November Comic Auction
| Sale Number: | 808 |
| Location: | |
| Auction Date: | November 20th at 12 PM CT through November 23rd |
Session 1
Movie Posters
The Mole People (Universal International, 1956). One Sheet (27" X 41"). John Agar plays Dr. John Bentley, who leads a Middle Eastern expedition in search of a lost tribe of Sumerians. Bentley and his cohorts follow a tunnel deep, deep, deep below the surface of the earth, eventually coming across a tyrannical tribe of albino Sumerians, who use the semi-human Mole People as slaves. This poster is one of the better from the fifties sci-fi era. The wonderful poster art was done by the great Reynold Brown. Very Fine+.
Mole People, The (Universal International, 1956). Half Sheet (22" X 28"). Offered here is the rare half sheet to this title. On this poster we not only get a great shot of the Mole creatures but also a very colorful image of the tyrannical tribe of albino Sumerians. Fine/Very Fine on Paper.
The Incredible Shrinking Man (Universal International, 1957). One Sheet (27" X 41"). Jack Arnold, the sci-fi king himself, directed this film about a man who is exposed to a strange mist and begins to rapidly shrink. Richard Matheson's tight script along with the great special effects for the time, make this a unique, well paced sci-fi thriller. Offered here is the wonderful One Sheet with art by Reynold Brown, which depicts our hero doing battle with the house cat. Fine on Linen.
Incredible Shrinking Man (Universal International, 1957). Insert (14" X 36"). The sci-fi king himself, Jack Arnold, directed this film about a man who is exposed to a strange mist and begins to rapidly shrink. Richard Matheson's tight script along with the great special effects, for the time, make this a unique, well paced sci-fi thriller. Offered here is the prized insert, which depicts our hero doing battle with the house cat. Fine on Linen.
Original Reynold Brown Artwork - The Land Unknown (Universal, 1957) One of the leading freelance artists in Hollywood, Reynold Brown virtually defined the look of Universal's horror and science fiction film ad campaigns with his distinctive style. Brown worked in gouache on illustration board as in this beautiful painting. This is the original artwork for the film's Six Sheet and the painting measures 21" square. Over the artwork is the original acetate overlay with the credits, studio logo and crop marks. Archivally mounted and framed. Very Fine+.
Deadly Mantis, The (Universal International, 1957). Insert (14" X 36"). The opening of an Artic iceberg releases a giant praying mantis from prehistoric times, which devours humans and destroys national monuments. The great Reynold Brown produced the artwork for this insert. Fine on Paper.
The Deadly Mantis (Universal International, 1957). One Sheet (27" X 41"). A giant carnivorous praying mantis is unleashed from an Arctic iceberg , and the usual mayhem ensues. The insatiable insect wreaks havoc by devouring humans and destroying national monuments. Great 50's sci-fi artwork by Reynold Brown. Near Mint+.
The Time Travelers (American International, 1964). One Sheet (27" X 41"). Poster artist Reynold Brown's artwork for this AIP feature about scientists who find a portal into the future, was only inclusive of the window artwork. AIP's studio art department took that and set the painting in starry space, framed by atoms. This posters is a wonderful Brown illustration. Very Fine/Near Mint.
Monolith Monsters, The (Universal International, 1957). One Sheet (27" X 41"). When a huge meteor crashes in the desert, scientists take the pieces to their lab for analysis. During the investigation the pieces accidentally get drenched with water, growing into monsters that "petrify" whoever and whatever gets in their way. This posters great artwork is attributed to the talented artist, Reynold Brown. Fine+.
This Island Earth (Universal, 1955). Window Card (14" X 22"). Scientists on Earth are enlisted by aliens to help them save their dying planet. When the scientists learn that the Metalunans are actually planning on taking over the Earth, they sabotage their experiments and are taken by flying saucer to Metaluna to be held accountable. Fantastic special effects fill the movie which was shot in Technicolor to herald the importance of the film. The art for the posters was designed by noted artist Reynold Brown. Fine+ on Paper.
This Island Earth (Universal, 1955). Lobby Card Set (11" X 14"). Many of the lobby cards issued for science-fiction films during the 1950s wouldn't show the monster, or would just hint at what you might see inside the theatre. The set for "This Island Earth" is an exception to that rule as every card in the set is great; from depicting the Metaluna Mutant to spaceships wreaking havoc on the alien planet! Reynold Brown's artwork appears on the title card. Very Fine/Near Mint.
Tarantula (Universal, 1955). One Sheet (27" X 41"). Jack Arnold, the talented director of some of the '50s' best science fiction, is at the helm of this, one of the best of the mutated creature films. The pacing of this classic thriller, combined with very good special effects for the era, tremendous musical score, and some solid acting by John Agar, Leo G. Carroll -- and even a bit part for a young Clint Eastwood -- makes this one of the best of the genre. Poster artist Reynold Brown added his touch to this great poster. Very Fine on Linen.
Time Machine, The (MGM, 1960). One Sheet (27" X 41"). H.G. Wells's amazing novel of the future has been adapted to the screen many times, but the version that most fans have come to love is this one with Rod Taylor, Yvette Mimieux, and directed by George Pal. Pal had come to fame as a stop-motion director of the Puppetoon series. The film won the Oscar in 1961 for Best Special Effects. Artwork by Reynold Brown. Very Good/Fine on Linen.
Time Machine, The (MGM, 1960). Half Sheet (22" X 28"). Superb science-fiction classic, based on the book by H.G. Wells, about an inventor, played by Rod Taylor, who invents a machine that propels him to a different time where their are two races: a kind gentle race, and a violent cannibalistic one which resides underground. Wonderful Reynold Brown artwork. Fine/Very Fine.
Creature From the Black Lagoon (Universal International, 1954). Insert (14" X 36"). An expedition deep into the Amazonian jungles results in the discovery of an ancient amphibian creature. The suspense mounts as the leaders of the scientific troupe are hunted by the "Creature" they were sent to discover. This is one of the true classics of the 1950s, and it gave rise to the phrase "Creature Feature." It was originally shot in 3D, but very few of the posters announced this as "stickers" that were supposed to be placed on the 3D versions. The posters for this title are some of the most popular of the 1950s and have been appreciating in value at an incredible pace! Great Reynold Brown artwork graces this insert. Good/Very Good on Paper.
Creature From the Black Lagoon (Universal International, 1954). Title Card (11" X 14"). The last of the great Universal Monsters and perhaps the best, the Creature was a tremendous success in its day. This Title Card features the same stunning artwork and design as one of the Half Sheets. Fine+ with minor restoration.
Creature From the Black Lagoon (Universal International, 1954). Window Card (14" X 22"). Here is another fine example of the material offered for this title. This window card features a great shot of the "Gill-Man" and other fine illustrations, such as the diver holding the spear gun. Fantastic Reynold Brown artwork. Very Fine- on Paper.
Creature Walks Among Us, The (Universal International, 1956). One Sheet (27" X 41"). This is the final installment in Universal's "Gill Man" trilogy, which began with Creature from the Black Lagoon. This story finds our favorite water monster undergoing an elaborate experiment, with an attempt to turn him into an "air-breather". The posters for the "Creature" films are some of the most desirable, with artwork created by Reynold Brown. Very Good/Fine on Linen.
The Creature Walks Among Us (Universal International, 1956). Insert (14" X 36"). In this final sequel to "The Creature From the Black Lagoon," scientists surgically alter the gill-man so he can breathe air and walk on land. As usual, something goes terribly wrong and the Creature decides to wreak havoc and exact vengeance on the local community! This Insert was created by one of the true legends of poster design, Reynold Brown. Folded Very Fine.
Four Men and a Prayer (20th Century Fox, 1938). (40" X 60") Silk Screen. An officer who was wrongly dishonorably discharged from the service was mysteriously murdered. The three sons set out on adventure to try and find the man who killed their beloved father. Their quest takes them around the globe, from India to South America, London, Egypt, and the U.S. During their quest they eventually learn the truth about the father. This is a little recognized John Ford classic and this gorgeous, knockout silk screen is a classic as well. Fine/Very Fine.
Gone With the Wind (MGM, R-1961). Three Sheet (41" X 81"). According to legend, MGM did an extensive survey to determine who movie audiences wanted to see play the coveted role of Scarlet O'Hara in the studio's adaptation of Margaret Mitchell's best-selling novel. The results were overwhelmingly unanimous for Bette Davis! Warner Brothers agreed to loan out Davis, along with Errol Flynn, who was to play Rhett Butler. Davis refused to do the film with Flynn however, and the legendary roles went to Clark Gable and Vivien Leigh. Fine/Very Fine.
Lloyds of London (20th Century Fox, 1936). (40"X 60") Silk Screen. This was Tyrone Power's first starring role, playing Londoner Jonathan Blake, in this story of the prominent rise of the British insurance company. The film did big box office, launching the 23-year-old Power to stardom and giving the newly formed 20th Century Fox a bankable star. These beautiful silk screen posters are rare, especially in this condition. Rolled, Very Fine-.
Lloyds of London (20th Century Fox, 1936). (1) Title Card and (3) Scene Cards (11" X 14"). Here's four great cards from the "Lloyds of London" lobby set. The Title Card features beautiful artwork, with Tyrone Power and Madeleine Carroll surrounded by warring ships. The three scene cards all have stunning color, especially the gorgeous portrait card. Very Fine- with minimal restoration.
Baroness and the Butler (20th Century Fox, 1938). (40" X 60") Silk Screen. Annabella plays "The Baroness", daughter of the Hungarian prime minister. William Powell plays the butler who works for the baroness' father. Though socially separated, the two eventually fall in love in this fast paced, screwball comedy. Stunning art-deco gold artwork highlights this wonderful silk screen poster. Rolled, Fine.
Warner Brothers-Vitaphone Stock 24 Sheet (Warner Brothers, 1927-1928). 24 Sheet (9' X 20'). Warner Brothers Studio was founded in 1923 by four brothers, Harry, Albert, Sam, and Jack L. Warner. Harry, the eldest, was president, Albert was in charge of distribution, and Jack, the youngest, was head of the studio in Burbank, California. Sam passed away in 1928. Warner Bros. began to rise to prominence in 1925 when it gambled on the new technological wave of bringing sound to motion pictures. In August 1926 Warner Brothers premiered their new Vitaphone process with "Don Juan" starring John Barrymore, which used music recorded on a disc rather than having orchestral accompaniment. In 1927 Warner Brothers released "The Jazz Singer" starring Al Jolson that included Vitaphone musical sequences. In 1928 the studio released "The Lights of New York", the first all-dialogue film, making Warner Brothers a major Hollywood studio. Offered here is a very rare, if not the only extant copy, of a 24 sheet advertising Warners' new Vitaphone process. Very Fine, Not Backed.
His Captive Woman (First National, 1929). One Sheet (27" X 41"). Dorothy Mackaill and Milton Sills star in this love story set in the South Seas. Good-.
The Leatherneck (Pathe', 1929). One Sheet (27" X 41"). A unique, innovative feature of this 1920s film is that it was shot from a flashback perspective, which helped it gain an Oscar nomination for Best Screenplay. William Boyd, in a pre-Hoppy role, befriends Robert Armstrong and Alan Hale (who plays a German soldier) after WWI, and the trio sets off to rescue Boyd's girl when a villain steals her away. The other style One Sheet sold in our July auction for over $700. This one is not backed, and is in better condition. Fine/Very Fine.
The Foundling (Paramount, 1916). One Sheet (27" X 41"). America's Sweetheart was the title Mary Pickford was given by the mid-twenties after a ten year reign as the most popular star of the silent screen. This beautiful H. C. Miner Litho was released depicting an early starring role for Pickford, and her first foray into movie producing! Pickford would later go on to found United Artists, one of the most successful studios of Hollywood's Golden Age. The film revolves around an orphan who is abandoned after her mother dies in childbirth and her father deserts her. He goes on to become a prominent artist and years later resolves to find her. Pickford plays Molly O, the kindhearted child who is mistreated by a boardinghouse mistress. Very Fine/Near Mint on Linen.
Scarlet Seas (First National, 1928). Three Sheet (41"x81"). Richard Barthelmess portrays a sea captain that rescues a Shanghai prostitute, by taking her aboard his ship. But when his ship sinks, the two are trapped on a lifeboat until they are in turn rescued by a ship filled with mutineers. Barthelmess quickly defeats them, thus saving the other ship's captain and daughter. Blazing colors adorn this stunning stone lithograph. Fine+.
Don Q, Son of Zorro (United Artists, 1925). (3) Lobby Cards (11" X 14"). The original swashbuckler, Douglas Fairbanks, stars in this rousing sequel to his previous hit film, "The Mark of Zorro" (1920). Though already a film star by the time he made "Mark of Zorro" this was his first swashbuckler and he had never learned anything about fencing prior to starting the film. Fairbanks was a natural athlete, did all his own stunts and took to the sword with ease. The majority of the films he made subsequently featured fencing and thus began the swashbuckler epic. Fairbanks died of a heart attack at the relatively young age of 56 years in 1939 and is always remembered as one of the great silent screen stars. (2) cards in Very Fine condition. (1) card has been backed with replaced borders, Good condition. Fine.
Wedding March, The (Paramount, 1928). Lobby Card (11" X 14"). One of Erich Von Stroheim's best, this film is set during the Austro-Hungarian Hapsburg regime and stars director Von Stroheim as Prince Nikki, a young impoverished aristocrat who is advised by his parents to marry into money if he hopes to keep up his lavish lifestyle. But Nikki falls in love with a peasant girl. This is a linen finish card with image of Von Stroheim and Zazu Pitts. Very Fine.
Seventh Heaven (Fox, 1927). Window Card (14" X 22"). In 1927, Janet Gaynor won the first Academy Award for Best Actress with her performance in this film. Fate brings two people together, who despite their poverty and hard luck, fall in love and get married. But their bliss is shattered when the husband is called to fight in World War I and is thought to have been killed in battle. Gaynor renounces her faith in God, not knowing that the man she loves was only wounded and is trying to find his way back to her. This film was one of the most celebrated romances of the late silent era. Fine+.
Sinners in Silk (MGM, 1924). Title Lobby Card (11" X 14"). What a great title and image for this pre-code silent drama. This Lobby Card depicts a young woman (with a dramatically dipping bustline) and a heart tattooed on her breast.This lovely silent Lobby Card pictures a young Hedda Hopper before she became one of the most powerful women in Hollywood with her newspaper gossip column. The film's tagline was "Here is the truth about today's flappers and lounge lizards!" The drama also starred a young Adolph Menjou and Jean Hersholt. Fine.
Sky Raider, The (Associated Exhibitors, 1925). (2) Lobby Cards (11" X 14"). Captain Charles Nungesser of France was one of the top flying aces from WWI. Even though the studio knew he was no actor, they figured he would certainly draw picturegoers to any film that featured his flying skills. Two very rare lobby cards are offered in this lot, each features the famous aviator. Fine+.
Shameful Behavior (Preferred Pictures, 1926). One Sheet (27" X 41"). Edith Roberts portrays Daphne Carroll, a gawky teenager who gets shipped off to boarding school in Paris. When she return however, she has been transformed into a European fashion plate, with very radical views about love and fidelity, that don't go over well with hometown sweetheart Curtis Lee, portrayed by Harland Tucker. Bold colors and brilliant hues adorn this wonderful stone litho One Sheet. Fine+.
Eternal Love (United Artists, 1929). Half Sheet (22" X 28"). The great Ernst Lubitsch directs his last silent film, and his only film with John Barrymore. This film was recently restored for video release with the original pre-synchronized sound music tracks. Critics were unanimous in their praise of this long unseen masterpiece. This lovely Half Sheet features the three stars, Camilla Horn, Barrymore, and the little known, but stunning, Mona Rico. Rolled, Fine.
Beloved Rogue (United Artists, 1927). Three Sheet (41" X 81"). John Barrymore stars in this wonderful comedy as Villon, the king of fools. When he makes a joke at the Duke's expense, he is banished and returns only after he foils an attempt on the king's life. This stunning Three Sheet captures the great actor in all his splendor. Large format posters from the silent era are extremely scarce as most were destroyed in the process of displaying them. Fine/Very Fine on Linen.
His Captive Woman (First National, 1929). Three Sheet (41" X 81"). After killing her sugar-daddy, cabaret dancer Anna (Dorothy Mackaill) escapes to the South Seas where she is apprehended by Tom McCarthy (Milton Sills), a New York detective. Arresting her, McCarthy charters a steamer, which sinks on its way back to New York, leaving Anna and the detective stranded on a remote island. They fall in love on the island and Anna begins to change her ways. They are rescued and Anna stands trial, where Tom comes to her defense. This late comer in the silent film era had talking sequences, with sound effects and a musical score. Mackaill and Sills were both sizable stars for First National at the time of this release. Sills was a philosophy professor at the University of Chicago until lured away to the Broadway stage where his success lead him to film. His career was on the move until he died of an untimely heart attack at age 48 in 1930. This is a beautiful zinc plate lithography. Very Fine on Linen.
Wuthering Heights (United Artists, 1939). One Sheet (27" X 41"). Emily Bronte's novel was adapted into one of the most romantic motion pictures ever made. Olivier was nominated for Best Actor, and the film was nominated for Best Picture. Too bad it came out the same year as "Gone With the Wind," otherwise it might have won many of the awards it was nominated for. It is still considered one of the true classics of the silver screen, and is a "must see" on many people's lists. Fine- on Linen.
Strange Cargo (MGM, 1940). One Sheet (27" X 41"). The title of this picture was really appropriate, as it is one of the strangest films MGM ever made. Joan Crawford and Clark Gable, along with several other inmates, attempt an escape from a penal colony in French Guiana. However, one of the inmates is really God giving assistance and redemption to each prisoner! The One Sheet for this film is spectacular and represents one of the best portraits of Gable and Crawford to ever appear. Very Fine- on Linen.
A Woman's Face (MGM, 1941). Special One Sheet (27" X 41"). While not a true advance, this is a special promotional poster that MGM released for this Joan Crawford picture. And what a film! This may be one of Joan Crawford's best roles, a film that delves into the psyche of a woman whose face is horribly disfigured. When her face is corrected with plastic surgery, her outlook on life changes as well. George Cukor stepped away from his usual role of directing light melodramas for women and created this masterpiece of social commentary on the relationship between people's appearance and their behavior. In twenty-five years of collecting posters, we've never seen another copy of this rare one sheet. Fine.
Joan Crawford Lot (MGM, 1938-1942). (3) One Sheets (27" X 41"). Much has been said and written about the legendary Joan Crawford. Whether you love her or hate her, no one can argue that she was one of the greatest performers during the Golden Age of Hollywood. In a career that would span nearly 50 years, she left an indelible mark on the film industry. Offered in this lot are (3) One Sheets; "They All Kissed The Bride" (1942), "Shining Hour" (1938), and "When Ladies Meet" (1942). All of these posters would grade Very Good/Fine.
Mommie Dearest (Paramount, 1981). French Poster (47" X 63"). This film is based on Christina Crawford's scathing autobiography about growing up as the adopted daughter of film legend Joan Crawford. Christina and her brother Christopher were left out of Ms. Crawford's will, which leads some to speculate that the book may have been written in retaliation rather than the alleged lifetime of parental abuse.This film has attained a cult classic status with Faye Dunaway's frightening performance of Crawford. Very Fine+ on Linen.
Joan Crawford Personality Poster (MGM, 1936). Portrait Poster (28" X 22"). Throughout the thirties MGM Studios' advertising said it was "the studio with more stars than in heaven". They would constantly remind the public of that with the distribution of what were known as their "Personality Posters". There was a set distributed in 1930, 1932, and 1936. This lovely portrait is of one of their leading female stars, Joan Crawford. This was the year of "Love on the Run" and "The Gorgeous Hussy". This gorgeous poster is glossy and was printed on a card stock that makes them fragile today. This copy has wonderful strong colors and is not brittle, but has has slight chipping on all four corners. Very Fine.
Love On the Run (MGM, 1936). Title Card (11" X 14"). They made eight films together, were the top stars in Hollywood, and as Joan told it, had an affair that lasted thirty years until his death. Joan Crawford and Clark Gable star in this romantic comedy about a reporter in whose push to get a story gets involved with a runaway bride, a rival reporter and a couple of German spies! This lovely Title Card is one of the most attractive posters from the film. Very Fine/Near Mint.
Chained (MGM, 1934). Lobby Card (11" X 14"). MGM cast two of its leading stars, Joan Crawford and Clark Gable, in this romantic saga set on the high seas. One of the nicest cards from the set that features both Gable and Crawford, displayed in rich, vibrant colors. Fine-.
Red Dust (MGM, 1932). Half Sheet (22" X 28"). Clark Gable runs a rubber plantation and Jean Harlow plays a working girl down on her luck in this electrifying drama that cast these two stars together for the first time. The result was explosive and raised eyebrows across America for Harlow's decadent and suggestive actions. This is one of the best pictures of pre-code Hollywood and is legendary in the history of the cinema. Posters from this title are next to impossible to acquire and this is the only copy of a Half Sheet that we know of. In 2001 a unique One Sheet sold for $27,000.00. Fine+ on Paper.
Her Jungle Love (Paramount, 1938). One Sheet (27" X 41"). After the success of "Jungle Princess" in 1936, Ray Milland and Dorothy Lamour were reunited for this romantic adventure set in Malaya. Milland is a pilot who crash-lands on an island and is rescued by Lamour. Of course, romance flourishes and tribal jealousies are aroused. The posters that Paramount created for Lamour are considered some of the best! Very Fine.
Glamour (Universal, 1934). Half Sheet (22" X 28"). "Glamour" is based on a story by Edna Ferber, about an actress (Constance Cummings), who is so busy with her career that there's no time left over for her child. She leaves her baby and the father (Paul Lukas), to have an affair with singer Lorenzo Valenti (Philip Reed). In the end, however, her maternal instincts win out and she returns to baby and father. Rolled, Very Fine on Paper.
You're a Sweetheart (Universal, 1937). One Sheet (27" X 41"). She was born in New York's Hell's Kitchen, but rose to fame as singer for Rudy Vallee's band. When Vallee went to Hollywood to do Fox's film version of "George White's Scandals", Alice Faye was given one song in the picture. The film's leading lady Lilian Harvey walked off the picture and Faye stepped in and walked away with the picture. Throughout the thirties, Alice Faye was one of Hollywood's top draw female stars and was featured in musicals such as the one this gorgeous Universal one sheet promotes. Very Fine- on Linen.
Lillian Russell (20th Century Fox, 1940). (40" X 60") Photo Gelatin. Alice Faye starred in this spectacular musical production about the famous Lillian Russell, an entertainer from the 1890s until her retirement in 1912. Henry Fonda portrayed Alexander Moore, a newspaper owner whom Russell would eventually marry. Daryl Zanuck went all out to produce the film and advance Faye as a star. This spectacular poster, like the Three Sheet, features the best graphics of Faye in the legendary diamond-studded corset. Fine- on Linen.
Rage of Paris (Universal, 1938). (40" X 60") Photo Gelatin. Screwball comedy, where French actress Daniell Darrieux made her film debut as a French model who's come to New York to find a job. She finally lands a nude modeling position but gets the address mixed up and winds up stripping for businessman Douglas Fairbanks, Jr. Fairbanks thinks she's a cheap tramp and tries to stop her with great comic flair, all the while Darrieux friends are scheming to get her to marry a millionaire. Fine+.
Cover Girl (Columbia, 1944). Lobby Card (11" X 14"). This comedy/musical showcases the talents of Rita Hayworth and Gene Kelly. Hayworth plays Rusty Parker, a woman whose ambition is to become a Broadway star. But to achieve her goal, she will have to leave the small dinner theater where she works, and her true love, Danny McGuire, played by Kelly. Great Title Card displays a nice shot of Hayworth. Fine.
Tonight and Every Night (Columbia, 1945). Italian 2- Fogli Poster (39" X 55"). Based on a play by Leslie Storm, this musical was made as a wartime morale booster. The story takes place in an old music hall, during the height of the blitz, in war ravaged Britain. Five times a day, no matter what, the entertainers perform for the ever-appreciative troops. An absolutely stunning image of Rita Hayworth by artist Anselmo Ballester graces this wonderful Italian poster. Very Fine- on Linen.
My Gal Sal (20th Century Fox, 1942). (1) Title Card and (1) Scene Card. Born Rita Cansino to spanish dancer Eduardo Cansino, Rita learned dancing from the age of three. She was signed to Fox at the age of fifteen and later to Columbia where she changed her name and her hairline. She was lent out to Fox for this period musical which was just at the time that Hayworth was being recognized as a star. Offered here are a lovely Title Card and a nice scene card of this early starring vehicle for Hayworth. Both cards have censor stamps on them. The title card has minor stamp in the lower right border and the scene has an inobtrusive stamp in the background. Fine.
Fifth Avenue Girl (RKO, 1939). (40" X 60") Photo Gelatin. This is a charming, timeless comedy as Ginger Rogers stars as a girl who befriends a millionaire who is having marital and business problems. When she moves in to his house, she seems to fix every problem around, and makes everyone else feel better about life. This spectacular 40" X 60" has completely different art from the rest of the film's advertising campaign, and should appeal to Rogers and comedy fans everywhere. Very Fine- on Linen.
Walking On Air (RKO, 1936). Half Sheet (22" X 28"). Ann Sothern, star of the Maisie Revere series and television's long running series, "Private Secretary" and "The Ann Sothern Show," made several films at RKO in the mid-thirties. This musical comedy co-starring Gene Raymond being one. This lovely image of a very young Ann Sothern is sensational. Very slight lower right corner water damage. Rolled, Very Fine.
Love Happy (United Artists, 1950). Lobby Card (11" X 14"). The Marx Brothers are at it again, this time trying to help some Broadway hopefuls stage a show, while trying to thwart the plans of thieves who have stolen the Romanoff diamonds. The real treasure of this rare card is the stunning image of a young Marilyn Monroe, making this extremely difficult to find in any condition. Very Fine/Near Mint.
Niagara (20th Century Fox, 1953). One Sheet (27" X 41"). Marilyn Monroe stars in this moody film noir about a newlywed who plans to murder her husband while honeymooning at Niagara Falls. The poster for this film is one of Monroe's best, as she is depicted laying sensuously across the famed setting! Very Fine- on Linen.
Seven Year Itch, The (20th Century Fox, 1955). One Sheet (27" X 41"). Billy Wilder directed this amusing sex farce about the temptations of a middle-aged married man. His troubles begin when he sends his family away for the summer, letting his overactive imagination go wild when a delightfully, voluptuous blonde (Marilyn Monroe) moves in upstairs. Very Fine+ on Linen.
Gentlemen Prefer Blondes (20th Century Fox, 1953). One Sheet (27" X 41"). Marilyn Monroe was at the turning point in her career when she made this colorful musical comedy, directed by Howard Hawks. From this film on, her star would reach astronomical heights. The movie follows the 1949 Broadway musical adaptation, including Monroe's immortal rendition of "Diamonds are a Girl's Best Friend." Though Monroe is the film's main attraction, co-star Jane Russell also dazzles with her most amazing performance. Very Fine- on Linen.
Breakfast At Tiffany's (Paramount, 1961). One Sheet (27" X 41"). This is Blake Edwards' charming romantic comedy about socialite Holly Golightly (Audrey Hepburn), who's searching for a rich man to marry, and her romance with a struggling young writer (George Peppard) who moves into her apartment building. Based on a best selling novel by Truman Capote. Although this title is brought to auction with some frequency, the fine condition of this copy is indeed rare. Very Fine+ on Linen.
Baby Doll (Warner Brothers, 1956). British Quad (30" X 40"). It was banned in some cities and condemned by the Legion of Decency run by the Catholic church. This was Tennessee Williams' screenplay directed by Elia Kazan, in a tale of two Southern rivals who are vying for the attention of a nineteen-year-old virgin named Baby Doll, played by Carroll Baker. The posters for this film have become very collectible, and this Quad features the primary focus of the One Sheet, Baby Doll. Notice the large Certified X rating on the poster. Very Fine on Linen.
The Bad and the Beautiful (MGM, 1950). Half Sheet (22" X 28"). Many consider this Hollywood drama to be one of the film industry's best introspective profiles. Kirk Douglas portrays a corrupt head of a major film studio that has lied, cheated, and double-crossed his way to the top. Great supporting cast includes Lana Turner, Dick Powell, Walter Pidgeon, Gloria Grahame, and Barry Sullivan. The film won five Academy Awards, including Best Screenplay and Best Supporting Actress for Grahame. Fine+.
Lust For Life (MGM, 1956). Three Sheet (41" X 81"). Kirk Douglas gave one of his best performances as Vincent Van Gogh in "Lust For Life," a biopic on the troubled life of the Dutch impressionist. Anthony Quinn would receive an Oscar for his role as Paul Gauguin. The film was very close to Douglas, as he was a major art collector for years, and it certainly showed in this stunning performance. The most amazing aspect of this poster is that MGM went against the usual "look" of a movie poster, and tried to create an image that might have been painted by Van Gogh himself! Very Fine on Linen.
East of Eden (Warner Brothers, 1955). One Sheet (27" X 41"). This was the debut film that brought James Dean to the attention of the world and the only film released while he was still alive. The screenplay was based on John Steinbeck's great novel of the same name, a story about two brothers and their attempt to win their father's love. Released in 1955, the same year as Dean's "Rebel Without a Cause," this movie featured the actor in his sullen prime and was one of the films responsible for the cult that grew up around him. Dean's performances in both movies would establish him as an icon for the youthful discontent for decades to come. Fine/Very Fine on Linen.
The Wild One (Columbia, 1953). Insert (14" X 36"). Marlon Brando was the natural choice to play the leather-jacketed motorcycle gang leader in "The Wild One." He brought an aloof toughness to the role that set the standard for all other juvenile delinquent films. The rival gang was led by a sadistic hood, portrayed by Lee Marvin. Many consider this colorful insert to be the best piece for this title. Fine.
Jailhouse Rock (MGM, 1957). Insert (14" X 36"). Long before MTV came along, the movies gave teenagers a look at rock n' roll stars of the 1950s and 1960s performing their current hits. Elvis Presley was literally the "King of Rock 'n' Roll" when he gyrated his way to on-screen success in "Jailhouse Rock." This insert is one of the best posters on the film, and rarely does it come along in this condition as this film was re-released and the paper got a lot of use. This insert is Rolled and in Near Mint/Mint condition.
Blue Hawaii (Paramount, 1961). Insert (14" X 36"). Elvis Presley's best and most successful post-Army film was this picture that set the stage for all of Elvis's films to follow; hit tunes worked into a simple story where Elvis always gets the girl! Some consider this a turning point in Elvis's acting career where he became more of a cultural icon and less of a serious actor. This is one of the most collectible posters for this title. Fine+.
Flaming Star (20th Century Fox, 1960). Insert (14" X 36"). Elvis Presley was given very few movie roles that would prove he was as competent actor as he was musician and rock star. "Flaming Star," "King Creole," and "Jailhouse Rock" would prove that Presley could handle strong roles with a message, but Colonel Parker had other ideas and soon cast the teen sensation in formulaic movies starting with "Blue Hawaii" in 1961. This rolled insert is perhaps the best poster on the title, and it rarely shows up. Rolled, Very Fine+.
Viva Las Vegas (MGM, 1964). Style B One Sheet (27" X 41"). Elvis and Ann-Margaret -- what a combination for one of the better films of Elvis' career. This has remained one of Elvis' most popular films over the years and the posters have always been in high demand. This is the rare Style B One Sheet that seldom comes to market. Very Fine+.
The Phantom Strikes (Monogram, 1939). One Sheet (27" X 41"). A Scotland Yard investigator and a police doctor unite to find "The Ringer," a mysterious killer that is a master of disguise and deception. Based on an Edgar Wallace mystery. Attractive stone lithograph displays the cast in vibrant colors. Fine on Linen.
Blake of Scotland Yard (Victory Pictures, 1937). One Sheet (27" X 41"). A 15-episode, sci-fi action serial, that has the hero, Herbert Rawlinson, doing battle with the "Scorpion" over possession of a deadly death ray machine. Beautiful stone lithograph has the villain gazing menacingly while displaying a crab-like claw. Fine+ on Linen.
The Scarlet Claw (Universal, 1944). One Sheet (27" X 41"). Many critics agree that "The Scarlet Claw" is the best film in the Holmes series created at Universal. Roy William Neill, who directed the majority of Holmes pictures, crafted this thriller with suspense in the same style as the Universal horror pictures of Lon Chaney and Boris Karloff! A legendary glowing monster has been stalking the moors, and several people have been found dead with their throats ripped open! Holmes and Watson are called in and (of course) solve the murders! The One Sheets for this title are far scarcer than the later entries in the Holmes series. Very Fine- on Linen.
Dressed to Kill (Universal, 1946). One Sheet (27" X 41"). When buyers of some music boxes begin showing up dead, Sherlock Holmes and Dr. Watson are brought in to help solve the case. It turned out that an inmate in Dartmoor prison had hidden the location of some Bank of England printing plates in the various music boxes. This was Basil Rathbone and Nigel Bruce's last appearance in a Holmes film, as Rathbone felt he had become too typed as Sir Arthur Conan Doyle's legendary character. Very Fine on Linen.
The Woman in Green (Universal, 1945). Six Sheet (81" X 81"). Sherlock Holmes and his assistant, Dr. Watson, are pit against two adversaries in this thriller! The evil genius of Dr. Moriarty and the seductive villainy of the Woman in Green made this film one of the best in the Sherlock Holmes series. Stunning in this large format, this poster is in true near mint condition and may never be seen this way again! Sherlock Holmes posters are some of the most collectible in the hobby. Near Mint.
Pursuit to Algiers (Universal, 1945). Half Sheet (22" X 28"). Basil Rathbone and Nigel Bruce are back as Sherlock Holmes and Dr. Watson in this mystery thriller aboard a transatlantic ocean liner, escorting far-eastern regent Nikolas (Leslie Vincent) on a diplomatic mission. This series is one of the most loved of the genre, and audiences so closely identified Rathbone and Bruce with the roles that they became typecast throughout the rest of their careers. Rolled, Very Good/Fine.
Pearl of Death (Universal, 1944). One Sheet (27" X 41"). This was one of the few entries in the Sherlock Holmes series that was actually based on a story, "The Six Napoleons," by Sir Arthur Conan Doyle. In this case, Holmes must locate the Borgia pearl before the Oxton Creeper kills another owner of a Napoleonic statuette where the pearl is hidden. Rondo Hatton appeared for the first time as the stalking murderer, The Creeper, a character who would join the pantheon of Universal monsters along with the likes of The Mummy and Frankenstein. Very Fine.
House of Fear (Universal, 1945). Three Sheet (41" X 81"). If any of the Sherlock Holmes pictures with Basil Rathbone and Nigel Bruce could be looked upon as Horror films, this one would surely fill the bill. Based on Sir Arthur Conan Doyle's "The Five Orange Pips" and set in Scotland in an "old dark house", this thriller directed by Roy William Neill had more atmosphere than most Lon Chaney epics! This beautiful Three Sheet is a true rarity and would be the cornerstone of any Holmes collection. Very Fine+.
Terror By Night (Universal, 1946). Three Sheet (41" X 81"). Sherlock Holmes and Dr. Watson must solve their latest mystery aboard a train with "murder... at 90 miles an hour"! Several deaths occur, as the two sleuths must protect a priceless diamond known as the Star of Rhodesia. And, although Dr. Moriarty had finally been laid to rest in a previous film, Holmes must now do battle with Moriarty's evil lieutenant, Colonel Moran. One of the best! Fine/Very Fine.
Terror By Night (Universal, 1946). One Sheet (27" X 41"). Sherlock Holmes and Dr. Watson are on the case again. By the time "Terror By Night" was made, Basil Rathbone had appeared in twelve adventures as Conan Doyle's master sleuth, and the character was wearing a bit thin with him. However, the setting of this film was unique, aboard a train, similar to Alfred Hitchcock's "The Lady Vanishes" made in 1938. So who was Rathbone to turn down this claustrophobic adventure? Fine.
Charlie Chan on Broadway (20th Century Fox, 1937). One Sheet (27" X 41"). Earl Derr Biggers' Chinese detective, Charlie Chan, appeared in 1925 in a serialized novel format. It was only natural that the Hollywood studios would take an interest in the character, and after a few weak attempts, 20th Century Fox launched one of the most successful series in the history of the cinema with Warner Oland as the detective and Keye Luke as his number one son. In "On Broadway" Chan is called in to solve the murder of a nightclub singer who was going to expose a group of criminals at work. The One Sheets for the Warner Oland Chans are highly prized by collectors. Fine+ on Linen.
Charlie Chan at Treasure Island (20th Century Fox, 1939). One Sheet (27" X 41"). After the death of Warner Oland, Sidney Toler was called in to replace the Swedish star as the Chinese detective Charlie Chan. Many fans consider this one of the best films in the entire series due to its moody and atmospheric set on Treasure Island. The carnival atmosphere with Caesar Romero is wonderful as Chan goes after the evil Dr. Zodiac! Very Fine on Linen.
Charlie Chan at the Wax Museum (20th Century Fox, 1940). One Sheet (27" X 41"). This time around, Charlie is brought in to solve a murder in a wax museum. This concept had already been done ("Mystery of the Wax Museum," 1933), but the producers felt that Charlie Chan and his number two son would instill a new element in the idea. Although this installment was planned to be the last Charlie Chan adventure, the series proved to be too popular to kill off. Very Fine on Linen.
Charlie Chan in Rio (20th Century Fox, 1941). One Sheet (27" X 41"). Sidney Toler, reprising his role as Earl Derr Biggers' master sleuth, continued his world tour of murder -- this time in Rio de Janeiro. One of the endearing and enduring charms of the Chan series were the aphorisms and wise adages that Chan would imbue during each film. Chan would quip sayings in broken English such as, "Hasty deduction like ancient egg -- look good from outside." In recent years of political correctness, most of the Chan films have been dropped from television due to these aphorisms, and because none of the actors that played Chan in the cinema were actually of Chinese nationality. Fine+ on Linen.
The Feathered Serpent (Monogram, 1948). Insert (14" X 36"). Roland Winters was Hollywood's third Charlie Chan, continuing the oriental sleuth's cinematic run into the late 1940s. In this entry in the long running series, Chan must find out who has been killing people over rare antiques. Fine-.
Dangerous Money (Monogram, 1946). Half Sheet (22" X 28"). Sidney Toler made twelve Charlie Chan movies for Monogram Pictures. In this episode, Chan and number two son, investigate the murder of a federal agent aboard a ship bound for Pago Pago. Fine-.
Objective Burma (Warner Brothers, 1945). Insert (14" X 36"). One of the best war films made during World War 2 had Errol Flynn leading a squad of American paratroopers into the Burmese jungle to knock out a Japanese radar installation. Raoul Walsh directed, with his usual touch of authenticity. This insert is considered the best poster on the film for its singular full-length image of Flynn in GI combat gear. Fine-.
Five Gates to Hell (20th Century Fox, 1959). Insert (14" X 36"). James Clavell wrote, produced and directed this World War II drama, about a group of Red Cross doctors and nurses that are captured by a guerrilla band, so they can care for a grievously ill warlord. The doctors are eventually killed and the nurses must use ever means possible to escape. Fine+.
Sahara (Columbia, 1943). Six Sheet (81" X 81"). Humphrey Bogart starred in this WWII action adventure of a British American military unit stranded in the Sahara desert. Remade several times but never matched in its suspense and performances. This is one of the few known six sheets from this title much less any forties title! This is a classic film from the Warners' library. Fine+ on Linen.
Four Sons (Fox, 1940). One Sheet (27" X 41"). This is the remake of John Ford's classic WWI drama, except this version takes place in Europe during the late 1930s. The Nazi invasion of Czechoslovakia makes each son decide to take a different road during the war torn era of WWII. Beautifully displayed art work shows four different helmets above each character, representing the different decisions they have made. Fine on Paper.
Desert Fox, The (20th Century Fox, 1951). One Sheet (27" X 41"). James Mason is utterly convincing as Nazi Field Marshall Rommel who gained notoriety for his successful North African campaigns. This big budget, Fox film was a tremendous hit for the studio and lead to a sequel in 1953 called "The Desert Rats", with Mason reprising his role as Rommel. This is a wonderful poster from Fox's fifties heyday. Very Fine+.
Watch On The Rhine (Warner Brothers, 1943). One Sheet (27" X 41"). The incredible writing couple of Lillian Hellman (who wrote the story) and Dashiell Hammett (who penned the screenplay) produced one of the best dramas set during the turmoil of World War II. Paul Lukas stars as a refugee from Nazi Germany who intends to return to aid the underground anti-fascist movement. Lukas took the Oscar for Best Actor for the role, and the film was declared one of the ten best for 1943! Fine.
Parachute Jumper (Warner Brothers, 1932). Lobby Card (11" X 14"). Bette Davis and Douglas Fairbanks, Jr., two of Warner's rising stars, were cast in this thriller about two airline pilots forced into smuggling to make a living. Cards from early Davis films are quite collectible and scarce. Fine+.
Little Foxes (RKO, 1941). ) Australian One Sheet (27" X 40"). Lillian Hellman's play was adapted into this ruthless tale of money and power in the post-Civil War South. Bette Davis was perfectly cast as the cold and merciless sister of several brothers who try to go into business for themselves. Treachery and murder fill the screen in this, one of Davis' best films. Posters for this title are hard to come by. A rare Australian poster is offered here which differs dramatically from the American One Sheet, as the Australian version contains beautiful Stone Litho printing. Very Fine on Linen.
The Letter (Warner Brothers 1940). One Sheet (27" X 41"). Bette Davis is a cold-blooded killer who quips, "I still love the man I killed," and is acquitted of the murder. The attorney secretly purchased a letter that would have implicated Davis's character, and then buries it to get her acquitted on self-defense. William Wyler's masterful film noir begins with a long tracking shot that would be imitated years later by Orson Welles in "Touch of Evil." This remains one of Davis's best films and the posters are always in high demand. Fine.
This Gun For Hire (Paramount, 1942). One Sheet (27" X 41"). This is one of the seminal films noir as a hit-man named Raven is bent on getting revenge against a man who paid him in hot cash for a job he did. Along the way, he meets Ellen (Veronica Lake) who forms an uneasy alliance with him. Alan Ladd, as the cruel protagonist, received fourth billing on the film but was the true star of the picture. For Lake, this was the second film she made sporting her "peek-a-boo" hairstyle which soon became her trademark. "This Gun For Hire" was also the first pairing of Ladd and Lake, a duo that would become a true icons of the film noir genre. The One Sheet for this film is considered one of the most important and best graphically designed posters of the entire hobby. It is also one of the most sought-after posters, and regularly commands prices in the $10,000+ range. Very Good+ on Linen.
Roadhouse Murder, The (RKO, 1932). Window Card (14" X 22"). An eager cub reporter visits a roadhouse, stumbles across a corpse and decides to drum up a little notoriety for himself by pretending to make it look as if he were the killer. Of course, the plot heats up when he can't exonerate himself from the mess he's made. This was an early sound thriller for RKO and they were trying out their new talent, Dorothy Jordon and Eric Linden and Roscoe Ates. Jordon retired in the mid-thirties but returned in the fifties to play Martha Edwards in "The Searchers", Ethan's sister-in-law. The graphics on this early window card is the fun part. Fine.
Nightmare Alley (20th Century Fox, 1947). Three Sheet (41" X 81"). Based on a lurid bestseller by William Lindsay Graham, this film was Tyrone Power's attempt to break his stereotype as a romantic lead and stretch into other roles. Drifter Power finds work as a barker for a rundown carnival where he become fascinated with the illegal sideshows and the various cons of the "carney world". Fine on Linen.
Winterset (RKO, 1936). Half Sheet (22" X 28"). Based on Maxwell Anderson's Broadway play starring Burgess Meredith for whom the play was written, the tale of the son of a falsely-accused immigrant who seeks revenge for his father, was the predecessor to the great film noir classics of the following decade. Meredith makes his screen debut with the role he made famous on stage. Maxwell Anderson would go on to write the noir classic "Key Largo." Rolled Half Sheet with minor water damage to the lower right corner. Fine+.
The Murder Man (MGM, 1935). (1) Title Card and (4) Scene Cards (11" X 14"). Spencer Tracy stars in this thriller as a crack reporter known as "The Murder Man" for his incredible abilities at covering homicide cases. But the nickname has more than one meaning when Tracy actually commits a murder and eventually turns himself in. Besides being a good film for Tracy, the movie is also notable as giving Jimmy Stewart his screen debut! Fine/Very Fine.
Deadline at Dawn (RKO, 1946). One Sheet (27" X 41"). Adapted from a novel by Cornell Woolrich, this murder/mystery is about a sailor on leave in New York, who gets slipped a doped cocktail and wakes up to find himself involved in a murder. Fine performances by Susan Hayward, Paul Lukas and Bill Williams. Fine+.
Sorry, Wrong Number (Paramount, 1948). Half Sheet (22" X 28"). Burt Lancaster stars in this grim tale of a man who plots to kill his invalid wife so he can inherit her estate. This suspenseful film noir was adapted from a radio play which first aired in 1943. Stanwyck is marvelous as the invalid wife whose medical condition turns out to be psychosomatic! Rolled, Fine.
The Strange Love of Martha Ivers (Paramount, 1946). Half Sheet (22" X 28"). Barbara Stanwyck, who rose to fame in pre-code films and later re-inventing herself as a femme fatale in films noir, stars as Martha Ivers in this moody mystery. Kirk Douglass, in his film debut, plays her spineless husband and Van Heflin plays Martha's first love, coming back to his hometown and being pulled into a murder committed when he was a child. Elizabeth Scott came to fame in this picture for her mysterious looks and husky voice. Rolled, Fine.
Laura (20th Century Fox, 1944). One Sheet (27" X 41"). Dana Andrews plays a disillusioned detective who falls in love with the victim of a murder he's been assigned to investigate. Only catch -- it turns out the woman he thought was dead wasn't the victim and now he's in love with the real live deal. Gene Tierney, who put the glam in glamorous, was cast as Laura, the supposed victim. Now it's up to Andrews to find out who's really dead, and who killed her so he can stop the murderer from trying to kill Laura again! Riveting and suspenseful, this moody thriller is still one of the best noirs. Very Fine+ on Linen.
Laura (20th Century Fox, 1944). (8) Lobby Card Set (11" X 14"). Nice lobby card set that complements the One Sheet mentioned above, displaying wonderful shots of the cast in vibrant colors, especially Gene Tierney. The others stars that highlight this set are Dana Andrews, Clifton Webb, Judith Anderson, and Vincent Price. Minor restoration was done to clean cards and eliminate corner pin holes. Very Fine.
Gaslight (MGM, 1944). Australian One Sheet (27" X 41"). It was a film unlike any director George Cukor had made before, but one he handled with unexpected style. "Gaslight" was a mystery and a thriller concerning a woman who's being intentionally driven insane by her husband. This is one of the great pictures of the 1940s and Bergman's performance can be counted as one of her best. Charles Boyer, a leading man during the 1930s, truly breaks his stereotype and becomes the definition of pure evil! This Stone Litho one sheet is strikingly attractive, more so than the similar Off-Set American poster. Very Fine on Linen.
Leave Her to Heaven (20th Century Fox, 1945). One Sheet (27" X 41"). This film was the predecessor to "Fatal Attraction" and Gene Tierney is superb in the role of the "insanely" jealous wife, as is Jeannie Crain as the natural "victim". The wonderful Stone Litho one sheet for this film has always been in hot demand and as one of the classic "film noirs" it is unrivaled. Fine on Linen.
Leave Her to Heaven (20th Century Fox, 1945). (1) Title Card and (5) Lobby Cards (11" X 14"). Based on the best-selling novel by Ben Ames Williams, "Leave Her To Heaven" stars Gene Tierney as a beautiful, but unstable, woman who marries a successful novelist, portrayed by Cornel Wilde. Tierney's love is so possessive that she commits unspeakable crimes and eventually suicide in her attempts to keep others away from her husband. Light Canadian censor stamp appears on all cards, and the Title Card would benefit from minor restoration. Fine-.
The Killing (United Artists, 1956). One Sheet (27" X 41"). This film is based on the novel "Clean Break" by Lionel White, and was director Stanley Kubrick's first major film effort. Sterling Hayden plays the mastermind of a racetrack robbery, recruiting small time hoods, who quickly get in over their heads when the scheme goes awry. Near Mint on Linen.
The Killing (United Artists, 1956) Half Sheet (22" X 28"). This was the first major film for director Stanley Kubrick and featured his first "real" cast as well, headlined by Sterling Hayden. The film centers around the robbery of a race-track and explored another recurring Kubrick theme; that man is fallible and the best laid plans go awry. Posters for this title have recently surged in popularity and become difficult to get. This macabre half sheet no doubt was edgy when first distributed and still retains it's punch with this silent, gruesome depiction of the murderous crime scene. Fine/Very Fine on Paper.
Johnny O'Clock (Columbia, 1947). Insert (14" X 36"). Dick Powell, who reinvented his career in the 1940s after playing leading men in the 1930s, plays a gambler and gangster who must find out who murdered a corrupt cop while avoiding his gambling partner who wants to kill him. This gritty and seedy thriller was Robert Rossen's first effort at direction. Rossen would go on to direct "Body and Soul" as well as "The Hustler". Dick Powell, along with Robert Mitchum, would go on to define the loner that would typify almost every protagonist of the film noir genre. Fine/Very Fine.
Out of the Past (RKO, 1947). Title Lobby Card (11" X 14"). This multi-layered film noir classic is the one that wrote the vocabulary of the genre. Jacques Touneur, creator of "Cat People" and "I Walked with a Zombie", directs the film from a script partially written by an uncredited James M. Cain and credited to Daniel Mainwaring, based on his novel called "Build My Gallows High". Tourneur's masterful ability to create a doom-laden, dark, shadowy mood of terror, assisted by black and white cinematographer Nicholas Musuraca, is perfectly blended into this tragic film noir classic. Robert Mitchum gives the defining performance of his career, and Jane Greer, vividly portrays the erotic and lethal femme fatale. Posters for this film have always been difficult. Fine/Very Fine.
Double Indemnity (Paramount, 1944). One Sheet (27" X 41"). Life insurance. The idea was simple enough; when you died, your beneficiaries would be compensated for their loss of your income. It was also an e-ticket for a family member with big ideas to send you on a one-way trip to the big sleep. Director Billy Wilder used James M. Cain's famous novel as the basis for this seminal film noir. However, the screenplay was written by the leading noir author of the era, Raymond Chandler. No one could ever match Chandler's dialogue, and the result was a legendary film that was nominated for Best Picture. Very Fine+.
Macao (RKO, 1952). One Sheet (27" X 41"). Sleepy-eyed Robert Mitchum plays an ex-GI on the run from the law and ends up in a scheme to capture a seedy nightclub owner in Macao who's wanted for murder in New York. The movie feature's a who's who in film noir with Mitchum, William Bendix, Jane Russell and Gloria Grahame. It was partially directed by Josef von Sternberg and finished by "Rebel Without a Cause" director Nicholas Ray! Very Fine on Linen.
The Postman Always Rings Twice (MGM, 1946). One Sheet (27" X 41"). James M. Cain's shocking crimer told a gritty story of a drifter who starts work in a diner and soon begins an affair with the owner's wife. The dissatisfied hussy decides that her husband needs his ticket punched, and turns to the drifter to do the dirty work for her. Lana Turner, a platinum blonde bombshell, was cast as the insatiable wife, and John Garfield was the man who drifted into her irresistible charms. Although the novel was written in 1934, MGM had to wait until 1946 before they were allowed to make such an unsavory film. That's the way we like 'em, and that's the reason this is one of the most important graphics of the entire film noir genre. Very Fine- on Linen.
The Fallen Sparrow (RKO, 1943). One Sheet (27" X 41"). John Garfield stars in this war-time thriller about a vet investigating the murder of a close friend. During the investigation he uncovers a group of Nazi spies and saboteurs. This film was typical of many war-era pictures where good triumphs over evil in the end, and even those whom you wouldn't normally expect to be bad turn out that way. This marked the only time Maureen O'Hara ever played the villain! Very Good/Fine.
Lady From Shanghai (1948 Columbia). One Sheet (27" X 41"). One of the best films noir ever made featured director/writer/actor Orson Welles as Michael O'Hara, a down-and-out shoreman hired by a wealthy attorney to captain his yacht. While on a trip, O'Hara falls in love with the attorney's wife, played by Rita Hayworth. The film includes one of the most famous and often-imitated scenes in movies; the hall of mirrors sequence. Welles had his leading lady and real-life wife Hayworth dye her famous auburn tresses into a platinum blonde. When studio head Harry Cohn saw the rushes he fumed and delayed the release for over a year. Harry was wrong. Hayworth was as beautiful as a blonde as she was a red-head! Posters for this title are very sought after and seldom appear on the market. Very Good/Fine on Linen.
Third Man, The (British Lion Film, 1949). British One Sheet (27" 40"). Carol Reed's "The Third Man" is one of the more odd successes among international films of the late 1940s. Here was a quirky movie from England, with Hitchcock-like touches and an odd sense of humor, that manages to be grim, and wryly witty, while retaining a good bit of author Graham Greene's sensibility. Producer Alexander Korda wanted Noël Coward to play the mysterious Harry Lime, but, once Orson Welles was cast in the part, the movie became a testament to his presence and impact; he's only on screen for about a quarter of the movie, but he's the actor that everyone remembers. Offered here is the original British one sheet to this classic British post-WWII thriller. Very Fine+ on Linen.
The Stranger (RKO, 1946). One Sheet (27" X 41"). Orson Welles directed and starred in this thriller set in a small New England town. Welles is a Nazi war criminal hiding in America and seeking to kill other ex-Nazi's who could expose his past. The poster for this film is absolutely stunning and is a favorite among noir enthusiasts. Fine+ on Linen.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14"). Director Orson Welles was only 25 years old when he was given free reign at RKO to create a motion picture of his own desire. The result was Citizen Kane and to this day, it is still heralded by critics as the greatest motion picture ever made. The film almost never saw light of day, however, when it was discovered that the plot was loosely based on the life of publisher William Randolph Hearst. The studios were so afraid of Hearst that they offered to buy the prints from RKO and destroy them forever! This pivotal scene from the film features Welles as the publishing magnate Charles Foster Kane. Very Fine-.
I Know Where I'm Going (Rank, 1945). One Sheet (27" X 41"). A romance/drama about a "modern woman" (1940s style), portrayed by Joan Webster, who has her life mapped out and "knows where she is going." But then she travels to the Western Isles of Scotland, where life moves at a different pace, and it makes her re-evaluate her decisions. Very Good.
Caesar and Cleopatra (United Artists, 1945). Lobby Card Set (11" X 14") and Insert (14" X 36"). George Bernard Shaw adapted his own play for the screen in this film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Leigh's star was still shining brightly from her role as Scarlet O'Hara at the time she made this film. A young Stewart Granger appears in a supporting role. Offered here is a beautiful portrait Insert and complete Lobby Set from this film. Both grade Very Fine.
Bicycle Thief, The (Ente Nazionale Industrie Cinematografiche (ENIC), 1948). (8) Italian Photobustas (Approximately. 14" X 20"). The recipient of international acclaim, Vittorio de Sica's Italian Neorealist masterwork, "The Bicycle Thief", is a treasure of world cinema. Unable to get studio funding for the film, De Sica financed the film with the help of his friends. Shot on location in Rome, De Sica purposefully avoided the city's most striking monuments in order to make the story more universal and used non-actors in the lead roles to heighten the reality. Lamberto Maggiroani, the film's lead, was a 39 year old steelworker who lost his real job after the film finished production. This film won awards from the British Film Academy, the New York Film Critics, and the Academy Award as Best Foreign Film. Offered in this lot are eight of the ten original Italian photobustas released for this film. Very Rare. Fine on Paper.
Hamlet (Universal, 1948). Half Sheet (22" X 28). Director, producer, and star, Laurence Olivier's production of the Shakespeare classic has come to be regarded as the best screen version, out of several dozens made. Inventive camera work along with modern, psychological interpretations of Shakespeare's play, help create the masterpiece that won four Academy Awards for Best Picture, Best Actor (Olivier), Best Black and White Art Direction/Set Direction, and Best Black and White Costume Design. Rolled, Very Fine-.
Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41"). Director David Lean was a master storyteller of the great historical epics. His two masterpieces were "Lawrence of Arabia" and "Bridge On The River Kwai." Taken from the writings of T. E. Lawrence, Lean brings to life the drama that reshaped the political history of Saudi Arabia. Fantastic cast including Peter O'Toole, Alec Guinness, Anthony Quinn, Omar Sharif, José Ferrer, and Claude Rains, among others. This is the highly sought "Roadshow Release Style" of the One Sheet. Scarce among collectors, especially in this condition. Near Mint on Linen.
Lawrence of Arabia (Columbia, 1962). French (47" X 63"). Although David Lean began his career as an editor in the British cinema, he was to make his lasting impression in the movies as a director of quality epics. He won two Oscars for Best Direction for his work on "The Bridge on the River Kwai" and "Lawrence of Arabia" and was the recipient of a lifetime achievement award from the American Film Institute in 1990. This film has been heralded as a true masterpiece of the cinema and has inspired filmmakers such as Martin Scorsese and Steve Spielberg. Offered here is the French Roadshow release poster with art attributed to Georges Kerfyser. Very Fine+ on Linen.
Doctor Zhivago (MGM, 1965). Style B One Sheet (27" X 41"). David Lean's romantic epic set against the Bolshevik revolution, starring Omar Shariff as the poet/surgeon, who came to fame in Lean's "Lawrence of Arabia." The film went on to win five Oscars. Fine+.
Doctor Zhivago (MGM, 1965). British Quad (30" X 40"). This is the country of origin poster for this classic David Lean epic. The beautiful artwork on this colorful British Quad, which features a nice bust shot of Julie Christie and Omar Sharif, set against the backdrop of charging Cossacks during the Russian Revolution, is perhaps one of the best posters for this film. Rolled, Very Fine+.
Exodus (United Artists, 1960). One Sheet (27" X 41"). Based on the novel by Leon Uris, this epic film stages the beginning of the State of Israel. Paul Newman headlines an all-star cast as an Israeli resistance leader. Otto Preminger directed the film with his usual flair, and the posters were designed by Saul Bass. Preminger used Bass for almost every film he made from 1955 until 1965 (with the sole exception of "Porgy and Bess"). Posters created by the legendary graphic designer are among the most collectible in the hobby. Very Fine on Linen.
Anatomy of a Murder (Columbia, 1959). One Sheet (27" X 41"). Jimmy Stewart stars as an attorney who defends an army officer accused of murdering a bartender who assaulted his wife. This was one of the most amazing court-room dramas ever filmed, and was highly controversial when the picture was made. George C. Scott was given one of his most notable roles to date when he was cast as the prosecuting attorney. The poster was designed by Saul Bass. Fine on Linen.
Jaws 2 (Universal, 1978). Special Promotional Poster (8' X 12'). For all of the "Jaws" fans out there, it just doesn't get any scarcer than this! The promotional department at Universal hit upon a unique idea to herald the arrival of the first sequel to Steven Spielberg's "Jaws." They would produce a special poster designed to be cutout in the shape of a huge shark's head. The cutout would be placed over the entrance to the theatre, and audiences would enter through the shark's mouth! This one came from a theatre manager who decided not to cut out the poster. Unless you go deep sea trawling, we doubt you'll see another one of these! Rolled in Near Mint condition.
Jaws (Universal, 1975). One Sheet (27" X 41"). Based on Peter Benchley's best-selling novel, director Steven Spielberg created one of the most terrifying motion picture of all time with his tale of the great white shark that terrorizes an island resort town in New England. This film had such an impact on audiences that attendance at seaside resorts declined dramatically. The poster speaks volumes about the horror to come. Very Fine/Near Mint.
Taxi Driver (Columbia, 1976). One Sheet (27" X 41"). Martin Scorsese's classic film is about ex-Marine Travis Bickle (Robert DeNiro) who is a cabby on the edge, working the night shift in New York City's decaying era of the mid-1970s. This violent, often disturbing film noir is a study of individual psychosis and remains a milestone of Scorsese's career and 1970s era Hollywood. Artwork for this poster was done by Guy Peellaert. Rarely do the One Sheets show up in clean condition due to the black background. Very Fine on Linen.
Goodfellas (Warner Brothers, 1990). Banner (35" X 12'). Martin Scorsese based this film on Nicholas Pileggi's book "Wiseguy." This film is a violent and exhilarating portrait of the life of Henry Hill, an aspiring criminal who ends up in the FBI's witness protection program after testifying against his former partners. Offered here is a brand new banner -- in a box sent from Warners' -- from one of the classics of modern cinema. Near Mint/Mint.
Dirty Harry Lot (Warner Brothers, 1971). Insert (14" X 36") and One Sheet (27" X 41"). This is the film that established Clint Eastwood as a cinema icon, portraying the tough San Francisco cop, Harry Callahan. When the film was released in 1971, it caused quite a sensation for its use of extreme action and violence. Long a favorite of collectors, the One Sheet features a strong, close-up graphic of Harry and the famous .44 magnum, while the Insert gives a retro photo montage of a grimacing Eastwood. Very Fine/Near Mint.
Enter the Dragon (Warner Brothers, 1973). One Sheet (27" X 41"). Though Bruce Lee had garnered national attention as Kato in the "Green Hornet" TV series (as well as in martial arts films made in Hong Kong), with "Enter the Dragon," he finally achieved his goal of starring in a major motion picture. This is considered the greatest martial arts film ever made, and features Lee's famous routine with the nunchucks. Fine+.
Bullitt (Warner Brothers, 1968). International One Sheet (27" X 41"). Steve McQueen made a rebellious impression on the cinema with his performance as a loner detective in "Bullitt". As an unintentional sidelight, we're sure Ford made a bundle off of their Mustang after McQueen tore up the streets of downtown San Francisco driving one. That car chase is still the chase all others are measured against. This amazing One Sheet is far scarcer than the domestic posters, and is in high demand by "Bullitt" and McQueen enthusiasts. For years, the U.S. One Sheet has been called an "advance" since the ad copy was cleverly written to sound like an advance poster. However, there was no other U.S. poster released domestically, therefore that regular U.S. poster is not a "true" advance, but just the only domestic poster released. As for this poster being offered, it is the international style, since it has neither a rating from the MPAA nor a NSS clause on the bottom. Fine on Linen.
Godfather Part II, The (Paramount, 1974). Three Sheet (41" X 81"). The second film in Francis Ford Coppola's legendary trilogy continues the saga, with this prequel to his landmark 1972 film. Many feel that this film surpassed its predecessor as the best film in the series. It won Oscars for Best Picture, Director and Screenplay. Fine/Very Fine.
Godfather Lot (Paramount, 1974). (3) One Sheets (27" X 41"). Offered in this lot are three posters to what many would consider to be the greatest gangster-crime films ever made. Offered is the One Sheet to "The Godfather" (1972), starring Marlon Brando in what was the most tremendous comeback role in screen history as Don Corleone. Also offered is the very rare advance One Sheet to "The Godfather II," a brilliant sequel that was every bit as good, if not better, than the original film. And finally, included in this lot is the standard One Sheet to "The Godfather II," All are in Very Fine/Near Mint condition.
Husbands (Columbia, 1970). Half Sheet (22" X 28"). John Cassavetes wrote, directed and starred in this drama/comedy that also stars Ben Gazzara and Peter Falk. The story is about three men brought together by the death of a common friend, and how they reconsider their lives. Rolled, Near Mint/Mint.
Dr. No (United Artists, 1962). One Sheet (27" X 41"). Ian Fleming's master spy James Bond was brought to the silver screen with "Dr. No" and instantly made Sean Connery an international star. Connery set a high standard, by which all future players of the Bond character would have to measure themselves by. The James Bond series would go on to become the most successful motion picture series in the history of the cinema. Very Fine-.
Goldfinger (United Artists, 1964). One Sheet (27" X 41"). Sean Connery reprised his role as Ian Fleming's master spy James Bond in this, the third installment in the Bond series. Many fans of the films feel that this is the best film of the series, as agent 007 takes on the forces of Auric Goldfinger as he tries to knock off Fort Knox! Bond also met the most famous Bond Girl in this picture, the stunning Honor Blackman as Pussy Galore! The posters for this Bond title are more sought after than any of the others! Poster contains one extra fold. Very Fine.
Thunderball (United Artists, 1965). Japanese (28" X 20"). Sean Connery once again portrays James Bond, in this fourth installment of the series, that is a lively mix of underwater thrills and Oscar winning special effects. This tremendous Japanese poster features the Frank McCarthy art. Rolled, Near Mint.
Thunderball (United Artists, 1965). Spanish One Sheet (27" X 40"). The fourth installment in the James Bond series is a lively spectacle of underwater thrills and Oscar-winning special effects. Sean Connery, the consummate 007, is at it again doing battle with the sinister espionage organization SPECTRE. This colorful Spanish poster has different graphics than the US poster and is very attractive. Very Good.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41"). Sean Connery turns Japanese in this high-tech entry in the James Bond series. Once again, Mr. Bond is up against the forces of SPECTRE, but this time he faces his adversary, Blofeld, in person. Art by Frank McGinnis. Fine/Very Fine on Linen.
You Only Live Twice (United Artists, 1967). Insert (14" X 36"). James Bond starts turning Japanese in this high-tech entry in the series. Once again, Mr. Bond is up against the forces of SPECTRE, but this time he faces his adversary, Blofeld, in person. The wonderful illustrations on the insert incorporates the artwork from both the B and C style One Sheets. Very Fine+.
You Only Live Twice (United Artists, 1967). Italian Four Panel (45" X 78"). Sean Connery, as James Bond, is called in to solve the mystery of an American space capsule that appears to have been swallowed up by a Russian spaceship, causing a near breakout of WW III. This wonderful, large format, Italian poster was created by artist/illustrator Robert McGinnis. Near Mint-.
Man With the Golden Gun (United Artists, 1974). Advance One Sheet (27" X 41"). Roger Moore returns as James Bond, Secret Agent 007, to take on an evil genius known as Scaramanga! This was the first poster issued to let audiences know that the ninth film in the highest-grossing movie series of all time was about to be released. The poster cleverly gave audiences a glimpse of the Golden Gun about to be used against their favorite spy. Near Mint/Mint.
Flying Disc Man From Mars (Republic, 1950). One Sheet (27" X 41"). Republic Pictures 12 chapter science fiction serial was a remake of an earlier serial, "The Purple Monster Strikes". Republic used a lot of stock footage from that film and "G-Men vs. the Black Dragon" while making the series. Commando Cody would make his first appearance in this production and would later be given his own 15 chapter run. Trying to cash in on the enormous popularity of the sci-fi craze in the late '50s, this serial was re-edited and released as a feature film under the new title "Missile Monsters." Fine/Very Fine on Linen.
Black Arrow, The (Columbia, 1944). One Sheet (27" X 41"). This splendid poster is for Columbia Pictures' 15-episode serial, where the son of a Navajo Indian chief goes in search of the men who killed his father. Though Columbia produced some of the nicer paper for their serials of the forties, it is also some of the most elusive. We all know the mystery of "The Shadow" posters and their nonexistence. This serial has always been on the list of harder 40s titles to find serial chapter sheets from. Fine-.
Last of the Mohicans (Mascot, 1932). One Sheet (27" X 41"). This is the serial version of James Fenimore Cooper's immortal tale, starring Harry Carey as the guide, Hawkeye. This 12-chapter serial is regarded by many as the finest of Mascot Pictures' many chapter-plays, and would later be released in a feature version under the title "The Return of the Mohicans." Fine.
The Lost Planet (Columbia, 1953). One Sheet (27" X 41"). Great camp serial poster featuring the "Conqueror of Space," Judd Holdren. The wonderful novelty of this film is its early '50s vision of the future in space. This poster features the 7th chapter, "Snared by the Prysmic Catapult." Very Fine-.
Iron Claw, The (Columbia, 1941). Chapter 14 "The Evil Eye" One Sheet (27" X 41"). Director James Horne was one of the stable of talented young directors on the Hal Roach lot when he directed many of Laurel and Hardy's greatest shorts. He graduated from shorts to features in the mid thirties and was at the helm of most of L & H's features such as "Way Out West" and "Bohemian Girl". By the late thirties and the paring down of Roach Studios, Horne signed on with Columbia and was given chapter plays or serials to direct. Offered here is a one sheet to one of Horne's last serials before his death the following year of a cerebral hemorrhage. Columbia produced some of the most attractive posters for their serials. Very Fine.
Phantom of the West, The (Mascot, 1931). (2) One Sheets (27" X 41"). This was Mascot Pictures' second all-talkie sound serial, starring Tom Tyler. Tyler was a boxer and weightlifter when he entered films as a stuntman in 1924 and quickly rose to stardom at FBO studios, the forerunner to RKO, as a cowboys hero, even though it was said that Tyler despised Westerns and reportedly was terrified of horses! Here are two beautiful stone lithos, each with a great action shot of Tyler. Near Mint.
Tim Tyler's Luck (Universal, 1937). Chapter 2 "Dead Man's Pass" One Sheet (27" X 41"). This was Universal's 37th sound-era serial (between "Radio Patrol" and "Flash Gordon's Trip To Mar") and was based on the long-running King Features comic strip by Lyman Young, older brother of Chic Young, creator of the "Blondie" strip. Universal was known for doing only one full-color serial sheet as an advance or a Chapter One and the rest were duo-tone. Though duo-tone, these serial sheets are some of the most attractive and collectible around. This sheet is in superb condition for a poster over sixty-five years old! Near Mint-.
Commando Cody (Republic, 1953). One Sheet (27" X 41"). This series was filmed in 1952 as a 12-part space saga, (not formatted as a serial... no cliffhangers), starring Judd Holden as the "Sky Marshall of the Universe". In each episode Cody thwarts the plans of the evil Rulers who try to destroy earth. Wonderful 50s sci-fi graphics. Very Good/Fine.
Jack Armstrong, All American Boy (Columbia, 1940). One Sheet (27" X 41"). This Columbia serial has Jack Armstrong the All American Boy, played by John Hart, doing battle with the evil Dr. Grood, aboard his spaceship thats orbiting earth. This poster is from Chapter 13 titled, "Wheels of Fate", and shows hero Jack firing the "death ray." This film series was developed from the long-running radio program of the same name that was broadcast from 1933 to 1951. Fine on Linen.
Captain Video (Columbia, 1951). Chapter 15 "Video vs Vultura" One Sheet (27" X 41"). Columbia produced this space serial just as TV was about to put the serials out of business. The captain battles the evil Vultura throughout the fifteen chapters with his vast array of gadgets. This, the final chapter, has a chapter title that tells it all, the showdown! This sci-fi serial is known by many of having the odd distinction of having not one woman in the entire serial. Very Fine on Linen.
Atom Man vs. Superman (Columbia, 1950). One Sheet (27" X 41"). The second of Columbia's Superman serials, the 15-episode "Atom Man vs. Superman" stars Kirk Alyn. Once again, Superman must do battle with his old nemesis, Lex Luthor, this time disguised as Atom Man, who threatens to destroy Metropolis with his disintegration machine. This poster is from Chapter 7 and is titled, "At The Mercy Of Atom Man." What really makes this poster unique is that Kirk Alyn has signed it by his name in the credits at the bottom right. Excess linen has been trimmed flush with the edge of the poster. Fine- on Linen.
Batman, The (Columbia, 1943). One Sheet (27" X 41"). Columbia's 15 episode serial was the first screen appearance of DC Comics', Caped Crusader. Here Batman and Robin, the Boy Wonder, battle Dr. Daka, a Japanese mastermind of a wartime espionage-sabotage group. Daka has an arsenal of weapons including a radium-powered death ray, a classic alligator pit to dispose of enemies, and the ability to turn men into electronic zombies. Posters from this early Batman serial are very rare and seldom come up for sale, especially not with the Caped Crusaders in the inset photo, as this one has! Very Fine+ on Linen.
Batman (20th Century Fox, 1966). One Sheet (27" X 41"). Over thirty-five years ago, Americans from all walks of life were glued to their TV sets watching a brand new show. It took the country by storm and caused Bat Mania. Young and old alike were taken on a roller coaster ride that was a tongue-in -cheek, comic book come to life. The two-part episodes that played on consecutive evenings and done in a cliff-hanger fashion were a novelty. This poster was promotion for the big screen version which premiered that following summer. The Caped Crusaders are at it once again on the big screen, battling the criminal masterminds that are determined to conquer Gotham City. Adam West and Burt Ward portray the dynamic duo from the series. They, of course, are surrounded by a great supporting cast of villians that includes Cesar Romero as the Joker, Lee Meriwether as Catwoman, Frank Gorshin as the Riddler, and Burgess Meredith as the Penguin. Very Fine/Near Mint.
Superman, the Movie (Warner Brothers, 1978). Advance Mylar One Sheet (27" X 41"). Director Richard Donner's blockbuster film, starring Christopher Reeve as the "Man of Steel," recounts the tale of the famous comic book character from his birth on Krypton through his adult years working as a reporter for "The Daily Planet." Entertaining film with a great supporting cast that includes Marlon Brando as Superman's father, Margot Kidder as Lois Lane, and Gene Hackman as the villainous Lex Luthor. This was a big release for Warners' and they put out a number of different promotional items to advertise this epic. This was one of several advances released to promote the film. This mirror finish poster has been kept in nice condition but does have areas of wrinkling in the reflective finish. Rolled, Fine/Very Fine.
The Galloping Ghost (Mascot, 1931). One Sheet (27" X 41"). This was a 12-episode serial starring legendary college football star Harold "Red" Grange. As a 3-time All-America at the University of Illinois, Grange brought the first huge crowds to pro football when he signed with the Chicago Bears in 1925. He formed the first AFL with manager-promoter C.C. Pyle in 1926, but the league folded and he returned to the Bears. In this serial, Grange plays -- you guessed it -- a gridiron star who's been wrongfully kicked off the football team for trying to help a friend, who conspired with gamblers to throw the big game. Grange spends the serial's remaining 11 episodes trying to clear his name. This one sheet is generally regarded as the international release poster for this serial. Fine.
Babe Comes Home, The (First National, 1927). One Sheet (27" X 41"). Sports-related posters have enjoyed popular demand for many years, and none more so than those that actually feature real sports legends. This incredible one sheet depicts the greatest legend to ever play the game of baseball, the Sultan of Swat, George Herman Ruth, otherwise affectionately known as The Babe. During his career, Ruth was the best slugger the game had ever seen, and his fame led producers to feature him in several films. Some of those films, such as this one and another called "Headin' Home" from 1920, cast him as the lead, while other films found him in cameos as in Harold Lloyd's "Speedy" in 1928 and "The Pride of the Yankees" in 1942. Ruth starred in an educational/short subject series, too, in 1920 and without his permission. He also did the "Babe Ruth Baseball Series" for Universal Pictures in 1932. This very rare one sheet was made the year that Ruth set his home-run record. The producers knew they had a winner in this star and of course featured him prominently on the poster in uniform. The public just couldn't get enough of this baseball superstar! Of all sports movie posters, none are more sought after or desirable than those which depict the Yankee slugger. Last year, a title card for "The Babe Comes Home" sold for $12,650.00. A very rare three sheet for "Over The Fence" sold for $55,739.00 and in 1999 a one sheet from the "Play Ball" short subject series brought $96,000.00. Yet none of these posters would seem to combine the graphics, ideal size, prominence of Babe Ruth's image, condition, and rarity of the presently offered one sheet. Due to the fragile nature of vintage posters, this example has been professionally conserved and mounted on Japanese Masa paper and linen with the strictest archival materials used today. Though very little work was needed on this piece it was decided to gently preserve it for at least another hundred years or more. The only other copy of this gorgeous Stone-Lithograph poster has been in a private collection for over twenty years and probably will not see the light of day anytime soon. This amazing piece of baseball and cinema memorabilia may never come around again -- so, step up to the plate and don't strike out, slugger! Very Fine+ on Linen
The Babe Comes Home (First National, 1927). Lobby Card (11" X 14"). Offered in this lot is assuredly one of the best cards from the eight card set from this Babe Ruth film. Rarely does anything from this film come on the market, but every now and then one of these great cards surfaces. This one, showing the Babe rounding third base has the caption, "And when the Babe came home!" This card is in very fine or better shape, except for one slight bend on the upper left corner. Very Fine/Near Mint.
Evil Eye (Hallmark, 1920). Lobby Card (11" X 14"). Benny Leonard was a master boxer and hard puncher who fought in 209 professional bouts, losing only 5. He was lightweight champion from 1917 until 1925, when he retired as undefeated champion. This 15-chapter serial that featured Leonard was set on Wall Street and centered around a gang of crooks trying to fleece financier Benton Bruce. Leonard along with with Bruce's daughter (Ruth Dwyer), team up to fight the mastermind of the organization. Any material featuring fighters from the "Golden Era" of boxing are scarce. Fine/Very Fine.
Body and Soul (Enterprise, 1947). One Sheet (27" X 41"). Simply stated, this is one of the best movies to ever climb into the boxing arena. John Garfield gave one of his most riveting performances as an ambitious boxer, championing his way to the top, by any means necessary. This was the first independent production for Garfield and it earned him a coveted Oscar nomination. Shortly after this production, Garfield's career came to an end when he was accused of being a communist sympathizer and was black-listed from Hollywood. Very Fine on Linen.
Stranger Than Fiction (Universal, 1934). One Sheet (27" X 41"). Were radio announcers meant to be heard and not seen? Not according to Universal who cast the announcers of the National Broadcasting Corporation of America (NBC) in this thrilling short subject! This short depicted some amazing marvels of the era including world travel and "freaks" of nature! This could be the only copy of this poster in existence. Fine+.
Going Places (Universal, 1935). One Sheet (27" X 41"). Short subject One Sheets from the 1930's are far scarcer than feature One Sheets, probably due to the fact that most theatre managers during the depression only had enough money to order the feature sheet. However, Lowell Thomas was one of the most important and influential radio personalities of the era, and his fame was such that he could also sell tickets at movie theatres. Universal featured Thomas in this stunning One Sheet, using a full four-color printing process to capitalize on Thomas's fame. Universal One Sheets from the 1935-1936 era are some of the most beautiful ever produced by the industry. Very Fine-.
Conquest (MGM, 1937). Lobby Card Set (11" X 14"). Though released in the US as "Conquest" the British released the film under the alternate title, "Marie Walewska". Greta Garbo, the Swedish born grand dame of the golden age of Hollywood stars as the Polish mistress of Napoleon, the King of France (Charles Boyer). This beautiful set of cards is exceedingly more rare than their American counterparts and every bit as stunning. Single pin holes in corners of cards. Very Fine+.
Camille (MGM, 1937). (1) Title Card and (2) Scene Cards (11" X 14"). Prior to the Greta Garbo version, this film had been made 7 times with such stars as Theda Bara, Clara Kimball Young, Norma Talmadge, and Alla Nazimava to Valentino's Duval. Taken from Alexandre Dumas 'fils' story of the Parisian courtesan, this version is considered one of the best with the grand lady of cinema, Garbo, in the lead. At the peak of her career and with the great George Cukor directing, this film is the quintessential romantic tragedy from the Golden Age of Hollywood. It is apparent from these cards that these Lobbies were some of the prettiest posters produced for Garbo's films. Fine+ with minimal restoration.
Naughty But Nice (First National, 1927). One Sheet (27" X 41"). This romantic comedy starring Colleen Moore and Donald Reed, was another in a series of First National's "Jazz Age" comedies. Most noteworthy is the fabulous poster with art by the famous John Held, Jr. who is best remembered for his depiction of the flappers and racoon-coated swains of the "roaring twenties." Fine+ on Linen.
We Went to College (MGM, 1936). One Sheet (27" X 41"). Though this film about a college reunion, missed chances and mistaken advances, is rather routine, the poster is not. Famed roaring twenties artist John Held, Jr (1889-1958) was the artist for this piece. Held, famous for doing commercial art for Life, Liberty, and the New Yorker magazines, was hired away to Hollywood by MGM's Art Director Hal Burrows. Held did posters for "Battling Butler", "So this is College" and "The Boy Friend" and his work is considered synonymous with the "Jazz Age". Very Fine+ on Linen.
Always Goodbye (20th Century Fox, 1938). (40" X 60") Silk Screen. Barbara Stanwyck stars in this drama as an unwed mother who must place her baby up for adoption. The film then follows Stanwyck as she becomes successful in her career and eventually has to make the decision whether to reunite with her child. Beautiful silk screen displays vibrant colors. Rolled, Fine/Very Fine.
Tortilla Flat (MGM, 1942). One Sheet (27" X 41"). Director Victor Fleming brought John Steinbeck's popular novel to the screen in this tale of a group of paisanos who live in a poverty stricken area known as Tortilla Flat. Posters for any of the films adapted from Steinbeck novel's are very collectible by both film and book aficionados. Fine on Linen.
Woman of the Year (MGM, 1942). One Sheet (27" X 41"). Katharine Hepburn and Spencer Tracy were paired for the first time in this wonderful comedy that tackled the question, "Can a woman who has a full-time career also find time to have a full time marriage?" George Stevens put the two stars to the test of fulfilling an Oscar-winning screenplay, and the results were spectacular. Hepburn and Tracy were a hit, and they made eight more films together. Fine.
Madame Butterfly (Paramount, 1932). One Sheet (27" X 41"). This movie was inspired by a Puccini opera with its music used throughout the film, but the story was fairly original and a heavy romantic melodrama. Cary Grant, in an early role, plays the leading man who doesn't have an ounce of sincerity in him. He marries a Japanese girl, Madame Butterfly, played by Sylvia Sidney, but has no intention of honoring the marriage. When he returns from Japan years later, with his American wife at his side, Madame Butterfly has no recourse but to commit suicide. The poster for this film is a gorgeous Stone Litho. Fine+.
I'm No Angel (Paramount, 1933). Half Sheet (22" X 28"). Regarded as one of Mae West's funniest vehicles, this film really raised her star in the Hollywood system. Her previous hit "She Done HIm Wrong" brought Paramount out of bankruptcy, with that West wrote her own ticket as well as the screenplay of her next film and who would star with her. She, of course, chose her favorite young man to look at, Cary Grant again. This very rare and rolled half sheet has never been brought to auction before, that we are aware of. Rolled/Very Fine+.
Suzy (MGM, 1936). Window Card (14" X 22"). Adapted from a novel by Herbert Gorman, this film is about a love triangle, set against the backdrop of WWI. Cary Grant plays an aviator who falls in love with London showgirl Jean Harlow, and in one scene is so overcome by her beauty that he sings her a love ballad! Harlow thinking her husband has been killed marries the young ace, only to discover that her husband has not been killed after all. Harlow was near the end of her career with this film as she would complete only one more role before her death the following year at the age of 26. Cary Grant was just beginning his, as he would rise to stardom as the screwball comedy king and later as the debonair lead in Hitchcock films and live to the age of 82. Fine+.
When You're In Love (Columbia, 1937). One Sheet (27" X 41"). Grace Moore was the star of this film as she was an international star of the Metropolitan Opera, Broadway, radio and recordings. Florenz Ziegfeld selected her as one of the ten most beautiful women in the world. In this tuneful, romantic drama, an Australian opera star (Grace Moore) wants to perform in a major U.S. festival but cannot enter the country unless she is married. To this end, she hires a handsome artist (Cary Grant) to temporarily marry her. At first it is all strictly business, but in time, the artist starts falling in love. I guess "Green Card" was remake of this early Cary Grant musical. This poster, seldom if ever, comes up for sale. Very Good on Linen.
Awful Truth (Columbia, 1937). Style B One Sheet (27" X 41"). After playing leading men since the beginning of his career, Cary Grant was given a chance at comedy in 1937 with "Topper." The film was a hit and Grant was instantly put into his next comedy, "The Awful Truth." It turned into a bigger hit for the star, and Grant was acclaimed as one of the great screwball comedy stars of the 1930s. To this day, "The Awful Truth" is considered one of the best comedies about divorce ever made, and the posters are wonderful to see. The One Sheet being offered here is the rare Style B, and is the only copy to ever come to auction that we know of. Good/Very Good on Linen.
Holiday (Columbia, 1938). One Sheet (27" X 41"). After the amazing chemistry between Cary Grant and Katharine Hepburn in making "Bringing Up Baby," it was only natural that the pair be cast together again. "Holiday" had been a play on Broadway in 1928, and when it was brought to the screen in 1938, George Cukor injected a screwball liveliness to the project that had been lacking in the original. The film was a brilliant success and remains a favorite among audiences to this day. As an interesting note, before Hepburn ever made a film, she was the understudy during the play's Broadway run in 1928. Posters for this film are extremely scarce. Fine/Very Fine on Linen.
Gunga Din (RKO, 1939). Australian One Sheet (27" X 40"). This was the breakout film for George Stevens, who directed this rousing adventure yarn, that was loosely based on a Rudyard Kipling poem. It's the tale of three brawling British sergeants who are stationed in 19th century colonial India and battle the head-hunting Thuggee tribe. Cary Grant, Doug Fairbanks, Jr. and Victor McLaglen are great as the carousing comrades. Poster material for this title is scarce. Offered here is a colorful Australian One Sheet. Fine on Linen.
His Girl Friday (Columbia, 1940). One Sheet (27" X 41"). Howard Hawks lifted a page from the screwball comedy genre by adding rapid-fire and overlapping dialogue to this comedy/mystery about a newspaper editor who tries to reunite with his ex while investigating the escape of a murderer. Whew! This is one of the greatest films of the era, and the posters are highly sought after. This One Sheet is the better of the two (as the other B Style is duo-tone), and almost never becomes available. We're serious! Pass this one by and you may never get offered one again! The wonderful restoration work done to this poster gives it the appearance of a higher grade than stated. Very Good+.
In Name Only (RKO, 1939). One Sheet (27" X 41"). Cary Grant and Carole Lombard's string of screwball comedies came to an end with this romantic drama. Grant plays a man in an unhappy marriage who falls for Lombard's character. Kay Francis as the conniving wife only wants Grant for his family's money. The film was a hit, and showcased both stars' deeper acting abilities. This particular One Sheet is rarely offered for sale. Very Fine on Linen.
The Philadelphia Story (MGM, 1940). One Sheet (27" X 41"). Could there be a better and more sophisticated comedy about love and marriage than George Cukor's "The Philadelphia Story?" We don't think so, and neither do the majority of film aficionados. It had been a successful play on Broadway when Katharine Hepburn (looking for great stories to help revive her sagging career) bought the movie rights. Her gamble paid off. The film was a major hit and single-handedly scrapped the "box-office poison" label she'd been tagged with. Jimmy Stewart won an Oscar as Best Actor and Hepburn was nominated -- again. Although Hepburn would win the Oscar many times, most fans feel this was the role she will best be remembered for. Of the two One Sheets made for this film, this is the style that most collectors desire. Very Fine+ on Linen.
Philadelphia Story, The (MGM, 1940). Midget Window Card (8" X 14"). Katharine Hepburn had been written off by Hollywood as "box office poison" in 1938, so she returned to Broadway in a vehicle tailor-made for her talents by playwright Phillip Barry. After having a smash hit on Broadway, Hepburn bought the rights and headed back to Hollywood where she sold them to Louis B. Mayer. She retained the rights to pick her own co-stars, Cary Grant and Jimmy Stewart, and also her own director, George Cukor. The film was a huge hit, garnishing six Oscar nominations, including Hepburn as Best Actress, Cukor as Best Director, Ruth Hussey as Supporting Actress, and a nomination for Best Picture. The film's two statuettes went to Best Actor Jimmy Stewart and Donald Ogden Stewart for Best Screenplay. We've never seen another "Midget" for this title and suspect it is extremely rare in this format. Very Fine+.
None But The Lonely Heart (RKO, 1944). One Sheet (27" X 41"). This was the first film directed by Clifford Odets, a writer who was known for his heavy dramas. Cary Grant was nominated for a Best Actor Oscar for his role as a Cockney drifter, looking for love and hope in his impoverished city. The role was a radical departure from Grant's usual performances, and remains one of his best. Fine/Very Fine on Linen.
Mr. Blandings Builds His Dream House (RKO, 1948). One Sheet (27" X 41"). RKO made one of their lasting comedies with "Mr. Blandings" as most people at one time or another can identify with Cary Grant's character as he decides to build his dream house and it almost ruins him financially. Myrna Loy provides his encouragement and Melvyn Douglas (as his attorney and friend) provides all the nay-saying negativity to drive Blandings towards a nervous breakdown. The posters for this perennial fan favorite have always been collectible, and the One Sheet background art (with blueprints) make it a favorite among architects! Very Fine on Linen.
The New Adventures of Tarzan (Burroughs-Tarzan-Enterprise, 1935). One Sheet (27" X 41"). Author Edgar Rice Burroughs was unhappy with the Tarzan films being made in Hollywood, so he set up his own production company. He produced a 12-chapter serial, filmed on location in Guatemala with Olympics decathlon champion Herman Brix (aka Bruce Bennett) cast as the "Lord of the Jungle." Later, the chapters would be cut into this feature production. This Tarzan was one of the most faithful to the book. The other style One Sheet sold in our July auction for over $4,000. Fine.
Tarzan and His Mate (MGM, 1934). Midget Window Card (8" X 14"). This was the second in the MGM/Tarzan series, considered by many to the best. Irving Thalberg, head of production at MGM, insisted on sparing no expense on the Tarzan series with Johnny Weissmuller. Thus the first two films cost approximately one million dollars each to produce, an astounding sum during the height of the depression. Offered in this lot is the rare format Midget Window Card as they were called in the pressbooks of the era. These cards were usually displayed in the cigar case at drugstores or restaurants. Fine- with a chip in the lower right corner, and another in the upper right corner, but do not at all detract from the wonderful image.
Tarzan and the Leopard Woman (RKO, 1946). Insert (14" X 36"). Although over the years many stars were cast as Edgar Rice Burrough's legendary "Lord of the Jungle", Johnny Weismuller will forever be remembered as the screen's greatest Tarzan. In this entry in the series Tarzan swings into action against the Leopard Woman. Poster material for this film is considered to have the best graphics of any of the RKO/Weismuller series, and is highly sought by collectors. Fine+.
Tarzan and the Mermaids (RKO, 1948). One Sheet (27" X 41"). This was the last Tarzan film that Johnny Weismuller would make before going on to become known to a new generation as "Jungle Jim", and the first film without Boy since Johnny Sheffield began the role in 1939. This film was also the first Tarzan to be filmed entirely on location in Mexico. Border, centerpoints, seams, and slight pinhole restoration. Fine on Linen.
Wife, Doctor and Nurse (20th Century Fox, 1937). (40" x 60") Silk Screen. Loretta Young is the wife, Warner Baxter the doctor and Virginia Bruce the nurse in this 20th Century-Fox comedy. Both Young and Bruce are in love with Baxter, which causes a lot of conflict and headaches for the good doctor. Beautiful silk screen has an array of vivid colors. Rolled, Fine+.
Having a Wonderful Time (RKO, 1938). (40" X 60") Photo Gelatin. What a wonderful image on this very rare Photo Gelatin 40" X 60" from this Ginger Rogers and Doug Fairbanks, Jr comedy/romance. These images were made with the same process that lobby cards from this period were made and this glossy photographic image was put on a light weight paper stock This made for a very fragile poster as years went by. Most of these posters were dumped after being kept by individuals as they disintegrated after being rolled and unrolled. This amazing collection came from a man who kept these posters stored in a climatically controlled environment since the day he acquired them from the theaters in the late thirties. Rolled, Fine+.
It's a Wonderful Life (RKO, 1946). Lobby Card (11" X 14"). This was Frank Capra's first production through his newly-formed Liberty Films, which lost money in its original release and was passed over by the public and quickly forgotten. When it lapsed into the public domain in 1973, television stations all over the country started playing it during the holiday season to hold down the cost of programming. It has since became a Christmastime TV perennial favorite and is considered "the" holiday classic. Very Fine+.
Good Girls Go to Paris (Columbia, 1939). (40" X 60") Photo Gelatin. Born into a vaudeville family, Joan Blondell was a star in the Ziegfeld Follies by the time she was seventeen. Her first roles opposite James Cagney in the early thirties in such greats as "Public Enemy" brought wealth to Warner Brothers and fame to Cagney but Blondell could never break the stereotype of the cheap, happy-go-lucky, gold-digger, which is exactly the role she played in this Columbia comedy. In later years, Joan Blondell ruefully recalled that the film's original title was "Good Girls Go To Paris,Too", but the Hays Office nixed that harmlessly suggestive moniker. Offered here is a tremendously rare 40" X 60" from Blondell's first starring vehicle after leaving Warners. Rolled, Very Fine-.
Ladies in Love (20th Century Fox, 1936). (40" X 60") Silk Screen. This romantic comedy has three girls on the prowl for rich husbands in 1930s Budapest. The three women, Janet Gaynor, Loretta Young and Constance Bennett, decide to pool their money together and rent a luxurious apartment, in hopes of attracting wealthy husbands. The three gentlemen they finally land are Tyrone Power, Don Ameche and Wilfred Lawson. The beautiful colors of this silk screen poster have to be seen to be believed. It is truly amazing with the crosshatched deco design Rolled, Fine+.
City Limits (Monogram, 1934). One Sheet (27" X 41"). This is a comedy about an ailing railroad tycoon that is being dogged by a reporter trying to get a scoop. The reporter meets the old man's daughter and falls in love, getting the story and the girl. Actually this film is a very toned down production, for one of Jack Woodford's novels, that were regarded as somewhat scandalous in their day. Fine.
Beloved Enemy (United Artists, 1936). Half Sheet (22" X 28"). "Beloved Enemy" was loosely based on the exploits of Irish patriot Michael Collins, and depicts the fictitious love affair between an English Lady (Merle Oberon) and an Irish rebel leader (Brian Aherne) in the 1920s. In this film version, star-crossed lovers Oberon and Aherne, must decide between their moral convictions and true love that may never come again. The poster has water damage and paper loss to the lower right corner. Rolled, Very Good.
Wings and the Woman (RKO, 1942). One Sheet (27" X 41"). Anna Neagle stars in this British film about aviator Amy Johnson who broke numerous records with her solo flights around the world. Like Amelia Earhardt, she captured the public's interest during the 1930s, but unlike Earhardt, she retired after marrying Jim Mallison, another aviator. Fine.
Come and Get It (United Artists, 1936). Half Sheet ( 22" X 28"). Directed by the great Howard Hawks, this was an Edna Ferber tale of the nineteenth century lumber trade and the rivalry between two men and the woman they both love. Starring Joel McCrea, Edward Arnold, and a young Frances Farmer, in what is considered to be the best role of her brief career. Rolled, Very Fine+.
George Arliss Lot (United Artists, 1935). (2) Half Sheets (22" X 28"). George Arliss was theater trained and was a splendid light comedian, as well as dramatic actor. His pictures were a tremendous success during the silent days of the early twenties and throughout the thirties as sound gave him the tools him most needed. His performance as former English statesman George Disraeli was one of his greatest as were his portrayals of Alexander Hamilton, Mayer Rothschild and son, Nathan Rothschild, and Cardinal Richelieu. Offered here are two biographical Half Sheets in rolled, splendid condition: "Cardinal Richelieu" and "The Iron Duke," the story of the Duke of Wellington. Leonard Maltin has said, "In all of Arliss' performances, his plummy voice, bemused expression, and absolute command of audience attention mark him as a very special performer in sore need of rediscovery." Rolled, Very Fine+.
Trouble for Two/Piccadilly Jim (MGM, 1936). (2) Half Sheets (22" X 28"). Robert Montgomery was a staple of the MGM stable of stars and most often played the upperclass, young sophisticate. Raised in a wealthy family, he migrated to Hollywood via Broadway, and after appearing in many romantic comedies, of which these two posters are representative, he moved into directing and producing. On the trivia side, Montgomery was the father of television's favorite witch, Elizabeth Montgomery of "Bewitched". Offered here are two rolled, wonderful condition, Half Sheets from Hollywood's heyday. Rolled, Very Fine.
Cat and the Canary, The (Paramount, 1939). Lobby Card (11" X 14"). After the reading of a will, Paulette Goddard's character is informed she is the sole beneficiary of the estate of a millionaire... on one condition; that the insanity which befell her ancestors doesn't get her as well! This is the best lobby card from the set as the monster attacks a terrified Paulette Goddard in an attempt to drive her insane! Bob Hope provided the comic relief in this classic! Fine.
Arsenic and Old Lace (Warner Brothers, 1944). (2) Lobby Cards (11" X 14). Frank Capra's comedy classic stars Cary Grant as drama critic Mortimer Bruster, a man who discovers that his two saintly old aunts, Martha and Abby, have a nasty habit of killing lonely old men and burying them in the cellar, with the aid of their bugle-blowing nephew, Teddy (who thinks he's Teddy Roosevelt). Add to the mix another nephew Jonathon, who's a true killer, and his creepy little alcoholic sidekick Dr. Einstein, and the results are one of Hollywood's true comedy classics. This lot includes two highly desirable lobby cards from the set. Very Fine/Near Mint.
Abbott and Costello Meet Dr. Jekyll (Universal, 1953). One Sheet (27" X 41"). After the amazing success of "A & C Meet Frankenstein," Universal cast their comedic team into a whole new series where they were pit against various monsters. In this outing, horror legend Boris Karloff portrayed Dr. Jekyll and hired the boys to protect him from a mysterious killer. By the end of the film, Lou gets injected with Jekyll serum and turns into a snarling monster ala Mr. Hyde. All of the posters on this film are moody and atmospheric in the Universal horror style! Very Fine- on Linen.
Africa Screams (United Artists, 1949). (2) Half Sheets (22" X 28"). The classic comic duo of Abbott and Costello are at it again, this time on safari in Africa. Look for the 3 Stooges' Shemp Howard, and heavyweight champ Max Baer (father of the Beverly Hillbillies' Jethro, Max Baer, Jr.) in the supporting cast. Both A and B styles of the Half Sheet are offered here. Very Good/Fine.
Abbott and Costello Meet Frankenstein (Universal, 1948). Lobby Card Set (11" X 14"). The creepers are after Bud and Lou in this who's who of terrific ghouls! By the time this picture was made, the careers of Abbott and Costello, one of the greatest comedy teams to ever work in motion pictures, were beginning to slump. At the same time, the monster series at Universal was starting to slide as well. A brilliant move on the studio's part was to cast their beloved monsters with their popular comedians in this hilarious spoof! Bela Lugosi, Lon Chaney, Glenn Strange, and the voice of Vincent Price were the foils for the famous duo. These lobby cards are hot! Get 'em while you can because they're all disappearing into vaults and crypts! Fine/Very Fine.
Abbott and Costello Meet Frankenstein (Universal, 1948). 24 Sheet (9' X 20') Perhaps the only surviving copy of this giant and spectacular billboard size poster, this large poster has perhaps the best images of the monsters, most assuredly Lugosi, of any poster from the film. If you have the space to display a twenty-four sheet, this may very well be the one to have. This poster was in fine shape before linen backing other than it lacked the small panel of credits below Costello. It has been beautifully restored. You may never see another one of these again. Fine- on Linen.
The Haunted House (First National, 1928). Lobby Card (11" X 14"). Borrowing heavily from Paul Leni's "The Cat and the Canary," this First National release starring former "Keystone Cop" Chester Conklin and a young Thelma Todd put a more comedic spin on the tale of heirs to a will locked in a house at night. It is difficult to find anything from this title and this tremendous card with its wonderful border art perfectly captures the essence of this early horror film. Fine/Very Fine with minimal restoration.
Whispering Ghosts (20th Century Fox, 1942). One Sheet (27" X 41"). Milton Berle, who rose to fame in radio, plays a radio personality who solves murders on his weekly show. When an actual murder occurs, he decides he's the best man for the job of solving the mystery! "Uncle Miltie," as he was affectionately known, may have risen to fame in radio, but it was television where he made his lasting mark in comedy. This film marks an early appearence for the legendary star. Fine-.
The Ghost and Mrs. Muir (20th Century Fox, 1947). Title Card (11" X 14"). This is one of the most unusual romances ever made for the screen. Gene Tierney plays Mrs. Muir, a woman who decides to move into a house by the sea that is haunted by the spirit of an ancient mariner. She meets the ghost and they eventually fall in love, but their spirits can't be united until she finally passes from the Earth. This is one of Gene Tierney's most popular films, and the striking Title Card is offered here. Minor restoration. Fine/Very Fine.
The Ghost and Mr. Chicken (Universal, 1966). One Sheet (27" X 41"). Don Knotts plays a newspaper typesetter who wants to be a reporter. His editor finally gives him his big break, assigning him the task of spending the night in a house most of the town considers to be haunted. Knotts is hilarious as the nervous, fidgety Luther Heggs. This oddball comedy, like so many of the Knotts features, has developed a campy, cult following. Very Fine+.
House of Usher (AIP, 1960). Three Sheet (41" X 81"). The first of the Corman/Poe/Price series, this tremendous condition Three Sheet with striking Reynold Brown artwork has the same graphics as the one sheet but in a larger and more impressive scale. This larger poster is much rarer than smaller formats in that not many have survived in this condition. Mint.
House of Usher (AIP, 1960). One Sheet (27" X 41"). This was the first of the Corman/Poe/Price horror classics. Most were made on a shoestring budget and turned out some very frightening moments for drive-in theater audiences. This one was adapted from the Poe story by Richard Matheson, who was a prolific writer of science fiction/fantasy material in the '50s and '60s. Price turns in one of his most ghoulish performances as the brother of the protagonist's lover who tells the tale of the Usher curse. Gorgeous Reynold Brown artwork graces this poster. Mint.
Pit and the Pendulum, The (American International, 1961). Three Sheet (41" X 81"). This larger format poster is by far the better looking image for this, one of the better Corman/Poe/Price films. The vertical format makes this Reynold Brown art the best to display the horrific blade of the pendulum as it nears its target. Near Mint/Mint.
Pit and the Pendulum, The (American International, 1961). One Sheet (27" X 41"). The Corman/Poe/Price team was at it again, and this time the results were glorious. This lower budget affair, with the look of a much mightier bankroll, was one of Corman's greatest successes, and led to his reputation of sow's ear to silk purse. The film, though not faithful to the Poe story, tells the tale of a man who travels to Spain upon word of his sister's death. There he finds his brother-in-law involved in some very unpleasant activities. This poster is in fabulous condition, and with its great Reynold Brown artwork is one of the best of the series. These horror titles will only continue to appreciate. Near Mint/Mint.
The Haunted Palace (American International, 1963). One Sheet (27" X 41"). Roger Corman cast Vincent Price and Lon Chaney into this Edgar Allan Poe feature about the ancestor of a man who burned a warlock at the stake hundreds of years prior and now must face the consequences! Though Corman shot this on a budget well below what would be budgeted for a star's per diem in this day and age, it makes use of a wonderful eerie score and terrific performances. The posters for this Corman film, as so many other, are tremendous! Near Mint.
Haunted Palace, The (American International, 1963). Three Sheet (41" X 81"). Loosely based on H.P. Lovecraft's short story "The Case of Charles Dexter Ward," this Corman picture opens with a warlock (Vincent Price) placing a curse on a group of villagers about to burn him at the stake. Generations later, the warlock's descendant (also Vincent Price) returns to the village to pick up where his ancestor left off. The tremendous oversized graphics make this rare Three Sheet a difficult treat to find, especially in the outstanding condition of this gem. Near Mint/Mint.
Curse of the Demon (Columbia, 1957). One Sheet (27" X 41"). Jacques Tourneur directed this classic horror film which stars Dana Andrews as a cynical psychologist who doubts that a series of murders have been caused by an ancient curse until he comes under the curse himself. This film is, without a doubt, one of the greats in horror cinema. This poster pictures the horrid demon that makes its fleeting appearance at the film's end. Very Fine+ on Linen.
Curse of the Demon (Columbia, 1957). Three Sheet (41" X 81"). Jacques Tourneur directed this classic horror film, starring Dana Andrews as a cynical psychologist, who doubts that a series of murders have been caused by an ancient curse, until he comes under the curse himself. This is without a doubt one of the greats in psychological terror/horror cinema history. This poster pictures the horrid demon that makes its fleeting appearance at the film's end. Near Mint.
Horror of Dracula (Warner Brothers, 1958). Belgian (14" X 21"). This film, perhaps the finest of all the Hammer Studio films, features Christopher Lee's definitive performance as the "The Count." This poster is featured in Ron Borst's "Graven Images," pg. 194, and is truly one of the better posters for this film. Fine+.
Horror of Dracula (Warner Brothers, 1958). Insert (14" X 36"). Christopher Lee stars as the infamous Count Dracula in this horror tale about the rogue vampire. This film is considered by most to be the best of the Hammer horror films. The wonderful Joseph Smith graphics on this Insert are very similar to those on the Half Sheet, considered by most to be the best American paper on the title. Very Fine-.
Pillow of Death (Universal, 1945). Insert (14" X 36"). An installment from Universal's "Inner Sanctum" series, starring Lon Chaney, Jr. as an unhappily married lawyer, who is in love with his secretary. His wife is found smothered and her death is closely followed by a series of "pillow murders", that are all tied to Chaney. Among the victims is Clara Blandick, who is best remembered for her role as Auntie Em in "The Wizard of Oz". Very Fine-.
How to Make a Monster (American International, 1958). Insert (14" X 36"). A prop artist, who does the monster makeup for a major Hollywood studio, gets fired and decides to take revenge on the callous studio heads by hypnotizing a couple of actors into believing that they're genuine monsters. The two monster men begin committing murders, wreaking havoc throughout the studio. Very Fine on Paper.
House on Haunted Hill (Allied Artists, 1959). One Sheet (27" X 41"). When originally released to theatres, "House on Haunted Hill" was accompanied by one of those special gimmicks that producer/director William Castle loved to use for shock value. The gimmick was called "Emergo," a prop skeleton that "emerged" from the screen at a crucial moment to frighten the audience. Vincent Price is superb as a sinister host, who pays his enemies to come and spend the night. The eerie graphics on this fantastic poster make it highly sought among collectors. Very Fine.
Man They Could Not Hang (Columbia, 1939). One Sheet (27" X 41"). Boris Karloff plays a mad scientist obsessed with bringing back the dead. After he is hung for his crimes, his assistant revives him using the technique the scientist developed. He begins to enact his revenge upon his judge, jury and executioners. Boris Karloff made a series of brilliant horror movies for Columbia in the late 1930's and "The Man They Could Not Hang" was one of his best! Very Fine on Linen.
Dead of Night (Universal, 1946). Three Sheet (41" X 81"). This was the first horror film which contained short episodes, each more thrilling than the one before. When a man arrives at a cabin, he finds several other people there. They each relate the nightmares they've been having. The film was incredibly inventive and intense for 1945, and in many places the film was considered too frightening to be shown! Posters for this title have always been difficult to come by; this amazing Three Sheet is one of the few examples known. Very Fine on Linen.
Old Dark House, The (Universal, R-1939). Three Sheet (41" X 81"). A contrasting group of people take shelter from a raging storm in the forbidding mansion of the Femm family. Unbeknown to the reluctant quest, is that the old dark house houses a deep dark secret. Top-billed Boris Karloff plays Morgan, the mute alcoholic family butler and is surrounded by a superb cast including; Raymond Massey, Melvyn Douglas, Gloria Stuart and Charles Laughton. Posters for this title are exceedingly scarce, especially in this large format. Very Fine/Near Mint on Linen.
Black Friday (Universal, 1940). One Sheet (27" X 41"). The masters of horror, Boris Karloff and Bela Lugosi, were cast in this thriller about a doctor (Karloff) who transplants a renegade gangster's brain into the body of a respected professor (Lugosi)! Is it a gangster film, a horror film, or a sci-fi thriller! Your call, but the pairing of these two titans of terror make this poster an item in high demand! Kurt Sidomak penned this epic which would solidify his name as a "horror" writer. He would go on to script other horror films including, "The Wolfman," "The Invisible Man Returns," "House of Frankenstein," and "Son of Dracula." Very Fine/Near Mint.
Tower of London (Universal, 1939). Three Sheet (41" X 81"). Historical melodrama based on Tudor history, about the evil Duke of Glouchester, played by Basil Rathbone, and his evil club-footed henchman, portrayed by Boris Karloff. Rathbone's real-life son, John Rodion, plays a young victim that has his head chopped off early in the film. Fantastic large format poster shows the steely executioner silhouetted against the two towers. Very Fine- on Linen.
The Climax (Universal, 1944). Insert (14" X 36"). Boris Karloff stars in his first color film as the mad Dr. Hohner, in-house physician at the Vienna Royal Theatre. Hoping to cash in on the success of "Phantom of the Opera," Universal teamed Karloff with the previous film's star Susanna Foster, and even used the same sets, producing this story of murder and mayhem. An interesting note about the beautifully eerie poster is that it lists Karloff as the great star of "Arsenic and Old Lace," which he did play on Broadway, but was unable to reprise in the film, due to contract difficulties. Rolled, Very Fine.
Ghost Breakers (Paramount, 1940). One Sheet (27" X 41"). Bob Hope and Paulette Goddard star in one of the best pictures to ever blend horror and comedy! Goddard's character is set to inherit a castle on an island with only one catch; it seems that the castle is haunted! Although this wasn't a sequel, Paramount recast the duo after the success of 1939's "The Cat and the Canary". Posters for this title are fan favorites and sought after by collectors. Very Fine+.
The Spider Woman Strikes Back (Universal, 1946). Half Sheet (22" X 28"). Gale Sondergaard recreates her role as the murderous "Spider Woman," a role she had played in the 1943 Sherlock Holmes movie of the same name. This time she is a villainess rancher, who lures in young women, so she can feed their blood to her carnivorous plants. The film also co-stars another Universal horror-film icon, the tragically deformed Rondo Hatton. Rolled, Fine+.
Tell Tale Heart (Brigadier Film, 1961). One Sheet (27" X 41"). Edgar Allan Poe, one of history's first horror authors, first published this short story in 1843. This film was loosely based on the Poe story, but changed the elements of the murder itself. The film is still a tremendously entertaining short film at 78 minutes, with the tension always at high pitch, as we watch the killer go mad. This near mint one sheet, with its lurid graphics, is one of the undervalued pieces of this era. Near Mint/Mint.
Whatever Happened to Baby Jane (Warner Brothers, 1962). One Sheet (27" X 41"). Robert Aldrich's macabre tale of two washed-up actress sisters is a true camp classic. The tremendous performances by Bette Davis and Joan Crawford were, by all accounts, fueled by their true dislike of each other. Look for the scene where Davis allegedly kicks Crawford. Fine.
The Brute Man (Universal, 1946). Half Sheet (22" X 28"). This was a standard horror/thriller made for the sole purpose of exploiting Rondo Hatton. Hatton began his career in films when producers discovered his bone disfigurements caused by acromegaly. The condition was life threatening and shortly after The Brute Man's release, Hatton died. Hatton was also known as The Creeper and appeared in a number of horror/related pictures. His popularity has grown over the years and he is now the subject of a cult following. Rolled, Fine on Linen.
Brute Man, The (Universal, 1946). One Sheet (27" X 41"). A 1913 picture from a high school yearbook confirms that Rondo Hatton (1894-1946) at one time was a handsome, athletic young man whose life would be cut short by the disfiguring disease acromegaly. It was during his tour of France during World War I that Hatton was exposed to chemical warfare which attacked his pituitary glands, eventually causing abnormal skeletal growth in the face, hands and feet. He starred in the Sherlock Holmes film "Pearl of Death" as the Creeper, but it was only in this film that the Creeper was the star. Unfortunately, Hatton died two months before the release of this film.Very Fine.
Cat People (RKO, 1942). Half Sheet (22" X 28"). Simone Simon stars as Irene, a wife whose jealous streak turns her into a cat, or does it? Producer Val Lewton and director Jacques Tourneur collaborated for the first time on this classic horror film. Lewton demanded a style which only suggested events rather than show them outright and his style paid off at the box. The Cat People was a major hit for RKO and the two men went on to make a series of moody and atmospheric horror films for the studio. Poster for The Cat People are hot commodities and are seldom available. This is the extremely rare and never before seen Style B Half Sheet. This is possibly the only known example of this poster and the very first time it has been at auction. Fine+.
2001: A Space Odyssey (MGM, 1968). Three Sheet (41" X 81"). Stanley Kubrick's science-fiction masterpiece, set a new standard for special effects and employed many "special effects" techniques that are still in use today. The film was based on Arthur C. Clarke's short story "The Sentinel." Kubrick and Clarke worked hard to make the technologies in their film realistic. They consulted with experts at NASA, IBM, Boeing, and other companies to develop every detail of the future they were going to depict. With this attention to detail, they chose artist Robert McCall to produce the artwork for the film's posters. McCall began his career as a military artist and later did many pieces commissioned by NASA. In 1967 he was contacted by Kubrick to begin work on a number of paintings to depict the scenes from the film. He worked from the models that were used in the film at the MGM studios in England. This stunning large format poster is the same artwork as the Style A One Sheet, and depicts the PanAm Clipper leaving the space station. Near Mint.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41"). It's hard to say which film a famous director will best be remembered for, but without much argument, Stanley Kubrick will always be remembered for "2001: A Space Odyssey." The film was a technological marvel, and became one of the most thought-provoking sensations ever made. The short story "The Sentinel," by science-fiction author Arthur C. Clarke, was adapted by both Kubrick and Clarke and dealt with the idea of what man would do if confronted by an alien intelligence. Very Fine on Linen.
2001: A Space Odyssey (MGM, 1968). (10) British Front of House Color Stills (8" X 10"). Offered in this lot is a group of stills, a couple of which are the Robert McCall art. The others are scenes from this historical film, and are done in a lovely letterbox style. The stills are dated 1968, and say "printed in Great Britain." Fine+ with tackholes.
2001: A Space Odyssey (MGM, 1968). Insert (14" X 36"). Stanley Kubrick's landmark epic of the future was based on Arthur C. Clarke's short story "The Sentinel." The film pushed the limits of special effects technology and was ahead of its time in its realistic look at space. This is a hard to find insert that shows the graphic designs from both styles of the one sheets. Fine on Paper.
Amazing Colossal Man, The (AIP, 1957). Insert (14" X 36").During atomic tests in the Nevada desert, Army colonel Glenn Langan is exposed to high amounts of radiation. The results are that he mutates, growing at the rate of ten feet per day, and goes insane, destroying several Las Vegas landmarks before being killed by the army. The great artwork, on the material for this title, has always been a favorite among collectors. Fine/Very Fine on Paper.
Barbarella (Paramount, 1968). Style B One Sheet (27" X 41"). Jane Fonda as the voluptuous outer space agent , Barbarella, crash-lands on the Tau Seti system where she discovers the joys of interstellar sex with a variety of characters. Her search for scientist Duran-Duran (the missing scientist that inspired the band name of '80s pop fame) took her on some wild adventures including a spin in the Matmos (obviously inspired by the lava-lamp)! This One Sheet for the '60s classic is an incredibly scarce Style B One Sheet. Very Fine on Linen.
Beast From 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41"). Of all the science fiction material Heritage has auctioned in the last two years, this is the first time that we have had this One Sheet! This is one of the very rare posters from this era. As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America. This was the first of the giant creature features, and Ray Harryhausen's effects were totally believable. Directed by former Production Designer, Art Director Eugene Lourie, who later directed "Colossus of New York" and "The Giant Behemoth." The condition of this poster must be seen to be believed. Mint.
The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). One Sheet (27" X 41"). Legendary producer Roger Corman brought invading aliens into the desert of California, where they begin plans for world domination by controlling the minds of various animals. In one scene, a group of homicidal birds savagely attack, beating Alfred Hitchcock's "The Birds" by a full five years. Tremendous artwork by the great Albert Kallis. Very Fine- on Linen.
Beginning of the End (Republic, 1957). Title Lobby Card (11" X 14"). Sci-fi thriller has Chicago being overrun with giant, radioactive, mutant grasshoppers. This genre became popular during the cold war era of the 1950s, and played to the fears of audiences living in the "Atomic Age." Nice Title Card displays the creature against the backdrop of the ruined city. Very Fine.
Beginning of the End (Republic, 1957). Half Sheet (22" X 28"). Inspired by the movie "Them" that featured giant ants, this film's monsters were giant grasshoppers, products of an experiment-gone-bad in radioactivity. The film's special effects consisted of photographing swarms of grasshoppers, crawling along huge still photographs of Chicago. Insects don't always follow directions, however, and some can be seen crawling across the sky. Very Fine-.
Blade Runner (Warner Brothers, 1982). One Sheet (27" X 41"). Harrison Ford stars in the sci-fi/drama as Rick Deckard, a futuristic cop who has been assigned the task of tracking down and eliminating five human clones who have returned to earth seeking their creator. Interesting film that explores the sanctity of human life. The stunning visual art by John Alvin has always made this poster highly collectible. Fine/Very Fine on Linen.
Brain Eaters, The (American International, 1958). One Sheet (27" X 41"). Parasites from the center of the Earth have invaded the small town of Riverdale, Illinois. They've taken control of the minds of anyone in a position of authority. Only one man who understands it can stop it! One of the best and most gruesome posters to come out of AIP's exploitation department features a partially exposed and eaten brain! You can only imagine how many teens lined up at the drive-in for this "killer" thriller! You will be hard pressed to find a one sheet in better condition than this one. A true Mint condition poster.
Cat Women of the Moon (Astor, 1954). One Sheet (27" X 41"). Science-fiction "classic" that is an unintentionally funny tale about a group of American space travelers who confront a hostile tribe of females on the borders between the light and dark side of the moon. Don't miss the cat women performing their kinky space dance to the tune of "Strangers in Paradise!" Fine on Linen.
The Colossus of New York (Paramount, 1958). Insert (14" X 36"). Low-budget, Frankenstein-ish movie, where a man transplants the brain of his dead scientist brother into the body of a glowing-eyed, caped robot. The experiment soon goes horribly wrong when the robot goes on a homicidal rampage, killing people with its gamma-ray eyes. Fine/Very Fine.
Crawling Eye, The (DCA, 1958). Half Sheet (22" X 28"). The remote Alpine village of Trollenberg is being terrorized by an army of one-eyed, tentacled beasts from outer space, who hide themselves in a radioactive cloud and then freeze their victims with a radioactive mist. Originally titled "The Trollenberg Terror," it was later renamed "The Crawling Eye" for its U.S. release. Very Fine+.
Close Encounters of the Third Kind (Columbia, 1977). Six Sheet (81" X 81"). Steven Spielberg's follow up to "Jaws" was supposed to be a small, easy to shoot project. It quickly snowballed into a $20.Million feature. That was 1977, when twenty mil was a lot of dough. The story of Roy Neary's (Richard Dreyfuss) obsession with meeting extraterrestrials turned out to be Columbia Studios' most profitable film up to that time. This six sheet in is amazingly nice condition. Very Fine/Near Mint.
Day of the Tiffids (Allied Artists, 1963). Insert (14" X 36"). Based on John Wyndham's novel, this sci-fi thriller finds most of the population going blind from watching a hypnotic meteor shower, then being attacked by what appears to be giant broccoli! The poster is a cult classic. Very Fine-.
Day of the Triffids (Allied Artists, 1963). One Sheet (27" X 41"). Based on the novel by John Wyndham, the film begins with a brilliant meteor shower so bright that it blinds most of the world's population, leaving them helpless against hordes of alien carnivorous plants known as "Triffidus Celestus". The few people left with sight have to join forces to ward off the evil veggie invaders. Beautiful Joseph Smith artwork. Very Fine.
Day the Earth Stood Still (20th Century Fox, 1951). Title Lobby Card (11" X 14"). Similar to the Half Sheet on this title but with darker colors, this poster is from the greatest of the science fiction films of the fifties. This Title Card is in excellent condition other than abrasion in the upper border due to removal of tape and a pin hole in each upper corner. Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14"). Simply stated, science fiction doesn't get any better than this! "The Day the Earth Stood Still" is THE quintessential sci-fi thriller and is the Granddaddy of all the 1950s sci-fi films that followed. Robert Wise's masterpiece deals with man's paranoia of things he doesn't understand. So, when a friendly alien appears on the grounds of our Capitol, the first thing we do is try to destroy him. Michael Rennie as Klaatu, the alien, and his Robot, Gort, appear on this spectacular close-up lobby. Very Fine/Near Mint.
Day the Earth Stood Still (20th Century Fox, 1951). Half Sheet (22" X 28"). Robert Wise's classic science-fiction epic is still the standard to which all other sci-fi films are compared! In this story, way ahead of it's time, the film explores the issue of what would man do if suddenly confronted by an alien race far superior to our own. Michael Rennie stars as the alien Klaatu who comes to earth with a message. He's accompanied by one of the greatest robots in the history of the cinema, Gort! This beautiful Half Sheet features both Rennie and Gort as they step out of their flying saucer! Folded, Very Fine+.
Day the Earth Stood Still (20th Century Fox, 1951). Three Sheet (41" X 81"). Based on the story "Farewell to the Master" by Harry Bates, this film was a milestone to science fiction movies in the early 1950s. Directed by Robert Wise, the movie begins when an extraterrestrial spacecraft lands near the White House. Out steps Klaatu, a soft-spoken interplanetary traveller, whose "bodyguard" is Gort, a huge robot who shoots laser-like death rays when ever threatened. This exciting poster style is different from the one-sheet, and very similar to the insert. The large paper on these classic titles are getting harder to find. Very Fine/Near Mint on Linen.
Devil Girl From Mars (Spartan, 1955). Insert (14" X 36"). It seems the male population of Mars is dropping, so they delegate a leather-clad woman, with her robot in tow, to collect earth men to help them re-populate the planet. The men are reluctant and their women won't give them up without a fight. The supporting cast includes horror fan favorite, Hazel Court, and Hugh McDermott. This low-budget, British sci-fi film has gained a cult following over the years. Fine.
Earth vs. the Flying Saucers (Columbia, 1956). One Sheet (27" X 41"). An above average entry in the 1950s science-fiction genre, with steller performances from leads Hugh Marlowe and Joan Taylor, as well as top-notch effects by Ray Harryhausen. This wonderful poster graphically illustrates the alien saucers that are bent on colonizing Earth and is a superior example of the genre's best! Very Fine+ on Linen.
Earth Versus the Flying Saucers (Columbia, 1956). Insert (14" X 36"). This is one of Ray Harryhausen's seminal science fiction films of the fifties, as it tells the tale of invaders from outer space who request that Earthlings surrender peaceably --- or else. The stop motion effects were Earth-shattering for the time (pun intended), and elevated Harryhausen's work to the top of the field. This very nice folded Insert has masking tape support on the back of one vertical edge, without any bleed-through. Two small linen tape supports on horizontal folds appear to be there just as support, with no tearing visible. Fine+.
Earth Versus the Flying Saucers (Columbia, 1956). Title Card (11" X 14"). An above average entry in the 1950s science-fiction genre, with steller performances from leads Hugh Marlowe and Joan Taylor, as well as top-notch effects by Ray Harryhausen, who does a nice job laying waste to Washington DC in the film's memorable finale. Fine/Very Fine.
E.T. The Extraterrestrial (Universal, 1982). Special One Sheet (27" X 41"). This wonderful poster uses the famous image of E.T. and 10-year-old Elliot, taking a magical bike ride across the moon. Rumor has it that this was a poster that Spielberg had printed for the cast and crew, before the release of the film, in a very limited number. No one knows for sure how many copies were printed, but what we do know is that original copies of this poster are extremely rare. Fabulous poster in rolled, near mint condition. Near Mint.
First Men in the Moon (Columbia, 1964). Insert (14" X 36"). Film adaptation of the H. G. Welles novel about scientists who are confused when they find evidence of space travel that happened in the distant past. What they find is that back in 1899, an eccentric scientist took a trip to the moon in a home-made space vehicle. Once on the lunar surface, he discovered an alien civilization that resembled an ant colony, complete with "queen," soldiers, and workers. Some of Ray Harryhausen's best and most convincing work went into this film. Very Fine-.
Forbidden Planet (Loews - MGM, 1956). Style A Half Sheet (22" X 28"). Another great format for this title, displaying bold vibrant colors. The famous image of "Robbie the Robot" carrying the scantily clad woman needs no introduction to the collector. This title is one of the top ten collectible science fiction posters of the fifties. Fine+.
Forbidden Planet (Loews - MGM, 1956). Style B Half Sheet (22" X 28"). Based on Shakespeare's play "The Tempest," this film was MGM's first big-budget science-fiction production. The huge success of the film was mostly due to its mechanized performer, Robby the Robot, who became so popular with audiences that he went on to star in two more feature films. Posters featuring robots represent the pinnacle of collecting for the 1950s sci-fi genre, and are the most desirable and sought after images in the hobby. The borders of this poster have been airbrushed during restoration. Fine+ on Paper.
Giant Behemoth (Allied Artists, 1959). Half Sheet (22" X 28"). This is the British version of an earlier American sci-fi thriller, "The Beast from 20,000 Fathoms." Here a Cornish fisherman, found covered with radiation burns, utters the word "Behemoth," before he dies, citing the monster alluded to in the Bible. The dinosaur-like monster, a mutant from atomic fallout, besieges England before finally being conquered. Tremendous Albert Kallis artwork, Very Fine on Linen.
Godzilla (Toho, 1956). One Sheet (27" X 41"). Director Ishiro Honda's film about the famous 400-foot tall mutant dinosaur in the true "King" of Toho Studios releases. Some believe that Honda used this film as a visual metaphor of the devastation wrought on Japan by the atomic bomb. Wonderful artwork shows Godzilla,with his glowing dorsal fin and radioactive breath laying waist to Tokyo. A highly sought, true sci-fi collectible. Fine+ on Linen.
Gorgo (MGM, 1961). Insert (14" X 36" ). With the success of the Japanese "giant reptile" films, the creators of "Gorgo" decided to bring their creature to an English setting. The story starts with volcanic action, in the Irish Sea, bringing forth a 65-foot monster who is captured and kept as a seaside carnival attraction. But the real trouble begins when Gorgo's much larger mother comes looking for her little baby, and tramples London in the process. Very Fine.
The Hideous Sun Demon (Pacific International, 1959). Insert (14" X 36"). One of the most popular themes of the 1950s sci-fi era was radioactive mutation, where people or animals would turn into some sort of monster or creature. This time a research scientist is exposed to dangerous radioactive materials during a visit to an atomic power plant. He then begins to mutate into a half-man, half-reptile creature when he comes into contact with the rays of the sun. Very Fine-.
I Married a Monster From Outer Space (Paramount, 1958). Insert ( 14" X 36"). One of the 1950s better science-fiction efforts of the 1950s found a young bride questioning the odd behavior of her new husband, only to realize that other people in her town were beginning to act the same way. She soon discovers the truth; that aliens have switched places with the locals and plan on taking over the earth. This was an oft-visited theme during the 1950s (see "It Came From Outer Space," "Invasion of the Body Snatchers," etc.) as the country was undergoing a wave of paranoia about aliens (communists) taking over our minds and bodies. On a more subversive and subliminal context, the poster uses a RED background. This insert is one of the better posters released for this film in that it shows one of the aliens in the photo at bottom. Fine.
Invaders From Mars (20th Century Fox, 1953). One Sheet (27" X 41"). The science-fiction, red-scare boom of the 1950s produced many films about aliens invading earth, and many more involving radioactive mutants. This film is unique in that it is told from the perspective of a twelve-year-old astronomy buff (Jimmy Hunt), who sees a flying saucer land just beyond his backyard. The spacecraft releases evil aliens that start brainwashing the residents of his small town. The artwork on this beautiful One Sheet is far superior in design to that of typical science-fiction posters of the day. Fine+ on Linen.
Invaders From Mars (20th Century Fox, 1953). Half Sheet (22" X 28"). Another excellent format for this highly desirable title, displaying the stunning green aliens against a backdrop of blue, and photo scene images along the bottom border. Very Fine on Paper.
Invasion of the Body Snatchers (Allied Artists, 1956). One Sheet (27" X 41"). One of the most important science fiction films of the fifties is a classic exercise in psychological suspense. The film played upon America's fears of being taken over by alien invaders. The aliens in this context were pods from space, but the underlying fear was of a "red communist" takeover. Fine+ on Paper.
Invasion of the Body Snatchers (Allied Artists, 1956). Three Sheet (41" X 81"). As the "red scare" swept the nation during the 1950s, feelings of paranoia overwhelmed the populace who believed they would be "taken over" by communists. The film-makers of "Invasion of the Body Snatchers" played upon this fear by using space pods as a metaphor for communists. This poster also plays on these psychological fears using a "red" background, and a huge hand (fivers - a reference to fifth columnists, communist spies) reaching for the fleeing citizens. A wonderful large-format poster, for a classic film. Very Fine on Linen.
Invasion of the Saucermen (American International, 1957). (8) Lobby Card Set (11" X 14"). This was one zany flick, as a teenage gang has to save the earth from bull-riding aliens from outer space. Without a doubt this is the quintessential "high-camp" sci-fi film of the 1950s! Frank Gorshin, television's The Riddler in the "Batman" series, was one of the teen stars. The poster and lobbies for this creature feature are some of the most sought after in the hobby. This spectacular lobby card set features the aliens no fewer than five times, and two of the Portrait Cards routinely sell in the $700.00 range each. Cards in this set range from Fine to Very Fine.
Invasion of the Saucermen (American International, 1957). Insert (14" X 36"). American International's graphic artist, Albert Kallis, created the wonderful green Martian, with the enormous head and bulging eyes, attacking the scantily clad woman, on this classic sci-fi poster. The fantastic graphics on the poster material for this creature feature is the reason that it has become one of the most sought-after titles in the hobby. Fine+.
It Came From Outer Space (Universal, 1953). One Sheet (27" X 41"). This 3-D film was the trendsetter for so many of the classic sci-fi thrillers of the fifties. It was directed by Jack Arnold, who later went on to direct many of the genre's greatest films. The artwork for this classic science-fiction poster was done by Joseph Smith. There has been expert restoration done in the upper quarter of the poster primarily on the 3-dimension logo, where apparently a snipe had been used to cover it. Restoration work well done. Fine on Linen.
Invisible Boy, The (MGM, 1957). Insert (14" X 36"). Robby the Robot made his first appearance in "Forbidden Planet" and was such a tremendous success that MGM quickly created another project for him. Actually this film was based on a short story by Edmund Cooper, which incidentally, contained no robots! Though other creatures and mutants were popular to the sci-fi genre in the 1950s, the creation of the mechanical men would soon come to epitomize the era. Posters that feature robots are some of the most desirable and sought-after in the hobby.Very Fine-.
It Came From Beneath the Sea (Columbia, 1955). Half Sheet (22" X 28"). This film was the first of several fruitful collaborations between producer Charles H. Schneer and special effects wizard Ray Harryhausen. The stop-motion animation utilized by Harryhausen to create the huge tentacled octopus is convincingly frightening, and he continued to perfect his work on follow up projects such as "Earth vs. Flying Saucers" and "The Seventh Voyage of Sinbad". Fine/Very Fine.
It Came From Beneath the Sea (Columbia, 1955). Insert (14" X 36"). A giant six-armed "octopus" attacks San Francisco and it's up to the Navy to stop it before it can destroy the Golden Gate Bridge. Stop-motion master animator Ray Harryhausen created the effects, but he only animated six arms due to budget restraints. It's still a classic and a great poster as well. Very Good on Paper.
It Came From Beneath the Sea (Columbia, 1955). Window Card (14" X 22"). Another great piece for this sci-fi classic, but what makes this piece even more collectible is that it has been signed by special-effects wizard Ray Harryhausen and actor Donald Curtis. Fine/Very Fine.
Man from Planet X (United Artists, 1951). Insert (14" X 36"). Edgar Ulmer's ultimate low-budget sci-fi thriller, which stars such lesser known screen actors as Robert Clarke, Margaret Field, and William Schallert, has a strong cult following, as so many of this director's films do. The paper for this early entry in the genre has always been elusive. This insert has been folded and has a tape stain in the lower border and slight fold wear in the top fold. It has been reinforced on the back in six places with a heavier stock paper. None of this detracts from what appears to be a very clean copy. Fine+.
Monster From the Ocean Floor (Lippert, 1954). Insert (14" X 36"). Anne Kimble portrays Julie Blair, a tourist who's visiting Mexico's Yucatan region. She falls for researcher Steve Dunning (Stuart Wade) and together they try to discover the mystery behind the strange disappearances of people and animals around a particular stretch of beach. What they discover is a mutant creature, spawned by recent nuclear testing, terrorizing the area. This poster features a fantastic image of a one-eyed sea creature, clutching the voluptuous starlet in its tentacles. Very Fine.
The Monster That Challenged the World (United Artists, 1957). Insert (14" X 36"). An underwater earthquake in the Sargasso sea unearths the eggs from a prehistoric sea monster. The eggs hatch and produce snail-like creatures that go around sucking the life force out of people. This Insert features a nice shot of the creature with one of its victims. Fine.
Mothra (Columbia, 1962). Insert (14" X 36"). Directed by Ishiro Honda, this was the third major addition to Toho Studios' giant monsters extravaganzas following Godzilla and Rodan, and the first female beast in the series. The film begins with a giant larva, worshipped by island tribesmen, that quickly metamorphoses into a giant female moth. Destruction and pandemonium ensues as the monster moth attempts to regain her stolen egg. Fine.
Not of this Earth (Allied Artists, 1957). One Sheet (27" X 41"). Produced and directed by Roger Corman, this was one of his finest sci-fi endeavors of the 1950s. Starring Paul Birch as an alien from the planet Davanna, where people are dying because of atomic warfare anemia. Birch comes to Earth to find blood to send to his ailing kinsmen. The wonderful graphics on posters such as these are what kept the public coming back week after week, and also why the material is so collectible today. Fine+ on Linen.
Not of this Earth (Allied Artists, 1957). Insert (14" X 36"). An alien transported to Earth seeks to save his alien race from extinction by acquiring uncontaminated human blood! This was one of Roger Corman's true claims to fame as it was made on a shoestring budget, yet it still managed to please the drive-in audiences. The film was remade in 1988 with Traci Lords in the role originated by Beverly Garland. The posters for this title are cult favorites. Fine.
Phantom From 10,000 Leagues (American Releasing Corp., 1955). Insert (14" X 36"). The mysterious deaths of visitors along a stretch of beach leads to an investigation by a scientist and a government official. What they uncover is a strange source of radiation, coming from the ocean floor, that has created a mutant sea monster. The talented Albert Kallis is credited with this fantastic poster. Fine.
Phantom Planet (AIP, 1961). One Sheet (27" X 41"). This early 60s AIP feature is a generally over-looked slice of kiddie matinee Sci-Fi, which takes place in the distant future of 1980 in which an astronaut lands on an asteroid which is inhabited by 6 inch people. It stars silent screen star Francis Bushman and the actor who played Valentino in his screen bio, Anthony Dexter. Very Fine.
Plan 9 From Outer Space (DCA, 1959). One Sheet (27" X 41").This sci-fi film, from legendary director Ed Wood, with its weird dialogue, incoherent plot and silly special effects, is often called the worst movie ever made. This anti-masterpiece is often funny (if almost always for the wrong reasons) and consistently entertaining. Over time it has remained oddly endearing. Alien invaders attempt to conquer the world by raising the dead, starting with an old man dressed in a Dracula costume, played by none other than Bela Lugosi. Offered here is the rare two-color version of the poster. Fine+.
Planet of the Apes (20th Century Fox, 1968). French Petite (23"X30"). Considered by many to be the best poster produced for this ground breaking film. Dramatic scenes and vivid colors accent this French poster! Fine+ on Linen.
Planet of the Apes (20th Century Fox, 1968). One Sheet (27" X 41"). Pierre Boulle's novel was brought to the screen in one of the most amazing science-fiction films ever made. Charlton Heston was cast as Taylor, an astronaut flung 2000 years into the future, where he crash lands on an isolated planet, and soon discovers that the rules of society and civilization have been turned upside down. Apes have evolved into the planet's rulers, and man has descended into an uncivilized species. Very Fine/Near Mint.
Red Planet Mars (United Artists, 1952). Insert (14" X 36"). One of the most intelligent sci-fi films of the 1950s, where religion and communism clash head-on. When American scientists receive messages from Mars, Earth's economy begins to collapse because people think the Martian super-science is going to make their jobs obsolete. The Soviets try to use this to their advantage to undermine Western religion. Then the Martians send a message that suggests they are ruled directly by God, this news causes a world-wide religious upheaval and sparks an international religious revival. Very Fine-.
Reptilicus (American International, 1961). One Sheet (27"X 41"). This campy sci-fi feature has a giant dragon-like creature called "Reptilicus" attacking the vast metropolis of Copenhagen. The most enduring aspect of this film is the stunning artwork featured on this colorful One Sheet. Fine.
Robinson Crusoe On Mars (Paramount, 1964). One Sheet (27" X 41"). Commander Kit Draper, with his pet "Mona" the monkey, crashes on the red planet, and has to battle a hostile environment and aliens while trying to escape. Look for Batman's Adam West, who has a brief appearance as the partner that doesn't make it. Directed by Byron Haskins, who had previously directed "War of the Worlds," "Conquest of Space," and "From the Earth to the Moon." Very Fine/Near Mint.
Rodan! The Flying Monster (Toho/ DCA, 1957). Insert (14" x 36"). After the huge success of "Godzilla," Toho studios launched its next giant monster film, "Rodan," a giant pterodactyl whose massive wings create destructive winds as it flies by. Actually there are two pterodactyls in this film -- mates -- who finally get together, of course, after the obligatory destruction of several Japanese cities. Very Fine.
Science-Fiction Insert Lot (Various, 1950s). (2) Inserts (14"x36"). World destruction was a popular theme during the atomic age of the 1950s. Offered in this lot are two sci-fi titles from that era, "Day The World Ended" (1955) and "The Night The World Exploded" 1957). Both grade Fine.
Science-Fiction Insert Lot (Various, 1950s). (2) Inserts (14" X 36"). Mutants and aliens were popular sci-fi subjects during the 1950s era. Offered in this lot are two from that genre, "The Killer Shrews" (1959) and "Kronos" (1957). Fine/Very Fine.
Science Fiction Insert Lot (20th Century Fox, 1958-59). (2) Inserts (14" X 36"). "The Fly" was one of the definitive big-budget horror films of its decade and after its huge success, it was followed the next year by the sequel "Return Of The Fly." Audiences swarmed to the theaters in droves to see the gruesome "Human Terror Created By Atoms Gone Wild!" Fine.
Science Fiction Insert Lot (Various, 1950s). (2) Two Inserts (14" X 36"). Aliens coming to earth with mysterious powers was another popular sci-fi theme of 1950s. Offered in this lot are two titles from that era, "The Cosmic Man" (1959) and "The Magnetic Monster" (1953). Both would grade Fine/Very Fine.
Science Fiction Insert Lot (Various, 1950s). (3) Inserts (14" X 36"). One of the most popular subjects for the 1950s sci-fi genre was giant mutant monsters. This lot features three such titles from that era, including "The Spider," "The Black Scorpion," and "King Dinosaur," Fine.
Science-Fiction Insert Lot (Various, 1950s). (2) Inserts (14" X 36"). Space travel was a popular theme during the sci-fi era of the 1950s. Offered in this lot are two titles,"First Man Into Space" (1959), and "From The Earth To The Moon" (1958). Both grade Fine+.
Science Fiction Poster Lot (Various 1964-65). (4) One Sheets (27" X 41"). Offered in this lot are three Mint condition flat folded One Sheets, including "The Unearthly Stranger" (AIP, 1964), "Voyage to the End of the Universe" (AIP, 1964), and "Space Probe-Taurus" (AIP, 1965). Also included is a Fine condition One Sheet from "From the Earth to the Moon" (RKO, 1958). Very Fine/Near Mint.
Star Wars (20th Century Fox, 1976). Style A One Sheet (27" X 41"). George Lucas had always been a great admirer of filmmaker Akira Kurosawa and adapted his film, "The Hidden Fortress," into a science-fiction masterpiece. Lucas filmed his project on a shoestring budget after convincing 20th Century Fox studios to take the gamble. The result was one of the top-grossing films of all time. Near Mint on Linen.
Star Wars (20th Century Fox, 1978). Style D One Sheet (27" X 41"). George Lucas's sci-fi masterpiece would revive the science-fiction genre and become the highest grossing film until that time. Offered here is the "D" style, or "Circus" style, as it is sometimes called, which was made for the summer re-release in 1978, though the National Screen Service number is 770021. This style is very popular among collectors. The artwork was done by Drew Struzan and Charles White III. Supposedly, Drew Struzan drew the people, and Charles White drew the robots. Near Mint/Mint.
Star Wars (20th Century Fox, 1976). Color Still Set (8" X 10"). Another nice set of cards for this title are these colored stills or mini lobbies, as they have been called, that show a host of classic images from the movie. Mint.
Star Wars (20th Century Fox). Lobby Card Set (11" X 14"). George Lucas's mythological sci-fi adventure has passed into movie legend. Bursting with excitement and dazzling special effects this film, more than any other, help transform the science fiction genre into one of Hollywood's main stream markets. Mint.
Empire Strikes Back (Twentieth Century Fox, 1980). Insert (14" X 36"). The graphis on this insert closely resemble the Style "A" One Sheet, that is often referred to by collectors as the "Gone With The Wind" style. The second in George Lucas' "Star Wars" trilogy, "Empire" is considered the best film in the series by film critics and fans alike. Very Fine/Near Mint Rolled.
Empire Strikes Back Style (Twentieth Century Fox, 1980). One Sheet (27" X 41"). This particular style One Sheet is very hard to come by, since it was pulled from theatrical release, when it was discovered that actor Billy Dee Williams was left out of the artwork. Known by collectors as the "Gone With The Wind" style one sheet, this beautifully illustrated poster has become one of the most sought of the Star Wars series. Near Mint.
Target Earth (Allied Artists, 1954). Insert (14" X 36"). This film, based on Paul W. Fairman's short story "Deadly City," has a group of four people stranded in mysteriously deserted Chicago, who form an unlikely alliance to unite against a common enemy, an army of Venusian robots that have invaded the city. The posters for this film are more difficult to find than comparable ones of this era. Very Fine-.
Terror from the Year 5000 (American International, 1958). One Sheet (27" X 41"). Scientist Howard Erling (Frederick Downs), uses a time machine to travel to the past and future to trade artifacts. A woman from the future, who is the mutated victim of atomic radiation, murders a nurse and steals her body. It is her intention to try to repopulate the post-apocalyptic world of 5000 AD with uncontaminated children, but to do this she must forcibly take Erling's assistant, Victor (John Stratton) back with her to the future. Poster is signed at the bottom left by Samuel Arkoff, on this terrific artwork by Albert Kallis. Near Mint-.
The Thing From Another World (RKO, 1951). Spanish One Sheet (29" X 43"). Offered in this lot is the Spanish release one sheet for Howard Hawks' classic science-fiction thriller. Very Fine- on Linen.
The Thing From Another World (RKO, 1951). One Sheet (27" X 41"). Adapted from William Campbell's novel, "Who Goes There?" This amazing story set in the Arctic depicts a confrontation between man and an alien from outer space! Producer Howard Hawks brought his long-time editor, Christian Nyby in to direct this thrilling science-fiction horror film. The result was one of the best films of its time, and is still considered one of the best sci-fi films ever made! Poster material for "The Thing" is highly sought after, and this One Sheet is one of the best copies we've ever seen. The organic letters provide plenty of mystery as to what audiences would find inside the theatre! Very Fine on Linen.
The Thing From Another World (RKO, 1951). Style B Half Sheet (22" X 28"). Producer Howard Hawks' strong and suspenseful film is not your routine science-fiction picture. He brought his directorial talents to this film and in the process elevated the entire quality of the genre. To this day, this version of John W. Campbell Jr.'s sci-fi thriller remains unsurpassed for intense suspense. Posters for this title are highly prized with this Half Sheet the most sought after for it's better graphics. Fine/Very Fine on Paper.
Tobor the Great (Republic, 1954). Insert (14" X 36") This was Republic Studio's early attempt at science-fiction in a story about scientists trying to develop a robot to use in space travel. This robot is endowed with human emotions, and becomes pals with the creator's grandson. Trouble erupts when the communists kidnap Tobor and try to make him do their evil bidding. This film has some of the most attractive posters of the 1950s sci-fi genre, and material for this title has always been somewhat scarce. Fine/Very Fine.
Tobor the Great (Republic, 1954). One Sheet (27" X 41"). Spies try to capture the plans to Tobor (that's robot spelled backwards), and it's up to a young boy to foil their evil plot! Okay, it was a silly premise, but robots and sci-fi films make a great combo, and this poster is one of the best robot posters of the era! A highly collectible gem from the fifties! Fine+ on Linen.
War of the Colossal Beast (American International, 1958). Insert (14" X 36"). This film was AIP's sequel and attempt to repeat its success with "The Amazing Colossal Man." The monster man returns, bigger than ever, missing an eye, suffering from serious brain damage and a hideously deformed face that is covered in scar tissue. Artist Albert Kallis was the designer of the great poster material for this title. Very Fine.
War of the Worlds (Paramount, 1953). Window Card (14" X 22"). H.G. Wells classic story was adapted for this masterpiece of science-fiction which is as good today as when it was first seen! The special effects of the war-ships attacking civilization won an Academy Award. The film was shot in Technicolor and provided a terrifying look at how Earth could be dominated by a vicious alien force! Fine+.
Blonde Alibi (Universal, 1946). Half Sheet (22" X 28"). Tom Neal plays an honest adventurer, who has been in trouble in the past, and is now the obvious suspect for a recent murder. It is up to Martha O'Driscoll, Neal's secretary, to prove that her boss is innocent. As life often imitates art, the career of "Blonde Alibi" co-star Neal would come to an abrupt end when, in 1965, he killed his real-life wife Gail Evatt. Rolled, Fine+.
Teen Age (Continental, 1944). One Sheet (27" X 41"). Here's a "teens gone wild" film of 1944. Great tag lines such as "A Dramatic Thunderbolt Of Modern Youth!," "Modern Youth On The Rampage!," "Mad Moments Of Youth," and "Sensational! Bold! Startling!" Gee, what would they say if they could see us now? Fine.
Flaming Teen-Age, The (Truman Enterprises, 1956). One Sheet (27" X 41"). Teen exploitation film that explores the connection between juvenile delinquency and substance abuse. Great tag lines such as, "Kids on clandestine parties from liquor to narcotics beginning of the end!" When it was originally shown, "Flaming Teen-Age" was accompanied by an "expert" lecturer, who sold inspirational booklets between showings. Fine/Very Fine on Linen.
The Devil on Wheels (PRC, 1947). Half Sheet (22" X 28"). Campy juvenile delinquency film that centers on a group of teenagers who hold illegal drag races, which often lead to police involvement, and even death. Terry Moore, using the name "Jan Ford," appears in the film. This is one of the early entries in the Juvenile Delinquent genre. Fine.
Slasher, The (Rank, 1953). One Sheet (27" X 41"). Renamed from the British title "Cosh Boy", on first release, the Americans changed it to The Slasher, but the plethora of (stage) cockney accents still proved too much for audiences on this side of the Atlantic. James Kenney and Ian Whittaker are the street toughs who terrorize old people by "coshing" or bashing them over the head and stealing their purses. But all eyes were on 19-year-old Joan Collin, in only her second role, but already tipped for success as a rising young British glamour star. Unfortunately she's badly miscast and too sophisticated as a much-abused girlfriend. Fine.
Teenage Caveman (American International, 1958). One Sheet (27" X 41"). Robert Vaughn, who would become famous as the spy Napoleon Solo in "The Man From UNCLE," made his onscreen debut in this Roger Corman classic, playing a 35-year-old teenage caveman! Actually, this was one of Corman's better efforts in an atomic age story that delivers a surprise, post-apocalyptic ending. Nice American International poster delivers bold colors and wonderful graphic designs. Fine.
Love Slaves of the Amazon (Universal International, 1957). One Sheet (27" X 41"). A group of explorers, lost in the jungles along the Amazon, are captured by a group of exotic women who desire them as love-slaves! Was this a great drive-in plot, or what? Reynold Brown designed the poster that couldn't help but lure teenage boys into the theatres! Very Fine+.
Virgin Sacrifice (Releasing Corporation of Independent Producers, 1959). One Sheet (27" X 41"). Have you ever seen this movie much less heard of it? We didn't think so and you know what? Who cares!!! Okay, it's about some Guatemala natives sacrificing virgins to a Jaguar God. This poster is the best thing about this movie because it's selling one thing only- an incredible virgin babe in bondage. If there was ever a poster designed to get the male audience into the theatre, this is it! Classic! Very Fine+.
Reform School Girl (American International, 1957). One Sheet (27" X 41"). When a teenage girl's boyfriend steals a car and is involved in a hit-and-run accident, she is the only witness. Her boyfriend frames her and she ends up in "Reform School." Yeah, this girl really knew how to pick 'em and so did the moviegoing public of 1957. These AIP Bad Girl cheapies made the company one of the most successful of its day. The posters for the films have always been some of the most graphically enjoyable of the hobby, and continue to escalate in value. They don't get any nicer than this copy, as it is a true Mint poster.
Daddy-O (AIP, 1959). One Sheet (27" X 41"). Phil, a part-time truck driver, and singer, who is far too square meets a feisty platinum blonde who challenges him to a drag race through Griffith Park. That's when the trouble really begins. American International's attempt to capture the late '50s hedonistic "beatnik" scene is well represented in this striking graphic design! This copy is one of the few we've seen in this Mint condition.
Hot Rod Girl (American International, 1956). One Sheet (27" X 41"). Lori Nelson races a 1955 T-Bird in this thrill hungry teenage homage to the American muscle car! Titles from the many "Hot Rod" films of the 1950's are extremely popular and are coveted by car enthusiasts as well as film fans! Very Fine+ on Linen.
Blonde Bait (Associated Film Releasing Corp., 1956). Half Sheet (22" X 28"). This routine crimer told the story of a girl who is allowed to escape prison so she will lead the authorities to her boyfriend; a murderer who the law can't locate. Beverly Michaels dominates this Half Sheet, a classic image from the "Bad Girl" genre and the best poster on this title. Fine+ on Paper.
Speed Crazy (Allied Artists, 1959). One Sheet (27" X 41"). Dig it all you crazy hepcats! Slick Slavin sings his number one platter chatter hit as the dragsters rev their roadsters and dive into some submarine races at the drive-in! We're talking Rock 'n' Roll, Hot Rods, Cool Cats, and Crazy Chicks all come'n at ya in this quintessential ragtop flick! Very fine and seriously hot! Very Fine.
Runaway Daughters (AIP, 1956). One Sheet (27" X 41"). Although everyone who knows B films knows of Roger Corman, not as many are familiar with Edward Cahn. Cahn directed numerous B and drive-in pictures for AIP during the 1950's and "Runaway Daughter" fell right in line with the current trend in JD pictures. Exploitation was the name of the game and using the term "Jailbait" on the One Sheet was a sure-fire trigger to get the teenage boys into the theatres. Gloria Castillo starred and would later end up in another AIP girl's prison flick, "Reform School Girl." Faint image of Canadian censor stamp on poster. Very Fine+.
Running Wild (Universal, 1955). One Sheet (27" X 41"). William Campbell stars as an undercover cop who goes back to high school to expose a gang of car thieves. But the real star of the picture was an over-sexed Mamie Van Doren who did more for sweaters than the USC cheerleaders! This is one of the best One Sheets of the Juvenile Delinquent genre, and would certainly have made Howard Hughes proud. Fine.
High School Hellcats (AIP, 1958). One Sheet (27" X 41"). "What must a good girl say to belong?" We don't care just as long as Yvonne Lime says it! Lime was the undisputed queen of the juvenile delinquent drive-in circuit making a string of low budget teenage classics. The AIP gang tried to do an expose' of teenage girl gangs with this juvy pic. Of course it all goes bad and ends up in a knife fight at the local bijou! Low production values didn't matter to the theatre managers, just the titillating posters that lured the teenage drive-in crowd in for the nightly shows. It doesn't get much better than this! Fine+.
Juvenile Jungle (Republic, 1958). One Sheet (27" X 41"). Slick chicks and assorted sidekicks get in way over their heads when a planned kidnapping goes awry! Look out man cause it's youth on the loose! Ginchy, cool, and filmed in a fake 3-D called Naturama! One of the best posters of the JD era! Faint image of Canadian censor stamp. Very Fine+.
Hot Rods to Hell (MGM, 1967). One Sheet (27" X 41"). Okay, so it's a little late in the "hot rod" series. This gem came along just as biker flicks were taking off, but it's still a cult classic as Dana Andrews tries to protect his family from a gang of juvenile delinquents. The poster even takes a swipe at the current biker craze as it states, "Hotter Than Hell's Angels". Fine+.
Motorcycle Gang (AIP, 1957). Three Sheet (41" X 81"). AIP frequently used juvenile delinquents and trends, like motorcycle gangs, to exploit their motion pictures. One of the first in the genre, this is one of the films that helped lay the foundation for the mass marketing of biker films in the 1960s. Very Fine.
Beach Bikini Poster Lot (1964-67). (3) One Sheets (27" X 41"). Included in this lot are flat folded Mint One Sheets to "Beach Blanket Bingo" (AIP, 1964), and "It's a Bikini World" (Trans American, 1967). Also included is a Very Fine One Sheet from "Ghost in the Invisible Bikini" (AIP, 1966). Very Fine/Near Mint.
Beach Blanket Bingo (AIP, 1965). Special One Sheet (27" X 41"). Frankie Avalon, Annette Funicello, Harvey Lembeck, Jody McCrea, and the rest of the Beach Gang returned for this, the fourth and final Beach picture in the popular series! This time, Frankie gets the gang involved in a skydiving competition, flirts with a mermaid, and saves a girl from Erich Von Zipper's gang of Rat Fink motorcyclists. This is a series that people still look fondly upon, mainly because it reflects the innocent feel of the 1960s. This special One Sheet rarely surfaces, and talks about a contest that was held at theatres. Very Fine+ on Linen.
Ghostbusters (Columbia, 1984). (2) One Sheets (27" X 41"). Ivan Reitman directed Bill Murray, Sigourney Weaver, Dan Aykroyd, Harold Ramis, and Ernie Hudson in a film that is one of the highest-grossing comedies of all time. Penned by Aykroyd and Ramis with John Belushi originally written as Venkman, this was the runaway hit of the '80s and really set the tone for the humor of that decade. "Who Ya Gonna Call?" Offered in this lot is the advance One Sheet and the regular release One Sheet, both in Near Mint/Mint condition.
Manhattan (United Artists, 1979). One Stop (41" X 77"). This film followed the Oscar-winning success of "Annie Hall," a romantic comedy that brought Woody Allen to the forefront of American filmmakers. In "Manhattan," Allen scripts another story about romantic obsessions, this time told in a darker vein, and shot entirely in black and white. Near Mint.
Woody Allen Lot (United Artists, various). (5) One Sheets (27" x 41"), (1) Lobby Card Set. Director/writer/actor Woody Allen would have to be considered one of the most important figures in modern American cinema. With a career spanning over 30 years, he continually tackles important issues, alternating between humor and drama, while always managing to entertain. Offered in this lot are (5) One Sheets; "Bananas," "Play It Again, Sam," "Take The Money And Run," "Annie Hall," and "Manhattan," and the (1) lobby card set from "Manhattan." All the material grades Fine+ to Very Fine.
Lolita (MGM, 1962). One Sheet (27" X 41"). Stanley Kubrick's adaptation of Nabokov's novel caused quite a sensation when it was released in 1962. James Mason plays Humbert Humbert, a man so infatuated with a young girl, Lolita, that he marries her mother just to get close to her. The film and the poster are both considered classics of the cinema! Fine/Very Fine on Linen.
Valley of the Dolls (20th Century Fox, 1967). One Sheet (27" X 41"). This film, taken from the 1960s best-seller, follows the lives of three young women through fame, booze, pills, and men. Judy Garland, who very much resembles the character Lawson, was originally cast, but was soon replaced after only a few days of shooting. "Dolls" is a reference to the pills that the women become addicted to in the film. Fine.
Blowup (MGM, 1967). One Sheet (27" X 41"). Italian director Michelangelo Antonioni directs a young Vanessa Redgrave and David Hemmings, in this well-known sixties murder/mystery thriller about a wealthy fashion photographer in "mod" London who believes he has accidentally photographed a murder. Fine/Very Fine.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Columbia, 1964). One Sheet (27" X 41"). One of Stanley Kubrick's most frequent cinematic statements was the absurdity of war. With "Dr. Strangelove" he explored the subject to its ultimate conclusion with the launch of World War III. The film is considered a masterpiece of dark humor and features one of the best ensembles to ever grace the screen, including Peter Sellers, Keenan Wynn, Sterling Hayden, James Earl Jones, George C. Scott and the atom-bomb riding cowboy Slim Pickens. The poster was designed by Tomi Ungerer. Very Fine on Linen.
Ocean's 11 (Warner Brothers, 1960). Lobby Card (11" X 14"). This was the Rat Pack's best film and this is the best lobby card in the set. Featured here are Frank Sinatra, Sammy Davis Jr., Dean Martin, Peter Lawford and Joey Bishop. Fine-.
Ocean's 11 (Warner Brothers, 1960). Six Sheet (81" X 81"). Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and the the rest of the Rat Pack plan on knocking off five Las Vegas casinos in one night. This film is a classic that depicts the swaggering "cool" that defined the Rat Pack and the 1960s. This impressive Six Sheet is exceptionally scarce and represents one of the fastest appreciating titles of the poster hobby. Fine/Very Fine.
Rat Pack Lot (United Artists, 1962; Warner Brothers, 1964). (2) One Sheets (27" X 41"). This lot includes One Sheets to "Sergeants 3" and "Robin and the 7 Hoods," both of which starred the famous Hollywood "Rat Pack". Frank Sinatra and his pals Dean Martin, Sammy Davis,Jr., with sometimes co-stars Peter Lawford, and Joey Bishop, were the entirety of this group, which has taken on mythic qualities in the last forty years. Though the final film the Pack made, "Robin and the 7 Hoods" did not star Lawford and Bishop, many still consider it one of the better Rat Pack efforts. Fine+.
Cool Hand Luke (Warner Brothers, 1967). Door Panel (20" X 60"). "What we've got here is a failure to communicate". This was the most quoted line of a film from the sixties. Paul Newman gives a great performance in this comedy-drama about a man's resistance to the prison system he's caught in. Posters from this film are very much in demand, and this door panel, one of the best from the set, is a rarity. Folded, Very Fine/Near Mint.
The Producers (MGM, 1968). Half Sheet (22" X 28"). Mel Brooks' first directorial effort didn't fair well upon its initial release, but has now become known as one of his top comedy productions. Down and out theatrical producer Max Bialystock (Zero Mostel) conspires with his new accountant Leo Bloom (Gene Wilder), to get backers to invest in a play that is a guaranteed flop, so they can keep all the extra money. The play, "Springtime for Hitler," opens with perhaps the worst production number ever in the history of films, that leaves the audience in a dumbfounded silence. Rolled, Near Mint.
The Graduate (Embassy, 1967). One Sheet (27" X 41") and Lobby Card (11"x14"). Dustin Hoffman became an overnight sensation after appearing as Benjamin Braddock in this classic picture of the 1960s. Rebelling against the desire of his parents that he settle down and take a respectable job, Benjamin starts an illicit affair with a friend of his mother, Mrs. Robinson played by Anne Bancroft. Things start getting out of control when Benjamin starts dating Mrs. Robinson's daughter. The scenes of the older woman seducing the young and nervous man have become legendary. Although Hoffman wasn't the original choice for the part (that was Warren Beatty, and later Charles Grodin), you have to wonder how anyone else could have played the role. Posters for this title without the Academy Awards are surprisingly rare and eagerly sought after especially the ones from the Embassy release as is this one, prior to UA picking the film up. Of the two non-Oscar posters, this photo style is the more desirable. The lobby card displays a surreal image of a confident Bancroft and a confused Hoffman. Both items grade Very Fine.
Oliver (Columbia, 1968). Three Sheet (41" X 81"). This is a musical adaptation of Charles Dickens' classic tale of an orphan who runs away from a London orphanage and hooks up with a gang of young pickpocket under the tutelage of an elderly mentor. The retelling of "Oliver Twist" was the winner of the Best Picture Oscar and all of the posters that appear for this film are the Academy Award versions. Offered here is the very rare, pre-award poster for this film. Very Fine-.
Strike Up the Band (MGM, 1940). Australian One Sheet (27" X 40"). Judy Garland and Mickey Rooney made a number of films together and in the process became two of the highest paid stars of the 1940s. In this programmer, Rooney starts a swing band in his high school and has to raise money to travel to Chicago so the band can enter a national contest! Of course the only way they can raise money is to "put on a show" (which happened in every Rooney and Garland film), which made a great excuse to put as many songs into the picture as possible. Audiences loved every minute of it, and it made their movies some of the most popular of the era. This lovely Australian One Sheet is done in a combination Off-Set and Stone Litho printing process that is very striking (pardon the pun). Very Fine on Linen.
Little Nellie Kelly (MGM, 1940). Australian One Sheet (27" X 40"). Judy Garland was cast without her usual partner, Mickey Rooney, in this melodrama about a girl who marries against her father's wishes and moves to New York. Nellie dies giving birth, but years later we see Little Nellie grow up, and Garland takes over the role as the "identical image" of her mother. Judy Garland introduced "Singin' in the Rain" in this picture. Very Fine on Linen.
Ziegfeld Follies (MGM, 1946). Australian One Sheet (27" X 40"). Florenz Ziegfeld became synonymous with lavish stage productions featuring extravagant showgirls. In this film, he is seen in heaven dreaming up one more fantastic revue. MGM used this thin plot to showcase some of the spectacular talent in their stable of stars including, Fred Astaire, Judy Garland, Lena Horne, Fanny Brice, Lucille Ball, Gene Kelly, Red Skelton, Esther Williams, William Powell, and dozens of others. Pinup artist George Petty designed this gorgeous poster. Fine.
Nix on Dames (Fox, 1929). Three Sheet (41" X 81"). Mae Clarke portrays Jackie Lee, a spicy vaudeville dancer, who comes between acrobat partners Bert (Robert Ames) and Johnny (William Harrigan), despite their lifelong promise of never letting a "dame" break up their act. Wonderful musical numbers are staged with several well-known Broadway performers in the supporting cast. This colorful poster displays wonderful deco styling that perfectly personifies the era of the roaring 1920s. Very Good+.
Going My Way (Paramount, 1944). One Sheet (27" X 41"). Bing Crosby won his only Oscar in this story of a priest who arrives in a new parrish and tries to save it from its various problems. The story was a big hit and really lifted the spirits of the US forces overseas during World War II. Oscars also went to Barry Fitzgerald for Supporting Actor, Best Story, Best Screenplay, Best Director, Best Music and Best Picture of the Year! Fine/Very Fine on Linen.
It's a Date (Universal, 1940). Photo Gelatin (40" X 60"). During the late thirties and throughout much of the forties, Universal Studios' biggest and most successful star was Canadian-born Edna Mae Durbin. Deanna Durbin starred in this musical comedy at the height of her career opposite Kay Francis and Walter Pigeon. This film is considered by many of Durbin's fans to be one of her best. This lovely and rare Photo Gelatin may be the only surviving copy of this poster. Rolled, Very Fine.
That Certain Age (Universal, 1938). (40" X 60") Photo Gelatin. In this musical romantic comedy of 1938, Deanna Durbin plays Alice Fullerton, a young woman of a "certain age" who is prone to developing crushes against her best judgment. Her parents have taken in an intriguing house guest (Melvyn Douglas) and Alice falls hard for him. Durbin had made a big slash at Universal with her hit "One Hundred Men and a Girl" and this film followed soon after. The studio put a tremendous amount of time and money into these films (and it shows) as would prove to be a wise investment. Durbin became the studios' top boxoffice draw for the next several years. Offered in this lot is an amazing and rare "Photo Gelatin" 40" X 60" which pictures the Universal's new star. Rolled, Fine.
The Fabulous Dorseys (United Artists, 1947). Three Sheet (41" X 81"). Based on the lives of big-band stars Tommy and Jimmy Dorsey, who are considered to be among the best bandleaders of the swing era, this film chronicles their rise to fame and eventual stardom. Guest appearances by Charlie Barnet, Art Tatum, and Bob Eberly jazz up the musical numbers, with such features as "Green Eyes," "Everybody's Doin' It", "Marie," and "I'll Never Say Never Again." Beautiful, large format poster features both brothers. Fine+.
Dance, Girl, Dance (RKO, 1940). Australian Daybill (14" X 40"). Directed by Dorothy Arzner, one of Hollywood's first female directors, this film is now considered one of the first true feminist films made. Starring a very young Maureen O'Hara and a pre-Lucy, Lucille Ball, the film told the tale of two female dancers trying to make it in the commercial world of dance, ballet or burlesque. It began filming in late 1939. Lucille played, by her own description, "a tough, wisecracking stripteaser", in contrast to the prim and proper ballerina played by Maureen O'Hara. The characters in one scene come to blows and apparently the staged fight was incredible. It was immediately after the filming of this scene that Lucille met Desi Arnaz for the first time, in the RKO commissary. She was still in her torn dress and sporting a fake black eye when they were introduced to each other by George Abbott, the producer of her next film, "Too Many Girls". It was not the ideal first impression, but it didn't matter. Maureen O'Hara says, "Lucille fell like a ton of bricks." They went on a publicity tour together across the country for "Dance, Girl, Dance" and she remembers Lucille talked about him all the time. This is a wonderful Stone Litho daybill for this classic comedy. Very Fine on Linen.
Centennial Summer (20th Century Fox, 1946). One Sheet (27" X 41"). Otto Preminger directed this romantic musical, set in Philadephia during the 1876 centennial celebration. Jerome Kern composed the score, and co-wrote several of the film's songs including "Up With the Lark," "The Right Romance," and "All Through the Day." This would be the last film work he would complete prior to his death in 1945. Fine+.
Top of the Town (Universal, 1937). One Sheet (27" X 41"). A much overlooked comedy/musical extravaganza that utilized a lot of Universal's up-and-coming stars. The plot has a wide variety of specialty numbers, much like an old-time vaudeville show, all staged on wonderful Art Deco sets by legendary Broadway designer John Harkrider. This is another example of the beautiful one sheets that Universal was capable of producing for their product. Fine/Very Fine on Linen.
Dixie (Paramount, 1943). One Sheet (27" X 41"). Comedy/Musical film, starring Bing Crosby and Dorothy Lamour, that was based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie." According to Paramount press, the famed pre-Civil War minstrel looked and sounded exactly like Crosby! Very Fine on Linen.
Wake Up and Live (20th Century Fox, 1937). (40" X 60") Silk Screen. The imaginary 1930s radio feud between bandleader Ben Bernie and columnist Walter Winchell is the foundation for this film. Between the bickering of the two stars is the story of a singer played by Jack Haley, who falls in love with leading lady Alice Faye. Gorgeous colors on this lovely silk screen. Rolled, Fine+.
Thank Your Lucky Stars (Warner Brothers, 1943). One Sheet (27" X 41"). This was Warner Brothers' WWII, morale-boosting, musical extravaganza that starred practically everybody on the studio lot. Bette Davis sings a charming off-key rendition of "They're Either Too Young or Too Old," Humphrey Bogart appears in a sketch where he's browbeaten by comedian S. Z. Sakall, and Errol Flynn steals the show as a Cockney bum singing "That's What You Jolly Well Get." All the stars appear on the poster. Fine.
An American In Paris (MGM, 1951). Insert (14" X 36). This film remains on almost everyone's list of favorite musicals of all time. This Paris love story was shot almost entirely on the MGM stages, and the centerpiece of this classic Gene Kelly musical is a 17-minute fantasy ballet sequence - the longest dance number ever filmed for a Hollywood musical. But words cannot do justice to the grace and beauty that Leslie Caron and Gene Kelly display with such seeming ease as they glide through the exquisite sets that depict paintings by famous French artists. Combine Kelly's dancing, George Gershwin's music, and Vincent Minnelli's direction, and you have the winner of the Best Picture Oscar for 1951, and one of the all-time great films of Hollywood's history. Rolled, Very Fine+ condition.
Show Boat (Universal, 1936). Title Card (11" X 14"). This was the first adaptation of the Edna Ferber and Oscar Hammerstein Broadway musical that swept audiences emotions. James Whale, one of Universal's greatest directors, broke away from his horror cycle to direct this stunning musical. Irene Dunne starred as the young ingénue who took over the show after the original stars were cast off. This was one of the first lavish musicals of the sound era and this Title Card is exceptionally scarce. Minor restoration. Fine+.
Show Boat (MGM, 1952). One Sheet (27" X 41"). This was a remake of the 1936 version. Ava Gardner starred as the woman of "mixed blood" that is forced to leave the Show Boat, and Kathryn Grayson and Howard Keel star as the young couple that take over the show. Oscar Hammerstein's classic musical was given the full MGM Technicolor treatment in this lavish production. Very Fine-.
Les Girls (MGM, 1957). Three Sheet (41" X 81"). MGM musical told in flashback style, starring Mitzi Gaynor and Taina Elg as two-thirds of a popular cabaret trio, who try to block the third Kay Kendall, from publishing her memoirs. Gene Kelly plays the man who organized the group, and is called in to help settle the dispute. After nearly 15 years, this would be Kelly's last musical for MGM. Fine+.
Carmen Jones (20th Century Fox, 1954). One Sheet (27" X 41"). Dorothy Dandridge was the leading black actress of the 1950s and was cast in the lead role of "Carmen Jones." It was rare for Hollywood productions and major studios to produce films with all black casts, but Fox spared no expense in this film directed by Otto Preminger. The film also featured great performances from Harry Belafonte and Pearl Bailey, and Dandridge was nominated for Best Actress. Posters for this title are among the most sought after for all black cast motion pictures. Very Fine/Near Mint on Linen.
The Wizard of Oz (MGM, 1939). Australian One Sheet (27" X 40"). This poster is an amazing find that, to our knowledge, has never been seen before. This is the original release Australian one sheet to MGM's most famous fantasy film of all time. It is well known that the American release one sheet and three sheet, however rare they may be, are very much lackluster posters. Offered here is the most beautiful and colorful of posters done in offset Litho. It contains the portraits of the stars that are featured on the American title card and half sheet! Cascading down the side of the poster are the famous Al Hirschfeld caricatures done in a Stone Litho style. The colors on this poster and the combination of printing techniques make this stunning poster a must-see. This may be the last time you'll see this poster offered, so step up to bid. Very Fine+ on Line.
Wizard of Oz, The (MGM, R-1946). Italian 2 Fogli (39" X 55"). Based on Frank Baum's classic novel, this timeless tale of Dorthy's journey over the rainbow grows more popular with each passing generation. This Italian poster, which was first released in Italy after World War II in 1946, is one of the best posters ever created for this classic and is far superior to the posters from the first release in the U.S. One of two known copies to exist. Near Mint on Linen.
Pinky (20th Century Fox, 1949). One Sheet (27" X 41"). Director Elia Kazan took on a hot topic well ahead of its time when he cast Jeanne Crain as a light-skinned black woman in "Pinky". The story revolved around a black girl who had attended nursing school in the northeastern US by passing for white. When she returns home to the South she is resentful of the way she is treated as an unequal of whites. John Ford had actually started the picture but had to leave the production due to an illness. The film was a major coup for Kazan who used the film to set the stage for his career as a director of message films. Very Fine-.
The 7th Voyage of Sinbad (Columbia, 1958). Three Sheet (41" X 81"). Ray Harryhausen's undisputed masterpiece of stop-motion animation was "The Seventh Voyage of Sinbad." Harryhausen would borrow heavily from the Greek mythologies to create some of his best creatures. The films highlight occurs when Sinbad is forced to battle a skeleton summoned by an evil magician. Harryhausen signed this stunning Three Sheet. Very Fine on Linen.
The Five Thousand Fingers of Dr. T (Columbia, 1953). Insert (14" X 36"). What becomes of a little boy who doesn't like to practice his piano? He has nightmares about his piano teacher, Dr. Terwilliker, who forces a hundred little boys to play his gigantic piano! This fantasy is notable in that it was the only live-action film ever written by the genius, Dr. Seuss! The film is a cult favorite, and the posters are very collectible. Very faint double fold. Very Fine.
The Gorilla (20th Century Fox, 1939). (40" X 60") Photo Gelatin. The Ritz Brothers take on the case of The Gorilla, a mysterious killer on the loose that's after a wealthy gentleman played by Lionel Atwill. The film was essentially a remake that was adapted to suit the zany style of the Ritz Brothers' comedy. Bela Lugosi appeared in a small role and gave the film a connection to the horror market. Fine/Very Fine.
Idle Roomers (Columbia, 1944). Title Lobby Card (11" X 14"). The Stooges are bellhops at a hotel, where a vaudeville couple are staying who bring with them a carnival attraction called Lupe the Wolf Man. The beast is tame, unless it hears music, which makes him go berserk. The Stooges don't know this, until Curly plays the trombone and mayhem begins. This short was the debut of Christine McIntyre in the Stooge shorts. This lobby is something of a curiosity as it is printed on the back with another faint image of a lobby entitled "The Ghost That Walks Alone". Any Stooge card with Curly is hard to find at this time much less a Title Card. Very Fine+.
Sidewalks of New York (MGM, 1931). Lobby Card (11"x14"). Buster Keaton was one of the most gifted comedians to emerge from the cinema's silent era. His talents as a gag writer and physical comic were remarkable. In this film he portrays a wealthy socialite who falls in love with a girl from the other side of the tracks. The film's highlight is a boxing match, where wimpy Keaton takes on a tough New York thug. Near Mint.
The Cameraman (MGM, 1928). Lobby Card (11" X 14"). This was one of Buster Keaton's best films as he plays a newsreel cameraman who wants to work at MGM so he can get next to a girl he idolizes. Keaton had made a career of using his deadpan expression to convey all of his emotions, and was the major rival to Charlie Chaplin during the silent era. Lobby cards for any of Keaton's features are especially rare and desirable, and the one offered in this lot and the next lot will not disappoint. Very Fine.
The Cameraman (MGM, 1928). Lobby Card (11" X 14"). In 1928 Joseph Schenck sold Keaton's contract to Metro-Goldwyn Mayer (MGM), and Keaton's decline began. Although "The Cameraman" (1928) was a solid feature, studio demands, denial of autonomy, and Keaton's own alcoholism encroached steadily on the quality of his later films. This film is considered one of, if not the, last great Keaton film. Very Fine with minimal restoration.
Little Annie Rooney (United Artists, 1925). (3) Lobby Cards (11" X 14"). America's Sweetheart Mary Pickford was thirty-two year old when she made this film, portraying a tough teenager from the streets, who gets into all kinds of mischief with her a young gang of hoodlums. Offered in this lot are three splendid cards, each featuring Pickford. Fine+.
Brotherly Love (MGM, 1928). Lobby Card (11" X 14"). George K. Author worked with Karl Dane in a series of very popular comedies beginning with "Rookies" in 1927. Their films rivaled the success of Paramount's Wallace Beery-Raymond Hatton comedy team. Known for their hilarious, slapstick misadventures the team was a hit until the "talkies" exposed Dane's heavy Danish accent, ending his acting career at the end of the silent-film era. This tremendous card depicts the prison football game which was the highlight of the film. Fine/Very Fine.
Kid, The (First National, 1922). Lobby Card (11" X 14"). Charlie Chaplin has become synonymous with the silent comedy. His famous flickering image as the tramp made him the most famous individual on Earth at the time of this films release. The Kid was Charlie Chaplin's first full-length movie. It, more than anything else to that date, made Chaplin a living legend. It took over a year to produce, and was an incredible success for Chaplin. Offered in this lot is perhaps the best scene card from the entire set. Fine+.
A Dog's Life (First National, 1918). Lobby Card Set (11" X 14"). Down on his luck, Charlie finds an only friend -- a dog named Scraps -- to accompany him as they search for food. Along the way, Charlie meets a cabaret girl (played by longtime Chaplin co-star Edna Purviance) with whom he falls in love. Eventually, Charlie recovers some stolen money and buys a farm where he and his girl can live with their little dog, Scraps. This was Chaplin's first picture for First National. We think it's fair to say that Charlie Chaplin was the world's most renowned comedian and his image was so unique that people who have never seen one of his films still know who he is. His impact on the cinema was so profound that his posters and lobby cards are still highly valued -- eighty five years later! This has to been one of Charlie's best sets of cards from this period in his career. Very Fine+.
Pay Day (First National, 1922). Lobby Card Set (11" X 14"). This is one of the great Charlie Chaplin shorts in which he plays an under-payed brick-layer who must contend with his brute of a wife if he wants to keep any of his hard earned money. Chaplin material is getting very hard to find, especially full sets. Fine/Very Fine
The Great Dictator (United Artists, 1940). One Sheet (27" X 41"). The Little Tramp, Charlie Chaplin, traded in his traditional bowler hat and cane and donned a uniform (not too dissimilar from the Nazi uniform) for this anti-war and anti-fascist feature. Chaplin blatantly poked fun at Hitler and Mussolini as the Dictators of Tomainia and Bacteria. It was also Chaplin's first talkie, coming after sound had already been entrenched in the cinema for thirteen years. The film was a critical hit for Chaplin, and became his last major US feature before he departed for England. Fine/Very Fine- on Linen.
Over the Rhine With Charlie (Universal, 1918). One Sheet (27" X 41"). This cartoon film short ran six minutes and was animated and directed by Otto Messmer of later "Felix the Cat" fame, under producer Pat Sullivan. Universal made a total of five films in this animated series that featured a caricatured Charlie Chaplin. The story was told that Chaplin enjoyed the shorts and Messmer claimed that the series gave him the opportunity to study Chaplin's pantomime and movements, which profoundly affected his future work. A poster for any of the "Chaplin" animated shorts had never before been seen before the appearance of this copy. This is a rare opportunity to aquire a "Little Tramp" cartoon one sheet. Fine/Very Fine on Linen.
Oswald the Lucky Rabbit (Universal, 1934). One Sheet (27" X 41"). As Walt Disney's "Alice" series was wrapping up, Disney's new character, a rabbit named Oswald, was just starting to take off. The character became a major hit for Disney's producer Charles Mintz, and when Disney could no longer produce the cartoons due to financial cutbacks, Mintz took the character and Disney's staff away from Walt! This "hostile takeover" of Oswald the Lucky Rabbit led directly to the creation of Mickey Mouse, as Disney needed a new character to animate. Eventually, Universal would take over the Oswald series and this poster displays the best images of Oswald ever created. The last time one of these One Sheets came to auction was in 1999 when it sold for $4,140.00. Very Fine-.
Old Mill, The (RKO, 1937). Australian Daybill (14" X 40"). Disney Studios were at the forefront of the art of animation at this time and with this short they introduced the latest technical marvel, the multiplane camera. The invention allowed the camera to look through a series of animation planes instead of just one. The opening shot of this cartoon was layer upon layer of landscape, from reeds in the pond in the foreground to the old mill in the deep background to clouds passing in the sky, etc. This very same device was what was used so effectively this same year in the production of the first full length animated film "Snow White". All early Disney posters are very rare and indeed a poster from this ground breaking cartoon short is rare indeed. This is a lovely Stone Litho daybill from 1937. Very Fine- on Linen.
Krazy Kat (Columbia, 1934). One Sheet (27" X 41"). The first cartoons adapted from George Herriman's comic strip appeared in 1916 but only lasted a few years. The character was one of the most popular in the comics, but didn't translate well to the screen. In 1925, he was revived for the movies and Columbia picked up his contract. Along with Mickey Mouse and Betty Boop, Krazy Kat became one of the most popular animated characters of the early 1930s. This is by far the best stock One Sheet made for one of Columbia's classic animated characters. Very Fine on Linen.
Popeye (Paramount, 1937). Lobby Card (11" X 14"). In 1929, a 10-year-old comic strip by Elzie Seagar: "The Thimble Theatre," which originally revolved around Olive Oyl's family, entertained a new character, Popeye, the Sailor Man. Eventually, Popeye would take center stage as most of the old characters were replaced, except for his favorite girl, Ms. Oyl. Great early Title Card from the animated Paramount short. Very Fine.
Gulliver's Travels (Paramount, 1936). Photo Gelatin (40" X 60"). Animators Dave and Max Fleischer made "Gulliver's Travels" their first animated feature as a direct response to Disney's "Snow White." Although the film was successful, it was no match for Disney's features, and Paramount gave up the idea of competing with Disney. In all likelihood, this is the only copy of this spectacular large size poster known to exist. Fine on Linen.
Sky Trooper (RKO, 1942). One Sheet (27" X 41"). Walt Disney was a master animator who created some of the most enduring cartoon characters of all time. The public took Donald Duck to heart as soon as he appeared on the screen and by the 1940s he would eclipse Disney's flagship character, Mickey Mouse, as the studios major star. Outside of the United Artists's Mickey Mouse cartoon posters, early Donalds are the most collectible in the field of animation. Very Fine on Linen.
The Eyes Have It (RKO, 1945). One Sheet (27" X 41"). By 1945 Donald Duck had become the star of many Disney shorts. In fact, in 1945 more duck shorts were made than for any other character. In this outing, Donald receives a mail-order hypnosis kit complete with hypnotic goggles which he decides to test on Pluto. This one sheet is in exceptionally clean and unbacked shape. It has linen hinge tape on the backside of the poster at three points in the upper border for framing purposes. Colors are sharp. Very Fine+.
Canine Casanova (RKO, 1945). One Sheet (27" X 41"). Pluto is in love, smitten by Dinah the dachshund. At first she ignores him, until he uses a giant bone to steal a kiss. Then poor Dinah is nabbed by the dogcatcher and Pluto must come to her rescue. This poster features a nice shot of Pluto courting the reluctant Dinah. Very Good on Linen.
How To Dance (RKO, 1953). One Sheet (27" X 41"). Goofy is at it again in one of the "How To" shorts that Disney made so famous in the years between 1940 and 1956. This time Goofy is receiving instructions in ballroom dancing with the predictable chaotic results. The soundtrack was provided by the Firehouse Five Plus Two, the lively in-house Disney Dixie band founded by animator Ward Kimball. The band also appears as 'toons in the finale scenes of the short. These Goofy posters have become terribly difficult to find. This sheet is in Very Fine condition and would have been a Near Mint were it not for minor crinkling of the upper left border. Very Fine+.
Three Caballeros (RKO, 1944). One Sheet (27" X 41"). Hey! If "Saludos Amigos" was a smash hit, lets give them more! Or so the Disney machine thought when they put "The Three Caballeros" into production. The film was also tailored for the South American market which was one of the few foreign venues still open to US product during World War II. Disney decided it was time to re-visit the interaction of animation with live action for this film; an area he hadn't experimented with since his "Alice" series of cartoons in the early 1920s. The film was a hit and solidified Disney's position of producing episodic features during the remainder of the war years. Fine on Linen.
Three Caballeros (RKO, 1944). Lobby Card Set. (11" X 14"). Donald Duck becomes the perfect American tourist when he goes to South America. Some of the sequences included other characters like Joe Carioca and Panchito. The film was obviously made as a tribute to South America; part of the good neighbor policy. To this day the film is still considered a classic with its amazing use of Technicolor. Very Fine.
Make Mine Music (RKO, 1946). Lobby Card Set (11" X 14"). This was Disney's first postwar animated feature, where he attempted to repeat the Fantasia formula, substituting "pop" music for the Classics. The film consists of ten unrelated cartoon vignettes, each one featuring a popular recording artist of the day. In following years, the ten individual segments would be released as separate short subjects. Light Canadian censor stamp and staining to Title Card, Very Good/Fine.
Melody Time (RKO, 1948). Lobby Card Set (11" X 14"). Made at the close of WWII, this Disney feature consists of seven segments set to the music of contemporary 1947. Including songs by such stars as the Andrews Sisters, Roy Rogers, Freddy Martin and Frances Langford, the film includes many segments that have since become classics in the Disney library after later being edited into short subjects. Johnny Appleseed, the story of Pecos Bill, and Little Toot the tugboat are all here and featured on this grand Lobby Set. Light Australian censor stamp appears on all cards, the stamp was covered by white-out on the Title Card. Very Fine-.
Ichabod and Mr. Toad (RKO, 1949). One Sheet (27" X 41"). This was a "transition" picture (so to speak) for Disney as during, and shortly after, World War II, all of his animated features were actually composed of episodic featurettes. "Bambi," released in 1942, had been his last "true" feature before the war and "Cinderella" released in 1950 would be his next true feature length film. However, unlike the rest of the war-era features which were composed of multiple vignettes, "Ichabod and Mr. Toad" was made of two longer featurettes. The first, "Mr. Toad," is a wonderful tale about an irresponsible toad who trades his home for a stolen car, with the resulting trial and adventures that ensue. The second half of the film, "The Legend of Sleepy Hollow," is a true classic that is still viewed by millions of kids on Halloween! Posters for this title are scarce and highly collected by Disney and animation enthusiasts. Very Fine on Linen.
Cinderella (RKO, 1950). Insert (14" X 36"). Walt Disney used the fairy tale classic "Cinderella" to return to the full-length animated format. It's one of Disney's most beloved films and has enjoyed numerous reissues over the years. This is the original insert and is very popular with collectors of animation and Disneyana. Very Good/Fine.
Peter Pan (RKO, 1953). One Sheet (27" X 41"). Walt Disney's classic cartoon based on the James Barrie children's story was planned for production as far back as the late thirties, but WWII got in the way. After the war, Disney prepared again to produce what would become one of his most beloved feature-length cartoons. Fine/Very Fine on Linen.
One Hundred and One Dalmations (Buena Vista, 1961). One Sheet (27" X 41"). Now regarded as a true Disney classic, "101 Dalmations" still provides excitement and laughter whenever it is shown. Fine+ on Linen.
One Hundred and One Dalmatians (Buena Vista, 1961). (9) Lobby Card Set (11" X 14"). One of the great Disney classics, "One Hundred and One Dalmatians" represents the Disney animation staff at its very best. As a bonus, the world is introduced to one of the greatest movie villains of all time, Cruella DeVil. There are nine cards in this set along, with the original envelope. Mint.
Looney Tunes (Warner Brothers, 1940). "The Sour Puss" One Sheet (27" X 41"). Warner Bros. animation studios created dozens of unforgettable characters during their 30+ year classic cartoon output from 1930-1969. Among these immortal creations are names like Bugs Bunny, Daffy Duck, Porky Pig, Wile E. Coyote, Sylvester, Tweety, Speedy Gonzales, and the list goes on. Featured on this outstanding poster are Porky and an early incarnation of Daffy. Fine/Very Fine on Linen.
Merrie Melodies (Warner Brothers, 1952). One Sheet (27" X 41"). Warner Brothers released stock posters for their cartoons from the 1930s to the 1950s. Offered here is the classic Bugs Bunny at the drawing board, which pictures their star character with many of his famous associates including; Porky Pig, Elmer Fudd, Daffy Duck and Tweety Bird. Very Good/Fine on Linen.
Woody Woodpecker Stock (Universal, 1950). One Sheet (27" X 41"). Walter Lantz created his famous bird, an obnoxious mischief-maker, after he and his wife were interrupted on their honeymoon at a lakeside cottage, by a pesty woodpecker. With arguably the most famous laugh of any cartoon character in history, Woody Woodpecker made his debut in a 1940 Andy Panda theatrical short entitled "Knock Knock". Woody continued to appear in short films throughout the 40s and 50s. In 1957 the Kellogg's company collected the shorts into a syndicated package that were sold to television as,"The Woody Woodpecker Show." The only posters that were produced for Woody were stock posters such as the one featured here. Very Fine on Linen.
Boo Moon (Paramount, 1954). One Sheet (27" X 41"). Not only was this Casper, the Friendly Ghost's only 3-D cartoon but is considered by many to be one of the best animated shorts in the Paramount animation library. This short had a far superior storyline and bigger budget, making for much better animation. This is the only dedicated "Casper" short one sheet for a specific title, other than the Paramount "Casper" stock sheets, ever made. The 3-D cartoon posters have always been rare and this copy is in wonderful condition. Very Fine+ on Linen.
TerryToon/Mighty Mouse (20th Century Fox, 1955). One Sheet (27" X 41"). Paul Terry, a photographer, artist, and business nomad, was invited to a showing of a picture "Gertie the Dinosaur" by Windsor McKay, and suddenly his life changed. He went on to run one of the most prolific animation studios in Hollywood. Shown here is the stock sheet for the Terry Toon cartoons, which featured their most famous character, Mighty Mouse, (initially christened Super Mouse), plus a host of other memorable characters including; Heckle and Jeckle, Dinky Duck and the Terry Bears. Very Fine/Near Mint on Linen.
Puttin' On The Dog (MGM, 1944). One Sheet (27" X 41"). Some of the early posters for Tom and Jerry cartoons don't quite capture the two characters as they appeared in the cartoons. This is no exception. However, the image is spectacular with Jerry luring Tom into a pack of ravenous dogs. William Hanna and Joseph Barbera created Tom and Jerry along with Fred Quimby. The two animators became so prolific in their productions that they started their own company in 1957. Tom and Jerry cartoons are cultural icons and their posters are very collectible. Very Fine on Linen.
Sufferin' Cats (MGM, R-1948). One Sheet (27" X 41"). Hanna and Barbera's first film was "Puss Gets His Boots," featuring a cat and mouse that became an enormous hit and was nominated for an Academy Award. The creators christened the duo "Tom and Jerry" and devoted themselves to nothing else for the next fifteen years! Hanna and Barbera went on to form a collaboration at MGM that would rival animation king Walt Disney. From the start, their talents seemed to complement each other perfectly. Barbera found his creative outlet in writing; his forte was gag comedy. Hanna enjoyed directing, and possessed a keen sense of timing. Together they helped create an animation empire. MGM started producing these stunning stone litho One Sheets in 1941, and continued through the early 1950s. This is an early re-release on this poster. Fine+ on Linen.
Nit-Witty Kitty (MGM, 1951). One Sheet (27" X 41"). This particular One Sheet is quite spectacular since it captures the two legendary characters, Tom and Jerry, as they really appeared in the cartoons. Hanna and Barbera produced over one hundred shorts featuring their cat and mouse and those cartoons are among the most popular to this day. Very Fine on Linen.
Without Honors (Artclass Pictures, 1932). Three Sheet (41" X 81"). By his mid-30s, Harry Carey's face had already taken on its familiar creased, weatherbeaten look, which was ideal for westerns. Carey's movie career started in 1911 at the Bronx-based Biograph film company and continued through the late 1940s. Always an audience favorite, Carey often accepted secondary roles in "A" features (he earned an Oscar nomination for his performance as the Vice President in Frank Capra's Mr. Smith Goes to Washington). Beautiful large format poster highlights this true western legend. Very Fine on Linen.
Dawn Trail (Columbia, R-1934). One Sheet (27" X 41"). This early Buck Jones Western tells the familiar story of a feud between cattle barons and sheep men. Outstanding Stone Litho, full length torso shot of Jones with gun drawn, that is a early re-issue of one of his first "talkies" at Columbia. The original film was released in 1930. Very Fine- on Linen.
The Outlaw Tamer (Empire Films, 1935). One Sheet (27" X 41"). Born the son of a horse rancher, Lane Chandler drifted into Los Angeles as a young man and picked up work in Westerns with his ability as a horseman. By the late twenties he was starring in Westerns and contemporary films with the likes of Clara Bow and Greta Garbo. By the mid-thirties Chandler was still starring in independent Western features such as the this one, made for Empire Films. Chandler made hundreds of films in his forty-five years in the business. There must be at least fifteen posters in this auction in which he was anything from a featured extra to a supporting player in the film advertised. Very Fine.
Young Bill Hickok (Republic, 1940). One Sheet (27" X 41"). Roy Rogers had been elevated to starring roles just two years prior to this film and the historical western was what Republic was choosing for Rogers at this time. The script deals with Hickok (Rogers) and Calamity Jane (Sally Payne) meeting and foiling a foreign plot to disrupt and steal California gold and a plot to assassinate President Lincoln. This has always been one of the better early Rogers posters, even with its duotone printing. The sheet has a tremendous early portrait of our hero with the action vignettes around him, which makes this poster a real favorite among Rogers collectors. Very Fine+ on Linen.
Stagecoach War (Paramount, 1940). One Sheet (27" X 41"). William Boyd returns as Hopalong Cassidy, this time trying to help a stage-line owner who's about to lose a lucrative Wells Fargo contract after his driver is shot in a holdup. These Hoppy Paramount sheets are certainly the most attractive and have become harder to find of late. This great poster shows Hoppy with guns drawn, ready for action. Fine+ on Linen.
Silver on the Sage (Paramount, 1939). One Sheet (27" X 41"). Hopalong Cassidy, disguised as a high stakes gambler, gets a job at a popular casino so he can spy on a gang of cattle rustlers. William Boyd was "Hopalong Cassidy" for 66 pictures from 1935 to 1948. He then bought the rights to all the films and sold them to television, becoming famous once again to a whole new generation. All of the "Hopalong" pictures were made with Paramount Studios initially and then the rights were sold to United Artists Studios in the early forties. The posters for the Paramount titles are far more rare and often decidedly more attractive. Fine+ on Linen.
Texas Buddies (WorldWide Pictures, 1932). One Sheet (27" X 41"). Cowboy star Bob Steele took to the air in this, his second-to-last Western for World Wide Pictures. This film was the last of five Westerns to team Steele with Nancy Drexel, a partnership that dated back to the silent era when she had acted under the name Dorothy Kitchen. Great stone litho features a unique blend of early aviation and western themes. The "All-Talking" tag could be easily removed with minor restoration. Very Fine-.
Arizona Terror (Tiffany Pictures, 1931). One Sheet (27" X 41"). Former rodeo champion Ken Maynard performed as a trick rider with the Buffalo Bill and the Ringling Brothers Wild West shows. He entered films in 1923, soon becoming a favorite cowboy star; especially among the children, who loved to watch him perform his famous stunts on his horse Tarzan. He even taught a young John Wayne how to do stunts. Great stone litho has Maynard doing battle with the bad guys. Fine.
Riders of the Dawn (Monogram, 1937). One Sheet (27" X 41"). Jack Randall stars as a lawman, masquerading as an outlaw, who's trying to capture the gang that has been terrorizing the good folks of Green Valley. Randell made a number of "B" westerns from the early 1930s until 1945, when he was killed performing a riding stunt for the serial, "The Royal Mounted Rides Again". Fine+ on Linen.
King of the Rodeo (Universal, 1929). (3) Lobby Cards (11" X 14"). This film was one of Hoot Gibson's final silent westerns, here he appears as a rodeo champion from Montana getting himself ready for a big Chicago meet. Of course there's bad guys to contend with and one scene involves a chase through the traffic-jammed streets of Chicago. Fine/Very Fine with minimal restoration.
My Darling Clementine (20th Century Fox, 1946). Lobby Card Set (11" X 14"). John Ford's version of the shootout at the OK Corral and the exploits of Doc Holliday and Wyatt Earp is one of the most acclaimed westerns ever made. This spectacular lobby card set captures some of the films best moments. Linda Darnell was never more beautiful , Ward Bond and Tim Holt play two of the Earp brothers to perfection and Walter Brennan, one of the classic character actors of the cinema was marvelous as Old Man Clanton! Fine/Very Fine with minimal restoration.
My Darling Clementine (20th Century Fox, 1946). One Sheet (27" X 41"). John Ford tackled one of the West's greatest legends when he cast Victor Mature as Doc Holliday, and Henry Fonda as Wyatt Earp, and recreated the infamous shootout at the OK Corral. Although the film took great liberties with historical facts, Ford claimed that he actually met with Earp before his death in 1929 and filmed the shootout as Earp actually described it. This gorgeous One Sheet was designed by Sergio Gargiulo. Very Fine+.
Law and Order (Universal, 1932). Insert (14" X 36"). Without a doubt, this was one of the best Westerns of the early 1930s! Walter Huston and Harry Carey star in this thinly disguised tale of Wyatt Earp's exploits in Tombstone, Arizona. Lots of gun-slingin' action resulted in almost everybody dying in the end -- including Harry Carey! You knew Carey's career in "A" Westerns was starting to phase out when he died in a picture. The story was based on a novel by W. R. Burnett, and the screenplay was penned by Walter Huston's son, John Huston! The film included a supporting cast with Walter Brennan and Andy Devine. Classic! Fine+ on Paper.
Chasing the Moon (Fox, 1922). One Sheet (27" X 41"). Before Gene Autry and Roy Rogers made their careers as onscreen cowboys, the true King of the Cowboys was Tom Mix. Mix's career began in Hollywood during the mid-1910s in a succession of short subjects. By 1917, his contract had been picked up by William Fox, and Mix became one of the new studio's premier stars. Mix went on to make dozens of pictures for Fox until 1928, as the silent era began to fade. The films he made at the studio are considered to be some of his best, and "Chasing the Moon" was made at the height of his popularity. Fine/Very Fine on Linen.
Silver River (Warner Brothers, 1948). One Sheet (27" X 41"). Raoul Walsh directs Errol Flynn and Ann Sheridan in this western tale about power and Greed, set in the post Civil War era. "Silver River" was the seventh Flynn vehicle directed by Walsh, and would mark the last time they would work together. Fine+
Errol Flynn Lot (Warner Brothers, 1945-1950). (2) One Sheets (27" X 41"). Errol Flynn would trade in his sword for a gun in eight Westerns productions while under contract for Warner Brothers. At the beginning of these films there would usually be some dialogue introduced to explain his Australian accent. The audiences didn't care, most all were profitable hits for the studio. The San Antonio (1945) One Sheet grades Very Fine-, the Montana (1950) One Sheet is Fine+ on Linen.
Dodge City (Warner Brothers, 1938). Insert (14" X 36"). Errol Flynn traded in his swashbuckling gear for a cowboy hat and pair of boots to star in this classic Western! Michael Curtiz directed this rowdy epic as only he could; loaded with fist-fights, stampedes, and gun-slinging train robberies! Error Flynn shines along with his pals, Frank McHugh, Alan Hale, and Guinn "Big Boy" Williams! Flynn's love interest was played by his frequent and popular leading lady, Olivia DeHavilland. The original posters on this title are on Warner's linen finish paper and absolutely glow! Fine+ on Paper.
Santa Fe Trail (Warner Brothers, 1940). Three Sheet (41" X 81"). Legendary adventure filmmakers Errol Flynn and director Michael Curtiz teamed for one of the last times in this epic telling of the army's conflict with abolitionist John Brown. Future President of the United States, Ronald Regan, played George Armstrong Custer (a role Flynn would make his own two years later in "They Died With Their Boots On") and Olivia DeHavilland, Flynn's usual leading lady, portrayed Kit Carson Halliday. Curtiz proved once again that he was the absolute master of the action sequence as the army smashed John Brown's forces. Three Sheets on this title are exceptionally rare. Fine+ on Linen.
They Died With Their Boots On (Warner Brothers, 1945). Three Sheet (41" X 81"). Director Raoul Walsh replaced Michael Curtiz for this overly glorified retelling of the Battle of Little Big Horn. Apparently Errol Flynn could no longer keep up with the demands of the strenuous director. It was also the last of eight films that Flynn and his leading lady Olivia DeHavilland made together. Flynn was magnificent as General George Armstrong Custer and the film is a classic from the era. This spectacular Three Sheet is extremely rare and in great demand among collectors. Fine/Very Fine on Linen.
Gunfighter, The (20th Century Fox, 1950). One Sheet (27" X 41"). The late Gregory Peck gives one of his greatest performances as Johnny Ringo, an aging gunfighter desperately trying to escape his legend and his past. This film is one of the best adult westerns made. Near Mint.
Western Union (20th Century Fox, 1941). Midget Window Card (8" X 14"). Based on a story by Zane Grey, this film tells the story the of how the telegraph wires were connected between Omaha and Salt Lake City. Randolph Scott plays an ex-outlaw who goes to work for Western Union to prevent the bad guys from sabotaging the telegraph company. These lovely format posters have been very undervalued over the years, yet very difficult to find. They frame easily and often have the same wonderful graphics as the one sheet as in this case. Fine/Very Fine.
Outlaw,The (United Artists, 1946). One Sheet (27" X 41"). This controversial western was made by Howard Hughes in 1938 but not released until 1941, and then in only a very limited release. It was released again in 1943, and again in 1946. This poster is from the 1950 release, which was the most widespread. This poster plays to the controversy that surrounded the film, showing a very leggy Russell, with a torn blouse, fleeing through the barn door. Very Fine on Linen.
The Shepherd of the Hills (Paramount, 1941). Window card (14" X 22"). This was John Wayne's first color film and a very different role for him. Based on a novel by Harold Bell Wright, the story had been made as a silent film twice before this version. Posters for the first release of this film have always been difficult to find. Offered in this lot is a very nice condition window card. Very Fine+.
Rio Bravo (Warner Brothers, 1959). One Sheet (27" X 41"). Howard Hawks directed this legendary western with his usual bravado. John Wayne enlists the aid of Walter Brennan, Dean Martin and rock idol Ricky Nelson to keep a murderer from escaping their jail. Simply stated, this western is one of the true classics and for some unknown reason, the posters have always been very difficult to acquire. Very Fine- on Linen.
The Spoilers (Universal, 1942). Lobby Card Set (11" X 14"). This story based on Rex Beach's classic novel has been filmed at least five times, with this version considered the best. John Wayne stars opposite Marlene Dietrich and Randolph Scott in this tale of mining partners who end up in a rugged fist-fight. The fight was legendary and led to John Wayne giving an even greater battle in "The Quiet Man". This lobby set captures some of the films best moments. Very Fine/Near Mint with minimal restoration.
Good, the Bad, and the Ugly, The (United Artists, 1968). (30" X 40"). Sergio Leone's Civil War trilogy staring Clint Eastwood came to an end with this legendary western. Eastwood, Lee van Cleef and Eli Wallach all try to locate a cache of buried gold and cheat the others out of their share as the war wages around them. A modern classic set against the score of Enrico Morricone. Fine+.
High Plains Drifter (Universal, 1974). Insert (14" X 36"). A dark classic with Clint Eastwood as a mysterious drifter hired by townspeople to protect them from outlaws. They get more than they bargained for when their hero turns out to be something from hell! One of Eastwood's best posters, especially in this vertical format which is the format of the original painting. Rolled, Very Fine+.
Captain Blood (Warner Brothers, 1935). Half Sheet (22 X 28"). Warner Brothers wanted Robert Donat to play the lead in "Captain Blood", but when he dropped out, they took a gamble and cast Tasmania-born Errol Flynn, along with nineteen year old Olivia DeHavilland. The film instantly rocketed the 26-year-old Flynn and his co-star to stardom. The Half Sheet being offered here is the better of the two styles created for the ad campaign. It is also one of only six known copies, and one of Flynn's most desirable titles. Rolled, Fine+ on Paper.
Captain Blood (Warner Brothers, 1935). (7) Lobby Cards (11" X 14"). This was the handsome Errol Flynn's break through role as Dr. Peter Blood, a British surgeon, who is arrested and wrongly condemned to slavery in the Caribbean for helping a rebel soldier in England, 1685. Offered in this lot is every card from this famous set except for the Title Card which is Alex Raymond art anyway. The beautiful card with Flynn and DeHavilland is here, their first film together and thus first card. All of the scenes from this great set are here and in very fine condition with just minor restoration. Very Fine.
Slave Ship (20th Century Fox, 1937). (40" X 60") Silk Screen. Adapted from a story by William Faulkner, this adventure drama tells the story of Captain Jim Lovett, a skipper of a slave trading vessel who comes to a moral crossroads and wants to venture into something more respectable. The crew has grown accustom to this lucrative line of work however and a mutiny soon arises, complete with swashbuckling sword fights and high sea adventure. The talented cast included; Lon Chaney, Jr., Wallace Beery, Warner Baxter and Mickey Rooney. Incredible colors adorn this spectacular poster. Rolled, Fine/Very Fine.
The Adventures of Robin Hood (Warner Brothers, R-1940s). (4) Lobby Cards (11" X 14"). This film, directed by Michael Curtiz, is perhaps the greatest Hollywood swashbuckler of all time. Errol Flynn brings to life the rogue bandit of Sherwood Forest, and Olivia deHavilland never looked more beautiful than she did in her role as Maid Marian. Wonderful supporting cast included Basil Rathbone, Claude Rains, Alan Hale, Sr., and Eugene Pallette. Early reissue, identical to the original, except on flat stock. Fine.
The Adventures of Don Juan (Warner Brothers, 1948). One Sheet (27" X 41") and Lobby Card Set (11" X 14"). Errol Flynn gives a spirited, athletic performance as the fabled Spanish swashbuckler/lover Don Juan in this lavish costume drama. Many said, and rightfully so, that the role came easy to Flynn because it so paralleled his own life. Here's a great opportunity to own the complete Lobby Card set and One Sheet from one of Flynn's most popular movies. Fine+.
The Road To Mandalay (MGM, 1926). One Sheet (27" X 41"). No, it's not an early Hope and Crosby comedy! It's one of the legendary films that paired director Tod Browning with his favorite star, the Man of a Thousand Faces, Lon Chaney! In this sea-faring thriller, Chaney has to rescue his daughter from marrying his evil partner. This incredibly rare poster was created using the "rotogravure" process. This was the only means poster lithographers had to print photographic images prior to offset lithography. MGM would create two posters for their more important pictures, one using the traditional zinc plate lithography, and the other in the much rarer rotogravure process. This may be the only copy of this One Sheet in existence. Very Good/Fine on Linen.
While the City Sleeps (MGM, 1928). Lobby Card (11" X 14"). When he wasn't laboring under heavy makeup, Lon Chaney was usually playing a tough guy of one sort or another. In this melodrama, Chaney plays a gritty cop who helps a girl escape a gangster who wants her killed because she knows too much. This film is one of the earliest of the gangster films which, in the next decade, would become a staple at the Warner Brothers lot with the likes of Humphrey Bogart and James Cagney. Lon Chaney was one of the true legends of the silent cinema, whose films will always be remembered. Fine+ with minimal restoration.
While the City Sleeps (MGM, 1928). Lobby Card (11" X 14"). Here's another great scene card from the set. This one shows Chaney, gun in hand, holding off the bad guys. Very Fine with minimal restoration.
Ladies They Talk About (Warner Brothers, 1933). Insert (14" X 36"). Warner's art department specialized in turning out classy art deco posters to advertise their films in the early 1930s. This spectacular insert is one of the best deco items we've ever seen! The daring Barbara Stanwyck (the darling of pre-code scandalous Hollywood) is absolutely ravishing in this gold evening gown against a dark navy blue background! Very Fine on Paper.
Ladies They Talk About (Warner Brothers, 1933). (8) Lobby Card Set (11" X 14"). This little production fit right in with the rest of Warner Brothers' tough-talkin' prison melodramas. Barbara Stanwyck plays a bank-robber who gets sent to prison by a radio crusader who turns her in. While there, Stanwyck fits into the prison population nicely -- until she has plans for the big breakout! Shotguns, car chases, women in prison, pre-code dialogue and situations make this one of the unheralded classics of the gangster genre! Near Mint.
Petrified Forest, The (Warner Brothers, 1936). Lobby Card (11" X 14"). Leslie Howard and Bette Davis share a moment in this thriller based on a smash hit Broadway play. Although the two stars were already at the top of their fame, Leslie Howard insisted to Jack Warner that a little known Broadway star, Humphrey Bogart, reprise his role from the play- gangster Duke Mantee. Bogart got his shot at stardom and went on to become the most famous actor in the history of Hollywood. Very Fine/Near Mint.
Public Enemy, The (Warner Brothers, 1931). Lobby Card (11" X 14"). James Cagney was a bit player until he was cast as the lead Tom Powers in "The Public Enemy". It was his snappy patter, and wisecracking grin that earned him the title shot at Hollywood history. The film exploited the lives of gangsters like Al Capone who rose to power in the early 1930's and shocked the public into an awareness of the organized crime that ran bootleg alcohol during prohibition. This is one of the most important films made during pre-code Hollywood and featured Jean Harlow, Ed Woods and Joan Blondell. This is one of only two lobby cards from the entire set with James Cagney and Jean Harlow pictured together. You can look for years before you ever get a chance at another lobby from this seminal classic so don't pass up this lot. Very Fine/Near Mint.
The Maltese Falcon (Warner Brothers, 1941). French (45" X 61"). This was the third film version of Dashiell Hammett's detective novel, and without doubt, the best. This classic film noir was directed by John Huston, a long-established screenwriter who was making his directorial debut. Humphrey Bogart would achieve true stardom portraying Sam Spade, a hard-boiled San Francisco private eye, who at times uses unscrupulous methods as a means to an end, but also adheres to his own personal code of honor. Offered here is a fascinating French poster that seems to captures the film's noir essence. The poster is complete and mounted on older linen. The borders have tanned, but the colors remain sharp and vivid. Very Good.
The Big Shot (Warner Brothers, 1942). Style B Half Sheet (22" X 28"). For years, Humphrey Bogart had been typecast as a vicious gangster in dozens of "B" pictures for Warner Brothers. With the success of "High Sierra," audiences finally saw the deeper side of the actor and demanded more from the talented star. Starting with "The Big Shot," Bogart would never receive less than top billing again. Folded Fine.
It All Came True (Warner Brothers, 1940). Photo Gelatin (40" X 60"). After years of playing serious gangsters and criminals in a string of B programmers, Humphrey Bogart was cast in his usual role as a gangster on the run in this comedy of the crime genre. For reasons unknown to collectors, the posters for this film have never been very common. Acquiring material on this title has always been a problem for serious Bogart collectors. This is the only known copy of this 40 X 60 known to exist, and it is the only poster on the film to depict this artwork. Fine+ on Linen.
They Drive By Night (Warner Brothers, 1940). (1) Title Card and (1) Scene Card (11" X 14"). Humphrey Bogart was still playing second to George Raft's lead when Raoul Walsh directed "They Drive By Night." The film was an expose' of the tough life led by truckers on the nation's highways. It was the last time Bogart would appear with Raft and, in fact, after this film, Raft would turn down the two roles that made Bogart a legend -- Mad Dog Roy Earle in "High Sierra," and Sam Spade in "The Maltese Falcon." These two impressive lobbies were printed on 'linen finish' card stock -- the choice of Warner from 1938-1940 (and periodically after that). Very Fine with minor restoration.
The Big Brain (RKO, 1933). One Sheet (27" X 41"). George Stone stars as a fixer, gambler and racketeer who connives his way to the top. By the end of his career he loses everything he has worked for, proving the adage that "crime doesn't pay." Fay Wray co-stars as the woman he longs for, but doesn't have the class to acquire. Very Fine on Linen.
Johnny Apollo (20th Century Fox, 1940). (40" X 60") Photo Gelatin. When a respectable stockbroker Bob Cain Sr. is convicted of embezzlement and sent to prison, Bob Jr. quits college and tries to find a job to earn money. His goal, to try and have his dad paroled. But when no one wants to hire the son of a convict, good boy Bob becomes Johnny Apollo, a gangster in organized crime. This film was directed by Henry Hathaway and starred Tyrone Power and Dorothy Lamour. Rolled, Fine.
Mr. Deeds Goes to Town (Columbia, 1936). Lobby Card (11" X 14"). Winner of the Best Director Oscar for its creator, Frank Capra, this story of small town guy Longfellow Deeds (Gary Cooper) and his inheritance of a fortune, was one of many great films that became known as Capra-corn. This wonderful portrait card is without a doubt the best card from this lovely varnished Columbia set. Fine.
Imitation of Life (Universal, 1934). Half Sheet (22" X 28"). Claudette Colbert and Louise Beavers star as two women, one white and one black, who form an alliance and friendship to survive during the 1930s. When Delilah's daughter becomes ashamed of being black, she decides to get ahead in society by passing herself off as being white. Dated by today's standards, this was riveting drama during the depression. A beautiful head shot of Colbert adorns this rare original Half Sheet. Rolled, Fine+.
Imitation of Life (Universal, 1934). Half Sheet (22" X 28"). This is the alternative style Half Sheet for this title, with wonderful artwork that closely resembles the design of the picturesque One Sheet, set against a stunning blue deco background. Rolled, Fine+.
Claudette Colbert Lot (Columbia-United Artists, 1937). (2) Half Sheets (22 X 28"). Two outstanding posters featuring Claudette Colbert, one of the brightest film stars to ever grace the silver screen. In "She Married Her Boss", Secretary Colbert marries her boss, Melvyn Douglas, who expects her to work as usual and contend with his wealthy, snooty family. But Colbert finally has enough and rebels against her repressive husband and her highbrow inlaws. Next is "I Cover The Waterfront", a romantic melodrama about a tough reporter who exploits a romance to get the scoop on a sensational story for his newspaper. One of the films highlights includes a near-nude swim scene by Ms. Colbert! Both posters grade Very Fine/Near Mint.
Sullivan's Travels (Paramount, 1941). (3) Lobby Cards (11" X 14"). Preston Sturges' classic comedy of Depression America is a masterpiece and one of the finest movies about movies ever made. The story centers around filmmaker John L. Sullivan, played by Joel McCrea, who wants to make a serious social statement in his next film. He hits the road, disguised as a tramp, to get in touch with the "real" people. Joined by a down-on-her-luck aspiring actress, played by Veronica Lake. The results are more than he bargained for and when the "experiment" seems to be over, Sullivan falls into even more trouble. The cards grade Fine+ to Very Fine/Near Mint. Two cards in exceptionally nice shape, card with dining in trailer has faint censor stamp.
When a Feller Needs a Friend (MGM, 1932). One Sheet (27" x 41"). Child star Jackie Cooper stars in this film about a physically challenged boy wants his parents to stop being so overprotective so he can try and be like all the other kids in the neighborhood. His feisty uncle is on his side and gives him the strength and encouragement he needs to face his parents and life. Wonderful stone lithograph. Very Fine+.
Dimples (20th Century Fox, 1936). Lobby Card (11" X 14"). Shirley Temple was the world's first child superstar, who single-handedly saved Fox Studios from bankruptcy during the great depression. This musical pandered to depression era audiences, having Shirley playing a downtrodden child who would sing and dance to entertain audiences, while her grandfather picked their pockets. But all ends well when she is rescued by a rich lady who gives her a chance to go straight. Absolutely gorgeous lobby card displays vibrant colors. Fine/Very Fine.
The Rush Hour (Pathe', 1927). One Sheet (27" X 41"). Marie Prevost stars in a commuter comedy about a woman who dreams of a better life than in the rat race of the city. This film was prophetic of the life of Prevost who rose to stardom as a bright comedy talent in the silent era after a tough time getting a start. She was able to continue into the early sound era, but soon her popularity faded. She died at the age of 38, an alcoholic, and virtually broke. Fine.
Why Bring That Up? (Paramount, 1929). One Sheet (27" X 41"). Charles Moran and George Mack, two white minstrel comedians also known as "Two Black Crows" appear in black-face to re-create their most beloved routines in this comedy feature, one of only three that the pair made. Among the routines are "Head Man," "Let's Not Talk about That," and the popular "Early Bird Gets the Worm." Evelyn Brent plays a con woman who's trying to swindle them out of their money, but despite her best efforts, the "Crows" end up winning in the end. Mack and Moran were vaudevillian comics, whereas Amos and Andy were radio stars, though both tried their hand at movies without much success. Fine.
The Devil's Pawn (Paramount, 1922). One Sheet (27" X 41"). Originally made in Germany as "Der Gelbe Schein" in 1918, it wasn't released in the U.S. until 1922 after Pola Negri's popularity had crossed the Atlantic via her German collaborations with Ernst Lubitsch. Negri had made a name for herself in German cinema as a mysterious beauty, and she continued to entrance American audiences with her US films including "Forbidden Paradise" and "Hotel Imperial." She was the rage of the media with her reported affairs with Chaplin and Valentino, and later Hitler, upon her return to Germany. This stunning portrait One Sheet is probably the earliest poster to introduce the American public to their new star. Very Fine on Linen.
Broadway (Universal, 1929). (2) Lobby Cards (11" X 14"). Universal released this big budget black-and-white film with Movietone sound, and sequences done in, most likely, the rare two-color Technicolor film process. It was billed as "No Other Picture Like It in the World." It told the story of a dance team, Evelyn Brent and Glenn Tyron, and their brushes with a bootleggers, gangsters and murder. This was a very successful release for the studio and very little in the way of posters have survived. Both cards are Fine/Very Fine with pinholes.
Big Hop, The (Buck Jones Productions, 1928). (2) Lobby Cards (11" X 14"). Buck Jones was an expert rider and roper. After serving in the U.S. Cavalry, he joined the Miller Brothers 101 Ranch Wild West Show as a trick rider, and later performed with the Ringling Brothers circus. Jones both produced and starred in this silent aviation film about a ranch hand that takes to the air as a barnstorming pilot. Fine with minimal restoration on one card.
See You in Jail (First National, 1927). One Sheet (27" X 41"). Jack Mulhall stars as Jerry Marsden, son of millionaire, who has been bailed out of trouble once too often. After his father cuts him off, he's offered a job by another millionaire, Roger Whitney, to serve a jail sentence on Whitney's behalf, in a luxury cell designed for "celebrity" convicts. There he meets other millionaire convicts, goes into business, and becomes wealthy himself. Beautiful stone litho art work. Fine.
The Quitter (Columbia, 1929). One Sheet (27" X 41"). Ben Lyon portrays a doctor who was once a brilliant surgeon, but gave it all up when he failed to save his mother's life after an accident. He becomes a humble stable boy until his boss discovers his talents and uses him as a horse doctor. After an accidental shooting, Lyon saves his boss's life and resumes his career as a surgeon, becoming "a quitter" no more. Fantastic stone litho. Fine+.
Where Was I? (Universal, 1925). One Sheet (27" X 41"). During the silent era, Reginald Denny was popular in films for portraying the all-American boy. This changed however, with the advent of sound, which exposed his British accent. This film represents one of Denny's comedic performances, probably best described as a silent era "screwball" comedy. Fantastic graphics portraying multiple images of a puzzled Denny grace this poster which has multiple border holes and paper loss on upper right corner. Very Good-.
The Gaucho (United Artists, 1927). Insert (14" X 36"). Douglas Fairbanks was the Gaucho -- the charismatic leader of a band of outlaws. When a religious shrine is taken over by a ruthless general, it falls to the Gaucho to rescue the town and its shrine from the general's evil clutches. Fairbanks was known for performing his own stunts, and this film is a fine example of his athletic skills. The posters for this film all have spectacular designs and this Insert is a rarely-seen item. Fine/Very Fine on Paper.
Operation A-Bomb (RKO, 1952). One Sheet (27" X 41"). Released in color by RKO Radio, this 16-minute documentary displayed on film the awesome power of the atomic bomb. The footage was shot by a team of Marine Corps photographers, who set up their cameras only a short distance from a 1951 A-bomb test in the Nevada desert. Fine on Linen.
Footprints on the Moon: Apollo 11 (20th Century Fox, 1969). One Sheet (27" X 41"). Great documentary film that chronicles the mission of Apollo 11 and Neil Armstrong's historic first steps on the moon. This poster features a great lunar shot of an astronaut standing beside the command module on the moon's surface. Near Mint.
Borneo (Universal, 1937). Half Sheet (22" X 28"). This is a documentary that records the terrain, flora, fauna and lifestyles of the natives of Borneo, as recorded by Martin Johnson and his wife while on an expedition trying to locate a huge orangutan. Wonderful jungle artwork. Fine+.
Bring 'Em Back Alive (RKO, 1932). Window Card (14" X 22"). An Adventure / Documentary about an American animal trapper that goes to the Malayan jungle in pursuit of wild game. There are many animal encounters including a black leopard, python, tiger, crocodile, water buffalo and elephant. What truly drew the teen-age boys however, was the pre-code shots of beautiful young bare-breasted native girls. Colorful jungle artwork. Fine/Very Fine.
Beyond Bengal (Showmen's Pictures, 1934). One Sheet (27" X 41"). Filmed in the remote jungles of the Malayan Peninsula under the supervision of producer Harry Schenck, the poster for this exploitative documentary was the best thing about the film and drew depression era theatergoers in by the droves. Very Fine.
The Spiritualist (Eagle Lion, 1948). Half Sheet (22" x 28"). Interesting film that deals with the phony spiritualist racket and how one unsuspecting widow is lured into the con. Top notch special effects for the era, complete with spooks and specters, lends to the eerie quality of the film. Also released as "The Amazing Mr. X ." Rolled, Very Fine.
Night of the Hunter (United Artists, 1955). Three Sheet (41" X 81"). Legendary actor Charles Laughton took his only turn as a director with this moody horror film. Robert Mitchum made his lasting impression on the cinema as Reverand Harry Powell, a man who was pure evil and had tattooed along the tops of his fingers "Love" and "Hate". The film is told from the children's perspective and has become one of the most popular films of the 1950's. This haunting Three Sheet depicts Mitchum with the tattoos upon his murderous hands. Very Fine- on Linen.
Night of the Hunter (United Artists, 1955). Window Card (14" X 22"). Charles Laughton, making his one and only directorial effort, told this haunting tale from a child's perspective. This dark film noir has Robert Mitchum portraying the sinister Rev. Harry Powell, who brandishes the words "love" and "hate" tattooed across the knuckles of his left and right hands. Fine supporting cast includes Shelly Winters and Lillian Gish. Fine+.
Stage Fright (Warner Brothers, 1950). Insert (14" X 36"). Spotted running from the scene of a murder, Richard Todd seeks refuge in the home of his former girlfriend, Jane Wyman, insisting that he's innocent. Wyman believes him and starts her own investigation, in a variety of disguises, discovering clues that lead her to the real murderer, portrayed by Marlene Dietrich. Fine+.
Rebecca (United Artists, 1940). One Sheet (27" X 41"). The screenplay for the film "Rebecca" was based on the novel by Daphne du Maurier. Laurence Olivier shines as the troubled Max de Winter who appears to grieve deeply for his first wife, Rebecca. Joan Fontaine, as the second Mrs. De Winter, is pulled into a world of obsession, mystery, and murder! Alfred Hitchcock's first official American film took the Oscar for Best Picture. Posters for this film are sought after by Hitchcock and "Best Picture" collectors. Fine on Linen.
Jamaica Inn (Paramount, 1939). Australian One Sheet (27" X 40"). Set in the 19th century, Maureen O'Hara plays a young woman who moves in with her aunt and uncle, who run the decrepit "Jamaica Inn." She soon discovers that the shady characters frequenting this inn are part of a pirating operation. Based upon Daphne du Maurier's first best selling novel, this was Alfred Hitchcock's last British film, before departing for America. Charles Laughton was the star of the film as Sir Humphrey Pengaltan, the villainous squire who leads a pack of smugglers falsely luring boats into the area. The boats would crash on the rocks, killing the passengers and allowing the smugglers to loot the cargo. This is a gorgeous portrait Stone Litho One Sheet and is very rare. Very Fine on Linen.
Rebecca (United Artists, 1940). (40" X 60") Photo Gelatin. This is undoubtedly the only known copy of this gorgeous poster for this classic tale by Alfred Hitchcock. This extremely rare photo gelatin poster with a fabulous shot of Joan Fontaine and Lawrence Oliver, is amazing in person. A truly scarce opportunity to own a unique piece for this title. Very Fine on Linen.
Suspicion (RKO, 1941). One Sheet (27" X 41"). In another performance as a newlywed, Joan Fontaine earned an Oscar for her role of a woman who suspects that her "too-good-to-be-true" husband may actually be a murderer. Cary Grant, as the husband and suspected murderer, was destined to become one of Alfred Hitchcock's favorite performers, with this as their first collaboration. Posters for this title are exceedingly scarce. Fine+ on Linen.
Shadow of a Doubt (Universal, 1943). Australian One Sheet (27" X 40"). What would you do if you suspected your own uncle of being a serial killer? Alfred Hitchcock explored this strange and horrible dilemma in this film that he would later describe as one of his personal favorites. Teresa Wright played the innocent niece forced into making some terrible decisions in this electrifying thriller. Joseph Cotten played against type and absolutely chilled audiences with his portrayal of the murderous uncle Charlie. Posters on this title, like all early Hitchcock's, are very hard to come by and very desirable. Fine- on Linen.
Notorious (RKO, 1946). One Sheet (27" X 41"). Positively one of Alfred Hitchcock's cinematic masterpieces, "Notorious" shines with one of Hitchcock's familiar elements -- espionage! Cary Grant stars as a federal agent who pushes the daughter (played by Ingrid Bergman) of a Nazi into spying for America. In one of the film's best sequences, Grant and Bergman discover a cache of smuggled uranium in the wine cellar. What was shocking is how timely that scene was. It was shot between October 1945 and January 1946 -- well before the use of atomic bombs at Hiroshima. The public knew virtually nothing of uranium and its use in atomic weapons. The posters for this title are among Hitchcock's most collectible. Very Fine+ on Linen.
North by Northwest (MGM, 1959). Half Sheet (22" X 28"). Directed by Alfred Hitchcock, Cary Grant plays advertising executive Roger O. Thornhill, a man whose life is turned upside down during a case of mistaken identity. Made at the pinnacle of his Hollywood career, this fast-paced thriller contains all the elements of vintage Hitchcock. Who can forget the climactic Mount Rushmore finale? Fine on Paper.
The Man Who Knew Too Much (Paramount, 1956). One Sheet (27" X 41"). A remake of Alfred Hitchcock's original 1934 film, starring James Stewart and Doris Day as an American couple, who stumble onto an assassination plot while on vacation. The climactic scene with the orchestra crescendo is still one of the finest moments of Hitchcock suspense. Fine.
The Man Who Knew Too Much (Paramount, 1956). (30" X 40"). Doris Day and Jimmy Stewart star in this remake of Alfred Hitchcock's original 1934 classic. The climactic scene with the orchestra crescendo is still one of the finest moments of Hitchcock suspense. This poster was previously mounted to a hard board surface, and the mounting marks are evident on the back, along with various small holes, mainly in the border areas, but the poster is all there. A perfect candidate for linen or paper backing. Very Good+/Fine.
Vertigo (Paramount, 1958). Australian Daybill (13" X 30"). The American posters for this Hitchcock film are primarily Saul Bass designed, but this pretty "Stone Litho" Daybill is not. It features striking portraits of the two leads, James Stewart and Kim Novak, as well as the frightening bell tower image on the left. Folded Near Mint.
Vertigo (Paramount, 1958). Insert (14" X 36"). Many consider this to be Alfred Hitchcock's finest film. Jimmy Stewart plays a retired detective who is hired to follow a friend's wife. Stewart soon becomes fascinated with the object of his investigation, and when she falls to her death, he goes into a deep depression. He only comes out of it when he meets another woman who looks very similar to the woman he lost. Things really get strange when his obsession begins to make the new girlfriend change her appearance to look just like the former woman. Artwork by Saul Bass. Rolled/Very Fine.
Vertigo (Paramount, 1958). One Sheet (27" X 41"). This visually striking poster is the work of the late Saul Bass (1920-1996), premier graphic designer best known for his work with directors Alfred Hitchcock, Otto Preminger and Stanley Kubrick. It has been suggested that the spiral imagery represents Stewart's fear or guilt on the staircase of the mission and also a sexual metaphor. "Symbolize and summarize" were the words Bass lived by and his careful choice of images set the tone from the title sequence to the poster for many films. Very Fine+ on Linen.
Psycho (Paramount, 1960). One Sheet (27" X 41"). The silver screen's master of suspense, Alfred Hitchcock, created this legendary thriller that introduced audiences to new dimensions of psychotic mayhem and left an indelible mark on the screen thriller genre. Anthony Perkins plays the nervous, but personable, innkeeper Norman Bates who's been psychologically twisted by a domineering mother -- and finally snaps -- acting on his own neurotic compulsions. Small censor stamp on upper portion of the poster. Fine/Very Fine.
Psycho (Paramount, 1960). British Quad (30" X 40"). Here's another great format for this title, the British Quad. All the principle cast members are shown on the poster, with a dominant shot of a shirtless Janet Leigh. Under the title is "cert x" rating given to British adult films. Another feature that makes this poster truly unique is the image of Hitchcock, who only appears on one seldom seen piece of American paper. Very Fine on Linen.
Psycho (Paramount, 1960). Insert (14" X 36"). Alfred Hitchcock created the definitive modern horror film with "Psycho". The film was one of the first to delve into the psychological machinations of a serial killer, played to perfection by Anthony Perkins. The story was loosely based on the actual case of serial killer Ed Gein which also served as the inspiration for "The Texas Chainsaw Massacre". This insert used an image of Janet Leigh wearing nothing but a slip and bra to lure audiences into the theatres! Fine/Very Fine.
Psycho (Paramount, 1960). Lobby Card (11" X 14"). This is one of the true iconic images from horror films as Anthony Perkins stands at the bottom of the steps that lead up to .... "The House". This lasting image can still be seen today if you take the studio tour at Universal Studios and this lobby card is one of the most sought after images of the 1960's. Near Mint.
The Birds (Universal, 1963). Australian Daybill (13" X 30"). Alfred Hitchcock chose an unknown Tippi Hedren to play the heroine in his 1963 classic horror film, when he was unable to get Princess Grace Kelly to come out of retirement to play the lead. Offered here is the Australian Daybill which retained the elements of the American posters, but was done in a lovely Stone Litho. Folded/Near Mint.
The Birds (Universal, 1963). Insert (14" X 36"). Riveting Hitchcock horror tale of an isolated community ravaged by swarms of evil birds. This film, that introduced Tippi Hedren and co-starred Rod Taylor, was based on the novel by Daphne DuMaurier. With its deep blue background, this poster is considered by many to be the best format from this classic film. Fine+ Folded.
Rear Window (Paramount, 1954). (7) Lobby Card Set (11" X 14"). One of Alfred Hitchcock's best films took the subject of voyeurism to the extreme. Jimmy Stewart stars as a photographer (who's used to observing people through his camera's lens) who's laid up after an accident. With nothing to do, he begins to watch his neighbors out of his rear window. When he thinks he sees a murder, he feels it is up to him to expose the killer. Grace Kelly plays his bored accomplice looking for a thrill in this tension-laced epic! This wonderful set of cards depicts some of the film's best moments! Very Fine+ with minimal restoration.
Rope (Warner Brothers, 1948). Three Sheet (41" X 81"). Adapted from Patrick Hamilton's stage play, "Rope" was the first Alfred Hitchcock film shot in color. Two college students kill a third just for the thrill of it. The boys hide the body in a chest in the middle of their apartment, then arrange to hold a dinner party in the same room, inviting the victim's family, friends, fiancée, and their college professor. James Stewart plays the intellectual professor (Cadell), whose lectures the boys claim were their inspiration for the murder. The tension mounts as Stewart starts to suspect that something is amiss, eventually discovering the awful truth. Very Fine-.
Spellbound (United Artists, 1945). One Sheet (27" X 41"). No other director captured the "psychological melodrama" genre as perfectly as Alfred Hitchcock did. With "Spellbound," the director hit a new level in depicting mental problems when he hired surrealist Salvador Dali to create the famous dream sequence. This impressive poster features one of the film's highlights as Gregory Peck, in a schizophrenic state, embraces Ingrid Bergman, while holding an open straight razor. One Sheets for this film rarely turn up in this condition, as their black backgrounds are easily damaged. Very Fine on Linen.
Somewhere in Time (Universal, 1980). Subway (45" X 59"). A young playwright visits the Grand Hotel on Mackinac Island and travels back in time to find true love. This film, which continues to grow in popularity, was adapted from Richard Matheson's 1960s novel "Bid Time Return" and stars Christopher Reeve and Jane Seymore. Near Mint.
Hollywood Autograph Collection . This lot consists of (14) 5" X 7" stills that have been autographed by the following stars; Victor Jory, Mary Carlisle, Claudette Colbert, Ruby Keeler, Irene Henry, Fay Wray and Bette Davis! Printed signatures on stills (not autographed) include; Jean Harlow, Shirley Temple, Dorothy Lee, Kay Francis and Claire Dodd. The stills came from the estate of Beach Pruett; a theatre manager in Oregon who acquired them directly from the celebrities listed and are personalized to her. Very Fine+.
Bela Lugosi-Chandu the Magician Autographed Still (Fox, 1932). This is a lovely heavy weight still shot on the set of "Chandu the Magician" and pictures the entire cast in costume as well the two directors. The still features tremendous autographs of not only Bela Lugosi, but directors W.C. Menzies and Marcel Varnel as well as Edmund Lowe, Irene Ware, Weldon Heyburn and June Vlasek (June Lang). This very rare piece has the phrase "WE Scott-Chandu! Out of the Air...Onto the Screen!" written above the signatures. Very Fine/Near Mint.
Strange Case of Captain Ramper, The (First National, 1927). Lobby Card (11" X 14"). Paul Wegener, the pioneer German filmmaker who is perhaps best remembered for his role in the ground breaking science fiction film "The Golem," co-wrote and starred in this little known fantasy/science-fiction film. Made in Germany as "Ramper, the Beastman," this film tells the story of an Arctic aviator/explorer who crashes in the desolate regions of the North Pole, and in fifteen years time, turns into a fur-covered, wild beast who is unable to talk. He is discovered by a whaling ship and returned to civilization only to be sold to a carnival side-show. There he is found by a lovely young woman (Mary Johnson) who sees the lost man in him and rescues him from his predicament. An interesting bit of trivia concerning this film, is that it also featured German actor Max Schreck, of "Nosferatu" fame. The posters on this title have always been very rare. This may be the only copy of this card in existence, which happens to show Wegener as the beastman. Fine/Very Fine with minimal restoration.
She (RKO, 1935). Half Sheet (22" X 28"). Filmed four times previously in the silent era, Randolph Scott, on loan from Paramount, is the lead in this fantasy adventure produced by the same people that created "King Kong". Scott plays an explorer searching for the "flame of life", a radioactive element hidden in the Arctic parts of Manchuria which, according to his family lore, can bestow eternal life. Along for the ride are Nigel Bruce, pre-Dr. Watson, and Helen Mack. When all is said and done, Scott finds the ruler of the kingdom of Kor and the keeper of the flame. Played by Broadway actress, Helen Gahagan, She finally comes to terms with her mortality at the hands of our hero explorer. The film was a total failure at the boxoffice, but the posters were stunning. This rolled half sheet is a beauty. Fine/Very Fine.
King Kong (RKO, R-1942). Half Sheet (22" X 28"). King Kong wreaks havoc on the city of New York as he looks for his lady love, Fay Wray. Without a doubt, "King Kong" is one of the greatest horror films ever made, and the posters for this title are in constant demand. This reissue Half Sheet from 1942 was from the film's second reissue (the first was in 1938). The wonderful thing about the art is that it reproduces the original 1933 Six Sheet. Rolled, Fine+ on Paper.
King Kong (RKO, R-1942). Lobby Card (11" X 14"). He was called the "eighth wonder of the world" and the movie- going world certainly thought so. It was a tremendous smash hit upon its first release in 1933 so it was reissued in 1938 and 1942. This great card is a 1942 reissue card, which features the scene of Kong as he is first displayed to his paying public upon being brought back to civilization. We originally called this a '38 reissue card but have since been informed that it is indeed a 1942 reissue card. Fine/Very Fine with several small pin holes in the image.
King Kong (RKO, 1933). Jig Saw Puzzle (10" x 30"). This was one of the best promotional items issued along with the original release of King Kong. Kong is seen clutching Fay Wray while he battles a Tyrannosaurus Rex. The puzzle consists of over 150 interlocking pieces. These promotional puzzles are very scarce as they are rarely found complete. Near Mint+.
King Kong (RKO, R-1952). Lobby Card Set (11" X 14"). Considered by many to be the greatest science fiction film of all time, this film was a blockbuster hit in its original release and continued to draw huge audiences up through the fifties. Offered here is a reissue set if cards from the early fifties with many of the great scenes pictured. Fine/Very Fine.
King Kong (RKO, R-1959). (3) Lobby Cards (11" X 14"). Here's three great scene cards from the 1959 re-issue of "King Kong". Each card captures a great image of Kong and highlights some of the key scenes from the film. One of the best from the set shows Kong clutching the lovely Fay Wray as he towers over the New York skyline. Very Fine/Near Mint.
King Kong (RKO, 1933). Belgian (24" X 33"). "How would you like to star opposite the tallest, darkest leading man in Hollywood?" These are the words that enticed Fay Wray to dye her hair blonde and accepted the role of Ann Darrow. After the fact she learned her leading man was a 50 foot ape! For years, "King Kong" has been at the pinnacle of the poster hobby. Offered here is a wonderful Belgian poster, depicting the monster ape holding the lovely Ms.Wray. This is a very rare pre-WWII Belgian poster. Posters from pre-war Europe have always been rare and these early Belgian posters printed in the larger size are very uncommon. Very Fine/Near Mint on Linen.
The Hunchback of Notre Dame (Universal, 1923). Lobby Card (11" X 14"). Lon Chaney, known as The Man of a Thousand Faces, certainly put his skills to use when Universal cast him as the lead in their version of Victor Hugo's immortal classic. Along with his makeup, Chaney strapped a hump weighing 40 pounds to his back, and wore a harness weighing another 30. The film is a legend and single-handedly started the entire horror series of films that would become a staple at Universal Pictures. In the entire set of cards there are only two that feature Chaney as Quasimodo, and this is the better of the two, with Chaney being crowned the prince of fools. Very Fine with minimal restoration.
Hunchback of Notre Dame (RKO, 1939). One Sheet (27" X 41"). This was the second version of Victor Hugo's classic novel that was adapted to the screen and Charles Laughton was cast as the tortured soul, Quasimodo. Laughton was one of the most brilliant actors of his era and the part was a wonderful challenge for the amazing star. Maureen O'Hara was cast as the beautiful gypsy, Esmerelda who befriends the Hunchback. With all apologies to Lon Chaney and Anthony Quinn, this version has never been surpassed! This one sheet is also quite beautiful as Quasimodo's features are kept in shadow to prevent the audience from glimpsing his disturbing makeup. Near Mint on Linen.
White Zombie (United Artists, R-1938). One Sheet (27" X 41"). This is the granddaddy of all zombie films! When a young couple goes to Haiti to be married, the woman suddenly falls ill and soon returns as a zombie! Bela Lugosi portrays the zombie master who places his innocent victims under total mind control. Lugosi has been the object of cults and fan clubs for years, and many of those die-hard fans consider "White Zombie" to be his ultimate picture. Original release posters for this title are virtually nonexistent, and this reissue is almost identical to the original release. Fine.
Black Cat, The (Universal, 1934). Lobby Card (11" X 14"). Incest, murder, torture, devil worship and perverse psychological obsessions are layered throughout this film as Karloff and Lugosi play a game of chess to determine the fate of a young couple. Boris Karloff and Bela Lugosi were cast together for their first horror film in Edgar G. Ulmer's adaptation of Edgar Allan Poe's classic tale. The film is one of the true masterpieces of the horror genre and has so many ghoulish oddities it's hard to imagine how the film was made in 1934! Any material on this film is virtually impossible to acquire. Very Fine-.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Lobby Card (11" X 14"). Fredric March gave one of his most memorable performances and won the Oscar for Best Actor with this adaptation of Robert Louis Stevenson's classic novel of horror. Of all the posters made for horror films, material for the 1931 version of "Dr. Jekyll" is considered some of the scarcest in the entire hobby. Only a handful of Lobbies exist on this film, and of those, March only appears in three of them. Don't let this rare opportunity to acquire this gem pass you by! Very Fine.
The Raven (Film Classics, R-1949). One Sheet (27" X 41"). The Titans of Terror, Boris Karloff and Bela Lugosi, star in this twisted tale of a surgeon who seeks revenge for his spurned love. Very loosely based on a story by Edgar Allan Poe, Lugosi plays the mad doctor with riveting gusto and Karloff, as a doomed criminal, is Lugosi's unwilling accomplice in his gruesome tortures. This is one of the best films in the original horror series created at Universal. This re-issue poster is highly prized, as there are only a few original posters from 1935 known to exist. Fine/Very Fine on Linen.
Invisible Ray (Realart, R-1951). One Sheet (27" X 41"). Boris Karloff gets to be the mad scientist this time around in this early science-fiction classic from Universal. Lugosi, for once, plays the voice of reason, but the Radium X that Karloff discovers drives Karloff mad and he refuses to listen to Lugosi! By the end of the picture, Karloff is glowing and killing everything he touches. Although other classic horror pictures made by Universal were re-released a number of times, this is the only reissue for this effort. Very Fine- on Linen.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). Universal followed up their biggest hit of the past several years "Frankenstein", with a sequel. Offered in this lot is a card which needs no introduction. Considered to be one of the rarest titles from the Universal Horror series and one of the best films. This card previously sold at auction 5 years ago(12/98) for $19,550.00. Very Good on Paper with added borders.
The Bride of Frankenstein (Realart, R-1953). One Sheet (27" X 41"). James Whale created his lasting masterpiece with this sequel to 1931's "Frankenstein." Boris Karloff reprised his role of the monster, and Colin Clive returned as Dr. Frankenstein. Many people consider this to be the best film in the entire Universal horror series and also consider this film to be Karloff's best performance. Original posters for the 1935 release are almost never offered for sale, and when they are they command world record prices. This 1953 release poster is from the first reissue of the film, and is highly desired by collectors. Very Good on Linen.
House of Frankenstein (Universal, 1944). One Sheet (27" X 41"). Boris Karloff returns to the "Frankenstein" series, but this time not as the Monster, the role he immortalized three times in the 1930s beginning with FRANKENSTEIN (1931). This time he stars as a semi-mad scientist who escapes prison, with his hunchbacked assistant Daniel, and goes around collecting the famous Universal monsters; Count Dracula (John Carradine), The Wolf Man (Lon Chaney Jr.) and the Frankenstein monster (Glenn Strange). Universal Horror is the most prized material in the hobby and this poster offers a tremendous image of their most famous creation. Very Fine.
Frankenstein (Universal, R-1938). Lobby Card (11" X 14"). Boris Karloff stars as Mary Shelley's immortal monster in this legendary and classic horror film. The scenes from the reissue set are almost entirely different from the originals which make them as desirable to hard-core horror collectors as the originals. However, with original cards commanding a king's ransom, these first reissue cards from 1938 make an affordable alternative to going into major debt! Very Fine-.
Frankenstein Meets the Wolfman (Realart, R-1949). (2) Lobby Cards (11" X 14"). With Chaney occupied as the Wolfman, Universal needed someone else to fill The Monsters' massive boots! Bela Lugosi was chosen for name recognition and a classic was made in the process. "Frankenstein Meets the Wolfman" was an entirely new creation for the studio as it featured two of their classic monsters in a duel for the first time! It was a brilliant concept that would lead to other "all-star" creature features including "House of Frankenstein" and "House of Dracula". Fine/Very Fine.
Ghost of Frankenstein (Universal, 1942). Title Card (11" X 14"). Lon Chaney donned Jack Pierce's makeup to become The Monster for the first time in the series. Bela Lugosi reprised his role as Ygor, the evil assistant who desires to transplant his own brain into the Monster's body. Legendary character actors Sir Cedric Hardwicke and Lionel Atwill are the scientists who are mad and aren't going to take it anymore. Universal Horror Title Cards are extremely rare and this is one of the best ones from the early 1940's. Fine+.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). Frankenstein's Monster (Lon Chaney) wants the brain of a little girl transplanted into his body. After kidnapping her, the monster is taken captive and put on trial for his crime. This is one of the best cards in the set and features Chaney in the Jack Pierce makeup. Ralph Bellamy costars in this classic moment. Very Fine-.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). Yet another great scene card featuring Bela Lugosi and Lon Chaney. Frankenstein's Monster, having befriended cute little Cloestine (Janet Ann Gallow), the only person in the village who doesn't fear him, captures her hoping to receive her brain. Very Good/Fine.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). This classic horror lobby card has the scene we've all come to know and love; Frankenstein's Monster (played by Lon Chaney) is about to come to life as Bela Lugosi, Sir Cedric Hardwicke and Lionel Atwill look on. Fine+.
Ghost of Frankenstein (Realart, R-1951). (2) Lobby Cards (11" X 14"). Lon Chaney made his only appearance as The Monster in this creepy entry in the Universal horror series. Bela Lugosi reprised his role as Ygor, with character actors Sir Cedric Hardwicke and Lionel Atwill filling the bill as the mad scientists! With the escalating prices of originals, these Realart reissues are quite affordable in comparison and feature scenes as in many ways as good as the originals! Very Fine.
Ghost of Frankenstein (Realart, R-1950). Half Sheet (22" X 28"). Bela Lugosi reprises his role of Ygor as he rescues the monster (played for the first time by Lon Chaney, Jr.) and brings him to the real Dr. Frankenstein's son, in this, the final Frankenstein film of the original Universal series. Offered here is a gorgeous, rolled half sheet from the Realart reissue of 1950. This Half Sheet is considered by many to be superior to the original. Fine+/Very Fine.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Karloff, as Frankenstein's Monster, looks for a little understanding from Basil Rathbone in the exciting conclusion to this legendary horror film. Carl Laemmle had sold his studio in 1936 and the executives of the "New Universal" decided that they would produce quality features instead of those "tacky" horror films. However, it was the horror films that the public wanted and "Son of Frankenstein" was put into production to resuscitate the studio itself. Looks like the plot of the movie was pretty close to actual events at the studio! Lobby cards from this sequel rarely become available. Crease at left side of card. Fine-.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Although this card does not picture the immortal monster, it does have a great shot of two of the principle players, Bela Lugosi and Basil Rathbone, plus another excellent image of the Kenneth Strickfaden's legendary lab equipment. Very Fine-.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). As usual, Universal would always include one montage card in their lobby sets. Boris Karloff, Bela Lugosi and Basil Rathbone all appear on his classic horror card. Very Fine-.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Okay, it's just our opinion, but does it actually get any better than this? Basil Rathbone as Wolf von Frankenstein directs his assistants (including Bela Lugosi) to return the energy of life to his father's immortal monster. This card has all three principle players as well as a creation scene using Kenneth Strickfaden's legendary lab equipment and is one of the best cards in the entire set. Upper corner chip, pin holes, tape stains in border only. Fine.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Basil Rathbone, Bela Lugosi and Boris Karloff star in this incredible sequel to "Frankenstein" and "The Bride of Frankenstein". Karloff made his final appearance as The Monster in this picture which many fans feel is one of the best films in the entire Universal Horror series. Lobbies which show Karloff as the monster are some of the most sought after in the hobby and this is considered to be the best lobby card in the entire set. Fine-.
Son of Frankenstein (Universal, 1939). Insert (14" X 36"). The Titans of Terror, Boris Karloff and Bela Lugosi as Frankenstein's Monster and Ygor, appear in the medical reflector worn by Basil Rathbone in this classic insert. Although this would be the last appearance of Karloff as the Monster, it was a new beginning for Lugosi, who would go on to portray Ygor in another sequel. This was the best role in a horror film for Lugosi since his appearance in "The Raven" four years earlier. Inserts for the classic Universal horror films are rarely available. Fine/Very Fine.
Son of Frankenstein (Realart, R-1953). Half Sheet (22" X 28"). Universal followed the tremendous success with "The Bride of Frankenstein," another sequel, which involves the son of Dr. Frankenstein. Karloff was back as the monster, and Lugosi is added as a broken-necked graverobber, named Ygor. This was the last of the great Universal Frankenstein films, though James Whale's touch is sorely missed here. Realart, the re-release arm of Universal, brought the classic back to the screen in the early fifties, from which this nice, rolled Half Sheet, derives. Rolled, Very Good/Fine.
Son of Frankenstein (Universal, R-1947?). Belgian (14" X 22"). Here's a colorful Belgian poster for this Universal horror title. The artwork somewhat resembles that of the American insert, with a nice closeup shot of Rathbone wearing the medical reflector that shows Karloff (as the monster) and Lugosi (as Ygor). Another great shot of Karloff can be seen in the upper right corner. Material showing Karloff as the monster are some of the most sought after in the hobby. Fine+.
The Mummy (Realart, R-1951). One Sheet (27" X 41"). Karloff the Uncanny stars as Im-Ho-Tep, a mummy who returns from the dead to locate his lost love, a reincarnation of a Princess of ancient Egypt. This is one of the classic films from the Universal monster series and the original posters are rarely offered for sale. This reissue One Sheet from 1951 is a bargain compared to the Pharaoh's ransom you'd have to pay for an original. Very Fine.
The Mummy's Tomb (Universal, 1942). Insert (14" X 36"). This installment in the Mummy series found Kharis being shipped to America to wreak his vengeance on those who disturbed his tomb. This was the second sequel in "The Mummy" series from Universal, and marked the first time that Lon Chaney wrapped himself in the Mummy's bandages! Posters from this title are some of the best (graphically) in the series. Rolled Very Fine.
Mummy's Curse (Realart, 1951). Three Sheet (41" X 81"). Kharis rises from the dead again in the final sequel to the Mummy series. This time he's recovered from the swamp that took his body at the end of "The Mummy's Ghost" and is transported to Louisiana for study by a group of archaeologists. Mayhem and havoc rule the day as Kharis sips his treasured tana leaves! This was the last time Lon Chaney would play the ancient Mummy. Fine+ on Linen.
Mummy's Ghost, The (Realart, R-1953). Three Sheet (41" X 81"). Lon Chaney reprised his role as Kharis, The Mummy, in this thrilling installment of the Mummy series. In this sequel, Kharis travels to America where he finds the reincarnation of his lost love. The Realart reissues of the Universal Horror series are exceedingly popular among collectors as the originals are far more expensive than these re-releases. Fine/Very Fine on Linen.
Mummy's Ghost, The (Realart, R-1953). Half Sheet (22" X 28"). Here's another great format for this installment of the Mummy series. This Half Sheet features wonderful Realart graphics of Lon Chaney as Kharis, The Mummy, surrounded by the other members of the cast. The Realart reissues of the Universal Horror series are exceedingly popular among collectors and this Realart Half Sheet is graphically far superior than the original release Half Sheet. Rolled, Fine/Very Fine.
Mummy's Ghost, The (Realart, R-1953). One Sheet (27" X 41"). Another great format for this title is this superb One Sheet. The Mummy's eerie green luminescence is the focal point of the art, punctuated by the cowering female victim. Spectacular art! Fine.
Dracula (Realart, R-1951). One Sheet (27" X 41"). In 1951, Universal Pictures changed the name of their subsidiary company from Film Classics to Realart Pictures, to handle the reissues of their films. They began the series with reissues of all of their classic horror films including "Dracula". It was a smart move for the studio since "Dracula" was one of their most popular and famous films, and with each reissue, enjoyed a new following of fans. The posters for this legendary picture are among the most collectible in the hobby. Very Good on Linen.
Son of Dracula (Universal, 1943). Half Sheet (22" X 28"). The Siodmak brothers collaborated on this thriller with Kurt on script and Robert directing. It became another classic in the Universal Horror pantheon when Lon Chaney donned the cloak of Count Alucard (or is that Count Dracula spelled backwards?). Original Universal horror posters are the most collected posters in the entire hobby. Very Fine+ on Linen.
Son of Dracula (Realart, R-1948). Half Sheet (22" X 28"). The Siodmak brothers collaborated on this thriller with Kurt on script and Robert directing. It became another classic in the Universal Horror pantheon when Lon Chaney donned the cloak of Count Alucard (or is that Count Dracula spelled backward?) Original Universal horror posters are the most collected posters in the entire hobby. Rolled, Fine.
Dracula's Daughter (Universal, 1936). Title Card (11" X 14"). Fantastic art adorns this classic Title Card. Universal horror Title Cards rarely surface from their crypts and this one is particularly sought after. Very Fine.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Edward Van Sloan returns in his Dracula role as tireless vampire hunter Van Helsing. Here he confronts "Countess Marya Zaleska," (Gloria Holden), as he examines the her infamous ring. Fine+.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Another great scene card that features three of the principle players; Gloria Holden who plays the title role, Irving Pichel as the hunchbacked assistant Sandor and Edward Van Sloan as the tireless vampire hunter Van Helsing. Very Fine-.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). This card has a wonderfully eerie, disturbing atmosphere, as the Countess Marya Zaleska cast her dark shadow behind the bed of her latest victim. Very Good/Fine.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Universal lobby card sets almost always included a "montage" card, made up of several scenes from the film. These montage cards are highly prized items and this card from Dracula's Daughter is considered one of the best of them. Fine/Very Fine.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Gloria Holden stars in this "sequel" to the 1931 thriller with Bela Lugosi. This time around, Countess Zaleska goes to London to seek the cure for a mysterious illness, but finds a taste for human blood! Karloff and Lugosi were originally slated for the film as well as director James Whale. Karloff and Whale dropped out and Lugosi was paid a retainer fee- and didn't appear in the film at all. All of the posters and lobby cards on this title are extremely moody and atmospheric and are very desirable to collectors of Universal horror material. Fine.
WereWolf of London (Universal, 1935). Lobby Card (11" X 14"). Henry Hull and Warner Oland fight to the death over the temporary cure for lycanthropy (becoming a werewolf) in this climactic moment of the film. A small portion on each corner has been trimmed, several pin holes in image. Fine+.
WereWolf of London (Universal, 1935). Title Card (11" X 14"). Universal produced their first film on lycanthropy with "Werewolf of London". Henry Hull was cast as the accursed scientist and Warner Oland (taking a break from his roles as Charlie Chan) was his nemesis- another werewolf on the search for a cure to their mutual fate. Jack Pierce created a true masterpiece of horror makeup in the transformation scenes. Title Cards for the Universal Horror films from the 1930's are extremely scarce and this is one of the scarcest! There are probably no more than 4 or 5 of these that exist. There are more title cards that exist on Frankenstein and Dracula than Werewolf of London. It is also believed that this is the very first time that a title card from this Classic Universal Horror film has been at auction. A portion of the bottom left corner is missing, crease in upper left corner and border pin holes. Fine+.
Session 2
Original Illustration Art
Robert K. Abbett - Original Magazine Story Illustration (1971).
Readers Digest April, 1971, for Congo's Amazing Comeback, Part II of Comeback in the Congo - Joseph Mobutu.
Gouache on board, image size approximately 18 x 15. Signed middle left.
keywords: illustrator, historical, Africa, political
Readers Digest April, 1971, for Congo's Amazing Comeback, Part II of Comeback in the Congo - Joseph Mobutu.
Gouache on board, image size approximately 18 x 15. Signed middle left.
keywords: illustrator, historical, Africa, political
Franco Accornero - Attributed - Original Paperback Cover Art (c.1976).
Oil on board, image size approximately 18.5 x 11.5. Not signed.
keywords: illustrator, illustration, Western, action, adventure
Oil on board, image size approximately 18.5 x 11.5. Not signed.
keywords: illustrator, illustration, Western, action, adventure
Clark Agnew (1905-1959) Original Magazine Story Illustration (1927).
Oil on canvas, approximately 36 x 28. Signed and dated (27) upper left.
keywords: illustrator, mystery, suspense, drama
Oil on canvas, approximately 36 x 28. Signed and dated (27) upper left.
keywords: illustrator, mystery, suspense, drama
G. Alvara - Original Paperback Cover Art (c.1965).
Tower Books #42-818 - Blood and Gold by Todhunter Ballard. Caption: "When the gold fever hit the town of Gopher no man's life was worth a plugged nickel."
Mixed media on board, image size approximately 30 x 20 (includes upper white background). Signed middle left.
An example of the published cover is attached to the verso.
keywords: illustration, Western, action, adventure
Tower Books #42-818 - Blood and Gold by Todhunter Ballard. Caption: "When the gold fever hit the town of Gopher no man's life was worth a plugged nickel."
Mixed media on board, image size approximately 30 x 20 (includes upper white background). Signed middle left.
An example of the published cover is attached to the verso.
keywords: illustration, Western, action, adventure
American Illustrator - Original Paperback Cover Art (1975).
Ace #48480 - Listen to Danger by Dorothy Eden.
Acrylic on board, image size approximately 21 x 12. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, gothic
Ace #48480 - Listen to Danger by Dorothy Eden.
Acrylic on board, image size approximately 21 x 12. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, gothic
American Illustrator - Original Paperback Cover Art (1975).
Most likely for Ace books.
Gouache on board, image size approximately 17.5 x 11. Not signed.
keywords: illustration, love, romance
Most likely for Ace books.
Gouache on board, image size approximately 17.5 x 11. Not signed.
keywords: illustration, love, romance
American Illustrator - Original Paperback Cover Art (c.1968).
Ace #59776 - Nurse on the Run by Arlene Hale.
Gouache on board, image size approximately 12.5 x 11. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
Ace #59776 - Nurse on the Run by Arlene Hale.
Gouache on board, image size approximately 12.5 x 11. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
American Illustrator - Original Paperback Cover Art (c.1975).
Oil on board, image size approximately 22 x 15. Signed indistinctly lower right.
keywords: illustration, love, romance
Oil on board, image size approximately 22 x 15. Signed indistinctly lower right.
keywords: illustration, love, romance
American Illustrator - Original Paperback Cover Art (1967).
Ace #D-599 - Winged Victory for Nurse Kerry by Patricia Libby. Caption: "Was romance for her linked with peril?"
Gouache on board, image size approximately 19 x 12. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, pilot, aviation, airplane
Ace #D-599 - Winged Victory for Nurse Kerry by Patricia Libby. Caption: "Was romance for her linked with peril?"
Gouache on board, image size approximately 19 x 12. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, pilot, aviation, airplane
American Illustrator - Original Paperback Cover Art (1963).
Dell #4697 - The Lattimer Legend by Ann Hebson.
Gouache on board, image size approximately 20 x 15. Not signed.
keywords: illustration, love, romance, gothic, Civil War
Dell #4697 - The Lattimer Legend by Ann Hebson.
Gouache on board, image size approximately 20 x 15. Not signed.
keywords: illustration, love, romance, gothic, Civil War
American Illustrator - Original Paperback Cover Art (1968).
A Deputy Was King by G. B. Stern, for Pyramid books.
Gouache on board, image size approximately 9 x 7. Not signed.
keywords: illustration, love, romance, mystery, suspense
A Deputy Was King by G. B. Stern, for Pyramid books.
Gouache on board, image size approximately 9 x 7. Not signed.
keywords: illustration, love, romance, mystery, suspense
American Illustrator - Original Paperback Cover Art (c.1970).
Ace #59551 - Nurse Kay's Conquest by Willo Davis Roberts.
Gouache on board, image size approximately 14.5 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, doctor
Ace #59551 - Nurse Kay's Conquest by Willo Davis Roberts.
Gouache on board, image size approximately 14.5 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, doctor
American Illustrator - Original Paperback Cover Art (c.1968).
MacFadden Books #MB50-247 - Small Town Nurse by Jeanne Bowman.
Gouache on board, image size approximately 21 x 14. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
MacFadden Books #MB50-247 - Small Town Nurse by Jeanne Bowman.
Gouache on board, image size approximately 21 x 14. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
American Illustrator - Original Paperback Cover Art (1967).
Ace #K-280 - Call In The Night by Susan Howatch.
Gouache on board, image size approximately 18 x 9.5. Signed indistinctly lower left.
A copy of the paperback is included.
keywords: illustration, love, romance, gothic, mystery, suspense
Ace #K-280 - Call In The Night by Susan Howatch.
Gouache on board, image size approximately 18 x 9.5. Signed indistinctly lower left.
A copy of the paperback is included.
keywords: illustration, love, romance, gothic, mystery, suspense
American Illustrator - Original Paperback Cover Art (c.1970).
Gouache on board, image size approximately 16 x 13. Not signed.
keywords: illustration, drama, suspense, mystery
Gouache on board, image size approximately 16 x 13. Not signed.
keywords: illustration, drama, suspense, mystery
American Illustrator - Original Paperback Cover Art (1965-1970).
Ace #79109 - Sunshine Nurse by Sharon Heath.
Gouache on board, image size approximately 15 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
Ace #79109 - Sunshine Nurse by Sharon Heath.
Gouache on board, image size approximately 15 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance
American Illustrator - Original Paperback Cover Art (c.1890-1910).
The Bible Heroes published by McLoughlin Brothers, New York; artwork from the McLoughlin Brothers archives.
Watercolor on pre-printed paper, framed (16 x 14), sight size approximately 11 x 9. Not signed.
A complete booklet is included.
keywords: Biblical art, King David
The Bible Heroes published by McLoughlin Brothers, New York; artwork from the McLoughlin Brothers archives.
Watercolor on pre-printed paper, framed (16 x 14), sight size approximately 11 x 9. Not signed.
A complete booklet is included.
keywords: Biblical art, King David
American Illustrator - Original Illustration - Group Lot of Two (c.1890-1910).
From the McLoughlin Brothers archives for Ali Baba and the Forty Thieves.
The upper is gouache on board, matted (21 x 16), sight size approximately 13 x 9. Not signed.
The lower is gouache on board, framed (19.5 x 12), sight size approximately 14 x 8. Not signed.
keywords: Alibaba and the Forty Thieves, illustration, painting
From the McLoughlin Brothers archives for Ali Baba and the Forty Thieves.
The upper is gouache on board, matted (21 x 16), sight size approximately 13 x 9. Not signed.
The lower is gouache on board, framed (19.5 x 12), sight size approximately 14 x 8. Not signed.
keywords: Alibaba and the Forty Thieves, illustration, painting
American Illustrator - Original Illustration - Group Lot of Two (c.1890-1910).
From the McLoughlin Brothers archives for Ali Baba and the Forty Thieves.
The upper is gouache on board, framed (17 x 15), sight size approximately 12 x 10. Not signed.
The lower is also gouache on board, framed (19 x 15), sight size approximately 14 x 10. Not signed.
keywords: Alibaba and the Forty Thieves, illustration, painting
From the McLoughlin Brothers archives for Ali Baba and the Forty Thieves.
The upper is gouache on board, framed (17 x 15), sight size approximately 12 x 10. Not signed.
The lower is also gouache on board, framed (19 x 15), sight size approximately 14 x 10. Not signed.
keywords: Alibaba and the Forty Thieves, illustration, painting
American Illustrator - Original Illustration.
Mother Goose image.
Gouache and pen and ink on board, framed (10.5 x 10.5), sight size approximately 6 x 6. Not signed.
keywords: illustration, Mother Goose, Little Boy Blue, tree, horn
Mother Goose image.
Gouache and pen and ink on board, framed (10.5 x 10.5), sight size approximately 6 x 6. Not signed.
keywords: illustration, Mother Goose, Little Boy Blue, tree, horn
American Illustrator - Original Calendar Art (c.1940).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Watercolor on board, image size approximately 10 x 8. Not signed.
A published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: illustration, painting, babies, children, Americana
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Watercolor on board, image size approximately 10 x 8. Not signed.
A published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: illustration, painting, babies, children, Americana
American Illustrator - Original Advertising Art (1920-1930).
An art deco period Christmas ad.
Oil on board, image size approximately 28 x 19. Not signed.
keywords: illustration, children, holidays, Xmas, Santa, toys, Americana
An art deco period Christmas ad.
Oil on board, image size approximately 28 x 19. Not signed.
keywords: illustration, children, holidays, Xmas, Santa, toys, Americana
American Illustrator - Original Advertising Art (c.1950).
Published as an industrial work incentive poster for Christmas.
Gouache on board, image size approximately 12.5 x 28. Not signed.
keywords: illustrator, illustration, painting, holidays, snow, Americana
Published as an industrial work incentive poster for Christmas.
Gouache on board, image size approximately 12.5 x 28. Not signed.
keywords: illustrator, illustration, painting, holidays, snow, Americana
American Illustrator - Original Illustration (1975).
Unfinished drawing.
Mixed media on paper, image size approximately 10 x 12. Not signed.
keywords: illustration, love, romance
Unfinished drawing.
Mixed media on paper, image size approximately 10 x 12. Not signed.
keywords: illustration, love, romance
American Illustrator - Original Advertising Art (1970-1980).
For the McIlherny Company, Louisiana.
Airbrush and mixed media on board, image size approximately 31.5 x 8. Not Signed.
keywords: illustrator, illustration, Tabasco, food, Cajun
For the McIlherny Company, Louisiana.
Airbrush and mixed media on board, image size approximately 31.5 x 8. Not Signed.
keywords: illustrator, illustration, Tabasco, food, Cajun
American Illustrator - Original Illustration (c.1955).
A series of five preliminary drawings for a Pocket Books western.
Gouache on board, image size approximately 20 x 13. Not signed. The size of the individual paperback images range from 3.5 x 2.5 to 6.5 x 4.
There are corner chips to the board - upper left and lower left and right. They enter the image area noted but do not affect the paperback images.
keywords: illustrator, vintage paperbacks, action, adventure, old west
A series of five preliminary drawings for a Pocket Books western.
Gouache on board, image size approximately 20 x 13. Not signed. The size of the individual paperback images range from 3.5 x 2.5 to 6.5 x 4.
There are corner chips to the board - upper left and lower left and right. They enter the image area noted but do not affect the paperback images.
keywords: illustrator, vintage paperbacks, action, adventure, old west
American Illustrator - Original Paperback Cover Art (c.1970).
Gouache and mixed media on board, image size approximately 16.5 x 10. Not signed.
keywords: illustration, Western, action, cowboy
Gouache and mixed media on board, image size approximately 16.5 x 10. Not signed.
keywords: illustration, Western, action, cowboy
American Illustrator - Original Paperback Cover Art (1972).
Ace Double #58601 - No Man's Brand --and-- Two Pistols South of Deadwood by William Vance and Merle Constiner, respectively.
Oil on board, image size approximately 18.5 x 12. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, Western, cowboy, action, adventure
Ace Double #58601 - No Man's Brand --and-- Two Pistols South of Deadwood by William Vance and Merle Constiner, respectively.
Oil on board, image size approximately 18.5 x 12. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, Western, cowboy, action, adventure
American Illustrator - Original Paperback Cover Art (1960-1970).
Gouache on board, image size approximately 14 x 11. Not signed.
keywords: illustrator, illustration, Western, cowboy, action, adventure
Gouache on board, image size approximately 14 x 11. Not signed.
keywords: illustrator, illustration, Western, cowboy, action, adventure
American Illustrator - Original Paperback Cover Art (1971).
Ace #66650 - Pity Us All by John Reese.
Watercolor and mixed media on masonite, image size approximately 20.5 x 15. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure, mystery, suspense
Ace #66650 - Pity Us All by John Reese.
Watercolor and mixed media on masonite, image size approximately 20.5 x 15. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure, mystery, suspense
American Illustrator - Original Paperback Cover Art (c.1965).
Ace Double #G-615 - Tracker --and-- Legacy of the Slash by William Vance and Ray Hogan, respectively.
Gouache on board, image size approximately 26.5 x 16.5. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure, Western, cowboy
Ace Double #G-615 - Tracker --and-- Legacy of the Slash by William Vance and Ray Hogan, respectively.
Gouache on board, image size approximately 26.5 x 16.5. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure, Western, cowboy
American Illustrator - Original Illustration (c.1930).
Most likely appeared as a cover, possibly for a western pulp magazine. This was originally purchased with a group of pulp paintings which were all signed "B. W. Rocky," purportedly a fictitious name. The artist of this work is unknown.
Oil on canvas, approximately 30 x 21. Signed as "B. W. Rocky" lower right.
keywords: Old West, horses, prairie, cowboy
Most likely appeared as a cover, possibly for a western pulp magazine. This was originally purchased with a group of pulp paintings which were all signed "B. W. Rocky," purportedly a fictitious name. The artist of this work is unknown.
Oil on canvas, approximately 30 x 21. Signed as "B. W. Rocky" lower right.
keywords: Old West, horses, prairie, cowboy
American Illustrator - Original Paperback Cover Art (c.1970).
Probably for Ace books.
Gouache on board, image size approximately 15 x 11.5. Not signed.
keywords: illustration, Western, cowboy
Probably for Ace books.
Gouache on board, image size approximately 15 x 11.5. Not signed.
keywords: illustration, Western, cowboy
American Illustrator - Original Paperback Cover Art (1965-1970).
Mixed media on board, image size approximately 18 x 11. Not signed.
keywords: illustration, illustrator, action, adventure, espionage, suspense, detective
Mixed media on board, image size approximately 18 x 11. Not signed.
keywords: illustration, illustrator, action, adventure, espionage, suspense, detective
American Illustrator - Original Magazine Story Illustration (1960-1970).
Probably for Blue Book magazine.
Gouache on board, image size approximately 16 x 25. Not signed.
The board was bent in the middle, creating a crease through the center of the image area.
keywords: men's magazine, action, adventure, mystery, suspense
Probably for Blue Book magazine.
Gouache on board, image size approximately 16 x 25. Not signed.
The board was bent in the middle, creating a crease through the center of the image area.
keywords: men's magazine, action, adventure, mystery, suspense
American Illustrator - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Gouache on board, image size approximately 16.5 x 24. Not signed.
keywords: illustrator, historical, action, suspense
For a men's adventure magazine.
Gouache on board, image size approximately 16.5 x 24. Not signed.
keywords: illustrator, historical, action, suspense
American Illustrator - Original Movie Poster Art (c.1976).
For the film "Trackdown," starring James Mitchum, Anne Archer, Erik Estrada and Cathy Lee Crosby (United Artists, 1976).
Gouache on board, image size approximately 20 x 16. Not signed.
keywords: illustration, action, adventure, cinema, Hollywood, movies, actress, actor
For the film "Trackdown," starring James Mitchum, Anne Archer, Erik Estrada and Cathy Lee Crosby (United Artists, 1976).
Gouache on board, image size approximately 20 x 16. Not signed.
keywords: illustration, action, adventure, cinema, Hollywood, movies, actress, actor
American Illustrator - Original Illustration (c.1970).
Probably a cover for Mike Shayne mystery digest magazine.
Gouache on board, image size approximately 21 x 15. Not signed.
keywords: illustration, action, adventure, espionage
Probably a cover for Mike Shayne mystery digest magazine.
Gouache on board, image size approximately 21 x 15. Not signed.
keywords: illustration, action, adventure, espionage
American Illustrator - Original Paperback Cover Art (1964).
Belmont #BT-50569 - The Cave of the Chinese Skeletons by Jack Seward, a "Curt Stone" mystery, part of the Stone's the Name series.
Gouache on board, approximately 17 x 10. Not signed.
An example of the published cover is attached to the verso.
keywords: illustrator, painter
Belmont #BT-50569 - The Cave of the Chinese Skeletons by Jack Seward, a "Curt Stone" mystery, part of the Stone's the Name series.
Gouache on board, approximately 17 x 10. Not signed.
An example of the published cover is attached to the verso.
keywords: illustrator, painter
American Illustrator - Original Paperback Series Cover Art (c.1970).
Used as series cover artwork for the Stone's the Name series of "Curt Stone" mysteries by Jack Seward.
Gouache on board, image size approximately 13 x 10. Not signed.
A color copy of the published cover is included.
keywords: illustration, action, adventure, Dirty Harry type, Frogman Assassination, The Cave of the Chinese Skeletons
Used as series cover artwork for the Stone's the Name series of "Curt Stone" mysteries by Jack Seward.
Gouache on board, image size approximately 13 x 10. Not signed.
A color copy of the published cover is included.
keywords: illustration, action, adventure, Dirty Harry type, Frogman Assassination, The Cave of the Chinese Skeletons
American Illustrator - Original Paperback Cover Art (c.1970).
Ace #65873 - People vs. Blutcher by Eliot Asinof.
Gouache on board, image size approximately 24 x 14.5. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure
Ace #65873 - People vs. Blutcher by Eliot Asinof.
Gouache on board, image size approximately 24 x 14.5. Not signed.
A copy of the paperback is included.
keywords: illustration, action, adventure
American Illustrator - Original Paperback Cover Art (1960).
Magnet Books #MB313 - Country Tramp by Sherman Conway. Caption: "She had a lovely face... a gorgeous body... and she couldn't say 'no' to any man."
Gouache on board, image size approximately 18 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, gga
Magnet Books #MB313 - Country Tramp by Sherman Conway. Caption: "She had a lovely face... a gorgeous body... and she couldn't say 'no' to any man."
Gouache on board, image size approximately 18 x 12.5. Not signed.
A copy of the paperback is included.
keywords: illustration, love, romance, gga
American Illustrator - Original Magazine Story Illustration (c.1950).
Gouache on board, framed (18 x 15.5), sight size approximately 11 x 8.5. Signed lower left.
Although the painting is signed as "Teague," the work has not been authenticated.
keywords: illustrator, planes, battle, war, dogfight, biplanes, aeronautical
Gouache on board, framed (18 x 15.5), sight size approximately 11 x 8.5. Signed lower left.
Although the painting is signed as "Teague," the work has not been authenticated.
keywords: illustrator, planes, battle, war, dogfight, biplanes, aeronautical
American Illustrator - Original Advertising Art (c.1928).
For a 1928 Lincoln.
Watercolor on paper, image size approximately 8 x 11. Not signed.
keywords: illustration, car, vintage cars, automotive
For a 1928 Lincoln.
Watercolor on paper, image size approximately 8 x 11. Not signed.
keywords: illustration, car, vintage cars, automotive
Rolf Armstrong (1890-1960) Original Pin-up / Glamour Art (1951).
Take it Easy, part of Armstrong's Cowgirl series, published by the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Pastel on board, framed (31.5 x 39.5), sight size approximately 20.5 x 28.5. Signed lower right.
A Brown & Bigelow calendar (21 x 14) of this image from March 1951 is included.
keywords: illustrator, illustration, drawing, western, beauty
Take it Easy, part of Armstrong's Cowgirl series, published by the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Pastel on board, framed (31.5 x 39.5), sight size approximately 20.5 x 28.5. Signed lower right.
A Brown & Bigelow calendar (21 x 14) of this image from March 1951 is included.
keywords: illustrator, illustration, drawing, western, beauty
Walter Martin Baumhofer (1904-1987) Original Magazine Story Illustration (1943).
Redbook September, 1943, for Paradise Hunter. Caption: "'Darling, I'm unlucky, I'm a hoodoo. You shouldn't ever have looked twice at me.' 'I don't care,' Judy said, half-crying.'"
Oil on canvas, approximately 23 x 20. Signed lower right.
There is a small tear, about 1", at extreme lower middle.
A single page showing the published version is included.
keywords: illustrator, painting, Doc Savage artist, Western, love, romance, drama
Redbook September, 1943, for Paradise Hunter. Caption: "'Darling, I'm unlucky, I'm a hoodoo. You shouldn't ever have looked twice at me.' 'I don't care,' Judy said, half-crying.'"
Oil on canvas, approximately 23 x 20. Signed lower right.
There is a small tear, about 1", at extreme lower middle.
A single page showing the published version is included.
keywords: illustrator, painting, Doc Savage artist, Western, love, romance, drama
Walter Martin Baumhofer (1904-1987) Original Magazine Story Illustration (c.1945).
Cosmopolitan magazine. Caption: "All eyes were turned toward the little group in the Hilloway pew as the Reverend Edward Brune began his sermon."
Oil on canvas, approximately 36 x 24. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, Doc Savage artist, family, religious, spiritual, World War II, Americana
Cosmopolitan magazine. Caption: "All eyes were turned toward the little group in the Hilloway pew as the Reverend Edward Brune began his sermon."
Oil on canvas, approximately 36 x 24. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, Doc Savage artist, family, religious, spiritual, World War II, Americana
Walter Martin Baumhofer (1904-1987) Original Calendar Art (c.1960).
Reflections, part of a long-running and popular calendar series published by the Thomas D. Murphy Calendar Company.
Oil on canvas, approximately 25 x 35. Signed lower left.
keywords: illustrator, illustration, painting, Doc Savage pulp artist, humor, family, camping, animals, bears
Reflections, part of a long-running and popular calendar series published by the Thomas D. Murphy Calendar Company.
Oil on canvas, approximately 25 x 35. Signed lower left.
keywords: illustrator, illustration, painting, Doc Savage pulp artist, humor, family, camping, animals, bears
Walter Martin Baumhofer (1904-1987) Original Magazine Story Illustration (1945-1950).
American Magazine, a double page illustration for Swamp Test by Wyatt Blassingame. Caption: "Dr. Walters glanced back. Howell was whispering to Louise as though the savagery around them were a thousand miles away."
Oil on canvas, approximately 27 x 38. Signed lower left.
Two pages showing the published version are included.
keywords: illustrator, painting, Doc Savage artist, action, adventure, love, romance
American Magazine, a double page illustration for Swamp Test by Wyatt Blassingame. Caption: "Dr. Walters glanced back. Howell was whispering to Louise as though the savagery around them were a thousand miles away."
Oil on canvas, approximately 27 x 38. Signed lower left.
Two pages showing the published version are included.
keywords: illustrator, painting, Doc Savage artist, action, adventure, love, romance
Walter Martin Baumhofer (1904-1987) Original Magazine Story Illustration (1935).
Liberty December 28, 1935, for Marching Madmen (Part V) by W. J. Blackledge. Caption: "He leaped suddenly, landing on the crouching figure. A throaty grunt -- and the fellow was dead."
Oil on canvas, approximately 25 x 35. Signed middle right.
A complete issue of the magazine is included.
keywords: illustrator, painting, Doc Savage artist, action, adventure, war, battle
Liberty December 28, 1935, for Marching Madmen (Part V) by W. J. Blackledge. Caption: "He leaped suddenly, landing on the crouching figure. A throaty grunt -- and the fellow was dead."
Oil on canvas, approximately 25 x 35. Signed middle right.
A complete issue of the magazine is included.
keywords: illustrator, painting, Doc Savage artist, action, adventure, war, battle
Cecil Calvert Beall (1892-1967) Original Magazine Story Illustration (1951).
Collier's April 28, 1951, for MacIntyre's Flood by John Savage. Caption: "From the veranda, Mac watched them work in choppy, ankle-deep water. Still the wall was not high enough."
Oil on wood, image size approximately 22 x 24. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, painting, drama, action, adventure, wheelbarrow, storm
Collier's April 28, 1951, for MacIntyre's Flood by John Savage. Caption: "From the veranda, Mac watched them work in choppy, ankle-deep water. Still the wall was not high enough."
Oil on wood, image size approximately 22 x 24. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, painting, drama, action, adventure, wheelbarrow, storm
Charlotte Becker - Original Calendar Art (c.1930).
Oil on board, image size approximately 28 x 22. Signed middle left.
keywords: illustrator, painting, children, toddlers, babies
Oil on board, image size approximately 28 x 22. Signed middle left.
keywords: illustrator, painting, children, toddlers, babies
Charlotte Becker - Original Calendar Art (c.1930).
Published by the Gerlach-Barklow Calendar Company, Illinois.
Oil on board, image size approximately 28 x 20. Signed lower right.
keywords: illustrator, painting, children, toddlers, babies
Published by the Gerlach-Barklow Calendar Company, Illinois.
Oil on board, image size approximately 28 x 20. Signed lower right.
keywords: illustrator, painting, children, toddlers, babies
Charlotte Becker - Original Calendar Art (c.1930).
Oil on canvas board, image size approximately 19 x 16. Signed lower left.
keywords: illustrator, painting, children, toddlers, babies
Oil on canvas board, image size approximately 19 x 16. Signed lower left.
keywords: illustrator, painting, children, toddlers, babies
Harry Beckoff (1901-1979) Original Magazine Story Illustration (c.1935)
Collier's magazine, for Virgil Oliphant's Christmas Present by Lawrence Williams. Caption: "'Okay, okay, Mr. Oliver, don't get sore,' said Al. 'All you got to do is tell me what you want, you know. I'm no mind reader, you got to tell me.'"
Watercolor on board, image size approximately 13.5 x 18. Signed upper right.
A single page showing the published version is attached to the verso.
This painting was reproduced in 200 Years of American Illustration (Pitz), page 228.
keywords: illustrator, humor, fashion, Americana
Collier's magazine, for Virgil Oliphant's Christmas Present by Lawrence Williams. Caption: "'Okay, okay, Mr. Oliver, don't get sore,' said Al. 'All you got to do is tell me what you want, you know. I'm no mind reader, you got to tell me.'"
Watercolor on board, image size approximately 13.5 x 18. Signed upper right.
A single page showing the published version is attached to the verso.
This painting was reproduced in 200 Years of American Illustration (Pitz), page 228.
keywords: illustrator, humor, fashion, Americana
Phil Berry - Original Illustration (c.1943).
Alternate version for the cover of Liberty magazine, August 7, 1943.
Gouache on board, framed (28.5 x 24), sight size approximately 19 x 16. Signed lower right.
A complete issue of the magazine, showing the final version, is included.
keywords: illustrator, painting, fishing, humor, fashion
Alternate version for the cover of Liberty magazine, August 7, 1943.
Gouache on board, framed (28.5 x 24), sight size approximately 19 x 16. Signed lower right.
A complete issue of the magazine, showing the final version, is included.
keywords: illustrator, painting, fishing, humor, fashion
Roy Best - Original Pin-up / Glamour Art (c.1940).
Titled: Thoroughbreds.
Pastel on board, framed (40 x 27), sight size approximately 36 x 24. Signed lower middle.
Three examples of the published version are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 47, fig. 67.
keywords: illustrator, illustration, beauty, equestrian, horses, fashion
Titled: Thoroughbreds.
Pastel on board, framed (40 x 27), sight size approximately 36 x 24. Signed lower middle.
Three examples of the published version are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 47, fig. 67.
keywords: illustrator, illustration, beauty, equestrian, horses, fashion
E. Bianchini - Original Calendar Art (c.1950).
Thomas Jefferson, part of a calendar series of famous historical figures.
Oil on canvas, approximately 23 x 19. Not signed.
keywords: illustration, painting, patriotic, America, Americana, presidents
Thomas Jefferson, part of a calendar series of famous historical figures.
Oil on canvas, approximately 23 x 19. Not signed.
keywords: illustration, painting, patriotic, America, Americana, presidents
E. Bianchini - Original Calendar Art (c.1950).
Willa Cather, part of a calendar series of famous American novelists.
Oil on canvas, approximately 20 x 16. Not signed.
keywords: illustration, painting, Americana, books by Cather: Death Comes For the Archbishop, O Pioneers!
Willa Cather, part of a calendar series of famous American novelists.
Oil on canvas, approximately 20 x 16. Not signed.
keywords: illustration, painting, Americana, books by Cather: Death Comes For the Archbishop, O Pioneers!
Albert Bierstadt (1830-1902) Original Painting (c.1865).
Watercolor on board, framed (15.5 x 18), sight size approximately 3.5 x 7.5. Monogrammed (AB) lower right.
keywords: National Academy of Design, American West painter, trees, boats, water's edge
Watercolor on board, framed (15.5 x 18), sight size approximately 3.5 x 7.5. Monogrammed (AB) lower right.
keywords: National Academy of Design, American West painter, trees, boats, water's edge
Frederick Blakeslee (1898-1973) Original Pulp Cover Painting (c.1942).
Battle Birds April, 1942.
Oil on canvas, approximately 28.5 x 20.5. Not signed.
A near-complete copy of the magazine is included.
keywords: Pulp artist, Battle Birds, Dare-Devil Aces, wartime illustrator, aviation artist, strafing run
Battle Birds April, 1942.
Oil on canvas, approximately 28.5 x 20.5. Not signed.
A near-complete copy of the magazine is included.
keywords: Pulp artist, Battle Birds, Dare-Devil Aces, wartime illustrator, aviation artist, strafing run
Frederick Blakeslee (1898-1973) Original Illustration (c.1950).
Most likely a cover painting for American Weekly magazine.
Oil on canvas, approximately 24 x 20. Not signed. The artist's name is noted on the verso of the stretcher.
keywords: illustrator, painting, pulp magazine artist, Paris, tourist, fashion
Most likely a cover painting for American Weekly magazine.
Oil on canvas, approximately 24 x 20. Not signed. The artist's name is noted on the verso of the stretcher.
keywords: illustrator, painting, pulp magazine artist, Paris, tourist, fashion
August Bleser (1898-1966) Original Magazine Story Illustration (1938).
Redbook August 1938, for Wonderful Woman.
Oil on canvas, approximately 40 x 14. Not signed.
keywords: illustrator, painting, fashion, glamour, love, romance
Redbook August 1938, for Wonderful Woman.
Oil on canvas, approximately 40 x 14. Not signed.
keywords: illustrator, painting, fashion, glamour, love, romance
August Bleser (1898-1966) Original Magazine Story Illustration (c.1930).
Watercolor and mixed media on board, image size approximately 23.5 x 25.5. Signed lower right.
keywords: illustrator, painting, fashion, glamour, love, romance
Watercolor and mixed media on board, image size approximately 23.5 x 25.5. Signed lower right.
keywords: illustrator, painting, fashion, glamour, love, romance
Enoch Bolles (1883-1976) Original Pin-up Art (c.1935).
Probably published as a cover for Breezy Stories, or similar pulp magazine.
Oil on canvas, approximately 21 x 18. Not signed.
There is a piece of canvas attached to the verso of the painting (center), approximately 2.5 x 3, evidencing prior conservation.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Probably published as a cover for Breezy Stories, or similar pulp magazine.
Oil on canvas, approximately 21 x 18. Not signed.
There is a piece of canvas attached to the verso of the painting (center), approximately 2.5 x 3, evidencing prior conservation.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Reginald Bolles - Original Magazine Cover Art (c.1930).
Most likely for Liberty magazine.
Oil on canvas, approximately 40 x 30. Signed lower right.
keywords: illustrator, painting, children, animals, dog, circus, leopard
Most likely for Liberty magazine.
Oil on canvas, approximately 40 x 30. Signed lower right.
keywords: illustrator, painting, children, animals, dog, circus, leopard
Stan Borack - Original Illustration (1976).
Game, from a famous series of original Western images published as lithographs in the late 1970s.
Mixed media on board, image size approximately 14 x 18. Signed lower left.
keywords: illustrator, Old West, Indians, Native American, quail, pheasant, bird, hunt, bow and arrow
Game, from a famous series of original Western images published as lithographs in the late 1970s.
Mixed media on board, image size approximately 14 x 18. Signed lower left.
keywords: illustrator, Old West, Indians, Native American, quail, pheasant, bird, hunt, bow and arrow
Stan Borack - Original Illustration (c.1990).
Unfinished painting -- Borack was working on this when he passed away.
Oil and graphite on board, image size approximately 19.5 x 12. Not signed.
keywords: illustrator, cowboy, Old West
Unfinished painting -- Borack was working on this when he passed away.
Oil and graphite on board, image size approximately 19.5 x 12. Not signed.
keywords: illustrator, cowboy, Old West
Stan Borack - Original Illustration (1976).
Warrior in Buffalo Headdress, from a famous series of original Western images published as lithographs in the late 1970s.
Mixed media on board, image size approximately 18 x 14. Signed and dated lower left.
keywords: illustrator, Old West, Indians, Native American, horse, spear
Warrior in Buffalo Headdress, from a famous series of original Western images published as lithographs in the late 1970s.
Mixed media on board, image size approximately 18 x 14. Signed and dated lower left.
keywords: illustrator, Old West, Indians, Native American, horse, spear
Stan Borack - Original Paperback Cover Art (1973).
Signet #451-W5696 - The Operation by A. Q. Mowbray.
Mixed media on board, image size approximately 18.5 x 11.5. Signed lower-middle left.
A "flat art" cover of the published paperback is included.
Signet #451-W5696 - The Operation by A. Q. Mowbray.
Mixed media on board, image size approximately 18.5 x 11.5. Signed lower-middle left.
A "flat art" cover of the published paperback is included.
Stan Borack - Original Paperback Cover Art (c.1970).
Most likely published by Avon or Signet.
Mixed media on board, image size approximately 18 x 11. Signed lower right.
keywords: illustrator, romance, vintage paperback
Most likely published by Avon or Signet.
Mixed media on board, image size approximately 18 x 11. Signed lower right.
keywords: illustrator, romance, vintage paperback
Stan Borack - Original Paperback Cover Art (1974).
Warner Paperback Library #76-512 - Jason's Song by Michael Scott Cain. Caption: "A searing 'inside' novel of a Country & Western superstar."
Gouache on board, framed (19.5 x 12.5), sight size approximately 17.5 x 10.5. Signed lower left.
A "flat art" version of the published cover is included.
keywords: illustrator, illustration, performer, music, singer, musician, guitar
Warner Paperback Library #76-512 - Jason's Song by Michael Scott Cain. Caption: "A searing 'inside' novel of a Country & Western superstar."
Gouache on board, framed (19.5 x 12.5), sight size approximately 17.5 x 10.5. Signed lower left.
A "flat art" version of the published cover is included.
keywords: illustrator, illustration, performer, music, singer, musician, guitar
Stan Borack - Original Paperback Cover Art (1969).
Avon #V2319 - Good Night Garrity by Allan Nixon. Caption: "Garrity existed between two lousy worlds until murder sent him into a spiralling orbit that might be his last."
Oil on board, image size approximately 19 x 11.5. Signed lower right.
A "flat art" version of the published cover is included.
keywords: action, adventure, gga, detective, illustrator, illustration
Avon #V2319 - Good Night Garrity by Allan Nixon. Caption: "Garrity existed between two lousy worlds until murder sent him into a spiralling orbit that might be his last."
Oil on board, image size approximately 19 x 11.5. Signed lower right.
A "flat art" version of the published cover is included.
keywords: action, adventure, gga, detective, illustrator, illustration
Stan Borack - Original Paperback Cover Art (1972).
Pocket #78198 - Hellbottom by Eric Corder. Caption: "A savagely real novel of degradation, violence and slaves without chains."
Oil on board, image size approximately 18 x 10.5. Signed lower left.
A "flat art" version of the published cover is included.
keywords: action, adventure, illustrator, illustration, historical, African American
Pocket #78198 - Hellbottom by Eric Corder. Caption: "A savagely real novel of degradation, violence and slaves without chains."
Oil on board, image size approximately 18 x 10.5. Signed lower left.
A "flat art" version of the published cover is included.
keywords: action, adventure, illustrator, illustration, historical, African American
Stan Borack - Original Illustration (c.1960).
For a men's adventure magazine.
Oil on board, image size approximately 22 x 17.5. Signed lower left.
There is a 2 1/2 x 1 inch tear to the outer edge of the board (lower middle right), which enters the image area noted.
keywords: action, illustrator, illustration, war, battle, ships, nautical
For a men's adventure magazine.
Oil on board, image size approximately 22 x 17.5. Signed lower left.
There is a 2 1/2 x 1 inch tear to the outer edge of the board (lower middle right), which enters the image area noted.
keywords: action, illustrator, illustration, war, battle, ships, nautical
J. H. Boston - Original Illustration (c.1935-1945).
Titled: "Russian Ballerina Waiting for her American Escort on a Sofa."
Oil on wood panel, approximately 15.5 x 11. Signed lower left.
keywords: Russian ballerina, figure study, portrait, seated woman, flowers, bouquet
Titled: "Russian Ballerina Waiting for her American Escort on a Sofa."
Oil on wood panel, approximately 15.5 x 11. Signed lower left.
keywords: Russian ballerina, figure study, portrait, seated woman, flowers, bouquet
Bertha Warren Boyd - Original Calendar Art (c.1940).
Ain't No Such Animal, published by Gerlach-Barklow, Illinois, or Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Gouache on board, image size approximately 11.5 x 14.5. Signed lower right.
There is some light chipping to the upper green background.
A published version of the art, 8 x 10, still attached to the painting's original brown wrapping paper, is included.
keywords: illustrator, illustration, pets, dogs, cats
Ain't No Such Animal, published by Gerlach-Barklow, Illinois, or Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Gouache on board, image size approximately 11.5 x 14.5. Signed lower right.
There is some light chipping to the upper green background.
A published version of the art, 8 x 10, still attached to the painting's original brown wrapping paper, is included.
keywords: illustrator, illustration, pets, dogs, cats
Paul Bransom (1885-1979) Original Advertising Art and Illustration - Group Lot of Two (c.1930-1950).
The upper is Original Advertising Art, charcoal and pen and ink on paper, overall (12.5 x 18), image size approximately 12 x 15. Initialed lower middle. A sheet showing a published version of the ad is included.
The lower was probably a story illustration; mixed media on paper, overall (24 x 18), image size approximately 8 x 15. Note the preliminary sketches on the same sheet above and below. Signed lower left.
keywords: illustration, painting, wildlife, tigers, The Saturday Evening Post artist, Call of the Wild by Jack London artist
The upper is Original Advertising Art, charcoal and pen and ink on paper, overall (12.5 x 18), image size approximately 12 x 15. Initialed lower middle. A sheet showing a published version of the ad is included.
The lower was probably a story illustration; mixed media on paper, overall (24 x 18), image size approximately 8 x 15. Note the preliminary sketches on the same sheet above and below. Signed lower left.
keywords: illustration, painting, wildlife, tigers, The Saturday Evening Post artist, Call of the Wild by Jack London artist
Paul Bransom (1885-1979) Original Illustration - Group Lot of Two (c.1930-1950).
The upper is mixed media on paper, overall (12 x 9.5), image size of each is approximately 4 x 5.5. Signed lower right.
The lower is probably a story illustration, pastel on paper, overall (12 x 8.5), image size approximately 8.5 x 7. Signed lower left.
keywords: illustration, painting, wildlife, cougars, rams, The Saturday Evening Post artist, Call of the Wild by Jack London artist
The upper is mixed media on paper, overall (12 x 9.5), image size of each is approximately 4 x 5.5. Signed lower right.
The lower is probably a story illustration, pastel on paper, overall (12 x 8.5), image size approximately 8.5 x 7. Signed lower left.
keywords: illustration, painting, wildlife, cougars, rams, The Saturday Evening Post artist, Call of the Wild by Jack London artist
Paul Bransom (1885-1979) Original Illustration - Group Lot of Two.
Both are mixed media on paper, overall (8 x 7.5), image size approximately 7.5 x 5.5. Not signed.
keywords: The Saturday Evening Post cover artist, cats, kittens, jack-O-lanterns, Halloween, illustrator, animal wildlife
Both are mixed media on paper, overall (8 x 7.5), image size approximately 7.5 x 5.5. Not signed.
keywords: The Saturday Evening Post cover artist, cats, kittens, jack-O-lanterns, Halloween, illustrator, animal wildlife
George Brehm (1878-1976) Original Magazine Story Illustration (1935-1940).
Most likely for The Saturday Evening Post.
Charcoal on board, image size approximately 34 x 29. Signed lower-middle left.
There is some light staining within the image area and white background.
keywords: illustrator, drawing, children, circus, clowns
Most likely for The Saturday Evening Post.
Charcoal on board, image size approximately 34 x 29. Signed lower-middle left.
There is some light staining within the image area and white background.
keywords: illustrator, drawing, children, circus, clowns
George Brehm (1878-1976) Original Magazine Story Illustration (c.1930).
Charcoal on board, image size approximately 19 x 29. Initialed lower right.
keywords: illustrator, drawing, children, action
Charcoal on board, image size approximately 19 x 29. Initialed lower right.
keywords: illustrator, drawing, children, action
Arthur William Brown (1881-1966) Original Magazine Story Illustration (1935).
The Saturday Evening Post.
Watercolor and mixed media on board, matted (22.5 x 31.5), sight size approximately 13 x 20.5. Signed, inscribed and dated (35) lower right.
keywords: illustrator, painting, fashion, glamour, drama
The Saturday Evening Post.
Watercolor and mixed media on board, matted (22.5 x 31.5), sight size approximately 13 x 20.5. Signed, inscribed and dated (35) lower right.
keywords: illustrator, painting, fashion, glamour, drama
Howard V. Brown (1878-1945) Original Magazine Story Illustration (1910-1920).
For The Promised Land. Caption: "I gave him up for the sake of both our [souls]. God knows which of us loved the most."
Oil on canvas, approximately 25 x 18. Signed lower right.
keywords: illustrator, painting, drama, Western, Americana, science fiction pulp artist, Astounding magazine cover artist
For The Promised Land. Caption: "I gave him up for the sake of both our [souls]. God knows which of us loved the most."
Oil on canvas, approximately 25 x 18. Signed lower right.
keywords: illustrator, painting, drama, Western, Americana, science fiction pulp artist, Astounding magazine cover artist
Al Brule' - Original Pin-up Art (c.1950).
Oil on board, image size approximately 20 x 24. Signed lower left.
keywords: illustrator, illustration, beauty, nude, glamour, holidays, Christmas
Oil on board, image size approximately 20 x 24. Signed lower left.
keywords: illustrator, illustration, beauty, nude, glamour, holidays, Christmas
Margaret Brundage (1900-1976) Original Painting (c.1965).
Titled: Harlequin.
Oil on canvas on board, framed (29 x 12), sight size approximately 27.5 x 10.5. Signed lower right.
keywords: Oriental Tales artist, Magic Carpet artist, Weird Tales artist, pastel artist
Titled: Harlequin.
Oil on canvas on board, framed (29 x 12), sight size approximately 27.5 x 10.5. Signed lower right.
keywords: Oriental Tales artist, Magic Carpet artist, Weird Tales artist, pastel artist
F. Sands Brunner (1886-1954) Original Magazine Cover Art (1948).
Star Weekly October 16, 1948.
Oil on canvas, approximately 30 x 22. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, illustration, painting, glamour, beauty, archery, equestrian, horses
Star Weekly October 16, 1948.
Oil on canvas, approximately 30 x 22. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, illustration, painting, glamour, beauty, archery, equestrian, horses
F. Sands Brunner (1886-1954) Original Advertising Art (1930).
For the Squibb Company.
Oil on canvas, approximately 30 x 30. Signed lower right.
keywords: illustrator, illustration, painting, children, toddler, babies
For the Squibb Company.
Oil on canvas, approximately 30 x 30. Signed lower right.
keywords: illustrator, illustration, painting, children, toddler, babies
Al Buell (1910-1996) Original Pin-up Art (1940-1945).
Titled: Come and get it.
Oil on board, image size approximately 19.5 x 15.5. Signed lower left.
keywords: illustrator, illustration, glamour, beauty, cooking, humor, Americana
Titled: Come and get it.
Oil on board, image size approximately 19.5 x 15.5. Signed lower left.
keywords: illustrator, illustration, glamour, beauty, cooking, humor, Americana
Paul C. Burns (1910-1990) Original Painting (c.1970).
Titled: Mary Lynn.
Oil on canvas, approximately 24 x 20. Signed lower left.
keywords: Illustrator, painting, portrait
Titled: Mary Lynn.
Oil on canvas, approximately 24 x 20. Signed lower left.
keywords: Illustrator, painting, portrait
Paul C. Burns (1910-1990) Original Illustration (c.1950).
Alternate version of an American Magazine cover.
Gouache on board, image size approximately 11 x 8.5. Signed lower left.
A color copy of the (final) published version is included.
keywords: illustrator, painting, children, humor, Americana
Alternate version of an American Magazine cover.
Gouache on board, image size approximately 11 x 8.5. Signed lower left.
A color copy of the (final) published version is included.
keywords: illustrator, painting, children, humor, Americana
Pruett A. Carter (1891-1955) Original Illustration (c.1935).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 25 x 47. Signed lower right.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, fly fishing
Possibly published as a magazine story illustration.
Oil on canvas, approximately 25 x 47. Signed lower right.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, fly fishing
Pruett A. Carter (1891-1955) Original Illustration.
Possibly titled: Cabin in the Woods.
Oil on canvas, approximately 25 x 30. Signed lower right.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, cabin, woods, forest
Possibly titled: Cabin in the Woods.
Oil on canvas, approximately 25 x 30. Signed lower right.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, cabin, woods, forest
Pruett A. Carter (1891-1955) Original Illustration.
Oil on canvas, size approximately 24 x 28. Not signed.
Small tear lower middle does not affect central image.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, boat, boating, water, river, ocean
Oil on canvas, size approximately 24 x 28. Not signed.
Small tear lower middle does not affect central image.
keywords: illustrator, McCall's artist, Ladies' Home Journal artist, Good Housekeeping artist and art director, painting, boat, boating, water, river, ocean
Pruett A. Carter (1891-1955) Original Magazine Story Illustration (1955).
McCall's September, 1955 for Father and the Quiz.
Mixed media on board, matted (19 x 32), sight size approximately 14 x 26.5. Signed lower right.
keywords: illustrator, painting, children, family, Americana
McCall's September, 1955 for Father and the Quiz.
Mixed media on board, matted (19 x 32), sight size approximately 14 x 26.5. Signed lower right.
keywords: illustrator, painting, children, family, Americana
Sam Cherry - Original Paperback Cover Art (1952).
Popular Library #456 - What Price Murder by Cleve F. Adams. Caption: "She was too hot to handle."
Gouache on board, framed (21 x 17.5), sight size approximately 13.5 x 11. Signed and dated lower left.
A copy of the paperback is included.
keyword: illustrator, illustration, gangster, gga, guns, action, adventure, vintage paperback
Popular Library #456 - What Price Murder by Cleve F. Adams. Caption: "She was too hot to handle."
Gouache on board, framed (21 x 17.5), sight size approximately 13.5 x 11. Signed and dated lower left.
A copy of the paperback is included.
keyword: illustrator, illustration, gangster, gga, guns, action, adventure, vintage paperback
Sam Cherry - Attributed - Original Paperback Cover Art (1951).
Popular Library #337 - Ace In The Hole by Gregory Jackson.
Oil on board, framed (29 x 22), sight size approximately 22.5 x 15.5. Not signed.
A copy of the paperback is included.
A brass plaque attached to the frame reads: "Original Painting Popular Library Book No. 337. Presented by Ned Pines, Publisher."
keyword: illustrator, illustration, Western, gga, guns, action, adventure
Popular Library #337 - Ace In The Hole by Gregory Jackson.
Oil on board, framed (29 x 22), sight size approximately 22.5 x 15.5. Not signed.
A copy of the paperback is included.
A brass plaque attached to the frame reads: "Original Painting Popular Library Book No. 337. Presented by Ned Pines, Publisher."
keyword: illustrator, illustration, Western, gga, guns, action, adventure
Sam Cherry - Original Magazine Cover Art (1952).
Texas Rangers September, 1952.
Oil on canvas board, image size approximately 18.5 x 16. Not signed.
keyword: illustrator, illustration, pulp, western
Texas Rangers September, 1952.
Oil on canvas board, image size approximately 18.5 x 16. Not signed.
keyword: illustrator, illustration, pulp, western
Howard Chandler Christy (1873-1952) Original Advertising Art (1918).
Possibly published as part of the World War I United States Food Administration campaign.
Watercolor on board, framed 42 x 23, sight size approximately 37.5 x 18. Signed, inscribed and dated (1918) lower middle.
There are two breaks to the board in the extreme upper left and right corners. They do not affect the main image area. There is a water stain along the bottom edge, mostly affecting the right corner. It touches the date and slightly affects the signature.
keywords: illustrator, illustration, painting, Christy Girl, U.S. propaganda, art nouveau, fashion
Possibly published as part of the World War I United States Food Administration campaign.
Watercolor on board, framed 42 x 23, sight size approximately 37.5 x 18. Signed, inscribed and dated (1918) lower middle.
There are two breaks to the board in the extreme upper left and right corners. They do not affect the main image area. There is a water stain along the bottom edge, mostly affecting the right corner. It touches the date and slightly affects the signature.
keywords: illustrator, illustration, painting, Christy Girl, U.S. propaganda, art nouveau, fashion
Matt Clark (1903-1972) Original Magazine Story Illustration (1944).
The Saturday Evening Post May 13, 1944 for The Duel of Glory Creek. Caption: "Betsy said, 'Look Charlotte, I'll ride for him. Just you keep the crowd waiting and I'll have him back inside of an hour'".
Oil on canvas, approximately 28 x 32. Signed indistinctly lower right.
keywords: illustrator, painting, Western, prairie, Americana
The Saturday Evening Post May 13, 1944 for The Duel of Glory Creek. Caption: "Betsy said, 'Look Charlotte, I'll ride for him. Just you keep the crowd waiting and I'll have him back inside of an hour'".
Oil on canvas, approximately 28 x 32. Signed indistinctly lower right.
keywords: illustrator, painting, Western, prairie, Americana
Forest Clough (1910-1985) Original Pin-up Art (1955-1960).
Oil on canvas, approximately 30 x 24. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 339, fig. 786. Also reproduced as part of The American Pin-up diary calendar for 1997 and The Great American Pin-up Postcard Book, both published by Taschen.
keywords: illustrator, illustrator, beauty, glamour, gga, cowgirl, Western
Oil on canvas, approximately 30 x 24. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 339, fig. 786. Also reproduced as part of The American Pin-up diary calendar for 1997 and The Great American Pin-up Postcard Book, both published by Taschen.
keywords: illustrator, illustrator, beauty, glamour, gga, cowgirl, Western
Forest Clough (1910-1985) Original Pin-up Art (1955-1960).
Titled on verso: Christmas Elf.
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, illustrator, beauty, glamour, gga
Titled on verso: Christmas Elf.
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, illustrator, beauty, glamour, gga
Ralph Pallen Coleman (1892-1968) Original Magazine Story Illustration (1922).
Oil on board, image size approximately 24.5 x 14.5. Signed and dated (22) lower right.
keywords: illustrator, painting, love, romance
Oil on board, image size approximately 24.5 x 14.5. Signed and dated (22) lower right.
keywords: illustrator, painting, love, romance
Marjorie Cooper - Original Calendar Art (c.1930).
Oil on canvas board, image size approximately 24 x 18. Signed lower left.
keywords: illustrator, illustration, painting, religious, spiritual, angels
Oil on canvas board, image size approximately 24 x 18. Signed lower left.
keywords: illustrator, illustration, painting, religious, spiritual, angels
Marjorie Cooper - Original Calendar Art (c.1930).
Oil on canvas board, image size approximately 20.5 x 14.5. Signed lower right.
keywords: illustrator, illustration, painting, religious, spiritual
Oil on canvas board, image size approximately 20.5 x 14.5. Signed lower right.
keywords: illustrator, illustration, painting, religious, spiritual
Marjorie Cooper - Original Calendar Art (c.1930).
Oil on canvas board, image size approximately 24 x 18. Signed lower right.
keywords: illustrator, illustration, painting, religious, spiritual, angels
Oil on canvas board, image size approximately 24 x 18. Signed lower right.
keywords: illustrator, illustration, painting, religious, spiritual, angels
Dean Cornwell (1892-1960) Original Magazine Story Illustration (1927).
Cosmopolitan for The Soul of Honor by Philip Gibbs. Caption: "What's the good of writing highfalutin stuff when your mother-in-law is abusing you and your little French wife hates your melancholy face?"
Oil on canvas, approximately 34 x 44. Initialed lower left.
Reproduced in Dean Cornwell, Dean of Illustrators (Broder). Provenance: From the Dean Cornwell New York Studio collection.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, romance, drama
Cosmopolitan for The Soul of Honor by Philip Gibbs. Caption: "What's the good of writing highfalutin stuff when your mother-in-law is abusing you and your little French wife hates your melancholy face?"
Oil on canvas, approximately 34 x 44. Initialed lower left.
Reproduced in Dean Cornwell, Dean of Illustrators (Broder). Provenance: From the Dean Cornwell New York Studio collection.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, romance, drama
Dean Cornwell (1892-1960) Original Magazine Story Illustration (1924).
Good Housekeeping for A Finished Story by Ben Ames Williams. Caption: "I felt like taking her part, but it looked like she was his wife, probably. She was carrying the suitcase and the baby. They went out of sight that way."
Oil on canvas, approximately 28 x 46. Initialed and dated (24) upper right.
Reproduced in Dean Cornwell, Dean of Illustrators (Broder).
Provenance: From the Dean Cornwell New York Studio collection.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, romance, drama
Good Housekeeping for A Finished Story by Ben Ames Williams. Caption: "I felt like taking her part, but it looked like she was his wife, probably. She was carrying the suitcase and the baby. They went out of sight that way."
Oil on canvas, approximately 28 x 46. Initialed and dated (24) upper right.
Reproduced in Dean Cornwell, Dean of Illustrators (Broder).
Provenance: From the Dean Cornwell New York Studio collection.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, romance, drama
Dean Cornwell (1892-1960) Original Magazine Story Illustration (c.1920).
Oil en grisaille on canvas, approximately 28 x 24. Signed lower left.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, action, adventure, drama
Oil en grisaille on canvas, approximately 28 x 24. Signed lower left.
keywords: Illustrator, painting, Brandywine artist, Harvey Dunn student, action, adventure, drama
Bradshaw Crandell (1896-1966) Original Magazine Cover Art (1936).
Cosmopolitan July, 1936.
Pastel on board, framed (39 x 32), sight size approximately 27.5 x 20.5. Signed lower right.
A complete issue of the magazine is included.
This image also appeared with Bradshaw Crandell's biography in Walt Reed's first book of The Illustrator in America 1900-1960 (Reinhold, 1966).
keywords: illustrator, illustration, drawing, beauty, glamour, fashion
Cosmopolitan July, 1936.
Pastel on board, framed (39 x 32), sight size approximately 27.5 x 20.5. Signed lower right.
A complete issue of the magazine is included.
This image also appeared with Bradshaw Crandell's biography in Walt Reed's first book of The Illustrator in America 1900-1960 (Reinhold, 1966).
keywords: illustrator, illustration, drawing, beauty, glamour, fashion
Bradshaw Crandell (1896-1966) Original Magazine Cover Art (1945).
Esther Williams, Cosmopolitan January, 1945.
Pastel on board, framed (37 x 32), sight size approximately 18 x 15. Signed lower middle.
A black and white copy of the published cover is attached to the verso.
keywords: illustrator, illustration, drawing, beauty, glamour, fashion, swimmer, actress, Hollywood, film, cinema
Esther Williams, Cosmopolitan January, 1945.
Pastel on board, framed (37 x 32), sight size approximately 18 x 15. Signed lower middle.
A black and white copy of the published cover is attached to the verso.
keywords: illustrator, illustration, drawing, beauty, glamour, fashion, swimmer, actress, Hollywood, film, cinema
Bradshaw Crandell (1896-1966) Original Illustration (1951).
Most likely appeared as an advertisement or story illustration.
Charcoal on board, framed (21 x 16), sight size approximately 15 x 11.5 Signed and dated (51) lower right.
keywords: illustrator, drawing, beauty, glamour
Most likely appeared as an advertisement or story illustration.
Charcoal on board, framed (21 x 16), sight size approximately 15 x 11.5 Signed and dated (51) lower right.
keywords: illustrator, drawing, beauty, glamour
Douglass Crockwell (1904-1968) Original Magazine Cover Art (c.1935).
Possibly for Collier's or similar national periodical.
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, illustration, painting, beauty, fashion, summer, glamour
Possibly for Collier's or similar national periodical.
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, illustration, painting, beauty, fashion, summer, glamour
Douglass Crockwell (1904-1968) Original Calendar Art (c.1955).
Oil on masonite, image size approximately 27.5 x 22. Signed lower left.
keywords: illustrator, illustration, painting, church, religious, family, Americana
Oil on masonite, image size approximately 27.5 x 22. Signed lower left.
keywords: illustrator, illustration, painting, church, religious, family, Americana
Danny Crouse - Original Illustration (1981).
Oil on masonite, framed (25.5 x 31.5), sight size approximately 18 x 24. Signed and dated (81) lower left.
keywords: illustrator, Western, painting, family, cowboy
Oil on masonite, framed (25.5 x 31.5), sight size approximately 18 x 24. Signed and dated (81) lower left.
keywords: illustrator, Western, painting, family, cowboy
Danny Crouse - Original Paperback Cover Art (1992).
Harlequin Intrigue #153 - When Murder Calls by M. L. Gamble. Caption: "Romance, Suspense, and Adventure... At Its Best."
Acrylic on board, image size approximately 20.5 x 13. Signed lower left.
A photo of the published cover is included.
keywords: illustrator, illustration, action, espionage, mystery, love
Harlequin Intrigue #153 - When Murder Calls by M. L. Gamble. Caption: "Romance, Suspense, and Adventure... At Its Best."
Acrylic on board, image size approximately 20.5 x 13. Signed lower left.
A photo of the published cover is included.
keywords: illustrator, illustration, action, espionage, mystery, love
Danny Crouse - Original Paperback Cover Art (1992).
Gold Eagle #61168 - The Executioner #168 Blood Price by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A "flat art" cover of the published paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Gold Eagle #61168 - The Executioner #168 Blood Price by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A "flat art" cover of the published paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Danny Crouse - Original Paperback Cover Art (1992).
Gold Eagle #61164 - The Executioner #164 Death Trail by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A "flat art" cover of the published paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Gold Eagle #61164 - The Executioner #164 Death Trail by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A "flat art" cover of the published paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Danny Crouse - Original Paperback Cover Art (1992).
Gold Eagle #61166 - The Executioner #166 - Assassin's Creed by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Gold Eagle #61166 - The Executioner #166 - Assassin's Creed by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Danny Crouse - Original Paperback Cover Art (1991).
Gold Eagle #61146 - The Executioner #146 - Deadly Tactics by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Gold Eagle #61146 - The Executioner #146 - Deadly Tactics by Don Pendleton, part of the "Mack Bolan" series.
Oil on board, image size approximately 25 x 16. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, action, adventure, espionage, mystery, suspense
Robert W. Crowther (1902-1978) Original Magazine Story Illustration (1931).
The Saturday Evening Post, for The Tough Guy by Paul Jones.
Charcoal on board, image size approximately 33 x 10.5. Signed and dated (31) upper left, additionally signed and inscribed lower right, "To... with best regards of Robt. W. Crowther."
keywords: illustrator, drawing, sports, football, action, adventure
The Saturday Evening Post, for The Tough Guy by Paul Jones.
Charcoal on board, image size approximately 33 x 10.5. Signed and dated (31) upper left, additionally signed and inscribed lower right, "To... with best regards of Robt. W. Crowther."
keywords: illustrator, drawing, sports, football, action, adventure
Maxon Crumb - Original Preliminary Illustration (1997).
Preliminary sketch for the story The Cask of Amontillado in Maxon's Poe. The final version appeared on page 74 of Maxon's Poe.
Graphite on paper, framed (14 x 12.5), sight size approximately 6.5 x 5. Signed lower right.
A softback copy of Maxon's Poe is included.
keywords: Maxon's Poe, underground art, underground artist, illustrator
Preliminary sketch for the story The Cask of Amontillado in Maxon's Poe. The final version appeared on page 74 of Maxon's Poe.
Graphite on paper, framed (14 x 12.5), sight size approximately 6.5 x 5. Signed lower right.
A softback copy of Maxon's Poe is included.
keywords: Maxon's Poe, underground art, underground artist, illustrator
Maxon Crumb - Original Book Illustration (1997).
Maxon's Poe page 22, for The Facts in the Case of M. Valdemar.
Graphite on paper, framed (14.5 x 13), sight size approximately 7 x 6. Signed lower left.
A softback copy of Maxon's Poe is included.
keywords: Maxon's Poe, underground art, underground artist, illustrator
Maxon's Poe page 22, for The Facts in the Case of M. Valdemar.
Graphite on paper, framed (14.5 x 13), sight size approximately 7 x 6. Signed lower left.
A softback copy of Maxon's Poe is included.
keywords: Maxon's Poe, underground art, underground artist, illustrator
Maxon Crumb - Original Illustration (1983).
Titled: St. Lazarus Contemplating the Image of a Goose.
Ink and vinyl dry transfer on board, framed (24 x 21), sight size approximately 16.5 x 13.5. Signed lower right.
The piece has minor foxing, which could possibly be removed without much fuss.
keywords: underground art, underground artist, illustrator
Titled: St. Lazarus Contemplating the Image of a Goose.
Ink and vinyl dry transfer on board, framed (24 x 21), sight size approximately 16.5 x 13.5. Signed lower right.
The piece has minor foxing, which could possibly be removed without much fuss.
keywords: underground art, underground artist, illustrator
Edward D' Ancona - Original Pin-up Art (c.1950).
Titled: Limbering Up and Mussel Builder, published by the Louis F. Dow Calendar Company, St. Paul Minnesota.
Oil on board, image size approximately 27.5 x 21. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 116, fig. 236.
A complete matchbook showing a published version is included.
keywords: illustrator, illustration, painting, beauty, glamour, exercise, gga, Americana
Titled: Limbering Up and Mussel Builder, published by the Louis F. Dow Calendar Company, St. Paul Minnesota.
Oil on board, image size approximately 27.5 x 21. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 116, fig. 236.
A complete matchbook showing a published version is included.
keywords: illustrator, illustration, painting, beauty, glamour, exercise, gga, Americana
Edmund Davenport - Original Advertising Art (c.1930).
Oil on canvas, approximately 29 x 25. Signed lower left.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, animals, dog, cat, Americana
Oil on canvas, approximately 29 x 25. Signed lower left.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, animals, dog, cat, Americana
Harley Davidson - Original Illustration (c.1940-1945).
Titled: Posturtudes.
Probably published as a military humor cartoon or magazine illustration.
Mixed media and dry transfer on board, framed (26 x 22), sight size approximately 17 x 14. Signed upper left.
keywords: WWII era, army, G.I., humor, posture
Titled: Posturtudes.
Probably published as a military humor cartoon or magazine illustration.
Mixed media and dry transfer on board, framed (26 x 22), sight size approximately 17 x 14. Signed upper left.
keywords: WWII era, army, G.I., humor, posture
Walter De Maris (1877-1947) Original Calendar Art (c.1920).
Titled: The Spirit of America.
Oil on canvas, approximately 24 x 36. Signed lower left.
keywords: illustrator, illustration, painting, historical, patriotic, Americana
Titled: The Spirit of America.
Oil on canvas, approximately 24 x 36. Signed lower left.
keywords: illustrator, illustration, painting, historical, patriotic, Americana
Rafael De Soto (1904-1987) - Attributed - Original Pulp Painting (1934).
Masked Rider Vol.1 #3 August, 1934. This painting was part of the Coney Island House of Horrors Collection.
Oil on canvas, approximately 22 x 22. Not signed.
A color copy of the published cover is included.
keywords: illustrator, illustration, action, adventure, The Spider artist, vintage paperback artist
Masked Rider Vol.1 #3 August, 1934. This painting was part of the Coney Island House of Horrors Collection.
Oil on canvas, approximately 22 x 22. Not signed.
A color copy of the published cover is included.
keywords: illustrator, illustration, action, adventure, The Spider artist, vintage paperback artist
Billy De Vorss - Original Pin-up / Glamour Art (c.1942).
Titled: A Real Leg Show.
Pastel on board, framed (36.5 x 29.5), sight size approximately 33 x 26. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 122, fig. 249 and also in the Pin-up Poster Book, The Billy De Vorss Collection (Collins).
keywords: illustrator, illustration, drawing, beauty, gga, Americana
Titled: A Real Leg Show.
Pastel on board, framed (36.5 x 29.5), sight size approximately 33 x 26. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 122, fig. 249 and also in the Pin-up Poster Book, The Billy De Vorss Collection (Collins).
keywords: illustrator, illustration, drawing, beauty, gga, Americana
Billy De Vorss - Original Pin-up / Glamour Art (c.1950).
The Farmer's Daughter, an uncommon offering, as De Vorss worked primarily in pastels.
Oil on canvas, stretcher size 33 x 23 includes white border, image size approximately 27 x 19.5. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 120, fig. 241, and also in the Pin-up Poster Book, The Billy De Vorss Collection (Collins).
keywords: illustrator, illustration, painting, beauty, gga, Americana
The Farmer's Daughter, an uncommon offering, as De Vorss worked primarily in pastels.
Oil on canvas, stretcher size 33 x 23 includes white border, image size approximately 27 x 19.5. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 120, fig. 241, and also in the Pin-up Poster Book, The Billy De Vorss Collection (Collins).
keywords: illustrator, illustration, painting, beauty, gga, Americana
Billy De Vorss - Original Pin-up / Glamour Art (c.1950).
Published by the Shaw-Barton Calendar Company, Ohio.
Pastel on board, framed (24 x 29), sight size approximately 13 x 17. Signed lower left.
There is light foxing throughout the image area.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 120, fig. 244.
keywords: illustrator, illustration, drawing, beauty, gga, Americana, western, cowgirl
Published by the Shaw-Barton Calendar Company, Ohio.
Pastel on board, framed (24 x 29), sight size approximately 13 x 17. Signed lower left.
There is light foxing throughout the image area.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 120, fig. 244.
keywords: illustrator, illustration, drawing, beauty, gga, Americana, western, cowgirl
Maynard Dixon (1875-1946) Original Illustration (1909).
Hampton's Magazine.
Mixed media on board, framed (31.5 x 24.4), sight size approximately 18 x 13.5. Signed lower right.
Minor hairline cracking, otherwise very little affects the image area. Some cracking and color loss at extreme upper left and right do not affect the central image.
keywords: self-taught artist, American West artist, Old West painter, muralist, hunt, hunter, elephant attack, tusk, African safari
Hampton's Magazine.
Mixed media on board, framed (31.5 x 24.4), sight size approximately 18 x 13.5. Signed lower right.
Minor hairline cracking, otherwise very little affects the image area. Some cracking and color loss at extreme upper left and right do not affect the central image.
keywords: self-taught artist, American West artist, Old West painter, muralist, hunt, hunter, elephant attack, tusk, African safari
Robert W. Douglass - Original Magazine Story Illustration (c.1950).
The Saturday Evening Post, for Hunter's Moon.
Gouache on board, image size approximately 19.5 x 24.5. Signed lower right.
keywords: illustrator, mystery, suspense
The Saturday Evening Post, for Hunter's Moon.
Gouache on board, image size approximately 19.5 x 24.5. Signed lower right.
keywords: illustrator, mystery, suspense
Robert W. Douglass - Original Magazine Story Illustration (c.1955).
For The Cherry Cupboard.
Gouache on board, image size approximately 9 x 22. Signed lower left.
keywords: illustrator, mystery, suspense
For The Cherry Cupboard.
Gouache on board, image size approximately 9 x 22. Signed lower left.
keywords: illustrator, mystery, suspense
Peter Driben (1903-1968) Original Pin-up Art (c.1945).
Beauty Parade magazine cover.
Oil on board, image size approximately 34 x 26. Signed lower left.
An example of the published cover is included, along with a 28 x 20 reproduction of the painting that was published in 1976.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 140, fig. 291.
keywords: illustrator, illustration, beauty, glamour, Wink, Titter, Flirt artist.
Beauty Parade magazine cover.
Oil on board, image size approximately 34 x 26. Signed lower left.
An example of the published cover is included, along with a 28 x 20 reproduction of the painting that was published in 1976.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 140, fig. 291.
keywords: illustrator, illustration, beauty, glamour, Wink, Titter, Flirt artist.
Peter Driben (1903-1968) Original Pin-up Art (1925-1930).
Alternate version for the pulp magazine La Paree Stories. The final (color) version, which appeared on the cover of the magazine, was also reproduced as a full page image in Stolen Sweets (Smilby).
Pen and ink on paper, matted (24 x 20), sight size approximately 15 x 12.5. Signed lower right.
An example of the final version is included.
There is light foxing along the outer edges of the image area.
keywords: illustrator, illustration, drawing, risque, beauty, glamour, gga, Paris, burlesque
Alternate version for the pulp magazine La Paree Stories. The final (color) version, which appeared on the cover of the magazine, was also reproduced as a full page image in Stolen Sweets (Smilby).
Pen and ink on paper, matted (24 x 20), sight size approximately 15 x 12.5. Signed lower right.
An example of the final version is included.
There is light foxing along the outer edges of the image area.
keywords: illustrator, illustration, drawing, risque, beauty, glamour, gga, Paris, burlesque
Peter Driben (1903-1968) Original Advertising Art - Group Lot of Two (c.1930).
Both are pen and ink and watercolor on board, image size on each is approximately 5 x 7. Both are signed lower right.
keywords: illustrator, illustration, pin-up artist, family, children, Americana
Both are pen and ink and watercolor on board, image size on each is approximately 5 x 7. Both are signed lower right.
keywords: illustrator, illustration, pin-up artist, family, children, Americana
Dumont - Original Paperback Cover Art (1970-1975).
Oil on board, image size approximately 22 x 15. Signed lower right.
keywords: illustration, love, romance
Oil on board, image size approximately 22 x 15. Signed lower right.
keywords: illustration, love, romance
Harvey Dunn (1884-1952) Original Magazine Story Illustration (1911).
Oil en grisaille on canvas, approximately 30 x 20. Signed and dated (1911) lower right.
keywords: illustrator, painting, Brandywine artist, Howard Pyle student, western, cowboy, horse
Oil en grisaille on canvas, approximately 30 x 20. Signed and dated (1911) lower right.
keywords: illustrator, painting, Brandywine artist, Howard Pyle student, western, cowboy, horse
Harvey Dunn (1884-1952) Original Advertising Art (1927).
For the General Electric Company, published in The Saturday Evening Post and National Geographic in 1927.
Oil on board, framed (33 x 39), sight size approximately 23.5 x 29.5. Not signed.
A letter of authenticity and a black and white example of each ad is included.
keywords: illustrator, illustration, painting, Brandywine artist, Howard Pyle student, animals, elephant
For the General Electric Company, published in The Saturday Evening Post and National Geographic in 1927.
Oil on board, framed (33 x 39), sight size approximately 23.5 x 29.5. Not signed.
A letter of authenticity and a black and white example of each ad is included.
keywords: illustrator, illustration, painting, Brandywine artist, Howard Pyle student, animals, elephant
Charles Durant - Original Pulp Painting (1925-1935).
Oil on canvas, approximately 30 x 20. Signed lower right.
keywords: illustrator, illustration, painting, cowboy, Western, horses, action, adventure
Oil on canvas, approximately 30 x 20. Signed lower right.
keywords: illustrator, illustration, painting, cowboy, Western, horses, action, adventure
Freeman Elliott - Original Digest Cover Art (1959).
Calling All Girls digest magazine April, 1959.
Gouache on board, image size approximately 28 x 19. Not signed.
There are two small areas of glue/paper residue (approximately 1 1/2 x 1/4), one at upper center and one at far left, that can be easily matted out.
A complete issue of the magazine is included.
keywords: painting, illustration, illustrator, pin-up artist, dachshund, dogs, cats, teen
Calling All Girls digest magazine April, 1959.
Gouache on board, image size approximately 28 x 19. Not signed.
There are two small areas of glue/paper residue (approximately 1 1/2 x 1/4), one at upper center and one at far left, that can be easily matted out.
A complete issue of the magazine is included.
keywords: painting, illustration, illustrator, pin-up artist, dachshund, dogs, cats, teen
Freeman Elliott - Original Pin-up Art (c.1950).
Published by Brown & Bigelow as a calendar and as part of the deck of playing cards entitled Winning Aces.
Gouache on board, framed (27 x 21), sight size approximately 19.5 x 13.5. Not signed.
A photo of the playing card is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 158, fig. 340.
keywords: illustration, illustrator, painting, nude, glamour, beauty, gga
Published by Brown & Bigelow as a calendar and as part of the deck of playing cards entitled Winning Aces.
Gouache on board, framed (27 x 21), sight size approximately 19.5 x 13.5. Not signed.
A photo of the playing card is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 158, fig. 340.
keywords: illustration, illustrator, painting, nude, glamour, beauty, gga
Gillette Elvgren (1914-1980) Original Pin-up Art (1948).
This Doesn't Seem to Keep the Chap From My Lips, published as a calendar by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Also reproduced as a deck of playing cards by the company in 1950.
Oil on canvas, approximately 30 x 24. Signed lower left.
Examples of the published versions are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 177, fig. 387, and in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 87, fig. 203.
keywords: illustrator, illustration, painting, beauty, glamour, gga, Sundblom studio artist
This Doesn't Seem to Keep the Chap From My Lips, published as a calendar by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Also reproduced as a deck of playing cards by the company in 1950.
Oil on canvas, approximately 30 x 24. Signed lower left.
Examples of the published versions are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 177, fig. 387, and in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 87, fig. 203.
keywords: illustrator, illustration, painting, beauty, glamour, gga, Sundblom studio artist
Gillette Elvgren (1914-1980) Original Pin-up Art (c.1948-1949).
The Honeymoon's Over, appeared as "May" in the 1951 calendar published by Brown & Bigelow Calendar Company, St. Paul, Minnesota.
In 1948, Brown & Bigelow and Republic Pictures held a nationwide Calendar Girl Contest. (The regional-level contests were held simultaneously with the release of "Calendar Girl," a Republic picture.)
Our consignor, as newly proclaimed "Miss Calendar Girl of America," won this original oil painting of herself by a world-famous artist (Gillette Elvgren), $250 in cash, and all-expense paid trip to the home of Brown & Bigelow, St. Paul, Minnesota, where Elvgren took dozens of photographs from which to paint her portrait. She was chosen from thousands of entries from all over the country by a group of world famous Brown & Bigelow artists, which included Elvgren, Rolf Armstrong, Zoe Mozert, and K. O. Munson.
Our consignor retained possession of this painting since receiving it as part of her prize-winnings, until selecting Heritage to offer it at auction.
Oil on canvas, approximately 30 x 24. Signed lower right.
A copy of the published calendar is included, as well as copies of documentation regarding winning the contest.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, clock, rolling pin
The Honeymoon's Over, appeared as "May" in the 1951 calendar published by Brown & Bigelow Calendar Company, St. Paul, Minnesota.
In 1948, Brown & Bigelow and Republic Pictures held a nationwide Calendar Girl Contest. (The regional-level contests were held simultaneously with the release of "Calendar Girl," a Republic picture.)
Our consignor, as newly proclaimed "Miss Calendar Girl of America," won this original oil painting of herself by a world-famous artist (Gillette Elvgren), $250 in cash, and all-expense paid trip to the home of Brown & Bigelow, St. Paul, Minnesota, where Elvgren took dozens of photographs from which to paint her portrait. She was chosen from thousands of entries from all over the country by a group of world famous Brown & Bigelow artists, which included Elvgren, Rolf Armstrong, Zoe Mozert, and K. O. Munson.
Our consignor retained possession of this painting since receiving it as part of her prize-winnings, until selecting Heritage to offer it at auction.
Oil on canvas, approximately 30 x 24. Signed lower right.
A copy of the published calendar is included, as well as copies of documentation regarding winning the contest.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, clock, rolling pin
Gillette Elvgren (1914-1980) Original Pin-up Art (c.1972).
Published as a NAPA calendar by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 34 x 30. Signed middle left. It should be noted that this offering is larger than the standard Brown & Bigelow paintings by Elvgren, as nearly all of his works on canvas for the company measured 30 x 24.
Reproduced in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 232, fig. 556 and in Elvgren His Life and Art (Collins & Elvgren), page 191.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, guns, skeet, hunting, firearms
Published as a NAPA calendar by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 34 x 30. Signed middle left. It should be noted that this offering is larger than the standard Brown & Bigelow paintings by Elvgren, as nearly all of his works on canvas for the company measured 30 x 24.
Reproduced in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 232, fig. 556 and in Elvgren His Life and Art (Collins & Elvgren), page 191.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, guns, skeet, hunting, firearms
Gillette Elvgren (1914-1980) Original Pin-up Preliminary (c.1970).
Fully finished preliminary painting of a NAPA calendar for the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on board, framed (33.5 x 25.5), sight size approximately 29.5 x 21.5. Signed lower middle left.
A calendar featuring the final published version is included.
Reproduced in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 234, fig. 556.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, shuffleboard
Fully finished preliminary painting of a NAPA calendar for the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on board, framed (33.5 x 25.5), sight size approximately 29.5 x 21.5. Signed lower middle left.
A calendar featuring the final published version is included.
Reproduced in Gil Elvgren All his glamorous American pin-ups (Martignette & Meisel), page 234, fig. 556.
keywords: illustrator, illustration, beauty, glamour, gga, Sundblom studio artist, shuffleboard
Merlin Enabnit (1903-1979) Original Illustration (c.1945).
Gouache on paper, matted (19 x 14.5), sight size approximately 10 x 8. Signed lower right.
keywords: illustrator, painting, beauty, glamour
Gouache on paper, matted (19 x 14.5), sight size approximately 10 x 8. Signed lower right.
keywords: illustrator, painting, beauty, glamour
Elizabeth Engelhard - Original Illustration (c.1935).
Watercolor and mixed media on board, image size approximately 14 x 19. Signed, inscribed and dated "Mrs. Barnett's Room 1934-5," lower right.
keywords: illustrator, painting, children, school, education
Watercolor and mixed media on board, image size approximately 14 x 19. Signed, inscribed and dated "Mrs. Barnett's Room 1934-5," lower right.
keywords: illustrator, painting, children, school, education
Enrich - Original Illustration (1980).
Possibly published as a book cover for a TV tie-in to "Battlestar Galactica."
Oil on unstretched canvas, approximately 25 x 19. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting, TV series, Battlestar Galactica
Possibly published as a book cover for a TV tie-in to "Battlestar Galactica."
Oil on unstretched canvas, approximately 25 x 19. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting, TV series, Battlestar Galactica
Enrich - Original Illustration (c.1985).
Possibly published as a magazine story illustration.
Oil on unstretched canvas, approximately 16.5 x 11.5. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting
Possibly published as a magazine story illustration.
Oil on unstretched canvas, approximately 16.5 x 11.5. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting
Enrich - Original Illustration (1980).
Possibly published as a science fiction book cover.
Oil on unstretched canvas, approximately 25 x 19. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting
Possibly published as a science fiction book cover.
Oil on unstretched canvas, approximately 25 x 19. Signed lower right.
keywords: Vampirella magazine illustrator, Warren publishing artist, Harris publishing artist, illustrator, painting
Jules Erbit - Original Pin-up / Glamour Art (c.1940).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Pastel on board, framed (42.5 x 32.5), sight size approximately 39 x 29. Signed middle right.
There is moderate foxing in the upper area of the image.
Two examples of the published version, including a 16 x 20 calendar print, are included.
keywords: illustrator, illustration, drawing, equestrian, horses, beauty, Americana
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Pastel on board, framed (42.5 x 32.5), sight size approximately 39 x 29. Signed middle right.
There is moderate foxing in the upper area of the image.
Two examples of the published version, including a 16 x 20 calendar print, are included.
keywords: illustrator, illustration, drawing, equestrian, horses, beauty, Americana
Jules Erbit - Original Pin-up Art (1935-1940).
Possibly published as calendar art.
Pastel on board, image size approximately 40 x 30. Signed lower right.
keywords: illustrator, illustration, drawing, flower, beauty, Americana
Possibly published as calendar art.
Pastel on board, image size approximately 40 x 30. Signed lower right.
keywords: illustrator, illustration, drawing, flower, beauty, Americana
John Philip Falter (1910-1982) Original Magazine Story Illustration (c.1965).
For The Franchise Affair.
Gouache on board, matted (20 x 16), sight size approximately 15 x 11. Signed lower left.
keywords: illustrator, painting, The Saturday Evening Post cover artist, mystery, suspense
For The Franchise Affair.
Gouache on board, matted (20 x 16), sight size approximately 15 x 11. Signed lower left.
keywords: illustrator, painting, The Saturday Evening Post cover artist, mystery, suspense
Robert Fawcett (1903-1967) Original Magazine Story Illustration (1952).
Redbook February, 1952, for Incalculable Risk.
Gouache on board, framed (24 x 31), sight size approximately 17 x 24.5. Initialed lower right.
keywords: illustrator, Collier's artist, Redbook artist, Look artist
Redbook February, 1952, for Incalculable Risk.
Gouache on board, framed (24 x 31), sight size approximately 17 x 24.5. Initialed lower right.
keywords: illustrator, Collier's artist, Redbook artist, Look artist
Robert Fawcett (1903-1967) Original Magazine Story Illustration (c.1950).
Probably for The Saturday Evening Post.
Pen and ink and mixed media on board, image size approximately 18 x 25. Initialed lower right.
keywords: illustrator, drawing, courtroom, drama, judicial
Probably for The Saturday Evening Post.
Pen and ink and mixed media on board, image size approximately 18 x 25. Initialed lower right.
keywords: illustrator, drawing, courtroom, drama, judicial
Laurence Fellows (1885-1964) - Attributed - Original Advertising Art (c.1920).
For a 1928 or 1929 Model A Ford.
Pen and ink on paper, image size approximately 17 x 14. Not signed.
keywords: illustrator, illustration, drawing, car, automotive, vintage cars
For a 1928 or 1929 Model A Ford.
Pen and ink on paper, image size approximately 17 x 14. Not signed.
keywords: illustrator, illustration, drawing, car, automotive, vintage cars
Katherine (Katie) Field (1908-1951) Original Magazine Story Illustration (1940).
Western Livestock Journal for the poem Snow In The Collar, by Bruce Kiskadoon.
Pen and ink on board, framed (15.5 x 22), sight size approximately 7 x 9.5. Signed lower right.
An example of the published page is included.
keywords: Western scenes, cowboy, horse, bucking bronco
Western Livestock Journal for the poem Snow In The Collar, by Bruce Kiskadoon.
Pen and ink on board, framed (15.5 x 22), sight size approximately 7 x 9.5. Signed lower right.
An example of the published page is included.
keywords: Western scenes, cowboy, horse, bucking bronco
L. Fischer - Original Illustration (1920-1925).
Most likely appeared as a magazine cover, or advertisement.
Oil on canvas, approximately 23 x 20. Signed lower right.
There is some evidence of prior conservation to the canvas, visible on the verso.
keywords: illustrator, painting, children, pets, dogs, business
Most likely appeared as a magazine cover, or advertisement.
Oil on canvas, approximately 23 x 20. Signed lower right.
There is some evidence of prior conservation to the canvas, visible on the verso.
keywords: illustrator, painting, children, pets, dogs, business
James Montgomery Flagg (1877-1960) Original Magazine Story Illustration (1925-1930).
Probably Liberty or Collier's magazine.
Watercolor and mixed media on paper, matted (26 x 26), sight size approximately 22 inches in diameter. Signed lower right.
keywords: illustrator, painting, creator of Uncle Sam, drama, action, police, Americana
Probably Liberty or Collier's magazine.
Watercolor and mixed media on paper, matted (26 x 26), sight size approximately 22 inches in diameter. Signed lower right.
keywords: illustrator, painting, creator of Uncle Sam, drama, action, police, Americana
James Montgomery Flagg (1877-1960) Original Magazine Story Illustration (1925-1930).
Probably Liberty or Collier's magazine.
Caption: "I didn't know you were fond of animals."
Watercolor and mixed media on board, image size approximately 20.5 x 26. Signed lower left.
keywords: illustrator, painting, creator of Uncle Sam, Americana
Probably Liberty or Collier's magazine.
Caption: "I didn't know you were fond of animals."
Watercolor and mixed media on board, image size approximately 20.5 x 26. Signed lower left.
keywords: illustrator, painting, creator of Uncle Sam, Americana
Art Frahm (1907-1981) Original Calendar Art (1950-1960).
Part of Frahm's popular Traveling Hobo series.
Oil on canvas, approximately 26 x 36. Signed (faintly) lower right.
There is a small piece of canvas attached to the verso of the painting (upper area), approximately 1 x 1, evidencing prior conservation.
keywords: illustrator, illustration, painting, humor, Americana, pin-up artist
Part of Frahm's popular Traveling Hobo series.
Oil on canvas, approximately 26 x 36. Signed (faintly) lower right.
There is a small piece of canvas attached to the verso of the painting (upper area), approximately 1 x 1, evidencing prior conservation.
keywords: illustrator, illustration, painting, humor, Americana, pin-up artist
Art Frahm (1907-1981) Original Calendar Art (1950-1960).
Ride 'em Cowboy, part of Frahm's popular Traveling Hobo series.
Oil on board, image size approximately 32 x 42. Signed lower right.
An example of the published version is included.
keywords: illustrator, illustration, painting, humor, Americana, pin-up artist
Ride 'em Cowboy, part of Frahm's popular Traveling Hobo series.
Oil on board, image size approximately 32 x 42. Signed lower right.
An example of the published version is included.
keywords: illustrator, illustration, painting, humor, Americana, pin-up artist
Art Frahm (1907-1981) Original Pin-up / Glamour Art (c.1952).
Titled: Girl Of My Dreams.
Oil on canvas, approximately 24 x 20. Signed lower left.
There is crackling apparent in some areas of the painting which does not affect the central image.
A published version, on a January 1952 calendar page, is included.
keywords: illustrator, illustration, painting, beauty, fashion, gga, Americana
Titled: Girl Of My Dreams.
Oil on canvas, approximately 24 x 20. Signed lower left.
There is crackling apparent in some areas of the painting which does not affect the central image.
A published version, on a January 1952 calendar page, is included.
keywords: illustrator, illustration, painting, beauty, fashion, gga, Americana
W. Frehm - Original Illustration (c.1940-45).
Loitering Will Not Replace My Plane, probably published as an American motivational poster for wartime airplane factories.
Mixed media on board, framed (37 x 27), sight size approximately 27 x 21. Signed lower right.
There are two tiny holes in the image area.
keywords: wartime propaganda, WWII, World War II, wartime production, airplane, aviation, airman, pilot, motivational poster
Loitering Will Not Replace My Plane, probably published as an American motivational poster for wartime airplane factories.
Mixed media on board, framed (37 x 27), sight size approximately 27 x 21. Signed lower right.
There are two tiny holes in the image area.
keywords: wartime propaganda, WWII, World War II, wartime production, airplane, aviation, airman, pilot, motivational poster
Al Freudeman - Original Magazine Story Illustration (1945-1950).
Caption: "Mary was the only girl in the world -- for six men."
Oil on masonite, image size approximately 20 x 16. Not signed.
A single page showing the published version is included.
keywords: illustrator, painting, beauty, glamour
Caption: "Mary was the only girl in the world -- for six men."
Oil on masonite, image size approximately 20 x 16. Not signed.
A single page showing the published version is included.
keywords: illustrator, painting, beauty, glamour
Stan Galli - Attributed - Original Paperback Art (1965-1970).
Mixed media on paper (attached to board), image size approximately 19.5 x 17. Not signed.
keywords: illustrator, illustration, Western, cowboy, action, adventure
Mixed media on paper (attached to board), image size approximately 19.5 x 17. Not signed.
keywords: illustrator, illustration, Western, cowboy, action, adventure
Stan Galli - Attributed - Original Paperback Art (1965-1970).
Ace Double #D-348 - The Man from Nowhere --and-- The Avenging Gun by T. V. Olsen and John L. Shelley, respectively. Caption: "Pin his name on a pistol target."
Gouache and mixed media on board, image size approximately 23 x 16.5. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, western, cowboy, action, adventure
Ace Double #D-348 - The Man from Nowhere --and-- The Avenging Gun by T. V. Olsen and John L. Shelley, respectively. Caption: "Pin his name on a pistol target."
Gouache and mixed media on board, image size approximately 23 x 16.5. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, western, cowboy, action, adventure
John Gannam (1907-1965) Original Story Illustration (c.1930).
The Next Move, two-page story illustration.
Watercolors and mixed media, framed and double matted (19.5 x 26), sight size approximately 10 x 17, which includes the narrow separation of the panels.
Provenance: From the collection of Peggy & Harold Samuels.
Reproduced in Samuels' Encyclopedia of Artists of The American West, figure 103.
keywords: Pacific Mills ad campaign, Life magazine, Western, action, Old West
The Next Move, two-page story illustration.
Watercolors and mixed media, framed and double matted (19.5 x 26), sight size approximately 10 x 17, which includes the narrow separation of the panels.
Provenance: From the collection of Peggy & Harold Samuels.
Reproduced in Samuels' Encyclopedia of Artists of The American West, figure 103.
keywords: Pacific Mills ad campaign, Life magazine, Western, action, Old West
Rudy Garcia - Original Advertising Art (1970).
For Schmidt's Beer of Philadelphia.
Oil on board, image size approximately 21.5 x 11. Signed and dated (70) lower left.
keywords: illustrator, illustration, liquor, TV, sports
For Schmidt's Beer of Philadelphia.
Oil on board, image size approximately 21.5 x 11. Signed and dated (70) lower left.
keywords: illustrator, illustration, liquor, TV, sports
Rudy Garcia - Original Advertising Art (c.1975).
Preliminary painting for the Colt 45 "Lucky Lady" ad campaign.
Gouache on board, image size approximately 15 x 12.5. Signed lower right.
An example of the final printed version of the advertisement is included.
keywords: illustrator, illustration, beauty, liquor, gga, beer
Preliminary painting for the Colt 45 "Lucky Lady" ad campaign.
Gouache on board, image size approximately 15 x 12.5. Signed lower right.
An example of the final printed version of the advertisement is included.
keywords: illustrator, illustration, beauty, liquor, gga, beer
Rudy Garcia - Original Pin-up / Glamour Art (1965-1975).
Portrait of a Playboy Playmate of the Year, most likely from the late 1960s to early 1970s.
Mixed media on board, framed (19 x 15), sight size approximately 14.5 x 11. Signed lower right.
keywords: illustrator, illustration, painting, beauty
Portrait of a Playboy Playmate of the Year, most likely from the late 1960s to early 1970s.
Mixed media on board, framed (19 x 15), sight size approximately 14.5 x 11. Signed lower right.
keywords: illustrator, illustration, painting, beauty
Edwin A. Georgi (1896-1964) Original Illustration (c.1955).
Most likely published as a story illustration.
Oil on board, framed (13.5 x 32), sight size approximately 10 x 28.5. Not signed.
keywords: illustrator, painting, mystery, love, romance
Most likely published as a story illustration.
Oil on board, framed (13.5 x 32), sight size approximately 10 x 28.5. Not signed.
keywords: illustrator, painting, mystery, love, romance
Edwin A. Georgi (1896-1964) Original Illustration (1950-1960).
Oil on board, framed (28 x 24.5), sight size approximately 18.5 x 14.5. Not signed.
Provenance: Stamped on the verso "From the estate of Edwin A. Georgi."
keywords: illustrator, illustration, painting, beauty, glamour, gga
Oil on board, framed (28 x 24.5), sight size approximately 18.5 x 14.5. Not signed.
Provenance: Stamped on the verso "From the estate of Edwin A. Georgi."
keywords: illustrator, illustration, painting, beauty, glamour, gga
Edwin A. Georgi (1896-1964) Original Magazine Story Illustration (1953).
The Saturday Evening Post 1953, for Death of a Corinthian.
Oil and mixed media on board, image size approximately 17.5 x 9. Not signed.
Some browning is apparent in the white areas of the painting.
Provenance: Stamped on the verso "From the estate of Edwin A. Georgi."
keywords: illustrator, painting, mystery, love, romance
The Saturday Evening Post 1953, for Death of a Corinthian.
Oil and mixed media on board, image size approximately 17.5 x 9. Not signed.
Some browning is apparent in the white areas of the painting.
Provenance: Stamped on the verso "From the estate of Edwin A. Georgi."
keywords: illustrator, painting, mystery, love, romance
Edwin A. Georgi (1896-1964) Original Magazine Story Illustration (1958).
The Saturday Evening Post March 21, 1958 for Double Jeopardy.
Oil on board, framed (13.5 x 18), sight size approximately 8 x 13. Not signed.
keywords: illustrator, painting, fashion, drama
The Saturday Evening Post March 21, 1958 for Double Jeopardy.
Oil on board, framed (13.5 x 18), sight size approximately 8 x 13. Not signed.
keywords: illustrator, painting, fashion, drama
Edwin A. Georgi (1896-1964) Original Illustration (c.1930).
Pen and ink on board, image size approximately 9 x 11. Not signed.
keywords: illustrator, drawing, airplanes, agriculture
Pen and ink on board, image size approximately 9 x 11. Not signed.
keywords: illustrator, drawing, airplanes, agriculture
Edwin A. Georgi (1896-1964) Original Magazine Story Illustration (1957).
Redbook March, 1957 for Warm Sun.
Oil on board, image size approximately 21 x 23.5. Signed lower right.
keywords: illustrator, painting, dance, love, romance, fashion
Redbook March, 1957 for Warm Sun.
Oil on board, image size approximately 21 x 23.5. Signed lower right.
keywords: illustrator, painting, dance, love, romance, fashion
Charles Dana Gibson (1867-1944) Original Illustration (1890-1900).
Probably published as a magazine or book illustration.
Pen and ink on board, framed (31 x 19.5), sight size approximately 21 x 10. Not signed.
keywords: illustrator, drawing, Gibson Girl, beauty, fashion, glamour, art nouveau
Probably published as a magazine or book illustration.
Pen and ink on board, framed (31 x 19.5), sight size approximately 21 x 10. Not signed.
keywords: illustrator, drawing, Gibson Girl, beauty, fashion, glamour, art nouveau
Louis M. Glackens (1866-1933) Original Illustration (c.1900).
Puck magazine.
Pen and ink on board, framed (26 x 21), sight size approximately 20 x 14.5. Signed lower left.
keywords, illustrator, drawing, humor, Easter, fairy tales, fantasy, cartoonist
Puck magazine.
Pen and ink on board, framed (26 x 21), sight size approximately 20 x 14.5. Signed lower left.
keywords, illustrator, drawing, humor, Easter, fairy tales, fantasy, cartoonist
Frank Godwin (1889-1959) Original Magazine Story Illustration (c.1940).
Probably for Liberty magazine.
Pen and ink on board, image size approximately 13 x 14.5. Not signed.
There is some browning along the outer edges of the left and lower parts of the board, which only slightly enters the image area at lower left.
keywords: illustrator, drawing, carnival, sideshow, carny, action, drama
Probably for Liberty magazine.
Pen and ink on board, image size approximately 13 x 14.5. Not signed.
There is some browning along the outer edges of the left and lower parts of the board, which only slightly enters the image area at lower left.
keywords: illustrator, drawing, carnival, sideshow, carny, action, drama
Karl Godwin (1893-1962) Original Advertising Art (1932).
For the Ethyl Gasoline Company. This painting appeared as a full page ad on the inside front cover of Liberty magazine August 27, 1932. Caption: "Ethyl Controls the Giant Power of Gasoline." Signed lower left.
A complete issue of the magazine is included.
keywords: illustration, illustrator, painting, elephant, circus, carnival, performers, animals
For the Ethyl Gasoline Company. This painting appeared as a full page ad on the inside front cover of Liberty magazine August 27, 1932. Caption: "Ethyl Controls the Giant Power of Gasoline." Signed lower left.
A complete issue of the magazine is included.
keywords: illustration, illustrator, painting, elephant, circus, carnival, performers, animals
Jules Gotlieb - Original Magazine Story Illustration (1948).
American Weekly January 30, 1949. Caption: "Queen Supi-Yaw-Lat and her wicked mother prodded the hen-pecked King to torture anyone who might be a rival."
Gouache on board, framed (29 x 23), sight size approximately 23 x 17. Signed and dated (48) lower middle.
keywords: illustrator, painting, Harvey Dunn student, historical, Oriental, Asian
American Weekly January 30, 1949. Caption: "Queen Supi-Yaw-Lat and her wicked mother prodded the hen-pecked King to torture anyone who might be a rival."
Gouache on board, framed (29 x 23), sight size approximately 23 x 17. Signed and dated (48) lower middle.
keywords: illustrator, painting, Harvey Dunn student, historical, Oriental, Asian
Walter Granville-Smith (1870-1938) Original Magazine Story Illustration (1900-1915).
Watercolor on board, image size approximately 20 x 12.5. Signed lower left.
There is a stain to the board along the lower left edge. It slightly enters the image area noted.
keywords: illustrator, painting, children, art nouveau
Watercolor on board, image size approximately 20 x 12.5. Signed lower left.
There is a stain to the board along the lower left edge. It slightly enters the image area noted.
keywords: illustrator, painting, children, art nouveau
Abbott Fuller Graves (1859-1936) Original Painting (1915-1925).
Titled: Lost Petal.
Oil on canvas, approximately 20 x 28. Signed lower right.
keywords: Impressionist, painter, Exposition des Beaux Arts award winner, National Academy, Boston Art Club, Salmagundi Club, Paris Artists Association, Allied Artists Association, National Arts Club, North Shore Arts Association, flowers, blooms, still life, floral arrangement
Titled: Lost Petal.
Oil on canvas, approximately 20 x 28. Signed lower right.
keywords: Impressionist, painter, Exposition des Beaux Arts award winner, National Academy, Boston Art Club, Salmagundi Club, Paris Artists Association, Allied Artists Association, National Arts Club, North Shore Arts Association, flowers, blooms, still life, floral arrangement
Will A. Grefe' (1875-1957) Original Magazine Story Illustration (1910-1915).
Watercolor and mixed media on board, image size approximately 27 x 18. Signed lower right.
keywords: illustrator, drawing, love, romance, artist for Interwoven Socks and Mulsified Cocoanut Shampoo ads, Saturday Evening Post cover artist
Watercolor and mixed media on board, image size approximately 27 x 18. Signed lower right.
keywords: illustrator, drawing, love, romance, artist for Interwoven Socks and Mulsified Cocoanut Shampoo ads, Saturday Evening Post cover artist
E. T. Griffith - Original Illustration (c.1930).
Most likely published as a calendar print.
Watercolor on board, framed (25.5 x 25.5), sight size approximately 19 inches in diameter. Signed lower right.
keywords: illustrator, illustration, painting, children, spring, garden, flowers
Most likely published as a calendar print.
Watercolor on board, framed (25.5 x 25.5), sight size approximately 19 inches in diameter. Signed lower right.
keywords: illustrator, illustration, painting, children, spring, garden, flowers
George Gross - Original Paperback Cover Art (c.1965).
Ace #H-82 - The Other Room by Jane Blackmore.
Oil on board, image size* approximately 16 x 11.5. Signed lower left. *The image size noted includes all of the painted white background. The main image area, depicting the subjects, is approximately 9 x 10.
A copy of the paperback is included.
keywords: illustration, illustrator, digest cover artist, love, romance
Ace #H-82 - The Other Room by Jane Blackmore.
Oil on board, image size* approximately 16 x 11.5. Signed lower left. *The image size noted includes all of the painted white background. The main image area, depicting the subjects, is approximately 9 x 10.
A copy of the paperback is included.
keywords: illustration, illustrator, digest cover artist, love, romance
Lealand R. Gustavson (1894-1966) Original Magazine Story Illustration (c.1945).
Blue Book magazine, for Something To Shoot At.
Charcoal on linen, framed (20.5 x 22.5), sight size approximately 13 x 15. Signed lower right.
keywords: illustrator, Harvey Dunn student, detective, action, adventure
Blue Book magazine, for Something To Shoot At.
Charcoal on linen, framed (20.5 x 22.5), sight size approximately 13 x 15. Signed lower right.
keywords: illustrator, Harvey Dunn student, detective, action, adventure
George Guzzi - Original Illustration (c.1970).
Most likely appeared as a story illustration.
Graphite and mixed media on board, image size approximately 20 x 27. Signed lower right.
keywords: illustrator, drawing, Civil War, patriotic, presidents, Lincoln, Americana
Most likely appeared as a story illustration.
Graphite and mixed media on board, image size approximately 20 x 27. Signed lower right.
keywords: illustrator, drawing, Civil War, patriotic, presidents, Lincoln, Americana
George Guzzi - Original Illustration (c.1970).
Published as a part of a promotional calendar for the artist.
Charcoal and graphite on board, image size approximately 18 x 14. Signed lower right.
A model photo is attached to the verso.
keywords: illustrator, drawing, erotic, nude, beauty
Published as a part of a promotional calendar for the artist.
Charcoal and graphite on board, image size approximately 18 x 14. Signed lower right.
A model photo is attached to the verso.
keywords: illustrator, drawing, erotic, nude, beauty
H. Tom Hall - Original Paperback Cover Art (1972).
The Outrider by Luke Short, published by Bantam books.
Mixed media on board, image size approximately 28.5 x 18. Signed middle right.
keywords: illustrator, illustration, western, cowboy, train
The Outrider by Luke Short, published by Bantam books.
Mixed media on board, image size approximately 28.5 x 18. Signed middle right.
keywords: illustrator, illustration, western, cowboy, train
Thomas Victor Hall - Original Advertising Art (1947).
Men's fashion ad.
Gouache on board, matted (23 x 22), size approximately 20.5 x 19.5. Signed lower right.
keywords: illustrator, illustration, painting, clothing, garments, dogs, romance
Men's fashion ad.
Gouache on board, matted (23 x 22), size approximately 20.5 x 19.5. Signed lower right.
keywords: illustrator, illustration, painting, clothing, garments, dogs, romance
Q. Wilson Hammell - Original Pin-up / Glamour Art (1925-1930).
Published as a calendar print entitled Adorable, this image also appeared on note pads -- and as the cover of an adult novelty book titled Ladies' Secrets.
Pastel on board, framed (41 x 31), sight size approximately 37 x 27. Signed lower right.
A calendar print, a note pad and a copy of the adult novelty book are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 57, fig. 99.
keywords: illustrator, illustration, drawing, beauty, fashion, blonde
Published as a calendar print entitled Adorable, this image also appeared on note pads -- and as the cover of an adult novelty book titled Ladies' Secrets.
Pastel on board, framed (41 x 31), sight size approximately 37 x 27. Signed lower right.
A calendar print, a note pad and a copy of the adult novelty book are included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 57, fig. 99.
keywords: illustrator, illustration, drawing, beauty, fashion, blonde
Carl Hantman - Original Paperback Cover Art (1965-1970).
Ballantine #01991 - Wild Lonesome by Harry Whittington.
Gouache on board, framed (25.5 x 16.5), sight size approximately 19.5 x 10.5. Signed lower right.
A copy of the paperback is included.
keywords: illustrator, illustration, Old West, action, adventure, fine arts Western artist
Ballantine #01991 - Wild Lonesome by Harry Whittington.
Gouache on board, framed (25.5 x 16.5), sight size approximately 19.5 x 10.5. Signed lower right.
A copy of the paperback is included.
keywords: illustrator, illustration, Old West, action, adventure, fine arts Western artist
John Knowles Hare (1884-1947) Original Illustration (1921).
Charcoal on paper, image size approximately 21 x 15. Signed and dated (Nov. 1921) lower right.
There is some mild staining and foxing to the lower area of the paper which does not affect the main image area.
keywords: illustrator, illustration, drawing, beauty, fashion
Charcoal on paper, image size approximately 21 x 15. Signed and dated (Nov. 1921) lower right.
There is some mild staining and foxing to the lower area of the paper which does not affect the main image area.
keywords: illustrator, illustration, drawing, beauty, fashion
Ben Jorj Harris (1904-1957) Original Illustration (1940).
Probably a cover for Collier's magazine.
Airbrush on board, image size approximately 18.5 x 14. Signed lower left.
keywords: illustrator, painting, humor, tropical, tourist, novelties, Florida
Probably a cover for Collier's magazine.
Airbrush on board, image size approximately 18.5 x 14. Signed lower left.
keywords: illustrator, painting, humor, tropical, tourist, novelties, Florida
Mabel Rollins Harris - Original Calendar Art (c.1935).
First Swimming Lesson, published by the Joseph C. Hoover and Sons, Philadelphia.
Pastel on canvas, framed (30 x 24), sight size approximately 27.5 x 21.5. Signed lower left.
A calendar print, approximately 20 x 15, is included.
keywords: illustrator, illustration, drawing, children, pets, Shirley Temple type, Americana
First Swimming Lesson, published by the Joseph C. Hoover and Sons, Philadelphia.
Pastel on canvas, framed (30 x 24), sight size approximately 27.5 x 21.5. Signed lower left.
A calendar print, approximately 20 x 15, is included.
keywords: illustrator, illustration, drawing, children, pets, Shirley Temple type, Americana
Howard L. Hastings - Original Magazine Cover Art (1920-1930).
Lariat pulp magazine, November.
Oil on canvas, approximately 28 x 21. Signed lower right.
keywords: illustrator, illustration, painting, Western, action, adventure
Lariat pulp magazine, November.
Oil on canvas, approximately 28 x 21. Signed lower right.
keywords: illustrator, illustration, painting, Western, action, adventure
Charles M. "Bud" Hawes (1909-1999) Original Painting (c.1930-1940).
Oil on canvas, approximately 26 x 36. Signed lower right.
keywords: illustration, illustrator, hunting, dogs, pointers, portrait
Oil on canvas, approximately 26 x 36. Signed lower right.
keywords: illustration, illustrator, hunting, dogs, pointers, portrait
Charles M. "Bud" Hawes (1909-1999) Original Magazine Cover Art (1953).
American Weekly June 7, 1953.
Gouache on board, framed (26 x 24), sight size approximately 17 x 15.5. Signed lower right.
keywords: illustrator, illustration, painting, humor, teens, Americana, canoe, boats, musical instruments, romance, love.
American Weekly June 7, 1953.
Gouache on board, framed (26 x 24), sight size approximately 17 x 15.5. Signed lower right.
keywords: illustrator, illustration, painting, humor, teens, Americana, canoe, boats, musical instruments, romance, love.
Hayden Hayden - Original Illustration (c.1945).
Oil on unstretched canvas, framed (21.5 x 20), sight size approximately 14.5 x 12.5. Signed lower left.
keywords: illustrator, beauty, glamour, fashion, Americana
Oil on unstretched canvas, framed (21.5 x 20), sight size approximately 14.5 x 12.5. Signed lower left.
keywords: illustrator, beauty, glamour, fashion, Americana
Edwin Henry - Original Advertising Art (c.1930).
Oil on canvas, approximately 22 x 30. Signed upper right.
keywords: illustrator, illustration, painting, Sundblom's partner, Chicago artist, family, children,
Oil on canvas, approximately 22 x 30. Signed upper right.
keywords: illustrator, illustration, painting, Sundblom's partner, Chicago artist, family, children,
R. Hicinbothem - Original Paperback Cover Art (1973).
Mask of Words by Jan Roffman, for Ace books.
Oil on board, image size approximately 18 x 13. Signed middle right.
keywords: illustration, love, romance, gothic
Mask of Words by Jan Roffman, for Ace books.
Oil on board, image size approximately 18 x 13. Signed middle right.
keywords: illustration, love, romance, gothic
Adelade Hiebel - Original Calendar Art (c.1932).
Hiawatha's Honeymoon, published by the Gerlach-Barklow Calendar Company, Illinois.
Pastel on canvas, framed (42 x 32.5), stretcher size approximately 40 x 30. Signed lower right.
Reproduced in Vintage Illustration (Martin), page 200.
keywords: illustrator, drawing, Native Americans, Indian maidens, Americana
Hiawatha's Honeymoon, published by the Gerlach-Barklow Calendar Company, Illinois.
Pastel on canvas, framed (42 x 32.5), stretcher size approximately 40 x 30. Signed lower right.
Reproduced in Vintage Illustration (Martin), page 200.
keywords: illustrator, drawing, Native Americans, Indian maidens, Americana
Cardwell S. Higgins (1902-1983) Original Magazine Story Illustration (1941).
Holland's magazine March 1941, for Weak Sister by Eleanor De Lamater. Caption: "Miranda swallowed. 'I like him fine. He crashed through beautifully tonight. He seems a nice man.'"
Mixed media on board, image size approximately 16 x 26, which includes the 1 1/2 inch separation at left. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, painting, love, romance, fashion, glamour
Holland's magazine March 1941, for Weak Sister by Eleanor De Lamater. Caption: "Miranda swallowed. 'I like him fine. He crashed through beautifully tonight. He seems a nice man.'"
Mixed media on board, image size approximately 16 x 26, which includes the 1 1/2 inch separation at left. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, painting, love, romance, fashion, glamour
Cardwell S. Higgins (1902-1983) Original Pin-up / Glamour Art (1920-1930).
Probably published as a calendar or magazine cover.
Gouache on board, framed (33 x 25), size approximately 26 x 18. Signed lower left.
Reproduced as a full page image in The Great American Pin-up (Martignette & Meisel), page 62, fig. 111.
keywords: illustrator, illustration, painting, beauty, fashion, art deco
Probably published as a calendar or magazine cover.
Gouache on board, framed (33 x 25), size approximately 26 x 18. Signed lower left.
Reproduced as a full page image in The Great American Pin-up (Martignette & Meisel), page 62, fig. 111.
keywords: illustrator, illustration, painting, beauty, fashion, art deco
Cardwell S. Higgins (1902-1983) Original Illustration (1953).
Pastel on paper, framed (27.5 x 21), sight size approximately 23.5 x 17.5. Signed lower right.
keywords: painting, illustration, pulp illustrator, Art Deco, nude
Pastel on paper, framed (27.5 x 21), sight size approximately 23.5 x 17.5. Signed lower right.
keywords: painting, illustration, pulp illustrator, Art Deco, nude
Cardwell S. Higgins (1902-1983) Original Illustration (c.1953).
Charcoal and pastel on paper, framed (27.5 x 21), sight size approximately 23.5 x 17.5. Not signed.
keywords: illustration, charcoal, illustration, pulp illustrator, Art Deco, nude
Charcoal and pastel on paper, framed (27.5 x 21), sight size approximately 23.5 x 17.5. Not signed.
keywords: illustration, charcoal, illustration, pulp illustrator, Art Deco, nude
Cardwell S. Higgins (1902-1983) Original Pin-up / Glamour Art (1920-1930).
Titled: A Broad Casting.
Graphite and watercolor on board, framed (17.5 x 14.5), size approximately 11 x 8. Not signed.
keywords: illustrator, illustration, drawing, beauty, fashion, art deco
Titled: A Broad Casting.
Graphite and watercolor on board, framed (17.5 x 14.5), size approximately 11 x 8. Not signed.
keywords: illustrator, illustration, drawing, beauty, fashion, art deco
Cardwell S. Higgins (1902-1983) Original Illustration (1941).
A preliminary cover drawing for the pulp magazine Sweetheart Stories November, 1941.
Graphite on paper, image size approximately 21 x 15. Not signed.
A complete issue of the magazine, featuring the final version, is included.
The paper was at one time folded in half. There is browning, mostly along the outer edges - not affecting the image.
keywords: illustrator, love, romance, fashion, sports, football
A preliminary cover drawing for the pulp magazine Sweetheart Stories November, 1941.
Graphite on paper, image size approximately 21 x 15. Not signed.
A complete issue of the magazine, featuring the final version, is included.
The paper was at one time folded in half. There is browning, mostly along the outer edges - not affecting the image.
keywords: illustrator, love, romance, fashion, sports, football
Robert Hilbert - Original Magazine Cover Art (1954).
American Weekly October 31,1954.
Gouache on board, framed (31 x 23.5), sight size approximately 24 x 17. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, illustration, painting, humor, TV, Americana, family, kites, kids
American Weekly October 31,1954.
Gouache on board, framed (31 x 23.5), sight size approximately 24 x 17. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, illustration, painting, humor, TV, Americana, family, kites, kids
Henry "Hy" Hintermeister - Original Calendar Art (1940-1950).
Part of the famous Gramps calendar series.
Oil on canvas, approximately 30 x 22. Signed lower left.
keywords: illustrator, illustration, painting, grandfather, children, humor, Americana
Part of the famous Gramps calendar series.
Oil on canvas, approximately 30 x 22. Signed lower left.
keywords: illustrator, illustration, painting, grandfather, children, humor, Americana
Henry "Hy" Hintermeister - Original Calendar Art (c.1915).
An uncommon, art nouveau period, glamour painting by Hintermeister.
Oil on canvas, approximately 25 x 20. Signed lower left.
keywords: illustrator, illustration, beauty, Americana
An uncommon, art nouveau period, glamour painting by Hintermeister.
Oil on canvas, approximately 25 x 20. Signed lower left.
keywords: illustrator, illustration, beauty, Americana
Dal Holcomb - Original Illustration (c.1945).
Probably published as a cover for Tab, or similar King Syndicate magazine.
Gouache on board, image size is approximately 24 x 16.5. Signed lower right.
keywords: illustrator, painting, world war II, navy, sailors, romance, love
Probably published as a cover for Tab, or similar King Syndicate magazine.
Gouache on board, image size is approximately 24 x 16.5. Signed lower right.
keywords: illustrator, painting, world war II, navy, sailors, romance, love
Dal Holcomb - Original Magazine Cover Art (1944).
Tab June 17, 1944.
Gouache on board, image size is approximately 21 x 14. Signed lower left.
keywords: illustrator, illustration, painting, summer, fashion, glamour, Americana
Tab June 17, 1944.
Gouache on board, image size is approximately 21 x 14. Signed lower left.
keywords: illustrator, illustration, painting, summer, fashion, glamour, Americana
Gayle Porter Hoskins (1887-1962) Original Magazine Story Illustration (1920-1930).
For The Gathering Storm.
Oil on canvas, approximately 30 x 22. Signed lower right.
keywords: illustrator, painting, Howard Pyle student, Brandywine artist, action, adventure, romance, drama
For The Gathering Storm.
Oil on canvas, approximately 30 x 22. Signed lower right.
keywords: illustrator, painting, Howard Pyle student, Brandywine artist, action, adventure, romance, drama
John Newton Howitt (1885-1958) Original Illustration (c.1935).
Possibly published as a magazine cover.
Oil on canvas, approximately 32 x 25. Signed lower left.
keywords: illustrator, dogs, animals, humor, The Saturday Evening Post artist
Possibly published as a magazine cover.
Oil on canvas, approximately 32 x 25. Signed lower left.
keywords: illustrator, dogs, animals, humor, The Saturday Evening Post artist
John Newton Howitt (1885-1958) Original Advertising Art (1945-1950).
Tobacco ad.
Oil on canvas, approximately 28 x 26. Signed lower right.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, wildlife artist, smoking
Tobacco ad.
Oil on canvas, approximately 28 x 26. Signed lower right.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, wildlife artist, smoking
Walter Beach Humphrey (1892-1966) Original Advertising Art (1940-1950).
A fully finished preliminary drawing for a Western Union Christmas ad.
Charcoal and mixed media on board, framed (13.5 x 31), sight size approximately 4.5 x 23. Not signed.
An example of the final published version is framed with the preliminary drawing.
keywords: illustrator, painting, The Saturday Evening Post artist, humor, holidays, Americana
A fully finished preliminary drawing for a Western Union Christmas ad.
Charcoal and mixed media on board, framed (13.5 x 31), sight size approximately 4.5 x 23. Not signed.
An example of the final published version is framed with the preliminary drawing.
keywords: illustrator, painting, The Saturday Evening Post artist, humor, holidays, Americana
Walter Beach Humphrey (1892-1966) Original Magazine Cover Art (c.1930).
Most likely appeared as a cover for American Magazine, or similar national periodical.
Oil on canvas board, framed (27 x 23.5), sight size approximately 23 x 20. Signed lower right.
keywords: illustrator, painting, The Saturday Evening Post artist, humor, holidays, Thanksgiving, Indian, Pilgrim
Most likely appeared as a cover for American Magazine, or similar national periodical.
Oil on canvas board, framed (27 x 23.5), sight size approximately 23 x 20. Signed lower right.
keywords: illustrator, painting, The Saturday Evening Post artist, humor, holidays, Thanksgiving, Indian, Pilgrim
Earl Oliver Hurst (1895-1958) Original Magazine Story Illustration (1951).
Collier's May 5, 1951, for The Big Idea by John D. Weaver.
Watercolor on board, framed (21 x 31), sight size approximately 12.5 x 23. Not signed.
keywords: illustrator, painting, society, fashion, glamour
Collier's May 5, 1951, for The Big Idea by John D. Weaver.
Watercolor on board, framed (21 x 31), sight size approximately 12.5 x 23. Not signed.
keywords: illustrator, painting, society, fashion, glamour
Earl Oliver Hurst (1895-1958) Original Illustration (c.1940).
Most likely appeared as a magazine cover, or story illustration.
Gouache on paper, matted (28 x 21), sight size approximately 22.5 x 15.5. Signed lower right.
keywords: illustrator, painting, humor, holidays, Christmas, mistletoe, romance, fashion
Most likely appeared as a magazine cover, or story illustration.
Gouache on paper, matted (28 x 21), sight size approximately 22.5 x 15.5. Signed lower right.
keywords: illustrator, painting, humor, holidays, Christmas, mistletoe, romance, fashion
F. M. Hutching - Original Magazine Cover Art (c.1900).
Puck magazine.
Pen and ink on board, framed (27.5 x 23), sight size approximately 21.5 x 16.5. Signed lower left.
keywords: illustrator, illustration, drawing, humor, fairy tales, Mother Goose, nursery rhymes, children, clowns
Puck magazine.
Pen and ink on board, framed (27.5 x 23), sight size approximately 21.5 x 16.5. Signed lower left.
keywords: illustrator, illustration, drawing, humor, fairy tales, Mother Goose, nursery rhymes, children, clowns
Henry Hutt (1875-1950) Original Illustration (c.1910).
Watercolor and mixed media on board, image size approximately 36 x 24.5. Signed lower right.
keywords: illustrator, painting, The Saturday Evening Post cover artist, art nouveau, Americana, fashion
Watercolor and mixed media on board, image size approximately 36 x 24.5. Signed lower right.
keywords: illustrator, painting, The Saturday Evening Post cover artist, art nouveau, Americana, fashion
Irtz - Original Illustration (1932).
Titled: Caballeros Roping Longhorn Cattle.
Mixed media on paper, framed (20.5 x 26.5), sight size approximately 11.5 x 17.5. Signed lower right.
keywords: painter, illustrator, American West painter, genre painter, longhorn, cow, round-up, cowboys, lariat, gauchos, steer
Titled: Caballeros Roping Longhorn Cattle.
Mixed media on paper, framed (20.5 x 26.5), sight size approximately 11.5 x 17.5. Signed lower right.
keywords: painter, illustrator, American West painter, genre painter, longhorn, cow, round-up, cowboys, lariat, gauchos, steer
Sarah Noble Ives (1864-1944) Original Book Illustration (c.1925-1935).
Published for a Mother Goose book. Handwritten caption on the board: "Ride a Cock Horse to Banbury Cross to see little Jenny get on a white horse."
Mixed media on board, overall (19 x 12.5), sight size approximately 11 x 11. Not signed.
keywords: Mother Goose, nursery rhyme, stickhorse
Published for a Mother Goose book. Handwritten caption on the board: "Ride a Cock Horse to Banbury Cross to see little Jenny get on a white horse."
Mixed media on board, overall (19 x 12.5), sight size approximately 11 x 11. Not signed.
keywords: Mother Goose, nursery rhyme, stickhorse
Sarah Noble Ives (1864-1944) Original Book Illustration (c.1925-1935).
Published for a Mother Goose book. Handwritten caption on the board: "Hark! Hark! the dogs do bark."
Mixed media on board, overall (19 x 12.5), sight size approximately 12 x 11. Signed lower right.
keywords: Mother Goose, nursery rhyme, dogs
Published for a Mother Goose book. Handwritten caption on the board: "Hark! Hark! the dogs do bark."
Mixed media on board, overall (19 x 12.5), sight size approximately 12 x 11. Signed lower right.
keywords: Mother Goose, nursery rhyme, dogs
J. George Janet - Original Pin-up Art (1945-1950).
Pastel on board, framed (24 x 22), sight size approximately 22.5 x 20. Not signed.
There is light foxing to the white background.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
Pastel on board, framed (24 x 22), sight size approximately 22.5 x 20. Not signed.
There is light foxing to the white background.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
E. Jenkins - Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, 20 x 30. Signed lower right.
In the background, there are three small instances of denting and/or color loss which do not affect the central image. Additionally there is a piece of canvas (1/2 x 1/2) attached to the verso of the painting (middle left), evidencing prior conservation.
keywords: rifle, gun, hunter, hunting, mystery, recreation
Possibly published as a magazine story illustration.
Oil on canvas, 20 x 30. Signed lower right.
In the background, there are three small instances of denting and/or color loss which do not affect the central image. Additionally there is a piece of canvas (1/2 x 1/2) attached to the verso of the painting (middle left), evidencing prior conservation.
keywords: rifle, gun, hunter, hunting, mystery, recreation
Charles Howard Johnson - Original Illustration (1893).
Most likely appeared as a cover or two page interior illustration for Truth magazine.
Watercolor and mixed media on board, image size approximately 24 x 31. Signed and dated (93) lower left.
A break (approximately 2 x 1/2) at far middle right has been mended on the verso and does not greatly affect the image area noted.
keywords: illustrator, painting, angels, fantasy, romance, love, art nouveau
Most likely appeared as a cover or two page interior illustration for Truth magazine.
Watercolor and mixed media on board, image size approximately 24 x 31. Signed and dated (93) lower left.
A break (approximately 2 x 1/2) at far middle right has been mended on the verso and does not greatly affect the image area noted.
keywords: illustrator, painting, angels, fantasy, romance, love, art nouveau
Frank Kalan - Original Paperback Cover Art (1965).
Pocket #50190 - The Defender: Eve of Judgment by Roger Fuller (a pseudonym of Don Tracy), a TV tie-in for "The Defenders," based on a screenplay by Reginald Rose.
Gouache and mixed media on board, image size approximately 13 x 11. Not signed.
A copy of the paperback is included.
keywords: illustration, mystery, drama, suspense
Pocket #50190 - The Defender: Eve of Judgment by Roger Fuller (a pseudonym of Don Tracy), a TV tie-in for "The Defenders," based on a screenplay by Reginald Rose.
Gouache and mixed media on board, image size approximately 13 x 11. Not signed.
A copy of the paperback is included.
keywords: illustration, mystery, drama, suspense
Frank Kalan - Original Paperback Cover Art (c.1960).
Oil on masonite, image size approximately 22 x 27.5. Not signed.
keywords: illustration, action, adventure, high seas, ships, nautical, love, romance, historical
Oil on masonite, image size approximately 22 x 27.5. Not signed.
keywords: illustration, action, adventure, high seas, ships, nautical, love, romance, historical
John A. Kenny - Original Calendar Art (c.1940).
Oil on board, image size approximately 12 x 15. Signed lower right.
keywords: illustrator, illustration, painting, children, school crossing, Americana
Oil on board, image size approximately 12 x 15. Signed lower right.
keywords: illustrator, illustration, painting, children, school crossing, Americana
John A. Kenny - Original Illustration (c.1955).
Most likely appeared as a story illustration, or advertisement.
Oil on board, image size approximately 11.5 x 15. Not signed.
keywords: illustrator, painting, action, adventure, firemen, Americana
Most likely appeared as a story illustration, or advertisement.
Oil on board, image size approximately 11.5 x 15. Not signed.
keywords: illustrator, painting, action, adventure, firemen, Americana
Ward Walrath Kimball (1914-2002) Original Illustration (1949).
Titled: The Committee.
Oil on masonite, framed (31 x 49), sight size approximately 24 x 42. Signed by the artist in the lower right.
Reproduced (reversed) in Walt Disney's Nine Old Men and the Art of Animation (Canemaker), page 117.
keywords: Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Woolie Reitherman, Frank Thomas, Oscar winning "Toot, Whistle, Plunk and Boom", Snow White and the Seven Dwarfs artist, Jiminy Cricket animator, Academy Award winner, jazz trombonist, Donald Duck, Mickey Mouse
Titled: The Committee.
Oil on masonite, framed (31 x 49), sight size approximately 24 x 42. Signed by the artist in the lower right.
Reproduced (reversed) in Walt Disney's Nine Old Men and the Art of Animation (Canemaker), page 117.
keywords: Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Woolie Reitherman, Frank Thomas, Oscar winning "Toot, Whistle, Plunk and Boom", Snow White and the Seven Dwarfs artist, Jiminy Cricket animator, Academy Award winner, jazz trombonist, Donald Duck, Mickey Mouse
Uldis Klavins - Original Paperback Cover Art (c.1965).
Gouache on board, image size approximately 19.5 x 16. Not signed.
keywords: illustrator, illustration, love, romance, nurse
Gouache on board, image size approximately 19.5 x 16. Not signed.
keywords: illustrator, illustration, love, romance, nurse
Uldis Klavins - Original Paperback Cover Art (1969).
Ace #67095 - The Plastic Nightmare by Richard Neely.
Mixed media on board, image size approximately 30 x 20. Signed lower right.
A copy of the paperback is included.
keywords: illustrator, illustration, love, romance, mystery, gothic
Ace #67095 - The Plastic Nightmare by Richard Neely.
Mixed media on board, image size approximately 30 x 20. Signed lower right.
A copy of the paperback is included.
keywords: illustrator, illustration, love, romance, mystery, gothic
Dick Kohfield - Original Paperback Cover Art (1983).
Harlequin American Romance #12 - Untamed Heart by Elda Minger.
Oil on board, image size approximately 21.5 x 14. Signed lower right.
keywords: illustrator, illustration, love, romance
Harlequin American Romance #12 - Untamed Heart by Elda Minger.
Oil on board, image size approximately 21.5 x 14. Signed lower right.
keywords: illustrator, illustration, love, romance
Al Kortner - Original Magazine Story Illustration (1950).
American Weekly August 6, 1950, for Belle Boyd's Love Story. Caption: "Dashing through the Northern lines under fire, Belle gave the Confederate troops the signal to charge - indicating the weak spot in the union lines."
Mixed media on board, image size approximately 20.5 x 30. Signed lower left.
Two photos of the published version are included.
The board is warped from water damage evident, primarily, on the far right edge. It does not affect the main image area.
keywords: illustrator, painting, Sundblom student, romance, action, adventure, Civil War
American Weekly August 6, 1950, for Belle Boyd's Love Story. Caption: "Dashing through the Northern lines under fire, Belle gave the Confederate troops the signal to charge - indicating the weak spot in the union lines."
Mixed media on board, image size approximately 20.5 x 30. Signed lower left.
Two photos of the published version are included.
The board is warped from water damage evident, primarily, on the far right edge. It does not affect the main image area.
keywords: illustrator, painting, Sundblom student, romance, action, adventure, Civil War
Al Kortner - Original Magazine Story Illustration (c.1945).
Gouache on board, image size approximately 14 x 24. Signed lower right.
keywords: illustrator, painting, Sundblom student, World War II, action, adventure
Gouache on board, image size approximately 14 x 24. Signed lower right.
keywords: illustrator, painting, Sundblom student, World War II, action, adventure
Al Kortner - Original Magazine Story Illustration (1950).
American Weekly March 12, 1950, for Romances of Old New Orleans - Anna Matilda and the Golden Boy by Harnett T. Kane. Caption: "'What a figure, let's go and see if she's pretty too,' the old man whispered. It was his granddaughter!"
Gouache on board, image size approximately 17 x 19. Signed lower right.
Two photos of the published version are included.
keywords: illustrator, painting, Sundblom student, love, glamour, beauty
American Weekly March 12, 1950, for Romances of Old New Orleans - Anna Matilda and the Golden Boy by Harnett T. Kane. Caption: "'What a figure, let's go and see if she's pretty too,' the old man whispered. It was his granddaughter!"
Gouache on board, image size approximately 17 x 19. Signed lower right.
Two photos of the published version are included.
keywords: illustrator, painting, Sundblom student, love, glamour, beauty
Al Kortner - Original Magazine Story Illustration (1950).
American Weekly September, 1950, for Romantic Rebels.
Gouache on board, image size approximately 19 x 30. Signed middle right.
There is foxing and browning throughout the image area, especially affecting the white background.
keywords: illustrator, painting, Sundblom student, love, glamour, beauty, adventure, romance, cowboy
American Weekly September, 1950, for Romantic Rebels.
Gouache on board, image size approximately 19 x 30. Signed middle right.
There is foxing and browning throughout the image area, especially affecting the white background.
keywords: illustrator, painting, Sundblom student, love, glamour, beauty, adventure, romance, cowboy
Al Kortner - Original Advertising Art (c.1950).
Reproduced as a 24-sheet highway billboard.
Mixed media on board (portions are printed matter and overlay), image size approximately 15 x 30. Signed lower right.
keywords: illustrator, illustration, Sundblom student, Chicago artist, liquor, bourbon
Reproduced as a 24-sheet highway billboard.
Mixed media on board (portions are printed matter and overlay), image size approximately 15 x 30. Signed lower right.
keywords: illustrator, illustration, Sundblom student, Chicago artist, liquor, bourbon
Florence Kroger - Original Calendar Art (c.1930).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 20 x 25. Signed lower left.
A small published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: baby, dachshund, illustrator, illustration, children, toddlers, babies, pets, dog
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 20 x 25. Signed lower left.
A small published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: baby, dachshund, illustrator, illustration, children, toddlers, babies, pets, dog
Florence Kroger - Original Calendar Art (1935-1940).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 20 x 24. Signed lower right.
keywords: sleeping baby, teddy bear, illustrator, illustration, children, toddlers, babies
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 20 x 24. Signed lower right.
keywords: sleeping baby, teddy bear, illustrator, illustration, children, toddlers, babies
Florence Kroger - Original Calendar Art (1935-1940).
Possibly published by the Gerlach-Barklow Calendar Company, Illinois.
Oil on canvas, approximately 25 x 20. Signed lower right.
keywords: mother, child, illustrator, illustration, children, religious, spiritual
Possibly published by the Gerlach-Barklow Calendar Company, Illinois.
Oil on canvas, approximately 25 x 20. Signed lower right.
keywords: mother, child, illustrator, illustration, children, religious, spiritual
Florence Kroger - Original Calendar Art (c.1930).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 27x 24. Signed lower left.
A small published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: baby, bird, illustrator, illustration, children, toddlers, babies
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 27x 24. Signed lower left.
A small published version of the art, still attached to the painting's original brown wrapping paper, is included.
keywords: baby, bird, illustrator, illustration, children, toddlers, babies
Florence Kroger - Original Calendar Art (c.1930).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 31 x 27. Signed lower left.
A calendar print, approximately 21 x 14, is included.
keywords: mother, baby, illustrator, illustration, children, toddlers, babies
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 31 x 27. Signed lower left.
A calendar print, approximately 21 x 14, is included.
keywords: mother, baby, illustrator, illustration, children, toddlers, babies
Florence Kroger - Original Calendar Art (1935-1940).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 25 x 20. Signed lower right.
keywords: baby, toys, illustrator, illustration, children, toddlers, babies
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 25 x 20. Signed lower right.
keywords: baby, toys, illustrator, illustration, children, toddlers, babies
John LaGatta (1894-1977) Original Advertising Art (1940).
Probably for Laros Lingerie.
Oil on masonite, framed (33 x 22), sight size approximately 28 x 17. Signed and dated (1940) on the verso of the board.
keywords: illustrator, illustration, The Saturday Evening Post cover artist, beauty, glamour, fashion
Probably for Laros Lingerie.
Oil on masonite, framed (33 x 22), sight size approximately 28 x 17. Signed and dated (1940) on the verso of the board.
keywords: illustrator, illustration, The Saturday Evening Post cover artist, beauty, glamour, fashion
Robert Lavin (1919-1997) Original Illustration (c.1960).
Part of a series of paintings created for a U.S. bank note company.
Oil on masonite, image size 24 x 30. Signed lower right.
keywords: illustrator, currency, Greek Mythology Hermes, Roman God Mercury, winged messenger
Part of a series of paintings created for a U.S. bank note company.
Oil on masonite, image size 24 x 30. Signed lower right.
keywords: illustrator, currency, Greek Mythology Hermes, Roman God Mercury, winged messenger
Ron Lesser - Original Paperback Cover Art (1965-1970).
Oil on board (17.5 x 25), image size approximately 15 x 17. Signed lower middle.
keywords: illustrator, illustration, interracial, love, romance
Oil on board (17.5 x 25), image size approximately 15 x 17. Signed lower middle.
keywords: illustrator, illustration, interracial, love, romance
Ron Lesser - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Gouache on board, image size approximately 15 x 13.5. Not signed.
keywords: illustrator, action, war, WWII, love, romance
For a men's adventure magazine.
Gouache on board, image size approximately 15 x 13.5. Not signed.
keywords: illustrator, action, war, WWII, love, romance
Ron Lesser - Attributed - Original Paperback Cover Art (c.1965).
Gouache on board, image size approximately 16.5 x 11. Not signed.
keywords: illustrator, illustration, gothic, love, romance
Gouache on board, image size approximately 16.5 x 11. Not signed.
keywords: illustrator, illustration, gothic, love, romance
Ron Lesser - Attributed - Original Paperback Cover Art (c.1965).
Gouache and mixed media on board, image size approximately 20 x 16. Not signed.
keywords: illustrator, illustration, romance, love, gothic, mystery
Gouache and mixed media on board, image size approximately 20 x 16. Not signed.
keywords: illustrator, illustration, romance, love, gothic, mystery
Ron Lesser - Attributed - Original Paperback Cover Art (1965-1970).
Gouache on board, image size approximately 20.5 x 12. Not signed.
keywords: illustrator, illustration, vintage paperback, detective, mystery, gga
Gouache on board, image size approximately 20.5 x 12. Not signed.
keywords: illustrator, illustration, vintage paperback, detective, mystery, gga
Joseph Christian Leyendecker (1874-1951) Original Advertising Preliminary (c.1940).
Fully finished preliminary painting of an ad for the Pan American Coffee Bureau, NYC. The final version was published in most of the national periodicals of the period.
Oil on canvas, attached to board, framed (16.5 x 18), sight size approximately 9 x 10.5. Signed (monogrammed) lower left.
A color copy of the final published ad is included.
keywords: illustrator, illustration, Arrow Collar Man artist, Americana, family, grandfather, grandson, The Saturday Evening Post cover artist
Fully finished preliminary painting of an ad for the Pan American Coffee Bureau, NYC. The final version was published in most of the national periodicals of the period.
Oil on canvas, attached to board, framed (16.5 x 18), sight size approximately 9 x 10.5. Signed (monogrammed) lower left.
A color copy of the final published ad is included.
keywords: illustrator, illustration, Arrow Collar Man artist, Americana, family, grandfather, grandson, The Saturday Evening Post cover artist
Richard Lillis (1899-1995) Original Pulp Painting (1946).
.44 Western Magazine August, 1946.
Oil on canvas, approximately 30 x 21. Signed lower right. The signature is faded but legible.
A color printer's proof of the published cover is included.
keywords: illustrator, illustration, pulp artist, Western, action, adventure
.44 Western Magazine August, 1946.
Oil on canvas, approximately 30 x 21. Signed lower right. The signature is faded but legible.
A color printer's proof of the published cover is included.
keywords: illustrator, illustration, pulp artist, Western, action, adventure
Joseph W. Little - Original Magazine Story Illustration (1943).
American Weekly January 31, 1943. Caption: "Directing the cabman to head for Kentucky, they crossed the river in the night and finally parked near the lonely orchard. Leaving the others huddled on the drivers seat, the young student solicitously helped the bemused girl from the hack and led her off into the darkness."
Gouache on board, image size approximately 21.5 x 16.5. Signed lower right.
keywords: illustrator, painting, mystery, intrigue, fashion, crime
American Weekly January 31, 1943. Caption: "Directing the cabman to head for Kentucky, they crossed the river in the night and finally parked near the lonely orchard. Leaving the others huddled on the drivers seat, the young student solicitously helped the bemused girl from the hack and led her off into the darkness."
Gouache on board, image size approximately 21.5 x 16.5. Signed lower right.
keywords: illustrator, painting, mystery, intrigue, fashion, crime
Joseph W. Little - Attributed - Original Magazine Story Illustration (1944).
American Weekly November 12, 1944. Caption: "Terrified, ready to run back to hiding, they stood there like giant statues, as the strange bird roared overhead."
Gouache on board, image size approximately 18 x 18. Not signed.
keywords: illustrator, painting, action, adventure
American Weekly November 12, 1944. Caption: "Terrified, ready to run back to hiding, they stood there like giant statues, as the strange bird roared overhead."
Gouache on board, image size approximately 18 x 18. Not signed.
keywords: illustrator, painting, action, adventure
Walt Louderback (1887-1941) Original Magazine Story Illustration (1920-1930).
Oil on canvas, approximately 32 x 20. Signed lower left.
keywords: illustrator, painting, Western, cowboy, horses, equestrian
Oil on canvas, approximately 32 x 20. Signed lower left.
keywords: illustrator, painting, Western, cowboy, horses, equestrian
Tom Lovell (1909-1997) Original Magazine Story Illustration (1940-1950).
For Shield of Love by Pearl S. Buck. Story caption: "They seemed to hate each other -- those two men she loved best. Yet she could not take sides without destroying one of them." Illustration caption: "'You aren't trustworthy,' Roderick said. 'How do you know?' Rod cried. 'You don't let me alone. You're always watching me.'"
Oil on board, matted (25 x 28.5), sight size approximately 15 x 17.5. Signed lower left.
A color copy of the published version is included.
keywords: illustrator, painting, Western artist, family, drama, guns
For Shield of Love by Pearl S. Buck. Story caption: "They seemed to hate each other -- those two men she loved best. Yet she could not take sides without destroying one of them." Illustration caption: "'You aren't trustworthy,' Roderick said. 'How do you know?' Rod cried. 'You don't let me alone. You're always watching me.'"
Oil on board, matted (25 x 28.5), sight size approximately 15 x 17.5. Signed lower left.
A color copy of the published version is included.
keywords: illustrator, painting, Western artist, family, drama, guns
Mike Ludlow - Original Paperback Cover Art (1971).
Ace #87135 - Walk Softly Doctor by Arlene Hale.
Gouache on board, image size approximately 20 x 13. Not signed. The artist's name is noted (as M. Ludlow) below the book title on the bottom front edge of the board.
Ace #87135 - Walk Softly Doctor by Arlene Hale.
Gouache on board, image size approximately 20 x 13. Not signed. The artist's name is noted (as M. Ludlow) below the book title on the bottom front edge of the board.
William MacKenzie - Original Calendar Art (c.1934).
The Indian Love Call, published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 21 x 26. Signed lower right.
Three examples of the published version are included.
keywords: illustrator, illustration, painting, Americana, Indian maidens, Native Americans
The Indian Love Call, published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 21 x 26. Signed lower right.
Three examples of the published version are included.
keywords: illustrator, illustration, painting, Americana, Indian maidens, Native Americans
Earl MacPherson (1910-1993) Original Pin-up Art (c.1950).
Pastel on board, framed (22.5 x 19.5), sight size approximately 20.5 x 17. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 200, fig. 451.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, Americana, bicycling
Pastel on board, framed (22.5 x 19.5), sight size approximately 20.5 x 17. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 200, fig. 451.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, Americana, bicycling
Dennis Magdich - Original Advertising Art (c.1980).
The Walkman F1, for the Sony Corporation.
Airbrush and mixed media on board, image size approximately 28 x 26. Not signed.
There is chipping to the white lettering on the cassette tape.
keywords: illustrator, illustration, music, pop culture
The Walkman F1, for the Sony Corporation.
Airbrush and mixed media on board, image size approximately 28 x 26. Not signed.
There is chipping to the white lettering on the cassette tape.
keywords: illustrator, illustration, music, pop culture
Robert Maguire - Original Paperback Cover Art.
Harper Monogram #08036 - Sunburst by Suzanne Ellison. Caption: "Searching for lost love, she found her heart."
Acrylic on board, approximately 29.5 x 22. Signed lower right.
A copy of the paperback is included.
keywords: illustration, illustrator, painting, romance, nurse, vintage paperback
Harper Monogram #08036 - Sunburst by Suzanne Ellison. Caption: "Searching for lost love, she found her heart."
Acrylic on board, approximately 29.5 x 22. Signed lower right.
A copy of the paperback is included.
keywords: illustration, illustrator, painting, romance, nurse, vintage paperback
Joel Malmed - Attributed - Original Paperback Cover Art (c.1970).
Gouache on board, image size approximately 25.5 x 16.5. Not signed.
keywords: illustrator, illustration, western, action, adventure
Gouache on board, image size approximately 25.5 x 16.5. Not signed.
keywords: illustrator, illustration, western, action, adventure
Joel Malmed - Attributed - Original Paperback Cover Art (1965).
Ace #D-594 - The Desperate Deputy of Cougar Hill by Louis Trimble. Caption: "Gun trap for a wildcat."
Gouache on board, image size approximately 17 x 20. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, Western, action, adventure
Ace #D-594 - The Desperate Deputy of Cougar Hill by Louis Trimble. Caption: "Gun trap for a wildcat."
Gouache on board, image size approximately 17 x 20. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, Western, action, adventure
Lou Marchetti - Attributed - Original Paperback Cover Art (1967).
Ace #K-263 - The Night My Enemy by Anne Maybury. Caption: "Her escape from love became a journey into fear."
Gouache on board, image size approximately 19 x 14. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, gothic, love, romance
Ace #K-263 - The Night My Enemy by Anne Maybury. Caption: "Her escape from love became a journey into fear."
Gouache on board, image size approximately 19 x 14. Not signed.
A copy of the paperback is included.
keywords: illustrator, illustration, gothic, love, romance
Walter Martin - Original Magazine Cover Art (c.1930).
Probably for Liberty magazine, or similar national periodical.
Oil on canvas, approximately 26 x 19. Signed lower left.
keywords: illustration, illustrator, painting, barber, fishing, boating, sports, recreation
Probably for Liberty magazine, or similar national periodical.
Oil on canvas, approximately 26 x 19. Signed lower left.
keywords: illustration, illustrator, painting, barber, fishing, boating, sports, recreation
B. Mathews - Original Paperback Cover Art (1967).
Oil on board, image size approximately 22 x 15. Signed lower right.
keywords: illustrator, illustration, love, romance
Oil on board, image size approximately 22 x 15. Signed lower right.
keywords: illustrator, illustration, love, romance
Frank McCarthy (1924-2002) Original Advertising Art (1960-1970).
For Schmidt's Beer, Philadelphia.
Oil on board, image size approximately 17 x 27. Signed lower right.
Also included is the study for this painting (8 x 12) and an actual poster (approximately 21.5 x 33.5) of the ad.
keywords: illustrator, illustration, Western artist, wildlife artist, animals, deer, liquor
For Schmidt's Beer, Philadelphia.
Oil on board, image size approximately 17 x 27. Signed lower right.
Also included is the study for this painting (8 x 12) and an actual poster (approximately 21.5 x 33.5) of the ad.
keywords: illustrator, illustration, Western artist, wildlife artist, animals, deer, liquor
Gerald McConnell - Original Calendar Art (c.1960).
Gouache and mixed media on board, image size approximately 25 x 27. Signed lower left.
keywords: illustrator, illustration, painting, school crossing series, children, policeman, humor, Americana
Gouache and mixed media on board, image size approximately 25 x 27. Signed lower left.
keywords: illustrator, illustration, painting, school crossing series, children, policeman, humor, Americana
James McKell (1885-1956) Original Calendar Art (1930-1940).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on board, image size approximately 40 x 30. Signed lower right.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, fishing, boating
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on board, image size approximately 40 x 30. Signed lower right.
keywords: illustrator, illustration, painting, The Saturday Evening Post cover artist, fishing, boating
William Medcalf - Original Pin-up / Glamour Art - Group Lot of Two (1963).
Miss Sylvania, for Sylvania Electric Products Inc., published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 30 x 24. Signed lower left.
Also included is the study for this painting: gouache on board, image size approximately 21 x 16. Signed lower right.
A color copy of the published version is included.
Both images were reproduced in The Great American Pin-up (Martignette & Meisel), page 209, fig's. 475 and 476.
keywords: illustrator, illustration, beauty, TV, fashion, Americana
Miss Sylvania, for Sylvania Electric Products Inc., published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 30 x 24. Signed lower left.
Also included is the study for this painting: gouache on board, image size approximately 21 x 16. Signed lower right.
A color copy of the published version is included.
Both images were reproduced in The Great American Pin-up (Martignette & Meisel), page 209, fig's. 475 and 476.
keywords: illustrator, illustration, beauty, TV, fashion, Americana
William Medcalf - Original Calendar Art - Group Lot of Two (c.1950).
Probably published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 26 x 20. Signed lower right.
Also included is the study for this painting: charcoal on board, matted (28.5 x 23.5), sight size approximately 21 x 17.5. Signed lower right.
keywords: illustrator, illustration, pin-up artist, children, babies, medical, nurse
Probably published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 26 x 20. Signed lower right.
Also included is the study for this painting: charcoal on board, matted (28.5 x 23.5), sight size approximately 21 x 17.5. Signed lower right.
keywords: illustrator, illustration, pin-up artist, children, babies, medical, nurse
James Meese - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Gouache on board, image size approximately 17 x 27. Initialed middle right.
keywords: illustrator, action, suspense
For a men's adventure magazine.
Gouache on board, image size approximately 17 x 27. Initialed middle right.
keywords: illustrator, action, suspense
H. Miller - Original Illustration (1945-1955).
Most likely published as an advertisement or story illustration.
Gouache on board, image size approximately 10 x 13. Signed lower right.
The board has been cut to the image size noted.
keywords: illustrator, painting, World War II, aeronautical, airplanes, aircraft, fighter planes
Most likely published as an advertisement or story illustration.
Gouache on board, image size approximately 10 x 13. Signed lower right.
The board has been cut to the image size noted.
keywords: illustrator, painting, World War II, aeronautical, airplanes, aircraft, fighter planes
Bruce Minney - Original Magazine Story Illustration (1958).
Male June, 1958, for The Civil War's Worst Crime.
Gouache on board, image size approximately 16.5 x 25. Signed lower right.
keywords: illustrator, action, war, adventure
Male June, 1958, for The Civil War's Worst Crime.
Gouache on board, image size approximately 16.5 x 25. Signed lower right.
keywords: illustrator, action, war, adventure
Bruce Minney - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Gouache on board, image size approximately 14.5 x 29. Signed lower right.
keywords: illustrator, action, war, suspense
For a men's adventure magazine.
Gouache on board, image size approximately 14.5 x 29. Signed lower right.
keywords: illustrator, action, war, suspense
Bruce Minney - Original Magazine Story Illustration (1960-1965).
Sportsman magazine, for The Last Bullet.
Gouache on board, image size approximately 15.5 x 24.5. Signed lower right.
keywords: illustrator, action, adventure
Sportsman magazine, for The Last Bullet.
Gouache on board, image size approximately 15.5 x 24.5. Signed lower right.
keywords: illustrator, action, adventure
Bruce Minney - Original Magazine Story Illustration (1957).
Male December, 1957, for Major Carlon's Fast Bullet.
Gouache on board, image size approximately 20.5 x 15.5. Signed lower right.
keywords: illustrator, action, adventure
Male December, 1957, for Major Carlon's Fast Bullet.
Gouache on board, image size approximately 20.5 x 15.5. Signed lower right.
keywords: illustrator, action, adventure
Bruce Minney - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Gouache on board, image size approximately 20 x 15. Signed lower right.
keywords: illustrator, action, war, Civil War, soldiers, Americana
For a men's adventure magazine.
Gouache on board, image size approximately 20 x 15. Signed lower right.
keywords: illustrator, action, war, Civil War, soldiers, Americana
Beni Montresor (1926-2001) Original Book Illustrations - Group Lot of Four (c.1969).
A is for Angel: Beni Montresor's A-B-C Picture-Stories NY:Knopf 1969.
Mixed media on paper, matted (each) (17.5 x 30), sight size (each) approximately 10.5 x 23. Signed lower right.
keywords: director screenwriter, art director, costume designer, scenic designer, set designer, illustrator, writer, Broadway
A is for Angel: Beni Montresor's A-B-C Picture-Stories NY:Knopf 1969.
Mixed media on paper, matted (each) (17.5 x 30), sight size (each) approximately 10.5 x 23. Signed lower right.
keywords: director screenwriter, art director, costume designer, scenic designer, set designer, illustrator, writer, Broadway
Earl Steffa Moran (1893-1984) Original Pin-up Art (c.1956).
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "Now's the time For dreams of you; A pleasure fine, And wondrous too."
Pastel on board, framed (28.5 x 22.5), sight size approximately 26 x 20. Signed lower right.
An ink blotter featuring the published image and a color copy of a calendar page are included.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "Now's the time For dreams of you; A pleasure fine, And wondrous too."
Pastel on board, framed (28.5 x 22.5), sight size approximately 26 x 20. Signed lower right.
An ink blotter featuring the published image and a color copy of a calendar page are included.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
Earl Steffa Moran (1893-1984) Original Pin-up / Glamour Art (1940-1950).
Probably published by the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Pastel on board, framed (37 x 30), sight size approximately 34.5 x 27.5. Signed lower left.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, Americana
Probably published by the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Pastel on board, framed (37 x 30), sight size approximately 34.5 x 27.5. Signed lower left.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, Americana
Zoe Mozert (1907-1993) Original Pin-up / Glamour Art (1947).
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Pastel on wood, framed (31 x 21.5), sight size 28 x 18.5. Signed lower left. Additionally signed on the verso "Zoe Mozert, Painted in 1947, Hollywood, Cal."
Reproduced in The Great American Pin-up (Martignette & Meisel), page 234, fig. 532.
keywords: illustrator, illustration, drawing, beauty, glamour, fashion, Americana
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Pastel on wood, framed (31 x 21.5), sight size 28 x 18.5. Signed lower left. Additionally signed on the verso "Zoe Mozert, Painted in 1947, Hollywood, Cal."
Reproduced in The Great American Pin-up (Martignette & Meisel), page 234, fig. 532.
keywords: illustrator, illustration, drawing, beauty, glamour, fashion, Americana
Stockton Mulford - Original Magazine Story Illustration (c.1920).
Charcoal on board, framed (36.5 x 30.5), sight size approximately 27 x 21. Signed lower left.
keywords: illustrator, drawing, family, drama
Charcoal on board, framed (36.5 x 30.5), sight size approximately 27 x 21. Signed lower left.
keywords: illustrator, drawing, family, drama
K. O. Munson - Original Pin-up Art (c.1950).
Appeared as "October" in the 1950 calendar for Munson's Artist's Sketch Pad series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "You can't beat the Dutch!"
Pastel and charcoal on paper, framed (27.5 x 19.5), sight size 23.5 x 15.5. Signed middle left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel) page 244, fig. 553.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
Appeared as "October" in the 1950 calendar for Munson's Artist's Sketch Pad series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "You can't beat the Dutch!"
Pastel and charcoal on paper, framed (27.5 x 19.5), sight size 23.5 x 15.5. Signed middle left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel) page 244, fig. 553.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
K. O. Munson - Original Pin-up Art (c.1950).
Appeared as "November" in the 1950 calendar for Munson's Artist's Sketch Pad series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "Just a case of Excellent Scotch."
Pastel and charcoal on paper, framed (26.5 x 18.5), sight size 23.5 x 15.5. Signed lower left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 247, fig. 570.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
Appeared as "November" in the 1950 calendar for Munson's Artist's Sketch Pad series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota. Caption: "Just a case of Excellent Scotch."
Pastel and charcoal on paper, framed (26.5 x 18.5), sight size 23.5 x 15.5. Signed lower left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 247, fig. 570.
keywords: illustrator, illustration, drawing, beauty, glamour, gga
K. O. Munson - Attributed - Original Pin-up Art (1945-1950).
Pastel on board, framed (38 x 30), sight size 26.5 x 21. Signed lower right as "Dodworth," believed to be a nom de guerre of Munson's.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, nude
Pastel on board, framed (38 x 30), sight size 26.5 x 21. Signed lower right as "Dodworth," believed to be a nom de guerre of Munson's.
keywords: illustrator, illustration, drawing, beauty, glamour, gga, nude
Henry C. Murphy - Attributed - Original Pulp Painting (c.1930).
Oil on canvas, approximately 26.5 x 20.5. Not signed.
keywords: illustrator, illustration, Western, cowboy
Oil on canvas, approximately 26.5 x 20.5. Not signed.
keywords: illustrator, illustration, Western, cowboy
Rudy Nappi - Original Paperback Cover Art (c.1960).
MacFadden #35-125 - Nurse Hilary by Peggy Gaddis.
Gouache on board, image size approximately 16 x 10. Signed lower middle.
A copy of the paperback is included.
keywords: illustration, love, romance
MacFadden #35-125 - Nurse Hilary by Peggy Gaddis.
Gouache on board, image size approximately 16 x 10. Signed lower middle.
A copy of the paperback is included.
keywords: illustration, love, romance
Leo Nowack - Original Painting (1960-1970).
Oil on canvas, approximately 36 x 24. Signed lower right.
There is some evidence of a small prior conservation to the canvas, about center, visible on the verso.
keywords: fine art, nude, beauty
Oil on canvas, approximately 36 x 24. Signed lower right.
There is some evidence of a small prior conservation to the canvas, about center, visible on the verso.
keywords: fine art, nude, beauty
Leo Nowack - Original Painting (1960-1970).
Oil on canvas board, framed (38.5 x 32.5), sight size approximately 29.5 x 23.5. Signed lower left.
keywords: fine art, nude, beauty
Oil on canvas board, framed (38.5 x 32.5), sight size approximately 29.5 x 23.5. Signed lower left.
keywords: fine art, nude, beauty
Neil O'Keeffe - Original Magazine Story Illustration (c.1950)
American Weekly.
Watercolor on board, framed (26 x 27), sight size approximately 17 x 17.5. Signed lower middle.
keywords: illustrator, painting, historical, Egyptian
American Weekly.
Watercolor on board, framed (26 x 27), sight size approximately 17 x 17.5. Signed lower middle.
keywords: illustrator, painting, historical, Egyptian
Thornton Oakley (1881-1953) Original Book Illustration (1908).
The date 1-11-08 is noted on the verso of the canvas, with the (possible) caption: "I 'seed' the shape of a man leap for my place."
Oil en grisaille on canvas, approximately 30 x 20. Signed lower left. The signature is faded but legible.
keywords: illustrator, painting, action, adventure, Brandywine artist
The date 1-11-08 is noted on the verso of the canvas, with the (possible) caption: "I 'seed' the shape of a man leap for my place."
Oil en grisaille on canvas, approximately 30 x 20. Signed lower left. The signature is faded but legible.
keywords: illustrator, painting, action, adventure, Brandywine artist
Violet Oakley (1874-1961) Original Illustration (1910-1920).
Study for a cover of Country Life magazine.
Mixed media on board, framed (27.5 x 21.5), sight size approximately 19.5 x 13.5. Signed lower left.
keywords: illustrator, drawing, art nouveau, romance, fashion, muralist, Brandywine artist
Study for a cover of Country Life magazine.
Mixed media on board, framed (27.5 x 21.5), sight size approximately 19.5 x 13.5. Signed lower left.
keywords: illustrator, drawing, art nouveau, romance, fashion, muralist, Brandywine artist
Mayo Olmstead - Original Pin-up / Glamour Art (c.1970).
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Acrylic on board, matted (24 x 20), sight size approximately 18.5 x 14.5. Signed lower left.
A model photo is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 357, fig. 845.
keywords: illustrator, illustration, painting, beauty, blonde
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Acrylic on board, matted (24 x 20), sight size approximately 18.5 x 14.5. Signed lower left.
A model photo is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 357, fig. 845.
keywords: illustrator, illustration, painting, beauty, blonde
Walt Otto - Original Pin-up / Glamour Art (c.1950).
First Prize, probably published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 36 x 29. Signed lower right.
keywords: illustrator, illustrator, painting, beauty, farmer's daughter, Americana
First Prize, probably published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 36 x 29. Signed lower right.
keywords: illustrator, illustrator, painting, beauty, farmer's daughter, Americana
Taylor Oughton - Attributed - Original Calendar Art (1965-1970).
Oil on board, image size approximately 23 x 26. Not signed.
keywords: illustrator, illustration, painting, school crossing series, children, Americana
Oil on board, image size approximately 23 x 26. Not signed.
keywords: illustrator, illustration, painting, school crossing series, children, Americana
William Pachner - Original Illustration (1940-1950).
Most likely published as a story illustration.
Watercolor on board, image size approximately 18 x 29. Signed and inscribed lower right.
keywords: illustrator, painting, dance, party, fashion, Americana
Most likely published as a story illustration.
Watercolor on board, image size approximately 18 x 29. Signed and inscribed lower right.
keywords: illustrator, painting, dance, party, fashion, Americana
Irene Patten - Original Pin-up / Glamour Art (c.1940).
Pastel on canvas, approximately 61 x 30. Signed lower left.
A version of the published calendar is included.
keywords: illustrator, illustration, drawing, beauty, animals, dogs
Pastel on canvas, approximately 61 x 30. Signed lower left.
A version of the published calendar is included.
keywords: illustrator, illustration, drawing, beauty, animals, dogs
Irene Patten - Original Pin-up / Glamour Art (c.1935).
Pastel on canvas, approximately 67 x 32. Signed middle left.
Some restoration would be necessary. There is a water stain that affects the upper middle and outer right edges of the art.
keywords: illustrator, illustration, drawing, beauty, animals, dogs
Pastel on canvas, approximately 67 x 32. Signed middle left.
Some restoration would be necessary. There is a water stain that affects the upper middle and outer right edges of the art.
keywords: illustrator, illustration, drawing, beauty, animals, dogs
Laurette Patten - Original Calendar Art (c.1930).
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Pastel on board, framed (21.5 x 18), sight size approximately 19.5 x 15.5. Signed lower left.
An example of the published version is included.
keywords: illustrator, illustration, pin-up artist, drawing, babies, children, toddlers
Published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Pastel on board, framed (21.5 x 18), sight size approximately 19.5 x 15.5. Signed lower left.
An example of the published version is included.
keywords: illustrator, illustration, pin-up artist, drawing, babies, children, toddlers
Robert Patterson (1898-1981) Original Magazine Story Illustration (c.1960).
Gouache on board, framed (18.5 x 18), sight size approximately 13 x 12. Signed lower left.
keywords: illustrator, painting, love, romance
Gouache on board, framed (18.5 x 18), sight size approximately 13 x 12. Signed lower left.
keywords: illustrator, painting, love, romance
Lute (Lucius Curtis) Pease (1869-1963) Original Illustration (1939-1940).
Political cartoon titled No Bottleneck or possibly Breaking the Bottleneck, by Pulitzer Prize winning political cartoonist Pease.
Mixed media on board, framed (22.5 x 30), sight size approximately 14 x 19. Signed lower right.
keywords: Newark Evening News cartoonist, Pulitzer Prize winner, Who Me?, Portland Oregonian reporter, Portland Oregonian political cartoonist, Pacific Monthly editor-in-chief, John L. Lewis caricaturist, Uncle Sam, politics, defense program, wartime production, WWII, World War II
Political cartoon titled No Bottleneck or possibly Breaking the Bottleneck, by Pulitzer Prize winning political cartoonist Pease.
Mixed media on board, framed (22.5 x 30), sight size approximately 14 x 19. Signed lower right.
keywords: Newark Evening News cartoonist, Pulitzer Prize winner, Who Me?, Portland Oregonian reporter, Portland Oregonian political cartoonist, Pacific Monthly editor-in-chief, John L. Lewis caricaturist, Uncle Sam, politics, defense program, wartime production, WWII, World War II
Agnes Pelton (1881-1961) Original Painting (1934).
Titled: Lone Smoke Tree of the Mojave. This scene, framed in the artist's original, handmade frame, was a labor of love painted near the artist's home/studio in Palm Springs, California. Caption on verso of stretcher: "Smoke Tree in bloom June morning 5:30 am In Big Wash Cathedral City California."
Oil on canvas, approximately 18 x 24. Signed and dated lower right.
keywords: Transcendental Painting Group, Taos artist, Pratt Institute graduate, abstract artist, tree, landscape, smoke tree, Cathedral City
Titled: Lone Smoke Tree of the Mojave. This scene, framed in the artist's original, handmade frame, was a labor of love painted near the artist's home/studio in Palm Springs, California. Caption on verso of stretcher: "Smoke Tree in bloom June morning 5:30 am In Big Wash Cathedral City California."
Oil on canvas, approximately 18 x 24. Signed and dated lower right.
keywords: Transcendental Painting Group, Taos artist, Pratt Institute graduate, abstract artist, tree, landscape, smoke tree, Cathedral City
K. Gunnor Petersen - Original Magazine Cover Art (1955).
Most likely a cover for a King Syndicate Publication.
Gouache on board, matted (20.5 x 16.5), sight size approximately 15.5 x 11.5. Signed lower right.
keywords: illustrator, illustration, humor, love, romance, fashion, musical instruments, trumpet
Most likely a cover for a King Syndicate Publication.
Gouache on board, matted (20.5 x 16.5), sight size approximately 15.5 x 11.5. Signed lower right.
keywords: illustrator, illustration, humor, love, romance, fashion, musical instruments, trumpet
George Petty (1894-1975) Original Pin-up Art (1934).
Esquire May, 1934. Caption: "I can't see why you're always mauling me." Also appeared as part of the Petty portfolio published by Esquire.
Watercolor and mixed media on board, matted (20 x 15.5), sight size approximately 12 x 8. Signed lower-middle right.
Reproduced in Petty The Classic Pin-up Art of George Petty (Austin), page 31.
keywords: illustrator, illustration, painting, cartoon, humor, glamour, fashion, Americana, art deco
Esquire May, 1934. Caption: "I can't see why you're always mauling me." Also appeared as part of the Petty portfolio published by Esquire.
Watercolor and mixed media on board, matted (20 x 15.5), sight size approximately 12 x 8. Signed lower-middle right.
Reproduced in Petty The Classic Pin-up Art of George Petty (Austin), page 31.
keywords: illustrator, illustration, painting, cartoon, humor, glamour, fashion, Americana, art deco
George Petty (1894-1975) Original Pin-up Art (1956).
Published in Esquire magazine as part of a special portfolio layout. Also as an Esquire calendar, March, 1956, with the caption: "March is a month with too much breeze So I follow the sun and take my ease; It's nice and warm beside the sea, For the son of a steel mill follows me."
Watercolor on board, image size approximately 12 x 16. Signed lower left*. *Note: On all of the 1956 Petty calendar originals, Esquire moved the signature for publication.
A color copy of the calendar page is included.
keywords: illustrator, illustration, painting, beauty, gga, glamour, fashion, Americana
Published in Esquire magazine as part of a special portfolio layout. Also as an Esquire calendar, March, 1956, with the caption: "March is a month with too much breeze So I follow the sun and take my ease; It's nice and warm beside the sea, For the son of a steel mill follows me."
Watercolor on board, image size approximately 12 x 16. Signed lower left*. *Note: On all of the 1956 Petty calendar originals, Esquire moved the signature for publication.
A color copy of the calendar page is included.
keywords: illustrator, illustration, painting, beauty, gga, glamour, fashion, Americana
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly used as a Liberty magazine cover.
Gouache on board, framed (37 x 29.5), sight size approximately 24.5 x 17.5. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly used as a Liberty magazine cover.
Gouache on board, framed (37 x 29.5), sight size approximately 24.5 x 17.5. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 23 x 30. Signed lower right.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 23 x 30. Signed lower right.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 19 x 23. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 19 x 23. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 26 x 18. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 26 x 18. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 18 x 27. Not signed.
Provenance: Purchased from the artist's personal estate.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 18 x 27. Not signed.
Provenance: Purchased from the artist's personal estate.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 18 x 28. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 18 x 28. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 27 x 32. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 27 x 32. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 16 x 21. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 16 x 21. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Pastel on board, framed (32 x 28.5), sight size approximately 18 x 15. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears at lower left.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Pastel on board, framed (32 x 28.5), sight size approximately 18 x 15. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears at lower left.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Book Illustrations - Group Lot of Fifty-Six (c.1978).
The entirety of the interior art for Robert Louis Stevenson's Treasure Island, Bantam Books, published under arrangement with Ottenheimer Publishers, Inc., 1978. Fifty-six tissue-flapped plates (contained within a custom case).
Pen-and-ink on paper, each plate overall (17.5 x 11.5), sight sizes approximately 15 x 9.5. Each plate signed lower right.
Provenance: Purchased from the artist's personal estate.
A copy of the paperback book is included.
keywords: Treasure Island, Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
The entirety of the interior art for Robert Louis Stevenson's Treasure Island, Bantam Books, published under arrangement with Ottenheimer Publishers, Inc., 1978. Fifty-six tissue-flapped plates (contained within a custom case).
Pen-and-ink on paper, each plate overall (17.5 x 11.5), sight sizes approximately 15 x 9.5. Each plate signed lower right.
Provenance: Purchased from the artist's personal estate.
A copy of the paperback book is included.
keywords: Treasure Island, Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (1974).
Possibly published as a magazine story illustration.
Gouache on paper, framed (19 x 16.5), sight size approximately 11 x 8.5. Signed middle left.
Provenance: Purchased from the artist's personal estate.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Gouache on paper, framed (19 x 16.5), sight size approximately 11 x 8.5. Signed middle left.
Provenance: Purchased from the artist's personal estate.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 15 x 40. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 15 x 40. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 17 x 27. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 17 x 27. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 24 x 18. Initialed lower left.
Small dent in middle right canvas with some paint loss in background. Does not affect the central image.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 24 x 18. Initialed lower left.
Small dent in middle right canvas with some paint loss in background. Does not affect the central image.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Carl T. Pfeufer (1910-1980) Original Illustration (c.1930-1940).
Possibly published as a magazine story illustration.
Oil on canvas, approximately 20 x 11. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Possibly published as a magazine story illustration.
Oil on canvas, approximately 20 x 11. Not signed.
Provenance: Purchased from the artist's personal estate; the artist's estate stamp appears on the verso.
keywords: Marvel comics artist, Fawcett artist, Brooklyn Eagle artist, painter, sculptor
Rudy Pott - Original Magazine Story Illustration (1945-1955).
The Saturday Evening Post for This Is My Son by Clarence Budington Kelland. Caption: "The three went back on their haunches, goggling. Not one went for his weapon."
Oil on board, framed (17.5 x 23), sight size approximately 10 x 15.5. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, western, cowboys, drama, suspense
The Saturday Evening Post for This Is My Son by Clarence Budington Kelland. Caption: "The three went back on their haunches, goggling. Not one went for his weapon."
Oil on board, framed (17.5 x 23), sight size approximately 10 x 15.5. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, western, cowboys, drama, suspense
Raymond Rabreau - Original Pulp Painting (c.1930).
Oil on canvas, approximately 31 x 19. Signed lower right.
There is some evidence of a small prior conservation to the canvas, visible on the verso.
keywords: illustrator, illustration, cowboy, Western, action, adventure
Oil on canvas, approximately 31 x 19. Signed lower right.
There is some evidence of a small prior conservation to the canvas, visible on the verso.
keywords: illustrator, illustration, cowboy, Western, action, adventure
Paul Rabut (1914-1983) Original Magazine Story Illustration (c.1945).
Mixed media on board, image size approximately 11 x 8. Initialed lower left.
keywords: illustrator, drawing, Harvey Dunn student, mystery, detective
Mixed media on board, image size approximately 11 x 8. Initialed lower left.
keywords: illustrator, drawing, Harvey Dunn student, mystery, detective
Henry P. Raleigh (1880-1944) Original Magazine Story Illustration (1930).
Good Housekeeping, 1930 for All the King's Horses, Part V by Margaret Widdemer. Caption: "'Oh dear, there's Miss Milliken again,' said Patricia crossly. 'If she'd interrupt you about the time you're teaching me arithmetic there'd be some sense to it.' Helen secretly thought so, too."
Pen and ink and wash on board, matted (26.5 x 24.5), sight size approximately 20.5 x 18. Not signed.
Copies of the published version are included.
keywords: illustrator, drawing, love, romance, humor, fashion
Good Housekeeping, 1930 for All the King's Horses, Part V by Margaret Widdemer. Caption: "'Oh dear, there's Miss Milliken again,' said Patricia crossly. 'If she'd interrupt you about the time you're teaching me arithmetic there'd be some sense to it.' Helen secretly thought so, too."
Pen and ink and wash on board, matted (26.5 x 24.5), sight size approximately 20.5 x 18. Not signed.
Copies of the published version are included.
keywords: illustrator, drawing, love, romance, humor, fashion
Bill Randall - Original Pin-up Art (1961).
Gouache on board, framed (29.5 x 20.5), sight size approximately 22 x 13.5. Signed middle left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 365, fig. 865.
keywords: illustrator, illustration, painting, beauty, glamour, gga, bullfights, senorita
Gouache on board, framed (29.5 x 20.5), sight size approximately 22 x 13.5. Signed middle left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 365, fig. 865.
keywords: illustrator, illustration, painting, beauty, glamour, gga, bullfights, senorita
Walter G. Ratterman (1887-1944) Original Illustration (c.1930).
Possibly reproduced as a movie poster or movie advertising art.
Oil on canvas board, framed (29 x 29), sight size approximately 17 x 18.5. Signed lower right.
keywords: illustrator, painting, western, action, adventure
Possibly reproduced as a movie poster or movie advertising art.
Oil on canvas board, framed (29 x 29), sight size approximately 17 x 18.5. Signed lower right.
keywords: illustrator, painting, western, action, adventure
Jon Robky - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Mixed media on board, image size approximately 18 x 27. Signed lower left.
keywords: illustrator, action, war, battle, ships, nautical
For a men's adventure magazine.
Mixed media on board, image size approximately 18 x 27. Signed lower left.
keywords: illustrator, action, war, battle, ships, nautical
Jon Robky - Attributed - Original Magazine Story Illustration (1960-1970).
For a men's adventure magazine.
Mixed media on board, image size approximately 17.5 x 27. Not signed.
keywords: illustrator, action, war, battle
For a men's adventure magazine.
Mixed media on board, image size approximately 17.5 x 27. Not signed.
keywords: illustrator, action, war, battle
Norman Perceval Rockwell (1894-1978) Original Preliminary Illustration (1949).
Titled: A Christmas Prayer. Study for a Hallmark Greeting card.
Graphite on paper, framed (29.5 x 27), sight size approximately 13 x 11. Signed lower right; additionally signed and inscribed "My love and admiration to a very nice girl, Diana Mugnaini. Sincerely, Norman Rockwell."
Diana Mugnaini is the daughter of noted illustrator Joseph Mugnaini (1912-1992).*
This preliminary drawing is listed and pictured in Norman Rockwell: A Definitive Catalog (Moffatt), Volume 1, pp. 422 & 423, item A443b.
*The Mugnaini family were close friends of the Rockwells and Diana modeled for Rockwell several times. Diana and Joseph Mugnaini were two of the models for Norman Rockwell's painting entitled Traffic Conditions, which was published as a cover for The Saturday Evening Post July 9, 1949.
keywords: illustrator, drawing, Americana, religious, children, family
Titled: A Christmas Prayer. Study for a Hallmark Greeting card.
Graphite on paper, framed (29.5 x 27), sight size approximately 13 x 11. Signed lower right; additionally signed and inscribed "My love and admiration to a very nice girl, Diana Mugnaini. Sincerely, Norman Rockwell."
Diana Mugnaini is the daughter of noted illustrator Joseph Mugnaini (1912-1992).*
This preliminary drawing is listed and pictured in Norman Rockwell: A Definitive Catalog (Moffatt), Volume 1, pp. 422 & 423, item A443b.
*The Mugnaini family were close friends of the Rockwells and Diana modeled for Rockwell several times. Diana and Joseph Mugnaini were two of the models for Norman Rockwell's painting entitled Traffic Conditions, which was published as a cover for The Saturday Evening Post July 9, 1949.
keywords: illustrator, drawing, Americana, religious, children, family
William F. Rose - Original Magazine Story Illustration (1950).
American Weekly January 22, 1950. Caption: "'Yes,' Anna whispered to the romantic pleas of the titled Frenchman, as they stood before the cathedral in Quebec."
Gouache and mixed media on board, image size approximately 26 x 18.5. Signed lower right.
keywords: illustrator, painting, love, romance
American Weekly January 22, 1950. Caption: "'Yes,' Anna whispered to the romantic pleas of the titled Frenchman, as they stood before the cathedral in Quebec."
Gouache and mixed media on board, image size approximately 26 x 18.5. Signed lower right.
keywords: illustrator, painting, love, romance
Alex Ross (1909-1990) Original Magazine Story Illustration (c.1960).
Watercolor on paper (attached to board), image size approximately 22 x 27. Signed lower right.
keywords: illustrator, painting, Saturday Evening Post cover artist, love, romance, fashion
Watercolor on paper (attached to board), image size approximately 22 x 27. Signed lower right.
keywords: illustrator, painting, Saturday Evening Post cover artist, love, romance, fashion
Alex Ross (1909-1990) Original Magazine Cover Art (1947).
Good Housekeeping May, 1947.
Gouache on board, image size approximately 13 x 10. Signed lower left.
A single page showing the published cover is included. Notably, this particular page is from Gil Elvgren's personal tear sheet reference library, as shown by the stamp of Elvgren's name on the page.
keywords: illustrator, illustration, spring, nature, children, The Saturday Evening Post cover artist
Good Housekeeping May, 1947.
Gouache on board, image size approximately 13 x 10. Signed lower left.
A single page showing the published cover is included. Notably, this particular page is from Gil Elvgren's personal tear sheet reference library, as shown by the stamp of Elvgren's name on the page.
keywords: illustrator, illustration, spring, nature, children, The Saturday Evening Post cover artist
Jerome George Rozen (1895-1987) - Attributed - Original Pulp Painting (1929).
Wild West Weekly September, 1929.
This was originally purchased with a group of pulp paintings which were all signed "B. W. Rocky," purportedly a fictitious name. Several of these paintings were later positively identified as the work of Jerome Rozen, including one which was a 1930s Nick Carter cover painting. The current owner believes this painting to also be the work of Jerome Rozen.
Oil on canvas, approximately 24 x 20. Signed as "B. W. Rocky" lower right.
keywords: illustrator, illustration, pulp artist, Mysterious Wu Fang cover artist, Dr. Yen Sin cover artist
Wild West Weekly September, 1929.
This was originally purchased with a group of pulp paintings which were all signed "B. W. Rocky," purportedly a fictitious name. Several of these paintings were later positively identified as the work of Jerome Rozen, including one which was a 1930s Nick Carter cover painting. The current owner believes this painting to also be the work of Jerome Rozen.
Oil on canvas, approximately 24 x 20. Signed as "B. W. Rocky" lower right.
keywords: illustrator, illustration, pulp artist, Mysterious Wu Fang cover artist, Dr. Yen Sin cover artist
Donald "Rusty" Rust - Original Pin-up Art (c.1975).
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, glamour, painting, space, beauty
Oil on canvas, approximately 30 x 24. Signed lower right.
keywords: illustrator, glamour, painting, space, beauty
Donald "Rusty" Rust - Original Pin-up Art (c.1955).
Vintage painting by Rust, as indicated by the earlier form of his signature, "Rusty."
Oil on canvas, framed (31 x 24.5), sight size approximately 29.5 x 23.5. Signed lower right.
keywords: Valkyrie Press artist, A.S. Barnes & Co. artist, World of Yesterday artist, Pin-up artist, Ringling Museum of the Circus artist, Norman Rockwell Museum artist, Reader's Digest illustrator, illustrator, painting
Vintage painting by Rust, as indicated by the earlier form of his signature, "Rusty."
Oil on canvas, framed (31 x 24.5), sight size approximately 29.5 x 23.5. Signed lower right.
keywords: Valkyrie Press artist, A.S. Barnes & Co. artist, World of Yesterday artist, Pin-up artist, Ringling Museum of the Circus artist, Norman Rockwell Museum artist, Reader's Digest illustrator, illustrator, painting
Tony Sarg (1880-1942) Original Magazine Story Illustration (1917).
Mixed media on board, matted (23 x 22), sight size approximately 16 x 13. Signed and dated (17) lower right.
keywords: illustrator, painting, humor, Americana, doctor, children's book illustrator
Mixed media on board, matted (23 x 22), sight size approximately 16 x 13. Signed and dated (17) lower right.
keywords: illustrator, painting, humor, Americana, doctor, children's book illustrator
Arthur Sarnoff (1912-2000) Original Pin-up / Glamour Art (c.1960).
Gouache on board, framed (20 x 16.5), sight size approximately 17 x 14. Signed lower left.
There is some fine cracking to the paint along the lower edge and lower left background, which does not affect the main image area.
keywords: illustrator, illustration, painting, beauty, gga
Gouache on board, framed (20 x 16.5), sight size approximately 17 x 14. Signed lower left.
There is some fine cracking to the paint along the lower edge and lower left background, which does not affect the main image area.
keywords: illustrator, illustration, painting, beauty, gga
Arthur Sarnoff (1912-2000) Original Pin-up Art (c.1960).
Gouache on board, framed (24 x 20), sight size approximately 21 x 17. Signed lower left.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Gouache on board, framed (24 x 20), sight size approximately 21 x 17. Signed lower left.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (1943).
Cosmopolitan August, 1943, for Thanks for the Buggy Ride by Elizabeth Seifert. Caption: "Mr. Lovell held up his arms and Susan jumped down into them. How else could a girl get out of a surrey?"
Gouache on board, image size approximately 18 x 25.5. Signed lower middle.
A complete issue of the magazine and model photos are included.
keywords: illustrator, painting, love, romance, Americana
Cosmopolitan August, 1943, for Thanks for the Buggy Ride by Elizabeth Seifert. Caption: "Mr. Lovell held up his arms and Susan jumped down into them. How else could a girl get out of a surrey?"
Gouache on board, image size approximately 18 x 25.5. Signed lower middle.
A complete issue of the magazine and model photos are included.
keywords: illustrator, painting, love, romance, Americana
Arthur Sarnoff (1912-2000) Original Pin-up / Glamour Art (c.1960).
Gouache on board, framed (30 x 22), sight size approximately 27.5 x 19.5. Signed lower left.
Although there is a Redbook magazine label on the verso of the board, the information is crossed off; Arthur Sarnoff reused the board to paint this pin-up.
keywords: illustrator, illustration, painting, beauty, gga
Gouache on board, framed (30 x 22), sight size approximately 27.5 x 19.5. Signed lower left.
Although there is a Redbook magazine label on the verso of the board, the information is crossed off; Arthur Sarnoff reused the board to paint this pin-up.
keywords: illustrator, illustration, painting, beauty, gga
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (c.1950).
Gouache on board, image size approximately 20 x 19. Signed middle right.
keywords: illustrator, painting, love, romance, fashion
Gouache on board, image size approximately 20 x 19. Signed middle right.
keywords: illustrator, painting, love, romance, fashion
Arthur Sarnoff (1912-2000) Original Pin-up Art (1993).
Oil on canvas, approximately 30 x 24. Signed and dated (93) lower right.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Oil on canvas, approximately 30 x 24. Signed and dated (93) lower right.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (c.1960).
Gouache on board, image size approximately 23 x 20. Signed lower right.
Three copies of the model photos (photographed from the originals) are included.
keywords: illustrator, painting, love, romance, fashion
Gouache on board, image size approximately 23 x 20. Signed lower right.
Three copies of the model photos (photographed from the originals) are included.
keywords: illustrator, painting, love, romance, fashion
Arthur Sarnoff (1912-2000) Original Illustration (1960-1970).
Charcoal on paper, image size approximately 20 x 16. Signed lower right.
keywords: illustrator, drawing, children, nature
Charcoal on paper, image size approximately 20 x 16. Signed lower right.
keywords: illustrator, drawing, children, nature
Arthur Sarnoff (1912-2000) Original Magazine Cover Art (1956).
American Weekly March 17, 1956.
Gouache on board, image size approximately 24 x 22. Signed lower right.
keywords: illustrator, illustration, humor, Americana, children, babies, St. Patrick's Day
American Weekly March 17, 1956.
Gouache on board, image size approximately 24 x 22. Signed lower right.
keywords: illustrator, illustration, humor, Americana, children, babies, St. Patrick's Day
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (c.1955).
For Shadows in the Son by Edmund Ware. Caption: "Their daughters came to them, after the first trouble with the boys."
Gouache on board, image size approximately 12 x 12. Initialed lower left.
Photos of the published version and two model photos are included.
keywords: illustrator, painting, family, children, drama
For Shadows in the Son by Edmund Ware. Caption: "Their daughters came to them, after the first trouble with the boys."
Gouache on board, image size approximately 12 x 12. Initialed lower left.
Photos of the published version and two model photos are included.
keywords: illustrator, painting, family, children, drama
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (c.1955).
Gouache on board, image size approximately 20.5 x 20.5. Signed upper right.
keywords: illustrator, painting, party, romance, fashion
Gouache on board, image size approximately 20.5 x 20.5. Signed upper right.
keywords: illustrator, painting, party, romance, fashion
Arthur Sarnoff (1912-2000) Original Pin-up (1993).
Oil on canvas, approximately 30 x 24. Signed and dated (93) lower right.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Oil on canvas, approximately 30 x 24. Signed and dated (93) lower right.
keywords: illustrator, illustration, painting, beauty, glamour, gga
Arthur Sarnoff (1912-2000) Original Magazine Story Illustration (c.1950).
Gouache on board, image size approximately 23 x 16.5. Signed lower right.
Needs some restoration for water damage to the upper 3 1/2 inches of the board. It is evident at the top of the image area, somewhat affecting the man's face.
keywords: illustrator, painting, love, romance, dance
Gouache on board, image size approximately 23 x 16.5. Signed lower right.
Needs some restoration for water damage to the upper 3 1/2 inches of the board. It is evident at the top of the image area, somewhat affecting the man's face.
keywords: illustrator, painting, love, romance, dance
Martha Sawyers (1902-1988) Original Magazine Story Illustration (1940).
Collier's December 28, 1940, for Compliments of R. Smith by Eustace Cockrell. Caption: "'He won de second at Sunnyside Downs,' Refugee said. 'Merry Christmas, Mr. Willie!'"
Pastel on board, framed (29 x 38), sight size approximately 20.5 x 29.5. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, drawing, equestrian, horse racing, African American, Americana
Collier's December 28, 1940, for Compliments of R. Smith by Eustace Cockrell. Caption: "'He won de second at Sunnyside Downs,' Refugee said. 'Merry Christmas, Mr. Willie!'"
Pastel on board, framed (29 x 38), sight size approximately 20.5 x 29.5. Signed lower right.
A complete issue of the magazine is included.
keywords: illustrator, drawing, equestrian, horse racing, African American, Americana
Martha Sawyers (1902-1988) Original Magazine Story Illustration (1941).
Collier's April 19, 1941, for Willie Wurtzel's Way by Eustace Cockrell. Caption: "'Have him wear this around his neck,' she said. 'It'll keep off any spirit ever was.'"
Pastel on board, framed (30.5 x 33.5), sight size approximately 20.5 x 23.5. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, drawing, magic, mystery, African American, Americana
Collier's April 19, 1941, for Willie Wurtzel's Way by Eustace Cockrell. Caption: "'Have him wear this around his neck,' she said. 'It'll keep off any spirit ever was.'"
Pastel on board, framed (30.5 x 33.5), sight size approximately 20.5 x 23.5. Signed lower left.
A complete issue of the magazine is included.
keywords: illustrator, drawing, magic, mystery, African American, Americana
Mauro Scali - Original Pin-up Art (c.1960).
Gouache on board, framed (22.5 x 19), sight size approximately 14 x 10.5. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 370, fig. 879.
keywords: illustrator, illustration, painting, beauty, glamour, Esquire artist
Gouache on board, framed (22.5 x 19), sight size approximately 14 x 10.5. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 370, fig. 879.
keywords: illustrator, illustration, painting, beauty, glamour, Esquire artist
Helen Schad - Original Calendar Art (c.1940).
Pastel on board, image size approximately 15.5 x 11.5. Signed lower right.
keywords: illustration, drawing, babies, children, Americana
Pastel on board, image size approximately 15.5 x 11.5. Signed lower right.
keywords: illustration, drawing, babies, children, Americana
Bob Schinella - Attributed - Original Paperback Cover Art (1965).
Ace #F-359 - Jungle Nurse by Sharon Heath.
Mixed media on board, image size approximately 14 x 9.5. Not signed.
keywords: illustration, love, romance
Ace #F-359 - Jungle Nurse by Sharon Heath.
Mixed media on board, image size approximately 14 x 9.5. Not signed.
keywords: illustration, love, romance
Al Schmidt - Attributed - Original Illustration (1960-1965).
Most likely published as a story illustration.
Gouache on board, image size approximately 21 x 17. Not signed.
keywords: illustrator, adventure, jungle, suspense, thriller, war, soldier, green beret type, grenade
Most likely published as a story illustration.
Gouache on board, image size approximately 21 x 17. Not signed.
keywords: illustrator, adventure, jungle, suspense, thriller, war, soldier, green beret type, grenade
Carl Schmidt (1885-1969) Original Illustration (c.1940-1950).
Titled: San Bernardino Mountains and Body of Water.
This piece, a top Schmidt offering in his most celebrated subject, is framed in the artist's original frame.
Professional cleaning and minor restoration were performed merely to repair small stains from time.
Oil on canvas, approximately 30 x 36. Signed lower right.
keywords: painter, muralist, Laguna Beach Art Association, Los Angeles Art Association, San Bernardino County Art Association, landscape mountains, lake, river, rocks
Titled: San Bernardino Mountains and Body of Water.
This piece, a top Schmidt offering in his most celebrated subject, is framed in the artist's original frame.
Professional cleaning and minor restoration were performed merely to repair small stains from time.
Oil on canvas, approximately 30 x 36. Signed lower right.
keywords: painter, muralist, Laguna Beach Art Association, Los Angeles Art Association, San Bernardino County Art Association, landscape mountains, lake, river, rocks
Frank Earle Schoonover (1877-1972) Original Magazine Story Illustration (1935).
American Boy July, 1935, for Beaver Woman's Vision by James Willard Schultz. Caption: "There! She was coming! Stepping lightly, swinging her water bucket, and singing happily. 'Dawn Woman,' I cried. 'I want speech with you.'"
Oil on canvas, approximately 36 x 38. Initialed and dated (35) middle right.
A photo of the published version is included.
keywords: illustrator, painting, Brandywine artist, Howard Pyle student, western, Indians, frontier, romance
American Boy July, 1935, for Beaver Woman's Vision by James Willard Schultz. Caption: "There! She was coming! Stepping lightly, swinging her water bucket, and singing happily. 'Dawn Woman,' I cried. 'I want speech with you.'"
Oil on canvas, approximately 36 x 38. Initialed and dated (35) middle right.
A photo of the published version is included.
keywords: illustrator, painting, Brandywine artist, Howard Pyle student, western, Indians, frontier, romance
H. Winfield Scott (c.1898-1977) Original Pulp Painting (c.1935).
Western Story June 28, 1941.
Oil on canvas, approximately 26 x 26. Signed lower left.
A color copy of the published cover is included.
keywords: illustrator, illustration, Western, action, adventure
Western Story June 28, 1941.
Oil on canvas, approximately 26 x 26. Signed lower left.
A color copy of the published cover is included.
keywords: illustrator, illustration, Western, action, adventure
John Scott (1907-1987) Original Illustration (1964).
Most likely appeared as a cover for a national magazine.
Gouache on board, framed (25 x 20), sight size approximately 22 x 17. Signed lower right, and dated (Jan. 64) lower left.
keywords: illustrator, painting, pulp artist, wildlife artist, humor, pets, dog, cat, Americana
Most likely appeared as a cover for a national magazine.
Gouache on board, framed (25 x 20), sight size approximately 22 x 17. Signed lower right, and dated (Jan. 64) lower left.
keywords: illustrator, painting, pulp artist, wildlife artist, humor, pets, dog, cat, Americana
J. W. Scott - Original Pulp Painting (c.1930).
Oil on canvas, approximately 30 x 21. Signed lower left.
keywords: Western, painting, illustrator, illustration, action, adventure
Oil on canvas, approximately 30 x 21. Signed lower left.
keywords: Western, painting, illustrator, illustration, action, adventure
Scronch - Original Calendar Art (c.1960).
Published by the Brown & Bigelow Calendar Company, St Paul, Minnesota. Caption: "No time to get chicken - prepare to fire all rockets!"
Gouache on board, image size approximately 11.5 x 15.5. Signed lower right.
keywords: illustration, illustrator, painting, humor, aliens, rockets, space
Published by the Brown & Bigelow Calendar Company, St Paul, Minnesota. Caption: "No time to get chicken - prepare to fire all rockets!"
Gouache on board, image size approximately 11.5 x 15.5. Signed lower right.
keywords: illustration, illustrator, painting, humor, aliens, rockets, space
Scronch - Original Calendar Art (c.1960).
Published by the Brown & Bigelow Calendar Company, St Paul, Minnesota. Caption: "All of a sudden, we're picking up speed."
Gouache on board, image size approximately 11.5 x 15.5. Signed lower right.
keywords: illustration, illustrator, painting, humor, rockets, space
Published by the Brown & Bigelow Calendar Company, St Paul, Minnesota. Caption: "All of a sudden, we're picking up speed."
Gouache on board, image size approximately 11.5 x 15.5. Signed lower right.
keywords: illustration, illustrator, painting, humor, rockets, space
Ellen Barbara Segner - Original Illustration (c.1960).
Most likely published as a magazine cover, or calendar.
Oil on canvas, approximately 30 x 26. Signed lower right.
keywords: beauty, glamour, equestrian, horses, Dick and Jane illustrator
Most likely published as a magazine cover, or calendar.
Oil on canvas, approximately 30 x 26. Signed lower right.
keywords: beauty, glamour, equestrian, horses, Dick and Jane illustrator
Maurice Bernard Sendak - Original Illustration (1997).
Titled: Hillbilly Wild Thing.
Maurice Sendak is considered the leading author and illustrator of children's books. His fantastical creatures reveal the range and reach of his abundant imagination. This illustration, and others in today's sale, represent the first grouping of original Sendak art available at auction in years.
This fine original drawing was prepared as finished artwork to benefit a children's charity in Charleston WV, and was then reproduced as a limited edition print by Parchment Gallery Graphics in 1997. The coloring was applied to the artwork by the artist afterwards to enhance the quality of his image. Seldom does one have the opportunity to purchase an original Wild Thing drawing by Mr Sendak, and especially one that has already been published as a fine art print.
Mixed media on paper, framed (15.5 x 12), sight size approximately 10.5 x 8. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer
Titled: Hillbilly Wild Thing.
Maurice Sendak is considered the leading author and illustrator of children's books. His fantastical creatures reveal the range and reach of his abundant imagination. This illustration, and others in today's sale, represent the first grouping of original Sendak art available at auction in years.
This fine original drawing was prepared as finished artwork to benefit a children's charity in Charleston WV, and was then reproduced as a limited edition print by Parchment Gallery Graphics in 1997. The coloring was applied to the artwork by the artist afterwards to enhance the quality of his image. Seldom does one have the opportunity to purchase an original Wild Thing drawing by Mr Sendak, and especially one that has already been published as a fine art print.
Mixed media on paper, framed (15.5 x 12), sight size approximately 10.5 x 8. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer
Maurice Bernard Sendak - Original Magazine Cover Illustration (c.2000).
Published as cover for Nick Jr. Noodle Magazine February/March 2000.
Graphite on tracing paper, framed (17 x 15.5), sight size approximately 10 x 8.5. Signed lower right.
A complete issue of the Nick Jr. Noodle Magazine is included.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer
Published as cover for Nick Jr. Noodle Magazine February/March 2000.
Graphite on tracing paper, framed (17 x 15.5), sight size approximately 10 x 8.5. Signed lower right.
A complete issue of the Nick Jr. Noodle Magazine is included.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer
Maurice Bernard Sendak - Original Preliminary Illustration (c.1974).
Titled: Really Rosie.
Original study drawing for the animators of the "Really Rosie" cartoon.
Graphite on parchment paper, overall (9 x 12), sight size approximately 8 x 11.5. Signed lower middle right. Also inscribed at lower left and lower right in Sendak's own hand with notes concerning Rosie's stance and attitude, and the placement of "the Spirit of Chicken Soup."
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Really Rosie
Titled: Really Rosie.
Original study drawing for the animators of the "Really Rosie" cartoon.
Graphite on parchment paper, overall (9 x 12), sight size approximately 8 x 11.5. Signed lower middle right. Also inscribed at lower left and lower right in Sendak's own hand with notes concerning Rosie's stance and attitude, and the placement of "the Spirit of Chicken Soup."
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Really Rosie
Maurice Bernard Sendak - Original Signed Print (1971).
Print on paper, overall (11 x 23.5), sight size approximately 6.5 x 20. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, tent, claws, crown, monsters
Print on paper, overall (11 x 23.5), sight size approximately 6.5 x 20. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, tent, claws, crown, monsters
Maurice Bernard Sendak - Original Signed Print (1971).
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Maurice Bernard Sendak - Original Signed Print (1971).
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Maurice Bernard Sendak - Original Signed Print (1971).
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Print on paper, overall (14.5 x 24), sight size approximately 12 x 22. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Max, trees, claws, crown, monsters
Maurice Bernard Sendak - Original Signed Print (1971).
Print on paper, overall (14.5 x 19), sight size approximately 13 x 17.5. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, bakers, chef, cakes, butter, monsters
Print on paper, overall (14.5 x 19), sight size approximately 13 x 17.5. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, bakers, chef, cakes, butter, monsters
Maurice Bernard Sendak - Original Signed Print (1990).
Print on paper, approximately 16 x 20. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Chicken Soup, Night Kitchen, Little Bear, monsters
Print on paper, approximately 16 x 20. Signed lower right.
keywords: The Nutshell Library, Where the Wild Things Are, Wild things, In the Night Kitchen, Outside Over There, children's author, Illustrator, Caldecott Medalist, Hans Christian Andersen International Medalist, Laura Ingalls Wilder Award, Jewish Cultural Achievement Award, National Medal of Arts, F.A.O. Schwarz window display designer, Chicken Soup, Night Kitchen, Little Bear, monsters
After Maurice Bernard Sendak - Cayard Animation Studios - Original Celluloid Panels - Group Lot of Three (1970).
Title: Seven Monsters for "Sesame Street." After Maurice Sendak's ideas and artwork.
Although later, the Seven Monsters would evolve into a popular animated television show for Nickelodeon, these cels are from their seminal project: a segment to teach counting to be used for PBS' "Sesame Street" -- but the project was never completed, when initial testing revealed children were frightened when the seventh monster unscrewed his head!
Each of the three are pen-and-ink on hand-painted acetate and have high-definition color printed backgrounds, matted (11 x 14), sight size approximately 7.5 x 9.5. Not signed. Two are stamped on back with the Cayard authentification stamp.
keywords:
Title: Seven Monsters for "Sesame Street." After Maurice Sendak's ideas and artwork.
Although later, the Seven Monsters would evolve into a popular animated television show for Nickelodeon, these cels are from their seminal project: a segment to teach counting to be used for PBS' "Sesame Street" -- but the project was never completed, when initial testing revealed children were frightened when the seventh monster unscrewed his head!
Each of the three are pen-and-ink on hand-painted acetate and have high-definition color printed backgrounds, matted (11 x 14), sight size approximately 7.5 x 9.5. Not signed. Two are stamped on back with the Cayard authentification stamp.
keywords:
Amos Sewell (1901-1983) Original Magazine Story Illustration (1945-1950).
Probably for The Saturday Evening Post.
Oil on board, image size approximately 29 x 20.5. Signed lower left.
keywords: illustrator, illustration, Saturday Evening Post cover artist, action, adventure, equestrian
Probably for The Saturday Evening Post.
Oil on board, image size approximately 29 x 20.5. Signed lower left.
keywords: illustrator, illustration, Saturday Evening Post cover artist, action, adventure, equestrian
Lou Shabner - Original Pin-up / Glamour Art (c.1950).
Published as a calendar in England and possibly in the U.S. by the Brown & Bigelow Company, St. Paul, Minnesota.
Gouache on board, image size approximately 16.5 x 14.5. Not signed.
keywords: redhead, beauty, illustrator, illustration, painting, fashion
Published as a calendar in England and possibly in the U.S. by the Brown & Bigelow Company, St. Paul, Minnesota.
Gouache on board, image size approximately 16.5 x 14.5. Not signed.
keywords: redhead, beauty, illustrator, illustration, painting, fashion
Lou Shabner - Original Pin-up / Glamour Art (c.1950).
Published as a calendar in England and possibly in the U.S. by the Brown & Bigelow Company, St. Paul, Minnesota.
Gouache on board, image size approximately 18.5 x 15. Not signed.
keywords: blonde, beauty, illustrator, illustration, painting, fashion
Published as a calendar in England and possibly in the U.S. by the Brown & Bigelow Company, St. Paul, Minnesota.
Gouache on board, image size approximately 18.5 x 15. Not signed.
keywords: blonde, beauty, illustrator, illustration, painting, fashion
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (1934).
Miriam Hopkins, Screenland September, 1934.
Pastel on board, image size approximately 14 x 10. Not signed.
A photo of part of the printer's four-color proof is included.
keywords: illustrator, illustration, glamour, drawing, Hollywood, film, cinema, movie star, actress, Virginia City, Outcasts of Poker Flat, The Children's Hour
Miriam Hopkins, Screenland September, 1934.
Pastel on board, image size approximately 14 x 10. Not signed.
A photo of part of the printer's four-color proof is included.
keywords: illustrator, illustration, glamour, drawing, Hollywood, film, cinema, movie star, actress, Virginia City, Outcasts of Poker Flat, The Children's Hour
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (c.1935).
Ruby Keeler, probably for Screenland or similar movie magazine.
Pastel on board, image size approximately 16.5 x 12. Not signed.
keywords: illustrator, illustration, drawing, glamour, Hollywood, film, cinema, movie star, actress, dancer, musicals, 42nd Street, wife of Al Jolson, Broadway star
Ruby Keeler, probably for Screenland or similar movie magazine.
Pastel on board, image size approximately 16.5 x 12. Not signed.
keywords: illustrator, illustration, drawing, glamour, Hollywood, film, cinema, movie star, actress, dancer, musicals, 42nd Street, wife of Al Jolson, Broadway star
Charles Gates Sheldon (1889-1960) Original Illustration (1925-1930).
Most likely published as a full page interior illustration in a theatrical or entertainment magazine of the period.
Charcoal and pastel on board, image size approximately 15.5 x 12. Not signed.
Eighteen model photos from Charles Sheldon's personal photo reference library are included.
There are two small water stains at about center of the image area, just below the subject's elbow.
keywords: illustrator, drawing, showgirl, Broadway, follies, dancer, theatre
Most likely published as a full page interior illustration in a theatrical or entertainment magazine of the period.
Charcoal and pastel on board, image size approximately 15.5 x 12. Not signed.
Eighteen model photos from Charles Sheldon's personal photo reference library are included.
There are two small water stains at about center of the image area, just below the subject's elbow.
keywords: illustrator, drawing, showgirl, Broadway, follies, dancer, theatre
Charles Gates Sheldon (1889-1960) Original Illustration (1915-1920).
Probably published as a calendar.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
keywords: illustrator, drawing, fashion, glamour, showgirl, art nouveau
Probably published as a calendar.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
keywords: illustrator, drawing, fashion, glamour, showgirl, art nouveau
Charles Gates Sheldon (1889-1960) Original Illustration (c.1930).
Most likely published as a fashion advertisement.
Pastel on paper, matted (30 x 24), sight size approximately 23 x 17. Not signed.
keywords: orange swimsuit, illustrator, drawing, glamour, Americana, art deco
Most likely published as a fashion advertisement.
Pastel on paper, matted (30 x 24), sight size approximately 23 x 17. Not signed.
keywords: orange swimsuit, illustrator, drawing, glamour, Americana, art deco
Charles Gates Sheldon (1889-1960) Original Illustration (c.1930).
Most likely published as a fashion advertisement.
Pastel on paper, matted (30 x 24), sight size approximately 23 x 17.5. Not signed.
keywords: black and white swimsuit, bathing suit, illustrator, drawing, glamour, Americana, art deco
Most likely published as a fashion advertisement.
Pastel on paper, matted (30 x 24), sight size approximately 23 x 17.5. Not signed.
keywords: black and white swimsuit, bathing suit, illustrator, drawing, glamour, Americana, art deco
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (c.1930).
Myrna Loy, probably for Photoplay or similar movie magazine.
Pastel on board, image size approximately 25 x 20. Signed lower right.
Three model photos from Charles Sheldon's personal photo reference library are included.
The board is fragile and has several cracks, which have been reinforced on the verso. There are two holes in the board, at far left, touching the subjects head, otherwise very little affects the image area.
keywords: illustrator, illustration, drawing, glamour, Hollywood, cinema, film, movie star, actress, Nora Charles, The Thin Man
Myrna Loy, probably for Photoplay or similar movie magazine.
Pastel on board, image size approximately 25 x 20. Signed lower right.
Three model photos from Charles Sheldon's personal photo reference library are included.
The board is fragile and has several cracks, which have been reinforced on the verso. There are two holes in the board, at far left, touching the subjects head, otherwise very little affects the image area.
keywords: illustrator, illustration, drawing, glamour, Hollywood, cinema, film, movie star, actress, Nora Charles, The Thin Man
Charles Gates Sheldon (1889-1960) Original Illustration (1920-1927).
Broadway and movie actress, Genevieve Tobin, most likely published as a full page interior illustration in an entertainment magazine of the period.
Charcoal on board, image size approximately 22 x 17.5. Signed lower right.
The outer edges of the board are cracked and chipped but only slightly affect the image area noted.
Five model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, drawing, Broadway, theatre, Hollywood, cinema, actress, film, The Petrified Forest
Broadway and movie actress, Genevieve Tobin, most likely published as a full page interior illustration in an entertainment magazine of the period.
Charcoal on board, image size approximately 22 x 17.5. Signed lower right.
The outer edges of the board are cracked and chipped but only slightly affect the image area noted.
Five model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, drawing, Broadway, theatre, Hollywood, cinema, actress, film, The Petrified Forest
Charles Gates Sheldon (1889-1960) Original Advertising Art (1915-1920).
Most likely published as a fashion illustration in Woman's Home Companion, or similar national periodical.
Charcoal on paper, image size approximately 26 x 20. Signed lower left.
keywords: illustrator, drawing, beauty, art nouveau
Most likely published as a fashion illustration in Woman's Home Companion, or similar national periodical.
Charcoal on paper, image size approximately 26 x 20. Signed lower left.
keywords: illustrator, drawing, beauty, art nouveau
Charles Gates Sheldon (1889-1960) Original Illustration (c.1900).
Most likely published as a fashion illustration.
Pen and ink on paper, image size approximately 14 x 11. Signed lower middle.
keywords: illustrator, drawing, beauty, art nouveau
Most likely published as a fashion illustration.
Pen and ink on paper, image size approximately 14 x 11. Signed lower middle.
keywords: illustrator, drawing, beauty, art nouveau
Charles Gates Sheldon (1889-1960) Original Illustration (c.1917).
Most likely published as a fashion advertisement or magazine cover.
Charcoal on board, image size approximately 22 x 16. Signed lower right.
keywords: illustrator, drawing, glamour, Americana, art nouveau
Most likely published as a fashion advertisement or magazine cover.
Charcoal on board, image size approximately 22 x 16. Signed lower right.
keywords: illustrator, drawing, glamour, Americana, art nouveau
Charles Gates Sheldon (1889-1960) Original Advertising Art (c.1920).
Most likely published as a fashion illustration in Woman's Home Companion, or similar national periodical.
Charcoal on board, image size approximately 24 x 16. Signed lower middle.
keywords: illustrator, drawing, beauty, glamour
Most likely published as a fashion illustration in Woman's Home Companion, or similar national periodical.
Charcoal on board, image size approximately 24 x 16. Signed lower middle.
keywords: illustrator, drawing, beauty, glamour
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (1925-1935).
Astrid Allwyn, probably for Screenland or Photoplay magazine.
Pastel on board, image size approximately 17 x 13.5. Signed lower right.
keywords: illustrator, illustration, drawing, Hollywood, cinema, film, glamour, movie star, actress, Mr. Smith Goes to Washington
Astrid Allwyn, probably for Screenland or Photoplay magazine.
Pastel on board, image size approximately 17 x 13.5. Signed lower right.
keywords: illustrator, illustration, drawing, Hollywood, cinema, film, glamour, movie star, actress, Mr. Smith Goes to Washington
Charles Gates Sheldon (1889-1960) Original Illustration (c.1922).
Broadway musical performer, Mary Lewis, most likely during her appearances with the Ziegfeld Follies. Probably published as a full page interior illustration in a theatrical or entertainment magazine of the period.
Charcoal on board, image size approximately 26 x 20. Signed lower right.
There is a puncture hole (1 1/2 x 1/2) in the upper image area, near the subjects right arm.
keywords: illustrator, drawing, showgirl, Broadway, dancer, theatre
Broadway musical performer, Mary Lewis, most likely during her appearances with the Ziegfeld Follies. Probably published as a full page interior illustration in a theatrical or entertainment magazine of the period.
Charcoal on board, image size approximately 26 x 20. Signed lower right.
There is a puncture hole (1 1/2 x 1/2) in the upper image area, near the subjects right arm.
keywords: illustrator, drawing, showgirl, Broadway, dancer, theatre
Charles Gates Sheldon (1889-1960) Original Illustration (1915-1920).
Probably published as a calendar.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
keywords: illustrator, drawing, fashion, glamour, showgirl, art nouveau
Probably published as a calendar.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
keywords: illustrator, drawing, fashion, glamour, showgirl, art nouveau
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (1925-1930).
Parents magazine.
Pastel on board, image size approximately 16 x 11.5. Signed lower left.
keywords: illustrator, illustration, drawing, children, mother, family, glamour, babies
Parents magazine.
Pastel on board, image size approximately 16 x 11.5. Signed lower left.
keywords: illustrator, illustration, drawing, children, mother, family, glamour, babies
Charles Gates Sheldon (1889-1960) Original Illustration (c.1900).
Most likely published as a fashion illustration or advertisement.
Pen and ink on paper, image size approximately 14 x 11. Signed lower right.
keywords: illustrator, drawing, beauty, art nouveau
Most likely published as a fashion illustration or advertisement.
Pen and ink on paper, image size approximately 14 x 11. Signed lower right.
keywords: illustrator, drawing, beauty, art nouveau
Charles Gates Sheldon (1889-1960) Original Advertising Art (1900-1915).
Most likely published as an advertisement or story illustration.
Charcoal and mixed media on paper, image size approximately 28 x 19. Signed lower left.
keywords: illustrator, drawing, love, romance, art nouveau, piano
Most likely published as an advertisement or story illustration.
Charcoal and mixed media on paper, image size approximately 28 x 19. Signed lower left.
keywords: illustrator, drawing, love, romance, art nouveau, piano
Charles Gates Sheldon (1889-1960) Original Magazine Story Illustration (c.1920).
Charcoal on paper, image size approximately 29 x 23. Signed lower left.
keywords: illustrator, drawing, fashion, drama
Charcoal on paper, image size approximately 29 x 23. Signed lower left.
keywords: illustrator, drawing, fashion, drama
Charles Gates Sheldon (1889-1960) Original Advertising Art (c.1937).
Fully finished preliminary drawing for a Breck Shampoo ad.
Pastel on paper, image size approximately 11 x 9.5. Signed lower right.
Two model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, beauty, glamour, illustration
Fully finished preliminary drawing for a Breck Shampoo ad.
Pastel on paper, image size approximately 11 x 9.5. Signed lower right.
Two model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, beauty, glamour, illustration
Charles Gates Sheldon (1889-1960) Original Advertising Art (c.1937).
Fully finished preliminary drawing for a Breck Shampoo ad.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
Four model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, illustration, beauty, glamour, snow shoe, snow sport
Fully finished preliminary drawing for a Breck Shampoo ad.
Pastel on paper, image size approximately 11.5 x 9.5. Signed lower right.
Four model photos from Charles Sheldon's personal photo reference library are included.
keywords: illustrator, illustration, beauty, glamour, snow shoe, snow sport
Charles Gates Sheldon (1889-1960) Original Magazine Cover Art (c.1926).
Electrical Goods magazine.
Pastel on board, image size approximately 25 x 17. Signed lower right.
keywords: illustrator, drawing, children, tools, Americana
Electrical Goods magazine.
Pastel on board, image size approximately 25 x 17. Signed lower right.
keywords: illustrator, drawing, children, tools, Americana
Robert Sloan - Original Magazine Story Illustration (1943).
McCall's magazine.
Gouache and mixed media on board, framed (32 x 28), sight size approximately 19.5 x 15. Signed lower right.
keywords: illustrator, painting, World War II, soldier, combat, army, Americana
McCall's magazine.
Gouache and mixed media on board, framed (32 x 28), sight size approximately 19.5 x 15. Signed lower right.
keywords: illustrator, painting, World War II, soldier, combat, army, Americana
J. Frederick Smith - Original Illustration (1943).
Gouache on board, image size approximately 13.5 x 11.5. Initialed lower right.
Noted on the verso in the artist's hand: "Remembering Dave Smart" (the publisher of Esquire magazine), "J. Frederick Smith, 1943. This illustration was what gave me an Esquire contract."
keywords: illustrator, painting, glamour, fashion, pin-up
Gouache on board, image size approximately 13.5 x 11.5. Initialed lower right.
Noted on the verso in the artist's hand: "Remembering Dave Smart" (the publisher of Esquire magazine), "J. Frederick Smith, 1943. This illustration was what gave me an Esquire contract."
keywords: illustrator, painting, glamour, fashion, pin-up
J. Frederick Smith - Original Magazine Story Illustration (c.1955).
McCall's magazine, for The Intruders. Caption: "Fran felt a wave of helpless anger. The infernal impudence of the man! He'd spoiled the most important moment of her life."
Gouache on board, image size approximately 15 x 22.5. Signed lower right.
A single page showing the published version is included.
keywords: illustrator, painting, glamour, fashion, love, romance
McCall's magazine, for The Intruders. Caption: "Fran felt a wave of helpless anger. The infernal impudence of the man! He'd spoiled the most important moment of her life."
Gouache on board, image size approximately 15 x 22.5. Signed lower right.
A single page showing the published version is included.
keywords: illustrator, painting, glamour, fashion, love, romance
J. Frederick Smith - Original Magazine Story Illustration (1955).
Collier's April 15, 1955, for Who Wants to Marry Money? by Glynn Harvey. Caption: "'For your information,' Mimi said, 'I don't like being the subject of a common brawl.'"
Gouache on board (20 x 28.5), image size approximately 15 x 17. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, sports, golf, glamour, fashion, love, romance
Collier's April 15, 1955, for Who Wants to Marry Money? by Glynn Harvey. Caption: "'For your information,' Mimi said, 'I don't like being the subject of a common brawl.'"
Gouache on board (20 x 28.5), image size approximately 15 x 17. Signed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, sports, golf, glamour, fashion, love, romance
J. Frederick Smith - Original Magazine Story Illustration (c.1953).
American Magazine.
Gouache on board (20 x 29), image size approximately 16.5 x 16.5. Signed lower right.
keywords: illustrator, painting, glamour, fashion, love, romance
American Magazine.
Gouache on board (20 x 29), image size approximately 16.5 x 16.5. Signed lower right.
keywords: illustrator, painting, glamour, fashion, love, romance
J. Frederick Smith - Original Magazine Story Illustration (1954).
Collier's October 1, 1954, for May I Use the Word? by George Bradshaw. Caption: "Helene laid her cheek against my forehead. 'We can't let him have the picture yet,' she said. 'You know that Stephan has crazy ideas.'"
Gouache on board (20 x 29), image size approximately 14.5 x 13.5. Initialed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, glamour, fashion, love, romance
Collier's October 1, 1954, for May I Use the Word? by George Bradshaw. Caption: "Helene laid her cheek against my forehead. 'We can't let him have the picture yet,' she said. 'You know that Stephan has crazy ideas.'"
Gouache on board (20 x 29), image size approximately 14.5 x 13.5. Initialed lower left.
A single page showing the published version is included.
keywords: illustrator, painting, glamour, fashion, love, romance
J. Frederick Smith - Original Magazine Story Illustration (1955).
Woman's Home Companion August, 1955.
Gouache on board, image size approximately 19 x 17. Signed lower right.
keywords: illustrator, painting, family, fishing, father, humor
Woman's Home Companion August, 1955.
Gouache on board, image size approximately 19 x 17. Signed lower right.
keywords: illustrator, painting, family, fishing, father, humor
Malcolm Smith (1912-1966) Original Book Illustrations.
Combination of three illustrations on one board.
Gouache on board, sight size 18 x 11.25. Not signed.
keywords: Ziff-Davis artist, Other Worlds artist, NASA artist, Fate magazine artist, Teaser artist, Mystic magazine artist, Imagination magazine artist, Science Stories artist, illustrator, painting
Combination of three illustrations on one board.
Gouache on board, sight size 18 x 11.25. Not signed.
keywords: Ziff-Davis artist, Other Worlds artist, NASA artist, Fate magazine artist, Teaser artist, Mystic magazine artist, Imagination magazine artist, Science Stories artist, illustrator, painting
William Fulton Soare (1896-1940) Original Magazine Cover Art (1925-1930).
Most likely for American Boy, Boy's Life or similar national periodical. The subject depicts a night watch in New Amsterdam (mid-1600s), the Dutch colony which later became New York City.
Oil on canvas, approximately 29 x 23. Signed lower right.
keywords: illustrator, illustration, painting, Americana, Manhattan, historical, Holland, United States
Most likely for American Boy, Boy's Life or similar national periodical. The subject depicts a night watch in New Amsterdam (mid-1600s), the Dutch colony which later became New York City.
Oil on canvas, approximately 29 x 23. Signed lower right.
keywords: illustrator, illustration, painting, Americana, Manhattan, historical, Holland, United States
William Fulton Soare (1896-1940) Original Magazine Cover Art (c.1930).
George Washington, most likely for American Boy or similar national periodical.
Oil on canvas, approximately 30 x 24. Initialed lower left and right.
keywords: illustrator, illustration, painting, Americana, presidents, patriotic, George Washington
George Washington, most likely for American Boy or similar national periodical.
Oil on canvas, approximately 30 x 24. Initialed lower left and right.
keywords: illustrator, illustration, painting, Americana, presidents, patriotic, George Washington
William Fulton Soare (1896-1940) Original Magazine Cover Art (c.1930).
Most likely for Boy's Life or similar national periodical.
Oil on canvas, approximately 24 x 18. Signed lower left.
The painting has developed crackling, apparent throughout the image.
keywords: illustrator, illustration, painting, Americana, historical, Indian, Native American
Most likely for Boy's Life or similar national periodical.
Oil on canvas, approximately 24 x 18. Signed lower left.
The painting has developed crackling, apparent throughout the image.
keywords: illustrator, illustration, painting, Americana, historical, Indian, Native American
William Fulton Soare (1896-1940) Original Calendar Art (c.1930).
Oil on canvas, approximately 27 x 21. Signed lower right.
keywords: illustrator, illustration, painting, Americana, mother, babies, toddler
Oil on canvas, approximately 27 x 21. Signed lower right.
keywords: illustrator, illustration, painting, Americana, mother, babies, toddler
William Fulton Soare (1896-1940) Original Calendar Art (c.1930).
Oil on canvas, approximately 22 x 16. Signed lower right.
keywords: illustrator, illustration, painting, Americana, baby, toddler, children
Oil on canvas, approximately 22 x 16. Signed lower right.
keywords: illustrator, illustration, painting, Americana, baby, toddler, children
Roy Frederick Spreter (1899-1967) Original Magazine Story Illustration (c.1935).
The Ladies' Home Journal for All This and Heaven Too by Rachel Field.
Oil on canvas, approximately 35 x 28. Not signed.
There is a small break in the canvas (approximately 1 x 1/2) lower right.
This painting was reproduced in The Journal of the Century (Holme), a compilation of articles from the The Ladies' Home Journal from 1883-1976.
"All This and Heaven Too" was filmed in 1940, starring Bette Davis and Charles Boyer.
keywords: illustrator, romance, love, Hollywood, cinema, film, drama
The Ladies' Home Journal for All This and Heaven Too by Rachel Field.
Oil on canvas, approximately 35 x 28. Not signed.
There is a small break in the canvas (approximately 1 x 1/2) lower right.
This painting was reproduced in The Journal of the Century (Holme), a compilation of articles from the The Ladies' Home Journal from 1883-1976.
"All This and Heaven Too" was filmed in 1940, starring Bette Davis and Charles Boyer.
keywords: illustrator, romance, love, Hollywood, cinema, film, drama
C. Clyde Squires (1883-1970) Original Pulp Painting (c.1925).
Oil on board, image size approximately 31 x 23. Signed lower right.
Provenance: From the collection of Peggy and Harold Samuels. Exhibited at the National Cowboy Hall of Fame Museum, Oklahoma, in the show "The Pulps and The Slicks."
keywords: illustrator, illustration, painting, Western, cowboy, action, adventure, Pyle-Brandywine artist
Oil on board, image size approximately 31 x 23. Signed lower right.
Provenance: From the collection of Peggy and Harold Samuels. Exhibited at the National Cowboy Hall of Fame Museum, Oklahoma, in the show "The Pulps and The Slicks."
keywords: illustrator, illustration, painting, Western, cowboy, action, adventure, Pyle-Brandywine artist
Don Stivers - Original Paperback Cover Art (c.1970).
Oil on board, image size approximately 17.5 x 20.5. Signed lower left.
keywords: illustrator, illustration, contemporary Western artist, action, adventure, suspense
Oil on board, image size approximately 17.5 x 20.5. Signed lower left.
keywords: illustrator, illustration, contemporary Western artist, action, adventure, suspense
Don Stivers - Original Paperback Cover Art (c.1975).
Hotel M.D., most likely for Ace books.
Oil on board, image size approximately 20 x 16. Signed lower right.
keywords: illustrator, illustration, contemporary Western artist, love, romance, exotic
Hotel M.D., most likely for Ace books.
Oil on board, image size approximately 20 x 16. Signed lower right.
keywords: illustrator, illustration, contemporary Western artist, love, romance, exotic
Herbert Morton Stoops (1888-1948) Original Calendar Art (c.1939).
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 36 x 27. Signed lower right.
This painting was reproduced in Art Of The Calendar (Gabor), with a caption which reads (in part) "Toward The Light, inspiration for 1939 -- the haunting image of a World War I soldier and a courageous-looking father and son walking toward peace."
There are two small punctures to the canvas at middle and lower left, near the image of the boy.
keywords: illustrator, illustration, patriotic, family, Americana, historical
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas, approximately 36 x 27. Signed lower right.
This painting was reproduced in Art Of The Calendar (Gabor), with a caption which reads (in part) "Toward The Light, inspiration for 1939 -- the haunting image of a World War I soldier and a courageous-looking father and son walking toward peace."
There are two small punctures to the canvas at middle and lower left, near the image of the boy.
keywords: illustrator, illustration, patriotic, family, Americana, historical
Herbert Morton Stoops (1888-1948) Original Magazine Story Illustration (1946).
Collier's November 21, 1946 for The Victor by Dick Strouse.
Gouache and watercolor on board, matted (21 x 22) sight size approximately 15 x 16. Signed upper right.
An example of the published version is included.
keywords: illustrator, painting, patriotic, World War II, family, Americana
Collier's November 21, 1946 for The Victor by Dick Strouse.
Gouache and watercolor on board, matted (21 x 22) sight size approximately 15 x 16. Signed upper right.
An example of the published version is included.
keywords: illustrator, painting, patriotic, World War II, family, Americana
Ray C. Strang (1893-1957) Original Magazine Story Illustration (c.1930).
Gouache on board, image size approximately 22.5 x 15. Signed lower left.
keywords: illustrator, painting, fashion, glamour, art deco
Gouache on board, image size approximately 22.5 x 15. Signed lower left.
keywords: illustrator, painting, fashion, glamour, art deco
Ed Tadiello - Original Illustration (1985-1990).
Oil on canvas, approximately 22 x 30. Signed lower right.
keywords: illustrator, illustration, painting, Western, Old West, cowboys
Oil on canvas, approximately 22 x 30. Signed lower right.
keywords: illustrator, illustration, painting, Western, Old West, cowboys
Ed Tadiello - Original Paperback Cover Art (c.1990).
Published as part of a young adult / children's book series.
Oil on canvas, approximately 30 x 22. Signed lower middle.
keywords: illustrator, illustration, painting, kids, humor
Published as part of a young adult / children's book series.
Oil on canvas, approximately 30 x 22. Signed lower middle.
keywords: illustrator, illustration, painting, kids, humor
Ed Tadiello - Original Paperback Cover Art (c.1990).
Published as part of a young adult / children's book series.
Oil on canvas, approximately 30 x 22. Signed lower right.
keywords: illustrator, illustration, painting, kids, humor
Published as part of a young adult / children's book series.
Oil on canvas, approximately 30 x 22. Signed lower right.
keywords: illustrator, illustration, painting, kids, humor
Ed Tadiello - Original Paperback Cover Art (1992).
Bantam Loveswept #542 - Sweet Dreamin' Baby by Mary Kay McComas.
Oil on masonite, image size approximately 19.5 x 12.5. Signed lower right.
A model photo and a photo of the published cover are included.
keywords: illustrator, illustration, painting, love, romance
Bantam Loveswept #542 - Sweet Dreamin' Baby by Mary Kay McComas.
Oil on masonite, image size approximately 19.5 x 12.5. Signed lower right.
A model photo and a photo of the published cover are included.
keywords: illustrator, illustration, painting, love, romance
Ed Tadiello - Original Paperback Cover Art (1990-1995).
Oil on masonite, image size approximately 20 x 13. Initialed lower right.
keywords: illustrator, illustration, painting, love, romance
Oil on masonite, image size approximately 20 x 13. Initialed lower right.
keywords: illustrator, illustration, painting, love, romance
Ed Tadiello - Original Paperback Cover Art (1989).
Ballantine #35903-8 - Rookies #2 - Squeeze Play by Mark Freeman.
Acrylic on board, image size approximately 27 x 17. Not signed.
A "flat art" cover of the published cover is included.
keywords: illustrator, illustration, painting, sports, baseball
Ballantine #35903-8 - Rookies #2 - Squeeze Play by Mark Freeman.
Acrylic on board, image size approximately 27 x 17. Not signed.
A "flat art" cover of the published cover is included.
keywords: illustrator, illustration, painting, sports, baseball
Ed Tadiello - Original Paperback Cover Art (c.1990).
Part of the "Rookies" series of young adult paperbacks.
Acrylic on board, image size approximately 30 x 20. Not signed.
Two model photos are included.
keywords: illustrator, illustration, painting, sports, baseball
Part of the "Rookies" series of young adult paperbacks.
Acrylic on board, image size approximately 30 x 20. Not signed.
Two model photos are included.
keywords: illustrator, illustration, painting, sports, baseball
T. N. Thompson - Original Pin-up Art (1956).
3-D Feature, published as a calendar, most likely by the Shaw-Barton Calendar Company, Ohio.
Oil on canvas, approximately 30 x 20. Signed middle left.
A calendar print is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 277, fig. 645.
keywords: illustrator, illustration, beauty, glamour, gga, brunette
3-D Feature, published as a calendar, most likely by the Shaw-Barton Calendar Company, Ohio.
Oil on canvas, approximately 30 x 20. Signed middle left.
A calendar print is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 277, fig. 645.
keywords: illustrator, illustration, beauty, glamour, gga, brunette
T. N. Thompson - Original Pin-up Art (c.1952).
Artist's Model, published as a calendar, most likely by the Shaw-Barton Calendar Company, Ohio.
Mixed media on board, framed (28.5 x 23), sight size approximately 25 x 19.5. Signed lower right.
An ink blotter, a 10 x 8 calendar print of the published version, and a photo of another printed version are included.
Reproduced in The Great American Pin-up (Martignette & Meisel) page 277, fig. 648.
keywords: illustrator, illustration, beauty, glamour, gga, brunette
Artist's Model, published as a calendar, most likely by the Shaw-Barton Calendar Company, Ohio.
Mixed media on board, framed (28.5 x 23), sight size approximately 25 x 19.5. Signed lower right.
An ink blotter, a 10 x 8 calendar print of the published version, and a photo of another printed version are included.
Reproduced in The Great American Pin-up (Martignette & Meisel) page 277, fig. 648.
keywords: illustrator, illustration, beauty, glamour, gga, brunette
William Mitcheson Timlin (1892-1943) Original Calligraphically-written Book Leaf and Book Illustration (c.1923).
The Landing, written and illustrated for The Ship That Sailed to Mars, William M. Timlin, published by George G. Harrap & Company, Ltd. 1923.
Now considered a ground-breaking science fiction and fantasy classic, The Ship That Sailed to Mars is simply one of the most sought-after illustrated books in the genre, treasured by children's book, illustrated book and science fiction aficionados alike. Original material from this book rarely becomes available. A color plate commands several thousand dollars, while original art from the book has fetched prices into the high five figures.
Calligraphically-written leaf executed in watercolor and ink on paper, sight size approximately 14 x 9.5. Not signed.
Color illustration executed in watercolor, pen and ink and pencil on paper, sight size approximately 11.5 x 10.5. Signed lower left.
Both the hand-written calligraphic leaf and its accompanying original color illustration are framed (24 x 33.5) as a single entity.
keywords: Architect, cinema designer, "Get Off the Earth", South African artist, landscape painter, watercolor artist, fantasy illustrator
The Landing, written and illustrated for The Ship That Sailed to Mars, William M. Timlin, published by George G. Harrap & Company, Ltd. 1923.
Now considered a ground-breaking science fiction and fantasy classic, The Ship That Sailed to Mars is simply one of the most sought-after illustrated books in the genre, treasured by children's book, illustrated book and science fiction aficionados alike. Original material from this book rarely becomes available. A color plate commands several thousand dollars, while original art from the book has fetched prices into the high five figures.
Calligraphically-written leaf executed in watercolor and ink on paper, sight size approximately 14 x 9.5. Not signed.
Color illustration executed in watercolor, pen and ink and pencil on paper, sight size approximately 11.5 x 10.5. Signed lower left.
Both the hand-written calligraphic leaf and its accompanying original color illustration are framed (24 x 33.5) as a single entity.
keywords: Architect, cinema designer, "Get Off the Earth", South African artist, landscape painter, watercolor artist, fantasy illustrator
Harry Timmins (1887-1963) Original Advertising Art (c.1932).
For a 1932 Lincoln.
Oil on aluminum, framed (19 x 35), sight size approximately 15.5 x 31.5. Initialed lower middle (on the trunk).
keywords: illustrator, illustration, vintage cars, classic car, automotive
For a 1932 Lincoln.
Oil on aluminum, framed (19 x 35), sight size approximately 15.5 x 31.5. Initialed lower middle (on the trunk).
keywords: illustrator, illustration, vintage cars, classic car, automotive
Harry Timmins (1887-1963) Original Advertising Art (c.1929).
For a 1929 Pierce-Arrow.
Oil on aluminum, framed (19 x 35), sight size approximately 15.5 x 31.5. Initialed lower middle (on the running board).
keywords: illustrator, illustration, vintage cars, classic car, automotive
For a 1929 Pierce-Arrow.
Oil on aluminum, framed (19 x 35), sight size approximately 15.5 x 31.5. Initialed lower middle (on the running board).
keywords: illustrator, illustration, vintage cars, classic car, automotive
Joseph Tomanek (1889-1974) Original Painting (c.1940).
Oil on board, framed (17.5 x 15.5), sight size approximately 11.5 x 9.5. Not signed.
Provenance: The artist's estate stamp appears on the verso.
keywords: fine art, nude, beauty
Oil on board, framed (17.5 x 15.5), sight size approximately 11.5 x 9.5. Not signed.
Provenance: The artist's estate stamp appears on the verso.
keywords: fine art, nude, beauty
Verne Tossey (1920-2002) Original Illustration (c.1950).
Most likely published as a magazine cover or advertisement.
Gouache on board, framed (24.5 x 26), sight size approximately 15.5 x 17. Signed lower right.
keywords: illustrator, painting, family, humor, Americana, vintage paperback artist, Western artist
Most likely published as a magazine cover or advertisement.
Gouache on board, framed (24.5 x 26), sight size approximately 15.5 x 17. Signed lower right.
keywords: illustrator, painting, family, humor, Americana, vintage paperback artist, Western artist
Charles Twelvetrees (1888-1948) Original Calendar Art (1930-1940).
Titled on verso: Kiddie Comedies - June. Published by the Gerlach-Barklow Calendar Company, Illinois.
Watercolor on board, matted (19 x 14.5), image size approximately 14.5 x 10. Signed lower right.
keywords: illustrator, illustration, painting, children, toddlers, humor, Americana
Titled on verso: Kiddie Comedies - June. Published by the Gerlach-Barklow Calendar Company, Illinois.
Watercolor on board, matted (19 x 14.5), image size approximately 14.5 x 10. Signed lower right.
keywords: illustrator, illustration, painting, children, toddlers, humor, Americana
Raeburn Van Buren (1891-1987) Original Illustration (c.1930).
Titled: Just the Thing! Caption (in part): "It's not the design, nor the material in the gown, as much as the grace and charm of the model that sells..." Title and caption are faintly visible at the bottom of the art. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal board, image size approximately 24 x 20. Signed lower left.
There is some browning and foxing throughout the image area.
keywords: illustrator, drawing, glamour, fashion, humor, art deco
Titled: Just the Thing! Caption (in part): "It's not the design, nor the material in the gown, as much as the grace and charm of the model that sells..." Title and caption are faintly visible at the bottom of the art. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal board, image size approximately 24 x 20. Signed lower left.
There is some browning and foxing throughout the image area.
keywords: illustrator, drawing, glamour, fashion, humor, art deco
Raeburn Van Buren (1891-1987) Original Illustration (1936).
Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 20 x 18. Signed and dated (36) lower left.
There is faint foxing to the white background.
keywords: illustrator, drawing, fashion, glamour, love, romance
Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 20 x 18. Signed and dated (36) lower left.
There is faint foxing to the white background.
keywords: illustrator, drawing, fashion, glamour, love, romance
Raeburn Van Buren (1891-1987) Original Magazine Story Illustration (1924).
Charcoal and mixed media on board, image size approximately 17 x 9. Signed and dated (24) lower right.
keywords: illustrator, drawing, drama, Americana
Charcoal and mixed media on board, image size approximately 17 x 9. Signed and dated (24) lower right.
keywords: illustrator, drawing, drama, Americana
Raeburn Van Buren (1891-1987) Original Magazine Story Illustration (1928).
The Saturday Evening Post.
Charcoal on board, image size approximately 13 x 17. Signed and dated (28) lower right.
keywords: illustrator, drawing, love, romance, fashion
The Saturday Evening Post.
Charcoal on board, image size approximately 13 x 17. Signed and dated (28) lower right.
keywords: illustrator, drawing, love, romance, fashion
Raeburn Van Buren (1891-1987) Original Illustration (1934).
Titled: Love At First Sound. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 17.5 x 23.5. Signed and dated (34) lower left.
keywords: illustrator, drawing, artist, piano, romance, love
Titled: Love At First Sound. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 17.5 x 23.5. Signed and dated (34) lower left.
keywords: illustrator, drawing, artist, piano, romance, love
Raeburn Van Buren (1891-1987) Original Magazine Story Illustration (1930).
The Saturday Evening Post.
Charcoal on board, image size approximately 12 x 16. Signed and dated (30) lower right.
keywords: illustrator, drawing, love, romance, fashion
The Saturday Evening Post.
Charcoal on board, image size approximately 12 x 16. Signed and dated (30) lower right.
keywords: illustrator, drawing, love, romance, fashion
Raeburn Van Buren (1891-1987) Original Illustration (1934).
Possibly titled: Farm Relief. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 20 x 22. Signed and dated (34) lower left.
keywords: illustrator, drawing, humor, glamour, romance, love
Possibly titled: Farm Relief. Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal on board, image size approximately 20 x 22. Signed and dated (34) lower left.
keywords: illustrator, drawing, humor, glamour, romance, love
Raeburn Van Buren (1891-1987) Original Magazine Story Illustration (1928).
For Too Well Remembered by Carington Philips.
Charcoal and mixed media on board, image size approximately 16 x 20. Signed and dated (28) lower left.
There is fainting foxing to the white background.
keywords: illustrator, drawing, love, romance, fashion, soldier
For Too Well Remembered by Carington Philips.
Charcoal and mixed media on board, image size approximately 16 x 20. Signed and dated (28) lower left.
There is fainting foxing to the white background.
keywords: illustrator, drawing, love, romance, fashion, soldier
Raeburn Van Buren (1891-1987) Original Illustration (1924).
Published as a nationally syndicated newspaper-section cover for Release Saturday, September 26, 1936 under the title Palpitating. Considering the earlier date on the art, this may have been published previously elsewhere.
Charcoal on board, image size approximately 22.5 x 20. Signed and dated (24) lower left.
A photocopy of the published version is included.
keywords: illustrator, drawing, love, romance
Published as a nationally syndicated newspaper-section cover for Release Saturday, September 26, 1936 under the title Palpitating. Considering the earlier date on the art, this may have been published previously elsewhere.
Charcoal on board, image size approximately 22.5 x 20. Signed and dated (24) lower left.
A photocopy of the published version is included.
keywords: illustrator, drawing, love, romance
Raeburn Van Buren (1891-1987) Original Illustration (1933).
Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal and graphite on board, image size approximately 21 x 17.5. Signed and dated (33) lower right.
There is moderate browning along the outer edges of the board and image area.
keywords: illustrator, drawing, travel, Arabian, Middle East
Published as a nationally syndicated newspaper-section cover or interior illustration.
Charcoal and graphite on board, image size approximately 21 x 17.5. Signed and dated (33) lower right.
There is moderate browning along the outer edges of the board and image area.
keywords: illustrator, drawing, travel, Arabian, Middle East
Fredric Varady - Original Magazine Story Illustration (1955).
For The Great Lewis and George Expedition by Hannibal Coons, August 1955.
Gouache on board, image size approximately 22 x 13. Signed lower left.
There is some mild discoloration to the white background, from the middle to the upper far left of the image area noted.
keywords: illustrator, painting, beauty, glamour, gga, fashion, Indian maiden, pin-up
For The Great Lewis and George Expedition by Hannibal Coons, August 1955.
Gouache on board, image size approximately 22 x 13. Signed lower left.
There is some mild discoloration to the white background, from the middle to the upper far left of the image area noted.
keywords: illustrator, painting, beauty, glamour, gga, fashion, Indian maiden, pin-up
Alberto Vargas (1896-1982) Original Pin-up Art (c.1952).
True magazine May, 1952, as full page pin-up. It was accompanied by a feature entitled True Girl by Vargas, showing a photo of Vargas holding the original painting, with the model Jeanne Dean in the identical pose.
This image also appeared on the box of the famous Vargas playing cards (both sides) and as the Jack of spades in that deck. Additionally, it was published as a full page pin-up in Cavalier magazine, a British publication.
Airbrush and watercolor on board, framed (34.5 x 24.5), sight size approximately 26.5 x 17. Signed lower right.
Several examples of the published versions are included.
Provenance: In the summer of 1958 Alberto Vargas was invited by the Peruvian government to exhibit his work in Lima and his home town of Arequipa. This painting was one of the works chosen by Vargas to be featured in the most significant and personal exhibition of his career. As noted by Reid Austin in his book, Vargas (Austin & Vargas), "This was something he [Vargas] had dreamed of for years..." The painting remained in South America until the early 1990s, when it was returned to the United States and was acquired by the consignor.
keywords: illustrator, Esquire artist, Varga, Playboy artist, Americana
True magazine May, 1952, as full page pin-up. It was accompanied by a feature entitled True Girl by Vargas, showing a photo of Vargas holding the original painting, with the model Jeanne Dean in the identical pose.
This image also appeared on the box of the famous Vargas playing cards (both sides) and as the Jack of spades in that deck. Additionally, it was published as a full page pin-up in Cavalier magazine, a British publication.
Airbrush and watercolor on board, framed (34.5 x 24.5), sight size approximately 26.5 x 17. Signed lower right.
Several examples of the published versions are included.
Provenance: In the summer of 1958 Alberto Vargas was invited by the Peruvian government to exhibit his work in Lima and his home town of Arequipa. This painting was one of the works chosen by Vargas to be featured in the most significant and personal exhibition of his career. As noted by Reid Austin in his book, Vargas (Austin & Vargas), "This was something he [Vargas] had dreamed of for years..." The painting remained in South America until the early 1990s, when it was returned to the United States and was acquired by the consignor.
keywords: illustrator, Esquire artist, Varga, Playboy artist, Americana
Alberto Vargas (1896-1982) Original Preliminary Illustration (c.1965).
A fully finished final study for a Playboy pin-up. Preliminary caption: (in Vargas' hand) The Golden Eggs. Published caption: "No, I am not the Farmer's Daughter -- I'm a Traveling Salesman's Daughter."
Mixed media on paper, framed (34.5 x 24), sight size approximately 28.5 x 17.5. Signed lower right.
A single page showing the final published version is included.
keywords: illustrator, beauty, glamour, Varga, Esquire artist, nude
A fully finished final study for a Playboy pin-up. Preliminary caption: (in Vargas' hand) The Golden Eggs. Published caption: "No, I am not the Farmer's Daughter -- I'm a Traveling Salesman's Daughter."
Mixed media on paper, framed (34.5 x 24), sight size approximately 28.5 x 17.5. Signed lower right.
A single page showing the final published version is included.
keywords: illustrator, beauty, glamour, Varga, Esquire artist, nude
Alberto Vargas (1896-1982) Original Illustration (1909).
Created by Vargas at the age of 13. The caption: "So -- lets beat it" appears on the verso, written in Vargas' hand. This, along with other pieces from an early sketch book, were the subject of a New York Post article written in 1943, after his fame was established with Esquire.
Pen and ink and watercolor on paper, framed (14.5 x 12.5), sight size approximately 8 x 6.5. Signed and dated (1909) lower right.
keywords: illustrator, beauty, glamour, Varga, Playboy artist, pin-up artist
Created by Vargas at the age of 13. The caption: "So -- lets beat it" appears on the verso, written in Vargas' hand. This, along with other pieces from an early sketch book, were the subject of a New York Post article written in 1943, after his fame was established with Esquire.
Pen and ink and watercolor on paper, framed (14.5 x 12.5), sight size approximately 8 x 6.5. Signed and dated (1909) lower right.
keywords: illustrator, beauty, glamour, Varga, Playboy artist, pin-up artist
Alberto Vargas (1896-1982) Original Illustration (c.1936).
Probably "movie set" artwork for "Poor Little Rich Girl," starring Shirley Temple (20th Century Fox, 1936), in which Michael Whalen plays Richard Barry, owner of the Barry Soap Company.
Mixed media on board, framed (14.5 x 16.5), sight size approximately 8 x 11. Signed middle right.
keywords: illustrator, Esquire artist, Varga, Playboy artist, Hollywood, cinema, film, Americana
Probably "movie set" artwork for "Poor Little Rich Girl," starring Shirley Temple (20th Century Fox, 1936), in which Michael Whalen plays Richard Barry, owner of the Barry Soap Company.
Mixed media on board, framed (14.5 x 16.5), sight size approximately 8 x 11. Signed middle right.
keywords: illustrator, Esquire artist, Varga, Playboy artist, Hollywood, cinema, film, Americana
Alberto Vargas (1896-1982) Original Movie "Visual" (1938).
Titled: Patio in Cuernavaca, Mexico. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, framed (9.5 x 10.5), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Titled: Patio in Cuernavaca, Mexico. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, framed (9.5 x 10.5), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Movie "Visual" (1938).
Titled: On the road to Guanajuato. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, matted (7 x 9), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
Reproduced in Vargas The Esquire Years, A Catalogue Raisonne (Van Der Marck), page 162.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Titled: On the road to Guanajuato. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, matted (7 x 9), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
Reproduced in Vargas The Esquire Years, A Catalogue Raisonne (Van Der Marck), page 162.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Movie "Visual" (1938).
Titled: Street corner, Mexico City. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, matted (7 x 9), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Titled: Street corner, Mexico City. A "visual" created by Vargas for the film "Juarez" (Warner Brothers, 1939), which starred Bette Davis, Paul Muni and Claude Rains.
Mixed media on paper, matted (7 x 9), sight size approximately 3 x 4. Signed (on the matte made by Vargas) lower right.
keywords: illustrator, cinema, Hollywood, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Early Sketch (1916-1917).
From Vargas' first sketch book in the U.S., created while working for the Adelson Hat Company and Butterick Patterns; his first job in America involving artwork.
Graphite and watercolor on paper, matted (11 x 14), sight size approximately 5 x 8. Initialed lower right.
keywords: illustrator, Esquire artist, pin-up artist, Varga, Playboy artist
From Vargas' first sketch book in the U.S., created while working for the Adelson Hat Company and Butterick Patterns; his first job in America involving artwork.
Graphite and watercolor on paper, matted (11 x 14), sight size approximately 5 x 8. Initialed lower right.
keywords: illustrator, Esquire artist, pin-up artist, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Pin-up Preliminary (c.1943).
A study for an Esquire playing card pin-up.
Graphite and watercolor on paper, framed (33 x 27), sight size approximately 25 x 19. Signed lower right.
An example of the final version of the playing card is included.
The final version was reproduced in Vargas The Esquire Years, A Catalogue Raisonne (Van Der Marck), page 167.
keywords: illustrator, beauty, glamour, Varga, Playboy artist, nude
A study for an Esquire playing card pin-up.
Graphite and watercolor on paper, framed (33 x 27), sight size approximately 25 x 19. Signed lower right.
An example of the final version of the playing card is included.
The final version was reproduced in Vargas The Esquire Years, A Catalogue Raisonne (Van Der Marck), page 167.
keywords: illustrator, beauty, glamour, Varga, Playboy artist, nude
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 6 x 4. Initialed lower left.
The notation "PI x 5 id" is written in pen on the verso of the paper. Although the ink bleeds through on the front side, it does not affect the main image area or signature.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 6 x 4. Initialed lower left.
The notation "PI x 5 id" is written in pen on the verso of the paper. Although the ink bleeds through on the front side, it does not affect the main image area or signature.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 5.5 x 4. Initialed lower right.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 5.5 x 4. Initialed lower right.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 5 x 3. Initialed lower left.
keywords: illustrator, Esquire artist, Varga, Playboy artist, nude
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite on paper, image size approximately 5 x 3. Initialed lower left.
keywords: illustrator, Esquire artist, Varga, Playboy artist, nude
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck. An article published in Figure Photography (Vol. Nine), shows Vargas working on the rough drawings -- this exact sketch is pictured.
Graphite on paper, image size approximately 6 x 4. Initialed lower right.
The notation "PI x 13 id" is written in pen on the verso of the paper. The ink bleeds through on the front side in the same area where Vargas' initials appear.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck. An article published in Figure Photography (Vol. Nine), shows Vargas working on the rough drawings -- this exact sketch is pictured.
Graphite on paper, image size approximately 6 x 4. Initialed lower right.
The notation "PI x 13 id" is written in pen on the verso of the paper. The ink bleeds through on the front side in the same area where Vargas' initials appear.
keywords: illustrator, Esquire artist, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite and watercolor on board, image size approximately 2.5 x 3.5. Initialed lower left.
keywords: green polka dot, illustrator, Esquire artist, Varga, Playboy artist
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite and watercolor on board, image size approximately 2.5 x 3.5. Initialed lower left.
keywords: green polka dot, illustrator, Esquire artist, Varga, Playboy artist
Alberto Vargas (1896-1982) Original Pin-up Sketch (c.1950).
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite and watercolor on board, image size approximately 2.5 x 3.75. Initialed upper left.
keywords: pink pattern skirt, illustrator, Esquire artist, Varga, Playboy artist
Most likely drawn by Vargas as part of his early conceptions for the Vargas Girl playing card deck.
Graphite and watercolor on board, image size approximately 2.5 x 3.75. Initialed upper left.
keywords: pink pattern skirt, illustrator, Esquire artist, Varga, Playboy artist
Ed Vebell - Original Story Illustration (1978).
Reader's Digest February, 1978 (page 132), for A Small Miracle for Peter.
Mixed media on board, measuring 15 x 14. Signed lower left.
keywords: Life artist, Sports Illustrated artist, surgery, operation, medicine
Reader's Digest February, 1978 (page 132), for A Small Miracle for Peter.
Mixed media on board, measuring 15 x 14. Signed lower left.
keywords: Life artist, Sports Illustrated artist, surgery, operation, medicine
E. F. Ward (1892-1991) Original Magazine Story Illustration (c.1930).
Oil on canvas, approximately 40 x 24. Signed lower left.
keywords: illustrator, painting, mystery, drama, The Saturday Evening Post artist
Oil on canvas, approximately 40 x 24. Signed lower left.
keywords: illustrator, painting, mystery, drama, The Saturday Evening Post artist
Roy Lee Ward - Original Calendar Art (1976).
Titled: Land of Apsaroke.
Oil on board, image size approximately 24 x 36. Signed and dated (1976) lower right.
A small published version (7.5 x 9.5) is included.
keywords: illustrator, illustration, Western, Indian, Native American, The West, frontier, prairie
Titled: Land of Apsaroke.
Oil on board, image size approximately 24 x 36. Signed and dated (1976) lower right.
A small published version (7.5 x 9.5) is included.
keywords: illustrator, illustration, Western, Indian, Native American, The West, frontier, prairie
Albert Beck Wenzell (1864-1917) Original Story Illustration (c.1897).
Most likely published as a magazine story illustration.
Watercolor on board, framed (32 x 38), approximate sight size of 27 x 33. Signed lower right.
keywords: illustrator, Harper's Monthly artist, The Saturday Evening Post artist
Most likely published as a magazine story illustration.
Watercolor on board, framed (32 x 38), approximate sight size of 27 x 33. Signed lower right.
keywords: illustrator, Harper's Monthly artist, The Saturday Evening Post artist
Jon Whitcomb (1906-1988) Original Magazine Story Illustration (1947).
Ladies' Home Journal August 8, 1947, for Julie by Ruth Babcock. Caption: "You never love a woman you merely want, as much as the one you can do things for."
Gouache on board, framed (23.5 x 22), sight size approximately 13.5 x 14. Signed lower left.
An example of the published version is attached to the verso.
keywords: illustrator, painting, beauty, glamour, gga, fashion
Ladies' Home Journal August 8, 1947, for Julie by Ruth Babcock. Caption: "You never love a woman you merely want, as much as the one you can do things for."
Gouache on board, framed (23.5 x 22), sight size approximately 13.5 x 14. Signed lower left.
An example of the published version is attached to the verso.
keywords: illustrator, painting, beauty, glamour, gga, fashion
Jon Whitcomb (1906-1988) Original Magazine Story Illustration (c.1950).
Gouache on board, framed (25.5 x 24.5), sight size approximately 14 x 15. Signed lower left.
keywords: illustrator, painting, beauty, glamour, gga, fashion
Gouache on board, framed (25.5 x 24.5), sight size approximately 14 x 15. Signed lower left.
keywords: illustrator, painting, beauty, glamour, gga, fashion
Hy Whitroy - Original Glamour Art (c.1915)
Birute', a 14th century Lithuanian priestess. An early example of a fine art glamour painting, published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 25 x 20. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 25, fig. 15.
keywords: illustrator, illustration, historical, Palanga
Birute', a 14th century Lithuanian priestess. An early example of a fine art glamour painting, published by the Joseph C. Hoover and Sons Calendar Company, Philadelphia.
Oil on canvas, approximately 25 x 20. Signed lower left.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 25, fig. 15.
keywords: illustrator, illustration, historical, Palanga
Fritz Willis (unknown-1979) Original Pin-up / Glamour Art (1960-1970).
Mixed media on board, framed (27 x 23.5), sight size approximately 18.5 x 15.5. Initialed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
Mixed media on board, framed (27 x 23.5), sight size approximately 18.5 x 15.5. Initialed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
Fritz Willis (unknown-1979) Original Pin-up / Glamour Art (1960-1965).
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Mixed media on board, framed (21.5 x 26.5), sight size approximately 12.5 x 17.5. Signed and inscribed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
Published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Mixed media on board, framed (21.5 x 26.5), sight size approximately 12.5 x 17.5. Signed and inscribed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
Fritz Willis (unknown-1979) Original Pin-up / Glamour Art (c.1965).
A November calendar for the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Mixed media on paper, framed (28 x 22), sight size approximately 20.5 x 14.5. Initialed middle.
keywords: illustrator, illustration, beauty, glamour, drawing
A November calendar for the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Mixed media on paper, framed (28 x 22), sight size approximately 20.5 x 14.5. Initialed middle.
keywords: illustrator, illustration, beauty, glamour, drawing
Fritz Willis (unknown-1979) Original Pin-up / Glamour Art (c.1966).
A November calendar for the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Mixed media on paper, framed (29.5 x 22), sight size approximately 20.5 x 14. Initialed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
A November calendar for the Brown & Bigelow Calendar Company, St Paul, Minnesota.
Mixed media on paper, framed (29.5 x 22), sight size approximately 20.5 x 14. Initialed lower right.
keywords: illustrator, illustration, beauty, glamour, drawing
Edward Arthur Wilson (1886-1970) - Attributed - Original Advertising Art (c.1924).
For the 1924 Peerless.
Gouache on board, framed (25 x 35), sight size 17.5 x 27.5. Initialed lower right.
keywords: illustrator, illustration, vintage cars, automotive
For the 1924 Peerless.
Gouache on board, framed (25 x 35), sight size 17.5 x 27.5. Initialed lower right.
keywords: illustrator, illustration, vintage cars, automotive
S. Clay Wilson - Original Illustration (1965).
Caption: "Being near sighted didn't prevent me from bringing down 42 outlaws."
Acrylic on canvas, approximately 22.5 x 36. Signed upper-middle left.
Some minor paint cracking in several areas.
keywords: illustration, illustrator, Old West, sheriff, star, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
Caption: "Being near sighted didn't prevent me from bringing down 42 outlaws."
Acrylic on canvas, approximately 22.5 x 36. Signed upper-middle left.
Some minor paint cracking in several areas.
keywords: illustration, illustrator, Old West, sheriff, star, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
S. Clay Wilson - Original Illustration (1962).
Titled: Death At High Noon In Old Badwater.
Acrylic on canvas, approximately 20 x 24. Signed lower right.
Some minor paint cracking.
keywords: illustration, illustrator, Old West, shootout, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
Titled: Death At High Noon In Old Badwater.
Acrylic on canvas, approximately 20 x 24. Signed lower right.
Some minor paint cracking.
keywords: illustration, illustrator, Old West, shootout, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
S. Clay Wilson - Original Illustration (1961).
Titled on verso: Swarthy Gentleman Stede Bonnet Relaxing With A Smoke In His Lemon Yellow Gloves.
Acrylic on canvas, approximately 26 x 20. Signed lower left.
keywords: illustration, illustrator, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
Titled on verso: Swarthy Gentleman Stede Bonnet Relaxing With A Smoke In His Lemon Yellow Gloves.
Acrylic on canvas, approximately 26 x 20. Signed lower left.
keywords: illustration, illustrator, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
S. Clay Wilson - Original Illustration (1961).
Titled on verso: Black Beard the Pirate.
Acrylic on canvas, approximately 40 x 20. Signed lower middle.
keywords: illustration, illustrator, Blackbeard, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
Titled on verso: Black Beard the Pirate.
Acrylic on canvas, approximately 40 x 20. Signed lower middle.
keywords: illustration, illustrator, Blackbeard, underground artist, Zap artist, Checkered Demon creator, Captain Pissgums creator, Ruby the Dyke creator
Ted Withers - Original Pin-up Art (1960).
Appeared as "April" in the 1960 calendar, in Bella Romana, part of the Artist's Sketch Pad calendar series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas board, framed (29 x 20), sight size approximately 25 x 16. Signed lower left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 319, fig. 736.
keywords: illustrator, illustration, glamour, beauty, historical, Americana
Appeared as "April" in the 1960 calendar, in Bella Romana, part of the Artist's Sketch Pad calendar series, published by the Brown & Bigelow Calendar Company, St. Paul, Minnesota.
Oil on canvas board, framed (29 x 20), sight size approximately 25 x 16. Signed lower left.
A color copy of the published calendar page is included.
Reproduced in The Great American Pin-up (Martignette & Meisel), page 319, fig. 736.
keywords: illustrator, illustration, glamour, beauty, historical, Americana
Frederick Coffay Yohn (1875-1933) Original Book Cover Art (c.1929)
The Hero of Vincennes The Story of George Rogers Clark by Lowell Thomas (Houghton Mifflin, 1929). This painting appeared as a color plate on the cover of the book, and again as a full page illustration (page 84), with the caption "Fighting Indians."
Oil on canvas, approximately 42 x 30. Not signed.
A copy of the book is included.
keywords: illustrator, frontier, soldiers, battle, action, adventure
The Hero of Vincennes The Story of George Rogers Clark by Lowell Thomas (Houghton Mifflin, 1929). This painting appeared as a color plate on the cover of the book, and again as a full page illustration (page 84), with the caption "Fighting Indians."
Oil on canvas, approximately 42 x 30. Not signed.
A copy of the book is included.
keywords: illustrator, frontier, soldiers, battle, action, adventure
Session 7
Music Memorabilia
Bill Haley - Music Memorabilia Ephemera, Framed Magazine (Evening Express, 1957). This is a music newspaper from Liverpool that came out a week after Bill Haley's legendary British tour. During his short visit, the legendary "Rock Around the Clock" riots occurred. In his first show in Liverpool, kids jumped up on stage during the famous song that's now more known for being the theme to "Happy Days." A fight broke out and continued until two kids were dead, four police officers were injured, and all of the band's equipment, including a grand piano, was smashed to bits. This is a unique piece of paper ephemera from a rough time in Rock history. It comes framed to an overall size of 15" x 20".
Elvis Presley - Commissioned Gold Watch (Mathey-Tissot, circa 1970). In 1969 or 1970, Elvis had a Memphis jeweler, Harry Levitch, customize premium Swiss-made watches, which the King gave to family, close friends, selected staff, band members, and other privileged sorts, identifying the wearer as one with "all access" status at Elvis' concerts and tours. Mr. Levitch crafted a bezel with Elvis Presley in raised circular letters. Mathey-Tissot's "Automatic" model is self-winding, water-resistant, has a sweeping second hand and day/date display, with a stainless steel underside and an adjustable wrist band. This beautiful, significant artifact comes with a letter of authenticity from Jerry Osborne of Osborne Enterprises, author of Presleyana--The Elvis Presley Record, CD, and Memorabilia Price Guide, and other respected price guides that are utilized extensively by recording collectors and dealers worldwide.
Elvis Presley - Music Memorabilia Photos, Unpublished Elvis Photos 1956-1960. He was the King of Rock and Roll, and throughout his adult life every step was documented. Offered in this lot are (27) 11" X 14" new prints, black and white glossy, unpublished images of Elvis at work and at play. The lot includes shots of him on the set of one of his early films. All of the negatives from which these prints were taken look to be from the 1956-60 era. Near Mint/Mint.
Elvis Presley - Music Memorabilia Posters (1962-1971) (11) One Sheets (27" X 41"). Fantastic group of 11 Elvis Presley posters, covering a ten-year span, during the career of the King of Rock and Roll. "Kid Galahad" (1962), "Kissin' Cousins" 1964), "Girl Happy" (1965), "Frankie and Johnny" (1966), "Easy Come, Easy Go" (1967), "Double Trouble" (1967), "Clambake" (1967), "Stay Away Joy" (1968), "Change of Habit" (1969), "Trouble With Girls" (1969), "That's The Way It Is" (1971). Where else will you find this tremendous selection in one place? It would take a number of years to put this group together. The posters range in condition from Fine to Very Fine+.
Elvis Presley - Music Memorabilia, Unused Album Slick for "Elvis' Christmas Album" - LSP-1957 (e) (1964). Unused slick for a 1964 reissue of Elvis' historic 1957 album. Two small tears at the edges, and two creases at the top left. The King and X-mas -- a winning combo! Very Fine/Near Mint.
Animals / Sonny Boy Williamson / Yardbirds - Music Memorabilia Poster (1964). This scarce poster promoted a show in which the Yardbirds were not even the headlining act! R & B at the Ricky-Tick Club, Plaza Ballroom, Guildford. Framed (no glass) to 25" by 36", the image area is 19" by 29.5". The poster has a few wrinkles, some tackholes, and a couple of old tape stains in the top corners, but it is still very clean and presentable. When was the last time you saw one of these?
The Animals - Music Memorabilia, Oakland Coliseum Handbill (Bill Quarry, 1968). A groovy handbill from Oakland, California. This show featured The Animals, The Association, and the Bola Sete Trio. Scarce and colorful, there were only about 100 of these handbills made. This example is almost certainly the best surviving copy. It measures 8.5" x 11".
Beach Boys - Capitol XPRO 2079-Album. Manufacturing reference pressing of singles for the week of June 6, 1962, which happens to include the first Beach Boys' single for Capitol Records. A very scarce promotional album, being one of the first Beach Boys' collectibles. Plain white cover. Only known copy at the present time. Condition: record VG. From the collection of Bill Paquin.
Beach Boys - "Shut Down" - Various Artists - Capitol T-1918-Album. Various artists featuring The Beach Boys, The Superstocks, Robert Mitchum and others. A scarce mono copy from 1963 that is still sealed. From the collection of Bill Paquin.
Beach Boys - "Little Deuce Coupe" - Capitol ST-1998-Album. This is the third LP, from 1963, with the classic surf sound of the Beach Boys. Rare stereo copy. Still sealed with a number 3 back. Condition: still sealed. From the collection of Bill Paquin.
Beach Boys - "Pet Sounds". This album has often been voted the best album ever produced. An overstatement perhaps, but it was one of the most influential. Brian Wilson wrote most of the tracks after hearing the Beatles "Revolver" album. Ironically, it was this album that lead the Beatles to produce "Sergeant Pepper's." Offered in this lot is a still sealed Mono LP of the 1966 classic album. Condition: Mint. From the collection of Bill Paquin.
Beach Boys - "Best Of Vol. 2" - Capitol T-2706-Album. Original still sealed mono from 1967. From the collection of Bill Paquin.
Chuck Berry - Music Memorabilia Poster, "Go, Johnny, Go" One Sheet (Hal Roach, 1959). This film, co-produced by DJ Alan Freed, was the second of a proposed trio of jukebox movies. A rags-to-riches tale, told in flashback style, of a young Rock and Roll singer named Johnny Melody. Chuck Berry steals the show performing his hits "Johnny Be Good," "Memphis, Tennessee," and "Little Queenie." Other performers include The Flamingos, Jackie Wilson, Eddie Cochran, Harvey and the Moonglows, The Cadillacs, JoAnn Campbell and the late Ritchie Valens. The poster measures 27" x 41", and is Very Fine/Near Mint on Linen.
Big Brother and the Holding Company - Music Memorabilia, Avalon Handbill (The Family Dog, 1966). Borrowing from the stylings of Alphonse Mucha, Stanley Mouse designed an incredible handbill featuring Big Brother, Jim Kweskin Jug Band, and Electric Train. This is the scarcer version of the handbill, with a dark blue border. On the easier to find version, the border is more of a baby blue color. Scarce and collectible, this piece is nearly perfect, and measures 8.5" x 11".
Big Brother and the Holding Company - Music Memorabilia Posters, The Ark, Printers Proof (The Ark, 1967). One of the shorter lived clubs in the San Francisco Bay Area was The Ark in Sausalito. But during its brief life, there were some great shows, and they produced some great posters. This is one such example: the line-up included Big Brother, Moby Grape, and Jack & the Ripper. The posters were screened one at a time, then trimmed. This example is an untrimmed printer's proof. There are a few minor creases and some indentations on the right edge, but no tape or tack holes. Overall size of the poster is 17.5" x 23".
Big Brother and the Holding Company - Music Memorabilia, Avalon Ballroom Handbill (Family Dog Presents, 1966). This is a very rare, smaller size early San Francisco handbill. This one carries the designation of FD19 and advertises two different shows. The first show is Big Brother and the Holding Company with the Oxford Circle. The second show is Bo Diddley with the Sons of Adam. This handbill is also frequently called "Dollar Bill" because of the Alton Kelly/Mouse art making it look like a piece of money. It is in near perfect shape and measures 3.5" x 8.5".
Big Brother and the Holding Company/Canned Heat Blues Band - Music Memorabilia Posters (Family Dog Productions, 1967). This poster touts A Magic Show, and features Big Brother & The Holding Company and Canned Heat Blues Band. Art by Rick Griffin. FD 65. This poster is in excellent condition with only very minor wear.
Big Brother and the Holding Company - Music Memorabilia, Fresno Handbill and Ticket (Baba Love Company, 1968). Like the handbill says, this show was "Free to Everyone Over 35." This colorful handbill features multiple images of Janis Joplin as well as the rest of Big Brother. The other group on the bill that night was The Mint Tattoo. As an addition to this lot, a ticket to the show is also included. Tickets to the Selland Arena in Fresno, California are scarce in this hobby, and are highly prized. Fewer than 20 of these Big Brother tickets are still known to exist. Overall size of this stellar handbill is 7.5" x 10.75". The ticket is virtually flawless.
Blues Assortment - Miscellaneous Music Memorabilia, Handbills (various). A batch of five different handbills that feature greats of the Blues. The first is B. B. King in Vancouver, B.C. on November 5th 1974. It is NM and measures 5.5" x 8.5". The second is a circular shaped postcard from the Retinal Circus in Vancouver, B.C. featuring Muddy Waters. It is 7" across and is NM. Next is John Lee Hooker at the Hayward Theatre in Hayward, California on February 13, 1972. It's NM, signed by artist Mark Twain Behrens, and measures 4.75" x 7.25". Up next is the April, 1970 Matrix calander that features T. Bone Walker. It is signed by Mark Twain Behrens. Last, but not least, is the March, 1970 Matrix calander which features Charlie Musselwhite, John Lee Hooker, Sonny Terry, and Brownie McGee. It is signed by Mark Twain Behrens, is NM, and measures 5.5" x 7". This is a lot that won't give you the blues, as long as you're the high bidder.
David Bowie - "Can't Help Thinking About Me" - WB 5815-45 Single First American 45 release under the name of David Bowie. This unplayed copy is a white label promo. Condition: Mint-. From the collection of Bill Paquin.
James Brown - Music Memorabilia, Bell Auditorium Handbill (1968). A beautiful handbill for the man we call "The Godfather of Soul." James Brown is a performer known worldwide, and his music has been covered in every style from Metal to Country. This show was held in Augusta, Georgia at the historic Bell Auditorium, showcase for most of the Soul shows in Augusta in the 1960s. Like early Country music posters and handbills, Soul music handbills were printed in very small quantities and are highly prized by music and Black Americana collectors alike. In near perfect shape, this is the best surviving copy. The handbill measures 8.5" x 10.5", and is framed to an overall size of 14" x 17".
Paul Butterfield Blues Band - Music Memorabilia Poster, "Dedicated to Sonny Boy Williamson II" (Cheetah, 1968). One of the most popular bands to come out of Chicago in the 1960s was the Butterfield Blues Band. Driven by the twin guitars of Mike Bloomfield and Elvin Bishop, they released one Gold Record after another. This poster is in rough shape with folds, tack holes, and creases, but it has the advantage of being the only one known to exist at this time! It measures 14" x 20".
Butterfield Blues Band - Music Memorabilia Posters, Fillmore West (Tea Lautrec Litho, 1970). One of the last posters from Bill Graham's famous numbered series, this poster, BG261, features art by Norman Orr. The groups listed for this show are the Butterfield Blues Band, Buddy Miles Express, Quatermass, and the Incredible String Band. The poster is mint and measures 14" x 21".
The Byrds - Music Memorabilia Poster, "Byrds, Byrds, Byrds" (West Coast Lithograph, 1967). This is from the Byrds' second show in San Francisco, which took place just a few months before Monterey Pop. This is a virtually flawless poster with bright vibrant colors and great art by Wes Wilson. It carries the number designation of BG57. If you're a fan of the Byrds or David Crosby, then this poster is for you! The other groups on the bill include Moby Grape and Andrew Staples. Overall size of this poster is 14" x 22".
Buffalo Springfield - "Buffalo Springfield" - Atco 33-200-Album. Scarce original mono copy, from 1966, with the original song order including "Baby Don't Scold Me." Cover is still in the original shrinkwrap. Later pressings removed "Baby Don't Scold Me" for their hit "For What It's Worth." Condition: cover/record Mint-. From the collection of Bill Paquin.
Johnny Cash - Music Memorabilia Poster, "The Man in Black Returns" (Firehouse, 1997). An American original -- we lost one of the greatest artists in the history of music earlier this year. Johnny Cash not only changed the course of Country music but was a profound influence in shaping early Rock and Roll as well. He recorded songs with Elvis, Carl Perkins, Jerry Lee Lewis, and many, many more. This poster is for a 1997 concert at the University of New Mexico, and features one of the last times that June Carter Cash would appear on stage with her husband. The poster is hand-screened, and there were only 300 printed. It is in perfect shape except for a small ding on the upper left corner. Overall size of the poster is 12.5" x 25".
Cream - "Goodbye" - Atco SD-701-Album. One of the few sealed copies known, from 1969, that features the sticker stating poster inside. DJ hole in the upper left corner. Cream was considered by many to be one of the first "supergroups." Condition: still sealed. From the collection of Bill Paquin.
Cream and Ginger Baker - "Rock n' Roll Battle Series" - Album. Very limited Japanese edition of Ginger's work before and after Cream, issued in a tin film can. This was issued in the early 1970s. Beautiful book inside. Condition: Overall Mint-. From the collection of Bill Paquin.
Cream - Music Memorabilia, Fresno Handbill (Baba Love Company, 1968). Britain's first supergroup was a band called Cream. The name was intended to imply that the members were the cream of the British Blues crop. Combining Eric Clapton from the Yardbirds, and Jack Bruce and Ginger Baker from the Graham Bond Organization, Cream was more than qualified for the title. This handbill is for a show at the Selland Arena in Fresno, California with the band Blue Cheer. It is in perfect condition, and measures 7" x 11".
Creedence Clearwater Revival - Music Memorabilia Posters (Bill Graham, 1969). Bill Graham presents CCR, Fleetwood Mac, and Albert Collins live at the Fillmore West. Tea Lautrec Litho. This vintage poster has some minor wear, but it is still very clean and presentable.
Creedence Clearwater Revival - Music Memorabilia Poster, Fillmore 4th of July (Tea Lautrec Litho, 1968). An exceptionally high-grade example of this poster from the summer of '68. With art by Lee Conklin, this poster promotes two shows. The first is the 4th of July show with Creedence Clearwater Revival, Steppenwolf, and It's A Beautiful Day. The second show is The Butterfield Blues Band, Ten Years After, and Truth. This poster carries the designation of BG127, and measures 14" x 21".
Creedence Clearwater Revival - Music Memorabilia Posters (No Publisher, 1969). Bill Graham Presents (#174) in San Francisco: Creedence Clearwater Revival. Art by Randy Tuten shows the Titanic going under. Poster also features Northern California State Youth Choir with Dorothy Morrison, and the Bangor Flying Circus, Fillmore West, 5/22-25/69; Winterland, 5/23-24/69, 1969. A Tea Lautrec litho. Framed, this piece measures approximately 14" by 21". There are several creases and color breaks on this piece.
Neil Diamond - "20 Golden Greats." Offered in this lot is the 1978 release of Neil Diamond's "20 Golden Greats." This is the boxed set of the album, which is Mint, with original shrink still on it, though opened. Also offered is the gold album, still in sleeve and truly Mint. The green box shows a little wear. Very Fine/Near Mint. From the collection of Bill Paquin.
Doors - Music Memorabilia Poster, The Matrix (Neon Rose, 1967). Jim Morrison and The Doors played a series of all-ages shows at The Matrix in San Francisco from March 7-11, 1967. The poster image shows a trip through the doors to a Dutch town sometime past, by famed Underground comix artist Victor Moscoso. This classic poster is in phenomenal condition -- it has sharp corners, no tack holes or tape, and brilliant, unfaded color. It measures 14" x 20". Get ready to "break on through to the other side" with this classic poster.
Doors - "The Doors". The Doors' debut album came out in January 1967, and is quite amazing, because it immediately showed their distinctive style. Ray Manzarek's keyboards, Jim Morrison's poetic lyrics, the sparse arrangements, and the darkness of each song, really makes this innovative and different in Rock music. Offered here is a Mint copy of this debut album in mono with the original shrink wrap still attached, though the album has been opened. It does not appear to have been played. Mint. From the collection of Bill Paquin.
Doors - "L.A. Woman" - Elektra EKS-75011-Album. Originally issued in 1971, in a cover with a die-cut window and a yellow inner sleeve with a photo of the group. Condition: still sealed. From the collection of Bill Paquin.
Doors - Music Memorabilia, Fresno Fairgrounds Handbill (James C. Pagni Co., 1968). One of the most celebrated rock acts of all time, the Doors, with frontman Jim Morrison, have been memorialized in books, movies, and even plays. This handbill is extremely rare, fewer than ten are known to exist. It is from a period when the band was at the peak of their popularity, just after "The Soft Parade" came out. The show is called "Happening No. 3" and also features a band called the Shag. If you're a Doors fan or a Rock and Roll collector then this is a piece you don't want to miss! The size of the handbill is 5.5" x 8.5" and the condition is perfect.
Delaney and Bonnie and Friends - Music Memorabilia Posters (1970). Here is another scarce Aragon Ballroom that does not often appear for sale. Features Smith, The Flying Burrito Brothers, White Lightning, Jessie, and an exhibition of paintings by Wilma Parker. Framed 20.5" by 27", the image area on this piece is 16" by 21.5".
Bo Diddley - Music Memorabilia Poster, "The Big T.N.T. Show" One Sheet (American International, 1966). This 27" X 41" poster for "The Big T.N.T. Show" was the sequel to 1964's "The T.A.M.I. Show" and like its predecessor, was more or less a concert film. A wide variety of pop artists show up to perform, including Roger Miller, Joan Baez, Ike and Tina Turner, Ray Charles, Bo Diddley, the Ronettes, and The Lovin' Spoonful. Fine/Very Fine.
Fats Domino - Music Memorabilia Poster, "Shake, Rattle and Rock" One Sheet (AIP, 1956). The concerned adults of a small town, namely character actors Raymond Hatton and Magaret Dumont, are trying to ban Rock and Roll because they think the music promotes juvenile delinquency. It's up to the town disc jockey and the kids to defend their music on a televised trial featuring Fats Domino and Tommy Charles. This is one of the best and most delightfully innocent of the "adults versus rock music" genre films. This Fine+ poster measures 27" X 41".
Bob Dylan - "Blowin In The Wind" - Columbia 75066-45 Single. This DJ-only sleeve from 1963 is the rarest American Bob Dylan sleeve known to exist. This also contains the extremely rare white label promotional 45 that came with the sleeve. One of the holy grails of Dylan collecting. Sleeve has slight glue bleed through with some storage ripples. Condition: Overall Mint-. From the collection of Bill Paquin.
Bob Dylan - "Subterranean Homesick Blues" - 45 Single. Promo sleeve only, from 1964, that involves The Beatles. Back cover of sleeve shows John saying, "The Beatles are following the ways of Zimmerman." Sleeve shows some slight foxing and slight paper carry-over from whatever was stacked on top. Condition: VG++. From the collection of Bill Paquin.
Bob Dylan - "The Freewheelin'". Dylan's second album, unlike his first, was bursting at the seams with original material. Among the best known songs were "Blowin' In The Wind," "Don't Think Twice, It's Alright," and "Masters Of War." Here is a still-sealed mono LP of Bob Dylan's Freewheelin'. Mint. From the collection of Bill Paquin.
Bob Dylan - "Bringing It All Back Home". "Bringing It All Back Home" shocked fans when it first came out with its raucous leadoff track (and Dylan's first top-40 single), "Subterranean Homesick Blues." Recorded in three short days in January 1965, Dylan broke all musical boundaries with this album, producing a remarkable collection of songs unlike anything else up to that time. This is a still sealed, mono copy of this ground-breaking LP. Mint From the collection of Bill Paquin.
Bob Dylan - "Blonde on Blonde". Considered an unprecedented magnum opus when it arrived on two records in May of 1966, "Blonde on Blonde" featured Dylan continuing to demonstrate remarkable powers over the course of 14 new numbers. Offered in this lot is a still-sealed stereo double album set, with the original sticker still on the shrink wrap. Mint. From the collection of Bill Paquin.
Electric Theaters Presents at Aaron Russo's Kinetic Playground - Music Memorabilia Posters (M.T. Behrens, 1969). This intriguing poster lists all of the groups playing at the Kinetic Playground from January 24, 1969 through March 8, 1969, and it certainly lives up to it self-proclaimed hype of "A Bill Of Surpassing Excellence!" Featuring Buddy Rich, Buddy Miles Express, Rotary Connection, Grateful Dead, Grassroots, Vanilla Fudge, Led Zeppelin, Jethro Tull, Tim Hardin, Spirit, The Move, Jeff Beck, Savoy Brown, Mother Earth, Paul Butterfield, B.B. King, Bob Seger System, John Mayall, and Richie Havens. Wow! Now, that's a lineup. Very few of these posters have survived to the present day.
Duke Ellington - Music Memorabilia Poster, "The World's Most Honored Musician" (Daystar Presents, 1974). A splendid poster by artist Gary Grimshaw for a Duke Ellington show in Michigan. To even attempt to describe the achievements of Duke would take too much time, but certainly the title of "World's Most Honored Musician" says it well. The poster is mint, signed by artist Gary Grimshaw, and measures 11" x 17".
Genesis - Music Memorabilia Poster, Avalon Ballroom (Family Dog Presents, 1968). This poster comes from the first U.S. tour of Genesis. Also on the bill were the Blues Project, and Taj Mahal, and the Blue Flames. This is part of The Family Dog numbered series, and carries the designation FD108. A trippy poster of these future Rock and Roll legends. Overall size of this stellar poster is 14" x 21".
Bill Graham Presents Assortment - Music Memorabilia, Postcard Group (Bill Graham Presents). If you want to start collecting the Bill Graham Presents postcard series, then this lot is for you! The postcards, which are basically small versions of the posters, were printed on the same large sheets of paper the posters were. They were then cut from the sheet, addressed, and mailed to customers. Here are 25 superb postcards that were never used. They feature art from Rick Griffin, Wes Wilson, Alton Kelly, Stanley "Mouse," Lee Conklin, Victor Moscoso, and others. The groups that are featured include Jimi Hendrix, Iron Butterfly, Big Brother and the Holding Company, Buffalo Springfield, Muddy Waters, The Butterfield Blues Band, The Mothers of Invention, Captain Beefheart, 13th Floor Elevators, Jefferson Airplane, Chuck Berry, Spirit, Cold Blood, The Doors, Vanilla Fudge, Lenny Bruce, Pink Floyd, The Grateful Dead, and many more. They vary in size slightly, but most measure 4.75" x 7".
Grass Roots - Music Memorabilia, Fillmore Handbill (Bill Graham Presents, 1966). This handbill is numbered as BG0 but it is actually the fourth show of the series, it came out after BG3. Perhaps this show was booked first. Either way, it has a great line-up with The Grass Roots, Quicksilver Messenger Service, and The Family Tree. A great piece of Rock and Roll history! In Near Mint condition, this handbill measures 6.75" x 9.5".
Grateful Dead - Music Memorabilia, Fillmore Handbill (Bill Graham Presents, 1966). In the late 1960s, Bill Graham would order several different sizes of art from the printer: poster-sized, postcard-sized, and ticket-sized. For the postcards, he would have about 1,000 printed. For approximately 10% of the run, instead of having a return address printed on the back, he would have the printer leave the back blank, and have a supply of handbills. This handbill, designation BG32, is in top condition and features a great shot on the front of a young Jerry Garcia. The other groups on the bill include Lightning Hopkins and the Loading Zone. Overall size of the handbill is 5.25" x 8".
Grateful Dead - Music Memorabilia, Fillmore Handbill, Children's Adventure Day Camp (1966). A non-Bill Graham event at San Francisco's Fillmore Auditorium, this was an all-day event with eight musical groups, the SF Mime Troupe, and members of the Committee. The musical acts included Quicksilver Messenger Service, Big Brother and the Holding Company, The Grateful Dead, The Grass Roots, and others. In nearly perfect shape, this is a great reminder of the early SF psychedelic scene. Overall size of the handbill is 8.5" x 11".
Grateful Dead - Music Memorabilia, California Hall Handbill, "Dance of Death" (Bob McKendrick, 1966). One of the rarest of all Grateful Dead handbills, this one is from Halloween 1966 -- their first year as the Grateful Dead. Before that, they were called The Warlocks. This is a lower grade example of this handbill, it was taped at the corners, then pulled down, and folded twice. It's intact, though, except for a small piece missing from the lower right corner. There are also two small tack holes in the middle of the top and bottom. The other groups on the bill include Quicksilver Messenger Service and Mimi Farina. Overall size of the handbill is 8.5" x 11".
Grateful Dead - Miscellaneous Music Memorabilia, Avalon Ballroom Handbill (The Bindweed Press, 1966). A beautiful handbill that features art by Victor Moscoso, from a Grateful Dead show produced by Family Dog Presents that carries the designation FD40. This was the last handbill that Family Dog did -- they started doing postcards like Bill Graham with their next show. With fewer than 250 of these printed, this is a collectible that Underground and Rock and Roll fans alike will love. It measures 8.5" x 11" and has a very tiny ding in the lower left corner.
Grateful Dead - Music Memorabilia, "Abe Lincoln's Birthday" Handbill (Bill Graham Presents, 1967). Bill Graham, as a promotor, was a bit of a pioneer in producing posters for all of his shows. This is one of the exceptions, as there was no poster or printed tickets for this show. Only the handbill ever existed as printed memorabilia for this event. With a loaded line-up, this show was a benefit for the "Council for Civic Unity." The show featured The Grateful Dead, Moby Grape, Sly and the Family Stone, and the New Salvation Army Band. Only about 100 of these handbills were printed; this example is certainly one of the best surviving. Overall size of this near mint handbill is 8.75" x 11".
Grand Funk Railroad - Music Memorabilia Posters (Iris, 1970). American Tribal Productions, Aragon Ballroom. Also features Litter, Brian Auger & The Trinity, 4 Days And A Night, and M. C. Bob Rudnick. Art by Al Shamie. Framed to 20.5" by 26.5", the image area is 16.5" by 22.5".
Grateful Dead - Music Memorabilia Poster, Providence Civic Center (Bill Graham Presents, 1973). Designed by San Francisco artist Randy Tuten, this poster is for a Bill Graham Grateful Dead show in Rhode Island. In excellent shape, this poster has a traditional "Skull and Roses" feel to the art. The overall size of the poster is 14" x 21".
Grateful Dead - Memorabilia Poster by Daniel Clyne, Aragon Ballroom (Iris, 1970). Roll away the dew and let everyone know that you're playin' in the band with this groovy poster that combines underground comix with the psychedelic music scene. On the music end, we have The Grateful Dead, It's A Beautiful Day, and Rare Bird. On the underground side is the Bijou Comix Show with Robert Crumb, Skip Williamson, Jay Lynch, Gilbert Shelton, and the artist responsible for this poster -- Daniel Clyne. While San Francisco psychedelic-era posters are relatively easy to find by comparison, these sister posters from Chicago's Aragon Ballroom are next to impossible. Keep on truckin'.
Grateful Dead - Music Memorabilia, New Years Eve Handbill (Bill Graham Presents, 1978). Frequently called "The Blue Rose," this was the last New Year's Eve show that ended with breakfast at dawn. With awesome art by Mouse and Kelly, the show featured The Grateful Dead, The Blues Brothers, and The New Riders of the Purple Sage. Overall size of this piece is 5" x 7.5".
Grateful Dead - Music Memorabilia Poster, Group (Randy Tuten). A group of four different Grateful Dead posters that Randy Tuten made from the ads he did for Bill Graham Presents. Two of the posters are signed by Tuten. The posters vary in size from 10" x 18" to 12" x 23".
Grateful Dead - Music Memorabilia Posters, Boston Tea Party + 1 (Tea Party Concerts, 1988). In the late 1960s, a series of yearly festivals were started in Massachusetts called the "Boston Tea Party." As the years went by, the promoters of the event began doing concerts all year round. This is a "Tea Party" concert at Worcester's Centrum Arena. The poster is in excellent shape, with just some trivial wear to the edges. It measures 16" x 23". We are also including in this lot a Relix Magazine promotional poster. Very Fine.
Grateful Dead - "Grateful Dead" - Warner Brothers W-1689-Album. First LP in rare mono from 1967 that began the deadhead craze that has lasted over 35 years. Jerry and the boys would go on to become one of the biggest acts in rock music. Slight ring wear on cover. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Jimi Hendrix - Music Memorabilia Poster, Jimi Hendrix Pro Arts Blacklight Poster This tremendous blacklight image was produced by Pro Arts, Inc. in 1970. Hendrix's image was prevalent in every guitar shop and head shop by this time until the shocking news in September, 1970 shook the world with news of his death. The approximately 13" X 18" image depicts him playing guitar with the phrase "Are You Experienced?"
Jimi Hendrix - Music Memorabilia, Unused Record Cover Proof (Reprise Records, 1969). Jimi Hendrix was considered to be the gunslinger of guitars. But on this unused cover proof, Jimi and The Experience's Mitch Mitchell and Noel Redding, are dressed up as gunslingers. Jimi, an ex-marine and paratrooper, looks right at ease on his horse. His British bandmates though look like they are a little too high off the ground. A unique item from Rock's greatest guitar player. Overall size is 18" x 25" with an image area of 12.5" x 12.5".
Jimi Hendrix - Music Memorabilia, Jimi Hendrix Autograph (1969). In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. Called by many "the greatest guitarist to ever live," Hendrix was a living legend before his untimely demise, and a Rock and Roll "god" afterwards. Offered here is a beautifully framed autograph of the legend, with a tremendous photo of Hendrix on stage, and a photocopy of the rare single cover for "Hey Joe."
Jimi Hendrix - Music Memorabilia Photos, Unpublished Hendrix Photos,1967 Offered in this lot are (2) 11" X 14" glossy, new color photos on Kodak paper stock of Jimi Hendrix, Noel Redding, and Mitch Mitchell. Near Mint/Mint.
Jimi Hendrix - Music Memorabilia, Foil Handbill, Northern California Folk Rock Festival (Bob Blodgett, 1969). This was a loaded line-up. For three days in May of 1969, people in Santa Clara, California got to see Jimi Hendrix, Jefferson Airplane, Chambers Brothers, Led Zeppelin, Steve Miller, Santana, Muddy Waters, Chuck Berry, and a lot more. Only about 250 of these handbills were made, and they were widely distributed, making this a tough find in any condition; tougher even than for the show in 1968. This example is in fine shape with no tears or creases, but there are a few spots where the foil has been scratched leaving faint white lines. Overall size is 5.5" x 8.5".
Jimi Hendrix - Music Memorabilia Poster, Winterland (Tea Lautrec Litho, 1968). To some of us, the greatest guitar player of all time, Seattle native James Marshall Hendricks, or Jimi, had to go all the way to England to become famous. His memorabilia probably ranks behind only Elvis and the Beatles in terms of desirability. This poster is from a show at Winterland in San Francisco. It has fabulous art by Rick Griffin and Victor Moscoso, and is in nearly perfect condition. The show also featured Buddy Miles Express, and Dino Valenti. From Bill Graham's numbered series, it carries the designation BG140. Measuring 14" x 21.5", it ranks in the Top 10 of Bill Graham posters, both in terms of scarcity and desirability. This incredible piece of art would easily be the centerpiece of any quality Rock and Roll poster collection.
Jimi Hendrix - Music Memorabilia Posters (Seadog Productions, 1973). Chicago's Aragon Ballroom presents Black Kangaroo! Pretty Things! Soup! And the first showing of the film: "Jimi Hendrix At Berkley!" Some minor creasing and waviness, and a 1/2" tear on this scarce poster. Art by Michael Krueger.
Jimi Hendrix- Music Memorabilia, Jimi Hendrix Autographed Album (1968). Released January 10, 1968 as a follow up to his smash hit debut LP, "Are You Experienced," this album highlights Hendrix's own evolving musical experimentalism and acknowledges his early musical influences of soul and R&B. The strong inscribed autograph, "To Jody-Stay Groovy Jimi Hendrix," in the upper right corner of the album would be a cornerstone to any Hendrix collection. The cover shows wear on all four edges yet the cover is not split in any area. The record album is not included with this lot. Very Fine.
Jimi Hendrix - "Hey Joe" - Reprise 0572-45 Single. Ultra-rare promotional-only sleeve with record that is seldom seen in this condition. Condition: record Mint-/sleeve VG++. From the collection of Bill Paquin.
Hootie & The Blowfish - Music Memorabilia Posters (Bill Graham, 1995). Bill Graham presents Hootie & The Blowfish and Cowboy Mouth at the Creek Theatre in U.C. Berkeley. This colorful poster is autographed by the artist "Mats!?" Flat, clean, and in excellent condition.
Iron Butterfly - Music Memorabilia Poster, "Fillmore West" (Tea Lautrec Litho, 1968). The sequel to the Jimi Hendrix poster BG140, this is by Underground comix legends Rick Griffin and Victor Moscoso. There is slight water damage to the lower right quarter of the poster, and a few spots where the black has been touched up with pen. This is part of the Bill Graham numbered series, and carries the designation of BG141. The poster is framed to an overall size of 14.5" x 22".
Iron Butterfly - Music Memorabilia, Fillmore Ticket Set (Bill Graham Presents, 1968). A complete set of tickets corresponding to the poster that is designated BG141. When the posters were printed in the 1960s, most of the time a large sheet of poster paper would be printed with posters, postcards, and tickets all on one sheet, to be cut apart later. This show was so popular that before the event, more tickets and posters had to be printed. This set includes both the color progressive tickets of the first printing, one for each day (Thursday, Friday, Saturday), and the black and white tickets from the second printing. They have great art by Rick Griffin and Victor Moscoso, and will appeal to both Rock 'n' Roll fans and collectors of Underground comix. The tickets are all nearly flawless.
It's A Beautiful Day - Music Memorabilia, Fun House Handbill (Fun House, 1970). One of the more interesting groups of the 1960s, It's A Beautiful Day had a huge following. They combined both male and female lead vocals with touches of Jazz and Classical to create their own sound. This handbill is from a show on August 22, 1970 at the Fun House in South Lake Tahoe, Nevada. The other group on the bill is Rock Well. With only 100 of this handbill made, they are very rarely seen. In excellent shape, this handbill measures 5.5" x 8.5".
It's A Beautiful Day - Music Memorabilia Posters (Daydream Productions, 1972). This poster was used to promote Homecoming at the University of Wisconsin in 1972 and the featured band, It's A Beautiful Day. Framed to 18.5" by 25", the image area on the piece is approximately 15" by 21". There is a small tack hole in each corner. Art by Denis Kitchen.
Jan & Dean - Music Memorabilia Posters (Colby Foster Printing, 1960s). Jan & Dean with Papa Doo Run Run at the Greek Theatre! This low-key poster was used to promote the show, and it has several tack and staple holes. Still a presentable piece, it is certain that not many of these have survived to the present day.
Jane's Addiction - Music Memorabilia Poster (Bill Graham, 1989). Live from the Fillmore, Bill Graham presents Jane's Addiction. This poster is flat and clean, and in outstanding condition. Also features Caterwaul, The Sextants, Gherkin Raucous, and House Of Wheels.
Janis Joplin - Music Memorabilia Poster - Jay Lynch (1969). This rock poster for a November 23rd, 1969 concert by Janis Joplin at the Auditorium Theatre was drawn by Jay Lynch, one of the pioneers of Underground Comix. While not generally known as a rock poster artist, Lynch can certainly belt one out when called upon to do so. In this rare poster, done in his hometown of Chicago, Lynch retains his cartoonish style, rather than trying to effect an "artsy" manner, as others often did. Rarely did these posters have such a cartoonish feel to them, and Lynch even throws in some of his off-beat Comix characters. Announced as the "Janis Joplin Review," as she had recently broken off from Big Brother and the Holding Co., her group would soon be known as the Kozmic Blues Band. Measuring 21" x 25" matted and framed, this is a rare and historic poster by any measure.
Janis Joplin - Music Memorabilia Costumes, Joplin's Personal Handbag. Worn, brown leather shoulder bag with strap, this historical artifact comes with a photo of Janis Joplin holding the bag, as well as a letter of authenticity from Janis' friend, Miriam Vermes. This personal item from one of the sixties' greatest rock stars is very reminiscent of the styles from that era. Fine.
Jefferson Airplane - Music Memorabilia Poster, "Dance, Concert" (West Coast Lithograph, 1966). One of the most popular groups of the 1960s is featured on this poster for one of Grace Slick's first shows with the Airplane. As the singer for The Great Society, Grace developed the sound Jefferson Airplane would become known for, and she also brought her biggest hit to date, "Somebody to Love." This poster is in superb condition, has a great picture of the Airplane by Herb Greene on it, and contains beautiful art by Wes Wilson. In the Bill Graham poster series, its designation is BG42, and measures 14" x 22".
Jefferson Airplane - Music Memorabilia, Avalon Handbill (The Bindweed Press, 1966). A scarce handbill from the early days of The Family Dog, from the period when Signe Andersen was singing for Jefferson Airplane. They are joined on the bill by The Great Society featuring Grace Slick on vocals, who would later join the Airplane. The art is by Stanley Mouse. The handbill is in NM condition, and would be a great addition to any Rock and Roll collection. Overall size is 8.5" x 11".
Jefferson Airplane - Music Memorabilia Poster, Fillmore East (Fantasy Unlimited, 1968). You've seen the CD, now you can own the poster! In 2000, Jefferson Airplane released a live CD of their 1968 show at New York's legendary Fillmore East. Here we have a mint poster from that very show. With a classic Egyptian design, this is second only to the East Coast Jimi Hendrix poster, in terms of value and desirability. The show also featured The Crazy World of Arthur Brown. Overall size of this poster is 13" x 22".
Jefferson Airplane - "Jefferson Airplane Takes Off" - RCA Victor LPM-3584-Album. Their first album, from 1966, in mono with five songs on the first side. This album was recorded prior to Grace Slick joining the group. One of the few known monos of this title in this condition. Condition: still sealed. From the collection of Bill Paquin.
Martin Luther King - Music Memorabilia Poster, Mass Memorial (Peace and Freedom Movement, 1968). One of the most important Americans of all time, Rev. Martin Luther King, Jr. helped this country through one of its toughest growth periods. He ultimately gave his life for his beliefs -- that all men are equal -- regardless of the color of their skin. This is a mint poster for the march that was organized in San Francisco the Monday following Dr. King's assasination. This poster serves as a poignant reminder that the lesson of history is never forget. Overall size of this poster is 12" x 19".
Kinks - "The Great Lost Kinks Album" - Reprise MS-2127-Album. Limited press that is still sealed. The great thing about this LP is that it is uncut, whereas most copies for sale have a cutout. Condition: still sealed. From the collection of Bill Paquin.
Kinks - "You Really Got Me" - Reprise R-6143-Album. Rare first white label promo, from 1965, on the "pop series label." Featuring the hit "You Really Got Me." This is the first American album by the Davies brothers. Condition: Overall Mint-. From the collection of Bill Paquin.
Jerry Lee Lewis - Music Memorabilia Poster, "Jamboree" (Warner Brothers, 1957). In 1957 Rock and Roll music was in full swing, and producers were looking for a way to get the kids into the theater. What better way than to make a movie with a thinly veiled plot that would work to introduce a number of rock acts? This teen drive-in picture featured Jerry Lee Lewis, Fats Domino, Carl Perkins, Joe Williams, Slim Whitman, and a very young Frankie Avalon. Very Fine+ on Linen.
Led Zeppelin - "Led Zeppelin II" - Atlantic SD-8236-Albums. Rare stereo white label promo, from 1969, with song sticker on back. Original gatefold cover. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Led Zeppelin - "Led Zeppelin III" - Atlantic SD-7201-Album. Stereo white label promo, from 1970, with original gatefold cover and all its moving parts. Cover still has sticker attached. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Led Zeppelin - "Led Zeppelin IV" - Atlantic SD-7208-Album. Classic LP, from 1971, featuring "Stairway To Heaven." A beautiful stereo white label promo gatefold LP with the original sticker. Condition: record/cover Mint-. From the collection of Bill Paquin.
Matrix - Music Memorabilia, Complimentary Ticket (Matrix, undated). In the late 1960s, many San Francisco bands started their own small clubs. One such club was the Matrix, which was run by Jefferson Airplane's manager, Matthew Katz, and owned by singer Marty Balin. It was only open for a little over three years, but hosted concerts almost five days a week during that period. This is a virtually perfect complimentary ticket that has great art by Mark Twain Behrens. Most of these were used, so they are very hard to find. Overall size of the ticket is 4.25" x 5.5"
The Mitchell Trio - Music Memorabilia Posters. This poster was made to promote The Mitchell Trio's (Mike Kobluk, Chad Mitchell, and Joe Frazier) appearance in concert at the Proviso West High School in Hillside, Illinois. There is some faint, minor creasing in the upper left and lower right corners, but this is a very clean and presentable piece.
The Mindbenders - Music Memorabilia Poster, Fillmore Auditorium (Bill Graham Presents, 1966). A tough to come by poster that features two early psychedelic legends. The Mindbenders inspired bands such as Pink Floyd, UFO, and many others. California's Chocolate Watchband wrote the early psychedelic hit "Are you gonna be there... At the love in?" This is a second printing (of four) of this poster. There are no tack holes, but there is some creasing on the edges of this trippy poster by Wes Wilson. It is part of the Bill Graham numbered series, and carries the designation of BG16-2. Overall size of this poster is 14" x 20".
Mamas and the Papas - "If You Can Believe Your Eyes and Ears" - Dunhill D-50006-Album. This is the rare toilet picture album cover, from 1966, which was quickly replaced with a scroll over the offending toilet. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Nirvana - Music Memorabilia Poster, Santa Fe - First Tour (1989). Before they became one of the biggest bands of the 1990s, Nirvana was just another group from Seattle with an indie single, on Sub Pop records. This poster by artist Brian Salvador Curley, comes from Nirvana's first tour in the summer of 1989. In close to perfect condition, it pictures the band with some funky, punky art around them. Since the suicide of Kurt Cobain, Nirvana items are being scooped off the market at a fevered pitch. Only 300 printed, this poster would be a great addition to any modern Rock and Roll collection. It measures 11" x 14.5".
Nitty Gritty Dirt Band - Music Memorabilia Poster "Aragon Ballroom" (Seadog Prod., 1973). Here is an oddball poster from Chicago's own Aragon Ballroom, circa summer of 1973, with art from Michael Krueger, a Chicago poster art mainstay. Krueger was also the artist from "Stoned Out Funnies." This whimsical piece is sure to bring a smile to your face. Measures 11" x 14", with a 2" tear at the bottom right.
Harry Partch - "The Bewitched" - Gate 5-Late '50s-Album. Very scarce 20th Century avant-garde double LP with booklet. Condition: Mint-. From the collection of Bill Paquin.
Harry Partch - "Plectra Percussion Dances" - Gate 5-Late 50's-Album. Very scarce 20th Century avant-garde LP that includes the book and info insert. Condition: Overall Mint-. From the collection of Bill Paquin.
Pink Floyd - Music Memorabilia, San Francisco Tickets (Bill Graham Presents, 1967). Two tickets each from Pink Floyd's first three appearances in San Francisco. When Bill Graham had tickets printed, he would have them printed in a color progression. He would have colors added or subtracted from the tickets to help tell the days apart quicker. All but one of the tickets are virtually perfect; one has a crease where it says "Valid Thursday Only". A great set of tickets from the heyday of psychedelia!
Pink Floyd - Music Memorabilia Poster, First San Francisco Show (Bill Graham Presents, 1967). A near-perfect poster for the first shows played by Pink Floyd in San Francisco, at both the Fillmore and Winterland. This is part of the Bill Graham numbered series, and carries the designation BG92. Other bands on the bill included Procol Harum and HP Lovecraft. There is only a very small ding on the lower left that keeps this poster from being perfect. Overall size of the poster is 14" x 21".
Pink Floyd - Music Memorabilia Poster, "Umagumma" (Direct Productions, 1971). From the "Umagumma" tour comes this cool Pink Floyd poster. Toward the end of their 1971 tour, the concerts were including songs they had written during the tour, and would continue to develop, and eventually be featured on the album "Dark Side of the Moon." In excellent shape, this poster will be right at home in any quality Rock and Roll collection. Overall size of the poster is 14.5" x 21".
Pink Floyd - Music Memorabilia Poster, Japanese Tour Lithograph, Numbered 66 of 100 (1988). From the "Momentary Lapse of Reason" tour comes this beautiful lithograph by San Francisco poster legend Alton Kelly. These were made to be sold at the show at Budokan Grand Hall in Tokyo, Japan. This is number 66 of only 100 made, and they are signed by the artist! Overall size of this rolled lithograph is 30" x 40".
Pink Floyd - "Piper At The Gates Of Dawn" - Tower ST-5093-Album. Pink Floyd was the brainchild of Syd Barrett who was replaced after this album by David Gilmour. This is the true classic Pink Floyd album from 1967! Very hard to find stereo copy. Condition: still sealed. From the collection of Bill Paquin.
Pink Floyd - A Saucerful of Secrets - U.K. Columbia Mono SX 6258. Ultra-rare mono, available only in the U.K. Cover is Fine; Record is VG++/VG+, and has small scuffs, due to pulling it out of the cover.
Pink Floyd - "A Saucerful of Secrets" - Tower ST-5131-Album. Pink Floyd's second LP with the new lineup from 1968. Sealed copies are very scarce. Stereo. Condition: still sealed. From the collection of Bill Paquin.
Pink Floyd - Music Memorabilia Poster, "Pink Floyd's The Wall" One Sheet (MGM, 1982). A near perfect example of the poster from one of the most disturbing rock movies ever. "The Wall" is Pink Floyd's vision of a rock star on the edge. With powerfull acting, the viewer is truly overwhelmed by the feelings of nihilism, isolation, and depression. A great One Sheet that should be in every rock collection. Rolled, Near Mint.
Question Mark & The Mysterians - "96 Tears" - Cameo CS-2004-Album. Rare stereo copy containing the huge hit "96 Tears" from 1966. Remainder hole lower left. Condition: still sealed. From the collection of Bill Paquin.
Quicksilver Messenger Service - Music Memorabilia Poster, "The Source" (Family Dog Presents, 1968). Designed by San Francisco poster legend Rick Griffin, this is one of his most classic images. Titled "The Source," it has all the elements of a classic psychedelic poster -- colors, trippy lettering, and great art. This is part of the Family Dog numbered series and carries the designation FD101. The other group on the bill was Kaleidoscope. Overall size of this stellar poster is 14" x 21".
The Ramparts - Music Memorabilia Poster, "LBJ's Takeover Plot" (Ramparts Magazine, 1968). This large poster came folded in the September 1968 issue of Ramparts magazine. A great crossover piece, it will appeal to collectors of both political ephemera and rock posters. This poster is printed on newsprint and in decent shape, but does have three small tears along the left side. Overall size of the poster is 22.5" x 34".
Rascals / Charlie Musselwhite - Music Memorabilia Posters, Aragon Ballroom (Wanderoo, 1970). This scarce Aragon Ballroom poster was produced courtesy of American Tribal Productions. Framed to 21" by 26", the image area is 17" by 22".
Ravens featuring Ricky - Write Me a Letter - Regent MG 6062 Mono-Green Label First Press. Cover and record both grade Mint-.
Rolling Stones - "Ed Rudy Interviews with the Rolling Stones and the Dave Clark Five" - Radio Pulsebeat News LL1004 and LL1005. Two LPs issued to cash in on the similarly-formatted Beatles records Ed had done. Condition for both are the same: record Mint/cover VG++. From the collection of Bill Paquin.
The Rolling Stones - "The Rolling Stones" - London LL-3375-Album. Mono white-label promo copy from 1964 with the original first cover, which makes no mention of the fact the LP was available in stereo on the back cover. Later press runs of the rear cover slick mention "stereo" on the back cover. It is the rare white label first issue, with a picture of the ear and the letters FFRR on the label. The front cover is the original textured cover, with the bonus photo offer in the lower left corner. The photo, which is included, also has a textured finish to it. There is a DJ's name on the upper right of the rear cover. This is one of two "Rolling Stones" LPs that were issued as white label promos. Slight wear at the upper left corner. At the time, the Rolling Stones were the bad boys of rock, in contrast to the Beatles' clean-cut image. Condition: Overall VG++. From the collection of Bill Paquin.
Rolling Stones - "December's Children" - London LL-3451-Album. Still sealed mono copy from 1965, with original sticker on shrink. Remainder hole in the lower left. Condition: still sealed. From the collection of Bill Paquin.
The Rolling Stones - "Their Satanic Majesties Request" - Album. Scarce mono U.K. copy gatefold press, from 1967, with the 3-D cover. If you look really hard you can spot the Beatles. This is the Stones' version of a "Sgt. Pepper's"-style concept album. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Rolling Stones - "Between The Buttons" - London LL-3499-Album. Another still sealed mono with original sticker on shrink, from 1967. Condition: still sealed. From the collection of Bill Paquin.
Rolling Stones - Music Memorabilia, Rolling Stones Autographs (circa 1964). By 1964 the British invasion was in full swing. At the top of the charts were the Fab Four, but an up and coming band of English mates by the name of The Rolling Stones were beginning to make quite a splash with their rough R&B sound and their scruffy looks. Offered here is an early example of signatures by what has become one of the longest-running rock bands in history. Clearly you can see Mick Jagger's, Keith Richard's, Bill Wyman's, and Charlie Watts' signatures. Watts' in those days signed as "Charlie Boy." And last, but not least, Brian Jones' signature in red pen. Wyman has added above the group of autographs the title, "The Rolling Stones." Very Fine+.
Rolling Stones - Music Memorabilia Posters, Concert Promo (Tea Lautrec Litho, 1969). These posters were printed to promote the now legendary Rolling Stones tour of 1969 that started with a press conference in New York and ended with death at the Altamont Speedway. This poster was the same for each show, but Tea Lautrec of San Francisco would hand screen the names of the venues in the space at the bottom. This is one of the blanks that went unused. It will make a great addition to any Stones collection. Overall size of poster is 14" X 21".
Rolling Stones - Music Memorabilia Poster, 1972 Rolling Stones Tour Movie Poster. The 1972 Stones Tour performances were filmed in a couple of venues and released exclusively in several engagements before being distributed as "Ladies and Gentlemen: The Rolling Stones." This is a concert film, with nothing other than live performances included. Recorded at Fort Worth and Houston, Texas on June 24 and 25, 1972. This early advance poster was done for a limited engagement showing at the Delman Theater in Houston, Texas in 1973. Very Fine+.
Rolling Stones - Music Memorabilia Poster, Cow Palace (1975). This poster promoted the Rolling Stones' concert at the Cow Palace in San Francisco on July 15 and 16, 1975. It was designed by artists Alton Kelly, Mouse, and Randy Tuten. It's an impressive poster, measuring 21.5" x 31.5", and it had a fairly short print run. The condition is good, but there are some stress creases and assorted dings, which are visible due to the flat black background that makes any blemish stand out, but none are distracting enough to detract from the fabulous graphics. A choice Stones poster from the mid-1970's.
Rolling Stones - Music Memorabilia Posters, Candlestick Park (Bill Graham, 1981). A colorful 20" x 30" concert poster designed by Kaz for the October 17 and 18 shows at Candlestick Park, during the "Tattoo You" tour. This is an unfolded poster, very sharp and flat; however there seems to be some scuffing along the bottom that breaks the color by the band's name. Still a great piece from a historic tour, and quite attractive.
Rolling Stones - Music Memorabilia Posters, Album Promos Group (1980s). Offered here is a group lot of four promotional posters for Mick and the boys. The only one in the lot that mentions a specific album is the "Undercover" promo. All four are in excellent shape with no tape or tack holes. The sizes vary from 14" x 21" up to 24" x 32".
Carlos Santana - Music Memorabilia, Santana Signed Guitar Carlos Santana, guitar great musical legend has signed this non-stage-used guitar. Offered with this lot is a photograph of Santana signing the instrument. Very Fine.
Santana and Grateful Dead - Music Memorabilia, Set of Tickets (Bill Graham Presents, 1968). A complete set of four tickets designated BG134. The tickets cover the two different shows advertised. The first is Steppenwolf, The Staple Singers, and Santana. The second is Sons of Champlin, The Preservation Hall Jazz Band, and The Grateful Dead. They feature great art by Lee Conklin, and the bottom of each ticket tells you what day it was valid for. The tickets are in superb condition.
Ravi Shankar - "Ravi Shankar In Concert" - Apple SVBB-3396-Album. The hardest of the non-Beatles Apple records to get. Ravi Shankar was very important in the life of The Beatles, especially George Harrison, who began studying the sitar from him and soon incorporated Indian influences into his music. This 1973 LP is still sealed which just makes it that much rarer. Condition: Still Sealed. From the collection of Bill Paquin.
Bruce Springsteen - Music Memorabilia Poster, Promo Poster (1974). This poster was distributed widely by Columbia Records when they were making a big push for their new star after the release of "Greetings from Asbury Park." The famous quote at the top from Jon Landau of "The Real Paper" gives this poster its historical value. Very Fine/Near Mint.
Bruce Springsteen - Music Memorabilia Poster, "River" Madison Square Garden (1980). A wonderful rolled image of the young Boss, Bruce Springsteen, in a large concert poster (31.75" x 46.75") for his "River" Tour. Fine/Very Fine.
Bruce Springsteen - Music Memorabilia, Springsteen Autographed Guitar Nicely signed with a dark blue sharpie by the Boss, a non-stage-used Carlo Robelli guitar. Very Fine.
Bruce Springsteen- Music Memorabilia Poster, European Tour (1985). "The Boss" makes a pass through the Old Country during his "Born in the USA" tour; stopping for shows in Dublin, Newcastle, Gothenburg, Rotterdam,Frankfurt, Munich, Milan Paris, London and Leeds on this bog 18" X 25" poster. This is very clean and unfolded in Excellent shape.
Bruce Springsteen - Music Memorabilia Posters, Promo Group (Randy Tuten). A pair of posters promoting "The Boss." These posters were printed by Randy Tuten from the ads he did for Bill Graham Presents. One of them is signed by Randy Tuten. The smaller of the two has a crease on the lower left corner. These posters measure 11.5" x 16" and 12" x 18".
Supremes - "Meet the Supremes" - Motown MS 606-Album. This is the first cover to the stereo issue from 1964, still sealed. The cover is a close-up of the three girls. They are considered by many to be the "supreme" girl group. Condition: still sealed. From the collection of Bill Paquin.
Sunshine Festival - Underground Music Memorabilia Poster (Honolulu Graphic Arts, 1974). This intriguing poster advertises the Sixth Annual Sunshine Festival in Diamond Head Crater, January 1, 1974. An all-day festival, sunrise to sunset, this poster may induce flashbacks in those who attended the show. Art by Tom Sellers. The image area on this piece is 18" by 23". There is some minor wear, including six small tack holes.
Them - Music Memorabilia Poster, Fillmore Auditorium (Bill Graham Presents, 1966). G-L-O-R-I-A, "Gloria" by Van Morrison, as the lead singer of the band Them, was one of the most memorable hits of the 1960s. This poster is from their first appearance in San Francisco. With no tack holes and only some minor creasing, printed on soft paper stock, this poster was kept rolled, and is a really nice first printing poster. This poster is part of the Bill Graham numbered series and carries the designation of BG12.
Three Dog Night - Music Memorabilia Poster by Jay Lynch, Aragon Ballroom (1971). You will be singing "Joy to the World" if you are the high bidder on this poster, drawn by Underground legend Jay Lynch. Mid-West rock posters of the '60s and early '70s are among the toughest to find, and this is a nice example. Framed to a size of 20" x 23.5", the poster measures 16" x 20". A fun addition to any collection!
Traffic - Music Memorabilia Poster by Daniel Clyne for Aragon Ballroom (Iris, 1970). The super group, Traffic (featuring Steve Winwood), is the headliner on this Aragon Ballroom poster by Underground artist Daniel Clyne. Also noted are Bloomsbury People, Edmonds and Curley, and M. C. Bob Rudnick (the guy who played "Louie, Louie" on the radio for two days straight). In clean shape, and with a colorful cast of characters, this poster would make a great addition to any paper collection. Framed to 21" x 25.5", the poster itself measures 17" x 22".
Jethro Tull - Music Memorabilia Poster, Fillmore West, Signed by Ian Anderson (Tea Lautrec Litho, 1968). A high-grade poster for Jethro Tull's first headlining show at the Fillmore West. It carries the designation of BG203, measures 14" x 21", and is one of the tougher posters to come by of the later series. To make it truly unique, it has been signed by Ian Anderson, singer of Jethro Tull. He also wrote "Jethro Tull" below his signature!
Jethro Tull - Music Memorabilia Poster, Aragon Ballroom (Iris, 1970). A stunning portrait of Ian Anderson playing the flute graces this poster by Chicago underground artist Daniel Clyne (drawn when he was only 15 years old). This Aragon Ballroom poster is in fairly rough condition with tape at the corners, and some creases. But with only 200 ever made, there are very few that have survived at all! Other groups on the bill included White Lightning, Brotherhood Rush, and Cactus. The poster is framed to an overall size of 21" x 26", with an image area of 17" x 22".
Randy Tuten - Music Memorabilia Posters, Group Lot (Randy Tuten/Bill Graham Presents). A large lot of posters mostly manufactured by revered San Francisco poster artist, Randy Tuten. From the 1970s and into the early 1990s, Tuten designed a majority of the newspaper ads and small paper handbills that Bill Graham used. Later, to have items to sell on his web site, Tuten printed poster-sized versions of the ads he produced. There are a few posters in this lot that were made prior to the event, including The Tubes (Valentines Day), The Grateful Dead (Providence), Lynyrd Skynyrd (NYE 89-90), Allman Brothers (20th Ann. Tour), Lynyrd Skynyrd (1991 Shoreline), and a couple of others. All 50 posters are signed by Tuten. The sizes vary from 8" x 18" up to 14" x 24", and all of the posters are very clean, with an occasional ding on a corner, but no tape or tack holes.
Velvet Underground - "White Light/White Heat" - Verve V6-5046-Album. Rare skull cover, from 1967. A black-on-black skull is visible in the lower left corner of the cover, when viewed at an angle. LP has a remainder hole. Condition: still sealed. From the collection of Bill Paquin.
Stevie Ray Vaughn - Music Memorabilia, Detroit Handbill (Ceremony, Inc., 1983). No one guitarist since Jimi Hendrix has electrified audiences like Stevie Ray Vaughn. This handbill comes from his first solo tour, even mentioning that he played on a David Bowie record just to promote him. A scarce item in great shape, there are a couple of very light creases at the left corners. Stevie Ray Vaughn memorabilia continues to grow in popularity. Famous Detroit artist Gary Grimshaw provides the graphics for this show at Detroit's St. Andrews Hall. Overall size of this piece is 8.75" x 11".
Stevie Ray Vaughan - Music Memorabilia, Stevie Ray Vaughan RIAA Gold Record Award With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the 1980s until his untimely death in 1990. Offered here is a gold record award for the sale of 500,000 copies of the album, "Couldn't Stand the Water." Issued by RIAA as a Certified Sales Award.
Stevie Ray Vaughn - Music Memorabilia Poster, Club West (1982). A poster from very early in the career of this legend. Stevie Ray Vaughn left us way too soon -- he passed away in a helicopter accident in 1990. This poster is from what would be one of Vaughn's and Double Trouble's last club gigs in Texas. Stevie Ray had just been "discovered" by David Bowie at the Montreux Jazz Festival, and his star was about to shine. Only 250 of these posters by Brian Salvador Curley were produced. This stellar example will be right at home in the finest of Rock and Blues collections! The poster measures 11" x 17".
Stevie Ray Vaughn - Music Memorabilia Poster, New Mexico (1989). A beautiful poster from one of Rock's great guitarists. This poster was designed by artist Brian Salvador Curley for the Paolo Soleri Amphitheatre in Santa Fe, New Mexico. With only 300 made, this poster, virtually perfect, will undoubtedly thrill the winning bidder. It measures 11" x 17".
Kitty Wells - Music Memorabilia Posters, "Queen of Country Music" (Hatch Show Print, 1968). A very cool "Boxing Style" poster for a Grand Ole Opry Presents tour. The show was in Cedar Rapids, Iowa at the Veterans Memorial Coliseum, and features Kitty Wells, Johnny Wright, Bill Phillips, Bobby Wright, and the Tennessee Mountain Boys. Country posters pre-1975 are very hard to come by in decent shape, as they were printed in very small quantities, and generally all of them were used to promote the show. Other than a few small "dings" on the bottom edge, this poster is in excellent shape! It measures 14" x 22".
Jackie Wilson - Lonely Teardrops - Coral Mono BL 54045 Orange Label. U.K. original with different cover picture. One of the most influential of the 1950s/60s artists at fusing R&B and Rock and Roll. One of the most distinctive voices in popular music. Cover is Mint-. Record is Mint, and appears to be unplayed.
White Stripes - Music Memorabilia Posters (Artists Workshop West, 2001). A group lot of posters from the band that is currently billed as "the most popular band in the world." In their few years of existence, Jack and Meg White turned the music world on its ear with their two-man band success. This is a lot of eight different posters that range from shows in Detroit and San Francisco, to France and England. All posters were designed by the band's official poster artist Dennis Loren, and are signed by him. The posters are all mint and range in size from 11" x 14" up to 16" x 24". With a unique sound and a huge following, this is a band to look out for!
The Who - Music Memorabilia, 1967 Program (Raydell Pub., 1967). From The Who's first headlining tour comes this incredibly cool program. This was the tour that established the group as a major concert draw, selling out amphitheaters and large halls alike. As an interesting side-note, in the recent Doors concert DVD "Light my Fire," Jim Morrison is shown at The Who concert buying a copy of this program. This program is in above-average condition, and is a neat piece of memorabilia from the group know as "The Loudest Band in the World."
The Who - "My Generation" - Decca DL-74664-Album. First album, from 1966, with the hit "My Generation," that became a radio classic. Hard-to-find LP that is still sealed and uncut, in stereo. From the collection of Bill Paquin.
The Who (3) Albums Three still sealed Decca Who albums featuring the following: "Happy Jack" - (Decca DL-74892), "Magic Bus" - (Decca-DL-75064) and "Sell Out" - (Decca-DL 74950). Magic Bus has a cutout . Condition: still sealed. From the collection of Bill Paquin.
The Who - Music Memorabilia Poster, Fallout Shelter (Bill Graham Presents, 1973). Designed by artist Randy Tuten, this poster is from The Who's infamous show at the Cow Palace in San Francisco in 1973. This was the show where drummer Keith Moon got so drunk he passed out on his drum kit during the set. The Who then took a fan out of the audience to play the remaining four songs in their set! The poster is in excellent shape with only a minor ding on the lower left keeping it from being perfect. It measures 12.5" x 21.5".
The Who - Music Memorabilia Poster, "Tommy" Italian Four Panel (Columbia, 1975). This rock musical movie about a "deaf, dumb and blind kid," played by Roger Daltrey, who's diagnosed as a hopeless case, was a hit upon its release. The exaggerated effects and over-the-top performances in this famous Ken Russell film is a sight to see today, especially the finale when Tommy shows his talent for pinball and defeats the "Pinball Wizard" (Elton John) for the world championship. Measuring 45" x 78", this poster grades Fine.
The Who - Music Memorabilia Poster, "Quadrophenia" British One Sheet (World Northal, 1979). This 27" x 41" British One Sheet comes from the film version of The Who's rock opera "Quadrophenia," with its nonstop Rock/R&B musical score and great visual pyrotechnics. Featured artists who perform on the soundtrack include The Who, James Brown, Marvin Gaye, The Chiffons, Manfred Man, among others. Near Mint/Mint.
Woodstock - Music Memorabilia, Woodstock Autographed Poster and Ticket (1969). Woodstock poster, numbered 206/10,000 and signed by five individuals who participated in the event, including the following: entertainment/activist Wavy Gravy, Grace Slick (lead singer of Jefferson Airplane), guitarist Carlos Santana, Arnold Skolnick (the artist who designed Woodstock's dove-and-guitar symbol) and singer and songwriter Country Joe McDonald. Also included in this lot is an original three-day ticket. There is slight water damage to the lower left corner of poster. Very Fine-.
Woodstock Original Soundtrack - Cotillion CT3-500-Album. Scarce white label promo, from 1970, on all three records. Documentary sticker on cover that does exhibit some slight wear. This is the outdoor festival that launched a generation. Condition: Overall Mint-. From the collection of Bill Paquin.
Woodstock - Music Memorabilia Posters (Warner Brothers, 1970). (2) One Sheet (27" X 41"). This is the film that chronicles the legendary 1969 music festival held in Bethel, NY in 1969. The movie takes an in-depth look at the positive and negative aspects of the concert, from beginning to end. Many legendary performers appear in the film; Joan Baez, The Who, Joe Cocker, Crosby, Stills & Nash, Carlos Santana, Jefferson Airplane, Janis Joplin, Jerry Garcia, Jimi Hendrix, plus more. Offered in this lot is the standard One Sheet on linen which has the wonderful photographs of the event. Also offered is the very rare "wilding" One Sheet, which was put up on walls throughout cities in advance of its release, called an advance One Sheet. Since most of these were used at the time, few have survived. These are pictured in the pressbook on page six as the "Wild Posting." Very Fine/Near Mint on Linen.
Eric Clapton - Music Memorabilia, Clapton Signed Guitar Eric Clapton was one of the major rock stars of the sixties and seventies with affiliations to such bands as the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith. He is considered one of the greatest blues guitarists in the history of rock. Offered in this lot is a signed non-stage-used guitar. Very Fine.
Yardbirds - "For Your Love" - Epic LN-24167-Album. Original still sealed mono, from 1965, with sharp, well defined cover colors. From the collection of Bill Paquin.
Young Rascals - Music Memorabilia, Oakland Auditorium Handbill (Bill Quarry Presents, 1968). Talk about a loaded line-up: The Young Rascals, Country Joe and the Fish, The Grass Roots, Sons of Champlin, and The Sparrow (later known as Steppenwolf). Combined, these bands have had more than 15 "Top 10" songs, and sold over 50 million records! Tough to come by, this colorful handbill will make one winning bidder very happy. In excellent shape, it measures 8.5" x 11".
Frank Zappa - "Cruising with Rueben and the Jets" - Verve V6-5055-Album. A beautiful rare gatefold stereo copy, from 1968, with the original Mothers sticker on the shrink. Remainder hole upper left. Condition: still sealed. From the collection of Bill Paquin.
Frank Zappa - Music Memorabilia Poster, "Baby Snakes" One Sheet (Intercontinental Absurdities, 1979). This rare poster comes from the New York premier of the film. As far as we know, there were no standard release one sheets to this film. This film is a shortened version of musician Frank Zappa's 1977 Halloween concert which was held in New York City. In addition to Zappa's music and stage performance, the tape also includes some excellent clay animation by artist Bruce Bickford. If you were looking for a poster to this film, then look no more. But if you think you will find another, probably not! The poster is 27" x 41", and grades Near Mint.
Black Sabbath - Music Memorabilia, Black Sabbath Signed Guitar. Featured in this lot is a guitar signed by all the members of the original line up of the band, Iommi, Osbourne, Butler, and Ward from their reunion tour of 1999. This lot comes with photos of each member signing the guitar. Fine- with chip out of lower edge.
Blues Traveler - Music Memorabilia, Blues Traveler Autographed Guitar. Samick acoustic guitar boldly autographed by the four members of the band, Blues Traveler. The names include singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan and drummer Brendan Hill. Included in this lot are photos of the band signing the guitar. Near Mint.
Mariah Carey - Music Memorabilia Autograph, Autograph Used in Production of T-Shirt This nicely framed, big and bold autograph was obtained directly from Winterland, the T-shirt manufacturer, that produced the famous Mariah Carey T-Shirt.The image shown in the upper half of the frame was used on the shirt, and the big autograph is clearly the same as that used on the shirt. Very Fine.
Garth Brooks - Music Memorabilia, Brooks Autographed Guitar Nice, signed "God Bless - Garth Brooks" acoustic Kima guitar. Fine+.
Doobie Brothers - Music Memorabilia, Doobie Brothers Signed Guitar. As one of the most popular Californian pop/rock bands of the '70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. Along the way, the group racked up a string of gold and platinum albums in the U.S. This guitar is signed by Mike McDonald, John McFee, Tom Johnston, Pat Simmons, Keith Knudsen, and Mike Hossack. This instrument comes with snapshot photos of the band signing the guitar. Very Fine.
Country Stars - Music Memorabilia, Autographed Guitar, Beautifully-signed guitar by the following stars: Hank Williams, Jr., Shania Twain, Randy Travis, Buck Owens, LeAnn Rimes, Vince Gill, Willie Nelson, Garth Brooks, Reba McEntire, Alan Jackson, and Clint Black. Photos are included of ten of these stars signing this guitar. Very Fine.
Jonny Lang - Music Memorabilia, Lang Autographed Guitar This modern blues guitarist shot to stardom at the amazingly young age of 16 with his A&M album, "Lie to Me," Offered in this lot is a non-stage-used guitar signed by Land with the note, "Still Rockin - Jonny Lang 2000." Also offered is a photo of Lang signing the guitar.
Dave Matthews Band - Music Memorabilia, Matthews Band Autographed Guitar. Electric guitar nicely signed by all five members of the Dave Matthews Band. Accompanying photos will be provided of this instrument, signed by Matthews, Boyd Tinsley, Carter Beauford, and Stefan Lessard. No photo of Leroi Moore, but his autograph is here as well, signed only as "Leroi." Very Fine.
John Cougar Mellencamp - Music Memorabilia, Mellencamp Autographed Guitar. Harmony acoustic guitar, boldly signed by John Cougar Mellencamp on the base. Guitar appears to have never been used. Included in this lot are photos of the artist signing the guitar. Near Mint.
Police - Music Memorabilia, Police Autographed Guitar Offered here is a non-stage-used guitar signed by the now defunct superstar band, The Police. Nice, clear signatures from Sting, Andy Summers, and Stewart Copeland are all here. Fine/Very Fine.
Sugar Ray - Music Memorabilia, Sugar Ray Autographed Guitar. non-stage-used, Sebring electric guitar, appears to have never been played. Boldly signed by the five members of the band "Sugar Ray." Signatures include DJ Craig "DJ Homicide" Bullock, drummer Stan Frazier, bass guitar Murphy Karges, vocalist Mark McGrath, and lead guitar Rodney Sheppard. Included in this lot are photos of the band signing the guitar. Near Mint.
Memorabilia
Sex Pistols - Sid Vicious Autographed 8 x 10 (undated). This is one of the most difficult to obtain autographs in the punk genre. Born John Beverly, Sid was rarely coherent enough to actually sign any items and his roller coaster life was cut short by a heroin overdose in 1979 at age 21. After dating Nancy Spungen for 21 months, he stabbed her to death with a hunting knife. Four months later, unable to cope with life without Nancy, he ended his own life. On the rare occasion that an authentic Vicious autograph does come to market, they commonly run between $2,000 and $3,000. This iconic piece is signed "Sex Pistols," "Sid Vicious," and comes with a certificate of authenticity. There can hardly be another piece that better represents Sid as he lived and died.
Music Memorabilia
Soundtracks (3) Albums. What a lot! These three are some of the best movies in this genre. They are "The Trip-Sidewalk" (ST 5908) with music by The Electric Flag, "Wild in the Streets" (Tower-ST 5099) starring Shelley Winters, a young Richard Pryor, plus Christopher Jones (Dean's brother), plus "Naked Angels" (Straight 1056). Condition: still sealed. From the collection of Bill Paquin.
"Biker" soundtracks - (3) Albums. This classic lot features: "The Wild Racers" (Sidewalk-ST 5914) starring Fabian, "Angels From Hell" (Tower-ST 5128), and the rare mono version of "Riot On Sunset Strip" (Tower-T 5064) with music by The Chocolate Watchband. Condition: still sealed. From the collection of Bill Paquin.
"Biker" soundtracks- (3) Albums. Our next group would make Billy Jack proud. They are "Born Losers" (Tower-DT 5082), "Angel Unchained" (American International Record-1037), and "The Wild Angels" (Tower-T5043) with music by Davie Allen & The Arrows, Starring Peter Fonda and Nancy Sinatra. Condition: still sealed. From the collection of Bill Paquin.
"Biker" soundtracks - (3) Albums. Three outrageous "biker" motorcycle soundtracks, featuring some of the baddest women on the planet. All three LPs are still sealed. This lot includes "Hells Angels '69" (Capitol SKAO 303), "Hell's Bells" (Sidewalk ST5919) (rare), and "Les Baxter involvement and The Hell Cats" (Tower ST 5124). Condition: still sealed. From the collection of Bill Paquin.
"Biker" soundtracks (3) - Albums. The following three titles are "Hell's Angels on Wheels" (Smash SRS 67094) featuring the real Hell's Angels, "The Glory Stompers" (Sidewalk-DT 5910) features Dennis Hopper, and "Devil's Angels" (Tower-DT 5074) with the beautiful Mimsy Farmer. Condition: still sealed. From the collection of Bill Paquin.
Snow White and The Three Stooges Soundtrack - Columbia CS-8450-Album. Very rare stereo copy from 1961, on the original six eye label, featuring everyone's favorite stooges. Condition: record/cover Mint-. From the collection of Bill Paquin.
John Barry - The James Bond Theme - United Artist UA-581-45 Single. From the first James Bond movie, "Dr. No," comes this white label promotional copy with an ultra-rare picture sleeve, which showed scenes from the movie that starred Sean Connery and Ursula Andress. This may be the first time it has ever been offered at auction, since this is presently the only known copy. Condition: record Mint-/sleeve VG++. From the collection of Bill Paquin.
Green Hornet Original TV Soundtrack and Al Hirt - Album. The Horn Meets the Hornet. Both LPs feature music from the popular 1960's TV show The Green Hornet, starring Van Williams and Bruce Lee. The Al Hirt LP is still in the shrink. Condition: Overall Mint-. From the collection of Bill Paquin.
Bent Bolt and the Nuts - MGM K 13635-45 Single. Science fiction fans beware! Here comes Bent Bolt and his robots. Very cool and hip robot sleeve with the promotional record. Seen any of these lately? Condition: Overall Mint-. From the collection of Bill Paquin.
Les Baxter - "The Passions" - Capitol LAL-486-Album. Here is a 10" LP from 1954, with book. Condition: record Mint/cover VG++. From the collection of Bill Paquin.
Badfinger - "No Dice" - Apple Sapcor 16-Album. Rare U.K.-only 1970 Apple promotional LP of the commercially released album of "No Dice" in the original gatefold sleeve. This LP contains the hits "No Matter What" and "Without You." Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Mark Bolan of T-Rex - "Interview with Michael Cuscuma". This is a Mark Bolan interview conducted by Mosaic Records' Michael Cuscuna (a jazz producer). Bolan wanted desperately to be accepted, or at least heard, by Americans. That really didn't happen until well after he had died in a 1977 car crash. Much of the interview is consumed by the business end of music -- especially the record side of it. This is a rare oddity. Original white sleeve. Mono. Very Fine/Near Mint. From the collection of Bill Paquin.
Brady Bunch - "Chris Knight & Maureen McCormick" - Paramount PAS-6062. Yes, it's the Brady Bunch, at least two of them (Marcia and Peter), in the rarest Brady Bunch-related LP of all. Limited press run and never re-issued. Cover is VG+. Record is Mint-.
Cathy Jean and the Roomates - Great Oldies - Valmor LP 78. Script cover. Condition: record Mint/cover Mint-, unplayed.
Classic Albums (2). This group consists of two of the most classic LPs of the '60s. The first is The Left Banke - "Walk Away Renee" (Smash SMGS-27088) 1967 mono album still sealed, and the second is The Zombies - "Odyssey and Oracle" (TES-4013) from 1968. This is the original cover which is green, white, and red, with a promo stamp and song sticker. This is in stereo and still sealed. From the collection of Bill Paquin.
The Crystals - "(Do)The Screw" - Philles 111. There are only three to four known stock copies of this slice of Spector history. Rare blue stock copy with machine stamping in the dead wax. Condition: Mint-. From the collection of Bill Paquin.
Crystals/Ronettes/Bob B. Soxx and the Blue Jeans - A Christmas Gift for You - Philles Promo PHLP 4005. White label promo, produced by Phil Spector. Super-desirable combination of three of the hottest groups of the day. Cover is Mint-, record Mint-, with one slight mark, yet appears to be unplayed.
Gene Chandler - The Duke of Earl - VeeJay SR 1040 S-Rare True Stereo-First Press. "Stereophonic" on front cover. Top back cover contains note that begins "Important Notice." Stereo on record labels. Cover is Mint+. Record is Mint-, with a couple of marks, but looks unplayed.
John Cage - "The 25 Year Retrospective Concert of the Music of John Cage". This is a 3-record set, which was privately issued by George Avakian and contains recordings made at the "25-Year Retrospective Concert of the Music of John Cage," at Town Hall, New York, May 15, 1958. Includes a booklet with notes by Cage and photos by Robert Rauschenberg. Stereo and unopened. Mint. From the collection of Bill Paquin.
Larry Elgart/Alex Schomburg - "Impressions Of Outer Space" - Brunswick EP 72003-45 Single. The music deals with space themes, but the rarity here is the great cover artwork of the one and only Alex Schomburg, the most renowned cover artist of the Golden Age of Comics (1940s). Two 45 gatefold covers with art taken from one of one of Alex Schomburg's "Amazing Stories" paintings. Unique and largely unknown in the world of record collecting and in the world of comics. Don't let it escape your attention! Condition: Overall VG++. From the collection of Bill Paquin.
Faine Jade - "Introspection" - A Faine Jade Recital - R.S.V.P 8002-Album. A rare, soft psychedelic album from 1968 that has the sound and feel of the times. Very limited release. Condition: Overall Mint- From the collection of Bill Paquin.
Five Royales - Rockin' 5 Royales - Apollo Mono LP 488 Green Label. Group's only LP, this second pressing is from 1956. Cover and record both in Mint-.
Four Seasons - "Coca Cola Jingle" - Album. 1960's DJ-only copy of Frankie and the boys singing various songs about their favorite drink. Record comes with an insert. Condition: record VG++/cover VG++. From the collection of Bill Paquin. "Introducing The Beatles" - Vee-Jay SR-1062-Album"Introducing The Beatles" - Vee-Jay SR-1062-Album
Bobby Fuller Four - "I Fought The Law" - Mustang M-901-Album. Classic 1966 LP in mono. This contains the hit 45 version plus different mixes of the songs as opposed to the stereo copy. Condition: still sealed. From the collection of Bill Paquin. "Introducing The Beatles" - Vee-Jay SR-1062-Album
G.T.O.'s - "Permanent Damage" - Straight STS-1059-Album. Scarce white label promo from 1969 with insert on back cover. Back cover does show some wear, plus a small tear. The "G.T.O." stands for "Girls Together Outrageously" and was produced by the late Frank Zappa. Along with the Shaggs album, it is a classic example of "messed up" female rock genre. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Isley Brothers - Shout! - RCA Victor Mono LPM 2156. Unbelievable, factory-sealed, loose baggy. Terrific cover, with "Rock! Brother" notation above "RCA Victor." Condition: Mint/Mint.
Marvelettes - Smash Hits of '62 - Tamla Mono T-229. Early Motown group's 1962 release. Cover and record are both Mint-. Record appears to have been played perhaps twice. You won't find a nicer copy of this forerunner to the Supremes, Four Tops, and other later blooming Motown groups.
Mickey Mantle - "My Favorite Hits" - RCA Victor LPM-1704-Album. Mono copy, from 1958, featuring jazz and big band music. Cover has a beautiful shot of Mickey. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
MC5 - "Kick Out The Jams" - Elektra EKS-74042-Album. White label stereo promo, from 1969, of the clean version of "Kick Out The Jams." Condition: record VG++/cover MT-. From the collection of Bill Paquin.
Charles Manson - "Lie: The Love And Terror Cult" - Awareness Records-Album. The strange world of Charles Manson, from 1970, as only he could tell and sing it. This is the original pressing of this "classic" album. Condition: Mint-. From the collection of Bill Paquin.
Nazz - "Nazz" - Alantic/SGC 5001-Album. Rare only known mono copy, from 1968, on the Atlantic label not SGC! This is a white label American copy with a different mix from the LP -- truly one of a kind. The cover states SGC, but the label is Atlantic. This LP was acquired shortly after WEA was formed in the early '70s. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Shirley and Lee - Let the Good Times Roll! - Aladdin Mono LP 807. Early R&B LP from the "Sweethearts of the Blues," both just 20 years old when this was released in 1956. Title cut is classic tune that hit #1 on the R&B charts, and #20 on the Pop charts, but the album is not that common! Cover is VG+, with taped top seam. Record is Mint- to Mint, appears to have been played perhaps once.
John Tavener - "Celtic Requiem" - Apple Sapcor 20-Album. Ultra-rare original UK-only copy from Apple records. This was never issued in the states. Beautiful gatefold cover. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Beatles - Music Memorabilia, Apple Watch (1968). Rare promotional item given away to the employees of Apple Records. A scarce item with the extremely rare original carrying bag. One of the best we've ever seen. Although the watch does not work, it appears new and unused. Condition NM-. From the collection of Bill Paquin.
Beatles Music Memorabilia "Once Upon A Beatle" - Children Record Storytime - Album. A very obscure and super-rare record. The front cover is a puzzle depicting four children as The Beatles. It is difficult to find children's records in this condition, especially ones about The Beatles. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - Music Memorabilia, Beatles Scrapbook (1964). Offered here is the U.K. printed Beatles Scrapbook licensed by NEMS Enterprises in 1964. This book has a nice cover. The pages inside are blank, but show where, at one time, photos were pasted taped inside. Fine+.
Beatles - Music Memorabilia, Nylon Stockings (1964). Manufactured in the U.K. by Ballito, these black nylons were made in 1964. Picturing the Fab Four on the thigh, they were all the rage in 1964! This is an unopened package in size 9 1/2. Very Fine+.
Beatles - Music Memorabilia, Licorice Candy Record (1964). Offered here is a very rare U.K.made licorice record produced by the Clevedon Confectionary, Ltd. of Blackpool in 1964, and sold in the U.S. and Canada. The candy is still intact, wrapped in a clear cellophane wrapper with the Beatles label that shows all four members of the band. Very Fine.
Beatles - Music Memorabilia Photos, Signed Dezo Hoffman Black and White Prints. Offered in this lot are four black and white Dezo Hoffman prints, measuring approximately 12" x 16". Hoffman was the man who recorded the total trajectory of the musical and pop-culture phenomena known as "The Beatles." His work is most remembered and synonymous with the look of popular culture in the early sixties. These four photos show The Beatles in various poses, engaged in activities ranging from accepting awards, to working their Christmas show, to meeting the ladies in Australia. All of these prints are signed by Hoffman and have his stamp on the back. Very Fine.
Beatles - Music Memorabilia Photos, Signed Dezo Hoffman Photo of John Lennon. Dezo Hoffman was The Beatles' first professional photographer, a man whose career had been spent photographing the historic events leading up to and including World War II with the International Brigade Press Corps. At the end of the war he photographed show business personalities, which led to his engagement with The Beatles in 1962. Offered in this lot is a full-bleed photo of John Lennon, from page 13 of Hoffman's book, "The Faces of John Lennon." as noted on the back of the photo. This is the print that was used in the production of the book. It is signed in the lower left corner by Hoffman and measures 11.5" x 15.5". Very Fine.
Beatles - Music Memorabilia Photo, Signed Dezo Hoffman Photo of John Lennon. Photographer Dezo Hoffman is the man most closely identified with the playful images of the youthful Beatles caught up in the rush of Beatlemania. As Todd Baron wrote, "Whether the image is of the Fab Four caught jumping in mid-air or a set of pensively postured Mount Rushmore-like heads about to release their opus Sergeant Pepper's album, Dezo Hoffman's photography did apprehend and create much more than a PR and pop phenomenon. He helped create an unforgettably shared moment of time within the very personal view that his eye had captured." This full-bleed photo is the very one used in Hoffman's book on page 149, as noted on the back of the print of "The Faces of John Lennon," and is signed by Hoffman. The print is approximately 20" x 30". Very Fine.
Beatles - Music Memorabilia, Wing Ding Sneakers (1964). Beatles Sneakers have always been a very popular collectible. They were manufactured in the USA in 1964 by Wing Dings of Saco, Maine. They came in either blue canvas or white canvas, in either high tops or low rise. Offered here is a size 7 1/2 Girl's white low rise pair. They have been very lightly worn. The box is also marked "7 1/2" and is most likely original. The box still retains its Wing Ding polka dot tissue paper and is in Fine shape, but for one broken corner on the lid. It would be hard to find a cleaner and more presentable example of this thirty-nine year-old merchandise. Very Fine+.
Beatles-Music Memorabilia, Aladdin Lunchbox and Thermos (1965). Produced by Aladdin Industries of Nashville, Tennessee in 1965 and licensed by NEMS Enterprises, this box is one of the best remembered collectibles from the Beatlemania era. Though they do still turn up with some frequency, rarely do they appear in this superior condition. This box has all of the decals on the sides, front and back in Very Fine condition, without the normal rubbed areas which affect many of these well-used boxes. The colors are like new, and Harrison's head, shown on the bottom side, shows virtually no wear, as this is one of the areas that is rarely seen unaffected by use. The thermos is in tremendous condition with the glass liner still intact with both original caps. Very Fine+.
Beatles - Music Memorabilia, Aladdin Brunch Bag. Brunch Bag was manufactured by Aladdin in the USA in 1964. This large vinyl girls' lunchbox has a zippered top, and was originally issued with a red plaid-colored thermos -- not the thermos that came with the blue metal Aladdin lunchbox. These bags are rather scarce collectibles as they did not survive as well as the metal lunchboxes. The example offered here is in Very Fine condition, with minor wear on the lower bottom right side.
Beatles - Music Memorabilia, Mastro Toy Banjo (1964). Manufactured in 1964-66 by Mastro Industries in New York, USA. This four-stringed toy instrument was originally manufactured with an instruction manual and came packaged on a colorful cardboard backing. Offered here is one of the better condition banjos we've seen, with very little damage to the face. The upper collar around the face seems to have a crack in it, but the banjo still has a nice sound. The four strings are on it and it will tune. The box offered with the lot is an early Mastro box of the same vintage, but probably not the box made for this instrument. Finding these instruments in very nice condition makes them extremely collectible when found, and this one seems to fit that bill. Very Fine.
Beatles - Music Memorabilia, Talcum Powder Tin (1963). Original licensed Beatles Talcum Powder Tin manufactured in the U.K., circa 1963-64 by Margo of Mayfair. This large 7" high tin has a nice tin litho of the Beatles on the front and back. These tins -- as with so many expendable items -- were tossed away after use, thus making far more rare than those items sold as "collectible." This tin is in Fine+ shape, with with slight rusting on top and bottom.
Beatles - Music Memorabilia, Selcol Guitar (1964). The Beatles licensed manufacture of their items in the United States as "Seltaeb" and in England as "Selcol." Offered in this lot is a very rare "Beatles Jr." guitar from Selcol with the paper label intact, and in very nice shape. Items made for the English market turn up far less than those made for the American market, due to the fact that far fewer were produced. Very Fine+.
Beatles - Music Memorabilia, Selcol "New Beat" Snare Drum (1964). This lot contains a British-made Selcol Beatles drum, which still has the original head with Ringo Starr signature imprinted on it. It shows virtually no wear. The decal picturing the Beatles on the side is in beautiful condition as is the small round blue sticker on the side which states "Under Licence Selcol Made in England." The top orange collar on the drum has two cracks, one with separation. Otherwise, this is an extremely clean example of this 1964 toy. Very Fine+.
Beatles - Music Memorabilia, "A Hard Day's Night" Trading Card Set (1964). Made by Topps, USA, this is the card set released in 1964 with the first run of "A Hard Day's Night." There are 55 cards in the set. Pictured on front is a shot of the Beatles from the movie or one of many candid shots on the set. On the back is a description of the photo. This is the complete set in Very Fine condition.
Beatles - Music Memorabilia, Topps Color Card Set (1964). This is the color card set made by Topps, USA and sold in 1964. There are 64 cards in the set with a color photo in front, and a question and answer by one of The Beatles on each card back. These full sets in nice condition are becoming difficult to find. Fine/Very Fine.
Beatles - Music Memorabilia, Topps Trading Cards Series #1 (1964). This is the first series of trading cards offered by Topps, USA in 1964. This is a black and white set with 60 cards in it. The cards each have a printed signature of one of The Beatles on the front. Very Fine.
Beatles - Music Memorabilia, Topps Trading Card Set #2 (1964). In 1964 Topps, USA printed 3 series of black and white cards totaling 165 cards. This is the second series of black and white cards, with 55 cards in the set. The cards have a photo on the front, with a printed blue autograph from one of the boys, and a series number with the individual card number on the back. This is the set that contains the famous burr haircut retouched photo card. Very Fine.
Beatles - Music Memorabilia, Topps Trading Cards Series #3 (1964). This is the third and final series of cards that Topps, USA released in 1964. These are black and white cards with the printed signature of one of The Beatles on each card front. They are numbered 116 through 165. There are 50 cards in this lot. Very Fine.
Beatles - Music Memorabilia, Topps Trading Cards Series #4 (1970s). Offered in this lot are 50 cards from sometime in the early 1970s. All have a black and white photo with a printed signature of one of the Beatles on each card. This very rare set is much more difficult to obtain than the officially printed cards of the sixties. Very Fine.
Beatles - Music Memorabilia Poster, "Go-Go Big Beat" One Sheet (El Dorado Films, 1965). This 27" x 41" poster is for a rare rock film which presents many of the top 1960's British beat groups, in a concert setting. Included are The Hollies, The Animals, Lulu, and The Merseybeats, as well as music by Beatles John McCartney, John Lennon, and George Harrison. Apparently, it did not include footage of the band, but lists many of their early songs being featured on the lower portion of the poster. This sheet is very rare, presumably due to the extremely limited distribution this film received. Very Fine/Near Mint.
Beatles - Music Memorabilia Toy, "Flip Your Wig" Game (1964). In 1964, the Milton Bradley Company released the Beatles' "Flip Your Wig" board game. Originally, the game sold for $2.98 retail. This is probably the best bargain in all of Beatles collecting as it is a super-displayable item full of colorful Beatles goodies. This game is complete with all inserts, including the four Beatles game pieces, fold-out game board, die, and all cards. Condition of all interior and exterior items are Very Fine. Box top has one broken corner, minor scuffing, but has retained its brilliant color. These Beatles "FLIP" games are getting harder to find complete and in this nice condition. Fine/Very Fine.
Beatles - Music Memorabilia, Mastro Beatle-ist Guitar (1964). A Beatles original 1964 Mastro Beatle-ist Guitar manufactured and fully licensed in the USA by Mastro Industries. This 32" long pink and maroon plastic guitar is in Fine condition and includes the original strings and pegs. It even has the original strap though broken at one time. This is the largest of the toy instruments manufactured by Mastro Industries in 1964. The images are nice on both the body and top headstock. The Lennon, Starr, and McCartney images are dark, and the Harrison is slightly worn from playing. The guitar has absolutely no touchups and is completely original. This instrument has the usual nicks and dings earned while being played with, but this is one of the nicer-looking Beatle-ist Guitars that we've seen. Toy guitars and toy instruments are highly sought after by today's collectors. A nice display piece! Fine.
Beatles - Music Memorabilia, Revell Beatle Model Kits (4) These plastic model kits were manufactured in 1964 in the U.K. and in California. Three of these kits were manufactured in Britain, and the McCartney kit was manufactured in California. The Lennon and Harrison kits are in very nice shape, still with bagged parts, instructions and very nice boxes. The Starr kit has broken box corners and the plastic parts are not in bag, but appear complete, with instructions. The McCartney is partially put together, though unpainted, without bag or instructions and missing his stand. These sets in their unbuilt state have become very difficult to find. Finding all four together has become near impossible. Fine/Very Fine.
Beatles - Music Memorabilia, NEMS Beatles Record Player 1964. This is considered by most collectors to be the ultimate piece to own of all commercial Beatles memorabilia. The 4-speed 17-1/2" x 10" x 6" NEMS record player was manufactured in 1964 and only 5000 were made. Very few survived, making it the most sought after item of Beatles memorabilia. So far only one or two mint or near mint units have turned up. This copy is in Fine condition with wear spots on the blue outer cover. The serial number sticker is missing and this model does not have the Beatles photo and name on the top of the cover. The interior is in nice condition, as is the inside cover photo, which has vibrant colors and little to no wear. Fine.
Beatles - Music Memorabilia Toy, Large Set of Car Mascot Bobbin Head Figures (1964). Seldom offered in a full set, these large bobbin' head Car Mascot figures of the Fab Four are some of the rarest of the Beatles collectibles. Produced in a very limited quantity as a store display item, these figures have always commanded attention whenever offered for sale. Produced by Car Mascot in 1964, these 14" tall figures differ dramatically from the smaller version. They are much more detailed and much more life-like in their similarity to the features of the Beatles. The last set offered in auction sold more than six years ago and that set -- in not in this excellent condition -- sold for over $10,000. Offered here is one of the finer sets known, with only minimal restoration done to the McCartney figure. Now is your chance, since you never know if another set will come up for sale. Very Fine+.
Beatles - Music Memorabilia, Beatles Car Mascot Bobbin Head Figures This is the 8" high composition Bobbin Head Figure Set, hand painted, licensed by NEMS, and manufactured by Car Mascots in 1964. Due to the fragile nature of the composition material used in the production of these figures, very few have survived in complete sets and in nice condition. George and Ringo, aside from small nicks in the paint, are in very fine shape. John and Paul have had small pieces cracked and glued but their appearance is very nice and in fine shape. This is a very nice set of the original bobbin head or as they are frequently called, nodder figures. Fine/Very Fine.
Beatles - Music Memorabilia, Dress from Holland (1963). This blue-and-white polka dot dress was manufactured in Holland between 1963 and 1964. This example has a label sewn inside which says "Petronella-Sweden size 40," and is in Very Fine condition.
Beatles - Music Memorabilia, Gumball Machine with Charms. Offered in this lot is a circa 1964 gumball machine with an original Beatles gumball sign and a number of the original black plastic record charms inside, which are stickered with early Beatles song titles and pictures of each of the Fab Four. Very Fine+.
Beatles - Memorabilia, Seltaeb Beatles Pillow. In 1964 these pillows were produced in the states by Nordic House and manufactured by Harry Saltzman, Co in New York and licensed under Seltaeb and NEMS Enterprises. There were 4 different variations manufactured by Nordic House. This example is the blue backed and is in Very Fine unused condition, still having two tags attached. Very Fine.
Pepperland - Music Memorabilia, Christmas Card "There are many worlds..." (Pepperland, 1970). One of Northern California's finest small rock clubs, Pepperland was noted for its funky atmosphere and quadraphonic speaker setup. This is an employee Christmas card from 1970, and has been signed by artist Mark Twain Behrens. On the front it says "There are many worlds...", inside it says "Pepperland sends you greetings from this one!" Overall size of this piece is 7" x 10".
Beatles - Music Memorabilia Poster - "Revolver" (Capitol Records, early 1970s). After the success of the movie "Yellow Submarine," Capitol Records went back to press with all of the Beatles records, especially those that tied into the movie. This poster has a big yellow "Bang!" at the top, and along the bottom, it says "Contains the song..." then it has an illustrated yellow submarine churning water. The poster is in excellent shape with no tape or tack holes, and measures 24" x 36". Very Fine+.
Beatles - Music Memorabilia, Unused Concert Ticket, Candlestick Park (1966). By the end of their 1966 tour, the Beatles had made up their mind that they would not tour again. Tired of the travel and the inability to hear their music in the roar of the crowds, they set their sights on working on their craft in the comfort of a studio. The ticket offered here is from the last public appearance of the Beatles in concert. The event was sponsored by radio station KYA as mentioned on the ticket. This is an historic piece of Beatle memorabilia. The ticket comes mounted to a small piece of grey card stock, but could be easily removed. Very Fine+.
Beatles - Music Memorabilia Photo, Unused Sgt. Pepper Cover (1967). This is a large glossy print of an unreleased version of the cover to "Sgt. Pepper's Lonely Hearts Club Band." Probably the most important rock album of all time, it is still on the charts today. On Kodak paper, there is a small crease on the lower right. Overall size of the photo is 16" x 20".
Beatles - Music Memorabilia Photos, Unpublished Strawberry Fields Photos 1967 Offered in this lot are (11) 11" X 14" glossy, new color photos printed on Kodak paper. These are unpublished photos of the Beatles during the shooting of their "music film" for "Strawberry Fields Forever." They worked with Swedish director Peter Goldmann to create music videos for "Penny Lane" and "Strawberry Fields Forever." Of the two, "Strawberry Fields Forever" was the more surreal, making use of techniques which would appear in future MTV videos: chiaroscuro lighting, slow motion, backward motion, overlapped images, slow dissolves, etc. These are wonderful glimpses of the boys at work in 1967 on an, in all respects, experimental film. Near Mint/Mint.
John Lennon - Music Memorabilia, John Lennon's Bag One, Signed Artist's Proof (1969). John Lennon's "Bag One" lithographs are some of the most well-known contemporary works of art in existence today. Possibly due to their controversial erotic nature, or due to the notoriety of the artist and his mate, or his amazing artistic talent, these prints have become a very valuable collectible on today's market. Lennon was approached in 1968 with the idea, and given a specially treated "litho paper" to work with. He did several drawings of the marriage and honeymoon and was anxious to see how they would look as lithograph prints. This drawing, called "The Honeymoon," is what was proofed for Lennon, prior to the entire set being produced for the "Bag One" series. This original British artist's proof is signed in pencil by the hand of John Lennon and marked "A/P." This magnificent proof has slight moisture rippling on the left edge, and very slight water staining on the upper right edge. Very Fine.
Yoko Ono- Indica Gallery Program 1966 (5.5" X 11"). In November of 1966 John Lennon stepped into the Indica Gallery and met Yoko Ono for the first time. Yoko had mounted a showing of her avant-garde artwork with the help of her husband Tony Cox and Lennon had come to view the work of this news making artist. From that first meeting, the Beatles future would forever be in question. The consignor of this item was friends with Tony Cox and his daughter Kyoko. This copy was apparently one of their personal copies. This is an original multi page Black and White gallery program from that very sale with items in the sale pictured. Done in a very unusual layout, this program has a number of pages that are gum-backed and with perforations to appear as stickers. Slight water damage on back lower pages but in Fine shape.
John Lennon- Imagine Album signed by Yoko Ono Offered in this lot is a very intriguing item. This is a copy of the "Imagine" album with the inner sleeve inscribed "To Kyoko Love, John". This album comes from a consignor that knew Yoko's daughter, Kyoko and her ex-husband Tony Cox during his custody battle with John and Yoko. The handwriting on the album is Yoko's and is apparently a gift to Kyoko from John and Yoko with Yoko inscribing it in John's name. Cover is in VG condition with punched hole in upper right corner as was no doubt a promo copy given to Lennon, sleeve is in VG shape with some splitting at lower seam from record. Record is in played, good condition. Comes with the original folded poster which is in excellent shape, as well as the photo card of Lennon with the pig which was a take off of the "Ram" cover. When would you ever get another chance to own a copy of this album that you know Yoko and John held?
Yoko Ono- "Fly" Album This is a nice copy of the double album, Yoko Ono's experimental music entitled "Fly". This well played copy comes from the same consignor of the "Imagine" album who was friends with Tony Cox and his daughter Kyoko during the custody battle that ensued between Cox and Yoko and John. It would be a fair assumption that this copy belonged to Kyoko. It still has the poster and also includes a single in the Apple sleeve from the album for "Midsummer New York" and "Mrs. Lennon". Sleeve in Very Fine shape and record in good condition. The single in in very Fine/Near Mint condition.
Beatles - Music Memorabilia Poster, Candlestick Park Litho., 70/200 (Artrock, 1992). The original poster that this lithograph is made from is among the most desirable in the hobby. On August 29, 1966, the Beatles took the stage at Candlestick Park in San Francisco, played for 40 minutes, and walked off into history. At the time, even they didn't know that they would never perform for a paying audience again. This lithograph is larger than the original poster, numbered to 200, and is signed by Ronnie Spector of the Ronettes. There are some dings along the borders and at the corners, but with a large white border, it will frame up nicely! Overall size of the lithograph is 24" x 33".
Beatles - Music Memorabilia, RIAA Music Award. Offered in this lot is a Platinum Record and Cassette award commemorating 1,000,000 copies sold for Capitol Records, Inc. (Album, Cassette, and CD) of the "Beatles 65" album. RIAA certified award. Near Mint.
Beatles - Music Memorabilia - "Yellow Submarine" (1968). When it burst on the scene in 1968 no one had ever seen anything like "Yellow Submarine." It was the first, and last time, the Beatles would appear on the big screen as animated characters. This is an original pencil of the late George Harrison used for the production of cels for the movie. Whether you're an animation collector or a die-hard Beatles fan, this piece will be the new center of your collection!
Beatles - Music Memorabilia - "Yellow Submarine" (undated). A pop art phenomenon originally released in 1968, "Yellow Submarine" is the first (and only) animated feature starring the Fab Four. The film was a psychedelic trip into the minds of the Beatles, who try to save Pepperland from the scourge of the Blue Meanies. This lot consists of a sequence of five pencil keyframe drawings of the Nowhere Man in a variety of poses, either talking or singing. The drawings are on animation paper with registration peg holes at the bottom, the five sheets are numbered from B-3 to B-7 in the lower right corner. The pages all measure 12.25" x 15.5" and are in excellent condition, showing very little evidence of handling. A rare find for collectors of animation art or Beatles memorabilia.
Beatles - Music Memorabilia - "Yellow Submarine" (1968). The groundbreaking animated film "Yellow Submarine" was just another of the Beatles' many ambitious projects. The oft-maligned Ringo is the subject of this original production cel, and it is in excellent shape.
Yellow Submarine - Music Memorabilia - "Yellow Submarine" (1968). The most vertically-challenged of the Fab Four, Richard Starkey (that's Ringo, dude) fills this original production cel for the avant-garde movie "Yellow Submarine". In excellent shape, this cel has Ringo walking, tripped-out mod duds, rings, and all, right out of your flashback.
Beatles - Autographs (circa 1962) Contained in this lot is a complete set of Beatle autographs. Ringo has written "The Beatles" at the top of the page and all of the signatures follow to the bottom of the page. This set has been matted with a "Sergeant Pepper's" album cover. Finding full sets of original autographs has gotten very difficult and a beautiful set like this will continue to appreciate.
Beatles - Music Memorabilia Posters - Richard Avedon Set (Nems, 1967). In 1967, The Beatles' company "Nems" contracted Richard Avedon to create the design for these posters, and then gave the distribution rights to three different outlets in three different countries. The publication that handled the distribution in the U.S. was Look where you could order your set with a pullout tab, and send away for your set to come in the mail for $1.50. These U.S.-distributed posters are slightly larger than their International counterparts. They are, undoubtedly, some of the most recognizable images from the Summer Of Love, and remain significant, important iconic reminders of the '60s. Other examples of first printings of these posters are included in Pop Art shows at museums all over the world. Most of these were loved to death long ago; finding examples like this without tack holes and tape marks is nearly impossible. These are near-perfect and guaranteed to be authentic first prints. John, Paul, George, and Ringo never looked so good. These posters measure 22" by 31".
Beatles - Music Memorabilia, "Yellow Submarine" Corgi Toy (1968). Made in 1968 in England with the release of the Beatles' animated feature, this original Corgi die-cast Yellow Submarine toy has revolving periscopes and two opening hatches, it is in its original box. The toy has the embossed printing on the bottom, and the box has the brown interior to assure that this is not the later reproduction. The box still has the plastic interior mold, but its cellophane window has broken. Very Fine.
Beatles - Music Memorabilia, Beatles - Ed Sullivan Contact Sheets. When The Beatles made their first appearance on The Ed Sullivan Show in February of 1964, it was and remains the most important event in the history of Rock music. Those of us in our forties today remember with fondness and excitement the atmosphere created by four young guys from Liverpool, England. As all of us recall where we were during the assassination of President John F. Kennedy on November 22, 1963, we likewise remember being mesmerized in front of our small black-and-white television sets on Sunday February 9, 1964, at 8 p.m., when the Beatles made their American debut on The Ed Sullivan Show. It was reported that over 73 million people tuned in. The next time they appeared was on February 16, 1964 from Miami Beach. Offered in this amazing lot of (83) black and white contact sheets of photos, both 35mm and 2.25" X 2.25" negatives were used, of the Beatles' appearances on the Ed Sullivan Show. This historic lot includes never-before-seen images of the boys backstage rehearsing, chatting with the stage manager, romping on the Miami beach, or sitting for photos with somebody's kids. These photos are tremendously fascinating, as it really is the only behind-the-scenes shots we have of these historic events. Also included are images of everyone from the Animals to Bobby Rydell, to little Stevie Wonder appearing on the show. And finally, included are another (34) black and white contact sheets of the Dave Clark 5, as appearing on the Ed Sullivan Show. Very Fine+. From the collection of Bill Paquin.
Beatles - Musical Memorabilia, Beatles "A Hard Day's Night" Display Poster for the Los Angeles Herald Examiner (1964). In the Summer of 1964, the biggest show business phenomena in history was raging. Beatlemania had swept throughout the North American continent and was now covering the world. This special advertising banner was placed only in newspaper dispensers to promote the August 23, 1964 issue of the Los Angeles Herald-Examiner featuring excerpts from the story of the Beatles' movie, "A Hard Day's Night." The card was designed to be placed in or below a stack of Sunday Herald Examiners that day because that was the day that excerpts from the story line of the Beatles movie, "A Hard Day's Night" were to be printed in the paper. The movie had just premiered in the United States on August 11 that year, and the now-defunct Los Angeles Herald Examiner was promoting the movie which had taken the nation by storm. It opened to stellar reviews and sold-out performances virtually everywhere it opened. This type of promotional card was designed for use in the newspaper -- for one day only -- and then to be thrown away. This merchandising card came from the collection of a young woman, who began collecting Beatles memorabilia in 1963. She saved virtually everything with the Beatles name or image on it. She probably asked to keep this display card on the day the newspaper was published, which would explain its presence in her collection when it was sold. This display card/poster has never been catalogued or listed in any price guide. It is highly likely this is the first time this merchandising card has ever been offered for sale. Approximately size 14" X 14".
Beatles - Music Memorabilia Poster, "The Beatles Come to Town" One Sheet (1964). This 27" x 41" poster was distributed in 1964 at the release of the short subject called "The Beatles Come To Town." This film was a short documentary of the royal performance in London which featured the Beatles. The film was distributed in the U.S. with two variations on posters. Though both style posters are very rare -- by far the rarest of all of the Beatles' film posters -- this style is the more difficult to find. The other poster style was silk screened, and this was an offset printed poster. This sheet was folded, and is in Very Fine+ condition.
Beatles - Music Memorabilia, Beatles U.K. Front of House Stills for "A Hard Day's Night" (1964). (8) 8" X 10" black and white U.K. Front of House Stills from "A Hard Day's Night," 1964. Printed on lightweight high-quality photographic paper and printed by United Artists U.K., used to promote the movie in the United Kingdom. These photos are from the Publicity Department of United Artist, circa 1964, and were discarded after the promotional campaign for "A Hard Day's Night" was completed. This very set was pictured in "A Hard Day's Night" Miramax DVD in the DVD-ROM feature "A Hard Day's Night Scrapbook," released in 2002. Very Fine.
Beatles - Music Memorabilia, Beatles High Resolution Stills from "A Hard Day's Night" for Production of Lobby Cards (1964). Collection of (10) high-resolution flat matte production photos from "A Hard Day's Night." Printed in 1964 by United Artists Publicity Department in the U.S.A., on special double-weight photographic paper to produce still photos and lobby cards for promotional distribution to publicize the Beatles Movie "A Hard Day's Night." These high-resolution flat matte production photos were printed in black and white on heavy-weight matte photographic paper, most likely in order to facilitate ink absorption when colored by hand in order to create color 11" X 14" promotional lobby cards for distribution to theaters. The interesting thing about these stills is they are the exact shots used for the lobby cards, but have not been cropped as they were in production of the posters. These are the exact stills pictured in "A Hard Day's Night" Miramax DVD in the DVD-ROM feature "A Hard Day's Night Scrapbook," released in 2002. These items are from the Publicity Department of United Artist, circa 1964, and was discarded after the promotional campaign for "A Hard Day's Night" was completed. Very Fine.
Beatles - Music Memorabilia, Beatles Hand Tinted Stills Used to Produce US Lobby Cards for "A Hard Day's Night" (1964). Hand colored artwork for lobby cards 2,4,6 and 8 printed by United Artists Publicity Department in the USA to produce still photos and lobby cards for promotional distribution to publicize the movie "A Hard Day's Night" These high-resolution flat matte production photos were printed in black and white and in preparation for the creation of an 11" X 14" promotional color lobby card, these photos have been hand colored. Note the registration marks and/or color directions that are written in pencil on the photos themselves. These very photos are pictured in "A Hard Day's Night" Miramax DVD in the DVD-ROM feature "A Hard Day's Night Scrapbook" released in 2002. Very Fine.
Beatles - Music Memorabilia, Beatles "A Hard Day's Night" Plex Poster. Produced by Drew Fash and Company in the late 1980s, this is a great repro of the original "Hard Day's Night" poster, but done on plex and looks to have been made to go in a light box. The image was very well done and may have been commissioned by United Artists as their new logo is located at the bottom of the piece and it is signed by the creator. It measures just like a One Sheet at 27" X 41" and is framed in a thin silver frame. Very Fine/Near Mint.
Beatles - Music Memorabilia Poster, "A Hard Day's Night" Original Movie Poster (United Artists, 1964). Offered in this lot is the Insert (14" X 36") poster to director Richard Lester's ground-breaking film in which he developed a bold new style. He would show a typical day in the life of the Beatles, and included many of their famous songs. This poster is definitely one of the most rare styles to find on this film. Fine/Very Fine.
Beatles - Music Memorabilia Poster, "A Hard Day's Night" Original Movie Poster (United Artists, 1964). Window Card (14" X 22"). The first Beatles film was a wonderful "day-in-the-life" style film that was filled with visual antics of the Fab Four, and included many of their famous songs. This film was definitely one of the forerunners to MTV. Very Fine/Near Mint.
Beatles - Music Memorabilia Poster, "A Hard Day's Night" Original Movie Poster (United Artists, 1964). Offered in this lot is the original 1964 Three Sheet (41" X 81") to the Beatles debut film, "A Hard Day's Night." These larger posters were usually displayed outdoors, and often pasted on displays inside and outside of the theater. Due to the use of these posters, the survival of many copies in the Near Mint condition, as the one offered here, is very unusual. Near Mint/Mint.
Beatles -Music Memorabilia Poster, "A Hard Day's Night" Original Lobby Cards (United Artists, 1964). The (3) lobby cards (11" X 14") offered in this lot include the single best cards from both of the Beatles' two first films, "A Hard Day's Night" and "Help." Also included is another card from the original set of "A Hard Day's Night." Fine/Very Fine.
Beatles - Music Memorabilia, Beatles "A Hard Day's Night" Mock-Up for Promotional Pressbook (1964). A mock-up is a scaled or full sized model of the planned poster. The size, color, type style and other graphic aspects are indicated in the poster. A Pressbook is a special magazine produced by the movie studio and given to the theater owner or exhibitor displaying the posters and promotional material used to promote the movie. It features different sized advertising graphics that the theater can send to newspapers and magazines to promote the movie, as well as articles and pictures of the different sizes of movie posters and lobby cards available from the movie studio. This is a very rare mock-up done for producing a final ad for use in the Pressbook. Size approximately 15" X 20".
Beatles - Music Memorabilia Poster, "A Hard Day's Night" Movie Poster Alternate Rough Layout (United Artists, 1964). A rough layout is a general sketch of a poster showing the position of text and illustrations giving the general appearance of the poster. This rough layout consists of one piece of artist's tracing paper stapled to a piece of thicker paper. The elements used here are pencil, black, and grey paint. Approximate size is 19" X 24". This piece was created by United Artists Publicity Department in 1964 in anticipation of the biggest hit of the year to reach the U.S. shores. This rough concept is most likely for the U.S. Three Sheet poster for the Beatles film. The difference between this version and the previous one is dramatic, and the hand-drawn lettering in the upper half of this rough is very close to the completed artwork, save for the word "Hilarious" which was added later. The heads are a grey paper pasted onto tracing paper with the faces painted on the grey paper. A change in the copy inserts the note, "Plus Beatles Favorites" where the red lines are drawn below the guitar. Also, the broken strings on the guitar were removed for the final printed poster. Saved from the dumpster when discarded by United Artists in the early 1970s, this unique piece of music history shows the evolution of this great ad campaign. This work of art is an essential piece Beatles history. Very Fine+.
Beatles - Music Memorabilia, Beatles "A Hard Day's Night" Movie Poster - Alternate Rough Layout (1964). A rough layout is a general sketch of a poster which shows the position of text and illustrations giving the general appearance of the final poster. This rough layout consists of one piece of artist's tracing paper stapled to a piece of thicker paper. The elements used are pencil, black, and grey paint, and measures approximately 24" X 19". A one-of-a-kind prototype artwork created in the developmental stage of original artwork for the 1964 U.S.A. Movie Poster for "A Hard Day's Night." This drawing -- or Maquette -- is most similar to the designs of what would later become the Six Sheet and Half Sheet versions of the movie poster, in which the top parts of the heads of each of the Beatles are one above each other. The cartoon girls drawn in pencil on this Maquette were used in many of the final versions of the 1964 movie poster, and the lobby cards as well. This artwork was created in 1964 at United Artists Publicity Department and discarded after use. Pictured in "The Beatles Memorabilia Price Guide, 2nd Edition" by Jeff Augsburger, Marty Eck and Rick Rann on page 186 published 1993.
Beatles - Music Memorabilia Poster, "A Hard Day's Night" Movie Poster - Alternate Rough Layout (United Artists, 1964). A rough layout is a general sketch of a poster showing the position of text and illustrations giving the general appearance of the poster. This is a one of a kind prototype artwork produced in the developmental stage in creating the original artwork for the 1964 USA Movie Poster for "A Hard Day's Night." Approximate size is 19" X 24". The United Artists Publicity Department, in its attempts to create the most appealing posters for its huge hit in the summer of 1964, produced (what are known in advertising) concept roughs. This is one of the earliest roughs known for the "A Hard Day's Night" poster. It is pencil, as well as grey and black paint, on artist's tracing paper, and stapled to a heavier piece of sketch paper, and bears black and red pencil notations. The use of the word "OH" is noted in red to change to "Yeah," and the early Beatles' logo is crossed out, clearly making this an early rough which has been used to mark changes. This piece does contain the original sketches of the cartoon girls, which was retained, and used as they are shown here, on the 1964 printed posters and lobby cards! This drawing -- or Marquette -- is most likely an early attempt at the One Sheet art. The fact that these items have survived is miraculous, indeed, as they were discarded by United Artists sometime in the early 1970s. This piece is very much a part of Beatles history, and is unique. Very Fine+.
Beatles - Music Memorabilia, "A Hard Day's Night" Mechanical Color Overlay (1964). After United Artists had developed the look of the posters, they would work up the mechanicals, and then choose colors for the final poster. A mechanical is the final artwork for a graphic project that is to be reproduced. Mechanicals usually consist of a lightweight illustration board with all of the camera-ready paste-up artwork (the type, illustrations and photostats) attached in their final positions, with the overlays indicating color attached. Approximate size is 20" X 30". The tissue color overlay is all produced by hand. Offered in this lot is the original mechanical of the Three Sheet for "A Hard Day's Night," plus a tissue overlay which gives the printer's reference for the color separations for the poster. This was used by Continental Litho Co. to make the color separation plates with which to print this historic poster. Since this set of mechanicals is obviously a single stage of development of the final version, this item is one of a kind. This is truly unique piece, and will most likely never be offered again. The rarity of these elements for the printing of posters cannot be overstated. Very Fine+.
Beatles - Music Memorabilia Poster "A Hard Day's Night" 30" X 40" Movie Poster (United Artists, 1964) In the summer of 1964, the world was in a frenzy of Beatlemania, and everyone was trying to be a part of it. United Artists Studio was in possession of the biggest hit in the country which bore the the kooky name of "A Hard Day's Night." Offered here is the very rare 30" X 40" which was printed on a much heavier stock paper than the One Sheet poster. It normally featured the same artwork as the One Sheet, but was normally not folded, and often had a little bit deeper, more vibrant colors. This poster has been mounted on a paper stock, and had slight restoration to brighten its look. Very rare. Condition Very Fine+.
Beatles - Music Memorabilia Poster, Beatles "A Hard Day's Night Lobby Card #4 (1964). Offered in this lot is the original lobby card (11" X 14") #4 from the United Artists film "A Hard Day's Night". Condition/Very Fine+.
Beatles - Music Memorabilia Poster, "Yellow Submarine" (United Artists, 1968). One Sheet (27" X 41"). This original poster was produced in 1968 with the release of the United Artists-King Features "Yellow Submarine." This poster has always been more difficult to find than the posters from the previous two Beatles films, or the later "Let It Be" feature. Very Fine.
Beatles - Music Memorabilia, Beatles Stat Mock-Up of Unproduced "Yellow Submarine" Teaser One Sheet (1968). A mock-up is a scaled or full sized model of the planned poster. This is an authentic graphic mock-up for an advance One Sheet movie poster for the 1968 classic "Yellow Submarine." The actual teaser One Sheet has never been documented and most likely was never printed. This is a very rare artifact from one of the Beatles' most loved films. The size is approximately 20" X 30".
Beatles - Music Memorabilia, Beatles - Hand Painted Mock-Up of Alternate Version of "Yellow Submarine" One Sheet (1968). A mock-up is a scaled or full-sized model of the planned poster. The size, color, type style and other graphic aspects are indicated in the poster. This is a one of a kind mock-up artwork created in the developmental stage of creating the original artwork for the 1968 USA movie poster for "Yellow Submarine." It was created by the application of partially hand-drawn pencil and ink drawings, in combination with photocopied artwork, and then gluing these drawings on another larger piece of illustration board. This artwork -- or Maquette -- is probably the earliest known concept drawing of the "Yellow Submarine" One Sheet. The basic design of the pictures is the only quality recognizable from any released version of the artwork for this classic film poster released in 1968. It is partly dominated by an image of the Maharishi Yogi that the Beatles were following. This artwork was created in 1968 at United Artists Publicity Department, and then discarded after use. Pictured in "The Beatles Memorabilia Price Guide, 2nd Edition" by Jeff Augsburger, Marty Eck and Rick Rann on page 187, published 1993. Approximately size 16" X 21".
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Mock-Up of Alternate One Sheet (1968). The following is an original mock-up artwork originating from United Artists Art Department in 1968 consisting of an alternate version of the One Sheet for the Beatles movie "Yellow Submarine." This One Sheet advertised 12 Beatles songs in the film, when, in fact, the completed film had contained 11. This particular version of the One Sheet has the familiar graphic elements of the U.S. One Sheet movie poster ,but the elements themselves are in different places on the artwork than in the final version of the movie poster. As with many of the production cels that turned up for sale immediately after the completion of this movie in 1968, this early mock-up of the One Sheet was discarded after the production of the promotion for the movie, "Yellow Submarine" was completed. Unique and very rare. Approximate size is 13" X 19".
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Velox Proof of Alternate Version of 11-song One Sheet (1968). A velox is a high quality screened photographic print that is used in the preparation of mechanicals. Because they are used only for this purpose, the number of velox prints is extremely limited, usually less than five.This particular version of the One Sheet has the familiar graphic elements of the U.S. One Sheet movie poster, but the elements themselves are in different places on the velox than in the final version of the movie poster. These production elements of the One Sheet were discarded after the production of the promotion for "Yellow Submarine" was completed. The survival of these original artwork pieces for publicity purposes is very rare, as almost all of this material was discarded. Approximate size 13" X 18".
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Alternate Mechanical Color Overlay (1968). Mechanicals are the final artwork for a graphic project that is to be reproduced, usually consisting of a light-weight illustration board with all of the camera-ready paste-up artwork (the type, illustrations and photostats) attached in their final positions with the overlays indicating color attached. This set of mechanicals consists of black and white photocopied cels and type elements pasted onto illustration board, with the color overlay taped to it at the top and clearly visible. Approximately 30" X 20". These mechanicals from 1968 for the window card movie poster for "Yellow Submarine" are different from the released version of the poster in that the quote, "It's All In The Mind, Y'know," is mistakenly credited to Paul McCartney, rather than George Harrison. The mistake is noted and corrected on the translucent overlay. This mistake is of some interest given the recent controversy with the crediting of authorship of certain Beatles lyrics. Inside the apple -- to the right -- there is also the statement, "A Dozen Beatles Songs." This mistake is noted and corrected in pencil. The final version of this poster would later read, "Eleven Beatles Songs." The color overlays are rendered by hand. Since this set of mechanicals is obviously a single stage of development to the final version, this is a one of a kind, very rare Beatle artifact.
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Mock-up of Page from Pressbook (1968). This is a mock-up of a page from the pressbook for "Yellow Submarine" from which the Pressbook was printed. A pressbook is a magazine given to the theater owner or exhibitor prior to the distribution of a film. This magazine allows the exhibitor to see the various promotional elements that will be available to him for advertising the film. This is a very rare piece of advertising art for one of the Beatles' most loved films, and it is extraordinary that this piece has survived. Approximately size 15" X 20".
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Velox Prints Mounted to Illustration Board of Proposed Artwork for Posters (1968). Offered in this lot are two velox prints of two variations of proposed artwork for the "Yellow Submarine" One Sheet. One is a larger line drawing of proposed artwork measuring approximately 18" X 28". The other is a shaded velox print of a differing style measuring approximately 16" X 20". These are two very rare pieces of United Artists Publicity Department's work, which was discarded after the release of the film, and have not been seen until now -- over 35 years after its initial presentation.
Beatles - Music Memorabilia, Beatles "Yellow Submarine" Hand Drawn Poster of Alternate One Sheet. This is a hand-drawn rough layout of an art concept or idea for the illustration portion of another mock-up for an alternate style One Sheet for the Beatles movie "Yellow Submarine." This item is from the Publicity Department of United Artists, circa 1968, and was discarded after the promotional campaign for Yellow Submarine was completed. These advertising artwork pieces are very rare and virtually never show up for well-known films. Approximate size 19" X 24".
Beatles - Music Memorabilia Poster, "Yellow Submarine" Blacklight Poster (1968). Printed in 1968 by Poster Prints of Conshohocken, PA (24" X 35"), this rare blacklight poster was released to headshops from the Height to Greenwich Village at the time this classic animated film was released. These have become exceedingly scarce. Fine.
Beatles - Music Memorabilia Poster, "Help" (United Artists, 1965). Six Sheet (81" X 81"). Richard Lester directed the Fab Four's second feature, following up his previous hit in "A Hard Day's Night." The Beatles once again blended comedy and music into a box office hit, this time taking the group to exotic locations from Europe to the Bahamas. The musical selections include such classic tunes as "You've Got to Hide Your Love Away," "Ticket to Ride," and, of course, "Help!" This large poster is one of the Beatles' rarer film posters, due to the fact that the larger posters were normally destroyed in use. Very Fine+.
Beatles - Music Memorabilia Poster, "Let It Be" (United Artists, 1970). One Sheet (27"x41"). Michael Lindsay-Hogg's documentary captures on film the sessions for what would become the Beatles' final release. Included in this footage are shots of the famous rooftop concert where the Fabs' final live appearance took place. The camera follows the Beatles and records their rehearsals, conversations, arguments and performances. These posters have become very hard to find as the price of Beatles items has escalated. Very Fine.
Beatles - Music Memorabilia, Beatles Autographs (circa 1963). Offered here are the authentic autographs, circa 1963, of the Beatles on two pieces of paper. John Lennon and George Harrison have signed this light green sheet of paper, while Paul McCartney and Ringo Starr have signed an off-white sheet of paper. All attractively matted under the gatefold of the "Sergeant Pepper" album. As anyone will tell you, authentic autographs of the four lads are becoming very difficult to find.
Beatles - "Introducing The Beatles" - Vee-Jay SR-1062-Album. The original pressing of the rare 1963 Stereo color band with the second song cover back that has the word "Stereo" at 12 o'clock above the bracket on the label. This was the first Beatles record to be issued in America. There is a lower left corner bump while the dead wax has the letter "S" in it. Stereo copies are very hard to come by since most Americans only had mono players. They were also slightly more expensive to purchase in that first month of January, 1964. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. Here is a 1963 mono copy of the above LP with color band bracket labels. Small stain on back cover. Column back containing the songs "Ask Me Why" and "Please Please Me." Over the years it has been hard to find these LPs in mono, and playable, condition. After all, who didn't play their Beatles albums in the 1960s? Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062 - Album. A true rarity with the "blank back" version from 1963. It is assumed this was a transition cover used between the printing of the "ad" back and the more common "column" back. This cover, along with the "ad" back has the first version with the songs "Love Me Do" and "P.S.I Love You." A true scarcity among collectors. This one of the rarest of the VJ albums. A sticker has been removed from the top of the cover, and does show some repair work to it. Condition: Overall a solid VG+ but not a VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay SR-1062-Album. A 1964 stereo copy still in shrink wrap, with an original price sticker on the shrink from Sears. This copy has the bracket labels with the word "stereo" at 12 o' clock. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. Rare factory error copy with the back slick being upside down. This is black label variation with "Please Please Me" and "Ask Me Why." This is the only known copy, as of this writing. Condition: record VG-/cover VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062 - Album. Difficult to find mono copy with the word "Stereophonic" stamped in black on the cover, in the upper right hand corner. The cover has a small stain in the back upper left corner which may be attributed to some glue. This is the bracket label with the stereo at 12 o'clock. Again, the record contained within is the "Please Please Me/Ask Me Why" version. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. This is one of the first pressings with the oval logo and the rainbow label. This album contains the songs "Love Me Do" and "P.S. I Love You," making this an original first press. Very scarce mono copy. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. Second pressing with the scarce sticker which reads "Featuring Twist" and "Shout Please Please Me." A small area of the sticker has been repaired. The label is the scarcer black version of this mono edition. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. Once again, a second pressing of this title with the songs "Please Please Me" and "Ask Me Why." This copy has the small bracket black labels. Condition: record VG/cover VG++. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay LP-1062-Album. Another rare second pressing with the scarce 45-style logo, which is considered to be the rarest variation. There is some tape along the bottom seam. Condition: Overall VG+. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay SR-1062 - Album 1964 Stereophonic copy of the second issue with the rare stereophonic sticker on the front cover. The stickers were placed on the mono jackets to indicate that the record inside was in stereo. Black label on both sides with a deep ring. The logo on the label is VJ on top of Vee-Jay Records. Condition: Cover VG++/ Record VG+. From the collection of Bill Paquin.
Beatles - "Introducing The Beatles" - Vee-Jay SR-1062-Album. 1964 Offered for the first time in this condition is the holy grail of Beatle records. Here is the stereo ad back in the original shrink wrap, the rarest of all American Beatle records. This is the first version of the first Beatles album in America. There is probable cause to believe that the "Ad back" cover was prompted by legal and financial considerations. The "Ad back" has version one of the "Introducing" record, which contains the songs "Love Me Do" and "P.S. I Love You," instead of "Please Please Me" and "Ask Me Why." Vee-Jay was in financial turmoil, and thus, overlooked payment of Beatles royalties to their licensing company. Plans for fall of 1963 Beatles releases were put on hold. In late 1963, word within the music industry was that Capitol Records had a new English beat group called The Beatles, and was preparing to launch a large promotional campaign. Vee-Jay Records, knowing they still had temporary control of some of the Beatles master recordings and already had several thousand front slicks printed, hastily issued the stalled 1963 "Introducing the Beatles" LP. Because of the dispute over ownership of the above-mentioned Beatles recordings, there were no back cover slicks made. Instead, they rush-released the album with the back cover showing ads for different albums on their label. This helped them disguise the fact that they had "Love Me Do" and "P.S. I Love You" on the record. This helped create the more common version two, which is known as the "column back," issued once the legalities had cleared in early February 1964. The "Ad back" is the rare version one, issued at the end of the second week in January, 1964. It has been estimated that less than a thousand stereo copies were manufactured, with less than a handful surviving to this day. The cover has "Printed in the U.S.A." on the lower left of the front cover as all "Ad backs" do. Very minute tear on the back where the shrink wrap has adhered to the cover. The cover is in shrink which helped preserve the whiteness of the back cover. From the collection of Bill Paquin.
Beatles - "Songs, Pictures And Stories of The Fabulous Beatles" - Vee-Jay VJS-1092 - Album. This was an attempt to once again repackage the "Introducing" LP. Here we have a very rare stereo copy of the LP. The rarity scale of the stereo version to the mono is 1 out of every 200. Condition: record Poor/cover VG+. From the collection of Bill Paquin.
Beatles/Frank Ifield - England's Greatest Recording Stars The Beatles & Frank Ifield On Stage - VeeJay Stereo VJS-1085. Here it is, the rarest of the Beatles' stereo records! At last count only six copies are known to exist. Both the cover and the label of the record indicate "Stereo." Beatles portrait on cover. The cover has one small tear; otherwise, it is Mint-. Record has two scuffs, but appears to be unplayed. This is truly one of our showcase items.
Beatles - "The Beatles and Frank Ifield On Stage" - Vee-Jay LPS-1085 - Album. This album was released around the same time as the second version of "Introducing The Beatles" in February 1964. The front cover shows an old English gent dressed up wearing a Beatles wig. This 1964 LP features both The Beatles and Frank Ifield who was another British star that Vee-Jay had signed. Very rare stereo copy with a black label still in shrinkwrap. Condition: record VG++/cover Mint-. From the collection of Bill Paquin.
Beatles - "The Beatles And Frank Ifield On Stage" - Vee-Jay LPS-1085-Album. Very rare cover featuring a drawing of the Beatles on the cover, which was copied from an early Dezo Hoffman photograph. This is the same record as the "Jolly What!" LP but with Vee-Jay's rights expiring in a few weeks, they opted to change the cover to depict The Beatles in hopes of generating more sales before their rights expired. This is one that serious Beatles collectors need for their collection. Only about a couple thousand copies were pressed back in 1964, so only a few still exist today. This version is the black label, with a tiny tear on the back cover. Extremely slight wear on the cover. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Beatles - "The Beatles vs The Four Seasons" - Vee-Jay DX-30-Album. Another Vee-Jay attempt to repackage "Introducing The Beatles," as it was their only Beatles LP. This 1964 disc was paired with "The Four Seasons Greatest Hits" which was also on Vee-Jay. What makes this a truly special record is that the bonus poster of The Fab Four is included. A solid mono copy with the top seam showing a little weakness. Condition: record Mint-/cover VG++/poster Mint-. From the collection of Bill Paquin.
Beatles - "Ain't She Sweet" - Atco SD-33-169 - Album. Extremely rare 1969 pressing with a solid yellow label of an early 1964 release. No one knows why this was pressed in 1969, and it remains a puzzle. Most collectors assume it was a mistake, since all known copies have a small cutout notch on the cover. Cover is different from the 1964 pressing, as evidenced by the inclusion of a white border around it. This LP also features The Swallows. Beautiful stereo copy in never played condition. From the collection of Bill Paquin.
Beatles - "Meet The Beatles" - Capitol T-2047-Album. Capitol's first Beatle album, from 1964. This album is in mono and still sealed. Inner sleeve is slightly visible, showing a deep bluish purple color, and it has a West Coast number on the lower back. This indicates a first pressing of this record. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Meet The Beatles" - Capitol T-2047-Album. Rare sealed mono with a number "9" on the lower rear cover. The scarcity of this LP is notable because of that number "9". As of this listing, there are only two known copies, this one is still sealed. All other mono copies in the market go no higher than the number "6" on their back covers in the lower right. A very minute tear in shrink. This copy was issued in 1968 when Capitol Records had just eliminated their mono LPs. This may have been issued through the RCA Record Club. Condition: still sealed. From the collection of Bill Paquin.
Beatles -"Meet The Beatles" (Record Club) - Capitol ST-8-2047. 1969 pressing of the Fab Four's first American album release. Appears to have been played only a few times. Condition: record VG+/cover Mint. From the collection of Bill Paquin.
Beatles - "The Beatles' Second Album" - Capitol ST-2080. 1964 Stereo still sealed copy with a number "3" on the lower right corner of the back cover. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "The Beatles Second Album" - Capitol T-2080. Beautiful high grade copy of the second LP, from 1964, in mono still in the original shrink wrap. Slight bump upper left corner. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Something New" - Capitol T-2108-Album. 1964 mono still sealed copy of the Beatles third LP on Capitol Records. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Something New" - Capitol ST-2108-Album. 1964 Stereo still sealed copy with a number "7" on the lower right corner of the back cover. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Something New" - Capitol ST-2108-Album. Stereo still sealed copy of The Beatles third LP, from 1964. The LP has the blue inner sleeve with a number "3" in the lower right corner of the back cover. All Beatles LPs that have a number "8," or lower, on the back will be original issus. Slight tear on shrink at opening that has now been covered by a piece of tape. This copy came from Manny Kellum, who was an engineer at Epic Records. Condition: still sealed. From the collection of Bill Paquin.
Beatles - A Hard Day's Night - United Artists SP 2359 Red Label. Extremely juicy piece for Beatlemaniacs! Each side features "Open End Half Hour With the Beatles," one side with music, the other side without. Comes with script. Plain white cover. The record is Mint-.
Beatles - "A Hard Day's Night" - United Artist UAL-3366-Album. Only 300 copies were made of this scarce white label promotional copy of "A Hard Days Night." This copy has the rare DJ stamp on the back cover, most copies are stock only covers. All white label promotional copies of this record were issued in 1965 to help boost The Beatles sales, but as we know they needed no help in their promotions. A white label promotional copy in this condition is truly a rarity, as most that turn up on the market are in much lesser grade. Condition: record VG++/cover Mint-. From the collection of Bill Paquin.
Beatles - "A Hard Day's Night" - United Artist UAL-3366-Album. Original mono copy, with the cover still in shrink wrap and the record still sealed in a perforated plastic bag. The record was purchased from the estate of a former Capitol Record Club executive. This record has the standard UAL catalog number. Only known copy as of this writing. Condition: record is still sealed/cover Mint-. From the collection of Bill Paquin.
Beatles - "A Hard Day's Night" - United Artist UAL-3366-Album. First press copy from 1964, in mono, that is still sealed. This LP has the one song credit on the back cover. First time one is being offered in public auction. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "A Hard Day's Night" - United Artist UAL-3366-Album. Mono copy from 1964 in the original shrink wrap. This LP contains the two song credit on the back of the cover. An extremely hard-to-find LP in this shape. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "A Hard Day's Night" - United Artist UAS-6366-Album. Stereo copy in the original shrink wrap, from 1964. This LP contains the two song credit on the back cover. Even scarcer than the previous LP. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Something New" - Capitol T-2108-Album. An attractive copy of the third Capitol LP, from 1964, in mono, still in the original shrink wrap. Condition: overall Mint-/label VG++. From the collection of Bill Paquin.
Beatles - "Something New" - Capitol T-2108-Album. Mono copy from 1964, with a promo perforation in the upper right hand corner. Promo perforations are extremely scarce, since they only went out to radio stations and record reviewers. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Beatles - "The Beatles Story" - Capitol TBO-2222-Album. Mono, still sealed early remainder reseal of another scarce gatefold cover, which features interviews of The Fab Four in the heyday of Beatlemania. This is a two record set with a cutout hole showing the blue inner sleeve which was commonly used in all 1964 pressings from Capitol Records. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "1965 Talk Album with Ed Rudy" - Radio Pulsebeat - Album All interview LP with Ed Rudy and The Beatles talking about Beatlemania, from 1965. Hard to find this rare album with the original shrinkwrap still intact. There is a DJ's name on the label. Condition: record VG++/cover Mint-. From the collection of Bill Paquin.
Beatles - "Beatles '65" - Capitol T-2228. Mono still sealed copy with perforated "prom" in the upper right hand corner. A blue inner sleeve is visible through these holes, this shows that it is an original pressing since it was issued for Christmas of 1964. Capitol Records perforated "FREE, PROMO and PROM (being the "O" was left off when perforated, since it was so near the upper right hand edge of the cover)" are extremely, and we mean extremely, rare. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Beatles '65" - Capitol T-2228-Album. A beautiful copy, that is in mono, with the original shrink still intact, dating from 1964. This is an early pressing due to the presence of the deep ring around the label, which makes it a rarity among collectors. Another example of a variation that is hard to come by. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Beatles '65" - Capitol T-2228-Album. Same as the album in the previous lot, but does not show the deep ring variation. Once again mono in original shrink, from 1964. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "The Early Beatles" - Capitol ST-2309-Album. 1965 Stereo still sealed copy with a number "3" on the lower right corner of the back cover. This indicates that it is a first pressing from Capitol Records since any number from "8" down would be considered original. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Les Beatles" 1965 - Odeon This French release is not to be confused with the American release "Beatles '65", but instead mirrored the selections on the UK-released "Beatles for Sale". In the US these songs were spread among the American-released "Something New", "Beatles '65", and "Beatles IV". Record and cover VG. From the collection of Bill Paquin.
Beatles - "Beatles VI" - Capitol T-2358-Album. Mono still sealed copy from 1965. The rarity of this LP is the fact that there is no cutout hole found on most other sealed mono copies of this album. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Beatles VI" - Capitol T-2358-Album. The first variation of the back cover that states "See label for correct order." One of the harder LP's to find in this condition. From 1965, and still in the original shrink, and mono at that. Condition: Cover Mint-. From the collection of Bill Paquin.
Beatles - "Beatles VI" - Capitol T-2358-Album. Another Beatle variation on this LP, the back cover has the songs in the correct order. This is commonly known as the correct back cover. Once again, another great mono in original shrink, from 1965. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Beatles VI" - Capitol T-2358-Album. Here's another beauty, this one is from 1965. A still-sealed copy in mono with the second variation of the correct song order. This LP has a cutout hole in it. Rarely seen this way since most LP's found are of the first variation. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Help" - Japan - Album. Original Japanese Odeon label LP from 1965 on red vinyl. First pressings of early Beatles LPs from Japan are on red vinyl. There is no OBI strip attached. This is a gatefold cover. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Help" - Capitol MAS-2386-Album. 1965 Here we go again with another gatefold cover. Still sealed mono gatefold from the soundtrack of the same name. This was the second Beatles film and the first in color. The scarcity here is notable, due to the fact that it was necessary to open the gatefold to view what was inside. Condition: still sealed. From the collection of Bill Paquin.
George Martin - "George Martin Plays 'Help'" - United Artist UAS-6448-Album. Sir George Martin is essentially considered the true fifth Beatle. He was the producer of their albums both as a group an as solo artists. This 1965 album features the George Martin orchestra is doing instrumental versions of songs from the film "Help." Hard to find to begin with, yet here is a stereo copy that is still sealed. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Rubber Soul" - Capitol T-2442-Album. Talk about a beauty. An unplayed 1965 mono copy in the original shrink wrap. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Rubber Soul" - Capitol ST-2442-Album. What makes this so special is the very rare and scarce light brown sticker on the cover that says "Hear Paul Sing Michelle." Original rainbow label in stereo from 1965, with the shrink wrap still around it. Condition: record VG+/cover Mint-. From the collection of Bill Paquin.
Beatles - "Rubber Soul" - Capitol T-2442-Album. 1965 mono still sealed copy that is considered one of the turning points in the evolution of Beatles music. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Rubber Soul" - Capitol T-2442-Album (165). A 1965 Mono copy, with the original shrinkwrap intact and the sticker on the front saying "Hear Paul Sing 'Michelle' Original Beatles Version." Any LP that contains original stickers indicating songs inside are much harder and rarer to come by. Most people who purchased albums always threw away the shrinkwrap, hence the scarcity of the stickers that were attached. Condition: record VG++/cover Mint-. From the collection of Bill Paquin.
Beatles - "Revolver" - Capitol T-2576-Album. Original mono still sealed copy of the new sound of the Beatles. Album cover art was designed by long-time friend of the band Klaus Voorman. Round promo hole in upper right corner. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Revolver" - Capitol T-2576-Album. Mono 1966 still sealed, perforated with the word "Promo" in the upper right hand corner. First time up for auction, and presently the only known copy as of this writing. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Revolver" - Capitol T-2576-Album. Cover designed by Klaus Voorman as The Beatles begin to expand their inner selves. Beautiful unplayed 1966 mono copy, and guess what? The original shrink is still intact! Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Revolver" (Record Club) - Capitol ST 8-2576-Album. Still-sealed 1969 stereo copy of the rare record club issue. These LPs were only available through the Capitol Record Club. At the present time no other copies of this particular record are known to exist in this condition. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "The Amazing Beatles" - Clarion SD-601-Album. Here we go again, with another cash-in attempt. This one has a cartoon drawing of The Beatles on the front jacket. An attractive 1966 mono copy that is still sealed. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol T-2553-Album. A solid copy from 1966 in mono with the original shrink wrap still intact. Hard to find the original shrink on this LP because most people automatically assumed they had the infamous "Butcher Cover" underneath. Don't be one of them, this does not have the "Butcher Cover" under it. Condition: record VG++/cover Mint-. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol T-2553-Album. Like the "Something New" LP, this has the promotional perforation on the cover in the upper right corner. This contains the original inner sleeve, but does display some tanning at the edges. This does not have the "Butcher Cover" under it. Very scarce to find a mono copy from 1966 in this shape. The scarcity lies in the "promo" perforation. Condition: Overall VG+. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol T-2553-Album 3rd State. It is scarce to see the famous "Butcher Cover" in an auction, yet we have managed to snag five different gems from Bill Paquin's collection. Here we present the first of three. This copy is a peeled mono from 1966, "#6" on the lower right back cover which indicates that it is from the West Coast. A peeled copy means that the replacement cover was methodically peeled away to expose the infamous cover. Cover has seam split at the top thus dropping the grade ever so slightly. Most collectors realize that the condition of the record is secondary when it comes to this legendary cover. Condition: record GD-/cover VG+ (+). From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol-Jamaican 2nd State Album. A very solid copy of a unique "Butcher Cover." This is a paste over copy with a rare Jamaican Capitol label record inside. Cover is in shrink with the original Jamaican price sticker attached. The album was purchased from an oil company executive who worked for Sinclair Oil when he was stationed in Jamaica in 1966, the year the album came out. This would indicate that some of the covers were exported to countries other than just the United States. More research is needed to be done to see if other countries also received the infamous "Butcher Cover." Condition: record VG+/cover VG+. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol ST-2553-Album 3rd State. Nice looking stereo (1966) copy of "The Butcher Cover." This LP has been peeled to reveal the infamous cover. Condition: record VG+/cover VG++. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol T-2553-Album 2nd State. Another "Butcher Cover," but yet it has never been peeled, so here's the opportunity to try if you dare. Very solid paste-over with the replacement cover intact on this mono 1966 copy. Condition: record VG/cover VG+. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol T-2553 Album 2nd State. A beautiful 1966 mono copy still in shrink wrap. This is the infamous "Butcher Cover" with the new cover pasted over still in shrinkwrap. Extremely rare to find "Butcher Covers" that have not been touched or attempted to be peeled to reveal the cover underneath. This copy with shrink still shines with all the beauty of being untouched. When the new cover was applied it was applied off center thus exposing some of the original "Butcher Cover" underneath, at the top of the seam and the bottom left corner. This is a West Coast copy with the identifying number on the back of the lower right side of the cover. In shrink, a beauty! Condition: Overall Mint-. Still Sealed. From the collection of Bill Paquin.
Beatles - "Yesterday and Today" - Capitol ST-2553-Album. Stereo still sealed 1966 copy with a number "2" on the lower right corner of the back cover. This indicates that it is a first pressing from Capitol Records, since any number less than "8" would be considered original. Condition: still sealed. From the collection of Bill Paquin.
Beatles -"Yesterday and Today" - Capitol T-2553-Album. Rare 1966 original mono copy that is still sealed. Very hard to find sealed albums from forty years ago, and even harder to find sealed Beatles albums in mono. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "This Is Where It Started" - Metro MS-563 - Album. Still-sealed 1966 stereo LP with music from Tony Sheridan and The Beatles. Another attempt to cash in on their popularity. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Sgt. Pepper's Lonely Heart's Club Band" - Capitol MAS-2653-Album. Original still sealed mono gatefold copy, with the original price sticker on the shrink. Truly one of the hardest mono albums to find in this shape, as it is one of the greatest LPs ever recorded. Once again, the gatefold cover in this condition makes it such a scarcity. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Sgt. Pepper's Lonely Hearts Club Band" - Parlophone PMC-7027-Album. Original British yellow and black 1967 mono copy of this landmark album that ushered in the psychedelic 1960s. Gatefold cover with the original insert, which was cutout badges with pictures of The Beatles. Inner sleeve is the British psychedelic version, which is different from the American version by the paper texture and the way it has been cut. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Sgt. Pepper's Lonely Hearts Club Band" - Capitol MAS-2653-Album. Original 1967 mono American copy, with the insert cutout badges with pictures of The Beatles, and the American psychedelic sleeve. This sleeve has different paper texture and is cut different from the British version. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Sgt.Pepper's Lonely Hearts Club Band" - Capitol MAS-2653-Album. Here is an opportunity that should not be passed up. The original 1967 LP in mono, with the original shrink wrap still intact. The actual Christmas ribbon is still on the shrink, since it was given as a gift. This beautiful gatefold copy contains the insert. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Sgt Pepper's Lonely Hearts Club Band" - Mobile Fidelity MFQR-100-Album. Mobile Fidelity went a step further and issued this record in 1982, which is superior to any CD issue of this title. Limited edition pressing of 5,000 copies. This copy, amazingly, comes still sealed. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Sgt. Pepper's Lonely Hearts Club Band" - Mobile Fidelity MFSL-100-Album. Very rare -- and we mean very rare -- uncut, still sealed copy from 1982. Most copies found have cutout marks on them. Mobile Fidelity issued The Beatles LPs in the early 1980s, with enhanced audio fidelity qualities. This makes them superior to regular records in overall sound quality. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "The Silver Years-25 Years of Capitol" - Capitol PRO-4411-Album. Scarce promotional record issued in 1967 to promote 25 years of Capitol Records. Included on this LP are snippets of some of their artists, including The Beatles. There is some slight wear on the cover, due to the fact that it is an all-white cover. Condition: record Mint-/cover VG++. From the collection of Bill Paquin.
Beatles - "Magical Mystery Tour" - Capitol MAL-2835-Album. Original still sealed mono gatefold copy from their ill-fated British TV show that was shown on Boxing Day. This LP features music from that special, as well as some of the hit singles at the time. Songs include "Strawberry Fields Forever," "All You Need Is Love," etc. It's hard to find albums still in shrink wrap, yet alone gatefold albums, because you needed to tear the shrink off to look at the gatefold. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Magical Mystery Tour" - Mobile Fidelity MFSL-047-Album. Here we go again. Another uncut 1980 Mobile Fidelity LP of the Beatles "Magical Mystery Tour" LP. This LP contains the rare sticker on the shrink wrap stating 1982 hi-fidelity award winner. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "The Beatles" (White Album) - Apple SWBO-101. This is the rare 1968 version of "The White Album" (The Beatles first two record set) with the white song sticker that has blue navy print on the cover. The sticker measures 4.75" by 4". The word "Beatles" is the original raised lettering, it is also on the Capitol/Apple label with all the original inserts.The number of the LP is A3033615. There is a slight seam split at the top, and also the small staple holes that are common to this album with this sticker. The slightest touch because of the white cover will cause ring wear. Condition: record Mint-/cover VG+. From the collection of Bill Paquin.
Beatles - "The Beatles" (White Album) - Apple SWBO-101 - Album. A copy that is numbered under 0002500 at 0002362, from 1968. Two record set with Capitol/Apple labels containing all the original inserts. This copy also features the word "Beatles" embossed on the front cover. Slight stain on the back with clear tape on the seams. There is also some light creasing on the front of the cover. Extremely difficult to find a copy with such a low number. Condition: Overall VG+. From the collection of Bill Paquin.
Beatles - "The Beatles" (White Album) Apple SWBO-101. Still sealed original two record set that has the word "Beatles" embossed on the front cover, plus the number. This is an original first pressing! Due to the fact that it is still sealed, the album cover shows a pure whiteness to it. Condition: still sealed. From the collection of Bill Paquin.
Beatles - "The Beatles" (White Album) - Apple PMC 7067-8-Album. Early '70s pressing in mono, which is far superior to the stereo mix. This version the LP's have the open seam on the side. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Abbey Road" - Apple SO-303-Album. Hard to find still sealed copy from 1969, with the Apple symbol on the back cover. Condition: still sealed. From the collection of Bill Paquin.
)Beatles - "Yellow Submarine" - Apple SW-153-Album. Still sealed original soundtrack to the film "Yellow Submarine." The movie was co-written by Eric Segal who went on to write "Love Story." Condition: still sealed. From the collection of Bill Paquin.
Beatles - "Let It Be" - Apple AR-34001-Album. The last official Beatles album of the 1960s, this one is the 1970 pressing. This is an original still sealed copy that has sharp cover colors and is uncut. Extremely difficult to find these nowadays. Original gatefold cover. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Hey Jude"/"The Beatles Again" - Apple SW-385-Album. "Hey Jude" LP from 1970 with the rare "Hey Jude" sticker to identify the title of the album. Most copies issued did not come with the sticker, so the rarity is in the sticker. Ring wear on the jacket. Condition: record VG-/cover VG. From the collection of Bill Paquin.
Beatles - "Hey Jude"/"The Beatles Again" - Apple SW-385-Album. Still sealed LP from 1970 that is a compilation of selected hits from throughout their career. First time the stereo version of "Can't Buy Me Love" was issued in America. Condition: Still Sealed. From the collection of Bill Paquin.
Beatles - "Hey Jude" - Apple EP-8940-Album. Possible export issue on black vinyl from Japan. This LP comes with the OBI strip and a lyric sheet. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "The Beatles Christmas Album" - Apple SBC-100. Issued by The Beatles Fan Club in 1970 as a gift to their members. This LP contained all the Christmas messages that were sent out over the years to fan club members. This is an original copy denoted by the sharp clarity of the pictures on the cover, and the fact that there is no bleed-through of cover colors. Beautiful copy still in the original shrink wrap. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "The Beatles Christmas Album" - Apple SBC-100-Album. Beautiful still sealed original copy of their fan club LP that gathered all the Christmas messages sent out to fan club members. This is the American version of the album. Condition: still sealed. From the collection of Bill Paquin.
George Harrison - "Living In The Material World" - Apple - Album. A test press copy with one of George's all time favorite songs, "Give Me Love Give Me Peace On Earth." This also includes the original info sheets inside listing the songs. Condition: Mint-. From the collection of Bill Paquin.
John Lennon - "Two Virgins: Unfinished Music No.1" - Apple T-5001-Album. First solo LP by John Lennon -- in the original brown bag. The brown bag covers up the front and back of the LP where John and Yoko are both nude. Very shocking at the time, especially for one of The Beatles. Very rare to find an original copy still in the shrink wrap, as this copy is. Plus, it opens on the right side of the cover with the white applied sticker. Condition: Overall Mint-. From the collection of Bill Paquin.
John Lennon - "Rock N' Roll" - Apple - Album. Produced by Phil Spector, this LP has John doing some of his favorite songs from the 1950s. Here is a test press copy that includes the original info sheets inside listing the songs. The jacket is a plain white cover. Condition: VG+. From the collection of Bill Paquin.
Beatles - "The Beatles Mono Collection" (August 1982 - EMI/Parlophone). Eleven album set of mono releases issued in a limited edition box set. Two U.S. record dealers (Ticket To Ryde Ltd., and Dutch East India Trading Co.) exclusively contracted with EMI to design, purchase, and issue 2,000 numbered sets. This is set # 0631. Near Mint/Mint. From the collection of Bill Paquin.
Beatles - Souvenir of Their Visit to America - VJEP 1-903-45 Single (1964). First EP issued in America of The Beatles by VeeJay Records, from 1964. What makes this exceptional is that it is a white and blue label promo copy, with "Ask Me Why" in small print. Condition: record VG+/label VG++. From the collection of Bill Paquin.
Beatles - Souvenir of Their Visit to America - VJEP 1-903-45 Single (1964). From 1964, this is the same as the other copy of this EP in our current sale, but this one has the large print of "Ask Me Why," since this was their push for the song. Condition: record VG+/label VG++. From the collection of Bill Paquin.
Beatles - The Beatles' Open-End Interview - Capitol PRO 2548-45 Single. First open-end interview sleeve only. Front of sleeve contains text with slight water staining on side and name written in the upper left. Also includes six station stamps. Overall a solid sleeve that is extremely tough to find. Condition: VG/VG+. From the collection of Bill Paquin.
Harv Moore - Music Memorabilia Recording - "Interview of the Fab Four"/"I Feel So Fine" - American Arts AA-20 Promo 45. From 1965, the artist was a very popular DJ in the Washington DC area during the 1960s and 70s. Original sleeve and record are in Mint condition. From the collection of Bill Paquin.
Beatles - "Love Me Do"/"P.S. I Love You" - Canadian Capitol 72076 - (3) 45 Singles. "Roll Over Beethoven"/"Please Mister Postman" (Capitol 72133) and "All My Loving"/"This Boy" (Capitol 72144). Three beautiful high grade copies from Canada that look as if they have never been played. All three come in the original stock sleeve. Condition: Mint-. From the collection of Bill Paquin.
Beatles - WMCA Good Guys Picture Sleeve - 45 Single. Only a thousand copies were made to be given out as prizes for a radio contest held by WMCA Radio in New York to promote the single of "I Want To Hold Your Hand." The ones that have survived can be counted on two hands. A few years back one brought over $5,500 in the same, if not less, condition. The front of sleeve is a standard picture of The Beatles, while the back shows the disc jockeys from WMCA. The sleeve was given with the stock record. One of the rarest, if not the rarest sleeve. Condition: Small tear upper edge, slight foxing and staining on rear of sleeve. Solid VG+. From the collection of Bill Paquin.
Bonnie Jo Mason (Cher) - "Ringo I Love You"/"Beetle Blues" - Annette 1000-45 Single. Stunning condition white label promo highlights the rarest of Cher's records, that just happens to deal with the Beatles. Produced by the great Phil Spector. Cher, under the name Bonnie Jo Mason, sang this tribute to Ringo of the Beatles. Condition: Mint-. From the collection of Bill Paquin.
George Martin - "A Hard Day's Night"/"I Should Have Known Better" - UA 750 45 Single. An attractive picture sleeve from 1964 showing the Beatles, issued by United Artists from the album "A Hard Day's Night" with instrumental versions of the above songs done by legendary producer Sir George Martin. Scarce and seldom seen. This is a white label promo copy of the 45. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - "Let It Be" Radio Spots - UALP 42370-45 Single. Original super-rare one-sided 7" disc contains three radio spots for The Beatles final movie "Let It Be" that plays at 33 1/3. These spots run 10, 30, and 60 seconds. Condition: VG++. From the collection of Bill Paquin.
Paul McCartney - "This One" - Capitol PRO-79700-45 Single. Here is a late 1980s release that never made it as a stock single on vinyl, but for some strange reason came out as a promo, and was then only released as a stock cassette single. Glad that format took off. Beautiful unplayed condition. Condition: Mint. From the collection of Bill Paquin.
Ringo Starr - "Photograph" - Apple - Acetate. A 10" metal acetate for the song "Photograph" from the "Ringo" LP. An acetate is used for studio reference purposes. Condition: VG++. From the collection of Bill Paquin.
Tony Sheridan and The Beat Brothers - "My Bonnie" - Polydor 24-673-45 Single (West Germany). First vinyl appearance of The Beatles, from 1961, backing Tony Sheridan as "The Beat Brothers." This single is noted for the German intro making it the first record ever that really started Beatlemania. Comes with the original factory sleeve. Condition: VG+. From the collection of Bill Paquin.
Beatles - "My Bonnie"/"The Saints" - MGM K13213-45 Single. First MGM release, which is a yellow label promo copy of The Beatles with Tony Sheridan performing. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Why"/"Cry For A Shadow" - MGM K13227. Here is a picture sleeve and record from 1964 that is becoming hard to find. The sleeve is Mint- while the record is VG++. From the collection of Bill Paquin.
Beatles - "Sweet Georgia Brown" - Atco 45-6302-45 Single. 1964 white label promo of the second single issued by Atco Records of the Beatles. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Ain't She Sweet"/"Nobody's Child" - Atco 6308-45 Single. Scarce white label promotional copy with four "X"s on the A side to plug the hit "Ain't She Sweet." Condition: VG++. From the collection of Bill Paquin.
Beatles - "Ain't She Sweet" - Atco 6308-45 Single. Hard to find without the cutout hole. The sleeve shows slight ring wear. Condition: record Mint-/sleeve VG++. From the collection of Bill Paquin.
Beatles - VJ 489 Misspelled Beattles Single. This Vee Jay-labeled Beatles single with "Please Please Me" and "Ask Me Why" has the misspelled "Beattles" name. Fine. From the collection of Bill Paquin.
Beatles - "Please Please Me"/"Ask Me Why" - VJ 498-45 Single. First American Beatles single issued, it dates from 1963. Note that The Beatles name is misspelled "Beattles." This is a very rare promotional white label copy with a VeeJay sleeve. An always in-demand record for the advanced Beatle collector. There are two X's on the A side, which may be factory written to promote the song. Condition: VG+. From the collection of Bill Paquin.
Beatles - "From Me To You"/"Thank You Girl" - VJ 522-45 Single. Here is the super-rare second Beatles single, from 1963, that is a white label promotional copy with an "X" mark on the A side. Condition: Mint-. From the collection of Bill Paquin.
Beatles - VJ Promotional Copy - "Please Please Me" VJ 581. Promotional single with "Please Please Me" and "From Me to You." Very Fine. From the collection of Bill Paquin.
Beatles - "Please Please Me"/"From Me To You" - VJ 581-45 Single (1964). Scarce purple label version of the Beatles third single on VJ, from 1964. VJ used many factories around the country with this record label being issued erroneously. Condition: VG- record/VG+ label. From the collection of Bill Paquin.
Beatles - "Please Please Me"/"From Me To You" - VJ 581-1964-45 Single. Beautiful high-grade copy of a scarce picture sleeve. Very rare in nice condition, due to the whiteness of the sleeve. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Do You Want To Know A Secret"/"Thank You Girl" - VJ 587-45 Single. Sleeve with record from 1964. Scarce black label version, with two lines thru the label. Condition: record VG++/sleeve Mint-. From the collection of Bill Paquin.
Beatles - "Do You Want To Know A Secret?"/"Thank You Girl" - VJ 587-45 Single. An extremely rare promotional issue on the white and blue VJ label, from 1964. Very few are known to exist, making this one of, if not the, rarest VJ label promo. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Love Me Do"/"P.S. I Love You" - Tollie 9008-45 Single. A scarce white label promotional single, from 1964, in high grade. It is the second single on Tollie from the Fab Four. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "She Loves You"/"I'll Get You" - Swan S 4152-45 Single. Rare white label promotional copy that is hardly ever seen in this condition. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Sie Liebt Dich" - Swan S 4182-45 Single. Here we go again, but this time it is a white label promotional copy. The wax has a slight pressure crack in the dead wax. Condition: VG+. From the collection of Bill Paquin.
Beatles - "Sie Liebt Dich" ("She Loves You")/"I'll Get You" - Swan S 4182-45 Single. This single tried to capitalize on the German recording of one of the Beatles' early hits. There are a few variations of this record that exist. Here is one of them. "She Loves You" is under the title with a small sticker stain on the label. Virtue, the studio that produced the master, is written in the dead wax. Bright red print. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Sie Liebt Dich" ("She Loves You")/"I'll Get You" - Swan S 4182. This is the same single as our previous auction lot, but the title is all on one line, and it has no sticker stain. Dull red print. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "She Loves You"/"I'll Get You" - Swan S 4152-45 Single. Only a handful of singles are known to exist of this label variation, in white, with blue print. Tiny ring on label. Condition: VG+. From the collection of Bill Paquin.
Beatles - "I'll Get You" - Swan-45 Single. This is a rare one-sided white label promotional copy, with the blank white label on the other side. There is a slight ring on the label, never seen in this grade. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "Can't Buy Me Love"/"You Can't Do That" - Capitol 5150 45 Single. From 1964, this is the rarest of the stock Capitol picture sleeves. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "I'll Cry Instead"/"I'm Happy Just To Dance With You" - Capitol 5234 45 Single. From 1964, very rare to find in this condition. Beautiful copy with bright reds. Condition: Mint-. From the collection of Bill Paquin.
Beatles - "And I Love Her"/"If I Fell" - Capitol 5235-45 Single. Beautiful copy of an early (1964) Capitol sleeve with record. Condition: Overall Mint-. From the collection of Bill Paquin.
Beatles - Capitol Green Starline - Complete. Set of Six 45s. They are: "Twist and Shout"/"There's A Place" (Capitol 6061); "Love Me Do"/"P.S. I Love You" (Capitol 6062); "Please Please Me"/"From Me To You" (Capitol 6063); "Do You Want To Know a Secret?"/"Thank You Girl" (Capitol 6064); "Roll Over Beethoven"/"Misery" (Capitol 6065); and "Boys"/"Kansas City" (Capitol 6066). One of the finest sets known to exist with the original blue and white Starline sleeves. Here's your chance to own all six in one shot. These were issued to revive the songs as hits again. Condition: Unplayed From the collection of Bill Paquin.
Beatles - "Four By The Beatles" - Capitol EAP 1-2121 EP Record. Songs featured are "Roll Over Beethoven," "All My Loving," "This Boy," and "Please Mister Postman." First Capitol stock EP, from 1964, with a slight bend at the top of the sleeve. Small grease pencil notation on the dead wax of the record. Condition: record Mint-/sleeve VG++. From the collection of Bill Paquin.
Beatles - "Meet The Beatles" Jukebox EP - Capitol SXA-2047 Dating from 1964, side one contains "It Won't Be Long"/"This Boy"/"All My Loving." Side two has "Don't Bother Me"/"All I've Got To Do"/"I Wanna Be Your Man." Used for custom jukeboxes only to promote the album in a mini version. This EP comes with the strips (missing one), headers and footers and one mini. Slight writing on back cover. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Four By The Beatles" - Capitol R-5365-EP Record. Songs featured are "Honey Don't," "I'm A Loser," "Mr. Moonlight," and "Everybody's Trying To Be My Baby." This was issued in 1965 to complement the Beatles' current single, to achieve extra sales. It was also the second and last regular issued EP on Capitol records. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - "Something New" Jukebox EP - Capitol SXA-2108 Side one contains "I'll Cry Instead"/"And I Love Her"/"Slow Down." Side two has "If I Fell"/"Tell Me Why"/"Matchbox." From 1964, this EP was used for custom jukeboxes only to promote the album in a mini version. Contains one strip and one mini. This is by far the rarest of the three jukebox EP's released by Capitol Records. Condition: Overall VG++. From the collection of Bill Paquin.
Beatles - Capitol's Four Promotional 1960s 45s. They are "Strawberry Fields Forever/Penny Lane" (Capitol P 5180), "All You Need Is Love/Baby You're A Rich Man" (Capitol P 5964), "Hello Goodbye/I Am The Walrus" (Capitol P 2056), and "Lady Madonna/The Inner Light" (Capitol P 2138). These are the only four Capitol promotional 45s on the green label. "Penny Lane" is the most sought after because of the different mix with trumpet ending, while the other are in high grade. Condition: Penny Lane VG++, Others Mint-. From the collection of Bill Paquin.
Memorabilia
ER First Season Autographed Cast Photo (undated). "ER" was one of the most groundbreaking series to come around. The original line-up of the first season is what made the show really tick. With this lot you actually get signatures of all six regulars that made the show what it is today. From the left is Noah Wylie, Sherry Stringfield, Anthony Edwards, Julianna Margulies, George Clooney, and Eriq La Salle. The odds of getting all of these autographs on one piece again are almost nil, so this is a must-have item for the collector of TV memorabilia.
Hollywood Memorabilia
Johnny Carson - The Tonight Show - 1977-78 Emmy Award. Offered in this lot is an official Emmy Award presented at the 1977-1978 Television Academy Awards for Special Classification of Outstanding Program Achievement, The Tonight Show Starring Johnny Carson, Fred De Cordova, Producer, Johnny Carson, Star, Series, NBC. This is the official award manufactured by R. S. Owens and Company. The base is in Very Fine condition, with the statuette having some peeling of the gold overlay. Fine/Very Fine.
Boris Karloff - Autographed Program from "Arsenic and Old Lace", 1942. This beautifully signed cover to a National Theater Washington, DC performance of the classic Howard Lindsay and Russel Crouse play would be a cornerstone in any collection of Universal horror great autographs. This play was on the road several years before the film was made, and due to contractual difficulties, Raymond Massey played the Boris Karloff part for which the role was written in Frank Capra's film version. This touring company included Josephine Hull in the role she originated, as well as Karloff. This is a very nice pencil signed signature. Very Fine+.
Music Memorabilia
Boris Karloff - Music Memorabilia, "An Evening with Boris Karloff" (Decca Records, 1967). In the mid-1960s, Milt Larsen and Verne Langdon produced this record from a script by Forrest Ackerman, with voice-over by Boris Karloff. Offered here is the original record in sleeve with cover design by Don Post Studios. Very Fine.
Boris Karloff - "Tales of the Frightened Vol. 1 and Vol. 2" - Mercury SR-60815/60816-Album. Two very rare and near perfect LP's in stereo from 1963. Condition: Mint. From the collection of Bill Paquin.
Brian Aldiss - "Frankenstein Unbound". This is the stereo 1975 British recording of the author Brian Aldiss reading excerpts from his book. This pressing was limited to 150 copies, of which this was 28th, and is signed by Aldiss. Condition: Near Mint/Mint. From the collection of Bill Paquin.
Hans Conried - "Monster Rally" - RCA Victor LSP-1923-Album. Stereo - Cover art by Mad magazine's own Jack Davis in 1959. Very rare LP. Condition: Mint-. From the collection of Bill Paquin.
Hollywood Memorabilia
Marilyn Monroe - Signed Bank Check. Autograph collecting was virtually born out of the public's fascination with stage and screen stars, and Marilyn Monroe is the epitome of Hollywood glamour and celebrity. The rarity of Marilyn's signature has caused authentic examples to rapidly climb in value in recent years. The recent auction of her personal items at Sotheby's turned the auction world up on end with the prices realized. Offered in this lot is a hand-signed bank check made out to Gene and Harry's Service on October 8, 1948 in the amount of $3.67. This item is framed with a bust length photo of Marilyn in a beaded gown. Size is approximately 12" X 14". Fine.
Gloria Swanson - Autographed Letter. Gloria Swanson, best remembered for her role as Norma Desmond in "Sunset Boulevard," was a star of the first magnitude in the silent age of film. Swanson began her film career in 1913, displaying an elegant comedic style in a series of films for director Cecil B. DeMille. Financed by Joseph Kennedy, with whom it was reported she had a long affair, she produced her own films from 1920 until 1929, including "Sadie Thompson" (1928) and "Queen Kelly" (1928). Although she made an easy transition to sound movies, she retired in 1934. She made a celebrated return in "Sunset Boulevard" (1950), portraying the aging, half-mad, silent movie queen. Offered in this lot is a beautiful type-written letter on her letterhead, dated November 8, 1963. She is answering a fan who wants a photo of her. She writes a lovely signature and a long P.S. to the letter in her hand as well. Very Fine.
John Kennedy, Jr. - Autograph. John Kennedy, Jr. was the son of president John F. Kennedy and Jacqueline Kennedy Onassis, and the younger brother of Caroline Kennedy. He was the heir apparent to the most famous political family in American history. John Jr. appeared as a three-year-old in one of the most famous film clips of the 1960s, saluting his father's casket after the president was assassinated in 1963. As an adult Kennedy studied law and worked for a few years in the Manhattan District Attorney's office; later he founded the political magazine George. JFK Jr. was a famously eligible bachelor before finally marrying the former Carolyn Bessette in 1996. John Kennedy Jr., his wife, and her sister were all killed in 1999 when a private plane piloted by Kennedy crashed in the Atlantic Ocean near Martha's Vineyard. Offered in this lot is a signed postal receipt from 1981 while he was enrolled in Brown University. Also offered is a printed receipt for certified mail made out in John's hand. These are attractively framed with two pictures, one from 1963, plus a contemporary photo. Very Fine.
Memorabilia
Ingrid Bergman - Autographed program, "The Constant Wife" (1975). Ingrid Bergman (1915-1982) was truly one of the most famous women ever to grace the silver screen. Her roles in "Casablanca," "The Bells of St. Mary's," and "Joan of Arc" had an entire generation of G.I.'s in love with her. This is a signed program from the second to last play she was in. It was called "The Constant Wife" and was directed by the late Sir John Gielgud. With a bold signature, next to her large photo on the front, this piece from one of Hollywood's leading ladies would be the center piece of any quality autograph collection!
Hollywood Memorabilia
Dick Tracy - Prop Newspaper (Buena Vista, 1990). Full eight-page newspaper prop from Warren Beatty's big-budget action comedy, starring Beatty as Dick Tracy and Madonna as nightclub singer Breathless Mahoney. Near Mint.
Memorabilia
Ren and Stimpy - Original Animation Cell from Space Madness (Nickelodeon 1992). Who doesn't love Ren and Stimpy? John Kricfalusi's wild dog 'n' cat characters set the animation world on their collective ear with this innovative series back in the early 1990s. And no cartoon from that wonderful program has more appeal than "Space Madness!" Here's a rare chance to own a production cell with the original hand-painted background from this remarkable short. This scene has Stimpy hard at work, while Ren covets his "beloved ice-cream bar" (actually, it's a bar of soap, but then, Ren has space madness!) Size of the cell is 9" x 12", in a frame measuring 18" x 21". Please note that the scratch visible in the image is on the plexiglass outer frame, and not the actual cel itself, which is in pristine condition.
Ren and Stimpy - Original Animation Cell from Space Madness (Nickelodeon, 1992). "You EEEDIOT!" With those immortal words, Ren and his feline buddy Stimpy stormed the world of animation. This ground-breaking cartoon series from Nickelodeon may not have lasted many years, but its impact is still making waves today. For most fans, "Space Madness" was the ultimate episode, and here's a great scene from that cartoon, featuring our boys preparing for take-off. Size of the cell, which includes the hand-painted background, is 8.5" x 11"; the frame is 18" x 21".
Ren and Stimpy - Original Animation Cell from Space Madness (Nickelodeon, 1992). For the legion of Ren and Stimpy fans (and there's a bunch out there, we know), there's one cartoon in particular from the original Nickelodeon series that is most loved - Space Madness! Remember the scene where Stimpy's tapping finger drives Ren crazy? Here's a great animation cell, plus the hand-painted background, from that part of the show. You'll go a little crazy yourself if you let this one pass by! The cell measures approximately 9" x 11.5" in a frame that measures 18" x 21".
Hollywood Memorabilia
Road to Bali - Script (Paramount Pictures, 1952). Some of the funniest movies from the Golden era of Hollywood are the "Road to..." movies featuring Bing Crosby, Bob Hope, and Dorothy Lamour. "The Road to Bali," was the sixth in the series and the only one filmed in color. This classic film also featured cameo appearances by Jane Russell, Humphrey Bogart, Dean Martin, and Jerry Lewis. Reading through the script is nearly as funny as watching the movie. With the recent death of Bob Hope after his 100th birthday there should be quite a bit of interest in this historical lot. This script actually consists of one complete 104 page script plus the first 81 pages of another. They are bound in a leatherette and board binder that has a title on the spine reading "Road to Bali rewrite."
"Alien: Resurrection" Original Prop Collection. A unique grouping of items obtained from 20th Century Fox, this exciting assortment includes the highly identifiable "Face Hugger", a key prop in the film, as the main attraction. Also included is an original ship walkway special effects miniature, a unique and highly-detailed space vision prop, and a high-tech metal clipboard. An incredible assortment from this classic Sci-Fi film, documentation on each item is included with this lot. Cataloged and guaranteed by Startifacts.
"Apocalypse Now" Script Quote Collection. An extremely unique offering from this award-winning film, included in this lot are original, hand-written, and signed script excerpts from the most memorable scenes of the film. These excerpts have been completed in the hand of Oscar-nominated screenwriter John Milius, whose credits include "Dirty Harry", "Conan the Barbarian", "1941", and dozens of other well-known films. Nominated for an Academy Award for this very screen play, Milius has, for the first time, written out some of the most famous quotes from the film, including the now famous line "I love the smell of napalm in the morning." These signed script quotes were obtained directly by the consignor, a close associate of Mr. Milius, who received them at his Hollywood home several years ago. Also included in this lot is an original One Sheet movie poster for the film that bears Mr. Milius' credit. Cataloged and guaranteed by Startifacts.
Disneyland - Original Vending Kiosk. This is one of the actual, custom-made Mad Hatter vending kiosks which was utilized on the grounds of the Disneyland theme park in Anaheim, California. The piece was created by Disney's team of special effects builders, and represents the unique, flamboyant, and instantly recognizable Disney style of architecture. Originally constructed at a cost of well into five figures, it was auctioned by Disney Studios and includes a letter of authenticity directly from them. Please note: due to the size of the artifact, shipping and transport are the full responsibility of the buyer. The artifact, approximately the size of a large four door car, is currently encased in a custom made wooden shipping crate. Cataloged and guaranteed by Startifacts.
"The Flintstones in Viva Rock Vegas" - Original Costume. A hand-tailored, custom-made leather costume worn prominently in the 2000 film by the doorman at the Tardust Casino. The prehistoric-looking, bright yellow suede leather costume is accented by oversized, red gem-like buttons, and is a great example of the caveman-like wardrobe originally portrayed in the famous "Flintstones" cartoons. Obtained directly from Universal Studios, this lot includes a letter of authenticity. Cataloged and guaranteed by Startifacts.
"Forrest Gump" - Original Screen-Worn Costume Archive. Offered here is a diverse collection of screen-featured costumes worn in the Academy Award-winning motion picture, "Forrest Gump". Included are Tom Hanks' original, screen-worn shirt, khaki pants, and socks, Sally Field's complete number one dress costume, complete with purse, and a complete screen-worn outfit from Tom Hanks' love interest in the film, Robin Wright Penn. This is certainly the most diverse collection of screen-worn properties ever offered from this landmark film, and will certainly attract spirited bidding from many collectors. Letters of authenticity for each costume are included with this lot. Cataloged and guaranteed by Startifacts.
"How the Grinch Stole Christmas" Screen-Worn Costume A custom-made, unique multi-patterned complete outfit created by award-winning costumer John David Ridge and worn by one of the supporting actors from the town of Whoville. One of the most elaborate complete outfits from the film, the garments include a signed letter of authenticity from Universal Studios. Cataloged and guaranteed by Startifacts.
"Independence Day" Screen-Worn Movie Costume. An original, military-issue U.S. Air Force flight suit, featuring unique zippers and velcro closures. The jumpsuit features an Air Command patch sewn on to the right breast pocket, and a leather name badge affixed to the left breast pocket. The costume offered here was worn by supporting character "Ed Payne" in this tremendously successful science fiction film. This outfit, and all the other military outfits, were supplied to the production by Eastern Costume Company of Hollywood, California, whose military costume collection is the largest in the world. Obtained directly from Eastern Costume Company's owner, James H. Livie, this lot includes a letter of authenticity. Cataloged and guaranteed by Startifacts.
"Superman: The Movie" - Original Prop Display. A rare and highly desirable piece from one of the most exciting superhero films of all time, this is an actual clear, oversized crystal prop which can be seen prominently in the film during the "Fortress of Solitude" sequence. It is housed in a unique plexi-glass shadow box with photos and a descriptive plaque. The piece was obtained sometime ago by a British collector directly from Pinewood Studios in England where many of the scenes of the film were shot. One of the only original Superman props known to exist in private hands, this lot includes complete documentation. Cataloged and guaranteed by Startifacts.
"Wizard of Oz" - Cowardly Lion Costume Lock "The Wizard Of Oz" screen featured costume artifact. Offered here is a large lock of the original Lion's costume worn by Burt Lahr throughout the epic film "The Wizard Of Oz." This extremely rare lock is one of only three removed during a museum quality restoration of the costume by its famous owner. The costume, which is valued at over one million dollars, resides in the permanent collection of the world's leading motion picture and television collector in Beverly Hills, CA. Of the three locks known to have been removed during the restoration, one was retained by the owner of the costume, one was sold by the owner at Christie's auction house several years ago for thousands of dollars, and the final lock was a gift to our consignor for the many years of friendship the two have shared. The hair itself is framed in a unique, hand-made bamboo display with a portrait of the lion's costume. This is a once-in-a-lifetime opportunity to own an actual piece of a "Wizard Of Oz" costume. Included is a detailed letter of authenticity. Cataloged and guaranteed by Startifacts.
Tim Allen - Original Television Show-Worn Costume. A highly-identifiable, custom-made stretch jumpsuit worn by Tim Allen in this classic, award-winning television show. The garment features a hand sewn "Tim" name label on the breast pocket. Acquired directly from Walt Disney Studios, a letter of authenticity from them is included with this lot. Cataloged and guaranteed by Startifacts.
Pamela Anderson - Original Motion Picture and Television Costumes Included in this lot is a custom-created two-piece sexy stretch outfit with pink and purple fur trim worn by Pamela on her successful TV show, "VIP". Also included are two large black-leather swatch sections which were part of Pamela's trench coat worn throughout the film "Barb Wire". The two leather swatches have been signed by Pamela in silver paint pen during a private autograph session with our consignor. Includes a letter of authenticity and a photograph of Pamela signing the swatches. Cataloged and guaranteed by Startifacts.
Antonio Banderas - Screen-Worn Primary Costume from "Ballistic: Ecks vs. Sever". Offered here is the complete outfit worn by Antonio Banderas in 2002's "Ballistic: Ecks vs. Sever". In the film, Banderas portrays a DEA agent and wears this outfit in several scenes. Making this particular outfit even more desirable is the fact that it is featured on the film's movie poster and video box. Also included in this lot is an original, screen-worn female DEA agent costume, worn by an unidentified supporting character in the same film. Both of these original outfits were acquired directly from Universal Pictures and letters of authenticity from the studio is included with this lot. Cataloged and guaranteed by Startifacts.
Warren Beatty - Original Screen-Worn and Autographed "Bugsy" Costume. A great artifact from the film, the piece offered here was worn by award-winning actor Warren Beatty as he portrayed Benjamin (Bugsy) Siegel. One of the world's most infamous Mafia figures, Siegel's talents helped shape and create both Las Vegas and Hollywood before he was murdered by his own associates. This particular artifact is the white chef hat worn by Beatty in a pivotal scene of the film. In addition, the hat has been signed "Best Wishes, Warren Beatty" in black felt tip pen. The hat is displayed in a museum-quality frame with a color photo of Beatty wearing the hat. A rare and highly desirable item from this classic film. Cataloged and guaranteed by Startifacts.
John Belushi - Advance Movie Poster for 1941. This beautiful condition One Sheet poster features John Belushi promoting the upcoming release of this 1979 comedy, written by John Milius The poster is housed in an oversized museum-quality frame with UV rated plexi-glass. Cataloged and guaranteed by Startifacts.
Marlon Brando - Screen Worn Costume from "The Score". Considered by many to be one of the greatest actors of all time, Marlon Brando's screen performances have thrilled audiences worldwide and established him as one of the foremost leading men in Hollywood. As he accepts very few roles, his original film-used material is incredibly rare, and has earned a reputation as some of the most sought-after memorabilia of any living entertainer. Over the past decades, very few of Brando's screen-worn costumes have surfaced. When material does become available, it is generally a single piece or, at best, a partially complete outfit. Offered here is the only full and complete movie costume worn by Brando known to exist in private hands. This custom-tailored, multi-piece suit was worn by Brando throughout "The Score". Due to Brando's large size, each of the garments had to be custom-tailored and fitted for use by the actor. An incredible film-worn artifact from this Hollywood legend, the costume offered here was obtained directly from the film's studio, and includes a signed letter of authenticity. Cataloged and guaranteed by Startifacts.
Matthew Broderick - Screen-Worn Movie Costume from "Godzilla". A finely tailored, silk-lined zip-up men's jacket worn in several scenes of this infamous film by award-winning stage and screen actor Matthew Broderick. The coat, along with all of the military outfits in the film, were supplied to the production by Eastern Costume Company. Included with this lot is a photo of Broderick wearing the jacket, as well as a letter of authenticity detailing the coat's history and acquisition. Cataloged and guaranteed by Startifacts.
Nicholas Cage and Christian Slater - Screen-Worn Costume Collection from Wind Talkers. Two original military outfits worn in the dramatic motion picture, "Wind Talkers". The complete military outfits offered here, worn by both Cage and Slater, are featured prominently in the film, and each includes a letter of authenticity from MGM Studios, known among collectors as a studio that rarely releases documented wardrobe. Cataloged and guaranteed by Startifacts.
Jim Carrey - Original "Grinch" Screen-Worn Custom-Made Santa Suit. This is the original handmade Santa suit worn by comic actor Jim Carrey as he portrayed Dr. Seuss's Grinch in this Christmas classic. The outfit was custom-created by award-winning costume designer John David Ridge, and features the original inner costumer's label bearing Carrey's name. The costume shows signs of use and features special effects snow scatters along the outside of the garment. Included with this well known piece of movie history is a signed letter of authenticity from Universal Studios. It should be noted that a section of fabric has been removed from the inner portion of this garment (not apparent during normal display) and that fragments from this costume have been offered in other auction venues. Cataloged and guaranteed by Startifacts.
Jim Carrey - Screen-Worn Movie Costume from "Liar, Liar". One of the most in demand comedians in Hollywood, Jim Carrey's incredible list of box office hits spans well over a decade. One of his most remembered roles was the character Fletcher in 1997's "Liar, Liar". Presented here is a complete, intentionally-distressed outfit worn in the courtroom scene, one of the funniest and most memorable scenes of the film. This custom-tailored suit, shirt and tie features a purposely ripped arm, torn by Carrey when he goes crazy in court because he cannot tell a lie. This wonderful motion picture costume was acquired directly from Universal Studios and includes a signed letter of authenticity from them. Cataloged and guaranteed by Startifacts.
Jim Carrey - Screen-Worn Movie Costume from "Bruce Almighty". Presented here is a two-piece outfit consisting of men's khaki pants and a formal, button-down men's dress shirt worn throughout the film, as Carrey portrayed a character given supernatural powers by God. The items are featured prominently in the film and include an original signed letter of authenticity from Universal Studios. Cataloged and guaranteed by Startifacts.
Matt Damon and Penelope Cruz - Original Movie Costumes from "All the Pretty Horses". Two of the most sought-after young actors on the Hollywood scene today, Damon and Cruz have developed a devoted following among both fans and collectors. These two unique outfits, which includes Cruz's custom tailored white dress and Matt Damon's rugged jean-style ensemble, were worn prominently in the motion picture "All The Pretty Horses". The garments were obtained directly from the film's studio and photos and a letter of authenticity are included with the lot. Cataloged and guaranteed by Startifacts.
Geena Davis - Screen-Worn costume for "Thelma and Louise". A highly identifiable pair of women's blue jeans, this artifact displays the Guess label, with jeweled multi-colored studs and rhinestones sewn around the pockets. These pants were worn by lead actress Geena Davis in her Oscar-nominated performance in the classic film, "Thelma and Louise" (also significant as the film that launched the career of heart throb Brad Pitt). The pants, as worn by Davis, can be seen in most of the film, and were obtained directly from the film's studio. Included is a photo and a letter of authenticity detailing the costume's history. Cataloged and guaranteed by Startifacts.
Johnny Depp - Screen-Worn Movie Costume from "The Astronaut's Wife". A completely custom-made, hand-tailored suit worn, these garments were created by world-famous costume designer Dominic Gherardi exclusively for Johnny Depp. The wardrobe features the original costumer's labels, hand sewn with Depp's name. The suit is accompanied by an original Anto of Beverly Hills custom shirt with Depp's initials in the collar, and finally, a blue silk tie and original worn socks. It should be noted that a Gherardi custom suit of this type, even without the provenance of being worn by Johnny Depp, would cost several thousands of dollars in today's market. Cataloged and guaranteed by Startifacts.
Faye Dunaway - Screen-Worn Movie Costume from "Gia". A seldom-encountered screen-worn outfit from fan favorite actress Faye Dunaway. This multi-piece costume was worn in an important scene of the film "Gia", about a world-famous model and her battle against a deadly disease. The wardrobe offered here features the original costumer's tags affixed, and includes a photo of Dunaway wearing the garments, as well as a letter of authenticity. Cataloged and guaranteed by Startifacts.
Eminem - Original Screen-Worn "Eight Mile" Costume. Extremely rare two-piece outfit worn by musician/actor Eminem (Marshall Mathers) for his award-winning performance in the motion picture "Eight Mile". Included in this lot are Eminem's highly identifiable sweatshirt top and blue jeans, which can be seen in numerous scenes. Eminem is one of today's most successful musicians/actors, making this rare movie costume highly sought-after among collectors. This lot includes a signed letter of authenticity from Universal Studios. Cataloged and guaranteed by Startifacts.
Greta Garbo - Personally-Worn Sweater. Offered here is a brown cashmere turtleneck sweater owned and worn by legendary actress Greta Garbo. The sweater itself was given to Garbo's close friend and confident Sam Green, and has the rare distinction of being featured in several published photographs, as well as in the highly regarded biography Garbo by author Barry Paris. The garment itself is housed in an oversized frame, which features a color photo of Garbo wearing the sweater as well as a signed and notarized letter from Sam Green attesting to the sweater's provenance. Garbo wardrobe is exceptionally hard to come by in today's market, making this unique piece a true rarity. Cataloged and guaranteed by Startifacts.
Charlton Heston - Screen Worn Movie Costume from "Town and Country". A major star in the Hollywood firmament, Charlton Heston is certainly one of Hollywood's most regarded entertainers. Offered here is the complete number-one hero outfit worn in his 2001 film, "Town and Country". Now retired due to health concerns, it is unlikely that Heston will accept any more film roles, making this costume a unique capstone to an incredible career. The outfit offered here consists of Heston's hand tailored blazer, trousers, shirt, tie and scarf. The garments were obtained directly from the film's studio, and include a signed letter of authenticity, with hologram seal affixed, from New Line Cinema. Cataloged and guaranteed by Startifacts.
Dustin Hoffman - "Dick Tracy" Screen-Worn Movie Costume. A custom-tailored two-piece purple suit worn by Dustin Hoffman as the character Mumbles. One of just a couple suits of its kind in private hands, it was acquired directly from Disney Motion Picture Studios and includes a letter of authenticity from them. Cataloged and guaranteed by Startifacts.
Bob Hope - Historic Military Jacket This incredible and highly identifiable custom-embroidered official military issue jacket is featured in countless photos and movies. The garment features Bob Hope's name, and several hand-embroidered military patches, hand-sewn to the jacket's front. The jacket was worn by Hope for years during his many memorable performances while entertaining military troops overseas and at home. This is, without a doubt, the single most identifiable piece of Bob Hope wardrobe extant. Hope had several of these jackets over the years, this particular garment previously resided in the collection of Mark E. King, a well-know and highly respected military collection before being acquired recently by the consignor. Included with this epic piece of military and entertainment memorabilia are photos of Hope wearing the coat, as well as two signed letters of authenticity, one, from King, detailing the jacket's history. Cataloged and guaranteed by Startifacts.
Bob Hope - Unique Golf Collection. A great lot for any fan of Bob Hope, included is one of Hope's own custom-made iron golf clubs, with the actor's name on the club's head. Obtained from a well-known memorabilia collector almost a decade ago, this piece has resided in the collection of the consignor ever since. The club is accompanied by an original, mint condition embossed Bob Hope Desert Classic professional model golf bag, and a complete set of golf head protectors. Besides being an entertainment legend, Hope was also well-known for his charity golf tournaments, making these items significant and important pieces of Bob Hope history. Cataloged and guaranteed by Startifacts.
Joseph Koziel - Screen-Worn Movie Costume Munchkin Artifact from "The Wizard of Oz". Offered here is a small, brown piece of fabric removed from the actual costume worn by actor Joseph Koziel, who portrayed Townsman #1 in the historic film. The fabric was removed from Koziels custom-made trousers which were acquired from a Sotheby's Entertainment Rarities auction. The fabric is housed in a full-color plexi-glass enclosure, and includes a detailed letter of authenticity. This is a rare opportunity to own an actual film-worn artifact from the land of Oz. Cataloged and guaranteed by Startifacts.
Laurel and Hardy - Original Vintage Movie Poster. Offered here is a gorgeous, full-color vintage poster for "Laurel and Hardy's Favorite Films". Featuring a fabulous image of this well-known comedic duo, this artifact has been professionally linen-backed. Although not framed, the poster is housed in a protective tube to ensure its safety. This is a "must" for the vintage poster collector or die-hard Laurel and Hardy enthusiast. Cataloged and guaranteed by Startifacts.
Steve Martin - "The Jerk" Original Motion Picture Screen Worn-Jacket. Offered here is the custom-created men's plaid sportcoat-style jacket worn by comedian/actor Steve Martin in this classic comedy. The garment was created by the world-famous Western Costume Company, and includes their inner label with Steve Martin's name affixed. This is the only documented piece of wardrobe to surface from the film, considered by many to be a comedy classic. A letter of authenticity is included with this lot. Cataloged and guaranteed by Startifacts.
Mike Meyers - Original Screen-Worn Goldmember Costume A custom-created two-piece velour sweatsuit worn prominently by lead actor Mike Meyers in his persona of Goldmember. The gold costume features an oversized padded crotch, and a custom embroidered Goldmember logo on breast pocket. This costume was featured in several advertisements and is pictured in book, The Official World of Austin Powers by Andy Lane (photo included). The garments were acquired directly from the film's studio, and the lot includes an original signed letter of authenticity with hologram from New Line Studios. It should be noted that a section of fabric has been removed from the inner portion of this garment (not apparent during normal display) and that fragments from this costume have been offered in other auction venues. Cataloged and guaranteed by Startifacts.
John Milius - Handwritten Script Quote Display from "Conan the Barbarian". A unique handwritten script excerpt signed by "Conan the Barbarian" screenwriter John Milius. Milius, an Oscar-nominated writer/producer, is also credited with such films as "Apocalypse Now", "Dirty Harry", "1941", and many other popular films. In the piece offered here, Milius has handwritten and signed the most famous Schwarzenegger quote from the film. Displayed in a museum-quality frame with a descriptive plaque and an original Conan/Schwarzenegger portrait, this is a wonderful memento for any Conan fan. Cataloged and guaranteed by Startifacts.
Marilyn Monroe - "Some Like It Hot" Costume Piece. This unique piece of Monroe, and motion picture history is an actual Jeweled Dress/Bra Strap which was removed from Marilyn Monroe's dress worn in the historic film, "Some Like It Hot." The fabric is displayed in a museum quality frame, with a descriptive plaque and a photo of Marilyn Monroe wearing the exact dress from which the strap was removed. Cataloged and guaranteed by Startifacts.
Marilyn Monroe - Vintage Movie Poster for "Let's Make It Legal". A vibrant full-color One Sheet movie poster for Marilyn Monroe's classic film "Let's Make It Legal". The poster has been professionally linen-backed, and is housed in a museum-quality frame. The poster itself is in Mint condition with no folds, tears, etc, and is perfect for any collector of vintage movie paper. Cataloged and guaranteed by Startifacts.
Marilyn Monroe - One Sheet Movie Poster. A Mint condition, full-color linen-backed poster from Monroe's classic picture, "River Of No Return". Housed in a museum quality frame, with hand-cut matting and UV-rated plexiglass, this is a must for any Monroe or vintage movie collector. Cataloged and guaranteed by Startifacts.
"Godfather III" - Joe Montegna Costume The Godfather Part III original screen worn, intentionally distressed costume. A custom tailored overcoat, with intentional blood-splatter, created by the film's costumer, and worn by supporting character Joe Montegna in a climatic scene. Godfather film-used material is seldom encountered, and some of the most sought-after of all motion picture memorabilia. Included is an original signed letter of authenticity directly from the costumer on the film. Cataloged and guaranteed by Startifacts.
Eddie Murphy - Screen-Worn Movie Costumes from "Nutty Professor II: The Klumps". Offered here are two screen-worn outfits from Murphy's multi-character portrayal in this 2000 film. This first is Murphy's oversized Professor Sherman Clump outfit featuring pants, shirt, bow tie and suspenders, which were worn by Murphy over a fat suit to give him his overweight appearance. This costume is accompanied by the original pink silk house dress worn prominently by Murphy as Big Momma. Both outfits were obtained directly from Universal Studios and each includes a signed letter of authenticity from the studio. Cataloged and guaranteed by Startifacts.
Bill Murray - Screen-Worn "Ed Wood" Movie Costume. Bill Murray has been described as one of the most diverse and talented actors in Hollywood. With roles ranging from the comedic ("Stripes", "Caddy Shack") to the dramatic ("The Razor's Edge", "The Royal Tennenbaums") to the just-plain-weird ("Where the Buffalo Roam", "Mr. Mike's Mondo Video"), Murray has proven one of the most durable, and bankable, stars in Hollywood. Offered here is a highly-identifiable, complete suit from Tim Burton's Academy Award-winning "Ed Wood", in which Murray played the part of John "Bunny" Breckinridge. This particular outfit is the only known costume to be made available for public sale from this cult-classic film. It was obtained directly from the film's studio and comes with a letter of authenticity as well as a photo of Murray wearing the garments. Cataloged and guaranteed by Startifacts.
Jack Nicholson - Screen-Worn "Mars Attacks" Costumes. One of the most exciting and compelling actors on the screen today, Jack Nicholson memorabilia, especially his primary wardrobe, is seldom seen in private hands. It is considered some of the most sought-after material of all Hollywood leading men. Offered here is a complete costume worn by Nicholson as he portrayed the President of the United States in the Tim Burton cult classic, "Mars Attacks". Included is Nicholson's custom-tailored suit, shirt, and tie, his primary outfit in the film. This extremely rare piece of motion picture history includes an original signed letter of authenticity from Warner Bros. Studios. Cataloged and guaranteed by Startifacts.
Al Pacino - "Dick Tracy" Original Motion Picture Screen-Worn Costume. A custom-tailored green-pinstriped suit worn by legendary actor Al Pacino as "Big Boy Caprice", Tracy's evil enemy, in several scenes of the film. A unique outfit, it is the only one of its kind known to exist in private hands, and was acquired directly from Disney Motion Picture Studios. A letter of authenticity from Disney, as well as a photo of Pacino wearing the suit, is included with this lot. Cataloged and guaranteed by Startifacts.
Vincent Pastore - "Sopranos" Screen-Worn Original Costume. HBO's "The Sopranos" has won a number of Emmys for its unique and realistic portrayal of the inner workings and daily life of todays Mafia. HBO's most successful series ever, documented original material from the show is in great demand and seldom encountered. Offered here is an original, highly-identifiable two-piece running/sweatsuit worn by the popular character Sal "Big Pussy" Bonpensiero before he was assassinated and written off the show. The garments have impeccable provenance in the form of an original signed letter obtained directly from HBO and on their letterhead. Also included with this lot is an actual 8" x 10" color photo of Big Pussy wearing this very outfit. The only known garment of its type known to be released by HBO, this is certainly one of, if not the finest, "Sopranos" artifact to surface as of this auction. Cataloged and guaranteed by Startifacts.
Sean Penn - "I am Sam" Screen Worn Costume. A truly unique, handcrafted Beatles-style collarless suit worn by Sean Penn in this memorable film. Arguably one of Penn's best roles, for which the actor garnered an Academy Award nomination, the piece offered here was obtained directly from the studio. A signed letter of authenticity from New Line Studios is included with the lot. Cataloged and guaranteed by Startifacts.
Anthony Perkins - Original Screen-Worn Robe from "Edge of Sanity" with Photo This unique piece represents one of the only original costumes from the elusive "Psycho" star to be held in private hands. Offered here is the custom-created, multi-colored paisley robe worn by Perkins as the infamous Dr. Jekyll in 1989's "Edge of Sanity". The costume was obtained at a Christie's auction, and includes a signed letter of authenticity. In addition, this lot also includes an original black-and-white promotional photo of Perkins wearing this costume, inscribed by the late actor with his bold signature. A rare artifact from a true Hollywood legend. Cataloged and guaranteed by Startifacts.
Michelle Pfeiffer - Screen-Worn Movie Costume from "Love Field". Offered here is the handmade, custom baby-blue two-piece outfit and cream-colored linen shirt worn by the lovely Michelle Pfeiffer in the motion picture "Love Field", a role for which she received a justly-deserved Oscar nomination. This rare piece of screen clothing was obtained directly from the world-famous collection of Motion Picture Costume and Design, owned by Larry McQueen and the late Bill Thomas, whose incredible private collection of vintage Hollywood costumes is certainly the finest on earth. Included with this lot is a letter of authenticity and a color promotional photo of Pfeiffer wearing this exact outfit. Cataloged and guaranteed by Startifacts.
Robert Redford & Brad Pitt - Screen-Worn Costumes from "Spy Games". From the acclaimed action thriller "Spy Games" come these outfits worn by two of Hollywood's leading male stars. The lot includes two casual outfits, comprised of shirt and pants, featured prominently in the film. Also included are original letters of authenticity from Universal, the film's studio, as well as an autographed 8"x10" black-and-white portrait of Robert Redford. Documented material from these two screen legends is exceedingly rare, making this a unique and exciting opportunity. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Complete Screen-Worn Costume from "End of Days". An intentionally distressed, complete, multi-piece costume worn by the highly-regarded action star (and now Governor) Arnold Schwarzenegger in the 1999 thriller, "End Of Days". The consignor of this outfit originally purchased all of the wardrobe from this film and later sold most of it, retaining only this particular piece, the number-one costume from the film, for his personal collection. Screen-worn outfits from Schwarzenegger films are avidly sought by collectors, with record prices set when the rare piece is offered for public sale. Included with this complete outfit is an original letter of authenticity from the consignor detailing his acquisition of the film's wardrobe and the history of this particular outfit. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Movie Costumes from "End of Days" and "The Sixth Day". Offered here are two unique, custom-tailored men's leather jackets worn by Arnold Schwarzenegger. First is Schwarzenegger's black, waist-length leather jacket from 1999s "End Of Days", the number-one coat used in the films production, featuring intentional special effects blood as seen on screen. The second piece in this lot is Arnold's black-and-green accented suede jacket worn in the 2000 motion picture,"The Sixth Day". This varsity-style, loose-fitting coat is very visible in numerous scenes of the film. Leather jackets from some of Arnold's other films, such as Terminator II, have fetched tens of thousands of dollars at auction, making these two jackets quite valuable and desirable. A letter of authenticity, along with several photos of Arnold wearing the jackets, is included with this lot. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Movie Costume from "The Sixth Day". A complete custom-tailored security guard's outfit worn in this 2000 film. The highly identifiable costume consists of a blazer with a security patch affixed to the breast pocket, a mock turtleneck sweater, pants, and footwear, all worn on screen. These garments were acquired from the films studio and represent a rare opportunity to acquire a complete head-to-toe outfit from one of Hollywood's most admired leading men. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Costume Collection from "True Lies". An incredible collection of screen-worn material from this 1994 film. Considered by many to be one of Arnold's best films, due to its unique blend of action, comedy and special effects, Schwarzenegger plays a dual role here: beloved husband of co-star Jamie Lee Curtis by day and world renowned super-spy by night. Included in this collection are various screen featured costumes, including Arnold's custom-made sports coat, dress shirt, dress pants, casual shirt, and even a pair of his boxers. Included are several letters of authenticity detailing the wardrobe's history. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Used Prop from "Eraser". Offered here is the military-issue commando-style parachute and weapons vest worn by Schwarzenegger's character Krueger in the blockbuster film "Eraser". This highly identifiable prop/costume can be seen clearly in the film. The artifact itself is an incredibly expensive, and seldom seen, piece of military equipment given only to the most experienced and talented special forces members. This original piece of equipment has been customized by the special effects and wardrobe team on the film, and has been given a non-working, decommissioned status. A letter of authenticity from Warner Brothers is included with this lot. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Movie Costume from "Red Heat". This teal blue suit, with accompanying shirt and tie, are clearly seen in many scenes of this 1988 film in which Schwarzenegger, as a Russian police officer, is teamed up with a Chicago cop (played by Jim Belushi) to track an international drug dealer in the United States. The outfit itself was custom-tailored to fit Schwarzenegger's large body builders physique. One of Schwarzenegger's earliest and most admired efforts, this is the only known outfit of Schwarzenegger's from this film in private hands and is 100% complete with the exception of footwear. The costume includes impeccable documentation in the form of an original letter of authenticity on Walt Disney Studios letterhead. A true rarity among Schwarzenegger artifacts. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Movie Costume from "Jingle All The Way". This handcrafted latex Turbo Man costume is seen throughout this 1996 film, as Schwarzenegger portrays his son's comic book hero come to life. The costume offered here, the only known outfit to include the original worn jet boots, arm gauntlets, high tech gloves, and, most importantly, Turbo Man's incredible special effects jet pack, is the original red spandex bodysuit with handpainted foam body muscle design and custom zip-up closures on the reverse. Other Turbo Man costumes have been offered for sale previously, but none have been as complete as this extraordinary specimen. This outfit was purchased directly from Sothebys Entertainment Rarities auction and includes a letter of authenticity. Additionally, an original "Jingle All The Way" - Turbo Man prop cereal box featuring Schwarzenegger's character, which can be clearly seen in the film, is included with this lot. This Turbo Man outfit is without a doubt the most intricate and highly detailed of any of Schwarzenegger's costumes from any film. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Black Leather Glove from "Terminator II". This is an actual motorcycle glove, in heavily distressed condition, worn by Arnold in the film that many consider to be his very best. The glove was obtained directly from a key wardrobe/prop supervisor many years ago, and is fitted on an original special effects hand mock-up display. It is known among collectors that T-II Arnold-worn material is some of the most sought after and most expensive from his films. Several of his jackets, for example, have brought over fifty thousand dollars at public auction. This is a rare opportunity for Schwarzenegger fans of more modest means to obtain a key piece of memorabilia for their collection. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Worn Prop from "Junior". This is the original gold wedding ring worn by Arnold Schwarzenegger as Doctor Alex Hesse in the hit comedy "Junior", co-starring Danny DeVito. In the film, Schwarzenegger is a scientist who agrees to take part in a fertility research project and carry a pregnancy in his own body. From one of Arnold's better comedy films, this particular prop is clearly featured in numerous scenes. A letter of authenticity is included with this lot. Cataloged and guaranteed by Startifacts.
Arnold Schwarzenegger - Screen-Used Prop from "Terminator II". This custom-made oversized military ammo belt was created by a special effects artist for use in the 1991 blockbuster, "Terminator II". The belt, which can be seen prominently over Arnold's shoulder in numerous scenes of the film, was custom created and hand made, including the hand-forged metal buckle and hand-sewn bullet holders created to house the unique, oversized ammo the Terminator used. This particular artifact was obtained directly from a high-level employee on the film who was given the piece following the conclusion of filming. Included is an original signed letter of authenticity detailing the items history. Cataloged and guaranteed by Startifacts.
Dr. Seuss - Hand-Drawn Artwork. An extremely rare, hand-drawn sketch of Dr. Seuss' most famous character, The Cat In The Hat. Rendered on a small white card, this piece is inscribed "To Mike". Neatly housed in a small quality frame, this is a truly exquisite piece of art from a legendary artist. Cataloged and guaranteed by Startifacts.
Jane Seymour - Screen-Worn Costume for "Dr. Quinn, Medicine Woman". A unique, hand-made period two-piece outfit worn by Seymour in this critical and popular hit. The outfit includes impeccable provenance in the form of two signed letters of authenticity obtained directly from the head costumer on the show. Cataloged and guaranteed by Startifacts.
Omar Shariff - Screen-Worn Movie Costume from "The Thirteenth Warrior". A multi-piece, handmade Arabian-style costume worn by Shariff throughout the motion picture, "The Thirteenth Warrior". Original material from this historic actor is seldom encountered and is considered quite desirable. The pants and the silk shirt have the name "Melchisedek" (Shariff's character in the film) written inside the garment. The long white cassock has the designation, "Mel. Stunt" written on the collar, as does the white wool cloak, indicating that these pieces were worn by Shariff's stunt double. This lot includes a letter of authenticity and a photo of Shariff in costume. A red gold and black scarf that is not listed on the COA is also included. Cataloged and guaranteed by Startifacts.
Will Smith - Original "Ali" Costume and Screen Prop Archive. A diverse and highly identifiable assortment of items, all the pieces in this lot were obtained directly from Columbia Pictures. Included is star Will Smith's original custom-made "Ali" embossed groin protector, an original custom-made button down men's shirt worn by Smith, an original fight button prop housed in a unique display and accompanied by the original Columbia certificate of authenticity, an original Ali fight ticket prop encased in a lucite enclosure, an autographed promotional photo signed in person by Will Smith, an Ali motion picture Academy consideration card, which was sent to Academy members for Oscar voting, and, finally, an original black silk fight robe with "Ali" hand stitched in bright red letters on the robe's reverse. Certainly the finest collection of Ali movie memorabilia ever offered at auction, this lot includes complete documentation on all items. Cataloged and guaranteed by Startifacts.
Sylvester Stallone - Autographed Boxing Gloves from "Rocky". This incredibly rare pair of Life Spar red boxing gloves were donated by Sylvester Stallone himself to be auctioned to raise charity funds for the Nancy Davis Foundation. After speaking to the foundation, our consignor was told that the gloves were obtained directly at Stallone's home where, in addition, he signed both gloves and added the inscription "Rocky" which is something he rarely does. The gloves have Stallone's personal bar code number which indicates their history within his collection. Included with the gloves are two signed letters of authenticity from Hollywood Charities, the actual auctioneer retained by the Nancy Davis Foundation. This is one of only two known pairs of Rocky boxing gloves known in private hands, the other pair being in the personal collection of our consignor. A unique opportunity to own an important artifact from the most famous boxing film in history. Cataloged and guaranteed by Startifacts.
Sylvester Stallone - Screen-Worn Movie Costume from "Driven". An extremely rare outfit consisting of T-shirt and custom-tailored men's pants worn by Sylvester Stallone in his last film, "Driven", in which he portrayed a race car driver. Stallone material, rarely offered for sale, is avidly sought after by collectors. This particular costume includes a letter of authenticity detailing the history of the wardrobe and its acquisition from Universal Studios. Cataloged and guaranteed by Startifacts.
Howard Stern - Screen-Worn Movie Costume from "Private Parts". From shock jock Howard Stern comes this original film-worn movie costume from his debut screen performance in the pseudo-biographical motion picture "Private Parts". The original boxers, shirt, and robe were worn in scene 66 of the film, and include the original costumer's tag still attached. This is one of only a handful of wardrobe pieces to surface from the film, and includes a signed letter of authenticity. Cataloged and guaranteed by Startifacts.
John Travolta - Screen-Worn Movie Costume from "Battlefield Earth". A custom-created, handmade garment consisting of pants and a top worn by John Travolta as the character Terl in the infamous motion picture, "Battlefield Earth". This film bears two distinctions in the history of Hollywood: one of the most expensive films ever made, it was also one of the biggest flops of all time. The costume itself features intricate detailing, and is certainly one of the most unique garments from any sci-fi film ever offered at auction. The outfit was obtained from Hollywood production studio Champion Film and TV, who sold the majority of the costumes from this film. Included with this lot is a letter of authenticity. Cataloged and guaranteed by Startifacts.
Lana Turner - Handwritten Personal Diary. A small red, spiral lined notebook with entires written entirely in Lana Turner's hand. Providing a great detail of insight into the personal life of the late, great actress, the pages are filled with notations regarding Turner's daily routine, including thoughts and appointments. The book, which features dozens and dozens of handwritten pages, was acquired from the directors of Lana Turner's estate following her passing. This lot includes a certificate of authenticity from the estate. Cataloged and guaranteed by Startifacts.
Jean Claude Van Damme - Screen-Worn Movie Costume from "Universal Soldier". An olive-green Army-issue fatigue costume worn by Van Damme in 1992s "Universal Soldier". The costume includes a photo of Van Damme wearing the garments, as well as a letter of authenticity detailing its history. Cataloged and guaranteed by Startifacts.
Robin Williams - Motion Picture Costume Archive. This collection of screen-worn outfits from legendary actor/comedian Robin Williams is without a doubt the most extensive and diverse grouping ever offered for sale, either publicly or privately. Included are complete and partial screen-worn costumes from some of the actor's most famous films, including "The Bird Cage", "Flubber", "Bicentennial Man", "What Dreams May Come", and others. Along with the outfits are several letters of authenticity from the film's studios, including Disney and Sony among others. This is the ultimate wardrobe collection for the true Robin Williams fan. Cataloged and guaranteed by Startifacts.
Billy Zane - Screen-Worn Movie Costume from "Titanic". One of the most successful films of all time, Titanic received numerous Academy Awards and is credited with being one of the highest grossing films of all time. Avidly sought by collectors, material from this film is highly prized and rarely comes available for public sale. Offered here is the original hand-crafted men's vest worn by actor Billy Zane. It was created by tailor Dominic Gherardi, and features the costumer's original label with Billy Zane's name affixed. All of the primary wardrobe and props were sold following the release of the film by the J. Peterman Company, with the primary costumes immediately acquired by collectors, some for tens of thousands of dollars. Additionally, a unique prototype collection of wardrobe designed for Leonardo DeCaprio, but not utilized or worn in the film, is included with this lot. The DeCaprio collection consists of Leonardo's formal tuxedo shirt, vest, tie, and studs which can be seen prominently in the famous dining scene of the film. A great collection of items from one of the most famous films of all time, this lot includes a letter of authenticity. Cataloged and guaranteed by Startifacts.
Music Memorabilia
Mariah Carey - Screen-Worn Costume from "Glitter" Mariah Carey is one of the most successful female singers of all time, with albums that have sold tens of millions of copies over the last decade. After the enormous success of her singing career, Carey made her big-screen debut in "Glitter," a film which received less-than enthusiastic reviews. Offered here is the actual satin, sexy rollerskating outfit worn prominently by Carey in the film, and is the only known costume to surface from this motion picture. A letter of authenticity detailing the costume's history, as well as a photo of Mariah Carey wearing this very outfit, is included with this lot. Cataloged and guaranteed by Startifacts.
Michael Jackson - "Men In Black II" Costume This one-of-a-kind outfit was worn by Michael Jackson in his cameo role in the motion picture "Men In Black II." This custom-created and hand-tailored two piece black suit was obtained directly from the film's studio, Sony Pictures, and is the only known Michael Jackson movie costume in private hands. Wardrobe of any type of Michael Jackson's, but especially from a motion picture, is highly prized among museums and collectors, and is seldom encountered. And Jackson is certainly one of the most elusive and highly-guarded entertainers in history, making this particular outfit extremely rare. Included is a photo of Jackson wearing the garments as well as a letter of authenticity detailing the costume's acquisition. It should be noted that a section of fabric has been removed from the inner portion of this garment (not apparent during normal display) and that fragments from this costume have been offered in other auction venues. Cataloged and guaranteed by Startifacts.
Beatles - Set of Autographs Included here are three fully authenticated original autographs of the Fab Four from Paul McCartney, John Lennon, and George Harrison. These signatures were obtained and authenticated by one of the world's foremost Beatles collectors, who is also a consultant to a number of major auction houses including Sothebys and Christies. Complete sets of the Fab Four's signatures have become increasingly rare over the past decade, but you're three-quarters of the way home with this lot, and Ringo's still out there to complete the set! This particular grouping is clean and ideal for display. Included is a letter of authenticity guaranteeing the signatures to be genuine. Cataloged and guaranteed by Startifacts.
Jeff Beck - Signed Guitar Considered one of the most influential and talented guitarists of our time, Jeff Beck has been listed in the same category as Jimi Hendrix, Stevie Ray Vaughan, and Eric Clapton. His influence can be heard in, and has been replicated by, many contemporary musicians. Offered here is a rare midnight blue Fender Stratocaster electric guitar, which has been boldly signed in silver pen in person on the West Coast. Included is a photo of Beck at the time he signed the instrument. A highly desirable Rock 'n Roll artifact. Cataloged and guaranteed by Startifacts.
Farm Aid Autographed Shirt In the past, there have been two charity concerts that have made history. Live Aid, created by musician/producer Bob Geldoff, was held in 1985 to benefit victims of the famine in Ethiopia. Later, Farm Aid was created by Willie Nelson and a host of other legendary performers to help aid America's struggling farmers. Unlike Live Aid, Farm Aid has become an annual event which seems to grow each year. Offered here is a unique promotional-only gray cotton t-shirt with a full-color silk-screened Farm Aid logo, that was signed at last year's event by a number of world-famous performers including the likes of Willie Nelson, Dave Matthews, The Doobie Brothers, and many, many others. The shirt, which was auctioned by Farm Aid to raise charity funds, is a unique signed artifact from a very worthwhile cause. Cataloged and guaranteed by Startifacts.
Grateful Dead - Autographed Album Cover The ultimate artifact for the true Dead Head, offered here is an original full-color LP cover which was signed several years ago by the late, great, Grateful Dead front man Jerry Garcia. Due to his unfortunate passing, his signature has become one of the most sought-after of any 20th century musician. Accompanying the signed album is an original Grateful Dead world tour backstage pass for framing. This is a rare opportunity to acquire an extremely sought-after autograph from one of music's most influential artists. Cataloged and guaranteed by Startifacts.
Grateful Dead - Original Memorabilia Collection For several decades, the Grateful Dead toured the world with a following that is unsurpassed by any other contemporary group or artist. Their legions of fans would literally follow the band from city to city to attend the concerts. Due to the vast number of Grateful Dead fans, commonly known as Dead Heads, original memorabilia from the band is highly prized and seldom encountered. This collection represents some extremely rare artifacts, which were obtained following the tragic passing of lead singer Jerry Garcia. Included is a one-page completely handwritten, original song lyric sheet completed by band member Robert Hunter. The lyrics include a signed letter of authenticity on Grateful Dead stationery. Also included in the lot is an original, unused backstage pass encased in lucite from the band's final performance with Jerry Garcia. Finally, a framed display featuring a unique out-take photo of the band, and an original all-access crew and band member laminate pass, which was acquired directly from a long-time Grateful Dead crew member whose own pet rottweiler is featured as the artwork on the pass. It is interesting to note that this particular dog went on tour with the band, and was even given its own laminate pass to wear around its neck. An incredible and rare group of Dead items. Cataloged and guaranteed by Startifacts.
George Harrison - Signed Document An original signed corporate check drawn on one of the Beatle's accounts decades ago. The unique, oversized pink British check is beautiful and eminently suitable for display. Autograph collectors greatly prize signed documents, as the likelihood of authenticity is much greater on a document such as this. Cataloged and guaranteed by Startifacts.
George Harrison - Personally Owned Sterling Jewelry. An exceedingly rare personal artifact which was formerly the possession of the late George Harrison, this unique pin features a star insignia with the name Ring O Records (Ringo Starr's record company). While It is likely that Harrison originally received the pin from Ringo, the piece has an interesting history: on a trip to California, Harrison met with the owner and publisher of Cashbox, the leading industry publication of its time. During this meeting, Harrison presented the owner with this pin as a gift. This meeting was documented in photographs, which are included with this lot. One photograph shows Harrison affixing the pin to the Cashbox owner's lapel. A second photograph of shows the two posing together. This rare artifact remained in the possession of the owner until 2003, when a large number of important Cashbox relics were publicly auctioned by the publisher. The jewelry has remained in a private collection since the auction, and is offered here for the first time since being obtained from Cashbox magazine. A letter of authenticity is included with this lot. Cataloged and guaranteed by Startifacts.
John Lee Hooker - Signed Guitar Truly one of the legends of the Blues, John Lee Hooker's unfortunate passing a few years ago was a tremendous loss to the music community at large. One of the founding fathers of the unique music style commonly known as Rhythm and Blues, Hooker's contribution to American music cannot be overstated. Offered here is a vintage Kay hollow body electric acoustic guitar with blonde finish. The instrument was boldly signed in person just prior to Hooker's unfortunate passing. Due to his age of nearly 90 years old and poor medical condition at the time, the autograph is a bit shaky, but this still a fine example of Hooker's signature. Included is a signed letter of authenticity from a well-known music agent, Bill Bryant, who originally obtained the signature. A must for the true Rhythm and Blues collector. Cataloged and guaranteed by Startifacts.
Whitney Houston - Stage-Worn Custom Outfit. An amazing piece from this multi-platinum singer/songwriter, included in this lot is the complete leather and silk accented stage outfit worn by the Houston in concert several years ago while on her world tour. The costume has been displayed in a museum-quality custom shadow box with a descriptive plaque. These garments were donated by Whitney Houston and her record company Arista to the VH1 "Save The Music Foundation" auction, and are accompanied by an original letter of authenticity directly from VH1 as well as a photo of Whitney wearing this very outfit. Only a handful of Whitney Houston wardrobe pieces have ever come to market, and this particular outfit with its unique provenance is without a doubt the finest known in private hands. Cataloged and guaranteed by Startifacts.
Kiss Memorabilia Collection An oversized, museum-quality display consisting of an original handwritten working song lyric completed in the hand of Kiss founding member Gene Simmons. The lyrics are displayed with a descriptive plaque, color world tour poster, and four original VIP and guest backstage concert passes. The lyrics were obtained directly from Gene Simmons. Cataloged and guaranteed by Startifacts.
Limp Bizkit - Owned and Signed Guitar. Offered here is an incredible custom-made Ibanez electric guitar with a caramel wood finish. Signed by the entire original band and later donated to a charity auction, the guitar itself is worth quite a bit of money and is an incredible instrument in its own right. A letter of authenticity is included with this lot. Cataloged and guaranteed by Startifacts.
Madonna - Owned and Used Workout Equipment. If you've ever wondered how Madonna has been able to keep her incredible figure after two children and several decades of being in the public eye, this is your answer. The Princess of Pop is a fitness guru who works out constantly, with a private collection of workout equipment that is the finest money can buy. Presented here is the actual gym-model Lifecycle which was owned and used extensively by Madonna at her New York City apartment throughout the 1990's. After using this equipment extensively, Madonna decided to donate this particular piece, along with several others, to a benefit auction to raise money for her daughter's school. Besides being a great machine in its own right, it also includes a letter of authenticity signed by Madonna herself, making its history and provenance impeccable. Interested bidders should note that, due to the large size and weight of this item, currently located in New York City, the shipping and crating will be the responsibility of the buyer. Cataloged and guaranteed by Startifacts.
Madonna - Autographed Photo A beautiful black-and-white promotional photo autographed in thick pen by this elusive and highly sought-after star, and donated by Madonna and her record company Maverick to a charity auction. Madonna's signature is one of the most prized and hardest to obtain of all living entertainers, and is certainly the most valuable from any female, due to her tight security and lack of public contact. Only those autographs donated by Madonna and her record label to charity can be considered genuine. Included with the photo are several original world tour VIP and crew backstage passes from her last world tour, "Drowned". Cataloged and guaranteed by Startifacts.
Paul McCartney - Autographed PhotoA beautiful, full-color 4" x 6" photo postcard featuring a wonderful shot of Paul McCartney. The image has been signed with McCartney's unique face doodle, a rare addition which the singer no longer signs. In addition, the piece is inscribed to the recipient on the right edge of the image. This is a highly desirable example of this rare and elusive autograph. Cataloged and guaranteed by Startifacts.
Paul McCartney - Original Memorabilia Collection A unique and diverse group of items from this music icon. Included is an original, full-color piece of oversized artwork created by world famous artist/photographer Richard Avedon. The image is a psychedelic portrait of McCartney, which was part of a suite created by Avedon featuring a portrait of each member of the Beatles. The original print has been professionally linen-backed, and includes a letter of authenticity from the gallery from which it was obtained. Also included are several items from McCartney's record-setting 2002 world tour: an original crew-only jacket given to members of McCartney's entourage, an original crew shirt, and a handful of promotional VIP posters and gifts that were given only to McCartney's close friends and corporate sponsors. Cataloged and guaranteed by Startifacts.
Dave Matthews - Autographed Guitar. A beautiful blonde maple acoustic guitar signed in person in Seattle, Washington several months ago by ground breaking musician, Dave Matthews. Over the past several years, Matthew has become one of the most respected singer/songwriters on today's popular music scene. His award-winning style has set him apart and has allowed him to become one of the most successful touring acts of the last decade. Although Matthews is a very willing autograph signer, he is very hesitant to sign guitars as he knows they are quite valuable when sold to collectors. This particular instrument was signed for an acquaintance of Matthews outside of his recording studio only a few months ago. Matthews signed the guitar for this long-time acquaintance, in gratitude for this person's friendship and support in the very beginning of Matthews' career. In addition to his signature, Matthews has inscribed a lyric, "Superman," something he rarely does, making this unique inscription. This lot includes a photo taken at the time the instrument was signed. Cataloged and guaranteed by Startifacts.
MTV - Usher Outfit This custom-made stage outfit was worn at the MTV special tribute to Janet Jackson while singing "All Right." The canary yellow, sequined-studded Zoot suit features rhinestone suspenders, custom yellow feather Fedora hat, and numerous accessories. The outfit was obtained from MTV's charity auction, and includes a certificate of authenticity from them. Cataloged and guaranteed by Startifacts.
Graham Nash - Signed Guitar This is a beautiful blonde maple Takamine acoustic guitar formerly in the possession of legendary singer/songwriter Graham Nash, who donated the instrument to raise charity funds. Although most likely not played on stage, Nash has boldly autographed the body of the instrument in felt tip pen. Instruments owned by members of Crosby, Stills, and Nash are seldom, if ever, encountered among collectors. Includes a letter of authenticity from the charity that sold the guitar to our consignor. Cataloged and guaranteed by Startifacts.
Stevie Nicks - Costume A gorgeous, personally-owned and worn, floor length dress which was formerly the possession of music legend Stevie Nicks. The dress, which is possibly stage-worn, features a unique black and white multi-patterned design. The dress was given by Stevie to her mother who, for several years, owned a Stevie Nicks memorabilia store in Arizona. The garment was purchased directly from the store, and includes a handwritten receipt on the store's letterhead verifying the purchase of the dress. A unique artifact from one of music's most talented and sought-after female artists. Cataloged and guaranteed by Startifacts.
Elvis Presley - Original Artifacts Collection. Included in this lot is a section of pale blue silk stage scarf, which was worn by Elvis Presley during a performance at the Las Vegas Hilton. The scarf section, encased in a custom lucite enclosure, is accompanied by a color photograph of Elvis wearing a pale blue silk scarf that matches the section offered. Also included is an framed section of the Graceland fence which was removed and replaced several years ago, and later sold by the Elvis Presley Museum. Included with the lot are letters of authenticity from both Graceland's groundskeeper and the Elvis Presley Museum. Cataloged and guaranteed by Startifacts.
Elvis Presley - Personally Owned and Concert-Used Gibson Guitar. Certainly the finest and most sought after Elvis Presley instrument outside of Graceland, this 1963 black Gibson J200 acoustic guitar features a burgundy pick guard with four yellow flowers running along a yellow vine. There is a black, white, red, and yellow Kenpo Karate sticker at the base of the instrument (Elvis practiced the art of Karate and added this sticker to the guitar in honor of Ed Parker and Kenpo Karate). This particular instrument, which has serial number 61952, was given to Elvis as a gift during a recording session at Studio B in Nashville, Tennessee in the 1960s. It was later passed on to "The King's" chief personal aide Marty Lacker at Graceland in 1976. Lacker was one of Elvis' closest friends and served as the best man at his 1967 wedding in Las Vegas. Acquired directly from Marty Lacker, this piece was formerly on display at the world famous Elvis-A-Rama in Las Vegas, Nevada for a number of years before being purchased in a private sale. Included with the guitar is a signed letter of authenticity from Marty Lacker, framed with two color photos of Elvis on stage playing this very instrument. This is a rare opportunity to acquire one of the most important Elvis Presley artifacts on earth. Cataloged and guaranteed by Startifacts.
Prince - Memorabilia Collection. Certainly the most extensive array of Prince artifacts ever to come together at public auction, all of these items were acquired by a member of Prince's inner circle. The majority of these items were obtained from band members and/or former Prince employees, and include an original signed management agreement (signed "Prince Rogers Nelson," Prince's legal name), framed in an oversized display. Also included is an orignal black-and-white photo autographed by the elusive artist in black marker, as well as an original handwritten song lyric/poem, housed in a museum-quality frame, with an unusual history. Prince made a guest appearance on "The Muppet Show" a number of years ago and, during one of his sketches, actually wrote this very manuscript on camera. It was later acquired directly from the Muppets Production Company. Additionally, this diverse collection includes an original "Staff Only" crew jacket and pants, as well as original tour itineraries, lyric lists, backstage passes, and a variety of other rare Prince collectibles. This is a unique opportunity to acquire original artifacts from one of the world's most elusive and guarded entertainers. Cataloged and guaranteed by Startifacts.
Red Hot Chili Peppers - Autographed Drum Offered here is an original Chad Smith-model drum which was donated by Smith to the Rock 'n Roll Hall of Fame charity auction. The front of the drum has been signed by Smith, and includes an original backstage pass and certificate of authenticity. Cataloged and guaranteed by Startifacts.
Rolling Stones - Original Memorabilia Collection. A diverse and unique assortment of original Rolling Stones artifacts, included in this lot is an original custom-embossed pair of Charlie Watts signature drumsticks, an original music lyric book autographed by Bill Wyman, an original bandmember and crew only tour jacket not available to the public, and n exceptional collection of dozens of original Rolling Stones VIP, crew, guest, and backstage concert passes from a number of Rolling Stones concert venues. Cataloged and guaranteed by Startifacts.
Kiss - Gene Simmon's Kiss Costume Offered here is one of the most identifiable of all music related costumes. This is an actual stage-worn black custom-made full body suit worn by Kiss founder and bass guitarist Gene Simmons. The costume can be seen in countless photos and stage performances, and was an important part of the world famous Kiss image. It is interesting to note that Kiss is the only band in history that actually has a patent on their make-up and costume designs. This stage outfit was originally part of the highly successful Kiss auction which was arranged in part by our consignor. A unique opportunity to own a piece of Kisstory. Cataloged and guaranteed by Startifacts.
Gene Simmons - Original Manuscript Book Truly one of the earliest and most important artifacts of this well-known band ever to surface, this complete and fully hand-written lyric book was penned entirely in the hand of Kiss founder Gene Simmons, and features over 60 handwritten songs. The book itself has Gene's legal name on the cover (Gene Klein) and gives great insight into the creation of what would soon become one of the most successful and long standing bands in history. The book dates back to the early 1970s when the group Kiss was just starting out, and forming their now trademark look and sound. Nearly 30 years later the band is still selling out stadiums worldwide, and, other than the Beatles, have had more gold records than any band or artist in history. Previously offered in a record-setting Kiss memorabilia auction, the break-up value of this volume cannot be overestimated, due to the extreme number of individual lyrics included herein. A letter of authenticity detailing the book's history and the consignors relationship to the band and Gene Simmons is included with this lot. Cataloged and guaranteed by Startifacts.
Ringo Starr - Signed document A unique and rare piece of music history, this original, oversized, bright pink British corporate check is boldly signed by legendary Beatles drummer Ringo Starr. What makes this artifact so incredibly rare is the fact that Ringo has signed his legal name, R. (Richard) Starkey. It is commonly known among Beatle collectors that Ringo rarely signed his legal name for fans, opting for his now famous stage name, Ringo Starr. These types of checks surface only rarely at auction, and are highly desirable when offered. Cataloged and guaranteed by Startifacts.
VH1 - VH1 Music Awards Lithograph. Offered here is an oversized, custom silk-screened lithograph created exclusively to commemorate the 2000 VH1 Music Awards. The artwork is housed in an elaborate custom frame with UV rated plexi-glass. Signed in a variety of colors by dozens of music legends and award participants, including Mick Jagger, Lenny Kravitz, Dave Matthews, Bon Jovi, Creed, Chris Isaac, No Doubt, and countless others, only three of these lithographs were offered for sale, making this a very rare and collectible piece indeed. A fascinating piece, it would be nearly impossible to duplicate the diverse assortment of signatures on this piece at any price. Cataloged and guaranteed by Startifacts.
The Who - Stage-Worn Costume. An exceedingly rare, custom-made white stage jacket worn by Pete Townshend while performing at the Woodstock 1999 music festival. The jacket was donated by Townshend to his personal charity organization, Oxfan, where it was later purchased by a private collector. This is the only documented Townshend stage jacket known to exist in private hands. Significant due to its tie in with the Woodstock festival, it is accompanied by a letter of authenticity from Oxfan. Cataloged and guaranteed by Startifacts.
Bill Wyman - Original ArtThis is the only piece of original, hand-drawn artwork from Rolling Stones bass guitar player Bill Wyman that is known to exist in private hands. The piece, created by Wyman on a heavy stock piece of art paper, is his rendition of a unique orchid flower and has been titled, signed, and dated by Wyman. This one-of-a-kind original drawing, donated directly by Wyman to a British charity auction, includes an original letter of authenticity from the charity. The artwork is housed in a unique swivel bass plexi-glass enclosure, and includes three original VIP and all access passes for Wyman's final tour with the Rolling Stones, "Steel Wheels". Cataloged and guaranteed by Startifacts.
Neil Young and Steven Stills - Autographed Guitar A beautiful maple finish acoustic guitar, signed boldly on the instrument's body by two of the most reluctant signers of modern music, Neil Young and Steven Stills. Signatures were obtained on two different occasions and in-person on the West Coast in 2003. It is commonly known among in-person autograph collectors that both Neil Young and Steven Stills rarely sign guitars, as they know that the vast majority are sold for big money, often via the internet, making this a unique opportunity to acquire a signed instrument from these two legendary singer/songwriters. Cataloged and guaranteed by Startifacts.
Back Stage Pass Collection This is it! The ultimate grouping of original world tour credentials for some of music's most successful and famous artists and groups. Included are all-access passes, VIP passes, crew passes, guest passes, backstage passes, and hospitality passes. Dozens of artists are represented in this collection, including the Rolling Stones, Madonna, Aerosmith, Kiss, the Eagles, Black Sabbath, Nsync, Jimmy Buffet, Ringo Starr, Backstreet Boys, Van Halen, Scorpions, Genesis, Heart, Korn, and numerous others. An instant collection that would take decades to amass. Cataloged and guaranteed by Startifacts.
Harmonica Collection A superb collection of three silver autographed harmonicas, from three of music's most admired and respected artists. Included are the autographs of Neil Young, John Foggerty, and Greg Allman, each boldly penned on a harmonica, recently obtained in person. Due to their small size and unique nature, signed harmonicas especially from artists of this caliber, are seldom encountered among collectors. These instruments were not stage-played, but were acquired as autograph items only. Cataloged and guaranteed by Startifacts.
Custom Crew Jacket Collection. an intriguing lot, included here are an original U-2 and B.B. King "When Love Comes To Town" leather-sleeved varsity jacket with hand embroidery and a Rocket Cargo patch, a yellow silk-lined Michael Jackson "Dangerous" bomber jacket with an incredible full-color, hand-embroidered logo on the front breast pocket and the back of the jacket, an original and extremely rare satin "Sign O' The Times" jacket from Prince's 1987 tour, and, finally, an extremely rare pea-coat style custom jacket, size 44, with hand embroidery on the left shoulder, for Janet Jackson's "The Velvet Rope tour". This final piece was given only to band and high level crew members. You can feel like part of the crew when you win this impressive lot. Cataloged and guaranteed by Startifacts.
Vintage Fillmore and Avalon Poster Collection Six psychedelic full-color show posters from the original Fillmore and Avalon music venues. Each poster features some of the era's most popular acts, and each is in mint condition. The posters are housed in identical vintage gold frames. Cataloged and guaranteed by Startifacts.
Rock and Roll Autographed Poster Collection. This lot consists of four hand-signed, original rock promo posters. One is signed by Alice Cooper, one by the band Portus Head, and two are signed by Canadian chart-toppers The Crash Test Dummies. Any instant collection for any rock and roll fan. Cataloged and guaranteed by Startifacts.
Session 3
Golden Age (1938-1955)
Target Comics #1 Mile High pedigree (Novelty Press, 1940) CGC NM 9.4 Off-white to white pages. Sub-Mariner creator Bill Everett (using the pen name "Blake") gets this run jump-started with a western action cover. This premiere issue features the origin and first appearance of Manowar, T-Men, White Streak, and Bull's Eye Bill, with art by industry heavyweights Carl Burgos, Joe Simon, and Tarpe Mills. Marijuana use is mentioned in one story. One of the earliest comic westerns, this debut issue is far and away the best in existence with the next closest certified copy being a distant VF- 7.5. The comic is Super-Sharp, glossy and fresh with superb Off-White to White pages. Ernie Gerber's Photo-Journal Guide to Comic Books ranks this issue as having a scarcity level of 7, with 10 being extremely rare. Overstreet 2003 NM 9.4 value = $6,500.
Target Comics #2 Mile High pedigree (Novelty Press, 1940) CGC NM 9.4 White pages. Soon after Bill Everett brought us the Human Torch, he took his fine draftmanship from Timely over to Novelty Press to do some work on Target Comics. Using the pen name "Blake," he beautifully delineated this awesome White Streak science-fiction cover, and did some interior artwork as well. Interior art by Carl Burgos, Joe (Captain America) Simon and Tarpe Mills. Striking red and vivid yellow inks abound on this intense cover. The book is very sharp and has all the attributes of a brand new comic, including the supple and fresh white pages. This issue is also so scarce that the closest certified copy is a distant FN+ 6.5. Needless to say, this is the best known example of the issue in the world! Overstreet 2003 NM 9.4 value = $2,850.
Target Comics #3 Mile High pedigree (Novelty Press, 1940) CGC NM/MT 9.8 White pages. The third issue of the long-running series featured a cover by Claire Moe -- that's right, the same Claire Moe who created the cover for Marvel Mystery Comics #2 by Timely. Gerber rates this as "scarce," and that's an understatement as this book almost never appears for sale in any condition. Virtually perfect in every way, there are no flaws to mention. Razor sharp corners, blazing colors and white, white pages make this comic world-class; simply amazing condition for a comic book that is 63 years old! Interior art by the great Jack Cole and Bill Everett. This is far and away the highest graded copy certified by CGC, and is undoubtedly the nicest in existence! There is a VF/NM 9.0 example certified, but it pales in comparison to the famous Edgar Church / Mile High copy. Overstreet 2003 NM 9.4 value = $1,700.
Target Comics #4 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 White pages. What a power-packed White Streak cover on this highest-graded certified copy! It's a shame we become numbed by the quality of copies like this from comicdom's most renowned pedigrees. Maybe we're just stunned. Reviewing the Mile High run we're offering for this Golden Age title can do that to you! Bill Everett, Carl Burgos, Joe Simon, and Jack Cole provide interior art in this issue. This book is so scarce that there isn't another single copy that has been certified by CGC! Overstreet 2003 NM 9.4 value = $1,700.
Target Comics #5 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 Off-white to white pages. This extremely cool action cover features our hero the White Streak taking care of business with lightning bolts from his eyes. It's a super-sharp book with blinding gloss and cover inks so fresh that the pungent "Mile High smell" practically seeps right through the holder! Of course, it's the highest certified copy of this issue, with the next best copy a distant NM- 9.2. The fact that it's the finest known example of this book hardly begins to fully describe the stunning beauty of this extremely difficult comic. The interior contains the origin of the White Streak by the legendary Carl Burgos (Timely's Human Torch artist), as well as work by Miss Fury artist Tarpe Mills, but this book is even more widely praised for the debut of the Space Patrol series featuring Spacehawk by the incomparable Basil Wolverton. A true Golden Age rarity that is irreplaceable at any price, so bid high and bid often on this paper gem which includes bragging rights! Overstreet 2003 NM 9.4 value = $5,400.
Target Comics #6 Mile High pedigree (Novelty Press, 1940) CGC NM/MT 9.8 White pages. Ever wonder what it could be like to step into a time machine and be launched back in time only to land in front of a New York City newsstand in mid-summer of 1940? Hasn't every youthful comic collector had this fantasy at least once? Well, if it were to actually happen, you may not make Target Comics #6 your first choice, but seeing this White Streak character flying through the air with his cool helmet, then flipping the pages to see lightning bolts shooting from his eyes would be pretty hard to beat. But flipping further and finding the very cool Spacehawk battling weird looking (a character trademark of Basil Wolverton) aliens and space monsters would surely seal the deal and cause you to plunk down your hard-earned dime! C'mon! A NM/MT 9.8 from 1940? We jest not! This is the only unrestored copy of #6 that CGC has certified to date. Basil Wolverton, Tarpe Mills, Jack Cole, Bill Everett, and Carl Burgos offer a dazzling array of story art styles. Of special interest to collectors is the fact that this book contains what just might be the first letter column in comic books. Overstreet 2003 NM 9.4 value = $2,100.
Target Comics #7 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 White pages. The fact that this issue is noted as being "scarce" in the Overstreet Comic Book Price Guide and ranked with a scarcity level of 8 (with 10 being virtually impossible to obtain) in Gerber's Photo-Journal Guide to Comic Books, is actually less important than the ranking that it holds among seasoned Sci-fi comic collectors. The classic Spacehawk cover by Basil Wolverton places this issue on a pedestal as being the #1 most valuable science fiction comic! The condition of this particular example is equally remarkable considering that this issue surfaces so seldom, even in much lower grades. It has sharp corners, outstanding gloss, and fresh, deep cover inks which compliment the incredibly white interior pages. Of course, one would expect no less of a NM+ 9.6 comic that hails from the most celebrated comic book collection of all time, the Mile High collection! The next best certified copy is a very distant VF+ 8.5. We normally don't encourage mortgaging the house to buy great comics like this one that only come along maybe once in a lifetime, but...it is a thought. Your wife could be replaceable, but this comic isn't! Overstreet 2003 NM 9.4 value = $6,400.
Target Comics #8 Mile High pedigree (Novelty Press, 1940) CGC NM 9.4 White pages. Basil Wolverton's Spacehawk makes another appearance in this white-paged beauty, which also contains artwork by Carl Burgos and Bill Everett, known more for their groundbreaking work for Timely Comics. To date, no other copy of this issue has been graded by CGC, and even if another does show up, it is highly unlikely that it could hold a candle to this immaculate issue. Overstreet 2003 NM 9.4 value = $1,550.
Target Comics #9 Mile High pedigree (Novelty Press, 1940) CGC NM 9.4 Off-white to white pages. This beauty has everything that Mile High books are renowned for. You won't find a nicer copy short of building a time machine to revisit the local drugstore's comic book rack in 1940. This issue features White Streak facing off with Dr. Death, and a Spacehawk story by the inimitable Basil Wolverton. Do we need to mention that to date, this is the only CGC-graded copy of this issue? Overstreet 2003 NM 9.4 value = $1,550.
Target Comics #10 Mile High pedigree (Novelty Press, 1940) CGC NM+ 9.6 White pages. This white-paged semi-key features the first appearance of the Target. The bright red cover features the Target as rendered by Joe Simon. Basil Wolverton, Tarpe Mills, and Carl Burgos help with interior art. This blazing copy is far and away the nicest copy yet graded (in second place: FN 6.0), and is likely to remain the best. Overstreet 2003 NM 9.4 value = $2,200.
Target Comics #11 Mile High pedigree (Novelty Press, 1940) CGC NM- 9.2 Off-white pages. If you think Silver Age black covers are rare in high grade, take a gander at this knockout copy. The black ink on the cover is completely unscathed. In this issue, the Target gets not one but two sidekicks in the form of the Targeteers. This issue also features the origin of the Target himself. This is, so far, the highest-graded CGC-certified copy of issue #11, and unlikely to ever be bested. To add to the desirability is the Spacehawk story by Basil Wolverton. Overstreet 2003 NM 9.4 value = $1,950.
Target Comics #12 Mile High pedigree (Novelty Press, 1941) CGC NM 9.4 White pages. The Target and the Targeteers take on gun-toting gangsters on this beautiful white covered Mile High copy. The colors on this copy are absolutely blinding. One glance at this beauty, and you have no doubt that it is part of the ultimate pedigree. This virtually unimprovable book beats the next highest-graded copy by a wide margin. The Space Hawk story was actually scripted, penciled, inked, and colored by Basil Wolverton. Incredible stuff! Overstreet 2003 NM 9.4 value = 1,550.
Target Comics V2#1 Mile High pedigree (Novelty Press, 1941) CGC NM 9.4 White pages. You won't find any cover more patriotic than this one. This flag cover with Uncle Sam features the whole Target cast saluting. And if that isn't enough to get you salivating like Pavlov's dog, this issue features a Basil Wolverton Spacehawk story. This white paged, pristine book is the highest-graded to date, with the runner up being VF+ 8.5. Overstreet 2003 NM 9.4 value = $950.
Target Comics V2#2 Mile High pedigree (Novelty Press, 1941) CGC NM 9.4 Off-white to white pages. Living up to its name, Target Comics gives us the Target and the Targeteers striking a dramatic pose on this brilliant bullseye cover. Basil Wolverton, as always, does an unbelievable bit of artistry on the Spacehawk story. The Mile High distributor's marks on this comic are unusually small and unobtrusive, and the condition is what you would expect of a comic from this distinguished collection. This is by far the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $875.
Target Comics V2#3 Mile High pedigree (Novelty Press, 1941) CGC NM- 9.2 White pages. If you are a connoisseur of high-grade black cover books, then this issue could be your holy grail. Black covers are notorious for smearing and showing every fingerprint. This issue appears completely unblemished. You couldn't hope for anything better than a perfect black cover with brilliant white interior pages. Adding to the desirability of this book is a Spacehawk story by Basil Wolverton. This is currently the highest CGC-graded copy of this issue, by a generous margin. Overstreet 2003 NM 9.4 value = $675.
Target Comics V2#4 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 Off-white to white pages. This interesting cover shows the Target hovering over an odd negative image of the features you will find inside. Seeing as there is a Spacehawk panel on the cover, if you want to get technical, you can claim that Basil Wolverton contributed to this cover. This copy has all the attributes that make a Mile High book stand out from the crowd. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $675.
Target Comics V2#5 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 White pages. Here is a stunner for the afficianado of highest graded copies. This beautiful dark blue covered book is far and away the highest graded with the next contender being a distant FN-5.5. The Target and the Targeteers rush in to rescue a damsel in distress from one of the goofiest villains to ever grace a cover. Basil Wolverton also contributes to this book with a wonderful Spacehawk story. Overstreet 2003 NM 9.4 value = $675.
Target Comics V2#6 Mile High pedigree (Novelty Press, 1941) CGC NM- 9.2 Off-white to white pages. Bob Wood contributed this oddball cover featuring the Target smashing an eight ball with a crew of gangsters, male and female, hiding inside. The red inks on this book are just as reflective as the day this book rolled off the press. But then again, what else would you expect from a Mile High book. As an added attraction, inside this stunner there is also a Basil Wolverton Spacehawk story. Overstreet 2003 NM 9.4 value = $650.
Target Comics V2#7 Mile High pedigree (Novelty Press, 1941) CGC NM+ 9.6 Off-white to white pages. The Cadet makes his first cover appearance after a Targeteer dominated stretch. This patriotic red, white, and blue cover, by George Harrison, has brilliant colors and crisp, sharp corners. And believe it or not, on the Spacehawk story, Basil Wolverton did all the chores from scripting down to the coloring. Not too many artists can stake that claim! To date, this is, by far, the highest CGC certified copy of this issue. Overstreet 2003 NM 9.4 value = $650.
Target Comics V2#8 Mile High pedigree (Novelty Press, 1941) CGC VF+ 8.5 Off-white to white pages. If you have always wanted a Mile High book (and who doesn't), but are on a limited budget, this might just be right up your alley. This book features the beautiful page quality that Mile High copies are known for, and a bright, red, white, and blue cover by George Harrison -- no, not that George Harrison! Basil Wolverton contributes another of his classic Spacehawk stories. Overstreet 2003 VF 8.0 value = $353; VF/NM 9.0 value = $502.
Target Comics V2#9 Mile High pedigree (Novelty Press, 1941) CGC VF- 7.5 Off-white to white pages. This is a perfect Mile High book for the cost-conscious collector. This decidedly not-politically correct cover features the Target knocking out one thug while holding a stereotypically yellow Chinaman by the head. As if that isn't enough to ensure your decision to bid on this comic, there is also a Spacehawk story featuring the artistic genius of Basil Wolverton. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $353.
Target Comics V2#10 Mile High pedigree (Novelty Press, 1941) CGC VF/NM 9.0 White pages. Here is one of the best covers of the run. This classic cover has bright vivid colors typical of the Edgar Church collection. This is, as you would expect with most Mile Highs, the highest-graded CGC copy to date. Overstreet 2003 VF/NM 9.0 value = $888; NM 9.4 value = $1,150.
Target Comics V2#11 Mile High pedigree (Novelty Press, 1942) CGC NM/MT 9.8 Off-white to white pages. From the Edgar Church collection with all the freshness and sharpness you would expect. This issue sports a neat Kid Carter, the Cadet cover, and the terrific art of Basil Wolverton's Spacehawk inside. This copy is as good as it gets and is by far the highest CGC-graded copy of this issue to date. A perfect example of the quality of the Mile High collection. Overstreet 2003 NM 9.4 value = $630.
Target Comics V2#12 Mile High pedigree (Novelty Press, 1942) CGC NM 9.4 White pages. Lots of action on this Sid Greene cover, and the classic ever-present Basil Wolverton "Spacehawk" interior. "Last of the Mohicans" serial begins with this issue. Bright colors on the front, and a beautiful back cover also -- yes, it's an Edgar Church copy! And, yes, it is the highest-graded copy by CGC to date. Overstreet 2003 NM 9.4 value = $630.
Target Comics V3#1 Mile High pedigree (Novelty Press, 1942) CGC NM+ 9.6 White pages. How many superlatives can you think of to describe the Edgar Church books? Well, they are all appropriate here. With colors that leap off the page, it's hard to imagine such copies looked any better when brand new. This is the highest-graded copy by CGC to date. Overstreet 2003 NM 9.4 value = $625.
Target Comics V3#2 Mile High pedigree (Novelty Press, 1942) CGC NM 9.4 White pages. An action cover featuring the Chameleon, and another Spacehawk interior by Basil Wolverton. Rich, deep colors, and white pages typical of the Edgar Church collection mark this gem. Only two copies of this issue have been graded by CGC, and this is the best copy to date. Overstreet 2003 NM 9.4 value = $625.
Target Comics V3#3 Mile High pedigree (Novelty Press, 1942) CGC NM- 9.2 White pages. What more could you ask for besides a Babe in bondage on the train tracks with the Target attempting a last second rescue? How about the highest graded copy to date by CGC? You asked for it -- you get it! This sparkling copy has just a small impact in the top left corner that keeps it from NM+ or higher. Overstreet 2003 NM 9.4 value = $625.
Target Comics V3#4 Mile High pedigree (Novelty Press, 1942) CGC NM+ 9.6 Off-white pages. Here is a WWII cover with the Cadet leading a neat V for victory. Small nicks in the left hand corners keep this from perfection. It's not only the best copy CGC has graded to date, it is the only copy. These patriotic covers are always popular. Grab it while you can! Overstreet 2003 NM 9.4 value = $650.
Target Comics V3#5 Mile High pedigree (Novelty Press, 1942) CGC VF+ 8.5 Off-white pages. This dark covered beauty makes it so easy to understand why the Mile High books are generally thought of as the finest examples in existence. This is the highest graded copy by CGC to date, and the price just might by right for you. Overstreet 2003 VF 8.0 value = $344; VF/NM 9.0 value = $485.
Target Comics V3#6 Mile High pedigree (Novelty Press, 1942) CGC VF 8.0 White pages. Even the kids got into the act on this WWII patriotic victory cover. There's even a plug for the Red Cross. A tear toward the top right corner keeps this copy from a much higher grade, but it still has all the freshness and rich colors you would expect from the pedigree. This is the only copy CGC has graded to date. Overstreet 2003 VF 8.0 value = $344.
Target Comics V3#7 Mile High pedigree (Novelty Press, 1942) CGC NM+ 9.6 Off-white to white pages. Here is another of this title's humorous goofy covers. What a delight it must have been to see these on the stand cheering people up during the war years. This Mile High copy looks like it just came off the stand, with the typical colors that reach out and grab you. This is the highest-graded copy by CGC to date. Overstreet 2003 NM 9.4 value = $625.
Target Comics V3#8 Mile High pedigree (Novelty Press, 1942) CGC NM+ 9.6 White pages. Hitler and Tojo get the steamroller treatment on this issue's colorful cover. This beautiful copy has an amazing amount of gloss and deep color, it really looks as fresh as they come. Of course, this is the Edgar Church copy we're talking about so it's fantastic state of preservation should surprise no one. CGC currently lists only two other certified copies of this issue, both graded VF 8.0. Bid on the best! Overstreet 2003 NM 9.4 value = $800.
Target Comics V3#9 Mile High pedigree (Novelty Press, 1942) CGC VF/NM 9.0 White pages. The fun, silly covers for this title just keep coming. Try and find books from this time period with such a pretty white color on the cover. You just can't do it. This copy is tied with one other for the highest graded copy to date by CGC and it has the Mile High white pages! Overstreet 2003 VF/NM 9.0 value = $485; NM 9.4 value = $625.
Target Comics V3#10 Mile High pedigree (Novelty Press, 1942) CGC NM/MT 9.8 White pages. Sporting a clever cover with all the heroes from Target comics seemingly coming alive from the pages, this Mile High is the epitome of perfection. A totally flawless front cover and comparable back cover that has only a tiny nick at the top right corner; this copy has to be one of the finest examples we have seen of any comic anywhere. This is the only copy CGC has graded to date. Overstreet 2003 NM 9.4 value = $625.
Target Comics V3#11 Mile High pedigree (Novelty Press, 1943) CGC NM/MT 9.8 Off-white to white pages. Speck, Spot, and Sis steal the cover limelight for this issue, but the main attraction for most collectors today are the Cadet and Chameleon features, and the stratospherically high grade of this Mile High pedigree comic. NM/MT is a remarkably high grade, even for Mile Highs! To date, this is the only CGC-graded copy of this issue. Definitely a stunning Golden Age comic by any measure. Overstreet 2003 NM 9.4 value = $175.
Target Comics V3#12 Mile High pedigree (Novelty Press, 1943) CGC NM+ 9.6 Off-white to white pages. Art Gates gives us this cover showing our hero Al T. Tude under arrest by some suspicious hillbillies, but it's obviously just a big misunderstanding. The Cadet and Chameleon are also featured. To date, this is the only CGC-graded copy of this issue, and we suspect it may be a long time before another copy will receive a better certified grade! After all, it's not easy to top a comic from the legendary Mile High collection. Overstreet 2003 NM 9.4 value = $175.
Target Comics V5#5 Mile High pedigree (Novelty Press, 1944) CGC NM 9.4 Off-white to white pages. The Cadet comes face-to-face with a masked African native and a uniformed Nazi on this curious cover. Other features inside include Bulls-Eye Bill, the Chameleon, and the Target. This Mile High beauty is currently the only CGC-graded copy of this issue, and we expect that it's destined to remain at the top of the census rankings for years to come. Overstreet 2003 NM 9.4 value = $100.
Target Comics V5#6 Mile High pedigree (Novelty Press, 1944) CGC NM- 9.2 White pages. Walter Johnson gets credit for the cover artwork on this issue, featuring the Cadet and a bejeweled baby leaning on a miniature Tommy gun next to a giant pile of treasure. Huh? Well, it's a puzzling cover image, to be sure, but what is certain is that this is one fresh, beautiful comic, from the highest regarded pedigree collection in the comic world. And to date it's the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $100.
Target Comics V5#7 Mile High pedigree (Novelty Press, 1945) CGC NM+ 9.6 Off-white to white pages. Neat WWII action war cover on this beautiful book. Great colors on the front and a striking, white back cover remind us why this pedigree is so revered. This is the only copy CGC has graded to date, and your chance to own a superb example at a comparatively modest price. Overstreet 2003 NM 9.4 value = $100.
Target Comics V8#2 Mile High pedigree (Novelty Press, 1947) CGC NM 9.4 White pages. This beautiful copy of Target Comics has a cover by Don Rico who also takes care of the art chores on the Gary Stark story inside, while the Bulls-Eye Bill story has art by Bernard Krigstein. With the knowledge of its Mile High heritage, and corresponding CGC grade, there's really no need to gush about the nice condition, is there? To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $95.
Target Comics V8#4 Mile High pedigree (Novelty Press, 1947) CGC VF/NM 9.0 White pages. This brilliant example from the Edgar Church pedigree collection has another great cover by Don Rico. It has the typical white pages and nice tight quality that makes these comics such treasures. This title is very hard to find in any condition, this copy is currently the only one that has been graded by CGC. Overstreet 2003 VF/NM 9.0 value =$71; NM 9.4 value = $85.
Target Comics V8#6 Mile High pedigree (Novelty Press, 1947) CGC NM- 9.2 White pages. Despite the variety of pedigrees that have surfaced to date, the Mile High collection of comics maintains the standard by which all others are compared. This copy is the only CGC graded one at this time. The white pages and vibrant cover colors are a joy to behold. Bernie Krigstein provides some of the artwork inside. Overstreet 2003 NM 9.4 value = $95.
Target Comics V8#7 Mile High pedigree (Novelty Press, 1947) CGC NM 9.4 White pages. This awesome copy from the collection of Edgar Church is, once again, the only one to be graded by CGC at this time. This title is extremely tough to complete, much less in the high grade condition that is presented by this outstanding example. This issue features interior art by Bernie Krigstein. Overstreet 2003 NM 9.4 value = $95.
Target Comics V8#10 Mile High pedigree (Novelty Press, 1947) CGC NM+ 9.6 White pages. This exquisite copy comes from the world famous Mile High collection, and aptly displays the white pages and vivid cover colors that gave the collection such a deserved status. The awesome red cover by L. B. Cole fairly explodes in your hands. This copy is the only one to be graded by CGC at this time, and will almost certainly be the highest graded to ever surface. Overstreet 2003 NM 9.4 value = $350.
Target Comics V9#8 Mile High pedigree (Novelty Press, 1948) CGC NM 9.4 White pages. L. B. Cole could always be counted on providing awesome covers for any title that he worked on. This great example from the Mile High pedigree collection contains one of Cole's typically brilliant images with a vibrant pallet of color. As expected, this is the highest CGC graded copy to date....oh, and it's also the only copy graded to date. Overstreet 2003 NM 9.4 value = $340.
Target Comics V9#10 Mile High pedigree (Novelty Press, 1948) CGC NM 9.4 Off-white to white pages. This copy from the Edgar Church collection has a dynamic cover by L. B. Cole that instantly captivates the viewer. The rich colors on this tight, clean copy almost sends the automobile crashing onto your lap. As expected, this is currently the only copy to be graded by CGC, and will probably never be topped by a higher grade. Overstreet 2003 NM 9.4 value = $340.
Aces High #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. This first issue really is in immaculate condition, even for the Gaines file copies which are spectacular. George Evans knew what he was doing when he rendered this great World War I ace cover. This issue was not approved by the Comics Code Authority for some reason, even though EC had toned down their content with the New Direction books like this one. Overstreet 2003 NM 9.4 value = $270.
Aces High #2 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white to white pages. EC looked like they really had something going with their new line-up of books in 1955. But, even with the incredible imagery of George Evans and his World War I aces, these Code-approved issues did not last long. This beautiful book comes from the vault of William Gaines himself, so you know it has maintained an incredible state of preservation. Overstreet 2003 NM 9.4 value = $150.
Aces High #5 Gaines File pedigree 1/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. Artist George Evans gets his day in the sun with this title, drawing all five covers in the series. He didn't get the same degree of recognition as some of the other EC artists, but demonstrates that he could easily stand shoulder-to-shoulder with any of the illustrious EC regulars. Inside, Jack Davis, Bernard Krigstein, and Wally Wood handle the art chores. This beautiful copy dares you to find a flaw. Overstreet 2003 NM 9.4 value = $140.
Crime SuspenStories #4 Gaines File pedigree 8/11 (EC, 1951) CGC NM/MT 9.8 Off-white pages. This cover is similar to that on Tales From the Crypt #33, with Enoch the two-headed sideshow freak who was revealed as the Crypt Keeper's father; maybe this earlier cover served as partial inspiration for the latter? The girl's exclamation "...disgusting pickled freaks! I hate them... hate them!" is classic. This comic isn't pickled, but it's certainly well-preserved. And the high bidder will be sure to say "...pretty Gaines file copy! I love it... love it!" Johnny Craig does the cover. Craig, Jack Davis, Graham Ingels, and Jack Kamen handle the interior art. Overstreet 2003 NM 9.4 value = $525.
Crime SuspenStories #16 Gaines File Copy 3/12 (EC, 1953) CGC NM+ 9.6 Cream to off-white pages. This slasher cover must have given a lot of kids nightmares back in 1953! It's quite frightening, in a way only Johnny Craig's art could deliver! Jack Kamen, Al Williamson and Joe Orlando also come up with some great art for this issue. EC publisher William Gaines sure knew what he was doing when he stashed all those books away; this copy looks great. CGC lists only one higher-grade copy to date. Included in this lot is a certificate of authenticity. Overstreet 2003 NM 9.4 value = $360.
Crypt of Terror #17 Gaines File pedigree 1/10 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. The best known of the EC horror titles is probably Tales from the Crypt, but that was preceded by this title, which ran three issues before the name change. This, in fact, was the first of the vaunted "New Trend" titles to hit the stands, and arguably the most important pre-Code horror comic book of all. Johnny Craig and Al Feldstein ensured the success of the fledgling genre with their stunning art. This copy is as close to perfect as you're likely to find. CGC hasn't awarded a higher grade for this issue, and Bill Gaines considered this the very best copy of issue #17 that he preserved in his vault for so many years. Overstreet 2003 NM 9.4 value = $3,600.
Crypt of Terror #18 (EC, 1950) CGC VF- 7.5 Cream to off-white pages. Been looking for a living corpse cover? Now you've found one! Artists Johnny Craig, Wally Wood, Al Feldstein, and Harvey Kurtzman contribute to this issue. (Crypt of Terror became the legendary Tales From the Crypt with issue #20. Overstreet 2003 VF 8.0 value = $1,170.
Crypt of Terror #19 (EC, 1950) CGC VF 8.0 Off-white pages. Here's an absolutely beautiful copy of the last issue of this title -- with #20, it became Tales From the Crypt. Johnny Craig's gruesome voodoo zombie cover is followed by interior work by Al Feldstein and Graham Ingels. Only seven copies of this issue have earned a higher grade from CGC. Overstreet 2003 VF 8.0 value = $1,170.
Extra! #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM 9.4 Off-white pages. EC's first issue of Extra! did not manage to get approved by the comics Code, even though the content had been toned down. It has art by Johnny Craig, Reed Crandall, and John Severin. This comic was deemed to be the very best of the 12 copies of the issue that Bill Gaines kept in his files, according to Russ Cochran and Bob Overstreet. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $250.
Extra! #2 Gaines File pedigree 1/12 (EC, 1955) CGC VF/NM 9.0 Off-white to white pages. EC was making every attempt to maintain their readership by 1955. All of the famous artists were still there, and Johnny Craig, Reed Crandall and John Severin worked on this particular issue. Yet these Code-approved issues must not have packed quite enough punch for the readers to continue to purchase them in enough quantity to maintain their publication. Overstreet 2003 NM 9.4 value = $165.
Extra! #4 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Cream to off-white pages. EC's days of publishing comic books were, unfortunately, numbered, but Johnny Craig was cranking out eye-popping covers right to the end of the run. This might be the best of his renditions for this short-lived title. It's certainly the most colorful, especially on this great Gaines File copy. Overstreet 2003 NM 9.4 value = $165.
Frontline Combat #1 Gaines File pedigree 3/9 (EC, 1951) CGC NM+ 9.6 Off-white pages. This first issue of Harvey Kurtzman's masterpiece comes from the famous Gaines File pedigree so you know what high quality to expect. ECs in general, and Frontline Combat in particular, remain woefully undervalued in the price guide so even the Gaines file copies can really be considered a bargain by many, and an investment potential for sure. Overstreet 2003 NM 9.4 value = $800.
The Haunt of Fear #4 Gaines File pedigree 3/9 (EC, 1950) CGC NM/MT 9.8 Off-white pages. This issue of the classic EC horror title is noteworthy on several accounts. Graham Ingels becomes the regular artist for the Old Witch, and both Jacks (Kamen and Davis) contribute interior story art. The cover, like so many of the earliest ECs, is by Al Feldstein. The Vault Keeper and Crypt Keeper make their first appearances in the Haunt of Fear run. We have offered this particular issue just a few times previously which makes this sensational copy stand out even more. Overstreet 2003 NM 9.4 value = $950.
The Haunt of Fear #4 Gaines File pedigree (EC, 1950) CGC NM+ 9.6 Off-white pages. This comic is notable for being the issue in which Graham Ingels becomes the regular artist for the Old Witch. This issue also contains the first appearances of the Vault Keeper and the Crypt Keeper. Art by Graham Ingels, Jack Kamen, Jack Davis, Wally Wood, and Al Feldstein (the cover artist) add to the allure, as does the virtually perfect condition of this Gaines file copy. This is the third highest-graded copy of this issue that CGC has certified to date. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $950.
The Haunt of Fear #7 Gaines File pedigree 3/12 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. This flawless copy may be the very best that you will ever have the opportunity to purchase. Johnny Craig covers are among the most popular in the EC line, and one look at this one will show you why. Jack Kamen, Jack Davis, and Graham Ingels all make contributions to this classic horror issue. Overstreet 2003 NM 9.4 value = $540.
The Haunt of Fear #7 (EC, 1951) CGC VF+ 8.5 Cream to off-white pages. EC was known for its gruesome and horrific art, and this issue is certainly no exception. Highlighted by a great Johnny Craig living dead cover, EC legends Jack Kamen, Jack Davis, and Ghastly Graham Ingels contribute story art to this classic issue. Overstreet 2003 VF 8.0 value = $300; VF/NM 9.0 value = $420.
The Haunt of Fear #12 Gaines File pedigree (EC, 1952) CGC NM+ 9.6 Off-white to white pages. Overstreet denotes this Graham Ingels cover as a "classic." One look at it and you will know why. The background detail is absolutely incredible, and Ingels' ability to render emotions is without equal. This issue also has the added bonus of an Al Feldstein biography. Johnny Craig and Jack Davis also chip in to make this issue stand out as one of the most collectible in the run. Needless to say, the condition on this CGC 9.6 copy is stunning. There is no Gaines File certificate accompanying this lot. Overstreet 2003 NM 9.4 value = $425.
The Haunt of Fear #13 Gaines File pedigree (EC, 1956) CGC NM+ 9.6 Off-white to white pages. Johnny Craig, Jack Davis and Jack Kamen all make contributions to this vintage 1950s EC horror issue. Like the vast majority of Gaines File copies, the condition on this one is absolutely stunning. Deep red colors, sharp corners, an unbroken spine, perfectly set staples and off-white to white pages identify this copy as one of the nicest in existence. There is no Gaines File certificate accompanying this lot. Overstreet 2003 NM 9.4 value = $400.
Haunt of Fear #16 (#2) Gaines File pedigree 1/9 (EC, 1950) CGC NM+ 9.6 Off-white pages. The Old Witch makes her first appearance in this issue from August of 1950, with Jack Kamen, the legendary "good girl" artist, providing "ugly girl" art for a change. Johnny Craig, Jack Davis, and George Evans help with interior art. The unusual yellow background for the navy blue logo makes this a particularly eye-catching cover irrespective of the signature Craig art. And once your eyes are caught, the outrageous condition of the Gaines File copy ensures they won't get away easily. Overstreet 2003 NM 9.4 value = $1,550.
The Haunt of Fear #16 (EC, 1952) CGC NM 9.4 Off-white pages. This is exactly the kind of cover your mother never wanted you to see. "Ghastly" Graham Ingels gives fans one of his most memorable covers, as he portrays a ghoulish-looking mad scientist monitoring the health of a headless corpse as he attempts to bring it back to life. Note the incredible detail in the sheet, the mad scientist and the bones in the drawer. This issue also features a Ray Bradbury adaptation and art by Jack Davis, Jack Kamen, and George Evans. This comic may not hail from a "name" collection, but its obvious charms and CGC-certified grade ensure that this book wouldn't be out of place among its pedigreed peers. Overstreet 2003 NM 9.4 value = $400.
The Haunt of Fear #16 (#2) (EC, 1950) CGC VF+ 8.5 Cream to off-white pages. The Old Witch, the ghoulish hostess of Haunt of Fear, makes her debut inside these pages. EC artistic luminaries Johnny Craig, Graham Ingels, and Jack Kamen are on board for the second issue of this classic horror series. This specimen is among the highest-graded copies in CGC's most recent census. Overstreet 2003 VF 8.0 value = $863; VF/NM 9.0 value = $1,207.
The Haunt of Fear 17 (#3) (EC, 1950) CGC FN/VF 7.0 Off-white to white pages. The triumvirate of EC horror hosts take over the cover of this early "New Trend" issue, and the Vault Keeper, Crypt Keeper, and Old Witch bring readers the origins of the Haunt of Fear, Vault of Horror, and Crypt of Terror. This issue was used in both Frederick Wertham's Seduction of the Innocent, and by the New York Legislative Committee in their anti-comic activities. Johnny Craig does the cover and one story inside, while Harvey Kurtzman, Graham Ingels, and Al Feldstein also pitch in with interior art. Overstreet 2003 FN 6.0 value = $345; VF 8.0 value = $863.
The Haunt of Fear #20 Gaines File pedigree 2/11 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. The detail on this Graham Ingels cover is absolutely breathtaking. His rendering of hands and feet is very distinctive, as is the linework on the wooden staircase. Johnny Craig and Jack Davis also pitch in to make this an issue to remember. With a razor-sharp cut, and perfect corners and spine, this example of Haunt of Fear #20 is truly remarkable. Overstreet 2003 NM 9.4 value = $400.
The Haunt of Fear #23 Gaines File pedigree 1/12 (EC, 1954) CGC VF/NM 9.0 White pages. Graham Ingels strikes terror in the hearts of the readers on this suspenseful cover. Frederick Wertham obviously took umbrage with this book and mentioned it in his scathing book, Seduction of the Innocent. This issue contains the masterful artwork of George Evans and Jack Kamen. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $219; NM 9.4 value = $280.
Impact #1 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white pages. Jack Davis is at his bizarre-best with this strange cover scene for the first issue of EC's short-lived title. On any one EC book, the line-up of artists was impressive, but the team on this issue, Graham Ingels, George Evans, Reed Crandall, and Bernard Krigstein (and Davis, of course, on the cover), rates a special nod. A couple of minor scrapes along the spine keep this one a wee bit less perfect than only one other copy of issue #1, according to CGC's most recent census data. Overstreet 2003 NM 9.4 value = $210.
Impact #3 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Cream to off-white pages. Don't be looking for the suspense, horror, or "twist" on this Jack Davis cover. It's just a humorous scene of an enterprising urchin upstaging the town skinflint. No one could combine the elements of small-town Americana, humor, urchins, skinflints, and horror quite like the venerable Mr. Davis. And this copy has preserved the scene in an extraordinary manner. One of the finest copies of issue #3 in existence, according to the latest CGC census. Overstreet 2003 NM 9.4 value = $110.
Impact #4 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white to white pages. The condition of this book will knock you off your feet! Another incredible gem from the personal files of Mr. EC himself, William M. Gaines. This comic has it all: full gloss, sharp corners, bright colors, and almost no wear at all. Many a dealer would have given this beauty the full nod, NM. With art by Jack Davis, Reed Crandall, Graham Ingels, and more, how could you ask for more? There is a tiny ding on the bottom left corner of the back cover. This piece of history can be yours for the buying, to treasure for eternity. Overstreet 2003 NM 9.4 value = $110.
Impact #5 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white pages. EC's "New Direction" came to a close with the final issue of this and its other remaining titles. How very sad for everyone, except maybe a few would-be bastions of the moral fiber of America's youth. This copy is so beautiful, you will enjoy the back cover ad as much as most other comic books' front covers. Just a bit of spine stress and scrape keep this from the coveted Near Mint designation. Overstreet 2003 NM 9.4 value = $110.
Mad #3 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white to white pages. Harvey Kurtzman draws a humorous cover of a vampire imp stalking a lonely man stranded in a dark and creepy cemetery. This issue also has some great John Severin interior artwork. This stunning Gaines File copy has awesome colors and great gloss. While CGC has certified this book as a Gaines File copy, there is no certificate accompanying this lot. Overstreet 2003 NM 9.4 value = $1,150.
Mad #4 (EC, 1953) CGC NM 9.4 Off-white pages. Harvey Kurtzman, in his unique style, draws another cool cover for this issue, which features a Superman parody drawn by Wally Wood, and has a drug reference in the "Flob Was a Slob" story rendered by Jack Davis. John Severin contributes a Robin Hood parody, while Bill Elder lampoons the Shadow. A stunning copy, all the more impressive because it's not one of the Gaines file copies. Overstreet 2003 NM 9.4 value = $1,150.
Mad #19 (EC, 1955) CGC FN+ 6.5 Cream to off-white pages. Harvey Kurtzman and his zany crew do it again with this wild issue, which features the "Mickey Rodent" story by Bill Elder and Wally Wood's funny "Caine Mutiny" take-off. Jack Davis rounds out the issue with "Supermarkets," the first panel of which shows a market full of shopping Superman clones! This is a nice, sharp copy that looks good for the grade; a small arrival date penciled on the cover doesn't detract much. Overstreet 2003 FN 6.0 value = $115.
Mad #22 (EC, 1955) CGC NM- 9.2 Off-white pages. The original Mad comic book, under editor Harvey Kurtzman, did some wild and wacky things in its short, 23-issue run (before it converted to a magazine with issue 24.) This was by far the wackiest idea yet -- an all Bill (or Will, as he later liked to be called) Elder issue. Elder's art, crammed with incredible sight gags, was like no other. And the idea of a joke-filled "life story" about Bill probably seemed pretty funny to Harvey; however, there must of been some puzzled kids wondering what they had just spent ten cents on back in 1955! This copy is very pretty, though. Overstreet 2003 NM 9.4 value = $525.
Silver Age (1956-1969)
Mad #31 Gaines File pedigree (EC, 1957). Kelly Freas starts as a regular artist in this issue, which also features art by Wally Wood, Jack Davis, Norman Mingo, and Basil Wolverton. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. This has not been graded by CGC, but other Gaines File copies submitted to CGC to date have almost always been certified in high grade. Having never been in general circulation helps, of course, as has the extraordinary preservation efforts designed by Gaines five decades ago. Overstreet 2003 NM 9.4 value = $325.
Mad #32 Gaines File pedigree (EC, 1957). Mort Drucker, Joe Orlando, and George Woodbridge start as regulars with this issue that also features art by Wally Wood, Norman Mingo, and Kelly Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2003 NM 9.4 value = $280.
Mad #37 Gaines File pedigree (EC, 1958). Ernie Kovacs contributes to this issue, which has art by Wally Wood, Norman Mingo, and Kelly Freas. There is a small tear and crease at the top of cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2003 NM 9.4 value = $165.
Mad #38 Gaines File pedigree (EC, 1958). Writers include Ernie Kovacs, and Bob and Ray. Art by Wally Wood, Norman Mingo, Joe Orlando, and Kelly Freas is featured. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. The Gaines File copy of this magazine is much scarcer than Gaines File copies of most of the EC comic book issues. Twelve copies of each MAD comic book were saved by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Overstreet 2003 NM 9.4 value = $165.
Golden Age (1938-1955)
M.D. #2 Gaines File pedigree 1/12 (EC, 1955) CGC VF+ 8.5 Off-white to white pages. This sensational cover by Johnny Craig was the good news. That only a few more issues of EC comic books were to be published was the bad news. The "New Direction" titles from EC present a great opportunity to procure bargains relative to other EC titles. And, as "only" a Very Fine Plus (it's still supremely gorgeous), this book may be ridiculously undervalued. Overstreet 2003 VF 8.0 value = $60; VF/NM 9.0 value = $85.
M.D. #4 Gaines File pedigree 1/12 (EC, 1955) CGC NM- 9.2 Off-white pages. Watered-down EC was still superior to most any other comic publisher, but the "New Direction" titles just didn't stand a chance for success in the restrictive, censorship-crazed climate of the mid-1950s. But, oh, that EC art! It was awe-inspiring to the end. Here we are gifted with a Johnny Craig cover, plus interior mastery by Reed Crandall, George Evans, Graham Ingels, and Joe Orlando. Overstreet 2003 NM 9.4 value = $110.
Panic #8 Gaines File pedigree 11/12 (EC, 1955) CGC NM+ 9.6 White pages. The companion title to Mad just ran for 12 issues, and often gets overlooked among more popular EC titles. So your chances for winning this primo Gaines File copy might just be better than you'd think. Wally Wood, Jack Davis, Joe Orlando, and Bill Elder provide the art. Overstreet 2003 NM 9.4 value = $125.
Picture Stories from Science #1 Gaines File Copy 4/11 (EC, 1947) VF/NM 9.0 Off-white to white pages. This first scientific issue from Educational Comics boasts a cover than almost would look at home on an future issue of Weird Science. It's a copy from William Gaines' personal files, and includes a certificate of authenticity. It looks great, despite a few very minor storage problems. In fact, CGC lists only one issue with a higher grade at this time. Overstreet 2003 VF/NM 9.0 value = $239; NM 9.4 value = $300
Picture Stories from the Bible Old Testament #1 Gaines File pedigree (EC, 1946) CGC NM 9.4 Off-white pages. From Adam and Eve to Noah, from Abraham to Jacob, this issue chronicles the first entries of the Old Testament. Just one other copy of the issue has been given a higher grade by CGC to date. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $175.
Piracy #3 Gaines FIle Copy 9/12 (EC, 1955) CGC NM+ 9.6 Off-white to white pages. A lovely copy of one of EC's later comics, with gorgeous art from Reed Crandall, George Evans and Graham Ingels. From William Gaines' private file copies; this book is topped by only one other copy in CGC's current census. Included with this lot is a certificate of authenticity. Overstreet 2003 NM 9.4 value = $165.
Piracy #4 Gaines File pedigree 5/12 (EC, 1955) CGC NM+ 9.6 White pages. Another of the fine covers Reed Crandall drew for the EC gang. This beautiful book also has interior art by Crandall, George Evans, Graham Ingels, and Bernie Krigstein. A terrific investment, this is the last pre-Code issue. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $165.
Piracy #6 Gaines File pedigree 1/12 (EC, 1955) CGC NM 9.4 Off-white to white pages. Bernie Krigstein's blinding cover ranks with the best of EC's eye-catching offerings, and that's high praise, indeed. The reds, oranges, and yellows are particularly accentuated by this primo file copy, which shows precious few imperfections. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $165.
Psychoanalysis #3 Gaines File pedigree 7/12 (EC, 1955) CGC VF/NM 9.0 Off-white pages. Here's a surreal cover by Jack Kamen, complete with giant floating eyes and an eerie barren landscape. Kamen also provides all of the interior art. This is a truly beautiful comic with sharp corners, vivid color, and rich gloss, marred only by a few transverse lines of spine stress. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $128; NM 9.4 value = $165.
Shock SuspenStories #6 (EC, 1952) CGC NM/MT 9.8 Off-white to white pages. A classic hooded vigilante bondage cover by Wally Wood kicks off this landmark issue. The shocking story inside, "Under Cover" attempts to blow the lid off the "hooded peddlers of racial, religious, and political hatred" of groups like the KKK. Serious stuff for 1953! There's also art by Jack Kamen, Joe Orlando, and ghastly Graham Ingels inside, but the real story here is the condition of this copy. Pin-point corners, a perfect spine, great color -- this one is remarkable. Even more surprising, it's not a Gaines File copy. Overstreet 2003 NM 9.4 value = $500.
Shock SuspenStories #12 Gaines File pedigree (EC, 1953) CGC VF/NM 9.0 White pages. This is the classic drug addiction cover. You don't have to be familiar with heroin addiction to feel the horrors of withdrawl -- the grimacing expression and clawing hand of the junkie on the cover speak volumes. Great art by the incredible amazingly talented Al Feldstein. The line up of story artists in this issue includes Jack Kamen, Joe Orlando, Crandall, and Wally Wood. There are currently only two copies of this issue that have been graded higher by CGC. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 VF/NM 9.0 value = $338; NM 9.4 value = $435.
Shock SuspenStories #17 Gaines File pedigree (EC, 1954) CGC NM- 9.2 Off-white to white pages. Some wear at the middle of the top cover edge drops this otherwise beautiful book into the 9.2 range. Jack Kamen, Reed Crandall, and George Evans give us the fantastic artwork we've learned to expect from them. Although CGC has certified this as a Gaines File copy, there is no certificate accompanying this lot. Overstreet 2003 NM 9.4 value = $240.
Tales From the Crypt #20 (EC, 1950) CGC VF 8.0 Cream to off-white pages. The discovery of one's date of death has long been a popular theme in thriller fiction, and Johnny Craig employs the idea here with gloomy expertise. Artists Al Feldstein and Graham Ingels also contribute interior stories. This is the "first" issue of Tales From the Crypt -- the series was formerly titled The Crypt of Terror. This solid copy, commanding vibrant cover colors, is among CGC's highest-graded specimens. Overstreet 2003 VF 8.0 value = $825.
Tales From the Crypt #21 (EC, 1951) CGC VF/NM 9.0 Cream to off-white pages. Convicted killer Cooper may have gotten the chair, but he didn't keep his seat... Al Feldstein offers this creepy cover, and is joined inside by artists Wally Wood, Harvey Kurtzman, and Graham Ingels. This is one of the highest-graded copies to appear in CGC's current census. Overstreet 2003 VF/NM 9.0 value = $950; NM 9.4 value = $1,225.
Tales From the Crypt #24 (EC, 1951) CGC FN/VF 7.0 Cream to off-white pages. Al Feldstein's terrifying visions have been given life through his fantastic cover art for EC horror books such as this one. The rotting zombie is dragging his hapless victim into the inescapable quicksand. These books struck a chord with readers, depicting everyday people unwittingly sucked into unearthly situations. EC comics are considered to be the height of the horror genre, and this issue even has some highbrow appeal with an Edgar Allan Poe adaptation. The artists who contributed story art to this issue were Jack Davis, Graham Ingels, Johnny Craig, and Wally Wood. Overstreet 2003 FN 6.0 value = $162; VF 8.0 value = $405.
Tales From the Crypt #25 (EC, 1951) CGC VF- 7.5 Off-white pages. Al Feldstein does one of his six covers for the title, which evolved from The Crypt of Terror, which evolved from Crime Patrol, which evolved from International Crime Patrol, which evolved from International Comics (whew!). We think they finally got it right with the final name! Jack Davis, Graham Ingels, Wally Wood, and Jack Kamen make the insides as good as the cover. And this very attractive copy would surely have graded higher if not for a tiny corner missing from the bottom left corner of the back cover. From the front it looks like a "killer" comic, but won't command the "killer" price of a high-grade copy. Overstreet 2003 VF 8.0 value = $405.
Tales From the Crypt #28 (EC, 1952) CGC VF/NM 9.0 Cream to off-white pages. Al Feldstein's frightening "buried alive" cover will make you opt for cremation. The all-star artistic line-up in this issue includes Jack Davis, Joe Orlando, Graham Ingels, and Jack Kamen. A biography of Orlando is also included. A truly beautiful copy. Overstreet 2003 VF/NM 9.0 value = $452; NM 9.4 value = $580.
Tales From the Crypt #31 (EC, 1952) CGC VF+ 8.5 Off-white pages. This issue is notable for Al Williamson's first work at EC. It also has a lot of the EC staff showing up inside: Jack Kamen draws himself, Gaines, and Feldstein, while Johnny Craig and Jack Davis draw themselves into the story. And let's not forget the absolutely horrific cover depicting a hapless peasant about to have his hands amputated. This issue was cited in Parade of Pleasure, and is in great condition considering that no "name" pedigree is associated with it. No single defect determines the grade for this issue, it has just an accumulation of light general wear. Overstreet 2003 VF 8.0 value = $330; VF/NM 9.0 value = $465.
Tales From the Crypt #35 (EC, 1953) CGC VF+ 8.5 Cream to off-white pages. Jack Davis' biting cover sets the pace for this eerie issue, and Davis, Jack Kamen, and Graham Ingels continue in a similar vein inside. This is a superlative copy with tight staples, alluring cover gloss, and bright interior pages. Overstreet 2003 VF 8.0 value = $285; VF/NM 9.0 value = $400.
Tales From the Crypt #39 (EC, 1953) CGC VF 8.0 Off-white to white pages. A crazed maniac teaches some impudent youngsters not to loiter in graveyards after nightfall on this great Jack Davis cover. Jack Davis was one of just a few to draw for all the EC titles in the 1950s, including Mad and Panic. Jack Kamen, Graham Ingels, and Joe Orlando join Davis in drawing interior stories on this issue. This nice copy has sharp corners and a cover that displays bright whites, deep blacks, and vivid colors. Overstreet 2003 VF 8.0 value = $285.
Tales From the Crypt #43 (EC, 1954) CGC VF/NM 9.0 Off-white to white pages. Jack Davis' unique upshot on this provocative cover adds a new perspective on airline overbooking. This is a drop-dead gorgeous copy; with its sharp interior pages and tight, bright cover, it's easy to see why only three copies have graded higher in CGC's current census. Overstreet 2003 VF/NM 9.0 value = $389; NM 9.4 value = $500.
Tales From the Crypt #45 (EC, 1954) CGC VF 8.0 White pages. Could anything be more horrifying than being cast adrift at sea? Jack Davis' chilling cover suggests an even more gruesome fate. This is the next-to-last issue of Tales From the Crypt, and includes two pages depicting the EC staff. This is a super copy, and its white interior pages bring Bernie Krigstein's and Graham Ingels' art to life. Overstreet 2003 VF 8.0 value = $278.
Two-Fisted Tales #18 Gaines File pedigree 6/7 (EC, 1950) CGC NM/MT 9.8 Off-white pages. This is the first issue of Two-Fisted Tales, the brainchild of Harvey Kurtzman. Unlike most war comics of the time, Two-Fisted Tales transcended the typical patriotic fare, and stared right into the eyes of tough moral questions raised by war. This is an unbelievably beautiful 9.8 copy -- truly a pristine example of perhaps the rarest Gaines File Copy (only seven copies saved), except for Vault of Horror #12. They simply don't come better than this. Al Feldstein, Wally Wood, and Johnny Craig contributed art to this issue. Overstreet 2003 NM 9.4 value = $1,100.
Two-Fisted Tales #22 Gaines File pedigree 7/10 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. Many consider EC comics to be the best ever produced, and their war titles were no exception. Wally Wood, Harvey Kurtzman, and John Severin, among many other great artists, conveyed a surreal atmosphere of fear, horror, and valor that took the American ideal of heroic glory on the battlefield and tossed it into the trenches. Any issue of Two-Fisted Tales is difficult to find in high grade and Gaines File copies are acknowledged as the best in existence. This copy has an incredible cover by Harvey Kurtzman, and is in near-pristine condition, with full gloss. Overstreet 2003 NM 9.4 value = $425.
Two-Fisted Tales #24 Gaines File pedigree 3/10 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. Witness a truly spellbinding example of quality and content! This gorgeous copy -- number three of ten from the collection of William M. Gaines -- boasts CGC's highest grade from the most recent census. A certificate of authenticity signed by William Gaines, Robert Overstreet, and Russ Cochran verify this specimen's source. The comic book itself spotlights the talents of such EC luminaries as Jack Davis and Wally Wood, although you may have a hard time taking your eyes off of Harvey Kurtzman's riveting cover to even crack open the book. Overstreet 2003 NM 9.4 value = $335.
Two-Fisted Tales #30 Gaines File pedigree 3/11 (EC, 1952) CGC NM- 9.2 Off-white to white pages. Delivering tales of "War and Fighting Men," this classic cover, graphically rendered by Jack Davis, showcases just one of the many dangers those men fell prey to. This issue features interior work by Davis, Gene Colan and Wally Wood, and suffers from only the most minor of flaws -- overall, a very impressive book. Overstreet 2003 NM 9.4 value = $240.
Vault of Horror #13 Gaines File pedigree 4/9 (EC, 1950) CGC NM+ 9.6 Off-white to white pages. Johnny Craig wasted no time incorporating the undead into his covers on this oldest of comic horror titles. Craig uses shades of purple ever so effectively, creating the mood that would define EC's horror titles for the next several years. This is such a near-perfect copy, we can't really tell why the "Near" is even used in grading the book. Overstreet 2003 NM 9.4 value = $1,265.
Vault of Horror #13 (EC, 1950) CGC FN/VF 7.0 Cream to off-white pages. Remember those comics that terrified you as a kid? This was one of them. Despite the issue number, this is the true second issue of this title (it was War Against Crime for the first 11 issues). It's also memorable for the infamous Morphine story contained within its pages. The spooky walking dead cover is by the great Johnny Craig, while Wally Wood, Graham Ingels, Harvey Kurtzman, and Al Feldstein provide story art. Overstreet 2003 FN 6.0 value = $282; VF 8.0 value = $705.
Vault of Horror #14 Gaines File pedigree 4/9 (EC, 1950) CGC NM 9.4 White pages. Cover artist Johnny Craig uses bright, pretty colors to portray a terrifying scene. A corner dent on the upper back cover holds this outrageous copy "down" to a mere Near Mint, but it still earns the highest grade yet certified by CGC for issue #14. Overstreet 2003 NM 9.4 value = $1,150.
Vault of Horror #14 (EC, 1950) CGC VF/NM 9.0 Off-white pages. The vibrant colors on this Vault of Horror are mesmerizing, as is its captivating voodoo ritual. The cover art is by Johnny Craig, and Graham Ingels and Al Feldstein provide stories inside. Only four copies in CGC's current census are graded higher than this beautiful example. Overstreet 2003 VF/NM 9.0 value = $894; NM 9.4 value = $1,150.
Vault of Horror #15 (EC, 1950) CGC VF 8.0 Off-white pages. Here's the fourth issue of this horror standard with cover art by Johnny Craig showing what happens when a nocturnal grave digger digs just a little too deeply. Interior art is by Al Feldstein, Craig, Jack Kamen, and "Ghastly" Graham Ingels. This issue's story titled "Terror in the Swamp" is the same story (with minor changes) as "The Thing in the Swamp" from Haunt of Fear #15. While this may not be an ultra high-grade Gaines File copy, it's still a beautiful copy that's sure to please any true EC fan-addict. Overstreet 2003 VF 8.0 value = $540.
Vault of Horror #18 Gaines File pedigree 9/12 (EC, 1951) CGC NM/MT 9.8 Off-white to white pages. The horror comics produced by EC Comics are arguably the best ever. Graham Ingels and Jack Kamen, along with other great artists, illustrated gut-wrenching stories which have influenced every medium using the horror format. The Gaines file copies are generally acknowledged as the best in existence. This issue has an excellent cover by Johnny Craig. The look of terror on the man's face contrasts nicely with the romantic, unsuspecting features of the woman, as the ghoul rises from the well behind them. This copy is nearly pristine with exceptional gloss, and earns CGC's highest grade yet for this issue. Overstreet 2003 NM 9.4 value = $580.
Vault of Horror #18 (EC, 1951) CGC VF+ 8.5 Off-white pages. It looks like his wish didn't come true, but yours can if you are looking for a solid, attractive copy of this great EC horror comic. A great, ghoulish cover illustration hammers home the EC impact we all love so much. Featured artists include Johnny Craig, Jack Davis, Jack Kamen, and Graham Ingels. This copy has great eye-appeal and should fit well in most high-grade collections. Overstreet 2003 VF 8.0 value = $323; VF/NM 9.0 value = $452.
Vault of Horror #19 (EC, 1951) CGC VF+ 8.5 Cream to off-white pages. The EC sense of irony is masterful. Here on Johnny Craig's cover, the young, comely girl bemoans the loss of her deceased lover, and wishes for his return. Unfortunately her wish is granted, as the rotting corpse of her dead beau approaches, risen from his grave. That sense of gruesome irony is a hallmark of EC comics, and the interior stories by Jack Davis, Jack Kamen and Graham Ingels carry on the theme. The condition is above average, we see no major defects, just light peripheral wear and a penciled distributor's mark on the back cover. Overstreet 2003 VF 8.0 value = $323; VF/NM 9.0 value = $452.
Vault of Horror #20 Gaines File pedigree 9/12 (EC, 1951) CGC NM/MT 9.8 White pages. Blood and gore as you like it! Rendered by Johnny Craig, Graham Ingels, Jack Kamen, and Jack Davis, to guarantee your satisfaction! We've scrutinized this unbelievable copy, and are hard-pressed to find any fault, but there is the smallest dent at the top of the spine. Maybe that's why CGC didn't give this a Very Mint 10.2. No copy so far has graded higher in CGC's census, and none is likely to. Overstreet 2003 NM 9.4 value = $475.
Vault of Horror #21 (EC, 1951) CGC VF 8.0 Off-white pages. Johnny Craig's humor came through on many of his covers even as he was creeping the reader out with such devices as the alligator-rent limbs of a poor soul who just wanted to stay dead in peace, shown on the cover of an issue which featured the interior works of Craig, Jack Davis, and Jack Kamen. This sharp comic has great color and page quality. Always a good read, EC horror comics of this vintage are hard to beat for quality storytelling. Overstreet 2003 VF 8.0 value = $263.
Vault of Horror #22 Gaines File pedigree 1/12 (EC, 1951) CGC NM 9.4 Off-white to white pages. This exquisite copy has deep, rich colors, and a crisp spine, with square corners. The Frankenstein cover by Johnny Craig is a nice introduction to the excellent interior artwork by Graham Ingels, Jack Davis, and Jack Kamen. The Gaines file copies make up the nicest collection of EC comics to ever surface, and will probably never be improved upon. To date, only one other copy has received a higher CGC grade.Overstreet 2003 NM 9.4 value = $475.
Vault of Horror #23 Gaines File pedigree 9/12 (EC, 1952) CGC NM/MT 9.8 Off-white pages. Just another superlative, fetid cover that the title is famous for, this one by Johnny Craig. And it's another exquisite copy, the top-ranked as yet in CGC's census for this issue. Take a good look. Can you find any imperfections? This issue was cited in Parade of Pleasure, but you knew that. Overstreet 2003 NM 9.4 value = $475.
Vault of Horror #25 (EC, 1952) CGC VF 8.0 Cream to off-white pages. This issue features one of the more popular Johnny Craig covers, as a group of naive seance participants raise a spirit which is probably better left unsummoned. Graham Ingels, Craig, Jack Kamen and Jack Davis provide the interior artwork. This is a nice example of this issue, not high-grade but still very attractive and collectible. Overstreet 2003 VF 8.0 value = $263.
Vault of Horror #26 (EC, 1952) CGC VF/NM 9.0 Cream to off-white pages. The dead and decaying hands, bursting up through the street in front of the oncoming car on this cover, would be enough to scare the heck out of anybody; Geoffrey Wagner, the author of Parade of Pleasure certainly agreed, featuring both color and black-and-white photos of this comic in his book. Johnny Craig certainly knew how to capture the imagination of his reading public. Al Feldstein, Johnny Craig, Jack Davis, Sid Check, and Graham Ingels all contributed interior art for this issue. Overstreet 2003 VF/NM 9.0 value = $369; NM 9.4 value = $475.
Vault of Horror #27 Gaines File Copy 1/12 (EC, 1952) CGC NM 9.4 Off-white to white pages. For many collectors, EC produced the quintessential comic books. The stories are written to a high standard, and they typically feature the most renowned artists in the field (this issue contains work by Johnny Craig, Jack Davis, Graham Ingels and George Evans). Additionally, the condition and aesthetic beauty of "Gaines Copies" is legendary. This particular comic is listed as number one out of twelve copies, which means Bob Overstreet and Russ Cochran, along with Gaines himself, considered this one as the best of the lot. A Certificate of Authenticity is included. Overstreet 2003 NM 9.4 value = $380.
Vault of Horror #28 Gaines File pedigree 9/12 (EC, 1953) CGC NM/MT 9.8 Off-white pages. Here is an unread/uncirculated comic from publisher William Gaines' personal files. This classic zombie cover by Johnny Craig aptly conveys the frenzy of the voodoo ritual. The horror comics produced by EC are unquestionably among the best ever, and the Gaines file copies are acknowledged as the best in existence. This comic is almost immaculate, and has extraordinary gloss. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $380.
Vault of Horror #28 (EC, 1953) CGC NM- 9.2 Off-white pages. The horror comics produced by EC are unquestionably among the best ever. This issue's classic zombie cover by Johnny Craig aptly conveys the frenzy of the voodoo ritual. Inside readers are treated to stories with art by Craig, Jack Davis, George Evans, and Graham Ingels. CGC has graded other copies of this issue higher, but this example is still very impressive - clean, sharp, and in it's own horrific way, beautiful. Overstreet 2003 NM 9.4 value = $380.
Vault of Horror #29 Gaines File Copy 1/11 (EC, 1953) CGC NM 9.4 Off-white to white pages. A ghoulish cover by Johnny Craig, plus stories by Graham Ingels, Jack Davis and Jack Kamen add up to some solid spooky entertainment, EC-style. This particularly nice copy is listed on the accompanying certificate of authenticity as number one out of eleven, meaning that Bill Gaines, Bob Overstreet, and Russ Cochran all chose it as the best of the bunch. As with all Gaines copies, it appears neat as a pin. Overstreet 2003 NM 9.4 value = $380.
Vault of Horror #31 Gaines File Copy 9/12 (EC, 1953) CGC NM 9.4 Off-white to white pages. Ray Bradbury, one of America's favorite science fiction and fantasy authors, gets a story adapted this issue, plus a biography. Art by the usual killer crew of Graham Ingels, Wally Wood, Jack Davis and Johnny Craig. This beautiful copy comes from EC publisher William Gaines' private stash of comics, and comes with a certificate of authenticity signed by Bill Gaines, Bob Overstreet and Russ Cochran. Overstreet 2003 NM 9.4 value = $380.
Vault of Horror #38 Gaines File Copy 1/12 (EC, 1954) CGC NM+ 9.6 Off-white to white pages. Collecting black covers is a distinct genre. It is a difficult task to find them in high-grade since the black field shows even the most minor amount of wear. This book is the perfect specimen for such a collector, with art by the exemplary EC staff, including Graham Ingels, Jack Davis, Bernard Krigstein and Johnny Craig. This book was chosen by Bill Gaines, Russ Cochran, and Bob Overstreet as the nicest example of this issue among all 12 file copies. Overstreet 2003 NM 9.4 value = $475.
Weird Fantasy 13 (#1) (EC, 1950) CGC VF/NM 9.0 Off-white pages. The ground-breaking science-fiction comics from EC all started with this book, the first of their sci-fi line. The numbering was a continuation of previous titles -- the last being A Moon, A Girl, Romance. In addition to the Al Feldstein cover, there's art by Jack Kamen, Wally Wood and Harvey Kurtzman inside. This is a super sharp copy, and is as nice as you're likely to find outside of the Gaines File copies. Overstreet 2003 VF/NM 9.0 value = $1,944; NM 9.4 value = $2,500.
Weird Fantasy #15 (EC, 1952) CGC NM 9.4 Off-white pages. Al Feldstein's lovestruck monster/girl-in-bondage cover is positively enthralling on this Near Mint copy. Al Williamson (inked by George Evans), Jack Kamen, and Joe Orlando provide interior art. Only one copy of this issue has received a higher grade from CGC to date. Overstreet 2003 NM 9.4 value = $435.
Weird Science #7 (EC, 1951) CGC NM- 9.2 Off-white to white pages. Al Feldstein's terrific cover expertly embodies the 1950s interpretation of space exploration. The stellar quality of this copy will send you into orbit. Only the hint of minor staple stress keeps this gem from soaring to an even higher grade. It's among the highest graded specimens of this issue currently found in CGC's census. Overstreet 2003 NM 9.4 value = $625.
Weird Science #10 Gaines File pedigree 4/11 (EC, 1951) CGC NM+ 9.6 Off-white to white pages. An eye-popping Wally Wood cover introduces this incredible book. Wally Wood, Jack Kamen, and Joe Orlando do the interior art for this issue. Gaines File books are legendary for their jaw-dropping state of preservation, and this example is no exception. A single faint line of stress midway up the spine must determine the grade; this book is otherwise perfect. Overstreet 2003 NM 9.4 value = $625.
Weird Science #12 Gaines File pedigree 10/11 (EC, 1952) CGC NM- 9.2 Off-white to white pages. Wally Wood gives us a fun zero-G cover on this great book. Wood always could draw the coolest spaceship interiors around, and the floating puppy is just adorable. There is also interior artwork by Wood, Jack Kamen and Joe Orlando. A stunning copy with rich, vibrant color, a near perfect spine, and an impeccable pedigree. Overstreet 2003 NM 9.4 value = $435.
Weird Science #17 Gaines File pedigree (EC, 1953) CGC NM 9.4 Off-white to white pages. Wally Wood's first work at EC came on this title, and he seemed at his best mixing the elements of outer space, monsters, and (of course) the renowned Wood women. This cover seemed particularly inspired. Wood also contributed story art in this issue, joined by fellow EC greats Al Williamson, Joe Orlando, and Jack Kamen. The issue was so good, it rated mention in Parade of Pleasure! A senses-numbing copy from the Gaines Files, only two other copies of issue #17 have managed a higher grade from CGC at NM+ 9.6. While CGC has certified this as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $460.
Weird Science #18 Gaines File pedigree 4/12 (EC, 1953) CGC VF+ 8.5 Off-white pages. A dramatic atomic bomb cover by Wally Wood and interior artwork by Wood, Jack Kamen, Joe Orlando, and Al Williamson make this issue a true fan-favorite. One of the stories, "Mars is Heaven," is a Ray Bradbury adaptation. To date, only one copy of this issue has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $255; VF/NM 9.0 value = $358.
Weird Science #19 Gaines File pedigree 7/10 (EC, 1953) CGC NM+ 9.6 Off-white to white pages. Wally Wood gives us another fantastic and shocking cover on this memorable issue, featuring interior art by Frank Frazetta as well as the usual contributions by Wood and Al Williamson. This comic was featured in Frederick Wertham's Seduction of the Innocent with an illustration and the caption, "A young girl on her wedding night stabs her sleeping husband to death with a hatpin..." As for the condition, Near Mint Plus 9.6 pretty well says it all. Overstreet 2003 NM 9.4 value = $595.
Weird Science-Fantasy #25 Gaines File pedigree 8/12 (EC, 1954) CGC NM- 9.2 Off-white to white pages. What a line-up! Here we've got an Al Williamson cover plus interior artwork from Williamson, Roy Krenkle and Wally Wood. You also get a Ray Bradbury adaptation. Just the fact that Bill Gaines himself handled the comics from the Gaines File collection, as well as the mind-boggling condition, make them much more desirable that comparable copies from any other collection. After two issues with a price increase to fifteen cents, this issue was the first to go back to ten cents to keep the price in line with other comics. Overstreet 2003 NM 9.4 value = $460.
Platinum Age (1897-1937)
100 Pages of Comics #1 (Dell, 1937) CGC NM- 9.2 Off-white pages. The square binding and stiff covers would normally preclude this book from even coming close to high-grade. Squarebound giants from the 1960s are extremely rare in this kind of condition, and this book is from the 1930s. It features Wash Tubbs, Captain Easy, Major Hoople, Alley Oop, Tom Mix, and Tailspin Tommy. Don't miss this rare opportunity to get a Near Mint book that is over 65 years old. Overstreet 2003 NM 9.4 value = $1,800.
Golden Age (1938-1955)
4 Most #3 Mile High pedigree (Novelty Press, 1942) CGC VF- 7.5 Off-white pages. Three cheers for the Red, White and Blue! A patriotic flag cover from the early days of World War II adorns this issue, which marks the beginning of the adventures of Dan'l Flannel. Patriotism never goes out of style, and neither do these Golden Age gems. Overstreet 2003 VF 8.0 value = $246.
Big Little Book
Better Little Book Group (Whitman, 1937-42) Condition: Average VG. This is a nice looking, widely varied lot of 16 Better Little Books, one Big Little Book, four All Picture Comics published by Whitman, and one published by Saalfield. This is a detailed list of the items in this lot. Blondie - "Who's the Boss?" #1423 (1942), Blondie - "Cookie and Daisy's Pups" #1491 (1943), Donald Duck - "Headed for Trouble" #1430 (1942, complete but some pages are loose), Donald Duck - "Off the Beam" #1438 (1943), Kayo and Moon Mullins - "The One Man Gang" #1415 (1939), Little Annie Rooney - "On the Highway to Adventure" #1406 (1938), Li'l Abner - "Among the Millionaires" - #1401 (1939), Mandrake the Magician and the Midnight Monster #1431 (1939), Mickey Mouse and the Magic Lamp #1420 (1942), Mickey Mouse and the Dude Ranch Bandit #1471 (1943), Popeye - "In Quest of his Poopdeck Pappy" #1450 (1937), Smokey Stover - "The Foo Fighter" #1421 (1938), Snow White and the Seven Dwarfs #1460 (1938), Tailspin Tommy and the Sky Bandits #1494 (1938), and Tillie the Toiler and the Wild Man of Desert Island #1442 (1941, tape on spine). The Big Little Book is Jungle Jim and the Vampire Woman #1139 (1937) (complete but some pages loose). The Saalfield is Gulliver's Travels #1172 (1939), The All Pictures Comics are an interesting oddball form of comic books. They are actually paneled comic books in hardback form. First is Popeye #1406 (1942), Porky Pig #1408 (1942), and Smokey Stover #1413 (1942). We also have an All Picture Comics Tall Comic Book #532 (1943). Lastly, to round out this lot is a coverless copy of a Blondie book that can only be described as a filler. Estimated value for the group = $500.
Golden Age (1938-1955)
Air Fighters Comics V1#5 (Hillman Fall, 1943) CGC FN/VF 7.0 Cream to off-white pages. Air Fighters always had some of the most fun and imaginative war covers of all Golden Age comics. On this cover Airboy and his plane "Birdie" find themselves in the clutches of a giant Japanese octopus, so Airboy starts hacking away with an axe! Skywolf, Iron Ace and the other usual supporting characters are all inside. Bob "Fuje" Fujitani art is featured, along with other Hillman talents. Only two copies of this issue have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $324; VF 8.0 value = $675.
Air Fighters Comics V1#6 (Hillman Fall, 1943) CGC VF 8.0 Cream to off-white pages. Airboy flies in with his guns blazing while the enemy Japanese, pictured as scurrying rats, get blasted on this amazing cover. Always in high demand, this book is coveted for its unabashed propaganda value. Shamefully racist by today's standards, but drawn during World War II, this comic can always be expected to generate a lot of interest from collectors. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $763.
Air Fighters Comics V1#7 (Hillman Fall, 1943) CGC VF 8.0 Cream to off-white pages. Airboy never hesitated to shoot to kill, and he's gunned down at least four Japanese soldiers on this violent cover. Add the giant swastika and you've got a book that Overstreet describes as a "classic" cover. This comic is remarkably clean and bright with sharp edges and corners. CGC has currently certified a higher grade for just one other copy of this issue. Overstreet 2003 VF 8.0 value = $706.
Air Fighters Comics V2#8 (Hillman Fall, 1944) CGC VF- 7.5 Cream to off-white pages. World War II gave our country plenty of heroes, and in the world of comic books, Airboy was one of the best. This issue sports a well-known "newspaper" cover, and the colors are fantastic and bold. This book is sure to thrill the lucky winner, so have your bids ready! Overstreet 2003 VF 8.0 value = $406.
Air Fighters Comics V2#8 Mile High pedigree (Hillman, Fall 1944) CGC VG/FN 5.0 Off-white pages. A classic cover has made this a choice issue for long-time Golden Age collectors. This is the Edgar Church copy, and while this one is not as high-grade as many of the Mile High books, it's still really nice. Lots of color here, flat and tight, with only minor spine wear means that while this copy was read several times, it was still handled with care. It's a lovely book. Overstreet 2003 VG 4.0 value = $130; FN 6.0 value = $195.
All Hero Comics #1 Mile High pedigree (Fawcett, 1943) CGC FN/VF 7.0 White pages. Here is a very early 100 page giant size comic that has lasted these many years in wonderful condition. In fact, this Edgar Church pedigree is so gorgeous, it defies its age and with Captain Midnight, Lance O'Casey, Captain Marvel, Captain Marvel Jr, Ibis, the Golden Arrow and Spy Smasher in this issue, you have a classic line-up of stars. The white background on this issue is flawless and the deep rich colors let you know that you are holding the legendary Mile High copy in your hands. This issue comes with the original Mile High receipt with the original asking price. Overstreet 2003 FN 6.0 value = $495; VF 8.0 value = $1,031.
All-New Comics #10 Mile High pedigree (Harvey, 1944) CGC NM- 9.2 White pages. An intense Alex Schomburg cover that is difficult to take in without hyperventilating. With a rainbow array of deep colors which are as clear and bright as when new, the reader is drawn inexorably to this book. An appearance by the Zebra, who was crossing over from Green Hornet Comics, plus Joe Kubert art, are added attractions. The eye-appeal of the cover and the pure white pages suggest Mile High, and sure enough, here's another example of why this pedigree is so prized. It's hard to believe this book is nearly 60 years old. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $900.
All-New Comics #14 File Copy (Harvey, 1947) CGC NM+ 9.6 Cream to off-white pages. If you are on the prowl for high-grade or best copies, then this one will make your day. At the moment there is no other graded copy that is anywhere close to rivaling this issue. Other than the great Joe Palooka cover, you also get the Green Hornet and the Man in Black by Bob Powell. Overstreet 2003 NM 9.4 value = $650.
Amazing-Man #5 (Centaur, 1939) CGC Apparent VG 4.0 Moderate (P) Cream to off-white pages. Don't let the number "5" fool you -- this is actually the first issue of Amazing-Man, with his origin and first appearance by Bill Everett. Overstreet and Gerber both rate this book as "rare," with an estimated 11 to 20 copies still in existance, so don't dismiss this copy just because of the purple CGC label. This is a testament to the skill of professional restoration, about which CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Buy a big book for a lot less than you would suspect. Overstreet 2003 GD 2.0 value = $1,367; VG 4.0 value = $2,734.
Amazing Mystery Funnies #20 Mile High pedigree (Centaur, 1940) CGC VF- 7.5 White pages. Featuring an impressive line-up of characters and stories, the main attractions here are the Fantom of the Fair, Speed Centaur, and Space Patrol. Centaur comics are notoriously hard to find in high grade, which makes this copy even more attractive. The superb color and page quality will not disappoint. Exhibiting the characteristic double-slash pencil marks found on many early Mile Highs, this one has a small abrasion near the top staple. Overstreet 2003 VF 8.0 value = $463.
Amazing Mystery Funnies V2#7 Mile High pedigree (Centaur, 1939) CGC Apparent VF+ 8.5 Slight (P) White pages. Here's one you won't see very often. Overstreet refers to this comic as "scarce"; Gerber lists it as "rare", with an estimated 11-20 copies in existence. Add to that the fact that this is the fabled Edgar Church copy, one of the earlier comics Mr. Church purchased second-hand (there is a penciled "7¢" on the cover), and you know this is a special book. All Centaur books are tough to find, but this is the one to have above all others, with the first Fantom of the Fair story featuring art by Bill Everett, Carl Burgos, and Paul Gustavson. This copy looks really sharp; the top corner of the spine is a little rounded, but overall a solid item with great color. CGC notes, "Restoration includes: color touch, spine splits sealed, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $336; VG 4.0 value = $672; FN 6.0 value = $1,008; VF 8.0 value = $2,100.
America's Greatest Comics #6 (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. Captain Marvel is really going to town with his water-cooled, .30 caliber, belt-fed machine gun on this World War II classic. Instead of shell casings, this gun is running a strip previewing all the contents that appear on this issue's 100-pages. Everyone knows these square bound are impossible in high grade, yet the values have remained quite reasonable. This beauty is one of just two unrestored copies of the issue that CGC has certified to date. Overstreet 2003 VF 8.0 value = $438; VF/NM 9.0 value = $619.
America's Greatest Comics #8 (Fawcett, 1943) CGC VF 8.0 Cream to off-white pages. Go under the big top with Billy Batson and the greatest comics heroes in the world! The cover of this book is really powerful, the heroes seem to come right out at you. As with all cardboard cover Fawcetts, there's a minor crease or two from the book being opened. Other than that, a minor dust shadow at the top of the front cover, and a name written in the same area, are the only things visible on this book. Overstreet 2003 VF 8.0 value = $344.
An Earth Man on Venus #nn (Avon, 1951) CGC NM- 9.2 Off-white pages. Avon published many one-shot books but there is one that is sure to pique the interest of any seasoned collector... An Earth Man on Venus. Aside from being a classic science fiction tale this high-grade comic has 26 pages of gorgeous artwork by the inimitable Wally Wood. If you win this you will just happen to be the proud owner of what is, to date, the highest graded copy yet certified by CGC. Overstreet 2003 NM 9.4 value = $1,475.
Animal Comics #7 (Dell, 1944) CGC NM+ 9.6 Cream to off-white pages. What, no pedigree? Not a file copy? This amazing copy is off-the-chart high-grade! Only a few of the true "funny book" comics escaped damage or total loss from careless young hands and the ravages of time. Cover artist Walt Kelly ranked right up there with Carl Barks for exceptional comic animal art. Overstreet values seem grossly underrated for a copy like this. Overstreet 2003 NM 9.4 value = $240.
Animal Comics #8 (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. The genius of Walt Kelly rivaled Carl Barks' when it came to drawing animals displaying human emotions. This title is favored with Kelly covers on twenty of the thirty issues in the run. Just try to find a nicer copy; CGC hasn't even certified another #8 to date. Overstreet 2003 NM 9.4 value = $300.
Archie's Pal Jughead #1 (Bell Features, 1949) CGC VF/NM 9.0 Cream to off-white pages. It took eight years from Juggie's first appearance in Pep Comics #22 in 1941 until his own comic debuted, but he did always move at his own pace. Moose makes his first appearance in this issue. Duh, cool! As tough to find as this key Archie comic normally is, this is a Canadian variant, meaning it's much rarer than the normal American version. To date, this is the only CGC-graded copy of this issue, and any other copies that might surface will likely not be a nice as this one. Overstreet 2003 VF/NM 9.0 value = $1,235; NM 9.4 value = $1,600.
Atomic Comics #1 (Green Publishing Co., 1946) CGC NM- 9.2 Off-white pages. A swipe of Creig Flessel's Detective Comics #8 cover art, this Fang Gow cover is considered "classic" by Overstreet. Inside this issue, there is a Radio Squad feature by Superman creators Jerry Siegel and Joe Shuster. Barry O'Neal makes an appearance too. This high grade copy looks virtually perfect from the front, with only the most minor wear visible around the spine on the back cover. Overstreet 2003 NM 9.4 value = $1,550.
Atomic War! #3 Bethlehem pedigree (Ace, 1953) CGC VF/NM 9.0 Cream to off-white pages. Ever wonder what would happen in an all out atomic war? Grab this beauty and find out. This absolutely must be one of the brightest, most colorful and dramatic atomic bomb covers ever to grace a comic. You'll be tempted to frame and hang this one! The Bethlehem pedigree only adds to the desirability of this issue. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $522; NM 9.4 value = $675.
Big Shot Comics #1 (Columbia, 1940) CGC FN+ 6.5 Off-white to white pages. This blockbuster premiere issue features the first appearances of Skyman and the Face to go along with familiar stalwarts like Joe Palooka, Charlie Chan, and Spymaster. Ogden Whitney, who later became the primary cover artist for the American Comics Group (ACG), provides The Skyman cover and interior story and is joined by other name artists such as Fred Guardineer, Mart Bailey, and Ham Fisher. Not a very common issue, CGC's most recent census only one copy of this issue with a higher certified grade. Overstreet 2003 FN 6.0 value = $678.
Big Shot Comics #2 Rockford pedigree (Columbia, 1940 CGC VF 8.0 Off-white pages. This issue features Fred Guardineer art on the Marvelo story. This attractive looking copy has a brightly hued cover and minimal wear that is largely relegated to the back cover. Overstreet 2003 VF 8.0 value = $519.
Big Shot Comics #3 (Columbia, 1940) CGC VF/NM 9.0 Off-white to white pages. This new looking book features a wonderful multi-character cover with Skyman saving the skins of Charlie Chan and Joe Palooka from a vicious tiger. The white on this cover is just as bright as it was on day one. Also appearing is one of the weirdest heroes around, the Face. Overstreet 2003 VF/NM 9.0 value = $675; NM 9.4 value = $875.
Big Shot Comics #13 Rockford pedigree (Columbia, 1941) CGC VF/NM 9.0 Off-white pages. Before moving to an all-humor format Big Shot Comics had the standard line-up of Golden Age superhero fare. This issue features Captain Devildog of the U.S. Marines, Skyman, Joe Palooka, and the Face. Fred Guardineer gives this comic some extra class with his attractive artwork. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $425.
Black Cat #6 File Copy (Harvey, 1947) CGC NM 9.4 Off-white pages. What a picture-perfect combination -- this stunning cover and its gorgeous condition. CGC has yet to award a higher grade for this issue. Black Cat #6 features work by Bob Powell, plus Simon and Kirby, and includes a Scarlet Arrow appearance and the origin of Red Demon. Overstreet 2003 NM 9.4 value = $380.
Black Cat #5 File Copy (Harvey, 1947) CGC NM- 9.2 Cream to off-white pages. Black Cat may be the "darling of comics," but this beautiful file copy will be the darling of your collection. Only one specimen certified by CGC has been graded higher. This issue features a Scarlet Arrow appearance, as well as artwork by Bob Powell, Joe Simon, and Jack Kirby. Overstreet 2003 NM 9.4 value = $380.
Black Cat #7 File Copy (Harvey, 1947) CGC VF+ 8.5 Off-white pages. This issue of Black Cat will knock your eyes out! The cover features gorgeous color in a snow-white field. Inside pages feature art by Joe Simon and Jack Kirby, as well as Lee Elias. Sharp corners and a near-faultless spine complete the picture. This one's a winner! Overstreet 2003 VF 8.0 value = $224; VF/NM 9.0 value = $302.
Black Cat #8 File Copy (Harvey, 1947) CGC NM+ 9.6 Off-white pages. This issue's cover proclaims the Black Cat as the "'Darling of Comics", and to be sure, this is a very "darling" copy. ", with razor-sharp edges and great color, this is one beautiful comic book. CGC currently lists no higher-graded copies. All this and Joe Simon and Jack Kirby art too! Overstreet 2003 NM 9.4 value = $330.
Black Cat #25 (Harvey, 1950) CGC NM 9.4 Cream to off-white pages. That Darling of Comics, the Black Cat is surrounded by Hollywood stars on this Lee Elias-drawn cover. We'll leave it to you to decide who they all are! Kirk Douglas does get a credit for an illustrated interview. This is a sharp copy with incredible fields of deep, glossy color. Overstreet 2003 NM 9.4 value = $200.
Black Cat Mystery #33 File Copy (Harvey, 1952) CGC NM- 9.2 Cream to off-white pages. A fantastic electrocution cover kicks off this issue, which was featured in the Parade of Pleasure book. Scenes like this always scared the heck out of kids back in the 1950s, and with stories like "Army of Scorpions" listed on the cover, you can bet this one gave many a nightmare! A check of the current CGC census shows only one higher-graded copy. Overstreet 2003 NM 9.4 value = $250.
Black Cat Mystery #34 Aurora pedigree (Harvey, 1952) CGC NM 9.4 Off-white pages. Nice, bizarre bondage cover, quite Simon/Kirbyish; in fact, the legendary pair were known to have done some of this title's covers when the title was just Black Cat Comics. And while they're not Simon & Kirby, Rudy Palais and Bob Powell do turn in some nice interior artwork for this issue. This is the nicest copy CGC has graded to date of this issue. Overstreet 2003 NM 9.4 value = $220.
Black Cat Mystery #35 File Copy (Harvey, 1952) CGC VF+ 8.5 Cream to off-white pages. This issue features one of the wildest atomic disaster covers ever. Let's hope this never happens in real life! Art this issue includes work by Bob Powell and Rudy Palais. This Harvey Comics file copy is sharp and flat. Overstreet 2003 VF 8.0 value = $164; VF/NM 9.0 value = $220.
Black Cat Mystery #36 File Copy (Harvey, 1952) CGC VF/NM 9.0 Cream to off-white pages. This issue was used in the classic anti-comics book, Seduction of the Innocent. The cover certainly looks as if it could cause children to have nightmares! Bob Powell art is featured inside. This is another sharp Harvey Comics file copy. Overstreet 2003 VF/NM 9.0 value = $216; NM 9.4 value = $270.
Blackhawk #9 Mile High pedigree (Quality, 1944) CGC NM+ 9.6 Off-white to white pages. This first issue of Blackhawk appeared after eight issues of Uncle Sam Quarterly, and is the only issue published during World War II. This long running title would eventually wind up over at DC, having started in the pages of Military Comics in 1941. All that said, let's move on to this particular copy, taken from the Edgar Church collection. Mr. Church's comics are legendary for the fresh appearance of such early books, and this one is certainly no exception. It's a real beauty. And while CGC claims there is one better copy in their current census, we find it hard to believe. This one is just so nice! Overstreet 2003 NM 9.4 value = $4,500.
Blackhawk #9 (Quality, 1944) CGC FN- 5.5 Light tan to off-white pages. This is the first Blackhawk issue of the title that was once Uncle Sam Quarterly, and the Blackhawks, with Chop Chop, celebrate their take-over on this jolly cover, with art credited to Al Bryant. The Ezra back-up story is written and drawn by Harry Sahle. This is a nice copy of a key book. Overstreet 2003 FN 6.0 value = $1,080.
Blackhawk #10 Rockford pedigree (Quality, 1946) CGC NM- 9.2 Off-white pages. Al Bryant provides the simple, yet striking cover art, while Reed Crandall handles interior artwork on the multi-national team of aces. Although denoted as issue #10, it is actually the second Blackhawk issue, since the numbering is a continuation of Uncle Sam Quarterly, which ended with issue #8. This book would appear to be undervalued in the current market, especially for a copy this nice. There is currently only one copy of this issue that has been graded higher by CGC. The Rockford pedigree certificate of authenticity is included. Overstreet 2003 NM 9.4 value = $1,400.
Blackhawk #11 Big Apple pedigree (DC, 1946) CGC NM 9.4 White pages. A great checkerboard cover sets this book off from the rest, and is further accentuated by its amazing Near Mint grade. Perfectly white, with deep colors and a flawless spine and edges, the book is near-unimprovable. Reed Crandall provides interior art, while Al Bryant does the cover. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $950.
Blackhawk #13 Rockford pedigree (DC, 1946) CGC NM- 9.2 Off-white pages. This title's longevity was no fluke. An impressive array of top-notch artists worked on the run, the storytelling was superior, and the covers always stylish. Here Reed Crandall does the honors on the cover, and this outstanding copy exhibits his prowess nicely. Only one other copy of this issue has currently been graded higher by CGC. The Rockford pedigree certificate of authenticity is included. Overstreet 2003 NM 9.4 value = $950.
Blackhawk #14 Rockford pedigree (Quality, 1947) CGC NM- 9.2 Off-white to white pages. Here is another excellent copy from the Rockford collection, with a Reed Crandall cover long on simplicity and patriotism. Blackhawk changed subtly with the times following the end of World War II, but the basic winning formula remained intact for decades. Artwork by talents such as Crandall and Bill Ward also helped in keeping this title popular. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $950.
Black Magic V1#1 (Prize, 1950) CGC VF- 7.5 Off-white pages. Jack Kirby's art is apparent on the eerie cover to this great first issue. Mort Meskin, Joe Simon, and Jack Kirby all worked together on this issue. The solid black cover make this book extremely difficult to locate above Fine condition, let alone in the beautiful shape of this book. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $763.
Black Magic #2 Palo Alto pedigree (Prize, 1950) CGC NM- 9.2 Cream to off-white pages. In their quest for something new and different, Jack Kirby and his partner Joe Simon pioneered some unusual trends in the early 1950s. This issue of Black Magic features a cover story that delves into the grown-up world of mental disorders. Looks like fun stuff, if the cover is any judge! This issue also features art by Golden Age great Mort Meskin. This sharp pedigreed copy comes with a certificate of authenticity that features a cool Jack Davis illustration. Overstreet 2003 NM 9.4 value = $625.
Blood is the Harvest #nn (Catechetical Guild, 1950) CGC NM 9.4 Off-white to white pages. One of the most notorious give-away comics ever, this anti-Communist propaganda comic was produced during the apex of the cold war. Overstreet claims there are only 13 known copies. This copy is undoubtedly one of the best, there are currently only two copies of this issue that have been graded higher by CGC; it's likely that this is one of the nine copies discovered in 1979 among the old Guild's files in Minnesota. Overstreet 2003 NM 9.4 value = $1,100.
Blue Beetle #1 Rockford pedigree (Fox Features Syndicate, 1939) CGC VG+ Cream to off-white pages. With an eye-catching cover by Lou Fine, the premiere issue of Blue Beetle is launched. One of the more recognizable heroes from the Golden Age of comics, the Blue Beetle had been first introduced in Mystery Men Comics just a few months previously, with reprints from issues 1-5 presented here. Will Eisner's impressive stamp on the book shows up in scripting not only the seven Blue Beetle stories, but also the four Yarko the Great features in this 64-page comic. Eisner's pencils are also on display in the Yarko stories. Overstreet 2003 VG 4.0 value = $888; FN 6.0 value = $1,332.
Blue Beetle #46 (Fox Features Syndicate, 1947) CGC VF+ 8.5 Off-white pages. One of the most popular and enduring superheroes from the Golden Age who didn't work for a publisher named DC, Timely, or Fawcett, the Blue Beetle's self-titled comic is revered as much for its "good girl" and bondage covers as for Mr. Beetle's exploits. The Puppeteer makes an appearance in this issue. Look online, and see this cover for yourself! This is the second highest-graded copy to be certified by CGC to date. Overstreet 2003 VF 8.0 value = $164; VF/NM 9.0 value = $220.
Blue Beetle #47 Overstreet copy (Fox Features Syndicate, 1947) CGC VF 8.0 Off-white pages. A Very Fine copy like this is about the best you can hope for -- these Fox books were printed on the cheapest of cheap paper. Sporting work by such Golden Age heavyweights as Jack Kamen and Matt Baker, these later Blue Beetle issues are more in demand than any others in the run. Overstreet 2003 VF 8.0 value = $744.
Blue Beetle #50 (Fox Features Syndicate, 1947) CGC VF+ 8.5 Off-white to white pages. Jack Kamen, one of the great cheesecake artists of the Golden Age, graced us with eleven Blue Beetle issues during the late '40s, creating a run highly coveted by collectors. One look at this cover, and you will know why! If the femme fatale's ample charms don't distract the Blue Beetle into submission, maybe the knife will persuade him! This copy has deep colors and a clean cover, free of any detracting defects. This high-grade jewel is one of only three unrestored copies to be certified by CGC to date. Overstreet 2003 VF 8.0 value = $600; VF/NM 9.0 value = $850.
Blue Beetle #52 (Fox Features Syndicate, 1948) CGC VF+ 8.5 Cream to off-white pages. This highly-prized Blue Beetle sports a terrific bondage cover by Jack Kamen. Among the most desirable issues in the lue Beetle run, copies of this one are generally snapped up in a hurry. This example has great colors, sharp corners, and very little wear... overall, a spiffy copy. Overstreet 2003 VF 8.0 value = $744; VF/NM 9.0 value = $1,060.
Blue Beetle #56 (Fox Features Syndicate, 1948) CGC NM- 9.2 Off-white to white pages. "Good-girl" art favorite and future EC legend, Jack Kamen, contributes to the art of this issue. The later issues of this title, like this one, featured thrilling action-packed covers. While this cover may not be as risque as some others in the series, it is referenced in Seduction of the Innocent. This stupendous copy features great colors, and to date no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $900.
Blue Bolt #1 (Novelty Press, 1940) CGC FN/VF 7.0 Cream to off-white pages. Zap! Blue Bolt blasts a lizard-creature with his blue-bolt ray on this electrifying Joe Simon cover. This premiere issue of Blue Bolt unveils a host of Novelty Press characters: Dick Cole, the Sub-Zero Man, Sergeant Spook, Wonder Boy, and White Rider and Superhorse. Only one copy of this issue has received a higher grade from CGC to date. Overstreet 2003 FN 6.0 value = $912; VF 8.0 value = $1,900.
Blue Bolt #4 Mile High pedigree (Novelty Press, 1940) CGC NM- 9.2 Off-white to white pages. This gorgeous issue contains a Bill Everett underwater cover, a Spacehawk promo page by Basil Wolverton, and Blue Bolt by Joe Simon and Jack Kirby. And that's in addition to the many other features in this 68-page comic! Belonging to the most well-respected pedigree in comics, it should be no surprise that, to date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $1,450.
Blue Bolt #102 Mile High pedigree (Star Publications, 1949) CGC VF 8.0 Off-white to white pages. While not structurally perfect this copy still has the bright colors and unbeatable page quality that makes Mile High books so beautiful. There are no overt defects and this copy is simply gorgeous. This is actually the first issue of Star's run of this title, and has an L.B. Cole cover with just about every color of the spectrum. To date CGC has only certified two copies of this book, and this copy is far and away the nicest. Overstreet 2003 VF 8.0 value = $207.
Blue Ribbon #1 Larson pedigree (MLJ, 1939) CGC VF+ 8.5 Off-white to white pages. With no pencilled writing present, the faint foxing on the right edge of the cover distinguishes this book as the Larson copy; the Nebraska winters were kind to the pages on this book as they are fresh and supple. Jack Cole did three pages of this, the first ever comic produced by MLJ. Featuring the first appearances of Dan Hastings, Richy the Amazing Boy, and Rang-A-Tang the Wonder Dog, this esoteric comic seldom turns up for sale -- and almost never in this condition. Overstreet 2003 VF 8.0 value = $2,250; VF/NM 9.0 value = $3,375.
Blue Ribbon #19 (MLJ, 1941) CGC NM- 9.2 White pages. A spectacular Captain Flag cover leads this later issue of Blue Ribbon. There's no credit for the cover artist, but the artwork is very well done. Inside there's art by the great Irv Novick, as well as the usual features of Mr. Justice, Rang-A-Tang the Wonder Dog, and more. It's no surprise that this high-grade beauty is the best copy of this issue yet graded by the folks at CGC. Overstreet 2003 NM 9.4 value = $975.
Boy Comics #3 (Lev Gleason, 1942) CGC VF+ 8.5 Cream to off-white pages. This is the first issue of this title after it switched over from Captain Battle #2. It is the origin of Crimebuster and the first appearance of Iron Jaw. There are also appearances by Young Robin Hood, Bombshell, and many others. There are no tears, creases or chips on this nice book. Overstreet 2003 VF 8.0 value = $1,900; VF/NM 9.0 value = $2,850.
Boy Comics #4 (Lev Gleason, 1942) CGC VF/NM 9.0 Cream to off-white pages. Looks like the Axis' plans to carve up the globe are spoiled by our young heroes, "America's Boys of Action!" This book, actually the second issue of the title, sports a great World War II cover by Charles Biro, featuring Adolph Hitler and his evil partners in crime, Tojo and Mussolini. It's a wonderfully fresh copy, sharp, clean, and flat. Overstreet 2003 VF/NM 9.0 value = $1,117; NM 9.4 value = $1,500.
Boy Comics #8 (Lev Gleason, 1943) CGC VF/NM 9.0 Cream to off-white pages. Only a handful of comic book titles from the Golden Age can claim the longevity of Boy Comics, which ran for 117 issues over 14 years. Charles Biro, one of the most prolific of Golden Age artists gives us a Crimebuster vs. Iron Jaw cover that informs us "Iron Jaw Dies In This Issue." It takes all of two issues before ol' Metal Mouth returns. Marvel and DC were watching the "kill 'em off, then resurrect 'em later" device with great interest. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $1,075.
Boy Explorers #1 File Copy (Harvey, 1946) CGC NM 9.4 Cream to off-white pages. Simon and Kirby launch another "Kid Strip" with this issue. S&K fans will appreciate that the famous duo provides cover and interior art. CGC has certified just a few copies of this issue to date, and no copy received a higher grade than this offering. Overstreet 2003 NM 9.4 value = $750.
Boys' Ranch #1 File Copy (Harvey, 1950) CGC VF 8.0 Cream to off-white pages. If you're guessing Simon and Kirby might be involved in this "boy" team, you're right! The tell-tale title is one clue, but a look at the cover cinches it. S&K handle interior art as well. CGC's grading seems conservative, but just two copies of this issue have received higher grades from CGC to date. Overstreet 2003 VF 8.0 value = $394.
Boys' Ranch #3 File Copy (Harvey, 1951) CGC VF+ 8.5 Cream to off-white pages. Joe Simon and Jack Kirby did many "kid gangs" comics during their years together; this group was one of their last and best. This Western comic is always in demand among Simon & Kirby fans, and this Harvey Comics file copy is a real beauty. Overstreet 2003 VF 8.0 value = $235.
Boys' Ranch #4 File Copy (Harvey, 1951) CGC VF 8.0 Cream to off-white pages. Here's another action-packed issue of this short-lived title, one of Joe Simon and Jack Kirby's later team efforts. Mort Meskin's art also appears in this issue. This is a Harvey Comics file copy, and it looks wonderful, with great color and sharp edges. Overstreet 2003 VF 8.0 value = $212.
Brenda Starr V2#4 (Four Star, 1948) CGC VF/NM 9.0 White pages. Used in the Senate Investigations on Juvenile Delinquency and featured in Seduction of the Innocent, this comic has a very attractive "good girl" cover by Jack Kamen with stunning deep sea-blue color inks and fully fresh white paper. Completely flat and tight with very sharp spine, cover edges, and corners, this stunner also has near exact centering. To date, this is the highest CGC-graded copy of this issue. The Mile High copy of this issue only graded VF+, so if you want the best, then this is the copy to get! Overstreet 2003 VF/NM 9.0 value = $713; NM 9.4 value = $925.
Brenda Starr V2#8 Mile High pedigree (Four Star, 1949) CGC NM- 9.2 Off-white to white pages. The early issues of this title are in demand for their "good girl" artwork. Moreover, several of the issues are "uncommon" or "scarce," so it shouldn't be surprising that this superior copy currently happens to be the only one of this issue showing up in CGC's census. Oh, and did we mention this is the Mile High copy? Overstreet 2003 NM 9.4 value = $750.
Brenda Starr V2#9 Mile High pedigree (Four Star, 1949) CGC NM+ 9.6 Off-white to white pages. If you are looking for a top-quality Mile High book, this is the one for you. It is almost completely free from blemishes of any kind, with fantastic page quality, and all of the other attributes that you would expect from this world-famous pedigree. Don't hesitate to bid high and often on this one, as it is a winner all the way. It's got a really weird cover too! Overstreet 2003 NM 9.4 value = $750.
Bruce Gentry #2 (Superior, 1948) CGC NM+ 9.6 Off-white pages. Bruce gets busy saving a busty babe from burning wreckage on this Kamen-esque cover, showing a slight hint of the cheesecake that was so prevalent in that era. This copy is eye-popping, as the NM+ grade implies. Perfect edges, flawless spine, a cover that is clean and defect-free... an electron microscope would be recommended for finding defects. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $350.
Bruce Gentry #3 (Superior, 1949) CGC VF/NM 9.0 Off-white to white pages. The title was sparked by "good girl" covers that copied the style of Jack Kamen. Some publishers like Superior usually used inferior paper, so finding their publications in this kind of condition is a rare feat. This misses being the highest-graded copy in CGC's census by a mere quarter-grade. Overstreet 2003 VF/NM 9.0 value = $279; NM 9.4 value = $350.
Silver Age (1956-1969)
Buffalo Bill Jr. #8 File Copy (Dell, 1958) CGC NM+ 9.6 Off-white to white pages. Photo-cover Westerns are hot, hot, hot! This beauty languished in the publisher's files for decades, hence the near un-improvable condition. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $50.
Golden Age (1938-1955)
Bulletman #2 (Fawcett, 1941). CGC VF- 7.5 Off-white pages. Few second issue Golden Age comics are as recognizable this one with it's classic cover by Mac Raboy. Early Fawcett have a special place in the hearts of serious Golden Age collectors. Here's your chance to own a great one that is in outstanding condition with eye-popping color. Overstreet 2003 VF 8.0 value = $981.
Bulletman #9 (Fawcett, 1942) CGC VF+ 8.5. Other than the great Bulletman and Bulletgirl cover and stories this book features a relatively unknown feature "Ghost Stories" that is narrated by the night watchman of a cemetary. The cover shows what happens when animals go bad. Better keep a close eye on Rover! Overstreet 2003 VF 8.0 value = $500, VF/NM $713.
Buster Crabbe #4 Bethlehem pedigree (Lev Gleason, 1954) CGC NM 9.4 Off-white pages. The cover to this elusive issue shows Flash Gordon and Dale Arden in the midst of Ming the Merciless and his minions. This Bethlehem copy has the typical store stamp on the back cover, and CGC notes, "Slight tanning interior front and back cover." However, this is the rarest issue of the run, and the only CGC-graded copy of the issue to date. Overstreet 2003 NM 9.4 value = $220.
Buster Crabbe #5 (Lev Gleason, 1952) CGC Apparent VG- 3.5 Slight (P) Off-white pages. This issue features one of the truly classic covers of the 1950s by the master Frank Frazetta. The image mixes Western, sci-fi, and horror genres to produce a cover that has great appeal to a wide variety of collectors. This issue rarely comes up for sale as evidenced by the fact that this is the first copy to be sold by Heritage Comics. So don't miss the opportunity to own this copy because another one may not come along for some time. CGC notes, "Restoration includes: pieces added, tear seals, reinforced." Overstreet 2003 GD 2.0 value = $122; VG 4.0 value = $244.
Calling All Girls #3 Mile High pedigree (Parents' Magazine Institute, 1942) CGC VF/NM 9.0 Off-white to white pages. This title had a somewhat non-standard comic format; it had some comic book-style features but also had text stories, articles, photos, and a variety of cooking and home economic tips for young future housewives. This issue has a darling Shirley Temple photo cover. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $82; NM 9.4 value = $100.
Captain Aero Comics #1 MIle High pedigree (Holyoke Publications, 1941) CGC NM+ 9.6 Off-white to white pages. This great World War II cover was printed before America actually entered the war. The arrival date penciled in above the number says "D-10-8", and the printed cover date of December was added later - the silhouette of a plane printed by the title was an overprint, covering up the original November date. At any rate, this is a great Golden Age book, featuring Flag-Man and Solar, Master of Magic in addition to the title star. The real star here is the fact that this copy is from the legendary Edgar Church collection of comics, the biggest and best such horde of old comics to have turned up so far. And this book is a real beauty, too - the top-ranked copy to date by CGC. Overstreet 2003 NM 9.4 value = $1,900
Captain Flight #5 Mile High pedigree (Four Star, 1944) CGC FN+ 6.5 Off-white to white pages. An esoteric comic that rose to prominence during the 1990s, Captain Flight #5 features a classic bondage and torture cover that shows hooded evil-doers feeding a helpless woman into a very devious-looking device. Exhibiting the incredible aesthetic qualities of a Mile High, this copy has only a small bindery chip at the bottom of the spine to mar it's good looks. This is an attractive copy of a high-demand book that Overstreet calls "scarce" and Gerber calls "rare," estimating that only 11 to 20 copies still exist. Just try to find another copy! This is the highest grade recorded by CGC for this issue. Overstreet 2003 FN 6.0 value = $318.
Captain Marvel Adventures #3 (Fawcett, 1941) CGC FN/VF 7.0 Off-white to white pages. A very early issue of this popular series, this great book has metallic ink on the cover's striking lightning bolt. The graders at CGC were tough on this one. This eye-catching comic is free of any major defects with just light general wear causing it to be graded FN/VF. Overstreet 2003 FN 6.0 value = $834; VF 8.0 value = $1,738.
Captain Marvel Adventures #9 (Fawcett, 1942) CGC FN/VF 7.0 Off-white pages. CGC's census lists just one copy of this issue grading higher than VF- 7.5, making this copy one of the nicest yet certified. The richness and clarity of the cover colors argue for an even higher grade, but the few signs of stress and cumulative wear along the edges hold the grade to just below high-grade status. Otto Binder scripts are featured for the first time in this issue. Overstreet 2003 FN 6.0 value = $345; VF 8.0 value = $719.
Captain Marvel Adventures #22 (Fawcett, 1943) CGC Apparent VF/NM 9.0 Slight (P) Off-white to white pages. The "Big Red Cheese" thwarts a would-be terrorist on this powerful cover. This key issue features the first appearance of Captain Marvel's diminutive but dangerous foe, Mr. Mind. Mr. Scarlet and Minute Man trading cards (designed to be cut along the dotted lines but fully intact here) comprise the back cover. CGC notes, "Restoration includes: cover cleaned, cover reinforced." Overstreet 2003 GD 2.0 value = $93; VG 4.0 value = $186; FN 6.0 value = $279; VF 8.0 value = $581; VF/NM 9.0 value = $828.
Captain Marvel Adventures #25 Rockford pedigree (Fawcett, 1943) CGC NM- 9.2 Off-white pages. The Big Red Cheese is featured prominently on the cover of this high-grade gem. This book has survived for almost 60 years in nearly perfect condition, with no significant wear, and a fantastic spine. There are two great collector cards on the back cover, of the Phantom Eagle and Buck Jones. There is currently only one copy of this issue that has been graded higher by CGC. The Rockford certificate of authenticity is included. Overstreet 2003 NM 9.4 value = $750.
Captain Marvel Adventures #34 (Fawcett, 1944) CGC NM- 9.2 Off-white pages. A colorful clown cover is showcased nicely by the second-nicest copy of issue #34 to be certified to date by CGC. A narrow dust shadow along the top of the back cover, and a bindery chip at the bottom of the spine appear to be all that keeps this from scoring a Near Mint grade. Overstreet 2003 NM 9.4 value = $700.
Captain Marvel Adventures #39 (Fawcett, 1944) CGC VF/NM 9.0 Cream to off-white pages. At its height, this title was the top-selling among all comic book titles, much to a certain other flying superhero's chagrin. Captain Marvel's nemesis, Mr. Mind, annoys our hero again in this issue. This is just about nearly the highest-graded copy CGC has certified to date, ranking behind only one other that earned a NM 9.4. Overstreet 2003 VF/NM 9.0 value = $388; NM 9.4 value = $500.
Captain Marvel Adventures #50 (Fawcett, 1945) CGC NM 9.4 Cream to off-white pages. The Big Red Cheese hands over the power to young Billy Batson in this issue. Billy might never say "Shazam!" again! This is a sweet copy, with great color and sharp edges all around; there's a penciled "M" on the cover that doesn't take away from the overall appeal of this nice book. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value - $365.
Captain Marvel Adventures #51 (Fawcett, 1946) CGC VF/NM 9.0 Off-white to white pages. Captain Marvel tries to tame a bucking bronco on a cover that is bright with deep colors. The Photo-Journal Guide to Comic Books gives this issue a six which means it is uncommon, especially in this shape. Believe it or not, this copy grades slightly higher than the Mile High. Overstreet 2003 VF/NM 9.0 value = $247; NM 9.4 value = $310.
Captain Marvel and the Lieutenants of Safety #1 (Fawcett, 1950) CGC VF+ 8.5 Cream to off-white pages. "Danger Flies a Kite" is theme of the first issue of this Fawcett giveaway series. The soft newsprint cover makes this rare book especially scarce in higher grades. In fact, the Overstreet price guide doesn't even provide a value for Near Mint. A Gerber "7," only 21-50 copies are estimated to exist in any condition. CGC's current census data bears out the scarcity of this comic; To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $1,400.
Captain Marvel and the Lieutenants of Safety #2 (Fawcett, 1950) CGC NM- 9.2 Off-white to white pages. "Danger Takes to Climbing" is theme of this oddball promotional comic. Printed with a soft newsprint cover, this book is rare in any grade but especially scarce in the higher grades; Overstreet doesn't even give a value for Near Mint, assuming none could grade higher than Very Fine. A Gerber "7", only 21-50 copies are estimated to exist in any condition. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,000.
Captain Marvel and the Lieutenants of Safety #3 (Fawcett, 1951) CGC NM 9.4 Off-white to white pages. "Danger Smashes Street Lights" is the title of the third and final installment of this Fawcett promotional comic series. The soft newsprint cover didn't offer much protection against the ravages of time; Overstreet doesn't even give a value for Near Mint, topping out their prices at the Very Fine grade. A Gerber "scarce", only 21-50 copies are estimated to exist in any condition. This copy is surely the best in existence. Overstreet 2003 VF 8.0 value = $1,000.
Captain Marvel Jr. #19 Okajima pedigree (Fawcett, 1944) CGC VF+ 8.5 White pages. This cover always reminds us of the movie Dr. Strangelove and the scene at the end where Slim Pickens rides an atom bomb down to its target. Was this comic Stanley Kubrik's inspiration? Maybe it was! The artist, Mac Raboy, was a master of dramatic composition and this cover shows why; diagonal lines dominate the layout and draw the eye right to the impending point of impact. Raboy had a natural, realistic style that was in marked contrast to the "cartoony" drawings of most other comic artists at the time. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $350; VF/NM 9.0 value = $495.
Captain Marvel Wheaties Premium #nn (Fawcett, 1945) CGC VF 8.0 Off-white pages. This premium was taped with two pieces at the top edge and two pieces at the bottom edge to boxes of the "Breakfast Cereal of Champions," Wheaties. As cool as this give-away is all by itself, astoundingly this copy does not have any tape on it! Overstreet does not even list value above Fine as it states "All copies... are never found in Fine or Mint condition. Prices listed... include tape" To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $400.
Captain Midnight #3 (Fawcett, 1942) CGC VF/NM 9.0 Off-white to white pages. A simple, dynamic image depicts the media star, Captain Midnight, about to engage in battle with the nefarious German Phantom Bomber on this Nazi war cover. The color choices make this issue stand out, and fans of this high-flying crime-fighter should note that this high-grade copy is currently the second-highest certified copy in CGC's census ranking. Overstreet 2003 VF/NM 9.0 value = $1,082; NM 9.4 value = $1,400.
Captain Midnight #5 (Fawcett, 1943) CGC VF+ 8.5 Off-white pages. Here is an example of a wonderful cover composition with Captain Midnight striking a dynamic pose as he soars into battle with a pistol in hand. Note the victorious allied planes over the Japanese Zeroes in the background. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $650; VF/NM 9.0 value = $925.
Captain Midnight #6 (Fawcett, 1943) CGC NM 9.4 Off-white to white pages. Captain Midnight, "radio and movie star," takes control of an anti-aircraft machine gun on this exciting cover, and the three-panel strip across the bottom adds to the action. This copy has plenty of high-grade appeal, and is sure to please any discriminating collector. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $875.
Captain Midnight #10 Mile High pedigree (Fawcett, 1943) CGC VF/NM 9.0 Off-white pages. Captain Midnight strikes a patriotic pose with the V for victory sign, and the American flag in the background, in this World War II era cover, drawn with flair by the immensely talented Mac Raboy. Such a patriotic and confident cover surely helped keep the American spirit high during those turbulent and trying times. This Mile High pedigree copy, with the distinctive distributor mark just above the logo, will be a welcome addition to the winning bidder's collection. It also has deep, crisp colors and sharp corners. Overstreet 2003 VF/NM 9.0 value = $713; NM 9.4 value = $925.
Captain Midnight #14 Pennsylvania pedigree (Fawcett, 1943) CGC NM 9.4 Cream to off-white pages. Captain Midnight faces off against the King of Villains this issue, obscured in shadows on the cover. A spectacular copy that lives up to its pedigree, displaying perfect corners and a flaw-free cover. Sure to please even the strictest of graders. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $625.
Captain Midnight #20 Rockford pedigree (Fawcett, 1944) CGC VF+ 8.5 Cream to off-white pages. Double your pleasure with two, that's two captains in one! Captain Midnight appears with his alter-ego on this unusual Golden Age split cover. This is an absolutely gorgeous, bright, clean comic. Overstreet VF 8.0 value = $344; VF/NM 9.0 value = $485.
Captain Midnight #25 (Fawcett, 1944) CGC NM- 9.2 Cream to off-white pages. Captain Midnight will go to the ends of the Earth, or, in this case, the local amusement park, to get his man. This book has a pedigree look without the pedigree price. Overstreet 2003 NM 9.4 value = $500.
Captain Midnight #38 Mile High pedigree (Fawcett, 1946) CGC NM+ 9.6 Off-white to white pages. A bright white background and action-packed cover highlight this high-grade gem. The Japanese Zeros on this cover are going to have a real fight on their hands now that Captain Midnight is on the scene. As is often the case with the pedigree, this is easily the highest-graded copy CGC has certified to date. Overstreet 2003 NM 9.4 value = $320.
Captain Rocket #1 Bethlehem pedigree (P.L. Publishing Co., 1951) CGC VF 8.0 Off-white pages. Want a science fiction book that all your co-collectors don't have? This offbeat one-shot was published in Canada and it is unknown how many actually make it down to the U.S. It is listed as "uncommon" in The Gerber Photo-Journal Guide to Comic Books. Of the three copies currently listed in the CGC population census, this is the by far the highest ranking certified copy of this issue. Overstreet 2003 VF 8.0 value = $258.
Captain Rocket #1 (P.L. Publishing Co., 1951) CGC FN- 5.5 Cream to off-white pages. "We must prepare for an invasion from Mars"! Cool cover. Overstreet 2003 FN 6.0 value = $129.
Captain Science #5 Bethlehem pedigree (Youthful Magazines, 1951) CGC VF/NM 9.0 Cream to off-white pages. Even early on in his career Wally Wood exhibited a proclivity for the most minute details. He teamed up with Joe Orlando on this cover and two stories. Wood was also a master at the grotesque when it came to aliens, and this one does not fail to please. As an added attraction this book has also attained the highest CGC grade yet awarded to a copy of this comic. Overstreet 2003 VF/NM 9.0 value = $713; NM 9.4 value = $925.
Casper the Friendly Ghost #8 File Copy (Harvey, 1953) CGC VF- 7.5 Off-white pages. The second Harvey Comics issue of Casper; actually the third if you count Harvey Hits #61. This is one of the Harvey file copies; there is a tiny bit of damage at the top corner, and the ample white areas of the cover allow some of the ad printed on the inside front cover to show through; still, a very nice-looking copy with good color. Overstreet 2003 VF 8.0 value = $139.
Casper the Friendly Ghost #11 File Copy (Harvey, 1953) CGC VF 8.0 Cream to off-white pages. When not churning out tales of terror, the Harvey crew turned to what they did equally well...Casper! This blazing beauty, with a great humorous cover, would be a nice find in any manner, but to get ahold of a copy that languished, untouched, in Harvey's files is a true pleasure. Overstreet 2003 VF 8.0 value = $84.
Catman Comics #1 (Holyoke Publications, 1941) CGC GD/VG 3.0 Slightly brittle pages. Fast becoming one of the classic titles of the Golden Age, Catman has proven increasingly popular with collectors over the last decade, thanks to great stories, a plethora of talented artists, and a scarcity that puts Suspense to shame! This issue started it all. In addition to Cat-man, features include the origin of the Deacon and his sidekick Mickey, Dr. Diamond, and Rag-Man, and appearances by the Black Widow, as well as Blaze Baylor. Overstreet 2003 GD 2.0 value = $368; VG 4.0 value = $736.
Catman Comics #2 (Holyoke Publications, 1941) CGC FN/VF 7.0 Cream to off-white pages. Here's an excellent copy of a very hard-to-find comic, Gerber considers it "scarce" and estimates only 21 to 50 copies still exist. Of the three copies graded by CGC to date, only one has graded higher than our offering -- and it was the Mile High pedigree copy. While not really high-grade, this comic could still be the second best copy in existance. It has Charles Quinlan art and stars Cat-man, Rag-Man, Hurricane Harrigan, The Deacon, and Blaze Baylor. Overstreet 2003 FN 6.0 value = $390; VF 8.0 value = $813.
Catman Comics #31 Cosmic Aeroplane pedigree (Holyoke Publications, 1946) CGC FN/VF 7.0 Off-white pages. Catman may have never been as popular as, say, Batman, but these books were by no means sub-par. This next-to-last issue features one of the best (and most well-loved) covers in the entire run, featuring Catman and Kitten in the snow, surrounded by hungry wolves! It was drawn by one of the best cover artists around, L. B. Cole. This solid, attractive pedigreed copy will look great in any Golden Age collection. Overstreet 2003 FN 6.0 value = $249; VF 8.0 value = $519.
Cheerios Premiums #W2 Bucky Bug (Walt Disney Productions, 1947) CGC NM+ 9.6 Off-white pages. This small-size giveaway comic book was part of a set of four offered by Cheerios Cereal for the price of a box top. This issue features "Bucky Bug and the Cannibal King." It's a lovely copy with great color and sharp corners. Overstreet 2003 NM 9.4 value = $40.
Cheerios Premiums #W3 Pluto (Walt Disney Productions, 1947) CGC NM 9.4 Off-white pages. Mickey's favorite canine pal takes center stage in this Cheerios cereal giveaway. He stars in "Pluto Joins the F.B.I." This copy is very clean and attractive. Overstreet 2003 NM 9.4 value = $40.
Cheerios Premiums #X3 Br'er Rabbit (Walt Disney Productions, 1947) CGC NM 9.4 Off-white pages. In 1947, Cheerios cereal offered several sets of these pocket-sized comics mailed to you free when you sent in a box top. This issue features "Br'er Rabbit Outwits Br'er Fox." It's a great copy with sharp corners. Overstreet 2003 NM 9.4 value = $40.
Cheerios Premiums #Y1 (Walt Disney Productions, 1947) CGC VF+ 8.5 White pages. Here it is: Donald Duck's Atom Bomb, the rarest of the Disney Cheerios premiums -- Disney has banned its reprinting. As if that rarity isn't enough to make this pocket-sized giveaway appealing, it features Carl Barks art, and its condition is absolutely amazing. The paper cover is rich with color, and the interior pages are a sharp white. Only two copies in CGC's current census grade higher than this one. Overstreet 2003 VF 8.0 value = $560; VF/NM 9.0 value = $755.
Circus the Comic Riot #1 (Globe Syndicate, 1938) CGC VF+ 8.5 Cream to off-white pages. This key number one issue features some very early work by some of the most well known and important comic book artists. Basil Wolverton contributes a two-page Spacehawk story and a Disk Eyes story. Will Eisner contributes several stories including a Jack Hinton, Beau Gus, and a Ken Craig and the Lords of Crillon story. Jack Cole contributes a Pewee Throttle story which is his second published comic book work. Bob Kane contributes a Van Bragger story. The playful and joyous cover of this issue does not indicate the wonders contained inside. The attention to detail in each and every circus character is exquisite. This particular copy is stunning for such an early and important book, and it features exceptionally vibrant reds. CGC notes: "Siamese pages neatly cut apart, one still attached." Overstreet 2003 VF 8.0 value = $4,800; VF/NM 9.0 value = $6,400.
Circus the Comic Riot #1 Mile High pedigree (Globe Syndicate, 1938) CGC VG 4.0 White pages. Scarce. Basil Wolverton art on Spacehawks and Disk Eyes. Pewee Throttle by Jack Cole. Jack Hinton by Will Eisner. Van Bragger by Bob Kane. Overstreet 2003 VG 4.0 value = $1,600.
The Cisco Kid #9 File Copy (Dell, 1952) CGC NM 9.4 Off-white pages. Our sombreroed saviour, the Cisco Kid, and his sidekick Pancho kick down the door of a burning house on this beautiful painted cover by Ernest Nordli. Westerns are hot and books this nice are nearly impossible to come by. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $110.
The Cisco Kid #17 File Copy (Dell, 1953) CGC NM 9.4 Cream to off-white pages. The Cisco Kid and Pancho take on evildoers on this beauty with the moody painted cover. This comic may not have been used for reference much by the editors at Dell, it appears virtually untouched by human hands. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $95.
The Cisco Kid #25 File Copy (Dell, 1955) CGC NM 9.4 Off-white to white pages. The Cisco Kid and Pancho seem oddly unconcerned about flames from the burning wagon they crouch behind -- are they just pleased at the prospect of a gunfight with bad men? Dell file copies are absolutely beautiful, and you can trust us when we say this painted cover that looks just as bright as it did the day it rolled off the presses. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $75.
Classic Comics #9 Les Miserables - First edition (Gilberton, 1943) CGC VF/NM 9.0 Off-white pages. Before there the musical was a gleam in the eye of Cameron Mackintosh, there was the comic book. This issue is considered "uncommon" by Gerber, but more than most other similarly indexed issues, appears to be especially scarce in high-grade. This probably has something to do with the excessive handling required by all that book report research. This is an original edition from 1943 and has a slick paper cover. Overstreet notes that there are two versions of this issue, one with a typical slick cover, and one with a rough, pulp-type cover. CGC makes no note of which version this is, but it looks to us like the slick cover version. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $750; NM 9.4 value = $975.
Classic Comics #12 Rip Van Winkle and the Headless Horseman - First Edition (Gilberton, 1943) CGC NM- 9.2 Off-white pages. This is the original version that has the terrific full page-sized "coming soon" ad for "Dr. Jekyll and Mr. Hyde" on the back cover. To date CGC has certified only two copies of this issue, and this one is far in the lead. Overstreet NM 9.4 value = $925.
Classic Comics #15 - First edition (Gilberton, 1943) CGC VF+ 8.5 Off-white pages. Sure you've had a copy of this classic novel in comic book form before, but betcha haven't owned a first edition! Dr. Wertham thought so much of the comic book version of Harriet Beecher Stowe's influential book that he disses it in his Seduction of the Innocent. Here it is in all its high-grade glory, a shade below only one other copy in CGC's census. CGC notes, "'Bo' written on interior back cover in pencil." Overstreet 2003 VF 8.0 value = $413; VF/NM 9.0 value = $587.
Classic Comics #17 The Deerslayer - First edition (Gilberton, 1944) CGC VF+ 8.5 Off-white pages. This first edition of Classic Comics version of the James Fenimore Cooper novel was issued in 1944, and re-printed for nearly thirty years. But as Gilberton aficionados know, the first printings can be very elusive to locate. We'll help you out; here's not only a first edition copy, it's also the highest-graded copy certified by CGC to date for the issue. Overstreet 2003 VF 8.0 value = $369; VF/NM 9.0 value = $525.
Classic Comics #24 A Connecticut Yankee in King Arthur's Court - First edition (Gilberton, 1945). CGC VF 8.0 Off-white pages. The beautiful cover on this eye catching first edition copy has a rainbow of colors that really shine Overstreet 2003 VF 8.0 value = $230.
Classics Illustrated #43 - First edition (Gilberton, 1947) CGC VF+ 8.5 Off-white to white pages. Of the 169 Classics produced over a 28-year period, this issue was reprinted only once. Even the reprint is quite expensive, making #43 a desirable book for completists, who will also appreciate the citing in Seduction of the Innocent. This particular copy is quite attractive, exhibiting sharp corners and a tight spine that has only a few stress lines. The back cover has a light dust shadow along the left edge. To date, this is CGC's highest-graded copy of the issue. Overstreet 2003 VF 8.0 value = $544; VF/NM 9.0 value = $772.
The Comics #11 Mile High pedigree (Dell, 1939) CGC FN/VF 7.0 Off-white pages. Containing an impressive variety of newspaper strip reprints, some of the features inside include: "S'matter Pop?", "Man Hunt", "Pecos Bill", "Deadwood Gulch", and "Rod Rian of the Sky Police." This is the last issue of this early comic book series. The notable defect keeping this book from a much higher grade is a tear through part of the back cover, but this book maintains the color, gloss, superior paper quality, and overall freshness of any Mile High pedigree comic book. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 FN 6.0 value = $205; VF 8.0 value = $426.
Contact Comics #12 (Aviation Press, 1946) CGC FN/VF 7.0 Light tan to off-white pages. The brilliance of L. B. Cole was on display with every single cover of the 12-issue run of this title. On only this final issue, however, did Cole use a sci-fi modus. It was worth waiting for! Rudy Palais contributed story art for this issue, which Gerber lists as "scarce" in his The Photo-Journal Guide to Comic Books. The cover colors are sharp on this copy, and only some cumulative wear around the edges keeps this from a CGC high-grade certification. Overstreet 2003 FN 6.0 value = $228; VF 8.0 value = $475.
Cow Puncher Comics #4 (Avon, 1948) CGC VF/NM 9.0 Off-white to white pages. Cow Puncher was one of the most violent and lurid Western comics of the Golden Age, and the many bondage and "headlight" covers on the short seven issue run make it avidly collected today. The buxom blonde on this cover by Al Ulmer makes this issue a fine example of the "headlight" theme that readers could expect on the covers of this title. This copy is in unusually nice condition for issues of this obscure series, and is currently the only CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $200; NM 9.4 value = $250.
Crackajack Funnies #1 Denver pedigree (Dell, 1938) CGC NM- 9.2 Off-white to white pages. The early compilation comics were known for having countless characters stuffed between two covers, but this one takes the cake. A few of the strips included herein are Dan Dunn, Tom Mix, Apple Mary (later Mary Worth), Don Winslow, Wash Tubbs, Boots, the Nebbs, and plenty more. This copy from the Denver collection is in a near perfect state of preservation with beautiful page quality. Overstreet 2003 NM 9.4 value = $2,850.
Crackajack Funnies #3 Mile High pedigree (Dell, 1938) CGC NM 9.4 White pages. Strip reprints were all the rage during the 1930s, with many of the new comic publishers vying for rights to existing newspaper characters. By 1938 though, the move was on to publish more original material, and Dell responded with Crackajack Funnies, and its brand of characters. This third issue is near-perfect, and considering its age, and the fact that the only other copy of this issue that CGC has certified scored a less-than-neato FR/GD 1.5, it's probably the best existing copy. Overstreet 2003 NM 9.4 value = $800.
Crackajack Funnies #9 (Dell, 1939) CGC VF- 7.5 Cream to off-white pages. Here's one to get the Western collectors salivating. Red Ryder was one of the most popular and long-running of Western titles. Here we have his very first appearance in a comic book, and he even managed to grab the cover in his debut book. This copy is also in a higher state of preservation than you might expect on a 64-year-old book. This great book can be one of the crown jewels of your Western collection. Overstreet 2003 VF 8.0 value = $981.
Crackajack Funnies #16 Mile High pedigree (Dell, 1939) CGC VG 4.0 Off-white to white pages. This handsome, low-grade Mile High comic seeks a roommate with a cool, dark basement. CGC notes, "18th page torn in half and re-attached with 3 pieces of tape." Would you believe this is still the nicest copy CGC has graded to date? Take out your ear-plugs, this book screams Bargain Mile High! Overstreet 2003 VG 4.0 value = $70.
Crackajack Funnies #24 Mile High pedigree (Dell, 1940) CGC FN+ 6.5 White pages. This fabulous Flying Fortress cover looks to belong to a higher grade than the one assigned here. Some creases toward the bottom right corner keep this book from a more elite grade. Otherwise, the copy has that Mile High look, the color, the crispness, the pages, the je ne sais quoi.... This issue features an Ellery Queen story, the famous literary detective having made his first comic book appearance in the preceding issue of this title. Overstreet 2003 FN 6.0 value = $105.
Crackajack Funnies #26 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 Off-white to white pages. Dell's great super-hero hopeful, the Owl shines in this issue. It's the second appearance of the character, in a new costume and nicely drawn by Frank Thomas. There's the usual mix of new and reprint features to round out the book. This copy is currently the only one to be graded by CGC, and it's doubtful another copy will come along to top it. Overstreet 2003 NM 9.4 value = $600.
Crackajack Funnies #30 Mile High pedigree (Dell, 1940) CGC NM+ 9.6 Off-white pages. Dell was the first publisher of original material comics back in 1929, but for many years, newspaper strip reprints kept the company afloat. This popular title mixed the two genres, offering new adventures of characters like the Owl, along with reprinted favorites like Wash Tubbs. This stunning copy comes from the Edgar Church collection of high-grade Golden Age books, and it's just beautiful. Great color, gloss, a smooth spine, and more add up to a choice copy. Overstreet 2003 NM 9.4 value = $600.
Crack Comics #11 (Quality, 1941) CGC VF+ 8.5 Off-white pages. One of Quality Comics' earliest titles, this issue has a Gil Fox cover spotlighting the Clock. Lou Fine's feature, the Black Condor, is the main attraction for the run's first two years. According to the current CGC census this is the only certified copy of this issue, and it's undoubtedly one of the best copies in existence of this 60+ year old comic. Overstreet 2003 VF 8.0 value = $569; VF/NM 9.0 value = $810.
Crack Comics #17 (Quality, 1941) CGC VF/NM 9.0 Off-white pages. Everyone will be drawn into this book by the cold eyes of the Clock, a man who believes that gun control is a steady hand. Featuring the artwork of both Lou Fine and Fred Guardineer, and retaining excellent color and page quality for a sixty-year-old book, this is a highly desirable comic. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $810; NM 9.4 value = $1,050.
Crack Western #69 Mile High pedigree (Quality, 1950) CGC VF+ 8.5 White pages. Reed Crandall contributes a story in this near-immaculate book from the Mile High collection. Our superb offering is the only unrestored copy of the issue that CGC has certified to date. Overstreet 2003 VF 8.0 value = $86; VF/NM 9.0 value = $113.
Crack Western #71 Mile High pedigree (Quality, 1951) CGC NM- 9.2 Off-white to white pages. This ultra-sharp copy from the Mile High Collection features cover and interior art by the great Reed Crandall. If you're a true "Crack" addict, this is a "fix" you won't want to miss! To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $160.
Crash Comics #1 Larson pedigree (Tem Publishing Co., 1940) CGC VF+ 8.5 Off-white to white pages. Notable in this issue is Jack Kirby's interior art, a few months before his first signed work on Timely's Red Raven Comics. The cover spotlights Strongman, making his comic book debut, along with the characters the Blue Streak, the Perfect Human, and Shangra. Add this to the nice clean presentation of this copy, and you have an auspicious premiere issue from the early years of the Golden Age. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $1,900; VF/NM 9.0 value = $2,850.
Crime Does Not Pay #27 (Lev Gleason, 1943) CGC NM- 9.2 Off-white to white pages. The unusual combination of white lettering on a yellow background makes this issue stand out even today. That's only fitting, because, once "grabbed", you notice what's about to happen to the stoolie who lacked enthusiasm and is about to get all "fired up". Overstreet calls this cover a "classic," and we're not about to argue! This superb copy must be seen to be believed. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $750.
Crime Does Not Pay #28 (Lev Gleason, 1943) CGC VF 8.0 Off-white pages. The lead really flies as guards try to gun down attacking convicts on Charles Biro's violent jailbreak cover to this early issue of Crime Does Not Pay. Of the four copies of this issue graded by CGC to date, only one has received a higher certified grade than this copy. Overstreet 2003 VF 8.0 value = $353.
Crime Reporter #2 (St. John, 1948) CGC VF- 7.5 Off-white to white pages. Matt Baker's "damsel in distress" cover was designed to attract attention, but the big story with this issue is a torture scene reprinted from Dynamic #17, which was singled out by Dr. Frederick Wertham for inclusion in his book Seduction of the Innocent, with the suggestive quote, "Children told me what the man was going to do with the red-hot poker." To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $438.
Crimes by Women #1 (Fox, 1948) CGC FN+ 6.5 Off-white to white pages. This premiere issue features the true story of Bonnie Parker in her role as "Queen of the Gunmolls." The shocking language used by the gal on the front cover only served to pique the interest of young and old men everywhere. This is from what was arguably the finest time period of Fox comics, during the height of the "good girl" art craze of the late 1940s. Overstreet 2003 FN 6.0 value = $384.
Cyclone Comics #3 Larson pedigree (Bilbara, 1940) CGC NM- 9.2 Off-white pages. This lion-hunting, African tribesmen cover is noted in Overstreet as being "classic," and this issue is listed as "scarce." And yet, once again, Heritage has searched the world over and found an outstanding copy so that you can be the one kid on the proverbial collecting block to have it in high grade. And it's not just any copy, but one from the Larson pedigree with beautifully preserved colors, and soft, supple pages befitting the second-best copy known to CGC. Don't wait around to find a better copy, you'll be lucky if you ever see another. Overstreet 2003 NM 9.4 value = $1,200.
Dagar, Desert Hawk #19 (Fox Features Syndicate, 1948) CGC FN+ 6.5 Off-white to white pages. Jack Kamen's beautiful Tangi appears in the story "Hangman," which was used in Frederick Wertham's famous anti-comics diatribe Seduction of the Innocent. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 FN 6.0 value = $120.
Daredevil Comics #25 Rockford pedigree (Lev Gleason, 1944) CGC NM- 9.2 Cream to off-white pages. It's issue #25 and Daredevil's already been pushed off the cover of his own comic in favor of the Little Wise Guys - talk about getting no respect! At least Daredevil and his nemesis the Claw are still featured inside. Charles Biro provides the cover art, and the Pirate Prince interior story has Dick Briefer art. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $425.
Silver Age (1956-1969)
Dell Giant #38 Uncle Donald and His Nephews Family Fun - File Copy (Dell, 1960) CGC NM- 9.2 Off-white pages. This homey cover painting is based on a pencil sketch by Carl Barks. Our outstanding offering is tied with two others as the highest-graded copy certified by CGC. It is incredibly difficult to find in high grade due to the dark blue background on the cover, making this copy particularly enticing. Overstreet 2003 NM 9.4 value = $220.
Dell Giant #40 Woody Woodpecker's Christmas Parade - File Copy (Dell, 1960) CGC NM 9.4 Off-white pages. Walter Lantz Woody Woodpecker's Christmas Parade. This great square bound Dell File Copy is in exceptionally nice shape with sharp corners and a strong spine. The white cover on this one makes it tough to find in grade. Just two other copies outgrade this offering in CGC's current census. Overstreet 2003 NM 9.4 value = $100.
Dell Giant #44 Around The World With Huckleberry & His Friends - File Copy (Dell, 1961) CGC NM+ 9.6 Off-white to white pages. This Dell Giant is themed "Around the World with Huckleberry Hound and His Friends." This cool TV comic, stars Hanna-Barbera's Yogi Bear, Pixie and Dixie, Quick Draw McGraw, and Augie Doggie, plus the first appearance of Yakky Doodle. This exquisite high grade copy from the Dell Files is as close as you will find to perfection in a Dell Giant #44. In fact, this is currently the highest graded copy of issue #44 certified by CGC. It may very well be the nicest in existence. Overstreet 2003 NM 9.4 value = $230.
Golden Age (1938-1955)
Dell Giant Pogo Parade #1 (Dell, 1953) CGC VF/NM 9.0 Cream to off-white pages. There is no better way to get 100 pages of masterful artwork by Walt Kelly. Due to the cardboard covers, Dell Giants are rarely found in high grade. This one just happens to be one of only two high grade copies certified by CGC to date. Overstreet 2003 VF/NM 9.0 value = $336; NM 9.4 value = $480.
Dell Giant - Bugs Bunny's Christmas Party #6 - File Copy (Dell, 1955) CGC NM+ 9.6 Cream to off-white pages. Formerly Bugs Bunny's Christmas Funnies, this Yuletide Dell Giant features Bugs Bunny, Porky Pig, Elmer Fudd, Sylvester and Tweety. This comic is incredibly clean and sharp, all the more impressive for a square bound giant of this vintage. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $150.
Dell Giant Comics - Bugs Bunny's Christmas Funnies #3 - File Copy (Dell, 1952) CGC NM 9.4 Off-white pages. This is just an awesome file copy. To see a 50-year-old square bound book in this condition inspires us to go home and safety deposit our latest newsstand purchases. Bugs Bunny's Christmas Funnies lasted through nine issues over nine years, including #6, which for some reason was titled Bugs Bunny's Christmas Party. This stunner ranks numero uno among copies of issue # 3 in CGC's most recent census. Overstreet 2003 NM 9.4 value = $170.
Dell Giant Comics - Bugs Bunny's Vacation Funnies #3 - File copy (Dell, 1953) CGC NM 9.4 Off-white pages. Forget for a moment your bent toward superhero, science fiction, supernatural, war, and jungle adventure themes, and consider this vintage issue of a true American icon. Having made his first comic book appearance some 12 years previously, Bugs was already ensconced in comics and in our hearts. Generation after generation has loved the floppy-eared rascal and his Looney Tunes friends, and that trend will undoubtedly continue as long as we can laugh. This book is nigh perfect, and that ain't common in any book from 50 years past, much less a square bound one. Grab it before the rest of your associates realize what a prize it is! Overstreet 2003 NM 9.4 value = $170.
Dell Giant Comics - Bugs Bunny's Vacation #5 - File Copy (Dell, 1955) CGC NM 9.4 Off-white pages. It's not that you can't find copies of these Dell Giants; it's just that they are almost always beat to heck. Obviously, this file copy is a welcome exception to the rule, and this copy happens to bear the highest grade yet assigned by CGC for the issue. The right angles of the square bound spine are a joy to behold! Overstreet 2003 NM 9.4 value = $170.
Dell Giant Comics - Walt Disney's Vacation Parade #3 - File Copy (Dell, 1952) CGC NM 9.4 Cream to off-white pages. Here is a simply sparkling copy of a Disney vehicle, that features the usual Ducks and Mice, plus Chip 'n Dale, Pluto, L'il Bad Wolf, Brer Rabbit, and others. This is the only copy that CGC has certified to date. Overstreet 2003 NM 9.4 value = $240.
Dell Giant Comics - Bugs Bunny's Christmas Funnies #2 - File Copy (Dell, 1951) CGC NM- 9.2 Off-white pages. True "funnybooks" are much less likely to have been treated with care, just by virtue of the fact that a large percentage of the comics were in the hands of younger readers, who were not particularly keen on preserving books for posterity. Squarebounds seem to get worse treatment than most, making this a most exceptional copy. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $190.
Dell Giant Comics - Marge's Little Lulu and Tubby Annual #1 (Dell, 1953) CGC VF/NM 9.0 White to off-white pages. Those in the know have no doubt about how rare high-grade copies of Dell Giants are. This copy just happens to have a perfectly square, unblemished spine. There were countless Little Lulu giants, this one was the first ever. No fan of John Stanley and Lulu can live without this book. At present, this is the highest copy yet graded by CGC; so if you only settle for the best... here it is. Overstreet 2003 VF/NM 9.0 value = $364; NM 9.4 value = $520.
Dick Cole #8 Mile High pedigree (Curtis, 1950) CGC NM 9.4 Off-white pages. What a combination! A Mile High L.B. Cole football cover. What more can you ask for? This is the only copy that has been certified by CGC. Overstreet 2003 NM 9.4 value = $225.
Doc Savage Comics #1 (Street & Smith, 1940) CGC VF- 7.5 Cream to off-white pages. This first comic appearance of Doc Savage has a very cool cover image from the same company that published the successful series of Doc Savage pulps. Gerber's The Photo-Journal Guide to Comic Books gives this hard-to-find issue a "scarce" rating. Overstreet 2003 VF 8.0 value = $3,250.
Doc Savage Comics #3 Mile High pedigree (Street & Smith, 1941) CGC Apparent VF/NM 9.0 White pages. This book looks so fresh and new it's hard to believe it's more than 60 years old! The colors are so bright, the page quality so white and clean, the corners and edges so sharp - and that remains the problem here. CGC notes: "All three edges trimmed." Well, they sure did a nice trim job, because it looks fantastic. The only nit one can pick here (other than the trimmed pages, of course) is a bit of scuffing along the spine. Aside from that, it's perfect! Overstreet 2003 GD 2.0 value = $124; VG 4.0 value = $248; FN 6.0 value = $372; VF 8.0 value = $775; VF/NM 9.0 value = $1,100.
Doc Savage Comics #9 Mile High pedigree (Street & Smith, 1942) CGC NM 9.4 Off-white pages. The pulp character finally gets his own comics title and takes his adventures overseas to help out the Allies. Jack Binder delivers some of the art in this issue which also has a Supersnipe appearance. CGC has certified this awesome Mile High copy with the highest grade for issue #9 to date. Overstreet 2003 NM 9.4 value = $700.
Doc Savage Comics v2 #8 Mile High pedigree (Street & Smith, 1943) CGC NM 9.4 Off-white to white pages. This last issue features the only all-funny cover of the entire run, starring Huckleberry Finn and Tom Sawyer. It's a fantastic book, from the legendary Edgar Church collection; a check with CGC reveals that this is the highest graded copy to date by far. Overstreet 2003 NM 9.4 value = $575.
Doc Savage Comics V2#4 Mile High pedigree (Street & Smith, 1943) CGC VF- 7.5 White pages. This cover has it all: The Skull! Bondage! Nazis! Torture! and... Fanny Brice? Jack Binder interior art is featured here, and while this copy does have a half-inch cover split, it has the distinctive Mile High distributor mark, brilliant yellows, superb cover gloss, and the white pages that makes Mile High the pre-eminent pedigree. Moreover, this example is the highest CGC-graded copy to date. Overstreet 2003 VF 8.0 value = $314.
Doll Man Quarterly #3 (Quality, 1942) CGC VF/NM 9.0 Off-white to white pages. Doll Man was Quality's answer to DC's Atom. There was obviously enough room in the comic universe for more than one diminutive superheroes. Fred Guardineer, better known for his work at the fledgling DC, has a story in this issue. This book currently holds first place in grade among the three copies in CGC's census. Overstreet 2003 VF/NM 9.0 value = $810; NM 9.4 value = $1,050.
Doll Man Quarterly #3 Rockford pedigree (Quality, 1942) CGC VF 8.0 Cream to off-white pages. Quality Comics consistently produced eye catching covers such as the one on this issue by Gill Fox featuring Doll Man. This copy is in magnificent shape with outstanding visual appeal that is typical of Rockford pedigree books. The Certificate of Authenticity for the pedigree is included. Overstreet 2003 VF 8.0 value = $569.
Doll Man Quarterly #7 Rockford pedigree (Quality, 1943) CGC VF 8.0 Cream to off-white pages. They don't get much funner than this! The Doll Man being delivered by the stork! This solid book is sure to please. The Certificate of Authenticity for the pedigree is included. Overstreet 2003 VF 8.0 value = $344.
Don Winslow #5 Rockford pedigree (Fawcett, 1943) CGC VF/NM 9.0 Cream to off-white pages. This doughty 68-page wartime issue has survived the last six decades in incredible condition. The spine is tightly held together by the single staple, the edges are free from chipping and the colors are bright and bold. Fawcett published some really great comics and a high-grade gem like this one may be undervalued in the Guide. The Rockford certificate of authenticity is included. Overstreet 2003 NM 9.4 value = $325.
Don Winslow #42 Mile High pedigree (Fawcett, 1947) CGC Apparent NM- 9.2 White pages. Don Winslow finds himself a captive of giant green and purple women when he visits "Amazon Island" on this offbeat bondage cover. Hmm, can we get a ticket to visit "Amazon Island" too? This beautiful comic has all the superior attributes of other comics from the Mile High collection, but some previous owner couldn't resist the urge to "improve" it. CGC notes, "Edge of back cover trimmed." Overstreet 2003 GD 2.0 value = $11; VG 4.0 value = $22; FN 6.0 value = $33; VF 8.0 value = $60; VF/NM 9.0 value = $78; NM 9.4 value = $95.
Don Winslow #45 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. Nautical perils await when "Commander Winslow battles the Highwaymen of the Seas!" If you can get past the absurdity of a criminal waterskiing while fully clothed and carrying a pistol, then this is just the high-grade comic for you. It's almost impossible to find a Golden Age comic that grades higher than this one. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $95.
Don Winslow #49 Mile High pedigree (Fawcett, 1947) CGC NM+ 9.6 White pages. We've got naval adventures galore in this issue, when courageous Commander Winslow trails "The Vanishing Ships!" This beauty of a comic from the Mile High collection is virtually immaculate, if you love old comics that look new then we've got what you're looking for. And this comic doesn't have much competition either; to date, it's the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $95.
Don Winslow #53 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 Off-white to white pages. Don sends the readers a secret message with signal flags on the cover of this issue. This is a copy from Edgar Church collection; a check with CGC shows this copy to be the only one graded to date. Overstreet 2003 NM 9.4 value = $95.
Double Comics #1940 (Elliot, 1940) CGC VG 4.0 Cream to off-white pages. These cool giants are always interesting, since you never know what remaindered issues they will contain. They are often an amalgamation of stories from different companies like this one which contains the interiors of Pep Comics #16 and King Comics #61. Overstreet 2003 VG 4.0 value = $460.
Double Comics #1941 (Elliot, 1941) CGC VF 8.0 Cream to off-white pages. This unusual title consisted of remaindered issues of various publishers, each issue being practically unique in its contents. Of this copy, CGC notes, "Interior contents remaindered copies of Zip Comics #22 and Mystery Men #29." Gerber calls this comic "scarce" and estimates that only 21 to 50 copies still exist. Just one copy of this issue has earned a higher grade from CGC to date. Overstreet 2003 VF 8.0 value = $981.
Double Comics #1941 (Elliot, 1941) CGC VF 8.0 Cream to off-white pages. Overstreet notes that there can be almost an endless combination of books contained in these issues, and the prices listed are for average contents. The contents of this issue would have to be considered much better than average, since the two books are Prize Comics #14 and Action Comics #40 which is the introduction and first appearance of the Star Spangled Kid and Stripesy. Overstreet 2003 VF 8.0 value = $981.
The Durango Kid #1 (Magazine Enterprises, 1949) CGC VF- 7.5 Off-white pages. Charles Starret appears twice on this cool photo cover, once as himself, and once as his black-clad alter-ego, the Durango Kid! It should be noted that the feature Dan Brand & Tipi, illustrated by a young Frank Frazetta, begins in this issue. A very nice copy of this great Western title, a few pencil marks mar the front cover but do little to damage the eye-appeal of this gem. This is the highest- graded copy of this book, as of this writing. Overstreet 2003 VF 8.0 value = $463
Exciting Comics #1 (Nedor Publications, 1940) CGC VF- 7.5 Cream to off-white pages. Five months after Better/Standard/Nedor published its first comic book, this title was introduced. Better known as the title that gave us the Black Terror with issue #9, and as a medium for Alex Schomburg's airbrush covers (issues #57-66), the premiere issue provided the origin and first appearance of the Mask. Not that easy to find, CGC has certified just four unrestored copies of the issue, and our offering's grade is the highest that CGC has awarded to date. Overstreet 2003 VF 8.0 value = $2,400.
Exciting Comics #43 (Nedor Publications, 1946) CGC NM- 9.2 White pages. White pages make this book really jump out. It is just a hair away from straight Near Mint condition, has an Alex Schomburg cover, and is one of the most desirable titles from this publisher. Don't let this cool appearance of the Black Terror escape your grip! To date, this is by far the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $650.
Exciting Comics #48 (Nedor Publications, 1946) CGC NM- 9.2 Cream to off-white pages. Here is another fantastic Alex Schomburg cover with all of the classic elements; a blonde damsel in distress, a bunch of bad guys wielding pistols and wearing bad hats and Lone Ranger-esque masks, who are trying to get away with a bag that is clearly marked with what it contains (day's receipts). This happens to be a beautiful copy, well within the umbrella of Near Mint. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $650.
Exciting Comics #51 (Nedor Publications, 1946) CGC VF/NM 9.0 Cream to off-white pages. The black Terror towers over criminals in dramatic fashion on this deceptively simple cover by the masterful Alex Schomburg. The beautiful Miss Masque makes her first appearance in this landmark issue. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
Exciting Comics #55 (Nedor Publications, 1947) CGC VF/NM 9.0 White pages. The stalwart Black Terror by Alex Schomburg is the cover subject of this attractive issue. The cover's white background makes this comic especially elusive in higher grades. Judy of the Jungle begins her run in this title, and we're treated to her origin story. There's also one page of artwork by Graham Ingels. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $465; NM 9.4 value = $600.
Exciting Comics #61 (Nedor Publications, 1948) CGC NM+ 9.6 Off-white to white pages. Here's a beauty featuring a classic "Judy of the Jungle" cover, rendered by the great Alex Schomburg. His series of airbrushed covers are among the most coveted in collecting, running the gamut of later Nedor titles, and displaying his gorgeous babes in all of their glory. Grading out at a whopping NM+ 9.6, this comic is the nicest copy of the issue CGC has seen to date. Exuding a fresh quality usually reserved for pedigrees, one would be hard-pressed to find defects anywhere on the book. Overstreet 2003 NM 9.4 value = $550.
Exciting Comics #62 (Nedor Publications, 1948) CGC VF/NM 9.0 Off-white pages. The beautiful Judy of the Jungle has been snared in a net by natives on this lush airbrushed Alex Schomburg cover. Hmm, does this qualify as a bondage cover? While Schomburg's covers generally eclipsed the contents of these Nedor comics, this issue has the advantage of an interior story with George Roussos art. The superior condition of this 40s comic wonderfully showcases Schomburg's stunning cover art. To date, only one copy of this issue has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $425; NM 9.4 value = $550.
Exciting Comics #65 Rockford pedigree (Nedor Publications, 1949) CGC VF/NM 9.0 Cream to off-white pages. The airbrush cover by Alex Schomburg is just as stunning today as it must have been when it hit the stands in 1949. Additional art in this issue came from Ruben Moreira. Don't let this high-grade, yet affordable beauty pass you by! From the Rockford pedigree, the certificate of authenticity is included. Overstreet 2003 VF/NM 9.0 value = $425; NM 9.4 value = $550.
Famous Funnies #209 (Eastern Color, 1953) CGC NM- 9.2 Cream to off-white pages. Frank Frazetta began his short run of amazing Buck Rogers covers with this issue. Frazetta is perhaps best known for his beautifully rendered paintings of fantasy subjects, but for some, his earlier work as a comic book artist holds the most fascination. The covers he produced for Famous Funnies were among his very best work, and this example is clearly no exception. This outstanding copy is a collector's dream, CGC notes only four higher-graded copies in their current census. Overstreet 2003 NM 9.4 value = $1,400.
Famous Funnies #209 (Eastern Color, 1953) CGC VF+ 8.5 Cream to off-white pages. Frank Frazetta begins his short run of Buck Rogers covers with this issue. Buck and Wilma never looked so good! A sharp copy with no obvious defects; this one looks as if it came very close to Near Mint status. Overstreet 2003 VF 8.0 value = $763; VF/NM 9.0 value = $1,082.
Famous Funnies #210 (Eastern Color, 1954) CGC NM 9.4 Cream to off-white pages. Here's a superb example of one of the most admired comic book covers of all time. Frank Frazetta's version of Buck Rogers (this is his second cover) set the standard for many a comics fan. This copy looks fantastic; CGC shows only two higher-graded copies to date. A real gem. Overstreet 2003 NM 9.4 value = $1,400.
Famous Funnies #210 (Eastern Color, 1954) CGC FN/VF 7.0 Cream to off-white pages. The incomparable Frank Frazetta has an awfully luscious lady imperiled by a just plain awful green meanie on this Buck Rogers cover. Frazetta's eight consecutive covers for this long-running title are the ones most sought-after by those who favor fabulously fetching females. Gerber rates this an "uncommon" issue; Heritage Comics has offered a copy on just two other occasions in the past two years, and not at all in over a year. Overstreet 2003 FN 6.0 value = $366; VF 8.0 value = $763.
Famous Funnies #211 (Eastern Color, 1954) CGC NM- 9.2 Cream to off-white pages. "Famous" really applies to this issue. This is one of Frank Frazetta's best known Buck Rogers covers, and it's a beauty! This copy is well-preserved; tight and sharp with nice color. Only one copy has been graded higher by CGC to date. Overstreet 2003 NM 9.4 value = $1,400.
Famous Funnies #212 (Eastern Color, 1954) CGC VF/NM 9.0 Cream to off-white pages. If you're looking for a great example of Frank Frazetta's comic book art, you could do no better than this issue. This is a fantastic illustration as only Frazetta was doing in 1954. Colorful flying saucers, green space men -- all this and bondage too! This is the highest graded copy certified by CGC to date. Overstreet 2003 VF/NM 9.0 value = $1,082; NM 9.4 value = $1,400.
Famous Funnies #213 (Eastern Color, 1954) CGC VF- 7.5 Cream to off-white pages. Here's one that has it all. See the space monster emerging from the shadows! See the inside of a starship! See Buck Rogers wear a dress! Joking aside, this is a wonderful, well-known Frank Frazetta cover -- a very attractive copy, the cover is loaded with great color. The machinery in the background is done in the style of Frank's friend, Wally Wood. This is one of the tougher Famous Funnies to find in grade, and this copy is fresh. Overstreet 2003 VF 8.0 value = $763.
Famous Funnies #214 (Eastern Color, 1954) CGC NM- 9.2 Cream to off-white pages. Frank Frazetta was at his peak on this famous Buck Rogers cover. This is the one that inspired many future comic book artists. This copy is simply wonderful, as sharp and clean as one would expect to find on sale at the corner newsstand! This is the highest-graded copy certified by CGC to date. Overstreet 2003 NM 9.4 value = $1,400.
Famous Funnies #215 (Eastern Color, 1955) CGC VF 8.0 Off-white to white pages. A Buck Rogers cover by Frank Frazetta, underwater this time instead of in outer space. Frazetta's covers are always in very high demand, and this copy will certainly thrill its new owner. This issue is tough to find in high grade; in fact, only one other copy grades higher in CGC's current census. Overstreet 2003 VF 8.0 value = $763.
Famous Funnies #216 (Eastern Color, 1955) CGC NM 9.4 Off-white to white pages. Here's a rare chance to own a high-grade copy of one of the most beautiful explosion covers ever, by Frank Frazetta. This is the last of Frazetta's Buck Rogers covers and one of his best. This copy is as superb as the grade would suggest, to date, it is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $1,400.
Platinum Age (1897-1937)
Famous Funnies: Carnival of Comics #nn (Eastern Color, 1933) CGC VF+ 8.5 Cream to off-white pages. It would be five years before the Golden Age of comics would even begin when, in 1933, this collection of newspaper reprints was issued. Regarded as the second comic book, this promotional giveaway was M. C. Gaines' brainchild. Gerber's The Photo-Journal Guide to Comic Books lists this as "rare," with only 11 to 20 copies estimated to exist. There is currently only one unrestored copy of this issue that has been graded higher by CGC. From a historically significant perspective, this would appear to be an undervalued artifact. The CGC holder for this comic has a crack at the top right corner. Overstreet 2003 VF 8.0 value = $5,480; VF/NM 9.0 value = $7,990.
Famous Funnies: Carnival of Comics #nn (Eastern Color, 1933) CGC FN- 5.5 Cream pages. This historical issue is reputed to be the second comic book made. It contains reprints of popular newspaper strips including "Dixie Dugan", "Joe Palooka", "Strange As it Seems", and more. The well-known cover to this comic has probably been printed in more history of comic volumes than actually exist of this extremely rare issue. This is a nice, clean, and tight copy that should be included in any collection of early comic book history. CGC notes, "7 small puzzles filled in with pencil." Overstreet 2003 FN 6.0 value = $2,740.
Golden Age (1938-1955)
Feature Comics #29 (Quality, 1940) CGC VF 8.0 Off-white to white pages. This great copy has a very early appearance of Doll-Man, whose first appearance had been only two issues earlier. He was only featured in a small side panel on this cover but by the next issue he would graduate to the full cover feature. Other Quality fun inside this comic includes Mickey Finn, Jane Arden, Joe Palooka, and many others. This beautiful copy is the highest yet graded by CGC. Overstreet 2003 VF 8.0 value = $600.
Feature Comics #35 Mile High pedigree (Quality, 1940) CGC FN- 5.5 Off-white to white pages. Quality managed to jam a lot of stories into this one book. Lou Fine penciled and inked the Spirit, Gill Fox did Poison Ivy, Bob Powell did Spin Shaw, and Paul Gustavson did Rusty Ryan. Overstreet 2003 FN 6.0 value = $165.
Feature Comics #36 Mile High pedigree (Quality, 1940) CGC VG+ 4.5 Off-white to white pages. This rather atypical Mile High comic was fairly well read. This is unusual because Edgar Church, the original owner of this famous collection, kept his books in perfect shape. This may be one of the books Mr. Church missed on the newsstand, and picked up second-hand. At any rate, it's a great comic book -- there's the Dollman, drawn by Lou Fine, and Rusty Ryan by artist Paul Gustavson. And while this one may not be the highest of grades, this copy is still very nice, with good color and gloss. In fact, there is only one other copy of this issue listed in CGC's current census, and it's a FN-. Overstreet 2003 VG 4.0 value = $110.
Feature Comics #39 Mile High pedigree (Quality, 1940)CGC FN/VF 7.0 Off-white to white pages. This issue contains the origin of the Destroying Demon who only managed to appear in a grand total of two issues. This is the perfect book for the collector on a budget that just has to have a Mile High book...and who doesn't?! Overstreet 2003 FN 6.0 value = $129; VF 8.0 value = $258.
Feature Comics #44 Mile High pedigree (Quality, 1941) CGC VG/FN 5.0 Off-white pages. In this issue Reed Crandall takes over the art chores on Doll Man until issue #63. He also did the art on Samar. Despite the technical grade, this is still a nice book from the King of pedigrees. Overstreet 2003 VG 4.0 value = $144; FN 6.0 value = $288.
Feature Comics #49 Mile High pedigree (Quality, 1941) CGC FN 6.0 White pages. Reed Crandall, one of the comic book masters of the 1940s and '50s, did the artwork on the Doll Man story in this issue. This Mile High pretty would grade higher if not for a detached centerfold. Overstreet 2003 FN 6.0 value = $102.
Fight Comics #1 (Fiction House, 1940) CGC VG 4.0 Cream to off-white pages. It may be "only" a mid-grade copy, but just a few copies of the premiere issue of this Fiction House mainstay title have fared better in CGC grading, with none having attained high-grade status to date. Will Eisner cover and art adds to the allure, and George Tuska contributes interior art. Overstreet 2003 VG 4.0 value = $640.
Fight Comics #51 (Fiction House, 1947) CGC NM 9.4 Off-white pages. Grrrrowl! The fetching Tiger Girl swings across a crocodile infested moat to save a bound man from sadistic torture. This issue has the origin of Tiger Girl, and includes artwork from legends Jack Kamen and Matt Baker. A fantastic copy, currently no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $400.
Fight Comics #58 (Fiction House, 1948) CGC VF+ 8.5 White pages. With a broken manacle still around one wrist, Tiger Girl makes her escape from some irate bird-men on this beautiful cover. The cover art is attributed to master Fiction House artist Joe Doolin, while the equally adept Matt Baker and Jack Kamen handle interior art duties. To date, only one copy of this issue has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $127; VF/NM 9.0 value = $169.
Fight Comics Bound Volume of #25 - 36 (Fiction House, 1943-45). An action-packed volume containing a dozen issues of one of Fiction House's most beloved titles, trimmed and bound in green cloth. Several covers are by Dan Zolnerowich and Joe Doolin, contributing artists include George Tuska, Matt Baker, Lily Renee, and Alex Blum. Issue #31 has a decapitation cover, and issue #32 has the first appearance of Tiger Girl. And just as Overstreet notes, bondage covers, lingerie, and "headlight" panels abound! Gerber rates several issues in this volume as "uncommon" or "scarce." While the comics have moderate to heavy oxidation on the exposed page edges, the covers are generally bright and glossy. Some of the extreme corners are starting to brittle, but overall the pages are supple, sturdy, and easy to handle. A fantastic run of great issues in one convenient volume - perfect for the collector who loves to read comics! Overstreet 2003 VG value for the group = $688.
Fighting Yank #15 (Nedor Publications, 1946) CGC NM 9.4 Off-white to white pages. In the hands of a lesser artist, the image of a man wearing a three-corner hat, a domino mask, a cape, and an American flag on his chest might look a little silly. Not when drawn by Alex Schomburg! The Golden Age master artist has done it again, giving us a wild bondage/torture cover that has it all - a lovely damsel in distress, evil (and ugly) villains, and a hero that saves the day without breaking a sweat. This is one of two top-ranked copies in the current CGC census. Overstreet 2003 NM 9.4 value = $560.
Fighting Yank #18 (Nedor Publications, 1946) CGC NM 9.4 Off-white pages. This cover of the Fighting Yank foiling an attempted kidnapping is a wonderful example of Alex Schomburg's post-Timely work. Still rife with fabulous detail and clean lines, it is a more mature style. The phenomenal condition of this copy further enhances its considerable desirability. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $560.
Fighting Yank #25 (Nedor Publications, 1948) CGC VF- 7.5 White pages. The Alex Schomburg sleepwalking cover makes this book a real winner on the outside, and the Jerry Robinson/Mort Meskin art with strangulation and lingerie panels make it a winner on the inside. Nedors seldom get "Better" than this! There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $318.
The Flame #1 (Fox, 1940) CGC VF- 7.5 Cream to off-white pages. Lou Fine draws this magnificent cover of the Flame blasting away at some unseen enemy off the side of the cover, out of view. Note the two goons' and buxom damsel's dastardly expressions. Surely, they are up to no good and it is up to the Flame to stop them. Note Lou Fine's mastery in rendering these characters. In particular, note the fine detail in the girls hair and realistic drawing of the thugs clothing. This premiere issue also features the Flame's origin. It has a dust shadow on the front cover, but features sharp edges and ultra tight staples with deep, rich cover colors. Overstreet 2003 VF 8.0 value = $2,000.
Flying Saucers #nn River City pedigree (Avon, 1952) CGC NM- 9.2 Cream to off-white pages. You can not possibly get any more science fiction-y than Gene Fawcette managed on this cover. These fearsome aliens have nothing on their mind other than complete destruction and domination over anyone unlucky enough to fall into their path. Wally Wood contributed 23 pages of artwork to this book. This book has a black cover that is notoriously difficult to find in high grade. Other than one tiny chip on the right border the black on this book is perfectly intact, with no creases or finger prints as are so common on black covers. This just happens to be the recipient of the highest CGC grade yet awarded to a copy of this issue. Overstreet 2003 NM 9.4 value = $500.
Forbidden Worlds #1 (ACG, 1951) CGC VF/NM 9.0 Off-white pages. The first 10 page story, titled "Demon of Destruction," has Frank Frazetta pencil art with inks by Al Williamson. A tough to find first issue of this long-running series, this copy is stunning -- flat, clean, and sharp, with great pages, tight, clean staples, and a flawless spine. Overstreet 2003 VF/NM 9.0 value = $1,350; NM 9.4 value = $1,750.
Four Color (Series One) #4 Donald Duck (Dell, 1940) CGC FN 6.0 Cream to off-white pages. This highly desirable issue, drawn by Al Taliaferro, is the first color comic book to star Donald Duck. It's been a hot item for Disney collectors since the dawn of comics fandom. This copy looks fantastic; there's a very light dust shadow evident and some minor creasing, but the front cover still seems fresh. The back cover shows some traces of twine binding, it must have been on the bottom of a newsstand stack. This comic really needs to be seen in person to be properly appreciated. Overstreet 2003 FN 6.0 value = $2,625.
Four Color #9 Donald Duck (Dell, 1942) CGC VG/FN 5.0 Off-white to white pages. Carl Barks does Donald Duck for the first time, and a new standard of excellence in Duck Art (and cartoon art in general) is established. Jack Hannah also lent a hand on the artwork. Thought of by many as the Action Comics #1 or Detective Comics #27 of the funny animal genre, this book is highly prized by collectors in many fields. This is a solid copy that presents well and is devoid of any major defects, it shows just light general wear. Overstreet 2003 VG 4.0 value = $1,500; FN 6.0 value = 2,250.
Four Color #68 Mother Goose and Nursery Rhymes (Dell, 1945) CGC VF+ 8.5 Cream to off-white pages. Early Four Colors like this are extremely rare to begin with. Add in some brilliant Walt Kelly art, and a copy that is the highest CGC-graded example to date, and you have something really special! The cover features a moon-jumping cow, a fiddlin' cat, what appears to be a dish running away with a spoon, and an easily amused little dog laughing at all the sport. Hmmm... that all sounds vaguely familiar.... The back cover has the Three Men in a Tub, Humpty Dumpty, and a myriad of others. Check it all out by going to the Heritage Comics web site. This copy appears to be quite conservatively graded, and is the only copy of this issue that CGC has certified to date. Overstreet 2003 VF 8.0 value = $150; VF/NM 9.0 value = $210.
Four Color Comics #80 Smilin' Jack - Mile High pedigree (Dell, 1945) CGC VF+ 8.5 Off-white to white pages. Smilin' Jack looks set to rescue a hapless blond gentleman from a couple of distinctly simian-looking thugs on this vintage Four Color cover. CGC seems to have penalized this Mile High beauty for some unobtrusive wear to the top edge of this otherwise stunning comic. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $117; VF/NM 9.0 value = $164.
Four Color #84 Flash Gordon - File Copy (Dell, 1942) CGC NM 9.4 Cream to off-white pages. This comic is part of the Four Color series but this issue is actually the third Flash Gordon comic, and reprints "The Fiery Desert" by Alex Raymond. File copies are just about the only way to get early Dells in high grade and this one is a real pleaser. Naturally, this comic is the highest graded copy of the issue certified by CGC to date. Overstreet 2003 NM 9.4 value = $600.
Four Color #147 Donald Duck (Dell, 1947) CGC VF 8.0 Off-white to white pages. Carl Barks brings his mastery to this issue with Donald and the nephews in "Volcano Valley." Donald is about to get his goose cooked as the volcano blows its top on this cover. Have you ever wondered why the censors never questioned why Donald and the gang never wore pants? Overstreet 2003 VF 8.0 value = $630.
Four Color #386 Uncle Scrooge in Only a Poor Old Man (Dell, 1952) CGC NM 9.4 White pages. The beloved character of Uncle Scrooge was developed not in a Walt Disney cartoon, but rather in the Donald Duck stories written and drawn by Carl Barks. This classic first solo story is a real hoot. After one more Four Color issue, the series would continue under its own title. And while this story has been reprinted many times, there's no bigger thrill for the true collector than owning the original. This gorgeous copy will definitely fit the bill! While there is an arrival date written on the front cover, it's light and unobtrusive. Grab this one up and stash it in your own personal money vault - it's as good as gold! Overstreet 2003 NM 9.4 value = $1,300.
Platinum Age (1897-1937)
Funnies #1 (Dell, 1936) CGC VG 4.0 Cream to off-white pages. Offered here is a solid copy of this early book. The mid 1930s were a transitional time period between the Platinum Age and the Golden Age. All comic books from this time period are rare, so any solid copy is a real find. Overstreet 2003 VG 4.0 value = $720.
Golden Age (1938-1955)
Funnies #51 Mile High pedigree (Dell, 1941) CGC NM- 9.2 Off-white pages. This issue from one of the first publishers of comic books features a great Phantasmo cover. Dell had its share of superheroes in the early days of the Golden Age, this being one of their best. This particular copy is by far the best as well, if a check of CGC's current census is any indication. It's from the famous Edgar Church collection of Golden Age comics, and it's as pretty as one might expect from this well-known pedigree. Overstreet 2003 NM 9.4 value = $525.
Funnies #54 Mile High pedigree (Dell, 1941) CGC NM+ 9.6 Off-white pages. Just a few months after Dell's first comic book, Popular Comics #1, was published, this title began. After six years, "New" was added to the "Funnies," and the series would survive another twenty years and a total of 288 issues. Phantasmo was Dell's first superhero, and the dude looks smashing in this sensational copy, so unusual for this issue, but not for the Mile High pedigree. So far, CGC hasn't even certified another copy of this issue. Overstreet 2003 NM 9.4 value = $525.
Gene Autry Comics #1 (Fawcett, 1941) CGC FR/GD 1.5 Cream to off-white pages. America's Cowboy saddles up for a long run in the first issue of his new comic book series. Listed in Overstreet as "rare", this marks the first comic book appearance of Gene and his faithful mount Champion. In rough condition, there is some severe water damage to the lower portion of the book, with portions of the lower front and back cover missing. This would, however, be a nice, affordable copy for the dedicated Autry enthusiast. Overstreet 2003 GD 2.0 value = $741.
Gene Autry Comics #2 (Fawcett, 1942) CGC VG+ 4.5 Off-white pages. From the big screen to the comic book page, Gene Autry was one of the foremost cowboy stars of the Golden Age. With his horse, Champion, Autry rode the West, righting wrongs and singing songs. This is his second self-titled comic book appearance, a nice mid-grade copy. Rounded corners and some minor foxing keep it out of a higher grade, but this is a nice solid book nevertheless. Overstreet 2003 VG 4.0 value = $304.
Gene Autry Comics #3 Mile High pedigree (Fawcett, 1942) CGC NM+ 9.6 Off-white pages. The action is fast and furious on this Mile High cover, making Gene for the moment forget a certain other cowboy's claim to the "King of the Cowboys" moniker, and Champion feel vindicated over a certain pretty-boy horsey (hint: rhymes with "Digger"). A photo of Gene graces the back cover. No other CGC-certified copy of this issue comes close to this beauty. Overstreet 2003 NM 9.4 value = $1,125.
Gene Autry Comics #3 (Fawcett, 1942) CGC Apparent FN- 5.5 Slight (P) Cream to off-white pages. Autry goes in search of the "Secret of the Aztec Treasure" in the third issue of his title. A nice-looking book, of which CGC notes: "Restoration includes: cover and centerfold reinforced, tear seals to interior." CGC 2003 GD 2.0 value = $98; VG 4.0 value = $196; FN 6.0 value = $294.
Gene Autry Comics #4 (Fawcett, 1943) CGC VF+ 8.5 Cream to off-white pages. In typical heroic fashion, Gene and Champion rescue a little girl from a burning building. A clean, solid copy, this book has everything going for it. Overstreet 2003 VF 8.0 value = $613; VF/NM 9.0 value = $869.
Gene Autry Comics #5 (Fawcett, 1943) CGC Apparent VF 8.0 Slight (P) Cream to off-white pages. Gene is forced to draw on a wily ol' coot as he investigates "The Mystery of Paint Rock Canyon". A nice-looking book at first glance, there are abrasion marks approximately 4.5" down the left edge. Also, CGC notes, "Restoration includes: cover and centerfold reinforced." Overstreet 2003 GD 2.0 value = $98; VG 4.0 value = $196; FN 6.0 value = $294; VF 8.0 value = $613.
Gene Autry Comics #6 (Fawcett, 1943) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. A very happy Gene Autry fronts this colorful cover by artist Till Goodan. CGC notes, "Restoration includes: cover & centerfold reinforced, tear seals to cover. Overstreet 2003 GD 2.0 value = $80; VG 4.0 value = $160; FN 6.0 value = $240; VF 8.0 value = $500.
Gene Autry Comics #7 (Fawcett, 1943) CGC VF 8.0 Cream to off-white pages. Gene Autry battles the bad guys on this classic Till Goodan cover. A nice book, with strong eye-appeal, this one will make any Autry collector proud. Overstreet 2003 VF 8.0 value = $500.
Gene Autry Comics #8 (Fawcett, 1943) CGC VF+ 8.5 Off-white to white pages. A very nice book, highlighted by a Jim Chambers cover showing Gene crooning his signature tune, "Back in the Saddle Again". A chip in the upper left corner and a pencil mark on the cover keep this book from a higher grade. Other than these minor flaws, the book presents very nicely. Overstreet 2003 VF 8.0 value = $500; VF/NM 9.0 value = $713.
Gene Autry Comics #10 (Fawcett, 1943) CGC VF/NM 9.0 Off-white to white pages. Gene leaps onto the back of his trusty mount, Champion, in this gripping, action-packed Till Goodan cover. This is as nice a copy as you're likely to find; no other has graded higher according to the CGC census. Overstreet 2003 VF/NM 9.0 value = $713; NM 9.4 value = $925.
Gene Autry Comics #11 (Dell, 1948) CGC Apparent FN/VF 7.0 Slight (P) Cream to off-white pages. The first issue of Gene's comic book from Dell, this series picks up where the Fawcett run left off. Still sporting a classic Till Goodan cover, Gene would headline this series for the next sixteen years. A good-looking book, CGC notes: "Restoration includes: cover & centerfold reinforced." Overstreet 2003 GD 2.0 value = $58; VG 4.0 value = $116; FN 6.0 value = $174; VF 8.0 value = $410.
Gene Autry Comics #12 (Dell, 1944) CGC VF 8.0 Off-white pages. Look out for that guy in the shadows, Gene! Ready for danger "Down Mexico Way", Gene Autry has his guns drawn on this cool cover. A good-looking book, this is the highest-graded copy as of this writing. Overstreet 2003 VF 8.0 value = $384.
Ghost Comics #2 (Fiction House, 1952) CGC FN/VF 7.0 Cream to off-white pages. We've got a beautiful black cover on this rarely seen issue. The main features in this comic are Ghost Gallery and Werewolf Hunter stories. Maurice Whitman upheld the longstanding standard of Fiction House cover art excellence with this memorable "headlight"/horror scene. Overstreet 2003 FN 6.0 value = $117; VF 8.0 value = $224.
Ghost Comics #5 (Fiction House, 1952) CGC NM- 9.2 Cream to off-white pages. This wild issue features as its cover story "Horrible, Writhing Death in the Hex of the Ruby Eye", and boy, what a cover! If the story inside is as good, this must be a great comic! It's a great copy, too, sharp and glossy with deep rich color. Jack Abel and Bill Benulis get art credits here. Overstreet 2003 NM 9.4 value = $320.
Ghostly Weird Stories #122 Cosmic Aeroplane pedigree (Star, 1954) CGC VF 8.0 Off-white to white pages. The series started as Blue Bolt in 1940, morphed into Blue Bolt Weird Terror Tales for two issues in 1951, then into Blue Bolt Weird Tales in 1952, before assuming this title in 1953. Along the way, the thread of continuity was the awesome cover art by L. B. Cole, here mixing horror and sci-fi in eye-popping colors. This pedigreed copy is easily the nicest of the three copies of issue #122 graded by CGC to date. Overstreet 2003 VF 8.0 value = $201.
Ghost Rider #1 (Magazine Enterprises, 1950) CGC NM- 9.2 Off-white pages. This first issue features Ghost Rider's origin, and is also titled A-1 Comics #27. Terrific cover and art by Dick Ayers, this key issue is a must for all serious fans of western comics. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,000.
Ghost Rider #1 (Magazine Enterprises, 1950) CGC VF/NM 9.0 Cream to off-white pages. A tribe of warriors scatters at the fearsome appearance of the spectral rider of the range, the Ghost Rider! This cover makes a highly effective impact with minimal color use -- the white Ghost Rider stands in stark contrast to the solid black background, and the muted native Americans in the foreground add to the character focus. Ghost Rider #1 features the origin of the Ghost Rider with artwork by Dick Ayers. This is one of the highest-graded copies certified to date by CGC. Overstreet 2003 VF/NM 9.0 value = $772; NM 9.4 value = $1,000.
Ghost Rider #1 (Magazine Enterprises, 1950) CGC VF+ 8.5 Cream to off-white pages. Dick Ayers renders a most stupendous cover, as the masked hero, astride his trusty steed, attacks a band of Indians. This first issue features Ghost Rider's origin and is also titled A-1 Comics #27. Overstreet notes that this character was inspired by Vaughn Monroe's "Ghost Riders in the Sky" and Disney's movie "The Headless Horseman." Overstreet 2003 VF 8.0 value = $544; VF/NM 9.0 value = $772.
Golden Arrow #1 (Fawcett, 1942) CGC VF 8.0 Cream to off-white pages. The Wild West Hero of Whiz Comics rides into his own title in this cool #1 issue. A solid book, only one copy has been graded higher as of this writing. Overstreet 2003 VF 8.0 value = $531.
Great Comics #1 (Great Comics Publications, 1941) CGC VF 8.0 Off-white pages. Making their first appearance on the superhero scene at the end of 1941, Great Comics introduced such characters as the Great Zarro, Madame Strange, Devil Dogs Three, and Guy Gorham, Wizard of Science. Lou Fine's flowing style influenced the cover art for this issue. Besides a small bump at the top edge back cover, this copy has little wrong with it. The white cover is very clean. Overstreet 2003 VF 8.0 value = $800.
Green Hornet Comics #24 (Harvey, 1945) CGC FN/VF 7.0 Cream to off-white pages. Most of the covers on this title has regular crime themes but this one is actually listed as having a sci-fi theme and is pretty cool. The Green Hornet and Kato defends an American city against a fleet of Japanese poison gas cruise missiles. This book also features Bob "Fuje" Fujitani artwork, and this gent knew what he was doing. This book might just be a bit less common than others seeing as how CGC has only certified two copies to date. Overstreet 2003 FN 6.0 value = $156; VF 8.0 value = $312.
Green Hornet Comics #36 File Copy (Harvey, 1947) CGC NM 9.4 Cream to off-white pages. This issue, part of the run titled Green Hornet Fights Crime, is all you expect a file copy to be. The red on the cover is deep and the whites are bone-white. To date CGC hasn't certified a higher grade for this issue. It's a winner! Overstreet 2003 NM 9.4 value = $420.
Green Hornet Comics #37 (Harvey, 1947) CGC VF+ 8.5 Cream to off-white pages. This is a cool issue, beginning with the great montage cover to the interior art. Inside, you'll find Shock Gibson drawn by Bob Powell, and Kid Adonis by the team of Joe Simon and Jack Kirby. And what a great copy, too - this definitely looks nicer than the CGC-assigned grade. The colors on the cover are rich and vibrant against a snow-white background, and the corners and edges all look sharp and tight. Overstreet 2003 VF 8.0 value = $235; VF/NM 9.0 value = $328.
Green Hornet Comics #43 (Harvey, 1949) CGC NM 9.4 White pages. Most of the copies we see in this superb condition are part of a famous pedigree. This one is near-pristine in every way, right down to its white pages, and currently ranks as the highest-graded copy to be certified by CGC to date. Don't overlook this nugget! Overstreet 2003 NM 9.4 value = $335.
Green Hornet Comics #44 (Harvey, 1949) CGC NM 9.4 Off-white to white pages. The crime-fighting hero from radio and pulps made a successful leap to comics in 1940, and hung around for nearly nine years. Over a decade went by; then TV came along, and a new comic book series ensued. This is one of the later issues from the first series from the Golden Age. This outstanding copy is unsurpassed, according to CGC's most recent data. No other certified copy has earned better than a Very Fine Plus. Overstreet 2003 NM 9.4 value = $335.
Green Lama #1 (Spark Publications, 1944) CGC VF- 7.5 Off-white pages. Green Lama had first appeared as a pulp hero a few years previously. The premiere issue of his comic book also featured the first appearance of Lt. Hercules and the Boy Champions, but the real draw here is the distinctive cover and interior art by Mac Raboy. To date CGC has certified just two finer unrestored copies of this issue. Overstreet 2003 VF 8.0 value = $800.
Green Lama #3 (Spark Publications, 1945) CGC NM- 9.2 Off-white pages. The title had a short run of just eight issues, but the sterling art of Mac Raboy (cover and interior) and Jerry Robinson ensured we would be appreciative decades later. CGC has certified just three unrestored copies of the issue to date, none higher-graded than this offering. Overstreet 2003 NM 9.4 value = $700.
Green Lama #4 Rockford pedigree (Spark Publications, 1945) CGC VF+ 8.5 Off-white pages. A dramatic, patriotic cover by Mac Raboy highlights an issue that sports interior art from Raboy and Jerry Robinson. This high-grade copy from the Rockford Collection is the second highest-graded copy CGC has certified to date of issue #3. The Rockford pedigree certificate of authenticity is included. Overstreet 2003 VF 8.0 value = $381; VF/NM 9.0 value = $541.
Green Lama #6 Rockford pedigree (Spark Publications, 1945) CGC NM 9.4 Off-white pages. This issue features a well-known cover illustration of Green Lama about to hurl a giant stone swastika into the stratosphere, making the world safe from the Nazi menace. Thanks, Green Lama! This copy is very sharp and nice, being from a great pedigreed collection. CGC lists this as the highest graded copy to date. Included with this lot is a certificate of authenticity. Overstreet 2003 NM 9.4 value - $700.
Green Lama #7 (Spark Publications, 1946) CGC VF/NM 9.0 Cream to off-white pages. This beautiful, painted X-mas cover has to be one of Mac Raboy's most distinctive. The great Golden Age artist's work on this run ensured lasting collectors' interest, even though the title ended after only eight issues. Overstreet 2003 VF/NM 9.0 value = $309; NM 9.4 value = $390.
Heroic Comics #3 File Copy (Eastern Color, 1940) CGC VF 8.0 Light tan to off-white pages. While better known for his Sub-Mariner work at Timely, Bill Everett did work for a myriad of publishers. On this issue he did both the Hydroman cover, on which he is rescuing a hot dame, and the interior story. CGC has certified only one copy higher than this one to date. Overstreet 2003 VF 8.0 value = $306.
Hi-School Romance #1 (Harvey, 1949) CGC FN/VF 7.0. Tales of love and betrayal the Harvey way. Prior to the Comic Code Authority some of these romance books could be quite interesting and often hilarious. This issue has a school dance photo cover. Overstreet 2003 FN 6.0 value = $48; VF 8.0 value = $92.
Hit Comics #1 (Quality, 1940) CGC FN- 5.5 Off-white to White pages. Lou Fine was at his absolute best when he designed the early covers of this seminal run, proving to be a true master of the form. On this cover, the Red Bee faces down a boatload of baddies, as death lurks below him. Interior features include Hercules, G-5 Super Spy by Will Eisner and Charles Sultan, Jack and Jill, Red Bee by Charles Nicholas, the Strange Twins by Alex Blum, Bob and Swab, Casey Jones, Neon the Unknown, Tommy Tinkle and Blaze Barton. Light edge wear and a spine roll are the only defects to mention, and the cover is still tight and sharp. Overstreet 2003 FN 6.0 value = 1,890.
Hit Comics #3 (Quality, 1940) CGC VG 4.0 Off-white pages. Here's an oddball book that you can't afford to pass up. This comic actually has a story titled "Jack and Jill" that just so happens to have a transvestism angle to it. That must've raised a few eyebrows 63 years ago. Add the killer Hercules cover by Lou Fine and you get one "must-have" book. CGC notes, "centerfold detached." Overstreet 2003 VG 4.0 value = $486.
Hit Comics #28 Mile High pedigree (Quality, 1943) CGC VG/FN 5.0 White pages. Lurking beneath the bright red cover on this book is artwork by Jack Cole and Rudy Palais. The cover features Kid Eternity being threatened by a disturbing old woman with formidable headlights. CGC notes, "Large tape stain on cover", though it is on a dark green portion on the spine and not very overt. Overstreet 2003 VG 4.0 value = $100; FN 6.0 value = $150.
Hit Comics #63 (Quality, 1950) CGC NM- 9.2 Off-white pages. Jeb Rivers, "daring gentleman adventurer" has an action-packed adventure in the romantic days of riverboats on the Mississippi. It may seem like an odd subject for a comic book, but there's no doubt that the bygone days riverboat transport along America's waterways looked good when drawn by Reed Crandall on the cover and interior. This high grade beauty is the only copy of this comic graded by CGC so far. Overstreet 2003 NM 9.4 value = $200.
Hopalong Cassidy #1 (Fawcett, 1943) CGC VG 4.0 Cream to off-white pages. Hopalong Cassidy, made famous on the silver screen by William Boyd, headlines his own comic in this Fawcett gem. And he's even endorsed by Captain Marvel, who makes a cover appearance! This copy displays some water damage along the top, and some spine abrasion, but it's still a solid book. Overstreet 2003 VG 4.0 value = $934.
Howdy Doody #6 File Copy (Dell, 1951) CGC VF/NM 9.0 Off-white pages. This book is noted as having a classic cover and one gander at the racist depiction of natives and you'll know why. This comic was cited in The Seduction of the Innocent and it states, in part, "The book depicts colored natives as stereotyped caricatures, violent, cowardly, cannibalistic and so superstitious...." This book must be scarce as this is the only copy certified by CGC to date. Overstreet 2003 VF/NM 9.0 value = $253; NM 9.4 value = $325.
Howdy Doody #15 File Copy (Dell, 1952) CGC NM+ 9.6 Off-white to white pages. Back in its prime, no other kids' show was more popular than "Howdy Doody" with Cowboy Bob, Clarabelle the Clown, Chief Thunderthud, and Princess Summerfallwinterspring. Fun stuff! The comic that the TV show spawned was no less fun, and just happens to be one of the earliest TV-based comic books. With this copy, you can boast having a killer book that is currently tied as the best CGC-certified copy of this issue in the census. Overstreet 2003 NM 9.4 value = $175.
Jackpot Comics #1 (MLJ, 1941) CGC VG/FN 5.0 Off-white pages. This scarce Golden Age World War II era book features Steel Sterling, the Black Hood, Sergeant Boyle, and Mr. Justice. The cover art by Charles Biro shows the four heroes treading over the wasted landscape of the land of the rising sun. This is a solid mid-grade copy of an issue which seldom surfaces for sale. Early key MLJ comics like this are avidly sought after by collectors. Overstreet 2003 VG 4.0 value = $610; FN 6.0 value = $915.
Jackpot Comics #6 Chicago pedigree (MLJ, 1942) CGC VF+ 8.5 Off-white to white pages. Steel Sterling (don't you just love that name?) and the Black Hood team up to whip the enemy and save the girl on this cool bondage cover by Irv Novick. This copy comes from the "Oleshefsky" collection, exhibiting the usual nice features found in that early comics horde. Someone did write "30.00" in pencil on the back cover, though. Expect a little inflation to creep into the current value! Overstreet 2003 VF 8.0 value = $663; VF/NM 9.0 value = $944.
Jamboree Comics #1 (Round, 1946) CGC NM 9.4 Cream to off-white pages. A simply beautiful cover depicting a cartoon cowboy surrounded by funny animals, all on a rich black background with no visible wear. Fun stuff, to be sure! There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $250.
Jamboree Comics #2 (Round, 1946) CGC NM 9.4 Cream to light tan pages. An ultra-attractive funny animal comic with an unusual black cover. Black cover comics are particularly difficult to find in high grade, as the black shows every little defect. This book, showing great color and cut, displays virtually no wear and excellent eye-appeal. Overstreet 2003 NM 9.4 value = $150.
Joe Palooka (1st series) #1 Denver pedigree (Columbia Comic Corporation, 1942) CGC VF+ 8.5 Cream to off-white pages. This beautiful first issue contains a first-time event in comics. Up until this point, no U.S. president had been portrayed in comics. Government permission was actually required to be able to include president Roosevelt. Only three copies of this book have yet been graded by CGC and this copy is the finest. Overstreet 2003 VF 8.0 value = $544; VF/NM 9.0 value = $772.
Joe Palooka Comics #1 File Copy (Harvey, 1945) CGC VF- 7.5 Cream to off-white pages. Ham Fisher's famous boxing hero gets his own Harvey series with this first issue. Fisher provided the art, and there is a text piece on Palooka's background. This is a nice copy, flat and sharp with good color; it's a tough find in high grade. CGC currently lists only two higher-graded copies. Overstreet 2003 VF 8.0 value = $288.
John Wayne Adventure Comics #2 (Toby Publishing, 1950) CGC FN+ 6.5 Off-white pages. This issue features interior art by Al Williamson with inks by Frank Frazetta beneath a sensation photo cover of John Wayne. This is a great looking copy that has sparse surface wear which doesn't detract from the overall appeal of the comic. Overstreet 2003 FN 6.0 value = $204.
John Wayne Adventure Comics #3 (Toby Publishing, 1950) CGC FN+ 6.5 White pages. You better watch out, pilgrim! John Wayne is taking to the skies in this great photo cover image from "The Flying Tigers." Al Williamson and Frank Frazetta provide some of the interior art on this sharp looking copy that will make any John Wayne fan proud. Overstreet 2003 FN 6.0 value = $204.
Jo-Jo Comics #7 (#8) (Fox Features Syndicate, 1947) CGC VF/NM 9.0 Off-white pages. By the second issue, this title was quickly forging an identity as a vehicle for "good girl" art, with the pioneering Matt Baker and Jack Kamen demonstrating their prowess at the genre. Al Feldstein, who would later gain fame as one of the stable of outstanding artists at EC, also contributed to this title before his EC days. Fox books from this era are relatively uncommon in high-grade, and there is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $570; NM 9.4 value = $740.
Jo-Jo Comics #14 (Fox Features Syndicate, 1948) CGC VF+ 8.5 Cream to off-white pages. It is amazing that the attrition rate for Fox comics wasn't even higher seeing as they always seemed to have the sexiest, most lurid covers and artwork of all publishers. We cannot imagine too many moms that, coming across a book like this, wouldn't promptly toss it in the trash. Just one other copy outgrades this offering in CGC's current census. Overstreet VF 8.0 value = $288; VF/NM 9.0 value = $407.
Jo-Jo Comics #19 (Fox Features Syndicate, 1948) CGC VF- 7.5 Pink pages. A very characteristic Fox cover, going for maximum titillation with its scantily-clad beauty held captive by menacing gorillas. Story titles like "Gladiator of Gore" also helped give buyers an idea of what they could expect inside. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $288.
Jo-Jo Comics #20 (Fox Features Syndicate, 1948) CGC NM 9.4 White pages. Jo-Jo the Congo King is well known for his ability to dispatch a wide variety of menacing jungle beasts, including tigers such as this. If that is indeed Rulah on the cover being rescued, why does she need Jo-Jo's help? In her own title, she is always the one doing the heroic feats. Maybe she just goes all wobbly and helpless in the presence of the Jungle King, eh? To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $525.
Jungle Comics #1 (Fiction House, 1940) CGC FN/VF 7.0 Cream to off-white pages. This incredible Lou Fine cover is so striking, especially when seen on such a nice copy. Kaanga Jungle Lord swings in to make his first appearance in this classic Fiction House book. Wambi the Jungle boy, White Panther, Camilla, and Captain Terry Thunder all begin with this first issue, and it is the first appearance of each of them. It is a really amazing book, with so much historical significance, and the beginning of so many long running characters. There is currently only one unrestored copy of this issue that has been graded higher by CGC. Overstreet 2003 FN 6.0 value = $1,332; VF 8.0 value = $3,000.
Jungle Comics #3 (Fiction House, 1940) CGC FN+ 6.5 Cream to off-white pages. Kaanga stabs a panther, doing his part to contribute to the endangered status of Africa's big cats on this early Jungle Comics cover by Charles Sultan. What's next? Kaanga with a chainsaw, clear-cutting the jungle itself? The mind boggles. This comic has some wear and discoloration along the spine but still remains an overall clean and solid copy of an uncommon issue. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 FN 6.0 value = $429.
Jungle Comics #8 (Fiction House, 1940) CGC VF- 7.5 Off-white pages. Lions attack on this great Kaanga jungle cover by Bob Powell. This comic is jam packed with early Fiction House features; in addition to Kaanga are Wambi, Fantoma, Roy Lance, the lovely Camilla, Tabu, and Terry Thunder. This solid copy has no major defects, just small amounts of general wear typical for the grade. There are currently only two unrestored copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $475.
Jungle Comics #9 Rockford pedigree (Fiction House, 1940) CGC VF+ 8.5 Cream to off-white pages. A gorgeous Fiction House cover by N. Viscardi, a.k.a. Nick Cardy, fronts this attractive pedigreed book. George Tuska draws the Kaanga story inside, and Bob Powell does the Camilla story. Charles Sultan and Henry Kiefer also supply art for this issue. Super colors and crisp lines make this the second-nicest copy of issue #9 that CGC has graded to date. Overstreet 2003 VF 8.0 value = $475; VF/NM 9.0 value = $675.
Jungle Comics #27 Rockford pedigree (Fiction House, 1942) CGC FN+ 6.5 Cream to off-white pages. Pssst! Over here! Keep it under your hat; this book rates a "rare" on Gerber's scarcity index, and is offered here as a pretty nice pedigree copy. You get a great Zolnerowich bondage cover, the new origin of Fantomah, Camilla's new costume, and much more at a ridiculous bargain price. Overstreet 2003 FN 6.0 value = $129.
Jungle Comics #42 (Fiction House, 1943) CGC NM- 9.2 Cream to off-white pages. According to the teaser text on this great bondage cover, Kaanga the Jungle Lord "trails the zombie blood pack to the temple of no return in 'Master of the Moon-Beasts'." Sounds like a pretty cool read, huh? And if even that story title doesn't grab you, maybe the 12 pages of Reed Crandall art will. Nick Cardy draws the Simba story and Henry Kiefer does Wambi. Curiously, the cover art is reprinted from Jungle Comics #18, with minor changes. To date, this is the highest CGC-graded copy of this issue. This CGC holder has a crack at the top right corner. Overstreet 2003 NM 9.4 value = $325.
Jungle Comics #86 (Fiction House, 1947) CGC NM 9.4 Cream to off-white pages. Kaanga the Jungle Lord reaches out to save a bound beauty from certain death on this thrilling Joe Doolin cover, illustrating a story titled "Firegems of L'hama Lost," which was drawn by John Celardo. Fran Hopper contributes interior art for the Camilla story. Sharp, clean, and colorful, this comic would not appear out of place among it's pedigreed peers. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $180.
Junior #13 (Fox Features Syndicate, 1948) CGC VF/NM 9.0 Pink pages. The initial issue of Playboy was still six years away. In the meantime, pubescent lads turned to this title for... uh, inspiration. Here is classic "good girl" art in a humorous vein by Al Feldstein, including an eye-catching "headlights" cover. This copy boasts the highest grade that CGC has certified to date for issue #13. Overstreet 2003 VF/NM 9.0 value = $657; NM 9.4 value = $850.
Junior #16 (Fox Features Syndicate, 1948) CGC VF- 7.5 White pages. Here's a beautiful copy of the scarce last issue of this seriously hard-to-find series. From the inimitable pen and brush of Al Feldstein, this Archie-style teen-age comic is one of the quintessential "good girl" titles of the Golden Age, with every cover featuring some of the most perky and conical "headlights" ever to grace the front of a comic book. This very attractive copy has no major defects to note. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $463.
Justice Traps the Guilty #1 (Prize, 1947) CGC FN/VF 7.0 Off-white to white pages. This Joe Simon and Jack Kirby electrocution cover is not classified as "classic," by The Overstreet Price Guide, but we think it should be! Here's the first issue of Prize Publication's long-running crime title, with Simon and Kirby interior art, in addition to the great cover. This copy has a very attractive appearance, and is the highest CGC-graded copy of this issue to date. Overstreet 2003 FN 6.0 value = $171; VF 8.0 value = $353.
Kid Eternity #1 (Quality, 1946) CGC NM 9.4 Off-white to white pages. It's always a pleasure to find a Golden Age comic in this superlative condition -- in fact, no copy is graded higher in CGC's most recent census. Quality's Kid Eternity graduates from the pages of Hit Comics into his own title with this landmark first issue. Overstreet 2003 NM 9.4 value = $1,050.
Kid Eternity #2 (Quality, 1946) CGC VF+ 8.5 Off-white to white pages. Seeing as CGC has only certified two copies of this issue, we suspect it is not a common book. Our offering is in gorgeous condition and the top copy in the current CGC census. Overstreet 2003 VF 8.0 value = $236; VF/NM 9.0 value = $331.
King Comics #15 Mile High pedigree (David McKay Publications, 1937) CGC VG+ 4.5 Cream to off-white pages. This early Golden Age book features Popeye, Henry, Flash Gordon, and Little Annie Rooney. A book-length vertical subscription crease is what keeps this book from grading in the Fine range. Overstreet 2003 VG 4.0 value = $138.
King Comics #20 Mile High pedigree (David McKay Publications, 1937) CGC FN- 5.5 Off-white to white pages. Like so many "funny books" from so long ago, there doesn't seem to be many nice copies of this issue left. At Fine Minus, this Mile High is the only copy of the issue appearing in CGC's current census. Overstreet 2003 FN 6.0 value = $207.
King Comics #21 Mile High pedigree (David McKay Publications, 1937) CGC VF+ 8.5 Off-white to white pages. One of the earliest comic book titles, this featured reprints of some of the most popular newspaper comic strips. This one has a charming Christmas cover showcasing Popeye, Wimpy, and Henry. Gerber rates this as "uncommon" on his scarcity index, and CGC hasn't yet graded another copy of this issue. Since this is a Mile High, this could be the nicest in existence. Overstreet 2003 VF 8.0 value = $275; VF/NM 9.0 value = $375.
King Comics #33 Mile High pedigree (David McKay Publications, 1938) CGC FN 6.0 Off-white pages. Popeye and Henry bump into each other on a rainy day for this cute cover image. It really says something for the Mile High pedigree that we were shocked to see this representative in "only" a Fine grade. But you've never seen Fine so fine as a Mile High fine! This still could very well be the nicest copy of the issue out there. It's currently ranked at the top of CGC census for this issue. Overstreet 2003 FN 6.0 value = $120.
King Comics #40 Mile High pedigree (David McKay Publications, 1939) CGC FN/VF 7.0 Off-white to white pages. Starting before the Golden Age had officially kicked off and outlasting many more illustrious titles that had succumbed by 1952, we are fortunate the famed Mile High collection included several representations of this title, including this copy, the best CGC has seen of issue #40. Overstreet 2003 FN 6.0 value = $120; VF 8.0 value = $220.
Lash Larue Western #1 (Fawcett, 1949) CGC VF 8.0 Off-white to white pages. Fawcett scored a coup by gaining the rights to publish the comic book adaptation of one of the most unique of Western heroes. Lash's popularity, garnered via a spate of Saturday matinee thrillers that would run and rerun for many years, translated into an impressive comic book run of 84 issues over twelve years. This copy is by far the finest CGC has graded of issue #1 to date. Overstreet 2003 VF 8.0 value = $675.
Lash Larue Western #2 (Fawcett, 1949) CGC VF+ 8.5 Off-white to white pages. This issue features a striking photo cover image of Lash LaRue with his trusty whip slung over his shoulder. This copy is in great shape with sharp corners and vibrant cover colors. This copy is currently the only one to have been graded by CGC which may indicate the true scarcity of this issue. Overstreet 2003 VF 8.0 value = $276; VF/NM 9.0 value = $388.
Lash Larue Western #5 Mile High pedigree (Fawcett, 1950) CGC NM 9.4 White pages. This innovative photo cover centers Lash LaRue in a bright yellow sun against a blazing red sky. Sharp corners, brilliant cover inks, tight staples, and white page help identify this stunner as a comic from the fabled Mile High collection. To date, this is the only CGC-graded copy of this issue. It's doubtful there's a nicer copy on the planet, so quit looking! Overstreet 2003 NM 9.4 value = $400.
Law Against Crime #1 (Essenkay Publishing, 1948) CGC FN/VF 7.0 White pages. L. B. Cole's electrocution cover for this title's premiere issue means a book in high demand. This copy teases at high-grade. The pages (white!) say as much, and the cover colors alone suggest a higher grade than CGC has assigned. Just subtle, cumulative wear around the edges holds this back. But only one other copy, at VF- 7.5, carries a higher CGC grade at this writing. This book comes with a Certificate of Authenticity as a part of the Lowville "In the Wall" Collection. Overstreet 2003 FN 6.0 value = $216; VF 8.0 value = $450.
Li'l Abner #61 Mile High pedigree (Harvey, 1947) CGC VF/NM 9.0 Off-white to white pages. This is the first issue of the hillbilly's own title, the eclectic numbering system notwithstanding. The character had made his first comic book appearance in Tip Top Comics #1 some eleven years prior, and had appeared regularly in other titles over the years. Basil Wolverton and Bob Powell provide artwork that ensure this premier issue was something to celebrate. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $271; NM 9.4 value = $340.
Li'l Abner #65 (Harvey, 1948) CGC NM+ 9.6 Cream to off-white pages. Here is a truly gorgeous copy of this neat Harvey title starring Al Capp's Li'l Abner, Daisy Mae, and the rest of the Dogpatch gang. The condition is totally unsurpassed, according the the current census information, this is currently the only CGC-graded copy of this issue. The talented Bob Powell provides interior art. Overstreet 2003 NM 9.4 value = $200.
Liberty Comics #11 (Green Publishing Co., 1946) CGC NM+ 9.6 Off-white to white pages. Here's the well-known but not often seen issue, in which the comic character Wilbur decides to "take a walk on the wild side" and tries wearing women's clothing. In addition to cross-dressing exploration, this issue also has wonderful art by Bill Woggon and Bill Vigoda. To date, this is the highest CGC-graded copy of this issue. We advise you not to try waiting for a better copy of this issue! Overstreet 2003 NM 9.4 value = $165.
Little Dot #1 File Copy (Harvey, 1953) CGC VF- 7.5 Cream to off-white pages. Little Dot had first appeared a few years previously in Sad Sack Comics #1. Her own title debut is even more significant, with the first appearances of Richie Rich and Little Lotta. All three would soon become main characters for a Harvey line that was transitioning from horror and adventure themes to true funny books. It's difficult enough to find a beat-up copy of this premiere issue, much less one in such a nice grade as this file copy. Overstreet 2003 VF 8.0 value = $925.
Little Orphan Annie #1 (Dell, 1948) CGC VF+ 8.5 Off-white pages. Little Orphan Annie comic strip reprints by Harold Grey from 1944 are collected in this first numbered issue, after several Four Color books had appeared. It's a great book with very pretty color, in fact it's the only copy certified to date by CGC. Overstreet 2003 VF 8.0 value = $103; VF/NM 9.0 value = $144.
Lone Ranger #1 (Dell, 1948) CGC VF+ 8.5 Off-white pages. The Lone Ranger, Silver, Tonto, and Scout begin their long and memorable run with this issue. The unusually colorful, painted cover of the beloved Western hero is rarely found in such fresh condition. This one has the look of a pedigree book, and but for some minor impact dents, would grade even higher. Overstreet 2003 VF 8.0 value = $468; VF/NM 9.0 value = $684.
Lone Ranger Comics #1 (Lone Ranger Inc., 1939) CGC VG+ 4.5 Cream to off-white pages. This scarce promotional issue was the first Western comic devoted to a single character. CGC has certified four copies to date, the highest-graded of which boasts a modest FN 6.0. The colors are nice and bright on this copy, more than you might expect for the grade. Overstreet 2003 VG 4.0 value = $1,961.
Looney Tunes and Merrie Melodies Comics #1 (Dell, 1941) CGC VG- 3.5 Cream to off-white pages. What's up, Doc? Bugs Bunny, Daffy Duck, Porky Pig and Elmer Fudd all make the transition from Warner Brothers cartoons to comic books with this historic issue. Win Smith, one of the first artists to work on Mickey Mouse, drew the Bugs Bunny story. This title enjoyed a long run, lasting until 1962, there would be several revivals, the first being in 1975 and leading up to the present series published by DC. While this copy may not be the best around, it's still a solid and attractive book; there is a piece of tape at the upper left hand corner down to the first staple, there's a minor spine roll, some light folds, and a little soiling noticeable on the front cover. On the back cover, "35.00" has been written in pencil. Overstreet 2003 VG 4.0 value = $2,076.
Lost Worlds #6 Bethlehem pedigree (Standard, 1952) CGC VF/NM 9.0 Off-white pages. One gander at this beauty and you will know what all the clamor over Bethlehem books is all about. This beautiful copy sports a cover featuring giant red ants plucking humans off the street like morsels. A young Alex Toth contributed a story to this book. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $286; NM 9.4 value = $360.
Magic Comics #1 Mile High pedigree (David McKay Publications, 1939) CGC FN 6.0 Off-white to white pages. This ancestral comic book from 1939 is rated "scarce" by Ernie Gerber in The Photo-Journal Guide to Comics Books, and, to date, the issue has turned up only three times for CGC's evaluation. CGC notes, "'Reader's Guild' flier attached to 1st page with tiny amount of glue." Comic strip favorites Mandrake the Magician, Henry, Popeye, and Blondie are but a few of the features. Overstreet 2003 FN 6.0 value = $1,008.
Magic Comics #3 Mile High pedigree (David McKay Publications, 1939) CGC FN- 5.5 Off-white to white pages. Only two copies of this issue have been certified by CGC to date, and this copy is the nicest. It's atypical for a Mile High to only rate a mid-grade, but Mile High mid-grades look better than other mid-grades! Overstreet 2003 FN 6.0 value = $267.
Major Hoople Comics #1 Mile High pedigree (Nedor Publications, 1943) CGC NM 9.4 Off-white to white pages. Here is a one-shot issue that is not going to turn up very often. This incredibly high-grade wartime cover sports a tank, the Phantom Soldier, Mary Worth, and a banner promoting war bonds. This is also the one and only issue of this Nedor publication. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $440.
March of Comics #4 Donald Duck (King Features Syndicate, 1947) CGC Apparent VG 4.0 Moderate (P) Off-white to white pages. While this may be the most important issue of March of Comics, it is also a very striking cover depicting Donald Duck pretending to be Napoleon, while Mickey Mouse takes his picture. There is some speculation that Walt Kelly drew this cover. The interior artwork is undoubtedly by the Duck Man himself, Carl Barks. This early issue is exceptionally difficult to find in any grade. While this comic may have some moderate professional restoration it's still a fabulous looking copy with great eye-appeal. CGC notes, "Restoration includes: color touch, pieces added, tear seals." Overstreet 2003 GD 2.0 value = $825; VG 4.0 value = $1,650.
The Marvel Family #2 (Fawcett, 1946) CGC VF/NM 9.0 Cream to off-white pages. The Three Lt. Marvels and Uncle Marvel appear in this issue, joining Captain, Captain Jr., and Mary Marvel on this whimsical cover by C.C. Beck, who also contributes story art. Three unrestored copies have earned higher grades from CGC to date. Overstreet 2003 VF/NM 9.0 value = $675; NM 9.4 value = $875.
The Marvel Family #9 (Fawcett, 1947) CGC NM- 9.2 Off-white to white pages. Captain Marvel artist extraordinaire C. C. Beck illustrated this smashing, pin-up quality cover, and its graduated orange background provides just enough "oomph" to make Cap, Mary Marvel, and Cap Jr. pop right off the page. This gorgeous specimen ranks as the highest-graded copy in CGC's current census. Overstreet 2003 NM 9.4 value = $380.
Mary Marvel Comics #1 (Fawcett, 1945) CGC NM+ 9.6 Off-white pages. Captain Marvel invites readers to enter the wondrous and innocent world of his sister, Mary Marvel, as she gets her own title. Mary had first appeared three years earlier in Captain Marvel Adventures #18. This premiere issue featured the introduction and origin of Georgia Sivana. This comic is currently tied with just one other copy as the highest yet graded by CGC. Overstreet 2003 NM 9.4 value = $2,300.
Mary Marvel Comics #3 (Fawcett, 1946) CGC NM+ 9.6 Off-white pages. This very early issue of the female contingency of the Marvel Family boasts a simple but eye-catching cover by Jack Binder, including a redesigned logo. Near-mint, clean white pages, Mile High pedigree: that pretty much says all you need to know about the quality herein. CGC has graded only three issues at this writing, with this copy rating number one. Overstreet 2003 NM 9.4 value = $580.
Mask Comics #1 Mile High pedigree (Rural Home, 1945) CGC Apparent NM 9.4 Slight (A) Off-white to white pages. A classic L. B. Cole devil cover starts things off on the right foot, with interior art by Cole and Rudy Palais. A few very tiny, almost imperceptible black color touches along the spine put this stunning book in a purple holder; the good news for you is that you won't have to pay quite as much to obtain this knockout Mile High with fresh, supple pages and vibrant colors. This book is a real looker that is flat and colorful, with razor sharp corners, and clean page edges. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2003 GD 2.0 value = $278; VG 4.0 value = $556; FN 6.0 value = $834; VF 8.0 value = $1,738; VF/NM 9.0 value = $2,469; NM 9.4 value = $3,200.
Master Comics #14 Rockford pedigree (Fawcett, 1941) CGC VF+ 8.5 Cream to off-white pages. The fantastic cover image of Minute-Man rescuing the distressed damsel makes this cool Golden Age Fawcett stand out in a crowd. It also has the start of the recurring feature "Companions Three." There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $669; VF/NM 9.0 value = $952.
Master Comics #17 Rockford pedigree (Fawcett, 1941) CGC VF+ 8.5 Cream to off-white pages. Mac Raboy artwork on Bulletman begins with this early Golden Age issue of Master Comics. This book embodies all of the attributes that have made the Rockford pedigree famous, including the rubber stamped "S" at the top of the spine, nice page quality and an overall clean appearance. Only a few light spine stresses keep this book from an even higher grade. As of this writing, only one copy of this book has been awarded a higher grade by CGC. Overstreet 2003 VF 8.0 value = $625; VF/NM 9.0 value = $888.
Master Comics #26 Lost Valley pedigree (Fawcett, 1942) CGC VF+ 8.5 White pages. The cover of this issue illustrates nicely why Mac Raboy has long been held in such high esteem. The fantastic image of Captain Marvel Junior taking out a Japanese WWII battleship really stands out as one of his best illustrations. On this gorgeous pedigree comic, the classic image appears unmarred by even small defects. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $531; VF/NM 9.0 value = $753.
Master Comics #65 Big Apple pedigree (Fawcett, 1946) CGC VF/NM 9.0 Off-white pages. Bud Thompson did the artwork on this oddball cover. Captain Marvel Jr. scratches his head in wonder as countless people float in the air above his head. The registration on the cover is slightly off. This is the only copy of this book that CGC has certified so far. Overstreet 2003 VF/NM 9.0 value = $141; NM 9.4 value = $175.
Meet Corliss Archer #1 (Fox, 1948) CGC NM 9.4 Off-white to white pages. Al Feldstein would find greater fame in a couple of years with his work at EC, but you have to admit his cover on the first issue of Fox's ode to raging hormones is pretty darn good. Too good for the likes of Dr. Frederic Wertham, that hormone-challenged arbiter of American youth's morals, who cited every single issue of this title (well, there were only three), in his Seduction of the Innocent. That alone should make you want to procure this copy for your very own... er, uh... research! This is a beautiful copy, sporting the titillatingly highest grade CGC has given for a copy of this issue. Only one other copy has received a grade higher than VF 8.0 to date. Overstreet 2003 NM 9.4 value = $1,150.
Meet the New Post-Gazette Sunday Funnies #nn (Pittsburgh Post, 1949) CGC FN- 5.5 Cream to off-white pages. One of the rarer golden age giveaways, this book has just about every strip you could want: Superman, Dick Tracy, Archie, Brenda Starr, the Gumps, Gasoline Alley, and the Saint, just to name a few. Overstreet says this book is rare which means fewer than 20 copies exist. Also according to the guide, no other copy has publicly changed hands since 1985! CGC notes that there is a small piece of tape on the inside back cover. The last known copy to sell was a Fine as well, so this may be in a tie for the highest-graded copy. Overstreet 2003 FN 6.0 = $1,650.
Mickey Finn #1 Rockford pedigree (Eastern Color, 1942) CGC NM- 9.2 Cream to off-white pages. Spun off from his adventures in Big Shot Comics, the indomitable Mickey Finn gets his own book. This beautiful high-grade copy, from the renowned Rockford collection, is by far, the highest CGC-graded copy of this issue to date; the second best copy currently ranks at only FN+. Overstreet 2003 NM 9.4 value = $300.
Military Comics #13 Rockford pedigree (Quality, 1942) CGC NM- 9.2 Cream to off-white pages. Blackhawk is rarely spoken in the same breath as Superman, Batman, Human Torch, or even Plastic Man. Someone must have liked Blackhawk, however, because he outlasted the vast majority of other comic titles from the Golden, Silver, and Bronze Ages, and the character still pops up to this very day. Reed Crandall's cover and interior artwork helped hold readers, and this cover provides a prime example of his style in depicting the multi-national team in action. This copy is almost flawless and hails from the prestigious Rockford pedigree. Overstreet 2003 NM 9.4 value = $975.
Military Comics #15 Rockford pedigree (Quality, 1943) CGC NM- 9.2 Off-white pages. Blackhawk did a lot of collateral damage to the Axis in WW II as this cover can attest. He is in the process of ambushing a stereotyped, sword-wielding Japanese soldier. The Rockford pedigree is one of the finest to surface and this copy is a prime example. To date CGC has only certified three copies of this book, and this is the highest-graded by a longshot. Overstreet 2003 NM 9.4 value = $975.
Military Comics #19 San Francisco pedigree (Quality, 1943) CGC NM 9.4 Off-white pages. Adorning this cover and interior is the fine artistry of Reed Crandall. Reed's career began at Quality comics in 1940, where he stayed until he joined the EC crew in the early '50s. This comic is just plain gorgeous with astonishing colors, gloss, and spine. There is a teeny, tiny tear in the top left corner of the front cover near the spine, and that is all she wrote. We have a comic here that is nearly perfect in every way, coming from probably the earliest, and one of the nicest, of all pedigrees. Overstreet 2003 NM 9.4 value = $840.
Military Comics #20 Pennsylvania pedigree (Quality, 1943) CGC VF/NM 9.0 Cream to off-white pages. A great Reed Crandall cover portends other Crandall art on the interior, where we would also find works by Gill Fox and Fred Guardineer. No structural defects are evident on this impressive copy, with only dust shadows along the edges of the front and back cover holding the book back from a NM grade. Overstreet 2003 VF/NM 9.0 value = $648; NM 9.4 value = $840.
Military Comics #21 (Quality, 1943) CGC VF/NM 9.0 White pages. If ever a Blackhawk cover cried out for replication as a poster, this gem from Alex Kotsky certainly does. The ace aviator stands proud, framed by a stark yellow background and his high-flying team of Blackhawks -- beautiful! Premier Blackhawk illustrator Reed Crandall makes his penultimate appearance on the character in this issue. Out of the mere four copies of Military #21 in CGC's most recent census, only one copy commands a higher grade. Overstreet 2003 VF/NM 9.0 value = $560; NM 9.4 value = $725.
Military Comics #24 San Francisco pedigree (Quality, 1943) CGC NM+ 9.6 Off-white to white pages. One terrific cover by Alex Kotzky; and the San Francisco collection offers an unbelievably lovely copy that's alone at the top of CGC's current census for issue #24. If you can find a blemish on this book, we have a needle in a haystack contest you might be interested in. The Blackhawk fighting team found success in multiple wars, skirmishes, comic book titles, and publishers, encompassing four full decades and part of another. Pretty impressive for a non-Superman, non-Batman hero. Overstreet 2003 NM 9.4 value = $725.
Military Comics #38 (Quality, 1945). This is a truly stunning example from the Mile High collection which exhibits all of the famous Mile High traits, such as razor sharp edges, perfect spine and great page quality; it's a nearly flawless book that would grade higher, save for a small, almost imperceptible blemish on the back cover. If you want a great example of a Mile High at an affordable price, this is your book. An all-white cover makes this one extremely difficult to find in grade. This is the highest grade recorded by CGC on their census. Overstreet 2003 NM 9.4 value = $600.
Murder Incorporated #1 (Fox Features Syndicate, 1945) CGC VF- 7.5 Off-white pages. Fox incorporated two crazes of the late 1940s into this title: crime and "headlights." Then, as further insurance that the new book got off to a good start, the publisher included "For Adults Only" on the front cover of the first two issues. The certified grade here is the highest that CGC has yet assigned to a copy of this first issue. Overstreet 2003 VF 8.0 value = $300.
Silver Age (1956-1969)
Mystery Comics #1 (Wise Publications, 1944) CGC Qualified VF/NM 9.0 Off-white pages. In the 1940s, one just never knew where the exciting art of Alex Schomburg would turn up next. Master S. was an equal-opportunity publisher helper-outer. Where he did turn up is almost irrelevant because we know what we like, and a Schomburg is a Schomburg is a Schomburg, except occasionally when a Schomburg was a Xela. CGC notes, "Centerfold detached" -- which is what earned its Qualified grade. This is an attractive copy which sports a barrage of rich color. Overstreet 2003 FN 6.0 value = $183; VF 8.0 value = $381; VF/NM 9.0 value = $541.
Golden Age (1938-1955)
Mystery Men Comics #2 (Fox, 1939) CGC FN/VF 7.0 Off-white pages. Fox was one of the early players in the super-hero comics game and this is one of their earliest entries. This Rex Dexter cover features him blasting away, on what is the second robot cover in comics. This book also features the second appearence of the Blue Beetle who has managed to survive throughout every age in comics so far. This book has especially nice page quality for a book of this vintage. Overstreet 2003 FN 6.0 value = $960; VF 8.0 value = $2,000.
National Comics #18 (Quality, 1941) CGC NM- 9.2 Off-white to white pages. One of the most important events in United States history was the attack on Pearl Harbor in December, 1941, which signaled America's entry into World War II. This comic book, on the stands a full month before that event, depicted just such an attack. How did they know? One thing is for sure - they really knew how to draw some great comics. Reed Crandall, Lou Fine, Paul Gustavson and the other house artists for Quality were among the cream of the crop back in 1941. This amazing book, hard to find in any condition, is the highest graded copy in CGC's current census. Overstreet 2003 NM 9.4 value = $1,350.
National Comics #53 Big Apple pedigree (Quality, 1946) CGC NM 9.4 Off-white pages. No publisher offered more consistently stellar artwork during the mid-1940s than Quality. Here, Al Bryant provides the cover art while Jack Cole, Gene Fawcette, and Klaus Nording provide interior art. This brilliant copy, from a prized pedigree, is the highest-graded copy of issue #53 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $185.
Nickel Comics #1 (Fawcett, 1940) Apparent VF- 7.5 Slight (P) Cream to off-white pages. "All in color for a dime," the saying used to go, referring to Golden Age comics' 64 pages of material for ten cents. With Nickel Comics, however, publisher Fawcett cut the page count and price in half -- without sacrificing any excitement. And who could be more exciting than Bulletman, as he torpedoes into action for the first time? CGC notes, "Restoration includes: spine splits sealed, cover and centerfold reinforced." Overstreet 2003 GD 2.0 value = $400; VG 4.0 value = $800; FN 6.0 value = $1,200; VF 8.0 value = $2,500.
Northwest Mounties #2 Mile High pedigree (St. John, 1949) CGC VF/NM 9.0 Off-white to white pages. This is one of the scarcer books containing Matt Baker artwork, and here we are with none other than the Mile High copy. Baker has a huge following, books containing his artwork are always in high demand. You are also treated to a nice Bob Lubbers cover on which a busty brunette is being rescued from an onslaught of vicious wolves. Overstreet 2003 VF/NM 9.0 value = $315; NM 9.4 value = $400.
O.K. Comics #1 Larson pedigree (United Features Syndicate, 1940) CGC NM- 9.2 White pages. Here's a nice comic book that was part of one of the most significant collections on record, the Lamont Larson horde. Like all Larson comics, there are identifying marks on the front cover, however they appear extremely faint inside the "O" of the title, and may have been lightly erased at some point. There is a tiny amount of foxing evident along the spine, but it is minor and non-obtrusive. This is a beautiful book, the second-best copy of the issue in CGC's current census. Overstreet 2003 NM 9.4 value = $900.
Out of the Night #4 Aurora pedigree (ACG, 1952) CGC FN/VF 7.0 Off-white pages. ACG really created some classic horror books in the days before the Comics Code. A ghastly-looking witch and a vampire demon are battling it out on the cover to this beautiful book -- we're just thankful they aren't hunting humans! Al Williamson did a Phantom Fliers story inside as well. Overstreet 2003 FN 6.0 value = $120; VF 8.0 value = $235.
Phantom Lady #15 (Fox, 1947) CGC FN+ 6.5 White pages. Phantom Lady shows off her three most deadly weapons, her Black Ray and... well, you know the other two... on this Matt Baker "good girl" cover. Baker also contributed mightily with interior art, and adding to the titillation, we have "Phantom Lady injected with experimental drug" in this issue. Serious comic book collectors of the male persuasion couldn't dig for their dimes fast enough in 1947! It will take a few dimes to own it now, but it's well worth it. Overstreet 2003 FN 6.0 value = $729.
Phantom Lady #17 (Fox, 1948) CGC VF+ 8.5 Pink pages. This classic Matt Baker bondage cover is on everybody's want list. Cited in Wertham's Seduction of the Innocent, this book is notorious as the perfect example of a "headlight" cover. One of Wertham's most often-cited comments was in reference to the cover of this book, which he described as "a sadist's dream." An impressive comic, despite some spine wear, this copy is worthy of a place in the finest collection. Victor Fox liked to print on the cheapest paper possible, including colored paper such as the pink stock used in this copy. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $3,600; VF/NM 9.0 value = $5,400.
Phantom Lady #19 (Fox, 1948) CGC FN+ 6.5 White pages. Matt Baker, premier purveyor of female pulchritude, provides a beautifully posed Phantom Lady, leg nicely turned out as she gracefully climbs into the bank. Simultaneously, our scantily-clad heroine deploys her compact black light to overwhelm the criminals. The cover says "Crime Never Pays," but if Phantom Lady is on the case, then lock us up and throw away the key! The Baker delights don't end with the cover, as this issue has Phantom Lady crime and mystery stories containing more ingenues and femme fatales than you can shake a stick at. Overstreet 2003 FN 6.0 value = $507.
Picture News #6 Mile High pedigree (Lafayette Street Corp., 1946) CGC NM+ 9.6 Off-white to white pages. Joe Lewis, the champion boxer known as the Brown Bomber comes to the world of comics with a cover and story dedicated to his athletic accomplishments in this issue of Picture News. And being a comic from the Mile High collection, the condition of this book is almost indescribable. CGC managed a description, but instead of words, they use a number... 9.6! To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $140.
Planet Comics #1 (Fiction House, 1940) CGC FN/VF 7.0 Cream to off-white pages. Two of the all-time great Golden Age artists, Will Eisner and Lou Fine, combine talents on the cover of the premiere issue of this legendary title. Beautiful colors on the cover, and the grade looks even better when you check CGC's census for the issue. Only two unrestored copies have earned grades higher than VF 8.0 to date. Auro, Lord of Jupiter begins with this issue, along with Flint Baker and the Red Comet. CGC notes, "1 1/2 inch tear on 1st seven pages." Overstreet 2003 FN 6.0 value = $3,213; VF 8.0 value = $7,500.
Planet Comics #2 (Fiction House, 1940) CGC FN+ 6.5 Cream to off-white pages. If this cover doesn't get your attention, you must see in shades of gray! The Lou Fine art is compelling enough, but the unusually brilliant and varied colors must have made the second issue of Fiction House's groundbreaking science fiction title stand out among the other Golden Age titles. Harder to find than the first issue, Overstreet and Gerber rate this "scarce". And, sure enough, CGC has certified only two other copies of issue #2 with higher grades than this. Add the collector allure of this beauty, and the result is a book that typically fetches higher-than-Overstreet values. Overstreet 2003 FN 6.0 value = $1,269.
Planet Comics #3 (Fiction House, 1940) CGC VF- 7.5 Off-white pages. Fiction House was way ahead of its time with this title, and Will Eisner was way ahead of most every other comic book artist, as this cover attests. The publisher would continue to attract some of the industry's very best artists throughout the 1940s, a blueprint for the great EC endeavors years later. You'll have a task finding a better copy; CGC has certified only two others at higher grades to date. Overstreet 2003 VF 8.0 value = $1,875.
Planet Comics #4 (Fiction House, 1940) CGC FN/VF Cream to off-white pages. Gale Allen and the Girl Squadron begin in this issue, and Fiction House was years ahead of the "good girl" craze that didn't bloom fully until the late 1940s. Bob Powell, Charles Sultan, and Arthur Peddy were among the interior artists working on this issue. Just two copies have been awarded higher grades by CGC to date, only one of which topped VF 8.0. Overstreet 2003 FN 6.0 value = $783; VF 8.0 value = $1,631.
Planet Comics #5 (Fiction House, 1940) CGC VG+ 4.5 Off-white to white pages. Will Eisner and Lou Fine collaborate on another cover with predictable results -- early science-fiction comic magic! "Scarce" by both Overstreet and Gerber standards, CGC has certified just three unrestored copies of this issue to date. The prolific Bob Powell does some of his earliest work here. Overstreet 2003 VG 4.0 value = $496.
Planet Comics #6 (Fiction House, 1940) CGC VG/FN 5.0 Cream to off-white pages. Another "scarce" issue, CGC has certified just five unrestored copies to date. The uncredited cover artist gets plenty of interior story support from the likes of Bob Powell, Charles Quinlan, Gene Fawcette, and Nick Cardy. Overstreet 2003 VG 4.0 value = $496; FN 6.0 value = $744.
Planet Comics #7 (Fiction House, 1940) CGC VG/FN 5.0 Cream to off-white pages. The uncredited cover artists between Will Eisner and Lou Fine on the earliest issues, and Dan Zolnerowich beginning with #10, were coming up with some doozies. Just take a look! Nick Cardy, Bob Powell, Gene Fawcette, and Charles Quinlan contribute story art. Overstreet 2003 VG 4.0 value = $400; FN 6.0 value = $600.
Planet Comics #8 (Fiction House, 1940) CGC VF 8.0 Off-white pages. This fat Golden Age is stuffed with stories featuring the likes of Flint Baker, Planet Payson, Spurt Hammond, the Red Comet, Captain Nelson Cole, Gale Allen, Buzz Crandall, Crash Barker... it's almost too much -- then there's the ultra-cool robot cover! Bob Powell, Charles Quinlan, and Nick Cardy draw pretty pictures for this issue. Just two copies of the issue have earned higher grades from CGC to date. Overstreet 2003 VF 8.0 value = $1,250.
Planet Comics #11 (Fiction House, 1941) CGC VF/NM 9.0 Cream to off-white pages. Gerber gives preeminent Fiction House cover artist Dan Zolnerowich credit for this impressive cover, but Overstreet is silent on the subject, while giving Mr. Z. credit for the covers of issues #10 and #13-25. Al Bryant is one of several respected artists working on the interior of this issue, this copy of which is the second-nicest in CGC's current census. That puts it in rarified company, since CGC has awarded a grade better than FN+ 6.5 to only two unrestored copies of this issue to date. Overstreet 2003 VF/NM 9.0 value = $1,775; NM 9.4 value = $2,300.
Planet Comics #12 (Fiction House, 1941) CGC VF 8.0 Cream to off-white pages. Cover artist John Celardo was drawing sports cartoons at age nineteen, soon progressing to comic books where he worked well into the 1980s. This is his only cover for Fiction House's headline title, but we're left wondering, "Why not more?" Don Rico added interior art. CGC has certified only three copies of issue #12 to date, only one of which was graded nicer than this. Overstreet 2003 VF 8.0 value = $1,250. From the collection of Nicolas Cage.
Planet Comics #16 (Fiction House, 1942) CGC FN/VF 7.0 Off-white pages. Dan Zolnerowich delivers another irresistible cover featuring Mars, God of War, loosing destruction on Earth in a story entitled "Invasion from the Void." One look at this cover and you can't help but give up your dime; that is, if you're living in 1942. The price has gone up, especially for such a nice specimen. But, doggone it -- it's worth it! There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $395; VF 8.0 value = $825.
Planet Comics #17 Rockford pedigree (Fiction House, 1942) CGC VF 8.0 Cream to off-white pages. Dan Zolnerowich did more than half of the first 25 covers of this groundbreaking title, setting a standard that ensured collectors would be clamoring for these issues 60 years later. Dick Briefer and Joe Doolin, who would take over primary cover duties from Zolnerowich with issue #26, contribute interior art. CGC has awarded a higher grade to only one other copy of this early issue thus far. Overstreet 2003 VF 8.0 value = $825.
Planet Comics #18 Rockford pedigree (Fiction House, 1942) CGC VF- 7.5 Cream to off-white pages. Fiction House's pulp background shines through loud and clear on its early comic book covers, perhaps more so on those by Dan Zolnerowich than any other of the superb artists working for the publisher. Action, monsters, futuristic themes, and, of course, the babe, usually in bondage, were his hallmarks. This pedigree copy has the second-highest grade yet awarded by CGC for issue #18. Overstreet 2003 VF 8.0 value = $825.
Planet Comics #19 Rockford pedigree (Fiction House, 1942) CGC VF 8.0 Cream to off-white pages. Dan Zolnerowich offers one of his most stunning covers for this issue, spotlighting Reef Ryan, a bondaged babe, and "Flesh-Hungry Spidermen." The cover colors are well-preserved on this copy, as you would expect of the third-nicest copy of issue #19 currently certified by CGC. Gerber rates this one as "uncommon." Overstreet 2003 VF 8.0 value = $825.
Planet Comics #20 Rockford pedigree (Fiction House, 1942) CGC VF/NM 9.0 Off-white pages. In 1942, Fiction House's science fiction comic book was 18 months old, and still so far ahead of the field in this genre that such notable publishers as DC, Avon, and EC wouldn't mount a serious challenge until the late 1940s. Covers like this from Dan Zolnerowich didn't hurt! This eye-catching copy is just a half-grade shy of the nicest specimen of issue #20 to be certified by CGC to date. Overstreet 2003 VF/NM 9.0 value = $1,175; NM 9.4 value = $1,525.
Planet Comics #21 Rockford pedigree (Fiction House, 1942) CGC VF 8.0 Cream to off-white pages. Reef Ryan shares cover billing with Princess Vara, who increases the appeal of this Dan Zolnerowich drawing immeasurably. The Lost World and Hunt Bowman begin. This Gerber "uncommon" issue, like all the early issues of the title, is rarely found in a higher grade than this gem. CGC has so far certified only one other copy of the issue as nicer. Overstreet 2003 VF 8.0 value = $869.
Planet Comics #22 Rockford pedigree (Fiction House, 1943) CGC VG 4.0 Light tan to off-white pages. But for a corner crease, the front cover might register two grades higher than CGC's certification; and, alas, the back cover has multiple stains to keep this at the mid-grade level. It's still an early issue, still has a kickin' Dan Zolnerowich cover, and still puts on a great front. Overstreet 2003 VG 4.0 value = $264.
Planet Comics #23 Rockford pedigree (Fiction House, 1943) CGC VF+ 8.5 Cream to off-white pages. This is one of our favorite Dan Zolnerowich covers (we just don't tire of "good girl" and reptilian menace themes!). And it's extraordinarily displayed on this sterling copy that is just a quarter-grade short of being the best copy CGC has certified to date of issue #23. Overstreet 2003 VF 8.0 value = $800; VF/NM 9.0 value = $1,138.
Planet Comics #24 Rockford pedigree (Fiction House, 1943) CGC NM- 9.2 Cream to off-white pages. Our hero Flint Baker is nowhere to be seen on this cover, instead replaced by his Amazon Sky-Troops, as they try to "stem an unholy invasion" of Raiders from the Red Moon. Graham Ingels does the art for a story in this issue, which is sure to please any hard-core Planet collector. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,475.
Planet Comics #25 Rockford pedigree (Fiction House, 1943) CGC FN/VF 7.0 Cream to off-white pages. Graham Ingels had begun contributing interior artwork on the title the previous issue, somewhat offsetting the loss of Dan Zolnerowich and his title-defining covers, which ended with this issue. CGC has not awarded a grade higher than Very Fine Plus to a copy of this issue, so this is one of the nicest copies to have been certified to date. Overstreet 2003 FN 6.0 value = $384; VF 8.0 value = $800.
Planet Comics #26 Rockford pedigree (Fiction House, 1943) CGC VF/NM 9.0 Cream to off-white pages. Joe Doolin takes over the cover art assignment with this issue, proving to be a worthy successor to Dan Zolnerowich. Any concern that the emphasis on cover adornment would change from hot imperiled space babes was immediately erased with this eyeful. Doolin would go on to delight readers by drawing all but three of the next 44 covers of Fiction House's flagship title. Only one other copy of issue #26 has currently scored a higher CGC grade than this terrific copy. Overstreet 2003 VF/NM 9.0 value = $1,138; NM 9.4 value = $1,475.
Planet Comics #27 Rockford pedigree (Fiction House, 1943) CGC NM- 9.2 Off-white pages. The title was already nearly four years old, and serious competition within the science-fiction genre was still years away. Joe Doolin does his second of 42 covers for the title, and gets ample assistance from the likes of Graham Ingels, Lee Elias, and Jim Mooney on the interior stories. The pedigree copy here is the second-nicest that CGC has graded to date. The Rockford Collection certificate of authenticity accompanies the lot. Overstreet 2003 NM 9.4 value = $1,175.
Planet Comics #27 (Fiction House, 1943) CGC FN- 5.5 Cream to off-white pages. With her zap gun set for full blast, a leggy beauty (Gale Allen) comes to the rescue of a green-skinned lass. She's in the grip of a fire-breathing monster, and Gale returns some fire of her own on the cover of this cool issue. It's another great Planet, with interior art by Graham Ingels on the Lost World feature. This copy is solid and flat, with only minimal wear evident along the edges. Overstreet 2003 FN 6.0 value = $306.
Planet Comics #29 Toledo pedigree (Fiction House, 1944) CGC VF 8.0 Off-white pages. A member of the green warrior-horde shows off his good taste in damsels, now it's up to the Space Rangers to prevent the green meanie from finding out whether she's "less filling"! Joe Doolin's cover anchors an issue blessed with superb interior art by Graham Ingels, Lily Renee, and Lee Elias. Nice Planet comics like this are always hot ticket items, this Toledo pedigree copy will surely be no exception. Overstreet 2003 VF 8.0 value = $638.
Planet Comics #32 Rockford pedigree (Fiction House, 1944) CGC VF 8.0 Cream to off-white pages. Joe Doolin uses a rainbow of striking colors on this thrilling Gale Allen cover. With interior work by Doolin, Lily Renee, Joe Kubert, and Lee Elias, among others, this issue added luster to the title's reputation for exceptional artwork. Overstreet 2003 VF 8.0 value = $525.
Planet Comics #35 (Fiction House, 1945) CGC VF+ 8.5 Off-white to white pages. This is the first appearance of Mysta of the Moon. There is incredible art by Lily Renee on the cover...the "headlighted", leggy lovely is particularly attention-grabbing. The ubiquitous Murphy Anderson contributes interior art on the Star Pirate feature. This cover has vivid colors and is incredibly flat, with sharp corners on the opening edge. And while there are small tears at the top and bottom of spine, some slight foxing on the back cover, and tanning on spine edge of back, just one other copy of the issue has earned a higher grade from CGC to date. Overstreet 2003 VF 8.0 value = $525; VF/NM 9.0 value = $750.
Planet Comics #36 Rockford pedigree (Fiction House, 1945) CGC VF+ 8.5 Cream to off-white pages. Gale Allen stars in an action cover by Joe Doolin, foreground colors contrasting nicely against the dark, star-sprinkled background of space. This issue's interior features newcomer Murphy Anderson with some of his early, pre-DC work. Overstreet 2003 VF 8.0 value = $483; VF/NM 9.0 value = $694.
Planet Comics #38 (Fiction House, 1945) CGC NM+ 9.6 Off-white to white pages. Mysta of the Moon makes her debut this issue, facing off against horrifying, two-headed purple monsters on the cover -- it doesn't get better than this! At NM+ 9.6, this book is virtually unimprovable, and most certainly the best copy CGC has seen thus far. A true blue-chip item for any Planet collector, or any high-grade collector in general. Overstreet 2003 NM 9.4 value = $900.
Planet Comics #38 Rockford pedigree (Fiction House, 1945) CGC VF- 7.5 Off-white to white pages. Mysta of the Moon makes her first cover appearance courtesy of Joe Doolin, who uses his new subject to our ocular benefit. Gerber rates this issue as "less than average" in scarcity, and only four copies of issue #38 have scored a higher grade from CGC thus far. Nice, rich colors hint at an even higher grade. Overstreet 2003 VF 8.0 value = $488.
Planet Comics #40 Rockford pedigree (Fiction House, 1946) CGC VF+ 8.5 Off-white pages. This good-looking copy might just be the best specimen out there. It currently ranks as the nicest version of issue #40 that CGC has certified to date, verifying once again the difficulty in finding high-grade copies of the title. Joe Doolin does the cover; Lily Renee, Murphy Anderson, Lee Elias, and Fran Hopper give great interior art. Overstreet 2003 VF 8.0 value = $488; VF/NM 9.0 value = $694.
Planet Comics #41 Rockford pedigree (Fiction House, 1946) CGC VF/NM 9.0 Off-white pages. Robots usually get a bad rap, but Joe Doolin gives us a good 'bot here interrupting some wacked-out medusa-headed surgeon from altering a bound Mysta's lovely countenance. CGC gives this copy a thumbs-up, and the highest certified grade yet awarded for issue #41. Overstreet 2003 VF/NM 9.0 value = $694; NM 9.4 value = $900.
Planet Comics #42 (Fiction House, 1946) CGC VF/NM 9.0 Off-white pages. This high grade beauty comes to you from the collection of Nicolas Cage. Fiction House is well-known for their depiction of heavenly beauties in dire predicaments. This killer cover is no exception as a most excellent babe is about to be eaten by a monstrous creature just as her savior appears to deal the death blow via laser beam to the insatiable beast. Murphy Anderson (of future DC fame) contributes some of the interior artwork. Overstreet 2003 VF/NM 9.0 value = $694; NM 9.4 value = $900.
Planet Comics #44 Rockford pedigree (Fiction House, 1946) CGC NM 9.4 Cream to off-white pages. All you Planet Comics lovers, besides displaying excellent taste, you happen to be in the right place at the right time for our auction. We have an unusually large number of high-grade pedigree copies of the perennial Fiction House favorite. Take this one... please! Underrated Joe Doolin is responsible for this imaginative cover, and he gets great support from the likes of Murphy Anderson, Bob Lubbers, and Ruben Moreira on the interior. As implausible as it may seem, this scorching copy doesn't rank as the finest that CGC has certified to date of issue #44, but it is a close second. Overstreet 2003 NM 9.4 value = $900.
Planet Comics #45 Rockford pedigree (Fiction House, 1946) CGC VF/NM 9.0 Off-white pages. Joe Doolin's covers invariably incorporated his fashion genius. Doolin's effective female garb would best be described as "Space Scanty." It worked! Lots of colors on this interplanetary cover, and they shine, oh, so brightly on this beautiful copy that CGC currently ranks just a half-grade below the highest-graded copy of issue #45. Overstreet 2003 VF/NM 9.0 value = $694; NM 9.4 value = $900.
Planet Comics #46 Rockford pedigree (Fiction House, 1947) CGC VF+ 8.5 Cream to off-white pages. Joe Doolin's cover is backed up impressively by Murphy Anderson, George Evans, Bob Lubbers, Lily Renee, and Charles Sultan on the interior, a talented artists' showcase formula that Fiction House used quite a while before EC came along. CGC has thus far certified only two other copies of issue #46 as nicer than this high-grade book. Overstreet 2003 VF 8.0 value = $381; VF/NM 9.0 value = $541.
Planet Comics #47 Rockford pedigree (Fiction House, 1947) CGC VF+ 8.5 Cream to off-white pages. One of Joe Doolin's best covers is not that easily found in high-grade, owing to the black-of-space background that tends to accentuate the tiniest of flecks and other wear. Our sharp specimen currently ranks just a half-grade below the highest-graded copy CGC has certified of issue #47. Overstreet 2003 VF 8.0 value = $381; VF/NM 9.0 value = $541.
Planet Comics #49 Rockford pedigree (Fiction House, 1947) CGC VF/NM 9.0 Cream to off-white pages. This hugely influential title, first published in 1940, inspired other publishers' offerings years later; e.g., EC's Weird Fantasy and Weird Science-Fiction, and DC's Strange Adventures and Mystery in Space. Rockford again provides one of the nicest copies in existence with this book. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
Planet Comics #51 (Fiction House, 1947) CGC VF/NM 9.0 Off-white to white pages. Hunt Bowman is back in town, battling the "Mad Mute X-Adapts" this time around, and has yet another pretty girl to save from a lustful alien. What a life! This is a gorgeous copy of a high-demand comic. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
Planet Comics #52 Rockford pedigree (Fiction House, 1948) CGC NM- 9.2 Off-white to white pages. All right, we admit it; our favorite cover for this title is pretty much whichever one it is that's bombarding our retinas at the time. But this one has to rank near the top... among all Joe Doolin-drawn covers of purple monsters menacing the typically winsome babe, anyway! This high-grade book checks into CGC's census just a quarter-grade below the nicest copy of issue #52 certified to date. Overstreet 2003 NM 9.4 value = $700.
Planet Comics #54 Rockford pedigree (Fiction House, 1948) CGC VF 8.0 Off-white to white pages. Just two copies of this issue have rated a grade higher than Very Fine Plus from CGC, so this is one of the very best copies to have been CGC-certified to date. Masterful interior work by George Evans and Matt Baker fulfill the promise of the Joe Doolin cover. Overstreet 2003 VF 8.0 value = $381.
Planet Comics #56 (Fiction House, 1948) CGC VF- 7.5 Off-white pages. Arguably the best interior artwork in the long-running series came during this period. In this issue alone Graham Ingels, Matt Baker, George Evans, and Maurice Whitman are among the interior artists. Regular cover artist Joe Doolin does his thing with scantily-clad lovelies in bubbles, always a crowd-pleaser! Just two copies of the issue have fared higher than VF 8.0 from CGC, so this is one of the nicer, unrestored copies to be certified to date. Overstreet 2003 VF 8.0 value = $381.
Planet Comics #57 Rockford pedigree (Fiction House, 1948) CGC VF- 7.5 Cream to off-white pages. This solid copy appears to have been evaluated conservatively by CGC, yet at Very Fine Minus, it is still only a half-grade shy of the nicest copy of issue #57 that CGC has seen to date. Joe Doolin crafts an amazing cover full of color, turmoil, and his signature bountiful babe. Ooh, la, la... a redhead! Overstreet 2003 VF 8.0 value = $381.
Planet Comics #58 Rockford pedigree (Fiction House, 1949) CGC VF- 7.5 Cream to off-white pages. A mis-cut cover keeps this copy from earning a higher grade. Just three copies of issue #58 have garnered CGC grades exceeding VF+ 8.5, and it's doubtful the cover colors are nicer than this. Judging by the perennial popularity of this title, these later issues just may be undervalued. Overstreet 2003 VF 8.0 value = $381.
Planet Comics #59 Rockford copy (Fiction House, 1949) CGC NM 9.4 Off-white pages. Let us voyage to the wonder-world of tomorrow with Mysta of the Moon this issue, featuring a cool Joe Doolin cover of aliens beamed down to wreak havoc on a city's inhabitants. And naturally, oddball humanoid space monsters are pretty useless without a pretty lady to menace, so Fiction House was thoughtful enough to provide their usual dose of "good girl" eye-candy. CGC has certified only one copy of this comic with a grade higher than this one. Overstreet 2003 NM 9.4 value = $295.
Planet Comics #60 Rockford pedigree (Fiction House, 1949) CGC VF/NM 9.0 Off-white to white pages. After nearly five years of creating all but three (Lily Renee did those three) of the always sensational covers for the title, Joe Doolin was showing no signs of running out of new ideas to combine space action, aliens, distractingly comely lasses, and gorgeous colors. A mere one other copy of issue #60 has earned a higher grading from CGC. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
Planet Comics #61 Rockford pedigree (Fiction House, 1949) CGC VF+ 8.5 Off-white to white pages. This cover is a clean swipe from Planet #7, this time featuring our heroine blasting a hole in the Volta ship, causing its inhabitants to spill out to their deaths. A gorgeous book that shows off its bright yellow colors well, and exhibits only light wear. Rockford certificate of authenticity is included. The CGC holder for this comic is cracked at the top right corner on the back. Overstreet 2003 VF 8.0 value = $288; VF/NM 9.0 value = $407.
Planet Comics #64 (Fiction House, 1950) CGC VF 8.0 Off-white pages. Giant robot covers are a fun sub-genre to collect. The Lost World fights against the Monsters from the Blue this issue, blasting one in the crotch and evoking memories of Fantastic #3, that wonderful Lou Fine robot cover. Future EC regular George Evans contributes art to this issue, along with the usual compliment of other talented Fiction House artists. An attractive copy of this issue for the grade. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $288.
Planet Comics #65 Cosmic Aeroplane pedigree (Fiction House, 1951) CGC FN/VF 7.0 Off-white to white pages. This beautiful, pedigreed copy is actually the very nicest copy that CGC has graded so far. This attests to the extreme rarity of these later issues, and their ridiculously low value in the price guide. This pink-covered issue is especially beautiful, with a great cover image of a shapely blonde. Overstreet 2003 FN 6.0 value = $144; VF 8.0 value = $288.
Plastic Man #nn (#1) Crowley pedigree (Quality, 1943) CGC VF 8.0 Cream to off-white pages. At a time when original ideas for characters were getting scarce Jack Cole hit a home run with his Plastic Man. This crazy crime fighter brought more than a touch of humor to the superhero genre, even more so that Captain Marvel. Though he debuted in Police Comics his own title ran for 14 years and he was even popular enough to be revived by DC after a decade in hibernation. This is not an easy book to find in high grade. To date, the highest copy yet graded is a NM-. That said, our copy, from the Crowley lode, is bested by a mere two copies that have graded higher. Overstreet 2003 VF 8.0 value = $2,500.
Plastic Man #2 (Quality, 1944) CGC Apparent NM- 9.2 Slight (P) Off-white to white pages. After first appearing in Police Comics in 1941, the rubbery super-hero got his own title in 1943. This second issue came about six months later. Jack Cole's cover and interior art brought just the right touches of, as this cover promises, "thrills, chills, and laffs" to the character, propelling the title to a run of over 14 years. The colorful cover is all the more impressive for its white background, and clean edges. CGC notes, "Restoration includes: spine split sealed to cover, cover cleaned." Overstreet 2003 GD 2.0 value = $169; VG 4.0 value = $338; FN 6.0 value = $507; VF 8.0 value = $1,056; VF/NM 9.0 value = $1,503.
Plastic Man #2 (Quality, 1944) CGC VG 4.0 Cream to off-white pages. This is actually the Vital Publications second no-number issue, with Plas starring in "The Gay Nineties Nightmare," written and drawn by the always entertaining Jack Cole. Flat, clean, and colorful, this appears to be a great copy of an early issue from a popular series. Overstreet 2003 VG 4.0 value = $338.
Plastic Man #9 Mile High pedigree (Quality, 1947) CGC NM+ 9.6 Off-white pages. Plastic Man oozes out of a faucet, shocking his buddy Woozy Winks on this goofy Jack Cole cover. At NM+, this book is virtually unimprovable, with perfect corners and a nearly flawless cover. A stunning example from the Mile High collection, this is currently the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $685.
Plastic Man #58 (Quality, 1956) CGC NM- 9.2 Off-white to white pages. From the twilight of Plastic Man's run as a Quality title, this is a nice high-grade issue with stunning cover gloss. Chuck Cuidera did the art for this duplicitous cover, and inside there's a reprint story with Jack Cole artwork. Quality books from the mid-fifties are increasingly difficult to locate in this grade, making this book all the more desirable. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $295.
Pogo Possum #1 (Dell, 1949) CGC NM- 9.2 Off-white to white pages. The only artist around that could rival Carl Barks for delightful animal stories was Walt Kelly. His work on Pogo the Possum is in a league of its own. With this book you get cover-to-cover Kelly. CGC has only certified two copies to date, and this one is by far the nicest. Overstreet NM 9.4 value = $650.
Police Comics #2 (Quality, 1941) Apparent NM- 9.2 Slight (P) Off-white to white pages. The moment you see this cover's striking image of the crimson-clad hero, Firebrand, offset against a bright yellow background, you know you're in for a treat. Police #2 is chock-full of excitement: Jack Cole's Plastic Man makes his second appearance (with Plas joining the police and taking on dope smugglers!), Reed Crandall illustrates the interior Firebrand tale, and Will Eisner and Fred Guardineer are contributors as well. This choice copy of a landmark Quality issue is the highest-graded restored specimen found in CGC's current census, and its off-white to white pages are as sharp as a policeman's pointy badge. CGC notes, "Restoration includes: cover reinforced, staples cleaned." Overstreet 2003 GD 2.0 value = $308; VG 4.0 value = $616; FN 6.0 value = $924; VF 8.0 value = $1,927; VF/NM 9.0 value = $2,889.
Police Comics #2 (Quality, 1941) CGC VF- 7.5 Off-white pages. Quality Comics' artists took a back seat to no other publisher's during the Golden Age. In this issue alone you could find Jack Cole, Will Eisner, Reed Crandall, Paul Gustavson, and Fred Guardineer, plus a Gill Fox cover. Not bad for one comic book! When it comes to nice copies of this early issue, it doesn't get much better than this. CGC has given out a higher grade to just two other copies of #2, one at 9.0, the other at 8.5. Overstreet 2003 VF 8.0 value = $1,927.
Police Comics #6 (Quality, 1942) CGC VF 8.0 Off-white to white pages. It's hard to resist the appeal of Plastic Man, and these early appearances are especially fun. A story with the original Quality Phantom Lady is another plus, as is interior art from Reed Crandall and Will Eisner. This comic is flat and clean with sharp corners; spine and staple stress keep this beautiful book from an even higher grade. Overstreet 2003 VF 8.0 value = $1,000.
Police Comics #22 Rockford pedigree (Quality, 1943) CGC NM 9.4 Cream to off-white pages. Jack Cole obviously had a ball with his Plastic Man covers; the Rockford pedigree assures we have an excellent example thereof. This is easily the nicest copy CGC has graded to date of issue #22. Besides Cole, Will Eisner, Paul Gustavson, Gill Fox, and Arthur Peddy contributed art for this issue. Overstreet 2003 NM 9.4 value = $900.
Police Comics #23 "D" Copy pedigree (Quality, 1943) CGC VF/NM 9.0 Off-white to white pages. The Spirit and Plastic Man team up on this memorable cover, drawn by Jack Cole. The lovely Phantom Lady makes her last appearance in this title, as drawn by Rudy Palais. This issue also has the Human Bomb by Paul Gustavson, the Spirit by Will Eisner, and Plastic Man by Jack Cole. This beautiful copy hails from the "D" collection, and has immaculately bright whites and deep colors on the cover. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $657; NM 9.4 value = $850.
Police Comics #29 Rockford pedigree (Quality, 1944) CGC NM- 9.2 Cream to off-white pages. Jack Cole usually relied on outrageous contortions of the superhero in his imaginative covers, but here he offers a rare dialogued gag. Whatever he did, it worked for the lion's share of covers on the long-running title. Rockford comes through again with one of the nicest copies of #29 on record. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $850.
Police Comics #35 Crowley pedigree (Quality, 1944) CGC VF/NM 9.0 Cream to off-white pages. Plastic Man get's knocked for a loop in this cool issue, which features great art by Jack Cole, plus a Spirit story from Will Eisner. It's a solid single-staple issue that's sharp and flat; CGC lists only one copy with a higher grade at this time. Overstreet 2003 VF/NM 9.0 value = $445; NM 9.4 value = $575.
Police Comics #41 Mile High pedigree (Quality, 1945) CGC NM+ 9.6 Off-white to white pages. When one thinks about the incredible collection of comics owned for so many years by Edgar Church, it's hard to imagine how he kept all those books so nice for so long. No one at the time gave much thought of these "funny books" being valuable, or future collector's items. Most items like this normally wound up in the hands of neighborhood children, or visiting relatives! We're so glad you didn't do anything like that, Mr. Church! Here's another superb book from his collection, featuring a great cover by Jack Cole and story art by Will Eisner. Overstreet 2003 NM 9.4 value = $575.
Police Comics #51 Rockford pedigree (Quality, 1946) CGC NM 9.4 Off-white pages. This stunner, with a great Jack Cole cover is a perfect representative copy of the superior Rockford collection. Cole also drew the Plastic Man and Burp the Twerp story. As if that wasn't enough, there is also a story by Lou Fine. This is the highest-graded of just two copies of #51 to be certified to date by CGC. Overstreet 2003 NM 9.4 value = $340.
Police Comics #64 Mile High pedigree (Quality, 1947) CGC NM 9.4 Off-white to white pages. Woozy and Plas prepare to shoot a baddie in the behind, on this creative Jack Cole cover. Another amazing example from the Mile High collection, displaying a clean white cover, immaculate spine, and corners so sharp you can cut glass with them. The book is mis-cut along the right edge, but still boasts the highest grade CGC has given for this issue. Overstreet 2003 NM 9.4 value = $250.
Police Comics #88 Mile High pedigree (Quality, 1949) CGC NM 9.4 Off-white to white pages. Add to the usual sterling artwork of Jack Cole, Paul Gustavson, and Al Bryant some classic Spirit reprints by Lou Fine, and you have some pretty nifty picture stories! This killer Mile High copy is the only #88 CGC has certified to date. Overstreet 2003 NM 9.4 value = $250.
Popeye Comics #1 (Dell, 1948) CGC VF/NM 9.0 White pages. The beloved cartoon character finally gets his very own, regularly-issued comic book, following years of sporadic, though frequent, appearances in various titles. This would be an excellent opportunity to get a near-immaculate copy of a #1 issue of a popular character for a ridiculously reasonable price. CGC has awarded a higher grade to just one other copy of this premiere issue. Overstreet 2003 VF/NM 9.0 value = $296; NM 9.4 value = $380.
Prize Comics #20 Mile High pedigree (Prize, 1942) CGC NM 9.4 Off-white pages. One look at the immaculate spine, deep colors, glossy finish, fresh pages, and distinctive code, and you just know that this book came out of Edgar Church's basement in Colorado. The cover on this esoteric title features the many heroes of Prize Comics participating in a patriotic tickertape parade in order to show that the American way of life would be preserved. The fighting in 1942 was at its height. Europe was on fire, Americans lined up to lend a hand, and no one can dispute that the comics did their part to stir the American spirit and capture the imaginations of children and adults alike. This copy of Prize #20 truly captures the zeitgeist of that unique period in our history; it is, indeed, a true prize. Overstreet 2003 NM 9.4 value = $750.
Punch Comics #16 Big Apple pedigree (Chesler, 1946) CGC NM- 9.2 White pages. Chesler books are finally getting the recognition they deserve. For years, they were the unwanted stepchildren of comics and lingered in obscurity. Now is the time to grab them before the nice ones all disappear into long-time collections. This issue is near un-improvable, and with it's choice white pages you'll be hard-pressed to find a nicer copy. Overstreet 2003 NM 9.4 value = $565.
Punch Comics #18 (Chesler, 1946) CGC VF/NM 9.0 Off-white pages. Chesler books were usually pretty outre but always interesting. They have finally started getting recognized and there are nowhere near enough copies to go around. This cover has an awesome headlight cover with the fair damsel in bondage. To round things out there also some hypodermic panels within. Overstreet 2003 VF/NM 9.0 value = $587; NM 9.4 value = $760.
Rangers Comics #1 (Fiction House, 1941) CGC GD/VG 3.0 Slightly brittle pages. One of Fiction House's original Big Six titles shared some vital characteristics with its associated titles, namely good stories with superior art. Oh, and, as Overstreet describes Fiction House titles, "...bondage, discipline covers, lingerie panels, headlight panels, torture...." But, we like to read the articles! Dan Zolnerowich provides this cover, while his successor, Joe Doolin, offers interior art. This issue introduced the Rangers of Freedom and Ranger Girl. Overstreet 2003 GD 2.0 value = $287; VG 4.0 value = $574.
Rangers Comics #9 Rockford pedigree (Fiction House, 1943) CGC NM- 9.2 Off-white pages. The Fiction House formula for its comic titles was set early on: namely, action-packed covers, generally a lovely person of the female persuasion being harassed, often in bondage, and stereotypical villainous types drawn by an artist of the ilk of Zolnerowich, Tuska, Ingels, and Lubbers, who all contributed to this early issue. This is the nicest copy of issue #9 that CGC has graded to date. Overstreet 2003 NM 9.4 value = $525.
Rangers Comics #10 (Fiction House, 1943) CGC VF- 7.5 Cream to off-white pages. This incredible cover shows why Fiction House comics are so popular with collectors young and old. A beautiful, bound blonde "headlights" the cover, as she is rescued from the enemy's clutches by a G.I. This issue rates a "scarce" from The Photo-Journal Guide to Comic Books, which seems to be corroborated by CGC's having certified just two copies to date, of which this is the nicer by a full grade. Overstreet 2003 VF 8.0 value = $288.
Rangers Comics #15 Pennsylvania pedigree (Fiction House, 1944) CGC NM- 9.2 Off-white pages. These wild "good girl" bondage covers from Fiction House are hot! This wartime classic has the added attraction of Graham Ingels art inside, along with other talented house artists. This book is exceptionally rare; as a Gerber "8", only 11-20 copies are estimated to exist in any condition. This excellent copy has a near-perfect spine and no significant defects. Overstreet 2003 NM 9.4 value = $385.
Rangers Comics #16 Pennsylvania pedigree (Fiction House, 1944) CGC NM 9.4 Off-white pages. Here's a cool comic from an important early pedigree collection. Like all Pennsylvania comics (found in the late 1970s), there is distributor's mark, an "R"-shaped "P" penciled very lightly in the second "R" of the title. This is a smooth, sharp-looking copy, with nice color and gloss. Interior art includes work by Graham Ingels and George Tuska. Watch out for that snake! Overstreet 2003 NM 9.4 value = $385.
Rangers Comics #20 Rockford pedigree (Fiction House, 1944) CGC NM- 9.2 Off-white pages. This near-perfect copy from the Rockford collection sports an impressive action-packed cover by Joe Doolin. The artist doesn't get a lot of recognition, but he should, with the 22 outstanding covers he created for this title, as well as the many he did for other Fiction House titles like Fight Comics and Jungle Comics. Overstreet 2003 NM 9.4 value = $385.
Rangers Comics #31 (Fiction House, 1946) CGC NM 9.4 Off-white pages. Here's one, shall we say, "for the boys." Fiction House was well known for their many fine examples of "good girl" art, and this bondage cover is sure to thrill. Even more thrilling is the wonderful condition of this book. CGC lists this as the highest graded copy of this issue in their current census, and it's doubtful you'll see another quite as nice. Overstreet 2003 NM 9.4 value = $240.
Rangers Comics #33 (Fiction House, 1947) CGC NM- 9.2 Off-white to white pages. Dangerous denizens of the deep, and sunken treasure allow Joe Doolin to show his versatility on this watery cover. It's an awfully nice copy, the nicest CGC has certified of issue #33 to date. Overstreet 2003 NM 9.4 value = $240.
Real Heroes Comics #1 Mile High pedigree (Parents' Magazine Institute, 1941) CGC NM 9.4 Off-white pages. This key premiere issue features a Franklin D. Roosevelt cover and story, as well as a feature on Eddie Rickenbacker, WWI ace pilot. Our offering is a pristine example from the Mile High collection, displaying those desirable qualities for which Edgar Church's stash is renowned. CGC has not certified a nicer copy to date. Overstreet 2003 NM 9.4 value = $325.
Real Western Hero #71 Mile High pedigree (Fawcett, 1948) CGC NM 9.4 White pages. This second issue of the new title, following eight years as Wow Comics, a Mary Marvel vehicle, features an unusually beautiful painted cover of Hopalong Cassidy. The colors are stunning on this Mile High copy, which is the best copy of the issue CGC has graded to date. Overstreet 2003 NM 9.4 value = $215.
Real Western Hero #74 Mile High pedigree (Fawcett, 1949) CGC VF/NM 9.0 Off-white to white pages. Starring the most popular cowboys of movieland, this comic featured Tom Mix, Monte Hall, Gabby Hayes, and Hopalong Cassidy. The painted covers of this title are very striking, and especially when preserved as well as this Mile High copy. This is the only copy of issue #74 that CGC has graded to date, and is likely the finest in existence. Overstreet 2003 NM 9.4 value = $215.
Red Circle Comics #3 (Rural Home, 1945) CGC VF/NM 9.0 Off-white pages. Leonard Starr takes the art chores on the cover and interior on this obscure title. The Prankster appears out of costume in his installment. Rural Home publishers did not have the best of distribution so this title is not exactly common. Overstreet 2003 VF/NM 9.0 value $176; NM 9.4 value = $220.
Red Ryder Comics #1 (Dell, 1940) CGC VF 8.0 Off-white pages. After several failed business ventures, Fred Harman hit gold in 1938 with the "Red Ryder & Little Beaver" comic strip. Red Ryder became an overnight sensation and logically ended up in the comic book format with this issue. No other copy of this issue has been given a higher grade from CGC than this one. This is a tight copy with brilliant colors and great looking corners. Overstreet 2003 VF 8.0 value = $1,925.
Red Ryder Comics #3 (Dell, 1941) CGC VF 8.0 Cream to off-white pages. This issue features not only Red Ryder but strip reprints of Alley Oop, Capt. Easy, Dan Dunn, and Myra North. Gerber gives this hard to find issue a scarcity index number of "7" which indicates an estimate of only 20 to 50 copies known to exist. Currently, only one other copy has been graded by CGC giving credence to that scarcity. Only minor edge wear diminishes from this beauty of a comic. Overstreet 2003 VF 8.0 value = $644.
Red Ryder Comics #6 (Dell, 1942) CGC VF+ 8.5 Cream to off-white pages. The gang's all here in this fun cover by Fred Harman. The rainbow of colors on the cover are intensely displayed on the clean flat surface. Overstreet 2003 VF 8.0 value = $308; VF/NM 9.0 value = $442.
Red Ryder Comics #9 File Copy (Dell, 1942) CGC VF/NM 9.0 Cream to off-white pages. This issue has a delightful cover by Fred Harman that is nicely showcased by this brightly colored Dell "File Copy." The spine is in excellent condition and the corners are pointy. Overstreet 2003 VF/NM 9.0 value = $354; NM 9.4 value = $460.
Red Ryder Comics #10 File Copy (Dell, 1942) CGC VF/NM 9.0 Cream to off-white pages. This issue features a cover by Fred Harman and reprints of popular comic strips of the day. This is an extremely nice Dell "File Copy" with only a minor bindery chip at the bottom of the spine keeping it from getting a higher grade from CGC. Overstreet VF/NM 9.0 value = $354; NM 9.4 value = $460.
Red Ryder Comics #11 Mile High pedigree (Dell, 1943) CGC VF+ 8.5 Off-white pages. Looking for a typically sparkling Mile High comic book that doesn't require your hocking the ranch? Well, Podnah, hang yore hat right here! Fred Harman's gift to comicdom, Red Ryder, was created in 1938 for newspaper funnies. The comic book bearing his name ran nearly 17 years. This beautiful copy looks even nicer than CGC's assigned grade, and is the highest-graded copy of issue #11 to be certified to date. Overstreet 2003 VF 8.0 value = $178; VF/NM 9.0 value = $249.
Red Ryder Comics #12 File Copy (Dell, 1943) CGC NM- 9.2 Cream to off-white pages. Fred Harman consistently provided solid covers for the character that he created, and the one for this issue is a fine example. King of the Royal Mounted, Alley Oop, and other comic strip characters were included inside. This is a fantastic looking Dell "File Copy" that has an immaculate spine and a glassy smooth surface. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #13 File Copy (Dell, 1943) CGC NM 9.4 Cream to off-white pages. This awesome Dell "File Copy" has received the highest grade from CGC for this issue to date. The typically great cover by Fred Harman is nicely displayed on a shiny surface, and the spine is nearly perfect. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #14 File Copy (Dell, 1943) CGC NM+ 9.6 Cream to off-white pages. If not for the fact that this comic had to be held by the staff at CGC to be graded, you might think that it hadn't been touched by human hands since the day that it was placed in Dell Comics' file drawer. This book is a true gem with an unblemished surface and perfect spine. The colors on the cover almost drip from the brilliant image by Fred Harman. Of course, this "File Copy" has received the highest grade yet from CGC for this issue. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #15 File Copy (Dell, 1943) CGC NM- 9.2 Cream to off-white pages. Bust that bronc, Red! Fred Harman obviously loved the character that he created as shown by the many fun covers that he did for this title. This Dell "File Copy" is in great condition and has been given the highest CGC grade for this issue to date. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #16 File Copy (Dell, 1943) CGC NM- 9.2 Cream to off-white pages. Red Ryder and Little Beaver have to stop a stampede on this issue's cover by Fred Harman. Fighting Yanks and Captain Easy stories are included in this collection of comic strip reprints. This awesome Dell "File Copy" has a crisp spine and great color. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #17 File Copy (Dell, 1944) CGC VF+ 8.5. Fred Harman's most famous creation guested other popular comic features of the day, such as Captain Easy, King of the Royal Mounted, and Alley Oop, and Red Ryder often shared his cover's space with them. This is the only copy of issue #17 that CGC has certified to date, and exhibits a rainbow of bright, rich cover colors. A couple of nicks along the spine keep this from approaching NM status. Overstreet 2003 VF 8.0 value = $178; VF/NM 9.0 value = $249.
Red Ryder Comics #18 File Copy (Dell, 1944) CGC VF/NM 9.0 Off-white pages. Fred Harman does double-duty with cover and story art for the famous cowboy. This is one of just two copies of the issue that CGC has certified to date. And these early issues seem so undervalued! Grab this nice file copy now! Overstreet 2003 VF/NM 9.0 value = $249; NM 9.4 value = $320.
Red Ryder Comics #19 File Copy (Dell, 1944) CGC NM- 9.2 Cream to off-white pages. For an issue dating back to 1944, and in this high of a grade, you might expect to pay much more. The file copies we're offering of this and other titles remind of some of the finest "name" pedigrees around. Featured are Red Ryder and Little Beaver, Alley Oop, King of the Royal Mounted , Dan Dunn, Captain Easy, and others. This is the finest copy of issue #19 to be certified by CGC to date. Overstreet 2003 NM 9.4 value = $320.
Red Ryder Comics #19 Rockford pedigree (Dell, 1944) CGC VF+ 8.5 Cream to off-white pages. This pretty book from the Rockford Collection is the only copy of issue #19 yet certified by CGC. Fred Harman's cover has Red Ryder and Little Beaver lying in wait for some bad guys. Red had to be sneaky - with his Daisy air rifle he couldn't afford to miss! Overstreet 2003 VF 8.0 value = $178; VF/NM 9.0 value = $249.
Red Ryder Comics #20 File Copy (Dell, 1944) CGC FN+ 6.5 Cream to off-white pages. Fred Harman's great cover is a vortex of action, with Red, his horse Thunder, and an irritable longhorn vying for the alpha position. This copy looks much better than the assigned grade, at least from the front, which seems to be showcasing a super-high grade copy. Inspection of the back cover reveals the problem; it's a small piece missing at the lower left corner. Overstreet 2003 FN 6.0 value = $75.
Red Ryder Comics #108 File Copy (Dell, 1952) CGC NM 9.4 Off-white pages. Fred Harman's classic cowboy hero shows 'em how to ride that bull on the cover of this pretty file copy. There's a great back-cover ad for the Red Ryder Cutout Contest, too. The color and gloss on this copy are very fresh and the edges and spine look straight and strong. Currently, this copy ties with one other as highest graded by CGC. Overstreet 2003 NM 9.4 value = $60.
Red Ryder Comics #111 File Copy (Dell, 1952) CGC NM 9.4 off-white pages. This charming Fred Harmon cover pictures Red Ryder and Little Beaver enjoying themselves by the chuck wagon. Mmmm, pie! This beautiful copy has eye-popping color, a strong spine, and sharp corners. Unlike some file copies that suffer from poor page quality or have significant handling wear, this comic appears virtually untouched. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $60.
Red Ryder Victory Patrol #nn (Dell, 1944) CGC Qualified FN+ 6.5 Off-white to white pages. A promotional title published by "The Bakers of Langendorf Bread", this book was originally issued with a 3-page wraparound cover membership kit. As CGC notes, "3-page wraparound mailer missing. Incomplete." Hence, the Qualified designation. Nonetheless, this is a difficult piece to locate in any condition. Only one other copy, also Qualified, has been graded by CGC as of this writing. Overstreet 2003 GD 2.0 value = $400; VG 4.0 value = $900; FN 6.0 value = $1,400.
Rocket Comics #1 Denver pedigree (Hillman Publications, 1940) CGC VF/NM 9.0 Cream to off-white pages. Rocket Riley slugs his way into comics history for the first time along with the Steel Shark, Red Roberts the Electro Man, Phantom Ranger, Buzzard Barnes & His Sky Devils, Lefty Larson, and the Defender -- the Man with a Thousand Faces. This pedigree comic from the esteemed Denver collection is in absolutely amazing condition and has a nicer appearance than the assigned grade may indicate. The black bands at the top and bottom of the front cover make this book exceptionally difficult to locate in high grade. As for cover colors, the reds and yellows on this comic are as vivid as the day they were printed, and the spine is as stress-free as you can hope for in a Golden Age book. Look no further -- here's your dream copy! Out of the six copies of this issue graded by CGC to date, this one easily tops the list. Overstreet 2003 VF/NM 9.0 value = $2,200; NM 9.4 value = $2,850.
Rocketman #1 White Mountain pedigree (Farrell, 1952) CGC NM 9.4 White pages. Ajax-Farrell books can be among the hardest books to find since their distribution was spotty. To make matters worse, they used the cheapest materials possible so their books are near impossible to find in high grade. Well, pilgrim -- your quest is over with this pedigreed book. This copy is currently the highest yet graded by CGC for this issue, and it has WHITE pages, which are almost unheard of on books from this publisher. Do yourself a favor and bid high, you won't be able to look at yourself in the mirror if you let this one slip through your grasp. CGC notes, "Date stamp on 1st page." Overstreet 2003 NM 9.4 value = $420.
Rocket to the Moon #nn Spokane pedigree (Avon, 1951) CGC NM- 9.2 White pages. Joe Orlando drew such awesome and vicious aliens that Gene Fawcette took to swiping them for his cover to the no-number Flying Saucers comic a year later. Orlando's cover has a Wally Wood-like lilt to it, and features a stunning, busty maiden in need of rescuing. Rocket to the Moon was an adaptation of Otis Aldebert Kline's Maza of the Moon. This copy is far and away the highest CGC-graded copy to date, with the next contender a distant VF. To round things out this copy also has white pages. If you are the discerning type of collector that demands the best...you have found it. Now go get it! Overstreet 2003 NM 9.4 value = $1,225.
Rod Cameron Western #1 (Fawcett, 1950) CGC NM- 9.2 Off-white pages. Rod Cameron, his horse War Paint, and Sam the Sheriff begin their comic run in this issue. This comic is very hard to find in any condition, so this copy will make a wonderful addition to your collection. Both the front and back covers feature photos of Rod Cameron. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $585.
Rod Cameron Western #1 (Fawcett, 1950) CGC VF 8.0 Cream to off-white pages. "The Screen's Toughest Cowboy" fronts the cover of his first issue with a grimace and a gun in this fun photo cover. This also marks the introduction of Rod's horse, War Paint, and Sam the Sheriff. As of this writing, only two copies of this comic have received higher grades from CGC. Overstreet 2003 VF 8.0 value = $318.
Roy Rogers Comics #1 (Dell, 1948) VF/NM 9.0 Off-white to white pages. Arguably the most popular of western heroes to ever grace a comic book was Roy Rogers, the King of the Cowboys. This copy is absolutely stunning, with a bright yellow photo-cover, and a back cover that also features a photo of our hero with two kids. This impressive book is only one notch away from the highest yet graded copy. The lucky winner of this primo copy will be beyond proud of their purchase. Overstreet 2003 VF/NM 9.0 value = $911; NM 9.4 value = $1,200.
Roy Rogers Comics #1 (Dell, 1948) CGC FN/VF 7.0 White pages. Roy Rogers is probably the most famous cowboy movie star to ever ride a horse across the silver screen. This comic has a worthy photo cover image to reflect that cowboy appeal. This copy is in solid shape with a cover image that has a richly saturated yellow background which really warms up the rest of the colors. Overstreet 2003 FN 6.0 value = $243; VF 8.0 value = $621.
Rulah Jungle Goddess #18 (Fox Features Syndicate, 1948) CGC FN 6.0 Pink pages. Despite being numbered as issue #18, this is actually only the second issue titled Rulah; it had previously been published under the title Zoot. With its Jack Kamen cover, and interior loaded with delectable Fox "good girl" art, this issue is also blessed with a classic girl-fight splash page inside. Overstreet 2003 FN 6.0 value = $198.
Rulah Jungle Goddess #19 (Fox Features Syndicate, 1948) CGC VF 8.0 White pages. One of the all-time great "headlight" covers by Jack Kamen has the Jungle Goddess giving up the spotlight for another pair.... Although Victor Fox was notorious for using the cheapest possible interior newsprint, he certainly didn't hold back on the cover inks. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $400.
Sad Sack Comics #1 File Copy (Harvey, 1949) CGC VF+ 8.5 Cream to off-white pages. Oh, that lovable Sad Sack! This first issue also marks the first appearance of Little Dot, making this a double treat! A cool infinity cover adds to the fun. These early non-army issues are always a tough find. This comic is very nice, one of only two copies of this issue certified by CGC to date. Overstreet 2003 VF 8.0 value = $344; VF/NM 9.0 value = $497.
Sad Sack Comics #2 File Copy (Harvey, 1949) CGC NM- 9.2 Off-white pages. The second issue of this beloved series, features art by Bob Powell. This is a lovely copy, ranking just behind the only other copy of this issue certified by CGC so far. It has sharp corners that could put an eye out. Grab up these nice early non-army issues while you can! Overstreet 2003 NM 9.4 value = $300.
Sad Sack Comics #3 File Copy (Harvey, 1950) CGC NM 9.4 Off-white pages. "It's a Harvey Comics fun riot!" It's also an amazing copy from the Harvey files, with only one copy of this issue receiving a higher grade in CGC's most recent census. Sad Sack takes a beating from kids in this George Baker cover. Interest in these file copies among collectors has really picked up lately. Check this one out at our website and see why! Overstreet 2003 NM 9.4 value = $165.
Sad Sack Comics #4 File Copy (Harvey, 1950) CGC NM- 9.2. Not only do you get a killer copy of one of Harvey's scarcest titles (at least the first 21 issues), but you get an extremely early appearance of Little Dot who did a lion's share of carrying the Harvey line. This copy is a crowd-pleaser. Overstreet 2003 NM 9.4 value = $120.
Sad Sack Comics #5 File Copy (Harvey, 1950) CGC NM- 9.2 Cream to off-white pages. Are you a Sad Sack? Millions have enjoyed these funny comics, and the demand for nice early issues like this is sky-high. This copy is very attractive, with snowy whites, deep color, and sharp edges. To date, this is the highest-graded copy listed by CGC. Overstreet 2003 NM 9.4 value = $120.
Sad Sack Comics #6 File Copy (Harvey, 1950) CGC NM/MT 9.8 Off-white pages. If you are looking for that special early copy of Sad Sack, one that towers above all the others in terms of condition, color, gloss, sharp edges, then this is the one for you. You will not believe your eyes! CGC lists this copy as best in the current census. Overstreet 2003 NM 9.4 value = $120.
Sad Sack Comics #7 File Copy (Harvey, 1950) CGC NM 9.4 Off-white pages. Trying to find early issues of Sad Sack in any grade has always been a little tough. This title has been a popular one, with lots of copies around, but these "civilian" issues prove to be elusive. Here's a great copy, with tons of color and gloss; to date, there are no higher copies listed by CGC. Overstreet 2003 NM 9.4 value = $120.
Sad Sack Comics #8 File Copy (Harvey, 1950) CGC NM+ 9.6 Off-white pages. The "eightball" issue of Sad Sack, he's still a civilian here, but still a "sad sack." The dogs pictured on this cover show a George Baker classic characteristic -- very sharp teeth! This copy looks pretty sharp, too -- nice color and a flawless spine. A check with CGC shows no higher-grade copies to date. Overstreet 2003 NM 9.4 value = $120.
Sad Sack Comics #10 File Copy (Harvey, 1951) CGC NM- 9.2 Cream to off-white pages. The war may be over, but our hapless hero still can't get past the Sarge on this great cover. This is a super copy, very glossy and fresh. Throw away the guidebook on these early issues, as the demand for these remains extremely high. To date, CGC lists no higher-graded copies. Overstreet 2003 NM 9.4 value = $350.
Sad Sack Comics #12 File Copy (Harvey, 1951) CGC NM 9.4 Cream to off-white pages. All-new stories set this fun-filled issue of Sad Sack ablaze! This George Baker cover is only one attractive aspect of the comic. It's outgraded by only a single copy in CGC's latest census, showing off the original yellow background in blinding fashion, contrasting nicely with the crisp blue of the logo. Overstreet 2003 NM 9.4 value = $80.
Saint #3 (Avon, 1948) CGC VF/NM 9.0 Cream to off-white pages. What could be more thrilling than this cover? Its dynamic layout, with Leslie Charteris' Saint wisely taking a back seat to the leggy blonde photog in the foreground, caters perfectly to its audience. This stunningly gorgeous copy is the second-highest graded specimen in CGC's latest census. Overstreet 2003 VF/NM 9.0 value = $279; NM 9.4 value = $350.
Samson #1 (Fox Features Syndicate, 1940) CGC VF- 7.5 Off-white pages. This issue features a cover and art by Alex Blum, plus early artwork by Bob Powell and George Tuska. The cover is a nice composition of subdued patriotic zeal that may have anticipated America's inevitable entry into World War II. This is a nice copy with bright colors and a tight spine. Overstreet 2003 VF 8.0 value = $1,631.
Santa Claus Funnies #1 Mile High pedigree (Dell, 1952) CGC FN 6.0 Off-white pages. Despite the minor defects that keep it from the higher grades, this Dell Giant still exhibits the intense colors, sharp corners and bright pages that are typical of an Edgar Church book. Overstreet 2003 FN 6.0 value = $21.
Seven Seas Comics #2 Big Apple pedigree (Universal Phoenix Feature, 1946) CGC NM+ 9.6 Off-white to white pages. If swashbuckling pirates are your thing, then this book's for you. Once you get past the magnificent cover, there's great Matt Baker art to thrill you with. And if condition is important to you, this is the one book to have; it's the highest CGC-graded copy for this issue to date. Overstreet 2003 NM 9.4 value = $800.
Shadow Comics #1 (Street & Smith, 1940) CGC FN- 5.5 Off-white pages. The popular star of radio and the pulps gets his own comic book title, which runs a very respectable nine years. The painted cover of this premiere issue successfully captures the pulp style, and this copy retains a considerable amount of its original color. Wear around the edges is the principal reason for the mid-grade assessment by CGC; then again only one other copy of this Gerber "uncommon" issue has earned as high as a VF 8.0 to date. Overstreet 2003 FN 6.0 value = $1,332.
Shadow Comics #3 Nova Scotia pedigree (Street & Smith, 1940) CGC VF/NM 9.0 Off-white pages. This is one of the most wonderful Shadow covers to ever grace his title. Harkening back to the excellent pulp covers, this painted wash-tone cover from the pulp from January, 1933, also features Doc Savage, Nick Carter, Iron Munro, and Norgil the Magician. As of this writing, this is the highest graded CGC copy of this issue. Overstreet 2003 VF 8.0 value = $813; VF/NM 9.0 value = $1,157.
Shadow Comics V7#8 (Street & Smith, 1947) CGC NM- 9.2 Cream to off-white pages. The Shadow strikes again, and this time he raids crime harbor to once again let everyone know that crime does not pay. This copy has only a very small amount of wear along the spine which keeps it from being a higher grade. Sharp corners and smooth bright colors make this a book anyone would be proud to own. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $440.
Sheena, Queen of the Jungle #5 (Fiction House, 1949) CGC VF/NM 9.0 Cream to off-white pages. This high-grade beauty, with a dazzling, bright red-orange cover background, makes Jack Kamen's "good girl" handiwork really stand out. This copy barely misses being the highest-graded issue #5 that CGC has certified to date. Overstreet 2003 VF/NM 9.0 value = $425; NM 9.4 value = $550.
Shield-Wizard Comics #6 Mile High pedigree (MLJ, 1941). Before Archie Publications was Archie Publications, it was MLJ, and MLJ was known for the Shield, the Wizard, Roy the Super Boy, Dusty the Boy Detective, and other superheroes. Archie and his pals were just being introduced about this time in Pep Comics. Irv Novick, one of the most prolific comic artists of all time created this cover and some 35 pages of interior story art for this early issue. Just one copy of the issue has earned a higher grade to date from CGC. Overstreet 2003 VF/NM 9.0 value = $1,041; NM 9.4 value = $1,350.
Silver Streak Comics #2 Larson pedigree (Lev Gleason, 1940) CGC Apparent FN 6.0 Off-white to white pages. The term "classic" tends to be overused in comics, but few could argue its application to Silver Streak. This second issue has a great Joe Simon cover featuring the Claw, one of the best supervillains ever created, and the accompanying story inside is drawn by its master creator, Jack Cole. This copy, from the famed Lamont Larson collection, exhibits some spine wear, and CGC notes, "Top edge of cover trimmed." Overstreet 2003 GD 2.0 value = $384; VG 4.0 value = $768; FN 6.0 value = $1152.
Silver Streak Comics #5 (Lev Gleason, 1940) CGC VF/NM 9.0 Cream to off-white pages. One of the all-time Golden Age greats was artist Jack Cole, and here's a wonderful example of his early work on Silver Streak. This ultra-sharp copy sports a cover printed with metallic silver ink, and the color and gloss on this book must be seen to be truly appreciated. This copy is tied as the highest graded by CGC. The back cover is a stunning portrayal of the Claw that has to be seen to be appreciated. They just don't make 'em like this any more! Overstreet 2003 VF/NM 9.0 value = $1,775; NM 9.4 value = $2,300.
Silver Streak Comics #7 (Lev Gleason, 1941) CGC FN 6.0 Off-white pages. This one has long been a hot book for collectors of key Golden Age comics. Jack Cole showed impressive versatility bouncing effortlessly from his signature super-villain creation, the Claw, to his later creation, Plastic Man. Cole not only drew this arresting cover, he was responsible for most of the interior penciling. Jack Binder also contributed to story art in this issue, in which Daredevil (in his second appearance) dons a new blue and red costume. CGC notes: "Very minor amount of glue on cover." Gerber lists this issue as "uncommon," and CGC lists only two copies with a higher grade to date. Overstreet 2003 FN 6.0 value = $2,223.
Silver Streak Comics #19 Mile High pedigree (Lev Gleason, 1942) CGC NM 9.4 Off-white to white pages. One of the historic Golden Age titles was nearing the end of its run with this issue, at least bearing this title. It would become Crime Does Not Pay after two more issues. This issue featured art by notables Dick Briefer, Jack Binder, Don Rico, and Edd Ashe. A classic Mile High copy, it exhibits the penciled arrival date, characteristic dust shadows, the absolutely stunning spine, and deep, rich colors. CGC has yet to certify a better copy of this issue. Overstreet 2003 NM 9.4 value = $600.
Silver Streak Comics #20 Mile High pedigree (Lev Gleason, 1942) CGC NM 9.4 Off-white to white pages. Golden Age artist Edd Ashe created an action-packed cover for this issue. The interior is rife with other Golden Age greats including Basil Wolverton, Bill Everett, Bob Montana, and Dick Briefer. Another incredible Mile High copy, with features that far outshine its only flaws, a thin dust shadow on the back cover, and a tiny abrasion at the top corner of the front cover. The spine is virtually flawless, and that cool arrival date is neatly penciled into the logo. CGC may never certify a higher-graded copy. Overstreet 2003 NM 9.4 value = $600.
Single Series #27 Jim Hardy - Mile High pedigree (United Features Syndicate, 1942) CGC VF 8.0 Off-white pages. Jim Hardy may not have been on your must-have list of comics, but you might just change your mind after seeing this Mile High version. This is the only copy currently in CGC's census. Overstreet 2003 VF 8.0 value = $207.
Six-Gun Heroes #1 (Fawcett, 1950) CGC FN/VF 7.0 Off-white pages. With a photo cover featuring Hopalong Cassidy, Smiley Burnette, and Rocky Lane, Six-Gun Heroes debuted to a breathlessly waiting world in March, 1950. Offered here is a solid copy of the first issue, marred only by a penciled arrival date in the upper left, and some minor spine stresses. Nevertheless, this is the highest-graded copy of this issue to date, making it extra-desirable. Overstreet 2003 FN 6.0 value = $138; VF 8.0 value = $276.
Skippy's Own Book Of Comics #nn (Max C. Gaines, 1934) CGC Apparent FN/VF 7.0 Slight (A) Off-white to white pages. Here's an opportunity to own a rare piece of comics history. This single issue of Skippy's Own Book Of Comics boasts two important distinctions -- it's the fourth comic book ever published, and the first four-color comic to spotlight one character. A collection of Skippy reprints by Percy Crosby, this one-shot was published by Max C. Gaines as a giveaway: Buy a tube of Phillip's Dental Magnesia toothpaste, and receive this free comic book. Chances are, you'll find an original tube of this toothpaste just as easily as you will this comic book -- Gerber cites it as "rare," with only 11 to 20 copies estimated to exist, and Overstreet concurs, noting it as "scarce." This sharply restored copy is one of only two copies according to CGC's current census. CGC notes, "Restoration includes: small amount of color touch on cover, glue on cover." Overstreet 2003 GD 2.0 value = $450; VG 4.0 value = $900; FN 6.0 value = $1,350.
Slave Girl Comics #1 (Avon, 1949) CGC VF+ 8.5 Cream to off-white pages. Avon's lineage in pulps meant the publisher was ahead of most other publishers on the experience curve when it came to... well, curves! That placed Avon in good stead during the "good girl" heyday. Here, Larsen turns on the "headlights," and we are blinded to anything else the artist depicts on his cover. This high-grade beauty of a high-grade beauty ranks well in the current CGC census; to date, only two copies of this comic have graded higher. Overstreet 2003 VF 8.0 value = $569; VF/NM 9.0 value = $810.
Smash Comics #6 Mile High pedigree (Quality, 1940) CGC NM 9.4 White pages. One of Quality's early titles, known for showcasing some of the Golden Age's finest artists, proves it here with a (probable) Gill Fox cover, and Will Eisner, Paul Gustavson, and Fox working on the interior. This Mile High beauty sticks out against other copies, only one other of the issue scoring as high as a Very Fine in CGC's census. Overstreet 2003 NM 9.4 value = $600.
Smash Comics #7 Mile High pedigree (Quality, 1940) CGC NM+ 9.6 Off-white to white pages. Gerber's The Photo-Journal Guide to Comic Books advises there are a "less than average" number of copies of this issue in existence, and we suspect just a small percentage of those are in high-grade condition. We get our clue from CGC's census which lists only one other copy of this issue at all, and that one is far behind in the grade ranking at only FN 6.0. Plus, this issue has art by Gil Fox and Paul Gustavson. Overstreet 2003 NM 9.4 value = $600.
Smash Comics #9 Mile High pedigree (Quality, 1940) CGC NM 9.4 White pages. Black X, introduced by Will Eisner in the first issue of this title, makes one of his six cover appearances. This is the nicest copy of issue #9 you will likely find. You may not find another one in better than Fine condition. Shoot, this is the only copy of #9 currently appearing in CGC's census! Overstreet 2003 NM 9.4 value = $600.
Smash Comics #39 Rockford pedigree (Quality, 1943) CGC NM- 9.2 Cream to off-white pages. Midnight is the star of this "Raiders of the Lost Ark"-like cover. Reed Crandall, the cover artist, is one of the most admired Golden Age artists for his flair and mastery of human anatomy. This classic, moody cover would be a great pickup for anyone who loves comic art. According to the CGC census as of this writing, this is the highest-graded copy. Overstreet 2003 NM 9.4 value = $550.
Smash Comics #40 (Quality, 1943) CGC NM- 9.2 Off-white pages. This Reed Crandall cover has a classic image of Midnight, the Spirit knock-off, looking menacing while standing beneath the clock tower. At the bottom of the cover, Robustia (what a name!) is about to konk our heroes before they can begin their adventure this month. This is the only unrestored copy of #40 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $550.
Smash Comics #41 Rockford pedigree (Quality, 1943) CGC NM 9.4 Off-white to white pages. Midnight has his hands full as the Doc's machines run amuck. With Paul Gustavson on the cover, plus Gustavson, Fred Guardineer, Jack Cole, Joe Kubert, Al Gabriele, and Gill Fox interior art, this issue is represented by some of the Golden Age's greatest comic artists. This gorgeous copy is easily the nicest to be certified by CGC to date. Overstreet 2003 NM 9.4 value = $400.
Smash Comics #42 Rockford pedigree (Quality, 1943) CGC VF/NM 9.0 Cream to off-white pages. Reed Crandall really outdid himself on this classic Golden Age cover. These Quality books have been severely undervalued for years, but people now are realizing that they have superior artwork to most other publishers of the day. Paul Gustavson contributed interior art to this issue, and it is also the beginning of the Lady Luck series. Overstreet 2003 NM 9.4 value = $1,300.
Smash Comics #58 Mile High pedigree (Quality, 1945) CGC NM 9.4 Off-white pages. "Midnight nearly meets his doom at the hands of Doc Wackey!" Need we say more? This copy has great, floating-heads cover that is set off beautifully by the like-new looks of this Mile High blazer, exhibiting perfect edges, a penciled arrival date, and no dust shadows whatsoever. A tiny stain is visible to the left of "Smash," but we're hard-pressed to find any other defects, and CGC rates this the nicest copy certified to date. Overstreet 2003 NM 9.4 value = $275.
Space Action #1 Bethlehem pedigree (Ace, 1952) CGC VF/NM 9.0 Off-white pages. One of the most unheralded artists of the fifties was Lou Cameron. The lucky few "in the know" revere his beautiful artwork. This title has a Cameron story in each issue. Aside from that is the fact that this book also has a black cover. That probably explains why our offering is the highest certified copy yet graded by CGC. Being the Bethlehem copy, the black on the cover is absolutely unmarred. Overstreet 2003 VF/NM 9.0 value = $657; NM 9.4 value = $850.
Space Action #2 River City pedigree (Ace, 1952) CGC VF/NM 9.0 Off-white pages. This black cover comic has one of the most inventive covers in sci-fi. Instead of just showing this lass being carted off by a gruesome alien we see the scenario portrayed in the visor of our young lady's hopeful rescuer, along with the look of terror on his face. The black that fully surrounds this cover is perfect and smudge-free. CGC notes, "Moderate transfer stain on back cover." Despite that, this comic is tied with just one other as the highest certified copy of this issue graded by CGC to date, and it has stunning page quality. Overstreet 2003 VF/NM value = $465; NM 9.4 value = $600.
Space Action #3 Bethlehem pedigree (Ace, 1952) CGC VF+ 8.5 Cream to off-white pages. A goofy looking alien prepares to start nibbling on an astronaut on this brilliantly bright black and yellow cover. This issue has artwork by Lou Cameron who just happens to be one of the best "unknown" artists ever. There are currently two copies that CGC has graded higher... just barely -- but this is the Bethlehem copy and you know you would much rather have this one. Here is your chance. Overstreet 2003 VF 8.0 value = $330; VF/NM 9.0 value = $465.
Space Detective #1 Bethlehem pedigree (Avon, 1951) CGC VF 8.0 Cream to off-white pages. This book contains everything that is required to make a science fiction comic great. The best aspect of it is that the cover and three stories are by the young and extremely talented Wally Wood. In the pre-Code days publishers had free reign to publish pretty much anything they thought would sell a book, and in this one they gave readers a drug story, "Opium Smugglers of Venus." Now how can you not want to read that? This bright beauty actually is bested by two other copies in the current CGC census, but hey! This comes from the Bethlehem collection.... 'nuff said. Overstreet 2003 VF 8.0 value = $663.
Space Patrol #1 Bethlehem pedigree (Ziff-Davis, 1952) CGC VF/NM 9.0 Off-white pages. To start with, the cover that graces this book was painted by Norm Saunders who did some of the most eye-pleasing work to ever grace a comic cover. Bernie Krigstein also contributed a story to this issue. There are only three copies of this issue yet graded by CGC and our copy, from the Bethlehem collection, is currently ranked on top. Overstreet 2003 VF/NM 9.0 value = $772; NM 9.4 value = 1,000.
Space Patrol #2 Bethlehem pedigree (Ziff-Davis, 1952) CGC VF 8.0 Off-white pages. Ziff-Davis managed to get a monopoly on one of the best painters of comic book covers around, Norm Saunders, and they got him churning out gorgeous pieces like this cover. Saunders was one of the greatest covers of pulp magazine covers, and later went on to do Mars Attacks cards and Wacky Packages. Bernie Krigstein also contributed three stories to this issue. Being the Bethlehem copy, the colors on this book are absolutely stunning. Overstreet 2003 VF 8.0 value = $394.
Space Western #43 Spokane pedigree (Charlton, 1953) CGC NM- 9.2 Off-white to white pages. Spurs Jackson & His Space Vigilantes root out injustice in the final frontier, in what may just be one of the most offbeat titles to ever see print. Charlton was notorious for printing absolutely anything that crossed their path and this is conclusive proof. It is also one of the most difficult of all titles to complete a run of, even if there are only six issues. Not only is this currently the highest CGC-graded copy for this issue, it is the only copy yet graded. Don't pass this one up, or you may be kicking yourself for years to come. Overstreet 2003 NM 9.4 value = $475.
Sparkler Comics #6 Mile High pedigree (United Features Syndicate, 1942) CGC NM 9.4 Off-white to white pages. The Mighty Spark Man headlines this anthology strip that also features the adventures of Nancy and Sluggo, Tarzan, Dynamite Dunn, and more. A gorgeous copy from the Mile High collection. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $675.
Sparkler Comics #7 Mile High pedigree (United Features Syndicate, 1942) CGC NM+ 9.6 Off-white to white pages. This delightful early issue features a great cover with the Spark Man projecting a cute gag of of Nancy and Sluggo. Included in this issue are stories of Tarzan, the Captain and the Kids, and Bronco Bill. This is the Edgar Church copy; it's the only issue certifed to date by CGC. Overstreet 2003 NM 9 4 value = $675.
Sparkler Comics #8 Mile High pedigree (United Features Syndicate, 1942) CGC NM 9.4 Off-white to white pages. The Spark Man shares this issue's cover with Momma and the Captain, plus their darling angels Hans and Fritz. This book is from the legendary Edgar Church collection, and is, at this date, the only copy to be graded by CGC. Overstreet 2003 NM 9.4 value = $675.
Sparkler Comics #10 Mile High pedigree (United Features Syndicate, 1942) CGC NM+ 9.6 White pages. Here is another spectacular high-grade copy from the Mile High run of Sparkler Comics. Hap Hopper, Washington Correspondent begins in this issue, and the Spark Man reveals his identity! This comic also features Nancy and Sluggo, Tarzan, Abbie and Slats, and more. Pristine, like-new condition is what you'll find with this gem. Overstreet 2003 NM 9.4 value = $675.
Sparkler Comics #11 Rockford pedigree (United Features Syndicate, 1942) CGC NM 9.4 Cream to off-white pages. Japanese war covers were obviously all the rage in early 1942, and every publisher was getting in on the action. This is a really fantastic book, which is obvious when you see the Near Mint grade. It is no big surprise that this is the highest graded copy of this issue in CGC's current census, and it is doubtful that it will be knocked from that lofty position. Overstreet 2003 NM 9.4 value = $525.
Sparkler Comics #15 Rockford pedigree (United Features Syndicate, 1942) CGC NM- 9.2 Cream to off-white pages. The Captain and the Kids get a cover appearance on this classic Golden Age book. This beautiful copy comes from the Rockford collection, so you know it is a very solid comic with little wear or flaws. The Rockford certificate of authenticity will be included with this comic. Overstreet 2003 NM 9.4 value = $425.
Sparkler Comics #16 Mile High pedigree (United Features Syndicate, 1942) CGC FN 6.0 Off-white to white pages. Once again, Spark Man lands a left hook for Democracy on this well-rendered war cover. From the renowned Edgar Church Mile High collection, this book is structurally sound, but multiple brown stains on the cover knock the grade down considerably. Newspaper reprints of Nancy, Tarzan, Hap Hopper and more round out the issue. Overstreet 2003 FN 6.0 value = $132.
Sparkler Comics #23 Mile High pedigree (United Features Syndicate, 1943) CGC NM- 9.2 Off-white pages. The Captain and the Kids get the cover of this issue of Sparkler Comics. Meanwhile, Spark Man, Nancy, Tarzan, and Ella Cinders all lurk inside. A very nice-looking copy from the renowned Mile High collection. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $340.
Sparkler Comics #27 Mile High pedigree (United Features Syndicate, 1943) CGC VF/NM 9.0 Off-white to white pages. With such diverse features as Tarzan, Hap Hopper, Spark Man, Nancy, and the Captain and the Kids, this title enjoyed a long run from the early 1940s until the mid-1950s. CGC's second-rated copy of the issue currently misses tying for the highest-graded by just a quarter-grade. Overstreet 2003 VF/NM 9.0 value = $271; NM 9.4 value = $340.
Sparkler Comics #31 Mile High pedigree (United Features Syndicate, 1944) CGC NM+ 9.6 White pages. Burne Hogarth was perfectly suited as the Tarzan artist, with his sense of human and animal anatomy. His work is particularly striking on this unbelievably pristine Mile High book, easily the highest-graded among all issues #31 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $500.
Sparkler Comics #45 Mile High pedigree (United Features Syndicate, 1945) CGC NM/MT 9.8 Off-white to white pages. In the mid-1940s the Katzenjammer Kids alternated with Tarzan and Nancy on the title's cover. This almost unreal, near-perfect copy could afford an excellent opportunity for your procuring a bargain Mile High book in extra high grade. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $135.
Sparkler Comics #46 Mile High pedigree (United Features Syndicate, 1945) CGC NM- 9.2 Off-white pages. Nancy and Sluggo are up to their usual good-natured mischief on this cover. "Nancy" started as a spinoff of "Fritzi Ritz" in the early 1920s, and is still being published today. This superior comic is the only copy of issue #46 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $135.
Sparkler Comics #55 Mile High pedigree (United Features Syndicate, 1946) CGC NM+ 9.6 Off-white to white pages. Nancy and Sluggo take a turn in the spotlight on one of Ernie Bushmiller's more colorful covers in this long-running series. This beautiful copy is the only issue #50 specimen to be certified by CGC to date. Overstreet 2003 NM 9.4 value = $125.
Sparkler Comics #57 Mile High pedigree (United Features Syndicate, 1946) CGC NM+ 9.6 White pages. Al Capp's Li'l Abner makes his first appearance in this title, although the hillbilly had first appeared in comics a decade earlier. Mammy, Pappy, and Li'l Abner look right smart on this superfine copy, the only issue #57 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $125.
Special Edition Comics #1 (Fawcett, 1940) CGC VF 8.0 Off-white pages. If you aren't faster than a speeding bullet like Superman, what's the next best thing to do? Why, ride one, of course! And the Captain rides a big one! This Golden Age key issue (published prior to Captain Marvel Adventures #1) is the very first comic book devoted entirely to the "Big Red Cheese," and sports art by co-creator C.C. Beck. Published a few months after Captain Marvel made his debut in Whiz, there is speculation that this book was meant to be Captain Marvel Adventures #1, but due to an editorial change, the cover and some art for the first issue of Captain Marvel Adventures was given to Jack Kirby. Regardless, the premiere issue here at hand features the only cover appearance of Captain Marvel's belt buckle, and he appears with a button down flap. This copy has a nice spine, an appealing cover, and nice edges, everything a book in this grade should have. Overstreet 2003 VF 8.0 value = $5,500.
Speed Comics #1 (Harvey, 1939) Condition: GD. Harvey Comics entered the Golden Age fray with this first issue of Speed, featuring a great cover of Shock Gibson hoisting a tank over his head, a la Superman, beginning a series that ran for over seven years. Bob Powell contributes art for this issue, and The Grand Comic Book Database Project suggests Dick Briefer, George Tuska, and Klaus Nording also worked on story art. Gerber rates this as a "scarce" book, and to date CGC has certified only three copies with grades higher than GD. Overstreet 2003 GD 2.0 value = $320.
Speed Comics #36 Mile High pedigree (Harvey, 1945) CGC NM+ 9.6 Off-white to white pages. Harvey Comics, famous for humor titles like Richie Rich, had their share of heroes, too. Here's a nice Golden Age book featuring three of them; Captain Freedom, Black Cat and Shock Gibson. Alex Schomburg drew the action-packed airborne WW II cover, and it's a memorable one. This beautiful copy comes from the legendary Edgar Church collection, and may very well be the nicest copy in existence. Flat, clean, glossy and bright, with sharp corners, there is no mistaking the provenance of this gem. Overstreet 2003 NM 9.4 value = $575.
Speed Comics #41 Mile High pedigree (Harvey, 1946) CGC NM- 9.2 Off-white to white pages. Captain Freedom and his Young Defenders zoom through the yellow sky, armed with cherry-bombs and... slingshots? It's another wacky Harvey Comics heroic title, and while there is no Black Cat story in this issue, at least the condition of this copy is first rate. It comes from the Edgar Church collection, and unlike many of the Mile High books, this one has no penciled marks on the cover. Needless to say, there is plenty of original luster and vibrant color, though. Rudy Palais cover. Overstreet 2003 NM 9.4 value = $475.
Speed Comics #43 File Copy (Harvey, 1946) CGC NM- 9.2 Cream to off-white pages. Here's the next-to-last issue of this title, features a great robot cover by Al Avison, plus art by Joe Kubert. This Harvey Comics file copy has eye-popping color and blinding areas of white, as well as sharp corners and edges. This is a very attractive book for those collectors looking for something with real eye-appeal. Overstreet 2003 NM 9.4 value = 525.
The Spirit nn (#2) (Quality, 1945) CGC VF/NM 9.0 Off-white to white pages. The Spirit, one of the Golden Age's great heroes thanks to Will Eisner's master storytelling, appears in his second issue here, entitled "Crime Doesn't Pay!" This is a gorgeous copy that has a tight, flawless spine, and clean cover. The cover and interior artwork is by master Lou Fine. Overstreet 2003 VF/NM 9.0 value = $367; NM 9.4 $475.
The Spirit #13 (Quality, 1948) CGC FN/VF 7.0 Off-white pages. Will Eisner starts things off on this issue with a high-spirited bondage cover, and Lou Fine does his part, contributing interior art to make this an impressively high-quality issue. As the cover blurb promises, the Spirit and Ebony go underground to "clean out the underworld." Most of the wear on this issue is along the spine, but this is still one of the best copies graded by CGC; there are currently only two copies of this issue that have received a higher certified grade. Overstreet 2003 FN 6.0 value = $105; VF 8.0 value = $201.
The Spirit #21 (Quality, 1950) CGC VF/NM 9.0 Cream to off-white pages. If you haven't thought of Will Eisner as a perpetrator of "good girl" art, take a gander at the saucy seductress on this cover. As the Spirit brawls with a pair of turbaned men, an even deadlier challenge awaits behind the purple curtain.... Eisner's magnificent artwork is deserving of this top-ranked comic, the nicest copy of #21 that CGC has certified to date. Overstreet 2003 VF/NM 9.0 value = $328; NM 9.4 value = $420.
The Spirit #22 (Quality, 1950) CGC NM- 9.2 Off-white to white pages. Will Eisner is one of the greatest and most popular comic artists of all time and this super sultry cover clearly shows why. The New York Legislature committee used this cover in their investigation of comic books during the 1950s, but today it is widely regarded as a "classic." This is easily one of the sexiest covers in the entire history of of our hobby. Add that to the fact that this last issue of the title is the scarcest in the entire run, and you definitely have a winner on your hands. This outstanding copy features deep colors, sharp corners, and a stress-free spine. It may not be a pedigree copy, at least not that we know of, but it is easily the highest graded copy certified by CGC. No doubt about it, this is the nicest specimen of Spirit #22 to ever come to market. Overstreet 2003 NM 9.4 value = $585.
The Spirit (weekly newspaper insert) Group (Will Eisner, 1940-52). This group of Spirit weeklies includes issues from the first year to the past. This title was Will Eisner's crowning glory and that is saying a lot considering all he has done. Eisner is a master of his craft and has influenced many a young artist over the decades. This group also includes two of the rare issues done by Wally Wood in 1952. These later two issues are also listed in The Photo-Journal to Comic Books as being rare. This group contains the following issues: 10-20-40 Minneapolis Star Journal (VG/FN), 4-19-42 Chicago Sun (VG), 5-24-42 Chicago Sun (VG), 8-27-44 Chicago Sun (FN/VF), 1-6-46 Chicago Sun (VG), 7-28-46 Chicago Sun (VG), 9-15-46 Chicago Sun (VF), 8-3-52 Newark Star Ledger (VG/FN), and 8-10-52 Newark Star Ledger (FN). Overstreet 2003 value for group = $286.
Spirit, The (weekly newspaper insert) Group (Will Eisner, 1952). You have just stumbled across what might just be the nicest offering of the rare, end-of-the-run issues of The Spirit sections. Wally Wood took over the art chores at the end of the run and every one of these is a masterpiece. Included in this group are issues 7-27-52, 8-3-52, 8-10-52, 8-31-52, 9-7-52, and 9-28-52. Every single one of these is listed as a "Gerber 8" meaning that they are considered as being "rare" in The Photo-Journal Guide to Comic Books. Just finding one issue would be a boon but six?! These sections were distributed in newspapers and are, the vast majority of the time, usually found in extremely low grade and brittle. Our assortment just happens to be in as high a state of preservation as you could ever hope to find. Another chance to get these impossible issues in one fell swoop will likely never come along again. Gerber calls these "rare", you'll call yourself lucky. Approximate Overstreet 2003 value = $1,296
Stars and Stripes Comics 2 (#1) Larson pedigree (Centaur, 1941) CGC NM 9.4 White pages. Any serious collector of Golden Age comics knows one thing about Centaur books - they don't turn up often, let alone key issues like this, featuring the start of A-Man, Amazing Man, Shark, Iron Skull, and Mighty Man. Add to that the condition of this particular copy, plus figure in the Lamont Larson pedigree, and you'll come up with an amazing collectible here. CGC lists only this copy in it's current census. Even more amazing is the World War II "Called to the Colors" cover by Paul Gustavson, published several months before America entered the war. Overstreet 2003 NM 9.4 value = $2,600.
Startling Comics #39 (Better Publications, 1946) CGC NM+ 9.6 Off-white pages. Just an unreal copy of this book, the finest copy of this issue yet certified by CGC. Alex Schomburg, who blessed this title with 30 covers, gives us a humorous cover for a change, starring Pyroman. Overstreet 2003 NM 9.4 value = $450.
Startling Comics #41 Big Apple pedigree (Better Publications, 1946) CGC NM+ 9.6 White pages. Alex Schomburg turns in a great Atom Bomb cover featuring Pyroman. Front Page Peggy begins in this issue. This is a lovely copy of a tough book to find; of the four copies graded by CGC to date, this one ties for first place. Overstreet 2003 NM 9.4 value = $450.
Startling Comics #53 (Better Publications, 1948) CGC FN/VF 7.0 Off-white to white pages. One look at this cover and you will know why Alex Schomburg is so phenomenally popular among collectors. Schomburg managed to infuse a depth of color and level of detail that is absolutely amazing, as well as generous amounts of charm, whimsy, and "good girl" appeal. Despite light spine stress and a corner crunch, this attractive copy has cover colors that absolutely glow. Overstreet 2003 FN 6.0 value = $177; VF 8.0 value = $369.
Steve Canyon #1 File Copy (Field Enterprises, Inc., 1948) CGC NM+ 9.6 Off-white pages. Milton Caniff's hard-hitting, hard-loving pilot flies from comic strips to comic books. The color image of Canyon juxtaposed against the red-lined background panels is an incredibly striking visual. This Harvey file copy is gorgeous -- no CGC-certified copy of this issue has yet graded higher. Overstreet 2003 NM 9.4 value = $225.
Strange Worlds #1 (Avon, 1950) CGC NM- 9.2 Off-white pages. Have you wondered if all damsels in distress absolutely must be scantily-clad if they are to have any efficacy against their tormentors? One might suspect that if the lass on the cover were modestly dressed, the ghoulish aliens would have no interest in her whatsoever.... I know that we wouldn't! Inside, Joe Kubert does the art chores for "Kenton of the Star Patrol" and John Guinta did "Crom the Barbarian". This book has that pedigree look without that pedigree price. Our offering has attained the highest grade yet assigned by CGC to a copy of this issue. Overstreet 2003 NM 9.4 value = $1,275.
Strange Worlds #2 Spokane pedigree (Avon, 1951) CGC NM- 9.2 Off-white to white pages. CGC has graded only seven issues of this book so far, and if you want the best then look no further; this is currently the highest CGC-graded copy of this issue. This comic has a striking maroon cover that retains every bit of reflectivity that it had in its youth. It also has a story by Wally Wood when he was just getting his foot in the door. There's art by Joe Orlando too. The page quality, off-white to white, is exactly what you would expect from a Spokane book, and that's what you get here. Overstreet 2003 NM 9.4 value = $1,175.
Strange Worlds #3 Spokane pedigree (Avon, 1951) CGC VF/NM 9.0 White pages. This is the key issue of the run and the artist jam on one story tells why. In just one story we have the work of five artists. That would be an oddity in itself but what about if those artists just happen to be the best of the best. This story was delineated by none other than Wally Wood, Al Williamson, Frank Frazetta, Roy Krenkel, and Joe Orlando. Just try and top that! And you get the pleasure of viewing this artwork on white pages, no less. And if that's not enough, there is also another Wood story and an appearance by Malu the Slave Girl Princess. The lucky winner of this book will definitely have a trophy piece. Overstreet 2003 VF/NM 9.0 value = $1,738; NM 9.4 value = $2,250.
Strange Worlds #7 Spokane pedigree (Avon, 1952) CGC NM- 9.2 White pages. If you are in need of a pedigree book that has everything a pedigree is known for; white pages, bright colors, sharp corners and so much more, then here's the comic for you. It's got a cool cover, and art by Gene Fawcette. This book has the look of one pulled off the stands this morning. Total satisfaction is what you will feel when you land this stunner. There is currently only one unrestored copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $400.
Strange Worlds #8 Bethlehem pedigree (Avon, 1952) CGC VF/NM 9.0 Off-white to white pages. Harry Lazarus did the art chores on this murderous robot cover. The interiors also feature some great artwork by Joe Kubert, Raymond Everett Kinstler, and more Lazarus. Bethlehem books are among some of the most beautiful around and one look at this book will make that very clear. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $315; NM 9.4 value = $400.
Stuntman Comics #1 (Harvey, 1946) CGC FN/VF 7.0 Off-white to white pages. This scarce three issue series features tremendous Joe Simon and Jack Kirby artwork. Gerber rates this first issue "uncommon," while the other two issues of the short-lived title are even harder to come by. One of the most creative characters of the Golden Age, Stuntman performs stupefying stunts to save damsels in distress. This first issue features the origin of the masked hero. Overstreet 2003 FN 6.0 value = $327; VF 8.0 value = $682.
Stuntman Comics #2 (Harvey, 1946) CGC NM- 9.2 Cream to off-white pages. Joe Simon and Jack Kirby, the most legendary pencil and ink team of all time, render a death defying cover as Stuntman leaps from a motorcycle onto a car to rescue a blonde damsel being kidnapped by two nefarious evil-doers. Note the pipe wrench in the driver's hand as he looks determined to give Stuntman a run for his money. This issue also contains the infamous Duke of Broadway story. Considered "scarce" by Ernie Gerber's The Photo-Journal Guide to Comic Books, only 21-50 copies are estimated to exist, and to date, no other copies of this issue have been graded higher than this one by CGC. Overstreet 2003 NM 9.4 value = $785.
Super Comics #13 File Copy (Dell, 1939) CGC VF 8.0 Off-white pages. From the Dell Comics files comes this early issue of Super Comics, featuring reprints of Dick Tracy, Terry and the Pirates, Little Orphan Annie, and more. File copies from the 1930s don't seem to turn up too often, and this one exhibits the usual flat, sharp appearance, marred only slightly by a hand-lettered "File Copy" written across the front cover in blue pencil. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $259.
Super Comics #36 Mile High pedigree (Dell, 1941) CGC NM+ 9.6 White pages. What better way to get an action-packed cover/adventure of Dick Tracy than in an unbelievable copy from the Mile High collection. It is truly amazing holding a book six decades old that is in such pristine condition. This fresh copy has the bone-white pages that copies from this collection are noted for. A book like this can only be the pride of your collection. Overstreet 2003 NM 9.4 value = $300.
Supersnipe Comics #6 Rockford pedigree (Street & Smith, 1942) CGC VF/NM 9.0 Cream to off-white pages. This is the first issue of the quirky title, continuing from issue #5 of the discontinued Army and Navy Comics. Stellar artwork is provided by George Marcoux, Jack Binder, and Bill Cole in this premiere issue. Most of the books in the 49-issue run seem undervalued compared to other books from the early 1940s. Just one other copy of the issue ranks better this one for condition in CGC's current census. Overstreet 2003 VF/NM 9.0 value = $810; NM 9.4 value = $1,050.
Supersnipe Comics #7 Rockford pedigree (Street & Smith, 1943) CGC VF/NM 9.0 Cream to off-white pages. The second issue of this title finds the would-be superhero taking his lumps, but remaining undeterred from emulating his comic book idols. George Marcoux provides the art on this underrated feature. As yet, only one copy of this issue has earned a better grade than this one. Overstreet 2003 NM 9.4 value = $550.
Supersnipe Comics V2#2 Pennsylvania pedigree (Street & Smith, 1944) CGC VF/NM 9.0 Off-white pages. When people are in need, Supersnipe is there. Displayed vividly on this cover, Supersnipe comes to the aid of a hapless swimmer who was about to become lunch for a hungry shark. Overstreet calls this shark cover a "classic." Only the slightest imperfections keep this book from grading even higher than it does. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $348; NM 9.4 value = $450.
Supersnipe Comics V2#6 Mile High pedigree (Street & Smith, 1944) CGC VF- 7.5 Off-white to white pages. Don't let the grade fool you. But for a small piece out at the bottom of the right edge of the front cover, this might have been pushing NM 9.4 or higher. Pure colors, including snowy whites on the back cover, along with a spine that appears unchallenged by even a peek inside the book, mark this as a Mile High. This is the only copy of this issue that has been certified by CGC to date. Overstreet 2003 VF 8.0 value = $220.
Supersnipe Comics Vol. 2, #8 Mile High pedigree (Street & Smith, 1945) CGC VF 8.0 White pages. When Supersnipe is at the rodeo anything can happen. This book is a nice solid copy with no chips or tears and with page quality that can not be improved. Overstreet 2003 VF 8.0 value = $230.
Suspense Comics #11 (Continental Magazines, 1946) CGC VF 8.0 Off-white pages. Overstreet designates this a "classic" cover, separating it even from others the peerless L. B. Cole contributed during his remarkable career. Erik Larsen and Rudy Palais helped with interior art. Overstreet 2003 VF 8.0 value = $2,000.
Tailspin Tommy #1 Mile High pedigree (Service Publications, 1946) CGC NM/MT 9.8 Off-white to white pages. This uncommon and obscure book may not be very familiar, but the dynamic cover has undeniable appeal, and its impeccable pedigree and unbelievable condition are sure to make this a hit with collectors. Gerber calls this issue "uncommon" and rates it a "6" on the scarcity index. Overstreet 2003 NM 9.4 value = $140.
Target Comics #1 Rockford pedigree (Novelty Press, 1940) CGC FN 6.0 Cream to off-white pages. The first appearances of Manowar, T-Men, White Streak, and Bulls-Eye Bill all happen right here, in this first issue. Carl Burgos, Bill Everett, Jack Cole, Tarpe Mills, and Joe Simon all lend their artistic skills to make this key issue a great one. It's from a nice pedigreed collection, and while this copy may only rank third in CGC's current census, keep in mind only three issues have been graded to date. Overstreet 2003 FN 6.0 value = $1,446.
Tarzan #1 (Dell, 1948) CGC VF/NM 9.0 Off-white to white pages. The Lord of the Jungle had been a staple in newspaper strips and various comic book titles such as Sparkler Comics, Four Color, and Tip Top Comics, first appearing in the latter title way back in 1936. Jesse Marsh art is featured in this premiere issue, this copy of which comes within a quarter-grade of CGC's highest-graded copy to date. Overstreet 2003 NM 9.4 value = $1,500.
Tex Farrell #1 Mile High pedigree (D.S. Publishing, 1948) CGC NM+ 9.6 White pages. This obscure one-shot western title may not ring any bells for the casual comics fan, but its pedigree certainly should - it's from the legendary Edgar Church (Mile High) collection. And like the majority of books from that famous find, this copy looks to be pretty much as if it had never been read. Want to own a part of this incredible collection, but don't want to part with the usual thousands of dollars they often bring? Here's a reasonable alternative. Bone white pages and bright cover colors make this one worth checking out. Overstreet 2003 NM 9.4 value = $150.
Thrilling Comics #1 (Better Publications, 1940) CGC VF 8.0 Off-white pages. Merely three months after Better Publications entered the comic book field with Best Comics, this title was launched with the sure-fire winning combination of a babe/skeleton/tiger/Dr. Strange cover. (No, not the Dr. Strange you're thinking about, Mr. Silver Age!) Unlike Best Comics, however, which would peter out after only four issues, Thrilling Comics would endure for 80 issues, until the early 1950s. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,850.
Thrilling Comics #1 (Better Publications, 1940) CGC VG/FN 5.0 Off-white pages. One of the earlier Better Publications comic books, this premiere issue features the origin and first appearance of Dr. Strange. Thrilling Comics went on to enjoy an 11-year run, and to feature such primo artists as Schomburg (often as Xela), Frazetta, Kinstler, and Tuska. This copy presents much better than the assigned grade, but closer inspection will corroborate CGC's notation that the book contains "2 large pieces of tape on interior cover." Overstreet 2003 VG 4.0 value = $592; FN 6.0 value = $888.
Thrilling Comics #10 (Better Publications, 1940) CGC NM 9.4 Off-white pages. This great World War II comic features a Nazi attack on the NY and the Statue of Liberty. Doc Strange saves the day, and an American iconic landmark. This killer copy sure looks like a pedigree comic, with its deep, vivid colors, sharp corners, stress-free spine, and tight staples -- it's as nice as they come. And yet here it is, with out a "name collection" to claim membership of. It's currently one of only two high grade copies of this issue certified by CGC. Overstreet 2003 NM 9.4 value = $700.
Thrilling Comics #41 Mile High pedigree (Better Publications, 1944) CGC NM- 9.2 White pages. The Commando Cubs have cornered Hitler in his own bedroom on this cover -- and Adolph sure doesn't look happy about it! Be sure to check out der Fuhrer's swastika-adorned bedspread, his skull and crossbone bedpost decorations, Mussolini peeking out from his hiding place under the bed, and if you look really closely, you can even see tiny swastikas on Hitler's pajamas. Is there any doubt why this Alex Schomburg cover is considered a classic? This fantastic Mile High comic is a joy to behold, and it should come as no surprise that to date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $900.
Thrilling Comics #48 Mile High pedigree (Better Publications, 1945) CGC NM- 9.2 Off-white to white pages. Alex Schomburg, the king of Golden Age covers, turns in a fun illustration featuring Doc Strange for this issue. This is the Edgar Church / Mile High copy; it's flat and clean with no marks on the cover, and great color and gloss. Only one other copy of this issue has been graded as high by CGC. Overstreet 2003 NM 9.4 value = $350.
Thrilling Comics #60 Rockford pedigree (Better Publications, 1947) CGC NM- 9.2 Off-white pages. The super-popularity of this title is in no small part due to the great Alex Schomburg's cover creations over nine years. Princess Pantha proved a winsome subject. Sometimes we even read the stories. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $400.
Thrilling Comics #62 (Better Publications, 1947) CGC NM 9.4 Cream pages. A classic airbrush cover by Alex Schomburg (as Xela) has Princess Pantha once again duking it out with a tiger. You would think the word would have gotten around among the big cats that the winsome jungle lady was not just a pretty face (and other parts). But it seems she has to establish her dominance over striped felines every few issues or so. This copy is as close to perfect as any other copy has come to date, so says CGC. Overstreet 2003 NM 9.4 value = $400.
Thrilling Comics #65 (Better Publications, 1948) CGC VF+ 8.5 Cream to off-white pages. Princess Pantha goes on the rampage as a gorilla high-tails it from her slashing blade. Alex Schomburg airbrush covers on this title are among the hottest property in comics. Overstreet 2003 VF 8.0 value = $230; VF/NM 9.0 value = $315.
Thrilling Comics #67 (Better Publications, 1948) CGC FN 6.0 White pages. Here's one for all the fellas (and gals) out there who love "good girl" art. This eye-popper of a cover is by that master of GGA, Alex Schomburg. To call it simply beautiful would be to sell it short. The amazing color on this cover has to be seen to be believed. And that's not all, friends -- there's Frank Frazetta art within the pages! This is a fantastic copy which appears to be a higher grade than mere Fine, but we'll not argue with CGC. Just consider this one a bargain! Overstreet 2003 FN 6.0 value = $138.
Thrilling Comics #70 Aurora pedigree (Better Publications, 1949) CGC NM 9.4 Cream to off-white pages. Spectacular cover art by Alex Schomburg on an ultra-primo copy makes this offering a supreme nab for some happy bidder. This pedigreed book barely misses being the finest copy CGC has certified to date of issue #70. Frank Frazetta contributed interior artwork. Overstreet 2003 NM 9.4 value = $500.
Thrilling Comics #72 Rockford pedigree (Standard, 1949) CGC NM 9.4 Cream to off-white pages. This is the last in a series of six consecutive issues that included Alex Schomburg covers and Frank Frazetta interior art. For some reason, the editor decided a cover headlining the new feature, Buck Ranger, Cowboy Detective, was preferable to another scantily-clad vision of Princess Pantha. Well, the blonde is fetching. This Rockford Near Mint is the only copy of this issue that CGC has certified to date. Overstreet 2003 NM 9.4 value = $500.
Thun'da #1 (Magazine Enterprises, 1952) CGC VF 8.0 Off-white pages. You really don't have to know anything about art to realize a comics genius is at work here. This is the only comic book that the peerless Frank Frazetta drew in its entirety, cover and interior. This Gerber "uncommon" book is hard to find in grades higher than this; the highest grade CGC has awarded to date is VF/NM 9.0. Overstreet 2003 VF 8.0 value = $869.
Tip Top Comics #38 Mile High pedigree (United Features Syndicate, 1939) CGC FN/VF 7.0 Off-white pages. The Katzenjammer Kids take their turn on the cover of this long-running title. Along with Tarzan and Li'l Abner, the Kids dominated the covers for the first several years. Once again our offering is not only a Mile High copy, it's the only copy of issue #38 CGC has graded to date. The price will be a relative bargain for a Mile High. Overstreet 2002 FN 6.0 value = $120; VF 8.0 value =$230.
Tom Mix Western #1 (Fawcett, 1948) CGC NM- 9.2 Off-white to white pages. This premiere issue promises "Two-Fisted Adventure and Thrills," which sounds about right considering that readers were treated to tales of Tom Mix, who is billed as "The Greatest Cowboy of the Golden West," his horse Tony, and Tumbleweed Jr. This photo cover of the famous movie star of the 1930s looks right nice, seeing as how this here is almost the best danged copy CGC has graded to date of the issue. For a mere quarter-grade difference, you could pick this one up at a bargain. Overstreet 2003 NM 9.4 value = $1,150.
Tom Mix Western #5 (Fawcett, 1948) CGC Apparent VF- 7.5 Slight (P) Off-white to white pages. Billy the Kid and Oscar also appear in this issue that features a great painted cover of Tom Mix. This is a solid copy with a satiny surface. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2003 GD 2.0 value = $35; VG 4.0 value = $70; FN 6.0 value = $105.
Tom Mix Western #2 (Fawcett, 1948) CGC VF 8.0 Off-white pages. This issue features a super photo cover of Tom Mix. This comic has a much higher visual appeal than the grade that CGC gave it would indicate. Only the most subtle imperfections mar the edges of this otherwise beautiful copy of an issue that is very hard to find in high grade. Overstreet 2003 VF 8.0 value = $258.
Top-Notch Comics #1 (MLJ, 1939) CGC VF- 7.5 Cream to off-white pages. MLJ's first comic book title, Blue Ribbon Comics, had launched just one month before this premiere issue that would introduce The Wizard, Kardak the Mystic Magician, and others, and would feature work by notable artists Jack Cole, Jack Binder, and Mort Meskin. This copy looks closer to Near Mint from the front, but a tiny piece is missing along the back cover border, the most noticeable of very few defects. Overstreet 2003 VF 8.0 value = $3,902.
Top-Notch Comics #2 (MLJ, 1940) CGC VF+ 8.5 Off-white pages. One of the earliest offerings by MLJ, the publisher that would eventually give us Archie and other true funny book characters. This issue also gives us, according to CGC's notes, the "First comic book Nazi/Swastika cover" as the Wizard observes an Axis plane going down in flames. Edd Ashe Jr. does the cover honors, while the more famous Jack Cole contributes a Manhunters story inside. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,494; VF/NM 9.0 value = $2,122.
Top-Notch Comics #3 Larson pedigree (MLJ, 1940) CGC VF/NM 9.0 White pages. Edd Ashe Jr. delivers another sweet Wizard cover as the "Man with the Super-Brain" observes a Navy fighter thwarting a Japanese plot to blow-up the Panama Canal's locks. Jack Cole and Mort Meskin contribute interior art to this issue that Gerber describes as "scarce." The Bob Phantom, and Scott Rand on Mars features begin with this issue. This Larson pedigree copy is the second highest CGC-graded example to date, and has the unique and identifying "Lamont" neatly penciled on the front cover. Overstreet 2003 VF/NM 9.0 value = $1,428; NM 9.4 value = $1,850.
Top-Notch Comics #5 (MLJ, 1940) CGC FN/VF 7.0 Off-white to white pages. This book has a lot going for it, from the E. M. Ashe, Jr. flag cover (rated "classic" by Overstreet), to the origin and first appearance of Galahad, and a Shield cameo. Gerber rates it "uncommon," and CGC has yet to certify a copy of issue #5 as high as Near Mint. Only three have been graded higher than this copy. Overstreet 2003 FN 6.0 value = $456; VF 8.0 value = $950.
Top-Notch Comics #9 Cosmic Aeroplane pedigree (MLJ, 1940) CGC VF 8.0 Cream to off-white pages. This comic has the origin and first appearance of the Black Hood, with the first appearance of his distinctive logo. And what's a new hero without the obligatory sidekick? So we've got Roy the Super Boy on the cover too. Fran Frazier also starts in this issue. Overstreet describes this comic as "scarce," and rating a scarcity index of "7," Ernie Gerber estimates that only 21 to 50 copies still exist. This copy has a nice, strong spine, tight, shiny staples, and a clean, colorful cover. Overstreet 2003 VF 8.0 value = $3,600.
Top-Notch Comics #36 Mile High pedigree (MLJ, 1943) CGC NM- 9.2 White pages. MLJ had such success with their superheroes and Archie line that they kept adding more titles to their stable. Top-Notch Comics was one of those that was a catch all book for all their B-List characters, well, other than the Black Hood. This Mile High copy has bone white pages and is the only copy graded so far by CGC. Overstreet NM 9.4 value = $420.
Top-Notch Comics #37 Mile High pedigree (MLJ, 1943) CGC NM+ 9.6 Off-white to white pages. The Pokey Oakey characters depicted on the cover of this issue may seem to be close cousins of the residents of Dogpatch, but laughs aren't all this comic has to offer -- hidden inside you'll find superhero tales featuring the Wizard and Black Hood. This World War II-era issue has only one staple, but it seems to have held all the pages together just fine, as this copy is extremely attractive and tight. That seems about right though, because this comic is from the Edgar Church collection, and is currently the only copy of this issue graded by CGC. Overstreet 2003 NM 9.4 value = $420.
Top-Notch Comics #39 Mile High pedigree (MLJ, 1943) CGC NM 9.4 White pages. Despite the humorous cover this title actually concealed a great Black Hood story. Don Dean's cover has a conglomeration of characters from this title. Overstreet 2003 NM 9.4 value = $420.
Top-Notch Comics #40 Mile High pedigree (MLJ, 1943) CGC NM+ 9.6 White pages. Top-Notch Comics is best known for the superhero Black Hood, but this is one of the few issues not to feature that superhero on the cover. What you get instead may be country bumpkins, but don't let that keep you from checking out this comic. The rich color and amazing gloss on the cover has to be seen to be believed, but that's pretty typical of books from the fabled Mile High collection of Edgar Church. And you know, Pokey Oakey and his friends are pretty funny, too! This is evidently not a common comic either; this is currently the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $420.
Top-Notch Comics #44 Mile High pedigree (MLJ, 1944) CGC NM- 9.2 White pages. This issue heralded the end of Black Hood in this title. Seeing as it only lasted one more issue it looks like they didn't fare too well without him. As with most Mile High books this beauty has white pages and might just be the only white-paged copy in existence seeing as this is the only copy that CGC has certified to date. Overstreet 2003 NM 9.4 value = $420.
Torchy #4 (Quality, 1950) CGC VF+ 8.5 Off-white pages. Torchy's doing a bit of nautical sightseeing, but ends up being the center of attention (as usual). Gill Fox gets credit for the cover art and some contents, while Bill Ward also contributed several pages of interior art. Periscope up! This is a honey of a copy, sharp and clean with vivid color. Overstreet 2003 VF 8.0 value = $500; VF/NM 9.0 value = $713.
Torchy #5 (Quality, 1950) CGC NM 9.4 White pages. The Blonde Bombshell can't disguise her assets on this well-known Bill Ward cover (CGC attributes it to Gill Fox). This copy certainly stacks up among the best; the cover features gorgeous color and sharp edges, while the page quality is excellent. A small distributor's pen mark detracts very little; in fact, CGC lists this copy as best in the current census. Overstreet 2003 NM 9.4 value = $1,150.
Uncle Sam Quarterly #1 (Quality, 1941) CGC VF 8.0 White pages. Uncle Sam had first appeared the previous year in National Comics, before getting his own title. But the patriotic hero's elation was short-lived -- the series became Blackhawk after only eight issues. Uncle Sam's origin is featured in this premiere issue, which spotlighted the art of Lou Fine and Will Eisner on this cover. Inside, Eisner and Jack Cole contribute. Just two copies of the issue have earned higher grades from CGC to date, and one of those barely edged out this copy by just a quarter of a grade. Overstreet 2003 VF 8.0 value = $2,250.
Uncle Sam Quarterly #7 Mile High pedigree (Quality, 1943) CGC VF+ 8.5 Off-white to white pages. This classic Uncle Sam cover features Hitler, Tojo, and Mussolini; very few books portray all three Axis leaders together -- and the ones that do are considered highly collectible. Straight from Edgar Church's basement, this copy has incredible cover colors and the familiar Mile High coding. Flat, clean, and beautiful, this is an excellent example of a WWII-era comic book. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $625; VF/NM 9.0 value = $888.
Walt Disney's Comics and Stories #1 (Dell, 1940) CGC VG 4.0 Off-white pages. Here is the first issue of one of the longest-running comic series of all time, with Donald Duck newspaper strip reprints by Al Taliaferro, and Floyd Gottfredson's Mickey Mouse beginning in this issue. Featuring two of Walt Disney's most beloved comic characters, this copy is missing a small chunk from the bottom right corner of the cover, but has a solid spine, clean, colorful covers, and great paper quality. A respectable copy of an important key issue. Overstreet 2003 VG 4.0 value = $3,050.
Walt Disney's Comics and Stories #2 (Dell, 1942) CGC FN- 5.5 Off-white pages. Very attractive copy of an issue that seems to be more scarce than Gerber estimates. We have offered this issue on only two other occasions, and CGC has graded only three copies to date. Compare that with the numerous times we've offered the first issue of the title, then jump on this while you have the chance! Overstreet 2003 FN 6.0 value = $1,659.
Walt Disney's Comics and Stories #5 (Dell, 1941) CGC VF 8.0 Off-white pages. Seeing as this is the first copy of this book that we have ever offered, it must be less than common, if not downright scarce. CGC has only certified two copies to date, and this copy is the nicest by a mile. This copy was manufactured with a subscription envelope on the first page. Overstreet 2003 VF 8.0 value = $697.
Walt Disney's Comics and Stories #7 (Dell, 1941) CGC VF- 7.5 Off-white pages. Donald reached a new height of laziness on this beautiful cover. This is the first time we have had occasion to offer this book. CGC notes, "Puzzle filled in on last page in pencil". This is a sweet-looking copy and the nicest of only two certified to date by CGC. Overstreet 2003 VF 8.0 value = $570.
Walt Disney's Comics and Stories #8 (Dell, 1941) CGC FN+ 6.5 Cream to off-white pages. Clarabelle Cow makes a rare solo cover appearance this issue, making this one of the very few Walt Disney's Comics and Stories covers not to feature Donald Duck. Early Comics and Stories issues like this are always tough to find in nice condition; this copy actually ranks as highest graded in CGC's current census, with only one other copy listed at VG/FN. It's a pretty book, with great color and only very minor wear evident along the edges and spine. Overstreet 2003 FN 6.0 value = $261.
Walt Disney's Comics and Stories #9 (Dell, 1941) CGC VF- 7.5 Off-white pages. An innovative Donald Duck appears on Al Taliaferro's first cover on this title. The rest of the Disney line-up also appears in this book. Early issues of this title are near impossible to find in grade, but this is a beaut. To date CGC has only graded two copies, and this one is heads above the other. Overstreet 2003 VF 8.0 value = $570.
Walt Disney's Comics and Stories #12 (Dell, 1952) CGC VF/NM 9.0 Off-white pages. This is one title that is notorious for rarely showing up in high grade. Seeing as they were aimed at the younger set, most copies were folded, spindled, and mutilated. This high grade copy, the best CGC has certified yet, is just what the doctor ordered. The cover is by Al Taliaferro, and the beautiful Donald Duck pin up back cover is by Tom Wood. Overstreet 2003 VF/NM 9.0 value = $684; NM 9.4 value = $900.
Walt Disney's Comics and Stories #31 (Dell, 1943) CGC VG+ 4.5 Off-white pages. This landmark issue notes the beginning of one of the greatest runs in all of comics -- the magnificent ten-page Donald Duck stories drawn by Carl Barks. Mr. Barks also wrote his own stories, but for this first installment, he was handed a script to work from. Carl couldn't resist punching up the dialogue, and with the next issue he was given the task of writing as well as drawing some of the most entertaining Duck tales ever. This copy is a very solid and attractive book with deep color and good gloss; there is a light subscription crease (with an address printed on the back cover), and "31" was penciled in the upper left hand corner. Despite these defects, the overall look of the comic is quite nice. Overstreet 2003 VG 4.0 value = $584.
Western Fighters #1 Ohio pedigree (Hillman Fall, 1948) CGC NM- 9.2 White pages. A Joe Simon and Jack Kirby rendered shoot-out graces the cover of this beautiful Western. Supposedly these were true stories of the Wild West but we all know enough to take that with a grain or two of salt. Aside from the lustrous cover colors this copy has blinding white pages. Overstreet 2003 NM 9.4 value = $350.
Western Hearts #1 Mile High pedigree (Standard, 1949) CGC NM 9.4 White pages. This comic is just a bit on the esoteric side, combining western and romance genres, a photo cover, and the esteemed Mile High pedigree. Whip Wilson and Reno Browne sure look cute on the cover! Future EC stalwart John Severin provides interior art. This is probably the finest copy of the issue in existence; CGC has currently certified no other copy in any grade. Overstreet 2003 NM 9.4 value = $225.
Wham Comics #1 (Centaur, 1940) CGC FN+ 6.5 Off-white to white pages. An action packed Paul Gustavson cover sets the mood for this book in which Speed Centaur and Speed Saunders both begin, along with an array of other Golden Age features. Overall this is a very nice copy with no major defects and good color. Gerber calls it a "scarce" issue, and estimates that only 21 to 50 copies still exist in any condition. Overstreet 2003 FN 6.0 value = $483.
White Rider and Super Horse #4 Mile High pedigree (Star Publications, 1950) CGC NM+ 9.6 White pages. L. B. Cole is well known for his immaculate rendering of animals, as shown in the flawlessly delineation of Super Horse. Cole's legendary use of bold, and dramatic colors is also evident in White Rider's saddle and gun holster. Star Publications was not well-known for high quality printing, making this superior example extremely rare and desirable. Being the Mile High copy, this specimen has the legendary white pages and brilliant cover gloss. Don't let this beauty slip by you! Overstreet 2003 NM 9.4 value = $160.
Whiz Comics #2 (#1) (Fawcett, 1940) CGC Apparent VF 8.0 Extensive (P) Light tan to off-white pages. This major key issue has the origin and first newsstand appearance of Captain Marvel, with C. C. Beck art. It's also got the Spy Smasher, Golden Arrow, Ibis the Invincible, Dan Dare, Scoop Smith, Sivana, and Lance O'Casey. Thanks to its professional restoration, this very attractive copy is vibrantly clean, glossy, and impressive to behold. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, re-glossed" Overstreet 2003 GD 2.0 value = $7,000; VG 4.0 value = $14,000; FN 6.0 value = $21,000.
Whiz Comics 3 (#2) (Fawcett, 1940) CGC FN+ 6.5 Off-white pages. Early issues of this classic Golden Age title that first introduced Captain Marvel to comics can be tough to round up, and finding high-grade copies is danged near impossible. CGC has yet to certify a copy with a higher grade than this copy, and has certified only four unrestored copies in any grade to date. C. C. Beck contributed art here on his most famous subject. Overstreet 2003 FN 6.0 value = $1,332.
Whiz Comics #25 (Fawcett, 1941) CGC VF+ 8.5 Off-white pages. While we all know about how Captain Marvel was the biggest event to ever hit Fawcett the second biggest event in their long history was the emergence of the young Captain Marvel Jr. Never before had a story been continued in different title but new ground was broken with this ish. This trilogy started in Master Comics and ended in Master Comics but made a detour over to Whiz to pit Captain Nazi against our new hero. CC Beck and Mac Raboy both contributed artwork to this issue. To date this key book is still undervalued and the lucky winner is sure to be proud of their win with this one. No NM copies of this book have yet been certified but this copy is just one sliver shy of the only higher graded. A book that is sure to hold its value and has nowhere to go but up. Overstreet 2003 VF 8.0 value = $3,600; VF/NM 9.0 value = $5,400.
Whiz Comics #32 (Fawcett, 1942) CGC VG+ 4.5 Off-white pages. This issue marks the first appearance of the Trolls, and a Hitler/Mussolini satire by C. C. Beck. This is the only copy of issue #32 that CGC has certified to date. Overstreet 2003 VG 4.0 value = $106.
Whiz Comics #33 (Fawcett, 1942) CGC VF/NM 9.0 Off-white pages. Here's a book that really has a lot going for it. Captain Marvel and Spy Smasher team up right on the cover to fight the Japanese, and help in the war effort. Plus, this book has survived in immaculate condition, with fantastic page quality and only the most minute wear. The staples are especially tight and shiny. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
Whiz Comics #61 (Fawcett, 1945) CGC NM 9.4 White pages. Captain Marvel gets a first name in this issue. What is it? Only the high bidder will get a chance to find out. This is by far the highest copy certified by CGC. Overstreet NM 9.4 $265.
Whiz Comics #64 (Fawcett, 1945) CGC VF+ 8.5 White pages. The Big Red Cheese is suspected of murder in "Captain Marvel and the Seven League Boots". To date this is the only copy of this book that CGC has certified. Overstreet 2003 VF 8.0 value = $158; VF/NM 9.0 = $212.
Whiz Comics #68 (Fawcett, 1945) CGC VF+ 8.5 Cream to off-white pages. Shades of the Joker...Sivana turns Captain Marvel into a laughing fool in "The Laugh Lotion". Basil Wolverton also contributed 2 1/2 pages to this book. Overstreet VF 8.0 value = $158; VF/NM 9.0 value = $212.
Wings Comics #1 (Fiction House, 1940) CGC VF+ 8.5 Cream to off-white pages. Fiction House created many classic titles that ran the length of the Golden Age, and here is the fantastic first issue of one of those titles. This cool cover shows a lone British fighter attacking a line of Nazi bombers that are taking off from a hidden, underground hanger. Long before the United States entered World War II, America's love of aviation was on display with this fantastic book from the dawn of the 1940s. This comic shows a bit of wear in spots, but is likely one of the best existing copies of this key issue; there are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,494.
Wings Comics #90 (Fiction House, 1948) CGC NM 9.4 off-white to white pages. A sweet bondage/"headlights" cover by Bob Lubbers lets you know this is a Fiction House book, and boy, what a book! Like many comics purchased off the stands in the 1940s, this one had an arrival date stamped on the cover, but it was done quite lightly and doesn't distract too badly. Overall, this is a great copy that CGC notes as one of two best copies of this issue to date. Overstreet 2003 NM 9.4 value = $190.
Winnie Winkle #1 Mile High pedigree (Dell, 1948) CGC VF 8.0 White pages. A pair of enthusiastic kids steal some of Winnie's thunder by using her gown as dance floor on this darling cover. Striking colors, typical of the Mile Highs, make this appear closer to Near Mint from the front. There are some minor defects on the back, but copies as nice as this little jewel doesn't come along every day. Overstreet 2003 VF 8.0 value = $55.
Witches Tales #2 File Copy (Harvey, 1951) CGC NM 9.4 Cream to off-white pages. A negligee "headlight" cover coupled with a horror title creates a most collectible piece. This issue also features Rudy Palais art and an injury to the eye panel. Black covers are notoriously hard to find in high grade, as they show even the most minor of flaws. That makes this copy truly remarkable, and the highest CGC-graded specimen to date. Overstreet 2003 NM 9.4 value = $320.
Women Outlaws #1 (Fox, 1948) CGC VF+ 8.5 Off-white to white pages. With negligee panels, a trigger-happy "headlight" cover, and inclusion in Dr. Frederick Wertham's Seduction of the Innocent, this great comic is loaded with Fox-style "bad girl" sleaze. Not a common comic, especially in this condition -- to date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $463; VF/NM 9.0 value = $657.
Wonder Comics #2 Rockford pedigree (Better Publications, 1944) CGC VF/NM 9.0 White pages. No single artist better personified the Golden Age than Alex Schomburg. On this cover the Grim Reaper single-handedly decimates a band of Nazi thugs intent on taking down Allied bombers. This book features the origin of the Grim Reaper along with the first appearance of the Super Sleuths. Overstreet 2003 VF/NM 9.0 value = $597; NM 9.4 value = $775.
Wonder Comics #15 (Better Publications, 1947) CGC FN 6.0 Off-white to white pages. Of the many fantastic airbrush covers Alex Schomburg produced, a couple stand out as true classics. Included among them is this one, which exhibits a perfect composition by the cover king. The bound beauty, exposed under a giant microscope, is about to be sliced in half when Wonderman busts in, ready to crash the party. The dark colors and background work perfectly, creating an image that is immediately pleasing to the eye. Tara begins with this issue penciled by Gene Fawcette, while Bob Oskner handles art for the Wonderman story. This copy is marred by slightly rusty staples on the back, but from the front, this comic looks much better than the assigned grade. Overstreet 2003 FN 6.0 value = $201.
Wonder Comics #17 Aurora pedigree (Better Publications, 1948) CGC VF/NM 9.0 Off-white pages. If we were to mention "Classic Schomburg (as Xela) airbrush cover for Better Publications," it's a good bet the vision conjured would be this very cover. Frank Frazetta contributes several interior pages. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $541; NM 9.4 value = $700.
WonderWorld Comics #5 (Fox, 1939) CGC VG/FN 5.0 White pages. This cool book, which comes from the dawn of the Golden Age, almost has a World War I feeling to it, with the biplanes and machine gunners. Three of the giants of the comics industry worked on this book: Lou Fine (who contributed the cover art), Will Eisner, and Bob Powell. This is a nice copy with no major defects. The spine area shows some modest wear, while the majority of the surfaces look sharp and bright. Overstreet 2003 VG 4.0 value = $352; FN 6.0 value = $528.
World War III #1 (Ace, 1953) CGC NM- 9.2 Off-white to white pages. A comic about World War III from 1953 is interesting enough, but our interest is piqued ever so much more by the "Atom Bomb cover," by the scarcity of the issue (a "7" by Gerber's indexing and "scarce" according to Overstreet), and by the uncommonly excellent condition of this copy. CGC's census currently rates this the finest copy of this issue yet certified. This comic routinely sells for way above Guide value. Overstreet NM 9.4 value = $800.
World War III #2 Bethlehem pedigree (Ace, 1953) CGC VF/NM 9.0 Cream to off-white pages. The first issue of this title is listed as being scarce but this comic happens to be the first copy of the second issue that we have had the opportunity to offer. It is also the only copy currently graded by CGC. Maybe the facts are telling us something that the Guide hasn't noted yet. Jump at this one while you have a chance. On top of the obvious scarcity, this book was also used in Parade of PLeasure. Overstreet 2003 VF/NM 9.0 value = $485; NM 9.4 value = $625.
Wow Comics #nn (#1) Mile High pedigree (Fawcett, 1940) CGC NM 9.4 Off-white to white pages. Wow is the word here! Expect jaws to drop when this baby is shown. Overstreet notes that this book's cover "was printed on unstable paper stock and is rarely found in Fine or Mint condition." This copy, from the renowned Edgar Church collection, is as near-perfect as they come. In fact, there isn't a copy that can even come close to matching this grade in the current CGC census! The only imperfection one might notice is a tiny amount of wear on the lower left corner. CGC also notes a very minor amount of glue on the spine, but it doesn't show. All you'll see is be tons of great cover gloss and deep color. If you want to talk about art, there's Joe Simon and Jack Kirby here, as well as C. C. Beck. On the inside pages, there's the origin of Mr. Scarlet, and the first Atom Blake, Jim Dolan, Rick O'Shay, and Boy Wizard stories. But, oh that cover! Overstreet 2003 NM 9.4 value = $18,500.
Wow Comics #3 (Fawcett, 1941) CGC VF 8.0 Off-white to white pages. "Wow!" is what you'll say when you see this amazing copy. Minor spine distress and a small ink notation on the logo; only two specimens in CGC's current census are graded higher. Fawcett published this issue in the fall of 1941, mere months before the bombing of Pearl Harbor, yet a "Be an American" shield on the cover urges the reader to do his part. And to top it off, cover star Mr. Scarlet, in his last solo outing before acquiring sidekick Pinky, gets blasted by a "Mummy Ray Gun." Overstreet 2003 VF 8.0 value = $719.
Wow Comics #5 Rockford pedigree (Fawcett, 1942) CGC NM- 9.2 Cream to off-white pages. Before this title was handed over to Mary Marvel Mr. Scarlet and Pinky (Pinky?!, yes Pinky) reigned supreme. On this colorful purple cover our two dubiously named heroes clothesline a hapless crook after giving his cohorts a comeuppance. This is the highest graded copy CGC has certified to date and the only contender clocks in at just VG+. Overstreet 2003 NM 9.4 value = $875.
Wow Comics #8 (Fawcett, 1942) CGC VF+ 8.5 Cream to off-white pages. Before Mary Marvel commandeered this title it belonged to the Phantom Eagle, Mr. Scarlet, and Commando Yank. All three appear together on this great cover that might be construed as a war cover. CGC has certified only one other copy higher than this one. Overstreet 2003 VF 8.0 value = $369; VF/NM 9.0 value = $527.
Zip Comics #1 (MLJ, 1940) CGC VF/NM 9.0 Off-white pages. MLJ books have finally come of age. The days of getting them for a mere pittance are over. This publisher is now gold. Here you get the opportunity to pick up not only a killer book but a first issue to boot. This cover, looking just as it must have 63 years ago, shows Steel Sterling making mince meat out of a whole squadron of enemy planes. This key issue features the origins of Scarlet Avenger and Steel Sterling. Overstreet 2003 VF/NM value = $4,875; NM 9.4 value = $6,500.
Session 4
Memorabilia
GI Joe - Action Soldier, African American (Hasbro,1965). Among the Holy Grails for G.I. Joe collectors is the African American Action Soldier. Produced in extremely limited numbers during the early years of the line, these are virtually impossible to find in any condition, let along the superb unplayed-with example being offered here. This Joe looks as crisp as the day he was purchased off the racks of some K mart or Walgreens in the early '60s. The eyebrows and hair have no paint rubs whatsoever. The plastic is shiny and free of abrasions. The figure has developed the usual knee cracks, as well as cracks at both wrists, but these scarcely detract from the pristine overall appearance. The uniform is incredibly crisp, with a sharp collar and literally no wear. The dog tag is original and in mint condition. Includes 3 unused sheets of insignia stickers, a G.I. Joe Army Manual, the Official Gear and Equipment Manual, and of course the ubiquitous "removal of boots" instructions. The box is a solid C8, exhibiting some wear at the corners and edges, and shows some light abrasions on the front, but still has exceptional color and a very fresh appearance. Although not absolutely mint, this is an exceptional example of this incredibly rare Joe collectible, and will make a fine addition to any platoon.
Captain Action Lone Ranger Uniform Set, Blue Shirt (Ideal, 1966). This is the tough-to-find third-issue blue shirt Lone Ranger uniform and accessories. Traditionally, this variation is much more difficult to locate in good condition than its red-shirt/black pants predecessor. It is hard enough finding the outfit itself, let alone mint in a gorgeous box. If you want to go back in time to a kinder, more fun-filled day, grab this set and let it send you back in time. The box is in excellent condition overall, with light creasing at the corners, light foxing on the Video-matic ring sticker, and general aging. The contents appear to be absolutely mint, but the white hat has discolored noticeably. A great package overall. Hi-yo, Silver!
Golden Age (1938-1955)
Hardy Boys Rolls Royce Silver Ghost with Figures (Corgi,1969). For years, the Hardy Boys adventure series thrilled many a young boy. In the late sixties, ABC acquired the rights and came out with a cartoon series that garnered even more young fans. Anyone familiar with the show, or Corgi toys for that matter, will be absolutely thrilled with this item. Included is a highly-detailed Rolls Royce Silver Ghost and tiny figures of Frank and Joe Hardy, along with the rest of their band. Thanks to some conscientious kid this lot is actually in unimprovable condition. The box is a bright C-10, with a tiny "4.50" price sticker on the end, and the car and figures are just as pristine. The winner of this piece will be sure of having the best available. Without the box this car is valued at $150, it is up to the bidders to decide what it is worth in an immaculate box.
Memorabilia
Man From U.N.C.L.E. Gun Firing Thrush Buster (Corgi, 1966). "The Man From U.N.C.L.E." captured the mind of countless kids who fancied themselves as junior crime busters. They were very well merchandised and came out with many toys to spur a youngster's imagination. This one, the Thrush Buster, is one of the harder pieces to find in nice condition. This car features Napoleon Solo leaning out the car window and firing his gun when a button on the roof is pressed. This action works perfectly. The highly-graphic box is a solid C-9 and the car is an easy C-10. The rare flicker ring is included but unfortunately one stem is broken and the actual flicker is loose from the ring itself. Despite that, you would be really hard-pressed to find another this nice. The Corgi Model Club News form is also present.
Starfleet Phaser II - Star Trek TV Series, numbered 42 of 50 (2000). This reproduction prop was made using the same materials and techniques of manufacture as those used in "Star Trek: The Original Series." All such materials and techniques were approved by Alan Sims. No additional copies of this item have been produced other than for use in the production of the television series, motion pictures or for public exhibition. This edition of 50 has been sold out for nearly two years. A must own for die-hard "Trek" fans; it comes with a certificate of authenticity signed by Alan Sims, property master for Paramount Pictures, and a handsome wood and plexiglass display case. In outstanding condition; there are a couple of tiny paint chips on the handgrip.
Red Ryder 50th Anniversary Display and BB Gun (Red Ryder Ent., 1987). What kid from a more innocent era didn't have a Red Ryder BB gun? This gun was issued to commemorate the 50th anniversary of that classic toy, which inspired many a memory, as well as the popular film "A Christmas Story." The gun itself is unused and comes in a C8/9 unopened box, along with 33 packs (5000 total) of BBs. Also included in this lot is a Red Ryder display board for the 50th anniversary BB gun. This display, 34" tall by 26", features Red holding the anniversary rifle and a box of Red Ryder BBs. The displays were only issued to stores and, thus, are extremely scarce. What child-of-the-thirties wouldn't love to have a Red Ryder BB gun to rekindle their youth. Just don't shoot your eye out.
Iron Man "U.S. Agent" Prototype (Toy Biz). This is the prototype of the U.S. Agent action figure that was slated to be released as part of the Series 3 Iron Man line. There were rumors of this figure's imminent release, but he never made an appearance. There were less than 50 produced as samples, and true prototypes are accompanied by a silver embossed plaque with no picture, which this figure has. The few real versions of this figure sold five-seven years ago for between $450 and $750.
The Flash Board Game (Hasbro, 1967). This is the version of the Flash game that features the JLA. The board and pieces are in perfect shape, the game is complete, with only slight scuffing to the box top. There is some minor damage to the box bottom, including a 45 cent price written on it, probably from when the game was new. A cool collectible from the fastest man alive!
Justice League of America Candy Boxes, Set of Five (Phoenix Candy Co., 1967). Think you've got it all? Think again! These candy boxes, titled "Super Candy & Toy," from 1967 are, by far, one of the most esoteric, rare group of DC comic-related items you could ever hope for. Comics were saved but after some sweet-toothed kid finished the candy in these boxes, they were tossed out. The candy is long-gone, but you will be able to sate your appetite for the obscure and rare with these cool items. These graphic, colorful boxes have a different illustration on all but the bottom flap. That means that on each box you get five separate poses, a head shot on the top flap and four different action poses on the surrounding sides. This set includes Green Arrow, Flash, Green Lantern, Aquaman and Martian Manhunter. This is the one Justice League of America collectible that is, in all likelihood, the glaring gap in your collection. These items are exceedingly rare and odds are you won't be seeing them again any time soon, so grab these while you've got the chance! These are all in extremely nice condition especially considering their inherently disposable nature.
Bride of Frankenstein Model Kit (Aurora, 1965). The most popular movie monsters of all time are the Universal monsters. This 1965 kit gives you a chance to piece together Frankenstein's paramour yourself. This kit is in amazing condition with most pieces still attached to the trees. The instructions are an un-improvable NM/MT and the box, due to a color scuff on the top is a square C8.5. This beautiful kit is of primo quality and one you will proudly display.
Lost in Space Model Kit (Aurora, 1966). The three Lost in Space model kits just happen to be some of the more popular kits around due to the resurgent interest in the television show. You really could not hope to find a nicer piece for your collection. This kit is Mint in a sealed box with unbroken cellophane. This will definitely be a centerpiece of any collection.
Voyage to the Bottom of the Sea - Seaview Model Kit (Aurora,1966). In 1964, Irwin Allen introduced "Voyage to the Bottom of the Sea," the story of the submarine Seaview and her crew. The adventuresome show ran for four years, making it (until recently) the longest-running science fiction show on American network television. So popular was the ship Seaview that Aurora turned it into an extremely popular model kit, even re-issuing it in the '70s. This is the original issue and you couldn't ask for a nicer kit. Many of the pieces are still attached to the trees and the instructions are near new. Oftentimes the sides of the sub had excess flash and defect but our offering is totally free of that and perfect. Even built-ups cost hundreds of dollars, but you now have a chance of owning your own pristine set just waiting to hold a place of honor on your shelf.
The Forgotten Prisoner Model Kit, Canadian (Aurora, 1966). What kid didn't beg and plead with their parents for an allowance increase to be able to buy at least one of the Famous Monsters of Filmland model kits? These creepy kits were some of the coolest sets that Aurora released. Sales were slow on this entry, and it was the last monster kit produced until the glow series three years later. The kit, which is the Canadian variant, appears to be complete with most of the pieces still attached to the trees. The instructions are a beautiful NM/MT and the box is as close to perfect as you could hope to find.
Batmobile Model Kit (Aurora, 1966). Atomic batteries to power! Turbines to speed! Surely one of the coolest aspects of the '60s "Batman" series was that wicked-cool Batmobile, created from the basic frame of a Ford Futura, modified and cool-i-fied by master car customizer George Barris. It was only natural that Aurora should licence this crimefighting car for their model kit line, and the end result was nothing short of gorgeous. Incomplete build-ups of this kit go for well over $100, so what do you think a MIB, sealed kit is worth? Well, we're going to find out here. This immaculate piece will be the centerpiece of any high-end Bat-collection. This is one of the more popular kits to be had, but only one can be the next owner of this one, so get ready for a Bat-bidding war.
The Munsters Model Kit (Aurora, 196). Join us at 1313 Mockingbird Lane for one of the coolest model kits to ever hit the shelves. This kit features Herman, Lily, Eddie and even Grandpa hanging from a rafter. The only person they didn't include was the ever-luscious Marilyn. If you won't settle for anything but the best, you had better get ready to bid on this one. This is a Mint in box kit in the original cellophane so you can rest assured you are getting a complete, perfect set. And be sure to play that wacky theme music in the background while you're putting this one together.
Land of the Giants Model Kit (Aurora, 1969). "Land of the Giants" made its television debut on September 26, 1968, with seven people stranded in a larger-than-life world. Soon after, the merchandising started and this treasure was one of the scarcer items. Finding a built-up piece is possible, but a complete, unassembled kit is a rarity. This offering is complete with some pieces still attached to the trees and NM/MT instructions. The box is an amazingly bright C9. If not for the smallest color rub on the top it would be an easy C10. It would be amazing if there exists a nicer box around than this. You will want to display this piece in a prime location to make all your friends jealous.
Golden Age (1938-1955)
Lone Ranger Kix Cereal Atomic Bomb Ring (Kix Cereal, 1947). Just finding an example of this ring would be a real treat, but imagine finding one that is in un-improvable condition in its original shipping box with NM instructions?! The lucky next owner of this piece will know exactly what it felt like to anxiously pull this from the mailbox 56 years ago. This ring was billed as a "seething scientific creation" and allow you to "...see brilliant flashes of light in the inky darkness inside the atom chamber. These frenzied vivid flashes are caused by the released energy of atoms. PERFECTLY SAFE - We guarantee you can wear the KIX Atomic 'Bomb' Ring with complete safety. The atomic materials inside the ring are harmless." Now how can you beat that? This is a perfect opportunity to purchase a brilliant example of what made kids tick a couple generations ago. Seeing as this item is in as more or less perfect condition, this might just be the finest piece extant.
Supermen of America Patch (DC, 1940). Truly, no Superman collection is complete without this rare item. The scarce "Supermen of America" patch was available by mail and advertised in Action Comics 63 years ago. This piece rarely shows up for sale, but here's your chance to fill that glaring gap in your collection. As with most cases, this patch has some noticeable chipping, but there is very little color loss and the integrity of the piece is nearly fully intact. Grab this one while you can, you might never get another chance.
Superman Club Membership Button (DC, 1948). One of the most iconic characters in modern literature was the product of two young boys with fertile imaginations...Superman. Every red-blooded kid in America followed the adventures of the super-powered Man from Krypton; so great was his success that he spawned countless bits of merchandising, including the requisite fan club. This cello button was part of the loot you got when joining the "Supermen of America" club. Most often these buttons are found with extreme wear, but our example has a beautiful face and is probably among the more displayable pieces around. There is some oxidation on the reverse but the obverse is absolutely bright with only the most minute scratches that are visible only under close examination. This lovely piece will fit right in with the rest of your Superman memorabilia. Hake's Price Guide to Character Toys 2002 value = $60.
The Flash Giveaway Pinback (DC, 1942). Once you complete that Flash run you've been working on for decades, there's one more item you can't do without... the Flash pinback. All Flash #6 had a reader survey, and every kid that submitted one received this button. It is exceedingly rare, one of the hardest DC items to find. Our offering has the most minor rubbing, but there is absolutely no rust, and the colors are bright. This is the finest known example of this piece. Hake's 2002 Price Guide to Character Toys value = $2,000.
Wonder Woman Giveaway Pinback (DC, 1942). As with the Flash pinback and All Flash Comics, this item was sent to any kid that submitted a reader's survey in Sensation Comics. This button features a nice quarter-profile of Wonder Woman with "Wonder Woman Sensation Comics" encircling the portrait. If you think mid-run Wonder Woman books are impossible to find, just try to lay your hands on one of these! This item has minor rubbing around the perimeter, but it is otherwise a beautiful, bright piece. Hake's 2002 Price Guide to Character Toys value = $2,500.
Captain Midnight's Secret Squadron Club Kit (Fawcett, 1945). World War II sparked a patriotic fervor unparalleled in history. Kids of all ages wanted to do their part, and Captain Midnight was there to help. This kit was meant to give kids a way to "aid the cause of the United States in every way we can in war and peace." Included in this lot is the 1945 Secret Squadron manual that tells what is expected of members, how to signal other members, and much more. Best of all is the Magni-Magic Code-O-Graph. This badge was used to decipher the important coded messages that the Captain gave every night after his radio show. According to the manual this badge was "made of a highly complicated combination of metals." The badge in our lot is exceptional; there are two very tiny scuffs only visible under the closest scrutiny but, otherwise, this badge is probably the finest you are ever likely to find. All the gold toning is present with no wear through whatsoever. The manual is a colorful FN+ and has the pledge signed in pencil by the original owner, Harrold Collins. This group also comes in its original mailing envelope. A nicer set might just not exist.
Dick Tracy Junior Detective Kit (Tootsie V-M Chocolate Drink Mix, 1944). If perfection is your goal, get your bidding finger ready to take a shot at this one. What kid didn't want to be a sleuth like Dick Tracy? Any kid with the itch got everything they needed in this kit. Included is an Official Junior Detective Manual, a Saboteur Suspect Wall Chart, six Suspect Cards, a Suspect Tape Measure, a Certificate of Membership, an Official Dick Tracy Junior Detective badge, a Dick Tracy Decoder and a beautifully illustrated mailer. The best thing about this lot is that each and every of the aforementioned items is absolutely beautiful. The kid that sent away his hard-earned dime for this kit chose to keep everything as is and it has remained so until this day. You'd be hard pressed to find a more beautiful set. The manual is Type 2.
Supermen of America Club Kit and rare Subscription Forms (DC, 1961-64). Up, up and away... First up we have a partial "Supermen of America" club kit. Though the pinback is not present we do have all related paper items. There the introduction letter, the Superman's Secret Code card and the club membership certificate "signed" by Clark Kent. These pieces are in gorgeous shape and come in their original mailing envelope. Next up we have, not one but, three subscription renewal letters from DC illustrated with Superman and an hourglass. Last of all we have an actual subscription form listing all the DC titles in print in late 1964. Every item in this lot is in beautiful shape and would make any collector proud.
Merry Marvel Marching Society Club Kit (Marvel, 1966-67). This group is a veritable gold mine for all you maniacal Marvelites out there. Your Marvel collection is far from complete if you don't have the "ancient and honorable" Merry Marvel Marching Society kit. If you had the wisdom and wit to join this exclusive club almost forty years ago, you would already have these great items. Seeing as you are reading this now you are probably in dire need of this awesome lot. Included in this kit is the M.M.M.S. letter from "the Bullpen Gang," the large "I Belong to the Merry Marvel Marching Society," seven "The M.M.M.S. Wants You!" cards, the Merry Marvel membership card with the pledge on the back, and the impossible-to-find "The Voices of Marvel" record in a beautiful sleeve. As if that wasn't enough to get you in a frenzy, we also have a group of member mailings that is unbeatable. There are four highly illustrated order forms from which you could buy great Marvel paraphernalia and three M.M.M.S. bulletins. You'd be hard pressed to piece together a collection like this and here we are offering it to you in one fell swoop. Grab this lot and become the Marvelite extraordinaire.
Captain Marvel's Magic Picture (Fawcett, c. 1944). Most of the Fawcett paper punch-out toys are extremely common, even in high grade; not so in the case of this toy. This is actually on of the scarcer items. With this toy, you could have two separate pictures of Billy Batson and Captain Marvel on your wall in one frame. Depending on which angle you view it from, you can see the transformation of Billy into the Big Red Cheese. This toy is easily NM, unfolded, untouched and even still has the strip of gummed tape included. The full color envelope is in beautiful condition though at the flap in there is some fraying and a small piece out at the top. Also, there is some discoloration where the gummed tape came into contact with the frame. Despite that, your search for a nicer copy might just be impossible.
Comic Heroes Iron-Ons (Fawcett, 1940s). If you were a proud Fawcett reader in the '40s (and there were literally millions), you just had to have this set of extremely cool iron-ons -- talking Mom into putting them on your clothes was another matter, but what kid didn't try? This set is a veritable encyclopedia of Fawcett superstars. As expected, machine-gun toting (!) Captain Marvel is represented. Virtually every other Fawcett character, from Billy Batson to Benny Beaver, is included. Your search for the near-perfect set is over. There are nine sheets, with 24 separate character iron-ons, measuring 3.5" x 8.5 and all are a crisp NM/MT with One Sheet having a small tear to the border. The highly illustrated envelope is a gorgeous VF/NM and virtually un-improvable. This item might well be the height of your premium collection.
Captain America Iron-On (Marvel, 1971). Are you a Marvelite? Do you appreciate anything that falls under the description of "rare"? Then this is the lot for you. How many kids do you imagine actually bought this iron-on and didn't beg their mother to put it on their favorite shirt? This one features the Cap himself in day-glo pink and blue. Even if you managed to track down another example of this iron-on, it probably won't be a sweet as this one. The package is near perfect and the iron-on itself is absolutely untouched and perfect. Bid early and high -- the Sentinel of Liberty himself will be proud of you.
Bob Kane - Christmas Cards (4) (No Publisher, 1990s). Here's something you don't see every day. These unusual items are Christmas cards that Bob Kane designed himself, had printed, and sent to close friends. These great cards will definitely enhance your Batman collection and give you something that not every Bat-collector possesses. The first, from 1992, features Batman, Bat Girl, the Joker and the Penguin. The second, from 1993, has Batman and Bat Girl close to an embrace. The third, from New Year's 1996, features Bat Mite in a tug-of-war with Father Time, and the last, from 1998, comes with a small printed note from Kane's widow stating that this card was Kane's final piece of work... now how can you beat that? This is a very unusual, interesting lot. Please note that these are printed cards, and do not feature original Kane art.
Memorabilia
Donald Duck "Dude for a Day" Limited Edition Statue #53 of 100 (Another Rainbow, 1981). Carl Barks epitomized everything that is Disney. If not for his work, the Disney Ducks might not be what they are today. After his retirement in 1966, Barks obtained permission from Disney to create a series of oil paintings of his beloved Ducks. These paintings sell for well into six figures now. Another Rainbow commissioned Barks to do a series of Duck paintings in 1982 and ended up creating one of the most beautiful series of paintings ever. They also issued this, the limited edition "Dude for a Day" porcelain statue. This statue was originally limited to 100 pieces but in intervening years the unsold statues were destroyed, so this piece is one of very few extant. The original issue price was $7,300 and has only appreciated over the years. This statue is as issued, and in flawless condition, still in its original packing box. You can be assured that this is probably the finest example of this rare piece, since it was undisplayed and even unopened until time came to describe it for this auction. Since the Duckman has passed away, the demand for his work has become even greater. Don't miss out on this rare opportunity.
Mickey Mouse Steamboat Willie Limited Edition Statue (Disney, 1992). Forever famous as the first sound cartoon, "Steamboat Willie" catapulted its squeaky-voiced star, Mickey Mouse, to worldwide fame, and gave Walt Disney immortality. Rather innocuous at the time, this simple bit of animation gave little indication that it would usher in an era that would bring us classic films from "Snow White" to "The Lion King" and beyond. This limited edition statue was sold at Disney World and only in an edition of 600 pieces. Handsomely sculpted, it is signed on the base by the artist and dated "9/26/92." In near-mint condition, this looks as fresh as the day it was minted. A fitting tribute to the little Mouse that roared.
Pinocchio - Pleasure Island Limited Statuette #208 of 250 (R. John Wright Dolls Inc., 1992). You could search far and wide and not find another figure as detailed and beautifully made as this Pinocchio doll. Pinocchio has just escaped Pleasure Island, narrowly missing the fate of the other boys who have just turned into donkeys. This figure portrays the partial transformation of our little wanderer with a donkey tail and ears. This piece was designed and manufactured using original reference materials from the Disney Archives. He is constructed entirely of Alpine maple with felt ears and tail. He is fully jointed and painted by hand with wool felt costume. This is the type of doll that you will be anxious to proudly display on your mantel. Numbered 208/250 this piece is not exactly an easy piece to acquire. Included is a certificate of authenticity dated 9-6-92. Original issue price for this statuette was $725.
Books
Mickey Mouse in King Arthur's Court, First Edition (Blue Ribbon Books, 1933) Condition:FN/VF. No quality collection can be complete without a copy of this beautiful early appearance of the rodent that kicked off Uncle Walt's empire. This stunner was published less than five scant years after Mickey's inception. Seeing as this book was primarily for younger kids, it is amazing that a copy has survived in such a high state of preservation. The odds of finding a nicer copy are pretty much nil. There is a file copy extant but it is in the hands of a long-time collector and, in all likelihood, will remain there for years to come.The colors are blazing and the four pop-ups are absolutely amazing and Near Mint. There is light bindery glue staining in a few of the gutters with very minor separation that does not detract at all from the appearance and stability of this gem. Overall grade for this beauty is a strong FN/VF. This book is highly displayable and will make a fine addition to any Disney collection.
Walt Disney Comic Album Series Hardback Volumes I-III (Gladstone, 1984). One of the most endearing and enduring characters in history, Uncle Scrooge, was the brainchild of the ever-inventive Carl Barks for Walt Disney. Nobody in Scrooge's long history could bring him to life like the inimitable Carl "Duckman" Barks. If you could not afford the original comic books, and who could, the next best things were the beautiful,l high-quality reprints published by Gladstone. This series was a library of Uncle Scrooge by Carl Barks. Here you get the first three volumes that reprint: Vol. I - Four Color #386 (#1)-5; Vol. II - #6-10; and Vol. III - #11-15. These are top-of-the-line reproductions and will hold an honored place on your book shelf. The volumes are bound in leather with gold-stamped spines and a vignette of Donald and Mickey with the Gladstone logo on the front cover. Original issue price for these books was $125 each. The amazingly original shrink-wrap is still on these books so if you are so inclined you can be the first to peruse these stories.
Milton Caniff's Steve Canyon #19 Hardback - Autographed 11/900 (Kitchen Sink Press, 1987) Condition: FN/VF. When Kitchen Sink Press' long-running Steve Canyon series hit the 40th anniversary point in 1987, it was decided that a special hard cover version of the anniversary issue would be printed to honor the event. This is #11 of 900 signed and numbered copies. The contents feature a lengthy retrospective "Sidebar" article by Caniff, several pages of promotional art for Steve Canyon, and the complete dailies and Sundays from May 15, 1957 to Dec. 31, 1957, shot from Caniff's own proofs and original art, which includes marginal material on the Sunday pages which has never been seen before. Small spot upper right corner. This book is not listed in Overstreet.
Magazines
Cowboy Movie Thrillers #1-4 Group (Frank A. Munsey Company, 1941-42). This lot contains the complete run of Cowboy Movie Thrillers, all four of them. This set will be a boon to the Western collector. There are more pictures, articles and info than you can shake a six-gun at. The first issue has Roy Rogers and Trigger as a cover feature. The second issue features Gene Autry. The third issue features Buster Crabbe and the last issue features Don "Red" Barry. All issues are chock full of photos and articles about every Western cowboy you could ever hope to see. This group comes with a letter detailing the cancellation and the subsequent sale of all Frank A. Munsey titles to Popular Publications. The best part about this lot is that they seem to have never been read and if they were it was very carefully. Each issue is in at least VF condition and seeing as they came from the publisher they never got subjected to mistreatment on a newsstand.
Books
The History of Animation - Enchanted Drawings (Alfred Knopf, 1989) This humongous tome leaves no stone unturned when it comes the magical art of animation. It starts off with Windsor McCay's Gertie the dinosaur, and finishes at the dawn of computer animation. Everything you want to know -- and more -- is in here waiting for the next lucky owner. This volume is 321 pages and measures 12" x 10". The book itself is a bright VF+ and the plastic dust-jacket shows just a bit of wear and is a nice FN. The high bidder will have a treat with this one.
Stephen King's Dark Tower Series Group (Donald M. Grant, 1982-91). Most Stephen King hardcovers have print runs of at least 1.5 million...not so with the Dark Tower series. These books are relatively scarce when compared to the rest of King's output. First up we have a stunning copy of "The Dark Tower: The Gunslinger," published by Grant in 1982. This volume is beautifully illustrated by Michael Whelan with five full-color plates and numerous black and white devices and designs. The dust jacket is VF/NM and in a BroDart cover. Next up we have "The Dark Tower II: The Drawing of the Three," published by Grant in 1987. This volume has 10 full-color illustrations by artist Phil Hale. This book is beautiful with a NM dust jacket in a BroDart cover. Last of all is "The Dark Tower III: The Waste Lands," also published by Grant. This volume was fully illustrated by Ned Dameron in full-color. This is a rare chance to grab the three first installments, in gorgeous shape, in one shot.
Now We Are Sick Limited Edition, Numbered 203 of 250 (Dream Haven Books, 1991) Condition: NM. Just like the title implies, this is not a compilation for the weak at heart. Now We Are Sick is a limited edition book that features short stories and poetry from some of comics' best writers. Included are Neil Gaiman, Alan Moore, Clive Barker and over two dozen others. Besides being limited this book is also signed by all, and I mean all, of the creators. Alan Moore does not appear at comic book shows anymore and his signature has become highly prized. Add to that the tough-to-get signatures of Clive Barker and Neil Gaiman, plus the numbering, and this is a modern age collectors dream!
Overstreet Price Guide #1 First Print (Overstreet, 1970) Condition: VG+. Here we a nice copy of the coveted, original "white cover" copy of the first printing of the first edition Overstreet Comic Book Price Guide. An uncommon, and fascinating, piece of comic memorabilia, it gives modern collectors a rare view of times gone by -- Action #1 in Mint condition for $300! Or how about Marvel Comics #1 in Mint condition for $250? Maybe this book will inspire someone to complete a working time machine.... This copy was given to Jerry Overstreet by his brother Robert, and is in nice condition with light yellowing along the spine, a vertical crease on the back cover, and a half inch cover split at the bottom of the spine. Overstreet 2003 VG value = $640. From the Collection of Jerry Overstreet.
Overstreet Price Guide #1 Second Print, Cover Only (Overstreet, 1970) Condition: NM. This is an original cover for the (blue) second printing of the 1970 Overstreet Comic Book Price Guide #1. It has the full front and back covers, folded but unstapled, in virtually perfect condition. "This is one of the original covers of the run of 1,000 guides printed in 1970." is written by Bob Overstreet on the interior back cover, and it is signed by Mr. Overstreet below the inscription. This lot is for the cover only, no price guide is included.
Memorabilia
Overstreet Price Guide #2 Hardcover (Overstreet, 1972) Condition: VF/NM. Printed in extremely limited numbers, early Overstreet hardbacks are prized by collectors. This immaculate copy was preciously owned by Jerry Overstreet, who got it new from his brother Robert. It has been stored with care, and is in fantastic condition -- clean, unblemished, and tight. The spine feels like it's never even been cracked open, this is likely one of the nicest copies you'll ever have the chance to own. Overstreet 2003 NM value = $1,000. From the Collection of Jerry Overstreet.
Overstreet Price Guide #2 Softcover (Overstreet, 1972) Condition: FN/VF. This early comic book price guide has great color and gloss, an un-cracked spine, and clean white pages. Given to his brother Jerry by the publisher, Robert Overstreet, you can be sure this copy was picked fresh off the press line and has been owned by members of the Overstreet family, until now! Full of fascinating historical data, and fun to read too. (Archie #1 in Mint condition for $16??) Overstreet 2003 FN value = $300; VF value = $450. From the Collection of Jerry Overstreet.
Overstreet Price Guide #2-5 Softcover Group (Overstreet, 1972-75). This group of vintage price guides consists of edition #2 (1972) in VG- condition, and editions #3-5 (1973-75) in VF condition. All are loaded with interesting articles and raw price data, and were owned by Jerry Overstreet, the brother of author and publisher Robert Overstreet. Many of these early price guides can be a challenge to find, especially in such nice condition. Overstreet 2003 value for group = $600. From the Collection of Jerry Overstreet.
Overstreet Price Guide #3 Hardcover (Overstreet, 1973) Condition: FN/VF. A scarce, early hardcover edition of the The Overstreet Comic Book Price Guide. Fascinating for it's insight into an earlier era of comic book collecting, it's almost mind-boggling to read these old guides today. For example, this edition suggests avoiding the use of tape when making repairs, and suggests using glue instead. And the prices! X-Men #1 in Mint condition for $8, anyone? There is some light surface wear on this book, but it's still clean, straight, and generally like-new; it's certainly one of the nicest examples we've seen. This edition is just as scarce as the hardcover second edition from 1972, so snag it while you can. Overstreet 2003 FN value = $450; VF value = $675. From the Collection of Jerry Overstreet.
Overstreet Price Guide #4 Hardcover (Overstreet, 1974) Condition: FN. This attractive hardcover copy of the fourth edition of The Overstreet Comic Book Price Guide was owned by Jerry Overstreet, Robert Overstreet's brother. The guide is full of great vintage comic price data, and fun advertisements from an earlier era of comic collecting. This copy has some minor damage to the back cover on the right edge near the bottom corner, but is otherwise clean, sharp, and very tight. The cover, with art by Don Newton, is exceptionally clean and colorful. Overstreet 2003 FN 6.0 value = $225. From the Collection of Jerry Overstreet.
Overstreet Price Guide Leather Bound Group (Overstreet, 1985-90) Condition: Average VF/NM. This four-book lot consists of the deluxe editions of the Overstreet Comic Book Price Guide #15, 17, 18 and 20, professionally bound in black leather, with gilded page edges, and marbled endpapers. The 15th, 17th, and 18th editions are signed and numbered by Robert Overstreet; the 15th edition is #58 of 75, the 17th edition is #70 of 74, and the 18th edition is #13 of 75. Every year author and publisher Robert Overstreet would give a complimentary copy of the current year's price guide to his brother Jerry, and these books are now being offered to the bidding public for the very first time. These four books are like-new, clean and tight. Overstreet 2003 NM value for group = $600. From the Collection of Jerry Overstreet.
Overstreet Price Guide Group (Gemstone, 1972-93). This lot of price guides consists of softcover editions #2, 5, 6, 7, 12, 16, 18, 23, plus hardcover editions of #15 and 23. Every year Bob Overstreet would pull a freshly-printed copy of his price guide to give to his brother Jerry. While the earliest edition in this lot shows some shelf wear, most of the books in this group are in excellent condition, saved for posterity and never used for regular reference. Overstreet 2003 FN value for group = $670. From the Collection of Jerry Overstreet.
Overstreet Price Guide Group (Gemstone, 1977-2000). This lot has 17 copies of the "comic collector's Bible," consisting of editions #7-18, 20, 21, 23, 26, and 30. Spanning nearly a quarter-century of comic collecting history, these books are packed with more raw data and enlightening articles than you can shake a stick at. Issue #7 grades about VG+, the rest average VF. Overstreet 2003 FN value for group = $590. From the Collection of Jerry Overstreet.
Overstreet Price Guide Group (Various, 1977-96) Condition: Average VF. This is a large group of hardcover copies of The Overstreet Comic Book Price Guide, consisting of editions #7-13, 15, 17, 18, 20, 21, 23, and 26. These 14 books were given to Jerry Overstreet by his brother Robert every year, as each edition was published. (With the right bid, these can now be yours!) Carefully saved, and never used for day-to-day reference, these hardcover books are in excellent condition -- tight, clean, and like-new. Overstreet 2003 FN value for group = $750.
Golden Age (1938-1955)
All-Famous Crime #4 & 9 Cover Proofs (Star Publications, 1950-51) Condition: Average NM. Two cover printer's proofs from L. B. Cole, master cover artist of the 1940s and 50s. These are great and colorful action scenes, perfect for the collector of crime comics, Cole covers or even someone who wants some unique comics collectibles. These items were often discarded after the actual books were printed, so finding these perfect examples is quite rare. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
All-Famous Police Cases #13, 14, 15 Cover Proofs (Star Publications, 1954) Condition: Average NM . Three rare printer's proofs from All-Famous Police Cases, all drawn by one of the best-loved cover artists of the 1950's, L. B. Cole. These proofs are the same size as the actual books but are the front covers only, prepared as a test run to be approved by the art director or editor. These items don't turn up often, as they were routinely discarded after the comics were printed. All three are loaded with great color, and would look terrific framed. NOTE: these are the FRONT COVERS ONLY, not the entire comic book.
Blue Bolt Weird Tales #118 Cover Proof (Star Publications, 1953) Condition: NM. This is one of the wildest, most colorful covers yet from L. B. Cole! This is a "printer's proof", prepared by the printing firm in order to check ink coverage, etc. In this case, the printers must have wanted to scream, as this cover is crammed from edge to edge with enough ink to print an entire book! These incredibly bright colors really pop off the page. These proofs are quite rare, as they weren't often kept after publication. NOTE: This is the FRONT COVER ONLY, not the entire comic book.
Captain Flight Comics #7, 10 Cover Proofs (Four Star Publications, 1947) Condition: Average VF. Two great cover by L. B. Cole are presented here by way of these "printer's proofs', produced in order to assure proper reproduction of the artwork. After these items were approved, they were usually tossed out, making these extremely rare, and sure to be snapped up by Cole's many fans. Both covers are very colorful; issue #7 is a great World War II air scene, while #10 is a bondage cover. NOTE: these are the FRONT COVERS ONLY, not the entire comic book.
Gasoline Alley #3 Cover Proof (Star Publications 1950) Condition: NM. This is an L. B. Cole-illustrated printer's proof for the cover of Gasoline Alley #3. Beautiful color and wonderful graphics make this a unique collectors item, and one that would look very nice framed. Printer's proofs like this were routinely tossed out after the actual book was printed, making this a rare opportunity to own a small piece of comics history. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
Holiday Comics #1 Cover Proof (Star Publications, 1951) Condition: NM. A wonderful Christmas cover (featuring Santa Claus) by L. B. Cole is presented in glorious color on this rare printer's proof. These proofs were made as a way to check the printed inks against the hand-colored mock-up, and were often thrown out after the book was printed. This would look great framed for the collector of L. B. Cole covers, or for lovers of Christmas art. It's a beautiful, unique item. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
Popular Teen-Agers #20, 22 Cover Proofs (Star Publications, 1954) Condition: Average NM. These two printer's proofs are from L. B. Cole covers, originally published by Cole's publishing house. Proofs like these were used by the printing firm to check the ink colors against a hand-colored mock-up, and then submitted for approval to the art director or artist (in this case, that would be the one and the same, Mr. Cole himself.) They are great romance-comics illustrations, a genre that has been growing steadily in popularity among collectors. The color on these prints is remarkable, fresh and bright. They would look fantastic framed. NOTE: This is the FRONT COVER ONLY, not the entire comic book.
Shock Detective Cases #20 Cover Proof (Star Publications, 1952) Condition: NM. If you're looking for something unique in comics collecting, try this item. This is a printer's proof for a L. B. Cole-illustrated cover of Shock Detective Cases. It was originally prepared to check the color before actual printing began. After approval, these proofs were sometimes filed away, but more often tossed out. The color on this item is vivid and rich, and it would look great in a frame. At any rate, this is something one doesn't often see, especially from an artist of Cole's calibre. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
Shocking Mystery Cases #54 Cover Proof (Star Publications, 1953) Condition: NM. L. B. Cole was one of the best cover artists of the 1950s, and here's a rare chance to own a printer's proof of one of his Shocking Mystery Cases covers. These proofs were prepared before actual printing as a way to check the printed inks against a hand-colored mock-up prepared by the artist. After being approved by the artist, art director or editor, these proofs were most often trashed, which makes this perfect example quite a rarity. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
Startling Terror Tales #6 Cover Proof (Star Publications, 1953) Condition: NM. This wild war comic cover was drawn by L. B. Cole, one of the most well-known cover artists of the era. This is a "printer's proof", prepared in order to check the ink colors and halftone screens. After being approved by the art director, these proofs were often discarded, making these items extremely scarce. This one looks great, with vivid, bright color. NOTE: This is the FRONT COVER ONLY, not the entire comic book.
Startling Terror Tales #13 Cover Proof (Star Publications, 1953) Condition: NM. This is a printer's proof of one of L. B. Cole's more "cosmic" cover illustrations. It's very colorful, as Cole's work often was; this proof is very attractive and clean. It's a wonder this item has survived all these years, as these proofs usually wound up in the trash after the book went to press. It's a great and unique item for the Cole collector or lover of horror comics. NOTE: This is the FRONT COVER ONLY, not the entire comic book.
True-To-Life Romances #22 Cover Proof (Star Publications, 1954) Condition: NM. Star Comics were the publishing house owned by L. B. Cole, the well-known cover artist. Here's a printer's proof of the cover from an issue of one of Cole's romance titles. These proofs were prepared by the printing firm to check ink colors against a hand-colored mock-up, and were usually not kept after the actual comic was printed. This is a great unique item that would look wonderful framed. NOTE: this is the FRONT COVER ONLY, not the entire comic book.
Weird Jungle Tales #202 Cover Proof (Star Publications, 1953) Condition: NM. This extremely rare item is for a comic that was never published. L. B. Cole was the cover artist, and owner of Star Publications; this would have been a great book, judging from his colorful illustration. Printer's proofs like this were prepared to check the ink colors against the artist's mock-up, they were usually tossed out after being approved and the book went to press. The title never happened, but this one proof (possibly a few more) survived. It's pictured in Gerber's guide, with a scarcity rating of 9. You may never have a chance again to own one. NOTE: This is the FRONT COVER ONLY, not the entire comic book.
Western Fighters 3-D #1, Indian Warriors 3-D #1 Cover Proofs (Star Publications, 1953) Condition: Average NM. Here are two rare printer's proofs for covers by L. B. Cole, prepared during the 3-D craze of 1953. They were prepared in order to check the printed inks against a hand-colored mock-up, and were routinely thrown away after the book was printed. Both are great, colorful prints that would look wonderful framed. NOTE: these are the FRONT COVERS ONLY, not the entire comic book.
Memorabilia
Mars Attacks Trading Cards - Complete Set (Topps, 1962) Condition: PSA 8. The immensely popular Mars Attacks bubble gum card set was released by Topps in 1962 under its innocuous brand name Bubbles Inc., the name belying the gory images portrayed within the set, that, of course, made it so sought-after among kids during the time of its issue and among adults today. Mars Attacks was the brainchild of Len Brown and Woody Gelman, inspired by their success with a historical but equally gruesome set titled Civil War News. Instead of North vs. South, Mars Attacks would match Martians vs. Earthlings with the graphic gore of an interplanetary civil war. The early pencil drawings for the series were done by EC Comics artist Wally Wood, and the final cards were penciled by another comic book artist, Bob Powell. The painting was done by one of the most prolific and creative artists of the pulp era, Norm Saunders. The Mars Attacks set consists of 55 cards in total, with 54 including pictures and the last card featuring a checklist. Presented in this lot is an extraordinary set, consisting of high-end examples -- all graded an impressive PSA 8 Near Mint to Mint with no qualifiers! Given that only eight examples from this fifty-five card series have ever made the grade of Mint 9 from PSA, this is one of the choicest sets ever completed, and the second finest known in the PSA Set Registry. These scarce cards have achieved legendary status among non-sport card collectors. And this outstanding set is here for your bidding!
Magic Pictures Bubble Gum Cards Full Box (Bowman, 1955). This box from Bowman contains 110 of 120 one cent packages of Magic Picture cards. Each pack included a "magic lens" with which to view the cards as the box claims; "Watch 'em Spin! Change! Jump!" Sounds like fun. The box has a little storage wear, with the display top punched, and lid hanging on by about 1". Overall the box merits a VG-.
Top Stars Bubble Gum Cards Full Box (A&BC, 1960s). These Top Stars bubble gum cards were all the rage for young girls in the UK. This set featured, among others, the Beatles, the Dave Clark Five, Gerry and the Pacemakers and Freddie and the Dreamers. This full box contains all 72 unopened 2d packs in near mint condition. As an added bonus you also get 72 pieces of 40-year-old gum to impress your friends with. The box is in great shape though the rear two corners are torn and the top display has been punched.
Comic Book Heroes Stickers Full Box (Topps, 1974). This is a full box of 36 packs of the hilarious Marvel Comic Book Heroes. Each sticker features one of Marvel's heroes with a funny, sometimes self-deprecating word balloon. The box has some tape repairs on one corner and inside in the punched lid. It still displays nicely.
Tom Mix Cowboy Adventure Story Booklets (National Chicle, 1934). This group of rare items comes from a more innocent era when a kid's pennies actually went quite a way in getting them a treat. These little 8-page Tom Mix booklets were issued like gum cards in a wrapper with a piece of gum. A set would be near impossible to complete 70 years ago but imagine how hard it would be now. Here is your shot at getting started on reaching that goal. Of the 48 booklets in the series this lot contains 38, so you are more than 75% of the way there. These booklets routinely sell for $45 each when you can actually find them. Most of these are in high grade but a few of the booklets have clipped corners and will be noted in the listing. Included in this lot are numbers 1 (corners clipped), 2, 3, 4 (corners clipped), 5, 6, 7 (corners clipped), 8, 9, 10 (corners clipped), 11, 12 (corners clipped), 13 (corners clipped), 14, 15-17 (corners clipped), 18, 19-21 (corners clipped), 22, 23 (corners clipped), 24, 25, 29-32, 36, 38, 39, 41, 43, 44, and 46-48. As an added bonus this group also includes the Tom Mix 1935 Premium Catalog. This partial set will really give the Western collector a heck of a head start on their collection.
Pulps
Argosy-All Story Weekly Group (Munsey, 1925). This is a nice group of consecutive issues which have the entire three-part Edgar Rice Burroughs story, "The Red Hawk." The group contains the following issues: Sept. 5, 1925 (GD); Sept. 12, 1925 (GD); and Sept. 19, 1925 (VG). The September 5 issue has a Modest Stein cover, depicting Tarzan with a bow and arrow atop a cliff. All three pulps have excellent page quality. The Ultimate Guide to the Pulps VG value for group = $160.
Dan Dunn Detective Magazine V1#1 (Standard, Sept. 1936) Condition: FN. This pulp is known for being scarce, and is collectible for it's comic book-style cover art by Fred Meagher, which shows a nice close-up of Dan Dunn doing his best Dick Tracy impression. This pulp shows some wear around the edges, a half-inch of paper is missing from the top and bottom each of the spine, and the pages are a supple cream, but the overall impression is overwhelmingly positive. It's a very attractive pulp; scarce, and in remarkably nice condition. The Ultimate Guide to the Pulps VG value = $250.
Famous Fantastic Mysteries Group (Frank A. Munsey Co., 1940-41) Condition: Average VF. This lot consists of two issues of Famous Fantastic Mysteries, from Dec. 1940 (V2#5) and Aug. 1941 (V3#3). The Dec. 1940 issue has a science fiction war cover by Frank Paul, and has a letter-to-the-editor from none other than Ray Bradbury. The Aug. 1941 issue has a cover by Virgil Finlay. The condition of these pulps is nothing short of fantastic. They not only have white pages, but also clean, vivid covers, full, unblemished spines, and even the cover overhang is fully intact. These are as nice as any pulps you'll ever encounter. The Ultimate Guide to the Pulps VG value for group = $18.
Future Group (Columbia Publications, 1939-42). Here is a nice group of three pulps from Columbia's "Future" pulp titles. This lot consists of the first issue of the run, Future Fiction Nov. 1939 (Apparent VG/FN); plus Future Combined with Science Fiction Dec. 1941 (VG+); and Apr. 1942 (VG+). The copy of Future Fiction from Nov. 1939 received an "Apparent" grade due to a strip of Japan paper grafted across the inside bottom of the front cover. The Ultimate Guide to the Pulps VG value for group = $55.
Golden Fleece Group - File Copies (Sun Publications, 1938-39) Condition: Average VG. This lot contains five issues of this short-lived and scarce pulp series. The cover paintings are striking and evoke tales of "Historical Adventure." Each issue is chock-full of stories detailing swashbuckling adventures, middle-eastern battles, and tales of romance set in exotic locations. The painted covers are rendered by such notables as Margaret Brundage, Harold Delay and Harold McCauley. Interior illustrations are delineated by Harold Delay, Maurice Archbold Jr., Harold McCauley, Jay Jackson, and James Carr. This lot contains the following five issues: Nov. 1938, Dec. 1938, Feb. 1939, Apr. 1939, and May 1939. Overall, each book is in approximately VG condition. The page quality ranges from cream to tan, a few of the issues have some minor corner chipping and light spine damage. Overall, the covers are extremely attractive and full of deep colors, and are surprisingly glossy for their age. The Ultimate Guide to the Pulps VG value for group = $300.
The Lone Ranger Magazine #1 (Trojan Publishing, Apr. 1937) Condition: VG. This is the first issue of the Lone Ranger's early pulp magazine. It proudly touts "A complete novel, 'The Phantom Rider' featuring The Lone Ranger and his wonder horse 'Silver' with Tonto, the Indian." It has some water damage, creasing, and edge wear, but the pages are very supple; the pulp remains sturdy and attractive. This tough-to-find issue is always highly sought after. Even with it's defects, we have no doubt that it will find a good home with some lucky collector. The Ultimate Guide to the Pulps VG value = $450.
Miracle Science and Fantasy Stories #2 (Harold Hersey, June 1931) Condition: GD- (Brittle). This pulp is noted as being scarce, and it's detailed cover art of a glass-latticed spaceship by Elliott Dold definitely makes it worth seeking out. The cover is clean and colorful, but the inside covers have been taped, and the pages are brittle (the first interior page is detached). Still, the great cover art, and rarity of this pulp make it well-worth owning. The Ultimate Guide to the Pulps VG value = $200.
Operator #5 Group (Popular Publications, 1934-35) Condition: Average GD. The lot consists of the Aug. 1934 (V2#1) and Feb. 1935 (V3#3) issues of Operator #5. Operator #5 was "America's Secret Service Ace." Both of these pulps were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers, painted by John Howitt, are still intact under the "new" outer cover. The paper quality is quite good, with supple, off-white newsprint pages, and pure white inside covers. The Ultimate Guide to the Pulps VG value for group = $250.
Blue Book Magazine Group (McCall, 1924-29) Condition: Average GD. This lot consists of the April 1924 (V38#6); Sept. 1927 (V45#5); and Oct. 1929 (V49#6) issues of Blue Book Magazine. All three of these pulps were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. The paper quality is good, with supple, cream newsprint pages, and pure white inside covers. The Oct. 1929 issue has a Tarzan cover and story by Edgar Rice Burroughs; the other two pulps have Agatha Christie stories. The Ultimate Guide to the Pulps VG value for group = $160.
Miscellaneous Sci-Fi Pulp Group (Various, 1933-49) Condition: Average GD. This is a large group of science fiction pulp magazines. All were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. The paper quality is generally very good, with supple newsprint. The 30 pulps in this lot consist of: Astounding Stories May-Dec. 1936; Jan-Mar. 1937; Feb. 1939; Apr. 1939; Amazing Stories Dec. 1948; Jan-Dec. 1949; Jan-Mar. 1951; and July 1951. The Ultimate Guide to the Pulps VG value for group = $485.
Miscellaneous Detective Pulp Group (Various, 1933-49) Condition: Average GD. This is a large group of detective-themed pulp magazines. All were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. The paper quality is generally very good, with supple newsprint pages, and mostly white to cream inside covers. A few are getting slightly brittle at the corners, but all are readable. The 29 pulps in this lot consist of Bulls-Eye Detective Fall 1938; Candid Detective Nov. 1938; Clues June 1934; Complete Detective May 1938; Detective Book Magazine Fall 1937; Spring 1938; Summer 1938; Fall 1938; Fall 1941; Detective Mystery Novel Spring 1949; Dime Detective July 15, 1933; Oct. 15, 1933; Oct. 1, 1934; Nov. 1, 1934; Dec. 1, 1934; Flynn's Detective Fiction Weekly Jan. 22, 1938; Mar. 12, 1938; Mammoth Adventure May 1947; Mammoth Mystery Dec. 1946; Feb. 1947; Aug. 1947; Mystery Book Summer 1948; Red Star Adventures June 1940; Aug. 1940; Smashing Novels Dec. 1936; Thrilling Spy Stories Winter 1940; Triple Western Apr. 1949; Two-Book Detective May 1934; and July 1934. The Ultimate Guide to the Pulps VG value for group = $1,460.
Miscellaneous Western Pulp Group (Various, 1933-55) Condition: Average GD. This is a large group of western-themed pulp magazines. All were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. The paper quality is generally good, with supple newsprint pages and mostly white to cream inside covers. A few are getting slightly brittle at the corners, but all are readable. The 36 pulps in this lot consist of Adventure (magazine) Aug. 1954; Oct. 1954; Dec. 1954; Feb. 1955; Apr. 1955; June 1955; Aug 1955; All Western Magazine July 1934; Sept. 1934; Sept. 1937; Blue Book Magazine (bedsheet) Aug. 1948; Aug. 1954; Double Action Western Jan. 1936; June 1937; Oct. 1937; Apr. 1938; Nov. 1949; Mar. 1950; Lariat Story Magazine Aug. 1930; Nov. 1931; Mar. 1932; Dec/Jan. 1933; Dec. 1933; Jan/Feb 1934; Mar/Apr. 1934; Aug. 1934; Oct. 1934; Jun. 1934; Mammoth Western Oct. 1947; June 1948; North-west Romances Winter 1940; Summer 1947; Spring 1949; Summer 1949; Fall 1949; and Triple Western Aug. 1950. The Ultimate Guide to the Pulps VG value for group = $320.
Miscellaneous Western Pulp Group (Various, 1932-50) Condition: Average GD. This is a large group of western-themed pulp magazines. All were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. The paper quality is generally good, with supple newsprint pages and mostly white to cream inside covers. A few are getting slightly brittle at the corners, but all are readable. The 54 pulps in this lot consist of Ace-High Western Sept. 1947; Nov. 1947; Dec. 1947; Jan 1948; Feb. 1948; Action Stories Aug. 1932; Oct. 1934; Aug. 1940; Winter 1943; Action-Packed Western July 1939; Big-Book Western Jan/Feb 1934; Complete Western Book Aug. 1935; July 1937; May 1938; Cowboy Stories Sept. 1934; Danger Trail Oct. 1934; Nov. 1934; Dime Western Dec. 1934; Jan. 1935; Dec. 1947; Jan. 1948; Feb. 1948; Apr. 1948; Gun-Swift Western Sept. 1938; Quick Trigger Western Sept. 1937; New Western Dec. 1950; Ranch Romances Sept. 1933; Dec. 1933; Feb. 1934 (V52#3); Feb. 1934 (V52#4); Mar. 1934; Apr. 1934; Rangeland Love Feb. 1934; Rangeland Romances July 1935; Real Western Dec. 1936; Aug. 1937; Oct. 1937; Mar. 1938; Smashing Western Sept. 1937; Star Western Sept. 1934; Oct. 1934; Nov. 1934; Dec. 1934; Sure-Fire Western July 1937; Thrilling Ranch Stories Jan. 1934; Mar. 1935; Top-Notch Magazine Feb. 1935; Triple Western Oct. 1948; Dec. 1948; Aug. 1949; Dec. 1949; June 1950; Dec. 1950; Two-Gun Western Jul/Aug 1937; and June 1938. The Ultimate Guide to the Pulps VG value for group = $875.
Weird Tales Group (Weird Tales, 1938-45) Condition: Average GD. This is a large group of pulp magazines that were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. This lot consists of 35 issues of Weird Tales from Nov-Dec. 1938; Jan-Dec. 1939; Jan-Mar. 1940; May-Nov. 1942; Jan-Nov. 1943; Jan-Nov. 1944; and Jan-July 1945. The paper quality for these pulps is generally very good -- most have cream pages and none are brittle. The Ultimate Guide to the Pulps VG value for group = $1,080.
Five Novels Monthly Group (Dell, 1935-39) Condition: Average GD. This is a large group of pulp magazines that were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. This lot consists of 37 issues of Five Novels Monthly from Jun-Dec. 1934; Jan-Dec. 1935; Jan-July 1936; Dec. 1936; and Mar-Dec. 1937. Most issues have stories by L. Ron Hubbard. The paper quality for these pulps is generally good -- most are very supple, although a few issues are getting a little brittle at the corners. The Ultimate Guide to the Pulps VG value for group = $2,570.
Five Novels Monthly Group (Dell, 1935-39) Condition: Average GD. This is a large group of pulp magazines that were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. This lot consists of 37 issues of Five Novels Monthly from May 1934; Aug-Nov. 1936; Jan-Feb 1937; Jan-Dec. 1938; Jan-Dec. 1939; and Jan-Dec. 1940. Most issues have stories by L. Ron Hubbard. The paper quality for these pulps is generally good -- most are very supple, although a few issues are getting a little brittle at the corners. The Ultimate Guide to the Pulps VG value for group = $1,700.
Miscellaneous Sci-Fi Pulp Group (Various, 1952-63) Condition: Average GD. This is a group of 23 pulp magazines that were trimmed on three sides and restapled with an added paper dust cover. The original front and back covers are still intact under the "new" outer cover. This lot consists of issues Astounding Science Fiction Feb 1952; Amazing Science Fiction Apr. 1961; May 1961; Sept. 1961; Nov. 1961; Dec. 1961; Jan. 1962; Apr. 1962; June 1962; July 1962; Aug. 1962; Nov. 1962; Dec. 1962; Feb-Sept. 1963; Nov. 1963; and Dec. 1963. The paper quality for these pulps is generally very good -- the pages are all supple, most are cream to off-white. Approximate VG value for group = $45.
Miscellaneous Spicy Pulp Group (Culture Publications, 1935-37). This is a nice group of three "Spicy" pulps. Included are Spicy-Adventure Apr. 1935 (VG+); Dec. 1936 (GD+); and Spicy Mystery Feb. 1937 (VG). The two Spicy-Adventure pulps have great covers by H. L. Parkhurst, while the Spicy Mystery cover by H. J. Ward is considered a classic -- it's got all the great horror pulp themes; a blonde wearing a shredded dress is chained to a coffin with an exposed corpse, a black cat on the lid, while bodies on chains hang in the background. The Ultimate Guide to the Pulps VG value for group = $575.
Miscellaneous Pulp Group Lot (Various, 1933-50). This lot of pulps consists of Argosy Nov. 25, 1933 (FN); Sept. 8, 1934 (VG); Mystery Tales May 1940 (GD); Operator #5 Nov/Dec. 1937 (VG+); and Real Mystery Apr. 1950 (GD/VG). The 1933 Argosy is in particularly nice condition. The two "Mystery" pulps were published by Red Circle, a company with close ties to Marvel Comics. The Ultimate Guide to the Pulps VG value for group = $430.
Science Fiction Quarterly Group - Yakima pedigree (Columbia, 1954-55) Condition: Average VF. This pair of high-grade science fiction pulps hail from the celebrated Yakima collection. This lot consists of Science Fiction Quarterly Nov. 1954 (V3#3) and Feb. 1955 (V3#4). Both have cover artwork by Kelly Freas, and the fresh, white pages Yakima pedigree pulps are treasured for. The Ultimate Guide to the Pulps VG value for group = $15.
The Shadow V46#4 and V46 #5 Group - Yakima pedigree (Street & Smith, 1943-44) Condition: Average VF. Here are the first two issues of the digest-sized Shadow pulp, from Dec. 1943 and Jan. 1944. They're beautiful high-grade examples from the Yakima pedigree collection. Both are clean and colorful, with sharp corners, full spines, and brilliant, white pages. Like the Mile High pedigree in comics, the Yakima pulps are difficult to describe -- their full impact must be felt in person to properly appreciate. The Ultimate Guide to the Pulps VG value for group = $60.
Shadow Magazine V14#1 (Street & Smith, June 1st 1935) Condition: VG+. The Shadow finds himself reflected in the glass of a clock on this moody cover by George Rozen. The feature story in this issue is "Murder Every Hour" by Walter Gibson. This pulp has wonderfully white paper, a full spine, and great cover colors, but there is some thin "tape pull" type of damage on the cover, near the spine. Thankfully, it's not terribly obtrusive, and there are enough redeeming qualities to make this a very desirable pulp. The Ultimate Guide to the Pulps VG value = $125.
Startling Stories V13#1 and V22#3 Group - Yakima pedigree (Standard, 1946-51) Condition: Average VF. Both of these science fiction pulps have cover art by Earl Bergey, and his art never looked so good as it does on these high-grade Yakima copies. The Winter 1946 (V13#1) and Jan. 1951 (V22#3) issues both have Captain Future stories by Edmond Hamilton, and both are in fantastic condition, with bone white pages, sharp spines, and a minimum of overhang wear. These are some of the nicest pulps you'll ever have the pleasure of owning. The Ultimate Guide to the Pulps VG value for group = $35.
Startling Stories Group (Standard, 1947-52) Condition: Average VG (trimmed). This lot of 11 great science fiction pulps consists of the following issues of Startling Stories: May 1947, Jan. 1951, Mar. 1951, May 1951, July 1951, Sept. 1951, Feb. 1952, Mar. 1952, Apr. 1952, May 1952, and July 1952. These pulps all have clean, colorful covers, and bright, supple pages. They would grade higher, but the covers were all trimmed on three sides to eliminate the overhang. Three covers are by Alex Schomburg, and most of the others are by Earl Bergey. Story highlights include a Robert Heinlein short, a story by Arthur Clark, and Frank Herbert's first published sci-fi story. The Ultimate Guide to the Pulps VG value for group = $125.
Terror Tales V12#1 (Popular, March 1940) Condition: FN. This shudder pulp has a wild "good girl"/headlight/bondage cover! Undead ghouls wrestle with a partially mummified blonde as a whip-wielding Egyptian looks on. The top stories in this issue are "The Corpse's Wedding Night" by William Hines, and "Satan's Virgin" by Ray Cummings. The condition is great, with only light overhang wear, and virtually no other defects; the pages are a supple cream to off-white. The Ultimate Guide to the Pulps VG value = $100.
Unknown Worlds V5#4 and V6#3 Group - Yakima pedigree (Street & Smith, 1941-42) Condition: Average VF. Here we offer two copies of the bedsheet-format pulp Unknown Worlds, one from Dec. 1941 (V5#4) and one Oct. 1942 (V6#3). Both come from the remarkably well-preserved Yakima collection. The Dec. 1941 issue has the story Brat by Theodore Sturgeon, while the Oct. 1942 issue contains the Robert Heinlein novella The Unpleasant Profession of Jonathan Hoag, written under the pseudonym "John Riverside." Both pulps are in excellent condition, with the spectacularly white pages Yakima copies are famous for. The Ultimate Guide to the Pulps VG value for group = $45.
Unknown Worlds V5#3 and V5#5 Group - Yakima pedigree (Street & Smith, 1941-42) Condition: Average VF. This lot consists of two Yakima pedigree copies of the bedsheet-format science fiction pulp, Unknown Worlds, from Oct. 1941 (V5#3) and Feb. 1942 (V5#5). The Oct. 1941 issue is the first bedsheet issue and has the stories Borrowed Glory by L. Ron Hubbard and The Land of Unreason by L. Sprague de Camp. The Feb. 1942 issue also has a Hubbard story, He Didn't Like Cats. Both pulps are in top condition, with the stunningly fresh page quality the Yakima pedigree is renown for. A nice pair of high-grade pulps, with great stories from Scientology founder and science fiction innovator, L. Ron Hubbard. The Ultimate Guide to the Pulps VG value for group = $50.
Silver Age (1956-1969)
The Aardvark Group Of Four - First Printings (Jeff Begun, 1962) Condition: Averages GD/VG. This is a college parody magazine out of Chicago that was the first to publish art by Bijou Funnies founder Jay Lynch! Some features include an interview with Shel Silverstein, a cover showing Barry Goldwater, protests, politics, and the great space race with Russia. These pieces of ephemera perfectly capture the Zeitgeist of 1960s America. They grade as follows: V1 #1 (VG), V2 #3 (VG-), V2 #4 (GD+), and V3 #1 (GD/VG).
Adventures Of Jesus - First Printing (Gilbert Shelton, 1962). Offered here is the Book of Genesis when it comes to Underground Comix. This lot includes one of the 4 examples of Frank Stack's original incarnation of the Adventures Of Jesus known to exist. Many folks know Stack by his pseudonym "Foolbert Sturgeon." Only 42 of these were published back in 1962, and it is very doubtful that any more exist outside of the 4 found in William Helmer's footlocker a little over a decade ago. These mimeographed papers represent the earliest efforts of Stack, and these were some of the same cartoons subsequently printed in Gilbert Shelton's "The Austin Iconoclastic Newsletter." These early editions were not sold, rather they were only passed out to friends and fellow students. There are 14 pages and they measure 8.5" by 11". The original printing was listed in Jay Kennedy's Underground Price Guide at $600 way back in 1982! This lot also includes a Second Printing, done in 1963, as well as a subsequent 1978 printing. Jay Kennedy refers to the 1978 printings as "Facsimile Editions." A set consisting of one each of all three: First, Second, and the 1978 printings sold ten years ago for $4,500! This lot includes extensive documentation as to the authenticity of the pieces, including correspondence between Playboy Editor William Helmer and Gilbert Shelton. This is where it all started. Behold!
Bronze Age (1970-1979)
Air Pirates Funnies #1 & #2 (Hell Comics Group, 1972) Condition: NM-. A set of some of the most controversial comics of all time. The "Air Pirates", Dan O'Neill, Bobby London, Gary Halgren, and Shary Flenniken, were sued by Disney for portraying their most beloved characters in the most human ways. After years of fighting, the pirates won and many of the parody laws we have today were established. The two issues of this groundbreaking title are nearly perfect, only minor touches at the top and bottom of the spines keep these books from grading higher. Two books that no Underground collection should be without!
Artistic Comics #nn (Golden Gate, 1973) CGC NM+ 9.6 Off-white to white pages. This was the first time that people got a look at the now famous Robert Crumb sketchbooks. This is by far the highest-graded copy of this 68-page Underground, and a great addition to any Underground collection! Overstreet doesn't currently list Underground values.
Silver Age (1956-1969)
Austin Iconoclastic Newsletter, The V1#2 (Austin Iconoclastic Newsletter, 1964) Condition: GD+. Before the era of Underground comix, or newspapers, many of the early underground artists started their own self-published comix or newsletters. This is just such an example, it features early art by Gilbert Shelton, Jack Jackson, and Tony Bell. The back cover is a very early "Adventures of Jesus" strip from Frank Stack (Foolbert Sturgeon). This copy has the distinction of not being folded, as most copies were. It does, however, have a few small spot stains that keep the grade down, but this is a structurally sound copy of what many folk consider to be the first underground comic ever.
Modern Age (1980-Present)
Baron Von Mabel's Back Packing - Softcover - Fred Todd File Copy (Rip Off Press, 1980). The late Sheridan Anderson was a regular contributor to the Rip Off Press compilation magazines. But more than Undergrounds, he loved the outdoors; he even chose to live most of his life on an Indian reservation in Oregon. He put out several books on the great outdoors that included fantastic illustrations. This one, Backpacking, was published by Rip Off Press. In excellent shape, the advice on backpacking is invaluable, and the illustrations are great! It also comes with a promotional postcard for the book that was mailed out to R.O.P. customers. From the collection of Rip Off Press owner Fred Todd
Bastard - Hardback (Futuropolis, 1984) Condition: VF/NM. Published in Paris and distributed by Last Gasp in the USA, this small book is full of big-time obscenity! With alternating art by Underground Comix veteran S. Clay Wilson and Dutch comics artist Bernard Holtrop, who signs his work "Willem," this publication's contents are fit to offend nearly anyone. Measuring 4.5" x 6.25", this hardback book has a clear plastic dust jacket. This copy is autographed by the author S. Clay Wilson.
Bronze Age (1970-1979)
Best Buy Comics #1 (Apex Novelties, 1979) CGC NM 9.4 White pages. Here is the a desirable high grade first print of R. Crumb's Best Buy Comics #1, which is easily recognized due to later printings that used different cover art. It's also has the $1.00 cover price that distinguishes it from the second printing. Rare in such high grade, it's an all-Crumb affair, with nearly all contents by Robert Crumb, plus a few pages by Aline Kominsky-Crumb. To date, no other copies of this issue have been graded higher by CGC. Overstreet does not list this or any other Underground comix at this time.
The Best of Bijou Funnies - First Printing (Bijou Publishing, 1975) Condition: FN/VF. With a wraparound cover by Robert Crumb, this is the BEST from the pages of the popular underground Bijou Funnies! Artists include: Crumb, Jay Lynch, Skip Williamson, and Jay Kinney, this book will keep you in stitches and expand your mind at the same time.
Silver Age (1956-1969)
Bijou Funnies #1 - Second Printing (Print Mint, 1968) CGC NM 9.4 Off-white to white pages. Featuring a Zap-like line-up of Underground superstars, this comic had contributions from Jay Lynch, Skip Williamson, Robert Crumb, Gilbert Shelton, and Jay Kinney. Published out of Chicago by Williamson and Lynch, the pair had published three issues of the Chicago Mirror before being inspired by Zap to try out the comic book format, and this is the result. This is a must for any serious underground collection.
Bijou Funnies #1 First Printing (Print Mint, 1968) Condition: VF-. Featuring the work of Skip Williamson, Robert Crumb, Jay Lynch, Gilbert Shelton, and Jay Kinney, few Underground comix are as significant as this one. Scarce, and highly sought after, these almost never surface for sale. Originally cut and bound by hand, the printing irregularities and 1/4" overcover make this immediately recognizable as a true first printing - however the hand-crafted nature of this comic has caused major problems for keeping copies in high-grade condition. Generally the parts of the front and back cover that overhang the interior got easily frayed and torn, which means that finding a copy in VF or better condition is nearly impossible. Since it was published so early in the Underground Comix movement, this book was generally treated more cavalierly than more mainstream comics. Even if the book had been treated gingerly, natural pressing of the covers against the interior would almost always have formed a distinct crease with friction wear. This copy has no tears or fraying, and the overhang creasing is extremely minor; less than we've ever seen before. An extremely rare comic, this is undoubtedly among the nicest copies in existence.
Bijou Funnies #2 - First Printing (Print Mint, 1969) CGC VF/NM 9.0 Off-white to white pages. Here is the second issue of one of the most influential Underground comix of all-time. It features art by a veritable who's who in the Underground, including Jay Lynch, Skip Williamson, Robert Crumb, Art Spiegelman, Gilbert Shelton, Kim Deitch, and more. To date, this is the only CGC-graded copy of this issue. Snappy Sammy Smoot says "buy this comic." Overstreet does not list this or any Underground comic issues.
Modern Age (1980-Present)
Bring Me Your Love Hardback, Signed & Numbered 10 of 376 (Black Sparrow Press, 1983) Condition: VF/NM. Here is another collaborative effort that pairs the artwork of Robert Crumb and the writing of Charles Bukowski. An original publisher's promotional broadside, included with this book, describes this work as a "mind-destroying collaboration between two giants of the American Underground." This book was released on the mass market as a trade paperback, but this is the scarce, limited hardcover edition that is signed and numbered by both Crumb and Bukowski. It is additionally inscribed with a personal message by Bukowski to his lawyer, Arthur Applebaum, complete with one of Bukowski's self-caricature doodles. Bukowski's signature alone has been selling for over $300! A rare and attractive item, this is in excellent condition, and comes complete with its original acetate dust jacket. We are honored to bring you this rare hardback, which we know you'll love.
Silver Age (1956-1969)
Chicago Mirror #1 and #2 (Mirror Publishing Empire, 1967-68) Condition: Average FN/VF. Here are the first two issues of the Chicago Mirror, a late-60s magazine run by Jay Lynch and Skip Williamson. These two issues are the precursor to what would eventually become the highly significant and recognizable Underground title Bijou Funnies. Both of the issues are chock full of strips from Williamson and spot illustrations from Lynch, as well as interviews with all the counter-culture heroes of the day that were coming through Chicago at the time. This is a great pair of mags that are on many collectors' want-lists. Issue #1 grades FN, while #2 is VF.
Conspiracy Capers #1 (The Conspiracy, 1969) CGC VF+ 8.5 White pages. Were you in Chicago in 1968? Conspiracy Capers will bring back those carefree memories of yesteryear with art by Skip Williamson, Jay Lynch, Jim Osborne, and more! Published to benefit the Chicago Eight in their legal fight after the turmoil of the Democratic National Convention of 1968, this Underground was a book with a purpose and will forever be a part of our national history. The advance money from Abbie Hoffman's infamous "Steal This Book" was donated to fund the publication of Conspiracy Capers. A very attractive comic, there is only one copy of this issue that has been graded higher by CGC.
Drawings by S. Clay Wilson 2.00 Limited Edition (San Francisco Comic Book Company, 1969) Condition: Qualified VF/NM. From the mind of the man that created Pork and the Checkered Demon comes this limited edition, magazine-sized, Underground. This reprints many of the pieces from Wilson's infamous "Twenty Drawings" portfolio plus new art just for this book. We are also offering all 20 of the Wilson prints in other lots in this sale. Slight rust at staples, otherwise this copy is as nice as you are likely to find.
Books
Eat It by Dana and Robert Crumb - Softcover, Autographed (Bellerophon Books, 1974). Profusely illustrated by Underground comix artist Robert Crumb, this is a real cookbook by Shery Cohen and Dana Crumb, Robert's first wife. The book is signed by both Robert and Dana Crumb, and features close to one hundred Robert Crumb illustrations. It has an introduction by Paul Cohen and fun recipes that give you a real "70s eating" flavor. This 64-page, 8.5" x 11" book is in great condition, but it does not include the "Kitchen Kut-Outs!" centerfold section. There are no tears, creases, or stains. This is an extremely nice book.
Bronze Age (1970-1979)
Exile Into Consciousness Limited Edition - Fred Todd File Copy (Rip Off Press, 1970). This was the third item published by Rip Off Press. It is a portfolio of Jaxon's paintings from 1962-1969. Some of the images are beautiful and almost still life like. Other images show the emerging Underground cartoonist. The hand screened images inside are in excellent shape. The outer box would grade about Very Good due to it being somewhat unstable cardboard stock, and the condition of the glued-on front and back images. There were only 1000 of these sets put out back in 1970, and today it is a true Underground rarity! From the collection of Rip Off Press owner Fred Todd.
The Fabulous Furry Freak Brothers #1and 2 Pink Page Editions (Rip Off Press, 1971) Condition: VF/NM. In the early 1970s, while Rip Off Press was chugging along and printing some of the best Undergrounds around, suddenly there was a paper crisis. Sure you may remember the gas crisis, but only publishers seem to remember the paper crunch. So to keep their books in print, Rip Off Press bought whatever paper they could find. So were born the "Pink Freaks", copies of Freak Brothers one and two printed on pink paper. The pink edition represents the ninth printing of number one and the fifth printing of number two. With only some minor wrinkles in the spine from the binding process, these books are as nice as any of the pink page editions we've ever seen.
The Fabulous Furry Freak Brothers #2 - First Printing (Rip Off Press, 1972) CGC NM 9.4 Off-white to white pages. This is the highest graded copy Freak Brothers #2. With a dark front and back cover, it is likely that it will be a while before there is another that grades this...high. Join the Underground revolution and add this book to your collection! Gilbert Shelton art.
Felch Cumics #1 Second printing (Keith Green, 1975) Condition: NM. Long out of print, here is a near-flawless copy of the most offensive comic ever. Not for the faint of heart, this comic features gross, but engrossing art by Robert Williams, S. Clay Wilson, Spain Rodriguez, and others. Essential in any Underground comix collection!
Filipino Food Softcover (Olympia Press, 1972). By Ed Badajos, this nice book has cool lettering, colors, and art. Born and raised in Honolulu, Hawaii, Badajos was the editorial cartoonist for the L.A. Free Press and his work appeared in The Staff and The Berkeley Barb. A rare book, its surreal and hallucinogenic art, and full length, text-free story, have strong sexual and political themes. The colorful and abstract cover alone is attention grabbing, and the artwork inside does not disappoint.
Funny Aminals #1, Variant Cover (Apex Novelties, 1972) Condition: NM. One of the tougher to come by Undergrounds from the mid-70s, this book features the first appearance of the Pulitzer Prize winning story Maus by Art Spiegelman. It is also the color variation cover with the letters "U", "N", and "A" on the cover brown and purple, instead of the normal green and blue. There were only about 300 copies printed of this variant cover, about a case. Add to all of this a great cover by Crumb and this is a book that no Underground collection should be without!
Funny Book #1 - First Printing (Almighty Publishing, 1971) CGC VF+ 8.5 Off-white to white pages. The first appearance of Cherry Poptart is the driving force behind the popularity of this Underground. Add to that, it's the highest-graded of several copies by CGC, and it's going to make one collector very happy. Larry Welz and Gilbert Shelton art. Did we mention that Cherry Poptart is in this one?
The Hog Farm and Friends Softcover (Links Books, 1974) Condition: FN/VF. With a killer cover by Rick Griffin, this book tells the tales of the residents of the "Hog Farm", and particularly Wavy Gravy. In decent shape, just a few small dings on the cover, this book makes a unique addition to any Underground comix collection. Forward by fellow Merry Prankster Ken Kesey.
Modern Age (1980-Present)
Jimbo #1 (RAW, 1982) Condition: NM-. This is probably the toughest of the "RAW" one-shots. With only 1000 copies printed, a folded cardboard cover, and newsprint guts that are glued in, many copies were damaged in shipping when they were new. This may very well be one of the finest surviving copies out there!
Junkwaffel #1 (Print Mint, 1971) CGC NM+ 9.6 Off-white to white pages. From the mind of Vaughn Bode comes this comic about a mechanical planet and the creatures that occupy it. Besides being the highest-graded copy of this book, it also has a really nice back cover with art by Bode and Larry Todd. So what are you waiting for! Bid and add this book to your collection! Overstreet doesn't currently list this or other Underground comics.
Kustom Komix #1, Numbered 106 of 300 (Firehouse Kustom Komix Co., 2000) Condition: NM. A self-published comic by San Francisco poster artist Chuck Sperry. He and his fellow artists run a poster company called the "Firehouse". They are known for there excellent graphics and hand silkscreened posters. This is a completely hand silkscreened, hand assembled comic. Each page is printed on poster stock of virgin white paper and the book measures 12" x 18". If you're a fan of Cars, Girls, and Guns then you'll love this book. It is numbered 106 of 300 and is signed by the artist.
Silver Age (1956-1969)
The Life and Loves of Cleopatra #nn, Second Printing, Fred Todd File Copy (Apex Novelties, 1969) Condition: VF. A second printing of one of the rarest of the early undergrounds. The first printing of this book was a giveaway at "The Diggers" free store in San Francisco in 1967. In 1969, Apex Novelties reprinted it and Rip Off Press distributed it. These books were completely printed on newsprint paper and as a result, copies just don't exist with white pages. As a matter of fact, that is one way to tell the third prints from the second prints, the thirds were printed on better paper and have white pages. The only thing keeping this rare Underground from grading even higher is a small stain on the bottom left of the cover. From the collection of Rip Off Press owner Fred Todd.
Bronze Age (1970-1979)
The Mad Peck Catalogue of Good Stuff #4 - First Printing (Mad Peck, 1970) Condition: VF+. The last issue in the series of Underground comix / catalogs from John "Mad" Peck. The publication contains original strips from Peck as well as other East Coast locals, but it also contains ads for "Stash" supplies and posters. A great addition to any Underground collection!
Man From Utopia #1 (San Francisco Comic Book Company, 1972) Condition: NM. One of the few Undergrounds that is 100% Rick Griffin art. This magazine-sized Underground has original covers, but the guts are reprints of mostly unpublished work from earlier in Griffin's career. If you're a fan of either his Undergrounds or his Rock poster art, then this is a book that belongs in your collection.
Books
Maxon's Poe - Softcover Group Of 50 (Word Play, 1997) Condition: Average NM. This lot consists of 50 copies of this handsome volume of seven Edgar Allan Poe stories and poems, illustrated by Maxon Crumb, with a preface by Max's brother, underground legend Robert Crumb. Crumb treasures are generally scooped off the market as soon as they appear, so don't miss this opportunity to do a bit of scooping yourself. The original cover price on these editions was $17.95...you do the math!
Modern Age (1980-Present)
Meet the Beats #nn, Number 51 of 100 (Water Row Press, 1985) Condition: NM. Hand-made and hand-printed, the inside pages of this pamphlet fold out to reveal portraits of the fathers of the Beat movement: Jack Kerouac, Allen Ginsberg, and William S. Burroughs. There is a tipped-in bookplate autographed by Robert Crumb that states "Signed in Paris France, Feb. 86." This is a hip underground collectible for Crumb fans and Beats alike! Real gone, daddio.
Memorabilia
Jay Lynch - A History Of Comix, Poster (Art Institute of Chicago, 1970s). The School of the Art Institute of Chicago Presents... A History Of Comix. This scarce promotional poster is drawn by noted underground artist Jay Lynch, and also touts a college summer session in comics and comic art taught by Lynch himself. A student could earn 3 credit hours studying comic books! Lynch's characters Nard 'n' Pat, plus Skip Williamson's Snappy Sammy Smoot are on the back of one of the comics being enjoyed by a pair of readers near the bottom right. This poster has a horizontal crease through the middle, but is otherwise in very nice condition. Handsomely matted and framed, this piece has an overall size of 19" by 26".
S. Clay Wilson - The Flyin' Fuckin' A Heads...., Art Print (undated). S. Clay Wilson published a portfolio of 20 drawings in 1967, prior to the publication of Zap #1, and it remains a very collectible and rare item. The image for this print came from that early portfolio. This image again saw light when Clay's early portfolio was later published as S. Clay Wilson Portfolio Comix by Print Mint in 1970. It is also reproduced in Rebel Visions by Patrick Rosenkranz, so this is one of the more indelible scenes in all of underground comix. This large, but undated, high-quality print measures 21" x 28.5" and is signed and dedicated by Wilson.
Howard Cruse - Radical Humor Festival Poster (1982). A boisterous two-color poster for a festival sponsored by the leftist magazine Cultural Correspondence and the NYU Center for Marxist Studies. Cultural Correspondence began in the mid-1970s publishing articles on popular culture, including Underground Comix. Howard Cruse began his comix career in the early 1970s in publications like Comix Book and Snarf. He is perhaps best known for his character Barefootz. After leaving New York City, this "festival" would move on to St. Louis, Seattle, and San Francisco. Even those not familiar with Cruse's "cuter" style will enjoy this terrific poster. This piece is professionally double-matted and framed, measuring 23" x 27". Power to the pupil!
Spain Rodriguez - Memorabilia Poster, "Origins of the Beat Generation" (Earth Magazine, 1971). Greasers, bikers, gearheads, and poets have long been the subject of Spain's art. This long out of print poster is just one example of his fascination with the late 1950s and early 60s. Picturing a pivotal gang fight from the mid-50s this poster even has a cameo by Marilyn Monroe! It is signed "Never turn your back on....Spain." In excellent shape, this poster is framed to an overall size of 25" x 34" with an image area of 19" x 28".
Bronze Age (1970-1979)
Motor City Comics #2 Third Printing (Rip Off Press) CGC NM/MT 9.8 Off-white to white pages. It's "Hippies" vs. "The Man" on the cover of this Robert Crumb classic. It also features the continuing tales of "Lenore Goldberg and her Girl Commandos." This is the highest-graded copy currently in CGC's census for the issue. Overstreet does not currently list values for Underground comics.
Mr. Natural #1 - First Printing (Apex Novelties, 1970) CGC VF 8.0 Cream to off-white pages. Robert Crumb gives his profane philosopher Mr. Natural his own comic, and we're treated to a wonderful all-Crumb effort. This issue is not easy to find, and it consists mostly of original material, and even has the origin of Mr. Natural. Flakey Foont, Shuman the Human, and many other familiar underground Crumb characters are also featured. Overstreet does not list this or other Underground comic issues, but a 9.4 copy of this book sold in our last auction for almost $900!
Mr. Natural #2, Second Printing (Apex Novelties, 1971) CGC NM 9.4 Off-white to white pages. One of the nicer copies of this the second issue of Mr. Natural. With Robert Crumb from cover to cover, this book will look good in any collection! This and other Underground comics are not currently listed in Overstreet.
Mr. Natural #2, Unused Cover (Apex Novelties, 1971). An uncut, unused cover for Mr. Natural #2. This uncut cover is from the third printing. Unused Underground covers in this nice of shape are tough to come by, probably due to the small print runs. A great addition to any Underground collection. Overstreet does not currently list values for Underground comics.
Mr. Natural #3 (Apex Novelties, 1977) CGC NM+ 9.6 White pages. Only one person in the world has all the answers, and that sage is none other than Mr. Natural. Notorious for being read to death, undergrounds rarely come around in such a high state of preservation as this copy. To date only one CGC-graded copy of this issue has managed to grade higher. Overstreet does not yet list a value for this or any other Underground Comix.
Music Memorabilia
Gilbert Shelton - Blow Your Mind Rock Concert Poster (Vulcan Gas Works, 1967). Gilbert Shelton is best known as the creator of the Fabulous Furry Freak Brothers and Wonder Warthog. Like many poster series, the Vulcan Gas Works numbered their posters, and this one carries the designation of VG-5. Many other future Underground artists are well known for the poster work they did at this time, including Rick Griffin and Victor Moscoso, but most people are unaware of Shelton's efforts in this medium. The bands featured in this 22.5" x 29" poster are The Thingies and Golden Dawn. There are minor creases at the upper right and lower left corners, and a few trivial stains. With its psychedelic colors, and lettering in the mushroom cloud formed by minds being blown, this poster will be right at home with any collection of early Rock 'n Roll or Underground memorabilia.
Gilbert Shelton and Tony Bell - Music Memorabilia Poster, "The Heart" (Vulcan Gas Works, 1967). In an era before Undergrounds had the distribution that they have today, many Underground artists produced their own small press books, sometimes handmade. Many also worked for their local rock music promoter, designing trippy posters. In Texas, one of the more famous clubs was the Vulcan Gas Works in Austin, and for the first couple of years of its existence, Gilbert Shelton was its main artist. This poster bears the designation of VG-3, because it was the third show at the club. Featuring local bands "Conqueroo" and "The Swiss Movement", it has tack holes at all four corners and some trivial creasing at both the upper and lower right corners. It measures 22.5" x 28".
Silver Age (1956-1969)
The New Adventures of Jesus - First Printing (Rip Off Press, 1969) Condition: FN+. This is the third book published by Rip Off Press. It collects all of Foolbert Sturgeon's (Frank Stack) "Adventures of Jesus" strips from newspapers and other places the strip appeared, along with new material! Due to the stiffness of the cover, there is some light scratching to the spine, but overall this is a very clean, scarce, and significant Underground.
Books
Odkin Son of Odkin - Limited Edition (Wallace Wood, 1981) Condition: VF/NM. In this, the sequel to The Wizard King, Wood is joined on this book by young artist Peter Hsu. Like its predecessor, it was also limited to 1,000 copies. The book is in outstanding shape, but the dust jacket has three very small tears along the top. In this second book of the series, Wood tantalizes the reader with the mention of a third book. Unfortunately it never happened.
Modern Age (1980-Present)
The People's Comics #nn (Golden Gate, 1972) CGC NM 9.4 Off-white to white pages. A great Robert Crumb cover wraps around the first book with stories by Harvey Pekar in it. With all the hype surrounding the "American Splendor" movie, this is one Underground book to keep an eye on! Also of note, this is the highest-graded copy by CGC at this date. Currently, Overstreet does not list Underground comics.
Bronze Age (1970-1979)
Promethean Group (Promethean Enterprises) Average Condition: NM. Here is a high grade batch of these early San Francisco Bay Area Underground fanzines. They feature covers, and interior art by Robert Crumb and Rick Griffin, two Underground legends. This is a great opportunity to obtain the first four issues of the run in one fell swoop.
Silver Age (1956-1969)
Radical America Komics V3#1 Fred Todd File Copy (Rip Off Press, 1969). This is something that you don't see every day; a copy of Radical America Komiks before it is trimmed down. In the early days of printing Undergrounds were printed a bit like maps, pages would be printed in sections on a large piece of paper. Then the paper was folded over and over, a cover was attached, and the whole thing was cut down to size. This gave them an assembled comic ready to ship. Offered here is what could be called a printer's proof. The book pages are large and folded into their order, with no edges cut off. The cover is unattached and hasn't been trimmed either. A unique, rare version of this tough to come Underground! From the collection of Rip Off Press owner Fred Todd.
Bronze Age (1970-1979)
R. Crumb Group (Various, 1970s) Condition: NM. A collection of high-grade copies of some of Crumbs best books from the 70s. Included in this lot are Your Hytone Comix #1 (1st printing), Black and White Comics #1 (1st printing), Big Ass Comics #1 (4th printing), Big Ass Comics #2 (2nd printing), Motor City Comics #1 (5th printing), and Motor City Comics #2 (3rd printing). In the case of books that aren't first prints, they are still seventies editions. In many cases, when a reprinting was done, it was done in small quantities; that way, if the books didn't sell, they weren't stuck with a ton of copies. All of the books in this lot grade Near Mint or better.
Modern Age (1980-Present)
R. Crumb Checklist by Don Fiene - Hardback (Boatner Norton Press, 1981) Condition: VF. Here's an uncommon book that's highly regarded by Robert Crumb enthusiasts. Long out of print, this book contains an exhaustive index and checklist of his work and criticism, catalogued and listed up to the date of publication in 1981. This nice 170 page hardcover, with an equally nice dust jacket, has light foxing around the page edges but is virtually perfect otherwise. Here's a great opportunity to acquire one of these elusive hardback guides to Crumb's body of work.
R. Crumb Sketch Book Group Of Four (Herstellung Dieter Kohler & Bernd Leberfinger, 2000). Four of Robert Crumb's six Sketchbooks (with slipcovers) are present in this great hardcover group lot. Also included are the pamphlets which provide translations into German which are often missing when these Sketchbooks surface for sale. At over 300 pages each, these books are chock full of hundreds of illustrations by the father of the underground comix movement. Some examples of the illustrations contained here are sketches of some of his well-known characters, including: Mr. Natural, Fritz the Cat, Snarf, Devil Girl, Eggs Ackley, and the Vulture Demoness, as well as drawing studies of hands and feet, a sketch of tin toy robots, a gorgeous Patti LaBelle portrait, numerous drawings of his wife "Honey Bunch" Kominsky, racist caricatures in his unique style, self-portraits, a portrait of Hitler, a nice portrait of Fantagraphics publisher Gary Groth, and of course, hundreds (if not thousands) of sketches depicting beautiful women. Additionally, there are hundreds of sketches of people from every day life, in every day settings, a few cartoon strips, and much, much, much more! It is also worth noting that the 1974 to 1978 volume has been signed by Crumb... bonus!
Rick Griffin Softcover - First Printing (G. P. Putnam's Sons, 1980). Long out of print until just recently, copies of this scarce first print Paper Tiger art book by Gordon McClelland are highly prized by fans of this great artist. Covering Rick's work from his early surf art with Murphy, through the Rock Show posters, and underground comix, to his later religious artwork, this book is 8.5" by 11" with 98 pages loaded with high quality reproductions of artwork, most in full color. This copy is in particularly impressive condition, like new, defect-free, and apparently never read. This book's imaginative art and superior production quality are truly inspirational, and will undoubtedly please the winner of this lot.
Bronze Age (1970-1979)
San Francisco Comic Book #1 - First Printing (Print Mint, 1970) CGC FN/VF 7.0 Cream to off-white pages. The first underground title published by Gary Arlington, this comic offers an eye-catching monster cover drawn by Rory Hayes. Inside, readers were treated to an early appearance of Robert Crumb's Flakey Foont, and other features with art by Spain Rodriguez, S. Clay Wilson, Rick Griffin, and Jack Jackson. To date, this is the only copy of this issue to receive a CGC-certified grade. Overstreet does not list this or other Underground comic issues, but Jay Kennedy pegged this one at $60 back in 1982.
Silent Majority Comix #2 (Rip Off Press, 1970) Condition: NM. This is the giveaway version of the larger comic "Uncle Sam takes LSD." In the early 1970s, when Rip Off Press was still located in San Francisco, the people working at and running R.O.P. were very involved in the anti-war movement. 1,000 copies of this mini-Underground were printed and given away at anti-Vietnam War rallies around town. As a folded eight page Underground, they are very tough to find in high grade. All that keeps this unread copy from grading even higher is the slight uneven quality of the original folds.
Silver Age (1956-1969)
Snatch Comics Group (Apex Novelties, 1968) Condition: NM. A complete set of some of the raunchiest Undergrounds ever! This lot contains Near Mint or better copies of the following books, Snatch Comics #1 (4th printing), Snatch Comics #2 (5th printing), and Snatch Comics #3 (2nd printing). Though the printing numbers may vary, these books all were printed in the early 1970's. With some of the most politically incorrect cartoons ever to come from Crumb, this set is essential in any Underground collection.
Snatch Comics #1 -- First Printing (Apex Novelties, 1968) CGC Qualified NM- 9.2 Off-white to white pages. This is the extremely difficult-to-find first printing of one of Robert Crumb's most infamous comix, and undoubtedly one of the most significant Underground comic books ever published. Snatch Comics was controversial from the word go. With a title guaranteed to offend, and an interior chock full of sex and debauchery, Crumb and Apex had a winner on their hands! These books were assembled by hand and cut by hand with a dull blade, which accounts for the uneven page edges. The colors on this copy are blazingly bright and beautiful, and it is the sole sister copy to the uncertified one that realized over $2,000 in our last Signature Auction. Only 800 copies of Snatch Comics were printed in the first run, and not very many of them survived. Snatch it up! Overstreet does not currently list Underground comic values, but that does not make them any less desirable.
Bronze Age (1970-1979)
Snuk Comix #1 Wilderness Road And Flippy Skippy (Skip Williamson, 1970). When the printer wasn't paid for this comic, he pulped everything in sight, and only Skip Williamson's fast acting saved these pages. This neatly framed collection of printed pages represents one of the last remaining vestiges of what is, perhaps, the most intriguing Underground comix that almost was. In fact, only two other examples of this comic are known to exist...one brown and one red...and they're not for sale. Produced for the radical rock band Wilderness Road, this comic featured Abbie Hoffman on the cover, and tells a delightful tale of Snappy Sammy Smoot who is targeted by Chief Executive Richard Nixon. This lot consists of 10 of the 12 pages from the book. Four separate pages and the cover are all contained side-by-side in one large frame, displaying a complete story.
Tales From The Tube #1 (Group of Two) - First Printing (Surfer Publications Inc., 1972). This comic was originally published as an insert in Surfer Magazine V12#6, (later reprinted as a stand alone by Print Mint). Loaded with fantastic Rick Griffin art, Rick recruited his Zap buddies to also contribute features to it; S. Clay Wilson, Jim Evans, Glenn Chase, Ogden, and Robert Crumb participated. Crumb's page inside the back cover stimulated much negative reader response. Original copies like this are very difficult to find in high grade. One copy is a VF-, while the other is a VG. Full of great art, one bidder will get two copies of this cool book, which crosses underground comic art with surf culture.
Tales of Toad Group - First Printings (Print Mint, 1970). Here's a group of all three issues of Tales of Toad by Bill Griffith. Issue number two contains the first appearance of Zippy the Pinhead! Griffith is widely considered the most well-known and successful Underground creator besides Robert Crumb. Issue #1 is a VG+, issue #2 is VF/NM, and issue #3 is a NM-.
Books
The Movie: Barfly - First Edition - Autographed Hardcover (Black Sparrow Press, 1987) Condition: VF/NM. This volume, by internationally acclaimed contemporary poet and author Charles Bukowski, is a signed and numbered first edition that has a small original doodle next to his signature. The movie "Barfly" is not one to be soon forgotten with its oft hilarious portrayal of the interaction and romance between two down and out drunks just trying to make a go of every day. This is #268 of 400 signed copies, and looks to be unread with only minor shelf-rubbing at the bottom edge.
Modern Age (1980-Present)
There's No Business Hardback, Signed & Lettered "Q" 17/26 (Black Sparrow Press, 1984) Condition: VF/NM. This is a very cool, very scarce, limited first edition hardcover from underground artist Robert Crumb's Black Sparrow Press run in the early 1980s. These ultra-rare lettered copies virtually never surface for sale - after all, there are only 26 of them! This copy is signed by both Robert Crumb and Charles Bukowski, and is letter "Q" of 26 lettered copies. Bukowski's signature alone has been selling for over $300! Complete, with the original publisher's acetate dust jacket, this is a handsome item signed by the pair of visionary artists who produced it. Make it your business to own this copy!
Silver Age (1956-1969)
Attica - Memorabilia Poster (1971). This limited edition silkscreen poster was done for the purpose of raising money for the Black Liberation Struggle. The Attica riots were due to poor living conditions for prisoners, and helped to shed a light on the inequities of the American justice system at that time. A very low number of these were printed, and not many have survived to this day. This is an exceptionally rare piece of historically significant Black Americana. Framed to 24" by 32", the image area is 19" by 27".
Fabulous Furry Freak Brothers Print by Gilbert Shelton 32/250 (Rip Off Press, 1983). A beautiful high-quality limited edition print featuring a classic image of the three perennial hippy dope fiends; Fat Freddy, Freewheelin' Franklin, Phineas, plus Fat Freddy's Cat. With vivid day-glow colors, this print is of exceptional quality, clean, and measures 20" x 20." Signed by underground great Gilbert Shelton, this print is number 32 of 250. This is the perfect item to add some class to your blacklight room!
Robert Williams - Original Prints, "Inebriation", numbered 82/150 (undated) Here is a gorgeous print of a painting by underground legend and original Zap Comix artist Robert Williams. With fierce pirates and buxom women, this portrait will appeal to both underground fans as well as lovers of the high seas! Overall size of this print is 20" x 20". Ahoy, matey!
Conspiracy 8 - Music Memorabilia Group, "Defend Free Speech" (undated). The first piece in this lot is a small poster that was put up around Chicago after eight people were charged with causing the riots outside the Democratic Convention of 1968. Among them were Abbie Hoffman and Jerry Rubin. A unique collectible from a tough time in American history. It is framed to an overall size of 8" x 20", it has an image area of 5" x 17". The second item is a first-day-cover stamped envelope signed by Jerry Rubin framed and matted with a photo of the Chicago 8 defendants. It is framed to an overall size of 14" x 18". The third piece in this lot is a matted and framed 11" x 14" photo of Abbie Hoffman. All photos in this lot are by noted photographer Paul Sequeira. It is framed to an overall size of 16" x 20". This lot will serve as a reminder of a time when freedom wasn't free.
Abbie Hoffman - Memorabilia Autograph (1988). A bold, ballpoint signature from 60s radical and organizer, Abbie Hoffman. He is best known for being a member of the "Chicago 8" and for his bestseller "Steal this Book!" He went "underground" in the early 1970s and wasn't publicly seen for almost 15 years, in fear of government conspiracies against him. This is a signed piece of paper framed with a 3" x 5" black and white photo of Hoffman in his American flag shirt. This photo was taken by noted photographer Paul Sequeira. It is framed to an overall size of 12" x 16".
We Carry... Comix Poster by Peter Poplaski (Kitchen Sink, 1978). The complete title reads "Yes, We're a High Class Establishment. We Carry... Comix." This excellent poster advertisement for Kitchen Sink Enterprises and Krupp Comics (later Kitchen Sink Press) is by Underground Comix artist Pete Poplaski. Here he apes the styles of various cartoonists including Dennis Kitchen, Gilbert Shelton, Kim Deitch, and Wally Wood. The two main characters are done in the style of Basil Wolverton. Also several characters are actually caricatures of cartoonists including, Kitchen, Greg Irons, and Poplaski himself. Nicely done! The poster measures 12" x 18" matted and framed, and is in excellent condition.
Daniel Clyne Advertising Age Creative Workshop - Memorabilia Poster (Iris, 1970). Created to promote the 13th Annual Advertising Age Creative Workshop in Chicago, this poster by underground great Daniel Clyne is in absolutely outstanding condition. The image area on this piece is 22" by 28".
Blab! Magazine Promo Poster - Underground Memorabilia. This attractive poster was used to announce the publication of Blab! #8, everyone's favorite underground out of Chicago. Professionally framed to 18.5" by 25.5", the image area on this piece is 12.5" by 18.5". Listed along both sides of the poster are such notable names as Jeff Johnson, Chris Ware, Frank Stack, Terry Laban, Denis Kitchen, Josh & Drew Friedman, Spain, and publisher Monte Beauchamp.
Skip Williamson - Memorabilia Poster, "Mayday!" (1968). Here is a vintage Viet Nam era anti-war poster by Underground great Skip Williamson. It shows a wind-up general and his guns over a field of skulls with lettering that says "Stop the War Machine. MAYDAY! Washington D.C." In average condition, this piece is framed to an overall size of 13.5" x 18" with an image area of 10.5" x 15".
Mark Beyer - Limited Edition Print #64/100. This limited edition silkscreen print by Mark Beyer was limited to 100 copies, and this example is numbered 64 and signed by Beyer. Attractive and colorful, this piece is professionally framed to 25" by 30", and the image area on this piece is 18" by 24".
Skip Williamson - Animal Lust Poster (1975). This poster was drawn by Underground Comix pioneer Skip Williamson for a retrospective showing of his "cartoon fantasy" art, held at famous jazz club Ratso's in Chicago, and features entertainment by Williamson's own band, Wilderness Road, and Williamson's own comix creation, Snappy Sammy Smoot! This poster, boldly and distinctly signed by Williamson, has a 10.5" x 16.5" image area, and measures a full 14.5" x 20.5" matted and framed.
Gilbert Shelton - "If I Was A Hell's Angel", 45 RPM record (undated). This is a unique 7" test pressing of Gilbert Shelton and his band performing "Southern Stock Car Race" and "If I Was A Hell's Angel". It is the only one in existence. This important piece of Underground history is hand labeled by Shelton, and would be a significant addition to any serious Underground collection! This serious piece of underground history was contained for decades in William Helmer's infamous footlocker cache. You can try, but we guarantee that you will never find another example like this. Be the first person to listen to this record since the mid Sixties!
Robert Crumb - Store Display for Heroes of the Blues Trading Cards (Yazoo Records, 1980). Robert Crumb is a huge fan of the early American blues musicians, and the artwork that he did for Yazoo Records 36 card boxed set is a testament to that fact. This is the point-of-purchase advertisement for this memorable card set. Examples of the actual cards are pasted in place on this piece. This is in excellent condition and has a framed size of approximately 17" x 20" with an image area of 13" x 16".
S. Clay Wilson - Group Of Ten Framed And Autographed Prints (Abington Book Shop, 1967). Here are 10 of S. Clay Wilson's infamous prints, all framed, and all autographed by the artist himself. Underground veteran Wilson signed these in gold pen in 1992, and added the notation "25 Years Later" to each piece. In our July Signature Auction, we sold a portfolio with all 20 Wilson prints for $3,000. Framed to 19" by 16", the image area on each one of these 10 pieces is approximately 14" by 11". There is another lot in the sale which contains the other 10 prints from the set.
S. Clay Wilson - Group Of Ten Framed And Autographed Prints (Abington Book Shop, 1967). Here is a great opportunity to pick up 10 of S. Clay Wilson's infamous prints, all framed, and all autographed by the artist himself. Underground veteran Wilson signed these in gold pen in 1992, and added the notation "25 Years Later" to each piece. In our July Signature Auction, we sold a portfolio with all 20 Wilson prints for $3,000. Framed to 19" by 16", the image area on each one is approximately 14" by 11".
Bronze Age (1970-1979)
Mary Wings - Underground Comix Group (Various, 1970s). Before Howard Cruse and Gay Comix, before Larry Fuller and Gay Hearthrobs, there was Mary Wings. She wasn't the first person to put out Gay comix; they had come back in the 60s with The Man from A.U.N.T.I.E. But she was the first to push her books at comic book conventions, and sell thousands of copies. This lot contains first editions of Come Out Comix from 1974, and Dyke Shorts from 1978. After nearly 30 years, these have become some of the tougher to find Gay comix. Both books are very solid and would grade higher if it weren't for extra price tags on the covers. Back in the 70s, many "head" shops would mark the price up on the Undergrounds to make more money after buying copies directly from the artists. Definitely an important, overlooked creator in the history of Undergrounds.
Books
Underground Comix Price Guide #1, Hardcover Edition (Boatner Norton Press, 1982) Condition: VF/NM. Since the beginning of the Underground Comix collecting hobby, people have wondered "what is my copy of Googiewaumer worth?" and "Is my copy of Mr Natural a first print?" Back in the 1980s Jay Kennedy provided us with answers in the Underground Comix Price Guide. This is the limited, hardcover edition of which only 500 copies were printed. In excellent shape, this guide is virtually unused; just some dirt and a wrinkle on the spine, probably from binding, keep it from being perfect.
Silver Age (1956-1969)
The Conspiracy Stomp Poster by Robert Crumb (Wavy Gravy, 1969). Here is a classic poster drawn by Underground Comix legend Robert Crumb, which announces a concert at the Aragon Ballroom to benefit "The Chicago Eight." The donation required to attend the party was four dollars, with "all money to the conspiracy." Most of Crumb's poster images were lifted from his comic book work, but not this. It is is one of the few original images he drew for a particular event, and is possibly his best. Great lettering, design, with an illustration of an anarchist and his Marxist companion doing a joyful swing-style dance. The concert at the Aragon Ballroom featured Phil Ochs, Abbie Hoffman, Paul Krassner, and Hugh Romney and the Hog Farm Bus, among others. There is a stain along the bottom of the poster, but this example presents itself as well or better than the one that we sold in July for $660. Measuring 13" x 15" matted and framed, this is a very historical piece.
Allen Ginsberg - Music Memorabilia Poster, "Entering Kansas City High" Signed (T. Williams Publishing, 1967). Allen Ginsberg was one of the few successful Beat poets that also found fame and acceptance among the Hippy culture. This poster features one of his poems from 1967 and is numbered "Formula Series #5." As an added bonus, it is signed and dated "Ginsberg 1994." The poster is in excellent shape and measures 16" x 24". Allen Ginsberg was at the center of the counter-cultural movement, and now one of his poems can be at the center of your living room.
Chris Ware - Original Art Print, "Jimmy Corrigan - The Smartest Kid on Earth", 1/25 (undated). A fascinating three-color signed print, the first of a short run of 25 copies. Signed by Chris Ware, who rarely puts his name to his artwork, preferring instead to publish his work under the "Acme Novelty Library" imprint for Fantagraphics. This innovative and melancholy print measures 18" x 26" with an image area of 14.75" x 23". These prints were never publicly advertised for sale, but you now have a chance to acquire this unique first imprint.
Chris Ware - Original Art Print, "Big Tex", 2/80 (undated). A limited edition print #2 of 80, signed by Chris Ware who generally makes a point of not associating his name with his art. Ware, who publishes his work under the "Acme Novelty Library" imprint for Fantagraphics, is one of the best comic artists and graphic designers in the world today. Measuring 17" x 28" with an image area of 14.75" x 23" and printed in black, grey, and cream, this print is larger and more detailed than it originally appeared when published. Ware inscribes this "to the Bucktown Pub" which was the home of the Underground Comix Hall of Fame. This is a dark, but humorous, piece of storytelling and design.
Chris Ware - Original Art Print, "Rocket Sam", 2/80 (undated). A limited edition print #2 of 80, signed by Chris Ware. Measuring 17" x 28" and printed in black and grey, this poster was originally published in Chicago's alternative paper New City. Assuming that Chris Ware kept the first sequential print, this is probably the earliest number sold. Ware inscribes this "to the Bucktown Pub" which contained the Underground Comix Hall of Fame. A wonderful piece -- wry, and superbly designed and executed.
Modern Age (1980-Present)
Uneeda Comix #1 (Print Mint, 1971) CGC NM+ 9.6 White pages. With a Robert Crumb cover and art, this is an all-Crumb publication. Features inside include such classic Crumb characters as Bo Bo Bolinsky, The Simp and The Gimp, Mr. Natural, and Pro Junior and his girlfriend Honeybunch Kaminsky. CGC notes, "1st, 2nd, 3rd, 4th, and 5th printings are believed to be indistinguishable." To date, this is the highest CGC-graded copy of this issue. Overstreet does not list this or other Underground comic issues.
Books
The Wizard King Limited Edition (Wallace Wood, 1978) Condition: NM. From the pages of Wally Wood's magazine Witzend comes the illustrated version of his story "The Wizard King." This is considered by many to be the pinnacle of Wood's self-publishing efforts. Combined with the fact that there were only 1000 of this limited edition book published, it's a definite "must own!" Both the book and dust jacket are in NM condition.
Modern Age (1980-Present)
XYZ Comics #nn (Kitchen Sink, 1972) CGC VF/NM 9.0 Off-white pages. A vintage period all-Robert Crumb book, full of his classic material. Stories include the surreal stream of consciousness "Cubist Be Bop Comics," the "Remember Keep on Truckin'?" parody, the "Many Faces of R. Crumb," and many more. Classic stuff! There are currently only two copies of this issue that have been graded higher by CGC. Overstreet does not list this or other Underground comic issues.
Bronze Age (1970-1979)
Zap Comix #1 - Second Printing - Donahue Edition (Apex Novelties, 1967) CGC NM- 9.2 Cream to off-white pages. This is a second printing of the historic Zap #1, also called "the Donahue edition." Featuring the solo work of Robert Crumb; S. Clay Wilson, Spain Rodriguez, Robert Williams, and others would come aboard by the second issue. Only four copies of this rare book have been graded higher by CGC, and when you consider these books were printed, folded, and stapled by hand, it's amazing this any of these survived in high enough grade to be slabbed. Truly the most significant Underground comic ever published, this title is not listed in the Overstreet price guide.
Silver Age (1956-1969)
Zap Comix #4 File Copy (Apex Novelties, 1969) CGC NM+ 9.6 Off-white to white pages. A wonderful wraparound cover by Victor Moscoso graces this high-grade file copy. This was the first issue that was officially published by "The Print Mint," so getting a file copy only adds to the coolness of this book. Toss in that it's the highest-graded copy by CGC to date and you have yourself a winner! Overstreet does not currently list values for Underground comics.
Bronze Age (1970-1979)
Zap Comix #6 (Apex Novelties, 1973) CGC NM+ 9.6 Off-white to white pages. Here's a beautiful copy of this first printing of Zap that features a cover by Gilbert Shelton. With interior art by Rick Griffin, Victor Moscoso, Robert Williams, Spain Rodriguez, and S. Clay Wilson, this book delivers bang for the buck! Of all the copies slabbed by CGC, this one is the highest-graded! Overstreet does not currently list values for this or other Underground comic books.
Zap Comix #7 (Apex Novelties, 1974) CGC VF- 7.5 Off-white pages. A solid copy of this issue, from the title that started it all. Zap Comix #7 features a great front cover by Spain Rodriguez, plus art from the usual gang of suspects. Don't miss out on adding this first printing to your collection! Don't be looking for an Overstreet value on this one, Dude!
Zap Comix #8 File Copy (Apex Novelties, 1975) CGC NM- 9.2 Off-white pages. Robert Crumb gets deep on this beautiful copy from the files of the "Print Mint." Of all the copies graded by CGC to date, only one other currently grades higher than our offering. No, Overstreet doesn't list a value for this Underground, either!
Original Comic Art
Wayne Boring - Original Comic Strip Art for Davy Jones Daily, dated 9-10-70 (United Features Syndicate, 1970). After being dismissed from DC in the late 1960s, Wayne Boring worked in the syndicated newspaper strip field, primarily ghosting backgrounds on Hal Foster's "Prince Valiant" and working on "Davy Jones" with creator Sam Leff. The strip, an outgrowth of the popular "Curly Kayo" strip, ran from 1961 to 1971, with Boring taking over the art chores from Al McWilliams for the last few years. The example offered here, measuring approximately 18" x 6" overall, is in excellent condition with only moderate use of white-out. The last panel in particular is classic Boring.
Ernie Bushmiller - Original Comic Strip Art for Nancy Daily dated 7-4-41(United Features Syndicate, 1941). Sluggo gets the shakes due to an impending slug-out on this strip dated Independence Day, 1941. This strip is very clean and features crisp artwork.
Gene Byrnes - Original Comic Strip Art for Reg'lar Fellers (1928). "Reg'lar Fellers" was a long-running series that spanned newspapers to books and even a movie featuring Carl "Alfalfa" Switzer. This hilarious strip showed the world from a kid's point of view years before Dennis the Menace. This piece is an original Sunday strip that measures 18" x 13.5" with virtually no white-out. There is a 1.5" x .5" piece out of the lower left corner but the piece is present.
Billy DeBeck - Original Art Comic Strip Art for Married Life dated 6-5-26 (King Features, 1926). "Barney Google" was not Billy DeBeck's only creation. He also did a one-panel gag strip titled "Married Life." In this entry, a "considerate" husband enjoys his new Victrola. While not the work that DeBeck is most noted for, this is a great way to get a bit of artwork from one of the progenitors of the art. This piece measures 5.5" x 5.5".
Billy DeBeck - Original Comic Strip Art for Married Life dated 7-2-26 (King Features, 1926). While most noted for his Barney Google character, Billy DeBeck also did a couple other strips like this one-panel gag, "Married Life," which poked fun at Holy Matrimony. This piece measures 5.5" x 5.5".
Jose Delbo and Sal Trapani - Original Comic Strip Art for Superman Dailies, Group of 4 (Tribune Company Syndicate, 1983). Clark and Lois have lunch while Perry White throws a tantrum in these four dailies from the "Superman" newspaper strip. Each page measures approximately 16.5" x 11.25" overall, and both are in excellent condition.
Jose Delbo - Original Comic Strip Art for Superman Dailies Group of 4 (Tribune Company Syndicate, 1984). A rare offering, here are four days of continuity from the popular "Superman" newspaper strip. Not only does Supes himself make an appearance, but you'll also meet Bizarro-Perry White, Bizarro-Lois Lane, and Bizarro Jimmy Olsen! What more could you ask for? Each page, in excellent condition, measures approximately 16.5" x 11" overall.
Jose Delbo and Sal Trapini - Original Comic Strip Art for Superman Sunday dated 1-8-84 (Tribune Company Syndicate, 1984). A charming Sunday page, here Superman answers questions from readers and provides a maze puzzle for your entertainment. Featuring guest appearances by Batman, Green Lantern, Wonder Woman, Hawkman and Lois Lane, this will be a "super" addition to any collection. Measuring approximately 23" x 16.5" overall, this piece is in excellent condition.
Disney Studios - Original Comic Strip Art for Mickey's Christmas Carol Sunday dated 10-3-82 (King Features Syndicate, 1982). This page, featuring Disney's twist on "A Christmas Carol," is the first installment of this feature. Who else but good old Uncle Scrooge could take the lead as his namesake. The bold inks and detail on this piece are absolutely beautiful. If you are a Disneyphile in search of a nice presentation piece, this one might just be right up your alley. Measures 23" x 16", in excellent condition.
Bud Fisher - Original Comic Strip Art for Mutt and Jeff Daily dated 5-31-23 H.C. Fisher, 1923). Mutt and Jeff's friendly rivalry is humorously demonstrated here as they try to elevate their status at a golf club. Fisher's quick line style gave an appropriately tattered quality to the two characters that nevertheless conveyed a wide range of textures in the background imagery that is especially nice in this piece. The art is in nice shape with peripheral edge wear and minor staining. There is a crease running the entire length of the art along the bottom edge. The overall size of this piece is 30" x 10.25".
Bud Fisher - Original Comic Strip Art for Mutt and Jeff Daily dated 6-4-23 (H. C. Fisher, 1923). Mutt and Jeff were always trying to get the better of each other as is the case in this "friendly" game of golf. This daily was also used for the British market as there are a few paste-ups with British terminology. Additionally, a pencil line was used along the bottom to define the proportional area for the British newspapers. This piece is in solid shape with peripheral edge wear and minor staining, and has an overall size of 30" x 10".
Bud Fisher - Original Comic Strip Art for Mutt and Jeff Daily dated 10-16-23 (H.C. Fisher, 1923). Mutt and Jeff are at it again with another get rich scheme - writing a script for a "five reeler" movie. This daily was also used for the British market as there are several paste ups with British terminology and locations. Additionally, an ink line was used to define the proportional area for the British newspapers. This piece is in nice shape with minor staining, and has an overall size of 30" x 11.25".
Bud Fisher - Original Comic Strip Art for Mutt and Jeff Daily dated 11-2-23 (H.C. Fisher, 1923). Mutt and Jeff's long-running title was beloved by the American public because of fun stories like this one that ends up with their horse, "Aspirin" in a hotel suite bed. This piece is in nice shape with minor staining, white-out, and peripheral edge wear. There is also a 1" tear and .75" tear in the bottom margin. There are a few paste ups in the first text panel. It measures approximately 28.5" x 11.25".
Bud Fisher - Original Comic Strip Art for Mutt and Jeff Daily dated 7-29-27. (Bell Syndicate, 1927). Bud Fisher began the "Mutt and Jeff" comic strip in 1907. Though Fisher died in 1954, the success of the strip was such that it survived uninterrupted until 1982. This is an exceptional example of comic strip art due to its political references to the "Reds," with Jeff even writing to President Calvin Coolidge regarding the perceived Bolshevik menace. This piece of art has been professionally matted and framed under plexiglass to an overall size of approximately 20" x 34.75". Engraved brass plates below the image give the publishing info for this particular daily, as well as a brief history of the strip.
Ham Fisher - Original Comic Strip Art for Joe Palooka Sunday page (McNaught Syndicate, ). There was actually a time when Sunday comics were large enough that you didn't need a magnifying glass to read them. This huge example is from that time. It features Joe Palooka with a lot of baseball action. Ham Fisher was a master at action sequences and this page does not fail to please. This page is actually on two separate pieces with the top piece having three tiers and the bottom having two. Together the pieces measure 24" x 19.5". There is virtually no white out to be found but a touch of light staining in a couple of panels. There are also coloring notations in blue pencil in some of the panels and borders. This piece is sure to make some collector very happy.
Frank Frazetta - Original Comic Strip Art for Li'l Abner Sunday dated 1-8-56 (United Features Syndicate,1956). From 1954 to 1962, Frank Frazetta toiled as a "ghost" artist on Al Capp's immortal comic strip "Li'l Abner." The production of the series was a genuine "team" undertaking, and all the artists, including Frazetta, deliberately drew in the Al Capp style that defined the strip's look for decades. Frazetta injected a little of his personal style into a few of the early dailies, such as the Marlin Brando parody storyline. Capp immediately told him to pull back and return to the "house style." Frazetta was reduced to penciling and drawing in the Bigfoot, heavy-handed mode that was at odds with his normal fine line approach. The "Li'l Abner" Marilyn Monroe page is a unique exception. Frazetta wanted to do a tribute to Marilyn, who is his all-time favorite female movie star. Al Capp granted him permission to do the page without help. The result is the only published "Li'l Abner" page that is completely penciled, inked, and lettered by Frazetta himself, with no assistance from the other studio artists. Frazetta himself has confirmed that this piece, the first Sunday strip for the year 1956, featuring the unmistakable likeness of MM in all twelve panels, is 100% his work. This is the only piece of original "Abner" art that Frazetta kept for his own collection. The linework is wonderful and the renditions of Marilyn capture her sexy presence in that distinctive way that made Frazetta world-famous. Never before offered for public sale, this is a unique and important item for Frazetta collectors everywhere. Measuring a large 29" x 20", this piece is in excellent condition and bears Capp's signature in the last panel. It should be noted that there has been a certain amount of professional conservation performed on this piece. Originally glued to a piece of masonite, the art was removed from the board and cleaned. No pieces were added, and none of Frazetta's brushwork was affected. This page is a genuine piece of history and worthy to occupy a place in any major collection.
Frank Frazetta - Original Art for L'il Abner Daily dated 6-17-57 (United Features Syndicate, 1957). One of the longest running strips in American cartoon history, L'il Abner has become an American institution. For a period of time in the 1950s, Capp turned over the drawing chores to an as-then-unknown artist named Frank Frazetta. Artistically, these strips, of which this is a prime example, are considered some of the best of the strip's entire run. This piece is in beautiful condition, with light blue line letter guides running through the top two-thirds of each panel. There is a slight amount of white-out used, mostly to eliminate a border in the first panel, and to correct a few letters in the second panel. Signed by Al Capp, this is a great example of Frazetta's early work. The piece measures approximately 19.75" x 6.5", with an image area of approximately 18.75" x 5.5".
Frank Godwin - Original Comic Strip Art for Rusty Riley Sunday dated 3-23-58 (King Features Syndicate, 1958). Even joining the Shadows Crime Prevention Club doesn't help the diminutive Atom when it comes to being bullied by Muscles. But, as Atom says, "We'll see which will triumph...muscles or brains!" This long-running and well-remembered strip is held in high regard by comics strip afficionados for the exceptional quality of art and writing that Godwin brought to it. The Sunday offered here is an excellent example of this wonderful strip, measuring approximately 24" x 16" overall. In very good condition, the title stat is missing from the first panel, and there are a few instances of type loss, but these minor flaws do little to mar the beauty of this great piece.
V.T. Hamlin - Original Comic Strip Art for Alley Oop Sunday dated 2-8-48 (Newspaper Enterprise Association, 1948). One of the longest-lived characters on comic strip history, Alley Oop, the prehistoric man from Moo, made his first appearance in 1933 and has been going strong ever since. With adventures that ranged from the dawn of time to the far-flung future, readers never knew where Alley would show up next. The Sunday offered here places him in ancient China, listening to a dragon tell about ridding the world of demonic hummingbirds. Both written and drawn by the strip's creator (Hamlin wouldn't hire his first assistant until several years later), this piece is in excellent condition. It measures approximately 26" x 18.75" overall and is signed by Hamlin in the first panel. "Alley Oop" Sundays from this period are quite rare, and it may be quite a while before an example as good as this one is offered again.
Ron Harris - Original Comic Strip Art for Star Trek Sundays dated 8-16-81 and 8-23-81 (LA Times Syndicate, 1981). These two Sunday pages have everything a true Trek-fan could want: Kirk, Spock, Chekov, McCoy . . . even the Enterprise and a Klingon battleship have been thrown in for good measure! Measuring approximately 20" x 14.5" overall, these pages are in excellent condition.
Ron Harris - Original Comic Strip Art for Star Trek Dailies dated 5-28-82 and 5-29-82 (L.A. Times Syndicate, 1982). Kirk and Sulu battle the Kzinti in this exciting sequence from the "Star Trek" newspaper strip. Signed by Kzinti-creator and legendary science-fiction author Larry Niven, the page measures approximately 18.25" x 12" overall and is in excellent condition.
Russ Heath - Original Comic Strip Art for The Lone Ranger Daily dated 3-20-83 (LRTV Inc., 1983). Based on the critically-lambasted "Lone Ranger" feature film, this adventure strip was quite an improvement from an aesthetic standpoint, with fast-moving scripts by comic vet Cary Bates, and phenomenal artwork by the legendary Russ Heath. Well-loved by Ranger fans, examples of original art for this series are exceptionally rare, as much of it was destroyed by the syndicate; precious little survives, and much that does features the Lone Ranger either in disguise, or absent altogether. Offered here is a prime example of the strip, as the Lone Ranger and Tonto corner their comely foe in a mine shaft. All of Heath's strengths are evident in these three brief panels, and the waist-up shot of the Ranger is one of the best. Measures 6" x 17", with only a tiny bit of white-out. Hi-yo Silver! Away!
Russ Heath - Original Comic Strip Art for The Lone Ranger Daily dated 1-26-83 (LRTV Inc., 1983). Here is another example of rare original art from the fan-favorite "Lone Ranger" series, which not only includes great images of the Ranger and Tonto, but General George A. Custer to boot! Measures 6" x 17", with only a tiny bit of white-out.
Burne Hogarth - Original Comic Strip Art for Tarzan Sunday dated 11-11-45 (United Feature Syndicate, 1945). Burne Hogarth's influence on comics and comic strip art is incalculable; along with Alex Raymond, he helped shape every facet of the medium, and few artists in history can deny being influenced by his mastery of storytelling, not to mention form, light and shadow. In this piece our vine-swinging hero tangles with a hyena and struggles through eight action-packed panels to subdue his attacker. The art is boldly signed by Hogarth in the last panel. Very clean, there is virtually no white-out and measures 27" x 20.5". It is a large piece comprised of two pieces of board taped in the middle from the back.
Herbie Karp - Original Comic Strip Art for Donald Duck Daily, Signed by Walt Disney (King Features Syndicate, 3-23-42). A classic Donald Duck daily, this fabulous strip has the distinction of being signed by both artist Herbie Karp and creator Walt Disney. Measuring approximately 22.5" x 5" overall, the zip-a-tone has yellowed with age, but aside from this one flaw, the piece is in excellent condition. It is inscribed in the upper right, "Dear Gordon, How many times have you wished to do just this? Best Wishes, Walt Disney and Herbie Karp." A delightful piece, with two very hard-to-get signatures.
Walt Kelly - Original Comic Strip Art for Pogo Daily dated 5-25-51 (Post Hall Syndicate, 1951) Ah, poetry! In the world of Pogo, even the simplest verse can have graver implications, if you happen to be a bug that doesn't want to get "skooshed"! If you have always wanted to own a piece by a master...this is it. Walt Kelly included all the best characters in this strip and in a way that is more than hilarious. His socio-satirical wit was not to be outdone. There is no white-out and this page is in near perfect shape. It measure 5.5" x 17"
Walt Kelly - Original Comic Strip Art for Pogo Sunday, dated 11-22-59 (The Hall Syndicate, 1959). Howland Owl discourses with a purple cow (whose name, naturally, is Violet) in this wonderful example of a "Pogo" Sunday page. This strip has long been revered as one of the finest strips ever to grace the comics page, and it's efforts like this that lead one inexorably to that conclusion. Chock-full of Kelly's delightful humor, this is a piece worthy of a place in the finest collection. Measuring approximately 24" x 17" overall, this piece is in excellent condition and is signed by Kelly in the last panel.
Walt Kelly - Original Comic Strip Art for Pogo, dates 8-22-61 (The Hall Syndicate, 1961). Considered by many to be the apex of comic strip art, Walt Kelly's "Pogo" entertained a generation of fans with its gentle good humor and its pointed observations on American politics and society. Offered here is a classic strip, featuring Churchy La Femme and Howland Owl as they muse on the eternal issues of right and wrong. Measuring approximately 20" x 6" overall, this strip is in excellent condition and is signed by Kelly in the third panel.
Walt Kelly - Original Comic Strip Art for Pogo, dated 2-16-72 (Publishers-Hall Syndicate, 1972). Ripe-Dan Winkle gives Miz Beaver a short lesson in American History in this three-panel gem from the ever-inventive mind of Walt Kelly. Measuring approximately 18" x 5.5" overall, this strip is in excellent condition and is signed by Kelly in the last panel.
Walt Kelly - Original Splash Page Art for The Jack Acid Society Black Book, page 37 (Simon and Shuster, 1962). A brilliant cartoonist with an incisive eye for politics and society, Walt Kelly has left an indelible mark on the face of American comics. "Pogo" is lauded by many as the finest American comic strip ever to grace the printed page, and Kelly's works are treasured collectibles. The piece offered here, featuring two of Kelly's whimsical creations, measures approximately 10.5" x 12.5" overall and is in excellent condition.
Fred Kida, Alex Saviuk, and Joe Sinnott - Original Comic Strip Art for The Amazing Spider-Man Sunday Group (Marvel, 1996-98). This is a group of five Sunday strips that are mostly penciled by Fred Kida, with Alex Saviuk on the last two. These pieces are in excellent condition with very little use of white out and each are signed by either Joe Sinnott, Alex Saviuk, or Stan Lee. The Spider-Man head in the last panels are stats. These pieces measure approximately 17" x 11".
Larry Lieber - Original Comic Strip Art for Spider-Man Dailies, Group of 100 (King Features Syndicate, 1987-93). Offered here is a cataclysmic collection of spectacular Spidey goodness! 100 original strips for your viewing and collecting pleasure. In addition to the Wondrous Webspinner, you'll also meet Dr. Strange and his man-servant Wong, that merry mutant, the blue-furred Beast, the horrible Hobgoblin, and that devil-may-care Man Without Fear, the one-and-only Daredevil. Not enough for you? What if we throw in the Ringmaster, Mary Jane Watson-Parker, and a killer robot? Still not enough? Within these pulsating pages, you'll see Spidey as a professional wrestler, a high-school guidance counselor, and a magician's assistant. We ask you, O Wise One, what more could you want? Each strip measures approximately 13.25" x 4.35" overall, and they're all in excellent condition. This is an instant collection for anyone out there who doesn't consider patience to be a virtue!
Larry Lieber - Original Comic Strip Art for The Amazing Spider-Man Daily Group (King Features Syndicate, 1993). This lot features 12 almost-consecutive dailies that are dated between 5-3 and 5-17-93. While many of Lieber's artist peers stagnated into retirement, Larry manages to maintain a fresh quality that is apparent in these dailies which feature an origin story of Daredevil. These dailies are in excellent condition with almost no white out and only one small glue stain on the one dated 5-8. These pieces measure approximately 13.25" x 4.25".
Larry Lieber - Original Comic Strip Art for Spider-Man Dailies, Group of 5 Holiday Strips (King Features Syndicate, 1984-96). Everybody loves the holiday season, and in order to honor this time of universal peace and harmony, we've put together one of the most original lots of Spider-Man art you're ever going to see. All five strips in this lot are dated either 12-25 or 1-1 (and we don't have to tell you what those dynamic dates are, do we, Effendi?), with the one from 12-25-90 bearing a personal, holly-bordered Christmas wish from Stan and Larry themselves! Okay, so there's not a lot of Spider-Man in these strips. You still get a heapin' helpin' of J. Jonah Jameson, Robby Robertson, Peter Parker, and more bad-attituded baddies than you can swing a Santa at! Measuring approximately 14" x 5.75" each, these strips are in excellent condition. Only Scrooge would pass this lot up!
Larry Lieber and Dan Barry - Original Comic Strip Art for Spider-Man Group of 6 Dailies (King Features Syndicate, 1986-96 ). Our focus in this lot is on Great and Garrulous Guest-Stars! Who needs a wacky web-head when you've got the likes of Mikael and Raisa Gorbachev, George and Barbara Bush, Larry King, Jerry Falwell, Howard Stern, and even Stan "The Man" himself! Almost all riotously rendered by Liltin' Larry Lieber (with the exception of one strip by Dashin' Dan Barry), you'll also be treated to the likes of Mary Jane Watson, Aunt May, Peter Parker, J. Jonah Jameson, Robby Robertson, and even the diabolical Dr. Doom! Measuring approximately 14" x 5.5" overall, these six unique strips are in excellent condition.
Larry Lieber - Original Comic Strip Art for The Amazing Spider-Man Daily Group (Marvel, 1984-96) This is a group lot of 49 strips that are dated between 12-17-1984 and 12-14-1996. Most feature excellent images of Spider-Man; the Man-Monster, Jonah Jameson, and Prince Namor (the Sub-Mariner) also appear in various strips. All are in excellent condition with almost no white out. Most of them measure approximately 14" x 5.5" in size.
Larry Lieber - Original Comic Strip Art for Incredible Hulk Group of 5 Dailies (Register and Tribune Syndicates, 1979-82). A choice lot of five dailies from the fondly-remembered "Incredible Hulk" strip, with killer appearances by the Jade Giant in each one. Early strips were written by Stan Lee and illustrated by his brother Larry Lieber -- later Larry took on both scripting and art chores. As an added bonus, there's even an appearance by National Register reporter Jack McGee (ably portrayed by actor Jack Colvin in the "Hulk" TV show). The strips measure approximately 17.5" x 7" overall, and are in excellent condition.
Larry Lieber - Original Art Comic Strip Art for The Incredible Hulk Sunday, group of 5 (Marvel, 1979). This is an action-packed lot of five Sunday pages featuring our favorite Green Goliath. Every page features the Hulk in action and in the process of smashing something. The Hulk aficionado will be in for a pleasant surprise with this batch of great artwork. The dates on these pieces are 1-21-79, 2-18-79, 4-8-79, 5-27-79, and 6-3-79. The average size of these pieces is 11" x 23".
Larry Lieber and Rich Buckler - Original Comic Strip Art for The Incredible Hulk Daily Group of 25 (Marvel, 1979-82). In this lot of 25 strips, the Green Goliath appears several times, but most feature Bruce Banner. Though most of the strips are drawn by Lieber, you do get one strip by Rich Buckler. There is liberal white-out on some pages, but all look nice; this lot will definitely thrill the lucky winner. Each piece measures 9" x 12".
Larry Lieber - Original Comic Strip Art for The Incredible Hulk Daily Group (Marvel, 1979). This is a great bargain-hunter's lot of 25 original daily "Incredible Hulk" strips. This lot comes to you directly from the artist, Larry Lieber himself. Most of these strips show Bruce Banner but our green hero makes a couple appearances. You can't go wrong with this fun lot and it's a great way to get a huge jump start on your art collection.
Larry Lieber - Original Comic Strip Art for the Incredible Hulk Daily Group of 10 (Marvel, 1979). This great batch of dailies is just what you need if you are a Marvelite; although the Hulk doesn't appear, there's still plenty of terrific artwork by Stan Lee's brother, Larry Lieber. These pages come straight to you from the collection of the artist himself. These pages have only a minor trace of white-out, and display the mastery of Lieber. 11" x 7.5".
Stanley Link - Original Comic Strip Art for Tiny Tim Sunday dated 12-13-42 (Chicago Tribune, 1942). Stanley Link started out drawing "The Gumps" until he started "Tiny Tim" in 1933. This strip featuring, a young boy shrunk to miniscule size, was a favorite among children. This is a nice, displayable example that will please even the most discerning collector. It measures 13.5" x 20".
Winsor McCay - Original Comic Strip Art for Dream of the Rarebit (New York Herald Co., 1908). This is an amazing example of a fantastic strip by one of the greatest cartoonists of the 20th century. Winsor McCay was a pioneer in both comic strips and animation, and this peice reflects his talent in both fields. It focuses on the game of baseball as the batter hits a ball that travels around the world, crashing through many of the world's greatest landmarks, such as the Brooklyn Bridge, Statue of Liberty, Sphinx of Egypt, Eiffel Tower, and the Houses of Parliament in London. Also significant is this rare look at what a 1908 baseball game looked like through McCay's brilliant eyes, and is thus collectible on multiple levels. The title bar is a stat, as is the copyright bar at the bottom, but all the rest is purely original. In good condition, the piece is nicely matted and framed, measuring approximately 16.5" x 25.5" overall, with some wear and minor paper loss at the lower edge of the top stat. Definitely a fascinating and beautiful piece from a peak period of this beloved strip.
Al McKimson - Original Comic Strip Art Roy Rogers Daily dated 6-28-50 (King Features Syndicate, 1950). Roy and Trigger risk life and limb to rescue a wayward kid. "Al McKimson" is the pseudonym for the brother team Chuck and Tom McKimson. This series started in 1949; this piece is from the second year and measures 6" x 21.5"
George McManus - Original Art Comic Strip Art for Rosie's Beau dated 9-18-38 (King Features, 1938). This hand-colored piece will tickle the fancy of the discerning collector. This stunning example of early work features Jiggs and/or Maggie in nearly every panel. This piece is so absolutely beautiful that you will have no choice but to have it framed and display it prominently. On the reverse is a notation that states "This page was hand-colored by me. Zeke Zekley", so, no, this piece was not colored by McManus. Despite that, this really is a great looking piece.
George McManus - Original Comic Strip Art for Bringing Up Father/Rosie's Beau Sunday dated 9-4-38 (King Features Syndicate, 1938). This piece is an excellent example of the kind of fine line art that is still such a pleasure to examine. McManus could always be counted on incorporate modernist decorations and other props into his the backgrounds of the "Bringing Up Father" strip, which were an added bonus to the always-funny strip. The bottom left panel is particularly nice, with the cross hatching in the windows that adds great depth to Jiggs' hasty exit. Apparently, McManus would execute both strips on one piece of large art and then cut it in half to accommodate shipping, as is the case with this piece. The two parts are held together on back with two small pieces of tape. The top piece measures 16.75" x 10" and the bottom piece measures 16.75" x 11.75". The title in the top left corner panel is a stat and part of a word balloon in the bottom right corner panel is a paste up. There is no white out and the pieces are in excellent condition.
Bob Montana - Original Comic Strip Art for Archie Sunday dated 4-27-47 (Archie Comics, 1947). Yep, this is what you think it is...an original piece of art from one of comicdom's hottest properties. It seems that everyone and their brother wants a piece of the action, so we're offering a chance to impress all your friends. This piece by Bob Montana is absolutely top-of-the-line. This is a hilarious strip in which Archie goes into business for himself trying to build the better mouse trap. Be the envy of all you know with this epochal piece. This huge Sunday has very minimal white-out and measures 30" x 22." Unfortunately, for some reason that might never be known, there is one panel that has been clipped and is missing.
John Prentice - Original Comic Strip Art for Rip Kirby Daily dated 1-11-1973 (King Features Syndicate, 1973). In 1956, after Alex Raymond died, John Prentice stepped up to the plate and took over. His style closely mimicked Raymond's and features nice bold work; this installment features Kirby trying to solve a case set on a train. This page no white-out and is a nice looking page. It measures 7.5 x 20.5.
Paul Ryan, Alex Saviuk, Dave Simmons, and Joe Sinnott - Original Comic Strip Art for The Amazing Spider-Man Sunday Group of 5 Strips (Marvel, 1994-98). This is a group lot of 5 Sunday strips dated between 6-12-94 and 7-12-98, each with great shots of Spidey, as well as appearances by Mary Jane, J. Jonah Jameson, and Doc Ock. They are in great shape and are signed by Paul Ryan, Dave Simons, Joe Sinnott, Stan Lee and Alex Saviuk. The Spider-Man image in the last panel of the first Sunday is hand-drawn while the other four have a stat in the last panel. Each piece measures approximately 17" x 11".
Paul Ryan, Sal Buscema, Alex Saviuk, Fred Kida and Joe Sinnott - Original Comic Strip Art for The Amazing Spider-Man Sunday Group of 10 Strips (Marvel, 1996-97). This group of 10 Sunday strips, dated between 12-4-94 and 2-2-97, contains art by a mixture of fine artists. Each Sunday is a stand-out, due to Sinnott's incredible inking that also unifies the variety of artists. All but one of them are signed by Joe Sinnott. These pieces are in excellent condition with very minimal use of white-out. The Spider-Man head in the last panel is a stat. Each piece measures 17.25" x 11.5".
Bud Sagendorf - Original Comic Strip Art for Popeye Daily dated 3-3-73 (King Features Syndicate, 1973). This Popeye strip features the main three characters, Popeye, Olive Oyl and Wimpy, facing a bizarre "beask" of some kind til Olive saves the day. The artwork is very clean and measures 6" x 18".
Charles Schulz - Original Comic Strip Art for Peanuts Sunday dated 3-25-56 (United Features Syndicate, 1956). When spring is in the air, can baseball season be far behind? Charlie Brown doesn't think so, in this glorious Sunday page from the early days of this classic comic strip. One of the most beloved strips in the history of the medium, "Peanuts" is not just a comic strip, but an American icon, with characters that have become as familiar to us as members of our own families. This beautiful piece, in pristine condition, has an image area of approximately 22.5" x 15" and features Good Ol' Charlie Brown in every panel. A fabulous find, this piece will occupy a place of honor in even the finest collection.
Charles Schulz - Original Comic Strip Art for Peanuts Sunday dated 2-26-67 (United Features Syndicate, 1967). Linus, the most neurotic kid in comics, has a melt-down in this charming Sunday strip, featuring a confused Charlie Brown in the last panel. With an image area of approximately 22.75" x 15.75", this page is in excellent condition. The title stat in the first panel has yellowed a bit with age, but this is a minor, and not uncommon, defect which does nothing to detract from the overall presentation. Signed by the artist in the last panel, this is a superb example of this iconic strip.
Joe Schuster Studios - Color Printer's Proof for Superman Sunday dated 1941 (McClure Newspaper Syndicate, 1941). Part of the production process in 1941, this printer's proof was used as a check to make sure the color and registration were accurate before the final printing process began. A fascinating artifact, these proofs were printed on better paper than the newsprint the final product would be reproduced on, making this a brighter, cleaner example than even a published sample. This strip, which has been attractively matted and framed, measures approximately 10.5" x 13.5" overall and is signed by The Man of Steel's co-creator, Jerry Siegel, in the top margin.
Joe Schuster Studios - Color Printer's Proof for Superman Sunday dated 1941 (McClure Newspaper Syndicate, 1941). An interesting item, this is a color printer's proof used in the newspaper production process in 1941. In excellent condition, this 10.5" x 13.75" beauty features Superman, Lois Lane, and Lex Luthor, "sinister ultra-scientist who plots the enslavement of mankind." Attractively matted and framed, this historic artifact has been signed by Superman co-creator Jerry Siegel in the top margin.
Joe Schuster Studios - Color Printer's Proof for Superman Sunday dated 1941 (McClure Newspaper Syndicate, 1941). That Luthor just never gives up, does he? Having failed to kill Superman in the previous Sunday's installment, here Luthor tries to dissolve the Man of Steel in an acid bath and, when that fails, fry him in the electric chair. Needless to say, Superman comes out unscathed. We do find out an interesting tidbit about Superman's costume, when Supe's reveals to Lois, "This costume is constructed of a specially treated material which I myself invented!" Measuring approximately 10.25" x 13.5" overall, this page is in excellent condition and is signed by Superman co-creator Jerry Siegel in the upper margin.
Reg Smythe - Original Comic Strip Art for Andy Capp (undated). A truly unique item, "Andy Capp" originals are rarely offered for public sale. This charming piece, measuring approximately 13" x 10.75" overall, is beautifully rendered in pen and ink, with grey highlights. Signed by the artist in the last panel, it is also inscribed in the lower right, "Best Wishes from 'Andy Capp' - and his artist, Reg Smythe."
Leonard Starr - Original Comic Strip Art for Mary Perkins On Stage Daily dated 1-18-74 (Chicago Tribune, 1974). In 1960 the National Cartoonists Society gave Starr a plaque naming this strip "best story strip" and in 1965 gave Starr a Reuben award naming him cartoonist of the year. That said, how can you go wrong on a piece of history like this strip? It was drawn in a photo-realistic style that conveyed the soap opera-like story very well. This piece measures 18.5" x 5" and is in beautiful condition.
Leonard Starr - Original Comic Strip Art for Mary Perkins On Stage Daily dated 7-11-74 (Chicago Tribune, 1974). Leonard Starr, better known for his work on "Little Orphan Annie," also worked on this title. His work between the two strips could not differ more. His realism on Mary Perkins On Stage is almost unrivaled. This clean page measures 6" x 18.5"
Leonard Starr - Original Comic Strip Art for Little Orphan Annie Daily dated 7-23-81(Chicago Tribune,1981). One of the enduring comic strips in history was the legendary "Little Orphan Annie." Harold Gray began the strip in 1923 and intended to call it "Little Orphan Otto." After Harold Gray passed away, the strip barely pulled through with bad artwork, writing and reprints. Leonard Starr stepped up to the plate and, with his beutiful artwork and story-telling acumen he saved "Annie" from being canceled. This entry features Daddy Warbucks worried about spies, and a nice shot of Annie in the last panel. Measures 17" x 6", in excellent condition..
Garry Trudeau - Original Comic Strip Art for Doonesbury Daily, dated 8-4-77 (Universal Press, 1977). Pulitzer Prize winning cartoonist Garry Trudeau created "Doonesbury" while a student at Yale University in 1969. The strip was syndicated the following year and soon became widely known for it's unique brand of political and social satire. This strip pokes fun at the fitness craze and is handsomely framed with a pair of engraved plaques with publication and biographical information. The artwork itself is 5" x 14.5" while the entire framed piece is 17" x 21".
Warren Tufts - Original Comic Strip Art for Casey Ruggles Dailies dated 4-30-53 and 5-1-53 (United Feature Syndicate, 1953). One of the all-time great Western adventure strips, "Casey Ruggles" had a brief, yet highly distinguished, run. The two strips offered here, each measuring approximately 16" x 5" overall, are in excellent condition and will certainly enhance any collection of comic strip art.
Warren Tufts - Original Comic Strip Art for Casey Ruggles Dailies, dated 4-1-54, 4-27-54, and 4-29-54 (United Features, 1954). Warren Tufts' background in radio plays certainly translated well to the comic strip format. Instead of quickly captivating an audience with verbal nuances, he was able to do the same with skillfully rendered panels that easily carried the fast paced energy required for the comic strips. These great-looking strips are in great condition with minor staining. The 4-1 piece measures 4.5" x 15.25" while the 4.27 and 4.29 pieces measures 4.75" x 16".
Mort Walker - Original Art Comic Strip Art for Beetle Bailey dated 10-30-71 (King Features Syndicate, 1971). One of the Deans of light-hearted humor, Mort Walker always manages to squeeze an audible laugh out of you, with few -- if any -- words. This one fits the bill perfectly as Beetle taunts a beer-swilling Sgt. Snorkel. There is a piece of tape running vertically between the two panels but that does not detract much from this piece. The piece measures 6" x 18".
Chic Young - Original Comic Strip Art for Blondie Sunday dated 1-22-33 (King Features Syndicate, 1933). In the early years of this immortal strip, Dagwood was a wealthy socialite and Blondie was a goldigger. This wonderful 1930s Sunday features Blondie playing match-maker, trying to find a girlfriend for the less-than-dashing Mr. Bumstead. Shouldn't be hard -- all he wants is a beauty-contest winner who loves to cook and do housework! Luckily, Blondie has just the girl in mind -- the adorable but suffocating flapper Betty Benton. Chic Young's exquisite linework really brings the era to life, making this a rare treasure for any comic strip collector. The art consists of two boards taped together at the center; the overall measurement is 15.5" x 20", in excellent condition overall. There is a pasted-in art patch in the lower left panel, and a minor crease in the lower right corner which does not affect the art.
Chic Young - Original Comic Strip Art for Blondie dated 10-30-54 and 6-19-56 (King Features Syndicate, 1954, 1956). A pair of classic strips, both featuring Dagwood Bumstead, America's favorite sandwich chef. From a classic period, these strips demonstrate Chic Young's ability to take everyday situations and find the humor in them. Measuring approximately 19" x 6" each, the strips are in excellent condition. Each is signed by the artist.
Arthur Adams - Original Art, Hulk Model Sheet (Marvel, 1997). Created as a model sheet for a proposed toy design, this is Art Adams' take on the ever-Incredible Hulk. Tightly rendered in pencil, Adams easily captures the sense of power and menace inherent in Ol' Greenskin in both full-frontal and side views. Measuring approximately 11" x 17" overall, this piece is in excellent condition and has been signed and dated by the artist.
Neal Adams - Original Art for The Spectre #5, page 7 (DC, 1968). Neal Adams' last issue of The Spectre was a tour-de-force for the artist, as he wrote, penciled, and inked the story all by his lonesome. This page shows N.A. at the top of his form, as the Grim Guardian mounts an attack on an oversized interloper. Neal was a master of layout, and the diagonal panels here lend both visual interest and a sense of scale to the plus-size attacker. Pages like this are why many consider Adams to be the greatest comic book artist ever to work in the field. 10.5" x 16" in excellent condition overall, with moderate white-out and holes punched in the margins. A great page from a prime period in both the Silver Age, and Neal Adams' career, you can't do much better than this.
Neal Adams - Original Illustration (undated). A beautiful illustration of a very attractive woman, this piece was most likely created as an advertising storyboard or as a presentation piece. Whatever its intent, it is clearly the work of a master artist, as it showcases Adams' ability to capture compelling images in even the quietest scenes. Measuring approximately 14.5" x 11.5" overall and rendered in pen and ink and watercolor, this piece is in excellent condition and is protected by an acetate overlay.
Dan Adkins - Original Art for Astonishing Tales #19, pages 3, 14 and 17 (Marvel, 1973). Ka-Zar, Lord of the hidden Savage Land, and the ever-faithful Zabu take center stage in these thrill-packed pages. Measuring approximately 10.5" x 15.75" each, these pages by "Darlin'" Dan Adkins are in excellent condition and will highlight any collection of Bronze Age art.
Lee Ames - Original Art Fight Comics #21 Complete Story (Fiction House,1942). There was a time in our recent history in which we could portray our enemies in any manner we wanted. This story, with beautiful line work by Ames, has Dusty Rhodes trying to do battle with the Japanese until he finally gets the medal he wants so badly. There is some white-out on these pages but the artwork is still very displayable, especially for a story this old. These pages are 17" x 22.
Brent Anderson and Joe Rubinstein - Original Art for The Uncanny X-Men #144, page 5 (Marvel, 1981). D'Spayre gets his deadly mitts on Man-Thing, causing him to burst into flames, and Scott Summers finds some solace from the death of his beloved Jean Grey on the trawler Arcadia, in this page from The Uncanny X-Men #144. Brent Anderson pencils and Joe Rubinstein inks this page which measures an overall 10.5" x 16" and has a 10" x 15" image area. Three of the corners of this work have been trimmed, but otherwise, it is in incredible shape.
Brent Anderson - Original Art for Marvel Graphic Novel #5, "God Loves, Man Kills," page 22 (Marvel, 1982). The basis for last summer's blockbuster movie "X2: X-Men United," the groundbreaking graphic novel "God Loves, Man Kills," by writer Chris Claremont and artist Brent Anderson created a sensation when it was first published. Original pages from this masterpiece rarely surface, making this an exciting opportunity. The page offered here showcases a quiet moment between Kitty Pryde and Ilyanna Rasputin before the action really breaks loose. In excellent condition, this page measures approximately 11" x 17" overall.
Murphy Anderson - Original Art for Planet Comics #38, page 18 (Fiction House, 1945). A great piece of art by one of the finest artists of the Golden and Silver Age of comics, for possibly the greatest sci-fi comic title ever published. It's just... great! This page is from the Star Pirates story, "The Bogus Blackbeard." Murphy Anderson's artwork is simply amazing, the giant spaceship at the top of the page is brilliantly conceived and deftly executed -- an imaginative work of art in its own right. This piece is nicely matted and measures 17" x 23" with an image area of 12.5" x 18", and is in excellent condition -- virtually flawless. Prime pages like this from a top title like Planet Comics seldom surface on the open market, so don't let this one pass you by.
Ross Andru and Mike Esposito - Original Art for Flash #180, page 19 (DC, 1968). This is a great action page that features the Flash in every panel. Andru uses compositional elements that quickly move the viewer's eye from panel to panel, reflecting the fast pace of the story. Some of those elements also slightly overlap the panel margin areas which add depth and unifies the page as an overall work of art. This page is in excellent condition with minor use of white-out, most of which is in the margin areas. There are a few holes in the top and bottom margins that were used for the production process. The page is approximately 10.75" x 16" in size with an image area of 10" x 15".
Ross Andru - Original Art for Iron Man #44, pages 19 and 21 (Marvel, 1971). From the back-up feature in Iron Man #44, Ant-Man proves that size really doesn't matter when it comes to being a hero. By legendary Spider-artist Ross Andru, these pages are in superb condition, measuring approximately 10.75" x 16" each. True Bronze Age gems for the discerning collector.
Ross Andru and Sal Buscema - Original Art for Marvel Feature #2, pages 11 and 15 (Marvel, 1972). Doubly delicious are these duo Defenders pages drawn from Marvel Feature #2. Tom Fagan delves a disquieting description of Bald Mountain to a dismayed Roy and Jeanie Thomas, on page 11. On page 15, Dormammu's disciples descend on the dapper Doctor Strange, to deliver the dreaded one's devastating desideratum and the deep-sea despot, Prince Namor, deftly avoids detention in these devilish delineations by Ross Andru and Sal Buscema. The overall art size is 10.5" x 16" with a 10" x 15" image area. You'll find some nominal white-out usage on page 11, and some slight staining in the upper right corner of both pages, and a tape at the top and bottom of both pages, but the art is in great condition regardless.
Ross Andru and Mike Esposito - Original Art for Marvel Team-Up #1, page 16 (Marvel, 1972). Here's some sand in yer eye, Torch! The abrasive Sandman draws the line in the sand with Spider-Man and the Human Torch, in this gritty page from the first issue of Marvel Team-Up, penciled by Ross Andru and inked by Mike Esposito. The overall page size is 10.5" x 16" with a 10" x 15" image area. This nice, bright page has some blue pencil lines and two tape stains at the top and bottom of the page, but is in otherwise excellent condition.
Ross Andru and Mike Esposito - Original Art for Marvel Team-Up #1, page 20 (Marvel, 1972). The debut issue of this long-running fan favorite title paired the amazing Spider-Guy with his tempestuous pal Johnny Storm, aka the Human Torch. This eventful page, rendered by yuletide aplomb by the long-running Spider-team of Andru and Esposito, features Spidey and the Torch lending a bit of Christmas cheer to the street-clothed Sandman. 10.5" x 16", with minimal white-out and a few blue-pencil notations.
Ross Andru - Original Art for Marvel Team-Up #15, page 31 (Marvel, 1973). If you thought a guy with a flaming skull for a head was pretty goofy, just wait until you meet The Orb (not to be confused with The Eye of fanzine fame), whose head is . . . a giant eyeball! Rapturously rendered by Ross Andru, this cool Bronze Age page, measuring approximately 10.75" x 15.75", features Ghost Rider, Spider-Man, and the Orb (all on motorcycles, natch), and is in excellent condition. You have to get an eye-full of this one!
Ross Andru and Tom Palmer - Original Art for Doc Savage, Group of 2 Pages (Marvel, 1973). Marvel's Bronze Age adaptation of the classic '40s pulp series was actually among the more faithful translations of the character to another medium. Offered here are two pages from the series, both penciled by Ross Andru and inked by Tom Palmer. First up is issue #4, page 17, which offers a great shot of Doc's submarine, the Hell-Diver, as well as glimpses of Doc and some of the Famous Five. Second is issue #5, page 3 as a mountaineer discovers one of the first victims of "The Monsters." Fans of the Man of Bronze should not pass these by. 10.5" x 15.5" in excellent condition with light-to-moderate white-out.
Ross Andru and Tony DeZuniga - Original Art for The Amazing Spider-Man #176, page 27 (Marvel, 1978). In the 1970s, Harry Osborn took up the demented mantle of his dead father, began dressing himself up as the Green Goblin, and trying in vain to slaughter our favorite wall-crawler. Offered here is an exciting page depicting this classic confrontation between two ex-roommates and school chums, as they battle it out in their colorful tights. Overlooked for years, this Bronze Age run by Ross Andru is finally getting its due as a truly classic period for Spider-Man, and the pages are commanding top prices in the current market. If you've been waiting for that one Truly Great Ross Andru Spidey page, that one that is just a bit cooler than the others you've seen -- look no further, True Believer. This four-panel gem is what you need, with Spidey and Gobby in heated battle in all four thrill-packed panels. 10.5" x 16" with moderate white-out and some pencil lines still evident.
Ross Andru and Mike Esposito - Original Art for Amazing Spider-Man #177, page 31 (Marvel, 1978). The Green Goblin offers to deliver the web-spinner's real identity to Silvermane on a platter in this drama-driven page from 1978. It's more merry Marvel mayhem from penciler Ross Andru and inker Mike Esposito, as the Goblin commands the room, and Spider-Man himself looks on, helpless to stop him. The overall art size is 10.5" x 16" with a 10" x 15" image area. The art includes the hand-drawn promo type for the next issue at the bottom. This art is sensationally preserved, with only some slight smudging along the left and right edges, and two tape stains at the top and bottom on the art. Andru and Esposito are in top form in this final page from issue #177, which features great panels of both Peter Parker and his most famous foe.
Ross Andru and Frank Giacoia - Original Art for What If? #15, page 34 (Marvel, 1979). What if Peter Parker had become Nova? That's what this story, part of six different alternative versions on the Nova character, is about. Written by Marv Wolfman, penciled by Ross Andru and inked by Frank Giacoia, this page pictures the definitive moment when Peter's Uncle Ben is threatened by a thug, with a very different outcome. The art measures an overall 10.5" x 16" and has a 10" x 15" image area. Great shots of Nova in action, and a final frame of Nova taking off his helmet to reveal his true identity, make this charismatic page first-rate. This piece is in great shape, with some slight aging apparent, and some definite patina showing around the type and word balloons, but a preferential piece notwithstanding.
Ross Andru - Original Art for Superman Book (1980s). Although we haven't been able to determine the orignal publication for which these pieces were prepared, there's no denying that this is some truly "Super" art. Measuring approximately 20" x 14.5" overall and in excellent condition, these pages tell the story of the Kent's adoption of little Clark and his early days on the farm.
Ross Andru - Original Art for Superman Book (1980s). In this gripping series of pages for an unidentified Superman project, we see Jor-El's fruitless appeal to the Kryptonian Science Council and the eventual fate of Krypton as Kal-El rockets to Earth. Beautifully rendered, these three 20" x 14.5" stunners are in excellent condition.
Ross Andru and Dick Giordano - Original Art for 1980's Toy Ad (DC, 1980s). This is a great image of Superman standing proudly next to his latest selection of toys. The visual appeal of the piece goes above the commercial art application. The weight of the toy images is perfectly balance by Superman's flowing cape, set against a background shot of the Fortress of Solitude that not only serves as a unifying element, but mirrors his statue as the earth's mightiest hero. This piece is in nice shape with peripheral edge wear and tears with moderate use of white-out. Another head appears to have been pasted up over Superman's face at one time. It measures 15" x 20" with an image area of approximately 13.25" x 17.5" and is signed by Dick Giordano along the bottom edge.
Ross Andru and Dick Giordano - Original Art for Batman #409, Group of 3 Pages (DC, 1987). A great action page of Batman finishing off a couple of thugs highlights this lot of three Andru/Giordano pages from the flagship Batman title. Plus, Jason Todd sits in on crime school with a batty ol' granny. Great stuff from an artist that is finally getting his due in the annals of comicdom. Three pages, 11" x 16" with very little white-out.
Ross Andru and John Byrne - Original Art for Action Comics #599, pages 17 and 18 (DC, 1988). Lex Luthor uses Metal Man Tin as a destruction device to 86 Superman with imitation Kryptonite, in these two sound effects-heavy pages from Action Comics #599. Written by John Byrne, "Element 26" is penciled by Ross Andru with finishes by Byrne. The overall art size is 11" x 17" with a 10" x 15" image area. The work is in incredible condition, with the exception of a correction overlay in the third panel of page 18 and a small blue pencil line editorial mark for the letterer in the first panel. Your responsometer will go haywire with desire for these two fab pages.
Jim Aparo - Original Cover Art for Batman Family #14 (DC, 1977). Robin and Batgirl rush to Batwoman's aid -- but is it too late? After all, "Old Super-Heroines Never Die--They Just Fade Away!" Or so says the title of this taut tale starring most of the Bat-back-up players. This cool cover is typical of the strong layouts and smooth ink lines of Jim Aparo, one of the great Bat-artists of the '70s. Bronze Age covers are all the rage in collecting circles these days, so don't miss your chance to tuck this one away in your portfolio. 11.5" x 17" with minimal white-out and very light aging at the edges; missing one text paste-up at the bottom of the spine.
Jim Aparo and Mike DeCarlo - Original Art for Batman, Group of 2 pages (DC, 1988 ). Batman #416, page 3 features the Boy Wonder finding himself in the midst of some heat-wielding thugs, while #417, page 30 features Commissioner Gordon, as well as Batman and Robin. Both are by the inimitable Jim Aparo, with sharp inks by Mike DeCarlo, and would be a superb addition to any collection, big or small. 10.5" x 16", excellent condition overall, with very little white-out.
John Henri - Original Cover Art for Speed Comics #30 (Harvey, 1944). Captain Freedom battles scaly monsters from the Death Chamber For Prisoners of War in this everything-but-the-kitchen-sink cover by John Henri. The art measures 15" x 22", with an image area of 11.5" x 15.5". The logo and issue number are recent replacements, but all the artwork is original. Some tanning around the edges and light use of white-out, are evident, but do not detract. A spectacular piece all around.
Al Avison - Original Cover Art for Witches Tales #2 (Harvey, 1951). This damsel in distress must have eaten something seriously wrong before bed to be having nightmares like this. Dream or not she is in the midst of being accosted by a host of ghoul, a witch, a snake, a ghost, a skeleton and more...the whole shebang. The negative effect on this cover is interesting being a black cover and most of the ghouls being drawn on in white paint, which has held up nicely over the years. 12" x 17" in excellent condition, the logo and text are recent replacements. A great opportunity to acquire a #2 cover for a classic pre-Code horror title.
Al Avison - Original Cover Art for Witches Tales #3 (Harvey, 1951). Al Avison was Harvey's most prolific and versatile artist during the 1940s and '50s. He was able to churn out cover after cover, mimicking many popular styles that were best suited to whatever genre he happened to be working on. Still, he had a distinctive quality in his use of the ink medium that was confidently applied with his fine line brush as with this nice piece. The maniacal image of the witch looking into her crystal ball at the scene of the terrified female victim bound to the boat must have riveted the juvenile comic readers of the day! Avison loved to add extraneous figures of horror, as seen in the monster fish. Due to Harvey's practice of removing or cutting away title stats to be used for subsequent issues, Heritage Comics has had this excellent piece professionally restored so as to present it in a way that best reflects the original intent of the artist. The title mast area is a replaced stat that has been taped along the top edge of the piece and can be lifted so that all of the original art below can be seen as a whole. A 2" x 2.25" piece that had been cut away from under the "Weird Yarns..." area was replaced. Otherwise, this piece is in nice shape with moderate staining and use of white-out. The overall size of the piece is approximately 13" x 19"
Al Avison - Original Cover Art for Witches Tales #6 (Harvey, 1951). You can almost hear the bricks being layed into place as the putrid smell of the horrific scene envelopes the helpless victim, in this awe-inspiring cover by Harvey workhorse Al Avison. Due to Harvey's practice of removing or, in this case, cutting away title stats to be used for subsequent issues, Heritage Comics has had this outstanding piece professionally restored so as to present it in a way that best reflects the original intent of the artist. The title mast area has been reproduced and then attached along the top edge of the piece. The text box in the image area is the original paste up that was put onto an acetate overlay at the right edge and can be lifted so as to see the artwork beneath as a whole. Otherwise, this piece is in great shape with minor staining and use of white-out. The overall size of the piece is approximately 12" x 18"
Al Avison - Original Cover Art for Chamber of Chills #22 (Harvey, 1951). A busty beauty in bondage is kept under glass ready to be experimented on in the cosmos aging machine as her aged, hapless sister is dragged off by a couple ghouls. Harvey horror covers are in high demand and this one is sure to draw the bids. This piece measures 13.5" x 19.5" The logo is a recent replacement, but the rest is all original.
Al Avison - Original Cover Art for Tomb of Terror #3 (Harvey, 1952). An amazingly horrific bondage cover from this classic pre-Code horror title. Harvey workhorse Al Avison contributes a very graphic and eerie piece. The title stat is original. Some elements of the bottom edge of the art have been cut and re-positioned (notably the hand coming up out of the water), and whatever backing board was used has been lost, leaving a couple of small "holes" in the art. Also, unfortunately, the piece was folded in half at some point, leaving a noticeable horizontal crease that does break the ink. Still, a very powerful, horrific image that would be a fine addition to any collection, and given the scarcity of original pre-code horror covers in general, a rare opportunity. 14" x 20".
Al Avison (attributed) - Original Cover Art for Thrills of Tomorrow #18 (Harvey,1954). How terrifying would it be to be drifting into space with absolutely no chance of being saved? That explains the looks on the face of the soon-to-be-dead astronaut on this cover as he realizes he will soon suffocate in the vacuum of space. This piece has minor white out and even then only around the stats. It measures 20" x 14".
Al Avison (attributed) - Original Cover Art for Dick Tracy #32 (Harvey , 1950). As is par for the course, Dick Tracy shows up just in time to keep a damsel from the evil clutches of the Brow. Tracy enjoyed a long run and for good cause, he was one of the more enduring characters in comicdom. Though this piece is not by Chester Gould it is done in his style and looks absolutely great. This is one item that you will definitely be proud to display on your wall. The logo is a later stat. There is a large amount of white out used on this cover. This piece measures 11.5" x 16.5" and the image area is 11.5" x 11".
Al Avison - Original Cover Art for Joe Palooka #44 (Harvey, 1951). This power-packed image of Ham Fisher's prize fighter in action is a sure bet. Avison retains Fisher's loose and frantic style in this whopping 13.5" x 19.5" image. The missing original logo and indicias have been replaced by a photocopy reproduction and the inset image of Joe and Ann getting married is a vintage photostat. The art shows a little overall aging and white-out was used very heavily across all the art, but this priceless piece is still a champ.
Al Avison - Original Cover Art for Joe Palooka #47 (Harvey, 1951). Joe to the rescue, as always. As a treasure-hunting diver with his air hose cut, Palooka faces the threat of death, battling a vicious-looking swordfish to save the hapless undersea adventurer! Could things get any worse? Al Avison packs a lot of action into this cover without any extraneous clutter; this one gets right to the point. There is a replacement logo and "Harvey" stats but all the rest is original. There is minor white-out but it was actually used as part of the art. This action-packed piece measures 13" x 18.5"
Al Avison - Original Cover Art for Joe Palooka #53 (Harvey, late 1950s). Ham Fisher's champ holds his own in a grudge match with a slashing sailor on this cover from Harvey Comics circa the late '50s. This is by Al Avison and it packs a punch. Overall size is 13.5" x 19" with an image area of 13" x 18". Some overall aging is apparent but not distracting. The Joe Palooka logo and indicia on the left are photocopy reproductions of the original paste-ups.
Al Avison - Original Cover Art for Joe Palooka's Battle Adventures #73 (Harvey, 1957). We had held the red horde in Korea! Now, all was threatened when our boys heard... guerrilla guns! K. O. king Joe Palooka takes off his boxing gloves and picks up a machine gun in this violent piece from the Cold War era. The art has an image area of 12.5" x 19" and is mounted onto a sheet of 14.5" x 20.5" illustration board. The logo and indicia along the top portion is a recent replacement photocopy of the original paste-up art. The work is clean with some white-out use in the middle section and a yellow stain along the bottom section of the art. Hey, where else are you going to see Joe Palooka shooting a man's chest wide open with a round of hot lead?
Al Avison - Original Cover Art for Joe Palooka #114 (Harvey, 1950s). Ruffy Balonki calls himself the "World's Greatest Fighter," and he does manage to take a powerhouse punch from Palooka with a smile on his ugly mug. But we think it's a pretty safe bet that Joe will triumph in the end. This outstanding cover is by Harvey art hound Al Avison, doing his best to mock the style of JP creator Ham Fisher. The art is exceptionally clean, with white-out limited mainly to Palooka's pants and the base of the sign. The logo area is a recent replacement, and the entire image has been mounted on a new piece of illustration board, giving it all a slick, ready-for-framing appearance. Hey, sixty million readers can't be wrong! 11.5" x 17".
Al Avison - Original Cover Art for Kerry Drake Detective Cases #19 (Harvey, 1950). Detective Kerry Drake battles a dope smuggler in a slugfest with death on this cover by Al Avison. The image is inked on a sheet of 12" x 17" bristol paper which is mounted onto a 13" x18" illustration board. You'll find some slight aging overall, white-out use on Kerry's face and some margin notations for the printer, but the art is sharp and clean. The logo and indicias are recent replacements of the original paste-ups.
Al Avison - Original Cover Art for Kerry Drake Detective #25 (Harvey, 1950s). Hard-hitting cover from this little-seen series. Glue stained all around the edges, and apparently someone was unhappy with the original drawing of Drake's face, as it has been completely whited-out and re-drawn. The logo is a recent replacement. 13" x 18".
Al Avison (attributed) - Original Cover Art for Chamber of Clues #28 (Harvey, 1955). The comely Julep has the drop on Kerry Drake, but she may also be in big trouble -- the house is surrounded by police. Doesn't she know she can't fool the law? Heavy white-out in several places, but still a good-looking cover. The logo stats and text blurb are recent replacements. 11" x 17".
Al Avison - Original Cover Art for Harvey Hits #15 (Harvey, 1958). Al Avison was one of the most prolific artists to work at Harvey during the 1940s and '50s. He was very adept at mimicking other popular artists' styles so as to maintain a continuity on characters, such as the Phantom, that the fans were familiar with. Avison figures move with seemingly effortless ease across exotic backgrounds. Because of Harvey's practice of reusing production stats for subsequent issues, Heritage Comics had a few of the smaller missing stats professionally restored in order to present this work of art in a fashion that is as close to the original intent of the artist as possible. This piece measures approximately 12.25 x 17.5" with an image area of 9.75" x 14.25" and is in nice condition with a moderate amount of white-out.
Dick Ayers - Original Art for Tales to Astonish #58, page 10 (Marvel, 1964). It's the Wasp and Giant-Man (or is that Ant-Man?) versus the vile villainy of Colossus in this cool Silver Age gem. It was in this issue that Giant-Man discovered the method of changing size mentally, rendering his old capsules obsolete. Talk about your Mighty Marvel landmark! Measuring a large 14.5" x 22.75" overall and in excellent condition, this is a killer piece from Marvel's earliest days.
Dick Ayers - Original Art for Sgt. Fury and His Howling Commandos #40, page 7 (Marvel, 1967). Before he was the commander of S.H.I.E.L.D., Nick Fury led a group of commandos across the European theater during the dark days of World War II. A creation of stan Lee and Jack Kirby, it wasn't long before "Darlin'" Dick Ayers made the strip his own. This page is an excellent example of Ayer's work, showing his knack for illustrating all-out action scenes. Measuring approximately 13.5" x 20" overall, the page is in very good condition save for a corner torn off of the lower left (which does not affect the art in any way), and a moderate use of white-out.
Dick Ayers and Vince Colletta - Original Art for Sgt. Fury #102, pages 22 and 28 (Marvel, 1972). From the story, "Death for a Dollar," written by Gary Friedrich, with pencils by Dick Ayers and ink by Vince Colletta, we really get into the action with two pain-filled pages of hot soup in the face, patent leather boots to the stomach and groin, and gun butts to the jaw. And of course, there's the old stand-by, flying fists of Fury... Nick Fury, that is! The creators were kind enough to handcuff the letterer, John Constanza, to keep his word balloons from getting in the way of the fight scene on page 28. The overall page size is approximately 11" x 16" with image areas of 10" x 15". The work is in great shape, with some very minor tape staining at the top and bottom of both pages, and a slight stain on the left edge of page 22.
Dick Ayers - Original Art for Gunhawks #6, pages 17, 18, and 19 (Marvel, 1973). Dick Ayers could always be depended upon to produce consistently solid work for any title that he worked on for Marvel. This set of pages possesses all of the drama, facial expressions, and accurate clothing and props needed to provide strong visual interaction with the story. These pages are nice and bright with only minor use of white-out. The peripheral areas of the pages have several pieces of tape that were applied for production purposes. Most of corners have wear and some staining, but the stated defects do not detract from the strength of Ayers' fine illustrations. The approximate size of the pages is 10.75" x 16" with an image area of 10" x 15".
George Baker - Original Cover Art for Sad Sack and the Sarge #29 (Harvey, undated). Sad Sack was second only to Richie Rich when it comes to the amount of titles devoted to him. One of the funniest was Sad Sack and the Sarge. Sad Sack can do no right when it comes to the Sarge and he's sure to get KP after dropping a hot iron on Sarge's massive foot. Here's your chance to get a beautifully rendered cover by George Baker, the father of Sad Sack. Measures 14" x 19", in near-pristine condition with virtually no white-out.
George Baker - Original Cover Art for Sad Sack and the Sarge (Harvey, undated). The Sarge tries to enjoy a quiet afternoon in the park, but nothing stays quiet for long while Sad Sack is around. Nobody defined Sad Sack like his creator George Baker. Sadie and the General are also featured, so you get more than a couple supporting characters on this early to mid-'60s piece. Measures 14" x 19", in near-pristine condition with virtually no white-out.
Kyle Baker - Original Art for Atari Force Special #1, pages 14-20 (DC, 1986). Best known for his work on Marvel's The Truth mini-series and his upcoming Plastic Man book for DC, superstar Kyle Baker did some of his earliest work on this video-game tie-in title. Offered here are six pages from the one-and-only Special, all measuring approximately 11" x 16" overall and all in excellent condition.
Carl Barks - Limited Edition Print, "Always Another Rainbow," #55/100 (Another Rainbow Publishing, 1992). Originally created to accompany the release of a matching limited edition figurine, this exquisite 9" x 12" print shows Scrooge McDuck as a young man seeking his fortune during the Klondike Gold Rush days. The print, which is framed in cherrywood to match the figurine's base and double-matted using acid-free materials, is hand-signed and numbered by the artist. A full-color booklet, detailing the process of the figurine's creation and bearing a Certificate of Authenticity, is included with the print. A very limited edition, this piece is in excellent condition and will certainly enhance any collection. It should be noted that the figurine is not included with this lot.
Carl Barks - Limited Edition Print, "Dude for a Day," #61/100 (Another Rainbow Publishing, 1992). Donald gets all spiffed up for a date with Daisy in this colorful 9" x 12" print by "the Good Duck Artist," Carl Barks. Originally released as a companion piece to a matching figurine, this beautiful print is hand-signed and numbered by the artist. Accompanying this piece is a full-color booklet that details the creation process of the figurine and also includes a Certificate of Authenticity. The figurine is not included as part of this sale.
Carl Barks - Limited Edition Print, "Pick and Shovel Laborer," #28/100 (Another Rainbow Publishing, 1992). A tribute to the origins of Scrooge McDuck, who began his career as a gold miner before becoming the World's Richest Duck. This 9" x 12" print was originally created to accompany a matching figurine designed by "The Duckman," Carl Barks. Handsomely framed and matted, this stunning print is hand-signed and numbered by the artist. A full-color booklet that examines the process of creating the figurine (and also bears a Certificate of Authenticity) is included with this lot. It should be noted that the figurine, which originally accompanied this print, is not included.
Del Barras & Vince Colletta - Original Art for Web of Spider-Man #24, pages 3, 6, 9 and 24 (Marvel, 1987). From the days when the good guys wore black comes this quartet of pages guaranteed to set you Spider-sense to tingling! Peter goes to Atlantic City and runs into that psycho senior citizen, the villainous Vulture! The pages measure approximately 11" x 16" overall and are in excellent condition.
C. C. Beck - Original Recreation of the Cover Art for Sub-Mariner #6 (1980). C. C. Beck was one of the finest cartoonists of the Golden Age of comics, and drew Captain Marvel for almost 14 years. Later in life, he did recreations of classic Golden Age covers -- ones that he had originally drawn and, sometimes, those originally drawn by others. This piece is a wonderful color recreation of an Alex Schomburg WWII cover. Beautifully painted in gouache and ink, this will be a true treasure for the winning bidder. The overall size of the piece and image is approximately 10.75" x 15".
Dave Berg - Original Illustration, Self-Portrait (1948). The inner mind of a young artist can be a scary place, as this bizarre self-portrait by the future Mad artist shows quite clearly. Painted in 1948, while Dave was still in his 20s, this psychedelic collection of demons and nymphs hung on the artist's studio wall for many years. With an image area of approximately 20" x 14", this piece is in immaculate condition and is signed by the artist in the lower right.
Dave Berg - Original Illustration, "Air Raid on Iwo Jima" (undated). They say that a soldier's greatest enemy is time, and there's no better confirmation of that concept than these beautiful sketches done by Mad's Dave Berg while he served during World War II. Unflinching, honest, and provocative, these small pieces show the war through the eyes of someone who was not only a participant, but also a gifted artist. The piece offered here, which measures approximately 8" x 5" and is in pristine condition, is gorgeously rendered in watercolor and is signed by the artist in the lower left. A far cry from Berg's later work, this is a side of the artist that is very rarely seen. From both an artistic and historical perspective, these pieces are true treasures.
Dave Berg - Original Illustration, "Officer's Beach" (undated). Demonstrating the sly, sarcastic sense of humor that would become his trademark years later on Mad's Lighter Side feature, Dave Berg turns a withering eye on the officer's he served under in the Pacific Theatre during World War II. Wonderfully rendered in pencil, this 5" x 8" masterpiece is in excellent condition, and is signed by the artist in the lower left.
Dave Berg - Original Illustration, "New Year's Eve Party" (1945-46). Sometimes the scenes that Berg rendered in his charming WWII-era cartoons were little slice-of-life vignettes, a poignant reminder that the GIs in the Pacific were, by and large, just regular guys who were a long way from home. Berg has written at the bottom, "New Years Eve Party - Guam - (1945-46) - About 500 GIs and 10 native girls - GIs taking about 2 steps and being broken into - Everybody wishing they could at least get enough beer to get drunk on - 'It was a very happy New Year.'" Signed by the artist in the lower right.
Dave Berg - Original Illustration, "No Fresh Water" (undated). Dave Berg missed nothing when he set out to document, through cartoons, his time in the service. He says here, "There was no fresh water on Iwo Jima - A rainy day meant the only kind of decent shower." In excellent condition and signed by the artist in the lower left, this 5" x 8" gem is rendered in pen and ink.
Dave Berg - Original Illustration, "Movie in the Pacific" (undated). Dave doesn't seem to have been too fond of his time in the service. This portrait of a cold, wet serviceman watching a movie in the rain paints a bleak picture of the experience. Of course, Berg captures the moment with his characteristic unflinching honesty. Rendered in pen and ink and measuring approximately 8" x 5", this piece is signed by the artist in the lower left.
Dave Berg - Original Illustration, "Christmas Eve, 1945" (1945). A tough time for soldiers away from home, Christmas Eve is the subject of this heartfelt cartoon by Mad's Dave berg. He writes, "Christmas Eve - 1945 - Tropical Guam - A bunch of tough but homesick GIs played Santa to native kids - I know - I was one of 'em." Genuinely touching, this pen and ink rendering measures approximately 5" x 8" overall, and, signed by the artist in the lower right, is in perfect condition.
Dave Berg - Original Illustration, "Bleaching Bones" (1945). With an artist's eye for color and composition, Dave Berg, best known for his The Lighter Side feature in Mad magazine, records the despair and decay that is the final product of any war. In excellent condition, the caption reads "Bleaching bones of a war ship killed in action - Iwo Jima." This watercolor beauty measures approximately 5" x 8" overall, and is signed and dated by the artist in the lower right.
Dave Berg - Original Gag Cartoon Art (undated). One of the unsung "babe artists" of the 1950s, Dave Berg here shows his complete mastery of the female form in a one-panel gag cartoon most likely done for one of the ubiquitous men's magazines of that era. Measuring approximately 8.5" x 11", this piece was attached to a back sheet with rubber cement. The adhesive has bled through to the front, resulting in a certain amount of discoloration. It is still, however, a wonderful piece by a great artist, and is signed by Berg in the lower left.
Dave Berg - Original Gag Cartoon Art (undated). In the late 1950s and early 1960s, America was worried that the Russians or the Chinese might beat us in the race to get to the moon. Only Dave Berg speculated that the Parking Violation Bureau would get there ahead of everybody! That this is a published piece is unquestionable. The details of that publication, however, are unknown. Measuring approximately 8.5" x 11" overall, and strikingly rendered in india ink, this piece has been affixed to a back sheet with rubber cement, which has bled through to the front to a moderate degree. The back sheet bears Dave Berg's return address stamp, indicating an address in New Rochelle, NY. This is a lovely, whimsical piece, that is signed by the artist in the lower right.
Dave Berg - Original Cover Art for Meet Merton #1 (Toby, 1953). This cover features a great "headlight" image from the capable hands of Dave Berg. His ability to render pertinent background imagery eliminated the need for excess dialogue to convey the humorous point. The excessive use of white-out and minor glue staining, fortunately, doesn't detract from this fun image which is, otherwise, in great shape. This piece measures approximately 14.25" x 20.5" and has an image area of 13" x 15".
Dave Berg - Original Cover Art for Meet Merton #2 (Toby, 1954). Dave Berg, once again, delivers a nicely rendered cover with great background props which really enhance the scene and give the viewer plenty of things to look at including a very nice "headlight" image. This piece is in excellent condition with only minimal white-out. It measures approximately 14.25" x 20.5" and has an image area of approximately 13" x 14".
Dave Berg - Original Art for Meet Merton #2, Complete 6-page Story, "The Eyes Have it!" (Toby, 1954). This is just a wonderfully fun story that has Marcia hypnotizing Merton to chaotic effect. Dave Berg's style grew more refined with his work for the Lighter Side series in Mad Magazine, and this story features a lot of those elements, especially in the faces of his characters. The blue lines really add to the visual imagery which is especially nice in the silhouette panels. There is a lot of nice "good girl" quality to these pages as well. The pages are in excellent condition with no white out, and only moderate staining on the first page. One of the title stats is missing. The pages measure approximately 14.25" x 20.5" with an image area of 12" x 18".
Dave Berg - Original Art for Meet Merton #2, pages 20 and 21 (Toby Press, 1954). Before The Lighter Side..., before the paperback books, Dave Berg worked on a string of teen humor titles, all trying to cash in on the phenomenal success of Archie. Meet Merton was one of those books that benefited from the humorist's pen, as one can clearly see in the pages offered here, as Chris Cross (not to be confused with the currently-hot artistic sensation) works through some anger management issue. These pages, in excellent condition, measure approximately 14.5" x 20.5" each.
Dave Berg - Original Art for Meet Merton #2, page 19 (Toby, 1954). This piece displays much of Berg's initial blue line which really adds some depth to the panels. Dave Berg's comfortable use of the ink medium is evident in the variety of lines that add to the textural qualities in the set background. This piece measures approximately 14.25" x 20.5" with an image area of 12" x 18" and is in great condition with only minor use of white-out and minimal glue staining.
Dave Berg - Original Art for Meet Merton #4, Complete 6-page Story, "Beware of the Girls" (Toby Press, 1954). When Merton's dad gives him a foreboding "dish-pan hands" version of marriage, Merton convinces Calories that they need to steer clear of the opposite sex. But, just in time for bowling night, their girls, Marcia and Jo Ann decide to save Merton from baby-sitting his terrible twin girl cousins. Chaos ensues in this delightful tale from Dave Berg's early comic career before his work for Mad. These pages are in great condition with visible blue pencil layout art that adds depth to the illustrations. There is minor use of white-out throughout. The "Merton" logo on the first page is a stat and three of the panels have re-lettered paste ups. These pages measures 14.25" x 20.5" with an image area of 12" x 18".
Dave Berg - Original Inside Cover Art for Wilbur (Archie, 1950s). While best known for his Lighter Side series for Mad Magazine, Dave Berg had a prolific career in the early teen comics. This comic short was printed on the inside back cover, and features a fun lesson on bike safety. It displays Berg's attention to prop detail and nice panel arrangements that utilized different sizes to punctuate those elements. This piece is in great shape with only moderate surface wear and use of white-out. It measures approximately 14.25" x 20.5" and has an image area of 12.5" x 18".
Dave Berg - Original Inside Cover Art for Super Duck #37 (Archie, 1951). This one page cartoon short was used on the inside back cover, and features a humorous look at car safety. Dave Berg's style on this title has a surprisingly finished quality to it despite the minimalistic use of line. This piece measures approximately 14.25" x 21" and has an image area of 12.5" x 18".
David Berg - Original Art for Archie's Pal, Jughead #3, page 27 (Archie, 1950). Poor Jughead gets some shocking news in this one page gag written and drawn by David Berg. The art size measures an overall 14" x 19.5" with a 12.5" x 18" image area. The work shows some overall aging, and the Jughead logo is missing from the first panel, but the work is still in great condition. Signed by Dave Berg.
Dave Berg - Original Cover Art for Mad's Dave Berg Looks at the U.S.A. (Warner, 1964). One of the most beloved contributors toMad magazine, Dave Berg entertained a generation of fans with his sly and acerbic Lighter Side feature. Proving successful outside of the monthly magazine, Dave's material was collected in a series of paperback books. Offered here is the original cover art for the book that started it all, focusing on the faults and foibles of the American people. The piece, in beautiful condition, has an image area of approximately 9.5" x 15", and is signed by the artist in the lower right.
Dave Berg - Original Cover Art for Mad's Dave Berg Looks at Things (Signet, 1967). Rampant consumerism and conspicuous consumption are highlighted here, on this piece by acclaimed humorist Dave Berg. The original art for the cover of his third best-selling paperback book, Dave shows us what it feels like to be buried under one's possessions. Measuring approximately 18.5" x 15" overall, this piece is in very good condition. There is some minor use of white-out around the edges, but none that affects the image. Rendered in pen and ink, and watercolor, this piece has been signed by the artist in the lower right.
Dave Berg - Original Art for Mad's Dave Berg Looks at Things, pages 109-112 (Signet, 1967). From one of Dave's enormously successful paperback collections comes this great strip featuring two subjects near and dear to Berg's heart: beautiful women and the dentist's office. His ability to render gorgeous gals is unquestionable, while his love/hate relationship with dentists (he had terrible problems with his teeth and spent the greater part of a decade in a dentist's chair) is made plain in a number of his strips. This page, measuring approximately 14.5" x 23" overall, is in excellent condition.
Dave Berg - Original Art for Mad's Dave Berg Looks at Things, pages 163-166 (Signet, 1967). A rather pointed comment on the burgeoning computer age (remember when computers took up whole rooms?), along with a swipe at Nick Meglin, co-editor of Mad magazine, makes this a highly desirable page for any Berg fan. In excellent condition, this page measures approximately 14.5" x 23" overall.
Dave Berg - Original Art for Mad's Dave Berg Looks at People, pages 93 and 98-100 (Signet, 1966). the perils of attempting to "one-up" one's neighbor are explored in this pithy three-panel gag. Also included on this page is the chapter illustration for Every-Day-Type People. This page, in excellent condition, measures approximately 14.5" x 23", and is signed by the artist in the last panel.
Dave Berg - Original Art for Mad's Dave Berg Looks at People, pages 67 and 72-74 (Signet, 1966). Dave Berg, Mad's obsessively observant social satirist, points his probing panel at the wages of sin in this pithy, totally non-PC gag. Also included on this page is the chapter illustration for Parent-Type People. In excellent condition, this page, which measures approximately 14.5" x 23" overall, is signed by the artist in the last panel.
Dave Berg - Original Art for Mad's Dave Berg Looks at People, pages 75-78 (Signet, 1966). With a reference that only true Baby Boomers will get, Car 54 responds to a call by a distraught mother. Of course, since this is a Dave Berg strip, you know that all is not what it seems to be! A great piece in excellent condition, this page measures approximately 14.5" x 23" overall.
Dave Berg - Original Art for Mad's Dave Berg Looks at People, pages 108-111 (Signet, 1966). Remember when you were a kid and there was furniture you weren't allowed to sit on and towels you weren't allowed to use? Dave Berg does, and it's a memory he savagely riffs on in this great four-panel gag. Measuring a large 14.5" x 23" overall, this page is in excellent condition.
Dave Berg - Original Cover Art for Mad's Dave Berg Looks at Our Sick World (Warner, 1971). Like a latter-day Atlas, funny-man dave Berg takes all the world's problems on his weary shoulders. The original cover art for one of his poignant, insightful books, this is a glorious, full-color rendering of Our Hero in all his leopard-skinned glory. Measuring approximately 15" x 20" overall, this piece is in excellent condition, and has been signed by the artist in the lower left. As a bonus, a color proof of the published cover is included with this lot.
Dave Berg - Original Cover Art for Dave Berg's Mad Trash (Warner Books, 1977). Another collection of Berg's Lighter Side strips from Mad Magazine, the interesting aspect of this original book's cover is the color stats of actual Mad covers that grace Dave's dustbin. With an image area of approximately 8" x 8" on heavy illustration board, this cover is in excellent condition. As stated, the cover images are stats, but the image of Dave himself is all original, and the piece is signed by the artist in the lower right. Also included with this lot is a color proof of the cover as it was originally published.
Dave Berg - Original Illustration of the Artist as Captain Marvel (undated). Best known as the artist of The Lighter Side feature for Mad magazine, this watercolor self-portrait is a heartfelt tribute to the days when Dave Berg, trim, buff, and working for Fawcett, actually posed as a model for the Big Red Cheese. The colors are somewhat faded with time, but the twinkle in the eye, and Dave's sly, self-deprecating sense of humor shine through undimmed. Measuring approximately 8.5" x 11" overall, this piece displays a slight amount of dirt smudging at the top, but is otherwise in excellent condition. It is signed by the artist in the lower left.
Dave Berg - Original Illustration, "Cubist Nude" (undated). Always seeking to push the boundaries of his artistic abilities, Dave Berg experimented with a variety of styles during his career. In the piece offered here, he adopts a neo-cubist technique to render a highly stylized female nude. Created in pastel, the piece measures approximately 14" x 22" overall, and is in excellent condition. Signed by the artist in the lower right.
Dave Berg - Original Illustration, "Blue Nude" (1970). Always trying to improve his artistic skills, Dave Berg took life drawing classes throughout his life. A side of his artistic ability rarely seen by the fans of his The Lighter Side strip, Dave took his work very seriously, as can be seen in this delicately rendered pastel sketch on textured paper. Measuring approximately 10.75" x 20" overall and in perfect condition, this piece has been signed and dated by Berg in the lower right.
Dave Berg - Original Illustration (undated). Dave Berg is usually associated with the long-running Lighter Side feature in Mad Magazine. Hardly content to be "merely" a cartoonist, however, Berg continued to hone his craft and study art throughout his life, often experimenting with different styles. This provocative, yet vaguely disturbing, image of a skeleton, a mannequin and a child's doll is certainly one of those experimental pieces, showing us a side of the artist that was rarely seen. Rendered in charcoal and pastel on artist's paper, this 18" x 24" masterpiece is in superb condition and is signed by the artist in the lower right.
Dave Berg - Original Illustration (1974). This large, campy painting was created as one in a series of four that Dave Berg, best known as Mad's Lighter Side artist, created to hang in his son Mitch's Palace Discotheque in New Rochelle, New York in 1974. Note the 1970s iconography: the black power fist, the astrological pendant, even the reefer burning away as it's suspended from the TV antenna. The woman reaching out from the TV is obviously "turning herself on", with her eyes replaced by corporate logos. The TV Guide shows a portrait of Mitch on the front cover (labelled "Mitchugina", Mitch was a minor celebrity to Mad readers, since he was drawn in almost every installment of his dad's strip, usually with his trademark cowboy hat and fringed jacket), with the infamous Marlboro Man on the back. A truly unique collectible, this trippy 15" x 32" painting is in excellent condition and is signed by the artist in the lower right.
Dave Berg - Original Illustration (undated). Offered here is a side of Dave Berg rarely seen by fans of his The Lighter Side work for Mad magazine. Most likely created for The Story Hour book series or Moshiach Times for Jewish children, this piece provides a dark glimpse of shtetl life as experienced by Jews in Czarist Russia. Beautifully rendered in full color and deeply compelling, this piece measures approximately 16" x 10.5". Although it shows some evidence of glue staining around the edges, the central image is unaffected and in excellent condition. Signed by the artist in the lower right, this is a piece that, once seen, is not soon forgotten.
Dave Berg - Original Art for Mad Special #92 (EC, 1992). A stunning example of Dave Berg's Lighter Side strip, this page features a spectacular shot of Disneyland as well as Dave's self-portrait character, Roger Kaputnik. A killer piece for Berg's legion of fans, this piece measures a large 18.5" x 24" overall and is in excellent condition. It is signed by the artist in the lower right.
Dave Berg - Original Art for Mad #327, page 4 of 4 (EC, 1994). If you're a Mad fanatic, and you've always wanted a Lighter side page, then this is the one for you! Not only does cartoonist Dave Berg include caricatures of many of his Mad co-workers in the first panel and his alter-ego in the last two, but he also slips in a special appearance by Arthur the Avocado plant! Arthur was a plant that lived in the Mad offices for many years, and was frequently slipped into various drawings by the artists as a sly in-joke to their most in-the-know fans. Imagine, all this on one furshlugginer page! Measuring approximately 17.5" xx 22.5" and in excellent condition, this classic page is signed by the artist in the lower left panel.
Dave Berg - Original Art for Mad #329, page 4 of 4 (EC, 1994). A rare appearance by Annie Gaines makes this a very special Lighter Side page. Of course, what would this popular strip be without Roger Kaputnik, with his trademark safari jacket and corncob pipe? in excellent condition, this page measures approximately 17" x 22.5" and is signed by Berg in the lower right.
Dave Berg - Original Art for Mad #341, page 2 (EC, 1995). An incisive political and social cartoonist for the better part of fifty years, Dave Berg never lost his edge or his eye, as this wonderful page proves. Full of all the wit and style that Dave's fans came to expect, this 17" x 23.5" masterpiece, in pristine condition, is a lasting tribute to the man whose The Lighter Side feature entertained a generation. Signed by the artist in the lower right.
Dave Berg - Original Art for Mad #341, page 5 of 5 (EC, 1995). This great Lighter Side page not only features the Mad office staff, but also wraps up with Roger Kaputnik's long-suffering doctor finally loosing his cool. The page, which measures approximately 19" x 22.75" overall, is in excellent condition and is signed by the artist in the next to last panel.
Dave Berg - Original Art For Mad #346, page 5 of 5 (Mad, 1996). A classic Lighter Side page by Dave Berg, featuring all the things that made this strip great, including portraits of Dave's Mad cronies (don't miss the framed portraits of Bill Gaines and Arthur the Avocado Plant!) as well as Dave's alter-ego, the hypochondriacal Roger Kaputnik. Measuring a big 17.75" x 22.5", this piece, which is signed by the artist in the lower left panel, is in excellent condition.
Dave Berg - Original Art for Mad #347, page 5 (Mad, 1996). A great page from a classic feature, this example of Dave Berg's The Lighter Side has it all: a gaggle of Mad staffers in the first panel (can you name them all?), and Dave's alter-ego, Roger Kaputnik, with his trademark safari jacket and corncob pipe, in the last two panels. Measuring a big 18" x 23" overall, this piece is in excellent condition.
Dave Berg - Original Art for Mad in the Year 2000 (undated). In this bizarre, extra-wide piece, Mad's Dave Berg looks ahead to life in the year 2000. The words aren't here, but the strange detailed drawings seem fascinating enough without them, especially in light of the pedestrian nature of life now, three years past that projected date. An over-sized 19" x 20.5" overall, this piece is in immaculate condition and is signed by the artist in the next-to-last panel.
Jerry Bingham - Original Art for Marvel Two-In-One #61, page 1 (Marvel, 1980). From the issue that introduced Her to a waiting world comes this stunning splash featuring three unsuspecting laborers dragging Her's cocoon from the brackish East River. In excellent condition and measuring approximately 10.5" x 15.75", the page has been hand-colored by an unknown artist. Whoever colored this page did a superior job, certainly adding to the drama of this particular piece, and making it a unique collectible.
Jerry Bingham - Original Art for Marvel Team-Up #150, pages 15 and 18 (Marvel, 1984). Titanic artwork from the very last issue of this beloved series, which teamed Spidey with those Uncanny guys, the X-Men. Juggernaut fans, this lot's for you! Two superb pages, each featuring the unstoppable Juggernaut and his partner-in-crime, Black Tom Cassidy. In pristine condition, these 11" x 16.5" pages will enhance any collection.
Simon Bisley - Original Cover Art for Batman/Lobo #1 (DC, 2000). From the insanely twisted brain of Simon Bisley comes this powerful painting featuring two of the Dark Knight's worst nightmares: The Joker, Clown Prince of Crime, and Lobo, the indestructible bastitch from beyond the stars. Measuring approximately 11.75" x 16.5" overall, this piece, rendered in acrylics, is in excellent condition and is signed by the artist. Not for the faint of heart!
Simon Bisley - Original Art for Batman/Lobo - Chapter One, pages 1-12 (DC, 2000). Presented here for your disconcerted amusement are these twelve shocking pages, bursting with more violence, gore, and wholesale slaughter, than you've likely seen in any first chapter, for any comic book, ever. Writer Alan Grant and artist Simon Bisley hit us where it hurts and punch out this first chapter, titled "Hitman for Hire," an Elseworlds storyline guaranteed to prick yer pupils. The Joker hires Lobo to kill Batman, and then himself in this tongue-in-hole-in-cheek spectacle. The overall art size is 11" x 16" with a 10.25" x 16" image area. This mean-spirited, over-the-top Ragnarok of ink and paper will be a sure fire hit with Batman, Lobo, Grant and Bisley fans... or someone's gonna get fragged!
Simon Bisley - Original Art for Batman/Lobo, Chapter Two, pages 13-27 (DC, 2000). When Lobo comes looking for you, it's best to be out of town...far, far out of town. Batman's going to regret not taking a vacation before this is over, as the Main Man has a contract to cap the Bat! These unbelievably cool pages feature all the gratuitous violence that made Lobo, and Simon Bisley, justly famous. Measuring approximately 11" x 17" each and in excellent condition, you'll see everything from the Penguin getting his head blown off with an exploding cigar to the first fight between Batman and the Last Czarnian! Not for the weak of heart!
Simon Bisley - Original Art for Batman/Lobo, Chapter Two, pages 28-35 (DC, 2000). One of the most startlingly graphic artists of our time, Simon Bisley pulled out all the stops when he penciled this truly "graphic" novel. In this chapter, you'll witness the death of both Nightwing and Robin, as the Main Man attempts to fulfill his contract on the Dark Knight Detective. Unbelievably cool, these pages measure approximately 11" x 17" overall and are in excellent condition.
Simon Bisley - Original Art for Batman/Lobo, Chapter Four, pages 36-48 (DC, 2000). This is it! The final chapter in the duel to the death between Bat and Bastich! The action never stops in these blood-drenched pages, as virtually everybody dies! Nobody does over-the-top violence like Simon Bisley, known to some as "the Sam Peckinpah of comics." In excellent condition, these 11" x 17" pages grab you by the throat and never let go! A real tour-de-force for this fan-favorite artist!
Simon Bisley - Original Illustration of Daredevil (undated). From the mind and hand of Simon Bisley, comes this effervescent exhibition of the human body in motion. The Man Without Fear could be used to describe the artist Bisley himself, considering the chances he's taken in his body of work. He's unafraid to skew and distort even the most hallowed of heroes, including Daredevil, who, through Bisley's deft imagination, carries a glint of the devil himself in his eyes. The art is drawn on a sheet of 11" x 15" illustration paper in ink, watercolor and airbrush.
Simon Bisley - Original Art for 2000 AD #632, page 17 (Fleetway, 1989). This is a great page from the Slaine storyline that ran weekly in the British comic magazine. While Bisley is best known for his fully painted comic pages, he is just as strong an artist with the ink medium as displayed here. His confident knowledge of the human form is reflected in the sinister, if not awkward, dance of the horned character. With the exception of the tape lift along the top margin that does slightly affect the upper part of the image area, this piece is in great condition with minor corner wear. It is signed in the bottom margin by Simon Bisley. This piece measures 14.25" x 18.5" with an image area of 12.25" x16.5".
Simon Bisley - Original Art for 2000 AD #650, page 30 (Fleetway, 1989). Bisley's painted pages for the British comic company, Fleetway Productions, set the standard for the next several years as new artists added the paint brush to their arsenal of supplies. This page, from the Slaine storyline, is a fantastic example of Bisley's supreme knowledge of the human form which allowed him such freedom in conveying the heroic stature of the title character. Bisley is also a master of color as demonstrated by these panels that were rendered without the interference of text balloons. This page of art is in fantastic condition with only minor surface wear in the margin areas. The overall size is approximately 14.25" x 18.5" with an image area of 12.25" x 16.25".
Simon Bisley - Original Art for 2000 AD #653, page 30 (Fleetway, 1989). When Bisley burst onto the British comic market in the late 1980s, he immediately set a precedent for all artists who applied at Fleetway Production for the next several years as they put away their pencils and pens and picked up their paint brushes. This page, from the Slaine storyline, is an awesome example of Bisley's aggressive approach to the medium. The confident pallette of color is second only to the believable creatures that explode, dripping with brutal life, from the hand of Bisley. Dragons are cool! And no one does them better than Bisley. This page of original art is in excellent condition with all word balloons applied to an acetate overlay that is tapped at the top margin. The overall size is approximately 13.25" x 17.25" with an image area of 12.25" x 16.25".
Simon Bisley - Original Art for Dark Horse Presents: Aliens #1, page 3 (Dark Horse, 1992). No one has managed to capture director Ridley Scott's vision of the Alien more horrifically then Simon Bisley. This page evokes a sense of impending doom that is riveting. The use of vivid color may have actually diminished the psychological affect of this monochromatic piece as the suspense filled scene unfolds before the viewer. This piece is in outstanding condition with only very light tape residue in the top margin and minor airbrush overspray the right margin. This page is in outstanding condition with only minor airbrush overspray in the margin areas. It measures approximately 15.25" x 20.25" in size an image area that extends into the margins of approximately 13.5" x 19".
Simon Bisley - Original Art for Dark Horse Presents: Aliens #1, page 4 and 5 (Dark Horse, 1992). Simon Bisley is largely responsible for the proliferation of painted interior comic pages beginning in the late 1980s. He is still the standard for that medium as fantastically demonstrated by these pages which were both rendered on one 20.5" x 15.25" piece of illustration paper. The monochromatic pallette dramatically adds to the lethal battle being waged by the creatures. Bisley's figures are dynamic to be sure, but only his complete understanding of the human form would convey such a believable entity that is obviously not based in reality. This piece is in outstanding condition with only light tape residue in the top margin and minor airbrush overspray and white-out in the side margins. Each page has been signed in the bottom margin area by Simon Bisley. Each page has an image size of 9" x 14".
Simon Bisley - Original Art for Dark Horse Presents: Aliens #1, page 6 and 7 (Dark Horse, 1992). Simon Bisley's painted comic pages for 2000 AD magazine in the late 1980s forever changed the way that quality comics could be produced. He is still the standard by which all subsequent painters of comic art are compared. These pages, which were both rendered on one 20.5" x 15.25" piece of illustration paper, beautifully demonstrate his mastery of the acrylic medium. The monochromatic pallette adds dramatically to the horrific image of the alien queen. The perspective of page 6 pays excellent homage to the black and white "bug-eyed" monster movies of the 1950's. This piece is in outstanding condition with only very light tape residue in the top margin and minor airbrush overspray the right margin.Each page has an image size of 9" x 14".
Simon Bisley - Original Acrylic Paintings (1992). Bisley's rise in popularity mirrors society's fascination with the extreme atmosphere of the World Wrestling Federation. Huge, if not monstrous characters that possess an invincible quality to them are the staple of a Bisley painting. But wrestlers come and go, along with faddish artists. Bisley has something more which appeals to a wider audience that is sure be appreciated long after the sweat of less accomplished artist has been swept from the visual arena. This particular painting pays strong homage to Frazetta's Death Dealer with its vultures in the air, weapons slung over the back of the foreground figure, and skeletal shape beneath these two imposing instruments of the carnage which is implied in the swirling reddish background of color. This exciting work of art was rendered on illustration paper and is in excellent shape. There are only a few small surface blemishes which in no way detract from the strength of this piece which measures 13.75" x 19.5".
Simon Bisley - Original Painting for Melting Pot (Heavy Metal, 1996). This is probably a pin-up piece of Lord Tyler's faithful servant. Simon Bisley's supreme understanding of anatomy, composition, and color are well represented here. The tight ink and acrylic wash renderings nicely frame the fully painted central image that is sitting on an impasto ground area. Bisley's art is always engaging and this piece will be a nice addition to any high end collection of art. This work of art is in outstanding condition with an approximate size of 16.5" x 11.75".
Simon Bisley - Original Illustration, "Women Are From Venus" (Galaxy Publishing, 1998). This sword and shield slugfest originally appeared in the super-rare first issue of the now defunct Forbidden Zone magazine in 1999. Simon Bisley painted this image on a sheet of 14.5" x 18" gessoed illustration board, in acrylics and ink. Bisley's violent, jarring colors perfectly match the horrific atmosphere of the clashing knights. The work is in incredible condition, with very little wear and tear. A pageant of pure, ultra-violence -- Bisley-style! Signed by Simon Bisley.
Simon Bisley - Original Horror Painting (undated). It's not a good day to be spilling your guts in this wonderfully gory painting by British sensation Simon Bisley. One has to wonder how much red paint this guy goes through in a year. Measuring approximately 12" x 16.75" overall, this painting is in excellent condition and is signed by the artist in the lower right.
Steve Bissette and John Totleben - Original Art for Swamp Thing #16, page 17 (DC, 1983). Four issues before Alan Moore would begin his legendary run writing this series, uber-artists Steve Bissette and John Totleben started getting their swamp-legs with this Martin Pasko-scripted story. Although Swampy doesn't actually appear on this page, it is a superb example of the team's strengths, namely Bissette's sturdy storytelling and Totleben's evocative inking style. 10.75" x 16", excellent condition with minimal white-out.
Wayne Boring and Stan Kaye - Original Art for Superman #95, page 4 (DC, 1955). A rare example from Superman's main artist of the 1950s, featuring "Susie's Enchanted Isle." Superman is prominently featured in many of the panels, as he tries, in a hilarious exchange of dialogue, to understand what Susie did with their time machine. The back of the piece has an inked drawing of a Victorian-style woman, possibly done in preparation for her appearance in another story. The art is in very good condition, with two rounded corners, and part of the logo stat missing at the top, and measures 13" x 9.5".
Dan Brereton - Original Art for Legend's of the World's Finest #2, page 44 (DC, 1994). If you have been in the market for that perfect, colorful piece to hang on your wall, your search is over. Dan Brereton has mastered the form and his imagery of Superman wading in and destroying demons in not to be topped. The brilliant colors seem to leap off this page and the watercolors have an almost 3-D effect. The lucky winner of this piece will most definitely want to have it framed and displayed to stare at reverently. This page measures 14.5" x 20".
Dan Brereton - Original Painting for Ultra X-Men Card Set (Fleer, 1994). Originally presented as a triptych of cards 115, 116, and 117 in Fleer's 1994 Ultra X-Men card set, this is far and away some of Dan Brereton's best work. Fully painted in acrylics on heavy art paper, this portrait of Marvel's X-Force virtually explodes with power and excitement. Measuring approximately 23" x 14", with an image area of approximately 22.75" x 11.25", the piece is signed and dated by the artist in the lower right corner. A piece that truly must be seen to be fully appreciated.
Mark Bright and Bob Layton - Original Art for Iron Man #215, page 23 (Marvel, 1987). Both new and old armor are featured on this page, as Tony Stark and Rhodes head into space to take on the evils of Advanced Idea Mechanics (A.I.M.) at Stark's new satellite. Unfortunately, Rhodey's armor malfunctions and he is gets burned during re-entry. Iron Man #215 features the return of writer David Micheline and artist Bob Layton for a second run on the title. This is penciler Mark Bright's second appearance as penciler for this title, and his layout is both dramatic and powerful. The overall size is 11" x 16.5" with a 10" x 15" image area. The work is in excellent condition. Signed by Bob Layton at the bottom right.
Bob Brown - Original Art for Brave and the Bold #78, page 2 (DC, 1968). From the height of Batmania comes this classic page by veteran illustrator Bob Brown. Packed with action, pages from this period are becoming harder and harder to find. Measuring approximately 10.75" x 16", this Silver Age gem is in excellent condition.
Bob Brown - Original Art for The Brave and the Bold #78, page 23 (DC, 1968). As this story ends, Batman tells Wonder Woman and Batgirl, "I'll call you, don't call me!" Bats makes no bones about his dedication to crime fighting. He's a fighter, not a lover! The story, "In the Coils of Copperhead," was written by Bob Haney, and drawn by Bob Brown. The overall page size is approximately 10.5" x 16" with a half-page size 7" x 10" image area. The art is in exceptionally good condition.
Joe Brozowski and Steve Mitchell - Original Cover Art for Firestorm the Nuclear Man #52 (DC, 1987). Once he was human... once, he could have been stopped! Penciler Joe Brozowski and inker Steve Mitchell present this magnetizing masterpiece of Firestorm in the grip of a monstrous King Crusher from 1987. The overall art size is approximately 11" x 17" with a 10" x 15" image area. The art is in immaculate shape, and includes all the original indicia and type box paste-ups. There is also a logo type overlay, which was used in the printing process.
Frank Brunner and Tom Palmer - Original Cover Art for The Tomb of Dracula #12 (Marvel, 1973). Dracula kidnaps Quincy Harker's daughter and challenges his enemy to follow him into "The House That Screams!" Includes a great image of Dracula transforming from a bat in full flight, by one of the Bronze Age's most illustrious illustrators. The art measures 11.5" x 17.5" with a 10" x 15" image area. The art is in excellent condition with some minor staining along the extreme edges. Signed by Frank Brunner and Tom Palmer at the bottom left.
Frank Brunner and Bruce Patterson - Original Art for Warp #4, pages 3 and 13 (First Comics, 1983). Warp was an adaptation by Frank Brunner of a tongue-in-cheek fantasy play by Neal Adams, that had a short-lived Broadway run. Brunner also penciled this story, which was inked by Bruce Patterson, featuring Lord Cumulous, Prince Chaos, Lord Xander, and beauty, Mistress Sargon. The pages measures an overall 11" x 16" with a 10" x 15" image area. Both pages are signed by Frank Brunner.
Rich Buckler and John Romita - Original Cover Art for The Invaders #2 (Marvel, 1975). The classic Golden Age super-team roars back into the 1970s, to the delight of fans everywhere. This thrilling Buckler/Romita cover shows the whole team (even Bucky, who did not actually appear in the story!) pitted against the king-sized Donar, God of Storms, and the excitement is palpable. Buckler was a talented artist who rose to the pro ranks through the fanzine scene, and Romita was, of course the "Jazzy One." This classy collaboration was rendered on vellum, which has been mounted onto a slightly larger board and fitted with a recent replacement logo, making it an absolutely spiffing display piece. Measures 11.5" x 17", with moderate white-out. Don't let this Bronze Age classic pass you by!
Rich Buckler, Bob Smith and Larry Mahlstedt - Original Art for Justice League of America #190, pages 19 and 21 (DC, 1981). Starro takes on the world and the Justice League, in these two pages from Justice League of America #190. Rich Buckler pencils pages 19 and 21 of the issue, with appearances by Red Tornado, Hawkman, Hawkgirl, Black Canary and Batman. Bob Smith and Larry Mahlstedt handle the inks on these two pieces of art, featuring JLAers in action. The overall art size is approximately 10.5" x 15.5" with a 10" x 15" image area. The paper is in supreme condition, with some art correction notations scattered throughout in blue pencil. These two fine creations, featuring some of your favorite heroes, are covetable collectibles for any JLA fan!
Guy Burwell - Original Illustration, "Claws of the Santa" (Mirage, 1992). 'Tis the season to be slaughtered! This ninja star-flingin', nunchuk-twirlin', sai-swingin' free-for-all, full of teen turtles and holiday cheer, is brought to you by artist Guy Burwell. The Teenage Mutants Ninja Turtles have their three-fingered hands full of ninjas in fake fur on the mean streets, while a large, inflatable Santa hovers above. Painted in watercolor on a sheet of 14" x 17" bristol board, the image area is 11" x 16". The work is in excellent condition. Signed by Guy Burwell at the bottom right.
John Buscema - Original Cover Art for Conan the Barbarian Annual #7 (Marvel, 1982). With his last ounce of energy and the last breath in his straining lungs, Conan the Cimmerian slashes at the great, underwater beast, who holds him in its clutches. A brilliantly conceived and violently executed masterpiece by John Buscema, that hacks its way into your imaginative consciousness. The overall art measures 11" x 17" and has a 10" x 15" image area. The work is clean and bright, and in immaculate condition. Includes all the original logo type and indicia paste-ups.
John Buscema and Alfredo Alcala - Original Splash Page Art for Marvel Comics Super Special #2 (Conan) (Marvel, 1977). By Crom, this is one unbelievable splash page, worthy of righteous acclaim. The Cimmerian strikes a pose with a mug of grog while three sodden sailors who can't hold their liquor lay around unconscious. You will, in all likelihood, not be able to find another splash page that better represents our barbarian hero. 11" x 17", in excellent condition.
John Buscema and Alfredo Alcala - Original Art for Marvel Comics Super Special #2 (Conan) (Marvel, 1977). Unimpeded by any word balloons, this beautiful splash is a masterpiece unto itself. Conan stands over a downed buccaneer with a look of aggression. If I were him I'd stay down! This unbeatable piece can hold its own in any artwork collection. 11" x 17".
John Buscema and Dan Adkins - Original Art for Astonishing Tales #13, page 16 (Marvel, 1972). An action-packed page, as Ka-Zar and Zabu come face-to-face with the evil that is AIM! This splashy page by the legendary John Buscema measures approximately 10.5" x 16" overall and is in excellent condition.
John Buscema and Alfredo Alcala - Original Art for The Hulk #23, pages 15, 23 and 27 (Marvel, 1980). There's love around every corner in the Marvel universe. First, the Hulk gets hit on by a wasted junkie chick who says "like" a lot, then Bruce Banner gets the old come-on from a Madison Avenue hottie! What more could you ask for? How about the Hulk going berserk in a parking lot in a scene that will give insurance adjusters nightmares for years to come. It's all here, in this trio of titanic pages, all pencilled by the legendary "Big" John Buscema. In excellent condition, these pages measure approximately 11" x 17" each.
John Buscema - Original Art for Marvel Treasury Edition #28 (Marvel, 1981). This is a rare opportunity to see a Marvel villain being pursued by a DC superhero! John Buscema is unquestionably one of the finest illustrators to ever work in the comic industry and this is an awesome example of that work. The backgrounds are so believable and the perspective, depth, and texture that was created with his confident hand are a joy to look at again and again. Not only do you get Doctor Doom and Superman, but Spider-Man swings onto this page in the last panel. This page is in great shape with moderate use of white-out and staining that is relegated to the word balloon paste-ups and few missing stats in the first three panels. This piece measures 13" x 17" and has an image area of 11.75" x 16".
John Buscema and Gerry Talaoc - Original Art for Daredevil #219, page 14 (Marvel, 1985). Written by Frank Miller, in his last cover and story for the DD series. Here, Frank does his take on the classic man-with-no-name western story, with Buscema and Talaoc providing the powerhouse visuals. Fists are flailing, tempers are rising, beer bottles are breaking and the taste of blood is in the air. The overall art size is approximately 11.5" x 16" with a 10" x 15" image area. This piece has trims on three corners, and a very slight blue pencil notation in the sixth panel, but is in otherwise excellent condition.
John Buscema and Tom Palmer - Original Art for Avengers #255, pages 2, 11 and 14 (Marvel, 1985). Join Monica Rambeau, the Avenger's Captain Marvel, as she explorers a derelict starship and encounters Kahl, Gunther, Levan and Skunge. Beautifully rendered by the Team Supreme of John Buscema and Tom Palmer, these gorgeous pages measure approximately 11" x 16.5" overall and are in pristine condition.
John Buscema and Klaus Janson - Original Art for Marvel Comics Presents #7, page 1 (Marvel, 1988). Wolverine and Jessan Hoan should be dead in the water, but a little mouth-to-mouth resuscitation makes it all work out in this ultimate splash page from Marvel Comics Presents #7. You couldn't ask for a more dramatic entrance to a story than this one, drawn by John Buscema and inked by Klaus Janson. Buscema's figure work is clear and powerful, and Janson brings a fine art quality to the rich ink textures and tones he's created from the pencils. The overall art size is approximately 11" x 16", with a 10" by 15" image area. The work is well-kept and in incredible condition with the exception of a small stain at the upper right corner and some limited white-out, used mostly for effect.
John Buscema - Original Splash Page Art for The Amazing Spider-Man (V2) Annual, pages 11 and 12 (Marvel, 1999). One of Marvel's most popular characters rendered by one of Marvel's top artists. How can you go wrong? The answer is: you can't, as is gloriously proven by this stunning double-page spread of Spidey facing a knight on horseback as visualized by Big John Buscema himself. Long noted for his highly dynamic, hyper-realistic drawings on such titles as Conan and Tarzan, Buscema proves his total mastery of the superhero genre as well in this breathtaking splash. In pristine condition, the page measures approximately 21" x 17. 25" overall, and is signed by the artist in the upper margin. Included with this lot is Buscema's original pencil and ink concept sketch, the same size as the published original, also signed by the artist. A stunning lot, perfect for even the most discriminating collector.
Sal Buscema and Tom Palmer - Original Art for Avengers #78, page 17 (Marvel, 1970). It's "Lights Out" for the Black Panther when he crosses the path of the marauding Man-Ape. And all the Avengers can do is grit their teeth (in patented Sal Buscema style) and take it, as Man-Ape gloats over the body of his fallen foe! A beautiful page from a master story-teller, this gem is in excellent condition and measures approximately 10.5" x 16" overall.
Sal Buscema and Jim Mooney - Original Art for Sub-Mariner #35, page 10 (Marvel, 1970). A sterling page from the issue that featured the very first appearance of the Defenders! With dialogue that would make Shakespeare envious, Roy Thomas pens this six-panel stunner that features Sub-Mariner, Lady Dorma, Ikthon and Defenders, Hulk and Silver Surfer, on the brink of a battle with the Avengers. Sal Buscema handles the pencils in grand style, and his grimacing Namor is a discerning display of the Atlantean prince. Jim Mooney splashes his inks over Buscema's pencils to create a truly masterful page, the best from Marvel's Bronze Age of superheroes. The overall art size is approximately 10.5" x 16" with a 10" x 15" image area. This regal rendition is in excellent condition, with some slight staining apparent along the left edge at the bottom and at the upper right edge. There is also a small tape stain at the extreme lower right edge. Still, an imperious image from the early '70s, with some of your favorite Marvel figureheads in action.
Sal Buscema and Frank Giacoia - Original Art for Nova #6, page 30 (Marvel, 1977). In this page from 1977, the Condor, Powerhouse, and Diamondhead do some brain scrambling on former delivery boy, Richard Rider, a.k.a. Nova, hoping to use his unlimited power to help them invade the fortress of the Dreaded One. Penciled by Sal Buscema and inked by Frank Giacoia, this scintillating simulacrum has an image area of 10" x 15", on a sheet of 10.5" x 15.75" bristol board. Aside from some slight blue pencil markings to indicate word balloon placement and a tape stain at the top and bottom of the page, this page is in first-rate shape. Signed by Sal Buscema at the top right.
Sal Buscema - Original Art for Rom Annual #2, pages 5 & 15 (Marvel, 1981). You'll thrill to the mind-numbing action and the heart-rending emotion in this pandemonius pair of power-packed pages! SEE Rom, Spaceknight cause havoc on a city street! SEE the fearsome neutralizer and its dreaded Ray of Doom! SEE the deadly Dire Wraith as he uses all the power at his command to...make a phone call (where does he keep his change?)! These pages, in excellent condition, measure approximately 10.5" x 15.75" overall and will look great hanging on the wall of your interplanetary cruiser!
Sal Buscema and Gerry Talaoc - Original Art for Incredible Hulk #308, pages 8 and 9 (Marvel, 1985). The unbelievable power and unstoppable fury of the ever-Incredible Hulk is brilliantly brought to life here by Marvel stalwart Sal Buscema. This pair of pulse-pounding pages, dazzlingly delineated by Our Pal Sal and righteously rendered by "Gorgeous" Gerry Talaoc measure approximately m11" x 16.5" each and are in excellent condition. Don't make us angry by not bidding. You wouldn't like us when we're angry.
Sal Buscema - Original Art for Spectacular Spider-Man #141, Complete 22-page Story, "The Tombstone Testament!" (Marvel, 1988). This awesome story prominently features page after page of the Punisher doing what he does best, wiping out mob guys. Mary Jane Watson is also threatened by Tombstone while Joe Robertson battles for his life in a hospital bed. With the Punisher movie due out next year, these pieces are sure to be the envy of anyone not fortunate enough to acquire them early. Each of the pages are in excellent condition with only very minor use of white-out on the splash page and one redrawn paste-up on page 14. The tops of each page were cropped as part of the printing process. In addition to the original artwork for the splash page included in this lot, a stat page that was used for the final printing of the splash page is also included with this lot as an extra bonus. The pages measure approximately 11" x 16.75" with an image area of 10" x 14.75".
John Byrne and Frank Chiaramonte - Original Art for Iron Fist #3, page 27 (Marvel, 1976). "...you gather all your strength of will, your chi... and you focus it, into your right hand, until that hand begins to smoulder, to glow... until it becomes like unto a thing of IRON." Any Marvel Zombie of the '70s could probably quote this litany of Iron Fist summoning the awesome power contained within him to defeat his foes. Said foe in this exemplary page is a big guy in a shiny battlesuit called the Ravager, and the iron punch is sure to do some serious damage. This amazing page not only features two gigantic panels, but the kind of powerful layouts for which Byrne is justly famous. When it comes to Bronze Age art by one of the true greats of the era, this one's a no-brainer. 10.75" x 16", minimal white-out with some blue-pencil notations.
John Byrne and David Hunt - Original Art for Marvel Team-Up #64, page 23 (Marvel, 1977). A powerful page from the prime of John Byrne's Bronze Age output, this pits the awesome Iron Fist against his similarly-dressed foe Steel Serpent. Meanwhile, Spidey gabs with Christie Love, or a reasonable facsimile thereof. Heart-pounding action in the Mighty Marvel manner, this is a classic of the Bronze Age, and should go straight to the top of your bid list. No kidding! Excellent condition overall, this exhibits some of the brownish stains common to Marvel art of this period (it has been theorized that the stains come from some grease or oil used in the production department), with moderate white-out and a couple of blue-pencil editorial lines. If you don't "Byrne" for this page, we say you haven't paid your gas bill.
John Byrne and Pablo Marcos - Original Art for The Avengers #164, page 7 (Marvel, 1977). Nefarious Count Nefaria begins his round-up of villainous co-horts in this page penciled by John Byrne and inked by Pablo Marcos. Also on the agenda is Bob Frank, a.k.a. The Whizzer, who speeds into action in a blur of super-swift motion. The overall art size is 10.5" x 16" with a 10" x 15" image area. Aside from a tape stain at the top and the bottom of the page, this art is in exceptional condition. Panel two has been redrawn and replaced and there are two small diagonal cuts on the top two corners, which were made preparing the art for print.
John Byrne - Original Art for Alpha Flight #22, Complete 22-page Story "Rub-Out" (Marvel, 1985). Talk about the fat hitting the fire! This John Byrne story from 1985 ain't over 'til the fat lady screams... fat lady Pearl, that is. Seems like she's using the circus to get close enough to bomb a meeting of the Prime Minister of Canada and the U.S. President. This beautiful story, penciled and inked by fan fave John Byrne, features characters Aurora and her brother, Northstar, and cameos by Box and Madison Jeffries. Overall page size is 11" x 16.5" with an image area of 10" x 15". Except for some minimal white-out here and there and some slight aging, these pages look new. Signed by John Byrne at the bottom left of page one.
John Byrne and Ross Andru - Original Art for Action Comics #599, pages 19, 20 and 21 (DC, 1988). Offered here are three consecutive pages featuring Superman and the Metal Men, from the talented hands of two comics legends. They're all here in their metallic glory... even Doc Magnus makes an appearance on the last page. In excellent condition, these pages measure approximately 11" x 16.25" each.
John Byrne and Alfredo Alcala - Original Cover Art for Smallville: The Comic #4 (DC, 2002). Based on the popular TV show, "Smallville," that little town in Kansas that gave us Superman, comes this cover from the fourth issue of the Smallville comic book series. Lana Lang gets a first look at the soon to be world-famous Man of Steel, in this beautiful cover penciled by John Byrne and inked by Alfredo Alcala. The overall size is 11.25" x 17" with a 10" x 15" image area. The art is super clean and bright. Signed by John Byrne at the bottom.
Nick Cardy - Original Cover Art for Superman #260 (DC, 1973). The Keeper of the Eternal Flame, Valdemar, tosses his flaming sword at the man from Krypton in this exceptional cover, penciled and inked by noteworthy Nick Cardy. This Bronze Age spectacle, featuring Superman in a predicament of mythic proportions, is crafted with fine linework and beautiful detail by one of the finest artists in the business. Coming in at an overall page size of 11.5" x 17.5", the art area measures 10" x 15" and comes complete with the original Superman logo, word balloon and indicia paste-ups. The work is in immaculate condition, with only the slightest aging apparent, mostly around the paste-ups. The position of the Superman figure was reworked and another piece of original art by Cardy was pasted over the original, apparently to enhance the tension. A captivating image of DC's flagship character from one of the most compelling eras in the company's history.
Claudio Castellini - Original Art for Marvel vs. DC #3, pages 28-30, 31A, and 31B (Marvel, 1996). Have you ever wondered who would win in a fight between Superman and the Hulk? Marvel and DC tried to answer that and other questions in their landmark mini-series, and solicited fan opinions as to the winners via phone voting. In order to be able to respond to the fans' demands, two different endings to this mammoth slugfest were produced, and both are included here in this pulse-pounding lot. In immaculate condition, these pages measure approximately 11" x 17" overall and even feature a guest appearance by Metallo. Only one of these endings was printed, making the other a rare "untold story". A must for any fan of super-powered mayhem.
Ernie Chan - Original Art for DC Super-Stars #6 (DC, 1976). Adam Strange fights "The Robot-Wraith of Rann!" and various other men of space are presented here in this extraterrestrial cover for DC Super-Stars #6. Ernie Chan pencils and inks this piece, which measures approximately 11.5" x 17", with a 10" x 15" image area. The art is in stellar condition, with the exception of some very slight staining apparent, especially around the word box paste-ups.
Ernie Chan - Original Painting of Conan the Barbarian (1978). Veteran Conan artist Ernie Chan really knows what he's doing in this oil painting on canvas board. Chan imbues this work with rich color and raw emotion, capturing the Cimmerian in all his glory defending a lovely lady from a huge fur-covered serpent. Coming in at a huge 16" x 20", there's a lot here to look at! Signed by the artist at the lower left.
Ernie Chan - Original Art for The Further Adventures of Indiana Jones #18, pages 6, 19 and 25 (Marvel, 1984). The adventures of Indiana Jones didn't end with his three spectacular films. He continued his archaeological adventures in the pages of his own comic for several years. The three pages offered here are great examples of Indy's off-screen exploits. in excellent condition, each page measures approximately 11" x 16.5" overall.
Travis Charest - Original Art for WildC.A.T.s (undated). One of the hottest artists working in comics today, Travis Charest's work is almost photographic in its realism. Working at a level of detail that is almost inconceivable, Charest invests each character on the page with a life and a vibrancy that is unmatched. The page offered here, from an unidentified WildC.A.T.s project featuring Savant, is a perfect example of Charest's commitment to his work. The amount of fine detail in the robot is unbelievable. Trust us, if you haven't seen Charest's work in its original form, you haven't seen Charest's work at all. Measuring approximately 10.5" x 15.5" overall, this masterful piece is in perfect condition. Prime pieces of Charest's work don't often present themselves for public sale, and those that do are typically snatched up quickly by his legion of fans. Don't miss out on this killer splash!
Travis Charest - Original Art for WildC.A.T.S/X-Men #1, page 26 (Image, 1997). A legend in his own time, Travis Charest is renowned for his gorgeous linework and his impeccable composition, as seen in this stunning page featuring Wolverine and Zealot. His unbelievable attention to detail must truly be seen to be appreciated. Measuring approximately 11" x 17" overall, this piece is in excellent condition and has been signed by the artist in the lower left.
Dave Cockrum - Original Art for Nightcrawler #3, page 27 (Marvel, 1985). The swashbuckling, teleporting, blue-furred mutant was the hands-down favorite of creator Dave Cockrum, so it was a pleasure for fans and creator alike when Cockrum got the green-light for a Nightcrawler mini-series in 1985. This page, from that wide-ranging series, features the titular star, as well as friends Colossus, Kitty Pryde, Ilyanna Rasputin, and assorted strange creatures. Measuring approximately 11" x 16.75" overall, this piece is in excellent condition and will look just great hanging in your danger room.
Dave Cockrum - Original Cover Recreation for X-Men #145 (2002). One of the best-remembered covers by X-Men co-creator Dave Cockrum, this image caused a sensation when it first appeared, and has remained on of the favorites of X-fans ever since. The original is most likely buried deep within a private collection, but fear not! Offered here is a stunning recreation by the original artist measuring approximately 11" x 17" overall and in excellent condition. The piece is signed by the artist in the lower left.
Gene Colan - Original Art for Tales to Astonish #75, page 5 (Marvel, 1966). As Namor's quest to recover the Imperial Trident draws to a close, the life of the Lady Dorma hangs precariously in the balance. Drawn with a style only Adam Austin (better known as "Genial" Gene Colan to you devoted Marvelphiles) could give it, this page is a must for any Sub-Mariner fan. Measuring approximately 13.5" x 21.25" overall, this classic Silver Age page is in excellent condition.
Gene Colan and Vince Colletta - Original Art for Tales to Astonish #76, page 8 (Marvel, 1966). When Gene Colan, under the pseudonym, Adam Austin, began the Sub-Mariner storyline in Tales to Astonish, he instantly redefined the look of the character. This is a fantastic image that possesses an iconic appeal. The viewer almost feels a part of the loyal subjects who approach the regal Prince Namor. Colleta's black areas create a nice framing technique for the rest of this subdued, yet powerful image. This piece of art is in fantastic condition with very little use of corrective white out. The "Continued after next page" text has been taped in place. The overall size of this piece is 13.5" x 21" with an image area of 12.5" x 18".
Gene Colan - Original Splash Page Art for Daredevil #37, page 16 (Marvel, 1967). From the scintillating Silver Age comes this dramatic splash by Gene "The Dean" Colan of two of Marvel's mightiest villains: the diabolical Dr. Doom and the planet-eating plunderer that is Galactus! Where's Daredevil, you say? Who knows? Who cares, with these two bombastic baddies in the house! In excellent condition, this page measures approximately 10.5" x 16.25" overall, and is signed by the artist in the lower left border.
Gene Colan and Syd Shores - Original Art for Daredevil #60, page 19 (Marvel, 1970). Daredevil gets a little help from a law enforcement official, as he is faced with a one man Crime-Wave, with an intent to kill. And that one man happens to be Foggy Nelson's own assistant, Hollis, when he is unmasked in the final panel of this divulgent delineation. Gene Colan blends both the pencil and the illusive nature of motion together to create a comic book page that flows like water over ice. Syd Shores' inks invigorate the pencils and bring out the best in Colan's vision. The overall page size is 11" x 16" with a 10" x 15" image area. The work is well-kept and even with some slight blue pencil lines, editorial notes at the bottom and some whiteout usage, especially on Hollis' face in the final frame, this page is remarkable.
Gene Colan and John Tartaglione - Original Art for Daredevil #100, page 6 (Marvel, 1973). Gene "the Dean" Colan provides layouts while John Tartaglione contributes finished artwork and inks on this exciting Daredevil page from the book's "Epoch-making" 100th-issue. DD dodges bullets, chains, and bad tempers as he tries to assist a fallen civilian. Bold use of blacks and energetic layouts really bring this page to life. Signed by Colan in the lower left corner. 10.5" x 16", excellent condition with minimal white-out.
Gene Colan and Tom Palmer - Original Cover Art for The Tomb of Dracula #61 (Marvel, 1977). The maternal instinct is strong, even for the undead, and it doesn't get more macabre than this cover penciled by legendary Gene Colan and inked by Tom Palmer. The two mainstay artists on The Tomb of Dracula series are in full stride on this cover, co-mingling their talents to produce this deadly 10" x 15" image. The Lord of the Undead, Dracula, is at his full power transforming from a bat with a monstrous frenzy that makes this cover such a killer, from the well-remembered storyline featuring Drac's son Janus. The overall art, drawn on a sheet of 11" x 17" bristol board, shows some slight aging, and there is a stain from a missing word balloon, but as a whole, it's a morbid masterpiece. Signed by Gene Colan at the lower left. If you only buy one piece of Dracula art from this outstanding series, sink your teeth in to this one!
Gene Colan and Alfredo Alcala - Original Art for Hulk #19, pages 9 and 15 (Marvel, 1980). A pair of pretty pages from the Hulk magazine-format b/w series, both pages feature ol' Greenskin in action, including an iconic shot of him lifting a huge boulder on page 9. Colan's storytelling is legendary, and Alcala's textured inks lend a nice ambiance to the imagery. Some aging at the edges, but minimal white-out, very clean overall. Two pages, 11" x 17".
Gene Colan and Bob Smith - Original Art for World's Finest #297, pages 5 and 7 (DC, 1983). Powerful robots attack Earth, and the world's finest team of Batman and Superman must find ways to deal with the aggression. Expressive work from Gene Colan (ably abetted by Bob Smith's slick inks) lends a lot of weight to the fantastic situation. Great shots of both heroes on these two great pages. 10.5" x 16", with moderate white-out; some captions and word balloons are paste-ups.
Gene Colan and Bob Smith - Original Art for Detective Comics #559, pages 2 and 8 (DC, 1986). The Darknight Detective teams up with the Emerald Archer on these two outstanding pages from the longest-running comic in DC history. Colan was a perfect fit for Batman, and his expressive, surrealistic body language and wild panel layouts; even a mundane scene such as GA and Bats having coffee in a diner (!) gains power from Colan's talented pencil. Two pages, measuring 10.5" x 16", some word balloons are pasted-up; minimal white-out, very clean pages overall.
Gene Colan - Original Art for Silverblade #3, Cover and Complete 23-Page Story "The Bird Who Knew Too Much!" (DC, 1987). Gene Colan's swashbuckling creation, Silverblade, is the Faust story told in the context of modern Hollywood. Aging actor Jonathan Lord makes a deal to become forever young if he will fight the mystic forces of evil. Offered here is a complete package: 23 interior page and the cover for the third issue of this fondly-remembered title. The cover measures approximately 11.25" x 17", while the interior pages are a large 13.25" x 18.75" overall, and all are in excellent condition.
Warren Kremer - Original Cover For Little Lotta #1 (Harvey, 1955). Original cover art to #1 issues are always highly coveted by collectors, but here we have something special -- not only is this the cover to the premiere issue of one of Harvey's longest-running and most popular characters in her own title, but it also features a guest appearance by Little Dot as well. Ms. Lotta Plump probably never heard of the Atkins diet, and the humor-at-the-expense-of-the-obese vibe isn't exactly politically correct, but this uncluttered, well-drawn image -- showing Little L doing what she does best -- evokes the simple charm of a bygone era. Lotta and Dot were drawn on separate boards and then cut-and-pasted onto a common backing; there is minor glue staining along the bottom edge, but -- almost miraculously, considering Harvey's policy of removing and re-using headers -- this has all it's original logo and header stats, making this one of the most complete-looking Harvey covers we have offered. 9.5" x 14", with an image area of 7" x 10.5".
Johnny Craig - Original Cover Art for the Crypt of Terror #17 (EC, 1950). Certainly one of the most historic pieces of art offered in this sale, this is arguably the first horror cover ever produced by EC. The last two issues of War Against Crime and Crime Patrol are decidedly EC horror books, but Gaines still hedged his bet; they remained crime comics, if only in title. However, with Crypt of Terror #17 and Vault of Horror #12, Gaines threw caution (and, some would say, good taste) to the four winds and took the plunge. He let his imagination, and the talents of his artists, run rampant, and comic book history took a dramatic turn. The result was that EC's graphically violent covers and stories sold very well. Of course, this bred myriad imitators, all trying to out-do one another in the grue-and-gore department. Ultimately, psychologists, social reformers and Senator Kefauver's Senate hearings put a stake in the heart of Bill Gaines' horror-based empire. Often imitated but never duplicated, their like has not been seen since. The cover offered here, while not as graphic as later efforts, is one of Craig's finer pieces. The detail is exquisite, particularly the alley cat foraging for its dinner. The art is in exceptional condition measuring 13.5" x 19". All of the type, including the logo, is hand drawn. Significant and masterfully executed, this piece is a must for the serious EC collector.
Reed Crandall - Original Art for Classics Illustrated #168, pages 34 and 35 (Gilberton, 1969). Drawn in the post-EC 1950s, but held and published in the 1960s as the next-to-last issue of Classics Illustrated this stunning art is by EC veteran Reed Crandall, whose crisp, clean line and exquisite eye for detail is demonstrated in this pair of stunning pages. An adaptation of G.A. Henty's n Freedom's Cause, these pages tell part of the story of young Archibald Forbes, who fought in Scotland's War of independence under William Wallace, better known to movie-going audiences as Braveheart. In excellent condition, these finely-rendered pages measure approximately 14.5" x 23" overall.
Paris Cullins & Rick Magyar - Original Art for Omega Men #27, page 29 (DC, 1983). From the "Vega" back-up feature in DC's Omega Men comes this page written by Alan Moore and pencilled by Paris Cullins. Beautifully illustrated, this page measures approximately 10.75" x 15.75" overall and is in excellent condition. It is signed by inker Rick magyar in the bottom margin.
Paris Cullins and Romeo Tanghal - Original Cover Art for The New Teen Titans #12 (DC, 1985). Starfire and Dick Grayson highlight this antiquarian cover for The New Teen Titans #12, which features an old writing desk and some vintage knickknacks. Paris Cullins pencils a plethora of detail, from the door handles, to the floral pattern at the very back of the room, handling each with aplomb and Romeo Tanghal's inks are marvelously realized. The overall art size is 11.5" x 17" with a 10" x 15" image area. There is a small female figure sketched in pencil on the back of the art that's a lot of fun. Comes complete with the original type paste-up at the bottom left.
Olivia Deberardinis - Original Painting, "Bettie and her Mirror" (1990). Bettie Page admires her reflection in this captivating painting by world-renowned artist Olivia. Hey, who can blame her? A stunning work, charmingly innocent yet subtly erotic, this is a beautiful melding of Bettie's beauty and Olivia's skill. With an image area of approximately 17.75" x 26", this painting is in excellent condition and is signed by the artist in the lower right.
Tony DeZuniga - Original Cover Art for Girl's Romances #155 (DC, 1971). The stud on the motorcycle is causing a wave of anxiety for the beautiful ingenue, arm an arm with her beau. She worries that her Saturday night party antics will be uncovered by her handsome boyfriend. Tony DeZuniga's smooth, effortless linework, and deft use of graphite give this art a freshness that couldn't have been achieved in ink. This lush, loosely-rendered artwork is an overall size of approximately 11.75" x 17" with a 10" x 15" image area. The drawings were created on vellum paper and mounted to the final art board. There is some slight aging apparent around the drawings and the type and logo paste-ups, and a missing word balloon, but generally this work is in incredible shape.
Tony DeZuniga - Original Art for Arak, Son of Thunder #40 Group of 19 pages (DC, 1984). This group contains a nearly complete story with pages 1-3, 5-11, 13-20, 22, and 23. This is an action-packed tale with four splash pages in the lot. Tony DeZuniga's work was always best when he was both penciler and inker, as is the case with these pages. The depth of panels and proportional strength of his figures is far superior to most of the pencilers working in the comic industry today. The double page spread represented on page 7 and 8 is particularly nice, with its vantage point of attention to textural quality. All of the pages were cropped as part of the printing process, and the title stat is missing from the splash page. Otherwise, these pages are in great shape with minimal use of white-out. Each page measures approximately 11" x 16" with an image area of 9.5" x 15".
Tony DeZuniga - Original Cover Art for Arak, Son of Thunder #41 (DC, 1985). DC's most successful barbarian hero, Arak, Son of Thunder, literally has the bull by the horns in this classic, uncultivated cover penciled and inked by series mainstay, Tony DeZuniga. DeZuniga's Arak is an imposing figure, commanding the moment, and the huge beast's fetid breath practically blows right in your face in this 10" x 15" image drawn on a sheet of 11" x 16.5" bristol board. Includes all the original logo, type, and indicia paste-ups.
Jay Disbrow - Original Art for The Flames of Gyro, Complete 32-page Story (Fantagraphics, 1979). This wonderful set of pages also includes the inside front cover art that featured "...the cast of The Flames of Gyro." Jay Disbrow's Golden Age roots are unmistakable in this epic space opera which he also wrote. However, this mature work manages to possess that nostalgic appeal while displaying an obviously refined style that is rendered beautifully with washes. Each page is worthy of individual display. Together, they represent an absolute coup for some lucky bidder. This story was obviously a labor of love for Disbrow. Each panel is a throughout work of art with detailed images and backgrounds that are overflowing with space ships, breath taking landscapes, and monstrous creatures that never look cluttered. These pages are in exceptional condition with virtually no use of white-out or staining. Only two panels in the entire story have edited text boxes, which were all hand rendered on the pages. The pages are a huge 16" x 22" in size with an image area of 14" x 20".
Disney Studios - Original Art Gouache Painting (Disney, 1982). This wonderful art may have been used as a card or calendar image. A note on back merely state, "Christmas 1982". Great care has been taken to preserve this image as none of the cracking or chipping of pigment that is common with gouache paintings is present on this piece. Disney's stable of artists consistently produce cherished images that possess a universal appeal that is unrivaled throughout the world. Dumbo, Mickey, and Donald have taken to the skies to bring a holiday message of goodwill and happiness that is sure to bring a smile to all who look upon them. This image was rendered on a piece of illustration board that measures approximately 20" x 15.25".
Disney Studios - Original Holiday Card Art (Disney, 1986). Disney Studio employees look forward every holiday season to receiving the company Christmas card. Always bright, colorful, and unique, the cards have become collectibles in their own right. Offered here is the original art for the 1986 holiday card, beautifully framed and matted for a stunning presentation. Measuring approximately 34" x 15.75" overall, the piece is in excellent condition, with the card script on an acetate overlay. Art like this is extremely rare. To our knowledge, another piece like this has never been offered for public sale.
Steve Ditko and Paul Reinman - Original Art for Tales of Suspense #49 (Marvel, 1964). This is a bright white page with inks that look like they are freshly applied. The fact that this page is from the first cross-over story of the X-Men, which was published at the same time as X-Men #3, is a bonus to the classic style of Ditko art and clean Reinman inks that is represented here. The page illustrates Angel's resentment towards the "ordinary humans" and his desire to contact the Evil Mutants that will result in his historic battle with Iron Man. This page is in great condition with moderate staining in the margin areas and a half inch and 1" tear in the bottom margin. There is a very light crease at the bottom left corner that does go into the bottom left panel area but doesn't detract from the image. This page measures 13.5" x 20.25" with an 11.5" x 18.5" image area.
Steve Ditko - Original Art for Get Smart Test Page (1966). Offered here is a true rarity: an unpublished "Test Page" for a Get Smart comic penciled and partially inked by Steve Ditko! As legend has it, Steve was hired by Sal Trapani, who was doing some work for some of the smaller comics publishers, to help with layouts. One of the books they worked on together was Dell's Get Smart, from whence this unpublished page comes. Perfectly capturing the likenesses of both Don Adams and Barbara Feldon, this is a rare opportunity to see Ditko's pencil work, as almost all the Ditko material out there features fully finished inks. This exquisite piece measures approximately 15" x 21.25" overall and is in excellent condition
Steve Ditko - Original Art for The Hawk and the Dove #1, page 3 (DC, 1968). Militant hero, Hank Hall, finds a two-fisted solution to his problems with deadbeats, in this pain-wracked page from the first issue of The Hawk and the Dove. As the Hawk, he charges into battle with fists flailing first, to the disproval of a gathered crowd. Penciled and inked by Steve Ditko, this breathtaking page is full of action, all wrapped up in Ditko's inimitable style. The overall art size is 10.5" x 16" with a 10" x 15" image area. There are four small holes punched into each of the corners, but otherwise, this page is in exceptional condition.
Joe Doolin - Original Art for Planet Comics #24, Complete 10-page story "Mars, God of War" (Fiction House, 1943). With Planet Comics, Fiction House had the premiere science fiction title. Copies of this title never go cheap but can you imagine having the original artwork to an entire story? This story featuring Mars, God of War, has everything you could desire in a science fiction story: spaceships, wild multi-armed aliens and raygun-toting heroes. You can't ask for much more than that. There is liberal usage of white out on a few of the pages, which measure 16.5" x 22".
Dave Dorman - Original Art for Aliens: Tribes (Dark Horse, 1992). Dave Dorman said he considers his work for Dark Horse's 1993 hardcover, Aliens: Tribes, to be a landmark of his career. Written by writer/artist, Steven R. Bissette, this book has twenty four interior paintings by fan favorite, Dorman, for which he won a 1993 Eisner Award for "Best Painted Work." This horrific 10" x 15" image was painted in oil on a sheet of gessoed 11" x 16" illustration board. Signed by Dave Dorman at the bottom left.
Dave Dorman - Original Art for Aliens: Tribes, page 61 (Dark Horse, 1992). From the Eisner-winning illustrated novella Aliens: Tribes, written by Steve Bissette, this is a killer fully-painted page by Dave Dorman. In this page from the climax of the book, Leader battles a MOX soldier sheathed in a powerful exoskeleton, while the alien threat swarms around them. A powerful image by Dorman. Oil on gessoed illustration board, measures 11" x 16".
Dave Dorman - Original Fantasy Painting, Barbarians in Combat (1976). Best known for his wonderful paintings illustrating the "Star Wars" universe, Dave Dorman is one of the world's leading sci-fi/fantasy artists. The painting offered here, according to Dorman, "was based on a small Frank Frazetta pen sketch and was done at a time in my youth when I was teaching myself how to paint." A nice piece showcasing Dorman's early talent. Measuring approximately 24" x 20" overall, this piece is in excellent condition and is signed by the artist in the lower right.
Bill Draut - Original Art for House of Mystery #93, Complete 3-page Story, "Nightmare" (DC, 1971). There's a fine line between dreams and reality, as this gentleman finds out in this tight, atmospheric story from the heyday of DC's mystery titles. Beautifully rendered and in excellent condition, the pages measure approximately 10.5" x 15.75" overall. The very last panel is a stat, repeating the splash panel image for the to-infinity story, but all the rest is original.
Mike Dringenberg - Original Wrap-Around Cover Art for Adolescent Radioactive Blackbelt Hamsters 3-D Special #2 (Eclipse, 1986). Before he helped writer Neil Gaiman create The Sandman, Mike Dringenberg contributed this cool Star Wars-parody cover for a series that was, itself, a parody of the Teenage Mutant Ninja Turtles. Measuring approximately 22.25" x 17.5" overall, this piece is in excellent condition and is signed by the artist in the lower right.
Mike Dringenberg - Original Art for Enchanter #2, pages 9-13 (Eclipse, 1987). Shortly before co-creating the Sandman with writer Neil Gaiman, Mike Dringenberg worked on this moody evocative product for Eclipse Comics. Beautifully rendered in the dark, intense style that would become his trademark, these spectacular pages show an early stage of Dringenberg's development as an artist. Measuring approximately 11.25" x 16.5" and in excellent condition, several of these pages are rendered on DuoTone board.
Mort Drucker - Original Art for Mad #236 (EC, 1983). Mort Drucker's fine brush work and excellent caricatures abound on this awesome piece. This is the fourth page of the "Star Bleech II" story featuring Spook and Admiral Curt on the bridge while the diabolical Korn looks on from the communications screen. "Star Trek II: The Wrath of Khan" is considered by most fans to be the best of the "Trek" films, so this must be the best of the Mad parodies! There is a zipatone application in one of the panels, and the amberlyth pieces are on overlays. This piece is in excellent condition and measures 18" x 24" with an image area of 17.5" x 21".
Mort Drucker - Original Art for Mad #236 (EC, 1983). Mort Drucker is arguably the finest celebrity spoof artist to ever work in the comic field. This page is full of his great caricatures that make his stories such fan favorites. Here's the last page of the "Star Bleech II" story featuring the "death" of Spook, with Admiral Curt delivering the eulogy. A holy grail for "Trek" collectors, as this page mocks one of the most traumatic events in Trekker history -- the death of Mr. Spock! Drucker utilized a lot of brush work on this page, as well as zipatone applications in two of the panels. The amberlyth pieces are on overlays. This piece is in excellent condition and measures approximately 18" x 22.75" with an image area of 17.5" x 21".
Kieron Dwyer and Denis Rodier - Original Cover Art for Action Comics #718 (DC, 1996). Who was that masked woman? She calls herself Demolitia, and this is one vigilante you don't want to mess with! From the cover to Action Comics #718, Kieron Dwyer pencils a cover, as an homage to Byrne's Superman series #4 cover that sizzles like a white hot gun barrel, with inks by Denis Rodier. The overall art size is 11.5" x 17" with a 10" x 15" image area. The art is in fantastic shape, with some blue marker notes around the top of the gun and around the box at the bottom right. Include all the original logo, body copy and indicia paste-ups.
Kieron Dwyer and Karl Kesel - Original Poster Art for Guardians of Metropolis (DC, 1999). This art featuring Superman, the Guardian, and the Newsboy Legion, was penciled by Kieron Dwyer and inked by Karl Kesel, who also wrote the four-part miniseries. It's a rambunctious rendering of the Guardians of Metropolis in action, by the original artist on the series. The overall page size is 11.5" x 15.5" with a 10" x 15" image area. The work is clean and bright, with one slight stain along the left edge. Signed by Kieron Dwyer at the top right.
Kevin Eastman and Peter Laird - Original Cover Art for Teenage Mutant Ninja Turtles Adventures #6 (Archie Comics, undated). In the '80s, no book turned the comic world on its collective ear like Teenage Mutant Ninja Turtles. Originally intended as a parody, it took on a life of its own spawning an unbelievable line of toys, movies, and cartoons. This beautifully colored piece is your perfect opportunity to grab a piece by the orginators of the Turtles themselves.
Lee Elias - Original Cover Art for Black Cat Mystery #33 (Harvey, 1952). While EC is the undisputed leader in pre-Code horror, Harvey wasn't too far behind in their penchant for violence and grotesqueness. This electric chair cover by the enormously talented Lee Elias features a condemned convict making sure he doesn't fry alone. Years later, the Wes Craven movie "Shocker" followed a similar theme of an voltage-powered madman. This electric, er, eclectic cover measures 13" x 18" and features a professionally-replaced logo to replicate the way it looked fifty-odd years ago.
Lee Elias - Original Cover Art for Black Cat Mystery #38 (Harvey, 1952). Of all the artists in Harvey's stable, it was Lee Elias that stood out from the crowd when it came to the horror covers. Though this title began as a solo book for the Black Cat, Harvey soon realized that there was a burgeoning market for horror books, kicked the sultry superheroine out of her own title and morphed it into a cover-to-cover mayhem mag. This strangulation cover shows the imminent demise of a witch, and the composition is so strong you may find yourself gasping for air right along with the old crone. This piece comes to you matted with an image size of 9.5" x 14".
Lee Elias - Original Cover Art for Chamber of Chills #5 (Harvey, 1952). When it comes to original artwork, nothing is more desirable than a cover piece. This vampire cover, illustrating the story "Operation Monster," by Harvey standby Lee Elias, is sure to strike fear in the heart of any horror collector. Anybody can go out and pick up a piece of artwork but how many get the privilege of owning an original Harvey horror cover? The logo and text portion in the lower left are later stats. There is minor usage of white out. This piece measures 13" x 20".
Lee Elias - Original Cover Art for Chamber of Chills #10 (Harvey, 1952). A truly twisted piece from one of Harvey's greatest artists, this killer cover has all the creepy hallmarks of a true Elias classic. These two goofs obviously haven't read enough horror comics, or they'd know that weird-looking caves are always the head and mouth of some oversized monster! From the bizarre imagery to the innovative use of zipatone, it's all here. Measuring approximately 12" x 18" overall, this piece is in excellent condition.
Lee Elias - Original Cover Art for War Battles #1 (Harvey, 1952). Trust Lee Elias to produce a powerful image any time he was given a cover assignment, but this powerful war cover seems even more striking, perhaps because the ravages of the second world conflict were still fresh memories; in any event, Elias' powerful composition shows a bayonet-wielding Nazi getting the business end of a U.S. rifle, an image that is both patriotic and rather harrowing. The heavy black lines -- used more liberally in his war work than in the horror tales he drew for Harvey -- lend the piece a weight and power that is palpable. To top it all off, this is an issue #1 cover, always a bonus for any collector. Very clean cover with minimal white-out, the logo is a recent replacement. This amazing piece measures 20" x 14.5".
Lee Elias - Original Cover Art for True War Experiences #2 (Harvey, 1952). While Lee Elias is most famous for his work on Black Cat and the horror titles, it was on his war efforts that he really shined. His knowledge of military gear is unparalleled. The textures of those elements and the emotional content of this particular piece almost explode from the surface. This piece is signed by Lee Elias and is sure to make an exciting addition to any art collection. Due to Harvey's practice of reusing title stats by either removing them or, in some cases, cutting them away, Heritage Comics has had this exceptional piece professionally restored so as to present it in a way that best reflects the original intent of the artist. The story title stats are the originals. This great piece measures approximately 14.75" x 18.75" with an image area of 10.5" x 16.5". It is in great condition with only minor use of white out.
Lee Elias - Original Cover Art for True War Experiences #4 (Harvey, 1952). Lee Elias was known for his explosive covers and this one does not fail to please. This cover shows the immediate aftermath of a grenade blowing two Korean soldiers into the air. Elias leaves no detail untouched on this gorgeous piece. War collectors are a rabid bunch so bid fast and hard on this piece. The logo is a later stat. This piece is matted and measures 10" x 16".
Lee Elias - Original Cover Art for True War Experiences #5 (Harvey, 1952). Here we have an anomaly. In The Overstreet Price Guide it states that the last issue of this title, published in 12/52 was #4. Here we have a cover that bears a December cover date, and also purports to be issue #5. As Elias managed to do on many a Harvey cover, he has an unshaven band of G.I.s fearlessly moving into an onslaught of enemy fire obviously out to kill any foe in sight. This cover has minor white-out with most at the logo area. This adventure-packed piece measures 19" x 13.5.
Lee Elias - Original Cover Art for Warfront #7 (Harvey, 1950s). Elias regularly brought excitement and kinetic action to any cover he touched. This just happens to be one of those. A couple G.I.s make a mad dash for their trusty walkie talkie while under fire from a few communist Koreans. We all know, though, that everything will work out in the end. Take a shot at this piece, which measures 14.5 x 21 and has minimal white-out and original stats. You won't regret it.
Lee Elias - Original Cover Art for Warfront #8 (Harvey, 1951). Lee Elias was one of Harvey's most prevalent artists and his covers never fail to please. This great war cover, touting "guns, guts and glory" perfectly pictures just that. A gutsy GI charges and rams his bayonet into the chest of a sword wielding Korean soldier. You can't get too much more graphic than that. To round the cover out there are also a few Korean soldiers that just got smoked by a grenade with one guy flying through the air. You couldn't ask for a more action-packed war cover.
Enrich - Original Cover Art for Vampirella #52 and 87 (Warren, 1976 & 1980). A truly unique piece of art, this image was actually used for two issues of the vampiric vixen's magazine. Originally painted with a simple background for the cover of issue #52, Jim Warren must have really liked this piece, as he ordered the background painted out to white and used again for the cover to issue #87 a mere four years later. It is in this second state that the art is offered here. Beautifully and classically rendered, this is one of the most enduring images of the Darling of Drakulon ever published. With an image area of approximately 8.5" x 9.5", this piece is in immaculate condition and is signed by the artist in the lower right.
Enrich - Original Vampirella Painting (undated). This piece has a very interesting history. A classic image originally published as the cover to Vampirella #52 in 1976, Jim Warren liked it so much he had the background painted out so that the image could be reused as the cover to issue #87 four years later. The enticing image, with background, was so popular that original artist Enrich was commissioned to recreate the piece as it originally appeared for publication in a recent Harris Publications Vampirella calendar. The painting that graced the magazine covers is being offered separately in this auction, but we are also proud to present this spectacular, published recreation. With an image area of approximately 9" x 12.5" and in excellent condition, this piece is signed by the artist in the lower right.
Enrich - Original Cover Art for Vampirella #68 (Warren, 1978). One of the most memorable covers from an extremely memorable run, this is certainly Enrich at his very best. Perhaps the artist most closely associated with the Darling Daughter of Drakulon, Enrich went to the cover of the January, 1950 issue of the classic pulp Startling Stories for the inspiration for this masterpiece. Measuring approximately 14.25" x 20" overall, with an image area of approximately 11.25" x 14.75", this piece is in immaculate condition and is signed by the artist in the lower right.
Bill Everett - Original Illustration of The Hulk and Sub-Mariner (undated). Two of Marvel's leading hotheads go at it in this stunning illustration by Golden Age legend and Subby-creator Bill Everett. Tightly rendered in pen and ink, and inscribed to Everett's good friend Roy Thomas, this is a piece that displays the unbridled power and passion of a true master. Everett art is highly prized among collectors, and rarely comes to market, making this a unique, and possibly once-in-a-lifetime, opportunity for some lucky bidder. Measuring approximately 13" x 19.5" overall, the art is in excellent condition and is both inscribed and signed by the artist.
Virgil Finlay - Original Sketch of a Seated Redhead (1931). Virgil Finlay was one of science fiction's most prolific and honored artists. His black and white illustrations for pulp magazines earned him legions of fans. This delicate sketch of a seated redheaded woman is done in pencil, with ink, colored pencil and watercolor highlights. Virgil Finlay's career providing illustrations for pulp magazines did not begin until the end of 1935; this sketch is a very early one, dating from when Finlay was just 17 years old. While it has a quick and unfinished feel to it, this sketch has the composition, detail, and mood that mark it as the work of a very talented artist.
Gill Fox - Original Cover Art for Lady Luck #88 (Quality, 1950). SMACK!!! Lady Luck knows how to deal with guys that try to get fresh! This cover has a foxy babe courtesy of the hands of Gill Fox who pencilled and inked the cover. Gill, long-time Golden Age artist and one of the mainstays of Quality, drew the lovely lass with a clean, confident line. There are minimal defects on the page allowing the viewer to fully appreciate this "Fox"y babe. The condition is outstanding given the age and scarcity of Quality Comics cover art. All of the captions are stats while the title stat is a recreation. There is no white-out and minimal editorial markings or stains. Only one person can win the lucky lady, so save your milk money and empty the piggy bank because she doesn't do windows and she doesn't come cheap! Overall size is approximately 15"x 20". Image size is approximately 13" x 18".
Ramona Fradon and Vince Colletta - Original Splash Page Art for Super Friends #39, page 1 (DC, 1980). Great Krypton! Has everybody all gone mad? Is it mass insanity... or some weird form of hypnosis? What makes ordinary citizens suddenly attempt the impossible, like lift a building or stop a speeding truck with their bare hands? This opening page to Super Friends #39 features Superman, Wonder Woman and Batman, trying to save the lives of people, in spite of themselves. The overall art size is approximately 10.5" x 16" with a 10" x 15" image area. The art is in great shape, with some slight aging apparent around the type box paste-ups and along the indicia at the bottom.
Ramona Fradon and Bob Smith - Original Art for House of Mystery #273, Complete 5-page Story, "My Mother the Witch" (DC, 1979). This story tells why you never argue with a student's mother, especially if she's a witch! This story is full of stereotypical props including, flying brooms, cauldrons, and a frog who used to be a science teacher. In the end, he's dissected and the boy gets an A in the class. A happy ending to a fun tale! These pages are in excellent condition with minimal use of white-out. The head of Cain is a pasted-up stat on three of the pages. They measure 10.5" 15.75" with an image area of approximately 10" x 15".
Frank Frazetta - Original Sketch, Woman Escaping (undated). A beautiful unfinished drawing of a woman precariously perched on a second-story ledge outside her window, evidently in an attempt to escape the ominous man watching from below. Rendered in pencil and partially inked, with blue wash highlights on the woman's dress, this piece measures 10" x 15" and will be a nice addition to someone's original art collection. Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Color Prelim for Verotika #3 (Undated). No one sums up the epitome of fantasy artwork like the grand master, Frank Frazetta. Everything he puts his hand to is nothing short of a masterpiece. This lithe beauty dances nude in the mist and displays the female form that Frazetta is so noted for. Even his preliminary thumbnails are absolutely beautiful. This piece comes double-matted and ready to display. The image size measures 3.5" x 6". Provenance: The Alexander Gallery.
Frank Frazetta - Original Sketch of Female Figures (undated). This exceptional sketch page by the Dean of all fantasy artists, Frank Frazetta, features a full page of deliciously rendered nude female figures. Drawn in pencil, these three images are incomparable for their raw sensuality and pure sex appeal. The third image shows two lovers in a passionate embrace, the man has his arm across the woman's body, while she rapturously clings to his neck. The overall art size is approximately 11" x 13.5". The work is well-kept with little signs of wear and tear. Additional, there is a small color sketch of three male figures walking at the top right, which has not been identified. Signed by Frank Frazetta. Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Sketch, Cavemen (undated). Even the quickest Frazetta sketches possess a mastery of line and composition to make any other artist green with envy. These particular images are fun doodles of cavemen (and one cavewoman) that possess the energy of line that Frazetta is world famous for. This piece is in excellent condition and is signed in the lower right corner. The image area measures approximately 9.25" x 4.25" and has been professionally double matted to an overall size of 13.75" x 8.5". Provenance: The Alexander Gallery.
Frank Frazetta - Original Illustration of Male Nude (1977). Frank Frazetta is an artistic phenomenon who has created a cult following for his fantasy paintings. His ingredients include a mixture of sex, violence, melodramatic action, exaggerated anatomy and exotic, impossible settings and he makes it all work. Frazetta's men are believable in their musculature, stance and prowess, and are harder than a rock. Pure primal energy pours out of this brute. This pen and ink drawing measures 5" x 7.5" and is attractively matted in a 13.75" x 16" matte. Signed by Frank Frazetta. Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Illustration, Zoot Suit & Dame (Undated). Absolutely nobody can hold a candle to Frank Frazetta when it comes to drawing curvacious women. This hand-colored illustration has a bug-eyed zoot suiter ogling a hot dame. Minor creasing in both top corners, does not affect the art. This 6" x 8.5" pen and ink drawing has all the features that you would want in a Frazetta piece.
Frank Frazetta - Original Art Sketch of a Gorilla (Undated). Frazetta, while known for his fantasy work and voluptuous women, didn't confine his artistry only those fields. This man could draw anything, as proven by this gorgeously rendered gorilla. This imposing simian is obviously on a mission of some sort, with an aggressive expression on his face. This beautiful piece has an image size of 3.5" x 2.5". Provenance: The Alexander Gallery.
Frank Frazetta - Original Art for Durango Kid #13 (Magazine Enterprises, 1951). Statistically speaking, Frank Frazetta did precious little comic book artwork, and what little he did produce is tightly held in private collections. Offered here is a rare chance to snag some Fritz comic art from a peak period in his career. This page features the well known fourth panel with the close up of Dan Brand's face, and the second panel is a great silhouette image. Each of the panels is a stand alone work of art, but together they create the perfect eye-candy confection. Also worthy of note is the vintage signature by Frazetta in the first panel. This story was reprinted a few years later in White Indian #13, hence the White Indian title stat. Original comic pages that Frazetta did without collaboration with Al Williamson are a true rarity. Don't miss the opportunity to add this gem to your collection. The page is in excellent condition with almost no use of corrective white-out. It measures approximately 13.5" x 19.5" with an image area of 12.5" x 18".
Frank Frazetta - Original Art for Durango Kid #14 (Magazine Enterprises, 1952). This is an awesome splash page for the "Dan Brand and Tipi" back-up story from the hand of the mighty Frazetta. Our hero is forced to walk the plank into shark-infested waters in the first great teaser image, with a sweeping vista that accentuates the remoteness of the setting. Early original comic pages by Frazetta almost never come up for sale unless they are Al Williamson collaborations. This is an excellent example that will be a standout in the most discriminating collection. It's in great shape with very little white-out. The Durango Kid top margin stat is missing, and there is a small area that was cut through with a razor between the "d" and "T" in the title stat. The page measures approximately 13.5" x 21.25" with a 12.5" x 18" image area.
Frank Frazetta - Original Art of Nude Woman with Sword (undated). A very prolific artist, Frank Frazetta has been one of the most influential and therefore one of the most important artists of the twentieth century. Frazetta creates a color scheme, an atmosphere, a monster, a figure, a world, that does not exist. His lighting is often impossible, his animals exaggerated, his temples and palaces pure imagination, and his women a breed of their own. This haughty feminine specimen, pulled directly from Frazetta's fertile imagination, is rendered with a delicate line and colored with a sensitive, flowing swash of pink and pale green. The overall art size is 8.75" x 10.5". Signed by Frank Frazetta. Provenance: The Alexander Gallery.
Frank Frazetta - Original Illustration, Sabretooth Tiger (undated). Done in the 1970s, this sketch ably demonstrates Frazetta's ability to fully capture any subject with a relative few expertly-placed penstrokes. With a simplicity of line and an unerring sense of drama, Frazetta easily captures the tension in the sabretooth tiger ready to pounce on an unsuspecting victim. Highly prized by collectors, sketches like this are slowly being released to the marketplace, making this a great opportunity for the beginning or advanced Frazetta collector. Professionally framed and matted, the piece is in excellent condition and measures 14" x 13.25" overall, with an approximate image area of 6.5" x 5.5".
Frank Frazetta - Original Art Sketch "Shootist" (Undated). The master lays out a few character studies on this sketchbook page. This page features an evil looking character aiming a pistol. It also includes a male nude study, a man's head and two arm studies. Frazetta's sketches show the full mastery of his craft. He is easily the undisputed master. The image area measures 8.5" x 5.5". Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Sketch "Prehistoric Men" (Undated). One of Frazetta's fortes was drawing scenes of days gone by. This sketch feature five neanderthals facing off with each other as three T-Rexs stand aside idly in preparation to eat the winners of this prehistoric stand-off. This detailed piece is an excellent example of why Frazetta is so highly revered. Measures approximately 6" x 8". Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Sketch "Two Men" (Undated). When it comes to anatomy Frazetta, in his own way, was right on a par with Burne Hogarth. This nude figure study shows that even his loosest sketches are highly detailed. This is a perfect opportunity to own an affordable piece from one of art's all-time masters. This piece comes matted and the image area measures 5" x 4.5". Provenance: The Alexander Gallery.
Frank Frazetta - Original Sketch "Death Dealer" (undated). As a character, Death Dealer has survived many incarnations. Novels have boasted his name, comic books carry his image -- Frank Frazetta himself has painted at least five different images of the dark warrior. This unidentified color sketch shows Frazetta's famous faceless fighter, holding one big nasty axe, surrounded by horrific green women, and facing a deadly tentacled beast. Only a master artist like Frazetta could bring style and grace to creatures so grim. This unique peek into the creative underworkings of a master illustrator measures an overall 7.5" x 10.25" with the Death Dealer image drawn at 5.5" x 7", in pencil and painted with watercolor. Additionally, there is a detail drawing of the tentacles at the bottom of the art. Interestingly, the format and props in this sketch are very similar to Frazetta's painting, "Green Death." Signed by Frank Frazetta. Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Sketch "Femme Fatale" (Undated). When it comes to voluptuous women absolutely nobody can top Frazetta. The curves he can manage to put on a woman defy the imagination...and gravity! This absolutely stunning piece is a masterpiece in itself. The cat-like eyes, hourglass figure, and seductive stare make this a piece that just can not be passed up. This piece comes to you matted and the image area measures 2.5" x 7.5". Provenance: The Alexander Gallery.
Frank Frazetta - Original Art Sketch "Men & Lizards" (Undated). This 5.5" x 10" pen and ink sketch has a couple of the components that Frazetta was most renowned for, stone age men and dinosaurs. One man trots away from a giant lizard as one lies down to watch them, and yet another man confers with a woman. This piece is signed with Frazetta's characteristic signature. This is the perfect opportunity to put a Frazetta on your wall without paying five or six figures. This piece comes double-matted. Provenance: The Alexander Gallery.
Frank Frazetta - Original Illustration, Awakening (undated). One of the first things that strikes you when you look at a Frazetta original is how much a master artist can do with so little. With a minimum of lines, Frazetta manages to tell a whole story about a beautiful woman awakening from a restful slumber, ready to experience the joy of a new day. Subtle yet powerful, Frazetta gives us a perfect example of the theory of economy of line. With an image area of approximately 5.5" x 3.5", this compelling piece is in excellent condition and is signed by the artist in the lower left.
Frank Frazetta - Original Illustration, "Attack" (undated). Stunningly rendered in Frazetta's trademark loose yet lively style, "Fritz" manages to perfectly capture a moment here that is redolent of power and menace. Highlighted with subtle watercolor tones, this is a beautiful piece from a master at the top of his game. With an image area of approximately 6" x 5", this piece is in excellent condition and is signed by the artist in the lower right.
Frank Frazetta - Original Preliminary Painting for "The Flesh Eaters" (undated). A dark and brooding portrait of two warriors overlooking a windswept plain, this stunning painting was created as a preliminary for "The Flesh Eaters," a piece that has been presented in both Frank Frazetta, Book Four and Testament - The Life and Art of Frank Frazetta. May collectors feel that these preliminary paintings show Frazetta at his very best, spotlighting the truest and purest moment of unfettered creativity. The piece offered here, in superb condition, has an image area of approximately 5.75" x 7.5" and is singed by the artist in the upper right.
Frank Frazetta - Unfinished Original Painting for Little Annie Fanny (Playboy, undated). This spectacular watercolor of Little Annie Fanny was painted by Frank Frazetta in the mid-1960s as a try-out for Harvey Kurtzmann. Harvey was a longtime friend of Frazetta, and he knew that Frazetta could draw and paint sexy women like no one else. He desperately wanted Frazetta's help for his "Little Annie Fanny" feature that appeared in Playboy magazine. Harvey approached Hugh Hefner with the idea of hiring Frank. Hefner told Harvey: "Get him to do a little coloring of Annie and show it to me. I want to make sure he can draw women." The rest is history. Frank painted the study in a lush and detailed style, adding a lot of beautifully blended colors, wonderful sexy energy, and a perfect "on model" rendition of Annie. The story goes that Hefner was so impressed with the original art that he added it to his own collection. Years later, Harvey got it from him as part of a contractual settlement and kept it until his death. At that point Denis Kitchen obtained it from the Kutzmann estate and sold it to Alex Acevedo of the Alexander Gallery. Subsequently, Dave Winiewicz showed the original art to Frazetta and verified the above story. Frazetta was quite amused that Hef needed proof that Frank could draw women! The art measures 12" x 7.5", and is beautifully framed and matted.
Bob Fujitani - Original Artwork for Speed Comics #41 Complete 8-page Story, "The God of Steel" (Harvey, 1940s). One thing that Bob Fujitani was not was idle; he churned out countless tales over his time in comics. Offered here is an eerie superheroes-mixed-with-horror tale featuring Shock Gibson battling "The God of Steel," a giant-sized four-armed monster that turns out to be a Nippon robot created by the Japanese to battle our boys. Fujitani's attention to detail is incredible and you can see every bit of terror on the faces on the fleeing natives. A classic Golden Age superhero story. These pages have moderate white-out and measure 15.5 x 22.5.
Bob Fujitani - Original Art for Green Hornet "The Creeping Freak" (Harvey, 1940s). Bob Fujitani has his hand in seemingly everything to do with comics in the 40s and 50s. He was an artist's artist and could work on every genre, though his Harvey horror work really made his reputation. Here, Fujitani mixes genres, as the superhero known as the Zebra tackles a grinning freak (a "brutish sinister figure"!) that is terrorizing a circus. With Fujitani's work is rising rapidly in stature, you'd be well advised to grab this terror tale before everybody catches on to his genius. Unfortunately the second to the last page of this artwork has gone missing at some point; The "Zebra" stat is missing from page one, as are two paste-up word balloons on the last page. This artwork measure 13.5 x 22.5, with the final page measuring approximately half of that.
Dave Gibbons and Gary Martin - Original Art for Brave and the Bold #200, page 11 (DC, 1983). For the final issue of this venerable team-up title, Batman was paired with ... Batman! The Golden Age version, that is, and that aspect of the story was portrayed with retro-style artwork by talented Brit Dave Gibbons, as typified by the page offered here. The Dynamic Duo foil an armed car robbery perpetrated by Brimstone, but the cad gets away in the end. Wonderfully clean and crisp artwork, in the style of the legendary Dick Sprang. 11" x 16", very clean with virtually no white-out.
Keith Giffen and Wally Wood - Original Art for All-Star #60, page 6 (DC, 1976). Golden Agers the Flash and Green Lantern are the main attraction on this super-duper page of original art from that '70s book which carried on the numbering from the original All-Star series. The late Wally Wood was down on his luck in the Bronze Age, and accepted pretty much any job DC would dish out, including inking then-newcomer Giffen on this Roy Thomas-created series. But the old Wood magic was still there, as this bold page conveys. Moderate-to-heavy white-out, and one annoying blue-marker notation, but overall this is a great-looking page for any Wood, JSA, or simply Good Art collector. 10.5" x 16".
Keith Giffen - Original Pin-Up, Darkseid and Minions (DC, 1985). Most likely done to tie in with the Super Powers Action Figure line, this stunning portrait by the super-cool Keith Giffen features not only Darkseid, the Dark Lord of Apokolips, but also some of his most malevolent minions, including a Parademon, Steppenwolf, Desaad, Kalibak, and Mantis. Strikingly rendered in pen and ink, this piece measures approximately 11.25" x 16.5" and is in excellent condition.
Alberto Giolitti and Giovanni Ticci - Original Art for Star Trek #4, page 9 (Gold Key, 1969). Mister Spock saves the landing party from certain drowning -- but where did he get the strength to haul up almost eight hundred pounds of weight? The bizarre vistas of alien worlds were child's play for the owner of Italy's Giolitti Studios, and without the limitations of a TV budget, the comic book version of "Star Trek" often had a grander sweep than its progenitor. Ticci's evocative inks lend it all the proper weight. The likenesses of Shatner and Nimoy are spot-on, but we have to ask -- what kind of future is it where Mr. Spock is still doing his calculations on a spiral notepad? 11" x 16", in superb condition with virtually no white-out.
Dick Giordano - Original Cover Art for Detective Comics #486 (DC, 1979). Dick Giordano was certainly one of the most underrated Batman artists of the '70s. Renowned as a great inker and editor, it is often forgotten that DG was no slouch with a pencil either, as this terrific Bronze Age cover proves. One can almost smell the acrid steam rising off this skull-faced victim, and the image of the Dark Knight is bold and powerful. 11" x 17" in excellent condition overall; some glue staining around the text boxes, and there are some light stains across Batman's chest. Moderate white-out, mostly in the space beneath the corpse. With Bronze Age covers becoming a hot commodity, don't miss this chance to pick up a classy Batman cover by one of the greats in the industry.
Dick Giordano - Original Art for DC Subscription Ad (DC, 1982). What's this? Superman can't get his favorite DC comics? Oh, the horror! Don't worry, Supes, it's "Capable" Carol Fein to the rescue! This one page subscription ad is drawn by DC stalwart Dick Giordano and measures approximately 11.25" x 17" overall and is in excellent condition. There is dialogue lightly blue-penciled above the figures, so you can follow the gripping story as it develops. A real blast from the past, this piece is signed by the artist in the lower right.
Sam Glanzman - Original Art for Kona #9, page 2 and 7 (Dell, 1964). This is an interesting set of pages from the "Giants of the Desert" story in which Kona and his companions find themselves stranded in a desert landscape left with the choice of walking out or dying of dehydration. Glanzman's minimalist line quality actually enhances the remoteness of their location, especially when viewed without the color of the printed pages. These pages are in excellent condition with only very minor staining and corner wear. They measure 14.25" x 20.75" with an image area of 12.25" x 17.75".
Jose Gonzalez - Original Art for Vampirella #34, page 9 (Warren, 1974). A truly unique offering, Gonzalez Vampirella pages are very seldom offered for public sale, particularly those pages that feature the Daughter of Drakulon herself. This stunning page, rendered in black, white and grey tones, is in excellent condition and measures approximately 12.25" x 17.25" overall. From the "Carnival of Death" story, this page has a distinctly "Masque of the Red Death" feel about it, a mood that only Gonzalez could capture this perfectly.
Chester Gould - Original Illustration of Dick Tracy (undated). A truly rare find for any fan of Dick Tracy or Chester Gould, this oversized portrait of the square-jawed detective hung on the studio wall of Mad's Dave Berg for many years, acting as a source of inspiration and encouragement for the artist. A stunning piece, boldly drawn and colored, the only defect of note is a rather prominent horizontal crease that runs the length of the image at about the halfway point. This is a large piece, measuring a big 22.75" x 28" overall, and it is signed by Gould in the lower right. To the best of our knowledge, there has never been a piece like this offered for public sale before, making this a unique opportunity for any Tracy-phile.
Chester Gould - Original Illustration of Junior (undated). A companion piece to the Dick Tracy portrait offered separately in this sale, this exceptional portrait of Junior hung in Mad artist Dave Berg's studio for years, always occupying a place of honor. Measuring a large 22.75" x 28" overall, this colorful cartoon is bold signed by Gould in the lower right. The only defect of note is a rather prominent horizontal crease that runs the length of the piece at about the half-way point. Whatever its flaws, this is still an exceptional piece by an exceptional artist.
Robert Gould - Original Art for "Ravens" (Two Man Horse, 1974). While Robert Gould is best known for his cover art on Michael Moorcock's Elric of Melnibone series, he began his professional career at Star Reach magazine in 1974. This is a self-published piece from the same year that displays the Pre-Raphaelite art philosophy which so greatly influenced Gould's style. His pencils are confidently drawn with a dark line that contrasts nicely with the illustration board surface to create volume and depth without the need of ink or washes. Eric Kimball, who was his partner at Two Man Horse, delivers an intelligent tale of life and death in the medieval days of yore. With the exception of minor corner delamination, this piece is in excellent condition without the use of white-out. The logo and creator names at the bottom margin are stats. The board measures 15" x 20" with an image area of 12" x 18.75" and is signed by Robert Gould in the lower left panel.
Mike Grell - Original Splash Page Art for All-New Collectors' Edition #55, page 48 and 49 (DC, 1978). This is an early piece of art by MIke Grell, who has gone on to be one of DC's most popular artists and writers today. Grell's excellent knowledge of form and use of line and shadow give Star Boy and Element Lad an almost classical appeal as they await the arrival of the rest of the Legion. The minimalistic background adds greatly to the depth perspective which also enhances the statuesque quality of the larger figures. This two piece set is in excellent condition with minimal use of corrective white-out. It has been matted to an overall size of 24" x 16.5" with an image area of 22" x 14.5".
Jackson Guice and Kyle Baker - Original Art for The New Mutants #44, pages 9 and 11 (Marvel, 1986). The next generation of mutants take a trip to Scotland in these two pages from The New Mutants #44. Penciled by Jackson Guice and inked by Kyle Baker, these two pages are fresh and open, with a lot of textures and panoramic vistas. The overall art size is 11" x 16" with a 10" x 15" image area. The work is in great condition and well-kept, with some very slight aging apparent. The Warlock art in panels 2 and 3 on page 11 are photostats and not original art.
Paul Gulacy - Original Art for Batman: Shadow of the Bat #90, pages 13 and 19 (DC, 1999). Batman teams up with the mysterious Lynx in this gritty storyline with artwork by Master of Kung-Fu artist Paul Gulacy. Two great pages, drenched in atmosphere and black ink, with one spectacular shot of Batman crashing out a window with Lynx in his arms. Two pages, each measuring 11" x 17" in near-mint condition with virtually no white-out. Both pages are signed by Gulacy in the lower right corner.
Ron Harris - Original Art for Mighty Mightor, Complete 6-Page Story (undated). Mighty Mightor saves the day again in this classic tale by artist Ron Harris. One of the great Hanna-Barbera superheroes, Mighty Mightor was designed by comics legend Alex Toth, and is fondly remembered today by a generation of fans. In excellent condition, these pages measure approximately 12.5" x 17" each and will bring back find memories of Saturday morning TV.
Russ Heath - Original Art for Our Army at War #246, Complete 15-page Story "Naked Combat" (DC, 1972). Sgt. Rock and a fast-talking newbie are ambushed and captured by Nazi stormtroopers, stripped to their skivvies, and forced to march through the snow. Apparently the powers-that-be at DC felt like an in-the-buff Frank Rock was a little too much to take for the kiddies of the '70s (only one actual butt-shot would have been included), so the artwork was altered (presumably not by Heath) to give both men a pair of boxer shorts to cover their bare glutes. Uber-artist Russ Heath is so expert at creating atmosphere that you're likely to be shivering all the while you're reading this story, as the snow-glutted landscape fills the panels with blinding white space. Not to mention the exacting detail of the uniforms, weaponry, and ephemera that Heath brought to all of his war stories. Fourteen pages, measuring 10.5" x 16", with light use of white-out, excellent condition overall. If you're looking for a great Russ Heath war story, look no further.
Russ Heath - Original Art for G.I. Combat # 150, Complete 14-page story "Death of the Haunted Tank" (DC, 1972). If you could cast lots for the all-time greatest artist in war comics, you would have no other choice than Russ Heath. Besides his unimprovable delineations, he was noted for getting every small detail factually correct. This is the cover story for this issue, and, without exaggeration, has got to be one of the most beautiful stories to flow from Heath's pen. Every single action-packed panel is a masterpiece unto itself. There is a very minor amount of white out and the pages measure 16" x 11". Don't miss out on this landmark story.
Russ Heath - Original Art for Vampire Tales #9, Complete 5-page Story, "Blood Lunge" (Marvel, 1974). A dark, moody story of a vampire's unnatural thirst, perfectly realized by comics legend Russ Heath. Rendered in pen and ink and washtones, this short but pointed story features all the elements for which Russ is best known: perfect pacing, picture-perfect rendering, and the most beautiful of beautiful babes! From the same period as Heath's landmark Warren work, this is a real gem of a story. In great condition, the pages measure approximately 11.5" x 17.5", with tissue overlays on the last three pages. The art is signed by the artist in the first panel.
Russ Heath - Original Art for Vampirella #78, Complete 12-page Story, "Zooner or Later" (Warren, 1979). Be careful what you wish for... you might just get it! That's the lesson Jason Hatch learns in this tale of greed, karma, and comeuppance, brilliantly illustrated by comics legend Russ Heath, and written by the ever-popular Bruce Jones. Rendered in the grey inkwash tones that were the staple of the Warren magazines of the 1970s, this stunning 12-pager is crafted on 11.5" x 17.5" pages and is in excellent condition. Heath's Warren work has rarely been offered for sale, making this an incredible opportunity for those of us who grew up with his outstanding storytelling. Believe us, you'll never look at a hippo in quite the same way again.
Russ Heath - Original Art for National Lampoon #49, "Amish in Space" (National Lampoon, 1974). One of the legendary artists to come out of the immense talent pool that was EC Comics, Russ Heath has had a career that spans decades. From his brilliant work on Sea Devils and DC's war comics to his fondly-remembered strips for National Lampoon and Penthouse Comics, Heath has just about done it all. Offered here is a hilarious four-page strip from his Nat Lamp days, displaying Russ's minute attention to detail and his perfect mastery of the medium. In excellent condition, each page measures approximately 11.5" x 17.5" overall.
Russ Heath - Original Cover Art for Dark Horse Comics #25 James Bond (Dark Horse, 1994). Originally published as the flip cover for the last issue of this important run, this dynamic portrayal of superspy James Bond is by legendary artist Russ Heath. A stunning piece, in excellent condition and measuring approximately 11" x 17" overall, this cover showcases the striking ultra-realism that has been a hallmark of Heath's career.
Don Heck - Original Unused Cover Art for X-Men #38 (Marvel, 1967). This is a dynamic image from one of the pioneers of the Marvel Age of comics, Don Heck. His heavy use of black areas creates a stage-like background for the characters that engages the viewer with all of the power of a tragic opera.You can almost here the Blob singing, "Kill the Angel. Kill the Angel......" This image is very successful without the clutter of paste up title and text stats but, for those who enjoy the production quality of an original piece of art, stats have been reproduced and put on a clear acetate overlay to show what it would have looked like as a finished cover image. The MCG logo is an original pasted up stat. This outstanding piece is in excellent condition with only minor surface wear and a three quarter inch tear in the upper left margin area. It measures a large 14.75" x 22" and has an image area of 13.25" x 20".
Don Heck - Original Art for Not Brand Ecch #2, page 1 (Marvel, 1967). It's the Mighty Magnut, Robot Biter in this scintillating splash by "Dashing" Don Heck! A pandemonius parody of the classic Russ Manning character, this riotous rendering sets the stage perfectly for the tintinabulatin' tale to come! Pages from this premiere Marvel humor magazine are very hard to come by, so you won't want to miss this 13.5" x 21.5" masterpiece. In excellent condition, this page will do any collector proud!
Don Heck - Original Art for Captain Marvel #8, pages 2 and 8 (Marvel, 1968). The story of a Kree captain who came to Earth as a conqueror, yet became it's most fervent protector, Captain Marvel was a galaxy-spanning epic that enjoyed some of the best art Marvel could provide in it's several-decades run. Gene Colan, Jim Starlin, Pat Broderick, and, as seen here, "Dashing" Don Heck all contributed to Mar-Vell's classic comic. These pages feature not only the Captain himself, but the villainous Yon-Rogg, the treacherous Aakon and the enigmatic Number One himself! Measuring approximately 10.75" x 16" overall and in excellent condition, this is affordable Silver Age goodness.
Stuart Immonen and Jose Marzan Jr. - Original Splash Page Art for Adventures of Superman #533, page 1 (DC, 1996). Tzzek-KOOM! Superman takes one in the chest, courtesy of penciler Stuart Immonen and inker Jose Marzan Jr. from this first page of Adventures of Superman #533. Karl Kesel scripted "Scavenger Hunt!", which is slickly translated into a smooth landscape of spacious visuals by Immonen and Marzan Jr. The overall art size is 11" x 17" with an image area of approximately 10.5" x 15.75". This exceptionally clean page is in great condition, with some slight blue pencil notations around the indicia box. Includes the original indicia paste-up.
Carmine Infantino and Murphy Anderson - Original Art for "The Catwoman's Catnapping Caper," Art page 1 (DC, 1966). With Batmania in full swing, DC produced half a dozen giveaway comics for Kellogg's Poptarts. This effort by Carmine Infantino and Murphy Anderson nicely displays the style of the time and begins with a panel that's classic Infantino: the Dynamic Duo chase Catwoman along a grid of lines converging toward a vanishing point, with a silhouetted cityscape in the background. Anderson's inking, beloved by legions of fans, enriches every panel. This 11" x 15" page features the title "splash," and two other 4" x 9" strips that comprised the first three pages of the giveaway, which was published in a horizontal format, with a single tier per page. The artwork is in very nice condition, with several blue-penciled editorial notes, and there is a thin glue strip on the first panel where a copyright line was probably pasted on.
Carmine Infantino - Original Cover Art for Star Wars Weekly #68 (Marvel, 1979). Marvel Comics' U.K. division published their own weekly Star Wars magazine, reprinting the American monthly Star Wars series, beginning in 1978, soon after the release of the first movie. This cover is by master comic illustrator, Carmine Infantino, who handled many of the early Star Wars comic book covers, features a striking visage of Darth Vader, light saber in hand. Once again, Infantino demonstrates his virtuosity with all things mechanical and with the worlds he draws directly from his fertile imagination. The overall art size is approximately 11" x 17" with a 10" x 13.75" image area. The work shows some slight aging generally, but it has been well preserved with little wear and tear. Includes the original logo and indicia paste-ups. There are some printer notes along the bottom edge, outside of the image area.
Carmine Infantino and Sal Trapani - Original Art for The Brave and the Bold #190, page 15 (DC, 1982). Batman and the Earth's first spaceman, Adam Strange, team up to uncover "Who Killed Adam Strange?" This page was penciled by Carmine Infantino (from a story by Mike Barr), who co-created the character with writer Gardner F. Fox, and inked by Sal Trapani. The overall page size is approximately 10.5" x 16" with a 10" x 15" image area. You'll find this page to be very clean and in excellent condition. There is a blue pencil line editorial mark and some limited use of whiteout, though very minor. Three of the edges were trimmed at a diagonal angle when the art was being prepared for publication.
Carmine Infantino and Frank McLaughlin - Original Art for Flash #339, pages 2 and 9 (DC, 1984). The Trickster, Captain Cold, Mirror Master and Captain Boomerang try to pull a fast one on the Flash in these two pages from The Flash #339. Penciled by Carmine Infantino and inked by Frank McLaughlin, these two pages are a quick study in villainy by some of the Scarlet Speedster's most notorious foes. The overall art size is 11" x 16" with a 10" x 15" image area. The work has some whiteout usage, and some blue pencil notations for the letterer, but they are both exceptional.
Carmine Infantino and Bob Smith - Original Art for DC Challenge #3, Pages 7, 10 and 11 (DC, 1986). Chapter three from the twelve issue mini-series, DC Challenge, features pencils by the illustrious Carmine Infantino and Bob Smith inks. These three pages are from the story "Viking Vengeance," written by Doug Moench, and feature DC characters Jonah Hex, Congo Bill, and B'Wana Beast. The overall size for each page is approximately 11" x 17" with a 10" x 15" image area. These pages are in great condition, and though there is some editorial markings across all the pages drawn in blue pencil line, and some limited whiteout usage, they are in incredible shape.
Graham Ingels - Original Art for Planet Comics #61, Complete 6-page story "Auro Lord of Jupiter" (Fiction House, 1949). Though he will go down in history as being one of the premier EC artists, Graham Ingels actually did a bit of work for other comic companies before hooking up with Bill Gaines. This story, "Auro Lord of Jupiter," is some early work but the style he became reknowned for clearly shows through. His EC work always sells for a premium but this is your chance to get a complete story by a master at what might just be a price that fits your budget.
Scott Jackson - Original Cover Art for Rock 'n' Rock Comics #30 (Revolutionary Comics, 1991). Robert Smith, the Cure's main man and pop culture's unkempt poster child of doom and gloom, is the cover feature on this issue of Rock 'n' Roll Comics. The highly successful '80s band, the Cure, formed as a reaction against pop stars past and present, and has had a remarkable career for over 27 years under the guidance of Robert Smith and bassist Simon Gallup. Scott Jackson's approach to this art is almost fine art, with its textures, free-flowing lines, and high contrasts. The overall art size is 14" x 17" with a 12" x 14.5" image area. The art is super clean and bright. Signed by Scott Jackson at the bottom.
Al Jaffee - Original Back Cover Art for Mad #169 (EC, 1974). This image comes from the inventive mind of Al Jaffee, who created the idea for the Mad Fold-In. This piece was a timely reflection of the gas shortages of the 1970s as the folded cover showed a gas pump with a "No Gas" sign on it. As an unfolded image, this is a very colorful piece with Jaffee's trademark round figures going about their industrial business. The art was rendered on a thick piece of illustration board that is in great condition with minor corner wear. It measures 19" x 24.5". The main image area was taped off to a 16.75" x 16.25" size. The folded diagram at the top right is an original art stat and the text boxes at the top are pasted up stats.
Al Jaffee - Original Art Illustration, Duet (undated). Al Jaffee strikes a sour note with this 10.5" by 7" illustration. As Jaffee, in this self-portrait and his companion sing, everything imaginable shatters. This piece features striking, vibrant color; we can't pin down exactly where or when it was published, but it's a sweet piece for any Mad or Jaffee collector at large.
Klaus Janson and Frank Miller - Original Art for Daredevil #189 (Marvel, 1982). This splashy Daredevil page features the Man Without Fear, Black Widow, and Stone in a quiet moment, as Stone meditates to divine their future plans against the Hand. This issue of Daredevil, part of the long-running saga written by Frank Miller, features the death of Stick, who sacrifices himself to save DD. Janson, following break-downs by Miller, creates a bang-up page which includes a great close-up of Daredevil, carefully toned in craftint. The overall page size is 10.75" x 16.25" with a 10.5" x 15" image area. The art is clean, with some very slight signs of wear, most notably around the first panel, which was pasted up on the art.
Klaus Janson - Original Splash Page Art for Daredevil #196, page 15 (Marvel, 1983). You can almost smell the testosterone in the air, in this devilishly dangerous splash page from Daredevil #196. Daredevil and Wolverine are trying to track down Bullseye before he leaves the country, in this story, written by Denny O'Neil, and penciled and inked in a manly manner by Klaus Janson. The overall art size is approximately 11" x 16" with a 10" x 15" image area. The art is in great shape, with some slight whiteout usage in the last two panels, and a small stain in the lower right corner. Three of the edges have been slightly trimmed in the production process, well outside of the image area.
William Johnson and Mike Mignola - Original Art for Master of Kung-Fu #123, pages 10, 15 and 16 (Marvel, 1983). Born during the martial arts craze of the early 1970s, Master of Kung-Fu survived the death of the fad and had a long and successful run. A title with a lot to be proud of, it also boasts early work by Mike (Hellboy) Mignola, as on the pages offered here. Measuring approximately 10.75" x 16" overall, these finely-rendered pages are in excellent condition.
Arvell Jones and Alfredo Alcala - Original Art for All-Star Squadron #52, pages 10 and 12 (DC, 1985). Golden Age fans should take note of this neat lot of two pages from Roy Thomas' beloved All-Star Squadron, which features the Alan Scott Green Lantern, Captain Marvel, Batman & Robin, and the villainous Tarantula. Solid storytelling, and once again Alcala lends his supple line to the inks. Two pages, each measuring 11" x 16", some aging at the edges and moderate white-out.
Arvell Jones and Alfredo Alcala - Original Art for All-Star Squadron #52, pages 14 and 15 (DC, 1985). These two extra-cool pages mainly feature Alan Scott, aka the Green Lantern, though Liberty Belle, Johnny Quick, Hourman, Amazing Man, and Tarantula also make quick appearances. Lots going on, and Alcala's lush linework pulls it all together. Two pages, each measuring 11" x 16", some aging at the edges and moderate white-out.
Arvell Jones and Tony DeZuniga - Original Cover Art for All-Star Squadron #58 (DC, 1986). No matter what Mekanique has done... she belongs to Robotman! He's not going to let her go without a fight, as the other members of the All-Star Squadron are soon to find out in this terse cover from All-Star Squadron #58. Talk about proprietary software! Arvell Jones gives his all, penciling Squadrons Firebrand, Dr. Fate, Green Lantern and Johnny Quick for Tony DeZuniga to ink with his usual lustrous linework. The overall size is approximately 11" x 17" with a 10" x 15" image area. Some missing paste-ups at the bottom portion, and a reset photostat at the top have left some slight staining, but the work still shines. You'll also find some blue pencil notes to the letterer along the right side in the image area, and some other notations for the printer around the outside edges, which give an interesting insight into the production process. Includes the original logo and indicia paste-ups and an overlay used to create color effects in the printing process.
Dan Jurgens and Brett Breeding - Original Cover Art for Diamond Previews / Death of Superman (1992). This dynamic image was used as the cover of either Diamond's Previews or the Advance Comics catalog, to promote the then-current Death of Superman/Doomsday storyline. This powerful artwork shows various elements from the series all but engulfing the Man of Steel. Breeding's rock-solid inks tie it all together beautifully. 12" x 17" in exceptional condition, with very little white-out.
Dan Jurgens - Original Art for Warlord #71, Complete 23-Page Story (DC, 1983). One of the more popular characters to emerge form the late 1970s "Sword and Sorcery" boom at DC, Travis Morgan, the Warlord of Skartaris had a long and happy career, sustaining over 130 issues of his own title. Offered here is a complete story by fan-favorite artist Dan Jurgens in pristine condition. Each page measures approximately 11" x 16" overall, with two double-page spreads included.
Dan Jurgens and Rick Magyar - Original Cover Art for Sundevils #1, 2, and 3 (DC, 1985). Not one, not two, but three separate covers that form one large triptych image. The first three covers for DC's Sundevils were designed to fit together and create a larger image that was also used as a promotional poster. Dan Jurgens, one of DC's best known artists, really outdid himself on this piece, which measures a big 30" x 17.75" overall and is in excellent condition. Both artists have signed the piece in the lower left.
Joe Jusko - Original Cover Art for TV Guide Magazine (2002). Joe Jusko was commissioned to create this cover painting to promote the WB TV show Birds of Prey. He chose the raven-haired Huntress (played by actress Ashley Scott) as his subject, with parents Batman and Catwoman eerily represented in the background. Unfortunately, before this cover could be published, the show was cancelled, leaving this provocative and compelling piece as a brilliant reminder of what might have been. Measuring approximately 15.5" x 22" overall, this piece is in excellent condition and is signed by the artist in the lower right.
Joe Jusko - Original Cover Art for 21 Down #12 (Wildstorm, 2003). A truly explosive cover, this dynamic image from the talented brush of world-renowned painter Joe Jusko fairly leaps off the page with dramatic intensity. You can almost feel the heat from the flames as this vivid painting grabs your eye and won't let go. Measuring approximately 18" x 22" overall and in pristine condition, this piece is signed by the artist in the lower right.
Joe Jusko - Original Cover Art for Inquest Magazine (Wizard, 2000). This stunning portrait of a regal warrior-woman was originally published as the cover of an unidentified issue of Inquest Magazine. Vibrantly alive with the warm and expressive colors for which Jusko is justly famous, this is an amazing painting by one of the world's foremost fantasy illustrators. Measuring a large 20.5" x 30" overall, this piece is in pristine condition and is signed by the artist in the lower left.
Jack Kamen - Original Illustrations, Three Sirens (1995). The world under the sea never looked so enticing as it does in this trio of illustrations by classic EC "babe" artist Jack Kamen. Known for his subtle, provocative style, Kamen demonstrates a complete mastery of the female form in these three pen and ink drawings. The pieces, in excellent condition, each have an image area of approximately 8.5" x 14", and all are signed and dated by the artist.
Gil Kane - Original Cover Art for Marvel Team-Up #33 (Marvel, 1975). Gil Kane was one of the most prolific artists to ever work in the comic field. Unlike a lot of his contemporaries, Kane continued to mature as an artist for nearly 25 years into his career. The work that he did for Marvel during the 1970s is the pinnacle of that career. This cover is an awesome example of that time period. The power of the struggle between Spider-Man and Meteor Man is amplified by the arched form of Nighthawk which leads the viewer's eye back to the fight. The detailed background creates a sprawling stage which actually accentuates the impact that the battle is having on the scene. This dynamic piece is in excellent condition with original stats and only very minor use of white-out and glue stains. The overall size of the piece is 11.5" x 17.25" with an image area of 10" x 15".
Gil Kane and Tom Palmer - Original Cover Art for Man-Thing #4 (Marvel, 1974). Jeep headlights blare on the sodden visage of a monstrosity, neither man nor beast, reaching its mucky fingers towards you... It's an unforgettable cover, an almost iconic vision of one of the most macabre characters ever to grace a comic book. Gil Kane's pencil brings this quaggy panorama to "life," and Tom Palmer cakes them with his incomparable inking skills. Goya, eat your heart out! The overall page size is 11.5" x 17" with a 10" x 15" image area. The work is in wonderful shape, with some slight whiteout usage and various minimal stains. Includes the original logo and indicia paste-ups.
Gil Kane - Original Art for Green Lantern #223, Complete 22-page story, "The Last Testament of the Green Lantern Corps" (DC, 1988). In a startlingly prescient story, the entire Green Lantern Corp is wiped out! With appearances by almost everyone who ever wore a ring, including Ch'P, Salakk, Arisia, Kilowog, john Stewart, Katma Tui, and, of course, Hal Jordan, the greatest GL of them all! In excellent condition, these 11" x 16" pages also tell the origins of the Guardians of the Universe and the Warriors of Zamaron. That's a lot to pack into a mere 22 pages!
Gil Kane - Original Art for Creatures on the Loose #17, page 4 (Marvel, 1972). It's Gullivar Jones to the rescue in this exciting page by comic's legend Gil Kane. Bursting with Kane's trademarked action and excitement, this page is a shining testament to a great artist's work. Measuring approximately 10.75" x 16" overall, this page is in excellent condition. It should be noted that the third panel is taped in place (the tape is on the back and does not affect the art in any way), and that their are horizontal cuts that run the length of the page both above and below that panel. This is only apparent under close observation, however, and does not mar the beauty of this exceptional page.
Gil Kane - Original Cover Art for The Web #10 (DC/!mpact, 1992). A typically action-packed Gil Kane cover from the short-lived !mpact line put out by DC in the early '90s, which resurrected many of the '60s Archie superheroes. Lots of detail, inked with markers, as Kane often did during this period. The logo and copy are on an acetate overlay. A very cool piece for the Gil Kane fanatic. 11" x 17".
Rafael Kayanan and Ernie Colon - Original Splash Page Art for Fury of Firestorm Annual #2, page 1 (DC, 1984). It's the nuke-dude, Firestorm, up against his entire stable of villains, including Byte, Black Bison, Killer Frost, and Tokamak. Penciled by Rafael Kayanan and inked by Ernie Chan, Firestorm is at ground zero in a battle of apocalyptic proportions. The overall art size is 11" x 16" with a 10" x 15" image area. The work is in wonderful condition, and includes the original type and indicia paste-ups. All four corners have been cut for in the production process.
Rafael Kayanan and Alfredo Alcala - Original Art for America vs. the Justice Society #1, page 27 (DC, 1985). The Robin of Earth II watches helplessly as his comrades are led away in chains. An epic mini-series written by Roy and Dann Thomas, and featuring a top-notch roster of artists. This powerful image by Kayanan is nicely augmented by the auspicious inks of Alfredo Alcala, which lend weight and depth to the characters. 11" x 16.5", with trimmed corners, minimal white-out, and some editorial notes in the margins. An iconic piece, and a must for any JSA fanatic.
Ken Kelly - Original Oil Painting, "Mayhem" (1974). Ken Kelly has the distinction of being the only art student that Frank Frazetta ever taught. That said, Kelly has managed to define his own instantly recognizable style that is intense in both color and subject matter. This is an awesome image of fearsome creatures against a surreal background, originally intended as a cover for Eerie #90 (and so marked on the back of the board). Is the fallen man a sorcerer? Did he unleash more than his powers were able to control? Kelly's image have a way of evoking thought that goes beyond the immediate imagery. A vintage unpublished Kelly cover is certainly worth celebrating! This work of art was painted on a thick piece of canvas board that measures 17.5" x 23.5" and is in excellent condition.
Sam Keith - Original Splash Page Art for Marvel Comics Presents #90, page 1 (Marvel, 1991). Logan discusses his involvement with Cyber, a guy from his checkered past, in this wonderful splash page from Marvel Comics Presents #90. This is part six of the "Blood Hungry" storyline, called "Sixth Scents," and was written by Peter David and drawn by Sam Kieth. The work smokes with Kieth's fabulous attention to detail and texture, and no one has ever drawn a meaner Wolverine! The overall art size is a whoppin' 15" x 20" with a 10.5" x 15.75". The work is in excellent condition, with only some minimal whiteout usage and several very slight stain spots scattered across the art, though almost imperceivable. Includes the original logo and type paste-ups.
Sam Kieth - Original Art for Marvel Comics Presents #92, page 2 (Marvel, 1991). A Sam Kieth page must be seen to be appreciated, because of the craftsmanship he puts into every panel. Panel one is so chock-full of detail that it seems to go on forever. Splatty lines, scratchy lines, smooth lines, zigzag lines -- it's Sam Kieth at his best. Wolverine follows Madripoor into the forest with lots of "snaps" and "whumps" and some excellent emoting on Wolvie's face. This is the title page to the last chapter of the Wolverine/Cyber saga, "Blood Hungry, Part 8." Overall size is 15" x 20", with an image area of 10" x 16". Good, clean art with word balloons and captions pasted-up over the original art. An impressive Sam Kieth page!
Jack Kirby and Joe Simon - Original Cover Art for Stuntman #2 (Harvey, 1946). The Team Supreme of Simon and Kirby do it again in this action-packed Post-War Stuntman cover. The "New Champ of Split-Second Action" risks a death-defying high-speed leap from a motorcycle to a speeding car, all to save a beautiful blonde. In excellent condition, measuring approximately 15" x 20" overall, the art is rendered on heavy illustration board and shows very little evidence of white-out or editorial notation. The logos and titles have been recreated and attached, but the art is pure original Simon and Kirby. Simon and Kirby originals are rare as hens teeth in today's market, making this an unparalleled opportunity.
Jack Kirby - Original Cover Art for Speed Comics #23 (Harvey, 1942). This war-time Jack "King" Kirby page shows Harvey's answer to Captain America, Capt. Freedom. Patriotic fervor was all the newsstand rage and Kirby was a master of the genre. This is as fine an example as you are likely to find. Work of this caliber does not come to market often so grab this gem while you can. All stats are reproductions and there is moderate white-out that does not detract from the beauty of the piece. Actual artwork image size is 8.5" x 11.5".
Jack Kirby and Joe Simon - Original Cover Art for Speed Comics #20 (Harvey, 1942). Spectacular Speed cover by the legendary creators of Capt. America, Jack Kirby and Joe Simon, which features Captain Freedom thwarting the Axis baddies. Excellent condition overall, with light-to-moderate white-out. The logo and filmstrip sidebar are recent replacements. Overall size is 15" x 20", with an image area of 11.5" x 16".
Jack Kirby - Original Cover Art for Black Cat Mystic #59 (Harvey, 1956). Kirby's contributions to the comic book industry have been well documented. Yet when you see some of his more obscure work you still can't help but marvel at the love that he must have felt for the medium. Regardless of the assignment, he put his heart into the project and turned out another great image such as this one that shows a "strange boy" "erasing himself from sight!" Kirby's sci-fi art has always been popular, and this piece contains all of the elements that make them so much fun to look at. This piece is in great condition with minor staining and use of white-out. There is a very small piece missing from the bottom right corner and some pin holes in the top margin area. A few of the stats were missing, and so Heritage Comics has had this exciting piece professionally restored in order to present it in a way that best reflects the original intent of the artist. The replaced stats include the text box at the bottom, the comics code, the "Strange Suspense Tales" blurb, the "Thrill Adventures" logo, the "Cat" part of the title immediately below the logo, the Sept. stat, and the 10 cent stat. The overall size of this large piece of art is 14.25" x 22" with an image area of 13" x 18.5".
Jack Kirby - Original Art for Fantastic Four #17, page 5 (Marvel, 1963). You can't get Jack Kirby much earlier than this without taking out a second mortgage on the house. This page shows all the FF incognito and even a few panels of Sue in uniform. This issue features Marvel's version of the Fab Four going up against Dr. Doom. This is one the most affordable early Kirby pages around. You can't do much better than this at getting a great page of the King at his prime. This twice-up page is in beautiful shape with only the slightest amount of white-out and some hand-written notations on the borders.
Jack Kirby - Original Art for Fantastic Four #56, page 5 (Marvel, 1966). No artist personifies the Marvel Age better than Jack "King" Kirby. He nearly single-handedly defined most of Marvel's characters and he is the most in demand artist around. This page features the Inhumans and a couple wild panels of Medusa with her tentacle-like hair. Kirby's artwork can only go up so grab this masterpiece while you can.
Jack Kirby, Sol Brodsky, and Dick Ayers - Original Splash Page Art for Fantastic Four Annual #1, page 58 (Marvel, 1963). Here's a bit of history for you Fantastic Four fans -- a pin-up page of "The Red Ghost and his Indescribable Super Apes" from the FF Annual #1. Who could forget this image, by the incomparable king of the cosmos, Jack Kirby, of the cosmic communist scientist surrounded by his trio of trained apes? Overall size is a whoppin' 14" x 21" with the image area coming in at 12.5" x 18.5". Signed by Jack Kirby at the lower right, this page is a delight to behold and historic to boot!
Jack Kirby - Original Illustration of Captain America (undated). Here's a star-spangled spectacle of Jack Kirby's most iconic character, Captain America, penciled and inked by the King himself! This boot-kickin', shield-carrying drawing has a note at the bottom, written by Jack... "You're on!", an apt comment on the man himself, who took his career from Hell's Kitchen to the top of the world. The art is drawn in pencil, ink and ink wash on a sheet of slightly aged 10" x 12.75" bristol board. Signed by Jack Kirby.
Jack Kirby - Original Cover Art for Marvel Super-Heroes #27 (Marvel, 1970). As the Incredible Hulk battles the Lethal Leader and his harassing horde of humanoids, the Man without Fear squares off against the Prince of Atlantis, and a city watches in fear! Certainly one of the last covers "The King" would render for Marvel during his initial tenure at "The House of Ideas" (his first work for DC would hit the stands less than a year later), this is an action-packed piece by an artist clearly at the top of his game. In excellent condition, and measuring approximately 11.5" x 17.5" overall, this is a true Marvel masterpiece!
Jack Kirby and Chic Stone - Original Art for Amazing Adventures #3, page 8 (Marvel, 1970). Black Bolt leads his fellow Inhumans into another astonishing exploit, in this striking page from Amazing Adventures #3. Jack Kirby's pencils pack pure energy into every line and Chic Stone's lush, thickly-hewn inking finesse round out this staggering six-paneled page. The overall art size is 10.75" x 15.75" with a 10" x 15" image area. Generally, the art is extremely clean and bright, with some slight staining along the left edge in the bottom two panels, and along the right edge, mostly from old tape used to correct word balloon type. An able display of Black Bolt's quiet dignity and the ultimate demonstration of his unearthly power in action by the man who created the Inhumans.
Jack Kirby and Mike Royer - Original Art for Forbidden Tales of Dark Mansion #6 (DC, 1972). Originally produced for the magazine Spirit World #2, this page from the story, "The Psychic Bloodhound," later found its way into DC's mystery comic, Forbidden Tales of Dark Mansion #6. Jack Kirby wrote the story and penciled the breakdowns, and in a rare instance, inker Mike Royer was able to work directly from these layouts to produce this sensational melting of two top talents. The overall page size is 11.5" x 16" with an image area of 11" x 15". It's an outstanding piece of art, and in excellent condition.
Jack Kirby and Vince Colletta - Original Art for The Mighty Thor #139, Complete 16-page Story "To Die Like a God!" (Marvel, 1966). Now here's something you don't see everyday: the complete original art for a Silver Age issue of Thor pencilled by the King of Comics, "Jolly" Jack Kirby! This 16-page treasure, including a killer splash, is full of action and drama on a truly cosmic scale! In excellent condition, these "large art" pages are an enduring testament to the talents of a master! Most of the pages measure approximately 14.25" x 22.5" overall, with several pages trimmed to 13.25" x 19.75". As a bonus, several pages are signed by "The King" himself! What more could any true-blue Marvelite want?
Jack Kirby and Wally Wood - Original Cover Art for Journey into Mystery #122 (Marvel, 1965). There's only one word that can sum up this pulse-pounding Silver Age gem, and that's "WOW!" Two of the masters of comic art team-up to provide this stunning portrait of All-Father Odin, Lord of Asgard, as he sits astride his regal throne. In pristine condition, the title and logos are stats, but the rest, including the text under the logo box, is purely original. With an image area of approximately 13.25" x 20.25", this is a true masterpiece, rendered by two of comic's greatest talents. Prime examples of Silver Age Marvel covers are becoming scarcer and scarcer, as they're absorbed into private collections. The opportunity to own this sweet piece may never come again.
Warren Kremer - Original Cover Art for Little Dot #1 (Harvey, 1953). She was cute as a button and sweet as a peach, but let's face it -- this little lass was obsessive-compulsive! Driven by an insatiable need to decorate all facets of the world with her favorite pattern, the adorable Ms. Polka never ceased to get herself into all kinds of wacky adventures. Debuting (in a noticeably different form) in Sad Sack #1, the spot-crazy Dot was among the earliest of Harvey's iconic characters to earn her own title. Need we mention the historical importance of this premiere issue? Little Dot #1 featured the auspicious debuts of the insanely wealthy Richie Rich and the insanely corpulent Little Lotta. Add to that heady stew the fact that this cartoon charmer was rendered by the greatest artist on the Harvey payroll -- the legendary Warren Kremer, natch -- and you've run out of reasons not to bid on this epochal piece of original art. Measuring 10" x 13.5", with an image area of 7.5" x 10.5", this piece is exceptionally clean, with some white-out along the bottom edge. Two options are provided for the logo: the original stats are largely present, with some missing letters tastefully replaced, or a uniform replacement has also been provided.
Roy Krenkel - Original Tarzan Illustration (undated). One of the finest fantasy illustrators of the twentieth century, Roy G. Krenkel began is career as a student of Burne Hogarth and assistant to Wally Wood, Harry Harrison, and Al Williamson. A mainstay of pulp magazines throughout the 1950s, it was his work for Ace Books in the early 1960s that really put Roy on the map. Particularly noted for his beautifully rendered pen & ink illustrations, Krenkel's work is keenly sought among collectors. The piece offered here, in excellent condition, measures approximately *' x 8.5" overall and is initialed by the artist.
Joe Kubert - Original Cover Art for The Superhero Catalog #1 (Superhero Enterprises, 1978). A real blast from the past! Anyone who was reading comics in the late 1970s remembers these groovy catalogs, chock full of enough stone-cool merchandise to make any comic zombie's brain explode! This was your one-stop shop for such can't-live-without items as inflatable Spider-Man pillows, Superman belt buckles, Batman talking alarm clocks, even Incredible Hulk lunchware. Produced by the Joe Kubert school founder, Kubert contributed the cover which, except for the Snyderman figure, is a collection of stats. Measuring approximately 12" x 17.25" and in excellent condition, this is a key piece of Bronze Age nostalgia, sure to please any true child of the '70s. Signed by the artist in the lower left.
Alan Kupperberg and Joe Sinnott - Original Cover Art for The Invaders #36 (Marvel, 1979). Prince Namor, the Savage Sub-Mariner, battles the Nazi menace of The Iron Cross in the depths of the ocean as Captain America, the original Human Torch, and the Whizzer look on symbolically overhead. Although this is the published cover for this issue, it should be noted that certain minor elements were rearranged slightly before publication. These details, however, are exceptionally miniscule, and would defy observation on all but the most critical examination. Measuring approximately 11" x 17", this cover is in excellent condition, and has been signed by the artists in the extreme left edge.
Alan Kupperberg and John Beatty - Original Cover for Captain America #271 (Marvel, 1982). Captain America takes it on the chin from the renowned wrestler, Mr. X, in this relentless cover from 1982. A tableau of turmoil crafted with an eye for action by penciler Alan Kupperberg and finished with force by inker John Beatty. The overall size is 11" x 17" with a 10" x 15" image area. The work is clean, and in great condition, even with some slight aging generally apparent, and a small diagonal crease in the lower third of the art. Includes the original Cap logo and indicia pasteups, and some printer notes at the bottom of the art, outside the image area.
Alan Kupperberg - Original Preliminary Cover Art for Thor #328 (Marvel, 1983). Although this is not the final, published version of this cover (the art that actually appeared as the cover to Thor #328 was inked by Vince Colletta), it is a striking, dynamic piece showing Thor and the Lady Sif as they face the fury of... Megatak! Very similar to the published version, this is a rare peek behind-the-scenes at the creative process. Measuring approximately 11" x 17" overall, this piece is in excellent condition.
Alan Kupperberg - Original Art for What If? #29, pages 18 and 19 (Marvel, 1981). See the transistorized power of Iron Man! See the scurrilous skullduggery of the Scarlet Sentinel! See the polar opposite proportions of Giant-Man and the Winsome Wasp! All these thrills, and many, many more, can be yours on these power-packed pages, featuring the original Avengers against a most fearsome foe! Measuring approximately 10.5" x 15.75" overall, these pages are in excellent condition. page 18 is signed by inker Al Gordon in the lower margin.
Alan Kupperberg and Mike Mignola - Original Art for The Defenders #128, page 16 and 18 (Marvel, 1984). Beast, Gargoyle, Iceman, Angel, Valkyrie and Moondragon break through the Secret Empire's force field and are attacked by foot-soldiers, spear walls, Harridan, Seraph, Mad-Dog and the Mutant Force. All in a day's work for the Defenders! These two exhilarant pages are brought to you courtesy of penciler Alan Kupperberg and inker Mike Mignola. Their overall art size is 11" x 16.5" with a 10" x 15" image area. The work is in excellent condition, with some slight whiteout and a tiny bit of aging apparent on the left edge of page 18, though very minimal.
Greg Larogue - Original Art for Team America #2, pages 2, 6, 18, 19, and 30 (Marvel, 1982). These pages are full of mechanical imagery that is sure to appeal to car and motorcycle enthusiasts alike. Larogue's no nonsense approach to illustration was perfect for this title that had a strong fan following. A movie based on this property is reported to be in production, so get these pages while they're still affordable. Each of the pages have cropped corners as part of the production process. There is moderate use of white-out and many of the word balloons have staining. These pages measure 10.75" x 16" and have an image area of 10" x 14.75".
Greg LaRocque and Jim Mooney - Original Art for The Spectacular Spider-Man #83, pages 24 and 25 (Marvel, 1983). The Punisher gets his day in court, while spandex-free Peter Parker looks on, in these two pages from The Spectacular Spider-Man #83. Where is the Dream Team when you need 'em? These two pages are introspectively illuminated with pencils by Greg LaRocque and inks by Jim Mooney. The overall art size is 11" x 16" with a 10" x 15" image area. The work is in great condition, even with some very slight signs of aging and minimum whiteout usage. Three corners on each page were cut in the pre-production process, but it is well outside the image are. So what are you waiting for? Buy 'em!
Greg LaRocque and Jim Mooney - Original Art for The Spectacular Spider-Man #83, pages 29 and 30 (Marvel, 1983). The Punisher's actions in court cause photographer Peter Parker to rethink his life as a career hero, in these two pages from 1983. Penciled by Greg LaRocque and inked by Jim Mooney, these two tense, unrestrained pages open a window into the Punisher's psyche and give us a little taste of the darkness he carries within. The overall page size for these pages is approximately 11" x 16" with a 10" x 15" image area. With the exception of some extremely slight aging, some whiteout, and a small tape type correction on page 29, these pages are in excellent condition. Three of the edges on each page were trimmed in the production process, well outside of the image area.
Ken Lashley and Agop Gemdjian - Original Art Pin Up for Excalibur #70, page 31 (Marvel, 1993). Cyclops dominates this pin-up, penciled by Ken Lashley and inked by Agop Gemdjian. Lashley began his career in 1993 when he burst onto the comics scene penciling the Excalibur series for Marvel. The overall art size is 11" x 17" with a 10" x 15" image area. Beautiful and clean, the work is in sensational shape. Includes a type paste-up on a clear overlay, which was used in the production process.
Ken Lashley and Tom Wegrzyn - Original Cover Art for Doc Samson #2 (Marvel, 1996). Doc Samson, side by side with She-Hulk, faces off against the menacing monstrosity, Patchwork, in this cover from Doc Samson #2. Ken Lashley pencils this taut black and white thriller and Tom Wegrzyn handles the inks. The overall art size is 11" x 17" with a 10" x 15" image area. The work is in beautiful condition, and She-Hulk has never looked better!
Bob Layton - Original Art for Hercules #3, page 4 (Marvel, 1984). From the third issue of the four-issue mini-series, Hercules, Prince of Power #3 comes this glorious page, penciled and inked by Bob Layton. The Son of Zeus, and his pals the Recorder, and a shape-changing Skrull named Skyppi, hurtle through the corridors of hyper-space into another wild adventure, courtesy of Bob Layton's fertile mind. The overall art size is 11" x 16.5" with a 10" x 15" image area. The work is clean and well-kept, with only some slight blue line pencil and white-out usage to speak of. Three of the edges contain some printer notes and crop marks, but they are well out of the image area.
Jim Lee - Original Cover Art for What If? #13 (Marvel, 1990). What if Professor X of the X-Men had become... the Juggernaut? Well, that's exactly what Jim Lee was asked and this cover is what he came up with. Lee's masterful pen and ink skills are brought to full force to give us a glimpse of an alternative direction the world could have taken if that possibility had come to fruition. It is genuinely rare to find X-Men art from Jim Lee where he alone pencils and inks the artwork; most of his X-Men art has an inker or finisher. The art measures an overall 11" x 17" and has a 10" x 15" image area, and is double-signed, both when originally created, and then at a later convention appearance. Clean, and well kept, this work sits on a sheet of brilliant white bristol board with some minor retouching in white out. Includes all the original logo, indicia and type paste-ups. Lee's unyielding ability to translate primal energy to paper was never better realized than in this stupendous delineation. Signed by Jim Lee at the bottom.
Larry Lieber - Original Cover Art for Kid Colt Outlaw #132 (Marvel, 1967). One of the hardiest factions of collectors around are the western collectors so there is sure to be some heated bidding over this exciting piece. Larry Lieber could not have possibly jammed any more action on this page had he tried. The Kid guards a stagecoach while fending off a band of heavily armed rogues. Also, this cover is from one of the high-demand giant size issues. The logo and panels to the right are stats but the rest is pure bold original. Bid early and hard for this one, you will definitely not regret it.
Larry Lieber - Original Cover Art for Rawhide Kid #68 (Marvel, 1968). The evil Cougar is about to get the drop on our hero on this dynamic Silver Age cover. Original covers from this era are in short supply, as they tend to disappear into permanent collections quickly. From the personal collection of the artist, and never before offered for public sale, this piece is in excellent condition and measures approximately 11.25" x 17.5" overall.
Larry Lieber - Original Cover Art for The Rawhide Kid #85 (Marvel, 1970). Rawhide's gotten himself in a whole mess o' trouble in this captivatin', yet cantankerous cover from the one-and-only Larrupin' Larry Lieber. Battlin' four ornery owlhoots, can the Kid possibly survive? Was there an issue #86? An oft-overlooked part of Marvel's Silver Age history, the Western books were extremely popular, and showcased some of the best work of the storied Mr. Lieber. Measuring approximately 11.5" x 17.5", this cover is in excellent condition, with some evidence of blue-pencil underneath the finished inks and some minor smudging, mostly at the edges of the image. An impressive piece by a true master, the piece is signed by the artist in the lower margin.
Larry Lieber and Frank Giacoia - Original Cover Art for The Mighty Marvel Western #34 (Marvel, 1974). The Rawhide Kid gives some stagecoach robbers the boot, on this cover for The Mighty Marvel Western #34. Larry Lieber is a fast hand with a pencil, and in cahoots with his inker, Frank Giacoia, it's a study in how the West was drawn. The overall art size is 11.5" x 17.5" with an image area of 10" x 15". Some slight staining in the upper half of the art, and whiteout usage can be seen, but this work is in great condition. Includes all the original logo, type and word balloon paste-ups. Signed by Larry Lieber.
Larry Lieber - Original Cover Art for Mighty Marvel Western #36 (Marvel, 1974). Rawhide takes a shot he dare not miss on this action-packed cover by Marvel stalwart Larry Lieber. In very good condition, with some glue staining evident, this killer cover measures approximately 11.5" x 17.5" overall. The logos and type are stats, but all the art is original. Signed by the artist in the lower margin, this is a great piece for any fan of Marvel's wild Westerns!
Larry Lieber - Original Art for Two-Gun Kid #73, Complete 5-page Story, "The Little Hombre!" (Marvel, 1965). Three Western bullies get their come-uppance when they make the mistake of picking on a quiet little man who teaches them that appearances can be deceiving. The pages measure 13.5" x 20.5", are fresh white, and damage-free. The top panel of the last page has liberal use of white-out, but the rest of the story is virtually white-out free. A fun little story that teaches a valuable lesson - don't judge a man by his size.
Silver Age (1956-1969)
Larry Lieber - Original Art For Rawhide Kid #40, Complete 10-page Story, "The Fastest Draw!" (Marvel, 1964). If you are in the dark about the pen and ink wizardry of Larry Lieber...WAKE UP! The pieces we are auctioning off during this sale come directly from Larry and have been held by him since they were returned by Marvel, meaning this is your first (and possibly only) chance to snatch up these classic Silver Age western tales. Gab this and read the rustic saga of Larch Morgan. The pages in this story measure 13.5" x 21" and are still nicely white with light-to-moderate use of white-out.
Original Comic Art
Larry Lieber - Original Art for Rawhide Kid #41 Group of 3 pages(Marvel, 1964). Stan Lee's brother, Larry Lieber, worked on pretty much every genre during his long tenure at Marvel, and his western work is some of his best. This story, while not a Rawhide Kid tale, still has plenty of action. This story shows the downside of being the fastest gun in the west. Sol Brodsky did the inking over Lieber's pencils. This lot contains pages 1,3, and 5 of a 5-page story called "The Winner." The pages measure 14" x 22.5".
Larry Lieber - Original Art for Rawhide Kid #43 Complete 18-page Story "Where the Outlaws Ride!" (Marvel, 1964). Journey back to a time when the gun was law. The Rawhide Kid, one of the most enduring western characters, is featured in this 18-page epic, rendered in rootin'-tootin' style by Lanky Larry Lieber. See the Kid take on a band of outlaws... again. These pages measure 14" x 21.5" with moderate white-out throughout.
Larry Lieber - Original Art for Rawhide Kid #47, Complete 16-page story "The River Boat Raiders" (Marvel,1965). Larry Lieber is one of the unsung artists of his day. His Marvel western stories are among his finest. The kid once again takes on a crime wave against some river raiders. It took 16 long pages to to clean up the town but, as always, he managed to do it. See if you can come up out on top with this action-packed beautiful story. Story pages are extremely appealing and the white-out has been kept to a bare minimum. These pages measure 12" x 13.5.
Larry Lieber - Original Art for Giant-Sized Kid Colt #1, Complete 15-Page Story, "Meet the Manhunter" (Marvel, 1974). A real rootin', tootin' riot as the Rawhide Kid meets Kid Colt...and the West just gets wilder and wilder! Daringly delineated by "Larrupin'" Larry Lieber, with able assistance from his pard, "Vicious" Vinnie Colletta, this is one hum-dinger of a tale! In excellent condition, these pages measure approximately 11.5" x 17.25" overall, and are a real blast from the past!
Larry Lieber - Original Concept Art for The Dakota Kid (Marvel, undated). Produced prior to his first appearance in Western Team-Up #1, this is a fascinating look behind-the-scenes at the creation of a new character. Tightly penciled by Silver Age stalwart Larry Lieber, and featuring his hand-written notes, this piece is in excellent condition, with each page measuring approximately 11.5" x 16.75". A rare peek into the creative process.
Larry Lieber and Mickey Demeo - Original Art for Amazing Spider-Man Annual #5, page 3 (Marvel, 1968). A fabulous action page has Spidey dodging knives, flipping thugs, avoiding gunshots, and taking on seven ugly back-alley bad guys, all expertly delineated by Marvel workhorse Larry Lieber. The image area measures 12.5" x 18.5, twice-up art, pen and ink on art board. The page is in excellent condition.
Larry Lieber and Mickey Demeo - Original Art for Amazing Spider-Man Annual #5, page 4 (Marvel, 1968). Sometimes you just have to marvel at Marvel. First, the bad guys attack Spidey conventionally, and when all else fails, the inspired thug attempts to mow our Webhead down with a watermelon cart. This amusing page measures 12.5" x 18.5", twice-up art, pen and ink on art board. The condition of the artwork is excellent.
Larry Lieber and Mickey Demeo - Original Art for Amazing Spider-Man Annual #5, page 5 (Marvel, 1968). Large beautiful image of Spider-Man gracefully evading a deadly watermelon cart. Also a nice three panel sequence in which Spidey snags the bad guy's Luger with his web and pistol whips the evil-doer. Stan Lee's brother, Larry Lieber, handles it all with aplomb. The twice-up art measures 12.5" x 18.5", pen and ink on art board. Condition of the artwork is excellent.
Larry Lieber and Mickey Demeo - Original Art for Amazing Spider-Man Annual #5, pages 9-13 (Marvel, 1968). A wonderful, five page grouping of sequential pages detailing Peter's discovery that his parents were both traitors to his country. Page 9 opens with Peter finding the newspaper clippings that implicate his parents. On page 10, Peter dramatically confronts Aunt May. Also fun is a pencilled note written at the bottom of the page to Stan Lee which reads, "Remind Stan to bring Red Skull back to life before this issue comes out." Page 11 relates Aunt May's discovery of the Parker's treason. And, page 12 ends with a classic Peter shot, sulking away, feeling defeated by the weight of what he has learned. In the final page, Peter dons his costume determined to get to the truth of the matter. The image area of each page measures 12.5" x 18.5", twice-up size, pen and ink on art board.
Larry Lieber - Original Art for Amazing Spider-Man Annual #5 (Marvel, 1968). This is actually a finished preliminary image layout for the pin-up section at the back of the annual that asked, "What if he [Spidey] were drawn by other artists for other publications..." The final published image was expanded into a two-page spread, but this piece is historically significant in that it features the central Spider-Man image that later became the model for the logo icon that was used on the Amazing Spider-Man title during the 1970s. With the exception of some minor wear on the left edge, this page is in excellent condition and measures approximately 11.5" x 17.5".
Larry Lieber - Original Art for "The Manhattan Project" Graphic Novel (Marvel, 1985). Offered here is a unique look into the process that goes into the creation of a graphic novel. "The Manhattan Project" was apparently a graphic novel that was scripted and penciled in 1985. Somewhere in the process of inking the pages, the plug was pulled, and this is all that remains of what could have been an exciting chapter in Spider-Man's life. This lot includes 67 fully penciled pages, carefully constructed by Larry Lieber. Many of the pages have had the main figures inked, and though the inker is not credited, it appears to be the work of Marvel mainstay Vince Colletta. Also included is the original typewritten plot, credited on the front cover to James Shooter, Alan Zelenetz, and Larry Lieber. There are marginal notes handwritten in red ink throughout the plot, most likely the thoughts of Jim Shooter. The pages, all of which are in excellent condition, measure approximately 11" x 17". The reasons for this project's cancellation are lost in the mists of time, but these artifacts remain, a tantalizing taste of what might have been.
Larry Lieber - Original Illustration of Captain America (Marvel, undated). We're not sure exactly where this piece first appeared, but there's no denying it's a dynamic portrait of the Red, White, and Blue Avenger. Probably intended as a cover (note the white space at the top), this fully rendered piece is in excellent condition and measures approximately 11" x 17". It has been signed twice by the artist in the lower margin.
Larry Lieber and Vince Colletta - Original Art for Marvel Super-Heroes #20, page 5 (Marvel, 1969). It's a super-villain throw-down as the deviously ambitious Victor Doom takes on Diablo, the Master of Alchemy, in this page from Marvel SuperHeroes #20. Penciled by Larry Lieber and inked by Vince Colletta, it features great shots of both baddies in full regalia. The overall art size is approximately 11.5" x 17.5" with a 10" x 15" image area. There is some slight aging apparent, and some editorial notes in pencil along the edges, but as a whole, it's in beautiful condition.
Larry Lieber and Vince Colletta - Original Art for Marvel Super-Heroes #20, page 6 (Marvel, 1969). "Insolent fool! You think the Mighty Doom is so easily bested?" So speaks the Latverian lord, Victor Von Doom. It's Doom vs. Diablo in this page from 1967's Marvel SuperHeroes #20, penciled by Larry Lieber and inked by Vince Colletta. Lieber fills four big panels, making every line count and Colletta's thick, chunky inks are a delight to the retinas. The overall art size is approximately 11.5" x 17.5" with a 10" x 15" image area. This page suffers slightly from some aging along the extreme edges, and there is a slight stain in the second panel word balloon, but as a whole it's in tremendous condition.
Larry Lieber - Original Splash Page Art for Marvel Super-Heroes #20, pages 18 and 19 (Marvel, 1969). Anyone who read comics during Marvel's Silver Age certainly remembers this story: the epic battle between Doctor Doom, Monarch of Latveria, and Diablo, the Lord of Alchemy. In this stunning two-page spread, Diablo envisions a sky full of spaceships and satellites, controlled by him and the diabolical Dr. Doom! A stunning example of Larry Lieber at his very best, this page came from the artist's private collection and has never before been offered for public sale. Each page measures approximately 11" x 16.5" overall, and is in excellent condition.
Larry Lieber - Original Art for Strange Tales #112 Group of 3 pages (Marvel, 1963). Some of the funnest reading during the Marvel age was in the back-up stories. This story features a man that is either losing his mind or else he must find a way to explain the inexplicable. Paul Reinman's bold inks really make the figures in this story stand out. This lot consists of pages 1, 3, and 4 of the story "I Saw the Impossible World!" These pages come to you directly from the collection of the artist himself. Here's your chance at getting a piece of Marvel history for the right price.
Larry Lieber - Original Cover Art for Weird Wonder Tales #5 (Marvel, 1974). What is "The Thing in Cell 13"? It seems that the pretty young woman and the surly prison guard on this chilling cover are about to find out! Measuring approximately 11.5" x 17.5" overall, this cover is in very good condition, with some smudging in the margins and two glue stains in the main image where stats have apparently fallen off. The remaining logos are stats, but all the rest is purely original. Signed by the artist in the lower right, this is a fun piece of Bronze Age nostalgia.
Larry Lieber - Original Cover Art for Crypt of Shadows #11 (Marvel, 1974). It's a dead man's party, and just be glad you're weren't invited, like the two hapless individuals on this cover were. From Crypt of Shadows #11, comes this lurid, Larry Lieber illustration - a terrifying tableau, filled with anxiety and fear. The overall art size is 11.5" x 17.5" with an image area of 10" x 15". You'll find some slight staining, from two missing type and word balloon paste -ups, and along the top edge, but overall, this work is in great condition. Includes all the original logo, type and word balloon paste-ups. Signed by Larry Lieber.
Larry Lieber and Frank Giacoia - Original Cover Art for Chamber of Chills #11 (Marvel, 1974). Like a postcard from hell, giant stone statues on Easter Island come to life to menace two tourists. This colossal cover was penciled by Larry Lieber and inked by Frank Giacoia and it's an imposing image that you won't soon forget. The overall art size is 11.5" x 17.5" with an image area of 10" x 15". Some whiteout usage and small staining around the word balloon at the bottom are minor detractions, and on a whole, this work is in great condition. Includes all the original logo, type and word balloon paste-ups. Signed by Larry Lieber.
Larry Lieber and Al Milgrom - Original Cover Art for Dead of Night #5 (Marvel, 1974). Are they vampires? Are they ghouls? Only the penciler, Larry Lieber, and inker, Al Milgrom, know and they're letting the art speak for itself in this pestiferous presentation. The overall art size is 11.5" x 17.5" with an image area of 10" x 15". The work has been handled with great care, and although there is a small stain from a missing paste-up at the bottom center, and a small tear at the center of the right edge, the work is in great condition. Includes all the original logo, type and word balloon paste-ups. Signed by Larry Lieber.
Rob Liefeld - Original Art for Hawk and Dove # 4, pages 11 & 13 (DC, 1988). One of the brightest stars of the 1980s, Rob Liefeld was one of the Marvel and DC superstars that left those hallowed halls to form Image Comics with other creators of similar stature. Before making that move, however, he penciled a Hawk and Dove mini-series that is still being read and reprinted today. These pages, which measure approximately 11" x 16" overall, feature Hawk, Dove, and the villainous Kestrel.
Ron Lim and Mike DeCarlo - Original Art for Fantastic Four #336, page 15 (Marvel, 1990). The Armadillo, the Owl, Orka the Killer Whale, the Man-Ape, Stilt Man, Whirlwind and Baron Brimstone savor the taste of humiliating defeat at the hands of the Fantastic Four from page 15 of Fantastic Four #336. Ron Lim handles the pencils and Mike DeCarlo inks this insistent image featuring some of Marvel's most off-beat villains ever. The overall art size is 11" x 15" with a 10" x 15" image area. The work is extremely clean and bright, and in excellent condition.
Ron Lim and Terry Austin - Original Art for Marvel Universe, Series 4 Trading Card Set, Cards #55-63 (Skybox, 1993). This eye-catching image was created as a nine-up series of cards for the bestselling Marvel Universe 4 series from Skybox. Featuring Spider-Man, Daredevil and a cantankerous collection of baddies, including Venom, Demogoblin, Carnage, Hobgoblin, Cardiac, Rhino and Shock, this 17.5" x 23.5" stunner is in excellent condition and is signed by the artists in the lower right.
Kevin Maguire and Joe Rubinstein - Original Splash Page Art for JLA: Created Equal #2, pages 2 and 3 (DC, 2000). In this Elseworlds role-reversal storyline, a universal plague has killed all men on Earth, with the exception of the Kryptonian, Kal-El. In this two-page splash, Superman's five-year-old child, Adam Kent (born via Supes' union with survivor Lois Lane) throws a terrible fit and is uncontrollably blasting things away with his heat vision, while a stunned all-female JLA looks on. Penciled by Kevin Maguire and inked by Joe Rubinstein, this art is an impressive homage to the first appearance of Superman from Action Comics #1, and features a couple of incredible views of the princess from Paradise Island, and the ample Power Girl. The overall art size is 17" x 21" with an image area of 16" x 20.5". The work is beautifully rendered in Maguire's trademark style, with fresh and clear linework packed with grace and sensitivity.
Tom Mandrake - Original Cover Art for The New Mutants #15 (Marvel, 1984). From The New Mutants #15 cover story, "Scaredy Cat!", written by Chris Claremont, comes this cover art of Kitty Pryde in the clutches of the sorcerous White Queen, with monstrous entities swirling around her comatose form. Tom Mandrake works his magic on this 9.75" x 15" image, handling both the pencils and the inks with an inexorable finesse. The overall art is finished on a brilliant white sheet of 11" x 17" bristol board, with only the slightest use of whiteout to mention. The top portion of the art is a logo photostat, which Mandrake has inked over to marry the art and type together seamlessly. Signed by Tom Mandrake at the lower left.
Moe Marcus and Rocco Mastroserio - Original Art for Chamber of Chills #17, Complete 6-Page Story, "Bridge" (Harvey, 1953). A tale of murder most foul and revenge most sweet, this nail-biting chiller demonstrates why Harvey was the chief rival to EC Comics in the early 1950s. Harvey's stories abounded with werewolves, ghouls and, as in this story, the restless walking dead. With appropriately terrifying artwork by Marcus and Mastroserio, this one's a real stunner. The pages, which are in excellent condition, measure approximately 15" x 22" overall.
Don Martin - Original Illustration of Roger Kaputnik (ca. 1974). In 1974, Mitch Berg, the son of Mad's Dave Berg, opened his own discotheque, regally named "The Palace." As a show of support, many of Dave's associates created fun pieces of art to adorn the walls. Offered here is one such piece by the legendary Don Martin, who has transformed Dave Berg's self-parodying character Roger Kaputnik into "a dancing fool." Beautifully rendered in full color, this is a truly unique piece. With an image area of approximately 7" x 9", the piece is in excellent condition and is signed by the artist.
Rodney Matthews - Original Illustration, "Wizard with Axe" (2003). Perhaps best known for his painted album covers for artists such as Thin Lizzy, Asia, and Rick Wakeman, Rodney Matthews is also co-creator of "Lavender Castle," a landmark children's TV series produced in cooperation with Gerry Anderson. Long regarded as a leading fantasy illustrator, Matthews is offering some of his work at auction for the very first time. The piece offered here is rendered in tonal pencil, with an image area of approximately 13.5" x 9.75". In excellent condition on vellum, it is signed by the artist in the lower left.
Rodney Matthews - Original Illustration, "Wasp Rider" (2003). From the fertile, yet bizarre mind of illustrator Rodney Matthews comes this masterfully-rendered tonal pencil piece showing two weird creatures in mid-flight. An artist best known for his book and album covers, Matthews is also the co-creator of the hit TV series "Lavender Castle," a project he shared with producer Gerry Anderson. The piece offered here, in excellent condition, measures approximately 16.5" x 11.75" overall and is signed by the artist in the lower left.
Rodney Matthews - Original Illustration, "Onward!" (2003). A gifted illustrator, Rodney Matthews is perhaps best known for his painted album covers for groups including Thin Lizzy, Nazareth, the Scorpions, and Rick Wakeman. Subtle yet provocative, his work has appeared in book and album covers, posters, prints, tee-shirts, calendars, and more. The piece offered here is a fine example of this artist's work, featuring a bizarre character on top of an even more bizarre character. In pristine condition, this tonal pencil masterpiece has an approximate image area of 12.5" x 9" and is signed by the artist in the lower right.
Rodney Matthews - Original Illustration, "Mounted Warrior with Trident" (2003). One of the world's leading fantasy illustrators, Rodney Matthew's art has been seen gracing everything from calendars and tee-shirts to book and album covers. A master of design, his work is reminiscent of such classic illustrators as Arthur Rackham and Howard Pyle. The piece offered here, rendered in tight tonal pencil, has an approximate image area of 12" x 9" and is in excellent condition. Signed by the artist in the lower left.
Rodney Matthews - Original Painting, "The Scraggutt Rider of Thrunge" (2003). A masterful painting by one of the world's leading fantasy artists, this piece is guaranteed to transport you to another plane of reality! Best known for his album and book covers, Rodney Matthews has been bringing his inspired creations to life since the early 1970s. The piece offered here is a stunning example of this talented painter's work. Measuring a generous 30" x 22" overall, the piece is in excellent condition and is signed by the artist in the lower left.
Val Mayerik and Ernie Chua (Chan) - Original Art for Worlds Unknown #2, page 1 (Marvel, 1973). A testy Tyrannosaurus teases a team of time-traveling tycoons in this fun Bronze Age page from Marvel Comics. Title splash pages from this era are becoming more desirable by the day, and when you add in the innate appeal of this well-rendered terror-lizard, well just about everybody should be adding this to their bid list. 10.5" x 16", with tape in the margins and along the bottom right edge of the panel; some blue-pencil markings, and moderate white-out.
Val Mayerik - Original Painting of Klaus Kinski in Werner Herzog's "Fitzcaraldo" (1978). A tribute to man's triumph over impossible odds, Werner Herzog's "Fitzcaraldo" tells the story of a man, played by Klaus Kinski, who drags a steamship over a mountain in order to realize his dream of building the first opera houser in the Amazon. This painting of the title character shows Kinski as a Quixote-esque adventurer ready to face any foe to achieve his goals. Beautifully realized by artist Val mayerik, this masterwork is in excellent condition and measures approximately 12" x 19.5" overall.
Val Mayerik - Original Science Fiction Painting (1979). A stunning piece, this is an unpublished work by Val Mayerik. In the artist's own words, "I actually did the piece in '76 but did a few revisions ... in '79 and thus dated it then. I did that piece along with two other fantasy pieces in '76 in preparation for my move to NYC early in '77. I wanted a few strong illustrations to present to art directors in the city to try and obtain book and magazine cover assignments. One of the companion pieces did make it onto the cover of an early Heavy Metal issue. The painting (offered here) never saw print but every once in a while some small publishers would express an interest in maybe including it in a portfolio of my painted work." Measuring a large 24" x 36" and in excellent condition, the painting is signed by the artist in the lower left.
Val Mayerik - Original Fantasy Illustration (undated). This exciting piece presents a great opportunity for fans to pick up what was probably an uncommissioned image by Mayerik. This watercolor is mesmerizing in it's brutal depiction of early man's struggle for survival. The sparsity of the landscape accentuates the legitimate need for the slaughter so as to provide sustenance for the clan and the families that depend on them. Mayerik's handling of form and space successfully leads the viewer to the kill that is taking place in the foreground and yet involves the background as a total composition by utilizing the spears as a tool to take the viewer to the background figures and back again in a continuous circle that mirrors the eternal cycle of life and death. This work of art was rendered on a piece of illustration board that is in excellent condition with only minor edge wear. It measures 20" x 15".
Val Mayerik - Original Video Box Art Painting (undated). This painting surely has it all: two beautiful babes in bondage, leather and lace lingerie, and even a really cool tiger thrown in for good measure! A softly sensual masterpiece, this provocative piece measures approximately 14.5" x 20.5" overall and is signed by the artist in the lower right,
Val Mayerik - Original Art for Marvel Preview #24 (Marvel, 1981). A startling portrait of the main character from Bill Mantlo and Val Mayerik's Paradox. Subtly rendered in washtones, this 15" x 20" stunner is in very good condition, displaying some minor discoloration around the edges and some slight waterstaining in the lower right corner, none of which affects the central image. The piece is signed by the artist in the lower right.
Val Mayerik - Original Concept Art for Void Indigo (Marvel Graphic Novel #11) (Marvel, 1982). From Steve Gerber and Val Mayerik's groundbreaking graphic novel come these exquisite pieces of concept art, the first showing Michael Jhagur emerging from his crashed space ship, the second detailing both Jhagur in human camouflage and the ever-lovely Linette. Beautifully realized in full color, these are exquisite pieces of art in excellent condition. Each measures approximately 17" x 11" overall, and both are signed and dated by the artist.
Val Mayerik - Original Art for Marvel Graphic Novel #11, page 48 "Void Indigo" (Marvel, 1984). A stunning story of an alien warrior from beyond the stars, Void Indigo started life as one of Marvel's groundbreaking graphic novels from the early 1980s. Beautifully painted by Val Mayerik, the piece offered here is one of the most memorable pages from that spectacular work. This charming domestic portrait of Michael Jhagur and Linette measures approximately 12.25" x 18.75" on heavy illustration board and is in excellent condition.
Val Mayerik - Original Art for Howard the Duck #33, pages 25 and 27 (Marvel, 1986). Blame it all on Ed McMahon! It was his fault that brain he picked out for Howard the Duck's new hand-made female companion previously belonged to the spoiled, overindulgent wife of an upwardly mobile personal injury attorney. Why? Because it was small and easy to carry! Two hilarious pages from the storyline, "Material Duck," co-written by Christopher Stager and Val Mayerik about how Howard got 10 million dollars and spent it all. Val Mayerik handles the art chores and these pages are very nice, and include a couple of cameos by McMahon himself! The overall size for each page measures approximately 11" x 16" with a 10" x 15" image area. The work is very clean and in excellent condition, with one slight stain from what looks like a coffee spill on page 27 at the lower right. It's kind of appropriate, actually.
Val Mayerik - Original Art for Young Master #4, Cover and Complete 23-page Story (New Comics Group, 1988). Set in feudal Japan, these series features the adventures of a wandering samurai, told in evocative wash-tones by artist Val Mayerik. As an added bonus, the lot includes not only the full twenty-two pages of the story, but the striking cover artwork as well. If you're a fan of the Samurai genre, this issue is a treat -- the story is gripping and the artwork is top-notch. The interior pages measure 14.5" x 20.5", and each has an acetate overlay containing the word balloons and captions. The cover measures 16" x 24", with an image area of 13" x 21".
Val Mayerik and Al Williamson - Original Cover Art for The Punisher #61 (Marvel, 1991). From the "Crackdown" storyline, written by Mike Baron and Marc McLaurin, comes this teeth-clenching cover for The Punisher #61, in which Luke Cage (Powerman) fights side-by-side with the Punisher, turned African-American in this famous storyline. This lethal combination of murder and mayhem is brought to you by Val Mayerik and Al Williamson. Mayerik's gritty draftsmanship is incisively inked by veteran artist Al Williamson. Overall size is 11" x 17" with a 10" x 15" image area. Includes the original indicia paste-up, and an overlay with the logo and title paste-ups.
Val Mayerik - Original Cover Art for Green Hornet (Vol. 2) #9 (Now, 1992). "He hunts the biggest of all game, public enemies who try to destroy our America!" The Green Hornet and his faithful valet Kato have been fighting crime for over 50 years, on the radio, in the movies and in the pages of comic books. Offered here is a stunning piece from the Hornet's most recent comic series, beautifully painted by Val Mayerik. In good condition, there is a crack running about 13.5" from the top of the illustration board on the left side. Although this is a problem, it is rather subtle and does little to detract from the dynamic quality of this stunning piece. The painting measures approximately 15" x 23.5" overall and is signed by the artist in the lower right.
Val Mayerik and James Sherman - Original Art for Kato of the Green Hornet II #2, pages 1, 14, and 20 (Now, 1992). Mayerik obviously loves to bring his background in the martial arts to use in the comics that he illustrates, as is the case with these three pages from the Kato comic. Page 20 is especially nice with the zipatone applications and action lines which make for an exciting sequence of panels. These pages are in excellent condition with only minor use of corrective white-out. The "Sragow" text areas are paste ups and four other panels have pasted up text rewrites. The pages measure 11" x 17" and have an approximate image area of 9.5" x 14.5".
Mike Mayhew - Original Cover Art for Vampirella Horror Classics Hardcover (Harris, 2001). You'd think that if you were as good-looking as Vampirella, you wouldn't have to go to such great lengths to get a date. These guys look like real stiffs! Nevertheless, this is a stunning painting, showing the Vampiric Vixen in all her night-drenched glory. Measuring approximately 12" x 17.5" overall, the piece is in excellent condition.
Mike Mayhew - Original Cover Art for Vampirella #2 (Harris, 2001). A feisty Vampirella may be the last thing you ever see if you're on the receiving end of one of her roundhouse kicks, but what a way to go! Artist Mike Mayhew vividly brings the Fanged Femme Fatale to life in this gorgeous painting, kicking out all the stops. In excellent condition, this power-packed portrait measures a generous 11" x 17" overall, and will certainly make you the talk of your kickboxing class!
Mike Mayhew - Original Cover Art for Vampirella #9 (Harris, 2002). A softly sensuous portrait of the Darling Daughter of Drakulon, artist Mike Mayhew perfectly captures the creepy mood of an old haunted house in this breathtaking cover painting. Appearing to have just stepped out of a classic Gothic novel, Vampi has never looked better! In excellent condition, this piece measures approximately 11" x 17" overall and will look perfect hung next to the face pushing out of your wall!
Luke McDonnell and Steve Mitchell - Original Art for Iron Man #187, pages 3, 4, 6, and 13 (Marvel, 1984). A collection of pages from the period in which Jim Rhodes wore the iron armor, not Tony Stark. Featuring Tony, Jim and the rest of the supporting cast, as well as the villanous Vibro, these pages measure approximately 11" x 16" overall and are in excellent condition.
Dave McKean - Original Painting, "Death" (Undated). The little sister of the Sandman is putting on her best dress in this unique, original work by Dave McKean. This is a mixed medium piece; part of the dress is made up of a Marilyn Monroe headshot that has been colored and turned sideways. Dave has not appeared at many shows in the last few years, and his paintings appear even less frequently. A great chance for one lucky art collector, this painting measures 12.75" x 12.75".
Bob McLeod - Original Art for Marvel Graphic Novel #4, page 7 (Marvel, 1982). Marvel's fourth Graphic Novel introduced the next generation of mutants from Xavier's school, the New Mutants, to the world. Written by Chris Claremont, "Renewal" was drawn by Bob McLeod and jump-started the comic book series, The New Mutants, which quickly became one of Marvel's most popular titles. Here is the first appearance of Sunspot, in his civilian identity as Roberto da Costa, playing a game of soccer. The overall art size is 11" x 17" with a 10" x 15" image area. The work is in wonderful condition, with some slight aging apparent and tape stains at the top and bottom from crop marks that were used in the production process.
Shawn McManus - Original Cover Art for Dr. Fate #14 (DC, 1989). Kent Nelson, the original Dr. Fate, takes a dagger in the chest from the villainous Wotan in this stunning cover by Shawn McManus. Measuring approximately 11.25" x 17.25" overall, this piece is in excellent condition and is signed by the artist.
Shawn McManus - Original Splash Page Art for Omega Men #33, page 3 (DC, 1983). This a great image of the Omega Men which contains circular elements that make for a strong, unified composition. The heavy areas of black also add nicely to the scene. This page is in great shape with a minor bend near the bottom left corner. It measures 13' X 19.25" and has an image area of 12" x 17.75".
Shawn McManus - Original Art for Vertigo: Winter's Edge #3, Complete 8-Page Story, "Borealis" (DC/Vertigo, 2000). Set in the world of the Dreaming, a land created by Neil Gaiman in his landmark series, The Sandman, this is a touching story about the turn of the seasons told by Eve to Tethys, a white raven. Remarkably illustrated by Shawn McManus, these 11" x 17" pages are in excellent condition. Sandman-related art is very highly sought after by collectors, and rarely enters the market. Don't pass this one up!
Shawn McManus - Original Art for The Dreaming #39, pages 13-15 (DC, 2000). Neil Gaiman not only created a classic comic in The Sandman, his imagination gave birth to an entire realm, a realm of dreams that subsequent creators have been able to explore and delineate since the end of Gaiman's magnum opus. A perfect example is the lot offered here, wherein Shawn McManus' classically-styled art lends an atmospheric touch to this tale of a beautiful woman, a blind librarian and a little golden gargoyle. The pages in this lot measure approximately 11" x 17" each and are in excellent condition.
Otto Messmer - Original Art for Felix the Cat #18, page 10 (Dell, 1950). With more lives than a typical cat, Felix has been entertaining audiences since 1919. The creation of animator Otto Messmer, Felix began as a cartoon, but soon graduated to both a newspaper strip and a comic book. The page offered here, measuring approximately 14" x 19.5" overall and in excellent condition, is a superb example of Messmer's artistry as Felix races to save the ship from buccaneers (for those of you not fluent in Morse Code, the text in the last panel reads, "S.O.S. Pirates!"). This is a classic piece of art featuring one of America's best loved comic characters.
Al Milgrom and Steve Leialoha - Original Art for Secret Wars II #2, pages 5 and 6 (Marvel, 1985). Sue Richards dons an interesting black leather gear and becomes Malice, The Mistress of Hate on page 5 from Secret Wars II #2. Meanwhile, the one from beyond, the Beyonder, explores a department store and encounters a persnickety clerk in page 6 from the story, "Quoth the Beyonder: I'll Take Manhattan," written by Jim Shooter. Al Milgrom handles the pencils and Steve Leialoha the inks, on these two astonishing pages. The overall art size is approximately 11" x 17" with a 10" x 15" image area. The work is in great condition, with some very minimal whiteout usage and the corners have been trimmed in the printing process.
Al Milgrom & Steve Leialoha - Original Art for Secret Wars II #2, pages 11, 18, and 24 (Marvel, 1984). One of the biggest events in comics in the early 1980s was Marvel's Secret Wars mini-series and it's blockbusting sequel. Teaming up nearly every hero and villain in the Marvel Universe, these series became the template for all the big intra-company crossovers that followed. Offered here are three pages from Secret Wars II featuring Peter Parker, the Human Torch, the She-Hulk, Malice, the Psycho-Man, Mr. Fantastic, and the enigmatic Beyonder. Measuring approximately 11" x 16.5", these exciting pages are in excellent condition.
Al Milgrom and Kim DeMulder - Original Art for West Coast Avengers #2, pages 7 and 8 (Marvel, 1985). These pages from West Coast Avengers #2 feature part of a background recap on Wonder Man, with cameos by West Coast Avengers, Hawkeye, Iron Man II, and Tigra and original Avengers, Giant-Man, the Wasp, Captain America and Thor. Penciled by Al Milgrom and inked by Kim DeMulder, these pages are a lot of fun, especially with all the great characters running through them. The overall art size for both pages is approximately 11" x 16.5" with a 10" x 15" image area. Both pages are in great condition, with some blue pencil showing underneath the drawings, and the corners were trimmed for the production process. There is a photo-stat of the Avengers jet used in panel 2 on page 7, but all the other art is original.
Frank Miller and Klaus Janson - Original Art for Daredevil #167, page 15 (Marvel, 1980). An overnight sensation, Frank Miller redefined comics in the early 1980s with his historic run on Daredevil. Bringing a cinematic, film noir quality to the book, Miller influenced a generation of creators who came after him with this groundbreaking work. Consequently, pages from his run are eagerly sought by collectors, and rarely emerge from private collections . The page offered here, in pristine condition and measuring approximately 10.5" x 16" overall, features the Man Without Fear in every panel using his radar sense to reconstruct a crime scene. This is certain to be one of the most popular items in this sale, so get your bids in now!
Frank Miller - Original Cover Art for Captain America Annual #5 (Marvel, 1981). "When Captain America throws his mighty shield..." Was Frank Miller listening to this classic theme song as he designed this memorable cover? Possibly, as he's managed to capture the iconic image of America's Super-Soldier in all his red, white, and blue glory. One of the most fondly-remembered cover images of the 1980s, this is a beautiful example of the power of a simple image. Measuring 11" x 17" overall, this piece is in excellent condition. The logos and type are stats, but the art is pure, original Miller. It doesn't get much better than this!
Frank Miller and Joe Rubinstein - Original Art for Marvel Fanfare #18, pages 2 and 3 (Marvel, 1985). Captain America, writer Roger Stern, penciler Frank Miller and inker Joe Rubinstein keep the "Home Fires" burning in this dynamic double-page spread from Marvel Fanfare #18. Firefighters as heroes has been a fact long before 9/11 and the men of Ladder Company Nine are busting their butts to save lives, with a little help from the Sentinel of Liberty himself. Although Cap only appears in two panels, Miller unplugs the hydrant with superlative layouts filled with tremendous action and emotion. The overall art size is approximately 16.5" x 21.5" with a 15" x 19" image area. The work shows some slight aging, especially along the crease between the top conjoined pages, and along the right edge, but the work still soars with excitement. Liner notes along the bottom edge were written by Miller to help him visually sort out the script during the layout process.
Norman Mingo - Original Preliminary Cover Art for Mad #89 (EC, 1964). One of the greatest images ever to grace the cover of Mad Magazine was the one where the Frankenstein Monster is shown putting together an Alfred E. Neuman model kit. Offered here is artist Norman Mingo's color preliminary sketch for that classic idea. Measuring approximately 8" x 10.75" overall, this incredibly tight rendering (which could have been used for the cover itself) is sketched out in colored pencil and inscribed, "With best wishes to my good friends, Charlotte and Dick McGoldrick, Norman Mingo, 8/21/64", in the upper left corner. Truly an important find, this is a fabulous piece for any Mad collector. A copy of the magazine, in Fine condition, is also included, as are two portrait sketches rendered in pen-and-ink on 10" x 14" sheets and signed by the artist.
Sheldon Moldoff - Original Illustration, Batman and the Joker (undated). Batman's prime nemesis never looked better than as rendered by Golden Age master "Shelly" Moldoff. This bright piece measures 9" x 12" and is in exceptional condition.
Sheldon Moldoff - Original Illustration, Bat-Family (undated). Bat-Mite entertains the Bat crew in this colorful piece of artwork by "Shelly" Moldoff. Moldoff is one of the most important of the Golden Age artists and his contribution to comics can not be overstated. This beautiful piece will not fail to please. This piece of artwork measures 9" x 12".
Sheldon Moldoff - Original Illustration, Catwoman and Batman (undated). The inimitable "Shelly" Moldoff draws an ultra-sexy Cat Woman getting ready to face off with a startled Batman. You can't get much better than an original piece of artwork from one of the architects of the Golden Age. This piece measures 9" x 12".
Sheldon Moldoff - Original Illustration, The Spectre (undated). Sheldon "Shelly" Moldoff helped define the Golden Age. He is one of the last survivors of those special artists that brought us all those early heroes that we now all seek out. This Spectre illustration is a loose recreation of his cover appearance on More Fun Comics #54. This piece would look beautiful framed on your wall.
Yong Montano - Original Art for Giant-Size Werewolf by Night #5, page 45 (Marvel, 1975). As the blind darkpawns swarm toward them like a tide of black death, Jack Russell, a.k.a. the Werewolf by Night, and Shadow-Realm native, Paingloss, fight back, Yong Montano style. Montano pencils and inks this noir nightmare of struggle and shadows, which appeared in the fifth chapter of Giant-Size Werewolf by Night #5, called "Silver Rain, Sardanus and Shadow." The art measures an overall 10.5" x 16" with a 10" x 15" image area. The work is in great condition, with slight tape stains at the top and bottom of the page, and some blue pencil editorial markings in the final panel.
Jerome Moore - Original Cover Art for Star Trek: The Next Generation #1 (DC, 1989). In this first issue of Star Trek: The Next Generation, Picard is invited to attend the death celebration of the primarch of Raimon. The primarch is murdered and Picard is accused of the crime. This stupendous cover, penciled and inked by Jerome Moore, gives us images of all of the Enterprise crew, exquisitely rendered in pain-staking detail. The overall page size is 11.25" x 17" with a 10" x 15" image area. The work is clean, with some slight aging at the extreme left edge. There are some notes, by Moore to the colorist, in red pen along the bottom edge. Includes the original logo and indicias on an overlay. Signed by Jerome Moore at the bottom right.
Jerome K. Moore - Original Cover Art for Star Trek #7 (DC, 1990). A beautiful piece, with everything that a dyed-in-the-wool Trekker cold want: Kirk, Spock, McCoy, and a beautiful shot of the starship Enterprise blasting through space! The logo and type stats are on an acetate overlay, leaving the art beneath in pristine condition. Measuring approximately 11.25" x 17" overall, this piece will look great hanging on the wall of your Captain's cabin or holodeck.
Sparky Moore - Original Art for Four Color #476, pages 13 & 14 (Dell, 1953). Two pages from the illustrator most associated with America's favorite German shepard. "Rinty" made his debut in 1918, and members of his family still make personal appearances to this day. These beautiful pages, in excellent condition, measure approximately 14.5" x 23" and feature Rinty and Rusty on each.
Tom Morgan and Andy Mushynsky - Original Art for Power Pack #56, pages 2 and 3 (Marvel, 1990). Galactus has the late night munchies and sends his herald, Nova, out to snag some eats in this double-page spread by penciler Tom Morgan and inker Andy Mushynsky. The overall art size is 17" x 22" with a 15.25" x 21" image area. The work is in incredible shape, with little wear. There is a very slight staining in the crease between the two attached pages from the tape on the reverse side, but this is extremely minor. Morgan and Mushynsky unleash two pages that should sate any Power Pack fan's appetite.
Bill Morrison - Original Poster Prelim Art for "Duck Dodgers in the 23 1/2 Century" (undated). Anyone who ever thrilled to the big-or small-screen adventures of the legend-in-his-own-mind Duck Dodgers will absolutely love the piece offered here. Beautifully done in pen and ink, and colored marker, this poster concept rendering is a charming illustration of Daffy, Porky, and Marvin Martian. With an image area of approximately 5" x 8", this piece is in excellent condition and is signed by the artist in the lower right.
Bill Morrison - Original Poster Prelim Art for "Hare-Raising Hare" (undated). Undoubtedly one of the most fondly-remembered cartoons from Chuck Jones' tenure on Bugs Bunny, "Hare-Raising Hare" was a masterful send-up of the classic horror films of the 1930s and 40s. In that same vein, artist Bill Morrison has here created a poster reminiscent of the best movie heralds of that unforgettable era. In excellent condition, and signed by the artist in the lower right, the image area on this exceptional full-color gem measures approximately 5" x 8".
Bill Morrison - Original Cover Prelim Art for Tex Avery's Droopy #1 (Dark Horse, 1995). A loving homage to the classic Detective Comics #31 cover, Bill Morrison offers this tribute to the Golden Age with Droopy Dog filling in for the Dark Knight Detective. Tightly rendered in pencil, this piece has an image area of approximately 9" x 9" and is in excellent condition. It is signed by the artist in the lower right.
Bill Morrison - Original Cover Art for Tex Avery's Droopy #2 (Dark Horse, 1995). Droopy demonstrates for us the true meaning of Thanksgiving in this whimsical cover by artist Bill Morrison. Measuring approximately 11" x 14" overall, this piece also includes the original pencils on the back of the art. In excellent condition, this cover is signed by the artist in the lower right.
Bill Morrison - Original Cover Art for Screwball Squirrel #2 (Dark Horse, 1995). From the twisted mind of animator Tex Avery comes the wacky Screwball Squirrel. Shown here engaged in his usual brand of merry mischief, this cover measures approximately 11" x 14" and is in excellent condition. Signed by the artist in the lower right.
Bill Morrison - Original Pencil Cover Art for Wolf & Red #1 (Dark Horse, 1995). Offered here is the pencil art for what would eventually become a painted cover featuring Tex Avery's best-known, and sexiest, character, Little Red. Going to pieces over her is, of course, the Big Bad Wolf, complete with zoot suit. Measuring approximately 8" x 11.5", this piece is in pristine condition and is signed by the artist in the lower right.
Bill Morrison - Original Pencil Cover Art for Wolf & Red #3 (Dark Horse, 1995). With typical Avery eye-popping aplomb, the Big Bad Wolf sets off once again in pursuit of the sexy, and unattainable, Red. Tightly rendered in pencil by artist Bill Morrison, this humorous cover has an image area of approximately 7" x 7" and is in perfect condition. It is signed by the artist in the lower right.
Gray Morrow - Original Playboy Cartoon (Playboy, undated). A stinging commentary on the Sexual Revolution of the 1960s and 70s, Morrow's wistful vixen muses, "I guess, to me, not having V.D. is being 'lucky in love,'"as her stunned dinner companion looks on. In very good condition, there is some minor water staining on the left edge which does not at all affect the art. Signed "Best Wishes - Gray Morrow" in the lower right, this piece has an image area of approximately 10" x 11", and is a rare example of this classic artist's humorous work.
Gray Morrow - Original Art for Space 1999 #6, page 49 (Charlton, 1976). Gray Morrow was a master of his craft, who wasn't afraid to mix his media to create a piece of printed art that was unlike anything that his contemporaries produced. This page has elements that were illustrated with pencil, ink, and markers, as well as a zipatone paste up which added to his desired effect. These idllyic images are beautifully rendered with a grace and style that few present day comic artists can muster. This page has minor wear and a 1" tear in the left margin that has been taped on back. This piece measures 13.5" x 17" and has an image area of 10.5" x 15.25".
Gray Morrow - Original Illustration of Betty Page (undated). Gray Morrow graces us with this bewitching illustration, filled with some very scrumptious delineations of the fairer sex, leading with that beauteous bombshell, Betty Page. This entrancing pen and ink and wash drawing is a sensitive portrait by one of the finest craftsmen to ever work in the industry. The art measures an overall 12" x 19" with a 10" x 12" image area. The work is in excellent condition.
Steve Mufatti (attributed) - Original Art Cover for Paramount Animated Comics #4 (Harvey, 1953). Herman the Mouse gets the upper hand on Katnip -- again. Don't try this at home, kids! This classic Harvey cover is exceptionally clean and, amazingly, has retained its original title stat. A true gem among funny-animal covers. Measures 11.5 x 10.
Jon J. Muth - Original Art for Moonshadow #3, page 28 (Marvel, 1985). Groundbreaking upon its initial publication, Moonshadow was one of the first fully painted books to spring forth from Marvel's Epic line of creator-owned titles. It was also one of the first comics to present the lyrical and painterly work of Jon J. Muth. The page offered here, subtly rendered in pastel watercolors, is a glorious example of this magnificent artist's work. The piece, which is in excellent condition, measures approximately 11" x 17", and is signed by the artist in the first panel.
Don Newton and Alfredo Alcala - Original Art for Batman #376, pages 17 and 18 (DC, 1984). Nightshade, "the Lurker in the Deepest Darkness," crashes a blueblood party, and Bruce Wayne isn't too happy about it. The late Don Newton was an exemplary storyteller, and the slick, florid inks of Alfredo Alcala only enhance the effect. Two pages, each measuring 11" x 16", trimmed at the corners. Excellent condition, with very little white-out, except for panel two of page 17. These eerie pages are a must for any Bat-collector on a budget.
Earl Norem - Original Cover Painting for The Six Million Dollar Man #4 (Charlton, 1977). During the 1970s, no one was cooler than "Steve Austin... astronaut... a man barely alive." Critically injured while test-flying a new airplane, Austin was rebuilt using the latest bionic technology, rebuilt to be "better, faster, stronger," at the staggering cost of six million dollars. Easily conquering TV, Steve moved into not only comics, but a comic magazine as well. The piece offered here, showing Austin effortlessly tossing a Black Belt through the air, is by cover artist supreme Earl Norem, whose work appeared on many Marvel magazines of the period. In very good condition, the piece measures approximately 20" x 26.75" overall, with an image area of approximately 16.5" x 21", and is signed by the artist.
Paul Norris and Mike Royer - Original Art for Tarzan #194, pages 2 & 22 (Gold Key, 1970). An exquisite pair of pages, this is part of the adaptation of Tarzan and the Lost Empire. Page 2 measures approximately 15.75" x 22" overall, while page 22 has been trimmed to approximately 14" x 22", with no effect to the art. In excellent condition, these pages are fitting treasure for any Jungle Lord.
Irv Novick and Jack Abel - Original Art for Teen Titans #8, page 2 (DC, 1967). Robin, Kid Flash, Wonder Girl, and Aqualad find time for a little fun in the Teen Titan's lair, in this page from Teen Titans #8. Penciled by Irv Novick and inked by Jack Abel, this page holds great shots of the Titans, doing what they do when they're not stopping some villain from taking over the world. The overall page size is 11.5" x 17" with a 10" x 15" image area. The work is in great condition, even with some slight aging apparent across the entire piece, some blue pencil lines, and some very minimal whiteout usage.
Jerry Ordway and Tony DeZuniga - Original Art for Infinity, Inc. #9, page 20 (DC, 1984). The Ultra-Humanite makes grand speeches and generally acts like a B-movie villain on this outstanding page of original artwork by hard-workin' Jerry Ordway in one of his earliest regular gigs. The final ape-ish visage of the Humanite is pretty scarey all by itself. Although this issue credits no less than three inkers, Mr. Ordway confirmed for us that this page was in fact traced by the talented Tony DeZuniga, lending his usual smooth lines to Ord's rock-solid pencils. The page is in great shape, with minor white-out, and is signed by da Ordster in the lower right corner. 10.5" x 16".
Joe Orlando - Original Cover Art for Crime Illustrated #1 (EC, 1955). A striking cover by one of EC's best. This pen and ink masterpiece on EC graph board measures approximately 16" x 14" and is boldly signed by the artist in the lower right. In excellent condition, the piece is accompanied by an acetate overlay which supplies the vibrant reds and yellows.
Joe Orlando - Original Art for Panic #3, Complete 6-page story " Mother Goon's Nertzery Rhymes" (EC, 1954). Mad's companion book,Panic, was just as hilarious and was scripted and drawn by the same crew. Only one would survive, though and Panic floundered. While it was around, though, it contained some great stories and parodies. This lot features a great send-up of Mother Goose's Nursery Rhymes. In the "Three Blind Mice" segment there is a couple panels of a gorgeous blonde and a Marilyn Monroe mention. Orlando was definitely at his peak when he rendered this story. Nothing was sacred and all your favorite nursery rhymes get the parody treatment in this story. There is quite a bit of zipatone, all of which is fully intact and gives the pages a unique look. The pages measure 15" x 22".
Bob Oksner - Original Cover Art for Supergirl #9 (DC, 1973). Bob Oksner provided the covers for all ten issues of this short-lived Supergirl title, and this is one of the best, a bold image that shows Kara not only swooping down from the sky to K.O. some oogly monsters, but also saving one of her Amazon "sisters" in the process. Oksner's contrast of thin holding lines and heavy black shadows is dramatic and pleasing to the eye. This great cover retains all its original production stats and logos. A Bronze Age treasure.
Henry Scarpelli - Original Art for Stanley and his Monster #111, page 5 (DC, 1968). DC took a long-running title, The Fox and the Crow and turned it into a title that poked fun at Marvel's own Stan Lee (Stanley) and his monster (the Hulk). The title characters began as an innocuous back-up feature in Fox and the Crow and as their logo got larger on the covers they slowly took over the title until both the Fox and the crow slipped into oblivion. This is a fun page by an unsung artist that did some of the best humor work to come from DC's bullpen. This page has almost no white-out and measures 16" x 10.5".
Rudy Palais - Original Art for Witches Tales #17, Complete 5-page Story, "Dimension IV" (Harvey, 1953). Out of the murky depths it came... this giant monster that could reason and think! And the two people caught in its claws had no inkling of the eternal drama being played... for space shifted and time twisted into "Dimension IV." A prehistoric dinosaur meets two beach-lovers in a weird, wild tale with matching art by Rudy Palais. And wait until you see the crazy ending! The overall page size is 14.5" x 22" with an image area of 12" x 18". The art shows some very minimal aging in the first two pages and becomes progressively more aged in the next three pages. Page five shows the most amount of age damage, but the lines are still very legible and the artwork is clear.
George Papp - Original Art for Superboy #83, page 9 (DC, 1960). This is the last page of the story that featured the first appearance of the Kryptonite Kid. Mr. Mxyzptlk made his presence known on this last page, making it doubly desirable. Papp's style on the Superboy stories was very distinctive, and this page is a good example of the compositional strength that he gave to each panel. This page has a moderate amount of corrective white-out and the last panel has a redrawn paste-up on Pa Kent's face. The bottom panel also has glue stains, where tape was used at one time to seal a 4" tear. Otherwise, this piece is in great shape. It measures 14.25" x 20" and has an image area of 13" x 18".
Charles Paris (attributed) - Original Art for Batman #57, page 45 (DC, 1950). Golden Age art doesn't get much cooler than this! The Joker is unquestionably one of the most famous comic book villains of all time. This page prominently displays the Clown Prince of Crime in iconic poses, including the trademark floating laugh text around his figure. Charles Paris inked most of the Batman artist's pencils at one time or another. On occasion, he would aptly handle the entire art process, and this is probably one of those moments. This exciting piece is in excellent condition and measures approximately 15.25" x 22". A very small amount of white-out in no way detracts from the appeal of this work of art.
Chuck Patton and Frank McLaughlin - Original Art for Justice League of America #226, pages 22 and 13 (DC, 1984). It's a girl's night out for JLAers Black Canary, Hawkgirl and Zatanna as they struggle to survive their visit to another universe in these two pages, penciled by Chuck Patton and inked by Frank McLaughlin. And they've thrown in a couple of shots of Green Arrow in there, too! The overall art size is approximately 11" x 16.5" with a 10" x 15" image area. Though several of the corners of each page has been trimmed to prepare the art for print, the work is in excellent condition.
George Perez and Sam Grainger - Original Splash Page Art for The Avengers # 143, page 1 (Marvel, 1976). Kid Colt draws his pistol on a bandit leader in this gritty splash page from issue #143 of The Avengers #143. Thor and Moondragon look on, somewhat out of their element, in this time travelling Avengers scene. This splash page to the story "Right Between the Eons!" was brewed up over an open fire by writer Steve Englehart and artist George Perez, with pencils by Perez and inks by Sam Grainger. The overall art size is approximately 10.5" x 16" with an image area of 10" x 15". Although the art shows some signs of aging, especially where some paste-ups have come off, which have left a deep yellow strip along the top and bottom edges, this work as a whole is in good condition. There is an interesting note along the top edge by letterer, Tom Orzechowski, about writer Steve Englehart, mentioning that he will: "supply me with the rest of this book as soon as he finishes another couple of plots for Villain Team-Up and Skull... or whatever." Signed by George Perez at the lower left.
George Perez and Romeo Tanghal - Original Cover Art for The New Teen Titans #15 (DC, 1982). The Changeling, along with his partners, the Brotherhood of Evil, attack General Zahl and Madame Rouge to free his teammates, in this extravagant affair, penciled by George Perez and inked by Romeo Tanghal. Only an artist of George Perez' caliber could pull off such an successful rendering, with so much going on, and no loss of focus. The overall art size is 11" x 16" with a 10" x 15" image area. The work is in exquisite condition, with only some minor aging apparent, and limited use of whiteout. A small piece of tape was used to correct the third word balloon, but it is hardly noticeable. Includes the original logo, type boxes and word balloon pasteups.
George Perez and Romeo Tanghal - Original Art for The New Teen Titans #32, page 16 (DC, 1983). Long before the Teen Titans became the big-eyed adolescents who grace the animated series on the Cartoon Network, writer Marv Wolfman and artist George Perez created a group of characters that captured a whole new take on young superheroics, with tales that rang true with fans worldwide. Perez' astoundingly clear lines and infinite patience for detail have made him one of the leading comic creators, and his Titans work has garnered him international celebrity. Titans Raven, Wonder Girl, Kid Flash, Starfire, Cyborg, and Terra are summoned to deal with the menace of two young men calling themselves Thunder and Lightning, who are causing major disturbances in St. Louis with their super-powers. The overall art size is approximately 10.5" x 16" with a 10" x 15" image area. The work is clean and bright and in excellent shape. All four corners have been slightly trimmed in the printing process, but the cuts are far removed from the art area.
George Perez, Mike DeCarlo and Dick Giordano - Original Art for Tales of the Teen Titans #42, page 21 (DC, 1984). Raven, Wonder Girl, Cyborg, the Changeling, and Starfire get an earful of Tara Markov, a.k.a. Terra's, traitorous manipulations, in page 21 of "The Eyes of Tara Markov!", written by Marv Wolfman, penciled by George Perez and inked by Dick Giordano. Perez' pencils on this page reinforce his mastery with its quiet, emotionally-charged panels featuring all of the Teen Titans, and DeCarlo and Giordano follow suit. The overall page size is 11" x 16" with a 10" x 15" image area. The work is in exceptional condition, and some slight blue pencil notations for the letterer in the panels are the only minor detractions to mention. All four corners have been trimmed in the printing process, but the cuts are far outside of the image area.
George Perez and Jerry Ordway - Original Art for Crisis on Infinite Earths #12, page 22 (DC, 1986). Wally West sees a vision of his dead mentor, Barry Allen, aka the Flash, and tries to chase it. Lots of other heroes show up on this page as well, including Superman, Captain Marvel, Power Girl, Captain Atom, Wonder Woman, and more, making this a great bang-for-your-buck page. Not to mention it is from this historic series which rebooted the entire DC Universe. As usual, Perez's superlative work is given the appropriate gloss by Jerry Ordway's smooth inks. They don't get much better than this, folks, so bid now. 11" x 16" with virtually no white-out. The word balloons are pasted-on, in one case obscuring the head of the Amazon Princess herself. A truly great page from a landmark book.
Don Perlin - Original Art for Ghost Rider #26, pages 16 and 22 (Marvel, 1977). Ghost Rider and Dr. Druid go head-to-head in this pair of fear-shrouded pages. Delineated by "Dandy" Don Perlin, these Bronze Age beauties measure approximately 10.5" x 16" and are in excellent condition.
Don Perlin - Original Art for Beauty and the Beast #1, pages 15 and 16 (Marvel, 1984). Don't look for any dancing candlesticks or singing teapots on these pulse-pounding pages. Featured here is none other than Happy Hank McCoy, better known as the former X-Man, former Avenger, and former Defender, the bouncing, blue-furred Beast! Penciled by Don Perlin, these pages show Hank in a knock-down drag-out with Rocker, a fight Hank seems to be losing. Measuring approximately 11" x 16.5" overall, these pages are in excellent condition.
H.G. Peter - Original Wonder Woman Illustration (undated). Wonder Woman cuts loose and goes native in this charming watercolor by her artistic co-creator, H.G. Peter. Beautifully rendered in pen & ink and watercolor, this portrait of the Amazing Amazon and her best friend Etta Candy is a "Wonder" to behold. In excellent condition, with an image area of approximately 9" x 12", the piece is inscribed in the lower left, "To James and Skippy Wroten, from H.G. Peter."
Al Plastino - Original Art for Superman #93, page 9 (DC, 1954). Dishonest landowner Alfred Huntley confronts the Man of Steel in this classic Supe story from 1954. It's the thick-chested, thick-waisted Superman of old that you'll find in each and every panel on this page. An excellent example of vintage early-50s Superman, this work has very clean artwork with minimal white-out and nice attention to detail. Overall size is approximately 14" x 21" with an image area of 13" x 18". A super deal!
Mike Ploog - Original Storyboard Art for John Carpenter's "The Thing" (1981). Let's face it, no one does goopy, squishy horror like Mike Ploog, and that's apparently just what John Carpenter wanted when he remade the classic horror film "The Thing" in 1981. Offered here is a storyboard sequence tightly rendered by Ploog in black and red pencil, showing... well, we're not quite sure what it's showing, but it sure is cool! With an image area of approximately 16" x 10.25", this piece is in excellent condition and is signed by the artist.
Keith Pollard - Original Art for Master of Kung-Fu #36, pages 14 & 15 (Marvel, 1976). Born in the days of the Kung-Fu craze of the 1970s, this book outlasted that fad and became one of the most literary and respected comics ever published. This pair of pages, in excellent condition and measuring approximately 10.5" x 16" overall and feature Shang-Chi and his supporting cast, including Sir Dennis Nayland Smith, Clive Reston and Black Jack Tarr.
Bob Powell (attributed) - Original Art for War Victory Adventures #2, Complete 11-page story "Rendezvous With Revenge" (Harvey, 1943). Hitler appearances are beyond hot and this story has it all. The breath-taking splash page features Hitler taking a bullet to the gut from a beautiful assassin. This story is jam-packed with Nazi and Hitler panels. This story is a perfect example of a wartime book when patriotic fervor was at its strongest. The splash page is missing a text stat but otherwise this lot is beautiful. The pages measure 13.5" x 18.5"
Bob Powell - Original Splash Page Art for Green Hornet (Harvey, 1940s). A really action-packed splash page with fire, criminals, gun play, an attacking dog, and the Green Hornet -- all in a dramatic naval setting. Great Golden Age superhero splash pages like this are a welcome addition to anyone's art collection. The art is clean and in excellent condition, measures 17.25" x 23" with an image area of 12.5" x 18", and is professionally matted to display Bob Powell's detailed art to its best advantage.
Bob Powell (attributed) - Original Art for Clay Cody #1, Complete 8-page story "Search for a Gunslinger" (Pines, 1957). This lot is sure to get the western collectors out there in a feeding frenzy. This is the complete story for the first issue of the scarce and obscure Clay Cody #1. The book itself is impossible to find, but imagine owning the artwork. The story is beautifully rendered and a pleasure to behold. You also get the hand inked color guide to the whole story. The pages measure 13" x 20".
Antonio Prohias - Original Illustration, "Spy vs. Spy" (1973). One of the most beloved features in Mad magazine's long history is Antonio Prohias' Cold War drama, Spy vs. Spy. The piece offered here, featuring the black and white spies dueling in the face of a clock, was most likely created by Prohias for the opening of Mitch Berg's discotheque, The Palace, which was adorned with art from many of father Dave's Mad cronies. This stunning piece, with an image area of approximately 9" x 16.5", has suffered some minor water damage on the right edge, but this does not affect the art in any way. The piece is inscribed in the lower right, "To my nephew Mitch Berg! Mad-ly, A. Prohias, May 14, 1973." A true masterpiece from the mind of a comic genius, this is a unique piece that will be the pride of any collection.
Gordon Purcell and Larry Mahlstedt - Original Art for The X-Files: Ground Zero #1, pages 16 - 19 (Topps, 1997). Being missileers turns out to be much more than a boring routine in these four pages from the first issue of The X-Files: Ground Zero, a Topps comic book series adapted from the novel by Kevin J. Anderson. The tension mounts as these four pages progress, and penciler Gordon Purcell and inker Larry Mahlstedt manage to keep you riveted. The overall page size for all these pages is 11.5" x 17" with a 10" x 15" image area. The work is in supremely good condition, and includes a word box overlay in the first panel of page one.
Gordon Purcell and Larry Mahlstedt - Original Art for The X-Files: Ground Zero #3, pages 4 and 5 (Topps, 1997). Here are two pages from the third issue of The X-Files: Ground Zero, a Topps comic series adapted from the novel by Kevin J. Anderson. When renowned nuclear weapons researcher, Dr. Gregory, is found charred to a radioactive cinder in his laboratory, on Federal property, Mulder and Scully are called in. Mulder hits a dead end on page four with a general, and Scully does the forensics on page five. The overall page size for both pages is 11.5" x 17" with a 10" x 15" image area. The work is clean and bright, with some slight photostat paste-ups on Mulder and Scully's faces. Includes a type overlay in the first panel of page five.
Brad Rader and Cameron Stewart - Original Art for Catwoman #6, page 18 (DC, 2002). This definitive image of the latest incarnation of the feline thief, Selina Kyle, by penciler Brad Rader and inker Cameron Stewart from Catwoman #6 is an artistic high note. A minimalist panel structure is used, which makes for an impressive effect when it's broken for this cinematic shot of Catwoman atop a water tower. This iconic image of bad-girl Kyle is drawn on a sheet of brilliant white 11" x 17" bristol board with a 10" x 15" image area. Catwoman's face has been redrawn and an edited version is pasted-up over the original drawing. Some of the blue pencil line shows through underneath the inks, and it brings a touch of the creative process to the piece.
Brad Rader and Terry Austin - Original Art for Batman: Gotham Adventures #51, Group of 6 Pages (DC, 2002). This Bat-title takes its character design, visual style, and continuity from the television show, rather than the more traditional DC Universe. This lot contains a fabulous group of six excellent pages from the story "Early Thaw," about Mr. Freeze's attempts to reconnect with his estranged wife. The well-designed splash page is filled out with a plethora of Bat-baddies, including Joker, Harley Quinn, Killer Croc, and Poison Ivy. Other pages include appearances by Batman, Batgirl, and Freeze's redesigned battle-suit. With their simple, bold inking style in keeping with the animated series, these are some of the most attractive comic book pages offered in this sale. Some have acetate overlays to denote special effects (snow, ripples from water dripping, etc.), and all are in excellent condition. 11" x 17".
Ron Randall - Original Art for Warlord #164, Complete 6-Page Story, "The Barren Earth: The Long Trek" (DC, 1982). Arguably the most popular of the many back-up features that ran in Warlord, "The Barren Earth" was a lon-running serial that developed a serious fan base over the years. The story offered here in its entirety is an exciting chapter in this tale of an earth devastated by a cooling and expanding sun. These pages measure approximately 11" x 16" each. The first page is signed by the artist.
Nestor Redondo - Original Splash Page Art for Swamp Thing #14, page 2 and 3 (DC, 1975). This just about as nice an image of Swamp Thing as you could hope for. Nestor Redondo had some huge shoes to fill in following Bernie Wrightson on the Swamp Thing series. He successfully accomplished that feat, as aptly demonstrated by this piece which was beautifully watercolored at a later date. The Swamp Thing character has had a long, successful history at DC comics, but this early image has all of the power and angst that few to follow can match. This piece is in excellent condition and has been matted to an overall size of 23" x 16.75" and has an image area of 21" x 14.75".
Nestor Redondo - Original Splash Page Art for Swamp Thing #14 (DC, 1975). The swamp creature formerly known as Alec Holland gets himself into a pinch, literally, in this lush pen and ink splash page from the fourteenth issue of the original Swamp Thing series, penciled and inked by Nestor Redondo. A piece of art suitable for framing, this 10" x 15" image features Swamp Thing in the vise-strong mandibles of a SUV-sized formica pallidefulva, or as it is generally known, the common ant. The art is drawn on a sheet of 10.25" x 15.75" bristol board, which shows some slight sign of aging overall and some slight tape staining along the top and bottom edges, but is otherwise immaculate. This piece is a graphic smorgasbord of delightfully rich textures and fine, clean linework by one of Swampie's most exceptional delineators.
Ralph Reese - Original Art for Spider-Man Super Thrillers #4: Lizard's Rage (Pocket Books, 1997). A power-packed portrait of everybody's favorite wall-crawler as he carries a beautiful woman to safety. Created as a full-page illustration for one of Pocket Books' Spider-Man Super Thrillers line for younger readers, this 11" x 17" gem is in immaculate condition.
Pierce Rice - Original Art for Chamber of Chills #23, Complete 6-page Story, "The Doom of Living Ice" (Harvey, 1953). Three explorers find shelter from a vicious storm in an ancient temple of evil in this bitter story of torture and frozen terror. The art is by Pierce Rice, who has an open, relaxed style, with plenty of torture devices for those who might be into those things. The overall page size is 14.5" x 19.5" with a 12" x 18" image area. Excellent condition overall with light-to-moderate use of white-out.
John Romita Sr. and Sal Buscema - Original Cover Art for The Amazing Spider-Man #95 (Marvel, 1970). The Amazing Spider-Man, America's swingingest superhero, webs his way across the pond to Merry Olde England in this classic cover by two of Marvel's Mightiest artists! A beautiful image of the Wonderous Webspinner graces this action-packed extravaganza by Johnny "Ring-a-Ding" Romita Sr., the artist many consider to be Spidey's best. Watch him dodge those bullets as he swings past fabled London Bridge, with the ever-reliable Big Ben in the background! Pip pip, cheerio, and all that, this cover has it all! Measuring approximately 11.5" x 17.5" overall, this killer cover is in excellent condition, with minor glue staining at the edges, and very modest use of white-out. Logos and type are all stats and some are adhered with clear tape, but overall this is an outstanding Spider-cover with excellent eye-appeal that will make some lucky collector very happy. The competition for covers like this has historically been quite fierce, so bid early, bid often, and you might walk away with a significant piece of Spidey-history!
John Romita Sr. - Original Unpublished Art for The Amazing Spider-Man Annual #5, Complete 3-Page story, "Here We Go-A-Plotting!" (Marvel, 1968). A unique and historically valuable piece, offered here are the original concept pages for what would become a four-page back-up feature in Amazing Spider-Man Annual #5. As published, the humorous look at a "typical" Spidey plotting session was penciled by "Mirthful" Marie Severin, but here we see the original layouts penciled by John Romita Sr., with what we detect as some assistance by Larry Lieber. An interesting alternate take on this tale, Romita includes an appearance by Flo Steinberg, missing in the published version. Also, the depiction of Stan Lee is quite different, as is that of Roy Thomas. Aunt May, J. Jonah Jameson, Dr. Octopus, and Mary Jane Watson all appear. The three 11.5" x 17.5" pages are in excellent condition, and each has been signed by Romita.
John Romita Sr. - Original Back Cover Art for Spidey Super Stories #5 (Marvel, ). Spider-Man and the Electric Company team up in this groovy, bell-bottom wearing free-for-all from 1975. Originally printed as the back cover for Spidey Super Stories #5, John Romita Sr. pencils and inks this super-duper image of Spider-Man and the gang in a friendly game of football that makes you want to pull out your platform shoes and do a little dance. The art is drawn on a sheet of 11.5" x 17.5" bristol board, that shows some slight signs of aging and has some white-out along three of the edges. Nonetheless, just to see Web-head wearing a sweatshirt over his costume makes this image a must-have. Signed by John Romita Sr. at the bottom right.
John Romita Sr. - Original Art for Spider-Man Adventures #1, page 1 (Marvel, 1994). Many artists have drawn Spider-Man over the years, but few have had the impact of "Jazzy" John Romita, Sr. Given the unenviable task of taking over from Steve Ditko, the strip's co-creator, Romita managed to make Spidey his own, imbuing the strip with a slick, polished style that appealed to a wide range of readers. Under Romita's influence, Spider-Man became a cultural phenomenon, who is, today, one of the world's most recognizable four-color heroes. The piece offered here is classic Romita: Spidey webbing his way across Manhattan, with the Chrysler Building in the background. Measuring approximately 11" x 17" overall, this piece is in excellent condition and is signed by the artist in the lower right.
John Romita Sr. - Original Cover Art for Adventure into Fear #22 (Marvel, 1974). It's Living Vampire vs. Cantankerous Cat Demon, as the requisite scantily-clad female cowers in the foreground! Beautifully rendered by John "Ring-a-Ding" Romita Sr., this is a fabulous example of the best of Marvel's Bronze Age. In very good condition, there is a stat missing from the left edge, and a corresponding glue stain. Logos and type are all stats, but all the rest is wonderfully original. Here's one you can really sink your teeth into!
John Romita Jr. and Bob Layton - Original Art for Iron Man #127, page 14 (Marvel, 1979). Shady munitions mogul, Justin Hammer tries to make a break for it under the unrelenting eye of Iron Man in this open-fire, visual assault penciled by John Romita Jr. and inked by Bob Layton. The overall art size is approximately 10.5" x 16" with a 10" x 15" image area. The art is in great shape, with some blue line penciling showing through underneath the word balloons and the fifth panel has been redrawn and replaced. A choice John Romita Jr. Iron Man page from his first regular comic book assignment.
John Romita Jr. and P. Craig Russell - Original Art for The Uncanny X-Men #209, page 21 (Marvel, 1986). It's all out war between the X-Men and the Hellfire Club against Nimrod, with Wolverine stuck in the middle, in this adamantium-heavy page, penciled by John Romita and inked by P. Craig Russell. The overall art size is 11" x 16.5" with a 10" x 15" image area. The work is in immaculate shape, and signed by P. Craig Russell.
John Romita Jr. and Al Williamson - Original Art for Star Brand #5, pages 3, 10 and 13 (Marvel, 1987). Pittsburgh mechanic, Ken Connell, gifted with the Star Brand, learns to deal with the great power that has been bestowed upon him, in this three pages from Star Brand #5. Ken arranges for the some Middle-Eastern spies to be arrested on guns charges on page 13 and sits back and watches the fun. John Romita Jr. penciled and Al Williamson inked flagship issue, part of Marvel's New Universe titles. The art measures an overall 11" x 16" with a 10" x 15" image area. Aside from some slight word balloon paste-up discoloration, limited white out usage, and some scattered stains, the pages are in excellent condition.
Art Saaf - Original Art for Fight Comics #17, page 64 (Fiction House, 1942). From the prestigious Eisner-Iger Studios, this is the concluding page to an exciting Captain Fight story. Designed by Eisner himself, Captain Fight was one of the many patriotic heroes who kept America's shores safe during World War II. In excellent condition, and measuring approximately 15.25" x 22" overall, the piece shows the typical colorists notes of the era, but this does very little to detract from its dynamic presentation.
Bud Sagendorf - Original Art for Popeye #34, Complete 10-page story "Uprising!" (Dell, 1955). This is a decidedly non-PC subtitle for a story, "The Red Man Strikes Back." This story features the first appearance of Thunder Eagle, Jr. in what is pretty much a Swee'pea story though Popeye and Wimpy have their share of the action. Early Dell artwork is not all that common and a complete story is a treasure to behold. This lot will definitely do the Dell collector proud. These pages measure 14" x 20".
SanJulian - Original Fantasy Illustration (undated). One of Europe's top artists, SanJulian began his career in a Spanish advertising agency, doing movie poster work for Twentieth-Century Fox. He eventually met Jim Warren, and rose to prominence among American artists for his breathtaking covers to Creepy, Eerie, and especially Vampirella, the character with whom he is most associated (his "Queen of Hearts" cover to Vampi #36 is still considered a classic). The piece offered here, with an image area of approximately 18.5" x 12.5", is fully rendered in grey tones that must be seen to be believed. There seems to be a small amount of paint loss, as though a more modest bikini top may once have covered this lovely lass, but this is barely noticeable upon casual inspection and does nothing to diminish the beauty of this stunning piece. Forcefully erotic, yet at the same time subtle and delicate, Sanjulian is truly an "artist's artist," whose work can, and should, be appreciated on a variety of levels.
Norm Saunders - Original Painting for Batman Trading Card Set (Topps, 1966). During the glory days of "Batmania," the Topps Company released several series of trading cards featuring the Gotham Guardian, his youthful ward, and their vile villains. Ably painted by Norm Saunders, these were "must have" items for all those Bat-fans that were religiously glued to their TVs every Wednesday and Thursday night. An interesting note about Saunders' Joker: as can be clearly seen in this example, Saunders always painted the Clown Prince of Crime with flesh-colored ears, an odd choice to be sure. The piece offered here, in which Robin faces mortal peril at the bottom of a well, is in very good condition. Measuring approximately 4.75" x 3.5", there is a small amount of paint loss evident, but not enough to truly detract from this colorful image. The piece has been mounted to a slightly larger piece of white card. This is a wonderful reminder of those halcyon bygone days of yesteryear.
Kurt Schaffenberger - Original Art for Whiz Comics #120, Complete 10-page Story, "Rockets to the Moon" (Fawcett, 1950). The mighty Captain Marvel flies to the rescue of a model builders club, to protect a prototype transport rocket from the notorious sky robber Bart Hawker. These pages are filled with panels of rockets and planes flying thru black starry skies and cloud-filled airways. Schaffenberger's detailed images carry the fun story from panel to panel and page to page. His Captain Marvel has a power and grace that was also very childlike, and therefore one of the more believable versions of Billy Batson's alter ego. Each of these pages would be a prized possession; together they become a Golden Age treasure that is sure to bring a smile to all who see it. These pages are in excellent condition. The second page has a half inch piece missing from the margin area and the fifth page has a minor glue stain in one of the panels. Two of the panels on the last page have moderate glue stains in them. The "SHAZAM" information box on the first page is a pasted up stat as is the Fan Club ad on the last page. There is virtually no white-out and only minor use of blue line notations. Otherwise, there is minor edge wear and staining that only affects the margin areas. These pages are approximately 14.5" x 22.5" in size with an average image area of 13" x 18".
Alex Schomburg - Original Cover Art for Speed Comics #31 (Harvey, 1944). By 1944, despite the fierce battles being waged with Germany and Japan, America's resolve to win the "great war" was as strong as ever. The comic industry as a whole had reflected that sentiment even before America officially entered the war. The classic cover to Speed Comics #31 by Alex Schomburg magnified those feelings and has long been admired by serious collectors of Golden Age comics. Heritage is proud to present the original cover art that must have evoked patriotic outbursts as Captain Freedom, the mighty arm of the United States, carries Hitler and Hirohito through the conflict while Black Cat, Shock Gibson, and the Young Defenders fight against the tyranny of Nazism. Schomburg's skill with an ink brush is a joy to behold. Every line was methodically placed creating master compositions that accentuated the most important elements yet allowed the eye to easily move around so as to experience every little nuance of the image. Only minor use of corrective white-out intrudes upon the exciting image area. The "Speed" title stat is the original and the rest have been professionally restored. The artwork has been professionally framed and matted under glass to an overall size of 18" x 23.75" with an image area of 11" x 14.75".
Mike Sekowsky - Original Splash Page Art for The Brave and the Bold #29 (DC, 1960). This is a classic "roll call" image from the second appearance of the Justice League of America. Mike Sekowsky's fluid style instantly captured the essence of the JLA that DC fans loved from the start. The realistic approach to this illustration easily conveys the concentrated effort by the members to break free from the Weapons Master's restraining force. The horizontal positioning of the members gives support to a solid composition of text and image that immediately grabs the viewers attention and truly deserved the term "splash page." This work of art is in excellent condition with virtually no use of white-out and has been matted to an overall size of 16.75" x 22.25". The image area measures 12.75" x 18.25".
Mike Sekowsky and Ron Harris - Original Art for Captain Caveman, Complete 6-Page Story (undated). Although we've been unable to determine where this trippy little six-page gem was first published, there's no denying the charm of a time-lost caveman superhero and three beautiful women helping a reformed juvenile delinquent avert a city-wide gang war. In excellent condition, these pages measure approximately 12" x 17" overall and feature art by Silver Age legend Mike Sekowsky.
Brian Sendelbach - Original Cover Art for Hyena #3 (Tundra, 1993). The creator of the popular alternative press cartoon Smell of Steve, Brian Sendelbach contributes this suitably wacky cover to the third issue of the Harvey Award-nominated comic Hyena. Fully painted, this piece has an approximate image area of 10.5" x 14" and is in excellent condition. It is signed by the artist in the lower right.
Marie Severin - Original Cover Art for Crazy #1 (Marvel, 1972). Silver and early Bronze Age original Marvel covers are notoriously hard to track down. Where are the covers to such key titles as X-Men #1, Fantastic Four #1, Amazing Spider-Man #1 or Avengers #1? Rumors of their existence abound, but no solid leads have turned up thus far. It is, therefore, with great pride that we present a cool Marvel #1 cover for your consideration. This classic gem, by "Mirthful" Marie Severin (do we detect some inking assistance by brother John on the Green Goblin and Loki figures in the lower right?), features some of Marvel's mightiest in a battle royale, as the inimitable Forbush Man looks on. Spider-Man, Cyclops, Thor, Captain America... they're all here on this 11.5" x 17.5" beauty. In excellent condition, Marie has signed the piece in the lower left.
Bill Sienkiewicz - Original Cover Art for Rom #68 (Marvel, 1985). Here is an incredible action cover that could only have been done by Bill Sienkiewicz. Rom the Space Knight -- c'mon, you know you love him! -- battles a whole bunch of guys in short-sleeve shirts. Bold blacks and eccentric inking mark this as a true Sienkiewicz classic. The condition of this piece is outstanding with some white-out used for effect. This cover measures 13" x 20".
John Sikela -Original Art for Early Superman, page 11 (DC, undated). John Sikela was second only to Wayne Boring in sheer number of Superman pages produced, and his muscular take on the Man of Steel is instantly recognizable to anyone who has perused that classic Golden Age run. Sikela's Superman was dynamic, his poses always heroic. No piece of artwork could represent the advent of the Golden Age of comics better than an early Superman page. We have not been able to determine exactly which issue this beauty hails from, but we are sure it's one of the coolest pieces we've seen, with the Man of Steel appearing in every single one of the six panels. Anybody can have a modern Superman page or even a Silver Age page -- but only a handful can boast of owning a piece like this. This page measures 14.5" x 21", in excellent condition with very little white-out.
Dave Sim - Original Art for Cerebus the Aardvark #1, unknown page (Aardvark-Vanaheim, 1977). In 1977, an unknown Canadian named Dave Sim imperceptibly started a revolution in the comic industry, with the publication of Cerebus #1. With its humble beginnings as an homage to Barry Windsor-Smith's work in the barbarian genre, over time Cerebus has grown in readership and influence.This page from the debut issue shows a rare quiet moment, and features great images of the Earth Pig hisself. Needless to say, the vast majority of early Cerebus pages are tightly held in private collections (despite the fact that Sim used to sell them at conventions for $10 apiece!), and opportunities such as this should not be treated lightly. This image area is 10" x 15" surrounded by a black matte. There is some slight aging apparent, but the work is in exceptional condition. Signed by Dave Sim in the fourth panel.
Walt Simonson - Original Ultraverse EXILES Character Designs (1993). This is a nice set of character studies for Marvel's Ultraverse EXILES, on three pieces that display Simonson's trademark pen and ink style that has revitalized many a character at Marvel and DC. The fluid motion that Simonson is able to achieve with the distinct heavy black lines and blocks of shadow is uncanny. These pieces are in fantastic condition with only minor wear to the corners. Each page is still bright white in color which intensifies the depth of the black ink to a point that it looks like Walt just finished rendering the images. Each piece measures 16.75" x 14".
Walt Simonson -Original Art for Rampaging Hulk #1, page 16 and #3, page 19 (Marvel, 1976). Notoriously hard to collect, Walt Simonson's artwork rarely enters the public market, as the artist seldom sells his originals. The two pages offered here, then, are an opportunity to attain a fine example of a great artist's work. Rendered in a greytone technique, these beautiful pages measure approximately 11" x 17" each and are in excellent condition. Each page is accompanied by a vellum overlay which contains all the type and lettering.
Joe Sinnott - Original Illustration, Thing vs. the Silver Surfer (undated). The Thing and the Silver Surfer battle it out in this stunning portrait by Silver Age Marvel stalwart "Joltin'" Joe Sinnott. Artfully rendered, Sinnott captures a pure moment of dramatic tension between these two dynamic do-gooders. In excellent condition, the piece has an image area of approximately 10" x 15", and is signed by the artist.
Paul Smith and Vince Colletta - Original Art for Howard the Duck #32, page 22 (Marvel, 1986). Howard the Duck, the fast-talking, cigar-chomping, beer-guzzling duck from a parallel universe, is "Going Underground" in this page from Howard the Duck #32, written by Steven Grant. Paul Smith pencils this page filled with Howard, a cowgirl trucker and a giant gopher, with incisors as big as bowling balls. Vince Colletta handles the inking honors with his insurmountable skill with brush and pen. The overall art size is approximately 11" x 17" with a 10" x 15" image area. The work has some slight aging apparent, especially around the word balloons, some slight whiteout usage and three of the corners have been cut during the printing process. Still, this page is a classic piece of Americana, that any Howard the Duck affectionado will appreciate.
Tod Smith - Original Cover Art for Omega Men #19 (DC, 1984). This interesting cover has several of the Omega Men ascending the giant face of Tigorr on an asteroid, fronting a story titled "Beware of Sleeping Tigorr" that also features a cameo by the popular anti-hero Lobo in only his third-ever appearance. The artwork has a minimum of white-out, and Tod Smith's pencils are enhanced by the clean inks of Dick Giordano. The cover measures 11.5" x 17". Heritage is pleased to offer the entire interior story for auction as well, in a separate lot.
John Stanley and Irving Tripp - Original Art for Marge's Little Lulu, Complete 3-page Story, "Something About Snow" (Gold Key, undated). We're not sure exactly which issue of the Little Lulu series this strip came from but its a winner no matter how you look at it. Its got John Stanley pencils covered with Irving Tripp inks -- fabulous stuff! The work is clean and simple with almost no white-out whatsoever and only the slightest yellowing and blemishes, mostly around the paste-up art on the first page. Overall size is 14" x 22" with an image area of 13.5" x 18.5". A great little story that you'll treasure.
Greg Staples - Original Cover Art for 2000 AD #860 (Fleetway, 1993). Originally published as the back cover of 2000 AD, prog 860, this disturbing portrait by artist Greg Staples is for all of us who always knew there was something fundamentally wrong with clowns. Fully painted in dark yet vibrant colors, Staples perfectly captures the twisted, anarchistic mood that 2000 AD has become known for. In excellent condition and measuring approximately 12" x 14.5" overall, this piece is singed by the artist in the lower right.
Jim Starlin - Original Art for Deadly Hands of Kung-Fu #19 (Marvel, 1975). Originally published as a wash-tone pin-up in Deadly hands of Kung-Fu #19, this dynamic portrait of Shang-Chi and his supporting cast perfectly captures the mood and the spirit of this popular series. An early piece by the highly-acclaimed Jim Starlin, co-creator of Shang-Chi, this 15.75" x 23" masterwork is in very good condition with only moderate use of white-out.
Joe Staton - Original Art for Superman Family, Group of 3 pages (DC, 1978). Three pages from Superman Family, featuring the Boy of Steel. Pencils and inks by Joe Staton. From issue #191, page 9, from issue #192, page 5, and from issue #193, page 9. Measures 10.5" x 15.75" with a 10" x 15" image area. A small tape stain at the top of each page and some slight blue pencil on page 193, but otherwise in excellent condition.
Joe Staton and Frank Chiaramonte - Original Art for Superman Family, Group of 2 pages (DC, 1979). Young Clark Kent encounters grotesque plant creatures, and a memory probe, in these two pages from Superman Family. From issue #194, page 11, and from issue #196, page 3. Pencils and inks by Joe Staton and Frank Chiaramonte. Measures 10.5" x 16" with a 10" x 15" image area. In excellent condition.
Joe Staton - Original Art for Showcase, Group of 2 pages (DC, 1977). From Showcase, comes these two pages with cameos of The Doom Patrol and General Immortus, drawn by Joe Staton. Measures 10.5" x 15.75" with a 10" x 15" image area. A small tape stain at the top and bottom of each page and some slight blue pencil marks, but otherwise in excellent condition.
Joe Staton, Joe Orlando and Dick Giordano - Original Art for Showcase, Group of 2 pages (DC, late 1970s). Joe Staton pencils, and Joe Orlando and Dick Giordano ink, these two titanic pages from Showcase. From issue #97, page 6 and from issue #99, also page 6. Featuring Power Girl and Brain Wave. Measures 10.5 x 15.5" with a 10" x 15" image area. In excellent condition.
Joe Staton - Original Art for Showcase #100, pages 11 and 16 (DC, 1978). Former Showcase stars - Challengers of the Unknown, Adam Strange, Space Ranger, Phantom Stranger, the Creeper, the Flash, the Atom, and Kryll. Joe Staton pencils and inks. Measures 10.5" x 15.75" with a 10" x 15" image area. Slight tape stains at top and bottom, but in excellent condition overall.
Joe Staton, Jack Abel, Frank Chiaramonte and Bob Smith - Original Art for DC Comics Presents, Group of 3 pages (DC, 1979-1981). Superman and Sgt. Rock team up for DC Comics Presents #10, page 8, with pencils by Joe Staton and inks by Jack Abel. The Man of Steel spots a mugging, on page 2 of issue #15, with inks by Frank Chiaramonte, and Superman goes toe-to-toe with Plastic Man on page 18 of issue #39, inked by Bob Smith. Measures approximately 10.5" x 15.75" with a 10" x 15" image area. There is a small tape stain at the top and bottom of pages 2 and 8, but overall, this art is in excellent condition.
Joe Staton and Frank Chiaramonte - Original Art for DC Comics Presents, Group of 2 pages (DC, 1979-1980). It's Superman, Hawkman and the Elongated Man together in these two pages from DC Comics Presents. Pencils and inks by Joe Staton and Frank Chiaramonte. From issue #11, page 10, and from issue #21, page 7. Measures 10.5" x 15.75" with a 10" x 15" image area. A small tape stain at the top of each page and some slight blue pencil, but overall in excellent condition.
Joe Staton, Frank Chiaramonte and Bob Smith - Original Art for DC Comics Presents, Group of 2 pages (DC, 1979, 1981). The Man of Tomorrow, Superman, the man of rubber, Plastic Man, and the winged wonder, Hawkman, team up in these two pages, penciled by Joe Staton. Page 16 from DC Comics Presents # 11, was inked by Frank Chiaramonte, and page 14, from issue #39, was inked by Bob Smith. Measures 10.5" x 15.75" with a 10" x 15" image area. There is a small tape stain at the top and bottom of page 16, but generally, this art is in excellent condition.
Joe Staton and Kurt Schaffenberger - Original Art for DC Comics Presents #96, Group of 3 pages (DC,1986). Superman and Blue Devil battle Terra-Man. Pages 4. 7, and 8. Pencils by Joe Stanton and inks by Kurt Schaffenberger. Measures approximately 11" x 16.75" with a 10" x 15" image area. Some slight blue pencils notations, but overall in excellent condition.
Joe Staton - Original Art for Metal Men, Group of 3 pages (DC, 1977). Three pages from Metal Men. Pencils and inks by Joe Staton. From issue #52, page 7, from issue #53, page 3, and from issue #54, page 7. Measures 10.5" x 15.75" with a 10" x 15" image area. A small tape stain at the top and bottom of each page and some slight blue pencil marks, but otherwise in excellent condition.
Joe Staton, Pablo Marcos and Sal Trapani - Original Art for Action Comics, Group of 2 pages (DC, 1982). The Action Ace in two pages from Action Comics. From issue #535, comes page 8 and from issue #536, page 6. Cameos of Primus, and the Daily Planet building. Pencils by Joe Staton, with inks by Pablo Marcos and Sal Trapani. Measures 11" x 16" with a 10" x 15" image area. Aside from the diagonal trims on each corner, done in the printing process, the work is in exceptional condition.
Joe Staton - Original Art for The Huntress #1, Group of 3 pages (DC, 1989). The Huntress, the Blue Beetle, and The Martian Manhunter appearances. Art by Joe Staton. Pen and ink on craftint paper. Measures approximately 10.75" x 17.5" with a 10" x 15" image area. In excellent condition.
Joe Staton - Original Art for Green Lantern #137, Complete 17-page Story, "Time Times Two Equals Death" (DC, 1981). The Emerald Gladiator and Rick Starr, the Space Ranger, fight Gordanian hordes in this tale of time warps, amnesia, and Commander Krool, first ranking in the high order of the Psion Monarchy. Joe Staton pencils and inks this tale, written by Marv Wolfman. The overall page size is approximately 10.5" x 16" with a 10" x 15" image area. Some slight aging is apparent around the word balloons and some staining can be seen around the crop marks on each page, but overall the work is in great condition. Includes all the original logo and indicia paste-ups. The are also word balloon overlays for each page. Every page is signed by Joe Staton.
Jim Steranko - Original Portfolio Plate Illustration (undated). An original illustration done for a portfolio of Steranko's work published in the early 1970s, this stunning piece is a beautiful example of the artist's groundbreaking style. Reminiscent of the turn-of-the-century work of Aubrey Beardsley, this piece easily crosses the line between comic and fine art. In excellent condition, this piece has an image area of approximately 13.75" x 18", and is signed by the artist in the lower left.
Curt Swan - Original Splash Page Art for World's Finest #178 (DC, 1968). Think you can't be captivated by an "Imaginary Story" (yeah, we know, they're all imaginary)? Then tell us you're not intrigued by the question posed by Batman in this beautiful scene-setting Curt Swan splash: If the Man of Steel lost his powers for good, would he try to make a comeback without them? In other words, is it the "super" or the "man" that makes the hero? It's a question that's been asked in one way or another throughout Superman's long career, and Swan's lovely art (the inker may be Bob Brown) brings the question to life in a manner that will have you wishing you could turn the page to find out the answer. This is a 10" x 13" image (with space for indicia) on an approximately 11" x 17" page.
Alex Toth - Original Art for Adventure Comics Digest #495, pages 1-6 (DC, 1983). If one were to ask artists working in comics today who their major influences are, a name that would appear in answer after answer would surely be Alex Toth. With a career that spans comics, fine art and animation, Toth's spare, graphic style is instantly recognizable and incredibly compelling. The piece offered here, the first six pages of a nine-page Challengers of the Unknown story, is Toth at his finest. From his cinematic layouts to his unequalled command of expression and drama, this is a treat for any lover of fine comic art. The pages, in excellent condition, measure approximately 11.5" x 17.25" each.
John Totleben - Original Cover Art for Buffy the Vampire Slayer: Oz #1 (Dark Horse, 2001). Daniel "Oz" Osbourne was a normal, if somewhat taciturn teenager, until a playful bite from his cousin Jordy changed his life forever -- transforming him into a werewolf! John Totleben, who knows a thing or two about creepy creatures, pencils and inks this lycanthropic legacy and it is a beaut! With its delicious textures, and delicate use of brush and pen, this work is as gorgeous in its original black and white state as it is in the final printed version. The overall art size is 11.5" 18" with a 10.5" x 15.75" image area. Signed by John Totleben and Buffy creator, Joss Whedon.
Herb Trimpe - Original Art for What If? #2, pages 16 and 19 (Marvel, 1977). From the classic "What If the Hulk Had the Brain of Bruce Banner?" issue of What If? come this pair of power-packed pages, expertly rendered by "Happy" Herb Trimpe. Considered by many to be the ultimate Hulk artist, Trimpe pages from this period are in high demand by collectors. These pages, measuring approximately 10.5" x 16" overall, are in excellent condition, with lots of cool Hulk action throughout.
Herb Trimpe and Steve Mitchell - Original Art for The Defenders #76, pages 26, 27 and 30 (Marvel, 1979). Meanwhile, back in Pennsylvania... Valkyrie, Wasp, Hellcat and Moondragon, in the too brief all-female incarnation of the Defenders, kick some robot butt, in these pages from The Defenders #76. Herb Trimpe pencils and Steve Mitchell inks, pages 26, 27 and 29, which feature the lethal ladies in the heat of battle. The work is very clean and in excellent condition, with some slight blue pencil showing through the final art.
Herb Trimpe - Original Art for Shogun Warriors #9, pages 10, 15, 17 and 22 (Marvel, 1979). Featuring what has to be the most bizarre monster ever to show his...uhm, face?...in the Marvel Universe, these pages detailing the battle between Dangard Ace and the Star-Child monster are rip-roaring good fun. Penciled by "Happy" Herb Trimpe, these 10.5" x 16" "monsterpieces" are in excellent condition and will no doubt bring back a plethora of memories to the legion of fans who grew up with these comics in the 1970s.
Herb Trimpe - Original Art for Shogun Warriors #11, pages 1, 2, 14 and 23 (Marvel, 1979). Giant robots and giant monsters are one thing, but a giant floating hand with snake heads for fingers is just downright strange! Nevertheless, that's the foe that the Mighty Combatra must face in this collection of pages from the fondly-remembered '70s series. Measuring approximately 10.75" x 15.75" overall, these trippy Bronze Age pages are in excellent condition.
Herb Trimpe and Bob Wiacek - Original Cover Art for Marvel Team-Up #109 (Marvel, 1981). Spider-Man and Dazzler throw a little light on their subject, Paladin, in this flashy cover for Marvel Team-Up #109. Herb Trimpe's pencils coruscate brilliantly with illuminating Bob Wiacek's inks. The overall art size is 11" x 17" with a 9.75" x 15" image area. Includes the original logo and indicia paste-ups.
Herb Trimpe - Original Art for Marvel Team-Up #117, pages 12 & 16 (Marvel, 1981). Herb Trimpe, the co-creator of Wolverine, returns to illustrate the Canadian Cut-Up's first solo outing when he teams up with the Wacky Webhead, Spider-Man.Two whole pages of head-bustin' claw-poppin' action, these 10.75" x 16" beauties are in pristine condition and will occupy an honored place in your collection.
Herb Trimpe - Original Art for Marvel Team-Up #117, page 19 (Marvel, 1981). A great page featuring Spider-Man, Wolverine and a giant killer robot. This issue marked Wolverine's first solo appearance outside of the X-Men, and was, appropriately enough, drawn by the very gent who had co-created the character back in 1974. This 10.5" x 16" page is in excellent condition and features our pulse-pounding protagonists in every panel. What more could you ask for, Effendi?
Herb Trimpe - Original Art for Thor #336, pages 8, 9 and 10 (Marvel, 1983). A serious superhero slugfest highlights this titanic trio of pages by "Happy" Herb Trimpe, as The Might Thor and Captain Ultra whale the tar out of each other! It's high-powered hijinx, just like you like them! Measuring approximately 10.75" x 16" overall, these pages are in excellent condition.
Herb Trimpe - Original Art for U.S. 1 #1, Complete 22-page Story, "U.S. 1, Comin' at Ya!" (Marvel, 1983). What a great origin story! If you like big rigs, this one's got them. But not just any rig, a high tech, nitro blasting rig! Herb Trimpe excelled on his work for Iron Man because of his attention to mechanical detail. This story was a natural "vehicle" for that talent. Add Al Milgrom's engaging tale, and you have a set of original pages that are sure to make any owner proud. The splash page was cut into four parts, then taped together again on the front and back. Otherwise, these pages are in excellent condition with minor use of white-out. The corners of each page were cropped as part of the production process. Each page measures approximately 11" x 16" with an image area of 10" x 15".
Sonny Trinidad - Original Art for Dracula Lives #12, pages 7 and 10 (Marvel, 1975). Dracula's note to self: "If things get too hot, prey on another village where my name is not known. Also, writing in my journal needs to wrap, dawn is coming." The big D heads towards his crypt and suddenly hears the crash of an intruder into his castle. What's a blood-sucker to do? From the story, "Parchments of the Damned," written by Doug Moench, comes these two pages, penciled, inked and toned in delicious washes of grey by Sonny Trinidad. The overall art size is 11.5" x 16" with a 10" x 15" image area. The condition of this art is so immaculate, you'll swear that it has been kept in a tomb since it was drawn.
Chas Truog and Doug Hazlewood - Original Art for Animal Man Group of 3 pages (DC, 1988). Grant Morrison's writing on the Animal Man series took a third string character and turned him into one of the most successful titles in DC's "New Format" comics, which ultimately became part of the Vertigo line. Truog's skillful illustrations realistically reflect Morrison's cutting edge dialogue. This lot includes: issue #1, page 5, issue #2, page 4, and issue #3, page 7, which is particularly nice, with the psychological abuse that is being forced on Ellen by a sadistic hunter. These pages are in excellent condition and measure 13.25" x 19.5" with an image area of approximately 10.5" x16".
Chas Truog and Doug Hazlewood - Original Art for Animal Man Group of 2 pages (DC, 1988). Grant Morrison took a third string character and turned him into one of the most successful titles in DC's "New Format" comics, which ultimately became part of the Vertigo line. Truog aptly reflects the dialogue and skillfully utilized the zipatone process on these pages to produce a visual unity that is very appealing. This lot includes issue #4, page 21, and issue #5, page 6, (this page being from the Eisner-nominated story "Coyote Gospel"). These pages are in excellent condition and measure 13.25" x 19.5" with an image area of 10" x15.75".
Chas Truog and Doug Hazlewood - Original Art for Animal Man Group of 2 pages (DC, 1988). Because of Grant Morrison's strength as a writer, these pages, which feature Hawkwoman and the Red Mask, are nice vignette pieces that voice sentiments which find closure with each of the last panels. Truog aptly reflects the dialogue and skillfully utilized the zipatone process on these pages to produce a visual unity that is very appealing. Includes issue #6, page 3, and issue #7, page 16. These pages are in excellent condition and measure 13.25" x 19.5" with an image area of 10.5" x16.25".
George Tuska - Original Art for Iron Man #20, page 19, and Iron Man #21, page 10 (Marvel, 1969). A double dose of Tuska is presented here, in these power-packed Iron Man pages. From issue #20, see Ol' Shellhead battle the Lethal Lucifer, the baddie who crippled Professor X, and from #21 (the infamous "Death of Janice Cord" issue), see Alex Niven assume the mantle of the dreaded Crimson Dynamo! From the Silver Age of Mighty Marvel, these pages measure approximately 11" x 16" overall, and are in excellent condition.
George Tuska and Mike Esposito - Original Art for Iron Man #59, pages 14 and 15 (Marvel, 1973). The full fury of Iron Man's power is unleashed in these two volatile pages from Iron Man #59, penciled by George Tuska and inked by Mike Esposito. Shellhead has his hands full fending off the destructive might of Firebrand, and these forceful pages burst with energy. The overall page size is approximately 11" x 16" with a 10" x 15" image area. The work is in great condition, with some tape staining on all four sides of each piece, outside of the image area. Page 19 also has some tape staining around several of the text boxes, and page 15 has two small stains at the bottom left corner. Two blasts from the Bronze Age!
George Tuska and Klaus Janson - Cover Artwork to Masters of the Universe #3 (DC, 1982). He-Man vs. Skeletor in this early-'80s DC cover from the comic book that was modeled after the popular cartoon series, with inks by a pre-Dark Knight Returns Klaus Janson. 11" x 17" on standard DC stock; moderate white-out and some aging.
Unknown Artist - Original Art for Seven Seas #1, story page 1 (Universal Phoenix Features, 1946). Avast, matey, and cast yer eyes on this fine piece o' pirate booty! Captain Cutlass he is, and a more dashing pirate than him never sailed the Seven Seas! 'Tis a beauty, this splash is, measurin' 14.25" x 20.5" overall, and lookin' finer than a sea chest full o' plunder. Sure, 'n there's a bit o' white-out aboard, but it's nothin' to get yer scuppers in an uproar about. Heave to and bid on this lovely treasure, or it's walkin' the plank ye'll be fer sure!
Unknown Artist - Original Art for Seven Seas #1, pages 2-6 (Universal Phoenix Features, 1946). For everyone who's ever watched an Errol Flynn movie or dreamed of sailing the Spanish Main, this lot's for you! Offered here are five pages from Seven Seas #1, showcasing some exquisite, woodcut-like art as Captain Cutlass battles the evil Cap'n Gross! Measuring approximately 15" x 21" overall, these pages are in excellent condition and will appeal to the pirate in everyone!
Unknown Artist - Original Art, Unfinished Batman "Tryout" Page (DC, mid-1940s). Here is a unique piece, giving us a glimpse into the process of drawing Batman during the 1940s. This incomplete page depicts a fist fight between the Dark Knight and his arch-rival the Joker, partially inked with no words. Although Heritage has previously offered this as "Bob Kane Studios," we now believe this to be incorrect, especially given that several similar pages have come to light. We believe it is more likely that they are "tryout" pages that were lightbox-penciled (off the original, published page) by some unnamed production artist in order to give potential inkers a tryout, or were possibly used in a classroom situation. It is all but certain that Bob Kane and his staff had no direct connection with this piece. Still, the paper, artwork, and ink are vintage from the early '40s, making this an interesting curio from the time. A fairly clean piece with light smudging and no white-out, measuring 13" x 18".
Rick Veitch and Alfredo Alcala - Original Art for Swamp Thing #54, pages 17 and 20 (DC, 1986). Liz Tremayne helps her friend Liz escape from her mentally unhinged partner, Dennis Barclay, in these two pages from Swamp Thing #54. Written by sophisticated suspense dispenser, Alan Moore, "The Flowers of Romance," features pencils by Rick Veitch and inks by Alfredo Alcala. Veitch and Alcala evoke the essence of backwoods Louisiana with detail so rich, you can practically smell the Spanish moss. The overall page size is approximately 11" x 16" with an image area of 10" x 15". The art is beautiful, clean and clear, drawn on bright white bristol board. Some slight blue pencil line notations for the the letterer are apparent around the word balloons on both pages, but they are very slight.
Rick Veitch and Alfredo Alcala - Original Art for Swamp Thing #59, pages 1 and 5 (DC, 1987). When Steve Bissette left Swamp Thing, a parade of artists tried to fill his mossy shoes, and the longest-running of these was his pal Rick Veitch, who made his own mark on the former Alec Holland. This pair of surreal pages, scripted by Bissette and Alan Moore, feature a grisly game and a Frankensteinian creature, and showcase Rick V. at his best. On page one, the misty backgrounds of the last three panels have been statted in from the first panel, but the foreground action in each is original art. Otherwise, these pages are clean and crisp, with only a modicum of white-out. Two pages, 11" x 16.5".
Mike Vosburg - Original Art for Secret Society of Super-Villains #14, pages 13, 14, 16 and 17 (DC, 1978). It's Captain Comet, the mutant superhero born 100,000 years before his time, versus the Crime Syndicate, the evil Justice League of Earth-3, in this quartet of coolness! Stunningly rendered by artist Mike Vosburg, these power-packed pages measure approximately 10.5" x 15.5" overall and are in excellent condition. A fondly-remembered series, pages from this title are scarce, making this an excellent opportunity to add some to your collection.
Matt Wagner and Alfredo Alcala - Original Unpublished Art for Demon #1, Complete 23-page story, "Direction from the Darkness" (DC, 1987). A true stunner, this seems to be an alternate version of the published first issue, with inks by Alfredo Alcala instead of Art Nichols, who was the inker of record on the first Demon mini-series. Wagner's dynamic pencils and Alcala's moody inks are a perfect combination, bringing a tone of verisimilitude to the story that the published version lacks. Rendered on art paper, these pages measure approximately 11" x 16.5" overall and are in excellent condition.
Bill Ward - Original Art for Cracked #156, Complete 5-Page Story, "Cracked Interviews the Psychic King" (Cracked, 1978). One of the finest "good girl" artists ever to put pen to paper, Bill Ward was renowned for his ability to draw unbelievably beautiful women. Starting with the Golden Age Torchy and continuing all the way through adult magazines of the 1970s and 80s, one could always count on Ward for voluptuous vixens and shapely sheilas. Offered here is some of his more accessible work, a fabulous piece featuring not one bodacious babe, but two! A fun little five-pager, these 14" x 18.25" pages, rendered on vellum, are in excellent condition, with the first page signed by the artist.
Mike Weiringo - Original Cover Art for Wizard Magazine (undated). Looks like Spidey's in big trouble now! Fan-favorite artist Mike Weiringo provided this evocative, moody cover to an undetermined issue of Wizard Magazine, perfectly capturing that "uh-oh" moment. Beautifully rendered in pen & ink, this piece, which is signed by the artist in the lower right, measures approximately 11" x 17" and is in excellent condition.
Rod Whigham - Original Art for Wonder Woman #321, pages 22, 23 and 24 (DC, 1983). From the "Huntress" back-up feature, these exquisite pages spotlight a catfight between the costumed Helena Wayne and a killer shrink. Does it get any cooler than this? We don't think so. Measuring approximately 11" x 16" overall, these pages are in excellent condition and are signed by inker Rick Magyar.
Doug Wildey (attributed) - Original Cover Art for Black Cat Mystic #62 (Harvey, 1958). After the advent of the Comics Code Harvey lightened up their grotesque horror books and changed them into fantasy. One of the casualties of the big changeover was Black Cat, as she lost her title to the burgeoning wave of fantasy books. This cover features a wannabe magician just realizing that he learned more about mysticism that he wanted. There is a bit of white-out on this page but instead of corrections it is used to paint the clouds. This is a nice piece suitable for framing and measures 18.5" x 13.5"
George Wilhelms - Original Art for Rangers Comics #3, page 51 (Fiction House, 1942). A cool page featuring the Double-Slango kids, Fatso, an almost certain precursor of "South Park"'s Eric Cartman, is told that what he really needs is "a Lil Ficking," whatever that is. Measuring approximately 14.25" x 22.75" overall and in very good condition, the first panel obviously bore a paste-over at one time, as there is significant rubber cement residue there now. There is some use of white-out, and the usual colorist's markings are present, but none of this manages to detract from the inherent coolness of this early page.
Kent Williams - Original Cover Art for Powerline (Marvel, 1989). Powerline was a superhero group that starred in an 8-issue mini-series from Marvel in the late '80s. Unusual for the time, the series featured expressionistic fully-painted covers such as this one by the renowned Kent Williams. Williams contributed numerous painted covers to Marvel, for such series as Havok/Wolverine: Meltdown, Dr. Zero, and also did many interior paintings for Playboy. This striking image measures 13" x 19" and has been tastefully framed and matted.
Stan Woch - Original Art for Tapping the Vein #4, page 30 (Eclipse, 2002). Holy Gender-Bender, Batman! A man wakes up one day to find himself partially transformed into a woman, and hermaphroditic hilarity ensues! This page from Clive Barker's short story "The Madonna," penciled by Woch, inked by Mark Farmer, and painted by Fred Von Tobel uses disturbing, yet provocative, imagery to tell the story of a man caught in a situation he can neither control nor understand. Measuring approximately 11.5" x 17" overall, this page is in excellent condition and is signed by Clive Barker in the lower left.
Basil Wolverton - Original Comic Strip Art for Woozy Woofer (undated). More than likely created during the mid-to-late 1930s, this is a rare glimpse at the work of the legendary Basil Wolverton before he made his big breakthrough into the nascent world of comic books. Surviving examples of Wolverton's art are rare to begin with. A piece from this early in his career is almost unheard of. Measuring approximately 7.25" x 11.75" overall, this set of four panels on one page is in excellent condition. Each panel is signed by the artist in the lower right.
Basil Wolverton - Original Art for Joker Comics (Timely). This page, from an undetermined issue of Timely's Joker Comics, is by legendary humorist Basil wolverton. Perhaps best known for his hilariously grotesque renderings, such as "Lena the Hyena," Wolverton established himself as a comedy genius in the early 1940s with his landmark strip, Powerhouse Pepper. The original art for these pages rarely surface for public sale, making this an especially significant opportunity for Wolverton collectors. A particularly desirable page, with the main character in every panel, this piece is in excellent condition and measures approximately 11.5" x 14.5". A unique opportunity to own a great piece by an acknowledged comic genius.
Wally Wood -Original Cover Art for Weird Science #12 (EC, 1952). Many of the finest comic artists of the 1950s gravitated to EC, as they were the unchallenged industry-leader, publishing books that were both compelling and cutting edge. Of all the great talent assembled under Bill Gaines' banner, the top of the heap was reserved for the legendary Wally Wood. His slick, expressive style lent itself to virtually any kind of story, from horror and humor to wartime and sci-fi. His science-fiction covers are considered classics, some of the very best the genre has ever produced. Offered here is one such masterpiece, showing a playful moment between an man and his dog in the weightlessness of outer space. Beautifully rendered, this 14.75" x 22" treasure is in excellent condition, and is signed by the artist. Wood science-fiction covers are jealously hoarded by collectors. This may be the last opportunity for quite some time to acquire one for your collection.
Wally Wood - Original Art for Weird Science #10, page 5 (EC, 1951). One of the legendary EC artists, Wood could do it all, from horror to humor, from adventure to romance. But it's for his science-fiction work that he's most remembered, and it's precisely that genre that's represented in this outstanding lot. A great page, featuring Wood's trademark beautiful women, this piece is matted to approximately 13.5" x 18.5" and is in excellent condition. This lot also includes a copy of this page as it was originally published, and a copy of the original cover for this exciting issue; all three pieces are attractively custom framed and matted.
Wally Wood - Original Art for Two-Fisted Tales #35, Complete 7-Page Story, "New Orleans" (EC, 1953). Although best-known for his science-fiction tales, Wally Wood proves himself equally adept at historical drama in this seven-page Civil War stunner. Chock-full of the moody, evocative images that were his trademark, Wood delivers a powerful, compelling tale of war on the Mississippi in this brilliant EC gem. In excellent condition, the pages measure approximately 15" x 22" overall and show the typical editorial markings in the borders. None of this, however, affects the art. The opening page is signed by the artist in the first panel.
Wally Wood - Original Art for Mad Magazine (EC, 1957). In the hands of Wally Wood, no issue was sacred, no subject taboo. Always ready to push the boundaries of humor, Wood cast an observant eye over the comics themselves and asked, "What if Comic Strip Characters Answered Those Little Ads in the Backs of Magazines"? Consequently, we see Donald Duck with false teeth and Nancy with newly-straightened hair. Classic Wood from a classic period, this funny gag page measures approximately 12" x 10.75" overall, and is in excellent condition.
Wally Wood - Original Art for Creepy #41, page 40 (Warren, 1971). This is actually the tenth page of the story entitled "Prelude to Armageddon" which was written by Nick Cuti. By 1971, Wally Wood was a veteran in the comics field yet he continued to mature as an artist throughout his career. This awesome page displays a sure handling of the ink wash medium that he excelled with. The top panel of this page is particularly nice with the depth of shadow tones which convey a realistic backlit illumination of the figures in classic Wood style. This piece is in great condition with minor use of corrective white-out and moderate wear to the top right corner. The overall size of the illustration paper is 14.25" x 20" with an image area of 12.25" x 18.25".
Wally Wood - Original Art for Topps Nasty Notes #6 (Topps, 1967). Back in '67 Topps made it real easy for you to let somebody know what you really felt about them. These Nasty Notes covered every area of insults imaginable. This card, #6, states "I love brown eyes/blue I adore/It's good to see/you have all four." This piece measures 16" x 22".
Wally Wood - Original Art for Topps Nasty Notes #8 (Topps, 1967). Some of the lowest, meanest collectibles to ever hit the market were Topps Nasty Notes. If you wanted to wreck someone's day back in '67, Topps made it really easy for you. These cards definitely live up to their name! This one, #8, states "You have the sweetest smile/you have the cutest dimples/your face is almost perfect/but where'd you get them pimples? Rude! The best thing about these cards is that they were rendered by the master Wally Wood. Here is your chance to get a nice piece of his work for the right price.
Wally Wood - Original Art for Topps Nasty Notes #17 (Topps, 1967). In 1967 the best way to let an enemy know how much you detested them was to hand them one of these vicious Nasty Notes. Wally Wood really went to extremes to make the insults in these cards memorable. This one, #17, states: "When you are speaking/or sighing your sighs/it's quite amazing/your breath attracts flies." Downright mean but hilarious stuff. Don't miss the boat on these Wood pieces! This piece measures 15" x 22".
Wally Wood - Original Art for Topps Nasty Notes #19. (Topps, 1967). If you know someone with braces that you detest, this is the lot for you. Wally Wood pulls off yet another insult with this one. This card, #19, states "Under ultra violet light we dance/it lights up all our faces/but yours shines brighter than the rest.../I'm blinded by your braces." This piece measures 13.5 x 19.5.
Wally Wood - Original Art for Topps Nasty Notes #20 (Topps, 1967). Besides comic book work, Wally Wood also did a stretch at Topps working on some of their funnier issues. This set was comprised of a bunch of small, folded cards that did a great job of insulting the recipient. This one is #20 and states "You have a lot of class/you have a lot of scruples/so how come in school.../you're the dumbest of the pupils?" This artwork measures 23" x 15.5.
Wally Wood - Original Art for Topps Nasty Notes #21 (Topps, 1967). Wally Wood went overboard with these rude, crude cards. Every one is an over the top insult that is guaranteed to offend. This one is #21 and states: "You're on a different wavelength/you're on a far out kick/you're on a really crazy groove/I really think you're sick!" Great stuff! This piece measures 14.5" x 20.5".
Wally Wood - Original Art for Topps Nasty Notes #24 (Topps, 1967). Wally Wood was known for many things, but one of his more obscure projects were these rude little cards from Topps. These cards were intended to let you tell your greatest enemies exactly what you thought of them. This one, #24, states "As each day dawns/the story spreads/I see it's true/you have two heads." Not exactly as vile as some, but this one features a nice two-headed monster by Wood. This artwork, in three pieces, measures 14.5" x 21".
Wally Wood - Original Art for Topps Nasty Notes #30 (Topps, 1967). Wally Wood rendered one of the creepiest girls imaginable. This girl is on a par with Basil Wolverton's Lena the Hyena. This is the artwork to card #30 which states: "You're special/my own dream/when I think of you/I have to scream". This is just about the best way to get an affordable piece of artwork by a reknowned master. This piece measures 14.5" x 21".
Wally Wood - Original Art for Topps Nasty Notes #32 (Topps, 1967). Though most reknowned for his beautifully detailed comic book work, Wally Wood contributed to the hilarity at Topps in the form of these Nasty Notes. These folded notes were meant to degrade and insult the reader and usually did the trick. This one, #32, states: "When I'm with you/I make a path/you want a clue?/you need a bath." This lot also comes with a printed copy of the card. This piece measures 14.5 x 20.5".
Wally Wood - Original Art for Topps Nasty Notes, Unused (Topps, 1967). Feel like wrecking somebody's day and making them feel like dirt? The collaboration between Topps and genius Wally Wood were sure to do the trick. These cards were definitely not meant to encourage a healthy relationship. This artwork states: "Like a rare kind of rose/you're a person unique/'cause everyone tells me/you're the neighborhood freak." This one was apparently completed by Wood, but never published. This artwork measures 14.5" x 21".
Ashley Wood - Original Splash Page Art for Ghost Rider 2099 #16 (Marvel, 1995). This is a dynamic piece of art that exhibits all of the dark, modernist elements that are popular in the comic book market today. The shadowed face of Heartbreaker is a dramatic touch for the introduction of this character who will obviously burst into the light on the following pages of the printed comic. The minute white-out and slight glue staining don't detract from the overall appeal of this exciting piece of art. All of the text boxes are paste-ups. The piece measures 11.25" x 17.25" with an image area of 9.75" x 15.75".
Bernie Wrightson - Original Art for "The Beast in a Man" (Unpublished, 1960s). This stunning story, in the EC fashion, features some of Bernie Wrightson's earliest work, already demonstrating his clean and distinctive style. Wrightson is renowned for his horror work and ability to render beautiful women and horrific creatures. This unpublished story consists of three completed pages, and one page with rough pencil sketches. The splash page has a paste-over of the adventurers emerging from their spaceship, and another page has a few dabs of white-out. The pages are off-white in color, but are otherwise in excellent shape. Each page measures approximately 14" x 22" with an approximate image area of 12" x 15".
Tom Yeates - Original Art for House of Mystery #301, Complete 7-Page Story, "The Scoop" (DC, 1981). A bizarre story with a happy ending, this strange tales shows us that sometimes the smallest things are the scariest. Ably illustrated by Tom Yeates, these 10.75" x 16" pages are in excellent condition.
Tom Yeates - Original Art for Warlord #52, Complete 10-Page Story, "Dragonsword" (DC, 1981). A tale of courage, heroism and a cursed sword, this ten-page gem by artist Tom Yeates appeared a a back-up feature in an issue of Warlord. Measuring approximately 10.75" x 15.75", the pages are in beautiful condition, making this a "must" for any fan of sword and sorcery!
Tom Yeates - Original Art for Jonah Hex #53, page 20, and #54, page 20 (DC, 1981). Offered here are two unique pieces of art, each telling a small piece of the history of the West. The first page tells the story of the California Gold Rush of 1847, the second shows the growth of the railroad and the uniting of the East and West coasts of America in 1869. Both stories are complete in one page, and are strikingly rendered. In excellent condition, each page measures approximately 10.75" x 15.75" overall.
Tom Yeates - Original Art for Jonah Hex #55, Complete 8-Page Story, "Tejano" (DC, 1981). A tale of the early Texas Rangers, this stunning sage of bravery and heroism is beautifully illustrated by fan-favorite Tom Yeates. In excellent condition, these pages measure approximately 10.75" x 16" overall.
Tom Yeates - Original Cover Art for Aztec Ace #15 (Eclipse, 1985). A dark night in Hollywood, a clandestine leap over an iron gate . . . they all add up to a moody, atmospheric masterpiece! This evocative, film noir-ish cover, measuring approximately 14.5" x 23" overall and in excellent condition, is a symphony of light and shadow, and a perfect tribute to this critically-acclaimed book.
Christian Zanier - Original Art for Buffy vs. Angel #2, Group of 3 pages (Dark Horse, 1999). The long-running and immensely popular TV show "Buffy, the Vampire Slayer" spawned a host of spin-offs, not the least of which was a three-issue mini-series spotlighting the enigmatic Angel. Offered here are three pages from that mini-series, each measuring approximately 11.5" x 17.5", and in excellent condition. Included are #2, pages 5 & 18 and #3, page 20. The splash page from issue #3 is signed by series creator Joss Whedon.
Christian Zanier - Original Art for Rising Stars #9, pages 12, 19, and 20 (Top Cow, 2000). One of the most talked-about books of the last several years, Rising Stars has quickly developed a loyal and devoted following among comics fans. Offered here are three pages by fan-favorite artist Christian Zanier. Measuring approximately 11" x 17" overall, these pages are in excellent condition. Page 12 is signed by series writer J. Michael Straczynski.
Mike Zeck and Gene Day - Original Art for Master of Kung Fu #92, page 1 (Marvel, 1980). Writer Doug Moench's writing on Master of Kung Fu set Shang-Chi's course as a wandering loner who was stalked by the minions of his father, Fu Manchu. This stark, shadowy splash page, penciled by Mike Zeck, gives a tangible feel to the ever-present threat of Shang-Chi's father, with its monstrous shadows and intimidatory emotion, and Gene Day's inks are sharp and crisp. The overall page size is 10.5" x 15.75" with an image area of 10" x 15". The art is well-kept, with some slight staining around the outer edges from crop marks, and a strip of tape along the bottom edge.
Vaughn Bode - Original Art for Cavalier, Complete 1 - page Story, "Cloud Climber" (Cavalier, 1975). A bright and colorful piece from the pages of Cavalier Magazine. This piece was drawn in January 1975 and would be among the last strips he completed; tragically, Vaughn passed away in early July 1975. Overall size of this piece is 13.5" x 16.5", with an image area of 9.5" x 12.5".
Charles Burns - Original Illustration, "The King" (undated). Elvis hasn't worked up this much of a sweat since "Jailhouse Rock." Offered here is a classic Burns original. The thing that really makes this piece a winner is that you not only get the original art of "The King," but it also comes framed with the signed and numbered lithograph made from the art! The lithograph is numbered 46/300. A winning combination that will make you want to put on your "Blue Suede Shoes" and dance the night away. Framed to an overall size of 17.5 " x 31" -- the art measures 6.5" x 9" -- and the lithograph measures 12" x 15.5". This piece is very presentable, and reading to hang on the wall of your choice. Don't be cruel - bid high!
Robert Crumb - Original Sketches, Disaster (1960s). Robert Crumb was born on August 30, 1943, possibly the bloodiest year in modern history. This knowledge may have weighed on his mind when drawing this page with a hellish concentration camp scene, Hitler, Japanese and German soldiers, a dead bunny, and a Fritz-like soldier cat facing an oncoming tank. Note that Crumb's personification of the USA is represented as an affluent Capitalist. The opposite side of this sketch book page has a wonderful composition of surreal architecture with a very lonely atmosphere, conveying feelings of alienation, but also a delicate beauty. This page measures 8.5" x 6.5" and is in excellent condition; both sides of this page are truly amazing.
Robert Crumb - Original Sketches, "Rooftop" (undated). Known for doing trippy cityscapes, Crumb draws himself into this piece. Sitting on his roof he looks out over the city, while underneath there's ships, whales, and wagons. On the reverse is a collection of head shots and what appears to be a coffee shop scene. Overall size of this sketchbook page is 6.75" x 8.5".
Robert Crumb - Original Art Sketches, "New York Times" (undated). A unique Crumb piece, most of this double-sided piece appears to be notes from a school class that talks about slavery and the conquering of Africa. While there is also some very nice head shots and a swipe on the "NY Times" logo. Overall size of this piece is 5.5" x 8".
Robert Crumb - Original Art Sketches, "Steamhead" (undated). A wonderful full page sketch of a man, with a bit of a "Raymond Burr" look to him, with a steam engine on his head. Also if you are a Fritz fan on the back are a couple of gangster cat's, ala Fritz, rubbing out another cat. Overall size of this piece is 5.25" x 8.25".
Robert Crumb - Original Art Sketches, "All and Everything" (undated). A nearly full page sketch from Crumb of his dream girl of the early 60s, "Mabel." The back has a series of small head shots and buildings, some with crayon added for color! Overall size of this piece is 5.25" x 8.25".
Robert Crumb - Original Art Sketches, "Survivor" (undated). A very eerie sketch from this underground master. The focus of this piece is on what appears to be some sort of concentration camp survivor while Jim, Mabel, Fritz the Cat, and an older looking gentleman look on. The back is a series of quick head sketches. Overall size of this page is 5.25" x 8".
Robert Crumb - Original Art Sketches, "What's All the Hubbub, Bub?" (undated). If you're a fan of "Fritz the Cat" then this piece is for you. The front features two cats in suits, ala Fritz, standing on the heads of men. While the back has several headshots of men. A pencil piece that any collector would be proud to own. Overall size is 5.5" x 8".
Robert Crumb - Original Sketches, Lenore Ulric and Desert Cactus (circa 1960). This page has a beautiful Robert Crumb sketch of the silent era actress and Broadway star Lenore Ulric. He has also included a drawing of the film actress Faire Binney, an early "Fritz" type cat wearing a three-piece suit and a Mexican hat, plus a few other amusing characters. The reverse side of the sheet has a desolate desert scene with an odd cactus in the distinctive geometric style of Robert's younger brother Maxon Crumb -- perhaps Robert allowed Maxon to assist on this image, or this drawing may have provided some inspiration for Maxon's future artistic direction. Whatever the case, this great page measures 8.5" x 6.5" and is in nice condition.
Robert Crumb - Original Art Sketches, "Fritz and the Boys" (1961). It's summertime, the bottle has run dry, and Fritz and the boys are out on the porch. What sets this piece apart from others is that it also has notes on color and texture on the page, probably from an art class. On the back are some spectacular finished head shots. Overall size of this piece is 5.5" x 8.25".
Robert Crumb - Original Art Sketches, "Spanish Train" (1961). Several interesting angles of a train and its coal car make up the front, along with a topless blonde! The back has a sketch of "Mabel" with a young pirate boy. Overall size of this piece is 5.25" x 8.25".
Robert Crumb - Original Art Sketches, "Long John Silver" (1961). Ahoy, matey! "Long John Silver" eyes a comely wench and a bottle in this sketchbook page by Crumb. Also featuring a bevy of head shots on the back, this piece will thrill one bidder. Overall size of this page is 5.5" x 8.25".
Robert Crumb - Original Sketches, Toilet Monster (1962). A wonderful early Robert Crumb sketch page, it has a movie poster parody of the cheap horror flicks being churned out by American International Pictures. The title text is partially obscured by a drawn tear line, but obviously would read "The Creature from the John!" There is also a Fritz-like cat, a volcano, and a few faces. The reverse side has many more facial caricatures. This piece is reproduced in Complete Crumb Comix Vol. 2. It measures 8.5" x 7" with art flowing to most edges. The paper has slight yellowing, but the art remains in excellent condition.
Robert Crumb - Original Sketches, Charles Laughton (1962). This page consists of another drawing by Robert Crumb copied from August Sander's "Man of the Twentieth Century," which was Sander's monumental, lifelong photographic project to document the people of his native Westerwald, near Cologne. On one side of the page, Crumb draws one of Sander's more well-known images, the "Pastry Cook." On the other side of the page, he presents us with a well-rendered image of Charles Laughton, and another view of a Laughton-like character with porcine features, plus a few assorted rough head sketches. This page measures 8.5" x 6.5" and is dated "16 March 1962" by Crumb.
Robert Crumb - Original Sketch, Texas Guinan (1962). This sketchbook page has on one side Robert Crumb's beautiful rendering of Texas Guinan, the notorious saloon keeper, actress, and entrepreneur from the early 1900s. On the other side is a page of text that appears to be Crumb transcribing a page of Maxon Crumb's weekly journal dated March 4-10, 1962, which amusingly discusses a classroom conflict with one of Maxon's teachers over a yearbook project. It may come as no surprise that as a schoolboy, Maxon had a rebellious and subversive disposition. This page measures 8.5" x 6.5" and is in excellent condition with light oxidation around the edges.
Robert Crumb - Original Sketches, Mae West (1962). This two-sided page has on one side a lovely drawing of the famously provocative Mae West; on the other side are drawings of Fiske O'Hara, a stage, radio, and vaudeville actor, J. Harold Murray, a baritone in early musical films, and Joe E. Howard, who was a Broadway songwriter. There is also a selection of people's heads, anthropomorphic cats, a bird, and a logo for Arcade, the personal, unpublished comic series Crumb was producing at the time. This page measures 8.5" x 6.5" and is in excellent condition.
Robert Crumb - Original Sketches, Pharmacist and Pianist (1962). Photographer August Sander's book "Man of the Twentieth Century," was a monumental, lifelong project to document the people of his native Westerwald, near Cologne. He photographed subjects from all walks of life and created a typological catalogue of more than six hundred photographs of the German people. The young Robert Crumb obviously had access to a copy of Sander's book, and this page consists of two drawings copied from the photographs within. Here, Crumb draws a "Pharmacist" and a "Pianist" in his wonderful illustrative style. This page measures 8.5" x 6.5".
Robert Crumb - Original Sketches, "April Fool" (1962). You'll feel foolish if you pass up this cool "infinity" piece by Crumb. From April 1st 1962 comes this sketchbook page in which Crumb draws his room with him in it sketching the same scene in a book, and so on. On the reverse is a series of bats, head shots and women. It has been very cleanly removed from the book it was in and would frame up great! Overall size of this piece is 6.75" x 8.5".
Robert Crumb - Original Sketches, "The Inn" (1962). A really cool sketchbook page with an Escher influence. "The Inn" takes up the entire page, with roads and a tree in the background. On the reverse is a large candle along with many head shots and names of bands from the 20's and 30's that Crumb was listening to at the time. Overall size of this piece is 6.75" x 8.25".
Robert Crumb - Original Art Sketches, "Little Billy Bean" (1962). "Billy" was the alter-ego for many of Crumb's insecurities. Especially those involving women. This strip tackles some of his issues with going up and talking to girls. The reverse side has several different head shots and a full length self-portrait. A great buy for one lucky bidder! Overall size of this piece is 6.75" x 8.25".
Robert Crumb - Original Sketches, "A Sad Comic Strip" (1962). From St Patrick's Day of 1962 comes this tale of "Little Billy Bean," Crumbs alter-ego in his early strips. In this strip "Billy" is trying to decide whether or not to go on with life, especially since he can't find love and has no purpose. This strip takes up both the front and back of the page and has a very minor tape mark on the lower left. Overall size of this piece is 6.75" x 8.5".
Robert Crumb - Original Sketches, "Billy Bean gets KO'd" (1962). "Billy" gets in trouble again. Like in many of his later books "Billy" is throwing himself at women and not always getting the reaction he wants! On the reverse is some head shots and great full figures of two old-timers gambling. Overall size of this piece is 6.75" x 8.5".
Robert Crumb - Original Art Sketches, "Underneath the Yum Yum tree" (1962). Not really sketches, these are the writings of Crumb. It gives some insight into both his insecurities and feelings, and is also very funny. By the end he resolves not to write again, just draw! Overall size of this piece is 6.75 " x 8.5".
Robert Crumb - Original Sketches, Marguerite Clark (1962). This sketchbook page has a detailed tonal drawing of Marguerite Clark, another in his series of actresses of the stage and screen from the earlier part of the 1900s. Near the bottom of the head sketch, Robert Crumb wrote down two quotes from his brother Charles, nicely showcasing the elder Crumb's pessimistic and sarcastic wit. The other side of this sheet has another page of text which Robert transcribed from his sister Sandra's diary, proving that he may be a major artistic talent but he was also an intrusive and annoying little brother! This page is 6.5" x 8.5" and is in very good condition with only minor yellowing at the extreme page edges.
Robert Crumb - Original Sketches, Laura Hope Crews (1962). On one side of this sketchbook page is a lovely rendering of Laura Hope Crews, an actress on the stage and screen from the early part of the 1900s. The other side of this page has Robert Crumb's transcription of a page from the diary of his sister Sandra, with whom young Robert had a tumultuous relationship. The diary entry is dated January 1, 1962, and the transcription is thoughtfully titled "Sandra's Diary With Notes by R. Crumb," and Crumb does indeed include one annotated note at the bottom of the sheet. A personal and almost disturbingly voyeuristic page detailing the everyday melodrama of a young girl's adolescence, carefully transcribed in the characteristic lettering of a young (and evidently impudent) Robert Crumb. The page measures 6.5" x 8.5" and is in very good condition with light yellowing at the extreme edges.
Robert Crumb - Original Sketches, Albert Einstein (1962). One side of this page is dominated by Robert Crumb's drawing of Albert Einstein -- it's one genius drawing another. There's also a quaint house sinking into the beach, and a peculiar stain that Crumb highlighted and labeled, "NO. This spot cannot be erased." Umm... OK, Robert! The reverse side has an amazing drawing of a disaster scene, with New Yorkers fleeing the collapse of a nearby building. This sketchbook page measures 6.5" x 8.5" and has some yellowing near the edges but is still in very nice condition. Superb early artwork by a young Robert Crumb.
Robert Crumb - Original Sketches (1962). This charming sketch of a baby in the style of an Ivory Soap advertisement is made humorous by the addition of "Chicken-fat" to parody the soap's slogan of purity. Upon reflection, Robert Crumb's rendering of soap lather does look a bit like lard - yuck! The reverse side of this 6.75" x 8.5" page has a random assortment of Crumb's doodles, dominated by a full-figure drawing of a voluptuous woman asking, "Where's Manlove Bradley?" She is undoubtedly an early version of his character Mabel. This great sketchbook page remains in excellent condition.
Robert Crumb - Original Sketches, Della Fox (1962). One side of this notebook page has a wonderful tonal drawing of Della Fox, an actress and singer who was very popular on the late 19th-century American stage. Her diminutive but plump figure helped project the winning impression of a precocious child, and her "Della Fox curl" was imitated by girls across the country. Crumb notes her as the "originator of the spit-curl" under his drawing. The reverse side of this 6.5" x 8.5" page has several doodles, including two faces that resemble the characters of Jim and Mabel, who Charles and Robert Crumb would soon be including in their home-made comics.
Robert Crumb - Original Cover Art for Arcade #29 (1962). Arcade was a series of sketches drawn in a note book that Robert Crumb did as a young artist. He would often create a full-color cover and glue it to the cover of the composition book. Crumb's talent as a colorist became evident in the covers for the early Arcades, which are delightfully vibrant by their use of color in conjunction with his animated line. This private home-spun comic book series was the launch pad for many of Crumb's most famous characters, including Fritz the Cat among others. This art is hand-colored in colored pencil on an 6.5" x 8.25" sheet of paper.
Robert Crumb - Original Index Card Note (Circa 1980). This index card note was sent by Robert Crumb to S. Clay Wilson -- from one Underground Comix legend to another! Written in Crumb's famous all-caps lettering style. Here he even stylizes the initial capital "H" that begins his message. And he ends it with a nice personalized by-line, "R. 'Keep on Stickin' It' Crumb," perhaps reflecting a comment Wilson had made to him. A short, fun note with personal comments on his relationship with his wife Aline, and talk about naughty girls! Such personal items as this rarely come up for sale.
Robert Crumb - Original Illustration for a Family Christmas Card (1964). Never one to just run out and buy a card, Robert Crumb is famous for making his own for friends and family. This one is from Christmas, 1964, his first in Europe. The card was made for his gal's family, and is signed by her, with Crumb picturing the two of them as birds on the front. The size of the card is 4" x 8.75" and would be a merry addition to any collection. Ho-ho-ho, it's off to bid you go!
Robert Crumb - Original Illustration, "The Road to Success" (undated). Vintage Crumb as we see two salesmen talking to each other. In his perfectionist way this piece took Crumb a while to finish. He cut it apart and redid much of the lettering, to get it just right. There is tape at the top and the bottom edge of this piece and its overall size is 8" x 13".
Robert Crumb - Original Art Sketches, "Fun with Jim and Mabel" (1962). Rather than just some various sketches on a page these two pages, from a Crumb sketchbook, make up a four page story. A fun tale of UFOs, perfume, and shoplifting. Don't wait to bid or you might miss out on this piece! Overall size of the pages is 6.75" x 8.5".
Robert Crumb - Original Art for Pioneers of Country Music promo poster (Yazoo Records). A larger, unique piece. This is the art for the background and lettering of Crumbs second card set. Also included is the overlay that includes both zip-a-tone and color holds. Something that really should be in the country music hall-of-fame, but can now be in your collection! There is minor tape damage at the top and the bottom, from going through the printing process. Overall size of this piece is 14" x 17".
Robert Crumb - Original Art for Kafka, page 28 (1996). An impressive page from the illustrated life story of Franz Kafka. This project took Crumb nearly two years to complete, as the book is almost 200 pages of original illustration. Also of note is the fact that Crumb did a little head shot of himself in the upper left! The overall size of this page is 9" x 12.5", with an image area of 6" x 10".
Robert Crumb - Original Illustration "Honey Bunch Kaminski" (undated). From the pages of Snatch #1 comes this fantastic piece of art, one of Crumb's most controversial pieces. Though "Honey Bunch Kaminski" was only noticed by a few people when the comic first came out in small runs by Apex Novelties, things changed when it was taken over by the Print Mint. One of the first things the Print Mint boys did was get the book into every "head shop" in the San Francisco Bay Area. Then they printed a large poster, in both regular and black light, of Honey. By 1973 many comic and head shops refused to carry the stuff for fear of being busted for child pornography. A piece that would be at the center of any quality Underground art collection. The image area measures 5" x 7".
Robert Crumb - Original Art for American Splendor #1, Complete 4-page story, "The Harvey Pekar Name Story" (Harvey Pekar, 1977). An amusingly autobiographical piece that was the basis for a segment in the film "American Splendor" starring Paul Giamatti, this four-page story is written by Pekar and illustrated by his friend and former Cleveland neighbor Robert Crumb. This is probably one of the best known collaborations from these two underground geniuses, first appearing in the premiere issue of Pekar's quirky comic. Beautifully rendered, in a detailed yet understated way, this is Crumb at his finest. Each page, in very good condition, measures approximately 11" x 14" on sketchpad paper. There is some slight staining at the left edge of page one, and some minor water damage at the bottom of page two, but neither of these imperfections affect the art in any way.
Robert Crumb - Original Art for HUP #9, Complete 10-page Story, "He's a Natural Man!" (Last Gasp, 1989). This is a complete, ten page Mr. Natural story by Robert Crumb, which stars two of his most recognizable characters, Devil Girl and Flakey Foont. Flakey Foont tells Mr. Natural that he is obsessed with Cheryl Borck, a.k.a. Devil Girl, and wants to go find her. Of course, the Devil Girl is already there, and is madly in love with Mr. Natural. This story is full of all of the classic Crumb images, the type that could only be published in Underground comix. When seen up close, it is apparent exactly how much time he puts into every single panel. The art conveys all of the character's emotions in a way that no other artist has ever been able to duplicate. When originally printed in HUP #9, this story ran on the last ten pages of the book, meaning that the last page of the story was actually the back cover of the comic; one heck of a bonus, we think! All of the artwork is in perfect condition, with no staining, pinholes or tears. Mr. Crumb has used some white-out on every page. These pages measure 14" x 17" each.
Maxon Crumb - Original Illustration, "Busty Sculpture" (undated). Working mostly in pencil, Maxon has more of an art nouveau style than his older brother, the legendary underground artist Robert. This is a great chance to add a piece of Crumb art to your collection! Framed to an overall size of 12.25" x 12.5", it has an image area of 5" x 5.5".
Maxon Crumb - Original Illustration, "I Struggle" (undated). "I struggle with a strange kind of distraction. I feel confused and dense," states Maxon in this autobiographical poem accompanied by an original illustration done in pencil. Maxon talks about struggling with the devil of complacency, while the picture shows a man staring into an abyss. Moody and evocative, this piece of art is professionally framed to an overall size of 15.5" x 17.5" with an image area of 8.5" x 10".
Maxon Crumb - Original Sketches, "Ugh, The Beans" (undated). A disturbing piece that reminds us not to drink on a date. A little tough to describe because of its graphic nature, but if you're looking for a Maxon piece that will get people talking, then this piece is for you! Framed to an overall size 15" x 20" this piece has an image area of 7.5" x 13".
Maxon Crumb - Original Sketches, "A Pussy - Ice". Cold and kinky are two ways to describe this piece by Maxon. A naked woman huddles on the side of a snow covered hill in this intricate work of art. Framed to an overall size of 12" x 14", it has an image area of 4.5" x 5.5".
Maxon Crumb - Original Art Illustration, "Bathing in the Ganges" (1985) From the hand of Robert's younger brother comes this provocative drawing of a woman taking her daily bath. Items from any of the Crumb brothers are always very popular, and this piece should make its winner very happy! Attractively framed, the overall size of this piece is 15" x 17" with an image area of 8" x 10".
Maxon Crumb - Original Art Illustration, "Pee-Yew" (undated). Whatever the smell is, the guy in this photo doesn't like it! He's literally bending his nose back to get away from the scent. This interesting illustration, from the mitts of Max Crumb, was used in one of his books from Word Play publishing. This work has creative use of zipatone, and is intricately detailed. Overall size of this piece is 18.5" x 20.5", with an image area of 11" x 13".
Charles Dallas - Original Illustration "Gary Arlington and the Skull" (undated). Original brush and ink drawing featuring Gary Arlington, the proprietor of the San Francisco Comic Book Company. Arlington, a fan of the EC horror comic books from the 1950s, was one of the first comic store owners to sell Undergrounds enthusiastically, and soon formed his own publishing company. Among the more popular books Arlington published was Skull Comix -- whose mascot stands with him in this illustration. Charles Dallas was active as an underground cartoonist in the mid-1970s, specializing in horror stories. He did work for Skull, Slow Death, and Insect Fear, among others. This piece of art was published in Blab #1, their EC tribute issue. There is an undercoat of white paint on Arlington's face where Dallas apparently decided to re-ink this portion of the illustration. Matted and framed, this piece has an image area of 6.5" x 6" and an overall size of 10.5" x 10.5".
Tony Fitzpatrick - Print of "Lost Harbor" 4/40 (No Publisher, 1999). A fascinating print, "Lost Harbor" carries a mysterious mood reminiscent of the surrealist paintings of Giorgio De Chirico. Tony Fitzpatrick's work is a mesmerizing blend of technical proficiency and soul. There is seemingly innocent cartoon-like imagery while a deeper conflict is told through a symbolic, abstract narrative. Tony Fitzpatrick's works are in the collections of the Art Institute of Chicago, the Museum of Modern Art in New York, and the Museum of Contemporary Art in Miami. He is a multi-faceted artist; in addition to his printmaking, he has also done record album cover art, written plays, and acted on stage and for films. This print has a framed size of 12.5" x 14.5" and an image area of 5" x 6".
Justin Green - Print "Kentucky Fried Slaughter," numbered 44 of 65 (undated). One of the early underground greats, Justin Green, known for working on "Bijou Funnies" and his own "Binky Brown meets the Holy Virgin Mary," continues to work extensively today. Produced with distressed paper, this print has a cool, worn look to it. This print measures 16.5" x 22.5".
Justin Green - Original Art "Maurice Gets Miffed" (1970s). Underground comix legend Justin Green explores the feminine side with this tome poem to gay love. Three homosexual men wind up in a fight in this now politically incorrect page from "insert." Green is one of the pioneers of the medium, who has influenced several generations of cartoonists. Measuring 12" x 16.25", this page has some white-out and a small scuff/indent in text at top of first panel, but does not affect the art. A fun, vintage page, signed tongue-in-cheek, "Chester Queen."
Grass Green - Original Art for Good Jive Comix #1, Group of 6 pages (Pooo Bear Prod., 1972). Here are six of the seven pages that make up a story by the late, great Richard "Grass" Green. Unfortunately, this great artist passed away in October, 2002. This story deals with impotence, hookers, and cops that take their job way too seriously! The final page of the story has three small holes. All pages are tape and white-out free. Overall size of the pages is 10" x 13.5".
Jeff Johnson - Original Art Complete 2-page Story, "Vagina Dentata" (1993). Known for his tribal style, Jeff Johnson is a rising star in the underground/alternative comics scene. The topics he seems to tackle most are voodoo, the blues and sex. This strip is definitely the latter. Taking place in the land of "Frigid Denial", this piece would keep Freud busy for years. Overall size of the pages is 11" x 14".
Jay Lynch - Original Preliminary Sketch (Playboy, 1970s). Cartoonist Jay Lynch was one of several Chicago-area artists to make a name for himself through the underground "comix" scene in the late 1960s. His work began appearing in the early sixties in Harvey Kurtzman's Help magazine alongside artists like Robert Crumb. That led to work in underground titles like Bijou Funnies and Snarf. By the late seventies, Lynch made the move to more mainstream work. Hugh Hefner, always a supporter of underground cartoonists, hired Lynch to do strips for Playboy's new comics section. This is a rough color sketch presented to and approved by Hef -- note his red penciled "OK" -- along with the actual printed piece. As you can see, some changes had to be made along the way! The sketch is approximately 7" x 5" on tracing paper, and is nicely mounted and framed. This would be a cool addition to any underground comix or Playboy collection. Lynch art rarely ever comes to market, so you may not have another opportunity like this in quite a while.
Jay Lynch - Original Art Illustration, "Spirit of 76" (Chicago Sun Times, 1976). Here is a famous cartoon by underground legend Jay Lynch, an artist whose work almost never reaches the marketplace. This piece was originally printed in the pages of Midwest Magazine, which was then the color magazine section of the Chicago Sun Times. It's a wonderful color piece that celebrates our nation's 200th birthday and depicts George Washington, Betsy Ross, and Paul Revere. This is a large, attractive work that would grace any room or office. Framed to an overall size of 16" x 20", it has an image area of 11" x 14". Years ago, Lynch inscribed the back of this piece with the words "Not to be sold for less than $350." We're pretty sure that it won't.
Paul Mavrides and Gilbert Shelton - Original Art for The Fabulous Furry Freak Brothers #8, page 11, "The Idiot's Abroad" (Rip Off Press, 1983). A page from the biggest epic in the history of Underground comix. "The Idiot's Abroad" was published in three issues over a four year period and has been voted one of the 100 best stories in comic book history by the readers of the Comics Journal. This page shows Freewheelin' Franklin arriving in South America. The page has some use of white-out, mostly for effect, and measures 15" x 20".
Paul Mavrides and Gilbert Shelton - Original Art for The Fabulous Furry Freak Brothers #10, page 29, "The Idiots Abroad" (Rip Off Press, 1987). Voted by the readers of the Comics Journal as one of the 100 best comics stories ever, this page features all three Freak Brothers in every panel. You don't often see many pages from the Freak Brothers, let alone one with every Freak represented. This page has minimal use of white-out, mostly for effect, and measures 15" x 20".
Val Mayerik - Original Art for American Splendor #9, pages 40 & 41, "A Harvey Pekar Story" (Harvey Pekar, 1984). Straight off the streets of Cleveland comes these two pages from American Splendor. Featuring great art, these two pages will only go up in value as Oscar time approaches. The pages are in great shape with only some minimal use of white-out. Overall size of these pages is 11" x 17".
Scott Musgrove - Original Art Complete Book, Fat Dog Mendoza #1 (Dark Horse, 1992). All 33 interior pages to the first issue of this wacky Dark Horse publication, featuring dark-edged superhero parodies and much more. There are some glue marks where several paste-ups are missing, but overall this artwork is a lot of fun and looks great. There is very little use of white-out. We're even tossing in a VG copy of the comic. A great way to start your art collection! The pages measure 11" x 14"
Scott Musgrove - Original Painting (undated). This bizarre painting by Fat Dog Mendoza creator Scott Musgrove is a perfect example of this artist's distorted, offbeat style. Bright, colorful, yet vaguely disturbing, this piece, in excellent condition, has an image area of approximately 7.5" x 11.5" and is signed by the artist in the lower right.
Scott Musgrove - Original Acrylic Painting (undated). Scott Musgrove has achieved worldwide fame outside of the U.S. through the highly acclaimed animated TV series "Fat Dog Mendoza." This colorful piece is very reflective of his unusual style which is steeped in the influences of Hieronymous Bosch, Jan van Eyck, and other expressive artists who use exaggerated and sometimes disproportionate features to convey the true character of his subject that is often clothed in the facade of normalcy. This piece is in excellent condition with only minor surface wear caused by the removal of a matte board that once covered it. The overall size is approximately 11.75" x 17" with an image area of 9.25" x 12".
Spain Rodriguez - Original Art Illustration (1991). Keeping with his favorite biker theme, Spain renders this very detailed, large sketch. The sign may say "No Credit," but we need to give credit to Spain for being one of the most innovative underground artists around. Framed to an overall size of 14.5" x 18", this piece has an image area of 9.5" x 13".
Gilbert Shelton - 3D Seriograph, Numbered 186 of 187 - Fred Todd File Copy, "Marjihwanna" (Rip Off Press, 1982). The Fabulous Furry Freak Brothers have become a bit of an Underground institution over the years. They are probably the most enduring, unchanged characters from when we first met them over 30 years ago. When other publishers started doing lithographs of their artists in the early 1980s, the folks at Rip Off Press would take it one further, they went 3D. This is a hand-printed 3D seriograph of an amazingly funny one-pager in which we find out that aliens are black, and the intergalactic word for peace is "marjihwanna." That word seems familiar doesn't it? This comes with a brand new pair of 3D glasses and a letter from R.O.P. explaining the origin of the seriograph. It is signed by Gilbert Shelton, Roger May, and Don Baumgart. It has an overall size of 23" x 35". From the collection of Rip Off Press owner Fred Todd.
Dwaine Tinsley - Original Cover Art for Hustler Humor, "Shark Bait" + more (Hustler, 1980-96). This lot consists of four pieces of cover art from Hustler Humor, the well-known adult entertainment cartoon magazine, by the cartoon editor of Hustler magazine, Dwaine Tinsley. Known as the creator of the notorious cartoon character "Chester the Molester," Dwaine is universally recognized as the man who created the rude, crude, "Hustler style" cartoon. These four published covers measure 9" x 12", are rendered in color marker, and are in excellent condition. These cartoons all appeared as images on covers for Hustler Humor. They include, "Shark Bait" (1990), "Fat Lady Jogging" (1996), "Witches" (1997), and "Proctologist" (1980). The "Shark Bait" cartoon is one of Tinsley's rarer pieces, signed as "J. Proctor." Dwaine Tinsley was falsely accused of molestation in 1984 and eventually convicted. While his conviction was eventually overturned, he had to serve about 23 months in prison while waiting for his appeal. While in prison, Dwaine continued to work on a freelance basis and those cartoons are signed "J. Proctor" after John Proctor, a character in the play "The Crucible" who was also falsely accused. A nice group of very funny and rude - but not explicit - pieces of Hustler Humor cover art.
Dwaine Tinsley - Original Cover Art for Hustler Humor, "Desert Scene" + more (Hustler, 1980-97). In 1975 Hustler magazine publisher Larry Flynt brought Dwaine Tinsley on as Cartoon Editor, the designated hitter for Hustler's all-out monthly attack on the boundaries of good taste. Dwaine's job description was a perfect match for his anti-establishment leanings, and his down-home sense of humor. Eventually Dwaine's cartoons for Hustler became popular enough that they warranted their own publication: Hustler Humor. This group of four published Hustler Humor covers consists of "Desert Scene, Chicks vs. Water" (1980), "Sperm Bank" (1980), "Complaint Department" (1997), and "UFO and Airliner" (1985). Funny, and edgy, but tame enough to be displayed openly on public newsstands. All four covers are done in pen, marker, and watercolor, measuring 9" x 12".
Dwaine Tinsley - Original Cover Art for Hustler Humor "Caveman" + more (Hustler, 1985-98). In the words of Hustler artist Dwaine Tinsley, "Larry (Flynt) and I decided a long time ago that sacred cows made the best hamburger and that Hustler's humor was going to make you laugh, make you man, and make you think" Over more than two decades Tinsley's cartoons outraged many and amused even more, earning him legions of fans and inspired the spin-off publication: Hustler Humor. This group of four published Hustler Humor covers include "Caveman" (1998), "Relief on Desert Island" (1985), "Elephant Dreaming" (1995), and "Cat at Slot Machine" (1998). They all measure 9" x 12", except for "Cat at Slot Machine" which is slightly larger at 10.5" x 14". This group of covers is pretty tame by Tinsley's standards, perfect for the fan who wants original Hustler Humor cover art that is fit for display in mixed company.
Dwaine Tinsley - Original Cover Art for Hustler Humor, "Eyeball Soup" + more (Hustler, 1980-99). During Dwaine Tinsley's tenure as Hustler magazine's Cartoon Editor, he debuted an iconoclastic brand of vicious satire that ferociously attacked everything in it's path, and eventually cost Hustler millions of dollars in legal fees to defend. Here we offer four pieces of original cover art from Hustler Humor, the cartoon magazine edited for 25 years by Tinsley. This group of food-themed Hustler Humor covers includes: "Eyeball Soup" (1980), "Fat Cat Chef" (1999), "Duh Dummies Cereal" (1980), and "Finger Sandwich" (pre-1980). The first two pieces of art measure 9" x 12", while "Duh Dummies Cereal" is 9" x 10.5", and "Finger Sandwich" is 11" x 14". Tinsley's art is bold and colorful, executed in pen, marker, and watercolor. While the humor is fairly rude, it's certainly tame by Hustler's standards since they were chosen to be uncovered on the news stands for better display, instead of the "blacked out" plastic covers required for Hustler and other sexually explicit publications.
Dwaine Tinsley - Original Cover Art for Hustler Humor, "Butterfly Net" + more (Hustler, 1980-99). The late Dwaine Tinsley spent nearly six years of his life behind bars. He spent the rest of it rattling everyone else's cage. A world class cartoonist, Hustler Humor was the perfect vehicle for Dwaine's demented humor. This group of four Hustler Humor covers consists of "Butterfly Net" (1990), "Lady Jogger and Tree" (1999), "Eyeballs and Shower Scene" (1997), and "Dinosaur" (1980). In 1990, Dwaine was convicted of child molestation in the notorious "Chester Case" and sentenced to six years. He immediately appealed, but was remanded to custody rather than allowed out of bail. Dwaine continued to work while in custody, and chose another signature for artwork that was produced while in custody -- J.Proctor, after a character in the play "The Crucible" who was also unjustly accused of a crime he didn't commit. The "Butterfly Net" cover is one of these, a scarcer cartoon bearing the prison-born "J. Proctor" signature. The "Dinosaur" cover measures 11" x 14", "Lady Jogger and Tree" is 9.75" x 13", and the other two pieces of art are 9" x 12". These pieces of art are well-executed, in excellent condition, and very funny!
Skip Williamson - Illustration, "Wretched Excess" (Skip Williamson, 1990s). It's just another Friday at the bar in this wry Skip Williamson original which ran in the pages of an Encyclopaedia Brittanica Medical yearbook, accompanying an article on alcohol consumption. While very similar to the cover to Gag Reflex #1, this is a different piece and is a wash drawing. Williamson was one of underground's original boys who made good; his strip "Snappy Sammy Smoot" ran in Playboy for many years. This is ink on board; it measures 8" x 10.5" and is framed to an overall size of 13.5" x 16.5".
Skip Williamson - Original Art Splash Page (Skip Williamson, 1991). American icon Snappy Sammy Smoot sez "Don't wee-wee on your Mitsubishi" in this nifty, presentable splash by Skip Williamson. You may recognize Sammy from the pages of Playboy magazine...or maybe you won't...depends on if you read the cartoons. Framed and ready to hang on your wall, the image area on this piece is 8.5" by 10.5".
S. Clay Wilson - Original Art Illustration (unpublished, 1950s). From the late 1950s comes a page from Wilson's early "butcher paper" days. Already developing his trademark style, this piece will appeal to all lovers of bloodthirsty pirates. This is a great chance to get a very cool piece from this underground legend. Framed to an overall size of 14" x 16.5" with an image area of 9" x 11.5", this piece is ready to hit the high seas and go home with you.
S. Clay Wilson - Original Sketches, "Pirate Days with Captain Raven" (1955). Here is a very gory, very early piece by underground legend and original Zap Comix artist Wilson. If you sail the high seas, then this may be some "booty" you want to spend your "loot" on. Framed to an overall size of 14" x 17" it has an image area of 8.5" x 11".
S. Clay Wilson - Original Sketches, "When Bloodthirsty Buccaneers Ruled the Seven Seas" (1955). From Wilson's early "butcher paper" days comes this tale of mutiny and hanging. Besides being famous for working on Zap Comix, Wilson is also well known for his comic Pork, a book about pirates and sex. Here, even in the early stages, you see the beginning of his underground storytelling. Framed to an overall size of 14" x 17" the piece has an image area of 8.5" x 11".
S. Clay Wilson - Original Sketches, "One Night" (1955). Here is a piece of work from underground legend S. Clay Wilson's early days. No pirates in this one, though, just a tale of two vampires. Bid on this piece and own the adventures of Ivan and Egor! Framed to an overall size of 14" x 17" this piece has an image area of 8.5" x 11".
S. Clay Wilson - Original Sketches, "The Days of Pirates" (1955). Legends have to start somewhere, and this piece is about as early an example as you can hope to find in the career of Underground pioneer S. Clay Wilson. His fascination with gore is evident even in 1955 in this ultra violent tale of pirates on the high seas. Framed to an overall size of 14" x 16" it has an image area of 8.5" x 11".
S. Clay Wilson - Sketchbook Strip (No Publisher, 1955). Here is a very early original sketchbook comic strip done by a young 15-year-old S. Clay Wilson. One of the earliest pieces by Wilson ever brought to sale, this page features early prototypes of his Checkered Demon character. It is filled with the existential angst, gore, and mutilation for which Wilson has become famous. Oddly, the action takes place in England. Signed by Wilson, but at a much later date. An extremely bizarre and shocking piece to have come from a 15-year-old mind in 1955, but still a classic piece showing the direction Wilson's art career would go in the next decade. Drawn in pencil, with very tight lines, the art measures 8.5" x 11" and is nicely framed.
S. Clay Wilson - Original Panel Pages (1956). From S.Clay Wilson's early days comes this bloodthirsty piece with hook-handed pirates wielding swords. Mutiny is the theme of the day in this clever work. Framed to an overall size of 16.5" x 14", the image area is 8.5" x 11". Here is a great opportunity to obtain one of the earliest know examples of Wilson's art - this predates the underground Zap Comix by a full 12 years!
S. Clay Wilson - Original Art Illustration (1958). This unpublished work from Wilson's "butcher paper" days was created in 1958 and is signed "S.W." The bold use of the color red makes this dynamic piece stand out. Pirates and violence are the theme of the day as Wilson explores man's inhumanity to man. The image area on this framed illustration is 10.5" by 7". Ten years after this was drawn, Wilson would gain notoriety as one of the original Zap Comix artists. Revered to this day, S. Clay Wilson is one of the most influential, and talented, of all underground comix artists. This is a great opportunity to acquire one of his very early works.
S. Clay Wilson - Original Illustration, "Rotting Palm" (1962). This fine art piece pre-dates Wilson's work in Underground comix by six years. Even at this early venue in Wilson's career, he was drawing the demons and pirate fantasies for which he would in a short time become widely known. This piece, however, represents a different aspect of Wilson's talent. This 18" x 24" pen and ink "still life" illustration will amaze anyone familiar with Wilson's reputation as master of the grotesque. Signature includes his first name "Steve" - rarely seen.
S. Clay Wilson - Original Illustration (1962). Wilson, best known for his sexual and violent imagery, is one of the most influential and recognizable names in Underground comix. Robert Crumb and others have attributed Wilson with loosening their inhibitions and influencing them to draw more sexually subversive material. This large 18" x 24" fine art piece by one of the original Zap Comix artists is remarkable for its contrast to Wilson's published work, as it conjures up a flowery, peaceful image. For those used to seeing Wilson's darker side, this one shows the whimsical part of his nature - filled with fantasy and, dare we say it... charm!
S. Clay Wilson - Original Illustration, "St. Pat's Bash" (Snake Chasin' Graphix, 1983). The Checkered Demon is making up some snake stew on this unique, charming St. Patrick's Day poster that was handmade by underground legend S. Clay Wilson. With black, silver and gold pens, as well as white, green, and light blue paint on green board, this is an outstanding piece that may require "the luck of the Irish" to win. Measuring 28" x 22" there are a few tackholes and some mild water spots due to being on display at everyone's favorite establishment - Dick's Bar in San Francisco. This is a great slice of history from one of the most recognizable names in underground comix.
S. Clay Wilson - Original Illustration, "Dicknic!" (1987). Hot dog, it's time to hop on the hog, and ride out to Lake Temescal, for the annual Dicknic put on by Dick's Bar - the legendary San Francisco Bay area hangout. This unique original poster was used to promote the event. Join the Checkered Demon and his pal as they cool off by the keg, ahhhhh! Tempra on posterboard, this piece measures 22" x 28" and has a few tackholes and mild water spots on the extremities due to being displayed. As much of his published work is in black & white, many folks may be unaware of how talented Wilson is as a colorist. This is a great chance to add a vivid color Wilson piece to your collection.
S. Clay Wilson - Original Illustration, "St. Pat's Bash" (Snake Chasin' Graphix, 1988). S. Clay Wilson puts pen to board for this one-of-a-kind piece promoting St. Patrick's Day at the popular Bay area tavern Dick's Bar. This has to be one of the largest pieces Wilson has ever done in color -- the overall size is a whopping 28" x 44". There are some nail holes at the corners, and some mild water damage at the edges, along with several edge tears due to being on display. Tempra on thick poster board, this truly is a great piece by this underground legend and is sure to be appreciated by fans of his work.
S. Clay Wilson - Original Illustration, "Dicknic!" (1989). Here is a large, one-of-a-kind poster, for the annual Northern California biker bash at Lake Temescal - The Dicknic! Wilson has his most well-known creation, the Checkered Demon, manning the keg as a perky redhead does her best to empty it. This is the actual poster used to advertise the event sponsored by the infamous Dick's Bar in San Francisco -- what a unique cultural artifact! There are some tackholes and water spots along the edges due to being displayed. Tempra on posterboard, this is a large piece, measuring 28" x 22", and showcasing bright, vivid colors.
S. Clay Wilson - Original Illustration, "Die Yuppie Scum!" (1993). It's last call, who's taking the buxom blonde home? Not the man with the bottle of "Rainbow Yodel Bourbon". Here is a great example of underground artist Wilson's intricate mid 1990s work which showcases his densely packed, unique style. The attention to detail is absolutely astounding. This piece has been framed to an overall size of 12.5" x 16.5" with an image area of 6" x 9".
XNO - Original Illustration for Blab! (Blab!, circa 1995). Beginning in the '80s, XNO has done artwork for a dizzying array of industries and mediums, from punk rock magazines and self-published underground comics, to skateboard designs and surfboard graphics. This disturbing illustration was done for the critically acclaimed cutting-edge art magazine, Blab!. While this might not be an image to hang above the mantle in your home, the art is well executed and the subject matter unforgettably nightmarish. This unique piece of art has a framed size of 9.25" x 12.25" with an image area of 5" x 6.5".
Session 5
Golden Age (1938-1955)
Action Comics #1 (DC, 1938) CGC GD+ 2.5 Cream to off-white pages. Here's the comic book that started it all. No other book has had the impact that this sixty-four page, all-in-color-for-a-dime classic "funny book" has had. Superman was born in the pages and on the front cover of this much-coveted item from 1938. How many times have comic book collectors dreamed of coming across a copy of this in some dark, out-of-the-way curio shop, or better yet, a dusty attic in somebody's grandmother's house? This copy, while far from the finest available, is solid and flat, with only a few light folds. Unfortunately, it has been hole-punched to fit in a binder, and while the label is not purple, CGC does note "Very minor amount of glue and very minor amount of color touch on cover." It's still a beauty, though, and it's still an Action Comics #1! Overstreet 2003 GD 2.0 value = $38,000.
Action Comics #4 (DC, 1938) CGC VF 8.0 Cream to off-white pages. Books of this caliber do not come around all that often. Early issues of Action are a real bargain compared to what the landmark first issue sells for but the few that exist are firmly entrenched in long-time collections and rarely make it to market. This high grade wonder marks the fourth appearance of Superman and is a book that would be desirable to absolutely any collector. The cover, by Leo O'Mealia, is bright, white, and almost as beautiful as it was 65 years ago. This just happens to be the highest graded copy yet by CGC. Sure to take a trophy position in any collection. Overstreet VF 8.0 value = $8,960.
Action Comics #5 (DC, 1938) CGC Apparent VF- 7.5 Moderate (P) Off-white pages. Superman had not yet made his second cover appearance when this issue came out, but some of these early issues hold their own with great visual drama. This soldier of fortune cover by Leo O'Mealia is an excellent example. Gerber's The Photo-Journal Guide to Comic Books lists this book as "rare," and estimates that only 11 to 20 copies still exist in any condition. CGC's most recent census ranks this comic as the highest graded copy of issue #5, no unrestored copies have currently been graded as high. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2003 GD 2.0 value = $1,280; VG 4.0 value = $2,560; FN 6.0 value = $3,840; VF 8.0 value = $8,960.
Action Comics #27 (DC, 1940) CGC FN/VF 7.0 Cream to off-white pages. Here is a very respectable copy of an early issue of Action. The cover, by either Paul Cassidy or Joe Shuster, portrays a familiar scene, Superman protecting an endangered Lois Lane. This is a cover that can be easily recognized from across a convention hall floor! The interior is rich with the offerings of classic DC Golden Age pencilers Bernard Baily, Sheldon Moldoff, Bob Kane, and Fred Guardineer. To date, only two unrestored copies of this issue have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $729; VF 8.0 value = $1,519.
Action Comics #30 (DC, 1940) CGC VF- 7.5 Cream to off-white pages. The colors on this copy are nothing short of sensational, giving a first impression of a higher grade. Not that this upper-mid-grade is so bad; only four other copies of the 1940 issue have been judged nicer by CGC to date. Quintessential Golden Age artistry is served by Jerry Siegel, Joe Shuster, Sheldon Moldoff, and Jack Burnley. Overstreet 2003 VF 8.0 value = $1,519.
Action Comics #81 Mile High pedigree (DC, 1945) CGC NM+ 9.6 White pages. The Mile High collection consisted of many of the finest copies to ever see the light of day. This is one of those examples. Superman helps ring in the new year on this immaculate copy. The corners and pages are darn near sharp enough to shave with. You would be hard pressed to find a copy this nice on the stands today. Overstreet NM 9.4 value = $850.
Action Comics #87 (DC, 1945) CGC VF+ 8.5 Off-white pages. Hey, look -- Superman thinks it's raining! This gorgeous book has the look of a pedigree, but you can make it yours without the pedigree price. This cover is from the era when Action covers were simple and, very often, humorous. This book has artwork by Mort Meskin, and is the kind of comic to make any red-blooded collector proud. Overstreet 2003 VF 8.0 value = $463; VF/NM 9.0 value = $657.
Action Comics #95 (DC, 1946) CGC VF/NM 9.0 Off-white to white pages. Superman takes a pie to the face on this offbeat cover. C'mon Supes, don't let that little pipsqueak disrespect you like that! This comic has a distributor's mark in the "A" of Action on the cover, but is extremely sharp, with great color, sharp corners, and a stress-free spine. There are currently only two copies of this issue that have been graded higher by CGC. Mort Meskin art. Wayne Boring cover. Overstreet 2003 VF/NM 9.0 value = $619; NM 9.4 value = $800.
Action Comics #104 (DC, 1947) CGC NM 9.4 Off-white to white pages. Wayne Boring created the Superman vs. the Prankster cover for this issue, which also features Congo Bill, Vigilante, and Zatara stories. This unusually high-grade copy is the second-highest graded issue #104 in CGC's most recent census. Overstreet 2003 NM 9.4 value = $700.
Action Comics #137 Mile High pedigree (DC, 1949) CGC VF- 7.5 Off-white to white pages. This is the Edgar Church copy; slightly lower in grade than most Mile High copies, but still flat, sharp, and very attractive. Like many of the Mile Highs, this copy has a "D" pencilled on the front cover. Own a piece of comics history with a book from this important collection! Overstreet 2003 VF 8.0 value = $353.
Adventure Comics #38 Mile High pedigree (DC, 1939) CGC VF- 7.5 Off-white to white pages. Appearing as new and sharp as its pre-hero companions, this copy has a few minor defects that keep it from the NM range, including a light crease and 1/2" tear on the front cover. But you'd never know it, because of how fresh it looks. As of this writing, this is the highest-graded copy of this book certified by CGC. Overstreet 2003 VF 8.0 value = $1,100.
Adventure Comics #40 (DC, 1939) CGC VG/FN 5.0 Cream to off-white pages. Featuring the first conceived story of Sandman, this coveted key issue has a cover by Creig Flessel showing us the Sandman in action, doing what he does best. Sandman first appeared in New York World's Fair 1939, but that story is believed to have been created after the one that appears in this issue. One of the rarest DC key issues, Adventure #40 has proven elusive to many collectors, rarely surfacing in any grade, and always commanding a premium. Considering the true scarcity of this gem in unrestored condition, it seems clear that this an excellent investment opportunity. According to the current census information, there are only 10 copies of this issue certified by CGC, and only one unrestored copy of this issue has received a higher grade than this one. Overstreet 2003 VG 4.0 value = $8,286; FN 6.0 value = $12,429.
Adventure Comics #42 (DC, 1939) CGC FN- 5.5 Cream to off-white pages. Classic Golden Age artist Creig Flessel already had an impressive body of work before 1940, including this, the second Sandman cover. Bob Kane, Wayne Boring, and Ogden Whitney help with interior artwork. The Photo-Journal Guide to Comic Books lists this issue as "scarce", and CGC has certified only five other unrestored copies to date. Overstreet 2003 FN 6.0 value = $2,001.
Adventure Comics #44 (DC, 1939) CGC FN/VF 7.0 Light tan to off-white pages. The distinctive style of Creig Flessel is a real treat on several early covers of this title, the Sandman is depicted here for the third time. Flessel also worked on the interior, joined by Bob Kane, and Ogden Whitney. Like several of the other early Sandman Adventure covers, Gerber rates this one as "uncommon." This comic also has the distinction of having an opium story inside. There are currently only two unrestored copies of this issue that have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $2,001; VF 8.0 value = $4,500.
Adventure Comics #46 (DC, 1940) CGC Apparent VF- 7.5 Slight (P) White pages. The ultimate Sandman cover of the run. A combination of balance, color, and style make this image of the Sandman by Creig Flessel the definitive depiction of this fantastic Golden Age hero. Gerber rates this issue as "uncommon," and the current CGC census certainly bears that out; this is far and away the highest graded of the four certified copies to date, the second highest grade given for this issue is a mere GD/VG! CGC notes, "Restoration includes: tear seals, spine split sealed, cover reinforced." Overstreet 2003 GD 2.0 value = $459; VG 4.0 value = $918; FN 6.0 value = $1,377; VF 8.0 value = $3,098.
Adventure Comics #47 (DC, 1940) CGC VG/FN 5.0 Tan to off-white pages. Creig Flessel, the artist for this Sandman cover, isn't the only Golden Age great represented in this early issue of DC's second-oldest comic book series. Inside you will find work by Bob Kane, Jerry Siegel, Joe Shuster, and Ogden Whitney. And if none of these names is familiar, we have a Comics 101 course you need to take! Gerber estimated this issue to be "uncommon," and whatever copies are out there must be generally low-grade. To date, only one unrestored CGC graded copy of this issue has received a higher grade than this one, and that one only earned a grade of FN/VF 7.0. Overstreet 2003 VG 4.0 value = $918; FN 6.0 value = $1,377.
Adventure Comics #48 Larson pedigree (DC, 1940) CGC Apparent NM- 9.2 Slight (A) Off-white to white pages. Bernard Baily's stylish cover introduces the first appearance of Hourman to the world. This issue also features a Sandman story and Bob Kane art. While this issue may have some slight amateur restoration, it is a Larson pedigree and has exceptional colors and crisp corners. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2003 GD 2.0 value = $2,133; VG 4.0 value = $4,266; FN 6.0 value = $6,400; VF 8.0 value = $16,000; VF/NM 9.0 value = $24,000; NM 9.4 value = $32,000.
Adventure Comics #51 (DC, 1940) CGC VF- 7.5 Off-white to white pages. In the infant years of comics' Golden Age, Creig Flessel's cover art on this title stood out and helped define DC's leadership among comic publishers. One of his signature qualities was attention to facial expressions, evidenced here even on the masked Sandman. This is the last cover of Adventure Comics to feature the original, gas-masked Sandman. Gerber rates this issue as "uncommon." Overstreet 2003 VF 8.0 value = $2,050.
Adventure Comics #64 "D" Copy pedigree (DC, 1941) CGC VF 8.0 Off-white to white pages. Jack Burnley's Starman gives the heave-ho to his would-be assailant, sending him sailing across the room with one swing of his cosmic rod. This sweet Golden Age DC comic also stars the Sandman, and has art by Jerry Siegel and Joe Shuster. Featuring deep cover colors, this handsome copy has only minor peripheral wear to keep it from the higher grades. In fact, there is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,169.
Adventure Comics #66 (DC, 1941) CGC VF- 7.5 Cream to off-white pages. Introducing new superheroes was a regular feature of DC's second-oldest series, and in this issue the reader is treated to the first appearance and origin of the Shining Knight. Arguably the finest DC covers of the day showed up on this title, and here it's Jack Burnley doing the honors. Burnley, Bernard Baily, Creig Flessel, and Jerry Siegel/Joe Shuster offer story art. This is the highest-graded copy of issue #66 among four unrestored copies certified by CGC to date. Overstreet 2003 VF 8.0 value = $1,413.
Adventure Comics #68 (DC, 1941) CGC VF 8.0 Off-white to white pages. Jack Burnley's Starman covers for this title are some of his more memorable, and this one was about midway through Burnley's 12 consecutive issue Starman cover run. Burnley, Bernard Baily, Creig Flessel, and Jerry Siegel/Joe Shuster contribute interior art. CGC hasn't certified a copy nicer than VF/NM 9.0 yet for issue #68, and our offering is the second-highest graded in CGC's census at this writing. Overstreet 2003 VF 8.0 value = $1,169.
Adventure Comics #82 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. CGC's highest-graded copy of this Sandman-covered issue to date shows off the signature Golden Age handiwork of Joe Simon and Jack Kirby. Simon & Kirby also contribute interior art, as does Bernard Baily, and Mort Meskin. CGC notes, "From the collection of Nicolas Cage." Overstreet 2003 VF 8.0 value = $738; VF/NM 9.0 value = $1,049.
Adventure Comics #97 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. The Sandman and Sandy attempt to prevent an alien invasion on this frenetic cover by Joe Simon and Jack Kirby. In addition the Sandman story, Starman and the Shining Knight also rate interior features. A great copy of this books, it has no major defects and offers plenty of "eye-appeal." There are currently only three copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $600; VF/NM 9.0 value = $850.
Adventure Comics #98 (DC, 1945) CGC NM 9.4 Off-white to white pages. This surreal cover has Jack Kirby's stamp on it, or does it? Among his many artistic talents, Jack Kirby had a flare for the bizarre and grotesque, and The Photo-Journal Guide to Comic Books gives "The King" credit for this cover. Overstreet credits no one for this cover, but The Grand Comics Database Project has a logical theory: Gil Kane, who is also credited with having taken over the regular interior Sandman feature when Simon & Kirby bailed after issue #91. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $1,100.
Adventure Comics #99 (DC, 1945) CGC VF+ 8.5 Off-white to white pages. Jack Kirby was in his element penciling distorted figures, so he must have felt right at home drawing Sandman, Sandy, and their fun-house, mirror-image counterparts on this cover. Gerber estimates a "less than average" number of copies of this issue still exist, and to date, CGC has certified only three other copies of issue #99 with a higher grade. Overstreet 2003 VF 8.0 value = $600; VF/NM 9.0 value = $850.
Adventure Comics #103 (DC, 1946) CGC NM- 9.2 Cream to off-white pages. This is a milestone issue of Adventure. For starters, it was the first issue of this title to feature Superboy. Also, Green Arrow, Aquaman, and Johnny Quick made their move from More Fun Comics with this issue. The smaller logo made its first appearance here as well. To top it all off, this is a fantastic copy with incredible deep color, a spotless spine, and flat, clean surfaces. Wonderful stuff, friends. Overstreet 2003 NM 9.4 value = $3,600.
Adventure Comics #108 (DC, 1946) CGC VF+ 8.5 Cream to off-white pages. Superboy and some of his cohorts' move from More Fun Comics a few issues earlier had jazzed up this mainstay DC title. Johnny Quick (with art by Mort Meskin), Aquaman, Green Arrow, and the Shining Knight share the pages with the Boy of Steel. Rich, clean colors mark the cover of this copy, which is just a half-grade shy of the highest grade CGC has certified to date for #108. Overstreet 2003 VF 8.0 value = $488; VF/NM 9.0 value = $694.
Adventure Comics #115 "D" Copy pedigree, Double Cover (DC, 1947) CGC NM 9.4 cream to off-white pages. This uncommon comic, starring Superboy, is both a pedigree issue and a double cover comic -- talk about rare! And even more unusual, both covers are equally nice; CGC notes, "1st cover 9.4, interior cover 9.4." While there appears to be a slight dust or sun shadow along the right-hand edge, the color on the outside cover looks great. Overstreet 2003 NM 9.4 value = $775.
Adventure Comics #116 (DC, 1947) CGC VF+ 8.5. Superboy averts a small-scale disaster on this cover by Jack Burnley. The colors on this high grade beauty are absolutely brilliant. Overstreet 2003 VF 8.0 value = $419; VF/NM 9.0 value = $597.
Adventure Comics #119 Mile High pedigree (DC, 1947) CGC NM+ 9.6 White pages. Superboy hand-squeezes coconuts on this super, high-grade Golden Age issue featuring Jack Burnley art. This copy is nearly flawless, with bone-white pages, and is from what is arguably the most important collection of comics ever to be discovered. This is currently the only copy of this issue that CGC has encapsulated. Overstreet 2003 NM 9.4 value = $775.
Adventure Comics #210 (DC, 1955) CGC Apparent FN+ 6.5 Slight (P) Off-white pages. This is the key issue that introduced Krypto, Superboy's pet "Superdog" to the world. A favorite issue of all dog-loving comic collectors, this comic continues to grow in demand. It's also fun to see Curt Swan's original pink-muzzle version of Krypto, before all-white became the accepted style. Only three copies of this issue have been graded higher by CGC to date. CGC notes, "Restoration includes: glue on spine of cover, reinforced, staples cleaned." Overstreet 2003 GD 2.0 value = $271; VG 4.0 value = $542; FN 6.0 value = $813.
The Adventures of Bob Hope #2 (DC, 1950) CGC VF 8.0 Off-white to white pages. Second issues of a title are generally tougher to locate than the first issue. Seeing as CGC has certified five copies of #1 and only two copies of #2 (of which this is by far the nicest) this might just be the case. This bright, clean book has a photo cover of Old Ski Nose ogling a passing beauty. Overstreet 2003 VF 8.0 value = $500.
All-American Comics #1 (DC, 1939) CGC FN+ 6.5 Cream to off-white pages. The future home of Green Lantern, this very early DC title (released just after Action #1) featured a collection of humor and adventure strips. Making his first appearance here is Hop Harrigan, who would stick around for another 98 issues. Also debuting is Scribbly by Sheldon Mayer, a favorite of many young fans. This is a solid, unrestored copy, with the only major problem being a detached centerfold. This one doesn't turn up this nice often! Overstreet 2003 FN 6.0 value = $2,100.
All-American Comics #16 (DC, 1940) CGC VG+ 4.5 Cream to off-white pages. After the Big Four of Action Comics #1, Detective Comics #27, Marvel Comics #1, and Superman #1, Overstreet lists this milestone issue on its Top Golden Age Books list. Overstreet calls it "rare", while Gerber designates it "scarce", but you get the picture. To date, CGC hasn't awarded a higher grade than FN- 5.5 for an unrestored certified copy, so don't eschew this because you feel the grade isn't high enough. This is one of the nicest copies you will find of the book that has the origin and first appearance of the Golden Age Green Lantern. Sheldon Moldoff is responsible for the cover, while creator Martin Nodell does the GL story inside. DC's other Sheldon, of the Mayer variety, also contributes with a Scribbly feature. Overstreet 2003 VG 4.0 value = $17,420.
All-American Comics #23 (DC, 1941) CGC FN 6.0 Cream to off-white pages. Most of the early issues featuring Green Lantern are Gerber "uncommon" at best. The copies that do show up are rarely high-grade, and this issue offers a prime example. At FN 6.0 our offering is one of just two copies of issue #23 that CGC has certified to date, the other copy earning FN+ 6.5. Sheldon Moldoff provides the signature cover. Overstreet 2003 FN 6.0 value = $834.
All-American Comics #40 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. This dark cover, by Irwin Hasen, features our favorite ringed warrior giving an exotic warrior a severe thrashing as an oversized Doiby Dickles looks on. To date no other copy of this issue has been certified higher by CGC. Overstreet 2003 VF 8.0 value = $813; VF/NM 9.0 value = $1,157.
All-American Comics #53 Hawkeye pedigree (DC, 1943) CGC VF/NM 9.0 White pages. Starring Green Lantern, this is an amazing copy of this tough-to-find book. Since this issue has solid black bands running across the top and the bottom, very few copies have survived in even Fine condition. This is the highest-graded copy that CGC has seen so far, so this may be the best one around. Overstreet 2003 NM 9.4 value = $1,050.
All-American Comics #71 Big Apple pedigree (DC, 1946) CGC VF/NM 9.0 Off-white pages. This supremely attractive copy has earned the highest grade CGC has assigned yet for this issue. Gerber rates the issue "uncommon," just another reason you should hazard a bid. It's a great looking comic, except for a small color flake (not a chip) on the back cover, it would surely have graded even higher. CGC notes, "2 inch tear on last page." Overstreet 2003 VF/NM 9.0 value = $619; NM 9.4 value = $800.
All-American Comics #75 (DC, 1946) CGC VF/NM 9.0 Off-white pages. A fantastic Paul Reinman cover is featured on this superb copy. These old issues just don't turn up this nice very often, as a quick check with CGC will tell you -- to date, there is only one copy that grades higher than this one. It this one looks like it was read carefully once or twice, and put away -- for a long time! Now it's your time -- don't miss this one! Overstreet 2003 VF/NM 9.0 value = $619; NM 9.4 value = $800.
All-American Comics #77 (DC, 1946) CGC VF+ 8.5 Off-white to white pages. Green Lantern steps aside to let Hop Harrigan commandeer the cover spot of All-American Comics #77. Harrigan and Green Lantern are joined inside by Dr. Mid-Nite, Mutt and Jeff, and other features. This highest-graded example of this issue is joined on CGC's current census by only one other copy. The cover colors are rich and bright, the staples are nice and tight, and the pages are off-white to white. All right! Overstreet 2003 VF 8.0 value = $438; VF/NM 9.0 value = $619.
All-American Comics #85 Big Apple pedigree (DC, 1947) CGC VF+ 8.5 Light tan to off-white pages. As in the tradition of Robin the Boy Wonder and Bucky, Doiby Dickles manages to get ambushed and kidnapped by thugs, putting Green Lantern in a position of saving his tail. This currently holds first place in grade in the CGC census, with only one other copy certified at this writing. Overstreet 2003 VF 8.0 value = $438; VF/NM value = $619.
All-American Comics #89 Big Apple pedigree (DC, 1947) CGC VF+ 8.5 Off-white to white pages. Beautiful colors and pages adorn this copy of the issue that features the origin and first appearance of Green Lantern's friend/foe, Harlequin. According to CGC census, this is the second-highest graded copy of the issue. Overstreet 2003 VF 8.0 value = $663; VF/NM 9.0 value = $944.
All-American Comics #102 (DC, 1948) CGC VF 8.0 Off-white pages. This is the hard-to-find last issue of the run that features a great cover attributed to Alex Toth. Toth provided some of the interior art as well. This is a nice, tight copy, with vibrant cover colors. Overstreet 2003 VF 8.0 value = $1,738.
All-American Western #120 Mile High pedigree (DC, 1951) CGC NM 9.4 White pages. As the 1940s eased into the 1950s, changes in comic books started to appear at DC. This former super-hero title switched to cowboys in 1948, and finally turned to war stories by 1952. This beautiful copy, with cover art by Gil Kane and interior art by Alex Toth, has some of the most intense and rich cover colors you're likely to see. It was once part of the well-known Edgar Church collection of high-grade Golden Age comics. A few slight bindery problems (a small tear on the back cover, offset staples, a miniscule tear at the top left corner) don't detract from the overall beauty of the book. Overstreet 2003 NM 9.4 value = $185.
All-Flash #1 (DC, 1941) Condition: VF/NM. The first issue of Flash's solo series is packed wall-to-wall with the Speedster's stories, drawn by E. E. Hibbard. This title was a result of a contest DC held with its readers to determine which character deserved his own title. All-Flash would run 32 issues before fading into the sunset, along with many other superhero books, due to waning interest in the genre. The copy offered here is beautiful, having sharp edges, a tight spine, and deep colors. There is a 1/2" tear on the right side of the front cover that has been glued from the inside, but the tear is open, leaving a bit of residue around it. CGC could not encapsulate this book due to its size, and a consensus grade was achieved in its place. We believe the glue is minor enough to warrant a blue label if slabbed, hence the unrestored grade above. Overstreet 2003 VF/NM 9.0 value = $15,000; NM 9.4 value = $20,000.
All-Flash #1 (DC, 1941) CGC FN+ 6.5 Cream to off-white pages. One of the most important and popular characters in Golden Age DC universe, right after Superman and Batman, gets his own solo book. E. E. Hibbard is the artist here, and the stories include a retelling of Flash's origin. The title would prove to be a success, lasting 32 issues. With the waning of superhero popularity in the late 1940s, this, too, would pass. This above-average copy is clean and bright, with only minor wear around the edges to bring it down in grade. Overstreet 2003 FN 6.0 value = $4,000.
All-Flash #15 San Francisco pedigree (DC, 1944) CGC NM+ 9.6 White pages. The Flash is vividly displayed as he rifles through his case history files, on this fantastic Martin Nodell cover. This is close to a perfect copy, displaying exceptional page quality, deep, rich colors, sharp corners, and clean, flat surfaces. To date, this is the highest CGC-graded copy of this issue, and by a good margin too -- the next-best copy is certified as "only" VF/NM. Overstreet 2003 NM 9.4 value = $875.
All-Flash #18 Hawkeye pedigree (DC, 1945) CGC NM 9.4 Off-white to white pages. The magnificent condition of this book is the real story here. It hails from the great Hawkeye collection, so you are going to get exactly what you are hoping for with this one. It has a dark green background to the cover that has remained as new, totally unbroken by creases. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $875.
All-Flash #21 (DC, 1945) CGC FN+ 6.5 Cream to off-white pages. This issue of All-Flash features a Martin Nodell cover with an interesting premise - the Fastest Man Alive vs. the Slowest Man Alive! Hmm, who will win? You'll be a happy winner with this book, a pretty copy with great color and nice surface appearances. There is a small distributor scribble above the Flash, but it's not too distracting. There's a fun "Captain Tootsie" ad on the back drawn by C. C. Beck, too. Overstreet 2003 FN 6.0 value = $183.
All-Flash #23 (DC, 1946) CGC NM- 9.2 Off-white pages. Here is a beautiful, high-grade copy of All-Flash #23 with cover art by Martin Nodell. What wear there is, is visible primarily on the back cover; the front cover looks virtually immaculate. To date, only one copy of this issue has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $700.
All Star Comics #1 (DC, 1940) CGC VG+ 4.5 Cream to off-white pages. This early 1940s DC key issue kicks off a title that has a plethora of firsts, including the first team book (the Justice Society of America in issue #3), the first costumed super-heroine (Hawkgirl in #5), and the origin and first appearance of Wonder Woman (in issue #8), among others. Bernard Baily, Creig Flessel, and Harry Lampert create the cover for this issue that shows the Flash, Sandman, Spectre, and Ultra-Man in action. Overstreet 2003 VG 4.0 value = $2,360.
All Star Comics #2 (DC, 1940) CGC FN+ 6.5 Cream to off-white pages. With figure swipes of the Flash (from Flash Comics #8), and Green Lantern (from All American Comics #16), along with the Spectre, the cover on this second issue of this title brings Johnny Thunder to the hearts and minds of comics readers around the world. Martin Nodell, Shelly Moldoff, and Bernard Baily all contribute to this issue. The cover of this copy has great colors. Overstreet 2003 FN 6.0 value = $1,022.
All Star Comics #4 (DC, 1941) CGC VG 4.0 Off-white pages. This issue features the JSA's first adventure. Bernard Baily and Sheldon Moldoff do the art chores for this issue. While only a mid-grade copy, with a rat nibble on the top right corner, this example has great colors and a beautiful spine. Overstreet 2003 VG 4.0 value = $1,066.
All Star Comics #5 (DC, 1941) CGC VF+ 8.5 White pages. Featuring the introduction of Shiera Sanders as Hawkgirl, the first costumed superheroine in comics, All Star was gaining popularity with each issue. The black background along the top of this book shows all defects very readily, but this is a beautiful copy with wonderfully bright colors and unblemished, deep blacks on the cover. It's also got a virtually perfect spine, superior page quality, and only light wear along the back cover edge. And let's not forget the wonderful artwork by Bernard Baily and Sheldon Moldoff. CGC notes, "From the collection of Nicolas Cage." Overstreet 2003 VF 8.0 value = $3,000; VF/NM 9.0 value = $4,500.
All-Star Comics #6 (DC, 1941). CGC VF 8.0 White pages. In this issue, "The Justice Society of America Initiates Johnny Thunder!", as this wild character joins the JSA. This title is one of the most sought after by Golden Age DC comic collectors. This exceptional copy, with its richly hued cover colors and sharp looking spine, will make a worthy addition to any collection. Overstreet 2003 VF 8.0 value = $1875.
All Star Comics #7 (DC, 1941) CGC VG+ 4.5 Off-white pages. Superman, Batman, and the Flash make guest appearances in this keen issue, in part to help the Justice Society of America raise money for the orphans of World War II. Check out the front cover's formal appeal. Even that comedic sidekick of Green Lantern, Doiby Dickles, lends a hand to help the sons and daughters of those who made the ultimate sacrifice. This copy is solid with great colors. Overstreet 2003 VG 4.0 value = $672.
All Star Comics #8 (DC, 1942) CGC VG+ 4.5 Cream to off-white pages. The comics trivia question that sets apart the "dabblers" from the true Golden Age connoisseurs is this: What was Wonder Woman's first appearance? Wonder Woman #1? Nah, you're not even close. Sensation #1? Nope. It was this early issue of All Star that featured most important female character in all of super-hero comics in a nine-page back-up story. She didn't even rate a position on the cover, but her impact on the world of comic books would be tremendous. This is a solid, pleasing copy, certainly not the best, but far from the worst. One interesting note: there is a penciled "D" in the upper left hand corner, much like the prized fabled Mile High copies. Overstreet 2003 VG 4.0 value = $5,334.
All Star Comics #9 (DC, 1942) CGC VF+ 8.5 Off-white pages. J. Edgar Hoover was made an associate member of the JSA this issue... did he have a file on Max Gaines? The JSA members' girlfriends make a cameo appearance in this issue which has art by Sheldon Moldoff, Jack Burnley, and Bernard Baily. This solid copy has just enough corner and edge wear to keep it from higher grades, but is still an impressive Golden Age comic. Overstreet 2003 VF 8.0 value = $1,875; VF/NM 9.0 value = $2,663.
All Star Comics #9 (DC, 1942) CGC FN- 5.5 Off-white pages. In a most odd story, J Edgar Hoover is made an associate member of the Justice Society of America in this issue. Typical of DC covers of this era, this issue features the heroes trying to look their coolest as they ponder the fate of the world. The "girlfriends" of the members of the JSA also make appearances in this issue. Only some edge chipping at the bottom of the front cover prevents this copy from grading higher. Overstreet 2003 FN 6.0 value = $900.
All Star Comics #10 (DC, 1942) CGC VF 8.0 Off-white pages. Everett E. Hibbard draws Hawkman swooping down from the sky to join the rest of the Justice Society of America 500 years in the future on this cool cover. The Flash and Green Lantern make a cameo appearance, while the Sandman gets a new costume. This great copy has deep rich colors and a tight spine. Just two unrestored copies have earned higher grades from CGC to date, only one above VF+ 8.5. Overstreet 2003 VF 8.0 value = $1,875.
All Star Comics #12 (DC, 1942) CGC VF+ 8.5 Off-white to white pages. In what was perhaps a misogynistic move characteristic of the time period, who else but Wonder Woman would be fit to become the JSA secretary in this issue? She regretted her kind gesture almost right away as the wind-bag guys droned on and on as she tried to keep minutes for the team's meetings. We hope she at least she got to keep the change when the team sent her out for donuts! Bernard Baily, Jack Burnley, and Sheldon Moldoff all worked on art for this issue. CGC notes, "Very minor amount of glue on spine of cover." Overstreet 2003 VF 8.0 value = $1,656; VF/NM 9.0 value = $2,355.
All Star Comics #15 Mile High pedigree (DC, 1943) CGC VF+ 8.5 White pages. Brain Wave makes his first appearance in this issue which also features his origin. Hawkgirl, Shiera Sanders, makes an appearance in this issue that spotlights art by Joe Simon and Jack Kirby on the Sandman chapter. CGC notes "Very minor amount of color touch on cover. Very minor amount of glue on cover." Overstreet VF 8.0 value = $1,550; VF/NM 9.0 value = $2,200.
All Star Comics #21 (DC, 1944) CGC VF- 7.5 Off-white to white pages. The Justice Society of America welcomes in the new year (1944, that is) on the cover of this issue. The Spectre and the Atom make cameos appearances, while Dr. Fate and Sandman end their JSA stints. This is a very attractive copy, flat and sharp; however, CGC notes a "very minor amount of color touch on cover; very minor amount of glue on cover." There is also a small distributor's scribble below the title. As a bonus, there's a cool C. C. Beck "Captain Tootsie" ad on the back cover. Overstreet 2003 VF 8.0 value = $1,000.
All Star Comics #21 (DC, 1944) CGC VG/FN 5.0 Off-white to white pages. The Justice Society of America welcomes 1944 on the cover of this issue. Inside, we have the final JLA appearances of Dr. Fate and Sandman, while the Spectre and the Atom drop by for cameos. This copy looks to be a well-preserved one, obviously read but not abused. The colors still look bright, and the few stress lines along the spine are very minor. Joe Kubert and Shelly Moldoff art. Overstreet 2003 VG 4.0 value = $320; FN 6.0 value = $480.
All Star Comics #30 Pennsylvania pedigree (DC, 1946) CGC NM- 9.2 Off-white to white pages. Martin Nodell provides the cover art for this issue, as the Justice Society are menaced from above by anthropomorphic beasts and otherwise inanimate objects in a surrealistic tale, "Dreams of Madness." Joe Kubert provides art for the Hawkman chapter and Gardner Fox writes the script. Also in this issue are the Flash, the Atom, Doctor Midnight, Johnny Thunder, Green Lantern, and Wonder Woman. Overstreet 2003 NM 9.4 value = $1,425.
All Star Comics #32 (DC, 1947) CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. The first super team battles it out with the Psycho Pirate again in this book-length adventure. Six of the seven deadly sins (maybe gluttony was out for lunch) wreak havoc on our heroes in a colorful cover, by Martin Nodell, that is reminiscent of a rainbow cover. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned." Overstreet 2003 GD 2.0 value = $124; VG 4.0 value = $248; FN 6.0 value = $372; VF 8.0 value = $775.
All Star Comics #43 (DC, 1948) CGC VF 8.0 Off-white to white pages. Irwin Hasen's cover is busy enough to make Schomburg sit up and take notice. Besides the battalion of JSA members, he even manages to squeeze in an impressive giant robot. The famous title was nearing the end of its illustrious run at this point, but there is no indication here of a slowdown in the action. This issue even sported a new logo. Overstreet 2003 VF 8.0 value = $719.
All Star Comics #57 (DC, 1951) CGC NM- 9.2 Off-white to white pages. Underrated artist Arthur Peddy served up this final issue of the Golden Age run, which also marked the last Golden Age appearances of the Flash, Green Lantern, and Dr. Mid-Nite. The issue is rated as "scarce" by Gerber, and this copy is the nicest that CGC has graded to date of the final issue, which was transformed into All Star Western within two months. This just happens to have the highest grade yet assigned by CGC for this issue so if you demand the best here is your chance. Overstreet 2003 NM 9.4 value = $1,900.
Batman #1 (DC, 1940) CGC Apparent VF+ 8.5 Moderate (P) Off-white to white pages. This is easily one of the most recognizable and classic of all covers drawn by Batman creator Bob Kane. Inside, there is a text article with a photo of Kane, and a reprint of Batman's origin, as well as an awesome pin-up on the back cover by him that beckons readers to "Cut out and frame." Fortunately, the original owner of this copy declined the tempting invitation to snip this first back cover poster of the Boy Wonder and Caped Crusader. This issue contains a plethora of other firsts that were all originally intended to be published in Detective Comics, including: the first appearance of Batman's most famous enemy - the Joker; the first villainess in comics, the Cat (Catwoman, really); and the first mention of Manhattan as the Dynamic Duo's city of residence. As far as this example goes, it is splendid even with the restoration. It has incredible eye-appeal and bright hues. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced." Overstreet 2003 GD 2.0 value = $6,767; VG 4.0 value = $13,534; FN 6.0 value = $20,300; VF 8.0 value = $49,060.
Batman #1 (DC, 1940) CGC VF 8.0 Cream to off-white pages. One of the most important and influential comics of all time, this landmark book currently ranks as number six on Overstreet's listing of the Top Golden Age Comics. An almost overnight sensation, Batman exploded into the public consciousness in 1939 with the publication of Detective #27. Scarcely a year later, he and his youthful ward, Robin the Boy Wonder, were awarded their own book, joining Superman as one of DC's headliners. The front cover, with a grinning Batman and Robin swinging over the rooftops of a sleeping city, is an image familiar to millions, having become an almost iconic image. The most recent CGC census information available to us has only two other copies of this issue graded higher (and not by much). Unrestored key books like this are becoming rarer and rarer in the marketplace, making this a treasure on so many levels. This copy must be seen to be believed and appreciated, so treat yourself with a long look at the first issue of an American classic going strong over 600 issues and 60 years later. Overstreet 2003 VF 8.0 value = $49,060.
Batman #1 (DC, 1940) CGC FR/GD 1.5 Cream to off-white pages. One of the most important books of all time, in a condition the beginner can afford. This book has the first appearances of two of Batman's major villains, the Joker and the Cat (later Catwoman). Also Batman's origin is reprinted from Detective #33. This book is unrestored, with a loose cover and loose centerfold. Tape has been removed from the spine and a shadow was left by that. Still, a very desirable book. Overstreet 2003 GD 2.0 value = $6,767.
Batman #3 (DC, 1940) CGC VF 8.0 Off-white to white pages. Black covers are always a wonder to behold when in high grade and this is a perfect example. The smudges and creases that show up so clearly are noticeably absent on this high grade wonder. Catwoman also models her costume for the first time in this issue becoming the first costumed villainess in comics. You will be hard pressed to find a more appealing copy of this early book. Overstreet VF 8.0 value = $5,500.
Batman #3 (DC, 1940) CGC GD/VG 3.0 Off-white to white pages. The classic Bob Kane and Sheldon Moldoff cover is backed by the first appearance of the Puppet Master and the first Catwoman in costume. Whether you're looking for an economical copy until you find a higher grade (or get a raise), or are just looking for a complete copy of one of the earliest issues of a legendary run, this copy deserves your consideration. Overstreet 2003 GD 2.0 value = $815; VG 4.0 value = $1,630.
Batman #5 (DC, 1941) CGC VF- 7.5 Off-white to white pages. This terrific early issue of Batman has the first appearance of the Batmobile with the "bat head" on the front. There is also a very early appearance of the Joker. A really nice book featuring a classic cover by Bob Kane, where Batman and Robin appear to be judge and jury over a bunch of criminal types; Kane also provides interior art for this issue. While not a pedigree comic, this copy has a cover with the brilliant colors, deep blacks, and pure whites, that would make this issue at home among comics from the best "name" collections. Overstreet 2003 VF 8.0 value = $3,150.
Batman #6 (DC, 1941) CGC FN/VF 7.0 Cream to off-white pages. Jerry Robinson contributes a swinging cover on this issue, another of the early covers that could qualify as a "classic" if we collectors were to vote on the subject. By most accounts Robinson also worked on the interior, possibly along with creator Bob Kane. This is a nice copy, not quite high grade, but very close. It does have a store stamp on the front cover. Overstreet 2003 FN 6.0 value = $1,269; VF 8.0 value = $2,750.
Batman #10 (DC, 1942) CGC VG 4.0 Off-white pages. Generally our venerable experts and expert resources agree on the identity of artists who have contributed to an issue, but there is some discrepancy in this case. Is it Fred Ray on the cover of this issue? Or Jerry Robinson? Both? Inside, is it Jack Burnley? Creator Bob Kane? Robinson? Ray? A combination thereof? Fortunately each of the aforementioned gave us classic work on the character that rivals Superman as DC's most popular. In this issue Catwoman shows off a new costume. CGC notes, "Very minor amount of glue on cover." Overstreet 2003 VG 4.0 value = $672.
Batman #11 (DC, 1942) CGC NM 9.4 Off-white to white pages. What a winning hand this deck of cards presents! This is the classic Joker "playing cards" cover by Fred Ray and Jerry Robinson, one of the most sought-after covers of the Golden Age. In addition, we also get a Penguin story along with one starring the Joker, making this a killer early issue. But oh, that cover! And the condition of this book is just incredible! It's by far the top copy to date as graded by CGC, with the next-best issue #11 coming in at VF/NM 9.0. Be prepared for some fierce bidding on this baby, as many, many years may go by before another copy even close to this nice turns up. Overstreet 2003 NM 9.4 value = $8,500.
Batman #15 (DC, 1943) CGC FN/VF 7.0 Cream to off-white pages. Batman and Robin pitch in with a machine gun to help the Allied cause and to promote war bonds and stamps on this great simple, unfettered cover by Jack Burnley. Catwoman tries out a new costume in this issue. Overstreet 2003 FN 6.0 value = $888; VF 8.0 value = $1,850.
Batman #17 Twilight pedigree (DC, 1943) CGC VF+ 8.5 Cream to off-white pages. Bob Kane's patriotic cover is a classic, and a Penguin appearance enhances the desirability of this great issue. Jerry Robinson and Jack Burnley join Kane in contributing interior art, giving this issue a real all-star line-up of artists. This is a relatively high grade for this issue, considering its mostly black front cover. There are currently only two unrestored copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,306; VF/NM 9.0 value = $1,853.
Batman #19 Spokane pedigree (DC, 1943) CGC VF/NM 9.0 White pages. Dick Sprang handles the cover art and all Batman features on the interior of this issue. Just the fact that this book has bone white pages is enough to send the high grade collectors into a feeding frenzy but it also has a Joker appearance. Joker appearances are always a sure bet to be more highly valued that their jokerless peers. This black cover is just about as nice as you could hope to find. Overstreet 2003 VF/NM 9.0 value = $1,697; NM 9.4 value = $2,200.
Batman #21 Crowley pedigree (DC, 1944) CGC VF+ 8.5 White pages. Some of the greatest covers in the history of comics were on the early issues of Batman. This great bucking bronco cover is a real beauty, and being a Crowley pedigree it has absolutely blazing colors. This issue introduces the first skinny Alfred the butler, and the Penguin makes an appearance. This book is worthy of hanging on your wall. Overstreet 2003 VF 8.0 value = $938; VF/NM 9.0 value = $1,332.
Batman #26 (DC, 1945) CGC Apparent VF+ 8.5 Slight (P) Cream to off-white pages. Move over Bat-car and Bat-plane -- here comes the amazing Bat-sled! It's perfect for the pursuit of skiing criminals, or just for scaring the hat off poor Alfred. A fun "feel-good cover," for which Jerry Robinson became known during the 1940s. He and the equally distinctive Dick Sprang share the inside artwork duties on the Batman features. CGC notes, "Restoration includes: color touch, tear seal, cleaned, reinforced." This comic looks great; the restoration is unobtrusive and professional in quality. Overstreet 2003 GD 2.0 value = $150; VG 4.0 value = $300; FN 6.0 value = $450; VF 8.0 value = $938.
Batman #29 (DC, 1945) CGC VF/NM 9.0 Off-white pages. Some of the greatest covers ever produced in comics come from the early Batman books. While relatively simplistic this cover packs a punch. The yellow on this book is as bright as it was decades ago. To date, no higher grade has been awarded to a copy of Batman #29. As a side note, the reason so many wartime DC covers are based on a yellow background is that during the war yellow ink was the most plentiful and the cheapest. Overstreet 2003 VF/NM 9.0 value = $1,332; NM 9.4 value = $1,725.
Batman #35 (DC, 1946) CGC VF/NM 9.0 Off-white pages. This killer book features the Catwoman in her new costume sans cat head mask so we can gaze upon her beauty. This high grade knock out will make itself at home in any top-notch collection. Overstreet VF/NM 9.0 value = $985; NM 9.4 value = $1,275.
Batman #40 (DC, 1947) CGC VF/NM 9.0 Off-white to white pages. Batman books with Joker covers and stories always command a premium. NO other bat-villain commands such attention but the Joker is probably the greatest foe in all comicdom and deserves to be elevated over the rest. For once the Dynamic Duo are getting a laugh at the Joker's expense instead of vice versa. The reflective yellow inks on this page just seem to glow. This is the perfect copy for that high grade collector. Overstreet 2003 VF/NM 9.0 value $1,350; NM 9.4 value = $1,750.
Batman #44 (DC, 1947) CGC VF+ 8.5 White pages. "Holy high grade comics, Batman!" As a matter of fact, only one other copy has been given a higher grade by CGC at this time. This issue's classic Joker cover by Jim Mooney is so rich in color that the image seems almost three-dimensional. The book is just plain nice with clean white pages, sharp corners, tight spine, and flat surface. This book will be the envy of any unfortunate enough not to own it. Overstreet 2003 VF 8.0 value = $950; VF/NM 9.0 value = $1,350.
The Big All-American Comic Book #1 (DC, 1944) CGC VF+ 8.5 Off-white pages. At 132 pages, this early DC annual could keep you entertained for days. A passel of artists, including Joe Kubert, E. E. Hibbard, and Sheldon Mayer, contribute to the superhero family photo-style cover, and the back offers 30-plus snapshots of the stars within. Kubert's first treatment of Hawkman, which would recur and endure into the Silver Age, is featured in this terrific one-shot. Squarebound books from the Golden Age are awfully tough to find in high-grade like this. At this date, CGC has graded only two copies of the issue any higher. Overstreet 2003 VF 8.0 value = $6,245; VF/NM 9.0 value = $9,373.
Boy Commandos #1 (DC, 1942) CGC VF- 7.5 Cream to off-white pages. Joe Simon and Jack Kirby were busy guys back in the great Golden Age of comics. Their work for DC was among the best of the era, and this feature, carried over from Detective Comics, was a huge hit. Some of Simon & Kirby's other creations joined in for this first issue - there are cameos from the Sandman from Adventure Comics, and the Newsboy Legion from Star Spangled Comics. The cover is considered a classic of World War II comics art. In addition, Liberty Belle makes her first appearance in these pages. This copy is very attractive and sharp. Overstreet 2003 VF 8.0 value = $3,500.
Boy Commandos #7 Pennsylvania pedigree (DC, 1944) CGC NM 9.4 Off-white to white pages. Simon and Kirby's cover looks positively smashing on this sparkling copy, currently ranked as the third best copy to be certified by CGC to date. Issued at times quarterly, and at other times bi-monthly, the series ran for only 36 issues, but did endure a healthy seven years, all but a few issues featuring S&K cover and/or interior art. Overstreet 2003 NM 9.4 value = $600.
Boy Commandos #10 (DC, 1945) CGC VF+ 8.5 Cream to off-white pages. Kirbyesque cover maintains the style of The King in this issue. The most recent CGC census data at this writing has this as the second best copy graded thus far, and we're not arguing the point. Overstreet 2002 VF 8.0 value = $330.
Boy Commandos #16 (DC, 1946) CGC NM 9.4 Off-white pages. After a successful beginning in Detective Comics, Simon and Kirby's team of youngsters wowed readers for seven years in their own series. This issue is stunning, exhibiting a perfect spine and razor-sharp edges. Only a lone dust shadow on the back cover is worth mention. This is the highest CGC-graded copy of this issue to date, and at NM 9.4, this could be the nicest in existence. Overstreet 2003 NM 9.4 value = $300.
Comic Cavalcade #1 (DC, 1942) CGC FN 6.0 Cream to off-white pages. One of DC's multi-superhero venues takes off with three favorites on the cover drawn by their respective artists; E. E. Hibbard on Flash, Irwin Hasen on Green Lantern, and H. G. Peter on Wonder Woman. The Black Pirate by Sheldon Moldoff, Ghost Patrol, and Red, White, and Blue are featured stories. Bubbling just under the Top 100 Golden Age Books, according to Overstreet, issue #1 would beget a run that would last a cool dozen years. The cardboard covers of the early issues guaranteed a high percentage would not endure in high-grade, so a copy such as this is uncommon. Overstreet 2003 FN 6.0 value = $2,667.
Comic Cavalcade #11 (DC, 1945) CGC NM- 9.2 Off-white to white pages. Wonder Woman, Flash, and Green Lantern make cover appearances on this high-grade gem. This immaculate book has a perfect spine, incredible page quality, and sharp corners. To find this square-bound giant in such pristine condition is a true rarity. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,100.
Comic Cavalcade #18 Ohio pedigree (DC, 1946) CGC NM- 9.2 White pages. The valiant turkey doesn't stand a chance against the trio of Wonder Woman, Flash, and Green Lantern. E. E Hibbard gets credit for the cute Thanksgiving-season cover art, while Hibbard, H. G. Peter, and Paul Reinman contribute art for the interior. This is an uncommonly bright, colorful copy, squarebound books from this era rarely survive in this condition. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,050.
Comic Cavalcade #21 Big Apple pedigree (DC, 1947) CGC VF/NM 9.0 Off-white to white pages. Starring the Flash, Green Lantern, and Wonder Woman, this comic has a charming and fanciful cover by E. E. Hibbard, and H. G. Peter provides the art for the Wonder Woman story inside. The brilliant reds and white on this cover really stand out and make you take notice that the condition is truly remarkable for a comic of this vintage. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $753; NM 9.4 value = $975.
Comic Cavalcade #22 Big Apple pedigree (DC, 1947) CGC VF/NM 9.0 Cream to off-white pages. The Atom makes an appearance in this issue, joining his JSA comrades Flash, Green Lantern, and Wonder Woman. Martin Nodell gives us a fun cover with our heroes enjoying a visit to the circus, while H. G. Peter handles the Wonder Woman story inside. This clean, solid issue enjoys a virtually perfect spine, and sharp corners and edges. The only notable defect is a light dust shadow at the bottom of the back cover. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $753; NM 9.4 value = $975.
Dale Evans Comics #9 Mile High pedigree (DC, 1950) CGC NM 9.4 Off-white to white pages. The photo cover of this issue features Dale and her horse, Buttermilk. Inside, Alex Toth renders masterful artwork. The peerless pedigree means unparalleled preservation, much easier to write than to say! No other copies of this issue have earned higher than Very Fine grades from CGC to date. Overstreet 2003 NM 9.4 value = $325.
Dale Evans Comics #1 (DC, 1948) CGC VF 8.0 White pages. This issue features Alex Toth art on the Sierra Smith back up story and a photo cover of the "Queen of the Westerns." This is a great copy that will make a nice addition to any collection of Western comics. Overstreet VF 8.0 value = $652.
Danger Trail #5 Palo Alto pedigree (DC, 1951) CGC NM- 9.2 Off-white pages. DC didn't miss with many of its offerings during the 1940s and 1950s, but this title was an exception, lasting only five issues. The concept seemed to do fine four years later when My Greatest Adventure was launched. Of the five issues, only issue #1 is not listed as "uncommon" or "scarce" by The Photo-Journal Guide to Comic Books, and some collectors feel this last issue is the rarest of the run. This is the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $785.
Platinum Age (1897-1937)
Detective Comics #1 (DC, 1937) CGC Apparent FN 6.0 Extensive (P) Cream to off-white pages. This is the scarce premiere issue that would help catapult DC from just another comics publisher, to a leader in the field. With a simple, and yet dramatic style, Vincent Sullivan's Chin Lung cover is easily one of the most memorable of all pre-hero DC covers. This issue contains a cornucopia of cool stories including: two stories by Superman creators Jerry Siegel and Joe Shuster ("Slam Bradley" and "Spy"); "Speed Saunders" by Fred Guardineer; and "Flat Foot Flannigan" by Paul Gustavson. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." The majority of the restorative work appears to have been done along the spine. Most of the cover appears to be unrestored and has tremendous appeal. Overstreet 2003 GD 2.0 value = $8,333; VG 4.0 value = $16,000; FN 6.0 value = $25,000.
Golden Age (1938-1955)
Detective Comics #27 (DC, 1939) CGC Apparent FN/VF 7.0 Moderate (P) Off-white to white pages. This monumental issue touts "The Amazing and Unique Adventures of The Batman!" but it seems DC didn't really realize the significance, because the announcement is dwarfed by the giant logo of the classic title. Today, of course, this comic book is the second most valuable of all, after Superman's debut in Action Comics #1. Co-creator Bob Kane provides the cover and interior art. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned." Very few restored copies have received higher Apparent grades from CGC, and the highest-graded unrestored copy to date checks in at just VF 8.0, making our offering one of the nicest-looking copies around. Overstreet 2003 GD 2.0 value = $31,000; VG 4.0 value = $62,000; FN 6.0 value = $93,000.
Detective Comics #29 (DC, 1939) CGC GD/VG 3.0 Cream to off-white pages. Before the Joker, Catwoman, or even Professor Hugo Strange, there was Dr. Death, Batman's first villain, and Detective #29 marks his debut. Other milestones for this landmark issue: it's Batman's third-ever appearance and his second cover. And what a cover it is, a stunning Bob Kane illustration featuring the grim Dark Knight's fearsome batwingspan! CGC notes, "Three pieces of tape interior cover spine." Here's your chance to own a piece of comics history! Overstreet 2003 GD 2.0 value = $2,733; VG 4.0 value = $5,466.
Detective Comics #31 (DC, 1939) CGC Apparent NM- 9.2 Moderate (P) Off-white pages. One of the most desirable Batman covers of all-time graces this classic issue of Detective Comics. This is Bob Kane at his best; note the dark and foreboding mood as the mist descends and clouds surround the castle. The bat in the center of the moon, the hooded villain with a skull and cross-bones on his chest carrying a limp and buxom victim back to his lair make this gothic cover an absolute must have for any serious collector. This book features many firsts: including the first Batplane (Bat-Gyro), Bruce Wayne's first love interest (Julie Madison), first Batarang use, and first mention of where Bruce Wayne lives (New York City). Gardner Fox also takes over the script duties from Bill Finger. While this copy has moderate professional restoration, it is truly exceptional in every respect: tight corners, tight staples, glossy cover with deep colors, and excellent cover gloss. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $2,733; VG 4.0 value = $5,466; FN 6.0 value = $8,200; VF 8.0 value = $20,500; VF/NM 9.0 value = $30,750; NM 9.4 value = $41,000.
Detective Comics #31 (DC, 1939) CGC VG 4.0 Cream to off-white pages. Bob Kane and Jerry Robinson create a classic cover for this early Golden Age milestone, merely four months after the Dark Knight's first comic book appearance. This issue occasioned a plethora of "firsts" in its own right, with the first Batplane, the first Batarang, the first Monk, and the first Julie Madison, Batman's first love interest. Only two unrestored copies of this issue have earned a grade as high as Fine 6.0 from CGC at this point, and none better than Very Fine, making this mid-grade all the more attractive. Overstreet 2003 VG 4.0 value = $5,466.
Detective Comics #32 (DC, 1939) FN- 5.5 Off-white to white pages. This early Batman vehicle is a book of firsts; the first appearance of Dala (Monk's assistant), Batman's first use of a gun, not to mention the first time any superhero used a gun in comic books, and the first Batman head logo on a cover. Golden Age giants Fred Guardineer (cover), Bob Kane, Jerry Siegel, and Joe Shuster provide art. There is currently only one unrestored copy of this issue that has been graded higher by CGC. Overstreet 2003 FN 6.0 value = $1,779.
Detective Comics #34 (DC, 1939) Apparent FN/VF 7.0 Slight (P) Off-white pages. Creig Flessel's Crimson Avenger illustration displaces Batman from the cover spot, but this issue of Detective was the last without Batman on the cover! The interior contains a classic splash that was recycled the next year in Batman #1. CGC notes, "Restoration includes: color touch, piece added, cover and centerfold reinforced." Overstreet 2003 FN 6.0 value = $1,377; VF 8.0 value = $3,098.
Detective Comics #38 (DC, 1940) CGC VG- 3.5 Light tan to off-white pages. Making his grand debut appearance this issue is Robin the Boy Wonder, the greatest kid sidekick ever created. The addition of Robin (aka Dick Grayson) to the somewhat grim Batman stories would effectively lighten the tone of this series, which made the feature more popular than ever. Bob Kane and Jerry Robinson get the art credits here. This copy has its share of problems; there's a split spine at the top of the book to the first staple, there's a small name written near the top of Robin's cape, the bottom right hand corner has some light chew marks, and the paper is starting to turn tan; still, this is still a pretty solid and attractive copy of a very important Golden Age key issue. Overstreet 2003 VG 4.0 value = $6,666.
Detective Comics #39 (DC, 1940) CGC Apparent VF+ 8.5 Slight (P) Off-white pages. Batman is taking care of business as usual on the great cover of this early Golden Age book. This issue features a famous opium storyline. A very clean book, with brilliant colors that jump right off the cover, this was obviously already a very nice copy before any restoration. The restoration is very slight, with the CGC notes reading, "Restoration includes: color touch, tiny piece added, splits sealed, reinforced." To date, no unrestored copies of this issue have been graded as high by CGC. Overstreet 2003 VF 8.0 value = $3,750; VF/NM 9.0 value = $5,625.
Detective Comics #40 (DC, 1940). CGC FN- 5.5 Off-white pages. The Joker may be trying to disguise himself, but he is actually making his first appearance on a cover of Detective Comics. This book is also the origin and first appearance of the one of Batman's major villains, Clayface. A solid mid-grade copy, this book is perfect for some who is looking for a major Batman key, but doesn't want to sell their house to obtain one. CGC notes: "very minor amount of glue on spine of cover." Overstreet 2003 FN 6.0 value = $1,956.
Detective Comics #47 (DC, 1941) CGC VF- 7.5 Light tan to off-white pages. Robin swings into action against two thugs on this awesome pre-war Batman cover. Bright whites, vivid yellows, and deep blues make this unrestored book a sight to behold. The only visible defect is a slight rounding of the corners, and a small bindery tear at the bottom of the spine. It is worthy of note that, to date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,388.
Detective Comics #89 San Francisco pedigree (DC, 1944) CGC NM- 9.2 White pages. Dick Sprang illustrates this cover as Batman and Robin battle the Cavalier. Also inside are Air Wave by George Roussos, the Crimson Avenger, in his final appearance, by John Daly, Private Pete by Henry Boltinoff, Slam Bradley by Martin (Nodell) Naydel, and the Boy Commandos by Louis Cazeneuve. This is a superb copy of this issue, with white pages -- there are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,050.
Detective Comics #90 Rockford pedigree (DC, 1944) CGC NM- 9.2 Cream to off-white pages. Rockford pedigreed books are known for their bright and "new" look, and this beauty is no exception. This comic is almost completely free from defects, and will be a welcome addition to any Golden Age collection. The cover and interior artwork are by Dick Sprang. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,050.
Detective Comics #91 (DC, 1944) CGC NM- 9.2 Off-white pages. The Joker is feeling sophomoric but the Boy Wonder is his equal in juvenile pranks, on this Dick Sprang cover. This gorgeous book has the look and page quality of a pedigree book but may not command the premium price of a book from a "name" collection. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,300.
Detective Comics #96 (DC, 1945) CGC VF/NM 9.0 Off-white to white pages. The colors leap off the cover of this arresting copy, which is bested in grade by only two other copies, according to CGC's most recent census data. Dick Sprang and Jack Burnley contribute art to this issue. Overstreet 2003 VF/NM 9.0 value = $675; NM 9.4 value = $875.
Detective Comics #97 Crowley pedigree (DC, 1945) CGC VF/NM 9.0 White pages. Dick Sprang's cover is showcased proudly by this gorgeous copy, the second-highest rated copy of issue #97 in CGC's census at this writing, and way ahead of the third best copy, which is lagging behind in Fine/Very Fine. Just a little edge wear and a few spine stresses keep this sweet comic from scoring even higher. Overstreet 2003 VF/NM 9.0 value = $675; NM 9.4 value = $875.
Detective Comics #100 (DC, 1945) CGC FN+ 6.5 Off-white to white pages. Detective celebrates its first centennial with Batman rushing to Robin's rescue on this lively Dick Sprang cover. Jack Burnley illustrates the Batman tale inside, with Air Wave, the Boy Commandos, Slam Bradley, and other features rounding out this anniversary issue. Overstreet 2003 FN 6.0 value = $375.
Detective Comics #109 Ohio pedigree (DC, 1946) Apparent FN+ 6.5 Slight (P) Off-white to white pages. Golden Age appearances by the Joker are desirable among collectors, and Joker covers even more so. Take a gander at this Detective #109 cover by Jack Burnley and you'll see why: The ghastly white pallor of the Clown Prince of Crime attracts the reader's attention like a bull's-eye. The Joker has been noticed by Batman and Robin, too! This issue also includes art by Win Mortimer and George Roussos. CGC notes, "Very minor amount of glue on cover." Overstreet 2003 GD 2.0 value = $98; VG 4.0 value = $196; FN 6.0 value = $294.
Detective Comics #120 Mile High pedigree (DC, 1947) CGC NM 9.4 White pages. When it comes to hot Golden Age material, few collectors would deny that this well-known Penguin-cover issue is among the most desirable. Overstreet mentions that this white cover is rare in high grade (as many copies fell victim to bindery problems); this copy is quite possibly the best in existence. It's from the legendary Edgar Church Mile High collection, and unlike most of the books found in that horde which had arrival dates penciled in, this copy has no markings on the cover. This is a near-spotless copy, a true beauty, and the highest-graded copy by CGC to date. Overstreet 2003 NM 9.4 value = $1,900.
Detective Comics #121 Mile High pedigree (DC, 1947) CGC NM+ 9.6 Off-white to white pages. Everybody needs at least one Mile High book in their collection and this is just the one that'll make you proud. This killer copy has all the features that make Mile High books the most desired in the collecting world. The ink saturation and reflectivity on the cover is absolutely unimprovable. You can be assured you are bidding one of the best because, according to CGC's current census, this is by far the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $785.
Detective Comics #140 (DC, 1948) CGC NM 9.4 Off-white to white pages. One of Batman's greatest arch-adversaries, the Riddler, has his origin and first appearance in this issue. Win Mortimer, one of the most prolific of all the artists who took a turn on the Caped Crusader, created this memorable cover. Other DC stalwarts Dick Sprang and Curt Swan contribute interior art. And now, a word about the condition of this copy: Goodgoshamighty! This key issue is rarely found in high grade, probably because of the abundant yellow background. CGC's latest census asserts that only three other copies have earned so much as a VF 8.0 certification, and none but this stunning copy has graded higher than VF 8.0! One of the gems of this auction. Overstreet 2003 NM 9.4 value = $5,800.
Detective Comics #178 Mile High pedigree (DC, 1951) CGC VF/NM 9.0 Off-white to white pages. Batman takes up a white flag and surrenders to an "underworld army" on this cover by Win Mortimer. It's one of those odd scenarios that enticed legions of children to spend their dimes in order to read the story. This choice comic has the page quality and ink reflectivity that makes the Mile High pedigree so desirable. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet VF/NM 9.0 value = $433; NM 9.4 value = $560.
Detective Comics #225 (DC, 1955) CGC FN/VF 7.0 Cream to off-white pages While not Showcase #4 this book is still an integral part of the dawn of the Silver Age. Though the new Flash didn't debut until the next year John Jones, Manhunter from Mars, was arguably the first new character of the post-Golden Age era. This is a very tough to locate book and even then most copies are usually low grade. Our offering is among the nicest to be had. Amazingly, the highest copy yet graded by CGC is VF- and we have one that is just shy of that mark. A high grade example of this book may just not exist. Despite that this copy will still tickle the fancy of any collector. Overstreet 2003 FN 6.0 value = $1,077; VF 8.0 value = $3,231.
Flash Comics #1 (DC, 1940) CGC Apparent FN/VF 7.0 Extensive (P) Off-white pages. Only the most key of the Golden Age keys surpass this important issue on Overstreet's Top Golden Age Books list. Currently in eighth place, just below Captain America Comics #1, and just ahead of Whiz Comics #2 (#1), this is a book of firsts; the origin and first appearances of the Flash, Hawkman, the Whip, and Johnny Thunder, plus the first appearance of Shiera Sanders, who later becomes Hawkgirl. Sheldon Moldoff offers an eye-catching cover, and contributes story art, as does Harry Lampert. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $6,133; VG 4.0 value = $12,266; FN 6.0 value = $18,400.
Flash Comics #1 (DC, 1940) CGC FN- 5.5 Cream to off-white pages. One of the classic DC keys, this introductory issue features the first appearance of Hawkman, Hawkgirl (as Shiera Sanders), and the legendary Flash. The series would run 104 issues, enjoying success throughout the '40s and proving itself as one of DC's mainstays. Shelly Moldoff, Hawkman's preeminent artist, was assigned the cover, creating a classic image that has only grown in fandom's conscience. Overstreet ranks this issue as the eighth most valuable Golden Age comic, a position that has been earned through years of meteoric jumps in price and demand. This copy is unrestored with very nice pages and most of its wear limited to the spine area. There is a 2 1/4" tear on the right side of the front cover, but because of minimal color loss, does not mar the appearance of the book. No doubt this book would have graded much higher if not for the tear. Thirty interior pages and the inside back cover have a date stamp on them. A truly magnificent book, Flash #1 is capable of turning the heads of even the most jaded collectors. Overstreet FN 6.0 value = $18,000.
Flash Comics #2 (DC, 1940) CGC VF- 7.5. A rule of thumb is that second issues are scarcer than the first issues and this book definitely falls under those guidelines. CGC has graded 24 copies of the highly coveted first issue but only five of the second. To top it off this book holds the highest grade yet attributed by CGC. This book is also the first time Hawkman ever appeared on a cover and only his second appearance for that matter. Overstreet VF 8.0 value = $4,847.
Flash Comics #5 Rockford pedigree (DC, 1940) CGC VF/NM 9.0 Cream to off-white pages. This is the last issue with a cover feature other than the Flash or Hawkman. The Whip makes his one and only cover appearance. Just a few copies of this issue have been certified by CGC to date, and our offering challenges as the most attractive. This is the highest graded unrestored copy and displays very impressively. Being the fifth appearance of the Flash and Hawkman guarantees that this book can only increase in value. Overstreet 2003 VF/NM 9.0 value = $3,150; and NM 9.4 value = $4,200.
Flash Comics #11 (DC, 1940) CGC VF/NM 9.0 Off-white pages. Some of the greatest DC covers ever were their memorable gorilla covers of the early Silver Age. This book just might be the first gorilla cover they ever did, and it is masterfully rendered by Sheldon Moldoff. In addition to Moldoff's interior Hawkman feature, Flash, Johnny Thunder, and The Whip also appear in this issue. This copy has the distinction of being the highest CGC-graded copy of this issue to date. Overstreet 2003 VF/NM value = $1,775; NM 9.4 value = 2,300.
Flash Comics #15 (DC, 1941) CGC NM+ 9.6 White pages. Sheldon Moldoff's Hawkman cover is a real show-stopper, and there's more Moldoff art inside, as well as art by E. E. Hibbard, and Harry Lampert. This copy is in superb, like-new condition, which is truly incredible for a comic of this vintage. Virtually flawless, this is an issue for those that want the best of the best. Of course, to date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $2,300.
Flash Comics #26 Mile High pedigree (DC, 1942) CGC NM+ 9.6 Off-white pages. The Golden Age Flash, Jay Garrick, comes bursting out at you on this wonderful E. E. Hibbard cover. This book, from the legendary Edgar Church collection is the highest CGC-graded copy known! The next highest is currently just a VF-. An ideal comic for collectors who demand the very best! Overstreet 2003 NM 9.4 value = $1,325.
Flash Comics #31 (DC, 1942) CGC NM- 9.2 Off-white to white pages. We like this Shelly Moldoff Hawkman cover every bit as much as the one from issue #33, which Overstreet deems a classic. Moldoff didn't just do the cover, he also did the artwork on the Hawkman story inside. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $1,325.
Flash Comics #56 (DC, 1944) CGC VF+ 8.5 Cream to off-white pages. Like a streak of lightning, the Flash illuminates this startling cover and rescues his comic-relief sidekicks from being served as the main course on these cannibals' menu. Johnny Thunder, Hawkman, and the Ghost Patrol are included as interior features. A mere three copies grade higher than this specimen in CGC's current census. Overstreet 2003 VF 8.0 value = $531; VF/NM 9.0 value = $753.
Flash Comics #70 (DC, 1946) CGC NM 9.4 White pages. While DC later on became noted for its wild gorilla covers they actually produced a few as far back as the Golden Age. This one is hard to beat; it has a pugilistic simian, Probiscus Jones, and our favorite winged hero, Hawkman. This book is so stunning that you'd swear it came from a pedigree collection, but this is not the Mile High...nor the San Francisco; it's simply a beautiful copy that managed to survive over five decades with fresh paper. Mutt and Jeff also make an appearance in this issue. This is the highest graded copy certified by CGC. Joe Kubert cover and art. Overstreet 2003 NM 9.4 value = $875.
Flash Comics #71 (DC, 1946) CGC NM- 9.2 Off-white pages. Joe Kubert created one of the most memorable covers of this entire run for this great issue. We here at Heritage have never had the opportunity to offer this issue for sale in any of our previous auctions, and this is a heck of a copy to start with. This copy received the highest grade that CGC has given for this issue to date. Overstreet 2003 NM 9.4 value = $875.
Flash Comics #72 Big Apple pedigree (DC, 1946) CGC NM 9.4 Off-white to white pages. Winky, Blinky, and Noddy immortalize our fleet-footed hero in stone on this incredibly bright cover. The Flash will remain immortalized in your collection with this immaculate pedigreed copy. As a bonus, you also get a Hawkman story by Joe Kubert early on in his tenure. This is the highest graded copy of this book certified by CGC. Overstreet 2003 NM 9.4 value = $875.
Flash Comics #75 (DC, 1946) CGC NM 9.4 White pages. This Hawkman-Devil cover by Joe Kubert looks as fresh as the day this issue hit the stands. The orange and red inks simply glow. And if the cover doesn't grab you, maybe the promise of more Joe Kubert artwork inside will. This is a great comic for Hawkman fans, Kubert fans, and Devil cover collectors. To date, this is the highest CGC-graded copy of this issue. Good luck finding a nicer copy; the pages are bone white, and you'd swear by looking at it that this came from a pedigree collection. Overstreet 2003 NM 9.4 value = $875.
Flash Comics #78 Mile High pedigree (DC, 1946) CGC NM+ 9.6 White pages. The Flash and his crew get decked out for Halloween on this great cover. The color and gloss are excellent, this book is a real gem. It's the highest CGC-graded copy of this issue to date, and unlike many Mile High comics, there's not a mark of any kind on the cover. Overstreet 2003 NM 9.4 value = $875.
Flash Comics #80 (DC, 1947) CGC NM 9.4 Off-white to white pages. In this Golden Age issue of Flash Comics, Atom begins, and will continue on in the series until issue #104. A truly great-looking book, there is only a small imperfection on the top of the back cover that keeps it from grading higher. This copy has a perfect spine, deep bright colors, and fantastic page quality. Overstreet 2003 NM 9.4 value = $875.
Funny Stuff #16 (DC, 1946) CGC NM 9.4 Off-white to white pages. DC funny animal comics were generally well-read by younger comic fans, and consequently, they are very scarce in high grade. That makes this copy a true find. Although this is the only CGC-graded copy of this issue to date it is unlikely a nicer copy will ever come along. Overstreet 2003 NM 9.4 value = $150.
Green Lantern #1 (DC, 1941) CGC Apparent VF+ 8.5 Extensive (P) Off-white pages. One of the most significant comic book characters from the Golden or any other Age, Green Lantern got his own title book in the Fall of 1941, about one year after his initial appearance in All-American Comics #16. And, as in the case of that issue, the first issue of Green Lantern is listed as "scarce" by Gerber in his The Photo-Journal Guide to Comic Books. That means there are estimated to be fewer than 50 copies of this issue in existence. Very few in existence, and very, very few that look as nice as this one. Two unrestored copies have earned higher than VF 8.0 from CGC, and just one unrestored book has scored a higher "Apparent" grade than our offering. CGC notes, "Restoration included: color touch, seals, pieces added, cover cleaned and re-glossed." Overstreet 2003 GD 2.0 value = $2,875; VG 4.0 value = $5,750; FN 6.0 value = $8,625; VF 8.0 value = $23,000.
Green Lantern #1 (DC, 1941) Apparent VG+ 4.5 Extensive (P) Off-white to white pages. One of the most significant comic book characters from the Golden or any other Age, Green Lantern got his own title book in the Fall of 1941, about one year after his initial appearance in All-American Comics #16. And, as in the case of that issue, the first issue of Green Lantern is listed as "scarce" by Gerber in his The Photo-Journal Guide to Comic Books. That means there are estimated to be 50 or fewer copies of this issue in existence. Stay with us now; that means this book is rare in any condition. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, re-glossed." Again, rare in any condition, and this one looks like a great copy for its apparent grade. Overstreet 2003 GD 2.0 value = $2,875; VG 4.0 value = $5,750.
Green Lantern #16 Mile High pedigree (DC, 1945) CGC NM+ 9.6 White pages. This classic jungle cover is considered scarce in high grade, and boy, is this one high grade! Edgar Church, the original owner of the now-legendary Mile High collection, really took care of his comics. And what a pretty cover, too - Paul Reinman drew this gem, and the way the scene is framed in black is astounding. The black areas show only a whisper of wear, and the corners and spine look perfect. This tough-to-find beauty would be a highlight of any major collection; CGC currently ranks it as the highest graded copy. You might want to know that Alfred Bester and Henry Kuttner contributed a story, or that Martin Nodell provided inside art, but oh that cover! Overstreet 2003 NM 9.4 value = $1,650.
Green Lantern #19 Big Apple pedigree (DC, 1946) CGC NM 9.4 Off-white pages. Doiby Dickles challenges Fate this issue, Paul Reinman draws the cover and Martin Nodell handle the interior art. Featuring the fresh appearance associated with Big Apple books, this copy exhibits a clean, bright look; no tanning or soiling is present, and the edges and spine are in immaculate condition. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,500.
Green Lantern #23 (DC, 1947) CGC VF+ 8.5 Off-white pages. As par for the course, Doiby is in trouble, in bondage, and in dire need of rescuing from Green Lantern on this cover from Irwin Hasen. CGC notes, "Slight mis-cut", but this copy still garners the highest grade yet assigned by CGC to issue #23 of the Golden Age Lantern. Overstreet 2003 VF 8.0 value = $738; VF/NM 9.0 value = $1,049.
Green Lantern #24 (DC, 1947) CGC VF/NM 9.0 White pages. Here is a beautiful copy of this great issue, with perfectly white pages. This is probably the Ohio copy because of the classic "C" coding and the page quality. These later issues are hard to find in higher grades, and no copies have been graded higher by CGC than this one so far. Don't let this Golden Age DC slip past you. Overstreet 2002 NM 9.4 value = $1,300.
Green Lantern #25 (DC, 1947) CGC VF+ 8.5 Light tan to off-white pages. The tables have turned...for once it is Green Lantern that is in trouble as Doiby Dickles races to rescue him on this Irwin Hasen cover. Martin Nodell did the interior art chores for this book. At this writing no copy has been graded higher by CGC. Overstreet VF 8.0 value = $738; VF/NM value = $1,049.
House of Mystery #1 (DC, 1952) CGC VF- 7.5 Off-white to white pages. DC's first horror comic was one of a few of the genre to successfully adjust to the Comics Code Authority changes, and to keep cranking out issues through the Silver Age, Bronze Age, and into the Modern Age; enjoying a run of over thirty years. This is a nice, clean example that would do any collection proud. DC fifties first issues don't show up all that often, so grab this one while you have a chance. Overstreet 2003 VF 8.0 value = $1,413.
House of Mystery #8 White Mountain pedigree (DC, 1952) CGC VF/NM 9.0 Off-white to white pages. Some of the hardest books to locate are the early DC House of Mystery books. Most of the pre-#10 issues are scarcer than the first issue. Finding them in grade is even tougher. This White Mountain pedigree book is the second highest CGC-graded copy of this issue to date. CGC notes, "Date stamp on 1st page." Overstreet 2003 VF/NM 9.0 value = $367; NM 9.4 value = $475.
House of Mystery #30 (DC, 1954) CGC VF+ 8.5 Cream to off-white pages. This early pre-code issue of DC's first horror title features stories by Curt Swan and Jim Mooney, as well as some "Wally Woodish" art. It's a very attractive copy, with sharp corners and cover colors exhibiting deep magenta, lime green and yellow colors. Overstreet 2003 VF 8.0 value = $135; VF/NM 9.0 value = $180. From the Cleveland Collection.
Jimmy Wakely #2 (DC, 1949) CGC VF/NM 9.0 Off-white pages. Second issues are usually far more difficult to find than first issues, and the fact that CGC has only certified two copies of this issue attests to that. This high grade beauty has a photo cover and artwork by Alex Toth. Overstreet VF/NM 9.0 value = $407; NM 9.4 value = $525.
Jimmy Wakely #5 (DC, 1950) VF/NM 9.0 Cream to off-white pages. This and other period DC Westerns featured the publisher's best artists; for instance, Alex Toth in this issue, which sports a photo cover of the title's Western movie star. This is an "uncommon" issue, according to Gerber's The Photo-Journal Guide to Comic Books, and our offering has been outgraded by CGC on only one other occasion. Overstreet 2003 VF/NM 9.0 value = $315; NM 9.4 value = $400.
Leading Comics #1 Mile High pedigree (DC, 1941) CGC NM 9.4 White pages. DC's second-string superheroes needed a venue, and they found it in Leading Comics. This early DC key features a plethora of characters that didn't manage to merit their own titles. This high-grade premiere issue features the origin of the Seven Soldiers of Victory, and the beginning of long tenures of many major characters, including Crimson Avenger, Green Arrow and Speedy, Shining Knight, the Vigilante, Star Spangled Kid and Stripesy. One of Vigilante's major villains, the Dummy, makes his first appearance here as well. This beauty is in the typically phenomenal condition that Mile High pedigree comics are famous for, and is sure to be a leading comic in your collection. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $6,000.
Leading Comics #1 (DC, 1941) CGC VG/FN 5.0 Cream to off-white pages. The legendary Seven Soldiers of Victory, Green Arrow and Speedy, Shining Knight, Star-Spangled Kid and Stripesy, Vigilante, and the Crimson Avenger, debut in this stunning premier issue of Leading Comics. Although it exhibits the wear associated with the grade, this is still a nice-looking copy, with good color, including the bright yellow background. An undervalued key, and a fun book. Overstreet 2003 VG 4.0 value = $868; FN 6.0 value = $1,332.
Leading Comics #3 (DC, 1942) CGC VF 8.0 Off-white to white pages. This title was second tier to other DC books like All Star Comics and All-American Comics, and was published only quarterly. But, it lasted eight years, changed formats along the way, changed names, and endured another five years. Not bad for a bridesmaid. Mort Meskin, Creig Flessel, and others lent a quality stamp to the artwork. This cover spotlights the resident heroes nicely in colors every bit reflective of a higher grade. Overstreet 2003 VF 8.0 value = $800.
Leading Comics #5 (DC, 1942) CGC VF/NM 9.0 Cream to off-white pages. The Vigilante moves to the forefront on this cover, his only such prominent appearance among the 14 superhero covers of the title. The Green Arrow, Star-Spangled Kid, Shining Knight, and Crimson Avenger may have been lassoed by their cowboy comrade, but still attract plenty of attention in their own right. This is a solid copy with eye-appeal aplenty. CGC has currently date graded only one other copy of issue #5 higher than this one. Overstreet 2003 VF/NM 9.0 value = $810; NM 9.4 value = $1,050.
Leading Comics #7 Rockford pedigree (DC, 1943) CGC VF 8.0 Off-white pages. Because of its solid black cover, this book is rarely found in decent condition. It is amazing that this book is totally free from creases or any other defects that break the color of the black. The entire spine is extremely tight and flat, and the book is held together tightly by two well-placed staples. Overstreet 2003 VF 8.0 value = $500.
Leading Comics #8 Pennsylvania pedigree (DC, 1943) CGC NM+ 9.6 White pages. A phenomenal book that is virtually perfect in every way. The back cover exudes a whiteness normally only seen on Mile Highs, as well as the front cover's rich blue colors, and edges that are free of any defects. A spectacular example from the famed Pennsylvania collection. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $925.
Leading Comics #10 (DC, 1944) CGC NM 9.4 White pages. DC's oft-overlooked title is packed with superheroes and great stories. Features include the Star-Spangled Kid and Stripesy, Green Arrow and Speedy, the Crimson Avenger and Wing, the Vigilante, and the Shining Knight. This currently holds first place in grade among all copies of issue #10 in CGC's census. Overstreet 2003 NM 9.4 value = $925.
Leading Comics #11 (DC, 1944) CGC NM+ 9.6 Off-white to white pages. A great series packed with many of DC's anthology characters, headed up by the indubitable Green Arrow. This issue warns us of the "Hard-luck Hat," featuring our heroes being attacked by a giant Stetson. Frightening! The same can be said about the book's grade, which is a jaw-dropping NM+ 9.6, the best copy of this issue graded by CGC to date. Get out the magnifying glass, because you won't find any defects on this one with the naked eye. Clean, white, and sharp as a razor, this copy is unimprovable. Overstreet 2003 NM 9.4 value = $625.
Leading Comics #13 Crowley pedigree (DC, 1944) CGC NM 9.4 White pages. That other DC superhero team, the Seven Soldiers of Victory star in this issue. This is the classic Robot cover, and the colors seem to pop off the snow-white background. CGC currently lists only a couple of graded copies of this issue, and this is the higher of the two. In fact, this may very well hold out to be the nicest in existence. Its pedigree as part of the Wendell Crowley (Fawcett Publication's general comic editor from 1944 to 1950) collection make this historic copy a must have for the serious fan. With a cover this white, you'd swear it was a Mile High! Overstreet 2003 NM 9.4 value = $1,050.
Platinum Age (1897-1937)
More Fun Comics #14 (DC, 1936) CGC Apparent FN/VF 7.0 Moderate (P) Off-white to white pages. This major key book is the first Dr. Occult by DC. He is considered to be a prototype of Superman, so basically he was a prototype of superheroes, in general. He appears here in costume and in color, almost two full years before the first appearance of Superman. This issue picks up from the Comics Magazine #5 where he had appeared, but without a costume. This book has a really bright appearance. The CGC notes read, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $1,846; VG 4.0 value = $3,692; FN 6.0 value = $5,539; VF 8.0 value = $12,800.
More Fun Comics #14 (DC, 1936) CGC GD+ 2.5 Cream to off-white pages. Just under two years before the debut of the Man of Steel, Jerry Siegel and Joe Shuster's Superman prototype, Dr. Occult, appeared for the first time in costume and in color in this issue of More Fun. Creig Flessel also contributed to this early DC gem. Overstreet 2003 GD 2.0 value = $1,850.
More Fun Comics #17 (DC, 1937) Apparent FN/VF 7.0 Moderate (P) Off-white pages. This historical title was, according to M. Thomas Inge's recounting in the 2002 Overstreet Price Guide, "the first comic book of a standard size to publish original material". In this issue we find contributions by Jerry Siegel and Joe Shuster, the forces behind Superman, still but a gleam in their minds' eyes in 1937. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Sure looks nice, though, and the pages are off-white. Overstreet 2003 GD 2.0 value = $738; VG 4.0 value = $1,476; FN 6.0 value = $2,215; VF 8.0 value = $5,000.
More Fun Comics #17 (DC, 1937) CGC GD 2.0 Light tan to off-white pages. This pre-Superman outing from Jerry Siegel and Joe Shuster features an early appearance of Dr. Occult. Creig Flessel also illustrates two interior short stories. Vince Sullivan's cutesy "Happy New Year" cover will certainly catch the eye of any collector. Just one copy of this issue has received a higher grade from CGC at this writing. CGC notes, "Tape on cover and interior cover." Overstreet 2003 GD 2.0 value = $740.
More Fun Comics #18 (DC, 1937) CGC Apparent FN/VF 7.0 Slight (A) Cream to off-white pages. Before the Spectre and other superheroes ousted the "fun" from More Fun Comics, humorous covers were a mainstay of this classic DC title. This issue's cover by Vin Sullivan depicts two racial stereotypes that would be deemed offensive by most contemporary standards, but were regarded as innocent humor during the time. Creig Flessel, Jerry Siegel, and Joe Shuster are contributors. This issue is called "scarce" in Gerber's guide, and CGC certainly backs that up, this restored copy is one of only two specimens on CGC's current census, the other being an unrestored FN+ 6.5 copy. CGC notes, "Restoration includes: moderate amount of glue on spine of cover." Overstreet 2003 GD 2.0 value = $292; VG 4.0 value = $584; FN 6.0 value = $877.
Golden Age (1938-1955)
More Fun Comics #36 Mile High pedigree (DC, 1938) CGC NM+ 9.6 Off-white to white pages. Most fans of Golden Age comics are aware of the now-legendary collection of comics once owned by Edgar Church, and how clean and fresh the books appear. This early issue of More Fun is no exception. For a book printed in 1938, this looks positively brand spankin' new. The large areas of white on the cover are blinding, and the inks fresh and vibrant. Watch out for those corners; they look razor sharp! Inside, we have contributions from Bob Kane, a story from Jerry Siegel and Joe Shuster, and the Masked Ranger and Pedro begin. All this, plus a funny "Our Gang" style cover by Craig Flessel make this book a winner. CGC notes: "Very minor amount of color touch on cover." This copy is rated highest in the current CGC census, with the next-best copy coming in at only FN+ 6.5. If you want the very best, this is it. Overstreet 2003 NM 9.4 value = $2,150.
More Fun Comics #39 Mile High pedigree (DC, 1939) CGC NM- 9.2 Off-white to white pages. Santa seems to be having a workplace problem on this Christmas cover! Inside, you'll find Ginger Snap by Bob Kane, plus art and story from Jerry Siegel and Joe Shuster. This Mile High copy is stunning; great color and gloss, a smooth spine, sharp edges and corners - wow! There is a small color flake off near the top left-hand corner, but it's a minor thing compared to the overall look of this book. Thank you, Edgar Church, for saving you comics in such a nice way! Overstreet 2003 NM 9.4 value = $2,150
More Fun Comics #49 Mile High pedigree (DC, 1939) CGC NM 9.4 White pages. This issue features a great Creig Flessel cover, showing us the perils of rock climbing. More Fun #40-50 are coveted by collectors thanks to a string of fantastic action covers that epitomize the term "classic." And what better way to enjoy this cover than to own the best existing copy, presented here in all of its glory. Hailing from the Mile High collection, the book displays perfect corners, a flawless spine and colors that appear brand new. There is no better copy available, this one being the highest graded by CGC to date. Overstreet 2003 NM 9.4 value = $1,900.
More Fun Comics #55 (DC, 1940) CGC FN- 5.5 Cream to off-white pages. DC's first comic book, New Fun Comics became More Fun Comics with issue #7, continuing for another 120 issues, along the way introducing such major characters as the Spectre, Johnny Quick, Aquaman, Superboy, and here, Dr. Fate. Bernard Baily's covers are synonymous with issues in the early 1940s, and here's why. Both Overstreet and Gerber list this issue as "scarce," which should tantalize you even further into venturing a bid on this treasure. Overstreet 2003 FN 6.0 value = $3,500.
More Fun Comics #56 (DC, 1940) CGC VF 8.0 Off-white pages. This just happens to be one of the most desirable issues of one of the most desirable runs in all of comic collecting. This is the first Dr. Fate cover and even non-collectors can take a glance and know that this is a classic. It also contains the continuation of the good Doc's origin. Congo Bill, another recurring character in the DC universe, makes his first appearance in this issue. Astoundingly, this book is listed in The Photo-Journal Guide to Comic Books as being rare with between 11-20 copies in existance. There are definitely not enough of these to go around. If we haven't got your bidding finger twitching yet this book, to date, just happens to be the second highest copy graded yet. It has unbelievable eye appeal and will arouse jealousy in all who see it. Overstreet 2003 VF 8.0 value = $3,753.
More Fun Comics #58 Nova Scotia pedigree (DC, 1940) CGC VF+ 8.5 Off-white pages. After All Star Comics the hottest title in Golden Age books is More Fun Comics. This entire run is renowned for its scarcity and rarity of each and every issue. There just is no such thing as a common issue. This piece has everything going for it. Not only did Bernard Baily create a masterpiece of a Spectre cover but this issue features the fourth appearance of Dr. Fate. The colors on this cover are absolutely blinding and the Spectre is just as brilliantly white as he was the day this issue rolled off the presses. To round things out in the way of desirability, the inside front cover sports an ad for Batman #1 and All Star Comics #1. Overstreet 2003 VF 8.0 value = $2,150; VF/NM value = $3,225.
More Fun Comics #59 Larson pedigree (DC, 1940) CGC VF/NM 9.0 Off-white pages. The Spectre makes a grand entrance on the cover of this early Golden Age book. Bernard Baily provides interior and cover art. This high-grade issue comes from the famed Larson collection, and has incredible page quality. Its spine is nearly perfect, all four corners are nice and sharp, and the book looks clean and bright. Of the 9 copies of this issue currently certified by CGC, only one has received a higher grade. Overstreet 2003 VF/NM 9.0 value = $3,225; NM 9.4 value = $4,300.
More Fun Comics #61 (DC, 1940) CGC FN/VF 7.0 Off-white pages. To give you an idea how early DC's first comic book series (initially called New Fun Comics) originated, consider that this issue #61 hit the stands at roughly the same time as Superman #7 and Batman #4! Overstreet dubs this cover a "classic," but we are left to speculate about the artist's identity. The Grand Comics Database Project suggests Howard Sherman, and that Sherman and Bernard Baily are among the interior artists of the issue. Solid cover colors help offset what CGC notes as "slight foxing on pages." Overstreet 2003 FN 6.0 value = $960; VF 8.0 value = $2,000.
More Fun Comics #62 (DC, 1940) CGC VF 8.0 Off-white to white pages. Nothing says "Golden Age" like a gorgeous Spectre cover by Bernard Baily on a More Fun book. For some reason, each and every issue of this title is relatively rare and high grade copies are pretty much unheard of. This book will definitely be an attention getter in any collection. Only one copy, so far, has graded higher than this one. Only the slightest wear keeps this book from looking brand new. Overstreet 2003 VF 8.0 value = $1,850.
More Fun Comics #73 (DC, 1941) CGC FN- 5.5 Off-white pages. Featuring the first appearance of not one, but two major superheroes from the Golden Age! Aquaman and Green Arrow crash the scene in this issue, creating a very desirable comic in the process. Of the many key More Fun issues, #73 is one of the most popular among collectors. Most More Fun books fall into the "scarce" to "rare" category making this one of the more difficult DC keys to get ahold of. Overstreet 2003 FN 6.0 value = $3,200.
More Fun Comics #94 (DC, 1943) Apparent NM- 9.2 Moderate (P) Cream to off-white pages. This cover by Cliff Young packs quite a punch -- and so do its stars, Green Arrow and Speedy, as they kayo a pair of pilferers. Mort Meskin pencils the Johnny Quick story inside; and Aquaman, Doctor Fate, and the Spectre are the superstars also among the line-up. CGC notes, "Restoration includes: color touch, pieces added, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $80; VG 4.0 value = $160; FN 6.0 value = $240; VF 8.0 value = $500; VF/NM 9.0 value = $715.
More Fun Comics #109 Mile High pedigree (DC, 1946) CGC NM+ 9.6 Off-white to white pages. This terrific Golden Age DC issue finds Genius Jones executing a masterful plan to solve the case of the disappearing deposits -- Rube Goldberg has nothing on this kid! Brilliant yellow cover inks make this comic really stand out. Gerber calls this issue "uncommon" and the current CGC census backs up that assessment - this is currently the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $225.
More Fun Comics #118 Mile High pedigree (DC, 1947) CGC NM+ 9.6 Off-white to white pages. Genius Jones just can't seem to get it straight! The teacher looks like she's about to take that ruler to him. A superb copy from the famous Mile High collection that oozes perfection, appearing as perfect as when it hit the newsstand 55 years ago. Deep colors, a flawless spine, razor-sharp edges -- this book will please even the most discerning high-grade collector. Most likely the best existing copy on the planet. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $225.
More Fun Comics #120 Mile High pedigree Double cover (DC, 1947) CGC NM+ 9.6 Off-white to white pages. The outside cover is NM 9.4, and the interior cover is NM+ 9.6. Not only is this rare because it came from Edgar Church, but how many Mile Highs have double covers? The outside cover is incredible with bright colors, razor-sharp corners, and a nearly perfect spine, just imagine how the inside cover must look! This is the last issue to the long-running DC title, which, in its earlier days, gave us Dr. Occult, The Spectre, Dr. Fate, Johnny Quick, Aquaman, Green Arrow and Speedy, and last but not least, Superboy. Here, More Fun features Genius Jones and other humorous adventures. We can definitely say that this comic is twice as good as any other copy, because it has twice as many covers. Needless to say, this is the highest graded copy of this issue certified by CGC to date. Overstreet 2003 NM 9.4 value = $225.
Mr. District Attorney #1 (DC, 1948) CGC VF- 7.5 Cream to off-white pages. The first issue of DC's comic book series based on NBC's hit radio show of the same name. This copy has no major defects, just general wear typical for the grade. Only one copy of this issue has been graded higher by CGC as of this writing. CGC notes, "Very minor amount of color touch on cover." Overstreet 2003 VF 8.0 value = $625.
Mr. District Attorney #6 (DC, 1948) CGC NM- 9.2 Off-white to white pages. Mr. District Attorney teams up with the Scotland Yard Bobbies in a massive manhunt. Killer copies of this title rarely show up so grab this one while you have the chance. Overstreet 2003 NM 9.4 value = $280.
Mr. District Attorney #13 (DC, 1950) CGC NM 9.4 Off-white to white pages. Our favorite DA grills a murder suspect on a cover with an early polygraph. The yellow on this book is absolutely blazing. This book could not look nicer if it was pulled off of the stands today. Overstreet 2003 NM 9.4 value = $210.
Mr. District Attorney #15 (DC, 1950) CGC NM 9.4 Off-white to white pages. This is one of the more obscure DC titles of the fifties and copies are a bit harder to come across than the superhero titles. Aside from being relatively scarce this title is near impossible to find in high grade. This copy is the only one graded so far by CGC. Overstreet 2003 NM 9.4 value = $210.
Mr. District Attorney #17 Palo Alto pedigree (DC, 1950) CGC NM- 9.2 . White pages really make this comic stand heads above the rest. CGC has not certified any other copies so this is definitely not a common book. Overstreet 2003 NM 9.4 value = $210.
Platinum Age (1897-1937)
New Adventure Comics #19 (DC, 1937) CGC Apparent FN 6.0 Slight (A) Off-white pages. Creig Flessel offers this charming kids-as-pirates cover, as well as interior artwork. Jerry Siegel and Joe Shuster are also on hand with their "Federal Men" strip. CGC notes, "Restoration includes: small amount of glue on spine of cover." Overstreet 2003 GD 2.0 value = $356; VG 4.0 value = $712; FN 6.0 value = $1,068.
Golden Age (1938-1955)
New Book of Comics #1 (DC, 1937) CGC VF 8.0 Off-white pages. This is the first regular-sized comic annual, and the second DC annual. It contains reprints from New Comics #1-4 and More Fun #9, with art by Joe Shuster, Shelly Moldoff, and Sheldon Mayer. Gerber describes this comic as "rare," and estimates that only 11 to 20 copies still exist. Overstreet also calls this book "rare," and does not even supply values for grades over Very Fine. The current CGC census shows five certified copies, with only one copy grading higher than this one - at a surprising NM 9.4 (someone tell Overstreet!). In any case, this is a top copy of an important comic. Overstreet 2003 VF 8.0 value = $13,000.
New York World's Fair Comics #nn (DC, 1940) CGC FN/VF 7.0 Cream pages. Even more eye-catching than the previous year's issue of the short-lived title that would evolve into World's Finest Comics is this cover by Jack Burnley which features, for the first time, Superman, Batman, and Robin together. Inside: a Who's Who of DC's most influential Golden Age artists: Jerry Siegel and Joe Shuster, Creig Flessel, Bob Kane, and Fred Guardineer, to name a few. Like its earlier counterpart, and the first issues of World's Finest Comics, this book is just not found in high grade. Our offering is but a quarter-grade off the highest grade (VF- 7.5) that CGC has yet certified for the issue. Overstreet 2003 FN 6.0 value = $3,384; VF 8.0 value = $7,895.
New York World's Fair Comics #nn (DC, 1940) CGC FN- 5.5 Off-white pages. This trail-blazing issue, the forerunner of World's Finest Comics, is listed as the 30th most valuable Golden Age book by Overstreet, tied with Action Comics #7. Not bad for a book for which Overstreet doesn't even list a NM 9.4 value! The first published appearance of the Sandman guaranteed this gem a place in comic book history. The venerable Vincent Sullivan provided the cover, with some help from Fred Guardineer. Inside, DC called on its best to participate: Jerry Siegel and Joe Shuster, Bob Kane, Creig Flessel, and Bill Ely. You may find it difficult to locate a nicer copy of this Gerber "uncommon" issue; CGC has currently certified just one copy of the 96-page square bound, fragile, cardboard covered issue in higher than FN/VF 7.0 grade. Overstreet 2003 FN 6.0 value = $6,300.
New York World's Fair Comics #nn (DC, 1940) CGC VG 4.0 Off-white pages. This is the second of two square bound volumes published in conjunction with the New York World's Fair, featuring stories with Superman, Batman and Robin (this is the first cover to show all three together), plus Hourman, the Sandman, and more within its 96 pages. In 1941, DC launched this as a regular title, changing the name to World's Best Comics, by issue two that title would change to World's Finest. This copy appears to be pretty solid, with no spine roll and fairly sharp corners; there's a light amount of soiling and some very minor color chips off the back cover, but no big problems to be seen. Overstreet 2003 VG 4.0 value = $2,256.
Picture Stories from the Bible #3 Old Testament - Gaines File pedigree (DC, 1943) CGC NM+ 9.6 Off-white pages. Abraham, Isaac, Jacob, Gideon, and Samuel are among the Old Testament stars of this issue. As improbable as it seems, there are two other copies that CGC has given higher grades (barely - and probably also from the Gaines files). But this offering is closer to pristine than would seem possible for a comic book issued in 1943. While CGC has certified this book as a Gaines File copy, no certificate accompanies this lot. Overstreet 2003 NM 9.4 value = $240.
Real Screen Comics #44 (DC, 1951) CGC NM 9.4 Off-white to white pages. Funny stuff from DC featuring the Fox and the Crow and other animal strips. It's a super copy with blinding color and sharp edges; this copy is the only one to have been graded by CGC to date. Overstreet 2003 NM 9.4 value = $100. From the collection of Bobby Harmon.
Romance Trail #1 Mile High pedigree (DC, 1949) CGC VF- 7.5 Off-white to white pages. Even apart from the fact that this is a number one Golden Age issue from DC, this book has a lot going for it. It has a great photo cover of Jimmy Wakely, it features fantastic artwork by Kinstler and Alex Toth, and, most importantly, it comes from the world famous Mile High collection. This high-grade gem has excellent page quality, sharp corners, and bright colors. A small split at the top of the spine is the only thing keeping this one from an even higher grade. Overstreet 2003 VF 8.0 value = $369.
Romance Trail #3 Mile High pedigree (DC, 1949) CGC NM 9.4 Off-white to white pages. Here is another great photo cover that has been preserved in the incomparable Mile High way. This issue also features artwork by Everett Raymond Kinstler and Alex Toth. CGC does note that this book is mis-cut, you can see a white strip running across the top. But since this is the only copy of issue #3 that CGC has certified to date, you would be wise to jump on this one! Overstreet 2003 NM 9.4 value = $350.
Secret Hearts #1 Mile High pedigree (DC, 1949) CGC NM- 9.2 White pages. Of DC's many titles produced during this period, the romance issues are among the most elusive. Hailing from the famous Mile High collection, this copy is stunning, and is most likely the best existing. Exhibiting a near-flawless spine and perfect edges, the book exudes all of the fresh qualities collectors have come to expect from Edgar Church's massive stash. Raymond Kinstler art and a photo cover are featured in this premiere issue. Overstreet 2003 NM 9.4 value = $600.
Sensation Comics #42 San Francisco pedigree (DC, 1945) CGC NM 9.4 White pages. The San Francisco-pedigreed books are just about as visually impressive as you can possibly imagine. When you see these books, it is very easy to see why they are receiving the grades they are; they are absolutely magnificent. They are so white and clean, with bright colors, strong spines, and razor sharp corners. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $485.
Sensation Comics #45 San Francisco pedigree (DC, 1945) CGC NM+ 9.6 White pages. Line up the margaritas, Wonder Woman goes south of the border on this delightful H. G. Peter cover. This copy has many of the best characteristics of the San Francisco pedigree collection: the colors are fresh, the edges sharp, and the pages are bone white. According to CGC's current census, this copy is tied with one other as the highest certified copy to date. Pick up this "San Francisco Treat" while you can. Overstreet 2003 NM 9.4 value = $485.
Sensation Comics #53 Pennsylvania pedigree (DC, 1946) CGC NM+ 9.6 Off-white to white pages. The discriminating collector who is looking for the finest example need look no further. According to the CGC census, this is currently the highest-graded copy and it's quite unlikely that you will see another to equal or better this one. This stunning gem from the Pennsylvania collection is spectacular in every way, from the gorgeous cover colors to the outstanding pages. Overstreet 2003 NM 9.4 value = $450.
Sensation Comics #53 (DC, 1946) CGC NM- 9.2 Off-white pages. Wonder Woman gets in a playful mood on this nice H. G. Peter cover. It's from an attractive copy, loaded with great color and eye appeal. Inside, you'll find stories featuring Sargon the Sorcerer, Mr. Terrific and Wildcat. Overstreet 2003 NM 9.4 value = $450.
Star Spangled Comics #15 Rockford pedigree (DC, 1942) CGC VF+ 8.5 Off-white to white pages. This issue shows off Jack Kirby's proficiency at creating a three-dimensional action effect, as characters threaten to be propelled right off the cover. A quarter-inch dust shadow keeps the cover from approaching perfection, but this is still the second-highest CGC graded copy of this issue to date. Overstreet 2003 VF 8.0 value = $795; VF/NM 9.0 value = $1,128.
Star Spangled Comics #17 (DC, 1943) CGC VF+ 8.5 Off-white to white pages. Robotman, Star Spangled Kid, TNT and the Guardian all star in this Golden Age gem. The grade of this book is the real story here, considering that it is an early Golden Age book -- in close to Near Mint condition. There are no structural defects to mention, and only some dust shadows on the back cover that might be bringing the technical grade down a bit. Overstreet 2003 VF 8.0 value = $795; VF/NM 9.0 value = $1,128.
Star Spangled Comics #22 Rockford pedigree (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. We know it's redundant, but what we have here is a crisp, clean copy from the Rockford Collection, the finest copy CGC has graded of the issue to date, and it's a "scarce" issue, according to the Gerber scarcity index. Joe Simon & Jack Kirby would be proud their work is so vividly displayed by this copy. We are just proud to offer such a book for your consideration. Overstreet 2003 VF/NM 9.0 value = $944; NM 9.4 value = $1,225.
Star Spangled Comics #24 Rockford pedigree (DC, 1943) CGC VF+ 8.5 Off-white pages. This awesome looking copy features an interesting cover and interior art by Joe Simon and Jack Kirby. The reds on the cover are just saturated beyond belief and the spine is in immaculate condition. Overstreet 2003 VF 8.0 value = 663; VF/NM 9.0 value = $944.
Star Spangled Comics #25 Rockford pedigree (DC, 1943) CGC VF+ 8.5 Off-white pages. There's a reason Simon and Kirby are considered legends, and this fun "tractor chase" cover is a great example. This Golden Age great not only displays S&K cover and art, but also other wonderful features like Liberty Belle and the Star-Spangled Kid. Robotman by Jimmy Thompson begins. With a small bit of color rub near the top of the spine, and a half inch tear on the bottom edge at the left. All in all, this is still one of the nicest copies of this issue you're likely to find. Overstreet 2003 VF 8.0 value = $663; VF/NM 9.0 value = $944.
Star Spangled Comics #26 Rockford pedigree (DC, 1943) CGC VF/NM 9.0 Off-white to white pages. This sharp, pedigree book features a tense tableau on the cover, by the great team of Joe Simon and Jack Kirby. The Guardian and the Newsboy Legion were really hitting their stride at this point in this series' run. Bright and glossy, this Golden Age classic won't disappoint. Overstreet 2003 VF/NM 9.0 value = $944; NM 9.4 value = $1,225.
Star Spangled Comics #28 (DC, 1944) CGC Apparent NM- 9.2 Slight (P) Off-white pages. Jack Kirby and long-time collaborator Joe Simon were at their best with war covers such as this with the Guardian and the Newsboy Legion helping Uncle Sam's forces combat the Japanese. CGC notes, "Restoration includes: cover cleaned and pressed, cover reinforced." But don't let that deter you; this is one good-looking copy! Overstreet 2003 GD 2.0 value = $106; VG 4.0 value = $212; FN 6.0 value = $318; VF 8.0 value = $663; VF/NM 9.0 value = $944; NM 9.4 value = $1,225.
Star Spangled Comics #28 (DC, 1944) CGC VF 8.0 Cream to off-white pages. This thrilling WWII cover by Simon and Kirby aptly demonstrates why they are the premiere art team of the Golden Age of comics. This amazing book has sun yellow cover colors that are practically blinding. Overstreet 2003 VF 8.0 value = $663.
Star Spangled Comics #29 (DC, 1944) CGC VF+ 8.5 White pages. The Newsboy Legion are jumping on the bandwagon of the superhero publishing craze on the cover to this Golden Age classic. This entire book has an extremely bright and colorful appearance, with basically no wear at all. This issue is the first appearance of Robbie the Robotdog and artwork by Jack Kirby and Joe Simon. Overstreet 2003 VF 8.0 value = $663; VF/NM 9.0 value = $944.
Star Spangled Comics #30 San Francisco pedigree (DC, 1944) CGC NM+ 9.6 White pages. No one owned the in-your-face cover technique like Jack Kirby, here with assistance from his early collaborator, Joe Simon. If you weren't previously aware of the San Francisco Collection, this outrageous book should make you take notice. It currently ranks as the highest-graded copy of issue #30 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $680.
Star Spangled Comics #50 Rockford pedigree (DC, 1945) CGC NM- 9.2 Off-white pages. This simple but effective Simon and Kirby cover is dramatic with its vivid yellow background and close-ups of the Guardian and Newsboy Legion. Aside from a barely visible flake off the back near the bottom of the spine, this book is as close to flawless as they come. To date, this is the highest CGC-graded copy of this issue. Overstreet 2002 NM 9.4 value = $600.
Star Spangled Comics #52 Big Apple pedigree (DC, 1946) CGC NM 9.4 White pages. The Guardian and Newsboy Legion got the cover spotlight for nearly 60 consecutive issues, but it's important to remember that Robotman, the Star Spangled Kid, and Liberty Belle appear within within the pages of this book. Joe Simon and Jack Kirby's cover art graced all but six of the first 55 issues, ensuring lasting interest in this title. To date, this is the highest CGC-graded copy of this issue. CGC notes, "Mis-cut." Overstreet 2003 NM 9.4 value = $550.
Star Spangled Comics #56 (DC, 1946) CGC NM 9.4 Cream to off-white pages. As the Newsboy Legion is dazzled by their oysters and pearls, the Guardian leaps to attack a pair of gun-toting thieves on this dramatic cover. Overstreet credits Joe Simon and Jack Kirby with the cover, but other sources are silent or even suggest another artist, Fred Ray, may be responsible. It does have the Simon & Kirby look, and it shines on this brilliantly colored copy. This is the highest-graded copy of this issue that CGC has certified to date. Overstreet 2003 NM 9.4 value = $550.
Star Spangled Comics #65 (DC, 1947) CGC VF 8.0 Cream to off-white pages. This key issue features the start of a series of Robin solo adventures, very few of which have been reprinted to date. Batman even pops in for a quick cameo. This is a very pretty copy, structurally sound with bright colors. It is the highest graded copy certified by CGC. It doesn't take a detective to know that this one would look great in your collection. Overstreet 2003 VF 8.0 value = $938.
Star Spangled Comics #71 Double cover (DC, 1947) CGC NM 9.4 Off-white pages. CGC notes: "First cover NM- 9.2, interior cover NM 9.4". It's a wild cave man cover, too! Robin the Boy Wonder stars in a solo story; Tomahawk makes his third series appearance. Overstreet 2003 NM 9.4 value = $800.
Star Spangled Comics #75 Rockford pedigree (DC, 1947) CGC VF- 7.5 Off-white pages. Robin weighs the evidence on the cover of this issue, showcasing a solo adventure from this obscure series of Batman-less tales. Golden Age great Dick Sprang is credited with cover art. This is a very attractive copy; there's a slight bit of wear evident along the spine, and a light arrival date stamped on the title, but still a rich-looking, sharp book. Overstreet 2003 VF 8.0 value = $438.
Star Spangled Comics #82 (DC, 1948) CGC VF/NM 9.0 Off-white pages. This book really packs a wallop! Robin the Boy Wonder actually had a pretty good run of solo stories in this title. This great anthology series also features Tomahawk, Robotman and the Star Spangled Kid. Overstreet 2003 VF/NM 9.0 value = $449; NM 9.4 value = $585.
Strange Adventures #1 (DC, 1950) CGC VF/NM 9.0 Off-white pages. DC's dominance during the 1950s, when so many comic publishers gave up, phased out, or were shut down, was due in part to their "cash cows," Superman and Batman, but also due to their ability to retool and reshape the industry with titles such as this, their first science-fiction title. This famous photo cover is rarely seen in such nice condition. To date, no unrestored copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $4,250.
Strange Adventures #1 (DC, 1950) CGC FN 6.0 Cream to off-white pages. DC's first sci-fi title had a long and interesting run. This first issue contains a movie adaptation of "Destination Moon", and contains artwork by Dick Sprang, Jim Mooney, and Curt Swan, and a story by Gardner Fox. High-grade copies of this hot title might be budget-taxing, but this attractive mid-grade copy has excellent eye-appeal and fits snugly within a more comfortable price range. Overstreet 2003 FN 6.0 value = $750.
Strange Adventures #5 (DC, 1951) CGC VF/NM 9.0 Cream to off-white pages. The first few covers of DC's first science-fiction title are arguably the best in the long series. Unfortunately, we cannot identify this cover's artist for sure, but whenever no one else will venture an opinion, we can go to www.comics.org where The Grand Comics Database Project will usually opine. As to this cover, the guess is Bob Oksner. At this grade, only the slightest of defects are allowed, so rest assured this is one super-nice copy. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $814; NM 9.4 value = $1,075.
Strange Adventures #8 (DC, 1951) CGC NM- 9.2 Off-white to white pages. The first "gorilla" cover of this title, the device would be utilized repeatedly in later years after editors determined such covers sold more comics. Win Mortimer, known more for his work on Batman, contributes his only cover in the run. Interior art is by Murphy Anderson, Gil Kane, and Alex Toth; not a bad line-up! There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $1,075.
Strange Adventures #9 (DC, 1951) CGC NM+ 9.6 Off-white to white pages. Outside of the first issue, this one is considered the most valuable in the long run that lasted 244 issues over 23 years. The origin and first appearance of Captain Comet is the reason. Murphy Anderson and Gil Kane provide interior art. Unbelievably clean, crisp, and fresh, this copy of DC's first science-fiction title has earned the highest grade CGC has assigned to issue #9 to date. Overstreet 2003 NM 9.4 value = $2,550.
Strange Adventures #10 (DC, 1951) CGC NM 9.4 Cream to off-white pages. Carmine Infantino's Captain Comet cover hints at Adam Strange covers to come years later in DC's companion title, Mystery In Space. Infantino, Gil Kane, and Murphy Anderson provide interior art. To date, CGC has only certified two other copies of this issue with higher grades than this beauty. Overstreet 2003 NM 9.4 value = $1,075.
Strange Adventures #12 (DC, 1951) CGC NM- 9.2 White pages. DC's first science-fiction title was already in high-gear when this early issue came out. Gil Kane drew the otherworldly Captain Comet cover, and Murphy Anderson, Alex Toth, and Carmine Infantino contributed interior art. This colorful copy has tremendous eye-appeal, as you would expect from the highest-graded copy CGC has certified to date. Overstreet 2003 NM 9.4 value = $700.
Strange Adventures #15 (DC, 1951) CGC NM 9.4 Off-white to white pages. For nearly 200 issues, DC's threesome of Gil Kane, Carmine Infantino, and Murphy Anderson provided interior artwork in practically every issue, which goes a long way to explaining the longevity of this title. Here Kane also contributes the cover art. CGC hasn't certified a higher grade for this issue to date. Overstreet 2003 NM 9.4 value = $700.
Strange Adventures #16 (DC, 1952) CGC NM- 9.2 Off-white pages. Gil Kane's cover is shown off in style by this copy that CGC ranks just a quarter-grade shy of the highest grade yet assigned for issue #16. From the front, with its bold and crisp colors, tight spine, and sharp corners, this copy appears even nicer than the CGC's assigned grade. Closer inspection of the back reveals a narrow dust shadow and tiny chip out along the bottom. Overstreet 2003 NM 9.4 value = $700.
Strange Adventures #17 (DC, 1952) CGC VF+ 8.5 Cream to off-white pages. A choice early issue of DC's top science fiction title, which stars Captain Comet battling the neoplasmic Synthetic Men. This copy is one of the best, as there are currently only two copies of this issue that have been graded higher by CGC. Murphy Anderson, Carmine Infantino, and Alex Toth handle the interior art chores, Gil Kane takes care of the cover art. Overstreet 2003 VF 8.0 value = $376; VF/NM 9.0 value = $538.
Strange Adventures #18 White Mountain pedigree (DC, 1952) CGC NM+ 9.6 White pages. This classic cover is Murphy Anderson's first published cover for DC. Known for their restraint and taste, this is DC's only vampire cover and story ever published before 1960. Murphy Anderson drew the story inside that pits Captain Comet against a race of alien vampires. Also inside is an extraordinary Alex Toth story featuring one of his lovely female creatures. Finding a drop dead NM+ solid black cover like this from 1952 is nearly impossible. Experienced collectors know that the White Mountain copies from this period exhibit exceptional cover gloss and page quality. The White Mountain copy of Strange Adventures 21 NM+ 9.6 sold privately for $3500 (7x guide). Overstreet 2003 NM 9.4 value = $700.
Strange Adventures #19 (DC, 1952) CGC NM+ 9.6 Off-white to white pages. It's not a misprint, this amazing copy from 1952 has been certified NM+ 9.6 by CGC, the highest grade to date for this issue. Murphy Anderson delights with his cover art featuring Captain Comet, and also works on the interior where he is joined by perennial DC favorites Gil Kane, Carmine Infantino, and Alex Toth. Overstreet 2003 NM 9.4 value = $700.
Strange Adventures #19 (DC, 1952) CGC VF- 7.5 Off-white to white pages. DC had some top-of-the-line artists in their stable and this issue has work by three of them. First off is a Captain Comet cover and accompanying story by Murphy Anderson. Next up we have a story by Alex Toth and another by Carmine Infantino. The colors on this cover are just as bold and bright as they must have been over 50 years ago. Overstreet 2003 VF 8.0 value = $376.
Strange Adventures #20 (DC, 1952) CGC NM- 9.2 Off-white pages. The little orange aliens on this cover conquer the Earth with their freeze ray - apparently it's more startling (and effective) than just flying around in saucers. This issue has a great line-up of artists, Murphy Anderson, Carmine Infantino, and Gil Kane all provide imagery. This high-grade beauty is surely one of the best in existence. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $700.
Superboy #1 (DC, 1949) CGC VG/FN 5.0 Off-white pages. It took four years from the first appearance of the Boy of Steel in More Fun Comics before his own title book would be published, but with this issue, Superboy would begin an unbroken run of headlining two titles (the other was Adventure Comics) that would last 30 years. Wayne Boring's cover art is unmistakable and assured that the fledgling title would be noticed. Overstreet 2003 VG 4.0 value = $1,482; FN 6.0 value = $2,223.
Superboy #13 (DC, 1951) CGC VF 8.0 Off-white to white pages. Superboy uses his prodigious strength to show a bunch of scouts how to tie proper knots in... trees? A suitably strange Golden Age cover highlights this good-looking comic. As of this writing, this is the highest graded copy of this book to be certified by CGC. Overstreet 2003 VF 8.0 value = $426.
Superboy #18 Aurora pedigree (DC, 1952) CGC VF/NM 9.0 Off-white to white pages. Move over Tom Sawyer, Superboy is taking over the white-washing chores in Smallville! Here is a super-clean copy of an early issue of the series, that's not often seen in this high-grade. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $407; NM 9.4 value = $525.
Superman #1 (DC, 1939) CGC Apparent VF- 7.5 Extensive (P) Off-white to white pages. Jerry Siegel and Joe Shuster's most important contribution to American pop culture, the character that started the Golden Age of Comics, gets his own title with this issue. The premiere issue currently ranks number four on Overstreet's Top Golden Age Books list. This looks nicer than the highest-graded (at VF 8.0) unrestored copy CGC has certified to date, and only two other restored copies have earned higher Apparent grades so far. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, re-glossed." Overstreet 2003 GD 2.0 value = $16,000; VG 4.0 value = $32,000; FN 6.0 value = $48,000.
Superman #3 Larson pedigree (DC, 1940) CGC VF- 7.5 Off-white to white pages. A vintage cover by Joe Shuster from 1940 leads off this early issue. This copy is from the Larson collection, and benefits from that collection's great eye-appeal. Gerber rates the book "uncommon" in any condition, making this one, at the higher end of the scale, even nicer. CGC notes, "Very minor amount of dried glue on cover." Here is a great opportunity to nab a pedigree copy of a Golden Age classic. Overstreet 2003 VF 8.0 value = $4,850.
Superman #5 (DC, 1940) CGC VF- 7.5 Off-white to white pages. Superman was still getting his kicks showing off on the covers of these very early issues. Who could blame him? The newness of his first appearance in Action Comics #1, only two years previously, meant there were still a few to be impressed by his ripping steel bars from windows. Lex Luthor, with red hair no less, makes his fourth appearance in this issue. Overstreet VF 8.0 value = $2,900.
Superman #10 Larson pedigree (DC, 1941) CGC Qualified NM 9.4 White pages. Co-creator Joe Shuster is understandably the artist primarily associated with the earliest issues of this title, but Fred Ray actually was responsible for more of the first 20 covers, beginning with issue #6 and including this one. Lex Luthor makes his fifth appearance, finally appearing bald, a look that he would maintain for the next 60+ years. This pedigree book from the Larson collection is fantastic. The only thing that CGC has noted is that the staples have been cleaned. Big deal! The colors on this book are rich and bold, in keeping with the nice preservation. Overstreet 2003 NM 9.4 value = $3,300.
Superman #44 (DC, 1947) CGC NM 9.4 White pages. The Man of Steel is challenged by Toyman and his miniature minions on this Wayne Boring cover. Ira Yarbrough provides the interior art for this issue, and William Shakespeare(!) makes a guest appearance with Superman in one of the back-up stories. To date, this is the highest CGC-graded copy of this issue. If you're a collector who wants the very best, then this is the comic for you. Overstreet 2003 NM 9.4 value = $925.
Superman #46 (DC, 1947) CGC VF- 7.5 Off-white to white pages. A very impressive copy of this book; it has a humorous Wayne Boring cover, plus a Mr. Mxyzptlk appearance, and the very first mention of Superboy in the DC Universe. John Sikela handles the interior art for this issue. This is a very nice copy for the grade. Overstreet 2003 VF 8.0 value = $500.
Superman #48 (DC, 1947) CGC FN 6.0 Off-white to white pages. This issue of Superman marks an important upgrade in the Man of Steel's abilities. He can now travel back in time! This gimmick would open up great possibilities for stories to come. This copy is as solid as they come, marred only by an unfortunate dust shadow at the top and right sides. It's still an impressive copy, with great color and gloss, tight corners, and flat surfaces. Overstreet 2003 FN 6.0 value = $240.
Superman #50 (DC, 1948) CGC VF 8.0 White pages. Superman teases a pathetic-looking circus lion as a pair of horrified children watch, on this unsettling cover by Wayne Boring. Let's just hope there's a veterinary dentist nearby in case the lion breaks any teeth! Inside, readers are treated to art by Win Mortimer and John Sikela. This copy has super eye-appeal: straight spine, shiny staples, sharp corners, and great color. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $500.
Superman #51 (DC, 1948) CGC VF+ 8.5 White pages. Lois Lane may be a looker, but she's evidently not much of a cook, judging by this cover by Wayne Boring. Either she's mixed kryptonite into her muffin mix, or else her baked goods are so heavy that they can even make Superman wince (which seems unlikely). Mr. Mxyzptlk makes an appearance in this issue, so maybe he's got something to do with the odd turn of events on the cover. To date, this is by far the highest CGC-graded copy of this issue; the second best comes in at only VG+. Overstreet 2003 VF 8.0 value = $406; VF/NM 9.0 value = $578.
Superman #51 (DC, 1948) CGC FN/VF 7.0 White pages. Wayne Boring's covers of the Man of Steel and Lois Lane are distinctive, whether he was playing it serious or with the degree of corniness he displays here. That infernal imp, Mr. Mxyztplk, makes an appearance in this issue which bodes well for the reader, if ill for Supes! Win Mortimer contributes interior art. CGC has certified just four unrestored copies of #51 to date, and this offering currently ranks second in grade in the census. Overstreet 2003 FN 6.0 value = $240; VF 8.0 value = $406.
Superman #53 (DC, 1948) CGC FN 6.0 White pages. This issue occasioned the 10th anniversary of the title, and featured the origin of our Krypton-born hero. Wayne Boring earns an Overstreet "classic" for his cover, and contributes interior artwork, along with another long-time Superman penciler, Al Plastino. This sharp and colorful copy would surely grade much higher if not for those darn rusty staples, but FN with white pages is still nothing to sneeze at! Overstreet 2003 FN 6.0 value = $846.
Superman #65 (DC, 1950) CGC NM- 9.2 Off-white to white pages. Superman faces off against the three Kryptonian villains Mala, Kizo, and U-Ban for the very first time in this issue. Three against one, not good odds, and Lois and Superman both look pretty concerned about the situation on this cover, drawn by Al Plastino. Interior story art is by Plastino and Wayne Boring. The whites on this cover are among the brightest we've ever seen. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $725.
Superman #72 (DC, 1951) CGC FN/VF 7.0 White pages. Issues of Superman from this time period are ridiculously difficult to find. This has always been a high-demand issue due to its classic sci-fi cover. This copy has impressive white pages and a very attractive appearance. Win Mortimer gets credit for the cover, while Wayne Boring, Mortimer, and Al Plastino contribute interior art. Read about the strangest space voyage of all time: "The Flight of the Failures." Overstreet 2003 FN 6.0 value = $183; VF 8.0 value = $381.
Superman #78 (DC, 1952) CGC FN/VF 7.0 Cream to off-white pages. Jumping on the 1950s horror bandwagon, this relatively tame monster cover is about as lurid as Superman covers ever became. Wayne Boring gets credit for both the cover and interior art. Trivia buffs will appreciate knowing that this was the last 52 page issue. Collectors who follow the CGC census rankings will be pleased to know that this copy has received the highest certified grade for this issue to date. Overstreet 2003 FN 6.0 value = $171; VF 8.0 value = $356.
Superman's Pal Jimmy Olsen #1 (DC, 1954) CGC GD/VG 3.0 Cream to off-white pages. Here's a book that many comic historians consider the true beginning of the Silver Age. After Superboy, this is the first spin-off Superman title, featuring a character made wildly popular by the then-current Superman television series. While this copy won't win the prize as the top-graded, it still packs a wallop. It's flat and clean, with nice color and no major flaws aside from normal wear for a comic book nearly fifty years old. Overstreet 2003 GD 2.0 value = $385; VG 4.0 value = $770.
Superman Workbook #nn (DC, 1945) CGC VF- 7.5 White pages. Running 68 pages, this black and white one-shot contains old Superman stories, and as an added bonus reprints the famous Superman #14 flag cover on both the front and back. The issue number, date and price are all removed, leaving Superman's greatest cover standing alone in all of its splendor. Color flaking along the spine and edges are the main detractors from this otherwise stunning book, and the page whiteness is quite apparent through the case. Currently the only copy graded by CGC, this grade will be hard to beat. CGC notes, "From the collection of Nicolas Cage." Overstreet 2003 VF 8.0 value = $938.
Tomahawk #1 (DC, 1950) CGC VG 4.0 Off-white pages. This oft-overlooked title ran an impressive 22 years in a genre not noted for longevity. Fred Ray's cover art didn't hurt. Despite a bit of reading wear the colors on this book are still absolutely beautiful. Overstreet 2003 VG 4.0 value = $322.
Tomahawk #11 Mohawk Valley pedigree (DC, 1952) NM- 9.2 Cream to off-white pages. Fred Ray, one of DC's best cover artists in the 1940s and early 50s, turns in another nice one. This time we see our frontier hero being attacked by a pair of eagles, obviously under the control of "The Girl Who Hated Tomahawk!" It's a pretty copy of a tough-to-find issue, with lots of rich cover color. CGC lists only this copy in their current census report, which might tell you something about how scarce this one is. Overstreet 2003 NM 9.4 value = $225.
Western Comics #10 Mile High pedigree (DC, 1949) NM+ 9.6 White pages. Under fire, the Wyoming Kid tries to distract the outlaws with his hat on this dramatically staged cover. Edgar Church knew how to take care of his comics, and his tender loving care has preserved this copy so that it looks like it did on the newsstand, with bright colors, sharp corners, and snow white pages. According to the current census this is the highest CGC-graded copy of this issue to date. According to common sense, it will likely remain so. Overstreet 2003 NM 9.4 value = $225.
Wonder Woman #1 (DC, 1942) CGC Apparent VF/NM 9.0 Moderate (P) Off-white to white pages. Wonder Woman gets her own title and has her origin retold in detail in this issue, with a classic cover and art by the inimitable H. G. Peter. Wonder Woman key issues continue to rise in popularity, and if you're not an anti-restoration purist, this may be a great opportunity to pick up a delightful, high-grade copy. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $2,000; VG 4.0 value = $4,000; FN 6.0 value = $6,000; VF 8.0 value = $15,000; VF/NM 9.0 value = $22,500.
World's Best Comics #1 (DC, 1941) CGC FN/VF 7.0 Off-white to white pages. This one-issue title is the precursor to the long-running, World's Finest Comics, featuring Superman and Batman (with the ever-present Robin) team-up stories. With a whopping 96 pages and a cardboard cover, this issue doesn't usually turn up in this nice of condition, and this ranks as one of the finest copies of the issue yet to be graded by CGC. The cover by Fred Ray is one of the most recognizable among Golden Age collectors. Here's a great way to add one of DC's early blockbusters to your collection. Overstreet 2003 FN 6.0 value = $4,287; VF 8.0 value = $10,000.
Silver Age (1956-1969)
Action Comics #263 (DC, 1960) CGC VF/NM 9.0 Off-white to white pages. This issue features the origin of Bizarro World. These crazy misshapen characters were all the rage in the early '60s, and this is a great copy for the Bizarro or Superman collector. This copy appears flat and clean, with deep color. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $180; NM 9.4 value = $225.
Action Comics #267 (DC, 1960) CGC VF+ 8.5 Cream pages. During the days when she spent most of her time trying to prove Clark Kent was actually Superman, Lois Lane had another talent: attracting superpowered suitors. This issue's victim -- Hercules! Action #267 is noteworthy as the third appearance of the Legion of Super-Heroes, and the first appearance of Legionnaires Chameleon Boy, Invisible Kid, and Colossal Boy. Curt Swan cover, Wayne Boring interior art. This impressive copy maintains sharp gloss and has minimal spine distress. Overstreet 2003 VF 8.0 value = $288; VF/NM 9.0 value = $407.
Adventure Comics #300 (DC, 1962) CGC VF+ 8.5 Off-white to white pages. This historic 300th issue marked a major milestone for this series, and DC celebrates by featuring the popular Legion of Super-Heroes as a regular series. Mon-El joins the Legion here (for a while, anyway), alongside Superboy, Lighting Lad, and Saturn Girl. A nice, problem-free copy for the discriminating collector. Overstreet 2003 VF 8.0 value = $270; VF/NM 9.0 value = $385.
Adventure Comics #301 (DC, 1962) CGC VF/NM 9.0 Cream to off-white pages. The origin of Bouncing Boy is the highlight of this nice Silver Age issue, which also features a Lex Luthor/Superboy cover. This sharp copy exhibits great color and gloss, and appears very flat and clean. Overstreet 2003 VF/NM 9.0 value = $144; NM 9.4 value = $185.
The Atom #2 (DC, 1962) CGC VF/NM 9.0 White pages. It must be tough to be the world's smallest super-hero, as this issue's cover clearly demonstrates. Imagine having to worry about going down the drain with every bath! You won't have to worry about this lovely issue, though, it's a real beauty with great color and wonderful page quality. Overstreet 2003 VF/NM 9.0 value = $327; NM 9.4 value = $425.
The Atom #16 (DC, 1965) CGC NM- 9.2 Off-white to white pages. This comic is great-looking in every respect: rich, deep color, nice edges, a great spine with no problems -- all the things you want from a high-grade comic book. Featuring art by the late, great Gil Kane, who seems to have used himself as a model for this issue's villain. That guy on the cover sure looks like him! Overstreet 2003 NM 9.4 value = $80.
The Atom #19 (DC, 1965) CGC NM+ 9.6 Off-white pages. DC's diminutive hero goes up against some evil sorcery in this entertaining issue, written by Garner Fox and drawn by Gil Kane, Sid Greene, and Murphy Anderson. Zatanna the Magician turns up to lend a helping hand, making this her second appearance. This copy looks as if it was pulled from the mists of time by magic, arriving with all its original luster and gloss intact. A check with CGC's census list shows this copy to be the current champion among the certified copies of this issue. Overstreet 2003 NM 9.4 value = $80.
The Atom #20 (DC, 1965) CGC NM 9.4 Off-white pages. The World's Smallest Hero swings into action again to teach those bad guys that the bigger they are, the harder they fall in "The Challenge of the Computer Crooks!" It's a Garner Fox story, with art by Gil Kane, Murphy Anderson, and Sid Greene. This very pretty comic is loaded with deep color and gloss; CGC currently shows only one certified copy of this issue with a higher grade. Overstreet 2003 NM 9.4 value = $80.
The Atom #21 (DC, 1965) CGC NM 9.4 Off-white to white pages. The World's Smallest Hero tells the villain to "flake off" on the cover of this wild issue, which has our tiny titan going up against a rather mean-looking house cat with razor sharp claws! These superheroes and the jams they get into.... You'll get pretty worked up examining this sharp copy, too. It runs a close second for the top spot in CGC's current census data for this issue. Overstreet 2003 NM 9.4 value = $65.
The Atom #24 (DC, 1966) CGC NM+ 9.6 Off-white pages. DC's smallest superhero is about to get pruned on the cover of this issue, which has him turning to a plant! Garner Fox wrote some wacky, but always entertaining, stories back in the 1960s, he's joined in this issue by artists Gil Kane, Sid Greene, and Murphy Anderson. Nothing to prune away on this solid copy, though. It's an all-prime, glossy, wonder of a comic. CGC lists no higher-graded copies of this issue to date. Overstreet 2003 NM 9.4 value = $65.
The Atom #25 (DC, 1966) CGC NM+ 9.6 Off-white pages. The Atom faces "the Man in the Ion Mask" on the cover of this intriguing issue, featuring a Garner Fox story and art by Gil Kane, Murphy Anderson and Sid Greene. The color on the cover of this copy is vivid and bright, the book really looks better than most modern comics do when purchased new. CGC ranks this comic as the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $65.
Batman Annual #1 (DC, 1961) CGC Apparent VF/NM 9.0 Slight (A) Off-white pages. This is the first of DC's many giant issues of Batman, and what a fun book this one is! It's loaded with great stories and art from the likes of Dick Sprang and Curt Swan. While CGC notes: "Restoration includes: very small amount of color touch on cover," you'll have a tough time finding the repair work. A very nice, tight copy that any Dark Knight collector would love to own. Overstreet 2003 GD 2.0 value = $56; VG 4.0 value = $112; FN 6.0 value = $169; VF 8.0 value = $478; VF/NM 9.0 value = $702.
Batman #100 (DC, 1956) CGC VF/NM 9.0 Off-white pages. 100th issues are always in demand, but even more so with this title. These 1950s DCs are proving to be even more difficult to locate in high grade than their forties predecessors. Offered here is an extremely nice copy, with no major defects, and virtually no wear. Sheldon Moldoff provides interior art. To date, this is the highest CGC-graded copy of this issue. An opportunity to acquire a better copy may not come along for quite some time, if at all, so don't miss this one! Overstreet 2003 VF/NM 9.0 value = $2,219; NM 9.4 value = $2,875.
Batman #120 Big Apple pedigree (DC, 1958) CGC VF/NM 9.0 Cream to off-white pages. Batman's flying chair, the Bat-Copter, makes an early appearance in this issue. This copy is very fresh and clean, with nice color against a mostly white background. CGC's current census shows only one copy with a higher grade. Overstreet 2003 VF/NM 9.0 value = $298; NM 9.4 value = $375.
Batman #200 (DC, 1968) CGC NM 9.4 Cream to off-white pages. This gorgeous copy of this "smash" issue has only minor staple and spine stress keeping it from an even higher grade. Overstreet notes that this cover's rendition of Batman and Robin is the first contribution to the Batman title by Neal Adams. The Joker, the Penguin, and the Scarecrow appear in this anniversary tale, which recaps the origin of the Dynamic Duo. Overstreet 2003 NM 9.4 value = $170.
Bronze Age (1970-1979)
Batman #232 (DC, 1971) CGC NM 9.4 White pages. One of the Caped Crusader's most formidable foes, Ra's Al Ghul, makes his debut in this issue, which also offers a retelling of the origin of Batman and Robin. Neal Adams provides cover and interior art. Overstreet NM 9.4 value = $140.
Golden Age (1938-1955)
The Brave and the Bold #1 (DC, 1955) CGC FN/VF 7.0 Off-white pages. Knights in armor, swords and sorcery, crusades, and bow and arrow action characterized the first 24 issues of the title that would eventually become a try-out mag for the likes of the Justice League of America, Cave Carson, the Suicide Squad, and Hawkman. Even later, the title would feature Batman team-ups with other superheroes. This historic premiere issue preceded Showcase #4 and the start of the Silver Age of comics by seven months; it stars Viking Prince, Silent Knight, and Golden Gladiator, and features stellar artwork by Joe Kubert, Russ Heath, Irv Novick, and Ross Andru. Overstreet 2003 FN 6.0 value = $681; VF 8.0 value = $2,043.
Silver Age (1956-1969)
The Brave and the Bold #28 Justice League of America (DC, 1960) CGC VG- 3.5 Cream to off-white pages. Picking up from where the old Justice Society left off, comes DC's Silver Age update of the super-hero team: the Justice League of America (featuring Green Lantern, Flash, Wonder Woman, Aquaman, and Martian Manhunter). This is their first of three try-out appearances in The Brave and the Bold, which of course led to the launching of their own title later the same year. This copy still retains a lot of eye-appeal. Mike Sekowsky and Murphy Anderson cover and art. Overstreet 2003 VG 4.0 value = $770.
The Brave and the Bold #29 Justice League of America (DC, 1960) CGC VF 8.0 Off-white pages. The Justice League of America returns for its second appearance. This mind-blowing cover pitting the JLA against a giant robot is too good to pass by. This is an extremely desirable copy, earning the highest grade from all specimens in CGC's current census. CGC notes, "Date stamp on 1st page." Overstreet 2003 VF 8.0 value = $1,457.
The Brave and the Bold #30 Justice League of America (DC, 1960) CGC VF- 7.5 Cream to off-white pages. The awesome android called Amazo, who can duplicate the powers of each member of the Justice League of America, takes on the JLA in its third appearance. This crisp specimen is exceeded in grade by a mere three copies currently in CGC's census. Overstreet 2003 VF 8.0 value = $1,185.
The Brave and the Bold #34 (DC, 1961) CGC FN+ 6.5 Off-white to white pages. This is the first appearance of the Silver Age Hawkman and Hawkgirl. Joe Kubert's inspired work on the character was way too brief, limited to the six try-out issues of this title. It does make it simpler to collect all the Kubert-drawn Silver Age Hawks, though. Start here. Overstreet 2003 FN 6.0 value = $549.
The Brave and the Bold #35 Hawkman (DC, 1961) CGC VF 8.0 Off-white pages. Joe Kubert's Hawkman stories are among the most celebrated of DC's Silver Age revivals. This cover -- Hawkman's second appearance -- offers evidence as to why Kubert is a master. By placing figures in the foreground, middleground, and background, the artist expertly creates a three-dimensional feel. This is one of the highest-graded copies CGC has certified to date. Overstreet 2003 VF 8.0 value = $376.
The Brave and the Bold #42 Hawkman - Mohawk Valley pedigree (DC, 1962) VF/NM 9.0 Cream to off-white pages. This spectacular comic book is among CGC's highest-graded copies of this landmark try-out issue for the Silver Age Hawkman, and bears a Pacific Comic Exchange seal. Artist Joe Kubert's dizzying aerial battle between the Winged Wonder and the tiny Dragonfly Raiders is thoroughly breathtaking. CGC notes, "Light tanning edges, interior front and back cover." Overstreet 2003 VF/NM 9.0 value = $298; NM 9.4 value = $385.
The Brave and the Bold #43 Hawkman (DC, 1962) CGC VF- 7.5 Off-white pages. Here's a solid, very covetable copy of Hawkman's penultimate appearance in The Brave and the Bold before being awarded his own title. Joe Kubert wows the audience with his lithe figure rendering and spectacular aerial perspectives. This cover is the first to depict Hawkman with his helmet wings. Overstreet 2003 VF 8.0 value = $255.
The Brave and the Bold #53 The Atom and the Flash (DC, 1964) CGC NM- 9.2 Off-white pages. You'll have to search far and wide to find a nicer copy of The Brave and the Bold #53. This gleaming gem has earned the highest grade of all copies in CGC's latest census. The Atom/Flash pairing is the fourth B&B team-up, and one of the most fondly remembered, since it offers a rare art job by the legendary Alex Toth. Overstreet 2003 NM 9.4 value = $100.
The Brave and the Bold #62 Boston pedigree (DC, 1965) CGC NM/MT 9.8 Off-white to white pages. Every once in awhile a book will come across the desk that will make even the most jaded collector gasp in awe. This book fits that category. While even a nice copy is desirable, due to this being the first Silver Age appearance of both Wildcat and Huntress, this copy is just barely shy of meeting the criteria for Mint. To date CGC has not graded any copy as high as this issue and it is highly unlikely that they ever will. This is definitely a showpiece for the high grade collector. Overstreet 2003 NM 9.4 value = $135.
The Brave and the Bold #64 Boston Pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. It's the Dark Knight vs. "DC's Demon of Darkness" as Batman tackles Eclipso, "Hero and Villain in One Man!" Gil Kane drew the wild cover, and Win Mortimer, one of DC's best (and least-known) artists, handles the inside stuff. This is another impossibly fresh copy from the Boston collection. Overstreet 2003 NM 9.4 value = $90.
Captain Action #1 (DC, 1968) CGC NM+ 9.6 White pages. This awesome copy has been given the highest CGC grade to date for this issue. Vibrant colors and a glossy surface really make the cover images pop. This issue features art by Wally Wood. Overstreet 2003 NM 9.4 value = $150.
Captain Action #1 Boston pedigree (DC, 1968) CGC NM+ 9.6 Off-white to white pages. An angry-looking Superman gets shoved aside for DC's newest hero, Captain Action, on the cover of this debut issue. The good Captain began "life" as a toy, a sort of G.I. Joe for all occasions. Here we have the "untold origin" revealed for your pleasure. Wally Wood and Irv Novick handle the art chores. This is an attractive, clean copy. Overstreet 2003 NM 9.4 value = $150.
Challengers of the Unknown #1 (DC, 1958) CGC Apparent VG/FN 5.0 Slight (A) Cream to off-white pages. Three full years before he brought the Fantastic Four to life, the inimitable Jack Kirby came up with another adventure-seeking team. When the Challengers finally gained their own book, Jack Kirby did the cover art and two stories. CGC notes, "Restoration includes: glue on spine of cover, spine split sealed to cover." Overstreet 2003 GD 2.0 value = $188; VG 4.0 value = $376; FN 6.0 value = $564.
Comicpac A3 (DC, 1968) Condition: Average VF/NM. This is an unopened pack of four DC comics from 1968. This pack contains Jimmy Olsen #109, Superboy #145, Jerry Lewis #105, and Green Lantern #59. It looks like all of the books should grade VF/NM at least; most are probably better. Overstreet 2003 VF/NM 9.0 value for group = $310; NM 9.4 value for group = $390.
Comicpac Group (DC, 1966) Condition: Average VF/NM. This is a group of two unopened packs of four DC comics from 1966. The A-1 pac includes Superman #182 (1st Silver Age appearance of the Toyman), Aquaman #25, Blackhawk #216, and Capt. Storm #5. The B-3 pac includes Superman's Pal Jimmy Olsen #91, Batman #179 (2nd Silver Age appearance of the Riddler), Flash #159, and Adventures of Jerry Lewis #93. These sets of comics are over 40 years old, yet appear almost as when printed. Overstreet 2003 VF/NM 9.0 value for group = $478; NM 9.4 value for group = $600.
Comicpac Group (DC, 1969) Condition: Average VF/NM. This is a group of four unopened packs of four DC comics each, from 1969. The A-1 pac includes Superman's Girl Friend Lois Lane #89, Superboy #153, Adventures of Jerry Lewis #110, and Action #371. The A-3 pac includes Superman's Pal Jimmy Olsen #118, Superboy #154, Green Lantern #67, and Aquaman #44. The A-4 pac includes Superman #215, Superman's Girl Friend Lois Lane #91, Metal Men #37, and Atom and Hawkman #42. The B-4 pac includes Superboy #155, Superman's Pal Jimmy Olsen #119, Detective Comics #386, and Adventure Comics #379. It looks like all of the books should grade as VF/NM at least; most are probably better. Overstreet 2003 VF/NM 9.0 value for group = $536; NM 9.4 value for group = $652.
Comicpac B3 (DC, 1962) Condition: Average VF+. This is an unopened pack of four DC comics from May and June of 1962. It includes Superman #153, Many Loves of Dobie Gillis #13, Justice League of America #11, and Sea Devils #5. With the exception of a small tear at the bottom of the Dobie Gillis comic, these books appear to be in excellent condition. Overstreet 2003 VF 8.0 value for group = $389.
Detective Comics #238 (DC, 1956) CGC VF 8.0 Cream to off-white pages. Batman faces a tough choice in this early Silver Age issue, which also features a J'onn J'onzz Manhunter from Mars story. This copy is very colorful and sharp-looking, with only two copies graded higher by CGC to date. Overstreet 2003 VF 8.0 value = $230.
Detective Comics #313 (DC, 1963) CGC NM 9.4 Off-white to white pages. Here's a super-sharp copy of this fun book, featuring one of the last of the "old-look" Batman and Robin stories, plus a J'onn J'onzz Manhunter from Mars tale. This one looks newsstand-fresh, clean and glossy with great eye-appeal. Overstreet 2003 NM 9.4 value = $95.
Detective Comics #314 (DC, 1963) CGC NM 9.4 Cream to off-white pages. Batman goes the Ahab route on this "Moby Dick" cover! This copy is a whale of an item, too. Great color, superb gloss, and a spotless spine make this one a real beauty. CGC lists this copy as best to date. Overstreet 2003 NM 9.4 value = $95.
Detective Comics #322 (DC, 1963 ) CGC NM 9.4 Off-white to white pages. Batman becomes a genie in a bottle in this issue, which also marks the only Detective Comics appearance of the original Bat-Girl. This copy exhibits eye-popping color and gloss; you would have been hard-pressed to find a nicer copy when this was new on the stands! CGC currently shows no higher-graded copies. Overstreet 2003 NM 9.4 value = $95.
Detective Comics #331 (DC, 1964) CGC NM 9.4 Cream to off-white pages. An early "new-look" Batman strikes a familiar pose, and shares this cover with the Elongated Man. This copy shows wonderful colors that pop out at you, the pink background and red logo area are particularly fresh. This is one of the two highest-graded copies in CGC's current census. Overstreet 2003 NM 9.4 value = $ 970.
Detective Comics #361 (DC, 1967) CGC NM 9.4 White pages. More great cover art by Murphy Anderson and Carmine Infantino and interior art by Infantino, and Sid Greene. Holy steam bath Batman! We'll forgive the campy cover balloons that remind us of the TV series because of the great Gardner Fox story and all the great artwork; not to mention that there are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $60.
Detective Comics #371 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. Here is one of Overstreet's "classic" Batgirl covers by Murphy Anderson and Carmine Infantino with interior art by Gil Kane, Sid Greene, and Mike Sekowsky. This also has the new look for the Batmobile based on the TV series. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $75.
Detective Comics #384 (DC, 1969) CGC NM 9.4 Off-white pages. Murphy Anderson, Joe Giella, Gil Kane, and Bob Brown all provide interior art for this terror driven Irv Novick cover. Another great Batgirl back-up story is here as well. This has a dark cover that is very hard to find in high grade. This is the highest grade yet assigned by CGC for this issue. Overstreet 2003 NM 9.4 value = $50.
Detective Comics #385 (DC, 1969) CGC NM+ 9.6 White pages. This issue features a great stable of artists, including Bob Brown, Joe Giella, Gil Kane, and Murphy Anderson, plus a cover by Neal Adams! Batgirl is on the cover and in a back-up story as well. To date, this copy is tied with two others for the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $50.
Doom Patrol #86 (DC, 1964) CGC NM 9.4 Off-white pages. Here's the first issue of DC's mutant team Doom Patrol, continuing the numbering from My Greatest Adventure. There's a one-page origin and the artwork, including the cool gorilla-with-a-gun cover, is by Bruno Premiani. This copy is fresh and sharp, with superb color and gloss. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $130.
Doom Patrol #91 (DC, 1964) CGC NM 9.4 Off-white to white pages. This issue introduced Mento, Garguax, and his Plastic Men to Doom Patrol's readers. In later issues Mento and Elasti-Girl would develop their tempestuous romantic relationship, and would eventually even get married -- despite the extraordinarily stupid-looking costume Mento wears in this issue. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $90.
Doom Patrol #92 (DC, 1964) CGC NM+ 9.6 Off-white pages. The villainous Dr. Tyme does his best to win the award for "goofiest mask on a costumed evil doer" on this oddball cover. High grade DC Silver Age comics like this just don't come along very often. Don't miss the opportunity to own this exceptional copy that has a square, almost perfect spine and saturated cover colors that pop from the ultra smooth surface. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $90.
Doom Patrol #93 (DC, 1965) CGC NM+ 9.6 Off-white pages. Robotman goes renegade, and takes control of a giant robot to use a submarine as a club to try to bludgeon Elasti-Girl. Which may strike the logically-mined reader as an odd turn of events, but it does make for an impressive cover! Bob Brown did the cover art, and Bruno Premiani took care of the interior, the pair of artists were staples of this '60s title. The grade here is eye-popping, this copy is CGC's highest-graded to date for issue #93. Overstreet 2003 NM 9.4 value = $90.
Doom Patrol #95 (DC, 1965) CGC NM+ 9.6 Off-white pages. While Marvel had the Fantastic Four and X-Men, DC had the Doom Patrol. While never as popular as their Marvel counterparts, the Doom Patrol still made for some pretty riveting reading. This issue sports a Bob Brown cover and Bruno Premiani interior artwork. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $90.
Doom Patrol #98 (DC, 1965) CGC NM 9.4 Off-white pages. DC's answer to the X-men is a little offbeat, but then aren't we all? These don't seem to turn up in this nice of shape too often; a grand total of one has attained this CGC grade to date. Overstreet 2003 NM 9.4 value = $90
Doom Patrol #100 (DC, 1965) CGC NM+ 9.6 Off-white pages. It's the 100th issue of the title that was My Greatest Adventure for the first 85. This issue features the origin of Beast Boy, with story art by Bruno Premiani. This copy has just been graded as it doesn't even show up on CGC's census report. When it does, it will be the highest-graded copy shown! Overstreet 2003 NM 9.4 value = $95.
Doom Patrol #101 (DC, 1966) CGC NM+ 9.6 Off-white pages. Bruno Premiani usually did the interior story art on "The World's Strangest Heroes," but Bob Brown did most of the covers. Here Premiani makes the most of a cover assignment with a terrific robot (and not just Robotman!) cover. This is a pristine copy, the nicest of only two copies CGC has certified to date in any grade. Overstreet 2003 NM 9.4 value = $55.
Doom Patrol #103 (DC, 1966) CGC NM+ 9.6 Off-white pages. The World's Strangest Heroes turn tail, and flee for their lives in this fun book by Bruno Premiani. The Doom Patrol was one of the funnest titles DC came out with. This copy has the distinction of being the nicest copy yet graded by CGC. Overstreet 2003 NM 9.4 value = $55.
80 Page Giant #4 Flash (DC, 1964) CGC VF/NM 9.0 Off-white to white pages. The Flash gets the giant-size annual treatment here for the first time, featuring a batch of early Silver Age stories, plus a Golden Age Flash tale thrown in for good measure. The "1,000-pound Flash" story included within is many fans' favorite. This square-bound volume shows very little stress or wear. Overstreet 2003 VF/NM 9.0 value = $198; NM 9.4 value = $260.
80 Page Giant #7 Sgt. Rock's Prize Battle Tales (DC, 1965) CGC VF+ 8.5 Off-white pages. This nice Silver Age square bound comic reprints some of DC's best battle tales, with lots of great Joe Kubert art and maybe even a dinosaur or two. It's a sharp copy, with only the slightest bit of wear apparent along the corners. This comic has received the second highest grade CGC has certified for this issue to date. Overstreet 2003 VF 8.0 value = $152; VF/NM 9.0 value = $226.
Flash Annual #1 (DC, 1963) CGC NM 9.4 Off-white pages. The Flash, the first really big Silver Age hero, gets his early adventures recapped in this fun eighty-pager. There's a Golden Age Flash story too, alongside tales featuring famous foes like Gorilla Grodd and Mr. Element, plus the Scarlet Speedster gets a little assistance from his pals the Elongated Man and Kid Flash. This square bound volume looks so fresh, you'll think you just cherry-picked it off the newsstand on your way home from school. Overstreet 2003 NM 9.4 value = $525.
The Flash #105 (DC, 1959) CGC VG/FN 5.0 Cream to off-white pages. For all intents and purposes, this is The Flash #1, as this post-Showcase Silver Age revival resumes the numbering from the Golden Age Flash Comics series. Carmine Infantino illustrates #105's first appearance of the Mirror Master. This impressive copy zings with sharp cover colors, and would grade higher were it not for minimal mid-spine stress. Overstreet 2003 VG 4.0 value = $770; FN 6.0 value = $1,155.
The Flash #110 (DC, 1959) CGC VF 8.0 White pages. The Fastest Man Alive whips up some action on the cover of this early issue, which features the origin and first appearances of Kid Flash and the Weather Wizard. Artist Carmine Infantino was one of the most talented staffers at DC, his work on the Flash remains some of his best. This copy appears to be an even higher grade then CGC allowed, the only wear noticeable being along the edges. Overstreet 2003 VF 8.0 value = $952.
The Flash #122 (DC, 1961) CGC VF/NM 9.0 Off-white pages. This stupendous copy merits CGC's highest grade from all specimens in its current survey. And to top it off, this issue introduces one of the Flash's colorful rogues' gallery: the Top! The cover and interior art are by Carmine Infantino. Overstreet 2003 VF/NM 9.0 value = $175; NM 9.4 value = $225.
The Flash #123 (DC, 1961) CGC VF/NM 9.0 Off-white to white pages. This issue represents a historic moment in the DC universe - the meeting of the Silver Age Flash with his Golden Age counter-part, which in turn opened the door to the multiple Earths concept (Earth I and II to begin with, and even more to come.) "Flash of Two Worlds" has been reprinted many times, and remains a fan favorite. Both heroes get their origin retold here, with art by Carmine Infantino. It's a key issue to be sure, and one that will be in demand for as long as people want to collect old comic books. This copy is very attractive; in fact, you'll only find three copies that grade higher in CGC's current census. Overstreet 2003 VF/NM 9.0 value = $1,364; NM 9.4 value = $1,800.
The Flash #147 Mohawk Valley pedigree (DC, 1964) VF/NM 9.0 Cream to off-white pages. This positively stunning copy of Flash #147 carries a certificate of authenticity verifying its source. The comic itself features Professor Zoom, aka the Reverse Flash, in his first return bout with the Fastest Man Alive, spectacularly rendered by premier Flash artist Carmine Infantino. Overstreet 2003 VF/NM 9.0 value = $98; NM 9.4 value = $125.
The Flash #148 (DC, 1964) CGC NM+ 9.6 Off-white pages. Thanks to Captain Boomerang, the Flash gets a tour of outer space. This is the second highest-graded copy that CGC has certified yet. Overstreet 2003 NM 9.4 value = $160.
The Flash #149 (DC, 1964) CGC NM/MT 9.8 Off-white pages. You've got to hand it to artist Carmine Infantino: he's the master of intriguing covers, like this one, where the Flash unmasks on television! Kid Flash guest stars in this issue illustrated by Infantino and Murphy Anderson. This amazing copy grades higher than all other specimens of issue #149 in CGC's current census. Overstreet 2003 NM 9.4 value = $125.
The Flash #151 Western Penn pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. This is another "Double-Flash" issue, teaming the Fastest Man Alive, Barry Allen, with his Golden Age predecessor, Jay Garrett. In this issue, Barry also gets engaged to his long-time fiance, Iris West. This super-sweet copy must have been stuck in a time capsule somewhere, because it looks brand new. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $160.
The Flash #152 (DC, 1965) CGC NM 9.4 Off-white to white pages. The Trickster escapes the Fastest Man Alive -- on a tricycle?! Carmine Infantino and Murphy Anderson offer this issue's spectacular cover and interior artwork. In CGC's latest census, a mere two copies grade higher than this gorgeous specimen. Overstreet 2003 NM 9.4 value = $105.
The Flash #153 Western Penn pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Professor Zoom, the Reverse Flash, makes a colorful appearance this issue, drawn by Carmine Infantino. You will be astonished at the incredible mint-like glow this copy features. Throw away the price guide on this one! Silky smooth surfaces and rich, glossy color make this copy the one to have. It is by far the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $105.
The Flash #154 (DC, 1965) CGC NM 9.4 Off-white to white pages. The Flash always manages to get into some oddball predicament, and in this issue his super-speed goes haywire leaving him ineffectual against crooks. As of yet CGC has not graded any copies nicer than this one. Overstreet 2003 NM 9.4 value = $105.
The Flash #155 Western Penn pedigree (DC, 1965) CGC NM+ 9.6 Off-white pages. The Fastest Man Alive runs into an entire who's who of villains in this issue, as he comes up against the Pied Piper, Mirror Master, Captain Cold, the Top, Captain Boomerang, and Heat-Wave. The cover blurb promises one more super villain, but we don't want to spoil the surprise by saying which one. Carmine Infantino is our artist here, doing his usual splendid job. This copy will knock your socks off with all the newsstand-fresh color and gloss. In fact, there are no copies of this issue graded higher in the current CGC census. Overstreet 2003 NM 9.4 value = $105.
The Flash #156 Western Penn pedigree (DC, 1965) CGC NM+ 9.6 White pages. The Flash wanted for treason? Say it ain't so, Barry Allen! Obviously, Iris and Kid Flash are a bit upset about this, but we suspect there might be more here than meets the eye. This super-sharp copy shows practically no trace of wear on the cover's black background, this is quite a nice comic book. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $105.
The Flash #157 Western Penn pedigree (DC, 1965) CGC NM 9.4 Off-white to white pages. The Fastest Man Alive becomes the Oldest Man Alive in this fun issue, co-starring the Trickster. This copy is a real beauty; the color, the spine, the abundant gloss - simply amazing! CGC lists only one higher-graded copy at this date. Overstreet 2003 NM 9.4 value = $105.
The Flash #158 Western Penn pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. The Scarlet Speedster battles the Breakaway Bandit in this issue, and turns himself into a one-man Justice League, taking on the powers of Green Lantern, Atom and Hawkman. Whew! This is another breath-taking copy from the Western Penn collection, and like most of the books we've seen from that horde, it looks like a just-printed comic that some savvy collector has carefully cherry-picked off the stands. Overstreet 2003 NM 9.4 value = $105.
The Flash #159 Western Penn pedigree (DC, 1966) CGC NM 9.4 Off-white pages. The Flash calls it quits and hangs up his suit on the cover of this issue. Do you think he really means it? At any rate, this is a fantastic copy, with some of the prettiest color we've seen in a while. The spine is smooth and flawless, and the cover gloss make this one look like a new book. Someone sure knew how to care for their comics! Overstreet 2003 NM 9.4 value = $105.
The Flash #160 Western Penn pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. This issue of Flash is an 80 Page Giant edition, reprinting several classic stories of the Fastest Man Alive, plus a couple of Golden Age tales featuring the original Flash and Johnny Quick. These square bound giants have always been popular, particularly when they are as nice as this one! It's a black-background copy, but it shows practically no wear whatsoever, and the spine is straight and smooth. The cover exhibits great color and gloss; even the corners look sharp and perfect. Overstreet 2003 NM 9.4 value = $150.
The Flash #161 Western Penn pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. The Mirror Master returns to play a few tricks on our hero this issue, plus there's an alternate story based on issue #159's "The Flash's Final Fling" cover illustration. This is another time-capsule copy from the Western Penn collection, an incredibly fresh and sharp book. CGC shows no higher-graded copies of this issue in their current census. Overstreet 2003 NM 9.4 value = $90.
The Flash #164 (DC, 1966) CGC NM 9.4 White pages. The Flash becomes the "Vandal of Central City" this issue, with an angry mob ready to tear him apart on this Carmine Infantino cover. While CGC doesn't mention it as such, we suspect this is a copy from the Western Penn collection, a exceptionally nice batch of high-grade Silver Age comics. This copy appears to be impossibly fresh and glossy, with a virtually perfect spine. Overstreet 2003 NM 9.4 value = $90.
The Flash #165 Western Penn pedigree (DC, 1966) CGC VF/NM 9.0 Off-white to white pages. Barry Allen is about to marry Iris West on the cover of this issue, when in bursts the Flash to halt the proceedings, and - wait a minute! Isn't Barry Allen really the Scarlet Speedster? You'll have to pick this one up find out what's going on, but one thing is for sure -- this is one nice copy. This really looks better than the CGC-assigned grade, it's a richly colored, glossy gem with no real problems noticeable other than a few faint stress lines on the spine. Overstreet 2003 VF/NM 9.0 value = $80; NM 9.4 value = $100.
The Flash #167 Western Penn pedigree (DC, 1967) CGC NM+ 9.6 Off-white pages. New facts emerge about the origins of the Flash (Barry Allen), plus Kid Flash gets a solo story in this issue. The Carmine Infantino cover shows a newspaper classifieds page with a position-wanted ad for the Fastest Man Alive. Do you think he'll have trouble finding a job? We think that you'll have no trouble accepting this copy as one of the best to be found, it's a real gem. In fact, CGC currently shows no higher-graded copies of this issue. Overstreet 2003 NM 9.4 value = $90.
The Flash #168 (DC, 1967) CGC NM+ 9.6 Cream to off-white pages. The Green Lantern appears to be running out on his pal, the Flash on this Carmine Infantino cover. What's up with that, GL? Gee, these two super-heroes always seem to get along so well together! Oh, well -- at least this particular copy won't make collectors of extremely high-grade books run away, it's as sharp and fresh as they come! Overstreet 2003 NM 9.4 value = $90.
The Flash #169 (DC, 1967) CGC NM 9.4 Cream to off-white pages. Here's another 80 Page Giant edition featuring the "Whirlwind Adventures of the Fastest Man Alive!" The theme this issue is the Scarlet Speedster's most treacherous traps and deadly dooms, so be prepared for some great reprinted stories with wonderful art from Carmine Infantino. Some more origin details are revealed here as well. This square bound book looks sharp and like-new, the glossy black background cover shows no wear. Overstreet 2003 NM 9.4 value = $120.
The Flash #171 (DC, 1967) CGC NM 9.4 Cream to off-white pages. The Flash, mighty hero of Central City, appears to be lying dead on the sidewalk on this well-drawn cover by Carmine Infantino and Murphy Anderson. No one seems to care... say it isn't so! We will say that this copy is extremely clean and like-new, with fantastic color and gloss evident on the sharp cover. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $80.
The Flash #173 Boston pedigree (DC, 1967) CGC NM+ 9.6 White pages. Here's a really nice cover, drawn by Carmine Infantino and Murphy Anderson. Against a black background, we see three cameo portraits featuring the Golden Age Flash, the Silver Age Scarlet Speedster, and young Kid Flash, who begin to vanish, one by one! This amazing copy shows no signs of wear, always a problem on comics with black covers. CGC shows this comic to be the highest-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $80.
The Flash #175 (DC, 1967) CGC NM 9.4 Cream to off-white pages. Superman and Flash run a rematch race to find out once and for all who really is the fastest man alive in this fun issue, which features art by Ross Andru. Of course, there's a twist to the story involving Gold Kryptonite, but we won't spoil it for you! This is a very sharp, clean copy; its black background shows nothing in the way of wear, and the color and gloss are outstanding. Overstreet 2003 NM 9.4 value = $225.
The Flash #176 (DC, 1968) CGC NM 9.4 Off-white to white pages. The Grim Reaper comes calling for the Scarlet Speedster on this wildly colorful cover by Ross Andru and Mike Esposito. Will our hero survive? Will he be able to resist Death's demand? Is it possible to outrun Death? Will you be able to resist the incredible luster and gloss of this near-perfect specimen? It's a real killer! Overstreet 2003 NM 9.4 value = $80.
The Flash #177 (DC, 1968) CGC NM 9.4 Off-white to white pages. The Flash seem to have trouble with his body from time to time. In one issue, he gained 1,000 pounds; in this one, he's let it all go to his (swollen) head. It's another fun late-60s issue, brought to you from the creative team of Ross Andru and Mike Esposito. This copy looks pretty swell - glossy, flat and sharp. Overstreet 2003 NM 9.4 value = $80.
Frontier Fighters #6 (DC, 1956) CGC VF/NM 9.0 Off-white pages. Tales of Davy Crockett, Buffalo Bill (by Joe Kubert), and Kit Carson begin with this issue. DCs from the mid-1950s have proven to be among the rarest, and hardest-to-find books of all. Overstreet calls it "scarce" In addition to the general rarity of this title, this issue has a black cover, which is always extremely difficult to find in such a nice state of preservation. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF/NM 9.0 value = $522; NM 9.4 value = $675.
G.I. Combat #44 (DC, 1957) CGC VF/NM 9.0 Cream to off-white pages. This is the first occasion we have had to offer this key issue. For devoted collectors of DC's Big 5 war books, this is a comic on the majority of want lists. This is the first DC issue of a title started by Quality. These early issues rarely made it to the present times in unscathed condition but this high grade beauty is as nice as you could ever hope to get. This book is also graced by one of the greatest grey tone covers we have seen yet. Some of the artists who contributed to this issue are Joe Kubert, Ross Andru, and Russ Heath. To date, this is the highest CGC-graded copy of this issue, and may very well hold up to be the nicest in existence; it looks better than the Salida copy, so the odds are in its favor. Overstreet 2003 VF/NM 9.0 value = $555; NM 9.4 value = $725.
Green Lantern #1 (DC, 1960) CGC VF/NM 9.0 Off-white pages. Flush with the success of the Flash, DC took the lead in the early Silver Age years, reviving and revamping Golden Age superheroes and inventing new ones. Quality storytelling and artwork distinguished DC from nearly every other publisher during this era, but Stan Lee's Marvel was a sleeping giant about to awake as the 1960s arrived. In regards to the comic at hand, this famous cover may be Gil Kane's most memorable, and his work on Green Lantern is arguably his best among many titles throughout DC and Marvel where he had over five decades of sterling output. This premiere key Silver Age book also retells Green Lantern's origin, and is the first appearance of the Guardians of the Universe. Advanced DC collectors know that finding a low- to mid-grade copy of this book is fairly easy, but locating a high-grade example, like this one, is next to impossible. This book is bright and clean, and almost appears unread, with just minor spine and minor edge wear. The pages are superb, and the whole book has a like new feel. Only two copies have managed to eke a higher grade out of CGC to date. Overstreet 2003 VF/NM 9.0 value = $3.122; NM 9.4 $4,200.
Green Lantern #2 (DC, 1960) CGC NM 9.4 Off-white pages. The revival of one of DC's greatest Golden Age characters (bearing the superhero name if not the same alter-ego) gave the esteemed Gil Kane an opportunity to win over countless new fans not already familiar with the work he had compiled since the early 1940s. This sensational copy shows off Kane's cover handiwork like no other. Only one other copy has fared well enough with CGC to grade better than this one. Overstreet 2003 NM 9.4 value = $1,000.
Green Lantern #2 Bethlehem pedigree (DC, 1960) CGC VF/NM 9.0 Off-white pages. Here's a chance to own a great copy of this important early issue, which comes from a pedigreed collection. Like most of the Bethlehem books, this copy was stamped with an arrival date in red ink, that distracts very little from the overall look of this colorful copy. This is a most impressive comic, with the usual great Gil Kane artwork, and the first appearance of GL's sidekick Pieface. Overstreet 2003 VF/NM 9.0 value = $760; NM 9.4 value = $1,000.
Green Lantern #3 (DC, 1960) CGC VF 8.0 Cream to off-white pages. The Silver Age of comics produced a lot of great heroes in the early 1960s, and few were more admired than this update of a DC Golden Age character. This is a terrific copy of the third issue, with rich, deep color and flat surfaces. A light red arrival date has been stamped on the back cover. Overstreet 2003 VF 8.0 value = $300.
Green Lantern #4 (DC, 1961) CGC VF/NM 9.0 Cream pages. Gil Kane's art on this title was always so crisp and clean! Here's a great example from an early issue of this Silver Age favorite. It's a pretty copy with great color and gloss; and as a bonus, the cover promises to reveal "the secret of Green Lantern's mask!" You can't go wrong with this one! Overstreet 2003 VF/NM 9.0 value = $327; NM 9.4 value = $425.
Green Lantern #5 (DC, 1961) CGC NM- 9.2 Off-white to white pages. The issue included the origin and first appearance of Hector Hammond, and originally could be purchased for a shiny dime. Inflation would set in before the year was out, forcing the comic book reading public to cough up an additional two pennies for their favorite superheroes. You'll be happy to spend a little more for this well-preserved gem of a copy. Gil Kane, who drew all but a few of the first 75 issues' covers and interior art, provides the art inside and out on this one. Overstreet 2003 NM 9.4 value = $425.
Green Lantern #29 (DC, 1964) CGC NM 9.4 Off-white pages. Our hero, Green Lantern is barely left with a leg to stand on here on the cover of this issue. What an odd sight this must have been to the passers-by! Needless to say, this is another great Gil Kane-illustrated issue, and a flat, tight beauty of a copy to boot. It's hard to believe anyone ever even opened up this book, let alone read it! CGC shows only one higher-grade copy at this time. Overstreet 2003 NM 9.4 value = $150.
Green Lantern #35 (DC, 1965) CGC 9.2 NM- Cream to off-white pages. Gil Kane did the cover (along with Murphy Anderson) and artwork in this issue which pits GL against the Aerialist. Overstreet 2003 NM 9.4 value = $125.
Green Lantern #37 (DC, 1965) CGC NM 9.4 Off-white. The diabolical Evil Star and his minions, the Starlings, make their first appearance in this issue by Gil Kane and Sid Greene. This copy is CGC's highest-graded to date. Overstreet 2003 NM 9.4 value = $125.
Green Lantern #38 (DC, 1965) CGC NM 9.4 Off-white to white pages. GL's alien sidekick Tomar-Re makes a guest appearance in this issue to assist our earthly Green Lantern in the "Menace of the Atomic Changeling". CGC has not yet run across any copies of this book that grade higher. Gil Kane provides cover and interior art. Overstreet 2003 NM 9.4 value = $125.
Green Lantern #47 (DC, 1966) CGC NM 9.4 Off-white to white pages. Some of Gil Kane's best work was his mid-run Green Lantern work, of which this is one. This is the nicest copy graded yet by CGC. Overstreet NM 9.4 value = $105.
Green Lantern #50 (DC, 1967) CGC NM 9.4 Off-white pages. Green Lantern gets a thrashing from Thraxon the Powerful in this issue that is beautifully delineated by Gil Kane. The story is by John Broome who did some of the best tales to ever come from DC. Overstreet 2003 NM 9.4 value = $105.
Green Lantern #51 (DC, 1967) CGC NM+ 9.6 Off-white pages. Gil Kane did the artwork on this action-packed cover and all of the interior art chores. This copy is the highest yet graded and the only one to break the 9.6 barrier. Overstreet 2003 NM 9.4 value = $85.
Hawkman #23 (DC, 1968) CGC NM+ 9.6 Off-white to white pages. What was it about DC comics and dinosaurs back in the 1960s? Here's another cool dino cover, with Hawkman taking care of business - note those teeth being knocked loose! This copy is just awesome; the color and gloss are astounding, and the edges appear needle-sharp. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $60. From the Cleveland Collection.
House of Mystery #144 (DC, 1964) CGC NM 9.4 Off-white to white pages. This issue features an exciting image of J'onn J'onzz that is made more so because of the high grade condition of this beautiful comic. Only one other copy has been given a higher grade by CGC. Joe Certa and Mort Meskin provide interior art. Overstreet 2003 NM 9.4 value = $125.
House of Mystery #174 (DC, 1968) CGC NM+ 9.6 Off-white pages. It is just a matter of time before this book takes off. Prior to this issue Robby Reed of "Dial 'H' for Hero" had full reign over this title. With this issue the format became mystery and the host Cain took over in the next issue. This book is not as common as you think and high grade copies are near impossible to find, seeing as how they languished in quarter boxes for years. This beauty is the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $85.
Justice League of America #2 (DC, 1961) CGC FN/VF 7.0 Cream to off-white pages. This solid mid-grade book features a cover by Murphy Anderson and has excellent cover colors. There is minor wear to the upper and lower right corners of the front cover. Mike Sekowsky and Bernard Sachs provide the artwork in this issue, the second appearance of the JLA in their own title. Overstreet 2003 FN 6.0 value = $192; VF 8.0 value = $544.
Justice League of America #3 (DC, 1961) CGC VF- 7.5 Off-white pages. This is one of the harder issues of this title to find in high grade due to the black background of Murphy Anderson's cover. This features the origin and first appearance of Kanjar Ro. This "Slave Ship of Space" cover isn't by Overstreet as a "classic" yet, but we think it's as classic an image as you'll find on any DC Silver Age superhero comic. CGC notes, "'Read all' written on 1st page in pen, 'Read' written on 5 pages in pen." Overstreet 2003 VF 8.0 value = $468.
Justice League of America #5 (DC, 1961) CGC VF 8.0 Off-white to white pages. Mike Sekowsky made his mark with this Silver Age title, doing some of the best of his decades-spanning work here. This issue features the origin and first appearance of Dr. Destiny, with JLA members Wonder Woman, Green Lantern, Flash, Aquaman, Green Arrow, and the Martian Manhunter providing good guy action. CGC notes, "Light tanning top edge of pages and interior/back cover." Overstreet 2003 VF 8.0 value = $225.
Justice League of America #7 (DC, 1961) CGC VF/NM 9.0 Cream to off-white pages. The entire Justice League team is featured on this fun-house cover by Murphy Anderson. This is the first appearance of Professor Amos Fortune, and the last 10-cent cover price issue. Only two copies of this issue have earned a higher grade from CGC to date. Overstreet 2003 VF/NM 9.0 value = $292; NM 9.4 value = $375.
Justice League of America #9 Ohio pedigree (DC, 1962) CGC FN/VF 7.0 Off-white to white pages. Mike Sekowsky and Murphy Anderson provide a classic cover with all the JLA members being turned into trees by a mysterious glowing meteor. Plus, this issue is the first time the origin of the Justice League is told. A very nice solid book well worth looking at. (And reading!) Overstreet 2003 FN 6.0 value = $123; VF 8.0 value = $308.
Justice League of America #13 (DC, 1962) CGC NM- 9.2 Off-white to white pages. Murphy Anderson's cover, with Mike Sekowsky's interior art, make this another Silver Age winner. Only ever-so-slight spine wear on this terrific copy holds the grade to a 9.2... like you have a better one, Mr. Perfect! To date, only one copy of this issue has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $260.
Justice League of America #14 (DC, 1962) CGC VF/NM 9.0 Off-white pages. The Atom joins the JLA in this issue. (What took him so long??) The black background on the Murphy Anderson cover makes this a difficult issue to find in higher grade. Just a handful of copies of this issue have been graded higher by CGC to date. Overstreet 2003 VF/NM 9.0 value = $203; NM 9.4 value = $260.
Justice League of America #18 (DC, 1963) CGC NM+ 9.6 Off-white to white pages. A Murphy Anderson cover highlights this sharp copy featuring the world's greatest superheroes. Mike Sekowsky and Bernard Sachs provide the interior art. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $225.
Justice League of America #20 (DC, 1963) CGC VF+ 8.5 Off-white pages. An excellent example of this issue, featuring the entire JLA cast on the cover. Mike Sekowsky does both the cover and interior artwork; Murphy Anderson provides cover inks, while Bernard Sachs inks the story inside. Few copies of this issue have been graded higher by CGC to date. Overstreet 2003 VF 8.0 value = $125; VF/NM 9.0 value = $175.
Justice League of America #21 (DC, 1963) CGC NM 9.4 White pages. This issue re-introduces the JSA into this title, and also includes the first Silver Age appearances of Dr. Fate and Hourman. Everyone who is anyone is featured on this cover by Mike Sekowsky and Murphy Anderson. To date, this is tied for the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $450.
Justice League of America #21 (DC, 1963) CGC NM- 9.2 Cream to off-white pages. This highly sought-after issue re-introduces of the Golden Age Justice Society of America, who team up in this issue with their Silver Age counterparts for a "Crisis on Earth-One." Hourman and Dr. Fate both make their very first Silver Age appearance. Only a handful of copies of this issue have currently been graded higher by CGC. Overstreet 2003 NM 9.4 value = $450.
Justice League of America #22 (DC, 1963) CGC NM- 9.2 Off-white to white pages. The JSA and JLA continue the crossover storyline from Justice League of America #21. With "Crisis on Earth-Two" the editors at DC brilliantly establish the "multiple earths" concept that would finally explain how DC could incorporate all of their heroes into one universe. Only two copies of this issue have earned a higher grade from CGC to date. Overstreet 2003 NM 9.4 value = $375.
Justice League of America #27 Double Cover (DC, 1964) CGC NM- 9.2 Cream to off-white pages. CGC notes, "First cover 8.0, interior cover 9.2." Murphy Anderson and Mike Sekowsky did the cover art, and Sekowsky and Bernard Sachs provided the interior artwork. Robin also makes an appearance in this Gardner Fox story. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $165.
Justice League of America #28 (DC, 1964) CGC NM- 9.2 White pages. The JLA goes on strike. And we didn't even know they had formed a union! Light surface wear on the back cover keep this copy from NM territory, but CGC has certified only two nicer copies of issue #28 to date. Overstreet 2003 NM 9.4 value = $165.
Justice League of America #31 (DC, 1964) CGC NM- 9.2 Off-white to white pages. Hawkman joins the crew with this issue, which also features a Hawkgirl cameo. Batman, Flash, Wonder Woman and Green Lantern hang around too, adding to the fun. This copy looks wonderful; the cover is sharp and loaded with deep color against a black background. Overstreet 2003 NM 9.4 value = $140. From the Cleveland Collection.
Justice League of America #31 (DC, 1964) CGC VF+ 8.5 Cream to off-white pages. This comic has a cool Mike Sekowsky and Murphy Anderson cover, that pits the might of the Justice League against the "Riddle of the Runaway Room." If that doesn't grab you, Hawkman finally joins the JLA in this issue, and Hawkgirl makes a cameo appearance. Overstreet 2003 VF 8.0 value = $78; VF/NM 9.0 value = $109.
Justice League of America #32 Mohawk Valley pedigree (DC, 1964) CGC NM 9.4 Off-white pages. This issue features an electrifying Mike Sekowsky and Murphy Anderson cover that introduces and tells the origin of Brain Storm, the new JLA villain. This is a super sharp copy; only one other copy of this issue has been currently graded higher by CGC. Overstreet 2003 NM 9.4 value = $110.
Justice League of America #37 (DC, 1965) CGC NM- 9.2 Cream to off-white pages. Mike Sekowsky and Murphy Anderson combine on the cover of this issue, which features plenty of Justice Society of America members but not a single member of the Justice League. As you probably guessed from the cover, the JSA is featured in this issue, plus we've got the first Silver Age appearance of Mr. Terrific. Batman makes a cameo appearance, while Green Lantern, Doctor Fate, the Atom, and the Flash share primary superhero duties in this issue. Overstreet 2003 NM 9.4 value = $140.
Justice League of America #40 Pacific Coast pedigree (DC, 1965) CGC VF/NM 9.0 Off-white to white pages. Squaawwkk! It's the third Silver Age appearance of the Penguin! Artist Mike Sekowsky features Batman, Superman, Green Lantern, Hawkman, Aquaman, Green Arrow, and the Martian Manhunter in this superhero overkill. Only two copies of issue #40 have been graded higher by CGC to date. Overstreet 2003 VF/NM 9.0 value = $76; NM 9.4 value = $95.
Justice League of America #41 Pacific Coast pedigree (DC, 1965) CGC NM+ 9.6 White pages. This issue has the first appearance and origin of the Key, another one of DC's goofy villains, but the real story here is the fantastic grade of this Silver Ager, the highest grade yet assigned for a copy of #41 by CGC. Fresh and gorgeous, this book make us want to check out other issues from this pedigree. Overstreet 2003 NM 9.4 value = $95.
Justice League of America #44 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 White pages. Members of the Justice League get infected by a plague that makes them grow -- someone call Weight Watchers! The Pacific Coast pedigree strikes again, coaxing the highest grade yet from CGC for this issue. Mike Sekowsky handles the interior artwork, and gets some help from inker extraordinaire Murphy Anderson on the cover art. Overstreet 2003 NM 9.4 value = $80.
Justice League of America #45 Pacific Coast pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. Shaggy Man is the evildoer-of-the-month for this issue; he's a pretty powerful villain but DC was really scraping the bottom of the barrel when they decided on that name! It's got one of those dark covers that are tough to find in high grade. Only two copies of this issue have earned a higher grade from CGC to date. Overstreet 2003 NM 9.4 value = $80.
Justice League of America #46 Pacific Coast pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. This issue features a JSA crossover, the first Silver Age appearance of Sandman, and the third Silver Age appearance of the Golden Age Spectre. Wow! All that, and it boasts the highest grade assigned to the issue by CGC to date. The deep purple cover makes this issue difficult to find in high grade, so snag this one while you can! Overstreet 2003 NM 9.4 value = $150.
Justice League of America #48 Pacific Coast pedigree (DC, 1966) CGC NM+ 9.6 Off-white to white pages. Having a dark purple cover, and being an 80-page square bound make this a doubly tough issue to find in high grade. If you've been searching for a prime copy of this comic, look no further! This pedigreed copy is the second highest-graded copy CGC has certified to date. Overstreet 2003 NM 9.4 value = $95.
Justice League of America #49 Pacific Coast pedigree (DC, 1966) CGC NM- 9.2 Off-white to white pages. Two superior artists whose work spanned the Golden and Silver Ages, Mike Sekowsky and Sid Greene, offer the art here. The purple cover will highlight even minor defects, making this grade scarce for issue #49. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $70.
Justice League of America #51 (DC, 1967) CGC NM 9.4 Off-white pages. Zatanna and the Elongated Man make an appearance in this story by Gardner Fox. Mike Sekowsky and Sid Greene provide the artwork, and Sekowsky teams with Joe Giella for the cover art. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $70.
Justice League of America #52 (DC, 1967) CGC NM 9.4 Off-white to white pages. Superman and Batman are featured on this cover by Mike Sekowsky and Joe Giella. Sekowsky and Sid Green did the art with the story by Gardner Fox. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $70.
Justice League of America #53 (DC, 1967) CGC NM 9.4 Off-white to white pages. Here is another sharp copy featuring the JLA's super-weapons gone wild. Mike Sekowsky and Sid Greene gave us the art with Sekowsky and Murphy Anderson's magic on the cover. Currently only two copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $70.
Justice League of America #56 (DC, 1967) CGC NM 9.4 Off-white to white pages. An earth-shaking battle takes place between the Justice League and the Justice Society. An explosive cover by Carmine Infantino and Murphy Anderson with interior art by Mike Sekowsky and Sid Greene and a story by Gardner Fox make this a must-have issue. This is the copy to get as there is currently only one other copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $85.
Justice League of America #57 Pacific Coast pedigree (DC, 1967) CGC NM 9.4 Off-white pages. The United Nations gets a plug on this optimistic cover. Two terrific artistic tandems, Carmine Infantino/Murphy Anderson and Mike Sekowsky/Sid Greene provide the cover and interior art, respectively, for this issue. This beautiful copy has been bested in grade by only one other CGC-certified copy to date. Overstreet 2003 NM 9.4 value = $70.
Metal Men #1 (DC, 1963) CGC VF/NM 9.0 Off-white pages. The robots with human personalities, the Metal Men, get their own magazine, fresh from their try-out appearances in Showcase. This copy's cover gloss shines like Platinum, and its staples are as strong as Iron. It's among the highest-graded copies certified by CGC. Overstreet 2003 VF/NM 9.0 value = $605; NM 9.4 value = $800
Mystery in Space #44 (DC, 1958) CGC VF 8.0 Cream to off-white pages. Continent-snatching aliens are cover-featured on this Gil Kane-illustrated cover to Mystery in Space #44. Interior features include Space Cabbie, plus art by Carmine Infantino. This attractive specimen currently ranks as the highest-graded copy certified by CGC. Overstreet 2003 VF 8.0 value = $156.
Mystery in Space #53 (DC, 1959) CGC FN/VF 7.0 Off-white pages. This key issue of Mystery in Space features Adam Strange's first appearance in the title after a successful solo launch in Showcase. Collectors of Carmine Infantino's and Gil Kane's work will be thrilled to discover their art inside. This is a wonderful example, rich with cover colors, and is outgraded by a mere four copies certified by CGC. Overstreet 2003 FN 6.0 value = $435; VF 8.0 value = $1,236.
Mystery in Space #54 White Mountain pedigree (DC, 1959) CGC VF- 7.5 Off-white to white pages. If you thought the moles in your yard were a problem -- look at what Adam Strange is digging up! This stunning copy is remarkably crisp with bright interior pages. Only one specimen certified by CGC carries a higher grade. Overstreet 2003 VF 8.0 value = $344.
Mystery in Space #75 (DC, 1962) CGC VF+ 8.5 Off-white pages. The bug-eyed bad guy Kanjar Ro takes on Adam Strange and the entire Justice League of America in this landmark crossover issue illustrated by Carmine Infantino and Murphy Anderson. This is a phenomenal copy, ranking among the highest-graded specimens certified by CGC. Overstreet 2003 VF 8.0 value = $181; VF/NM 9.0 value = $253.
Mystery in Space #79 Western Penn pedigree (DC, 1962) CGC VF/NM 9.0 Off-white to white pages. The Silver Age art team supreme Carmine Infantino and Murphy Anderson had truly hit their stride by the time this issue of Mystery in Space was published. The issue also features a backup story illustrated by Sid Greene. To date, only three copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $117; NM 9.4 value = $150.
Mystery in Space #80 Western Penn pedigree (DC, 1962) CGC NM- 9.2 Off-white to white pages. Sinister, sentient shadows were a favorite of DC editor Julius Schwartz -- he introduced the Shadow Thief in Hawkman and "The Deadly Shadows of Adam Strange" here. This near-perfect copy of Mystery in Space #80 is one of the highest-graded examples certified to date by CGC. Overstreet 2003 NM 9.4 value = $150.
Mystery in Space #81 Western Penn pedigree (DC, 1963) CGC VF- 7.5 Off-white to white pages. Adam Strange has vanquished renegade robots and sinister shadows, but is in for stormy weather with his battle against the Cloud-Creature. This currently ranks as the highest-graded copy of Mystery in Space #81 in CGC's latest census. CGC notes, "Cover detached from bottom staple only." Overstreet 2003 VF 8.0 value = $68.
Mystery in Space #82 Western Penn pedigree (DC, 1963) CGC VF/NM 9.0 Off-white pages. This spectacular Carmine Infantino/Murphy Anderson illustration is one of the most dynamic and memorable Adam Strange covers ever. Just two copies of #82 have received a higher grade to date from CGC. Overstreet 2003 VF/NM 9.0 value = $94; NM 9.4 value = $120.
Mystery in Space #83 Western Penn pedigree (DC, 1963) CGC NM 9.4 Off-white to white pages. Adam Strange is stunned on this Carmine Infantino/Murphy Anderson cover, and you'll be stunned when you see the impeccable quality of this copy. Just one specimen has received a higher grade from CGC at this writing. Overstreet 2003 NM 9.4 value = $120.
Mystery in Space #84 Western Penn pedigree (DC, 1963) CGC NM 9.4 White pages. This is it: CGC's highest-graded copy of Mystery in Space #84! It is beautiful beyond belief, with its deep, alluring cover colors and sharp, white pages. Carmine Infantino and Murphy Anderson's bizarre cover, whisking Adam Strange into combat with his most unusual threat, is yet another attractive incentive for the potential bidder. Overstreet 2003 NM 9.4 value = $120.
Mystery in Space #85 Western Penn pedigree (DC, 1963) CGC NM 9.4 White pages. DC's space-spanning hero faces his most dire dilemma to date, as his jetpacks and his very body turn against him. Far and away, this is the highest-graded copy CGC has yet to certify of Mystery in Space # 85. Overstreet 2003 NM 9.4 value = $120.
Mystery in Space #86 Western Penn pedigree (DC, 1963) CGC VF/NM 9.0 Off-white to white pages. You've got to hand it to artists Carmine Infantino and Murphy Anderson; their gripping illustration cover for Mystery in Space #86 is a sci-fi classic. CGC hasn't awarded a higher grade for this issue as of this writing. Overstreet 2003 VF/NM 9.0 value = $94; NM 9.4 value = $120.
Mystery in Space #87 Western Penn pedigree (DC, 1963) CGC VF/NM 9.0 Off-white to white pages. Hawkman winged into Mystery in Space beginning with this issue for his third try-out stint (after two shots in The Brave and the Bold). Only one copy of #87 has graded higher in CGC's current census. Overstreet 2003 VF/NM 9.0 value = $195; NM 9.4 value = $250.
Mystery in Space #88 Western Penn pedigree (DC, 1963) CGC NM-9.2 White pages. This astonishingly attractive copy is the highest-graded specimen certified to date by CGC. The Adam Strange story is illustrated by Carmine Infantino, with Murphy Anderson drawing the Hawkman tale. Overstreet 2003 NM 9.4 value = $220.
Mystery in Space #89 Western Penn pedigree (DC, 1964) CGC NM- 9.2 Off-white to white pages. This bawdy biker puts the spin on Hawkman in this sizzling Murphy Anderson cover. Carmine Infantino illustrates this issue's Adam Strange adventure. This awesome copy of #89 has been outgraded by only one specimen in CGC's current census. Overstreet 2003 NM 9.4 value = $210.
Mystery in Space #91 Western Penn pedigree (DC, 1964) CGC NM+ 9.6 Off-white to white pages. Adam Strange is forced into a dangerous choice in this intriguing cover by Carmine Infantino and Murphy Anderson. Your choice is much easier, if you're looking for a near-perfect copy of #91-- this vibrant copy currently ranks as CGC's highest-graded specimen. Note: This is artist Infantino's last Adam Strange adventure. Overstreet 2003 NM 9.4 value = $60.
Our Army At War #81 (DC, 1962) CGC VF- 7.5 Off-white to white pages. A key issue, nearly every Silver Age DC war collector wants this book. Sgt. Rocky of Easy Company is the feature story of this issue, which was shortened by one letter in the very next issue to the now-familiar Sgt. Rock. This is the last of the Rock prototypes, and has great artwork by Ross Andru, Mike Esposito, and Russ Heath. Extremely difficult to find, even in mid-grade, the vast majority of the existing copies of this issue were lovingly read to death, or are tucked away in permanent collections. Overstreet 2003 VF 8.0 value = $1,598.
Our Army At War #117 (DC, 1962) CGC NM 9.4 Cream to off-white pages. This gem, featuring the legendary Sgt. Rock, is the finest specimen of this issue in CGC's most recent census. Joe Kubert provides an intense cover as well as interior artwork. High-grade DC war books are tough to find -- don't miss out on this rarity! Overstreet 2003 NM 9.4 value = $135.
Our Army At War #165 Boston pedigree (DC, 1966) CGC NM 9.4 White pages. Sgt. Rock's nemesis the Iron Major makes his second appearance in this issue. Joe Kubert does the cover and interior art, with Jack Abel inks. This comic has rich colors and deep blacks on the cover, sharp corners, and sensational paper quality -- the cover whites are as pure as snow. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $75.
Our Army At War #167 Boston pedigree (DC, 1966) CGC NM 9.4 White pages. Sgt. Rock faces a moral dilemma on this Joe Kubert cover, as Rock holds the dead body of an enemy child-soldier killed on the frontline. Using children in combat is a tactic the depraved Nazi leadership actually used in the closing months of World War II, as all German men of fighting age had already been drafted. This comic is in a fantastic state of preservation, with fresh white pages, great color, a strong spine, and razor-sharp corners. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $75.
Our Army At War #169 Boston pedigree (DC, 1966) CGC NM/MT 9.8 White pages. It's bad enough when a man has a monkey on his back, but this cover finds poor Sgt. Rock with a Nazi on his back. Joe Kubert's cover art is engaging enough, and readers were treated to interior art by not only Kubert, but also by Gene Colan. This immaculate Boston pedigree comic is currently the highest CGC-graded copy of this issue, and it's on top by a good margin; the next highest certified copy was graded only NM-. Overstreet 2003 NM 9.4 value = $70.
Our Army At War #174 Boston pedigree (DC, 1966) CGC NM/MT 9.8 White pages. "Sgt. Rock is finally boobytrapped by 'One Kill Too Many!'" according to the cover blurb on this issue, but the charging Nazi who's about to be slugged by Rock looks like the one who's in trouble on this cover. Joe Kubert does the cover and interior art for this issue, while Robert Kanigher provides the script. The sweet copy is firmly entrenched among the upper reaches of "high grade." To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $60.
Our Army At War #175 Boston pedigree (DC, 1967) CGC NM+ 9.6 Off-white to white pages. Here's the scenario: Sgt. Rock is alone, his hands are tied, and he's the captive of two armed Nazis equipped with a half-track... who do you think has the upper hand? Well, if you've seen this action-packed cover by Joe Kubert before, you'd know to put your money on Sgt. Rock! Robert Kanigher writes the story for this issue, and Kubert does the art. The condition of this issue is just as great as the story and artwork. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $60.
Our Fighting Forces #98 Boston pedigree (DC, 1966) CGC NM+ 9.6 White pages. We see a lot of nice comics around here, but the incredible gloss and depth of color on this one will stun even the most jaded comics collector! It really looks rich, and the quality of the paper is amazing. Inside these glowing covers, you'll find the last Devil Dogs story, plus words and art by Robert Kanigher, Irv Novick, and Jack Abel. Overstreet 2003 NM 9.4 value = $35.
Our Fighting Forces #102 Boston pedigree (DC, 1966) CGC NM 9.4 White pages. Captain Hunter takes on Vietnam on this sharp Joe Kubert cover. Inside, there's stories by Robert Kanigher and Jack Abel. This flat, clean and glossy copy looks like in was printed last week instead of 1966. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $28.
Our Fighting Forces #104 Boston pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. A great cover by Joe Kubert shines on this issue, which features Captain Hunter in Vietnam. Wild color and mirror-like gloss make this copy stand out. Contributions by writer Robert Kanigher and artists Irv Novick and John Calnan round out the issue. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $28.
Our Fighting Forces #106 Boston pedigree (DC, 1967) CGC NM 9.4 Cream to off-white pages. This issue marks the first appearance of Ben Hunter and Hunter's Hellcats; with story by Robert Kanigher and art by Joe Kubert, Irv Novick and John Calnan. The copy looks to be right off the stands; An arrival date has been written in ink, but thankfully on the back cover -- not the front, which appears flawless. Overstreet 2003 NM 9.4 value = $32.
Our Fighting Forces #107 Boston pedigree (DC, 1967) CGC NM+ 9.6 White pages. Lt. Hunter and his Hellcats tear the enemy apart on this blazing action cover. Inside, there's story and art by Robert Kanigher, Irv Novick and Jack Abel. This is one heck of a great copy, with incredible gloss, plus deep, rich color and bright white page quality. Overstreet 2003 NM 9.4 value = $28.
The Phantom Stranger #1 (DC, 1969) CGC NM 9.4 Off-white to white pages. The premiere issue of this terrific series is the second Silver Age appearance of the Phantom Stranger and the only 12 cent issue. It features a cover and interior art by Bill Draut. This is a difficult issue to find in high grade due to the dark cover, with only one copy of this issue having been currently graded higher by CGC. Overstreet 2003 NM 9.4 value = $130.
Plastic Man #1 (DC, 1966) CGC NM- 9.2 Off-white to white pages. Here is the premiere issue of the Silver Age Plastic Man, with cover and art by Gil Kane. This bright copy accentuates the campiness of the character and the style of DC legend Kane. Overstreet 2003 NM 9.4 value = $110.
Plastic Man #2 Boston pedigree (DC, 1967) CGC NM+ 9.6 White pages. Jack Cole's beloved Golden Age hero gets the modern treatment by DC, with decidedly mixed results. New artist Win Mortimer was a master at his craft, but following Mr. Cole would not be easy. Still, it's a fun book, with a much lighter touch than DC's other superhero titles. This copy looks pretty sweet, with great color and gloss. CGC notes, "2 siamese pages." Overstreet 2003 NM 9.4 value = $45.
Plastic Man #3 Boston pedigree (DC, 1967) CGC NM 9.4 Off-white pages. It's not everyday you'll see the hero getting shot at point-blank range on the cover of a comic without some lurid "will our hero survive?" kind of blurb, but it's all in a day's work for Plastic Man! Carmine Infantino is the cover artist here, with Win Mortimer on the inside job. This is another super-fresh copy from a great collection, superb cover color and gloss abounds. Overstreet 2003 NM 9.4 value = $45.
Plastic Man #4 Boston pedigree (DC, 1967) CGC NM+ 9.6 White pages. The top blurb proclaims this as "funtastic", and with a cover drawing like this one by Carmine Infantino, who can argue? Win Mortimer handled the inside art chores. This copy is from a collection of fantastically well-maintained comics, and this one is no exception; it's beautiful! Overstreet 2003 NM 9.4 value = $45.
Sgt. Bilko's Private Doberman #1 (DC, 1958) CGC VF+ 8.5 Light tan to off-white pages. Phil Silver's TV show "You'll Never Get Rich" and persona Sgt. Bilko had already spawned one comic book, when DC decided to give Bilko's most popular supporting character, Pvt. Doberman a shot. Bob Oskner provided cover art. DC "funny" books from this period are not often found in such superb condition. CGC has graded only one other copy barely nicer than our offering. Overstreet 2003 VF 8.0 value = $255; VF/NM 9.0 value = $475.
Showcase #4 The Flash (DC, 1956) CGC VF+ 8.5 Cream to off-white pages. Here it is, folks, the comic that kicked off the Silver Age. This book re-introduced the Flash to a new group of readers, and handed the mantle to Barry Allen, who would wow fans for 30 years before meeting his demise in the Crisis series. The success of Showcase #4 gave Julius Schwartz the impetus to revive many of DC's old superheroes throughout the 1960s, breathing new life into the superhero genre. We have auctioned copies of this primo book before but this is the highest graded we have had the pleasure of offering yet. Overstreet 2003 VF 8.0 value = $13,000; VF/NM 9.0 value = $25,500.
Showcase #4 (DC, 1956) CGC FN- 5.5 Off-white pages. Generally regarded as inaugurating the Silver Age of comics, Carmine Infantino's splendid cover woke comicdom from the funk cloud it had been under after Dr. Frederic Wertham and other censors successfully lobbied against so many themes and publishers in the early 1950s. Starting with this issue, the Showcase title became one of DC's designated "try-out" venues (the other was Brave and the Bold), where such other favorites as Challengers of the Unknown, Green Lantern, and the Atom made their Silver Age debut, before winning their own self-titled comics. And of course, this is the issue that introduced the Flash to a new generation of comic fans. Overstreet 2003 FN 6.0 value = $3,564.
Showcase #6 (DC, 1957) CGC FN- 5.5 Off-white pages. Jack Kirby's Challengers of the Unknown bows in this landmark issue of Showcase -- and if that's not reason enough to own this classic, Overstreet notes that the Challs are the Silver Age's first hero team! The off-white pages in this solid copy make Kirby's pulse-pounding artwork leap right out at you. Overstreet 2003 FN 6.0 value = $810.
Showcase #13 The Flash (DC, 1958) CGC VF- 7.5 Off-white pages. Thirteen wasn't an unlucky number for the Flash -- he zipped into Showcase #13 for his third appearance, and after only one more try-out was awarded his own title. This issue, illustrated by Carmine Infantino, marks the premiere of Flash rogue Mr. Element. This highly desirable, key Silver Age DC has been outgraded by only one copy in CGC's current census. Overstreet 2003 VF 8.0 value = $2,772.
Showcase #24 Green Lantern (DC, 1960) CGC VF+ 8.5 Cream pages. The third time's a charm for the Silver Age Green Lantern: this was his third and final Showcase try-out before receiving his own series. This beaut of a copy, with its monster cover by the extraordinary Gil Kane, ranks among the highest-graded specimens certified by CGC. Overstreet 2003 VF 8.0 value = $1,030; VF/NM 9.0 value = $1,515.
Showcase #38 Metal Men (DC, 1962) CGC VF/NM 9.0 Off-white pages. The unconventional Metal Men make their second appearance in this issue of Showcase, with art by the veteran team of Ross Andru and Mike Esposito. This handsome copy has brilliant color and gloss, with only trifling defects, mainly at the corners. Overstreet 2003 VF/NM 9.0 value = $430; NM 9.4 value = $560.
Showcase #43 Doctor No (DC, 1963) CGC VF/NM 9.0 Cream to off-white pages. With this issue of Showcase, DC tried something a little different. Taking their cue from Dell comics and their successful line of movie adaptations, this issue is based on Ian Fleming's classic James Bond novel and motion picture. Drawn by Martin Nodell and originally published in Europe, this DC version was actually censored to omit any racial skin color or dialogue thought to be demeaning. With the next issue, Showcase went back to tried-and-true characters like Tommy Tomorrow. Overstreet 2003 VF/NM 9.0 value = $442; NM 9.4 value = $575.
Showcase #55 (DC, 1965) CGC NM 9.4 Off-white to white pages. Solomon Grundy makes his first Silver Age appearance in this key issue. This great book also contains the first solo Golden Age Green Lantern story in the Silver Age, and the origin of Doctor Fate. Silver Age DCs are extremely difficult to find in Near Mint condition, and this purple cover really stands out when Near Mint. There are currently only three copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $325.
Showcase #58 Enemy Ace - Boston pedigree (DC, 1965) CGC NM/MT 9.8 White pages. How about this for an unusual concept - World War I from the viewpoint of a German pilot. This is the fifth appearance of Enemy Ace Rittmeister Von Hammer, drawn with great style by Joe Kubert. This copy is extremely glossy and clean; in fact this is currently the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $235.
Showcase #59 Teen Titans - Massachusetts pedigree (DC, 1965) CGC NM 9.4 Off-white to white pages. Dig this crazy comic book. Its vivid cover gloss and near-perfect interior pages are awe-inspiring, with only two copies currently under CGC's certification grading higher. And with its third try-out (following two appearances in The Brave and the Bold) for DC's Fab Four, the Teen Titans, it's a must-have for collectors of comics from the swingin' sixties! Overstreet 2003 NM 9.4 value = $150.
Showcase #60 The Spectre - Boston pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. The Silver Age parade of revived 1940s heroes continues with this issue, which marked the return of DC's ghostly guardian. A text piece recaps the origin of this character, who debuted in More Fun Comics back in 1940. Murphy Anderson provided the art for both the cover and interior pages. This copy looks minty fresh, with vibrant color and gloss. Overstreet 2003 NM 9.4 value = $380.
Showcase #64 The Spectre (DC, 1966) CGC NM+ 9.6 Off-white pages. Artist Murphy Anderson makes this undead DC hero his own, with cover and interior art for this try-out issue of Showcase. This was the fifth Silver Age appearance of the Spectre. This copy's cover features color that will knock you out, with deep shades of purple, green, and red that look brand new. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $180.
The Spectre #1 Boston pedigree (DC, 1967) CGC NM 9.4 White pages. After a successful run in the pages of Showcase, DC's ghostly hero finally gets his own book with this debut Silver Age issue, drawn with panache by Murphy Anderson. The character, of course, dates back to the early days of the Golden Age in the pages of More Fun Comics. Comics like this with black covers were notorious for showing wear; this copy has one tiny spot near the bottom that probably was there when the book was purchased new. Otherwise, it appears to be flawless. Overstreet 2003 NM 9.4 value = $175.
Star Spangled War Stories #110 (DC, 1963) CGC VF/NM 9.0 Off-white to white pages. One of the coolest things DC did in the 1960s was the inspired idea of adding dinosaurs to this war title. The "War That Time Forgot" series ran for a number of years and was wildly popular, even with kids who normally didn't care for war comics. Here's a great example from the middle of the run, with art by Ross Andru and Mike Esposito. This copy is exceptionally nice, with vivid color and gloss. Overstreet 2003 VF/NM 9.0 value = $98; NM 9.4 value = $125.
Strange Adventures #181 Boston pedigree (DC, 1965) CGC NM+ 9.6 Off-white to white pages. DC's science-fiction titles during the 1960s were a lot of fun. Here's a great example, it has a cool, colorful cover with a bizarre premise, weird aliens, shocked bystanders - the whole bit. This copy is loaded with bright color and creamy-smooth surfaces. Overstreet 2003 NM 9.4 value = $40.
Strange Adventures #185 Boston pedigree (DC) CGC NM+ 9.6 White pages. The books coming out of the Boston collection are all just amazingly fresh and loaded with great color and page quality. Here's a great example, a "black-cover" issue that shows practically no signs of wear. Art for this issue includes a story by Gil Kane. CGC currently shows no copies of this issue with a higher grade in their census. Overstreet 2003 NM 9.4 value = $40.
Strange Adventures #188 Boston pedigree (DC, 1966) CGC NM/MT 9.8 White pages. We've got good news if you've been waiting for a functional time machine to arrive! You can now go back in time and retrieve that favorite issue of Strange Adventures you misplaced, for a copy so fresh and new you might get still-wet ink on your hands if you handle it. Yes, that Steve Ditko story you remember is there. The only catch is, you'll have to cough up a lot more than twelve cents this time around. Overstreet 2003 NM 9.4 value = $40.
Strange Adventures #189 Boston pedigree (DC, 1966) CGC NM 9.4 Off-white to white pages. How cute is this? Tough-looking hoods riding on a merry-go-round.... But wait - those aren't horses they're on! It's another crazy DC science-fiction comic, this one with art by Steve Ditko. And it's a great copy, too - really glossy and fresh. You'll be proud to add this choice comic to your collection. Overstreet 2003 NM 9.4 value = $40.
Strange Adventures #191 Boston pedigree (DC, 1966) CGC NM+ 9.6 White pages. The Enchantress makes an appearance this issue, along with some cool aliens in "the most fantastic mystery of the year!" Jack Sparling is the featured artist. But the real feature you'll want to know about is the incredible fresh look of this copy, which is the highest-graded copy to date by CGC. Overstreet 2003 NM 9.4 value = $35.
Strange Adventures #193 Boston pedigree (DC, 1966) CGC NM+ 9.6 White pages. Poor Pete! He's being turned to stone on this cover by a creature that looks like it should have been in some Atlas comic book ten years earlier! No kidding, this is a cool issue, with nice art by Lee Elias. The condition appears to be just about flawless; in fact, this is currently CGC's top-graded copy of this issue. Overstreet 2003 NM 9.4 value = $35.
Strange Adventures #194 Boston pedigree (DC, 1966) CGC NM+ 9.6 White pages. See the man who became a human charm bracelet in this fantastic issue! Jack Sparling drew this wild cover and inside story. This is a crisp-looking black cover, with great color popping out from the darkness. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $35.
Strange Adventures #200 Boston pedigree (DC, 1967) CGC NM/MT 9.8 Off-white to white pages. Don't you just hate it when your head turns into a comet like this poor fellow on the cover? Yow! That's gotta hurt. What won't hurt a bit is eyeballing this impossibly clean, fresh copy. What a thrill it is to check out these smooth, glossy surfaces and deep rich colors. It's also good having Carmine Infantino draw this wild cover. CGC's census data ranks this comic as the highest-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $35.
Sugar and Spike #65 Boston pedigree (DC, 1966) CGC NM+ 9.6 White pages. It's a case of mistaken identity as Sugar and Spike get shanghaied by the aquatic look-alike of their inflatable toy. Fans of Sheldon Mayer will have a hard time resisting this whale of a comic. It's not only completely written and drawn by Mayer, but the condition makes this among the nicest copies you're every likely to encounter. To date, this is the highest CGC-graded copy of this issue, by a generous margin. Overstreet 2003 NM 9.4 value = $85.
Sugar and Spike #70 Boston pedigree (DC, 1967) CGC NM+ 9.6 Off-white pages. One of DC's hidden treasures through the years was artist/writer Sheldon Mayer. His tenure there began in the Golden Age, and stretched into the Bronze Age. His most popular creation was Sugar and Spike, and this issue features a "novel-length" story. This copy looks fantastic; it's glossy and sharp. Overstreet 2003 NM 9.4 value = $85.
Superboy #147 (DC, 1968) CGC NM+ 9.6 Off-white pages. This issue is an 80-Page Giant, G-47, that sports a cover by Curt Swan and Neal Adams and a story by E. Nelson Bridwell. This has the first origin of the Legion of Super-Heroes as well as the origin of the Legion of Super-Pets. Difficult to find in high grade, this is the highest CGC-graded copy of this issue to date. Overstreet 2003 NM 9.4 value = $55.
Superboy #156 (DC, 1969) CGC NM 9.4 Off-white pages. This super nice giant issue has sharp corners and a square spine. This 20th anniversary issue has a Curt Swan and Mike Esposito cover. It is tough to find these square-bound giants in high grade and to date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $40.
Superboy Annual #1 (DC, 1964) CGC VF/NM 9.0 Off-white to white pages. This first giant-size collection of Superboy stories is fondly remembered by comic fans of the era; it's crammed with great stories featuring art by Curt Swan and others. This square bound copy looks really sharp and tight, with a good amount of gloss evident on the cover. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF/NM value = $187; NM 9.4 value = $240. From the Cleveland Collection.
Superman #109 (DC, 1956) CGC VF/NM 9.0 Off-white to white pages. The Man of Steel meets the Puppet of Steel here! This issue of Superman is regarded by Overstreet as the first Silver Age issue. It's a pretty copy, with great color and nice edges. A check of CGC's current census shows only one copy with a higher grade than this one. Overstreet 2003 VF/NM 9.0 value = $315; NM 9.4 value = $400.
Superman #169 (DC 1964) CGC NM+ 9.6 Off-white pages. Bizarros of the world, unite! Superman tackles his nuttiest foes in this issue, the square-world Bizarro Supermen, who do everything in reverse! What a crazy concept, but in the world of comics, anything goes! Also in this issue is an announcement for "The Great DC Contest". This copy is a prize in itself, with absolutely perfect surfaces and razor-sharp edges. Only a true Bizarro would reject this one; it holds the top spot in CGC's current census. Overstreet 2003 NM 9.4 value = $90.
Superman #191 (DC, 1966) CGC NM 9.4 Off-white pages. Superman gets all trussed up on the cover of this issue, which features a Curt Swan cover and interior art by Al Plastino. This is a remarkably fresh copy with beautiful color and gloss; CGC shows no higher-graded copies of this issue to date. Overstreet 2003 NM 9.4 value = $75. From the Cleveland Collection.
Superman Annual #2 (DC, 1961) CGC VF- 7.5 Cream to off-white pages. The Man of Steel's vilest villains -- including Brainiac, Titano, and Bizarro -- get the spotlight in this second 80-page Superman Annual. Veteran superartist Curt Swan illustrated this classic cover. Overstreet 2003 VF 8.0 value = $308.
Superman Annual #4 (DC, 1961) CGC VF+ 8.5 Off-white to white pages. It's a treat to find an early 80-page giant in this super condition. A mere trio of specimens certified by CGC have graded higher than this beautiful copy of Superman Annual #4. The reprinted meeting between Superman and Superboy is an added bonus. Overstreet 2003 VF 8.0 value = $173; VF/NM 9.0 value = $242.
Superman Annual #6 (DC, 1962) CGC NM- 9.2 Off-white to white pages. This astounding copy of Superman Annual #6 looks as if it's rarely been handled -- the spine is sharp, and the cover colors bright. CGC has certified only two copies at a higher grade. The Curt Swan-illustrated back cover pinup of the Superman Family makes this giant even more attractive. Overstreet 2003 NM 9.4 value = $220.
Teen Titans #4 (DC, 1966) CGC NM 9.4 Off-white to white pages. Speedy takes leave from Green Arrow long enough to make a guest appearance with the Teen Titans. Nick Cardy did the cover-to-cover art chores. Overstreet 2003 NM 9.4 value = $80.
Teen Titans #6 (DC, 1966) CGC NM+ 9.6 Off-white pages. The Doom Patrol makes a rare guest appearance in this issue along with Beast Boy after readers polled to have him join the Titans. This could actually be construed as a gorilla cover seeing as Beast Boy is posing as a simian. This is the highest-graded copy yet certified by CGC for issue #6. Overstreet 2003 NM 9.4 value = $65.
Teen Titans #8 (DC, 1967) CGC NM+ 9.6 Off-white to white pages. DC's junior team, led by Robin the Boy Wonder, comes up against a monster robot-type creature called "Honey Bun" in this wild issue! While there may be nothing cute or luscious about this odd foe, this copy certainly appears sweet. It's a real gem, with rich, deep color and fantastic original gloss. Overstreet 2003 NM 9.4 value = $65. From the Cleveland Collection.
Wonder Woman #87 (DC, 1957) CGC NM- 9.2 Cream to off-white pages. Wonder Womans from the early Silver Age are difficult to find, especially in this stunning condition, as evidenced by the fact that this the highest-graded copy of this issue currently in CGC's census. The cover by Irv Novick is a pure joy to behold -- and it includes the Amazing Amazon's fabulous invisible plane! Golden Age Wonder Woman artist H. G. Peter is also featured inside. Overstreet 2003 NM 9.4 value = $285.
Wonder Woman #102 (DC, 1958) CGC NM 9.4 Off-white pages. Wonder Womans of this era are difficult to find in any grade, so you've truly hit the jackpot here with this wonderful copy. And what could be better than three Wonder Women on one cover? The classic team of Ross Andru and Mike Esposito provides the cover and interior artwork to this early Silver Age classic. Out of the mere five copies currently under CGC's census, this specimen is assigned the highest grade. Overstreet 2003 NM 9.4 value = $200.
Wonder Woman #112 (DC, 1960) CGC NM 9.4 Off-white pages. This spectacular copy features one of Wonder Girl's earliest appearances, and what better adversary could she fight than a giant praying mantis?? The cover and interior artwork is courtesy of the Wonder Woman team supreme, Ross Andru and Mike Esposito. Silver Age Wonder Womans are increasingly rare, and the beauty of this copy rivals that of the Amazon Princess herself. Far and away the highest-graded specimen of issue #112 certified to date by CGC. Overstreet 2003 NM 9.4 value = $150.
Wonder Woman #143 (DC, 1964) CGC NM 9.4 Off-white to white pages. This phenomenal specimen of Wonder Woman #143 outshines the others in CGC's current census: far and away, it's the highest-graded copy. The cover image itself is certainly worth the price of admission: With her bracelets locked, Wonder Woman is powerless -- and with a fire-breathing dragon spewing flames at the Amazon Princess, her predicament could not have come at a worse time! This powerful cover -- and the interior artwork -- is by Ross Andru and Mike Esposito. Overstreet 2003 NM 9.4 value = $75.
World's Finest Comics #141 (DC, 1964) CGC NM 9.4 Off-white pages. Jimmy Olsen and Robin conspire to fake their own deaths on this bizarre cover, drawn by Curt Swan. Boy, are Superman and Batman gonna be mad when they figure out the truth! It's a cool issue, with interior art also by Swan. And this copy is as sharp as they come; in fact, it looks like it was just cherry-picked off the stands! Overstreet 2003 NM 9.4 value = $85.
World's Finest Comics #153 (DC, 1965) CGC NM 9.4 Off-white pages. What's this? Batman "kayoing" Superman?! It could only be an imaginary novel, as only DC could do back in the 1960s. There's nothing imaginary about the great features this copy has to offer, as it is just this side of perfect - note those sharp corners and creamy colors. And don't worry about our heroes; you know all will be well between them by the next issue! Overstreet 2003 NM 9.4 value = $55.
World's Finest Comics #154 (DC, 1965) CGC NM+ 9.6 Off-white to white pages. Superman and Batman learn the finer points of parenting with this first appearance of the Super-sons. DC routinely put out imaginary tales, but this just pushed the limits of credibility. This copy holds the highest grade yet given to a copy of this book. Overstreet 2003 NM 9.4 value = $65.
World's Finest Comics #155 (DC, 1966) CGC NM 9.4 Cream to off-white pages. Batman takes one on the chin on this typical Silver Age DC cover. DC seemed to have a never-ending supply of these somewhat lame one-shot villains. This sharp book is currently the highest unrestored CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $55.
World's Finest Comics #159 (DC, 1966) CGC NM 9.4 Off-white pages. Curt Swan provides cover and interior art on this issue, wherein Superman and Batman must prove their prowess against Anti-Superman and Anti-Batman. To date, only one copy of this book has managed to grade higher than this copy. Overstreet 2003 NM 9.4 value = $55.
Bronze Age (1970-1979)
All Star Comics #58 (DC, 1976) CGC NM/MT 9.8 Off-white to white pages. After a 25 year hiatus, All Star Comics returned with the Justice Society of America. Mike Grell does this cover, and Wally Wood did the inking on this story, which was one of the final projects he did in his tragic, all-too-short life. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $35.
Detective Comics #414 (DC, 1971) CGC NM+ 9.6 Off-white to white pages. A great cover by Neal Adams and interior art by Irv Novick, Dick Giordano, and Don Heck make this a very desirable issue. Not to mention this is the first 52-page issue in this title and has a Batgirl back-up story! Since this is the highest CGC-graded copy of this issue to date, you need to grab this one while you can. Overstreet 2003 NM 9.4 value = $38.
The Flash #196 (DC, 1970) CGC NM+ 9.6 White pages. This square bound volume is the first Bronze Age Giant Size issue, no longer 80 pages, but still a lot for a 1970 quarter. Classic stories drawn by Carmine Infantino fill the pages within. This pretty copy sports a black cover which shows practically no wear or stress. This one tops the current list of CGC-graded copies of issue #196, with no others listed above NM- 9.2. Overstreet 2003 NM 9.4 = $75.
Green Lantern #87 (DC, 1971) CGC NM+ 9.6 Cream to off-white pages. None other than the master, Neal Adams, rendered this amazing cover and story. Adams was at the top of his game at this point in time. The selling point on this book is that it features two men who later go on to become the second and third Green Lanterns. First off is a cameo by Guy Gardner in his second appearance, and then John Stewart makes his first appearance. That said, this book just might be a touch undervalued. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $55.
The New Gods #1 (DC, 1971) CGC NM+ 9.6 White pages. Jack Kirby returned to DC Comics in a big way back in 1971. This was his masterpiece creation for the company, starring Orion and Darkseid. This attractive copy looks like a real keeper -- flat, sharp and clean. Overstreet 2003 NM 9.4 value = $110.
Omac #1 (DC, 1974) CGC NM/MT 9.8 Off-white to white pages. Jack Kirby sure shook things up during his brief stint with DC in the 1970s. This was his oddest creation for the company; this issue tells the origin of the One Man Army Corps. And if a perfect copy of this one is what you seek, search no further, friends! Overstreet 2003 NM 9.6 value = $30.
Our Fighting Forces #123 Boston Pedigree (DC, 1970) CGC NM 9.4 Off-white to white pages. DC's popular Bronze Age series, The Losers, begins with this issue. The Joe Kubert cover showing Capt. Storm, Johnny Cloud, and Gunner & Sarge parachuting down into the middle of a company of Nazi stormtroopers makes for a fantastic piece of artwork. There are also contributions from writer Robert Kanigher, and artists Russ Heath and Ken Barr. Overstreet 2003 NM 9.4 value = $60.
Sandman #1 (DC, 1974) CGC NM/MT 9.8 White pages. It goes without saying that one of the best-loved creative teams in comics was Joe Simon and Jack Kirby. This is the historic last collaboration between these two giants of the industry, and for their last hurrah, they chose to reinvent their classic character from DC's Golden Age. And while the title would later move on to other talented hands and interpretations, this final S&K book holds a special place among their fans. This near-flawless copy is extremely pretty. Overstreet 2003 NM 9.4 value = $50.
The Shadow #1 (DC, 1973) CGC NM+ 9.6 White pages. Michael Kaluta's interpretation of this hero had most fans rejoicing the fact that he was fairly faithful to the character's pulp origins, and not the later radio version with its "clouding men's minds" nonsense. This copy looks absolutely wonderful and fresh. Overstreet 2003 NM 9.4 value = $40.
Shazam! #1 (DC, 1973) CGC NM/MT 9.8 Off-white to white pages. Boy, was this one a long time coming! For years, comics fans and historians longed to see the return of the hero affectionately nicknamed the Big Red Cheese, Captain Marvel. At one time, the good Captain's comics outsold Superman; that is, until DC's lawyers put an end to the character in the 1950s. And for a while, helped along by his original artist C. C. Beck, Billy Batson's alter ego returned to his former glory with this revival. Shazam, indeed! This is a superb copy of this Bronze Age treat. Overstreet 2003 NM 9.4 value = $30.
Superboy #185 (DC, 1972) CGC NM 9.4 Cream to off-white pages. Boy, what a bargain this issue presented to comic book buyers in 1972! This is also known as issue #12 of DC's 100 Page Super Spectacular series, crammed to the top with great reprints of classic stories featuring Superboy, Teen Titans, Kid Eternity, the Star Spangled Kid, and the Legion of Superheroes. This square bound book looks as if it just came of the stands. Overstreet 2003 NM 9.4 value = $75.
Super Friends #1 (DC, 1976) CGC NM+ 9.6 Off-white to white pages. Seeing as how this title was directed at kids, the survival rate for this comic was low. Kids are tough on comics! It is amazing that this copy survived in such pristine condition. This is the first appearance, outside of cartoons, of the Super Friends as a group. This is also the first appearance of Wendy and Marvin (the Wonder Twins) and Wonder Dog. To date, no other copies of this issue have been graded higher by CGC. Overstreet NM 9.4 value = $30.
Silver Age (1956-1969)
Alarming Tales #4 (Harvey, 1958) CGC NM 9.4 Cream to off-white pages. In a story that could have inspired the cult-favorite "Chucky" movies, killer dolls come to life and menace a man and his sleeping son. You'll never look at a child's toy in quite the same way again! This beauty looks just as it did when it was plucked from the stands 45 years ago. It also has artwork by the inimitable Jack "King" Kirby and the under-appreciated Bob Powell. A real gem, this one will make someone's day. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $135.
Blackhawk #96 (Quality, 1956) CGC VF+ 8.5 Off-white to white pages. One of the few titles to make the transition from Golden Age to Silver Age undisturbed. Blackhawk actually ran for nearly a quarter century before finally going on hiatus. This beautiful undersea cover by Dick Dillin and Chuck Cuidera is action-packed and has the look of a new copy. Overstreet 2003 VF 8.0 value = $106; VF/NM 9.0 value = $141.
Blue Beetle #1 (Charlton, 1967) CGC NM 9.4 Off-white pages. Steve Ditko was a busy artist back in the 1960s! In addition to his work over at Marvel, he was also accepting assignments like this, a revival of the Golden Age hero Blue Beetle. This was originally a feature for Fox Publications in 1939; there was a 1955 revival before Ditko took this concept over and made it his own. Ditko's character the Question also makes an appearance here. Charlton comics from the 60s tend to turn up in less than high grade and this one is exceptionally nice; in fact, CGC shows no higher copies at this date. Overstreet 2003 NM 9.4 value = $110.
Blue Beetle #2 (Charlton, 1967) CGC NM 9.4 Off-white pages. This issue is actually from Volume Three, which was the second Silver Age Blue Beetle series from Charlton. Got that? Anyway, this issue features an origin recap, and explains the fate of the first Blue Beetle; plus, there's a story featuring the Question. Steve Ditko provided the cover and interior art. This sharp copy looks very fresh and sharp. Overstreet 2003 NM 9.4 value = $65.
Cheyenne #15 File Copy (Dell, 1960) CGC NM+ 9.6 Off-white pages. Big Clint Walker gets ready for trouble on this cool photo cover. The nostalgia for early television, particularly westerns, seems to be greater than ever these days. Here's a very nice copy, in near-perfect condition with wonderful colors and smooth edges. This is tied as the highest graded copy certified by CGC. Overstreet 2003 NM 9.4 value = $65.
The Cisco Kid #38 File Copy (Dell, 1958) CGC NM 9.4 Off-white pages. The "Robin Hood of the West" actually had his own title for 41 issues. Out of the whole run the coolest issues are the last five which happen to have photo covers. This bright red book languished in the publisher's files for decades therefor avoiding any contact that would cause any wear. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $125.
Dark Shadows #1 (Gold Key, 1969) CGC NM 9.4 Cream to off-white pages. If you're holding your breath waiting for a higher-grade copy of this TV-inspired classic, come up for air: no specimens rate higher in CGC's current census. The photo cover features Jonathan Frid as Barnabas Collins, in all his vampiric glory. The Collins poster insert, missing from so many copies of this landmark comic, is, of course, included, as is chilling artwork by Joe Certa. Overstreet 2003 NM 9.4 value = $370.
Dark Shadows #3 (Gold Key, 1969) CGC NM 9.4 Cream to off-white pages. Only two copies in CGC's latest census grade higher than this crisp specimen! The cream to off-white interior pages are as sharp as a vampire's fangs. Another classic Gold Key photo cover, depicting creepy Jonathan Frid as the even-creepier Barnabas Collins. Joe Certa artwork. Includes pull-out poster. Overstreet 2003 NM 9.4 value = $185.
Dell Giant #24 Woody Woodpecker's Family Fun - File Copy (Dell, 1959) CGC NM+ 9.6 Off-white pages. These Dell Giants were so much fun to read in our youth, and now that we are in our second childhood... we're coming around again! The books tended to be handed from one child to another, and coupled with the somewhat fragile nature of a square bound comic, high-grade copies existing today are definitely the exception. This white-cover issue is as perfect as you will ever find. Sure enough, CGC shows no higher-graded copy to date. Overstreet 2003 NM 9.4 value = $140.
Dell Giant #54 Woody Woodpecker's Christmas Party - File Copy (Dell, 1961) CGC NM+ 9.6 Off-white pages. This beautiful square-bound comic was one of Dell's last Giant editions, and as a file copy, it may well be one of the finest examples in existence. In fact, CGC currently lists three copies that fall in the NM+ category, and they are probably all file copies. When these books were read, they tended to be read to pieces, and the spine was always the first to go. Here's an unspoiled copy. Overstreet 2003 NM 9.4 value = $120.
Dell Giant - Moses and the Ten Commandments #1 File Copy (Dell, 1957) CGC NM+ 9.6 Off-white pages. This beautiful Dell Giant is not based on the movie, but is an original Dell comics adaptation. It has a dramatic painted cover and Mike Sekowsky art. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $90.
Dell Giant - Bugs Bunny's Vacation Funnies #7 File Copy (Dell, 1957) CGC NM+ 9.6 Off-white pages. This gorgeous Dell Giant has a delightful and colorful painted cover showing Elmer Fudd, Bugs Bunny, Sylvester, and Porky Pig in a rare moment of cooperation and fellowship. This comic from Dell's files is just the book to bring a smile to the face of any Dell enthusiast. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $150.
Dell Giant Comics - Donald Duck Beach Party #5 (Gold Key, 1958) CGC NM+ 9.6 Off-white to white pages. Grandma Duck takes the gang along for a picnic in her puddle-jumper on the cover of this fun Dell Giant issue. It's a great square bound copy with nice color and sharp edges; it looks as if it was never read. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $190.
Golden Age (1938-1955)
Dell Giant Comics - Sleeping Beauty #1 (Dell, 1959) CGC NM+ 9.6 Off-white to white pages. This issue features one of the most beautiful images to ever grace a comic cover. It was probably painted by Norm McGary, the illustrator most closely associated with Walt Disney's animated classic. This highest CGC graded copy will probably never be equaled. Few high grade square bound issues of any title can match the ruler sharp spine that this copy possesses and the other three sides are just as sharp. The luscious quality of the cover pigments need to be handled with kid gloves because they look like they could melt into your hands. This comic is so fantastic that it needs to be framed right away and hung on your wall! Overstreet 2003 NM 9.4 value = $480.
Silver Age (1956-1969)
Four Color #775 Sir Lancelot and Brian - Circle 8 pedigree (Dell, 1957) CGC NM+ 9.6 Cream to off-white pages. Before he became known for his marvelous work at Marvel, John Buscema churned out work for other publishers. It is amazing that a this book survived in such a high state of preservation, but here it is. There is no overt wear and this copy looks nicer than most you might have pulled off the stands 46 years ago. Overstreet 2003 NM 9.4 value = $135.
Four Color #1170 File copy (Dell, 1961) CGC NM 9.4 Cream to off-white pages. Larry, Moe and Curry Joe try to get some serious work done on this fun photo cover. It's a great looking file copy with no problems, just a few slaps, pokes, and nyuck nyucks! CGC notes this copy as best in the current census report. Overstreet 2003 NM 9.4 value = $165.
Four Color #1187 The Three Stooges File copy (Dell, 1961) CGC NM 9.4 Cream to off-white pages. This Silver Age File copy, the last of the Four Color numbers, is fronted by a photo cover of Moe, Larry and Curry Joe - the Three Stooges. It's a tight copy with deep color and great gloss. Overstreet 2003 NM 9.4 value = $165.
Harvey Hits #3 Richie Rich - File Copy (Harvey, 1957) CGC VF 8.0 Cream to off-white pages. This key issue is the very first comic devoted solely to Richie Rich. Starting originally as a backup character in Little Dot, it took him four years to get his own comic, and three more years after that until he starred in his own regularly published title. This particular copy was saved by the title's editor as part of his personal reference file. The personal file copies of the editor have fresher paper than the other Harvey file copies that were stored in an unairconditioned warehouse. Richie Rich has not only grown to become an American icon, but, at one time, was featured on as many as 35 concurrently-published titles, more than any other comic character ever. Much more important and difficult to find than Richie Rich #1, this copy will be a showpiece in the winning bidder's collection. Overstreet 2003 VF 8.0 value = $646.
If the Devil Would Talk #nn (Impact, 1958) CGC NM- 9.2 Off-white to white pages. Propaganda is the word of the day with this rare comic. We're talking anti-Communist rhetoric, interlaced with an overtly religious theme. Overstreet gives quite a bit of history to this particular comic, much more than most books. They note that this book totally flopped, and received very little, if any distribution. It is also estimated that there are only around 80 or so copies in existence, yet the guide price has remained very reasonable. This beautiful copy is surely one of the best. Overstreet 2003 NM 9.4 value = $225.
Red Ryder Comics #146 File Copy (Dell, 1956) CGC NM 9.4 Off-white pages. This issue from the end of Red Ryder's long run had by this time changed its title to Red Ryder Ranch Magazine. Photos on the front cover were taken at the actual Red Ryder Ranch, and the back cover features an illustrated story of the Navajo tribe. This is another near-perfect copy from the Western Printing Company's files. Overstreet 2003 NM 9.4 value = $50.
Richie Rich #1 File Copy (Harvey, 1960) CGC NM 9.4 Cream to off-white pages. Richie Rich, the Poor Little Rich Boy, is as well-known to comic book collectors as just about anyone. Superman, Batman, the Human Torch, Spider-Man, and other "serious" comic book characters get their deserved accolades, and the comic books in which they appeared may generally be more pricey in the collectible world, but Richie Rich can lay claim to an impressive feat: he has appeared in more individual American comic books than any of the aforementioned, and, probably more than any other character period. Only Archie would give Richie Rich competition for the honor. This is the highest grade CGC has awarded to date for the premiere issue. Overstreet 2003 NM 9.4 value = $2,100.
Richie Rich #1 (Harvey, 1960) CGC VF- 7.5 Off-white pages. Before "The Poor Little Rich Boy" minted a cottage industry of spinoffs, he struck gold here (after random appearances in a few other Harvey series) - the first issue of his very own comic book! This classic cover perfectly epitomizes the character's affluent lifestyle. Despite the presence of some spine and corner stress, this remains a milestone for the Harvey and cartoon collector. Overstreet 2003 VF 8.0 value = $1,050.
The Three Stooges #6 File Copy (Dell, 1961) CGC NM- 9.2 Off-white pages. Alright, you knuckleheads out there, here's one for you. This sharp looking copy sports a cool photo cover of our lads trying to cut costs with a little home dentistry. Poor Curly Joe! Don't get that thumb too close to his mouth, Larry! Moe just might drill all the way through! There's a neat fan club/magic foto club ad on the back cover, too. Overstreet 2003 NM 9.4 value = $135.
Woody Woodpecker #74 File Copy (Gold Key, 1962) CGC NM+ 9.6 Off-white pages. An eighty-four page issue crammed with great Walter Lantz creations like Woody and his family, plus the inter-galactic adventures of Space Mouse. It's a square bound volume, and while it's a few pages short of the beloved Giant editions of the '50s and early '60s, this pristine file copy will still thrill you. In fact, it is the highest-graded copy by CGC to date. Overstreet 2003 NM 9.4 value = $55.
Woody Woodpecker Christmas Parade #1 File Copy (Gold Key, 1968) CGC NM+ 9.6 Off-white pages. This issue may not have the square binding of earlier issues, but it's still a fun book. In fact, the cover was lifted from the 1961 Dell Giant, although it's doubtful many kids caught on to that in '68. This is a typically beautiful file copy, with a snowy white cover, deep color and gloss, and a smooth spine. Overstreet 2003 NM 9.4 value = $45.
Zorro #1 Boston pedigree (Gold Key, 1966) NM/MT 9.8 White pages. Back in the late 1950s, just about every kid in the country wanted to be Zorro. Remember those Zorro swords with the piece of chalk at the tip? You could mark a "Z" everywhere with one of those things! Here's a nice photo-cover copy of Gold Key's reprint series, with art by Alex Toth. It's a fantastic copy with no virtually no flaws. Overstreet 2003 NM 9.4 value = $105.
Golden Age (1938-1955)
Aces High #5 Kurtzman File Copy (EC, 1955) CGC GD 2.0 Light tan to off-white pages. Here's the last issue of Aces High, featuring art by Jack Davis, Bernard Krigstein, and Wally Wood, with a nice dogfight cover by George Evans. It's also one of the very last EC comic books ever published, this copy of which is from the collection of Harvey Kurtzman. It really looks nicer than the assigned graded. Overstreet 2003 GD 2.0 value = $10.
Cindy #31 Kurtzman File Copy (Timely, 1948) CGC VG 4.0 Cream to off-white pages. Harvey Kurtzman's great "Hey Look!" shows up in this issue. "Hey Look!" was one of the wildest, and funniest, one-page "filler" strips ever to appear in teen-humor comics like this! Publisher Martin Goodman should have filled an entire book with "Hey Look!" instead of Cindy and her insipid friends! This copy is from Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $26.
Classic Comics #5 Moby Dick - Kurtzman File Copy (Gilberton, 1942) CGC GD/VG 3.0 Light tan to off-white pages. This original first edition is listed in Overstreet as 1B; CGC notes that it is the "Interior Cover Promo Variant." At any rate, the most important aspect of this book is the fact that it was young Harvey Kurtzman's first professional work, assisting Louis Ferstadt. This copy was part of Harvey Kurtzman's personal collection; in fact, he had written "Property of Harvey Kurtzman" in ink on the back cover. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. Overstreet 2003 GD 2.0 value = $228; VG 4.0 value = $456.
Extra! #1 Kurtzman File Copy (EC, 1955) CGC GD/VG 3.0 Light tan to off-white pages. EC's "New Direction" resulted in some odd titles and choices of subject matter, this book being a prime example. Going behind the scenes of a busy big city newspaper may seem like an inspired topic for a television drama now, but in 1955 this was an unusual choice for a comic book, especially coming from a company noted for its horror and war books. Editor Johnny Craig was anxious to move away from horror, and he gave this short-lived comic all he had. This copy is from Harvey Kurtzman's private collection. Overstreet 2003 GD 2.0 value = $19; VG 4.0 value = $38.
Four Favorites #7 Kurtzman File Copy (Ace, 1942) CGC GD- 1.8 Cream to off-white pages. In the early 1940s, one of Harvey Kurtzman's first professional comics jobs was with Louis Ferstadt at Ace Periodicals. We believe this issue of Four Favorites predates his work for the title, but it was among his personal collection of comics. One can imagine young Harvey poring over this book in preparation for his upcoming assignments, which would begin with issue #8. This copy has "Property of Harvey Kurtzman" written by Harvey in ink on the back cover. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. Overstreet 2003 GD 2.0 value = $40.
Four Favorites #8 Kurtzman File Copy (Ace, 1942) CGC GD- 1.8 Light tan to off-white pages. This is another early superhero comic from Ace Periodicals that was found among Harvey Kurtzman's personal files. His work on this issue is among his earliest; it's a one-page humor strip, done with Louis Ferstadt, and found on the inside back cover. This copy has "Property of H. Kurtzman" written by Harvey in ink on the back cover. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history.Overstreet 2003 GD 2.0 value = $40.
Four Favorites #9 Kurtzman File Copy (Ace, 1943) CGC FR/GD 1.5 Light tan to off-white pages. This issue of Four Favorites features some of Harvey Kurtzman's earliest professional comics work. And while this copy falls into the "reader" category for its low grade, keep in mind that the reader who owned this book was Kurtzman himself. On the back cover is "H. Kurtzman" written by Harvey in light pencil. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. Overstreet 2003 GD 2.0 value = $43.
Four Favorites #10 Kurtzman File Copy (Ace, 1943) CGC FR/GD 1.5 Light tan to off-white pages. EC wasn't the first to show gore on their comic book covers -- check out this classic by Harvey Kurtzman, one of his very first cover assignments. That death-ray machine really looks painful! This copy is from Kurtzman's personal collection, and has "Property of H. Kurtzman" written by Harvey in pencil on the back cover. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. Overstreet 2003 GD 2.0 value = $50.
Four Favorites #11 Kurtzman File Copy (Ace, 1943) CGC VG- 3.5 Light tan to off-white pages. In addition to featuring art by Harvey Kurtzman and L. B. Cole, this issue of Four Favorites sports a cool World War II cover depicting Hitler, Mussolini, and Hirohito. Direct from Harvey Kurtzman to you, with his superhero strip "Unknown Solder" featured inside. Overstreet 2003 VG 4.0 value = $114.
Frontline Combat #9 Kurtzman File Copy (EC, 1952) CGC GD/VG 3.0 Light tan to off-white pages. Among fans of EC's war books, the Civil War issues are particularly well-loved. This issue was the first of three to study the War Between the States, and it remains a powerful study of a strange and confusing time in our nation's history. Editor and writer Harvey Kurtzman went miles beyond the usual happy-go-lucky comics fare here. Direct from Kurtzman to you. Overstreet 2003 GD 2.0 value = $17; VG 4.0 value = $26.
Frontline Combat #11 Kurtzman File Copy (EC, 1953) CGC FN+ 6.5 Light tan to off-white pages. This issue features a story with art by Ric Estrada in addition to work from EC regulars John Severin, Bill Elder, George Evans, and Jack Davis. It's another fine issue of writer and editor Harvey Kurtzman's gripping war stories. No one before or since has done war comics quite the same as Kurtzman. This copy comes from his personal archives. Overstreet 2003 FN 6.0 value = $39.
Frontline Combat #12 Kurtzman File Copy (EC, 1953) CGC VG+ 4.5 Light tan to off-white pages. This is the Air Force special issue. In addition to the regular EC artists (Jack Davis, George Evans, and Wally Wood), this issue features a beautifully drawn story by Alex Toth, "F-86 Sabre Jet!", that has remained a fan favorite. This is Harvey Kurtzman's personal file copy. Overstreet 2003 VG 4.0 value = $26.
Gay Comics #37 Kurtzman File Copy (Timely, 1949) CGC GD+ 2.5 Cream to off-white pages. Harvey Kurtzman's "Hey Look!" strip is featured in this issue. If that's not enough for you, consider that this copy is from Kurtzman's own personal collection. And if that tidbit of information isn't enough to work you up, maybe the stories of Millie, Tessie, and Nellie will do it for you! Overstreet 2003 GD 2.0 value = $10.
Humbug #2 Kurtzman File Copy (Humbug, 1957) CGC VF/NM 9.0 Light tan to off-white pages. Harvey Kurtzman's many contributions to the world of comics have inspired, and will continue to inspire, many fine practitioners of comics art. This publication, which came after Kurtzman's tenure at Mad Magazine may not be as well-known as his earlier work, but its influence goes a long way. Underground comics genius Robert Crumb has often praised Humbug for its intellectual satire. No doubt he also enjoyed the wonderful art from Jack Davis, Will Elder, Russ Heath and Al Jaffee. This attractive copy of the second issue comes from Kurtzman's personal files. Overstreet 2003 VF/NM 9.0 value = $106; NM 9.4 value = $130.
Silver Age (1956-1969)
Humbug #5 Kurtzman File Copy (Humbug, 1957) CGC NM- 9.2 Cream to off-white pages. Humbug was a strange little publication for the late 1950s. Was it a comic book? It wasn't printed in full color! Was it a magazine? It wasn't the right size! As such, it tended to get lost among other newsstand publications and only lasted 11 issues. Too bad, because it sure had some great artwork by Jack Davis, Russ Heath, and Al Jaffee. This copy, which is tight and glossy, comes from publisher/editor/writer Harvey Kurtzman's own personal collection. Overstreet 2003 NM 9.4 value = $110.
Humbug #7 Kurtzman File Copy (Humbug, 1958) CGC NM 9.4 Off-white pages. For those who dig Underground "comix" of the late 1960s and '70s, this quaint little publication will fit in very well with your collection. In fact, many of those Underground cartoonists got their inspiration from this wild brainchild of Harvey Kurtzman. Harvey kept the quality high with art by Jack Davis, Will Elder, Russ Heath, and Al Jaffee. This lovely copy is from Harvey's own personal collection. There's even a nude woman on the cover! Underground prototype? Overstreet 2003 NM 9.4 value = $110.
Humbug #9 Kurtzman File Copy (Humbug, 1958) CGC NM- 9.2 Cream to off-white pages. This is the last comic-book sized issue of Humbug; after this, the publication adopted a magazine format for the last two issues. It's a shame this book didn't take off the way Mad did, because it certainly had the same brilliant brand of intelligent satire pioneered in that earlier title. Harvey also used the same great artists who had filled his earlier books; people like Jack Davis, Will Elder, Russ Heath and Al Jaffee. This sharp-looking copy comes from Harvey Kurtzman's personal collection. Overstreet 2003 NM 9.4 value = $110.
Golden Age (1938-1955)
Jimmy Wakely #4 Kurtzman File Copy (DC, 1950) CGC FR 1.0 Light tan to off-white pages. This rather tattered copy of cowboy movie star Jimmy Wakely's comic book boasts some fine artwork among its pages. There are stories drawn by Frank Frazetta and Alex Toth. And to top it off, there's Harvey Kurtzman's "Pot-Shot Pete" gag strip. This is a book from Kurtzman's own personal collection. Overstreet 2003 GD 2.0 value = $49.
Bronze Age (1970-1979)
Kurtzman Komix #1 Kurtzman File Copy (Kitchen Sink, 1976) CGC VF 8.0 White pages. In 1976, publisher Denis Kitchen finally bridged the gap between Mad and Underground comix with this book, which reprinted some of Harvey's filler strips like "Hey Look!" and "Pot-Shot Pete". This is Harvey's personal copy, and he wrote his name in marker on the first page, just so you would know! Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. This and all Underground comix are not listed Overstreet currently.
Golden Age (1938-1955)
Mad #1 Kurtzman File Copy (EC, 1952) CGC VG 4.0 Off-white pages. Boy, oh boy, this one comic book sure sent shock waves around the publishing world that are still being felt today. It was like a cultural atomic bomb! Satire may have been around before MAD, but not in this format. In the beginning, this was conceived as just a humor title; it took writer/editor Harvey Kurtzman a few issues to find his stride. Then, he outsprinted the field and blazed new trails. This copy comes from the personal collection of Kurtzman. Overstreet 2003 VG 4.0 value = $1,040.
Mad #3 Kurtzman File Copy (EC, 1953) CGC PR 0.5 Slightly brittle pages. Harvey Kurtzman's groundbreaking satire comic begins to hit its stride here, with parodies of "Dragnet" and "The Lone Ranger." This copy doesn't grade out very high with a split spine and brittle pages, but the cover looks mostly flat and clean inside its CGC holder. Here's a bargain for someone wishing to own one of Harvey Kurtzman's own file copies at a low price. Overstreet 2003 GD 2.0 value = $85.
Mad #4 Kurtzman File Copy (EC, 1953) CGC GD 2.0 Light tan to off-white pages. Harvey Kurtzman's influence on the Underground cartoonists is legendary; this issue of Mad fits right in with that idea. There's even a reference to marijuana in one story! This copy comes from Kurtzman's personal collection, and there is a sticker with his name on it affixed to the front cover. Overstreet 2003 GD 2.0 value = $85.
Mad #5 Kurtzman File Copy (EC, 1953) CGC GD/VG 3.0 Off-white to white pages. This issue of Mad is well-known as a scarce issue. This is due to a crazy biography of publisher William Gaines printed on the inside front cover. It claims Gaines was from a Communist family, that he was a "dope peddler", and that EC stood for Evil Comics! Apparently, people took this seriously, and the book was promptly yanked off newsstands all across the country. This is a chance to own Harvey Kurtzman's own personal copy of this hard-to-find comic. Overstreet 2003 GD 2.0 value = $148; VG 4.0 value = $296.
Mad #6 Kurtzman File Copy (EC, 1953) CGC VG+ 4.5 Light tan to off-white pages. Don't you just love those Mad covers drawn by Harvey Kurtzman? This is the issue that contains a very funny parody of the original King Kong movie, drawn by Bill Elder. And of course, this copy comes from Harvey Kurtzman's own closet. CGC notes that there is a small piece of tape applied to the inside back cover, which repairs a torn corner. Overstreet 2003 VG 4.0 value = $96.
Mad #9 Kurtzman File Copy (EC, 1954) CGC GD/VG 3.0 Light tan to off-white pages. Here's another one of those great covers by Harvey Kurtzman, this neat illustration is a take-off on the classic film "High Noon." The story inside is called "Hah! Noon!" -- very funny stuff, my friends. This copy is from Kurtzman's personal collection. Overstreet 2003 GD 2.0 value = $61; VG 4.0 value = $122.
Mad #10 Kurtzman File Copy (EC, 1954) CGC GD+ 2.5 Off-white pages. Basil Wolverton draws the dreaded "Face on the Floor" mentioned on the front cover of this tenth issue. This issue also features the last of those great Harvey Kurtzman-illustrated Mad covers. This is a copy from Kurtzman's own collection. Overstreet 2003 GD 2.0 value = $61.
Mad #11 Kurtzman File Copy (EC, 1954) CGC VG/FN 5.0 Light tan to off-white pages. This comic features what has to be the ugliest cover girl in the history of publishing! Of course, this is the famous Life magazine parody cover drawn by Basil Wolverton; he contributes several more pages inside the book. This copy comes from Harvey Kurtzman's personal files. Overstreet 2003 VG 4.0 value = $122; FN 6.0 value = $183.
Mad #12 Kurtzman File Copy (EC, 1954) CGC VG+ 4.5 Light tan to off-white pages. Bernie Krigstein's classic "From Eternity Back to Here" story is featured this issue. Also featured is a funny satire of Archie, drawn by the always amazing Bill Elder. This is a copy from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $96.
Mad #14 Kurtzman File Copy (EC, 1954) CGC VG 4.0 Light tan to off-white pages. Who says comic books are low-brow junk designed for children and half-wits? Certainly not us! And here's the proof; even a classy chick like Mona Lisa digs comics like Mad! This is a copy from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $96.
Mad #16 Kurtzman File Copy (EC, 1954) CGC VG- 3.5 Light tan to off-white pages. This issue sports a clever cover design by Harvey Kurtzman that makes it resemble a folded newspaper. And note that headline - "Comics Go Underground" - how did Harvey know? This copy comes from the personal collection of Harvey Kurtzman. Overstreet 2003 VG 4.0 value = $96.
Mad #18 Kurtzman File Copy (EC, 1954) CGC VG- 3.5 Off-white pages. This issue features the classic take-offs on Alice in Wonderland and Howdy Doody, as well as a "Pot-Shot Pete" reprint by Harvey Kurtzman. Kurtzman also turns in his last Mad cover here; while it's not up to his early efforts, at least he wants to share the glory by inviting the reader to connect the dots ("...You Draw the Cover!"). This copy comes from Kurtzman's personal files. Overstreet 2003 VG 4.0 value = $76.
Mad #20 Kurtzman File Copy (EC, 1955) CGC VG/FN 5.0 Light tan to off-white pages. This is the infamous "composition book" cover, designed to sneak into class! How many kids caught holy heck for this? A great comic book, from the personal collection of Mad's founding father Harvey Kurtzman; it's loaded with art by Wally Wood, Jack Davis, and Will Elder. Sharp looking copy, flat and tight. Overstreet 2003 VG 4.0 value = $76; FN 6.0 value = $115.
Mad #21 Kurtzman File Copy (EC, 1955) CGC VG+ 4.5 Light tan to off-white pages. The cover of this issue of Mad is a take-off on all those old "Johnson Smith Co." ads, and you will honestly split your sides laughing at all the little gags; that is, if you can read all that tiny type! This issue also marks the very first appearance of Alfred E. Neuman. From the collection of Mad's resident genius, Harvey Kurtzman; with the usual great art by Wally Wood, Bill Elder, and Jack Davis. Overstreet 2003 VG 4.0 value = $76.
Mad #22 Kurtzman File Copy (EC, 1955) CGC VG 4.0 Light tan to off-white pages. This is the "special art issue" -- weren't they all special art? Art by the great Bill (Will) Elder, here at his wildest. Harvey Kurtzman's photo montages in this issue led to his later work in Help! magazine. This is a copy from Kurtzman's personal collection. That's pretty special too! Overstreet 2003 VG 4.0 value = $76.
Mad #23 Kurtzman File Copy (EC, 1955) CGC VG/FN 5.0 Light tan to off-white pages. The last comic book issue of Mad; with issue 24, it switched to the magazine format which remains today. The Mad comic book was groundbreaking for its satirical content; it's hard to imagine modern-day satire like National Lampoon or even "Saturday Night Live" without Mad. This copy comes from the collection of Mad's original editor, Harvey Kurtzman. Overstreet 2003 VG 4.0 value = $76; FN 6.0 value = $115.
Panic #1 Kurtzman File Copy (EC, 1954) CGC VF- 7.5 Light tan to off-white pages. Al Feldstein's own version of Harvey Kurtzman's Mad; note the beer stein signature on the cover which echoes Kurtzman's stick-figure man. Funny stuff, too, with a pretty sharp edge. This issue is infamous for its use in the 1950s Senate hearings, which led to the formation of the Comics Code Authority. From Harvey Kurtzman's hands to yours. Overstreet 2003 VF 8.0 value = $203.
Panic #2 Kurtzman File Copy (EC, 1954) CGC VG- 3.5 Light tan to off-white pages. This issue features a wild explosion cover, drawn by Al Feldstein. Also featured is a very funny parody of Humphrey Bogart's classic movie "African Queen," here referred to as "African Scream!" This is a nice solid copy, taken from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $26.
Panic #4 Kurtzman File Copy (EC, 1954) CGC VG+ 4.5 Light tan to off-white pages. One of the funniest Panic covers, with art by Basil Wolverton; check out the parody cover of "Get Lost" (a poor Mad imitation of the time) in the second girl's hand! Funny stuff inside too, with a great Wally Wood take-off on John Wayne. A nice-looking copy from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $20.
Panic #5 Kurtzman File Copy (EC, 1954) CGC VG/FN 5.0 Light tan to off-white pages. The "sideways" cover was done as a joke on the Cinerama movie craze of the 1950s. Check out the feet on that Marilyn Monroe-like starlet! Garbo had nothing on her, boy! This issue also features the very funny Dick Tracy parody, "Tick Dracy" by Bill Elder. This tight copy comes from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $18; FN 6.0 value = $27.
Panic #6 Kurtzman File Copy (EC, 1955) CGC VG+ 4.5 Light tan to off-white pages. And here's the "blank" cover, designed as the only cover not to offend anyone! Lots of funny fake ads in this issue, for items like "Belch-Not Gum", that had kids in stitches back in 1955. This is Harvey Kurtzman's personal copy. Overstreet 2003 VG 4.0 value = $18.
Panic #7 Kurtzman File Copy (EC, 1955) CGC VG 4.0 Light tan to off-white pages. Those Panic covers were always a hoot -- this is the "tiger patch" issue! Also in this issue was Wally Wood's bug-eyed movie parody "Them There Those," loaded with lots of scantily-clad women! A copy from the files of Harvey Kurtzman. Overstreet 2003 VG 4.0 value = $18.
Panic #9 Kurtzman File Copy (EC, 1955) CGC VG+ 4.5 Light tan to off-white pages. Is this a comic book, or that vicious 1950s scandal sheet Confidential? How about both? More funny satire, including Wally Wood's "Bo Bummel, or Much Ado About Clothing." Wild stuff! A comic from Harvey Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $18.
Panic #12 Kurtzman File Copy (EC, 1956) CGC VG- 3.5 Light tan to off-white pages. Jack Davis turns in a crowded cover for this last scarce issue of typically great stories and art by Bill Elder and Wally Wood. The Panic series was pretty funny stuff that often got overlooked in light of Mad's success. This copy was, in fact, owned and assuredly enjoyed by Mad's own Harvey Kurtzman. Overstreet 2003 VG 4.0 value = $24.
Piracy #2 Kurtzman File Copy (EC, 1955) CGC VF- 7.5 Cream to off-white pages. Of all EC's New Direction titles, this one gets my vote as best. Actually, this qualifies as one of the last New Trend titles, as the first issue was released five months before the New Direction series began. This issue is typical of the run, with fantastic art by Al Williamson, Wally Wood, and Jack Davis. This very nice copy was among Harvey Kurtzman's personal comic collection. Overstreet 2003 VF 8.0 value = $180.
Piracy #3 Kurtzman File Copy (EC, 1955) CGC FN/VF 7.0 Light tan to off-white pages. A beautiful Reed Crandall cover illustration kicks off this issue, which also features art by Bernard Krigstein, Graham Ingels, and George Evans. This was comic book art that outclassed nearly everything else being published at the time! Wonderful stuff, from the Harvey Kurtzman collection. Overstreet 2003 FN 6.0 value = $36; VF 8.0 value = $90.
Shock SuspenStories #16 Kurtzman File Copy (EC, 1954) CGC VG- 3.5 Light tan to off-white pages. The famous "Red Dupe" one-pager appears in this issue. "The group most anxious to destroy comics are the Communists!" Also featured is "A Kind of Justice," a story about rape. Certainly a touchy subject for a 1954 comic book, this controversial story also dealt with mob violence. Heavy stuff. This copy is from Harvey Kurtzman's personal collection. Overstreet 2003 VG value = $36.
Shock SuspenStories #17 Kurtzman File Copy (EC, 1954) CGC FN/VF 7.0 Cream to off-white pages. This issue came near the end of the run for this title. The art is by Reed Crandall, George Evans, and Jack Kamen, who turns in "4-Sided Triangle," about a girl who prefers a scarecrow as a lover! Shock SuspenStories dealt with sex in a way not seen before, at least not during the restrained 1950s. This is from Harvey Kurtzman's personal collection. Overstreet 2003 FN 6.0 value = $54; VF 8.0 value = $135.
Super-Mystery Comics V3#3 Kurtzman File Copy (Ace, 1943) CGC GD+ 2.5 Light tan to off-white pages. In late 1942, a young man who grew up loving Sunday comics finally got his wish -- he became a professional cartoonist. His name was Harvey Kurtzman, and this issue of Super-Mystery features two of his earliest published comic book stories, as well as his first cover. That distinctive Kurtzman style would come later, but there's little mistaking the hand of Harvey here. This was Kurtzman's own file copy, on the back in light pencil he wrote "Property of H Kurtzman." Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. A fantastic opportunity to own an important item from a true comics master. Overstreet 2003 GD 2.0 value = $51.
Super-Mystery Comics V3#4 Kurtzman File Copy (Ace, 1943) CGC FR 1.0 Brittle pages. A very early Harvey Kurtzman cover (his second) graces this Golden Age superhero comic. This copy has some obvious problems; the spine is starting to split and the pages are brittle. However, this was Kurtzman's own personal reader copy -- on the back, he wrote "Property of H. Kurtzman." An important and unique item for the Kurtzman collector, no matter what the condition of the book! And actually, aside from the spine, it looks pretty nice in its CGC holder. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history. Overstreet 2003 GD 2.0 value = $44.
Super-Mystery Comics V3#5 Kurtzman File Copy (Ace, 1943) CGC VG+ 4.5 Cream to off-white pages. Here we go with superhero stories, as done by Harvey Kurtzman and L. B. Cole! This is one of Kurtzman's file copies, and condition-wise, it's the among the best of his early comics. Harvey either read and re-read his own comics, or else he allowed others to read them until many were ready to fall apart. This one, thankfully, remains in respectable shape. Harvey marked "Property of H. Kurtzman" on the back cover. Included with this lot are copies of affidavits from both Adele Kurtzman, Harvey's widow, and Denis Kitchen, the literary and art agent for Kurtzman's estate, verifying and authenticating Harvey's signature on this book. Kurtzman signed this book at the time of publication, making it a rare and unique piece of comics history.Overstreet 2003 VG 4.0 value = $50.
Super-Mystery Comics V3#6 Harvey Kurtzman File Copy (Ace, 1943) CGC FR/GD 1.5 Slightly brittle pages. A number of young artists filled the pages of Super-Mystery Comics - future stars of the medium like L.B Cole and Jim Mooney, and, of course, Harvey Kurtzman. This is Harvey's file copy, and while it may well be tattered and worn, that wear came from Harvey's own hands. Overstreet 2003 GD 2.0 value = $50.
Teen Comics #26 Harvey Kurtzman File Copy (Marvel, 1948) CGC FR 1.0 Cream to off-white pages. Harvey Kurtzman's wonderfully funny "Hey Look!" strip is featured in this issue, along with such teen-age fare as Patsy Walker. The "Hey Look!" strips were first drawn in 1946, but not published until 1948; this was the third issue of this title to feature the strip. This copy comes from Kurtzman's own personal collection. Overstreet 2003 GD 2.0 value = $12.
Two-Fisted Tales #23 Kurtzman File Copy (EC, 1951) CGC VG/FN 5.0 Light tan to off-white pages. And then, there's the sixth issue of Two-Fisted, with a cool explosion cover by series editor Harvey Kurtzman. This issue also features Kurtzman's "Kill!", a gripping tale about hand-to-hand combat in Korea. This is Harvey Kurtzman's personal copy. Overstreet 2003 VG 4.0 value = $50; FN 6.0 value = $75.
Two-Fisted Tales #40 Kurtzman File Copy (EC, 1955) CGC FN 6.0 Light tan to off-white pages. Sadly, this is the next-to-last issue of this historic title, with art by George Evans and Jack Davis. Great adventure and war stories defined this series, edited by the master of the genre, Harvey Kurtzman, whose own copy is offered here. Overstreet 2003 FN 6.0 value = $45.
Two-Fisted Tales #41 Kurtzman File Copy (EC, 1955) CGC FN 6.0 Light tan to off-white pages. The last issue of this exceptional title, featuring art by George Evans, Bernie Krigstein, and Wally Wood. Jack Davis turns in a wild Mau Mau cover with great color. This copy comes from Harvey Kurtzman's personal collection. Overstreet 2003 FN 6.0 value = $45.
Two-Fisted Tales Annual #2 Kurtzman File Copy (EC, 1953) CGC FN 6.0 Light tan to off-white pages. No one has ever done a war comic quite like Harvey Kurtzman. His work on the EC war titles has been described as "gutsy, realistic war comics with a moral." This annual, actually a repackaging of four unsold comics, has always been tough to find. Here's a nice copy from Kurtzman's own collection. It doesn't get much better than this! Overstreet 2003 FN 6.0 value = $201.
Weird Fantasy #6 Kurtzman File Copy (EC, 1951) CGC VG 4.0 Light tan to off-white pages. This early EC science-fiction vehicle features one of Harvey Kurtzman's best stories for that title, "The Dimension Translator." Also featured are stories and art by Al Feldstein (with his great robot cover), Wally Wood ("Rescued!"), and Jack Kamen. This copy comes from Kurtzman's personal collection. Overstreet 2003 VG 4.0 value = $78.
Session 6
Adventures Into Terror #9 (Atlas, 1952) CGC VF+ 8.5 Off-white to white pages. Russ Heath mastered the art of drawing faces frozen in intense fear, as this cover attests. An added attraction in this book are the decapitation panels included herein. Joe Sinnott and Bernard Krigstein contribute to the interior art. This is a well-preserved copy of an issue with a tough black cover. Overstreet 2003 VF 8.0 value = $135; VF/NM 9.0 value = $180.
Adventures Into Weird Worlds #12 (Atlas, 1952) CGC VF/NM 9.0 Off-white to white pages. A couple of lonely undead souls reach for some company, and teach a pair of careless visitors how it feels to be "Lost in the Graveyard!" Bill Everett's ghastly rising-dead cover makes this high grade Atlas comic extra-memorable. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF/NM 8.0 value = $169; NM 9.4 value = $210.
All Select Comics #2 (Timely, 1943) CGC VF 8.0 Off-white pages. World War II-era Timelys had some of the greatest action-packed covers in comics, and this is one by the master, Alex Schomburg. Just try to count all the many figures on this cover, not to mention the trucks, tanks, and planes! There's plenty going on inside the covers as well, including a Red Skull appearance. And of course, there's Captain America, the Human Torch, and Sub-Mariner here to help win the war and save the day. This very attractive copy has been nicely preserved through the years; its single staple (a victim of wartime rationing) shows very little stress, and the cover is flat, clean, and bright. CGC notes only one copy to receive a higher grade, to date, making this one of the best copies in existence. Overstreet 2003 VF 8.0 value = $2,250.
All Winners Comics #1 (Timely, 1941) CGC NM- 9.2 Cream to off-white pages. One of the most desirable Timelys, this issue currently ranks #33 on Overstreet's "Top 100 Golden Age Books" list, and it's easy to see why. Alex Schomburg offers the bright, superhero-licious cover, then stands aside as classic artists do classic characters: Jack Kirby on Captain America, Bill Everett on the Sub-Mariner, Carl Burgos on the Human Torch, Paul Gustavson on the Angel, and Al Avison on the Black Marvel. To round out the superlative features, a fuzz-faced, nineteen-year-old Stan Lee introduced the All Winners Squad in a text story. Only two copies of this premiere issue have earned grades higher than VF 8.0, and none higher than this awe-inspiring copy. Overstreet 2003 NM 9.4 value = $27,000.
All Winners Comics #1 (Timely, 1941) CGC Apparent VF/NM 9.0 Moderate (P) Cream to off-white pages. The All Winners Squad makes its first appearance here in a text story by Stan Lee. The list of contributing artists to this book reads like a Hall of Fame roster: Alex Schomburg, Joe Simon, Jack Kirby, and Bill Everett all took part in producing this classic issue. Captain America, Bucky, Human Torch, Toro, Sub-Mariner, The Angel, and Black Marvel are featured. This is the nicest restored copy of the issue to be certified by CGC to date, and almost as nice-appearing as the highest graded unrestored copy. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $1,800; VG 4.0 value = $3,600; FN 6.0 value = $5,400; VF 8.0 value = $13,500.
All Winners Comics #1 Recil Macon pedigree (Timely, 1941) CGC Apparent VF 8.0 Slight (P) Off-white pages. While Captain America, Sub-Mariner, and the Human Torch officially teamed up for the first time in an illustrated story as the All Winners Squad in #19, that union was actually preceded by a text story written by Stan Lee in this issue. This landmark issue features art by Alex Schomburg, Joe Simon, and Jack Kirby. CGC notes, "Restoration includes: cover cleaned/pressed" and "From the collection of Nicolas Cage." Overstreet 2003 GD 2.0 value = $1,800; VG 4.0 value = $3,600; FN 6.0 value = $5,400; VF 8.0 value = $13,500.
All Winners Comics #5 Pennsylvania pedigree (Timely, 1942) CGC NM- 9.2 Off-white pages. Boy, those early Timely covers sure are a lot of fun! Here, we have Captain America, the Human Torch, and Sub-Mariner, all rushing to save a couple of Young Allies from the clutches of some nasty Nazis! The color on this cover is just amazingly rich, as is typical of books from the Pennsylvania collection. A check with CGC's census shows this recently-slabbed book is the highest CGC-graded copy, to date. Overstreet 2003 NM 9.4 value = $2,500.
All Winners Comics #14 (Timely, 1944) CGC NM- 9.2 White pages. The Sub-Mariner, Captain America, and Bucky team up to destroy, demolish, and obliterate the latest Japanese battleship. This is a great example of Alex Schomburg's violent, action-filled covers. This copy has strong vivid colors and as a bonus, white pages! This is currently the second highest CGC-graded copy. Overstreet 2003 NM 9.4 value = $1,550.
All Winners Comics #15 (Timely, 1945) CGC VF+ 8.5 Off-white to white pages. An unmistakable Alex Schomburg cover highlights this terrific book. Highly collected to this day, Schomburg's style is perhaps the most recognizable of any Golden Age artist. A shield-toting Cap, a machine-gun wielding Bucky, and a gigantic Sub-Mariner make short work of these buck-toothed soldiers from the Land of the Rising Sun. A very tough issue to find in grades above FN 6.0, this is the highest CGC- graded copy to date. Overstreet 2003 VF 8.0 value = $844; VF/NM 9.0 value = $1,197.
All Winners Comics #19 (Timely, 1946) CGC VG/FN 5.0 Off-white pages. This key Golden Age issue -- deemed "scarce" by both Overstreet and Gerber -- unites for the first time as a team, Captain America, the Human Torch, Sub-Mariner, Miss America, and the Whizzer, plus sidekicks Bucky, Toro, and Subby. Granted, some of these heroes had crossed paths previously and were depicted in action together on previous All Winners covers, and in a text story in issue #1, but this is their first illustrated story as the All Winners Squad. With a script by the original Batman author Bill Finger, All Winners #19 is a must-have! Overstreet 2003 VG 4.0 value = $846; FN 6.0 value = $1,269.
Amazing Mysteries #32 (Marvel, 1949) CGC FN/VF 7.0 Off-white pages. This eerie cover of doomed souls inexplicably bearing torches into Marvel's version of hell is a fine way to kick off the first horror comic that was ever churned out by Marvel/Timely/Atlas. Although he didn't make very many appearances, the Witness does show his face in this book. This is one of those comics that many want but few can own. This title was continued from the Sub-Mariner series. Overstreet 2003 FN 6.0 value = $240; VF 8.0 value = $500.
Black Rider #9 Mile High pedigree (Atlas, 1950) CGC VF/NM 9.0 Off-white to white pages. This Mile High gem sports an impressively busy cover by Joe Maneely, with interior art by Syd Shores. The Black Rider was Stan Lee's personal favorite Western character, in part because of his similarity to Lee's later costumed superheroes. This copy has sharp corners, a nearly perfect spine, and fresh appearance. It is the only CGC-graded copy of this issue, to date. Overstreet 2003 VF/NM 9.0 value = $184; NM 9.4 value = $230.
Blonde Phantom #13 (Timely, 1947) CGC NM- 9.2 Cream to off-white pages. Our sexy heroine swoops in to save the day, preventing catastrophe in Hollywood, on this attractive Syd Shores cover. The Sub-Mariner interior feature begins with this issue. This exemplary copy is just a quarter-grade short of the highest grade that CGC has awarded, to date, for this issue. Overstreet 2003 NM 9.4 value = $1,100.
Captain America Comics #1 (Timely, 1941) CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. He wasn't the first patriotic superhero in comic books, but Cap is the one we think of first when the subject comes up. Jack "King" Kirby's legacy would have been assured even if Cap were the only character he ever created. The classic team of Joe Simon and Jack Kirby handled the interior art, but two renowned sources, Overstreet and Gerber, differ in identifying the cover artist or artists. Overstreet suggests Joe Simon did the classic Hitler cover, while Gerber's The Photo-Journal Guide to Comic Books lists the combo of Jack Kirby pencils and Syd Shores inks. One of the most important comic books of all, not only introduced Captain America to comicdom, it also featured the first appearances of Cap's long-time sidekick, Bucky, and his long-time arch-nemesis, the Red Skull. Overstreet 2003 GD 2.0 value = $6,767; VG 4.0 value = $13,534; FN 6.0 value = $20,300; VF 8.0 value = $40,060.
Captain America Comics #3 (Timely, 1941) CGC Apparent VG/FN 5.0 Slight (A) Off-white pages. Ernst Gerber, in his The Photo-Journal Guide to Comic Books, rates this issue the scarcest of the first twelve. If the book looks unusual, it could be because the yellow logo was used just this once in the title, and a predominantly yellow background appeared in only two other issues. And if the cover art is spectacular, it would be because Alex Schomburg has worked his magic to create one of his numerous classics, Red Skull-duggery, bondage, gadgetry, and all. Stan Lee contributed his first work for Timely with a text story in this issue. CGC notes, "Restoration includes: small amount of glue at staples of cover and centerfold." Overstreet 2003 GD 2.0 value = $1,000; VG 4.0 value = $2,000; FN 6.0 value = $3,000. From the Compleat Kirby Comic Collection.
Captain America Comics #6 (Timely, 1941) CGC VF/NM 9.0 Off-white pages. There's a few Golden Age comics out there that make everyone sit up and take notice any time they are offered for sale. The first ten issues of Captain America by Joe Simon and Jack Kirby go to the top of that list. This sixth issue features the origin of Father Time, as well as the last Tuk the Caveboy story. In addition to the great Joe Simon and Jack Kirby art, there's contributions from Al Avison and Syd Shores. This is a tough book to find in any condition, and this nice copy really looks sweet. In fact, a check with CGC will tell you that there is only one restored copy that grades this high, with none higher listed to date. This copy is, of course, completely unrestored. Overstreet 2003 VF/NM 9.0 value = $5,250; NM 9.4 value = $7,000.
Captain America Comics #7 (Timely, 1941) CGC VF/NM 9.0 Cream to off-white pages.. This book is listed in Overstreet as having a "classic" cover and, boy, are they right! Jack Kirby and Syd Shores have Captain America and Bucky swooping in in just the nick of time to save a damsel in bondage. Cap was clearly birthed and defined by Jack Kirby and Joe Simon, and no Timely collection is complete without at least one example from their tenure on this title. To date, only one other copy of this issue has managed to grade higher than our offering. This copy will fit nicely into any primo collection. Overstreet 2003 VF/NM 9.0 value = $4,000; NM 9.4 value = $6,000.
Captain America Comics #8 (Timely, 1941) CGC NM- 9.2 Off-white pages. Joe Simon and Jack Kirby were responsible for a lot of great comics during the early Golden Age, but Captain America will always be remembered as their best work. This great issue sports a wild cover, featuring Cap battling Nazis and living mummys! The condition of this copy is amazing, considering how seldom it turns up in a grade this high. In fact, the current CGC census shows nothing higher than VF+, and that copy has been restored. This totally unrestored copy may well be the best one we'll ever see. Overstreet 2003 NM 9.4 value = $5,600.
Captain America Comics #9 (Timely, 1941) CGC NM- 9.2 Off-white pages. The Black Talon couldn't get a real model for his twisted poses, so what better substitute than the bondage-experienced Bucky? Joe Simon and Jack Kirby's awesome cover is presented by the finest unrestored copy CGC has certified to date. No other has managed higher than VF 8.0 to date. If you're serious about owning the best, you've got to consider this jewel. Overstreet 2003 NM 9.4 value = $5,600.
Captain America Comics #10 Crowley pedigree (Timely, 1942) CGC VF 8.0 Cream to off-white pages. Bucky manages to get himself into bondage yet again on this masterpiece cover by Jack Kirby and Joe Simon. Of the myriad of titles that came out of the Golden Age, Captain America just happens to rank among the most popular and seldom goes unsold. This is the last issue that Simon & Kirby did, and they also contributed a full centerfold. If you want at least one representative issue of Simon & Kirby Cap (and, believe me, you do) then this beauty deserves your consideration. Overstreet 2003 VF 8.0 value = $2,800.
Captain America Comics #26 (Timely, 1943) CGC VF+ 8.5 Cream to off-white pages. Cap has a dilemma. Does he deal with the attacking shark, the quartet of menacing Nazis, or save Bucky from drowning? Alex Schomburg usually managed to get three covers worth of action into one, and this high-grade copy presents the scene in impressive fashion. Visually, with its bright, rich colors, this cover looks to be even higher grade, but some wear around the edges holds the grade to "merely" VF+ 8.5, still the finest copy CGC has certified, to date, of the issue. Overstreet 2003 VF 8.0 value = $1,413; VF/NM 9.0 value = $2,007.
Captain America Comics #32 (Timely, 1943) CGC FN+ 6.5 Off-white pages. During the Schomburg era, when Sir Alex drew nearly every cover for this and other Timely titles, Syd Shores managed a few masterful turns of his own, as with this action-fest World War II scene that would have done Schomburg proud. The colors are like-new, CGC's grade is the result of cumulative wear and stress signs, primarily around the edges. CGC notes, "Name written on interior cover in pen." Overstreet 2003 FN 6.0 value = $585.
Captain America Comics #35 Pennsylvania pedigree (Timely, 1944) CGC NM- 9.2 Cream to off-white pages. This issue features cover and story art by Syd Shores, and a guest appearance by the Human Torch. Golden Age Captain America books rarely turn up in high grade, which makes this one such a treat. This is currently the highest CGC-graded copy of this issue, with the next highest grade being a VF+ 8.5. If you are looking for the best available copy of issue #35, don't let this one slip away! Overstreet 2003 NM 9.4 value = $2,250.
Captain America Comics #38 (Timely, 1944) CGC Apparent VF/NM 9.0 Slight (A) Cream to off-white pages. Bucky, in his usual bondage mode, is joined by a lovely lass, which brings Cap on the rescue run more quickly than normal. It's Schomburg, it's classic Timely, it's... it's... just so cool! This copy, albeit restored, is the nicest-looking copy to pass through CGC, as of this writing. The highest any one unrestored copy could grade is a comparatively low Very Fine Minus. So, we don't mind so much the CGC note that "Restoration includes: small amount of glue on spine of cover." CGC also notes, "From the White Rose Collection." Overstreet 2003 GD 2.0 value = $195; VG 4.0 value = $390; FN 6.0 value = $585; VF 8.0 value = $1,219; VF/NM 9.0 value = $1,735.
Captain America Comics #41 (Timely, 1944) CGC VF 8.0 Off-white pages. Alex Schomburg's last Japanese war cover is as frenetic as his first, accentuated by this high-grade copy. It is currently bested by just three other copies in CGC's census for issue #41. Vince Alascia helps out with story art in this issue. Overstreet 2003 VF 8.0 value = $1,063.
Captain America Comics #46 (Timely, 1945) CGC NM 9.4 White pages. Alex Schomburg's stirring cover, known universally in comicdom as "the Holocaust cover", is all the more horrific because of its historically-based theme. This issue is one of the most sought-after of all Golden Agers, not just of this supremely popular title. Other features include a Human Torch story, and interior art by a young artist named Carmine Infantino. Collectors rush to snap up even low grade copies of issue #46, and our offering is the very finest copy CGC has certified, to date. It's one of only three unrestored copies to have earned grades higher than VF 8.0 to date. Overstreet 2003 NM 9.4 value = $2,500.
Captain America Comics #52 Crowley pedigree (Timely, 1946) CGC VF 8.0 Cream to off-white pages. No cover artist is more collected and revered than Alex Schomburg. His frenzied compositions and attention to the most minute details are his trademarks. On this cover, Cap and Bucky effortlessly stop a band of atomic bomb-stealing thugs. This copy could be the perfect pedigree book for the cost-conscious Schomburg collector. Overstreet 2003 VF 8.0 value $813.
Captain America Comics #55 (Timely, 1946) CGC Apparent VF/NM 9.0 Slight (P) Off-white pages. For once, a Captain America cover on which Bucky is actually helping kick tail, instead of making Cap go out of his way to rescue him from the clutches of some villain. This issue also has the added attraction of a Human Torch story. CGC notes, "Restoration includes: cover cleaned and pressed," which makes for a stunning looking copy. Overstreet GD 2.0 value = $130; VG 4.0 value = $260; FN 6.0 value = $390; VF 8.0 value = $813; VF/NM 9.0 value = $1,157.
Captain America Comics #59 Crowley pedigree (Timely, 1946) CGC VF 8.0 Cream to off-white pages. Every issue of Captain America Comics is hot property, and this origin issues ranks among the top five in demand. This issue features the retelling of Cap's origin for the first time since the title's first issue. Syd Shores out-does himself on this great cover featuring Cap and Bucky, and their civilian alter egos. This nice high-grade issue is a real pleaser. Overstreet 2003 VF 8.0 value = $1,875.
Captain America Comics #60 (Timely, 1947) CGC VF- 7.5 Tan to off-white pages. This incredible, vertigo-inducing cover by Syd Shores is worth scrutinizing up close, even if you don't care to bid. Of course, after viewing it, you may change your mind! This tightly-graded beauty presents as an even higher grade, but maybe we're just partial to Cap, unique villains, and high-flyin' blondes! Overstreet 2003 VF 8.0 value = $813.
Captain America Comics #65 Cosmic Aeroplane pedigree (Timely, 1948) FN/VF 7.0 Off-white pages. Syd Shores' cover to Captain America Comics #65 is absolutely striking. If the dramatic (and borderline comical) image of Cap, with the woman in red on his arm, slapping Bucky aside, isn't compelling enough, the bold light/dark contrast from a backlit background adds an extra punch. Harvey Kurtzman's satire "Hey, Look!" is included inside, as is a Human Torch tale. CGC's current census grades only three copies higher than this attractive Cosmic Aeroplane specimen. Overstreet 2003 FN 6.0 value = $510; VF 8.0 value = $1,063.
Daring Mystery Comics #1 (Timely, 1940) CGC FN 6.0 Off-white pages. This very early Timely title hit the newsstands just three months after Marvel Comics #1. Featuring an Alex Schomburg cover that must have turned heads in 1940, this issue has the origin and first appearance of the Fiery Mask, shown here trying to impress a bondaged miss, and wondering if his new uniform is color-coordinated. Gerber says it's a "scarce" issue, and CGC has seen only one other unrestored copy worthy of a higher grade. The "Very minor amount of glue on cover" noted by CGC was too insignificant to warrant anything but the CGC Universal Grade encasement. Grab a slice of historical Timely gold with this great book. This copy comes with the Certificate of Authenticity for the White Rose Collection. Overstreet 2003 FN 6.0 value = $5,400.
Daring Mystery Comics #3 (Timely, 1940) CGC Apparent VG+ 4.5 Extensive (A) Cream to off-white pages. This Timely title is generally a little tougher to find than others, which makes this Alex Schomburg Nazi war cover even more enticing. Joe Simon contributes story art. The Photo-Journal Guide to Comic Books rates this issue "scarce", and CGC's listing only four other copies of #3 in its census, to date, would seem to agree. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $482; VG 4.0 value = $640.
Georgie Comics #8 Mile High pedigree (Timely, 1946) CGC NM+ 9.6 Off-white to white pages. This cute, faux "good girl" humor title is not that uncommon, according to Ernie Gerber's The Photo-Journal Guide to Comic Books, but CGC's census would indicate otherwise. This is the only copy of issue #8 certified to date by CGC! And what a copy it is. Mile High Timelys don't turn up every day, you know, so quit reading this and go place your bid! Overstreet 2003 NM 9.4 value = $95.
Georgie Comics #12 Mile High pedigree (Timely, 1947) CGC NM+ 9.6 Off-white to white pages. Classic Timely teenage fun with pretty girls give this comic broad appeal. Almost flawless condition likely make this the finest copy of this book in existence. If you want the best, look no further. Overstreet 2003 NM 9.4 value = $70.
The Human Torch #2 (#1) (Timely, 1940) CGC NM 9.4 Off-white pages. Alex Schomburg's cover is one of his most significant, and the master created over 500 during his Golden Age heyday. Among Golden Age Timelys, only Marvel Mystery Comics #1 and Captain America #1 rank ahead of this milestone issue in value. Featuring the Human Torch and the Sub-Mariner, Carl Burgos and Bill Everett, respectively, provide the interior story art. This Golden Age key also includes a bevy of features such as The Falcon, The Fiery Mask, Mantor the Magician, and Microman. This near-perfect copy is easily the highest-graded that CGC has certified to date for this issue, one of the most important comic books of the Golden or any other Age. Overstreet 2003 NM 9.4 value = $40,000.
The Human Torch # 2 (#1) (Timely, 1940) CGC VG 4.0 Cream to off-white pages. A blazing Torch and a fiery Toro seem to be bursting out of this impressive Alex Schomburg cover. Alas, the Sub-Mariner, in his task of destroying a Nazi sub, almost gets lost in the duo's fiery halo. Legendary artists Carl Burgos and Bill Everett, having introduced the Human Torch and the Sub-Mariner a few months earlier in Marvel Comics #1, bring these two favorite sons of the House of Timely to this title. This issue, while listed as #2 in the indicia, is the premiere issue of this title, following the one-shot Red Raven #1. Furthermore, this issue contains the first appearance and origin of Toro, as well as re-telling of the Torch's and Sub-Mariner's origin in a text story. Among fellow Timely titles, only the first issues of Marvel Comics and Captain America Comics are higher-valued. Overstreet 2003 VG 4.0 value = $5,334.
The Human Torch #3 (Timely, 1940) CGC VF 8.0 Cream to off-white pages. "Schomburg cover" is probably hype enough, but we'll throw in "Carl Burgos and Bill Everett art," and mention that this copy is in a lovely grade. Timely was ahead of the game with the novelette approach, offering up 40 pages of the Human Torch and 20 pages of Sub-Mariner action, in this second issue of the classic Golden Age title. Overstreet 2003 VF 8.0 value = $3,348.
The Human Torch 4 (#3) (Timely, 1941) CGC VF/NM 9.0 Cream to off-white pages. Alex Schomburg's fertile mind never seemed to run out of torture devices, or variations of headwear for meanies. And his work is appropriately displayed by the highest grade CGC has yet assigned to a copy of this issue. Carl Burgos on the Torch, and Bill Everett on the Sub-Mariner help with interior art. The origin of the Patriot appears in text. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF/NM 9.0 value = $3,900; NM 9.4 value = $5,200.
The Human Torch #5 (Timely, 1941) CGC VF+ 8.5 Off-white pages. The Human Torch and the Sub-Mariner take time out from fighting Nazis and other inferior foes to engage in beating the daylights out of each other in true Marvel fashion. Who else you gonna hone your fighting skills upon but another superhero? It's a 60-page epic battle, and it starts with an Alex Schomburg cover. This comic has earned the highest grade for any copy of issue #5 which CGC has reviewed to date. Just three other unrestored copies have managed as high a grading as FN 6.0. Only serious bidders with great taste and sparkling personalities deserve this book! This comes with the Certificate of Authenticity of the White Rose Collection. Overstreet 2003 VF 8.0 value = $3,250; VF/NM 9.0 value = $4,875.
The Human Torch #8 (Timely, 1942) CGC VF+ 8.5 Off-white to white pages. The Human Torch and his underwater nemesis, the Sub-Mariner are at it again on this great World War II cover by Alex Schomburg. They duke it out for 52 pages inside these covers, and their antics will continue in issue #10. Elsewhere, there's a Basil Wolverton story, just in case you need some comic relief. And while there may be three or four higher-graded copies in CGC's current census list, this copy looks nice enough for even picky collectors of Golden Age Timelys. Overstreet 2003 VF 8.0 value = $2,000; VF/NM 9.0 value = $3,000.
The Human Torch #8 Crowley pedigree (Timely, 1942) CGC VF 8.0 Off-white pages. The Human Torch battles the Sub-Mariner in this issue. Timely's penchant for pitting superhero against superhero was revived by Stan Lee's Marvel Comics in the Silver Age. Hmmm, coincidence? Alex Schomburg brings the action to your face with his cover, and Basil Wolverton contributes interior art. This pedigree copy shows it off well. Overstreet 2003 VF 8.0 value = $2,000.
The Human Torch #8 (Timely, 1942) CGC VG- 3.5 Brittle pages. One of the all-time great Golden Age superhero comics, this is the second of several "battle" issues pitting the Human Torch against that master of the underwater world, the Sub-Mariner. The cover by Alex Schomburg is crammed with action, as our red-hot hero melts the support beams from a bridge in order to kayo Sub-Mariner, who fights back with an "anti-flame fluid" gun (whatever that might be), while an army convoy moves below. Inside, there's also art by that master of wackiness, Basil Wolverton. This copy really looks great inside the protective CGC holder; the brittle page quality being the main reason for its lower grade. Overstreet 2003 VG 4.0 value = $640.
The Human Torch #19 (Timely, 1945) CGC VF 8.0 Off-white pages. The Torch and Toro fly to the rescue of a beautiful damsel in distress, suspended in bondage, with evil-doers being burned by molten metal -- it's clear that this spectacular Alex Schomburg cover has all the elements to make it a favorite of Schomburg fans and Timely collectors. Plus the Sub-Mariner gets his face in a circle on the cover, with a story inside. You can be sure that this is a lovely vintage comic, with no major flaws. Overstreet 2003 VF 8.0 value = $763.
The Human Torch #24 (Timely, 1946) CGC VF 8.0 Off-white to white pages. Syd Shores steps in after Alex Schomburg's final cover on this title, and gives us a particularly loathsome bad guy, who obviously has been hit with the ugly stick a few hundred times too often. Mr. Suave Not is contrasted against a richly-colored, high-grade comic that is currently surpassed in grade by just two other CGC-certified copies of issue #24. This comes with the Certificate of Authenticity of the White Rose Collection. Overstreet 2003 VF 8.0 value = $675.
The Human Torch #36 (Timely, 1954) CGC VG/FN 5.0 Off-white pages. This Gerber "uncommon" issue marked the Human Torch's return to his own mag after a hiatus of some five years. Timely's Golden Age mainstay Carl Burgos, who introduced the character in Marvel Comics #1, but had pretty much abandoned comic books since 1942, finally gets cover duties with this issue -- he had never before drawn a cover assignment for this title. A good-looking book for this grade, it just has evenly distributed signs of wear, but well-preserved cover colors. It's the highest ranking of just two unrestored copies of this issue which CGC has certified, to date. This comes with the Certificate of Authenticity of the White Rose Collection. Overstreet 2003 VG 4.0 value = $170; FN 6.0 value = $255.
The Human Torch #37 (Timely, 1954) CGC VF- 7.5 White pages. These Atlas issues from the mid-fifties can be at least as difficult to find as their earlier Timely counterparts. Only one other copy of issue #37 has graded higher than this book, and by only a half-grade. Sol Brodsky provides the Commie-fighting cover, and Bill Everett provides interior art. This comes with the Certificate of Authenticity of the White Rose Collection. Overstreet 2003 VF 8.0 value = $531.
The Human Torch #38 (Timely, 1954) CGC VG/FN 5.0 Off-white pages. The three-issue revival of this Timely Golden Age superhero ended with this issue. The next Human Torch would be a vastly different character and would not arrive on the scene for several more years, until Johnny Storm makes his debut as a founding member of the Fantastic Four. Sol Brodsky and Bill Everett give us cover and interior art, respectively. This is a solid copy of a hard-to-find issue. This comes with the Certificate of Authenticity of the White Rose Collection. Overstreet 2003 VG 4.0 value = $170; FN 6.0 value = $255.
Joker Comics #23 Mile High pedigree (Timely, 1946) CGC NM/MT 9.8 Off-white to white pages. Jaw-dropping copies are expected with this famed pedigree, but this book is exceptional even for a Mile High. It's the only unrestored, non-Qualified copy of the issue CGC has certified to date. The issue is significant for featuring the first "Hey Look" by Harvey Kurtzman, and for displaying the artwork of the weird genius Basil Wolverton. With its cover brightness, prickly corners, immaculate spine, and superior page quality, condition-wise, this one nears perfection. Overstreet 2003 NM 9.4 value = $310.
Joker Comics #26 Mile High pedigree (Timely, 1947) CGC NM- 9.2 Off-white pages. Tessie the Typist, one of the early "good girls" of humor comics, leads the parade, followed by other featured characters from the title. Harvey Kurtzman and Basil Wolverton lend their considerable talents to the issue, and Edgar Church made certain we would be amazed some fifty-odd years after he bought it, by carefully preserving its Near Mint freshness. All right, Near Mint Minus, but just try to find a copy of this in any condition. This is one of only two copies that CGC has certified to date, and easily the nicer. Overstreet 2003 NM 9.4 value = $290.
Joker Comics #27 Mile High pedigree (Timely, 1947) CGC NM 9.4 Off-white to white pages. Tessie the Typist causes a barber to lose his composure, and his customer to lose more hair than anticipated. Harvey Kurtzman honed his future EC skills here, and Basil Wolverton practiced his unique style. This bounteous beauty (the copy, not Tess) stands alone in CGC's census for issue #27, and at this grade, expects no competition from future certified copies. Overstreet 2003 NM 9.4 value = $290.
Joker Comics #28 Mile High pedigree (Timely, 1947) CGC NM+ 9.6 Off-white to white pages. Millie the Model makes her first appearance in this title, joining longtime headliner Tessie the Typist in a blonde on blonde confrontation we can only hope will turn into a catfight! Must have been some good reading, because copies seem to be virtually all read up! This wondrous copy is the only one of issue #28 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $90.
Joker Comics #29 Mile High pedigree (Timely, 1947) CGC NM 9.4 Off-white to white pages. White backgrounds on comic book covers from a half century ago are problematic, with a few exceptions, including this sparkling Mile High copy that scoffs at the notion that it shouldn't look so good. Millie the Model spices up the cover; Basil Wolverton flavors the interior. This is the only CGC-certified copy at this writing. Overstreet 2003 NM 9.4 value = $290.
Joker Comics #31 Mile High pedigree (Timely, 1948) CGC NM+ 9.6 Off-white pages. We're snowblinded by this Millie the Model cover, with its predominant white background and foreground. The pedigree and CGC's assigned grade pretty much say it all. Basil Wolverton contributes interior art, and Powerhouse Pepper makes his last appearance in this issue. This is the only copy of issue #31 that CGC has certified to date. Overstreet 2003 NM 9.4 value = $220.
Journey into Unknown Worlds #14 (Atlas, 1952) CGC VF+ 8.5 Off-white pages. Bill Everett provides a cool cover, but it's the story "One of Our Graveyards is Missing," a four-pager by Basil Wolverton, which makes this issue really stand out. You can never go wrong with a Wolverton story, especially if it is in a comic as nice as our offering. George Tuska also contributed a story to this horrific book. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $413; VF/NM 9.0 value = $587.
Journey into Unknown Worlds #15 (Atlas, 1953) CGC VF+ 8.5 Off-white to white pages. The undead on this cover "Crawl by Night." But that's not so bad -- if all they do is crawl it shouldn't be too hard to outrun them! That is, unless you let yourself get cornered in a cave like the two dopes on this cover. The incomparable art of Joe Maneely and Basil Wolverton is featured, earning this issue a place on the want lists of many collectors. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $413; VF/NM 9.0 value = $587.
Journey into Unknown Worlds #23 (Atlas, 1953) CGC VF/NM 9.0 Off-white pages. A pretty lass, trapped in rubble awaits an inescapable death at the hands of some cyclopic aliens. This issue has an early Gene Colan story. Atlas comics are tough to find in this kind of condition -- especially Atlas comics with a black cover like this, which highlights every flaw. To date, this is the highest CGC-graded copy of this issue. Overstreet VF/NM 9.0 value = $208; NM 9.4 value = $260.
Jungle Tales #5 Mile High pedigree (Atlas, 1955) CGC NM 9.4 White pages. This issue of Jungle Tales must have been one of the last books purchased by Edgar Church, original owner of the legendary Mile High horde, as Gerber states that the collection ended with 1954-dated comics. Russ Heath drew the four-panel cover, and Syd Shores contributed interior art. It's very attractive, with extremely bright colors, and glossy surfaces. Grab up a bit of comics history with this great copy, which appears to be the best available; CGC lists only this one book in the current census report. Overstreet 2003 NM 9.4 value = $260.
Junior Miss #27 Mile High pedigree (Timely, 1947) CGC NM+ 9.6 White pages. Looking for an affordable Mile High? This teen humor/romance title with the "good girl"-ish covers might be your ticket, since the Overstreet value is relatively low. No matter what the content, you will appreciate the near-perfect condition of this copy that virtually screams, "Mile High!" Overstreet 2003 NM 9.4 value = $65.
Kid Komics #1 (Timely, 1943) CGC VG- 3.5 Off-white pages. There's no mistaking the target audience of this series -- or the target of the hero's ire. Captain Wonder makes his inaugural appearance herein, and a plethora of pint-sized Marvel characters -- including Whitewash Jones and Knuckles (from Young Allies), and Subbie join in on the action. CGC notes, "Cover and centerfold detached." Overstreet 2003 VG 4.0 value = $832.
Kid Komics #9 (Timely, 1945) CGC NM 9.4 Off-white to white pages. Alex Schomburg delivers another fantastic cover, this time featuring the Young Allies being fed to a killer octopus, while Toro and Bucky battle it out with some horrific thugs. At NM 9.4, this book is quite a sight, with its deep red logo and perfect edges. Near Mint Timely comics are not common, evidenced by CGC's current census data, which shows no other copies of this issue have been graded higher. Overstreet 2003 NM 9.4 value = $925.
Marvel Mystery Comics #3 (Timely, 1940) CGC GD- 1.8 Light tan to off-white pages. Alex Schomburg's weird and wonderful cover is one of his earliest, but already distinctive with its elements of the bizarre, the dangerous, the beautiful, and the heroic. The first issues of this title aren't common, even in the modest grade of our offering. CGC has certified only four other unrestored copies of #3 to date. Marvel used its pulp logo on this cover, and employed its heavy guns in illustrating: Schomburg on the cover, and Bill Everett, Paul Gustavson, and Carl Burgos on story art. Overstreet 2003 GD 2.0 value = $1,133.
Marvel Mystery Comics #4 (Timely, 1940) CGC GD+ 2.5 Slightly brittle pages. Cover artist extraordinaire Alex Schomburg is again at the forefront of Golden Age history with the Sub-Mariner's first cover appearance for the title, and the second comic cover rendering of the Nazi swastika. Besides the Subby story, Electro, the Marvel of the Age, the Ferret, and Mystery Detective begin. CGC notes, "Cover almost fully detached." But, it's still a striking comic book, and one of only four unrestored copies of the issue to be certified by CGC, to date. Overstreet 2003 GD 2.0 value = $1,000.
Marvel Mystery Comics #5 (Timely, 1940) CGC Apparent FN- 5.5 Extensive (P) Cream to off-white pages. Alex Schomburg gives us the second Human Torch cover on this issue, earning Overstreet "classic" kudos, the earliest issue of his work so designated. Gerber and Overstreet both rate this issue as "scarce," and CGC's census bears this out listing only ten copies of the issue graded, to date. Notable contents include Human Torch by Carl Burgos, the Angel by Paul Gustavson, and Sub-Mariner by Bill Everett. CGC notes, "Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced." Overstreet 2003 GD 2.0 value = $1,800; VG 4.0 value = $3,600; FN 6.0 value = $5,400.
Marvel Mystery Comics #6 (Timely, 1940) CGC FN/VF 7.0 Off-white pages. Here is an incredible bondage cover by Alex Schomburg. The Angel is featured on the cover, saving the girl, but the Human Torch and Sub-Mariner are the stars in the pages of this book. Bill Everett did the entire Sub-Mariner story, from scripting to inking. Paul Gustavson, Carl Burgos, and Irwin Hasen also help with interior art. Issues as early as this are highly prized in any condition, and this one is approaching high-grade. Overstreet 2003 FN 6.0 value = $1,890; VF 8.0 value = $4,250.
Marvel Mystery Comics #8 (Timely, 1940) CGC GD- 1.8 Slightly brittle pages. This low-grade, but classic issue has the first part of the three-part Human Torch versus Sub-Mariner battle story. It also has stories featuring the Angel, Electro, Ka-Zar, and the Masked Raider. Artistic contributors include Carl Burgos, Paul Gustavson, and Bill Everett, who also did this monstrous cover. Sure, this copy isn't high-grade, but - hey! It's so cool, you know you want it. CGC notes, "3 center wraps detached." Overstreet 2003 GD 2.0 value = $1,000.
Marvel Mystery Comics #9 (Timely, 1940) CGC FN+ 6.5 Off-white pages. Overstreet rates it a "classic" cover, and Alex Schomburg didn't do it! The credit goes to Bill Everett, artistic interpreter of the Sub-Mariner over four decades. Everett has the Human Torch and Subby fighting again. Boys! Can't we just get along? Keep it up, and you'll never make it to the Silver Age! "Scarce," according to both Gerber and Overstreet, only two unrestored copies of the issue have fared as well as a Fine in CGC's certification so far. Overstreet 2003 FN 6.0 value = $6,400.
Marvel Mystery Comics #10 (Timely, 1940) CGC FN/VF 7.0 Cream to off-white pages. Alex Schomburg's brilliant cover has the Sub-Mariner destroying a sizable contingency of Nazi forces. Inside, the Human Torch and Subby are still fighting, and Terry Vance, Boy Detective, begins in this issue. Not quite Very Fine, this copy does display cover colors that would be at home on a higher-graded copy. Still, only two other unrestored copies of #10 have earned a higher grade, and at VF 8.0. They barely edged out our offering for the number one spot in CGC's census. Overstreet 2003 FN 6.0 value = $2,001; VF 8.0 value = $4,500.
Marvel Mystery Comics #11 "D" Copy pedigree (Timely, 1940) CGC VF- 7.5 Cream to off-white pages. The Human Torch turns a Nazi tank into goo on this Alex Schomburg cover, as the baffled soldiers look on helplessly. Just imagine if we really did have the Torch on our side during the war! Carl Burgos, Bill Everett, and Paul Gustavson are among the interior contributing artists, working on features such as the Human Torch, Sub-Mariner, and the Angel. There are currently only three copies of this issue that have been graded higher by CGC, and one of them received a Qualified grade. Overstreet 2003 VF 8.0 value = $2,100.
Marvel Mystery Comics #17 (Timely, 1941) CGC VF- 7.5 Off-white to white pages. The Torch and Subby fight side-by-side against the Nazis on this classic cover. Carl Burgos and Bill Everett collaborate on the interior story featuring the team-up of the two superheroes with which they are so closely identified. The back cover has a beautiful Human Torch pin-up by Bill Everett. Only one unrestored copy of the issue has earned a higher grade from CGC, to date. Overstreet 2003 VF 8.0 value = $1,770.
Marvel Mystery Comics #24 (Timely, 1941) CGC VF 8.0 Off-white pages. On this Alex Schomburg cover, the Human Torch and Toro face off against some of the ugliest baddies Marvel Mystery has ever seen, spraying acid all over the place. This copy has the fresh appearance and structural integrity of a pedigree comic, but may not command the price a "name" copy would. And with art by the likes of Carl Burgos, Bill Everett, Jack Kirby, Al Avison, and Sid Greene, what more could anyone ask for? CGC notes, "Very minor amount of color touch on cover." To date, only one copy of this issue has received a higher grade from CGC. Overstreet 2003 VF 8.0 value = $1,250.
Marvel Mystery Comics #30 (Timely, 1942) CGC VF 8.0 Cream pages. "Remember Pearl Harbor" and "The Japs started their treacherous attack -- but they reckoned without the Human Torch and Toro," scream the blurbs on this cover, the first anti-Japanese Timely war cover. Al Gabriele, cover artist, outdid himself with this intense scene of the Human Torch and Toro trying to slow the tide of Japanese submarines, battleships, and transports spreading across the Pacific. In addition to the anti-Japanese theme, this is one of only four yellow covers in the entire Marvel Mystery run. Bill Everett, Carl Burgos, Paul Gustavson, and Syd Shores display their talents on the stories inside this issue. This copy has an excellent appearance, and considering its scarcity and desirability, deserves to bring bids well over Guide. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $1,144.
Marvel Mystery Comics #34 San Francisco pedigree (Timely, 1942) CGC VF+ 8.5 Off-white pages. Timely comics in general, and their superhero comics in particular, are so much fun to look at. The all have great action on the cover, and it always continues on the inside; you really get what you paid for. This issue has Bill Everett, Carl Burgos, Martin Goodman, and the Funnies Inc. office in the actual story, and they battle Adolf Hitler himself. World War II-era Timelys are always a sound investment, as the demand for nice copies like this will never meet the meager supply. CGC notes, "Very small amount of dried glue on cover and 1st wrap." Overstreet 2003 VF 8.0 value = $1,140; VF/NM 9/0 value = $1,622.
Marvel Mystery Comics #37 Pennsylvania pedigree (Timely, 1942) CGC VF 8.0 Off-white pages. Timely comics continue to be popular because they are truly exciting, without becoming campy in the way DC comics can get. This particular issue, for example, is very serious, with Hitler about to be thoroughly barbecued by the Human Torch. Overstreet calls this cover "classic," and we certainly don't disagree. Timelys consistently sell for multiples of guide value, particularly in higher grades. The supply of these books cannot come close to the demand, especially copies in this condition. Overstreet 2003 VF 8.0 value = $1,144.
Marvel Mystery Comics #58 (Timely, 1944) CGC VF- 7.5 Off-white pages. A captive Allied airman faces impending death of the most sadistic kind at the hands of a monstrous Imperial Japanese executioner. But fortunately for him, the Human Torch and Toro streak to the rescue just in the nick of time. This copy has moderately heavy staple stress, but has a clean and beautiful front cover, and what Golden Age comic enthusiast can resist an Alex Schomburg cover of this caliber? It's also got excellent paper quality. CGC notes, "(2) 2 inch tears on centerfold." There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $763.
Marvel Mystery Comics #76 "D" Copy pedigree (Timely, 1946) CGC VF+ 8.5 Cream to off-white pages. Retired from waging war on the Axis, the Human Torch and Toro dedicate themselves to domestic disturbances, lending the fuzz a hand as they flush out some barricaded baddies on Alex Schomburg's last cover. A light crease at the upper corner is the main defect on this otherwise gorgeous copy which is CGC's second-highest graded copy of this issue to date. CGC notes, "From the collection of Nicolas Cage." Overstreet 2003 VF 8.0 value = $675; VF/NM 9.0 value = $963.
Marvel Mystery Comics #80 (Timely, 1947) CGC VF+ 8.5 Light tan to off-white pages. This gorgeous copy -- with only two specimens graded higher in CGC's latest census -- spotlights Marvel Mystery stalwarts Sub-Mariner, the Human Torch, and Toro on its cover. The real news with issue #80 is that it marks Captain America's first appearance in this title. Overstreet 2003 VF 8.0 value = $813; VF/NM 9.0 value = $1,157.
Marvel Mystery Comics #85 (Timely, 1948) CGC VF+ 8.5 Cream to off-white pages. The Human Torch is in a sticky situation here, thrown into the river after receiving a liquid asbestos bath. Can Toro save him in time? Syd Shores did the cover art, and this is the last issue of this title in which Miss America and the Blonde Phantom appear. Deep colors and sharp edges make this copy stand out, showing very little wear outside of light soiling on the back cover. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 VF 8.0 value = $569; VF/NM 9.0 value = $810.
Marvel Mystery Comics #88 (Timely, 1948) CGC VF 8.0 Off-white to white pages. Timely spotlights its "good girls," the Blonde Phantom, Sun Girl (for the first time in this title), Golden Girl, and Namora in this tasty issue. Captain America pouted, so Stan agreed he could appear too. Sol Brodsky gets credit for the carefree cover. Syd Shores and Al Gabriele help out with the interior. This is a very "fresh" looking copy, extremely clean and bright. Overstreet 2003 VF 8.0 value = $625.
Marvel Mystery Comics #92 (Timely, 1949) CGC FN+ 6.5 Cream to off-white pages. Ever wonder how the Human Torch got his powers? His origin is presented in this issue, which also features the debut of the Witness and a Captain America appearance! Overstreet calls this issue "scarce," while Gerber ranks it as "uncommon." Overstreet 2003 FN 6.0 value = $888.
Marvel Tales #99 River City pedigree (Marvel, 1951) CGC NM 9.4 Cream to off-white pages. By 1949, Timely's first comic book series had changed from Marvel Mystery Comics to Marvel Tales to reflect the changing tastes of the American youth. Issues from this era can be more difficult to find than those from the 1940s. CGC has certified just four unrestored copies to date, none earning a higher grade than our offering. This is just a Marvel-ous copy! Overstreet 2003 NM 9.4 value = $725.
Millie The Model #6 (Marvel, 1947) CGC VF/NM 9.0 Off-white to white pages. Millie was Marvel's tame comic version of "good girl" artwork. This beautiful copy just so happens to be the only copy certified by CGC, to date. Overstreet VF/NM 9.0 value = $224; NM 9.4 value = $280.
Miss Fury #3 (Timely, 1944) CGC VF- 7.5 Off-white to white pages. Before "Where's Waldo?" there was "Where's Adolph?" Here the game is rendered all the more difficult by the distractions of Miss Fury in her oh-so-snug costume, relegating der Fuehrer even farther into the background of this cover. Tarpe Mills provided the 50 pages of interior art. This copy is currently surpassed in CGC-grade by only one other, at VF+ 8.5. Overstreet 2003 VF 8.0 value = $925.
Miss Fury #4 (Timely, 1944) CGC VF/NM 9.0 Off-white to white pages. Timely started to catch on by the mid 1940s, giving every pre-pubescent boy what he wanted, besides violence -- hot babes in tight outfits! In her black suit, Miss Fury lived up to expectations, demolishing a roomful of baddies while Hitler's picture looks on. A tight copy that has bright colors and sharp corners, exhibiting very light spine wear and a penciled arrival date in the logo. Overstreet 2003 VF/NM 9.0 value = $985; NM 9.4 value = $1,275.
Miss Fury #5 (Timely, 1945) CGC NM 9.4 Off-white pages. This exquisite copy, with a stunning bondage and torture cover by Alex Schomburg, has been given CGC's highest grade for this issue, to date. Miss Fury's alluring form towers over the beastly objects of her, well... fury reflecting the inevitable triumphant of America over the evil empire, in this last issue to feature a war related theme on the cover. This is a razor sharp copy with lush colors, and a clean, flat surface. Overstreet 2003 NM 9.4 value = $1,075.
Miss Fury #6 (Timely, 1945) CGC NM+ 9.6 Off-white pages. Miss Fury swings into action on this Alex Schomburg cover, busting up a robbery in progress. We imagine this superheroine had many adolescent fans in her day, especially considering her skin-tight black costume. Grading out at a jaw-dropping NM+ 9.6, we must warn you that this book may cause whiplash when displayed. Perfect in almost every way, it is easily the nicest CGC-graded copy of this issue to date, and may be the nicest in existence. If you want the best, here it is. Overstreet 2003 NM 9.4 value = $1,025.
Mystery Tales #11 Bethlehem pedigree (Atlas, 1953) CGC VF 8.0 Off-white to white pages. This ghoulish Bill Everett cover is only a preview of the horrors to come in this issue. There are many collections that fall under the umbrella term "pedigree," but to have a Bethlehem book means you have a part of history, and a book from one of the truly finest comic book collections to yet surface. To date, this is the only CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $170.
Mystic #6 (Atlas, 1952) CGC VF 8.0 Off-white pages. "I killed her... buried her... but... She Wouldn't Stay Dead" declares the cover blurb on this occultic death cover. The real highlight in this issue is "The Eye of Doom," a seven-page story by Basil Wolverton, whose bizarre but engaging artwork is always a favorite with fans. This comic is currently the highest CGC-graded copy of issue #6. Overstreet 2003 VF 8.0 value = $488.
Mystic Comics #1 (Timely, 1940) CGC FN+ 6.5 Off-white pages. Timely/Marvel liked this title so much, they just wouldn't let it die. Three series, beginning in 1940, 1944, and 1951 carried the Mystic logo, but this one is the granddaddy of all Mystics, with a befitting Alex Schomburg bondage cover. The first appearances of the Blue Blaze, the Dynamic Man, Flexo the Rubber Robot, Zephyr Jones, and Dakor the Magician are featured in this scarce issue. There are currently only two unrestored copies of this issue that have been graded higher by CGC. Overstreet 2003 FN 6.0 value = $3,800.
Namora #1 (Timely, 1948) CGC VF/NM 9.0 Off-white to white pages. The beauty of the sea actually merited her own title for a three issue run. Seeing as most dime-wielding young boys usually opted for their favorite male superheroes it seems to stand that this title was probably neglected on the rack. What is even more amazing is its gorgeous state of preservation. To date, only one issue of this book is grade higher by CGC than our copy, and it is definitely a beauty. This book also contains a ten-page Submariner story by Don Rico. Overstreet 2003 VF/NM 9.0 value = $2,160; NM 9.4 value = $2,800.
Nellie the Nurse #1 Toledo pedigree (Timely, 1945) CGC NM 9.4 Off-white to white pages. "Good girl" humor in the Timely/Marvel vein is what this title was all about, and this is the premiere issue. Copies of this issue are supposedly common, but CGC's census lists only this copy for issue #1, and this one is just about perfect. This and similar titles are rising rapidly in value. Overstreet 2003 NM 9.4 value = $380.
Nellie the Nurse #2 "D" Copy pedigree (Timely, 1946) CGC NM+ 9.6 Cream to off-white pages. The condition of this book borders on the unbelievable. This book is very close to perfect and looks brand new. There is no wear at all, the spine is free from stress marks, all four corners are razor sharp and the inks are as bright as ever. While it's not a key superhero comic, this is still a Timely with plenty of vintage "good girl" charm, and deserves your serious consideration. Overstreet 2003 NM 9.4 value = $185.
Oscar Comics #3 Mile High pedigree (Timely, 1947) CGC NM- 9.2 Off-white to white pages. Oscar's at the beach, going wild over another girl on this cool cover. Nice good-girl art on a tough Timely; this Edgar Church copy is the only one graded by CGC to date. Overstreet 2003 NM 9.4 value = $90.
Powerhouse Pepper Comics #1 Crowley pedigree (Timely, 1943) CGC VF/NM 9.0 Off-white pages. Basil Wolverton's bizarre approach to the comic book medium has made him a favorite of Golden Age collectors. His quirky characters are a fantastic testimony to his gift with a pen and ink, and the many textural qualities that he was able to evoke were unlike anything being done by his contemporaries. This classic Timely issue is in exceptional condition and has been given CGC's highest grade for this issue, to date. The clever compositional tie between the background colors and Powerhouse Pepper's shirt explodes from the surface of this high-reflectivity cover -- the standard of Crowley pedigree comics. Overstreet 2003 VF/NM 9.0 value = $1,544; NM 9.4 value = $2,000.
Red Raven Comics #1 (Timely, 1940) CGC VF/NM 9.0 Off-white pages. Chronologically this title was preceded only by Marvel Comics among Timely's Golden Age titles. It predates Captain America Comics, Sub-Mariner Comics, and Human Torch Comics; in fact, the series became the latter title after only one issue as Red Raven. Perhaps more importantly, this issue featured Jack Kirby's first signed work: the daring, innovative cover. Grossly undervalued when compared to the other Timely premiere issues of the day, the book is also rated "scarce" by Gerber's The Photo-Journal Guide to Comic Books. Need more? How about the highest-graded unrestored copy yet certified by CGC, far ahead of the second place contestant which could garner only FN+ 6.5 credentials. This is one of the most compelling comic book offerings of our sale. Overstreet 2003 VF/NM 9.0 value = $11,250; NM 9.4 value = $15,000.
Sub-Mariner Comics #1 (Timely, 1941) CGC VG+ 4.5 Cream to off-white pages. Here is the spectacular debut issue with a great action-packed cover by Alex Schomburg, as Subby overturns a Nazi transport vessel, spilling a platoon of German soldiers into the drink. The Sub-Mariner story has art by his legendary creator, Bill Everett, and the Angel back-up feature is by Paul Gustavson. CGC notes, "Very minor amount of color touch and very minor amount of glue on cover." Overstreet 2003 VG 4.0 value = $5,000.
Sub-Mariner Comics #7 (Timely, 1942) CGC VG- 3.5 Off-white to white pages. Prince Namor the Sub-Mariner helps defend America's northern flank against the Imperial Japanese on the Aleutian Islands. This attractive low to mid-grade copy has rusty staples, and CGC notes, "Cover detached from top staple only." But it does have above-average paper quality and a pleasing appearance. This great Golden Age comic also has a 20-page story with the high-flying Angel. Overstreet 2003 VG 4.0 value = $452.
Sub-Mariner Comics #8 (Timely, 1942) CGC VF 8.0 Off-white pages. The mighty Sub-Mariner lends a hand, maybe a fist, in the Solomon Islands, the scene of some of World War II's most horrific battles. Alex Schomburg brings the action to life with a colorful cover that appears nicer than the CGC-assigned grade. CGC does give this comic a blue label but notes, "Very minor amount of glue on cover." This book was purchased from George Olshevsky as the Chicago copy, although CGC has not noted that information on the label. Overstreet 2003 VF 8.0 value = $1,413.
Sub-Mariner Comics #25 Cosmic Aeroplane pedigree (Timely, 1948) CGC FN/VF 7.0 Cream to off-white pages. It's a special "blondes" issue of Sub-Mariner: the golden-haired Namora crosses over into these pages, and the Blonde Phantom's strip takes up residence. Interior artwork by Harvey Kurtzman adds yet another bonus to issue #25. Minor spine stress keeps this sharp Cosmic Aeroplane copy from swimming to a higher grade. Overstreet 2003 FN 6.0 value = $372; VF 8.0 value = $775.
Sun Girl #1 (Marvel, 1948) CGC FN/VF 7.0 Off-white pages. This is a tough book to find, one that you just about never see. It is in such high demand that as soon as one turns up, it is grabbed quickly and gone forever. Miss America appears in this issue, which is very flat and clean, with only the slightest hint of wear along the spine. The corners and edges are very sharp on this high grade copy. Overstreet 2003 FN 6.0 value = $456; VF 8.0 value = $950.
Terry-Toons Comics #44 (Timely, 1946) CGC VF+ 8.5 Off-white pages. Here he comes to save Animaltown -- it's Mighty Mouse in his sixth Terry-Toons appearance. He's ready to knock some sense into the Wolf, while Gandy Goose, Sourpuss, and others cheer him on. Hooray! This is a pretty copy, flat and tight, with great color. There's a few tiny stress lines around the single staple, and some slight rounding of the spine corners, but this copy still retains a fresh, clean look. Overstreet 2003 VF 8.0 value = $101; VF/NM 9.0 value = $133.
Uncanny Tales #29 (Atlas, 1955) CGC VF 8.0 Cream to off-white pages. Carl Burgos probably did this cover, which illustrates a bit of a role-reversal. Stan Lee liked to pack plenty of stories into these Atlas-era horror comics, this one has no less than 6 features, none more than five pages in length. One story has artwork by Joe Sinnott. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $101.
U.S.A. Comics #1 Larson pedigree (Timely, 1941) CGC VF/NM 9.0 Off-white to white pages. If we had to pick an early Timely #1 issue that seems undervalued, this might be the one. The wartime run, from 1941-1945, featured some great patriotic superheroes, including Captain America himself, after issue #5. Classic Joe Simon and Jack Kirby art adorns the cover, as Nazis are depicted in the vilest way. Origins abound in the issue; for instance, Major Liberty, Rockman by Wolverton, and the Whizzer by Avison. The Defender with sidekick Rusty, Jack Frost, and the Young Avenger also weigh in. To date, this pedigree copy ties for the honor of having the highest CGC-assigned grade for issue #1. Breathtaking cover colors make this as pretty a book as it is historically significant. CGC notes, "Very minor amount of glue on spine of cover." Overstreet 2003 VF/NM 9.0 value = $12,375; NM 9.4 value = $16,500.
USA Comics #7 (Timely, 1943) CGC FN/VF 7.0 Cream to off-white pages. Alex Schomburg fills the sky and sea with action in this bombastic Japanese war cover, that earns an Overstreet "classic" designation. Marvel Boy says, "Hello, goodbye!" in his one and only appearance, Secret Stamp begins in this issue, and Basil Wolverton offers his "Disk-Eyes the Detective" feature. Gerber gives this an "uncommon" scarcity rating, and CGC has certified only three unrestored copies to date, no other as nice as this. Overstreet 2003 FN 6.0 value = $861; VF 8.0 value = $1,794.
USA Comics #11 (Timely, 1944) CGC VF+ 8.5 Off-white to white pages. Our World War II foes should know better than to try that bondage/torture stuff on the cover of a comic book that stars Captain America. They've even riled Bucky! Syd Shores does the cover honors here. This issue may be more scarce than previously thought; this is the only unrestored copy to be certified by CGC to date. CGC notes, "One-inch tear on 23rd page." Overstreet 2003 VF 8.0 value = $950; VF/NM 9.0 value = $1,350.
USA Comics #13 (Timely, 1944) CGC FN/VF 7.0 Cream to off-white pages. Alex Schomburg creates another cover with over-the-top details, but the action is so appealing, we forgive him. In fact, we applaud him! This is the only copy of issue #13 to earn a CGC Universal Grade to date, although CGC does note, "Very minor amount of color touch on cover." Overstreet 2003 FN 6.0 value = $333; VF 8.0 value = $694.
Venus #6 (Atlas, 1949) CGC VF 8.0 Off-white to white pages. Here's an early issue of this hard-to-find title, from its early romantic fantasy period. In time, the content would switch over to science-fiction and horror stories. Syd Shores handled the art chores for this attractive cover. This is a very pretty book with only the slightest bit of wear noticeable on the cover, and great paper quality. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 VF 8.0 value = $330.
Silver Age (1956-1969)
World of Fantasy #6 (Atlas, 1957) CGC NM- 9.2 Off-white pages. Here's a superlative example of an Atlas horror comic. Bill Everett delivers one of his finest -- and creepiest -- covers, a moody composition expertly enhanced by its monstrously murky colors. Bob Powell, George Tuska, and Paul Reinman provide interior art, as does an illustrator best known for his Silver Age DC superhero work, John Forte. A fantastic copy, boasting the highest grade of the mere two specimens in CGC's current census. Overstreet 2003 NM 9.4 value = $210.
Golden Age (1938-1955)
Young Allies Comics #1 (Timely, 1941) CGC FN+ 6.5 Cream to off-white pages. Out from the shadow of Captain America, young Bucky is feeling his oats, or Wheaties, on this cover by Joe Simon and Jack Kirby, in which he decks the Red Skull and Adolph Hitler with one blow. This premiere issue features the origin and first appearance of the Young Allies, those lovable, bungling kids, who, with the exception of Bucky and Toro, manage to get tied up and/or manacled in most every issue in the five year run. This issue also features the first meeting between Captain America and the Human Torch. Overstreet 2003 FN 6.0 value = $3,600.
Young Allies Comics #2 (Timely, 1941) CGC VF/NM 9.0 Off-white pages. This smashing cover stars Bucky, Toro, and the rest of the Young Allies, drawn with verve and flair by Joe Simon and Jack Kirby. Captain America and the Human Torch appear inside, giving the young lads some much-needed adult supervision. This bright, gorgeous comic is tied with one other copy for CGC's highest grade, to date, for issue #2. And if that's not enough excitement for you, the back cover has a cool full-page ad for All Winners #3. Overstreet 2003 VF/NM 9.0 value = $3,375; NM 9.4 value = $4,500.
Young Allies Comics #4 (Timely, 1942) CGC Apparent VF 8.0 Slight (P) Cream to off-white pages. A classic Red Skull cover, plus appearances by Captain America and the Human Torch make this a great Golden Age comic. Timely issues this nice don't take long to find a new home, so have that winning bid ready! CGC notes, "Restoration includes: color touch, cover and centerfold reinforced, cover cleaned." Overstreet 2003 GD 2.0 value = $376; VG 4.0 value = $752; FN 6.0 value = $1,128; VF 8.0 value = $2,350.
Young Allies Comics #9 "D" Copy pedigree (Timely, 1943) CGC VF+ 8.5 Off-white pages. Hitler, Tojo, and Mussolini make guest appearances on this Alex Schomburg cover, but the boys show no respect. This copy has a perfect spine and immaculate front cover, only back cover defects bring this comic down in grade. And still, this pedigree copy is only a quarter-grade away from being the highest-graded issue #9 that CGC has certified to date. Overstreet 2003 VF 8.0 value = $869; VF/NM 9.0 value = $1,235.
Young Allies Comics #18 (Timely, 1945) CGC VF+ 8.5 Off-white pages. Moments before two members are diced under the oncoming train, the rest of the Young Allies swoop in for the last-minute rescue, thwarting the gun-toting bad guys from carrying out their bloody deed. A small abrasion at the bottom of the spine, and a bit of staple discoloration account for the only visible defects on this otherwise gorgeous, high-grade copy. Only one other copy has currently been given a higher grade by CGC than this one. Overstreet 2003 VF 8.0 value = $600; VF/NM 9.0 value = $850.
Silver Age (1956-1969)
Amazing Adult Fantasy, Bound Volume of #8-15 (Marvel, 1962). This amazing bound volume contains nearly the entire run of Stan Lee and Steve Ditko's Amazing Adult Fantasy, plus the last issue when the title changed to simply Amazing Fantasy, and introduced Peter Parker the timid teen-ager and his alter-ego Spider-Man to an unsuspecting world! While the comics have all been slightly trimmed during the binding process, these copies appear to have been in great condition when bound, they have like-new color and gloss, and cream to off-white paper quality. The comics and binding all appear to be in approximately Fine or better condition, with the exception of issue #8 which has a crease on the cover. This is a great way to get an important chunk of Marvel history in a handy and easy to handle format. Forget about reprints - here's your chance to get the genuine articles. Overstreet 2003 VG value for group = $3,080; FN value for group = $4,625.
Amazing Fantasy #15 (Marvel, 1962) CGC FN/VF 7.0 Off-white pages. It's ranked #1 in value among all Silver Age books, this presentation of Spider-Man's origin and first appearance. It hasn't always been thus. For years Showcase #4, now regarded as the book that launched the Silver Age, was ranked #1. Marvel's first serious foray came with Fantastic Four, but the first issue of that run has been overtaken and left in the wake of Amazing Fantasy #15. Like nearly all of Marvel's "premiere" books of the early 1960s, Jack Kirby had a hand in this one, penciling the iconic cover. But this was Steve Ditko's show. Sturdy Steve inked Kirby's cover pencils here and on the subsequent Amazing Spider-Man #1 before taking over the cover art duties himself. Steve Ditko did nearly all the interior art for the first three formative years of the title. This copy appears to have been conservatively graded at first review, but does display some minor wear at the bottom of the spine and lower left corner of the front cover. All in all, a very nice copy of the most valued of Silver Age books. Overstreet 2003 FN 6.0 value = $3,789; VF 8.0 value = $14,000.
Amazing Fantasy #15 (Marvel, 1962) CGC GD/VG 3.0 Off-white pages. Here's the Marvel Silver Age issue that all others are measured by, in a nice economy grade. The same great Jack Kirby/Steve Ditko collaboration cover, the interior goodness of Steve Ditko's artwork; and the peerless scripting by Stan "the Man" Lee that could cost you hundreds or thousands more, right here in a copy that looks pretty darn good, except for some Marvel chipping along the right front border. Did we mention the first appearance of Spider-Man? Like you didn't know! Overstreet 2003 GD 2.0 value = $1,263; VG 4.0 value = $2,526.
Amazing Spider-Man #1 (Marvel, 1963) CGC NM- 9.2 Off-white pages. For those readers who had caught Spidey's first appearance in Amazing Fantasy #15, and then eagerly awaited the next installment, the six month wait was rewarded with this key Marvel Age issue. Jack Kirby and Steve Ditko reprise their cover penciler/inker roles from the first appearance, and Ditko again provided the interior art. The Fantastic Four cross over to help Marvel's latest super hero launch his own title. J. Jonah Jameson and the Chameleon make their first appearances. Only a small percentage of the copies CGC has certified, to date, has earned higher grades than this breathtaking copy. Overstreet 2003 NM 9.4 value = $32,000.
Amazing Spider-Man #1 (Marvel, 1963) CGC GD 2.0 Cream to off-white pages. The Fantastic Four may not have suspected Spidey's "Real Power", but they were soon to find out! The super-key issue, with a Jack Kirby/Steve Ditko cover and Ditko interior art was the premiere issue of Marvel's most successive title, running from 1963 to 1998. J. Jonah Jameson and the Chameleon make first appearances, and the Fantastic Four's appearance is their first crossover. CGC notes, "2 pieces of tape on cover." Overstreet 2003 GD 2.0 value = $842.
Amazing Spider-Man #5 (Marvel, 1963) CGC NM+ 9.6 Off-white to white pages. This classic comic has been awarded CGC's highest grade for this issue, to date. The cover colors are beautiful and the surface is nice, glossy, and vividly colorful. Early issues of Amazing Spider-Man are still some of the most desirable Silver Age comics around. Don't miss the chance to add this exceptional copy to your collection of quality comics. Overstreet 2003 NM 9.4 value = $2,500.
The Amazing Spider-Man #6 (Marvel, 1963) CGC NM+ 9.6 Off-white to white pages. The Lizard makes his first appearance in this Stan Lee and Steve Ditko classic. According to the CGC census as of this writing, there are a total of five copies in 9.6 and only one in 9.8. This copy is flat and sharp, befitting one of the finest copies in existence. Overstreet 2003 NM 9.4 value = $2,300.
Amazing Spider-Man #6 (Marvel, 1963) CGC VF+ 8.5 Cream to off-white pages. This issue features the first appearance of the Lizard -- one of the most interesting villains to ever come come from the pages of Marvel comics. He was an especially great villain for Spider-Man, as his civilian identity of Dr. Connors was just as angst-ridden as our poor Peter Parker. This is a great-looking copy of a classic book, with a tight spine and vivid colors. Overstreet 2003 VF 8.0 value = $1,185; VF/NM 9.0 value = $1,743.
The Amazing Spider-Man #8 (Marvel, 1964) CGC NM+ 9.6 Off-white to white pages. In addition to the usual superior work from Stan Lee and Steve Ditko, this issue contains a Fantastic Four/Spider-Man backup story. This copy is a bang-up combination of superior technical qualities and extremely bright cover inks. According to the CGC census, as of this writing, there is only one higher-graded copy. Overstreet 2003 NM 9.4 value = $1,500.
Amazing Spider-Man #8 (Marvel, 1964) CGC NM- 9.2 Cream to off-white pages. The Fantastic Four crossover in a back up story in this issue, with art by Jack Kirby and Steve Ditko. The lead story and cover are courtesy of Steve Ditko. Even nice copies of this issue often look a bit washed-out, owing to the predominance of yellow on the cover. Not this copy! The yellows and reds are so rich, so bright, and so vivid that you'll think it was just printed. But don't get too excited, just contain yourself and bid on a true gem. Overstreet 2003 NM 9.4 value = $1,500.
Amazing Spider-Man #9 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Electro is one of many great villains to aggravate our friendly neighborhood Spider-Man. This first appearance of Electro is in awesome condition with rich cover colors and an incredibly tight spine. Of the 282 copies of this issue that have been sent in to CGC to date, only six others have graded higher than this one. Overstreet 2003 NM 9.4 value = $1,600.
Amazing Spider-Man #13 (Marvel, 1964) CGC VF/NM 9.0 White pages. Steve Ditko features the first appearance of Mysterio on the cover and story art in this issue. This ever-so-slightly miscut copy literally gleams with its clean, white cover background. Put this with your other high-grade Silver Age Marvels. Overstreet VF/NM 9.0 value = $873; NM 9.4 value = $1,150.
Amazing Spider-Man #14 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. The original Green Goblin, Norman Osborn, makes his frightening debut with this issue. The introduction of this character is considered a landmark moment in Spidey's career, and the inspiration of the recent hit movie. Also along for the ride this time out is the Hulk, making an early cross-over appearance. Fan favorite Steve Ditko drew the cover and story. This is a very attractive copy, with nice gloss. Overstreet 2003 NM 9.4 value = $2,800.
Amazing Spider-Man #14 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. Few comic characters have continued to capture the imagination of the public as long after they have died as the Green Goblin has. This issue marked his first appearance, and has achieved the well-deserved status of a classic. The added bonus here is an early Hulk crossover. This is a great looking copy with only minor peripheral edge wear. Overstreet 2003 VF 8.0 value = $1,360; VF/NM value = $2,080.
Amazing Spider-Man #16 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. Stan Lee and Steve Ditko bring us a fun crossover cover with the original yellow-garbed Daredevil. Hero fights like this one, with Daredevil versus Spidey, are always fun, even if a goofy villain like the Ringmaster is the only reason behind it. This stunningly fresh comic is so nice you'd have to be blind not to notice the dazzling color and bright whites on this cover. There are virtually no visible defects on this comic; it seems only miniscule peripheral wear kept it from an even higher grade. Overstreet 2003 NM 9.4 value = $700.
Amazing Spider-Man #18 (Marvel, 1964) CGC NM+ 9.6 Off-white pages. The Sandman's back, the future Hobgoblin, Ned Leeds, makes his first appearance, and the Fantastic Four cross-over. Plus Steve Ditko provides the cover and interior art. But the most incredible thing about this comic book is its near-perfect condition. CGC hasn't awarded a higher grade for this issue yet. Overstreet 2003 NM 9.4 value = $625.
Amazing Spider-Man #18 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. This issue features the first appearance of Ned Leeds, who eventually became the first Hobgoblin. The rich colors really stand out on this copy of an issue that is often found to have washed-out colors. Overstreet 2003 VF/NM 9.0 value = $481; NM 9.4 value = $625.
The Amazing Spider-Man #19 (Marvel, 1964) CGC MINT 9.9 Off-white to white pages. Yes, you read that correctly, this is a Mint 9.9 copy. That stratospheric grade is very rarely given to any book published prior to 1965, much less to any Amazing Spider-Mans. This copy awesomely deserves its rating, with razor sharp corners, fresh pages, and a near-complete lack of visible flaws. According to the CGC census as of this writing, this is the highest-graded copy of this issue. If you are on the road to building the best run of Spideys, then your journey must begin with this copy. Overstreet 2003 NM 9.4 value = $525.
Amazing Spider-Man #23 (Marvel, 1965) CGC VF/NM 9.0 Off-white to white pages. This issue features the third appearance of the Green Goblin. The clean white background of this copy really intensifies the rich colors of Spider-Man and the Goblin. The surface is nice and clean, and the corners are sharp. Overstreet 2003 VF/NM 9.0 value = $462; NM 9.4 value = $600.
Amazing Spider-Man #27 (Marvel, 1965) CGC VF+ 8.5 Off-white to white pages. This issue is a true Steve Ditko classic, and has to be one of the all-time great Marvel story titles: "Bring Back My Goblin to Me." The story pits Spidey against his arch-nemesis the Green Goblin, who makes his fifth appearance in this issue. Exhibiting rich, deep colors, and a super-clean cover, this is a very attractive copy. Overstreet 2003 VF 8.0 value = $240; VF/NM 9.0 value = $345.
Amazing Spider-Man #33 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Ask any Spidey collector to list his favorite covers, and chances are this one by Steve Ditko will rank toward the top of the list. The angular lines seem to add to the weight pressing down upon Spider-Man's shoulders, and contrast nicely with the fluid image of the water rising around him -- don't you think (just nod affirmatively)? Inside, Doc Ock's appearance assures the story will be prized as well, especially in a copy as near-perfect as this offering. At this writing, CGC has certified well over 200 copies of issue #33, and only four of those have earned a grade higher than this. Overstreet 2003 NM 9.4 value = $285.
The Amazing Spider-Man #39 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Of all the copies CGC has yet graded of this key book, none have graded higher than this one. The cover to this book had to have been considered an instant classic when it hit the stands in 1966. Everyone recognizes this one, with its deep blues and vivid purples. When you view this particular book in this grade, it is difficult to take your eyes off of it. There is no doubt that this will continue to be a classic, and with Spidey's popularity still rising, this one is a sure bet. Overstreet 2003 NM 9.4 value = $375.
Amazing Spider-Man #41 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. John Romita Sr. is arguably the finest artist to ever work on Amazing Spider-Man -- other than Steve Ditko, of course. By this, Romita Sr.'s third issue on the title, he had already hit his stride and helped to introduce another memorable Marvel villain, the Rhino. This is an exceptional copy, with deep colors and a tight spine. Only one other copy has been given a higher grade by CGC at this time. Overstreet 2003 NM 9.4 value = $350.
Amazing Spider-Man #42 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. "Face it Tiger, you just hit the jackpot!" When Mary Jane Watson first uttered those historic words within the last panel of the last page of this issue, Peter Parker couldn't possibly have imagined that he was looking at the girl who would eventually become his wife. Few supporting characters have influenced the direction of a comic in the way that Mary Jane has. This copy is a worthy vehicle for the classic story within. Only very minor blemishes keep this copy from grading even higher. Overstreet 2003 NM 9.4 value = $240.
Amazing Spider-Man #47 (Marvel, 1967) CGC NM+ 9.6 Off-white pages. Kraven the Hunter returns for his fifth appearance in this John Romita Sr.-illustrated issue. Romita had the difficult task of following fan favorite Steve Ditko on art chores, a job he handled well. The Green Goblin makes a cameo this time out, and both Harry and Norman Osborn appear. This is a sharp copy; the cover shows great color and gloss popping off the white background. CGC shows only one higher-grade copy of this issue at this date. Overstreet 2003 NM 9.4 value = $175.
Amazing Spider-Man #48 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. On this high-flying cover the ever-evil Vulture swoops down between the towering skyscrapers of Manhattan, trying to get the jump on a nearly-unsuspecting Spider-Man. What action, what suspense, what a beautiful condition book this is! A clean cover and vibrant colors make this copy stand out, exhibiting just enough staple stress to keep this fantastic issue from achieving an even higher grade. And let's not forget that John Romita Sr. does the cover and interior art! Overstreet 2003 NM 9.4 value = $175.
Amazing Spider-Man #50 (Marvel, 1967) CGC NM- 9.2 Off-white to white pages. Over recent years this issue continues to grow in stature and demand. The stunning cover by John Romita Sr., perhaps his best ever, is a big reason. Then there's the first appearance of the Kingpin. His appearance as a main character in the recent Daredevil movie successfully brought this important villain to the attention of the public, outside of the realm of comic books. Definitely a book still on the rise, better grab your high-grade copy now! Overstreet 2003 NM 9.4 value = $650.
Amazing Spider-Man #53 (Marvel, 1967) CGC NM+ 9.6 White pages. John Romita Sr.'s art on Spider-Man may not have the flash of the earlier Steve Ditko work, but it got the job done very well. Here's an action-packed cover, featuring Doc Ock. And what a copy! A check of CGC's current census shows only one copy of this issue with a higher grade. Overstreet 2003 NM 9.4 value = $125.
Amazing Spider-Man #54 (Marvel, 1967) CGC NM 9.4 White pages. Spider-Man saves his Aunt May from the dangerous and deadly Doctor Octopus, as only John Romita Sr. can capture the action and encapsulate the emotion of this stunning cover. (The elder Romita does interior art too.) Showing all the impressive attributes you'd expect of a high-grade comic, this copy is a sure-fire crowd pleaser. Overstreet 2003 NM 9.4 value = $125.
Amazing Spider-Man #57 (Marvel, 1968) CGC NM 9.4 White pages. Ka-Zar and Zabu seem out of place on this cityscape cover by John Romita Sr., but try telling that to Spidey who has to deal with the jungle-dwellers in this issue. CGC's highest grade certified for this issue to date is just a quarter grade above our sharp offering. Overstreet 2003 NM 9.4 value = $125.
Amazing Spider-Man #64 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. Spider-Man initially encountered the Vulture in the second issue of this title. With every encounter since then, the old buzzard gets more and more crafty in his machinations to defeat the title's hero. The issue may not be that difficult to find, but at NM 9.4, only a small percentage of copies of issue #64 have been graded higher by CGC, to date. Overstreet 2003 NM 9.4 value = $95.
Amazing Spider-Man #65 (Marvel, 1968) CGC NM 9.4 Cream to off-white pages. This comic features a dynamic cover by John Romita which utilizes diagonal compositional elements to intensify the drama of the image. Inside, Foggy Nelson escapes the confines of Daredevil to hang out with Spidey. The spine on this copy is fantastic, and the colors are very deep and rich. Overstreet 2003 NM 9.4 value = $95.
Amazing Spider-Man #67 (Marvel, 1968) CGC NM 9.4 White pages. This issue features the return of Mysterio and the first appearance of Randy Robertson. This is a nice copy with a nice, flat surface and tight spine. Overstreet 2003 NM 9.4 value = $95.
Amazing Spider-Man #68 Northland pedigree (Marvel, 1969) CGC NM 9.4 Off-white pages. John Romita Sr. does the cover and interior art for this issue. Just a handful of copies that CGC has certified to date has earned a higher grade than this lovely specimen. Overstreet 2003 NM 9.4 value = $95.
Amazing Spider-Man #69 (Marvel, 1969) CGC NM 9.4 Off-white to white pages. The Kingpin has become one of Marvel comics' best known villains, due to the successful Daredevil movie that came out earlier in the year. But it was his early appearances in the Amazing Spider-Man that really shaped the character. This issue features a great cover by the ultimate Spider-Man illustrator, John Romita Sr. This gorgeous copy will make an excellent addition to the collection of anyone trying to complete a high grade run of this title. Overstreet 2003 NM 9.4 value = $95.
Amazing Spider-Man #77 (Marvel, 1969) CGC NM/MT 9.8 White pages. This copy has been given the highest CGC-grade for this issue to date. And what a clean, bright, tight, and glossy copy it is! The black is so deep that the Human Torch practically flies away from the cover! Add the rich greens of the Lizard, and title logo, and you have a visual treat that will be a mainstay of your Spider-Man collection. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #79 (Marvel, 1969) CGC NM 9.4 Cream to off-white pages. This issue features the second appearance of the Prowler, and sports great cover aby John Buscema and Jim Mooney. This is a great-looking copy with brilliant colors and sharp corners. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man Anl 4 (Marvel, 1967) CGC NM 9.4 Off-white pages. This issue features a great battle between Spider-Man and the Human Torch. The black background on the cover of this copy makes the other colors just radiate, and it is super-hard to find in this high-grade condition. Overstreet 2003 NM 9.4 value = $150.
America's Best TV Comics #nn Boston pedigree (Marvel, 1967) NM+ 9.6 White pages. Here's something you might not expect -- the Fantastic Four and Spider-Man sharing a book with Casper the Friendly Ghost and George of the Jungle! This was a joint production between ABC-TV and Marvel, designed to promote the current Saturday morning cartoon line-up. Also featured were King Kong and the Journey to the Center of the Earth. The Fantastic Four feature has Jack Kirby art. A wacky Marvel-style ad for the Flying Nun starring Sally Field makes the back cover. This copy is a beautiful square bound comic with like-new color and gloss. Overstreet 2003 NM 9.4 value = $185.
The Avengers #1 (Marvel, 1963) CGC VF 8.0 Off-white pages. With its Timely heritage, and the popularity of DC's own superhero team-up comic book title, it was only a matter of time before Marvel would team-up its own new Marvel Age stars. Naturally, Jack Kirby was called upon to do the cover and interior art to this premiere issue. Iron Man is still in his early all-gold armor on the cover of this premiere issue, in which the Avengers find themselves pitted against one of Thor's long time enemies, Loki. This is a nice copy, with no "Marvel chipping," no creasing, and only a light spine stress. Overstreet 2003 VF 8.0 value = $2,043.
The Avengers #2 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Jack Kirby brings us another spell-binding cover that features the first appearance of the Space Phantom. The tale here revolves around how the Hulk, like Rodney Dangerfield, just can't seem to get any respect. The Space Phantom tries to take advantage of this distrust in his evil plots. Even though the Avengers defeat the alien, the Hulk gets tired of the hassles, and quits the team. Fun factoid: for some reason, the Hulk is rendered with only three toes in this issue. This copy has deep colors and high-gloss. Overstreet 2003 VF 8.0 value = $493; VF/NM 9.0 value = $722.
The Avengers #4 (Marvel, 1964) CGC NM- 9.2 Cream to off-white pages. More than two decades after Jack Kirby created the most famous patriotic superhero of all time, it was only appropriate he would be the one that Stan Lee would call to bring back Captain America, updated for the Silver Age. It happened right here in an issue that has become one of the most sought-after of all the hugely popular Marvel books from the early 1960s. Kirby also provided both cover and interior art for this great issue. Overstreet 2003 NM 9.4 value = $2,400.
The Avengers #4 (Marvel, 1964) CGC FN+ 6.5 Cream to off-white pages. And lo, there shall come a classic! Avengers #4 brought the Golden Age's paragon of patriotism, Captain America, out of deep freeze and into the swingin' sixties as one of Earth's mightiest heroes. To top it off, the pesky Sub-Mariner makes a splash in this, one of the Silver Age's key issues. Stan Lee script, Jack Kirby cover and art. Decent copy, with fingerprint smudging near Iron Man and a date stamp over the Wasp's arm. Overstreet 2003 FN 6.0 value = $435.
The Avengers #4 (Marvel, 1964) Condition: GD/VG. The saga of Captain America had finally come full circle in the sense that his creator, Jack Kirby, who left the original Golden Age title after ten issues, was back drawing his creation after a 22-year interruption. This is the first Silver Age appearance of Cap, and one of the most sought-after books by collectors. Overstreet 2003 GD 2.0 value = $145; VG 4.0 value = $290.
The Avengers #6 (Marvel, 1964) CGC VF+ 8.5 Off-white to white pages. The cover requests: "have we got a tale for you! Please don't frustrate us... you've got to read it!!" Just in case you haven't read this issue yet, and can't bear to free this comic from its CGC slab, here's a Reader's Digest version: Bucky's death still haunts Cap and he hungers for revenge. Meanwhile, Baron Zemo attacks the Avengers. But with help from Rick Jones and the Teen Brigade, the Avengers defeat Zemo and his Masters of Evil. (Did you have any doubts?) Jack Kirby and Chic Stone handle the art chores. Overstreet 2003 VF 8.0 value = $153; VF/NM 9.0 value = $214.
The Avengers #11 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. This early Spider-Man cross-over issue has a Jack Kirby cover and Don Heck interior art. With the popularity of Spider-Man still extremely high, this may be just the comic for some Spider-Fan's collection of spectacular Spider-stuff. This copy has a bright, fresh quality to it, exhibiting barely enough wear to keep if out of the Near Mint range. Overstreet 2003 VF/NM 9.0 value = $234; NM 9.4 value = $300.
The Avengers #24 (Marvel, 1966) CGC NM 9.4 Off-white pages. The Avengers are surrounded! It's another tight squeeze for our favorite super-hero team, brought to you with the usual grandeur by Stan Lee, Jack Kirby, Don Heck, and Dick Ayers. This copy is simply beautiful; sharp, glossy, and clean as a whistle. Overstreet 2003 NM 9.4 value = $70.
Captain Marvel #1 (Marvel, 1968) CGC NM+ 9.6 White pages. The story herein is continued from Marvel Super-Heroes #13. Gene Colan and Vince Colletta teamed up to do the artwork on this issue. This copy is only a quarter grade shy of the highest grade given to a copy of this book, and it has white pages. Overstreet 2003 NM 9.4 value = $150.
Captain Marvel #1 (Marvel, 1968) CGC NM 9.4 Cream to off-white pages. This spectacular copy continues the saga of Marvel's "space-born super-hero" -- Mar-Vell -- from his premiere outing in Marvel Super-Heroes #13. This title was part of Marvel's first expansion wave; an earlier distribution agreement limited the publisher to a maximum of eight titles during most of the 1960s. Gene Colan and Vince Colletta provide the art. Overstreet 2003 NM 9.4 value = $150.
Captain Marvel #2 (Marvel, 1968) CGC NM+ 9.6 White pages. Art by Gene Colan and Vince Colletta, with a story featuring the Super Skrull. This beautiful copy has corners so sharp, it's scary! This is a beautiful Silver Age comic with deep, rich cover colors, jet black background, and fiery reds and yellows. It's cosmic, man. Overstreet 2003 NM 9.4 value = $50.
Captain Marvel #3 (Marvel, 1968) CGC NM/MT 9.8 White pages. Marvel's "Space-Born Super-Hero", as drawn by Gene Colan. This is the "green" cover, and the color is intense and bright. It's an immaculate copy, as the grade will testify; to date there have been no higher-graded copies certified by CGC. Overstreet 2003 NM 9.4 value = $30.
Daredevil #1 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Daredevil has one of the strongest fan followings of any title produced during the Silver Age. This classic first issue features Bill Everett art, and one of most original origin stories of all time. Appearances by Spider-Man and the Fantastic Four are just a bonus. This is a great copy with only minimal wear to keep it out of the full NM range. Overstreet VF/NM 9.0 value = $2,377; NM 9.4 value = $3,200.
Daredevil #1 (Marvel, 1964) CGC VF+ 8.5 Off-white pages. Stan Lee and Bill Everett produced an origin story for this first appearance of Daredevil that was worthy of the hype blurbed on the cover. Daredevil's importance to the Marvel Universe has been solidified by the likes of Wally Wood, John Romita, Gene Colan, and Frank Miller. But this first issue has a classic appeal to it that is unmatched by any of the consistently great subsequent issues. Don't miss the chance to add this high-grade copy to your collection. Overstreet 2003 VF 8.0 value = $1,554; VF/NM 9.0 value = $2,377.
Daredevil #3 (Marvel, 1964) CGC NM- 9.2 Off-white to white pages. Still clad in his yellow and red costume our sight-impaired crusader goes up against the overlord of crime, The Owl, makes his diabolical debut in this third issue of Daredevil. Jack Kirby does the cover, and EC veteran Joe Orlando takes care of the interior artwork. This attractive copy will be a terrific addition to any Daredevil collector's treasure trove of Marvel wonders. Overstreet 2003 NM 9.4 value = $450.
Daredevil #9 (Marvel, 1965) CGC NM- 9.2 Off-white pages. Wally Wood provided a great cover and interior art with a lot of medieval castle background settings for Daredevil in this issue. This copy has a crisp spine and satiny flat surface with deep colors that contrast nicely with the light background. Overstreet 2003 NM 9.4 value = $190.
Daredevil #43 (Marvel, 1968) CGC NM 9.4 White pages. Jack Kirby gives us a characteristically larger-than-life cover that holds no punches. This story was heralded as "The Battle of the Year" and what a battle it was. Ol' Hornhead tangles with Captain America in a story that also features a partial origin of Daredevil. Overstreet 2003 NM 9.4 value = $40.
Daredevil Annual #1 (Marvel, 1967) CGC NM+ 9.6 Off-white to white pages. The Man Without Fear is surrounded by a host of dire foes: Leap-Frog, Electro, Stilt-Man, the Matador, and the Gladiator on this cover by Gene Colan. As far as squarebound giants go, this premiere issue is swell, as it is replete with pin-ups, new stories, and new art. To date, no copy of this square bound book has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $55.
Doctor Strange #169 (Marvel, 1968) CGC NM+ 9.6 White pages. Dan Adkins came up with the perfect cover for the first Dr. Strange-titled comic book, as the Master of the Mystic Arts took over the series that had been Strange Tales. His origin is retold within. This super-sharp copy leaves little to be improved upon, with absolutely brilliant colors and structural integrity. Check it out online! Overstreet 2003 NM 9.4 value = $210.
Fantastic Four #1 (Marvel, 1961) CGC VF 8.0 Cream to off-white pages. Collectors may argue about whether or not this comic marked the beginning of the Silver Age, but there can be no doubt that this is the comic that ushered in the Marvel Age of comics! Jack Kirby and Stan Lee brought readers a new kind of super-team in this issue, which features the origin and first appearance of Mr. Fantastic, the Invisible Girl, the Human Torch, and the Thing. This is a nice, solid, unrestored copy of the comic ranked at #4 in Overstreet's "Top Ten Silver Age" comics. Everyone loves the Fantastic Four, effendi -- go ahead and get yourself a nice copy of their first issue! Overstreet 2003 VF 8.0 value = $9,350.
Fantastic Four #1 (Marvel, 1961) CGC Apparent VF 8.0 Extensive (P) Cream to off-white pages. This, the premiere issue of the Fantastic Four with cover and art by Jack "King" Kirby, helped usher in the Marvel Age of comics in the early 1960s. There are lots of firsts in this issue including Marvel's first superhero team since the Golden Age, the first appearance of the Mole Man, and, of course, the first appearance of the Invisible Girl (Sue Storm), The Human Torch (Johnny Storm), Mr. Fantastic (Reed Richards) and the Thing (Ben Grimm). CGC notes, "Restoration includes: color touch, pieces added, reinforcement, tear seals, reglossed." While this book may be restored, it looks great and is a major Silver Age key issue. Overstreet 2003 GD 2.0 value = $842; VG 4.0 value = $1,684; FN 6.0 value = $2,526; VF 8.0 value = $9,350.
Fantastic Four #1 (Marvel, 1961) CGC VG/FN 5.0 Off-white pages. Tied with The Amazing Spider-Man #1 for third place among the most valuable of all Silver Age comic books, many would argue this is the most important of that era. It was the book that ushered in Marvel's Silver Age, a period in which Marvel began challenging DC's dominance after a mostly unchallenging decade of the 1950s. Stan Lee and Jack Kirby were the men who could pull it off, and their team-up on this and other titles to soon follow would turn comicdom on its ear. Overstreet 2003 VG 4.0 value = $1,684; FN 6.0 value = $2,526.
Fantastic Four #2 (Marvel, 1962) CGC VF 8.0 Off-white pages. Marvel's flagship Silver Age title was just a fledgling second issue at this point, still two issues away from declaring itself "The World's Greatest Comic Magazine!". But Stan Lee and Jack Kirby were flexing their combined muscles to usher in the Marvel Age, comic history in the making. The Skrulls make their first appearance this issue, while the Fantastic Four's uniforms were still one issue away. This nice copy looks even better than the CGC-assigned grade; it looks flat and glossy, with good color and sharp edges. Someone has written "Jack Kirby" on the first page in ink; could this be Jack's personal file copy? We don't think so, but who knows? Overstreet 2003 VF 8.0 value = $2,673.
Fantastic Four #3 (Marvel, 1962) CGC VF 8.0 Off-white pages. With this issue the Fantastic Four finally get costumes and establish their headquarters at the Baxter Building. These early Silver Age Marvel comics are still some of the most desired by collectors everywhere. This is a nice copy with vivid colors and stupendous eye appeal. Overstreet 2003 VF 8.0 value = $1,700.
Fantastic Four Annual #4 (Marvel, 1966) CGC NM- 9.2 White pages. This classic issue features the origin and first Silver Age appearance of the Golden Age Human Torch, as well as the first appearance of Quasimodo. This issue is in excellent condition, with a nice square spine and rich colors on a glossy cover. Overstreet 2003 NM 9.4 value = $135.
Fantastic Four #5 (Marvel, 1962) CGC VF+ 8.5 Off-white pages. With the exception of their first appearance and origin, the introduction of Doctor Doom is probably the single most important event to happen in the annals of the Fantastic Four. Victor Von Doom has been Reed Richard's arch nemesis for far more battles than either of them should have survived, but the development of Reed's character would have suffered if not for the influence of Doom. This classic issue is suitably presented in this high-grade copy that suffers from insignificant edge wear that does little to detract from the overall beauty of the book. Overstreet 2003 VF 8.0 value = $2,232; VF/NM 9.0 value = $3,416.
Fantastic Four #9 (Marvel, 1962) CGC NM- 9.2 Off-white pages. This cool early issue features Sub-Mariner's third appearance in the Silver Age. Only Stan Lee and Jack Kirby could present a tale that queries, "What happens to... heroes when they can't pay their bills...?" This issue is just dripping with deep red hues that nicely frame the foreground imagery. The surface is very reflective and the corners are sharp. Overstreet 2003 NM 9.4 value = $1,275.
Fantastic Four #20 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. Twenty issues into the Marvel Age of Comics, the publisher's flagship title was showing the industry how it was done, with Stan Lee and Jack Kirby's introduction of such new villains as the insanely powerful Molecule Man. This sharp copy is clean, has great color, and presents well. Overstreet 2003 VF/NM 9.0 value = $345; NM 9.4 value = $450.
Fantastic Four #21 (Marvel, 1963) CGC VF/NM 9.0 Off-white to white pages. The Hate-Monger dominates this Jack Kirby cover, but the "King" squeezes in the Fantastic Four, and, surprisingly, Sgt. Fury (minus his Howling Commandos), who makes his first crossover appearance. This clean, bright copy has tight, clean staples, sharp corners, and great color. Overstreet 2003 VF/NM 9.0 value = $253; NM 9.4 value = $325.
Fantastic Four #44 (Marvel, 1965) CGC NM 9.4 Off-white pages. This issue features the first appearance of Gorgon, which ultimately led to the Fantastic Four's meeting with the rest of the Inhumans. Medusa and Dragon Man also appear in this classic issue. This copy is in great shape with with a near-perfect spine and deep cover colors. Overstreet 2003 NM 9.4 value = $110.
Fantastic Four #47 (Marvel, 1966) CGC NM 9.4 White pages. "Beware the Hidden Land!" ended the classic storyline that introduced the Inhumans to the Marvel Universe. Issues of Fantastic Four from this time period are some of the most beloved comics ever to hit the stands. This copy is tight, flat, and sharp. Overstreet 2003 NM 9.4 value = $110.
Fantastic Four #48 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Wow! Out of the copies of Fantastic Four #48 in CGC's latest census, this is the highest grade assigned. And few Marvel Silver Age comics command more notice than this landmark issue. It's the first appearance of the Silver Surfer and Galactus, with spellbinding Jack Kirby and Joe Sinnott art. 'Nuff said! Overstreet 2003 NM 9.4 value = $1,350.
Fantastic Four #48 (Marvel, 1966) CGC FN+ 6.5 Off-white to white pages. The Silver Surfer, Marvel's most cosmic of heroes, makes his debut appearance here, along with "the Coming of Galactus." A wild trip indeed, with art by Jack Kirby. Overstreet 2003 FN 6.0 value = $246.
Fantastic Four #59 (Marvel, 1967) CGC NM+ 9.6 Off-white pages. Dr. Doom and the Silver Surfer guest-star in this issue, which also features the Inhumans. Jack Kirby and Joe Sinnott are your artistic team this time out, and Stan the Man Lee scribed it all for your pleasure. Also very pleasing is this pretty copy, loaded with great color and gloss. Overstreet 2003 NM 9.4 value = $100.
Fantastic Four #61 (Marvel, 1967) CGC NM 9.4 White pages. Stan Lee and Jack Kirby were at the top of their form by the time this issue hit the spinner racks. In this issue, the Sandman returns with a new costume and the Silver Surfer makes a cameo appearance. This copy is in super condition with an incredible spine and sharp corners. Overstreet 2003 NM 9.4 value = $70.
Fantastic Four #66 (Marvel, 1967) CGC NM 9.4 White pages. This issue begins the two part origin of "Him," the character who would eventually become Adam Warlock. This copy of this milestone issue is in great condition with rich colors and satiny gloss that fittingly display the classic cover art. Overstreet 2003 NM 9.4 value = $125.
Fantastic Four #77 (Marvel, 1968) CGC NM 9.4 Off-white pages. This issue features a classic appearance of the Silver Surfer and sports an awesome multi-image cover by Jack "King" Kirby. CGC notes indicate a "1/2" tear on centerfold." This copy is in extremely nice condition with a beautiful spine and rich colors on a tight, flat surface. Overstreet 2003 NM 9.4 value = $70.
Fantastic Four, Bound Volumes of #1 - 80 (Marvel, 1963-68). This remarkable set of 8 bound volumes contains an impressive run of Fantastic Four comics, with about 10 issues per volume, plus the corresponding Annuals. The first four volume are signed by Jack Kirby inside the flyleaf. While most of the comics were trimmed during the binding process, the comics in the last two volumes were bound without trimming. Many issues have the appearance of VF or better copies, with good page quality, but several of the earlier issues show heavy wear and tape repair. Bidders should also note that issue #48 has a long tear through the back cover that was repaired with tape. These gorgeous books have scripts by Stan Lee, pencils by Jack Kirby, and inks by such talents as Dick Ayers, George Bell, Steve Ditko, Chic Stone, Vince Colletta, and Joe Sinnott. Milestone events include the first Silver Age Sub-Mariner, first Watcher, first Galactus, first Silver Surfer, first Inhumans, first Black Panther, first Warlock, and much, much more. Don't miss this opportunity to add these beautiful books to your collection. Overstreet 2003 VG 4.0 value for the group = $6,866.
Fantastic Four Annual #1 (Marvel, 1963) CGC NM- 9.2 Cream to off-white pages. Spider-Man makes an early appearance in this first annual collection of stories, all written by Stan Lee and drawn by Jack Kirby and Dick Ayers. There's also a whopping 15 pin-up pages included with the main feature, an encounter with Sub-Mariner; and the origin of the FF is reprinted. You'll encounter no problems with this sweet square bound comic; it's a honey! Overstreet 2003 NM 9.4 value = $1,050.
Fantastic Four Annual #2 (Marvel, 1964) CGC VF/NM 9.0 Off-white pages. Dr. Doom gets the origin-story treatment in this great square bound volume, crammed from cover to cover with Jack Kirby art. And if the Stan Lee stories aren't enough, there's six villain pin-up pages for you to peruse. Perfect! This copy looks pretty near to perfect itself, with its unblemished white cover and bright colors. Overstreet 2003 NM 9.4 value = $500.
The Incredible Hulk #1 (Marvel, 1962) CGC VF- 7.5 Off-white to white pages. Ol' Greyskin (soon to be Ol' Greenskin, starting with issue #2) debuts in this, the second title of the new Marvel Age of Comics, fast on the heels of the Fantastic Four. Penned by Stan Lee and pencilled by Jack Kirby, this "incredible" book lasted a mere six issues before the Hulkster was cancelled, eventually finding himself in Tales to Astonish for a lengthy run. Man or monster... or is he both? It all started here. The Incredible Hulk #1 is traditionally one of the toughest Marvel keys to find in high-grade, which makes this gorgeous Very Fine minus copy a rare find. While it displays some minor edge wear, this copy retains a stunningly fresh appearance, the deep-blue background as pure as the day it was printed. While this book is notorious for Marvel chipping, it is noticeably absent on this issue. Bid now, or Hulk smash! Overstreet 2003 VF 8.0 value = $6,950.
The Incredible Hulk #5 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. This cool Jack Kirby cover warns readers that the Hulk is "More powerful! More Dangerous! And more uncontrollable than ever before!!" But Tyrannus the Mighty must not know that since he's ordering his puny minions to slay the Hulk. Such impunity! He'll soon learn the error of his ways. This beautiful copy is brightly colored with sharp corners and clean edges. Overstreet 2003 VF/NM 9.0 value = $1,440; NM 9.4 value = $1900.
The Incredible Hulk #6 (Marvel, 1963) CGC Apparent VG 4.0 Slight (A) Cream to off-white pages. The final issue of the Hulk's first title series has Steve Ditko taking over cover and interior art duties from Jack Kirby. CGC notes, "Restoration includes: small amount of color touch on cover." Overstreet 2003 GD 2.0 value = $160; VG 4.0 value = $320.
The Incredible Hulk Annual #1 Double Cover (Marvel, 1968) CGC NM 9.4 Off-white to white pages. Here's something that you don't see every day - a double cover on a square bound comic! Think of it - not only do you get a fantastic image of the Hulk by Jim Steranko but, open the cover and, wow, you get another one that is in NM condition! The all-new story, featuring the Inhumans, with art by Marie Severin isn't bad either. Another one of these double cover anomalies will probably never come along again for this issue so grab it while you can. CGC notes, "1st cover 8.0, interior cover 9.4 (1st cover never glued on.)" Overstreet 2003 NM 9.4 value = $120.
The Incredible Hulk Annual #1 (Marvel, 1968) CGC NM- 9.2 Cream to off-white pages. Jim Steranko provides us with a terrific cover illustration for this first annual collection, this time featuring the Inhumans in a 51-page story with art by Marie Severin and Syd Shores. The blinding color on this cover really looks great, and the square bound spine shows no sign of wear. Sharp corners are evident as well; the only real defect being a light date stamp in the "H" of the title. Overstreet 2003 NM 9.4 value = $120.
Iron Man #1 (Marvel, 1968) CGC NM+ 9.6 White pages. Iron Man's origin is retold in this fantastic first issue which continues where Iron Man and Sub-Mariner #1 left off. The cover is one of Gene Colan's best, and his interior pencils are supplemented by the inks of legendary EC artist Johnny Craig. This copy is clean, colorful, has sharp corners, and incredibly vibrant, deep, rich colors. Wow! Overstreet 2003 NM 9.4 value = $575.
Iron Man #1 (Marvel, 1968) CGC VF+ 8.5 Cream to off-white pages. Iron Man bursts free from the chains of Tales of Suspense co-star status and is awarded his own title! This is a sterling copy of this Silver Age classic, with minor distress to the upper spine and slightly off-center staples, but still a welcome addition to any collection. Gene Colan and Johnny Craig artwork, continuing the story begun in Iron Man and Sub-Mariner #1. Overstreet 2003 8.0 VF value = $308; VF/NM 9.0 value = $442.
Iron Man #2 (Marvel, 1968) CGC NM/MT 9.8 Off-white to white pages. EC mainstay Johnny Craig contributed outstanding superhero artwork to early issues of Iron Man, before handing over the artistic reigns to ol' Shell Head's pre-eminent Silver Age artist, George Tuska. A great example of Craig's crisp, clean style, this is a stunning near-perfect copy with razor-sharp corners and bright colors. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $185.
Iron Man #2 (Marvel, 1968) CGC NM- 9.2 White pages. The versatile Johnny Craig made a smooth transition to the superhero genre as evidenced by his stint on the first few issues of the Iron Man series. This is a really tight copy with bright colors and nice gloss. Overstreet 2003 NM 9.4 value = $185.
Iron Man #3 (Marvel, 1968) CGC NM 9.4 Cream to off-white pages. This issue features a great cover and interior art by Johnny Craig. The Freak carrying his lovely victim through fire, as a helpless Iron Man looks on, harkens back to Craig's days at EC. This copy has beautifully rich colors and a great looking spine. Overstreet 2003 NM 9.4 value = $100.
Iron Man #4 (Marvel, 1968) CGC NM 9.4 White pages. This is a great copy with rich colors on an explosive cover by Johnny Craig. Work on an Iron Man movie is currently in progress and has the potential of being one of the better film adaptations. The prices realized for high grade copies such as this one are sure to escalate as the movie's release date approaches. Overstreet 2003 NM 9.4 value = $80
Iron Man #5 (Marvel, 1968) CGC NM+ 9.6 Cream to off-white pages. With cover art by George Tuska and interior art by Tuska and Johnny Craig, this issue's story has Tony Stark transported into the 24th century to stand trial for inventing and building a super-computer named Cerebrus. The great storyline is matched by the great artwork, and by the superb condition of this copy. To date, no other copies of this issue have been graded higher by CGC, and only two copies tie this one for the top spot. Overstreet 2003 NM 9.4 value = $80.
Iron Man and Sub-Mariner #1 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. This one-shot issue was really a try-out for both Iron Man and Sub-Mariner, and pre-dates the #1 issues of both titles. Marvel assembled quite a team to create this book: Roy Thomas and Archie Goodwin wrote the stories (which were continuations from Tales of Suspense #99 and Tales to Astonish #101), while Gene Colan, Frank Giacoia, and EC veteran Johnny Craig provided art. This copy is a real eye-popping, glossy beauty with great color and page quality. Overstreet 2003 NM 9.4 value = $185.
Iron Man and Sub-Mariner #1 (Marvel, 1968) CGC NM- 9.2 White pages. This one-shot is sandwiched in between Iron Man's last appearance in Tales of Suspense and Iron Man #1, and the Sub-Mariner's last appearance in Tales to Astonish and The Sub-Mariner #1. Despite preceding both #1 issues, this issue remains curiously low-valued in the Guide. This is an outstanding copy of an issue that features the same stellar artistic pairing of Gene Colan and Johnny Craig on the interior that would work on Iron Man #1. Overstreet 2003 NM 9.4 value = $185.
Journey into Mystery #113 (Marvel, 1965) CGC NM 9.4 White pages. Here's a gorgeous copy of this title, with a nice cover and art by Jack Kirby. This issue also features the origin of Loki, and Dr. Blake finally reveals his secret identity to his love, Jane Foster. However, Odin has stripped Thor of his powers since Odin believes his son has turned his back on Asgard. Unable to back up his claim, Jane thinks Blake is joking. And if that weren't bad enough, the Grey Gargoyle shows up looking for a fight. As Homer Simpson would say, "D'oh!" There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 NM 9.4 value = $110. From the White Rose Collection.
Journey into Mystery #114 (Marvel, 1965) CGC VF+ 8.5 Off-white pages. You would be hard pressed to find a cooler Silver Age comic than this one, which features the origin and first appearance of the Absorbing Man! Crusher Creel's ability to "absorb" Thor's power made him the perfect adversary for the god of thunder. Jack Kirby and Chic Stone created a spectacular cover that reflected the awesome story within. This is a colorful copy with only minimal surface wear that keeps it out of the higher grades. Overstreet 2003 VF 8.0 value = $75; VF/NM 9.0 value = $105.
Journey into Mystery #117 (Marvel, 1965) CGC VF/NM 9.0 Off-white pages. This issue found Thor fighting the "Red Menace" as illustrated by the exciting cover by Jack Kirby. This is an exceptional copy with a brilliant quality to it that defies the fact that is was published nearly 40 years ago. Overstreet 2003 VF/NM 9.0 value = $87; NM 9.4 value = $110.
Journey into Mystery #124 (Marvel, 1966) CGC NM+ 9.6 Off-white pages. This issue features a classic cover appearance of Hercules by Jack Kirby and Vince Colletta. This copy has received the highest grade yet from CGC for this issue, and deservedly so. The colors on the cover are so vivid that they look like there were just printed. The corner of the comic are square and the spine is just beautiful. Overstreet 2003 NM 9.4 value = $125.
Marvel Super-Heroes #1 (Marvel, 1966) CGC NM+ 9.6 Off-white to white pages. Marvel presents their first one-shot in this cool compilation of tales, including reprints from Daredevil #1, Avengers #2, and a classic Golden Age battle between the original Human Torch and the Sub-Mariner. This super-sharp copy will please anyone except the pickiest collector in the universe -- CGC does list one higher-grade copy in the current census! Overstreet 2003 NM 9.4 value = $135.
Nick Fury, Agent of SHIELD #1 (Marvel, 1968) CGC NM/MT 9.8 White pages. With this issue, the age of Marvel Pop Art was well under way! Steranko's wild graphics would influence later generations of artists who followed his unconventional panel layouts and surreal style. The first seven issues proved to be his zenith, a milestone in comics. This copy is a bright, glossy copy with a pristine spine and sharp corners, it appears as fresh as the day it was printed. To date, only one other copy has been given a higher CGC grade. Overstreet 2003 NM 9.4 value = $160.
Nick Fury, Agent of SHIELD #1 Boston pedigree (Marvel, 1968) CGC NM+ 9.6 White pages. At the time that Jim Steranko worked on this title he was a fan favorite, and for good cause. His pop art style perfectly embodies the era and everything he touched was gold. This title was hot when Steranko was at the helm but rapidly sank without him. This gorgeous copy, with perfect white pages, is sure to strike envy in the hearts of your friends. Overstreet 2003 NM 9.4 value = $160.
Sgt. Fury and His Howling Commandos #1 (Marvel, 1963) CGC FN 6.0 Off-white pages. The ever-versatile Jack Kirby signs on for a war comics tour of duty with Sgt. Fury and His Howling Commandos #1. This issue introduces Fury, Dum-Dum Dugan, and the rest of the Howlers. Overstreet 2003 FN 6.0 value = $363.
The Silver Surfer #1 (Marvel, 1968) CGC NM+ 9.6 Off-white pages. The Sentinel of the Spaceways has arrived! After making a splash in Fantastic Four #48, the Surfer earned a shot at his own series. The more detailed origin of how Norrin Radd became Galactus' herald is told here, with art by John Buscema and Gene Colan. The Watcher back-up stories begin with this issue, as a most valued bonus feature. This issue is square bound, making the high grade something to appreciate, as such books are most commonly found in lower grades. This copy bears the second-highest CGC-grade issued to date. Overstreet 2003 NM 9.4 value = $625.
The Silver Surfer #1 (Marvel, 1968) CGC NM 9.4 Off-white pages. The Silver Surfer is one of the most interesting characters to come out of the Silver Age of comics. This issue presented his definitive origin story and features incredible art by John Buscema. This is an excellent copy with a nice, tight spine and vibrant colors that are made more so by the deep black background. Overstreet 2003 NM 9.4 value = $625.
The Silver Surfer #1 (Marvel, 1968) CGC NM- 9.2 Off-white pages. If you are in dire need of a gorgeous, high grade copy of this book but don't want to pay multiples of Guide, then this copy is just what the doctor ordered. This issue has a more detailed origin of the Surfer than was previously told, and the Watcher begins his run of solo stories. The artwork by John Buscema and Gene Colan is top-of-the-line. Overstreet 2003 NM 9.4 value = $625.
The Silver Surfer #2 (Marvel, 1968) CGC NM 9.4 Off-white to white pages. It's space man versus space creature as the Silver Surfer blasts away at an alien intruder on this exciting Silver Age cover. John Buscema's terrific cover, and Gene Colan's interior art, combine to make this one of the best issues of the run. An impressive example of this tough square bound comic, it has sharp corners, great color, and above average paper quality. Overstreet 2003 NM 9.4 value = $250.
The Silver Surfer #2 (Marvel, 1968) CGC NM- 9.2 Cream to off-white pages. John Buscema obviously loved doing the art for this title as evidenced by the maturity of his style during his time on it. This cover displays his mastery of anatomy and facial expressions as seen in the crowd below the battle being waged with the member of the Badoon. This copy has a nicely aligned square spine with a deep shade of blue that is often absent from this issue's cover background. Overstreet 2003 NM 9.4 value = $250.
The Silver Surfer #3 (Marvel, 1968) CGC NM- 9.2 Cream to off-white pages. This comic is worth its price for the John Buscema cover alone, with its juxtaposition of the gleaming Silver Surfer against the fiery netherworld of the demonic Mephisto. A key Marvel issue, marking Mephisto's first appearance. The flat spine on many double-sized issues often bears the brunt of age and wear, but this copy's spine is remarkably intact, with minor distress. John Buscema and Gene Colan interior art. Overstreet 2003 NM 9.4 value = $210.
The Silver Surfer #4 (Marvel, 1969) CGC NM 9.4 Off-white pages. A beautiful example of an important late Silver Age issue, with a crossover (make that battle) with the mighty Thor. This issue originally suffered low distribution, and is one of the rarest of the Silver Surfer run. It includes a Loki appearance, and John Buscema cover and art. Overstreet 2003 NM 9.4 value = $560.
The Silver Surfer #4 (Marvel, 1969) CGC NM- 9.2 Off-white to white pages. John Buscema brings us this awesome Thor and Silver Surfer confrontation. The immortal demi-god Thor winds up his hammer to strike the fast-approaching cosmic-powered Surfer of the spaceways... the impending impact is almost unimaginable -- and was surely good to sell a few extra copies of this issue to curious comic fans! Giant-sized square bound issues like this low distribution issue, are tough to find in such nice condition. Overstreet 2003 NM 9.4 value = $560.
The Silver Surfer #6 (Marvel, 1969) CGC NM 9.4 Cream to off-white pages. This superlative copy of Silver Surfer #6 features cover and interior art by John Buscema and Sal Buscema, plus a bonus "Tales of the Watcher" story illustrated by Syd Shores and Frank Brunner. Overstreet 2003 NM 9.4 value = $130.
The Silver Surfer #9 (Marvel, 1969) CGC NM 9.4 Cream to off-white pages. Inker Dan Adkins perfectly complements penciler John Buscema's exuberant style in this issue pitting the Silver Surfer against the Flying Dutchman's Ghost. Mephisto also appears. A beautiful copy, with negligible spine stress. Overstreet 2003 NM 9.4 value = $95.
The Silver Surfer #10 (Marvel, 1969) CGC NM 9.4 Off-white pages. To walk among mankind, the Surfer borrows a cue from the Phantom and dons a Mr. Walker-like disguise. John Buscema and Dan Adkins provide the art. This amazing specimen is impressive, with sharp, off-white interior pages. Overstreet 2003 NM 9.4 value = $95.
Strange Tales #101 (Marvel, 1962) CGC Apparent VF/NM 9.0 Slight (A) Off-white pages. This early Silver Age Marvel key features the beginning of the Human Torch series. The origin of the Fantastic Four is also recapped. This is a brilliant copy that barely qualified for CGC's purple label which notes, "Restoration includes: very small amount of color touch on cover." Overstreet 2003 GD 2.0 value = $82; VG 4.0 value = $164; FN 6.0 value = $246; VF 8.0 value = $697; VF/NM 9.0 value = $1,024.
Strange Tales #109 (Marvel, 1963) VF 8.0 Off-white pages. Jack Kirby never missed a chance to incorporate a monster into the early issues of the superhero series that took over the horror titles such as Strange Tales. This issue is a great example with the Human Torch being threatened by the "Imps From Pandora's Box!" This is a bright copy with only the most minor edge wear keeping it out of the higher grades. Overstreet 2003 VF 8.0 value = $139.
Strange Tales #110 (Marvel, 1963) CGC VF/NM 9.0 Off-white pages. This issue features the first appearance of Dr. Strange, the Ancient One, and Wong, and has become a fan favorite of Silver Age comic collectors. The cover image has the distinct quality of the early Marvel superhero comics that created legions of "Marvelites." This issue is difficult to come by in high grade due to the dark pigments used on the cover. This copy is in excellent condition and will be a fine addition to any collection of classic Silver Age comics. Overstreet 2003 VF/NM 9.0 value = $1,288; NM 9.4 value = $1,700.
Strange Tales #115 (Marvel, 1963) CGC NM- 9.2 Off-white pages. Stan Lee does it again, pitting one of Spider-Man's coolest villains, the Sandman against the Human Torch. Of course Spidey drops in to help out. But... the rest of the story is the origin of Dr. Strange, in a story drawn by Steve Ditko. A Marvel Masterpiece, and a beautiful one at that! Overstreet 2003 NM 9.4 value = $575.
The Sub-Mariner #1 (Marvel, 1968) CGC NM/MT 9.8 White pages. This is a stunningly high-grade copy of this key Marvel first issue. The origin of Subby is also told in this issue with John Buscema art. The story is continued from Iron Man and Sub-Mariner #1. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $225.
The Sub-Mariner #1 (Marvel, 1968) CGC NM+ 9.6 Off-white to white pages. The Silver Age Prince Namor never looked so good! Here's a sweet copy of an important title from the late 1960s, with Subby's origin, and featuring art by John Buscema. Story continued from Iron Man and Sub-Mariner #1. This may not be the toughest Marvel key to find, but this copy's excellent page quality and near-perfect condition make it a desirable item for any serious collection. You'll have trouble finding a nicer example. Overstreet 2003 NM 9.4 value = $225.
The Sub-Mariner #2 (Marvel, 1968) CGC NM 9.4 Off-white pages. Gorgeous is the word for this striking copy. Deep blues and purples against a rich black background, with tons of gloss and great page quality highlight this beauty. John Buscema's cover shows some great underwater action, with Subby battling it out with Triton of the Inhumans. Overstreet 2003 NM 9.4 value = $90.
Tales of Suspense #2 Big Apple pedigree (Marvel, 1959) CGC VF- 7.5 Cream to off-white pages. This classic post-Code science-fiction issue is highly desirable due to the Steve Ditko cover and tremendous interior stories with art by Jack Kirby, Ditko, and Joe Sinnott art. The black background on this cover makes it exceptionally difficult to find in higher grades. Only some pre-"Marvel chipping" (small edge tears) keep this copy from grading in the NM range. There is currently only one copy of this issue that has been graded higher by CGC. Overstreet 2003 VF 8.0 value = $415.
Tales of Suspense #38 (Marvel, 1963) CGC NM- 9.2 Off-white pages. Only two specimens in CGC's most recent survey grade higher than this beautiful copy. Cover by Jack Kirby, interior art by Jack Davis and Steve Ditko. Note: This was the last issue of Tales of Suspense before the debut of Iron Man. Overstreet 2003 NM 9.4 value = $240.
Tales of Suspense #39 Winnipeg pedigree (Marvel, 1963) CGC VF+ 8.5 Off-white pages. Iron Man's first appearance earmarks this key Silver Age Marvel comic, with cover art by Jack Kirby and interior art by Don Heck. This crisp copy maintains alluring cover gloss and is bolstered by sharp off-white pages. Overstreet 2003 VF 8.0 value = $2,952; VF/NM 9.0 value = $4,676.
Tales of Suspense #39 (Marvel, 1963) CGC VF 8.0 Off-white pages. After the introduction, over the previous 16 months, of such groundbreaking superheroes from Marvel as the Fantastic Four, Spider-Man, Thor, Ant-Man, and Hulk, this title finally introduced one of its own with this issue. Naturally, Jack Kirby was tapped to do the cover, and the almost equally veteran Don Heck was enlisted to assist Kirby on the interior. The pale green background of the front cover makes this one a challenge to find in high grade. Overstreet 2003 VF 8.0 value = $2,952.
Tales of Suspense #40 (Marvel, 1963) CGC VF+ 8.5 Off-white to white pages. Featuring the second appearance of the invincible Iron Man, ol' Shell Head gives up his original grey armor in favour of the snazzy golden outfit he models on this cover, when he matches his high-tech gizmos against the primitive brawn of Gargantus. Jack Kirby and Don Heck draw the cover and interior Iron Man story, while Larry Lieber and Steve Ditko take care of the artwork in the two back-up stories. Overstreet 2003 VF 8.0 value = $927; VF/NM 9.0 value = $1,364.
Tales of Suspense #45 (Marvel, 1963) CGC VF+ 8.5 Cream to off-white pages. Happy Hogan and Pepper Potts' first appearances highlight this issue featuring Iron Man in his original gold armor; Iron Man's sixth appearance. Sharp copy with minor spine distress. Overstreet 2003 VF 8.0 value = $263; VF/NM 9.0 value = $374.
Tales of Suspense #46 (Marvel, 1963) CGC VF/NM 9.0 Cream to off-white pages. This is a stunning example of a key Marvel issue with just minor distress at the top and bottom spine. It includes the first appearance of Iron Man's foe, the Crimson Dynamo. Cover by Jack Kirby, interior art by Steve Ditko and Don Heck. Overstreet 2003 VF/NM 9.0 value = $253; NM 9.4 value = $325.
Tales of Suspense #48 (Marvel, 1963) CGC VF/NM 9.0 Cream to off-white pages. Here's a very solid copy of this issue, featuring Iron Man's first appearance in new red-and-gold armor. Jack Kirby and Steve Ditko offer cover and interior art, respectively. Overstreet 2003 VF/NM 9.0 value = $312; NM 9.4 value = $400.
Tales to Astonish #27 (Marvel, 1962) CGC VG+ 4.5 Cream to off-white pages. High-grade copies of this milestone first appearance of Henry Pym (Ant-Man) aren't as common as you might think. Jack Kirby cover, Kirby and Steve Ditko interior art. Note: Ant-Man does not appear in costume in this issue. Overstreet 2003 VG 4.0 value = $540.
Tales to Astonish #40 (Marvel, 1963) CGC VF+ 8.5 Off-white pages. These early issues with Ant-Man have such a great link to the horror stories that were still being featured as back ups. Henry Pym's plight in the car engine is reminiscent of the many shrinking man stories that still make the Silver Age Marvel horror titles so much fun to read. This copy is in nice shape with deep colors that are unblemished except for minor edge wear. Overstreet 2003 VF 8.5 value = $278; VF/NM 9.0 value = $402.
Tales to Astonish #41 (Marvel, 1963) CGC NM- 9.2 Cream to off-white pages. This issue's cover harkens back to the horror format that was popular just a few issues before. The monster insect approaching the miniature man was a formula that Silver Age collectors just couldn't get enough of. This copy is in excellent condition with a gorgeous spine and nice flat surface. Overstreet 2003 NM 9.4 value = $340.
Tales to Astonish #44 Ohio pedigree (Marvel, 1963) CGC VF- 7.5 Off-white pages. The Wasp, one of Marvel's earliest super heroines, treats readers with her origin and first appearance in this issue. This book seems priced at a bargain in The Overstreet Price Guide. Grab this nice pedigree copy before the masses catch on. Jack Kirby and Don Heck display their artistic mastery on this cover, with more Kirby, and Steve Ditko art inside. Overstreet 2003 VF 8.0 value = $255.
Thor Anl 2 (Marvel, 1966) CGC NM 9.4 Off-white to white pages. Thrill to the exciting adventures of the mighty Thor, as he faces (and in fact, defies) the Destroyer! Awesome stuff from the pen of Stan Lee, presented to you in a sharp square bound Annual. Jack Kirby and Vince Colletta provide the artistic thrills. Some cool reprint material rounds out the issue, including the Mad Merlin. Overstreet 2003 NM 9.4 value = $90.
Thor #128 (Marvel, 1966) CGC NM 9.4 White pages. This issue teams Thor with Hercules against "The Power of Pluto!" Jack Kirby and Vince Colletta provided another classic cover and interior art for this Silver Age title that has continued to rise in popularity in recent years. Brilliant shades of red and green explode from the clean surface of this awesome copy. Overstreet 2003 NM 9.4 value = $90.
Thor #162 (Marvel, 1969) CGC NM 9.4 Cream to off-white pages. Here we have a Galactus appearance, with Jack Kirby handling cover and interior art chores. Only three other copies currently in CGC's census grade higher than this Near Mint gem. Overstreet 2003 NM 9.4 value = $55.
Two-Gun Kid #79 (Marvel, 1966) CGC NM+ 9.6 White pages. Western comics are rarely found in this state of preservation, but every once in a blue moon an impressive example will come along. This one even has white pages! This book will probably be the one of the gems in your Western collection. No other copies of this issue have currently been graded higher by CGC. The art chores were done by Dick Ayers and Carl Hubbell. Overstreet 2003 NM 9.4 value = $30.
X-Men #4 (Marvel, 1964) CGC NM 9.4 Off-white to white pages. In addition to impressively brilliant color and gloss, and Jack Kirby's great cover and art, this issue has a lot of "firsts." Within the pages of this issue we're treated to the first appearances of Quicksilver, Scarlet Witch, Toad, and Mastermind, collectively comprising the Brotherhood of Evil Mutants. It's also the second appearance of the mutant master of magnetism himself - Magneto. According to CGC's current census, only two copies have received a higher certified grade. Overstreet 2003 NM 9.4 value = $985.
X-Men #5 (Marvel, 1964) CGC VF 8.0 Off-white pages. Only five issues into the early run, and Magneto is making his third appearance. Fitting the members of the Brotherhood of Evil Mutants and the X-Men team onto the same cover, littered with the usual message balloons that Stan loved so much, might have been daunting to some artists, but not to Jack Kirby, who would have placed a couple dozen more figures in the scene if his deadlines weren't nearing for the other covers and stories he was doing for Fantastic Four, Strange Tales, Journey Into Mystery, Tales of Suspense, The Avengers, etc. This clean and attractive comic will make a great addition to any X-fan's collection. Overstreet 2003 VF 8.0 value = $344.
X-Men #6 (Marvel, 1964) CGC VF/NM 9.0 Off-white to white pages. Joining the X-Men team this issue is Marvel's oldest superhero, Sub-Mariner, whose first appearance actually pre-dates Marvel Comics #1. Jack Kirby handles the art chores, assisted by Chic Stone. This is a first-rate copy which looks to be a solid near-mint; even the "Marvel chipping" common to comics from this era is practically non-existent, with only a couple of tiny edge blemishes noticeable. This one's a beauty, folks. Overstreet 2003 VF/NM 9.0 value = $345; NM 9.4 value = $450.
X-Men #10 (Marvel, 1965) CGC NM- 9.2 Off-white to white pages. Jack Kirby's art graced the cover and interior of this issue, which provided the first Silver Age appearance of Ka-Zar and Zabu the Sabertooth. This is an unusually clean copy. At this writing, CGC has certified well over one hundred copies of this issue, and only five copies have received higher grades than the grade here. Overstreet 2003 NM 9.4 value = $475.
X-Men #12 (Marvel, 1965) CGC VF/NM 9.0 Off-white pages. The Juggernaut is certainly one of the X-Men's most important villains and this issue featured his first appearance and origin as well as the origin of Professor X. The cover is worthy of classic status and this copy's vibrant colors showcase the image by Jack Kirby brilliantly. This is a clean and crisp copy that is sure to please. Overstreet 2003 VF/NM 9.0 value = $374; NM 9.4 value = $485.
X-Men #14 (Marvel, 1965) CGC NM 9.4 Cream to off-white pages. X-Men collectors everywhere have known for quite some time that this is one of the most impactful covers of the early issues. With the origin of the Angel, and the first appearance of the Sentinels, powerfully rendered by Jack "King" Kirby, this is one important issue, effendi! Wally Wood's deft inking on this issue just adds to the attraction. Overstreet 2003 NM 9.4 value = $400.
X-Men #20 (Marvel, 1966) CGC NM 9.4 Cream to off-white pages. Another striking issue featuring Marvel's favorite team of mutants. Two Jack Kirby scenes for the price of one on this double-panel cover means more Marvel bang for your buck. This is the issue in which the X-Men battle Lucifer and Professor X recounts his first confrontation with the villain, in which he lost the use of his legs. Near perfect, this book lives up to its high grade in every way. Currently, only four copies of this issue have received higher grades from CGC. Overstreet 2003 NM 9.4 value = $210.
X-Men #24 (Marvel, 1966) CGC NM 9.4 Off-white pages. This issue features the first appearance of the Locust. Werner Roth's dynamic cover is vibrantly displayed on this copy's sharp, clean, and flat surface. Overstreet 2003 NM 9.4 value = $160.
X-Men #26 (Marvel, 1966) CGC VF/NM 9.0 Cream to off-white pages. In this, the second part of a two-part story, the X-Men battle the Mayan Kukulcan in South America, and thankfully are able to destroy the source of his awesome powers. This clean, sharp copy will be at home in any respectable X-Men collection. Overstreet 2003 VF/NM 9.0 value = $125; NM 9.4 value = $160.
X-Men #27 (Marvel, 1966) CGC NM 9.4 White pages. This issue features the return of the Mimic on a great-looking cover by Werner Roth. "Wow" is the only way to describe this fantastic copy. CGC notes indicate, "10-2 written on back cover in pencil." Other than some very minor color flaking on the spine in the area of the Beast's club, this comic is virtually free from any noticeable defect. Bright and tight, upgraders need look no further. Overstreet 2003 NM 9.4 value = $160.
X-Men #28 (Marvel, 1967) CGC NM 9.4 Off-white pages. The Banshee makes his first appearance in this issue that features a classic cover by Werner Roth. The Banshee has gone on to become a very important part of the X-Men mythos. Don't miss the opportunity to own this awesome copy that has cover colors which just explode from the surface. Overstreet 2003 NM 9.4 value = $220.
X-Men #32 (Marvel, 1967) CGC NM 9.4 Off-white to white pages. The Juggernaut is back with a vengeance in the tale appropriately titled, "Beware the Juggernaut, My Son!" Werner Roth really delivered on the powerful cover image for this issue. This is an outstanding copy that will be hard to improve upon. Overstreet 2003 NM 9.4 value = $120.
X-Men #35 (Marvel, 1967) CGC NM- 9.2 Off-white pages. This issue is unquestionably one of the most favored of the Silver Age run, as Spider-Man makes a classic crossover and the Changeling makes his debut. This issue is in great condition with a lot of gloss and a visual appeal that is worthy of display. Overstreet 2003 NM 9.4 value = $170.
X-Men #50 (Marvel, 1968) CGC NM 9.4 Off-white pages. Jim Steranko provided an incredible cover and interior art for this issue that is pure eye candy. The monochromatic tones of the image are an appropriate pallette with which to express the power of Magneto's daughter, Polaris. This copy aptly displays this classic cover with deep shades of green and yellow that seem to crackle from the surface of this very square copy. Overstreet 2003 NM 9.4 value = $110..
X-Men #53 (Marvel, 1969) CGC NM 9.4 Off-white to white pages. This classic issue features Barry Smith's first published comic book work. It also features an awesome appearance by Blastaar. This colorful cover image is nicely displayed on this immaculate copy that has only insignificant corner wear to explain not getting a higher grade from CGC. Overstreet 2003 NM 9.4 value = $110.
X-Men #55 (Marvel, 1969) CGC NM+ 9.6 White pages. Alex Summers discovers he has mutant powers that will ultimately lead to his role as Havok in this tale illustrated by Barry Smith. This copy has achieved the highest grade yet given by CGC for this particular issue. Beautifully rich colors almost drip from the flat glossy surface. Overstreet 2003 NM 9.4 value = $115.
X-Men #56 (Marvel, 1969) CGC NM 9.4 Off-white to white pages. This copy of X-Men has some nice things going for it. To begin with, it marks the first appearance of Havok. Second, it's the start of the incredible run of Neal Adams issues; he provides art for both covers and stories. And last, but hardly least, this book came from the "Edenwald Collection," an extremely well-maintained cache of Marvel and DC comics, about which there is a certificate. Overstreet 2003 NM 9.4 value = $110.
X-Men #58 (Marvel, 1969) CGC NM 9.4 Off-white pages. This issue features awesome artwork by Neal Adams and the first appearance of Havok in costume. The issues from this time period are extremely hot so don't miss the opportunity to own this fantastic copy which has intense colors and an impressive spine. Overstreet 2003 NM 9.4 value = $140.
X-Men #60 (Marvel, 1969) CGC NM 9.4 White pages. Fans of Neal Adams often consider his artwork on X-Men as among his finest efforts. This issue, which introduces Sauron, is considered by many to be the cream of the crop. This copy is in itself as breathtaking as the art within; it's so fresh, glossy and rich-looking that it's hard to believe it to be thirty-four years old. A certificate designating this issue as part of the "Edenwald Collection" is included. Overstreet 2003 NM 9.4 value = $110.
X-Men #61 (Marvel, 1969) CGC NM 9.4 Off-white to white pages. Neal Adams does here again, folks -- this issue is a fan favorite for nifty Neal's art. And what a copy we have for you, this comic looks absolutely pristine. This kind of like-new quality can only come from strict proper storage, as the accompanying certificate from the "Edenwald Collection" will testify. Don't let this one pass by! Overstreet 2003 NM 9.4 value = $110.
Bronze Age (1970-1979)
Amazing Spider-Man #83 (Marvel, 1970) CGC NM/MT 9.8 Off-white to white pages. This excellent copy has been given CGC's highest grade for this issue, to date. This tight, bright, and square copy features the first appearance of the Schemer, who turns out to be the Kingpin's son. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #85 (Marvel, 1970) CGC NM 9.4 White pages. In this issue the Schemer is revealed to actually be the Kingpin's son. John Romita Sr. provides another great cover and interior art for the issue. This copy has a beautiful spine and vibrant colors. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #90 (Marvel, 1970) CGC NM 9.4 White pages. With this issue, Marvel set the stage for the historic chain of events that led to the death of Gwen Stacy and the Green Goblin. The death of Captain Stacy led readers to the realization that long-time characters could indeed die in the Marvel Universe. This copy is in beautiful shape with only very minor peripheral wear keeping it from grading even higher. Overstreet 2003 NM 9.4 value = $100.
Amazing Spider-Man #91 (Marvel, 1970) CGC NM+ 9.6 Off-white to white pages. Gil Kane helps bring Spider-Man into the Bronze Age with this issue. Kane's fine line approach worked well with John Romita Sr., making this book a visual treat. Featured this time out is "the Man Called Bullit!" Sure as shootin', this copy will score a bullseye for those seeking a near-perfect, newsstand-fresh book. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #91 (Marvel, 1970) CGC NM 9.4 Cream to off-white pages. The whole city has turned against Spider-Man, who they believe is to blame for Captain Stacy's death. Even the people that he loves the most are terrified of him. This copy is in great condition and will make a welcome addition to any collection of high grade comics. Overstreet 2003 NM 9.4 value = $70.
The Amazing Spider-Man #95 Massachusetts pedigree (Marvel, 1971) CGC NM+ 9.6 White pages. This super-high-grade copy is perfect for the picky procurer. According to the CGC census as of this writing, there is only one higher-graded copy, in NM/MT 9.8. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #95 (Marvel, 1971) CGC NM 9.4 Off-white to white pages. Cigar chompin' Stan Lee wrote this story, which was then drawn by John Romita and Sal Buscema. Spidey crosses the pond and gets shot at in London, just like home! Isn't England supposed to be much less violent? Pip of a copy Guv'ner, wot? Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #97 Variant (Marvel, 1971) CGC NM 9.4 Off-white pages. Due to its drug storyline this book was not approved by the Comic Code Authority. That didn't deter Marvel, they ran the plot anyway. This copy also has the National Diamond Sales insert that some collectors are now seeking out. It is conjectured that these comics and those with the Marks Jewelers inserts were distributed on military bases and are far scarcer than other issues. Overstreet 2003 NM 9.4 value = $150.
Amazing Spider-Man #97 (Marvel, 1971) CGC VF- 7.5 Cream to off-white pages. John Romita Sr. on the cover, and Gil Kane with interior art, make the pictures pretty, while the Comics Code Authority's not approving the issue (it contains a drug story) does nothing but enhance its allure. The Green Goblin shows up to compound Spidey's problems. Overstreet 2003 VF 8.0 value = $84.
Amazing Spider-Man #98 (Marvel, 1971) CGC NM 9.4 Off-white to white pages. The three-part drug story, that concluded in this issue, didn't pass muster as far as the Comic Code Authority was concerned, and they refused to sanction it with their stamp of approval. The Green Goblin also makes life hell for Spidey in this issue, but the Gil Kane cover and art kept things heavenly for Marvel fans. Overstreet 2003 NM 9.4 value = $150.
Amazing Spider-Man #99 (Marvel, 1971) CGC NM 9.4 White pages. Long-time DC artist Gil Kane continued the tradition of sterling art on Marvel's most popular title, contributing the cover and interior art for this issue. Johnny Carson and Ed McMahon make appearances in this issue, which also features a tense prison riot cover and storyline. Condition-wise, there are no visible defects to note; this issue is just about perfect. Overstreet 2003 NM 9.4 value = $70.
Amazing Spider-Man #100 (Marvel, 1971) CGC NM+ 9.6 White pages. This anniversary issue features a classic cover by John Romita Sr., and interior art by Gil Kane, with just about every villain that Spider-Man ever fought. The black background on this issue's cover makes this a tough comic to find in high-grade. The cover's background is a deep, even black, while the yellows, blues, and reds of Spider-Man and the title lettering are bright and vivid; simply eye-popping color. Of the hundreds of copies of this issue that have so far been sent into CGC, only four have graded higher. Overstreet 2003 NM 9.4 value = $275.
Amazing Spider-Man #100 (Marvel, 1971) CGC NM- 9.2 Off-white to white pages. One of the best Spider-Man covers ever, with white on black mugshots of practically every major Spider-Man character. A fantastic anniversary issue with John Romita Sr. and Gil Kane art. This is a gorgeous copy with bright, fresh colors, sure to set any fan's Spidey Sense tingling! Overstreet 2003 NM 9.4 value = $275.
Amazing Spider-Man #101 (Marvel, 1971) CGC NM/MT 9.8 Off-white to white pages. Few of Spider-Man's villains ever earned their own title, but Morbius defied all odds. After his first appearance in this book he made countless appearances in many Marvel titles, including a run of solo tales. If you are one of the elitist type of collectors that will not settle for second best then you really need to get ready to bid on this one. This book is an immaculate 9.8 with absolutely no visible defects. To date, no other copies of this issue have been graded higher by CGC. This copy is sure to bring some spirited bidding, so buckle up and hang on tight. Overstreet 2003 NM 9.4 value = $200.
Amazing Spider-Man #101 (Marvel, 1971) CGC NM- 9.2 Off-white pages. This issue features the first appearance of Morbius, the Living Vampire, with unmatched cover and interior art by Gil Kane. Fan approval for this character was immediate and is certainly responsible for the inception of the Tomb of Dracula title that followed a half year later. This fantastic copy possesses a much higher visual appeal than the grade that CGC gave it because of a few minor impression on the covers. The colors on this comic are bright and fresh, giving the appearance of a just recently-printed comic. Overstreet 2003 NM 9.4 value = $200.
Amazing Spider-Man #102 (Marvel, 1971) CGC NM+ 9.6 White pages. This key issue features the origin of Morbius. Gil Kane provides the cover and interior art. You won't find a higher-graded copy of #102 in CGC's current census. This issue features one of the "square box image" format covers that are becoming very popular with collectors of Bronze Age Marvels. Overstreet 2003 NM 9.4 value = $200.
The Amazing Spider-Man #108 (Marvel, 1972) CGC NM/MT 9.8 Off-white pages. This copy has been given the highest CGC grade to date for issue #108. This issue features the first appearance of Sha-Shan, Flash Thompson's love interest. It has a dynamic "square box image" cover by John Romita Sr. This is an ultra-tight copy, with deep colors and sharp corners. Overstreet 2003 NM 9.4 value = $55.
Amazing Spider-Man #116 (Marvel, 1973) CGC NM+ 9.6 Off-white pages. John Romita Sr. provides both cover and interior art on this Bronze Age beauty. Only one other copy of this issue has been certified a higher grade, to date, than this one, which has a beautiful black area that intensifies the other colors on the cover. The spine is near-perfect and the corners are sharp. Overstreet 2003 NM 9.4 value = $55.
The Amazing Spider-Man #121 (Marvel, 1973) CGC NM/MT 9.8 White pages. Of the 521 copies of this issue that have been sent into CGC, only 2 have been given the NM/MT 9.8 grade! Few comics in the entire history of comics have achieved the kind of milestone status as this one has. This issue featured the death of Gwen Stacy, which rocked the Marvel Universe. Beloved comic characters had died before, but the creators had always found a way to bring them back, and the last page of this issue stunned the reader. This issue was released at time when the reader/collector had no advance notice of story plots, as is now the case. Amazing Spider-Man #122 seemed to take forever to hit the spinner racks, and the story continues to stagger readers. The fortunate buyer of this exquisite copy will have a true showpiece for their collection of historic comics. Overstreet 2003 NM 9.4 value = $210.
Amazing Spider-Man #121 (Marvel, 1973) CGC NM 9.4 Cream to off-white pages. This issue features the death of Gwen Stacy. Until this point, no comic in the history of the industry affected as many readers as this one did. And few comics since then have been as impactful. The cover art by John Romita Sr. deserves the milestone status that it has attained, and the fantastic interior art by Gil Kane is some of the best of his illustrious career. This copy is a beautiful vehicle for the story, with its brilliant yellow background and near-perfect surface and spine. Overstreet 2003 NM 9.4 value = $210.
The Amazing Spider-Man #122 (Marvel, 1973) CGC NM/MT 9.8 White pages. Of the 593 copies of this issue that have been sent into CGC so far, only this one has been given the near-perfect NM/MT 9.8 grade! This issue, featuring the death of the Green Goblin, was an instantly treasured classic among the multitude of Marvel comic readers of the day. With the death of Gwen Stacy, in the previous issue, this historic event left every Marvelite breathless with a level of empathy toward Peter Parker that had never before been reached. The fortunate buyer of this exquisite comic will own the currently highest CGC-graded copy of this historic gem. Overstreet 2003 NM 9.4 value = $230.
Amazing Spider-Man #129 (Marvel, 1974) CGC NM+ 9.6 Off-white pages. Currently, of the 841 copies of this issue that have been certified by CGC, only one other copy has graded higher! This issue featuring the first appearance of the Punisher, and the Jackal is red hot! Anticipation for the "Punisher" movie, due to come out next summer, is sending collectors into a frenzy. Don't miss the opportunity to own what is surely one of the nicest copies to ever surface. The colors are incredibly vibrant, and the corners are sharp. The spine is awesome and the surface is glossy and flat. Overstreet 2003 NM 9.4 value = $260.
Amazing Spider-Man #129 (Marvel, 1974) CGC NM 9.4 White pages. At the time, we suspect that the powers-that-be at Marvel had no idea what an impact they were going to have when they introduced the Punisher. This assassin went on to take the Marvel universe by storm, becoming one of their most popular characters, and getting countless permutations of his own title. This is also the first appearance of the Jackal. Overstreet 2003 NM 9.4 value = $260.
Amazing Spider-Man #137 (Marvel, 1974) CGC NM+ 9.6 Off-white to white pages. A couple of DC's great artists, Gil Kane and Ross Andru, switch sides to provide the cover and story artwork here. The issue features an appearance by the Green Goblin, his second in the person of Harry Osborn. This superior copy has rich front colors, tight staples, and an unblemished spine. Overstreet 2003 NM 9.4 value = $70.
Modern Age (1980-Present)
Amazing Spider-Man #252 (Marvel, 1984) CGC NM/MT 9.8 Off-white to white pages. Though Spidey's new costume debuted in Marvel Super-Heroes Secret Wars #8, this is the first time he donned it in his regular title. The cover art echoes the legendary cover of Amazing Fantasy #15. To date, no other copies of this issue have been graded higher by CGC. Ron Frenz art. Overstreet NM 9.4 value = $35.
Bronze Age (1970-1979)
The Avengers #98 (Marvel, 1972) CGC NM+ 9.6 Off-white pages. The main milestone in this issue is Goliath's transformation to the smaller but more versatile superhero, Hawkeye. Cover and story art by Barry Windsor-Smith is a big attraction, and the stellar CGC grade is another hook for collectors. This issue has plenty of appeal for a wide spectrum of comic collectors. We certainly find it appealing! Overstreet 2003 NM 9.4 value = $35.
Conan The Barbarian #1 (Marvel, 1970) CGC NM 9.4 Off-white to white pages. Conan must have caught comic book collectors by surprise in 1970 since he did not seem to play by the normal rules of the day -- he did not get any kind of try-out appearance in any way, he just jumped right into his own title, and with a novice artist as well. This book also includes the first appearance of King Kull, with exceptional art by Barry Windsor-Smith. A "killer" copy in more ways than one, as Conan cries, "To the Death" in the full battle cover scene. A beautiful, top-grade copy of this popular 1970s comic, it has fresh paper, well-centered staples, and a nearly perfect spine. Overstreet 2003 NM 9.4 value = $325.
Conan The Barbarian #2 (Marvel, 1970) CGC NM 9.4 White pages. Barry Windsor-Smith achieved an immediate fan following due to his wonderfully illustrated covers and unique style. This is a beautiful copy that has deep colors, and gloss that makes this comic look like it was printed last week. The spine is nice and tight, and the surface clean and bright. Overstreet 2003 NM 9.4 value = $110.
Conan The Barbarian #3 (Marvel, 1971) CGC NM 9.4 Off-white to white pages. This issue is noted as having had lower distribution than normal, allegedly due to several boxes of the issue being water damaged before they could be shipped out. Barry Windsor-Smith's fantastic cover and interior art helped establish his reputation of one of the best young talents in comics at the time. This is an excellent copy that's Near Mint-y fresh. Overstreet 2003 NM 9.4 value = $190.
Conan The Barbarian #4 (Marvel, 1971) CGC NM 9.4 White pages. By this fourth issue, Barry Windsor-Smith's classic style for the title was really beginning to refine itself. The cover on this comic must have really stood out from others on the spinner racks, by Crom! This copy is a great showcase for Smith's cover, with vivid colors on a flat, glossy surface, and an excellent spine. Overstreet 2003 NM 9.4 value = $75.
Conan The Barbarian #7 (Marvel, 1971) CGC NM+ 9.6 White pages. Barry Windsor-Smith continues his extremely popular run on this title with another great cover and art. This comic is nicer than any you'd have been likely to find on a spinner rack in 1971. It's a beautiful copy with an immaculate spine and square corners. Overstreet 2003 NM 9.4 value = $55.
Conan The Barbarian #20 Double cover (Marvel, 1972) CGC NM 9.4 White pages. Barry Windsor-Smith was at his peak when he did his run on Conan. If one Smith cover isn't enough to sate your appetite, then this comic is right up your alley. By a quirk of fate this comic was actually printed with two covers. The outer cover grades VF/NM 9.0 while the interior cover grades NM 9.4. Overstreet 2003 NM 9.4 value = $40.
Creatures on the Loose #10 (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. Prior to King Kull's own long-running title, he made his first appearance in this book that was an outlet for Marvel monster reprints. Tom Sutton did the cover art while Bernie Wrightson did the interior artwork. Overstreet 2003 NM 9.4 value = $60.
Daredevil #93 (Marvel, 1972) CGC NM 9.4 White pages. The red garbed foe of evil, Daredevil, and his companion, the beautiful Black Widow, had better take notice of the Indestructible Man looming over them on this cover, and fast. Gil Kane does the art chores on this cover, while Gene Colan takes care of the interior art. Marvel's Bronze Age issues, with their black-framed covers, are hard to find in high grade; there are currently only two copies of this issue that have been graded higher than this one by CGC. Overstreet 2003 NM 9.4 value = $18.
Daredevil #161 (Marvel, 1979) CGC NM+ 9.6 White pages. For many fans, Daredevil's best stretch was when Frank Miller came along and revamped the title. This issue, featuring Bullseye and the Black Widow, came early on in Miller's run. CGC notes, "Name written on first page in pen." Despite this defect, to date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $25.
Doctor Strange #2 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. Being a black cover, it is hard to imagine this book surviving in such a perfect state of preservation. This issue, like all of the first five, was masterfully drawn by Frank Brunner. Simply stated, this book is magic. This is the highest grade yet assigned by CGC for this issue. Overstreet 2003 NM 9.4 value = $30.
Fantastic Four #98 (Marvel, 1970) CGC NM 9.4 Off-white pages. This cover harkens back to Kirby's horror covers for the Atlas titles of the 1950's and early 1960s. The cover colors are extra bright due to the deep black background, and the spine and corners are crisp. Overstreet 2003 NM 9.4 value = $40
Giant-Size Chillers #1 Western Penn pedigree (Marvel, 1974) CGC NM 9.4 White pages. Featuring "The Curse of Dracula," this square bound Giant-Size comic has the origin and first appearance of Lilith, Dracula's daughter. This great cover is by John Romita Sr., and the interior art is by Gene Colan and Frank Chiaramonte. There's also a reprint story from Adventures Into Weird Worlds #4 with vintage Russ Heath art. This comic seems untouched by the ravages of time -- could it be... undead? Overstreet 2003 NM 9.4 value = $45.
Giant-Size X-Men #1 (Marvel, 1975) CGC VF+ 8.5 Off-white pages. Here's the first appearance of the new X-Men, including Storm, Nightcrawler, Colossus, and Thunderbird. Another of the new X-Men, Wolverine, had first appeared just a few months prior, making this a historical Bronze Age issue indeed, surpassed in value (according to Overstreet) by only The Incredible Hulk #181. Gil Kane cover with Dave Cockrum art. Overstreet 2003 VF 8.0 value = $587; VF/NM 9.0 value = $869.
The Incredible Hulk #144 Western Penn pedigree (Marvel, 1971) CGC NM+ 9.6 Off-white to white pages. The Greenskin Goliath finds himself battling Doctor Doom after his alter-ego, Bruce Banner, gets tricked into building a makeshift gamma bomb for the monarch of Latveria. Dick Ayers and John Severin provide the art for this, the last 15-cent issue. A virtually unimprovable Bronze Age comic, this is currently the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $20.
The Incredible Hulk #179 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. This issue brings us a match-up between the incredible Hulk and the utterly forgettable Missing Link, with art by Herb Trimpe and Jack Abel. If you aren't sure who to bet on in this brawl, just keep in mind that the madder Hulk gets, the stronger Hulk gets. (Which can be very helpful in a fight.) This particular copy of this issue seems to have Hulk-worthy strength in its ability to resist damage and wear. To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $12.
The Incredible Hulk #180 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The Hulk battles Wendigo in this issue, but at the very end of the story, a new character is introduced who would eventually be considered the biggest superhero to come out of the Bronze Age of comics. The following issue of this title is revered for Wolverine's first "full" appearance, but here's where it started. This copy comes certified with the highest grade CGC has assigned yet for issue #180. Holding out for a better copy is futile! Overstreet 2003 NM 9.4 value = $140.
The Incredible Hulk #180 (Marvel, 1974) CGC NM- 9.2 Off-white to white pages. The cover feature showcases our hero, the Incredible Hulk, versus the man-eating Wendigo -- but the real attraction in this undervalued issue is the first appearance of future X-man, movie star, and perennial fan-favorite, the marvelous mutant Wolverine. While Wolvie may only appear in the last panel of this issue, his appearance brought a new dimension of gritty characterization and barely-restrained violence to the Marvel universe. Artwork by Herb Trimpe and Jack Abel deserves a mention, as does the impressive condition of this copy; the only visible defect we can see is a tiny bindery tear at the bottom of the spine. Overstreet 2003 NM 9.4 value = $140.
The Incredible Hulk #181 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. The Bronze Age's most in-demand book features the first full appearance of Wolverine, whose already enormous popularity has been bolstered even higher by the X-Men movies. Herb Trimpe contributed to a lot of issues for Marvel, particularly for this title, but for no other issue even remotely as important as this blockbuster. This is a mouth-watering copy, bested somehow in CGC grade by just one other copy to date. This is the issue and the copy you've been pining for! Overstreet 2003 NM 9.4 value = $1,150.
The Incredible Hulk #181 (Marvel, 1974) CGC NM 9.4 Off-white to white pages. Few characters from the Bronze Age have had as much success infiltrating public awareness outside of the comic market as Wolverine has. The two recent X-Men movies have only added to the character's success, which was originally established by Chris Claremont, John Byrne, and later by Frank Miller. His first full appearance in this issue certainly caught the immediate attention of the "Marvel maniacs" of the day, and helped him secure a spot in the line-up of an updated group of X-Men. This copy is bright, colorful, flat, and tight; sure to satisfy the most discriminating collector of high-end keys. Overstreet 2003 NM 9.4 value = $1,150.
The Incredible Hulk #181 (Marvel, 1974) CGC VF+ 8.5 Off-white pages. The first full appearance of Wolverine has made this issue the hottest Bronze Age comic book of all, now surpassing even Giant-Size X-Men #1 in value. Herb Trimpe provided the cover and interior art. Cover colors are bright and bold on this high-grade gem. Overstreet 2003 VF 8.0 value = $595; VF/NM 9.0 value = $873.
The Invaders #1 (Marvel, 1975) CGC NM 9.4 Off-white pages. Timely's finest, Captain America, the Human Torch, and Sub-Mariner, band together yet again to fight the Axis powers. Sure it was the Bronze Age of comics, but the appeal of seeing the greatest superheroes of World War II together again wasn't lost on fans. This issue has a cover by John Romita Sr. and interior art by Frank Robbins, the story was continued from Giant-Size Invaders #1. Overstreet 2003 NM 9.4 value = $45.
Marvel Team-Up #3 (Marvel, 1972) CGC NM/MT 9.8 Off-white to white pages. Featuring Spider-Man and the Human Torch, this early team-up issue is the third-ever appearance of the vampire Morbius. The cover by Gil Kane and interior art by Ross Andru are nice enough, but the real story here is the stellar grade awarded by CGC. According to CGC's current census, this Bronze Age beauty ranks at the top of the heap. To date, no other copies of this issue have received a higher certified grade. Own the best! Overstreet 2003 NM 9.4 value = $60.
Nova #1 Group (Marvel, 1976). This is a group of two issues of Nova #1. This book contains the first appearance and origin of this hero, "in the marvelous tradition of Spider-Man!" The first issue is NM+ 9.6 with white pages and the second copy is NM/MT 9.8 with off-white to white pages. The NM/MT 9.8 copy is the highest yet graded by CGC. Overstreet 2003 NM 9.4 value for group = $30.
Shanna the She-Devil #1 (Marvel, 1973) NM/MT 9.8 White pages. This was Marvel's entry into the jungle woman theme. Shanna may not have exactly taken the comic world by storm but you sure can't blame Marvel for trying. This is her first appearance and it is graced by a fantastic cover by Jim Steranko. George Tuska handles the interior art. To date, no other copies of this book have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $28.
The Silver Surfer #12 (Marvel, 1970) CGC NM+ 9.6 Cream to off-white pages. This gorgeous copy is about as good as it gets -- no other copies of this issue in CGC's most recent census rates higher than this one. To top it off, there's artwork by John Buscema and Dan Adkins, and an appearance by the Hulk's foe, the Abomination. Overstreet 2003 NM 9.4 value = $80.
The Silver Surfer #12 (Marvel, 1970) CGC NM 9.4 White pages. In the 1960s and early 1970s, no sport seemed cooler than surfing. Popular songs were played on radios everywhere, movies with surfing themes or footage were big, and in comics there was the Silver Surfer. This copy comes our way from a remarkable collection; they were carefully stored throughout the years and retain newsstand-fresh color, gloss, and white page quality. This is a top-notch copy, and it comes with a certificate of authenticity from the "Edenwald Collection." Overstreet 2003 NM 9.4 value = $80.
The Silver Surfer #13 (Marvel, 1970) CGC NM 9.4 White pages. Here comes the Silver Surfer, riding in to save the day, and looking extremely cool doing it! This is a delightful copy, with fresh color and gloss, and great page quality. It's from a very well preserved hoard of comics, the "Edenwald Collection," and a certificate with the details of this remarkable find is included. Overstreet 2003 NM 9.4 value = $80.
The Silver Surfer #16 (Marvel, 1970) CGC NM 9.4 Cream to off-white pages. A truly beautiful copy, featuring guest stars Nick Fury and S.H.I.E.L.D. -- and the Surfer's return bout with Mephisto. Art by John Buscema and Chic Stone. Overstreet 2003 NM 9.4 value = $80.
Spectacular Spider-Man #1 (Marvel, 1976) CGC NM+ 9.6 Off-white pages. This spin-off Spider-Man title features a nifty origin recap, plus the return of one of Spidey's more interesting foes, the Tarantula. This is a sharp, fresh copy, clean and tight. Overstreet 2003 NM 9.4 value = $50.
Tomb of Dracula #1 (Marvel, 1972) CGC NM+ 9.6 Off-white to white pages. Dracula lives! At least, that's what the cover of this key Bronze Age issue proclaims. This fan-favorite debut issue introduces Count Dracula to the Marvel Universe, with story art by Gene Colan and cover art by Neal Adams. A top-grade copy with fully fresh paper, great color inks, and virtually perfect gloss. There are currently only two copies of this issue that have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $180.
Tomb of Dracula #10 (Marvel, 1973) CGC NM+ 9.6 White pages. Long before Wesley Snipes made Blade the Vampire Slayer a movie star, Marv Wolfman and Gene Colan pitted him against the king of vampires -- and here's his very first appearance! You'll be amazed by this stunning copy -- only three specimens have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $120.
Tomb of Dracula #10 (Marvel, 1973) CGC NM 9.4 Off-white pages. This intense cover introduces Blade the Vampire Slayer, who stands ready to dispatch the unearthly Count with one of his signature knives. But what about the girl -- can she still be saved? This key first appearance issue has great gloss, vivid colors, sharp corners, and a tight spine. It's supernaturally nice! Overstreet 2003 NM 9.4 value = $120.
Tomb of Dracula #24 (Marvel, 1974) CGC NM/MT 9.8 Off-white to white pages. This comic is noteworthy not only for its great cover, and art by Gene Colan and Tom Palmer, or for its top-of-the-line CGC grade, but also for an early appearance of Blade the Vampire Slayer. (Blade was only introduced back in issue #10.) To date, this is the highest CGC-graded copy of this issue. Overstreet 2003 NM 9.4 value = $20.
Werewolf by Night #1 (Marvel, 1972) CGC NM+ 9.6 Off-white to white pages. It's one of the more popular books of the Bronze Age, thanks to great art by Mike Ploog... and a cover that is prone to damage. Of the more than 120 copies CGC has slabbed to date, only six have graded equally or higher! Overstreet 2003 NM 9.4 value = $110.
What If? #1 (Marvel, 1977) CGC NM/MT 9.8 Off-white to white pages. One of the most enjoyable titles to read that Marvel ever put out, and here we've got one that's a true beauty. This debut issue ponders how things would have worked out if Spidey had have joined forces with the FF, with art by Jim Craig and Pablo Marcos. It is amazing that a square bound book could have possibly survived in such a high state of preservation. To date, no other copies of this issue have been graded higher by CGC. Overstreet 2003 NM 9.4 value = $25.
X-Men #64 (Marvel, 1970) CGC NM 9.4 Cream to off-white pages. This is an exceptional copy with intense cover colors, high gloss, and pointy corners. The X-Men titles have produced some of the best supporting characters ever. This issue features the first appearance of Sunfire, drawn by Don Heck and Tom Palmer. Very minor stress to the bottom staple. Overstreet 2003 NM 9.4 value = $105.
X-Men #66 (Marvel, 1970) CGC NM+ 9.6 Off-white pages. Your fellow collectors will think you used a time machine to buy this copy straight off the stands. It's one of six specimens currently graded NM+ 9.6 by CGC, with no copies graded higher! Plus, the Incredible Hulk takes on the X-Men! Sal Buscema and Sam Grainger artwork. Note: this was the last original X-Men issue; reprints began in #67. Overstreet 2003 NM 9.4 value = $100.
X-Men #66 (Marvel, 1970) CGC NM 9.4 Off-white pages. This issue marks the end of original X-Men stories, fans would have to survive on reprints until Giant Size X-Men #1 and X-Men #94 reinvent the team we now know and love. The Hulk drops by to wish the old crew a fond farewell, or at least provide some fun diversion. This copy looks as if it was printed last week, rather than 1970. The certificate of authenticity included will explain why -- this comic is from the well-maintained "Edenwald Collection." Overstreet 2003 NM 9.4 value = $100.
X-Men #94 (Marvel, 1975) CGC NM 9.4 Off-white pages. The new X-Men begin with this issue, brought to you by Len Wein and Chris Claremont (writers) and Dave Cockrum, with Bob McLeod and Gil Kane, on art. The characters who debuted in Giant Size X-Men #1, Nightcrawler, Storm, Thunderbird, and Colossus make their sophomore appearance, while Cyclops, Wolverine, and Banshee add some much-needed experience to the mix. This was big, big stuff, true believers, and their legend continues to grow with every new spin-off series, animated television show, and feature film. This is a true landmark Bronze Age comic, and a highly desirable key issue. This particular copy is beautiful, a high-grade collector's dream come true. Overstreet 2003 NM 9.4 = $950.
X-Men #101 (Marvel, 1976) CGC NM+ 9.6 Off-white to white pages. Only one copy in CGC's latest census grades higher than this remarkable example of X-Men #101. The "death" of Jean Grey in 2003's "X-Men United" movie hints to the comics reader of her impending rise from the ashes as Phoenix. Here's the story they'll be filming. Overstreet 2003 NM 9.4 value = $135.
Dudley Do-Right #1 (Charlton, 1970) CGC NM 9.4 Off-white pages. Superlative example of a Bronze Age Jay Ward classic; no copies of Dudley Do-Right #1 rank higher in CGC's current census. Vibrant cover colors, truly appreciated since so many of Charlton's covers age poorly. Frank Johnson cover art. Overstreet 2003 NM 9.4 value = $120.
Modern Age (1980-Present)
Amazing Spider-Man #200 (Marvel, 1980) CGC NM/MT 9.8 White pages. Spidey's origin is retold in this double-sized 200th anniversary edition. John Romita Jr. admirably handles the cover chores, with Keith Pollard and Jim Mooney illustrating the interiors. Overstreet 2003 NM 9.4 value = $35.
The Barks Collector - Lot of 25 (1982-86). If you are a fan of "the good duck artist", Carl Barks, then you can not live without this lot. The Barks Collector is unbeatable when it comes to information about the Disney ducks. Each issue is filled with a plethora of articles pertaining to every aspect of duck collecting that you could imagine. This lot contains issues #9-11, 14-30, 34, 35, Annual #1, and one unnumbered issue. To round things out you also get two issues of The Duckburg Times #10, 11, and 23. This is an invaluable collection for any reference library.
Batman/Grendel, Signed and Remarqued (First Limited Series) Group (DC, 1993) Condition: NM. One of the most epic battles of the early-90's was this showdown between Grendel and Batman, comics two dark knights. This series, written and drawn by Matt Wagner, was one of the years biggest sellers. This lot is a set of the two issues from the series, both have been signed and remarqued by Matt Wagner. Anyone attending comic book shows these days knows that the lines to meet Matt can run hours long, and at this point he only signs books. All of his art is now marketed through an agent, he does sketches before shows without distraction. This is a great opportunity to pick up a great story with sketches on the covers! On the cover of Batman/Grendel it is signed with Matt adding the symbols for Batman and Grendel in gold. On the cover of Grendel/Batman he adds a shot of the two fighting in the moonlight. Both issues are near mint.
Books
Cadillacs and Dinosaurs - Limited Signed Edition 6/1500 (Kitchen Sink, 1989) Condition: NM+. This limited edition hardcover book is signed by author Mark Schultz, and is numbered 6 out of 1500. Past and future meet in a world gone mad! Introduction by Al Williamson.
The Collected Omaha - Limited Signed Edition 11/1700 (Kitchen Sink, 1987) Condition: NM. Limited to 1700 copies, this volume collects the earliest Omaha stories which originally appeared in the underground comix Bizarre Sex #9 and #10, Dope Comix #5, Snarf #10 and Omaha #1 and #2. It is signed by both Reed Waller and Kate Worley, with an introduction by Reed Waller. The creative team has long since broken up and Omaha is not being published anymore, but the importance and popularity of this innovative series cannot be dismissed. While an erotic theme was central to the plot revolving around an anthropomorphic feline stripper, Omaha was also a highly literate, emotionally charged, and entertaining series. This book is not listed in Overstreet.
Elektra Assassin - Limited Edition Signed Hardcover (Graphitti Designs, 1987). This First Print Limited Edition hardcover is signed by two of the biggest talents to ever work in comics: Frank Miller and Bill Sienkiewicz. Featuring Daredevil's girlfriend Elektra, this book is both collectible and readable. The book is in stunning NM+ condition, while the dust jacket is NM. The original cover price at the time of release was $39.95.
Modern Age (1980-Present)
Neil Gaiman Group, Signed and Remarqued, Lot of two (Various). Two very interesting pieces. The first is a signed copy of Miracleman #17. The second is a copy of the Sandman DC hardcover "A Game of You" which reprints Sandman 32 through 37. The hardcover is signed inside "Dave - Never Stop Dreaming" and has a drawing of Morpheus set against a moonlit background by Neil. If you've ever waited in line for a Neil Gaiman signature you know the lines can be hours long, and he no longer sketches. Here's a chance for a great, remarqued book and a signed copy from the tough later run of Mircaleman.
Dave McKean Group, Lot of 2 (Various)Condition: VF. Two of the most popular things to ever come from the hands of Dave McKean. The first is a boldly signed copy of Arkham Asylum, which was written by Grant Morrison. The second is a signed copy of the out-of-print graphic novel Violent Cases, written by award winning author Neil Gaiman. Both are signed boldly by Dave McKean and are in Very Fine or better condition.
Books
Grendel: Devil By the Deed Limited Edition, Remarqued Artist's Proof (Graphitti Designs, 1986). One of modern comics great storytellers is Matt Wagner, and this is one of his best stories. A fully illustrated graphic novel that defies the normal "page and panel" comic book style. These pages are lushly painted and flow from one curved panel to the next. This is one of the five "Artist's Proof" copies that the publisher made for himself and Matt. It has been signed "To Dave - Matt Wagner" and he has added a killer, full page sketch of Grendel on the inside as well!
Life Force by Will Eisner, A Limited Signed Edition 2/1250 (Kitchen Sink, 1988) Condition: NM. This hardcover graphic novel weaves together a series of character studies set in a Depression era Bronx tenement. This awesome Limited Edition Signed Copy is in outstanding condition, and has the distinction of being numbered 2 out of 1250. The original retail price for this edition was $27.50.
Modern Age (1980-Present)
Sandman #8 Signed - Variant and Regular editions (DC, 1989) Condition: NM. One of the most popular titles of the 1990's, Sandman helped give a rebirth to the Horror/Fantasy genre. Written by multi-award winning writer Neil Gaiman issue, number eight from the series introduces Sandman's sister Death. This lot of two contains both the regular version of number eight, with the the cover signed by Neil, who has added, "Who's Dreaming...You?" The second copy is the limited version (only 600 copies), and it is also signed by Neil, who this time adds "Sleep Safely." to his inscription. You could wait in line for hours for Gaiman's autograph, or you could just win this lot and have two signings. Overstreet 2003 value for group = $82.
Books
Spirit Casebook by Will Eisner, Limited Signed Edition 1/1750 (Kitchen Sink, 1990) Condition: NM. This hardcover graphic novel contains 18 classic Spirit stories from the 1940s. Will Eisner's creation has an endearing quality that is just as timeless as Citizen Kane or Casablanca. The fact that these stories are reproduced in black and white is a huge bonus which aptly displays Eisner's master use of German expressionism with large black areas of shadow and harsh highlights that heightens the drama of the moment. This exquisite Limited Edition Signed Copy is in like new condition and has the distinction of being numbered 1 out of 1750. The original retail price for this edition was $29.95.
To the Heart of the Storm by Will Eisner, Signed Limited Edition 1/900 (Kitchen Sink, 1991) Condition: NM/MT. This hardcover graphic novel is what writer and artist Will Eisner describes as a "...thinly disguised autobiography." It deals with the prejudices and stereotypes that were prevalent in the years leading up to World War II. This exquisite Limited Edition Signed Copy is in like new condition and has the distinction of being numbered 1 out of 900. The original retail cover price for this edition was $39.95.
Modern Age (1980-Present)
Wolverine (limited series) #1 (Marvel, 1982) CGC NM/MT 9.8 Off-white to white pages. Marvel's most popular mutant spins out of the pages of X-Men into his first solo comic book, with art by Frank Miller. Overstreet 2003 NM 9.4 value = $55.
Wolverine (limited series) #4 (Marvel, 1982) CGC NM/MT 9.8 Off-white to white pages. Frank Miller has created some of the best comics of the Modern Age; his work on this Wolverine limited series is among most fan's favorites. The impact of this popular character remains huge in today's comics, television and feature films. This copy is as fresh as they come. Overstreet 2003 NM 9.4 value = $40.
Silver Age (1956-1969)
Nick Fury, Agent of SHIELD #2 Stan Lee File Copy (Marvel, 1968) CGC VG/FN 5.0 Cream to off-white pages. Some of the most striking covers from the late Silver Age were the ones Jim Steranko created for the first seven issues of this title. An added bonus here, of course, is that this copy comes right from Mr. Marvel, Stan Lee's own collection. Overstreet 2003 VG 4.0 value = $12; FN 6.0 value = $24.
Nick Fury, Agent of SHIELD #3 Stan Lee File Copy (Marvel, 1968) CGC VG 4.0 Cream to off-white pages. Jim Steranko had done his first work for Marvel well over a year before this series, but arguably saved his best work for the covers he created for this title. Well, just take a look! Stan Lee's own reference copy enhances the allure. Overstreet 2003 VG 4.0 value = $12.
Nick Fury, Agent of SHIELD #4 Stan Lee File Copy (Marvel, 1968) CGC VG/FN 5.0 Cream to off-white pages. The origin of S.H.I.E.L.D. is retold in this issue, which is fronted by the ingenious designs of Jim Steranko, who also provided the interior art. This copy has an overall nicer appearance than is normally associated with this CGC assigned grade, but does have just enough dings and wear around the edges to account for the certification. And anyway, it got this way because Stan "The Man" Lee read it so many times! It just can't get any cooler than that. Overstreet 2003 VG 4.0 value = $12; FN 6.0 value = $24.
Nick Fury, Agent of SHIELD #5 Stan Lee File Copy (Marvel, 1968) CGC VG+ 4.5 Cream to off-white pages. Of the seven outstanding covers Jim Steranko did for this title, only this one rates Overstreet's "classic cover" mention. High praise, indeed! Here's a solid mid-grade copy, lovingly read and referenced by Stan Lee himself! Overstreet 2003 VG 4.0 value = $12.
Nick Fury, Agent of SHIELD #7 Stan Lee File Copy (Marvel, 1968) CGC FN- 5.5 Off-white pages. The art of surrealist painter Salvador Dali is the obvious inspiration for this memorable cover, by comic wunderkind Jim Steranko. The interior art by Frank Springer is remarkably Steranko-ish in flavor, a nice touch that probably helped ease the pain for fans traumatized by Steranko's departure from the interior art chores on this cutting-edge title. The fact that this copy is from the reference files of Stan "the Man" Lee makes this comic all the more attractive. Overstreet 2003 FN 6.0 value = $45.
Nick Fury, Agent of SHIELD #9 Stan Lee File Copy (Marvel, 1969) CGC FN/VF Off-white to white pages. Nick Fury faces the maleficent wrath of the horrible Hate Monger in this issue, with cover and interior art by Golden Age comics veteran Frank Springer. While three copies of this issue have been graded higher by CGC, according to the current census information, we have little doubt that none of the others were once owned by Stan Lee. Grab this one while you can, Marvelites. Excelsior! Overstreet 2003 FN 6.0 value = $9; VF 8.0 value = $19.
Nick Fury, Agent of SHIELD #10 Stan Lee File Copy (Marvel, 1969) CGC FN 6.0 Off-white to white pages. Christmas themed comic covers have an appeal that is aptly demonstrated here, in this image from the hand of Frank Springer. This nice copy comes from the personal collection of Stan Lee. Overstreet 2003 FN 6.0 value = $9.
Sgt. Fury and His Howling Commandos #7 Stan Lee File Copy (Marvel, 1964) CGC FN/VF 7.0 Cream to off-white pages. Sgt.Fury faces court-martial in this exciting issue, drawn by Jack Kirby."If he's found guilty, it's the firing squad!" Gee, we certainly hope not! An attractive, glossy copy of an early issue, plus it's from Stan Lee's personal files. Overstreet 2003 FN 6.0 value = $39; VF 8.0 value = $92.
Sgt. Fury and His Howling Commandos #8 Stan Lee File Copy (Marvel, 1964) CGC FN+ 6.5 Cream to off-white pages. Jack Kirby on the cover and Dick Ayers on the interior handled the art chores for this issue, which featured Baron Zemo, and the first appearance of new Howler, Percival Pinkerton. Overstreet 2003 FN 6.0 value = $39.
Original Comic Art
Sgt. Fury and His Howling Commandos #9 Stan Lee File Copy (Marvel, 1964) CGC FN/VF 7.0 Off-white to white pages. Dick Ayers comes up with a dramatic Hitler cover and story for this issue. This is a nice copy from Stan's files. Overstreet 2003 FN 6.0 value = $39; VF 8.0 value = $92.
Silver Age (1956-1969)
Sgt. Fury and His Howling Commandos #11 Stan Lee File Copy (Marvel, 1964) CGC FN/VF 7.0 Cream to off-white pages. Direct to you from the archives of Stan Lee is this under-appreciated title. This book has an action-packed cover by Jack Kirby. Overstreet 2003 FN 6.0 value = $21; VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #12 Stan Lee File Copy (Marvel, 1964) CGC VF 8.0 Cream to off-white pages. Here's one of the nicer copies of this title from Stan's stash. Dick Ayers and George Bell handle the art. Overstreet 2003 VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #14 Stan Lee File Copy (Marvel, 1965) CGC VG/FN 5.0 Cream to off-white pages. The Blitz Squad makes its first appearance in this issue, with art by Dick Ayers. Take a piece of legendary comic scripter and editor Stan Lee home with you with one of his own file copies. Overstreet 2003 VG 4.0 value = $14; FN 6.0 value = $21.
Sgt. Fury and His Howling Commandos #15 Stan Lee File Copy (Marvel, 1965) CGC VF 8.0 Cream to off-white pages. This copy of Marvel's outstanding war title was personally owned by Stan "The Man" Lee. This just happens to be the only issue inked by Steve Ditko. Overstreet 2003 VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #16 Stan Lee File Copy (Marvel, 1965) CGC VF 8.0 Cream to off-white pages. Jack Kirby uses a blinding yellow and orange cover to effectively convey the feel of WWII fighting Sahara-style. One of the nicer copies of this title from Stan's pile. Overstreet 2003 VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #17 Stan Lee File Copy (Marvel, 1965) CGC VF 8.0 Cream to off-white pages. Fury and the troops venture into the jungle on this colorful cover. Dick Ayers and Vince Colletta provide art this time out. This nice copy came from Stan Lee's files; it's a solid, sharp book with great color. Overstreet 2003 VF 8/0 value = $53.
Sgt. Fury and His Howling Commandos #18 Stan Lee File Copy (Marvel, 1965) CGC VF 8.0 Cream to off-white pages. Jack Kirby provides a great cover this time out, framing an action shot of Fury with portraits of the Commandos. Inside, we have Dick Ayers art. A nice copy from Stan Lee's personal files. Overstreet 2003 VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #19 Stan Lee File Copy (Marvel, 1965) CGC VF 8.0 Off-white pages. Stan Lee held a position at the forefront of the creation of the Marvel Age. Now is your chance to own a book that came from his collection. This high grade beauty feature a Jack Kirby cover. Overstreet 2003 VF 8.0 value = $53.
Sgt. Fury and His Howling Commandos #20 Stan Lee File Copy (Marvel, 1965) CGC FN/VF 7.0 Cream to off-white pages. A dynamic action shot of Fury and company is featured on this cool Jack Kirby cover; inside we have Dick Ayers art. It's a clean, colorful copy from Mr. Lee's personal files. Overstreet 2003 FN 6.0 value =$21; VF 8.0 value - $53.
Sgt. Fury and His Howling Commandos #21 Stan Lee File Copy (Marvel, 1965) CGC FN/VF 7.0 Off-white pages. The Commandos free the hostages in this action-packed issue by artist Dick Ayers. This is a nice copy that came from Stan Lee's personal collection of comics. Overstreet 2003 FN 6.0 value =$15; VF 8.0 value = $38.
Sgt. Fury and His Howling Commandos #22 Stan Lee File Copy (Marvel, 1965) CGC VG 4.0 Cream to off-white pages. Fury and his Howlers encounter Bull McGiveney and his Maulers in this fun issue. It's a copy from Stan Lee's personal files, maybe not in the best shape but certainly not shabby. Overstreet 2003 VG 4.0 value = $10.
Sgt. Fury and His Howling Commandos #23 Stan Lee File Copy (Marvel, 1965) CGC VG/FN 5.0 Off-white pages. Dick Ayers took over for Jack Kirby early in the run of Marvel's first war title of the 1960s, and contributed on most of the issues through 1981. Here's Stan's own file copy of this issue. Overstreet 2003 VG 4.0 value = $10; FN 6.0 value = $15.
Sgt. Fury and His Howling Commandos #24 Stan Lee File Copy (Marvel, 1965) CGC FN/VF 8.0 Off-white pages. Dick Ayers spent much of his career working with or around Jack Kirby, and the King's influence is evident on this and other covers. From Stan Lee's comic stash to yours, with love. Overstreet 2003 FN 6.0 value = $15; VF 8.0 value $38.
Sgt. Fury and His Howling Commandos #25 Stan Lee File Copy (Marvel, 1965) CGC FN 6.0 Off-white pages. Jack Kirby provided the cover for this issue, one of the few he contributed after the first twenty issues. Dick Ayers helped with interior art. The Red Skull makes an appearance herein. Overstreet 2003 FN 6.0 value = $18.
Sgt. Fury and His Howling Commandos #26 Stan Lee File Copy (Marvel, 1966) CGC FN+ 6.5 Cream to off-white pages. Dum Dum, Fury's derby- wearing Commando, takes center stage this issue. A great cover by Dick Ayers, who also handles the interior art. This copy, from Stan Lee's personal collection, looks very nice for the grade. Overstreet 2003 FN 6.0 value = $15.
Sgt. Fury and His Howling Commandos #27 Stan Lee File Copy (Marvel, 1966) CGC FN 6.0 Cream to off-white pages. The origin of Sgt. Fury's eye-patch is told in this issue, and Eric Koenig makes his first appearance. Dick Ayers contributes cover and interior art. Overstreet 2003 FN 6.0 value = $18.
Sgt. Fury and His Howling Commandos #28 Stan Lee File Copy (Marvel, 1966) CGC FN- 5.5 Off-white pages. This is your chance to own a piece of history. This is a book straight from the files of Stan Lee that he must have referred to over the years. Overstreet 2003 FN 6.0 value = $15.
Sgt. Fury and His Howling Commandos #29 Stan Lee File Copy (Marvel, 1966) CGC FN 6.0 Cream to off-white pages. This book features a great Nazi/swastika cover as the sarge preps to pound the hell out of Baron Strucker. It gets even better, this is the copy that was owned by Stan Lee meaning he probably held and read this very book. Overstreet 2003 FN 6.0 value = $15.
Sgt. Fury and His Howling Commandos #30 Stan Lee File Copy (Marvel, 1966) CGC VG/FN 5.0 Cream to off-white pages. What do you think Stan "The Man" Lee read when he had time on his hands...his file copies of course. Now you too can own a book directly from Stan's personal files. Overstreet 2003 VG 4.0 value = $10; FN 6.0 value = $15.
Sgt. Fury and His Howling Commandos #31 Stan Lee File Copy (Marvel, 1966) CGC VG+ 4.5 Cream to off-white pages. Nice cover colors on this copy seem to contradict the CGC grade, but there is cumulative wear around the edges to account for the mid-grade. Dick Ayers did the cover and interior art. Overstreet 2003 VG 4.0 value = $7.
Sgt. Fury and His Howling Commandos #32 Stan Lee File Copy (Marvel, 1966) CGC VF- 7.5 Cream to off-white pages. Fury discovers " a Traitor in Our Midst" in this issue, which features art by Dick Ayers. It's a solid, flat copy, plucked directly from Stan Lee's personal files. Overstreet 2003 VF 8.0 value = $23.
Sgt. Fury and His Howling Commandos #34 Stan Lee File Copy (Marvel, 1966) CGC FN- 5.5 Cream to off-white pages. Whenever Stan Lee needed to reference a book he turned to his file copies. This is your chance to own one of those copies. This issue features the origin of the Howling Commandos. Overstreet 2003 FN 6.0 value = $12.
Sgt. Fury and His Howling Commandos #36 Stan Lee File Copy (Marvel, 1966) CGC VG/FN 5.0 Cream to off-white pages. This issue features the "Making of a Howler!" Dick Ayers handles the art chores. It's a nice looking copy than once was part of Stan Lee's files. Overstreet 2003 VG 4.0 value = $7; FN 6.0 value = $10.
Sgt. Fury and His Howling Commandos #38 Stan Lee File Copy (Marvel, 1967) CGC VG 4.0 Cream to off-white pages. A wild action shot of Fury and crew in mid-air highlights this issue. It's a cover drawn by Dick Ayers, who turns in art for the interior pages as well. This is a pretty nice looking copy, with great color and cover gloss. And if that's not enough, keep in mind this book is from Stan Lee's personal files. Overstreet 2003 VG 4.0 value = $7.
Sgt. Fury and His Howling Commandos #47 Stan Lee File Copy (Marvel, 1967) CGC VG 4.0 Cream to off-white pages. EC alumni John Severin's inks shines through on the work he did with Dick Ayers, especially on this appealing cover. These Stan Lee file copies won't last forever; do you have yours yet? Overstreet 2003 VG 4.0 value = $7.
Sgt. Fury and His Howling Commandos #48 Stan Lee File Copy (Marvel, 1967) CGC VG+ 4.5 Cream to off-white pages. The Howlers battle Nazis in a bid to retain Britain's freedom in this book that was owned by Stan Lee. Overstreet 2003 VG 4.0 value = $7.
Bronze Age (1970-1979)
Sgt. Fury and His Howling Commandos #80 Stan Lee File Copy (Marvel, 1970). Our offerings of Stan Lee file copies can't last forever so here is your chance to grab one for the right price. This very book belonged to "The Man" for over three decades. Overstreet 2003 FN 6.0 value = $6.
Silver Age (1956-1969)
The Silver Surfer #1 Stan Lee File Copy (Marvel, 1968) CGC VG 4.0 Cream to off-white pages. Signature Series. One of Stan Lee's most unique and glamorous creations, the Silver Surfer had made his first appearance two years earlier in Fantastic Four #48. The Surfer's origin is told in more detail in this premiere issue, with John Buscema providing cover and interior art. Gene Colan pitches in with a Watcher back-up story. CGC notes, "Signed by Stan Lee on 8/6/2002 on cover." Overstreet 2003 VG 4.0 value = $84.
Strange Tales #109 Stan Lee File Copy (Marvel, 1963) CGC VG- 3.5 Cream to off-white pages. Jack Kirby renders a horrifying cover as the Human Torch is terrorized by the Imps from Pandora's box. It features interior artwork by the talented Steve Ditko. This copy comes from the personal collection of Stan Lee. Overstreet 2003 VG 4.0 value = $38.
Strange Tales #120 Stan Lee File Copy (Marvel, 1964) CGC VG- 3.5 Cream to off-white pages. This issue featured the long awaited first meeting of the Human Torch and Iceman. It was also the first crossover of Iceman outside of X-Men. This copy comes from the personal collection of Stan Lee, who happens to have written this classic issue. Overstreet 2003 VG 4.0 value = $18.
Strange Tales #137 Stan Lee File Copy (Marvel, 1965) CGC VG 4.0 Cream to off-white pages. This beauty features a stylish cover by John Severin that only hinted at the fantastic story inside by Stan Lee. Steve Ditko drew the Doctor Strange story for this issue. This copy comes from the personal collection of Stan Lee. Overstreet 2003 VG 4.0 value = $10.
Strange Tales #138 Stan Lee File Copy (Marvel, 1965) CGC FN+ 6.5 Off-white pages. This is a nice copy from Stan Lee's personal collection of comics. It is tight and bright, with only moderate surface wear keeping it from the high-grade range. This classic issue features the first appearance of Eternity. Overstreet 2003 FN 6.0 value = $15.
Strange Tales #139 Stan Lee File Copy (Marvel, 1965) CGC VG 4.0 Cream to off-white pages. This awesome issue features interior art by Steve Ditko and Jack Kirby. This copy comes from the personal collection of Stan Lee, who wrote the classic stories contained within. Overstreet 2003 VG 4.0 value = $10.
Strange Tales #140 Stan Lee File Copy (Marvel 1966) CGC VG 4.0 Off-white pages. "The End of Hydra!" was the highly anticipated finish to one of the most exciting storylines that Stan Lee had written for the Strange Tales title. The fact that this particular issue comes from the personal collection of "the Man" who wrote it, makes this a prize indeed. Overstreet 2003 VG 4.0 value = $10.
Strange Tales #152 Stan Lee File Copy (Marvel, 1967) CGC VF- 7.5 Cream to off-white pages. Stan Lee's contribution to the comic industry cannot be denied. The opportunity to own a comic book from his personal collection is something that shouldn't be missed. This nice issue features a great cover by Marie Severin. Overstreet 2003 VF 8.0 value = $34.
Strange Tales #153 Stan Lee File Copy (Marvel, 1967) CGC VF- 7.5 Cream to off-white pages. Another classic cover and interior inks by Jim Steranko make this nice copy from the personal collection of Stan Lee doubly desirable. Overstreet 2003 VF 8.0 value = $34.
Strange Tales #154 Stan Lee File Copy (Marvel, 1967) CGC FN/VF 7.0 Cream to off-white pages. This issue features cover art by Marie Severin and interior art by Jim Steranko. This copy comes from the personal collection of Stan Lee. Overstreet 2003 FN 6.0 value = $15; VF 8.0 value = $34.
Strange Tales #155 Stan Lee File Copy (Marvel, 1967) CGC VG/FN 5.0 Cream to off-white pages. Jim Steranko burst onto the Marvel scene with his classic run on the Nick Fury storyline, earning instant fan acclaim. This fantastic cover features all of the dynamic qualities which made that happen. Add the fact that this particular issue is from the personal collection of Stan Lee, and you have a comic that is a must-own. Overstreet 2003 VG 4.0 value = $10; FN 6.0 value = $15.
Strange Tales #156 Stan Lee File Copy (Marvel, 1967) CGC VF 8.0 Cream to off-white pages. This Marie Severin cover really "grabbed" the viewer and led him into an issue that also featured interior art by Jim Steranko. Stan Lee was at the top of his form in 1967. This copy from Stan's personal collection will be prized by it's future owner. Overstreet 2003 VF 8.0 value = $34.
Strange Tales #157 Stan Lee File Copy (Marvel, 1967) CGC FN/VF 7.0 Cream to off-white pages. This issue features a great cover and interior artwork by Jim Steranko. Comics from Stan Lee's personal collection are becoming cherished parts of many other comic collections. Don't miss this opportunity to pick up this gem from the peak of his career. Overstreet 2003 FN 6.0 value = $15; VF 8.0 value = $34.
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842