2002 March Comic Auction
| Sale Number: | 802 |
| Location: | |
| Auction Date: | March 15th at 7 PM CT through March 17th |
Session 3
Movie Posters
Invaders From Mars (20th Century Fox, 1953) One Sheet (27"X41") Beautiful science fiction poster for one of the classics of the genre! The film is told from the point of view of the boy who witnesses the invasion of aliens from the red planet who capture and brainwash the residents of his town. This is the mis-marked 1955 sheet which has often been mistaken for a re-issue. Fox did not re-issue the film in '55 and from there the assumption must be made that it is either a second printing that was perhaps used overseas or a planned and aborted re-issue. Either way the sheet offered here is known to be the more attractive style. Deeper colors, etc. Near Mint.
Invasion of the Body Snatchers (Allied Artists, 1956) One sheet (27" X 41") One of the most important sci-fi films of the 1950s played upon American's fears of being "taken over" by alien invaders. The aliens in this context were pods from space but this was just a cover for the underlying fear of "red communists". Very Fine on Linen.
Invasion of the Saucerman (American International 1957) One Sheet (27"X41") Albert Kallis designed this poster which has become one of the most sought after and valued posters from the sci-fi genre. These kooky Brussell Sprout monsters from Mars seem to be the choice of the collector now. Fine on Linen.
Attack of the 50 Ft. Woman (Allied Artists 1958) One Sheet (27" X 41") This $65,000. quickie shot in eight days has become a cult classic of the fifties sci-fi genre. The poster is one of the hottest on the market today. Very Fine on Linen.
Earth Verses the Flying Saucers (Columbia, 1956). One Sheet (27"X41") This wonderful poster from a Ray Harryhausen classic of alien saucers bent on colonizing Earth, is a superior example of the genre's best! Very Fine on Linen.
Earth vs. the Flying Saucers (Columbia 1956) Lobby Card Set (11" X 14") Very Good.
Earth vs. the Flying Saucers (Columbia 1956) Three Sheet (41" X 81") Very Fine on Linen.
When Worlds Collide (Paramount, 1951). One Sheet (27"X41") This early science fiction epic by George Pal was highlighted by the destruction of the entire planet. It was produced for almost $1 million in 1950. Very Fine+ on Linen.
When Worlds Collide (Paramount 1951) Lobby Card Set (11" X 14") This is the entire set from this science fiction classic about the Earth in the path of a rogue planet. Very Fine.
The Invisible Boy (MGM, 1957). One Sheet (27"X41") Using the leftover robot from "Forbidden Planet", MGM fashioned a "sequel" to their hit with "Robbie, the Robot" as the star. This beautiful poster may be the poor man's "Forbidden Planet", yet it is quite spectacular in its own right. Very Fine on Paper.
The War of the Worlds, (Paramount, 1953). One Sheet (27"X41") This H.G. Welles story was bought by Cecil B. DeMille in the twenties and was never made until sci-fii Producer George Pal undertook it in the early fifties. What was produced remains today one of the finest science fiction films in history. The poster offered here is always sought after by the genre's fans. Very Fine on Linen.
War of the Worlds (Paramount 1953) Lobby Card Set (11"X 14") This fine, complete lobby card set is from the classic George Pal film from the H.G. Welles story. Near Mint.
War of the Worlds, The (Paramount, 1953).Belguim. This Belgium poster features the Martian war ships in a vibrant graphic display of destruction. Highly sought after by the sci-fi collector. Very Fine, Folded.
The Blob (Paramount, 1958). One Sheet (27"X41") This is the film that evokes all the memories of the camp Sci-Fi classics of the fifties! Steve McQueen in his first starring role leads a group of teenagers into battle to save their town from being devoured by a giant glob of outer space Jell-O! Near Mint.
Plan 9 From Outer Space (DCA, 1959). One Sheet (27"X41") Offered here is the rare two-color version of the poster from what is hailed as the worst film ever made. Ed Wood's infamous film is the story of grave robbers from outer space who believe they can conquer Earth by resurrecting an army of corpses. Near Mint on Linen.
Beginning of the End (Republic, 1957). One Sheet (27"X41") Of all the science fiction images of the fifties, this poster is perhaps the best and the worst in a very charming way. The famous Bert I. Gordon or B.I.G. created many of the effects in his films in his own garage. Look at the fangs on that grasshopper! Who is that scantily clad woman lying supine on the lower border? And what is Horrorscope? Very Fine on Linen.
War of the Colossal Beast (American International, 1958). One Sheet (27"X41") This film was AIP's sequel and attempt to repeat its success with "The Amazing Colossal Man". This dynamic poster designed by Albert Kallis offered much more than the film delivered. Very Fine+.
20 Million Miles to the Earth (Columbia, 1957). One Sheet (27"X41") In one of the best science fiction films of the fifties, Ray Harryhausen's "Ymir" is a Venusian monster on the loose, ship-wrecked on Earth! The effects are spectacular for their time. Fine+ / Very Fine.
20 Million Miles to Earth (Columbia, 1957). Three Sheet (41"X81") Offered here is another format for the very popular science fiction title of the fifties. Fine+ on Linen. Small censor stamp.
The Monster that Changed the World (United Artists, 1957). One Sheet (27"X41") This stunning poster actually pictures the giant mollusks (big caterpillars in snail shells) that menace mankind. Very Fine+ / Near Mint.
Phantom From Space (United Artists, 1953). One Sheet (27"X41") This early sci-fi thriller was directed by the great director Billy Wilder's older brother W. Lee Wilder. This "classic" film is the tale of an invisible alien invader who crashes on Earth wearing a diving suit with tanks filled with methane gas! Very Fine+.
Planet of the Vampires (American International, 1965). One Sheet (27"X41") This eerie little Italian science - fantasy film was directed by Mario Bava and starred American Barry Sullivan with an otherwise full Italian cast. The interesting science fiction/horror graphics of artist Reynold Brown make this poster a visual treat. Very Fine +.
The Monolith Monsters (Universal, 1957). One Sheet (27"X41") Fantastic Reynold Brown artwork graces this prized science fiction poster for a very good film from the sci-fi genre. Near Mint / Mint.
This Island Earth (Universal 1955) Lobby Card Set (11"X14") This set of card features the wonderful poster art of Reynold Brown on the Title Card. The cards depict some of the exciting moments from this staple of the science fiction genre. Very Fine+ / Near Mint.
The Time Travelers (American International, 1964). One Sheet (27"X41") This stunning poster was designed by the famous artist Reynold Brown to promote AIP's science fiction tale of time travel. Very Fine.
Journey to the Center of the Earth (20th Century Fox, 1959). One Sheet (27"X41") Jules Verne's story of a daring adventure into the Earth's core is told in Cinemascope starring James Mason and Pat Boone. An unlikely pairing made for an entertaining film. Fine+ / Very Fine.
The Day the World Ended (American Releasing Corp., 1956). One Sheet (27"X41") This film marked Roger Corman's first outing in the sci-fi arena and told the tale of a post nuclear microcosm that is invaded by mutant creatures from within the group and from the outside. This poster was one of famed artist Albert Kallis' early science fiction designs. Fine+.
Atragon (American International, 1964). One Sheet (27"X41") Noted artist Reynold Brown illustrated this poster from the Japanese science fiction film brought to us by the same team that produced "Godzilla". It is the story of the undersea kingdom of Mu and its threat to take over Earth. Near Mint.
Attack of the Crab Monsters (Allied Artists, 1957). One Sheet (27"X41") Roger Corman directed this all-time classic low budget horror film about mutated giant crabs that take over the minds of the scientists that they've killed and beckon to their companions. This poster is one of the most sought after by sci-fi fans and schlock cinema fans alike! Would you believe that Jack Nicholson was one of the guys in the crab suit? Very Fine+ on Linen.
It! The Terror From Beyond Space (United Artists, 1958). One Sheet (27"X41") The second spaceship from Mars heads for Earth with the only survivor, accused of murdering his crewmates, on board. But the real murderer, Ray "Crash" Corrigan, as the Martian monster, is hidden. Do you suppose the creators of "Alien" ever saw this one? The paper on this very good sci-fi film has always been tough to find! Very Good / Fine / corner missing.
Voyage to the End of the Universe (American International, 1963). One Sheet (27"X41") This Czech film was the story of a 25th Century space crew threatened by a mysterious dark star. The posters for space films of this period were often graphically superior to those of other genres as this was the beginning of the "space age" and illustrators were working constantly to embellish them. Fine+.
Gorgo (MGM, 1961). One Sheet (27"X41") This fine British sci-fi movie was the story of an infant sea monster brought to London and the ensuing havoc. The poster artist was the famous Joseph Smith. Very Fine.
The Day of the Triffids (Allied Artists, 1960). One Sheet (27"X41") Joseph Smith art highlights this poster of the movie based on a John Wyndham novel of mutating experimental plants turning to man-eating creatures. Fine +.
Valley of the Gwangi (Warner Brothers, 1969). One Sheet (27"X41") Based on the "King Kong" story by Willis O'Brien and featuring special effects by his protégé Ray Harryhausen, this film produced a grand poster featuring the hunted prehistoric creature. Fine+.
The First Spaceship on Venus (Crown-International, 1962). One Sheet (27"X41") This film was a German-Polish co-production that was dramatically cut down to incoherency by its American distributors. Yet the poster produced for this film is truly beautiful. Fine+.
Aliens (20th Century Fox 1986) Polish one sheet. James Cameron's rapid paced sci-fi epic picks up where the original "Alien" left off. This original Polish poster features an amazing design! Rolled in near mint condition.
The Terminator, (Orion, 1984). One Sheet (27"X41") This wonderful science-fiction film about a cyborg sent back in time to kill an innocent woman has everything an action thriller should have. Arnold Schwarzenegger and director James Cameron were both put on the map by this big hit. Near Mint.
20 Million Miles to Earth (Columbia 1957) Half Sheet (22" X 28") Very Fine. Rolled.
It Conquered the World (American International 1956) Half Sheet (22"X28") This great poster of the Venusian cucumber monster was designed by Albert Kallis. The layout makes it one of the more desirable pieces from this title with its horizontal format. Very Fine, Rolled.
Tarantula! (Universal, 1955).Half Sheet (22"X28") With the success of "Them," other giant creature films emerged, Tarantula is one of the best known of the lot. Shown here is the rare newspaper headline Style "B" half sheet with Reynold Brown artwork. Very Fine+, Rolled.
Donovan's Brain (United Artist, 1953). One Sheet (27" X 41")This science fiction thriller, starring Lew Ayres and a young Nancy Davis (Reagan), is about a scientist who keeps a man's brain alive in his laboratory and becomes obsessed and dominated by it. Very Fine+.
Rollerball (United Artists 1975) One Sheet(27" X 41") and set of lobby cards(11" X14"). James Caan stars in this extremely violent tale of professional corporate sports of the future! Bob Peak designed the one sheet. Both items in Near Mint condition.
Mysterious Island (United Artists, 1961). One Sheet (27"X41") This Jules Verne story was his sequel to "20,000 Leagues Under the Sea". The well made film of escaped Confederate prisoners hijacking a balloon which is blown onto an island of giant creatures, features the grand special effects of Ray Harryhausen. Very Fine+.
Teenage Caveman (AIP, 1958). Three Sheet (41" X 81"). Robert Vaughn, who would go on to become television's The Man From UNCLE, makes an early appearance in Roger Corman's tale of a post-nuclear holocaust! Near Mint.
One Million Years B.C. (20th Century Fox 1966) Italian. Raquel Welch became an overnight sensation and one of the most popular sex symbols in the world when she appeared on this impressive poster. One of the true icons of the 1960s! Very Fine on Linen.
Fantastic Voyage (20th Century Fox 1966) One Sheet (27" X 41"). Raquel Welch and a crew of scientists shrink down to microscopic size in an effort to complete a surgical task inside the human body! One of the most imaginative sci-fi's ever made, sports an amazingly simple and creative poster! Near Mint.
Planet of the Apes (20th Century Fox, 1968) One Sheet (27"X41") Yes, this is the original! Rod Serling's script based on a novel by Pierre Boulle, produced one of the finest sci-fi's of the sixties. This film was such a huge success that it spawned four sequels, a TV series and a Tim Burton remake last year! These posters are becoming hard to find. Very Fine+ on Linen.
Planet of the Apes (La Planete Des Singes) (20th Century Fox, 1968). French Affiche (47"X 63") Beautiful artwork by Mascii for this French poster for a key science fiction title. Very Fine+.
Rodan! The Flying Monster (Toho/DCA, 1957) One Sheet (27"X41") After the huge success of "Godzilla", Toho felt America was ready for its next giant creature, Rodan! He was a pterodactyl that could fly at supersonic speeds creating sonic havoc throughout the country. This is an important Japanese sci-fi film of the fifties. Fine.
The Angry Red Planet (American International, 1960). One Sheet (27"X41") This wonderful sci-fi poster features a Martian creature dubbed "the Bat-Rat-Spider" by a cult like following that has grown for this movie. This story of the first Mars expedition features a strange red tint photographic process used over the Martian sequences called "Cinemagic" by the creators. Very Fine+.
The Deadly Mantis (Universal, 1957). One Sheet (27"X41") The signed art of Ken Sawyer graces this wonderful example of the "Giant Bug" movie poster that was very prevalent in the mid fifties. Very Fine + - Near Mint.
The Deadly Mantis (Universal 1957) Six Sheet (81" X 81"). The illustration on this six sheet is different and better than most of the other posters. Art by Reynold Brown. Very Fine on Linen
The Creature Walks Among Us, The (Universal 1956) Window Card (14" X 22") The famous Universal monster is back in this third and final installment. Paper from all of the series is very collectible and getting harder to find. Fine / Minor Writing in Image.
Day the Earth Stood Still, The (20th Century Fox 1951) One Sheet (27"X41") This adult science - fiction film about an ambassador from another planet bringing a warning to the people of Earth, remains on the top ten list of most Sci-Fi aficionados. Its largely Cold War influenced message holds up well today and makes it one of the most collectable posters in the hobby. Very Fine on Linen.
Day the Earth Stood Still, The (20th Century Fox 1951) Lobby Card Set (11"X14") This is a rare occasion to find an entire set from this classic science fiction film offered at sale. The title card is similar to the half sheet which are the only formats to feature Klaatu. Near Mint - Mint.
Forbidden Planet (Loews/MGM 1956) One Sheet (27"X 41") Many consider this to be one of the finest if not the finest science fiction film of the fifties. This poster needs no introduction for the collector. Very Fine on Linen.
Thing From Another World, The (RKO 1951) One Sheet (27"X41") Always on the top ten list and considered by many to be one of the best sci-fi thrillers ever made, Howard Hawks fine film was the standard for so many to follow including "Alien". The paper on this title has always been sought by the science fiction genre collector! Fine on Paper.
It Came From Outer Space (Universal, 1953). One Sheet (27"X41") This 3-D film was the trendsetter for so many of the classic sc-fi thrillers of the fifties. It was directed by Jack Arnold, who later went on to direct many of the genre's greatest films. The artwork for this classic science fiction poster was done by Joseph Smith. Very Fine on Paper,Left Border Trimmed 3/4".
Flight to Mars (Monogram, 1951). One Sheet (27"X41") This film is an early low budget science fiction tale about a space mission to Mars which finds a lost civilization. Collectors have sought this one sheet for its wonderful graphic of the hero's rocket entering the red planet's atmosphere. Very Fine+.
2001: A Space Odyssey (MGM, 1968). One Sheet (27"X41") Style A. Stanley Kubrick's science-fiction masterpiece was based on Arthur C. Clarke's short story "The Sentinel". The film is a modern classic that developed many of the special effects still in use today! Near Mint.
2001: A Space Odyssey (MGM, 1968). One Sheet (27"X41") Style B. This style poster depicts the moonbase which is where the black monolith is found. This is a classic sheet from what is perhaps Kubrick's greatest vision. Fine +.
2001: A Space Odyssey (MGM, 1968). Set of 6 over-size stills. MGM lavished Stanley Kubrick's film with one of the most spectacular advertising campaigns in the history of the movies. These stills are one of the scarcer items issued on the film! Very Fine.
2001: A Space Oddyssey (MGM 1968) One Sheet (23"X33") Very rare 3-D poster produced for the original release of this landmark science fiction film of Stanley Kubrick's. Very Fine+.
Star Wars (20th Century Fox 1976) Advance One Sheet (27" X41") This is the incredibly rare advance one sheet that first alerted audiences that a very special film was coming! Fox produced these posters on a reflective mylar stock that didn't preserve very well. This is one of the best examples of the poster we've ever seen. Very Fine, Rolled.
Star Wars (20th Century Fox 1977) One Sheet (27" X 41")Style A. Near Mint / Mint. Trifolded.
Star Wars (20th Century Fox 1977) One Sheet (27" X 41") Style C. Although printed in the US, these posters were planned for use in overseas markets. Very scarce in Very Fine, Rolled condition.
Star Wars (20th Century Fox 1977) One Sheet (27" X41") Style D. Near Mint.
Star Wars (20th Century Fox 1977) British Quad (30" X 40") This wonderful horizontal format poster shows all of the Chantrell artwork done for this image. Very Fine. Folded.
The Empire Strikes Back (20th Century Fox 1980) One Sheet (27" X 41") Style A. Fans of the series consider this to be one of the best posters created for Lucas' trilogy! This version of the poster was pulled from distribution due to contractual issues with actor Billy Dee Williams. Near Mint / Mint.
7th Voyage of Sinbad (Columbia 1958) Lobby Card Set (11"X14") This film may be special effects wizard Ray Harryhausen's crowning achievement, which includes the famed duel with a skeleton. Who doesn't remember watching this wide eyed as a child? This set includes many great cards including the Cyclops card. Very Fine +.
The Golden Voyage of Sinbad (Columbia, 1974). One Sheet (27"X41") John Philip Law is Sinbad this time out and again faces Ray Harryhausen's finest "Dynamation" foes! Near Mint.
Sinbad and the Eye of the Tiger (Columbia, 1977). One Sheet (27"X41") This British made sequel to "The Golden Voyage of Sinbad" features Patrick Wayne in the title role and Ray Harryhausen special effects .Near Mint.
Clash of the Titans (MGM, 1981). One Sheet (27"X41") This advance poster shows the all-star cast of this tale based on Greek mythology of Zeus (Olivier) and his mortal son Perseus (Hamlin). This film was full of some of Ray Harryhausen's finest effects. Near Mint.
Tarzan of the Apes (First National 1918) One Sheet (27" X41") Following the success of the appearance of the story "Tarzan of the Apes" in the October, 1912 All-Story Magazine, and the first edition of the book in 1914, a Chicago life insurance salesman named Bill Parsons bought the rights to bring Edgar Rice Burroughs' book to the screen. A few days after production began, WWI broke out, and Winslow Wilson, the actor chosen to portray Tarzan enlisted. At the last minute, an unknown character actor who had played small parts in D.W. Griffith films, was brought from Los Angeles to Louisiana, where production resumed. His name was Elmo Lincoln. This historic poster from the first Tarzan film, picturing Gordon Griffith as a young Tarzan, is perhaps the best condition copy of the three known to exist. Very Fine+ on Linen.
The Return of Tarzan, (Goldwyn, 1920). Three Sheet(41"X81") The third Tarzan film was originally called "The Return of Tarzan", but just two weeks before release, Goldwyn decided that it should be retitled since he felt the word "Return" might lead the public to believe it was a re-issue of an older film. This decision was made so late that many of the posters had already been printed as was the case with this three sheet which is the only copy known to exist. Fine on Linen.
Revenge of Tarzan, The (Goldwyn, 1920). One Sheet (27"X41")This gorgeous and dynamic one sheet is from the third Tarzan film. The star was Gene Pollar, a New York fireman, who aspired to be an actor. Pollar was the first Tarzan to wear an over-the-shoulder and pants-like leopard skin due to concern the public had raised about Tarzan's previous attire. The film was made by Numa Pictures but was bought by Goldwyn just before release. Very Fine+ on Linen.
The Son of Tarzan- Episode 6 "The Killer's Mate" (National Film, 1921). One Sheet (27"X 41") Released in 1921, this was the fourth Tarzan film and the first one to be released as a serial. Based on Borough's book of the same name, the serial focused on Korak, Tarzan's son. A different one sheet was produced for each of the fifteen different chapters. Four different posters are offered in this auction for the first time, in each case, the only copy known to exist! Very Good on Linen.
Son of Tarzan - Episode Three "Girl of the Jungle"(National Film 1921) One Sheet (27"X41") Pretty, one of a kind chapter sheet from this rare Tarzan serial. Very Good on Linen.
The Son of Tarzan, Episode 2 "Out of the Lion's Jaws" (National Film, 1921). One Sheet (27"X 41") Beautiful stone litho of the fourth Tarzan film. Very Fine+ on Linen.
Son of Tarzan - Episode 12 "Meriem's Ride in the Night" One Sheet (27"X41") Fine stone litho poster. Very Fine on Linen.
Adventures of Tarzan (Numa 1921) Window Card (14"X 22") The fifth film in the series brought back the original Tarzan, Elmo Lincoln. This was a serial in fifteen episodes. Offered here is a beautiful stone litho window card. Fine+, Backed, Border Restoration.
Adventures of Tarzan " The Jungle Trap" (Numa 1921) Six Sheet (81" X 81") Elmo Lincoln, the original Tarzan from the 1918 film "Tarzan of the Apes" was back in this adventure. This was a serial in fifteen episodes. Offered here is a fabulous six sheet which is very rare for any silent film. Fine on Linen.
Tarzan and the Golden Lion (FBO 1927) Lobby Card (11"X14") This, the sixth Tarzan movie, starred a young all-American center of Indiana University named Jim Pierce in the title role. This was the last silent Tarzan film and followed the Burroughs book more closely than any of the other films. After filming was completed Pierce married Burroughs' daughter Joan. This excellent lobby showing a fabulous shot of Pierce as Tarzan may be the only extant poster on this Tarzan title! None of the larger formats are known to exist. Very Fine+.
Tarzan the Mighty (Universal, 1928). One Sheet (27"X 41") The seventh Tarzan movie starred ex-stuntman Frank Merrill, a national gymnastics champion who had doubled for Elmo Lincoln in "The Adventures of Tarzan". The film was released as a serial and made a huge sum of money for the young Universal studio. Offered here is the "stock" or "general" one sheet for the whole serial. This lot and the following two are the only extant copies of these posters from this serial! Very Good on Linen. Moderate Restoration.
Tarzan the Mighty (Universal 1928) One Sheet (27" X 41"). Frank Merrill , the star of this film was the second runner up for the title of"World's Most Perfectly Developed Man", which was won by Charles Atlas, who sold his "Dynamic Tension" course to millions of boys in ads in comic books! This beautiful poster is the only known copy. Very Fine+ on Linen.
Tarzan the Mighty (Universal, 1928). Three Sheet (41"X81") Beautiful large format poster from Chapter 6 "The Fiery Pit". Fine on Linen.
Tarzan the Ape Man (MGM, R 1954). Window Card (14" X22") This was the first Weismuller Tarzan for MGM. Offered here is a reissue from the early 1950s. Very Fine.
Tarzan of the Apes (MGM 1932) Belgium. Stone litho artwork for the first of the Weismuller MGM Tarzans. Paper for this first title is very rare. Very Fine+ / Near Mint.
Tarzan the Ape Man (MGM, 1932). Spanish One Sheet (27"X41"). Lovely stone litho from the very first Weismuller Tarzan feature. Very Fine on Linen.
Tarzan the Fearless (Principal Distributing, 1933). Three Sheet (41"X 81"). After the huge success of MGM Studio with the Weismuller Tarzan, producer Sol Lesser signed a young Olympic swimmer named Buster Crabbe to star in the title role of his version of the Ape Man. The film was released as a 71-minute feature and as a serial. Offered here is the only known copy of a beautiful large format poster for the feature version. Very Fine on Linen.
Tarzan the Fearless (Principal Distributing 1933) Belgium. Pretty stone litho poster produced overseas for the Buster Crabbe film. Very Fine, Folded.
Tarzan and His Mate (MGM, 1934). Window card (14"X22") This was the second in the MGM/Tarzan series and considered by many to the best. Irving Thalberg, head of production at MGM, insisted on sparing no expense on the Tarzan series with Johnny Weismuller. Thus the first two films cost approximately one million dollars each to produce, an astounding sum during the height of the depression. Very Fine+.
New Adventures of Tarzan, The (Burroughs-Tarzan-Enterprise 1935) Press Book. Here is the complete original press book to the independently made Tarzan film which was later cut into a serial and several other Tarzan features. Starring Herman Brix, who later became Bruce Bennett, this Tarzan was one of the most faithful to the book. Good.
Tarzan Escapes (MGM 1936) Jumbo Window Card (22" X 28") This was perhaps the most controversial of the Tarzans made at MGM. Lots of money was spent on this film and the preview audiences were horrified and frightened at the results. The film was taken and dramatically re-edited and still it is the most violent and costly of the series. The story deals with Tarzan being captured by a big game hunter who wants to take him back to civilization to exhibit him. The jumbo window cards are always rare from titles and this is a particularly pretty one. Very Fine.
Tarzan Escapes (MGM R1954) Half Sheet (22"x 28") This entry in the series has Tarzan being captured by a white hunter to be taken back to civilization to be displayed as a wild beast. Good on Illustration Board.
Tarzan's Revenge ( 20th Century Fox 1938) Insert (14"X36") Olympic Decathlon star Glenn Morris plays the lead role in this attempt to dethrone Weismuller, as king of Tarzans, by another studio. Fine. Folded.
Tarzan's New York Adventure (MGM 1942)(2) Half Sheets (22"X28") Offered here are the two half sheets released for the last of the MGM Tarzan films. This was a wonderful entry in the series as Tarzan goes to the "stone jungle" to rescue "Boy" from the circus. Both Half Sheets Very Good/ Fine.
Tarzan Triumphs (RKO 1943) Insert (14"X36") This was the first of the RKO Tarzan series and had Tarzan fighting the Nazi's throughout. Fun WWII propaganda. Very Fine, Folded.
Tarzan and the Leopard Woman (RKO 1946) Banner (24"X 80") RKO took over the Tarzan series in the mid-forties and this was one of their most popular entries. These heavy stock banners were used by theater owners to go over the doorway of the theater. Very Good.
Congorilla (1932) Swedish One Sheet (28"X 39") Martin and Johnson, documentary film-makers in the thirties, produced this film about life in the African jungle. Very Fine.
Ingagi (Congo 1930) Three Sheet ( 41' X 81") This was a cheaply made jungle exploitation film released on a territorial basis meaning it went from town to town and was not distributed through a regular distributor. The poster hailed it " as the most sensational picture ever filmed" and I'm sure with these graphics it got its share of paying customers. Fine on Linen.
Gorilla Carrying Women (3) Lobby Cards Lobby Card (11" X 14") This lot of three lobbies are from jungle exploitation films with photos of men in gorilla costumes carrying women! They are as follows: Forbidden Adventure (Sonny Prod. 1940s), White Gorilla (Louis Weiss 1945), Forbidden Jungle (Eagle Lion 1949). Good - Fine.
Tarzan's Savage Fury (RKO, 1952). Three Sheet (41"X81") This film was Lex Barker's fourth Tarzan film and introduced "Joey", a jungle waif rescued by Tarzan from natives who were using the boy for bait while hunting crocodiles! Joey was brought on to replace Johnny Sheffield's role as "Boy". Fine on Linen.
The Brave Little Tailor (RKO, 1938). One Sheet (27" X 41"). This is a true rarity! By 1938, the majority of cartoons that featured Mickey Mouse costarred him with Goofy, Donald Duck and and/or Pluto! "The Brave Little Tailor" was a cartoon that was all Mickey and not only was it one of the character's most popular adventures, it was also nominated for an Academy Award! Extremely rare. Fine + on Linen
Good Time For a Dime, A (RKO 1941) One Sheet (27"X 41") Wonderful WWII era Donald Duck cartoon image. Very Fine + on Linen.
Sky Trooper (RKO 1942) One Sheet (27" X 41") The irascible star of the Disney animation lot was without a doubt Donald Duck! By 1942, Donald's star had surpassed Mickey's and he was featured in a number of cartoons backing the war effort! Very Fine on Linen.
The New Spirit (RKO 1942) One sheet (27"X41"). Donald Duck stars in this World War II era cartoon obviously backing the country's newfound war effort! A simple, clean and very rare design for a duck poster! Very Fine on Linen.
The Flying Jalopy, The (RKO 1943) One Sheet (27"X 41") Vintage Disney short subject poster for an early Donald Duck title. Very Fine + on Linen.
The Klondike Kid (United Artists, 1932). One Sheet (27" X 41").. Black Pete, cast here as Pierre the Trapper in this classic animation one sheet, menaces Mickey and Minnie Mouse. The posters from this period of Mickey's career are incredibly rare with only a few copies of each known to exist. They are also considered the most beautiful ever made for the mouse, and more sought after than any others. Another copy of this poster sold in 1995 for $57,500! Very fine on linen.
Pinocchio (RKO 1940) Deluxe Lobby Card (13" X15") Nice shot of Pinocchio talking to Jiminy Cricket as Figaro watches. Very Fine.
Pinocchio (RKO 1940) French Affiche. The pinnacle of Disney's feature animation was achieved with "Pinocchio". Avila Sigler designed this incredible French poster. Very Good+ on Linen.
Bambi (RKO 1942) French Affiche. Disney's famous and popular animated feature was given a less than average poster campaign in the United States. The French, on the other hand, created this spectacular poster that is considered far superior to its U.S. counterpart! Very Fine on Linen.
Alice in Wonderland (RKO, 1951). Insert (14" X 36"). This was one of the few posters made for Disney's animated classic to feature all of the prominent characters, including the Cheshire Cat! Very Fine.
Peter Pan (RKO, 1953) One-Sheet (27" X 41") James M. Barrie's classic tale of the boy who would never grow up was delightfully brought to the screen in Disney's cartoon feature. The price of vintage animation paper has flown through the roof in the last few years. Catch this one while you can! Fine+ with lower seam separation.
For Whom the Bulls Toil (RKO 1953) One Sheet (27"X 41") Goofy, in a mix up of identities is confused for a great Matador and does battle with and enormous bull. This pretty RKO poster makes play on the title of the Ernest Hemingway novel. Very Fine.
Election Day Gaieties (RKO R-53) One Sheet (27" X 41") Re-issue poster for Walt Disney's cartoon short subject starring Mickey Mouse and Donald Duck. Very Fine+.
One Hundred and One Dalmatians (Buena Vista 1961) Lobby Card Set (11"x14"), Press Book. Now considered a true Disney animated classic, offered here is a near mint set of nine lobby cards from the original release with the sleeve. Also included is a near mint press book.
Jungle Book, The (Buena Vista 1967) One Sheet (27" X 41"), Press Book, Press Kit. Kipling's story of the orphaned Mowgli is given the Disney spin in a delightful animated classic. The Voices of Phil Harris, Louis Prima and George Sanders are but a few who create these vivid characters. Mint Trifold One Sheet, Very Fine Press Book, Fine Press Kit.
Mighty Mouse (20th Century Fox, 1943). One Sheet (27" X 41") Twentieth Century Fox released a stock sheet with most of their animated short subjects as did most studios. This poster was the second stock sheet for this character but the first of what was to remain the lasting image of Mighty Mouse. Fine.
Yellow Submarine (United Artists, 1968). Three Sheet (41" X 81"). The Beatles take on the evil blue meanies in this pop-art animated classic. The poster reflects a style that was made popular by '60s icon Peter Max. Very Fine on Paper.
Popeye (Paramount 1939) Stock One Sheet (27" X 41"). During 1939, Paramount ceased making individual posters for each short subject cartoon and went to a "stock" format! This was the first stock sheet produced for the studio's leading cartoon character. Very Fine+ on Linen.
Popeye - Stealin Ain't Honest (Paramount 1940) One Sheet (27"X41") This rare one sheet was one of the last duo-tone one sheets that Paramount produced for the very popular Fleisher Brothers cartoon series of Popeye,after which they only produced "stock" one sheets. These individual posters for each cartoon have always been very scarce especially those showing both Olive Oyl and Popeye! Very Fine on Linen.
Gulliver's Travels (Paramount 1939) Half Sheet (22" X 28"). Animators Max and Dave Fleischer were encouraged by Paramount to make a feature length cartoon that would rival Walt Disney's "Snow White". The result was "Gulliver's Travels" and this poster captures the highlight of the film, as Gulliver is captured by the Lilliputians. Neither style one sheet features this spectacular design. This is the first time this has been offered at auction. Very Fine on Paper.
Lawyer Man (Warner Brothers 1933) One Sheet (27" X 41") Beautiful and rare one sheet poster for this pre-code Warner Brothers film about a small time lawyer who moves up the ranks to assistant prosecutor. Powell and Blondell are both excellent in this film which portrays the ups and downs of a lawyer and his secretary as they rise to the top. Fine+ on Linen.
Camille (MGM, 1937) French Affiche. The Swedish Sphinx, Greta Garbo, gave her greatest performance in this classic from MGM. The graphics for this French poster are far superior to the US images with art by noted designer Roger Soubie! Fine on Linen.
Anna Christie (MGM, 1930). Lobby card (11"x14"). MGM's ad campaign screamed the headline, "Garbo Talks!" Many of the silent film era's stars never made the transition to sound, but Garbo's deep and sultry voice was a natural for the "talkies". Lobby cards from this classic film are seldom available. Fine.
Conquest (MGM, 1937). Window Card (14"X22") Stunning MGM card from this classic Garbo costumer about the French conquerer Napoleon (Charles Boyer), with Greta Garbo as Polish Countess Walewska. Very Fine.
Broadway Bill (Columbia 1934) Insert (14"X 36") Frank Capra directed this charming tale of a man who risks all on his racehorse, Broadway Bill. This was billed as the succesor to "It Happened One Night". Very Fine+, Rolled
Way Down East (20th Century Fox 1935) One Sheet (27" X 41") Henry Fonda made his second appearance on screen in this romantic melodrama that was first filmed in 1920 by D.W. Griffith. Very Fine on Linen.
Disputed Passage (Paramount 1939) One Sheet (27" X 41") Dorothy Lamour stars as an exotic woman who falls in love with a surgeon in this romance set against war-torn Asia. Paramount's posters for Lamour were always among their best! Very Fine on Linen.
Juarez (Warner Brothers 1939) One Sheet (27"X41") Warner's all-star costume drama about the life of Mexican leader Benito Juarez with Paul Muni in the lead role. Bette Davis, Claude Rains and John Garfield fill the supporting roles wonderfully to create a grand scale drama. Fine on Linen.
Gentleman Jim (Warner Brothers, 1942). Window Card (14"X22") Errol Flynn stars in this biopic of the life of pugilist James Corbett. Reportedly, this was Flynn's favorite role of all his films! Very Fine.
The Private Lives of Elizabeth and Essex (Warner Brothers, 1939). One Sheet (27"X41") Bette Davis and Errol Flynn were the reigning King and Queen of the Warners lot when they were teamed for this "historical" costume drama. Bette Davis is great as Queen Elizabeth, a part she was born to play. This is a classic from the Golden age of Hollywood and a tough poster to find. Very Fine on Linen.
Front Page Woman (Warner Brothers, 1935). Insert (14"X36") Some of the best posters created by Warner's art department during the 1930s were for Bette Davis' features! This insert sports one of her best images and one never offered at auction before! Rolled in Very Fine condition.
In This Our Life (Warner Brothers 1942) One Sheet (27"X41") Bette Davis stars in this John Huston classic as a husband-stealing woman out to get her sister's (DeHavilland) man! This is early in Huston's directing career and he uses a lot of his "Maltese Falcon" cast in cameos including Bogart, Peter Lorre, and his father Walter Huston. Fine on Linen.
Sea Legs (Paramount, 1930). Window Card (14"X22") Wonderful caricature image of a young Jack Oakie in the role of Searchlight Doyle, a shanghaied boxing champion involved in a merry mixed identities tale. Very Fine.
It Ain't No Sin (Belle of the Nineties) (Paramount 1934) Window Card (14"X 22") In 1934 Paramount prepared to launch their new Mae West vehicle "It Ain't No Sin". Posters, pressbooks and publicity material was prepared. Suddenly the studio pulled the publicity and changed the name of the film to "Belle of the Nineties" due to the strict censorship code enforced by the Hayes office. The material with the original name is very rare. Offered here is an original window card with a terrific image of Mae. Very Fine.
The Butter and Egg Man (First National, 1928). One Sheet (27"X41") Splendid comedy about a boy who achieves his childhood dream of becoming a "Bigshot" Broadway producer! Fine+ on Linen.
Love Before Breakfast (Universal 1936) Half Sheet (22" X28"). Carole Lombard carved her own niche in cinema history as a screwball comedienne. This stunning half sheet is one of the most beautiful images of Lombard we've ever seen! Near Mint, Rolled.
Tales of Manhattan (20th Century Fox, 1942). One Sheet (27" X 41") Wonderful stylized graphics on this stone litho poster from a film featuring 20th Century Fox's all star cast. The film, told in five episodes, tells the story of a dress tailcoat and the effect it has on its owners. Very Fine +.
Kitty (Paramount, 1943). One Sheet (27"X41") This was a showcase for the young and beautiful Paulette Goddard who at that time was Mrs. Charlie Chaplin. Many Goddard fans feel this is her finest role as the impoverished girl in 18th Century England who with the help of the scoundrel Ray Milland becomes a lady. Very Fine+ on Linen.
Sullivan's Travels (Paramount 1941) Half Sheet (22"X28") Considered by many to be writer-director Preston Sturges' finest film, this was the story of a director's desire to quit making fluff pictures and go out and see the "real" world so that he can make a serious film. The slapstick and pathos that marks this adventure of director Joel McCrea and beautiful Veronica Lake are as wonderful as the day the film was made. The posters for this film are highly sought after and this is the only Style "B" half sheet this collector has seen in twenty-five years. Near Mint with minor restoration.
Wife vs. Secretary (MGM 196) Half Sheet (22X 28"). Legendary comedienne Jean Harlow is paired with her favorite leading man, Clark Gable, in this melodrama from MGM. Myrna Loy and a young Jimmy Stewart round out the cast! Very Good with Fine+ apparent restoration.
Gone With the Wind (MGM 1939) Two Lobby Cards (11" X 14").. MGM first released "Gone With the Wind" in a "roadshow" format in December 1939, playing the film in just a few theatres around the country. The posters and lobby cards for this "first" release are different from the regular release campaign. Offered here are the two best lobbies from the films roadshow set, the portraits of Clark Gable and Vivien Leigh! Very Fine.
Gone With the Wind (MGM, 1967 reissue). Three Sheet (41" X 81") Clark Gable and Vivien Leigh are locked in the most passionate embrace the silver screen has ever seen! This three sheet is by far the most popular, and was first used in the 1967 re-issue campaign. Very Fine+.
Red Dust (MGM, 1932) This pre-code love story was a racy hit for MGM and helped elevate Jean Harlow to star status as the floozy girlfriend of an Indochina rubber plantation worker, Clark Gable. This sheet is one of only a few known copies to surface from this film. The other style recently sold in auction for well over $25,000. Very Fine.
Men In White (MGM, 1934). One Sheet (27"X41") Pretty stone litho portrait of two of MGM's biggest stars adorn this poster. The film has Clark Gable as a young doctor torn between his study with Jean Hersholt or his marriage to society belle Myrna Loy. Very Fine on Linen.
Song of Songs (Paramount 1933) One Sheet (27" X 41") Style A. Marlene Dietrich"s name above a film's title was enough to inspire mystery and intense interest on the part of the public. When she arrived from Germany in 1930, she was launched into a series of films that would make Marlene Dietrich one of the greatest stars of the 1930s. The "Song of Songs" one sheet offered here was based on a photo by Clarence Sinclair Bull, and remains the most beautiful and important of all of Dietrich's posters! This is the only known copy! Very Fine on Linen.
Wings (Paramount 1927) Lobby Card (11" X 14"). "Wings" was the first film to win the Oscar for Best Picture of the Year! Clara Bow, the "It" girl, was the star and this portrait lobby card is the best of the set! Very Good with Minor Chipping.
The Four Feathers (United Artists, 1939). One Sheet (27"X41") A.E.W. Mason's tale of adventure and the British Empire in far-off Sudan made for riveting entertainment as told by the team of Korda brothers! Alexander, Vincent and Zoltan brought together their inimitable skills of directing and producing to make this one of the greatest adventures of all time! Posters for this epic are highly collectible. Very Fine on Linen.
Gunga Din (RKO 1939) One Sheet (27"X41") The great George Stevens, in the breakout film of his career, directed this adventure yarn loosely based on a Rudyard Kipling poem. It's about three soldiers in 19th century India battling the head hunting Thuggee tribe. Cary Grant, Doug Fairbanks, Jr. and Victor McLaglen are great as the carousing comrades. This is a true Hollywood classic, and the posters have been very hard to find over the years. Fine on Linen.
The Great Gatsby (Paramount, 1949). One Sheet (27"X41"). F. Scott Fitzgeralds' novel of a self-made millionaire who invades Long Island society is a classic, with Alan Ladd in the role of Jay Gatsby! Fine+ on Linen.
A Medal For Benny (Paramount, 1945). One Sheet (27"X41") Paramount had a wonderful habit of producing the most spectacular posters for their leading ladies! This one sheet captures Dorothy Lamour's most alluring and provocative portrait! Fine+ on Linen.
The Last Gangster (MGM 1937) One Sheet (27" X 41") Advertised as the greatest thrill drama since "Little Caesar", this wonderful image of Edward G. Robinson reminds us of the great underworld characters that Robinson created. Fine+ on Linen.
Invisible Stripes (Warner Brothers, 1939). One Sheet (27"X41") Humphrey Bogart and George Raft team up for this bullet-riddled crimer! Warner's no-nonsense posters, loaded with scenes from the film, provided audiences with a guarantee of mayhem on the screen! Very Good+ on Linen.
The Return Of Dr. X (Warner Brothers 1939). One Sheet (27"X41")This Warner Brothers attempt at a horror/sci-fi yarn is fun to watch if only for the sixteen minutes of screen time Bogart's role is given as the creepy Dr. X. Very Good+.
Crime School (Warner Brothers 1938). Window Card (14" X 22") Bogarts the good guy in this story of his efforts to reform the "Dead End Kids". This lovely poster is the all artwork image similar to the very rare three sheet. The one sheet and many of the other formats are the arguably less attractive photo montage. Very Fine.
Dark Passage (Warner Brothers, 1947). Insert (14"X36") This wonderful teaming of Humphrey Bogart and Lauren Bacall is the story of an escaped convict who hides out in Bacall's apartment until his face heals. The film's first twenty minutes are told with the camera as the convict's point of view to not reveal the before surgery look of Bogart. This Near Mint insert is far superior to the one sheet in graphics, and among collectors, is the piece to have from this fine film noir thriller. Near Mint / Mint / Rolled.
Sahara (Columbia, 1943). Six Sheet (81" X 81") Humphrey Bogart starred in this WWII action adventure of a British American unit stranded in the Sahara Desert. Remade several times, but never matched in its suspense and grand performances. This is the only known six sheet to have survived from this classic film. Fine on Linen.
Across the Pacific (Warner Brothers 1942) Half Sheet (22" X28") Style A. John Huston reunited his cast from "The Maltese Falcon" in this early World War II tale of Japanese saboteurs trying to destroy the Panama Canal! This poster has always been considered the best from this title. Very Fine on Paper.
Pride and Prejudice (MGM 1939) One Sheet (27" X 41"). MGM's opulent adaptation of Jane Austen's novel featured one of their best one sheets as well! A classic whose posters are exceptionally difficult to come by! Very Fine on Linen.
Hamlet (Universal, 1948). One Sheet (27"X41") Laurence Olivier turned in one of his classic Shakespeare performances and went on to win the Oscar for Best Actor. The film was also the Best Picture of 1948! Fine+ on Linen.
Love Letters (Paramount, 1945). One Sheet (27"X41") This is a wonderful poster image for the drama of Jennifer Jones as an amnesiac who is cured by the love of Joseph Cotton. Ayn Rand adapted the screenplay from another author's novel. Fine.
The Fountainhead (Warner Brothers, 1949). Lobby Card (11" X 14") Ayn Rand's famous novel is brought to the screen with Gary Cooper and Patricia Neal in the leads. This card, one of the best from the set, pictures Cooper and Neal in an intimate moment. Near Mint.
Trader Horn (MGM 1931) Half Sheet (22" X 28"). "Trader Horn" was one of the great adventures of the early sound era as it was shot almost entirely on location in the heart of Africa! Originally planned as a silent, MGM rushed a sound crew to the travelling set to complete the film as a talkie! Edwina Booth as the sadistic white goddess of the jungle became an overnight sensation with her seductive performance! Posters for the original release of this classic are extremely rare as the studio re-released the film in 1936! Very Good+/Fine apparent restoration on paper.
The Macomber Affair (United Artists 1947) One Sheet (27"X41") Gregory Peck stars in this film based upon an Ernest Hemingway story. Great performances by all make this adaptation one of the finest of perhaps the greatest writer of the twentieth century. Fine on Linen.
Sure Cures (MGM 1946) One Sheet (27" X 41"). An amusing look at baldness from one of MGM's best short subjects! Perfect for that hair salon! Fine on Linen.
Born to Kill (RKO, 1946). One Sheet (27"X41") Lawrence Tierney stars in this film noir where he portrays a vicious killer! Claire Trevor discovers the crime and becomes his next target! Fine on Linen.
Sunset Boulevard (Paramount, 1950). One Sheet (27"X41") One of the most important posters from one of the most important films of the fifties! What more can be said about director Billy Wilder's classic film with Gloria Swanson, William Holden and Erich Von Stroheim. Photo before being put on linen. Very Fine+ on Linen.
Dr. No (United Artists 1962) Three Sheet (41" X 81") Large format posters such as this three sheet are extremely rare from this, the first of the Sean Connery James Bond films. Very Fine+ on Linen.
Dr. No (United Artists 1962) One Sheet (27"X41") "The name is Bond, James Bond." With that immortal line, Sean Connery stepped into cinema history and the role that would define the rest of his career! The poster for this first installment in the series is one of the most collectible posters of the 1960s! Very Fine+ on Linen.
From Russia With Love (United Artists, 1963). One Sheet (27" X41") Style A. very pretty style to this classic second in the "Bond" series. Trifolded only. Very Fine.
From Russia With Love (United Artists 1964) One Sheet (27"X41") Style B.This entry in the James Bond series found Sean Connery as Secret Agent 007 tangling with the forces of SPECTRE! Fine.
Goldfinger (United Artists, 1964). Three Sheet (41"X81") James Bond takes on the mad genius of Goldfinger and his dreamy assistant Pussy Galore in their plot to render the entire US gold supply at Fort Knox useless! This three sheet captures some of the films best moments! Very Fine on Linen.
Goldfinger (United Artists 1964) One Sheet (27"X41") Fans of the James Bond series have praised "Goldfinger" as the best film in the series. Posters for this Bond title are more sought after than others. Very Fine.
Thunderball (United Artists, 1965). One Sheet (27"X41") This, the fourth installment in the James Bond series, is a lively concoction of underwater thrills and Oscar winning special effects. Sean Connery does it again with the memorable tag line "Look Up!, Look Down!, Look Out!" Very Fine+ / Near Mint.
You Only Live Twice (United Artists 1967) Subway Style B. Sean Connery, as James Bond, returns to take on the forces of SPECTRE in Japan! This "gyrocopter" style poster is one of the most popular posters of the series! Very Fine.
On Her Majesty's Secret Service (United Artists, 1969). One Sheet (27"X41") Style A. In 1969, United Artists replaced Connery with George Lazenby in this entry. One of the better in the series. Very Fine.
The Man With the Golden Gun (United Artists 1974) One Sheet (27"X41") Roger Moore, as Sean Connery's successor in the James Bond series, is featured in this action-packed poster. As the series progressed, the posters began to reflect the action the series was noted for! Near Mint.
Bronze Age (1970-1979)
Dirty Harry (Warner Brothers 1971) French Affiche. Clint Eastwood stars in this, the first film of the long-running "Dirty Harry" series. Fine.
Dirty Harry (Warner Brothers, 1971). Standee. The series that made Clint Eastwood one of the biggest stars in the world started with "Dirty Harry". Posters for this title have always been collectible but this standee is, by far, the rarest poster issued on the title. A "must have" for die-hard Eastwood and "Dirty Harry" collectors! Fine.
Movie Posters
The Good, The Bad and The Ugly (United Artists 1968) One Sheet(27"X41") By far the best film in Leone's "spaghetti" trilogy, this civil war epic features the now famous scene of Clint Eastwood, Lee Van Cleef and Eli Wallach searching for a grave filled with gold! Fine+ on Linen.
For a Few Dollars More (United Artists 1967) One Sheet (27"X41"). Sergio Leone and Clint Eastwood rode a wave of pop-culture to stardom with their "spaghetti western" trilogy! This was the second in the series and features the best poster of the series! Fine+ on Linen.
High Plains Drifter (Universal, 1974). One Sheet (27"X41") A dark classic with Clint Eastwood as a mysterious drifter hired by townspeople to protect them from outlaws. They get more than they bargained for when their hero turns out to be something from hell! One of Eastwood's best posters! Very Fine.
The Godfather (Paramount 1972) One Sheet (27" X 41") Considered one of the very best posters on what is one of the favorite films of the American filmgoing public. This, the British one sheet poster, outshines the American posters in every respect, featuring a remarkable image of Brando. Near Mint.
The Godfather (Paramount 1972) One sheet. Francis Coppola's legendary saga of the Corleone family won Best Picture of the Year, Best Actor and Screenplay! Posters for this title and its sequels are among the most collectible in the hobby! Near mint. Estimate
The Godfather Part II (Paramount 1974) One Sheet (27"X41") Many feel that this sequel surpassed its predecessor as the best film in the series. It won Oscars for Best Picture, Director and Screenplay! Near Mint.
Psycho (Paramount 1960) Lobby Card (11" X 14"). If you're going to own one item from Hitchcock's masterpiece, "Psycho", this is it! This is the only lobby card from the set to show the legendary house with Norman Bates waiting for his next victim at the bottom of the steps! Fine+ with Minor Staining.
Psycho (Paramount, R-1965). One Sheet (27"X41") Nice re-issue poster that is identical to the original with the exception of the "It's Back!" block added to the design. Fine.
Psycho (Paramount 1960) Insert (14" X 36") In this most famous of Hitchock thrillers, Janet Leigh did a bad, bad, thing and she will pay dearly. One of the best designed posters on this title. Fine+, Folded.
The Birds (Universal 1963) One Sheet (27"X41") Alfred Hitchcock's adaptation of Daphne du Maurier's tale of a revolt by birds on man is as disturbing today as when it was made. The posters on this title are some of Hitchcock's most desirable. Very Fine+.
The Wrong Man (Warner Brothers, 1956) Three Sheet (41" X 81"). One of Alfred Hitchcock's under-appreciated films based on the true story of a musician who was wrongly accused of a crime. The audience sees events unfold through "every-day man" Henry Fonda's eyes until the real culprit is caught! Hitchcock's posters are among the most collectible in the hobby! Very Fine.
Trading Places (Paramount 1982) One Sheet (27" X 41"). "Saturday Night Live" alumni Dan Aykroyd and Eddie Murphy teamed up for this hilarious comedy where they become the subjects of an experiment involving heredity versus environmental upbringing. A modern classic! Near Mint.
A Clockwork Orange (1972) A rare 9x20 foot billboard poster, carrying the original "X" rating given the film by the MPAA. An important piece of Kubrickiana, the poster features the famous image of Malcolm MacDowell and the stiletto.
A Clockwork Orange,(Warner Brothers, 1971). One Sheet (27"X41") Stanley Kubrick's version of the Anthony Burgess novel still packs quite a punch today! This vision of the violent society of the future and the misfits that inhabit it, most predominantly Malcolm McDowell and his Droogs, was very much ahead of its time upon its release in the early seventies. Near Mint.
Annie Hall (United Artists, 1977). One Sheet (27" X 41"). Woody Allen's finest comedy went on to win the Best Picture of the Year Oscar! Near Mint.
Grease (Paramount 1978) One Sheet (27"X41") Advance. The Broadway musical became a modern classic when it was brought to the big screen! John Travolta and Olivia Newton-John became famous in this '50s fantasy of hot rods, teenage lust and love unrequited! The advance one sheet is rarely offered. Near Mint.
American Graffiti (Universal 1973) One Sheet (27" X 41"). George Lucas' modern classic gave many of the film's stars their big break in show biz including Cindy Williams, Candy Clark, Suzanne Sommers, Richard Dreyfuss and Harrison Ford! Ron Howard stars in this homage to the graduating class of 1962! Very Fine+.
The Blues Brothers (Universal 1980.) One Sheet (27" X 41") The famous John Landis comic tribute to the R&B icons of the sixties became the last great show business act of John Belushi. One of the truly sought after film posters of the 1980s. Near Mint.
Theremin (Orion 1993) One Sheet (27" X 41") A documentary about Russian musician Leon Theremin, the inventor of the first electronic musical instrument, and his subsequent life after he was abducted by the KGB as well as a history of his instrument. Near Mint Rolled.
Taxi Driver (Columbia, 1976) One Sheet(27" X 41"). Robert DeNiro gives one of his best and certainly most memorable performances in Martin Scorsese's harsh tale of a vigilante in the big city. Posters on this title are in constant demand! Near Mint.
Taxi Driver (Columbia, 1976). Australian Daybill. Robert DeNiro and the director Martin Scorsese have signed this popular poster. Very Fine.
A Woman Under the Influence (Independent, 1974). One Sheet (27"X41") Quite possibly John Cassavetes most important independent film. Cassavetes and actor Peter Falk were forced into promoting this film themselves and thus, posters on this title rarely become available. Premiere Magazine has hailed this one sheet as one of the 50 greatest movie posters ever created! Very Fine+ on Linen.
The Solar Film (Saul Bass 1981)(23"x 31") A rare non-theatrical release poster for Saul and Elaine Bass' film about the Sun. Printed on the poster: "Designed by Saul Bass." A wonderful find for Bass collectors. Very Fine+ / Near Mint.
Husbands (Columbia, 1970). One Sheet (27"X41") One of independent filmmaker John Cassavetes most controversial projects! Posters for Cassavetes films are extremely hard to find as they rarely played conventional theatres and were released almost exclusively in art houses! Very Fine+.
Chinatown (Paramount 1974) One Sheet (27" X 41"). Roman Polanski's homage to film noir surpassed most of that genres best efforts! The film is a modern classic and the one sheet is one of the most collectible posters of the 1970s! Near Mint/ Mint.
The Pride of the Yankees (RKO, R-1949). One sheet (27"X41"). Perhaps the greatest baseball film ever made, this classic starred Gary Cooper as the Iron Horse himself, Lou Gehrig! The producers of the film missed a sure thing when they forgot to put Babe Ruth (who appeared in the film as well) on the posters! They made up for it with this 1949 reissue! The posters for this reissue are more sought after than the original! Near Mint on Linen.
The Golf Nut, (Pathe' circa Mid-1920's) One Sheet (27"X41") This poster was released with a Mack Sennett comedy short starring Billy Bevan. Sennett was the man who made stars of Charlie Chaplin and Harold Lloyd to name but a few. This wonderful stone litho image of a tutorial in golf would make a terrific addition to any "Golf Nut's" library. Fine+ on Linen.
The Pride of St. Louis (1952)Six Sheet (81" X81"). Dan Dailey is shown on the mound as Baseball Hall of Fame pitcher Dizzy Dean in this film with a script by Herman J. Mankiewicz. Very Fine on Linen.
Casey and The Mets (Universal 1963) One Sheet (27" X 41") Casey Stengel and the New York Mets are featured in this rare poster for a Universal short subject. Near Mint.
All Joking Astride (RKO 1953) One Sheet (27" X 41") Rare poster for RKO equestrian short subject. Very Fine+ Linen. Very Fine on Linen.
ET, The Extraterrestrial (Universal, 1982). One Sheet (27"X41") Though mistakenly called the Style B one sheet by some, rumor has it that this was a poster that Spielberg had printed for the cast and crew before release of the film. Whether true or not this poster certainly holds the finest poster image from the film and remains incredibly rare to this day! Spielberg liked the image so much that it became the logo for his company Amblin. Near Mint / Mint, Rolled.
World Without End (Allied Artists 1956) Six Sheet (81"X81") Style B. This reworking of H.G. Wells' novel "The Time Machine" featured women wearing tunics designed by Esquire and Playboy illustrator, Alberto Vargas. Allied Artists took advantage of Vargas' designs and created a special, additional six sheet for the films advertising campaign using his world famous "pin-up" art. The poster illustrated in the pressbook had never been seen and for years collectors had begun to wonder if it had even been produced. This is the only known copy of this poster, which represents one of the most important illustrators of the 20th century! Here is truly a unique chance to acquire this legendary poster, and in fabulous condition. Near mint on linen.
The World's Most Beautiful Girls (Universal, circa early '50s). One Sheet (27"X41") Rare Universal poster for a short subject dealing with the Miss Universe Beauty Pageant. very Fine+.
There's No Business Like Show Business (120th Century Fox 1954) Insert (14" X 36") Easily the best poster on this CinemaScope musical. Irving Berlin compiled some of his songs for this film. Note the inset photo of Marilyn at the bottom. Very Fine, Paper Backed.
Gentlemen Prefer Blondes (20th Century Fox 1953) 40"X 60". This very rare and unique poster is the far superior image from this Marilyn Monroe musical. These 40"X 60"s were printed on a heavy stock and far less were printed at the time of the films release. Since they were somewhat fragile to handle these have rarely survived, and when so, rarely in this condition. Very Fine+. Rolled. Not Restored.
Niagara (20th Century Fox 1953) Half Sheet(22" X 28"). Marilyn Monroe is depicted in a provocative pose, lying across the raging waters of Niagara Falls! This poster is the best from the film as it displays the actress full length! Very Fine, Folded.
Prince and the Showgirl (Warner Brothers, 1957). One Sheet (27" X 41") This wonderful Monroe and Olivier image has no similarity with what, it was rumored, transpired on the set of the film. The two stars were apparently very incompatible. Very Fine.
The Prince and the Showgirl (Warner Brothers 1957) Lobby Card Set (11" X 14"). This comedy paired the unlikely duo of Marilyn Monroe and Laurence Olivier in a film that was shot right after the 1956 marriage of Grace Kelly and Prince Rainier of Monaco! This lobby card set features two of Monroe's most sought after lobbies and all of the cards are in near mint condition!
Underwater! (RKO, 1955). One Sheet (27"X41") Sold as an underwater adventure of treasure seeking, this poster makes it known that the real attraction was Jane Russell in a bathing suit! In Superscope, no less! Very Fine.
Belle De Jour (Allied Artists, 1967). One Sheet (27" X 41") The beautiful Catherine Deneuve stars in this Luis Bunuel film about a young newlywed's secret occupation. A shocking subject for its day, this poster depicts its star in a lovely portrait. Very Fine + / Near Mint.
Barbarella (Paramount, 1968). One Sheet (27"X41") Style B. Wielding Jane Fonda in go-go boots and plastic mini skirts, Barbarella has become a cult classic and a landmark film of the 1960s! While the style A one sheet was a fairly typical science-fiction poster, the extremely rare style B offered here captured the films kitsch with its pop-art motif! Very Fine on Linen.
Lolita (MGM 1962) Lobby Card Set (11" X 14") Vladimir Nabokov's novel is brought to the screen with outstanding performances by James Mason and Sue Lyon in the title role. This great lobby card set features the famous "Lolita in bikini" card. Near Mint.
Paris When it Sizzles (Paramount 1972 reissue) Italian One Sheet. Audrey Hepburn, as William Holden's muse, inspires the writer to act out movie fantasies for a script! This Italian poster is far superior to its US counterpart! Fine on Linen.
Bell, Book and Candle (Columbia 1958) Six Sheet (81"X81") Jimmy Stewart falls under the spell of Kim Novak in this delightful comedy of love and witchcraft! The six sheet on this title is rarely offered. Near Mint.
Green Mansions (MGM, 1959). Three Sheet (41"X81") Posters for Audrey Hepburn's films are some of the most collectible in the hobby, and this three sheet is one of the best. Very Good- Fine.
My Fair Lady (Warner Brothers 1964) Three Sheet (41" X81"). Audrey Hepburn stars as Eliza Doolittle, a guttersnipe who is trained by Henry Higgins to become a lady! One of the most popular musicals of all time, this film went on to win eight Oscars including Best Picture, Actor and Director! Art by Bob Peak. Near Mint.
Written on the Wind (Universal 1956) Six Sheet (81" X 81") Douglas Sirk directs this Texas tale about a woman's infidelity and the consequences. Dorothy Malone won an Oscar for her role. This six sheet is a wonderful image and as big as the story it tells. Very Fine + on Linen.
Quo Vadis (MGM 1951.) One Sheet (27" X 41") Robert Taylor and Deborah Kerr starred in the lavish MGM version of the Henryk Sienkiewicz novel of early Christianity. Directed by Mervyn Leroy. This film has never been surpassed for the sheer opulence of its production. Very Fine+.
The Ladykillers, (Ealing, 1955). One Sheet (27"X41") Alec Guiness and the little British studio, Ealing, produced some of the funniest and most charming black comedies of the fifties. "The Lavender Hill Mob", "Man in the White Suit", and this one were and are favorites throughout the world. The American paper for these titles has always been difficult to find due to the limited releases these films received in this country. The one sheet offered here was produced by an independent printer in New York and was the only one sheet produced for the US release! Very Fine.
Ben-Hur (MGM 1959) Three Sheet (41" X 81"). Charlton Heston stars as Judah Ben-Hur in this remake of the silent classic! The picture went on to capture an astounding 12 Oscars including Best Picture, Director and Actor! Very Fine.
The Secret People, (Lippert, 1951). One Sheet (27"X41") Small British made movie in which Audrey Hepburn makes her film debut. Very Fine on Linen.
A Night to Remember (Rank, 1959) One Sheet (27" X 41"). British "country of origin" poster for the epic story of the sinking of the Titanic! Many consider this version to be the best! Near Mint on Linen.
Imitation of Life (Universal, 1959). One Sheet (27" X 41") This remake of the 1934 adaptation of the Fannie Hurst novel is one of Douglas Sirk's most memorable films. Lana Turner and Juanita Moore were the career woman and her housekeeper in this fine two hankie soaper. Very Fine.
I Want To Live! (United Artists 1958) Advance One Sheet (27"X41") Robert Wise directed this film based upon the true story of prostitute-crook Barbara Graham who is framed for murder and is executed. Susan Hayward won an Oscar for her performance. Offered here is the rarely seen Teaser with a photo of the real Barbara Graham going to her death! Very Fine+ on Linen.
To Kill a Mockingbird (Universal, 1963). One Sheet (27"X41") In a Rare Academy Awards style, This poster for the classic film was released after Gregory Peck won the Oscar. Fine+.
Suddenly Last Summer (Columbia 1960) Three Sheet (41" X 81")Elizabeth Taylor stars in this steamy and disturbing adaptation of Tennessee Williams's play! This amazing three sheet features a lasting image of the legendary star! Fine.
Cape Fear (Universal, 1962). One Sheet (27" X 41") A petrifying modern classic with Gregory Peck as a lawyer being terrorized by a man he sent to prison, played with disturbing menace by Robert Mitchum! Very Fine+ on Linen.
Doctor Zhivago (MGM, 1965) Three Sheet (41" X 81") Style A. David Lean's romantic epic set against the Bolshevik revolution! Omar Shariff, who came to fame in Lean's "Lawrence of Arabia", carried the film as the poet/surgeon, Doctor Zhivago! Fine.
Docter Zhivago (MGM 1965) One Sheet (27" X 41") Style C. Portraits by Potieski of all the principal characters are shown on this style C one sheet from MGM. Near Mint, trifold.
Ryans's Daughter (MGM 1970) One Sheet (27" X 41") A rare rolled poster and a wonderful example for those who collect Lean. Near Mint.
Lawrence of Arabia (1962) French Ten Panel. A magnificently large French poster - the largest poster of Lawrence ever to have been auctioned - features art by Kerfyser. Superb and quite scarce. Very Fine+.
Ocean's 11 (1960) Six Sheet (81" X 81"). The Rat Pack is emblazoned across the six sheet for this film. The original is still the best. Very Fine on Linen.
Steve McQueen Movie Poster Lot (3) One Sheets (27" X 41") The highest paid actor of the 1960s, Steve McQueen, began his acting career at the Actors' Studio in New York City. McQueen's on screen image of the tough guy rebel was earned by his stints in reform school and in the Marines. He got his start in cheapie thrillers like "The Blob", but quickly rose to leading roles. Offered here are one sheets from three of his popular films. Thomas Crown Affair (United Artists, 1968), The Getaway (National General, 1972), and The Hunter (Paramount, 1980). All Fine + to Very Fine.
Nevada Smith (Paramount 1966) Special One Sheet(27" X 41") Paramount considered "Nevada Smith" one of their better pictures and decided to create a special promotional poster to go with the film! The result was an experimental one sheet printed on both sides, in perfect registration, for use in a light box! It wasn't until the late 1980s that posters began to be printed "double-sided" on a regular basis. An extremely rare and historical item! Fine on Linen.
Bullitt (Warner Brothers 1968) One Sheet (27" X 41") Lt Frank Bullitt, San Francisco cop, is out to catch the underworld kingpin that killed a witness under his protection. The car chase in this film has never been matched,except for perhaps "The French Connection", for excitement. This poster has always been a favorite in the hobby. Very Fine on Linen.
Cool Hand Luke (Warner Brothers 1967) One Sheet (27"X41") Paul Newman, following in the footsteps of Marlon Brando and James Dean, became the modern rebel of the cinema. The one sheet for "Cool Hand" sums up the actor as well as his character, "The Man... and the picture that simply do not conform." Very Fine on Linen.
Bonnie and Clyde (Warner Brothers, 1967) Three-Sheet (41" X 81"). One of the most important pictures of the 1960s, Arthur Penn's semi-historical film about gangsters Clyde Barrow and Bonnie Parker is certainly more glamorous than the real story. This Oscar-winner stars Warren Beatty and Faye Dunaway as the ill-fated duo. The three sheet is perhaps the most desirable poster from the film. Fine.
Midnight Cowboy (United Artists, 1969) One Sheet (27" X 41"). Jon Voight and Dustin Hoffman turned in stunning performances as a hayseed and his sleazy companion living in the seedy side of New York City. The film, despite its controversial subject matter and X rating, won the Oscar for Best Picture. Very Fine on Linen
Repulsion (1965) Italian Locandina. Catherine Deneuve's sexual repressions lead her into a mental breakdown in this landmark film from Roman Polanski! This colorful locandina may be the single best image from this disturbing picture! Very fine on paper.
Three Little Words (MGM, 1950) Three Sheet (41"X81") Fun MGM musical about the songwriters Kalmer and Ruby and their rise to fame. Fine on Linen.
Ship Ahoy! (MGM, 1942) One Sheet (27" X41"). Hilarious comedy featuring Red Skelton looking for a Nazi saboteur onboard a ship! The film is noted for its musical numbers including Tommy Dorsey and his Orchestra, featuring Buddy Rich, and the singing of Frank Sinatra! Fine on Linen.
Riding High (Paramount, 1943). One Sheet (27"X41") Dorothy Lamour shines in this big band musical, with Dick Powell crooning his way into a silver mine! Very Fine on Linen.
Strike Me Pink (United Artists 1936) One Sheet (27"X41") Eddie Cantor and Ethel Merman star in this comedy centered around an amusement park. Wonderful graphics are featured on this colorful poster. Fine on Linen.
Top Hat (RKO R-1953) One Sheet (27"X41") Fred Astaire and Ginger Rogers were at the "top" of their form in this classic 1935 musical. This sheet is a wonderful re-issue from the early fifties that shows them dancing "Cheek to Cheek"! Fine on Linen.
Guys and Dolls (MGM, 1955). Six Sheet (81"X81") Marlon Brando and Frank Sinatra are gamblers with songs to sing in this glorious MGM musical! Brando as hustler Sky Masterson falls for Jean Simmons, a puritanical member of the Salvation Army! Near Mint.
100 Men and a Girl (Universal 1937) Three Sheet (41"X 81"). Deanna Durbin is radiant on this wonderful three sheet. Durbin was one of the biggest stars of the thirties and forties. She was for Universal what Garland was for MGM. The film also features an appearance by Leopold Stokowski. Fine on Linen.
Hello Annapolis (Columbia, 1942). One Sheet (27"X41") By far the best recruiting poster we've ever seen for the navy, sports Jean Parker with her amazing military assets! Fine+ on Linen.
Moon Over Las Vegas (Universal 1944)Three Sheet (41" X 81") This three sheet has cowgirl art that reflects the western swing aspect of the film. One of the first movies filmed on location in Las Vegas. Very Fine.
Song of the Open Road (United Artists 1944) One Sheet (27"X41") Child star Jane Powell runs away to see what it's like to be a regular kid. Along the way she meets W.C. Fields and Charlie McCarthy! Very Fine on Linen.
A Royal Scandal (20th Century Fox, 1945). One Sheet (27"X41) This is a remake of Lubitsch's 1924 "Forbidden Paradise". Lubitsch began this version but was replaced by Otto Preminger. Very Good on Linen.
That Lady In Ermine (20th Century Fox, 1948). One Sheet (27" X 41") Fluffy Ernst Lubitsch musical set in the 19th Century Balkans staring Betty Grable as an Italian Countess. This stone litho poster features a wonderful image of the WWII pinup girl. Very Fine.
Coney Island (20th Century Fox 1943) One Sheet (27"X41") This is a beautiful stone lithography as only Fox was still regularly doing in the forties! And that's Betty the "Million Dollar Legs" Grable, in this turn of the century musical. Very Fine+ on Linen.
Springtime in the Rockies (20th Century Fox, 1942) One Sheet (27" X 41"). Positively one of the best musicals of the 1940s with Betty Grable jumpin' and jivin' her way through Harry James' big band sound! An incredible Fox litho. Fine on Linen.
Mother Wore Tights (20th Century Fox 1947) One Sheet (27" X 41"). Betty Grable stars in this story of a vaudeville family. This particular film went on to become one of Grable's most popular. Stone Litho. Very Good on Linen.
Yankee Doodle Dandy (Warner Brothers, 1942). One Sheet (27"X41") James Cagney won the Academy Award for his role as George M. Cohen in this classic musical. The picture also captured several other Academy Awards in what was one of Warner Brothers' biggest hits of WWII. The poster for this title has been hard to find for some years due to its popularity. Very Fine on Linen.
Who Cares? (Select 1919) One Sheet (27" X 41"). Constance Talmadge and Gilbert Palgrave share a tense moment on this early one sheet! Very Good on Linen.
The Knickerbocker Buckaroo (Artcraft, 1919). One sheet (27"X41"). Long before offset lithography made printing photos on paper easy, the only process that could be used was rotogravure. The early one sheets that used this process are extremely rare and highly sought after by collectors. Douglas Fairbanks stars in this film mixing wit with comedy and adventure! Fine+ on Linen
Coquette (United Artists 1929) One Sheet (27"X41") Mary Pickford won an Oscar for her role in this her first "talkie" about a flirtatious flapper who becomes involved with a man, leading to tragedy. This beautiful stone lithograph poster shows Mary at the maturity of her screen persona. She was to retire soon after. Very Fine on Linen.
The Enemy Sex, (Paramount, 1924).Window Card (14"X22") Beautiful stone litho card for this film about chorus girl "Dodo" Baxter (Betty Compson) who goes to a party given by a millionaire. She meets five wealthy men who each attempt to seduce her with offers of wealth and career advancement. Remember, this was pre-code Hollywood. Very Good.
Forever (Paramount, 1921). Window Card (14"X22") Great looking stone litho card from a film based on the book "Peter Ibbetson" by George Du Maurier. The ill-fated Wallace Reid stars as Peter, and Elsie Ferguson as the Duchess of Towers, in this story of star crossed lovers. Very Good.
The Canary Murder Case (Paramount, 1929) Window Card (14"X22"). This was the first in the Philo Vance series starring William Powell as the master sleuth. The film also starred the legendary Louise Brooks who would go on to make a stunning film for German director G.W. Pabst! One of the most sought after titles of the early talkie era! Very Fine with a crease.
Lily of the Dust (Paramount, 1924). Window Card (14"X22) Beautiful stone litho artwork graces this early Pola Negri poster. Very Good.
Heads Up (Paramount, 1930). Window Card (14"X22") Beautiful portrait of star Charles "Buddy" Rogers in an early "talkie" for Paramount. Fine.
Perils of the Wild (Universal 1925) One Sheet ( 27" X 41").Serial legend Joe Bonomo is depicted as he came to fame as a circus strongman! An exceptionally rare one sheet from the silent cinema! Fine on Linen.
The Cook (Famous Players Lasky, 1918). One Sheet (27"X41") Alongside his contemporaries, Charlie Chaplin and Buster Keaton, Roscoe "Fatty" Arbuckle was acclaimed as one of the screens greatest comedians! "The Cook" was made at the apex of his career, shortly after forming his own production company, and three years prior to his legendary Hollywood scandal! The picture also features a young Buster Keaton in a supporting role! A classic poster with one of the best images of Arbuckle ever made! Fine+ on Linen.
Dancing Mothers (Paramount, 1926). Window Card (14"X22") Attractive card for an Alice Joyce vehicle which features Clara Bow in an early role. Very Fine.
Dangerous Money (Paramount, 1924). Window Card (14"X22") Pretty stone litho poster from this Bebe Daniels, William Powell film about an indigent who suddenly finds herself wealthy. Very Good.
Ashes of Vengeance (First National, 1923). Window Card (14"X22") Norma Talmadge starred with Wallace Beery in this film about 16th-century French royalty. Pretty card with the tagline "If a million people saw Ashes of Vengeance a million hearts would cry out to the world ' There is no greater picture!' ". Very Fine
The Singing Fool (Warner Brothers 1928) Insert (14" x 36") This poster from the fourth Al Jolson film -- and his first film after the landmark the jazz singer (1927) -- is, quite simply, one of the best Jolson images. The singing fool was a tour de force for Jolson who sang some of his best songs in the film. The most famous was "Sonny Boy" and on this poster Jolson is seen delivering "Sonny Boy" in the film's finale. Onstage, arms outstretched, in the theatrical blackface which became such an integral part of Jolson's stage persona, emerges the icon of The Entertainer. Fine, Paper Backed.
Check and Double Check (RKO, 1930) Jumbo Lobby Card (14" X 16") Freeman F. Gosden and Charles J. Correll may not be remembered today, but the immortal characters they created - Amos 'n' Andy - were the first radio superstars. A rare Jumbo Lobby card for the only film in which the two appeared as the famous duo. Very Fine+.
Rock and Roll Revue (Studio 1955)One Sheet (27" X 41") A great poster from the rhythm and blues film. Nat King Cole, Ruth Brown, Lionel Hampton and Dinah Washington among others, appear as themselves. Fine+ on Linen.
Stormy Weather (20th century Fox 1943)One Sheet (27" X 41") Great re-issue poster from 1950, This is the best known poster showing Bill "Bojangles" Robinson. Scarcer than the original though not as expensive. Photo taken before linen backing. Very Fine on Linen.
Stormy Weather (20th Century Fox 1943) Italian (13" X 19") The great Lena Horne is shown singing with Cab Calloway and his band on this Italian poster. Very Fine.
A Patch of Blue (1965) One Sheet (27" X 41") Very Fine.
Porgy and Bess (Columbia 1959) Window Card (14" X 22") Otto Preminger directed this 70mm roadshow picture of the Gershwin opera, starring Sidney Poitier, Dorothy Dandridge, Sammy Davis, Jr. and Pearl Bailey. The poster is signed by Pearl Bailey. Very Fine.
The Learning Tree (Warner Brothers 1969.)One Sheet (27" X 41") Gordon Parks directed this film and wrote the screenplay based on his novel. An important film in the history of the Black cinema. Very Fine+.
Satchmo The Great (United Artists 1957) One Sheet (27" X 41") One of the greatest images of Louis Armstrong on any poster. Documentary of Armstong's international goodwill tour of 1956. Fine+.
Shaft (MGM, 1971). One Sheet (27" X 41"). The classic of Blaxploitation cinema! The story of John Shaft's battle with the Harlem underworld was so popular that it spawned two sequels and a TV series. Near Mint.
Foxy Brown (AIP 1974) One Sheet (27"X41") Pam Grier became one of the most important stars to ascend from the Blaxploitation films of the 1970s. "Foxy Brown" is considered the best of these and a landmark film of the black cinema! Very Fine+ / Near Mint.
Flash Gordon's Trip to Mars (Universal, 1938). One Sheet (27"X41") The Flash Gordon serials are remembered for being the science fiction predecessors to everything the fifties and beyond would bring. They are believed to be the influence behind the "Star Wars" series and the "Indiana Jones" trilogy. This chapter, which features Flash with his ever ready raygun, and Ming, the Merciless with his army, is considered to be one of the best of the chapter sheets that has survived from the serial! Very Fine on Linen.
Flash Gordon's Trip to Mars (Universal, 1938). Indian One Sheet This foreign poster is more exciting in many ways than the American sheet as it is in full color and features great science fiction images. Fine+ on Linen.
Daredevils of the Red Circle (Republic 1939) One sheet. Herman Brix and stuntman Dave Sharpe are featured in this serial based on the exploits of circus performers! Very Fine+ on Linen.
Spy Smasher - Chapter 9 "Highway Racketeers"(Republic 1942) One Sheet ( 27" X 41"). Republic Pictures was the serial studio from the late thirties up through the forties. They produced the most action and cliff hanging chills of any studio in their day. Offered here is a sheet from the WWII propaganda serial "Spay Smasher"! Notice the artwork of our hero running to crush the masked Nazi radio operator. Fine on Linen.
Atom Man vs Superman (Columbia, 1950). Six Sheet (81"X81") Kirk Alyn was the first actor to portray the "Man of Steel" on screen. He did so in the first 1948 Columbia serial called simply "Superman", and for the last time in 1950 in this serial in which he matches wits and brawn with the evil Atom Man. Large size posters for serials are very rare as these serials were filler for the larger features in a theater, and theater owners did not want to spend the additional $6 or $7 to buy the bigger sheets! This is one of but a few large posters to turn up from this film. Very Fine on Linen.
Superman and the Mole Men (Lippert 1951) One Sheet (27" X 41") George Reeves played the Man of Steel from 1953 to 1957 on television. Before he started the popular series, Reeves made "Superman and the Mole Men". While the subsequent features that were released were compilations of television episodes, this was the only feature made directly for the screen. Very rare! Very Fine on Linen.
Saddle Pals (Republic 1947) Six Sheet (81" X 81") Gene Autry and Champion were at it again and this time his sidekick is Sterling Holloway. Pretty, large format poster with great portrait of Gene. Very Fine.
Call of the Canyon (Republic, 1942). One Sheet (27" X 41") Great portrait art of cowboy star Gene Autry in one of his many Republic programmers. Fine+ on Linen.
Heart of the Rio Grande (Republic, 1942). One Sheet (27"X41". Gene Autry.) Very Fine.
Sierra Sue (Republic, 1941). Half Sheet (22"X28") Near Mint.
Red River Valley (Republic, 1936). Half Sheet (22"X28") Posters from Gene Autry's earliest films are extremely scarce! Fine.
Rootin' Tootin' Rhythm (Republic, 1937). Half Sheet (22"X28") Gene Autry. Very Fine.
Home on the Prairie (Republic, 1939). One Sheet (27"X41") This one sheet is considered one of Gene Autry's best as it features the singing cowboy in a classic pose a top his trusted horse, Champion! Very Fine+ on Linen.
Springtime in the Rockies (Republic, 1937). Insert (14"X36") Vivid colors make this early Gene Autry and Champion insert one of their best! Very fine.
Prairie Moon (Republic, 1938). One Sheet (27"X41") Gene Autry. Very Fine.
Hoppy Serves A Writ (Paramount 1942) Lobby Card (11" X 14"). Robert Mitchum, in his first screen appearance, is featured on this classic card with Hopalong Cassidy! The best card from this important set of lobbies! Very Fine.
Border Vigilantes (Paramount 1941) One Sheet (27"X41") Hopalong Cassidy was one of the greatest cowboys of the western film and television! His posters from his years at Paramount are very collectible! Very Good on Linen.
Doomed Caravan (Paramount 1941) Six Sheet (81" X 81") Hopalong Cassidy is out to stop the bad guys again and this time on a rare early six sheet! Large format posters such as this are very hard to find from this early period. Fine on Linen.
Everyman's Law (Republic, 1936). One Sheet (27"X41") Johnny Mack Brown was one of the classic cowboys of the B western! This poster uses a traditional portrait of the star! Fine on Linen.
Thunder Mountain (Fox, 1935). Three Sheet (41"X81") Beautiful stone litho from this George O'Brien western taken from a Zane Grey story. Very Fine on Linen.
Shane (Paramount, 1953). Insert (14"X36") Alan Ladd single-handedly changed the image of what the western hero should be in this landmark film. Very Fine+, Folded.
The Far Country (Universal, 1955) One Sheet (27"X41"). James Stewart and director Anthony Mann made a series of popular and realistic westerns during the 1950s. Mann's films were noted for their location photography and their stories of men who persevere against all odds! Fine on linen.
Davy Crockett (Buena Vista, 1955). Insert (14"X36") Disney's run-away television success "Davy Crockett, King of the Wild Frontier" made a huge star of Fess Parker and put a coonskin hat on the head of every kid in the country! Posters for this title are in high demand as Disney has just re-issued the TV series on DVD! Very fine.
The Terror of Tiny Town (Columbia 1938) Half Sheet (22" X 28"). Jed Buell's midgets began their "short" film career in this all midget western and went on to star as the munchkins in the "Wizard of Oz". No pun intended when we say "half sheet" - it really is a 22x28! Fine+, Folded.
Custer's Last Fight (Quality Amusement, R-1925).One Sheet (27"X41") Beautiful stone litho for a re-issue of a Thomas Ince film written by Richard Spencer. Near Mint
King Cowboy (FBO, 1928). One Sheet (27"X41") Tom Mix and his cowboys are on an African expedition in search of their missing boss, and are captured by an oil- wealthy African Amir. Of course Tom and his beautiful heroine Sally Blane foil the African despot. This style poster is publicly offered for the first time here and may be the only copy in existence. Very Fine on Linen.
The Fighting Hombre (FBO, 1927). One Sheet (27"X41") This spectacular one sheet captures a riveting portrait of western star Bob Custer! Custer was one of FBO's major stars during the silent era whose star began to fade with the coming of sound! Posters for his films rarely surface and when they do, they're rarely so stunning! Fine on Linen.
The Man From Nowhere, (Mutual, 1915). One Sheet(27"X41") William S. Hart was one of the screens earliest cowboys and certainly its most authentic! Hart had spent his formative years in the American West and he used those memories to make his westerns as true to life as possible. This was Hart's 13th film and one he directed as well as starred in! Early Hart posters are extremely rare, and "The Man From Nowhere" is the earliest Hart one sheet known to exist! Very Good/ Very Fine apparent on Linen.
The Bold Caballero (Republic 1936) One Sheet (27" X 41"). An early version of the Zorro legend based on Johnston McCulley's story "The Curse of Capistrano"! Very Fine+ on Linen.
Cimarron (RKO, 1931) Insert (14"X36"). Hailed as one of the greatest westerns ever made, "Cimarron" went on to win Best Picture of the Year for 1931! Posters for this title are exceptionally rare and this is only the second insert known to exist! Fine on Poster Board.
The Miracle Rider (Mascot 1935) One Sheet )27" X 41") The legendary cowboy Tom Mix's final western was a serial. Mix was known for his daring stunts so the buckaroo was a natural for a serial where stunts were required! Posters for any Tom Mix film are highly sought after by western collectors. Snipe included. Very Fine on Linen.
Lightning Speed (FBO, 1928).One Sheet (27"X41") Beautiful stone litho poster for an early Bob Steele programmer. Vibrant colors and great image. Fine.
Single Handed Sanders (Monogram, 1932). One Sheet (27"X41"). Stone litho poster done for a Tom Tyler programmer done during his stint at Monogram. Fine.
Square Shooter (Columbia 1935) Three Sheet (41" X 81") This is a fabulous full length image of the rough riding Robin Hood of the range; Tim McCoy starring in this Columbia B-Western oater. Fine on Linen.
The Revenge Rider (Columbia 1935) One Sheet ( 27" X 41"). Tim McCoy is shown on this stunning one sheet alongside leading lady Billie Seward. This one sheet is unusual in that most of McCoy's posters featured portraits of him instead of actual scenes from the film! Very Fine+ on Linen.
The Magnificent Seven (United Artists 1960) One Sheet (27"X41"). Based on Akira Kurosawa's "The Seven Samurai", the film featured the best leading men of the day, including Yul Brenner, Steve McQueen, and Charles Bronson. Very Fine + on Linen.
The Magnificent Seven (United Artists 1960) Three Sheet (41"X 81"). Based on Akira Kurosawa's "The Seven Samurai", this format, the three sheet, is considered by many to be the best poster for this film. Fine+.
The Dawn Trail (Columbia R-1934) One Sheet(27" X 41"). This beautiful stone litho portrait of Buck Jones was done for an early re-issue of one of his first "talkies" at Columbia. The original film was released in 1930. Very Fine on Linen.
Sandflow (Universal, 1937). One Sheet (27"X41") Universal produced some of the prettiest posters during the heyday of the thirties. This vibrant graphic of the great cowboy star Buck Jones is probably one of his best! Very Fine + on Linen.
The Cowboy and the Kid, (Universal 1936) One Sheet (27"X41") By the time this sheet was released, Buck Jones' was calling all the shots. He produced and wrote the original story for this film. Wonderful action graphics are what make the Jones posters so collectible. Very Fine+ on Linen
Trigger Trio (Republic, 1937) One Sheet (27"X 41") The Three Mesquiteers featuring the characters of Stony Brooke, Tucson Smith and Lullaby Joslin! This one sheet is a stunning example of the series. Very Fine+.
The Reckless Ranger (Columbia 1937) One Sheet (27" X 41").Bob Allen. Fine+ on Linen.
The Man From Arizona, (Monogram, 1932). One Sheet (27"X41") Rex Bell was one of the early talkies' most popular cowboys! This one sheet makes a perfect companion to "The Hidden Valley" one sheet as they both feature popular stars in classic western images! Very Fine on Linen.
The Hidden Valley (Monogram, 1932). One Sheet (27"X41").Bob Steele. Fine on Linen.
Union Pacific (Paramount, 1939). One Sheet (27"X41") Cecil B. DeMille directed this sprawling western saga about the building of the first transcontinental railroad! The poster for this classic features Barbara Stanwyck, Joel McCrea and the villain Brian Donlevy! Fine on Linen.
They Died With Their Boots On (Warners Brothers 1945) One Sheet (27"X41") Errol Flynn stars in this dramatization of George Custer's life and demise. This classic sheet is sought after by western and Flynn collectors alike. Fine on Linen.
San Antonio ( Warner Brothers 1945) One Sheet (27"X41") Dance hall girl Alexis Smith who works for the town villain falls for Errol Flynn who is the cowboy trying to clean up the town. This is the poster to own if you're a San Antone boy. Very Fine+ on Linen.
My Darling Clementine (1946) Six Sheet (81" X 81") A spectacularly good poster for John Ford's legendary film telling of the Wyatt Earp story. Simply one of the best Western film posters. Peerless stone lithography from Twentieth Century Fox in excellent condition my darling clementine is not only the best western by the best director of westerns, but it is arguably the best film in Ford's long and distinguished career. Very Fine on Linen.
Apache Rose (Republic, 1947). One Sheet (27"X41") By 1947, Republic was turning out the Roy Rogers films with regularity, each directed by William Whitney and starring Mr. And Mrs. Rogers and Trigger. They were being done in Trucolor which added to their allure. Roy had become a seasoned cowboy performer and his maturity added charm to these later films in the series. Very Fine on Linen.
Home in Oklahoma (Republic, 1946). One Sheet (27"X41"). Roy Rogers. Very Fine+.
The Yellow Rose of Texas (Republic 1944) One Sheet (27"X41") Roy Rogers' "Texas" related titles are considered to be some of his most collectible! Fine.
The Bells of San Angelo (Republic, 1947). One Sheet (27"X41"). Roy Rogers. Very Fine+.
Romance on the Range (Republic, 1942). One Sheet (27"X41"). Roy Rogers. Very Fine.
Young Buffalo Bill (Republic 1940) One Sheet (27"X41") Action abounds on this striking one sheet from Roy Rogers' early career in pictures! Very Fine.
Song of Nevada (Republic, 1941). One Sheet (27"X41"). Roy Rogers. Fine+ on Linen.
Under California Stars (Republic, 1948). Half Sheet (22"X28") Roy Rogers. Very Fine.
South of Caliente (Republic, 1951). One Sheet (27"X41") This was one of Roy Rogers' last features at Republic before he took his show on Television! Very Fine.
The Ranger and the Lady (Republic, 1940). One Sheet (27"X41") For a very brief period during 1940, Republic switched their poster designs from spectacular action-packed color graphics to duo-tone posters. This is one of the few Roy Rogers titles that were produced during this period! Very Fine.
Night Time in Nevada (Republic, 1948). Half Sheet (22"X28") Roy Rogers. Very Fine.
The Eyes of Texas (Republic, 1948). Half Sheets (22"X28") Styles A and B. This title is a "must have" for every true Texan and member of the Texas Ex Association! Fine and Very Fine, Folded.
The Bells of San Angelo (Republic, 1947). Half Sheet (22"X28") Very Fine + . Roy Rogers
The Arizona Kid (Republic, 1939). One Sheet(27" X 41") This is simply the best and most sought after one sheet of all of Roy Rogers' movies! This one doesn't come around very often so you better lasso it while ya can! Fine+ on Linen.
Red River Valley (Republic, 1941). Insert (14" X 36"). This striking insert captures the serious side of Roy Rogers rarely used on his posters! Very Fine, Folded.
In Old Caliente (Republic 1939) One Sheet (27"X41"). Often considered Roy Rogers' "other" best one sheet, this title rarely becomes available. Fine+ on Linen.
Sheriff of Tombstone (Republic, 1941). Half Sheet (22"X28") Near Mint. Roy Rogers
Along Came Jones (RKO 1945) One Sheet (27" X 41"). Gary Cooper and Loretta Young star in this light western. The one sheet for this film is a beautiful example of the two stars! Very Fine+ on Linen.
Buffalo Bill and the Indians (United Artists, 1976). Advance One Sheet (27"X41") and Regular One Sheet (27"X41") The advance one sheet on this title was printed on corrugated paper giving it a "vintage" effect. Both posters are Very Fine / Near Mint.
Pittsburgh (Universal, 1942). One Sheet (27"X41") John Wayne, Marlene Dietrich, and Randolph Scott were a studio's formula for success. They had done "The Spoilers" together, and Universal was trying to follow that hit with another. Wayne and Scott play coal-mining partners who hit it big, with Dietrich as the love interest, of course. Very vibrant, rare and colorful sheet. Very Fine+ on Linen.
The Sands of Iwo Jima (Republic, 1950). Italian Two Foglio. John Wayne leads a crew of marines on the assault of Iwo Jima! This patriotic poster also features the raising of the US flag on Mt. Suribachi! Very Fine on Linen.
Wake of the Red Witch (Republic 1949) One Sheet (27"X41") John Wayne plays a sea captain involved in love, intrigue, and hatred in the South Seas. Gail Russell lights up the screen with Wayne until he gets in too deep and drowns! Fine+.
Red River (United Artists, 1948). Insert (14"X36") Director Howard Hawks made the unprecedented move of casting John Wayne as the bad guy, Tom Dunson, in this tale of the first cattle drive over the famous Chisholm Trail. Montgomery Clift is riveting in his debut film role and Wayne is grand in what is considered by many to be the one of the best westerns ever made! Very Fine+, Folded.
Haunted Gold (Warner Brothers- First National 1932)One Sheet (27"X41")John Wayne starred in six westerns for Warner Brothers from 1932 to 1933. All of these films used stock footage from the First National/ Ken Maynard films and usually were a remake in some way. Offered here is the very rare poster for his first film for Warners. Very Fine on Linen.
Modern Age (1980-Present)
Ft. Apache (RKO, 1948). Insert (14" X 36") The first of the John Ford cavalry trilliogy, stars John Wayne and Henry Fonda. The insert is by far the superior poster image from the film and especially rare in this rolled condition. Very Fine +, Rolled.
Movie Posters
She Wore a Yellow Ribbon (RKO, 1949). Insert (14"X36") John Wayne as a rough and tough cavalry officer, prepares for one last war with the Indian nation prior to retiring! The second in John Fords legendary Cavalry trilogy! Near Mint.
Rio Grande (Republic, 1950). Half Sheet (22"X28") The third installment of John Ford's Cavalry trilogy found John Wayne leading the US cavalry in the post civil war era of the old west! By far, the toughest posters to find in the trilogy are from "Rio Grande". Fine, Rolled.
The Man Who Shot Liberty Valence, (Paramount, 1962). One Sheet (27"X41") John Ford cast screen legends John Wayne and James Stewart together for the first time in this epic western! A favorite among collectors, this one sheet is one of the most sought after in the genre! Very Fine+ on Linen.
The Man Who Shot Liberty Valence (Paramount 1962) Six Sheet (81" X 81") Undoubtedly the best poster made on this legendary John Ford title as it captures John Wayne and James Stewart crashing through the barroom doors! Stunning in Near Mint condition.
In Old Oklahoma (Republic, 1943). One Sheet (27"X41"). Oil strikes in the Oklahoma territory providing the backdrop for this John Wayne western. Wayne would visit the subject again in 1969 for "The Hellfighters"! Fine+ on Linen.
Lawless Frontier (Monogram, 1934). Insert (14"X36") After Wayne's brief tenure at Warner Brothers, independent Lone Star Pictures picked up his contract for a series of westerns. The inserts Monogram issued for these films were "stock" meaning they used one insert for all of the films and simply printed the title for each film in a blank area of the poster. Very Fine on Paper.
The Star Packer (Lone Star 1934) One Sheet (27" X 41") John Wayne stars in this B western alongside George Gabby Hayes and stuntman Yakima Canutt! A rare opportunity to acquire an early western one sheet featuring the legend! Fine on Linen.
Three Texas Steers (Republic 1939) One Sheet (27"X41") This was one of the "Three Mesquiteers" western series which had John Wayne in the line-up for eight of the films. They starred Ray Corrigan and either Max Terhune or Raymond Hatton. This is one of the prettiest of the series posters with Wayne, and possibly one of the best Wayne posters from the late thirties! Fine.
Somewhere in Sonora (Warner Brothers, 1933). One Sheet (27"X41") After backing up Tim McCoy and Buck Jones in a series of B westerns at Columbia, a young John Wayne was given the lead in his own series of horse operas at Warner Brothers! The posters from this series are very difficult to come by and this one sheet, one of the best, sports a wonderful art deco design and stone litho! Very Good on Linen.
The Paleface (Paramount 1948) One Sheet (27" X 41"). Bumbling Bob Hope and the sexy sharpshooter Jane Russell star in this western comedy, a spoof of "The Virginian". Very Fine on Linen.
Monsieur Beaucaire (Paramount 1946) One Sheet (27"X41") A funny costume comedy with Bob Hope in the lead, in a case of mistaken identities! This is an attractive early Hope poster. Very Good+ on Linen.
Thanks For the Memory (Paramount 1938) Lobby Card Set (11" X14"). Bob Hope's popular comedy used the title of a tune that would become the stars signature, "Thanks for the Memory". Due to this, the cards from this set have been avidly collected for years. Very Fine+ / Near Mint.
Wandering Papa (Pathe' - 1920's) Three Sheet (41"X81") Pretty stone litho poster of an early Hal Roach comedy starring Clyde Cook. Fine on Linen.
Nothing But Trouble (MGM 1944) One Sheet (27"X41") The boys were at it again, as Laurel and Hardy take jobs as house servants to a boy king whose life is in danger! They probably don't help matters! Very Fine on Linen.
Love Happy (United Artists 1950) One Sheet (27"X41") Truly their last ensemble effort as a team, Harpo, Chico, and Groucho Marx are still funnier than all the rest! Marilyn Monroe has a very brief cameo. Pretty Stone Litho. Fine on Linen.
The Major and The Minor (Paramount 1942) One Sheet (27" X 41") An unforgettable comedy and the first directing effort by Billy Wilder starring Ginger Rogers and Ray Milland. Signed by Wilder. Fine+ Linen.
The Circus (United Artists 1928) One Sheet (27" X 41") Terrific one sheet poster for one of the most under-rated Chaplin films featuring caricature art of Chaplin by Alvan Cordell "Hap" Hadley. Hadley's signature caricatures of Buster Keaton, Eddie Cantor and Chaplin were often imitated but never duplicated. Hadley is one of the most famous artists who worked in film poster advertising. Fine on Linen.
The Kid Auto Race (Independent, c. 1922) One sheet (27"X41") Many of Charlie Chaplin's early shorts were being re-issued in the early 1920's due to their extreme popularity. The distributors knew they were going to release a number of these shorts, so they produced a "stock" one sheet to cover all of the films! Originally titled "The Kid Auto Races at Venice" released in 1914. Very Good+ on Linen.
Monsieur Verdoux (United Artists, 1947) One Sheet (27"X41") Charlie Chaplin directed and starred in this comedy about a French Bluebeard who murders wives for their money. This poster contains a wonderful image of Chaplin in a black comedy role that was very much ahead of its time! Fine on Linen.
Pillow Talk (Universal 1959) One Sheet (27" X 41"). Doris Day's wholesome image played perfectly against Rock Hudson's cool swagger in four romantic comedies! "Pillow Talk" is the best of those with the posters in popular demand! Fine.
Topper Returns (United Artists 1941) One Sheet (27" x 41"). Roland Young reprises his role as the haunted Cosmo Topper in the last of the immensely popular "Topper" series. Very Good on Linen.
Pearl of Death (Universal 1944) Half Sheet (22X 28"). Basil Rathbone and Nigel Bruce will forever be remembered as the quintessential Sherlock Holmes and his trusted sidekick, Watson! Posters for the Sherlock Holmes series are among the most collected in the hobby! Fine+, Folded.
Dick Tracy vs. Cueball (RKO 1946) One Sheet (27" X 41") Morgan Conway stars as the square-jawed detective, Dick Tracy, made famous by cartoonist Chester Gould! Posters for any of the Dick Tracy films and serials are highly collectible. Fine.
Twelve O'Clock High (20th Century Fox, 1949). One Sheet (27"X41") This classic WWII drama about US flyers in England is an acting showcase for all involved. Gregory Peck has never been better. A television series was developed from the story in the sixties. Very Fine+ on Linen.
Victory Through Air Power (RKO 1943) One Sheet (27"X 41") This is a poster for a film which was unique in the history of the Walt Disney Company: an animated film which was really a propaganda film selling the ideas of Major Alexander de Seversky's theories about strategic bombing. One of the most influential propaganda films of the WWII era and rarely seen today. Very Good+ Linen.
Appointment in Tokyo (Warner Brothers, 1945). Insert. Filmed by the various branches of the US War department, this documentary retells the story of the United States victory over the Japanese during World War II. Very Fine.
Spitfire (RKO 1942) Half Sheet (22"X 28"). Leslie Howard's final screen appearance was in this pro-British World War II epic about the development of the Spitfire fighter! Very Fine on paper.
We Are the Marines (20th Century Fox 1942) One Sheet (27" X 41") One of the very best of the World War II era filmposters is not for a feature film, but rather for an installment of the documentary serial "the march of time". Most March of Time posters were done in black and white, but not this one. Beautiful stone lithograph. Very fine.
Patton (20th Century Fox 1970) Insert (14" X 36"). George C. Scott's riveting performance of the World War II general earned him the Oscar for Best Actor of the Year! Besides being a highly collectible title already, this insert has also been signed by the legendary star! Very Fine.
King Kong (RKO 1933) One Sheet (27" X 41") Style A. This incredible poster features Kong as he is best remembered; on top of the Empire State Building clutching Fay Wray! Designed by S. Barret McCormick and Bob Sisk, this style one sheet was inspired by the artwork of Kong's creator, Willis O'Brien! The first time this copy of this poster was offered at auction was in 1996 at Executive Collectibles. It sold at that time for an astounding $80,500. Another copy of this one sheet was sold at Sotheby's in 1999 for the exact same amount. With only four known copies of this poster in existence, this could be the best of the four in gorgeous very fine+/near mint condition on linen.
Dracula (Universal 1931) Jumbo Lobby Card (14" X 16"). Bela Lugosi as the legendary Count Dracula commands his servant Renfield played by Dwight Frye! The jumbo lobby cards from this timeless classic are far scarcer than the regular lobbies. Another copy of this jumbo card sold for over $12,000 in 1997! Very fine with no restoration!
Dracula's Daughter (Universal 1936) Half Sheet (22" X 28"). Although Bela Lugosi was originally cast as the Count, he was dropped from the film at the last moment. No matter, as this is one of the better films from the Universal horror series. This copy is from the New Zealand collection, a group of posters noted for their outstanding condition. Near Mint
King Kong (RKO, 1933). Title Lobby Card (11"X14") Among horror collectors, title cards are very collectible as they provide a chance to acquire a films poster art at a fraction of what a full size poster would demand! This title card is in very fine condition and represents a rare opportunity to obtain the "art" on this essential horror classic! Fine+, Paper backed
King Kong (RKO, 1933). Lobby Card (11"X14") This amazing lobby card depicts one of the most memorable moments in the history of the cinema! Kong wreaks havoc on his tormentors atop the Empire State Building! Fine / Paper Backed.
King Kong (RKO 1933) Lobby Card (11"X14") Willis O'Brien, master of stop-motion animation, brought the dinosaurs of Skull Island to life! A wonderful scene from this timeless classic! Very Fine.
Frankenstein Meets the Wolfman (Universal, 1943). Half Sheet (22" X 28"). Universal had almost exhausted plots for their monster series when they hit upon the idea of casting their two most popular monsters in one film! The result was a monster classic and an instant revival for the series! Very Fine on Paper.
Frankenstein Meets the Wolfman (Universal 1943) Italian Photobustas (Set of 8). Although this epic monster bash probably wasn't released in Italy until after WWII, these original photobusta (lobbies) are from the film's first release. Very Fine with Original Sleeve.
King Kong (RKO 1933) One Sheet (27" X 41") Style B. For years, "King Kong" has been the pinnacle of the poster hobby, with the posters setting new records almost every time they appear at auction! In 2000 a six sheet sold for $189,000 and in 1999 a three sheet sold for $244,500! Another copy of the style B one sheet sold in 1994 for $98,900! This particular example is in Very Good Condition with restoration to the background area.
The Ghoul (Gaumont, 1933). Argentinian One Sheett. Boris Karloff stars as an Egyptologist who is buried with a jewel that will give him immortality! For years this was a "lost" film and as were the posters.. This Argentinian one sheet is one of the few original posters to have survived. Fine on Linen.
The Invisible Ray (Universal, 1936). Lobby Card (11" X 14"). King of the Monsters Boris Karloff stars in this sci-fi chiller as Janos Rukh, a scientist who once exposed to Radium X, begins a reign of terror! Early Universal horror cards are some of the most collectible lobbies in the hobby! Very Fine.
The Invisible Ray (Universal 1936) Lobby Card (11" X 14"). Bela Lugosi stars as the scientist who uses the Radium X ray for good in this early sci-fi classic that teamed the legend with Boris Karloff! Very Fine.
Invisible Ray (Realart R-1948) One Sheet (27" X 41") This is a nice re-issue sheet from the 1936 Universal horror classic. Fine+.
The Raven (Universal, 1935). Argentinian One Sheet. The masters of horror, Boris Karloff and Bela Lugosi were teamed for this shocker based on an Edgar Allan Poe short story! Domestic posters for any of the early Universal titles are extremely rare and pricey- which makes this spectacular Argentinian release stone litho one sheet a wonderful alternative. Very Fine on Linen.
Dr. Jekyll and Mr. Hyde (MGM 1941) Three Sheet (41" X 81"). Robert Louis Stevenson's masterpiece of horror was filmed for the third time with Spencer Tracy as the ill-fated scientist! This is the first time this rare three sheet has been offered at auction! Very Good+ / Fine on Linen.
King Kong (Paramount, 1976). Banner. Dino de Laurentis' remake of the horror classic featured Kong climbing the newly constructed World Trade Center instead of the Empire State Building! This extremely rare banner depicts the giant ape straddling the twin towers! Fine.
House of Horrors (Universal, 1946). One Sheet (27"X41"). Rondo Hatton as The Creeper, claims another victim! Hatton portrayed The Creeper in a number of films, capitalizing on his extreme disfigurement due to acromegaly. Very Fine+ on Linen.
House of Dracula (Universal, 1945.) Lobby Card (11" X 14"). This is a particularly desirable card as it features Lon Chaney in his pivotal role as The Wolf Man! Cards depicting this classic monster are very scarce. Very Fine.
House of Dracula (Universal, 1945). Lobby Card (11" X14"). The only card from the set to feature Glenn Strange as the Monster, doing what he did best--rampaging through the village and killing off the locals. A classic scene from the Universal horror series! Very Fine.
Son of Dracula (Universal 1943) Lobby Card (11" X 14"). Lon Chaney, as Count Alucard (for the uninitiated, that's Dracula backwards), is seen on this very collectible Universal horror lobby card! Very Fine.
Son of Dracula (Universal 1943) Insert (14" X 36"). Dracula leaves his European castle and, while in a swamp infested area of the deep south, involves the locals in voodoo and vampirism! One of the best in the Universal horror series as directed by Robert Siodmak! Very Fine, Folded.
The Mummy's Curse (Universal 1944) Lobby Card (11"X14") Lon Chaney as the Mummy Kharis must sip the juice of tanna leaves to survive. Lobby cards from the Universal series are highly prized by collectors! Fine.
I Was a Teenage Werewolf (AIP 1957) One Sheet (27" X 41"). Michael Landon made his debut as a teenage werewolf in this classic horror film that has attained cult status! Very Fine on Linen.
I Was a Teenage Frankenstein (AIP, 1957). One Sheet (27" X 41"). One of producer Herman Cohen's classic drive-in chillers that found juvenile delinquents being turned into monsters by scientists! Very Fine+ on Linen.
Horror of Dracula (Hammer- Warner Brothers, 1958) French Petite. This brilliant retelling of Bram Stoker's classic horror novel was the first in a series featuring Christopher Lee as Count Dracula! Very Good+ / Fine.
Cat People (RKO 1942) Three Sheet (41"X81") Now considered a classic of "suggested horror"; Val Lewton produced this wonderful film on a modest budget and turned it into one of the most frightening films of the forties. Beautiful Simone Simon starred as the woman who when emotionally aroused, turned into a black panther. The posters for this film have always been rare and this three sheet features some of the best graphics from the film. Very Fine+ on Linen.
The Body Snatcher, The (RKO 1945). Window card (14"X22") This Karloff and Lugosi thriller was one of producer Val Lewton's best. The chilling graphics of grave robber Boris Karloff make this a very collectible card. Very Fine.
The Old Dark House (Universal R-1939)Three Sheet (41" X 81") Rare three sheet from the 1939 re-issue of this seminal Universal Horror Film, directed by James Whale. An unusual three color poster with excellent images of Karloff and Laughton. Very Fine.
House of Usher (AIP 1960) Three Sheet (41"X81") Roger Corman and Vincent Price began their series of films based on Edgar Allan Poe's stories with this classic! A fantastic graphic for this landmark film! Very Fine.
Jailhouse Rock (MGM 1957) French Petite. The King of Rock N' Roll shines on this spectacular French poster. Besides a great portrait of the legend, Elvis Presley, it also features the now famous, gyrating "Jailhouse Rock" number! Fine+.
Jailhouse Rock (MGM, 1957). Title Lobby Card (11" X 14") This outstanding portrait of a young Elvis Presley is the most sought after title by collectors of the King's posters. Fine.
Loving You (Paramount, 1957). One Sheet (27"X41"). This is essential Elvis, as The King portrays a young kid promoted to stardom playing Rock-N-Roll! Very Fine on Linen.
G.I. Blues (Paramount, 1960). Three Sheet (41"X81") Fresh from his active duty tour of Europe, Elvis Presley is featured in his army uniform, singin' and or swinging' with the chicks! Paramount rushed this film into production to capitalize on Elvis' return, hoping to satisfy the fans that had been waiting for him for two years! Fine+.
Kid Galahad (United Artists, 1962). Three Sheet (41"X81") Elvis is featured as we remember him best, playing a guitar and singing to his girls! Large format posters for Elvis' films are always in high demand! Near Mint.
It Happened at the World's Fair (MGM 1963) One sheet. Elvis rocks Seattle! The King is cast in this picture with newcomer Kurt Russell! One of the tougher Presley one sheets to find. Very Fine+ on Linen.
Tickle Me (Allied Artists 1965) One Sheet (27" X 41"). One of the better one sheets produced for a rockin' Elvis Presley musical! Very Fine+ on Linen.
Double Trouble (MGM 1967) One Sheet (27"X41"). Elvis Presley stars in this rock n roll musical. Very Good+.
Double Trouble (MGM, 1967). Three Sheet (41"X81").Elvis Presley. Very Fine.
Clambake (United Artists 1967) Six Sheet (81"X 81") Elvis Presley is a millionaire's son working as a ski instructor in Miami. Guess what happens! Girls, guitars and song! That's Elvis. Rare in this large format. Great for a game room. Very Fine+.
Speedway (MGM 1968) One Sheet (27" X 41") Elvis Presley and Nancy Sinatra were teamed in this light story about a stock car racer who falls in love with the IRS agent that's after him. One of the great posters from Elvis Presley's career. Filmed at the Charlotte Speedway in North Carolina! Very Good+ - Fine.
Ziggy Stardust and the Spiders from Mars (20th Century Fox, 1983). One Sheet (27" X 41") This documentary film of David Bowie's last concert as Ziggy was directed by the famous filmmaker D.A. Pennebaker. This poster is graced by Pennebaker's signature! Near Mint.
Moon Over Broadway (Artistic License, 1998). One Sheet (27" X 41") This wonderful small film depicts the drama behind the opening of a Broadway show. Shown here is a poster featuring the signatures of the two directors D.A. Pennebaker and Chris Hegedus. Near Mint.
Don't Look Back (Leacock- Pennebaker 1967)One Sheet (27" X 41") An amazing poster, designed by the filmmaker D.A. Pennebaker for his very famous cinema verite documentary film of Bob Dylan's first English tour in 1965. The compelling image of Dylan was lifted directly in high contrast from a film frame. Signed by Mr. Pennebaker. Near Mint Rolled.
Willie Nelson's Fourth of July Celebration (Alston/Zanitsch 1979) (25" X 37") A rare film poster for the second film in which Willie Nelson appeared, a documentary of his July 4th concert and holiday celebration. Near Mint
Session 1
Golden Age (1938-1955)
All-Winners Comics #1 (Timely, 1941). This issue has it all! For the first time ever, Timely teamed up Cap, Torch and Subby in one book, bringing readers a triple-dose of power-packed action. A popular series among Timely aficionados, All-Winners ran the course of WWII, delivering classic Schomburg covers along the way. This copy is very attractive, with no tears or missing pieces to speak of, and only average reading wear. Considering the high value of All-Winners #1, an unrestored copy in this condition satisfies the wallet without sacrificing aesthetic appeal. CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $1,600; FN 6.0 value = $4,800.
All-Winners Comics #21 (Timely, 1947). This scarce last issue features the final appearance of the All-Winners Squad along with a killer bondage cover. A very rare and desirable book for the Timely collector, this is a nice looking copy with great eye-appeal. CGC FN+ 6.5 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $1030.
All-Winners Comics V2 #1 (Timely, 1948). The Blonde Phantom was revived for one last outing with Timely superstars Captain America, the Human Torch, and Sub-Mariner in this hard-to-find issue. Relatively scarce, this book is very rarely offered for sale. This is a nice mid-grade copy, flat and sharp, making it a great book for any Timely collector. CGC VG+ 4.5 Off-white pages. Overstreet 2001 GD 2.0 value = $274; FN 6.0 value = $822.
Annie Oakley #1 (Timely, 1948). A very scarce early Timely western, this book also has a bit of a good girl edge to it. Especially tough to find in this grade, this is the highest graded copy submitted to CGC to date. CGC 9.0 VF/NM Off-white pages. Overstreet 2001 NM 9.4 value = $375.
Bronze Age (1970-1979)
Black Knight #3 Bethlehem pedigree (Atlas, 1955). A very desirable comic, this rare Atlas title is a tough book to find. Offered here is an exceptional copy, the back cover showing some edge creases and minor tears, but the front cover looks VF or better. Great eye-appeal. CGC Fine+ 6.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $145.
Golden Age (1938-1955)
Blonde Phantom #16 (Timely, 1947). A great Syd Shores cheesecake cover featuring the Blonde Phantom highlights this classic post-war issue. Captain America and Bucky have a 6-page story by Don Rico, and there's one page of "Hey Look" by Harvey Kurtzman. A nice solid book with a small pencil arrival date on the top left corner and a small dust shadow on the right-hand side being the only defects. CGC VF 8.0 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $348; NM 9.4 value = $1100.
Blonde Phantom #21 (Timely, 1949). Sporting an awesome Syd Shores Blonde Phantom cover, this book has a nice appearance, with a small pencil arrival date at the top left front cover and a small amount of blunting at the bottom left corner. CGC VF 8.0 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $221; NM 9.4 value = $700.
Captain America Comics #1 (Timely, 1941). With a devastating right hook, Captain America brings the world of Timely Comics into World War II, as he pastes one on old Adolf himself! Released almost a full year before the attack on Pearl Harbor, Timely set themselves in the reality-based world of Axis and Allies, and set the tone that they would take until well after the war's finish in 1945. One of the most important books of the Golden Age of comics, this is a solid mid-grade copy. There are some erasure marks across the logo as well as a few imperfections along the spine. This is a sharp, clean copy of a perennially desirable comic. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $17,100; VF 8.0 value = $39,900.
Captain America Comics #1 (Timely, 1941). Timely's most popular key issue, Captain America #1 has a lot going for it: the introduction of comicdom's favorite patriotic hero by Joe Simon and Jack Kirby, the first appearance of Cap's ultimate arch-nemesis the Red Skull, and an ultra-classic cover featuring Cap socking Hitler in the jaw. This series would last the duration of the 1940s, with a small revival in the '50s, before Cap became a mainstay of the comic community during the Marvel Age, enjoying vast popularity to the present day. This copy is beautiful, almost a VF, that has a small amount of professional color touch and a minor bump to the upper spine area. The colors are deep, something to be appreciated since most copies exhibit faded covers. Cap #1 has shown incredible growth over the last decade, ascending to the seventh position of Overstreet's top ten, and setting records along the way. No doubt the owner of this book will be envied by many. CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $17,100; VF 8.0 value = $39,900.
Captain America Comics #9 (Timely, 1941). Bucky writhes in the clutches of the Black Talon as Cap springs to the rescue in this classic Simon and Kirby cover. Captain America is by far the most in-demand Golden Age title, and this is a terrific example of the book's early run. Exhibits the wear associated with the grade, but still displays absolutely stunning colors with a sharp, fresh appearance. CGC notes "cover detached from top staple only." CGC VG/FN 5.0 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $400; FN 6.0 value = $1,200.
Captain America Comics #25 Crowley pedigree (Timely, 1943). A simply stunning example from the ever-popular Cap run! This one features a great cover by Syd Shores and a Human Torch story--and Cap actually drinks liquid opium! Perfectly square with sharp edges and a near flawless spine, this copy is a great example from the Crowley collection, and a great investment piece. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $2,100.
Captain America Comics #41 Okajima pedigree (Timely 1944). An outstanding copy with intense colors highlighting the last Japanese war cover done by Alex Schomburg. "Okajima" and the date are written in pen on the top front cover, which is indicative of this pedigree. A solid mid-grade copy for the any Cap collector. CGCFN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $474; NM 9.4 value = $1500.
Captain America Comics #59 (Timely, 1946). Captain America was Timely's big star. This issue traditionally has had a very strong demand. A solid copy, it contains a retelling of Cap's origin. CGC VG 4.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $295; FN 6.0 value = $885.
Daring Mystery Comics #2 (Timely, 1940). Hitting the stands just after Marvel Mystery Comics began, Daring #2 has proven to be a tough book to find in any grade. The cover features early work by Alex Schomburg, with Joe Simon art on the inside. This book does not come up for sale often in any condition, making this a great opportunity to add this elusive treasure to your collection. CGC notes, "Restoration includes: color touch, pieces added, seals, cleaned, (cover trimmed)". CGC Apparent FN/VF 7.0 Extensive (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,957.
Human Torch Comics #17 (Timely, 1944). By the time this book hit the stands, the U.S. was clearly on the offensive with Japan, and bombing raids on the mainland were a common occurrence. Here we see such a raid, aided by the Torch as he does his fiery thing! A clean copy with sharp edges and a pencilled arrival date in the logo, this book will surely please any collector. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $348; NM 9.4 value = $1,100.
Human Torch Comics #23 (Timely, 1946). This classic issue is always in high demand. It features a fantastic Alex Schomburg robot cover. This late in the run, Torch had a relatively small press run, making them tough to find today. Condition is well above average on this copy. CGC notes, "1" tear on 6 pages". CGC VF- 7.5 Off white pages. Overstreet 2001 FN 6.0 value = $363; NM 9.4 value = $1,150.
Journey into Unknown Worlds #11 File copy (Atlas, 1952). Featuring a classic Bill Everett cover, as well as interior art, this book is exceptional due to the fact that pre-code Atlas books are so hard to find in high-grade. Only the lightest spine wear keeps this book from grading Near Mint. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $360.
Journey into Unknown Worlds #38 (#3) (Atlas, 1951). This is a hard-to-find early issue of a trend-setting science fiction title. A good looking book with eye-appeal that transcends the grade, it shows great color and only light visible wear. CGC Fine+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $245; NM 9.4 value = $775.
Marvel Comics #1 (Timely, 1939). A true "super-key" issue if ever there was one, this was the springboard for one of the most successful comic book companies in history: Timely Comics, which later re-named itself after this seminal first issue, and became Marvel Comics. Published in 1939, it featured the origin and first appearance of the Human Torch (who is featured on the spectacular cover), created by Carl Burgos. Prince Namor, the Sub-Mariner (created and drawn by the legendary Bill Everett) makes his first newsstand appearance. It also featured Ka-Zar the Great (the first appearance of this first-known Tarzan clone), the first and only appearance of the Jungle Terror, and the first appearance of The Angel by Paul Gustavson. Cover art is by science fiction legend Frank R. Paul. Marvel Comics #1 introduces two of the three superstars of the fledgling company, and, even more importantly, is the first Marvel comic book, the most widely collected and arguably most important publisher in comic book history. CGC GD 2.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $14,000.
Marvel Mystery Comics #3 (Timely, 1940). Low number issues of Marvel Mystery Comics are exceedingly rare. This a very attractive copy with moderate to extensive restoration. The spine has been rebuilt, the cover has been reglossed, and there are sundry tear seal and spot fixes. The work is well-done and not immediately identifiable. Very good eye-appeal, pages are supple. Apparent FN/VF Extensive (P) Cream pages. Overstreet 2001 FN 6.0 value = $3,000; NM 9.4 value = $11,500.
Marvel Mystery Comics #5 (Timely, 1940). Overstreet lists this issue as scarce and we concur. Early Timelys are the foundation upon which the Marvel Universe was built. They are very scarce in today's marketplace, especially in unrestored states. The desirability of this particular issue is enhanced by a classic cover by Alex Schomburg, a cover more reminiscent of the ultra-violent pulps of the thirties and forties than a typical "comic" book. The incomparable Bill Everett illustrates the Sub-Mariner story. A very solid copy that has no glaring defects, and seems to be conservatively graded. CGC VG+ 4.5 Off-white pages. Overstreet 2001 GD 2.0 value = $1,560; FN 6.0 value = $4,680.
Marvel Mystery Comics #19 (Timely, 1941). Another classic Schomburg cover, this one has Bucky facing a "violent death" at the hands of large-brained aliens, only to be saved by the Torch at the last moment...again! Sidekicks were always more trouble than they were worth. This copy has a VF appearance, but a light stain on the back cover keeps it in the Fine category. A very attractive book for a fraction of what a high grade would cost. CGC FN+ 6.5 Light-tan to off-white pages. Overstreet 2001 FN 6.0 value = $663.
Marvel Mystery Comics #40 (Timely, 1943). Alex Schomburg is at the top of his game here with his famous Zeppelin cover, which is highly indicative of his "busy" art style. Full of eye-popping detail, covers like this have made Timely comics attractive to collectors since their original release. Offered here is an attractive mid-grade copy of an always-popular title. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $474.
Marvel Mystery Comics #62 (Timely, 1945). Schomburg strikes again! A very attractive book, this copy would certainly grade in the NM range if not for a small chip out of the bottom back cover. With perfect spine and edges, this book will enhance any Timely collection. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $332; NM 9.4 value = $1,050.
Marvel Mystery Comics #64 (Timely, 1945). Presented here is the last Nazi war cover in Marvel Mystery Comics, rendered in as gruesome a fashion as Schomburg could manage. Moments before a pack of Nazis plow over injured soldiers with their spiked steam roller, Torch and Toro save the day. Look closely--that's Hitler and Goering on the right, watching it all unfold! A truly classic war cover. This book has only minor wear to the edges, and a slight spine roll. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $332; NM 9.4 value = $1,050.
Marvel Mystery Comics #71 "D" pedigree (Timely, 1946). Being the ultimate producer of propaganda comics during the 1940s, Timely was faced with the daunting task of finding new villains once the war was over. Here, Schomburg decided that evil Egyptian scientists would fit the bill, this time mummifying a distressed damsel as the Human Torch swoops in for the rescue. This copy hails from the "D" collection, and is gorgeous, with even greater eye-appeal than the grade would imply. This stunning Marvel Mystery Comics #71 is the highest-graded CGC copy to date, and it is certainly one of the best, if not the best, copies in existence. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $950.
Marvel Mystery Comics #74 (Timely, 1946). This Golden Age gem features Timely greats the Human Torch, Sub-Mariner, the Angel, Miss America, and the Patriot. A highly desirable book, tight and flat, with a virtually perfect spine, displaying only the most minor amount of general wear. High-grade Timelys such as this are extremely scarce, and thus highly prized in the collector's market. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $950.
Marvel Mystery Comics #78 (Timely, 1946). Another beautiful Timely, starring heavy-hitters the Human Torch and Sub-Mariner, with a special appearance by the Young Allies. A very attractive book with a great spine and only the most subtle defects. High-grade Timelys have become increasingly rare in today's marketplace, making this copy extra-desirable. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $950.
Marvel Mystery Comics #88 (Timely, 1948). This is one of those books that a Timely collector just can't pass up. Golden Girl, Namora, Sun Girl, the Blonde Phantom, Captain America, the Human Torch, Sub-Mariner, and Toro all appear in this issue! This is also the first Timely cross-over and the last Golden Age appearance of Toro! Outstanding color and just a few stress lines on the spine and a dust shadow on the right-hand side of book are the only things that keep this book out of a higher grade. CGC VF- 7.5 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $950.
Marvel Tales #105 Palo Alto pedigree (Marvel, 1952). One of Russ Heath's best horror covers features "The Spider That Waits". From the Palo Alto collection, this pedigree copy will please any horror collector. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value =$186; NM 9.4 value =$590.
Mystic #1 (Atlas, 1951). A classic title produced during Atlas' heyday, Mystic would enjoy an eight year run, even after the formation of the Comics Code Authority. This issue, featuring Mike Sekowsky art, is sharp and could easily have graded higher except for a few minor defects. Still, a great piece for any collector. CGC VF 8.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $261; NM 9.4 value = $825.
Mystic Comics #1 Nova Scotia pedigree (Atlas, 1940). This is one incredible comic book. Tremendously well preserved, the color and pages are exceptional, displaying only very light wear. This early Timely key is quite scarce, with only one copy currently grading higher. A truly outstanding book that anyone would be proud to own. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 VF 8.0 value = $7,800.
Mystic Comics #1 (Timely, 1940). One of the great Timely key issues, this one boasts a Schomburg bondage cover and the usual gang of killers trying to do our hero in. Also included are first appearances of such Golden Age greats as Flexo the Rubber Robot, 3X's and the Deep Sea Demon. This copy is essentially unrestored, and with key issues in such high demand, a book like this is a real value. Very clean with great eye-appeal. CGC notes: "Restoration includes: moderate amount of color touch on cover." CGC Apparent FN 6.0 Slight (A) Cream pages. Overstreet 2001 FN 6.0 value = $3,600.
Silver Age (1956-1969)
Mystic #55 Aurora pedigree (Timely, 1957). A stunning horror issue with spectacular cover gloss and good page quality features art by Bill Everett and Bob Powell. Tough to find in high grade, this issue is so nice it's scary! CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $150.
Golden Age (1938-1955)
Strange Stories of Suspense #6 File copy (Atlas, 1955). A beautiful copy of a post-code Atlas, featuring Bill Everett art. Only very light spine wear keeps this copy out of the NM range. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $71; NM 9.4 value = $190.
Strange Tales Of The Unusual #1 White Mountain pedigree (Atlas, 1955). A very attractive book from a respected collection showing great cover color and gloss. This issue contains art by Bob Powell, Don Heck, Joe Maneely and John Romita, Sr. CGC notes,"'M' on cover in grease pencil. Date stamp on 1st page". CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $125; NM 9.4 value $375.
Silver Age (1956-1969)
Strange Tales Of The Unusual #5 White Mountain pedigree (Atlas, 1956). This book is from the esteemed "White Mountain" collection. White Mountains are probably the most respected Silver Age pedigree and are held in high regard for their white pages and general "freshness". Circulation on these late Atlas books was very limited, making this a difficult book to find. CGC notes, "Date stamp on 1st page and back cover". These date stamps are key identifiers of this pedigree, and are actually considered desirable by most astute collectors. CGC VF- 7.5 White pages. Overstreet 2001 FN 6.0 value = $75; NM 9.4 value = $200.
Golden Age (1938-1955)
Sub-Mariner Comics #1 (Timely, 1941). A classic key issue, Subby's own title was long in the coming. Alex Schomburg was handed the task of cover art, and, as usual, did a bang-up job pitting Subby against an invading force of Nazis. This copy exhibits very light restoration, including reinforcement on the spine area and a dot of color touch. The cover has not been cleaned. By achieving an apparent grade of VF-, it becomes obvious that this book was very nice to begin with. A great investment for the long-term buyer. CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $6,480; VF 8.0 value = $14,040.
Sub-Mariner Comics #5 (Timely, 1942). Prince Namor puts the hurt on some Axis goons on this classic war cover by Al Gabrielle and George Klein. This issue features two slam-bang Sub-Mariner stories (by Everett and Shores) and a classic Angel tale by Gabrielle. This is a great-looking book that exhibits the usual wear for the grade, but has beautiful colors and a sharp appearance. CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $758.
Sub-Mariner Comics #11 (Timely, 1943). Okay, stop the presses. This may very well be the coolest Sub-Mariner cover Alex Schomburg ever drew, as Sub-Mariner pries open the jaws of a fire-breathing dragon to rescue a fabulous babe, while a spear-wielding goon leers in the background. Does it get any better than this? Schomburg was the master of overblown melodrama, and this classic cover has it all. This is an excellent copy of this classic issue (which also features a 20-page Angel story). Cover still retains spectacular colors and clarity, and displays beautifully. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $600; NM 9.4 value = $1,900.
Sub-Mariner Comics #18 (Timely, 1945). A solid, gorgeous copy with outstanding eye-appeal. The cover by Alex Schomburg only adds to the desirability of this high-grade Golden Age gem. CGC notes, "3600 written on first page of book in pencil". CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN value = $ 379; NM 9.4 value $1200.
Sub-Mariner Comics #19 Big Apple pedigree (Timely, 1946). Timelys are famous for their covers, and Sub-Mariner Comics have some of the best. A very interesting run of covers to view in the photo-journals, it's apparent that many artists tried their hand at Subby. Was this character ever drawn the same way twice? A gorgeous example from the Big Apple collection, this near perfect copy exhibits only a small printers defect on the back cover. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $1,200.
U.S.A Comics #1 (Timely, 1941). A great early Timely key, featuring a Simon and Kirby cover and interior art. This issue showcases the origins and first appearances of Rockman by Basil Wolverton, The Whizzer by Al Avison (which gets the award for Most Bizarre Origin of a Superhero - a transfusion of mongoose blood. Right.), The Defender, Jack Frost, and The Young Avenger (in his only appearance). This book has it all! CGC notes, "name stamp on 1st page". CGC Fine+ 6.5 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $3,000.
Uncanny Tales #3 White Mountain pedigree (Atlas, 1952). A gorgeous copy of this pre-code horror classic shows incredible color and gloss with only minor edge wear. Adding to the desirability is the fact that this book hails from the prestigious White Mountain collection. CGC notes, "Date stamp on 1st page. Front cover detached from bottom staple only." The "staple pull" is clean and probably cost the book a substantially higher grade. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $120; NM 9.4 value = $350.
Venus #12 (Atlas, 1951). A great comic, this book crosses multiple collecting genres. Pre-code horror, super-hero, good girl art, and a Devil cover, all in one. VF+ is an exceptional grade for pre-code Atlas. Very minor edge wear, and, as the label notes, "moderate transfer stain interior front and back cover", are the only real defects. CCG VF+ 8.5 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $435.
Willie Comics #7 (Marvel, 1947). This is a nice example from the teenage humor line Timely began producing in the mid 1940s, and features art by Harvey Kurtzman, who would go on to create Mad for EC Publications several years later. During this period, the teen humor genre would gain immense popularity, eclipsing even superhero comics in sales. This copy is nearly defect-free, exhibiting only slight wear and a pencilled name on the back cover. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value=$80.
Silver Age (1956-1969)
World of Mystery #5 (Allied Artists, 1957). This issue features Joe Orlando and Dick Ayers art. Atlas comics are notoriously scarce in high grade, making this one especially attractive. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $150.
Golden Age (1938-1955)
Young Allies Comics #1 (Timely, 1941). Talk about a book with a lot of bells and whistles! Hitler and Red Skull on the cover, a Simon and Kirby splash page, the first meeting of Captain America and the Human Torch, and of course the first appearance of the Young Allies all combine to make this a must-have book. The cover is done in the classic slam-bang style of Timely, and features a great ad for Human Torch #4 on the back cover. This book is particularly appealing due to its unrestored state. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $3,000.
Aces High #1 Gaines File pedigree 9/12 (EC, 3-4/1955). A beautiful comic from the publisher's file with a perfect spine, sharp corners, and tremendous color and gloss. An even nicer book than the grade would indicate with a great George Evans WWI cover and interior art by Jack Davis, George Evans, Wally Wood and Bernard Krigstein. Although this is a "New Trend" book, it is not approved by the Comics Code Authority. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $52; NM 9.4 value = $190.
Aces High #2 Gaines File pedigree 12/12 (EC, 1955). Tremendous color, superb gloss and an extremely conservative grade combine to make this an extremely desirable comic. Add to that a great George Evans WWI dogfight cover and interior art by Jack Davis, George Evans, Wally Wood and Bernard Krigstein, and you've got a real winner. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $30; NM 9.4 value = $110.
Aces High #3 Gaines File pedigree 10/12 (EC, 1955). From the legendary Gaines File collection comes this high-grade gem. The perfect spine, sharp corners and tremendous color and gloss are only the tip of the desirability iceberg with this book, which includes a great George Evans WWI Zeppelin cover and interior art by classic EC artists Jack Davis, George Evans, Wally Wood and Bernard Krigstein. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $100.
Aces High #4 Gaines File pedigree 9/12 (EC, 1955). Another beauty from the personal collection of Bill Gaines, with a perfect spine, sharp corners and tremendous color. This book seems very conservatively graded. Featuring a great George Evans WWI air battle cover, there is interior art by Jack Davis, George Evans, Wally Wood and Bernard Krigstein. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $27; NM 9.4 value = $100.
Aces High #5 Gaines File pedigree 12/12 (EC, 1955). From the personal vault of Bill Gaines comes this near-pristine beauty, featuring a classic George Evans WWII air battle cover and interior art by Jack Davis, George Evans, Wally Wood and Bernard Krigstein. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $100.
Crime SuspenStories #1 (EC, 1950). The first issue of this popular EC crime title features interior art by Graham Ingels, Harvey Kurtzman, Wally Wood and Johnny Craig, who also contributes the cover. No matter how you slice it, this book is a real winner! CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $381; NM 9.4 value = $1,400.
Crime SuspenStories Group Lot (EC, 1952-1954). This Crime SuspenStories lot is terrifying, consisting of issues #5, #7, #10, #16, #18, #19, #20, #22, #23, and #24. All are in excellent reading condition. A must for the EC collector. Average Grade: VG Cream to off-white pages. Overstreet 2001 GD 2.0 value for group = $231; FN 6.0 value for group = $693.
Crime SuspenStories Group Lot (EC, 1952-1954). Crime SuspenStories issues #6, #9, #21, #25, and #26. Great horror run with fantastic art and stories designed to terrify. Average Grade: FN Cream to off-white pages. Overstreet 2001 FN 6.0 value for group = $283.
EC Comics Lot (EC, 1954-56) This lot consists of Incredible Science Fiction #30 and #33 and Two-Fisted Tales #37. This great group contains work from the best artists and writers that worked for EC. Average Grade: FN Off-white pages. Overstreet 2001 FN 6.0 value for group = $244.
Frontline Combat #1 Gaines File pedigree 5/9 (EC, 1951). The spectacular first issue of this inspired title, Frontline Combat was Harvey Kurtzman's baby. His innovative covers and creative stewardship resulted in a masterpiece that is revered to this day, and acclaimed by many as possibly the best war title in comics. Also one of the rarest Gaines File ECs, with only nine GF copies extant. A fantastic Korean war cover by Kurtzman with interior work by Wally Wood, John Severin and Kurtzman make this book a real winner. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $600.
Frontline Combat #1 (EC, 1951). With great interior art by Harvey Kurtzman, Jack Davis and John Severin, this is the first all-battle issue of Frontline Combat. This is a great readable copy of this classic book, perfect for the EC reader and collector. Grade: VG Cream to off-white pages. Overstreet 2001 GD 2.0 value = $55; FN 6.0 value = $165.
Frontline Combat #2 Gaines File pedigree 6/9 (EC, 1951). An incredible comic book showcasing a Harvey Kurtzman Korean War action cover with stories by Jack Davis, Wally Wood and Kurtzman. A key Gaines file issue, with only 9 GF copies in existence. The real hook, however, is the condition. CGC rarely gives out a 9.8, but this one is well-deserved. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $375.
Frontline Combat #3 Gaines File pedigree 6/9 (EC, 1951). Another classic Harvey Kurtzman cover highlights this issue, featuring stories by EC regulars Jack Davis, Wally Wood and Kurtzman. Only nine copies of this one were in the Gaines File! An attractive book, one that any collector would be proud to own. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $275.
Frontline Combat #4 Gaines File pedigree 7/10 (EC, 1952). The cover on this book is a sheer masterpiece, spotlighting Harvey Kurtzman's genius not only as a draftsman, but as a designer as well. This copy looks as fresh as the day it was printed and is further enhanced by being referenced in the infamous Seduction of the Innocent. Additionally, there is interior art by the legendary Jack Davis and Wally Wood. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $255.
Frontline Combat #5 Gaines File pedigree 7/10 (EC, 1952). Artistically, this issue boasts an innovative Harvey Kurtzman cover and interior art by Jack Davis, Will Elder and John Severin. Structurally, the condition on this book is about as perfect as it gets, as CGC reserves this grade for the absolute best of the best. CGC NM/MT 9.8 Off-white pages. Overstreet 2001 NM 9.4 value = $220.
Frontline Combat #6 Gaines File pedigree 6/9 (EC, 1952). Another striking Harvey Kurtzman cover with interior art by Jack Davis, Will Elder and Wally Wood. There are only nine Gaines File copies of this issue. The condition of this book is phenomenal, with deep bold colors and razor-sharp corners. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #7 Gaines File pedigree 6/10 (EC, 1952). The classic "Iwo Jima" issue features a terrific Kurtzman cover and exceptional interior art by Wally Wood, Will Elder and Jack Davis. Condition is superb, with vivid, bright color and minimal wear. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #8 Gaines File pedigree 6/9 (EC, 1952). This Harvey Kurtzman cover has to be one of the earliest air battle covers to feature jets in combat. As always, the interior art is first-rate, with contributions from comic legends Jack Davis, Bill Elder and Wally Wood. Bill Gaines only saved nine copies of this issue. A true gem, suitable for even the most discriminating collector. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #9 Gaines File pedigree 6/10 (EC, 1952). A near perfect copy from the publisher's personal files. This is the "Civil War Issue", with a great Harvey Kurtzman cover and stories by Wally Wood, Jack Davis and John Severin. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #10 Gaines File pedigree 6/9 (EC, 1953). One of the many factors that sets EC comics apart from their contemporaries is their willingness to explore and portray the human side of an issue. This John Severin/Will Elder cover shows a war orphan crying amidst the rubble that had once been his home. Ahead of its time, this editorial style wouldn't become en vogue until late in the Vietnam era. Contributing artists in this issue include such EC legends as Jack Davis, George Evans and Wally Wood. There are only nine Gaines File copies of this issue extant. The condition is truly superb. The front cover, spine and corners are flawless, and the back cover has only a very minor ding at the bottom edge. Very conservatively graded, this copy compares very favorably to many of the 9.6s and 9.8s. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #10 (EC, 1953). Featuring art by Jack Davis, George Evans and Wally Wood, this copy is in immaculate condition, with a couple of interior page tears noted on the label. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $175.
Frontline Combat #11 Gaines File pedigree 8/11 (EC, 1953). A Jack Davis cover graces this beauty from the publisher's personal files, featuring interior stories by Jack Davis, George Evans and Will Elder. Structurally, the book is near flawless, with great eye-appeal and a terrific overall presentation. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $125.
Frontline Combat #12 Gaines File pedigree 8/11 (EC, 1953). Jack Davis' dramatic use of light and shadow highlights the cover of this special "Air Force Issue," featuring interior art by Jack Davis, George Evans and Wally Wood. An unread, uncirculated copy from the personal files of Bill Gaines. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $125.
Frontline Combat #13 Gaines File pedigree 9/12 (EC, 1953). In terms of sheer eye-appeal, this is a killer book. The color and gloss are unimprovable on this attractive issue, which features interior art by Jack Davis, George Evans, John Severin, and Wally Wood, and a spiffy Wood cover. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $125.
Frontline Combat #14 Gaines File pedigree 8/11 (EC, 1953). Great eye-appeal on this book from Bill Gaines' personal collection. With a Wally Wood cover and stories by Jack Davis, George Evans and Wally Wood, how can you go wrong? CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $34; NM 9.4 value = $125.
Frontline Combat #15 Gaines File pedigree 8/11 (EC, 1954). A near-perfect book, this comes from the personal vaults of publisher Bill Gaines. The Wally Wood cover and stories by Jack Davis, George Evans and Wood make this a timeless classic. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $125.
The Haunt of Fear Group Lot (EC, 1952-1954). This Haunt of Fear group includes issues #8, #20, #21, #22, #24, #25, #26, and #28. All are in nice reading condition. A scary group for any EC collector. Average Grade: VG Cream to off-white pages. Overstreet 2001 GD 2.0 value for group = $180; FN 6.0 value for group = $539.
The Haunt of Fear Group Lot (EC, 1951-1954). Lot includes: #9, #11, #19, #23, and #27. A great horror run for the EC collector on a budget. This group contains the great artists and writers which maintained ECs number-one status in the industry. Average Grade: FN Cream to off-white pages. Overstreet 2001 FN value for group = $324.
M.D. #1 Gaines File pedigree 9/12 (EC, 1955). The first issue of this EC "New Trend" title with a finely rendered Johnny Craig cover and interior art by Reed Crandall, Graham Ingels and George Evans. A very pretty copy with intense colors and great gloss. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $120.
M.D. #2 Gaines File pedigree 9/12 (EC, 1955). An uncirculated copy from the publisher's own private cache. The expertly-rendered Johnny Craig cover depicts physicians attending to a car wreck victim. Inside, one finds stories by Reed Crandall, George Evans and Graham Ingels. The book has the eye-appeal one expects in a book from this collection, making it a true comic treasure. CGC FN/VF 7.0 White pages. Overstreet 2001 FN 6.0 value = $24; NM 9.4 value = $90.
M.D. #3 Gaines File pedigree 9/12 (EC, 1955). This dramatic Johnny Craig cover depicts a country doctor preparing for emergency surgery as a worried couple looks on. The luscious interior art by Reed Crandall, George Evans, and Graham Ingels is second to none. Presenting terrific eye-appeal with amazing colors and gorgeous pages, a very slight amount of wear barely detracts from the overall beauty of this gem. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $90.
M.D. #4 Gaines File pedigree 9/12 (EC, 1955). The Johnny Craig cover for this issue shows physicians attending to a drowning victim while veterans George Evans and Graham Ingels provide interior artwork. This gorgeous copy combines the best of both aesthetic and structural quality, resulting in a solid near mint copy. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $90.
M.D. #5 Gaines File pedigree 9/12 (EC, 1955). The subject for Johnny Craig's cover art here is an operation about to take place by flashlight in the midst of a blackout. George Evans, Graham Ingels and Reed Crandall provide the interiors. The book itself is beautiful, with only minor defects keeping it from a higher grade. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 NM 9.4 value = $90.
Mad #1 (EC, 1952). The first satire comic ever published! From the fevered brains of Harvey Kurtzman and Company comes this beautiful example of a classic and historical book. Mad has remained perennially popular, becoming a staple of American life and culture. 2002 marks the 50th anniversary of this great comic, and owning this stunning book is a great way to celebrate! CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $1,560; NM 9.4 value = $6,500 .
Mad #1 (EC, 1952). The book that started it all (including the Mad TV show)! Considered to be the first satire comic, this issue has artwork by some of the best in the business. Wally Wood, Bill Elder and Jack Davis helped turn this comic book into the most successful humor mag in the world. With the 50th anniversary of this landmark title fast approaching, this is a great time to jump aboard the Mad-wagon. CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $1,560; NM 9.4 value = $6,500.
Mad #2 Gaines File pedigree 5/12 (EC, 1952). Outstanding issue of America's favorite humor comic with artwork by EC stalwarts John Severin, Will Elder, Wally Wood, and Jack Davis. From the legendary Gaines file collection, this book is a beauty, with few copies to rival it for sheer attractiveness and quality. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $1500.
Mad #2 (EC, 1952). The second issue of Bill Gaines' landmark series, Mad would go on to introduce a new brand of humor, heavily based on sarcasm and satire. Nothing was sacred, as the boys at EC constantly poked fun at America's institutions. Only light wear to speak of, with a tight spine and nice colors. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,500.
Mad #3 Gaines File pedigree 5/12 (EC, 1953). One of the most trend-setting comics ever published, Mad has become a cultural icon. An appropriately bizarre Harvey Kurtzman cover spotlights interior work by John Severin, Wally Wood and Jack Davis. From Bill Gaines' personal stash comes this copy, one of the nicest in existence according to CGC's current population report. A beautiful copy that's newsstand fresh. CGC NM 9.4 Off-White to white pages. Overstreet 2001 NM 9.4 value = $900.
Mad #3 (EC, 1953). The quintessential EC comic, which ironically found its success in magazine format, was only two months old when this issue hit the stands. Mad would go on to entertain millions of readers, influencing future generations of comedians and writers. This is a lovely book, perfect for the grade-conscious collector without breaking the bank. VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $245; NM 9.4 value = $900.
Mad #4 (EC, 1953). This classic Harvey Kurtzman cover was a humorous homage to the Shadow and his lovely companion, Margo Lane. Featuring art and stories by Wally Wood, Jack Davis, John Severin and Will Elder, this issue helped cement Mad as one of the foremost humor publications in American history. This is an attractive, tight, flat copy with outstanding eye-appeal and lovely pages. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $900.
Mad #5 (EC, 1953). Featuring a Bill Elder cover and John Severin, Jack Davis and Wally Wood art, this copy suffered from low distribution, and infrequently turns up in high grade. Also included is a Bill Gaines biography, making this beautiful book even more desirable. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $436; NM 9.4 value = $1,600.
Mad #10 (EC, 1954). An outstanding comic with a classic Harvey Kurtzman cover and stories by such EC regulars as Jack Davis, Wally Wood, John Severin, and Will Elder, this issue includes parodies of G.I. Joe and Wonder Woman. A slight mis-cut with a few smudges on the right-hand side are the only defects which keep this out of the NM range. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $177; NM 9.4 value = $650.
Mad #12 Gaines File pedigree 5/12 (EC, 1954). Another batch of merriment calculated to drive you Mad. Square corners and outstanding crispness make this a sterling example of what Gaines File copies are all about. CGC NM+ 9.6 White pages. Overstreet NM 9.4 value = $525.
Mad #13 Gaines File pedigree 5/12 (EC, 1954). Harvey Kurtzman's "smallest title in the world" cover is striking in such high-grade. Outstanding issue with high gloss, square corners, and no major defects. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $525.
Mad #20 Gaines File pedigree 5/12 (EC, 1955). The great "composition book" cover with interior art by Jack Davis, Will Elder, and Wally Wood. An outstanding copy worthy of the pedigree label. CGC 9.0 Off-White to white pages. Overstreet 2001 NM 9.4 value = $420.
Mad #21 (EC, 1955). Significant among Mad collectors, this book features the first appearance of Alfred E. Newman in a fake ad. A beautiful book with art by Wally Wood, Bill Elder, and Jack Davis, this copy would grade NM except for a few slight dents on the cover. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $115; NM 9.4 value = $420.
Mad #22 (EC, 1955). With a faux-Picasso cover by the great Harvey Kurtzman, this is a very special issue of Mad! Billed as a "Special Art Issue" on the cover, this was actually the story of Bill Elder, who is exclusively represented inside with a unique set of stories about the artist at various stages of life. Mad almost never did single-artist issues, making this issue a rare treat. Nice and flat with outstanding cover gloss, this is a beauty. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $420.
Mad #23 (EC, 1955). The last comic issue of this legendary title, the next issue would find Mad transformed into a magazine to escape the restrictions of the newly-formed Comics Code Authority in the wake of the Senate Hearings on Juvenile Delinquency (perhaps the word "Think" on the cover is an injunction to the general public, many of whom had been swayed by the outrageous -- and patently ridiculous -- claims of Dr. Wertham and other anti-comics crusaders). Wally Wood and Jack Davis give the old format a great sendoff, with outstanding interior stories satirizing Pogo Possum and Ripley's Believe It Or Not. An excellent addition to any collection! CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $115; NM 9.4 value = $420.
Mad #24 Gaines File pedigree (EC, 1955). The first magazine-format Mad issue, and a simply unimprovable copy. Art by Wally Wood, Jack Davis and Will Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $900. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #25 Gaines File pedigree (EC, 1955). Al Jaffe starts as a regular writer. Art by Wood, Davis and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $400. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #26 Gaines File pedigree (EC, 1955). Gorgeous copy. Art by Wood, Davis and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $320. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad #27 Gaines File pedigree (EC, 1956). Art by Wood, Davis and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $320. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad #28 Gaines File pedigree (EC, 1956). This was the last issue edited by Harvey Kurtzman. Art by Wood, Davis and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $280. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #29 Gaines File pedigree(EC, 1956). Al Feldstein begins as editor. Art by Wood, Davis, Wolverton and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $280. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #30 Gaines File pedigree (EC, 1956). First Alfred E. Neuman cover, art by Norman Mingo. Interior art by Wood, Davis and Elder. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $450. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #31 Gaines File pedigree (EC, 1957). Kelly Freas starts as a regular artist. Art by Wood, Davis, Mingo and Wolverton. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $220. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #32 Gaines File pedigree (EC, 1957). Drucker, Orlando and Woodbridge start as regulars. Art by Wood, Mingo and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $220. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #33 Gaines File pedigree (EC, 1957). Great Mingo cover. Art by Wood, Martin and Drucker. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $220. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #34 Gaines File pedigree (EC, 1957). David Berg art starts. Art by Wood, Mingo and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $180. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #35 Gaines File pedigree (EC, 1957). Wraparound cover art by Norman Mingo. Fifth anniversary issue. Art by Wood, Mingo, Berg, Drucker and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $180. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad #36 Gaines File pedigree (EC, 1957). Wally Cox and Bob and Ray contribute to this issue. Art by Wood, Mingo, Wolverton and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $130. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad #37 Gaines File pedigree (EC, 1958). Ernie Kovacs contributes to this issue. Art by Wood, Mingo, and Freas. Small tear and crease at the top of cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $130. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #38 Gaines File pedigree (EC, 1958). Writers include Ernie Kovacs, and Bob and Ray. Art by Wood, Mingo, Orlando and Freas. Three-inch color scrape along spine. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $130. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #39 Gaines File pedigree (EC, 1958). April Fool issue. Art by Wood, Mingo, Wolverton and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $130. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #40 Gaines File pedigree (EC, 1958). Ernie Kovacs contributes to this issue. Art by Wood, Orlando, Wolverton and Freas. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $130. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad #41 Gaines File pedigree (EC, 1958). Ernie Kovacs contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad #42 Gaines File pedigree (EC, 1958). Danny Kaye and Ernie Kovacs contribute. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #43 Gaines File pedigree (EC, 1958). Danny Kaye contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #44 Gaines File pedigree (EC, 1959). Great Christmas cover by Kelly Freas. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #45 Gaines File pedigree (EC, 1959). Valentine cover by Kelly Freas. Al Jaffe contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #46 Gaines File pedigree (EC, 1959). April Fool issue. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #47 Gaines File pedigree (EC, 1959). Black cover in killer condition. Sid Caesar contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #48 Gaines File pedigree (EC, 1959). Uncle Sam cover by Freas. Sid Caesar contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #49 Gaines File pedigree (EC, 1959). Sid Caesar contributes. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #50 Gaines File pedigree (EC, 1959). Peter Gunn parody. Art by Wood, Freas and Orlando. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #51 Gaines File pedigree (EC, 1959). Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #52 Gaines File pedigree (EC, 1960). Christmas cover by Freas. Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #53 Gaines File pedigree (EC, 1960). The Rifleman parody. Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #54 Gaines File pedigree (EC, 1960). Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #55 Gaines File pedigree (EC, 1960). Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #58 Gaines File pedigree (EC, 1960). Beautiful Kelly Freas cover. Art by Wood, Freas and Berg. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #65 Gaines File pedigree (EC, 1961). JFK story. Art by Wood, Freas and Berg. Impact ding at top of spine. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $60. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #67 Gaines File pedigree (EC, 1961). JFK story. Kelly Freas cover. Impact ding at top of spine. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $60. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #68 Gaines File pedigree (EC, 1962). Don Martin Christmas cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #69 Gaines File pedigree (EC, 1962). Kelly Freas cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $60. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #71 Gaines File pedigree (EC, 1962). Wally Wood art. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #73 Gaines File pedigree (EC, 1962). Bonanza parody. Tiny tear at the top of the cover, crease at bottom right corner. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #74 Gaines File pedigree (EC, 1962). Kelly Freas cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #77 Gaines File pedigree (EC, 1963). Norman Mingo cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #78 Gaines File pedigree (EC, 1963). Kelly Freas cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #79 Gaines File pedigree (EC, 1963). Norman Mingo cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #80 Gaines File pedigree (EC, 1963). Norman Mingo cover. Wally Wood art. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #81 Gaines File pedigree (EC, 1963). Bob Clarke cover. Superman parody. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #82 Gaines File pedigree (EC, 1963). Fidel Castro cover. Comic book/strip characters are parodied. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #83 Gaines File pedigree (EC, 1963). Khrushchev back cover. One inch corner crease on cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #84 Gaines File pedigree (EC, 1964). Norman Mingo cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #85 Gaines File pedigree (EC, 1964). Abe Lincoln cover by Mingo. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #86 Gaines File pedigree (EC, 1964). Lawrence of Arabia cover and parody. Fold-in back covers begin. These are commonly found creased, making near mint copies more difficult to find. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #89 Gaines File pedigree (EC, 1964). Frankenstein cover. Walt Kelly and Charles Schulz art. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #91 Gaines File pedigree (EC, 1964). Jaffee starts as a story artist. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #92 Gaines File pedigree (EC, 1965). Christmas cover by Mingo. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $36. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #93 Gaines File pedigree (EC, 1965). Great, optical illusion cover by Mingo. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $36. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #94 Gaines File pedigree (EC, 1965). King Kong parody cover by Mingo. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #95 Gaines File pedigree (EC, 1965). Norman Mingo cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #96 Gaines File pedigree (EC, 1965). Man from U.N.C.L.E. parody. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $40. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #97 Gaines File pedigree(EC, 1965). Great Norman Mingo cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $36. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad #98 Gaines File pedigree (EC, 1965). Great Flipper cover by Mingo. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $36. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Golden Age (1938-1955)
Mad Annuals Lot White Mountain pedigree (EC, 1961-1964). This is an amazing set, consisting of probably the finest copies of Mad Follies #2 (1964) and Worst from Mad #4 (1961) that exist. Almost perfect in every way, these copies are in outstanding condition with square corners and newsstand fresh appearances. They each grade NM, with off-white pages. Overstreet 2001 NM 9.4 value for group = $400.
Modern Age (1980-Present)
Mad '84 Gaines File pedigree (EC, 1984). Large corner crease. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $7. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad Disco #1 Gaines File pedigree (EC, 1980). Mad's homage to disco. A 30-minute record of Mad disco music is included. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $18. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Bronze Age (1970-1979)
Mad Follies #1 Gaines File pedigree (EC, 1970). Small piece of tape (approximately 1.5" x 1") on cover. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $280. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad 1970 Fall Special Gaines File pedigree (EC, 1970). Bonus voodoo doll. Contains seventeen pages of new material. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad Follies #2 Gaines File pedigree (EC, 1964). A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $210. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Follies #3 Gaines File pedigree (EC, 1965). Mad mischief bonus sticker insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $120. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Golden Age (1938-1955)
Mad Follies #4 Gaines File pedigree (EC, 1966). Ringo Starr by Frazetta. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $120. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
Mad Follies #5 Gaines File pedigree (EC, 1967). Mad stencil bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $85. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Follies #6 Gaines File pedigree (EC, 1968). Mischief bonus stickers. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $85. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Follies #7 Gaines File pedigree (EC, 1969). A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $85. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad Special #9 Gaines File pedigree (EC, 1972). Contains Nostalgic Mad #1, a comic book format reprint of stories from Mad comic book stories, reprints cover art from Mad #1. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $32. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Bronze Age (1970-1979)
Mad Special #10 Gaines File pedigree (EC, 1973). Contains Don Martin nonsense stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $28. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Special #22 Gaines File pedigree (EC, 1977). Bonus insert of Mad diplomas and certificates. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $12. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Special #23 Gaines File pedigree (EC, 1977). Don Martin sound effect stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $12. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Magazines
Mad Special #24 Gaines File pedigree (EC, 1977). Special comic book bonus insert, contains early '50s Mad comic stories. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $18. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal "file" copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the "Gaines File Copies" of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these "Gaines File Copy" magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of "Gaines File" copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Modern Age (1980-Present)
Mad Special #49 Gaines File pedigree (EC, 1984). Mad wall signs bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $12. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Special #51 Gaines File pedigree (EC, 1985). Perfect copy. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $9. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Special #53 Gaines File pedigree (EC, 1985). A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $9. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Mad Sticker Album Gaines File pedigree (EC, 1983). Obscure item, not found in Overstreet. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Silver Age (1956-1969)
More Trash from Mad #1 Gaines File pedigree (EC, 1958). It is very hard to obtain these early specials in high-grade. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $210. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #2 Gaines File pedigree (EC, 1959). Difficult to find early special. Great cover and sticker bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $150. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #3 Gaines File pedigree (EC, 1960). Extremely beautiful copy of a difficult Mad to acquire. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $135. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #4 Gaines File pedigree (EC, 1961). "Sing Along with Mad" 20 page parody song book bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $135 These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #5 Gaines File pedigree (EC, 1962). Mad window sticker bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $90. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #6 Gaines File pedigree (EC, 1963). TV Guide parody bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $100. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #7 Gaines File pedigree (EC, 1964). Contains Alfred E. Neuman commemorative stamps. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $75. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #9 Gaines File pedigree (EC, 1966). Mad mischief stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #10 Gaines File pedigree (EC, 1967). Mad mischief stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
More Trash from Mad #12 Gaines File pedigree (EC, 1969). Mad pocket medals insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $45. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #1 Gaines File pedigree (EC, 1958). Scarce first Mad annual. Bonus record label and stickers. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $320. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #2 Gaines File pedigree (EC, 1959). Scarce early Mad annual. "Meet the Mad Staff" bonus record. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $360. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
The Worst from Mad #2 White Mountain pedigree (EC, 1959). This book is in spectacular shape, with almost no imperfections; square, beautiful corners and bright colors. Certainly one of the best copies in existence, the record is included and has never been played. Condition: NM Off-white pages. Overstreet 2001 NM 9.4 value = $360.
Worst From Mad #4 Gaines File pedigree (EC, 1961). Sunday comics section parody. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $210. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #5 Gaines File pedigree (EC, 1962). Great bonus insert for this issue. It is a Mad rock and roll parody record. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $300. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #6 Gaines File pedigree (EC, 1963). 33 1/3 rpm bonus record insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $310. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #7 Gaines File pedigree (EC, 1964). "Protest signs for dopey demonstrations" bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $105. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #9 Gaines File pedigree (EC, 1966). This issue contains one of the greatest Mad premiums of all time. "Alfred E. Neuman vocalizes" bonus record. This issue has a Beatles cover as well. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $210. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #10 Gaines File pedigree (EC, 1967). Mad bumper stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $70. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #11 Gaines File pedigree (EC, 1968). Car window stickers bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $65. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Worst From Mad #12 Gaines File pedigree (EC, 1969). Mad postcards bonus insert. A photo-certificate attesting to the Gaines File pedigree will be issued to the buyer of this lot. Overstreet 2001 NM 9.4 value = $65. These magazines are from the estate of MAD Magazine publisher, William (Bill) Gaines, and were his personal “file” copies. They passed through his estate to his son Christopher Gaines in the early 1990s. In comic collecting lore, the “Gaines File Copies” of EC comic books are highly prized. Having never been circulated, their condition is extraordinary. Exemplary storage conditions preserved their page quality and nearly all of the original gloss and color saturation of their high-impact covers. These same attributes can be found on these “Gaines File Copy” magazines. However, the magazines offered here are much scarcer than the comics. Twelve copies of each MAD comic book were save by Bill Gaines, whereas only three Gaines File sets of the magazines are known to exist. In the very few previous auction offerings of “Gaines File” copy MAD Magazines at auction, the condition has been stated as Mint or Near Mint/Mint, but we feel it would be presumptuous for us to assign grades to them. They are certainly among the finest available and their condition is consistently outstanding. While some printing and production defects are inherent to the publishing process, these magazines have never been through distribution, much less ever read. Very few hands have touched them. Still, these are magazines, not comic books, and to our knowledge no universally accepted grading standards are in effect for magazines.
Golden Age (1938-1955)
Picture Stories from the Bible #1: Old Testament Edition Gaines File pedigree (EC, 1942). The first issue of a more obscure run (actually produced by DC before later moving to EC Publications), this book is stunning, living up to the expectations that come with all Gaines copies. Near-perfect! CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $190.
Picture Stories from the Bible #2: Old Testament Edition Gaines File pedigree (EC, 1942). A near-perfect copy that would have graded NM+ or better, if not for a light indentation to the bottom corner. This book is also missing from the photo-journals -- one of those 100 or so that Gerber was unable to locate. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $190.
Picture Stories from the Bible #3 Old Testament Edition Gaines File pedigree (EC, 1943). An outstanding copy of this hard-to-find issue. If you want the best, here it is! A perfect book in every way, and a joy to own just for the grade. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $190.
Picture Stories from the Bible #4: Old Testament Edition Gaines File pedigree (EC, 1943). Featuring the story of the Prophet Elijah being fed by ravens, this is a near-flawless copy from Gaines' personal stash, exhibiting only a light printer's smudge along the back cover edge. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $190.
Piracy #1 Gaines File pedigree 9/12 (EC, 1954). A beautiful book from the publisher's personal files, this "New Trend" favorite has a gorgeous Wally Wood cover and stories by Jack Davis, Al Williamson and Wood. Avast, mateys, for there be treasure here! CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $250.
Piracy #2 Gaines File pedigree 12/12 (EC, 1955). With a Reed Crandall cover reminiscent of the classic Errol Flynn/Basil Rathbone duel from "Captain Blood", this comic promises "Sagas of the Sea, Ships, Plunder, and Piracy," and it delivers! A beautiful copy with stunning page quality, this copy comes from a historically important pedigree. Flat, tight and sharp, this is a beautiful addition to any collection. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $150.
Piracy #3 Gaines File pedigree 12/12 (EC, 1955). One of the last of EC's "New Trend" titles, Piracy has gained a small but loyal following over the years. Showcasing stories of adventure on the high seas, this issue features a stunning cover by Reed Crandall, and interior work by Crandall, George Evans, and Graham Ingels. As an interesting aside, this issue also boasts a letter from "Gerard Robbins" in the letters column, which Bill Gaines admitted to making up just to stir up some controversy! This is a beautiful copy of this book, with few, if any, visible flaws (save for a slight crimping in the upper right rear cover) and exceptional page quality. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $125.
Piracy #4 Gaines File pedigree 12/12 (EC, 1955). Tales of swashbuckling and derring-do abound in this classic "New Trend" title. Featuring a rollicking cover by Reed Crandall, this issue also sports work by George Evans and Graham Ingels. An exceptional copy with outstanding page quality, the lower right front corner is slightly blunted and there is some very slight damage to the upper left front corner, but overall this is a very attractive book. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $125.
Piracy #5 Gaines File pedigree 12/12 (EC, 1955). Bernard Krigstein's dynamic cover for this issue illustrates his uncanny ability to create movement and drama with a minimum of brushstrokes. Sparse and clean, Krigstein was one of the true artists to graduate from the EC stable, and his talent is well-represented here. This copy shows some signs of wrinkling in the upper left front corner and a very slight blunting of the corners, but is overall very attractive and desirable, with outstanding page quality. Top-notch work by Reed Crandall, George Evans, and Graham Ingels round out this superb issue. CGC VF+ 8.5 White pages. Overstreet 2001 FN 6.0 value = $34; NM 9.4 value = $125.
Piracy #6 Gaines File pedigree 12/12 (EC, 1955). Rich reds and yellows make this spectacular cover by Bernard Krigstein absolutely leap off the page. An exceptional copy of this book from an historically significant provenance. The only visible flaws seem to be very minor spine wear, as the book is flat, clean, and sharp, and possesses excellent overall eye-appeal. The grade says it all. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $125.
Piracy #7 Gaines File pedigree 12/12 (EC, 1955). Regaling readers with "Sagas of the Sea, Ships, Plunder and Piracy", this was the final issue of this classic series. With a moody and evocative cover by George Evans (signed, "Ye George Evans, his mark X"), this copy is highlighted by exceptionally rich colors and a nice overall appearance. There is some slight stress at the spine and a few very small chips at the bottom right front cover, and what appears to be a soft crease running along the top quadrant of the cover. Still, a very nice copy to enhance or complete a collection. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $34; NM 9.4 value = $125.
Shock SuspenStories Group Lot (EC, 1952-1954). A "Shocking" group of Shock SuspenStories. Great covers and artists make this group a winner. Group includes: #2, #8, #10, #12, #14, #15, #16, and #18. Great for the price conscious EC collector. Average grade: FN- Off-white pages. Overstreet 2001 FN 6.0 value for group = $565.
EC "Three GhouLunatics" Masks, Limited Hand-Painted Edition 9/25 (EC, 1972). Produced exclusively for the 1972 EC Fan-Addict Convention, these are extremely rare Halloween-style masks depicting ECs famous trio of horror hosts: the Old Witch, the Crypt Keeper, and the Vault Keeper. Sculpted and hand-painted by Bob Cabeen, these were produced in a limited run of 25 sets, of which this is #9. Similar masks were produced in larger numbers, but left unpainted -- these hand-painted versions are far scarcer, and are treasured by EC collectors. Each mask is in mint condition, and still in its original box, which are near-mint, exhibiting only the slightest of overall wear.
Tales From the Crypt #32 Gaines File copy (EC, 1952). Featuring a classic Jack Davis cheesecake cover capturing a perilous moment at a circus. EC was the best at what they did! This book is truly a sight to behold. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $400.
Tales From the Crypt #39 Gaines File pedigree (EC, 1953). Jack Davis' cover for this issue reminds us why kids are afraid to play in graveyards, as Joe Orlando, Jack Kamen and Graham Ingels contribute to the macabre interior art. A very beautiful comic from the publisher's files, this copy has a great spine, sharp corners, great color and full gloss. A real beauty. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $109; NM 9.4 value = $400.
Tales From the Crypt Group Lot (EC, 1953-1955). Dramatic covers and excellent artwork made Tales From the Crypt the best EC title. This group includes # 31, #35, #37, #38, #41, #42, #43, and #46 all in nice readable shape with nice pages. Average grade: VG+ Cream to off-white pages. Overstreet 2001 GD 2.0 value for group = $294; FN 6.0 value for group = $884.
Tales of Terror Annual #3 (EC, 1953). It's all here, 128 pages of fascinating horror and murder. This was the third annual published, and is considered by many to be the best. The only apparent defect is some tape on the front and back cover around the spine area. A perfect reading copy for the EC collector! Condition: GD/VG Cream to off-white pages. Overstreet 2001 GD 2.0 value = $127; FN 6.0 value = $382.
3-D EC Comics Group Lot (EC, 1952-1953). Three Dimensional EC Classics #1 (2 copies), and Three Dimensional Tales From the Crypt #2. Get your glasses on! Three books which will drive you insane with great stories and art. One #1 issue has no glasses, the others all have glasses. Average grade: VG Cream pages. Overstreet 2001 GD value for group = $252; FN value for value = $759.
Valor #1 Gaines File pedigree 9/12 (EC, 1955). The first issue of this "New Trend" EC title offers action-packed stories about fighting with broadswords and pick-axes. Wally Wood contributes the cover and interior art with additional stories drawn by Al Williamson, Graham Ingels and Bernie Krigstein. In exceptional condition, this book possesses vivid color, sharp corners, and minimal wear. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $260.
Valor #2 Gaines File pedigree 9/12 (EC, 1955). While Al Williamson is certainly one of the very top artists to ever work in comics, he unfortunately produced relatively few covers. This is a rare example of Williamson's cover work, featuring gladiators in the heat of battle. In addition to this thrill-packed cover, Williamson also drew an interior story in this issue, as did Wally Wood and Graham Ingels. A book with great eye-appeal, this copy comes from the personal files of publisher Bill Gaines. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 NM 9.4 value = $220.
Valor #3 Gaines File pedigree 9/12 (EC, 1955). A beautiful comic from William Gaines' personal files. Joe Orlando's cover artwork shows us a handsome young conquistador fighting a Mayan warrior, while Reed Crandall and Al Williamson both contribute to the interior. The exotic, multi-colored cover is bright and deeply saturated, and wear is absolutely minimal. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $150.
Valor #4 Gaines File pedigree 9/12 (EC, 1955). The immortal Wally Wood leads off this gem with a Roman soldier in battle. Reed Crandall and Al Williamson add to the cast of artists in this issue. A beautiful comic with evocative color and rock-solid structure. CGC NM- 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $150.
Valor #5 Gaines File pedigree 9/12 (EC, 1955). Wally Wood's captivating cover for this issue portrays a group of crusaders in battle, while Al Williamson and George Evans add to the outstanding interior. The book itself is quite alluring, with bright color and sharp corners. The spine has some stress marks, hence the NM- grade. CGC NM- 9.2 Cream to white pages. Overstreet 2001 NM 9.4 value = $140.
Vault of Horror #12 Gaines File pedigree 1/1 (EC, 1950). This comic book is truly one of the highlights of the sale; we believe it to be the single most desirable horror comic. Vault #12 is regarded as the first stand-alone EC horror comic, and while EC did not invent the horror genre, they made it popular and created a brand. They had national chains of distribution and a strong subscription base that other, much smaller publishers lacked. EC also had the best artists, writers and editors. To make up for their handicaps, these other, smaller publishers produced crudely-drawn comics that relied on shock value and pushing the limits of good taste. The end results were Congressional hearings, best-selling condemnations by psychologists, censorship and ultimately, the demise of the horror comic book genre and EC as a comic book publisher. The Vault of Horror runs continuously through the entire golden era of EC; offered here is the first issue of this seminal title. Overstreet designates this issue as scarce; it seldom turns up in collections, and almost never in this condition. It is uncirculated and, most likely, unread. Two small stress lines at the spine and minor wear at the top left corner are the only readily apparent defects. This is a very fresh copy with white pages. EC publisher William Gaines typically filed away twelve copies of every comic book he produced during this era; these books have come to be known as the Gaines File copies, and are highly sought after by collectors, in no small part because they often represent the best-known copies of each individual issue. But Vault of Horror #12 is legendary among Gaines File collectors, as only one single copy -- the one offered here -- was filed away for posterity. Not only is this a beautiful copy of an important book, it is unique. In order to ever acquire a complete set of Gaines File copies, this book is a must. It is the lynchpin in completing one of the most daunting -- but rewarding -- series in comic book collecting. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $4,600.
Vault of Horror #12 (EC, 1950). A scarce EC book, this was one of the first horror titles. The "rack" cover by Johnny Craig is a classic, and the interior stories by Craig, Wally Wood, Harvey Kurtzman and Al Feldstein can't be beat. Highly collectible as the very first EC horror comic, and prized by EC fanatics and horror fans alike. These memorable stories, such as "Portrait in Wax" and "Terror Train" are templates for all the EC tales of terror to come. Spectacular cover gloss and bright, sharp colors makes this book a joy to own. CGC VF+ 8.5 Cream pages. Overstreet 2001 FN 6.0 value = $1,260; NM 9.4 value = $4,600.
Vault of Horror #12 Ex. Bill Gaines (EC, 1950). This book is generally considered, along with Crypt of Terror, to be the first horror comic. This is the first Vault of Horror issue, and features Johnny Craig and Al Feldstein artwork and a "killer" bondage horror cover. Purchased by Bill Gaines in the aftermarket, this book comes directly from Annie Gaines, the widow of Bill Gaines, the late EC publisher. CGC notes, "Color touch, tear seals, piece added, reinforcement, and cleaning." CGC Apparent VF/NM 9.0 Moderate (P). Overstreet 2001 NM 9.4 value = $4,600.
Vault of Horror #13 Gaines File pedigree (EC, 1950). EC kicked off its infamous horror trend with the twelfth issue of this title, and continued the tradition with this issue which features a Morphine story and art by Graham Ingels, Harvey Kurtzman and Wally Wood. The cover is classic EC, rendered by the great Johnny Craig. Hailing from the amazing Gaines File collection, this book is stunning in every way, with razor sharp corners, perfect spine and a perfectly clean cover. The book is literally unread, having been sealed in storage for over 40 years. Gaines saved only one file copy of Vault #12, so this book is about as close as you can get to the best. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $1,015.
Vault of Horror #14 Gaines File pedigree 6/9 (EC, 1950). The third issue of this venerable horror title with an excellent black magic cover by Johnny Craig. Graham Ingels and Al Feldstein join Craig in creating a masterful interior. This unread beauty is a gem, displaying stupendous colors and minimal wear. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $900.
Vault of Horror #15 Gaines File pedigree 7/10 (EC, 1950). The fourth issue of this horror standard with cover art by Johnny Craig and interior art by Al Feldstein, Jack Kamen and "Ghastly" Graham Ingels. The book is truly high-grade, with a fresh-looking, virtually flawless appearance. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $770.
Vault of Horror #16 Gaines File pedigree 8/11 (EC, 1950). This issue is highlighted by Johnny Craig's evocative cover, arguably his best. "Ghastly" Graham Ingels, Al Feldstein and Jack Kamen render the superb interior stories. In phenomenal condition, this book is essentially flawless with extraordinary color and pages. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $585.
Vault of Horror #17 Gaines File pedigree 8/11 (EC, 1951). This issue sports a haunting Johnny Craig werewolf cover, as well as ghoulish interior art by EC mainstays Graham Ingels, Jack Davis and Jack Kamen. The werewolf tie-in makes this a particularly high-demand issue, as it creates cross-collecting interest from werewolf/Wolfman collectors as well as horror/EC collectors. The condition of this book is stellar, and the eye-appeal is unmatched. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $450.
Vault of Horror #18 Gaines File pedigree 9/12 (EC, 1951). Wow! This is one incredible comic book. One expects superlative art and writing from EC Comics, and this issue delivers with a ghoulish cover by Johnny Craig and stories by Jack Davis, Jack Kamen and Graham Ingels. The truly phenomenal aspect of this specimen, however, is its near-perfect condition. Add to that a particularly good cover, and the result is truly beautiful. CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $450.
Vault of Horror #19 Gaines File pedigree 4/12 (EC, 1951). The EC sense of irony is masterful. Here on Johnny Craig's cover, the young, comely girl bemoans the loss of her deceased lover, and wishes for his return. Unfortunately her wish is granted, as the rotting corpse of her dead beau approaches, risen from his grave. That sense of gruesome irony is a hallmark of EC comics, and the interior stories by Jack Davis, Jack Kamen and Graham Ingels carry on the theme. The condition is exceptional; a nearly flawless gem with tremendous eye-appeal. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $450.
Vault of Horror #20 Gaines File pedigree 9/12 (EC, 1951). Johnny Craig's frenetic cover of an unseen vampire being staked in his coffin fronts this classic issue. Contributing artists include "Ghastly" Graham Ingels, Jack Davis and Jack Kamen. As with the majority of Gaines File books, the condition is stellar, virtually defect-free, with gleaming freshness. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #21 Gaines File pedigree 4/12 (EC, 1951). In a particularly grisly cover by Johnny Craig, the remains of a psychotic zoo keeper's victim have emerged from an alligator pit to exact retribution. The heart-stopping interiors by Johnny Craig, Jack Davis and Jack Kamen keep up the gruesome theme. This is another gem, both in terms of content and condition. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #22 Gaines File pedigree 9/12 (EC, 1951). Johnny Craig's Frankenstein cover and story make this one of the higher demand issues in this ever-popular run. Graham Ingels, Jack Davis and Jack Kamen all add their particular brand of virtuosity to the interior art. The overall condition is strictly near mint, with incredibly fresh pages. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #23 Gaines File pedigree 9/12 (EC, 1952). Johnny Craig again lends his talents to the cover of this classic issue, while Jack Davis, Graham Ingels and Craig carry the interior art. A real beauty, this is in true investment-grade condition. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #24 Gaines File pedigree 9/12 (EC, 1952). In this issue, Johnny Craig not only drew the cover, but his biography appears on the inside cover as well. Joe Orlando, Jack Davis and Graham Ingels contribute interior art. Great condition; only a small bindery tear keeps this one below 9.4. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #25 Gaines File pedigree 9/12 (EC, 1952). This issue features one of the more popular Johnny Craig covers. Graham Ingels, Jack Kamen and Jack Davis add the interior artwork. A fair amount of inspection is required to reveal the flaw that keeps this book out of near-mint, a significant impact ding to the bottom right corner of the front cover. It does not, however, break color and so is very hard to spot. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value =$100; NM 9.4 value = $365.
Vault of Horror #26 Gaines File pedigree 4/11 (EC, 1952). Cover art by Johnny Craig and interiors by Jack Davis, Craig and Graham Ingels highlight this handsome copy. A great book from a legendary collection. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $365.
Vault of Horror #27 Gaines File pedigree 9/12 (EC, 1952). For many collectors, EC produced the quintessential comic books. The stories are written to a high standard, and they typically feature the most renowned artists in the field (this issue contains work by Johnny Craig, Jack Davis, Graham Ingels and George Evans). Additionally, the condition and aesthetic beauty of "Gaines Copies" is legendary. This particular comic is prototypical in all regards, making it a thing of beauty to treasure and enjoy. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #28 Gaines File pedigree 9/12 (EC, 1953). An unread/uncirculated copy from publisher William Gaines' personal files. The classic Johnny Craig voodoo/zombie cover, razor-sharp corners and a stress-free spine make this an exceptional example of this great issue. This copy is tied for the highest grade CGC has awarded for this issue. CGC NM/MT 9.8 Off-white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #29 Gaines File pedigree 8/11 (EC, 1953). A gruesome ghoul attack cover by Johnny Craig and interior art by Graham Ingels, Jack Kamen, Jack Davis and Craig make this book a true treasure. Add to that structure and eye-appeal that are absolutely magnificent, and you have a real winner. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #30 Gaines File pedigree 4/12 (EC, 1953). Featuring shocking cover art by Johnny Craig and fabulous interior art by Graham Ingels, George Evans, Jack Davis and Craig. It is hard to find a reason for the NM- grade as the corners are sharp with no evidence of a significant defect. There is some very slight toning, but the page quality is exceptional. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #31 Gaines File pedigree 4/12 (EC, 1953). A particularly disturbing cover by Johnny Craig depicts an assassin glaring at his victim's face, which he has just bludgeoned to a bloody pulp. This issue contains a Wally Wood story, with Graham Ingels, Jack Davis and Craig contributing their own twisted masterpieces as well. An aesthetically beautiful book. The condition appears higher than the CGC grade would indicate. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #32 Gaines File pedigree 8/11 (EC, 1953). Johnny Craig's cover art for this issue is one of the most famous/infamous in comic book history. The original version shows the ghoul with a meat clever planted in his head. The meat clever was removed by EC, and replaced by a starburst. Of course, EC had already garnered a well-deserved reputation for "pushing the envelope" in matters of taste, making this hasty censorship a bit ironic. If you "axe" us, this copy looks just incredible and is virtually flawless. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #33 Gaines File pedigree 8/11 (EC, 1953). An exquisite copy in virtually flawless condition with bright, vivid color and stark white pages. The art and stories are exemplary as well, with Johnny Craig, Graham Ingels, Reed Crandall and Jack Davis all contributing to this issue. CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #34 Gaines File pedigree 9/12 (EC, 1954). A bizarre Johnny Craig cover sets the tone for this ghoulish issue, which is followed inside by the likes of Graham Ingels, Reed Crandall and Craig. The condition of this comic is superb. A true gem, the "freshness" glistens through the plastic CGC holder. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #35 Gaines File pedigree 9/12 (EC, 1954). It is unimaginable that any 38-year-old comic could be as fresh as this one. In spite of its age, the reds and greens on this Johnny Craig Christmas cover are truly striking. Jack Davis, Jack Kamen and Graham Ingels render the grisly interior. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #36 Gaines File pedigree 9/12 (EC, 1954). Johnny Craig's cover for this issue shows us a murderer, lead pipe in hand, watching his victim's body being consumed in a torrent of flame. Welcome to the weird and wild world of EC Comics, where the outrageous becomes commonplace. If there is a problem with EC's, it is that the shock value of the stories and the unbelievable quality of the art is so consistent it becomes difficult to choose favorites. This issue contains a classic opium-addict story by Bernie Krigstein, and additional stories by "Ghastly" Graham Ingels and Jack Davis. Condition and eye-appeal on this beauty are amazing. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #37 Gaines File pedigree 9/12 (EC, 1954). The dramatic Johnny Craig cover of a garroted man begs the question: suicide or murder? You'll have to purchase the comic to find out. We will tell you that Graham Ingels, Al Williamson and Jack Davis contribute equally macabre tales and that this issue contains the first appearance of Drusilla, a precursor to Vampirella. Despite its gruesome bent, this copy is absolutely gorgeous, with superb structure and excellent eye-appeal. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $285.
Vault of Horror #38 Gaines File pedigree 9/12 (EC, 1954). Collecting black covers is a distinct genre. It is a difficult task to find them in high-grade since the black field shows even the most minor amount of wear. This book is the perfect specimen for such a collector, with art by the exemplary EC staff, including Graham Ingels, Jack Davis, Bernard Krigstein and Johnny Craig. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $240.
Vault of Horror #39 Gaines File pedigree (EC, 1954). The specter of the Comics Code Authority loomed just around the corner as EC's horror comics fast approached their last gasp of greatness (the torch would soon be passed to the fledgling Mad). This second-to-last issue features a bondage cover, and the usual gang of greats, including Johnny Craig, Reed Crandall and Graham Ingels. Another blazing example from the Gaines File collection, this one is virtually perfect. You won't see a better copy. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $240.
Vault of Horror #40 Gaines File pedigree 9/12 (EC, 1954). In an innovative cover by Johnny Craig, the pale yellow figures are spotlighted against a contrasting purple zipatone-enhanced field, creating a high-impact work of pop art. This is the last issue of this title and the distribution was limited, and the vampire cover and story lend to its cross-collecting value. The condition and eye-appeal are fantastic. All together, it adds up to one very desirable comic book. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $310.
The Vault of Horror Group Lot (EC, 1950-1955). Terrific lot of low-grade EC comics. Includes issues: #14, #17, #20, #26, #31, #32, #35-38, and #40. All books are in the VG/FN range. Overstreet 2001 GD 2.0 value for group = $336; FN 6.0 value for group = $1,011.
Weird Fantasy Group Lot (EC, 1950-1954). Weird Fantasy group includes #14(2), #16(4), #7, #9, #10, #14, #16, #17, #19, #20, #21, and #22. This unearthly group could start your collection of ECs in the right direction. Art by Frazetta, Williamson, Orlando, and Feldstein is predominant in most issues. Great group for the reading collector. Average grade VG Cream to off-white pages. Overstreet 2001 GD 2.0 value for group = $467; FN 6.0 value for group = $1,409.
Weird Fantasy Group Lot (EC, 1950-1953). Lot consists of issues #15(#3), #6, #8, #12, #13, and #18. Fantastic sci-fi run with unreal stories and artwork. A killer buy for someone who wants a head start on Weird Fantasy! Average grade FN Off-white pages. Overstreet 2001 FN 6.0 value for group = $652.
Weird Science #12 (#1) Gaines File pedigree 6/9 (EC, 1950). The first issue of this classic book sports a great Feldstein cover and stories by Harvey Kurtzman, Jack Kamen and Wally Wood (who includes caricatures of Bill Gaines and the EC staff in his story). A fabulous find from the legendary Bill Gaines collection. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $2,000.
Weird Science #13 (#2) Gaines File pedigree 7/10 (EC, 1950). A classic "flying saucers over Washington" cover by Al Feldstein highlights the second issue of this classic title. Stories by Harvey Kurtzman, Jack Kamen and Wally Wood round out this lovely gem of a comic from publisher Bill Gaines' personal collection. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $900.
Weird Science #13 (#2) Spokane pedigree (EC, 1950). Absolutely stunning copy of this classic EC title, from the highly-regarded Spokane collection. A small crimp in the upper right-hand corner of the back cover is the only visible flaw in this like-new comic. Al Feldstein's classic UFO cover is strikingly vivid in such high grade, and there is superb interior art by EC mainstays Jack Kamen and Wally Wood. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $900.
Weird Science #14 (#3) Gaines File pedigree 8/11 (EC, 1950). This pedigree book features one of Al Feldstein's best robot sci-fi covers with interior artwork by Jack Kamen and Harvey Kurtzman. A stunning book with outstanding cover gloss, perfect centering, square corners, and gorgeous page quality. CGC NM 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $850.
Weird Science #15 (#4) Gaines File pedigree 6/9 (EC, 1950). Feldstein's "War of the Worlds" cover and story along with interior art by Harvey Kurtzman make this a very scary issue. There is a manufacturing error with a moderate size piece out of the margin of the 14th page which is the only major defect. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $800.
Weird Science #5 Gaines File pedigree 7/10 (EC, 1951). One of Feldstein's top classic EC sci-fi covers which features an atomic bomb explosion. Gripping cover gloss, outstanding color, with no defects. There is no nicer copy in existence at this time. CGC NM/MT 9.8 Off-white pages. Overstreet 2001 NM 9.4 value = $600.
Weird Science #6 Gaines File pedigree 7/10 (EC, 1951). A fantastic cover by Al Feldstein depicting some of the most bizarre aliens ever to grace a printed page. This book has stunning gloss and a perfect spine with off-white pages. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $485.
Weird Science #8 Gaines File pedigree 9/12 (EC, 1951). A real '50s-type sci-fi cover by Al Feldstein with interior art by Jack Kamen and Wally Wood. This issue has unreal cover gloss and outstanding corners and paper quality. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $485.
Weird Science #9 Gaines File pedigree 9/12 (EC, 1951). The aliens look like they could be in real trouble in this issue. Wally Wood and Jack Kamen did the cover and interior art. Perfectly flat with super sharp corners and intense cover gloss, this issue, according to CGC, is the nicest copy they've seen. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $485.
Weird Science #10 Gaines File pedigree 8/11 (EC, 1951). An awe-inspiring sci-fi cover drawn by the "master" Wally Wood, with interior artwork by Jack Kamen and Joe Orlando. Super-sharp corners and awe-inspiring color are the highlights of this issue, the finest certified copy in existence at this time. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $485.
Weird Science #11 Gaines File pedigree 9/12 (EC, 1952). A stunning example of a classic title...and it's from the legendary Gaines File collection! Inside are great stories by Joe Orlando, Jack Kamen and Wally Wood. Deep colors, an excellent strike and a good cut combine to make this copy a real eye pleaser. You'd have to look far and wide to find a better copy of this highly-desirable book. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $330.
Weird Science #12 Gaines File pedigree 9/11 (EC, 1952). With art by Jack Kamen, Joe Orlando and Wally Wood (with a Wood cover to boot), this is an excellent example of the glory days of EC Comics. In fact, Bill Gaines himself and a bunch of EC artists appear in the "Dream of Doom" story in this very issue. From the famous Gaines File collection, this is a sharp book with deep cover colors and an excellent strike. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $330.
Weird Science #13 Gaines File pedigree 9/12 (EC, 1952). A gorgeous Wally Wood cover highlights this exceptional issue. Inside are stories and art by such EC greats as Al Feldstein, Joe Orlando and Wood. A solid copy from a well-known collection, this could easily be the centerpiece of any EC collection. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $330.
Weird Science #14 Gaines File pedigree 9/12 (EC, 1952). From the secret files of William M. Gaines comes this rare gem. Sporting a gorgeous Wally Wood cover and interior art by Bill Elder, Joe Orlando and Wood, this copy displays outstanding cover color depth, sharp corners and no visible defects of note. Outstanding in every way. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $330.
Weird Science #15 Gaines File pedigree 9/12 (EC, 1952). A classic Wally Wood dinosaur cover highlights this fabulous EC issue, with stunning interior work by Graham Ingels, Jack Kamen, and Wood. A lovely copy from the personal collection of Bill Gaines, this book displays a slight amount of wear at the bottom edge, but retains a high degree of eye-appeal and desirability. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $355.
Weird Science #16 Gaines File pedigree 8/11 (EC, 1952). If you want to know where Mars Attacks came from, just look at this cover drawn by Wally Wood. World-class artwork by Al Williamson, Jack Kamen, and Joe Orlando grace the interior of this classic sci-fi comic. Almost eye-shatteringly flawless, this book has, essentially, no defects. CGC NM 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $355.
Weird Science #17 Gaines File pedigree 6/9 (EC, 1953). Another killer-alien cover done by the incredible Wally Wood graces this legendary book, which also includes artwork by Jack Kamen and Al Williamson. As an added bonus, this issue was also used in the infamous Parade of Pleasure. Almost perfect in every way, this issue has it all. CGC 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $355.
Weird Science #18 Gaines File pedigree 9/12 (EC, 1953). A great H-bomb cover by Wally Wood and interior artwork by Jack Kamen and Al Williamson make this issue a true fan-favorite. This is a beautiful copy with a few abrasions and a quarter-inch tear on the front cover. For some reason, all the Gaines file Weird Science #18's are defective. Still, a must for the EC collector! CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $97; NM 9.4 value = $355.
Weird Science #19 Gaines File pedigree 7/10 (EC, 1953). A scary cover from the master of sci-fi, Wally Wood, and interior artwork by Frank Frazetta and Al Williamson. This is one of the issues that brought pre-code comic books down. Used in Seduction of the Innocent by Dr. Frederic Wertham, this book in particular, and EC Comics in general, were burned at the stake in the Senate investigation hearings. This book has no major defects. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $465.
Weird Science #20 Gaines File pedigree 8/11 (EC, 1953). A great Wally Wood cover illustration depicting a man alone in space with 50 beautiful women. What a lucky guy! This issue also has seven pages of Frank Frazetta/Al Williamson art. Almost flawless in every way, this book has no major defects. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $465.
Weird Science #21 Gaines File pedigree 8/11 (EC, 1953). Unreal cover art by Wally Wood sums up 1950s sci-fi comics: a guy with a raygun, a beautiful woman, and a monster. Frank Frazetta and Al Williamson have a six-page story and Wally Wood draws the E.C. staff in this issue. Almost flawless, this book only has a minor abrasion on the spine. CGC 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $465.
Weird Science #22 Gaines File pedigree 8/11 (EC, 1953). Another killer cover by the master of sci-fi, Wally Wood, and interior artwork by Frank Frazetta, Al Williamson, George Evans, and Joe Orlando. Almost perfect in every way, this book is stunning. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $465.
Weird Science Group Lot (EC, 1950-1953). Lot includes: #14(#3), #13, #19, #20, and #22. This Weird Science lot features tons of art and stories you'll never forget. Perfect for the person wanting to start a "Weird" collection. Average grade FN. Overstreet 2001 FN 6.0 value for group = $713.
Weird Science Group Lot (EC, 1950-1953). Nice low-grade EC lot, includes issues #15 (#4), #5, #8, #11, #14, #16-18, and #21; all books grade in the VG/FN range. Overstreet 2001 GD 2.0 value for group = $370; FN 6.0 value for group = $1,113.
Weird Science-Fantasy Annual #1 (EC, 1952). Every year, EC took all of their unsold comics, designed a new cover, rebound them into a "new" comic book, and sold them as "annuals." Each of these annuals contained four complete EC comics (sans covers). Naturally, this one contains four science fiction comics. This particular issue is highlighted by a great Al Feldstein cover, with interior art by Wally Wood, Jack Kamen and Graham Ingels. Good color and pages. CGC notes, "Restoration includes: small amount color touch. (4 pieces of tape interior cover)". CGC Apparent VG 4.0 Slight (A) Off-white pages. Overstreet 2001 GD 2.0 value = $164; FN 6.0 value = $491.
Weird Science-Fantasy Annual #1 (EC, 1952). Wonderful collection of EC SF stories, created from backstock re-bound with a new cover. Outstanding artwork by Wally Wood, Jack Kamen, Al Feldstein, Bernie Krigstein, and more. This copy is in good shape, with some spine wear and creasing, but still has great color. One small spine split has been repaired with tape; small chip out of one interior page, does not affect art. Condition: VG. Overstreet 2001 GD 2.0 value = $164; FN 6.0 value = $491.
Weird Science-Fantasy Annual #2 (EC, 1953). Nice reading copy of the second Weird Science-Fantasy Annual. 1" x .5" piece off the top cover and a tear at the top of the spine are the only defects of note. A great copy for the cost-conscious EC collector. Condition: GD+ Off-white pages. Overstreet 2001 GD 2.0 value = $105.
Weird Science-Fantasy Annual #2 (EC, 1953). Every year, EC would take all their unsold comics, design a new cover, have them rebound into a new comic book, and sell them as an "annual". Each of these annuals contains four complete EC comics (sans covers). Naturally, this one contains four science fiction comics. A great Feldstein cover with interior art by Wally Wood, Jack Kamen and Al Williamson, presenting good color and page quality. CGC notes, "Restoration includes: small amount color touch, tear seal to cover." CGC Apparent VF- 7.5 Slight (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $315; NM 9.4 value = $1,151.
Weird Science-Fantasy Group Lot (EC, 1954-1955). Lot consists of issues #23, #25, #28, and #29. This fabulous group has the best artwork and story telling EC had to offer. A great way to pick up this title at an affordable price. Average grade FN Off-white pages. Overstreet 2001 FN 6.0 value for group = $426.
Platinum Age (1897-1937)
40 Big Pages of Mickey Mouse #1 (Warner Books, 1936). This linen book is extremely rare and almost never offered for sale. It reprints Mickey Mouse Magazine #1 with no ads and a different cover, although it has slightly different text and is slightly smaller than Mickey Mouse Magazine #1. Measuring 10.25" x 12.5" with 44 pages of puzzles, games and pictures, the condition is acceptable for its age, with slightly brittle, but still readable, pages. There is coloring on pages 6 and 11, all four corners are rounded and there is a dust shadow on the spine. Still very collectible and scarce in any condition. Grade GD-. Overstreet 2001 GD value = $150.
Bringing Up Father Lot (Various Publishers, 1919). This lot is a gold-mine for the George McManus collector. Featured here are issues 1 thru 5, published from 1919 to 1921, which are actually the second series of McManus books (the first Bringing Up Father collection was published in 1917). Due to the success of his first book, McManus was awarded a regular ongoing series by publisher Cupples and Leon. These books are daily black and white newspaper strip reprints published earlier and reprinted in a 10" x 10" format. Book 1: VG, in nice shape with just a small amount of tape on the front cover, with slightly tan to cream pages (not brittle). Book 2: VG+, nice condition with great spine, and tan, but not brittle pages. Coloring with crayon on pages 1 and 3; Book 3: VG, is in nice condition with tan to cream pages and crayon coloring on pages 1, 3 and 4; Book 4: GD, colored on 10 pages with a small piece missing from the top right corner and slightly brittle pages; Book 5: GD/VG, has color crayon on 40 pages, square corners, nice binding and cream pages. Overstreet 2001 GD value for group = $160; FN value for group = $640.
Buck Rogers Kellogg's Premium #1 (Kellogg's, 1933). Given away to listeners of Kellogg's Buck Rogers Radio Program, this book was the first Buck Rogers radio premium and his first appearance in comics. This book also tells Bucks' origin and includes facts about the 25th century. Almost never offered for sale with the original letter from Kellogg's and the envelope, this premium is complete. The envelope and letter are in good shape with the envelope being slightly soiled. The letter itself is in excellent condition except for chipping on the left side. The comic is 6" x 8" and has 36 bone-white pages and slight spine stress. Condition: FN+ White pages. Overstreet 2001 FN value = $450.
Golden Age (1938-1955)
The Comics #1 (Dell, 1937). Before the superhero boom, comics in the 1930s depended mostly on strip reprints. Dell was a major player during that decade, producing favorites like Dick Tracy and Little Orphan Annie, and, in this issue, the King of the Cowboys, Tom Mix. A tough book in any grade, this one has beaten the odds, exhibiting only minor defects and retaining a high degree of eye-appeal. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $537; NM 9.4 value = $1,700.
Platinum Age (1897-1937)
Donald Duck Hardback (Grosset & Dunlap, 1936). An extremely rare book with different text and illustrations than the Donald Duck Linen Book which was first published in 1935. This book has 36 pages with color and black and white illustrations, and features appearances by Mickey Mouse and his nephews. This book has no dust jacket, with several pieces off the spine and "A. Finzel" written on the top of the first page. GD- Tan to cream pages. Overstreet 2001 GD value = $350.
Funnies #2 (Dell, 1936). An early comic consisting of strip reprints, this issue introduces Sheldon Mayer's popular character Scribbly to the series, a character that would enjoy success into the 1950s. A nice grade even at FN/VF, considering the rarity of 1930s comics. This awesome book is the highest-graded copy to date. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $468; NM 9.4 value = $1,250.
The Gumps Book #4 (Landfield-Kupfer Printing Co., 1918). The Gumps by Sidney Smith started out in the daily newspaper strips, and quickly led to a series of books. Issued in a very limited print run, very few copies remain today. This book measures 5.25" x 13.25" and is in excellent condition for its age. It has a nice spine and tan pages which are not brittle. An extremely rare book, this one is almost never offered for sale. Condition: VG Tan pages. Overstreet 2001 GD 2.0 value = $121; FN 6.0 value = $423.
Little Orphan Annie Hardback Lot (Cupples & Leon, 1927). This fascinating series of rare platinum-age books starts in 1926, when Harold Gray decided to package his Little Orphan Annie newspaper strips into a book and sell them at a price of 60 cents each during the Christmas season. This lot consists of Book #2, "In the Circus" 1927 (writing in pencil on inside cover); Book #3, "The Haunted House" 1928 (writing in pencil on inside front cover); Book #4 "Bucking the World" 1928 (writing in pencil on front cover); Book #5 "Never Say Die" 1928 (writing in pen on inside front cover); Book #6 "Shipwrecked" 1930 (writing in pen front inside cover). All these books grade about FN and all have nice supple cream to off-white pages. A great way to collect Little Orphan Annie, which has become a very hard-to-find series. Overstreet 2001 FN value for group = $672.
Mickey Mouse and his Friends (Whitman, 1936). Mickey Mouse is one of those national icons that never fades in our memory. This is the very rare linen book which came out in 1936, the same time as the Donald Duck linen book. Printed on a heavy linen-like stock, this book measures 9.5" x 13" and shows significant wear on the spine with slight rounding on the corners. Condition: GD+ Tan to cream pages. There is no Overstreet value listed at this time.
Pop-Up Mickey Mouse Hardback (Blue Ribbon Books, 1933). A very rare Disney book which was published in 1933 by Disney Studios. This book has coloring in crayon on the inside of pages 4 and 5. Best of all, the pop-ups still work, making this a great book for the Disney collector or the kid in all of us. Grade: GD+ Cream pages. There is no Overstreet value for this book at this time.
Pop-Up Minnie Mouse Hardback (Blue Ribbon Books, 1933). A very rare book which was put out by Disney in 1933. This book is better than average as all of the pop-ups work! Most of these books from this era were bought by or for children who played with them, wearing out the pop-ups. This book is in exceptionally nice condition, with one 2" rip on the bottom of spine and supple pages. This book is not currently listed in Overstreet. Condition: GD+ Cream pages.
Golden Age (1938-1955)
Popeye Pop-Up Book With the Hag of the Seven Seas Hardcover (Pleasure Books, 1935). Almost never offered for sale, this Popeye Pop-Up book is in excellent condition. The illustrations are from the Thimble Theatre daily strips drawn by E.C. Segar. The pop-ups are in beautiful color and are on the front, back and center of the book. All 3 pop-ups work and are still fresh and stiff. The only major defects are one small chip off the back cover and a small amount of stress on the spine. This rare book, not currently listed in the Overstreet Price Guide, would be an asset to any Popeye collection. Condition: FN- Off-White pages.
Platinum Age (1897-1937)
Pore Li'l Mose - His Letters to His Mammy (Grand Union Tea Co., 1902). This is the earliest known Cupples and Leon comic book, featuring Li'l Mose by R.F. Outcault, best remembered as the creator of the Yellow Kid. This 10.5" x 15" collection is considered one of the earliest comic books and is extremely rare in any condition. This large-size, 78-page book is in full color and has all the pages present and in pristine shape. The exterior condition is very good, considering its age. The front cover has tape and a one inch piece off the top and bottom, while the back cover has a large piece (1.5" x 2") missing from the top left corner which does not affect the artwork. An honest reflection of the time in which it was printed, this is a highly desirable and historical book in any grade. Condition: GD- Overstreet 2001 GD value = $1,429.
Walt Disney's Donald Duck Linen (Whitman, 1935). This, the first book devoted to Donald Duck, was written and illustrated by Disney Studios. It has 16 pages and is printed on heavy linen-like finish cover stock with a great image of the long-billed Donald on the front cover. Condition: VG/FN. Overstreet 2001 GD 2.0 value = $350; FN 6.0 value = $1,050.
Pulps
Amazing Stories Vol. 3, #5 (Experimenter Publishing Co., 1928). Want to know the true origin of Buck Rogers? The first Buck Rogers, Armageddon 2419, written by Philip Nowlan, appeared in this pulp magazine which hit the stands in August, 1928. This particular copy is in fantastic shape, with a complete spine, square corners and beautiful, supple pages. Frank Paul rendered the classic cover. Soon after this story came out, Nowlan sold his idea to radio, which turned Buck Rogers into a household name. Rare in high grade, this book is almost never offered for sale in this condition. There is no price Guide for pulps as of this writing. Condition: VF+ Light tan to off-white pages.
Misc. Pulps Lot (Various Publishers). An incredible lot of sci-fi and detective pulps spanning three decades, from the '30s to the '50s, including Amazing Stories vol. 22 #9 (1948) with a great sci-fi "cheesecake" cover, Fantastic Adventures vol. 12 #6 (1950), G-Men Detective Stories Jan. (1940) with a great bondage cover, Marvel Science Stories #4 April-May (1939) with a familiar cover (swiped for Science Comics # 2), and Startling Stories vol. 20 #1, and two copies of vol. 22 #1, both with great cheesecake covers. Also included are several examples of one of the hottest pulps in today's market, The Spider "Master of Men!" Represented here by vol. 15 #4, vol. 18 #1, and vol.18 #4, almost all of the Spider books have fantastic painted covers by the well-known pulp artist John Fleming Gould. Excellent writing by Grant Stockbridge (in reality Norvell Page), a master storyteller from the dime novel era. This is a great group for the discerning pulp collector. Average Grade: FN with Cream pages. There is no price guide for pulps as of this writing.
Weird Tales Lot (Various Publishers, 1930s). An extremely large and beautiful run of Weird Tales. Most issues have art by Margaret Brundage or Virgil Finlay. Covers and illustrations by these artists were often considered obscene at the time and most of these pulps were sold under the counter. Relatively few examples exist today, as many were burned or thrown away. This all-Weird Tales lot includes vol.20 #3 (1st Brundage cover); vol. 22 #6; vol. #23 #1, #2, #3, #4, #5, #6; vol. 24 #1, #2, #3, #4, #5, # 6; vol. 25 #1; vol. 26 #3; vol. 27 #1 (Conan story); vol. 28 #1 (Conan story); vol. 29 #1, #2, #3, #4, #5, #6; vol. 30 #1, #2 , #3, #4, #5, #6; and vol. 31 #3. Average Grade: FN Cream pages.
Golden Age (1938-1955)
Air Fighters Comics #1 (Hillman Fall, 1941). Scarce first issue of this important Hillman title features the first and only appearance of The Black Commander. The next issue would introduce the stars of the Hillman line: Airboy, The Flying Dutchman and Skywolf. This is a beautiful, high-grade copy with intense color strike and a tight spine. CGC notes, "'25-' written on 1st page in pencil". CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $2,000.
Air Fighters Comics #2 Mile High pedigree (Hillman Fall, 1942). Finding the opportunity to purchase the Mile High copy of any significant key issue is rare, because their appeal is two-fold. What makes this particular copy especially attractive is its relative affordability in relation to other key issues, and its grade. Because of a very light water stain on the back cover, CGC downgraded this first Airboy appearance to VF 8.0, yet the book appears NM--a truly stunning example from the most famous pedigree collection in comicdom. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $943; NM 9.4 value = $3,300.
Air Fighters Comics vol. 2 #3 Mile High pedigree (Hillman Fall, 1943). Another prime example from the Mile High collection that exhibits minor imperfections to the back cover and a small spine split at the top. Otherwise gorgeous, with the pencilled arrival date commonly found on Mile Highs. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $189; NM 9.4 value = $600.
Bronze Age (1970-1979)
Air Fighters Comics vol. 2 #5 Mile High pedigree (Hillman, 1944). Great action cover as Airboy, guns a'blazing, tears down the "rising sun", while Sky Wolf lowers the American flag. This copy is from the Mile High collection, and exhibits the color and gloss that makes these books so highly prized. The grade seems ultra-conservative for a book showing extremely light wear and a few small spine stress marks that barely break color. The back cover has a very subtle two inch crease, however the eye-appeal certainly transcends the grade. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $189; NM 9.4 value = $600.
Golden Age (1938-1955)
Airboy Comics vol. 2 #11 Double cover (Hillman, 1945). A sometimes overlooked title, Airboy has long attracted an underground fan base who love this series for its characters and stories. It began as Air Fighters Comics in 1941, and ran several issues before changing the title to its star character. This is the first issue of Airboy, made even more desirable by its double cover. CGC VF+ 8.5 (first cover 7.0, interior cover 8.5) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $205; NM 9.4 value = $650.
Airboy Comics vol. 2 #12 Crowley pedigree (Hillman, 1946). A bizarre horror cover with a Valkyrie appearance makes this a tough issue of this title to find. The copy offered here shows good eye-appeal marred only by creasing at the top right corner. Otherwise light wear. CGC Fine+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $133.
All-New Comics #11 (Harvey, 1945). Alex Schomburg most certainly got around during the Golden Age, producing covers for several different companies, including Timely, Nedor and Continental. During his seven issue stint on All-New, Schomburg incorporated his classic WWII layout style, showing the Boy Heroes in combat with the Japanese, ala Marvel Mystery. A beautiful copy showing only a small abrasion on the middle spine, this one is sure to please. To date, this gorgeous All-New Comics #11 is the highest-graded CGC copy. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $650.
America's Greatest Comics #1 (Fawcett, 1941). This classic Mac Raboy image was the first time all the major Fawcett characters appeared together on one cover. This giant squarebound 100-page comic features the adventures of Captain Marvel, Spy Smasher, Minuteman, Mr. Scarlet, and Bulletman. This copy shows appropriate wear for the grade, but still displays beautifully, with bright, rich colors and exceptional clarity to the cover. Spine is in excellent condition for the grade with no splits, and only a small impact crease at the top. Overall, a great-looking Fawcett key. This America's Greatest Comics #1 is the highest-graded CGC copy to date. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $284; FN 6.0 value = $853.
Archie #1 (Archie, 1942). If you ask a stranger (a non-collector, of course) what comic characters he's aware of, you'll find Archie far up on the list, next to the likes of Batman and Donald Duck. A true cultural phenomenon, this iconic character came into public consciousness in late 1941, first appearing in Pep #22, and within a year won his own title, which still continues today. Archie and his gang have been a part of America's youth for four generations now, and all indications point to his success far into the future. During the last five years, Archie #1 has seen formidable growth in the market as collectors realize the historical importance and rarity this book has come to represent in comicdom. Offered here is a solid unrestored copy, exhibiting wear commonly found on VG books, including spine wear, rounded corners and a slightly soiled back cover, but still retains an attractive appearance, and is void of any serious defects like missing pieces or tears. Rarely found in any condition, let alone unrestored condition, Archie #1 will only gain momentum in the marketplace, especially considering how undervalued it is in the guide. CGC VG 4.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $1,160; FN 6.0 value = $3,480.
Archie #30 (Archie, 1948). Featuring America's typical teenager in another zany adventure, this copy is stunning, with razor-sharp edges and white pages. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $340.
Astonishing #14 File copy (Atlas, 1952). Of the many comics Atlas produced during the '50s, pre-code horror remains the most sought-after, remaining elusive in high grade. This copy won't disappoint, with only slight corner wear to mention. A very tight copy with outstanding eye-appeal. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $225.
Atomic Comics #1 (Green Publishing Co., 1946). The classic Fang Gow cover is generally considered to be a swipe of the cover to Detective Comics #8. This book has newsprint covers making the condition of this particular copy even more outstanding than the grade would imply. CGC VF 8.0 Off-white pages. Overstreet FN 6.0 value = $400; NM 9.4 value = $1,275.
Atomic Comics #1 (Green Publishing Co., 1946). A solid copy of this rare book, well known for its cover swipe of Detective Comics #8. Tight and flat, with a good spine and very light wear, the eye-appeal is actually greater than the grade would indicate. This issue includes a Radio Squad story by Jerry Siegel and Joe Shuster. CGC FN+ 6.5 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $400.
Attack on Planet Mars (Avon, 1951). A super cool sci-fi comic from the Avon "one-shot" series with interior art by Wally Wood, Joe Kubert and Carmine Infantino. Good color saturation and great eye-appeal make this an "out-of-this-world" beauty. CGC Fine+ 6.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $221.
Avon Comics Group (Avon, 1950s). A nice mix of pre-code comics, this lot contains books from the horror, crime, science fiction and western genres. Lot includes: Attack on Planet Mars #nn CGC FN+ 6.5 Off-white pages; Chief Victorio's Apache Massacre #nn CGC VF 8.0 Off-white pages; Crime on the Waterfront #4 CGC VF- 7.5 Off-white to white pages; Night of Mystery #nn CGC FN 6.0 (Double Cover) Cream to off-white pages; Space Detective #3 Aurora pedigree CGC FN 6.0 Off-white to white pages; Strange Worlds #9 CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN value for group = $790; NM 9.4 value for group = $2,330.
Beware #12 Bethlehem pedigree (Trojan/Prime, 1952). A high-quality pre-code horror book from a first tier pedigree, with a great cover and exceptional eye-appeal. Making this comic even more desirable is the fact that it is referenced in the infamous Seduction of the Innocent. CGC Fine+ 6.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $103.
Black Cat Mystery #31 File Copy (Harvey, 1952). Formerly a superhero book, Black Cat Mystery shifted gears into tales of terror in the last great days before the advent of the Comics Code. This issue (which actually features a huge black cat on the cover) has terrific artwork by Rudy Palais and Manny Stallman, and shows a nearly pristine appearance; it's a gorgeous book overall, with terrific eye-appeal. CGC notes "moderate transfer stain interior front and back cover." CGC VF/NM 9.0 Cream to light tan pages. Overstreet 2001 NM 9.4 value = $170.
Black Cat Mystery #36 File Copy (Harvey, 1952). A creepy pre-code horror title with outstanding artwork by Bob Powell. This book looks virtually flawless; the cover still retains startling clarity and superb color. CGC VF/NM 9.0 Cream to light tan pages. Overstreet 2001 NM 9.4 value = $210.
The Black Terror #22 Ohio pedigree (Nedor Publications, 1948). One of Alex Schomburg's great run of covers, Black Terrors always seem to find their way onto collectors' want lists. A great cheesecake cover! This copy is near perfect, with very slight abrasions along the back cover edge, due to dull blades at the printers. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $420.
Blood Is the Harvest #nn (Catechetical Guild, 1950). Propaganda give-away comic produced at the apex of the cold war. Overstreet lists thirteen known copies. CGC FN- 5.5 Cream to off white pages. Overstreet 2001 FN 6.0 value = $320.
Blue Beetle #45 Mile High pedigree (Fox, 1947). Phenomenal Blue Beetle action cover with our hero fighting and overpowering gangsters while a gorgeous doll watches. A beautiful copy from the legendary Mile High pedigree, this book has exceptional cover gloss, near perfect corners, and a perfect spine. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $190.
Blue Ribbon #2 Hawkeye pedigree (MLJ, 1939). Before Archie came along, MLJ was mainly an action/adventure and superhero publisher, exemplified by this title that eventually introduced the popular Mr. Justice. This cover features Rang-a-Tang saving a boy from a burning building, with Jack Cole and Charles Biro art inside. A pretty copy from the Hawkeye collection that exhibits minor edge wear. This gorgeous Blue Ribbon #2 is the highest-graded CGC copy to date. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $379; NM 9.4 value = $1,200.
Boy Comics #32 (Lev Gleason, 1947). A nice copy of a book that has proven difficult to find, especially in high-grade. This issue features a great Crimebuster cover by Charles Biro and the last appearances of Swoop Storm and Young Robin Hood. One rarely sees Lev Gleason comics in such nice shape, making this an opportunity you shouldn't pass up. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $200.
Bruce Gentry #3 Mile High pedigree (Superior, 1949). Known for its great Jack Kamen covers, Bruce Gentry revels in cheesecake, a long-time collector favorite. This copy is sharp, and has the characteristic pencilled "D" found on Mile Highs. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $280.
Bulletman #2 (Fawcett, 1941). One of Fawcett's more popular characters, Bulletman won his own series after a popular run in Master Comics. Mac Raboy, one of the most respected artists of the Golden Age, drew this cover. This is a solid unrestored copy that is still quite affordable. This stunning Bulletman #2 is the highest-graded CGC copy to date. CGC FN/VF 7.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Captain Marvel Adventures #9 (Fawcett, 1942). A very nice example of an early Captain Marvel, this book contains the first Otto Binder scripts on this title. In his heyday, Captain Marvel was the top selling comic book character, and these stories are still considered classics with Binder as the prime mover of this popularity. A solid copy, with only minor wear. CGC VF- 7.5 Off-white pages. Overstreet FN 6.0 value = $332; NM 9.4 value = $1,050.
Captain Marvel Adventures #35 (Fawcett, 1944). The whimsical adventures of the Big Red Cheese, with the usual terrific artwork from C.C. Beck and Pete Costanza. In addition to guest appearances by Bob Hope and Dorothy Lamour, this issue also features the first appearance and origin of Radar. This is a beautiful copy with brilliant color and a very fresh look. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $440.
Captain Marvel Jr #6 (Fawcett, 1943). A classic Mac Raboy cover shows Captain Marvel Jr. beating the stuffing out of a thug. This stunning, near flawless copy has superb cover gloss, a very tight spine, clean edges and razor-sharp corners. A top of the line book for the Fawcett collector, and the highest-graded CGC certified copy to date. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $700.
Captain Marvel Jr #11 (Fawcett, 1943). Fawcett was lucky enough to land one of the most talented artists in the business when they employed Mac Raboy. His covers were graceful and simplistic, showing emotion that most artists were never able to capture. Some argue that his run on Captain Marvel Jr. is among the best that the Golden Age has to offer. This is a stunning book, and one that any collector will be proud to own. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $600.
Clue Comics #1 (Hillman Fall, 1943). Clue Comics was Hillman's attempt at starting a superhero comic in the middle of World War II. However, it quickly turned into a crime comic, running for four years in that format. This book is in excellent condition, with only the most minor flaws, and possesses great eye-appeal. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,000.
Crack Comics #14 Cosmic Aeroplane pedigree (Quality, 1941). Featuring Lou Fine's Black Condor, early issues of Crack are packed with high-quality art and stories, hence the name of its publisher. From the Cosmic Aeroplane collection, this copy is very attractive, showing only the slightest wear to the corners, and a pencilled arrival date. The cover appears fresh and white. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $268; NM 9.4 value = $850.
Crime Does Not Pay #40 Crowley pedigree (Lev Gleason, 1945). One of the foremost crime titles of the Golden Age, this fantastic book is almost never seen in this condition. It was books like this that, in part, led to the Senate Juvenile Delinquency Hearings of the 1950s. This issue features a great crime cover by the legendary Charles Biro. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $300.
Daredevil Comics #1 (Lev Gleason, 1941). A classic Golden Age book featuring a unique photo-cover of Hitler getting it in the chops by Daredevil and pals. The issue was actually titled Daredevil Battles Hitler, but changed to Daredevil with the next issue. This attractive copy has only light wear to the edges with a stamped arrival date. CGC VF- 7.5 Off-white pages. Overstreet 2001 VF 8.0 value = $6,500.
Dell Giant Group Lot (Dell, 1955). Offered here is a small group of Dell Giants. These 84-page comics are ultra high-grade file copies, unread and undistributed, with high gloss and minimal wear. This lot includes: #24 Woody Woodpecker's Family Fun CGC NM- 9.2 Off-white pages; #38 Walt Disney's Uncle Donald and His Nephews Family Fun CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value for group = $340.
Dell Giant Group Lot - Western Roundup File Copies (Dell, 1955). A great group of 84-page Dell Giants. This series is a compilation of Dell's stable of western stars, including Roy Rogers, Gene Autry, Rex Allen, Johnny Mack Brown and Bill Elliott; all are featured on the photo covers and interior stories. These are ultra high-grade file copies, unread and undistributed, very glossy with minimal wear. This lot includes: Western Roundup #10 CGC NM- 9.2 Off-white pages; #13 NM- 9.2 Off-white pages; #14 NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value for group = $440.
Dell Giant Group Lot- Western Roundup File Copies (Dell). These 84-page Dell Giant comics feature a compilation of Dell's stable of western stars. Roy Rogers, Gene Autry, Rex Allen, Johnny Mack Brown and Bill Elliott are all featured on the photo covers and interior stories. These are ultra high-grade file copies, unread and undistributed, with great gloss and minimal wear. This lot includes: Western Roundup #2 CGC NM- 9.2 Cream to off-white pages; #17 NM 9.4 Off-white pages; #18 NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value for group = $500.
Do-Do #1 (Nationwide Publications, 1950). This little-seen half-size comic book (5" x 7 1/4") has charming funny animal circus stories that kids could buy for just a nickel. This extra-thick (52 pages) first issue is tough to find in any grade, and especially at the high end, because kids usually stuffed them in their back pockets. Offered here is a superb copy of this rare first issue; only a bit of edge wear seems to keep this from a higher grade, as it has startlingly sharp colors and very little appearance of aging. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $200.
Doc Savage Comics vol. 2, #7 (Street & Smith, 1943). Based on Lester Dent's popular pulp-magazine hero, the comic book version of Doc Savage didn't have quite the longevity of his print predecessor, but enjoyed a healthy run nonetheless. The eclectic contents of this issue include not only a 16-page Doc adventure, but stories featuring Huckleberry Finn, Astron the Crocodile Queen, K-9-V, and Nick Carter. There's even a 6-page biography of comedian Henny Youngman, who is pictured on the cover. This beautiful copy has some edge wear, and a grease pencil mark on the back cover, but still has exceptional color and a remarkable lack of spine stress. The vivid cover image of a devil-like creature hurling a knife at Doc is quite striking. CGC notes, "tape removed from centerfold, and two center wraps are detached." CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $153.
Doll Man Quarterly #1 (Quality, 1941). After appearing in Feature Comics for almost two years, Doll Man made his solo debut in this issue, and would continue in both series' throughout the 1940s. Doll Man has benefited from strong collector interest over the years thanks to his talented stable of artists, including Lou Fine, Reed Crandall and Dick Powell. This copy is very attractive, displaying only minor defects which hardly detract from the stunning nature of this highly desirable book. This beautiful Doll Man Quarterly is the highest-graded CGC graded unrestored copy to date. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $915; NM 9.4 value = $3,200.
Donald Duck's Atom Bomb Cheerios Premium (Cheerios, 1947). This Cheerios premium is a very difficult item to find and has been banned from being reprinted by Disney. Drawn by the remarkable Carl Barks, the condition on this rare piece is nice, with only the most minor defects keeping it out of the NM range. Condition: FN Cream pages. Overstreet 2001 FN 6.0 value = $270.
Dynamic Comics #1 (Chesler, 1941). In 1941, Harry Chesler tried his luck at the superhero genre by releasing a new line of comics ("They're new! They're different!"), featuring the likes of Major Victory and Yankee Doodle Jones. His titles would later evolve into a bizarre array of psychedelic covers, now highly sought after by collectors. This is an attractive mid-grade copy, with only minor imperfections. CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $505; NM 9.4 value = $1,600.
Dynamic Comics #16 Crowley pedigree (Chesler, 1945). A truly classic issue with a great bondage cover and an early marijuana story, with art by the incomparable George Tuska. This is a particularly nice copy, with good eye-appeal and light wear. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $133; NM 9.4 value = $400.
Bronze Age (1970-1979)
Dynamic Comics #20 (Chesler, 1946). A scarce, esoteric book, typically sought after for its "bare-breasted woman" cover (she's the one in the green dress, in the extreme foreground). Chesler books can be hard to find in the higher grades, making this a real stand-out. CGC notes, "(2) 1" tears on centerfold". CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $189; NM 9.4 value = $600.
Golden Age (1938-1955)
Eerie #4 Bethlehem pedigree (Avon, 1951). Featuring a Wally Wood cover, this issue takes us on a journey into the unknown, featuring stories like "The Ship of Death" and "Cremation of Evil", done in classic Avon style. A very clean copy with a stamped arrival date and a small corner crease. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $165; NM 9.4 value = $500.
Ellery Queen #2 (Ziff-Davis, 1952). Wow! What an awesome cover! Bondage, cleavage and a red hot poker. It just doesn't get any better than that. This cover was painted by pulp legend Norman Saunders, perhaps best known for his work on the Mars Attacks trading cards of the early 1960s. A very tough book to find in any grade. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $116; NM 9.4 value = $310.
Exciting Comics #1 (Nedor Publications, 1940). The first issue of a great series, Nedor's flagship title would bring us the Black Terror with issue number nine, and a gaggle of classic Schomburg war covers. The first eight issues featured bizarre science fiction covers, making them an interesting run of "pre-hero" books that are well worth a look. This copy has professional restoration to the spine and corners, including reinforcement and color touch. The right edge of the cover has been slightly trimmed, a technique that was prevalent in the '80s. Overall, the book has a clean appearance, and would be a great addition to any Golden Age collection. CGC Apparent VF+ 8.5 Moderate (P) Cream to Off-White pages. Overstreet 2001 FN 6.0 value = $1,086; NM 9.4 value = $3,800.
Exciting Comics #56 Rockford pedigree (Nedor Publications, 1947). This book kicks off Alex Schomburg's Judy of the Jungle covers, which ran for eleven issues. This is a knockout example from the Rockford collection, with a light date stamp on the front cover. To date, this is the highest-graded CGC copy of Exciting Comics #56. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $525.
Exciting Comics #65 Okajima pedigree (Nedor Publications, 1949). Another Schomburg airbrush cover collectors fawn over, this one has Judy taking care of business for her man...our kind of woman! This copy hails from the famous Okajima pulp collection, with two date stamps on the back cover, and is every bit a Near Mint. Stunning! CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $450.
Famous Funnies #209 (Eastern Color, 1953). The first of the legendary Frank Frazetta covers leads off this stunning copy of Famous Funnies #209, with the return of the Buck Rogers strip reprints after an absence of twenty or so issues. This book appears virtually flawless, with superb color strike, and a fresh, vivid appearance. This would be a fabulous addition to any Frazetta or science fiction collection. CGC notes, "slight tanning, interior front and back cover." CGC NM 9.4 Cream pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #209 (Eastern Color, 1953). One of the most gripping run of covers produced during the '50s, Frank Frazetta's work on Famous Funnies #209-216 remains the pinnacle of his comic career, spawning eight of the most memorable sci-fi covers in fandom. This first issue is near perfect, looking as if it just came off the press. A truly outstanding copy. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #210 (Eastern Color, 1954). The Frazetta run of Famous Funnies covers have always been highly prized by collectors. This is an exceptionally high-grade copy from that run, displaying great color and virtually no wear. CGCVF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #211 (Eastern Color, 1954). A spectacular copy of this sci-fi favorite, this run of Famous Funnies is known for its wonderful Buck Rogers covers by the legendary Frank Frazetta, and the reprints of the newspaper strips contained within. This issue also includes the first of the Buck Rogers ads, with stunning artwork by Murphy Anderson. This run of Famous Funnies is a must-have for any Frazetta collector, Buck Rogers afficianado, or sci-fi enthusiast. A stunning copy, with only the smallest of defects, this has terrific eye-appeal, sharp color, and a like-new appearance. Truly gorgeous. CGC NM- 9.2 Cream pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #211 (Eastern Color, 1954). These Frazetta Famous Funnies covers are mainstays of the hobby, eagerly sought by both comic and sci-fi collectors. The book offered here is a prime example, with very light wear and exceptional pages. There is a date stamp on the cover, but no label note. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $309; NM 9.4 value = $975.
Famous Funnies #211 (Eastern Color, 1954). A terrific looking book from the Frank Frazetta run of Buck Rogers covers with very light wear and very strictly graded. There is a tiny spot of amateur color touch at the base of the spine which is extremely minor, but enough to garner an "Apparent" grade from CGC. CGC Apparent VF/NM 9.0 Slight (A) Cream to off-white pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #212 (Eastern Color, 1954). A nice mid-grade example of a truly classic book. With the classic Frank Frazetta flying saucer cover and an interior Buck Rogers ad by Murphy Anderson, this issue is a real beauty. CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $309; NM 9.4 value = $975.
Famous Funnies #212 (Eastern Color, 1954). One of the higher demand issues in the series, sporting a classic Frank Frazetta outer space cover and a Buck Rogers ad by Murphy Anderson. An elusive treasure for the sci-fi or comic collector. CGC VG+ 4.5 Off white pages. Overstreet Good 2.0 value = $103; FN 6.0 value = $309.
Famous Funnies #213 (Eastern Color, 1954). This is a book any collector would be proud to own. A great Frank Frazetta cover highlights this classic issue (see the Original Art section for the Frazetta original to this great image). Great color and gloss combine to give this book a high degree of eye-appeal. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $309; NM 9.4 value = $975.
Famous Funnies #214 (Eastern Color, 1954). A very attractive, high-grade book, this is currently the nicest copy graded by CGC. The cover, one of the legendary Buck Rogers images by Frank Frazetta, is one of the more popular in the run. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $975.
Famous Funnies #215 (Eastern Color, 1955). A very pretty copy with a stunning Frank Frazetta octopus cover. CGC notes, "Restoration includes: small amount of color touch. (Right and bottom edge trimmed)". CGC Apparent VF 8.0 Slight (A) Off-white to white pages. Overstreet 2001 FN 6.0 value = $309; NM 9.4 value = $975.
Famous Funnies #216 (Eastern Color, 1955). A lovely copy with a cool Frank Frazetta cover (the last in this run). CGC notes, "Restoration includes: small amount of color touch. (Right edge trimmed)". CGC Apparent VF 8.0 Slight (A) Off-white to white pages. Overstreet 2001 FN 6.0 value = $309; NM 9.4 value = $975.
Fantastic Comics #3 (Fox, 1940). This issue spotlights a truly classic cover by Lou Fine, considered by many comics connoisseurs to be one of the finest artists ever to touch pen to paper. An exceedingly rare book, this is the highest graded, unrestored copy yet submitted to CGC, and is a very attractive copy with no major defects and only light to moderate general wear. A finer copy may not exist. CGC FN- 5.5 Cream to off-white pages. Overstreet FN 6.0 value = $3,045.
Fantastic Comics #9 Cosmic Aeroplane pedigree (Fox, 1940). Early Fox books in this grade are extremely rare. This is a great example from a respected pedigree, making it a true gem. CGC VF+ 8.5 Off-white pages. Overstreet 2001 NM 9.4 value = $875.
Fantastic Worlds Group Lot Bethlehem pedigree (Standard, 1952). Featured here are two of the three issue run, both with Alex Toth art, which exhibit only minor wear and a store stamp on the back cover. A great sci-fi title popular among collectors. #5 CGC FN+ 6.5 Off-white pages; #6 CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $195; NM 9.4 value for group = $520.
Fight Comics #46 (Fiction House, 1946). A great good-girl cover highlights this post-war beauty. Tight and flat, with minimal wear and great color, this issue features interior art by Matt Baker. CGC notes, "Name stamp on 1st page." CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $69; NM 9.4 value = $185.
Fighting Yank #18 (Nedor Publications, 1946). Schomburg goes for simplicity on this cover, as the Fighting Yank foils a midnight kidnapping with a sock to the jaw. A beautiful book that looks flawless. CGC VF/NM 9.0 Cream to off-white pages. Overstreet NM 9.4 value = $450.
Flying Saucers #1 (Avon, 1950). Classic Avon sci-fi comic with a classic cover and an interior story by Wally Wood. Very good color saturation on this very solid, collectible copy. CGC notes, "Small stain on every page". CGC FN 6.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $229.
Four Color Comics #9 (Dell, 1942). An historic key, this issue contains the first Donald Duck story drawn by Carl Barks, considered by many to be the most important artist in the funny animal genre. Barks paintings of Donald Duck have sold for over $75,000, and those are for recreations! Thought of by many as the Action Comics #1 or Detective Comics #27 of the funny animal genre, this book is highly prized by collectors in many fields. This is a solid lower grade copy with a good presentation and is devoid of any of the large tears, creases, or tape commonly found in this grade. CGC VG- 3.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $643; FN 6.0 value = $1,929.
Four Color Comics #16 (Dell, 1941). This is the first Mickey Mouse comic book from 1941. There were other publications featuring Mickey but this is the first "real" comic. The cover and interior art were done by Floyd Gottfredson. Almost never seen in an unrestored grade, this book has astounding colors, is flat, and has no major creases. Defects include a small piece off the top of spine front cover, and a small piece off the top back cover, and bottom spine back cover. All in all, the perfect book for the Disney collector. CGC VG- 3.5 Light tan to off-white pages. Overstreet 2001 GD2.0 value = $1,000; FN 6.0 value = $3,000.
Four Color Comics #62 (Dell, 1945). Featuring "Donald Duck in Frozen Gold", a classic by the duck master himself, Carl Barks. One of the most collected issues of the massive Four Color run, this one is a beauty, having only slight corner wear. A must for any serious Disney collector. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $471; NM 9.4 value = $2,200.
Four Color Comics #108 (Dell, 1946). Another Barks classic, this one features an early Donald Duck appearance in the "Terror of the River". Very slight corner wear only, this copy looks tight. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $1,600.
Funnies #59 Mile High pedigree (Dell, 1941). An outstanding Captain Midnight cover, the legendary Mile High pedigree, and the outstanding high grade combine to make this a triple-threat comic. Almost perfect in every way, this copy will certainly be a welcome addition to any collection. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $825.
Funny Pages #10 (Centaur, 1937). This is a very scarce book, especially in this grade. Considering the stunning appearance, the great color (including the snow-white cover), and the exceptional page quality, it would be nearly impossible to find a comparable copy of this book anywhere. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 NM 9.4 value = $2,000.
Gene Autry Comics Group Lot (Dell, 1955). Great group of Gene Autry Comics from an original owner collection. They are beautiful, glossy copies with wear limited to very subtle defects. The color and eye-appeal is sensational. All comics in this group have photo covers, and each of these gorgeous Gene Autry Comics is the highest-graded CGC copy to date. Lot includes: #7 CGC NM- 9.2 Cream to off-white pages; #14 CGC NM- 9.2 Off-white pages; #16 CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value for group = $450.
Gene Autry Comics Group Lot (Dell, 1955). Great group of Gene Autry Comics from an original owner collection. They are beautiful, glossy copies with wear limited to very subtle defects. The color and eye-appeal is sensational. All comics in this group have photo covers, and each of these gorgeous Gene Autry Comics is the highest-graded CGC copy to date. Lot includes: #22 CGC NM- 9.2 Off-white pages; #23 CGC NM- 9.2 Off-white pages; #50 CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value for group = $310.
Gene Autry Comics Group Lot (Dell, 1955). Small group of Gene Autry Comics from an original owner collection. They are beautiful, glossy copies. The color and eye-appeal is sensational. All comics in this group have photo covers, and each of these gorgeous Gene Autry Comics is the highest-graded CGC copy to date. Lot includes: #31 CGC NM 9.4 Off-white to white pages; #38 CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value for group = $180.
Gene Autry Comics Group Lot (Dell, 1955). Small group of Gene Autry Comics from an original owner collection. They are beautiful, glossy copies. The color and eye-appeal is sensational. Both comics in this group have photo covers, and each of these gorgeous Gene Autry Comics is the highest-graded CGC copy to date. Lot includes: #36 CGC NM+ 9.6 Off-white pages; #51 CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value for group = $165.
Ghost Comics #1 Bethlehem pedigree (Fiction House, 1951). A beautiful book with a stunning cover that seems to leap right off the very page! This book hails from the Bethlehem collection, which is well-known for exceptional page quality, and presents better than the grade would imply. CGC VF- 7.5 White pages. Overstreet 2001 FN 6.0 value = $205; NM 9.4 value = $650.
Ghost Comics #5 (Fiction House, 1952). Another bizarre pre-code horror cover fronts a lovely book with no noticeable defects, intense color and luminous pages. Surely a treasure for collectors of the unusual and horrific! CGC notes, "1/4" tear on every page." CGC VF+ 8.5 White pages. Overstreet 2001 FN 6.0 value = $94; NM 9.4 value = $250.
Great Comics #1 (Novack, 1945). An interesting one-shot featuring a great L.B. Cole cover done in the same vein as his work on Catman, as two savages battle underwater for hidden treasure. A stunning copy with tiny defects. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $350.
Green Hornet Comics #2 (Harvey, 1941). Born out of the pulps and later a highly-rated radio series, The Green Hornet has proven to be one of the most enduring pop culture heroes. The fast-paced adventures of Britt Reid and his manservant Kato are well-represented in the second issue of this classic Golden Age run; these early issues were, in fact, based on radio scripts from the popular series. This is a breathtaking high-grade copy of this incredibly rare book -- this issue is tough in any grade, but a copy this beautiful is virtually unheard of. Needless to say, this is the best copy certified by CGC as of this writing, and may very well be the highest-grade copy of this book in existence. Very light corner crease and a small indentation on the back cover, and very light spine stress are the only evident problems. CGC notes "centerfold detached at top staple only." The book has eye-popping colors, with a deep red background, luminous lemon-yellows, and the trademark emerald green in the logo. Truly a pedigree-level book. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $1,600.
Green Hornet Comics #28 Big Apple pedigree (Harvey, 1946). A beautiful high-grade copy of this thrilling adventure comic, based on the immensely popular radio series character. From the noted Big Apple collection, this is a very clean book, with outstanding page quality and sharp color. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $142; NM 9.4 value = $425.
Green Hornet Comics #40 (Harvey, 1948). The Green Hornet is one of the great American heroes. Created as a radio series in 1936 by George W. Trendle, the show's popularity lead to appearances in pulps, comics, big little books and toys. In the 1960s The Green Hornet TV show launched Bruce Lee's career as a pop culture icon. Offered here is an exceptionally high-grade copy from the Hornet's first comic book series. The cover depicts the Green Hornet and Kato about to thwart the getaway of a criminal and his pretty, red-headed moll. A sharp copy, probably from the publisher's files with very minor wear and great color and gloss. This is the highest graded copy by CGC to date. CGC notes, "Light tanning top and bottom edge of pages". CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $450.
Green Hornet Comics #41 (Harvey, 1948). An excellent cover, and sterling interior work from Al Avison enlivens this fast-paced issue based on the immensely popular radio series. A beautiful copy with very minor spine stress, which barely detracts from the sharp appearance of the cover. The red-on-blue color scheme is striking, and the book has a fresh appearance with excellent clarity. CGC VF/NM 9.0 Light tan to off-white pages. Overstreet 2001 NM 9.4 value = $270.
Green Hornet Comics #42 File Copy (Harvey, 1948). An absolutely beautiful later issue of Green Hornet, this issue has a terrific cover of the Hornet rescuing a crippled boy from a fire (what a guy!), made even more striking by the sharp, brilliant colors. A truly gorgeous book, conservatively graded. CGC VF/NM 9.0 Light tan to off-white pages. Overstreet 2001 NM 9.4 value = $270.
Guns Against Gangsters #6 (Novelty Press, 1949). One of the coolest L. B. Cole covers ever features a shark even "Jaws" would be intimidated by! Hard to find in this condition, this popular crime comic is a real beauty! CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $71; NM 9.4 value = $190.
Haunted Thrills #1 Aurora pedigree (Farrell, 1952). The first issue of this classic pre-code title, this copy hails from a pedigree collection, and it looks it. The CGC grade seems quite conservative on this one, considering the tight, flat spine, sharp corners, and overall very light wear, as well as the great page quality. CGC notes, " '4' written on cover in grease pencil". CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $125; NM 9.4 value = $375.
Headline Comics #40 Mile High pedigree (Prize Comics, 1950). This tough-to-find crime comic looks fabulous! Highlighted by a cool photo cover and interior art by Mort Meskin, this is a book worthy of a place in any collection. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $23.50; NM 9.4 value = $55.
Hit Comics #1 (Quality, 1940). A very pretty copy with exceptional color and a classic Lou Fine cover, this issue introduced such "quality" characters as Neon the Unknown, Hercules, and the Red Bee. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced". CGC Apparent VF- 7.5 Moderate (P) Off-white pages. Overstreet 2001 FN 6.0 value = $1,775; NM 9.4 value = $6,800.
Hit Comics #9 (Quality, 1941). Offered here is a great early Quality book with a terrific Lou Fine Neon cover. Displaying a high degree of eye-appeal, with deep intense cover colors and an excellent cut, this is a nice example of an increasingly popular line of comics. CGC notes, "Centerfold detached at bottom staple only". CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $553.
Hit Comics #19 Rockford pedigree (Quality, 1942). Hit Comics remains the penultimate title produced by Quality, featuring a fabulous run of Lou Fine and Reed Crandall covers highly sought-after in the market, as well as vintage interiors the company is famous for. A truly gorgeous example, with a near-perfect spine and sharp edges, this is a book that would please any collector. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $950.
Hit Comics #34 Crowley pedigree (Quality, 1944). Featuring Kid Eternity, who enjoyed a long run in Hit Comics starting with issue #25. This copy is near-perfect, and would have graded higher if not for the page quality. CGC VF+ 8.5 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $83; NM 9.4 value = $220.
Hit Comics #38 Crowley pedigree (Quality, 1945). A near-perfect copy with a very eye-catching cover! No visible defects to speak of, outside of the most minor imperfections. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $220.
Hopalong Cassidy #24 (Fawcett, 1948). A beautiful painted cover highlights this issue detailing the adventures of "the most fearless sheriff of the wild west." Superb, like-new copy has sharp corners and outstanding color. A very crisp looking book with supple pages. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $125.
Jamboree Comics #2 (Round, 1946). An ultra-attractive funny animal comic with an unusual black cover. Black cover comics are particularly difficult to find in high grade, as the black shows every little defect. This book, showing great color and cut, displays virtually no wear and excellent eye-appeal. CGC NM 9.4 Cream to off white pages. Overstreet 2001 NM 9.4 value = $120.
Jumbo Comics #10 (Fiction House, 1939). Key issue of this important Fiction House title. Highlighted by a classic science fiction cover by the legendary Lou Fine, one of the stories inside is drawn by Will Eisner. An attractive book, this issue starts the standard 68 page format. Sheena also dons a new costume in this issue. Deep color strike and very minor wear. Conservatively graded by CGC. CGC Fine+ 6.5 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $537.
Jungle Comics #1 (Fiction House, 1940). One of the classic first issues put out by Fiction House, Jungle Comics #1, along with Planet Comics #1 and Fight Comics #1, hit the newsstand in January 1940, making the publisher a player in a fast-growing industry. Fiction House would go on to produce some of the most collectible sci-fi, war, and adventure comics in fandom. The cover features Lou Fine art, with the first appearances of Kaanga, Tabu and Wambi. This copy exhibits a few transverse stresses on the spine and a lightly pencilled arrival date. A perfect copy for the discerning collector, without the massive price tag. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $1,286; NM 9.4 value = $4,500.
Jungle Comics #89 (Fiction House, 1947). A sharp, solid issue featuring Kaanga the Jungle Lord, Tabu, and other jungle favorites. Always popular with collectors of the unusual and esoteric, Jungle Comics are finding increasing favor with the mainstream comic collector, due to the outstanding art and evocative covers. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $53; NM 9.4 = $140.
Bronze Age (1970-1979)
Katy Keene #4 (Archie, 1951). America's Pin-Up Queen, Katy Keene is a popular but hard to find title. Classic Bill Woggon art highlights this attractive copy, displaying good color and light wear. CGC VF- 7.5 Cream to off-white pages. CGC FN 6.0 value = $120; NM 9.4 value = $320.
Golden Age (1938-1955)
Killers #2 (Magazine Enterprises, 1948). Ogden Whitney offers another great cover full of violence in the last issue of this title, featuring early art by Graham Ingels and a controversial hashish story. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $253; NM 9.4 value = $800.
Liberty Comics #11 (Green Publishing Co., 1946). This scarce book, offered here in near perfect condition, is notorious for the cross-dressing panels contained in one of the stories. Making this book even more desirable is the gorgeous Bill Woggon art. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $130.
Liberty Comics #11 (Green Publishing Co., 1946). An esoteric book from the 1940s, featuring MLJ's Wilbur and an amusing cover. This book appears near-perfect with a flawless spine. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $130.
Mad Hatter #1 Mile High pedigree (O.W. Comics, 1946). In this landmark first issue, Freddy the Firefly, a clone of Timely's Human Torch, and Danny the Demon begin! This action-packed issue also features the first appearance of the new superhero the Mad Hatter by John Giunta. A fine example from the Mile High collection that appears near mint, except for a light ding on the back cover, a defect commonly found on these books. To date, this breathtaking Mad Hatter #1 is tied for the highest-graded CGC copy, and it's certainly one of the best copies in existence. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $800.
Mary Marvel Comics #1 (Fawcett, 1945). Captain Marvel's adorable sister originally debuted in Captain Marvel Adventures #18, and was an immediate hit with readers, so naturally she got her own title not long after. Mary's debut issue features a very appealing cover by Jack Binder, and four whimsical, decidedly more "feminine", superheroic tales. This is a very attractive copy of MM's debut, with sharp colors, excellent clarity, and very nice page quality. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $570; NM 9.4 value = $1,800.
Mask Comics #1 (Rural Home, 1945). This highly desirable book features a classic L.B. Cole cover. Covers by Cole are a well-established area of collecting, and are highly prized for his unique and colorful style. Having changed hands many times over the years, these books are fairly rare in the higher grades. Offered here is a very attractive copy with good color saturation and very few defects that distract from the overall appeal. The initials "SN" are written on the cover in pencil, which identifies the book as being from the "Tennessee" collection. While not a sought after "pedigree", it is a well respected provenance among seasoned collectors. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $790; NM 9.4 value = $2,500.
Mask of Dr. Fu Manchu #1 (Avon, 1951). Fu Manchu made several sporadic appearances throughout the Golden Age, this time in a unique one-shot by Avon. This issue, offered here in a very attractive high-grade copy, features a Wally Wood cover and interior art. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $268; NM 9.4 value = $850.
Master Comics #1 (Fawcett, 1940). Long considered by collectors to be the most desirable of the Fawcett titles, this book started it all. This large, oversized copy has light restoration to the interior spine only, with no cover cleaning whatsoever. The book appears Fine, but suffers from a small amount of bug chew on the inside pages, near the top spine area. Because of its size, Master #1 almost never turns up in high grade. Considering the light amount of restoration, this book is still in great condition, and very hard to find. Condition: Apparent FN Cream to off-white pages. Overstreet 2001 GD 2.0 value = $713; FN 6.0 value = $2,140.
Master Comics #41 (Fawcett, 1943). A beautiful and patriotic Mac Raboy cover highlights this issue, which also includes a cool Minute Man story with the only appearance of the Crime Crusaders Club (Captain Marvel, Jr., Bulletman, and Bulletgirl). Although the CGC grade would appear to be accurate overall, this certainly has the appearance of a higher-grade book, and at first glance could pass for a NM; the corners are razor-sharp, and the cover shows virtually no wear, with deep and vibrant colors. This book still has an extremely fresh appearance, and makes for an outstanding example of this well-loved series. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $189; NM 9.4 value = $600.
Master Comics Group Lot Mile High pedigree (Fawcett, 1951). An attractive lot of three Masters hailing from the famous Mile High collection, all in mid to high grade. A very affordable group, with each exhibiting deep colors and the characteristic arrival date on the front cover. #115 CGC FN/VF 7.0 Off-white to white pages; #117 CGC VF- 7.5 Off-white to white pages; #123 CGC FN/VF 7.0 White pages. Overstreet 2001 FN 6.0 value for group = $108; NM 9.4 value for group = $300.
Meet Corliss Archer #1 Ohio pedigree (Fox, 1948). Corliss Archer ran for only three issues, but features some classic cheesecake art by Al Feldstein, who would later gain fame with his work for EC. This is a clean copy with a nice appearance and good color. This gorgeous first issue is the highest-graded CGC copy to date. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $285; NM 9.4 value = $900.
Military Comics #22 Mile High pedigree (Comic Magazines, 1943). The Blackhawk team is threatened by a menacing mysterious stranger on the front cover. This is the last Reed Crandall Blackhawk. Deep luster and intense cover gloss with a tight spine are the top qualities of this book. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $590.
Military Comics #24 Crowley pedigree (Comic Magazines, 1943). Blackhawk remains an underrated character from the Golden Age, who always had a strong creative team behind him, and enjoyed success throughout the 1950s while most other heroes faded away. This is a very attractive copy with minimal wear, perfect for any Blackhawk collector. To date, this beautiful Military Comics #24 is the highest-graded CGC copy. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $186; NM 9.4 value = $590.
Military Comics #26 (Quality Comics, 1944). A nice copy of this high "Quality" comic. Qualitys are well-loved among collectors as they feature great artwork, innovative design and wonderful writing. This issue is no exception, with a very pretty red vignette cover by Alex Kotzky and breathtaking interior stories and art. CGC notes, " '30' written on 1st page in pencil, light tanning top of interior cover". CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $590.
Military Comics #26 Crowley pedigree (Comic Magazines, 1944). With a great cover by Alex Kotzky, this is a superb copy with minimal wear. This stunning Military Comics #26 is the highest-graded CGC copy to date. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $590.
Military Comics #28 (Comic Magazines, 1944). An interesting cover featuring the Blackhawk team walking off into what appears to be a rising sun. Certainly a provocative image, considering the country was still embroiled in a war with Japan. The book is gorgeous, with a rusted staple being the only defect to speak of. The edges and spine are sharp, and the back cover clean and white. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $590.
Military Comics #36 Mile High pedigree (Comic Magazines, 1945). A great cover to go with one gorgeous book. This Mile High book is almost perfect in every way. Intoxicating colors and beautiful gloss. Only the slightest wear on the spine keeps this book from the NM range. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $165. NM 9.4 value = $500.
Mystery Men Comics #1 (Fox, 1939). One of the most important comics published by Fox, this issue introduced the Blue Beetle, one of the rare superheroes created before 1940 who has enjoyed a long and prosperous career leading up to the present day. Mystery Men #1 has experienced enormous growth during the past five years, thanks to its scarcity and historical importance. This copy has moderate professional restoration, limited to small bindery chips filled at the top and bottom spine, and a minor amount of color touch along the top spine area. A very attractive copy for the cost-conscious key issue collector. CGC Apparent VF- 7.5 Moderate (P) Off-white pages. Overstreet 2001 FN 6.0 value = $2,870; NM 9.4 value = $11,000.
Mystery Men Comics #2 (Fox, 1939). Early Fox comics are extremely scarce and highly desirable. This is one tremendous comic book with a classic Lou Fine robot cover, which Overstreet lists as the second robot cover in comics. A fun issue that includes the second appearance of the Blue Beetle, the star of the Fox lineup. Also featured in this issue are the Green Mask and Chen Chang. This copy is aesthetically pleasing as well, with very good color and only light to moderate wear. The pages are above average for an early Fox title. The letter "S" is written in grease pencil on the cover (no label note), and has been partially erased. CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $915.
Mystery Men Comics #3 (Fox, 1939). One of the most highly prized Golden Age comics, the Green Mask cover by Lou Fine is one of the all-time classics. This issue also contains art by George Tuska, and a Blue Beetle story as well. This particular copy is just gorgeous, with moderate restoration, presenting great color and virtually no distracting defects. CGC notes, "Restoration includes: color touch, pieces added, reinforced". CGC Apparent VF/NM 9.0 Moderate (P) Cream to off-white pages. Overstreet 2001 GD 2.0 value = $381; NM 9.4 value = $4,000.
Mystery Men Comics #6 (Fox, 1940). Early issues of Fox titles are terrific values in today's market. Considering the overall quality of the art and writing, combined with their scarcity, most veteran collectors agree their value is understated in Overstreet. This particular comic is a prime example, featuring a great action cover by George Tuska and stories including major characters the Blue Beetle and the Green Mask. CGC notes, "Very minor amount of glue on spine of cover" however the book has received a blue (Universal) label. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN value = $600.
Bronze Age (1970-1979)
National Comics #7 (Quality, 1941). This is a beautiful copy of a terrific comic book. The Uncle Sam cover, drawn by Lou Fine, is considered to be one of his best, quite a statement since many collectors hold Lou Fine to be the greatest artist of the era. The vivid reds, greens and blues are striking, and the comic looks virtually flawless. CGC notes, "Restoration includes: color touch, pieces added, tear seals, reinforced". CGC Apparent VF+ 8.5 Moderate (P) Off-white pages. Overstreet 2001 FN 6.0 value = $633; NM 9.4 value = $2,000.
Golden Age (1938-1955)
National Comics #44 Crowley pedigree (Quality, 1944). A tight, flat book, with very good eye-appeal which looks much nicer than the grade might indicate. An excellent book in these increasingly patriotic times. CGC FN/VF 7.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $68; NM 9.4 value = $180.
Nickel Comics #1 (Fawcett, 1940). Featuring the first appearance of Bulletman, one of Fawcett's major superheroes, Nickel Comics attempted to capture a share of the market by selling for half of normal price. This copy has areas in the red logo washed out due to a printer's error, but the rest of the book looks great, showing a tight spine and sharp edges. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,143; NM 9.4 value = $4,000.
Okay Comics #1 (United Features Syndicate, 1940). This issue, featuring strip reprints of The Captain and the Kids, was published at the height of the superhero boom. It almost certainly had a hard time finding an audience, even considering the classic stories by Rudolf Dirks, and ran only one issue. As of this writing, this is the highest graded copy on CGC's population report. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $375.
Our Gang Group Lot (Dell, 1946). Two issues of this charming humor comic, which not only featured the adventures of the Our Gang bunch (sometimes known as the Li'l Rascals) such as Spanky, Buckwheat, Froggy, and Alfalfa, but also stories by Good Duck artist Carl Barks and Pogo's Walt Kelly; Tom and Jerry also make an appearance. These books are high-grade gems with light wear and beautiful colors. They are most likely "file copies." Lot includes: #21 CGC NM- 9.2 Cream to off-white pages, #22 VF+ Cream to off-white pages. Overstreet 2001 NM 9.4 value for group = $340.
Pioneer Picture Stories #8 Mile High pedigree (Street & Smith, 1943). Here's an opportunity to own a very attractive piece from the best era of the Mile High collection without floating a loan. Featuring a Japanese war cover, this copy is near-perfect, with razor-sharp corners. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $100.
Planet Comics #2 (Fiction House, 1940). The most popular Fiction House title, Planet Comics have consistently shown growth in the market, thanks to fantastic sci-fi covers and scarcity of early issues. This particular copy has a Lou Fine cover featuring our hero locked in mortal combat, and is listed by Overstreet as scarce. A solid mid-grade copy with a 1" spine split at the bottom, light edge wear, and outstanding page quality. The label notes a tiny amount of dried glue on the spine, but is still considered unrestored. CGC FN 6.0 White pages. Overstreet 2001 FN 6.0 value = $1,230.
Planet Comics #23 (Fiction House, 1943). As one of the more prolific publishing houses of the Golden Age, Fiction House left no genre unturned, and their long-running Planet Comics boasted colorful space opera on a monthly basis. This issue, which sports a wonderfully lurid cover of a beauteous babe being menaced by a horned lizard-creature, features outstanding interior artwork by Lee Elias, Art Saaf, and George Tuska. A beautiful high-grade copy with excellent color, sharp corners, and virtually no spine stress, this is a very solid book. Fiction House comics tend to be undervalued in the marketplace, making this book even more attractive. CGC notes, "'8' written on the first page in pencil." CGC VF 8.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $379; NM 9.4 value = $1,200.
Planet Comics #43 (Fiction House, 1946). Planet Comics is, perhaps, the most important science fiction title in comic book history. The series consistently delivered great art and writing along with high-impact covers, usually depicting a pretty girl in peril. This copy, a beautiful, high grade example with interior art by Murphy Anderson and Ruben Moreira, shows very light wear, and great eye-appeal. CGC notes, "Very minor amount of color touch", however the book has received a blue (Universal) label. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $229; NM 9.4 value = $725.
Planet Comics #60 (Fiction House, 1949). While the bug-eyed monster is almost completely off-panel, you have to love the way artist John Doolin renders the lovely, knife-wielding heroine on this seafaring cover of the 60th issue of Fiction House's long-running "sci-fi" comic. Interior artwork is by the likes of Leonard Starr, Frank Fermonetti, and EC mainstay Graham Ingels, who illustrates an "Auro, Lord of Jupiter" story. A very solid copy, this shows light spine stress and minor dust shadowing, which doesn't detract from the gorgeous colors and fresh appearance of the book. Like most Fiction House books, this is undervalued, allowing shrewd collectors a great opportunity to pick up high-grade copies before the market catches up. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $182; NM 9.4 value = $575.
Police Comics #1 Windy City pedigree (Quality, 1941). Police Comics #1 is an important book for a number of reasons. It introduces two important characters - Plastic Man and Phantom Lady - and also contains the first appearances of several other characters who are mainstays in the Quality line up, including The Human Bomb and Firebrand. Inside this classic book one finds art by legends like Will Eisner, Jack Cole and Reed Crandall. This a beautiful pedigree copy, with only the most subtle indications of wear. This is the highest grade yet awarded by CGC for this issue by quite a wide margin. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $8,000.
Police Comics #21 Mile High pedigree (Quality, 1943). The Spirit appears with Plastic Man in a typically droll cover by Jack Cole, and there are fun-filled tales starring Plas, The Human Bomb, and Manhunter. Meanwhile Raven and Spider Widow cross over in the Phantom Lady story. This is a stunning copy from the legendary Mile High collection; some light shadowing and a small nick at the base of the spine on the back cover, and some minor pencil notations on the front cover (common in Mile Highs) are the only evident problems. This book has razor-sharp corners, bright fresh colors, and that like-new quality associated with this highly regarded collection. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $725.
Police Comics #31 Mile High pedigree (Quality, 1944). This book demonstrates why Mile Highs are so highly prized in today's market. Great color and sheen, white pages, a tight spine, sharp corners...this book is nearly flawless. Police Comics are popular among collectors for their great stories and art work, demonstrated here by a Jack Cole cover and Will Eisner interior art. Cole's work has been getting a lot of attention lately among the "highbrow" art set, so look for these issues to become even tougher to find in the future. CGC FN/VF 7.0 White pages. Overstreet 2001 FN 6.0 value = $150; NM 9.4 value = $450.
Police Comics #35 (Quality, 1944). An outstanding copy from the classic Jack Cole series, this issue features a memorable Cole cover and includes Spirit strip reprints by Will Eisner. The cherry-red cover looks as fresh as the day it was published. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $450.
Power Comics #2 Crowley pedigree (Holyoke Publications, 1944). Generally viewed as a scarce book, and very seldom found in this grade, the Hitler/Hirohito cover makes this book a vintage classic. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Power Comics #4 (Holyoke Publications, 1945). Power Comics books are legendary for their scarcity, this being an exceptional example. Highlighted by a dynamic eagle cover drawn by the great L.B. Cole, this is an extremely collectible issue. Presenting good color and light wear, this is a real beauty. CGC notes, "Centerfold detached from bottom staple only. Tanning edges interior cover". CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Pre-Code Horror Group Lot (Avon, 1952-53). Terrific lot of three pre-code horror classics, including the highly-prized Witchcraft #5 with the legendary Kelly Freas cover. Lot includes: The Dead Who Walk #nn White Mountain copy, CGC FN 6.0 Off-white to white pages; Witchcraft #1 Aurora copy, CGC FN/VF 7.0 Off-white pages; and Witchcraft #5 CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value for group = $330.
Pre-Code Science Fiction Lot (Various Publishers, 1952). Includes the Mile High copy of Space Ace, #5 CGC FN/VF 7.0 Off-white to white pages, featuring Fred Guardineer art, and a file copy of Thrills of Tomorrow #20 CGC VF/NM 9.0 Light tan to off-white pages, featuring a Simon and Kirby Stuntman reprint. Both are very pretty copies. Overstreet 2001 FN 6.0 value for group = $248; NM 9.4 value for group = $710.
Punch Comics #12 Crowley pedigree (Chesler, 1945). This is it, one of the most gruesome skull covers from the Golden Age of comics! This classic cover has a black background, making it very difficult to find in high grade. A stunning example, it is the highest CGC graded copy to date. One of the best covers in the run, this issue of Punch also boasts the highest value. Over the years, Chesler covers began to take on a strange, twisted form, mixing crime with horror, and as a result have proven popular with collectors today. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $570; NM 9.4 value = $1,800.
Punch Comics #18 (Chesler, 1946). A tight, flat copy of a scarce book with a striking bondage cover. This classic, esoteric comic is famous for the hypodermic panels in one of the stories. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $197; NM 9.4 value = $625.
Rangers Comics #4 (Fiction House, 1942). Offered here is a beautiful early issue from the Fiction House line of war comics, featuring the Rangers of Freedom defending the coast of Hawaii from Japanese invaders -- no doubt in response to the paranoia sweeping the nation following Pearl Harbor, which happened mere weeks before this comic hit the stands. In NM-, this book exhibits only miniscule flaws and is a great candidate for any collection. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $550.
Rangers Comics #9 (Fiction House, 1943). A great war comic with a cover celebrating the U.S. Rangers, this time stomping a bunch of jack-booted Nazis led by...a woman? Would Hitler have approved? This copy is clean and tight, with a sharp spine and great edges. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $420.
Rangers Comics #31 Rockford pedigree (Fiction House, 1946). Another great Fiction House cover featuring a scantily-clad damsel awaiting her demise. A pretty book that is nearly perfect. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $190.
Rangers Comics #36 (Fiction House, 1947). By the late 1940s, Fiction House had cornered the market on the babe-n-baddie theme, printing some of the most erotic war covers of the Golden Age. This one is no exception, featuring an Arab whipping his blonde slave in the desert...a far cry from the superheroes of the early '40s. The front cover has an outstanding appearance, but light soiling on the back cover keeps this one from grading higher. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $71; NM 9.4 value = $190.
Robotmen of the Lost Planet #1 (Avon, 1952). Avon is best known for its classic science-fiction comics produced during the genre's peak in the early 1950s. The consistency of quality art and stories has created a strong fan base among today's collectors. This is a pretty copy that suffers only from rusted staples, making it quite attractive and affordable. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $308; NM 9.4 value = $975.
Rocket to the Moon #nn White Mountain pedigree (Avon, 1951). Featuring a Joe Orlando cover and interior art, this Avon one-shot adapts Otis Aldebert Kline's "Maza of the Moon". A nice example from the White Mountain collection, this copy has an abrasion along the top spine area, the one defect that puts it into the Fine category. Otherwise a very attractive book with nice pages. CGC FN 6.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $308.
Romantic Love #1 (Avon, 1949). Scarce high-grade copy has an attractive painted cover by Everett Raymond Kinstler. Almost never seen for sale in any condition, this scarce book is the nicest existing copy according to CGC. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $71; NM 9.4 value = $190.
Roundup #4 Mile High pedigree (D.S. Publishing, 1949). A nice book from the Mile High collection, this book still has the terrific eye-appeal the collection is noted for. This would be a good acquisition for the novice Mile High collector, or for the collector who wants 'em all. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $41; NM 9.4 value = $110.
Roy Rogers Comics #7 (Dell, 1948). A truly classic run of westerns, Roy Rogers features some great photo covers, one of which is seen here. This copy is near flawless, and looks like it could easily have graded higher. This is the highest-graded copy certified as of this writing. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $175.
Science Comics #2 (Fox, 1940). Another scarce early Fox comic book with a classic Lou Fine Dynamo cover and interior art by George Tuska. An attractive mid-grade copy with good color and very solid structure. CGC notes, "Small chip out corner of 1st 8 pages". CGC VG/FN 5.0 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $211; FN 6.0 value = $633.
Seven Seas Comics #1 (Universal Phoenix Feature, 1946). This rarely-seen seafaring adventure comic features outstanding "good girl" art by Matt Baker, and colorful characters such as South Sea Girl, Captain Cutlass, and Tugboat Tessie. This is an unbelievably fresh-looking copy, with sharp corners, excellent color, and virtually no spine stress. This book is tough to find in any grade, and this is the highest-graded copy in the CGC census. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $800.
Seven Seas Comics #6 (Universal Phoenix Feature, 1947). Seven Seas has always been "hot " in the comic world. With Matt Baker art on every page and some of the very best good-girl cover art in issues 3-6, this series is highly sought-after and hardly ever comes up for sale. This issue is the nicest we have ever seen, with great color and crisp gloss making this an outstanding issue. This is the nicest copy graded by the CGC at this time. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $189. NM 9.4 value = $600.
Shadow Comics #7 Crowley pedigree (Street & Smith, 1940). This issue features the first appearance of the Hooded Wasp and Wasplet, featured on the cover with the Shadow. Offered here is a clean, bright copy perfect for any Shadow collector. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $285; NM 9.4 value = $900.
Shadow Comics vol. 4, #5 Crowley pedigree (Street & Smith, 1944). "The Shadow brings terror to Tokyo!" An interesting cover showing the Shadow sneaking up on an unsuspecting Japanese soldier in the middle of a bombed-out city. This beautiful book has a near-perfect cover, and is the highest-graded CGC copy to date. CGC NM- 9.2 Cream to Off-White pages. Overstreet 2001 NM 9.4 value = $375.
Shield-Wizard Comics #6 Mile High pedigree (MLJ, 1941). A superb example of this classic title, "starring the G-Man extraordinary and the Man with the Super-Brain", this copy comes from the famous Mile High collection. In excellent condition, there is a very slight amount of tanning along the right front edge. Otherwise this is a bright, solid book with few visible defects and a high degree of eye-appeal. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $1,050.
Silver Streak Comics #1 (Lev Gleason, 1939). A truly classic and unique book, Silver Streak #1 is a great conversation piece. Metallic ink was used to print the logo, pre-dating the foil-cover craze of the 1990s by a full half-century. It's the first appearance of the Claw by Jack Cole, one of the coolest villains of the Golden Age, and it's quite scarce. But what's really interesting is the ad for Marvel Mystery Comics #2 on the inside back cover, considering that the book is printed by Lev Gleason and not Timely. Both publishers bought their contents from Funnies, Inc., which may explain the crossover. A fascinating book nonetheless, this copy has moderate restoration to the spine and edges, including piece replacement and color touch, and has been cleaned. The resulting appearance is beautiful. CGC Apparent VF+ 8.5 Moderate (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $3,000; VF 8.0 value = $6,500.
Slave Girl #1 (Avon, 1949). Running only two issues, this series is highly sought after for its wall-to-wall cheesecake. The title says it all! A beautiful copy, it would have most certainly graded higher had it not been for the slightest amount of discoloration beneath the staples. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $825.
Smash Comics #75 (Quality, 1948). An excellent copy of this later issue of Smash, featuring a very cool Midnight cover by Jack Cole, and nice pages. It has a pencil mark above the logo, and a moderate mis-cut, but overall is a great-looking book, especially for the grade. CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $60.
Smash Comics Lot (Quality, 1947). Featured here is a nice run of mid- to high-grade later issues of Smash, featuring Midnight. #69 CGC VF- 7.5 Off-white pages, manufactured with bottom staple inserted incorrectly; #70 CGC FN/VF 7.0 Off-white to white pages; #71 CGC FN/VF 7.0 White pages; #72 CGC VF+ 8.5 Off-white to white pages, 2" tears on 6 pages; #81 CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value for group = $312; NM 9.4 value for group = $830.
Son of Sinbad #1 (St. John, 1950). Featuring a classic Joe Kubert good-girl cover and interior art, this is an extremely attractive copy, with good color and a pleasing overall appearance. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $120; NM 9.4 value = $350.
Sparkman Comics #1 Mile High pedigree (Frances McQueeny, 1945). An outstanding issue with one of the last appearances of Sparkman and, according to Overstreet, a "female torture story." Sparkman appeared in the early issues of Sparkler and this book reprints some of those stories. According to the CGC census report, this is the nicest copy in existence at the time of this writing! CGC 9.6 Off-white to white pages . Overstreet 2001 NM 9.4 value = $260.
Special Edition Comics #1 (Fawcett, 1940). A one-shot of Captain Marvel cover to cover, this is a great key issue for any Fawcett collector. Published a few months after the Big Red Cheese made his debut in Whiz #2, there is speculation that this book was meant to be Captain Marvel #1, but due to an editorial change at Fawcett, a second #1 was created by Jack Kirby. This copy exhibits moderate restoration to the spine and edges, including color touch and piece replacement, and a cleaned cover. Considering the high dollar value of Special Edition #1, this book is quite affordable. CGC Apparent FN+ 6.5 Moderate (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $2,400.
Speed Comics #41 Mile High pedigree (Harvey, 1946). A fascinating post-WWII cover by Rudy Palais, featuring our heroes attacking a flying fortress in mid-air. This copy is clean and very sharp, a great example from the Mile High collection. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $375.
Spy Smasher #1 (Fawcett, 1941). A truly unique book, and one of the coolest Fawcett key issues, this cover is done in metallic ink, giving off a glowing effect that must have served the book well when it hit the newsstands. A beautiful copy that has a tiny fill at the middle spine only, with sharp edges and deep, rich colors. A truly great buy for anyone looking for a high grade copy without the hefty price tag. CGC Apparent VF/NM 9.0 Slight (P) Cream to off-white pages. Overstreet 2001 NM 9.4 value = $3,600.
Startling Comics #6 (Better Publications, 1941). A terrific copy of a title that is growing in popularity, these early Startling Comics are very hard to find in this condition, making this a rare opportunity. An ultra fresh copy, with intense color and great page quality, we strongly suspect that this book comes from the San Francisco collection, but its provenance would be hard to prove. Nonetheless, this an exceptional comic. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $450.
Startling Comics #32 Mile High pedigree (Better Publications, 1945). This is what Mile Highs are all about. Incredible color and pages, tight and flat with a perfect spine...the ultimate unread copy. This issue features a great Schomburg Japanese war cover, much prized by collectors. Long considered "the poor man's Timely's", Nedor/Better comics are now being appreciated on their own merits. CGC notes, "Slight mis-cut". CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $425.
Startling Comics #46 (Better Publications, 1947). The last of the three Graham Ingels covers in the run, this one is classic, rendered in true Golden Age style. A beauty of a book that looks near perfect. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $900.
Startling Comics #47 (Better Publications, 1947). Alex Schomburg is one of the most collected Golden Age artists, and his series of airbrushed covers for Nedor/Better have always been especially prized. This one is a stunning copy with minimal wear, suggesting it is probably an unread copy, with cover colors that are comparable to the Mile High copy. This is a very desirable book, sure to be a prize in any collection. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $550.
Startling Comics #49 (Better Publications, 1948). During the esoteric boom of the 1990s, a few books rose to the top of the heap to become true classics, including Suspense #3, Fantastic #3, and this book. One of the most sought-after covers of the Golden Age, Startling Comics #49 is the zenith of Schomburg's airbrush work for Nedor/Better, perfectly combining the elements of robots, cute girls and bondage. Copies of this book never sit unsold for long, always turning up on collectors' want lists. This copy has an immaculate cover, but suffers from slightly brittle pages. Encased in its holder, the pages pose no problem, making this a very desirable book for the money. CGC VG 4.0 Slightly brittle pages. Overstreet 2001 GD 2.0 value = $305; FN 6.0 value = $915.
Strange Mysteries #1 (Superior/Dynamic Publications, 1951). A sharp pre-code comic from the golden era of horror, there are no major defects in this striking book. Books such as this are finding increasing favor among collectors, and show the potential for much growth in the near future. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN value =$174; NM 9.4 =$550.
Strange Mysteries #10 Aurora pedigree (Farrell, 1953). This great pre-code horror book shows intense color and beautiful pages. This comic is referenced in Seduction of the Innocent, during Wertham's discussion of sadism in "children's comics." CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $71; NM 9.4 value $190.
Strange Worlds #3 (Avon, 1951). One of the most popular Avon titles, Strange Worlds are filled with a plethora of talent, including Wood, Frazetta, Williamson and Kinstler art in this issue. Slight wear to the upper spine, but otherwise an attractive copy. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $537; NM 9.4 value = $1,700.
Strange Worlds #3 (Avon, 1951). This comic is legendary for its amazing assemblage of talent. Stories are contributed by such comics legends as Frank Frazetta, Wally Wood, Roy Krenkel, Al Williamson and Joe Orlando, and to top it off, it even features a cover by Everett Raymond Kinstler. This is a very attractive copy with an appealing, "fresh" look, good color and light wear. Conservatively graded, CGC notes, "2 small tears on every page". CGC FN 6.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $537.
Strange Worlds #4 (Avon, 1951). With a high-demand Wally Wood cover featuring one of Wood's trademark fabulous babes, this issue also features art by Joe Orlando and the origin of the Enchanted Dagger. This book promises "Astounding Super-Science Fantasies", and it certainly delivers! CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $950.
Stuntman Comics #1 (Harvey, 1946). The premiere issue of this unusual and short-lived superhero series (only three issues were published, and the third was distributed only via mail-order) from Joe Simon and Jack Kirby. The innovative cover has always been a fan-favorite, and S & K bring their usual high-octane action to the three Stuntman stories within (including an origin story). This is an outstanding copy with fresh, bright colors and a very clean appearance, and as an added bonus, is even signed by Jack Kirby on the first page. CGC has graded only one copy of Stuntman Comics #1 higher than this one (a VF+ 8.5), making this easily one of the best copies on the market. A must-have for the Simon & Kirby collector, and a terrific book by any other standards as well. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $316; NM 9.4 value = $1,000;
Super Comics #89 (Dell, 1945). This long-running Dell strip reprint title features Dick Tracy, Winnie Winkle, and others. A nearly perfect copy, probably from the publisher's files. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $90.
Super Comics #91 (Dell, 1945). Featuring Dick Tracy, Winnie Winkle, and other popular comic strip stars, this is a nearly perfect copy, which probably comes from the publisher's files. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $90.
Suspense Comics #3 (Continental Magazines, 1944). The quintessential Golden Age cover, Suspense #3 gained a whole new notoriety in the 1990s, ushering in a new brand of collector. Like the Beatles, this book achieved its legendary status with timing and a little luck. The days of collecting full runs of Golden Age comics were fading fast by the late '80s, thanks to escalating prices, and collectors were becoming more choosy about their purchases. At the same time, Ernie Gerber was preparing his photo-journals, a pictorial collection of 22,000 Golden Age covers. Having this at their disposal, collectors began to take on a window-shopping approach to buying, picking out specific covers that appealed to them, rather than devoting themselves to a particular run or character. Eventually, enough sharp eyes picked up on this eye-popping Schomburg cover, and the book was quickly added to many want lists. But only a few tattered copies initially turned up, falling far short of demand. The value then began its famous upward spiral, and yet, unlike other "hot" books, the flood never came. By the end of the '90s it became apparent that Suspense #3 was quite a rare book that would never meet demand, commanding thousands of dollars even for Fair copies. This particular copy has had some very minor restoration, including spine support, a cleaned cover, and married centerfold (incomplete copies are common). The book has a great feel, and shows off well. Easily one of the best copies on the market, this is a rare opportunity that shouldn't be missed. Condition: App. FN- Off-white pages. Overstreet 2001 FN 6.0 value = $4,500.
Suspense Comics #9 (Continental Magazines, 1945). With a classic and highly-collectible L. B. Cole "eyeball" cover, this book has good color and great eye-appeal. A scarce book in this grade, "SN" is written on the cover, but the book has received no label note. These books are sometimes unofficially known as the "Tennessee collection". CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $505; NM 9.4 value = $1,600.
Suspense Comics #10 (Continental Magazines, 1945). One of the most esoteric comic titles of the Golden Age, Suspense has seen phenomenal growth in the market over the last decade, thanks in part to L.B. Cole's classic covers. This cover is solid red, featuring another of Cole's surreal motifs, and shows off beautifully in VF- grade. Very light edge wear with sharp corners and a tight spine. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $505; NM 9.4 value = $1,600.
Suspense Comics #11 (Continental Magazines, 1946). A nice high-grade copy of this title, with a classic Devil cover by L.B. Cole shows light spine stress and a slight mis-cut, as well as a date stamp on the front cover. This is a terrific cover on a really good-looking book. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $943; NM 9.4 value = $3,300.
Suspense Comics #11 (Continental Magazines, 1946). L. B. Cole always had an edge over his rival artists because he understood the impact cover art had on issue sales, knowledge he exploited constantly. A Cole cover is instantly recognizable for its colorful, sometimes bizarre imagery, and a cult following has developed that grows every year. No title better encapsulates his art than Suspense, and #11 is one of his all-time best, featuring a classic Devil cover. Despite a slight spine roll and edge wear, the cover displays very well. A must-have for any L. B. Cole collection. CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $314; FN 6.0 value = $943.
Target Comics vol 2, #10 Crowley pedigree (Premium, 1941). A truly classic cover in a great run! Targets have always proven popular among collectors, and the early issues are especially hard to find. This copy is very attractive, with good color and exceptional eye-appeal. This beautiful Target is the highest-graded CGC copy to date. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $277; NM 9.4 value = $875.
Tarzan #1 (Dell, 1948). One of Dell's more popular series, Tarzan enjoyed a run of popularity spanning nearly 30 years. The first issue is scarce in any grade, making this copy even more attractive. CGC VF 8.0 Light-tan to off-white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $1,200.
Terrific Comics #1 Mile High pedigree (Continental Magazines, 1944). Heading up the esoteric boom of the 1990s, Continental perfectly encapsulated the concept, producing such classics as Catman, Suspense and Terrific. Cole, Schomburg, Palais, and Rico were only a few of the talents who helped make these strange and wonderful comics that would eventually rise to the top of collector's want lists. This first issue of Terrific is beautiful, and would have graded in the NM range if not for a strange printing defect that chipped the bottom right hand corner of the cover and pages. A rare book that never turns up in this grade. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $1,000; NM 9.4 value = $3,500.
Terrific Comics #1 Crowley pedigree (Continental Magazines, 1944). An incredibly rare book with a dynamic action cover by Don Rico (who also did some great work for Timely) and classic interior art by L. B. Cole. This comic also contains an opium use story, making it not only desirable but controversial as well. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,000; NM 9.4 value = $3,500.
Terrific Comics #6 (Continental Magazines, 1944). This is an outstanding example of a very rare book. Continentals are tough to find, and in this condition are exceedingly rare. Making this issue even more desirable is the fact that it boasts an early L. B. Cole cover. A bright, attractive copy with great color. CGC notes, "Date stamp on top of 1st page. Light tanning interior front and back cover." CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $2,100.
The Thing! #7 Mile High pedigree (Capitol, 1953). Sporting an ultra-violent, eye-gouging cover, this book is from the legendary Mile High collection and presents the great color and stellar page quality that has come to be associated with this pedigree. A beauty for the pre-code horror collector. CGC VF- 7.5 White pages. Overstreet 2001 FN 6.0 value = $205; NM 9.4 value = $650.
The Thing! #16 (Charlton, 1954). A very popular pre-code horror comic, this has a striking cover and features an "injury to the eye" panel in one story. This is a top-notch copy of this rare title, with razor-sharp corners and fresh, superb colors. A great-looking book, and a perfect addition to any pre-code horror collection. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $240.
The Thing! #16 (Capitol, 1954). A classic horror title from the 1950s, featuring gory interiors and disturbing covers. This copy is beautiful with only minimal edge wear keeping it out of the Near Mint category. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $90; NM 9.4 value = $240.
Three Stooges in 3-D #2 Bethlehem pedigree (St. John, 1953). A beautiful copy, this book looks unread and highly preserved. The 3-D glasses are intact as well, lending desirability to this already outstanding book. The Joe Kubert art is an added bonus. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $150; NM 9.4 value = $450.
Thrilling Comics #64 (Better Publications, 1948). As Princess Pantha began to grace the later covers of Thrilling, Alex Schomburg modified his style accordingly, incorporating elements of Fiction House covers and using airbrush techniques to flesh out his lovely lead. Grading out at NM, this book is stunning, sure to please any hard-core collector. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $320.
Thrilling Comics #69 (Better Publications, 1948). Another great Alex Schomburg cover -- this guy just doesn't miss! This issue also contains two pages of Frank Frazetta art. A beautiful book with minimal wear. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $420.
Thrilling Comics #70 Aurora pedigree (Better Publications, 1949). A true rarity in comics -- a male bondage cover! Talk about role reversal! The legendary Frank Frazetta contributes a few pages for the issue as well. This is an outstanding example from the Aurora collection, exhibiting a grease pencilled arrival date near the bottom of the cover, razor-sharp corners and a perfect spine. This one is sure to please. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $400.
Thun'da #1 (Magazine Enterprises, 1952). A must for any Frazetta fan! The only comic featuring cover to cover art by "the Man", this A-1 issue is a true treasure. This copy has slight wear to the upper spine corner, and a rounded back cover corner, but is otherwise in the NM range. No Frazetta collection is complete without this book. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $395; NM 9.4 value = $1,250.
Top-Notch Comics #1 (MLJ, 1939). This historic MLJ first issue features the origin and first appearance of the Wizard. Structurally, a very solid comic, this book has some very light water staining along the spine. CGC notes, "Rusted staples. Moderate amount of writing on 25th page in pencil." CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $565; FN 6.0 value = $1,695.
Top-Notch Comics #4 Larson pedigree (MLJ, 1940). In the earliest days of the superhero boom, MLJ was a strong contender, with their offbeat line of costumed crimefighters. This early issue of Top-Notch cover-features the Wizard (the Man with the Super Brain), and also contains the origin and first appearance of Streak Chandler on Mars. Legendary artistic talents like Jack Cole, Mort Meskin, and Irv Novick all contributed to this great issue. This superb copy from the legendary Lamont Larson collection exhibits all the usual qualities of that highly respected pedigree, including the telltale "Larson" scribbled on the cover. The book has razor-sharp corners, superb color, and a fresh, supple quality that marks it as one of the truly great pedigree books. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $395; NM 9.4 value = $1,250.
Top-Notch Comics #19 Mile High pedigree (MLJ, 1941). Here is a prime example from the Mile High collection, grading out at an eye-popping NM+ 9.6, the highest recorded for this book. The telltale pencilled arrival date is there as well, guaranteeing this copy's authenticity. Part of an incredible group of Mile High MLJs that has been off the market for many years and had previously been thought to have been lost. Add a classic bondage cover into the mix, and this book is a real winner! CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $850.
Top-Notch Comics #35 Mile High pedigree (MLJ, 1943). Great humor cover from the wartime years. Bill Woggon's Dotty and Ditto make an appearance. Exceptional book with very few defects. Everything you could expect from a Mile High. CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $120; NM 9.4 value = $350.
Top-Notch Comics #36 Mile High pedigree (MLJ, 1943). An early humor comic from MLJ, the same house that would later introduce Archie Andrews to a breathlessly waiting world. This issue contains early work by noted good girl artist Bill Woggon. An attractive book from a notable collection. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $350.
Top-Notch Comics #37 Mile High pedigree (MLJ, 1943). An exceptional book from an exceptional collection. Featuring a cool Don Dean cover, and interior work by well-known good girl artist Bill Woggon, this is a high-grade beauty that even the most discriminating collectors would find attractive. The pencil notation "D4-21" on the cover identifies the pedigree. Rich color, good strike and an excellent cut with sharp corners and virtually no defects. A true beauty. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $350.
Top-Notch Comics #39 Mile High pedigree (MLJ, 1943). A beautiful example of this collectible title from the Mile High collection. The notation "D7-14" written on the cover in pencil identifies the book as being from this important run. An exceptional copy, with stellar page quality, this is a true gem. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $350.
Top-Notch Comics #40 Mile High pedigree (MLJ, 1943). After Archie's massive success, MLJ began to shift their focus to humor. Top-Notch slowly transformed into Laugh Comix, which would take full effect six issues later. A beautiful book with gorgeous pages and the famous Mile High arrival date, this copy will please even the most discriminating collector. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $350.
Top-Notch Comics #42 Mile High pedigree (MLJ, 1943). Sporting a great Harry Sahle cover, this issue is from the famous Mile High collection, and sports the notation "D10-22" on the cover, identifying it as such. This issue features "Dotty and Ditto" by popular good girl artist Bill Woggon, as well as a great Black Hood story. Appealing and attractive, with luminous pages, this is a desirable book by any standard. CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $120; NM 9.4 value = $350.
Top-Notch Comics #44 Mile High pedigree (MLJ, 1944). The second-to-last issue in the run, this is the final appearance in this title of Black Hood, who went on to star in his own series for two more years. A beautiful book that exhibits the characteristic arrival date and white pages found on Mile Highs. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $350.
Torchy #4 (Quality, 1950). An eye-popping good-girl cover by Gill Fox is definitely the highlight of this issue, though the interior work by Fox and legendary good-girl artist Bill Ward is quite rewarding as well. This copy presents a near-mint appearance, with a perfect cut, razor-sharp corners, and unbelievable color. This is definitely a comic to keep your eye on! CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $750.
Uncle Sam Quarterly #7 Crowley pedigree (Quality, 1943). Quality always put out strong material in the 1940s, and Uncle Sam is no exception. Running eight issues before changing to Blackhawk, this second-to-last issue features a Hitler/Tojo/Mussolini cover. This is a pretty copy, well worth adding to any Golden Age collection. CGC VF- 7.5 Cream pages. Overstreet 2001 FN 6.0 value = $285; NM 9.4 value = $900.
Uncle Scrooge Group Lot (Dell, 1954). Uncle Scrooge #4, #5, #7, #8, #9, and #59 in a nice high-grade group. Average grade: VF Off-white to white pages. Overstreet 2001 FN 6.0 value for group = $345; NM value for group = $1,280.
Walt Disney's Vacation Parade #1 (Dell, 1950). Featuring Donald Duck and Mickey Mouse, with 55 pages of Carl Barks art. Dell Giants are very scarce in high grade because of their size, this one numbering 132 pages. To date, this is the highest graded copy according to CGC's census report. CGC VF 8.0 Off-white to white pages. Overstreet 2001 VF 8.0 value = $560; NM 9.4 value = $1,400.
Weird Comics #17 Mile High pedigree (Fox, 1941). Featuring the Eagle swooping in to save Buddy from the Nazi invaders, and the origin of the Black Rider. A pretty copy with enough minor defects to keep it out of the NM range, making this Mile High both attractive and affordable. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $174; NM 9.4 value = $550.
Weird Tales of the Future #7 (Aragon, 1953). Hailing from one of the greatest horror runs of the early 1950s, this issue is a classic in itself, boasting a Bernard Baily cover and art by Basil Wolverton. Rotting corpses shuffling out of the devil's mouth -- covers had changed quite a bit since the '40s! A solid mid-grade copy with only minor spine and edge wear. CGC FN- 5.5 Off-white pages. Overstreet 2001 FN 6.0 value = $300.
Western Comics #28 Mile High pedigree (DC, 1951). Here is another exemplary copy from this popular run, featuring a great flag cover. A fresh copy that looks brand new, this issue tells the story of "The Thunder Creek Rebellion". CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $110.
Western Fighters #1 (Hillman, 1948). Rare first issue of this undervalued title, this book features a great Simon and Kirby gunfight cover. Our hero, the classic cowboy in a red shirt and ten gallon hat, has beaten the villain, dressed in a black morning coat and black silk hat, to the draw. The villain recoils in pain, as the fatal shot finds its mark. A high-grade copy with very light wear, an "H" is written lightly in pencil on the cover, but there is no label note. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $280.
Wings Comics #1 Allentown pedigree (Fiction House, 1940). One of the most popular Fiction House titles, Wings are chock-full of great WWII stories of dogfighting, suicide missions, and basically anything you can imagine involving fighter planes. A great series for any WWII aficionado. This copy hails from the Allentown collection, a small group of books found in 1987 that contained the nicest existing copies of Detective #27 and Captain America #1. With the exception of a light dust shadow on the cover, there are no defects to speak of -- a truly exceptional book to behold. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $2,200.
Wings Comics #2 (Fiction House, 1940). An issue that perfectly compliments the #1 for sale in this auction, featuring a great dive-bomb cover as a Hurricane bears down on a Nazi airfield. This copy exhibits the slightest color scraping on the spine, with sharp corners and a dust shadow on the back cover. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $285; NM 9.4 value = $900.
Witchcraft #5 Aurora pedigree (Avon, 1953). A very popular title among pre-code horror fans, this issue of Witchcraft sports an absolutely stunning painted cover by Kelly Freas. How can you not love a beautiful woman being chased through a field of skulls and bones by a hooded, taloned monster? One of the all-time great horror covers. As with most pre-code horror, this is tough to find in high grade; a wax-pencil mark in the blurb box and a tiny nick on the spine are the only notable flaws, and they don't detract from the powerful imagery of this magnificent cover. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $137; NM 9.4 value = $410.
Witches Tales #8 Bethlehem pedigree (Harvey, 1952). This classic pre-code horror comic with a dynamic bondage cover shows an intense color strike, one of the hallmarks of the Bethlehem collection. Overstreet mentions the inclusion of "eye injury panels" in this issue, and CGC notes, "Slight tanning bottom edges of pages and interior front/back cover." CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $69; NM 9.4 value = $185.
Wonder Comics #1 (Better Publications, 1944). An outstanding Alex Schomburg war cover, featuring the Grim Reaper defacing two axis flags as Hitler and Hirohito, bound to a stake, look on in disgust. Wonder Comics are popular among collectors for their creative war and sci-fi covers, most of them rendered by Alex. The front cover of this book looks great, with most of the visible defects on the back cover, including a smudge toward the bottom. CGC FN- 5.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $395.
Wonder Comics #10 (Better Publications, 1947). As comics ventured into the post-WWII era, Alex Schomburg began to take on a more straightforward approach to covers, eschewing his usually busy compositions and putting characters in a more pulp-like setting. Certain elements were left in place, such as girls in bondage, but it became apparent that the pre-eminent wartime cover artist had moved on to a new phase in his career. Offered here is an outstanding copy that would please any collector. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $450.
Wonder Comics #11 (Better Publications, 1947). Featuring a great Graham Ingels cover, this book embodies what Golden Age covers are all about. An outstanding example from a popular run, this book is practically perfect, exhibiting razor-sharp edges and a perfect spine. A truly solid investment. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $540.
Wonder Comics #12 (Better Publications, 1947). Graham Ingels was commissioned to draw two covers for Wonder, continuing Alex Schomburg's pattern of bondage and pulp, yet his style still shines through. It's interesting to see one of the great EC artists rendering superheroes years before he would gain notoriety for his classic horror covers. This is a beautiful book with minimal wear and a 1" tear on the centerfold. CGC VF+ 8.5 Off-white pages. Overstreet 2001 NM 9.4 value = $540.
Wonder Comics #13 (Better Publications, 1947). A superb example of Alex Schomburg's later airbrush style, we see our beautiful heroine tied to the proverbial stake, as Wonderman leaps to the rescue. The blue color scheme makes for an eye-catching cover. A pretty copy with no visible signs of wear, this book would turn the head of any fan. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $540.
Wonder Comics #15 (Better Publications, 1947). Far and away the best cover in the run, this one will surely see some heated bidding. Alex Schomburg nailed it, creating one of his all-time classic covers for Nedor and giving us collectors one more reason to love comics. A stunning book that has one small abrasion on the "O" in Wonder. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $635.
Wonder Comics #19 (Better Publications, 1948). A fantastic copy from this high demand series features a great Alex Schomburg (Xela) outer space cover, and interior art by the legendary Frank Frazetta. This book, one of the scarcer numbers in the run, is virtually flawless and has good color. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $540.
Wonder Comics #20 (Better Publications, 1948). A terrific example of this high demand comic, highlighted by a beautiful Schomburg (Xela) airbrush cover, and interior art by Frank Frazetta. Displaying great color and virtually no wear, there is a small pencil mark on cover, which does not receive a label note. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $655.
Wow Comics #6 Pennsylvania pedigree (Fawcett, 1942). Gorgeous looking, pedigree book with historical importance. Along with the existing stars Mr. Scarlet and Pinky, the Commando Yank starts as a regular feature and it contains the origin and first appearance of the Phantom Eagle. The Pennsylvania Collection is one the most respected pedigrees of Golden Age books. The color is striking. The spine and edges are exceptional. Common bindery tears and a smallish tear on the back cover keep the grade, but not the appearance, under Near Mint. CGC VF 8.0 Off white pages. Overstreet 2001 FN 6.0 value = $221; NM 9.4 value = $700.
Zip Comics #1 (MLJ, 1940). This would be one of MLJ's bread-and-butter books until the advent of the still-popular Archie Andrews. MLJ's are very difficult to find in high-grade, making this book, in pristine shape with outstanding cover gloss and page quality, a rare gem. CGC has only graded one copy higher than this one as of this writing. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $5,000.
Zip Comics #5 Mile High pedigree (MLJ, 1940). Steel Sterling smashes the enemy in a thrilling Charles Biro cover, highlighting this exceptional comic. From the legendary Mile high collection, this book is not only a high-grade gem, it also possesses an exceptional page quality. They don't come much nicer than this. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $1,200.
Zip Comics #6 (MLJ, 1940). Starring Steel Sterling, Man of Steel, Zip fired off some very interesting covers in the early days, this one being no exception. We see Steel administering payback for a sunken ship, rendered by industry giant Charles Biro. A gorgeous copy with only a light corner crease on the back cover. Edges and spine are near perfect. To date, this stunning Zip Comics #6 is the second-highest graded CGC copy, with only the Mile High grading higher. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $1,050.
Zip Comics #27 Mile High pedigree (MLJ, 1942). A bold cover by Irv Novick graces this key issue, which features the first appearance of the Web, as well as stories starring Black Jack and Steel Sterling. From the Mile High collection, there is a notation "D-4-24" on the cover, which is indicative of the pedigree. A nice copy, with a small chip out of the top left corner. Otherwise, extremely attractive and sharp, with exceptional page quality. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $1,175.
Zip Comics #38 Mile High pedigree (MLJ, 1943). If you want a Mile High that embodies everything that is legendary about their quality, this is the book for you. Practically flawless, this copy is white throughout, and looks like it came off the newsstand last week. Add to that classic Mort Sahl art and a Steel Sterling cover, and you have a true gem. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $425.
Session 2
Original Comic Art
Frank King - Original Art for Gasoline Alley daily dated March 17, 1921 (Chicago Tribune, 1921). One of the foremost comic strips in American history, Gasoline Alley was unique in that its characters actually aged over the life of the strip. Skeezix, a mere infant in this early strip, grew up, got married and had his own family as we watched. The strip began in 1919 with a focus on the main character, Walt Wallet and his pals at the garage, but with the introduction of Baby Skeezix, the focus changed to a more family oriented strip. One of the earliest examples of this strip ever offered for public sale, this piece has a number of interesting markings on it, presumably in King's own hand. At the top, in pencil is written, "Gasoline Alley - Walt is an authority on mixtures." At the bottom, also in pencil, "Thurs. - Mch 17. 1921", and several other undecipherable pencil markings. The back bears a clock stamp with the words, "Received Tribune. Eng. Dept. Mar. 8 1921." Also on the back, someone (King?) has written, "Run approx. 1 mo. after Skeezix 1st appeared! (Valentine's Day, Feb. 14, 1921)". The piece measures approximately 21" x 7" overall, with an image area of approximately 20" x 6". There are several pinholes at the corners, and a crease running through the piece in the second panel. A small piece is missing from the upper right corner, but this does not affect the story or the art in any way. The piece displays a modicum of light staining/soiling, not uncommon in a piece of this age. A wonderful example of an early American comic strip classic.
Frank King - Original Art for Gasoline Alley Sunday dated April 1, 1923 (Chicago Tribune, 1923). A wonderful Sunday page featuring Walt and baby Skeezix, dated April 1, 1923 and completely hand-colored by the artist, Frank King. When King retired to Florida in the early 1960s, he was asked to exhibit some of his favorite Gasoline Alley originals at a gallery in Florida. He hand-picked about a dozen of his best pages and hand-colored each one of them for this exhibition. This is one of the earliest of those pages. Much rarer than an uncolored page, these King-colored pages are greatly prized by collectors. The page, which measures 29" x 23" with an image area of 25.75" x 20", exhibits some damage around the edges, and a certain amount of paper loss, none of which affects the actual art. From the collection of Russ Cochran.
George Herriman - Original Art for Krazy Kat Sunday dated 5-5-18 (King Features, 1918). Running from 1913 until the mid-1940s, Krazy Kat has been hailed as one of the most original, most innovative, and most avante garde comic strips the medium has ever seen. Created by artist George Herriman, this is the story of Krazy Kat, in love with the brick-tossing felon, Ignatz Mouse. Wonderfully bizarre and surreal, the strip was a masterpiece of imagination, utilizing a unique dialect that could have been the inspiration for Walt Kelly's fractured prose years later in Pogo. Offered here is a beautifully composed page, rendered with Herriman's seemingly innate sense of design, in constant motion until the very end of the last panel. Not an inch of space is wasted or ignored; Herriman's storytelling chops are first rate. This page has an overall size of 22" x 18.5", with an image area of approximately 20" x 17", and is in superb condition. From the collection of Russ Cochran.
George Herriman - Original Art for Krazy Kat Specialty Piece (No Publisher, undated). Krazy Kat, Ignatz Mouse and Offisa Pup graced America's comic pages from 1913 through the mid-1940s. Herriman's use of language, a kind of "word jazz", is at once both bizarre and poetic, making him a unique voice in the realm of American art. Hailed by many as a true artist, Herriman's work has been the subject of critical essays and unabashed appreciations by literary lights throughout the years, including e.e.cummings, Umberto Eco, Charles Schulz, and Jack Kerouac. Offered here is a specialty piece Herriman did for a friend. It is inscribed, "To lil ole 'Arthur Escallier', the prince imperial of 'Temecula' - in memory of one grand day on the San Luis Rey - from George Herriman." The scene, rendered in subtle watercolors, depicts the three main characters hunting a quail. In a beautiful gilt frame, the piece measures 31.5" x 21.5" overall, with an image area of approximately 21" x 11", and is in like-new condition. From the collection of Russ Cochran.
George Herriman - Original Art for Krazy Kat Sunday dated 12-6-1942 (1942). Another Krazy Kat Sunday by the incomparable George Herriman, autographed to Milt Story ("Milt: Happy Daze! Herriman"), a fellow artist who was one of Al Capp's assistants. In excellent condition, with just some minor fraying at the edges, this piece measures approximately 17" x 25", with an image area of 14.5"x 22.25". From the collection of Russ Cochran.
Sidney Smith - Original Comic Strip Art for The Gumps (Chicago Tribune Syndicate, 1934). Sidney Smith's "The Gumps" was one of the most widely read strips during the 1920's and '30s, garnering national attention and both critical and popular praise almost instantly upon its debut in 1919. Heavily merchandised, the Gump franchise spawned music, games, toys, cartoons, and eventually a radio show (making "The Gumps" the first comic strip to bridge the gap between the printed page and the then-new medium of radio). This daily page, called "Suffering Catfish", is by Smith and was published in 1934, shortly before his untimely death. At this point in his career, Smith was making over $100,000 per year. Not bad even by today's standards! This strip is in excellent condition with pinholes at all four corners and light tanning, but no tears or creases. It measures approximately 21" x 6" overall.
Al Capp - Original Comic Strip Art for Li'l Abner (United Features Syndicate, 1938). Al Capp created this classic hillbilly strip in 1934 and it quickly became one of America's favorites, a popularity that would last for decades. It was such a cultural phenomenon that it eventually spun off into plays, movies, and more merchandising than you could shake a Shmoo at. Al Capp's political views later on entered the strip, as in this Sunday page were we see the lovable Li'l Abner tangling with a ruffian and coming out on top, showing us that violence is not the solution to all conflict. The story behind this strip is legendary: Al Capp worked as an assistant to Ham Fisher, the creator of Joe Palooka, wherein he introduced a hillbilly character named Big Leviticus. When working conditions in Fisher's studio became intolerable, Capp left, taking his hillbilly with him and eventually using the concept as the springboard for Li'l Abner. This began a feud that would last as long as Capp and Fisher lived, a feud which comes to life in this strip. The boxer character is Capp's parody of Joe Palooka (notice how Abner knocks him flat without even trying), and the manager is a caricature of Fisher. All in all, a rather pointed barb. These strips are very desirable and highly sought after by collectors, especially early examples such as this one. This Sunday page is in very good condition with minor amounts of white-out and light staining and measures 19"x 26" overall.
Al Capp - Original Comic Strip Art for Li'l Abner (United Features Syndicate, 1944). Once again, Abner's favorite cartoon gumshoe, Fearless Fosdick is in deep trouble, as the evil Rat Top has him chained up and is draining his blood. Fosdick (by "Lester Gooch") was Capp's long-running and good-natured satire of Chester Gould's famous Dick Tracy, and in fact the strip-within-a-strip format became so useful to Capp that he used it throughout the strip's run. This wonderful daily is a classic Fosdick piece, with three great shots of Rat Top bookended by terrific portraits of Abner and Daisy Mae. This piece is in excellent condition, with some light soiling at the top, but no creases or tears and an overall size of approximately 6 3/4" x 22 1/2". From the collection of Russ Cochran.
Al Capp - Original Comic Strip Art for Li'l Abner (United Features Syndicate, 1944). Continuing the "Rat Top" storyline from the previous piece, this is another great example of Al Capp's Fearless Fosdick, here seen in the clutches of the evil villain. Almost as popular as the titular star of the strip, Fosdick survives as a testament to the sheer creativity and inspired parody that was the genius of Al Capp. In pencil above the first panel is the inscription "Farewell Fosdick", presumably in Capp's own hand. Three of the four panels have the evil villain "Rat Top", while the last panel shows Li'l Abner lamenting over Fosdick's demise. This strip, which is from 1944 and measures 6.5" x 23" overall, is an excellent strip for the beginning or advanced Capp collector. From the collection of Russ Cochran.
Al Capp - Original Comic Strip Art for Li'l Abner (United Features Syndicate, 1948). A wonderful Li'l Abner daily, this has the loveable bumpkin waking up in the "dank dreary cave" of Ol' Man Mose and marching off to the sound of "strange moosic!" Beautifully rendered by Capp, this is a terrific piece with great shots of Abner and the miniscule Mose. This strip, measuring 22.5" x 6" overall, would be a great addition to any Li'l Abner collection.
Al Capp - Original Art for Li'l Abner Sunday dated 7-25-48 (United Features Syndicate, 1948). This great Sunday page features Li'l Abner reading the adventures of his hero, Fearless Fosdick. Fosdick was Capp's caricature of Dick Tracy, and was probably Capp's second-most-famous creation, right behind the Shmoos. In this page, Fearless Fosdick's father, Fearful Fosdick, poisons his son to get the key to the Police Station. From the collection of Russ Cochran.
Al Capp - Original Art for Li'l Abner Daily dated 10-27-48 (United Features Syndicate, 1948). An early and important Al Capp daily from the first Shmoo sequence. Easily the most popular of all Capp's creations, the Shmoo took the world by storm in 1948, spawning a flood of merchandising. Although Capp revisited the Shmoos in later years, originals from the first story in 1948 are highly prized by collectors. In this story, the powers-that-be decided that all the Shmoos must be killed, or they would wreak economic havoc in the country since they could produce the necessities of life for free. For this reason, all the Shmoos were killed except for two: a girl Shmoo (featured in this strip) and a boy Shmoo which was saved by Li'l Abner. In the 1948 Sadie Hawkins Day Race, Daisy Mae chases Li'l Abner as usual but doesn't catch him, again as usual. The two Shmoos do finally get together, however. From the collection of Russ Cochran.
Frank Frazetta - Original Art for L'il Abner Daily dated 6-17-57(United Features Syndicate, 1957). One of the longest running strips in American cartoon history, L'il Abner has become an American institution. For a period of time in the 1950s Capp turned over the drawing chores to an as-then-unknown artist named Frank Frazetta. Artistically, these strips, of which this is a prime example, are considered some of the best of the strip's entire run. This strip is in beautiful condition, with light blue line letter guides running through the top two-thirds of each panel. There is a slight amount of white-out used, mostly to eliminate a border in the first panel, and to correct a few letters in the second panel. Signed by Al Capp, this is a great example of Frazetta's early work. The piece measures approximately 19 3/4" x 6 1/2", with an image area of approximately 18 3/4" x 5 1/2".
Hal Foster - Original Art for Prince Valiant Sunday dated 1-29-39 (King Features Syndicate, 1939). Arguably America's greatest contribution to the legend of King Arthur, Prince Valiant is considered by many to be the quintessential adventure strip. Hal Foster incorporated his story-telling skills with his superb draftsmanship ability to create an unparalleled accomplishment in the Sunday strip format. Perfectly rendered, Foster's eye for detail is apparent in this unexcelled example of the comic form. Foster always strove for artistic accuracy, as is clearly seen here. This early strip from 1939 (the feature began in 1937) is from the vintage period for Prince Valiant, and features a turning point in the story as Val is knighted by none other than King Arthur himself! An historic strip from one of the landmark comics of the 20th century, this is a rare opportunity that may never present itself again. It should be noted that, while the piece measures approximately 38" x 29" overall, the top tier is a well-done recreation, the original having been lost years ago. The bottom two tiers, however, are pure, undiluted Foster, and probably the finest example of his work one could ever hope to see,
Hal Foster - Original Tarzan Sunday dated 3-26-33 (United Features Syndicate, 1933). Harold R. (Hal) Foster took over the job of drawing the Tarzan Sunday page from artist Rex Maxon in September, 1931. Edgar Rice Burroughs himself was not happy with Maxon's work on the Sundays, although Maxon continued to draw the daily strips for many years. When Hal Foster got this job, it was during the depths of the great Depression, and work was hard to get. He was working in Chicago at an advertising agency and things were so bad that Foster allowed four other starving artists to help him with the earliest pages, and the $75 per page which Foster was paid was divided equally, $15 per man per week. Even though the job was Foster's and only his name appeared on the Sunday page, he took only an equal share. In his words, these five families "ate ape" during those difficult years. Sometime in 1932, with fan mail coming in, Foster was inspired to put more work into his pages, and gradually took over the pages completely with no assistants. The earliest Foster page known to exist is dated July 10, 1932, and during this period Foster is starting to experiment with panel layout. These early pages are filled with action, and rarely will you see an action figure duplicated, as was common with other artists. Foster could draw Tarzan in any position, in any action, and it looked real. Most collectors agree that he reached his peak on Tarzan in what has become known as the "Egyptian sequence", where the story line took Tarzan to a lost Egyptian civilization that bordered the jungle. That way, he could fill his pages with the pomp and pageantry of the Egyptian kings and princesses, and then cut to nearby action with apes in the jungle. It was the best of both worlds. The Sunday pages offered here are two of the best from this memorable period, dated 3/26/33 and 4/2/33. The first page contains the Egyptian princess with her entourage and her barge, and then the action segues to the jungle where a great ape named Ptok carries the princess away into the trees. An interesting aside...back in those days, it was rumored that apes (gorillas) carried women away to sexually molest them. Perhaps this is why Ptok didn't hurt the princess, he was just taking her away to his nest somewhere in the trees! There are no better examples of Hal Foster's work on Tarzan than these two consecutive pages! Framed and matted, the overall size is 36.25" x 29", with an image area of approximately 27" x 20".Title logos are stats, all else is original. Offered in excellent condition. From the collection of Russ Cochran.
Hal Foster - Original Art for Tarzan Sunday dated 4-2-33 (United Feature Syndicate, 1933). In this page, Tarzan swings through the trees to rescue the Princess as Ptok hurls her to the ground. There are no better examples of Hal Foster's work on Tarzan than these two consecutive pages! Framed and matted, the overall size is 36.25" x 29", with an image area of approximately 27" x 20".Title logos are stats, all else is original. Offered in excellent condition. From the collection of Russ Cochran.
Hal Foster - Original Art for Tarzan Sunday dated 8-21-32 (United Features Syndicate, 1932). A great Hal Foster original titled "At the Graveyard of the Elephants". The tremendous popularity of the first Johnny Weissmuller movie in 1932 was so pervasive that it was decided to try to keep the Tarzan of the comics consistent with the Tarzan of the movies. The "elephant's graveyard" had been a major setting in the Weissmuller film, and here it finds its way to Foster's Sunday page. Also, in every Foster page prior to this one, Tarzan wore an over-the-shoulder leopard skin outfit, but in every page after this one, Tarzan wore the loin cloth popularized by Weissmuller. That is why in this page, Tarzan does not appear...seemingly so the comics-reading public would not notice his change of garb! Despite the non-appearance of Tarzan in this page, it is beautifully drawn and is typical of Foster's work in this period. Measuring approximately 28" x 21" with an image area of 26.25" x 19.25", this piece is in excellent condition. From the collection of Russ Cochran.
Hal Foster - Original Art for Tarzan Sunday dated 1-20-35 (United Features Syndicate, 1935). An exciting Tarzan Sunday, "Dester Molu's Fate" is a strong example of Foster's later work on this feature, before he left to create his own strip, Prince Valiant, in 1937. In this page, the villain, Dester Molu, had attempted to kill Tarzan's ape friend Bohgdu, but Tarzan revives him and the ape kills the villain in a major turning point for the story. Measuring 28" x 21.5" with an image area of approximately 26.25" x 19.5", this page is in pristine condition. From the collection of Russ Cochran.
Burne Hogarth - Original Art for Tarzan Sunday dated 8-15-43 (United Features Syndicate, 1943). Burne Hogarth is one of the most influential artists in comic book history. In the 1930s and 1940s, all comic illustrators aspired to be syndicated strip artists, as strip artists of that period were very well paid and often became national celebrities. If Al Capp, Sidney Smith, and other artists were celebrities, however, Burne Hogarth was a superstar. Hogarth gave the Tarzan strip a dynamism previously unknown in comic story telling. The piece here is exquisite, representing a high period for both Hogarth personally and for the strip itself. At the request of Danton Burroughs (Edgar Rice Burroughs' son), Hogarth hand-colored a limited number of his favorite Sunday pages, with this being one of seventeen known examples. Of those seventeen, eleven are currently owned by the Hogarth and Burroughs families, which will probably keep them off the market for many years to come. Measuring 21.5" x 28.5" overall, this piece is in excellent condition, and is boldly signed by Hogarth on the reverse.
Harold Gray - Original Comic Strip Art for Little Orphan Annie dated 7-7-44 (Chicago Tribune Syndicate, 1944). Despite the long and legendary run of Little Orphan Annie, original art examples rarely enter the market, primarily because Gray's estate donated most of his artwork to Boston University after his death. This daily features a melancholy exchange between Annie and Punjab as they sit adrift on a boat. Also of historical interest in that it has a 5th War Loan sticker affixed to the fourth panel. This four-panel strip is untrimmed and in excellent condition, with an overall size of 20" x 6". From the collection of Russ Cochran.
Rudolph Dirks - Original Comic Strip Art for The Captain and the Kids (United Features Syndicate, 1952). Rudolph Dirks was the cartoonist who originated the immensely popular Katzenjammer Kids series. In 1912, Dirks wanted to go to Europe to paint, and his publisher, Randolph Hearst, took the strip away from him. A court battle ensued, and Dirks won the right to draw his characters, but not to use the title. He changed the comic's name to Hans and Fritz, and later to The Captain and the Kids. Offered here is an original Sunday strip from 1952, signed by Dirks in the second panel. The piece relates the havoc created by the Kids on New Year's Eve, as the year shifts to 1953; typically outrageous and chaotic fun. Excellent condition overall, the piece has some small tears along the bottom edge which do not affect the artwork, and there is considerable damage to the logo stat at the top left corner. The artwork is very bold and fresh-looking, a beautiful display piece which measures 23 3/4" x 16 1/2" overall. Includes a certificate of authenticity from R & R Enterprises.
Milton Caniff - Original Art Illustration (1951). Milton Caniff - the name conjures up images of rogues and femmes fatales, flowing from the pages of Terry and the Pirates. This piece, commissioned during the Korean conflict, is a tribute to the military men and women of this nation at Christmas time. It is possible that Caniff used this as his Christmas card in 1951. As heartfelt and relevant today as it was 50 years ago, it is a dedication to our fighting men and women abroad, reminding them that they are in our thoughts. Caniff, one of the foremost strip artists of the 20th-century, had a major influence on the style of many future artists, including such industry giants as Joe Kubert and Alex Toth. The art has an indentation at the top right corner, and a minor crease in the middle of the page, and measures 14.5" x 16.5".
Robert Ripley - Original Comic Strip Art for Ripley's Believe It or Not (1929). Robert Ripley gained fame by gathering bits and pieces of weird and obscure information from around the world, presenting them in comic strip form to the general public and inviting them to "Believe It...Or Not!". Still running many years after his death, the comic strip has spawned a vast Ripley empire, including museums, aquariums, books...even a TV show! Highly prized by collectors, original Ripley art is rarely offered for auction, and this is a terrific piece highlighting John R. Rogers, who "has not taken a drink of water in 52 years!" This strip from 1929 measures 11.25" x 14" overall and has three paste-ups on the right side. It is in very good condition with creasing and blunting at all four corners and a couple of small tears.
George Swanson - Original Comic Strip Art for "Flop Family" (King Features Syndicate, 1968). During the 1960s, a massive number of humor strips emerged on the American newspaper landscape. This charming daily falls into that mold. The strip has the set-up, the climax, and ends with the gag. A popular strip, The Flop Family ran from 1945-1981. This example is in good shape other than having two folds in the art, and measures 21" x 6" overall.
Bob Kane Studio - Original Comic Strip Art for Batman (DC, 1944). Batman dailies are extremely rare and sought-after, especially strips from the war years. In this 1944 example, the Dynamic Duo are in search of their arch-nemesis, the Joker. There is some debate as to who the actual artist is on this strip. Although it is certainly drawn in the Kane studio, it is not a given that Kane himself was the actual artist. It is possible (perhaps even likely) that it was ghosted by Charles Paris. The art is in overall good condition, with a minor slice at the bottom 1/3 of the strip, and measures 6.5" x 20.5" overall.
Mort Walker - Original Comic Strip Art for Beetle Bailey (King Features Syndicate, 1966). Mort Walker nails it with this incisive Batman parody. Done at the height of '60s Batmania, Mort's "Fatman and Slobber" - along with the Fatmobile - are a hilarious jab at the TV adventures of the Caped Crusader. This is a great strip for Batman collectors, as well as Beetle Bailey fanatics. As an added bonus, Walker has signed and remarked this piece with a small Beetle headsketch in the lower margin. 20" x 14 1/4" overall.
Al Taliaferro - Original Comic Strip Art (1967). Donald Duck, aside from being a very recognizable character, has also been in the dailies since 1936 with the advent of Silly Symphonies drawn by Al Taliaferro. Taliaferro drew the Donald Duck daily and Sunday strips for over 34 years, making him almost as prolific as Carl Barks, the #1 Duck artist. This cute Sunday strip from Walt Disney is drawn by Taliaferro and features Donald as the editor of a horror publishing company, assisted by the Vampira-like Miss Arsenic, making this strip a treat for both Duck and horror collectors. Measuring 22.5" x 16" overall, the piece is in excellent condition.
Harvey Kurtzman and Dan Barry - Original Art for Flash Gordon daily dated 4/16/52 (King Features Syndicate, 1952). Dan Barry took over the Flash Gordon dailies from artist Austin Briggs in 1951. during the period of 1952-53, Barry received assistance in both story and art from Harvey Kurtzman, Jack Davis, and Frank Frazetta. The example offered here has story and layouts by Kurtzman and finished art by Barry. It is inscribed on the right-hand edge, "To Curly Quire: With best wishes to a fine artist and a good guy! Dan Barry, Metz France 1956". The piece is in excellent condition, with some yellowing to the zip-a-tone in panel two and some very minor soiling overall, which does not in any way detract from the beauty of this exquisite piece of art. The back bears the notation, "4-7-52, 1st Kurtzman written/layouts. This is the 9th by Kurtzman/Barry." Overall size is approximately 21 1/4" x 5 7/8" with an image area of 19 1/2" x 5 5/8".
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). An interesting piece of comic book and TV history, this is a hand-painted conceptual set drawing for Batman, one of the most popular TV shows of the 1960s. This one, measuring approximately 30" x 20" and showing some wear at the edges, depicts a man with a large magnet.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). A fascinating look "behind the scenes" of Batman, one of the most popular shows of the '60s. This is a hand-painted concept piece for set designs for the show, which measures approximately 30" x 20" overall and is in good condition. The painting shows an Egyptian sarcophagus being lowered into a pool of water.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). A particularly nice example of a concept painting from the popular TV show, this piece, measuring approximately 30" x 20" overall, shows Catwoman, cat-o-nine-tails in hand, standing by her Cat-throne. Purr-fectly collectible in good condition.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). Proving that even the mundane can be exciting, this concept painting for the groundbreaking TV series shows a taxi pulling up to the gates of a movie studio. What kind of nefarious hijinx could this be leading up to? Measuring approximately 30" x 20", this piece is in good condition.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). You...will...buy...this...piece! A concept painting from the still-popular '60s camp classic, this piece shows a man in a trance, projecting some kind of brain waves. Measuring approximately 20" x 30" overall, this piece is in good condition.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). Even the Dominoed Daredoll has to have some down time. In this concept painting done for the wild and wacky cult-hit TV show, we see Barbara Gordon (Batgirl) at her day job, working in a library. In good condition, this piece measures approximately 20" x 30" overall.
Unidentified artist - Conceptual Painting for the Batman TV series (1960s). A bizarre juxtaposition, this concept painting (used for the Batman TV show) shows the Caped Crusader standing next to an enormous coffee urn. Decaf, anyone? This piece is in good condition, and measures approximately 30" x 20" overall.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). What could be more innocent than a jolly circus clown? It's up to the Caped Crusader to find out, aided by this concept painting from the runaway-hit 1960s Batman TV show. Showing a clown on a TV set, this piece measures approximately 20" x 30" and is in good condition.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). The Clown Prince of Crime, the Knave of Hearts, the Harlequin of Hate...call him what you will, the Joker, pictured here in a concept painting from the smash-hit TV show of the 1960s, is one of Batman's deadliest adversaries. This piece, which measures approximately 20" x 30" in good condition, is a fabulous memento from a classic show.
Unidentified Artist - Conceptual Painting for the Batman TV series (1960s). An eggs-citing piece, eggs-travagantly presented, this is an eggs-quisite concept painting from the eggs-stravaganza that was Batman. Measuring almost eggs-actly 20" x 30" and in eggs-cellent condition, this piece shows the eggs-emplary Egghead and his eggs-zuberant eggs-perts plotting their next eggs-splosive eggs-ploit!
Dick Ayers - Original Cover Art for Sgt. Fury #33 (Marvel, 1966). Sgt. Fury, chomping on his cigar, spraying the Axis soldiers with his tommy gun, with the Howling Commandos hot on his heels - this is the true epitome of the war genre! This is such an explosive cover that you can almost hear the rat-tat-tat of Fury's machine gun, as the bullets explode into the bodies of his enemies. This piece is one of the better values to be found in art,with plenty of growth potential. It should be noted that a Sgt. Fury cover sold in 1997 for $1,100. At one time, there was a stat over the art which has been removed from the original, but which is included with this lot. The glue has yellowed the art and white-out has been used for effect. Still, this is a fabulous piece from the early days of Mighty Marvel! The art measures 13.5" x 20".
Dick Ayers - Original Art for Sgt. Fury Annual #1 (Marvel, 1965). This engaging splash page shows Sgt. Fury striking an intimidating pose, accompanied by his Howling Commandos. This is as good a rendering of Sgt. Fury as one could hope for. The somber, intense look on Fury's face is captured wonderfully by Dick Ayers, Fury's pre-eminent artist, and one of the key players in the Silver Age of Marvel Comics. The art is in excellent condition, with very little white-out, and measures 12.5" x 18.5".
Dick Ayers - Original Art for Tales to Astonish #59 (Marvel, 1964). Hulk Must Smash! If you want a Hulk piece with lots of action, this is the page for you. As an added bonus, this is the issue in which the Hulk first appears in this title. A significant book for Marvel collectors, Dick Ayers herein tackles one of his favorite subjects, the Incredible Hulk, and does an admirable job. The art, measuring 12.5" x 18.5", contains no white-out, exhibits hardly any wear, and is in excellent condition.
Dick Ayers - Original Art for Tales to Astonish #60 (Marvel, 1964). This incredible splash page is a nice piece of large art from a key Marvel issue. Dick Ayers was one of the most prolific artists of the period, and contributed significantly to the overall look of the Marvel Silver Age. This piece was inked by Paul Reinman, who inked much of Jack Kirby's early X-Men work. Entirely hand-drawn and hand-lettered, the art measures 13.5" x 20", is in great condition, and is professionally matted.
Dick Ayers - Original Cover Art for Two-Gun Kid #90 (Marvel,1967). An explosive image of the Two-Gun Kid battling a bad guy. The main figure measures a commanding 10" x 13", and you would be hard pressed to find a more dynamic image on any piece. Dick Ayers certainly outdid himself on this cover. The art contains some blue-line work and some white-out, which has mostly been used for effect. Overall the art, which measures 13" x 20", is in very good condition.
John Buscema - Original Art Cover Recreation for Avengers King-Size Special #2 (undated). Believed to be Buscema's crowning achievement outside of his classic Silver Surfer work, this is a fantastic recreation of the cover that featured the original (circa 1963) Avengers versus the current (circa 1968) Avengers, impossibly ready to wage a bombastic battle. Buscema's legend has grown steadily throughout the years, this growth being reflected in the increasing prices of his art. The art is in excellent condition, and measures a large 18" x 26". Most of Buscema's recreations were far smaller than this piece, making this oversized gem a real treasure.
John Buscema - Original Art for Tarzan #5, page 30 (Marvel, 1977). Tarzan, the Lord of the Jungle, comes to life in this action-packed page. This piece, featuring Tarzan in pitched battle against savage gorillas in all six panels, demonstrates the global appeal of this legendary character, and spotlights the incomparable artwork of industry giant John Buscema. The page is in excellent condition with only minor staining (common in pages from this era), and measures 10" x 15".
Sal Buscema - Original Cover Art for Marvel's Greatest Comics #36 (Marvel, 1972). If there is one revolution that is taking place in today's art market, it would certainly involve Marvel covers from the 1970s. These covers tend to have a tremendous appeal, and fetch premium prices when offered for sale. The subject matter in this piece is as good as it gets: The Fantastic Four facing off against the planet-devouring Galactus in a very engaging cover by Sal Buscema. The art, which measures 10" x 15", has light staining and minor white-out. Also, Galactus and Mister Fantastic were repositioned from their original placing by cutting out the characters, and moving them. Overall, the piece is still in good condition.
Steve Ditko and George Bell - Original Art for Tales to Astonish #60 (Marvel, 1964). An historic piece of artwork by comic legend Steve Ditko, this, the splash page from the first Hulk solo story in Astonish, kicked off the Incredible One's run in that title which lasted for more than forty issues. Steve Ditko is best known as the seminal Spider-Man artist, but his trend-setting work on the Hulk is highly regarded as well. The condition of this page is very good, with some minor staining, and a small stat missing in the credits area. The image area measures 13"x 19", and the piece has been professionally matted.
Joe Jusko - Original Oil Painting - "Dr. Doom" (Marvel, 1998). The Lord of Latveria, Dr. Victor von Doom, rages against the heavens themselves in this rich, vibrant masterpiece by the legendary Joe Jusko. This painting demonstrates the powerful use of color and the complete mastery of light and shadow which has become a Jusko trademark. A truly dynamic piece, one can feel the power and menace radiating from the main figure. A rare opportunity to own a stellar example of an artist at the top of his game. There is a notation in pencil on the back of the board, which reads: "1998 painting for Universal Studios Fla. 1999 Dr. Doom ride. Art is for T-shirt, posters and other promo items." Oil on board, approximately 16.5" x 21".
Jack Kirby and Mike Royer - Original Art for Captain America #201, page 31 (Marvel, 1976). Featuring a cliff-hanger on this last page of the issue, our hero is in search of the Falcon, just as his mind is being wiped clean by Brother Wonderful...what will happen next issue? Kirby teamed up with Royer for several issues of Cap in the mid-'70s, giving readers a taste of the King's magic touch not seen since the beginning of the series. An engrossing action page that appears clean, with minor tape stains at the top and bottom, and measures 10" x 15".
Jack Kirby and Chick Stone - Original Art for Fantastic Four #30, page 18 (Marvel, 1964). Jack Kirby drawing the Fantastic Four...what more can any original art collector ask for? This page features the FF battling one of their arch-rivals, Diablo, the world's greatest alchemist. The beauty of this piece is the long panel at the top of the page which features all four members of the group in costume. Measuring 12.5" x 18.5", the page is in excellent condition and is also signed by Jack Kirby in the lower right-hand corner.
Jack Kirby and Joe Sinnott - Original Art for Fantastic Four #56, page 5 (Marvel, 1966). There are many magical periods that exist for Marvel fandom, one of those being the Jack Kirby/Joe Sinnott period on the Fantastic Four. As a team, they produced some of the finest and most memorable work in comics history. Offered here is an example from that classic period, featuring the Inhumans in all of their glory. Choice pieces of art featuring this popular group rarely become available to the public, as most pages are held in private collections and rarely change hands. This page, which measures 12.5" x 18.5", shows some water damage to the top half, which has caused discoloration and slight waviness.
Jack Kirby and Joe Sinnott - Original Art for Fantastic Four #58 (Marvel, 1967). Kirby and Sinnott are possibly the most revered team ever to draw the Fantastic Four, having captured the attention of Marvel fandom with the introduction of such immortal characters as the Silver Surfer, Galactus, and the Inhumans. This is a beautifully rendered page featuring the Human Torch and Lockjaw, a special treat for all Fantastic Four fans. The piece, which measures 12.5" x 18.5", is in excellent condition with minor white-out and light staining on the back.
Jack Kirby and Dick Ayers - Original Art for Fantastic Four Annual #1, page 6 (Marvel, 1963). A battle royale between two of Marvel's favorite characters: the Thing and the Human Torch. Five panels of wall-to-wall action, including an outstanding double panel which has the Human Torch taunting the oft-maligned Thing. This page truly exemplifies the fun rivalry the two teammates had with one another. It also shows the appeal that this new company, Marvel, had on the comic book market by humanizing their characters. The art measures 12.5" x 18.5" and has minor staining, almost no white-out, and is in overall very good condition. Signed by Stan Lee on the margin outside the art.
Jack Kirby and Chic Stone - Original Art for Fantastic Four Annual #2, Alicia Pinup (Marvel, 1964). These wonderful pin-up pages from the early FF annuals have always been favorites of Kirby collectors, and this is a beautiful example, depicting Ben Grimm's best girl Alicia Masters, daughter of the Puppet Master. Kirby was not best known as a "babe" artist, but this is an absolutely lovely portrait of the sightless Ms. Masters, as she sits in repose in front of her bust of the Thing. Despite the bold ink lines of Chic Stone, this still has a delicate feel, and is one of the King's more beautiful pin-ups. With a size of 18.5" x 12.5", moderate white-out and a missing stat in the upper left corner and light brown stains just below the figure, this is truly suitable for framing.
Jack Kirby and Dick Ayers - Original Art for Journey into Mystery #81, page 10 (Marvel, 1962). A compelling splash by Jack "King" Kirby, the fire breathing dragon hearkens back to his pre-hero monster work. An exceptionally clean piece that measures 21.5" x 13.75", it exhibits no major soiling, no stats or white-out and a hand-drawn title.
Jack Kirby - Original Art for Rawhide Kid #21, page 19 (Marvel, 1962). A splendid chapter splash page from the hand of "King" Kirby. This is a very early piece of large (13" x 20") Marvel art. The production date would approximately fall in line with that of Fantastic Four #1, setting it at an extremely early point in the Silver Age. Dick Ayers, a well respected and accomplished artist in his own right, is the inker here, and the Kirby/Ayers combination is the best possible for this type of piece. The art is in amazing condition, exceptionally clean and white, with hand lettered type.
Jack Kirby and Dick Ayers - Original Art for Strange Tales #100 (Marvel, 1962). The mere mention of Kirby and Ayers in the same breath evokes images of monsters and ghouls traipsing around on the pages of some pre-hero comic book. Here is offered a classic pre-hero splash of a bewildered man lost in the throes of a maniacal maze. The allure of this period is compelling and is highly sought-after by aficionados of this genre. The art, which measures 12" x 18", is in excellent condition and is signed twice by Kirby.
Jack Kirby and Chic Stone - Original Art for Thor #113, page 1 (Marvel, 1964). This splash stunningly portrays Thor as a truly mythological figure. Pictured here are Thor and Odin riding with their warriors into battle on a giant Asgardian sky ship. This piece has been beautifully pencilled by Kirby and finished by Stone, arguably Kirby's best inker on Thor. This artist/inker combination is highly-prized by collectors and tends to bring high prices when offered for sale. The art is in excellent condition with no white out, and measures 12.5" x 18.5".
Jack Kirby - Original Cover Art for Thor #149 (Marvel, 1968). "Twice-up" Marvel art has become very difficult to obtain over the last few years. A large Kirby, super-hero cover is next to impossible. The art is in very nice shape. Stats in logo area are not original. The small middle panel is a paste-in, but is all art. Thor's arm on the large bottom panel has been pasted in, but again, it is all art. The bottom right corner is partially missing, no art affected. A nice action cover, measuring approximately 17" x 22", inked by Vince Colletta and signed by Jack Kirby at the bottom.
Jack Kirby and Vince Coletta - Original Art for Thor #167, page 5 (Marvel, 1967). A triple-punch page featuring Thor, Lady Sif and Odin, Kirby gives us a poignant moment in the story, showing the two lovers embrace for the last time before Thor sets off to find the world-devouring Galactus. This touching scene draws in the viewer, with few word balloons to take away from the page's power. A very clean piece with little white-out to speak of, measuring 10" x 15", which would look exceptional on the wall of any Thor fan.
Jack Kirby and John Romita - Original Cover Art for Thor #241 (Marvel, 1975). This cover hits on all cylinders. It is a rare teaming of Marvel's two most prominent and prolific artists, Romita and Kirby from the red-hot '70s period on a major character and title. Additionally, it is a truly fantastic image as Thor beats the tar out of a boatload of skeletons. The overall condition of this piece is very good. The word balloons are paste-overs, but they are paper and hand lettered. The logo is a stat with the galaxy background inked in. The piece measures approximately 11" x 17" overall.
Jack Kirby and Paul Reinman - Original Art for X-men #5, page 21 (Marvel, 1963). X-men art by Jack "the King" Kirby does not surface very often for one simple reason: Jack only worked on issues #1-11. Out of those issues, only #2, 5, 10, and #11 have been broken up, leaving the other issues deeply entrenched in private collections. So, here is your opportunity to own a vintage page featuring the X-men in duel with their arch-rival group, the Brotherhood of Evil Mutants. The art is in excellent condition, with minor white-out, and is signed by Stan Lee. It measures 12.5" x 18.5".
Larry Leiber - Original Art for Journey into Mystery #91 (Marvel, 1963). This grouping contains three pages of a five-page backup story originally presented in Journey into Mystery #91, including the splash and last page. "The Seedlings" is a delightfully corny story of plant-life taking over the Earth, and is reminiscent of a similar Twilight Zone episode, with ludicrous twists and turns. Lieber gives his best, and it's apparent. The art is in excellent condition. Three pages, each measuring 12.5" x 18.5".
Larry Leiber and Sol Brodsky - Original Art for Tales of Suspense #41 (Marvel, 1962). If there is one word to describe this splash, it's mesmerizing. The eyes alone have the effect of leaving you spellbound. Larry Lieber, Stan Lee's younger brother, casts a spell on his audience with this hypnotic splash. Lieber, one of the most underrated artists of the early Marvel period, outdid himself this time. Other than some blue pencil work, and light staining, the art is in very good condition, and measures 12.5" x 18.5".
John Romita - Original Cover Art for Conan #58 (Marvel,1976). Tremendous '70s Marvel cover with all kinds of significance. This is the first cover appearance of Belit, her first appearance in this title and her second appearance overall. The art is pure Romita, the most important Marvel artist after Jack Kirby. And most importantly, it looks great. Belit is sexy and savage, Conan is bloody yet unbowed. It is an action cover with finished figures. The image area measures 10.5" x 14.5", pen and ink on vellum, and is matted. The vellum has an even toning on a very clean piece with no white-out, paste-overs or noticeable corrections.
John Romita - Original Cover Art for Sanger-Harris Advertising Supplement (undated). An exceptional image from the legendary John Romita, this was the cover for a newspaper advertising supplement, featuring Spider-Man, The Hulk, and the villainous Sandman. If this were a comic book cover from the same era, it would easily sell in the $5-10K range, and even given its nature as advertising art, it is still an absolutely dynamic and classic image of some of Marvel's greatest characters. Most of Romita's Spidey Super Stories covers from this era were done on vellum, and a great aspect of this cover is that it is rendered on white art board, which always makes for a nicer presentation. This piece, which measures 9.75" x 15", is very clean, with minimal white-out. All the lettering is pasted-up, and the head-shot of Spider-Man in the top banner is a stat (the Hulk head-shot on the opposite side, however, is original art).
John Romita, Sr. - Original Spider-Man Art (Marvel, 1968). Anyone who has any interest in comic art knows that John Romita, Sr. is one of the hottest names in the market. Long a mainstay of Mighty Marvel, Romita came to prominence when he took over the art chores on The Amazing Spider-Man from the legendary Steve Ditko. He quickly made the book his own, infusing a human quality and a sense of realism that struck a chord with readers around the world. Offered here is the original line art piece used to create the cover art for the first issue of Spectacular Spider-Man, Marvel's first attempt at a magazine-sized comic. This piece was acquired by Joe Jusko from John Romita, and a letter from Jusko certifying that provenance will be included with the art. There was some controversy in the market earlier this year as to the genesis of this piece. Some say it was the drawing upon which the cover painting was based (see George Olshevsky's Marvel Comics Index #1: The Amazing Spider-Man for such attribution), but some claim that the piece was created after the painting and used for advertising purposes. However, in a February, 2002 conversation with Romita, John himself revealed the true origin of this fabulous work. Predating both the painting and the advertising art, says Romita, this piece was originally done as the basis for the magazine cover. When Stan Lee saw it, he felt that the perspective was awkward and that Spidey needed to be more secure. He asked Romita to change the art to show Spidey on a rooftop rather than climbing up a wall. John statted the main figure and placed it on a new background, creating the image that was eventually used as the basis for the cover painting, and was also used in its line art form in various Marvel advertisements. Some feel that the altered image is less powerful than the original presented here. There's no denying that this piece is the artistic expression of a true master in what many consider to be the prime period of his creative output. Romita's Spider-Man is, for many, the definitive version, and art just doesn't come any sweeter than this. Nicely framed and matted, the piece measures 21.5" x 26" overall, with an image area of 12.75" x 17", and is inscribed to Joe Jusko in the lower right corner: "Best wishes to Joe - John Romita". With no paste-ups, logos, or white-out, this is probably the only Romita Spider-Man cover from this period that will ever be offered in such pristine condition. If this doesn't set your Spidey-sense tingling, nothing will!
Javier Saltares - Original Cover Art for Ghost Rider #4 (Marvel, 1990). Explosive is a term that beautifully sums up this staggering cover, showing Ghost Rider in pitched battle against the maniacal Mr. Hyde. Javier Saltares did a masterful job depicting this popular '70s and '80s character. A lot of passion went into creating this dynamic cover. The art is in excellent condition with no wear or white-out, and measures 10" x 15".
Marie Severin and Herb Trimpe - Original Art for Strange Tales #160, page 1 (Marvel, 1967). Doctor Strange splash pages are rarely offered for sale in any forum, let alone in public auction. Here we have the good Doctor ready to face off with his arch nemesis Mordo and surrounded by his insidious mages. An equivalent piece drawn by Steve Ditko would fetch in the neighborhood of $20,000-$30,000. The art has minor staining and white-out. Also, the mage in the left bottom corner is a stat, but the art does exist underneath. The piece measures 12.5"x 19".
Barry Smith - Conan, Conceptual Drawing (Marvel, 1970). Barry Smith has risen in the ranks of the medium's elite artists, and Conan the Barbarian was his vehicle to stardom. This is a very early conceptual piece. It was most likely submitted for editorial review during the developmental stages of the character. The drawing of Conan itself is quite dynamic and is a finished figure, the background is loose pencil. Also annotated in pencil are the words "Barry Smith(,) Inks by Rich Buckler". Pen and Ink, with pencils on paper. Image area is 9.5" x 14", professionally matted.
Gerry Talaoc Original Art for The Incredible Hulk #306, page 8 (Marvel, 1984). This extremely surreal page has the Hulk wandering through some bizarre netherworld, and passing through a magic mirror. Gerry Talaoc - known mainly for his DC horror work of the '70s - lends his skills to ol' Greenskin, and the brushwork is suitably evocative. This piece measures 10.5" x 15.5" and is in excellent condition.
Carl Barks - Color Lithographs (Another Rainbow, 1990). This set of Carl Barks prints represents one of the few complete same-number sets in existence. All 26 of the large size prints and all 17 of the small size prints are designated #92. This set consists of the desirable "regular" issue prints. In the spring of 2000, Another Rainbow valued this complete set at $60,760 (large at $49,650 and small at $11,110). "Sailing the Spanish Main" was priced at $11,000! All the lithographs are signed by the now deceased Carl Barks, the beloved artist who wrote and drew Donald Duck and Uncle Scrooge comic book stories from the 1940s through the 1960s. All are accompanied by their original certificates of authenticity and any special edition comic books that were released in conjunction with the lithographs.
A. Caseneuve - Original Cover Art for Speed #27 (Harvey, 1943). There are very few Golden Age covers, especially from the 1940s, that still exist, and far fewer become available in public auction. This is a great rendition of the Harvey heroes fighting the axis during World War II. Some of the landscape has some white-out, otherwise the art is in very good condition, measuring 12"x12".
Dan DeCarlo - Original Cover Art for Archie Giant Series #533 (Archie, 1983). Rendered by the most famous Archie artist from the 1960s on, this cover features Sabrina, the Teen-age Witch, who went on to achieve fame on her own TV show during the late 1990s. Measuring 15" x 22" and exhibiting minor white-out and light tape stains, this piece still shows well, and should please any Archie or Sabrina collector.
Hal Forrest - Original Art for "Prince of Peril" (194?). This lot of two pages includes a Prince of Peril Sunday strip and a splash page, which appears to have been used in a comic book featuring the same character. Hal Forrest's name and signature seem to indicate an influence by Hal Foster. He seems to pay tribute to him even in style. The character, Prince of Peril, also reminds us of Prince Valiant in both appearance and origin. Hal Forrest is well known for creating and drawing Tailspin Tommy, one of the best-known aviation strips of the 1940s. The art is in excellent condition with minor wear, and measures 14"x20", and 15"x21".
Mo Gollub - Original Cover Painting for Tarzan Comics (Dell, 1955). A fabulous piece by a true master, Gollub was also the artist on the Smokey the Bear strip from 1957-1959. Offered here is a beautiful cover painting of Tarzan facing down a snarling leopard high in the treetops! Oil on artboard, this piece measures approximately 15" x 20" and is in excellent condition. From the collection of Russ Cochran.
Mo Gollub - Original Cover Painting for Tarzan #71 (Dell, 1955). When the Dell series of Tarzan comic books started in the mid-1940s, the first covers were drawn by Jesse Marsh, who also did the interiors. After a time, other artists were given the assignment, and sometimes photographs of the current movie Tarzan (typically Lex Barker or Gordon Scott) were used on the covers. Morris ("Mo") Gollub was without question the best artist to paint the Tarzan comic covers, with his version of Tarzan most resembling Lex Barker. Very few of his originals have survived, making this a unique opportunity for collectors. Oil on artboard, the piece measures approximately 15" x 20" and is in excellent condition. From the collection of Russ Cochran.
Jim Laurier - Original Cover Art for Creepy #109 (Warren, 1978). An unreal cover depicting a horde of alien spaceships shooting lightning bolts at the United States. Independence Day, anyone? Great for the sci-fi collector who wants a piece of Creepy history. This piece, in excellent condition, measures approximately 24" x 18".
Jim Laurier - Original Cover Art for Creepy #119 (Warren, 1979). The aliens have landed on this "creepy" cover. Measuring 18" x 24", this is a beautifully rendered piece. Creepy art doesn't come up for sale often, making this a golden opportunity for the collector of the esoteric and unique.
Jim Laurier - Original Cover Art for Eerie #113 (Warren, 1980). Jim Laurier did a series of wonderful cover paintings for Warren, very colorful and evocative pieces. This is a very cool painting of spaceships in battle, and it is worth noting that only about the bottom two-thirds of this piece was used on the actual cover, with the fleeing spaceship near the top entirely cropped off. This lot also includes a VG copy of Creepy #113. 12" x 21".
Jim Laurier - Original Cover Art for 1984 Magazine (Warren, 1979). The title 1984 was published from 1978-1980 by Warren Publishing and had artists like Richard Corben and Wally Wood on board. This cover is from issue #6, beautifully painted by Jim Laurier. A humanoid alien is shown in a surreal scene with his spaceship and a moon floating in the background. A really beautiful piece and a memorable image, measuring 17" x 23" overall.
Jim Laurier - Original Cover Art for 1984 Magazine (Warren Publishing, 1980). The cover to the "Star Trek" issue of this fondly-remembered magazine, this beautiful painted cover by Jim Laurier shows a plethora of futuristic spaceships and a cool space station; a very detailed and wonderfully realized piece. Warren art can be hard to find, and this is a terrific opportunity to acquire a really stellar cover. Measuring a large 29" x 22", this piece is in excellent condition.
Russ Manning - Original Illustration of Magnus Robot Fighter (Gold Key, 1960s). Manning's most famous character, Magnus, comes to life in this action-laden illustration. In this dynamic piece, Magnus does what he does best, kicks some robot butt. An image that would make any Gold Key collector proud, a similar illustration in 1996 sold for $1,500. In excellent condition, it measures 13" x 6".
Bob Montana - Original Art for Archie (Issue Unknown) (Archie, 1940s). This page should fill the needs of any collector looking for a vintage Archie piece. It offers a great interaction between Archie and Veronica. The last two pieces from the 1940s sold in auction for more than $20,000 in 2000. It is very rare to have Archie pages offered that are pre-1960. The page is in outstanding condition with minor tanning on the very bottom of the page, but not affecting the art. The piece measures 12.5"x 18".
Bob Powell - Original Art for All-New #13, page 41 (Harvey, 1944). Powell excels at drawing beautiful women and planes, the theme of this page. His approach is stylistic, and he is well-known for his shading technique. The art is in excellent condition, measuring 18" x 12".
Charles Schulz - Original Peanuts Sketch (undated). A fantastic piece of art drawn by Charles Schulz with Charlie Brown, Linus, and that loveable dog Snoopy paying tribute to America's bicentennial. Some of the most beloved cartoon characters of all time, Schulz's love of his "children" and love of his country are evident in this beautiful piece. The art measures approximately 7 1/2" x 10" and is in excellent condition.
Dave Sim - Original Cover Art for Cerebus #49 (Aardvark-Vanaheim, 1983). Cerebus artist and creator Dave Sim had a vision in the 1970s, and since then, the comic world has never been the same. He single-handedly heralded the independent movement, which reached its zenith in the late '80s and early '90s. Because Cerebus is much loved in the comic world, getting an opportunity to own an original cover is rare; collectors are quite possessive of them. The art is in excellent condition with hardly any wear, and measures 10" x 14".
Unidentified Artist - Original Art for Weird Tales of the Future "The Worm Turns" - Complete 4-Page Story (SPM, 1952). Complete pre-code horror stories are very rare in today's market. Measuring 22.5" x 14.25" and in excellent condition, this four-pager from one of the better pre-code titles is prototypical '50s horror in which a giant mealworm is destroyed by nuclear attack. Truly, the stuff of which nightmares are made...
George Wilson - Original Cover Art for The Time Tunnel #2 (Gold Key, 1967). The Time Tunnel was a short-lived TV series in the late '60s, fondly remembered by a group of dedicated fans. This is the original painting used for the cover art of the second (and final) issue of the comic book adaptation. Our heroes appear out of the concentric circles inherent to time travel and fight Nazis. A well-executed piece in very good condition, the art is acrylic on board and measures approximately 12" x 15". Registration marks are evident, common to art from this period. The piece would look extremely handsome with a matte cropping the image to the used dimensions. A copy of the actual comic is included.
Will Eisner and Wally Wood - Original Art for Spirit Section Splash Page (8/17/52). The collaboration between Eisner and Wood on the later issues of the Spirit Section is legendary. Like Camelot, it was a brief shining moment. The splash page offered here is a highlight of that period. The influence of Wood on the lunar landscape is quickly evident. The figures in the foreground are obviously Eisner's hand. We are quite fortunate to have the selection of Spirit work that we do in this sale. It is highly prized and difficult to acquire.
Will Eisner and Wally Wood - Spirit Section page (8/17/52). This is a historic collaboration between these two giants. Rarely seen for public sale, these examples come from the later part of The Spirit's history, when Wally Wood was assisting Will Eisner. Wood's influence was quickly felt, as the strip took a more science-fiction bent. Probably pencilled and laid out by Eisner and finished by Wood, this page, which measures 22" x 15", features Commissioner and Ellen Dolan, and is in very good condition, showing some glue stains, a small amount of white-out, and a stat missing in the second panel.
Will Eisner and Wally Wood - Original Art for Spirit Section, 4 pages (8/31/52). This is a tremendously exciting offering. Will Eisner and Wally Wood are two of the true giants in comic history. Individually, their work is highly prized and consistently exceeds estimated values. For over thirteen years, Will Eisner's Spirit Section was distributed as a syndicated comic book insert in Sunday newspapers across America. While the Spirit never achieved the mass appeal, or pop culture icon status of a Superman or Batman, the Spirit is likely one of the most critically acclaimed characters in the annals of comic history. The stories entertain and enthrall on many levels; the art and layouts are masterful and inventive. The four pages of Spirit art offered here are from the last weeks of the series, when Wally Wood was working as Eisner's "ghost". It appears that much of the layout and some pencilling is Eisner, but the inking and dominant "feel" of the pages is definitely Wood. The story has an outer space/science fiction theme, with the splash panel and about half of the smaller panels being classic Wood sci-fi art. Page three of the story is all sci-fi, and is masterful, its value is equal to that of the splash page. Four sequential pages of a Wood/Eisner collaboration is very rare and desirable. Similar offerings of Spirit artwork rarely appear in the market. These pages are in excellent condition and measure approximately 22" x 15".
Johnny Craig - Original Cover Art for War Against Crime #8 (EC, 1949). Appropriately titled, as the focus of this cover shows a horde of policemen busting up a gaggle of criminals engaged in an illegal activity (that's why they're criminals, right?). Johnny Craig was one of the outstanding EC artists, rendering a very stylish, shaded piece, with bold lines and dynamic perspective. Despite the current high demand for EC art, this genre is still very fairly priced. In exceptional condition with no wear or white-out, this piece measures 13.5" x 19".
Jack Davis - Original Cover Art for Impact #2 (EC, 1955). When one looks to purchase an EC cover, the preference is to find one that elicits emotion, and this cover does exactly that. Jack Davis' script comes into play here, taking us on a haunting journey of the mind that leaves us with a sense of trepidation, pondering what will happen next. The art is in very good condition, with some staining on the title stat. Also, the man's hand has been redrawn, becoming discolored. The art measures 13.5" x 19.5" overall.
Al Feldstein - Original Cover Art for Weird Fantasy #7 (EC, 1951). This piece incorporates all of the elements that a collector looks for in a science fiction cover. It has spacemen, rocket ships in outer space, and a voluptuous space girl striking a pose for all her admiring fans. This piece certainly qualifies as a headlights cover, and is arguably the best example of that genre that Feldstein ever produced. EC art has been very undervalued and this is a great opportunity to put a classic cover in your collection without breaking the bank. The art is in exceptional condition with no visible wear and measures 13.5" x 19.5".
Al Feldstein - Original Cover Art for Weird Science #8 (EC, 1951). A stunning image from EC mainstay Al Feldstein, this is the classic cover depicting astronauts being attacked by some of the most imaginative BEMs ever to grace an EC comic. Moderate glue stains and light tanning do not detract from the power of this well-known image. 15" x 22".
Al Feldstein - Original Cover Art for Weird Science-Fantasy #28 (EC, 1955). Evocative cover image of a mysterious space bridge is noteworthy for its attention to detail and its ambiguity -- where does the bridge lead to, and what lies beyond? Al Feldstein's outstanding composition and slick ink lines make this yet another treasure for the EC cover collector. Page is still very white, with virtually no tanning; two small brown spots in the lower third of the page are about the only flaws in this gorgeous cover. 15" x 22".
Wally Wood - Original Cover Art for Weird Science-Fantasy #23 (EC, 1954). One of Wally Wood's most intriguing concepts -- a spaceship crashes underwater -- also proves to be one of his most evocative covers for EC. From the dramatic posing of the dying astronauts to the shadowy city in the background, all rendered with Wood's legendary brushwork, this is one eerily beautiful cover. Wood's EC science fiction covers have been off the market for years (and most are still in the hands of private collectors), making this a rare treat which we are proud to offer. As is common for many EC covers, there are production notes in the margins, and some aspects of the cover have been inked in red to aid the engravers. Some light stains in the margins, but very little tanning. A truly stunning piece from the great Wally Wood. 15" x 22".
Jack Davis - Original Art for Tales from the Crypt #33 "Lower Berth" - Complete 8-Page Story (EC, 1953). The legendary "Origin of the Crypt Keeper" story, "Lower Berth" is a truly twisted tale wherein two side-show freaks (an ancient mummy and a two-headed ogre) decide to marry and procreate, and the end result is ... yuck! This yarn features some of Jack Davis' finest EC work, with his trademark contrasting of heavy blacks with fine feathering. Oddly enough, the "reveal" of baby Crypt-Keeper has a pasted-up head, which seems to have been done to make the child look less "baby-like", and to more closely resemble the adult CK. Pages are in excellent condition, with virtually no tanning, and the usual blue-line notations. The "Crypt of Terror" stat on page one is somewhat loose on the right side, but still firmly attached. A truly important and memorable EC story. Eight pages, 15" x 22".
Graham Ingels - Original Art for Tales from the Crypt #27 "Horror! Head...It Off!" - Complete 7-Page Story (EC, 1952). Very early Graham Ingels period piece is an evocative tale about club feet and decapitation. Ingels' almost fetishistic feathering serves this eerie yarn very well, and the terror mounts slowly and deliberately, leading to the traditional gory comeuppance. An outstanding example of the early EC terror tales. Pages are in excellent condition, with virtually no tanning, and very light margin notations. The "Witch's Cauldron" stat on page one is loose, but still attached. Seven pages, each measuring approximately 15" x 22", in excellent condition. From the collection of Russ Cochran.
Joe Orlando - Original Art for Weird Science #15 "Bum Steer" - Complete 7- Page Story (EC, 1952). Some of the most bizarre aliens ever to appear in any EC comic (they look like centaurs with plant-like arms, horns, and a mane of luxurious hair) populate this blunt cautionary tale about cowboys being kidnapped to an alien planet where they suspect their ultimate fate may be eerily similar to the cattle they left behind on Earth... Orlando is an underrated EC artist, and this story is a lovely example of his solid work for the company. He makes the outlandish aliens believable, and beautifully renders the raven-haired woman the aliens use as bait. This 7-page story is exceptionally clean, with very little tanning and only two paste-up corrections on page six. Seven pages, measuring 15" x 22" each.
Wally Wood - Original Art for Mad #2 "Gookum!" - Complete 6-Page Story (EC, 1952). Humor in a jugular vein from one of the earliest issues of the longest-running laugh-mag in the business. The immortal Wally Wood weighs in with a hilarious tale of a goofy Martian and the gelatinous creature he's pursuing. More freewheeling and wild than his SF or horror work, this nevertheless boasts Woody's trademark meticulous linework and mastery of the sight gag. This is "Melvin Wood" at his finest! Reasonably clean boards have multiple blue-line markings and corrections, and there is light tanning, especially on page one, but these hardly detract from the outstanding artwork. Complete stories from this early in Mad are exceptionally scarce, so don't miss this rare opportunity. Six pages, measuring approximately 15" x 22" each.
Wally Wood - Original Art for Weird Fantasy #11, "The 10th at Noon" - Complete 6-Page Story (EC, 1952). The earliest of the complete EC stories offered here, this is also a rare look at early Wood, when the tight, assured style that became his trademark is still in development. An eerie tale of a camera that can photograph the future (and the horrifying images it relays to the hapless protagonists) is rendered even more evocative through Wood's use of heavy blacks and claustrophobic staging. While not as "slick" as Wood's later EC work, this has a raw power that amply demonstrates his budding genius. Pages are in excellent condition, with very little tanning and light blue-line markings in the margins; several pages have individual panels rendered on Craftint Duotone paper that have been pasted into the larger board. Six pages, measuring approximately 15" x 22" each.
Wally Wood - Original Art for Weird Science-Fantasy #24, "...For Posterity" - Complete 8-Page Story (EC, 1954). The story Wally Wood was born to draw. Two regular joes are kidnapped by a flying saucer and taken to a future world where the male of the species has died out, and all that survives are beautiful, scantily-clad women! Of course, the men are asked to help repopulate the race, a prospect they accept with relish. Pretty audacious, even for the pre-code era. Stalwart work from Wood, with ample opportunity to depict beautiful women, something Woody was quite good at. Pages are very clean, with almost no tanning; there are some light blue-line scribbles in the margins of some pages, and a couple of lettering paste-ups. Eight pages, measuring approximately 15" x 22" each.
Wally Wood - Original Art for Weird Science-Fantasy #27 "Adaptability" - Complete 7-Page Story (EC, 1955). Survival on a raw alien planet is the theme of this typical but fast-moving sci-fi tale from EC's heyday. What makes this story particularly exciting for the Wally Wood fan is that it features page after page of those round-portalled spaceship interiors that Woody is so famous for, making this a prime story for the Wood collector. Please note that on every page of this story, at least one panel has been cut-and-pasted into the larger board; this is because these individual panels were rendered on Craftint Duotone board (to lend variety to the artwork); while most are still tightly affixed (with glue and tape), the panels on the last two pages are slightly loose. Pages show light-to-moderate tanning, and all have the usual blue-line notations and corrections. An outstanding story overall. Seven pages, measuring approximately 15" x 22".
Wally Wood - Original Art for Weird Science-Fantasy #28, "The Inferiors" - Complete 8-Page Story (EC, 1955). Okay, you can see the ending coming a mile away in this typical but wildly entertaining EC sci-fi tale, as de-evolution rears its ugly head, but it's still an outstanding showcase for the amazing talents of EC mainstay Wally Wood. This is another story filled with the fascinating and incredibly detailed spaceship interiors that Wood is famous for, plus a race of upright lizard-monsters adding to the fun. To stare at Woody's sure-handed linework on these pages is to understand why the man is a legend. Pages are in excellent condition, with very little tanning, and fewer than usual blue-line markings in the margins. There are a few paste-up corrections in the captions, but these do not detract from the overall impact of the story. A top-notch tale from Wood. Eight pages, measuring approximately 15" x 22" each.
Murphy Anderson - Original Art for Hawkman #1, page 12 (DC, 1964). Beginning a run that many collectors consider to be the high-point of Murphy Anderson's creative output, this is the final page to Hawkman's first adventure in his own magazine. With Hawkgirl in two panels, this is a two-thirds page. The bottom third of the page is blank, being reserved for a house ad that would have been placed in this area, thus only the actual image area is shown here. The piece measures 21.5" x 14.5" overall, with an image area of 13.25 x 11.75.
Artist Unknown - Superman Tight Pencil Prelim for Mural (1940s). This pencil rough on tracing paper is believed to have been done in the 1940s. It depicts seventeen different scenes in Superman's life, beginning with the explosion of Krypton and ending with his union with Lois Lane. It appears that a draftsman laid it out as a possible mural that would have achieved a length of 32 feet. This is a unique item with no artist credit given, but having a Superman piece circa 1940s is quite rare. There are two pieces of tracing paper, the first piece measuring 13" x 10.5" has some staining in the middle, the second piece which measures 16" x 12" has tape over eight inches because of tears.
Wayne Boring and Stan Kaye - Original Art for Superman #95, page 4 (DC, 1955). A rare example from Superman's main artist of the 1950s, featuring "Susie's Enchanted Isle". Superman is prominently featured in many of the panels, as he tries, in a hilarious exchange of dialogue, to understand what Susie did with their time machine. The back of the piece has an inked drawing of a Victorian-style woman, possibly done in preparation for her appearance in another story. The art is in very good condition, with two rounded corners and part of the logo stat missing at the top, and measures 13" x 9.5".
Wayne Boring - Original Superman Painting (1981). Featuring a sultry mer-woman frolicking with a dolphin in an azure underwater seascape, this is not an image that is typically associated with a Wayne Boring Superman cover, but he pulls it off delightfully. As a truly great artist, he is able to plunge us into a surreal setting, and leave us with a sense of tranquility. Boring was the acclaimed artist for Superman throughout the 1950s, and his art is highly sought-after. Some aspects of the Superman figure were finished by Jerry Ordway, the 1980s Superman artist. This piece is done in acrylic, and is in very good condition, but does have some small tears at the bottom left corner of the painting. The art measures 24" x 36" overall.
Wayne Boring - Original Superman Painting (1981). If there is a piece that is appropriate for today's current political situation, this is it. The patriotic theme abounds in this classic rendition of Superman, the American Flag, George Washington, Abraham Lincoln...even "Tricky Dick" Nixon is there! This water-colored piece was done in 1981 by Boring, the preeminent Superman artist from 1949 through the late 1950s, and comes from a private collection. It is a rare opportunity to see a spectacular Boring piece for sale, especially one in excellent condition. The art measures 10.5" x 15.5".
Nick Cardy - Original Cover Art for Wonder Woman #205 (DC, 1972). BOMBastic! Wonder Woman in all her glory! This cover captures the essence of the comic book genre: beautiful heroine, dire circumstances, and New York in peril. There has been, in recent times, a rediscovery of the art of Nick Cardy. He is currently being lauded as one of the great artists of the 1970s. This cover is in exceptional condition with very minor white-out. The art measures 10"x 15".
Kerry Gammill & Butch Guice - Original Cover Art to Action Comics #692 (DC, 1993). One of the most iconic images of Superman -- that of Clark Kent pulling open his shirt to reveal his "S" emblem beneath -- is beautifully rendered by artist Kerry Gammill (with terrific inks by Butch Guice). This fantastic cover is from the post-Doomsday era when Supes had returned from the dead and grown his hair long. Surely one of the greatest Superman covers of the early '90s boom, this image was used in much of DCs advertising of the day, and is very familiar to Man of Steel fans. With his taut storytelling, attention to detail, and realistic rendering, Kerry Gammill was one of the great Superman artists, enjoying a healthy run on the book from the mid-'80s through the mid-'90s. Also comes with an acetate overlay with logo attached which is not shown here. 9 1/2" x 14 1/2".
Silver Age (1956-1969)
Carmine Infantino - Original Art for Showcase #8 (DC, 1957). From the earliest days of comics' Silver Age comes this stunning page from industry legend Carmine Infantino. This page is from the second appearance of Barry Allen, the Silver Age Flash, and shows him battling an unnamed mystery villain. This is certainly one of the earliest pieces of art from the Silver Age to survive until today, making it both historically important and exceptionally desirable. In excellent condition, the large art page measures approximately 14.25" x 22". The title bar at the top is a stat, but everything else is original, with little to no evidence of white-out or blue-pencil.
Original Comic Art
Carmine Infantino - Original Art for The Flash #128, page 14 (DC, 1962). Carmine Infantino, one of the stars of the DC firmament, is perhaps best remembered for his work on the Silver Age Flash. This page shows Barry (The Flash) Allen, out of costume, exploring a small planetoid. The page, which measures 21.5" x 14.25", is well rendered, with some nice outer space panels, and has been laminated both front and back.
Bob Kane - Signed/Remarqued Batman Print (undated). A moody black and white piece that hearkens back to the earliest years of "The Bat-Man" as the Caped Crusader looms over an exquisitely-rendered Gotham City. The remarque, in the lower right hand corner, is a profile head sketch of Batman, rendered in his creator's hand. 26" by 34", matted.
Bob Kane - Signed/Remarqued Batman Print (undated). A striking color piece depicting the Batman in poses reminiscent of his earliest adventures. The remarque in the lower center of the print is of Batman's head, drawn by his creator. 26" by 34" inches, double matted.
Gil Kane - Original Cover Art for The Creeper #6 (DC, 1969). One of Steve Ditko's weirdest creations gets the heroic treatment from legendary artist Gil Kane in this exceptional cover to the Creeper's final issue. Bold and powerful, with all the typical "Kane-isms" one would expect, this is a great opportunity to own a great cover from the Silver Age of comics. Measuring approximately 11.5" x 17.5" with an image area of 10" x 15", this cover is in excellent condition and is signed and dated by Kane in the lower right corner.
Jack Kirby and Mike Royer - Superman Illustration (Early '70s). "The King" spent precious little time on Superman, and even his brief run on Jimmy Olsen was marred by having Superman's faces re-drawn by Murphy Anderson (apparently the DC brass didn't feel Jack's rendition of the Supes matched the "house" style). Probably the coolest thing about this illustration is that it is unfettered Jack, with no "editorial" interference, and it boasts the kind of explosive action that was Kirby's trademark. As club-weilding cavemen flee, the Man of Steel puts his best fist forward and clobbers a rampaging dinosaur. Superman duking it out with a classic Kirby monster is a rare image indeed, and the King gives this one his all. Beautifully inked, we believe by Mike Royer (we don't have documentation, but it certainly has all the qualities of Royer's full-blooded '70s work on Kirby), this has all the elements of a great Jack Kirby piece. 8 1/2" x 11".
Sheldon Moldoff and Charles Paris - Original Art for Detective Comics #219 (DC, 1955). The Dynamic Duo have come to save the day, succeeding with aplomb! Patriotism abounds on this page, featuring Batman and Robin in each panel. This page is a classic example of Shelly Moldoff, the predominate artist on Detective during the 1950s. When one imagines Batman from that period, what we recall is really Moldoff's rendition. The art is in excellent condition with no white-out, measuring 13" x 19".
Sheldon Moldoff - Hawkman Custom Illustrations (undated). One of the preeminent artists from the Golden Age, Shelly's Hawkman from the Flash series remains a high mark of the 1940s. His graceful, sometimes haunting style always stood out from the rest, and helped define the style of that era. Many years later, when fandom rediscovered him, Shelly made several specialty pieces by commission, allowing collectors to enjoy art that is otherwise non-existent in original form. Offered here are two pieces of Hawkman in action. Measuring approximately 14" x 17" and done in mixed media on board, these would frame very nicely.
Sheldon Moldoff - Batman and Hawkman Custom Illustrations (undated). Produced by the legendary Sheldon "Shelly" Moldoff in the early '90s, these full-color custom illustrations, rendered in ink and mixed media, are vibrant and colorful. This lot includes two pieces: Batman and Robin vs. the Penguin, and Hawkman (the character Moldoff was best-known for drawing) fighting a prehistoric creature. A rare opportunity to own two full-color pieces by a revered Golden Age artist. Both have water damage on the lower third and have slight warping. They measure approximately 14" x 17" each, and are rendered in mixed media on board.
Sheldon Moldoff - Batman Splash Page Recreation (undated). This piece features one of the best-known characters Moldoff drew during the Golden and Silver age, the legendary Caped Crusader. Here, the Dynamic Duo are in hot pursuit of the Phantom of the Opera, titled "Murder in Movieland," which measures 14"x17". A great piece for framing!
Win Mortimer - Original Art for The Brave and The Bold #64 (DC, 1965). This splash by Mortimer provides the full flavor of what one expects in a DC page from the 1960s. You have the hero, Batman, in the grip of the dastardly and devilish villain, Eclipso, surrounded by the villain's fiendish gang. The page is in excellent condition with no white-out and only minor wear, and measures 12" x 16".
Win Mortimer - Original Cover Art for Batman #79 (DC, 1953). Original art collecting is a fairly new phenomenon in the comic book market. Long thought of as valueless production pieces, art was routinely destroyed after use until relatively recently. Consequently, vintage art is extremely hard to come by. This piece, which was evidently rejected during the editorial review process, was to have been featured as the cover of Batman #79, but someone obviously objected and the image was pulled, replaced by Mortimer's far tamer "Bride of Batman" cover. Perhaps in the increasingly-paranoid days of 1953, with Kefauver and the US Senate looking for any excuse to pounce on the comic book industry, the image of Robin in stocks was considered just a bit too provocative. Whatever the reason, the fact that this piece has survived is nothing short of a miracle. Double-matted and measuring 23.5" x 18.5" overall with an image area of 18" x 12", this exceptionally clean piece is a treasure that any Bat-collector would be proud to own.
Win Mortimer - Cover Recreation for Detective Comics #170 (undated). Featured here is a rare Mortimer recreation of a cover he did for DC in 1951, featuring Batman and Robin in a perilous situation, as the Dark Knight is about to be unmasked by a band of pirates. The art is signed by Mortimer in the lower right hand corner, and measures 19" x 13". Not many recreations exist by Win, making this an attractive piece for any fan of this popular artist.
Martin Nodell - Cover Recreation of Green Lantern #1 (2002). Inspired by a switchman's green lantern used to give trains the go-ahead to proceed, Nodell created one of DC's most enduring characters in 1940, and drew him for the better part of the decade. Of the many Green Lantern covers, this one is considered to be a true classic, from a historical and artistic sense. This recreation was done in mixed media on board and, measuring 15" x 20", captures the whimsical, yet dynamic style for which Nodell is loved.
George Papp - Original Art for Superboy #90, page 23 (DC, 1961). Encapsulating Superboy's unique struggle with adolescence, we see what the Boy of Steel had to face on a daily basis, not being able to truly make friends for fear of their safety. Papp was a regular on these Super-titles during the 1960s, developing a clean style that has become synonymous with Superman. Art from this period of DC tends to be scarce, particularly clean splash pages such as this. The art measures approximately 13" x 18.5".
Charles Paris and Alvin Schwartz - Original Art, Batman #52, page 10 (DC, 1949). Batman art of this vintage is very scarce, but offered here is an exciting page which has managed to survive. In this story, Batman has been traveled back in time to pre-Columbian America. He has befriended Viking conquerors, who are in battle against the native Americans. The first and last panels on the page feature Batman and Robin, and are prototypical of Charles Paris' depiction of the caped crusaders. The dominant middle panel is very well executed. It is very reminiscent of Iger shop work, and is atypical of DC's style for this period. A very rare and interesting piece, measuring approximately 23" x 14.5" overall.
Arthur Peddy and Bernard Sachs - Original Cover Art for All Star Comics #54 (DC, 1950). Although scarcely a household name, Arthur Peddy was a solid journeyman artist who had a seventeen-issue run on the legendary All Star Comics, including penciling eleven of its last twelve covers (he even contributed to the book's next incarnation, All Star Western, which replaced the superhero title). Peddy, who was virtually always teamed with inker Bernard Sachs, had a very tight, somewhat cartoony style that is quite pleasing to the eye. Offered here is a rare All Star cover, beautifully rendered by Peddy and Sachs. In keeping with the DC vogue of the day, the cover is more whimsical than action-packed, with the fabled Justice Society taking part in a circus parade as a gleeful crowd of onlookers cheer their heroes. The detail in this piece is simply amazing, with every face in the crowd clearly delineated, as are the frills and bangles of the circus accoutrements. Not particularly known as a "good girl" artist, Peddy's rendition of Wonder Woman and Black Canary are nonetheless quite lovely, with an elegant simplicity that lends them great beauty. The figures of Green Lantern and Flash seem solid and powerful, while the diminutive Al Pratt (aka The Atom) exhibits his great strength by effortless bearing his comrades in arms. Golden Age covers are a true rarity, and are highly prized by original art collectors; fewer than ten All Stars covers probably still exist, most from this same era of the later '40s/early '50s. This piece is in exceptional condition; although all the paste-ups are replacement stats (the lettering to the right of the logo, which begins "An exciting mystery-adventure..." is all original, however, lettered on the board), the art is in immaculate condition, with very little white-out and virtually no tanning. There is a light crease in the lower right corner, but this has almost no affect on the presentation. Given the scarcity of Golden Age superhero covers, not to mention a piece as detailed and beautiful as this one, this is a rare prize that would be the centerpiece of any art collection. 12 1/2" x 18"
Fred Ray - Original Cover Art for Tomahawk #1 (DC, 1950). We are very pleased to offer this unique piece of comic book history. Original comic book cover art of this vintage is very rare, and key issue covers by important artists are, of course, even rarer. Our experts were hard-pressed to name another first issue, Golden Age cover extant in today's market. Several that are rumored to have survived were mentioned, but none that have actually been offered at public auction. Fred Ray, best remembered for his work on Superman, was one of the more prominent artists of his day. His Superman #14 cover is an enduring classic. Here, he successfully captures the climatic moment of this great scene, creating a memorable, and very dynamic, image. The art itself is in excellent condition. It is very clean, white and devoid of any distracting stats. Art and type in the logo area has been hand rendered, although that may be a later recreation. Rendered in pen and ink on paper and professionally matted and framed, the image area is approximately 13" x 19".
Nestor Redondo - Original Cover Art for Swamp Thing #18 (DC, 1975). A worthy successor to Bernie Wrightson on Swamp Thing, Nestor Redondo brought a boldly illustrative style to the adventures of DC's premiere muck-monster. This evocative cover amply demonstrates both Redondo's strong compositional skills, and his lush ink line, giving maximum impact to a typical damsel-in-distress scenario. A truly beautiful piece of artwork. 11" x 17" with no white-out; the logo and DC banner are stats.
Jerry Robinson - Original Art for Batman #13 (DC, 1942). In the 1940s, if you picked up a Batman title, you were looking at Jerry Robinson's rendition of Bruce Wayne's alter-ego. Jerry became synonymous with Batman during this era. In this beautifully depicted page, we see Batman in three panels carrying a Robin dummy and searching for the bad guys. No earlier interior page has ever been offered for sale from this title, which makes it a highly sought-after original. On the top margin there is a note from the DC editor to Robinson telling him to "make this dummy in all appearances look like Robin..." The art, which measures approximately 13" x 18", is in very good condition with some blue-pencil work, minor white-out and a little wear, and is signed by Robinson.
Norman Saunders - Original Batman Trading Card Artwork (Topps, 1966). Norman Saunders is one of the most important and prolific artists to illustrate fiction. One of the top pulp artists of the 1930s through 1950s, Saunders painted most of the Ziff-Davis 1950s comic book covers. He is probably best remembered, however, for his trading card art, most notably the Batman series from the 1960s and the infamous Mars Attacks set. The art offered here, which measures approximately 3.5" x 5" is indicative of the quality of the Batman set. Examples such as this surface rarely, and are quickly snatched up by collectors when they are offered for sale.
Mike Sekowsky - Original Art for Justice League #1, page 24 (DC, 1960). Wow! A splash from JLA #1. For all of those collectors who want to own a piece of DC history, here is your chance. The Justice League title was the preeminent team book of the Silver Age. It is a rare opportunity to own a piece of DC art from a number one issue, especially one as historically significant as this. The art is in excellent condition with no white-out and no wear, and measures 13" x 20".
Dick Sprang - Batman and Robin Christmas Illustration (1993). A beautiful drawing by the consummate Batman artist, here the Dynamic Duo send their best wishes for a happy holiday season. With bright, vivid colors and the rendering skills of a master, this piece evocatively captures the feel of the 1950s Batman. Tastefully matted and framed, the image area is approximately 8" x 10".
Dick Sprang - Recreation "The Joker's Millions" (undated). Dick Sprang began work on Batman during World War II. Consequently, a generation of readers and collectors think of Sprang as "the" Batman artist. Because vintage Sprang artwork exists in such small numbers, it is quite an occasion when a piece surfaces for sale. Panel pages come on the market infrequently, but the idea of owning a vintage cover or splash is a pipe dream. Luckily, Sprang did a series of recreations in the 1990s. Even more fortuitous for us, the old master never lost his touch. The work is executed to exacting standards, with amazing detail. This piece, rendered in mixed media on illustration board, is a genuinely finished painting, with vivid colors and a forceful presence. In superb condition, this piece measures approximately 20" X 15".
Dick Sprang - Cover Recreation of Detective Comics #136 (1991). A fantastic recreation rendered by one of Batman's pre-eminent Golden Age artists. Sprang, who passed away in the '90s, was a regular on Batman titles for nearly three decades, and created a unique visual style for the Caped Crusader. This piece showcases one of his Golden Age covers from 1948, showing the Dark Knight taking down Scarface Carson, killer-at-large, and is accompanied by an amusing letter he wrote to the recipient claiming that this piece would be unique, simply because of the difficulty Sprang had reproducing all the lettering. As far as recreations go, this is top of the line. Nicely matted, this piece measures 13" x 18" and is ready to grace the wall of any Batman fan.
Curt Swan and Stan Kaye- Original Art for World's Finest #73, page 3 (DC, 1954). Collectors have long known how difficult it is to find this issue, listed in the Overstreet as "scarce." So when one is faced with the chance to purchase an even rarer original page from the book, the opportunity must be seized. This page has both Clark Kent and Bruce Wayne, which by itself is a rare occurrence, but it also features Batman and Robin in action. 1950s DC art is rare and very desirable, and nothing commands more collector interest than pages featuring the Man of Steel and the Caped Crusader, DC's two powerhouse characters. This piece is in good shape, measuring 19" x 13", but has some minor chipping along the top margin that does not affect the art.
Curt Swan and Murphy Anderson - Original Cover Art for Superboy #181 (DC, 1972). A wonderful cover image from the "super" team of Curt Swan (pencils) and Murphy Anderson (inks). What lies within the mysterious metal crate? Why is Superboy so agitated? You had to buy the issue to find out! Swan's outstanding composition and figurework are given weight and definition by Anderson's slick inks. An outstanding Bronze Age treasure. 11" x 17" with moderate white-out (the title "Super-Marriage or Super-Flop!" was originally inked on the side of the crate, and has been whited-out), and one dialogue stat is missing, as is the Comics Code symbol. Still, a great image of Superboy using his powers, and a terrific example of Swan/Anderson at their peak. Click Here to read John Michlig's entertaining article about this issue of Superboy.
Curt Swan - Adventure #312 Cover Recreation (DC, 1994). Surely one of the best known and most beloved artists of the Silver Age of comics, Curt Swan's run on The Legion of Superheroes is considered classic. His bold, confident line and his unerring storytelling sense was instantly recognizable to a generation of fans. Here he recreates one of his most famous covers, "The Super Sacrifice of the Legionnaires" from Adventure Comics #312. This was the story that brought Lightning Lad back to the Legion after his untimely death. Fully rendered in pencil on artboard, this piece measures approximately 12" x 18" and is signed by the artist in the lower right corner. A low-grade copy of the comic that was the basis for this recreation is included with this lot.
Curt Swan - Superman #201 Cover Recreation (DC, 1994). After Joe Shuster, the artist most commonly associated with the Man of Steel is Curt Swan, who defined the look of Superman for an entire generation of fans. Heroic yet human, untouchable yet vulnerable, Swan was able to illustrate a character that was both familiar and alien at the same time. While Superman was an icon, Clark Kent was just a mild-mannered everyman. Nowhere is this dichotomy more clear than on the classic cover recreated here, in which "Clark Kent Abandons Superman!" Fully rendered in lush, fluid pencils on artboard, this piece is a true homage to the Man of Tomorrow. It measures approximately 18" x 25" and is signed by the artist in the lower right corner. A large color copy of the original cover (in several pieces) also signed by Swan, is included with this lot.
Unidentified Artist - Original Superman Advertising Art (circa 1940). An enticing little piece of Superman history. Little historical information was provided with this consignment, but some relatively safe assumptions can be made. The image of Superman is quintessentially Shuster Studio work. The cherubic toddler, eating a pie, is definitely a separate hand. The child is finely executed, in pen and ink with airbrush. A captivating piece of original art and Superman history. The image area is 7" x 7.5" paper, and has been professionally matted and framed.
Unfinished Batman Original Art Panel Pages (DC, circa mid 1940s). Here is a unique piece, giving us a glimpse into the process of drawing Batman during the 1940s. This incomplete page contains a fist fight between the Dark Knight and his arch-rival Joker, partially inked with no words. Russo or Robinson may have had a hand in this piece, which came out of the Kane studio sometime during the mid-'40s. A fairly clean piece with light smudging and no white-out, measuring 13" x 18".
Alex Schomburg - Original Art Illustration (1950s). Alex Schomburg - the name alone conjures up images of heroes fighting grotesque monsters and fiendish villains, with a beautiful damsel hanging in the balance. Here we have a piece done at the height of his sci-fi appeal, featuring a space man locked in battle with ape-like creatures, while trying to save a scantily-clad maiden. Schomburg's work is extremely desirable to comic book and art collectors alike; there is simply not enough material to appease demand. As a matter of fact, he is the top-selling artist when it comes to his recreations, which usually sell for $20,000 to $30,000. We are fortunate to have Schomburg's signature on the piece, a rare occurrence during this period. The art is in excellent shape and measures 6" x 7".
Berni Wrightson - Original Fantasy Painting (1977). Berni Wrightson is one of a handful of artists that defined an age in comicdom. His body of work in the 1970s is recognized as the pinnacle of his career, and many consider Wrightson to be one of the finest artists ever to work in comics. This beautifully rendered finished painting was used as a conceptual piece on a movie project. Done in watercolor on board, this is a wonderful example of his work in the fantasy genre. His use of composition, shading and color blending grip the viewer. The painting is in excellent condition and measures 15" x 20".
Berni Wrightson - Original Art Horror Illustration (DC, 1974). A beautiful, lushly inked piece by horror maestro Berni Wrightson, this is an unpublished DC horror cover from the mid-1970s, with a collection of ghoulies greeting an unsuspecting band of trick-or-treaters. This is a completely rendered, finished piece, of cover quality, with all the usual attributes that make up a great Wrightson cover. The piece shows light creasing at the corners and has some light staining on the right edge, none of which affects the art. An absolutely outstanding Berni Wrightson illustration. 11 1/2" x 16".
Al Hirschfeld - Elvis Limited Print 150/150. To call Al Hirschfeld simply a "cartoonist" or "caricaturist" would be a disservice. Hirschfeld is an important American artist. For nearly 80 years Hirschfeld has captured the world of celebrity in his distinctively whimsical style. This important piece depicts "The King", Elvis Presley of late 60s vintage. Print is on high-quality rag paper and measures 15" x 20", with an image area of 10" x 14".
Jack Davis - Self-Portrait with The Crypt Keeper (2000). The master of satire, Jack Davis is probably the most-published artist of the 20th century. Blessed with a wry sense of humor, and a deft drawing style, Davis' work is instantly recognizable, whether its on a movie poster, a classic Mad story, or the cover of TV Guide. Offered here is a self-portrait of Davis and "an old fiend" that was done for a charity auction held at the San Diego Comic-Con, where it fetched a very pretty price! As one of the architects of the EC line of comics, and thus one of the most important artists in the history of the medium, Davis' work is highly-prized by collectors, making this very personal piece extremely desirable. Tastefully framed, the work measures 20.5" x 27" overall, with an approximate image area of 12" x 18" and is in like-new condition. From the collection of Russ Cochran.
Dr. Seuss - Original Sketch "They Call Him Pat" (undated). Smiling is contagious! That motto is evident in all of Dr. Seuss' work. His art awakens the child in all of us, and hearkens us back to a time of innocence. This whimsical piece has one of his beloved characters, Pat, serenely standing and waiting in anticipation of...something. The art is in excellent condition, with some blue-pencil work, and measures 11" x 14".
Dr. Seuss - Original Green Eggs and Ham Sketch (undated). Green Eggs and Ham...those four simple words evoke the imagination in all of us. Dr. Seuss is synonymous with our childhood, significantly contributing to our early development. Offered here is a beautifully rendered drawing of a Seussian gentleman staring at a plate of green eggs and ham, one of the most famous images created by The Good Doctor during his long and illustrious career. It's very rare to have any example of Dr. Seuss' work offered for sale, making this a tremendous opportunity, Sam I am! In excellent condition, white with no staining, and signed by Seuss, this piece measures 8.5" x 11".
Dr. Seuss Original Sketch (undated). Reminiscent of the Cat in the Hat, this image can't help but bring a smile to the face of everyone's inner child. This evocative sketch shows a typical Seussian character preparing a meal of hot dogs for himself, but of course he needs to refer to a cook book to get it done. A humorous image that perfectly captures Seuss' whimsical style. Rendered in pen and ink, the character was first outlined in blue pencil. The piece is in excellent condition, and measures 11.5" x 16".
Memorabilia
Walt Disney Signed Letter (1964). A cartoonist, motion picture producer, and businessman, Walt Disney was a legend in the entertainment industry whose accomplishments are too numerous to list in this description. Offered here is a typed letter on his personal letterhead, boldly signed "Walt Disney." Dated December 29, 1964, it was written to John Hurt of the Curtis Publishing Company. The letter is in pristine condition, still exhibiting exceptional whiteness. The piece was folded in thirds for mailing, and has staples at the upper left and lower right corners. There are also mounting remnants on the reverse, meaning this piece was most likely framed at some point. A bold, wonderful signature. This would be a superb piece for the autograph hunter or Disney collector. A letter of authenticity from University Archives is included.
Walt Disney Signed Contract (1962). As the creator of Mickey Mouse, and the driving force behind one of the most important movie studios in Hollywood history, Walt Disney is a legendary figure in the field of entertainment. Offered here is a 1962 contract personally signed by Disney. This two-page document sets down the conditions of a donation that Disney made to the Chouinard Art Institute, and is signed "Walter E. Disney" on the second page. Also signed by Royal Stark for the CAI. There are staple holes and minor creasing in the upper left corner where the document was originally stapled and folded over, and hole punches at the top of each sheet. The signature is bold and quite attractive, perfect for display. Includes a letter of authenticity from University Archives.
Original Comic Art
Disney Studios - Original Advertising Art "Donald's Lucky Day" (Disney Studios, 1939). Good Housekeeping was one of the most popular magazines of the 1930s and 1940s, going into millions of American homes. In the early 1930s, the Disney company decided to feature a single page in each issue of GH to promote their films, first the cartoons and then later their features. Two of Disney's very finest artists, Tom Wood and Hank Porter, created finished art for advertising and publicity purposes, and also created all of the early GH pages in ink and watercolor. The typical GH page contained four or five large color illustrations, together with text, each one based on a Disney cartoon. These appearances in GH were timed to coincide with the appearance of the corresponding cartoon in theaters around the world. "Donald's Lucky Day" was a Donald Duck cartoon produced and released by Disney in late 1938, and the GH page featuring this cartoon was in the February, 1939 issue. Offered here are three of the five illustrations for "Donald's Lucky Day", each one a complete painting in itself. No finer Disney artwork has ever been done, before or since, an opinion supported by the fact that several of the complete five-panel GH originals have sold for over $50,000 each. From the collection of Russ Cochran.
Boris Vallejo - Original Oil Painting Fantasy Female (1992). In the mid-'60s Boris Vallejo arrived in New York from Lima, Peru, and was able to use his skills from his classical art training to develop an individual style of fantasy painting which combined the perfection of the human form with a healthy dose of eroticism. This painting epitomizes his indomitable style and incorporates elements of both science fiction and fantasy in a truly wonderful collage of color. The painting is in excellent condition with no fading,15 and measures 20" x 26".
Ken Kelly - Original Oil Painting "Lion's Den" (1990). Surely one of the most vibrant Conan images ever created, this painting has been used for posters, advertising pieces, collector's cards, and even as the cover to "The Art of Ken Kelly" book. Kelly says, "I wanted to put this warrior in as much trouble as the 'Conan' character gets in. Also, because this was to be the cover for my first book, I deliberately put in as many extra items, and as many cats, as I could squeeze in. I wanted it very powerful and very memorable." This framed oil painting on board is in excellent condition. It measures approximately 45" x 35", and is signed and dated by the artist in the lower left corner.
Ken Kelly - Original Oil Painting "El Borok" (undated). Depicting a mighty warrior in the throes of battle, one can almost hear the clang of steel on steel and feel the hot desert air as the viewer is pulled into this masterful rendering. Measuring a massive 32.5" x 42.5", this piece appeals to the adventurer in all of us.
Ken Kelly - Original Oil Painting "Daughter of Erlik Khan" (1977). A large-scale piece by acclaimed fantasy painter Ken Kelly, this piece was used as the cover for a Berkley Books edition, as well as being featured as a calendar plate. Measuring an impressive 30" by 40" inches, this dynamic oil on canvas is ready to be the centerpiece of any original art collection.
Ken Kelly - Original Oil Painting "Flash Gordon: Citadels on Earth" (1981). Flash Gordon is certainly one of the most enduring characters in pop culture lore. This straightforward painting of Flash standing over his vanquished foe was used as the cover for an ACE books edition from the early 1980s. The piece measures approximately 20" x 30", oil on board, and is tastefully framed.
Ken Kelly - Original Oil Painting "Dragon's Death" (1979). Ken Kelly is considered by many to be Frank Frazetta's protege. In the late 1960s Kelly returned to New York and was invited by Frazetta to study with him. It was under Frank's tutelage that Kelly developed his imaginative and provocative style. This cover, most likely used for a paperback, and titled "Dragon's Death," depicts all the elements that one would look for in a fantasy painting: the damsel in distress, the barbarian hero, and the terrifying dinosaur-like creature. Done for the cover of a Pinnacle books release, the painting has rich deep colors and a wonderful shine. The art, which is beautifully framed, is in excellent shape and measures 17.5" x 21".
Ken Kelly - Original Oil Painting "Creature" (1984). Beautiful Ken Kelly oil painting done as the cover for a book in a series published by NAL in the early '80s. The pointed-eared figure in the foreground is striking, as cosmic energy seems to radiate from his body, and the female figure at his feet is exceptionally lovely. A real stunner measuring approximately 20" x 34".
Ken Kelly - Original Oil Painting "Believer" (1987). A beautiful science fiction painting by this highly accomplished artist. According to Kelly, this was done for DAW as part of a series, and the publisher's daughter would not allow any skin to show in the image. This is oil on board, and measures approximately 22" by 34.5".
Ken Kelly - Original Oil Painting (2001). Baring more than her blade, this bikini-clad goddess looks like she would prove more than a match for any barbarian foolish enough to cross her path. Rendered in gorgeous detail by Ken Kelly, one of the modern masters of the fantasy genre, this exquisite painting measures 28.5" x 22" and is in excellent condition. Fantasy paintings don't come much nicer than this beautiful example, sure to warm the heart of any would-be warrior.
Roy Krenkel - Original Pencil Art "In The Days to Come" (1937). A student of Burne Hogarth, and a master illustrator in his own right, Roy Krenkel was known for the almost obsessive amount of detail he included in each of his creations. A frequent collaborator with Al Williamson during the heyday of EC comics, Krenkel is perhaps best known for his illustrations of various Edgar Rice Burroughs titles. Offered here is a rare gem of a piece, a very tight, very finished pencil illustration titled In The Days To Come from 1937. Exactly what the piece was created for is unknown, but it could have been done for, or inspired by, H.G. Wells' Things to Come (the movie of this name was released in 1936). Whatever the reason for its creation, this is a beautiful piece, sure to enhance any art collection. Pencil on paper, approximately 9" x 11.25", the piece is signed and dated by the artist in the lower left corner.
Roy Krenkel - Original Art Rough for Tarzan the Magnificent (Ace Books, 1962). An associate of such industry legends as Wally Wood, Frank Frazetta and Al Williamson during the 1950s, Krenkel quickly made his mark on the illustration field and was hired to provide covers for a series of Ace paperbacks that reprinted stories by Edgar Rice Burroughs and others in the early 1960s. The piece offered here, the largest and most detailed rough Krenkel ever did, shows Tarzan riding a savage lion. Even in this preliminary process, Krenkel's dynamic use of light and shadow is evident. With just a few brushstrokes, Krenkel perfectly captures the mood and the movement of the moment, ushering us into a very different world. Framed, the piece measures 10.5" x 13.5", with an image area of approximately 7.5" x 5", and is unsigned. From the collection of Russ Cochran.
Jeff Jones - Original Tarzan Oil Painting (2001). Jeffrey Jones burst forth onto the comics and illustration scene in the late 1960s, a glorious renaissance that also blessed the field with the likes of Berni Wrightson, Mike Kaluta and Barry Windsor-Smith. Unlike his contemporaries, Jones shied away from comic book work, and concentrated primarily on illustration and fine art. Held by many today to be the successor to Arthur Rackham and N.C. Wyeth, Jones' work is prized world-wide by collectors who are moved by his moody, evocative work. Offered here is a magnificent piece celebrating Tarzan, the Lord of the Jungle in a breathtaking 5' x 6' oil on canvas. In this wonderfully subtle piece, Tarzan lolls gracefully by a tree as a giant leopard strides past him. The leopard, solid in the hindquarters, seems to fade and grow indistinct the farther he moves from the Jungle Lord. Is the leopard real, or a totem animal, existing half in the real world and half in the spirit world? Either way, the piece exudes a raw and primal power that is hard to deny. A golden opportunity for the discerning fan of fine art, this is a once-in-a-lifetime opportunity, and not one to be missed.
J. Allen St. John - Original Interior Art for Tarzan, Lord of the Jungle (A.C. McClurg & Co, 1928). Born in 1872, St. John is considered by many to be the finest Tarzan artist ever to set pencil to paper. One of the first artists to render the Lord of the Jungle, St. John was master of the evocative, always imbuing his figures with motion and fluidity. Unfortunately for today's collector, many St. John originals are controlled by ERB, Inc., and are not available at any price. This rare example, an interior plate from the 1928 edition of Tarzan, Lord of the Jungle, is a sterling example of a master craftsman at the top of his game. The power and the majesty in this piece is undeniable; the piece seethes with raw power. It is impossible for mere photographic reproduction to capture the subtle graphite shadings that St. John utilizes here; truly, the piece must be seen to be believed. Tastefully framed, the piece measures approximately 22.25" x 31.25" overall, with an image area of approximately 15" x 24". A true treasure in every sense of the word, this is a piece not to be missed. From the collection of Russ Cochran.
Frank Frazetta - Original Illustration (Canaveral Press, 1962). Frank Frazetta's ink drawings reached a peak around 1962, when he was hired by Canaveral Press in New York to illustrate some of the Edgar Rice Burroughs books they were reprinting at that time. Frank set out to impress the world with these drawings, and serious Frazetta collectors agree that these Canaveral drawings are superior to anything else he did in his long career. His inking prowess was astonishing, and when you study these drawings, you won't find a single tiny line that looks out of place. In all of Frazetta's later work, he tried time and time again to duplicate the perfection which is displayed in these drawings, but he never managed to do it. In his mid-thirties when he did these, his hand was so steady and his eye-hand coordination so complete that these drawings are his masterpieces in ink. This piece measures 7.75" x 6", with an image area of approximately 5" x 5". There is a bit of light soiling at the edges which does not affect the art. Otherwise, this piece is in beautiful condition. From the collection of Russ Cochran.
Frank Frazetta - Original Illustration (Canaveral Press, 1962). Even at this small size (the image area of this piece is only 3.5" x 5"), Frazetta's total mastery of illustration is immediately apparent. from the figures themselves, which seem to almost leap right off the page, to each finely-rendered penstroke, this piece is the artistic expression of a true master. Created for the Canaveral Press edition of Edgar Rice Burroughs' novel "At the Earth's Core", this is an outstanding piece of art that deserves a place of honor in any collection. From the collection of Russ Cochran.
Frank Frazetta - Original Illustration of Tarzan and the Golden Lion (Canaveral Press, 1962). Frazetta reached his highest creative pinnacle with the now-famous Canaveral Press drawings from 1962-1965. Frazetta was commissioned to illustrate several books by Edgar Rice Burroughs, two of which were published: Tarzan at the Earth's Core (1962) and Tarzan and the Castaways (1965). Other books were planned but never published. Frazetta executed a total of 27 full drawings and 5 small spot illustrations for this Canaveral Press series. Frazetta was showing the world what he could do at a time when he wanted to establish a name for himself, and each drawing is a little miracle of power and refinement, a polished piece of highly sophisticated perfection, making these Canaveral drawings highly prized and eagerly sought by collectors throughout the world. The technique Frazetta employed in all of these drawings is akin to the sumi-e ink wash paintings of the Japanese. These are drawings with a carefully controlled tonal range that varies from solid black to the lightest of water-thinned ink tones, used to control the level of contrast in the designs and to control carefully what the eye sees first and last. The Canaveral plate of Tarzan and the Golden Lion is, in a word, a masterpiece. An aggressively defiant Tarzan confronts a savage lion, who is turning to face his advances. The lion is regal, majestic, and bristling with life; Frazetta never drew a better lion. One can almost feel the lion's heavy breathing as he decides his course of action. Tarzan is stridently heroic; his muscles charged and prepared for action. Further atmosphere is established by the hot jungle breeze that swirls Tarzan's hair and the lion's mane. Frazetta employs a circular design to energize the viewer's eye and to focus the mind's attention. The thick grasses are applied in chiaroscuro fashion to visually unite the two combatants. Frazetta's virtuosity is further displayed with the shortened and suggested spear. A complete spear would have punctured the design and destroyed the wonderfully-contrived symmetries. Notice how the lion's tail and Tarzan's loincloth mirror themselves and serve to tighten and unite the main elements of the design. Circular rhythms are present everywhere. With these "touches" Frazetta is able to take a seemingly static scene and supercharge it with life and vitality. Art of this quality transcends the category of "illustration"; it is Fine Art of the highest creative achievement. Rarely do examples from this period enter the marketplace. History will prove that these Canaveral drawings are an American treasure. In the words of Frazetta himself: "I knew they were priceless when I was drawing them." (Dr. Dave Winiewicz copyright 2002) Framed, with an image area of approximately 10.5" x 8.5" and a 21" x 18.25" presentation overall. From the collection of Russ Cochran.
Frank Frazetta - Original Illustration Tarzan of the Apes (1991). Here's the story on this magnificent piece, straight from Russ Cochran: "I was visiting Frank's home many years ago while he was working on his "Kubla Khan" portfolio which was published by Middle Earth in 1977. When I looked closely at his finished pencils for these drawings, I was amazed at the textures and chiaroscuro effects he managed to capture with his pencils. The drawings were stunning! Several months later, visiting again, I looked at these same drawings after he had inked them. They were still great, not in the same category as the Canaverals, but certainly far better than anyone else was doing, and I remarked to Frank that I liked them better as pencils. Frank wasn't sure how to take that: was I praising his talent with the pencil, or was I knocking his inking ability? Finally, he laughed and agreed with me, admitting that his pencil drawings captured a certain feeling that was often not present (to the same degree) in the finished inks. This gave me the idea of commissioning Frank to do a series of large finished pencil drawings for me to use in an illustrated edition of Tarzan of the Apes. Originally, I wanted Frank to do ten to twelve of these for me, for that book. As it turned out, he did only two. This is the second one, showing a giant ape carrying Jane away to his boudoir in the trees, and Tarzan coming to the rescue, complete with gnarly, mossy vegetation and a butterfly." The piece measures 20" x 14", with the image occupying nearly the entire page. From the collection of Russ Cochran.
Frank Frazetta - Signed/Remarqued Print 35/50 (1973). This is a fantastic offering on several levels. First, the subject has mass appeal and notoriety. Secondly, Frank Frazetta is considered by many to be the greatest artist who ever worked in comic books. And best of all, this piece represents what is perhaps the quintessential Frank Frazetta cover, from Weird Science-Fantasy #29. This art work was intended as a cover for Famous Funnies, but was rejected for its overt violence. Highly desirable as a print as well, it is extremely well executed; bright, bold and evocative. The condition is superb. A very small edition, the intention was to publish 50 pieces, but Frazetta only ever finished 40, making the edition even a bit more exclusive; this print is number 35. The artist's hand is in evidence throughout the piece in the beautiful and intricate hand-coloring. It is hand-signed, dated and numbered by Frazetta, with a killer 2" x 4" sketch of a pre-historic man remarqued in the lower right corner. The print's main image area is approximately 13" x 17", and the piece has been professionally matted and framed.
Frank Frazetta - Unpublished Original Art from Shock Illustrated #4 (EC, undated). If sex sells, this piece should bring a hefty price. A deceptively simple little piece (9" x 9"), it clearly shows why Frazetta is considered to be the true master of the female form. The girl in this piece is extraordinary. Her large eyes, full lips, flowing hair and other womanly charms are delicate yet pronounced. Her slight smile is one of reverie. She is at once demure and provocative. Frazetta's women are typically surreal figures, clad in animal skins and fighting a prehistoric beast. This girl is our contemporary suggesting a (remote) hope of fantasy fulfilled. The male figure is an idealized self portrait of the artist. While simply rendered, he is the prototypical male hero. Handsome, mysterious, powerful, rugged, yet there is a palpable kindness to him. Originally designed for the story "Came the Dawn" (which was slated for the ill-fated Shock Illustrated #4), this was left unfinished at the time of that magazine's demise. However, even in this incomplete state, it is still a powerful and sensual image. It should be noted that a piece has been replaced in the lower left portion of the art. No art has been added or restored, only paper plus black ink infill.
Frank Frazetta - Original Illustration (1975). This ink drawing of a barbarian and a kneeling girl contains elements of Frazetta's finished drawings and elements of his sketches. Certain parts of the drawing are totally finished, while other parts are sketchily done, but the line quality is there...not as lush and rich and perfect as in the Canaveral plates, but with the electricity of line that makes Frazetta's drawings so exciting. Rendered on white paper, there is some discoloration around the image, where it seems the piece was matted at one time, but this does not affect the art in any way. The piece measures 9" x 12", with an image area of approximately 5.5" x 8". From the collection of Russ Cochran.
Frank Frazetta - John Carter of Mars rough (Doubleday, undated). Frazetta's concept sketch for the Doubleday edition of Edgar Rice Burroughs' John Carter of Mars, depicting John Carter fighting Martians against a backdrop of a domed Martian city. Frazetta used these concept sketches to work out the composition, the action of the figures, and the color palette for the finished oil. The piece has an image area of approximately 3.75" x 4.75", and is mounted on a 8.5" x 9.5" piece of board. From the collection of Russ Cochran.
Frank Frazetta - Cat Girl rough (undated). If you ask Frazetta which of his oil paintings he considers to be his all-time masterpiece, above all the others, he usually mentions a few candidates (including some of the Conan paintings), but always ends up citing "Cat Girl" as his all-time favorite. It shows a lone and beautiful wild girl, standing by a massive gnarled, mossy tree, surrounded by black and spotted leopards. First published as a cover for Warren's Eerie magazine, Frazetta reworked the painting several times to perfect the figure of the girl. Offered here is his first and only concept sketch of the Cat Girl, the actual moment of inspiration which led to the finished painting which hangs today in the Frazetta Museum. Frank would never sell this painting; it is his masterpiece. The concept sketch here, done in pencil, ink, and watercolor, captures the moment of genius, the point of creation of this painting. The art, which measures about 3.5" x 5", is mounted on a piece of 5.75" x 7.5" board. From the collection of Russ Cochran.
Frank Frazetta - Original Illustration (undated). Done in the 1970s, this sketch ably demonstrates Frazetta's ability to fully capture any subject with a relative few expertly-placed penstrokes. With a simplicity of line and an unerring sense of drama, Frazetta easily captures the tension in the sabretooth tiger ready to pounce on an unsuspecting victim. Highly prized by collectors, sketches like this are rarely offered for public sale, making this a great opportunity for the beginning or advanced Frazetta collector. Professionally framed and matted, the piece is in excellent condition and measures 14" x 13.25" overall, with an approximate image area of 6.5" x 5.5". From the collection of Russ Cochran.
Frank Frazetta - Original Oil Painting "Thor's Flight" (1968). Frank Frazetta is recognized as one of the greatest fantasy artists of the century and looking at this piece it's easy to see why. His work has become the standard against which all fantasy art is judged. From an incredibly fertile period of Frazetta's career, this piece was originally published as the cover to the Paperback Library edition of Thongor in the City of Magicians by Lin Carter. Here Frazetta depicts Thor, the legendary Norse God, riding a winged beast over a lake of fire. This piece demonstrates Frazetta's expressive sense of color, with his wondrous imagination laying out a beautiful scene of fantasy. His inspired design, color blending and composition integrate into a fantasy world full of life. This oil on canvas is truly a wondrous work, and will be treasured by any collector. The art is in excellent condition, and measures 19.5" x 24".
Frank Frazetta - Original Cover Art for Famous Funnies #213 (Eastern Color, 1953). A true example of why Frank Frazetta is considered by comic enthusiasts to be the greatest science fiction cover artist of all time. When viewing this cover, one realizes they are in the presence of genius, and must pay homage to the man who has been revered in this industry for 55 years. This awe-inspiring cover is only one of eight done for Famous Funnies, featuring Buck Rogers and his companion confronting a horrifying creature intruding upon their existence. The fear and claustrophobia is paralyzing, trapping the viewer in the space capsule with Buck as he quickly contemplates his fate. In an interview with Frank in 1995, he stated the following about his work on the Famous Funnies cover, and in particular issue #213: "I did those covers at a time when I had total mastery; I could draw anything and draw it superbly. Remember that, up to that point, I had been drawing in pen and ink for 10 years professionally. I was drawing every day. The more you draw, the better it gets. At least, that's the way it worked with me. I tried to vary my approach on each one of the Famous Funnies covers -- different subjects and different rendering techniques. I don't want to bore the fans by imitating myself and I certainly don't want to bore myself. On one cover I used Craftint board just to change the look a bit. I even swiped an interior rocketship scene from Wally Wood on one of the covers. I did it deliberately. Why not? If you're going to swipe a rocketship interior, who better than Wally Wood? I try never to swipe. I prefer to make things up. This was a little tribute to Woody. Wally was very pleased. We used to have fun with one another in those days by doing that kind of thing. The guys loved my covers; Steve Douglas (the art editor of Famous Funnies) just loved my stuff. It really is some of the best drawing I ever did. Some would argue that the Canaveral Plates from the early '60s were better. Maybe they're right. All I know is that I was very pleased with those Famous Funnies covers; they are me at my very best." Incidentally, these covers were the last job Frazetta did in comics. In pristine condition with no white-out or wear, and beautifully framed, the piece measures 28" x 25" overall, with an image area of 17.25" x 14.5". This is a rare opportunity to obtain what would certainly be a cornerstone in any art collection. The last Frazetta Famous Funnies cover offered appeared at San Diego Comic-Con 2001 for $150,000.
Session 4
Silver Age (1956-1969)
Amazing Adventures #2 (Atlas/Marvel, 1961). Offered here is the second issue of what would eventually become Amazing Fantasy, as Ditko and Kirby practice their chops in preparation for the Marvel Age. Light edge wear only, with a tight spine and clean back cover. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $138; NM 9.4 value = $600.
Amazing Fantasy #15 Curator pedigree (Marvel, 1962). "And so a legend is born, and a new name is added to the roster of those who make the world of fantasy the most exciting realm of all!" This purple passage was penned by Stan Lee to conclude the origin story of a new "long underwear character" he had cooked up with artist Steve Ditko. However, neither man could really have anticipated just how prescient those words would be, and that their hapless teenager-turned-superhero would have such a profound effect on pop culture, even coming to rival the DC icons -- Superman and Batman -- in popularity. Clearly, Lee and Ditko felt they were crafting something out of the ordinary, with Lee lamenting in the story's opening caption that superheroes are "a dime a dozen!" and promising "we think you may find our Spider-Man just a bit ... different!" But their uncertainty about the sales potential of this oddball kid in the red-and-blue tights was reflected in the decision to give the character a tryout in a floundering monster comic, rather than immediately launching him in his own magazine, as they had done previously with the Fantastic Four and the Hulk. The result, of course, was Amazing Fantasy #15, one of the most important comic books ever published, and certainly the single most important character launch since the Golden Age. Read today, the origin of Spider-Man is still as thrilling and heart-wrenching as it was in the '60s -- the "murdered parent" gimmick (in this case, Pete's beloved Uncle Ben) may have been reminiscent of Batman's origins, but it proved to be an ingenious motivating factor for Peter Parker's war against crime, and still resonates today, especially in Lee's beautifully-written admonition "With great power, there must also come great responsibility!" -- a litany that has passed into the consciousness of virtually every superhero fan on earth. Heritage Comics is proud to offer here a spectacular, amazing, and sensational example of this landmark Silver Age key, from the Curator collection. The condition on this copy is superb; there is some minor stress in small areas along the spine, but the color, pages, gloss and clean edges are all exceptional. The early publication date and the unforgiving color palate make Amazing Fantasy #15 a notoriously difficult to acquire in high-grade. This copy ranks among the top ten unrestored copies certified by CGC to date, and it is safe to assume it will always be in the top 1% highest-grade surviving copies. In other words, this is one for the ages. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $35,000.
Amazing Fantasy #15 (Marvel, 1962). This book needs no introduction. This first appearance of Spider-Man has been one of the hottest comics for over a decade now, constantly breaking sales records and setting the pace for all other Silver Age comics to follow. Stan Lee and Steve Ditko's creation helped redefine the archetype hero for a new generation with new problems, and in the process brought about the revival of the superhero genre that continues today. And with the movie coming out this year, Spidey will grow even more in the public's consciousness, assuring his longevity for many years to come. A great buy in any condition, this copy is a particularly attractive investment because of it's high grade -- near perfect, suffering only from "Marvel chipping" along the right side, a defect very common on early Marvels caused by dull blades used at the printing press. Had it not been for this, the book would have surely landed in the NM range. CGC VF- 7.5 Off-white pages. Overstreet 2001 VF 8.0 value = $12,825; NM 9.4 value = $35,000.
Amazing Fantasy #15 (Marvel, 1962). Tremendously important comic book, being the origin and first appearance of the Amazing Spider-Man. Solid low-grade copy with good color and page quality, and no "Marvel-chipping." Several cover creases preclude a higher grade. CGC VG- 3.5 Off white pages. Overstreet 2001GD 2.0 value = $1,167; FN 6.0 value = $3,500.
The Amazing Spider-Man #1 (Marvel, 1963). A true milestone in the Silver Age, and the book that really established Marvel as a worthy contender to take on DC's long-standing dominance of the superhero market. In a typically cunning move, Stan Lee brought in the already-established Fantastic Four to guest-star in the Web-Slinger's premiere issue, and their appearance on the brilliantly-designed cover (a rare Kirby/Ditko team-up) is a perfect contrast with the more free-wheeling attitude of Spider-Man. In addition to the FF appearance, this issue also features a brief re-telling of Spidey's origin, and the debuts of J. Jonah Jameson and the Chameleon. This is a very attractive copy of this landmark issue, with a very small crease in the lower right corner, and very light edge wear being the only elements keeping this from a higher grade; there is no "Marvel chipping" to be found. The cover has lush colors, and is one of the brighter ASM #1 covers we've seen. A truly beautiful copy, this would be a fine addition to any high-grade Spider-Man collection. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $25000.
The Amazing Spider-Man #1 (Marvel, 1963). A landmark book that any collector, young or old, would love to own! The front cover is in superb condition, with a small tear at the bottom spine of the back cover keeping it from grading much higher. There is a small amount of color touch only, making this attractive copy all the more affordable. CGC Apparent FN/VF 7.0 Slight (A) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $2,400; VF 8.0 value = $8,800.
The Amazing Spider-Man #1 (Marvel, 1963). The spectacular debut issue of the Web-Slinger's regular title, this features not only a Fantastic Four crossover, but the first appearance of J. Jonah Jameson and the Chameleon. This is a solid low-grade copy which actually has a nice appearance given its low grade. Significant "Marvel chipping," and slight water damage, but this copy has good colors and clarity. A perfect book for the Spidey collector who can't afford a 9.4 copy, this comes from an original owner consignment. CGC GD+ 2.5 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $800.
The Amazing Spider-Man #4 (Marvel, 1963). This power-packed issue features the origin and first appearance of the Sandman, along with the first appearances of both Liz Allen and Betty Brant. With cover and interior artwork by Steve Ditko, this book has it all! From an original owner collection, this is one book you don't want to miss! CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $154; FN 6.0 value = $462.
The Amazing Spider-Man #3 (Marvel, 1963). A solid low-grade copy of this outstanding early issue featuring the debut of Otto Octavious, better known as Doctor Octopus. Although this book exhibits a level of wear consistent with the grade, it still has excellent color, and displays very well, showcasing one of Steve Ditko's most evocative covers. A perfect ASM #3 for the collector of modest means. CGC GD/VG 3.0 Light tan to off-white pages. Overstreet 2001GD 2.0 value = $180; FN 6.0 value = $540.
The Amazing Spider-Man #6 (Marvel, 1963). This high-grade Spidey features the first appearance of the Lizard with art by Steve Ditko. Nice, with outstanding cover gloss and a near perfect spine, this copy would be an asset to any Spider-Man collection. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $343; NM 9.4 value = $1,600.
The Amazing Spider-Man #7 (Marvel, 1963). An immediate hit with fans, the Vulture was the first Spider-Man villain to come back for a rematch and "The Return of the Vulture" is a true classic, boasting some of Steve Ditko's finest work. No one can stop a man with wings! A good-looking mid-grade book, this is a great buy for the collector on a budget. From an original owner collection. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value =$79; FN 6.0 value = $236.
The Amazing Spider-Man #8 (Marvel, 1963). This action-packed "Tribute to Teenagers" issue features Spider-Man's blockbuster battle with "The Living Brain," and also presents a Jack Kirby/Steve Ditko Fantastic Four backup story. From an original owner collection, this is a solid mid-grade copy. CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $79; FN 6.0 value =$236.
The Amazing Spider-Man #9 (Marvel, 1964). After battling crazed scientists, vultures, lizard-men and chameleons, Spidey must now face the most shocking villain of all: Electro, who makes his deadly debut in this issue. With his wild yellow-and-green costume and jagged mask, Electro was one of Ditko's most eccentric creations, and his premiere story has always been a favorite among Spidey fanatics. This is a tight, flat book with no major defects, and gorgeous colors, looking just about as fresh as the day it was printed. A true gem for the Electro fan in all of us. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $1,150.
The Amazing Spider-Man #9 (Marvel, 1964). Always a favorite among Spidey fans, Electro was a formidable villain for our favorite Web-Slinger, able to fire off bolts of deadly energy to clear a path for his criminal activity. "A menace so powerful that Spider-Man's strength is useless against him!" Hey, they didn't call this the Marvel Age of Comics for nothing. This is a gorgeous copy of Electro's high-voltage origin and first appearance, with brilliant colors and a crisp, fresh appearance. Sharp corners and no "Marvel chipping." CGC VF/NM 9.0 Cream to off-white pages. Overstreet NM 9.4 value = $1,150.
The Amazing Spider-Man #9 (Marvel, 1964). The amazing debut of Electro, one of Steve Ditko's wildest supervillains. From an original owner collection, this is a wonderful mid-grade copy with very bright colors and a sharp appearance. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $246.
The Amazing Spider-Man #11 (Marvel, 1964). This issue features the fantastic second appearance of Doctor Octopus with art by Steve Ditko. From an original owner collection, this is a beautiful mid-grade copy, great for any Spider-fan. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $46; FN 6.0 value = $138.
The Amazing Spider-Man #13 (Marvel, 1964). From the classic Lee/Ditko run, this is the first appearance of Mysterio, the movie stuntman turned supervillain. This gorgeous book has very sharp, attractive colors, beautiful gloss, and perfect white pages. CGC notes a date stamp on the back cover. CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $850.
The Amazing Spider-Man #14 White Mountain pedigree (Marvel, 1964). One of the most important and in-demand issues in the run, The Amazing Spider-Man #14 introduces the quintessential Spidey villain, namely the Green Goblin. Always a fan-favorite, the Goblin has enjoyed a long run throughout the various Spider-Man books (and has had several distinct incarnations), but it all started right here, with the first appearance of the demented Norman Osborn (although his identity is kept in shadows during this debut adventure), who dons a rubber fright mask and purple tunic to wreak havoc in Manhattan. With the release of the Spider-Man feature film this summer, and Osborn's status as the chief antagonist, the Goblin's profile is sure to rise even higher, and add even more value to this already highly-prized issue. In addition to this fabulous debut, "The Grotesque Adventure of the Green Goblin" also contains an early Hulk appearance, as well as a guest-turn by the Enforcers. This particular copy is from the White Mountain collection, a highly respected pedigree famous for their vivid color, white pages and exceptional freshness. Label notes, ""64" on cover and "4/7/64" on 1st page written in pen". CGC NM- 9.2 Off white to white pages. Overstreet 2001 NM 9.4 value = $2,100.
The Amazing Spider-Man #14 (Marvel, 1964). Presented here is the fantastic debut of the most evil Spider-Man villain ever: Norman Osborn, aka the Green Goblin. Special appearances by the Incredible Hulk and the Enforcers, all rendered by classic Spider-artist Steve Ditko, make this an irresistible issue. With the Spider-Man movie due to be released in May, 2002, this book will be on everyone's want list. Almost perfect in every way, with only a few minute stress lines on the spine. CGC NM 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $2,100
The Amazing Spider-Man #28 (Marvel, 1965). One of the most popular Steve Ditko stories and covers with the origin and first appearance of the Molten Man. Very hard to find in high grade due to the almost solid black cover, this issue is stunning. Solid black cover gloss, with a beautiful spine this book is a real winner. Only a small bump on the bottom left corner and a small bend on the right hand side of the spine keep this book out of the NM range. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $123; NM 9.4 value = $500.
The Amazing Spider-Man #36 (Marvel, 1966). "Spidey as you like him!" A pretty copy for the Spidey collector without the hefty price tag. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $57; NM 9.4 value = $210.
The Amazing Spider-Man #37 (Marvel, 1966). The penultimate Steve Ditko issue of ASM, this was the formal introduction of Norman Osborn (although Ditko had slipped him into the backgrounds of panels in two previous issues), as well as being one of Steve's more freewheeling Spidey adventures. This is an outstanding copy with a like-new appearance and bright, vivid cover colors; a true treasure for any Spidey fan. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $210.
The Amazing Spider-Man #58 (Marvel, 1968). The Spider-Slayer, Ka-Zar and Zabu all make appearances in this fast-paced issue with dynamite artwork by "Jazzy" John Romita and "Dashing" Don Heck. A great-looking book with superb gloss and sharp colors. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $24.50; NM 9.4 value = $90.
The Amazing Spider-Man #83 Oakland pedigree (Marvel, 1970). High-grade Marvels are consistently the most active area of the hobby. They are the highest-demand books, and consistently outperform all other areas of collecting in terms of appreciation of value. The Amazing Spider-Man is the jewel in the Marvel crown. This issue is highlighted by the first appearance of "The Schemer." This is the highest CGC graded copy of this issue. The condition is phenomenal. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $50.
Bronze Age (1970-1979)
The Amazing Spider-Man #100 (Marvel, 1971). A classic anniversary issue with a dynamic John Romita, Sr. cover, and featuring a two-page cameo by Spidey's arch-foe, the Green Goblin. A nice tight issue with no major defects, this issue is a must for any Spidey collector. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $220.
The Amazing Spider-Man #100 (Marvel, 1971). One of John Romita's best covers graces this landmark Anniversary issue of ASM. This is a gorgeous copy with bright, fresh colors, sure to set any fan's Spidey Sense tingling! CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $220.
The Amazing Spider-Man #121 (Marvel, 1973). The death of Gwen Stacy was one of the pivotal moments in Spider-Man history, and this heart-wrenching issue remains a highly moving and very collectable artifact of an era when The Amazing Spider-Man "grew up" a little. The famous "who will die" cover highlights what has become one of the most important comics of the late Silver/early Bronze age. A stunner that is still discussed in fan circles to this very day, this is a near-perfect copy of that legendary issue. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $150.
Silver Age (1956-1969)
The Amazing Spider-Man Annual #1 Diamond Run pedigree (Marvel, 1964). This action-packed book has the first appearance of the Sinister Six, along with the origin of Spider-Man and an early appearance by the X-Men. Marvel annuals have proven very hard to find in the higher grades, making this book exceptionally attractive. A beautiful copy, this will be an asset to any Spider-Man collection. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $188; NM 9.4 value = $875.
The Amazing Spider-Man #2-#50 Group Lot (Marvel, 1964-1967). An "amazing" lot of vintage Spider-Man, a complete run of #2-#50 missing only issue #3. 12 of the books have been CGC certified, and the rest are uncertified. The grades range from VG+ to NM-. Most of the early issues are in the FN/VF range. The significant issues are graded as follows: #2 FN-; #4 FN/VF; #5 FN/VF; #14 FN-; #39 FN/VF; #40 FN+; #50 VF-. CGC certified issues are as follows: #15 VF+ 8.5 Cream to off-white pages; #17 VF 8.0 Cream to off-white pages; #18 VF 8.0 Cream to off-white pages; #19 VF 8.0 Cream to off-white pages, erasure mark on cover; #22 VF- 7.5 Cream to off-white pages; #23 VF 8.0 Cream to off-white pages; #24 VF+ 8.5 Cream to off-white pages; #26 VF/NM 9.0 Off-white pages, 3/4" tear on 8th page; #27 VF+ 8.5 Cream to off-white pages; #28 Apparent VF 8.0 Off-white pages, slight amateur restoration; #30 NM- 9.2 Off-white pages; #31 Apparent VF- 7.5 Off-white pages, slight professional restoration. This is a great lot for the collector looking to acquire a near-complete run of early Spideys. Overstreet 2001 value for group = Approx. $11,000.
The Amazing Spider-Man Annual Lot (Marvel, 1964-1973). A solid run of Spidey Annuals #1-9, ranging in grade from VG to VF: #1 VG-, #2 FN-, #3 VF, #4 VF+, #5 VF-, #6 VF, #7 NM-, #8 NM-, #9 VF-. Overstreet 2001 FN 6.0 value for group = $400; NM 9.4 value for group = $1,658.
The Avengers #1 (Marvel, 1963). Offered here is a nice copy of a first-rate Marvel key with great cover colors. Major Marvel keys have a proven track record of increasing in value, and many veteran collectors feel that Avengers #1 is truly undervalued in today's market, making this a great time to acquire this desirable book. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $642; NM 9.4 value = $3,200.
The Avengers #1 (Marvel, 1963). The first appearance of the Mighty Avengers with artwork by Jack "King" Kirby. Iron Man, Thor, Ant-Man, the Wasp and the Incredible Hulk team up to fight the menace of Loki, the Norse god of evil! This is a nice mid-grade copy with no major defects and is an excellent choice for the price-conscious collector. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $642.
The Avengers #4 (Marvel, 1964). This is the issue that returned the true Captain America to the fledgling Marvel Universe, after an absence of many years. A classic issue, sure to place at the top of any Marvel Maniac's wish-list, this is a beautiful copy of a book that is hard to find in high-grade, due to its white cover. CGC VF/NM 9.0 Off-white pages Overstreet 2001 NM 9.4 value = $2000.
The Avengers #4 (Marvel, 1964). Featuring the revival of Captain America, who is herein rescued from the suspended animation he has languished in since WWII, this book is always a favorite among collectors. A tight copy that suffers only from yellowing, and is affordable to any collector. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $429.
The Avengers #4 (Marvel, 1964). The first true Silver-Age Captain America and Bucky with artwork by Jack "King" Kirby. From an original owner collection, this book is very attractive for the grade. Great for the collector on a budget! CGC VG 4.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $143; FN 6.0 value = $429.
Captain America #100 (Marvel, 1968). Captain America gets his own title for the first time since 1954! Continued from Tales of Suspense (which Cap shared with Iron Man), this is a solid book with virtually no defects. A true investment-level grade, this is one of the nicest copies of this book in existence. Stunning! CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $400.
Captain America #100 (Marvel, 1968). Cap wins his own title after a successful stint in Tales of Suspense, starting with this issue and continuing well into the '90s. A truly gorgeous copy of this landmark issue, with a stunning iconic cover of Cap charging towards the reader. As 9.6 and 9.8 grades continue to command multiples of guide, look for copies like this to become more desirable among collectors, where both grade and value can be had. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM value = $400.
Captain America #100 Diamond Run pedigree (Marvel, 1968). The Sentinel of Liberty leaves Tales of Suspense and gets his own title. This premier issue (which picks up the numbering from TOS) stars Captain America with classic cover and story art by Jack Kirby. Definitely a pedigree-level issue with square corners and a beautiful spine. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $400.
Bronze Age (1970-1979)
Captain America Group Lot (Marvel, 1968-71). Lot of three exciting issues of Captain America, all in glorious NM 9.4 condition! Issue #105 (White pages) has a classic Kirby cover and great interior art from the King; #133 and #135 (both with Off-white to white pages) are from Gene Colan's much-loved run on the series. All three are in like-new condition with glossy covers and eye-popping color. A great addition to any Cap collection! CGC NM 9.4. Overstreet 2001 NM 9.4 value for group = $64.
Conan #1 (Marvel, 1970). The first comic book appearance of Barry Windsor-Smith's classic character Conan, which would enjoy a run well into the 1990s. A beautiful copy with only the slightest wear. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $240.
Silver Age (1956-1969)
Daredevil #1 (Marvel, 1964). Debuting one of Marvel's more underrated characters, Daredevil #1 has always been an affordable key in relation to its counterparts, but has plenty of potential for the future, especially with a movie on the horizon. This copy is every bit a VF/NM, and has to be inspected closely to reveal its few defects. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $2,300.
Daredevil #1 (Marvel, 1964). First slam-bang issue of one of Marvels most enduring characters "The Man Without Fear," Daredevil. Bill Everett did the cover art and interiors; Spider-Man and the Fantastic Four have guest-shots, and Foggy Nelson and Daredevil's girlfriend Karen Page make their first appearances. This issue tells the origin of Daredevil and how he became a blind crimefighter. Nice condition with only a few spine stress lines and wear around staple area. CGC VF+ 8.5 Light tan to Off-white pages. Overstreet 2001 FN 6.0 value = $462. NM 9.4 value = $2,300.
Daredevil #1 (Marvel, 1964). The origin and first appearance of Marvel's Daredevil with outstanding art by Bill Everett. From an original owner collection, this book is a beautiful mid-grade example with slight tanning and a few dust shadows. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $154; FN 6.0 value = $462.
Daredevil #4 (Marvel, 1964). An awesome Jack Kirby cover spotlights the first appearance of the Purple Man. From an original owner collection, this book is flat with no creases, a great book for the Daredevil collector. CGC FN- 5.5 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $87.
Doctor Strange #169 (Marvel, 1968). This book is not only the first issue of Doctor Strange's own title, but retells his origin as well! Possibly one of the nicest copies in existence, there are no visible defects in this Silver Age gem. A must for the rabid Doctor Strange collector! CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $160.
Doctor Strange #169 (Marvel, 1968). The Master of the Mystic Arts finally gets his own title in this issue that retells his origin with artwork by Dan Adkins. A beautiful book, perfect in every way with solid white pages. Definitely an "investment" grade copy. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $160.
Fantastic Four #1 Northland pedigree (Marvel, 1961). A truly historic book, Fantastic Four #1 ushered in the Marvel Age of Comics, and in the process, redefined what comic books were all about. Stan Lee's decision to give his characters real problems allowed readers to empathize with them, putting comics on a whole new emotional level with their fans. And to think...it might never have happened! After nearly 20 years in the business, Stan was considering hanging it all up when Martin Goodman, then publisher of Marvel, had a golf game with DC's editor, Jack Liebowitz. Liebowitz revealed to him that their new creation, the Justice League of America, was doing very well. Always the entrepreneur, Goodman convinced Stan to give superheroes one more shot. After brainstorming with Jack Kirby, the two decided to create a team of superheroes similar to the Challengers of the Unknown -- but with a twist. From that fateful golf game, Marvel would eventually rise up to become the industry leader, pointing the way for others to follow. This copy hails from the Northland collection, considered by many to be the pre-eminent Silver Age pedigree find of the 1990s. A beautiful book that is elusive in the higher grades. CGC VF 8.0 Off-white pages. Overstreet 2001 VF 8.0 value = $8,800.
Fantastic Four #1 (Marvel, 1961). The book that ushered in the Marvel Age of Comics, this is a perfect unrestored mid-grade copy, featuring deep colors and minimal wear. An important key issue, no Marvel collection can be considered complete without a copy of the book that started it all! CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $2,400.
Fantastic Four #5 (Marvel, 1962). This fantastic issue has the first appearance and origin of Doctor Doom, the Fantastic Four's number one arch-nemesis. Early FF's have always been very hard to find in high grade, and this is a beautiful copy for the discerning Fantastic Four collector. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $657; NM 9.4 value = 3,500.
Fantastic Four #48 (Marvel, 1966). The landmark first appearance of the Silver Surfer and Galactus features top-notch artwork by Jack Kirby & Joe Sinnott. Many consider this period of the to be the apex of the Silver Age, both in terms of art and storytelling. This outstanding high-grade copy has a like-new appearance and perfect white pages. This is what the Silver Age was all about! CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $1,050.
Fantastic Four #49 (Marvel, 1966). Presented here, in all its Silver Age glory, is the first Galactus and Silver Surfer cover and their second overall appearance by Jack "King" Kirby. A stellar copy of this great comic. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $76; NM 9.4 value = $280.
Fantastic Four #90 Oakland pedigree (Marvel, 1969). We feel very fortunate to be offering another 9.8 Marvel. Fantastic Four certainly an "A list" title. Additionally, this issue contains classic Jack Kirby art and a great Skrull story. This is the only 9.8 CGC has awarded for this issue. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $30.
Fantastic Four Annual #1 (Marvel, 1963). One of the best and earliest annuals of the Marvel Silver Age, this book has artwork by Jack Kirby, Steve Ditko, and Dick Ayers. Along with the origin of the FF, there is a Spider-Man appearance and a "Gallery of Villains." This is probably one of the very best copies in existence with almost no flaws, blinding color inks, and beautiful pages. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value $800.
Modern Age (1980-Present)
Fantastic Four Group Lot (Marvel, 1964). Giant lot of a complete run of Fantastic Four #2-#70. All books are uncertified, and the grades range from VG+ to NM; most early issues are in the FN range, with the mid-range books mostly in VF, and most of the later books are VF/NM and NM. Issues #2-5, #7, #18, and #19 have minor restoration, and grade in the apparent FN range. Issue #8 is the the UK edition. This is a very nice "instant collection" of FF, and would be a great starter set for the collector of limited means.
Silver Age (1956-1969)
Fantastic Four Annual Group Lot (Marvel, 1963-1971). A solid mid- to high-grade run of FF Annuals #1-9. Grades are: #1 VFN/VF+, #2 VG/FN, #3 VG+, #4 FN -, #5 VF/NM, #6 VF-, #7 VF/NM, #8 NM, #9 NM-. Overstreet 2001 FN 6.0 value for group = $400; NM 9.4 value for group = $1,664.
The Incredible Hulk #1 (Marvel, 1962). Origin and first appearance of the Hulk. Jack Kirby is the artist on this issue and the Hulk is grey colored. This comic is in near perfect shape and only exhibits a few minor stress lines on spine, pristine color and razor-sharp corners. A very hard book to find in high grade, this book is one of the best in existence at this time according to the CGC census. A real winner for the lucky collector. CGC 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $15,000.
The Incredible Hulk #3 (Marvel, 1962). A memorable issue with the origin of the Hulk retold, along with the first appearances of the Ringmaster and his Circus of Crime, featuring great artwork by Jack "King" Kirby. A Silver Age classic. CGC VF 8.0 Cream to off-white pages. Overstreet FN 6.0 value = $354; NM 9.4 value = $1650.
The Incredible Hulk #4 (Marvel, 1962). This issue features a unique split-panel cover design, something used often on Marvel pre-hero books, but largely abandoned during their heyday. Suffering only from a small dent on the back cover, this is otherwise an appealing VF and a great buy! CGC FN 6.0 Off-white pages. Overstreet 2001 FN 6.0 value = $332.
The Incredible Hulk #102 (Marvel, 1968). After Hulk ran in Tales to Astonish for a few years, Marvel felt he was finally ready for his own series. Tales to Astonish was officially changed to The Incredible Hulk with this issue, and the series ran for over 30 years. This copy is certainly one of the best on the market and a great reminder of the heyday of Mighty Marvel. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $225.
Iron Man #1 (Marvel, 1968). Continued from the pages of Tales of Suspense, this is the quintessential book for the serious Iron Man collector. Highlighted by a classic Gene Colan cover, a better copy than this may not exist. CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $475.
Iron Man #2 (Marvel, 1968). EC mainstay Johnny Craig contributed outstanding superhero work to early issues of Iron Man before handing over the artistic reigns to IM's pre-eminent artist, George Tuska. A great example of Craig's crisp, clean style, this is a stunning near-perfect copy with razor-sharp corners and bright colors. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $150.
Iron Man/Sub-Mariner Group Lot (Marvel, 1968). Great lot of two high-grade #1 issues, Iron Man #1 and Sub-Mariner #1, both in CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value for group = $635.
Journey into Mystery #83 (Marvel, 1962). An outstanding high-grade copy of this Marvel key, featuring the origin and first appearance of The Mighty Thor, Thunder God extraordinaire, rendered in the inimitable Kirby style. Journey into Mystery #83 is nearly impossible to acquire in this grade, long considered a tough issue by veteran collectors. Fabulous color and a very clean appearance highlight the high-grade nature of this stunning book. A NM 9.4 copy recently achieved over $35,000 on eBay. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $5,500.
Marvel Super-Heroes #14 (Marvel, 1968). An exquisite copy of this reprint mainstay features an all-new Spider-Man story by Ross Andru and Bill Everett, plus Submariner and Captain America classics from the Golden Age. An almost perfect copy which, according to the current CGC population report, is the nicest copy extant at the time of this writing. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $80.
Nick Fury, Agent of SHIELD #1 (Marvel, 1968). With this issue, the age of Marvel Pop Art was well under way! Steranko's wild graphics would influence later generations of artists who followed his unconventional panel layouts and surreal style. The first seven issues proved to be his zenith, a milestone in comics. This copy is about as good as it gets, and appears as fresh as the day it was printed. It doesn't get much better than this. CGC NM/MT 9.8 White pages. Overstreet 2001 NM value = $110.
The Silver Surfer #1 (Marvel, 1968). One of the coolest books Marvel put out in the late 1960s! After making his debut in Fantastic Four #48-50, the Silver Surfer was just begging for a chance at stardom, which he got for 18 glorious issues. This issue is squarebound, making the high grade something to appreciate, as squarebound books are easily found in lower grades. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $525.
The Silver Surfer #4 (Marvel, 1969). The great clash between Thor and the Silver Surfer happens right here in this action-packed book with artwork by John Buscema. Completely tight and flat, this comic has bright colors and cover gloss, and perfect centering. One of the most popular comics of the late '60s, this comic had low distribution and has a lower print run than the rest of the books in the series. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $480.
The Silver Surfer #18 (Marvel, 1970). The final issue of the Surfer's own title, with terrific artwork by Norrin Radd's creator, Jack Kirby. A virtually flawless issue any Surfer collector would be proud to own. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $65.
Spectacular Spider-Man #2 (Marvel, 1968). Fronted by a classic painted cover by John Romita, Sr., This super issue has 58 pages in color and is penciled by Romita and inked by Jim Mooney. This comic magazine, which cover features Spider-Man and the Green Goblin, is in fantastic shape with a solid flat cover, super square corners, and white pages. A must for the Spider-Man collector. Condition: VF/NM White pages. Overstreet 2001 NM 9.4 value = $120.
Spectacular Spider-Man Lot (Marvel, 1968). A complete run (two issues) of the magazine-format Spectacular Spider-Man, both copies in beautiful NM condition. Both feature stunning fully-painted covers, the #2 piece by John Romita. Be sure to check our original art section, as we are offering the John Romita pen-and-ink art that was the basis for the painted cover of issue #1. Overstreet 2001 NM 9.4 value for group = $215.
Strange Tales #110 (Marvel, 1963). A sharp copy of an important key Silver Age issue, herein you will find the first appearance of Dr. Strange, Master of the Mystic Arts, with art by "Sturdy" Steve Ditko, as well as a great Human Torch story pitting Johnny Storm against such nefarious baddies as The Wizard and Paste Pot Pete. As an added bonus, there's also a five-page sci-fi story by Larry Lieber. An attractive copy, tight and flat, with good color. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $1,400.
Strange Tales #110 (Atlas, 1963). What can you say about a book that has the first appearance of Dr. Strange, his Mentor, The Ancient One, and his man-servant Wong, cover art by Jack Kirby and interior work by Steve Ditko? From an original owner collection, this is a great early Marvel key. CGC GD/VG 3.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $100; FN 6.0 value = $300.
Strange Tales #115 (Atlas, 1963). A power-packed book which presents, for the first time, the senses-shattering origin of Dr. Strange. Further rounding out this amazing issue is the Human Torch battling the Sandman, and a brief appearance by the one-and-only Spider-Man. Hard to find in high grade, this is a beautiful copy. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $500.
Strange Tales #115 (Marvel, 1963). The frightening origin of Dr. Strange, Master of the Mystic Arts, by the incredible Steve Ditko. An early Spider-Man appearance with the second appearance (and brief origin) of Sandman. Nice mid-grade book with slight browning on back and front cover and no major creases or tears. Great book for the price conscious collector. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $123.
The Sub-Mariner #1 (Marvel, 1968). After bouncing around in numerous comics throughout the '60s, Subby finally got his own series when Marvel released its second wave of titles in 1968. John Buscema drew the first eight issues. This copy is newsstand fresh, and is near perfect in grade. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $160.
The Sub-Mariner #2 (Marvel, 1968). This issue features Subby battling it out with the Triton, drawn by "Big" John Buscema. A gorgeous book that nicely compliments the NM/MT Sub-Mariner #1. CGC NM/MT 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $60.
Tales of Suspense #39 (Marvel, 1963). One of the top Marvel keys, the origin and first appearance of Iron Man is always a great book to own. This is a clean, sharp copy that has minimal wear and should fit the budget of any cost-conscious collector. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $930; VF 8.0 value = $2,480.
Tales of Suspense #39 (Marvel, 1963). "He Lives! He Walks! He Conquers!" Presented here is the heart-stopping origin and first appearance of Iron Man, Marvel's staunchest Cold War crusader. While other heroes battled megalomaniacal supervillains and evil aliens from outer space, Iron Man battled the ever-present Communist menace that held this nation in a grip of terror in the early 1960s. With killer artwork by Jack Kirby and Don Heck, this is a nice upper mid-grade book with very few defects. Two tiny chips off the spine keep this out of the higher grade range. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $930, VF 8.0 value = $2480.
Tales of Suspense #39 (Marvel, 1963). Origin and first appearance of Iron Man, drawn by Jack Kirby. Ol' Shellhead had a multi-year run in TOS before finally being awarded his own book with Iron Man #1 in 1968. This is a nice mid-grade copy with no major defects. CGC VG 4.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $310; FN 6.0 value = $930.
Tales to Astonish #17 White Mountain pedigree (Marvel, 1961). A very pretty copy from a major pedigree. Pre-hero Marvels are very tough to find in this grade, especially with this exceptional degree of color and gloss and the outstanding page quality. CGC notes, " 'Dec. 15, 1960' written on 1st page in pen. Date stamp on cover." CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $76; NM 9.4 value = $280.
Tales to Astonish #27 (Marvel, 1962). First appearance of the Ant-Man and the start of the "superhero" run in Tales to Astonish. Jumpin' Jack Kirby and Sterling Steve Ditko pencil and ink this issue. Ravishing cover with very few defects -- just a small bump on the top of the spine and a few abrasions on top of comic keep this out of the NM range. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $788; NM 9.4 value = $4,200.
Thor #148 (Marvel, 1968). An exciting issue with cover and art by Jack "King" Kirby, this issue features the origin of Black Bolt. This stunning copy is newsstand-fresh with virtually no flaws. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $45.
X-Men #1 (Marvel, 1963). X-Men #1 is certainly one of the ten most important Silver Age comic books ever published. It introduces Cyclops, Angel, Beast, Iceman, Marvel Girl, Professor X and their nemesis, the malevolent Magneto. This particular copy is the "prettiest" we've ever seen. The cover is stark white, with no discernable tanning at all, and the color saturation could not be deeper; the logo area is deep blood red, the greens are intense, the blues are almost black in hue. Structurally, this book is tight and flat with sharp corners and exceptional eye-appeal. The comic is simply a knock out, a sure thing for any X-collector. CGC NM- 9.2 Off-white pages. Overstreet 2001NM 9.4 value = $9,500.
X-Men #1 (Marvel, 1963). Who knew? At the time of its original release, X-Men made much less of a splash than some of Marvel's other heavy-hitters, such as Spider-Man and the Fantastic Four; sales were acceptable but unspectacular, and eventually Stan Lee even took artist Jack Kirby off the book so he could concentrate on better-selling titles. But these motley mutants stood the test of time and became one of Marvel's top comics, making this premiere issue an important key. A typically well-designed Kirby cover fairly boils with action, as the Uncanny ones turn their metahuman might against the magnetic menace of the malevolent Magneto. Offered in this auspicious auction is a very solid, high-grade copy, displaying only very minor wear, with a CGC grade that many might consider just a bit conservative. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,675; NM 9.4 value = $9,500.
X-Men #1 (Marvel, 1963). Since the mid 1970s, X-Men has not only been the best selling comic book title in the world, it is THE most important title to comic readers and collectors under 35. Yet, Overstreet value is only about one-third of that of Amazing Fantasy #15, and about 40% of the value of Fantastic Four #1 or Amazing Spider-Man #1. This is a very respectable mid-grade copy of this dynamic debut, with excellent color, and the white background is still bright and shows no stains or wear; the book overall looks exceptionally good for its grade, and is perfect for the X-collector who can't afford a NM copy. CGC notes, "'U' stamp on front and back cover." CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $559; FN 6.0 value = $1675.
X-Men #1 (Marvel, 1963). The Uncanny X-Men got their start right here battling Magneto, the world's most evil mutant. Jack Kirby created the classic cover and interior artwork on this early Marvel key. Offered here is a lower-grade unrestored copy that is great for the collector on a budget! CGC GD + 2.5 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $559.
X-Men #2 (Marvel, 1963). The second issue of Marvel's Merry Mutants' own title features a fantastic Kirby cover with the first appearance of the Vanisher. From an original owner collection, this book is worthy of a place in any X-collection. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $429.
X-Men #3 (Marvel, 1964). The X-men face off against the Blob in this issue, a truly frightening prospect for our Merry Mutants! This copy is gorgeous, with razor-sharp edges and a near perfect spine. A true investment piece for any Silver Age collector, especially considering the X-men's continued popularity with readers. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $775.
X-Men #3 (Marvel, 1964). The X-Men must "Beware...The Blob!" in this classic Stan Lee/Jack Kirby collaboration. This copy appears to be much nicer than the grade would indicate, as it shows very minimal wear, good color and excellent eye-appeal, with no label notes. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $166; NM 9.4 value = $775.
X-Men #4 (Marvel, 1964). This issue features the first appearances of Quicksilver, the Scarlet Witch, Toad, Mastermind and the Brotherhood of Evil Mutants. From a single owner collection, this book is an attractive mid-grade example of the earliest days of the Uncanny X-Men. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $59; FN 6.0 value = $177.
X-Men #5 White Mountain pedigree (Marvel, 1964). Stan and Jack have the X-men facing off against Magneto and his evil Mutants once again. This copy exhibits all of the qualities that made the White Mountain collection famous, including rich colors, deep gloss and razor-sharp edges. The cover has a tiny "64" written in ink, and the first page has the arrival date (also in ink), both identifying marks on White Mountain copies. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $525.
X-Men #16 (Marvel). Another Mighty Mutant Masterwork by the King of Comics, the incomparable Jack Kirby. X-Men books below issue 20 are hard to find in high grade and are getting scarcer as collectors take every opportunity to snap them up. Don't miss this one. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $160.
X-Men #20 (Marvel, 1966). Another striking issue featuring Marvel's favorite team of mutants! Near perfect, this book lives up to its high grade in every way. CGC notes a tiny ink mark on the cover, which is just above the issue number, and most likely occurred by accident. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $160.
X-Men #28 (Marvel, 1967). This action-packed book features the first appearance of the Banshee, an Irish mutant who would join the X-Men in later years. Excellent color and structure, with only a date stamp on the front cover, make this a very desirable book. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $180.
X-Men #51 (Marvel, 1968). Jim Steranko contributed only a few X-Men covers, and many consider this to be the high-water mark of "Jaunty" Jim's career. Cover-featuring the menace of Eric the Red, this is an amazing high-grade copy, a nice flat book with outstanding color. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $85.
Golden Age (1938-1955)
Pre-Hero Horror Lot (Atlas/Marvel). An attractive lot of mid- to high-grade Atlas and pre-hero Marvels, including a few pedigrees. A great peek into the world that existed before superheroes took over the Marvel Universe! Amazing Adult Fantasy #13 CGC FN/VF 7.0 Cream to off-white pages, heavy tanning edges interior front and back cover; Mystical Tales #3 White Mountain pedigree CGC FN/VF 7.0 Off-white to white pages, date stamp on first page and back cover; Tales to Astonish #14 CGC VF- 7.5 Off-white pages, "6" written on cover in marker. "9" and "375" written on back cover in pencil; Uncanny Tales #38 White Mountain pedigree FN+ 6.5 Off-white to white pages, date stamp on first page and back cover; #55 Circle 8 pedigree VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value for group = $369; NM 9.4 value for group = $1,210.
Bronze Age (1970-1979)
Conan Group Lot (Marvel, 1975). Featuring some of the key books in the Conan canon, Savage Sword of Conan #1, #2, #3 are included in this lot. These classic issues feature art by such illustrious talents as Neal Adams, Gil Kane, and John Buscema. Average Grade: FN+ Off-white pages. Overstreet 2001 FN 6.0 value for group = $37.75
The Incredible Hulk #181 (Marvel, 1974). The first true appearance of the ultra-popular Canadian superhero Wolverine, with art by Herb Trimpe. A truly gorgeous copy with only the slightest wear on the back of the spine. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $193; NM 9.4 value = $900.
Marvel Bronze Age #1 NM+ 9.6 Group Lot (Marvel, 1975). Three fantastic high-grade #1 books from the Bronze Age of Marvel all graded an amazing NM+ 9.6. Includes: Spectacular Spider-Man #1 (Off-white to white pages); Super-Villain Team-Up #1 (Off-white pages); and Invaders #1 (Off-white pages). Overstreet 2001 NM 9.4 value for group = $86.
Marvel Premiere #1 (Marvel, 1972). This book, showcasing the origin of Warlock (with cameo appearances by the Incredible Hulk and the Mighty Thor) features stellar artwork by Gil Kane and Dan Adkins. A glorious book in lovely high-grade condition. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $45.
Marvel Premiere #15 (Marvel, 1974). The origin and first appearance of Iron Fist is a popular favorite among Bronze Age fans, especially with this character slated for an upcoming feature film starring Ray (Darth Maul) Park. With terrific artwork by Gil Kane and Dick Giordano, this is a stellar, near-perfect copy. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $60.
Giant-Size X-Men #1 (Marvel, 1975). This book not only introduces new X-Men Storm, Nightcrawler, Colossus and Thunderbird, it set the stage for the pre-eminence of the Marvel Universe over the next several decades, and was the beginning of one of the strongest franchises in the history of comics. For many people, the Modern Age begins right here. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $900.
Giant-Size X-Men #1 (Marvel, 1975). The first appearance of new X-Men Nightcrawler, Storm, Colossus, and Thunderbird, with the second appearance of the enormously popular Wolverine. A key book in the ever-expanding history of the Marvel Universe. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $193; NM 9.4 value = $900.
X-Men Bronze Age Lot (Marvel, 1979 ). This Bronze-Age group includes X-Men #118, #121, #125, and #127. All these issues have artwork by John Byrne and are in NM or better condition. Issue #121 has the first full Alpha-Flight story. CGC #118 NM 9.4 Off-white pages; #121 NM 9.4 Cream to off-white pages; #125 NM 9.4 Off-white pages; and #127 NM+ 9.6 White pages. Overstreet NM 9.4 value for group = $190.
Creepy Lot (Warren, 1970s). Scary run of Creepy, Warren's first all-comics magazine. An almost-complete run of Creepy #1-20, missing only issues #9, #17, #18, and #19. This would be a great head start on Creepy Magazine for a lucky bidder. Average condition: FN Cream pages. Overstreet 2001 value for group = $195.
Monster Magazine Group Lot (Various Publishers). Unearthly lot of Monster Mags. This lot features Vampire Tales #1, #2, and #5; Web of Horror #1, #2, and #3; Monsters Unleashed #1, #2 and #3; Psycho # 4; Spirit World #1; Tales of the Zombie #1 and #3; Dracula Lives #1, #2, #3, and # 4.Great lot for the horror magazine collector! Average Grades are in the FN/VF range.
House of Secrets #92 (DC, 1971). Featuring the first appearance of Swamp Thing by Bernie Wrightson, this book quickly shot to the top of the collectible heap during the 1990s. Swamp Thing's popularity is huge, thanks to a classic run in the 1970s (also by Wrightson), and a revival by Alan Moore in the 1980s. This copy is near perfect - in fact, as of this writing, CGC has not graded any copies higher. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $600.
New Gods #1 (DC, 1971) Jack Kirby's Fourth World saga proved to be an interesting departure from DC's normal line of superheroes, and New Gods was one of his best and boldest. This copy is near-perfect, an excellent investment piece. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $80.
New Gods #1 (DC, 1971). Part of Jack Kirby's staggering Fourth World epic, this book introduced Orion, Lightray, and the whole pantheon of New Genesis. Featuring classic Kirby cover art, this is absolutely one of the nicest copies in the world. CGC NM 9.4. Overstreet 2001 NM 9.4 value = $80.
Silver Age (1956-1969)
Blue Beetle #1 Bethlehem pedigree (Charlton, 1967). When Steve Ditko left Marvel, he found a welcome home at Charlton, where he produced some of his wildest, most inventive superhero work. Ditko's re-launch of Blue Beetle -- a mishmash of James Bond spy elements and the gadget-driven Batman stories of the day -- found him at his freewheeling best. Offered here is a spectacular NM- copy of the Beetle's premiere issue, from the respected Bethlehem collection. A slight mis-cut and cover date-stamp are the only defects. This book has a very attractive appearance with excellent color and good clarity. A truly gorgeous copy of the Beetle's debut. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $110.
Blue Beetle #2 (Charlton, 1967). The second issue of Steve Ditko's exciting re-vamp of Blue Beetle also features a tie-in with the Golden Age incarnation of the character. This is an outstanding NM copy of this issue, with razor-sharp corners, outstanding cover color, and a very crisp appearance. A slight mis-cut and light tanning at the spine are the only apparent problems with this gorgeous comic. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $50.
Buck Rogers #1 Pacific Coast pedigree (Gold Key, 1964). A truly stunning copy of this hard-to-find book. Not only is this Buck's first Silver Age appearance, it's also the first new Buck Rogers material ever featured in comics. With any flaws being so minor as to be virtually invisible, coupled with the stellar page quality of this exceptional copy, this is a true treasure for science fiction and comic aficionados alike. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $80.
Four Color Comics #1188 Pacific Coast pedigree (Dell, 1961). Featuring a movie adaptation of Atlantis, the Lost Continent, with a beautiful photo cover. This is a stunning representation of the Pacific Coast collection. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $120.
Four Color Comics #1213 Pacific Coast pedigree (Dell, 1961). This issue features the movie adaptation of Jules Verne's classic Mysterious Island with a great photo cover showing a giant squid attack. This copy is from the Pacific Coast collection, one of the great Silver Age pedigrees and arguably the best collection to surface in the last five years. This copy displays extremely light wear, and is most likely unread. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $100.
Konga #5 Bethlehem pedigree (Charlton, 1962). This quirky Ditko monster book is based on the cult-favorite early '60s British horror film of the same name. An outstanding copy, this book hails from the well-respected Bethlehem collection. CGC notes, "'12' stamp on cover". CGC 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $110.
Plastic Man #58 (Quality, 1956). A nice high-grade issue with stunning cover gloss. Quality books from the mid-fifties are increasingly difficult to locate in this grade, making this book all the more desirable. CGC 9.2 NM- Off-white to white pages. Overstreet 2001 NM 9.4 value = $240.
Space Ghost #1 Pacific Coast pedigree (Gold Key, 1967). The Protector of the Universe, Space Ghost was a hero to many of us growing up in the 1960s, and has recently reached a new generation of fans with his hit show on the Cartoon Network. Interest in Space Ghost has never been higher, which makes this 1967 one-shot even more desirable. From the Pacific Coast collection, this gem of an issue has brilliant cover colors, an excellent cut and perfect strike. There is a minor crease in the upper right front cover, but that seems to be all that keeps this book from an even higher grade. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $400.
Bronze Age (1970-1979)
Star Trek #12 High-Grade Group Lot (Gold Key, 1971). Group lot of five high-grade copies of this early Star Trek issue. This Gold Key run was very popular with Trek fans, and the outstanding artwork of Alberto Giolitti is a highlight. All five copies are CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value for group = $450.
Silver Age (1956-1969)
Stumbo Tinytown #1 (Harvey, 1963). It has always been hard to find a Harvey comic (especially an annual) in anything even approaching high-grade, simply because Harveys were read mostly by children in the early 1960s and were not cared for or collected by most of the people reading comics at that time. This makes acquiring them today a challenge for even the most dedicated collector. Offered here is a rare opportunity to own a near-perfect copy of this key #1 issue. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $150.
Bronze Age (1970-1979)
Vampirella Complete Set (Warren, 1968-1988). Outstanding collection of Warren's long-running black-and-white horror magazine, with the sexiest hostess in the business. This complete run includes all the rare issues (including the incredibly scarce final issue, #113), as well as the 1972 Annual, and the squarebound Color Special. The general condition is in the FN/VF range, though there are many that are NM and NM-, as well as a few VGs mixed in. Condition of the rarer issues are as follows: #1 NM- with light spine stress and overall wear; #3 FN with moderate spine stress, minor dust shadowing, and slightly tanning pages; #100 VF- with moderate overall wear and spine stress; #113 VF- with light spine stress and minor color rubs on back cover; 1972 Annual VF- with light overall wear and a minor crease in TR corner; Vampirella (Color) Special (softcover) VF, with very light spine stress and overall wear. Overstreet 2001 value = App. $2500.
Silver Age (1956-1969)
80-Page Giant #10 Green River pedigree (DC, 1965). This issue features Superboy. Squarebound comics are always difficult to find in decent grade because of their size, which makes this copy all the more desirable. Grading out at a whopping NM+ 9.6, this is certainly one of the nicest copies out there. CGC NM+ 9.6 Off-white pages. Overstreet 2001 NM 9.4 value = $195.
Batman #100 (DC, 1956). The Caped Crusader hits the century mark in this highly desirable issue. A solid copy with good eye-appeal, CGC notes: "Light tanning interior front and back cover". CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $742; NM 9.4 value = $2,350.
Batman #108 Mohawk Valley pedigree (DC, 1957). A stunning cover by the great bat-artist Shelly Moldoff depicts "The Career of Batman Jones". The book offered here is in pristine condition with excellent eye-appeal. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $400.
Batman #114 (DC, 1958). A high grade copy from a very tough period, this beautiful book is highlighted by exceptional color and gloss. Tight and flat, with only the most minor amount of wear, the great "Bat-Ape" cover and story makes this book a true Silver Age classic. CGC notes, "Name stamp and small amount of writing in pen on 1st page". CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $340.
Batman #116 (DC, 1958). Batman books from this period are very difficult to find in high grade, making this book an exceptional treasure. Tight and flat with good color and gloss and very minor wear, this is an outstanding book. CGC notes, "Name stamp on 3 pages. 'April 16' written on 1st page in pen." CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $340.
Beware the Creeper #1 (DC, 1968). A classic cover begins this Silver Age run of The Creeper, certainly one of the finest works by Steve Ditko. With classic artwork on every page, this is one of the sleeper titles from the late 1960s. Perfect in every way, this copy has a newsstand fresh appearance! CGC 9.8 Off-white to white pages. Overstreet 2001 NM 9.4 value = $85
The Brave and the Bold #1 (DC, 1955). The rare first issue of this long running DC standard features a Viking Prince story by Joe Kubert, as well as appearances by The Silent Knight and the Golden Gladiator. This is a very solid copy with exceptional page quality, a book not to be missed. CGC notes, "64C written on cover in pen". CGC FN/VF 7.0 White pages. Overstreet 2001 FN 6.0 $656; NM 9.4 value = $3,500.
Golden Age (1938-1955)
Detective Comics #225 (DC, 1955). Beautiful book featuring the first appearance of the Martian Manhunter. At one time this was considered the book that started the Silver Age. Almost never seen in high grade, this book is the second best copy certified by the CGC. Astounding appearance, flat, with tons of color, only a small amount of stress on spine. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,060; VF 8.0 value = $2,825.
Detective Comics #226 (DC, 1955). Featuring the second appearance of the Martian Manhunter, which finishes the origin story, this is a nice issue with beautiful cover gloss. Only the most minor defects keep this from a higher grade. CGC VF 8.0 Cream to off-white. Overstreet 2001 FN 6.0 value = $400; NM 9.4 value = $1,400.
Silver Age (1956-1969)
The Flash #105 (DC, 1959). After Flash made his four Showcase appearances, Julius Schwartz decided it was time to give him his own book -- DC's first new Superhero title since Superboy started a decade earlier. Early issues of Flash are notoriously scarce in high grade, but this copy more than lives up to expectations. The third highest-graded copy as of this writing. CGC VF 8.0 Light tan to off-white pages. Overstreet 2001 VF 8.0 value = $2,825.
The Flash #105 (DC, 1959). After several tryouts in Showcase, the Flash gets his own series, picking up the numbering where the Golden Age Flash Comics left off. This landmark issue features a re-telling of the Flash's origin, and the first appearance of the Mirror Master. With vibrant artwork by Carmine Infantino, the Flash set the standard for all the Silver Age revamps that were to follow. This is a solid mid-grade copy with light spine stress, some edge wear, and a front cover date stamp. The cover has exceptionally good color and excellent gloss. CGC FN+ 6.5 Light tan pages. Overstreet 2001 FN value = $1,060.
The Flash #106 (DC, 1959). Another high-grade example of a book that's proven difficult to find, this issue features the Origin of Gorilla Grodd and the Pied Piper, and begins the famous "Grodd Trilogy" that would run through the subsequent two issues. A beautiful copy with light spine wear, this book will certainly disappear in a "flash"! CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $386; NM 9.4 value = $1,800.
Flash Annual #1 Pacific Coast pedigree (DC, 1963). An absolutely gorgeous copy of this highly desirable book. With a clean, solid spine and no visible defects of note, this is one of the nicest copies known to exist. A worthy addition to any Flash collection. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $450.
Green Lantern #40 (DC, 1965). In this landmark issue, you get two Green Lanterns for the price of one, along with the origin of the Guardians. Herein is offered an early Silver Age appearance of Alan Scott (the Golden Age Green Lantern) and the introduction of plot elements that would find their resolution over twenty years later in DC's "Crisis on Infinite Earths." A nice book with no major defects and great pages. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $550.
Mystery in Space #53 (DC, 1959). Adam Strange starts his long run in Mystery in Space with killer artwork by Carmine Infantino and a classic robot cover. CGC notes:"'For Jim from Julius Schwartz' written on 1st page in pen." CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $429; NM 9.4 value = $2,000.
The New Adventures of Charlie Chan #6 (DC, 1959). The scarce, last DC issue of this esoteric title. This is a solid copy with good eye-appeal. These books often command premium to guide prices, due to their scarcity and high desirability. CGC notes, "Cover detached at bottom staple only". CGC Fine+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $120.
Sea Devils #1 Diamond Run Pedigree (DC, 1961). The exceptional gray-tone cover by Russ Heath makes this first issue virtually irresistible. Only the most minor defects keep this book from an even higher grade. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value =$150; NM 9.4 value = $650.
Sgt. Bilko's Private Doberman #1 (DC, 1958). Phil Silvers is best remembered as the goldbricking, scheming Sgt. Bilko, and, although Silvers was the star of that 1950s TV classic, it was Private Doberman who often stole the show. Offered here is the first issue of this title dedicated to Doberman's adventures, an attractive copy displaying good color and minimal wear. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $100; NM 9.4 value = $400.
Showcase #4 (DC, 1956). Ushering in the Silver Age, this book re-introduced the Flash to a new brand of atom-age readers, and got a makeover in the process, trading in his blue pants and steel helmet for some red tights. Following this success, Flash would make three more appearances in Showcase before taking the leap into his own series, but not before giving Julius Schwartz the idea to revive many of DC's old superheroes. Deep colors help display this copy well, which exhibits light spine wear and a stain on the back cover. An attractive copy that can be had without selling the house. CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $3,450.
Showcase #4 (DC, 1956). Most collectors consider this to be the first Silver Age comic book. It re-introduces the classic Golden Age star, the Flash, only now with a new identity (Barry Allen) and a new origin. Artwork is by the legendary Carmine Infantino. This is a very solid copy with good eye-appeal. CGC VG 4.0 Cream to off white pages. Overstreet 2001 GD 2.0 value = $1,150; FN 6.0 value = $3,450.
Golden Age (1938-1955)
Showcase #19 Big Apple pedigree (DC, 1959). Adam Strange makes his third and final Showcase appearance here before moving over to Mystery in Space. Showcase is one of the most significant runs of the Silver Age, spawning most of the new characters DC introduced during that time, with many early issues proving elusive in high grade. This particular copy is a true gem in every sense of the word, grading out at a whopping 9.6 -- with a double cover to boot! Most certainly the best copy CGC has seen so far, this one is a must-have. If you want the best, look no further. CGC NM+ 9.6 (interior cover NM 9.4) Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,450.
Silver Age (1956-1969)
Showcase #75 (DC, 1968). Responsible for more famous character launches than almost any title in comic book history, by the late 1960s this landmark title was still coming out with fresh concepts month after month. This issue, for instance, features the first appearance of Hawk and Dove by the incomparable Steve Ditko, an uneasy alliance that mirrored the political atmosphere of the times. A near flawless copy that appears as fresh as the day it was printed, this book is a true cornerstone of the Silver Age. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $110.
Golden Age (1938-1955)
Superman #100 (DC, 1955). This spectacular 100th issue features some of Superman's most famous covers. The interior stories are all new, celebrating this milestone issue. A solid, flat copy with spectacular cover gloss and good page quality, this is a fine book for any Superman collector! CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $600.
Silver Age (1956-1969)
Superman's Girl Friend Lois Lane #1 (DC, 1958). After 20 years, Lois finally gets her own series! The Superman universe proved to be so popular that DC spun off its secondary characters in the 1950s, creating two titles that ran strong for over fifteen years. Lois Lane #1 is tough to find in high grade, proven by the fact that CGC has not graded a copy better than VF- 7.5. This copy is extremely attractive, nicer looking than the grade would indicate. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $750.
Golden Age (1938-1955)
Superman's Girl Friend Lois Lane #86 (DC, 1968). A great Neil Adams cover fronts this classic giant-sized issue as Lois Lane finally gets married (yeah, right)! Almost perfect in every way, it is very difficult to find DC squarebounds in high-grade, due to the fragility of the spine. This is an exceptional copy that will be a welcome addition to any collection. CGC NM+ 9.6 Off-white to white pages. Overstreet 2001 NM 9.4 value = $45.
Tales of the Unexpected #38 Bethlehem pedigree (DC, 1959). A beautiful example of '50s DC science fiction, featuring art by Ruben Moreira. This copy has great eye-appeal, with a date stamp on the cover. This stunning Tales of the Unexpected #38 is the highest-graded CGC copy to date. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $140.
Silver Age (1956-1969)
Tales of the Unexpected #41 Bethlehem pedigree (DC, 1959). After his successful two issue appearance in Showcase, Space Ranger made the big-time by landing his own spot in this series starting with issue #40, and would begin gracing the covers by #43. This is a beautiful high-grade copy showing minimal wear. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $350.
World's Finest Comics #127 White Mountain pedigree (DC, 1962). A sharp-looking copy from the White Mountain collection, this book exhibits moderate overall wear, but still has good color. CGC notes, "'62' written on cover and 'Tues. June 19th' on first page written in pen." CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $70.
Batman and Robin Posters (DC, 1966). Extremely rare 1966 toothpaste premiums, these are the size of a standard one-sheet (27" x 41"), and are reminiscent of the classic TV show. The Batman poster shows him running, with the words "POW" shaded with half-tone dots, and a small image of the Penguin at the bottom. The Robin poster is similar, but has the Joker on it. Both posters are in like-new condition, snow white backgrounds, with saturated colors.
Superman Poster (DC, 1966). This extremely rare 1966 toothpaste premium is the size of a standard one-sheet (27" x 41"), and shows Superman breaking a set of green chains wrapped around his chest as he exclaims, "Ha! I told you chains of green kryptonite could not hold me!" The poster is in like-new condition, very white with saturated colors. One tiny 3/8") tear at the top edge.
Golden Age (1938-1955)
Action Comics #1 (DC,1938). The number one comic book of all time, Action #1 represents the pinnacle of collecting, a landmark issue introducing Superman to the world. The Man of Steel would single-handedly launch a stream of imitators, validate comics as a viable industry, and kick off a superhero explosion of such magnitude that the industry has yet to match. The cover is instantly recognizable and thus needs no description, as it is burned into the minds of anyone who calls themselves a comic collector, and then some. This unrestored copy is lower grade, but complete and collectible in every way. The copy has tape along the spine, and a few small pieces strategically placed on the edges, with a spine roll and slight cover soiling. In today's market, one can never underestimate the value of an unrestored Action #1, especially in an affordable grade like this. With virgin copies consistently bringing record prices, this one has great potential for the long term, further guaranteed by Superman's place in America's cultural history. A truly historical book that would serve as the centerpiece of any collection. CGC GD/VG 3.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $35,000; FN 6.0 value = $90,000.
Action Comics #2 (DC, 1938). After seeing Action #1 on the newsstands, DC became nervous that the cover was too sensational, and yanked Superman from future covers, not to be seen there again until #7. Leo E. O'Mealia was handed the task of drawing the next five covers, starting with the fantastic adventure scene we see here. As Golden Age key issues have skyrocketed in price over the last decade, there has been a push towards the more affordable, and scarce second issues, particularly on books like Detective #28, Superman #2 and this book, the second appearance of the Man of Steel. A very attractive copy with little structural damage and great eye-appeal, exhibiting a spine roll and two holes towards the bottom spine, visible from the back cover. You can't get closer to the holy grail of comics than this issue. CGC VG/FN 5.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $8,570.
Action Comics #3 (DC, 1938). Still carrying on the tradition of hiding their best character from the cover, DC released the third historical issue of Action Comics to increased sales, something that baffled them. After running a poll among their readers, the company found out that what the kids really wanted was not Action Comics, but the comic "with Superman in it!" DC got the hint, putting Superman back on the cover of #7, and the rest is history. The rarest of the early Action Comics, #3 is listed as scarce in the Overstreet, and has a rating of "8" in the photo-journals (11-20 existing copies). Early Actions traditionally sell for 2x to 3x guide in any grade, particularly the nicer ones. This copy is nearly identical to the #2, exhibiting a spine roll, a hole above the top staple, and a 1" tear at the bottom spine. CGC VG 4.0 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $1,800; FN 6.0 value = $5,400.
Action Comics #4 (DC, 1938). A beautiful unrestored copy of Action #4 with the Canadian Mountie cover. Nice tight and flat book with a few small pieces off of top cover, but with great cover colors and fairly square corners. An extremely hard book to find in any grade, this book is rated a 6 in the Gerber Photo Journals scarcity index. A great book for the Superman collector. CGC VG 4.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $1,050; FN 6.0 value = $3,150.
Action Comics #19 (DC, 1939). Kicking off the beginning of the Superman covers, this issue features the Man of Steel disabling a cannon, one of many vague war covers produced by DC before Pearl Harbor. Early Action Comics, especially Superman covers, have always been sought after by collectors, and rarely turn up in unrestored grade. This copy has deep colors, exhibiting only light soiling and edge wear. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,260.
Action Comics #21 (DC, 1940). On this Shuster war cover, Superman descends upon a U-boat, delivering a bomb for its inhabitants. DC took a pacifist view of the war early on, deciding to keep its cover references vague, at least until the U.S. entered the war. A tough early Action that's always in demand, this copy is sharp, exhibiting only minor wear. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $822. NM 9.4 value = $2,600.
Action Comics #24 (DC, 1940). Another great Superman cover showcasing Shuster's indelible art style, as Superman busts through yet another wall to save the day. A nice unrestored mid-grade copy of one of DC's flagship titles, with some soiling to the cover. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $789.
Action Comics #59 Mile High pedigree (DC,1943). One of the few DC war covers with Superman attacking the Nazis, a beautiful piece by the great Jack Burnley. This is a typical Action-packed issue, with a Vigilante story by Mort Meskin and Americommando by Bernard Bailey, among others. From the legendary Edgar Church/Mile High collection, this book has unbelievably fresh, luminous colors, sharp corners, and an absolutely perfect spine. Virtually newsstand fresh! An excellent investment for the Mile High collector. CGC 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $253; NM 9.4 value = $800.
Action Comics #77 Mile High pedigree (DC, 1944). Superhero DC's have always been some of the most desirable Mile High books, representing the cream of blue-chip books in the market. This particular copy would be among that crowd, had it not been for some well-meaning collector who trimmed the overhang of the back cover. CGC considers this to be restoration, even though the book is essentially untouched. CGC Apparent VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $213; NM 9.4 value = $675.
Action Comics #98 (DC, 1946). A great "just hanging around" cover with Superman. This book has the last "large logo" and is a tough, post-war Age book. In remarkable shape, this issue has no major defects, outstanding cover gloss and is unrestored. Golden-Age books are almost non-existant in NM. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $625.
Action Comics #98 (DC, 1946). A great Superman cover highlights the last issue of this title with a large logo; the end of an era, according to some collectors. High-grade large-logo Actions have always proven to be solid investments, and this outstanding book, with massive cover gloss and square corners, should prove to be no exception. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $625.
Action Comics #98 (DC, 1946). A super-sharp copy of this always-popular Superman title. Back up features include Zatara, Congo Bill and Vigilante stories. An extremely bright, fresh looking copy with rich cover colors. A small "L" has been written in pencil on the cover, but there is no CGC label note. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $197; NM 9.4 value = $625.
Adventure Comics #40 (DC, 1939). Featuring the first conceived story of Sandman, and a truly classic cover showing us what he does best. Sandman first appeared in New York World's Fair 1939, but that story is believed to have been created after the one that appears in this issue. One of the rarest DC key issues, Adventure #40 has proven elusive to many collectors, rarely surfacing in any grade, and always commanding a premium. To prove this point, CGC has listed it's highest graded copy as FN/VF, while most of the other key issues have had copies graded VF or better. This book has a single defect keeping it from the Fine range, a small amount of paper is missing on the right side of the logo. Considering the true scarcity of Adventure #40 in unrestored condition, it's clear that this a rare investment opportunity. CGC VG/FN 5.0 Off-white pages. Overstreet 2001 FN 6.0 value = $11,500.
Adventure Comics #48 (DC, 1940). This issue introduced Hourman to a breathlessly waiting world, rendered by DC stalwart Bernard Baily, and further expanded a burgeoning universe that would eventually dominate the newsstands for most of the 1940s. This copy has tremendous eye-appeal, with sharp edges and deep colors. A two inch spine split professionally sealed, staple reinforced, and a tear seal are all the work this book has, no cover cleaning, piece replacement or color touch. As unrestored books continue to climb in price, these books will most certainly garner more attention because of their affordability. CGC Apparent VF 8.0 Slight (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $6,000; VF 8.0 value = $13,000.
Adventure Comics #93 Crowley pedigree (DC, 1944). A popular DC title, featuring a Simon and Kirby Sandman cover. This anthology series has seen considerable growth during the past five years; high grade copies are usually snapped up by hungry collectors as soon as they become available. An exceptional copy with only a color flake off of the top spine and general aging. Large logo DC's have always proven to be strong investments, so don't let this one pass you by. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $276; NM 9.4 value = $875.
All-American Comics #1 (DC, 1939). Here's a book that's rarely seen in today's market. A unique mix of established characters and new material, this book introduced Hop Harrigan, Scribbly (by Sheldon Mayer), and Red, White, and Blue, presented alongside such established strip features as Mutt and Jeff, Toonerville Folks, Reg'lar Fellers, Skippy and more. There are two pieces of tape on the front cover along with two small markings in pencil in the upper left-hand corner. CGC label notes, "2 pieces of tape on cover". CGC VG/FN 5.0 Cream to off-white. Overstreet 2001 GD 2.0 value = $832; FN 6.0 value =$2,500.
All-American Comics #16 (DC, 1940). A truly classic comic! With this issue, Green Lantern was introduced to the world, dynamically drawn on this classic cover by the great Shelly Moldoff. GL would prove to be a staple of the DC universe, joining the ranks of Flash and Wonder Woman in popularity, and eventually winning his own title in 1941. All-American #16 is widely regarded as one of the rarest DC key issues, as hard to find as More Fun #52 and Adventure #40. It ranks fifth on Overstreet's top 100 Golden Age comics list, showing massive growth over the last five years. This copy has had restoration including color touch, pieces added, spine/page reinforced, and cleaning. The work is very professional and gives the book a tight, clean appearance. A great book to own without breaking the bank. Another copy in the exact same condition brought $15,945 in public auction in October, 2001. CGC Apparent FN/VF 7.0 Extensive (P) Off-white pages. Overstreet 2001 FN 6.0 value = $24,000; VF 8.0 value = $52,000.
All-American Comics #27 (DC,1941). Chock full of great contents, All-American not only featured the Green Lantern, but Doctor Mid-Night, Red White and Blue, The Atom, Hop Harrigan, Scribbly & the Red Tornado, and even Mutt and Jeff. This issue is notable as the first appearance of the Lantern's long-running sidekick Doiby Dickles, who even appears in the GL costume on the fabulous cover, drawn by Howard Purcell. This is a stunning high-grade copy, the best copy certified as of this writing. This Golden Age key has bold, beautiful colors, with a deep red background and sharp greens and blue-grays. An absolutely gorgeous copy of this terrific issue. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $1,086; NM 9.4 value = $3,800.
All-American Comics #29 (DC, 1941). A fabulous example of this DC anthology title featuring the Green Lantern. In fact, this is the highest copy yet graded by CGC, as of the date this writing. It actually looks more consistent with the higher 9.2 or 9.4 grades. CGC notes, "Centerfold detached at bottom staple only". The book has minimal wear, which is offset by the intense cover colors and the outstanding eye-appeal. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $1,600.
All-American Comics #62 "D" Collection pedigree (DC, 1944). Green Lantern and Doiby Dickles are judge and jury in this issue. Nice condition pedigree issue with slight foxing on top cover and a small color fleck off middle left-hand side of spine being the only defects. CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $775.
All-American Western #118 Mile High pedigree (DC, 1951). One look at this book, and you will be able to appreciate why collectors are willing to pay large premiums for "Mile Highs". In terms of sheer beauty, you would be very hard-pressed to find a prettier comic book than this. The colors are so deep, the pages so fresh, it's as if you went back in time and purchased this book at the local soda shop in 1951. This particular comic uses a highly evocative palate of primary colors on the cover. Alex Toth also contributes his legendary talents to this issue. It is hard to imagine a prettier comic than this one. Condition NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $150.
All-Flash #1 Recil Macon pedigree (DC, 1941). The Fastest Man Alive gets his own title in this Golden Age gem. Sporting a classic cover by E. E. Hibbard, this copy is bright and beautiful. The name "Recil Macon" is written across the Flash's chest in pen, and CGC notes," Name written on 1st page in pen." This is, of course, indicative of the pedigree. The book presents wonderfully, with only a slight dust shadow along the right edge and some very minor chipping to keep it from an even higher grade. Excellent eye-appeal on this killer book. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 VF 8.0 value = $8,320; NM 9.4 value = $16,000.
All-Flash #13 Mile High pedigree (DC, 1943). Another pretty example from the Mile High collection, exhibiting light spine wear only. The overall freshness of these books can't be underestimated! CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $268; NM 9.4 value = $850.
All-Flash #28 Mile High pedigree (DC, 1947). Of the three Mile High All-Flash issues offered in this auction, this issue ranks the best, with only slightly rounded corners to keep it out of the Near Mint category. A true beauty, with the cursive "D" we all know and love. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $174; NM 9.4 value = $550.
All-Flash #32 (DC, 1948). A highly desirable book, this is the scarce last issue of this popular title. Going out with a bang, it also introduces two major villains: The Fiddler and Star Sapphire. This issue rarely turns up in the marketplace, especially in collectible condition. The book is tight and flat, with good color and light to moderate wear. The only apparent defects are a one-inch crease at the top of the spine, a very subtle impact crease at the top left corner, and some moderate edge tanning inside the covers. In general, this is a solid copy with good eye-appeal. Condition: Fine+ Cream to off-white pages. Overstreet 2001 FN 6.0 value = $316.
All-Star Comics #1 (DC, 1940). One of the keystone books of the Golden Age, All-Star was originally a showcase title for DC's star characters, including The Sandman (by Craig Flessel), The Flash (by E.E. Hibbard), Hawkman (by Sheldon Moldoff), The Spectre and Hourman (both by Bernard Baily). This issue paved the way for the introduction of comics' first super-team, The Justice Society of America, several issues later, and thus stands as an important landmark in the history of comics. This copy shows some foxing at the edges, but is otherwise very attractive and appealing, and might otherwise have received an even higher grade. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $3,480; VF 8.0 value = $7,540.
All-Star Comics #1 (DC, 1940). The first issue of this perennially popular series showcases stories of some of DC's greatest Golden Age characters, including The Sandman by Craig Flessel, The Flash by E.E. Hibbard, Hawkman by Sheldon Moldoff, Hourman by Bernard Baily, and the Spectre, also by Baily. An important issue for any Golden Age collection, this is a nice mid-grade copy of this desirable book. CGC notes, "Centerfold detached", and there is moderate spine wear and some cover soiling, but this is overall a nice-looking copy of a historically significant book. CGC VG/FN 5.0 Off-white pages. Overstreet 2001 GD 2.0 value = $1,160; FN 6.0 value = $3,480.
All-Star Comics #3 (DC, 1940). One of the most significant books in four-color history, this issue features the debut of the Justice Society of America, comics' first super-team! An extremely difficult book to find in an unrestored grade (as of this writing, CGC lists only two other unrestored books nicer than this one), this is a solid mid-grade copy. There is some definite spine wear, including a 1" split from the bottom and some pencil markings on the cover, but the book presents well and shows excellent eye-appeal. Colors are strong and vibrant, and the book has an overall look that is much nicer than its grade would indicate. CGC FN 6.0 Off-white pages. Overstreet 2001 FN 6.0 value = $9,600.
All-Star Comics #3 (DC, 1940). This book features the very first appearance of a superhero team in comics, the legendary Justice Society of America, which set a standard that would be imitated by countless publishers for years to come. All-Star remains one of the most valuable runs in the market for many reasons, including great stories, a plethora of artists, and a revolving roster of members, culled from DC's ever-growing universe. All-Star would prove to be the ultimate title, bringing together the All-American and DC heroes month after month, starting with this landmark issue. Moderate restoration to this high-grade copy makes it both attractive and affordable, especially considering the hefty price tag it usually carries. The work was done sparingly, and is mainly on the spine, giving the book a fresh unrestored look. This book will always prove to be a solid investment, simply because of its historical importance. CGC Apparent VF/NM 9.0 Moderate (P) Cream to off-white pages. Overstreet 2001 FN 6.0 value = $9,600; VF 8.0 value = $19,200; NM 9.4 value = $40,000.
All-Star Comics #4 (DC, 1941). A seminal issue of this classic title, this is the first group adventure of the Justice Society of America, comics' original heroic team. Displaying a very solid structure, a great spine and good page quality, this book would have received a higher grade, but it is mis-cut. "L" written on cover in pencil. CGC VF- 7.5 Off-white pages. Overstreet FN 6.0 value = $1,513; NM 9.4 value = $5,800.
All-Star Comics #4 "D" pedigree (DC, 1941). A nice copy of an extremely important comic book. This issue contains the first adventure of the Justice Society of America, the original superhero team. The book has a nice, clean overall presentation, with wear mostly limited to the edges of the book. Additionally, it is from the "D" Collection, a well respected pedigree. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,513; NM 9.4 value = $5,800.
All-Star Comics #5 (DC, 1941). A solid copy of a key book, this popular issue contains the first appearance of Hawkgirl. The cover has a good appearance, with no creases or tears. Slight rounding at the corners, moderate spine wear, and a slight stacking bend near the spine are the only real defects. CGC FN- 5.5. Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $1,305.
All-Star Comics #8 (DC). This 76-page book has everything going for it. First of all, it's headlined by a great story in which Dr. Midnite and Starman join the fabled ranks of the Justice Society. Second of all, this comic features classic art by such Golden Age greats as Sheldon Moldoff, Jack Burnley and Bernard Baily. Third is the fact that this issue is truly oversized, with 76 pages instead of the normal 64. Fourth, and most important, this book contains the origin and first appearance of the Amazing Amazon, Wonder Woman. The saga of Princess Diana and Paradise Island begins right here! A truly landmark comic, this is a solid copy. CGC notes, "1 piece of tape removed. Tiny pieces off edge of 9 pages." The only visible flaws seem to be a small chip at the bottom right corner of the front cover and some general wear on the back cover. Otherwise an attractive and desirable copy of this historically significant book. CGC FN+ 6.5 Slightly brittle pages. Overstreet 2001 FN 6.0 value = $7,680; VF 8.0 value = $15,360.
All-Star Comics #8 (DC, 1942). Truly significant in the history of comic books, this issue contains the origin and first appearance of Wonder Woman. All-Star #8 seems to have more growth potential, in terms of value, than any other Golden Age key. Overstreet values for Wonder Woman keys are very low in comparison with the other DC stars, yet she is more enduring and more popular than many of those characters. This is a solid, lower grade copy, with typical defects for the grade such as a small chip out of the back cover (no label note). CGC VG- 3.5 Cream pages. Overstreet 2001 GD 2.0 value = $2,560; FN 6.0 value = $7,680.
All-Star Comics #10 (DC, 1942). This has always been one of the toughest issues of this popular title to acquire, with a fantastic Hawkman cover and cameos by DC super-stars Batman and Superman. A beautiful copy with a nice general appearance, highlighted by an attractive cover and solid spine. CGC notes "Small piece of tape on interior cover, 'read' written on 10 pages in pen". CGC Fine+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $885.
All-Star Comics #13 (DC, 1942). Featuring a classic sci-fi cover, this issue is full of talent, including the likes of Bernard Baily (Spectre), Jack Burnley (Starman) and Shelly Moldoff (Hawkman). An attractive copy with slight edge wear only. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $726; NM 9.4 value = $2,300.
All-Star Comics #15 (DC, 1941). All-Star Comics is one of the fundamental comic book titles to collect. Many early collectors felt that, if you were to collect only one title, it should be All-Star Comics, since it contained "all the stars" in the DC firmament. That line of thought still holds true for many current collectors. This copy, which features the origin and first appearance of the villainous Brain Wave, is a tremendous specimen with an exceptional grade, especially for a black cover book. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $2,300.
All-Star Comics #18 (DC, 1943). This issue features one of the most popular covers in the run, combining a black cover with science fiction overtones. The state of preservation is exceptional, with the color and pages exhibiting an extreme freshness. Wear is minimal and limited to the extreme edges. This gorgeous All-Star Comics #18 is the highest-graded CGC copy to date. CGC VF+ 8.5 White pages. Overstreet 2001 FN 6.0 value = $537; NM 9.4 value = $1,700.
All-Star Comics #31 (DC, 1946). With a great sci-fi cover featuring "The Globe Being from Space", this is a lovely example of this always-popular title. This issue is tight and flat, with good color and a solid strike, and will make a great addition to any All-Star collection! CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $363.
All-Star Comics #31 (DC, 1946). In this pulse-pounding issue, the Justice Society battles " The Globe Being from Space" with artwork by Green Lantern creator Martin Nodell. This book is extremely attractive, with only minor defects keeping it from an even higher grade. CGC FN- 5.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $363.
All-Star Comics #33 "D" Collection pedigree (DC, 1947). For decades this comic has been one of the most highly prized in the hobby. Solomon Grundy, likely the most macabre and evil villain in DC's stable, only appears in a handful of Golden Age comics, and only appears on two covers. Add to the mix that All-Star has always been one of the most popular titles among collectors, and you have a sure-fire winner. The copy offered here is in fantastic condition; the overall wear is minimal, suggesting that the book is likely unread. There is a slight amount of foxing at the top edge of the comic. To date, this is the second highest grade awarded by CGC for this issue. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $900; NM 9.4 value = $3,000.
All-Star Comics #33 Mile High pedigree (DC, 1947). A classic Solomon Grundy cover by Irwin Hasen highlights this legendary issue of All-Star, which features Grundy's final Golden Age appearance, as well as a guest-shot by Green Lantern's sidekick Doiby Dickles. This thrilling six-chapter story is one of Gardner Fox's best for the series, and the artwork by Hasen and a young Joe Kubert (among others) is outstanding. This copy is from the Mile High pedigree, and while it is a relatively low grade for that classic collection, it is still a very solid book, structurally sound with good page quality and excellent cover color. This book as a whole would be a fine addition to any All-Star collection. CGC FN 6.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $900.
All-Star Comics #42 (DC, 1949). This classic Golden Age cover was later swiped for the cover of Justice League of America # 6. Even more significant is the fact that in this issue, the Atom and Hawkman don new costumes. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $332; NM 9.4 value = $1,050.
All-Star Comics #52 (DC, 1950). This scarce late issue of All-Star Comics pits the Justice Society against a giant alien menace. Displaying outstanding colors and a very clean look (there is virtually no wear or dirt in the white areas), this is the best known copy of this tough issue. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,050.
Batman #1 (DC, 1940). One of the most desirable comics printed during the Golden Age, Batman #1 has had so much exposure in fandom that a certain mystique has come to surround it. It's a book that all serious collectors strive to own, and always causes a sensation when displayed. There is a strong argument that Batman is the preeminent superhero of today, surpassing even Superman in popularity. This point was proven when Detective #27 passed Action #1 as the most valuable comic in the world during the early 1990s. The book itself is chock-full of extras, including the first appearance of comicdom's quintessential villain, the Joker, as well as the Catwoman, the first villainess in comics. Even included is a non-Robin story intended for use in Detective #38, Robin's first appearance. Ranked as the sixth most valuable comic by Overstreet, this book is truly what Golden Age is all about. Susan Cicconi's restoration on this particular copy is moderate, and relegated to the spine area, used to attach a married back cover. The back cover, an original found from another copy, is perfectly matched to the front, and looks seamless. The front cover has a small spot of yellow color touch near the upper spine, but is otherwise untouched. The interior is sharp and white, appearing as fresh as the day it was printed. There are few restored Batman #1's that resemble the quality of this copy, both from a freshness standpoint, and the level of professional work involved. Once you thumb through this one, you won't want to put it down. Apparent VF/NM 9.0 White pages. Overstreet 2001 FN 6.0 value = $18,200; VF 8.0 value = $42,500.
Batman #3 (DC, 1940). This early issue features art by Bob Kane and Sheldon Moldoff and features the first costumed villainess in comic book history, the Catwoman. Rarely found in high-grade, this is definitely a book for the serious Bat-collector. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $2,350; NM 9.4 value = $9,000.
Batman #7 (DC, 1941). A terrific "bullseye" cover by Bob Kane highlights this early issue of the Caped Crusader's own book. This one looks even better than the CGC grade would indicate, with a very fresh appearance, and outstanding color. In spite of a very slight mis-cut, with some edge wear and very light staining, this is still a great-looking book, and a terrific example of Batman's early canon. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1260; NM 9.4 value = $4400.
Batman #8 (DC, 1942). One of the more recognizable Batman covers, this one features an infinity cover. Any of the single digit Batmans are great to own, especially in solid grade like this one. A small chip off the top spine, and a small stain on the right corner, but still a pretty copy with deep colors. CGC FN+ 6.5 Off-white pages. Overstreet 2001 FN 6.0 value = $1,030
Batman #10 (DC, 1942). Another favorite Batman issue, featuring Batman and Robin drawing their own comics, rendered by Fred Ray. Because of Batman's immense popularity, practically all of the early Batman issues are classic covers to some degree, and are highly sought after by collectors. This copy exhibits only a small abrasion at the top staple, and is every bit a VF copy. The label does not disclose the page quality, but after being examined by several graders, we've decided Off-white pages is a fair estimate. CGC VF 8.0. Overstreet 2001 FN 6.0 value = $971; NM 9.4 value = $3,400.
Batman #10 (DC, 1942). An inventive "artist" cover by Jerry Robinson highlights this classic early issue of Batman, which features artwork by Bob Kane, Jerry Robinson, George Roussos, and Henry Boltinoff. This issue also contains an early Catwoman story, wearing a new costume since her earlier appearance in Batman #3. This classic cover still boasts exceptional color and clarity, making this a fabulous book for any Batman collector. CGC notes, "Moderate tanning of interior front and back covers." CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $971; NM 9.4 value = $3,400.
Batman #11 (DC, 1942). One of the most innovative early Batman covers, this spectacular and classic image (by Fred Ray and Jerry Robinson) features the Joker getting "kayoed" by the Caped Crusader against a field of playing cards. This issue features not only a Joker story, but an appearance by the Penguin as well, with artwork by Bob Kane, Jerry Robinson, and George "Inky" Roussos. Light tanning, and small tears at the staples probably account for the grade, but this is still a spectacular copy of this issue, with fresh colors and tremendous eye-appeal. One of the true "knockout" covers of the early Batman run. CGC notes "Centerfold detached at bottom staple only. Tanning interior front/back cover." CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,826; NM 9.4 value = $7,000.
Batman #12 (DC, 1942). Terrific artwork by Jerry Robinson (cover), Jack Burnley, and Bob Kane highlight this, the first anniversary issue of Batman. Although dust shadowing has dulled the yellow cover somewhat, this is still a very solid and good-looking book, with a classic War Bonds cover, and an early Joker story. Slight edge wear, and a few small nicks on the spine, but overall a terrific early Batman. CGC FN 6.0, Cream to off-white pages. Overstreet 2001 FN 6.0 value = $853.
Batman #13 (DC, 1942). The Caped Crusader's parachute to the rescue on this terrific Jerry Robinson cover. This fast-moving issue features a Joker story, as well as an appearance by Superman co-creator Jerry Siegel! Good-looking black-cover book has an "A" stamped on the front cover, and a couple of grease-pencil markings, but still has a very sharp appearance with good color and the black background is still sleek and shiny. CGC notes, "Centerfold detached from bottom staple only". CGC FN 6.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $900.
Batman #14 (DC, 1943). At the top of most Bat-collectors want lists, this book highlights Batman and Robin's ongoing fight against the devious Penguin, who is cover-featured for the second time with this issue. Nice square corners and beautiful pages make this book a real killer. Condition: VG+ Off-white pages. Overstreet 2001 GD 2.0 value = $311; FN 6.0 value = $933.
Batman #18 Crowley pedigree (DC, 1943). One of the most sought after issues in the Batman series, this classic war cover features Hitler, Hirohito, and Mussolini exploding on the front cover as well as interior artwork by Bob Kane, Jerry Robinson, Jack Burnley, and more. From the Crowley collection, this is a gorgeous unrestored copy with an exceptional appearance, and incredibly fresh cover colors, making this a great book for any Batman collector. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $790; NM 9.4 value = $2500.
Batman #19 Twilight pedigree (DC, 1943). A nice-looking copy of this fun issue, which features a Joker appearance ("The Case of the Timid Lion"). The great Dick Sprang drew most of this issue, as well as providing an innovative cover. Small tears at the bottom staple, and a very slight mis-cut are the only apparent flaws. The cover has a like-new appearance. CGC notes, "Light tanning interior front and back covers." CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $570; NM 9.4 value = $1,800.
Batman #20 Crowley pedigree (DC, 1943). One of the more sought after books in the Batman run is the first Batmobile cover. Dick Sprang and Jack Burnley did the artwork in this issue. This is a fantastic book in excellent condition. Very rarely seen for sale in this condition, this may be your only chance! CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $600;. NM 9.4 value = $1,900.
Batman #20 (DC, 1943). This is, arguably, one of the best of the early Batman comics, with a terrific cover, the first to picture the Batmobile. A beautiful collector's copy displaying virtually insignificant wear and outstanding eye-appeal. CGC notes, "Tiny tear on top of every page". CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $600; NM 9.4 value = $1,900.
Batman #21 (DC, 1944). Outstanding copy of this early issue, which features a terrific "bucking bronco" cover by Jerry Robinson. The Penguin makes an appearance, and this issue features the first "skinny" Alfred. The gorgeous cover presents well, with its deep-red background and sharp, rich colors. A nice early issue. CGC 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,400.
Bronze Age (1970-1979)
Batman #22 (DC,1944). An investment quality book, this issue features Alfred's first solo adventure and his first cover appearance, rendered by Dick Sprang. It also contains a Catwoman story by Jack Burnley. Early Batman's in this grade are very scarce. Consequently, demand is consistently strong. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,400.
Batman #22 (DC, 1944). A fantastic Dick Sprang cover spotlights the first Alfred solo story in an issue that also showcases Jack Burnley art on a Catwoman story. It's becoming increasingly difficult to find copies of this book in this condition after nearly 60 years! A tight flat copy with a few chips of color missing from the top left spine and slight rubbing on the bottom of the spine, this is a great copy for anyone putting together a run of this title. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Golden Age (1938-1955)
Batman #23 (DC, 1944). A very desirable book with a classic Dick Sprang Joker cover. High grade, black cover books are very difficult to find, as even the smallest amount of wear is instantly noticeable. This copy has virtually no visible wear, and has great color as well. An exceptional copy in every way. CGC notes, "Rusted staples. (2) 1" tears at centerfold". CGC VF+ 8.5 Off-white pages. Overstreet 2001 NM 9.4 value = $2,000.
Batman #23 (DC, 1944). Batman squares off against the Joker in a battle of wits! Notorious as Batman's greatest arch-nemesis, Joker appearances always command a premium, especially for classic covers such as this one. This is a beautiful book that shows no signs of wear, and will make its owner extremely proud. CGC VF+ 8.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $633; NM 9.4 value = $2,000.
Batman #26 (DC, 1945). High-grade Batman comics never go out of style and this is a prime example, showcasing a classic Joker story. The cover features possibly the only appearance of the Bat-toboggan, with Batman, Robin and Alfred enjoying a ride in the snow. With less wear than the grade would indicate, light surface soiling is the main defect in this attractive, desirable book. CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Batman #26 (DC, 1945). A cool Bat-sled cover by Jerry Robinson features Batman, Robin and Alfred having a little fun in the snow. Does anyone wonder why Bruce Wayne's butler is taking a joyride with the Dynamic Duo? Of course not -- logic didn't matter in the whimsical Bat-covers of this era. This is a great-looking book for the grade, with a few minor problems, but a very nice presentation overall, with excellent cover gloss. CGC notes "small amount of writing and small stain on first page." CGC VG/FN 5.0 Off-white pages. Overstreet 2001 GD 2.0 value = $147; FN 6.0 value = $442.
Batman #27 San Francisco pedigree (DC, 1945). This is a beautiful book, with a classic Jack Burnley Christmas cover. This book comes from the prime period of the illustrious San Francisco collection (1942-1945) and is truly striking. Color and page quality are unimprovable, and this book shows no reading wear whatsoever. The highest Universal-graded copy of this issue in the current CGC census (the other copy graded 9.4 by CGC received a Qualified label), prime examples such as this from the San Francisco Collection often sell for five to ten times the NM Overstreet value. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $1,850.
Batman #27 (DC, 1945). One of the best of DC's Christmas covers, Jack Burnley's art is truly outstanding. This issue has a Penguin story with art by Jerry Robinson, and is in superb condition, being flat and crisp with only the slightest wear. Only the most minor defects keep this book out of the NM range. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $584; NM 9.4 value = $1,850.
Batman #28 (DC, 1945). Another investment grade Batman with a beautiful red cover and virtually no visible wear. Great eye-appeal. CGC notes, "Moderate tanning edges interior front and back cover". CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,400.
Batman #28 (DC, 1945). A nice copy with a "knockout" cover. Displaying great color and exceptional page quality, the Joker, the Clown Prince of Crime, makes an appearance herein. The overall appearance of this book is much better than the grade would indicate. CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $442; NM 9.4 value = $1,400.
Batman #35 (DC, 1946). Life imitates art as "Dick Grayson, Author!" scripts a comic book! Bob Kane art highlights this whimsical tale, led off by a beautiful Dick Sprang cover. This is a great-looking mid-grade copy with some edge wear, off-center (and rusty) staples, a 1/2" chunk out of the back cover at the base of the spine, and some very light staining. Despite these problems, the book still presents beautifully, with virtually no spine stress, and sharp, bright colors. A great look for the grade. CGC VG/FN 5.0 Off-white pages. Overstreet 2001 GD 2.0 value = $111; FN 6.0 value = $332.
Batman #36 (DC, 1946). A superb copy with an action-packed cover by Dick Sprang. A very difficult issue to find in high grade, this book is made even more desirable by the inclusion of a Penguin story. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $332; NM 9.4 value = $1,050.
Batman #40 (DC, 1947). A truly terrific Joker cover by Jack Burnley (with inks by Charles Paris) tops off this fast-paced issue, with most interior artwork provided by the immortal Dick Sprang. This is an incredible, high-grade beauty with bright, lustrous colors, razor-sharp corners, and a perfect cut. The highest grade copy certified by CGC as of this writing, this is an absolutely stunning book. CGC NM 9.4 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,400.
Batman #45 (DC, 1948). A charming Christmas-themed cover by Win Mortimer leads off this excellent issue which also features a Catwoman story. Some dust shadowing on the right edge and a significant mis-cut are the main problems, but the book still looks great with sharp corners, bright colors, and a very fresh appearance. The bright yellow background has lost none of its luminous qualities. A very nice-looking book. Please note that, due to time constraints, we were not able to photograph the book after it was re-holdered, but the cracked holder appearing in the image has been replaced. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $237; NM 9.4 value = $750.
Batman #94 (DC, 1955). An exceptional copy of this outstanding book, high-grade comics from this era are extremely difficult to find. Even the most seasoned collectors are happy to acquire books in Fine condition. This copy has very light wear, and very good eye-appeal. CGC VF 8.0 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $147; NM 9.4 value = $440.
Batman 3-D #1 (DC, 1953). This issue reprints Batman #42 and #48, both of which feature Penguin stories, as well as a Tommy Tomorrow story. A nice mid-grade book with no major folds or tears, this copy also has the original glasses, which are detached. Condition: FN Light tan pages. Overstreet FN 6.0 value = $332.
Boy Commandos #1 Crowley pedigree (DC, 1942). After being introduced in Detective Comics, this popular Simon and Kirby team was awarded their own book, lasting the duration of the 1940s. This first issue features a classic WWII cover, with art by S&K, and shows light spine wear and a 3/4" tear on the back cover. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,435; NM 9.4 value = $5,500.
Boy Commandos #1 (DC, 1942). This greatly underappreciated Golden Age key issue features a wonderful Simon and Kirby cover, and is the first issue of an important title. A solid mid-grade copy with some slight foxing and the letter "S" written on the cover. CGC notes, "Light foxing on pages". CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $1,435.
Comic Cavalcade #1 (DC, 1942). DC was actually two companies working in tandem, one run by M.C. Gaines (All-American), and the other by Harry Donenfeld (DC). Green Lantern, Wonder Woman and the Flash were products of All-American, and in similar fashion to World's Finest, were given their own "team" book, Comic Cavalcade. This issue is squarebound, exhibiting normal wear with no outstanding defects, making it a perfect copy for the cost-conscious collector. CGC notes, "1" to 2" bindery tears on every page". CGC VG- 3.5 Off-white to white pages. Overstreet 2001 GD 2.0 value = $825; FN 6.0 value = $2,475.
Comic Cavalcade #11Mile High pedigree (DC, 1945). Another gem from the Golden Age of comics featuring Wonder Woman, Green Lantern and the Flash! With E.E. Hibbard and H.G. Peter artwork, this is a great book for any DC collector. Superb eye-appeal. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $850.
Comic Cavalcade #14 (DC, 1946). Because of the many squarebound issues, this series has always proven to be a challenge to assemble in high grade. Featuring an E.E. Hibbard Flash story and an H.G. Peter Wonder Woman tale, this copy is very pretty, exhibiting only the slightest wear. This stunning book is the highest-graded CGC copy to date. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $269; NM 9.4 value = $850.
Comic Cavalcade #17 "D" Collection pedigree (DC, 1946). Flash, Green Lantern and Wonder Woman enjoy some time on the ranch in this issue, as they take a break from fighting crime. A gorgeous example of a Golden Age squarebound, this book is near perfect save for a small piece of paper off the top spine. To date, this awesome Comic Cavalcade #17 is the highest-graded CGC copy. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM value = $850.
Congo Bill #2 Mile High pedigree (DC, 1954). After a thirteen-year run in Action Comics, Congo Bill was finally rewarded with his own title. Congo Bill has always been a tough run to assemble, especially in high-grade. Overstreet notes, "Rarely found in Fine to Mint condition," and also lists all of the issues in this series as "scarce." The guide does not list a NM 9.4 value on any of them. To date, this gorgeous Mile High Congo Bill #2 is not only the highest-graded CGC copy, but it is also the highest-graded CGC copy of Congo Bill in the entire set. Don't let this one get away! CGC VF 8.0 Off-white pages. Overstreet 2001 VF 8.0 value = $700.
Dale Evans Comics #5 Mile High pedigree (DC, 1949). A glow-in-the-dark book with the richest blues you have ever seen! A perfect example of why the Mile Highs revolutionized grading in the 1980s. CGC NM- 9.2 White pages. Overstreet 2001 NM 9.4 value = $260.
Dale Evans Comics #8 (DC, 1949). Featuring Alex Toth art and a great photo cover, DC westerns have always proven popular among collectors. The gorgeous colors and overall freshness of this book put it on a par with the prestigious Mile High collection. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $260.
Danger Trail #4 (DC, 1951). Featuring a King Faraday story (the last in this title) and exquisite art by Alex Toth, this is a nice flat copy with fabulous cover gloss and no major defects. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $205; NM 9.4 value = $650.
Platinum Age (1897-1937)
Detective Comics #8 (DC, 1937). One of the" Classic" Craig Flessel covers featuring Mister Chang with a most evil look on his face. Remarkable condition for this classic book with the only major defect being a small piece off of the top cover and slight stress on the spine line. A very rare book (7 in the Gerber Photo Journal) almost never seen for sale, this book is an excellent investment because of its high-grade appearance and the fact that it is unrestored. Estimated less than 50 copies exist. CGC FN- 5.5 Light tan pages. Overstreet 2001 FN 6.0 value = $3,399.
Detective Comics #8 (DC, 1937). A classic Mr. Chang cover (later swiped for Atomic Comics #1) by Craig Flessel leads off this early pre-Batman issue of Detective. Featured herein is a Slam Bradley story by Seigel and Shuster, as well as a shorter Spy story by the same team. Although low-grade, this is a very good-looking copy, with vibrant colors, a perfect cut, and exceptional clarity. CGC notes, "Centerfold detached and has a 2" tear." CGC VG 4.0 Cream pages. Overstreet 2001 GD 2.0 value = $1,133; FN 6.0 value = $3,399.
Golden Age (1938-1955)
Detective Comics #18 (DC, 1938). This issue features a classic Fu Manchu cover, one of the best pre-hero covers of the run. Of the many pre-hero books DC published during the 1930s, Detective is far and away the most popular, with many issues proving elusive to collectors. This copy has had extensive restoration to the spine and edges, including piece replacement and color touch. CGC Apparent VF- 7.5 Extensive (P) Off-white to white pages. Overstreet 2001 FN 6.0 value = $2,850; NM 9.4 value = $6,200.
Detective Comics #27 (DC, 1939). Arguably, the most important comic book ever printed. Certainly a true, blue chip investment. This historic issue features the first appearance of (The) Batman, initially portrayed as a darker, edgier gun-toting vigilante. This is a nice, low-grade copy of the book that Overstreet lists as #2 on his roster of Top Golden Age Comics. A CGC "blue label" copy, the cover has an exceptionally nice presentation for the grade. The book has rounding at the corners and several pieces of tape on the outside cover and interior pages. The first few pages are loose, and held in with tape. The edges have chipping and rounding, but it is generally more sound than the "brittle" annotation might imply. The track record of this book's investment potential is well documented, and will no doubt retain its status as one of the icons of twentieth-century popular culture. CGC FR/GD 1.5 Brittle pages. Overstreet 2001 GD 2.0 value = $28,000.
Detective Comics #33 (DC, 1939). DC decided to wait seven issues before revealing Batman's origin, which finally appears here in a two page story. Batman's origin was relentlessly copied by other writers rushing to cash in on the booming superhero genre that emerged in the early 1940s, with Batman proving to be one of the most enduring tales from this modern mythology. Detective #27-37, the pre-Robin issues, are highly coveted by collectors and are rarely found above Fine unrestored condition. This copy is a prime specimen, with rounded corners and a 1/4" split at the bottom spine keeping it from the VF category. Copies in this grade rarely surface for public sale, and always command a premium. CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN value = $10,560; VF 8.0 value = $22,880.
Detective Comics #38 (DC, 1940). The sensational debut of Robin, the Boy Wonder, is the centerpiece of this legendary key issue, certainly one of the three most important Batman comics ever published. The memorable cover by Bob Kane and Jerry Robinson (taken from the story's splash page) beautifully showcases Batman's new sidekick, and even gets the color of his cape right (as opposed to Batman #1, where the Boy Wonder's cape was mysteriously green). This is a very nice mid-grade copy of this important book; moderate dust shadowing and one minor spine split are what keep it from a higher grade. The book presents beautifully for this range, with sharp corners and virtually no cover wear; colors are bright and vibrant. Unrestored mid-grade copies of this classic book are very rare; as of this writing, this is the second-highest unrestored grade that has been certified for this issue. Label notes "heavy tanning interior front and back cover." CGC VG/FN 5.0 Light tan pages. Overstreet 2001 GD 2.0 value = $3,040; FN 6.0 value = $9,120.
Detective Comics #39 (DC, 1940). Featuring the second appearance of Robin, as well as an opium story, this early issue of Detective has steadily risen in value over the last ten years. This copy has moderate restoration and a very high apparent grade, making it affordable and attractive for any Batman collector. The work is limited to the spine and corners, and the cover has not been cleaned. A great way to get the best of both worlds. CGC Apparent NM- 9.2 Off-white pages. Overstreet 2001 FN 6.0 value = $1,565; NM 9.4 value = $6,000.
Detective Comics #41 (DC, 1940). Batman comes to the rescue again! This action-packed issue has the first Robin solo story with art by Jerry Siegel and Fred Guardineer. Absolutely a beautiful issue with outstanding cover gloss and luster. This book still has excellent presentation, with bright colors and good clarity even after all these years. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $324; FN 6.0 value = $971.
Detective Comics #58 (DC, 1941). This landmark issue of Detective features the debut of the #2 villain in the Dark Knight's Rogue's Gallery -- namely The Penguin. Highly prized by Batman collectors for this historic debut, this issue also features a stunning cover by Jerry Robinson (from Fred Ray layouts). This is an absolutely magnificent high-grade copy of this coveted issue, with a bright, crisp appearance and stunning colors. By far the highest graded copy certified as of this writing (the next closest copy is a 7.5), this is truly an investment grade book, and incredibly rare in this condition. CGC NM 9.4 Cream to off-white pages. Overstreet 2001NM 9.4 value = $4,200.
Detective Comics #62 (DC, 1942). An absolutely classic Joker cover by Jerry Robinson leads off this terrific issue with interior work by Bob Kane, Robinson, and George Roussos. This is either the first or the second Joker cover (depending on which historian you talk to), but either way it's stunning, and far superior to the cover to Detective #40. An excellent copy whose colors are still bright and fresh, with a perfect cut and a crisp appearance. A very desirable copy of this landmark book. CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $695; NM 9.4 value = $2,200.
Detective Comics #88 Pennsylvania pedigree (DC, 1944). Being some of the most collectible titles in comics, Detective Comics in high grade always garner plenty of attention. You can't go wrong with Batman! This copy is a great example from the Pennsylvania collection, with luminous page quality and a gorgeous cover. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $850.
Detective Comics #100 Crowley pedigree (DC, 1945). An outstanding centennial issue with Batman saving Robin from a watery death. This is a brilliant copy with only minor defects. The solid white pages and square corners make this a great copy. CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $363; NM 9.4 value = $1,150.
Detective Comics #100 (DC, 1945). A classic Dick Sprang cover highlights the landmark 100th issue of this important and collectible title. One of the first comics to hit the century mark, this represents a significant event in comics history. Adding to this issue's desirability is the interior work by artist Jack Burnley. CGC VG/FN 5.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $363.
Detective Comics #110 (DC, 1946). Batman and Robin join Scotland Yard in this issue. Beautiful cover gloss and lovely pages make this a must-have for Bat-collectors everywhere! CGC VF/NM 9.0 Off-white to white pages. Overstreet 2001 NM 9.4 value = $675.
Detective Comics #128 (DC, 1947). The Clown Prince of Crime returns to befuddle Batman in this excellent issue of Detective, which sports a beautiful Joker cover by Dick Sprang. This is an outstanding copy with only a few minor flaws, none of which detract from the exceptional overall eye-appeal. The cover has a very crisp appearance with excellent color, and the large foreground figure of the Joker makes this one of his more memorable cover appearances. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $276; NM 9.4 value = $875.
Detective Comics #164 Palo Alto pedigree (DC, 1950). Attractive high-grade copy featuring "The Untold Tales Of The Bat-Signal". From the Palo Alto collection, this copy has been slightly mis-cut, but the intense colors and solid page quality more than make up for this minor defect. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $500.
Detective Comics #175 (DC, 1951). A bright, attractive cover lends enormous eye-appeal to this fast-paced issue of Detective. Small flaws in the book are barely noticeable against this iconic image of Batman and Robin swooping in to clobber the bad guys. CGC notes, "piece out, margin of 6th page." CGC FN/VF 7.0 Off-white pages. Overstreet 2001 FN 6.0 value = $165; NM 9.4 value = $500.
Flash Comics #1 (DC, 1940). One of the classic DC keys, this introductory issue features the first appearance of Hawkman, Hawkgirl (as Shiera Sanders), and the legendary Flash. The series would run 104 issues, enjoying success throughout the '40s and proving itself as one of DC's mainstays. Shelly Moldoff, Hawkman's preeminent artist, was assigned the cover, creating a classic image that has only grown in fandom's conscience. Overstreet ranks this issue as the eighth most valuable Golden Age comic, a position that has been earned through years of meteoric jumps in price and demand. This copy is unrestored with very nice pages and most of its wear limited to the spine area. There is a 2 1/4" tear on the right side of the front cover, but because of minimal color loss, does not mar the appearance of the book. No doubt this book would have graded much higher if not for the tear. Thirty interior pages and the inside back cover have a date stamp on them. A truly magnificent book, Flash #1 is capable of turning the heads of even the most jaded collectors. CGC VG- 3.5 Off-white to white pages. Overstreet 2001 GD 2.0 value = $6,000; FN 6.0 value = $18,000.
Flash Comics #4 (DC, 1940). A very early issue of this beloved superhero title, this issue features not only a Flash story by Gardner Fox and Harry Lampert, but a Sheldon Moldoff Hawkman story (his first), plus Cliff Cornwall, Johnny Lightning, Rod Rian of the Sky Patrol, and the Whip, which is the cover feature. This is a very solid mid-grade copy with the overall wear associated with its grade, but still retaining a very crisp and attractive appearance. CGC notes, "moderate piece out of the edge of 14th page, does not affect story." CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,230.
Flash Comics #8 (DC, 1940). A terrific early Sheldon Moldoff cover leads off this action-packed issue of Flash Comics. The Flash, Hawkman, Johnny Thunderbolt, Captain Desmo, and Rod Rian of the Sky Patrol all have stories in this terrific installment of the long-running anthology. This is a very nice mid-grade copy of this early classic, with the usual level of wear associated with this grade including an impact tear just above the "F" in the logo, and a crease in the lower right corner which partially breaks the ink. Cover still has brilliant color and excellent presentation, highlighting the terrific image of the Scarlet Speedster dashing to the rescue. CGC FN 6.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $885.
Flash Comics #10 (DC, 1940). One of the finest covers ever rendered by Shelly Moldoff, showing the Flash saving a woman from a watery death. This is a beautiful book with extraordinary color! Only the smallest of flaws keep this book from a much higher grade. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $915; NM 9.4 value = $3,200.
Flash Comics #11 Rockford pedigree (DC, 1941). One of the greatest Shelly Moldoff Hawkman covers to grace Flash Comics, this issue exhibits deep colors and a beautiful spine, with only very light edge wear. Of the many Flashes on collectors' want lists, this one turns up quite frequently. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $1,850.
Flash Comics #66 "D" pedigree (DC, 1945). A popular title among collectors, Flash Comics have always been strong sellers, especially in high grade. This copy is from the "D" collection, a gorgeous book with slight foxing along the right edge. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $700.
Flash Comics #84 Crowley pedigree (DC, 1947). The Flash, Hawkman, and Johnny Thunder all appear in this entertaining Golden Age book, topped off with an excellent Irwin Hasen cover. A good-looking book for its grade, with strong cover colors and a fabulous presentation. CGC FN+ 6.5 Light tan to off-white pages. Overstreet 2001 FN 6.0 value = $221.
Flash Comics #97 (DC, 1948). Heritage is proud to present a truly scarce run of Flash Comics #97-103 in mid-to high-grade, something that does not surface on the market often. Because the series was nearing cancellation due to a decline in superhero sales, the quantities printed were considerably lower than earlier issues. Also considering how popular Flash is, one can appreciate how hard it is to find copies in such nice, unrestored condition. The books presented here for auction come from one collection (except for #98), further adding value because of their conforming grades. This copy, the first offering from this stunning group, appears VF/NM, but was downgraded because of a small chip out of the spine area. The corners are razor sharp, with no blemishes on the cover to speak of. Each of these Flash issues are a sight to behold. CGC FN- 5.5 Dark-tan to off-white pages. Overstreet 2001 FN 6.0 value = $387.
Flash Comics #98 (DC, 1948). A superb copy with an outstanding Joe Kubert cover showing Hawkman locked in battle with a gaggle of villains. Very slight edge-wear and rounded corners. When is the last time you saw one of these, much less in VF? CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $387; NM 9.4 value = $1,225.
Flash Comics #99 (DC, 1948). This issue features a black Flash cover rendered by Carmine Infantino. Near-perfect edges and spine, with a pencilled arrival date and a small blemish at the middle spine area. Gorgeous! CGC FN+ 6.5 Dark tan to off-white pages. Overstreet 2001 FN 6.0 value = $387.
Flash Comics #100 (DC, 1948). Hawkman takes his turn on the cover of this centennial issue, rendered by Kubert. An exceptional copy that is almost perfect, but downgraded slightly for the quality of the page edges. Listed as "scarce" in the Overstreet. CGC VF- 7.5 Dark tan to off-white pages. Overstreet 2001 FN 6.0 value = $885; NM 9.4 value = $2,800.
Flash Comics #101 (DC, 1948). A great Infantino Flash cover, showing our hero smashing through the time clock as he travels into the future! A terrific copy with a 1/4" tear on the back cover only, certainly looking better than the grade given. Listed as "scarce" in Overstreet. CGC FN/VF 7.0 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $726; NM 9.4 value = $2,300.
Flash Comics #102 (DC, 1948). A fascinating Hawkman cover by Kubert, featuring "The Flying Bubbles". Another sharp copy with a perfect spine and a tiny chip off of the top right corner. Listed as "scarce" in Overstreet. CGC FN/VF 7.0 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $726; NM 9.4 value = $2,300.
Flash Comics #103 (DC, 1949). Featuring the classic "Sword of Time" cover, drawn by Carmine Infantino, this copy has a chip out of the margin on the back cover and a blemish on the spine. Still, a very attractive copy. Listed as "scarce" in Overstreet. CGC FN- 5.5 Tan to off-white pages. Overstreet 2001 FN 6.0 value = $885.
Flash Comics Wheaties Promo nn (DC, 1946). A miniature comic used as a promotional item, these were taped to boxes of Wheaties cereal in 1946. The 32-page book features the usual Flash Comics lineup of Hawkman (Joe Kubert art), Johnny Thunder, and the Ghost Patrol, as well as the Scarlet Speedster himself, with cover and interior artwork by Irwin Hasen. Because the comics were attached to the cereal boxes with four pieces of tape, they are never found in mint condition; FN is the highest grade Overstreet lists for this book. In fact, this is the only FN 6.0 listed in the CGC census as of this writing, making this the highest-graded copy CGC has certified. No Flash Comics or Golden Age collection is complete without this rare premium. CGC FN 6.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,200.
Gang Busters #3 Mile High pedigree (DC, 1948). A gem of a book from the most prestigious pedigree of them all. Front cover, spine and corners are superb, making this a top-notch book for even the most discriminating of collectors. CGC VF 8.0 Off-white pages. Overstreet FN 6.0 value = $90; NM 9.4 value = $240.
Gang Busters #9 (DC, 1949). Based on the smash radio hit! An outstanding copy of this pre-code crime comic, with top-notch artwork by Curt Swan, Dan Barry, Win Mortimer, and Howard Sherman. This superb copy has the staples rolled approximately 1/2" onto the front cover, and a distributor mark in pencil, but is otherwise like new, with a color-tinted photo cover. Sharp corners, and virtually no wear make this a highly desirable book. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 value = $190.
Gang Busters #11 Mile High pedigree (DC, 1949). DC always put out quality material, whether it was in the superhero, western or crime genres, and Gang Busters is no exception. Gritty, down-to-earth and realistic, this comic proved, "You Can't Beat the Law!". This particular issue features a great photo cover. A stunning book, near perfect with outstanding page quality. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $160.
Gang Busters #13 Mile High pedigree (DC, 1950). This issue of the classic crime comic features a great photo cover of lawmen in action. Based on the smash-hit radio show of the same name, this is a pretty book and a great investment piece, just waiting to be snatched up by a savvy collector. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $160.
Gang Busters #13 (DC, 1950). A pristine copy of this long-running crime comic features a cool photo cover, plus outstanding artwork by Curt Swan, Dan Barry, and Nick Cardy. Very light spine stress is about the only apparent flaw in this like-new book, with square corners, bright colors, and a sharp image on the photo cover. CGC NM 9.4 Off-white pages. Overstreet 2001 NM 9.4 value = $160.
Green Lantern #1 (DC, 1941). A triple-threat, this Golden Age DC key issue not only sports a classic cover by Shelly Moldoff, it's also the very first issue of the Emerald Gladiator in his own title and ranks #17 on Overstreet's list of "Top Golden Age Books". Additionally, the cover was reworked by Alex Ross and used for the 30th Edition of The Overstreet Price Guide. The highlight of this book is the retelling of Green Lantern's origin. A solid, attractive book. CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $2,500; FN 6.0 value = $7,500.
Green Lantern #2 (DC, 1941). Second issue of this important golden-age title. This issue contains the first book-length Green Lantern story. Well preserved copy with only minor wear. CGC VF- 7.5 Off white pages. Overstreet 2001 FN 6.0 value = $1,878; NM 9.4 value = $7,200.
Green Lantern #3 (DC, 1942). Featuring a classic war cover by Green Lantern creator Martin Nodell, this issue contains a book-length story (rare for the early Golden Age). This is an outstanding copy of this early GL issue with a deep black cover, sharp color, and a very bright, crisp appearance. Black covers are tough to find in high-grade, making this a true rarity. This awesome Green Lantern #3 is the highest graded CGC copy to date. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,357; NM 9.4 value = $5,200.
Green Lantern #4 San Francisco pedigree (DC, 1942). Green Lantern joins the Army! This issue features a patriotic cover, showing GL and his partner Doiby Dickles marching off to win the war. This copy originated from the San Francisco collection, considered by many to be second only to the Mile Highs in quality. A very pretty book that has only slight edge wear and white pages, a well-known trait of the Frisco books. To date, this breathtaking Green Lantern #4 is the highest-graded CGC copy and it is certainly one of the best, if not the best copies in existence! CGC VF/NM 9.0 White pages. Overstreet 2001 NM 9.4 value = $4,000.
Green Lantern #4 Crowley pedigree (DC, 1942). The Green Lantern and Doiby Dickles join the army in a four-part adventure written by Ted Udall and drawn by GL creator Martin Nodell. The classic war cover was drawn by Golden Age great Irwin Hasen. This is a good-looking copy, actually presenting better than its grade would imply. It has white pages, excellent clarity and good color to the cover. In particular, the iconic head-shot of the Lantern overseeing the troops is still very striking, and makes for an excellent display piece. An excellent affordable copy of this early Green Lantern from the highly-regarded Crowley collection. CGC notes, "Centerfold detached". CGC VG+ 4.5 White pages. Overstreet 2001 GD 2.0 value = $381; FN 6.0 value = $1,143.
Green Lantern #7 Rockford pedigree (DC, 1943). A book-length adventure pits Green Lantern against the "Wizard of Odds"! A terrific robot cover by Lantern creator Martin Nodell leads off this beautiful copy from the Rockford collection. Featuring sharp corners, brilliant colors, virtually no spine stress, and beautiful pages, this is the highest-graded copy of this book CGC has certified as of this writing. A true Golden Age classic. CGC VF+ 8.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $695; NM 9.4 value = $2,200.
Green Lantern #7 (DC, 1943). A classic robot cover highlights this nice looking copy of an always-popular book. With very good color and light wear, this book will make a fine addition to any collection. There is a name written on the cover, which does not receive a CGC label notation. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $695; NM 9.4 value = $2,200.
Green Lantern #9 San Francisco pedigree (DC, 1943). A Mayer/Moldoff combination cover, this issue hails from what many consider to be one of the best pedigree collections in the market, second only to the famous Mile Highs. Exhibiting a near-perfect cover and blinding whiteness, this book truly represents the collection well. A truly great investment piece. CGC NM 9.4 White pages. Overstreet 2001 NM 9.4 value = $1,750.
Green Lantern #9 (DC, 1943). Fantastic artwork by Mayer and Moldoff on the cover of this book. Nice higher-grade condition with great color and gloss. Small tear about 1/2" on back cover which keeps this out of the upper range. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $553; NM 9.4 value = $1,750.
Leading Comics #1 Crowley pedigree (DC, 1941). First issue of a great golden-age title. It is an "all-star" series, highlighting DC's second tier stars. The Vigilante, Star Spangled Kid, Green Arrow, Crimson Avenger and Shining Knight are featured. These stars ban together to form "The Seven Soldiers of Victory", an unbeatable crime fighting team. This book has traditionally been considered to be undervalued by Overstreet. It is one of the cheapest DC golden-age keys. CGC VF- 7.5 Off white pages. Overstreet 2001 FN 6.0 value = $1,200; NM 9.4 value = $4,200.
Leading Comics #9 Mile High pedigree (DC, 1943). Leading Comics is the "all star" title for DC's second string of characters. Vigilante, Green Arrow, Shining Knight, Crimson Avenger and Star Spangled Kid are all featured. This copy is from the storied Mile High collection. It boasts the white pages and fresh colors that have become hallmarks of the collection. Wear is minimal. The pages protrude slightly from the top of the cover; also apparent is some minor edge wear. The overall impression however, is that of a near mint book. This stunning Mile High Leading Comics #9 is the highest-graded CGC copy to date. CGC VF+ 8.5 White pages. Overstreet 2001 FN 6.0 value = $237; NM 9.4 value = $750.
Leave it to Binky #1 Mile High pedigree (DC, 1948). Offered here is the seldom-seen first issue of this long running (33 years) DC humor title. This character was created by Sheldon Mayer, who contributes an eight-page story to this issue. There is a Superman tie-in too, as Binky's big sister Lucy dons a Superman costume in one of the stories. The color and pages are typical of the Mile High collection...outstanding! CGC awarded this copy a VF- 7.5 (the highest grade to date), but the consignor chose to "break it out" of the slab, most likely so he could more directly enjoy the beautiful attributes of this key book. Condition: VF- Off-white to white pages. Overstreet 2001 FN 6.0 value = $105; NM 9.4 value = $280.
Miss Beverly Hills of Hollywood #2 Mile High pedigree (DC, 1949). In the second issue of this short-lived title, the stories revolve around an ingenue (Miss Beverly Hills) and her misadventures, most of which involve her meeting stars and trying to get her "big break". In this issue, she goes to a party at Eve (Our Miss Brooks) Arden's house. The cover is a combination of art and photography with actor William Holden pictured, and this issue contains a Bill Holden biography as well. The overall condition and eye-appeal are exceptional, marking this as a beautiful book from a well-respected pedigree. Condition: NM- Off-white to white pages. Overstreet 2001 NM 9.4 value = $375.
Miss Beverly Hills of Hollywood #4 Mile High pedigree (DC, 1949). Featuring a high-impact red cover with photo insets of Jane Wyman (the first Mrs. Ronald Reagan), Burt Lancaster, Loretta Young, and Robert Cummings, these stars all appear in the stories inside as well. The incredible condition and eye-appeal are only slightly marred by two very minor flaws: the top staple is slightly recessed, and there is a subtle printer's crease near the spine. Condition: NM- Off-white pages. Overstreet 2001 NM 9.4 value = $325.
Platinum Age (1897-1937)
More Fun Comics #19 (DC, 1937). A very rare book, probably less than twenty copies have survived. Of those, this is the second highest grade CGC has awarded for this issue. Featured herein is Dr. Occult, generally accepted as the prototype for Superman, written and drawn by Superman's creators, Jerry Siegel and Joe Shuster. The back cover is a full page ad for Detective Comics #1. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $877; VF 8.0 value $1,900.
Golden Age (1938-1955)
More Fun Comics #32 (DC, 1938). This comic includes the last Dr. Occult story by Jerry Siegel and Joe Shuster (Dr. Occult is considered by many comics historians to be a prototype for Superman). The inside front cover is a full page ad for Action Comics #1. CGC VG 4.0 Light tan to off-white pages. Overstreet 2001 GD 2.0 value = $350; FN 6.0 value = $750.
More Fun Comics #33 Mile High pedigree (DC, 1938). More Fun #1-51 have always proven an extremely difficult run to assemble, with very few collectors succeeding. Since the 1970s, the Mile High run has been kept intact, and only recently was it broken up and offered for sale. Most books from this run rank as the best existing copy, this one included. A near flawless example from the late 1930s, the book was purchased by Edgar Church second-hand, as shown by the double slash marks pencilled in the logo. It also has a full page ad for Action #2 inside, and is graced by DC's powerhouse creators, Bob Kane, Jerry Siegel and Joe Shuster. CGC NM 9.4 Off-white to white pages. Overstreet 2001 NM 9.4 guide = $2,000.
More Fun Comics #54 (DC, 1940). DC's very first title (starting as New Fun) has always been a fan favorite for its rarity and diversity, running almost twelve years and introducing a number of important characters to the DC universe. More Fun made the superhero switch when the Spectre was introduced in #52, continuing the tradition until #107 when the series returned to more light-hearted fare. Considered by many to be the best Spectre cover of the run, #54 has been sought-after for years, always commanding a premium regardless of grade. Unrestored high grade copies are impossible to find, usually selling privately when they turn up. This particular copy is a sight to behold, with white pages and a very well-preserved cover. Defects keeping it out of the NM range are minimal, including a small color chip off the top spine, light foxing on the back cover and the slightest amount of discoloration around the staples. A truly powerful copy of a classic cover--it may be a long time before a comparable #54 appears on the market. CGC VF 8.0 White pages. Overstreet 2001 VF 8.0 value = $5,980.
More Fun Comics #87 (DC, 1943). Johnny Quick made only three cover appearances during his stint in More Fun before moving to his new home in Adventure. This issue has an all-star line up featuring not only the Spectre, but Dr. Fate, Aquaman, Johnny Quick, Green Arrow and the last appearance of the Radio Squad! No one can dispute the rarity of More Fun issues, especially in high grade. A very pretty copy with only minor wear, this book is sure to please any collector. CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $379; NM 9.4 value = $1,200.
More Fun Comics #103 (DC, 1945). A very difficult issue to acquire, this comic contains the third appearance of The Boy of Steel, Superboy. A very attractive copy with great color and fabulous eye-appeal, CGC notes, "Small "M E" stamp on centerfold". CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $285; NM 9.4 value = $900.
More Fun Comics #106 Mile High pedigree (DC, 1945). This issue features the third cover appearance of Superboy and his sixth appearance overall. The book itself is beautiful, possessing all the qualities that the Mile High collection is famous for, including great color, good pages and minimal wear. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $750.
More Fun Comics #111 Mile High pedigree (DC, 1946). DC superhero Mile Highs keep getting tougher and tougher to come by, as they find homes very quickly in long-term collections. This is a great-looking book with excellent eye-appeal and extremely light wear. An exceptional example from a tough to acquire period. CGC NM- 9.2 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $175.
More Fun Comics #112 (DC, 1946). One of the scarce later issues of this highly-collectible title. Strongly appealing, this book looks nicer than the grade would indicate. CGC notes, "Small "M F" stamp on centerfold". CGC VF- 7.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $66; NM 9.4 value = $175.
More Fun Comics #113 (DC, 1946). Featuring Genius Jones, who took over the starring role in More Fun after DC moved its superheroes into other titles. This copy is clean and bright, exhibiting almost no wear. CGC VF/NM 9.0 Cream to off-white pages. Overstreet 2001 NM 9.4 value = $175.
Mystery in Space #2 Crowley pedigree (DC, 1951). The second issue of DC's long-running sci-fi title has outstanding artwork by Murphy Anderson and Carmine Infantino, and an almost-bondage cover. This copy, from the highly-regarded Crowley collection, shows moderate wear at the spine, but is otherwise in very nice condition, with excellent color and clarity on the cover. CGC FN+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $257.
New York World's Fair Comics (1939 Edition) (DC, 1939). Originally published specifically for, and distributed at, the '39 World's Fair, this huge (96 pages) squarebound edition sold poorly because its cover price (25 cents) was so much higher than the regular 10-cent comics of the day. Eventually DC re-stickered it at 15 cents and sold it via mail-order. This lively anthology comic has several interesting features, including the fact that Superman is pictured on the cover with blond hair ! This also features the first published appearance of the Sandman (although his first sequential-art story would not appear until Adventure #40), a Gingersnap story by Bob Kane, and a terrific Vincent Sullivan cover. This is a solid mid-grade copy with the accompanying overall wear. Still, the book has an excellent overall appearance, with bright colors and good clarity. A really solid copy of this important issue. CGC notes, "'15 cent sticker no longer on cover; cover is almost detached." CGC VG/FN 5.0 Cream pages. Overstreet 2001 GD 2.0 value = $2,080; FN 6.0 value = $6,240.
New York World's Fair Comics #nn (1940 Edition) Lamont Larson pedigree (DC, 1940). From the legendary Lamont Larson collection comes this landmark issue, which marks the first time Superman, Batman, and Robin appear together on the cover of any comic. Both a successor to the 1939 edition (which was originally sold only at the World's Fair, but did poorly due to its higher 25 cent cover price), and a precursor to World's Best #1 (which soon became the long-running World's Finest), this is a historically important comic from a historically significant pedigree. Despite the grade, this book still boasts tremendous eye-appeal for its age, and excellent structural integrity, especially for a square-bound comic. The telltale "Larson" pencilled on the cover is, of course, not considered a defect by most collectors, and the cover tryptic of DC's most famous superheroes (rendered by the highly-respected Jack Burnley) still retains outstanding color and sharpness, as well as its iconic appeal. While the 6.0 grade may not seem high, it is worth noting that only three higher-graded copies (one in 7.0, and two in 7.5, one of which was restored) have been registered by CGC as of this writing; as with most squarebound comics, finding this book in high grade is extremely difficult. CGC FN 6.0 Off-white pages. Overstreet 2001 FN 6.0 value = $3360.
New York World's Fair Comics (1940 Edition) (DC, 1940). This issue marks the first time Superman, Batman, and Robin appeared together on the cover of a comic book, making it a landmark issue. Featuring stories with Batman, Hourman, Johnny Thunderbolt, Red, White and Blue, and Superman, there is a very early Robin appearance as well. Additionally, this is Jack Burnley's first cover art ever! This book is a real winner especially for the price-conscious DC collector who wants an affordable copy of this key title. Grade: FN Cream to off-white pages. Overstreet 2001 FN 6.0 value = $3,360.
Real Fact Comics #8 (DC, 1947). A classic issue featuring the second Tommy Tomorrow story, and a partial Virgil Finlay cover. This is a very solid copy, with only minimal wear, and a fine example of this early sci-fi title. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $182; NM 9.4 value = $575.
Sensation Comics #1 (DC, 1942). Wonder Woman's meteoric rise in the DC universe is famous; first appearing in All-Star #8 as a back-up story, she earned the starring role in Sensation Comics, a new DC anthology title, within mere weeks. Six months later, she landed her own book, which continued on until the 1980s, a feat achieved by only two other heroes, Batman and Superman. Wonder Woman's widespread appeal was due in part to the genius of H.G. Peter, who injected his own fantasies of bondage and female domination into her stories, drawing in the vast male audience who usually shied away from "girlie" comics. Sensation Comics #1 has seen tremendous growth over the last five years, and will certainly continue to be one of the most popular DC key issues. This copy has only minimal edge wear with no outstanding defects to speak of--a terrific mid-grade copy. CGC VG/FN 5.0 Off-white pages. Overstreet 2001 FN 6.0 value = $6,480.
Star Spangled Comics #7 (DC, 1942). A significant issue, this book contains the first appearance of The Guardian and The Newsboy Legion, by Joe Simon and Jack Kirby, as well as the origin and first appearance of Robotman. A nice copy with better eye-appeal than one would expect for the grade. CGC notes, "Cover detached at top staple only. Small amount of writing on interior cover." CGC VG- 3.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $626; FN 6.0 value = $1,878.
Star Spangled Comics #17 (DC, 1943). Excellent issue featuring Simon and Kirby's popular Newsboy Legion (with The Guardian, of course), as well as the swell adventures of Robotman, the Star Spangled Kid, and TNT. This is an excellent copy with nice colors and a very solid appearance. CGC notes, "Very minor amount of glue on cover," but this is virtually unnoticeable. An excellent copy for the Simon & Kirby fan. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $379; NM 9.4 value = $1,200.
Star Spangled Comics #19 Mile High pedigree (DC, 1943). Done in true Simon/Kirby style, The Newsboy Legion are at it again, thwarting Nazis at every turn. A beautiful book with only an impacted area at the top spine, and the pencilled arrival date collectors use to verify authentication. CGC VF 8.0 White pages. Overstreet 2001 FN 6.0 value = $379; NM 9.4 value = $1,200.
Star Spangled Comics #21 (DC, 1943). While Star Spangled Comics is best known for its Simon and Kirby covers and S&K Newsboy Legion/Guardian stories, the back up features are great fun as well. DC stalwarts such as the Star Spangled Kid, Liberty Belle and Robotman, while never "A" list heroes, have provided hours and hours of entertainment to fans of all ages for over 50 years. This is a sharp copy with very light wear and good color and a pencil arrival date above the logo. CGC notes, "1" tear on 13th page. Light foxing on pages". CGC VF 8.0 Off-white pages. Overstreet 2001 FN 6.0 value = $308; NM 9.4 value = $975.
Star Spangled Comics #27 (DC, 1943). An attractive copy of this showcase title with a great Simon and Kirby cover and a Jimmy Thompson Robotman story. There is a small piece out at the top right corner, otherwise this book looks nicer than the grade would indicate. CGC Fine+ 6.5 Off-white pages. Overstreet FN 6.0 value = $308.
Star Spangled Comics #40 Crowley pedigree (DC, 1945). Known for Simon and Kirby's Newsboy Legion, a stint by Batman and Robin, and the first appearance of Tomahawk, this DC anthology has something for everyone. A beautiful book showing only two minor color breaks on the spine, this is an outstanding example from the Crowley collection. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $550.
Star Spangled Comics #54 (DC, 1946). One of the tougher-to-find issues of this long-running title, this book is spotlighted by a great Guardian/Newsboy Legion cover by Simon and Kirby. Star-Spangled seems to be increasing in popularity among collectors, making this a great opportunity to pick up this scarce book. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $150; NM 9.4 value = $450.
Star Spangled Comics #61 Mile High pedigree (DC, 1946). A gorgeous Mile High example with a light bend on the front cover keeping it from achieving a much higher grade. The classic grease pencil "D" is there, helping to attribute provenance. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $150; NM 9.4 value = $450.
Strange Adventures #3 (DC, 1950). Offered here is a high-grade example from DC's popular fantasy series, featuring art by the great science fiction illustrator Virgil Finlay. The white cover is dirt-free, the colors deep, and the grade second only to the Mile High copy. Early '50s DC books are notoriously scarce in this grade, making this a true gem. CGC VF/NM 9.0 Off-white pages. Overstreet 2001 NM 9.4 value = $1,050.
Strange Adventures #4 White Mountain pedigree (DC, 1951). "The Invaders from the Nth dimension!" kick this book into high gear, with a cover featuring a giant alien shovel scooping up part of the city (aliens have shovels?). Fantastic colors and a clean, sharp appearance make this a great example from the White Mountain collection. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $225; NM 9.4 value = $1,050.
Strange Adventures #6 White Mountain pedigree (DC, 1951). Early DC sci-fi comic with one of the most awesome covers produced by DC. The drama and impact of the cover art is heightened by the incredible color and freshness inherent in the "White Mountain Collection". Additionally, this issue contains art by the immortal Virgil Finlay. Finlay is possibly the greatest science fiction artist ever. Regrettably, Finlay's work on comics was limited to less than a dozen total stories. This comic has a few minor flaws: stress at spine, light corner crease, small tear on the back cover, however the integrity of this beautiful comic remains intact. This fabulous book is the highest graded CGC copy to date. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $193; NM 9.4 value = $900.
Strange Adventures #10 (DC, 1951). Another great issue, this one has Captain Comet's second appearance, as he battles the Air-Bandits from Space! Murphy Anderson, Carmine Infantino, and Gil Kane all contribute to this issue. Exhibiting deep colors and a perfect spine, the cover has excellent eye-appeal. CGC NM- 9.2 Off-white pages. Overstreet 2001 NM 9.4 value = $900.
Strange Adventures #12 (DC, 1951). Captain Comet meets "The Girl from the Diamond Planet" in this classic issue. This book features art by such legends as Murphy Anderson, Gil Kane, and Alex Toth and is a real stunner. CGC notes, "slight mis-cut", but otherwise this issue is in beautiful shape. A great copy of an increasingly desirable title. CGC NM- 9.2 Off-white to white pages. Overstreet 2001 NM 9.4 value = $600.
Strange Adventures #13 Spokane pedigree (DC, 1951).This is an unbelievable copy of Strange Adventures #13 from the Spokane collection. Spokanes usually have white pages and great color. They tend to be as fresh as the day they were circulated. Spokanes are highly prized by collectors, and trade hands infrequently. Traditionally, they sell for four to twelve times Overstreet value. This particular book is a prime example from this highly-regarded collection. This Strange Adventures #13 is probably the best copy in existence; it features a very early Captain Comet cover appearance, and art by Carmine Infantino, Alex Toth and Gil Kane. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $600.
Superboy #1 (DC, 1949). A beautiful copy of a key DC issue. During the post World War II period, the popularity of super hero comics were at a low ebb. Many long running characters and titles disappeared or were cancelled. Superboy #1 bucked that trend, and started a new title that ran for 31 years. This copy is superb, with a very fresh look, truly intense color, and minimal wear. As an added bonus, Superman is featured on the cover. An investment-quality copy, at the time of this writing it is the second highest graded copy, according to CGC's census report. CGC VF+ 8.5 Off-white pages. Overstreet 2001 FN 6.0 value = $2,090; NM 9.4 value = $8,000.
Superboy #1 (DC, 1949). The Boy of Steel gets his own book in this Golden Age classic. Sporting a great Superman cover, this is a nice copy of this sought-after book. CGC note, " 1" tear on last page. Piece out margin of 23rd page." There is some slight soiling and minor creasing on the back cover, but this is, overall, a great copy for any collection, with bright, vibrant colors and excellent eye-appeal. A book no Superman collector should be without. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $2,090; NM 9.4 value = $8,000
Superman #1 (DC, 1939). The Man of Steel, a cultural icon, can spawn a multitude of discussions within or outside the comic book industry. Superman's worldwide fame makes him recognizable from Timbuktu to Paduka, Kentucky. He heralded the start of the superhero genre, and his own series was the first comic devoted to a single character. The cover alone is considered by many to be the single most recognized image in comic fandom. Superman #1 is one of the most sought-after books in our hobby, and it is extremely rare to own one in unrestored condition. Despite having a detached centerfold and cover, the book has rich colors and appears clean. The spine has a chip out at both staple areas and color flaking, but does not affect the overall appearance of the book. Considering that Superman #1 is listed as the third most valuable comic by Overstreet, this copy is relatively affordable in it's present condition. CGC label notes, "Cover and centerfold detached". CGC GD 2.0 Tan to off-white pages. Overstreet 2001 GD 2.0 value = $14,000.
Superman #1 (DC, 1939). This Golden Age key marks the first time a comic book was devoted to a single character, a radical idea in 1939. This landmark first issue features, "The Complete Story of the Daring Exploits of the One and Only Superman." It includes the stories from Action Comics #1-4 by co-creators Jerry Siegel (writer) and Joe Shuster (art) with two new pages added to the origin plus four new pages that were omitted from the Action story. This copy has good colors with extensive amateur restoration including a large piece replaced at the top left corner of the front cover. In addition, the centerfold and back cover have been replaced with color photocopies and the spine has been reinforced. This is a great low-grade copy for the Superman collector on a budget! Condition: PR. Overstreet 2001 GD 2.0 value = $14,000.
Superman #2 (DC, 1939). After a phenomenally successful debut in Action Comics, the powers-that-be at DC quickly afforded the Man of Steel his own title, and sales went up, up, and away. Offered here is the spectacular second issue of Superman, featuring a striking Joe Shuster cover (with a pose similar to Superman #1, but facing in the other direction). As is often the case, this issue is even tougher to find than Superman #1, and is a very difficult book to find in high-grade, especially unrestored. This is, in fact, the highest-graded unrestored copy of this book that CGC has certified as of this writing, making it the best Superman #2 on the open market. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $3,060; NM 9.4 value = $12,750.
Superman #2 (DC, 1939). The Superman series was DC's first attempt at giving a superhero his own title, with the first few issues reprinting stories first featured in Action Comics and the daily newspaper strips. The series proved wildly successful, and kicked off an industry trend of single-character comics. Because of #1's high value, many collectors simply place #2 at the top of their want list, and work from there. This copy is solid with defects typical for the grade, including a spine roll and light soiling, and has a pencilled price on the back cover. Overall, an attractive copy with great eye-appeal. CGC VG+ 4.5 Cream to off-white pages. Overstreet 2001 GD 2.0 value = $1,020; FN 6.0 value = $3,060.
Superman #4 (DC, 1940). A classic Superman book featuring the Man of Steel in action, somewhat similar to the famous Action #1 cover in layout. Lex Luthor makes his second and third appearances in this issue. A solid copy from one of the most popular runs in comics, this one exhibits only light edge wear, making it attractive and affordable to anyone. CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $1,565; NM 9.4 value = $6,000.
Superman #14 (DC, 1942). This issue is a perennial favorite among collectors. In and of itself, it has one of the very finest Golden Age covers, and is universally held to be a true classic. Additionally, it hits on many sub-genres of collecting, including black covers, patriotic covers, flag covers, Superman covers, Fred Ray covers...the list goes on and on. This particular copy is beautiful, very possibly the prettiest we have ever seen. The field is a solid matte black, yet retains a rich velvety luster. The palette used consists of all primary colors, resulting in a very high-impact composition. Overall the book displays a freshness seldom seen in a 60-plus year-old comic, with outstanding page quality. There is a reading crease that runs the length of the spine, and a 3/4" corner crease at the bottom right of the front cover, and near the top of the spine, on the back cover is some slight insect damage, with the coating of the paper affected in an area less than 1/2" x 1/4". In most regards, the book has the color saturation, freshness and structure of a pedigree quality book. There is some evidence of minor restoration having been done to this book, including very slight color touch and pressing, and we therefor offer this book with an Apparent grade. Condition: Apparent FN/VF White pages. Overstreet 2001 FN 6.0 value = $915; NM 9.4 value = $3,200.
Superman #33 (DC, 1945). This issue features the third appearance of Mr. Mxyztplk, one of Superman's great villains. An attractive copy with light edge wear only. CGC VF- 7.5 Off-white to white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $950.
Superman #34 (DC, 1945). A solid copy of this classic WWII era book with a striking Jack Burnley cover. CGC notes, "'101-15-5' written on 1st page in pen". CGC FN/VF 7.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value =$950.
Superman #38 (DC, 1946). Won't this barber ever learn? You can't cut Superman's hair on Earth! The interior contains an atom bomb story, which caused the issue's release to be delayed by the U.S. government. Apparently, the subject matter was still sensitive, being less than six months after the end of WWII. A stunning book, it would have graded NM if not for a small abrasion near the bottom staple. CGC VF 8.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $300; NM 9.4 value = $950.
Superman #40 (DC, 1946). A beautiful copy of this Golden Age mainstay and American pop-cultural icon, this issue features a cool Mr. Mxyzptlk cover. CGC Fine- 5.5 Off-white pages. Overstreet 2001 FN 6.0 value = $300.
Superman #72 (DC, 1951). This has always been a high demand issue due to its classic sci-fi cover. A very solid copy with good eye-appeal and exceptional page quality, there is a name written on the cover (no label note). CGC FN/VF 7.0 Off-white to white pages. Overstreet 2001 FN 6.0 value = $174; NM 9.4 value = $550.
Superman #76 (DC, 1952). The first time Superman and Batman learn each other's secret identities, as well as the first time Batman crossed over into Superman's regular title. Nice copy with just a small amount of wear on bottom of spine. CGC VF 8.0 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $505. NM 9.4 value = $1,600.
Superman Socks Uncut box (DC, 1949). We have never seen one of these before. It is an uncut sheet for the box top of Superman socks. The quality of the graphics and printing are outstanding. Produced by "Sport-wear hosiery mills, Inc." , copyright 1949 Nat'l Comics Pub., Inc. Condition is dead mint. Outstanding item.
Three-Dimensional Adventures of Superman (DC, 1953). This magazine-sized issue retells the origin of Superman with new art in eye-popping 3-D. An all-Superman issue which comes with the original glasses still attached! Nice mid-grade condition, flat with no tears or creases and nice cover gloss. Great 3-D effect! FN+ Light tan pages. Overstreet 2001 FN 6.0 value = $332.
Memorabilia
Vintage Superman Group (Various Publishers,1942, 1953). Published in 1942, George Lowther wrote the first book with information on Superman's life as a teenager, along with new text concerning his origin. Authorized by Joe Shuster and Jerry Siegel (with no mention of DC Comics), this book has 10 illustrations in color and black and white. Almost never found with a dust-jacket, this book is very rarely offered for sale. Also included in this group is a TV Guide Vol.1 # 26 which came out in 1953 and cover-features George Reeves as Superman. Book grade: NM; Dust-Jacket grade: VG; TV Guide grade: VF. Both items have white pages.
Golden Age (1938-1955)
Tomahawk #1 Mile High pedigree (DC, 1950). This issue presents a rare opportunity. Key issues from the Mile High collection are difficult to acquire in general, with first issues of long running DC titles being even harder to acquire. This is an absolutely stunning copy, with a great Fred Ray cover (see the Original Art section for the original of this stunning piece) and stellar page quality. CGC notes, "Manufactured with large piece out margin of 2nd page, slightly affects story". CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $1,500.
Western Comics #26 Mile High pedigree (DC, 1951). A near flawless specimen from this famous collection, exhibiting white pages and a perfect spine. A truly stunning book, especially considering the fact that many Mile Highs from the 1950s don't have white paper because of the manner in which they were stored. If you want the best, here it is. CGC NM/MT 9.8 White pages. Overstreet 2001 NM 9.4 value = $110.
Western Comics #32 Mile High pedigree (DC, 1952). This copy of Western Comics is truly impressive, looking like it came right off the newsstand yesterday. Seeing comics like this reaffirms why the Mile High collection has achieved such legendary status. CGC NM+ 9.6 White pages. Overstreet 2001 NM 9.4 value = $110.
Wonder Woman Ashcan #1 (DC, 1942). Ever since their discovery several years ago, the DC ashcans have caused a sensation in the collecting world. Late last year, a Superman #1 ashcan brought over $36,000 at auction. The Wonder Woman ashcan offered here is one of the few that were machine stitched and trimmed. In other words, it's not hand-stapled and trimmed like the Superman ashcan was. It looks like a regular Golden Age comic book with a black and white cover. Adding to its desirability is the fact that it is truly unique, whereas at least two copies of the Superman ashcan are known to exist. The cover, dated Jan. 1942 and numbered # 1, features cover art by H. G. Peter, that would eventually be used for Sensation # 1. The most noticeable difference is the logo that has been changed to "Wonder Woman". The interior presents the Wonder Woman story from Sensation Comics # 2. Since Sensation Comics # 1 is cover dated January, 1942, it's clear that M.C. Gaines and his business partners at DC produced this ashcan immediately upon their realization that Wonder Woman was going to be a huge hit. They rushed this ashcan into production to secure the trademark for what would become the world's most popular female superhero. The first issue of Wonder Woman, dated Summer 1942, quickly followed. In what appears to be a receipt of some kind, the words "Registered U.S.P.O. 1942" are written in pencil below the logo on the cover. U.S.P.O. in this context refers to the United States Patent Office, where copies of ashcans were sent to register trademarks. The copyright notice has a pencil mark through it that looks like someone either checked that it was properly there, or that "copyright 1941 by M.C. Gaines" was incorrect. In any case, it serves to solidify the historical importance of this unbelievably rare pop culture artifact. This is literally the first edition of Wonder Woman, a title that has run uninterrupted for sixty years. Arguably the most valuable ashcan in existence due to its rarity and historical significance, this is an elusive treasure not to be missed. CGC VF+ 8.5 Cream to off-white pages.
Wonder Woman #1 (DC, 1942). On this classic World War II cover by H.G. Peter, Wonder Woman leads the battle against the Axis hordes. The story features the first detailed origin of Wonder Woman, one of the three DC superhero characters from the Golden Age who have survived until the present day. A beautiful high-grade and completely unrestored comic with bright colors and superior luster, the spine is tight with very little stress around the staple area. The cover edges are clean with no chips or creases anywhere on the book. This is a tremendous copy of one of the most sought-after books in comicdom, and is one of the four best copies graded by CGC as of this writing. CGC VF- 7.5 Off-white pages. Overstreet 2001 VF 8.0 value = $11,400.
World's Best Comics #1 (DC, 1941). Born out of the New York World's Fair comics, this is the famous first issue of World's Best Comics, which would change its name to World's Finest with the second issue. A terrific Fred Ray cover leads off an issue jam-packed with great features, including Superman, Batman, and Robin (in separate stories, though they all appear together on the cover), the Crimson Avenger, Johnny Thunder, The King, Zatara, and more. A squarebound giant at 96 pages, this has a cardboard cover, with blank inside front and back covers. The fifteen-cent cover price was quite a bargain considering this had almost twice the pages of a regular ten-cent comic. This is a solid copy which exhibits the wear one would normally associate with the grade. As with most squarebound comics, it is difficult to find in high grade. CGC has not certified any copies above a VF 8.0, so this is a respectable grade for a tough book. CGC VG/FN 5.0 Off-white pages. Overstreet 2001 FN 6.0 value = $4080.
World's Finest Comics #10 Toledo pedigree (DC, 1943). A beautiful copy of this "all star" issue. All the characters featured in the book appear on this high-impact cover, including Superman, Batman, Robin, the Boy Commandos, Green Arrow, and the Star Spangled Kid. Some of DC's better artists are on display in this issue, including Fred Ray, Simon and Kirby, and Jack Burnley. The book itself is very attractive, with great color and very light wear, and the conservative grade makes this book even more desirable. CGC VF- 7.5 Off-white pages. Overstreet 2001 FN 6.0 value = $474; NM 9.4 value = $1,500.
World's Finest Comics #14 (DC, 1944). An early issue of this mainstay DC title that ran for over 45 years. The cover is drawn by Jack Burnley, and Jerry Robinson contributes a Batman story to this issue. A beautiful copy with good color and only light to moderate wear. CGC Fine+ 6.5 Cream to off-white pages. Overstreet 2001 Fine 6.0 value = $411; NM 9.4 value = $1,300.
World's Finest Comics #16 (DC, 1944). Another early edition of this important DC title with impressive cover art by Win Mortimer and featuring such DC heavy-hitters as Batman, Robin, Superman, as well as a great selection of second-tier DC heroes. Structurally, the book is very sound, however the cover does have some light surface soiling. CGC Fine+ 6.5 Cream to off-white pages. Overstreet 2001 FN 6.0 value = $474; NM 9.4 value = $1,500.
World's Finest Comics #17 (DC, 1945). An exceptionally clean-looking copy is highlighted by a humorous Jack Burnley cover. A wonderful book that still retains its eye-popping colors, this was the last issue of the title to feature cardboard covers. Very nice condition for a square-bound, the spine is exceptional, with very little of the telltale wear, except for small patches at the top and bottom. Making the book even more desirable is the luminous quality of the interior pages. CGC VF+ 8.5 White pages. Overstreet 2001 FN 6.0 value = $411; NM 9.4 value = $1300.
World's Finest Comics #33 (DC, 1948). An absolutely gorgeous unrestored copy of this well-loved title, this has the appearance of a VF/NM, but unfortunately has a 1.5" tear on the bottom edge of the back cover. The spine is in excellent condition, with a very small nick at the base and minor glue wrinkling. The cover shows exceptional color, with square corners and virtually no wear. A real beauty! Condition: FN+. Overstreet 2001 FN 6.0 value = $221.
World's Finest Comics #34 (DC, 1948). The pairing of Batman and Superman in the same book was gold for DC in the early days of the Golden Age, and this entertaining anthology was a fan favorite. A gorgeous copy of this early book has a perfect, deep color strike with an exceptional black-heavy cover that looks as if it were printed yesterday. The only significant problem is a 3/4" tear at the bottom left edge, and a small amount of paper loss at the base of the spine, which is a fairly common problem with square-bound books. Otherwise, this is a stunningly gorgeous book. Condition: FN/VF. Overstreet 2001 FN 6.0 value = $221.
World's Finest Comics #35 (DC, 1948). A superb copy of this well-loved title has an amusing cover, possibly by Sheldon Moldoff? This copy has bright colors and excellent clarity. Chips off the top and bottom of the right side of the cover, and a tiny tear above the "R" in the logo are the only apparent problems with this great-looking book. Condition: FN/VF. Overstreet 2001 FN 6.0 value = $221.
World's Finest Comics #44 (DC, 1950). A typically whimsical cover leads off this thrill-packed issue. This excellent mid-grade copy has a chip out of the lower left corner of the back cover, very small tears in the last three pages,and a small amount of paper missing at the bottom of the spine. The spine shows slight evidence of rolling, and has small abrasions at the top. The cover has a fresh appearance and outstanding deep, rich colors. Condition: FN. Overstreet FN 6.0 value = $165.
World's Finest Comics #45 (DC, 1950). An agreeably goofy cover (in what world is Robin kicking the tar out of Superman?) and the usual entertaining array of contents (Green Arrow, The Wyoming Kid, Full Steam Foley) make for another fun-filled issue of World's Finest. This is a nice mid-grade copy, with multiple chips and small tears in the front and back cover, dust shadow discoloration along the right edge of the front cover, pages chipped at the lower right corner (runs through roughly half the book), and a red checkmark on the front cover. Still, a great cover image, and very presentable overall, this is a good-looking alternative for the thrifty collector. Condition: VG+. Overstreet 2001 GD 2.0 value = $55; FN 6.0 value = $165.
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842