3 resulted in an incredible story, "The Kingdom of the Cobra." Pages from this thriller are highly sought-after by fans. This piece reunites the talents of these two greats -- Bernie Wrightson penciled this scene in the 1980s and Mike Kaluta inked it in 2005. Kaluta did not miss a fine line in this drawing -- his detailed inking is magical. The illustration has an image area of 11" x 16", and the art is in Excellent condition. This finished work is a masterpiece and it is sure to be a standout in any collection!
Bernie Wrightson - "Freak Show" Page Original Art (Heavy Metal, circa 1982). Bernie Wrightson's macabre storytelling rivals the best in the horror genre, even the oogly-boogly visions of horror comics shock-master Graham Ingels. In the chiller-thriller, "Freak Show," a humble man, lonely at heart, seeks out the rejected "special people" of the world, taking these misbegotten outcasts under his wing in a traveling show of oddities, performing from town to town. This sensational "spook-tacular" has an image area of 12.75" x 17.25", and the art is in Excellent condition.
Bernie Wrightson - Batman Illustration Original Art (1994). The Batman is in flight and this freeze-framed pose spotlights a "dark-noir" version of the Gotham Guardian by that modern master of horror comic art, Bernie Wrightson. The image area of this piece measures 12" x 18", and the condition of the art is Excellent. This drawing was signed by Bernie Wrightson at the lower right.
Bernie Wrightson - Batman Illustration Original Art (undated). Perhaps most celebrated for his work on Swamp Thing, Bernie Wrightson is equally skilled at rendering superheroes, as he proves with this magnificent work. The Batman has never seemed more bat-like than in this moonlit scene which projects an eerie foreboding quality that transfixes the viewer. The piece has an image area of 12" x 18", and aside from some slight foxing, the art is in Very Good condition.
George Wunder - Terry and the Pirates Daily Comic Strip Original Art, dated 2-28-47 (Chicago Tribune- NY News Syndicate, 1947). Hot Shot Charlie and Terry star in this dramatic, snow-swept daily from within the first two months of George Wunder's 27-year run on Terry. This episode has an image area of 21.75" x 6.5", and the art is in Excellent condition.
George Wunder - Terry and the Pirates Daily Comic Strip Original Art, dated 4-8-47 (Chicago Tribune- NY News Syndicate, 1947). George Wunder carries on the tantalizing Terry tradition of fabulous femme fatales in this episode from early in his stint on the feature. This daily has an image area of 21.75" x 6.5", and the art is in Excellent condition.
Tom Yeates - The Saga of the Swamp Thing #15 Cover Original Art (DC, 1983).
It's a silicon slug-fest in this hard-hitting cover scene for "Empires Made of Sand," drawn by Tom Yeates. This superb piece has an image area of 9.75" x 15" and it retains its original logo, and masthead paste-up art. This art is in Excellent condition and was signed by Tom Yeates at the bottom left.
It's a silicon slug-fest in this hard-hitting cover scene for "Empires Made of Sand," drawn by Tom Yeates. This superb piece has an image area of 9.75" x 15" and it retains its original logo, and masthead paste-up art. This art is in Excellent condition and was signed by Tom Yeates at the bottom left.
Chic Young - Blondie Daily Comic Strip Original Art, dated 6-16-31 (King Features Syndicate, 1931). Get a job? How dare Blondie insult Dagwood like that! The future Dagwood Bumstead family goes house-hunting in this pre-wedding daily from 1931. The image area measures approximately 18" x 4". Aside from a vertical crease which runs through the third panel, the condition is Very Good. Matted and framed. From the Estate of Bruce Hamilton.
Chic Young - Blondie Daily Comic Strip Original Art, Group of 4 (King Features Syndicate, 1954-60). Dagwood is showcased at doing what he does best in this uproarious group of four dailies -- namely, making gigantic sandwiches, loafing on the sofa, fighting with a door-to-door salesman and his neighbor Herb Woodley, soaking in a bathtub, and having a run-in with Mr. Beasley, the mailman. This is the quintessential Dagwood! These strips were matted together and framed to an overall size of 23.5" x 29". The art is in Excellent condition.
Bela Zaboly - Popeye Specialty Illustration Original Art (1942). Bela Zaboly helped take over Popeye's adventures shortly after E. C. Segar's untimely death in 1938. Zaboly drew the Thimble Theatre daily from 1939-59. This illustrated letter about apple trees and apple pies was created for Mrs. Winterhalter in April, 1942 and it's chock full of charm. This piece has an image area of 13" x 21", and the art is in Excellent condition. The drawing was signed at the lower right.
Mike Zeck - Master of Kung Fu #78 Cover Original Art (Marvel, 1979). This action-packed cover image features the headline, "Moving Targets!," and showcases "only the tenth cover appearance of Shang-Chi by Michael O. Zeck." This dramatic cover scene has an image area of 9.75" x 15", and aside from a sealed tear in the lower border (outside the image area) and a few light stains, the art is in Excellent condition. A copy of the comic book is included in this lot.
Mike Zeck and Jerry Ordway - Azrael Agent of the Bat #99 Cover Original Art (DC, 1995). "Batman finally takes the problem of Azrael into his own hands. But is it too late? Could the Angel of St. Dumas be beyond redemption?" Mike Zeck and Jerry Ordway created a modern "Bats-terpiece" with this thriller. This cover has an image area of 10.5" x 15", and the art is in Excellent condition.
Extra #3 Cover and Crime SuspenStories #19 Page Production Art, Group of 3 (EC, 1953-55). Hoo-hah, EC fan-addicts, this lot features two historic production pieces for the cover of Extra #3, and also a half-page from Crime SuspenStories #19, used for the reprinting of the yarn, "Murder May Boomerang." The pieces have pasted-up stats of lettering, some hand lettering, and a couple of photostats of Johnny Craig art. The pieces range in overall size to 15" x 14", and aside from some loose stats, the pieces are in Very Good condition. EC for me, see?
Mad Production Art, Group of 4 (EC, circa 1960s). This fershluginner group of production pieces includes a portrait of Alfred, a black and white photo of a magazine distributor's van with a Mad ad painted on its side, a photostat of Don Martin's "A Quick Stroll" from Mad #111, and a print of General George Custer at the Little Bighorn with an acetate overlay of him holding a copy of Mad. These pieces have an overall size ranging from 7" x 9" to 14" x 10", and they average Very Good condition.
Carl Barks - "Sailing the Spanish Main" Lithograph Limited Edition #198/245 (Another Rainbow, 1982). Carl Barks reworked one of his most famous comic covers to include Scrooge in this inaugural lithograph in Another Rainbow's series of limited edition lithographs. The most sought after and valuable of all the Barks lithographs, this print of "Sailing the Spanish Main" has a 16" x 20" image area and has been framed to an overall size of 22" x 26.5". The piece is in Excellent condition, and it was signed by Carl Barks. This lot includes a certificate of authenticity, which was mounted on the back of the frame.
Carl Barks- Uncle Scrooge "Rich Finds at Inventory Time" Limited Edition Print #93/500 (Disney Art Editions, 1994). This 75-color serigraph spotlights Uncle Scrooge at play in his fabulous money bin. "As Scrooge has long ago forgotten what was where in his vast Money Bin, he is taking inventory. And then, in Carl Barks' own words, 'Eureka! A seam of Double Eagles at 60 feet." This print has an image area of 34" x 28", and an overall size of 41" x 34.5". Carl Barks has signed the print at the lower right, and it is in Excellent condition.
Carl Barks - Uncle Scrooge "Surprise Party at Memory Pond" Limited Edition Print #37/500 (Disney Art Editions, 1994). This 80-color serigraph was made in celebration of Donald Duck's 60th birthday. "As he approaches Memory Pond, Donald is ambushed by a throng of familiar faces shouting 'Happy Birthday.' To make the surprise extra special, Gyro Gearloose has invented a remote-controlled 'Donald Duck' as he appeared in the 'Little Wise Hen' -- the feisty fowl's first animated short." The print has an image area of 28" x 22" and an overall size of 24" x 28". Carl Barks has signed the print at the lower right, and aside from some small areas of foxing (outside the image area), the piece is in Very Good condition.
Jack Kirby and Paul Reinman - X-Men #1, page 7 Original Art (Marvel, 1963). From the hallowed halls of the House of Ideas comes this historic masterpiece of X-Men art -- from the story that astonished comic fans everywhere -- the first appearance, and origin of what eventually grew to become the world's most exciting superhero team. With this glorious premiere, created by two of the most titanic talents in all of comicdom, Stan "the Man" Lee and Jack "King" Kirby, the world of comic books and popular culture took a mighty leap into the Marvel Age. The Angel, the Beast, Cyclops, Iceman, and Professor X's uncanny mutant powers are showcased in these rowdy and boisterous scenes, as the teen superheroes line up and are about to meet and greet their newest and cutest member, Jean Grey, the Marvel Girl. Admirers of comics as a form of graphic art -- prepare to have your socks knocked off by this Marvel milestone, as it features classic Kirby action all the way, and is nothing less than a stunning "snapshot" of history taken from a legendary origin tale. This Silver Age spectacular has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby and Paul Reinman - X-Men #1, Magneto page 12 Original Art (Marvel, 1963). Few pages of art shout "The Mighty Marvel Age of Comics Is Here" like this bombastic blockbuster from X-Men #1, where the evil mutant Magneto unleashes the full force and fury of his magnetic powers on NASA. Words can't even begin to describe the thrill generated by viewing this legendary piece of Marvel history in person. Jack Kirby is one of the acknowledged giants in the field of comic books, and with the no-holds barred action choreographed in these scenes, it's easy to see why fans dubbed him "King." The murderous Magneto must rank supreme among Marvel Comics' vilest villains, foulest fiends, and sinister supervillains, and this page from the first story that he appeared in is sure to make a prized showpiece for any True Believer. This magnificent piece of Marvel lore has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Jack Kirby, Bob Powell, and Chic Stone - Tales To Astonish #67, Giant-Man page 9 Original Art (Marvel, 1967). Two titans of comic book art, Jack Kirby and Bob Powell, teamed to present this extravaganza from the Giant-Man yarn, "The Mystery of the Hidden Man and His Rays of Doom." Jack Kirby laid the foundation for this thriller with his always-dynamic layouts and storytelling, while Bob Powell detailed the figures with his peerless penciling. A master of "good girl" art, Powell's scenes featuring the wondrous Wasp add considerable charm to this rooftop romp. This page has an image area of 12.5" x 18.5", and aside from touches of white-out, the art is in Excellent condition.
Don Heck and Dick Ayers - Tales of Suspense #58, Iron Man and Captain America page 18 Original Art (Marvel, 1964). This star-studded page from "In Mortal Combat With Captain America" features Iron Man and Captain America, with guest appearances by Giant Man, the Wasp, the Chameleon, Pepper Potts, and Happy Hogan. This yarn was especially significant because it marked the first appearance of the Star-Spangled Avenger in Tales of Suspense. This was a special lead-in introduction for the next issue, which would award Captain America his own feature for the first time since the Golden Age. This Marvel milestone has an image area of 12.5" x 18.5", and the art is in Excellent condition.
Werner Roth and Dick Ayers - X-Men #27, page 17 Original Art (Marvel, 1966). The original X-Men line-up stars in these fast-paced scenes from "Re-Enter the Mimic." The perfidious Puppet Master cameos in panels three and four, a house ad banner alerting Marvelites to "Watch Marvel Super-Heroes on TV" is proudly displayed in the lower border, and as a sign of the times, rock fan Iceman drops Beatle Ringo Starr's name in the final panel -- all in all, this page is a swinging sixties sensation. The image area of this Silver Age page measures approximately 12.5" x 18.5", and the art is in Excellent condition.
Joe Orlando and Angelo Torres - Monster World #1, "Curse of Frankenstein," Title Page 1 Original Art (Warren, 1965). Two artistic alumni of the famed EC line worked on this terrifying title page, spotlighting a heart-stopping portrait of Christopher Lee as Baron Frankenstein's creature, and based on the 1957 film, "The Curse of Frankenstein." Peter Cushing co-starred in the film and also on this page as Baron Victor Frankenstein. This piece has an image area of 12.5" x 17.5", and aside from a few puncture holes and some small stains, the art is in Good condition.
Joe Orlando and Angelo Torres - Monster World #1, "Curse of Frankenstein," page 7 Original Art (Warren, 1965). Angelo Torres lent his masterful inking to the starkly lit, shadowy figures of Joe Orlando's penciled adaptation of the closing scenes of the 1957 horror film, "The Curse of Frankenstein." This is about as "cinematic" a comic book page as you're ever likely to find -- it's exhilarating -- the staging, and use of "sound effects" lettering are first-rate. This page has an image area of 12.5" x 17.5", and aside from some edge and corner wear (outside the image area), the art is in Excellent condition.
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Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842